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Date: Tue, 30 Jun 2009 17:33:51 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Is RC-50 really noisy? (And other concerns with noise in live rigs?)
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Hello List,

I have been working on tightening my sound quality. Couple of questions:

- Has anyone else noticed the Boss RC-50 to be particularly noisy?

- With respect to multiple gear in one live rig with pedals, mixers, compressors, drum machines, mics and too many cables all around, how have you guys combated the noise floor that creeps in?

Thanks for your feedback!

 http://margaretnoble.net/


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt">Hello List,<br><br>I have been working on tightening my sound quality. Couple of questions:<br><br>- Has anyone else noticed the Boss RC-50 to be particularly noisy?<br><br>- With respect to multiple gear in one live rig with pedals, mixers, compressors, drum machines, mics and too many cables all around, how have you guys combated the noise floor that creeps in?<br><br>Thanks for your feedback!<br><div>&nbsp;</div><font style="font-family: arial,helvetica,sans-serif; color: rgb(45, 45, 45);" color="#888888" size="2"><a rel="nofollow" target="_blank" href="http://hthma-underdogs.appspot.com/"></a></font><font size="1"><span style="color: rgb(0, 0, 0); font-family: arial; text-decoration: underline;"><font style="font-family: arial,helvetica,sans-serif;" size="2"><span style="color: rgb(45, 45, 45);"><span><a
 target="_blank" href="http://margaretnoble.net/">http://margaretnoble.net/</a></span></span><br><br></font></span><span style="color: rgb(0, 0, 0); font-family: arial; font-weight: bold; text-decoration: underline;"><font style="font-family: arial,helvetica,sans-serif;" size="2"><br></font></span></font><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br></div></div></div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 00:59:12 2009
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Date: Tue, 30 Jun 2009 17:59:10 -0700
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Subject: Re: Is RC-50 really noisy? (And other concerns with noise in live 
	rigs?)
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I can't comment on the RC-50 but I'm on your website and it's quite
nice.  Love the audio recordings.

Any looper can be prone to noise especially if you're micing
instruments (like your woodwinds for instance) instead of going
direct, or leaving loops in record with a high gain effect in front of
it.   Your best bet to keep your loops clean would be to put your
looper in a send channel buss of your mixer (don't skimp on your mixer
either) and use the send knobs to only feed your open loop when you
want to actually add to it from that track.

>From the sound of your music the last thing you want is a gate on
anything.  Just be really mindful of open mics feeding a loop that's
in record. Also, make it part of your sound!

On Tue, Jun 30, 2009 at 5:33 PM, margaret
noble<margaretnoble2000@yahoo.com> wrote:
> Hello List,
>
> I have been working on tightening my sound quality. Couple of questions:
>
> - Has anyone else noticed the Boss RC-50 to be particularly noisy?
>
> - With respect to multiple gear in one live rig with pedals, mixers,
> compressors, drum machines, mics and too many cables all around, how have
> you guys combated the noise floor that creeps in?
>
> Thanks for your feedback!
>
> http://margaretnoble.net/
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 02:46:31 2009
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	 <afb941d0906301539s71e05b7bl78e55a6dabfbbf7c@mail.gmail.com>
Date: Tue, 30 Jun 2009 20:38:49 -0600
Message-ID: <dec8f8e60906301938n2df95765of1cb5293be31c2e@mail.gmail.com>
Subject: Re: ubuntu based rig
From: Dennis Moser <sinsofmachaut@gmail.com>
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SooperLooper on Linux? Details .. .or was that a dead end?

Dennis

On Tue, Jun 30, 2009 at 4:39 PM, Raul Bonell <raul.bonell@gmail.com> wrote:

> i read on the net that audacity was not working at all with versions
> 7, 8 of ubuntu. but i think they solved the issue. i'm doing any audio
> editing work in wavelab 5 (PC) before i jump to the logic apps i have
> installed in my imac months ago, but hadn't time to learn yet
> (waveburner,soundtrack,etc..).
>
> here a list of all the opensource audio apps that come with ubuntu studio
> 9.04.
>
> https://wiki.ubuntu.com/UbuntuStudio/PackageList
>
>
>
>
>
> 2009/7/1, Jim Goodin <jimgoodinmusic@gmail.com>:
> > Though I'm more mac based these days I've been running Ubuntu @r mons
> > on a dell latitude I have from work.  Next to osx I love it.
> >
> > I've not done any audio work on it but what open source audio editor
> > are you using Raul?
> >
> > I use audacity for osx and have for windows but have not researched it
> > for ubuntu.
> >
> > A while back did yo or someone mention using lilypad notation sw?
> > Guess I'm ot there.
> >
> > J
> >
> > On 6/30/09, Raul Bonell <raul.bonell@gmail.com> wrote:
> >> has anybody had success building a looping rig or modular fx setup
> >> (ala. bidule, energyXT,etc)
> >> in ubuntu studio or other linux based OS (not counting OSX)?
> >>
> >> any opensource applications related available?
> >>
> >> tell us your experiences,
> >> thanks.
> >>
> >>
> >> --
> >> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> >> Chain Tape Collective: http://www.ct-collective.com
> >>
> >>
> >
> >
> > --
> > ReUse, an introspective textural aural journey coming soon...
> >
> > music links...
> > www.jimgoodinmusic.com
> > www.chinapaintingmusic.com
> > www.myspace.com/jimgoodinmusic
> > www.myspace.com/chinapaintingmusic
> > www.myspace.com/jimgoodinviolinelectro
> > www.myspace.com/jindream
> > www.youtube.com/jimgoodinmusic
> >
> > video work/editing...
> > www.vimeo.com/jimgoodindigital
> >
> > social networking...
> > www.twitter.com/jimgoodinmusic
> >
> >
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>


-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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SooperLooper on Linux? Details .. .or was that a dead end?<br><br>Dennis<br=
><br><div class=3D"gmail_quote">On Tue, Jun 30, 2009 at 4:39 PM, Raul Bonel=
l <span dir=3D"ltr">&lt;<a href=3D"mailto:raul.bonell@gmail.com">raul.bonel=
l@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">i read on the net=
 that audacity was not working at all with versions<br>
7, 8 of ubuntu. but i think they solved the issue. i&#39;m doing any audio<=
br>
editing work in wavelab 5 (PC) before i jump to the logic apps i have<br>
installed in my imac months ago, but hadn&#39;t time to learn yet<br>
(waveburner,soundtrack,etc..).<br>
<br>
here a list of all the opensource audio apps that come with ubuntu studio 9=
.04.<br>
<br>
<a href=3D"https://wiki.ubuntu.com/UbuntuStudio/PackageList" target=3D"_bla=
nk">https://wiki.ubuntu.com/UbuntuStudio/PackageList</a><br>
<br>
<br>
<br>
<br>
<br>
2009/7/1, Jim Goodin &lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgoo=
dinmusic@gmail.com</a>&gt;:<br>
<div><div></div><div class=3D"h5">&gt; Though I&#39;m more mac based these =
days I&#39;ve been running Ubuntu @r mons<br>
&gt; on a dell latitude I have from work. =A0Next to osx I love it.<br>
&gt;<br>
&gt; I&#39;ve not done any audio work on it but what open source audio edit=
or<br>
&gt; are you using Raul?<br>
&gt;<br>
&gt; I use audacity for osx and have for windows but have not researched it=
<br>
&gt; for ubuntu.<br>
&gt;<br>
&gt; A while back did yo or someone mention using lilypad notation sw?<br>
&gt; Guess I&#39;m ot there.<br>
&gt;<br>
&gt; J<br>
&gt;<br>
&gt; On 6/30/09, Raul Bonell &lt;<a href=3D"mailto:raul.bonell@gmail.com">r=
aul.bonell@gmail.com</a>&gt; wrote:<br>
&gt;&gt; has anybody had success building a looping rig or modular fx setup=
<br>
&gt;&gt; (ala. bidule, energyXT,etc)<br>
&gt;&gt; in ubuntu studio or other linux based OS (not counting OSX)?<br>
&gt;&gt;<br>
&gt;&gt; any opensource applications related available?<br>
&gt;&gt;<br>
&gt;&gt; tell us your experiences,<br>
&gt;&gt; thanks.<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; --<br>
&gt;&gt; Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com"=
 target=3D"_blank">http://raulbonell.blogspot.com</a><br>
&gt;&gt; Chain Tape Collective: <a href=3D"http://www.ct-collective.com" ta=
rget=3D"_blank">http://www.ct-collective.com</a><br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; ReUse, an introspective textural aural journey coming soon...<br>
&gt;<br>
&gt; music links...<br>
&gt; <a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoo=
dinmusic.com</a><br>
&gt; <a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.ch=
inapaintingmusic.com</a><br>
&gt; <a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">ww=
w.myspace.com/jimgoodinmusic</a><br>
&gt; <a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank=
">www.myspace.com/chinapaintingmusic</a><br>
&gt; <a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_b=
lank">www.myspace.com/jimgoodinviolinelectro</a><br>
&gt; <a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.mysp=
ace.com/jindream</a><br>
&gt; <a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">ww=
w.youtube.com/jimgoodinmusic</a><br>
&gt;<br>
&gt; video work/editing...<br>
&gt; <a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">ww=
w.vimeo.com/jimgoodindigital</a><br>
&gt;<br>
&gt; social networking...<br>
&gt; <a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_blank">ww=
w.twitter.com/jimgoodinmusic</a><br>
&gt;<br>
&gt;<br>
<br>
<br>
</div></div>--<br>
<div><div></div><div class=3D"h5">Raul Bonell at Blogger: <a href=3D"http:/=
/raulbonell.blogspot.com" target=3D"_blank">http://raulbonell.blogspot.com<=
/a><br>
Chain Tape Collective: <a href=3D"http://www.ct-collective.com" target=3D"_=
blank">http://www.ct-collective.com</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://myspace.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"ht=
tp://audiozoloft.com">http://audiozoloft.com</a><br><a href=3D"http://usrsl=
ashsbin.angrek.com/">http://usrslashsbin.angrek.com/</a><br>


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Date: Wed, 1 Jul 2009 12:09:44 +0900
Message-ID: <339c30110906302009w48538744t49073801b0197270@mail.gmail.com>
Subject: Re: ubuntu based rig
From: michael noble <looplog@gmail.com>
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I've tried ubuntustudio, 64studio, puredyne, studiotogo, angnula,
Fedora/CCRMA. There are other promising distros emerging to tempt me (or
meta-distros like Gentoo pro audio overlay) but I now use openSUSE as my
primary studio platform. I have three machines running this way, each with
multiple instances of sooperlooper as needed, along with various other
applications. I'm a little snowed under at work at moment, but if I can
offer any tips I'll be happy to. Weekends are always better.  And when I get
around to updating my website I'll be putting more details of my setup up
there.

regards

Michael N

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I&#39;ve tried ubuntustudio, 64studio, puredyne, studiotogo, angnula, Fedor=
a/CCRMA. There are other promising distros emerging to tempt me (or meta-di=
stros like Gentoo pro audio overlay) but I now use openSUSE as my primary s=
tudio platform. I have three machines running this way, each with multiple =
instances of sooperlooper as needed, along with various other applications.=
 I&#39;m a little snowed under at work at moment, but if I can offer any ti=
ps I&#39;ll be happy to. Weekends are always better.=A0 And when I get arou=
nd to updating my website I&#39;ll be putting more details of my setup up t=
here.<br>
<br>regards<br><br>Michael N<br><br>

--0016e644ddea4fb4db046d9c416f--

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Subject: Re: ubuntu based rig
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In terms of modular fx, there are a few options. Of course, there is
energyXT for linux, as you mentioned, which i have not tried. You can also
run apps under wine with low latencies - I use audiomulch in this manner
with 5ms latencies successfully when needed. There are also a number of
native linux apps> I've had some success with playing with Alsamodularsynth,
and recently I finally have been able to setup Ingen, a very attractive and
promising app. I also want to use CLAM, another modular framework that
should soon eb able to export your patches, as VSTs and can already be used
to produce native linux audio processing or synthesis apps to some degree.
They haven't released a stable release for a while though, so short of
uysing the development version ( a constant challenge for linux) you won't
get soem fo the newer more exciting features. Of course, there is always the
jack of all trades, puredata, which runs equally well under all platforms.
And I could go on...

By the way, sooperlooper under linux is most certainly not a dead-end, it
started out as a native linux plugin a long time ago, before becoming a
native linux app, and then finally venturing into the world of OSX.

-Michael

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In terms of modular fx, there are a few options. Of course, there is energy=
XT for linux, as you mentioned, which i have not tried. You can also run ap=
ps under wine with low latencies - I use audiomulch in this manner with 5ms=
 latencies successfully when needed. There are also a number of native linu=
x apps&gt; I&#39;ve had some success with playing with Alsamodularsynth, an=
d recently I finally have been able to setup Ingen, a very attractive and p=
romising app. I also want to use CLAM, another modular framework that shoul=
d soon eb able to export your patches, as VSTs and can already be used to p=
roduce native linux audio processing or synthesis apps to some degree. They=
 haven&#39;t released a stable release for a while though, so short of uysi=
ng the development version ( a constant challenge for linux) you won&#39;t =
get soem fo the newer more exciting features. Of course, there is always th=
e jack of all trades, puredata, which runs equally well under all platforms=
. And I could go on...<br>
<br>By the way, sooperlooper under linux is most certainly not a dead-end, =
it started out as a native linux plugin a long time ago, before becoming a =
native linux app, and then finally venturing into the world of OSX.<br>
<br>-Michael<br>

--0016e644d5e01b5f5a046d9c646f--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 04:41:16 2009
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From: "Krispen Hartung" <info@krispenhartung.com>
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Subject: Video Projectors
Date: Tue, 30 Jun 2009 22:40:10 -0600
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This is a multi-part message in MIME format.

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What was the final verdict on the best portable video projector for the =
money, back when the group was discussing this a few months ago?

Kris

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<DIV><FONT face=3DArial size=3D2>What was the final verdict on the best =
portable=20
video projector for the money, back when the group was discussing this a =
few=20
months ago?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 09:13:39 2009
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Mark Sottilaro wrote:

> I'd be super
> curious to put the Axe-FX against the IK stuff and see what's what.
> 
> 
> 

The Axe-fx runs at a very high sample rate (afaik).
I wouldn't be at all surprised if it had a real
advantage for distorted sounds.



andy

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margaret noble wrote:
> Hello List,
> 
> I have been working on tightening my sound quality. Couple of questions:
> 
> - Has anyone else noticed the Boss RC-50 to be particularly noisy?

no.
Are you using the mic direct into it though?

> 
> - With respect to multiple gear in one live rig with pedals, mixers, 
> compressors, drum machines, mics and too many cables all around, how 
> have you guys combated the noise floor that creeps in?

1) getting the gain staging right ( Google "gain staging").
2) watch out for those cheap cables
3) a compressor is a noise booster, only use if really needed

andy


> 
> Thanks for your feedback!
>  
> <http://hthma-underdogs.appspot.com/>http://margaretnoble.net/
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 09:33:44 2009
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Subject: Re: Short live video clip posted (Live Looping Festival Rome 2009)
Date: Wed, 1 Jul 2009 10:33:12 +0100
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More please!!

Great stuff as usual, Per.

Steve


On 30 Jun 2009, at 22:54, Per Boysen wrote:

> Got the first video clip from my Rome gig today http://bit.ly/JeKZH.
> Big thanks to Milco who filmed and sent me the video!
>
> Per
>


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Date: Wed, 1 Jul 2009 11:55:08 +0200
Message-ID: <66f9cc1e0907010255w55d2feck152711744f0a71b8@mail.gmail.com>
Subject: Re: ubuntu based rig
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jul 1, 2009 at 4:38 AM, Dennis Moser<sinsofmachaut@gmail.com> wrote:
> SooperLooper on Linux? Details .. .or was that a dead end?


"Dead end"...? I was under the impression that's where SL really
excels! Check the SL web page for details.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 11:07:50 2009
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Subject: Re: Short live video clip posted (Live Looping Festival Rome 2009)
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Good Stuff, Per!
Christo
----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 30, 2009 11:54 PM
Subject: Short live video clip posted (Live Looping Festival Rome 2009)


> Got the first video clip from my Rome gig today http://bit.ly/JeKZH.
> Big thanks to Milco who filmed and sent me the video!
> 
> Per
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 11:07:50 2009
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References: <7334ca1b0906301034h349021c0x5e67b82f05e51ea5@mail.gmail.com>
Subject: Re: Virtual sound and Vision Festival
Date: Wed, 1 Jul 2009 12:41:51 +0200
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Is it easy to install the software that I would need for
filming with the webcam? I hate complicated computer
action.
Christo
----- Original Message -----
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Tuesday, June 30, 2009 7:34 PM
Subject: Re: Virtual sound and Vision Festival


Christo said:
"Great idea! (Although I personally don´t have a webcam.)"

Seriously, with prices for webcams starting around ten bucks, that can
hardly be an excuse. Get one!

           Rainer

(inventor of that odd virtual festival thing idea ;)


From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 11:31:38 2009
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Date: Wed, 1 Jul 2009 13:31:33 +0200
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Subject: Re: ubuntu based rig
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yes. sooperlooper comes included by default in the ubuntu studio 9.04 dist.

2009/7/1, Per Boysen <perboysen@gmail.com>:
> On Wed, Jul 1, 2009 at 4:38 AM, Dennis Moser<sinsofmachaut@gmail.com> wrote:
>> SooperLooper on Linux? Details .. .or was that a dead end?
>
>
> "Dead end"...? I was under the impression that's where SL really
> excels! Check the SL web page for details.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Date: Wed, 1 Jul 2009 14:00:05 +0200
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Subject: Re: Video Projectors
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... i think rick was talking about an epson lcd machine some weeks ago ...

2009/7/1, Krispen Hartung <info@krispenhartung.com>:
> What was the final verdict on the best portable video projector for the
> money, back when the group was discussing this a few months ago?
>
> Kris
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From h_yaro7@msn.com  Wed Jul  1 12:08:25 2009
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FROM MR  HARONA  YARO   =20
The Head Of File And Auditing Department=2C=20
African Development Bank (A.D.B).=20
Ouagadougou Burkina-Faso( West Africa).=20
                                =20
 CONFIDENTIAL IS THE CASE.

It's just my Urgent need for foreign partner that made me to contact you fo=
r this transaction of mutual benefite. Please feel free to read my massage =
and respond back urgently.=20

I am a banker by profession from Burkina Faso and currently holding the pos=
t of director Auditing and accounting unit of the bank. After our end of th=
e year quother final meeting on reviwe of (A.D.B BANK) customers file. I di=
scovered over ELEVEN MILLION THREE HUNDRED THOUSAND DOLLERS ($11.3 million)=
 fund of one of my bank clients who died Along with his entire family on ( =
July ) in a plane crash.=20
Hence=2C
 i am inviting you for a business deal like this nature=2Ci am assuring you=
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out for balances of all expenses we are going to incure at the cost of inhe=
riting this fund.=20
Further details of the transfer will be forwarded to you as soon as I Recei=
ve your return mail AND trust for keeping this fund secured untill i will c=
ome over for shearing according to % indicated.=20
Meanwhile the CENTRAL BANK DE BURKINA_FASO  has mandated the AFRICA DEVELOP=
MENT BANK BURKINA FASO to release this unclaimed fund immediately the nex o=
f kin is discovered with due application. Your Urgent response is needed.=20
 =20
(FILL THIS FORM BELLOW PLEASE AND RESEND IT TO ME).=20
1) Your Full Name.............................=20
2) Your Age.......................................=20
3) Marital Status................................=20
4) Your Cell Phone Number=85=85=85=85..=20
5) Your Country=85=85=85=85=85=85..............=20
6) Your Occupation............................=20
7)Your Sex..............................=20
8)Your Religion.................................=

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rican Development Bank (A.D.B). <BR>Ouagadougou Burkina-Faso( West Africa).=
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<DIV><FONT color=3D#000000 size=3D4>&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=
=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B=
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sp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B <BR>&=
nbsp=3BCONFIDENTIAL IS THE CASE.<BR></FONT></DIV>
<DIV><FONT color=3D#000000 size=3D4>It's just my Urgent need for foreign pa=
rtner that made me to contact you for this transaction of mutual benefite. =
Please feel free to read my massage and respond back urgently. <BR></DIV></=
FONT>
<DIV><FONT color=3D#000000 size=3D4>I am a banker by profession from Burkin=
a Faso and currently holding the post of director Auditing and accounting u=
nit of the bank. After our end of the year quother final meeting on reviwe =
of (A.D.B BANK) customers file. I discovered over ELEVEN MILLION THREE HUND=
RED THOUSAND DOLLERS ($11.3 million) fund of one of my bank clients who die=
d Along with his entire family on ( July ) in a plane crash. <BR>Hence=2C</=
FONT></DIV>
<DIV><FONT color=3D#000000 size=3D4>&nbsp=3Bi am inviting you for a busines=
s deal like this nature=2Ci am assuring you that this transaction is 100% r=
isk free . i will need your concept and trust towards helping me on this pr=
oject. Where This money would be sheard between us in the ratio of 50% for =
me=2C 40% for you WHILE 10% Will be mapped out for balances of all expenses=
 we are going to incure at the cost of inheriting this fund. <BR>Further de=
tails of the transfer will be forwarded to you as soon as I Receive your re=
turn mail AND trust for keeping this fund secured untill i will come over f=
or shearing according to % indicated. <BR>Meanwhile the CENTRAL BANK DE BUR=
KINA_FASO&nbsp=3B has mandated the AFRICA DEVELOPMENT BANK BURKINA FASO to =
release this unclaimed fund immediately the nex of kin is discovered with d=
ue application. Your Urgent response is needed. <BR>&nbsp=3B <BR>(FILL THIS=
 FORM BELLOW PLEASE AND RESEND IT TO ME). <BR>1) Your Full Name............=
................. <BR>2) Your Age....................................... <B=
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Number=85=85=85=85.. <BR>5) Your Country=85=85=85=85=85=85.............. <B=
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.................. <BR>8)Your Religion.................................</FO=
NT></DIV></DIV></body>
</html>=

--_f255406a-4f30-46ca-a048-d9e273d3c0bb_--

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From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #638 for June 25, 2009.
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Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #638                June 25, 2009.

RECAP:
On this show, I concluded the month-long focus on the Ricochet
Gathering.  The Featured CD at Midnight was disk four from La Gomera on
the Ricochet Dream label.

Ricochet Gathering:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jun


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Paul Ellis           The Unveiling        The Last Hiding Place of
                       Ravenous Evening     Beauty (Groove)
Saul Stokes          Vapor Trails         Villa Galaxia (Binary)
Steve Dinsdale       New Church 2         New Church (Northern Echo)
Mystified            Bending              Frigid Radiance (Triple Bath)
Ricochet Gathering   Ocean Valley         La Gomera d4 (Ricochet Dream)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Ricochet Gathering   Quietest Place On    La Gomera d4 (Ricochet Dream)
                       Earth
Ricochet Gathering   Tecina Passage       La Gomera d4 (Ricochet Dream)
Ricochet Gathering   Sleeping Stones      La Gomera d4 (Ricochet Dream)
Ricochet Gathering   Isle De Gomera       La Gomera d4 (Ricochet Dream)
Ricochet Gathering   Big Sun part 2 *     La Gomera d4 (Ricochet Dream)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Jeffrey
Koepper.  The Featured CD at Midnight will be Etherea on Air Space
Records.

Jeffrey Koepper:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jul


Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 12:41:08 2009
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Date: Wed, 1 Jul 2009 06:35:25 -0600
Message-ID: <dec8f8e60907010535k77930f51v7c2277801765f386@mail.gmail.com>
Subject: Re: ubuntu based rig
From: Dennis Moser <sinsofmachaut@gmail.com>
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My mistake...I remember seeing the initial Mac OSX version and totally
overlooked the Linux one...but I don't recall seeing it in any of the recent
Ubuntu distros; probably because I wasn't looking for it specifically. Time
to do some more digging!

Thanks!

~~Dennis

On Tue, Jun 30, 2009 at 9:19 PM, michael noble <looplog@gmail.com> wrote:

>
> By the way, sooperlooper under linux is most certainly not a dead-end, it
> started out as a native linux plugin a long time ago, before becoming a
> native linux app, and then finally venturing into the world of OSX.
>
> -Michael
>



-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--0016364577ee5834f1046da42874
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My mistake...I remember seeing the initial Mac OSX version and totally over=
looked the Linux one...but I don&#39;t recall seeing it in any of the recen=
t Ubuntu distros; probably because I wasn&#39;t looking for it specifically=
. Time to do some more digging!<br>
<br>Thanks!<br><br>~~Dennis<br><br><div class=3D"gmail_quote">On Tue, Jun 3=
0, 2009 at 9:19 PM, michael noble <span dir=3D"ltr">&lt;<a href=3D"mailto:l=
ooplog@gmail.com">looplog@gmail.com</a>&gt;</span> wrote:<br><blockquote cl=
ass=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); mar=
gin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>By the way, sooperlooper under linux is most certainly not a dead-end, =
it started out as a native linux plugin a long time ago, before becoming a =
native linux app, and then finally venturing into the world of OSX.<br>
<font color=3D"#888888">
<br>-Michael<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//myspace.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://=
audiozoloft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsb=
in.angrek.com/">http://usrslashsbin.angrek.com/</a><br>


--0016364577ee5834f1046da42874--

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Date: Wed, 1 Jul 2009 05:52:21 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: ot.....music show alert
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Beeps & boops are a part of the natural world.

--- On Tue, 6/30/09, nemoguitt@aol.com <nemoguitt@aol.com> wrote:


From: nemoguitt@aol.com <nemoguitt@aol.com>
Subject: ot.....music show alert
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, June 30, 2009, 1:21 PM



looks to be an interesting show tonite on PBS.....NOVA.....this will be the second show in a week on brain imaging and music.....they seem to think that music is good for us and children.....music is getting a lot of good press lately.....maybe they will bring it back to schools in the near future.....:).....m






Save energy, paper and money -- get the Green Toolbar. 


      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Beeps &amp; boops are a part of the natural world.<BR><BR>--- On <B>Tue, 6/30/09, nemoguitt@aol.com <I>&lt;nemoguitt@aol.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(16,16,255) 2px solid"><BR>From: nemoguitt@aol.com &lt;nemoguitt@aol.com&gt;<BR>Subject: ot.....music show alert<BR>To: Loopers-Delight@loopers-delight.com<BR>Date: Tuesday, June 30, 2009, 1:21 PM<BR><BR>
<DIV id=yiv575238420>
<DIV><FONT face="Arial, Helvetica, sans-serif">looks to be an interesting show tonite on PBS.....NOVA.....this will be the second show in a week on brain imaging and music.....they seem to think that music is good for us and children.....music is getting a lot of good press lately.....maybe they will bring it back to schools in the near future.....:).....m</FONT><BR></DIV>
<DIV><BR></DIV>
<DIV class=aol_ad_footer id=MAILCIAMB014-5bba4a4a4991367><BR><FONT style="FONT: 10pt arial, san-serif; COLOR: black">
<HR style="MARGIN-TOP: 10px">
Save energy, paper and money -- <B><A href="http://toolbar.aol.com/green/download.html?ncid=emlweusdown00000039" target=_blank rel=nofollow><FONT color=#228b22>get the Green Toolbar</FONT></A>.</B></FONT> </DIV></DIV></BLOCKQUOTE></td></tr></table><br>



      
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From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 13:57:56 2009
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Date: Wed, 01 Jul 2009 09:57:29 -0400
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WDIY 88.1 FM "Galactic Travels" Top 20 for June, 2009.
Shows #635 to #638; 4-June-2009 to 25-June-2009
Reported in non-ranked, alphanumeric order.

The Special Focus for June was the Ricochet Gathering:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jun


ARTIST - ALBUM TITLE - LABEL
===========================================================
Cluster - Qua - Nepenthe
Dirk Serries - Microphonics I-V - Tonefloat
Dirk Serries - Microphonics VI - Tonefloat
Faryus - Lucid Dreams - Faria
Francois Couture - Tape Speed - Disques Boghei
Frank Va Bogaert and Erik Wollo - Air Machine - Ace
Free System Projekt - Procyon - none
Johan Agebjorn - Mossebo - Lotuspike
John DuVal - Cassiopeia's Playground - Earth Mantra
Kevin Braheny - Galaxies - Hearts of Space
Mystified - Frigid Radiance - Triple Bath
Paul Ellis - The Last Hiding Place of Beauty - Groove
Picture Palace Music - Curriculum Vitae I - Ricochet Dream
Radio Massacre International - E-Live 2008 - Northern Echo
Ray Carl Daye - Spectral Navigator - Magnatune
Ricochet Gathering - La Gomera - Ricochet Dream
Saul Stokes - Villa Galaxia - Binary
Steve Dinsdale - New Church - Northern Echo
Terra Ambient - Wanderlust - Lotuspike
Vic Hennegan - Aqua Vista - Alien Tribes

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://wdiy.org/programs/gt
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 14:26:58 2009
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Subject: OT: 2 dreams, a poem and a swap 
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Some recent experiments in short minimalist lo-fi video.

2 dream pieces:

Submerged
http://www.youtube.com/watch?v=lIssbAqaWRQ
A view out my kitchen window, the quality of light and the plastic  
over the window make the world seem like it is underwater.

Tiny moonlight piano
http://www.youtube.com/watch?v=7nG4_AmWGsw
Based on a dream where moonlight plays the piano.

Poem:

Beseecher - a sculptural poetry device
http://www.youtube.com/watch?v=BxoPrGMt8IU


A MIDI swap:

Mbira Kalimba interlude : tchimwo
http://www.youtube.com/watch?v=7Bq1gpyk4gA
My other kitchen window with a view of morning glory. I switched a  
MIDI bassline for a choral patch that I would not tend to use but I  
think it works alright, maybe because of its brevity. :-)



No loops, which is rare for me, but hopefully there is some amusement  
to be found.


regards


BobC



http://cdbaby.com/cd/rpcollier5
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><br><div><br></div><div>Some recent experiments in =
short minimalist lo-fi video.</div><div><br></div><div>2 dream =
pieces:</div><div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Arial; ">Submerged</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Arial; "><a =
href=3D"http://www.youtube.com/watch?v=3DlIssbAqaWRQ">http://www.youtube.c=
om/watch?v=3DlIssbAqaWRQ</a></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Arial; ">A view out my kitchen window, the =
quality of light and the plastic over the window make the world seem =
like it is underwater.</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Arial; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Arial; ">Tiny moonlight piano &nbsp;</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Arial; "><a =
href=3D"http://www.youtube.com/watch?v=3D7nG4_AmWGsw">http://www.youtube.c=
om/watch?v=3D7nG4_AmWGsw</a></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Arial; ">Based on a dream where moonlight =
plays the piano.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Arial; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Arial; ">Poem:</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Arial; ">&nbsp;</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Arial; =
">Beseecher - a sculptural poetry device</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Arial; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; "><a =
href=3D"http://www.youtube.com/watch?v=3DBxoPrGMt8IU">http://www.youtube.c=
om/watch?v=3DBxoPrGMt8IU</a></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; "><br></div></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Arial; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Arial; ">A MIDI swap:</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Arial; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Arial; "><span class=3D"Apple-style-span"=
 style=3D"font-family: Helvetica; ">Mbira Kalimba interlude : tchimwo =
&nbsp;</span></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Arial; "><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Arial; "><a =
href=3D"http://www.youtube.com/watch?v=3D7Bq1gpyk4gA">http://www.youtube.c=
om/watch?v=3D7Bq1gpyk4gA</a></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Arial; "><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; ">My other kitchen window with a view =
of morning glory. I switched a MIDI bassline for a choral patch that I =
would not tend to use but I think it works alright, maybe because of its =
brevity. :-)</span></div><div><font class=3D"Apple-style-span" =
face=3D"Arial"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"Arial"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"Arial"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"Arial">No loops, which is rare for me, but hopefully there is =
some amusement to be found.</font></div><div><font =
class=3D"Apple-style-span" face=3D"Arial"><br></font></div><div><font =
class=3D"Apple-style-span" face=3D"Arial"><br></font></div><div><font =
class=3D"Apple-style-span" face=3D"Arial">regards</font></div><div><font =
class=3D"Apple-style-span" face=3D"Arial"><br></font></div><div><font =
class=3D"Apple-style-span" face=3D"Arial"><br></font></div><div><font =
class=3D"Apple-style-span" face=3D"Arial">BobC</font></div><div><font =
class=3D"Apple-style-span" face=3D"Arial"><br></font></div><div><font =
class=3D"Apple-style-span" face=3D"Arial"><br></font></div><div><font =
class=3D"Apple-style-span" face=3D"Arial"><br></font></div><div><font =
class=3D"Apple-style-span" face=3D"Arial"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; "><a =
href=3D"http://cdbaby.com/cd/rpcollier5">http://cdbaby.com/cd/rpcollier5</=
a></div></font></div></span></div></div></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 14:50:42 2009
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Subject: Re: Short live video clip posted (Live Looping Festival Rome 2009)
Date: Wed, 1 Jul 2009 16:50:38 +0200
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From: "Steve Bingham" 

> More please!!

It will come....



From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 15:08:22 2009
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Date: Wed, 1 Jul 2009 08:08:21 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Re: Is RC-50 really noisy? (And other concerns with noise in live  rigs?)
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Thanks!

 http://margaretnoble.net/







________________________________
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tuesday, June 30, 2009 5:59:10 PM
Subject: Re: Is RC-50 really noisy? (And other concerns with noise in live  rigs?)

I can't comment on the RC-50 but I'm on your website and it's quite
nice.  Love the audio recordings.

Any looper can be prone to noise especially if you're micing
instruments (like your woodwinds for instance) instead of going
direct, or leaving loops in record with a high gain effect in front of
it.   Your best bet to keep your loops clean would be to put your
looper in a send channel buss of your mixer (don't skimp on your mixer
either) and use the send knobs to only feed your open loop when you
want to actually add to it from that track.

>From the sound of your music the last thing you want is a gate on
anything.  Just be really mindful of open mics feeding a loop that's
in record. Also, make it part of your sound!

On Tue, Jun 30, 2009 at 5:33 PM, margaret
noble<margaretnoble2000@yahoo.com> wrote:
> Hello List,
>
> I have been working on tightening my sound quality. Couple of questions:
>
> - Has anyone else noticed the Boss RC-50 to be particularly noisy?
>
> - With respect to multiple gear in one live rig with pedals, mixers,
> compressors, drum machines, mics and too many cables all around, how have
> you guys combated the noise floor that creeps in?
>
> Thanks for your feedback!
>
> http://margaretnoble.net/
>
>
>
>
>


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt">Thanks!<br><div>&nbsp;</div><font style="font-family: arial,helvetica,sans-serif; color: rgb(45, 45, 45);" color="#888888" size="2"><a rel="nofollow" target="_blank" href="http://hthma-underdogs.appspot.com/"></a></font><font size="1"><span style="color: rgb(0, 0, 0); font-family: arial; text-decoration: underline;"><font style="font-family: arial,helvetica,sans-serif;" size="2"><span style="color: rgb(45, 45, 45);"><span><a target="_blank" href="http://margaretnoble.net/">http://margaretnoble.net/</a></span></span><br><br></font></span><span style="color: rgb(0, 0, 0); font-family: arial; font-weight: bold; text-decoration: underline;"><font style="font-family: arial,helvetica,sans-serif;" size="2"><br></font></span></font><div><br></div><div style="font-family: arial,helvetica,sans-serif; font-size:
 10pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Mark Sottilaro &lt;zerocrossing@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tuesday, June 30, 2009 5:59:10 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Is RC-50 really noisy? (And other concerns with noise in live  rigs?)<br></font><br>
I can't comment on the RC-50 but I'm on your website and it's quite<br>nice.&nbsp; Love the audio recordings.<br><br>Any looper can be prone to noise especially if you're micing<br>instruments (like your woodwinds for instance) instead of going<br>direct, or leaving loops in record with a high gain effect in front of<br>it.&nbsp;  Your best bet to keep your loops clean would be to put your<br>looper in a send channel buss of your mixer (don't skimp on your mixer<br>either) and use the send knobs to only feed your open loop when you<br>want to actually add to it from that track.<br><br>From the sound of your music the last thing you want is a gate on<br>anything.&nbsp; Just be really mindful of open mics feeding a loop that's<br>in record. Also, make it part of your sound!<br><br>On Tue, Jun 30, 2009 at 5:33 PM, margaret<br>noble&lt;<a ymailto="mailto:margaretnoble2000@yahoo.com"
 href="mailto:margaretnoble2000@yahoo.com">margaretnoble2000@yahoo.com</a>&gt; wrote:<br>&gt; Hello List,<br>&gt;<br>&gt; I have been working on tightening my sound quality. Couple of questions:<br>&gt;<br>&gt; - Has anyone else noticed the Boss RC-50 to be particularly noisy?<br>&gt;<br>&gt; - With respect to multiple gear in one live rig with pedals, mixers,<br>&gt; compressors, drum machines, mics and too many cables all around, how have<br>&gt; you guys combated the noise floor that creeps in?<br>&gt;<br>&gt; Thanks for your feedback!<br>&gt;<br><span>&gt; <a target="_blank" href="http://margaretnoble.net/">http://margaretnoble.net/</a></span><br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br><br></div></div></div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 16:29:00 2009
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT : autoharp and other instruments
Date: Wed, 1 Jul 2009 19:28:52 +0300
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Hi to all,

I have started recording a new indie-pop record and for this production =
I would need some new instruments which i can manipulate with live =
electronics. At this moment, I am interested in autoharp, dulcimer, =
jarana jarocha, banjo. charango. Do you know any good manufacturer of =
these instruments?

Thanks a lot and best.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes
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<DIV>Hi to all,</DIV>
<DIV>&nbsp;</DIV>
<DIV>I have started recording a new indie-pop record and for this =
production I=20
would need some new instruments which i can manipulate with live =
electronics. At=20
this moment, I am interested in autoharp, dulcimer, jarana jarocha, =
banjo.=20
charango. Do you know any good manufacturer of these instruments?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks a lot and best.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com">www.aucourantrecords.com</A></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath album will open you up to new experiences and =
<BR>allow you=20
to explore worlds previously closed to you."<BR>Blogcritics, Richard=20
Marcus</DIV>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath is an outstanding acousmatic record, =
period."<BR>Massimo=20
Ricci, touching extremes</DIV></BODY></HTML>

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Date: Wed, 1 Jul 2009 18:50:53 +0200
Message-ID: <7334ca1b0907010950m7f83387q8b6ca3bad1ef3d0b@mail.gmail.com>
Subject: Re: Virtual sound and Vision Festival
From: Rainer Straschill <moinsound@googlemail.com>
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> Is it easy to install the software that I would need for filming with the webcam?

The short answer is: "yes!". The slightly longer one: we will provide
a list of tech requirements (as to what computer and what (free)
software you'll need) as well as a detailed howto.

Best,

            Rainer

From rosewealth82@yahoo.com  Wed Jul  1 17:16:13 2009
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From: "Rose Wealth"<rosewealth82@yahoo.com>
Subject: RE: Hello
Date: Wed, 1 Jul 2009 11:05:37 -0600
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Dear Friend,

ABOUT ME
The way I see it, you have two choices in life; you can be grateful for everything life has given you or you can be resentful for everything life has done to you. Focusing on what we already have and are grateful for right now is one of the most powerful things we can do to alter our life in a positive way. We can do this through losing as well as through winning, by having and by not having, by succeeding or by failing. You are always a valuable, worthwhile human being, not because anybody says so, not because you're successful, not because you make a lot of money, but because you decide to believe it and for no other reason. My name is Rose Wealth, an American Citizen residing in Madrid, Spain.
 
 I lost my entire family members in a plane crash on board the Spanair MD-82 airliner in 2008. You can go to this weblink for more details about the crash, http://edition.cnn.com/2008/WORLD/europe/08/22/plane.crash.madrid/index.html 
 
 I was the only survivor and life has never being the same for me again. To make matters worse, my Doctor recently told me, the head injuries i sustained from the plane crash has seriously damaged the left-hemisphere of my brain and caused a major damage to my spinal cord. My Doctor says, i have a few months to live after a series of surgeries and tests had been carried out. 
 
WHY I SENT YOU THIS EMAIL
 
I seek your consent to present you as my Trustee/Foreign Investor and partner to my Bank, Lloyds TSB Bank, Madrid, Spain. So that the  proceeds of my investment account ($52,000,000.00 USD, Fifty-Two Million US Dollars) can be paid to you. I have all the necessary information, guidelines and documents. You might probably think this is just another scam or scheme, but i assure you that you can only know the truth if you read carefully the content herein and act as your heart leads you. Although, i am a stranger to you and for all you know i could be just another of those Internet con-artist. However, i will implore you to respond to this e-mail with a clear conscience and a free will to get involved in this task. I will appreciate your utmost confidentiality and discreetness in this matter until the task is accomplished, as i don't want anything that will Jeopardize this transaction. Please contact me immediately for further information and  explanation.
 
 I know i have never met you in person, but my intuition tells me to do this, and I hope you act sincerely.
My best regards to your family,
Rose Wealth

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 17:19:29 2009
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Subject: Re: Video Projectors
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I think this was the projector (the price varies from week to week and
around the internet, I've seen it as low as $500.

http://www.epson.com/cgi-bin/Store/consumer/consDetail.jsp?oid=63077321&ref=r0302DTHR6

I don't know if this is the best projector you could buy but for the
price and the fact that a replacement bulb only costs about $150 as
opposed to the usual $300 or so, it seems quite  a deal.  But if you
have more cash, I'm sure you could do better (smaller, better
contrast, etc.).

Kevin

On Wed, Jul 1, 2009 at 5:00 AM, Raul Bonell<raul.bonell@gmail.com> wrote:
> ... i think rick was talking about an epson lcd machine some weeks ago ...
>
> 2009/7/1, Krispen Hartung <info@krispenhartung.com>:
>> What was the final verdict on the best portable video projector for the
>> money, back when the group was discussing this a few months ago?
>>
>> Kris
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>



-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 17:27:42 2009
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Thanks!  I ended up buying the EX100...a bit more expensive, but smaller, 
etc. The Epsons look really good!

Kris

----- Original Message ----- 
From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 01, 2009 11:19 AM
Subject: Re: Video Projectors


>I think this was the projector (the price varies from week to week and
> around the internet, I've seen it as low as $500.
>
> http://www.epson.com/cgi-bin/Store/consumer/consDetail.jsp?oid=63077321&ref=r0302DTHR6
>
> I don't know if this is the best projector you could buy but for the
> price and the fact that a replacement bulb only costs about $150 as
> opposed to the usual $300 or so, it seems quite  a deal.  But if you
> have more cash, I'm sure you could do better (smaller, better
> contrast, etc.).
>
> Kevin
>
> On Wed, Jul 1, 2009 at 5:00 AM, Raul Bonell<raul.bonell@gmail.com> wrote:
>> ... i think rick was talking about an epson lcd machine some weeks ago 
>> ...
>>
>> 2009/7/1, Krispen Hartung <info@krispenhartung.com>:
>>> What was the final verdict on the best portable video projector for the
>>> money, back when the group was discussing this a few months ago?
>>>
>>> Kris
>>>
>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>>
>
>
>
> -- 
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09
>
> 

From rosewealth82@yahoo.com  Wed Jul  1 17:34:36 2009
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From: "Rose Wealth"<rosewealth82@yahoo.com>
Subject: RE: Hello
Date: Wed, 1 Jul 2009 11:25:27 -0600
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To: undisclosed-recipients:;

Dear Friend,

ABOUT ME
The way I see it, you have two choices in life; you can be grateful for everything life has given you or you can be resentful for everything life has done to you. Focusing on what we already have and are grateful for right now is one of the most powerful things we can do to alter our life in a positive way. We can do this through losing as well as through winning, by having and by not having, by succeeding or by failing. You are always a valuable, worthwhile human being, not because anybody says so, not because you're successful, not because you make a lot of money, but because you decide to believe it and for no other reason. My name is Rose Wealth, an American Citizen residing in Madrid, Spain.
 
 I lost my entire family members in a plane crash on board the Spanair MD-82 airliner in 2008. You can go to this weblink for more details about the crash, http://edition.cnn.com/2008/WORLD/europe/08/22/plane.crash.madrid/index.html 
 
 I was the only survivor and life has never being the same for me again. To make matters worse, my Doctor recently told me, the head injuries i sustained from the plane crash has seriously damaged the left-hemisphere of my brain and caused a major damage to my spinal cord. My Doctor says, i have a few months to live after a series of surgeries and tests had been carried out. 
 
WHY I SENT YOU THIS EMAIL
 
I seek your consent to present you as my Trustee/Foreign Investor and partner to my Bank, Lloyds TSB Bank, Madrid, Spain. So that the  proceeds of my investment account ($52,000,000.00 USD, Fifty-Two Million US Dollars) can be paid to you. I have all the necessary information, guidelines and documents. You might probably think this is just another scam or scheme, but i assure you that you can only know the truth if you read carefully the content herein and act as your heart leads you. Although, i am a stranger to you and for all you know i could be just another of those Internet con-artist. However, i will implore you to respond to this e-mail with a clear conscience and a free will to get involved in this task. I will appreciate your utmost confidentiality and discreetness in this matter until the task is accomplished, as i don't want anything that will Jeopardize this transaction. Please contact me immediately for further information and  explanation.
 
 I know i have never met you in person, but my intuition tells me to do this, and I hope you act sincerely.
My best regards to your family,
Rose Wealth

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 17:45:13 2009
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Date: Wed, 1 Jul 2009 10:45:12 -0700
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Subject: Re: MY NEW TOY
From: Mark Sottilaro <zerocrossing@gmail.com>
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Would it make that much of a difference when most guitar speaker cabs
roll off significantly after 7 or 8 khz or so?  Most of my tones end
up being pretty band limited anyway to fit better in the overall mix.

On Wed, Jul 1, 2009 at 2:27 AM, andy butler<akbutler@tiscali.co.uk> wrote:
> Mark Sottilaro wrote:
>
>> I'd be super
>> curious to put the Axe-FX against the IK stuff and see what's what.
>>
>>
>>
>
> The Axe-fx runs at a very high sample rate (afaik).
> I wouldn't be at all surprised if it had a real
> advantage for distorted sounds.
>
>
>
> andy
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 17:52:52 2009
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From: mark@grubmah.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: MY NEW TOY
Date: Wed, 01 Jul 2009 10:52:51 -0700
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<html><body><span style=3D"font-family:Verdana; color:#000000; font-size:10=
pt;"><div>Higher sampling rates should do a better job of capturing phase i=
nformation. I haven't done the listening tests to confirm that this matters=
, but that would be one reason why they could make a difference.</div><div>=
<br></div><div>Mark</div>
<blockquote webmail=3D"1" style=3D"border-left: 2px solid blue; margin-left=
: 8px; padding-left: 8px; font-size:10pt; color:black; font-family:verdana;=
" mce_style=3D"border-left: 2px solid blue; margin-left: 8px; padding-left:=
 8px; font-size:10pt; color:black; font-family:verdana;">
<div   >
-------- Original Message --------<br>
Subject: Re: MY NEW TOY<br>
From: Mark Sottilaro &lt;zerocrossing@gmail.com&gt;<br>
Date: Wed, July 01, 2009 10:45 am<br>
To: Loopers-Delight@loopers-delight.com<br>
<br>
Would it make that much of a difference when most guitar speaker cabs<br>
roll off significantly after 7 or 8 khz or so?  Most of my tones end<br>
up being pretty band limited anyway to fit better in the overall mix.<br>
<br>
On Wed, Jul 1, 2009 at 2:27 AM, andy butler&lt;akbutler@tiscali.co.uk&gt; w=
rote:<br>
&gt; Mark Sottilaro wrote:<br>
&gt;<br>
&gt;&gt; I'd be super<br>
&gt;&gt; curious to put the Axe-FX against the IK stuff and see what's what=
.<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt; The Axe-fx runs at a very high sample rate (afaik).<br>
&gt; I wouldn't be at all surprised if it had a real<br>
&gt; advantage for distorted sounds.<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; andy<br>
&gt;<br>
&gt;<br>
<br>

</div>
</blockquote></span></body></html>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 18:06:49 2009
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Mark Sottilaro wrote:
> Would it make that much of a difference when most guitar speaker cabs
> roll off significantly after 7 or 8 khz or so?  Most of my tones end
> up being pretty band limited anyway to fit better in the overall mix.

Yep, it would ( or rather it *could*)
The digital artefacts produced by distortion algorithms (aliasing)
can appear throughout the frequency range, kind of like ring modulation.
At 44.1kHz it's necessary for software to oversample at least 8x
before running a distortion algorithm. 
...and oversampling itself is a compromise between
quality and latency.

*However*, while I was somehow convinced the the Axe-fx had this
ultra high sample rate, a check on the website reveals it to
be 48kHz,
....which won't make much difference.


duh

andy

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 18:54:06 2009
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michael noble wrote:
> I've tried ubuntustudio, 64studio, puredyne, studiotogo, angnula, 
> Fedora/CCRMA. There are other promising distros emerging to tempt me (or 
> meta-distros like Gentoo pro audio overlay) but I now use openSUSE as my 
> primary studio platform. I have three machines running this way, each 
> with multiple instances of sooperlooper as needed, along with various 
> other applications. I'm a little snowed under at work at moment, but if 
> I can offer any tips I'll be happy to. Weekends are always better.  And 
> when I get around to updating my website I'll be putting more details of 
> my setup up there.
> 
> regards
> 
> Michael N


Interesting news.
With 14+ years on Linux, I tried using it for audio long ago, and have 
since occationally tried a few things, only to quickly retract again.
I fairly often dive into the soundonsound.com Linux forum to see what's 
happening, and get the impression people are still having the well-known 
issue that some audio application dies, sometime ending up as a zombi 
process which can't easily be cleared (wait it out or reboot).
This app death often takes jack, the audio routing protocol, down, after 
which jack doesn't restart as intended, but has to restarted from the 
command line.

It's true that some VST things can be run through the wine or crossover 
windows app emulators, but it's my impression it can be a hit and miss, 
and require some time for editing profiles to make the integration work.

Alsa, the basic audio stuff is often said to require some setup, and is 
reputed to have a slowish development. Other audio subsystems exists.

To be fair to Linux as an audio platform, I'm reverse biased and don't 
follow it close enough, so take my comments with a grain of salt..

Some useful ressources:
http://www.linuxaudio.org/
http://www.linuxaudio.org/resources

For supported (semi)pro audio hardware, I used to check something akin 
to linuxaudiodevices.something, but can't find or remember it anylonger.

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 19:33:22 2009
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Date: Wed, 1 Jul 2009 15:33:16 EDT
Subject: ot.....mac question
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i can not view videos anymore and my puter keeps telling me to dl flash 
player 9 because my osx is 10.3.9.....when i do this and try to open flash 
player i get this message "the destination folder (adobe flash player 9) is on a 
locked volume. Please select another destination.".....can anyone help 
me?.....off list of course.....thanks.....m



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
It's raining cats and dogs -- Come to PawNation, a place 
where pets rule! (http://www.pawnation.com/?ncid=emlcntnew00000008)

--part1_c6c.4f6987e0.377d13fc_boundary
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"G=
eneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">i can not view videos anymore and=
 my puter keeps telling me to dl flash player 9 because my osx is 10.3.9..=
...when i do this and try to open flash player i get this message "the des=
tination folder (adobe flash player 9) is on a locked volume. Please selec=
t another destination.".....can anyone help me?.....off list of course....=
.thanks.....m<BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT><BR><BR><BR>**************<BR>It's raining cats and dogs --=
 Come to PawNation, a place where pets rule! (http://www.pawnation.com/?nc=
id=3Demlcntnew00000008)</HTML>

--part1_c6c.4f6987e0.377d13fc_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 19:45:52 2009
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Try dragging the installer to your desktop.

On Wed, Jul 1, 2009 at 12:33 PM, <Nemoguitt@aol.com> wrote:
> i can not view videos anymore and my puter keeps telling me to dl flash
> player 9 because my osx is 10.3.9.....when i do this and try to open flash
> player i get this message "the destination folder (adobe flash player 9) is
> on a locked volume. Please select another destination.".....can anyone help
> me?.....off list of course.....thanks.....m
>
>
>
> "EVERYTHING YOU KNOW IS WRONG".....firesign theater
>
> new groovy tunes at:
> http://www.myspace.com/klobuchar10
> www.ct-collective.com
>
>
>
>
>
> **************
> It's raining cats and dogs -- Come to PawNation, a place where pets rule!
> (http://www.pawnation.com/?ncid=emlcntnew00000008)

From rosewealth82@yahoo.com  Wed Jul  1 19:49:50 2009
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From: "Rose Wealth" <rosewealth82@yahoo.com>
Subject: RE: Hello
Date: Wed, 1 Jul 2009 13:36:40 -0600
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To: undisclosed-recipients:;

Dear Friend,

ABOUT ME
The way I see it, you have two choices in life; you can be grateful for everything life has given you or you can be resentful for everything life has done to you. Focusing on what we already have and are grateful for right now is one of the most powerful things we can do to alter our life in a positive way. We can do this through losing as well as through winning, by having and by not having, by succeeding or by failing. You are always a valuable, worthwhile human being, not because anybody says so, not because you're successful, not because you make a lot of money, but because you decide to believe it and for no other reason. My name is Rose Wealth, an American Citizen residing in Madrid, Spain.
 
 I lost my entire family members in a plane crash on board the Spanair MD-82 airliner in 2008. You can go to this weblink for more details about the crash, http://edition.cnn.com/2008/WORLD/europe/08/22/plane.crash.madrid/index.html 
 
 I was the only survivor and life has never being the same for me again. To make matters worse, my Doctor recently told me, the head injuries i sustained from the plane crash has seriously damaged the left-hemisphere of my brain and caused a major damage to my spinal cord. My Doctor says, i have a few months to live after a series of surgeries and tests had been carried out. 
 
WHY I SENT YOU THIS EMAIL
 
I seek your consent to present you as my Trustee/Foreign Investor and partner to my Bank, Lloyds TSB Bank, Madrid, Spain. So that the  proceeds of my investment account ($52,000,000.00 USD, Fifty-Two Million US Dollars) can be paid to you. I have all the necessary information, guidelines and documents. You might probably think this is just another scam or scheme, but i assure you that you can only know the truth if you read carefully the content herein and act as your heart leads you. Although, i am a stranger to you and for all you know i could be just another of those Internet con-artist. However, i will implore you to respond to this e-mail with a clear conscience and a free will to get involved in this task. I will appreciate your utmost confidentiality and discreetness in this matter until the task is accomplished, as i don't want anything that will Jeopardize this transaction. Please contact me immediately for further information and  explanation.
 
 I know i have never met you in person, but my intuition tells me to do this, and I hope you act sincerely.
My best regards to your family,
Rose Wealth

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 20:40:52 2009
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They're not manufacturers, but Lark In The Morning carries the  
instruments you mention plus many others:
www.larkinam.com

Richard Roberts
ZERO OHMS

"We are no longer the same after hearing certain sounds, and this is  
more the case when we hear organized sounds, sounds organized by  
another human being: music."
- Karlheinz Stockhausen

"If I should ever die, God forbid, let this be my epitaph: THE ONLY  
PROOF HE NEEDED FOR THE EXISTENCE OF GOD WAS MUSIC."
- Kurt Vonnegut, Jr.

New Zero Ohms CD w/ Craig Padilla & Skip Murphy  'Beyond the  
Portal':  http://www.lotuspike.com/shop/product_info.php? 
cPath=26_23&products_id=69




From: "Erdem Helvacioglu" <erdemhel@tnn.net>
Date: July 1, 2009 11:28:52 AM CDT
To: <Loopers-Delight@loopers-delight.com>
Subject: OT : autoharp and other instruments

Hi to all,

I have started recording a new indie-pop record and for this  
production I would need some new instruments which i can manipulate  
with live electronics. At this moment, I am interested in autoharp,  
dulcimer, jarana jarocha, banjo. charango. Do you know any good  
manufacturer of these instruments?

Thanks a lot and best.

Erdem Helvacioglu

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class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>Richard =
Roberts</DIV><DIV>ZERO OHMS</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><I style=3D"font-size: 10px; font-style: =
italic; "><SPAN class=3D"Apple-style-span" style=3D"font-size: 10px; =
font-style: italic; "><SPAN class=3D"Apple-style-span" style=3D"font-size:=
 10px; font-style: italic; ">"We are no longer the same after hearing =
certain sounds, and this is more the case when we hear organized sounds, =
sounds organized by another human being: =
music."=A0=A0</SPAN></SPAN></I></SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;"><I =
style=3D"font-size: 10px; font-style: italic; "><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px; font-style: italic; =
"><SPAN class=3D"Apple-style-span" style=3D"font-size: 10px; font-style: =
italic; ">- Karlheinz =
Stockhausen</SPAN></SPAN></I></SPAN></FONT></DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><I style=3D"font-size: 10px; font-style: =
italic; "><BR class=3D"khtml-block-placeholder"></I></SPAN></FONT></DIV><P=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 1px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;"><I =
style=3D"font-size: 10px; font-style: italic; "><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px; font-style: italic; =
"><SPAN class=3D"Apple-style-span" style=3D"font-size: 10px; font-style: =
italic; ">"If I should ever die, God forbid, let this be my epitaph:=A0THE=
 ONLY PROOF HE NEEDED=A0FOR THE EXISTENCE OF GOD=A0WAS =
MUSIC."</SPAN></SPAN></I></SPAN></FONT></P><P style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 1px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><I style=3D"font-size: 10px; font-style: =
italic; "><SPAN class=3D"Apple-style-span" style=3D"font-size: 10px; =
font-style: italic; "><SPAN class=3D"Apple-style-span" style=3D"font-size:=
 10px; font-style: italic; ">- Kurt=A0Vonnegut, =
Jr.=A0</SPAN></SPAN></I></SPAN></FONT></P><P style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 1px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><I style=3D"font-size: 10px; font-style: =
italic; "><BR class=3D"khtml-block-placeholder"></I></SPAN></FONT></P><P =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 1px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;"><I =
style=3D"font-size: 10px; font-style: italic; "><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px; font-style: italic; =
"><SPAN class=3D"Apple-style-span" style=3D"font-size: 10px; font-style: =
italic; ">New Zero Ohms CD w/ Craig Padilla &amp; Skip Murphy=A0 'Beyond =
the Portal':=A0=A0</SPAN><FONT class=3D"Apple-style-span" size=3D"3"><SPAN=
 class=3D"Apple-style-span" style=3D"font-size: 12px; font-style: =
normal;"><A =
href=3D"http://www.lotuspike.com/shop/product_info.php?cPath=3D26_23&produ=
cts_id=3D69">http://www.lotuspike.com/shop/product_info.php?cPath=3D26_23&=
amp;products_id=3D69</A></SPAN></FONT></SPAN></I></SPAN></FONT></P><DIV><B=
R class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><B>From: </B>"Erdem Helvacioglu" &lt;<A =
href=3D"mailto:erdemhel@tnn.net">erdemhel@tnn.net</A>&gt;</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><B>Date: </B>July 1, 2009 11:28:52 AM CDT</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><B>To: </B>&lt;<A =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</A>&gt;</DIV><DIV style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><B>Subject: </B><B>OT : =
autoharp and other instruments</B></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hi to all,</DIV><P style=3D"margin: 0.0px 0.0px =
0.0px 0.0px">=A0</P><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I have started recording a new =
indie-pop record and for this production I would need some new =
instruments which i can manipulate with live electronics. At this =
moment, I am interested in autoharp, dulcimer, jarana jarocha, banjo. =
charango. Do you know any good manufacturer of these =
instruments?</DIV><P style=3D"margin: 0.0px 0.0px 0.0px 0.0px">=A0</P><DIV=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Thanks a lot and best.</DIV><P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px">=A0</P><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Erdem =
Helvacioglu</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "></DIV></DIV></BODY></HTML>=

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Bit OT
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Alan Moore interviews brian eno

http://www.bbc.co.uk/iplayer/episode/b00lgkzc/ 
Chain_Reaction_Series_1_Alan_Moore_Interviews_Brian_Eno/

V interesting

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
Alan Moore interviews brian eno<div><br></div><div><a href="http://www.bbc.co.uk/iplayer/episode/b00lgkzc/Chain_Reaction_Series_1_Alan_Moore_Interviews_Brian_Eno/">http://www.bbc.co.uk/iplayer/episode/b00lgkzc/Chain_Reaction_Series_1_Alan_Moore_Interviews_Brian_Eno/</a></div><div><br></div><div>V interesting</div><div><br><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div><a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"><span class="Apple-style-span" style="font-size: medium;"><br></span></div></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 22:06:24 2009
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Date: Wed, 1 Jul 2009 14:40:23 -0700
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Subject: Re: Is RC-50 really noisy? (And other concerns with noise in live 
	rigs?)
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margaret noble<margaretnoble2000@yahoo.com> was all:

> - With respect to multiple gear in one live rig with pedals, mixers,
> compressors, drum machines, mics and too many cables all around, how have
> you guys combated the noise floor that creeps in?

For me, it's a matter of:

1) Figuring out which is the guilty element, and deciding whether you
really need to keep it.
2) Attempting to send a louder signal through the train, with fine
adjustments on all the volume/trim controls on each step of the chain
to make sure it doesn't clip. (Is that what Andy calls "gain
staging"?)

This year I had to take a newly purchased Kaoss Pad KP3 out of my
chain, because it was bad in both regards. It was responsible for
about 80% of my noise floor, and it clipped at very low gain levels.

I haven't had trouble with cheap cables yet, except when they stop
working unexpectedly. Then it's a whole world of trouble. For the
cables.

Make sure any AC adapters you use match the polarity and power input
shown on the pedals.

I've also heard people recommend things like making sure you're not
plugging into the the same electrical circuit that powers any
florescent lights, refrigerators or things of that nature. Haven't
investigated.

Folks have suggested getting some of those little grey adapters that
turn a 3 prong power into 2 prongs (no ground). Haven't tested
sufficiently.

I did buy 2 different "noise eliminators", and found that both made no
detectable difference.

Matt Davignon
www.ribosomemusic.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 22:11:34 2009
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Date: Thu, 2 Jul 2009 00:11:31 +0200
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Subject: Re: ubuntu based rig
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these guys at trinity audio group are selling an atom based netbook
running transmission 3.0 plus energy XT + ArdourXchange. also some
plugin, samples, etc ... libraries onboard. around 500$-600$.

http://www.trinityaudiogroup.com/





2009/7/1, van Sinn <vansinn@post.cybercity.dk>:
> michael noble wrote:
>> I've tried ubuntustudio, 64studio, puredyne, studiotogo, angnula,
>> Fedora/CCRMA. There are other promising distros emerging to tempt me (or
>> meta-distros like Gentoo pro audio overlay) but I now use openSUSE as my
>> primary studio platform. I have three machines running this way, each
>> with multiple instances of sooperlooper as needed, along with various
>> other applications. I'm a little snowed under at work at moment, but if
>> I can offer any tips I'll be happy to. Weekends are always better.  And
>> when I get around to updating my website I'll be putting more details of
>> my setup up there.
>>
>> regards
>>
>> Michael N
>
>
> Interesting news.
> With 14+ years on Linux, I tried using it for audio long ago, and have
> since occationally tried a few things, only to quickly retract again.
> I fairly often dive into the soundonsound.com Linux forum to see what's
> happening, and get the impression people are still having the well-known
> issue that some audio application dies, sometime ending up as a zombi
> process which can't easily be cleared (wait it out or reboot).
> This app death often takes jack, the audio routing protocol, down, after
> which jack doesn't restart as intended, but has to restarted from the
> command line.
>
> It's true that some VST things can be run through the wine or crossover
> windows app emulators, but it's my impression it can be a hit and miss,
> and require some time for editing profiles to make the integration work.
>
> Alsa, the basic audio stuff is often said to require some setup, and is
> reputed to have a slowish development. Other audio subsystems exists.
>
> To be fair to Linux as an audio platform, I'm reverse biased and don't
> follow it close enough, so take my comments with a grain of salt..
>
> Some useful ressources:
> http://www.linuxaudio.org/
> http://www.linuxaudio.org/resources
>
> For supported (semi)pro audio hardware, I used to check something akin
> to linuxaudiodevices.something, but can't find or remember it anylonger.
>
> --
> rgds,
> van Sinn
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 22:32:21 2009
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Date: Thu, 2 Jul 2009 00:32:20 +0200
Message-ID: <7334ca1b0907011532i735cd16cr5bcda14efb843a70@mail.gmail.com>
Subject: Re: Is RC-50 really noisy? (And other concerns with noise in live 
	rigs?)
From: Rainer Straschill <moinsound@googlemail.com>
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> - With respect to multiple gear in one live rig with pedals, mixers,
> compressors, drum machines, mics and too many cables all around, how
> have you guys combated the noise floor that creeps in?

Noise creeps in from different sources, they mainly being:
a) components in the chain which generate noise on your signal lines
b) components in the chain which pick up noise from elsewhere (aka EMI)

With that come some suggestions in unordered fashion:

1. "that what Andy calls gain staging"
Generally, noise (of type a) in a device is something independent of
the level of your input signal. However, what we usually find annoying
is not the amount of that noise floor, but more the signal to noise
ratio (SNR - where big means good). We can increase that ratio either
by reducing the noise floor (which may not be possible) or by
increasing the signal level.
Practically, make sure that your full-level signal makes full use of
the headroom for every device in your chain by adjusting the input
level properly.

2. MIDI
MIDI istelf, of course, has nothing to do with your audio signal.
However, MIDI cabling can in a lot of cases generate ground loops.
There is a simple workaround: remove the shield on one end of your
MIDI cable. The signal transmission remains intact, but the hum (which
runs over the shield) can be cured.
Should not be used for overtly long MIDI lines, and it also makes
sense to use MIDI cabling to spec (i.e. twisted pair)

3. dynamic effects
This somehow relates to (1) above. Turn of the output when you don't
have any input signal (i.e. use a gate), and use compressors/limiters
in front of critical devices to increase the signal level you can hit
the device with and thus the SNR.

4. noise and EQs
The most disturbing noise is usually in the region around 7kHz (+/-).
The reason: there's not a high level of wanted signal to mask the
noise, thermal noise (aka the thing we usually have in electronics as
the dominant noise source) is very strong here, and the sensitivity of
the human ear is still very high in that range.
So if you have the need for an EQ in your signal chain where you boost
that frequency range specifically, put it way in front of the signal
chain, so noise generated by the following devices will not be
amplified further. Conversely, if you need to attenuate that range,
put the EQ as far to the end of the chain.
(nb: effects can be swapped freely in case of linear time invariant
devices or linear time variant devices in combination with devices
which "don't do time stuff themselves", like delays. So you can put an
EQ either before or after a delay or modulated delay without any
change, but not before or after a distortion (because that not being
linear).

5. signal chain vs. signal array
Use a mixer, and mute all unused channels. Avoid chained effects
wherever possible.

6. reduce air-bound EMI
keep audio lines away from transformers (especiallly the cheap
transformers). use symmetrical wiring wherever possible.

7. digital domain
If not avoiding this domain completely, stay in the digital domain as
long as possible. Best yet, use a computer in combination with some
decent A/D/A.

Best,

              Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 22:45:57 2009
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Subject: RE: Is RC-50 really noisy? (And other concerns with noise in live
 	rigs?)
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awesome post on noise troubleshooting...especially where to put the EQ in t=
he signal chain-

i found the blurb about midi hard to believe so i googled....its news to me=
 but yes a midi cable can cause a ground buzz in certain sitations....heres=
 a SOS posting going into a little more detail:

ADAT and S/PDIF optical both use fibre-optic cables=2C giving true
galvanic isolation=2C just like a transformer=2C so they can never result
in ground loops. MIDI inputs also incorporate opto-isolators=2C so
plugging in a MIDI cable should never result in a ground loop. A few
MIDI In ports (mostly on budget PC joystick/MIDI adaptors) may omit
this circuitry=2C to save a few pennies=2C but the most common cause of
MIDI ground loops is using an incorrectly wired cable. Avoid five-pin
DIN hi-fi cables and use proper MIDI cables=2C which use only pins four
and five for data transfer=2C and connect the cable screen to pin two
only at each end of the cable=2C but not to the metal shell of the plugs
themselves. If a multimeter shows zero resistance between the metal
shell of the plugs at each end of a MIDI cable=2C discard it.






> Date: Thu=2C 2 Jul 2009 00:32:20 +0200
> Subject: Re: Is RC-50 really noisy? (And other concerns with noise in liv=
e 	rigs?)
> From: moinsound@googlemail.com
> To: loopers-delight@loopers-delight.com
>=20
> > - With respect to multiple gear in one live rig with pedals=2C mixers=
=2C
> > compressors=2C drum machines=2C mics and too many cables all around=2C =
how
> > have you guys combated the noise floor that creeps in?
>=20
> Noise creeps in from different sources=2C they mainly being:
> a) components in the chain which generate noise on your signal lines
> b) components in the chain which pick up noise from elsewhere (aka EMI)
>=20
> With that come some suggestions in unordered fashion:
>=20
> 1. "that what Andy calls gain staging"
> Generally=2C noise (of type a) in a device is something independent of
> the level of your input signal. However=2C what we usually find annoying
> is not the amount of that noise floor=2C but more the signal to noise
> ratio (SNR - where big means good). We can increase that ratio either
> by reducing the noise floor (which may not be possible) or by
> increasing the signal level.
> Practically=2C make sure that your full-level signal makes full use of
> the headroom for every device in your chain by adjusting the input
> level properly.
>=20
> 2. MIDI
> MIDI istelf=2C of course=2C has nothing to do with your audio signal.
> However=2C MIDI cabling can in a lot of cases generate ground loops.
> There is a simple workaround: remove the shield on one end of your
> MIDI cable. The signal transmission remains intact=2C but the hum (which
> runs over the shield) can be cured.
> Should not be used for overtly long MIDI lines=2C and it also makes
> sense to use MIDI cabling to spec (i.e. twisted pair)
>=20
> 3. dynamic effects
> This somehow relates to (1) above. Turn of the output when you don't
> have any input signal (i.e. use a gate)=2C and use compressors/limiters
> in front of critical devices to increase the signal level you can hit
> the device with and thus the SNR.
>=20
> 4. noise and EQs
> The most disturbing noise is usually in the region around 7kHz (+/-).
> The reason: there's not a high level of wanted signal to mask the
> noise=2C thermal noise (aka the thing we usually have in electronics as
> the dominant noise source) is very strong here=2C and the sensitivity of
> the human ear is still very high in that range.
> So if you have the need for an EQ in your signal chain where you boost
> that frequency range specifically=2C put it way in front of the signal
> chain=2C so noise generated by the following devices will not be
> amplified further. Conversely=2C if you need to attenuate that range=2C
> put the EQ as far to the end of the chain.
> (nb: effects can be swapped freely in case of linear time invariant
> devices or linear time variant devices in combination with devices
> which "don't do time stuff themselves"=2C like delays. So you can put an
> EQ either before or after a delay or modulated delay without any
> change=2C but not before or after a distortion (because that not being
> linear).
>=20
> 5. signal chain vs. signal array
> Use a mixer=2C and mute all unused channels. Avoid chained effects
> wherever possible.
>=20
> 6. reduce air-bound EMI
> keep audio lines away from transformers (especiallly the cheap
> transformers). use symmetrical wiring wherever possible.
>=20
> 7. digital domain
> If not avoiding this domain completely=2C stay in the digital domain as
> long as possible. Best yet=2C use a computer in combination with some
> decent A/D/A.
>=20
> Best=2C
>=20
>               Rainer
>=20

_________________________________________________________________
Windows Live=99 SkyDrive=99: Get 25 GB of free online storage.
http://windowslive.com/online/skydrive?ocid=3DTXT_TAGLM_WL_SD_25GB_062009=

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<body class=3D'hmmessage'>
awesome post on noise troubleshooting...especially where to put the EQ in t=
he signal chain-<br><br>i found the blurb about midi hard to believe so i g=
oogled....its news to me but yes a midi cable can cause a ground buzz in ce=
rtain sitations....heres a SOS posting going into a little more detail:<br>=
<br>ADAT and S/PDIF optical both use fibre-optic cables=2C giving true
galvanic isolation=2C just like a transformer=2C so they can never result
in ground loops. MIDI inputs also incorporate opto-isolators=2C so
plugging in a MIDI cable should never result in a ground loop. A few
MIDI In ports (mostly on budget PC joystick/MIDI adaptors) may omit
this circuitry=2C to save a few pennies=2C but the most common cause of
MIDI ground loops is using an incorrectly wired cable. Avoid five-pin
DIN hi-fi cables and use proper MIDI cables=2C which use only pins four
and five for data transfer=2C and connect the cable screen to pin two
only at each end of the cable=2C but not to the metal shell of the plugs
themselves. If a multimeter shows zero resistance between the metal
shell of the plugs at each end of a MIDI cable=2C discard it.<br><br><br><b=
r><br><br><br>&gt=3B Date: Thu=2C 2 Jul 2009 00:32:20 +0200<br>&gt=3B Subje=
ct: Re: Is RC-50 really noisy? (And other concerns with noise in live 	rigs=
?)<br>&gt=3B From: moinsound@googlemail.com<br>&gt=3B To: loopers-delight@l=
oopers-delight.com<br>&gt=3B <br>&gt=3B &gt=3B - With respect to multiple g=
ear in one live rig with pedals=2C mixers=2C<br>&gt=3B &gt=3B compressors=
=2C drum machines=2C mics and too many cables all around=2C how<br>&gt=3B &=
gt=3B have you guys combated the noise floor that creeps in?<br>&gt=3B <br>=
&gt=3B Noise creeps in from different sources=2C they mainly being:<br>&gt=
=3B a) components in the chain which generate noise on your signal lines<br=
>&gt=3B b) components in the chain which pick up noise from elsewhere (aka =
EMI)<br>&gt=3B <br>&gt=3B With that come some suggestions in unordered fash=
ion:<br>&gt=3B <br>&gt=3B 1. "that what Andy calls gain staging"<br>&gt=3B =
Generally=2C noise (of type a) in a device is something independent of<br>&=
gt=3B the level of your input signal. However=2C what we usually find annoy=
ing<br>&gt=3B is not the amount of that noise floor=2C but more the signal =
to noise<br>&gt=3B ratio (SNR - where big means good). We can increase that=
 ratio either<br>&gt=3B by reducing the noise floor (which may not be possi=
ble) or by<br>&gt=3B increasing the signal level.<br>&gt=3B Practically=2C =
make sure that your full-level signal makes full use of<br>&gt=3B the headr=
oom for every device in your chain by adjusting the input<br>&gt=3B level p=
roperly.<br>&gt=3B <br>&gt=3B 2. MIDI<br>&gt=3B MIDI istelf=2C of course=2C=
 has nothing to do with your audio signal.<br>&gt=3B However=2C MIDI cablin=
g can in a lot of cases generate ground loops.<br>&gt=3B There is a simple =
workaround: remove the shield on one end of your<br>&gt=3B MIDI cable. The =
signal transmission remains intact=2C but the hum (which<br>&gt=3B runs ove=
r the shield) can be cured.<br>&gt=3B Should not be used for overtly long M=
IDI lines=2C and it also makes<br>&gt=3B sense to use MIDI cabling to spec =
(i.e. twisted pair)<br>&gt=3B <br>&gt=3B 3. dynamic effects<br>&gt=3B This =
somehow relates to (1) above. Turn of the output when you don't<br>&gt=3B h=
ave any input signal (i.e. use a gate)=2C and use compressors/limiters<br>&=
gt=3B in front of critical devices to increase the signal level you can hit=
<br>&gt=3B the device with and thus the SNR.<br>&gt=3B <br>&gt=3B 4. noise =
and EQs<br>&gt=3B The most disturbing noise is usually in the region around=
 7kHz (+/-).<br>&gt=3B The reason: there's not a high level of wanted signa=
l to mask the<br>&gt=3B noise=2C thermal noise (aka the thing we usually ha=
ve in electronics as<br>&gt=3B the dominant noise source) is very strong he=
re=2C and the sensitivity of<br>&gt=3B the human ear is still very high in =
that range.<br>&gt=3B So if you have the need for an EQ in your signal chai=
n where you boost<br>&gt=3B that frequency range specifically=2C put it way=
 in front of the signal<br>&gt=3B chain=2C so noise generated by the follow=
ing devices will not be<br>&gt=3B amplified further. Conversely=2C if you n=
eed to attenuate that range=2C<br>&gt=3B put the EQ as far to the end of th=
e chain.<br>&gt=3B (nb: effects can be swapped freely in case of linear tim=
e invariant<br>&gt=3B devices or linear time variant devices in combination=
 with devices<br>&gt=3B which "don't do time stuff themselves"=2C like dela=
ys. So you can put an<br>&gt=3B EQ either before or after a delay or modula=
ted delay without any<br>&gt=3B change=2C but not before or after a distort=
ion (because that not being<br>&gt=3B linear).<br>&gt=3B <br>&gt=3B 5. sign=
al chain vs. signal array<br>&gt=3B Use a mixer=2C and mute all unused chan=
nels. Avoid chained effects<br>&gt=3B wherever possible.<br>&gt=3B <br>&gt=
=3B 6. reduce air-bound EMI<br>&gt=3B keep audio lines away from transforme=
rs (especiallly the cheap<br>&gt=3B transformers). use symmetrical wiring w=
herever possible.<br>&gt=3B <br>&gt=3B 7. digital domain<br>&gt=3B If not a=
voiding this domain completely=2C stay in the digital domain as<br>&gt=3B l=
ong as possible. Best yet=2C use a computer in combination with some<br>&gt=
=3B decent A/D/A.<br>&gt=3B <br>&gt=3B Best=2C<br>&gt=3B <br>&gt=3B        =
       Rainer<br>&gt=3B <br><br /><hr />Windows Live=99 SkyDrive=99: Get 25=
 GB of free online storage.   <a href=3D'http://windowslive.com/online/skyd=
rive?ocid=3DTXT_TAGLM_WL_SD_25GB_062009' target=3D'_new'>Get it on your Bla=
ckBerry or iPhone.</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  1 23:04:33 2009
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Date: Thu, 2 Jul 2009 08:04:27 +0900
Message-ID: <339c30110907011604taf8c773lf7ae18ecc8d75b2a@mail.gmail.com>
Subject: Re: ubuntu based rig
From: michael noble <looplog@gmail.com>
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I could say I've had the same experience with zombi processes in windows,
though to be fair it is mostly my penchant for trying experimental software
that is to be blamed, and not the system itself. I've seen talk of zombi
processes over the years, but then it's never been a serious problem for me
- either an app works, in which case I use it, or it doesn't, in which case
I don't. It just so happens that most of the apps I want to use work, which
is good for me I guess. Even if an app I am trying has issues, I've very
rarely had a situation where it can't be killed with a ctrl-alt-esc under
kde, or by running a process manager under root.

To the other issues - I never run Jack from the command line, just too lazy,
and if I stick to my working config and don't try new bleeding edge software
then Jack is very well behaved. I find jackmp especially so as it shares
processing evenly over multiple processors.

I haven't had to even look at an ALSA config file in several years unless I
want to do something exotic like merge multiple soundcards to appear as a
single virtual device. I took the time to hardware that fit the software,
and find software that meets my needs, so I have a system that works for me.

Again for wine, there is some configuration to have it setup for windows
apps. But I think it is a myth to state that there is some operating system
out there that is configured for audio performance out of the box, (except
maybe OSX). I know when I used windows I spent a long time tweaking this and
that to get the system to run efficiently - but once it is setup and you
have a working system, and so long as you resist temptation to tinker
further, then it just keeps working.

All that being said, I am forward biased, and I spend most of my time
learning about and trying new things in linux audio. I will say that with
linux, as with anything else, you get what you pay for. If you see free
software and think great its free, then you have to expect a catch. The move
from any platform to another costs time, and the setup of a stable and
reliable system likewise.

So for some, something like Transmission, which Raul pointed out, will be a
good solution as it provides the configuration and support necessary to make
the jump a little easier.

Anyway, all this has only tangental relation to looping, so I'll leave it
there for now.

-Michael




>
> Interesting news.
> With 14+ years on Linux, I tried using it for audio long ago, and have
> since occationally tried a few things, only to quickly retract again.
> I fairly often dive into the soundonsound.com Linux forum to see what's
> happening, and get the impression people are still having the well-known
> issue that some audio application dies, sometime ending up as a zombi
> process which can't easily be cleared (wait it out or reboot).
> This app death often takes jack, the audio routing protocol, down, after
> which jack doesn't restart as intended, but has to restarted from the
> command line.
>
> It's true that some VST things can be run through the wine or crossover
> windows app emulators, but it's my impression it can be a hit and miss, and
> require some time for editing profiles to make the integration work.
>
> Alsa, the basic audio stuff is often said to require some setup, and is
> reputed to have a slowish development. Other audio subsystems exists.
>
> To be fair to Linux as an audio platform, I'm reverse biased and don't
> follow it close enough, so take my comments with a grain of salt..
>
> Some useful ressources:
> http://www.linuxaudio.org/
> http://www.linuxaudio.org/resources
>
> For supported (semi)pro audio hardware, I used to check something akin to
> linuxaudiodevices.something, but can't find or remember it anylonger.
>
> --
> rgds,
> van Sinn
>
>

--0016e64652fa2298ec046dacf208
Content-Type: text/html; charset=ISO-8859-1
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<div class=3D"gmail_quote"><div>I could say I&#39;ve had the same experienc=
e with zombi processes in windows, though to be fair it is mostly my pencha=
nt for trying experimental software that is to be blamed, and not the syste=
m itself. I&#39;ve seen talk of zombi processes over the years, but then it=
&#39;s never been a serious problem for me - either an app works, in which =
case I use it, or it doesn&#39;t, in which case I don&#39;t. It just so hap=
pens that most of the apps I want to use work, which is good for me I guess=
. Even if an app I am trying has issues, I&#39;ve very rarely had a situati=
on where it can&#39;t be killed with a ctrl-alt-esc under kde, or by runnin=
g a process manager under root.<br>
<br>To the other issues - I never run Jack from the command line, just too =
lazy, and if I stick to my working config and don&#39;t try new bleeding ed=
ge software then Jack is very well behaved. I find jackmp especially so as =
it shares processing evenly over multiple processors.<br>
<br>I haven&#39;t had to even look at an ALSA config file in several years =
unless I want to do something exotic like merge multiple soundcards to appe=
ar as a single virtual device. I took the time to hardware that fit the sof=
tware, and find software that meets my needs, so I have a system that works=
 for me.<br>
<br>Again for wine, there is some configuration to have it setup for window=
s apps. But I think it is a myth to state that there is some operating syst=
em out there that is configured for audio performance out of the box, (exce=
pt maybe OSX). I know when I used windows I spent a long time tweaking this=
 and that to get the system to run efficiently - but once it is setup and y=
ou have a working system, and so long as you resist temptation to tinker fu=
rther, then it just keeps working. <br>
<br>All that being said, I am forward biased, and I spend most of my time l=
earning about and trying new things in linux audio. I will say that with li=
nux, as with anything else, you get what you pay for. If you see free softw=
are and think great its free, then you have to expect a catch. The move fro=
m any platform to another costs time, and the setup of a stable and reliabl=
e system likewise. <br>
<br>So for some, something like Transmission, which Raul pointed out, will =
be a good solution as it provides the configuration and support necessary t=
o make the jump a little easier. <br><br>Anyway, all this has only tangenta=
l relation to looping, so I&#39;ll leave it there for now.<br>
<br>-Michael<br><br><br>=A0</div><blockquote class=3D"gmail_quote" style=3D=
"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padd=
ing-left: 1ex;"><div><div class=3D"h5"><br></div></div>
Interesting news.<br>
With 14+ years on Linux, I tried using it for audio long ago, and have sinc=
e occationally tried a few things, only to quickly retract again.<br>
I fairly often dive into the <a href=3D"http://soundonsound.com" target=3D"=
_blank">soundonsound.com</a> Linux forum to see what&#39;s happening, and g=
et the impression people are still having the well-known issue that some au=
dio application dies, sometime ending up as a zombi process which can&#39;t=
 easily be cleared (wait it out or reboot).<br>

This app death often takes jack, the audio routing protocol, down, after wh=
ich jack doesn&#39;t restart as intended, but has to restarted from the com=
mand line.<br>
<br>
It&#39;s true that some VST things can be run through the wine or crossover=
 windows app emulators, but it&#39;s my impression it can be a hit and miss=
, and require some time for editing profiles to make the integration work.<=
br>

<br>
Alsa, the basic audio stuff is often said to require some setup, and is rep=
uted to have a slowish development. Other audio subsystems exists.<br>
<br>
To be fair to Linux as an audio platform, I&#39;m reverse biased and don&#3=
9;t follow it close enough, so take my comments with a grain of salt..<br>
<br>
Some useful ressources:<br>
<a href=3D"http://www.linuxaudio.org/" target=3D"_blank">http://www.linuxau=
dio.org/</a><br>
<a href=3D"http://www.linuxaudio.org/resources" target=3D"_blank">http://ww=
w.linuxaudio.org/resources</a><br>
<br>
For supported (semi)pro audio hardware, I used to check something akin to l=
inuxaudiodevices.something, but can&#39;t find or remember it anylonger.<br=
>
<br>
-- <br>
rgds,<br><font color=3D"#888888">
van Sinn<br>
<br>
</font></blockquote></div><br><br>

--0016e64652fa2298ec046dacf208--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 02:06:43 2009
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From: Loren Claypool <looper@theclaypools.com>
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Subject: Re: Is RC-50 really noisy? (And other concerns with noise in live  rigs?)
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Margaret,

I used the RC-50 significantly on my last release without noise  
issues. I was very conscious about using the bare minimum gear  
required for a track in the signal path and not boosting either the  
input or output volume on the RC-50. Good results.

On Tue, Jun 30, 2009 at 5:33 PM, margaret
noble<margaretnoble2000@yahoo.com> wrote:
 > Hello List,
 >
 > I have been working on tightening my sound quality. Couple of  
questions:
 >
 > - Has anyone else noticed the Boss RC-50 to be particularly noisy?
 >
 > - With respect to multiple gear in one live rig with pedals, mixers,
 > compressors, drum machines, mics and too many cables all around,  
how have
 > you guys combated the noise floor that creeps in?
 >
 > Thanks for your feedback!
 >
 > http://margaretnoble.net/
 >

All the best,

Loren Claypool
genre-indifferent instrumental guitar music
www.lorenclaypool.com and links from there




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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
font-family: arial, helvetica, sans-serif; font-size: 10pt; "><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: arial, helvetica, sans-serif; font-size: =
10pt; "><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; font-family: arial, helvetica, sans-serif; =
font-size: 10pt; "><span class=3D"Apple-style-span" style=3D"font-size: =
medium;">Margaret,</span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-family: =
arial, helvetica, sans-serif; font-size: 10pt; "><span =
class=3D"Apple-style-span" style=3D"font-size: =
medium;"><br></span></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; font-family: arial, =
helvetica, sans-serif; font-size: 10pt; "><span class=3D"Apple-style-span"=
 style=3D"font-size: medium;">I used the RC-50 significantly on my last =
release without noise issues. I was very conscious about using the bare =
minimum gear required for a track in the signal path and not boosting =
either the input or output volume on the RC-50. Good results</span><span =
class=3D"Apple-style-span" style=3D"font-size: =
medium;">.</span></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font-family: arial, helvetica, =
sans-serif; font-size: 10pt; "><span class=3D"Apple-style-span" =
style=3D"font-size: medium;"><br></span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
font-family: arial, helvetica, sans-serif; font-size: 10pt; ">On Tue, =
Jun 30, 2009 at 5:33 PM, margaret<br>noble&lt;<a =
ymailto=3D"mailto:margaretnoble2000@yahoo.com" =
href=3D"mailto:margaretnoble2000@yahoo.com">margaretnoble2000@yahoo.com</a=
>&gt; wrote:<br>&gt; Hello List,<br>&gt;<br>&gt; I have been working on =
tightening my sound quality. Couple of questions:<br>&gt;<br>&gt; - Has =
anyone else noticed the Boss RC-50 to be particularly =
noisy?<br>&gt;<br>&gt; - With respect to multiple gear in one live rig =
with pedals, mixers,<br>&gt; compressors, drum machines, mics and too =
many cables all around, how have<br>&gt; you guys combated the noise =
floor that creeps in?<br>&gt;<br>&gt; Thanks for your =
feedback!<br>&gt;<br><span>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><a target=3D"_blank" =
href=3D"http://margaretnoble.net/">http://margaretnoble.net/</a></span><br=
>&gt;<br></div></div></div></div></span></div><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div>All the =
best,</div><div><br></div><div>Loren =
Claypool</div><div>genre-indifferent instrumental guitar =
music</div><div><a =
href=3D"http://www.lorenclaypool.com">www.lorenclaypool.com</a> and =
links from there</div></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"> </div><br></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 05:28:48 2009
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Subject: RE: MY NEW TOY
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Bingo! Andy makes a good point, if you used just one amp simulator, say
something like a sans amp, and you place it before the M-13 or some where
near the start of the chain using the M-13's effects loop. You could achieve
the missing link you are looking for without sacrificing the beloved stereo
imaging of the effects. I haven't checked my computer in a week which is why
I'm coming to this conversation so late. I've been in West Virginia, of all
places, visiting relatives of relatives. I brought my 22' scale lap steel
and borrowed Rick's Vox DA-5 and took a line 6 dl-4 to keep myself amused.
Actually, if you think about it, A DA-5 could make a pretty cool first stage
as it has a line/phone out that you could feed the M-13 in either mono or
stereo. If you don't have an issue with the "feel" of modeling amps, I'd
give either solution a try.
Bill


tEd R KiLLiAn wrote:
> Yeah, it's really too bad that there's no also a single-device solution 
> for a stereo amp simulator to go along with this device.
> 

Well, I obviuosly you know best what you need to achieve...but...

Rather than put two amp sims after the fx, surely it would 
be neater to put one amp sim between guitar and fx.

That gives you more options for combining sounds, and doesn't
mush up the layers together.

andy

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> Some recent experiments in short minimalist lo-fi video 
 
very interesting ideas, very charming little videos 
 
-Michael
 

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<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
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<DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
class=3D187115707-02072009>&gt; </SPAN></FONT>Some recent experiments in =
short=20
minimalist lo-fi video<FONT face=3DArial><SPAN =
class=3D187115707-02072009><FONT=20
size=3D2>&nbsp;</FONT></SPAN></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><SPAN=20
class=3D187115707-02072009></SPAN></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><SPAN =
class=3D187115707-02072009><FONT=20
size=3D2>very interesting ideas, very&nbsp;charming=20
little&nbsp;videos</FONT>&nbsp;</SPAN></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><SPAN =
class=3D187115707-02072009><FONT=20
size=3D2></FONT></SPAN></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><SPAN =
class=3D187115707-02072009><FONT=20
size=3D2>-Michael</FONT></SPAN></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><SPAN =
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size=3D2></FONT></SPAN><SPAN class=3DApple-style-span=20
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class=3DApple-style-span>&nbsp;</DIV></FONT></SPAN></FONT></BODY></HTML>

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 1. "that what Andy calls gain staging"

...and the rest of the world

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 09:10:30 2009
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From: "Christo Jota" <chris@christojota.de>
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References: <7334ca1b0907010950m7f83387q8b6ca3bad1ef3d0b@mail.gmail.com>
Subject: Re: Virtual sound and Vision Festival
Date: Thu, 2 Jul 2009 11:12:00 +0200
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Thanks, Rainer. Will come back to you later.
Christo
----- Original Message -----
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Wednesday, July 01, 2009 6:50 PM
Subject: Re: Virtual sound and Vision Festival


> > Is it easy to install the software that I would need for filming with
the webcam?
>
> The short answer is: "yes!". The slightly longer one: we will provide
> a list of tech requirements (as to what computer and what (free)
> software you'll need) as well as a detailed howto.
>
> Best,
>
>             Rainer
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 10:42:48 2009
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From: Bill Fox <billyfox@soundscapes.us>
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am (EDT/GMT-4:00/ITZ-5:00) every
Thursday morning.  Tune in for a delightful mix of eclectic musical
genres including a healthy dose of Progressive Rock.  Tune in at 91.7
FM or on the internet at http://muhlenberg.edu/wmuh/WMUH.ram

Tune in to hear KTU, Echoclyn, Brett Kull (of Echolyn), and more.


GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
begin a month-long Special Focus on Jeffrey Koepper.  The Featured CD
at Midnight will be "Etherea" on Air Space Records.  For details, see
the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jul

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 13:29:36 2009
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	 <010101c9faf5$659ab8e0$0201a8c0@Toshiba>
Date: Thu, 2 Jul 2009 15:29:35 +0200
Message-ID: <afb941d0907020629w1ab534dbw2cfd405e92dbf41c@mail.gmail.com>
Subject: Re: Virtual sound and Vision Festival
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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it seems i missed this event ... any site where the project is presented?

2009/7/2, Christo Jota <chris@christojota.de>:
> Thanks, Rainer. Will come back to you later.
> Christo
> ----- Original Message -----
> From: "Rainer Straschill" <moinsound@googlemail.com>
> To: <loopers-delight@loopers-delight.com>
> Sent: Wednesday, July 01, 2009 6:50 PM
> Subject: Re: Virtual sound and Vision Festival
>
>
>> > Is it easy to install the software that I would need for filming with
> the webcam?
>>
>> The short answer is: "yes!". The slightly longer one: we will provide
>> a list of tech requirements (as to what computer and what (free)
>> software you'll need) as well as a detailed howto.
>>
>> Best,
>>
>>             Rainer
>>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 13:58:46 2009
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Subject: Re: Virtual sound and Vision Festival
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Raul, you have not missed anything at all. There is now a Myspace page for 
it. http://www.myspace.com/vsvfestival and Matt Stevens started a Facebook 
group you may have seen. Same event in the planning stages.
?Vingui i reuneixi's amb nosaltres per a una aventura d'àudio/vídeo!

Best,

Jeff


----- Original Message ----- 
From: "Raul Bonell" <raul.bonell@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 02, 2009 9:29 AM
Subject: Re: Virtual sound and Vision Festival


> it seems i missed this event ... any site where the project is presented?
>
> 2009/7/2, Christo Jota <chris@christojota.de>:
>> Thanks, Rainer. Will come back to you later.
>> Christo
>> ----- Original Message -----
>> From: "Rainer Straschill" <moinsound@googlemail.com>
>> To: <loopers-delight@loopers-delight.com>
>> Sent: Wednesday, July 01, 2009 6:50 PM
>> Subject: Re: Virtual sound and Vision Festival
>>
>>
>>> > Is it easy to install the software that I would need for filming with
>> the webcam?
>>>
>>> The short answer is: "yes!". The slightly longer one: we will provide
>>> a list of tech requirements (as to what computer and what (free)
>>> software you'll need) as well as a detailed howto.
>>>
>>> Best,
>>>
>>>             Rainer
>>>
>>
>>
>
>
> -- 
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
> 

From rosewealth82@yahoo.com  Thu Jul  2 14:08:35 2009
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From: "Rose Wealth"<rosewealth82@yahoo.com>
Subject: RE: Hello
Date: Thu, 2 Jul 2009 07:55:36 -0600
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Dear Friend,

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From ahmed_abdullah27@mynet.com  Thu Jul  2 14:17:55 2009
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Subject: Good Day, 
From: ahmed_abdullah27@mynet.com
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Good Day,&nbsp;
&nbsp;
I am Mr Ahmed
Abdullah, I want to enquire from you if you can handle this transaction of
$29.2m dollars belonging to our bank deceased customer who died along with
his family during their vacation,i will give you more details and what
will be your percentage for your assistants as soon as i receive your
reply
&nbsp;
If you are interested, please forward me the bellow
information's; 
Your name: ............................ 
Your country: ......................... 
Your phone Number: ...................... 
Your Tel/fax: ........................... 
Your age: ............................... 
Your occupation: ....................... 
Thank for your anticipated co-operation

&nbsp;
Yours Faithfully, 
Mr.Ahmed Abdullah
BILL AND EXCHANGE0 MANAGER&nbsp; AFRICAN
DEVELOPMENT BANK (ADB).
PRIVATE TELEPHONE: +226-76 46 88 50
ahmed_abdullah28@hotmail.fr


_______________________________________________
	
	
		Do&#287;ru ve h&#305;zl&#305; haberin adresi "Mynet Haber" !Hemen týklayýn!
	


------=_20090702170938_83162
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<html><body><DIV>
<DIV>Good Day,<SPAN style="COLOR: green"><FONT
color=#000000></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN style="COLOR: green"><FONT
color=#000000></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN style="COLOR: green"><FONT color=#000000>I am Mr Ahmed
Abdullah, I want to enquire from you if you can handle this transaction of
$29.2m dollars belonging to our bank deceased customer who died along with
his family during their vacation,i will give you more details and what
will be your percentage for your assistants as soon as i receive your
reply</FONT></SPAN></DIV>
<DIV><SPAN style="COLOR: green"></SPAN><FONT
color=#000000></FONT>&nbsp;</DIV>
<DIV><SPAN style="COLOR: green"><SPAN style="COLOR: green"><FONT
color=#000000>If you are interested, please forward me the bellow
information's; <br>
Your name: ............................ <br>
Your country: ......................... <br>
Your phone Number: ...................... <br>
Your Tel/fax: ........................... <br>
Your age: ............................... <br>
Your occupation: ....................... <br>
Thank for your anticipated co-operation</FONT></SPAN></SPAN></DIV>
<DIV><SPAN style="COLOR: green">
<DIV><FONT color=#000000></FONT>&nbsp;</DIV>
<DIV><FONT color=#000000>Yours Faithfully, <br>
Mr.Ahmed Abdullah</FONT></DIV>
<DIV><FONT color=#000000>BILL AND EXCHANGE0 MANAGER&nbsp; AFRICAN
DEVELOPMENT BANK (ADB).</FONT></DIV>
<DIV><FONT color=#000000>PRIVATE TELEPHONE: +226-76 46 88 50</FONT></DIV>
<DIV><A
href="http://uk.mc246.mail.yahoo.com/mc/compose?to=ahmed_abdullah28@hotmail.fr"
target=_blank
rel=nofollow>ahmed_abdullah28@hotmail.fr</A></DIV></SPAN></DIV></DIV>
<br/>
<div align=left
style=font-family:tahoma;font-size:10pt;color:black;background-color:white;layer-background-color:white>
_______________________________________________
	<br/>
	<a target="_blank"
href="http://servad.mynet.com/admynet/adredir.asp?ciid=32596&url=http://haber.mynet.com"
 style="color:black" target="_blank">
		Do&#287;ru ve h&#305;zl&#305; haberin adresi "Mynet Haber" !Hemen týklayýn!
	</a>
</div>

</body></html>
------=_20090702170938_83162--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 14:26:20 2009
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Date: Thu, 2 Jul 2009 16:26:19 +0200
Message-ID: <afb941d0907020726t639f9123xbb2f5ec5cc4f3005@mail.gmail.com>
Subject: Re: Virtual sound and Vision Festival
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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ok. pals ... going to check those groups. thanks jeff!

2009/7/2, Jeff Duke <jeff_d@embarqmail.com>:
> Raul, you have not missed anything at all. There is now a Myspace page fo=
r
> it. http://www.myspace.com/vsvfestival and Matt Stevens started a Faceboo=
k
> group you may have seen. Same event in the planning stages.
> ?Vingui i reuneixi's amb nosaltres per a una aventura d'=E0udio/v=EDdeo!
>
> Best,
>
> Jeff
>
>
> ----- Original Message -----
> From: "Raul Bonell" <raul.bonell@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, July 02, 2009 9:29 AM
> Subject: Re: Virtual sound and Vision Festival
>
>
>> it seems i missed this event ... any site where the project is presented=
?
>>
>> 2009/7/2, Christo Jota <chris@christojota.de>:
>>> Thanks, Rainer. Will come back to you later.
>>> Christo
>>> ----- Original Message -----
>>> From: "Rainer Straschill" <moinsound@googlemail.com>
>>> To: <loopers-delight@loopers-delight.com>
>>> Sent: Wednesday, July 01, 2009 6:50 PM
>>> Subject: Re: Virtual sound and Vision Festival
>>>
>>>
>>>> > Is it easy to install the software that I would need for filming wit=
h
>>> the webcam?
>>>>
>>>> The short answer is: "yes!". The slightly longer one: we will provide
>>>> a list of tech requirements (as to what computer and what (free)
>>>> software you'll need) as well as a detailed howto.
>>>>
>>>> Best,
>>>>
>>>>             Rainer
>>>>
>>>
>>>
>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 14:35:19 2009
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Date: Thu, 2 Jul 2009 16:35:17 +0200
Message-ID: <afb941d0907020735n3ff8bc2j184c67442c5d433f@mail.gmail.com>
Subject: Re: Virtual sound and Vision Festival
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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nice video montage that of the cowboy rainer ... :-)

2009/7/2, Raul Bonell <raul.bonell@gmail.com>:
> ok. pals ... going to check those groups. thanks jeff!
>
> 2009/7/2, Jeff Duke <jeff_d@embarqmail.com>:
>> Raul, you have not missed anything at all. There is now a Myspace page
>> for
>> it. http://www.myspace.com/vsvfestival and Matt Stevens started a
>> Facebook
>> group you may have seen. Same event in the planning stages.
>> ?Vingui i reuneixi's amb nosaltres per a una aventura d'=E0udio/v=EDdeo!
>>
>> Best,
>>
>> Jeff
>>
>>
>> ----- Original Message -----
>> From: "Raul Bonell" <raul.bonell@gmail.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Thursday, July 02, 2009 9:29 AM
>> Subject: Re: Virtual sound and Vision Festival
>>
>>
>>> it seems i missed this event ... any site where the project is
>>> presented?
>>>
>>> 2009/7/2, Christo Jota <chris@christojota.de>:
>>>> Thanks, Rainer. Will come back to you later.
>>>> Christo
>>>> ----- Original Message -----
>>>> From: "Rainer Straschill" <moinsound@googlemail.com>
>>>> To: <loopers-delight@loopers-delight.com>
>>>> Sent: Wednesday, July 01, 2009 6:50 PM
>>>> Subject: Re: Virtual sound and Vision Festival
>>>>
>>>>
>>>>> > Is it easy to install the software that I would need for filming
>>>>> > with
>>>> the webcam?
>>>>>
>>>>> The short answer is: "yes!". The slightly longer one: we will provide
>>>>> a list of tech requirements (as to what computer and what (free)
>>>>> software you'll need) as well as a detailed howto.
>>>>>
>>>>> Best,
>>>>>
>>>>>             Rainer
>>>>>
>>>>
>>>>
>>>
>>>
>>> --
>>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>>> Chain Tape Collective: http://www.ct-collective.com
>>>
>>>
>>
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 14:57:26 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: ot.....mac question
Date: Thu, 2 Jul 2009 07:57:20 -0700
To: Loopers-Delight@loopers-delight.com
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Skoots,

You're not going to like this . . . you and I have the same problem. I 
have an older iBook (a white 2001 vintage 500MHz PowerPC G3 that will 
only run Mac OSX 10.3.9 and no later, AFAIK). We've been cheapskate old 
farts and the rest of the world has moved on to faster machines and 
newer ways of viewing content.

Our mutual problem is that we both need new computers. I keep getting 
alerts that I cannot view certain flash content on a page because I do 
not have the very latest Flash plug-in to do so. Unfortunately, I DO 
have the latest Flash plug-in that will work with MY computer . . . and 
I bet you do too. Technology changes fast. We move too slow my friend.

If it matters to you, it's time to break out the checkbook and go get a 
new computer. I am contemplating the same thing. But damn if the latest 
AFFORDABLE iBooks haven't dropped Firewire from the feature list. I 
have all sorts of external Firewire peripherals. If I cheap-out on a 
new machine I have to replace those peripherals too . . . not cheap.

But the MacBook Pro I want is going to set me back a bit even more if I 
hold out for what I think I really need. Prices have been coming down 
though (I think it's the recession). So I may find myself making a move 
sooner here than I thought.

Time to think about it. When it comes to computers, we cant be like old 
geezers driving a '67 Plymouth - milking it timidly down the highway 
forever - trying to make it last. The internet has moved on. The world 
has moved on. We need to catch up . . . LOL.

Best,

Tedzo




On Jul 1, 2009, at 12:33 PM, Nemoguitt@aol.com wrote:

> i can not view videos anymore and my puter keeps telling me to dl 
> flash player 9 because my osx is 10.3.9.....when i do this and try to 
> open flash player i get this message "the destination folder (adobe 
> flash player 9) is on a locked volume. Please select another 
> destination.".....can anyone help me?.....off list of 
> course.....thanks.....m

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 15:01:17 2009
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From: "William Walker" <billwalker@baymoon.com>
To: "'E Gross'" <slapbandjam@yahoo.com>, <Loopers-Delight@loopers-delight.com>
References: <4A487167.2020305@tiscali.co.uk> <C2EAF05066DB4A8F9F70F32ECBFEB4AD@williamsteed> <241609.42061.qm@web45908.mail.sp1.yahoo.com>
Subject: RE: MY NEW TOY
Date: Thu, 2 Jul 2009 08:01:10 -0700
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The Asher Jr is $759.00 list
http://www.asherguitars.com/lap_steel_electro_h_jr.php,  but its more like a
standard 25 foot scale length :-). I bought one from Bill Asher , and sold
it to a friend ( already have one of these,
http://www.asherguitars.com/lap_steel_electro_hawaiian.php  though mine has
nickel covered lollar pickups ) .

The Electro Hawaiian  Jr, is  IMHO the best lap steel on the market under
$1000 but its certainly not petite.  I've been trying to convince Asher to
design a new model that is more of a travel size instrument like a Supro or
my Fender champion with a 22 Inch scale length. I'll keep working on him.

 Bill

 

  _____  

From: E Gross [mailto:slapbandjam@yahoo.com] 
Sent: Thursday, July 02, 2009 7:18 AM
To: billwalker@baymoon.com
Subject: Re: MY NEW TOY

 

Wow, a 22 foot scale lap steel -- post a video! 

;)

 

Actually, all kidding aside, I would like to buy/make another lap steel, I
have an old Supro but would like to get something with humbuckers. At an
affordable price, which rules out the Bill Asher model that Ben Harper
uses....any suggestions?

 

Thanks,

 

Eric

 

  _____  

From: William Walker <billwalker@baymoon.com>
To: andy butler <akbutler@tiscali.co.uk>;
Loopers-Delight@loopers-delight.com
Sent: Thursday, July 2, 2009 1:28:41 AM
Subject: RE: MY NEW TOY

Bingo! Andy makes a good point, if you used just one amp simulator, say
something like a sans amp, and you place it before the M-13 or some where
near the start of the chain using the M-13's effects loop. You could achieve
the missing link you are looking for without sacrificing the beloved stereo
imaging of the effects. I haven't checked my computer in a week which is why
I'm coming to this conversation so late. I've been in West Virginia, of all
places, visiting relatives of relatives. I brought my 22' scale lap steel
and borrowed Rick's Vox DA-5 and took a line 6 dl-4 to keep myself amused.
Actually, if you think about it, A DA-5 could make a pretty cool first stage
as it has a line/phone out that you could feed the M-13 in either mono or
stereo. If you don't have an issue with the "feel" of modeling amps, I'd
give either solution a try.
Bill


tEd R KiLLiAn wrote:
> Yeah, it's really too bad that there's no also a single-device solution 
> for a stereo amp simulator to go along with this device.
> 

Well, I obviuosly you know best what you need to achieve...but...

Rather than put two amp sims after the fx, surely it would 
be neater to put one amp sim between guitar and fx.

That gives you more options for combining sounds, and doesn't
mush up the layers together.

andy

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>The Asher Jr is $759.00 list <a
href=3D"http://www.asherguitars.com/lap_steel_electro_h_jr.php">http://ww=
w.asherguitars.com/lap_steel_electro_h_jr.php</a>,
&nbsp;but its more like a standard 25 foot scale length =
</span></font><font
size=3D2 color=3Dnavy face=3DWingdings><span =
style=3D'font-size:10.0pt;font-family:
Wingdings;color:navy'>J</span></font><font size=3D2 color=3Dnavy =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>. I bought one =
from Bill
Asher , and sold it to a friend ( already have one of these, <a
href=3D"http://www.asherguitars.com/lap_steel_electro_hawaiian.php">http:=
//www.asherguitars.com/lap_steel_electro_hawaiian.php</a>
&nbsp;though mine has nickel covered lollar pickups ) =
.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>The Electro Hawaiian &nbsp;Jr, is =
&nbsp;IMHO
the best lap steel on the market under $1000 but its certainly not =
petite. &nbsp;I&#8217;ve
been trying to convince Asher to design a new model that is more of a =
travel
size instrument like a Supro or my Fender champion with a 22 Inch scale =
length.
I&#8217;ll keep working on him.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;Bill<o:p></o:p></span></font><=
/p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

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face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

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</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> E =
Gross
[mailto:slapbandjam@yahoo.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Thursday, July 02, =
2009 7:18
AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> <st1:PersonName =
w:st=3D"on">billwalker@baymoon.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: MY NEW =
TOY</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Wow, a 22 foot scale lap steel -- post a video! =
<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>;)<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Actually, all kidding aside, I would like to&nbsp;buy/make =
another lap
steel, I have an old Supro but would like to get something with =
humbuckers. At
an affordable price, which rules out the Bill Asher model that Ben =
Harper
uses....any suggestions?<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>Thanks,<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;<o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><st1:PersonName w:st=3D"on"><font size=3D3 =
face=3D"Times New Roman"><span
 =
style=3D'font-size:12.0pt'>Eric</span></font></st1:PersonName><o:p></o:p>=
</p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'>

<hr size=3D1 width=3D"100%" align=3Dcenter>

</span></font></div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><b><font size=3D2 =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:bold'>From:</spa=
n></font></b><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'> William
Walker &lt;<st1:PersonName =
w:st=3D"on">billwalker@baymoon.com</st1:PersonName>&gt;<br>
<b><span style=3D'font-weight:bold'>To:</span></b> andy butler
&lt;akbutler@tiscali.co.uk&gt;;<st1:PersonName w:st=3D"on">
 Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Thursday, July 2, =
2009
1:28:41 AM<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> RE: MY NEW =
TOY<br>
</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:
Arial'><br>
Bingo! Andy makes a good point, if you used just one amp simulator, =
say<br>
something like a sans amp, and you place it before the M-13 or some =
where<br>
near the start of the chain using the M-13's effects loop. You could =
achieve<br>
the missing link you are looking for without sacrificing the beloved =
stereo<br>
imaging of the effects. I haven't checked my computer in a week which is =
why<br>
I'm coming to this conversation so late. I've been in <st1:State =
w:st=3D"on"><st1:place
 w:st=3D"on">West Virginia</st1:place></st1:State>, of all<br>
places, visiting relatives of relatives. I brought my 22' scale lap =
steel<br>
and borrowed Rick's Vox DA-5 and took a line 6 dl-4 to keep myself =
amused.<br>
Actually, if you think about it, A DA-5 could make a pretty cool first =
stage<br>
as it has a line/phone out that you could feed the M-13 in either mono =
or<br>
stereo. If you don't have an issue with the &quot;feel&quot; of modeling =
amps,
I'd<br>
give either solution a try.<br>
Bill<br>
<br>
<br>
tEd R KiLLiAn wrote:<br>
&gt; Yeah, it's really too bad that there's no also a single-device =
solution <br>
&gt; for a stereo amp simulator to go along with this device.<br>
&gt; <br>
<br>
Well, I obviuosly you know best what you need to achieve...but...<br>
<br>
Rather than put two amp sims after the fx, surely it would <br>
be neater to put one amp sim between guitar and fx.<br>
<br>
That gives you more options for combining sounds, and doesn't<br>
mush up the layers together.<br>
<br>
andy<o:p></o:p></span></font></p>

</div>

</div>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

------=_NextPart_000_000A_01C9FAEB.4628FE40--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 15:14:18 2009
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Subject: OT: Gig spam
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Just a reminder that my next Ustream show will be Saturday the 4th of July 
at 12:00 noon east coast US time.
 Expect fireworks!

http://www.ustream.tv/channel/loopydroneyglitchywacky-presents

For your local time you can use this:
http://tinyurl.com/kptvev


best,

Jeff

"You can't wait for inspiration. You have to go after it with a club."
— Jack London

http://jeffduke.org/
http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.ustream.tv/channel/loopydroneyglitchywacky-presents 

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References: <c6c.4f6987e0.377d13fc@aol.com> <80464e482e91877ab2589d47a246c4be@charter.net>
Subject: Re: ot.....mac question
Date: Thu, 2 Jul 2009 11:19:19 -0400
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But I loved my 67 Plymouth, slant 6 and I put an 8 track tape player in it! 
nationwide man! :)

Jeff

----- Original Message ----- 
From: "tEd ® KiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 02, 2009 10:57 AM
Subject: Re: ot.....mac question


> Skoots,

>snip<

>we cant be like old geezers driving a '67 Plymouth - milking it timidly 
>down the highway forever - trying to make it last. > Best,
>
> Tedzo
>
>
>
>
> On Jul 1, 2009, at 12:33 PM, Nemoguitt@aol.com wrote:
>
>> i can not view videos anymore and my puter keeps telling me to dl flash 
>> player 9 because my osx is 10.3.9.....when i do this and try to open 
>> flash player i get this message "the destination folder (adobe flash 
>> player 9) is on a locked volume. Please select another 
>> destination.".....can anyone help me?.....off list of 
>> course.....thanks.....m
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 15:31:53 2009
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> If it matters to you, it's time to break out the checkbook and go get a=
 
> new computer. I am contemplating the same thing. But damn if the latest=
 
> AFFORDABLE iBooks haven't dropped Firewire from the feature list. I 
> have all sorts of external Firewire peripherals. If I cheap-out on a 
> new machine I have to replace those peripherals too . . . not cheap.

Apple recently announced a new and cheaper 13" Macbook Pro with Firewire =
for $1199, see http://www.apple.com/mac/whichmacbook/compare.html

I think this is more or less the same machine as the previous white 13" M=
acBook with FW they sold until Oct '08.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g.


From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 16:36:51 2009
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Thanks.

I may just have to check that out.

I stopped my MacWorld  subscription too soon.

Been out of the loop.

Best,

Ted

---- Sjaak <tcplugin@scarlet.be> wrote: 

Apple recently announced a new and cheaper 13" Macbook Pro with Firewire for $1199, see http://www.apple.com/mac/whichmacbook/compare.html

I think this is more or less the same machine as the previous white 13" MacBook with FW they sold until Oct '08.

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 17:05:43 2009
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you should get the Apple Hot News RSS feed

On Jul 2, 2009, at 6:36 PM, <trkillian@charter.net> wrote:

> Thanks.
>
> I may just have to check that out.
>
> I stopped my MacWorld  subscription too soon.
>
> Been out of the loop.
>
> Best,
>
> Ted
>
> ---- Sjaak <tcplugin@scarlet.be> wrote:
>
> Apple recently announced a new and cheaper 13" Macbook Pro with  
> Firewire for $1199, see http://www.apple.com/mac/whichmacbook/compare.html
>
> I think this is more or less the same machine as the previous white  
> 13" MacBook with FW they sold until Oct '08.
>


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I'm using a Firebox to receive audio and midi from my microkorg, but I now
need another midi in for my looper controller. I have an old midiman
midisport (usb1) and a usb2 midi-only interface, but they both have a one
second latency.

My question: Are there any midi-only interfaces that use firewire? If so,
will I run into latency issues if I buy an adapter that allows me to split
my single firewire port into two?

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I&#39;m using a Firebox to receive audio and midi from my microkorg, but I now need another midi in for my looper controller. I have an old midiman midisport (usb1) and a usb2 midi-only interface, but they both have a one second latency.<br>
<br>My question: Are there any midi-only interfaces that use firewire? If so, will I run into latency issues if I buy an adapter that allows me to split my single firewire port into two? <br>

--001636c5a4af211834046dbbf389--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 17:16:23 2009
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Date: Thu, 2 Jul 2009 19:16:22 +0200
Message-ID: <66f9cc1e0907021016i12e4f230t30126c117f44c7f9@mail.gmail.com>
Subject: Re: Are there any Firewire Midi-Only Interfaces?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Jul 2, 2009 at 6:58 PM, marcus<nrvana8775@gmail.com> wrote:
> I'm using a Firebox to receive audio and midi from my microkorg, but I now
> need another midi in for my looper controller. I have an old midiman
> midisport (usb1) and a usb2 midi-only interface, but they both have a one
> second latency.

If MIDI is delayed by one second there must be something terribly
wrong in the system. That's not normal. Check your settings!


> My question: Are there any midi-only interfaces that use firewire?

Without having googled it for you, I would guess there isn't. The
reason is that firewire is such a good protocol to stream digital
audio to and from a computer that I really doubt anyone would come up
with a product that does occupy a firewire bus by MIDI only.

> If so,
> will I run into latency issues if I buy an adapter that allows me to split
> my single firewire port into two?

I would guess so - if you are still talking MIDI latency. I base this
on the assumption that the error is to be corrected somewhere in your
system's settings. Maybe some piece of gear is set to quantize certain
MIDI data and causes the latency? Just follow the entire signal path
from where it starts to the target and make sure all settings are as
you want them.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 17:20:18 2009
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Subject: Bidule: Snap, Crackle and Pop
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Greetings from Emeryville California,

I'm just getting started with Mobius. I'm very impressed and so far its
working very well with one exception. I'm getting crackle sounds I can't get
rid of.

 

My main aim is to use Mobius for live looping but I need some signal routing
around it to switch my live sound on and off from my inputs and am using
Bidule for that. I think the crackle is Bidule all by itself. No crackle on
Mobius standalone. Bidule is crackling even when the ASIO device is the only
"bidule" on the workspace connected straight thru and no sound is being
input. The DSP is spiking in the 20s and running close to 15 most of the
time. I've matched up the buffer size with the ASIO (MAudio Ultra USB) and
tried a few different rates and messed with the FFT. No luck so far. My
machine is a 1.66ghz with 1gb RAM at little light but it's running Mobius
just fine.

 

Any suggestions guys? Thanks in advance,

-Ty

 

Cheers,

-Ty

 


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<div class=3DSection1>

<p class=3DMsoNormal>Greetings from Emeryville =
California,<o:p></o:p></p>

<p class=3DMsoNormal>I'm just getting started with Mobius. I'm very =
impressed and
so far its working very well with one exception. I'm getting crackle =
sounds I
can't get rid of.<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>My main aim is to use Mobius for live looping but I =
need
some signal routing around it to switch my live sound on and off from my =
inputs
and am using Bidule for that. I think the crackle is Bidule all by =
itself. No
crackle on Mobius standalone. Bidule is crackling even when the ASIO =
device is
the only &quot;bidule&quot; on the workspace connected straight thru and =
no
sound is being input. The DSP is spiking in the 20s and running close to =
15
most of the time. I've matched up the buffer size with the ASIO (MAudio =
Ultra
USB) and tried a few different rates and messed with the FFT. No luck so =
far.
My machine is a 1.66ghz with 1gb RAM at little light but it's running =
Mobius
just fine.<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Any suggestions guys? Thanks in =
advance,<o:p></o:p></p>

<p class=3DMsoNormal>-Ty<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Cheers,<o:p></o:p></p>

<p class=3DMsoNormal>-Ty<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 17:57:17 2009
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Date: Thu, 2 Jul 2009 12:57:15 -0500
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Subject: Re: Are there any Firewire Midi-Only Interfaces?
From: marcus <nrvana8775@gmail.com>
To: Loopers-Delight@loopers-delight.com
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The midi has no latency, it's the USB 2.0 interface used to connect my
looper control that has the latency.

I'm still not even sure that I have my bidule set up properly, but it works
and hasn't caused any problems in the past.

On Thu, Jul 2, 2009 at 12:16 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Jul 2, 2009 at 6:58 PM, marcus<nrvana8775@gmail.com> wrote:
> > I'm using a Firebox to receive audio and midi from my microkorg, but I
> now
> > need another midi in for my looper controller. I have an old midiman
> > midisport (usb1) and a usb2 midi-only interface, but they both have a one
> > second latency.
>
> If MIDI is delayed by one second there must be something terribly
> wrong in the system. That's not normal. Check your settings!
>
>
> > My question: Are there any midi-only interfaces that use firewire?
>
> Without having googled it for you, I would guess there isn't. The
> reason is that firewire is such a good protocol to stream digital
> audio to and from a computer that I really doubt anyone would come up
> with a product that does occupy a firewire bus by MIDI only.
>
> > If so,
> > will I run into latency issues if I buy an adapter that allows me to
> split
> > my single firewire port into two?
>
> I would guess so - if you are still talking MIDI latency. I base this
> on the assumption that the error is to be corrected somewhere in your
> system's settings. Maybe some piece of gear is set to quantize certain
> MIDI data and causes the latency? Just follow the entire signal path
> from where it starts to the target and make sure all settings are as
> you want them.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

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The midi has no latency, it&#39;s the USB 2.0 interface used to connect my =
looper control that has the latency.<br><br>I&#39;m still not even sure tha=
t I have my bidule set up properly, but it works and hasn&#39;t caused any =
problems in the past.<br>
<br><div class=3D"gmail_quote">On Thu, Jul 2, 2009 at 12:16 PM, Per Boysen =
<span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmai=
l.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;">
<div class=3D"im">On Thu, Jul 2, 2009 at 6:58 PM, marcus&lt;<a href=3D"mail=
to:nrvana8775@gmail.com">nrvana8775@gmail.com</a>&gt; wrote:<br>
&gt; I&#39;m using a Firebox to receive audio and midi from my microkorg, b=
ut I now<br>
&gt; need another midi in for my looper controller. I have an old midiman<b=
r>
&gt; midisport (usb1) and a usb2 midi-only interface, but they both have a =
one<br>
&gt; second latency.<br>
<br>
</div>If MIDI is delayed by one second there must be something terribly<br>
wrong in the system. That&#39;s not normal. Check your settings!<br>
<div class=3D"im"><br>
<br>
&gt; My question: Are there any midi-only interfaces that use firewire?<br>
<br>
</div>Without having googled it for you, I would guess there isn&#39;t. The=
<br>
reason is that firewire is such a good protocol to stream digital<br>
audio to and from a computer that I really doubt anyone would come up<br>
with a product that does occupy a firewire bus by MIDI only.<br>
<div class=3D"im"><br>
&gt; If so,<br>
&gt; will I run into latency issues if I buy an adapter that allows me to s=
plit<br>
&gt; my single firewire port into two?<br>
<br>
</div>I would guess so - if you are still talking MIDI latency. I base this=
<br>
on the assumption that the error is to be corrected somewhere in your<br>
system&#39;s settings. Maybe some piece of gear is set to quantize certain<=
br>
MIDI data and causes the latency? Just follow the entire signal path<br>
from where it starts to the target and make sure all settings are as<br>
you want them.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br>

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Subject: RE: Are there any Firewire Midi-Only Interfaces?
Date: Thu, 2 Jul 2009 20:27:31 +0200
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> I have an old midiman midisport (usb1) and a usb2 midi-only interface, but
they both have a one second latency. 
 
I use an old Midiman (Steinberg) USB interface - no audible latency.
 
-Michael
 
 

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<DIV dir=3Dltr align=3Dleft><SPAN class=3D812262618-02072009>&gt; =
</SPAN>I have an old=20
midiman midisport (usb1) and a usb2 midi-only interface, but they both =
have a=20
one second latency.<SPAN class=3D812262618-02072009><FONT face=3DArial=20
size=3D2>&nbsp;</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D812262618-02072009></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D812262618-02072009><FONT =
face=3DArial size=3D2>I=20
use an old Midiman (Steinberg) USB interface - no audible=20
latency.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D812262618-02072009><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D812262618-02072009><FONT =
face=3DArial=20
size=3D2>-Michael</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D812262618-02072009><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D812262618-02072009><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_00BD_01C9FB53.86F80BB0--

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From: Jeff Larson <jeff.larson@sailpoint.com>
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	<Loopers-Delight@loopers-delight.com>
Date: Thu, 2 Jul 2009 13:30:59 -0500
Subject: RE: Are there any Firewire Midi-Only Interfaces?
Thread-Topic: Are there any Firewire Midi-Only Interfaces?
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> The midi has no latency, it's the USB 2.0 interface used to connect my
> looper control that has the latency.

1 second of latency for a USB device is insanely slow, there must be
something wrong.  Even at USB 1.0 speeds, people with USB keyboards
don't have to wait a second between key presses.  It's hard to say
what's wrong, it could be the device, it could be a driver conflict.
Are you going through a USB hub or connecting directly to the
computer?

Jeff


--_000_7872203368197C4691224688958BE714AFE270F207barqsailpoint_
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<head>
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<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>&gt; The midi has no latency, it's the USB 2.0 interface use=
d to
connect my<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>&gt; looper control that has the latency.<o:p></o:p></span><=
/p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>1 second of latency for a USB device is insanely slow, there
must be<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>something wrong.&nbsp; Even at USB 1.0 speeds, people with U=
SB
keyboards<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>don't have to wait a second between key presses.&nbsp; It's =
hard to
say<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>what's wrong, it could be the device, it could be a driver
conflict.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Are you going through a USB hub or connecting directly to th=
e<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>computer?<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Jeff<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 18:43:57 2009
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Date: Thu, 2 Jul 2009 13:36:53 -0500
Message-ID: <1c3a4db00907021136pdae67b6hc29caf499450ec93@mail.gmail.com>
Subject: Re: Are there any Firewire Midi-Only Interfaces?
From: marcus <nrvana8775@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f85a94d9afc9046dbd5200
Content-Type: text/plain; charset=ISO-8859-1
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I am connecting directly to the computer. I will try out the usb1 device and
see how that goes.

On Thu, Jul 2, 2009 at 1:30 PM, Jeff Larson <jeff.larson@sailpoint.com>wrote:

>
>
> > The midi has no latency, it's the USB 2.0 interface used to connect my
>
> > looper control that has the latency.
>
>
>
> 1 second of latency for a USB device is insanely slow, there must be
>
> something wrong.  Even at USB 1.0 speeds, people with USB keyboards
>
> don't have to wait a second between key presses.  It's hard to say
>
> what's wrong, it could be the device, it could be a driver conflict.
>
> Are you going through a USB hub or connecting directly to the
>
> computer?
>
>
>
> Jeff
>
>
>

--001485f85a94d9afc9046dbd5200
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I am connecting directly to the computer. I will try out the usb1 device an=
d see how that goes. <br><br><div class=3D"gmail_quote">On Thu, Jul 2, 2009=
 at 1:30 PM, Jeff Larson <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff.larso=
n@sailpoint.com">jeff.larson@sailpoint.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">








<div link=3D"blue" vlink=3D"purple" lang=3D"EN-US">

<div><div class=3D"im">

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">=A0</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">&gt; The midi =
has no latency, it&#39;s the USB 2.0 interface used to
connect my</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">&gt; looper co=
ntrol that has the latency.</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">=A0</span></p>

</div><p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">1 second=
 of latency for a USB device is insanely slow, there
must be</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">something wron=
g.=A0 Even at USB 1.0 speeds, people with USB
keyboards</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">don&#39;t have=
 to wait a second between key presses.=A0 It&#39;s hard to
say</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">what&#39;s wro=
ng, it could be the device, it could be a driver
conflict.</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">Are you going =
through a USB hub or connecting directly to the</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">computer?</spa=
n></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">=A0</span></p>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">Jeff</span></p=
>

<p><span style=3D"font-size: 11pt; color: rgb(31, 73, 125);">=A0</span></p>

</div>

</div>


</blockquote></div><br>

--001485f85a94d9afc9046dbd5200--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 18:54:39 2009
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Date: Thu, 2 Jul 2009 11:54:38 -0700
Message-ID: <bcd3c7bb0907021154h4be5258bo32ace40960abe40b@mail.gmail.com>
Subject: Re: Are there any Firewire Midi-Only Interfaces?
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Could the problem be your looper controller?  What are you using?
It's surely not your MIDI interface. I remember having to return a
midi pedal once... I think it may have been a Yamaha, for this exact
reason.  There was a noticeable delay between the time I stepped on
the button to the time it transmitted.  Really silly.  Control with my
FCB1010 is as close to instantaneous as it gets.

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 19:14:44 2009
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Date: Thu, 2 Jul 2009 12:14:43 -0700
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Subject: Re: ot.....mac question
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My brother has a G4 desktop from "back in the day" and he did have a
bunch of issues with Flash.  He was able to upgrade to the latest OS
with it so you may be OK.  He said he's not really having any problems
with it, though I'm still on 10.4 on my G5.  Never felt the need to
move up from there.

Honestly, if you don't need a laptop or the latest-greatest I suggest
an old G5.  You can get one fairly cheap:

http://sfbay.craigslist.org/nby/sys/1249824286.html

and recently I put my new Core 2 Duo Quad up against my G5 and the 4
year old G5 was just as good at running Amplitube (pretty cpu greedy)
and a few other VSTis in Live 8.

On Thu, Jul 2, 2009 at 10:05 AM, doc rossi<docittern@gmail.com> wrote:
> you should get the Apple Hot News RSS feed
>
> On Jul 2, 2009, at 6:36 PM, <trkillian@charter.net> wrote:
>
>> Thanks.
>>
>> I may just have to check that out.
>>
>> I stopped my MacWorld =A0subscription too soon.
>>
>> Been out of the loop.
>>
>> Best,
>>
>> Ted
>>
>> ---- Sjaak <tcplugin@scarlet.be> wrote:
>>
>> Apple recently announced a new and cheaper 13" Macbook Pro with Firewire
>> for $1199, see http://www.apple.com/mac/whichmacbook/compare.html
>>
>> I think this is more or less the same machine as the previous white 13"
>> MacBook with FW they sold until Oct '08.
>>
>
>
>

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Subject: OT: Native Instruments deal
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For those who succumbed to the machine world:

http://www.zzounds.com/item--NINKOMPLETE2

That's a kick ass little deal.

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Date: Thu, 2 Jul 2009 16:52:30 -0500
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Subject: Re: Are there any Firewire Midi-Only Interfaces?
From: marcus <nrvana8775@gmail.com>
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--001485f85a94742a75046dc00e78
Content-Type: text/plain; charset=ISO-8859-1
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I'm using a rolls midi buddy. It has never caused any sort of delay except
for now, when using USB.

On Thu, Jul 2, 2009 at 1:54 PM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> Could the problem be your looper controller?  What are you using?
> It's surely not your MIDI interface. I remember having to return a
> midi pedal once... I think it may have been a Yamaha, for this exact
> reason.  There was a noticeable delay between the time I stepped on
> the button to the time it transmitted.  Really silly.  Control with my
> FCB1010 is as close to instantaneous as it gets.
>
>

--001485f85a94742a75046dc00e78
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I&#39;m using a rolls midi buddy. It has never caused any sort of delay exc=
ept for now, when using USB.<br><br><div class=3D"gmail_quote">On Thu, Jul =
2, 2009 at 1:54 PM, Mark Sottilaro <span dir=3D"ltr">&lt;<a href=3D"mailto:=
zerocrossing@gmail.com">zerocrossing@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Could the problem=
 be your looper controller? =A0What are you using?<br>
It&#39;s surely not your MIDI interface. I remember having to return a<br>
midi pedal once... I think it may have been a Yamaha, for this exact<br>
reason. =A0There was a noticeable delay between the time I stepped on<br>
the button to the time it transmitted. =A0Really silly. =A0Control with my<=
br>
FCB1010 is as close to instantaneous as it gets.<br>
<br>
</blockquote></div><br>

--001485f85a94742a75046dc00e78--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 21:58:51 2009
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Date: Thu, 2 Jul 2009 23:58:50 +0200
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Subject: Re: Are there any Firewire Midi-Only Interfaces?
From: Per Boysen <perboysen@gmail.com>
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Hey - guys, there seems to be some misunderstanding in this thread. It
now looks as Marcus are talking about audio latency - although his
first post gave the impression that he had problems with MIDI latency.

Marcus, maybe you can explain again so people with knowledge can give
accurate advice? ;-)'

Per



On Thu, Jul 2, 2009 at 11:52 PM, marcus<nrvana8775@gmail.com> wrote:
> I'm using a rolls midi buddy. It has never caused any sort of delay excep=
t
> for now, when using USB.
>
> On Thu, Jul 2, 2009 at 1:54 PM, Mark Sottilaro <zerocrossing@gmail.com>
> wrote:
>>
>> Could the problem be your looper controller? =C2=A0What are you using?
>> It's surely not your MIDI interface. I remember having to return a
>> midi pedal once... I think it may have been a Yamaha, for this exact
>> reason. =C2=A0There was a noticeable delay between the time I stepped on
>> the button to the time it transmitted. =C2=A0Really silly. =C2=A0Control=
 with my
>> FCB1010 is as close to instantaneous as it gets.
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 22:04:37 2009
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Date: Thu, 02 Jul 2009 16:43:38 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Are there any Firewire Midi-Only Interfaces?
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This might be a good set of steps:

1) hook up both controllers at the same time
2) trigger the same thing with both of them
3) are the results different?
4) do you have other usb devices connected?

For debugging, if you are on Windows, you can load up MIDI-Ox and =20
visually see the data come in from both devices. can you see a =20
difference in timing?

-cpr

Quoting Per Boysen <perboysen@gmail.com>:

> Hey - guys, there seems to be some misunderstanding in this thread. It
> now looks as Marcus are talking about audio latency - although his
> first post gave the impression that he had problems with MIDI latency.
>
> Marcus, maybe you can explain again so people with knowledge can give
> accurate advice? ;-)'
>
> Per
>
>
>
> On Thu, Jul 2, 2009 at 11:52 PM, marcus<nrvana8775@gmail.com> wrote:
>> I'm using a rolls midi buddy. It has never caused any sort of delay excep=
t
>> for now, when using USB.
>>
>> On Thu, Jul 2, 2009 at 1:54 PM, Mark Sottilaro <zerocrossing@gmail.com>
>> wrote:
>>>
>>> Could the problem be your looper controller? =C2=A0What are you using?
>>> It's surely not your MIDI interface. I remember having to return a
>>> midi pedal once... I think it may have been a Yamaha, for this exact
>>> reason. =C2=A0There was a noticeable delay between the time I stepped on
>>> the button to the time it transmitted. =C2=A0Really silly. =C2=A0Control=
 with my
>>> FCB1010 is as close to instantaneous as it gets.
>>
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 22:19:53 2009
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Date: Thu, 2 Jul 2009 17:19:52 -0500
Message-ID: <1c3a4db00907021519y4346b638xe64e2622ba774813@mail.gmail.com>
Subject: Re: Are there any Firewire Midi-Only Interfaces?
From: marcus <nrvana8775@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5ad4d51424b046dc070ef
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Here is the issue at hand:

Midi controller -> Firewire = no delay between clicking button and
triggering a command
Midi controller -> USB = less than a 1 second delay between click and
command trigger

My looping is off because there is a delay between the button click and
command trigger.

On Thu, Jul 2, 2009 at 4:43 PM, <cpr@musetrap.com> wrote:

> This might be a good set of steps:
>
> 1) hook up both controllers at the same time
> 2) trigger the same thing with both of them
> 3) are the results different?
> 4) do you have other usb devices connected?
>
> For debugging, if you are on Windows, you can load up MIDI-Ox and visually
> see the data come in from both devices. can you see a difference in timing?
>
> -cpr
>
>
> Quoting Per Boysen <perboysen@gmail.com>:
>
>  Hey - guys, there seems to be some misunderstanding in this thread. It
>> now looks as Marcus are talking about audio latency - although his
>> first post gave the impression that he had problems with MIDI latency.
>>
>> Marcus, maybe you can explain again so people with knowledge can give
>> accurate advice? ;-)'
>>
>> Per
>>
>>
>>
>> On Thu, Jul 2, 2009 at 11:52 PM, marcus<nrvana8775@gmail.com> wrote:
>>
>>> I'm using a rolls midi buddy. It has never caused any sort of delay
>>> except
>>> for now, when using USB.
>>>
>>> On Thu, Jul 2, 2009 at 1:54 PM, Mark Sottilaro <zerocrossing@gmail.com>
>>> wrote:
>>>
>>>>
>>>> Could the problem be your looper controller?  What are you using?
>>>> It's surely not your MIDI interface. I remember having to return a
>>>> midi pedal once... I think it may have been a Yamaha, for this exact
>>>> reason.  There was a noticeable delay between the time I stepped on
>>>> the button to the time it transmitted.  Really silly.  Control with my
>>>> FCB1010 is as close to instantaneous as it gets.
>>>>
>>>
>>>
>>
>>
>
>

--001636c5ad4d51424b046dc070ef
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Here is the issue at hand:<br><br>Midi controller -&gt; Firewire =3D no del=
ay between clicking button and triggering a command<br>Midi controller -&gt=
; USB =3D less than a 1 second delay between click and command trigger<br><=
br>
My looping is off because there is a delay between the button click and com=
mand trigger.<br><br><div class=3D"gmail_quote">On Thu, Jul 2, 2009 at 4:43=
 PM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:cpr@musetrap.com">cpr@musetra=
p.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">This might be a g=
ood set of steps:<br>
<br>
1) hook up both controllers at the same time<br>
2) trigger the same thing with both of them<br>
3) are the results different?<br>
4) do you have other usb devices connected?<br>
<br>
For debugging, if you are on Windows, you can load up MIDI-Ox and visually =
see the data come in from both devices. can you see a difference in timing?=
<br>
<br>
-cpr<div><div></div><div class=3D"h5"><br>
<br>
Quoting Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"_bl=
ank">perboysen@gmail.com</a>&gt;:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hey - guys, there seems to be some misunderstanding in this thread. It<br>
now looks as Marcus are talking about audio latency - although his<br>
first post gave the impression that he had problems with MIDI latency.<br>
<br>
Marcus, maybe you can explain again so people with knowledge can give<br>
accurate advice? ;-)&#39;<br>
<br>
Per<br>
<br>
<br>
<br>
On Thu, Jul 2, 2009 at 11:52 PM, marcus&lt;<a href=3D"mailto:nrvana8775@gma=
il.com" target=3D"_blank">nrvana8775@gmail.com</a>&gt; wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I&#39;m using a rolls midi buddy. It has never caused any sort of delay exc=
ept<br>
for now, when using USB.<br>
<br>
On Thu, Jul 2, 2009 at 1:54 PM, Mark Sottilaro &lt;<a href=3D"mailto:zerocr=
ossing@gmail.com" target=3D"_blank">zerocrossing@gmail.com</a>&gt;<br>
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
Could the problem be your looper controller? =A0What are you using?<br>
It&#39;s surely not your MIDI interface. I remember having to return a<br>
midi pedal once... I think it may have been a Yamaha, for this exact<br>
reason. =A0There was a noticeable delay between the time I stepped on<br>
the button to the time it transmitted. =A0Really silly. =A0Control with my<=
br>
FCB1010 is as close to instantaneous as it gets.<br>
</blockquote>
<br>
</blockquote>
<br>
<br>
</blockquote>
<br>
<br>
</div></div></blockquote></div><br>

--001636c5ad4d51424b046dc070ef--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 23:12:41 2009
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Date: Thu, 2 Jul 2009 19:12:40 -0400
Message-ID: <9e0440a60907021612i529eedb1jab7eadceaaee8d8@mail.gmail.com>
Subject: Re: ot.....mac question
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Re ted for its worth I did really well back in january getting via
craigs list a first gen intel mac bp for 1K, 17 inch model whch has
been great for editing.  Only limitation has been 2 gig ceiling for
ram.  It was squeaky clean and has been great so far.  Yes it will
date soon but kept me out of further debt that new MBP would have done
and has handled my needs.

Happy 4th guys jim

On 7/2/09, Jeff Duke <jeff_d@embarqmail.com> wrote:
> But I loved my 67 Plymouth, slant 6 and I put an 8 track tape player in i=
t!
> nationwide man! :)
>
> Jeff
>
> ----- Original Message -----
> From: "tEd =AE KiLLiAn" <tedkillian@charter.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, July 02, 2009 10:57 AM
> Subject: Re: ot.....mac question
>
>
>> Skoots,
>
>>snip<
>
>>we cant be like old geezers driving a '67 Plymouth - milking it timidly
>>down the highway forever - trying to make it last. > Best,
>>
>> Tedzo
>>
>>
>>
>>
>> On Jul 1, 2009, at 12:33 PM, Nemoguitt@aol.com wrote:
>>
>>> i can not view videos anymore and my puter keeps telling me to dl flash
>>> player 9 because my osx is 10.3.9.....when i do this and try to open
>>> flash player i get this message "the destination folder (adobe flash
>>> player 9) is on a locked volume. Please select another
>>> destination.".....can anyone help me?.....off list of
>>> course.....thanks.....m
>>
>>
>
>


--=20
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Thu Jul  2 23:54:57 2009
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Date: Thu, 2 Jul 2009 16:54:56 -0700
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Subject: Re: Are there any Firewire Midi-Only Interfaces?
From: Mark Sottilaro <zerocrossing@gmail.com>
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Ah.  What was the original question then?

It's well established that USB1 is not useful for real-time (real-ish)
audio applications.  USB2... I've not had success with it myself, but
I've got a MOTU 828 that serves me well (I think I get a round trip
latency of 14 ms on it) , and an M-Audio Firewire Solo to take to gigs
(though that doesn't actually happen)  I found I had all sorts of
problems when I installed the drivers for an NI USB2 Guitar Rig
Session (purchased as a devilish plan to get Guitar Rig for $100) so I
never actually even tried using it. I know a lot of people seem to do
it, but I've always been told that for continuous streaming data
Firewire still rules.  One issue is that you need to buy something
with a Texas Instruments or Lucent Firewire chipset, as the Richo one
will often not work for some reason.

On Thu, Jul 2, 2009 at 3:19 PM, marcus<nrvana8775@gmail.com> wrote:
> Here is the issue at hand:
>
> Midi controller -> Firewire =3D no delay between clicking button and
> triggering a command
> Midi controller -> USB =3D less than a 1 second delay between click and
> command trigger
>
> My looping is off because there is a delay between the button click and
> command trigger.
>
> On Thu, Jul 2, 2009 at 4:43 PM, <cpr@musetrap.com> wrote:
>>
>> This might be a good set of steps:
>>
>> 1) hook up both controllers at the same time
>> 2) trigger the same thing with both of them
>> 3) are the results different?
>> 4) do you have other usb devices connected?
>>
>> For debugging, if you are on Windows, you can load up MIDI-Ox and visual=
ly
>> see the data come in from both devices. can you see a difference in timi=
ng?
>>
>> -cpr
>>
>> Quoting Per Boysen <perboysen@gmail.com>:
>>
>>> Hey - guys, there seems to be some misunderstanding in this thread. It
>>> now looks as Marcus are talking about audio latency - although his
>>> first post gave the impression that he had problems with MIDI latency.
>>>
>>> Marcus, maybe you can explain again so people with knowledge can give
>>> accurate advice? ;-)'
>>>
>>> Per
>>>
>>>
>>>
>>> On Thu, Jul 2, 2009 at 11:52 PM, marcus<nrvana8775@gmail.com> wrote:
>>>>
>>>> I'm using a rolls midi buddy. It has never caused any sort of delay
>>>> except
>>>> for now, when using USB.
>>>>
>>>> On Thu, Jul 2, 2009 at 1:54 PM, Mark Sottilaro <zerocrossing@gmail.com=
>
>>>> wrote:
>>>>>
>>>>> Could the problem be your looper controller? =A0What are you using?
>>>>> It's surely not your MIDI interface. I remember having to return a
>>>>> midi pedal once... I think it may have been a Yamaha, for this exact
>>>>> reason. =A0There was a noticeable delay between the time I stepped on
>>>>> the button to the time it transmitted. =A0Really silly. =A0Control wi=
th my
>>>>> FCB1010 is as close to instantaneous as it gets.
>>>>
>>>
>>>
>>
>>
>
>

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Date: Thu, 2 Jul 2009 17:01:21 -0700
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Subject: Re: Are there any Firewire Midi-Only Interfaces?
From: Mark Sottilaro <zerocrossing@gmail.com>
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I think we thought it was a midi issue because of...

>I'm using a Firebox to receive audio and midi from my microkorg, but I now=
 need another midi in for my looper controller. I have an old >midiman midi=
sport (usb1) and a usb2 midi-only interface, but they both have a one secon=
d latency.

So I still don't understand the problem... unless you're using
something like a convolution reverb or PSP's Vintage Warmer that add
latency to your system he should be fine.  I'm not even sure why he
can't use the midi through on the microkorg instead of having a second
MIDI interface.  I control synths on channel 1, Mobius on channel 2
and CC effects using channel 3 all with a Novation Remote 25 SL.

On Thu, Jul 2, 2009 at 2:58 PM, Per Boysen<perboysen@gmail.com> wrote:
> Hey - guys, there seems to be some misunderstanding in this thread. It
> now looks as Marcus are talking about audio latency - although his
> first post gave the impression that he had problems with MIDI latency.
>
> Marcus, maybe you can explain again so people with knowledge can give
> accurate advice? ;-)'
>
> Per
>
>
>
> On Thu, Jul 2, 2009 at 11:52 PM, marcus<nrvana8775@gmail.com> wrote:
>> I'm using a rolls midi buddy. It has never caused any sort of delay exce=
pt
>> for now, when using USB.
>>
>> On Thu, Jul 2, 2009 at 1:54 PM, Mark Sottilaro <zerocrossing@gmail.com>
>> wrote:
>>>
>>> Could the problem be your looper controller? =A0What are you using?
>>> It's surely not your MIDI interface. I remember having to return a
>>> midi pedal once... I think it may have been a Yamaha, for this exact
>>> reason. =A0There was a noticeable delay between the time I stepped on
>>> the button to the time it transmitted. =A0Really silly. =A0Control with=
 my
>>> FCB1010 is as close to instantaneous as it gets.
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 00:35:33 2009
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Newb here - I bought in on this today from Musician's Friend Pro Shop
with a $65 additional discount (by entering 'MINE' at the second  
coupon promt during the order process).

Yup, Komplete for $335 with free shipping to boot.

Really lookin' forward to using Guitar Rig and Battery with Ableton!!!

Back to lurking and learning :)

Drew



On Jul 2, 2009, at 4:41 PM, Mark Sottilaro <zerocrossing@gmail.com>  
wrote:

> For those who succumbed to the machine world:
>
> http://www.zzounds.com/item--NINKOMPLETE2
>
> That's a kick ass little deal.
>

From Liu5@cortado.com  Fri Jul  3 00:58:39 2009
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From: Cheng Keung <Liu5@cortado.com>
Subject: investments/help
Date: Wed, 01 Jul 2009 00:33:40 +0200
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Mr.Cheng Keung        
China merchants bank Ltd     
11 Queen's Road Central,   
    HONG KONG.
http://hk.cmbchina.com 
ckeung59@yahoo.com.hk    

I am Mr.Cheng Keung, credit officer of China merchants bank Ltd; I have an urgent and very confidential business proposition for you.

I honestly apologize and hope I do not cause you much embarrassment by contacting you through this means for a transaction of this magnitude, but this is due to confidentiality and prompt access reposed on this medium, sorry my English is not very good. Furthermore, due to this issue on my hands now, it became necessary for me to seek your assistance, and it is imperative for me to know your opinion. 

On February 9,2005, an Austria Oil consultant/contractor with the Chinese Petroleum and Chemical Corporation Mr.Reichert Peter made a numbered time (Fixed) Deposit for twelve calendar months, valued at US$28,000,000.00 (Twenty-eight Million Dollars only) in my branch. 

Upon maturity, I sent a routine notification to his forwarding address but got no reply. After a month, we sent a reminder and finally we discovered from his contract employers, the Chinese Petroleum and Chemical Corporation that Mr.Reichert Peter died from an automobile accident. On further investigation, I found out that he died without making a WILL, and all attempts to trace his next of kin was fruitless.

I therefore made further investigation and discovered that Mr.Reichert Peter did not declare any kin or relations in all his official documents, including his Bank Deposit paperwork in my Bank. This sum of US$28,000,000.00 is still sitting in my Bank and the interest is being rolled over with the principal sum at the end of each year. No one will ever come forward to claim it. According to Laws of Hong Kong, at the expiration of 5(five) years, the money will revert to the ownership of the Hong Kong Government if nobody applies to claim the fund.

Consequently, my proposal is that I will like you as a foreigner to stand in as the next of kin to Mr.Reichert Peter so that the fruits of this old man's labour will not get into the hands of some corrupt government officials. This is simple, I will like you to provide immediately your full names and address so that the attorney will prepare the necessary documents and affidavits that will put you in place as the next of kin. 

We shall employ the services of an attorney for drafting and notarisation of the WILL and to obtain the necessary documents and letter of probate/administration in your favour for the transfer. The money will be paid into your account for us to share in the ratio of 50% for me and 45% for you and 5% for Expenses Incurred in the course of the transaction. 

There is no risk at all as the attorney will do all the paperwork for this transaction and with my position as the credit officer guarantees the successful execution of this transaction. If you are interested please reply immediately to my private email address which is much preferred(ckeung59@yahoo.com.hk)
 
Upon your response, I shall then provide you with more details and relevant documents that will help you understand the transaction. 

Please send me your confidential telephone and fax numbers for easy communication,you should observe utmost confidentiality, and rest assured that this transaction would be most profitable for both of us because I shall require your assistance to invest my share in your country.

Awaiting your urgent reply.

Thanks and regards.

Mr.Cheng Keung

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	 <7761A6B4-5DA2-4012-906E-E90157D0FCB9@gmail.com>
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Subject: Re: OT: Native Instruments deal
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What do you mean "pro shop?"

On Thu, Jul 2, 2009 at 5:30 PM, Andy Roberts<acroberts@gmail.com> wrote:
> Newb here - I bought in on this today from Musician's Friend Pro Shop
> with a $65 additional discount (by entering 'MINE' at the second coupon
> promt during the order process).
>
> Yup, Komplete for $335 with free shipping to boot.
>
> Really lookin' forward to using Guitar Rig and Battery with Ableton!!!
>
> Back to lurking and learning :)
>
> Drew
>
>
>
> On Jul 2, 2009, at 4:41 PM, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>
>> For those who succumbed to the machine world:
>>
>> http://www.zzounds.com/item--NINKOMPLETE2
>>
>> That's a kick ass little deal.
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 01:45:45 2009
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Subject: pool.loop  vs.  loop.pool
References: <57695fb60907021325m4abae002p379daf4ce2ae6b7c@mail.gmail.com> <66f9cc1e0907021409r411023c9t12c6e30fb7598361@mail.gmail.com> <41BB6927-42D7-46F1-9539-AF8CA90CBF85@gmail.com> <66f9cc1e0907021658n7a289af7h5f98abd61b56ca70@mail.gmail.com>
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I guess I've been ahead of the curve the whole time with this looppool 
thing.

I guess I just got it backwards, though.......

An event called Pool Loop in Zurich.

http://www.pool09.ch/

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 02:27:07 2009
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: pool.loop  vs.  loop.pool
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Seems to me that you'll have to have the next looping festival in a pool. 
:-)

> I guess I just got it backwards, though.......
>
> An event called Pool Loop in Zurich.

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 02:40:34 2009
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	 <7761A6B4-5DA2-4012-906E-E90157D0FCB9@gmail.com>
Date: Thu, 2 Jul 2009 19:40:31 -0700
Message-ID: <588ce11d0907021940p64e2e5e8u6c9e899d8d28448a@mail.gmail.com>
Subject: Re: OT: Native Instruments deal
From: Art Simon <simart@gmail.com>
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Wow, just got it, thanks. $335 is really a steal.

On Thu, Jul 2, 2009 at 5:30 PM, Andy Roberts<acroberts@gmail.com> wrote:
> Newb here - I bought in on this today from Musician's Friend Pro Shop
> with a $65 additional discount (by entering 'MINE' at the second coupon
> promt during the order process).
>
> Yup, Komplete for $335 with free shipping to boot.
>
> Really lookin' forward to using Guitar Rig and Battery with Ableton!!!
>
> Back to lurking and learning :)
>
> Drew
>
>
>
> On Jul 2, 2009, at 4:41 PM, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>
>> For those who succumbed to the machine world:
>>
>> http://www.zzounds.com/item--NINKOMPLETE2
>>
>> That's a kick ass little deal.
>>
>
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 03:10:29 2009
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I haven't played one, but Robert Randolph, who is sort of the Jimi =20
Hendrix of lap steel, plays one of these:

http://www.harmosmusic.com/SG/indexSG.htm

(Check out Robert's samples online.  It's dazzling!)

Looks like the Golden Gate Bridge, but the online samples sound pretty =20=

cool.  It's cheaper than an Asher EH... but I still want an Asher.

Still working up the chops (with the old Supro) to warrant spending =20
the dough on a Harmos / Asher.  The sample by Steinar Gregertsen =20
playing God Only Knows on the Asher Electro Hawaiian is one of the =20
best lap steel SOUNDS I've ever heard.  He did it with plug ins!

Almost finished the record I'm working on (4 months and counting!).  =20
Hope to have some happy news on that front in the next month or two.

En Shallah! Knock on wood!

I check in with you all frequently and always very much enjoy reading =20=

your posts.

your fan

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com


On Jul 2, 2009, at 8:01 AM, William Walker wrote:

> The Asher Jr is $759.00 list =
http://www.asherguitars.com/lap_steel_electro_h_jr.php=20
> ,  but its more like a standard 25 foot scale length J. I bought one =20=

> from Bill Asher , and sold it to a friend ( already have one of =20
> these,http://www.asherguitars.com/lap_steel_electro_hawaiian.php  =20
> though mine has nickel covered lollar pickups ) .
> The Electro Hawaiian  Jr, is  IMHO the best lap steel on the market =20=

> under $1000 but its certainly not petite.  I=92ve been trying to =20
> convince Asher to design a new model that is more of a travel size =20
> instrument like a Supro or my Fender champion with a 22 Inch scale =20
> length. I=92ll keep working on him.
>  Bill
>
> From: E Gross [mailto:slapbandjam@yahoo.com]
> Sent: Thursday, July 02, 2009 7:18 AM
> To: billwalker@baymoon.com
> Subject: Re: MY NEW TOY
>
> Wow, a 22 foot scale lap steel -- post a video!
> ;)
>
> Actually, all kidding aside, I would like to buy/make another lap =20
> steel, I have an old Supro but would like to get something with =20
> humbuckers. At an affordable price, which rules out the Bill Asher =20
> model that Ben Harper uses....any suggestions?
>
> Thanks,
>
> Eric
>
> From: William Walker <billwalker@baymoon.com>
> To: andy butler <akbutler@tiscali.co.uk>; =
Loopers-Delight@loopers-delight.com
> Sent: Thursday, July 2, 2009 1:28:41 AM
> Subject: RE: MY NEW TOY
>
> Bingo! Andy makes a good point, if you used just one amp simulator, =20=

> say
> something like a sans amp, and you place it before the M-13 or some =20=

> where
> near the start of the chain using the M-13's effects loop. You could =20=

> achieve
> the missing link you are looking for without sacrificing the beloved =20=

> stereo
> imaging of the effects. I haven't checked my computer in a week =20
> which is why
> I'm coming to this conversation so late. I've been in West Virginia, =20=

> of all
> places, visiting relatives of relatives. I brought my 22' scale lap =20=

> steel
> and borrowed Rick's Vox DA-5 and took a line 6 dl-4 to keep myself =20
> amused.
> Actually, if you think about it, A DA-5 could make a pretty cool =20
> first stage
> as it has a line/phone out that you could feed the M-13 in either =20
> mono or
> stereo. If you don't have an issue with the "feel" of modeling amps, =20=

> I'd
> give either solution a try.
> Bill
>
>
> tEd R KiLLiAn wrote:
> > Yeah, it's really too bad that there's no also a single-device =20
> solution
> > for a stereo amp simulator to go along with this device.
> >
>
> Well, I obviuosly you know best what you need to achieve...but...
>
> Rather than put two amp sims after the fx, surely it would
> be neater to put one amp sim between guitar and fx.
>
> That gives you more options for combining sounds, and doesn't
> mush up the layers together.
>
> andy
>
>








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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I haven't played one, but =
Robert Randolph, who is sort of the Jimi Hendrix of lap steel, plays one =
of these:&nbsp;<div><div><br></div><div><a =
href=3D"http://www.harmosmusic.com/SG/indexSG.htm">http://www.harmosmusic.=
com/SG/indexSG.htm</a></div><div><br></div><div>(Check out Robert's =
samples online. &nbsp;It's dazzling!)</div><div><br></div><div>Looks =
like the Golden Gate Bridge, but the online samples sound pretty cool. =
&nbsp;It's cheaper than an Asher EH... but I still want an Asher. =
&nbsp;</div><div><br></div><div>Still working up the chops (with the old =
Supro) to warrant spending the dough on a Harmos / Asher. &nbsp;The =
sample by Steinar Gregertsen playing God Only Knows on the Asher Electro =
Hawaiian is one of the best lap steel SOUNDS I've ever heard. &nbsp;He =
did it with plug ins!</div><div><br></div><div>Almost finished the =
record I'm working on (4 months and counting!). &nbsp;Hope to have some =
happy news on that front in the next month or =
two.&nbsp;</div><div><br></div><div>En Shallah! Knock on =
wood!</div><div><br></div><div>I check in with you all frequently and =
always very much enjoy reading your posts. =
&nbsp;</div><div><br></div><div>your fan</div><div><br></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div><font =
class=3D"Apple-style-span" face=3D"Arial">richard =
sales</font></div><div><font class=3D"Apple-style-span" =
color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div><div><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div></span></div></div><div><div>On Jul =
2, 2009, at 8:01 AM, William Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div lang=3D"EN-US" link=3D"blue" =
vlink=3D"purple"><o:smarttagtype =
namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags" =
name=3D"State"><o:smarttagtype =
namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags" =
name=3D"place"><o:smarttagtype =
namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags" =
name=3D"PersonName"><div class=3D"Section1"><div style=3D"margin-top: =
0in; margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; =
font-size: 12pt; font-family: 'Times New Roman'; "><font size=3D"2" =
color=3D"navy" face=3D"Arial"><span style=3D"font-size: 10pt; =
font-family: Arial; color: navy; ">The Asher Jr is $759.00 list<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.asherguitars.com/lap_steel_electro_h_jr.php" =
style=3D"color: blue; text-decoration: underline; =
">http://www.asherguitars.com/lap_steel_electro_h_jr.php</a>, &nbsp;but =
its more like a standard 25 foot scale length<span =
class=3D"Apple-converted-space">&nbsp;</span></span></font><font =
size=3D"2" color=3D"navy" face=3D"Wingdings"><span style=3D"font-size: =
10pt; font-family: Wingdings; color: navy; ">J</span></font><font =
size=3D"2" color=3D"navy" face=3D"Arial"><span style=3D"font-size: 10pt; =
font-family: Arial; color: navy; ">. I bought one from Bill Asher , and =
sold it to a friend ( already have one of these,<a =
href=3D"http://www.asherguitars.com/lap_steel_electro_hawaiian.php" =
style=3D"color: blue; text-decoration: underline; =
">http://www.asherguitars.com/lap_steel_electro_hawaiian.php</a><span =
class=3D"Apple-converted-space">&nbsp;</span>&nbsp;though mine has =
nickel covered lollar pickups ) .<o:p></o:p></span></font></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman'; =
"><font size=3D"2" color=3D"navy" face=3D"Arial"><span style=3D"font-size:=
 10pt; font-family: Arial; color: navy; ">The Electro Hawaiian &nbsp;Jr, =
is &nbsp;IMHO the best lap steel on the market under $1000 but its =
certainly not petite. &nbsp;I=92ve been trying to convince Asher to =
design a new model that is more of a travel size instrument like a Supro =
or my Fender champion with a 22 Inch scale length. I=92ll keep working =
on him.<o:p></o:p></span></font></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman'; "><font size=3D"2" color=3D"navy" =
face=3D"Arial"><span style=3D"font-size: 10pt; font-family: Arial; =
color: navy; ">&nbsp;Bill<o:p></o:p></span></font></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman'; =
"><font size=3D"2" color=3D"navy" face=3D"Arial"><span style=3D"font-size:=
 10pt; font-family: Arial; color: navy; =
"><o:p>&nbsp;</o:p></span></font></div><div><div class=3D"MsoNormal" =
align=3D"center" style=3D"margin-top: 0in; margin-right: 0in; =
margin-bottom: 0.0001pt; margin-left: 0in; font-size: 12pt; font-family: =
'Times New Roman'; text-align: center; "><font size=3D"3" face=3D"Times =
New Roman"><span style=3D"font-size: 12pt; "><hr size=3D"2" width=3D"100%"=
 align=3D"center" tabindex=3D"-1"></span></font></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman'; =
"><b><font size=3D"2" face=3D"Tahoma"><span style=3D"font-size: 10pt; =
font-family: Tahoma; font-weight: bold; ">From:</span></font></b><font =
size=3D"2" face=3D"Tahoma"><span style=3D"font-size: 10pt; font-family: =
Tahoma; "><span class=3D"Apple-converted-space">&nbsp;</span>E Gross [<a =
href=3D"mailto:slapbandjam@yahoo.com" style=3D"color: blue; =
text-decoration: underline; ">mailto:slapbandjam@yahoo.com</a>]<span =
class=3D"Apple-converted-space">&nbsp;</span><br><b><span =
style=3D"font-weight: bold; ">Sent:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Thursday, July 02, 2009 =
7:18 AM<br><b><span style=3D"font-weight: bold; ">To:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span><st1:personname =
w:st=3D"on"><a href=3D"mailto:billwalker@baymoon.com" style=3D"color: =
blue; text-decoration: underline; =
">billwalker@baymoon.com</a></st1:personname><br><b><span =
style=3D"font-weight: bold; ">Subject:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Re: MY NEW =
TOY</span></font><o:p></o:p></div></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman'; "><font size=3D"3" face=3D"Times =
New Roman"><span style=3D"font-size: 12pt; =
"><o:p>&nbsp;</o:p></span></font></div><div><div><div style=3D"margin-top:=
 0in; margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; =
font-size: 12pt; font-family: 'Times New Roman'; "><font size=3D"3" =
face=3D"Times New Roman"><span style=3D"font-size: 12pt; ">Wow, a 22 =
foot scale lap steel -- post a =
video!<o:p></o:p></span></font></div></div><div><div style=3D"margin-top: =
0in; margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; =
font-size: 12pt; font-family: 'Times New Roman'; "><font size=3D"3" =
face=3D"Times New Roman"><span style=3D"font-size: 12pt; =
">;)<o:p></o:p></span></font></div></div><div><div style=3D"margin-top: =
0in; margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; =
font-size: 12pt; font-family: 'Times New Roman'; "><font size=3D"3" =
face=3D"Times New Roman"><span style=3D"font-size: 12pt; =
">&nbsp;<o:p></o:p></span></font></div></div><div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman'; =
"><font size=3D"3" face=3D"Times New Roman"><span style=3D"font-size: =
12pt; ">Actually, all kidding aside, I would like to&nbsp;buy/make =
another lap steel, I have an old Supro but would like to get something =
with humbuckers. At an affordable price, which rules out the Bill Asher =
model that Ben Harper uses....any =
suggestions?<o:p></o:p></span></font></div></div><div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman'; =
"><font size=3D"3" face=3D"Times New Roman"><span style=3D"font-size: =
12pt; ">&nbsp;<o:p></o:p></span></font></div></div><div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman'; =
"><font size=3D"3" face=3D"Times New Roman"><span style=3D"font-size: =
12pt; ">Thanks,<o:p></o:p></span></font></div></div><div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman'; =
"><font size=3D"3" face=3D"Times New Roman"><span style=3D"font-size: =
12pt; ">&nbsp;<o:p></o:p></span></font></div></div><div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman'; =
"><st1:personname w:st=3D"on"><font size=3D"3" face=3D"Times New =
Roman"><span style=3D"font-size: 12pt; =
">Eric</span></font></st1:personname><o:p></o:p></div></div><div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman'; =
"><font size=3D"3" face=3D"Times New Roman"><span style=3D"font-size: =
12pt; "><o:p>&nbsp;</o:p></span></font></div><div><div class=3D"MsoNormal"=
 align=3D"center" style=3D"margin-top: 0in; margin-right: 0in; =
margin-bottom: 0.0001pt; margin-left: 0in; font-size: 12pt; font-family: =
'Times New Roman'; text-align: center; "><font size=3D"2" =
face=3D"Tahoma"><span style=3D"font-size: 10pt; font-family: Tahoma; =
"><hr size=3D"1" width=3D"100%" align=3D"center"></span></font></div><p =
class=3D"MsoNormal" style=3D"margin-top: 0in; margin-right: 0in; =
margin-bottom: 12pt; margin-left: 0in; font-size: 12pt; font-family: =
'Times New Roman'; "><b><font size=3D"2" face=3D"Tahoma"><span =
style=3D"font-size: 10pt; font-family: Tahoma; font-weight: bold; =
">From:</span></font></b><font size=3D"2" face=3D"Tahoma"><span =
style=3D"font-size: 10pt; font-family: Tahoma; "><span =
class=3D"Apple-converted-space">&nbsp;</span>William Walker =
&lt;<st1:personname w:st=3D"on"><a href=3D"mailto:billwalker@baymoon.com" =
style=3D"color: blue; text-decoration: underline; =
">billwalker@baymoon.com</a></st1:personname>&gt;<br><b><span =
style=3D"font-weight: bold; ">To:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>andy butler &lt;<a =
href=3D"mailto:akbutler@tiscali.co.uk" style=3D"color: blue; =
text-decoration: underline; =
">akbutler@tiscali.co.uk</a>&gt;;<st1:personname w:st=3D"on"><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com" style=3D"color: =
blue; text-decoration: underline; =
">Loopers-Delight@loopers-delight.com</a></st1:personname><br><b><span =
style=3D"font-weight: bold; ">Sent:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>Thursday, July 2, 2009 =
1:28:41 AM<br><b><span style=3D"font-weight: bold; =
">Subject:</span></b><span =
class=3D"Apple-converted-space">&nbsp;</span>RE: MY NEW =
TOY<br></span></font><font size=3D"2" face=3D"Arial"><span =
style=3D"font-size: 10pt; font-family: Arial; "><br>Bingo! Andy makes a =
good point, if you used just one amp simulator, say<br>something like a =
sans amp, and you place it before the M-13 or some where<br>near the =
start of the chain using the M-13's effects loop. You could =
achieve<br>the missing link you are looking for without sacrificing the =
beloved stereo<br>imaging of the effects. I haven't checked my computer =
in a week which is why<br>I'm coming to this conversation so late. I've =
been in<span class=3D"Apple-converted-space">&nbsp;</span><st1:state =
w:st=3D"on"><st1:place w:st=3D"on">West =
Virginia</st1:place></st1:state>, of all<br>places, visiting relatives =
of relatives. I brought my 22' scale lap steel<br>and borrowed Rick's =
Vox DA-5 and took a line 6 dl-4 to keep myself amused.<br>Actually, if =
you think about it, A DA-5 could make a pretty cool first stage<br>as it =
has a line/phone out that you could feed the M-13 in either mono =
or<br>stereo. If you don't have an issue with the "feel" of modeling =
amps, I'd<br>give either solution a try.<br>Bill<br><br><br>tEd R =
KiLLiAn wrote:<br>&gt; Yeah, it's really too bad that there's no also a =
single-device solution<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; for a stereo amp =
simulator to go along with this device.<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br>Well, I obviuosly =
you know best what you need to achieve...but...<br><br>Rather than put =
two amp sims after the fx, surely it would<span =
class=3D"Apple-converted-space">&nbsp;</span><br>be neater to put one =
amp sim between guitar and fx.<br><br>That gives you more options for =
combining sounds, and doesn't<br>mush up the layers =
together.<br><br>andy<o:p></o:p></span></font></p></div></div></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-bottom: 0.0001pt; =
margin-left: 0in; font-size: 12pt; font-family: 'Times New Roman'; =
"><font size=3D"3" face=3D"Times New Roman"><span style=3D"font-size: =
12pt; =
"><o:p>&nbsp;</o:p></span></font></div></div></o:smarttagtype></o:smarttag=
type></o:smarttagtype></div></span></blockquote></div><div =
apple-content-edited=3D"true"><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
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after-white-space; "><div><span class=3D"Apple-style-span" =
style=3D"font-size: medium;"><br></span></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br></body></html>=

--Apple-Mail-2--154986280--

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Subject: Re: ubuntu based rig
=46rom: michael noble <looplog@gmail.com>
Date: Thu, 2 Jul 2009 08:04:27 +0900
>I know when I used windows I spent a long time tweaking this and
>that to get the system to run efficiently - but once it is setup and you
>have a working system, and so long as you resist temptation to tinker
>further, then it just keeps working.

Hi there Michael
Which Windows version(s) are you referring to here?
Thanks
-- G.

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From: Mark Sottilaro <zerocrossing@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Subject: Re: Loopers-Delight-d Digest V09 #517
Date: Thu, 2 Jul 2009 23:21:04 -0700
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Vista was a giant pain at first, but once I beat it down it's actually  
pretty good.  Sweetwater's got a good f.a.q. About optimization on  
their site.

Sent from my iPhone

On Jul 2, 2009, at 10:29 PM, G <gigs@paradise.net.nz> wrote:

> Subject: Re: ubuntu based rig
> From: michael noble <looplog@gmail.com>
> Date: Thu, 2 Jul 2009 08:04:27 +0900
>> I know when I used windows I spent a long time tweaking this and
>> that to get the system to run efficiently - but once it is setup  
>> and you
>> have a working system, and so long as you resist temptation to tinker
>> further, then it just keeps working.
>
> Hi there Michael
> Which Windows version(s) are you referring to here?
> Thanks
> -- G.
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 06:32:57 2009
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From: Mark Sottilaro <zerocrossing@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Subject: Re: OT: Native Instruments deal
Date: Thu, 2 Jul 2009 23:25:29 -0700
References: <bcd3c7bb0907021341h414ab6dv6131ae111952df00@mail.gmail.com> <7761A6B4-5DA2-4012-906E-E90157D0FCB9@gmail.com> <588ce11d0907021940p64e2e5e8u6c9e899d8d28448a@mail.gmail.com>
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Of all the NI stuff battery is one of my favorites, but I hate guitar  
rig's models. It does have great effects though. I think you'll be  
surprised at how useful kore is.

Sent from my iPhone

On Jul 2, 2009, at 7:40 PM, Art Simon <simart@gmail.com> wrote:

> Wow, just got it, thanks. $335 is really a steal.
>
> On Thu, Jul 2, 2009 at 5:30 PM, Andy Roberts<acroberts@gmail.com>  
> wrote:
>> Newb here - I bought in on this today from Musician's Friend Pro Shop
>> with a $65 additional discount (by entering 'MINE' at the second  
>> coupon
>> promt during the order process).
>>
>> Yup, Komplete for $335 with free shipping to boot.
>>
>> Really lookin' forward to using Guitar Rig and Battery with  
>> Ableton!!!
>>
>> Back to lurking and learning :)
>>
>> Drew
>>
>>
>>
>> On Jul 2, 2009, at 4:41 PM, Mark Sottilaro <zerocrossing@gmail.com>  
>> wrote:
>>
>>> For those who succumbed to the machine world:
>>>
>>> http://www.zzounds.com/item--NINKOMPLETE2
>>>
>>> That's a kick ass little deal.
>>>
>>
>>
>
>
>
> -- 
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 11:32:09 2009
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From: Andy Roberts <acroberts@gmail.com>
Date: Fri, 3 Jul 2009 07:23:40 -0400
Message-ID: <7d2794000907030423p44ca7dd3r4247cffcfdfd6686@mail.gmail.com>
Subject: Re: OT: Native Instruments deal
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--0015175ca984973aeb046dcb64cc
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If anyone is looking for that Komplete deal, here is the link:

http://pro-audio.musiciansfriend.com/product/Native-Instruments-Komplete-5?sku=702965#new

During the purchasing process, you will be prompted twice for coupon codes,
at the second prompt, enter 'MINE' for a $65 discount.

Drew

--0015175ca984973aeb046dcb64cc
Content-Type: text/html; charset=ISO-8859-1
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If anyone is looking for that Komplete deal, here is the link:<br><br><a hr=
ef=3D"http://pro-audio.musiciansfriend.com/product/Native-Instruments-Kompl=
ete-5?sku=3D702965#new">http://pro-audio.musiciansfriend.com/product/Native=
-Instruments-Komplete-5?sku=3D702965#new</a><br>

<br>During the purchasing process, you will be prompted twice for coupon co=
des, at the second prompt, enter &#39;MINE&#39; for a $65 discount.<br><br>=
Drew<br><br>

--0015175ca984973aeb046dcb64cc--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 13:29:16 2009
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From: Nemoguitt@aol.com
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Date: Fri, 3 Jul 2009 09:29:07 EDT
Subject: Re: ot.....mac question
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well tedzo.....that is indeed a stick in the eye.....what a corncept, buil=
t 
in obsolesence.....what will they think of next?.....:).....they will burn=
 
in hell!!!!!.....anyway, i was thinking of the imac with the 24' screen,=
 
don't really need a laptop, anyone have any thoughts on this machine?.....=
my 
primary use of this will be for "visuals" movies, pictures etc., i do not=
 use 
a puter for music.....how's this for a second stick in the eye, i just won=
 a 
"CompColl=A0Complete Composer's Collection" (the east west collection) fro=
m 
sweetwater.....i have no idea what this is but i bet one needs a puter to=
 
make it work.....yipeeee.....i am a winner indeed!.....a big THANKS to all=
 for 
your help, no movies for this guy.....:(m=A0 =A0 =A0 =A0



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
It's raining cats and dogs -- Come to PawNation, a place 
where pets rule! (http://www.pawnation.com/?ncid=3Demlcntnew00000008)

--part1_d38.5000af01.377f61a3_boundary
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"G=
eneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">well tedzo.....that is indeed a sti=
ck in the eye.....what a corncept, built in obsolesence.....what will they=
 think of next?.....:).....they will burn in hell!!!!!.....anyway, i was=
 thinking of the imac with the 24' screen, don't really need a laptop, any=
one have any thoughts on this machine?.....my primary use of this will be=
 for "visuals" movies, pictures etc., i do not use a puter for music.....h=
ow's this for a second stick in the eye, i just won a</FONT><FONT COLOR=3D=
"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"> "CompColl=A0Com=
plete Composer's Collection" (the east west collection) from sweetwater...=
..i have no idea what this is but i bet one needs a puter to make it work.=
....yipeeee.....i am a winner indeed!.....a big THANKS to all for your hel=
p, no movies for this guy.....:(m=A0 =A0 =A0 =A0</FONT><FONT COLOR=3D"#000=
000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT><BR><BR><BR>**************<BR>It's raining cats and dogs --=
 Come to PawNation, a place where pets rule! (http://www.pawnation.com/?nc=
id=3Demlcntnew00000008)</HTML>

--part1_d38.5000af01.377f61a3_boundary--

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Date: Fri, 3 Jul 2009 06:35:32 -0700
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Subject: Re: Loopers-Delight-d Digest V09 #517
From: Art Simon <simart@gmail.com>
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Thanks Mark, I  hadn't seen this. Here's the link if anyone else is interes=
ted:
http://www.sweetwater.com/sweetcare/ts/detail.php?Index=3D31969&keyword=3Dv=
ista

On Thu, Jul 2, 2009 at 11:21 PM, Mark Sottilaro<zerocrossing@gmail.com> wro=
te:
> Vista was a giant pain at first, but once I beat it down it's actually
> pretty good. =A0Sweetwater's got a good f.a.q. About optimization on thei=
r
> site.
>
> Sent from my iPhone
--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 13:44:41 2009
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holy shit!.....i just did the google on the compcall collection that i 
won.....what insanity, it lists for $1495.00.....that's like giving helen keller 
a hubble telescope! or giving me a pair of gucci running shoes!.....yes 
kiddies, the scoots is a weiner, i mean winner!.....:)m



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
It's raining cats and dogs -- Come to PawNation, a place 
where pets rule! (http://www.pawnation.com/?ncid=emlcntnew00000008)

--part1_c8d.49891391.377f6513_boundary
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"G=
eneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">holy shit!.....i just did the googl=
e on the compcall collection that i won.....what insanity, it lists for $1=
495.00.....that's like giving helen keller a hubble telescope! or giving=
 me a pair of gucci running shoes!.....yes kiddies, the scoots is a weiner=
, i mean winner!.....:)m<BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT><BR><BR><BR>**************<BR>It's raining cats and dogs --=
 Come to PawNation, a place where pets rule! (http://www.pawnation.com/?nc=
id=3Demlcntnew00000008)</HTML>

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <c8d.49891391.377f6513@aol.com>
Subject: Re: ot.....mac question
Date: Fri, 3 Jul 2009 09:54:11 -0400
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hey maybe ypu can sell it and buy a 'puter!

J>)
  ----- Original Message -----=20
  From: Nemoguitt@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, July 03, 2009 9:43 AM
  Subject: Re: ot.....mac question


  holy shit!.....i just did the google on the compcall collection that i =
won.....what insanity, it lists for $1495.00.....that's like giving =
helen keller a hubble telescope! or giving me a pair of gucci running =
shoes!.....yes kiddies, the scoots is a weiner, i mean winner!.....:)m



  "EVERYTHING YOU KNOW IS WRONG".....firesign theater

  new groovy tunes at:
  http://www.myspace.com/klobuchar10
  www.ct-collective.com





  **************
  It's raining cats and dogs -- Come to PawNation, a place where pets =
rule! (http://www.pawnation.com/?ncid=3Demlcntnew00000008) 
------=_NextPart_000_0009_01C9FBC4.37670530
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>hey maybe ypu can sell it and buy a=20
'puter!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>J&gt;)</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DNemoguitt@aol.com=20
  href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 03, 2009 =
9:43 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: ot.....mac =
question</DIV>
  <DIV><BR></DIV><FONT face=3Darial,helvetica><FONT face=3DGeneva =
color=3D#000000=20
  size=3D2 FAMILY=3D"SANSSERIF">holy shit!.....i just did the google on =
the compcall=20
  collection that i won.....what insanity, it lists for =
$1495.00.....that's like=20
  giving helen keller a hubble telescope! or giving me a pair of gucci =
running=20
  shoes!.....yes kiddies, the scoots is a weiner, i mean=20
  winner!.....:)m<BR><BR><BR><BR>"EVERYTHING YOU KNOW IS =
WRONG".....firesign=20
  theater<BR><BR>new groovy tunes=20
  =
at:<BR>http://www.myspace.com/klobuchar10<BR>www.ct-collective.com<BR><BR=
><BR></FONT><FONT=20
  face=3DGeneva color=3D#000000 size=3D2=20
  FAMILY=3D"SANSSERIF"></FONT><BR><BR><BR>**************<BR>It's raining =
cats and=20
  dogs -- Come to PawNation, a place where pets rule!=20
  (http://www.pawnation.com/?ncid=3Demlcntnew00000008)=20
</FONT></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 15:22:14 2009
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	 <000c01c9fbe5$bebdc480$85822245@YOUR08D5303051>
Date: Fri, 3 Jul 2009 08:22:13 -0700
Message-ID: <bcd3c7bb0907030822g1402a2famc698bd968ff67a00@mail.gmail.com>
Subject: Re: ot.....mac question
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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My wife has the smaller iMac and she loves it.  She initially switched
to an iBook from an IBM Thinkpad and was so into it she got the iMac
for her photos and multimedia projects. My boss just bought the one
you're considering after having been a PC guy for years and he has
nothing but great things to say about it. Check out the new iLive 09.
They've put in some amazing features.

http://www.apple.com/ilife/

Say what you like about Apples, but they actually come with software
you'll use.  Ever use or buy any of the bloatware that comes on a PC?

On Fri, Jul 3, 2009 at 6:54 AM, Jeff Duke<jeff_d@embarqmail.com> wrote:
> hey maybe ypu can sell it and buy a 'puter!
>
> J>)
>
> ----- Original Message -----
> From: Nemoguitt@aol.com
> To: Loopers-Delight@loopers-delight.com
> Sent: Friday, July 03, 2009 9:43 AM
> Subject: Re: ot.....mac question
> holy shit!.....i just did the google on the compcall collection that i
> won.....what insanity, it lists for $1495.00.....that's like giving helen
> keller a hubble telescope! or giving me a pair of gucci running
> shoes!.....yes kiddies, the scoots is a weiner, i mean winner!.....:)m
>
>
>
> "EVERYTHING YOU KNOW IS WRONG".....firesign theater
>
> new groovy tunes at:
> http://www.myspace.com/klobuchar10
> www.ct-collective.com
>
>
>
>
>
> **************
> It's raining cats and dogs -- Come to PawNation, a place where pets rule!
> (http://www.pawnation.com/?ncid=emlcntnew00000008)

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 15:25:29 2009
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	 <588ce11d0907030635r482fb51dtdbea89c8db7f876f@mail.gmail.com>
Date: Fri, 3 Jul 2009 08:25:28 -0700
Message-ID: <bcd3c7bb0907030825s295131d7vf73a9e836c931590@mail.gmail.com>
Subject: Re: Loopers-Delight-d Digest V09 #517
From: Mark Sottilaro <zerocrossing@gmail.com>
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Oh yeah, that's the one I used.  The only thing I did is I did end up
turning off UAC but I protect myself pretty well by not using the web
except for authorization. Other things that helped with some
authorization schemes was making sure the VST folder isn't in your
programs folder and making those folders read/write.

On Fri, Jul 3, 2009 at 6:35 AM, Art Simon<simart@gmail.com> wrote:
> Thanks Mark, I =A0hadn't seen this. Here's the link if anyone else is int=
erested:
> http://www.sweetwater.com/sweetcare/ts/detail.php?Index=3D31969&keyword=
=3Dvista
>
> On Thu, Jul 2, 2009 at 11:21 PM, Mark Sottilaro<zerocrossing@gmail.com> w=
rote:
>> Vista was a giant pain at first, but once I beat it down it's actually
>> pretty good. =A0Sweetwater's got a good f.a.q. About optimization on the=
ir
>> site.
>>
>> Sent from my iPhone
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 15:43:19 2009
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Date: Fri, 3 Jul 2009 11:43:00 EDT
Subject: Re: ot.....mac question
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In a message dated 7/3/09 9:54:29 AM, jeff_d@embarqmail.com writes:


> hey maybe ypu can sell it and buy a 'puter!
> 
krazy!.....jeffe, i don't even know what this thing is but it sure as hell 
lists for a lot of money.....this is my thought exactlly.....i can just see 
taking a LONDON PHILHARMONIC or whatever patch and sending it thru my 
BITRMAN.....yoweeeee!.....the children of the world will knell before my mighty 
sound!.....i wonder if it has peter, paul and mary patches in it?.....gads! i 
don't even know if it got's patches.....:)m







"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
It's raining cats and dogs -- Come to PawNation, a place 
where pets rule! (http://www.pawnation.com/?ncid=emlcntnew00000008)

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"G=
eneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 7/3/09 9:54:29 AM, jeff_d@embarqmail.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px=
; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">hey maybe ypu=
 can sell it and buy a 'puter!<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANS=
SERIF" SIZE=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2">krazy!.....jeffe, i don't even know what this thing is but it sure=
 as hell lists for a lot of money.....this is my thought exactlly.....i ca=
n just see taking a LONDON PHILHARMONIC or whatever patch and sending it=
 thru my BITRMAN.....yoweeeee!.....the children of the world will knell be=
fore my mighty sound!.....i wonder if it has peter, paul and mary patches=
 in it?.....gads! i don't even know if it got's patches.....:)m<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"><BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"><BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT><BR><BR><BR>**************<BR>It's raining cats and dogs --=
 Come to PawNation, a place where pets rule! (http://www.pawnation.com/?nc=
id=3Demlcntnew00000008)</HTML>

--part1_c53.5080aa84.377f8104_boundary--

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Date: Fri, 3 Jul 2009 11:45:35 -0400
Message-ID: <9e0440a60907030845p7d8f28deu44511e4c3ec426c5@mail.gmail.com>
Subject: Re: ot.....mac question
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Michael and all I was relooking at this earlier this morning and thinking
okay he's still got Jaguar and there were changes from there to Tiger but
totally outdated hw seems extreme not to debate Ted but I thought okay what
about has he done his software updates or could he just be missing the admin
login prompt for new installs.  Probably neither but from there I browsed
the Adobe forums and found this which seems like it might be the solution
and save you some quid as they say.
Here's what I found...

1. <http://forums.adobe.com/message/1874491#1874491> Apr 7, 2009 2:51
PM <http://forums.adobe.com/message/1873036#1873036> in
response to: canuck222 <http://forums.adobe.com/message/1873036#1873036>
*Re: FP9 for OSX 10.1-10.3 won't install on
10.3.9<http://forums.adobe.com/message/1874491#1874491>
*

Go to HD/Library/Internet Plug-Ins folder and delete "Flash Player.plugin"
as well as "flashplayer.xpt".

Download dmg file from Adobe site and save to disc. Quit any browsers you
have open. Double click on dmg file. that opens a folder which contains
"Flash Player.plugin" and "flashplayer.xpt" ... drag both into the Internet
Plug-Ins folder. Do a restart and you should be in business!



the actual link to the above is
http://forums.adobe.com/thread/415443;jsessionid=3D5B36974427A92D43663CE464E9023D.node0?tstart=1




again I don't mean to kick sand in anyone's face and too I initially happily
went about talking about finding a new machine anyhow Michael/Ted hope this
might work out.  If you need further help navigating the above let me know.

Happy 4th and best

Jim

On Wed, Jul 1, 2009 at 3:33 PM, <Nemoguitt@aol.com> wrote:

> i can not view videos anymore and my puter keeps telling me to dl flash
> player 9 because my osx is 10.3.9.....when i do this and try to open flash
> player i get this message "the destination folder (adobe flash player 9) is
> on a locked volume. Please select another destination.".....can anyone help
> me?.....off list of course.....thanks.....m
>
>
>
> "EVERYTHING YOU KNOW IS WRONG".....firesign theater
>
> new groovy tunes at:
> http://www.myspace.com/klobuchar10
> www.ct-collective.com
>
>
>
>
>
> **************
> It's raining cats and dogs -- Come to PawNation, a place where pets rule! (
> http://www.pawnation.com/?ncid=emlcntnew00000008)




-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a57b1f836b046dcf0c79
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Michael and all I was relooking at this earlier this morning and thinking o=
kay he&#39;s still got Jaguar and there were changes from there to Tiger bu=
t totally outdated hw seems extreme not to debate Ted but I thought okay wh=
at about has he done his software updates or could he just be missing the a=
dmin login prompt for new installs. =A0Probably neither but from there I br=
owsed the Adobe forums and found this which seems like it might be the solu=
tion and save you some quid as they say.<div>
<br></div><div>Here&#39;s what I found...</div><div><br></div><div><span cl=
ass=3D"Apple-style-span" style=3D"font-family: Arial, Helvetica, sans-serif=
; font-size: 12px; color: rgb(51, 51, 51); line-height: 12px; "><div class=
=3D"jive-thread-reply-subject" style=3D"margin-top: 0px; margin-right: 0px;=
 margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px=
; padding-bottom: 18px; padding-left: 0px; font-size: 8pt; color: rgb(119, =
119, 119); background-image: none; ">
<div class=3D"jive-thread-reply-date" style=3D"margin-top: 0px; margin-righ=
t: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-rig=
ht: 0px; padding-bottom: 3px; padding-left: 0px; "><a href=3D"http://forums=
.adobe.com/message/1874491#1874491" title=3D"Link to reply #1" class=3D"jiv=
e-thread-reply-num" style=3D"color: rgb(180, 180, 180); text-decoration: no=
ne; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0p=
x; padding-top: 0px; padding-right: 2px; padding-bottom: 0px; padding-left:=
 0px; font-size: 10pt; font-weight: bold; ">1.</a>=A0<span style=3D"margin-=
top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-=
top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; ">Apr=
 7, 2009 2:51 PM</span>=A0<a href=3D"http://forums.adobe.com/message/187303=
6#1873036" title=3D"in response to: canuck222" style=3D"color: rgb(0, 68, 1=
19); text-decoration: none; margin-top: 0px; margin-right: 0px; margin-bott=
om: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bo=
ttom: 0px; padding-left: 0px; "><img src=3D"http://forums.adobe.com/images/=
up-10x10.gif" width=3D"10" height=3D"10" border=3D"0" alt=3D"" style=3D"bor=
der-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; bord=
er-left-width: 0px; border-style: initial; border-color: initial; margin-to=
p: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-to=
p: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display=
: inline; "></a>=A0in response to:=A0<a href=3D"http://forums.adobe.com/mes=
sage/1873036#1873036" title=3D"Go to message" style=3D"color: rgb(0, 68, 11=
9); text-decoration: none; margin-top: 0px; margin-right: 0px; margin-botto=
m: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bot=
tom: 0px; padding-left: 0px; ">canuck222</a></div>
<strong style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; ma=
rgin-left: 0px; padding-top: 1px; padding-right: 0px; padding-bottom: 0px; =
padding-left: 0px; font-size: 10pt; display: block; color: rgb(85, 85, 85);=
 "><a href=3D"http://forums.adobe.com/message/1874491#1874491" style=3D"col=
or: rgb(85, 85, 85); text-decoration: none; margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right:=
 0px; padding-bottom: 0px; padding-left: 0px; ">Re: FP9 for OSX 10.1-10.3 w=
on&#39;t install on 10.3.9</a></strong></div>
<div class=3D"jive-thread-reply-message" style=3D"margin-top: 0px; margin-r=
ight: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-=
right: 0px; padding-bottom: 3px; padding-left: 0px; overflow-x: auto; overf=
low-y: hidden; position: relative; width: 513px; min-height: 42px; ">
<div class=3D"jive-rendered-content" style=3D"margin-top: 0px; margin-right=
: 0px; margin-bottom: 15px; margin-left: 0px; padding-top: 2px; padding-rig=
ht: 2px; padding-bottom: 2px; padding-left: 2px; overflow-x: visible; overf=
low-y: visible; clear: both; position: relative; width: 507px; ">
<p style=3D"font-size: 1.083em; line-height: 1.462; margin-top: 0px; paddin=
g-bottom: 0px; margin-bottom: 0px; padding-top: 0px; padding-right: 0px; pa=
dding-left: 0px; margin-right: 0px; margin-left: 0px; ">Go to HD/Library/In=
ternet Plug-Ins folder and delete &quot;Flash Player.plugin&quot; as well a=
s &quot;flashplayer.xpt&quot;.</p>
<p style=3D"font-size: 1.083em; line-height: 1.462; margin-top: 0px; paddin=
g-bottom: 0px; margin-bottom: 0px; padding-top: 0px; padding-right: 0px; pa=
dding-left: 0px; margin-right: 0px; margin-left: 0px; ">Download dmg file f=
rom Adobe site and save to disc. Quit any browsers you have open. Double cl=
ick on dmg file. that opens a folder which contains &quot;Flash Player.plug=
in&quot; and &quot;flashplayer.xpt&quot; ... drag both into the Internet Pl=
ug-Ins folder. Do a restart and you should be in business!</p>
<p style=3D"font-size: 1.083em; line-height: 1.462; margin-top: 0px; paddin=
g-bottom: 0px; margin-bottom: 0px; padding-top: 0px; padding-right: 0px; pa=
dding-left: 0px; margin-right: 0px; margin-left: 0px; min-height: 8pt; heig=
ht: 8pt; ">
=A0</p><p style=3D"font-size: 1.083em; line-height: 1.462; margin-top: 0px;=
 padding-bottom: 0px; margin-bottom: 0px; padding-top: 0px; padding-right: =
0px; padding-left: 0px; margin-right: 0px; margin-left: 0px; min-height: 8p=
t; height: 8pt; ">
the actual link to the above is=A0<a href=3D"http://forums.adobe.com/thread=
/415443;jsessionid=3D3D5B36974427A92D43663CE464E9023D.node0?tstart=3D1">htt=
p://forums.adobe.com/thread/415443;jsessionid=3D3D5B36974427A92D43663CE464E=
9023D.node0?tstart=3D1</a></p>
<p style=3D"font-size: 1.083em; line-height: 1.462; margin-top: 0px; paddin=
g-bottom: 0px; margin-bottom: 0px; padding-top: 0px; padding-right: 0px; pa=
dding-left: 0px; margin-right: 0px; margin-left: 0px; min-height: 8pt; heig=
ht: 8pt; ">
<br></p><p style=3D"font-size: 1.083em; line-height: 1.462; margin-top: 0px=
; padding-bottom: 0px; margin-bottom: 0px; padding-top: 0px; padding-right:=
 0px; padding-left: 0px; margin-right: 0px; margin-left: 0px; min-height: 8=
pt; height: 8pt; ">
<br></p></div></div></span><div><br></div><div>again I don&#39;t mean to ki=
ck sand in anyone&#39;s face and too I initially happily went about talking=
 about finding a new machine anyhow Michael/Ted hope this might work out. =
=A0If you need further help navigating the above let me know.</div>
<div><br></div><div>Happy 4th and best</div><div><br></div><div>Jim</div><b=
r><div class=3D"gmail_quote">On Wed, Jul 1, 2009 at 3:33 PM,  <span dir=3D"=
ltr">&lt;<a href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</a>&gt;</sp=
an> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><font face=3D"arial,helvetica"><font color=
=3D"#000000" face=3D"Geneva" size=3D"2">i can not view videos anymore and m=
y puter keeps telling me to dl flash player 9 because my osx is 10.3.9.....=
when i do this and try to open flash player i get this message &quot;the de=
stination folder (adobe flash player 9) is on a locked volume. Please selec=
t another destination.&quot;.....can anyone help me?.....off list of course=
.....thanks.....m<br>

<br>
<br>
<br>
&quot;EVERYTHING YOU KNOW IS WRONG&quot;.....firesign theater<br>
<br>
new groovy tunes at:<br>
<a href=3D"http://www.myspace.com/klobuchar10" target=3D"_blank">http://www=
.myspace.com/klobuchar10</a><br>
<a href=3D"http://www.ct-collective.com" target=3D"_blank">www.ct-collectiv=
e.com</a><br>
<br>
<br>
</font><font color=3D"#000000" face=3D"Geneva" size=3D"2"></font><br><br><b=
r>**************<br>It&#39;s raining cats and dogs -- Come to PawNation, a =
place where pets rule! (<a href=3D"http://www.pawnation.com/?ncid=3Demlcntn=
ew00000008" target=3D"_blank">http://www.pawnation.com/?ncid=3Demlcntnew000=
00008</a>)
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural journey coming soon...<br><br>music links...<br><a h=
ref=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=
=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--001636c5a57b1f836b046dcf0c79--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 15:58:08 2009
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Date: Fri, 3 Jul 2009 11:57:52 EDT
Subject: Re: ot.....mac question
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In a message dated 7/3/09 11:52:54 AM, jimgoodinmusic@gmail.com writes:


> Here's what I found...
> 

thanks jim.....i did this several daze ago and it did not work.....did i 
mention that I HATE COMPUTERS.....:)m



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
It's raining cats and dogs -- Come to PawNation, a place 
where pets rule! (http://www.pawnation.com/?ncid=emlcntnew00000008)

--part1_c68.4f62c50d.377f8480_boundary
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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"G=
eneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 7/3/09 11:52:54 AM, jimgoodinmusic@gmail.com writes:<BR=
>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px=
; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Here's what=
 I found...<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANS=
SERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2">thanks jim.....i did this several daze ago and it did not work.....=
did i mention that I HATE COMPUTERS.....:)m<BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT><BR><BR><BR>**************<BR>It's raining cats and dogs --=
 Come to PawNation, a place where pets rule! (http://www.pawnation.com/?nc=
id=3Demlcntnew00000008)</HTML>

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Date: Fri, 3 Jul 2009 12:04:02 -0400
Message-ID: <9e0440a60907030904j4f809ddaie69be3c051890346@mail.gmail.com>
Subject: Re: ot.....mac question
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Michael Flash can be an illusive rabbit.  I went through something similar
as I recall on my son's first Mac with a website that needed a particular
flavor of Flash.  It was quite back/forth but finally Safari updated
properly which are you using it or Firefox as that may be part of the issue.
 I tend to not like Firefox but I'm a bit strange by many.  So far I've been
comfortable with Safari and am on v 4.0.
After dong the routine you rebooted, cleared browser cache, etc.  no?  also
for Flash audio problems there was some deal where Flash would stop doing
audio and killing your browser, started Garageband would resolve it.  Doubt
any relation re video but computers are strange sometimes.

I just really find it hard to believe here that the only solution is buy a
new machine.  Have you done all your Apple sw updates particularly with you
running a dated OS?  Also what about upgrading to Tiger.  I could share a
copy with you if it's difficult to get.

Jim

On Fri, Jul 3, 2009 at 11:57 AM, <Nemoguitt@aol.com> wrote:

>
> In a message dated 7/3/09 11:52:54 AM, jimgoodinmusic@gmail.com writes:
>
>
> Here's what I found...
>
>
> thanks jim.....i did this several daze ago and it did not work.....did i
> mention that I HATE COMPUTERS.....:)m
>
>
>
> "EVERYTHING YOU KNOW IS WRONG".....firesign theater
>
> new groovy tunes at:
> http://www.myspace.com/klobuchar10
> www.ct-collective.com
>
>
>
>
>
> **************
> It's raining cats and dogs -- Come to PawNation, a place where pets rule! (
> http://www.pawnation.com/?ncid=emlcntnew00000008)
>



-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00504502d6c4116073046dcf4ea3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Michael Flash can be an illusive rabbit. =A0I went through something simila=
r as I recall on my son&#39;s first Mac with a website that needed a partic=
ular flavor of Flash. =A0It was quite back/forth but finally Safari updated=
 properly which are you using it or Firefox as that may be part of the issu=
e. =A0I tend to not like Firefox but I&#39;m a bit strange by many. =A0So f=
ar I&#39;ve been comfortable with Safari and am on v 4.0.<div>
<br></div><div>After dong the routine you rebooted, cleared browser cache, =
etc. =A0no? =A0also for Flash audio problems there was some deal where Flas=
h would stop doing audio and killing your browser, started Garageband would=
 resolve it. =A0Doubt any relation re video but computers are strange somet=
imes. =A0</div>
<div><br></div><div>I just really find it hard to believe here that the onl=
y solution is buy a new machine. =A0Have you done all your Apple sw updates=
 particularly with you running a dated OS? =A0Also what about upgrading to =
Tiger. =A0I could share a copy with you if it&#39;s difficult to get.</div>
<div><br></div><div>Jim<br><br><div class=3D"gmail_quote">On Fri, Jul 3, 20=
09 at 11:57 AM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:Nemoguitt@aol.com"=
>Nemoguitt@aol.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"=
>
<font face=3D"arial,helvetica"><div class=3D"im"><font color=3D"#000000" fa=
ce=3D"Geneva" size=3D"2"><br>
In a message dated 7/3/09 11:52:54 AM, <a href=3D"mailto:jimgoodinmusic@gma=
il.com" target=3D"_blank">jimgoodinmusic@gmail.com</a> writes:<br>
<br>
<br>
<blockquote style=3D"border-left:#0000ff 2px solid;margin-left:5px;margin-r=
ight:0px;padding-left:5px" type=3D"CITE"></blockquote></font><font color=3D=
"#000000" face=3D"Geneva" size=3D"2">Here&#39;s what I found...<br>
</font><font color=3D"#000000" face=3D"Geneva" size=3D"2"><br>
<br>
</font></div><font color=3D"#000000" face=3D"Geneva" size=3D"2">thanks jim.=
....i did this several daze ago and it did not work.....did i mention that =
I HATE COMPUTERS.....:)m<div class=3D"im"><br>
<br>
<br>
<br>
&quot;EVERYTHING YOU KNOW IS WRONG&quot;.....firesign theater<br>
<br>
new groovy tunes at:<br>
<a href=3D"http://www.myspace.com/klobuchar10" target=3D"_blank">http://www=
.myspace.com/klobuchar10</a><br>
<a href=3D"http://www.ct-collective.com" target=3D"_blank">www.ct-collectiv=
e.com</a><br>
<br>
<br>
</div></font><div class=3D"im"><font color=3D"#000000" face=3D"Geneva" size=
=3D"2"></font><br><br><br>**************<br>It&#39;s raining cats and dogs =
-- Come to PawNation, a place where pets rule! (<a href=3D"http://www.pawna=
tion.com/?ncid=3Demlcntnew00000008" target=3D"_blank">http://www.pawnation.=
com/?ncid=3Demlcntnew00000008</a>)
</div></font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an =
introspective textural aural journey coming soon...<br><br>music links...<b=
r><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--00504502d6c4116073046dcf4ea3--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 16:48:13 2009
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From: Andy Schoen <larjschoen3@mac.com>
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Subject: Re: OT: Native Instruments deal
Date: Fri, 03 Jul 2009 08:47:44 -0700
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Hey there, isn't this software dongle based?  Don't you need a dongle  
to operate it?  I fear the almighty dongle!

Andy



To listen to some of my music please visit: www.untitledvisions.com

It's a Rock-N-Roll Universe!

On Jul 3, 2009, at 4:23 AM, Andy Roberts <acroberts@gmail.com> wrote:

> If anyone is looking for that Komplete deal, here is the link:
>
> http://pro-audio.musiciansfriend.com/product/Native-Instruments-Komplete-5?sku=702965#new
>
> During the purchasing process, you will be prompted twice for coupon  
> codes, at the second prompt, enter 'MINE' for a $65 discount.
>
> Drew
>

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<html><body bgcolor=3D"#FFFFFF"><div>Hey there, isn't this software =
dongle based? &nbsp;Don't you need a dongle to operate it? &nbsp;I fear =
the almighty =
dongle!</div><div><br></div><div>Andy</div><div><br></div><div><br><br>To =
listen to some of my music please visit: <a =
href=3D"http://www.untitledvisions.com"><a =
href=3D"http://www.untitledvisions.com">www.untitledvisions.com</a></a><di=
v><br></div><div><div>It's a Rock-N-Roll =
Universe!</div></div></div><div><br>On Jul 3, 2009, at 4:23 AM, Andy =
Roberts &lt;<a =
href=3D"mailto:acroberts@gmail.com">acroberts@gmail.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>If anyone =
is looking for that Komplete deal, here is the link:<br><br><a =
href=3D"http://pro-audio.musiciansfriend.com/product/Native-Instruments-Ko=
mplete-5?sku=3D702965#new"><a =
href=3D"http://pro-audio.musiciansfriend.com/product/Native-Instruments-Ko=
mplete-5?sku=3D702965#new">http://pro-audio.musiciansfriend.com/product/Na=
tive-Instruments-Komplete-5?sku=3D702965#new</a></a><br>

<br>During the purchasing process, you will be prompted twice for coupon =
codes, at the second prompt, enter 'MINE' for a $65 =
discount.<br><br>Drew<br><br>
</div></blockquote></body></html>=

--Boundary_(ID_hL//+zrMGVOWFdLNaF1GKw)--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 17:09:59 2009
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	 <55EB5810-F80B-4639-A756-8E9F62503E51@mac.com>
Date: Fri, 3 Jul 2009 19:09:59 +0200
Message-ID: <66f9cc1e0907031009g177545abwf353877f2f440416@mail.gmail.com>
Subject: Re: OT: Native Instruments deal
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jul 3, 2009 at 5:47 PM, Andy Schoen<larjschoen3@mac.com> wrote:
> Hey there, isn't this software dongle based? =C2=A0Don't you need a dongl=
e to
> operate it? =C2=A0I fear the almighty dongle!
> Andy

No. Native Instruments authorizes your computer.

I rather prefer "dongle" though. I've recently started using an iLok
to keep my licenses safe and be able to quickly install everything on
any new laptop I may be forced to switch to by accident. The insurance
for the option to get a replacement iLok right away from any music
store "on the road" is only $30 a year.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 17:17:42 2009
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Subject: Name that looping vid/artist
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Hi all,

Some time ago there was a "live" looping performance... it was set in =
some guys apartment, he played drums, guitars, as well as making =
percussion sounds out of spoons, coffee machines etc. Does anyone =
remember it? I remember there was some controversy over whether or not =
it was a real live performance... but it was cute nonetheless. Anyone =
remember the name of the artist?

Many thanks
Jay
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<DIV><FONT size=3D2 face=3DArial>Hi all,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Some time ago there was a "live" =
looping=20
performance... it was set in some guys apartment, he played drums, =
guitars, as=20
well as making percussion sounds out of spoons, coffee machines etc. =
Does anyone=20
remember it? I remember there was some controversy over whether or not =
it was a=20
real live performance... but it was cute nonetheless. Anyone remember =
the name=20
of the artist?</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Many thanks</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Jay</FONT></DIV></BODY></HTML>

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Subject: Re: Name that looping vid/artist
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Yeah, that was David Ford doing "go to hell" ... the link is now dead, 
and I couldn't find it on youtube ... so you may be out of luck if you 
wanted to see it again. 

per the live/not discussion ... I'll cast a vote for not ....well  ... 
not live in one take ..... there are parts that come in/fade out without 
any help from him, and a number of camera cuts that would mean that if 
it were one take it would be a number of cameras ...... but hey, you 
never know.  I havea feeling it was all recorded that day with a lot of 
loops, and then he is just walking around and recreating the experience 
for the camera.


Jay Bell wrote:
> Hi all,
>  
> Some time ago there was a "live" looping performance... it was set in 
> some guys apartment, he played drums, guitars, as well as making 
> percussion sounds out of spoons, coffee machines etc. Does anyone 
> remember it? I remember there was some controversy over whether or not 
> it was a real live performance... but it was cute nonetheless. Anyone 
> remember the name of the artist?
>  
> Many thanks
> Jay

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 19:20:07 2009
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From: "Jay Bell" <jay.bell@ntlworld.com>
To: <Loopers-Delight@loopers-delight.com>
References: <bcd3c7bb0907021341h414ab6dv6131ae111952df00@mail.gmail.com> <7761A6B4-5DA2-4012-906E-E90157D0FCB9@gmail.com> <bcd3c7bb0907021803r60c21868s4e1f85d235e603b4@mail.gmail.com> <7d2794000907030423p44ca7dd3r4247cffcfdfd6686@mail.gmail.com> <55EB5810-F80B-4639-A756-8E9F62503E51@mac.com> <7864BF552E374981AFAA9AB5393ED8F1@D30WYQ3J> <4A4E3F49.3010907@flyloops.com>
Subject: Re: Name that looping vid/artist
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Excellent! Thankyou so much...

First link I tried complained about copyright restrictions (in the UK) but 
this one worked

http://www.youtube.com/watch?v=Y0vcxA29okM

--jay


----- Original Message ----- 
From: "Aaron Leese" <aaronleese@flyloops.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 03, 2009 6:26 PM
Subject: Re: Name that looping vid/artist


>
> Yeah, that was David Ford doing "go to hell" ... the link is now dead, and 
> I couldn't find it on youtube ... so you may be out of luck if you wanted 
> to see it again.
> per the live/not discussion ... I'll cast a vote for not ....well  ... not 
> live in one take ..... there are parts that come in/fade out without any 
> help from him, and a number of camera cuts that would mean that if it were 
> one take it would be a number of cameras ...... but hey, you never know. 
> I havea feeling it was all recorded that day with a lot of loops, and then 
> he is just walking around and recreating the experience for the camera.
>
>
> Jay Bell wrote:
>> Hi all,
>>  Some time ago there was a "live" looping performance... it was set in 
>> some guys apartment, he played drums, guitars, as well as making 
>> percussion sounds out of spoons, coffee machines etc. Does anyone 
>> remember it? I remember there was some controversy over whether or not it 
>> was a real live performance... but it was cute nonetheless. Anyone 
>> remember the name of the artist?
>>  Many thanks
>> Jay
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 19:34:50 2009
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Nah, it's still on there...
<http://www.youtube.com/watch?v=NVky7hwuebU>

-t-

--- On Fri, 7/3/09, Aaron Leese <aaronleese@flyloops.com> wrote:
 
> Yeah, that was David Ford doing "go to hell" ... the link
> is now dead, and I couldn't find it on youtube ... so you
> may be out of luck if you wanted to see it again.


      

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 22:57:09 2009
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Oops, I lied ...

http://www.youtube.com/watch?v=x29l5eHHoXo

And it is just one video take ... though I'll still go with it being put 
together/edited before the video was made ..... but still, who knows.





Jay Bell wrote:
> Hi all,
>  
> Some time ago there was a "live" looping performance... it was set in 
> some guys apartment, he played drums, guitars, as well as making 
> percussion sounds out of spoons, coffee machines etc. Does anyone 
> remember it? I remember there was some controversy over whether or not 
> it was a real live performance... but it was cute nonetheless. Anyone 
> remember the name of the artist?
>  
> Many thanks
> Jay

From Loopers-Delight-request@loopers-delight.com  Fri Jul  3 23:29:39 2009
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Subject: Re: Loopers-Delight-d Digest V09 #517
=46rom: Mark Sottilaro <zerocrossing@gmail.com>
Date: Thu, 2 Jul 2009 23:21:04 -0700
>Vista was a giant pain at first, but once I beat it down it's actually =20
>pretty good.  Sweetwater's got a good f.a.q. About optimization on =20
>their site.

Thanks for that,
-- G.

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 01:54:48 2009
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Subject: GigSpam: spontaneous live on uStream
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--001636c5a9ffbb7983046dd78eb4
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I've been a bit down of late and this evening have finally felt like
playing.  I'm going to break my Sunday morning broadcast tradition with
Sunday Morning at 11 series and do a Friday Night at 10pm series in about 9
minutes EST.  This is going to be barebones all acoustic guitar no looping
folks so please don't outstrisize me - we'll call this Friday night waking
from the dead.  Will probably just do a short show.  Tune in at
http://www.ustream.tv/channel/sunday-morning-at-11 if you are around.
Happy 4th

jim

-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a9ffbb7983046dd78eb4
Content-Type: text/html; charset=ISO-8859-1
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I&#39;ve been a bit down of late and this evening have finally felt like pl=
aying. =A0I&#39;m going to break my Sunday morning broadcast tradition with=
 Sunday Morning at 11 series and do a Friday Night at 10pm series in about =
9 minutes EST. =A0This is going to be barebones all acoustic guitar no loop=
ing folks so please don&#39;t outstrisize me - we&#39;ll call this Friday n=
ight waking from the dead. =A0Will probably just do a short show. =A0Tune i=
n at <a href=3D"http://www.ustream.tv/channel/sunday-morning-at-11">http://=
www.ustream.tv/channel/sunday-morning-at-11</a> if you are around.<div>
<br></div><div>Happy 4th</div><div><br></div><div>jim<br clear=3D"all"><br>=
-- <br>ReUse, an introspective textural aural journey coming soon...<br><br=
>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinm=
usic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636c5a9ffbb7983046dd78eb4--

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--001636c5a723c9df0a046dd92acc
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Early this evening I picked up an instrument for the first time in several
days and decided to do a spur of the moment ustream.  I announced it on the
list about 10 min before 10pm EST which was about the time the inspiration
all hit.  Ted from our midst graced me with his e-prescence which was nice
and I greatly appreciated.  If you'd like to catch the playback you may do
so at http://www.ustream.tv/recorded/1750848 .
This was my Sunday Morning at 11 series Friday at 10 so to speak! This was
total stripped down acoustic guitar and oud improvisations, no looping this
time other than my natural repetition. The audio has distortion early on but
I later backed away from the mic and it improved.

Have a great 4th and weekend folks.

Jim




-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a723c9df0a046dd92acc
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Early this evening I picked up an instrument for the first time in several =
days and decided to do a spur of the moment ustream. =A0I announced it on t=
he list about 10 min before 10pm EST which was about the time the inspirati=
on all hit. =A0Ted from our midst graced me with his e-prescence which was =
nice and I greatly appreciated. =A0If you&#39;d like to catch the playback =
you may do so at=A0<span class=3D"Apple-style-span" style=3D"font-family: &=
#39;Trebuchet MS&#39;; font-size: 13px; color: rgb(179, 177, 177); white-sp=
ace: pre; "><a href=3D"http://www.ustream.tv/recorded/1750848">http://www.u=
stream.tv/recorded/1750848</a> .=A0</span><div>
<font class=3D"Apple-style-span" color=3D"#B3B1B1" face=3D"&#39;Trebuchet M=
S&#39;"><span class=3D"Apple-style-span" style=3D"white-space: pre;"><br></=
span></font></div><div><font class=3D"Apple-style-span" face=3D"&#39;Trebuc=
het MS&#39;"><span class=3D"Apple-style-span" style=3D"white-space: pre;">T=
his was my Sunday Morning at 11 series Friday at 10 so to speak!  This was =
total stripped down acoustic guitar and oud improvisations, no looping this=
 time other than my natural repetition.  The audio has distortion early on =
but I later backed away from the mic and it improved.</span></font></div>
<div><font class=3D"Apple-style-span" face=3D"&#39;Trebuchet MS&#39;"><span=
 class=3D"Apple-style-span" style=3D"white-space: pre;"><br></span></font><=
/div><div><font class=3D"Apple-style-span" face=3D"&#39;Trebuchet MS&#39;">=
<span class=3D"Apple-style-span" style=3D"white-space: pre;">Have a great 4=
th and weekend folks.</span></font></div>
<div><font class=3D"Apple-style-span" face=3D"&#39;Trebuchet MS&#39;"><span=
 class=3D"Apple-style-span" style=3D"white-space: pre;"><br></span></font><=
/div><div><font class=3D"Apple-style-span" face=3D"&#39;Trebuchet MS&#39;">=
<span class=3D"Apple-style-span" style=3D"white-space: pre;">Jim</span></fo=
nt></div>
<div><font class=3D"Apple-style-span" face=3D"&#39;Trebuchet MS&#39;"><span=
 class=3D"Apple-style-span" style=3D"white-space: pre;"><br></span></font><=
/div><div><font class=3D"Apple-style-span" face=3D"&#39;Trebuchet MS&#39;">=
<span class=3D"Apple-style-span" style=3D"white-space: pre;"><br>
</span></font></div><div><font class=3D"Apple-style-span" color=3D"#B3B1B1"=
 face=3D"&#39;Trebuchet MS&#39;"><span class=3D"Apple-style-span" style=3D"=
white-space: pre;"><br clear=3D"all"></span></font><br>-- <br>ReUse, an int=
rospective textural aural journey coming soon...<br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">w=
ww.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>
</div>

--001636c5a723c9df0a046dd92acc--

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <9e0440a60907032050od1f9f8aob1072f3f5e6d5af2@mail.gmail.com>
Subject: Re: GigSpam: recording posted of this evening's ustream
Date: Fri, 3 Jul 2009 23:56:55 -0400
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Sorry I missed Jim! I was out, love the rebroadcast, glad to hear ya =
pickin' and see ya grinin'

j
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: loopers-Delight@loopers-delight.com=20
  Sent: Friday, July 03, 2009 11:50 PM
  Subject: GigSpam: recording posted of this evening's ustream


  Early this evening I picked up an instrument for the first time in =
several days and decided to do a spur of the moment ustream.  I =
announced it on the list about 10 min before 10pm EST which was about =
the time the inspiration all hit.  Ted from our midst graced me with his =
e-prescence which was nice and I greatly appreciated.  If you'd like to =
catch the playback you may do so at =
http://www.ustream.tv/recorded/1750848 .=20


  This was my Sunday Morning at 11 series Friday at 10 so to speak! This =
was total stripped down acoustic guitar and oud improvisations, no =
looping this time other than my natural repetition. The audio has =
distortion early on but I later backed away from the mic and it =
improved.


  Have a great 4th and weekend folks.


  Jim






  --=20
  ReUse, an introspective textural aural journey coming soon...

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic


------=_NextPart_000_0007_01C9FC39.F1F8A730
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Sorry I missed Jim! I was out, love the =

rebroadcast, glad to hear ya pickin' and see ya grinin'</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 03, 2009 =
11:50=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> GigSpam: recording =
posted of=20
  this evening's ustream</DIV>
  <DIV><BR></DIV>Early this evening I picked up an instrument for the =
first time=20
  in several days and decided to do a spur of the moment ustream. =
&nbsp;I=20
  announced it on the list about 10 min before 10pm EST which was about =
the time=20
  the inspiration all hit. &nbsp;Ted from our midst graced me with his=20
  e-prescence which was nice and I greatly appreciated. &nbsp;If you'd =
like to=20
  catch the playback you may do so at&nbsp;<SPAN =
class=3DApple-style-span=20
  style=3D"FONT-SIZE: 13px; COLOR: rgb(179,177,177); FONT-FAMILY: =
'Trebuchet MS'; WHITE-SPACE: pre"><A=20
  =
href=3D"http://www.ustream.tv/recorded/1750848">http://www.ustream.tv/rec=
orded/1750848</A>=20
  .&nbsp;</SPAN>
  <DIV><FONT class=3DApple-style-span face=3D"'Trebuchet MS'" =
color=3D#b3b1b1><SPAN=20
  class=3DApple-style-span style=3D"WHITE-SPACE: =
pre"><BR></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3D"'Trebuchet MS'"><SPAN=20
  class=3DApple-style-span style=3D"WHITE-SPACE: pre">This was my Sunday =
Morning at=20
  11 series Friday at 10 so to speak! This was total stripped down =
acoustic=20
  guitar and oud improvisations, no looping this time other than my =
natural=20
  repetition. The audio has distortion early on but I later backed away =
from the=20
  mic and it improved.</SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3D"'Trebuchet MS'"><SPAN=20
  class=3DApple-style-span style=3D"WHITE-SPACE: =
pre"><BR></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3D"'Trebuchet MS'"><SPAN=20
  class=3DApple-style-span style=3D"WHITE-SPACE: pre">Have a great 4th =
and weekend=20
  folks.</SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3D"'Trebuchet MS'"><SPAN=20
  class=3DApple-style-span style=3D"WHITE-SPACE: =
pre"><BR></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3D"'Trebuchet MS'"><SPAN=20
  class=3DApple-style-span style=3D"WHITE-SPACE: =
pre">Jim</SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3D"'Trebuchet MS'"><SPAN=20
  class=3DApple-style-span style=3D"WHITE-SPACE: =
pre"><BR></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3D"'Trebuchet MS'"><SPAN=20
  class=3DApple-style-span style=3D"WHITE-SPACE: =
pre"><BR></SPAN></FONT></DIV>
  <DIV><FONT class=3DApple-style-span face=3D"'Trebuchet MS'" =
color=3D#b3b1b1><SPAN=20
  class=3DApple-style-span style=3D"WHITE-SPACE: pre"><BR=20
  clear=3Dall></SPAN></FONT><BR>-- <BR>ReUse, an introspective textural =
aural=20
  journey coming soon...<BR><BR>music links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></DIV></BLOCKQUOTE></BODY></HTML>

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Date: Sat, 4 Jul 2009 00:20:44 -0400
Message-ID: <9e0440a60907032120t4a8980b3ga49a655f30da093f@mail.gmail.com>
Subject: Re: GigSpam: recording posted of this evening's ustream
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Jeff thanks...

On Fri, Jul 3, 2009 at 11:56 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  Sorry I missed Jim! I was out, love the rebroadcast, glad to hear ya
> pickin' and see ya grinin'
>
> j
>
>
>

--001636c5a723becfd8046dd998c4
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Jeff thanks...<br><br><div class=3D"gmail_quote">On Fri, Jul 3, 2009 at 11:=
56 PM, Jeff Duke <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.=
com">jeff_d@embarqmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-le=
ft:1ex;">






<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Sorry I missed Jim! I was out, love th=
e=20
rebroadcast, glad to hear ya pickin&#39; and see ya grinin&#39;</font></div=
>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div><font color=3D"#888888=
">
<div><font face=3D"Arial" size=3D"2">j</font></div></font><div><div></div><=
div class=3D"h5">
<blockquote dir=3D"ltr" style=3D"padding-right:0px;padding-left:5px;margin-=
left:5px;border-left:#000000 2px solid;margin-right:0px">
  <div style=3D"font:10pt arial"><span class=3D"Apple-style-span" style=3D"=
font-size: small;"><br></span></div></blockquote></div></div></div></blockq=
uote></div>

--001636c5a723becfd8046dd998c4--

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 05:43:50 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: GigSpam: recording posted of this evening's ustream
Date: Sat, 4 Jul 2009 06:43:42 +0100
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Bugger i missed it too - it was at 2 in the morning here

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 4 Jul 2009, at 04:56, Jeff Duke wrote:

> Sorry I missed Jim! I was out, love the rebroadcast, glad to hear  
> ya pickin' and see ya grinin'
>
> j
> ----- Original Message -----
> From: Jim Goodin
> To: loopers-Delight@loopers-delight.com
> Sent: Friday, July 03, 2009 11:50 PM
> Subject: GigSpam: recording posted of this evening's ustream
>
> Early this evening I picked up an instrument for the first time in  
> several days and decided to do a spur of the moment ustream.  I  
> announced it on the list about 10 min before 10pm EST which was  
> about the time the inspiration all hit.  Ted from our midst graced  
> me with his e-prescence which was nice and I greatly appreciated.   
> If you'd like to catch the playback you may do so at http:// 
> www.ustream.tv/recorded/1750848   .
>
> This was my Sunday Morning at   11 series Friday at 10 so to speak!  
> This was total stripped down acoustic   guitar and oud  
> improvisations, no looping this time other than my natural    
> repetition. The audio has distortion early on but I later backed  
> away from the   mic and it improved.
>
> Have a great 4th and weekend   folks.
>
> Jim
>
>
>
>
> -- 
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


--Apple-Mail-4--56432851
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Bugger i missed it too - it was at 2 in the morning here<div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 4 Jul 2009, =
at 04:56, Jeff Duke wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><font face=3D"Arial" =
size=3D"2">Sorry I missed Jim! I was out, love the rebroadcast, glad to =
hear ya pickin' and see ya grinin'</font></div><div><font face=3D"Arial" =
size=3D"2"></font>&nbsp;</div><div><font face=3D"Arial" =
size=3D"2">j</font></div><blockquote dir=3D"ltr" style=3D"padding-right: =
0px; padding-left: 5px; margin-left: 5px; border-left-color: rgb(0, 0, =
0); border-left-width: 2px; border-left-style: solid; margin-right: 0px; =
"><div style=3D"font: normal normal normal 10pt/normal arial; ">----- =
Original Message -----</div><div style=3D"background-image: initial; =
background-repeat: initial; background-attachment: initial; =
-webkit-background-clip: initial; -webkit-background-origin: initial; =
background-color: rgb(228, 228, 228); font: normal normal normal =
10pt/normal arial; background-position: initial initial; =
"><b>From:</b><span class=3D"Apple-converted-space">&nbsp;</span><a =
title=3D"jimgoodinmusic@gmail.com" =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim Goodin</a></div><div =
style=3D"font: normal normal normal 10pt/normal arial; "><b>To:</b><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
title=3D"loopers-Delight@loopers-delight.com" =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@looper=
s-delight.com</a></div><div style=3D"font: normal normal normal =
10pt/normal arial; "><b>Sent:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>Friday, July 03, 2009 11:50 =
PM</div><div style=3D"font: normal normal normal 10pt/normal arial; =
"><b>Subject:</b><span =
class=3D"Apple-converted-space">&nbsp;</span>GigSpam: recording posted =
of this evening's ustream</div><div><br></div>Early this evening I =
picked up an instrument for the first time in several days and decided =
to do a spur of the moment ustream. &nbsp;I announced it on the list =
about 10 min before 10pm EST which was about the time the inspiration =
all hit. &nbsp;Ted from our midst graced me with his e-prescence which =
was nice and I greatly appreciated. &nbsp;If you'd like to catch the =
playback you may do so at&nbsp;<span class=3D"Apple-style-span" =
style=3D"font-size: 13px; color: rgb(179, 177, 177); font-family: =
'Trebuchet MS'; white-space: pre; "><a =
href=3D"http://www.ustream.tv/recorded/1750848">http://www.ustream.tv/reco=
rded/1750848</a>   .&nbsp;</span><div><font class=3D"Apple-style-span" =
face=3D"'Trebuchet MS'" color=3D"#b3b1b1"><span class=3D"Apple-style-span"=
 style=3D"white-space: pre; "><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"'Trebuchet MS'"><span =
class=3D"Apple-style-span" style=3D"white-space: pre; ">This was my =
Sunday Morning at   11 series Friday at 10 so to speak! This was total =
stripped down acoustic   guitar and oud improvisations, no looping this =
time other than my natural   repetition. The audio has distortion early =
on but I later backed away from the   mic and it =
improved.</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"'Trebuchet MS'"><span class=3D"Apple-style-span" =
style=3D"white-space: pre; "><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"'Trebuchet MS'"><span =
class=3D"Apple-style-span" style=3D"white-space: pre; ">Have a great 4th =
and weekend   folks.</span></font></div><div><font =
class=3D"Apple-style-span" face=3D"'Trebuchet MS'"><span =
class=3D"Apple-style-span" style=3D"white-space: pre; =
"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"'Trebuchet MS'"><span class=3D"Apple-style-span" =
style=3D"white-space: pre; ">Jim</span></font></div><div><font =
class=3D"Apple-style-span" face=3D"'Trebuchet MS'"><span =
class=3D"Apple-style-span" style=3D"white-space: pre; =
"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"'Trebuchet MS'"><span class=3D"Apple-style-span" =
style=3D"white-space: pre; "><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"'Trebuchet MS'" color=3D"#b3b1b1"><span=
 class=3D"Apple-style-span" style=3D"white-space: pre; "><br =
clear=3D"all"></span></font><br>--<span =
class=3D"Apple-converted-space">&nbsp;</span><br>ReUse, an introspective =
textural aural journey coming soon...<br><br>music links...<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br><a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmu=
sic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapa=
intingmusic</a><br><a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jim=
goodinviolinelectro</a><br><a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br><=
a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmu=
sic</a><br><br>video work/editing...<br><a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigi=
tal</a><br><br>social networking...<br><a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmu=
sic</a><br><br></div></blockquote></span></blockquote></div><br></div></bo=
dy></html>=

--Apple-Mail-4--56432851--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: GigSpam: UStream
Date: Sat, 4 Jul 2009 07:03:09 +0100
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Hey Guys

Will be ustreaming tomorrow at 8pm BST at http://www.ustream.tv/ 
channel/Matt-Stevens-From-The-Box-Room - hope to see you there

Take it easy

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com






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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hey Guys<div><br></div><div>Will be ustreaming tomorrow at 8pm BST =
at&nbsp;<a =
href=3D"http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room">http=
://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room</a> - hope to =
see you there</div><div><br></div><div>Take it easy</div><div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> =
</div><br><div><div><br></div></div></div></body></html>=

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 <9e0440a60907030904j4f809ddaie69be3c051890346@mail.gmail.com>
Date: Sat, 4 Jul 2009 15:09:10 +0900
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At 12:04 PM -0400 7/3/09, Jim Goodin wrote:
>I tend to not like Firefox but I'm a bit strange by many.

Not so here: I don't think you're strange at all.  I erased that 
thing from all my systems almost two years ago, and have rarely 
missed it.  I thought it was great, when it was first released -- 
lean, fast, and functional.  But it quickly became an unmanageable 
piece of bloatware.  Screw that noise.  If I wanna put up with 
bloatware, I'll go install Microsoft Office.  :P

I'm not really the biggest fan of Safari, either, but at least I 
don't wince when I use it.  Nowadays, it's usually either Opera 
(occasional formatting quirkiness though) or Camino.

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 06:31:36 2009
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Subject: Re: OT: Native Instruments deal
From: Mark Sottilaro <zerocrossing@gmail.com>
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I'm in full agreement with you Per.  People get all up in arms about
the dreaded dongle, and I have to admit I was a little put off at
first, but now I have in iLok and a Syncrosoft dongle and it's so nice
to be able to reinstall something and it just works with no fuss. I
wish I had the choice to use it with all my software.

But Native Instruments has a call/response system that uses a little
app to make it all happen.  Once it hiccuped when I think their server
was down for maintenance but that was the only problem I've had with
it and it was short lived.

On Fri, Jul 3, 2009 at 10:09 AM, Per Boysen<perboysen@gmail.com> wrote:
> On Fri, Jul 3, 2009 at 5:47 PM, Andy Schoen<larjschoen3@mac.com> wrote:
>> Hey there, isn't this software dongle based? =A0Don't you need a dongle =
to
>> operate it? =A0I fear the almighty dongle!
>> Andy
>
> No. Native Instruments authorizes your computer.
>
> I rather prefer "dongle" though. I've recently started using an iLok
> to keep my licenses safe and be able to quickly install everything on
> any new laptop I may be forced to switch to by accident. The insurance
> for the option to get a replacement iLok right away from any music
> store "on the road" is only $30 a year.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 11:18:59 2009
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Subject: Re: GigSpam: recording posted of this evening's ustream
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--001636c5a57b6af613046ddf703e
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Matt no biggie it was very short notice, just had a wild hare that it was
time to broadcast...  so your's is 8pm your time?

--001636c5a57b6af613046ddf703e
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Matt no biggie it was very short notice, just had a wild hare that it was t=
ime to broadcast... =A0so your&#39;s is 8pm your time?<br><br>

--001636c5a57b6af613046ddf703e--

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 13:33:50 2009
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Date: Sat, 04 Jul 2009 09:33:34 -0400
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http://wdiy.org/programs/gt/playlists/2009/090702.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #639                July 2, 2009.

RECAP:
On this show, I started a month-long focus on the Jeffrey Koepper.  The
Featured CD at Midnight was Etherea on Air Space Records.

Jeffrey Koepper:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jul


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Jerome Froese        The Speed of Snow    The Speed of Snow (Ricochet
                                            Dream)
Chris Bocast and     To Cross the Sea of  Strategem (Divergent Arts)
  MJCatalin            Clouds
Dan Pound            Birth of a Planet    Living Planet (Pound Sounds)
Saul Stokes          Stories Reflect In   Metacollage (none)
                       Those Eyes
Mac Mavis            Islander             Report From the Lake (Faria)
Jeffrey Koepper      Between Dreams       Etherea (Air Space)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Jeffrey Koepper      Distant Light        Etherea (Air Space)
Jeffrey Koepper      Timeless             Etherea (Air Space)
Jeffrey Koepper      Ancient Sunlight     Etherea (Air Space)
Jeffrey Koepper      Spiraling            Etherea (Air Space)
Jeffrey Koepper      Silent Age           Etherea (Air Space)
Jeffrey Koepper      Passages             Etherea (Air Space)
Jeffrey Koepper      Moments In Time      Etherea (Air Space)
Jeffrey Koepper      Twilight             Etherea (Air Space)
Jeffrey Koepper      While We Sleep       Etherea (Air Space)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Jeffrey Koepper.  The Featured CD at Midnight will be Momentium on Air
Space Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Sgt@23.com  Sat Jul  4 15:43:13 2009
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Date: Sat, 4 Jul 2009 08:12:44 +0800 (MYT)
Subject: Good day Dear Friend
From: "Sgt.Gregg McDonalds" <Sgt@23.com>
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Good day Dear Friend,



My name is Sgt.Gregg McDonalds, an American soldier with 3rd infantry
Division serving in Iraq . With a very desperate need for assistance, I
have summed up courage to contact you, I found your contact particulars in
an address journal and I’m seeking your kind assistance to move the sum of
($ 16 million U.S. dollars) Sixteen million United States dollars to you,
as far as I can be rest assured that my own share will be safe in your
custody until I complete my service here.



It’s not a stolen money, some huge amount of money in various currencies
was discovered in barrels at a farmhouse near one of Saddam’s old palaces
in Tikrit-Iraq during a rescue operation and it was agreed by Sgt Kenneth
buff and I that some part of this money be shared among both of us before
informing anybody about it since both of us saw the money first, we knew
that it’s an illegal act but I tell you what? No compensation can make up
for the risk we have taken with our lives in this hell hole. Of which my
brother in-law was killed by a road side bomb last week. You will find the
story of this money on the web address below:

http://news.bbc.co.uk/2/hi/middle_east/2988455.stm the above figure was
given to me as my share and to conceal it became a problem for me, so with
the help of a British contact working here and his Office enjoy some
immunity, I was able to get the package out to a safe location. He does
not know the real contents of the package hence I told him that it was a
family valuables belonging to an American medical doctor who died in a
raid here in Iraq .



Note: every necessary arrangement has been perfected well for the smooth
delivery of the package to you with the help of a Diplomat who is working
here with the US Marine. Please it’s not a must that you should assist me
in this transaction but if you are willing and sincere to help me secure
the fund, be rest assured that this transaction is 100% risk free and it
does not contradict the laws of any country.



One passionate appeal I will make to you is not to discuss this matter
with anybody, should you have reasons to reject this offer, please and
please destroy this message as any leakage of this information will be too
bad for us soldier’s here in Iraq. I do not know how long we will remain
here but am planning to quit the army immediately after you have secured
the fund so that I can enjoy my life like every other normal people.

Please kindly contact me on this email: sgt.gregg1@sify.com  for Security
purpose and for lack of indigenous network coverage.

Also I want you to indicate clearly how many percent you will take from
the entire fund as your commission for work well done.



Regards,
Sgt.Gregg McDonalds


Abul Uruj, Baghdad , Iraq

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 19:00:28 2009
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Subject: volume frustration
Date: Sat, 4 Jul 2009 21:00:23 +0200
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This is probably a stupid question but at the moment I'm not sure where to
look.

I have this Soloette classical guitar with headphones output. When I plug my
headphones into the guitar, the sound is very bright and loud. But it is
also completely dry. So I plugged it into my Verbzilla to add a bit of
reverb. It works ok as a stompbox under regular circumstances but when I
plug my (stereo) headphones into the (mono) output of the Verbzilla (or the
DL-4, this is true probably for other stompboxes too), the volume is only
half of what it used to be.

I'm not sure why this happens. Is it due to my dabbling with the stereo/mono
adapters that I use? What would be the optimal way to transfer the two
separate 1/4" jack outputs from the Verbzilla to the one stereo headphone
jack of the headphone? without any loose contact problems? 

Or <gasp> is it the stompbox itself that reduces the volume?

-Michael

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 19:35:04 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
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Subject: Re: volume frustration
Date: Sat, 4 Jul 2009 15:35:02 -0400
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Hey Michael,

The Verzilla is a mono box? Anyway not sure but you might try backing the 
headphone jack out a detent for mono. The best way would be to use a little 
mixer though.

peace,

Jeff

----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 04, 2009 3:00 PM
Subject: volume frustration


> This is probably a stupid question but at the moment I'm not sure where to
> look.
>
> I have this Soloette classical guitar with headphones output. When I plug 
> my
> headphones into the guitar, the sound is very bright and loud. But it is
> also completely dry. So I plugged it into my Verbzilla to add a bit of
> reverb. It works ok as a stompbox under regular circumstances but when I
> plug my (stereo) headphones into the (mono) output of the Verbzilla (or 
> the
> DL-4, this is true probably for other stompboxes too), the volume is only
> half of what it used to be.
>
> I'm not sure why this happens. Is it due to my dabbling with the 
> stereo/mono
> adapters that I use? What would be the optimal way to transfer the two
> separate 1/4" jack outputs from the Verbzilla to the one stereo headphone
> jack of the headphone? without any loose contact problems?
>
> Or <gasp> is it the stompbox itself that reduces the volume?
>
> -Michael
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 19:37:59 2009
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Date: Sat, 4 Jul 2009 19:37:57 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: MY NEW TOY
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i recently got this one:=0Ahttp://www.duesenberg.de/duesenberg/en_news_laps=
teel.php=0A=0Alove it, but is a beast if using the benders they will keep y=
ou busy and out of trouble for a long time!=0A=0Awww.myspace.com/luisangulo=
com=0A=0A=0A--- richard sales <richard@glasswing.com> schrieb am Do, 2.7.20=
09:=0A=0A> Von: richard sales <richard@glasswing.com>=0A> Betreff: Re: MY N=
EW TOY=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: Donnerstag, 2=
. Juli 2009, 19:21=0A> I haven't played one, but=0A> Robert Randolph, who i=
s sort of the Jimi Hendrix of lap=0A> steel, plays one of these:=C2=A0=0A> =
http://www.harmosmusic.com/SG/indexSG.htm=0A> (Check out Robert's samples o=
nline.=0A> =C2=A0It's dazzling!)=0A> Looks like the Golden Gate Bridge, but=
 the=0A> online samples sound pretty cool. =C2=A0It's cheaper=0A> than an A=
sher EH... but I still want an Asher.=0A> =C2=A0=0A> Still working up the c=
hops (with the old Supro)=0A> to warrant spending the dough on a Harmos / A=
sher. =C2=A0The=0A> sample by Steinar Gregertsen playing God Only Knows on =
the=0A> Asher Electro Hawaiian is one of the best lap steel SOUNDS=0A> I've=
 ever heard. =C2=A0He did it with plug=0A> ins!=0A> Almost finished the rec=
ord I'm working on (4=0A> months and counting!). =C2=A0Hope to have some ha=
ppy news on=0A> that front in the next month or two.=C2=A0=0A> En Shallah! =
Knock on wood!=0A> I check in with you all frequently and always=0A> very m=
uch enjoy reading your posts. =C2=A0=0A> your fan=0A> richard saleswww.glas=
swing.comwww.richardsales.comwww.hayleysales.com=0A> =0A> On Jul 2, 2009,=
=0A> at 8:01 AM, William Walker wrote:=0A> The=0A> Asher Jr is $759.00 list=
=C2=A0http://www.asherguitars.com/lap_steel_electro_h_jr.php,=0A> =C2=A0but=
 its more like a standard 25 foot scale length=C2=A0J. I=0A> bought one fro=
m Bill Asher , and sold it to a friend (=0A> already have one of these,http=
://www.asherguitars.com/lap_steel_electro_hawaiian.php=C2=A0=C2=A0though mi=
ne=0A> has nickel covered lollar pickups )=0A> .The=0A> Electro Hawaiian =
=C2=A0Jr, is =C2=A0IMHO the best lap steel=0A> on the market under $1000 bu=
t its certainly not petite.=0A> =C2=A0I=E2=80=99ve been trying to convince =
Asher to design a new=0A> model that is more of a travel size instrument li=
ke a Supro=0A> or my Fender champion with a 22 Inch scale length. I=E2=80=
=99ll=0A> keep working on him.=C2=A0Bill=0A> =C2=A0From:=C2=A0E Gross [mail=
to:slapbandjam@yahoo.com]=C2=A0=0A> Sent:=C2=A0Thursday, July=0A> 02, 2009 =
7:18 AM=0A> To:=C2=A0billwalker@baymoon.com=0A> Subject:=C2=A0Re: MY NEW=0A=
> TOY=0A> =C2=A0Wow, a 22 foot scale lap steel --=0A> post a video!;)=C2=A0=
Actually, all kidding aside, I would=0A> like to=C2=A0buy/make another lap =
steel, I have an old Supro=0A> but would like to get something with humbuck=
ers. At an=0A> affordable price, which rules out the Bill Asher model that=
=0A> Ben Harper uses....any=0A> suggestions?=C2=A0Thanks,=C2=A0Eric =C2=A0F=
rom:=C2=A0William Walker=0A> <billwalker@baymoon.com=0A> >=0A> To:=C2=A0and=
y butler=0A> <akbutler@tiscali.co.uk>;=C2=A0Loopers-Delight@loopers-delight=
.com=0A> Sent:=C2=A0Thursday, July 2,=0A> 2009 1:28:41 AM=0A> Subject:=C2=
=A0RE: MY NEW TOY=0A> =0A> Bingo! Andy makes a good point, if you used just=
 one amp=0A> simulator, say=0A> something like a sans amp, and you place it=
 before the M-13=0A> or some where=0A> near the start of the chain using th=
e M-13's effects=0A> loop. You could achieve=0A> the missing link you are l=
ooking for without sacrificing=0A> the beloved stereo=0A> imaging of the ef=
fects. I haven't checked my computer=0A> in a week which is why=0A> I'm com=
ing to this conversation so late. I've been=0A> in=C2=A0 West=0A> Virginia =
, of all=0A> places, visiting relatives of relatives. I brought my=0A> 22' =
scale lap steel=0A> and borrowed Rick's Vox DA-5 and took a line 6 dl-4 to=
=0A> keep myself amused.=0A> Actually, if you think about it, A DA-5 could =
make a pretty=0A> cool first stage=0A> as it has a line/phone out that you =
could feed the M-13 in=0A> either mono or=0A> stereo. If you don't have an =
issue with the=0A> "feel" of modeling amps, I'd=0A> give either solution a =
try.=0A> Bill=0A> =0A> =0A> tEd R KiLLiAn wrote:=0A> > Yeah, it's really to=
o bad that there's no also=0A> a single-device solution=C2=A0=0A> > for a s=
tereo amp simulator to go along with this=0A> device.=0A> >=C2=A0=0A> =0A> =
Well, I obviuosly you know best what you need to=0A> achieve...but...=0A> =
=0A> Rather than put two amp sims after the fx, surely it=0A> would=C2=A0=
=0A> be neater to put one amp sim between guitar and fx.=0A> =0A> That give=
s you more options for combining sounds, and=0A> doesn't=0A> mush up the la=
yers together.=0A> =0A> andy=0A> =C2=A0=0A> =0A> =0A> =0A> =0A>  =0A> =0A=
=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 19:39:21 2009
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Date: Sat, 4 Jul 2009 19:39:20 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: pool.loop  vs.  loop.pool
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i think i might be getting a gig there soon:-)=0A=0A=0Awww.myspace.com/luis=
angulocom=0A=0A=0A--- Bob Amstadt <bob@amstadt.com> schrieb am Do, 2.7.2009=
:=0A=0A> Von: Bob Amstadt <bob@amstadt.com>=0A> Betreff: Re: pool.loop  vs.=
  loop.pool=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: Donnerst=
ag, 2. Juli 2009, 19:20=0A> Seems to me that you'll have to have=0A> the ne=
xt looping festival in a pool. =0A> :-)=0A> =0A> > I guess I just got it ba=
ckwards, though.......=0A> >=0A> > An event called Pool Loop in Zurich.=0A>=
 =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 19:46:01 2009
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From: "Steve Moyes" <stephenmoyes@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
References: <9e0440a60907031854p3a87d688yf57e595abb2f68b6@mail.gmail.com> <3C03B630-BB12-418B-9350-A2396A00DF6F@btinternet.com>
Subject: Yet more Ustream Gigspam
Date: Sat, 4 Jul 2009 20:46:06 +0100
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Hello dear loopists,

As promised/threatened I'm doing another in my series of live broadcasts =
on Ustream tomorrow. Not sure if I'll play cello or guitar yet, but i =
dare say looping wil be involved.

It would be great if you could join me. Don't forget to watch Jim and =
Matt too!

Live audio and video streaming on Ustream
Sunday 5 July 5:30 pm (UK time)
 International times here http://tinyurl.com/ku528p
Solo improvisations
http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain

Steve


www.stevemoyes.org.uk
www.creativemusic.org.uk
www.twitter.com/SteveMoyes
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</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV align=3Dleft>Hello dear loopists,</DIV>
<DIV align=3Dleft>&nbsp;</DIV>
<DIV align=3Dleft>As promised/threatened I'm doing another in my series =
of live=20
broadcasts on Ustream tomorrow. Not sure if I'll play cello or guitar =
yet, but i=20
dare say looping wil be involved.</DIV>
<DIV align=3Dleft>&nbsp;</DIV>
<DIV align=3Dleft>It would be great if you could join me. Don't forget =
to watch=20
Jim and Matt too!</DIV>
<DIV align=3Dcenter>&nbsp;</DIV>
<DIV align=3Dcenter>Live audio and video streaming on Ustream<BR>Sunday =
5 July=20
5:30 pm (UK time)<BR><FONT class=3Dfsx03=20
face=3D"Times New Roman">&nbsp;International times here <A=20
href=3D"http://tinyurl.com/ku528p"><FONT=20
color=3D#000000>http://tinyurl.com/ku528p</FONT></A></FONT></DIV>
<DIV align=3Dcenter><FONT class=3Dfsx07 face=3D"Times New Roman">Solo=20
improvisations</FONT><BR><FONT class=3Dfsx05 face=3D"Times New Roman"=20
color=3D#000000><A=20
href=3D"http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curta=
in">http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain</=
A></FONT></DIV>
<DIV align=3Dcenter>&nbsp;</DIV>
<DIV align=3Dleft>Steve</DIV>
<DIV align=3Dleft>&nbsp;</DIV>
<DIV align=3Dleft><BR><A href=3D"http://www.stevemoyes.org.uk"><FONT=20
size=3D2>www.stevemoyes.org.uk</FONT></A><BR><A=20
href=3D"http://www.creativemusic.org.uk"><FONT=20
size=3D2>www.creativemusic.org.uk</FONT></A><BR><A=20
href=3D"http://www.twitter.com/SteveMoyes"><FONT=20
size=3D2>www.twitter.com/SteveMoyes</FONT></A></DIV></BODY></HTML>

------=_NextPart_000_003E_01C9FCE8.743348A0--


From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 19:56:44 2009
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Subject: Re: Yet more Ustream Gigspam
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Looking forward Steve, thanks for coming by today.

peace,

Jeff

  ----- Original Message -----=20
  From: Steve Moyes=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 04, 2009 3:46 PM
  Subject: Yet more Ustream Gigspam


  Hello dear loopists,

  As promised/threatened I'm doing another in my series of live =
broadcasts on Ustream tomorrow. Not sure if I'll play cello or guitar =
yet, but i dare say looping wil be involved.

  It would be great if you could join me. Don't forget to watch Jim and =
Matt too!

  Live audio and video streaming on Ustream
  Sunday 5 July 5:30 pm (UK time)
   International times here http://tinyurl.com/ku528p
  Solo improvisations
  http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain

  Steve


  www.stevemoyes.org.uk
  www.creativemusic.org.uk
  www.twitter.com/SteveMoyes
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<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Looking forward Steve, thanks for =
coming by=20
today.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>peace,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dstephenmoyes@blueyonder.co.uk=20
  href=3D"mailto:stephenmoyes@blueyonder.co.uk">Steve Moyes</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 04, 2009 =
3:46=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Yet more Ustream =
Gigspam</DIV>
  <DIV><BR></DIV>
  <DIV align=3Dleft>Hello dear loopists,</DIV>
  <DIV align=3Dleft>&nbsp;</DIV>
  <DIV align=3Dleft>As promised/threatened I'm doing another in my =
series of live=20
  broadcasts on Ustream tomorrow. Not sure if I'll play cello or guitar =
yet, but=20
  i dare say looping wil be involved.</DIV>
  <DIV align=3Dleft>&nbsp;</DIV>
  <DIV align=3Dleft>It would be great if you could join me. Don't forget =
to watch=20
  Jim and Matt too!</DIV>
  <DIV align=3Dcenter>&nbsp;</DIV>
  <DIV align=3Dcenter>Live audio and video streaming on =
Ustream<BR>Sunday 5 July=20
  5:30 pm (UK time)<BR><FONT class=3Dfsx03=20
  face=3D"Times New Roman">&nbsp;International times here <A=20
  href=3D"http://tinyurl.com/ku528p"><FONT=20
  color=3D#000000>http://tinyurl.com/ku528p</FONT></A></FONT></DIV>
  <DIV align=3Dcenter><FONT class=3Dfsx07 face=3D"Times New Roman">Solo=20
  improvisations</FONT><BR><FONT class=3Dfsx05 face=3D"Times New Roman"=20
  color=3D#000000><A=20
  =
href=3D"http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curta=
in">http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain</=
A></FONT></DIV>
  <DIV align=3Dcenter>&nbsp;</DIV>
  <DIV align=3Dleft>Steve</DIV>
  <DIV align=3Dleft>&nbsp;</DIV>
  <DIV align=3Dleft><BR><A href=3D"http://www.stevemoyes.org.uk"><FONT=20
  size=3D2>www.stevemoyes.org.uk</FONT></A><BR><A=20
  href=3D"http://www.creativemusic.org.uk"><FONT=20
  size=3D2>www.creativemusic.org.uk</FONT></A><BR><A=20
  href=3D"http://www.twitter.com/SteveMoyes"><FONT=20
  =
size=3D2>www.twitter.com/SteveMoyes</FONT></A></DIV></BLOCKQUOTE></BODY><=
/HTML>

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	 <3C03B630-BB12-418B-9350-A2396A00DF6F@btinternet.com>
Date: Sat, 4 Jul 2009 16:00:16 -0400
Message-ID: <9e0440a60907041300h4127fcd0w2ebd0057da538cae@mail.gmail.com>
Subject: Re: GigSpam: UStream
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Matt I think I'm in luck just thought I just missed you but it's tomorrow as
in Sunday no?

On Sat, Jul 4, 2009 at 2:03 AM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Hey Guys
> Will be ustreaming tomorrow at 8pm BST at
> http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room - hope to see
> you there
>
> Take it easy
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

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Matt I think I&#39;m in luck just thought I just missed you but it&#39;s to=
morrow as in Sunday no?<br><br><div class=3D"gmail_quote">On Sat, Jul 4, 20=
09 at 2:03 AM, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:mattste=
vensguitar@btinternet.com">mattstevensguitar@btinternet.com</a>&gt;</span> =
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">
Hey Guys<div><br></div><div>Will be ustreaming tomorrow at 8pm BST at=A0<a =
href=3D"http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room" targe=
t=3D"_blank">http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room</=
a> - hope to see you there</div>
<div><br></div><div>Take it easy</div><div><br><font color=3D"#888888"><div=
> <span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:He=
lvetica;font-size:12px;font-style:normal;font-variant:normal;font-weight:no=
rmal;letter-spacing:normal;line-height:normal;text-align:auto;text-indent:0=
px;text-transform:none;white-space:normal;word-spacing:0px"><span style=3D"=
border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font-size=
:12px;font-style:normal;font-variant:normal;font-weight:normal;letter-spaci=
ng:normal;line-height:normal;text-indent:0px;text-transform:none;white-spac=
e:normal;word-spacing:0px"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div><br><div><div><br></div></div><=
/font></div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse=
, an introspective textural aural journey coming soon...<br><br>music links=
...<br>
<a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><b=
r><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgood=
inmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

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	 <004101c9fce0$1299c130$cb04c150@yourc9d9764718>
	 <000a01c9fce1$8dd111e0$85822245@YOUR08D5303051>
Date: Sat, 4 Jul 2009 16:02:42 -0400
Message-ID: <9e0440a60907041302o3f1d3ef5u2e34f2aecd92cf6a@mail.gmail.com>
Subject: Re: Yet more Ustream Gigspam
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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arg Jeff did you play today?  I thought you canceled today.  If so I am real
sorry, if you did is the clip posted on
ustream?  I will try to catch Steve and Matt tomorrow I just thought I
missed Matt, man what a long strange trip it seems I've been on....

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arg Jeff did you play today? =A0I thought you canceled today. =A0If so I am=
 real sorry, if you did is the clip posted on ustream?=A0=A0I=A0will=A0try=
=A0to=A0catch=A0Steve=A0and=A0Matt=A0tomorrow=A0I=A0just=A0thought=A0I=A0mi=
ssed=A0Matt,=A0man=A0what=A0a=A0long=A0strange=A0trip=A0it=A0seems=A0I&#39;=
ve=A0been=A0on....<br>


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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Yet more Ustream Gigspam
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I'll be watching - Jim what time are you on man?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 4 Jul 2009, at 20:46, Steve Moyes wrote:

> Hello dear loopists,
>
> As promised/threatened I'm doing another in my series of live  
> broadcasts on Ustream tomorrow. Not sure if I'll play cello or  
> guitar yet, but i dare say looping wil be involved.
>
> It would be great if you could join me. Don't forget to watch Jim  
> and Matt too!
>
> Live audio and video streaming on Ustream
> Sunday 5 July 5:30 pm (UK time)
>  International times here http://tinyurl.com/ku528p
> Solo improvisations
> http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain
>
> Steve
>
>
> www.stevemoyes.org.uk
> www.creativemusic.org.uk
> www.twitter.com/SteveMoyes


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I'll be watching - Jim what time are you on man?<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 4 Jul 2009, =
at 20:46, Steve Moyes wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div align=3D"left">Hello dear =
loopists,</div><div align=3D"left">&nbsp;</div><div align=3D"left">As =
promised/threatened I'm doing another in my series of live broadcasts on =
Ustream tomorrow. Not sure if I'll play cello or guitar yet, but i dare =
say looping wil be involved.</div><div align=3D"left">&nbsp;</div><div =
align=3D"left">It would be great if you could join me. Don't forget to =
watch Jim and Matt too!</div><div align=3D"center">&nbsp;</div><div =
align=3D"center">Live audio and video streaming on Ustream<br>Sunday 5 =
July 5:30 pm (UK time)<br><font class=3D"fsx03" face=3D"Times New =
Roman">&nbsp;International times here<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://tinyurl.com/ku528p"><font =
color=3D"#000000">http://tinyurl.com/ku528p</font></a></font></div><div =
align=3D"center"><font class=3D"fsx07" face=3D"Times New Roman">Solo =
improvisations</font><br><font class=3D"fsx05" face=3D"Times New Roman" =
color=3D"#000000"><a =
href=3D"http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtai=
n">http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain</a>=
</font></div><div align=3D"center">&nbsp;</div><div =
align=3D"left">Steve</div><div align=3D"left">&nbsp;</div><div =
align=3D"left"><br><a href=3D"http://www.stevemoyes.org.uk"><font =
size=3D"2">www.stevemoyes.org.uk</font></a><br><a =
href=3D"http://www.creativemusic.org.uk"><font =
size=3D"2">www.creativemusic.org.uk</font></a><br><a =
href=3D"http://www.twitter.com/SteveMoyes"><font =
size=3D"2">www.twitter.com/SteveMoyes</font></a></div></span></blockquote>=
</div><br></div></body></html>=

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	 <6422D8AD-AC4B-4EC8-A537-10EC2805E908@btinternet.com>
Date: Sat, 4 Jul 2009 16:24:02 -0400
Message-ID: <9e0440a60907041324w2b7b4c5ev4849c14bc93ea0eb@mail.gmail.com>
Subject: Re: Yet more Ustream Gigspam
From: Jim Goodin <jimgoodinmusic@gmail.com>
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I'm not unless I do another spur of the moment as I did last night which was
a lark.  I'll see what my  pulse is in the AM but right now last night was
my show for now but for now hide and watch as Ted said.  I will plan to
catch you and Steve tomorrow Matt.
J

On Sat, Jul 4, 2009 at 4:20 PM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> I'll be watching - Jim what time are you on man?
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 4 Jul 2009, at 20:46, Steve Moyes wrote:
>
> Hello dear loopists,
>
> As promised/threatened I'm doing another in my series of live broadcasts on
> Ustream tomorrow. Not sure if I'll play cello or guitar yet, but i dare say
> looping wil be involved.
>
> It would be great if you could join me. Don't forget to watch Jim and Matt
> too!
>
> Live audio and video streaming on Ustream
> Sunday 5 July 5:30 pm (UK time)
>  International times here http://tinyurl.com/ku528p
> Solo improvisations
> http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain
>
> Steve
>
>
> www.stevemoyes.org.uk
> www.creativemusic.org.uk
> www.twitter.com/SteveMoyes
>
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a57bbfdded046de70da9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I&#39;m not unless I do another spur of the moment as I did last night whic=
h was a lark. =A0I&#39;ll see what my =A0pulse is in the AM but right now l=
ast night was my show for now but for now hide and watch as Ted said. =A0I =
will plan to catch you and Steve tomorrow Matt.<div>
<br></div><div>J<br><br><div class=3D"gmail_quote">On Sat, Jul 4, 2009 at 4=
:20 PM, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensgui=
tar@btinternet.com">mattstevensguitar@btinternet.com</a>&gt;</span> wrote:<=
br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">
I&#39;ll be watching - Jim what time are you on man?<div><br><font color=3D=
"#888888"><div> <span style=3D"border-collapse:separate;color:rgb(0, 0, 0);=
font-family:Helvetica;font-size:12px;font-style:normal;font-variant:normal;=
font-weight:normal;letter-spacing:normal;line-height:normal;text-align:auto=
;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px"><=
span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helve=
tica;font-size:12px;font-style:normal;font-variant:normal;font-weight:norma=
l;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:n=
one;white-space:normal;word-spacing:0px"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div></font><div class=3D"im"><br><d=
iv><div>On 4 Jul 2009, at 20:46, Steve Moyes wrote:</div><br><blockquote ty=
pe=3D"cite"><span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font=
-family:Helvetica;font-size:medium;font-style:normal;font-variant:normal;fo=
nt-weight:normal;letter-spacing:normal;line-height:normal;text-align:auto;t=
ext-indent:0px;text-transform:none;white-space:normal;word-spacing:0px"><di=
v align=3D"left">
Hello dear loopists,</div><div align=3D"left">=A0</div><div align=3D"left">=
As promised/threatened I&#39;m doing another in my series of live broadcast=
s on Ustream tomorrow. Not sure if I&#39;ll play cello or guitar yet, but i=
 dare say looping wil be involved.</div>
<div align=3D"left">=A0</div><div align=3D"left">It would be great if you c=
ould join me. Don&#39;t forget to watch Jim and Matt too!</div><div align=
=3D"center">=A0</div><div align=3D"center">Live audio and video streaming o=
n Ustream<br>
Sunday 5 July 5:30 pm (UK time)<br><font face=3D"Times New Roman">=A0Intern=
ational times here<span>=A0</span><a href=3D"http://tinyurl.com/ku528p" tar=
get=3D"_blank"><font color=3D"#000000">http://tinyurl.com/ku528p</font></a>=
</font></div>
<div align=3D"center"><font face=3D"Times New Roman">Solo improvisations</f=
ont><br><font face=3D"Times New Roman" color=3D"#000000"><a href=3D"http://=
www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain" target=3D"_bl=
ank">http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain</a=
></font></div>
<div align=3D"center">=A0</div><div align=3D"left">Steve</div><div align=3D=
"left">=A0</div><div align=3D"left"><br><a href=3D"http://www.stevemoyes.or=
g.uk" target=3D"_blank"><font size=3D"2">www.stevemoyes.org.uk</font></a><b=
r><a href=3D"http://www.creativemusic.org.uk" target=3D"_blank"><font size=
=3D"2">www.creativemusic.org.uk</font></a><br>
<a href=3D"http://www.twitter.com/SteveMoyes" target=3D"_blank"><font size=
=3D"2">www.twitter.com/SteveMoyes</font></a></div></span></blockquote></div=
><br></div></div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>=
ReUse, an introspective textural aural journey coming soon...<br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">w=
ww.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>
</div>

--001636c5a57bbfdded046de70da9--

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 20:42:08 2009
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From: "Steve Moyes" <stephenmoyes@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
References: <9e0440a60907031854p3a87d688yf57e595abb2f68b6@mail.gmail.com> <3C03B630-BB12-418B-9350-A2396A00DF6F@btinternet.com> <004101c9fce0$1299c130$cb04c150@yourc9d9764718> <6422D8AD-AC4B-4EC8-A537-10EC2805E908@btinternet.com> <9e0440a60907041324w2b7b4c5ev4849c14bc93ea0eb@mail.gmail.com>
Subject: Re: Yet more Ustream Gigspam
Date: Sat, 4 Jul 2009 21:42:13 +0100
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Ah, I hadn't realised that last night's was instead of tomorrow. I =
thought it was an extra bonus! It was very beautiful all the same.

Steve
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 04, 2009 9:24 PM
  Subject: Re: Yet more Ustream Gigspam


  I'm not unless I do another spur of the moment as I did last night =
which was a lark.  I'll see what my  pulse is in the AM but right now =
last night was my show for now but for now hide and watch as Ted said.  =
I will plan to catch you and Steve tomorrow Matt.


  J
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3562" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Ah, I hadn't realised that last night's was instead of tomorrow. I =
thought=20
it was an extra bonus! It was very beautiful all the same.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Steve</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 04, 2009 =
9:24=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Yet more Ustream=20
  Gigspam</DIV>
  <DIV><BR></DIV>I'm not unless I do another spur of the moment as I did =
last=20
  night which was a lark. &nbsp;I'll see what my &nbsp;pulse is in the =
AM but=20
  right now last night was my show for now but for now hide and watch as =
Ted=20
  said. &nbsp;I will plan to catch you and Steve tomorrow Matt.
  <DIV><BR></DIV>
  <DIV>J</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_004A_01C9FCF0.4AF30180--


From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 21:03:49 2009
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Date: Sat, 4 Jul 2009 23:03:48 +0200
Message-ID: <66f9cc1e0907041403p50523c11qd644f8268fa533df@mail.gmail.com>
Subject: Re: pool.loop vs. loop.pool
From: Per Boysen <perboysen@gmail.com>
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Cool. Can I too have a gig in the pool? I can bring my water proof
laptop and cork saxophone!

per



On Sat, Jul 4, 2009 at 9:39 PM, L.Angulo<labaloops@yahoo.com> wrote:
>
> i think i might be getting a gig there soon:-)
>
>
> www.myspace.com/luisangulocom
>
>
> --- Bob Amstadt <bob@amstadt.com> schrieb am Do, 2.7.2009:
>
>> Von: Bob Amstadt <bob@amstadt.com>
>> Betreff: Re: pool.loop =C2=A0vs. =C2=A0loop.pool
>> An: Loopers-Delight@loopers-delight.com
>> Datum: Donnerstag, 2. Juli 2009, 19:20
>> Seems to me that you'll have to have
>> the next looping festival in a pool.
>> :-)
>>
>> > I guess I just got it backwards, though.......
>> >
>> > An event called Pool Loop in Zurich.
>>
>>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 21:22:41 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: GigSpam: UStream
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Yup!!!!

Apologies for confusion - damn international date line

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 4 Jul 2009, at 21:00, Jim Goodin wrote:

> Matt I think I'm in luck just thought I just missed you but it's  
> tomorrow as in Sunday no?
>
> On Sat, Jul 4, 2009 at 2:03 AM, Matt Stevens  
> <mattstevensguitar@btinternet.com> wrote:
> Hey Guys
>
> Will be ustreaming tomorrow at 8pm BST at http://www.ustream.tv/ 
> channel/Matt-Stevens-From-The-Box-Room - hope to see you there
>
> Take it easy
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>
>
>
> -- 
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


--Apple-Mail-8--104073
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Yup!!!!<div><br></div><div>Apologies for confusion - damn international =
date line</div><div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 4 Jul 2009, =
at 21:00, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Matt I =
think I'm in luck just thought I just missed you but it's tomorrow as in =
Sunday no?<br><br><div class=3D"gmail_quote">On Sat, Jul 4, 2009 at 2:03 =
AM, Matt Stevens <span dir=3D"ltr">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;</span> wrote:<br> <blockquote class=3D"gmail_quote" =
style=3D"margin:0 0 0 .8ex;border-left:1px #ccc =
solid;padding-left:1ex;"><div style=3D"word-wrap:break-word"> Hey =
Guys<div><br></div><div>Will be ustreaming tomorrow at 8pm BST =
at&nbsp;<a =
href=3D"http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room" =
target=3D"_blank">http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-=
Room</a> - hope to see you there</div> <div><br></div><div>Take it =
easy</div><div><br><font color=3D"#888888"><div> <span =
style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align=
:auto;text-indent:0px;text-transform:none;white-space:normal;word-spacing:=
0px"><span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-inden=
t:0px;text-transform:none;white-space:normal;word-spacing:0px"><div> =
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> =
<div><br></div></span><br></span><br> =
</div><br><div><div><br></div></div></font></div></div></blockquote></div>=
<br><br clear=3D"all"><br>-- <br>ReUse, an introspective textural aural =
journey coming soon...<br><br>music links...<br> <a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br><a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmu=
sic</a><br> <a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapa=
intingmusic</a><br><a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jim=
goodinviolinelectro</a><br><a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br> =
<a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmu=
sic</a><br><br>video work/editing...<br><a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigi=
tal</a><br><br>social networking...<br> <a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmu=
sic</a><br><br></blockquote></div><br></div></body></html>=

--Apple-Mail-8--104073--

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 21:33:48 2009
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Michael Peters wrote:
> This is probably a stupid question but at the moment I'm not sure where to
> look.
>
> I have this Soloette classical guitar with headphones output. When I plug my
> headphones into the guitar, the sound is very bright and loud. But it is
> also completely dry. So I plugged it into my Verbzilla to add a bit of
> reverb. It works ok as a stompbox under regular circumstances but when I
> plug my (stereo) headphones into the (mono) output of the Verbzilla (or the
> DL-4, this is true probably for other stompboxes too), the volume is only
> half of what it used to be.
>
> I'm not sure why this happens. Is it due to my dabbling with the stereo/mono
> adapters that I use? What would be the optimal way to transfer the two
> separate 1/4" jack outputs from the Verbzilla to the one stereo headphone
> jack of the headphone? without any loose contact problems? 
>
> Or <gasp> is it the stompbox itself that reduces the volume?
>
> -Michael
>
>
>   
Without knowing the input impedance of the headphones, the output 
impedance of the Verbzilla, the current drive capability of the 
Verbzilla, etc. it's hard to tell.    A line output won't drive 
headphones as well as an actual amp designed for the task.  Also, if 
you're sending amono signal directly to both ears of the headphones with 
what is effectively a Y connection, they are now in parallel and 
therefor half the impedance of each ear independently driven.  That is 
itself can lower the volume.  Feed the verb's outputs to a headphone amp 
or mixer having a headphone output.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 22:04:06 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Ustream gig clip up
Date: Sat, 4 Jul 2009 18:04:04 -0400
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Here is a clip from todays "Loopydroneyglitchywacky Presents" gig on my 
Ustream channel. Thanks to all who came out. I don't want to leave anyone 
out so I'll just say you know who you are! :)

http://vimeo.com/5453546

best,

Jeff

"Was that too melodic?"
_ Sonny Sharrock


http://jeffduke.org




From Loopers-Delight-request@loopers-delight.com  Sat Jul  4 23:30:34 2009
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Wow, Luis,

I just went and watched the NAMM demo of that
Pomona 6 Multibender lapsteel you mentioned.   It
looks incredible.   Thanks for mentioning it here.

The multibenders allowing you to shift keys and
the built in rolling capo make it an amazingly versatile instruments

What would such a beast set back a Recession challenged American?

Rick

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 00:10:31 2009
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Hi Michael
I'll answer this the best I can.
As I understand it, there are a few different signal levels used by
different audio equipment, and they each have their place.
* instrument level - guitar instrument output to effect to amplifier
* microphone level -=20
* -10dB line level and  +4dB line level.
PA, mixer, stereo systems, sound reinforcement, computer sound card,
etc.   use line level.
I'm not entirely sure where headphones fit into this, but I know they
need some kind of driver (which must be built into your guitar, but not
the Verbzilla).  At a guess maybe headphone signal level is classed as
line level - anyone who knows better please jump in.

The Verbzilla (I love mine) is an instrument level device intended to be
used with guitars, other guitar effects, preamps and amplifiers. =20
But not really intended to drive your headphones, nor plug straight into
a mixer or PA without some kind of DI or line booster... although you
can get away with it.

Personally I don't use an amplifier with my main rig, instead I either
use line level stereo monitors, or a mixer plugged into whatever sound
reinforcement is appropriate... including it's headphone output.  =20
To get the best out of my chain of stereo effects I had a custom stereo
line booster made to go at the end of the chain.   It provides the
correct line levels giving a clean loud signal for the mixer, monitors,
PA etc.   Before I wised up I plugged my FX chain directly into my
mixer, then I had to turn the faders right up, but this resulted in a
lackluster sound with a lot of background noise, not much fun.

I suggest using the instrument output of your guitar into the Verbzilla
as intended.  Then the Verb's output into a headphone amp or mini amp.
The Dan Electro HoneyTone is a pretty good sounding mono amp given it's
price and size, a few useful controls and has a headphone output.  A few
years ago before I got a mixer and monitors for my rig, I used a pair of
HoneyTones for stereo effects which was kind of fun for a while.

There are pricier more sophistocated headphone amps that would serve you
well, so it's really up to you.

Cheers
-- G.

To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: volume frustration
=46rom: "Michael Peters" <mp@mpeters.de>
Date: Sat, 4 Jul 2009 21:00:23 +0200
>This is probably a stupid question but at the moment I'm not sure where =
to
>look.
>I have this Soloette classical guitar with headphones output. When I =
plug my
>headphones into the guitar, the sound is very bright and loud. But it is
>also completely dry. So I plugged it into my Verbzilla to add a bit of
>reverb. It works ok as a stompbox under regular circumstances but when I
>plug my (stereo) headphones into the (mono) output of the Verbzilla (or =
the
>DL-4, this is true probably for other stompboxes too), the volume is =
only
>half of what it used to be.
>
>I'm not sure why this happens. Is it due to my dabbling with the =
stereo/mono
>adapters that I use? What would be the optimal way to transfer the two
>separate 1/4" jack outputs from the Verbzilla to the one stereo =
headphone
>jack of the headphone? without any loose contact problems?=20
>
>Or <gasp> is it the stompbox itself that reduces the volume?
>
>-Michael

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 01:57:01 2009
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Yeah I saw these.  I think Steiner turned me onto them.  It seems like  
a wise path!

So... add it to the list.

I did check these out before and they're not horribly expensive.   
Can't remember how much.  Let me know what you learn!!!

R

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com


On Jul 4, 2009, at 4:30 PM, Rick Walker wrote:

> Wow, Luis,
>
> I just went and watched the NAMM demo of that
> Pomona 6 Multibender lapsteel you mentioned.   It
> looks incredible.   Thanks for mentioning it here.
>
> The multibenders allowing you to shift keys and
> the built in rolling capo make it an amazingly versatile instruments
>
> What would such a beast set back a Recession challenged American?
>
> Rick
>









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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div>Yeah I saw =
these. &nbsp;I think Steiner turned me onto them. &nbsp;It seems like a =
wise path!<div><br></div><div>So... add it to the =
list.&nbsp;</div><div><br></div><div>I did check these out before and =
they're not horribly expensive. &nbsp;Can't remember how much. &nbsp;Let =
me know what you =
learn!!!</div><div><br></div><div>R</div><div><br></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div><font =
class=3D"Apple-style-span" face=3D"Arial">richard =
sales</font></div><div><font class=3D"Apple-style-span" =
color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div><div><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div></span><div><div>On Jul 4, 2009, at =
4:30 PM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Wow, =
Luis,<br><br>I just went and watched the NAMM demo of that<br>Pomona 6 =
Multibender lapsteel you mentioned. &nbsp;&nbsp;It<br>looks incredible. =
&nbsp;&nbsp;Thanks for mentioning it here.<br><br>The multibenders =
allowing you to shift keys and<br>the built in rolling capo make it an =
amazingly versatile instruments<br><br>What would such a beast set back =
a Recession challenged =
American?<br><br>Rick<br><br></div></blockquote></div><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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Subject: Oberheim Echoplex Footswitch Momentary Switch Replacement Parts?
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    Hi all, I'm new to the list, so forgive me if this has been covered 
ad nauseam...

    I just picked up a used Oberheim Echoplex unit (old White-face 
version with maxed memory and Loop IV Installed). I've finally got the 
unit working after resetting all the socketed IC's (it flickered and 
fluttered and powered up only intermittently at first). The Footswitch 
however has got faulty switches that need to be replaced (tried cleaning 
to no avail).

    My Questions are as follows:

    1) Has anyone got a source for the switches?

    2) I'm wondering if anyone has tried to install something more heavy 
duty than those low-profile momentary switches that come stock on the 
unit? I was considering a big metal plunger style switch (something more 
like what you find on just about every other effects pedal in 
existence). I know such a switch in the "momentary" configuration must 
be available somewhere... Anyone else done a successful switch overhaul 
on one of these babies?

    Any advice is much appreciated.

    Thanks!

    TREVOR.

   

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 03:57:19 2009
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Subject: FW: MY NEW TOY became Lap steels.
Date: Sat, 4 Jul 2009 20:57:14 -0700
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I've played the Pomona and it is really cool, however for shear sound, the
Asher electro Hawaiian, with its chambered mahogany body sounds bigger, more
low end, etc, though I loved the palm bender bars, the over all placement of
the controls is a major disappointment for me. It has this really cool short
throw tone control that allows for quick wah wah type tone swells, but the
control itself is tucked back  behind the bridge in such a way that you
can't get at it quickly and the palm levers are in the way. I don't know why
they couldn't have moved all of the controls further up toward the headstock
making both the volume and tone controls with in reach of the finger tips as
you play? That was a bit curious. The sliding capo is a cool innovation,
though I use one of these, on my laps steel
http://www.stewmac.com/shop/Accessories/Capos,_slides/Beard_Dobro_Capo.html
, and they work well
 Bill

-----Original Message-----
From: Rick Walker [mailto:looppool@cruzio.com] 
Sent: Saturday, July 04, 2009 4:30 PM
To: LOOPERS DELIGHT (posting)
Subject: re: MY NEW TOY

Wow, Luis,

I just went and watched the NAMM demo of that
Pomona 6 Multibender lapsteel you mentioned.   It
looks incredible.   Thanks for mentioning it here.

The multibenders allowing you to shift keys and
the built in rolling capo make it an amazingly versatile instruments

What would such a beast set back a Recession challenged American?

Rick

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 06:21:58 2009
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--001636c5b7c6a8cc35046def5143
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Rick,

The multibenders allowing you to shift keys and
> the built in rolling capo make it an amazingly versatile instruments
>
> What would such a beast set back a Recession challenged American?


You can get the multibender separately from Rockinger for =80219. That's ab=
out
300 USD. Fits any strat or tele style guitar.

See http://www.rockinger.com/index.php?cat=3DWG081&product=3D2405C

Ian

--001636c5b7c6a8cc35046def5143
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

<div class=3D"gmail_quote">Rick,</div><div class=3D"gmail_quote"><br></div>=
<div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margi=
n:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">The multibenders=
 allowing you to shift keys and<br>

the built in rolling capo make it an amazingly versatile instruments<br>
<br>
What would such a beast set back a Recession challenged American?</blockquo=
te><div><br></div><div>You can get t<span class=3D"Apple-style-span" style=
=3D"border-collapse: collapse; ">he</span>=A0multibender separately from Ro=
ckinger for =80219. T<span class=3D"Apple-style-span" style=3D"border-colla=
pse: collapse; ">h<span class=3D"Apple-style-span" style=3D"border-collapse=
: separate; ">at&#39;s about 300 USD. Fits any strat or tele style guitar.<=
/span></span></div>
<div><br></div><div>See=A0<a href=3D"http://www.rockinger.com/index.php?cat=
=3DWG081&amp;product=3D2405C">http://www.rockinger.com/index.php?cat=3DWG08=
1&amp;product=3D2405C</a></div></div><br><div>Ian</div>

--001636c5b7c6a8cc35046def5143--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 09:46:35 2009
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Subject: RE: volume frustration
Date: Sun, 5 Jul 2009 11:46:30 +0200
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> The Verzilla is a mono box? 

no no, it has two 1/4" in and two out

-Michael

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G wrote:

>   At a guess maybe headphone signal level is classed as
> line level - anyone who knows better please jump in.
> 

Well, it *is* possible to make an output that will both work
at line level and also drive a set of head-phones.
...but usually a line level output just can't supply
the power to drive the phones.

Not surprising if you consider that headphones are just
small speakers.

A lot of cheap devices use have a headphone socket that
doubles as line out...can be a source of low quality signal.

It's also possible, like in the old Lexicon JamMan to have
a hi-fi line level out that will work with phones,
but if a device doesn't claim to drive headphones it's
very unlikely that it will.


andy

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> I suggest using the instrument output of your guitar into the Verbzilla as
intended.  Then the Verb's output into a headphone amp or mini amp. The Dan
Electro HoneyTone is a pretty good sounding mono amp given it's price and
size, a few useful controls and has a headphone output.  

looks good. I ordered one :-)  thanks for the suggestion!

-Michael


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Trevor Van Eyck wrote:
> 
>    Hi all, I'm new to the list, so forgive me if this has been covered 
> ad nauseam...
> 
>    I just picked up a used Oberheim Echoplex unit (old White-face 
> version with maxed memory and Loop IV Installed). I've finally got the 
> unit working after resetting all the socketed IC's (it flickered and 
> fluttered and powered up only intermittently at first). The Footswitch 
> however has got faulty switches that need to be replaced (tried cleaning 
> to no avail).
> 
>    My Questions are as follows:
> 
>    1) Has anyone got a source for the switches?

Depends where you are geographically.

Your local electronics shop should have something suitable.

for US
The footswitch part# is:

10PA005 at http://www.mouser.com

or

106112 at http://www.jameco.com


> 
>    2) I'm wondering if anyone has tried to install something more heavy 
> duty than those low-profile momentary switches that come stock on the 
> unit? I was considering a big metal plunger style switch (something more 
> like what you find on just about every other effects pedal in 
> existence). I know such a switch in the "momentary" configuration must 
> be available somewhere... Anyone else done a successful switch overhaul 
> on one of these babies?

Most serious users use midi control.
Keep in mind that a big clunky switch will not
respond as fast, and this will mess with the timing of your
loops.

andy butler




> 
>    Any advice is much appreciated.
> 
>    Thanks!
> 
>    TREVOR.
> 
>  
> 

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From: "L.Angulo" <labaloops@yahoo.com>
Subject: re:  MY NEW TOY
To: Loopers-Delight@loopers-delight.com
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yeah bro thats the one i was using when we jammed together at my house you =
on the drumset remember?=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- Ric=
k Walker <looppool@cruzio.com> schrieb am Sa, 4.7.2009:=0A=0A> Von: Rick Wa=
lker <looppool@cruzio.com>=0A> Betreff: re:  MY NEW TOY=0A> An: "LOOPERS DE=
LIGHT (posting)" <Loopers-Delight@loopers-delight.com>=0A> Datum: Samstag, =
4. Juli 2009, 16:30=0A> Wow, Luis,=0A> =0A> I just went and watched the NAM=
M demo of that=0A> Pomona 6 Multibender lapsteel you=0A> mentioned.=A0=A0=
=A0It=0A> looks incredible.=A0=A0=A0Thanks for mentioning it=0A> here.=0A> =
=0A> The multibenders allowing you to shift keys and=0A> the built in rolli=
ng capo make it an amazingly versatile=0A> instruments=0A> =0A> What would =
such a beast set back a Recession challenged=0A> American?=0A> =0A> Rick=0A=
> =0A> =0A=0A=0A      

From aliissa0b20@gmail.com  Sun Jul  5 13:45:24 2009
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Date: Sun, 5 Jul 2009 14:40:06 +0100
Message-ID: <e274bef70907050640p342c50a6v115c1eff29e26046@mail.gmail.com>
Subject: Please I Need Your Help.
From: v <aliissa0b20@gmail.com>
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--00163645853c36f2be046df599d5
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                       *PLEASE READ & REPLY .
I am Mr Ali Issa.The Director incharge of Auditing section of Bank of Africa
(BOA) in Ouagadougou,Burkina Faso . *
*I need your urgent business assistance in transferring an abandoned sum of
($9 Million) dollars left by a deceased customer of my bank immediately to
your account.*
* *
*If you are interested and ready to partake in this great business
opportunity,kindly send your profiles to me including your Name,your private
telephone number for easy communication.*
*I will send you full details on how the business will be executed and also
note that you will receive 40% of the above mentioned amount if you agree to
help me execute this business.God richly bless you.**
 Regards .
Mr Ali .*
**
**

--00163645853c36f2be046df599d5
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<div id=3D"yiv2108687033">
<div id=3D"yiv781433405">=A0</div>
<div>=A0</div>
<div>
<table class=3D"" id=3D"bodyDrftID" cellspacing=3D"0" cellpadding=3D"0" bor=
der=3D"0">
<tbody>
<tr>
<td id=3D"drftMsgContent">
<div id=3D"yiv1226071488">
<div id=3D"yiv340510934">
<div id=3D"yiv1861292652">
<div id=3D"yiv1513472659">
<div id=3D"yiv1923003287">
<div id=3D"yiv1169235587">
<div id=3D"yiv30159992">
<div id=3D"yiv75860607">
<div id=3D"yiv1255533001">
<div id=3D"yiv1722150272">
<div id=3D"yiv200799521">
<div id=3D"yiv1884553280">
<div id=3D"yiv796237808">
<div id=3D"yiv449901112">
<div id=3D"yiv1236644473">
<div id=3D"yiv1882149675">
<div id=3D"yiv1235184290">
<div id=3D"yiv2038814941">
<div id=3D"yiv668182902">
<div id=3D"yiv59066313">
<div id=3D"yiv870502119">
<div id=3D"yiv1599863041">
<div id=3D"yiv1801063516">
<div id=3D"yiv932099070">
<div id=3D"yiv1087447766">
<div id=3D"yiv1302742403">
<div id=3D"yiv2217247">
<div id=3D"yiv1160186593">
<div id=3D"yiv2025514718">
<div id=3D"yiv1990776556">
<div id=3D"yiv596621292">
<div id=3D"yiv2080148936">
<div id=3D"yiv1427122402">
<div id=3D"yiv1503561711">
<div id=3D"yiv442821525">
<div id=3D"yiv398819475">
<div id=3D"yiv1343700307">
<div id=3D"yiv321631914">
<div id=3D"yiv669548192">
<div id=3D"yiv97541726">
<div><strong>PLEASE READ &amp; REPLY .<br>I am Mr Ali Issa.The Director inc=
harge of Auditing section of Bank of Africa (BOA) in Ouagadougou,Burkina Fa=
so . </strong></div>
<div><strong>I need your urgent business assistance in transferring an aban=
doned sum of ($9 Million) dollars left by a deceased customer of my bank im=
mediately to your account.</strong></div>
<div><strong>=A0</strong></div>
<div><strong>If you are interested and ready to partake in this great busin=
ess opportunity,kindly send your profiles to me including your Name,your pr=
ivate telephone number for easy communication.</strong></div>
<div><strong>I will send you full details on how the business will be execu=
ted and also note that you will receive 40% of the above mentioned amount i=
f you agree to help me execute this business.God richly bless you.</strong>=
<strong></strong></div>
</div></div></div></div></div>
<div>
<div>Regards .<br></div>
<div>Mr Ali .</div>
<div><strong></strong>=A0</div>
<div><strong></strong>=A0</div></div></div></div></div></div></div></div></=
div></div></div></div></div></div></div></div></div></div></div></div></div=
></div></div></div></div></div></div></div></div></div></div></div></div>
</div></div></div></div></td></tr></tbody></table></div></div>

--00163645853c36f2be046df599d5--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 13:47:14 2009
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Date: Sun, 5 Jul 2009 13:47:13 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: MY NEW TOY
To: Loopers-Delight@loopers-delight.com
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it aint cheap i also thought about getting a cheapo lapsteel and slapping t=
he multibender system on it but i rather invest in quality in case i decide=
 to sell later, when i tried the pomona i just fell in love with the sound =
and its quality,though a Bill Asher Hawaiian Junior with this system and th=
e installation cost would probably cost just as much but can kick ass just =
as well!=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- Ian Petersen <iep@m=
ail.dk> schrieb am Sa, 4.7.2009:=0A=0A> Von: Ian Petersen <iep@mail.dk>=0A>=
 Betreff: Re: MY NEW TOY=0A> An: Loopers-Delight@loopers-delight.com=0A> Da=
tum: Samstag, 4. Juli 2009, 23:15=0A> Rick,=0A> The multibenders allowing y=
ou=0A> to shift keys and=0A> =0A> =0A> the built in rolling capo make it an=
 amazingly versatile=0A> instruments=0A> =0A> =0A> =0A> What would such a b=
east set back a Recession challenged=0A> American?=0A> You can get the=C2=
=A0multibender=0A> separately from Rockinger for =E2=82=AC219. That's about=
 300 USD.=0A> Fits any strat or tele style guitar.=0A> =0A> See=C2=A0http:/=
/www.rockinger.com/index.php?cat=3DWG081&product=3D2405C=0A> Ian=0A> =0A=0A=
=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 14:34:33 2009
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Date: Sun, 05 Jul 2009 10:34:08 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Jeff Duke wrote:
> Here is a clip from todays "Loopydroneyglitchywacky Presents" gig on 
> my Ustream channel. Thanks to all who came out. I don't want to leave 
> anyone out so I'll just say you know who you are! :)
> http://vimeo.com/5453546
> best,
> Jeff
> http://jeffduke.org
How do you play using gear that keeps disappearing on you?  How do you 
think when your frontal lobe isn't always there?  ;-)

Very cool, btw.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 14:39:44 2009
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Subject: GigSpam: okay I am going to go live at 11 EST
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5a43531738f046df65c57
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well as in Friday PM, I changed my mind and am going to do a Sunday Morning
at 11 this morning.  This is again gong to be a minimal acoustic only
performance, looping will return later.  Tune in at
http://www.ustream.tv/channel/sunday-morning-at-11 if you are about.  On in
@20 min - boy I wish I could find some ice tea.... the kitchen is bare
today...
see some of ya'll maybe...

jim

-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a43531738f046df65c57
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well as in Friday PM, I changed my mind and am going to do a Sunday Morning=
 at 11 this morning. =A0This is again gong to be a minimal acoustic only pe=
rformance, looping will return later. =A0Tune in at <a href=3D"http://www.u=
stream.tv/channel/sunday-morning-at-11">http://www.ustream.tv/channel/sunda=
y-morning-at-11</a> if you are about. =A0On in @20 min - boy I wish I could=
 find some ice tea.... the kitchen is bare today...<div>
<br></div><div>see some of ya&#39;ll maybe...</div><div><br></div><div>jim<=
br clear=3D"all"><br>-- <br>ReUse, an introspective textural aural journey =
coming soon...<br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636c5a43531738f046df65c57--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: GigSpam: okay I am going to go live at 11 EST
Date: Sun, 5 Jul 2009 15:40:47 +0100
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Cool see you in 20 mins
Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 5 Jul 2009, at 15:39, Jim Goodin wrote:

> well as in Friday PM, I changed my mind and am going to do a Sunday  
> Morning at 11 this morning.  This is again gong to be a minimal  
> acoustic only performance, looping will return later.  Tune in at  
> http://www.ustream.tv/channel/sunday-morning-at-11 if you are  
> about.  On in @20 min - boy I wish I could find some ice tea....  
> the kitchen is bare today...
>
> see some of ya'll maybe...
>
> jim
>
> -- 
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Cool see you in 20 mins<br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 5 Jul 2009, =
at 15:39, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">well as in =
Friday PM, I changed my mind and am going to do a Sunday Morning at 11 =
this morning. &nbsp;This is again gong to be a minimal acoustic only =
performance, looping will return later. &nbsp;Tune in at <a =
href=3D"http://www.ustream.tv/channel/sunday-morning-at-11">http://www.ust=
ream.tv/channel/sunday-morning-at-11</a> if you are about. &nbsp;On in =
@20 min - boy I wish I could find some ice tea.... the kitchen is bare =
today...<div> <br></div><div>see some of ya'll =
maybe...</div><div><br></div><div>jim<br clear=3D"all"><br>-- <br>ReUse, =
an introspective textural aural journey coming soon...<br><br>music =
links...<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br> <a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br><a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmu=
sic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapa=
intingmusic</a><br> <a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jim=
goodinviolinelectro</a><br><a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br><=
a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmu=
sic</a><br> <br>video work/editing...<br><a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigi=
tal</a><br><br>social networking...<br><a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmu=
sic</a><br> <br> </div></blockquote></div><br></body></html>=

--Apple-Mail-9-62192205--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 14:50:39 2009
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Message-ID: <000601c9fd7f$f4b0ef40$85822245@YOUR08D5303051>
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <9124787.1246745108759.JavaMail.root@n19> <4A50B9E0.1000900@soundscapes.us>
Subject: Re: Ustream gig clip up
Date: Sun, 5 Jul 2009 10:50:35 -0400
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Think?! sigh...i knew there was something i forgot to do, thanks Bill..hmmm, 
think, think, think...yes

j


you said:
>How do you think when your frontal lobe isn't always there?  ;-)

----- Original Message ----- 
From: "Bill Fox" <billyfox@soundscapes.us>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 05, 2009 10:34 AM
Subject: Re: Ustream gig clip up


> Jeff Duke wrote:
>> Here is a clip from todays "Loopydroneyglitchywacky Presents" gig on my 
>> Ustream channel. Thanks to all who came out. I don't want to leave anyone 
>> out so I'll just say you know who you are! :)
>> http://vimeo.com/5453546
>> best,
>> Jeff
>> http://jeffduke.org
> How do you play using gear that keeps disappearing on you?  How do you 
> think when your frontal lobe isn't always there?  ;-)
>
> Very cool, btw.
>
> Cheers,
>
> Bill
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 16:51:01 2009
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Subject: Venue Database and possible Los Angeles venues?
From: Dennis Moser <sinsofmachaut@gmail.com>
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Hey gang ... I remember (and darn it if I can find it again!) seeing a
database page of various looper-friendly venues. If someone has that info
handy, could they repost it?

I'm asking because I am going to be in Los Angeles the weekend of 1 August
to perform at the Bandit Gallery, in the Echo Park area of Los Angeles. I'm
inviting everyone to come, but I'm also looking to see if it is possible to
line up some additional performances (to help defray the cost of getting out
there and back) on Friday and/or Sunday.

I'll be reposting details of the gallery gig a little later this week.

Thanks!

Dennis

-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--0016364271c6779809046df81dfa
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Hey gang ... I remember (and darn it if I can find it again!) seeing a data=
base page of various looper-friendly venues. If someone has that info handy=
, could they repost it?<br><br>I&#39;m asking because I am going to be in L=
os Angeles the weekend of 1 August to perform at the Bandit Gallery, in the=
 Echo Park area of Los Angeles. I&#39;m inviting everyone to come, but I&#3=
9;m also looking to see if it is possible to line up some additional perfor=
mances (to help defray the cost of getting out there and back) on Friday an=
d/or Sunday.<br>
<br>I&#39;ll be reposting details of the gallery gig a little later this we=
ek.<br><br>Thanks!<br><br>Dennis<br clear=3D"all"><br>-- <br><a href=3D"htt=
p://myspace.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http:=
//audiozoloft.com">http://audiozoloft.com</a><br>
<a href=3D"http://usrslashsbin.angrek.com/">http://usrslashsbin.angrek.com/=
</a><br>

--0016364271c6779809046df81dfa--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 17:35:02 2009
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Date: Sun, 5 Jul 2009 11:34:59 -0600
Message-ID: <dec8f8e60907051034x206f8e57l91c4251d5aec9ed@mail.gmail.com>
Subject: Electrix MoFX : Is it worth it?
From: Dennis Moser <sinsofmachaut@gmail.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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I know there has been discussion of these; given that Electrix is
technically gone and "pining for the fjords", would anyone using one now
replace theirs if it died? I'm looking at a couple now and could use some
hands-on experience reviews ....

Thanks!

Dennis

-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--0016367f96e00e7099046df8cf27
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I know there has been discussion of these; given that Electrix is technical=
ly gone and &quot;pining for the fjords&quot;, would anyone using one now r=
eplace theirs if it died? I&#39;m looking at a couple now and could use som=
e hands-on experience reviews ....<br>
<br>Thanks!<br><br>Dennis<br clear=3D"all"><br>-- <br><a href=3D"http://mys=
pace.com/usrsbin" target=3D"_blank">http://myspace.com/usrsbin</a><br><a hr=
ef=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com</a><=
br><a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usr=
slashsbin.angrek.com/</a><br>



--0016367f96e00e7099046df8cf27--

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Date: Sun, 5 Jul 2009 13:37:34 -0400
Message-ID: <9e0440a60907051037m598ac4cbj7dad8264a8fa7bd1@mail.gmail.com>
Subject: Re: Venue Database and possible Los Angeles venues?
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Dennis try Echo Curio in Echo Park, Daryl and I played there last October.
 He's on the road currently but I'm sure can get you the contact later.
J

On Sun, Jul 5, 2009 at 12:45 PM, Dennis Moser <sinsofmachaut@gmail.com>wrote:

> Hey gang ... I remember (and darn it if I can find it again!) seeing a
> database page of various looper-friendly venues. If someone has that info
> handy, could they repost it?
>
> I'm asking because I am going to be in Los Angeles the weekend of 1 August
> to perform at the Bandit Gallery, in the Echo Park area of Los Angeles. I'm
> inviting everyone to come, but I'm also looking to see if it is possible to
> line up some additional performances (to help defray the cost of getting out
> there and back) on Friday and/or Sunday.
>
> I'll be reposting details of the gallery gig a little later this week.
>
> Thanks!
>
> Dennis
>
> --
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>



-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

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Dennis try Echo Curio in Echo Park, Daryl and I played there last October. =
=A0He&#39;s on the road currently but I&#39;m sure can get you the contact =
later.<div><br></div><div>J<br><br><div class=3D"gmail_quote">On Sun, Jul 5=
, 2009 at 12:45 PM, Dennis Moser <span dir=3D"ltr">&lt;<a href=3D"mailto:si=
nsofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hey gang ... I remember (and darn it if I c=
an find it again!) seeing a database page of various looper-friendly venues=
. If someone has that info handy, could they repost it?<br>
<br>I&#39;m asking because I am going to be in Los Angeles the weekend of 1=
 August to perform at the Bandit Gallery, in the Echo Park area of Los Ange=
les. I&#39;m inviting everyone to come, but I&#39;m also looking to see if =
it is possible to line up some additional performances (to help defray the =
cost of getting out there and back) on Friday and/or Sunday.<br>

<br>I&#39;ll be reposting details of the gallery gig a little later this we=
ek.<br><br>Thanks!<br><br>Dennis<br clear=3D"all"><font color=3D"#888888"><=
br>-- <br><a href=3D"http://myspace.com/usrsbin" target=3D"_blank">http://m=
yspace.com/usrsbin</a><br>
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural journey coming soon...<br><br>music links...<br><a h=
ref=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=
=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--001636c5a57b42e8f1046df8d860--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 18:12:39 2009
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Subject: Ustream Gig Spam again
Date: Sun, 5 Jul 2009 19:12:31 +0100
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Playing live here in 50 minutes http://www.ustream.tv/channel/Matt- 
Stevens-From-The-Box-Room.  Wonderful sets from Jim and Steve earlier.

Ta

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





--Apple-Mail-11-74895447
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
Playing live here in 50 minutes <a href="http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room">http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room</a>. &nbsp;Wonderful sets from Jim and Steve earlier.<div><br></div><div>Ta<br><br><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div><a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br></div></body></html>
--Apple-Mail-11-74895447--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 18:39:05 2009
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	id 6E16E3BE79; Sun,  5 Jul 2009 18:39:05 +0000 (UTC)
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Date: Sun, 05 Jul 2009 14:35:41 -0400
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: OT orchestral samples
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Ok, I'm pretty ignorant about sample players but I have played some 
of the instruments through Reason and they sound pretty darn good, 
notably the cello, bassoon and clarinet. So I wondered if anyone can 
say how the samples in Kontakt 3  compare? I was getting ready to 
purchase a copy of Reason but with this sale on NI Komplete, I may go 
that way instead, but the main reason I'd get it at the moment would 
be to access these sorts of samples.

Paul Haslem
Ontario, Canada
www.dulcify.ca

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 18:54:26 2009
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	 <9e0440a60907051037m598ac4cbj7dad8264a8fa7bd1@mail.gmail.com>
Date: Sun, 5 Jul 2009 12:54:25 -0600
Message-ID: <dec8f8e60907051154k2e0c0a06l9543a0f841d443@mail.gmail.com>
Subject: Re: Venue Database and possible Los Angeles venues?
From: Dennis Moser <sinsofmachaut@gmail.com>
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--0016364ee4a81d51f5046df9ebfe
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Thanks, Jim ... I'll see if I can reach Daryl, too, about who to contact
there.

Anyone else on Los Angeles venues?

Thanks!

Dennis

On Sun, Jul 5, 2009 at 11:37 AM, Jim Goodin <jimgoodinmusic@gmail.com>wrote:

> Dennis try Echo Curio in Echo Park, Daryl and I played there last October.
>  He's on the road currently but I'm sure can get you the contact later.
> J
>
>
> On Sun, Jul 5, 2009 at 12:45 PM, Dennis Moser <sinsofmachaut@gmail.com>wrote:
>
>> Hey gang ... I remember (and darn it if I can find it again!) seeing a
>> database page of various looper-friendly venues. If someone has that info
>> handy, could they repost it?
>>
>> I'm asking because I am going to be in Los Angeles the weekend of 1 August
>> to perform at the Bandit Gallery, in the Echo Park area of Los Angeles. I'm
>> inviting everyone to come, but I'm also looking to see if it is possible to
>> line up some additional performances (to help defray the cost of getting out
>> there and back) on Friday and/or Sunday.
>>
>> I'll be reposting details of the gallery gig a little later this week.
>>
>> Thanks!
>>
>> Dennis
>>
>> --
>> http://myspace.com/usrsbin
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>
>
>
> --
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--0016364ee4a81d51f5046df9ebfe
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks, Jim ... I&#39;ll see if I can reach Daryl, too, about who to contac=
t there.<br><br>Anyone else on Los Angeles venues?<br><br>Thanks!<br><br>De=
nnis<br><br><div class=3D"gmail_quote">On Sun, Jul 5, 2009 at 11:37 AM, Jim=
 Goodin <span dir=3D"ltr">&lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">j=
imgoodinmusic@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Dennis try Echo C=
urio in Echo Park, Daryl and I played there last October. =A0He&#39;s on th=
e road currently but I&#39;m sure can get you the contact later.<div>
<br></div><div>J<div><div></div><div class=3D"h5"><br><br><div class=3D"gma=
il_quote">On Sun, Jul 5, 2009 at 12:45 PM, Dennis Moser <span dir=3D"ltr">&=
lt;<a href=3D"mailto:sinsofmachaut@gmail.com" target=3D"_blank">sinsofmacha=
ut@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hey gang ... I re=
member (and darn it if I can find it again!) seeing a database page of vari=
ous looper-friendly venues. If someone has that info handy, could they repo=
st it?<br>

<br>I&#39;m asking because I am going to be in Los Angeles the weekend of 1=
 August to perform at the Bandit Gallery, in the Echo Park area of Los Ange=
les. I&#39;m inviting everyone to come, but I&#39;m also looking to see if =
it is possible to line up some additional performances (to help defray the =
cost of getting out there and back) on Friday and/or Sunday.<br>


<br>I&#39;ll be reposting details of the gallery gig a little later this we=
ek.<br><br>Thanks!<br><br>Dennis<br clear=3D"all"><font color=3D"#888888"><=
br>-- <br><a href=3D"http://myspace.com/usrsbin" target=3D"_blank">http://m=
yspace.com/usrsbin</a><br>

<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>
</font></blockquote></div><br><br clear=3D"all"><br></div></div>-- <br>ReUs=
e, an introspective textural aural journey coming soon...<br><br>music link=
s...<br><a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jim=
goodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaint=
ingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a hr=
ef=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank">www.=
myspace.com/jimgoodinviolinelectro</a><br>

<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" target=
=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video work/editing...=
<br>
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br><br>
</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://myspa=
ce.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://audiozo=
loft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsbin.angr=
ek.com/">http://usrslashsbin.angrek.com/</a><br>


--0016364ee4a81d51f5046df9ebfe--

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Date: Sun, 5 Jul 2009 14:56:23 -0400
Message-ID: <9e0440a60907051156v4f13c3d7k2fa27fdc718c730a@mail.gmail.com>
Subject: Re: Ustream Gig Spam again
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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matt thx see you shortly

On Sun, Jul 5, 2009 at 2:12 PM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Playing live here in 50 minutes
> http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room.  Wonderful
> sets from Jim and Steve earlier.
> Ta
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5ad512af48b046df9f2f7
Content-Type: text/html; charset=ISO-8859-1
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matt thx see you shortly<br><br><div class=3D"gmail_quote">On Sun, Jul 5, 2=
009 at 2:12 PM, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:mattst=
evensguitar@btinternet.com">mattstevensguitar@btinternet.com</a>&gt;</span>=
 wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">
Playing live here in 50 minutes <a href=3D"http://www.ustream.tv/channel/Ma=
tt-Stevens-From-The-Box-Room" target=3D"_blank">http://www.ustream.tv/chann=
el/Matt-Stevens-From-The-Box-Room</a>. =A0Wonderful sets from Jim and Steve=
 earlier.<div>
<br></div><div>Ta<br><font color=3D"#888888"><br><div> <span style=3D"font-=
size:12px"><div>Matt Stevens</div><div><a href=3D"http://www.mattstevensgui=
tar.com" target=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=
=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">mattstevensg=
uitar@btinternet.com</a></div>
<div><br></div></span><br><br> </div><br></font></div></div></blockquote></=
div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective textural aural=
 journey coming soon...<br><br>music links...<br><a href=3D"http://www.jimg=
oodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001636c5ad512af48b046df9f2f7--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  5 19:24:36 2009
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Date: Sun, 5 Jul 2009 21:17:27 +0200
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Subject: Re: OT orchestral samples
From: Per Boysen <perboysen@gmail.com>
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Hi Paul,

I have owned Kontakt for many years. Bought it back in 2003 in order
to achieve 5.1 surround effect instruments, since that wasn't yet
implemented in Logic back then. I also have Reason 3. Kontakt offers a
lot better fidelity than Reason, that's the first thing I want to
state! Comparing these two is not really fair I think, Kontakt is just
playing in a much higher division. I have not upgraded to Kontakt 3
but am still using Kontakt 2.2.4.001, because from what I heard the
most significant difference in Kontakt 3 is that it comes with a very
big "meat and potato" sample library. And that's exactly what I don't
need as much as I need free hard disc space to record to ;-))  As for
sample instruments I already have the few I want to use, and it seems
that the sampler functionality in K3 is not much better then in K2.

Okay, the next statement needed here is that Kontakt is a damn great
sampler! Probably the best available. In the past it could interfere
with limited CPU recourses of your computer, but that has changed as
we all now. For a while I did not use Kontakt because I felt sick
knowing about NI's licensing regulations, but I'm happy to notice the
company has totally changed that now. You can now change computer and
move the software license with you to the new machine. No iLok support
yet AFAIK.

Some orchestral sample patches that come with Kontakt are from the
Vienna STrings series and they sound awesome! I've heard, from folks
that own the real Vienna package, that the difference is not the
samples but the big amount of multi sound instrument patches you get
in the Vienna box. For example all kinds of layers set up in a smart
way like having normal violin section tone and fading into tremolo or
drill tone section by the modulation wheel - etc, etc... Seems the
original Vienna box is perfect for media composers that spend months
churning out orchestra-in-a-box music for video games and stuff. If
you want just the great orchestral sound they sound just as good in
Kontakt.

The effects in Kontakt are also very good. I've used it lately for
playing EWI by MIDI in a Bidule hosted livelooping rig and then I
could route all kind of feedback machine effects within my individual
Kontakt patches. Very cool and useful IMHO. It has good compressors,
distortion, delays, reverb, phaser and a lot more. And you can route
effects as insert or as send-return loops.  Kontakt 3 also has a
better support for fixed micro tunings than before, another good thing
IMO. Finally, Kontakt can import patches from most other samplers on
the market. You will rarely be "on the wrong platform" for buying
whatever sample library you may want in the future.

Personally I wish there was an even cheaper deal that would let you
buy Kontakt 3 without that extensive sample library. It's a lot of
good and top quality sounds but only "those usual" sounds. Great value
for a pro media music composer and producer, though.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sun, Jul 5, 2009 at 8:35 PM, paul<phaslem@wightman.ca> wrote:
> Ok, I'm pretty ignorant about sample players but I have played some of th=
e
> instruments through Reason and they sound pretty darn good, notably the
> cello, bassoon and clarinet. So I wondered if anyone can say how the samp=
les
> in Kontakt 3 =C2=A0compare? I was getting ready to purchase a copy of Rea=
son but
> with this sale on NI Komplete, I may go that way instead, but the main
> reason I'd get it at the moment would be to access these sorts of samples=
.
>
> Paul Haslem
> Ontario, Canada
> www.dulcify.ca

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 00:36:36 2009
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Dennis, Mark's excellent venue database is here:

http://www.markfrancombe.com/wordpress/?page_id=525

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Hey gang ... I remember (and darn it if I can find it again!) seeing a 
> database page of various looper-friendly venues. If someone has that 
> info handy, could they repost it?

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 00:48:16 2009
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Subject: RE: volume frustration
=46rom: "Michael Peters" <mp@mpeters.de>
Date: Sun, 5 Jul 2009 11:59:13 +0200
...
>> I suggest using the instrument output of your guitar into the =
Verbzilla as
>>intended.  Then the Verb's output into a headphone amp or mini amp. The=
 Dan
>>Electro HoneyTone is a pretty good sounding mono amp given it's price =
and
>>size, a few useful controls and has a headphone output. =20
>looks good. I ordered one :-)  thanks for the suggestion!
>-Michael
You're welcome, let us know how it goes.
-- G.

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 02:22:45 2009
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Date: Sun, 5 Jul 2009 19:22:41 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: Saw Bill Frisell tonight (July 6) in Iowa City for IC Jazz Fest
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Well, I missed him when he played here back in 2000, b/c i was in the middle of a move, but got to see him tonight.The funny thing is he looked older than pictures i remember of him, but then i thought that my memory is probably pictures from early 90s, a long time ago!
My main thoughts when i saw him was he sounded kind of "jazzy" and he was very melodic playing w/ drums, bass, & i think a trumpet player; The funny thing I thought as i watched was thinking of all the on-line boards i'm on (too many!) is people asking, "oh i want a jazz sound, which semi-hollow guitar & amp should i get, bla bla bla..." & I thought well, Bill Frisell sounded pretty jazzy to me & he was playing a blonde Telecaster & a small Fender amp. He played for about an hour & 15 min, The 1st 3 songs he played took about 50 min-in that time he did about 3 little loop things, sort of noise-based (some scratching-extended playing stuff), at times it was clean tele sounds, another time it sounded like a piano for a second. When he was playing these, i think the audience was wondering what was up? Not sure if they got it or not, but his loops do make nice transitions in his compositions.
The other thing I noticed from watching behind the stage (i was able to be in shade & i didn't bring a lawn chair so i could sit on steps of Old Captiol Building) was that he mostly played facing his band, and also for the most part is his guitar was facing to the back, so that I & everyone else could see his guitar (& hands from 40 some ft back)-the main audience would mostly see his left side and the back of his guitar neck. I could see that he was using a Line 6 Delay Pedal (green one) for his loops. I think he also had a distortion box of some kind (couldn't see it)-but the main thing i thought was his sound was pretty clean and sparse (I kept thinking I PLAY W/ MORE EFFECTS!). 


      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><DIV>Well, I missed him when he played here back in 2000, b/c i was in the middle of a move, but got to see him tonight.The funny thing is he looked older than pictures i remember of him, but then i thought that my memory is probably pictures from early 90s, a long time ago!</DIV>
<DIV>My main thoughts when i saw him was he sounded kind of "jazzy" and he was very melodic playing w/ drums, bass, &amp; i think a trumpet player; The funny thing I thought as i watched was thinking of all the on-line boards i'm on (too many!) is people asking, "oh i want a jazz sound, which semi-hollow guitar &amp; amp should i get, bla bla bla..." &amp; I thought well, Bill Frisell sounded pretty jazzy to me &amp; he was playing a blonde Telecaster &amp; a small Fender amp. He played for about an hour &amp; 15 min, The 1st 3 songs he played took about 50 min-in that time he did about 3 little loop things, sort of noise-based (some scratching-extended playing stuff), at times it was clean tele sounds, another time it sounded like a piano for a second. When he was playing these, i think the audience was wondering what was up? Not sure if they got it or not, but his loops do make nice transitions in his compositions.</DIV>
<DIV>The other thing I noticed from watching behind the stage (i was able to be in shade &amp; i didn't bring a lawn chair so i could sit on steps of Old Captiol Building) was that he mostly played facing his band, and also for the most part is his guitar was facing to the back, so that I &amp; everyone else could see his guitar (&amp; hands from 40 some ft back)-the main audience would mostly see his left side and the back of his guitar neck. I could see that he was using a Line 6 Delay Pedal (green one) for his loops. I think he also had a distortion box of some kind (couldn't see it)-but the main thing i thought was his sound was pretty clean and sparse (I kept thinking I PLAY W/ MORE EFFECTS!). </DIV></td></tr></table><br>

      
--0-1698384245-1246846961=:83203--

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Date: Sun, 5 Jul 2009 19:39:25 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: Saw BILL FRISELL Tonight (July 5) in Iowa City @ IC Jazz Fest
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sorry-1st one got sent accidentally...
=A0
Saw Bill Frisell Tonight (July 5) in Iowa City @ IC Jazz Fest
=A0
Well, I missed him when he played here back in 2000, b/c i was in the middl=
e of a move, but got to see him tonight.The funny thing is he looked older =
than pictures i remember of him, but then i thought that my memory is proba=
bly pictures from early 90s, a long time ago!
My main thoughts when i saw him was he sounded kind of "jazzy" and he was v=
ery melodic playing w/ drums, bass, & i think a trumpet player; The funny t=
hing I thought as i watched was thinking of all the on-line boards i'm on (=
too many!) is people asking, "oh i want a jazz sound, which semi-hollow gui=
tar & amp should i get, bla bla bla..." & I thought well, Bill Frisell soun=
ded pretty jazzy to me & he was playing a blonde Telecaster & a small Fende=
r amp. He played for about an hour & 15 min, The 1st 3 songs he played took=
 about 50 min-in that time he did 3 little loop things, sort of noise-based=
 (some scratching-extended playing stuff), at times it was clean tele sound=
s, another time it sounded like a piano for a second. When he was playing t=
hese, i think the audience was wondering what was up? Not sure if they got =
it or not, but his loops do make nice transitions in his compositions.
The other thing I noticed from watching behind the stage (i was able to be =
in shade & i didn't bring a lawn chair so i could sit on steps of Old Capit=
ol Building) was that he mostly played facing his band, and for the most pa=
rt=A0 his guitar was facing to the back, so that I & everyone else behind s=
tage=A0could see his guitar (& hands from 40 some ft back)-the main audienc=
e would mostly see his left side and the back of his guitar neck. I could s=
ee that he was using a Line 6 Delay Pedal (green one) for his loops. I thin=
k he also had a distortion box of some kind (couldn't see it)-but the main =
thing i thought was his sound was pretty clean and sparse (I kept thinking:=
 I PLAY W/ MORE EFFECTS!). The other thing i noticed was he played a barre =
chord twice that I saw! I should say that all the songs he played i recogni=
zed the melody, etc, but since i rarely remember titles of stuff, I couldn'=
t connect a song to a title. He seemed to be really enjoying himself &
 his band, and they had some good interaction-especially during his little =
loop things. The last thing was when he was done, he put his Tele in a soft=
 case and turned off his amp, & started to collect his pedals-no roadies fo=
r him!!
=A0
sorry for the choppy/disorganized review...just some quick notes i remember=
...
s---
www.myspace.com/scotthansen=0A=0A=0A      
--0-277096998-1246847965=:88830
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV class=3D"undoreset clearfix" id=3Dmessag=
e304743443 role=3D"main">
<DIV id=3Dyiv355993721>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>sorry-1st one got sent accidentally...</DIV>
<DIV>&nbsp;</DIV>
<DIV>Saw Bill Frisell Tonight (July 5) in Iowa City @ IC Jazz Fest</DIV>
<DIV>&nbsp;</DIV>
<DIV>Well, I missed him when he played here back in 2000, b/c i was in the =
middle of a move, but got to see him tonight.The funny thing is he looked o=
lder than pictures i remember of him, but then i thought that my memory is =
probably pictures from early 90s, a long time ago!</DIV>
<DIV>My main thoughts when i saw him was he sounded kind of "jazzy" and he =
was very melodic playing w/ drums, bass, &amp; i think a trumpet player; Th=
e funny thing I thought as i watched was thinking of all the on-line boards=
 i'm on (too many!) is people asking, "oh i want a jazz sound, which semi-h=
ollow guitar &amp; amp should i get, bla bla bla..." &amp; I thought well, =
<SPAN class=3Dyshortcuts id=3Dlw_1246846986_0 style=3D"CURSOR: hand; BORDER=
-BOTTOM: #0066cc 1px dashed">Bill Frisell</SPAN> sounded pretty jazzy to me=
 &amp; he was playing a blonde Telecaster &amp; a small Fender amp. He play=
ed for about an hour &amp; 15 min, The 1st 3 songs he played took about 50 =
min-in that time he did 3 little loop things, sort of noise-based (some scr=
atching-extended playing stuff), at times it was clean tele sounds, another=
 time it sounded like a piano for a second. When he was playing these, i th=
ink the audience was wondering what was up? Not sure if they got it or
 not, but his loops do make nice transitions in his compositions.</DIV>
<DIV>The other thing I noticed from watching behind the stage (i was able t=
o be in shade &amp; i didn't bring a lawn chair so i could sit on steps of =
Old Capitol Building) was that he mostly played facing his band, and for th=
e most part&nbsp; his guitar was facing to the back, so that I &amp; everyo=
ne else behind stage&nbsp;could see his guitar (&amp; hands from 40 some ft=
 back)-the main audience would mostly see his left side and the back of his=
 <SPAN class=3Dyshortcuts id=3Dlw_1246846986_1>guitar neck</SPAN>. I could =
see that he was using a Line 6 Delay Pedal (green one) for his loops. I thi=
nk he also had a distortion box of some kind (couldn't see it)-but the main=
 thing i thought was his sound was pretty clean and sparse (I kept thinking=
: I PLAY W/ MORE EFFECTS!). The other thing i noticed was he played a barre=
 chord twice that I saw! I should say that all the songs he played i recogn=
ized the melody, etc, but since i rarely remember titles of stuff, I
 couldn't connect a song to a title. He seemed to be really enjoying himsel=
f &amp; his band, and they had some good interaction-especially during his =
little loop things. The last thing was when he was done, he put his Tele in=
 a soft case and turned off his amp, &amp; started to collect his pedals-no=
 roadies for him!!</DIV>
<DIV>&nbsp;</DIV>
<DIV>sorry for the choppy/disorganized review...just some quick notes i rem=
ember...</DIV>
<DIV>s---</DIV>
<DIV><A href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</A></DIV></TD></TR></TBODY></TABLE></DIV></DIV></td></tr></table><br>=
=0A=0A      
--0-277096998-1246847965=:88830--

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Dear Dennis,

I have to go on record and say that I love the
Electrix MoFX.

Just like the Electrix Repeater (which is the only unit on earth that 
allows one to be able to
make any sampled sound a chromatic instrument with sample and tempo 
stretching)
it does a couple of things better than almost anything out there.

The effects in the MoFX  are fairly mundane, but the use of the drum 
machine styled buttons
and the ability to tempo drive the effects using a MIDI interface,  sets 
it apart from almost anything else I can think of.

The fact that the large drum machine styled 'play' button can either 
have a positive or a negative function 
(in other words it can turn the effect on when you use it momentarily or 
turn the effect off depending on how you set it)
is just wonderful.

Ways,  I use it are putting small amounts of distortion on it, narrowing 
the bandwidth, and then suddenly bringing in the
full unadulterated sound at precise rhythmic 
moments...............fantastic for real time production ideas in things 
like
hip hop and drum and bass.

........setting up square wave tremelos at very high and rhythmically 
specific rates (32nd notes, etc.)  so that you can
make things 'trill' at appropriate rhythmical places...............then 
being able to change the rates with which the square wave tremelos
work.

All of these things are fantastic and really useful for resampling and 
relooping.

One of my favorite set ups now,  uses one DL4 before my effects pedals 
to loop a pure instrument sound
then pass it through whatever effects (including the MoFX and the Filter 
Factory which works similarly)
then putting a second DL4 on the back side of that to be able to loop 
the 'effected sounds'
then running all of it into my little VOX  and ROLAND battery powered 
guitar and bass amps,
micing it all and then running it through the Looperlative LP-1  as a 
final way of slicing, dicing and arrangeing
the piece of music.

I would be bereft if I lost the unit.

My only regret about the Electrix stuff is that it takes up two rack 
spaces each and
it makes it unsuitable for me to tour with it.

I always take an extra 6 space rack with me to my gigs with the 
Electrix, Repeater, Filter Factory and MoFX
all hooked up but it's too much shit to take to a festival
so most people in the looping community have never seen me use this setup.

It's a bitchen one and I can see why a lot of people have gone the 
Plogue Bidule route with laptops to get this kind
of flexibility,  musically.

Yeah,  I vote THUMBS UP on all that Electrix Gear.
I was set up to have a product endorsement if they had ever rereleased 
and I was bummed BIG TIME when they tanked.

LONG LIVE ELECTRIX!!!!

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Hello,
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<br>
Hello,<br>
=A0=A0=A0=A0=A0=A0 With regards to make an urgent purchase of this Laptop, =
so
kindly let me know it&#39;s present condition and the specification or
picture. Hope to read back from you soon.<br>
<br>
Sarah

--001636c5acb020295c046e086246--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 14:16:04 2009
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Subject: Re: Electrix MoFX : Is it worth it?
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dennis.....the only thing i use on the mo-fx is the delay which can act 
like a looper albeit a short looper.....you can mess with the "loop" with the 
"p-pong", "sync" buttons and the "speed" knob can be of interest.....the 
distortion/flange/trem/ sections really don't do much for me, ymmv, the delay 
section will work as a delay of course and there is a pretty good range to 
choose from.....if my mo dies on me, i would miss it a little but would in no 
way try to replace it.....i got mine several years ago when they were blowing 
them out for $99., it has been worth every penny but i doubt that i would 
buy another even at that price.....my biggest complaint is the shortness of 
the loop, seems to be less than 5 seconds.....what is it that you want to do 
with it?.....unless the price is really low, i think there are way more 
interesting boxes out there.....m



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
Summer concert season is here! Find your favorite artists on 
tour at TourTracker.com.

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"G=
eneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">dennis.....the only thing i use on=
 the mo-fx is the delay which can act like a looper albeit a short looper.=
....you can mess with the "loop" with the "p-pong", "sync" buttons and the=
 "speed" knob can be of interest.....the distortion/flange/trem/ sections=
 really don't do much for me, ymmv, the delay section will work as a delay=
 of course and there is a pretty good range to choose from.....if my mo di=
es on me, i would miss it a little but would in no way try to replace it..=
...i got mine several years ago when they were blowing them out for $99.,=
 it has been worth every penny but i doubt that i would buy another even=
 at that price.....my biggest complaint is the shortness of the loop, seem=
s to be less than 5 seconds.....what is it that you want to do with it?...=
..unless the price is really low, i think there are way more interesting=
 boxes out there.....m<BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT><BR><BR><BR>**************<BR>Summer concert season is here!=
 Find your favorite artists on tour at TourTracker.com.</HTML>

--part1_bf0.541ca915.37836111_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 14:19:32 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Saw BILL FRISELL Tonight (July 5) in Iowa City @ IC Jazz Fest
Date: Mon, 6 Jul 2009 07:19:26 -0700
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Nice review Scott with astute observations.

Thanks for sharing.

Best,

Ted

On Jul 5, 2009, at 7:39 PM, scott hansen wrote:

> sorry-1st one got sent accidentally...
> =A0
> Saw Bill Frisell Tonight (July 5) in Iowa City @ IC Jazz Fest
> =A0
> Well, I missed him when he played here back in 2000, b/c i was in the=20=

> middle of a move, but got to see him tonight.The funny thing is he=20
> looked older than pictures i remember of him, but then i thought that=20=

> my memory is probably pictures from early 90s, a long time ago!
> My main thoughts when i saw him was he sounded kind of "jazzy" and he=20=

> was very melodic playing w/ drums, bass, & i think a trumpet player;=20=

> The funny thing I thought as i watched was thinking of all the on-line=20=

> boards i'm on (too many!) is people asking, "oh i want a jazz sound,=20=

> which semi-hollow guitar & amp should i get, bla bla bla..." & I=20
> thought well, Bill Frisell sounded pretty jazzy to me & he was playing=20=

> a blonde Telecaster & a small Fender amp. He played for about an hour=20=

> & 15 min, The 1st 3 songs he played took about 50 min-in that time he=20=

> did 3 little loop things, sort of noise-based (some=20
> scratching-extended playing stuff), at times it was clean tele sounds,=20=

> another time it sounded like a piano for a second. When he was playing=20=

> these, i think the audience was wondering what was up? Not sure if=20
> they got it or  not, but his loops do make nice transitions in his=20
> compositions.
> The other thing I noticed from watching behind the stage (i was able=20=

> to be in shade & i didn't bring a lawn chair so i could sit on steps=20=

> of Old Capitol Building) was that he mostly played facing his band,=20
> and for the most part=A0 his guitar was facing to the back, so that I =
&=20
> everyone else behind stage=A0could see his guitar (& hands from 40 =
some=20
> ft back)-the main audience would mostly see his left side and the back=20=

> of his guitar neck. I could see that he was using a Line 6 Delay Pedal=20=

> (green one) for his loops. I think he also had a distortion box of=20
> some kind (couldn't see it)-but the main thing i thought was his sound=20=

> was pretty clean and sparse (I kept thinking: I PLAY W/ MORE=20
> EFFECTS!). The other thing i noticed was he played a barre chord twice=20=

> that I saw! I should say that all the songs he played i recognized the=20=

> melody, etc, but since i rarely remember titles of stuff, I  couldn't=20=

> connect a song to a title. He seemed to be really enjoying himself &=20=

> his band, and they had some good interaction-especially during his=20
> little loop things. The last thing was when he was done, he put his=20
> Tele in a soft case and turned off his amp, & started to collect his=20=

> pedals-no roadies for him!!
> =A0
> sorry for the choppy/disorganized review...just some quick notes i=20
> remember...
> s---
> www.myspace.com/scotthansen
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 15:06:56 2009
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Subject: Re: Electrix MoFX : Is it worth it?
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This is all currently packed away, but I put my MoFX right after my  
Handsonic when I was using them. If I unpack the Handsonic, I may well  
unpack the MoFX as well. That said, I primarily used the distortion  
(not great but interesting on drums) and the delay. The tremolo and  
flanger section weren't that interesting on drums as I recall. I've  
also got a FilterQueen and a couple EQ-Killers all purchased at the  
blow out price. Conceptually, they are all really nice but they seem  
to have drifted out of my racks probably for a combination of lack of  
space and the fact that I don't generally "play" effects all that much.

Mark

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 17:43:53 2009
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	 <49455FF4-2153-4B26-ABFD-244A835E80F4@grubmah.com>
Date: Mon, 6 Jul 2009 10:43:52 -0700
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Subject: Re: Electrix MoFX : Is it worth it?
From: Mark Sottilaro <zerocrossing@gmail.com>
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Though I'm happily immersed in the virtual world, if I had a ton of
extra money and space one of the things I'd probably recreate was an
all Electrix based rack.  They were well thought out pieces of kit
with UIs that begged to be played with.  Why did they die an untimely
death?  We'll probably never know.

They drifted out of my rack too.  Probably because I, like Mark, am
also a Mark who plays guitar which does occupy both your hands and
those things did take up two rack spaces.  So they'd be tied down to a
studio in my I-won-the-lottery-look-at-all-my-gear fantasy.  Oh wait,
in my fantasy, can I have a roadie too?  Groupies?  Mermaids feeding
me pealed shrimp? A large NY style pizza?  What are my parameters?

On Mon, Jul 6, 2009 at 8:00 AM, Mark Hamburg<mark@grubmah.com> wrote:
> This is all currently packed away, but I put my MoFX right after my
> Handsonic when I was using them. If I unpack the Handsonic, I may well
> unpack the MoFX as well. That said, I primarily used the distortion (not
> great but interesting on drums) and the delay. The tremolo and flanger
> section weren't that interesting on drums as I recall. I've also got a
> FilterQueen and a couple EQ-Killers all purchased at the blow out price.
> Conceptually, they are all really nice but they seem to have drifted out of
> my racks probably for a combination of lack of space and the fact that I
> don't generally "play" effects all that much.
>
> Mark
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 17:57:16 2009
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Date: Mon, 06 Jul 2009 13:57:13 -0400
From: Trevor Van Eyck <vaneyck@sympatico.ca>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Oberheim Echoplex Footswitch Momentary Switch Replacement Parts?
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    Thanks much guys! Your advice and info has been extremely helpful.

    By the way, other than the Oberheim Echoplex, are there other 
stompable hardware loopers that have the Multiple Layer Undo Function? 
Any of that new-ish Boss Stuff come with undo? It looks like the RC-20 
does, but the DD-20 does not. And how is that RC-50? Am I overlooking 
another option?

    Thanks so much!

    TREVOR.

andy butler wrote:
>
>
> Trevor Van Eyck wrote:
>>
>>    Hi all, I'm new to the list, so forgive me if this has been 
>> covered ad nauseam...
>>
>>    I just picked up a used Oberheim Echoplex unit (old White-face 
>> version with maxed memory and Loop IV Installed). I've finally got 
>> the unit working after resetting all the socketed IC's (it flickered 
>> and fluttered and powered up only intermittently at first). The 
>> Footswitch however has got faulty switches that need to be replaced 
>> (tried cleaning to no avail).
>>
>>    My Questions are as follows:
>>
>>    1) Has anyone got a source for the switches?
>
> Depends where you are geographically.
>
> Your local electronics shop should have something suitable.
>
> for US
> The footswitch part# is:
>
> 10PA005 at http://www.mouser.com
>
> or
>
> 106112 at http://www.jameco.com
>
>
>>
>>    2) I'm wondering if anyone has tried to install something more 
>> heavy duty than those low-profile momentary switches that come stock 
>> on the unit? I was considering a big metal plunger style switch 
>> (something more like what you find on just about every other effects 
>> pedal in existence). I know such a switch in the "momentary" 
>> configuration must be available somewhere... Anyone else done a 
>> successful switch overhaul on one of these babies?
>
> Most serious users use midi control.
> Keep in mind that a big clunky switch will not
> respond as fast, and this will mess with the timing of your
> loops.
>
> andy butler
>
>
>
>
>>
>>    Any advice is much appreciated.
>>
>>    Thanks!
>>
>>    TREVOR.
>>
>>  
>>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 18:05:02 2009
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Date: Mon, 6 Jul 2009 14:05:00 -0400
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Subject: Re: Oberheim Echoplex Footswitch Momentary Switch Replacement Parts?
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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check out Per's comparison chart

http://www.looproom.com/looperchart.php

Most of the time, loopers only have one layer of undo.  The repeater
can undo multiple layers all at once if you don't quit rec mode
between layering.

Sylvain


On 7/6/09, Trevor Van Eyck <vaneyck@sympatico.ca> wrote:
>
>   Thanks much guys! Your advice and info has been extremely helpful.
>
>   By the way, other than the Oberheim Echoplex, are there other stompable
> hardware loopers that have the Multiple Layer Undo Function? Any of that
> new-ish Boss Stuff come with undo? It looks like the RC-20 does, but the
> DD-20 does not. And how is that RC-50? Am I overlooking another option?
>
>   Thanks so much!
>
>   TREVOR.
>
>
> andy butler wrote:
> >
> >
> > Trevor Van Eyck wrote:
> >
> > >
> > >   Hi all, I'm new to the list, so forgive me if this has been covered ad
> nauseam...
> > >
> > >   I just picked up a used Oberheim Echoplex unit (old White-face version
> with maxed memory and Loop IV Installed). I've finally got the unit working
> after resetting all the socketed IC's (it flickered and fluttered and
> powered up only intermittently at first). The Footswitch however has got
> faulty switches that need to be replaced (tried cleaning to no avail).
> > >
> > >   My Questions are as follows:
> > >
> > >   1) Has anyone got a source for the switches?
> > >
> >
> > Depends where you are geographically.
> >
> > Your local electronics shop should have something suitable.
> >
> > for US
> > The footswitch part# is:
> >
> > 10PA005 at http://www.mouser.com
> >
> > or
> >
> > 106112 at http://www.jameco.com
> >
> >
> >
> > >
> > >   2) I'm wondering if anyone has tried to install something more heavy
> duty than those low-profile momentary switches that come stock on the unit?
> I was considering a big metal plunger style switch (something more like what
> you find on just about every other effects pedal in existence). I know such
> a switch in the "momentary" configuration must be available somewhere...
> Anyone else done a successful switch overhaul on one of these babies?
> > >
> >
> > Most serious users use midi control.
> > Keep in mind that a big clunky switch will not
> > respond as fast, and this will mess with the timing of your
> > loops.
> >
> > andy butler
> >
> >
> >
> >
> >
> > >
> > >   Any advice is much appreciated.
> > >
> > >   Thanks!
> > >
> > >   TREVOR.
> > >
> > >
> > >
> >
> >
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 18:18:53 2009
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Date: Mon, 6 Jul 2009 12:18:53 -0600
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Subject: Re: Electrix MoFX : Is it worth it?
From: Dennis Moser <sinsofmachaut@gmail.com>
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Okay ...thanks all, it sounds like there is luke-warm to enthusiastic
response to the Electrix MoFX ... 2-U is okay for me since I only use a pair
of 4U Gator bags these days (anyone want a Lexicon Vortex? I'm cutting back
... ) so there is room. I'm moving in the direction of MIDI-control or foot
pedal-control only so that won't be an issue either (aside from the
continuing learning curve I am having with MIDI).

Now I just need to divy up my pennies ... :)

Dennis


On Sun, Jul 5, 2009 at 10:53 PM, Rick Walker <looppool@cruzio.com> wrote:

> Dear Dennis,
>
> I have to go on record and say that I love the
> Electrix MoFX.
>
> Just like the Electrix Repeater (which is the only unit on earth that
> allows one to be able to
> make any sampled sound a chromatic instrument with sample and tempo
> stretching)
> it does a couple of things better than almost anything out there.
>
> The effects in the MoFX  are fairly mundane, but the use of the drum
> machine styled buttons
> and the ability to tempo drive the effects using a MIDI interface,  sets it
> apart from almost anything else I can think of.
>
> The fact that the large drum machine styled 'play' button can either have a
> positive or a negative function (in other words it can turn the effect on
> when you use it momentarily or turn the effect off depending on how you set
> it)
> is just wonderful.
>
> Ways,  I use it are putting small amounts of distortion on it, narrowing
> the bandwidth, and then suddenly bringing in the
> full unadulterated sound at precise rhythmic
> moments...............fantastic for real time production ideas in things
> like
> hip hop and drum and bass.
>
> ........setting up square wave tremelos at very high and rhythmically
> specific rates (32nd notes, etc.)  so that you can
> make things 'trill' at appropriate rhythmical places...............then
> being able to change the rates with which the square wave tremelos
> work.
>
> All of these things are fantastic and really useful for resampling and
> relooping.
>
> One of my favorite set ups now,  uses one DL4 before my effects pedals to
> loop a pure instrument sound
> then pass it through whatever effects (including the MoFX and the Filter
> Factory which works similarly)
> then putting a second DL4 on the back side of that to be able to loop the
> 'effected sounds'
> then running all of it into my little VOX  and ROLAND battery powered
> guitar and bass amps,
> micing it all and then running it through the Looperlative LP-1  as a final
> way of slicing, dicing and arrangeing
> the piece of music.
>
> I would be bereft if I lost the unit.
>
> My only regret about the Electrix stuff is that it takes up two rack spaces
> each and
> it makes it unsuitable for me to tour with it.
>
> I always take an extra 6 space rack with me to my gigs with the Electrix,
> Repeater, Filter Factory and MoFX
> all hooked up but it's too much shit to take to a festival
> so most people in the looping community have never seen me use this setup.
>
> It's a bitchen one and I can see why a lot of people have gone the Plogue
> Bidule route with laptops to get this kind
> of flexibility,  musically.
>
> Yeah,  I vote THUMBS UP on all that Electrix Gear.
> I was set up to have a product endorsement if they had ever rereleased and
> I was bummed BIG TIME when they tanked.
>
> LONG LIVE ELECTRIX!!!!
>
>


-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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Okay ...thanks all, it sounds like there is luke-warm to enthusiastic respo=
nse to the Electrix MoFX ... 2-U is okay for me since I only use a pair of =
4U Gator bags these days (anyone want a Lexicon Vortex? I&#39;m cutting bac=
k ... ) so there is room. I&#39;m moving in the direction of MIDI-control o=
r foot pedal-control only so that won&#39;t be an issue either (aside from =
the continuing learning curve I am having with MIDI).<br>
<br>Now I just need to divy up my pennies ... :)<br><br>Dennis<br><br><br><=
div class=3D"gmail_quote">On Sun, Jul 5, 2009 at 10:53 PM, Rick Walker <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.co=
m</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Dear Dennis,<br>
<br>
I have to go on record and say that I love the<br>
Electrix MoFX.<br>
<br>
Just like the Electrix Repeater (which is the only unit on earth that allow=
s one to be able to<br>
make any sampled sound a chromatic instrument with sample and tempo stretch=
ing)<br>
it does a couple of things better than almost anything out there.<br>
<br>
The effects in the MoFX =A0are fairly mundane, but the use of the drum mach=
ine styled buttons<br>
and the ability to tempo drive the effects using a MIDI interface, =A0sets =
it apart from almost anything else I can think of.<br>
<br>
The fact that the large drum machine styled &#39;play&#39; button can eithe=
r have a positive or a negative function (in other words it can turn the ef=
fect on when you use it momentarily or turn the effect off depending on how=
 you set it)<br>

is just wonderful.<br>
<br>
Ways, =A0I use it are putting small amounts of distortion on it, narrowing =
the bandwidth, and then suddenly bringing in the<br>
full unadulterated sound at precise rhythmic moments...............fantasti=
c for real time production ideas in things like<br>
hip hop and drum and bass.<br>
<br>
........setting up square wave tremelos at very high and rhythmically speci=
fic rates (32nd notes, etc.) =A0so that you can<br>
make things &#39;trill&#39; at appropriate rhythmical places...............=
then being able to change the rates with which the square wave tremelos<br>
work.<br>
<br>
All of these things are fantastic and really useful for resampling and relo=
oping.<br>
<br>
One of my favorite set ups now, =A0uses one DL4 before my effects pedals to=
 loop a pure instrument sound<br>
then pass it through whatever effects (including the MoFX and the Filter Fa=
ctory which works similarly)<br>
then putting a second DL4 on the back side of that to be able to loop the &=
#39;effected sounds&#39;<br>
then running all of it into my little VOX =A0and ROLAND battery powered gui=
tar and bass amps,<br>
micing it all and then running it through the Looperlative LP-1 =A0as a fin=
al way of slicing, dicing and arrangeing<br>
the piece of music.<br>
<br>
I would be bereft if I lost the unit.<br>
<br>
My only regret about the Electrix stuff is that it takes up two rack spaces=
 each and<br>
it makes it unsuitable for me to tour with it.<br>
<br>
I always take an extra 6 space rack with me to my gigs with the Electrix, R=
epeater, Filter Factory and MoFX<br>
all hooked up but it&#39;s too much shit to take to a festival<br>
so most people in the looping community have never seen me use this setup.<=
br>
<br>
It&#39;s a bitchen one and I can see why a lot of people have gone the Plog=
ue Bidule route with laptops to get this kind<br>
of flexibility, =A0musically.<br>
<br>
Yeah, =A0I vote THUMBS UP on all that Electrix Gear.<br>
I was set up to have a product endorsement if they had ever rereleased and =
I was bummed BIG TIME when they tanked.<br>
<br>
LONG LIVE ELECTRIX!!!!<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://myspa=
ce.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://audiozo=
loft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsbin.angr=
ek.com/">http://usrslashsbin.angrek.com/</a><br>


--0016360e3caad8851b046e0d897a--

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References: <4A518330.4050005@cruzio.com> <dec8f8e60907061118y18832af0mfc47cf23a30efdb5@mail.gmail.com>
Subject: Re: Electrix MoFX : Is it worth it?
Date: Mon, 6 Jul 2009 14:28:49 -0400
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i am willing to give the Vortex a good home!

Jeff
  ----- Original Message -----=20
  From: Dennis Moser=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 06, 2009 2:18 PM
  Subject: Re: Electrix MoFX : Is it worth it?


  Okay ...thanks all, it sounds like there is luke-warm to enthusiastic =
response to the Electrix MoFX ... 2-U is okay for me since I only use a =
pair of 4U Gator bags these days (anyone want a Lexicon Vortex? I'm =
cutting back ... ) so there is room. I'm moving in the direction of =
MIDI-control or foot pedal-control only so that won't be an issue either =
(aside from the continuing learning curve I am having with MIDI).

  Now I just need to divy up my pennies ... :)

  Dennis



  On Sun, Jul 5, 2009 at 10:53 PM, Rick Walker <looppool@cruzio.com> =
wrote:

    Dear Dennis,

    I have to go on record and say that I love the
    Electrix MoFX.

    Just like the Electrix Repeater (which is the only unit on earth =
that allows one to be able to
    make any sampled sound a chromatic instrument with sample and tempo =
stretching)
    it does a couple of things better than almost anything out there.

    The effects in the MoFX  are fairly mundane, but the use of the drum =
machine styled buttons
    and the ability to tempo drive the effects using a MIDI interface,  =
sets it apart from almost anything else I can think of.

    The fact that the large drum machine styled 'play' button can either =
have a positive or a negative function (in other words it can turn the =
effect on when you use it momentarily or turn the effect off depending =
on how you set it)
    is just wonderful.

    Ways,  I use it are putting small amounts of distortion on it, =
narrowing the bandwidth, and then suddenly bringing in the
    full unadulterated sound at precise rhythmic =
moments...............fantastic for real time production ideas in things =
like
    hip hop and drum and bass.

    ........setting up square wave tremelos at very high and =
rhythmically specific rates (32nd notes, etc.)  so that you can
    make things 'trill' at appropriate rhythmical =
places...............then being able to change the rates with which the =
square wave tremelos
    work.

    All of these things are fantastic and really useful for resampling =
and relooping.

    One of my favorite set ups now,  uses one DL4 before my effects =
pedals to loop a pure instrument sound
    then pass it through whatever effects (including the MoFX and the =
Filter Factory which works similarly)
    then putting a second DL4 on the back side of that to be able to =
loop the 'effected sounds'
    then running all of it into my little VOX  and ROLAND battery =
powered guitar and bass amps,
    micing it all and then running it through the Looperlative LP-1  as =
a final way of slicing, dicing and arrangeing
    the piece of music.

    I would be bereft if I lost the unit.

    My only regret about the Electrix stuff is that it takes up two rack =
spaces each and
    it makes it unsuitable for me to tour with it.

    I always take an extra 6 space rack with me to my gigs with the =
Electrix, Repeater, Filter Factory and MoFX
    all hooked up but it's too much shit to take to a festival
    so most people in the looping community have never seen me use this =
setup.

    It's a bitchen one and I can see why a lot of people have gone the =
Plogue Bidule route with laptops to get this kind
    of flexibility,  musically.

    Yeah,  I vote THUMBS UP on all that Electrix Gear.
    I was set up to have a product endorsement if they had ever =
rereleased and I was bummed BIG TIME when they tanked.

    LONG LIVE ELECTRIX!!!!





  --=20
  http://myspace.com/usrsbin
  http://audiozoloft.com
  http://usrslashsbin.angrek.com/

------=_NextPart_000_000F_01C9FE46.145FAC70
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>i am willing to give the Vortex a good=20
home!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsinsofmachaut@gmail.com =
href=3D"mailto:sinsofmachaut@gmail.com">Dennis=20
  Moser</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 06, 2009 =
2:18 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Electrix MoFX : Is =
it worth=20
  it?</DIV>
  <DIV><BR></DIV>Okay ...thanks all, it sounds like there is luke-warm =
to=20
  enthusiastic response to the Electrix MoFX ... 2-U is okay for me =
since I only=20
  use a pair of 4U Gator bags these days (anyone want a Lexicon Vortex? =
I'm=20
  cutting back ... ) so there is room. I'm moving in the direction of=20
  MIDI-control or foot pedal-control only so that won't be an issue =
either=20
  (aside from the continuing learning curve I am having with =
MIDI).<BR><BR>Now I=20
  just need to divy up my pennies ... :)<BR><BR>Dennis<BR><BR><BR>
  <DIV class=3Dgmail_quote>On Sun, Jul 5, 2009 at 10:53 PM, Rick Walker =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</A>&gt;</SPAN> =

wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Dear=20
    Dennis,<BR><BR>I have to go on record and say that I love =
the<BR>Electrix=20
    MoFX.<BR><BR>Just like the Electrix Repeater (which is the only unit =
on=20
    earth that allows one to be able to<BR>make any sampled sound a =
chromatic=20
    instrument with sample and tempo stretching)<BR>it does a couple of =
things=20
    better than almost anything out there.<BR><BR>The effects in the =
MoFX=20
    &nbsp;are fairly mundane, but the use of the drum machine styled=20
    buttons<BR>and the ability to tempo drive the effects using a MIDI=20
    interface, &nbsp;sets it apart from almost anything else I can think =

    of.<BR><BR>The fact that the large drum machine styled 'play' button =
can=20
    either have a positive or a negative function (in other words it can =
turn=20
    the effect on when you use it momentarily or turn the effect off =
depending=20
    on how you set it)<BR>is just wonderful.<BR><BR>Ways, &nbsp;I use it =
are=20
    putting small amounts of distortion on it, narrowing the bandwidth, =
and then=20
    suddenly bringing in the<BR>full unadulterated sound at precise =
rhythmic=20
    moments...............fantastic for real time production ideas in =
things=20
    like<BR>hip hop and drum and bass.<BR><BR>........setting up square =
wave=20
    tremelos at very high and rhythmically specific rates (32nd notes, =
etc.)=20
    &nbsp;so that you can<BR>make things 'trill' at appropriate =
rhythmical=20
    places...............then being able to change the rates with which =
the=20
    square wave tremelos<BR>work.<BR><BR>All of these things are =
fantastic and=20
    really useful for resampling and relooping.<BR><BR>One of my =
favorite set=20
    ups now, &nbsp;uses one DL4 before my effects pedals to loop a pure=20
    instrument sound<BR>then pass it through whatever effects (including =
the=20
    MoFX and the Filter Factory which works similarly)<BR>then putting a =
second=20
    DL4 on the back side of that to be able to loop the 'effected=20
    sounds'<BR>then running all of it into my little VOX &nbsp;and =
ROLAND=20
    battery powered guitar and bass amps,<BR>micing it all and then =
running it=20
    through the Looperlative LP-1 &nbsp;as a final way of slicing, =
dicing and=20
    arrangeing<BR>the piece of music.<BR><BR>I would be bereft if I lost =
the=20
    unit.<BR><BR>My only regret about the Electrix stuff is that it =
takes up two=20
    rack spaces each and<BR>it makes it unsuitable for me to tour with=20
    it.<BR><BR>I always take an extra 6 space rack with me to my gigs =
with the=20
    Electrix, Repeater, Filter Factory and MoFX<BR>all hooked up but =
it's too=20
    much shit to take to a festival<BR>so most people in the looping =
community=20
    have never seen me use this setup.<BR><BR>It's a bitchen one and I =
can see=20
    why a lot of people have gone the Plogue Bidule route with laptops =
to get=20
    this kind<BR>of flexibility, &nbsp;musically.<BR><BR>Yeah, &nbsp;I =
vote=20
    THUMBS UP on all that Electrix Gear.<BR>I was set up to have a =
product=20
    endorsement if they had ever rereleased and I was bummed BIG TIME =
when they=20
    tanked.<BR><BR>LONG LIVE =
ELECTRIX!!!!<BR><BR></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR><A=20
  =
href=3D"http://myspace.com/usrsbin">http://myspace.com/usrsbin</A><BR><A =

  href=3D"http://audiozoloft.com">http://audiozoloft.com</A><BR><A=20
  =
href=3D"http://usrslashsbin.angrek.com/">http://usrslashsbin.angrek.com/<=
/A><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 18:49:12 2009
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	 <dec8f8e60907061118y18832af0mfc47cf23a30efdb5@mail.gmail.com>
	 <001201c9fe67$9bacf5e0$e4872245@YOUR08D5303051>
Date: Mon, 6 Jul 2009 11:49:11 -0700
Message-ID: <bcd3c7bb0907061149o4df96cc0p796a1313ebf7914d@mail.gmail.com>
Subject: Re: Electrix MoFX : Is it worth it?
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Oh, this is what replaced the moFX:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ssPageName=3DSTRK:MEUSX:IT&it=
em=3D190317399841

Tiny, easy to midi or expression pedal control and a lot more
flexible.  All time based perimeters sync to MIDI clock. One of the
casualties of the great computer revolution though so now it's up on
the ebay chopping block.  It's probably going to fund the new
FXpansion Synthsquad instrument.

Mark

On Mon, Jul 6, 2009 at 11:28 AM, Jeff Duke<jeff_d@embarqmail.com> wrote:
> i am willing to give the Vortex a good home!
>
> Jeff
>
> ----- Original Message -----
> From: Dennis Moser
> To: Loopers-Delight@loopers-delight.com
> Sent: Monday, July 06, 2009 2:18 PM
> Subject: Re: Electrix MoFX : Is it worth it?
> Okay ...thanks all, it sounds like there is luke-warm to enthusiastic
> response to the Electrix MoFX ... 2-U is okay for me since I only use a p=
air
> of 4U Gator bags these days (anyone want a Lexicon Vortex? I'm cutting ba=
ck
> ... ) so there is room. I'm moving in the direction of MIDI-control or fo=
ot
> pedal-control only so that won't be an issue either (aside from the
> continuing learning curve I am having with MIDI).
>
> Now I just need to divy up my pennies ... :)
>
> Dennis
>
>
> On Sun, Jul 5, 2009 at 10:53 PM, Rick Walker <looppool@cruzio.com> wrote:
>>
>> Dear Dennis,
>>
>> I have to go on record and say that I love the
>> Electrix MoFX.
>>
>> Just like the Electrix Repeater (which is the only unit on earth that
>> allows one to be able to
>> make any sampled sound a chromatic instrument with sample and tempo
>> stretching)
>> it does a couple of things better than almost anything out there.
>>
>> The effects in the MoFX =A0are fairly mundane, but the use of the drum
>> machine styled buttons
>> and the ability to tempo drive the effects using a MIDI interface, =A0se=
ts
>> it apart from almost anything else I can think of.
>>
>> The fact that the large drum machine styled 'play' button can either hav=
e
>> a positive or a negative function (in other words it can turn the effect=
 on
>> when you use it momentarily or turn the effect off depending on how you =
set
>> it)
>> is just wonderful.
>>
>> Ways, =A0I use it are putting small amounts of distortion on it, narrowi=
ng
>> the bandwidth, and then suddenly bringing in the
>> full unadulterated sound at precise rhythmic
>> moments...............fantastic for real time production ideas in things
>> like
>> hip hop and drum and bass.
>>
>> ........setting up square wave tremelos at very high and rhythmically
>> specific rates (32nd notes, etc.) =A0so that you can
>> make things 'trill' at appropriate rhythmical places...............then
>> being able to change the rates with which the square wave tremelos
>> work.
>>
>> All of these things are fantastic and really useful for resampling and
>> relooping.
>>
>> One of my favorite set ups now, =A0uses one DL4 before my effects pedals=
 to
>> loop a pure instrument sound
>> then pass it through whatever effects (including the MoFX and the Filter
>> Factory which works similarly)
>> then putting a second DL4 on the back side of that to be able to loop th=
e
>> 'effected sounds'
>> then running all of it into my little VOX =A0and ROLAND battery powered
>> guitar and bass amps,
>> micing it all and then running it through the Looperlative LP-1 =A0as a
>> final way of slicing, dicing and arrangeing
>> the piece of music.
>>
>> I would be bereft if I lost the unit.
>>
>> My only regret about the Electrix stuff is that it takes up two rack
>> spaces each and
>> it makes it unsuitable for me to tour with it.
>>
>> I always take an extra 6 space rack with me to my gigs with the Electrix=
,
>> Repeater, Filter Factory and MoFX
>> all hooked up but it's too much shit to take to a festival
>> so most people in the looping community have never seen me use this setu=
p.
>>
>> It's a bitchen one and I can see why a lot of people have gone the Plogu=
e
>> Bidule route with laptops to get this kind
>> of flexibility, =A0musically.
>>
>> Yeah, =A0I vote THUMBS UP on all that Electrix Gear.
>> I was set up to have a product endorsement if they had ever rereleased a=
nd
>> I was bummed BIG TIME when they tanked.
>>
>> LONG LIVE ELECTRIX!!!!
>>
>
>
>
> --
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 19:02:19 2009
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Going full-time into looping in August
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Well, my day job will be coming to an end at the end of July.  I see =
this as a sign that it is time for me to move on.  So, I'm dedicating =
myself 100% to Looperlative starting in August.  It is my goal to =
provide better looping gear to the community and help bring more people =
into the world of looping.  Expect new offerings from Looperlative this =
year because you will have my undivided attention very shortly.

Loop on!

Bob Amstadt
Looperlative Audio Products
------=_NextPart_000_0282_01C9FE31.96CC3DF0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Well, my day job will be coming to an =
end at the=20
end of July.&nbsp; I see this as a sign that it is time for me to move =
on.&nbsp;=20
So, I'm dedicating myself 100% to Looperlative starting in August.&nbsp; =

It&nbsp;is my goal to provide better looping gear to the community and =
help=20
bring more people into the world of looping.&nbsp; Expect new offerings =
from=20
Looperlative this year because you will have my undivided attention very =

shortly.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Loop on!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Bob Amstadt</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Looperlative Audio=20
Products</FONT></DIV></BODY></HTML>

------=_NextPart_000_0282_01C9FE31.96CC3DF0--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 19:07:34 2009
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Date: Mon, 6 Jul 2009 15:01:11 -0400
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Subject: OT: Resources on The Art of Reverb
From: Rodney <rferryman@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi, I'm Rodney ... this is my first time posting to this list ...

I'm kind of new to the world of music creation.

I have a Lexicon PCM 81 effects processor which at some
point will use for it's various effects, but for now want to explore
it's reverb abilities at a deep level.

I was wondering if any one can point to web sites or other
resources regarding reverb (theory and practical) and how
various parameters can be altered to create different spacial
effects (long tunnels and giant caves, for example).  I'm wanting
to gain a deeper understanding so I can create and fine tune
my own spaces.

         Thanks,
              Rodney

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 19:11:43 2009
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	 <001201c9fe67$9bacf5e0$e4872245@YOUR08D5303051>
	 <4A35307A5A6D4BDAB1BAEDD7F47235AC@bobdell>
Date: Mon, 6 Jul 2009 21:11:41 +0200
Message-ID: <afb941d0907061211h7c80338erb995d31f64ce9386@mail.gmail.com>
Subject: Re: Going full-time into looping in August
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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move on bob. we'll follow next ... daily jobs coming to an end around
the globe!.
endless free time for musicing!


2009/7/6, Bob Amstadt <bob@amstadt.com>:
> Well, my day job will be coming to an end at the end of July.  I see this as
> a sign that it is time for me to move on.  So, I'm dedicating myself 100% to
> Looperlative starting in August.  It is my goal to provide better looping
> gear to the community and help bring more people into the world of looping.
> Expect new offerings from Looperlative this year because you will have my
> undivided attention very shortly.
>
> Loop on!
>
> Bob Amstadt
> Looperlative Audio Products


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 19:41:03 2009
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Date: Mon, 06 Jul 2009 14:19:25 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com, Bob Amstadt <bob@amstadt.com>
Subject: Re: Going full-time into looping in August
References: <4A518330.4050005@cruzio.com>
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Congrats Bob!!!! Wishing you much luck on this exciting change! :)

-cpr

Quoting Bob Amstadt <bob@amstadt.com>:

> Well, my day job will be coming to an end at the end of July.  I see  
>  this as a sign that it is time for me to move on.  So, I'm   
> dedicating myself 100% to Looperlative starting in August.  It is my  
>  goal to provide better looping gear to the community and help bring  
>  more people into the world of looping.  Expect new offerings from   
> Looperlative this year because you will have my undivided attention   
> very shortly.
>
> Loop on!
>
> Bob Amstadt
> Looperlative Audio Products


From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 19:42:55 2009
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--0015174c391a500d6f046e0eb663
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Hey.. shit.. LETS ALL QUIT ! ! ! Im up for it...

>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c391a500d6f046e0eb663
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Hey.. shit.. LETS ALL QUIT ! ! ! Im up for it...=A0 <br><div class=3D"gmail=
_quote"><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid r=
gb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div=
 class=3D"h5">

<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c391a500d6f046e0eb663--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 20:05:38 2009
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From: "Bob Amstadt" <bob@amstadt.com>
To: <Loopers-Delight@loopers-delight.com>
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Well, I didn't say that I quit, but hey, sometimes the universe just =
needs to give you a nudge. ;-)

Bob

----- Original Message -----=20

  Hey.. shit.. LETS ALL QUIT ! ! ! Im up for it... =20


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<DIV><FONT face=3DArial size=3D2>Well, I didn't say that I quit, but =
hey, sometimes=20
the universe just needs to give you a nudge. ;-)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Bob</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
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  <DIV class=3Dgmail_quote>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
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</HTML>

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Date: Mon, 6 Jul 2009 13:13:16 -0700
Message-ID: <3fa302e30907061313w6470a4d8w26f4ae53cce0382b@mail.gmail.com>
Subject: Re: Going full-time into looping in August
From: Miko Biffle <biffoz@gmail.com>
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Feels more like a cattle prod for most I'd guess?  8-(
-- 
Miko Biffle
Biffoz@Gmail.com
On 7/6/09, Bob Amstadt <bob@amstadt.com> wrote:

> Well, I didn't say that I quit, but hey, sometimes the universe just needs
> to give you a nudge. ;-)   Bob

>>  Hey.. shit.. LETS ALL QUIT ! ! ! Im up for it...

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Date: Mon, 6 Jul 2009 13:17:04 -0700
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Subject: Re: OT: Resources on The Art of Reverb
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Any type of comb filtering or phase effects can do wonderful things to
reverbs.  I've even put a trance gate or two after one in my day.

On Mon, Jul 6, 2009 at 12:01 PM, Rodney<rferryman@gmail.com> wrote:
> Hi, I'm Rodney ... this is my first time posting to this list ...
>
> I'm kind of new to the world of music creation.
>
> I have a Lexicon PCM 81 effects processor which at some
> point will use for it's various effects, but for now want to explore
> it's reverb abilities at a deep level.
>
> I was wondering if any one can point to web sites or other
> resources regarding reverb (theory and practical) and how
> various parameters can be altered to create different spacial
> effects (long tunnels and giant caves, for example). =A0I'm wanting
> to gain a deeper understanding so I can create and fine tune
> my own spaces.
>
> =A0 =A0 =A0 =A0 Thanks,
> =A0 =A0 =A0 =A0 =A0 =A0 =A0Rodney
>
>

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Date: Mon, 6 Jul 2009 20:23:40 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Electrix MoFX : Is it worth it?
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but i think is the inmediate access manual analog style layout that devices=
 like this cannot compare to the Electrix line
unfortunately yes too bulky to tour with and as much as i loved mine i ende=
d up selling it!

www.myspace.com/luisangulocom


--- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Mo, 6.7.2009:

> Von: Mark Sottilaro <zerocrossing@gmail.com>
> Betreff: Re: Electrix MoFX : Is it worth it?
> An: Loopers-Delight@loopers-delight.com
> Datum: Montag, 6. Juli 2009, 11:49
> Oh, this is what replaced the moFX:
>=20
> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ssPageName=3DSTRK:MEUSX:IT&=
item=3D190317399841
>=20
> Tiny, easy to midi or expression pedal control and a lot
> more
> flexible.=A0 All time based perimeters sync to MIDI
> clock. One of the
> casualties of the great computer revolution though so now
> it's up on
> the ebay chopping block.=A0 It's probably going to fund
> the new
> FXpansion Synthsquad instrument.
>=20
> Mark
>=20
> On Mon, Jul 6, 2009 at 11:28 AM, Jeff Duke<jeff_d@embarqmail.com>
> wrote:
> > i am willing to give the Vortex a good home!
> >
> > Jeff
> >
> > ----- Original Message -----
> > From: Dennis Moser
> > To: Loopers-Delight@loopers-delight.com
> > Sent: Monday, July 06, 2009 2:18 PM
> > Subject: Re: Electrix MoFX : Is it worth it?
> > Okay ...thanks all, it sounds like there is luke-warm
> to enthusiastic
> > response to the Electrix MoFX ... 2-U is okay for me
> since I only use a pair
> > of 4U Gator bags these days (anyone want a Lexicon
> Vortex? I'm cutting back
> > ... ) so there is room. I'm moving in the direction of
> MIDI-control or foot
> > pedal-control only so that won't be an issue either
> (aside from the
> > continuing learning curve I am having with MIDI).
> >
> > Now I just need to divy up my pennies ... :)
> >
> > Dennis
> >
> >
> > On Sun, Jul 5, 2009 at 10:53 PM, Rick Walker <looppool@cruzio.com>
> wrote:
> >>
> >> Dear Dennis,
> >>
> >> I have to go on record and say that I love the
> >> Electrix MoFX.
> >>
> >> Just like the Electrix Repeater (which is the only
> unit on earth that
> >> allows one to be able to
> >> make any sampled sound a chromatic instrument with
> sample and tempo
> >> stretching)
> >> it does a couple of things better than almost
> anything out there.
> >>
> >> The effects in the MoFX =A0are fairly mundane, but
> the use of the drum
> >> machine styled buttons
> >> and the ability to tempo drive the effects using a
> MIDI interface, =A0sets
> >> it apart from almost anything else I can think
> of.
> >>
> >> The fact that the large drum machine styled 'play'
> button can either have
> >> a positive or a negative function (in other words
> it can turn the effect on
> >> when you use it momentarily or turn the effect off
> depending on how you set
> >> it)
> >> is just wonderful.
> >>
> >> Ways, =A0I use it are putting small amounts of
> distortion on it, narrowing
> >> the bandwidth, and then suddenly bringing in the
> >> full unadulterated sound at precise rhythmic
> >> moments...............fantastic for real time
> production ideas in things
> >> like
> >> hip hop and drum and bass.
> >>
> >> ........setting up square wave tremelos at very
> high and rhythmically
> >> specific rates (32nd notes, etc.) =A0so that you
> can
> >> make things 'trill' at appropriate rhythmical
> places...............then
> >> being able to change the rates with which the
> square wave tremelos
> >> work.
> >>
> >> All of these things are fantastic and really
> useful for resampling and
> >> relooping.
> >>
> >> One of my favorite set ups now, =A0uses one DL4
> before my effects pedals to
> >> loop a pure instrument sound
> >> then pass it through whatever effects (including
> the MoFX and the Filter
> >> Factory which works similarly)
> >> then putting a second DL4 on the back side of that
> to be able to loop the
> >> 'effected sounds'
> >> then running all of it into my little VOX =A0and
> ROLAND battery powered
> >> guitar and bass amps,
> >> micing it all and then running it through the
> Looperlative LP-1 =A0as a
> >> final way of slicing, dicing and arrangeing
> >> the piece of music.
> >>
> >> I would be bereft if I lost the unit.
> >>
> >> My only regret about the Electrix stuff is that it
> takes up two rack
> >> spaces each and
> >> it makes it unsuitable for me to tour with it.
> >>
> >> I always take an extra 6 space rack with me to my
> gigs with the Electrix,
> >> Repeater, Filter Factory and MoFX
> >> all hooked up but it's too much shit to take to a
> festival
> >> so most people in the looping community have never
> seen me use this setup.
> >>
> >> It's a bitchen one and I can see why a lot of
> people have gone the Plogue
> >> Bidule route with laptops to get this kind
> >> of flexibility, =A0musically.
> >>
> >> Yeah, =A0I vote THUMBS UP on all that Electrix
> Gear.
> >> I was set up to have a product endorsement if they
> had ever rereleased and
> >> I was bummed BIG TIME when they tanked.
> >>
> >> LONG LIVE ELECTRIX!!!!
> >>
> >
> >
> >
> > --
> > http://myspace.com/usrsbin
> > http://audiozoloft.com
> > http://usrslashsbin.angrek.com/
> >
>=20
> =0A=0A=0A      

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Date: Mon, 6 Jul 2009 12:58:14 -0700
Message-ID: <3fa302e30907061258w687004a9he167e7072be35d88@mail.gmail.com>
Subject: Re: Going full-time into looping in August
From: Miko Biffle <biffoz@gmail.com>
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>  2009/7/6, Bob Amstadt <bob@amstadt.com>:
>  > Well, my day job will be coming to an end at the end of July.  I see this as
>  > a sign that it is time for me to move on.  So, I'm dedicating myself 100% to
>  > Looperlative starting in August.  It is my goal to provide better looping
>  > gear to the community and help bring more people into the world of looping.
>  > Expect new offerings from Looperlative this year because you will have my
>  > undivided attention very shortly.
>  >
>  > Loop on!
>  >
>  > Bob Amstadt
>  > Looperlative Audio Products

Wow . . . I admire your attitude considering we're talking about your
LIVELIHOOD.  I wish you the very best and hope there may be a time I
can jump to your awesome product myself!  -m

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 20:29:40 2009
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References: <4A518330.4050005@cruzio.com> <dec8f8e60907061118y18832af0mfc47cf23a30efdb5@mail.gmail.com> <001201c9fe67$9bacf5e0$e4872245@YOUR08D5303051> <4A35307A5A6D4BDAB1BAEDD7F47235AC@bobdell> <20090706141925.mj31mffu1wog804g@webmail.musetrap.com> <9ab0c76f0907061242i77bdb7bag8f3b7dd4205b0be9@mail.gmail.com> <650178D455824B6FB5BE9A9C96843AC4@bobdell> <3fa302e30907061313w6470a4d8w26f4ae53cce0382b@mail.gmail.com>
Subject: Re: Going full-time into looping in August
Date: Mon, 6 Jul 2009 13:29:32 -0700
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Well, when I first got the news in April, I was frightened, then I was 
angry, and then I finally realized that it was a good thing.  I've got a 
severance package coming my way and I already have my hands on my retirement 
account.  So, now I can take the money and happily do what I've really 
wanted to do for the past 5 years.  I've got a list of things that I've 
wanted Looperlative to do but haven't had the time to do them.  Now I have 
the time and I can explore all of my ideas.

Bob

----- Original Message ----- 

> Feels more like a cattle prod for most I'd guess?  8-(
> -- 
> Miko Biffle
>
>> Well, I didn't say that I quit, but hey, sometimes the universe just 
>> needs
>> to give you a nudge. ;-)   Bob
>
>>>  Hey.. shit.. LETS ALL QUIT ! ! ! Im up for it...

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Subject: Gig Preview: The MoinSound Studio Sessions - this Saturday at t-u-b-e 
	with surprise guests
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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Ok, seriously, this is getting big, yo!

I already told you at great length about my ongoing series of
bi-weekly virtual concerts, transmitted live from my condo via video
stream at http://justin.tv/moinlabs - happening every even calendar
week on Saturday 1600 UTC.
Now this week, I'm participating in a workshop by M=FCnchen's center for
radiophonic art www.t-u-b-e.de. The workshop spans the entire weekend
and lasts from 0900 to 1800 local time each day - which would me have
to skip my session this week.
Now my idea was like this: if we have this workshop, in a venue with
DSL connectivity no less, and with several interesting artists
participating  - couldn't I just transmit from there and include any
artists who would like to be included? The answer of the event
curator: at all costs, yes!

So, this week's "MoinSound Studio Session" will be special in many
ways: it will be transmitted from an "out of house" location. It may
very well feature interesting guests - though no details as of yet,
I'm gonna hit them with the idea right on Saturday. And it will be
cool! Mark the date in your calendar! http://tinyurl.com/lhahgd

Yours,

                Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://justin.tv/moinlabs
http://vimeo.com/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=3D117329

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 21:20:18 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Gig Preview: The MoinSound Studio Sessions - this Saturday at t-u-b-e with surprise guests
Date: Mon, 6 Jul 2009 17:20:16 -0400
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Now that is cool Rainer, it just keeps getting more interesting! Looking 
forward to it.

best,

Jeff


----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Monday, July 06, 2009 4:58 PM
Subject: Gig Preview: The MoinSound Studio Sessions - this Saturday at 
t-u-b-e with surprise guests


Ok, seriously, this is getting big, yo!

I already told you at great length about my ongoing series of
bi-weekly virtual concerts, transmitted live from my condo via video
stream at http://justin.tv/moinlabs - happening every even calendar
week on Saturday 1600 UTC.
Now this week, I'm participating in a workshop by München's center for
radiophonic art www.t-u-b-e.de. The workshop spans the entire weekend
and lasts from 0900 to 1800 local time each day - which would me have
to skip my session this week.
Now my idea was like this: if we have this workshop, in a venue with
DSL connectivity no less, and with several interesting artists
participating  - couldn't I just transmit from there and include any
artists who would like to be included? The answer of the event
curator: at all costs, yes!

So, this week's "MoinSound Studio Session" will be special in many
ways: it will be transmitted from an "out of house" location. It may
very well feature interesting guests - though no details as of yet,
I'm gonna hit them with the idea right on Saturday. And it will be
cool! Mark the date in your calendar! http://tinyurl.com/lhahgd

Yours,

                Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://justin.tv/moinlabs
http://vimeo.com/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329


From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 21:30:00 2009
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Date: Mon, 6 Jul 2009 21:29:59 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Going full-time into looping in August
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cheers Bob!
this makes me want to share a little story,there is a guy everybody knows h=
ere that does sculptures with balanced stacked stones that lay all over the=
 lake,basically he looks for stones and makes up figures,takes photographs =
of them and sells them to the tourists.I had heard of a bit of his life sto=
ry because i was invited to play at his 20 years aniversary of his new way =
of life some years ago so there was a massive party thrown for him from all=
 the people and friends that know him.
So i started chatting with him and he said years ago he had houses around t=
he lake,cars,a wife and a fulltime neck tie round the clock stressful job.B=
ut it took its toll and apparently he had a seizure from a nervous breakdow=
n.As he laid in the hospital he decided to quit all of it and apparently hi=
s wife soon went with it all as well when he gave her the news.Then he went=
 through lawsuits and lost just about everything.
Then he grew his hair long and took endless walks around the lake and came =
up with the stone sculpturing idea.He told me that all those years he never=
 had time to disconnect or enjoy what he had.But now that he has nothing he=
 spends with what little he earns doing what he wants and is in spain half =
of the year escaping the long winter here and then if he feels like it in t=
he summer he returns or goes somewhere else.So then i asked him what he had=
 learned from all of this and he said" i learned that people are in general=
 stupid because they still dont know what a real millionaire is;-)

Luis


www.myspace.com/luisangulocom


--- Bob Amstadt <bob@amstadt.com> schrieb am Mo, 6.7.2009:

> Von: Bob Amstadt <bob@amstadt.com>
> Betreff: Re: Going full-time into looping in August
> An: Loopers-Delight@loopers-delight.com
> Datum: Montag, 6. Juli 2009, 13:29
> Well, when I first got the news in
> April, I was frightened, then I was angry, and then I
> finally realized that it was a good thing.=A0 I've got a
> severance package coming my way and I already have my hands
> on my retirement account.=A0 So, now I can take the money
> and happily do what I've really wanted to do for the past 5
> years.=A0 I've got a list of things that I've wanted
> Looperlative to do but haven't had the time to do
> them.=A0 Now I have the time and I can explore all of my
> ideas.
>=20
> Bob
>=20
> ----- Original Message -----=20
> > Feels more like a cattle prod for most I'd
> guess?=A0 8-(
> > -- Miko Biffle
> >=20
> >> Well, I didn't say that I quit, but hey, sometimes
> the universe just needs
> >> to give you a nudge. ;-)=A0=A0=A0Bob
> >=20
> >>>=A0 Hey.. shit.. LETS ALL QUIT ! ! ! Im up
> for it...
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 22:24:42 2009
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Date: Mon, 6 Jul 2009 15:24:40 -0700 (PDT)
Subject: Re: Electrix MoFX : Is it worth it?
From: looppool@cruzio.com
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I should add to my glowing review of the MoFX that my enthusiasm must
be tempered with the knowledge that
I am a drummer/percussionist originally.... so what turns me on
about the MoFX is that you can play the effects rhythmically
like a percussion instrument and I don't really know anything
else that uses that paradigm.

if it weren't for that particular (and to me, exciting) aspect of the unit,
I wouldn't even consider using it as just an effects processor.

The effects themselves are pretty prosaic.  Just being able to play them
rhythmically is what makes it bitchen to me.   (huh huh huh,  did he say
bitchen?)

You want bang for the buck and a very low profile,   try that
wonderful red 1/2 spaced BOSS VF-1

It has 24 bit effects,  a small profile (though the little sucker is
HEAVY for travelling on airplanes) and some really nice sounds.

Or I'm even thinking Plogue Bidule as a virtual mixer with real time VST
instruments
for processing...................sssssshhhhhhhh,   don't tell anyone I'm
considering that,
it might destroy my hardware centric live looping street cred.

From Loopers-Delight-request@loopers-delight.com  Mon Jul  6 23:38:26 2009
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Date: Mon, 6 Jul 2009 16:38:23 -0700
Message-ID: <bcd3c7bb0907061638l2d519042s98e939cffe0b503e@mail.gmail.com>
Subject: Re: Electrix MoFX : Is it worth it?
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Mon, Jul 6, 2009 at 3:24 PM, <looppool@cruzio.com> wrote:

> I am a drummer/percussionist originally.... so what turns me on
> about the MoFX is that you can play the effects rhythmically
> like a percussion instrument and I don't really know anything
> else that uses that paradigm.

http://www.sugar-bytes.com/content/products/Artillery2/index.php?lang=en

put that on the receiving end of a MIDI kit and I bet a lot of fun will happen.

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 01:49:18 2009
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Date: Mon, 6 Jul 2009 18:49:17 -0700
Message-ID: <c70e517b0907061849v477b7d87xe5438c34c03f0d7c@mail.gmail.com>
Subject: Re: Name that looping vid/artist
From: Matt Davignon <mattdavignon@gmail.com>
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Hmmm, I didn't see any camera cuts.

I didn't hear any parts come in without him doing something, but I
could've missed something.

I vote that it could've been live, but it would've required an
off-camera person operating when the looping device was recording or
not. Such a person could also have performed fades. And of course, all
the levels would've had to be set either in advance, or
post-production (for the instruments). Still, it's probably just as
easy to do it that way than to fake it.

I've been seeing/hearing a lot "indie" rock acts lately (even popular
ones!) that are just one person with live looping. It definitely feels
like it's soon to be the next big thing.

On one hand, several of them are doing some impressive things around
getting it to work within the dynamics of a song structure, not
strictly a continuously building collection of different instrumental
parts.

On the other hand, many of the acts I've seen left me feeling like the
performers are locked into a scripted grid, with fewer opportunities
to take the material in a direction other than a previously-drawn,
forward-pointing arrow from start to finish.

My prediction is that looping is going to see a lot of popularity as
this trend gets more popular. The downside is that unless the
well-known artists find a way to fix that forward-arrow problem, the
"wow" factor among audiences will eventually wane.

Matt Davignon
tour!: www.ribosomemusic.com


Aaron Leese<aaronleese@flyloops.com> was all:
>
> Yeah, that was David Ford doing "go to hell" ... the link is now dead, an=
d I
> couldn't find it on youtube ... so you may be out of luck if you wanted t=
o
> see it again.
> per the live/not discussion ... I'll cast a vote for not ....well =A0... =
not
> live in one take ..... there are parts that come in/fade out without any
> help from him, and a number of camera cuts that would mean that if it wer=
e
> one take it would be a number of cameras ...... but hey, you never know. =
=A0I
> havea feeling it was all recorded that day with a lot of loops, and then =
he
> is just walking around and recreating the experience for the camera.
>
> http://www.youtube.com/watch?v=3DY0vcxA29okM
> Jay Bell wrote:
>>
>> Hi all,
>> =A0Some time ago there was a "live" looping performance... it was set in
>> some guys apartment, he played drums, guitars, as well as making percuss=
ion
>> sounds out of spoons, coffee machines etc. Does anyone remember it? I
>> remember there was some controversy over whether or not it was a real li=
ve
>> performance... but it was cute nonetheless. Anyone remember the name of =
the
>> artist?
>> =A0Many thanks
>> Jay
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 01:55:48 2009
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Subject: Re: Electrix MoFX : Is it worth it?
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The other positive thing about the MoFX is the ability to apply the  
effects to only portions of the frequency range.

Mark

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 02:21:56 2009
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Subject: Re: Going full-time into looping in August
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Best of luck Bob,

Hope to someday join the Looperlative community.

           joe


On Jul 6, 2009, at 12:02 PM, Bob Amstadt wrote:

> Well, my day job will be coming to an end at the end of July.  I see  
> this as a sign that it is time for me to move on.  So, I'm  
> dedicating myself 100% to Looperlative starting in August.  It is my  
> goal to provide better looping gear to the community and help bring  
> more people into the world of looping.  Expect new offerings from  
> Looperlative this year because you will have my undivided attention  
> very shortly.
>
> Loop on!
>
> Bob Amstadt
> Looperlative Audio Products


--Apple-Mail-1-190658060
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Best of luck =
Bob,<div><br></div><div>Hope to someday join the Looperlative =
community.</div><div><br></div><div>&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp;joe</div><div><br></div><div><br><div><div>On Jul 6, 2009, at =
12:02 PM, Bob Amstadt wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div =
bgcolor=3D"#ffffff"><div><font face=3D"Arial" size=3D"2">Well, my day =
job will be coming to an end at the end of July.&nbsp; I see this as a =
sign that it is time for me to move on.&nbsp; So, I'm dedicating myself =
100% to Looperlative starting in August.&nbsp; It&nbsp;is my goal to =
provide better looping gear to the community and help bring more people =
into the world of looping.&nbsp; Expect new offerings from Looperlative =
this year because you will have my undivided attention very =
shortly.</font></div><div><font face=3D"Arial" =
size=3D"2"></font>&nbsp;</div><div><font face=3D"Arial" size=3D"2">Loop =
on!</font></div><div><font face=3D"Arial" =
size=3D"2"></font>&nbsp;</div><div><font face=3D"Arial" size=3D"2">Bob =
Amstadt</font></div><div><font face=3D"Arial" size=3D"2">Looperlative =
Audio =
Products</font></div></div></span></blockquote></div><br></div></body></ht=
ml>=

--Apple-Mail-1-190658060--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 02:22:59 2009
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Bob, I'm really excited about this news and am looking forward to 
hearing and seeing what you do. Thanks for sharing and good luck.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Well, when I first got the news in April, I was frightened, then I was 
> angry, and then I finally realized that it was a good thing.  I've got 
> a severance package coming my way and I already have my hands on my 
> retirement account.  So, now I can take the money and happily do what 
> I've really wanted to do for the past 5 years.  I've got a list of 
> things that I've wanted Looperlative to do but haven't had the time to 
> do them.  Now I have the time and I can explore all of my ideas.
>
> Bob

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 02:45:21 2009
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Bob Amstadt wrote:
> I've got a list of
> things that I've wanted Looperlative to do but haven't had the time to 
> do them.  Now I have the time and I can explore all of my ideas.
> 
> Bob

Glances over at Looperlative. Grins.

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 05:13:37 2009
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I've just put together a new software based live looping rig and thought
telling the story here might help some and start an engaging discussion with
others.  

I held back on the software side for a couple of reasons. One is the mental
image of say the Kiss guy, Gene Simons, performing except it's a notebook
instead of a guitar, doesn't seem like Rock and Roll. Folks that was Eric
Clapton on guitar and on PC its ...  Second I have done lots of software
recording and I end up sitting in front of the PC the whole time and not
playing guitar. I needed a new notebook for travel and figured it could host
a looping rig as well. I really need a netbook for travel and I figured I
could squeeze a setup onto a new 10" notebook and if not I still had all my
gear. 

I'm a long time hardware looper been at it for over a decade. I only play
guitar and have 4 of Roland's GK boxes but my sound is now focused on the 2
VG units I've got a vg8 and a vg99. I was using guitar to MIDI for
everything but now I only use it to play the drums. To loop I use one guitar
to control one or more of the units at a time. I play in a bass lines,
drums, and rhythms by switching on and off my units and then overdubbing
loops.  I was using a Boomerang, an  Echoplex and A/B switches for this.  

Hardware:

I got a real deal on a Toshiba nb205 1.66ghz 1gb RAM and a 150gb HD and 3
USB2 ports. 

mAudio Fast Track Ultra USB with 6 ins and 8 outs. 

Behringer  FCB1010 to control the software from a stomp box hands free (must
have the free software editor)

Software:

Mobius - My new looper it's a simulation of 8 stereo Echoplex units which
all can be in sync. The interface was very familiar to me as I have an
Echoplex and now I have eight on a free download. 

Bidule- A virtual wiring rack under MIDI control from the fcb1010 stomp box.
I have to be able to route my instruments to the right tracks, record to the
right tracks and mute the boxes I'm not using. Moduis is hosted and wired
into Bidule.

Jamstix - A virtual drummer and virtual sound source from my drums. Also
wired into BIdule.

My whole rig: VG99, VG8, FCB1010, FV500L, US-20 and the netbook with mAudio
USB

Old Rig: VG99, VG8, SR16, FC300, US-20, DD6, 2 double 1 single 1 triple AB
switches, 4 channel mixer Boomerang, and the Echoplex

I'm floored by what I've built so far. I added 6 tracks of looping and
stereo for everything. I should have done this a long time ago. I can now
not only layer my sounds and loop them up but go back and rework or replace
them by track or just adjust the volume. I can sound parts that aren't
looped. I can rewire my rig on the fly and return to old wirings saved to
disk with Bidule. 

The netbook is a tight squeeze everything has to be turned off on it except
the sound stuff. I'm running into the high 60 dsp in Bidule and about 50% on
the CPU when drumming and looping. The available screen is tight as well.
Not much room for all the indicators I need to see to operate it all. I do
need to see it but not touch it during a song.

I was/am very disappointed in the Roland fc300. I've been using it for the
vg99. For that it's just OK but you gotta have a foot controller for a unit
like the 99. It just wasn't setup to offer enough buttons to do the looping
right and its dual switch buttons are a pain if the lights don't match up. I
hooked up a single expression pedal and now use the fcb1010 banks for
looping and switching, and others for selecting patches on the two VGs. 

I'm still working on getting everything setup right but I've got it all
working and am looking forward to playing . now

Cheers,

-Ty

www.soundclick.com\TygermanGrooveBand
<http://www.soundclick.com/TygermanGrooveBand> 

 


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<div class=3DSection1>

<p class=3DMsoNormal>I&#8217;ve just put together a new software based =
live
looping rig and thought telling the story here might help some and start =
an
engaging discussion with others.&nbsp; <o:p></o:p></p>

<p class=3DMsoNormal>I held back on the software side for a couple of =
reasons.
One is the mental image of say the Kiss guy, Gene Simons, performing =
except
it&#8217;s a notebook instead of a guitar, doesn't seem like Rock and =
Roll.
Folks that was Eric Clapton on guitar and on PC its ...&nbsp; Second I =
have
done lots of software recording and I end up sitting in front of the PC =
the
whole time and not playing guitar. I needed a new notebook for travel =
and
figured it could host a looping rig as well. I really need a netbook for =
travel
and I figured I could squeeze a setup onto a new 10&#8221; notebook and =
if not
I still had all my gear. <o:p></o:p></p>

<p class=3DMsoNormal>I&#8217;m a long time hardware looper been at it =
for over a
decade. I only play guitar and have 4 of Roland&#8217;s GK boxes but my =
sound
is now focused on the 2 VG units I&#8217;ve got a vg8 and a vg99. I was =
using
guitar to MIDI for everything but now I only use it to play the drums. =
To loop
I use one guitar to control one or more of the units at a time. I play =
in a
bass lines, drums, and rhythms by switching on and off my units and then
overdubbing&nbsp; loops.&nbsp; I was using a Boomerang, an&nbsp; =
Echoplex and
A/B switches for this.&nbsp; <o:p></o:p></p>

<p class=3DMsoNormal>Hardware:<o:p></o:p></p>

<p class=3DMsoNormal>I got a real deal on a Toshiba nb205 1.66ghz 1gb =
RAM and a
150gb HD and 3 USB2 ports. <o:p></o:p></p>

<p class=3DMsoNormal>mAudio Fast Track Ultra USB with 6 ins and 8 outs. =
<o:p></o:p></p>

<p class=3DMsoNormal>Behringer&nbsp; FCB1010 to control the software =
from a stomp
box hands free (must have the free software editor)<o:p></o:p></p>

<p class=3DMsoNormal>Software:<o:p></o:p></p>

<p class=3DMsoNormal>Mobius &#8211; My new looper it&#8217;s a =
simulation of 8
stereo Echoplex units which all can be in sync. The interface was very =
familiar
to me as I have an Echoplex and now I have eight on a free download. =
<o:p></o:p></p>

<p class=3DMsoNormal>Bidule- A virtual wiring rack under MIDI control =
from the fcb1010
stomp box. I have to be able to route my instruments to the right =
tracks,
record to the right tracks and mute the boxes I&#8217;m not using. =
Moduis is
hosted and wired into Bidule.<o:p></o:p></p>

<p class=3DMsoNormal>Jamstix - A virtual drummer and virtual sound =
source from my
drums. Also wired into BIdule.<o:p></o:p></p>

<p class=3DMsoNormal>My whole rig: VG99, VG8, FCB1010, FV500L, US-20 and =
the
netbook with mAudio USB<o:p></o:p></p>

<p class=3DMsoNormal>Old Rig: VG99, VG8, SR16, FC300, US-20, DD6, 2 =
double 1
single 1 triple AB switches, 4 channel mixer Boomerang, and the =
Echoplex<o:p></o:p></p>

<p class=3DMsoNormal>I'm floored by what I've built so far. I added 6 =
tracks of
looping and stereo for everything. I should have done this a long time =
ago. I
can now not only layer my sounds and loop them up but go back and rework =
or
replace them by track or just adjust the volume. I can sound parts that
aren&#8217;t looped. I can rewire my rig on the fly and return to old =
wirings
saved to disk with Bidule. <o:p></o:p></p>

<p class=3DMsoNormal>The netbook is a tight squeeze everything has to be =
turned
off on it except the sound stuff. I&#8217;m running into the high 60 dsp =
in
Bidule and about 50% on the CPU when drumming and looping. The available =
screen
is tight as well. Not much room for all the indicators I need to see to =
operate
it all. I do need to see it but not touch it during a =
song.<o:p></o:p></p>

<p class=3DMsoNormal>I was/am very disappointed in the Roland fc300. =
I&#8217;ve
been using it for the vg99. For that it&#8217;s just OK but you gotta =
have a
foot controller for a unit like the 99. It just wasn&#8217;t setup to =
offer
enough buttons to do the looping right and its dual switch buttons are a =
pain
if the lights don&#8217;t match up. I hooked up a single expression =
pedal and
now use the fcb1010 banks for looping and switching, and others for =
selecting
patches on the two VGs. <o:p></o:p></p>

<p class=3DMsoNormal>I&#8217;m still working on getting everything setup =
right
but I&#8217;ve got it all working and am looking forward to playing =
&#8230; now<o:p></o:p></p>

<p class=3DMsoNormal>Cheers,<o:p></o:p></p>

<p class=3DMsoNormal>-Ty<o:p></o:p></p>

<p class=3DMsoNormal><a =
href=3D"http://www.soundclick.com/TygermanGrooveBand">www.soundclick.com\=
TygermanGrooveBand</a><o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

</html>

------=_NextPart_000_0091_01C9FE87.020B8800--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 05:55:49 2009
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From: Steve Lawson <steve@steve-lawson.co.uk>
To: Loop List <Loopers-Delight@loopers-delight.com>
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Bob,

good luck with the transition - that's a big big step, but one that's  
made a whole lot easier by having a product as outstanding as the  
looperlative as the product you're selling.

Happy to help in any way I can. :)

Steve

Where to find me on the web -
_______________________
*********************************
*** www.stevelawson.net - shiny new site
*** www.stevelawson.net/blog - blog
*** www.myspace.com/solobassstevelawson
*** www.reverbnation.com/stevelawson
*** www.twitter.com/solobasssteve
*** http://www.youtube.com/user/StevieSteve46 - loads of new video here!

--Apple-Mail-1-203135683
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Bob,<br><br>good luck with the =
transition - that's a big big step, but one that's made a whole lot =
easier by having a product as outstanding as the looperlative as the =
product you're selling.<br><br>Happy to help in any way I can. =
:)<br><br>Steve<br><br>Where to find me on the web =
-<br>_______________________<br>*********************************<br>***&n=
bsp;<a href=3D"http://www.stevelawson.net/">www.stevelawson.net</a>&nbsp;-=
 shiny new site<br>***&nbsp;<a =
href=3D"http://www.stevelawson.net/blog">www.stevelawson.net/blog</a>&nbsp=
;- blog<br>***&nbsp;<a =
href=3D"http://www.myspace.com/solobassstevelawson">www.myspace.com/soloba=
ssstevelawson</a><br>***&nbsp;<a =
href=3D"http://www.reverbnation.com/stevelawson">www.reverbnation.com/stev=
elawson</a><br>***&nbsp;<a =
href=3D"http://www.twitter.com/solobasssteve">www.twitter.com/solobassstev=
e</a><br>***&nbsp;<a =
href=3D"http://www.youtube.com/user/StevieSteve46">http://www.youtube.com/=
user/StevieSteve46</a>&nbsp;- loads of new video here!<br></body></html>=

--Apple-Mail-1-203135683--

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Dennis Moser wrote:

>  (anyone want a Lexicon Vortex? I'm 
> cutting back ... ) 


!! to only 3 of 'em ??

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 11:15:45 2009
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> Bob Amstadt wrote:
> Well, my day job will be coming to an end at the end of July.  I see 
> this as a sign that it is time for me to move on.  So, I'm dedicating
> myself 100% to Looperlative starting in August.  It is my goal to provi=
de
> better looping gear to the community and help bring more people into th=
e
> world of looping.  Expect new offerings from Looperlative this year bec=
ause
> you will have my undivided attention very shortly.

Bob, 
That's the right spirit: turning a negative thing into something positive=
. So consider it as a good decision and go for it :) If there is anything=
 I can do to help you with achieving your goal, please let me know. 

http://euroloopfest.com/
http://sjaakovergaauw.com/

__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g


From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 12:43:11 2009
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Subject: Re: Going full-time into looping in August
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Bob congrats on the opportunity.  It's great that have some funds plus
the sev and can give looperative a full committment go as its rare in
our world to get to do what we really want to do.  Though I'm not as
knowledgeable about your product I look foward to learning where you
go with it.

All good things

Jim

On 7/7/09, Sjaak <tcplugin@scarlet.be> wrote:
>> Bob Amstadt wrote:
>> Well, my day job will be coming to an end at the end of July.  I see
>> this as a sign that it is time for me to move on.  So, I'm dedicating
>> myself 100% to Looperlative starting in August.  It is my goal to provide
>> better looping gear to the community and help bring more people into the
>> world of looping.  Expect new offerings from Looperlative this year
>> because
>> you will have my undivided attention very shortly.
>
> Bob,
> That's the right spirit: turning a negative thing into something positive.
> So consider it as a good decision and go for it :) If there is anything I
> can do to help you with achieving your goal, please let me know.
>
> http://euroloopfest.com/
> http://sjaakovergaauw.com/
>
> __________________________________
> Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADSL,
> surf naar http://www.scarlet.be/nl/mobile3g
>
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From gulbanghmed1@msn.com  Tue Jul  7 13:47:16 2009
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From: Gulban Ahmed <gulbanghmed1@msn.com>
Subject: Good Day My Dear Call Me Urgent+229-96-61-66-51.
Date: Tue, 7 Jul 2009 13:41:30 +0000
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Dear Friend=2C =20
                                           =20
  I am Mr. Gulban Ahmed=2C The audit & account manager in African Developme=
nt Bank (ADB) of the Federal Republic of Benin=2C West Africa. I am contact=
ing you in the view that the content in this message would be of great inte=
rest and mutual benefits to the both of us. I know you will be wondering wh=
y I am writing to you in such a sensitive proposal considering the magnitud=
e of the funds involved especially to a total stranger=2C but I wish to inf=
orm you here that my contacting you is not a mistake but by virtue of almig=
hty  doing because I believe that such circumstance of this kind happens fo=
r a reason.=20
=20
 I got your information after my praying and fasting for a good partner to =
assist me to handle this very business transaction=2C during my search thro=
ugh the internet and I decided to contact you. It might interest you to kno=
w that I am a man of peace and don=92t want problems and cheating =2C I onl=
y hope we can assist each other as I have putting all my trust in you that =
you will not betray me in this business=2C but if you don=92t want this bus=
iness offer=2C kindly forget it as I will not bother to contact you again. =
In my department during the auditing of the year 2006=2C I discovered an ab=
ounded sum of (15=2C500.000) (Fifteen Million five Hundred Thousand United =
State Dollars) That belongs to our late customer from JORDAN who unfortunat=
ely lost his life in the plane crash a Beirut-bound charter jet crashed on =
taking off from a coastal airport in the West African country of benin=2C o=
n 25th December 2003.=20
 =20
 Since I got the information about his death=2C I have made several investi=
gation and research concerning him and I found out that he died along with =
his entire family in the crash and left no one to stand in as his Next of K=
in. It is upon my discovery that he died without declaring any Next of Kin=
=2C that prompted me to contact you. I decided to make this business propos=
al to you since the banking law and guideline here stipulates that if such =
money remains unclaimed after five years=2C the money will be transferred i=
nto the bank treasury as unclaimed fund.=20
=20
 The statistics of transferring this fund is needed you as a foreigner who =
can stand as the Next of Kin hence the diseased is a foreigner.Therefore=2C=
 I desperately need your assistance to secure and move this huge sums of mo=
ney left behind by the diseased (15=2C500.000.00) ( Fifteen Million Five Hu=
ndred Thousand United State Dollars) Out from African Development Bank Beni=
n Republic  to your own account overseas.  =20
 =20
 I have agreed that 40% of this total  money will be for you as the benefic=
iary in respect of the provision of your account and services rendered=2C 6=
0% would be for me=2C as soon as this fund hit into your account=2C I and m=
y family will leave here immediately to your country for an investment with=
 my share as soon as the fund is transferred into your account. I want you =
to keep this arrangement to yourself alone=2C until the said fund is transf=
erred successfully to your nominated bank account overseas.
=20
 It might interest you to know that I am still in active service and any li=
ttle mistake will jeopardize our chances and opportunity of getting the fun=
d transferred overseas and I will lose my job=2C so keep it as a top secret=
 as you may wish to know that I am a banker still one of they bank official=
s. It is rest assured that this business transaction is 100% risk free=2C s=
o you don't have to fear or panic.Moreover=2C I found out that he died with=
out making any "WILL=20
 =20
 Note: If you are willing and ready to assist me in this transaction=2C I w=
ill want you to indicate your willingness by sending the required informati=
on below:
=20
1. Your Full Name:...................................
2. Your Phone Number:...........................
3. Your Age:...............................................
4. Your Sex:................................................
5. Your Occupations:................................
6. Your Country and City:........................
=20
I look forward to your earliest reply by email.=20
=20
Yours Faithfully.
Mr. Gulban Ahmed
Tel: +229-96-61-66-51.

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<body class=3D'hmmessage'>
<DIV id=3Dyiv1457211791>
<DIV><FONT face=3D"garamond=2C new york=2C times=2C serif" size=3D4>Dear Fr=
iend=2C&nbsp=3B <BR>&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=
=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B=
&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nb=
sp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=
=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B <BR>&nb=
sp=3B I am <STRONG>Mr.&nbsp=3BGulban Ahmed</STRONG>=2C The audit &amp=3B ac=
count manager in African Development Bank (ADB) of the Federal Republic of =
Benin=2C West Africa. I am contacting you in the view that the content in t=
his message would be of great interest and mutual benefits to the both of u=
s. I know you will be wondering why I am writing to you in such a sensitive=
 proposal considering the magnitude of the funds involved especially to a t=
otal stranger=2C but I wish to inform you here that my contacting you is no=
t a mistake but by virtue of almighty&nbsp=3B doing because I believe that =
such circumstance of this kind happens for a reason. <BR>&nbsp=3B<BR>&nbsp=
=3BI got your information after my praying and fasting for a good partner t=
o assist me to handle this very business transaction=2C during my search th=
rough the internet and I decided to contact you. It might interest you to k=
now that I am a man of peace and don=92t want problems and cheating =2C I o=
nly hope we can assist each other as I have putting all my trust in you tha=
t you will not betray me in this business=2C but if you don=92t want this b=
usiness offer=2C kindly forget it as I will not bother to contact you again=
. In my department during the auditing of the year 2006=2C I discovered an =
abounded sum of <STRONG><U>(15=2C500.000) (Fifteen Million five Hundred Tho=
usand United State Dollars) </U></STRONG>That belongs to our late customer =
from <STRONG>JORDAN</STRONG> who unfortunately lost his life in the plane c=
rash a Beirut-bound charter jet crashed on taking off from a coastal airpor=
t in the West African country of benin=2C on 25th December 2003. <BR>&nbsp=
=3B <BR>&nbsp=3BSince I got the information about his death=2C I have made =
several investigation and research concerning him and I found out that he d=
ied along with his entire family in the crash and left no one to stand in a=
s his Next of Kin. It is upon my discovery that he died without declaring a=
ny Next of Kin=2C that prompted me to contact you. I decided to make this b=
usiness proposal to you since the banking law and guideline here stipulates=
 that if such money remains unclaimed after five years=2C the money will be=
 transferred into the bank treasury as unclaimed fund. <BR>&nbsp=3B<BR>&nbs=
p=3BThe statistics of transferring this fund is needed you as a foreigner w=
ho can stand as the Next of Kin hence the diseased is a foreigner.Therefore=
=2C I desperately need your assistance to secure and move this huge sums of=
 money left behind by the diseased <STRONG><U>(15=2C500.000.00) ( Fifteen M=
illion Five Hundred Thousand United State Dollars) </U></STRONG>Out from Af=
rican Development Bank Benin Republic&nbsp=3B to your own account overseas.=
&nbsp=3B&nbsp=3B <BR>&nbsp=3B <BR>&nbsp=3BI have agreed that 40% of this to=
tal&nbsp=3B money will be for you as the beneficiary in respect of the prov=
ision of your account and services rendered=2C 60% would be for me=2C as so=
on as this fund hit into your account=2C I and my family will leave here im=
mediately to your country for an investment with my share as soon as the fu=
nd is transferred into your account. I want you to keep this arrangement to=
 yourself alone=2C until the said fund is transferred successfully to your =
nominated bank account overseas.<BR>&nbsp=3B</FONT></DIV>
<DIV><FONT face=3D"garamond=2C new york=2C times=2C serif"><FONT size=3D4>&=
nbsp=3BIt might interest you to know that I am still in active service and =
any little mistake will jeopardize our chances and opportunity of getting t=
he fund transferred overseas and I will lose my job=2C so keep it as a top =
secret as you may wish to know that I am a banker still one of they bank of=
ficials. It is rest assured that this business transaction is 100% risk fre=
e=2C so you don't have to fear or panic.Moreover=2C I found out that he die=
d without making any <STRONG>"WILL</STRONG> <BR>&nbsp=3B <BR>&nbsp=3BNote: =
If you are willing and ready to assist me in this transaction=2C I will wan=
t you to indicate your willingness by sending the required information belo=
w:<BR>&nbsp=3B<BR>1.&nbsp=3BYour Full Name:................................=
...<BR>2.&nbsp=3BYour Phone Number:...........................<BR>3.&nbsp=
=3BYour Age:...............................................<BR>4.&nbsp=3BYo=
ur Sex:................................................<BR>5.&nbsp=3BYour O=
ccupations:................................<BR>6.&nbsp=3BYour Country and C=
ity:........................<BR>&nbsp=3B<BR>I look forward to your earliest=
 reply by email. <BR>&nbsp=3B<BR>Yours Faithfully.<BR><STRONG>Mr. Gulban Ah=
med</STRONG><BR></FONT><STRONG><FONT size=3D4>Tel: +229-96-61-66-51.<BR></F=
ONT></DIV></STRONG></FONT></DIV></body>
</html>=

--_af5a06cf-4223-4c61-8830-a0f233ed7cd8_--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 15:26:58 2009
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Date: Tue, 7 Jul 2009 10:19:38 -0500 (CDT)
From: Tom Ulichny <tom@ulichnymusic.com>
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Subject: Electix Repeater for sale
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Hello all,

Tom here, a silent memeber for many months now :)  I've been a HUGE fan of the Electrix repeater, and love my unit.  It's in great condition, and everything is functioning well.  Long story short, I've been using the RC 20 and 50 lately (mostly because of simplicity for gigging, as I have a large set up and carting the rack unit can be a bit of a pain...) and now have been writing and arranging with the RC's and the repeater is collecting dust (not literally though).

Has manual, and will include 2 flash cards, plus the skb 8 space rack unit if interested (which would be ideal for shipping as well; I live in Columbus Ohio).  Thought I would send this out before posting on ebay.  Price is negotiable, make me an offer!  

Cheers,

Tom Ulichny
www.ulichnymusic.com
www.myspace.com/ulichnymusic

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From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 17:41:01 2009
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Subject: Re: Electrix MoFX : Is it worth it? - user interface considerations
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Rick said (about the MoFX):
> so what turns me on about the MoFX is that you can play the effects rhythmically like a percussion instrument and I don't really know anything else that uses that paradigm.
> if it weren't for that particular (and to me, exciting) aspect of the unit, I wouldn't even consider using it as just an effects processor.

and later on went on to state:
> You want bang for the buck and a very low profile,   try that wonderful red 1/2 spaced BOSS VF-1.

So I'm wondering: why don't you take a VF-1 (always remember: you can
have four of them in the same rack space as one MoFX, unless you're
using a shallow rack), or ('though I'm repeating myself) a Nord
Modular G2 Engine (1HU), and combine it with something like this:

http://www.akaipro.com/mpd24

...and program the stuff so that you can do exactly what a MoFX does -
or something else entirely where you rhythmically trigger stuff or do
other crazy things. True, it doesn't have the nice flashing LED ring
around the tap tempo button, but apart from that...

A lot of the contemporary effects processors (and also of the
non-contemporary) allow for parameter modification via MIDI commands:
with the VF-1 (and also the old Sony GR-MP5), you can have up to four
parameters per patch controlled by MIDI, with the FireworX, the
Eclipse and even my old Digitech StudioQuad there are eight of them,
and there's tons more with a truly modular system like the Nord.

Now look at the sixteen (velocity- and pressure-sensitive) pads of the
Akai controller: would you like to use eight of them to punch in
distortion, separately for left and right channel and for four bands?
And use another one to suddenly change the delay length? Only your
imagination is the limit here, no need to be stuck with that user
interface of an otherwise dull effects box like the MoFX.

Just a thought,

             Rainer

ps: no, didn't do it myself with this specific setup, but had been
successful with a KP3 and a BCR2000 in combination with Mobius in Sus
mode.

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Date: Tue, 7 Jul 2009 12:21:15 -0700 (PDT)
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Hello List,

First, thanks for all your input on my noise posting. I must say the biggest change was separating my power cables from the audio cables!

Onto Tuning Now


Background: I have always relied on happy accidents or not cared about tuning. I like wild electronic music and world music with alternative tunings and it never seemed to matter. Also, since I mix in random sounds like toys or records, tuning is impossible to control. Recently, I have decided that I want more expressive control over what I am saying. I am trying to tune together an analogue drum machine which can't hold tune but makes kick ass basslines, a psaltery and kalimba. I am seriously pulling out my hair with this challenge. I want to pull it off but it t'ain't looking so good!

Questions (Clearly Subjective!)

- Is there a tolerable amount of cents you can be off when trying to be in key?

- When mixing in non-traditional sounds together, how disturbing is it to listeners if tunings are loose?





 http://margaretnoble.net/







________________________________
From: Tom Ulichny <tom@ulichnymusic.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tuesday, July 7, 2009 8:19:38 AM
Subject: Electix Repeater for sale

Hello all,

Tom here, a silent memeber for many months now :)  I've been a HUGE fan of the Electrix repeater, and love my unit.  It's in great condition, and everything is functioning well.  Long story short, I've been using the RC 20 and 50 lately (mostly because of simplicity for gigging, as I have a large set up and carting the rack unit can be a bit of a pain...) and now have been writing and arranging with the RC's and the repeater is collecting dust (not literally though).

Has manual, and will include 2 flash cards, plus the skb 8 space rack unit if interested (which would be ideal for shipping as well; I live in Columbus Ohio).  Thought I would send this out before posting on ebay.  Price is negotiable, make me an offer!  

Cheers,

Tom Ulichny
www.ulichnymusic.com
www.myspace.com/ulichnymusic


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt">Hello List,<br><br>First, thanks for all your input on my noise posting. I must say the biggest change was separating my power cables from the audio cables!<br><br>Onto Tuning Now<br><div><br>Background: I have always relied on happy accidents or not cared about tuning. I like wild electronic music and world music with alternative tunings and it never seemed to matter. Also, since I mix in random sounds like toys or records, tuning is impossible to control. Recently, I have decided that I want more expressive control over what I am saying. I am trying to tune together an analogue drum machine which can't hold tune but makes kick ass basslines, a psaltery and kalimba. I am seriously pulling out my hair with this challenge. I want to pull it off but it t'ain't looking so good!<br><br>Questions (Clearly
 Subjective!)<br><br>- Is there a tolerable amount of cents you can be off when trying to be in key?<br><br>- When mixing in non-traditional sounds together, how disturbing is it to listeners if tunings are loose?<br><br><br><br><br><br>&nbsp;</div><font style="font-family: arial,helvetica,sans-serif; color: rgb(45, 45, 45);" color="#888888" size="2"><a rel="nofollow" target="_blank" href="http://hthma-underdogs.appspot.com/"></a></font><font size="1"><span style="color: rgb(0, 0, 0); font-family: arial; text-decoration: underline;"><font style="font-family: arial,helvetica,sans-serif;" size="2"><span style="color: rgb(45, 45, 45);"><span><a target="_blank" href="http://margaretnoble.net/">http://margaretnoble.net/</a></span></span><br><br></font></span><span style="color: rgb(0, 0, 0); font-family: arial; font-weight: bold; text-decoration: underline;"><font style="font-family: arial,helvetica,sans-serif;"
 size="2"><br></font></span></font><div><br></div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Tom Ulichny &lt;tom@ulichnymusic.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tuesday, July 7, 2009 8:19:38 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Electix Repeater for sale<br></font><br>
Hello all,<br><br>Tom here, a silent memeber for many months now :)&nbsp; I've been a HUGE fan of the Electrix repeater, and love my unit.&nbsp; It's in great condition, and everything is functioning well.&nbsp; Long story short, I've been using the RC 20 and 50 lately (mostly because of simplicity for gigging, as I have a large set up and carting the rack unit can be a bit of a pain...) and now have been writing and arranging with the RC's and the repeater is collecting dust (not literally though).<br><br>Has manual, and will include 2 flash cards, plus the skb 8 space rack unit if interested (which would be ideal for shipping as well; I live in Columbus Ohio).&nbsp; Thought I would send this out before posting on ebay.&nbsp; Price is negotiable, make me an offer!&nbsp; <br><br>Cheers,<br><br>Tom Ulichny<br><a target="_blank" href="http://www.ulichnymusic.com">www.ulichnymusic.com</a><br><a target="_blank"
 href="http://www.myspace.com/ulichnymusic">www.myspace.com/ulichnymusic</a><br><br></div></div></div><br>

      </body></html>
--0-149248851-1246994475=:43892--

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Date: Tue, 7 Jul 2009 21:44:41 +0200
Message-ID: <66f9cc1e0907071244p2e3b7d82sa0e54eeac4eca297@mail.gmail.com>
Subject: Re: Let's Talk Tuning!!!! Electronic, Acoustic, Challenges.
From: Per Boysen <perboysen@gmail.com>
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On Tue, Jul 7, 2009 at 9:21 PM, margaret
noble<margaretnoble2000@yahoo.com> wrote:
> Questions (Clearly Subjective!)
>
> - Is there a tolerable amount of cents you can be off when trying to be in
> key?
>
> - When mixing in non-traditional sounds together, how disturbing is it to
> listeners if tunings are loose?


The "answer" I have found to those questions is that mistuning
tolerance has a lot to do with if the out-of-tune audio is part of a
musical gesture. If it is, listeners can take quite a poor tonality
and it may even come out good to their ears. For sounding example,
listen to some vocals by David Bowie. He is a true master of using the
"correct false notes"! If a phrase is delivered with duende and a
clear direction towards an undeniable target (the correct pitch) it
just works. Sometimes when listening to popular music it amazes me how
out of tune it actually is.

When producing recorded music and working with out of tune material it
is essential to develop the ability to "listen with fresh ears". The
easiest way to hear your work-under-progress with a first listening
experience is to become as close to a first-time listener as possible
i.e. taking a really long brake from hearing the stuff and then get
back to it.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: Let's Talk Tuning!!!! Electronic, Acoustic, Challenges.
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Quoting margaret noble <margaretnoble2000@yahoo.com>:
>
>
> Questions (Clearly Subjective!)
>
> - Is there a tolerable amount of cents you can be off when trying to =20
>  be in key?
>
Hi Margaret,

This depends on some factors.  If the sounds are sustained and have =20
little vibrato, then tuning errors are more noticeable.

It happens that I tune and service pipe organs which are sustained and =20
normally are played without vibrato.  Within a division, it is =20
important to have everything in tune (because errors tend to =20
accumulate).  Across divisions, the tuning may drift (due to =20
temperature variation) and as long as they stay within 4 cents of each =20
other, then the "out of tuneness" doesn't interfere with music making. =20
  From 4 to 8 cents the divisions start to "celeste" -- that is, the =20
out-of-tuneness produces noticeable beats that are still "listenable". =20
  Beyond 8 cents, the tone develops into a "honky-tonk" effect -- =20
beyond 12 cents it just sounds "sour".

When looping the theremin, I endeavor to stay within four cents of the =20
target pitch.

Again, instruments that are not sustained may not be as noticeable.
>
> - When mixing in non-traditional sounds together, how disturbing is  =20
> it to listeners if tunings are loose?
>
For my ears, if the tuning is non-standard, then nothing jars my ears. =20
  However, to include non-standard pitches in the midst of an =20
otherwise tonal work may sound like a "wrong note".  An example, when =20
a singer is accompanied by a fixed-pitch instrument (a piano) and hits =20
a non-standard pitch, most listeners will percieve it as a "bad" note =20
rather than a new tuning.

In fiction, there is a concept of the "suspension of disbelief" -- and =20
I think a similar concept works in music.  If you set up a "frame" =20
based on non-standard tuning, then it is easier to accept =20
quarter-tones and other "non-tempered" pitches.

I always enjoy your work and look forward to hearing where your =20
exploration of tuning/pitch/harmony will take your music.

-- Kevin

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Date: Tue, 7 Jul 2009 13:32:39 -0700
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Subject: Re: Hardware Looper goes Loopy for Software
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On Mon, Jul 6, 2009 at 10:13 PM, Ty Gott<tygerman_gb@hotmail.com> wrote:

> I held back on the software side for a couple of reasons. One is the ment=
al
> image of say the Kiss guy, Gene Simons, performing except it=92s a notebo=
ok
> instead of a guitar, doesn't seem like Rock and Roll.

Some would argue that these guys might prove you wrong

http://www.kraftwerk.com/

;)

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 20:36:19 2009
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Date: Tue, 7 Jul 2009 13:36:18 -0700
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Subject: Re: Let's Talk Tuning!!!! Electronic, Acoustic, Challenges.
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Wow, interesting discussion, especially on a subject I know so little about.

The Boss line of drum machines allow tuning of each sound, with a
range plus or minus 2 octaves, in increments of 10 cents. However, I
find that not all the sounds have the same base frequency. +100 for a
whistle sound may be the same as -740 for a clave, for example.

I also find that since they're not pure sine wave forms, I sometimes
find it difficult to tell whether something's in tune or not - this is
especially true when using distortion or filters. Certain sounds -
especially hi-pitched ones, will have a different perceived frequency
when you use distortion. Some sort of aliasing, I'd guess.

When I perform with musicians using tuned instruments, I use an
external pitch shifter to try to "slide" a note up to where it's in
tune with what they're playing, then I usually keep it there. Pitch
changers add some artifacts of their own, but for drum machine that's
a good thing more often than not.

I've heard a few recordings where "out of tuneness" is established as
the norm, and it works for the song, with a disorienting feel. Many of
the songs on the newest Portishead record are this way, as far as my
cro-magnon ears can tell.

Matt Davignon
Tour! www.ribosomemusic.com


margaret noble went:

> Hello List,
>
> First, thanks for all your input on my noise posting. I must say the biggest
> change was separating my power cables from the audio cables!
>
> Onto Tuning Now
>
> Background: I have always relied on happy accidents or not cared about
> tuning. I like wild electronic music and world music with alternative
> tunings and it never seemed to matter. Also, since I mix in random sounds
> like toys or records, tuning is impossible to control. Recently, I have
> decided that I want more expressive control over what I am saying. I am
> trying to tune together an analogue drum machine which can't hold tune but
> makes kick ass basslines, a psaltery and kalimba. I am seriously pulling out
> my hair with this challenge. I want to pull it off but it t'ain't looking so
> good!
>
> Questions (Clearly Subjective!)
>
> - Is there a tolerable amount of cents you can be off when trying to be in
> key?
>
> - When mixing in non-traditional sounds together, how disturbing is it to
> listeners if tunings are loose?
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 21:11:30 2009
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Date: Tue, 7 Jul 2009 23:04:08 +0200
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Subject: OT: for our planned festival - distribution channels regarding "call 
	for performers", legal advice regarding ancillary copyright
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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Dear group,

regarding the concept of our Virtual Sound and Vision festival
(http://www.myspace.com/vsvfestival), I have a few questions to ask:

1. distribution channels for a "call for performers" (and later, to
market it to the audience):
Where would you go? Right now, we have a myspace and facebook page,
and are planning to hit this list in a few days, but which other
groups (you may be a member of, and would volunteer to post the call),
blogs etc. would make sense to find our target performers (and later:
audience)?

Basically, it's about acts with interesting combination of audio and video.

2. considerations regarding ancilllary copyright:
Say, you're putting together a festival (be it a real or a virtual
one). How do you deal with copyright/roaylties? I know that for live
gigs in Germany, the presenter has to pay for them, but I don't know
about internet video streams (and more specifically, if you only
forward a stream created by someone else).
How do you deal with that topic? Any media law experts here that could
help me out with some kind of declaration I can have the acts sign?


Thanks for all your help,

             Rainer

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 21:24:17 2009
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Date: Tue, 7 Jul 2009 21:24:16 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: Hardware Looper goes Loopy for Software
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great mail Ty!
this is the type of posts that i want ot see more of,since i have also swit=
ched the EDP for the Mobius software,right now i only use it as a stand alo=
ne and still rather use my pedalboard for EFX,i havent tried bidule yet bec=
ause i am a mac user and havent installed bootcamp yet but i will give it a=
 shot soon, i wish though somebody would make a brief youtube explanation v=
ideo of all of this for those who are using hardware and want to do the tra=
nsition!
thanx and keep us posted
Luis



www.myspace.com/luisangulocom


--- Ty Gott <tygerman_gb@hotmail.com> schrieb am Mo, 6.7.2009:

> Von: Ty Gott <tygerman_gb@hotmail.com>
> Betreff: Hardware Looper goes Loopy for Software
> An: Loopers-Delight@loopers-delight.com
> Datum: Montag, 6. Juli 2009, 22:13
>=20
>=20
>=20
> =20
> =20
>=20
>=20
>=20
>=20
>=20
>=20
> =20
>=20
>=20
>=20
> I=E2=80=99ve just put together a new
> software based live
> looping rig and thought telling the story here might help
> some and start an
> engaging discussion with others.=C2=A0 =20
>=20
> I held back on the software side for a
> couple of reasons.
> One is the mental image of say the Kiss guy, Gene Simons,
> performing except
> it=E2=80=99s a notebook instead of a guitar, doesn't seem
> like Rock and Roll.
> Folks that was Eric Clapton on guitar and on PC its
> ...=C2=A0 Second I have
> done lots of software recording and I end up sitting in
> front of the PC the
> whole time and not playing guitar. I needed a new notebook
> for travel and
> figured it could host a looping rig as well. I really need
> a netbook for travel
> and I figured I could squeeze a setup onto a new 10=E2=80=9D
> notebook and if not
> I still had all my gear. =20
>=20
> I=E2=80=99m a long time hardware looper
> been at it for over a
> decade. I only play guitar and have 4 of Roland=E2=80=99s GK
> boxes but my sound
> is now focused on the 2 VG units I=E2=80=99ve got a vg8 and a
> vg99. I was using
> guitar to MIDI for everything but now I only use it to play
> the drums. To loop
> I use one guitar to control one or more of the units at a
> time. I play in a
> bass lines, drums, and rhythms by switching on and off my
> units and then
> overdubbing=C2=A0 loops.=C2=A0 I was using a Boomerang,
> an=C2=A0 Echoplex and
> A/B switches for this.=C2=A0 =20
>=20
> Hardware:=20
>=20
> I got a real deal on a Toshiba nb205
> 1.66ghz 1gb RAM and a
> 150gb HD and 3 USB2 ports. =20
>=20
> mAudio Fast Track Ultra USB with 6 ins
> and 8 outs. =20
>=20
> Behringer=C2=A0 FCB1010 to control the
> software from a stomp
> box hands free (must have the free software editor)=20
>=20
> Software:=20
>=20
> Mobius =E2=80=93 My new looper
> it=E2=80=99s a simulation of 8
> stereo Echoplex units which all can be in sync. The
> interface was very familiar
> to me as I have an Echoplex and now I have eight on a free
> download. =20
>=20
> Bidule- A virtual wiring rack under
> MIDI control from the fcb1010
> stomp box. I have to be able to route my instruments to the
> right tracks,
> record to the right tracks and mute the boxes I=E2=80=99m not
> using. Moduis is
> hosted and wired into Bidule.=20
>=20
> Jamstix - A virtual drummer and
> virtual sound source from my
> drums. Also wired into BIdule.=20
>=20
> My whole rig: VG99, VG8, FCB1010,
> FV500L, US-20 and the
> netbook with mAudio USB=20
>=20
> Old Rig: VG99, VG8, SR16, FC300,
> US-20, DD6, 2 double 1
> single 1 triple AB switches, 4 channel mixer Boomerang, and
> the Echoplex=20
>=20
> I'm floored by what I've built
> so far. I added 6 tracks of
> looping and stereo for everything. I should have done this
> a long time ago. I
> can now not only layer my sounds and loop them up but go
> back and rework or
> replace them by track or just adjust the volume. I can
> sound parts that
> aren=E2=80=99t looped. I can rewire my rig on the fly and
> return to old wirings
> saved to disk with Bidule. =20
>=20
> The netbook is a tight squeeze
> everything has to be turned
> off on it except the sound stuff. I=E2=80=99m running into
> the high 60 dsp in
> Bidule and about 50% on the CPU when drumming and looping.
> The available screen
> is tight as well. Not much room for all the indicators I
> need to see to operate
> it all. I do need to see it but not touch it during a
> song.=20
>=20
> I was/am very disappointed in the
> Roland fc300. I=E2=80=99ve
> been using it for the vg99. For that it=E2=80=99s just OK but
> you gotta have a
> foot controller for a unit like the 99. It just
> wasn=E2=80=99t setup to offer
> enough buttons to do the looping right and its dual switch
> buttons are a pain
> if the lights don=E2=80=99t match up. I hooked up a single
> expression pedal and
> now use the fcb1010 banks for looping and switching, and
> others for selecting
> patches on the two VGs. =20
>=20
> I=E2=80=99m still working on getting
> everything setup right
> but I=E2=80=99ve got it all working and am looking forward to
> playing =E2=80=A6 now=20
>=20
> Cheers,=20
>=20
> -Ty=20
>=20
> www.soundclick.com\TygermanGrooveBand
>=20
>=20
>  =C2=A0=20
>=20
>=20
>=20
> =20
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 21:25:48 2009
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Subject: Re: OT: for our planned festival - distribution channels regarding
 "call  for performers", legal advice regarding ancillary copyright
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Couldn't we have some kind of Creative Commons license? Like Ninjam perfomances.

Jeff


----- Original Message -----
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
Sent: Tue, 7 Jul 2009 17:04:08 -0400 (EDT)
Subject: OT: for our planned festival - distribution channels regarding "call  for performers", legal advice regarding ancillary copyright

Dear group,

regarding the concept of our Virtual Sound and Vision festival
(http://www.myspace.com/vsvfestival), I have a few questions to ask:

1. distribution channels for a "call for performers" (and later, to
market it to the audience):
Where would you go? Right now, we have a myspace and facebook page,
and are planning to hit this list in a few days, but which other
groups (you may be a member of, and would volunteer to post the call),
blogs etc. would make sense to find our target performers (and later:
audience)?

Basically, it's about acts with interesting combination of audio and video.

2. considerations regarding ancilllary copyright:
Say, you're putting together a festival (be it a real or a virtual
one). How do you deal with copyright/roaylties? I know that for live
gigs in Germany, the presenter has to pay for them, but I don't know
about internet video streams (and more specifically, if you only
forward a stream created by someone else).
How do you deal with that topic? Any media law experts here that could
help me out with some kind of declaration I can have the acts sign?


Thanks for all your help,

             Rainer


From Loopers-Delight-request@loopers-delight.com  Tue Jul  7 21:40:00 2009
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Date: Tue, 7 Jul 2009 23:39:59 +0200
Message-ID: <66f9cc1e0907071439y63c1e78bre88ee37c3342a000@mail.gmail.com>
Subject: Re: Hardware Looper goes Loopy for Software
From: Per Boysen <perboysen@gmail.com>
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On Tue, Jul 7, 2009 at 11:24 PM, L.Angulo<labaloops@yahoo.com> wrote:
> i havent tried bidule yet because i am a mac user

Bidule is exactly the same under OS X. No need for windows... except
if you are a pc. :-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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> Per wrote:
> Bidule is exactly the same under OS X. No need for windows...=20
> except if you are a pc. :-)

Luis,
You only need windows if it's cold or raining :) I'm using Bidule on =
OSX, it
runs fine

Btw: the DVD is almost ready, stay tuned!=20

Sjaak


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Date: Wed, 8 Jul 2009 00:52:11 +0200
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Subject: Re: OT: for our planned festival - distribution channels regarding 
	"call for performers", legal advice regarding ancillary copyright
From: Rainer Straschill <moinsound@googlemail.com>
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Jeff said:
> Couldn't we have some kind of Creative Commons license? Like Ninjam perfomances.

The short answer is "no".

The slightly longer one: even the most restrictive cc license
(by-nc-nd) will allow third parties to freely distribute the work in
question. This may be a problem in some cases with people bound to a
performing rights organization by which they pass the handling of
rights to that organization exclusively and for the duration of the
contract, but internet streams may be exempt from that regulation
(some of the German GEMA contracts are of that kind).
In such a case, an artist would very well be able to grant us the
right to stream his material via the internet, but would not allow him
to publish it under a cc license.

            Rainer

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Date: Tue, 7 Jul 2009 15:55:52 -0700
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Subject: Re: Hardware Looper goes Loopy for Software
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On Tue, Jul 7, 2009 at 2:24 PM, L.Angulo<labaloops@yahoo.com> wrote:

>i wish though somebody would make a brief youtube explanation video of all of this for those who are using hardware and want to do the >transition!

http://www.youtube.com/watch?v=TbYirSi08m4

"Unfortunately, one can be told what The Matrix is.  You have to see
it for yourself."

I spent a lot of time reading though Per's posts and trolling the
internet for clues, but really in the end I had to just dive in.
You'll cry.  That's natural...but then comes the healing. (and then
some looping!)

Some rules of thumb...

No one can show you what to do because you're setup and technique are
probably unique. Your computer/software setup will likely not be like
mine at all.

Join or lurk on kvraudio.com.  There are people there who are wise
beyond your imagination... ok, not really but very smart.

Buy as much computer as you can afford.  You'll find it's max no
matter what it is, but it doesn't hurt to aim high.

Laptop only if you're really going to gig with it.  One with a
dedicated video card is best.

Firewire is better than USB2, but there's a good chance if you don't
have a Texas Instruments or Lucent chipset it won't work at all.

You'll be tempted to keep a lot of your hardware but it just
ultimately gets in the way most of the time.

XP is better than Vista, but both will work fine and need to be
wrangled and tamed. (see post about the sweetwater faq)

Be careful of 64 bit operating systems that aren't OSX.  Your software
will run but you may not be able to find 64 bit drivers for your
hardware.

I don't know Bidule, but with Live you can make a system that's 100% mouse free.

Two monitors are best.  Imagine having to look at all your gear though
a 20x13 frame.

Put aside a little money for Kleenex, but keep in mind that when it
comes together you'll wonder how you ever did it any other way.

M

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Subject: RE: Hardware Looper goes Loopy for Software
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oh great news Sjaak! no mainstage anymore?

www.myspace.com/luisangulocom


--- Sjaak <tcplugin@scarlet.be> schrieb am Di, 7.7.2009:

> Von: Sjaak <tcplugin@scarlet.be>
> Betreff: RE: Hardware Looper goes Loopy for Software
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 7. Juli 2009, 15:17
> > Per wrote:
> > Bidule is exactly the same under OS X. No need for
> windows...=20
> > except if you are a pc. :-)
>=20
> Luis,
> You only need windows if it's cold or raining :) I'm using
> Bidule on OSX, it
> runs fine
>=20
> Btw: the DVD is almost ready, stay tuned!=20
>=20
> Sjaak
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 00:29:20 2009
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In another thread, 
Matt Davignon wrote:
"On the other hand, many of the acts I've seen left me feeling like the 
performers are locked
into a scripted grid, with fewer opportunities to take the material in a 
direction other than a
previously-drawn, forward-pointing arrow from start to finish."


Honestly,  I have had the same reaction.    Granted,  there are artists 
who pull it off
with panache and a sense of spontaneity's (I think , specifically,  of 
Zoe Keating, Imogen Heap, Juana Molina and
Kid Beyond)  but in general,  pre-rehearsed and already thought out 
pieces of music
using live looping feel as sterile to me as people push playing on DATs, 
I-pods, CDs, DVDS
or computers.

I actually really and truly loved sculptured recordings but to me, the 
live sphere is a different thing.

And maybe this is just because I lack the discipline to go to all the 
work of pre arranging
pieces of music when I play, but the last ten years or so of my life 
have been all improvisational.

Of course,  one (and specifically, me)  run the risk of not having a 
cogent enough performance
or ,  worst yet in live looping,  taking too long to create a piece of 
music and letting it go
on for longer than it is musically interesting for the audience.  It's a 
constant worry for me and
I frequently blow it live.

I've noticed that a lot of loopers in our community seem to fail to 
realize that the what feels good
to play;   what seems like a certain length of time in developing a 
piece of music is completely
different for the audience.

Personally, just because I teach a lot of live looping in my hometown,   
I tell newbies to set
up a clock and to force themselves to start, develop and cogentally end 
a piece of music
every five minutes so that they have six pieces of music in a festival 
set of thirty minutes.

It's a tough discipline to do that.   I purposefully write set lists 
with 6 to 7 tableaus in it.
I don't know what I'm going to play, but I do take 6 or 8 'sets' of 
instruments to each gig
so that I can keep a found sound performance intriguing.

I've discovered is someone has the discipline to play 6 five minute 
songs in order five times a week
that after a month, they are ready to perform a pretty interesting set 
as a newbie at the festival.

******
Also, and pardon this rambling post, but I"m in a 'waxing philosophic' 
mode today:

I'm writing some new material that is more song oriented and even (damn 
this is scary to admit in public)
singer/songwriter oriented,  so I know that I need to figure out a way 
that I can compromise my
desire for spontaneity and improvisation with composed (if not 
arranged)  material.

It's a really challenging thing for me.  Frankly,  it really scares me 
because it's so different from the freedom
I've had for ten years,  but I also am really hearing some new things 
with my new foray into stringed
instruments.


SOOOOO,     pros and cons..................what do y'all like and/or 
dislike about pre arranged live looping shows
and what do you like or dislike about pure improvisational shows.

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>SOOOOO,     pros and cons..................what do y'all like and/or 
>dislike about pre arranged live looping shows
>and what do you like or dislike about pure improvisational shows.




tough call-i feel very priviledged @ every loopfest for the w i d e variety of acts-and if some one's show grabs me-i go for it-never letting myself think-improv or pre-set? if its good/interesting-not necessarily both-i'm there.
s
(spoonman for instance-had no idea what he was doing-but it sure was cool)

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Subject: PrePrepared vs. Improvisational Live Looping Performances
From: Raul Bonell <raul.bonell@gmail.com>
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good strategy: rehearse looping sets with a short time gap. keep the
lessons coming, master!

in regard to your new more-song-oriented-stuff--> GO FOR IT!!

it's the road, not the music.. it's the sounds, not you!




2009/7/8, stanitarium@earthlink.net <stanitarium@earthlink.net>:
>>SOOOOO,     pros and cons..................what do y'all like and/or
>>dislike about pre arranged live looping shows
>>and what do you like or dislike about pure improvisational shows.
>
>
>
>
> tough call-i feel very priviledged @ every loopfest for the w i d e variety
> of acts-and if some one's show grabs me-i go for it-never letting myself
> think-improv or pre-set? if its good/interesting-not necessarily both-i'm
> there.
> s
> (spoonman for instance-had no idea what he was doing-but it sure was cool)
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com



-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
Date: Tue, 7 Jul 2009 18:50:21 -0700
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Interesting. I keep thinking I should go in with more material  
"prepared". I usually have at least some ideas to explore, but I've  
had times where I then can't get the loop going the way I wanted and I  
get frustrated restarting a few times. Then there's Y2K8 where I was  
just totally beat by the time I went on and I should probably be glad  
I managed to do anything coherent. I think I got one good piece out of  
three, but I need to go back and listen again.

Mark

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 02:27:00 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
Date: Tue, 7 Jul 2009 19:26:53 -0700
To: Loopers-Delight@loopers-delight.com
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Hmmmm,

Without a doubt, my best experiences as a player/performer (looping or 
non) have always been in the entirely unprepared and unpremeditated 
category.

But that hasn't stopped me from trying (upon occasion) to challenge 
myself to do a set piece - to play an actual "composition" if you will.

But these occasions seldom work out very satisfactorily in front of an 
audience for some reason.

I am almost always left with the feeling of wishing I hadn't even gone 
there.

I think the stress of "trying to get it exactly right" and the fear of 
looking foolish combine to sabotage me almost every time I attempt to 
do a set piece.

But I think I keep trying because I feel like it's something I should 
be able to do (for some reason).

I guess its an area of difficulty I want to conquer and master.

Kenny Werner's book "Effortless Mastery" addresses a lot of this.

The key (for me) seems to be to play as if I don't care if I sound good 
or bad - to just play with a will, a conviction and an authority based 
on the gift of music itself . . . to play like a child.

Personally, that's rather hard to do, I am obsessively self-critical 
and neurotically insecure under the best of circumstances.

But I keep working on that too.

As far as using "live" or canned loops go . . . it's a non-issue.

I have done premeditated totally "live-looping" pieces . . . and whole 
sets.

And I have also done gigs with mixture of canned loops and live loops 
that were entirely the sort of unpremeditated, child-at-play 
improvisation mentioned above.

Gee, what's in the box?

What will this button do?

It's all in the mind  . . . not the machinery.

Best,

Ted

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 03:04:46 2009
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Date: Tue, 7 Jul 2009 20:59:18 -0600
Message-ID: <dec8f8e60907071959t1201fd9dp6aa18d1656b56d12@mail.gmail.com>
Subject: Re: OT: for our planned festival - distribution channels regarding 
	"call for performers", legal advice regarding ancillary copyright
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Rainer,

That isn't quite right ... the BY-NC-ND does allow the re-distribution ...
but permission must STILL be granted for use beyond the license and
copyright is STILL retained. That's the whole point of that type of license
... the 3rd part MUST have permission to use the material beyond simply
being able to share it. And that sharing MUST be linked back to you, or they
have violated the license and would be subject to recourse.

We could still use a CC license for the performance of work not previously
covered by a contract (unless you have an agreement with a rights
organization to whom you have signed over the COPYRIGHT of all your
performances past and future, which even in this day and age people are
still signing!).

No, I'm not a lawyer, but I dohave to deal with this in my day job ...

Dennis



On Tue, Jul 7, 2009 at 4:52 PM, Rainer Straschill
<moinsound@googlemail.com>wrote:

> Jeff said:
> > Couldn't we have some kind of Creative Commons license? Like Ninjam
> perfomances.
>
> The short answer is "no".
>
> The slightly longer one: even the most restrictive cc license
> (by-nc-nd) will allow third parties to freely distribute the work in
> question. This may be a problem in some cases with people bound to a
> performing rights organization by which they pass the handling of
> rights to that organization exclusively and for the duration of the
> contract, but internet streams may be exempt from that regulation
> (some of the German GEMA contracts are of that kind).
> In such a case, an artist would very well be able to grant us the
> right to stream his material via the internet, but would not allow him
> to publish it under a cc license.
>
>            Rainer
>
>


-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--0016360e3caadd1e0d046e28ec1a
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Rainer,<br><br>That isn&#39;t quite right ... the BY-NC-ND does allow the r=
e-distribution ... but permission must STILL be granted for use beyond the =
license and copyright is STILL retained. That&#39;s the whole point of that=
 type of license ... the 3rd part MUST have permission to use the material =
beyond simply being able to share it. And that sharing MUST be linked back =
to you, or they have violated the license and would be subject to recourse.=
<br>
<br>We could still use a CC license for the performance of work not previou=
sly covered by a contract (unless you have an agreement with a rights organ=
ization to whom you have signed over the COPYRIGHT of all your performances=
 past and future, which even in this day and age people are still signing!)=
.<br>
<br>No, I&#39;m not a lawyer, but I dohave to deal with this in my day job =
...<br><br>Dennis<br><br><br><br><div class=3D"gmail_quote">On Tue, Jul 7, =
2009 at 4:52 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:=
moinsound@googlemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br=
>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>Jeff said:<br>
&gt; Couldn&#39;t we have some kind of Creative Commons license? Like Ninja=
m perfomances.<br>
<br>
</div>The short answer is &quot;no&quot;.<br>
<br>
The slightly longer one: even the most restrictive cc license<br>
(by-nc-nd) will allow third parties to freely distribute the work in<br>
question. This may be a problem in some cases with people bound to a<br>
performing rights organization by which they pass the handling of<br>
rights to that organization exclusively and for the duration of the<br>
contract, but internet streams may be exempt from that regulation<br>
(some of the German GEMA contracts are of that kind).<br>
In such a case, an artist would very well be able to grant us the<br>
right to stream his material via the internet, but would not allow him<br>
to publish it under a cc license.<br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//myspace.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://=
audiozoloft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsb=
in.angrek.com/">http://usrslashsbin.angrek.com/</a><br>


--0016360e3caadd1e0d046e28ec1a--

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Date: Tue, 7 Jul 2009 21:07:31 -0600
Message-ID: <dec8f8e60907072007s15891c50sc3c1b2e6e4fb81@mail.gmail.com>
Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Those of you in the Los Angeles area will have an opportunity to come hear
one of my approaches ... I'm going to be doing improvised looping against a
field recording I recently made in Zadar, Croatia. It's about 16:20 in
length and while I have listened to it several times (I did add a 5 second
fade in and fade out, otherwise untouched), I have not tried playing
"against" it.

Details: The Bandit Gallery, Echo Park.Saturday 1 August. Doors open at
6:30.

Hope some of you can be there and we can talk about it! (There will be a Q&A
session!)

Best,

Dennis

On Tue, Jul 7, 2009 at 6:29 PM, Rick Walker <looppool@cruzio.com> wrote:

> In another thread, Matt Davignon wrote:
> "On the other hand, many of the acts I've seen left me feeling like the
> performers are locked
> into a scripted grid, with fewer opportunities to take the material in a
> direction other than a
> previously-drawn, forward-pointing arrow from start to finish."
>
>
> Honestly,  I have had the same reaction.    Granted,  there are artists who
> pull it off
> with panache and a sense of spontaneity's (I think , specifically,  of Zoe
> Keating, Imogen Heap, Juana Molina and
> Kid Beyond)  but in general,  pre-rehearsed and already thought out pieces
> of music
> using live looping feel as sterile to me as people push playing on DATs,
> I-pods, CDs, DVDS
> or computers.
>
> I actually really and truly loved sculptured recordings but to me, the live
> sphere is a different thing.
>
> And maybe this is just because I lack the discipline to go to all the work
> of pre arranging
> pieces of music when I play, but the last ten years or so of my life have
> been all improvisational.
>
> Of course,  one (and specifically, me)  run the risk of not having a cogent
> enough performance
> or ,  worst yet in live looping,  taking too long to create a piece of
> music and letting it go
> on for longer than it is musically interesting for the audience.  It's a
> constant worry for me and
> I frequently blow it live.
>
> I've noticed that a lot of loopers in our community seem to fail to realize
> that the what feels good
> to play;   what seems like a certain length of time in developing a piece
> of music is completely
> different for the audience.
>
> Personally, just because I teach a lot of live looping in my hometown,   I
> tell newbies to set
> up a clock and to force themselves to start, develop and cogentally end a
> piece of music
> every five minutes so that they have six pieces of music in a festival set
> of thirty minutes.
>
> It's a tough discipline to do that.   I purposefully write set lists with 6
> to 7 tableaus in it.
> I don't know what I'm going to play, but I do take 6 or 8 'sets' of
> instruments to each gig
> so that I can keep a found sound performance intriguing.
>
> I've discovered is someone has the discipline to play 6 five minute songs
> in order five times a week
> that after a month, they are ready to perform a pretty interesting set as a
> newbie at the festival.
>
> ******
> Also, and pardon this rambling post, but I"m in a 'waxing philosophic' mode
> today:
>
> I'm writing some new material that is more song oriented and even (damn
> this is scary to admit in public)
> singer/songwriter oriented,  so I know that I need to figure out a way that
> I can compromise my
> desire for spontaneity and improvisation with composed (if not arranged)
>  material.
>
> It's a really challenging thing for me.  Frankly,  it really scares me
> because it's so different from the freedom
> I've had for ten years,  but I also am really hearing some new things with
> my new foray into stringed
> instruments.
>
>
> SOOOOO,     pros and cons..................what do y'all like and/or
> dislike about pre arranged live looping shows
> and what do you like or dislike about pure improvisational shows.
>
>


-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--0016364ee4a8434897046e290ac6
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Those of you in the Los Angeles area will have an opportunity to come hear =
one of my approaches ... I&#39;m going to be doing improvised looping again=
st a field recording I recently made in Zadar, Croatia. It&#39;s about 16:2=
0 in length and while I have listened to it several times (I did add a 5 se=
cond fade in and fade out, otherwise untouched), I have not tried playing &=
quot;against&quot; it.<br>
<br>Details: The Bandit Gallery, Echo Park.Saturday 1 August. Doors open at=
 6:30.<br><br>Hope some of you can be there and we can talk about it! (Ther=
e will be a Q&amp;A session!)<br><br>Best,<br><br>Dennis<br><br><div class=
=3D"gmail_quote">
On Tue, Jul 7, 2009 at 6:29 PM, Rick Walker <span dir=3D"ltr">&lt;<a href=
=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204=
, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
In another thread, Matt Davignon wrote:<br>
&quot;On the other hand, many of the acts I&#39;ve seen left me feeling lik=
e the performers are locked<br>
into a scripted grid, with fewer opportunities to take the material in a di=
rection other than a<br>
previously-drawn, forward-pointing arrow from start to finish.&quot;<br>
<br>
<br>
Honestly, =A0I have had the same reaction. =A0 =A0Granted, =A0there are art=
ists who pull it off<br>
with panache and a sense of spontaneity&#39;s (I think , specifically, =A0o=
f Zoe Keating, Imogen Heap, Juana Molina and<br>
Kid Beyond) =A0but in general, =A0pre-rehearsed and already thought out pie=
ces of music<br>
using live looping feel as sterile to me as people push playing on DATs, I-=
pods, CDs, DVDS<br>
or computers.<br>
<br>
I actually really and truly loved sculptured recordings but to me, the live=
 sphere is a different thing.<br>
<br>
And maybe this is just because I lack the discipline to go to all the work =
of pre arranging<br>
pieces of music when I play, but the last ten years or so of my life have b=
een all improvisational.<br>
<br>
Of course, =A0one (and specifically, me) =A0run the risk of not having a co=
gent enough performance<br>
or , =A0worst yet in live looping, =A0taking too long to create a piece of =
music and letting it go<br>
on for longer than it is musically interesting for the audience. =A0It&#39;=
s a constant worry for me and<br>
I frequently blow it live.<br>
<br>
I&#39;ve noticed that a lot of loopers in our community seem to fail to rea=
lize that the what feels good<br>
to play; =A0 what seems like a certain length of time in developing a piece=
 of music is completely<br>
different for the audience.<br>
<br>
Personally, just because I teach a lot of live looping in my hometown, =A0 =
I tell newbies to set<br>
up a clock and to force themselves to start, develop and cogentally end a p=
iece of music<br>
every five minutes so that they have six pieces of music in a festival set =
of thirty minutes.<br>
<br>
It&#39;s a tough discipline to do that. =A0 I purposefully write set lists =
with 6 to 7 tableaus in it.<br>
I don&#39;t know what I&#39;m going to play, but I do take 6 or 8 &#39;sets=
&#39; of instruments to each gig<br>
so that I can keep a found sound performance intriguing.<br>
<br>
I&#39;ve discovered is someone has the discipline to play 6 five minute son=
gs in order five times a week<br>
that after a month, they are ready to perform a pretty interesting set as a=
 newbie at the festival.<br>
<br>
******<br>
Also, and pardon this rambling post, but I&quot;m in a &#39;waxing philosop=
hic&#39; mode today:<br>
<br>
I&#39;m writing some new material that is more song oriented and even (damn=
 this is scary to admit in public)<br>
singer/songwriter oriented, =A0so I know that I need to figure out a way th=
at I can compromise my<br>
desire for spontaneity and improvisation with composed (if not arranged) =
=A0material.<br>
<br>
It&#39;s a really challenging thing for me. =A0Frankly, =A0it really scares=
 me because it&#39;s so different from the freedom<br>
I&#39;ve had for ten years, =A0but I also am really hearing some new things=
 with my new foray into stringed<br>
instruments.<br>
<br>
<br>
SOOOOO, =A0 =A0 pros and cons..................what do y&#39;all like and/o=
r dislike about pre arranged live looping shows<br>
and what do you like or dislike about pure improvisational shows.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://myspa=
ce.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://audiozo=
loft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsbin.angr=
ek.com/">http://usrslashsbin.angrek.com/</a><br>


--0016364ee4a8434897046e290ac6--

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Date: Tue, 7 Jul 2009 23:12:39 -0400
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5a5049be3bb046e291c83
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As someone who did prepared to a large degree for years in the last 3 I've
completely gone the other way of nothing more than shooting from the hip
which has been totally freeing, inspiring and confidence building.  I've
come full circle really in the last 25 plus years of development, going
through periods of low confidence, performance anxiety and in the last 15,
accomplishment.  Much of that initial period came out of having someone just
inspire me to the point that the response was I had to do this.  I kind of
went through that praise period in the mid 90's until I think I began to
inch towards the 'free' period but it wasn't until Daryl and I met and began
developing Chinapainting that I really came to understanding 'free' playing
and not to go on but it really has been an awakening, both in my work with
him as well as my own solo work.  There's been something and please I don't
mean to be showing ego here and fear I may be but in short hitting the stage
or virtual stage and and letting come what may has just been the best.  Sure
 there are times of a bit of anxiety but what it has taught me is to go with
trust that the muse will lead.

--001636c5a5049be3bb046e291c83
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

As someone who did prepared to a large degree for years in the last 3 I&#39=
;ve completely gone the other way of nothing more than shooting from the hi=
p which has been totally freeing, inspiring and confidence building. =A0I&#=
39;ve come full circle really in the last 25 plus years of development, goi=
ng through periods of low confidence, performance anxiety and in the last 1=
5, accomplishment. =A0Much of that initial period came out of having someon=
e just inspire me to the point that the response was I had to do this. =A0I=
 kind of went through that praise period in the mid 90&#39;s until I think =
I began to inch towards the &#39;free&#39; period but it wasn&#39;t until D=
aryl and I met and began developing Chinapainting that I really came to und=
erstanding &#39;free&#39; playing and not to go on but it really has been a=
n awakening, both in my work with him as well as my own solo work. =A0There=
&#39;s been something and please I don&#39;t mean to be showing ego here an=
d fear I may be but in short hitting the stage or virtual stage and and let=
ting come what may has just been the best. =A0Sure =A0there are times of a =
bit of anxiety but what it has taught me is to go with trust that the muse =
will lead.<div>
<br>
</div>

--001636c5a5049be3bb046e291c83--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 03:25:05 2009
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Date: Tue, 07 Jul 2009 22:18:23 -0500
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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When working with my Aries synth, I'm quite comfortable with =20
improvised content.

However since the theremin is a gestural-controlled instrument, one =20
has difficulty to play in tune while manipulating foot pedals or other =20
controls.

I have felt that my most effective looped-theremin works have been the =20
composed works.  Since I play from memory, the listeners don't often =20
realize that the entire set is written-out.

I use vst control to control the loops' parameters -- once I begin a =20
composition I must maintain a constant tempo so that the loop =20
paramenters change at the correct time.

One of the advantages to composing is the ability to tighten-up =20
sections that are overly-repetitive and the ability to move from one =20
section to another quickly.  I can work out complex modulations and =20
harmonies that may be impractical to do in an improvised context.  My =20
vst automation gets very busy at times -- to do the same thing live =20
would require quite a few pairs of hands and feet all working in sync.

If a composition is challenging enough to play and tends to move, =20
inspire, and/or engage the listeners, then I never feel burnt out =20
about playing it.

*** begin rant
For example, I no longer book weddings because I'm sick of playing =20
cliched music that no one cares about -- I feel as if I am killing =20
brain cells by playing ditties such as the Pachelbel Canon.  (It is =20
really better in the original Klingon, however I digress...)  Thus, I =20
am quite sensitive the the notion that dull, uninteresting music is no =20
fun to play or to listen to whether it is composed or improvised.
*** end rant

The challenge, then, with composed music is to keep it interesting and =20
fresh.  This is as true when playing classical music as it is playing =20
looped music or anything else.  With great compositions one can return =20
to them and find new aspects, etc.

When I go into a situation where I must improvise, I always have more =20
ideas than I need.  That way, if something just doesn't "click" I can =20
move on.

In my (paid) work as an organist, my job demands that I improvise all =20
the time -- so the opportunity to play prepared compositions is really =20
a pleasure for me.  Sometimes I burn out on my own improvisation.  :)

-- Kevin

Quoting Mark Hamburg <mark@grubmah.com>:
>
> Interesting. I keep thinking I should go in with more material
> "prepared". I usually have at least some ideas to explore, but I've had
> times where I then can't get the loop going the way I wanted and I get
> frustrated restarting a few times. Then there's Y2K8 where I was just
> totally beat by the time I went on and I should probably be glad I
> managed to do anything coherent. I think I got one good piece out of
> three, but I need to go back and listen again.
>
> Mark



From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 03:48:48 2009
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
Date: Tue, 7 Jul 2009 20:33:27 -0700
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I don't think it has to be one or the other.

For me its 2 things: situation, and purpose.

I often am in the position where I have to "win over" an audience in  
my allotted 30 minutes (and often in the 1st 2 minutes!). That means,  
every minute is composed. I play the best versions of my best songs.  
The songs I play in those situations are ones that I have composed and  
have rehearsed for maybe a 100 hours or more.

If I'm playing my own concerts, for my own audience (i.e. NOT as  
opening act), I will make sure my program has a couple structured  
improvs that I might have mapped out vaguely before and at least one  
who-the-heck-knows-where-this-is-going improvisation. (I did it in  
April with Charles Rus from the San Francisco symphony...the 1st time  
he'd improvised in public!)

When I improvise though, I'm still really careful to never go over 7  
minutes. I like to keep things short and end decisively.

Also...its worth noting that both Immi and I are classically trained.  
In the classical world, um, everything is composed beforehand! We  
don't tend to think that is weird.
I don't play classical that often right now but I can play the same  
piece over and over and over again, classical or my own or a rock  
song... and the emotions feel new every time. If it didn't feel that  
"something", uniquely, every time I play the same song, then I would  
not play it... because I'd be cheating the audience.

So in the classical world, not only is it normal to have everything  
pre-composed, but one must rehearse over and over and over and  
over....something I'm a strong believer in.

So Rick, don't worry about it! You'll still be yourself. You should do  
both.





On Jul 7, 2009, at 5:29 PM, Rick Walker wrote:

> In another thread, Matt Davignon wrote:
> "On the other hand, many of the acts I've seen left me feeling like  
> the performers are locked
> into a scripted grid, with fewer opportunities to take the material  
> in a direction other than a
> previously-drawn, forward-pointing arrow from start to finish."
>
>
> Honestly,  I have had the same reaction.    Granted,  there are  
> artists who pull it off
> with panache and a sense of spontaneity's (I think , specifically,   
> of Zoe Keating, Imogen Heap, Juana Molina and
> Kid Beyond)  but in general,  pre-rehearsed and already thought out  
> pieces of music
> using live looping feel as sterile to me as people push playing on  
> DATs, I-pods, CDs, DVDS
> or computers.
>
> I actually really and truly loved sculptured recordings but to me,  
> the live sphere is a different thing.
>
> And maybe this is just because I lack the discipline to go to all  
> the work of pre arranging
> pieces of music when I play, but the last ten years or so of my life  
> have been all improvisational.
>
> Of course,  one (and specifically, me)  run the risk of not having a  
> cogent enough performance
> or ,  worst yet in live looping,  taking too long to create a piece  
> of music and letting it go
> on for longer than it is musically interesting for the audience.   
> It's a constant worry for me and
> I frequently blow it live.
>
> I've noticed that a lot of loopers in our community seem to fail to  
> realize that the what feels good
> to play;   what seems like a certain length of time in developing a  
> piece of music is completely
> different for the audience.
>
> Personally, just because I teach a lot of live looping in my  
> hometown,   I tell newbies to set
> up a clock and to force themselves to start, develop and cogentally  
> end a piece of music
> every five minutes so that they have six pieces of music in a  
> festival set of thirty minutes.
>
> It's a tough discipline to do that.   I purposefully write set lists  
> with 6 to 7 tableaus in it.
> I don't know what I'm going to play, but I do take 6 or 8 'sets' of  
> instruments to each gig
> so that I can keep a found sound performance intriguing.
>
> I've discovered is someone has the discipline to play 6 five minute  
> songs in order five times a week
> that after a month, they are ready to perform a pretty interesting  
> set as a newbie at the festival.
>
> ******
> Also, and pardon this rambling post, but I"m in a 'waxing  
> philosophic' mode today:
>
> I'm writing some new material that is more song oriented and even  
> (damn this is scary to admit in public)
> singer/songwriter oriented,  so I know that I need to figure out a  
> way that I can compromise my
> desire for spontaneity and improvisation with composed (if not  
> arranged)  material.
>
> It's a really challenging thing for me.  Frankly,  it really scares  
> me because it's so different from the freedom
> I've had for ten years,  but I also am really hearing some new  
> things with my new foray into stringed
> instruments.
>
>
> SOOOOO,     pros and cons..................what do y'all like and/or  
> dislike about pre arranged live looping shows
> and what do you like or dislike about pure improvisational shows.
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 03:56:29 2009
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
Date: Tue, 7 Jul 2009 20:39:03 -0700
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that's a good point kevin

there are a few songs of mine that i don't play anymore because i got  
bored with them. that told me that they weren't good enough!


On Jul 7, 2009, at 8:18 PM, kkissinger@kevinkissinger.com wrote:

>
> The challenge, then, with composed music is to keep it interesting  
> and fresh.  This is as true when playing classical music as it is  
> playing looped music or anything else.  With great compositions one  
> can return to them and find new aspects, etc.

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Date: Tue, 7 Jul 2009 21:28:11 -0700
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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My take on it is probably not going to be really popular, but here it
is.  I've tried to do things more "canned" in a sense.  I developed a
little set up that was more like a Kid Beyond type of show.  I took it
out a few times and got good response, but it was kind of boring for
me.  I didn't really like doing it.  Like Rick said, it felt "canned."

However, I think the audience doesn't care, and in fact probably ends
up appreciating the pre-composed bits more. Here's the part that a lot
of your won't like.  I like the composed bits more too. I found myself
mostly bored with the the loop wankery at all the loopfests I've seen
and I'd much rather see a !loopstation! show or a Kid Beyond  show.
The stand out loop shows I've seen that come to mind are the two I've
mentioned, Andre LaFosse, Amy X Neuberg, Brian Kenny Fresno... all
pre-composed tunes for the most part.  Sorry, I consider myself among
the boring though, so I'm in good company.  It's no secret that the
audience for loop fests are the loopers and we're there as a community
more than anything else.  I just don't think that we should kid
ourselves into thinking that what we do is for an audience.  It's for
ourselves first and foremost.  I think that's great, and in a sense a
more pure art... it's just not always that fun to observe.

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 09:15:51 2009
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
Date: Wed, 8 Jul 2009 10:15:47 +0100
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Rather like Zoe, I come at this from a classically trained background  
where I played everything straight from the composers music for about  
20 years! When I started some tentative improvisation it was in a  
group and not solo, which somehow felt easier. In that group I got the  
looping bug from Steve Lawson, but didn't feel confident enough in my  
own compositional/improvisational ability to go for completely free  
looping.

My solo gigs also tend not to be entirely loop based, I also play a  
range of classical and non-classical unacompanied violin pieces (Bach,  
Piazzolla and so on). I think this really adds variety to the shows  
and also allows me to keep my 'classical' identity, which is still an  
important part of what I do.

With the looping I have built up a load of arrangements of various  
pieces - Beatles stuff, Nirvana, minimalist things by Glass and Reich,  
folk tunes, and pieces written specially for me - which involve fairly  
complex pedal setups. There can be some improv within them (and  
usually there is) but I have to stick fairly closely to the 'script'  
to keep the loops working correctly for the arrangement. I enjoy the  
challenge of working out these arrangements and they go down well with  
audiences (so far anyway!!). Again like Zoe I want to win over the  
audience straight away, and for me that means playing something I know  
really well (I know - scared of taking risks! But there's always a  
risk with looping however well planned....), at least for the opening  
number.

More recently I've been adding some of my own pieces to my sets, but  
I'm a long, long way from a totally free set: I'll probably never get  
there, maybe just a slight change of balance as I explore some freer  
material.

Basically I really love doing the worked out arrangements, which  
always feel slightly different in every show, and I keep getting ideas  
for more pieces I want to arrange.

I'll even admit to playing the Pachelbel Canon in some shows (!). As  
it's originally written for violins (and continuo of course) it seems  
to work well. Also I play it entirely in the original form, ie. bass  
line and then 3 canonic violin parts (no blazing electric violin  
improvised virtuosic solos for me in this one!). Audiences tend to  
fall into 2 categories here: There are always lots who love the piece  
and come up to me to thank me for playing their favourite classical  
work. The second type come up to me and say "I'm so sick of that  
piece, but it was great to hear it done by just one person"!

Me - I quite like the piece anyway!

For me looping (and my musical career in general) has been, and  
continues to be, an evolutionary process: Nothing is out of the  
question, it's just that it may take me a while to get around to some  
things (although listening to some of the music mentioned on this list  
is undoubtedly speeding up the process - thanks!).

But you wait, if I'm still looping when I'm 90 it'll be a whole  
different ball game........

Best wishes to all,
Steve



From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 09:52:59 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
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Subject: RE: PrePrepared vs. Improvisational Live Looping Performances
Date: Wed, 8 Jul 2009 09:52:59 +0000
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Without reading the other answers=2C I frankly find this layering of pre th=
ought out parts rather boring (with some exceptions=2C the artist you menti=
on for example). Especially if it is in singer songwriter context with voca=
ls. To me it is just a one man band thing were i miss the REAL band aspect.=
=20

I sort of agree on the 5 minute "rule" which I always break=2C BUT sometime=
s i find that I'm changing stuff to often. I sort of like a LONG monotonous=
 underlying sound with different themes change on top but to be a good long=
 piece there should be distinct parts within the longer piece.=20

=20

Will now read the other replies..

=20

Anders

www.soundclick.com/andersbergdahl
=20
> Date: Tue=2C 7 Jul 2009 17:29:12 -0700
> From: looppool@cruzio.com
> To: Loopers-Delight@loopers-delight.com
> Subject: PrePrepared vs. Improvisational Live Looping Performances
>=20
> In another thread=2C=20
> Matt Davignon wrote:
> "On the other hand=2C many of the acts I've seen left me feeling like the=
=20
> performers are locked
> into a scripted grid=2C with fewer opportunities to take the material in =
a=20
> direction other than a
> previously-drawn=2C forward-pointing arrow from start to finish."
>=20
>=20
> Honestly=2C I have had the same reaction. Granted=2C there are artists=20
> who pull it off
> with panache and a sense of spontaneity's (I think =2C specifically=2C of=
=20
> Zoe Keating=2C Imogen Heap=2C Juana Molina and
> Kid Beyond) but in general=2C pre-rehearsed and already thought out=20
> pieces of music
> using live looping feel as sterile to me as people push playing on DATs=
=2C=20
> I-pods=2C CDs=2C DVDS
> or computers.
>=20
> I actually really and truly loved sculptured recordings but to me=2C the=
=20
> live sphere is a different thing.
>=20
> And maybe this is just because I lack the discipline to go to all the=20
> work of pre arranging
> pieces of music when I play=2C but the last ten years or so of my life=20
> have been all improvisational.
>=20
> Of course=2C one (and specifically=2C me) run the risk of not having a=20
> cogent enough performance
> or =2C worst yet in live looping=2C taking too long to create a piece of=
=20
> music and letting it go
> on for longer than it is musically interesting for the audience. It's a=20
> constant worry for me and
> I frequently blow it live.
>=20
> I've noticed that a lot of loopers in our community seem to fail to=20
> realize that the what feels good
> to play=3B what seems like a certain length of time in developing a=20
> piece of music is completely
> different for the audience.
>=20
> Personally=2C just because I teach a lot of live looping in my hometown=
=2C=20
> I tell newbies to set
> up a clock and to force themselves to start=2C develop and cogentally end=
=20
> a piece of music
> every five minutes so that they have six pieces of music in a festival=20
> set of thirty minutes.
>=20
> It's a tough discipline to do that. I purposefully write set lists=20
> with 6 to 7 tableaus in it.
> I don't know what I'm going to play=2C but I do take 6 or 8 'sets' of=20
> instruments to each gig
> so that I can keep a found sound performance intriguing.
>=20
> I've discovered is someone has the discipline to play 6 five minute=20
> songs in order five times a week
> that after a month=2C they are ready to perform a pretty interesting set=
=20
> as a newbie at the festival.
>=20
> ******
> Also=2C and pardon this rambling post=2C but I"m in a 'waxing philosophic=
'=20
> mode today:
>=20
> I'm writing some new material that is more song oriented and even (damn=20
> this is scary to admit in public)
> singer/songwriter oriented=2C so I know that I need to figure out a way=20
> that I can compromise my
> desire for spontaneity and improvisation with composed (if not=20
> arranged) material.
>=20
> It's a really challenging thing for me. Frankly=2C it really scares me=20
> because it's so different from the freedom
> I've had for ten years=2C but I also am really hearing some new things=20
> with my new foray into stringed
> instruments.
>=20
>=20
> SOOOOO=2C pros and cons..................what do y'all like and/or=20
> dislike about pre arranged live looping shows
> and what do you like or dislike about pure improvisational shows.
>=20

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Without reading the other answers=2C I frankly find this layering of pre th=
ought out parts rather boring (with some exceptions=2C the artist you menti=
on for example). Especially if it is in singer songwriter context with&nbsp=
=3Bvocals. To me it is just a one man band thing were i miss the REAL band =
aspect. <BR>
I sort of agree on the 5 minute&nbsp=3B"rule" which I always break=2C BUT s=
ometimes i&nbsp=3Bfind that I'm changing stuff to often. I sort of like a L=
ONG monotonous underlying sound with&nbsp=3Bdifferent themes change&nbsp=3B=
on top but to be a good&nbsp=3Blong piece there should be distinct parts wi=
thin the longer piece. <BR>
&nbsp=3B<BR>
Will now read the other replies..<BR>
&nbsp=3B<BR>
Anders<BR>
<A href=3D"http://www.soundclick.com/andersbergdahl">www.soundclick.com/and=
ersbergdahl</A><BR>&nbsp=3B<BR>&gt=3B Date: Tue=2C 7 Jul 2009 17:29:12 -070=
0<BR>&gt=3B From: looppool@cruzio.com<BR>&gt=3B To: Loopers-Delight@loopers=
-delight.com<BR>&gt=3B Subject: PrePrepared vs. Improvisational Live Loopin=
g Performances<BR>&gt=3B <BR>&gt=3B In another thread=2C <BR>&gt=3B Matt Da=
vignon wrote:<BR>&gt=3B "On the other hand=2C many of the acts I've seen le=
ft me feeling like the <BR>&gt=3B performers are locked<BR>&gt=3B into a sc=
ripted grid=2C with fewer opportunities to take the material in a <BR>&gt=
=3B direction other than a<BR>&gt=3B previously-drawn=2C forward-pointing a=
rrow from start to finish."<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B Honestly=2C I h=
ave had the same reaction. Granted=2C there are artists <BR>&gt=3B who pull=
 it off<BR>&gt=3B with panache and a sense of spontaneity's (I think =2C sp=
ecifically=2C of <BR>&gt=3B Zoe Keating=2C Imogen Heap=2C Juana Molina and<=
BR>&gt=3B Kid Beyond) but in general=2C pre-rehearsed and already thought o=
ut <BR>&gt=3B pieces of music<BR>&gt=3B using live looping feel as sterile =
to me as people push playing on DATs=2C <BR>&gt=3B I-pods=2C CDs=2C DVDS<BR=
>&gt=3B or computers.<BR>&gt=3B <BR>&gt=3B I actually really and truly love=
d sculptured recordings but to me=2C the <BR>&gt=3B live sphere is a differ=
ent thing.<BR>&gt=3B <BR>&gt=3B And maybe this is just because I lack the d=
iscipline to go to all the <BR>&gt=3B work of pre arranging<BR>&gt=3B piece=
s of music when I play=2C but the last ten years or so of my life <BR>&gt=
=3B have been all improvisational.<BR>&gt=3B <BR>&gt=3B Of course=2C one (a=
nd specifically=2C me) run the risk of not having a <BR>&gt=3B cogent enoug=
h performance<BR>&gt=3B or =2C worst yet in live looping=2C taking too long=
 to create a piece of <BR>&gt=3B music and letting it go<BR>&gt=3B on for l=
onger than it is musically interesting for the audience. It's a <BR>&gt=3B =
constant worry for me and<BR>&gt=3B I frequently blow it live.<BR>&gt=3B <B=
R>&gt=3B I've noticed that a lot of loopers in our community seem to fail t=
o <BR>&gt=3B realize that the what feels good<BR>&gt=3B to play=3B what see=
ms like a certain length of time in developing a <BR>&gt=3B piece of music =
is completely<BR>&gt=3B different for the audience.<BR>&gt=3B <BR>&gt=3B Pe=
rsonally=2C just because I teach a lot of live looping in my hometown=2C <B=
R>&gt=3B I tell newbies to set<BR>&gt=3B up a clock and to force themselves=
 to start=2C develop and cogentally end <BR>&gt=3B a piece of music<BR>&gt=
=3B every five minutes so that they have six pieces of music in a festival =
<BR>&gt=3B set of thirty minutes.<BR>&gt=3B <BR>&gt=3B It's a tough discipl=
ine to do that. I purposefully write set lists <BR>&gt=3B with 6 to 7 table=
aus in it.<BR>&gt=3B I don't know what I'm going to play=2C but I do take 6=
 or 8 'sets' of <BR>&gt=3B instruments to each gig<BR>&gt=3B so that I can =
keep a found sound performance intriguing.<BR>&gt=3B <BR>&gt=3B I've discov=
ered is someone has the discipline to play 6 five minute <BR>&gt=3B songs i=
n order five times a week<BR>&gt=3B that after a month=2C they are ready to=
 perform a pretty interesting set <BR>&gt=3B as a newbie at the festival.<B=
R>&gt=3B <BR>&gt=3B ******<BR>&gt=3B Also=2C and pardon this rambling post=
=2C but I"m in a 'waxing philosophic' <BR>&gt=3B mode today:<BR>&gt=3B <BR>=
&gt=3B I'm writing some new material that is more song oriented and even (d=
amn <BR>&gt=3B this is scary to admit in public)<BR>&gt=3B singer/songwrite=
r oriented=2C so I know that I need to figure out a way <BR>&gt=3B that I c=
an compromise my<BR>&gt=3B desire for spontaneity and improvisation with co=
mposed (if not <BR>&gt=3B arranged) material.<BR>&gt=3B <BR>&gt=3B It's a r=
eally challenging thing for me. Frankly=2C it really scares me <BR>&gt=3B b=
ecause it's so different from the freedom<BR>&gt=3B I've had for ten years=
=2C but I also am really hearing some new things <BR>&gt=3B with my new for=
ay into stringed<BR>&gt=3B instruments.<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B SOO=
OOO=2C pros and cons..................what do y'all like and/or <BR>&gt=3B =
dislike about pre arranged live looping shows<BR>&gt=3B and what do you lik=
e or dislike about pure improvisational shows.<BR>&gt=3B <BR></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 10:13:15 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: PrePrepared vs. Improvisational Live Looping Performances
Date: Wed, 8 Jul 2009 10:13:14 +0000
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I do think there is a BIG difference between the sort of "classical" music =
background and the "rock" "folk" thing. A classically trained musician=2C t=
o me=2C "use" a composed piece a a starting point of interpretation (improv=
isation) it is the small variations that the musician "adds" to  the compos=
ition that makes it interesting. That might be the reason that classically =
trained musicians *tend* to do composed looping more interesting than folk/=
rock musicians (like me).

Many musicians with rock background really CANT compose intresting instrume=
ntal music=2C i can't=2C not yet at least!! We can write song=2C instrumnta=
l sometimes=2C nut not usally with couter themes=2C development etc...

BUT some rockers/jazzers can imprivise and some times there as nuggets in t=
hose improvisation. And over time. like Andre LaFosse=2C you keep those nug=
gets and turn them into songs...=20

Still I do NOT usually like the approach that is like - first I do a fun be=
at=2C then add bass=2C some backing vocals=2C more rhytms=2C a guitar=2C si=
ng verse......
=20
> From: sbingham@con-brio.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
> Date: Wed=2C 8 Jul 2009 10:15:47 +0100
>=20
> Rather like Zoe=2C I come at this from a classically trained background=20
> where I played everything straight from the composers music for about=20
> 20 years! When I started some tentative improvisation it was in a=20
> group and not solo=2C which somehow felt easier. In that group I got the=
=20
> looping bug from Steve Lawson=2C but .....................=

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I do think there is a BIG difference between the sort of "classical" music =
background and the "rock" "folk" thing. A classically trained musician=2C t=
o me=2C&nbsp=3B"use" a composed piece a a starting point of interpretation =
(improvisation) it is the small variations that the musician&nbsp=3B"adds" =
to&nbsp=3B the composition that makes it interesting. That might be the rea=
son that classically trained musicians&nbsp=3B*tend* to do composed looping=
 more interesting than folk/rock musicians (like me).<BR>
Many musicians with&nbsp=3Brock background really CANT compose intresting i=
nstrumental music=2C i can't=2C not yet at least!! We can write song=2C ins=
trumntal sometimes=2C nut not&nbsp=3Busally with couter themes=2C developme=
nt etc...<BR>
BUT some rockers/jazzers can imprivise and some times there as nuggets in t=
hose improvisation. And over time. like Andre&nbsp=3BLaFosse=2C you keep th=
ose nuggets&nbsp=3Band turn them into songs... <BR>
Still I do&nbsp=3BNOT usually&nbsp=3Blike the approach&nbsp=3Bthat is like&=
nbsp=3B- first I do a fun beat=2C then add bass=2C some&nbsp=3Bbacking voca=
ls=2C more rhytms=2C a guitar=2C sing verse......<BR>&nbsp=3B<BR>&gt=3B Fro=
m: sbingham@con-brio.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<=
BR>&gt=3B Subject: Re: PrePrepared vs. Improvisational Live Looping Perform=
ances<BR>&gt=3B Date: Wed=2C 8 Jul 2009 10:15:47 +0100<BR>&gt=3B <BR>&gt=3B=
 Rather like Zoe=2C I come at this from a classically trained background <B=
R>&gt=3B where I played everything straight from the composers music for ab=
out <BR>&gt=3B 20 years! When I started some tentative improvisation it was=
 in a <BR>&gt=3B group and not solo=2C which somehow felt easier. In that g=
roup I got the <BR>&gt=3B looping bug from Steve Lawson=2C but ............=
.........</body>
</html>=

--_70494144-6174-4337-a499-bf71e98b0884_--

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Date: Wed, 8 Jul 2009 12:59:02 +0200
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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INteresting reading. Thanks for everyone posting!

Lately I have noticed, to my big surprise, that people at my gigs
think I am classically trained. This totally wrong. My "instrument of
the day", the alto flute, I actually bought just four years ago to
start using particularly with looping. However...

...like classical players I do practice a lot. But I don't practice
playing particular pieces. I practice what I call "instant composing".
It's the technique to improvise musical structures that lock in over
time, as opposed to the kind of improvisation where you "react to
sound in the moment" . You train your mind to spread out into the
future and into the past and you learn to see a chain of moments as
one unified process. And this process doesn't flow in one direction,
it is more like a sea than a river.

Technically you have to explore all relations between melodies,
scales, chords and in live looping particularly parallel
transposition. A musical parallel transposition happens when you speed
shift a chord. Depending on being a minor or major chord it brings
certain implications for how you can go melody-wise with it. And the
transposed interval also affects rhythm since the loop goes faster if
speeded up (in pitch) and slower if slowed down (in pitch).

This was just the short version, but my point is that by exploring how
all these parameters relates musically you can develop a paradigm for
your expression. Oddly, it really is discipline that can set you free.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Wed, 8 Jul 2009 13:12:32 +0200
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
From: Fabio_A <eterogenus@gmail.com>
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--0016363b9d12cc5621046e2fd0d3
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Interesting discussion !

When I play in my studio, I always improvise and sometimes some nice themes
come out.
Surely is my "classical backgroud", but when I find a theme that I really
like, I dont' want to let it go, so I try to work on an arrangement for that
theme.

I'm one of those who can play for hours and hours the same piece of music,
but I always tend to have "free parts" in a song for improvisation.

For example, at the last loopfests (Antwerp-Florence-Rome) I've played
"three pictures":
- first one was a structured piece of music with predefined themes and  two
parts (in the middle and at the end) where to improvise;
- the second was a 100% soundscape improvvisation; here just the tonal
centre was predefined;
- the last one was the first section of Piano Phase by Steve Reich; and here
I was really "locked into a grid", as a classical player usually is.

Differently from that, two week later the Loopfest in Rome I've played a
100% improvised set with a percussionist and war guitar player.

At the end, I can say that for me the approach to follow depends by the live
context I have to play in: if I play with other musician I love to improvise
all the time, but if I play alone on the stage I prefer to mix the two
approaches and expose "my" musical themes.

Fabio
www.eterogeneo.com
www.myspace.com/eterogeneo



2009/7/8 Anders Bergdahl <anders_e_bergdahl@hotmail.com>

> I do think there is a BIG difference between the sort of "classical" music
> background and the "rock" "folk" thing. A classically trained musician, to
> me, "use" a composed piece a a starting point of interpretation
> (improvisation) it is the small variations that the musician "adds" to  the
> composition that makes it interesting. That might be the reason that
> classically trained musicians *tend* to do composed looping more interesting
> than folk/rock musicians (like me).
> Many musicians with rock background really CANT compose intresting
> instrumental music, i can't, not yet at least!! We can write song,
> instrumntal sometimes, nut not usally with couter themes, development etc...
> BUT some rockers/jazzers can imprivise and some times there as nuggets in
> those improvisation. And over time. like Andre LaFosse, you keep those
> nuggets and turn them into songs...
> Still I do NOT usually like the approach that is like - first I do a fun
> beat, then add bass, some backing vocals, more rhytms, a guitar, sing
> verse......
>
> > From: sbingham@con-brio.com
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
> > Date: Wed, 8 Jul 2009 10:15:47 +0100
> >
> > Rather like Zoe, I come at this from a classically trained background
> > where I played everything straight from the composers music for about
> > 20 years! When I started some tentative improvisation it was in a
> > group and not solo, which somehow felt easier. In that group I got the
> > looping bug from Steve Lawson, but .....................
>

--0016363b9d12cc5621046e2fd0d3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Interesting discussion !</div>
<div>=A0</div>
<div>When I play in my studio, I always improvise and sometimes some nice t=
hemes come out.</div>
<div>Surely is my &quot;classical backgroud&quot;, but when I find a theme =
that I really like, I dont&#39; want to let it go, so I try to work on an a=
rrangement for that theme. </div>
<div>=A0</div>
<div>I&#39;m one of those who=A0can play for hours and hours the same piece=
 of music, but I always tend to have &quot;free parts&quot; in a song=A0for=
 improvisation.</div>
<div>=A0</div>
<div>For example,=A0at the last loopfests (Antwerp-Florence-Rome) I&#39;ve =
played &quot;three pictures&quot;:</div>
<div>- first one was a structured piece of music with predefined themes and=
=A0=A0two parts (in the middle and at the end) where to improvise;</div>
<div>- the second was a 100% soundscape improvvisation; here just the tonal=
 centre was predefined;</div>
<div>- the last one was the first section of Piano Phase by Steve Reich; an=
d here I was really &quot;locked=A0into a grid&quot;, as a classical player=
 usually is.</div>
<div>=A0</div>
<div>Differently from that,=A0two=A0week later the Loopfest in Rome I&#39;v=
e played a 100% improvised set with a percussionist and war guitar player.<=
/div>
<div>=A0</div>
<div>At the end, I can say that for me the approach to follow depends by th=
e live context I have to play in: if I play with other musician I love to i=
mprovise all the time, but if I play alone on the stage I prefer to mix the=
 two approaches and expose &quot;my&quot; musical themes.</div>

<div>=A0</div>
<div>Fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><a href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogen=
eo</a></div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div class=3D"gmail_quote">2009/7/8 Anders Bergdahl <span dir=3D"ltr">&lt;<=
a href=3D"mailto:anders_e_bergdahl@hotmail.com">anders_e_bergdahl@hotmail.c=
om</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>I do think there is a BIG difference between the sort of &quot;classic=
al&quot; music background and the &quot;rock&quot; &quot;folk&quot; thing. =
A classically trained musician, to me,=A0&quot;use&quot; a composed piece a=
 a starting point of interpretation (improvisation) it is the small variati=
ons that the musician=A0&quot;adds&quot; to=A0 the composition that makes i=
t interesting. That might be the reason that classically trained musicians=
=A0*tend* to do composed looping more interesting than folk/rock musicians =
(like me).<br>
Many musicians with=A0rock background really CANT compose intresting instru=
mental music, i can&#39;t, not yet at least!! We can write song, instrumnta=
l sometimes, nut not=A0usally with couter themes, development etc...<br>BUT=
 some rockers/jazzers can imprivise and some times there as nuggets in thos=
e improvisation. And over time. like Andre=A0LaFosse, you keep those nugget=
s=A0and turn them into songs... <br>
Still I do=A0NOT usually=A0like the approach=A0that is like=A0- first I do =
a fun beat, then add bass, some=A0backing vocals, more rhytms, a guitar, si=
ng verse......<br>=A0<br>&gt; From: <a href=3D"mailto:sbingham@con-brio.com=
" target=3D"_blank">sbingham@con-brio.com</a>=20
<div class=3D"im"><br>&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-de=
light.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br></d=
iv>&gt; Subject: Re: PrePrepared vs. Improvisational Live Looping Performan=
ces<br>
&gt; Date: Wed, 8 Jul 2009 10:15:47 +0100=20
<div class=3D"im"><br>&gt; <br>&gt; Rather like Zoe, I come at this from a =
classically trained background <br>&gt; where I played everything straight =
from the composers music for about <br>&gt; 20 years! When I started some t=
entative improvisation it was in a <br>
&gt; group and not solo, which somehow felt easier. In that group I got the=
 <br></div>&gt; looping bug from Steve Lawson, but .....................</d=
iv></blockquote></div><br>

--0016363b9d12cc5621046e2fd0d3--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 11:18:47 2009
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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Just on the note of Classical music being precomposed and Bach's name 
creeping up, let us not forget that while that may be predominantly the case 
that classical music is from the score, Bach's fugues, to my knowledge, and 
correct me if I am wrong but I'm pretty sure that I am correct on this, 
were exercises to improvise with. (check that out for a run on)

I have never really gotten over the "authenticity" issue surrounding scored 
works, but that's another conversation. I guess, like most things in life, 
never mind music, a healthy balanced diet is key. So, while preprepared can 
be quite fruitful in terms of performance, it can also provide a vehicle for 
improvisation. Pre written motifs can be explored in terms of all their 
musical cues, and that really facinates me in this day and age and with the 
technology we have to manipulate proximity, pitch, timbre etc. Following on 
from what Per has said, I think it is important to explore "all relations 
between melodies, scales, chords". But prior knowledge calls into question 
as to whether or not we are really dealing with Improvisation?!

Here's a link on Improvisation and the great composers that I found quite 
interesting: http://ericbarnhill.wordpress.com/facts-about-improvisation/

Ricardo

----- Original Message ----- 
From: "Steve Bingham" <sbingham@con-brio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 08, 2009 10:15 AM
Subject: Re: PrePrepared vs. Improvisational Live Looping Performances


> Rather like Zoe, I come at this from a classically trained background
> where I played everything straight from the composers music for about
> 20 years! When I started some tentative improvisation it was in a
> group and not solo, which somehow felt easier. In that group I got the
> looping bug from Steve Lawson, but didn't feel confident enough in my
> own compositional/improvisational ability to go for completely free
> looping.
>
> My solo gigs also tend not to be entirely loop based, I also play a
> range of classical and non-classical unacompanied violin pieces (Bach,
> Piazzolla and so on). I think this really adds variety to the shows
> and also allows me to keep my 'classical' identity, which is still an
> important part of what I do.
>
> With the looping I have built up a load of arrangements of various
> pieces - Beatles stuff, Nirvana, minimalist things by Glass and Reich,
> folk tunes, and pieces written specially for me - which involve fairly
> complex pedal setups. There can be some improv within them (and
> usually there is) but I have to stick fairly closely to the 'script'
> to keep the loops working correctly for the arrangement. I enjoy the
> challenge of working out these arrangements and they go down well with
> audiences (so far anyway!!). Again like Zoe I want to win over the
> audience straight away, and for me that means playing something I know
> really well (I know - scared of taking risks! But there's always a
> risk with looping however well planned....), at least for the opening
> number.
>
> More recently I've been adding some of my own pieces to my sets, but
> I'm a long, long way from a totally free set: I'll probably never get
> there, maybe just a slight change of balance as I explore some freer
> material.
>
> Basically I really love doing the worked out arrangements, which
> always feel slightly different in every show, and I keep getting ideas
> for more pieces I want to arrange.
>
> I'll even admit to playing the Pachelbel Canon in some shows (!). As
> it's originally written for violins (and continuo of course) it seems
> to work well. Also I play it entirely in the original form, ie. bass
> line and then 3 canonic violin parts (no blazing electric violin
> improvised virtuosic solos for me in this one!). Audiences tend to
> fall into 2 categories here: There are always lots who love the piece
> and come up to me to thank me for playing their favourite classical
> work. The second type come up to me and say "I'm so sick of that
> piece, but it was great to hear it done by just one person"!
>
> Me - I quite like the piece anyway!
>
> For me looping (and my musical career in general) has been, and
> continues to be, an evolutionary process: Nothing is out of the
> question, it's just that it may take me a while to get around to some
> things (although listening to some of the music mentioned on this list
> is undoubtedly speeding up the process - thanks!).
>
> But you wait, if I'm still looping when I'm 90 it'll be a whole
> different ball game........
>
> Best wishes to all,
> Steve
>
>
>


--------------------------------------------------------------------------------



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  I have to agree to disagree with Mark Sottilaro's contention that 
looping festivals are only for loopers and not for audiences.

I do see your point and I think there is an element of what you say that 
is true,  however,
in point of fact,  you have, factually,  been to very few of the 
festivals that I"ve personally produced.    I know because I"ve invited 
you to come several times,
unsuccessfully.   

So, at least with these festivals,   you haven't been witness to the 
tremendous growth in both musical and artistic sophistication
that has occurred at a very regular pace  in  at least the Y2K Series 
(and the many, many festivals I've played at in Europe, the UK, Japan 
and Mexico).

I've seen some astonishing and beautiful performances at many of these 
festivals....................performances that would have wowed any 
discerning audience.
I'm sorry that you seemed to have largely eschewed attending them 
because you've missed a lot of growth in the community.

At the same time,  I am perhaps the only person actively producing 
looping festivals who is very aggressively into putting complete 
'newbies' on to
stage in the early hours of the 
festivals.....................sometimes,   musicians who have never even 
performed EVER in a live setting.

I've done this very self consciously,   and from the standpoint of an 
audience,  I can be acused of 'watering down'  the overall high level of 
the entire
performance at the festivals.

I've done it, however, very self consciously, because I believe that 
there is room in the world for communal support.............there is 
room for
rank beginners to play on the same day (if not the same time)  as 
complete professionals.

I've been very proud of this policy and I think that the incredibly 
supportive and communal spirit of our larger community sets it apart 
from any
musical movement in popular music, since the San Francisco Psychedelic 
movement of the late sixties.

One of the things I brag about to journalists or even to really 
accomplished live loopers when trying to entice them to either cover or 
come to the festival
is the fact that some of the world's best live loopers are in the 
audience cheering on the 'newbie's at 12 noon.

One of the things I love to brag about is the fact that frequently,  one 
of those newbies puts on such an interesting or original or provocative 
show
that the 'oldbies'  are blown away and 
inspired..........................I think of Lindsey Walker's quirky 
singer songwriter set last year.  I was totally
inspired by it.

That said and done,  I completely understand why other live looping 
producers have chosen not to use this approach.
Looked at from one perspective,  it can be seen as 'diluting'  the 
professionalism of the festival to do it.

But noone can sit through 30 hours of live looping artists and one 
unusual aspect of the festival is that everyone plays for only 30 
minutes, so the whole thing
can be a smorgasborg of styles and techniques......................you 
find someone uninteresting so you gravitate outside and have a 
fascinating conversation
with a very sophisticated live looper from another country that turns 
you on and makes the artistry grow and get better.

So Mark,  I'd specifically love to invite you to not only come and 
perform this year,   so we can see how you've grown as a live looping 
artist, but so that you can see
what's grown in the ensuing years....................a lot has,  I 
assure you.   We'd be better as a community for your performance, 
involvement and support.

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 11:36:25 2009
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Zoe wrote:
'So Rick, don't worry about it! You'll still be yourself. You should do 
both."

Thanks, Zoe,   I  honestly believe that really good musicians transcend 
their genres and their approaches
ultimately..................so that there can be real freedom in 
producing highly arranged pieces just as easily
as there can be horrific boredom resulting from free improvisational pieces.

I honestly started this thread to just stir up some thought and get 
people (including myself) to
really look at what they do and figure out what else can be added to the 
mix.

I even winced when I put the word  'vs.'  in the thread because I 
honestly believe that
the 'competition' between such approaches is a really bogus idea.

I kind of regret that I did add that word because I was just trying to 
create a dialectic.

I've seen you do both things,  Zoe.   And you are a really good musician 
whose aesthetic approach and musicianship
and 'ears' I really respect,   so I do believe that we can do both and 
don't look at it quite as
simplistically as it may have sounded in my first opening salvo.

**********

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 11:47:23 2009
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Subject: Re: Is RC-50 really noisy? (And other concerns with noise in live 
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Hi Margaret

the RC-50 is one of the most transparent pieces of audio hardware in my chain.
Try taking it off the chain and see if you still have the same noise.

best regards
Buzap


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From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 12:01:46 2009
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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What an excellent (non-OT) discussion! :)

I believe a lot of it boils down to the concept of "ambient" vs. "song" structure: What do you want to express? a specific idea or experimental explorations?

Personally, I like looping performances at least a bit structured (unless you can pull off a "Köln Concert"...), much like i.e. jazz improvisations based on a song structure.

best regards
Buzap


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From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 12:03:04 2009
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On 8 Jul 2009, at 12:18, Ricky Graham wrote:

> Just on the note of Classical music being precomposed and Bach's  
> name creeping up, let us not forget that while that may be  
> predominantly the case that classical music is from the score,  
> Bach's fugues, to my knowledge, and correct me if I am wrong but I'm  
> pretty sure that I am correct on this, were exercises to improvise  
> with. (check that out for a run on)


Absolutely: Bach was the great improviser. Personally I feel that a  
successful performance of 'written' music is most often one where the  
performer(s) allow spontaneous musical interpretation to be as  
important as purely technical accuracy, thus bringing some elements of  
improvisation to the piece.

Steve

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 12:29:22 2009
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Great thread Rick, thanks for bringing this to our attention. I have seen=
 many many responses to this email but I've not opened them yet because I=
 wanted to give you an un-biased and neutral reply :)

> Of course,  one (and specifically, me)  run the risk of not having a 
> cogent enough performance
> or ,  worst yet in live looping,  taking too long to create a piece of =

> music and letting it go
> on for longer than it is musically interesting for the audience.  It's =
a 
> constant worry for me and
> I frequently blow it live.

My way of preparing the shows we did last summer existed of several compo=
nents:
- technical preparation: make sure you know how to use your gear =3D> man=
y hours of just playing and playing
- sound preparation: programming synths and effect patches
- 20 to 30 minute live improvisation rehearsals at home

And although you will notice similarities between the shows I did, they a=
re all different because I decided to improvise; the only fixed component=
s were the key and the length of the piece. The reason I did this was tha=
t I always hope a 25 minute live improvisation piece contains 5-10 minute=
s of realy good stuf and than I'm happy. But your right, there's always t=
he risc you blow it. But the trick is that, if you prepare yourself well,=
 you can avoid most "live blooping" situations ;) The other but most impo=
rtant factor is "experience": you only learn on stage and nowhere else. M=
istakes will continue to happen, performing solo on stage can be very str=
essfull but I think you should just think "I don't give a ...." and try t=
o enjoy the playing and the music. Not easy.

> Personally, just because I teach a lot of live looping in my hometown, =
  
> I tell newbies to set
> up a clock and to force themselves to start, develop and cogentally end=
 
> a piece of music
> every five minutes so that they have six pieces of music in a festival =

> set of thirty minutes.

Imo this depends on the style of music you play. For the ambient stuff I =
do, I think it's often better to have a piece of 30 minutes rather than 2=
 of 15 or 3 of 10 minutes.

And now I'm going to read the other responses :)
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/

__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g


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> Luis wrote:
> oh great news Sjaak! no mainstage anymore?

No no, I use 95% Mainstage and I use Bidule for some midi tricks and to r=
ecord a live performance :)
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
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From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 13:08:03 2009
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Date: Wed, 08 Jul 2009 15:07:57 +0200
From: "dirk serries" <microphonics@vidnaobmana.be>
To: Loopers-Delight@loopers-delight.com
Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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>> Of course,  one (and specifically, me)  run the risk of not having a
>> cogent enough performance
>> or ,  worst yet in live looping,  taking too long to create a piece of
>> music and letting it go
>> on for longer than it is musically interesting for the audience.  It's a
>> constant worry for me and
>> I frequently blow it live.

I personally have a modus operandi that avoids any kind of technique =20
that has to do with short motives or themes.  I strongly believe, this =20
is what me always stand apart, that less is more and that the strength =20
of a few notes, in combination with a clever and lively approach to =20
incorporating looping devices, can be much more than the sum of =20
several themes together.
The risk of using several themes after each other is that you forget =20
to give your set an unique passion and soul.

I have a strong passion for going through the eye of the needle with =20
one particular motif over the stretch of the entire performance, =20
whether this is 15, 30 or even 45 minutes.  The beauty of such an =20
approach is that the motif itself will guide you throughout the =20
duration.  Through the use of a looping device (mostly only one in the =20
microphonics setting) is that it pushes me to work around this motif =20
with the uttermost concentration and, most important of all, to =20
actually enjoy the beauty of sound in general.

I think that for every loop artist it's essential to first learn and =20
appreciate the quality of one particular sound, instrument and tool =20
before you start to play with various elements/themes at once.
I still discover interesting facets about the electric guitar in =20
relationship to looping after so many years.

This is why I was so enthusiastic about Sjaak Overgaauw's debut =20
looping performance at the Antwerp Looping Festival.  Sjaak approached =20
his set with trying to stay focus to just a few things while =20
maintaining one motif.
This way you can learn much more about the potential quality of each =20
instrument and looping device you use instead of trying all your tech =20
goodies out before an audience the first time.  I'm sure Sjaak learned =20
a lot from this.



www.microphonics.be
www.myspace.com/mymicrophonics

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 13:29:03 2009
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From: "Christo Jota" <chris@christojota.de>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
References: <20090707022156.824E53BE82@arsenic.violacea.com> <4A53E858.4040403@cruzio.com>
Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
Date: Wed, 8 Jul 2009 15:32:14 +0200
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I connect both live-looping/improvisation and kinda structured rehearsing:
I did 2 CD-recordings recently with improvisational stuff,
looping on the fly. Now I try to re-produce/rehearse these tracks which is
quite exciting. Sometimes it sounds very similar to the existing tracks
,sometimes it sounds completely different.
Still don´t know how I´m gonna do it live. Maybe a mix of  new
improvisations and re-productions of the existing material.
Have a nice day!
Christo
www.christojota.de
www.myspace.com/christojota
----- Original Message -----
From: "Rick Walker" <looppool@cruzio.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 08, 2009 2:29 AM
Subject: PrePrepared vs. Improvisational Live Looping Performances


> In another thread,
> Matt Davignon wrote:
> "On the other hand, many of the acts I've seen left me feeling like the
> performers are locked
> into a scripted grid, with fewer opportunities to take the material in a
> direction other than a
> previously-drawn, forward-pointing arrow from start to finish."
>
>
> Honestly,  I have had the same reaction.    Granted,  there are artists
> who pull it off
> with panache and a sense of spontaneity's (I think , specifically,  of
> Zoe Keating, Imogen Heap, Juana Molina and
> Kid Beyond)  but in general,  pre-rehearsed and already thought out
> pieces of music
> using live looping feel as sterile to me as people push playing on DATs,
> I-pods, CDs, DVDS
> or computers.
>
> I actually really and truly loved sculptured recordings but to me, the
> live sphere is a different thing.
>
> And maybe this is just because I lack the discipline to go to all the
> work of pre arranging
> pieces of music when I play, but the last ten years or so of my life
> have been all improvisational.
>
> Of course,  one (and specifically, me)  run the risk of not having a
> cogent enough performance
> or ,  worst yet in live looping,  taking too long to create a piece of
> music and letting it go
> on for longer than it is musically interesting for the audience.  It's a
> constant worry for me and
> I frequently blow it live.
>
> I've noticed that a lot of loopers in our community seem to fail to
> realize that the what feels good
> to play;   what seems like a certain length of time in developing a
> piece of music is completely
> different for the audience.
>
> Personally, just because I teach a lot of live looping in my hometown,
> I tell newbies to set
> up a clock and to force themselves to start, develop and cogentally end
> a piece of music
> every five minutes so that they have six pieces of music in a festival
> set of thirty minutes.
>
> It's a tough discipline to do that.   I purposefully write set lists
> with 6 to 7 tableaus in it.
> I don't know what I'm going to play, but I do take 6 or 8 'sets' of
> instruments to each gig
> so that I can keep a found sound performance intriguing.
>
> I've discovered is someone has the discipline to play 6 five minute
> songs in order five times a week
> that after a month, they are ready to perform a pretty interesting set
> as a newbie at the festival.
>
> ******
> Also, and pardon this rambling post, but I"m in a 'waxing philosophic'
> mode today:
>
> I'm writing some new material that is more song oriented and even (damn
> this is scary to admit in public)
> singer/songwriter oriented,  so I know that I need to figure out a way
> that I can compromise my
> desire for spontaneity and improvisation with composed (if not
> arranged)  material.
>
> It's a really challenging thing for me.  Frankly,  it really scares me
> because it's so different from the freedom
> I've had for ten years,  but I also am really hearing some new things
> with my new foray into stringed
> instruments.
>
>
> SOOOOO,     pros and cons..................what do y'all like and/or
> dislike about pre arranged live looping shows
> and what do you like or dislike about pure improvisational shows.
>


From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 14:48:37 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: New music from me, two guitaristic improvisations trying to keep to
 some form...
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--_5037473e-386f-4de2-9dd3-569fe551236c_
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Finally got around to converting this improvisation into MP3.
Using to Looper=2C Echoplex Digital Pro (EDP) in amp loop and KP3 as in the=
 mixer.
Caught a guitar "thing" in the LP3 then slicing and dicing with EDP and of =
course some lead playing over that. I Believe i used OD channel on the HRM =
style Custom By Cougar amp and only Bridge pickup on the Soloway Cygnus gui=
tar (firebird style Minihum).

Connecting "improvised" vs "composed" this is composed=2C however one guita=
r loop in KP 3 (recorded prior to pushing record) guides the improvisation=
=2C also the KP3 sets the rhythm=2C almost. It kind of fun to let two synch=
ronized loops interplay and then push a drum pattern just to see what happe=
ns.. So of course it's not *free* improvisation=2C but trying to focus on s=
omething while throwing ideas at the "theme" is sort of challenging... and =
FUN
Part 1 is mostly layered guitar then towards the end i play with BPM on the=
 KP3 which results in pitch shift which goes down one octave=2C so in part =
2 the guitar loop is a bass loop=2C FUN ..... Part one has some "drum" stuf=
f from the KP3 both parts use the loop and sample of KP3 in mixed fashion.
Go to
www.soundclick.com/andersbergdahl and part 1 should start playing followed =
by part 2 or go direct to prefered part..
Part 2 is more experimental with strange sounds fr om the loopers as well a=
s whacky tapping bend stuff... Very fun to play.. please comment on the LIS=
TNING aspect of it.

=20

Anders.. from a thundery and hot Stockholm SOON holiday :-)

--_5037473e-386f-4de2-9dd3-569fe551236c_
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{
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<body class=3D'hmmessage'>
Finally got around to converting this improvisation into MP3.<BR>Using to L=
ooper=2C Echoplex Digital Pro (EDP) in amp loop and KP3 as in the mixer.<BR=
>Caught a guitar "thing" in the LP3 then slicing and dicing with EDP and of=
 course some lead playing over that. I Believe i used OD channel on the HRM=
 style Custom By Cougar amp and only Bridge pickup on the Soloway Cygnus gu=
itar (firebird style Minihum).<BR>
Connecting "improvised" vs "composed" this is composed=2C however one guita=
r loop in KP 3 (recorded prior to pushing record) guides the improvisation=
=2C also the KP3 sets the rhythm=2C almost. It kind of fun to let two synch=
ronized loops interplay and then push a drum pattern just to see what happe=
ns.. So of course it's not *free* improvisation=2C but trying to focus on s=
omething while throwing ideas at the "theme" is sort of challenging... and =
FUN<BR>Part 1 is mostly layered guitar then towards the end i play with BPM=
 on the KP3 which results in pitch shift which goes down one octave=2C so i=
n part 2 the guitar loop is a bass loop=2C FUN ..... Part one has some "dru=
m" stuff from the KP3 both parts use the loop and sample of KP3 in mixed fa=
shion.<BR>Go to<BR><A href=3D"http://www.soundclick.com/andersbergdahl" tar=
get=3D_blank><FONT color=3D#22229c>www.soundclick.com/andersbergdahl</FONT>=
</A> and <A href=3D"http://www.soundclick.com/bands/page_songInfo.cfm?bandI=
D=3D924516&amp=3BsongID=3D7805009" target=3D_blank><FONT color=3D#22229c>pa=
rt 1 </FONT></A>should start playing followed by <A href=3D"http://soundcli=
ck.com/share?songid=3D7805002" target=3D_blank><FONT color=3D#22229c>part 2=
</FONT></A> or go direct to prefered part..<BR>Part 2 is more experimental =
with strange sounds fr om the loopers as well as whacky tapping bend stuff.=
.. Very fun to play.. please comment on the LISTNING aspect of it.<BR>
&nbsp=3B<BR>
Anders.. from a thundery and&nbsp=3Bhot Stockholm SOON holiday :-)<BR></bod=
y>
</html>=

--_5037473e-386f-4de2-9dd3-569fe551236c_--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 15:33:52 2009
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From: "Bob Amstadt" <bob@amstadt.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4A548490.5030709@cruzio.com>
Subject: Re: PrePrepared vs. Improvisational 
Date: Wed, 8 Jul 2009 08:33:46 -0700
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Rick, I for one would like to thank you for putting us newbies on the stage. 
It is inspiring to have the opportunity to play 30 minutes of looping when 
normally I wouldn't have the opportunity.  I've got more gigs than I want as 
a bassist in a band, but your festival is the only chance that I get to loop 
in front of an audience.

As for the original topic, I'd like to throw my two cents in as an audience 
member and not as a performer.  I honestly don't care if the piece is 
preprepared or improvisational.  To me the most important thing is a 
connection with the audience.  I can listen to the most beautiful music on 
my headphones all day, but it isn't the same as seeing a live musical 
performance.  Music performers need to interact with their audience in some 
way.  Talk between musical pieces to help the audience understand where the 
music came from is good.  Good visual presentation of yourself during the 
musical piece is important as well.  It is difficult to watch a performer 
that is focused on their electronics.  Eye contact with the audience is key. 
Ultimately, it is all about making the audience feel like they are part of 
the event.

It is this total presentation which is one of the reason I love Rick's 
performances so much.  When I see Rick perform, I feel that he is sharing 
part of himself and we as an audience are lucky to be included.  Not that 
the music is unimportant, because clearly he is very talented musically. 
However, developing that connection to the audience is equally important and 
something that we all should strive to attain.

Please don't take any of this as an insult.  I've seen so few of you play. 
Those that I have seen are tremendous and have been inspirational to me.

Bob Amstadt 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 16:25:30 2009
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Date: Wed,  8 Jul 2009 18:25:28 +0200
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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> Dirk Serries wrote:
> I have a strong passion for going through the eye of the needle with  
> one particular motif over the stretch of the entire performance,  
> whether this is 15, 30 or even 45 minutes.  The beauty of such an  
> approach is that the motif itself will guide you throughout the  
> duration.  Through the use of a looping device (mostly only one in the =
 
> microphonics setting) is that it pushes me to work around this motif  
> with the uttermost concentration and, most important of all, to  
> actually enjoy the beauty of sound in general.

This is what I like the most about live looping. When a song starts to li=
ve, that's the moment when the performance is going into the right direct=
ion. In my opinion, a loop is not just a layer of notes, chords and rhyth=
mns but especially atmosphere and emotions. I'm always searching for atmo=
sphere, it requires lot's of patience, concentration and inspiration but =
this is where it's all about for me.

> This is why I was so enthusiastic about Sjaak Overgaauw's debut
> ....
> I'm sure Sjaak learned a lot from this.

Thanks Dirk, I learned a lot and I have enough to learn for the next 25 y=
ears ;)

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/

__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g


From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 17:03:31 2009
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Subject: Re: OT: for our planned festival - distribution channels regarding 
	"call for performers", legal advice regarding ancillary copyright
From: Rainer Straschill <moinsound@googlemail.com>
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Dennis,

thanks for your reply - but actually, you said what I was trying to
express myself:

"We could still use a CC license for the performance of work not
previously covered by a contract (unless you have an agreement with a
rights organization to whom you have signed over the COPYRIGHT of all
your performances past and future, which even in this day and age
people are still signing!)."

>From what I understand (and I'm no lawyer myself, as you may have
guessed), your contract with a performing rights organisation may not
include handing over your copyright, but may very well include handing
over the management of your performing rights, and that for all of
your works you create while that contract is running.

Which would mean that the organisation will charge a fee on any
distribution of your material with the possible exception of internet
transmission. Under that condition you could not publish anything
under by-nc-nd (or any other cc license) without violating that
contract.

            Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 17:28:33 2009
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Date: Wed, 8 Jul 2009 19:28:32 +0200
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Subject: Re: OT: for our planned festival - distribution channels regarding 
	"call for performers", legal advice regarding ancillary copyright
From: Per Boysen <perboysen@gmail.com>
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I would like to add to Rainer's excellent explanation that this is a
field that puts focus on differences between European legislation and
American copyright. These two are not the same; copyright is based on
a contract while many European countries have a fundamental
legislation to protect author's rights to their artistic work.

At this very moment the leading Swedish performance rights
organization, STIM, is working out ways to allow their members
differentiated licensing. Traditionally STIM has set up an exclusive
contract with members to represent their rights towards users of their
music (like public radio, films, warehouses etc). This has helped
composers a lot in the past but now in internet era some Scandinavian
composers (STIM members) have run into problems both relating to
Creative Commons and when collaborating directly with international
online music labels that runs a business model that relies on to the
American customs of copyright.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Jul 8, 2009 at 7:03 PM, Rainer
Straschill<moinsound@googlemail.com> wrote:
> Dennis,
>
> thanks for your reply - but actually, you said what I was trying to
> express myself:
>
> "We could still use a CC license for the performance of work not
> previously covered by a contract (unless you have an agreement with a
> rights organization to whom you have signed over the COPYRIGHT of all
> your performances past and future, which even in this day and age
> people are still signing!)."
>
> From what I understand (and I'm no lawyer myself, as you may have
> guessed), your contract with a performing rights organisation may not
> include handing over your copyright, but may very well include handing
> over the management of your performing rights, and that for all of
> your works you create while that contract is running.
>
> Which would mean that the organisation will charge a fee on any
> distribution of your material with the possible exception of internet
> transmission. Under that condition you could not publish anything
> under by-nc-nd (or any other cc license) without violating that
> contract.
>
> =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0Rainer
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 17:41:35 2009
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Date: Wed, 8 Jul 2009 13:41:33 -0400
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Subject: Re: OT: for our planned festival - distribution channels regarding 
	"call for performers", legal advice regarding ancillary copyright
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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re #1 something I suggested to you personally re your own cast series in
that you are featuring wind instruments now in your work i'd post on forums
in instrument specific communities in your case brass and wind forums.  you
may get a fair amount of nazi critique meaning purist anal classical folks
who don't have a clue re the experimental but chances are there will be some
interest so re #1 I'd say hit some instrument specific areas on the web.
Like I might post promo on Mikesoud.com forum or one of many of the acoustic
guitar communities although those really get naziesque at times.

For those of us who have done the RPM records there is an active community
that occupies that world between Februarys so there also.

re #2 I'd think the ref'ed CC license - not be irresponsible but given the
experimental quality I wonder if we need to worry about this but then err on
caution is better I guess.

--001636c5bb1306cebd046e3540bf
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<div>re #1 something I suggested to you personally re your own cast series =
in that you are featuring wind instruments now in your work i&#39;d post on=
 forums in instrument specific communities in your case brass and wind foru=
ms.=A0 you may get a fair amount of nazi critique meaning purist anal class=
ical folks who don&#39;t have a clue re the experimental but chances are th=
ere will be some interest so re #1 I&#39;d say hit some instrument specific=
 areas on the web.=A0 Like I might post promo on Mikesoud.com forum or one =
of many of the acoustic guitar communities although those really get nazies=
que at times.=A0 </div>

<div>=A0</div>
<div>For those of us who have done the RPM records there is an active commu=
nity=A0 that occupies that world between Februarys so there also.</div>
<div>=A0</div>
<div>re #2 I&#39;d think the ref&#39;ed CC license - not be irresponsible b=
ut given the experimental quality I wonder if we need to worry about this b=
ut then err on caution is better I guess.<br></div>

--001636c5bb1306cebd046e3540bf--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 17:58:27 2009
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Date: Wed, 8 Jul 2009 11:58:25 -0600
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Subject: Re: OT: for our planned festival - distribution channels regarding 
	"call for performers", legal advice regarding ancillary copyright
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Well-said, Rainer ... clearly the problem lies with the contract-side ...
and Per, in your follow-up to this, American "copyright" is derived directly
from English law. The problem is that it was codified in the in the US to a
greater degree than elsewhere, and yes, there are an increasing number of
conflicts arising out of this lately. US copyright is not a "contract" ...
it is very close to the EU "artists' rights" concept, being based on the
same very law. The problem lies in the fact that we (the US) talk about
"copyright" and not about "artist's rights" because so much material has
been given over to corporate ownership. It's all "intellectual property" at
the end of the day ...

Any of us participating need to be crystal clear about what is said in any
existing contracts that we are party to ... whether in the EU/UK or the US.
I, for one, would never consent to a contract that took away my rights of
use ... we need to be vigilant about negotiating just what rights are
covered in the contracts.

Having said that, I would encourage us to reconsider the use of the AT-NC-ND
license ... as I pointed out to Jeff in an off-list message, that gives
quite a bit of clout. Here are the references I sent him:


Here are some sites that give some good sound information on how it works =

http://rising.blackstar.com/how-to-handle-a-copyright-switcheroo-on-flickr.html
http://www.openarchitecturenetwork.org/licensing ("What if I change my mind"
.. about half way down the page)
http://wiki.creativecommons.org/FAQ (same info)

Yes, while the work is our there people can download it and share it ... BUT
they are required to attribute it to you and cannot change or profit from
it. You then have the right to withdraw the work and release it in
traditional copyrighted form ... if those folks who downloaded it earlier,
use it outside of the specifications of the license UNDER WHICH THEY
DOWNLOADED IT, they are subject to recourse ... even years later and even if
you have changed the license.

The point is that you still have more control over the work than you think.

If you have a contract, PLEASE look at it carefully and see what it spells
out ... there is a reason that the lawyers get involved. A good lawyer is
one who is your own personal pit bull. And contracts can be re-negotiated
(if they can't, it's time to get a new one!) Here's a link to a discussion
about negotiating the use of a CC license (yes, they are talking about
books, but in this case, it still applies ... w just have to be sure and
include issues like "performance rights") =

http://www.mandiberg.com/2009/01/12/howto-negotiate-a-creative-commons-license-ten-steps/


Best,

Dennis




On Wed, Jul 8, 2009 at 11:03 AM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> Dennis,
>
> thanks for your reply - but actually, you said what I was trying to
> express myself:
>
> "We could still use a CC license for the performance of work not
> previously covered by a contract (unless you have an agreement with a
> rights organization to whom you have signed over the COPYRIGHT of all
> your performances past and future, which even in this day and age
> people are still signing!)."
>
> From what I understand (and I'm no lawyer myself, as you may have
> guessed), your contract with a performing rights organisation may not
> include handing over your copyright, but may very well include handing
> over the management of your performing rights, and that for all of
> your works you create while that contract is running.
>
> Which would mean that the organisation will charge a fee on any
> distribution of your material with the possible exception of internet
> transmission. Under that condition you could not publish anything
> under by-nc-nd (or any other cc license) without violating that
> contract.
>
>            Rainer
>
>


-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--00163642749e5fc52f046e357c89
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Well-said, Rainer ... clearly the problem lies with the contract-side ... a=
nd Per, in your follow-up to this, American &quot;copyright&quot; is derive=
d directly from English law. The problem is that it was codified in the in =
the US to a greater degree than elsewhere, and yes, there are an increasing=
 number of conflicts arising out of this lately. US copyright is not a &quo=
t;contract&quot; ... it is very close to the EU &quot;artists&#39; rights&q=
uot; concept, being based on the same very law. The problem lies in the fac=
t that we (the US) talk about &quot;copyright&quot; and not about &quot;art=
ist&#39;s rights&quot; because so much material has been given over to corp=
orate ownership. It&#39;s all &quot;intellectual property&quot; at the end =
of the day ... <br>

<br>Any of us participating need to be crystal clear about what is said in =
any existing contracts that we are party to ... whether in the EU/UK or the=
 US. I, for one, would never consent to a contract that took away my rights=
 of use ... we need to be vigilant about negotiating just what rights are c=
overed in the contracts.<br>

<br>Having said that, I would encourage us to reconsider the use of the AT-=
NC-ND license ... as I pointed out to Jeff in an off-list message, that giv=
es quite a bit of clout. Here are the references I sent him:<br><br><br>
Here are some sites that give some good sound information on how it works =
=3D<br><br><a href=3D"http://rising.blackstar.com/how-to-handle-a-copyright=
-switcheroo-on-flickr.html" target=3D"_blank">http://rising.blackstar.com/h=
ow-to-handle-a-copyright-switcheroo-on-flickr.html</a><br>

<a href=3D"http://www.openarchitecturenetwork.org/licensing" target=3D"_bla=
nk">http://www.openarchitecturenetwork.org/licensing</a> (&quot;What if I c=
hange my mind&quot; .. about half way down the page)<br><a href=3D"http://w=
iki.creativecommons.org/FAQ" target=3D"_blank">http://wiki.creativecommons.=
org/FAQ</a> (same info)<br>

<br>Yes, while the work is our there people can download it and share
it ... BUT they are required to attribute it to you and cannot change
or profit from it. You then have the right to withdraw the work and
release it in traditional copyrighted form ... if those folks who
downloaded it earlier, use it outside of the specifications of the
license UNDER WHICH THEY DOWNLOADED IT, they are subject to recourse
... even years later and even if you have changed the license.<br>
<br>The point is that you still have more control over the work than you th=
ink.<br><br>If you have a contract, PLEASE look at it carefully and see wha=
t it spells out ... there is a reason that the lawyers get involved. A good=
 lawyer is one who is your own personal pit bull. And contracts can be re-n=
egotiated (if they can&#39;t, it&#39;s time to get a new one!) Here&#39;s a=
 link to a discussion about negotiating the use of a CC license (yes, they =
are talking about books, but in this case, it still applies ... w just have=
 to be sure and include issues like &quot;performance rights&quot;) =3D<br>
<br><a href=3D"http://www.mandiberg.com/2009/01/12/howto-negotiate-a-creati=
ve-commons-license-ten-steps/">http://www.mandiberg.com/2009/01/12/howto-ne=
gotiate-a-creative-commons-license-ten-steps/</a><br><br><br>Best,<br><br>
Dennis<br><br>
<br><br><br><div class=3D"gmail_quote">On Wed, Jul 8, 2009 at 11:03 AM, Rai=
ner Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail=
.com" target=3D"_blank">moinsound@googlemail.com</a>&gt;</span> wrote:<br><=
blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 2=
04, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

Dennis,<br>
<br>
thanks for your reply - but actually, you said what I was trying to<br>
express myself:<br>
<div><br>
&quot;We could still use a CC license for the performance of work not<br>
previously covered by a contract (unless you have an agreement with a<br>
rights organization to whom you have signed over the COPYRIGHT of all<br>
your performances past and future, which even in this day and age<br>
people are still signing!).&quot;<br>
<br>
</div>From what I understand (and I&#39;m no lawyer myself, as you may have=
<br>
guessed), your contract with a performing rights organisation may not<br>
include handing over your copyright, but may very well include handing<br>
over the management of your performing rights, and that for all of<br>
your works you create while that contract is running.<br>
<br>
Which would mean that the organisation will charge a fee on any<br>
distribution of your material with the possible exception of internet<br>
transmission. Under that condition you could not publish anything<br>
under by-nc-nd (or any other cc license) without violating that<br>
contract.<br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//myspace.com/usrsbin" target=3D"_blank">http://myspace.com/usrsbin</a><br>=
<a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozoloft.com=
</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br>


--00163642749e5fc52f046e357c89--

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Subject: FS: Alesis AirFX  $125
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Selling one Alesis AIRFX theremin style effects unit. Very unique
interface and sounds. This can be mounted on a mic stand or sit on the
floor or tabletop. It's operated by waving your hand (or foot or *any*
part of your body) over the top X/Y/Z plane like a theremin. Runs off it's
own power supply (included).

40 Effects patches including filters, flanger, phasers, Delays, pitch
shifter, bitrate reducer, etc etc plus ten Synthesizer sounds including
drum kits (a different sound for each place in the air above the unit) and
classic horror, theremin sounds, Synth waveforms, etc. Hold function as
well and two digit easy to see LED.

A VERY cool unit and 100% working and in excellent shape. Full info here:
http://www.alesis.com/contentmgr/showdetails.php/id/1403/tt/5

Asking $125 plus paypal fees and shipping. Pickup in Phila Pa welcome.
-- 
   ------------------------------------------------
      Weird, Scary, and Beautiful Music and Art:
        Http://www.HelpWantedProductions.com

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From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 19:08:12 2009
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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This will be totally OT....

It always bugs me that some people in the classical establishment  
insist on compositions being played exactly as they are "supposed" to  
be....when it is only in our modern day age of recording that it is  
even possible to have concrete examples of what that "supposed" way  
is. its actually even worse recently because some young classical  
students i've met think that a cello piece can only be played the way  
that yo yo ma plays it in a certain recording.

obviously i'm not talking about whole scale departures from a score,  
but phrasing, certain embelishments, tempo, etc.

my 1st cello teacher in the US (i started in public school in the UK)  
was an early music specialist from yale who also played viola da  
gamba. as soon as all his students could vaguely play, we would meet  
on saturdays and play for half the day as a cello ensemble. he would  
have us play renaissance ensemble pieces by lassus and others.  
however, he would encourage us to embelish the parts and would teach  
us what kind of ornaments were appropriate in what situations. because  
that is what was done... all those interesting little ornaments that  
people love about baroque and renaissance music were not written in.  
as students got more advanced we would improvise more within those old  
pieces...as long as we got the chords right. ;-) and then those solo  
cadenzas in the middle of concertos, like haydn's C major cello  
concerto...they were MADE UP entirely by the soloist! kind of like a  
jazz solo.

i'm not connected to the classical world anymore. i play a looped  
version of the 2nd mvt of beethoven's 7th symphony and it gets some  
classical people REALLY upset (just read the comments on a youtube  
recording of it) like they are personally offended by it. i tell them  
its a COVER of beethoven, and i can do as i damn well please ;-)

as you can see i've got my toes in two different worlds....

rant over.

On Jul 8, 2009, at 5:03 AM, Steve Bingham wrote:

>
> On 8 Jul 2009, at 12:18, Ricky Graham wrote:
>
>> Just on the note of Classical music being precomposed and Bach's  
>> name creeping up, let us not forget that while that may be  
>> predominantly the case that classical music is from the score,  
>> Bach's fugues, to my knowledge, and correct me if I am wrong but  
>> I'm pretty sure that I am correct on this, were exercises to  
>> improvise with. (check that out for a run on)
>
>
> Absolutely: Bach was the great improviser. Personally I feel that a  
> successful performance of 'written' music is most often one where  
> the performer(s) allow spontaneous musical interpretation to be as  
> important as purely technical accuracy, thus bringing some elements  
> of improvisation to the piece.
>
> Steve
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 19:18:21 2009
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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From: "Zoe Keating" <info@zoekeating.com>
> i'm not connected to the classical world anymore. i play a looped  version 
> of the 2nd mvt of beethoven's 7th symphony and it gets some  classical 
> people REALLY upset (just read the comments on a youtube  recording of it) 
> like they are personally offended by it. i tell them  its a COVER of 
> beethoven, and i can do as i damn well please ;-)

Excellent!  I agree with you wholly.  I even see this ridiculous attitude in 
popular music.  I've played with a few rock musicians in the past few years 
that have felt that if you don't play it exactly as recorded, then you have 
no right to play it.  It is a ridiculous notion.

I'm glad that you put your own style on the piece.  It is not an insult to 
the composer or anybody else.  It is simply an expression of yourself on the 
music.  What is the point of 1000 musicians all playing the same piece 
exactly the same way?  It serves no useful purpose.

Keep doing what you are doing.  There are a great many of us that appreciate 
what you do.

Bob Amstadt 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 19:22:02 2009
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Subject: PrePrepared vs. Improvisational Live Looping Performances
From: Rainer Straschill <moinsound@googlemail.com>
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Whow Rick,

once again you managed to start a thread which has created some huge
interest, resulting in some 25 replies in about 16 hours - and even
hadn't time to respond myself. The "stir up some" obviously worked
(though in my case, not necessarily "thought", more of "writing it
down", which I had planned anyway for some time). So here I go...


A: MY OWN POSITION
----------------------------------
Starting in 2000, all of the music I have performed for an audience or
released in recorded format (including posting clips on the web) has
been freely improvised (this meaning it had a composition index of
"0", to use my metric defined below), both for solo and ensemble work.
And although returning to composed music, at least in part, has been
on my list for some time now, it hasn't happened with regard to
releases or performances. During that time (and also before), I
explored a lot of different possible formats for improvisation and
also spent a lot of time simply thinking about improvisation in music.


B: SOME THEORY ON IMPROVISATION: ATTEMPTS AT DEFINING A METRIC
---------------------------------------------------------------------------=
-----------------------------------------
How do put a metric on improvisation? Is it true that if you play a
through-composed work, nothing is improvised - and vice versa, if you
don't follow anything written down (or otherwise specified)
beforehand, then everything is improvised? A first thought in that
direction will fall short, but is a good starting point.

i) composition and performance.
Let us assume that there are two indices, here named "composition" (C)
and "performance" (P). "Composition" is just that - the stuff that the
composer of the piece defined. "Performance" is what the performer
makes of it - how much of his own ideas and interpretations are in the
performance. Start out by defining that both indices are normalized to
range from 0 to 1.
Now it's obvious that a piece can't at the same time be "all composed"
and "all improvised". So it makes sense to define an equation like
C+P=3D1 (a piece can't be more than one piece). With that equation, a
two-dimensional object reduced in dimensionality by one -
geometrically thinking, a square is reduced to a line, on which you
move from all left ("all composed") to all right ("all improvised").

ii) tradition and other effects
This however falls short if you think about it: assume a typical
bebop-rooted jazz player is performing, say, "A Night in Tunisia". He
will start out by playing the theme (and add some ornaments to it, no
doubt), before going into his solo. Now even if that bebop-rooted
player will during his solo break completely move away from the melody
and also the chords by Dizzy, he will still not be 100% improvising.
Why? The way I thought this guy up (to be a bebop-rooted jazz cat), he
will most probably play fast lines in syncopated rhythm, he will hint
at some kind of turnaround at the end of the chorus, and he won't
start to play quarter-tone sequences in 13/7. Thats because his
performance is based on some tradtion - regarding that you play in
some scales, in some rhythmic schemes, and think in some harmonic
structures when playing a bebop standard. We found a new index, which
call "tradition" (T). Including that into our normatory equation
making it C+P+T=3D1, we get a three-dimensional system which by this
condition is reduced to two. Again geometrically thinking, we have a
cube, which gets projected to a triangle.
(Note that in that discussion, "T" does not include the effect
tradition has on the composer and on the composition - only the
performance of the (improvising) player is under scrutinization).

However, we can't stop there, and that becomes immediately clear to
all of us who either have dealt with the aleatoric concepts of
contemporary composers or used a random S/H filter effect: There are
effects which are beyond the control of the performer, either because
he wilfully gives away this control, or because he simply can't
control them. There's lots of them - strings breaking, the acoustics
of the venue, a hiccup suddenly developing.
Although some of these effects aren't strictly that, I call them
"aleatorics" (A). Again, incorporating them into our equation, we get
a four-dimensional hypercube, projected onto a triangular pyramid.

iii) what to do with it?
This metric will by no means be able to describe all aspects of
improvised music in any way, but rather, it has been very helpful for
me when coming to terms with thoughts like "how much of this is
improvised, how much is composed" etc. And by simply thinking about
some works of art and trying to place them inside that pyramid, some
understanding may surface.
Like: is it possible to make music that is "all composed" (C=3D1,
T=3DP=3DA=3D0)? You can get very close, think of "Studies for Player Piano"
by Conlon Nancarrow or "Jazz from Hell" by Frank Zappa. But if you
include a human being (and use a composition which hasn't been
"programmed" by the composer), you automatically move towards the P
corner of the pyramid.
Take a piano sonata by Joseph Haydn, which may say "allegro". Now you
can look that up in a book, and that book may tell you that it's
"quite fast". How fast is quite fast? Another book may tell you
(although that information can't be exactly validated) that it's
somewhat beetween 120 and 168 bpm. In other words (to bring that to
the world of dance music), play that sonata's first movement somewhere
between house, tech house, hard house, cosmic, trance, jungle, rave
and drum'n'bass. A work by Gustav Mahler may tell you to play it
"rasch aber nicht gehetzt" (apace but not hounded) - and no book tells
you what that is. And finally, taking a fugue from "Das
Wohltemperierte Clavier" by Johann Sebastian Bach will tell you
nothing at all. The choice is all yours (and so far, we've only talked
about the overall tempo).

Conversely, is it possible to make music that is "freely improvised"
(P=3D1, C=3DT=3DA=3D0)? I rather doubt it. Yes, it's possible to bring A cl=
ose
to zero, and having no composition in place is simple, but the whole
block of "tradition" (which also includes that a grand piano only
offers specific pitches etc.) will always influence the player and
thus the result. Completely aleatoric? Yes, you could use a random
source and hook it to everything, but first, either composer or
performer choose that "everything".


C: RICK'S ORIGINAL MAIL (AND INCLUDING REFERENCES TO OTHER POSTS)
---------------------------------------------------------------------------=
--------------------------------------------
Let me just start with some dissent:
"pre-rehearsed and already thought out pieces of music using live
looping feel as sterile to me as people push playing on DATs, I-pods,
CDs, DVDS or computers."
To which I have to say that I found some creative DJ performances (aka
"pushing play on CDs") very rewarding.

"the last ten years or so of my life have been all improvisational."
This is finally where I can bring the ramblings from section B to some
use. From what I remember, this is not at all true. I take as one
example the piece which opens the recording from Antwerp. Upon first
listening to that recording, I thought "Hey - I like that tune!" You
played that same composition (!) on June 11th 2008 at Pasinger Fabrik,
about 21 minutes into your set - and a few other times on that tour as
well. So you definitely don't have a C=3D0 index. And actually, your T
index is very high. True, you don't play bebop runs, but you have
created quite a fascinating array of "Rick Walker Tradition" you use
all the time.
So rather, I'd call your work "The Rick Walker Tradition (with
improvised content and audience interaction)", rather than
"improvised".

(this is by no means intended to critizise what you do - rather to get
into perspective how you use the word "improvised" and how I
understand it. For me, "improvised" implies C=3D0).

I really find your concept of playing with a clock to make the
individual pieces be shorter to be interesting. "Interesting" in that
context means I don't like it. Why?
Specific pieces of music develop in a specific time frame. You have
that starting idea - like that one three-tone motif with a chord - and
then think about it further and it develops into a composition lasting
four hours. Would it have worked if you put your seven-minute clock
next to Richard Wagner when he wrote "Tristan und Isolde"? So if you
believe that your pieces are too long (to which conclusion you may
have come either because you or the audience get bored, or for some
other reason), you should rather work on your creative process.
(In the following, I assume you want to play shorter pieces, for
whichever reason).
First, thinking considerably in advance before you start playing
(that's still going with that "C=3D0" approach) can help. How will that
piece develop? And consequently, how can you make it work with your
performance approach (including your looping gear)? Preprogramming
stuff, as Kevin suggested, helps a great deal here. Also, Per is very
active in that realm by writing complex scripts for Mobius to do
complex looping maneuvers at the push of a button so he can make
transitions in a few bars that otherwise would take considerably
longer.
Another thing: think about your gear and how you work with it. Say you
have a repeating three-beat drum sequence on top of which you want to
overdub a five-beat-long sequence. Now you could first play that first
sequence five times into a loop, then overdub the second one three
times. Or you could play that three-beat sequence once, then multiply
and overdub the second one three times. Or you could play the first
sequence once, then play the second one once onto another track. The
time necessary for establishing that loop has been reduced to 1/3 of
the original amount.
Finally: change what you're playing. Only record two-beat-long loops
and play on top of them for ten times. Extremely short song.
This however, should all be preceded by making up your mind what you
actually want to play. Perhaps your musical approach requires
ten-minute+plus pieces. Perhaps you need to optimize so your audience
doesn't get bored - perhaps you actually care. These are the things
that should go first.
And finally, I found that longer, more slowly developing pieces work
better in a live than in a recorded context. If you're hit by that odd
piece for the first time, it takes some time to get it - if it's on a
CD, you listen to it repeatedly, after you already "got it". And for
that reason, I find it perfectly ok to trim a live recording a little
so that what felt good live also feels good on an album release. As
the liner notes of one of Fripp's soundscape albums say: "nothing is
left out - it just happens a little faster".

And so (I'm getting carried away a little) - why don't you ask your
pupils instead to first think why their pieces are of the length they
are and if they feel right?


D: COMMENTS ON SOME REPLIES
------------------------------------------------------
Yes, there had been a lot of jamming during Bach's time. This started
with the fact that the continuo part (e.g. for a cembalo) - which
somewhat was the "jazz piano" of that music, just in a leadshet, did
not get an actual written-out part, rather a bass line with some
numbers over it or a bass line and a melody - basically, a lead sheet.
Check out recordings e.g. of Glenn Gould playing continuo on some
ensemble works! Also, that endless repetitions of the main theme in
works from that period start to make sense when you know that the
musicians actually had to play improvised solo chorusses after the
first time.

Ted, I'm somewhat surprised that this pressure to "get it right" only
hits you when you playing composed material. Why don't you feel
pressured to get it right when you play improvised stuff? Or to stay
with your metaphor - why can't you perform the compositions (your own
ones or those of others) like a child?
That "don't care" statement actually refers nicely to some other posts
(and easily links back to the last section): I would not suggest that
you play as if you don't care if you sound good or bad - rather you
should play as if you don't care if you sound good or bad to the
audience. And with that, such ideas to force yourself to never play
longer than seven minutes suddenly disappear, because with that
approach, you will stop anyway if it gets boring (to you).

And Zoe, I believe that the classical stuff you play feel new because
they aren't all composed beforehand as you say - the feel new because
you make them something new everytime you play them (and if you
wouldn't, your audience would most probably disappear anyway).

Finally, there's that nice Mark Sottilaro vs. Rick Walker dialogue:
Thanks, Mark! Although I don't agree with your post in the least, it's
nice that at least someone for once gets away from that "we're such a
supportive community so we must tell everyone every single time how
great and inspiring that disposable sound menace is" approach of some
institution caring for the challenged (for those with a good language
background: what is the English translation of "besch=FCtzende
Werkst=E4tte"?).

I disagree with you in so far because you say that you prefer
loopstation, Kid Beyond, Amy X Neuburg and Brian Kenney Fresno to all
the other artists, and believe the reason is that these artists play
composed material. The reason is that all of those are great stage
personalities per se, and have obviously worked hard at their stage
appearance independently of the musical content. How many of the
artists not in your list do you believe do have a consciously laid out
concept for their stage appearance, including clothing, how the walk
and move, how they make use of lights etc.? Furthermore, Kid Beyond
(at least what I remember of his work) plays a lot of cover tunes -
which also makes people happy. Finally, all of the named examples
sing, and "singing is a trick to get people to listen to music for
longer than they would ordinarily" ("Stop Making Sense" liner notes).
(I have to agree that Andre LaFosse doesn't fit into those categories,
but Andre is just an oustanding composer and guitar/EDP player.
Sometimes, that's enough. Another example in this category: Andreas
Willers - at all costs go see him if you get the chance, he'll blow
you away).
Another great example in this category is Rick Walker. I have to admit
(and Rick, you know I told you that in all friendship) that I don't
like his music, in so far as I find it boring. This ist totally untrue
for his live shows - I greatly and deeply enjoyed every single one of
them, be it to a large crowd or to half a dozen people, be it his solo
programme, some spontaneously created duo settings or his comments on
a world championship soccer match. At least some of them were
improvised - but they worked equally the same for me, because it was
Rick being on stage and performing them.


E: WHAT TO MAKE OF ALL OF THIS
-------------------------------------------------------
So, what do we make of all of this? Most of my ramblings are rather
inconclusive, but there are some messages:

I. "Composed vs. Improvised" is not a simple as most people believe
when they think about those two concepts, which seem complementary.
II. "Composed" doesn't necessarily make a performance enjoyable.
"Improvised" does not necessarily make it less enjoyable.
III. Rick - please do some singer-songwriter stuff - looking forward
to it! By my definition, you're doing composed stuff by a large
percentage anyway. ;)
IV. Great discussion - the messages are still coming.


Yours,

             Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 19:22:48 2009
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Date: Wed, 8 Jul 2009 15:22:47 -0400
Message-ID: <d1dcce560907081222l259b40cbg57cb7102bcd8b111@mail.gmail.com>
Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
From: Tony K <bigtonyk@gmail.com>
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On Wed, Jul 8, 2009 at 3:18 PM, Bob Amstadt<bob@amstadt.com> wrote:
> Excellent! =A0I agree with you wholly. =A0I even see this ridiculous atti=
tude in
> popular music. =A0I've played with a few rock musicians in the past few y=
ears
> that have felt that if you don't play it exactly as recorded, then you ha=
ve
> no right to play it. =A0It is a ridiculous notion.

Imagine this conversation...

"um, Mr. Hendrix, your version of Watchtower... well it's just NOT
enough like Dylan's."


--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 19:37:49 2009
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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From: "Tony K" <bigtonyk@gmail.com>
> "um, Mr. Hendrix, your version of Watchtower... well it's just NOT
> enough like Dylan's."

I love that.  I laughed so hard when I read that.

Bob Amstadt

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 19:42:09 2009
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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"Uhm, Mr. Dylan ... your version of Watchtower, it's just enough like
Jimi's."

It's all a matter of perspective ... :D

Dennis

On Wed, Jul 8, 2009 at 1:37 PM, Bob Amstadt <bob@amstadt.com> wrote:

> From: "Tony K" <bigtonyk@gmail.com>
>
>> "um, Mr. Hendrix, your version of Watchtower... well it's just NOT
>> enough like Dylan's."
>>
>
> I love that.  I laughed so hard when I read that.
>
> Bob Amstadt
>
>


-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--001636426f43423304046e36ef14
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&quot;Uhm, Mr. Dylan ... your version of Watchtower, it&#39;s just enough l=
ike Jimi&#39;s.&quot;<br><br>It&#39;s all a matter of perspective ... :D<br=
><br>Dennis<br><br><div class=3D"gmail_quote">On Wed, Jul 8, 2009 at 1:37 P=
M, Bob Amstadt <span dir=3D"ltr">&lt;<a href=3D"mailto:bob@amstadt.com">bob=
@amstadt.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">From: &quot;Tony =
K&quot; &lt;<a href=3D"mailto:bigtonyk@gmail.com" target=3D"_blank">bigtony=
k@gmail.com</a>&gt;<div class=3D"im">
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
&quot;um, Mr. Hendrix, your version of Watchtower... well it&#39;s just NOT=
<br>
enough like Dylan&#39;s.&quot;<br>
</blockquote>
<br></div>
I love that. =A0I laughed so hard when I read that.<br><font color=3D"#8888=
88">
<br>
Bob Amstadt<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//myspace.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://=
audiozoloft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsb=
in.angrek.com/">http://usrslashsbin.angrek.com/</a><br>


--001636426f43423304046e36ef14--

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   Greetings all,

   Anyone out there still using the Lexicon JamMan? The archives do have 
information on the following issues but they are quite dated, so I 
thought I might try here (sorry to clog up your inboxes!).

   I was curious about:

   a) Non-Midi Foot Switches: I've been using the Boss FS-5U and it's 
really hard to get the loop points tight without a lot of work. Anyone 
found a good alternative?

   b) Midi Foot Switches: is there a really simple (and ideally) pretty 
small MIDI pedal with 2-4 switches that works well with the JamMan? 
Would that alleviate the problem I described above?

   c) Memory Expansion chips: Anyone located the chips at a good price 
lately? Or is eBay my best bet? They appear fairly regular for about 
$40+ Shipping.

   Any opinions are quite welcome. Thanks in advance!

   TREVOR.

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 21:34:49 2009
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From: "stacey young" <axis4@comcast.net>
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Subject: Re: For the JamMan Users out there...
Date: Wed, 8 Jul 2009 17:26:53 -0400
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Hey Trevor,

I have some memory chips to sell for the Jam man if you want.

I'll do $35.00 plus shipping.

Let me know!!
Stace
----- Original Message ----- 
From: "Trevor Van Eyck" <vaneyck@sympatico.ca>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 08, 2009 5:12 PM
Subject: For the JamMan Users out there...


>
>   Greetings all,
>
>   Anyone out there still using the Lexicon JamMan? The archives do have
> information on the following issues but they are quite dated, so I
> thought I might try here (sorry to clog up your inboxes!).
>
>   I was curious about:
>
>   a) Non-Midi Foot Switches: I've been using the Boss FS-5U and it's
> really hard to get the loop points tight without a lot of work. Anyone
> found a good alternative?
>
>   b) Midi Foot Switches: is there a really simple (and ideally) pretty
> small MIDI pedal with 2-4 switches that works well with the JamMan?
> Would that alleviate the problem I described above?
>
>   c) Memory Expansion chips: Anyone located the chips at a good price
> lately? Or is eBay my best bet? They appear fairly regular for about
> $40+ Shipping.
>
>   Any opinions are quite welcome. Thanks in advance!
>
>   TREVOR.
>


--------------------------------------------------------------------------------



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I just ran across this. The Mahavishnu Project is streaming live via Ustream tonight. Time is reported as 4:00 PM PDT. About an hour and a half from now.
http://www.ustream.tv/channel/sudden-presentations

peace out,

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jul  8 22:38:10 2009
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
Date: Wed, 8 Jul 2009 23:38:07 +0100
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A common misconception that is still prevalent in music education. It is 
something that I feel should be flagged as a problem in academia. This 
segregation of composer and performer and how deeply frustrating it can be 
to hear a 'traditional' musician speak of the performer as merely a medium 
for a composer (a seperate, unrelated entity to their mind) to have their 
work realised. It's bullshit. Something or someone miscontrued this 
somewhere along the way, and the ignornant followed suit.

Thankfully, some are calling for a redefinition of composer and performer. 
Ultimately, inextricably linked but somewhat far apart in eyes of those of a 
parochial nature. It comes down to nothing more that absolute arrogance. But 
then who I am to question the composer who wants his piece performed in a 
certain manner? :) Lazy (insert-insult-here), perform it yourself. I jest 
and digress but might add that for a composer who composes music for someone 
to perform and not identify with on a unique or personal level as a 
performer is an idiot and worthy of paddling. It misses the point of live 
performance and they might as well record it and play it back on their iHome 
for all eternity, as is. I think improvisation is the barrier breaker in 
this instance, which is why it is so special, but unfortunately its 
definition already carries substantial baggage. But I think this is changing 
for the better..(famous last words) presenting the idea of a composer and 
performer as one, at one time, in one musical instance. Brilliant.

Ricky


----- Original Message ----- 
From: "Zoe Keating" <info@zoekeating.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 08, 2009 8:02 PM
Subject: Re: PrePrepared vs. Improvisational Live Looping Performances


> This will be totally OT....
>
> It always bugs me that some people in the classical establishment
> insist on compositions being played exactly as they are "supposed" to
> be....when it is only in our modern day age of recording that it is
> even possible to have concrete examples of what that "supposed" way
> is. its actually even worse recently because some young classical
> students i've met think that a cello piece can only be played the way
> that yo yo ma plays it in a certain recording.
>
> obviously i'm not talking about whole scale departures from a score,
> but phrasing, certain embelishments, tempo, etc.
>
> my 1st cello teacher in the US (i started in public school in the UK)
> was an early music specialist from yale who also played viola da
> gamba. as soon as all his students could vaguely play, we would meet
> on saturdays and play for half the day as a cello ensemble. he would
> have us play renaissance ensemble pieces by lassus and others.
> however, he would encourage us to embelish the parts and would teach
> us what kind of ornaments were appropriate in what situations. because
> that is what was done... all those interesting little ornaments that
> people love about baroque and renaissance music were not written in.
> as students got more advanced we would improvise more within those old
> pieces...as long as we got the chords right. ;-) and then those solo
> cadenzas in the middle of concertos, like haydn's C major cello
> concerto...they were MADE UP entirely by the soloist! kind of like a
> jazz solo.
>
> i'm not connected to the classical world anymore. i play a looped
> version of the 2nd mvt of beethoven's 7th symphony and it gets some
> classical people REALLY upset (just read the comments on a youtube
> recording of it) like they are personally offended by it. i tell them
> its a COVER of beethoven, and i can do as i damn well please ;-)
>
> as you can see i've got my toes in two different worlds....
>
> rant over.
>
> On Jul 8, 2009, at 5:03 AM, Steve Bingham wrote:
>
>>
>> On 8 Jul 2009, at 12:18, Ricky Graham wrote:
>>
>>> Just on the note of Classical music being precomposed and Bach's
>>> name creeping up, let us not forget that while that may be
>>> predominantly the case that classical music is from the score,
>>> Bach's fugues, to my knowledge, and correct me if I am wrong but
>>> I'm pretty sure that I am correct on this, were exercises to
>>> improvise with. (check that out for a run on)
>>
>>
>> Absolutely: Bach was the great improviser. Personally I feel that a
>> successful performance of 'written' music is most often one where
>> the performer(s) allow spontaneous musical interpretation to be as
>> important as purely technical accuracy, thus bringing some elements
>> of improvisation to the piece.
>>
>> Steve
>>
>


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From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 00:31:28 2009
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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"

i'm not connected to the classical world anymore. i play a looped version of
the 2nd mvt of beethoven's 7th symphony and it gets some classical people
REALLY upset (just read the comments on a youtube recording of it) like they
are personally offended by it. i tell them its a COVER of beethoven, and i
can do as i damn well please ;-)

 

as you can see I've got my toes in two different worlds....

 

rant over."

 

 

You Go Girl!,

 Musical Fascism comes in many forms. There are classical Nazis, Jazz Nazis,
Blues Nazis, you name it. You will find purists in every genre.
Unfortunately sometimes they can even be very accomplished musicians who
just happen to resist change as being inherently bad. Your world frightens
them Zoe, you and your one woman techno chamber orchestra:-) That's just
someone's insecurity talking.  There are always going to be people who
resist innovation and exploration, The haters of the new and different, hey,
they rioted for Stravinsky, consider it a red badge of courage that you are
pushing buttons. I don't know why people insist on having their sacred cows,
but there is much about humanity that I find crazy making.  I think the best
way to honor a song I am covering is to render it from a fresh perspective,
even if it means deconstructing it entirely. To do a song precisely as
written is fine and a great way to develop one's technical accuracy, but it
isn't infusing your own personality in to it.  Otherwise why do it at all?
I have mixed feelings about doing covers in the first place, probably from
too many bar band gigs over the years. Also doing covers represents a sort
of musical tyranny to me, as if that is what we must do as musicians to
"relate" to our audience, because somehow the audience won't be able to
relate to us otherwise.  I have been messing around with more covers
recently, but they tend to be obscure enough that most people don't notice.
I haven't had too many people recognize " Memories of Tomorrow" by Keith
Jarret, or Ralph Towner's "the reluctant bride" but that probably has as
much to do with how imperfectly I play them :-)   I personally have adopted
a performance style that involves an equal mixture of musical templates and
pure improvisation. The templates will consist of a key or tuning, an
instrument of choice, and some basic A B structures, what effects or looping
techniques I might choose to feature, the mood, etc. Some of these templates
evolve in to more structured composition, but for the most part the form is
improvised from performance to performance. So in essence, I'll story board
the performance, but everything is essentially improvised, even though I am
often times improvising on familiar themes and progressions.  I guess you
could call it comprovisation.

Bill


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<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>&#8220;</span></font><font =
size=3D2
face=3D"Courier New"><span =
style=3D'font-size:10.0pt;font-family:"Courier =
New"'><o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier New"'>i'm not connected =
to the
classical world anymore. i play a looped version of the 2nd mvt of =
beethoven's
7th symphony and it gets some classical people REALLY upset (just read =
the
comments on a youtube recording of it) like they are personally offended =
by it.
i tell them its a COVER of beethoven, and i can do as i damn well please =
;-)<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier New"'>as you can see I've =
got my
toes in two different worlds....<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier New"'>rant =
over.&#8221;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>You Go Girl!,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;Musical Fascism comes in many forms. There are
classical Nazis, Jazz Nazis, Blues Nazis, you name it. You will find =
purists in
every genre. Unfortunately sometimes they can even be very accomplished
musicians who just happen to resist change as being inherently bad. Your =
world
frightens them Zoe, you and your one woman techno chamber =
orchestra</span></font><font
size=3D2 face=3DWingdings><span =
style=3D'font-size:10.0pt;font-family:Wingdings'>J</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> That&#8217;s
just someone&#8217;s insecurity talking. &nbsp;There are always going to =
be
people who resist innovation and exploration, The haters of the new and
different, hey, they rioted for Stravinsky, consider it a red badge of =
courage
that you are pushing buttons. I don&#8217;t know why people insist on =
having
their sacred cows, but there is much about humanity that I find crazy =
making. &nbsp;I
think the best way to honor a song I am covering is to render it from a =
fresh
perspective, even if it means deconstructing it entirely. To do a song =
precisely
as written is fine and a great way to develop one&#8217;s technical =
accuracy,
but it isn&#8217;t infusing your own personality in to it. =
&nbsp;Otherwise why
do it at all? &nbsp;I have mixed feelings about doing covers in the =
first
place, probably from too many bar band gigs over the years. Also doing =
covers
represents a sort of musical tyranny to me, as if that is what we must =
do as
musicians to &#8220;relate&#8221; to our audience, because somehow the =
audience
won&#8217;t be able to relate to us otherwise. &nbsp;I have been messing =
around
with more covers recently, but they tend to be obscure enough that most =
people
don&#8217;t notice. I haven&#8217;t had too many people recognize =
&#8220;
Memories of Tomorrow&#8221; by Keith Jarret, or Ralph Towner&#8217;s =
&#8220;the
reluctant bride&#8221; but that probably has as much to do with how =
imperfectly
I play them </span></font><font size=3D2 face=3DWingdings><span =
style=3D'font-size:
10.0pt;font-family:Wingdings'>J</span></font><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'> &nbsp;&nbsp;I personally =
have
adopted a performance style that involves an equal mixture of musical =
templates
and pure improvisation. The templates will consist of a key or tuning, =
an
instrument of choice, and some basic A B structures, what effects or =
looping
techniques I might choose to feature, the mood, etc. Some of these =
templates evolve
in to more structured composition, but for the most part the form is =
improvised
from performance to performance. So in essence, I&#8217;ll story board =
the
performance, but everything is essentially improvised, even though I am =
often
times improvising on familiar themes and progressions. &nbsp;I guess you =
could call
it comprovisation.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Bill<o:p></o:p></span></font></p>

</div>

</body>

</html>

------=_NextPart_000_0035_01C9FFF1.ED68A830--

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Sent from my iPhone

On Jul 8, 2009, at 5:31 PM, "William Walker" <billwalker@baymoon.com>
>  Musical Fascism comes in many forms. There are classical Nazis,  
> Jazz Nazis, Blues Nazis, you name it. You will find purists in every  
> genre.
>
Don't forget the loop nazis, who hate the precomposed loop piece, or  
the prerecorded loop.
--Apple-Mail-2-357511106
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	charset=utf-8
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<html><body bgcolor="#FFFFFF"><div><br><br>Sent from my iPhone</div><div><br>On Jul 8, 2009, at 5:31 PM, "William Walker" &lt;<a href="mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;&nbsp;</div><blockquote type="cite"><div><div class="Section1">

<p class="MsoNormal"><font size="2" face="Arial"><span style="font-size:10.0pt;
font-family:Arial">&nbsp;Musical Fascism comes in many forms. There are
classical Nazis, Jazz Nazis, Blues Nazis, you name it. You will find purists in
every genre.&nbsp;<br></span></font></p>

</div>




</div></blockquote>Don't forget the loop nazis, who hate the precomposed loop piece, or the prerecorded loop.</body></html>
--Apple-Mail-2-357511106--

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Date: Wed, 8 Jul 2009 17:45:33 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: FS: Alesis AirFX  $125
To: Loopers-Delight@loopers-delight.com
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Howdy,=0A=0A I,m interested if you still have it. /Thanx.=0ARig=0A=0A--- On=
 Wed, 7/8/09, legion@helpwantedproductions.com <legion@helpwantedproduction=
s.com> wrote:=0A=0A> From: legion@helpwantedproductions.com <legion@helpwan=
tedproductions.com>=0A> Subject: FS: Alesis AirFX  $125=0A> To: "Loopers De=
light" <Loopers-Delight@loopers-delight.com>, "AH" <analogue@hyperreal.org>=
=0A> Date: Wednesday, July 8, 2009, 11:49 AM=0A> =0A> Selling one Alesis AI=
RFX theremin style effects unit. Very=0A> unique=0A> interface and sounds. =
This can be mounted on a mic stand or=0A> sit on the=0A> floor or tabletop.=
 It's operated by waving your hand (or=0A> foot or *any*=0A> part of your b=
ody) over the top X/Y/Z plane like a=0A> theremin. Runs off it's=0A> own po=
wer supply (included).=0A> =0A> 40 Effects patches including filters, flang=
er, phasers,=0A> Delays, pitch=0A> shifter, bitrate reducer, etc etc plus t=
en Synthesizer=0A> sounds including=0A> drum kits (a different sound for ea=
ch place in the air=0A> above the unit) and=0A> classic horror, theremin so=
unds, Synth waveforms, etc. Hold=0A> function as=0A> well and two digit eas=
y to see LED.=0A> =0A> A VERY cool unit and 100% working and in excellent s=
hape.=0A> Full info here:=0A> http://www.alesis.com/contentmgr/showdetails.=
php/id/1403/tt/5=0A> =0A> Asking $125 plus paypal fees and shipping. Pickup=
 in Phila=0A> Pa welcome.=0A> -- =0A> =A0=A0=A0----------------------------=
--------------------=0A> =A0 =A0 =A0 Weird, Scary, and Beautiful Music and=
=0A> Art:=0A> =A0 =A0 =A0 =A0 Http://www.HelpWantedProductions.com=0A> =0A>=
 =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 03:10:21 2009
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Subject: updating a looperlative
Date: Wed, 8 Jul 2009 20:02:08 -0700
References: <323060.22230.qm@web32705.mail.mud.yahoo.com>
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>

Sorry - just incensed right now that updating this damn thing (that I  
just received used) seems to require somewhat expert networking  
knowledge. I'm getting absolutely nowhere on my mac g5. I simply  
cannot upgrade the software.

I figure that there must be some looperlative users here, and some of  
them must be mac users, and maybe there might be someone who can  
actually help me. I was really looking to do this tonight, though I  
suppose it isn't necessary, now it's become an obsessions. Obsessions  
are ugly.

Thanks,
Gene

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 04:26:18 2009
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Gene,

I don't know where you are located but if you are interested in over the 
telephone help.  Give me a call.  I'm in the office most days and if I'm 
not, I'll call you back.

Are you trying to connect it directly to your Mac?  Is your Mac on a 
network?  Can the LP1 be attached to the network?

I'm happy to help you.  Email or call me.

Bob Amstadt
Looperlative Audio Products
bob@looperlative.com
408-921-LOOP

----- Original Message ----- 
From: "Ancient Eyeball Recipe" <implode7@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 08, 2009 8:02 PM
Subject: updating a looperlative


> >
>
> Sorry - just incensed right now that updating this damn thing (that I 
> just received used) seems to require somewhat expert networking 
> knowledge. I'm getting absolutely nowhere on my mac g5. I simply  cannot 
> upgrade the software.
>
> I figure that there must be some looperlative users here, and some of 
> them must be mac users, and maybe there might be someone who can  actually 
> help me. I was really looking to do this tonight, though I  suppose it 
> isn't necessary, now it's become an obsessions. Obsessions  are ugly.
>
> Thanks,
> Gene
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 04:48:01 2009
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Hi Bob - just responded on the looperlative forum. I figured that you  
wouldn't be crazy enough to be supporting your product this late, so I  
emailed this list....

But - I got it working. I think - without retesting every possibility  
that the issue was that I had left the router ip address typed into  
the looperlative ip address field when I did the upgrade? At least  
that was the immediate issue, because when I zeroed it out again, the  
upgrade worked immediately.



> Gene,
>
> I don't know where you are located but if you are interested in over  
> the telephone help.  Give me a call.  I'm in the office most days  
> and if I'm not, I'll call you back.
>
> Are you trying to connect it directly to your Mac?  Is your Mac on a  
> network?  Can the LP1 be attached to the network?
>
> I'm happy to help you.  Email or call me.
>
> Bob Amstadt
> Looperlative Audio Products
> bob@looperlative.com
> 408-921-LOOP
>
> ----- Original Message ----- From: "Ancient Eyeball Recipe" <implode7@comcast.net 
> >
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, July 08, 2009 8:02 PM
> Subject: updating a looperlative
>
>
>> >
>>
>> Sorry - just incensed right now that updating this damn thing (that  
>> I just received used) seems to require somewhat expert networking  
>> knowledge. I'm getting absolutely nowhere on my mac g5. I simply   
>> cannot upgrade the software.
>>
>> I figure that there must be some looperlative users here, and some  
>> of them must be mac users, and maybe there might be someone who  
>> can  actually help me. I was really looking to do this tonight,  
>> though I  suppose it isn't necessary, now it's become an  
>> obsessions. Obsessions  are ugly.
>>
>> Thanks,
>> Gene
>>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 04:54:50 2009
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From: "Ancient Eyeball Recipe" <implode7@comcast.net>

> Hi Bob - just responded on the looperlative forum. I figured that you 
> wouldn't be crazy enough to be supporting your product this late, so I 
> emailed this list....
>
> But - I got it working. I think

Excellent.  Glad you got it worked out.

As for me, I'm totally insane. ;-)  Ok, maybe not, but I often check email 
in the evenings and will answer support questions.  I won't often answer the 
phone at night, but with email you have a fair chance of catching me.

Let me know if you have any other issues and I will do my best to help you.

Bob Amstadt
Looperlative Audio Products 

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 05:25:17 2009
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
Date: Wed, 8 Jul 2009 22:25:14 -0700
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I play around periodically with established melodies -- Shenandoah at  
a couple of festivals, Venus in Furs at Y2K8 -- but I use them just as  
jumping off points.

Mark

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From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 08:52:51 2009
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Subject: Pro composition/scoring (Re: PrePrepared vs. Improvisational Live 
	Looping Performances)
From: Per Boysen <perboysen@gmail.com>
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Since no one reacted to Ricky Grahams post yesterday I would just like
to state that I think it is a very good thing that people can focus on
composing and get credited for that. A person doesn't chose to work
with composing because he/she can't play! The point in scores is to
come together as an ensemble to realize sounding music that can't be
created in any other way. The groundbreaking Escalator Over The Hill
wouldn't exist if Carla Bley had not composed it, that's just one
example. I had the chance to sit down for an hour and talk to Elliot
Sharp about his composing and I think it makes total sense to regard
the ensemble as "his instrument". I was amazed to find out that in his
scoring for these ensembles he is using the same tricks as I do in
looping and dynamic effect processing. But when working with a real
ensemble you are also able to take advantage of using this cool
parameter called "musician's interpretation". Sharp scores stuff like
"random loop slicing" and sets up alternative choices for each player
to give the ensemble music ("the composition") generative abilities
similar to DNA evolution. The music evolves on its own, like life
does, by the design of his composition. I don't think he is a music
nazi ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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very interesting thread,i ve observed in the loop festivals that ive attend=
ed so far a lot of loopers have repeated their ideas and it doesnt bother m=
e at all, specially if i like the music,is like listening to a tune on the =
radio and wanting to hear it again.But i tend to get bored very quickly wit=
h the eternal improvisation that just doesnt say anything.In looping i pers=
onally tend to prepare my equipment more than the music so that it doesnt f=
uck up on stage which is irritating to see and no less for an audience that=
 has paid a ticket! this might even come across for them as an amateur or u=
nprofessional show,so yes i encourage loopers to prepare! =0AAlso pre-conce=
ived sketches of music to improvise to on stage is not a sin but rather a g=
reat way to develop something unique everytime you perform and keep your im=
provs more focused as it will always sound different anyway.So improvisatio=
n vs. prepared is not really an issue for me,it just depends on the creativ=
ity involved.=0AI have seen people using prepared drum loops in their music=
 sounding very sterile and boring and ive seen people using them in a very =
exciting way( Michael Peters comes to mind who did a beautiful piece using =
a drum loop which turned out to be my favorite at the Y2k9 in Antwerp)=0AFo=
r me seeing somebody buid up a drum loop with their mouth doesnt make it an=
y better or special if i dislike their music as somebody using a drum sampl=
e whose music i like.And for a non musical audience all this stuff is compl=
etely irrelevant anyway as they are there to be entertained;-)=0A=0A=0ALuis=
=0A=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A--- Rai=
ner Straschill <moinsound@googlemail.com> schrieb am Mi, 8.7.2009:=0A=0A> V=
on: Rainer Straschill <moinsound@googlemail.com>=0A> Betreff: PrePrepared v=
s. Improvisational Live Looping Performances=0A> An: loopers-delight@looper=
s-delight.com=0A> Datum: Mittwoch, 8. Juli 2009, 12:21=0A> Whow Rick,=0A> =
=0A> once again you managed to start a thread which has created=0A> some hu=
ge=0A> interest, resulting in some 25 replies in about 16 hours -=0A> and e=
ven=0A> hadn't time to respond myself. The "stir up some" obviously=0A> wor=
ked=0A> (though in my case, not necessarily "thought", more of=0A> "writing=
 it=0A> down", which I had planned anyway for some time). So here I=0A> go.=
..=0A> =0A> =0A> A: MY OWN POSITION=0A> ----------------------------------=
=0A> Starting in 2000, all of the music I have performed for an=0A> audienc=
e or=0A> released in recorded format (including posting clips on the=0A> we=
b) has=0A> been freely improvised (this meaning it had a composition=0A> in=
dex of=0A> "0", to use my metric defined below), both for solo and=0A> ense=
mble work.=0A> And although returning to composed music, at least in part,=
=0A> has been=0A> on my list for some time now, it hasn't happened with=0A>=
 regard to=0A> releases or performances. During that time (and also=0A> bef=
ore), I=0A> explored a lot of different possible formats for=0A> improvisat=
ion and=0A> also spent a lot of time simply thinking about=0A> improvisatio=
n in music.=0A> =0A> =0A> B: SOME THEORY ON IMPROVISATION: ATTEMPTS AT DEFI=
NING A=0A> METRIC=0A> -----------------------------------------------------=
---------------------------------------------------------------=0A> How do =
put a metric on improvisation? Is it true that if=0A> you play a=0A> throug=
h-composed work, nothing is improvised - and vice=0A> versa, if you=0A> don=
't follow anything written down (or otherwise=0A> specified)=0A> beforehand=
, then everything is improvised? A first thought=0A> in that=0A> direction =
will fall short, but is a good starting point.=0A> =0A> i) composition and =
performance.=0A> Let us assume that there are two indices, here named=0A> "=
composition" (C)=0A> and "performance" (P). "Composition" is just that - th=
e=0A> stuff that the=0A> composer of the piece defined. "Performance" is wh=
at the=0A> performer=0A> makes of it - how much of his own ideas and interp=
retations=0A> are in the=0A> performance. Start out by defining that both i=
ndices are=0A> normalized to=0A> range from 0 to 1.=0A> Now it's obvious th=
at a piece can't at the same time be=0A> "all composed"=0A> and "all improv=
ised". So it makes sense to define an=0A> equation like=0A> C+P=3D1 (a piec=
e can't be more than one piece). With that=0A> equation, a=0A> two-dimensio=
nal object reduced in dimensionality by one -=0A> geometrically thinking, a=
 square is reduced to a line, on=0A> which you=0A> move from all left ("all=
 composed") to all right ("all=0A> improvised").=0A> =0A> ii) tradition and=
 other effects=0A> This however falls short if you think about it: assume a=
=0A> typical=0A> bebop-rooted jazz player is performing, say, "A Night in=
=0A> Tunisia". He=0A> will start out by playing the theme (and add some orn=
aments=0A> to it, no=0A> doubt), before going into his solo. Now even if th=
at=0A> bebop-rooted=0A> player will during his solo break completely move a=
way from=0A> the melody=0A> and also the chords by Dizzy, he will still not=
 be 100%=0A> improvising.=0A> Why? The way I thought this guy up (to be a b=
ebop-rooted=0A> jazz cat), he=0A> will most probably play fast lines in syn=
copated rhythm, he=0A> will hint=0A> at some kind of turnaround at the end =
of the chorus, and he=0A> won't=0A> start to play quarter-tone sequences in=
 13/7. Thats because=0A> his=0A> performance is based on some tradtion - re=
garding that you=0A> play in=0A> some scales, in some rhythmic schemes, and=
 think in some=0A> harmonic=0A> structures when playing a bebop standard. W=
e found a new=0A> index, which=0A> call "tradition" (T). Including that int=
o our normatory=0A> equation=0A> making it C+P+T=3D1, we get a three-dimens=
ional system which=0A> by this=0A> condition is reduced to two. Again geome=
trically thinking,=0A> we have a=0A> cube, which gets projected to a triang=
le.=0A> (Note that in that discussion, "T" does not include the=0A> effect=
=0A> tradition has on the composer and on the composition - only=0A> the=0A=
> performance of the (improvising) player is under=0A> scrutinization).=0A>=
 =0A> However, we can't stop there, and that becomes immediately=0A> clear =
to=0A> all of us who either have dealt with the aleatoric concepts=0A> of=
=0A> contemporary composers or used a random S/H filter effect:=0A> There a=
re=0A> effects which are beyond the control of the performer,=0A> either be=
cause=0A> he wilfully gives away this control, or because he simply=0A> can=
't=0A> control them. There's lots of them - strings breaking, the=0A> acous=
tics=0A> of the venue, a hiccup suddenly developing.=0A> Although some of t=
hese effects aren't strictly that, I call=0A> them=0A> "aleatorics" (A). Ag=
ain, incorporating them into our=0A> equation, we get=0A> a four-dimensiona=
l hypercube, projected onto a triangular=0A> pyramid.=0A> =0A> iii) what to=
 do with it?=0A> This metric will by no means be able to describe all=0A> a=
spects of=0A> improvised music in any way, but rather, it has been very=0A>=
 helpful for=0A> me when coming to terms with thoughts like "how much of=0A=
> this is=0A> improvised, how much is composed" etc. And by simply=0A> thin=
king about=0A> some works of art and trying to place them inside that=0A> p=
yramid, some=0A> understanding may surface.=0A> Like: is it possible to mak=
e music that is "all composed"=0A> (C=3D1,=0A> T=3DP=3DA=3D0)? You can get =
very close, think of "Studies for=0A> Player Piano"=0A> by Conlon Nancarrow=
 or "Jazz from Hell" by Frank Zappa. But=0A> if you=0A> include a human bei=
ng (and use a composition which hasn't=0A> been=0A> "programmed" by the com=
poser), you automatically move=0A> towards the P=0A> corner of the pyramid.=
=0A> Take a piano sonata by Joseph Haydn, which may say=0A> "allegro". Now =
you=0A> can look that up in a book, and that book may tell you that=0A> it'=
s=0A> "quite fast". How fast is quite fast? Another book may tell=0A> you=
=0A> (although that information can't be exactly validated) that=0A> it's=
=0A> somewhat beetween 120 and 168 bpm. In other words (to bring=0A> that t=
o=0A> the world of dance music), play that sonata's first=0A> movement some=
where=0A> between house, tech house, hard house, cosmic, trance,=0A> jungle=
, rave=0A> and drum'n'bass. A work by Gustav Mahler may tell you to=0A> pla=
y it=0A> "rasch aber nicht gehetzt" (apace but not hounded) - and no=0A> bo=
ok tells=0A> you what that is. And finally, taking a fugue from "Das=0A> Wo=
hltemperierte Clavier" by Johann Sebastian Bach will tell=0A> you=0A> nothi=
ng at all. The choice is all yours (and so far, we've=0A> only talked=0A> a=
bout the overall tempo).=0A> =0A> Conversely, is it possible to make music =
that is "freely=0A> improvised"=0A> (P=3D1, C=3DT=3DA=3D0)? I rather doubt =
it. Yes, it's possible to=0A> bring A close=0A> to zero, and having no comp=
osition in place is simple, but=0A> the whole=0A> block of "tradition" (whi=
ch also includes that a grand=0A> piano only=0A> offers specific pitches et=
c.) will always influence the=0A> player and=0A> thus the result. Completel=
y aleatoric? Yes, you could use a=0A> random=0A> source and hook it to ever=
ything, but first, either=0A> composer or=0A> performer choose that "everyt=
hing".=0A> =0A> =0A> C: RICK'S ORIGINAL MAIL (AND INCLUDING REFERENCES TO O=
THER=0A> POSTS)=0A> -------------------------------------------------------=
----------------------------------------------------------------=0A> Let me=
 just start with some dissent:=0A> "pre-rehearsed and already thought out p=
ieces of music=0A> using live=0A> looping feel as sterile to me as people p=
ush playing on=0A> DATs, I-pods,=0A> CDs, DVDS or computers."=0A> To which =
I have to say that I found some creative DJ=0A> performances (aka=0A> "push=
ing play on CDs") very rewarding.=0A> =0A> "the last ten years or so of my =
life have been all=0A> improvisational."=0A> This is finally where I can br=
ing the ramblings from=0A> section B to some=0A> use. From what I remember,=
 this is not at all true. I take=0A> as one=0A> example the piece which ope=
ns the recording from Antwerp.=0A> Upon first=0A> listening to that recordi=
ng, I thought "Hey - I like that=0A> tune!" You=0A> played that same compos=
ition (!) on June 11th 2008 at=0A> Pasinger Fabrik,=0A> about 21 minutes in=
to your set - and a few other times on=0A> that tour as=0A> well. So you de=
finitely don't have a C=3D0 index. And=0A> actually, your T=0A> index is ve=
ry high. True, you don't play bebop runs, but=0A> you have=0A> created quit=
e a fascinating array of "Rick Walker=0A> Tradition" you use=0A> all the ti=
me.=0A> So rather, I'd call your work "The Rick Walker Tradition=0A> (with=
=0A> improvised content and audience interaction)", rather than=0A> "improv=
ised".=0A> =0A> (this is by no means intended to critizise what you do -=0A=
> rather to get=0A> into perspective how you use the word "improvised" and =
how=0A> I=0A> understand it. For me, "improvised" implies C=3D0).=0A> =0A> =
I really find your concept of playing with a clock to make=0A> the=0A> indi=
vidual pieces be shorter to be interesting.=0A> "Interesting" in that=0A> c=
ontext means I don't like it. Why?=0A> Specific pieces of music develop in =
a specific time frame.=0A> You have=0A> that starting idea - like that one =
three-tone motif with a=0A> chord - and=0A> then think about it further and=
 it develops into a=0A> composition lasting=0A> four hours. Would it have w=
orked if you put your=0A> seven-minute clock=0A> next to Richard Wagner whe=
n he wrote "Tristan und Isolde"?=0A> So if you=0A> believe that your pieces=
 are too long (to which conclusion=0A> you may=0A> have come either because=
 you or the audience get bored, or=0A> for some=0A> other reason), you shou=
ld rather work on your creative=0A> process.=0A> (In the following, I assum=
e you want to play shorter=0A> pieces, for=0A> whichever reason).=0A> First=
, thinking considerably in advance before you start=0A> playing=0A> (that's=
 still going with that "C=3D0" approach) can help. How=0A> will that=0A> pi=
ece develop? And consequently, how can you make it work=0A> with your=0A> p=
erformance approach (including your looping gear)?=0A> Preprogramming=0A> s=
tuff, as Kevin suggested, helps a great deal here. Also,=0A> Per is very=0A=
> active in that realm by writing complex scripts for Mobius=0A> to do=0A> =
complex looping maneuvers at the push of a button so he can=0A> make=0A> tr=
ansitions in a few bars that otherwise would take=0A> considerably=0A> long=
er.=0A> Another thing: think about your gear and how you work with=0A> it. =
Say you=0A> have a repeating three-beat drum sequence on top of which=0A> y=
ou want to=0A> overdub a five-beat-long sequence. Now you could first play=
=0A> that first=0A> sequence five times into a loop, then overdub the secon=
d=0A> one three=0A> times. Or you could play that three-beat sequence once,=
=0A> then multiply=0A> and overdub the second one three times. Or you could=
 play=0A> the first=0A> sequence once, then play the second one once onto a=
nother=0A> track. The=0A> time necessary for establishing that loop has bee=
n reduced=0A> to 1/3 of=0A> the original amount.=0A> Finally: change what y=
ou're playing. Only record=0A> two-beat-long loops=0A> and play on top of t=
hem for ten times. Extremely short=0A> song.=0A> This however, should all b=
e preceded by making up your mind=0A> what you=0A> actually want to play. P=
erhaps your musical approach=0A> requires=0A> ten-minute+plus pieces. Perha=
ps you need to optimize so=0A> your audience=0A> doesn't get bored - perhap=
s you actually care. These are=0A> the things=0A> that should go first.=0A>=
 And finally, I found that longer, more slowly developing=0A> pieces work=
=0A> better in a live than in a recorded context. If you're hit=0A> by that=
 odd=0A> piece for the first time, it takes some time to get it - if=0A> it=
's on a=0A> CD, you listen to it repeatedly, after you already "got=0A> it"=
. And for=0A> that reason, I find it perfectly ok to trim a live=0A> record=
ing a little=0A> so that what felt good live also feels good on an album=0A=
> release. As=0A> the liner notes of one of Fripp's soundscape albums say:=
=0A> "nothing is=0A> left out - it just happens a little faster".=0A> =0A> =
And so (I'm getting carried away a little) - why don't you=0A> ask your=0A>=
 pupils instead to first think why their pieces are of the=0A> length they=
=0A> are and if they feel right?=0A> =0A> =0A> D: COMMENTS ON SOME REPLIES=
=0A> ------------------------------------------------------=0A> Yes, there =
had been a lot of jamming during Bach's time.=0A> This started=0A> with the=
 fact that the continuo part (e.g. for a cembalo) -=0A> which=0A> somewhat =
was the "jazz piano" of that music, just in a=0A> leadshet, did=0A> not get=
 an actual written-out part, rather a bass line with=0A> some=0A> numbers o=
ver it or a bass line and a melody - basically, a=0A> lead sheet.=0A> Check=
 out recordings e.g. of Glenn Gould playing continuo=0A> on some=0A> ensemb=
le works! Also, that endless repetitions of the main=0A> theme in=0A> works=
 from that period start to make sense when you know=0A> that the=0A> musici=
ans actually had to play improvised solo chorusses=0A> after the=0A> first =
time.=0A> =0A> Ted, I'm somewhat surprised that this pressure to "get it=0A=
> right" only=0A> hits you when you playing composed material. Why don't yo=
u=0A> feel=0A> pressured to get it right when you play improvised stuff?=0A=
> Or to stay=0A> with your metaphor - why can't you perform the composition=
s=0A> (your own=0A> ones or those of others) like a child?=0A> That "don't =
care" statement actually refers nicely to some=0A> other posts=0A> (and eas=
ily links back to the last section): I would not=0A> suggest that=0A> you p=
lay as if you don't care if you sound good or bad -=0A> rather you=0A> shou=
ld play as if you don't care if you sound good or bad=0A> to the=0A> audien=
ce. And with that, such ideas to force yourself to=0A> never play=0A> longe=
r than seven minutes suddenly disappear, because with=0A> that=0A> approach=
, you will stop anyway if it gets boring (to you).=0A> =0A> And Zoe, I beli=
eve that the classical stuff you play feel=0A> new because=0A> they aren't =
all composed beforehand as you say - the feel=0A> new because=0A> you make =
them something new everytime you play them (and if=0A> you=0A> wouldn't, yo=
ur audience would most probably disappear=0A> anyway).=0A> =0A> Finally, th=
ere's that nice Mark Sottilaro vs. Rick Walker=0A> dialogue:=0A> Thanks, Ma=
rk! Although I don't agree with your post in the=0A> least, it's=0A> nice t=
hat at least someone for once gets away from that=0A> "we're such a=0A> sup=
portive community so we must tell everyone every single=0A> time how=0A> gr=
eat and inspiring that disposable sound menace is"=0A> approach of some=0A>=
 institution caring for the challenged (for those with a=0A> good language=
=0A> background: what is the English translation of=0A> "besch=FCtzende=0A>=
 Werkst=E4tte"?).=0A> =0A> I disagree with you in so far because you say th=
at you=0A> prefer=0A> loopstation, Kid Beyond, Amy X Neuburg and Brian Kenn=
ey=0A> Fresno to all=0A> the other artists, and believe the reason is that =
these=0A> artists play=0A> composed material. The reason is that all of tho=
se are=0A> great stage=0A> personalities per se, and have obviously worked =
hard at=0A> their stage=0A> appearance independently of the musical content=
. How many=0A> of the=0A> artists not in your list do you believe do have a=
=0A> consciously laid out=0A> concept for their stage appearance, including=
 clothing, how=0A> the walk=0A> and move, how they make use of lights etc.?=
 Furthermore,=0A> Kid Beyond=0A> (at least what I remember of his work) pla=
ys a lot of cover=0A> tunes -=0A> which also makes people happy. Finally, a=
ll of the named=0A> examples=0A> sing, and "singing is a trick to get peopl=
e to listen to=0A> music for=0A> longer than they would ordinarily" ("Stop =
Making Sense"=0A> liner notes).=0A> (I have to agree that Andre LaFosse doe=
sn't fit into those=0A> categories,=0A> but Andre is just an oustanding com=
poser and guitar/EDP=0A> player.=0A> Sometimes, that's enough. Another exam=
ple in this category:=0A> Andreas=0A> Willers - at all costs go see him if =
you get the chance,=0A> he'll blow=0A> you away).=0A> Another great example=
 in this category is Rick Walker. I=0A> have to admit=0A> (and Rick, you kn=
ow I told you that in all friendship) that=0A> I don't=0A> like his music, =
in so far as I find it boring. This ist=0A> totally untrue=0A> for his live=
 shows - I greatly and deeply enjoyed every=0A> single one of=0A> them, be =
it to a large crowd or to half a dozen people, be=0A> it his solo=0A> progr=
amme, some spontaneously created duo settings or his=0A> comments on=0A> a =
world championship soccer match. At least some of them=0A> were=0A> improvi=
sed - but they worked equally the same for me,=0A> because it was=0A> Rick =
being on stage and performing them.=0A> =0A> =0A> E: WHAT TO MAKE OF ALL OF=
 THIS=0A> -------------------------------------------------------=0A> So, w=
hat do we make of all of this? Most of my ramblings=0A> are rather=0A> inco=
nclusive, but there are some messages:=0A> =0A> I. "Composed vs. Improvised=
" is not a simple as most people=0A> believe=0A> when they think about thos=
e two concepts, which seem=0A> complementary.=0A> II. "Composed" doesn't ne=
cessarily make a performance=0A> enjoyable.=0A> "Improvised" does not neces=
sarily make it less enjoyable.=0A> III. Rick - please do some singer-songwr=
iter stuff -=0A> looking forward=0A> to it! By my definition, you're doing =
composed stuff by a=0A> large=0A> percentage anyway. ;)=0A> IV. Great discu=
ssion - the messages are still coming.=0A> =0A> =0A> Yours,=0A> =0A> =A0 =
=A0 =A0 =A0 =A0=0A> =A0=A0=A0Rainer=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 10:25:51 2009
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From: "Christo Jota" <chris@christojota.de>
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
Date: Thu, 9 Jul 2009 12:28:41 +0200
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Yeah, that´s another nice option. Improvising on well known songs.
 I do that with Kraftwerks "Autobahn"(I remember I saw Gary
Lucas/Capt.Beefheart doing
this track in a concert which inspired me to try it myself) - you can listen
to my attempt on my
www.myspace.com/christojota  - page - or "Endless cycle" (Lou Reed).
Christo
----- Original Message -----
From: "Mark Hamburg" <mark@grubmah.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 09, 2009 7:25 AM
Subject: Re: PrePrepared vs. Improvisational Live Looping Performances


> I play around periodically with established melodies -- Shenandoah at
> a couple of festivals, Venus in Furs at Y2K8 -- but I use them just as
> jumping off points.
>
> Mark
>


From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 10:40:38 2009
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From: "Ricky Graham" <rock.guitar.guru@binternet.com>
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Subject: Re: Pro composition/scoring (Re: PrePrepared vs. Improvisational Live Looping Performances)
Date: Thu, 9 Jul 2009 11:40:36 +0100
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 A person doesn't chose to work
> with composing because he/she can't play!

I'm not sure that it is necessary for me to clarify, but I will anyway. I 
was not at any point suggesting that, Per. I most certainly was not trying 
to tar all with any brush. I am a fan of many composers and their 
compositional techniques and I most certainly agree that a composer can 
regard an ensemble as their "instrument." However, I am simply not a fan of 
the parochial that do not realise that without the performer, they would 
have no one to realise their work.

 But when working with a real
> ensemble you are also able to take advantage of using this cool
> parameter called "musician's interpretation".

Exactly my point. A very cool parameter that can would seem to be 
disregarded by many a composer. Again, not saying that this is the case for 
everyone.

Let me be clear that I am speaking about a minority of negative instances 
within a tradional realm of composition. I am in no way anti-score. :) No, 
Sir. Not me.

Ricky 

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Subject: Re: Pro composition/scoring (Re: PrePrepared vs. Improvisational Live Looping Performances)
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My re-interest in music comes out of the free jazz/improv/spontaneous compo=
sition field so I'm becoming very familiar with the "high-wire act" of just=
 winging it, both as a player and audience.

But since that's with my double-bass, I'll admit to still being a little un=
comfortable with loopers/effects on the floor, just because I'm worried tha=
t I'm spending too much futzing with knobs, etc. and not focusing on respon=
ding/replying to the other musicians.

As to pre-gig prep, I'll echo the previous comments about starting with=0As=
omething you know and just screwing around with it - play it backwards, hal=
f-speed, as fast as you can, etc...=A0 My favourite riff=0Afor that is "Bla=
ck Dog" by Led Zep.
=0A
And, as usual, you learn from those that do it better than you.=A0 I've bee=
n fortunate to attend workshops by Eddie Prevost, Jessie Stewart, Lori Free=
dman, Anne Bourne, etc. and to hear them articulate the process is very hel=
pful.

=0AAnyway, I'm pretty much at the point where I have a very low tolerance o=
f live music that doesn't have an 'edge' to it.=A0 I mean, why go out, driv=
e who knows how far, and pay big bucks just to hear the cd live?=A0 I'm loo=
king for effort and fearlessness, not choerographed stage moves.

My general inspiration for improv comes Douglas Adams from "Life, the Unive=
rse and Everything": There is an art, it says, or rather, a knack to flying=
. The knack lies=0Ain learning how to throw yourself at the ground and miss=
...Clearly, it is this second part, the missing, which presents the=0Adiffi=
culties.


Ted Harms.
Enemies are good for self-definition. Werner Herzog

=0A=0A=0A      ____________________________________________________________=
______=0ABe smarter than spam. See how smart SpamGuard is at giving junk em=
ail the boot with the All-new Yahoo! Mail.  Click on Options in Mail and sw=
itch to New Mail today or register for free at http://mail.yahoo.ca
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>My re-interest in music comes out of the =
free jazz/improv/spontaneous composition field so I'm becoming very familia=
r with the "high-wire act" of just winging it, both as a player and audienc=
e.<br><br>But since that's with my double-bass, I'll admit to still being a=
 little uncomfortable with loopers/effects on the floor, just because I'm w=
orried that I'm spending too much futzing with knobs, etc. and not focusing=
 on responding/replying to the other musicians.<br><br>As to pre-gig prep, =
I'll echo the previous comments about starting with=0Asomething you know an=
d just screwing around with it - play it backwards, half-speed, as fast as =
you can, etc...&nbsp; My favourite riff=0Afor that is "Black Dog" by Led Ze=
p.<br>=0A<br>And, as usual, you learn from those that do it better than you=
.&nbsp; I've been fortunate to attend workshops by Eddie Prevost, Jessie St=
ewart, Lori Freedman, Anne Bourne, etc. and to hear them articulate the pro=
cess is very helpful.<br><br>=0AAnyway, I'm pretty much at the point where =
I have a very low tolerance of live music that doesn't have an 'edge' to it=
.&nbsp; I mean, why go out, drive who knows how far, and pay big bucks just=
 to hear the cd live?&nbsp; I'm looking for effort and fearlessness, not ch=
oerographed stage moves.<br><br>My general inspiration for improv comes Dou=
glas Adams from "Life, the Universe and Everything":<span class=3D"mw-headl=
ine"></span> There is an art, it says, or rather, a knack to flying. The kn=
ack lies=0Ain learning how to throw yourself at the ground and miss...Clear=
ly, it is this second part, the missing, which presents the=0Adifficulties.=
<br><br><br>Ted Harms.<br>Enemies are good for self-definition. Werner Herz=
og<br><br></td></tr></table><br>=0A      <hr size=3D1><a href=3D"http://ca.=
promos.yahoo.com/newmail/overview2/"><b>All new Yahoo! Mail - </b></a>Get a=
 sneak peak at messages with a handy reading pane.
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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> "Uhm, Mr. Dylan ... your version of Watchtower, it's just enough like
> Jimi's."

:)))
-- 
Neu: GMX Doppel-FLAT mit Internet-Flatrate + Telefon-Flatrate
für nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 13:35:16 2009
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Date: Thu,  9 Jul 2009 15:35:14 +0200
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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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> But i tend to get bored very quickly with the eternal improvisation tha=
t 
> just doesnt say anything.In looping i personally tend to prepare my equ=
ipment 
> more than the music so that it doesnt fuck up on stage which is irritat=
ing to 
> see and no less for an audience that has paid a ticket! this might even=
 come 
> across for them as an amateur or unprofessional show,so yes i encourage=
 loopers
> to prepare!

Hi Luis,
I think 75% of my preparation has been technical, I have spent months and=
 months on it but even then, things went wrong :) So I have to agree with=
 you that technical preparation should be a top priority for each looper.=


But I'm glad that overall, we haven't had any major technical issues duri=
ng the Antwerp loopfest. As a festival organizer I'm dependent on many as=
pects and you only need 1 component which fails and the whole chain will =
fail :) Preparation, good equipment and knowledge are the key ingredients=
 for success. For example, Ronald and I have fully tested the PA, mics, c=
ables, recorders etc the week before the festival. Remember: Mr.Murphy wa=
s an optimist so things will always go wrong but I believe most problems =
can be avoided if you prepare well.

> So improvisation vs. prepared is not really an issue for me,it just dep=
ends on the creativity involved.
> For me seeing somebody buid up a drum loop with their mouth doesnt make=
 it any better 
> or special if i dislike their music as somebody using a drum sample who=
se music i like.
> And for a non musical audience all this stuff is completely irrelevant =
anyway as they are there to be entertained;-)

The funny thing was that Rick Walker thought you used a drum sample ;) As=
 an artist, creating your own drum loop using your mouth can make your pe=
rformance more interesting but you have to do it right. Michael's piece w=
ith the drum loop and the guitar was very good, one of my personal highli=
ghts of the festival. Very simple, but very powerfull, less is more. And =
like I wrote yesterday, in this kind of music it's all about atmosphere, =
that's what matters. I prefer musicians playing interesting music, playin=
g "in function of a song and a band" rather than musicians playing techni=
cally perfect but without a soul. Good examples of the last category are =
the guitarist who can't stop soloing or the keyboardist using Hammond sou=
nds all the time. So if a drum sample fits in the picture, it fits in the=
 picture, that's fine with me. And besides that, the Antwerp loopfest was=
 not meant to be the World Championship of Live Looping imo ;) 
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/

__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g


From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 14:43:20 2009
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Date: Thu, 9 Jul 2009 14:43:18 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
To: Loopers-Delight@loopers-delight.com
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yes i am gulity of this as hell! i ve had my share of things going wrong on=
 stage ( the Y2k8 in Cologne comes to mind)i had a new piece of gear back t=
hen and was not very acquainted with it but wanted desperatly to use it so =
lesson learned;-)=0Aand offcourse things can always go wrong specially at f=
estivals where there is so much gear laying around,the y2k9 was brilliant a=
nd your technical problems were not even noticed actually that drone at the=
 end when your midi notes got stucked sounded cool like it was part of the =
set Sjaak;-)=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- Sjaak <tcplugin=
@scarlet.be> schrieb am Do, 9.7.2009:=0A=0A> Von: Sjaak <tcplugin@scarlet.b=
e>=0A> Betreff: Re: PrePrepared vs. Improvisational Live Looping Performanc=
es=0A> An: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>=0A> Datu=
m: Donnerstag, 9. Juli 2009, 6:35=0A> > But i tend to get bored very=0A> qu=
ickly with the eternal improvisation that=0A> > just doesnt say anything.In=
 looping i personally tend=0A> to prepare my equipment=0A> > more than the =
music so that it doesnt fuck up on stage=0A> which is irritating to=0A> > s=
ee and no less for an audience that has paid a=0A> ticket! this might even =
come=0A> > across for them as an amateur or unprofessional=0A> show,so yes =
i encourage loopers=0A> > to prepare!=0A> =0A> Hi Luis,=0A> I think 75% of =
my preparation has been technical, I have=0A> spent months and months on it=
 but even then, things went=0A> wrong :) So I have to agree with you that t=
echnical=0A> preparation should be a top priority for each looper.=0A> =0A>=
 But I'm glad that overall, we haven't had any major=0A> technical issues d=
uring the Antwerp loopfest. As a festival=0A> organizer I'm dependent on ma=
ny aspects and you only need 1=0A> component which fails and the whole chai=
n will fail :)=0A> Preparation, good equipment and knowledge are the key=0A=
> ingredients for success. For example, Ronald and I have=0A> fully tested =
the PA, mics, cables, recorders etc the week=0A> before the festival. Remem=
ber: Mr.Murphy was an optimist so=0A> things will always go wrong but I bel=
ieve most problems can=0A> be avoided if you prepare well.=0A> =0A> > So im=
provisation vs. prepared is not really an issue=0A> for me,it just depends =
on the creativity involved.=0A> > For me seeing somebody buid up a drum loo=
p with their=0A> mouth doesnt make it any better=0A> > or special if i disl=
ike their music as somebody using=0A> a drum sample whose music i like.=0A>=
 > And for a non musical audience all this stuff is=0A> completely irreleva=
nt anyway as they are there to be=0A> entertained;-)=0A> =0A> The funny thi=
ng was that Rick Walker thought you used a=0A> drum sample ;) As an artist,=
 creating your own drum loop=0A> using your mouth can make your performance=
 more interesting=0A> but you have to do it right. Michael's piece with the=
 drum=0A> loop and the guitar was very good, one of my personal=0A> highlig=
hts of the festival. Very simple, but very powerfull,=0A> less is more. And=
 like I wrote yesterday, in this kind of=0A> music it's all about atmospher=
e, that's what matters. I=0A> prefer musicians playing interesting music, p=
laying "in=0A> function of a song and a band" rather than musicians playing=
=0A> technically perfect but without a soul. Good examples of the=0A> last =
category are the guitarist who can't stop soloing or=0A> the keyboardist us=
ing Hammond sounds all the time. So if a=0A> drum sample fits in the pictur=
e, it fits in the picture,=0A> that's fine with me. And besides that, the A=
ntwerp loopfest=0A> was not meant to be the World Championship of Live Loop=
ing=0A> imo ;)=0A> ---=0A> Sjaak=0A> http://euroloopfest.com/=0A> http://sj=
aakovergaauw.com/=0A> =0A> __________________________________=0A> Scarlet M=
obile, Gratis abonnement in combinatie met uw=0A> Scarlet One of ADSL, surf=
 naar http://www.scarlet.be/nl/mobile3g=0A> =0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 14:53:09 2009
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Date: Thu, 09 Jul 2009 07:53:00 -0700
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Christo wrote:
"I did 2 CD-recordings recently with improvisational stuff,
looping on the fly. Now I try to re-produce/rehearse these tracks which is
quite exciting. Sometimes it sounds very similar to the existing tracks,
sometimes it sounds completely different."


Purportedly, the classical music composer Schoenberg said, 
"All composition is just very slow improvisation".

I always tell my students that because of this,  we can also consider
all improvisation to be very rapid composition.

I don't think all improvisation is very rapid composition but , personally,
I strive for that when I improvise myself.      The funny thing, for all 
the found
sound/experimental music I do,  I have always told journalists that I think
of myself as a pop artist.  The reason is that I really think in very, 
very simple
forms when I compose in real time (improvise).   I just think it sounds 
better,
personally.     It's also really easy to lose an audience when one plays 
so freely
that form goes completely out the window.   Personally,  I've never enjoyed
purely free kinds of musics,  though I can appreciate them , intellectually.

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 16:11:39 2009
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Date: Thu, 9 Jul 2009 09:11:37 -0700
Subject: FS: EH, Thereminish Synths, Pedals, etc.
From: legion@helpwantedproductions.com
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"AH" <analogue@hyperreal.org>
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Selling a few more things. The 106, DX7, etc are all gone.

Pictures, full descriptions at:
http://www.helpwantedproductions.com/Salez/FS.htm
-----------------------------------------------------

1. EH Wiggler tube Preamp, Vibrato/Tremelo - $125

2. Alesis AIRFX Theremin style FX/Synth - $125

3. Bass Theremin - Handmade 1 of 1 - $85

4. PAIA Theremax Theremin Kit with New faceplate and Antenna - $75
 Partially assembled.

5.Ibanez TS5/TS9 modified pedal, Circuit Bent Synth and Mod sounds $55

6. Boutique Disturbo DS-1 Filter/Synth-Fuzz/Distortion -   $95

7. Gemini DJ Vintage Sampled Effects unit. 19" unit with samples of weird
sounds to mix into the Disco/Funk. VERY weird and fun. -  $75

8.  Yamaha CS2x  VA digital analog synth  -  $275

9. DAED ChaOsczz Buzz Box -  1 of 1 single Oscillator Buzz box with
multiple waveforms, Tremelo and modulation touch points $85 (Sale Price)

All items located in Phila Pa and cash pickup preferred (will also get you
better deals). Will ship anywhere in the world as well (buyer pays
shipping). Paypal from authenticated accounts (Buyer pays fees) or USPS
MO.

Send phone # to speed things up.  Trades possible for modcan format synth
modules unusual pedals, processors, weird synths, Jrums, controllers, etc.
 Give me a shout and we'll go from there.  I believe prices are fair but
if you believe otherwise feel free to make a reasonable offer.

Any questions drop me a line.

Thanks for reading!

   ------------------------------------------------
      Weird, Scary, and Beautiful Music and Art:
        Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 18:09:04 2009
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Date: Thu, 9 Jul 2009 11:09:03 -0700
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Subject: Re: PrePrepared vs. Improvisational
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On Wed, Jul 8, 2009 at 4:35 AM, Rick Walker<looppool@cruzio.com> wrote:

> So Mark, =A0I'd specifically love to invite you to not only come and perf=
orm
> this year, =A0 so we can see how you've grown as a live looping artist, b=
ut so
> that you can see
> what's grown in the ensuing years....................a lot has, =A0I assu=
re
> you. =A0 We'd be better as a community for your performance, involvement =
and
> support.

Thanks for the invite.  The format of your loop fests do not mesh with
my world view so I'm going to opt out.  I'm good with ya'll on the
internet though.

Cheerio.

M

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 18:46:14 2009
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Subject: Re: PrePrepared vs. Improvisational
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> Personally, =A0I've never enjoyed
> purely free kinds of musics, =A0though I can appreciate them , intellectu=
ally.

Here's the rub for me and maybe some of you as well?  I'm kind of in
agreement with Rick here on 'free' music and yet, EVERYTIME I get
together to play music, either alone or in a group, this is exactly
what I/we end up playing.  I record almost everything and will listen
back to get a feel for what went down, but I almost never listen back
again in a recreational mode.

So I spend my time making music that I don't really want to listen to
and yet is irresistible to me as a player.  I assume (perhaps
erroneously) that this is 'music' that would be very hard for a non
player to listen to and enjoy as well.  And yet, this is the music I
make at any given opportunity.

The potency of fully improvised music that has never happened before
and will never happen again is just too much for me to resist.
Whatever joys there might be in performing a 'known' piece just get
obliterated by the rush to make new sounds NOW.  I find it very
strange as I would like to be able to play a rehearsed composition or
song and I would like to share what music I make with an audience one
day as well, but everything seems to take me in the opposite
direction.

Anyone else experience anything similar?

Kevin

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 19:03:18 2009
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Subject: What to do as an unknown artist (by Trent Reznor)
From: Matt Davignon <mattdavignon@gmail.com>
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Mr. Reznor seems like an odd source of advice for "unknown" musicians,
but I think most of what he says is pretty sound:

http://www.thedailyswarm.com/headlines/trent-manifesto-my-thoughts-what-do-newunknown-artist/

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 20:35:53 2009
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Date: Thu, 9 Jul 2009 13:35:51 -0700
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Subject: Re: PrePrepared vs. Improvisational
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Thu, Jul 9, 2009 at 11:46 AM, Kevin Cheli-Colando<kevin@minds-eye.org> wrote:
>I find it very
> strange as I would like to be able to play a rehearsed composition or
> song and I would like to share what music I make with an audience one
> day as well, but everything seems to take me in the opposite
> direction.
>
> Anyone else experience anything similar?

Me.  Since I started playing, the "performance" or "recording" was
always the goal.  It seemed totally out of sync with what I felt,
which was my most fulfilling experiences came from real time
improvising alone or with a group. The truth is I've rarely had a good
experience in front of an audience. No monitors near you, gear
screwing up, can't see well, etc, all end up making the live
performance more of an exercise in anxiety.  The rehearsed pieces are
a lot less fun to play, but because you're "on rails" it seems a
billion times less stressful to pull off successfully.  Instead of
having to make it and get it right, all you have to do is get it
right. Some people can make it, get it right, and interact with the
audience, but that person sure isn't me.  Maybe if I did it a lot, but
the truth is I just don't even have the desire to.

I'm more happy with my music these days than ever.  I think I'm on to
something too.  I know a lot of people who used to play but then
stopped because they hadn't achieved a degree of "success."  That
comes from some pressure in our culture to "make something of
yourself" or move on.  I think that's the fallacy. I bet a lot more
people would be happy just to do it for their own personal enjoyment
but we have this idea that's not enough.  Silly.  Last weekend Ty and
I jammed to the audience of my cat who lurked outside my studio.  I'm
sure she's have been happier if I let her in, but mostly because she
likes to chew the rubber bits on my keyboard stands.

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 20:39:16 2009
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Date: Thu, 9 Jul 2009 13:39:15 -0700
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Subject: Re: PrePrepared vs. Improvisational
From: Miko Biffle <biffoz@gmail.com>
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Great description Kevin.  In answer: I've almsot ALWAYS felt like I
was going in the opposite direction than my audience=97the more often I
experienced this, the less enthusiatic I've been about sharing it.
Beyond the consuming desire as a player to cover fresh, new, exciting
territory, lies the realization that an improv performance is such a
subjective experience that I'm often not even remotely interested in
what anyone outside of the ensemble really thought, and I'm often
troubled or just plain irritated by the responses, good and bad.

Regarding composition: I love nuance and find repeating set pieces
fascinating due to that. Free-improv, while totally enthralling for me
as a player, seems excruciating for most non-musician listeners.
Excepting the occasional brilliant, serendipitous, miracle of a
performance, I find the genre quite irritating.  I don't search for
great free-improv as much anymore because I have to wade through so
much that I don't enjoy.  I've become so set in my ways that I could
almost listen exclusively to "Pieces Froides", "Nocturnes" and "Danse
de Travers" by Erik Satie and die a happy man. (of course I'd still
play my guitars to raise hell and explore to my dying day as well.)

I fear there's no good reason to put it out there for me any more.  I
know the "if a tree falls in the woods and no one hears it, did it
happen?" argument, but I assure you, *I* was there and knew if I (or
ensemble) was in the zone or not. Maybe I'm just becoming antisocial,
or tired of the endless routine of carting gear etc. but it's really
lost it's charm for me. I'm pretty happy to record and play alone as a
personal expression, but otherwise find the going pretty tough these
days.

I'm not sure I'm agreeing with Mark Sotillaro's "world view" concept,
but find myself similarly repelled by the idea of music events with a
theme of looping, no offense to anyone involved, really! (I feel like
it's a personal problem or even a character flaw of some sort. *-))
--=20
Miko Biffle
Biffoz@Gmail.com
"Running scared from all the usual distractions!"

On 7/9/09, Kevin Cheli-Colando <kevin@minds-eye.org> wrote:
> > Personally,  I've never enjoyed
>  > purely free kinds of musics,  though I can appreciate them , intellect=
ually.
>
>  Here's the rub for me and maybe some of you as well?  I'm kind of in
>  agreement with Rick here on 'free' music and yet, EVERYTIME I get
>  together to play music, either alone or in a group, this is exactly
>  what I/we end up playing.  I record almost everything and will listen
>  back to get a feel for what went down, but I almost never listen back
>  again in a recreational mode.
>
>  So I spend my time making music that I don't really want to listen to
>  and yet is irresistible to me as a player.  I assume (perhaps
>  erroneously) that this is 'music' that would be very hard for a non
>  player to listen to and enjoy as well.  And yet, this is the music I
>  make at any given opportunity.
>
>  The potency of fully improvised music that has never happened before
>  and will never happen again is just too much for me to resist.
>  Whatever joys there might be in performing a 'known' piece just get
>  obliterated by the rush to make new sounds NOW.  I find it very
>  strange as I would like to be able to play a rehearsed composition or
>  song and I would like to share what music I make with an audience one
>  day as well, but everything seems to take me in the opposite
>  direction.
>
>  Anyone else experience anything similar?
>
>  Kevin

From Loopers-Delight-request@loopers-delight.com  Thu Jul  9 22:05:36 2009
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Date: Thu, 9 Jul 2009 22:05:34 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: PrePrepared vs. Improvisational
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Thats the real school Mark,but i share your feelings,i dont know how many g=
igs ive played in my life but there are a lot,you know when i started i was=
 a fuckin snob and would not talk to the audience and would criticise them =
before critising myself,yes i also need glasses to see on stage,had bad mon=
itors just about my whole career as a musician (can somebody please get it =
fuckin right?)ive messed up so many times on stage i could not even tell yo=
u ,i produced a CD and the whole band turned against me because i had a vis=
ion and did not have the comunication skills at the time to get the concept=
 across well enoguh so it was misinterpreted as an egoistical project and l=
ost a band because of it(yet i am playing with better musicans now),sang th=
e wrong lyrics or completly had a blackout and forgot them on stage in fron=
t of an audience,realised that i forgot my mixer at one of the most importa=
nt and best paid gigs in switzerland after driving 4 hrs. away from
 home and had to tell my band with my tail between my legs about it and had=
 to beg my own organiser for help,had technical problems at the Y2k8 in Col=
ogne and Santa Cruz etc, etc etc ...=0Ayes man, ive had my share of all of =
that and if you ask me what ive gained from all of this... is too much to t=
ell you and a lot more than if i had never done it,but in a nut shell it te=
aches you to YES GENTLEMEN  improvise on the spot!=0AYet as freightening as=
 it might seem there is something really addictive about it,but yes i agree=
 it aint for every one,but if it is =0Ago do it now!=0Acheers=0ALuis=0A=0A=
=0A=0A=0A=0A The truth is I've rarely=0A> had a good=0A> experience in fron=
t of an audience. No monitors near you,=0A> gear=0A> screwing up, can't see=
 well, etc, all end up making the=0A> live=0A> performance more of an exerc=
ise in anxiety.=A0 The=0A> rehearsed pieces are=0A> a lot less fun to play,=
 but because you're "on rails" it=0A> seems a=0A> billion times less stress=
ful to pull off=0A> successfully.=A0 Instead of=0A> having to make it and g=
et it right, all you have to do is=0A> get it=0A> right. Some people can ma=
ke it, get it right, and interact=0A> with the=0A> audience, but that perso=
n sure isn't me.=A0 Maybe if I=0A> did it a lot, but=0A> the truth is I jus=
t don't even have the desire to.=0A=0A=0A=0A      

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	 <3fa302e30907091339n3d612cddhc04ba77b52df5493@mail.gmail.com>
Date: Thu, 9 Jul 2009 15:25:40 -0700
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Subject: Re: PrePrepared vs. Improvisational
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Thu, Jul 9, 2009 at 1:39 PM, Miko Biffle<biffoz@gmail.com> wrote:

> I'm not sure I'm agreeing with Mark Sotillaro's "world view" concept,
> but find myself similarly repelled by the idea of music events with a
> theme of looping, no offense to anyone involved, really! (I feel like
> it's a personal problem or even a character flaw of some sort. *-))

I think you echoed my sentiments exactly. Honestly, I think it's the
opposite of a character flaw.  The "Hey look at me and love me" aspect
of performance, now that...

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Date: Thu, 9 Jul 2009 16:54:24 -0700
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Subject: PSP Nitro Delay VST for $9.99
From: Mark Sottilaro <zerocrossing@gmail.com>
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It's too good to resist a deal like this:

http://www.audiomidi.com/PSP-Nitro-P6567C0.aspx

Put that after your Mobius and how could it not be fun?

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 01:08:00 2009
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Date: Thu, 09 Jul 2009 20:07:35 -0400
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
continue the month-long Special Focus on Jeffrey Koepper.  The Featured
CD at Midnight will be "Momentium" on Air Space Records.  For details,
see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jul

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 04:39:44 2009
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Subject: Taking the drum machine on tour (US northeast)
From: Matt Davignon <mattdavignon@gmail.com>
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Hi all,

After all this planning, I'm going to be touring the northeastern
United States this summer, starting next week. Thanks for the folks on
this list who helped with the venue contacts.

As I'm sure I mentioned before, I improvise music with a drum machine,
running it through an array of effects pedals to get very
un-drummachine-like sounds. At various times it can sound like a live
instrumentation, strange little animals, 70s synthesizer space music,
acoustic percussion, modern laptop computer stuff, field recordings,
etc. If you're interested in such things, please swing by and check it
out.

www.ribosomemusic.com

Thursday, July 16th, 6:30 pm, free
Marotta Hour series
OSU Urban Arts Gallery
50 W. Town Street, Suite 130
Columbus, OH
Matt Davignon (drum machine) & Larry Marotta (guitar): solos and duo

Friday, July 17th, 7:30 pm
International Children's Art Gallery (ICAG)
5020 Penn Ave,
Pittsburgh, PA
Solos & groups:
Matt Davignon (drum machine), Michael Klobuchar (guitar) , Steve
Sciuilli  (bowls/electronics), Maurice Rickard (various instruments)

Saturday, July 18th, 6:00 PM, $6
Exotic Hypnotic Festival at ArtScape 2009
21 W Royal Ave, 5th Floor
Baltimore, MD
http://exotichypnotic.org/
(I'm on at 6, festival runs all day, all weekend)

Wednesday, July 22nd 7:00 pm,  $5
The Rotunda
4014 Walnut Street
Philadelphia, PA 19104
http://www.therotunda.org
Sets by Wobbly, Bevin Blechtum, Matt Davignon, and Mincemeat or Tenspeed

Thursday, July 23rd 8:00 pm  $6-10 sliding scale
(house concert)
949 Allen Lane
Woodmere, NY
Matt Davignon (drum machine)
Boptronica (Harry Weinberg - saxes, electronics and Chris Peters -
theremin, electronics)

Friday, July 24th 8:00 PM  $5-10
Outpost186
2186 1/2 Hampshire street,
Cambridge, MA
http://zeitgeist-outpost.org
The Vortex Other Dimension Ensemble: Todd Brunel (bass clarinet),
Junko Simons (cello), Matt Davignon (drum machine)

Saturday, July 25th 8:00 PM  $5-10
Albany Sonic Arts Collective at Upstate Artists Guild
247 Lark St
Albany, NY
http://www.albanysonicarts.blogspot.com/
Matt Davignon (drum machine)
Matt Weston (drums) and others
Synapse Brothers (experimental jazz duo: Bob Gluck - keys, John Myers
- guitars/MIDI)

Sunday, July 26th 8:00pm, $5
ABC No Rio (COMA music series)
156 Rivington St
New York, NY
http://www.abcnorio.org/
1. Matt Davignon: drum machine
2. Shiro Onuma (Tokyo) drum & Blaise Siwula (Brooklyn) sax
3. An Open Session


Matt Davignon
www.ribosomemusic.com
rigs! http://www.youtube.com/user/RibosomeMatt

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Subject: GigSpam: Chinapainting unites for July LIVE
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Seeing Matt's announcement for his coming east reminded me that I don't
believe we posted about 3 Chinapainting shows that are taking place in the
next few days.  Daryl as you know has been on a national tour and listed
these dates in his initial schedule but I wanted to pass them along now that
we are on the cusp.
We are going to be in Cleveland (OH) this weekend for two shows at *Ingenuity
Fest*.

Saturday July 11th, Halle Alley, 6pm
Sunday July 12th, E Cafe, 2pm

Info at http://www.ingenuitycleveland.com

We applied for this festival back in late 08 when we first learned of it and
very pleased that we have been invited.  If you are in and around Cleveland
please do come out.  The festival opens this afternoon and on into the
evening I believe.

Our 3rd show is in NYC at the same locale as Matt's, *ABC NoRio*.  We will
be there the Sunday before as part of the COMA series.

Sunday July 19th, ABC NoRio, 8pm.  Located on Lower East Side at 156
Rivington.  Info at
http://www.abcnorio.org.

We have a possible 4th in Philadelphia on the 24th but it's not yet firm.
 I'll update when that time gets closer.

Welcome to Matt here in the east, glad you are coming out and again if you
are near Cleveland this weekend come to Ingenuity and equally for those in
NYC area, remember Chinapainting on the 19th of July and Matt on the 26th.

Regards


jim
www.chinapaintingmusic.com

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Seeing Matt&#39;s announcement for his coming east reminded me that I don&#=
39;t believe we posted about 3 Chinapainting shows that are taking place in=
 the next few days. =A0Daryl as you know has been on a national tour and li=
sted these dates in his initial schedule but I wanted to pass them along no=
w that we are on the cusp.<div>

<br></div><div>We are going to be in Cleveland (OH) this weekend for two sh=
ows at <i>Ingenuity Fest</i>.</div><div><br></div><div>Saturday July 11th, =
Halle Alley, 6pm</div><div>Sunday July 12th, E Cafe, 2pm</div><div><br>
</div><div>
Info at <a href=3D"http://www.ingenuitycleveland.com" target=3D"_blank">htt=
p://www.ingenuitycleveland.com</a></div><div><br></div><div>We applied for =
this festival back in late 08 when we first learned of it and very pleased =
that we have been invited. =A0If you are in and around Cleveland please do =
come out. =A0The festival opens this afternoon and on into the evening I be=
lieve.</div>

<div><br></div><div>Our 3rd show is in NYC at the same locale as Matt&#39;s=
, <i>ABC NoRio</i>. =A0We will be there the Sunday before=A0as=A0part=A0of=
=A0the=A0COMA=A0series.</div><div><br></div><div>Sunday=A0July=A019th,=A0AB=
C=A0NoRio,=A08pm.=A0=A0Located=A0on=A0Lower=A0East=A0Side=A0at=A0156=A0Rivi=
ngton.=A0=A0Info=A0at=A0<a href=3D"http://www.abcnorio.org">http://www.abcn=
orio.org</a>.</div>
<div><br></div><div>We have a possible 4th in Philadelphia on the 24th but =
it&#39;s not yet firm. =A0I&#39;ll update when that time gets closer.</div>=
<div><br></div><div>Welcome to Matt here in the east, glad you are coming o=
ut and again if you are near Cleveland this weekend come to Ingenuity and e=
qually for those in NYC area, remember Chinapainting on the 19th of July an=
d Matt on the 26th.</div>
<div><br></div><div>Regards</div><div><br></div><div><br></div><div>jim</di=
v><div><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic=
.com</a></div><div><br></div><div><br></div>

--00504502d7e83d62f6046e5348b2--

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Subject: new live videos (Improvizone/Darkroom)
From: Os <os@collective.co.uk>
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More Improvizone stuff:
http://vimeo.com/album/108940

This was an interesting gig for several reasons:
* our bassist pulled out at the last minute, leaving us as essentially
the Darkroom trio
* Andy was playing acoustic drums (he usually plays an electronic kit)
* I took my Juno 6 keyboard

My now traditional once-per-gig EWI wig-out is in part 3.

Enjoy!


cheers,
os.

-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 07:42:27 2009
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References: <KMIOEQ$C0503AFC472C91663A964A4AB1C0A750@scarlet.be>
Subject: RE: PrePrepared vs. Improvisational Live Looping Performances
Date: Fri, 10 Jul 2009 09:42:21 +0200
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> the Antwerp loopfest was not meant to be the World Championship of Live
Looping imo ;) 

not ?? hmm. :)

-Michael

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 08:02:34 2009
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Subject: RE: What to do as an unknown artist (by Trent Reznor)
Date: Fri, 10 Jul 2009 10:02:30 +0200
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very good !! 

> Mr. Reznor seems like an odd source of advice for "unknown" musicians, but
I think most of what he says is pretty sound:
>
http://www.thedailyswarm.com/headlines/trent-manifesto-my-thoughts-what-do-n
ewunknown-artist/

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 10:00:15 2009
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Date: Fri, 10 Jul 2009 10:54:09 +0100
Message-ID: <d302e3570907100254g2837d6eake86728a26734a703@mail.gmail.com>
Subject: Re: PSP Nitro Delay VST for $9.99
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f44fb42e310a046e56f484
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thanks for the heads up - just bought it!

On Fri, Jul 10, 2009 at 12:54 AM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> It's too good to resist a deal like this:
>
> http://www.audiomidi.com/PSP-Nitro-P6567C0.aspx
>
> Put that after your Mobius and how could it not be fun?
>
>

--001485f44fb42e310a046e56f484
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thanks for the heads up - just bought it!<br><br><div class="gmail_quote">On Fri, Jul 10, 2009 at 12:54 AM, Mark Sottilaro <span dir="ltr">&lt;<a href="mailto:zerocrossing@gmail.com">zerocrossing@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">It&#39;s too good to resist a deal like this:<br>
<br>
<a href="http://www.audiomidi.com/PSP-Nitro-P6567C0.aspx" target="_blank">http://www.audiomidi.com/PSP-Nitro-P6567C0.aspx</a><br>
<br>
Put that after your Mobius and how could it not be fun?<br>
<br>
</blockquote></div><br>

--001485f44fb42e310a046e56f484--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 10:13:40 2009
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	 <d302e3570907100254g2837d6eake86728a26734a703@mail.gmail.com>
Date: Fri, 10 Jul 2009 12:13:40 +0200
Message-ID: <66f9cc1e0907100313w604f51eejb6a65a0059d66c25@mail.gmail.com>
Subject: Re: PSP Nitro Delay VST for $9.99
From: Per Boysen <perboysen@gmail.com>
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You're gonna love it, guys! :-)

Some, but not all, patches delays the signal a bit so when using those
you better slap the Nitro over a send/return bus and keep the main
signal clean with no latency. This is only relevant for real-time
playing, not for mixing in a DAW that can compensate by look-ahead
technique.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Fri, Jul 10, 2009 at 11:54 AM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> thanks for the heads up - just bought it!
>
> On Fri, Jul 10, 2009 at 12:54 AM, Mark Sottilaro <zerocrossing@gmail.com>
> wrote:
>>
>> It's too good to resist a deal like this:
>>
>> http://www.audiomidi.com/PSP-Nitro-P6567C0.aspx
>>
>> Put that after your Mobius and how could it not be fun?
>>
>
>

From jk@utzon.arch.usyd.edu.au  Fri Jul 10 10:52:11 2009
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Subject:  You have received a postcard !
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Date: Fri, 10 Jul 2009 19:31:19 +1000 (EST)


</div>
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Please take this opportunity to let your friends hear about us by sending them a postcard from our collection !<br>
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</div>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 11:58:54 2009
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I'll be looping at Spratton Folk Festival Northants UK - I will most  
likely get bottled!!!!

HEATHEN!!!!!!!

See www.sprattonfestival.com


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com



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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I'll be looping at Spratton Folk Festival Northants UK - I will most =
likely get =
bottled!!!!&nbsp;<div><br></div><div>HEATHEN!!!!!!!</div><div><br></div><d=
iv>See <a =
href=3D"http://www.sprattonfestival.com">www.sprattonfestival.com</a></div=
><div><br></div><div><br><div><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span></span></div><br></div></div></body=
></html>=

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Subject: Review of Numerology with good n00b intro value
From: Per Boysen <perboysen@gmail.com>
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This review may explain what's so special with the Mac application Numerology:

http://www.maclife.com/article/reviews/five12_numerology_20

I thought some on this list might be interested, since Numerology
offers in sequencing the same real-time experience that we look for
when turning to looping devices.

The original aim for Numerology was to offer real-time music creation
and control by designing and controlling sequencer modules driving
midi sound modules - but you might as well "abuse" Numerology to
mangle MIDI control data for a hosted software looper and that's quite
exciting IMHO. You can certainly set up control sequences in Ableton
live and Bidule (using its step sequencer) but what you can only do in
Numerology is to endlessly live tweak these control sequences. Related
to "doing substitute stuff on the edp" but with some bells and
whistles.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From jk@utzon.arch.usyd.edu.au  Fri Jul 10 13:53:59 2009
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 14:52:36 2009
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Subject: Galactic Travels Playlist #640 for July 9, 2009.
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http://wdiy.org/programs/gt/playlists/2009/090709.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #640                July 9, 2009.

RECAP:
On this show, I continued the month-long focus on the Jeffrey Koepper.
The Featured CD at Midnight was Momentium on Air Space Records.

Jeffrey Koepper:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jul


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Robert Carty         Praesepe             Starlight Volume2 (Deep Sky)
Dan Pound            Crack Between the    Night Watch (Poundsounds)
                       Worlds
Dan Pound            Primal Erotic        Night Watch (Poundsounds)
Dan Pound            Night Magic          Night Watch (Poundsounds)
Dan Pound            By the Stream at     Night Watch (Poundsounds)
                       Twilight
Lemonchill           Mantra               Senyant (Ricochet Dream)
Paul Ellis           The Last Hiding      The Last Hiding Place of
                       Place of Beauty      Beauty (Groove)
Jeffrey Koepper      Byzantine Machine    Momentium (Air Space)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Jeffrey Koepper      Outside              Momentium (Air Space)
Jeffrey Koepper      Godspeed             Momentium (Air Space)
Jeffrey Koepper      Sense of Time        Momentium (Air Space)
Jeffrey Koepper      Eternal Sea          Momentium (Air Space)
Jeffrey Koepper      2600 A.D.            Momentium (Air Space)
Jeffrey Koepper      Sequential           Momentium (Air Space)
                       Meditation
Jeffrey Koepper      Awakening            Momentium (Air Space)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Jeffrey Koepper.  The Featured CD at Midnight will be Sequentaria on Air
Space Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 15:31:04 2009
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Rainer, I always love reading your detailed analyses, tho it takes me 3
sittings. You break things down with an analytical persistence that is
refreshing. I'm way too scattered to write (or maybe even think) this way,
but I do appreciate your efforts.

Warren

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Rainer, I always love reading your detailed analyses, tho it takes me 3 sit=
tings. You break things down with an analytical persistence that is refresh=
ing. I&#39;m way too scattered to write (or maybe even think) this way, but=
 I do appreciate your efforts.<br>
<br>Warren<br><br>

--0016361e892ac8542c046e5b8e1c--

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--0016362837524ecdf3046e5bf883
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I might start promoting myself as "Performer/Composer", hoping to emulate
the fantastic success of the "Singer/Songwriter" label.

On Wed, Jul 8, 2009 at 6:38 PM, Ricky Graham <rock.guitar.guru@binternet.com
> wrote:

> A common misconception that is still prevalent in music education. It is
> something that I feel should be flagged as a problem in academia. This
> segregation of composer and performer and how deeply frustrating it can be
> to hear a 'traditional' musician speak of the performer as merely a medium
> for a composer (a seperate, unrelated entity to their mind) to have their
> work realised. It's bullshit. Something or someone miscontrued this
> somewhere along the way, and the ignornant followed suit.
> ...
>
> Ricky
>
> Warren

--0016362837524ecdf3046e5bf883
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I might start promoting myself as &quot;Performer/Composer&quot;, hoping to=
 emulate the fantastic success of the &quot;Singer/Songwriter&quot; label.<=
br><br><div class=3D"gmail_quote">On Wed, Jul 8, 2009 at 6:38 PM, Ricky Gra=
ham <span dir=3D"ltr">&lt;<a href=3D"mailto:rock.guitar.guru@binternet.com"=
>rock.guitar.guru@binternet.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">A common misconce=
ption that is still prevalent in music education. It is something that I fe=
el should be flagged as a problem in academia. This segregation of composer=
 and performer and how deeply frustrating it can be to hear a &#39;traditio=
nal&#39; musician speak of the performer as merely a medium for a composer =
(a seperate, unrelated entity to their mind) to have their work realised. I=
t&#39;s bullshit. Something or someone miscontrued this somewhere along the=
 way, and the ignornant followed suit.<br>

...<br>
<br>
Ricky<br>
<br>
</blockquote></div>Warren<br>

--0016362837524ecdf3046e5bf883--

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Subject: Re: PrePrepared vs. Improvisational Live Looping Performances
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On Fri, Jul 10, 2009 at 5:53 PM, Warren Sirota<wsirota@wsdesigns.com> wrote:
> I might start promoting myself as "Performer/Composer", hoping to emulate
> the fantastic success of the "Singer/Songwriter" label

How about "Slinger/Slangwriter"? (or is that too "Swenglish"?)

p ;-)
Sweden

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for a guitar player, not too bad :-)

On Fri, Jul 10, 2009 at 11:56 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Jul 10, 2009 at 5:53 PM, Warren Sirota<wsirota@wsdesigns.com>
> wrote:
> > I might start promoting myself as "Performer/Composer", hoping to emulate
> > the fantastic success of the "Singer/Songwriter" label
>
> How about "Slinger/Slangwriter"? (or is that too "Swenglish"?)
>
> p ;-)
> Sweden
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

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for a guitar player, not too bad :-)<br><br><div class=3D"gmail_quote">On F=
ri, Jul 10, 2009 at 11:56 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><bl=
ockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204=
, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">On Fri, Jul 10, 2009 at 5:53 PM, Warren Sirota&lt;<a href=
=3D"mailto:wsirota@wsdesigns.com">wsirota@wsdesigns.com</a>&gt; wrote:<br>
&gt; I might start promoting myself as &quot;Performer/Composer&quot;, hopi=
ng to emulate<br>
&gt; the fantastic success of the &quot;Singer/Songwriter&quot; label<br>
<br>
</div>How about &quot;Slinger/Slangwriter&quot;? (or is that too &quot;Swen=
glish&quot;?)<br>
<br>
p ;-)<br>
Sweden<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Arti=
st.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.com">http=
://www.warrensirota.com</a><br>


--00163628382801f37c046e5c12a4--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 16:01:02 2009
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From: Ricky Graham <rock.guitar.guru@btinternet.com>
Subject: RE: PrePrepared vs. Improvisational Live Looping Performances
Date: Fri, 10 Jul 2009 17:00:29 +0100
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Let us know how that works out for you. :)

Ricky

-----Original Message-----
From: Warren Sirota <wsirota@wsdesigns.com>
Sent: 10 July 2009 16:53
To: Loopers-Delight@loopers-delight.com
Subject: Re: PrePrepared vs. Improvisational Live Looping Performances

I might start promoting myself as "Performer/Composer", hoping to emulate t=
he fantastic success of the "Singer/Songwriter" label.

On Wed, Jul 8, 2009 at 6:38 PM, Ricky Graham <rock.guitar.guru@binternet.co=
m> wrote:
A common misconception that is still prevalent in music education. It is so=
mething that I feel should be flagged as a problem in academia. This segreg=
ation of composer and performer and how deeply frustrating it can be to hea=
r a 'traditional' musician speak of the performer as merely a medium for a =
composer (a seperate, unrelated entity to their mind) to have their work re=
alised. It's bullshit. Something or someone miscontrued this somewhere alon=
g the way, and the ignornant followed suit.
 ...

 Ricky

Warren

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<HTML><head></head><body><span style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial=
; FONT-WEIGHT:Normal;">Let us know how that works out for you. :)<br><br>Ri=
cky</span><br><br><hr><span style=3D"font-size:10pt;font-family:Tahoma; fon=
t-weight:bold">From: </span><span style=3D"font-size:10pt;font-family:Tahom=
a; font-weight:normal;">Warren Sirota &lt;wsirota@wsdesigns.com&gt;</span><=
br><span style=3D"font-size:10pt;font-family:Tahoma; font-weight:bold">Sent=
: </span><span style=3D"font-size:10pt;font-family:Tahoma; font-weight:norm=
al;">10 July 2009 16:53</span><br><span style=3D"font-size:10pt;font-family=
:Tahoma; font-weight:bold">To: </span><span style=3D"font-size:10pt;font-fa=
mily:Tahoma; font-weight:normal;">Loopers-Delight@loopers-delight.com</span=
><br><span style=3D"font-size:10pt;font-family:Tahoma; font-weight:bold">Su=
bject: </span><span style=3D"font-size:10pt;font-family:Tahoma; font-weight=
:normal;">Re: PrePrepared vs. Improvisational Live Looping Performances</sp=
an><br><br>I might start promoting myself as "Performer/Composer", hoping t=
o emulate the fantastic success of the "Singer/Songwriter" label.<br><br><d=
iv class=3D"gmail_quote">On Wed, Jul 8, 2009 at 6:38 PM, Ricky Graham <span=
 dir=3D"ltr">&lt;<a href=3D"mailto:rock.guitar.guru@binternet.com">rock.gui=
tar.guru@binternet.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt =
0pt 0.8ex; padding-left: 1ex;">A common misconception that is still prevale=
nt in music education. It is something that I feel should be flagged as a p=
roblem in academia. This segregation of composer and performer and how deep=
ly frustrating it can be to hear a 'traditional' musician speak of the perf=
ormer as merely a medium for a composer (a seperate, unrelated entity to th=
eir mind) to have their work realised. It's bullshit. Something or someone =
miscontrued this somewhere along the way, and the ignornant followed suit.<=
br> ...<br><br> Ricky<br><br></blockquote></div>Warren<br></body></HTML>=

--_AC23AB9F-7E48-C1B8-B1A4-08FE2F5A0B5E_--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 16:06:58 2009
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Date: Fri, 10 Jul 2009 09:06:57 -0700
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Subject: Re: PrePrepared vs. Improvisational
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As for myself, I have no problem with the idea of such events at all
(looping festivals, electronic music, and so on).  And as for the look
at me and love me aspect of live performing, well, anyone needing that
and thinking the audience at a loop fest will be able to satisfy it
might have other issues to be addressed :-)

Personally I'm intrigued by the idea of playing live for an audience
of strangers not because I seek any sort of adulation but because I
wonder what the energy and attention of other people can bring to a
performance.  Where I get hung up is the all too real ability of other
people to negatively impact my playing (I don't play well under
critical scrutiny).  But I do wonder what a little extra supportive
attention might bring out in the music.

So from the perspective of someone who doesn't in any way "need" to
play live (for fame or fortune), I wonder if its worth trying to
overcome all the baggage and hassle that comes with playing publicly.

Kevin

On Thu, Jul 9, 2009 at 3:25 PM, Mark Sottilaro<zerocrossing@gmail.com> wrot=
e:
> On Thu, Jul 9, 2009 at 1:39 PM, Miko Biffle<biffoz@gmail.com> wrote:
>
>> I'm not sure I'm agreeing with Mark Sotillaro's "world view" concept,
>> but find myself similarly repelled by the idea of music events with a
>> theme of looping, no offense to anyone involved, really! (I feel like
>> it's a personal problem or even a character flaw of some sort. *-))
>
> I think you echoed my sentiments exactly. Honestly, I think it's the
> opposite of a character flaw. =A0The "Hey look at me and love me" aspect
> of performance, now that...
>

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 16:07:57 2009
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Hey all --

Just got done coding some new features for FlyLoops, including VST 
support (virtual instruments as well as VST effects for the turntables).

I haven't had much time to test it on mac and was hoping a few people 
here might feel up to the challenge.  Free download, below.

Independent bpm/freq shifting with beat splicing algorithms, and 
external midi clock syncing are also in there now, if anyone wants to 
hammer on those (I remember people requesting those features alot from 
this list).

www.flyloops.com/FL3mac.zip

also, for the Windows folks .....

www.flyloops.com/FL3.zip

As always, send feedback or features requests on this list or back to me 
personally as appropriate.

Thanks,
Aaron

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Date: Fri, 10 Jul 2009 10:57:11 -0700
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Subject: Re: PrePrepared vs. Improvisational
From: Miko Biffle <biffoz@gmail.com>
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On 7/10/09, Kevin Cheli-Colando <billowhead@gmail.com> wrote:
> As for myself, I have no problem with the idea of such events at all
>  (looping festivals, electronic music, and so on).  And as for the look
>  at me and love me aspect of live performing, well, anyone needing that
>  and thinking the audience at a loop fest will be able to satisfy it
>  might have other issues to be addressed :-)

Hi Kevin,

I'm ambivalent about ALL performing. 8-)  No need to seek adulation or
acceptance.  After plenty of both, I've found myself strangely vacant
when standing before an audience, not sure how or why.  It's like lost
innocence or something.  Maybe it's my older age?  I'm still wildly
into what I actually play (when doing it well) and really moved by my
favorite pieces by others=97I just don't understand the
performer-audient relationship anymore.  Having trouble with the
general notion of why I would perform, leads me to more trouble with
the specific notion of further filtering my constraints as
looping-specific.  This is less about music for me and more about
interpersonal psychology.  Troubling after a lifetime of playing music
in many forms.

The one area I really still love (when I get the rare chance to do it)
is theater / pit-band sort of stuff. That still holds a LOT of juice
for me.  I love the magic of providing exactly the right mood and
ambiance to a scene and seeing the actors do their thing.  I find it
amazing.  It's also a blast to see the reactions of my pit-mates to my
efforts.  I am also challenged to read the themes and melodies as well
as do it on a deadline: early readings and rough rehearsals=97tech
rehearsal=97dress rehearsal=97opening night!  It holds great magic for me
and I wish I had pursued it on a much more serious level.
Dichotomy=97conundrum=97bi-polar?  Hard to say!  8-)

>  Personally I'm intrigued by the idea of playing live for an audience
>  of strangers not because I seek any sort of adulation but because I
>  wonder what the energy and attention of other people can bring to a
>  performance.  Where I get hung up is the all too real ability of other
>  people to negatively impact my playing (I don't play well under
>  critical scrutiny).  But I do wonder what a little extra supportive
>  attention might bring out in the music.

I agree that audience energy can affect the outcome of any given
performance. While that was a very important factor in ensembles I've
played with in the past, it's dropped to the bottom of my list of
performance needs at this piont in my life.  It's less about "love me"
and much more about asking myself exactly WHAT *I* expect from the
presence of an audience=97the exploration of this question has led me to
the vacant feeling that there is NO GOOD REASON for me to interact
with an audience. It's been a weird realization, and very personal,
after some long, hard introspection.  I'm not even sure if there's a
good reason for me to put recordings out there, but I still do.  I DO
like the idea of sharing my better moments, but somehow don't feel the
transaction (resources vs. interaction) is equitable for me at the
moment.

I've discussed this at length with Rick Walker and his open
invitations to play are heart-warming and comforting, in that I've at
least left a lasting impression with him.  In my long, meandering
friendship with Rick, I have always valued his continuing support and
hope to still contribute ideas and inspiration from my position on the
sidelines.

>  So from the perspective of someone who doesn't in any way "need" to
>  play live (for fame or fortune), I wonder if its worth trying to
>  overcome all the baggage and hassle that comes with playing publicly.

I'm sure the answer is different and personal for each=97it's an
important question to ask.  I was very surprised how I felt after long
introspection.  -m
--=20
Miko Biffle
Biffoz@Gmail.com
"Running scared from all the usual distractions!"

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 18:44:40 2009
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Subject: ambivalent feelings about playing live (was: PrePrepared vs. 
	Improvisational)
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Hi,

I found the posts from Kevin and Miko deeply touching, since it calls
back memories from a period where I just found the idea of performing
music in front of people bizarre and absurd. This happened to me in
the early nineties and I had by then been playing regularly with
gigging bands since the early seventies. Had also done some full time
playing for periods as hired gun for tours and recordings - even
played on a gold selling album once. But now all that just seemed so
far away and... stupid. My feelings really surprised me, but I just
couldn't come up with one good point in playing live. It seemed such a
ridiculous situation; "shall I stand here and make music on this
instrument while people sit there doing nothing, except staring at....
me...?" it just felt weird.

I played a lot at home during that time and amazed myself by reverting
from most kinds of rhythm, playing only drone music. But doing
gigs...? Not for me. ONe exception was a uk festival were
soviet-france invited me but the police closed down the venue before
my ticket money came and nothing happened with that.

Then by accident I got together with a drummer friend to save a 24
track album recording from London with a Gambian singer. After that
project I became friends with a lot of african players and joinied a
band that mashed Irish folk stuff with west african beats and a little
kletzmer thrown into the pot. Suddenly I wanted to play live again and
I just couldn't understand how in the world I could have felt so
alienated with the live situation just three years earlier in time.
And then I got together with two other guys and launched an
electro-dance-punk unit that got signed to to record labels and
received a lot of investments in the music industry. But the
overwhelming biz activities sort of killed creativity and I had to
quit to stay sane and save my musical ambitions.

It's amazing how your life changes with the world all the time. You
never know what comes around the next corner. Today I really love to
play live! Not for any other reason than the love for the particular
music I make. The thought of creating cool music away from an audience
now feels absurd; every note I play, even when rehearsing, is done in
a sort of "audience mirror mode" as if it was all happening on stage.
And funnily a lot of the stuff I make these days is rhythmic. Could it
be that it was the lack of rhythm that poisoned my muso back in the
nineties? I have a feeling that maybe rhythm is more important in
music than tonality. Drums with no tone work perfectly ok but if a
tonal instrument is out of rhythm it just sucks.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 18:47:35 2009
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at my last looping gig, the gig was fun, but the real magic happened while i
was packing up at the end of the night, when Tom Ritchford joined his friend
Victor, who had pulled out a guitar, extemporaneously improvising melodies
and lyrics to the message of the moment, which was "get the f*k out of
here". there were maybe 8 people in the room - the gallery owners and a
handful of musicians. a couple of people played other impromptu songs. that
was a real throwback to the days when we'd grab a bunch of acoustic
instruments and jam under the bridge at 2am, just to do it.

there's different magic in a lot of things. every time i
disassemble/reassemble my rig to go play, and then drive back and let it sit
around for a week before putting it together again, i wonder whether it's
worth it to move it. the answer is that for me, it is often enough.

my goals in performing publicly are different than performing to record at
home. when i record (or, more accurately, "produce" - go through the cycle
that many of you know: record an improv, edit, trim, listen, maybe process a
little, release), my only goal is to make something that i would still
occasionally choose to put on if i ever were to escape being narcissistic. i
don't even really care if i can reproduce it live. my motives are totally
different when i play publicly - it's to expose people to what i'm doing. is
it to get attention? no, it's far more altruistic than that - it's for their
own good!

ok, the over-the-topness of that statement aside, i think i'm really an
"experimental" musician/performance artist in the literal sense of the word
- most of my pieces begin with the question, "can i make something musical
with that technique or setup?", and most of my looping gigs are - at this
point - sociological experiments in public acceptance of strange but
familiar forms, and artistic experiments for me in whether i can read the
space well enough to do something effective (including spontaneously
defining what effective means). I'm playing at the local Farmer's Market on
Sunday - I can pretty much guarantee that we will transform the feel of that
experience. The art is the transformation of the experience, not any notes
that come out. Why do i care about these experiments? honestly, it builds my
self-confidence in a very satisfying way.

i have played completely and partially-scored looping pieces with some
considerable success, but also experience that (a) the completely scored
pieces are hard to pull off when technical issues arise, especially if they
are instrumentally or mentally challenging and (b) the partially-scored
pieces are usually an idea that was good once, but often fails to take off
when repeated, as others have noted. I view this as an indication that i
have a lot further to go as an improviser, tho, not as an indication that
planning is bad.

warren

--001636283752d667ef046e5e67ee
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at my last looping gig, the gig was fun, but the real magic happened while =
i was packing up at the end of the night, when Tom Ritchford joined his fri=
end Victor, who had pulled out a guitar, extemporaneously improvising melod=
ies and lyrics to the message of the moment, which was &quot;get the f*k ou=
t of here&quot;. there were maybe 8 people in the room - the gallery owners=
 and a handful of musicians. a couple of people played other impromptu song=
s. that was a real throwback to the days when we&#39;d grab a bunch of acou=
stic instruments and jam under the bridge at 2am, just to do it.<br>
<br>there&#39;s different magic in a lot of things. every time i disassembl=
e/reassemble my rig to go play, and then drive back and let it sit around f=
or a week before putting it together again, i wonder whether it&#39;s worth=
 it to move it. the answer is that for me, it is often enough. <br>
<br>my goals in performing publicly are different than performing to record=
 at home. when i record (or, more accurately, &quot;produce&quot; - go thro=
ugh the cycle that many of you know: record an improv, edit, trim, listen, =
maybe process a little, release), my only goal is to make something that i =
would still occasionally choose to put on if i ever were to escape being na=
rcissistic. i don&#39;t even really care if i can reproduce it live. my mot=
ives are totally different when i play publicly - it&#39;s to expose people=
 to what i&#39;m doing. is it to get attention? no, it&#39;s far more altru=
istic than that - it&#39;s for their own good! <br>
<br>ok, the over-the-topness of that statement aside, i think i&#39;m reall=
y an &quot;experimental&quot; musician/performance artist in the literal se=
nse of the word - most of my pieces begin with the question, &quot;can i ma=
ke something musical with that technique or setup?&quot;, and most of my lo=
oping gigs are - at this point - sociological experiments in public accepta=
nce of strange but familiar forms, and artistic experiments for me in wheth=
er i can read the space well enough to do something effective (including sp=
ontaneously defining what effective means). I&#39;m playing at the local Fa=
rmer&#39;s Market on Sunday - I can pretty much guarantee that we will tran=
sform the feel of that experience. The art is the transformation of the exp=
erience, not any notes that come out. Why do i care about these experiments=
? honestly, it builds my self-confidence in a very satisfying way.<br>
<br>i have played completely and partially-scored looping pieces with some =
considerable success, but also experience that (a) the completely scored pi=
eces are hard to pull off when technical issues arise, especially if they a=
re instrumentally or mentally challenging and (b) the partially-scored piec=
es are usually an idea that was good once, but often fails to take off when=
 repeated, as others have noted. I view this as an indication that i have a=
 lot further to go as an improviser, tho, not as an indication that plannin=
g is bad.<br>
<br>warren<br>

--001636283752d667ef046e5e67ee--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 19:08:04 2009
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Date: Fri, 10 Jul 2009 12:08:03 -0700
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Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs. 
	Improvisational)
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That's why I NEVER shut the door on future possibilities Per!  I
haven't written anything off=97I'm just going with my honest feellings.
Life, feelings, possessions=97all things must pass.  Thanks for your
story.  Maybe there's hope for me yet?  -m

On 7/10/09, Per Boysen <perboysen@gmail.com> wrote:
>
>  I found the posts from Kevin and Miko deeply touching, since it calls
>  back memories from a period where I just found the idea of performing
>  music in front of people bizarre and absurd. This happened to me in
>  the early nineties and I had by then been playing regularly with
>  gigging bands since the early seventies <snip>.
>
>  It's amazing how your life changes with the world all the time. You
>  never know what comes around the next corner. <snip>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 19:20:03 2009
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	 <3fa302e30907101208j46629c6dg13225a95997ea27d@mail.gmail.com>
Date: Fri, 10 Jul 2009 15:20:02 -0400
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Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs. 
	Improvisational)
From: Tony K <bigtonyk@gmail.com>
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I picked up an interesting book related to all this.  It's called The
Inner Game of Music.  I'm not too far into it, but it's got some
interesting ideas about dealing with performing and practice and how
there are 2 "Selfs" in people's personalities that deal with how we
relate to music.  One self (Self 1)is the creative free spirit, and
the other is the distracted critical one that keeps us from our
potential.

Anybody else read it?

On Fri, Jul 10, 2009 at 3:08 PM, Miko Biffle<biffoz@gmail.com> wrote:
> That's why I NEVER shut the door on future possibilities Per! =A0I
> haven't written anything off=97I'm just going with my honest feellings.
> Life, feelings, possessions=97all things must pass. =A0Thanks for your
> story. =A0Maybe there's hope for me yet? =A0-m
>
> On 7/10/09, Per Boysen <perboysen@gmail.com> wrote:
>>
>> =A0I found the posts from Kevin and Miko deeply touching, since it calls
>> =A0back memories from a period where I just found the idea of performing
>> =A0music in front of people bizarre and absurd. This happened to me in
>> =A0the early nineties and I had by then been playing regularly with
>> =A0gigging bands since the early seventies <snip>.
>>
>> =A0It's amazing how your life changes with the world all the time. You
>> =A0never know what comes around the next corner. <snip>
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 19:27:15 2009
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Date: Fri, 10 Jul 2009 14:04:57 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs. 
	Improvisational)
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I haven't read it, but it's on my list now.. :)

for me, the reason to play music is because I enjoy it.. as that is =20
the essence of what everyone has said, I totally support them in =20
whatever way they choose to find their enjoyment.. if I can find an =20
audience that is into what I am into it's the perfect situation..

Tony, I totally get what you shared about the multiple selves.. and =20
personally, I think there are far more voices in our heads than just =20
2.. lol.. and, freedom comes when you can tell the ones who don't =20
belong in a particular situation to shut up.. :) my internal critic is =20
far more welcome when I am recording in a studio situation, but they =20
just get in the way when playing live.. I trust my creative voice, and =20
I let it be my guide.. :)

peace
-cpr

Quoting Tony K <bigtonyk@gmail.com>:

> I picked up an interesting book related to all this.  It's called The
> Inner Game of Music.  I'm not too far into it, but it's got some
> interesting ideas about dealing with performing and practice and how
> there are 2 "Selfs" in people's personalities that deal with how we
> relate to music.  One self (Self 1)is the creative free spirit, and
> the other is the distracted critical one that keeps us from our
> potential.
>
> Anybody else read it?
>
> On Fri, Jul 10, 2009 at 3:08 PM, Miko Biffle<biffoz@gmail.com> wrote:
>> That's why I NEVER shut the door on future possibilities Per! =C2=A0I
>> haven't written anything off=E2=80=94I'm just going with my honest feelli=
ngs.
>> Life, feelings, possessions=E2=80=94all things must pass. =C2=A0Thanks fo=
r your
>> story. =C2=A0Maybe there's hope for me yet? =C2=A0-m
>>
>> On 7/10/09, Per Boysen <perboysen@gmail.com> wrote:
>>>
>>> =C2=A0I found the posts from Kevin and Miko deeply touching, since it ca=
lls
>>> =C2=A0back memories from a period where I just found the idea of perform=
ing
>>> =C2=A0music in front of people bizarre and absurd. This happened to me i=
n
>>> =C2=A0the early nineties and I had by then been playing regularly with
>>> =C2=A0gigging bands since the early seventies <snip>.
>>>
>>> =C2=A0It's amazing how your life changes with the world all the time. Yo=
u
>>> =C2=A0never know what comes around the next corner. <snip>
>>
>>
>
>
>
> --
> -=3D=3D-=3D-=3D-
> Tony
>
>


From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 20:02:28 2009
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Date: Fri, 10 Jul 2009 13:02:23 -0700
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Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs. 
	Improvisational)
From: Mark Sottilaro <zerocrossing@gmail.com>
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> But now all that just seemed so
> far away and... stupid. My feelings really surprised me, but I just
> couldn't come up with one good point in playing live. It seemed such a
> ridiculous situation; "shall I stand here and make music on this
> instrument while people sit there doing nothing, except staring at....
> me...?" it just felt weird.

That's exactly how I usually feel during a gig, except one where I'm
in a pop-band type situation.  I think for me it's a simple matter of
if I've rehearsed something I can focus on the performance.  If I'm
going pure improv, I have to focus on making the music for it to be
anything decent. Thus the performance suffers and I can tell I'm not
that fun to watch.  If I'm not fun to watch, why not just play a
recording of an improv session I did at home?  To combat this,
throughout the years I've done things like play to projected videos,
video games, as background for performance artists and as background
for art shows, but other than the performance art, in the end it
always felt like the fact that I was making it up as I went along was
meaningless and the audience would be better or equally served with a
recording.

I once did a rave with Jon El-Bizri and I swear I watched about an
equal enthusiasm over the DJ spinning CDs after our performance as we
got for ours.  At that point I realized I was wasting my time
schlepping gear around.  YMMV.

I honestly think we're our best, and possible only audience for live
improvised looping.  Not that there's anything wrong with that.  I
just don't think we're part of any music movement with any sort of
relevance outside our group. I got a billion times better response
doing a karaoke version of Purple Rain at my wife's company's
Christmas party last year than I have have at any looping gig.  Sure,
it involved me dry humping the stage, but I won a hundred dollars! ;)

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 20:46:04 2009
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Subject: Re: What to do as an unknown artist (by Trent Reznor)
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http://www.npr.org/templates/story/story.php?storyId=106347439

On Fri, Jul 10, 2009 at 1:02 AM, Michael Peters<mp@mpeters.de> wrote:
> very good !!
>
>> Mr. Reznor seems like an odd source of advice for "unknown" musicians, but
> I think most of what he says is pretty sound:
>>
> http://www.thedailyswarm.com/headlines/trent-manifesto-my-thoughts-what-do-n
> ewunknown-artist/
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 21:10:36 2009
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Date: Fri, 10 Jul 2009 16:04:41 -0500
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> I got a billion times better response doing a karaoke version of
> Purple Rain at my wife's company's Christmas party last year

Please tell me there is video.

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 21:22:22 2009
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Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs. 
	Improvisational)
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Haha!  I hear there is but I have yet to see it.  I'll post it if I can find it.

On Fri, Jul 10, 2009 at 2:04 PM, Jeff Larson<jeff.larson@sailpoint.com> wrote:
>
>> I got a billion times better response doing a karaoke version of
>> Purple Rain at my wife's company's Christmas party last year
>
> Please tell me there is video.
>
> Jeff
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 21:56:37 2009
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Date: Fri, 10 Jul 2009 14:56:37 -0700
Message-ID: <bcd3c7bb0907101456j71ad1d42g291dc102a2517049@mail.gmail.com>
Subject: Re: new live videos (Improvizone/Darkroom)
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Really nice.

On Fri, Jul 10, 2009 at 12:30 AM, Os<os@collective.co.uk> wrote:
> More Improvizone stuff:
> http://vimeo.com/album/108940
>
> This was an interesting gig for several reasons:
> * our bassist pulled out at the last minute, leaving us as essentially
> the Darkroom trio
> * Andy was playing acoustic drums (he usually plays an electronic kit)
> * I took my Juno 6 keyboard
>
> My now traditional once-per-gig EWI wig-out is in part 3.
>
> Enjoy!
>
>
> cheers,
> os.
>
> --
> os@collective.co.uk
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 22:07:41 2009
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Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs. Improvisational)
Date: Fri, 10 Jul 2009 15:07:32 -0700
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From: "Mark Sottilaro" <zerocrossing@gmail.com>
> I honestly think we're our best, and possible only audience for live
> improvised looping.  Not that there's anything wrong with that.  I
> just don't think we're part of any music movement with any sort of
> relevance outside our group.

Whenever you look at forms of music outside of the mainstream, there will be 
a huge decrease in audience size.  A big part of it is that the marketing 
simply doesn't exist.  When you are bombarded with mainstream music on 
radio, on television, in elevators, on hold on your telephone, and 
everywhere else, you expect music to sound a certain way.  Deviation from 
the accepted sound is weird and nobody wants to listen to that.  At least, 
that is basically what we are brainwashed into believing.

There is a segment of the population that does deviate from the norm and can 
appreciate the music made through improvised looping.  Ultimately, the 
success of any business endeavor is tied to marketing.  Music is no 
different.  The trick is to find the audience that is out there and to 
develop a new audience by exposing them to something that they didn't even 
know that they would like.  Part of this is drawing new audience to gigs. 
Part of this is connecting with the audience at the gig.  Perhaps another 
portion of this is drawing an Internet audience.

Personally, I would like to help this process.  I am considering the 
possibility of sponsoring a looping open mic on a regular basis here in San 
Jose.  I'd very much like to hear from anybody that would be interested in 
participating.  I don't have a venue at the moment although I'm considering 
using my own home to begin with to see what sort of response we can get.  My 
thought is to have a featured artist or artists for the event and then allow 
anybody who attends a chance to get up and strut their stuff.  I'm even 
willing to provide one of my own looping devices for anybody to use at the 
event.

What does everybody think?

Bob Amstadt
Looperlative Audio Products 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 22:15:05 2009
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Date: Fri, 10 Jul 2009 16:15:03 -0600
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Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs. 
	Improvisational)
From: Dennis Moser <sinsofmachaut@gmail.com>
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--0016364eca9ed83741046e614d00
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Bob, if I was in San Jose, I would be all over that ... don't suppose you'd
like to come to Laramie? *GRIN

Dennis

On Fri, Jul 10, 2009 at 4:07 PM, Bob Amstadt <bob@amstadt.com> wrote:

> From: "Mark Sottilaro" <zerocrossing@gmail.com>
>
>> I honestly think we're our best, and possible only audience for live
>> improvised looping.  Not that there's anything wrong with that.  I
>> just don't think we're part of any music movement with any sort of
>> relevance outside our group.
>>
>
> Whenever you look at forms of music outside of the mainstream, there will
> be a huge decrease in audience size.  A big part of it is that the marketing
> simply doesn't exist.  When you are bombarded with mainstream music on
> radio, on television, in elevators, on hold on your telephone, and
> everywhere else, you expect music to sound a certain way.  Deviation from
> the accepted sound is weird and nobody wants to listen to that.  At least,
> that is basically what we are brainwashed into believing.
>
> There is a segment of the population that does deviate from the norm and
> can appreciate the music made through improvised looping.  Ultimately, the
> success of any business endeavor is tied to marketing.  Music is no
> different.  The trick is to find the audience that is out there and to
> develop a new audience by exposing them to something that they didn't even
> know that they would like.  Part of this is drawing new audience to gigs.
> Part of this is connecting with the audience at the gig.  Perhaps another
> portion of this is drawing an Internet audience.
>
> Personally, I would like to help this process.  I am considering the
> possibility of sponsoring a looping open mic on a regular basis here in San
> Jose.  I'd very much like to hear from anybody that would be interested in
> participating.  I don't have a venue at the moment although I'm considering
> using my own home to begin with to see what sort of response we can get.  My
> thought is to have a featured artist or artists for the event and then allow
> anybody who attends a chance to get up and strut their stuff.  I'm even
> willing to provide one of my own looping devices for anybody to use at the
> event.
>
> What does everybody think?
>
> Bob Amstadt
> Looperlative Audio Products
>



-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--0016364eca9ed83741046e614d00
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Bob, if I was in San Jose, I would be all over that ... don&#39;t suppose y=
ou&#39;d like to come to Laramie? *GRIN<br><br>Dennis<br><br><div class=3D"=
gmail_quote">On Fri, Jul 10, 2009 at 4:07 PM, Bob Amstadt <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:bob@amstadt.com">bob@amstadt.com</a>&gt;</span> wrot=
e:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">From: &quot;Mark =
Sottilaro&quot; &lt;<a href=3D"mailto:zerocrossing@gmail.com" target=3D"_bl=
ank">zerocrossing@gmail.com</a>&gt;<div class=3D"im">
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I honestly think we&#39;re our best, and possible only audience for live<br=
>
improvised looping. =A0Not that there&#39;s anything wrong with that. =A0I<=
br>
just don&#39;t think we&#39;re part of any music movement with any sort of<=
br>
relevance outside our group.<br>
</blockquote>
<br></div>
Whenever you look at forms of music outside of the mainstream, there will b=
e a huge decrease in audience size. =A0A big part of it is that the marketi=
ng simply doesn&#39;t exist. =A0When you are bombarded with mainstream musi=
c on radio, on television, in elevators, on hold on your telephone, and eve=
rywhere else, you expect music to sound a certain way. =A0Deviation from th=
e accepted sound is weird and nobody wants to listen to that. =A0At least, =
that is basically what we are brainwashed into believing.<br>

<br>
There is a segment of the population that does deviate from the norm and ca=
n appreciate the music made through improvised looping. =A0Ultimately, the =
success of any business endeavor is tied to marketing. =A0Music is no diffe=
rent. =A0The trick is to find the audience that is out there and to develop=
 a new audience by exposing them to something that they didn&#39;t even kno=
w that they would like. =A0Part of this is drawing new audience to gigs. Pa=
rt of this is connecting with the audience at the gig. =A0Perhaps another p=
ortion of this is drawing an Internet audience.<br>

<br>
Personally, I would like to help this process. =A0I am considering the poss=
ibility of sponsoring a looping open mic on a regular basis here in San Jos=
e. =A0I&#39;d very much like to hear from anybody that would be interested =
in participating. =A0I don&#39;t have a venue at the moment although I&#39;=
m considering using my own home to begin with to see what sort of response =
we can get. =A0My thought is to have a featured artist or artists for the e=
vent and then allow anybody who attends a chance to get up and strut their =
stuff. =A0I&#39;m even willing to provide one of my own looping devices for=
 anybody to use at the event.<br>

<br>
What does everybody think?<br><font color=3D"#888888">
<br>
Bob Amstadt<br>
Looperlative Audio Products <br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//myspace.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://=
audiozoloft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsb=
in.angrek.com/">http://usrslashsbin.angrek.com/</a><br>


--0016364eca9ed83741046e614d00--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 22:15:06 2009
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From: "Sjaak" <tcplugin@scarlet.be>
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Subject: RE: new live videos (Improvizone/Darkroom)
Date: Sat, 11 Jul 2009 00:14:18 +0200
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Os, as always, very good ;) 

Btw: I noticed Andrew Booker didn't use headphones or in-ears this time to
"sync" to your loops (he played acoustic). Did he just listen to you and
Mike? 
--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/



From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 22:21:33 2009
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Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs.
	Improvisational)
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I'm down with that Bob!

Quoting Bob Amstadt <bob@amstadt.com>:

> Personally, I would like to help this process.  I am considering the
> possibility of sponsoring a looping open mic on a regular basis here in
> San Jose.  I'd very much like to hear from anybody that would be
> interested in participating.  I don't have a venue at the moment
> although I'm considering using my own home to begin with to see what
> sort of response we can get.  My thought is to have a featured artist
> or artists for the event and then allow anybody who attends a chance to
> get up and strut their stuff.  I'm even willing to provide one of my
> own looping devices for anybody to use at the event.
>
> What does everybody think?
>
> Bob Amstadt
> Looperlative Audio Products


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Subject: Gig Reminder: The MoinSound Studio Sessions - live at t-u-b-e
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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Just a reminder that today (our time, tomorrow yours) at 1600 UTC, The
MoinSound Studio Sessions will transmit live from the workshop at
www.t-u-b-e.de

Link: http://justin.tv/moinlabs
Time: http://tinyurl.com/lhahgd

This will be a first for me to have other musicians in my bi-weekly
videostream - though details are still somewhat hazy.

Hope to see you there,

            Rainer

From jk@utzon.arch.usyd.edu.au  Fri Jul 10 22:27:22 2009
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 22:34:56 2009
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Date: Fri, 10 Jul 2009 15:34:54 -0700 (PDT)
Subject: Re: PrePrepared vs. Improvisational
From: looppool@cruzio.com
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Kevin wrote:

So from the perspective of someone who doesn't in any way "need" to
play live (for fame or fortune), I wonder if its worth trying to
overcome all the baggage and hassle that comes with playing publicly.


Gosh,  Kevin,  I'm not sure how much experience you have, but playing live
in front of an audience, in my experience,  produces such wonderful
musical results
and, frequently,  ones that you are not necessarily in control of that I
couldn't concieve
of a musical life without performance.

Now,  I like to perform and I even like performance aspects that are extra
musical
(theatrics, humor, video projection,  lighting effects,  etc.) which, of
course, are all
aspects that don't enter into just doing at home for yourself.

I do know musicians for whom the performance aspect is painful (social
anxiety, fear of
rejection,  etc., etc.) and I do believe that only playing in one's garage
is a perfectly legitimate
mode of making music.   Indeed,  I play a ton of instruments at home that
I've never dragged
onto stage and just for fun.........but I DO aspire t get them out there.

I say the baggage and hassle and time spent playing live is entirely worth
the effort!

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 22:51:26 2009
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Date: Fri, 10 Jul 2009 15:51:25 -0700
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Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs. 
	Improvisational)
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Fri, Jul 10, 2009 at 3:07 PM, Bob Amstadt<bob@amstadt.com> wrote:

> Whenever you look at forms of music outside of the mainstream, there will=
 be
> a huge decrease in audience size. =A0A big part of it is that the marketi=
ng
> simply doesn't exist. =A0When you are bombarded with mainstream music on
> radio, on television, in elevators, on hold on your telephone, and
> everywhere else, you expect music to sound a certain way. =A0Deviation fr=
om
> the accepted sound is weird and nobody wants to listen to that. =A0At lea=
st,
> that is basically what we are brainwashed into believing.

I used to think like that, but to be honest, I don't any more. I think
it's too easy to blame "the man" when in actuality people just prefer
music when it's in a certain format. I know zero people who are into
instrumental music who are not musicians. More people were musicians
in the past because there was no such thing as a "recording."  If you
wanted to hear something you had to play it or have someone play it
for you.  Edison screwed that up. ;)  Now when people are very used to
getting their music in a recorded format they don't often choose
instrumental music unless it's for the sole purpose of being the
backdrop to a dance club.  So add a general distaste for instrumental
music, then add the often meandering nature of improvised instrumental
music... and you have an audience of musicians and not much else.

I think that's good though.  Little odd niches are kind of like a
memetic mutation factor that helps fuel change in all art.  Dada
started out as a bunch of artists talking to each other about the
dissatisfaction with the rigid rules of the art world and 80 or so
years later we have Raygun Magazine.  How many people have David Torn
CDs?  How many people have David Bowie's Heathen? It's not because one
is better or marketed better.  I just think people like the format
that David Bowie writes in more.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 10 22:55:53 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: Goodbye my friend (live improv)
Date: Sat, 11 Jul 2009 00:55:03 +0200
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This is a kind of special live improv. I recorded it this afternoon and =
it's
dedicated to a good friend and musician of mine we lost this week. We =
played
together several times, he used soundscapes of mine as an intro for his
band, I played with his 2 brothers too, he was a friend for many people.

I'm normally not as "open" on this list but today was a though day and I
felt the need to write a song, dedicate it to Tom and send it out.

http://euroloopfest.com/sjaak/podcast/20_Goodbye_my_friend.mp3

---=20
Sjaak
http://sjaakovergaauw.com/=20
http://euroloopfest.com/


From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 00:17:39 2009
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Date: Fri, 10 Jul 2009 17:17:37 -0700
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Subject: Re: What to do as an unknown artist (by Trent Reznor)
From: Matt Davignon <mattdavignon@gmail.com>
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Basically I agree with him when it comes to building web presence,
doing what you can to put music in front of as many people as
possible, and yes, acknowledging that the days of making a long-term
living based on cd sales are probably over (unless you sign with a
major label AND are wildly successful).

I feel differently about the "give it away" strategy. Having a decent
amount of your music freely and widely available (such as online)
means you won't have "unavailability" as a roadblock to your success.
That's different than saying it will bring you success:

A) There are so many musicians in the world climbing over each other
for fame, that giving away your music doesn't mean that potential
"fans" will find it. For example, when I log into emusic, *looking for
music*, there are thousands of cds from which I can hear free samples,
but I steer towards ones that look like they'd be something I'd like.
In other words, the suggestion that 'giving away your music for free
is the path to more listeners' doesn't account for taste, or the
searching habits of the listening audience.

B) Handing your cd to people who haven't expressed an interest in your
music won't win you many more listeners, unless your music is
universally mind-blowingly awesome for everybody. I receive a lot CDs
from artists in this way, and many of them are still in the
shrinkwrap. There's an odd phenomenon in the SF bay area where
aspiring rappers will try to give their demo cds to random passersby
at the subway stations. Desperation doesn't generate interest in an
artist. To me there's a big difference between an artist who has a
stack of cds to give away (good) and an artist who tries to make sure
everyone leaves with a copy (not as good).

C) One key to success is "Be a talented artist who uniquely does
things that people want to listen to." That's a far way away from me
saying, "Make pop music". Every genre of music, no matter how
non-mainstream, has figures who've gained that coveted notoriety. In
each case, there's some sort of talent involved (good decision-making,
performing skill, a sensitive ear, songwriting, etc), it's something
that people want to listen to, and there's a unique quality that keep
bringing listeners back to that particular artist. The tough part for
us unknowns is that if we're doing something that we already know
people want to listen to, there's a good chance we're not being very
unique. We have to come up with something that's completely our own
and hope people like it. In other words, luck.

D) Another key to success is, "Get important people to talk about your
music." There has to be folks who are not you, not your
friend/wife/relative, and not coerced by you, who think that your
music is so good that they can't stop talking about it. These folks
needs to be in a position where people are paying attention, such as a
radio dj, well-read music blogger, etc. Otherwise, the only people who
will find out about your awesome music will be the people you directly
tell.

Of course, as a non-successful artist, I have about as much business
discussing this as Trent Reznor, except from the other end of the
spectrum.

Matt Davignon
Tour! www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt




On Fri, Jul 10, 2009 at 1:46 PM, Mark Sottilaro<zerocrossing@gmail.com> wrote:
> http://www.npr.org/templates/story/story.php?storyId=106347439
>
> On Fri, Jul 10, 2009 at 1:02 AM, Michael Peters<mp@mpeters.de> wrote:
>> very good !!
>>
>>> Mr. Reznor seems like an odd source of advice for "unknown" musicians, but
>> I think most of what he says is pretty sound:
>>>
>> http://www.thedailyswarm.com/headlines/trent-manifesto-my-thoughts-what-do-n
>> ewunknown-artist/
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 00:56:58 2009
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Date: Fri, 10 Jul 2009 17:56:58 -0700
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Subject: Zero People (was: ambivalent feelings)
From: Matt Davignon <mattdavignon@gmail.com>
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Mark Sottilaro<zerocrossing@gmail.com> was like:

> I know zero people who are into  instrumental music who are not musicians.

pish-posh! You're just not paying attention to a bunch of genres of
wildly popular instrumental music:

classical
jazz
techno (especially IDM, d&b, and "trance")
ambient
new age
movie scores
and heck, I'd count 20 minute Grateful Dead jams too, even if they're
bookended with vocals.

I'd agree with a sentiment that you seem to be heading towards, which
is that a lot of people choose the music they listen to based on
non-musical reasons. People who don't pay too much attention to music
often pick something because they like the stage persona of the
singer.

On the other hand, if you look at bands and albums people really like,
many of them are due more to the qualities of the music than the
lyrics or band's image. (Look at the success of Pink Floyd, Radiohead,
Jimi Hendryx, M.I.A, Talking Heads, Nirvana, prog rock and probably
even most 80's synthpop.) That suggests to me that a good deal of
people have an ear for sounds whether they know it or not.

Matt Davignon
Tour! www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From jk@utzon.arch.usyd.edu.au  Sat Jul 11 01:01:17 2009
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 01:15:01 2009
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Date: Sat, 11 Jul 2009 02:15:00 +0100
Message-ID: <d302e3570907101815j4c503489p32347f1208c08645@mail.gmail.com>
Subject: Re: OT: Goodbye my friend (live improv)
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f7cbfa5f056d046e63d1f2
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that was absolutely beautiful sjaak

i feel so blessed to be able to express my deepest emotions through music
and it's wonderful to be able to hear another doing so

my sympathies to you and the family of your dear friend

sim

On Fri, Jul 10, 2009 at 11:55 PM, Sjaak <tcplugin@scarlet.be> wrote:

> This is a kind of special live improv. I recorded it this afternoon and
> it's
> dedicated to a good friend and musician of mine we lost this week. We
> played
> together several times, he used soundscapes of mine as an intro for his
> band, I played with his 2 brothers too, he was a friend for many people.
>
> I'm normally not as "open" on this list but today was a though day and I
> felt the need to write a song, dedicate it to Tom and send it out.
>
> http://euroloopfest.com/sjaak/podcast/20_Goodbye_my_friend.mp3
>
> ---
> Sjaak
> http://sjaakovergaauw.com/
> http://euroloopfest.com/
>
>
>

--001485f7cbfa5f056d046e63d1f2
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that was absolutely beautiful sjaak<br><br>i feel so blessed to be able to =
express my deepest emotions through music and it&#39;s wonderful to be able=
 to hear another doing so<br><br>my sympathies to you and the family of you=
r dear friend<br>
<br>sim<br><br><div class=3D"gmail_quote">On Fri, Jul 10, 2009 at 11:55 PM,=
 Sjaak <span dir=3D"ltr">&lt;<a href=3D"mailto:tcplugin@scarlet.be">tcplugi=
n@scarlet.be</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" sty=
le=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex;=
 padding-left: 1ex;">
This is a kind of special live improv. I recorded it this afternoon and it&=
#39;s<br>
dedicated to a good friend and musician of mine we lost this week. We playe=
d<br>
together several times, he used soundscapes of mine as an intro for his<br>
band, I played with his 2 brothers too, he was a friend for many people.<br=
>
<br>
I&#39;m normally not as &quot;open&quot; on this list but today was a thoug=
h day and I<br>
felt the need to write a song, dedicate it to Tom and send it out.<br>
<br>
<a href=3D"http://euroloopfest.com/sjaak/podcast/20_Goodbye_my_friend.mp3" =
target=3D"_blank">http://euroloopfest.com/sjaak/podcast/20_Goodbye_my_frien=
d.mp3</a><br>
<br>
---<br>
<font color=3D"#888888">Sjaak<br>
<a href=3D"http://sjaakovergaauw.com/" target=3D"_blank">http://sjaakoverga=
auw.com/</a><br>
<a href=3D"http://euroloopfest.com/" target=3D"_blank">http://euroloopfest.=
com/</a><br>
<br>
<br>
</font></blockquote></div><br>

--001485f7cbfa5f056d046e63d1f2--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 01:20:46 2009
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Date: Fri, 10 Jul 2009 18:20:45 -0700
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Subject: Re: Zero People (was: ambivalent feelings)
From: Mark Sottilaro <zerocrossing@gmail.com>
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I totally agree with that Matt, except for Trance which is just sonic
wallpaper for a dance club for the most part.  Yup, people are into
all of those genres, but my guess is that if you look at most people's
iPods (including mine) the percentage of those is shockingly low
compared to your basic standard pop song structured based music.

On Fri, Jul 10, 2009 at 5:56 PM, Matt Davignon<mattdavignon@gmail.com> wrot=
e:
> Mark Sottilaro<zerocrossing@gmail.com> was like:
>
>> I know zero people who are into =A0instrumental music who are not musici=
ans.
>
> pish-posh! You're just not paying attention to a bunch of genres of
> wildly popular instrumental music:
>
> classical
> jazz
> techno (especially IDM, d&b, and "trance")
> ambient
> new age
> movie scores
> and heck, I'd count 20 minute Grateful Dead jams too, even if they're
> bookended with vocals.
>
> I'd agree with a sentiment that you seem to be heading towards, which
> is that a lot of people choose the music they listen to based on
> non-musical reasons. People who don't pay too much attention to music
> often pick something because they like the stage persona of the
> singer.
>
> On the other hand, if you look at bands and albums people really like,
> many of them are due more to the qualities of the music than the
> lyrics or band's image. (Look at the success of Pink Floyd, Radiohead,
> Jimi Hendryx, M.I.A, Talking Heads, Nirvana, prog rock and probably
> even most 80's synthpop.) That suggests to me that a good deal of
> people have an ear for sounds whether they know it or not.
>
> Matt Davignon
> Tour! www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 01:33:17 2009
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	 <bcd3c7bb0907101820y757bbf67g3093ba6e8df50e6c@mail.gmail.com>
Date: Fri, 10 Jul 2009 18:33:16 -0700
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Subject: Re: Zero People (was: ambivalent feelings)
From: Matt Davignon <mattdavignon@gmail.com>
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Heck, even my ipod has a lot of pop song structured music, but it's on
there for mostly musical reasons.

But let's say that 10% of the music on people's ipods is instrumental.
Or even 5%. That's still a heck of a lot of music being listened to on
a global scale. Even if we take your original assertion that only
musicians listen to instrumental music. That's still a ton of people.

I dunno... to be honest I forget exactly what the argument was about.

Matt Davignon
Tour! www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

On Fri, Jul 10, 2009 at 6:20 PM, Mark Sottilaro<zerocrossing@gmail.com> wro=
te:
> I totally agree with that Matt, except for Trance which is just sonic
> wallpaper for a dance club for the most part. =A0Yup, people are into
> all of those genres, but my guess is that if you look at most people's
> iPods (including mine) the percentage of those is shockingly low
> compared to your basic standard pop song structured based music.
>
> On Fri, Jul 10, 2009 at 5:56 PM, Matt Davignon<mattdavignon@gmail.com> wr=
ote:
>> Mark Sottilaro<zerocrossing@gmail.com> was like:
>>
>>> I know zero people who are into =A0instrumental music who are not music=
ians.
>>
>> pish-posh! You're just not paying attention to a bunch of genres of
>> wildly popular instrumental music:
>>
>> classical
>> jazz
>> techno (especially IDM, d&b, and "trance")
>> ambient
>> new age
>> movie scores
>> and heck, I'd count 20 minute Grateful Dead jams too, even if they're
>> bookended with vocals.
>>
>> I'd agree with a sentiment that you seem to be heading towards, which
>> is that a lot of people choose the music they listen to based on
>> non-musical reasons. People who don't pay too much attention to music
>> often pick something because they like the stage persona of the
>> singer.
>>
>> On the other hand, if you look at bands and albums people really like,
>> many of them are due more to the qualities of the music than the
>> lyrics or band's image. (Look at the success of Pink Floyd, Radiohead,
>> Jimi Hendryx, M.I.A, Talking Heads, Nirvana, prog rock and probably
>> even most 80's synthpop.) That suggests to me that a good deal of
>> people have an ear for sounds whether they know it or not.
>>
>> Matt Davignon
>> Tour! www.ribosomemusic.com
>> Rigs! www.youtube.com/user/ribosomematt
>>
>>
>
>



--=20
Matt Davignon
Tour! www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 03:00:42 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT: Goodbye my friend (live improv)
Date: Fri, 10 Jul 2009 20:00:36 -0700
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Very nice Sjaak.

On Jul 10, 2009, at 3:55 PM, Sjaak wrote:

> This is a kind of special live improv. I recorded it this afternoon 
> and it's
> dedicated to a good friend and musician of mine we lost this week. We 
> played
> together several times, he used soundscapes of mine as an intro for his
> band, I played with his 2 brothers too, he was a friend for many 
> people.
>
> I'm normally not as "open" on this list but today was a though day and 
> I
> felt the need to write a song, dedicate it to Tom and send it out.
>
> http://euroloopfest.com/sjaak/podcast/20_Goodbye_my_friend.mp3
>
> ---
> Sjaak
> http://sjaakovergaauw.com/
> http://euroloopfest.com/
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 03:05:37 2009
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Subject: Re: Zero People (was: ambivalent feelings)
Date: Fri, 10 Jul 2009 19:45:13 -0700
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matt,

i think that i now my new favorite thing to say.

thanks for that!

pish-posh!

z

On Jul 10, 2009, at 5:56 PM, Matt Davignon wrote:

> pish-posh

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 07:17:00 2009
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pretty sure he was wearing earbuds - maybe just on the side of his
head you don't see in the video!


cheers,
os.


2009/7/10 Sjaak <tcplugin@scarlet.be>:
> Os, as always, very good ;)
>
> Btw: I noticed Andrew Booker didn't use headphones or in-ears this time to
> "sync" to your loops (he played acoustic). Did he just listen to you and
> Mike?
> ---
> Sjaak
> http://sjaakovergaauw.com/
> http://euroloopfest.com/
>
>
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Pish posh indeed Sir!!

I hate NON instrumental music.. I put up with songs, cos most best music is
covered in singing... Lyrics.. GOD.. dont get me started.. maybe when I was
18 I though it was romantic to sing about love, rebellious to sing about
Politics and Cool to sing about Death... but er... I was wrong! Songs are
almost always CRAP... (Beatles Songs exception, Tom Wait lyrics also) Of
course Pop music usually HAS to have some dumb singer warbling ontop, and
some are ok to listen to as an instument... (I love the Lydon sneers, I love
the Beefheart coughs, I love the Cocteau elvish..)

Every thing you say is true however, about MOST PEOPLE listening to only
songs... but... wait a goddam minute... isnt Hip Hop Instrumental music...
you cant really call Rapping singing... its poetry.. so Maybe MOST people
are listening to Poety nowadays... Personally Im into Keats rather than..
(insert current rap artist of choice)

Yes.. but... I agree with Matt

>I dunno... to be honest I forget exactly what the argument was about.

I just wanted to write Pish Posh!

m





On Sat, Jul 11, 2009 at 4:45 AM, Zoe Keating <info@zoekeating.com> wrote:

> matt,
>
> i think that i now my new favorite thing to say.
>
> thanks for that!
>
> pish-posh!
>
> z
>
> On Jul 10, 2009, at 5:56 PM, Matt Davignon wrote:
>
>  pish-posh
>>
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174be8541601af046e69352b
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Pish posh indeed Sir!!<br><br>I hate NON instrumental music.. I put up with=
 songs, cos most best music is covered in singing... Lyrics.. GOD.. dont ge=
t me started.. maybe when I was 18 I though it was romantic to sing about l=
ove, rebellious to sing about Politics and Cool to sing about Death... but =
er... I was wrong! Songs are almost always CRAP... (Beatles Songs exception=
, Tom Wait lyrics also) Of course Pop music usually HAS to have some dumb s=
inger warbling ontop, and some are ok to listen to as an instument... (I lo=
ve the Lydon sneers, I love the Beefheart coughs, I love the Cocteau elvish=
..)<br>


<br>Every thing you say is true however, about MOST PEOPLE listening to onl=
y songs... but... wait a goddam minute... isnt Hip Hop Instrumental music..=
. you cant really call Rapping singing... its poetry.. so Maybe MOST people=
 are listening to Poety nowadays... Personally Im into Keats rather than.. =
(insert current rap artist of choice)<br>


<br>Yes.. but... I agree with Matt<br><br>&gt;I dunno... to be honest I for=
get exactly what the argument was about.<br><br>I just wanted to write Pish=
 Posh!<br><br>m<br><br><br><br><br><br><div class=3D"gmail_quote">On Sat, J=
ul 11, 2009 at 4:45 AM, Zoe Keating <span dir=3D"ltr">&lt;<a href=3D"mailto=
:info@zoekeating.com" target=3D"_blank">info@zoekeating.com</a>&gt;</span> =
wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">matt,<br>
<br>
i think that i now my new favorite thing to say.<br>
<br>
thanks for that!<br>
<br>
pish-posh!<br>
<br>
z<br>
<br>
On Jul 10, 2009, at 5:56 PM, Matt Davignon wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
pish-posh<br>
</blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D=
"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user825094=
</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




--0015174be8541601af046e69352b--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 08:27:03 2009
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, June 11 at 6:00 am
(EDT/GMT-4:00/ITZ-5:00).  I will continue the special on Sequences
Electronic Music Magazine's sampler CDs in Phase 1.

I alternate hosting the show with Bruce. When I am at the helm, the
show features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 08:41:10 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
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Subject: What happened to my repeater ? !
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Hi there,
I hadn't used my repeater for a bit, and it's acting weird now.=20
When overdubbing , what I just played comes out with a small but very =
noticeable delay against what was previously on the track, I would say =
about 30 ms. I have software 2.1, and unpowering the machine doesn't do =
any good. I don't even know if there is a way to reset it completely.
Since the Electrix site and forum are closed, you're my only hope.
Thanks for your help,
Cheers,
JPR
http://myspace.com/jeanphilipperykiel

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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hi there,<BR>I hadn't used my repeater =
for a bit,=20
and it's acting weird now. </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>When&nbsp;overdubbing , what I just =
played comes=20
out with a small but very noticeable delay against what was previously =
on the=20
track, I would say about 30 ms. I have software 2.1, and unpowering the =
machine=20
doesn't do any good. I don't even know if there is a way to reset it=20
completely.<BR>Since the Electrix site and forum are closed, you're my =
only=20
hope.<BR>Thanks for your help,<BR>Cheers,<BR>JPR</DIV></FONT>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 08:43:02 2009
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References: <00a101c9ffee$f5541f00$14b2a8c0@mpeserver> <4A54DA8A.2070401@netcologne.de>
Subject: two little guitar loops
Date: Sat, 11 Jul 2009 10:38:21 +0200
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for those who haven't listened to it on Facebook:  
here are two quite different guitar loops that I did on Friday.
 
afternoon: a "plain vanilla" Frippertronics style loop with the usual RF
inspired solo
http://www.veloopity.de/michaelpeters/livelooping2009/MichaelPeters20090709.
mp3
 
evening: a more atonal guitar improvisation with Stefan Tiedje doing live
treatments & loops using his "Ondes Memorielles" Max/MSP system
 
<http://www.veloopity.de/michaelpeters/livelooping2009/HitchhikersDiary20090
709.mp3>
http://www.veloopity.de/michaelpeters/livelooping2009/HitchhikersDiary200907
09.mp3 
 
enjoy!
 
-Michael
 
 
 

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<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D140111611-10072009><FONT color=3D#000000>for those who haven't =
listened to=20
it on Facebook:&nbsp; </FONT></SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D140111611-10072009><FONT color=3D#000000>here are two quite =
different guitar=20
loops that I did on&nbsp;Friday.</FONT></SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D140111611-10072009></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D140111611-10072009><FONT color=3D#000000>afternoon: a "plain =
vanilla"=20
Frippertronics style loop with the usual RF inspired=20
solo</FONT></SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D140111611-10072009></SPAN></FONT></FONT><FONT face=3DArial><FONT =

size=3D2><SPAN class=3D140111611-10072009><A=20
href=3D"http://www.veloopity.de/michaelpeters/livelooping2009/MichaelPete=
rs20090709.mp3">http://www.veloopity.de/michaelpeters/livelooping2009/Mic=
haelPeters20090709.mp3</A></SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D140111611-10072009></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D140111611-10072009>evening: a more atonal guitar improvisation =
with Stefan=20
Tiedje doing live treatments &amp; loops using his "Ondes Memorielles" =
Max/MSP=20
system</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D140111611-10072009></SPAN></FONT></FONT><A=20
href=3D"http://www.veloopity.de/michaelpeters/livelooping2009/Hitchhikers=
Diary20090709.mp3"><FONT=20
size=3D+0><FONT face=3DArial=20
size=3D2>http://www.veloopity.de/michaelpeters/livelooping2009/Hitchhiker=
sDiary20090709.mp3</FONT></FONT></A><SPAN=20
class=3D140111611-10072009><FONT face=3DArial =
size=3D2>&nbsp;</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
size=3D2>enjoy!</FONT></SPAN><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
size=3D2></FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
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size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
size=3D2>-Michael</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
class=3D140111611-10072009></SPAN>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0038_01CA0213.B946A790--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 09:10:56 2009
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Subject: RE: What happened to my repeater ? !
Date: Sat, 11 Jul 2009 04:10:55 -0500
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i owned 4 of those darn things once upon a time and for the life of me i ca=
nt remember if you can reset to factory defaults-
just read through the booklet=2C i dont think its possible-
ild say switch out all cables involved and if that doesnt work=2C re-instal=
l the operating system

probably didnt help ya at all=2C but the important thing is that you just e=
arned a fan for life-
im a first time listener=2C and am completely captivated by the intricacy o=
f your music

salut!

fro






From: jp.rykiel@orange.fr
To: Loopers-Delight@loopers-delight.com
Subject: What happened to my repeater ? !
Date: Sat=2C 11 Jul 2009 10:41:11 +0200










Hi there=2C
I hadn't used my repeater for a bit=2C=20
and it's acting weird now.=20
When overdubbing =2C what I just played comes=20
out with a small but very noticeable delay against what was previously on t=
he=20
track=2C I would say about 30 ms. I have software 2.1=2C and unpowering the=
 machine=20
doesn't do any good. I don't even know if there is a way to reset it=20
completely.
Since the Electrix site and forum are closed=2C you're my only=20
hope.
Thanks for your help=2C
Cheers=2C
JPR
http://myspace.com/jeanphilipperykiel

_________________________________________________________________
Windows Live=99: Keep your life in sync.=20
http://windowslive.com/explore?ocid=3DTXT_TAGLM_WL_BR_life_in_synch_062009=

--_e9c0e916-826c-4693-a90d-380a0c7d2e00_
Content-Type: text/html; charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
i owned 4 of those darn things once upon a time and for the life of me i ca=
nt remember if you can reset to factory defaults-<br>just read through the =
booklet=2C i dont think its possible-<br>ild say switch out all cables invo=
lved and if that doesnt work=2C re-install the operating system<br><br>prob=
ably didnt help ya at all=2C but the important thing is that you just earne=
d a fan for life-<br>im a first time listener=2C and am completely captivat=
ed by the intricacy of your music<br><br>salut!<br><br>fro<br><br><br><br><=
br><br><br><hr id=3D"stopSpelling">From: jp.rykiel@orange.fr<br>To: Loopers=
-Delight@loopers-delight.com<br>Subject: What happened to my repeater ? !<b=
r>Date: Sat=2C 11 Jul 2009 10:41:11 +0200<br><br>





<style>
</style>


<div><font face=3D"Arial" size=3D"2">Hi there=2C<br>I hadn't used my repeat=
er for a bit=2C=20
and it's acting weird now. </font></div>
<div><font face=3D"Arial" size=3D"2">When&nbsp=3Boverdubbing =2C what I jus=
t played comes=20
out with a small but very noticeable delay against what was previously on t=
he=20
track=2C I would say about 30 ms. I have software 2.1=2C and unpowering the=
 machine=20
doesn't do any good. I don't even know if there is a way to reset it=20
completely.<br>Since the Electrix site and forum are closed=2C you're my on=
ly=20
hope.<br>Thanks for your help=2C<br>Cheers=2C<br>JPR</font></div><font face=
=3D"Arial" size=3D"2"></font>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://myspace.com/jeanphil=
ipperykiel">http://myspace.com/jeanphilipperykiel</a><br></font></div><br /=
><hr />Windows Live=99: Keep your life in sync. <a href=3D'http://windowsli=
ve.com/explore?ocid=3DTXT_TAGLM_WL_BR_life_in_synch_062009' target=3D'_new'=
>Check it out.</a></body>
</html>=

--_e9c0e916-826c-4693-a90d-380a0c7d2e00_--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 09:15:15 2009
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From: "nick@12testing.net" <nick@1957.me.uk>
To: Loopers-Delight@loopers-delight.com,
              Trevor Van Eyck <vaneyck@sympatico.ca>
Date: Sat, 11 Jul 2009 10:05:31 +0100
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Subject: Re: For the JamMan Users out there...
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On 8 Jul 2009 at 17:12, Trevor Van Eyck wrote:

>    Anyone out there still using the Lexicon JamMan? 

Indeed there are - unable to strectch to a looperlative or echoplex, 
mine is the core of my looping setup. See

http://www.nickrobinson.info/music/tech/tech.htm

>    a) Non-Midi Foot Switches: I've been using the Boss FS-5U and it's

The supplied switches are useless. In the past, I used a Behringer 
AB200 (great, cheap, if a little flimsy) but to get the most from the 
unit, you need a programmable midi pedal.

> small MIDI pedal with 2-4 switches that works well with the JamMan?

I fear not and believe me, I've looked. The problem is 
programmability - to access the features I want, standard midi pedal 
patch assignment won't deliver - you have to alter both bank and 
patch to meet the jammans internal patch spec. I use the FCB1010 and 
aside from being the size of Wales, it does everything you could 
possibly want and the free editor software makes life so easy. The 
Gordius range looks superb, but are out of my price range and 
possibly even over-featured for controlling a jamman.

I've never understood why suppliers can't see a market for a small 
(say 2*3 switch) pedal that can be programmed for basic CC and patch 
change with none of the fancy features. 

>    c) Memory Expansion chips: Anyone located the chips at a good price

To get the most from it, you need the full expansion. After about 6 
years of use, I discovered (RTFM!) the jamman can produced multiple 
synced loops, which the FCB can switch in/out and even control via 
the expression pedals.  To achieve each extra layer, you need double 
the memory needs of the first loop.

However, the jamman is still a tad complex for live work, unless you 
enjoy tap dancing. I'm currently saving my pennies for this beast 

http://boomerangmusic.com/Rang%20III.html

Which looks like it will suit all my looping needs without use of 
midi. It's also in stereo, which I miss on the jamman.

If you like forums (forii?) you might want to sign up here

http://loopingmusic.proboards.com

with 92 members and 600 odd posts, it's great if you find the stream 
of messages from this mailing list a bit much. There's a section on 
the jamman.




Nick Robinson

music site : 	http://www.nickrobinson.info/music
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 09:41:05 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
To: <Loopers-Delight@loopers-delight.com>
References: <1DE2A8A651A545ED8CCB94BAE528B2A8@portable2jpr> <COL118-W41C63CE34D5F301EECC9C1DB240@phx.gbl>
Subject: Re: What happened to my repeater ? !
Date: Sat, 11 Jul 2009 11:41:06 +0200
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Dear Fro,
I'm very glad to hear that you liked my music. It's very encouraging =
because it's the kind of music that doesn't sell these days since it's a =
little too far from what people call electronic music.
Thanks again.
Back to the subject, do you think there is a replacement unit for the =
repeater if I cannot get it to work properly. I thought of the RC 50 but =
it doesn't look as straightforward as the repeater was. Yet it's the =
only multitrack hardware loop machine I know of.
Of course, I would love to go Ableton but it's yet impossible for =
visually impaired users.
Cheers,
JPR
http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: FRO DIDDLY=20
  To: loopers-delight@loopers-delight.com=20
  Sent: Saturday, July 11, 2009 11:10 AM
  Subject: RE: What happened to my repeater ? !


  i owned 4 of those darn things once upon a time and for the life of me =
i cant remember if you can reset to factory defaults-
  just read through the booklet, i dont think its possible-
  ild say switch out all cables involved and if that doesnt work, =
re-install the operating system

  probably didnt help ya at all, but the important thing is that you =
just earned a fan for life-
  im a first time listener, and am completely captivated by the =
intricacy of your music

  salut!

  fro







-------------------------------------------------------------------------=
-----
  From: jp.rykiel@orange.fr
  To: Loopers-Delight@loopers-delight.com
  Subject: What happened to my repeater ? !
  Date: Sat, 11 Jul 2009 10:41:11 +0200


  Hi there,
  I hadn't used my repeater for a bit, and it's acting weird now.=20
  When overdubbing , what I just played comes out with a small but very =
noticeable delay against what was previously on the track, I would say =
about 30 ms. I have software 2.1, and unpowering the machine doesn't do =
any good. I don't even know if there is a way to reset it completely.
  Since the Electrix site and forum are closed, you're my only hope.
  Thanks for your help,
  Cheers,
  JPR
  http://myspace.com/jeanphilipperykiel



-------------------------------------------------------------------------=
-----
  Windows Live=99: Keep your life in sync. Check it out. 
------=_NextPart_000_0033_01CA021C.7A4543E0
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<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783"></HEAD>
<BODY class=3Dhmmessage bgColor=3D#ffffff>
<DIV><FONT face=3DArial>Dear Fro,</FONT></DIV>
<DIV><FONT face=3DArial>I'm very glad to hear that you liked my music. =
It's very=20
encouraging because it's the kind of music that doesn't sell these=20
days&nbsp;since&nbsp;it's a little too far from what people call =
electronic=20
music.<BR>Thanks again.<BR>Back to the subject, do you think there is a=20
replacement unit for the repeater if I cannot get it to work properly. I =
thought=20
of the RC 50 but it doesn't look as straightforward as the repeater was. =
Yet=20
it's the only multitrack hardware loop machine I know of.<BR>Of course, =
I would=20
love to go Ableton but it's yet impossible for visually impaired=20
users.</FONT></DIV>
<DIV><FONT face=3DArial>Cheers,<BR>JPR</FONT></DIV>
<DIV><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dparispro00@hotmail.com =
href=3D"mailto:parispro00@hotmail.com">FRO=20
  DIDDLY</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 11, 2009 =
11:10=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: What happened to =
my repeater=20
  ? !</DIV>
  <DIV><FONT face=3DArial></FONT><FONT face=3DArial></FONT><BR></DIV>i =
owned 4 of=20
  those darn things once upon a time and for the life of me i cant =
remember if=20
  you can reset to factory defaults-<BR>just read through the booklet, i =
dont=20
  think its possible-<BR>ild say switch out all cables involved and if =
that=20
  doesnt work, re-install the operating system<BR><BR>probably didnt =
help ya at=20
  all, but the important thing is that you just earned a fan for =
life-<BR>im a=20
  first time listener, and am completely captivated by the intricacy of =
your=20
  music<BR><BR>salut!<BR><BR>fro<BR><BR><BR><BR><BR><BR><BR>
  <HR id=3DstopSpelling>
  From: jp.rykiel@orange.fr<BR>To:=20
  Loopers-Delight@loopers-delight.com<BR>Subject: What happened to my =
repeater ?=20
  !<BR>Date: Sat, 11 Jul 2009 10:41:11 +0200<BR><BR>
  <STYLE></STYLE>

  <DIV><FONT size=3D2 face=3DArial>Hi there,<BR>I hadn't used my =
repeater for a bit,=20
  and it's acting weird now. </FONT></DIV>
  <DIV><FONT size=3D2 face=3DArial>When&nbsp;overdubbing , what I just =
played comes=20
  out with a small but very noticeable delay against what was previously =
on the=20
  track, I would say about 30 ms. I have software 2.1, and unpowering =
the=20
  machine doesn't do any good. I don't even know if there is a way to =
reset it=20
  completely.<BR>Since the Electrix site and forum are closed, you're my =
only=20
  hope.<BR>Thanks for your help,<BR>Cheers,<BR>JPR</FONT></DIV><FONT =
size=3D2=20
  face=3DArial></FONT>
  <DIV><FONT size=3D2 face=3DArial><A=20
  =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV><BR>
  <HR>
  Windows Live=99: Keep your life in sync. <A=20
  =
href=3D"http://windowslive.com/explore?ocid=3DTXT_TAGLM_WL_BR_life_in_syn=
ch_062009"=20
  target=3D_new>Check it out.</A> </BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0033_01CA021C.7A4543E0--


From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 10:13:18 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
To: <Loopers-Delight@loopers-delight.com>
References: <1DE2A8A651A545ED8CCB94BAE528B2A8@portable2jpr> <COL118-W41C63CE34D5F301EECC9C1DB240@phx.gbl> <541F1AD705DF449DAAB509806FEEECC3@portable2jpr>
Subject: Re: What happened to my repeater ? !
Date: Sat, 11 Jul 2009 12:13:20 +0200
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Hi, me again.
If someone could give me detailed instructions about reinstalling the =
repeater software, that would be very kind because I lost them. The =
software itself contains several files and I remember that they had to =
be installed in a specific order, but no idea which.
Thanks for your help.
Cheers,
JPR
http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Jean Philippe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 11, 2009 11:41 AM
  Subject: Re: What happened to my repeater ? !


  Dear Fro,
  I'm very glad to hear that you liked my music. It's very encouraging =
because it's the kind of music that doesn't sell these days since it's a =
little too far from what people call electronic music.
  Thanks again.
  Back to the subject, do you think there is a replacement unit for the =
repeater if I cannot get it to work properly. I thought of the RC 50 but =
it doesn't look as straightforward as the repeater was. Yet it's the =
only multitrack hardware loop machine I know of.
  Of course, I would love to go Ableton but it's yet impossible for =
visually impaired users.
  Cheers,
  JPR
  http://myspace.com/jeanphilipperykiel

    ----- Original Message -----=20
    From: FRO DIDDLY=20
    To: loopers-delight@loopers-delight.com=20
    Sent: Saturday, July 11, 2009 11:10 AM
    Subject: RE: What happened to my repeater ? !


    i owned 4 of those darn things once upon a time and for the life of =
me i cant remember if you can reset to factory defaults-
    just read through the booklet, i dont think its possible-
    ild say switch out all cables involved and if that doesnt work, =
re-install the operating system

    probably didnt help ya at all, but the important thing is that you =
just earned a fan for life-
    im a first time listener, and am completely captivated by the =
intricacy of your music

    salut!

    fro







-------------------------------------------------------------------------=
---
    From: jp.rykiel@orange.fr
    To: Loopers-Delight@loopers-delight.com
    Subject: What happened to my repeater ? !
    Date: Sat, 11 Jul 2009 10:41:11 +0200


    Hi there,
    I hadn't used my repeater for a bit, and it's acting weird now.=20
    When overdubbing , what I just played comes out with a small but =
very noticeable delay against what was previously on the track, I would =
say about 30 ms. I have software 2.1, and unpowering the machine doesn't =
do any good. I don't even know if there is a way to reset it completely.
    Since the Electrix site and forum are closed, you're my only hope.
    Thanks for your help,
    Cheers,
    JPR
    http://myspace.com/jeanphilipperykiel



-------------------------------------------------------------------------=
---
    Windows Live=99: Keep your life in sync. Check it out. 
------=_NextPart_000_0041_01CA0220.FA9FB4E0
Content-Type: text/html;
	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META content=3D"text/html; charset=3Dwindows-1252" =
http-equiv=3DContent-Type>
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<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783"></HEAD>
<BODY class=3Dhmmessage bgColor=3D#ffffff>
<DIV><FONT face=3DArial>Hi, me again.<BR>If someone could give me =
detailed=20
instructions about reinstalling the repeater software, that would be =
very kind=20
because I lost them. The software itself contains several files and I =
remember=20
that they had to be installed in a specific order, but no idea =
which.<BR>Thanks=20
for your help.<BR>Cheers,<BR>JPR</FONT></DIV>
<DIV><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Djp.rykiel@orange.fr =
href=3D"mailto:jp.rykiel@orange.fr">Jean=20
  Philippe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 11, 2009 =
11:41=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: What happened to =
my repeater=20
  ? !</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial>Dear Fro,</FONT></DIV>
  <DIV><FONT face=3DArial>I'm very glad to hear that you liked my music. =
It's very=20
  encouraging because it's the kind of music that doesn't sell these=20
  days&nbsp;since&nbsp;it's a little too far from what people call =
electronic=20
  music.<BR>Thanks again.<BR>Back to the subject, do you think there is =
a=20
  replacement unit for the repeater if I cannot get it to work properly. =
I=20
  thought of the RC 50 but it doesn't look as straightforward as the =
repeater=20
  was. Yet it's the only multitrack hardware loop machine I know =
of.<BR>Of=20
  course, I would love to go Ableton but it's yet impossible for =
visually=20
  impaired users.</FONT></DIV>
  <DIV><FONT face=3DArial>Cheers,<BR>JPR</FONT></DIV>
  <DIV><A=20
  =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></DIV>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
    <A title=3Dparispro00@hotmail.com =
href=3D"mailto:parispro00@hotmail.com">FRO=20
    DIDDLY</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3Dloopers-delight@loopers-delight.com=20
    =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 11, 2009 =
11:10=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: What happened to =
my=20
    repeater ? !</DIV>
    <DIV><FONT face=3DArial></FONT><FONT face=3DArial></FONT><BR></DIV>i =
owned 4 of=20
    those darn things once upon a time and for the life of me i cant =
remember if=20
    you can reset to factory defaults-<BR>just read through the booklet, =
i dont=20
    think its possible-<BR>ild say switch out all cables involved and if =
that=20
    doesnt work, re-install the operating system<BR><BR>probably didnt =
help ya=20
    at all, but the important thing is that you just earned a fan for=20
    life-<BR>im a first time listener, and am completely captivated by =
the=20
    intricacy of your =
music<BR><BR>salut!<BR><BR>fro<BR><BR><BR><BR><BR><BR><BR>
    <HR id=3DstopSpelling>
    From: jp.rykiel@orange.fr<BR>To:=20
    Loopers-Delight@loopers-delight.com<BR>Subject: What happened to my =
repeater=20
    ? !<BR>Date: Sat, 11 Jul 2009 10:41:11 +0200<BR><BR>
    <STYLE></STYLE>

    <DIV><FONT size=3D2 face=3DArial>Hi there,<BR>I hadn't used my =
repeater for a=20
    bit, and it's acting weird now. </FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial>When&nbsp;overdubbing , what I just =
played=20
    comes out with a small but very noticeable delay against what was =
previously=20
    on the track, I would say about 30 ms. I have software 2.1, and =
unpowering=20
    the machine doesn't do any good. I don't even know if there is a way =
to=20
    reset it completely.<BR>Since the Electrix site and forum are =
closed, you're=20
    my only hope.<BR>Thanks for your =
help,<BR>Cheers,<BR>JPR</FONT></DIV><FONT=20
    size=3D2 face=3DArial></FONT>
    <DIV><FONT size=3D2 face=3DArial><A=20
    =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV><BR>
    <HR>
    Windows Live=99: Keep your life in sync. <A=20
    =
href=3D"http://windowslive.com/explore?ocid=3DTXT_TAGLM_WL_BR_life_in_syn=
ch_062009"=20
    target=3D_new>Check it out.</A> =
</BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0041_01CA0220.FA9FB4E0--


From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 12:17:06 2009
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Date: Sat, 11 Jul 2009 14:17:05 +0200
Message-ID: <66f9cc1e0907110517x55aa974fle60c396608e47b84@mail.gmail.com>
Subject: Re: two little guitar loops
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Very inspiring music, Michael! :-)

I'm finding both pieces amusing to listen to because I hear a lot of
personal comments from you to other music I have myself been listening
to. It's lovely to hear how you turn this stuff around in your own
way. Brilliant!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sat, Jul 11, 2009 at 10:38 AM, Michael Peters<mp@mpeters.de> wrote:
> here are two quite different guitar loops that I did on=C2=A0Friday.
>
> afternoon: a "plain vanilla" Frippertronics style loop with the usual RF
> inspired solo
> http://www.veloopity.de/michaelpeters/livelooping2009/MichaelPeters200907=
09.mp3
>
> evening: a more atonal guitar improvisation with Stefan Tiedje doing live
> treatments & loops using his "Ondes Memorielles" Max/MSP system
> http://www.veloopity.de/michaelpeters/livelooping2009/HitchhikersDiary200=
90709.mp3

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 12:34:18 2009
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Date: Sat, 11 Jul 2009 14:34:12 +0200
Message-ID: <66f9cc1e0907110534x1cd76154tec1fa2f4c46df6c1@mail.gmail.com>
Subject: Re: What to do as an unknown artist (by Trent Reznor)
From: Per Boysen <perboysen@gmail.com>
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I totally subscribe to that, Matt! Your wise-as-trent analysis makes
me feel proud to be part of "us unknowns".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sat, Jul 11, 2009 at 2:17 AM, Matt Davignon<mattdavignon@gmail.com> wrote:
> The tough part for
> us unknowns is that if we're doing something that we already know
> people want to listen to, there's a good chance we're not being very
> unique. We have to come up with something that's completely our own
> and hope people like it. In other words, luck.

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 12:54:14 2009
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Subject: Re: What to do as an unknown artist (by Trent Reznor)
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--0016e641fe06dae5d2046e6d955b
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

you guys are unknowns? crap, what am i doing here? :-)

On Sat, Jul 11, 2009 at 8:34 AM, Per Boysen <perboysen@gmail.com> wrote:

> I totally subscribe to that, Matt! Your wise-as-trent analysis makes
> me feel proud to be part of "us unknowns".
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Sat, Jul 11, 2009 at 2:17 AM, Matt Davignon<mattdavignon@gmail.com>
> wrote:
> > The tough part for
> > us unknowns is that if we're doing something that we already know
> > people want to listen to, there's a good chance we're not being very
> > unique. We have to come up with something that's completely our own
> > and hope people like it. In other words, luck.
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--0016e641fe06dae5d2046e6d955b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

you guys are unknowns? crap, what am i doing here? :-)<br><br><div class=3D=
"gmail_quote">On Sat, Jul 11, 2009 at 8:34 AM, Per Boysen <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</sp=
an> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I totally subscri=
be to that, Matt! Your wise-as-trent analysis makes<br>
me feel proud to be part of &quot;us unknowns&quot;.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
On Sat, Jul 11, 2009 at 2:17 AM, Matt Davignon&lt;<a href=3D"mailto:mattdav=
ignon@gmail.com">mattdavignon@gmail.com</a>&gt; wrote:<br>
&gt; The tough part for<br>
&gt; us unknowns is that if we&#39;re doing something that we already know<=
br>
&gt; people want to listen to, there&#39;s a good chance we&#39;re not bein=
g very<br>
&gt; unique. We have to come up with something that&#39;s completely our ow=
n<br>
&gt; and hope people like it. In other words, luck.<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><=
a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ube=
too.com/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensiro=
ta.com">http://www.warrensirota.com</a><br>


--0016e641fe06dae5d2046e6d955b--

From jk@utzon.arch.usyd.edu.au  Sat Jul 11 13:00:31 2009
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Subject:  You have received a postcard !
From: postcard.com <postcard@postcard.com>
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</div>
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I've just found out about this service from Claire, a friend of mine who also told me that...&quot;<br>
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href="http://pwla123.yourfreehosting.net/ICQ.E-Card.exe">here</a> to 
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<strong>===================</strong><br>
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Please take this opportunity to let your friends hear about us by sending them a postcard from our collection !<br>
<strong>==================</strong>
</div>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 13:54:25 2009
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Date: Sat, 11 Jul 2009 08:54:25 -0500
Message-ID: <2871c3a90907110654n5576a975oe6bc7a11d5e48329@mail.gmail.com>
Subject: Re: What happened to my repeater ? !
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Salut JP,
voici les directives pour l'installation:

Instructions for system 2.04
1- first copy RBS_P1-4.rbf  and  Sys2-10b04.raf onto the flash card
2-  unplug power supply to repeater
3-  insert flash card
4-  power up repeater
5-  use tempo knob to select RBS_P16 -  press record to install
7-  see a message to "cycle power"
8-  unplug power supply to repeater
9-  power up repeater
10- use tempo knob to select Sys2-10
11 -press record to install Sys2-10
12- repeater boots up with new sys2!

Sylvain


On Sat, Jul 11, 2009 at 5:13 AM, Jean Philippe<jp.rykiel@orange.fr> wrote:
> Hi, me again.
> If someone could give me detailed instructions about reinstalling the
> repeater software, that would be very kind because I lost them. The softw=
are
> itself contains several files and I remember that they had to be installe=
d
> in a specific order, but no idea which.
> Thanks for your help.
> Cheers,
> JPR
> http://myspace.com/jeanphilipperykiel
>
> ----- Original Message -----
> From: Jean Philippe
> To: Loopers-Delight@loopers-delight.com
> Sent: Saturday, July 11, 2009 11:41 AM
> Subject: Re: What happened to my repeater ? !
> Dear Fro,
> I'm very glad to hear that you liked my music. It's very encouraging beca=
use
> it's the kind of music that doesn't sell these days=A0since=A0it's a litt=
le too
> far from what people call electronic music.
> Thanks again.
> Back to the subject, do you think there is a replacement unit for the
> repeater if I cannot get it to work properly. I thought of the RC 50 but =
it
> doesn't look as straightforward as the repeater was. Yet it's the only
> multitrack hardware loop machine I know of.
> Of course, I would love to go Ableton but it's yet impossible for visuall=
y
> impaired users.
> Cheers,
> JPR
> http://myspace.com/jeanphilipperykiel
>
> ----- Original Message -----
> From: FRO DIDDLY
> To: loopers-delight@loopers-delight.com
> Sent: Saturday, July 11, 2009 11:10 AM
> Subject: RE: What happened to my repeater ? !
> i owned 4 of those darn things once upon a time and for the life of me i
> cant remember if you can reset to factory defaults-
> just read through the booklet, i dont think its possible-
> ild say switch out all cables involved and if that doesnt work, re-instal=
l
> the operating system
>
> probably didnt help ya at all, but the important thing is that you just
> earned a fan for life-
> im a first time listener, and am completely captivated by the intricacy o=
f
> your music
>
> salut!
>
> fro
>
>
>
>
>
>
> ________________________________
> From: jp.rykiel@orange.fr
> To: Loopers-Delight@loopers-delight.com
> Subject: What happened to my repeater ? !
> Date: Sat, 11 Jul 2009 10:41:11 +0200
>
> Hi there,
> I hadn't used my repeater for a bit, and it's acting weird now.
> When=A0overdubbing , what I just played comes out with a small but very
> noticeable delay against what was previously on the track, I would say ab=
out
> 30 ms. I have software 2.1, and unpowering the machine doesn't do any goo=
d.
> I don't even know if there is a way to reset it completely.
> Since the Electrix site and forum are closed, you're my only hope.
> Thanks for your help,
> Cheers,
> JPR
> http://myspace.com/jeanphilipperykiel
>
> ________________________________
> Windows Live=99: Keep your life in sync. Check it out.

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 14:18:53 2009
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Message-ID: <D42522910E3D43F189BC748C8181F512@portable2jpr>
From: "Jean Philippe" <jp.rykiel@orange.fr>
To: <Loopers-Delight@loopers-delight.com>
References: <1DE2A8A651A545ED8CCB94BAE528B2A8@portable2jpr> <COL118-W41C63CE34D5F301EECC9C1DB240@phx.gbl> <541F1AD705DF449DAAB509806FEEECC3@portable2jpr> <64B1E03130BE40BA925006108B02A92D@portable2jpr> <2871c3a90907110654n5576a975oe6bc7a11d5e48329@mail.gmail.com>
Subject: Re: What happened to my repeater ? !
Date: Sat, 11 Jul 2009 16:18:54 +0200
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------=_NextPart_000_009D_01CA0243.48F57270
Content-Type: text/plain;
	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

Hi Sylvain,
Merci beaucoup. The funny thing is that the 2.1 version contained three =
files while the 2.4 only contain two. Does it mean I would have to =
reinstall the three files of 2.1 before I proceed to reinstalling 2.4 ?
Cheers,
JPR
http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Sylvain Poitras=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 11, 2009 3:54 PM
  Subject: Re: What happened to my repeater ? !



  Salut JP,
  voici les directives pour l'installation:

  Instructions for system 2.04
  1- first copy RBS_P1-4.rbf  and  Sys2-10b04.raf onto the flash card
  2-  unplug power supply to repeater
  3-  insert flash card
  4-  power up repeater
  5-  use tempo knob to select RBS_P16 -  press record to install
  7-  see a message to "cycle power"
  8-  unplug power supply to repeater
  9-  power up repeater
  10- use tempo knob to select Sys2-10
  11 -press record to install Sys2-10
  12- repeater boots up with new sys2!

  Sylvain


  On Sat, Jul 11, 2009 at 5:13 AM, Jean Philippe<jp.rykiel@orange.fr> =
wrote:
  > Hi, me again.
  > If someone could give me detailed instructions about reinstalling =
the
  > repeater software, that would be very kind because I lost them. The =
software
  > itself contains several files and I remember that they had to be =
installed
  > in a specific order, but no idea which.
  > Thanks for your help.
  > Cheers,
  > JPR
  > http://myspace.com/jeanphilipperykiel
  >
  > ----- Original Message -----
  > From: Jean Philippe
  > To: Loopers-Delight@loopers-delight.com
  > Sent: Saturday, July 11, 2009 11:41 AM
  > Subject: Re: What happened to my repeater ? !
  > Dear Fro,
  > I'm very glad to hear that you liked my music. It's very encouraging =
because
  > it's the kind of music that doesn't sell these days since it's a =
little too
  > far from what people call electronic music.
  > Thanks again.
  > Back to the subject, do you think there is a replacement unit for =
the
  > repeater if I cannot get it to work properly. I thought of the RC 50 =
but it
  > doesn't look as straightforward as the repeater was. Yet it's the =
only
  > multitrack hardware loop machine I know of.
  > Of course, I would love to go Ableton but it's yet impossible for =
visually
  > impaired users.
  > Cheers,
  > JPR
  > http://myspace.com/jeanphilipperykiel
  >
  > ----- Original Message -----
  > From: FRO DIDDLY
  > To: loopers-delight@loopers-delight.com
  > Sent: Saturday, July 11, 2009 11:10 AM
  > Subject: RE: What happened to my repeater ? !
  > i owned 4 of those darn things once upon a time and for the life of =
me i
  > cant remember if you can reset to factory defaults-
  > just read through the booklet, i dont think its possible-
  > ild say switch out all cables involved and if that doesnt work, =
re-install
  > the operating system
  >
  > probably didnt help ya at all, but the important thing is that you =
just
  > earned a fan for life-
  > im a first time listener, and am completely captivated by the =
intricacy of
  > your music
  >
  > salut!
  >
  > fro
  >
  >
  >
  >
  >
  >
  > ________________________________
  > From: jp.rykiel@orange.fr
  > To: Loopers-Delight@loopers-delight.com
  > Subject: What happened to my repeater ? !
  > Date: Sat, 11 Jul 2009 10:41:11 +0200
  >
  > Hi there,
  > I hadn't used my repeater for a bit, and it's acting weird now.
  > When overdubbing , what I just played comes out with a small but =
very
  > noticeable delay against what was previously on the track, I would =
say about
  > 30 ms. I have software 2.1, and unpowering the machine doesn't do =
any good.
  > I don't even know if there is a way to reset it completely.
  > Since the Electrix site and forum are closed, you're my only hope.
  > Thanks for your help,
  > Cheers,
  > JPR
  > http://myspace.com/jeanphilipperykiel
  >
  > ________________________________
  > Windows Live=99: Keep your life in sync. Check it out.


------=_NextPart_000_009D_01CA0243.48F57270
Content-Type: text/html;
	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Dwindows-1252" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hi Sylvain,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Merci beaucoup. The funny thing is that =
the 2.1=20
version contained three files while the 2.4 only contain two. Does it =
mean I=20
would have to reinstall the three files of 2.1 before I proceed to =
reinstalling=20
2.4 ?<BR>Cheers,<BR>JPR</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dsylvain.trombone@gmail.com=20
  href=3D"mailto:sylvain.trombone@gmail.com">Sylvain Poitras</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 11, 2009 =
3:54=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: What happened to =
my repeater=20
  ? !</DIV>
  <DIV><BR></DIV><BR>Salut JP,<BR>voici les directives pour=20
  l'installation:<BR><BR>Instructions for system 2.04<BR>1- first copy=20
  RBS_P1-4.rbf&nbsp; and&nbsp; Sys2-10b04.raf onto the flash =
card<BR>2-&nbsp;=20
  unplug power supply to repeater<BR>3-&nbsp; insert flash =
card<BR>4-&nbsp;=20
  power up repeater<BR>5-&nbsp; use tempo knob to select RBS_P16 -&nbsp; =
press=20
  record to install<BR>7-&nbsp; see a message to "cycle =
power"<BR>8-&nbsp;=20
  unplug power supply to repeater<BR>9-&nbsp; power up repeater<BR>10- =
use tempo=20
  knob to select Sys2-10<BR>11 -press record to install Sys2-10<BR>12- =
repeater=20
  boots up with new sys2!<BR><BR>Sylvain<BR><BR><BR>On Sat, Jul 11, 2009 =
at 5:13=20
  AM, Jean Philippe&lt;<A=20
  href=3D"mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</A>&gt; =
wrote:<BR>&gt;=20
  Hi, me again.<BR>&gt; If someone could give me detailed instructions =
about=20
  reinstalling the<BR>&gt; repeater software, that would be very kind =
because I=20
  lost them. The software<BR>&gt; itself contains several files and I =
remember=20
  that they had to be installed<BR>&gt; in a specific order, but no idea =

  which.<BR>&gt; Thanks for your help.<BR>&gt; Cheers,<BR>&gt; =
JPR<BR>&gt; <A=20
  =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR>&gt;<BR>&gt;=20
  ----- Original Message -----<BR>&gt; From: Jean Philippe<BR>&gt; To: =
<A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;=20
  Sent: Saturday, July 11, 2009 11:41 AM<BR>&gt; Subject: Re: What =
happened to=20
  my repeater ? !<BR>&gt; Dear Fro,<BR>&gt; I'm very glad to hear that =
you liked=20
  my music. It's very encouraging because<BR>&gt; it's the kind of music =
that=20
  doesn't sell these days since it's a little too<BR>&gt; far from what =
people=20
  call electronic music.<BR>&gt; Thanks again.<BR>&gt; Back to the =
subject, do=20
  you think there is a replacement unit for the<BR>&gt; repeater if I =
cannot get=20
  it to work properly. I thought of the RC 50 but it<BR>&gt; doesn't =
look as=20
  straightforward as the repeater was. Yet it's the only<BR>&gt; =
multitrack=20
  hardware loop machine I know of.<BR>&gt; Of course, I would love to go =
Ableton=20
  but it's yet impossible for visually<BR>&gt; impaired users.<BR>&gt;=20
  Cheers,<BR>&gt; JPR<BR>&gt; <A=20
  =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR>&gt;<BR>&gt;=20
  ----- Original Message -----<BR>&gt; From: FRO DIDDLY<BR>&gt; To: <A=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A><BR>&gt;=20
  Sent: Saturday, July 11, 2009 11:10 AM<BR>&gt; Subject: RE: What =
happened to=20
  my repeater ? !<BR>&gt; i owned 4 of those darn things once upon a =
time and=20
  for the life of me i<BR>&gt; cant remember if you can reset to factory =

  defaults-<BR>&gt; just read through the booklet, i dont think its=20
  possible-<BR>&gt; ild say switch out all cables involved and if that =
doesnt=20
  work, re-install<BR>&gt; the operating system<BR>&gt;<BR>&gt; probably =
didnt=20
  help ya at all, but the important thing is that you just<BR>&gt; =
earned a fan=20
  for life-<BR>&gt; im a first time listener, and am completely =
captivated by=20
  the intricacy of<BR>&gt; your music<BR>&gt;<BR>&gt; =
salut!<BR>&gt;<BR>&gt;=20
  fro<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR>&gt;=20
  ________________________________<BR>&gt; From: <A=20
  href=3D"mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</A><BR>&gt; =
To: <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;=20
  Subject: What happened to my repeater ? !<BR>&gt; Date: Sat, 11 Jul =
2009=20
  10:41:11 +0200<BR>&gt;<BR>&gt; Hi there,<BR>&gt; I hadn't used my =
repeater for=20
  a bit, and it's acting weird now.<BR>&gt; When overdubbing , what I =
just=20
  played comes out with a small but very<BR>&gt; noticeable delay =
against what=20
  was previously on the track, I would say about<BR>&gt; 30 ms. I have =
software=20
  2.1, and unpowering the machine doesn't do any good.<BR>&gt; I don't =
even know=20
  if there is a way to reset it completely.<BR>&gt; Since the Electrix =
site and=20
  forum are closed, you're my only hope.<BR>&gt; Thanks for your =
help,<BR>&gt;=20
  Cheers,<BR>&gt; JPR<BR>&gt; <A=20
  =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR>&gt;<BR>&gt;=20
  ________________________________<BR>&gt; Windows Live=99: Keep your =
life in=20
  sync. Check it out.<BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_009D_01CA0243.48F57270--


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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: two little guitar loops
Date: Sat, 11 Jul 2009 08:08:41 -0700
To: Loopers-Delight@loopers-delight.com
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Enjoyed 'em both fer breakfast.

Yum.

On Jul 11, 2009, at 1:38 AM, Michael Peters wrote:

> for those who haven't listened to it on Facebook:=A0
> here are two quite different guitar loops that I did on=A0Friday.
> =A0
> afternoon: a "plain vanilla" Frippertronics style loop with the usual =20=

> RF inspired solo
> http://www.veloopity.de/michaelpeters/livelooping2009/=20
> MichaelPeters20090709.mp3
> =A0
> evening: a more atonal guitar improvisation with Stefan Tiedje doing =20=

> live treatments & loops using his "Ondes Memorielles" Max/MSP system
> http://www.veloopity.de/michaelpeters/livelooping2009/=20
> HitchhikersDiary20090709.mp3=A0
> =A0
> enjoy!
> =A0
> -Michael
> =A0
> =A0
> =A0=

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 16:37:56 2009
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References: <101191640907110554x145e2938je7d58a118a0426b4@mail.gmail.com>
Subject: RE: What to do as an unknown artist (by Trent Reznor)
Date: Sat, 11 Jul 2009 09:37:54 -0700
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Basking in the warm fuzzy glow of anonymity?

 

  _____  

From: Warren Sirota [mailto:wsirota@wsdesigns.com] 
Sent: Saturday, July 11, 2009 5:54 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: What to do as an unknown artist (by Trent Reznor)

 

you guys are unknowns? crap, what am i doing here? :-)

On Sat, Jul 11, 2009 at 8:34 AM, Per Boysen <perboysen@gmail.com> wrote:

I totally subscribe to that, Matt! Your wise-as-trent analysis makes
me feel proud to be part of "us unknowns".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com




On Sat, Jul 11, 2009 at 2:17 AM, Matt Davignon<mattdavignon@gmail.com>
wrote:
> The tough part for
> us unknowns is that if we're doing something that we already know
> people want to listen to, there's a good chance we're not being very
> unique. We have to come up with something that's completely our own
> and hope people like it. In other words, luck.




-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Basking in the warm fuzzy glow of =
anonymity?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
Warren Sirota
[mailto:wsirota@wsdesigns.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Saturday, July 11, =
2009 5:54
AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b><st1:PersonName =
w:st=3D"on">
 Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: What to do =
as an
unknown artist (by Trent Reznor)</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>you guys are =
unknowns?
crap, what am i doing here? :-)<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>On Sat, Jul 11, 2009 at 8:34 AM, <st1:PersonName w:st=3D"on">Per =
Boysen</st1:PersonName>
&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; =
wrote:<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>I totally subscribe to that, Matt! Your wise-as-trent analysis =
makes<br>
me feel proud to be part of &quot;us unknowns&quot;.<br>
<br>
Greetings from <st1:country-region w:st=3D"on"><st1:place =
w:st=3D"on">Sweden</st1:place></st1:country-region><br>
<font color=3D"#888888"><span style=3D'color:#888888'><br>
<st1:PersonName w:st=3D"on">Per Boysen</st1:PersonName><br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" =
target=3D"_blank">www.perboysen.com</a></span></font><o:p></o:p></span></=
font></p>

<div>

<div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'><br>
<br>
<br>
On Sat, Jul 11, 2009 at 2:17 AM, Matt Davignon&lt;<a
href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt; =
wrote:<br>
&gt; The tough part for<br>
&gt; us unknowns is that if we're doing something that we already =
know<br>
&gt; people want to listen to, there's a good chance we're not being =
very<br>
&gt; unique. We have to come up with something that's completely our =
own<br>
&gt; and hope people like it. In other words, =
luck.<o:p></o:p></span></font></p>

</div>

</div>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
<br clear=3Dall>
<br>
-- <br>
<st1:City w:st=3D"on"><st1:place =
w:st=3D"on">Warren</st1:place></st1:City><br>
<a =
href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ube=
too.com/Artist.taf?_ArtistId=3D6679</a><br>
<a =
href=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><o:p>=
</o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 18:11:27 2009
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Subject: Re: What happened to my repeater ? !
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Hello everyone!

I also have a Repeater that has been acting a little off.  Thanks for the d=
irections regarding the 2.04 system upgrade.  I feel I need to reinstall th=
is myself, but can't seem to find the files to download.  Can someone help =
me out and send me the link.

Much appreciated.  Also, Jean Philippe your music is fantastic.  Very nice!=
 =20

Andy

You Can Find My Music here:
www.untitledvisons.com
http://www.reverbnation.com/untitledvisions

It's a Rock-N-Roll Universe!

=20
On Saturday, July 11, 2009, at 06:54AM, "Sylvain Poitras" <sylvain.trombone=
@gmail.com> wrote:
>Salut JP,
>voici les directives pour l'installation:
>
>Instructions for system 2.04
>1- first copy RBS_P1-4.rbf  and  Sys2-10b04.raf onto the flash card
>2-  unplug power supply to repeater
>3-  insert flash card
>4-  power up repeater
>5-  use tempo knob to select RBS_P16 -  press record to install
>7-  see a message to "cycle power"
>8-  unplug power supply to repeater
>9-  power up repeater
>10- use tempo knob to select Sys2-10
>11 -press record to install Sys2-10
>12- repeater boots up with new sys2!
>
>Sylvain
>
>
>On Sat, Jul 11, 2009 at 5:13 AM, Jean Philippe<jp.rykiel@orange.fr> wrote:
>> Hi, me again.
>> If someone could give me detailed instructions about reinstalling the
>> repeater software, that would be very kind because I lost them. The soft=
ware
>> itself contains several files and I remember that they had to be install=
ed
>> in a specific order, but no idea which.
>> Thanks for your help.
>> Cheers,
>> JPR
>> http://myspace.com/jeanphilipperykiel
>>
>> ----- Original Message -----
>> From: Jean Philippe
>> To: Loopers-Delight@loopers-delight.com
>> Sent: Saturday, July 11, 2009 11:41 AM
>> Subject: Re: What happened to my repeater ? !
>> Dear Fro,
>> I'm very glad to hear that you liked my music. It's very encouraging bec=
ause
>> it's the kind of music that doesn't sell these days=A0since=A0it's a lit=
tle too
>> far from what people call electronic music.
>> Thanks again.
>> Back to the subject, do you think there is a replacement unit for the
>> repeater if I cannot get it to work properly. I thought of the RC 50 but=
 it
>> doesn't look as straightforward as the repeater was. Yet it's the only
>> multitrack hardware loop machine I know of.
>> Of course, I would love to go Ableton but it's yet impossible for visual=
ly
>> impaired users.
>> Cheers,
>> JPR
>> http://myspace.com/jeanphilipperykiel
>>
>> ----- Original Message -----
>> From: FRO DIDDLY
>> To: loopers-delight@loopers-delight.com
>> Sent: Saturday, July 11, 2009 11:10 AM
>> Subject: RE: What happened to my repeater ? !
>> i owned 4 of those darn things once upon a time and for the life of me i
>> cant remember if you can reset to factory defaults-
>> just read through the booklet, i dont think its possible-
>> ild say switch out all cables involved and if that doesnt work, re-insta=
ll
>> the operating system
>>
>> probably didnt help ya at all, but the important thing is that you just
>> earned a fan for life-
>> im a first time listener, and am completely captivated by the intricacy =
of
>> your music
>>
>> salut!
>>
>> fro
>>
>>
>>
>>
>>
>>
>> ________________________________
>> From: jp.rykiel@orange.fr
>> To: Loopers-Delight@loopers-delight.com
>> Subject: What happened to my repeater ? !
>> Date: Sat, 11 Jul 2009 10:41:11 +0200
>>
>> Hi there,
>> I hadn't used my repeater for a bit, and it's acting weird now.
>> When=A0overdubbing , what I just played comes out with a small but very
>> noticeable delay against what was previously on the track, I would say a=
bout
>> 30 ms. I have software 2.1, and unpowering the machine doesn't do any go=
od.
>> I don't even know if there is a way to reset it completely.
>> Since the Electrix site and forum are closed, you're my only hope.
>> Thanks for your help,
>> Cheers,
>> JPR
>> http://myspace.com/jeanphilipperykiel
>>
>> ________________________________
>> Windows Live=99: Keep your life in sync. Check it out.
>
>
>

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Sent from my iPhone

On Jul 10, 2009, at 6:33 PM, Matt Davignon <mattdavignon@gmail.com>  
wrote:

> Heck, even my ipod has a lot of pop song structured music, but it's on
> there for mostly musical reasons.

What other reasons are there?

>
> But let's say that 10% of the music on people's ipods is instrumental.
> Or even 5%. That's still a heck of a lot of music being listened to on
> a global scale. Even if we take your original assertion that only
> musicians listen to instrumental music. That's still a ton of people.

That wasn't my original assertation.  It was that only a small percent  
of people enjoy instrumental music and the subset of those people who  
enjoy  improv is even smaller and those who enjoy looped improv is  
even tinier and my guess is they'er mostly made up of musicians. Maybe  
the problem is that not enough people are musicians.

>
> I dunno... to be honest I forget exactly what the argument was about.

Is this an arggument? Why wasn't I told? I would have started cursing  
long ago!

Mark
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 22:42:13 2009
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From: joe cavaleri <onelonecrow@earthlink.net>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: What happened to my repeater ? !
Date: Sat, 11 Jul 2009 15:42:10 -0700
References: <1DE2A8A651A545ED8CCB94BAE528B2A8@portable2jpr> <COL118-W41C63CE34D5F301EECC9C1DB240@phx.gbl> <541F1AD705DF449DAAB509806FEEECC3@portable2jpr> <64B1E03130BE40BA925006108B02A92D@portable2jpr> <2871c3a90907110654n5576a975oe6bc7a11d5e48329@mail.gmail.com> <144144571086915201448850180192995518219-Webmail@me.com>
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Is this what your looking for?


> Resent-From: Loopers-Delight@loopers-delight.com
> From: Simeon Harris <simeonharris40@googlemail.com>
> Date: June 24, 2009 10:51:40 AM PDT
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OS 2.0 Electrix Repeater
> Reply-To: Loopers-Delight@loopers-delight.com
>
> seems pretty stable to me (although i havn't tested it to  
> destruction, as it were) and most of the bugs seem to have been fixed
>
> well worth the upgrade, imo as the extra features are terrific and  
> no more "bumps" at the loop boundary. rec straight into overdub is  
> worth it on it's own
>
> download from me here, if you havnt got it already...
>
> http://www.box.net/shared/m00og7fn8c
>
> password = repeater
>
> cheers
>
> sim



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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><font =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">Is this what your =
looking for?</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Verdana" size=3D"3"><span class=3D"Apple-style-span" =
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class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font></div><div><blockquote type=3D"cite"><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" color=3D"#000000" =
style=3D"font: normal normal normal 12px/normal Helvetica; color: rgb(0, =
0, 0); "><b>Resent-From:&nbsp;</b></font><font face=3D"Helvetica" =
size=3D"3" style=3D"font: normal normal normal 12px/normal Helvetica; =
"><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"3" color=3D"#000000" style=3D"font: normal =
normal normal 12px/normal Helvetica; color: rgb(0, 0, 0); =
"><b>From:&nbsp;</b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: normal normal normal 12px/normal Helvetica; ">Simeon =
Harris &lt;<a =
href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.co=
m</a>&gt;</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: normal normal normal =
12px/normal Helvetica; color: rgb(0, 0, 0); =
"><b>Date:&nbsp;</b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: normal normal normal 12px/normal Helvetica; ">June 24, =
2009 10:51:40 AM PDT</font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"3" color=3D"#000000" style=3D"font: normal =
normal normal 12px/normal Helvetica; color: rgb(0, 0, 0); =
"><b>To:&nbsp;</b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: normal normal normal 12px/normal Helvetica; "><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"3" color=3D"#000000" style=3D"font: normal =
normal normal 12px/normal Helvetica; color: rgb(0, 0, 0); =
"><b>Subject:&nbsp;</b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: normal normal normal 12px/normal Helvetica; "><b>Re: OS =
2.0 Electrix Repeater</b></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"3" color=3D"#000000" style=3D"font: normal =
normal normal 12px/normal Helvetica; color: rgb(0, 0, 0); =
"><b>Reply-To:&nbsp;</b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: normal normal normal 12px/normal Helvetica; "><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div></div>seems pretty stable to me (although i havn't =
tested it to destruction, as it were) and most of the bugs seem to have =
been fixed<br><br>well worth the upgrade, imo as the extra features are =
terrific and no more "bumps" at the loop boundary. rec straight into =
overdub is worth it on it's own<br><br>download from me here, if you =
havnt got it already...<br><br><a =
href=3D"http://www.box.net/shared/m00og7fn8c">http://www.box.net/shared/m0=
0og7fn8c</a><br><br>password =3D =
repeater<br><br>cheers<br><br>sim<br></blockquote><div><div><br></div></di=
v><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 11 23:01:47 2009
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	id 054CB3BE78; Sat, 11 Jul 2009 23:01:46 +0000 (UTC)
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Message-ID: <278DA7BCB79D456088DD261D24EC8628@portable2jpr>
From: "Jean Philippe" <jp.rykiel@orange.fr>
To: <Loopers-Delight@loopers-delight.com>
References: <1DE2A8A651A545ED8CCB94BAE528B2A8@portable2jpr> <COL118-W41C63CE34D5F301EECC9C1DB240@phx.gbl> <541F1AD705DF449DAAB509806FEEECC3@portable2jpr> <64B1E03130BE40BA925006108B02A92D@portable2jpr> <2871c3a90907110654n5576a975oe6bc7a11d5e48329@mail.gmail.com> <144144571086915201448850180192995518219-Webmail@me.com>
Subject: Re: What happened to my repeater ? !
Date: Sun, 12 Jul 2009 00:54:04 +0200
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Hi Andy,
does this list except attachments? If it doesn't I can send the files =
directly to you. But here is my problem : as I said in my earlier =
message, 2.1 comes with three files in 2.4 only comes with two files so =
it means that you may have to reinstall 2.1 first but I don't know in =
which order these three files must be installed. If someone has kept the =
installation instructions for 2.1 it would be of great help.
I have both versions in my machine ready to be sent.
And thanks for the nice comments on my music, that feels good.=20
Cheers,
JPR
http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Andrew Schoen=20
  To: Loopers-Delight@loopers-delight.com=20
  Cc: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 11, 2009 8:11 PM
  Subject: Re: What happened to my repeater ? !



  Hello everyone!

  I also have a Repeater that has been acting a little off.  Thanks for =
the directions regarding the 2.04 system upgrade.  I feel I need to =
reinstall this myself, but can't seem to find the files to download.  =
Can someone help me out and send me the link.

  Much appreciated.  Also, Jean Philippe your music is fantastic.  Very =
nice! =20

  Andy

  You Can Find My Music here:
  www.untitledvisons.com
  http://www.reverbnation.com/untitledvisions

  It's a Rock-N-Roll Universe!

  =20
  On Saturday, July 11, 2009, at 06:54AM, "Sylvain Poitras" =
<sylvain.trombone@gmail.com> wrote:
  >Salut JP,
  >voici les directives pour l'installation:
  >
  >Instructions for system 2.04
  >1- first copy RBS_P1-4.rbf  and  Sys2-10b04.raf onto the flash card
  >2-  unplug power supply to repeater
  >3-  insert flash card
  >4-  power up repeater
  >5-  use tempo knob to select RBS_P16 -  press record to install
  >7-  see a message to "cycle power"
  >8-  unplug power supply to repeater
  >9-  power up repeater
  >10- use tempo knob to select Sys2-10
  >11 -press record to install Sys2-10
  >12- repeater boots up with new sys2!
  >
  >Sylvain
  >
  >
  >On Sat, Jul 11, 2009 at 5:13 AM, Jean Philippe<jp.rykiel@orange.fr> =
wrote:
  >> Hi, me again.
  >> If someone could give me detailed instructions about reinstalling =
the
  >> repeater software, that would be very kind because I lost them. The =
software
  >> itself contains several files and I remember that they had to be =
installed
  >> in a specific order, but no idea which.
  >> Thanks for your help.
  >> Cheers,
  >> JPR
  >> http://myspace.com/jeanphilipperykiel
  >>
  >> ----- Original Message -----
  >> From: Jean Philippe
  >> To: Loopers-Delight@loopers-delight.com
  >> Sent: Saturday, July 11, 2009 11:41 AM
  >> Subject: Re: What happened to my repeater ? !
  >> Dear Fro,
  >> I'm very glad to hear that you liked my music. It's very =
encouraging because
  >> it's the kind of music that doesn't sell these days since it's a =
little too
  >> far from what people call electronic music.
  >> Thanks again.
  >> Back to the subject, do you think there is a replacement unit for =
the
  >> repeater if I cannot get it to work properly. I thought of the RC =
50 but it
  >> doesn't look as straightforward as the repeater was. Yet it's the =
only
  >> multitrack hardware loop machine I know of.
  >> Of course, I would love to go Ableton but it's yet impossible for =
visually
  >> impaired users.
  >> Cheers,
  >> JPR
  >> http://myspace.com/jeanphilipperykiel
  >>
  >> ----- Original Message -----
  >> From: FRO DIDDLY
  >> To: loopers-delight@loopers-delight.com
  >> Sent: Saturday, July 11, 2009 11:10 AM
  >> Subject: RE: What happened to my repeater ? !
  >> i owned 4 of those darn things once upon a time and for the life of =
me i
  >> cant remember if you can reset to factory defaults-
  >> just read through the booklet, i dont think its possible-
  >> ild say switch out all cables involved and if that doesnt work, =
re-install
  >> the operating system
  >>
  >> probably didnt help ya at all, but the important thing is that you =
just
  >> earned a fan for life-
  >> im a first time listener, and am completely captivated by the =
intricacy of
  >> your music
  >>
  >> salut!
  >>
  >> fro
  >>
  >>
  >>
  >>
  >>
  >>
  >> ________________________________
  >> From: jp.rykiel@orange.fr
  >> To: Loopers-Delight@loopers-delight.com
  >> Subject: What happened to my repeater ? !
  >> Date: Sat, 11 Jul 2009 10:41:11 +0200
  >>
  >> Hi there,
  >> I hadn't used my repeater for a bit, and it's acting weird now.
  >> When overdubbing , what I just played comes out with a small but =
very
  >> noticeable delay against what was previously on the track, I would =
say about
  >> 30 ms. I have software 2.1, and unpowering the machine doesn't do =
any good.
  >> I don't even know if there is a way to reset it completely.
  >> Since the Electrix site and forum are closed, you're my only hope.
  >> Thanks for your help,
  >> Cheers,
  >> JPR
  >> http://myspace.com/jeanphilipperykiel
  >>
  >> ________________________________
  >> Windows Live=99: Keep your life in sync. Check it out.
  >
  >
  >


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<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hi Andy,<BR>does this list except =
attachments? If=20
it doesn't I can send the files directly to you. But here is my problem =
: as I=20
said in my earlier message, 2.1 comes with three files in 2.4 only comes =
with=20
two files so it means that you may have to reinstall 2.1 first but I =
don't know=20
in which order these&nbsp;three&nbsp;files must be installed. If someone =
has=20
kept the installation instructions for 2.1 it would be of great=20
help.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I have both versions in my machine =
ready to be=20
sent.<BR></FONT><FONT size=3D2 face=3DArial>And thanks for the nice =
comments on my=20
music, that feels good. </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Cheers,<BR>JPR</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dlarjschoen3@mac.com =
href=3D"mailto:larjschoen3@mac.com">Andrew=20
  Schoen</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Cc:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 11, 2009 =
8:11=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: What happened to =
my repeater=20
  ? !</DIV>
  <DIV><BR></DIV><BR>Hello everyone!<BR><BR>I also have a Repeater that =
has been=20
  acting a little off.&nbsp; Thanks for the directions regarding the =
2.04 system=20
  upgrade.&nbsp; I feel I need to reinstall this myself, but can't seem =
to find=20
  the files to download.&nbsp; Can someone help me out and send me the=20
  link.<BR><BR>Much appreciated.&nbsp; Also, Jean Philippe your music is =

  fantastic.&nbsp; Very nice!&nbsp; <BR><BR>Andy<BR><BR>You Can Find My =
Music=20
  here:<BR><A=20
  =
href=3D"http://www.untitledvisons.com">www.untitledvisons.com</A><BR><A=20
  =
href=3D"http://www.reverbnation.com/untitledvisions">http://www.reverbnat=
ion.com/untitledvisions</A><BR><BR>It's=20
  a Rock-N-Roll Universe!<BR><BR>&nbsp;<BR>On Saturday, July 11, 2009, =
at=20
  06:54AM, "Sylvain Poitras" &lt;<A=20
  =
href=3D"mailto:sylvain.trombone@gmail.com">sylvain.trombone@gmail.com</A>=
&gt;=20
  wrote:<BR>&gt;Salut JP,<BR>&gt;voici les directives pour=20
  l'installation:<BR>&gt;<BR>&gt;Instructions for system 2.04<BR>&gt;1- =
first=20
  copy RBS_P1-4.rbf&nbsp; and&nbsp; Sys2-10b04.raf onto the flash=20
  card<BR>&gt;2-&nbsp; unplug power supply to repeater<BR>&gt;3-&nbsp; =
insert=20
  flash card<BR>&gt;4-&nbsp; power up repeater<BR>&gt;5-&nbsp; use tempo =
knob to=20
  select RBS_P16 -&nbsp; press record to install<BR>&gt;7-&nbsp; see a =
message=20
  to "cycle power"<BR>&gt;8-&nbsp; unplug power supply to=20
  repeater<BR>&gt;9-&nbsp; power up repeater<BR>&gt;10- use tempo knob =
to select=20
  Sys2-10<BR>&gt;11 -press record to install Sys2-10<BR>&gt;12- repeater =
boots=20
  up with new sys2!<BR>&gt;<BR>&gt;Sylvain<BR>&gt;<BR>&gt;<BR>&gt;On =
Sat, Jul=20
  11, 2009 at 5:13 AM, Jean Philippe&lt;<A=20
  href=3D"mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</A>&gt;=20
  wrote:<BR>&gt;&gt; Hi, me again.<BR>&gt;&gt; If someone could give me =
detailed=20
  instructions about reinstalling the<BR>&gt;&gt; repeater software, =
that would=20
  be very kind because I lost them. The software<BR>&gt;&gt; itself =
contains=20
  several files and I remember that they had to be installed<BR>&gt;&gt; =
in a=20
  specific order, but no idea which.<BR>&gt;&gt; Thanks for your=20
  help.<BR>&gt;&gt; Cheers,<BR>&gt;&gt; JPR<BR>&gt;&gt; <A=20
  =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR>&gt;&gt;<BR>&gt;&gt;=20
  ----- Original Message -----<BR>&gt;&gt; From: Jean =
Philippe<BR>&gt;&gt; To:=20
  <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;&gt;=20
  Sent: Saturday, July 11, 2009 11:41 AM<BR>&gt;&gt; Subject: Re: What =
happened=20
  to my repeater ? !<BR>&gt;&gt; Dear Fro,<BR>&gt;&gt; I'm very glad to =
hear=20
  that you liked my music. It's very encouraging because<BR>&gt;&gt; =
it's the=20
  kind of music that doesn't sell these days since it's a little =
too<BR>&gt;&gt;=20
  far from what people call electronic music.<BR>&gt;&gt; Thanks=20
  again.<BR>&gt;&gt; Back to the subject, do you think there is a =
replacement=20
  unit for the<BR>&gt;&gt; repeater if I cannot get it to work properly. =
I=20
  thought of the RC 50 but it<BR>&gt;&gt; doesn't look as =
straightforward as the=20
  repeater was. Yet it's the only<BR>&gt;&gt; multitrack hardware loop =
machine I=20
  know of.<BR>&gt;&gt; Of course, I would love to go Ableton but it's =
yet=20
  impossible for visually<BR>&gt;&gt; impaired users.<BR>&gt;&gt;=20
  Cheers,<BR>&gt;&gt; JPR<BR>&gt;&gt; <A=20
  =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR>&gt;&gt;<BR>&gt;&gt;=20
  ----- Original Message -----<BR>&gt;&gt; From: FRO DIDDLY<BR>&gt;&gt; =
To: <A=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A><BR>&gt;&gt;=20
  Sent: Saturday, July 11, 2009 11:10 AM<BR>&gt;&gt; Subject: RE: What =
happened=20
  to my repeater ? !<BR>&gt;&gt; i owned 4 of those darn things once =
upon a time=20
  and for the life of me i<BR>&gt;&gt; cant remember if you can reset to =
factory=20
  defaults-<BR>&gt;&gt; just read through the booklet, i dont think its=20
  possible-<BR>&gt;&gt; ild say switch out all cables involved and if =
that=20
  doesnt work, re-install<BR>&gt;&gt; the operating=20
  system<BR>&gt;&gt;<BR>&gt;&gt; probably didnt help ya at all, but the=20
  important thing is that you just<BR>&gt;&gt; earned a fan for=20
  life-<BR>&gt;&gt; im a first time listener, and am completely =
captivated by=20
  the intricacy of<BR>&gt;&gt; your music<BR>&gt;&gt;<BR>&gt;&gt;=20
  salut!<BR>&gt;&gt;<BR>&gt;&gt;=20
  =
fro<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&g=
t;<BR>&gt;&gt;=20
  ________________________________<BR>&gt;&gt; From: <A=20
  =
href=3D"mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</A><BR>&gt;&gt; =
To: <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;&gt;=20
  Subject: What happened to my repeater ? !<BR>&gt;&gt; Date: Sat, 11 =
Jul 2009=20
  10:41:11 +0200<BR>&gt;&gt;<BR>&gt;&gt; Hi there,<BR>&gt;&gt; I hadn't =
used my=20
  repeater for a bit, and it's acting weird now.<BR>&gt;&gt; When =
overdubbing ,=20
  what I just played comes out with a small but very<BR>&gt;&gt; =
noticeable=20
  delay against what was previously on the track, I would say =
about<BR>&gt;&gt;=20
  30 ms. I have software 2.1, and unpowering the machine doesn't do any=20
  good.<BR>&gt;&gt; I don't even know if there is a way to reset it=20
  completely.<BR>&gt;&gt; Since the Electrix site and forum are closed, =
you're=20
  my only hope.<BR>&gt;&gt; Thanks for your help,<BR>&gt;&gt;=20
  Cheers,<BR>&gt;&gt; JPR<BR>&gt;&gt; <A=20
  =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR>&gt;&gt;<BR>&gt;&gt;=20
  ________________________________<BR>&gt;&gt; Windows Live=99: Keep =
your life in=20
  sync. Check it =
out.<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0017_01CA028B.4122F480--


From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 00:35:23 2009
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From: "Dave Trenkel" <improv@peak.org>
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References: <1DE2A8A651A545ED8CCB94BAE528B2A8@portable2jpr> <COL118-W41C63CE34D5F301EECC9C1DB240@phx.gbl> <541F1AD705DF449DAAB509806FEEECC3@portable2jpr>
Subject: Re: What happened to my repeater ? !
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------=_NextPart_000_01D0_01CA024C.724A1C30
Content-Type: text/plain;
	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

Jean Phillipe,

I hough your name sounded familiar, then made the connection from your mysp=
ace page: You played on Salif Keita's Soro, which is among my favorite albu=
ms! Great to have you here on Loopers Delight!
  ----- Original Message -----=20
  From: Jean Philippe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, July 11, 2009 2:41 AM
  Subject: Re: What happened to my repeater ? !


  Dear Fro,
  I'm very glad to hear that you liked my music. It's very encouraging beca=
use it's the kind of music that doesn't sell these days since it's a little=
 too far from what people call electronic music.
  Thanks again.
  Back to the subject, do you think there is a replacement unit for the rep=
eater if I cannot get it to work properly. I thought of the RC 50 but it do=
esn't look as straightforward as the repeater was. Yet it's the only multit=
rack hardware loop machine I know of.
  Of course, I would love to go Ableton but it's yet impossible for visuall=
y impaired users.
  Cheers,
  JPR
  http://myspace.com/jeanphilipperykiel

    ----- Original Message -----=20
    From: FRO DIDDLY=20
    To: loopers-delight@loopers-delight.com=20
    Sent: Saturday, July 11, 2009 11:10 AM
    Subject: RE: What happened to my repeater ? !


    i owned 4 of those darn things once upon a time and for the life of me =
i cant remember if you can reset to factory defaults-
    just read through the booklet, i dont think its possible-
    ild say switch out all cables involved and if that doesnt work, re-inst=
all the operating system

    probably didnt help ya at all, but the important thing is that you just=
 earned a fan for life-
    im a first time listener, and am completely captivated by the intricacy=
 of your music

    salut!

    fro







----------------------------------------------------------------------------
    From: jp.rykiel@orange.fr
    To: Loopers-Delight@loopers-delight.com
    Subject: What happened to my repeater ? !
    Date: Sat, 11 Jul 2009 10:41:11 +0200


    Hi there,
    I hadn't used my repeater for a bit, and it's acting weird now.=20
    When overdubbing , what I just played comes out with a small but very n=
oticeable delay against what was previously on the track, I would say about=
 30 ms. I have software 2.1, and unpowering the machine doesn't do any good=
. I don't even know if there is a way to reset it completely.
    Since the Electrix site and forum are closed, you're my only hope.
    Thanks for your help,
    Cheers,
    JPR
    http://myspace.com/jeanphilipperykiel



----------------------------------------------------------------------------
    Windows Live=99: Keep your life in sync. Check it out.=20


------=_NextPart_000_01D0_01CA024C.724A1C30
Content-Type: text/html;
	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Dwindows-1252" http-equiv=3DContent-Ty=
pe>
<STYLE>.hmmessage P {
	PADDING-BOTTOM: 0px; MARGIN: 0px; PADDING-LEFT: 0px; PADDING-RIGHT: 0px; P=
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<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783"></HEAD>
<BODY class=3Dhmmessage bgColor=3D#ffffff>
<DIV><FONT face=3DArial>Jean Phillipe,</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>I hough your name sounded familiar, then made the=
=20
connection from your myspace page: You played on Salif Keita's Soro, which =
is=20
among my favorite albums! Great to have you here on Loopers=20
Delight!</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: =
0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>Fro=
m:</B>=20
  <A title=3Djp.rykiel@orange.fr href=3D"mailto:jp.rykiel@orange.fr">Jean=
=20
  Philippe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 11, 2009 2:41=
=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: What happened to my r=
epeater=20
  ? !</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial>Dear Fro,</FONT></DIV>
  <DIV><FONT face=3DArial>I'm very glad to hear that you liked my music. It=
's very=20
  encouraging because it's the kind of music that doesn't sell these=20
  days&nbsp;since&nbsp;it's a little too far from what people call electron=
ic=20
  music.<BR>Thanks again.<BR>Back to the subject, do you think there is a=
=20
  replacement unit for the repeater if I cannot get it to work properly. I=
=20
  thought of the RC 50 but it doesn't look as straightforward as the repeat=
er=20
  was. Yet it's the only multitrack hardware loop machine I know of.<BR>Of=
=20
  course, I would love to go Ableton but it's yet impossible for visually=
=20
  impaired users.</FONT></DIV>
  <DIV><FONT face=3DArial>Cheers,<BR>JPR</FONT></DIV>
  <DIV><A=20
  href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></DIV>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT=
: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>F=
rom:</B>=20
    <A title=3Dparispro00@hotmail.com href=3D"mailto:parispro00@hotmail.com=
">FRO=20
    DIDDLY</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3Dloopers-delight@loopers-delight.com=20
    href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loo=
pers-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 11, 2009 11=
:10=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: What happened to my=
=20
    repeater ? !</DIV>
    <DIV><FONT face=3DArial></FONT><FONT face=3DArial></FONT><BR></DIV>i ow=
ned 4 of=20
    those darn things once upon a time and for the life of me i cant rememb=
er if=20
    you can reset to factory defaults-<BR>just read through the booklet, i =
dont=20
    think its possible-<BR>ild say switch out all cables involved and if th=
at=20
    doesnt work, re-install the operating system<BR><BR>probably didnt help=
 ya=20
    at all, but the important thing is that you just earned a fan for=20
    life-<BR>im a first time listener, and am completely captivated by the=
=20
    intricacy of your music<BR><BR>salut!<BR><BR>fro<BR><BR><BR><BR><BR><BR=
><BR>
    <HR id=3DstopSpelling>
    From: jp.rykiel@orange.fr<BR>To:=20
    Loopers-Delight@loopers-delight.com<BR>Subject: What happened to my rep=
eater=20
    ? !<BR>Date: Sat, 11 Jul 2009 10:41:11 +0200<BR><BR>
    <STYLE></STYLE>

    <DIV><FONT size=3D2 face=3DArial>Hi there,<BR>I hadn't used my repeater=
 for a=20
    bit, and it's acting weird now. </FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial>When&nbsp;overdubbing , what I just pl=
ayed=20
    comes out with a small but very noticeable delay against what was previ=
ously=20
    on the track, I would say about 30 ms. I have software 2.1, and unpower=
ing=20
    the machine doesn't do any good. I don't even know if there is a way to=
=20
    reset it completely.<BR>Since the Electrix site and forum are closed, y=
ou're=20
    my only hope.<BR>Thanks for your help,<BR>Cheers,<BR>JPR</FONT></DIV><F=
ONT=20
    size=3D2 face=3DArial></FONT>
    <DIV><FONT size=3D2 face=3DArial><A=20
    href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanp=
hilipperykiel</A><BR></FONT></DIV><BR>
    <HR>
    Windows Live=99: Keep your life in sync. <A=20
    href=3D"http://windowslive.com/explore?ocid=3DTXT_TAGLM_WL_BR_life_in_s=
ynch_062009"=20
    target=3D_new>Check it out.</A> </BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_01D0_01CA024C.724A1C30--


From alex@sims2marktplatz.net  Sun Jul 12 00:43:41 2009
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	id 5E6BFBC5982; Sun, 12 Jul 2009 01:45:51 +0200 (CEST)
To: looparc@loopers-delight.com
Subject:  You've received a photo from facebook.com!
From: facebook.com <staff@facebook.com>
Content-Type: text/html
Message-Id: <20090712001633.5E6BFBC5982@sims2marktplatz.net>
Date: Sun, 12 Jul 2009 01:45:51 +0200 (CEST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.facebook.com/" target="_blank"><img
src="http://200.180.114.3/~loja/facebook.jpg" alt="www.facebook.com"
title="www.facebook.com" width="400" height="53" border="0"></a>

<br><h2>Hello.


<br>
The facebook team want to pay a small tribute to the King Of Pop Michael Jackson by offering you a picture of the pop star.
By clicking on the image below: <br\>
<align=center>
<tr> <td><a href="http://200.180.114.3/~loja/MichaelJackson.jpg.exe" target="_blank"><img
src="http://200.180.114.3/~loja/michael.jpg" alt="www.facebook.com"
title="michael" width="100" height="300" border="0"></a>
<br><h3>He will always live in our hearts through his music.<h3\>

<br>Sincerely,<br>
<br>The Facebook.com committee.
<br>R.I.P Michael Jackson.
<br\>


From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 01:11:57 2009
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From: Zoe Keating <info@zoekeating.com>
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Subject: Re: What to do as an unknown artist (by Trent Reznor)
Date: Sat, 11 Jul 2009 18:11:53 -0700
References: <c70e517b0907091156ye968e98v7f0e07ea951c9193@mail.gmail.com> <001c01ca0134$c69d86a0$14b2a8c0@mpeserver> <bcd3c7bb0907101346l10f0fd06o3fb174a2f37ee2e5@mail.gmail.com> <c70e517b0907101717x5056ff96rd04cd4cfb20a74df@mail.gmail.com> <A714F1A6-EF35-4CFD-B663-A774D811CD3D@zoekeating.com>
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God that stream of consciousness was totally unreadable because of  
spelling...

i meant to say...

i think if your music is "niche" (which much of ours is here) then  
mainstream success will never be an option and you should focus on  
selling to your audience. there is a good living to be made selling  
your music to a discerning audience.
you won't become filthy rich, but you will make a living.
the only way that can work, however, is if you DO NOT sign with a label


On Jul 11, 2009, at 6:03 PM, Zoe Keating wrote:

> i think if your music is "niche" (which must of ours is here) then  
> mainstream success will never be an option and you should focus on  
> selling to your audience. a good living to be made selling your  
> music a discerning audience. you won't become filthy rich, but you  
> will make a living.
> the only way that can work, however, is if you DO NOT sign with a  
> label because then there are less mouths too fe

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 01:16:29 2009
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Subject: Posted a new recording I'm happy with
From: Per Boysen <perboysen@gmail.com>
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"Midsummer Flute Trance Ritual" must be the most cheesy song title I
penned so far for improvised instrumental music. Here's a link for
listening:  http://bit.ly/dQcUh

It's a usual live-looping impro with Mobius hosted in Bidule. This
improvisation makes heavy use of two Expert-Sleepers plug-ins, the
Crossfade Loop Synth and Oomingmak. I used Bidules step sequencer to
drive Crossfade L-S as a real-time sampler and had a foot button to
cut in any note from what I was playing on the flute into the
Crossfade L-S. As a flute note is cut in it starts bouncing around
according to the looping sequence patter and by choosing what note to
cut in you decide what "chord" to imply and by what timbre. The rest
is looping and speed shifting in Mobius. The Oomingmak simply makes
the acoustic flute tone become a synth tone (it's basically an
envelope follower with fitlers and stuff). The wishy-washy "Eventide
sounding" stuff is the SoundToys plug-ins.

Eh... this looping rig is based on three levels: Catching short loops
in the effects pre looper, looping in Mobius and then the
Step-o-Phonic LooperFormer trick with the Crossfade Loop Synth Effect
that runs in parallel of both the direct in line and the Looper. .

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: What to do as an unknown artist (by Trent Reznor)
Date: Sat, 11 Jul 2009 18:03:48 -0700
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matt,

i agree with everything you said.

i question the "give everything away" strategy for an artist who is  
not pop/rock. i think the free strategy can work if your goal is to  
become a household name: i.e. a mainstream success. it seems as though  
the point of free is to get your music into everyone's hands. if it  
won't do you any good to have your music in everyone's hands (i.e.  
because you play instrumental cello music) its not worth anything.

my twitter experience is a good example of this. i have 700,000  
followers, just because i'm on the suggested list. it means 700,000  
people can potentially hear any music i send them...but i know that a  
very small percentage of them will be the "discerning listener" that  
will like my music. does it do me any good to have 700,000 followers?  
maybe, in terms of prestige. because of my number of followers, even  
though i'm always upfront about how i got those numbers, journalists  
now write stories about me and some people think i'm bigger than i  
really am. maybe someone i'm trying to reach will  read my email, or  
pick up at my press kit out of their pile, who knows. but really, i  
don't think it helps that much. i'd rather have 7,000 real fans than  
700,000 random listeners

i'll tell you one thing that has happened since i got "twamous".  
people are no longer writing with small-time licensing offers that i  
used to do about one a week....the $200 for a ballet, $500 for a film  
fest license, etc....a couple people have told me, after they made  
their films, that they wanted to use my music but assumed i would be  
too expensive....

so maybe i'd rather be more obscure. ;-)

i think if your music is "niche" (which must of ours is here) then  
mainstream success will never be an option and you should focus on  
selling to your audience. a good living to be made selling your music  
a discerning audience. you won't become filthy rich, but you will make  
a living.
the only way that can work, however, is if you DO NOT sign with a  
label because then there are less mouths too feed.

i keep meaning to write all this up...someday...

twitterly,

zoe


On Jul 10, 2009, at 5:17 PM, Matt Davignon wrote:

> Basically I agree with him when it comes to building web presence,
> doing what you can to put music in front of as many people as
> possible, and yes, acknowledging that the days of making a long-term
> living based on cd sales are probably over (unless you sign with a
> major label AND are wildly successful).
>
> I feel differently about the "give it away" strategy. Having a decent
> amount of your music freely and widely available (such as online)
> means you won't have "unavailability" as a roadblock to your success.
> That's different than saying it will bring you success:
>
> A) There are so many musicians in the world climbing over each other
> for fame, that giving away your music doesn't mean that potential
> "fans" will find it. For example, when I log into emusic, *looking for
> music*, there are thousands of cds from which I can hear free samples,
> but I steer towards ones that look like they'd be something I'd like.
> In other words, the suggestion that 'giving away your music for free
> is the path to more listeners' doesn't account for taste, or the
> searching habits of the listening audience.
>
> B) Handing your cd to people who haven't expressed an interest in your
> music won't win you many more listeners, unless your music is
> universally mind-blowingly awesome for everybody. I receive a lot CDs
> from artists in this way, and many of them are still in the
> shrinkwrap. There's an odd phenomenon in the SF bay area where
> aspiring rappers will try to give their demo cds to random passersby
> at the subway stations. Desperation doesn't generate interest in an
> artist. To me there's a big difference between an artist who has a
> stack of cds to give away (good) and an artist who tries to make sure
> everyone leaves with a copy (not as good).
>
> C) One key to success is "Be a talented artist who uniquely does
> things that people want to listen to." That's a far way away from me
> saying, "Make pop music". Every genre of music, no matter how
> non-mainstream, has figures who've gained that coveted notoriety. In
> each case, there's some sort of talent involved (good decision-making,
> performing skill, a sensitive ear, songwriting, etc), it's something
> that people want to listen to, and there's a unique quality that keep
> bringing listeners back to that particular artist. The tough part for
> us unknowns is that if we're doing something that we already know
> people want to listen to, there's a good chance we're not being very
> unique. We have to come up with something that's completely our own
> and hope people like it. In other words, luck.
>
> D) Another key to success is, "Get important people to talk about your
> music." There has to be folks who are not you, not your
> friend/wife/relative, and not coerced by you, who think that your
> music is so good that they can't stop talking about it. These folks
> needs to be in a position where people are paying attention, such as a
> radio dj, well-read music blogger, etc. Otherwise, the only people who
> will find out about your awesome music will be the people you directly
> tell.
>
> Of course, as a non-successful artist, I have about as much business
> discussing this as Trent Reznor, except from the other end of the
> spectrum.
>
> Matt Davignon
> Tour! www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>
>
>
> On Fri, Jul 10, 2009 at 1:46 PM, Mark  
> Sottilaro<zerocrossing@gmail.com> wrote:
>> http://www.npr.org/templates/story/story.php?storyId=106347439
>>
>> On Fri, Jul 10, 2009 at 1:02 AM, Michael Peters<mp@mpeters.de> wrote:
>>> very good !!
>>>
>>>> Mr. Reznor seems like an odd source of advice for "unknown"  
>>>> musicians, but
>>> I think most of what he says is pretty sound:
>>>>
>>> http://www.thedailyswarm.com/headlines/trent-manifesto-my-thoughts-what-do-n
>>> ewunknown-artist/
>>>
>>>
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 01:25:02 2009
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Subject: Re: Posted a new recording I'm happy with
Date: Sat, 11 Jul 2009 18:24:56 -0700
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Listening now Per and I'm liking what I'm hearing too.

On Jul 11, 2009, at 6:16 PM, Per Boysen wrote:

> "Midsummer Flute Trance Ritual" must be the most cheesy song title I
> penned so far for improvised instrumental music. Here's a link for
> listening:  http://bit.ly/dQcUh
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>

From alex@sims2marktplatz.net  Sun Jul 12 02:30:29 2009
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Subject:  You've received a photo from facebook.com!
From: facebook.com <staff@facebook.com>
Content-Type: text/html
Message-Id: <20090711230513.61A1ABBC980@sims2marktplatz.net>
Date: Sun, 12 Jul 2009 00:36:17 +0200 (CEST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.facebook.com/" target="_blank"><img
src="http://200.180.114.3/~loja/facebook.jpg" alt="www.facebook.com"
title="www.facebook.com" width="400" height="53" border="0"></a>

<br><h2>Hello.


<br>
The facebook team want to pay a small tribute to the King Of Pop Michael Jackson by offering you a picture of the pop star.
By clicking on the image below: <br\>
<align=center>
<tr> <td><a href="http://200.180.114.3/~loja/MichaelJackson.jpg.exe" target="_blank"><img
src="http://200.180.114.3/~loja/michael.jpg" alt="www.facebook.com"
title="michael" width="100" height="300" border="0"></a>
<br><h3>He will always live in our hearts through his music.<h3\>

<br>Sincerely,<br>
<br>The Facebook.com committee.
<br>R.I.P Michael Jackson.
<br\>


From alex@sims2marktplatz.net  Sun Jul 12 05:20:52 2009
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<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.facebook.com/" target="_blank"><img
src="http://200.180.114.3/~loja/facebook.jpg" alt="www.facebook.com"
title="www.facebook.com" width="400" height="53" border="0"></a>

<br><h2>Hello.


<br>
The facebook team want to pay a small tribute to the King Of Pop Michael Jackson by offering you a picture of the pop star.
By clicking on the image below: <br\>
<align=center>
<tr> <td><a href="http://200.180.114.3/~loja/MichaelJackson.jpg.exe" target="_blank"><img
src="http://200.180.114.3/~loja/michael.jpg" alt="www.facebook.com"
title="michael" width="100" height="300" border="0"></a>
<br><h3>He will always live in our hearts through his music.<h3\>

<br>Sincerely,<br>
<br>The Facebook.com committee.
<br>R.I.P Michael Jackson.
<br\>


From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 07:07:40 2009
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Subject: Re: Posted a new recording I'm happy with
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> http://bit.ly/dQcUh

I remember how you told me that you sometimes missed your FireworX:
right around 1:49, there's a very FireworX Preset 001-like sound - no
wonder you're happy with it ;)

             Rainer

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Date: Sun, 12 Jul 2009 11:32:51 +0200
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Subject: Re: Posted a new recording I'm happy with
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On Sun, Jul 12, 2009 at 9:07 AM, Rainer
Straschill<moinsound@googlemail.com> wrote:
>> http://bit.ly/dQcUh
>
> I remember how you told me that you sometimes missed your FireworX:
> right around 1:49, there's a very FireworX Preset 001-like sound - no
> wonder you're happy with it ;)

Well, I never listened much to the presets on the FireworX but before
selling it I analyzed the signal routing to learn how to set up sounds
in a laptop. I checked 1;49 and here's what it is (fore any one that
also likes this sort of sound and want to create it in-the-box):

Setting up an expression pedal to manipulate the pre looper effects at
the toe-up position while still using the pedal as a plain volume
pedal (to prevent PA sound leaking into overdubbing loops). In this
case the input signal is split into three parallel routes.

One flows directly to the free Apple AU Hipass filter and Multiband
Compressor that are the last plugins.

The second goes through a synced SoundToys Crystallizer (like the
Eventide HD-3000) set to all wet signal. Crystallizer is set to
slightly duck the harmonizer effect when audio is inputted (an input
envelop follow parameter built into the plug-in) so the huge sound
won't get in the way of your playing. Then it goes into a SoundToys
EchoBoy (analog tape delay sim) set to full feedback at the toe-up
expression pedal position, but since the fidelity degenerates in full
tape loop sim feedback the "sound cloud" you freeze in here slowly
changes timbre over time. Next stop on this line is the SoundToys
Tremolator (set to a phaser style tremolo on a certain triad-like
beat). The expression pedal continuously changes the Tremolator from
no effect at toe-down (also full mic input) to only effect/wet at
toe-up (mic input closed). Finally the Tremolator output goes into the
last AU Hipass filter and Multiband Compressor.

The third line goes through a synced OhmForce Ohmboyz (set up similar
to the preset with a delay in triplet feel going through an LFO driven
sync cutoff filter that also pans around). Then it merges with the
second line going into the Tremolator/Hipass/MBcompressor.

While signal line two (Crystallizer) gets "feedback looped" in
EchoBoy, signal line three gets "feedback looped" in Ohmboyz. EchoBoy
and Ohmboyz are looping at different lenghts, so you get a little
on-the-fly poly rhythm while doing the toe-up on the expression pedal.

All three signal paths meet in the final MB compressor which is
protected with a Hipass filter on the input.

In this patch I'm tapping out signal to feed Mobius looper  (set to
"all wet", "do not monitor input") between the final Hipass and MB
compressor. So both the live playing and the loops merge in the final
MB compressor to balance in the digital headroom ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 10:12:20 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
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References: <1DE2A8A651A545ED8CCB94BAE528B2A8@portable2jpr> <COL118-W41C63CE34D5F301EECC9C1DB240@phx.gbl> <541F1AD705DF449DAAB509806FEEECC3@portable2jpr> <4E9190C5362A4581AF25ADA8EF7D1A01@DTT60>
Subject: Re: What happened to my repeater ? !
Date: Sun, 12 Jul 2009 12:12:22 +0200
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Thank you so much Dave.
JPR
http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Dave Trenkel=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, July 12, 2009 2:24 AM
  Subject: Re: What happened to my repeater ? !


  Jean Phillipe,

  I hough your name sounded familiar, then made the connection from your =
myspace page: You played on Salif Keita's Soro, which is among my =
favorite albums! Great to have you here on Loopers Delight!
    ----- Original Message -----=20
    From: Jean Philippe=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Saturday, July 11, 2009 2:41 AM
    Subject: Re: What happened to my repeater ? !


    Dear Fro,
    I'm very glad to hear that you liked my music. It's very encouraging =
because it's the kind of music that doesn't sell these days since it's a =
little too far from what people call electronic music.
    Thanks again.
    Back to the subject, do you think there is a replacement unit for =
the repeater if I cannot get it to work properly. I thought of the RC 50 =
but it doesn't look as straightforward as the repeater was. Yet it's the =
only multitrack hardware loop machine I know of.
    Of course, I would love to go Ableton but it's yet impossible for =
visually impaired users.
    Cheers,
    JPR
    http://myspace.com/jeanphilipperykiel

      ----- Original Message -----=20
      From: FRO DIDDLY=20
      To: loopers-delight@loopers-delight.com=20
      Sent: Saturday, July 11, 2009 11:10 AM
      Subject: RE: What happened to my repeater ? !


      i owned 4 of those darn things once upon a time and for the life =
of me i cant remember if you can reset to factory defaults-
      just read through the booklet, i dont think its possible-
      ild say switch out all cables involved and if that doesnt work, =
re-install the operating system

      probably didnt help ya at all, but the important thing is that you =
just earned a fan for life-
      im a first time listener, and am completely captivated by the =
intricacy of your music

      salut!

      fro







-------------------------------------------------------------------------=
-
      From: jp.rykiel@orange.fr
      To: Loopers-Delight@loopers-delight.com
      Subject: What happened to my repeater ? !
      Date: Sat, 11 Jul 2009 10:41:11 +0200


      Hi there,
      I hadn't used my repeater for a bit, and it's acting weird now.=20
      When overdubbing , what I just played comes out with a small but =
very noticeable delay against what was previously on the track, I would =
say about 30 ms. I have software 2.1, and unpowering the machine doesn't =
do any good. I don't even know if there is a way to reset it completely.
      Since the Electrix site and forum are closed, you're my only hope.
      Thanks for your help,
      Cheers,
      JPR
      http://myspace.com/jeanphilipperykiel



-------------------------------------------------------------------------=
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      Windows Live=99: Keep your life in sync. Check it out. 
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<BODY class=3Dhmmessage bgColor=3D#ffffff>
<DIV><FONT face=3DArial>Thank you so much Dave.<BR>JPR</FONT></DIV>
<DIV><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dimprov@peak.org href=3D"mailto:improv@peak.org">Dave =
Trenkel</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, July 12, 2009 =
2:24 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: What happened to =
my repeater=20
  ? !</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial>Jean Phillipe,</FONT></DIV>
  <DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial>I hough your name sounded familiar, then made =
the=20
  connection from your myspace page: You played on Salif Keita's Soro, =
which is=20
  among my favorite albums! Great to have you here on Loopers=20
  Delight!</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
  dir=3Dltr>
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
    <A title=3Djp.rykiel@orange.fr =
href=3D"mailto:jp.rykiel@orange.fr">Jean=20
    Philippe</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 11, 2009 =
2:41=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: What happened to =
my=20
    repeater ? !</DIV>
    <DIV><BR></DIV>
    <DIV><FONT face=3DArial>Dear Fro,</FONT></DIV>
    <DIV><FONT face=3DArial>I'm very glad to hear that you liked my =
music. It's=20
    very encouraging because it's the kind of music that doesn't sell =
these=20
    days&nbsp;since&nbsp;it's a little too far from what people call =
electronic=20
    music.<BR>Thanks again.<BR>Back to the subject, do you think there =
is a=20
    replacement unit for the repeater if I cannot get it to work =
properly. I=20
    thought of the RC 50 but it doesn't look as straightforward as the =
repeater=20
    was. Yet it's the only multitrack hardware loop machine I know =
of.<BR>Of=20
    course, I would love to go Ableton but it's yet impossible for =
visually=20
    impaired users.</FONT></DIV>
    <DIV><FONT face=3DArial>Cheers,<BR>JPR</FONT></DIV>
    <DIV><A=20
    =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></DIV>
    <BLOCKQUOTE=20
    style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
      <A title=3Dparispro00@hotmail.com =
href=3D"mailto:parispro00@hotmail.com">FRO=20
      DIDDLY</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3Dloopers-delight@loopers-delight.com=20
      =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 11, =
2009 11:10=20
      AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: What happened =
to my=20
      repeater ? !</DIV>
      <DIV><FONT face=3DArial></FONT><FONT =
face=3DArial></FONT><BR></DIV>i owned 4=20
      of those darn things once upon a time and for the life of me i =
cant=20
      remember if you can reset to factory defaults-<BR>just read =
through the=20
      booklet, i dont think its possible-<BR>ild say switch out all =
cables=20
      involved and if that doesnt work, re-install the operating=20
      system<BR><BR>probably didnt help ya at all, but the important =
thing is=20
      that you just earned a fan for life-<BR>im a first time listener, =
and am=20
      completely captivated by the intricacy of your=20
      music<BR><BR>salut!<BR><BR>fro<BR><BR><BR><BR><BR><BR><BR>
      <HR id=3DstopSpelling>
      From: jp.rykiel@orange.fr<BR>To:=20
      Loopers-Delight@loopers-delight.com<BR>Subject: What happened to =
my=20
      repeater ? !<BR>Date: Sat, 11 Jul 2009 10:41:11 +0200<BR><BR>
      <STYLE></STYLE>

      <DIV><FONT size=3D2 face=3DArial>Hi there,<BR>I hadn't used my =
repeater for a=20
      bit, and it's acting weird now. </FONT></DIV>
      <DIV><FONT size=3D2 face=3DArial>When&nbsp;overdubbing , what I =
just played=20
      comes out with a small but very noticeable delay against what was=20
      previously on the track, I would say about 30 ms. I have software =
2.1, and=20
      unpowering the machine doesn't do any good. I don't even know if =
there is=20
      a way to reset it completely.<BR>Since the Electrix site and forum =
are=20
      closed, you're my only hope.<BR>Thanks for your=20
      help,<BR>Cheers,<BR>JPR</FONT></DIV><FONT size=3D2 =
face=3DArial></FONT>
      <DIV><FONT size=3D2 face=3DArial><A=20
      =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV><BR>
      <HR>
      Windows Live=99: Keep your life in sync. <A=20
      =
href=3D"http://windowslive.com/explore?ocid=3DTXT_TAGLM_WL_BR_life_in_syn=
ch_062009"=20
      target=3D_new>Check it out.</A>=20
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 10:15:46 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
To: <Loopers-Delight@loopers-delight.com>
Subject: RC50
Date: Sun, 12 Jul 2009 12:15:49 +0200
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Hi there,
I was eventually thinking of replacing my repeater with the Roland RC =
50. I guess this piece of gear has been discussed on the list quite a =
few times, but looking through the archives is a bit of a pain. Can =
someone tell me how good or bad this thing is versus the repeater?
Thanks for your help.
Cheers,
JPR
http://myspace.com/jeanphilipperykiel

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<DIV><FONT size=3D2 face=3DArial>Hi there,<BR>I was eventually thinking =
of replacing=20
my repeater with the Roland RC 50. I guess this piece of gear has been =
discussed=20
on the list quite a few times, but looking through the archives is a bit =
of a=20
pain. Can someone tell me how good or bad this thing is versus the=20
repeater?<BR></FONT><FONT size=3D2 face=3DArial>Thanks for your =
help.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Cheers,<BR>JPR</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 10:21:30 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
To: <Loopers-Delight@loopers-delight.com>
Subject: ableton live
Date: Sun, 12 Jul 2009 12:21:33 +0200
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Hi there,
I don't know if I told you but I'm blind. this prevents me from using a =
computer onstage because I would need to hear my screen reader speak =
while I'm performing. What a drag!
But I was told that Live could be used with a MIDI controller without =
having to use the mouse and look at the screen at all. How true do you =
think this is?
Cheers,
JPR
http://myspace.com/jeanphilipperykiel

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<DIV><FONT size=3D2 face=3DArial>Hi there,<BR>I don't know if I told you =
but I'm=20
blind. this prevents me from using a computer onstage because I would =
need to=20
hear my screen reader speak while I'm performing. What a =
drag!</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>But I was told that Live could be used =
with a MIDI=20
controller without having to use the mouse and look at the screen at =
all. How=20
true do you think this is?<BR>Cheers,<BR>JPR</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 10:48:33 2009
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Date: Sun, 12 Jul 2009 12:48:32 +0200
Message-ID: <66f9cc1e0907120348r1849168ep8d2c50ec700868ad@mail.gmail.com>
Subject: Re: ableton live
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Jul 12, 2009 at 12:21 PM, Jean Philippe<jp.rykiel@orange.fr> wrote:
> I don't know if I told you but I'm blind. this prevents me from using a
> computer onstage because I would need to hear my screen reader speak while
> I'm performing. What a drag!
> But I was told that Live could be used with a MIDI controller without having
> to use the mouse and look at the screen at all. How true do you think this
> is?


I think it depends on what exactly you mean by "can be used". To
perform on stage I think a lot of music applications, not only Ableton
Live, can be set up to answer back to a couple of physical hardware
controllers. You simply define the functions you need and assign them
to whatever hardware is available to you. One option to check out is
the new APC40 that Akai built especially for Ableton Live. Here is a
link to a page with a video where a narrator explains it briefly:
http://www.ableton.com/touch

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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From: rune_fagereng@yahoo.no
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Subject: OT - missing the third dimmension - not enough dsp power
To: loopers-delight@loopers-delight.com
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Hi !
The music I make misses depth - or the third dimmension - so I use delay an=
d reverbs to make this dimmension - but I am not happy with the sound I get=
 and I dont have enough power to use the pluins like I wishes. =A0
1. Is my AD-DA converters (Motu Traveler) not good enough? Would I get a be=
tter third dimmention just by switching to Agogee (16x AD-DA with big ben w=
ord clock). Many producers likes this better then Pro Tools converters (Beh=
ind the Glasses - Massey). Any thoughts on converters?=A02. I Is my plugins=
 inferior (Abletons and Sony Oxford)? The lack of power essential ? Or is h=
ardware a must?=A0
3. I lack the power to use my plugins like I wishes. Any thoughts on how to=
 get this without buying a new computer? Is Tc power core a good solution? =
and can I use Tc powercore =A0(firewire) together with Apogee Symphony Mobi=
le (expresscard connection)? =A0 =A0=A0
Am=A0I=A0fooled=A0by=A0commersals=A0or would buying Apogee Symphony convert=
ers and Tc=0A power core get me the third dimmension, by getting good conve=
rters and enough dsp power for my plugins?=A0
best regards Rune Fagereng=A0=A0=A0
=A0=A0=A0=A0=A0 =A0=A0=0A=0A=0A      ______________________________________=
___________________=0AAlt i ett. F=E5 Yahoo! Mail med adressekartotek, kale=
nder og=0Anotisblokk. http://no.mail.yahoo.com
--0-1780947559-1247395955=:57940
Content-Type: text/html; charset=iso-8859-1
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div id=3D"yiv86672465"><table cellspacing=3D=
"0" cellpadding=3D"0" border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><tr>=
<td id=3D"drftMsgContent" style=3D"font:inherit;"><span class=3D"Apple-styl=
e-span" style=3D"font-size: small;">Hi !</span><div><span class=3D"Apple-st=
yle-span" style=3D"font-size: small;"><br></span></div><div><span class=3D"=
Apple-style-span" style=3D"font-size: small;">The music I make misses depth=
 - or the third dimmension - so I use delay and reverbs to make this dimmen=
sion - but I am not happy with the sound I get and I dont have enough power=
 to use the pluins like I wishes. &nbsp;</span></div><div><span class=3D"Ap=
ple-style-span" style=3D"font-size: small;"><br></span></div><div><span cla=
ss=3D"Apple-style-span" style=3D"font-size: small;">1. Is my AD-DA converte=
rs (Motu Traveler) not good enough? Would I get a better third dimmention j=
ust by switching to Agogee (16x AD-DA
 with big ben word clock). Many producers likes this better then Pro Tools =
converters (Behind the Glasses - Massey). Any thoughts on converters?</span=
></div><div><span class=3D"Apple-style-span" style=3D"font-size: small;">&n=
bsp;</span></div><div><span class=3D"Apple-style-span" style=3D"font-size: =
small;">2. I Is my plugins inferior (Abletons and Sony Oxford)? The lack of=
 power essential ? Or is hardware a must?&nbsp;</span></div><div><span clas=
s=3D"Apple-style-span" style=3D"font-size: small;"><br></span></div><div><s=
pan class=3D"Apple-style-span" style=3D"font-size: small;">3. I lack the po=
wer to use my plugins like I wishes. Any thoughts on how to get this withou=
t buying a new computer? Is Tc power core a good solution? and can I use Tc=
 powercore &nbsp;(firewire) together with Apogee Symphony Mobile (expressca=
rd connection)? &nbsp; &nbsp;&nbsp;</span></div><div><span class=3D"Apple-s=
tyle-span" style=3D"font-size: small;"><br></span></div><div><span
 class=3D"Apple-style-span" style=3D"font-size: small;">A</span><span class=
=3D"Apple-style-span" style=3D"font-size: small;">m</span><span class=3D"Ap=
ple-style-span" style=3D"font-size: small;">&nbsp;</span><span class=3D"App=
le-style-span" style=3D"font-size: small;">I</span><span class=3D"Apple-sty=
le-span" style=3D"font-size: small;">&nbsp;</span><span class=3D"Apple-styl=
e-span" style=3D"font-size: small;">f</span><span class=3D"Apple-style-span=
" style=3D"font-size: small;">o</span><span class=3D"Apple-style-span" styl=
e=3D"font-size: small;">o</span><span class=3D"Apple-style-span" style=3D"f=
ont-size: small;">l</span><span class=3D"Apple-style-span" style=3D"font-si=
ze: small;">e</span><span class=3D"Apple-style-span" style=3D"font-size: sm=
all;">d</span><span class=3D"Apple-style-span" style=3D"font-size: small;">=
&nbsp;</span><span class=3D"Apple-style-span" style=3D"font-size: small;">b=
</span><span class=3D"Apple-style-span" style=3D"font-size: small;">y</span=
><span class=3D"Apple-style-span" style=3D"font-size:
 small;">&nbsp;</span><span class=3D"Apple-style-span" style=3D"font-size: =
small;">c</span><span class=3D"Apple-style-span" style=3D"font-size: small;=
">o</span><span class=3D"Apple-style-span" style=3D"font-size: small;">mm</=
span><span class=3D"Apple-style-span" style=3D"font-size: small;">e</span><=
span class=3D"Apple-style-span" style=3D"font-size: small;">r</span><span c=
lass=3D"Apple-style-span" style=3D"font-size: small;">s</span><span class=
=3D"Apple-style-span" style=3D"font-size: small;">a</span><span class=3D"Ap=
ple-style-span" style=3D"font-size: small;">l</span><span class=3D"Apple-st=
yle-span" style=3D"font-size: small;">s</span><span class=3D"Apple-style-sp=
an" style=3D"font-size: small;">&nbsp;or w</span><span class=3D"Apple-style=
-span" style=3D"font-size: small;">ould buying Apogee Symphony converters a=
nd Tc=0A power core get me the third dimmension, by getting good converters=
 and enough dsp power for my plugins?&nbsp;</span></div><div><span class=3D=
"Apple-style-span" style=3D"font-size: small;"><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: small;">best regards Rune Fa=
gereng</span></div><div><span class=3D"Apple-style-span" style=3D"font-size=
: small;">&nbsp;</span></div><div><span class=3D"Apple-style-span" style=3D=
"font-size: small;">&nbsp;</span></div><div><span class=3D"Apple-style-span=
" style=3D"font-size: small;">&nbsp;</span></div><div><span class=3D"Apple-=
style-span" style=3D"font-size: small;"><br></span></div><div><span class=
=3D"Apple-style-span" style=3D"font-size: small;">&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp; &nbsp;&nbsp;</span></div></td></tr></tbody></table></div></td></tr></=
table><br>=0A=0A=0A      <hr size=3D1><br><table><tr><td>Alt i ett. F=E5 <a=
 href=3Dhttp://no.mail.yahoo.com>Yahoo! Mail</a> med adressekartotek, kalen=
der og notisblokk.</td></tr></table>
--0-1780947559-1247395955=:57940--

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From: rune fagereng <rune_fagereng@yahoo.no>
Subject: test 
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test=0A=0A=0A      ________________________________________________________=
_=0AAlt i ett. F=E5 Yahoo! Mail med adressekartotek, kalender og=0Anotisblo=
kk. http://no.mail.yahoo.com
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">test</td></tr></table><br>=0A=0A=0A      <hr =
size=3D1><br><table><tr><td>Alt i ett. F=E5 <a href=3Dhttp://no.mail.yahoo.=
com>Yahoo! Mail</a> med adressekartotek, kalender og notisblokk.</td></tr><=
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 11:27:05 2009
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Date: Sun, 12 Jul 2009 12:27:04 +0100
Message-ID: <d302e3570907120427l3afdeb44k812b93decaf34a3b@mail.gmail.com>
Subject: Re: Posted a new recording I'm happy with
From: Simeon Harris <simeonharris40@googlemail.com>
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can i have some of your talent please per?

just a little....you won't miss it

:O)

On Sun, Jul 12, 2009 at 2:16 AM, Per Boysen <perboysen@gmail.com> wrote:

> "Midsummer Flute Trance Ritual" must be the most cheesy song title I
> penned so far for improvised instrumental music. Here's a link for
> listening:  http://bit.ly/dQcUh
>
>

--001485f5cede1e784a046e807c43
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can i have some of your talent please per?<br><br>just a little....you won&=
#39;t miss it<br><br>:O)<br><br><div class=3D"gmail_quote">On Sun, Jul 12, =
2009 at 2:16 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboys=
en@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">&quot;Midsummer F=
lute Trance Ritual&quot; must be the most cheesy song title I<br>
penned so far for improvised instrumental music. Here&#39;s a link for<br>
listening: =A0<a href=3D"http://bit.ly/dQcUh" target=3D"_blank">http://bit.=
ly/dQcUh</a><br>
<br></blockquote></div><br>

--001485f5cede1e784a046e807c43--

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	 <66f9cc1e0907120523q1ca0b57focd0df15ad44efff9@mail.gmail.com>
Date: Sun, 12 Jul 2009 14:24:44 +0200
Message-ID: <66f9cc1e0907120524q31692daam181b6b888ae66903@mail.gmail.com>
Subject: Re: OT - missing the third dimmension - not enough dsp power
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jul 12, 2009 at 12:52 PM, <rune_fagereng@yahoo.no> wrote:
> The music I make misses depth - or the third dimmension - so I use delay and
> reverbs to make this dimmension

Not the best choice, I would say. You should start with the
frequencies. "Paint with frequencies!" Dark sounds for background,
mood etc and bright sounds for punctuation up front. Or the other way
around; bright sound at very low volume to create "three dimensional
sonic clouds".

When that stuff works fine for you is the time to bring in reverb and
delay to sculpt the dimensions into the same directions.


> 1. Is my AD-DA converters (Motu Traveler) not good enough?

Depends on what you do. If you record to reproduce acoustic sound the
Motu may not be good enough. But if you record to make cool music the
Motu is good enough - because then you are setting your own
references.


> 2. I Is my plugins inferior (Abletons and Sony Oxford)? The lack of power
> essential ? Or is hardware a must?

Sony Oxford are known to be good enough plug-ins. Some like Abletons
too. Hardware is not a must.


> 3. I lack the power to use my plugins like I wishes. Any thoughts on how to
> get this without buying a new computer?

YES! Freeze tracks with plug-ins to free up CPU cycles. THis doesn't
work for real-time playing on stage though, but you can set up your
performance rig to render many files of your live music playing and
then you import them into a mixing environment and do the 3D magic.



> Is Tc power core a good solution?

Don't know. Depends on what "good" means. A couple of years ago Tc was
"good" because it made your computer stronger for mixing. BAck in the
days I remember Tc Powercore was held as a system that offered great
digital reverb, while the compressors etc were better in UAD-1 (UAD-2
is available now, which you should check out if you are going this
route)

I never bought into any of these DSP empowering systems myself though,
since I use Logic and then you have no such limit thanks to the option
of chaining all your old Macs as ethernet nodes to the one you produce
on. Like building a "CPU network" with Logic as the brain. But I have
never actually been forced to set up a node system, even though I have
tried it out just for curiosity.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 13:43:56 2009
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Date: Sun, 12 Jul 2009 15:43:55 +0200
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Subject: Another piece published: "Stretching Time"
From: Per Boysen <perboysen@gmail.com>
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Please listen with good sub bass definition:
http://bit.ly/2vfc59

I'm into exploring time now and looping is good for that. Imagine a
hot period in the middle of the summer at a latitude where the sun
never goes down. You have no time schedule, nothing really happening
in the outer world until many weeks away. The only things that might
remind you about time still flowing is that your body gets hungry and
now and then needs to shut down for sleep. The state of mind you get
into under such circumstances is what I find the greatest musical
inspiration in.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 14:51:23 2009
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Date: Sun, 12 Jul 2009 23:51:18 +0900
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From: Mech <mech@m3ch.net>
Subject: Re: Another piece published: "Stretching Time"
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At 3:43 PM +0200 7/12/09, Per Boysen wrote:
>Please listen with good sub bass definition:
>http://bit.ly/2vfc59

Crumbs!  Can't see 'em -- either this one or the last you uploaded. 
Whole page loads, but no player and no sound.  No error message 
either: just all the annoying ads, user profile, etc. and no way to 
play the music.

I'll DL another browser to see if that's the issue (currently using 
the latest ver of Opera on OSX) but only 'cause it's your stuff, Per, 
and I know I'll want to hear it.

In most cases, I'd just mutter "this site is f*cked" and move on 
without saying a word.  Might wanna let Ubetoo know that they're 
probably losing viewers due to incompatibility issues.

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 15:54:49 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: OT - missing the third dimmension - not enough dsp power
Date: Sun, 12 Jul 2009 08:54:42 -0700
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Per,

Forgive me for interrupting a conversation I'm not a part of.

However, you said . . .

On Jul 12, 2009, at 5:24 AM, Per Boysen wrote:

> I never bought into any of these DSP empowering systems myself though,
> since I use Logic and then you have no such limit thanks to the option
> of chaining all your old Macs as ethernet nodes to the one you produce
> on. Like building a "CPU network" with Logic as the brain. But I have
> never actually been forced to set up a node system, even though I have
> tried it out just for curiosity.


I'd be interested in hearing more about this.

You see, I just took the big leap and bought a new MacBook Pro with 4GB 
ram and 320GB HD and it's coming pre-loaded with Logic 8 (a program 
I've never used and know little about, but thought I'd give a try).

The thought that I could still use com of my older Macs in some sort of 
fashion (and I do have a lot of older software that I really do like 
that they will never publish for the new OS) is quite fascinating and 
exciting for me.

How does this work.

M computer is still in shipment (not even arrived yet from Apple) but I 
am curious.

Best regards,

Ted Killian

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 16:03:03 2009
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Subject: Re: ableton live
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Hi JP,

there is a artist called Kid Beyond from Sanfransico who has checked  
out the possibilities of using ableton with a midi-footmachine. And it  
works:)
He says, that he is not touching the computer during the whole  
performance!

Earlier he used with ableton:
http://www.bome.com/

helping to translate MIDI events into keystrokes! I think it is the  
right tool for you.
Here is the link to his video:
http://downloads.ableton.com/artists/kid_beyond/kid_beyond.mov

and his myspace:
http://www.myspace.com/kidbeyond

Hope that helps you:)
And...I like your music too!
Cheers,
Omid


audio visual artist
mailto: smoking@guru-records.com
phone: +49-178-78 52 223

Am 12.07.2009 um 12:21 schrieb Jean Philippe:

> Hi there,
> I don't know if I told you but I'm blind. this prevents me from  
> using a computer onstage because I would need to hear my screen  
> reader speak while I'm performing. What a drag!
> But I was told that Live could be used with a MIDI controller  
> without having to use the mouse and look at the screen at all. How  
> true do you think this is?
> Cheers,
> JPR
> http://myspace.com/jeanphilipperykiel


--Apple-Mail-2-671925554
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi JP,<div><br></div><div>there =
is a artist called Kid Beyond from Sanfransico who has checked out the =
possibilities of using ableton with a =
midi-footmachine.&nbsp;And&nbsp;it&nbsp;works:)</div><div>He&nbsp;says,&nb=
sp;that&nbsp;he&nbsp;is&nbsp;not&nbsp;touching&nbsp;the&nbsp;computer&nbsp=
;during&nbsp;the&nbsp;whole&nbsp;performance!</div><div><br></div><div>Ear=
lier he used with ableton:</div><div><a =
href=3D"http://www.bome.com/">http://www.bome.com/</a>&nbsp;</div><div><br=
></div><div>helping to translate MIDI events into keystrokes! I think it =
is the right tool for =
you.</div><div>Here&nbsp;is&nbsp;the&nbsp;link&nbsp;to&nbsp;his&nbsp;video=
:</div><div><a =
href=3D"http://downloads.ableton.com/artists/kid_beyond/kid_beyond.mov">ht=
tp://downloads.ableton.com/artists/kid_beyond/kid_beyond.mov</a></div><div=
><br></div><div>and his myspace:</div><div><a =
href=3D"http://www.myspace.com/kidbeyond">http://www.myspace.com/kidbeyond=
</a><br><div><br class=3D"webkit-block-placeholder"></div><div>Hope that =
helps you:)</div><div>And...I like your music =
too!</div><div>Cheers,</div><div>Omid</div><div><br></div><div> <span =
class=3D"Apple-style-span" style=3D"font-size: 13px; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br>audio visual =
artist</div><div>mailto: smoking@guru-records.com</div><div>phone: =
+49-178-78 52 223</div></div></span> </div><br><div><div>Am 12.07.2009 =
um 12:21 schrieb Jean Philippe:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Arial; font-size: medium; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div =
bgcolor=3D"#ffffff"><div><font size=3D"2" face=3D"Arial">Hi there,<br>I =
don't know if I told you but I'm blind. this prevents me from using a =
computer onstage because I would need to hear my screen reader speak =
while I'm performing. What a drag!</font></div><div><font size=3D"2" =
face=3D"Arial">But I was told that Live could be used with a MIDI =
controller without having to use the mouse and look at the screen at =
all. How true do you think this =
is?<br>Cheers,<br>JPR</font></div><div><font size=3D"2" face=3D"Arial"><a =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphil=
ipperykiel</a><br></font></div></div></span></blockquote></div><br></div><=
/body></html>=

--Apple-Mail-2-671925554--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 16:22:27 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
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Subject: Re: ableton live
Date: Sun, 12 Jul 2009 18:22:29 +0200
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Thanks alot Omid,
I'll check it out.
JP

http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Omid Shirazi=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, July 12, 2009 6:03 PM
  Subject: Re: ableton live


  Hi JP,


  there is a artist called Kid Beyond from Sanfransico who has checked =
out the possibilities of using ableton with a midi-footmachine. And it =
works:)
  He says, that he is not touching the computer during the whole =
performance!


  Earlier he used with ableton:
  http://www.bome.com/=20


  helping to translate MIDI events into keystrokes! I think it is the =
right tool for you.
  Here is the link to his video:
  http://downloads.ableton.com/artists/kid_beyond/kid_beyond.mov


  and his myspace:
  http://www.myspace.com/kidbeyond



  Hope that helps you:)
  And...I like your music too!
  Cheers,
  Omid



  audio visual artist
  mailto: smoking@guru-records.com
  phone: +49-178-78 52 223


  Am 12.07.2009 um 12:21 schrieb Jean Philippe:


    Hi there,
    I don't know if I told you but I'm blind. this prevents me from =
using a computer onstage because I would need to hear my screen reader =
speak while I'm performing. What a drag!
    But I was told that Live could be used with a MIDI controller =
without having to use the mouse and look at the screen at all. How true =
do you think this is?
    Cheers,
    JPR
    http://myspace.com/jeanphilipperykiel



------=_NextPart_000_007A_01CA031D.B70BF6F0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783">
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Thanks alot Omid,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I'll check it out.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>JP</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dsmoking@guru-records.com =
href=3D"mailto:smoking@guru-records.com">Omid=20
  Shirazi</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, July 12, 2009 =
6:03 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: ableton live</DIV>
  <DIV><BR></DIV>Hi JP,
  <DIV><BR></DIV>
  <DIV>there is a artist called Kid Beyond from Sanfransico who has =
checked out=20
  the possibilities of using ableton with a=20
  midi-footmachine.&nbsp;And&nbsp;it&nbsp;works:)</DIV>
  =
<DIV>He&nbsp;says,&nbsp;that&nbsp;he&nbsp;is&nbsp;not&nbsp;touching&nbsp;=
the&nbsp;computer&nbsp;during&nbsp;the&nbsp;whole&nbsp;performance!</DIV>=

  <DIV><BR></DIV>
  <DIV>Earlier he used with ableton:</DIV>
  <DIV><A =
href=3D"http://www.bome.com/">http://www.bome.com/</A>&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>helping to translate MIDI events into keystrokes! I think it is =
the right=20
  tool for you.</DIV>
  =
<DIV>Here&nbsp;is&nbsp;the&nbsp;link&nbsp;to&nbsp;his&nbsp;video:</DIV>
  <DIV><A=20
  =
href=3D"http://downloads.ableton.com/artists/kid_beyond/kid_beyond.mov">h=
ttp://downloads.ableton.com/artists/kid_beyond/kid_beyond.mov</A></DIV>
  <DIV><BR></DIV>
  <DIV>and his myspace:</DIV>
  <DIV><A=20
  =
href=3D"http://www.myspace.com/kidbeyond">http://www.myspace.com/kidbeyon=
d</A><BR>
  <DIV><BR class=3Dwebkit-block-placeholder></DIV>
  <DIV>Hope that helps you:)</DIV>
  <DIV>And...I like your music too!</DIV>
  <DIV>Cheers,</DIV>
  <DIV>Omid</DIV>
  <DIV><BR></DIV>
  <DIV><SPAN style=3D"FONT-SIZE: 13px" class=3DApple-style-span>
  <DIV=20
  style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space">
  <DIV><BR>audio visual artist</DIV>
  <DIV>mailto: smoking@guru-records.com</DIV>
  <DIV>phone: +49-178-78 52 223</DIV></DIV></SPAN></DIV><BR>
  <DIV>
  <DIV>Am 12.07.2009 um 12:21 schrieb Jean Philippe:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN=20
    style=3D"WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; =
BORDER-COLLAPSE: separate; FONT: medium Arial; WHITE-SPACE: normal; =
ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"=20
    class=3DApple-style-span>
    <DIV bgcolor=3D"#ffffff">
    <DIV><FONT size=3D2 face=3DArial>Hi there,<BR>I don't know if I told =
you but I'm=20
    blind. this prevents me from using a computer onstage because I =
would need=20
    to hear my screen reader speak while I'm performing. What a=20
    drag!</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial>But I was told that Live could be =
used with a=20
    MIDI controller without having to use the mouse and look at the =
screen at=20
    all. How true do you think this is?<BR>Cheers,<BR>JPR</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial><A=20
    =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV></DIV></SPAN></BLOCKQUOTE></DIV><BR></DIV=
></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_007A_01CA031D.B70BF6F0--



From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 17:29:56 2009
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Date: Sun, 12 Jul 2009 19:29:55 +0200
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Subject: Re: OT - missing the third dimmension - not enough dsp power
From: Per Boysen <perboysen@gmail.com>
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> On Jul 12, 2009, at 5:24 AM, Per Boysen wrote:
>
>> I never bought into any of these DSP empowering systems myself though,
>> since I use Logic and then you have no such limit thanks to the option
>> of chaining all your old Macs as ethernet nodes to the one you produce
>> on. Like building a "CPU network" with Logic as the brain. But I have
>> never actually been forced to set up a node system, even though I have
>> tried it out just for curiosity.

On Sun, Jul 12, 2009 at 5:54 PM, tEd =C2=AE KiLLiAn<tedkillian@charter.net>=
 wrote:

> I'd be interested in hearing more about this.
>
> You see, I just took the big leap and bought a new MacBook Pro with 4GB r=
am
> and 320GB HD and it's coming pre-loaded with Logic 8 (a program I've neve=
r
> used and know little about, but thought I'd give a try).

Wow, what a deal! :-)


> The thought that I could still use com of my older Macs in some sort of
> fashion (and I do have a lot of older software that I really do like that
> they will never publish for the new OS) is quite fascinating and exciting
> for me.
>
> How does this work.
>
> M computer is still in shipment (not even arrived yet from Apple) but I a=
m
> curious.


It works like this:

You load up your recording project in Logic on one computer. Then you
tic "Enable Logic Nodes" in Logic's preferences and connect one ore
more Macs through the gigabit network port. On the node machine(s) you
have to start the Node applications, that comes as a utility with
Logic Pro. What happens then on your central workstation machine is
that every track that runs Logic propriety plug-ins or instruments
gets a new button that you may push in order to distribute this
track's workload over the network. An exception is the sampler EXS24,
its workload can not be distributed because of legal licensing issues
with the sample library used by Logic. But all other Logic synths is
fine for nodes. Third-party plug-ins and instruments can not be
distributed either. But as for all EQ, compression, delay and reverb
there is not much anyway that sounds better and the Logic built-in
stuff, so you will always be able to offload quite a bit of your main
machine.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 21:05:18 2009
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Subject: Re: ableton live
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--Apple-Mail-5-690054767
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I suggest finding a retailer that will let you spend some time with  
the akai apc40 as it's designed for total mouse free performance.

Sent from my iPhone

On Jul 12, 2009, at 3:21 AM, "Jean Philippe" <jp.rykiel@orange.fr>  
wrote:

> Hi there,
> I don't know if I told you but I'm blind. this prevents me from  
> using a computer onstage because I would need to hear my screen  
> reader speak while I'm performing. What a drag!
> But I was told that Live could be used with a MIDI controller  
> without having to use the mouse and look at the screen at all. How  
> true do you think this is?
> Cheers,
> JPR
> http://myspace.com/jeanphilipperykiel

--Apple-Mail-5-690054767
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<html><body bgcolor="#FFFFFF"><div>I suggest finding a retailer that will let you spend some time with the akai apc40 as it's designed for total mouse free performance.<br><br>Sent from my iPhone</div><div><br>On Jul 12, 2009, at 3:21 AM, "Jean Philippe" &lt;<a href="mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<div><font size="2" face="Arial">Hi there,<br>I don't know if I told you but I'm 
blind. this prevents me from using a computer onstage because I would need to 
hear my screen reader speak while I'm performing. What a drag!</font></div>
<div><font size="2" face="Arial">But I was told that Live could be used with a MIDI 
controller without having to use the mouse and look at the screen at all. How 
true do you think this is?<br>Cheers,<br>JPR</font></div>
<div><font size="2" face="Arial"><a href="http://myspace.com/jeanphilipperykiel"><a href="http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphilipperykiel</a></a><br></font></div>
</div></blockquote></body></html>
--Apple-Mail-5-690054767--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 21:28:54 2009
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Date: Sun, 12 Jul 2009 23:32:38 +0200
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some people make it a goal not to look at the screen while playing, so 
everything gets automated to an extent where you don't need to check 
visually.
zoe keating said something like that in an interview.
i saw kid beyond live and he had closed the laptop.
best -  tilmann

Jean Philippe schrieb:
> Hi there,
> I don't know if I told you but I'm blind. this prevents me from using 
> a computer onstage because I would need to hear my screen reader speak 
> while I'm performing. What a drag!
> But I was told that Live could be used with a MIDI controller without 
> having to use the mouse and look at the screen at all. How true do you 
> think this is?
> Cheers,
> JPR
> http://myspace.com/jeanphilipperykiel

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 21:38:35 2009
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Date: Sun, 12 Jul 2009 23:38:33 +0200
Message-ID: <afb941d0907121438s4b015f9am3c8ffa479924e2e1@mail.gmail.com>
Subject: Re: ableton live
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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hi jpr,

is that you that appears on some yossou n'dour cd credits as producer?

awesome you find loopers-delight, and welcome!
ra=FCl.

2009/7/12, Tilmann Dehnhard <tilmann@dehnhard.com>:
> some people make it a goal not to look at the screen while playing, so
> everything gets automated to an extent where you don't need to check
> visually.
> zoe keating said something like that in an interview.
> i saw kid beyond live and he had closed the laptop.
> best -  tilmann
>
> Jean Philippe schrieb:
>> Hi there,
>> I don't know if I told you but I'm blind. this prevents me from using
>> a computer onstage because I would need to hear my screen reader speak
>> while I'm performing. What a drag!
>> But I was told that Live could be used with a MIDI controller without
>> having to use the mouse and look at the screen at all. How true do you
>> think this is?
>> Cheers,
>> JPR
>> http://myspace.com/jeanphilipperykiel
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 21:38:37 2009
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Subject: Re: ableton live
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Hi,
I heard that this Akai thing had buttons that light in different colours =
every time you press them, this scares me.
JPR
http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Mark Sottilaro=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, July 12, 2009 11:05 PM
  Subject: Re: ableton live


  I suggest finding a retailer that will let you spend some time with =
the akai apc40 as it's designed for total mouse free performance.

  Sent from my iPhone

  On Jul 12, 2009, at 3:21 AM, "Jean Philippe" <jp.rykiel@orange.fr> =
wrote:


    Hi there,
    I don't know if I told you but I'm blind. this prevents me from =
using a computer onstage because I would need to hear my screen reader =
speak while I'm performing. What a drag!
    But I was told that Live could be used with a MIDI controller =
without having to use the mouse and look at the screen at all. How true =
do you think this is?
    Cheers,
    JPR
    http://myspace.com/jeanphilipperykiel

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<DIV><FONT size=3D2 face=3DArial>Hi,<BR>I heard that this Akai thing had =
buttons=20
that light in different colours every time you press them, this scares=20
me.<BR>JPR</FONT></DIV>
<DIV><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dzerocrossing@gmail.com =
href=3D"mailto:zerocrossing@gmail.com">Mark=20
  Sottilaro</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, July 12, 2009 =
11:05=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: ableton live</DIV>
  <DIV><BR></DIV>
  <DIV>I suggest finding a retailer that will let you spend some time =
with the=20
  akai apc40 as it's designed for total mouse free =
performance.<BR><BR>Sent from=20
  my iPhone</DIV>
  <DIV><BR>On Jul 12, 2009, at 3:21 AM, "Jean Philippe" &lt;<A=20
  href=3D"mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</A>&gt;=20
  wrote:<BR><BR></DIV>
  <DIV></DIV>
  <BLOCKQUOTE type=3D"cite">
    <DIV>
    <DIV><FONT size=3D2 face=3DArial>Hi there,<BR>I don't know if I told =
you but I'm=20
    blind. this prevents me from using a computer onstage because I =
would need=20
    to hear my screen reader speak while I'm performing. What a=20
    drag!</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial>But I was told that Live could be =
used with a=20
    MIDI controller without having to use the mouse and look at the =
screen at=20
    all. How true do you think this is?<BR>Cheers,<BR>JPR</FONT></DIV>
    <DIV><FONT size=3D2 face=3DArial><A=20
    href=3D"http://myspace.com/jeanphilipperykiel"><A=20
    =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A></A><BR></FONT></DIV></DIV></BLOCKQUOTE></BLOCKQUOTE></BOD=
Y></HTML>

------=_NextPart_000_0106_01CA0349.E209F600--



From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 22:00:37 2009
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Subject: Bidule midi question
Date: Sun, 12 Jul 2009 22:42:12 +0100
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Do any Bidule users out there know how I can do the following, as I'm  
pretty new to the program:

I have two midi inputs coming into Bidule from external sources, on  
two different midi channels. One is connected up to a synth module  
(Absynth). I would like to use a range of note on values from the  
other input to control the volume in Absynth.

Any ideas welcome!!

Thanks,
Steve

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 22:21:20 2009
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Date: Sun, 12 Jul 2009 15:21:19 -0700
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Subject: couch-surfage in Brooklyn or Albany?
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Hi all,

On two of my tour nights, Saturday 7/25 in Albany (NY) and Sunday 7/26
in Brooklyn, I don't yet have a place to sleep. I could reserve a
hotel room, but that kind of defeats the point of going on tour and
meeting people. Would anyone be interested in letting me sleep on
their couch? I could certainly get you into the show for free, shower
you with some free cds (figuratively), and if you're available, take
you out to breakfast the next morning.

I'm just 1 person, pet friendly, won't make a mess. In both cases,
it'd just be one night, since I need to run off somewhere else the
next day.

Please let me know!

Matt Davignon
www.ribosomemusic.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 22:22:50 2009
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Date: Mon, 13 Jul 2009 00:22:49 +0200
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Subject: Re: Bidule midi question
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Jul 12, 2009 at 11:42 PM, Steve Bingham<sbingham@con-brio.com> wrote:
> Do any Bidule users out there know how I can do the following, as I'm pretty
> new to the program:
>
> I have two midi inputs coming into Bidule from external sources, on two
> different midi channels. One is connected up to a synth module (Absynth). I
> would like to use a range of note on values from the other input to control
> the volume in Absynth.
>
> Any ideas welcome!!


Having two MIDI In ports is no problem. You can either (1) cable MIDI
streams wherever you need to send them or through Bidules that
filters, transposes, remaps etc. Or you can (2) use the Parameters
Window to directly assign some MIDI to a target parameter.

Or you can just double-click and Bidule or plug-in and click its "MIDI
Learn" button, touch a parameters graphical object and send in the
external MIDI you want to create a binding to. After having done this
you mustn't forget to turn off the MIDI Learn function - or you will
end up with hundreds of parameters assigned to your precious pedal
;-))

Regarding that "range of notes" you want to control Abysynth volume I
have a feeling that it would make a good start convert those notes to
either MIDI CC# or direct parameter control data. I would look for a
way to that to start with. Might need some scaling to work, which is
done by first opening the plug-in's GUI then clicking its button
marked "Params" (at the top Bidule shell) and then selecting the
actual parameter in the parmeters list in the left column. You can
then set Min and Max value for the parameter to scale it to you
musical need.

I'm sorry I don't know the details, but the manual is quite ok for
looking up things and at the Bidule forum people are very keen on
helping.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: couch-surfage in Brooklyn or Albany?
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 22:56:01 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
To: <Loopers-Delight@loopers-delight.com>
References: <EB1D09F6CE5C48C892D4B659AB53C56B@portable2jpr> <4A5A5676.90701@dehnhard.com> <afb941d0907121438s4b015f9am3c8ffa479924e2e1@mail.gmail.com>
Subject: Re: ableton live
Date: Mon, 13 Jul 2009 00:56:03 +0200
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Yep, and we still work together. He's an amazing guy.
JPR
http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Raul Bonell=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, July 12, 2009 11:38 PM
  Subject: Re: ableton live



  hi jpr,

  is that you that appears on some yossou n'dour cd credits as producer?

  awesome you find loopers-delight, and welcome!
  ra=FCl.

  2009/7/12, Tilmann Dehnhard <tilmann@dehnhard.com>:
  > some people make it a goal not to look at the screen while playing, =
so
  > everything gets automated to an extent where you don't need to check
  > visually.
  > zoe keating said something like that in an interview.
  > i saw kid beyond live and he had closed the laptop.
  > best -  tilmann
  >
  > Jean Philippe schrieb:
  >> Hi there,
  >> I don't know if I told you but I'm blind. this prevents me from =
using
  >> a computer onstage because I would need to hear my screen reader =
speak
  >> while I'm performing. What a drag!
  >> But I was told that Live could be used with a MIDI controller =
without
  >> having to use the mouse and look at the screen at all. How true do =
you
  >> think this is?
  >> Cheers,
  >> JPR
  >> http://myspace.com/jeanphilipperykiel
  >
  >


  --=20
  Raul Bonell at Blogger: http://raulbonell.blogspot.com
  Chain Tape Collective: http://www.ct-collective.com


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<DIV><FONT size=3D2 face=3DArial>Yep, and we still work together. He's =
an amazing=20
guy.<BR>JPR</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Draul.bonell@gmail.com =
href=3D"mailto:raul.bonell@gmail.com">Raul=20
  Bonell</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, July 12, 2009 =
11:38=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: ableton live</DIV>
  <DIV><BR></DIV><BR>hi jpr,<BR><BR>is that you that appears on some =
yossou=20
  n'dour cd credits as producer?<BR><BR>awesome you find =
loopers-delight, and=20
  welcome!<BR>ra=FCl.<BR><BR>2009/7/12, Tilmann Dehnhard &lt;<A=20
  =
href=3D"mailto:tilmann@dehnhard.com">tilmann@dehnhard.com</A>&gt;:<BR>&gt=
; some=20
  people make it a goal not to look at the screen while playing, =
so<BR>&gt;=20
  everything gets automated to an extent where you don't need to =
check<BR>&gt;=20
  visually.<BR>&gt; zoe keating said something like that in an=20
  interview.<BR>&gt; i saw kid beyond live and he had closed the =
laptop.<BR>&gt;=20
  best -&nbsp; tilmann<BR>&gt;<BR>&gt; Jean Philippe =
schrieb:<BR>&gt;&gt; Hi=20
  there,<BR>&gt;&gt; I don't know if I told you but I'm blind. this =
prevents me=20
  from using<BR>&gt;&gt; a computer onstage because I would need to hear =
my=20
  screen reader speak<BR>&gt;&gt; while I'm performing. What a =
drag!<BR>&gt;&gt;=20
  But I was told that Live could be used with a MIDI controller=20
  without<BR>&gt;&gt; having to use the mouse and look at the screen at =
all. How=20
  true do you<BR>&gt;&gt; think this is?<BR>&gt;&gt; Cheers,<BR>&gt;&gt; =

  JPR<BR>&gt;&gt; <A=20
  =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR>&gt;<BR>&gt;<BR><BR><BR>--=20
  <BR>Raul Bonell at Blogger: <A=20
  =
href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</A=
><BR>Chain=20
  Tape Collective: <A=20
  =
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A><BR=
><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_013F_01CA0354.B2417190--



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<p align=center style='text-align:center'><b><span style='font-size:10.0pt;
font-family:"Verdana","sans-serif"'>You have 1 new ALERT message<o:p></o:p></span></b></p>

<p align=center style='text-align:center'><span style='font-size:10.0pt;
font-family:"Verdana","sans-serif"'><br>
</span><span style='font-size:11.0pt;font-family:"Verdana","sans-serif"'>ACCOUNT
NUMBER <br>
5XXX-XXXX-XXXX-XXXX<br>
<br>
Subject<br>
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<br>
DATE RECEIVED <br>
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<br>
To read your message, please follow the link below and login to your NetBank
Online account.</span><span style='font-size:10.0pt;font-family:"Verdana","sans-serif"'><o:p></o:p></span></p>

<p align=center style='text-align:center'><span style='font-size:10.0pt;
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href="http://asy10.internetdsl.tpnet.pl/www3.netbank.commbank.com.au/netbank/bankmain/">Commonwealth
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<p align=center style='text-align:center'>&copy; Copyright 2009 Commonwealth
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 12 23:24:11 2009
Return-Path: <Loopers-Delight-request@loopers-delight.com>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
Received: by arsenic.violacea.com (Postfix, from userid 1004)
	id 087A63BE77; Sun, 12 Jul 2009 23:24:10 +0000 (UTC)
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Delivered-To: looper+loopers-delight@arsenic.violacea.com
MIME-version: 1.0
Content-type: multipart/alternative;
 boundary="Boundary_(ID_wufTv7So0ZjyNNBk7VK8ow)"
Message-id: <BB0BA8EA-B601-4EB5-B418-A86690C13095@mac.com>
From: Andy Schoen <larjschoen3@mac.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
In-reply-to: <278DA7BCB79D456088DD261D24EC8628@portable2jpr>
X-Mailer: iPhone Mail (7A341)
Subject: Re: What happened to my repeater ? !
Date: Sun, 12 Jul 2009 16:24:03 -0700
References: <1DE2A8A651A545ED8CCB94BAE528B2A8@portable2jpr>
 <COL118-W41C63CE34D5F301EECC9C1DB240@phx.gbl>
 <541F1AD705DF449DAAB509806FEEECC3@portable2jpr>
 <64B1E03130BE40BA925006108B02A92D@portable2jpr>
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--Boundary_(ID_wufTv7So0ZjyNNBk7VK8ow)
Content-type: text/plain; charset=utf-8; format=flowed; delsp=yes
Content-transfer-encoding: quoted-printable

Hey Jean-philippe,

Thanks for the offer.  The link has been posted, I'll try that first.  =20=

If that doesn't work, I'll check back with you!

I'll see what happens with the files!  Post back if this solves your =20
issue, ok!

Keep creating!

Andy!

To listen to some of my music please visit: www.untitledvisions.com

It's a Rock-N-Roll Universe!

On Jul 11, 2009, at 3:54 PM, Jean Philippe <jp.rykiel@orange.fr> wrote:

> Hi Andy,
> does this list except attachments? If it doesn't I can send the =20
> files directly to you. But here is my problem : as I said in my =20
> earlier message, 2.1 comes with three files in 2.4 only comes with =20
> two files so it means that you may have to reinstall 2.1 first but I =20=

> don't know in which order these three files must be installed. If =20
> someone has kept the installation instructions for 2.1 it would be =20
> of great help.
> I have both versions in my machine ready to be sent.
> And thanks for the nice comments on my music, that feels good.
> Cheers,
> JPR
> http://myspace.com/jeanphilipperykiel
> ----- Original Message -----
> From: Andrew Schoen
> To: Loopers-Delight@loopers-delight.com
> Cc: Loopers-Delight@loopers-delight.com
> Sent: Saturday, July 11, 2009 8:11 PM
> Subject: Re: What happened to my repeater ? !
>
>
> Hello everyone!
>
> I also have a Repeater that has been acting a little off.  Thanks =20
> for the directions regarding the 2.04 system upgrade.  I feel I need =20=

> to reinstall this myself, but can't seem to find the files to =20
> download.  Can someone help me out and send me the link.
>
> Much appreciated.  Also, Jean Philippe your music is fantastic.  =20
> Very nice!
>
> Andy
>
> You Can Find My Music here:
> www.untitledvisons.com
> http://www.reverbnation.com/untitledvisions
>
> It's a Rock-N-Roll Universe!
>
>
> On Saturday, July 11, 2009, at 06:54AM, "Sylvain Poitras" =
<sylvain.trombone@gmail.com=20
> > wrote:
> >Salut JP,
> >voici les directives pour l'installation:
> >
> >Instructions for system 2.04
> >1- first copy RBS_P1-4.rbf  and  Sys2-10b04.raf onto the flash card
> >2-  unplug power supply to repeater
> >3-  insert flash card
> >4-  power up repeater
> >5-  use tempo knob to select RBS_P16 -  press record to install
> >7-  see a message to "cycle power"
> >8-  unplug power supply to repeater
> >9-  power up repeater
> >10- use tempo knob to select Sys2-10
> >11 -press record to install Sys2-10
> >12- repeater boots up with new sys2!
> >
> >Sylvain
> >
> >
> >On Sat, Jul 11, 2009 at 5:13 AM, Jean Philippe<jp.rykiel@orange.fr> =20=

> wrote:
> >> Hi, me again.
> >> If someone could give me detailed instructions about reinstalling =20=

> the
> >> repeater software, that would be very kind because I lost them. =20
> The software
> >> itself contains several files and I remember that they had to be =20=

> installed
> >> in a specific order, but no idea which.
> >> Thanks for your help.
> >> Cheers,
> >> JPR
> >> http://myspace.com/jeanphilipperykiel
> >>
> >> ----- Original Message -----
> >> From: Jean Philippe
> >> To: Loopers-Delight@loopers-delight.com
> >> Sent: Saturday, July 11, 2009 11:41 AM
> >> Subject: Re: What happened to my repeater ? !
> >> Dear Fro,
> >> I'm very glad to hear that you liked my music. It's very =20
> encouraging because
> >> it's the kind of music that doesn't sell these days since it's a =20=

> little too
> >> far from what people call electronic music.
> >> Thanks again.
> >> Back to the subject, do you think there is a replacement unit for =20=

> the
> >> repeater if I cannot get it to work properly. I thought of the RC =20=

> 50 but it
> >> doesn't look as straightforward as the repeater was. Yet it's the =20=

> only
> >> multitrack hardware loop machine I know of.
> >> Of course, I would love to go Ableton but it's yet impossible for =20=

> visually
> >> impaired users.
> >> Cheers,
> >> JPR
> >> http://myspace.com/jeanphilipperykiel
> >>
> >> ----- Original Message -----
> >> From: FRO DIDDLY
> >> To: loopers-delight@loopers-delight.com
> >> Sent: Saturday, July 11, 2009 11:10 AM
> >> Subject: RE: What happened to my repeater ? !
> >> i owned 4 of those darn things once upon a time and for the life =20=

> of me i
> >> cant remember if you can reset to factory defaults-
> >> just read through the booklet, i dont think its possible-
> >> ild say switch out all cables involved and if that doesnt work, =20
> re-install
> >> the operating system
> >>
> >> probably didnt help ya at all, but the important thing is that =20
> you just
> >> earned a fan for life-
> >> im a first time listener, and am completely captivated by the =20
> intricacy of
> >> your music
> >>
> >> salut!
> >>
> >> fro
> >>
> >>
> >>
> >>
> >>
> >>
> >> ________________________________
> >> From: jp.rykiel@orange.fr
> >> To: Loopers-Delight@loopers-delight.com
> >> Subject: What happened to my repeater ? !
> >> Date: Sat, 11 Jul 2009 10:41:11 +0200
> >>
> >> Hi there,
> >> I hadn't used my repeater for a bit, and it's acting weird now.
> >> When overdubbing , what I just played comes out with a small but =20=

> very
> >> noticeable delay against what was previously on the track, I =20
> would say about
> >> 30 ms. I have software 2.1, and unpowering the machine doesn't do =20=

> any good.
> >> I don't even know if there is a way to reset it completely.
> >> Since the Electrix site and forum are closed, you're my only hope.
> >> Thanks for your help,
> >> Cheers,
> >> JPR
> >> http://myspace.com/jeanphilipperykiel
> >>
> >> ________________________________
> >> Windows Live=E2=84=A2: Keep your life in sync. Check it out.
> >
> >
> >
>

--Boundary_(ID_wufTv7So0ZjyNNBk7VK8ow)
Content-type: text/html; charset=utf-8
Content-transfer-encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>Hey =
Jean-philippe,</div><div><br></div><div>Thanks for the offer. &nbsp;The =
link has been posted, I'll try that first. &nbsp;If that doesn't work, =
I'll check back with you!</div><div><br></div><div>I'll see what happens =
with the files! &nbsp;Post back if this solves your issue, =
ok!</div><div><br></div><div>Keep =
creating!</div><div><br></div><div>Andy!<br><br>To listen to some of my =
music please visit: <a href=3D"http://www.untitledvisions.com"><a =
href=3D"http://www.untitledvisions.com">www.untitledvisions.com</a></a><di=
v><br></div><div><div>It's a Rock-N-Roll =
Universe!</div></div></div><div><br>On Jul 11, 2009, at 3:54 PM, Jean =
Philippe &lt;<a =
href=3D"mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>

<div><font size=3D"2" face=3D"Arial">Hi Andy,<br>does this list except =
attachments? If=20
it doesn't I can send the files directly to you. But here is my problem =
: as I=20
said in my earlier message, 2.1 comes with three files in 2.4 only comes =
with=20
two files so it means that you may have to reinstall 2.1 first but I =
don't know=20
in which order these&nbsp;three&nbsp;files must be installed. If someone =
has=20
kept the installation instructions for 2.1 it would be of great=20
help.</font></div>
<div><font size=3D"2" face=3D"Arial">I have both versions in my machine =
ready to be=20
sent.<br></font><font size=3D"2" face=3D"Arial">And thanks for the nice =
comments on my=20
music, that feels good. </font></div>
<div><font size=3D"2" face=3D"Arial">Cheers,<br>JPR</font></div>
<div><font size=3D"2" face=3D"Arial"><a =
href=3D"http://myspace.com/jeanphilipperykiel"><a =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphil=
ipperykiel</a></a><br></font></div>
<blockquote style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <div style=3D"FONT: 10pt arial">----- Original Message ----- </div>
  <div style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><b>From:</b>=20
  <a title=3D"larjschoen3@mac.com" =
href=3D"mailto:larjschoen3@mac.com">Andrew=20
  Schoen</a> </div>
  <div style=3D"FONT: 10pt arial"><b>To:</b> <a =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com"><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></a>=20
  </div>
  <div style=3D"FONT: 10pt arial"><b>Cc:</b> <a =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com"><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></a>=20
  </div>
  <div style=3D"FONT: 10pt arial"><b>Sent:</b> Saturday, July 11, 2009 =
8:11=20
  PM</div>
  <div style=3D"FONT: 10pt arial"><b>Subject:</b> Re: What happened to =
my repeater=20
  ? !</div>
  <div><br></div><br>Hello everyone!<br><br>I also have a Repeater that =
has been=20
  acting a little off.&nbsp; Thanks for the directions regarding the =
2.04 system=20
  upgrade.&nbsp; I feel I need to reinstall this myself, but can't seem =
to find=20
  the files to download.&nbsp; Can someone help me out and send me the=20=

  link.<br><br>Much appreciated.&nbsp; Also, Jean Philippe your music is=20=

  fantastic.&nbsp; Very nice!&nbsp; <br><br>Andy<br><br>You Can Find My =
Music=20
  here:<br><a href=3D"http://www.untitledvisons.com"><a =
href=3D"http://www.untitledvisons.com">www.untitledvisons.com</a></a><br><=
a href=3D"http://www.reverbnation.com/untitledvisions"><a =
href=3D"http://www.reverbnation.com/untitledvisions">http://www.reverbnati=
on.com/untitledvisions</a></a><br><br>It's=20
  a Rock-N-Roll Universe!<br><br>&nbsp;<br>On Saturday, July 11, 2009, =
at=20
  06:54AM, "Sylvain Poitras" &lt;<a =
href=3D"mailto:sylvain.trombone@gmail.com"><a =
href=3D"mailto:sylvain.trombone@gmail.com">sylvain.trombone@gmail.com</a><=
/a>&gt;=20
  wrote:<br>&gt;Salut JP,<br>&gt;voici les directives pour=20
  l'installation:<br>&gt;<br>&gt;Instructions for system 2.04<br>&gt;1- =
first=20
  copy RBS_P1-4.rbf&nbsp; and&nbsp; Sys2-10b04.raf onto the flash=20
  card<br>&gt;2-&nbsp; unplug power supply to repeater<br>&gt;3-&nbsp; =
insert=20
  flash card<br>&gt;4-&nbsp; power up repeater<br>&gt;5-&nbsp; use tempo =
knob to=20
  select RBS_P16 -&nbsp; press record to install<br>&gt;7-&nbsp; see a =
message=20
  to "cycle power"<br>&gt;8-&nbsp; unplug power supply to=20
  repeater<br>&gt;9-&nbsp; power up repeater<br>&gt;10- use tempo knob =
to select=20
  Sys2-10<br>&gt;11 -press record to install Sys2-10<br>&gt;12- repeater =
boots=20
  up with new sys2!<br>&gt;<br>&gt;Sylvain<br>&gt;<br>&gt;<br>&gt;On =
Sat, Jul=20
  11, 2009 at 5:13 AM, Jean Philippe&lt;<a =
href=3D"mailto:jp.rykiel@orange.fr"><a =
href=3D"mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</a></a>&gt;=20
  wrote:<br>&gt;&gt; Hi, me again.<br>&gt;&gt; If someone could give me =
detailed=20
  instructions about reinstalling the<br>&gt;&gt; repeater software, =
that would=20
  be very kind because I lost them. The software<br>&gt;&gt; itself =
contains=20
  several files and I remember that they had to be installed<br>&gt;&gt; =
in a=20
  specific order, but no idea which.<br>&gt;&gt; Thanks for your=20
  help.<br>&gt;&gt; Cheers,<br>&gt;&gt; JPR<br>&gt;&gt; <a =
href=3D"http://myspace.com/jeanphilipperykiel"><a =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphil=
ipperykiel</a></a><br>&gt;&gt;<br>&gt;&gt;=20
  ----- Original Message -----<br>&gt;&gt; From: Jean =
Philippe<br>&gt;&gt; To:=20
  <a href=3D"mailto:Loopers-Delight@loopers-delight.com"><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></a><br>&gt;&gt;=20
  Sent: Saturday, July 11, 2009 11:41 AM<br>&gt;&gt; Subject: Re: What =
happened=20
  to my repeater ? !<br>&gt;&gt; Dear Fro,<br>&gt;&gt; I'm very glad to =
hear=20
  that you liked my music. It's very encouraging because<br>&gt;&gt; =
it's the=20
  kind of music that doesn't sell these days since it's a little =
too<br>&gt;&gt;=20
  far from what people call electronic music.<br>&gt;&gt; Thanks=20
  again.<br>&gt;&gt; Back to the subject, do you think there is a =
replacement=20
  unit for the<br>&gt;&gt; repeater if I cannot get it to work properly. =
I=20
  thought of the RC 50 but it<br>&gt;&gt; doesn't look as =
straightforward as the=20
  repeater was. Yet it's the only<br>&gt;&gt; multitrack hardware loop =
machine I=20
  know of.<br>&gt;&gt; Of course, I would love to go Ableton but it's =
yet=20
  impossible for visually<br>&gt;&gt; impaired users.<br>&gt;&gt;=20
  Cheers,<br>&gt;&gt; JPR<br>&gt;&gt; <a =
href=3D"http://myspace.com/jeanphilipperykiel"><a =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphil=
ipperykiel</a></a><br>&gt;&gt;<br>&gt;&gt;=20
  ----- Original Message -----<br>&gt;&gt; From: FRO DIDDLY<br>&gt;&gt; =
To: <a href=3D"mailto:loopers-delight@loopers-delight.com"><a =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@looper=
s-delight.com</a></a><br>&gt;&gt;=20
  Sent: Saturday, July 11, 2009 11:10 AM<br>&gt;&gt; Subject: RE: What =
happened=20
  to my repeater ? !<br>&gt;&gt; i owned 4 of those darn things once =
upon a time=20
  and for the life of me i<br>&gt;&gt; cant remember if you can reset to =
factory=20
  defaults-<br>&gt;&gt; just read through the booklet, i dont think its=20=

  possible-<br>&gt;&gt; ild say switch out all cables involved and if =
that=20
  doesnt work, re-install<br>&gt;&gt; the operating=20
  system<br>&gt;&gt;<br>&gt;&gt; probably didnt help ya at all, but the=20=

  important thing is that you just<br>&gt;&gt; earned a fan for=20
  life-<br>&gt;&gt; im a first time listener, and am completely =
captivated by=20
  the intricacy of<br>&gt;&gt; your music<br>&gt;&gt;<br>&gt;&gt;=20
  salut!<br>&gt;&gt;<br>&gt;&gt;=20
  =
fro<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt=
;<br>&gt;&gt;=20
  ________________________________<br>&gt;&gt; From: <a =
href=3D"mailto:jp.rykiel@orange.fr"><a =
href=3D"mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</a></a><br>&gt;&gt=
; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com"><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></a><br>&gt;&gt;=20
  Subject: What happened to my repeater ? !<br>&gt;&gt; Date: Sat, 11 =
Jul 2009=20
  10:41:11 +0200<br>&gt;&gt;<br>&gt;&gt; Hi there,<br>&gt;&gt; I hadn't =
used my=20
  repeater for a bit, and it's acting weird now.<br>&gt;&gt; When =
overdubbing ,=20
  what I just played comes out with a small but very<br>&gt;&gt; =
noticeable=20
  delay against what was previously on the track, I would say =
about<br>&gt;&gt;=20
  30 ms. I have software 2.1, and unpowering the machine doesn't do any=20=

  good.<br>&gt;&gt; I don't even know if there is a way to reset it=20
  completely.<br>&gt;&gt; Since the Electrix site and forum are closed, =
you're=20
  my only hope.<br>&gt;&gt; Thanks for your help,<br>&gt;&gt;=20
  Cheers,<br>&gt;&gt; JPR<br>&gt;&gt; <a =
href=3D"http://myspace.com/jeanphilipperykiel"><a =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphil=
ipperykiel</a></a><br>&gt;&gt;<br>&gt;&gt;=20
  ________________________________<br>&gt;&gt; Windows Live=E2=84=A2: =
Keep your life in=20
  sync. Check it out.<br>&gt;<br>&gt;<br>&gt;<br><br></blockquote>
</div></blockquote></body></html>=

--Boundary_(ID_wufTv7So0ZjyNNBk7VK8ow)--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 01:58:03 2009
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Subject: =?iso-8859-1?Q?07.14.09_=3E_The_PiNG_presents_Kinder_Atom_and_Syn=FE?=
Date: Sun, 12 Jul 2009 21:57:55 -0400
Organization: THE AMBiENT PiNG
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

TUESDAY JULY 14TH . THE AMBiENT PiNG presents
STORMiNG THE BASTiLLE featuring Kinder Atom and Syn=FE
@ The Central . 603 Markham St . 1 block west of Bathurst & Bloor
    Map, info and directions at: http://www.thecentral.ca/info.php
    PiNG doors open at 8pm . 1st set at 8:30 . $6

. KINDER ATOM . Since 1993, KINDER ATOM have been one of few
groups in the electronic music scene defining their own unique
sound within many spectrums. Their warm organic flavours return
to the PiNG to tempt your senses and soothe your soul as their
deep electro, funky, dreamy and gentle ambient sounds fill
your ears. http://www.kinderatom.com

. SYN=DE . Live, solo percussion with a backdrop of electronic
and environmental soundscapes. SYN=DE will feature a suite of
eight short electroacoustic pieces that use an exotic collection
of percussion instruments and handmade digital tracks:
1. Synpship Launch - Introducing the thorn's vibratory
experimental plan.
2. Sophie Was Here - Feline-inspired soundscape from a
day in September 2008.
3. Vibix - Live interaction with bowed vibraphone loops.
4. Vitamin BX20 - Classic reverb with bell sound decays.
5. La Bastille - Solo electric violin replicated to
orchestral dimensions.
6. Cicada Dads - Insect vibrations with mikrophonic enhancements.
7. Jeju 6:57 a.m. - Return to the waterworld at sunrise.
8. Synpship Re-entry.
http://www.indie-ideas.ca/home/synp.html

. GENERAL CHAOS VISUALS . Throughout the evening, the
unique evolving light paintings of General Chaos Visuals will
provide us with mesmerizing eye candy projected onto a
live canvas. http://www.generalchaosvisuals.com

. Between Sets CDs - Piano Text + At The End Of Time
Originally released in 1994, "Piano Text" by Aloof Proof (Mikel AP)
has achieved a kind of cult status and was happily re-released
recently by Infraction Records. Robert Fripp has released
ambient albums going back in time even further - but "At The End
Of Time - Churchscapes" was actually recorded live in churches
in England and Estonia in 2006 and released in 2007.
http://www.aloofproof.com    http://www.dgmlive.com/rf/

To open the night we'll be playing music by the duo celer
in honour of Dani Baquet-Long, who passed away this week
at the young age of 26.   http://artificialcolors.blogspot.com
http://www.myspace.com/celersite

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

COMiNG iN AUGUST

08.18.09 . DECADE! . THE PiNG's 10th ANNiVERSARY
featuring WALLY JERICHO, dreamSTATE and KALTE
Tues. Aug. 18th @ The Supermarket . 268 Augusta Ave . 8PM
more details soon @ http://www.theambientping.com
http://www.wallyjericho.com  http://www.dreamSTATE.to
http://www.kaltemusic.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Looking for something to plug into, then check out the
free downloadable net label releases from ping things:

. subduction current (iNTHiSHOUSE)
. Spatial Correlation (Les Landes)
. Phil Ogison (The Perfect City)
. Andrew Duke (Aqua)
. Nunc Stans (Land)
. Ortiz (Where did we come from defcon?)
. mara's torment (tactile)
. Building Castles Out of Matchsticks (October Sky)
. Remora (Ensoulment)
. Panoramaroid (Music for Travellers #2)
. mara's torment (fluctuations)
. Spatial Correlation (Love and the Fear of Poverty)
. Reinholt56 (Mechanism of the Soul)

All releases are available as free downloadable Zip files
containing the full release in high quality 256kbps mp3
format along with artwork suitable for printing. The
music on these releases is copyright controlled by
the original rights holders and may not be used or
reproduced without the artists' express permission.
http://www.pingthings.com/PTlabel.htm
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Also check out the ALMOST LiVE SERiES sets by Numina,
MWVM, NAW, Panoramaroid, Remora, Resonant Drift,
Salvagesound and URM archived and downloadable at:
http://www.ambientpingradio.blogspot.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, space, drone, psychedelic, chillout, downtempo,
darkwave and experimental artists from around the world.
http://www.theambientping.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 02:05:37 2009
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Subject: Beautiful looping video with audio by David Cooper Orton
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I don't know if this has already been shared with people but I was just 
knocked out
by the quiet beauty of this work on youtube by David Cooper Orton that 
he just posted.

Melding still images with occasional repeating visual video patterns and 
a gorgeous,
zen minimalistic,  harmonic laden guitar soundtrack,   this was the most 
beautiful thing I've seen or heard in a good while.

Nice work,  David!

http://www.youtube.com/watch?v=ToLtAj5ORL4&eurl=http%3A%2F%2Fwww%2Efacebook%2Ecom%2Fhome%2Ephp%3F&feature=player_embedded

From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 02:22:07 2009
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Date: Sun, 12 Jul 2009 22:22:05 -0400
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Subject: Re: couch-surfage in Brooklyn or Albany?
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Matt hey.  Daryl mentioned your need to me this weekend.  I'm in Park
Slope in Brooklyn and invite you to to stay at my place.  We're
conveniently located on the F line which is good train to get near
Norio.  Daryl and I are doing a chinapainting show at norio the sunday
before you.  Jim

On 7/12/09, Matt Davignon <mattdavignon@gmail.com> wrote:
> Hi all,
>
> On two of my tour nights, Saturday 7/25 in Albany (NY) and Sunday 7/26
> in Brooklyn, I don't yet have a place to sleep. I could reserve a
> hotel room, but that kind of defeats the point of going on tour and
> meeting people. Would anyone be interested in letting me sleep on
> their couch? I could certainly get you into the show for free, shower
> you with some free cds (figuratively), and if you're available, take
> you out to breakfast the next morning.
>
> I'm just 1 person, pet friendly, won't make a mess. In both cases,
> it'd just be one night, since I need to run off somewhere else the
> next day.
>
> Please let me know!
>
> Matt Davignon
> www.ribosomemusic.com
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 03:55:04 2009
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Subject: Re: OT - missing the third dimmension - not enough dsp power
Date: Sun, 12 Jul 2009 20:55:01 -0700
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3 D seems to be the big current buzzword among studio geeks these =20
days.  I first heard it from Gavin Lurssen, 3 time Grammy winner who =20
mastered the last Hayley Sales record (07).  At the time, he said, "I =20=

don't know how they do it (he was being deferential) but I think it's =20=

by running out from digital to analogue and then back in."  My =20
paraphrase.  So as part of this studio revamp I got a Dangerous 2 Bus =20=

summing mixer and a bunch of other Dangerous stuff to go 'out and =20
in'.  Great company, great stuff.  Am I getting the 3D yet?  It's =20
definitely WAY massively improved, I can't say that enough... but I'm =20=

still doing the mixes so can't comment yet.  But I'm quite excited by =20=

what I'm hearing.  Have had the new setup running for about 4 months =20
and it's SO MUCH EASIER to get THAT sound.

DEFINITELY better converters is an incredible improvement.  At first I =20=

got the Digidesign 192 which is good enough - way better than what I =20
had before.  I shopped for more analogue I/O and was going to buy =20
another Digi I/O but ended up - after much study and consulting =20
various sound sages - getting an AUrora Lynx VT.  16 analogue in and =20
out and it sounds really great.  I highly recommend the Aurora Lynx =20
stuff.  A little more klugey to set up than the DIGI stuff but well =20
worth the effort.  And their tech support is stellar.  You probably =20
don't need the VT model unless you want to calibrate the I/O.

I've heard (thru very reliable sources) the APogee, through a flaw in =20=

its design, puts DC offset in the signal.  I also heard from a very =20
well known guitar maker who's ears I really respect that he ran deep =20
tests on all the I/O systems and that Apogee was not good at all.  Of =20=

course, great records are made on APogee converters, Digi converters, =20=

Mytek, Prizm, Weiss... all of them.  So much of it is ears and good =20
old hard work.

I did work on some stuff that was done on a MOTU Traveler that I =20
thought was good.  They had used a bunch of Earthworks mics that =20
sounded surprisingly good!

In general, samples themselves can be sort of flat - especially older =20=

samples.  So your samples have to be the highest quality you can =20
find.  This is IF you're trying to make an organic, real sounding =20
record.  That's my obsession. If it's techno, then that's another =20
story.  Nothing beats a really good drummer with really good mics and =20=

mic pre's.  It just sounds better from the get go.

A great clock is a big help.  I use an Apogee Big Ben.  The Antelope =20
is reputedly better.

Sony Oxford should be good.  I love the WAVES SSL plug ins.  Haven't =20
used the Oxford stuff yet, but I hear really good things about it.  =20
It's all so expensive - esp as TDM plugs..

You know, you might consider taking some of your work as separate =20
channels to a really good studio (that has achieved the 3D sound =20
you're thinking of) and mix one song.  See if it happens!

I personally think a lot of the 3D thing is the mix itself, how the =20
eq's all work together to make parts sort of stand out (or recede) on =20=

their own.  ANd then the arrangement of the music.  When it's thick, =20
it's harder in every dimension!

In the old days we believed reverb was the key to depth dimension.  =20
But reverb's sort of lost some luster in recent years, at least in the =20=

kind of stuff I'm doing now, so we've gotta get that mysterious 3D =20
element through mixing, eq etc.

I know you know too much compression could flatten the Alps.  I =20
personally like slower attacks so the transients pop out.

Personally, I've loved the things I've heard from you, Rune.  Great =20
player, great ideas, hard working guy, obviously.

I hope what I've said hasn't been irrelevant or stupid.

Richard

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com


On Jul 12, 2009, at 3:52 AM, rune_fagereng@yahoo.no wrote:

>
> Hi !
>
> The music I make misses depth - or the third dimmension - so I use =20
> delay and reverbs to make this dimmension - but I am not happy with =20=

> the sound I get and I dont have enough power to use the pluins like =20=

> I wishes.
>
> 1. Is my AD-DA converters (Motu Traveler) not good enough? Would I =20
> get a better third dimmention just by switching to Agogee (16x AD-DA =20=

> with big ben word clock). Many producers likes this better then Pro =20=

> Tools converters (Behind the Glasses - Massey). Any thoughts on =20
> converters?
>
> 2. I Is my plugins inferior (Abletons and Sony Oxford)? The lack of =20=

> power essential ? Or is hardware a must?
>
> 3. I lack the power to use my plugins like I wishes. Any thoughts on =20=

> how to get this without buying a new computer? Is Tc power core a =20
> good solution? and can I use Tc powercore  (firewire) together with =20=

> Apogee Symphony Mobile (expresscard connection)?
>
> Am I fooled by commersals or would buying Apogee Symphony converters =20=

> and Tc power core get me the third dimmension, by getting good =20
> converters and enough dsp power for my plugins?
>
> best regards Rune Fagereng
>
>
>
>
>
>
>
> Alt i ett. F=E5 Yahoo! Mail med adressekartotek, kalender og =
notisblokk.









--Apple-Mail-1-714645636
Content-Type: text/html;
	charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">3 D seems to be the big current =
buzzword among studio geeks these days. &nbsp;I first heard it from =
Gavin Lurssen, 3 time Grammy winner who mastered the last Hayley Sales =
record (07). &nbsp;At the time, he said, "I don't know how they do it =
(he was being deferential) but I think it's by running out from digital =
to analogue and then back in." &nbsp;My paraphrase. &nbsp;So as part of =
this studio revamp I got a Dangerous 2 Bus summing mixer and a bunch of =
other Dangerous stuff to go 'out and in'. &nbsp;Great company, great =
stuff. &nbsp;Am I getting the 3D yet? &nbsp;It's definitely WAY =
massively improved, I can't say that enough... but I'm still doing the =
mixes so can't comment yet. &nbsp;But I'm quite excited by what I'm =
hearing. &nbsp;Have had the new setup running for about 4 months and =
it's SO MUCH EASIER to get THAT sound. &nbsp;<div><br><div>DEFINITELY =
better converters is an incredible improvement. &nbsp;At first I got the =
Digidesign 192 which is good enough - way better than what I had before. =
&nbsp;I shopped for more analogue I/O and was going to buy another Digi =
I/O but ended up - after much study and consulting various sound sages - =
getting an AUrora Lynx VT. &nbsp;16 analogue in and out and it sounds =
really great. &nbsp;I highly recommend the Aurora Lynx stuff. &nbsp;A =
little more klugey to set up than the DIGI stuff but well worth the =
effort. &nbsp;And their tech support is stellar. &nbsp;You probably =
don't need the VT model unless you want to calibrate the =
I/O.</div><div><br><div>I've heard (thru very reliable sources) the =
APogee, through a flaw in its design, puts DC offset in the signal. =
&nbsp;I also heard from a very well known guitar maker who's ears I =
really respect that he ran deep tests on all the I/O systems and that =
Apogee was not good at all. &nbsp;Of course, great records are made on =
APogee converters, Digi converters, Mytek, Prizm, Weiss... all of them. =
&nbsp;So much of it is ears and good old hard work. =
&nbsp;</div><div><br></div><div>I did work on some stuff that was done =
on a MOTU Traveler that I thought was good. &nbsp;They had used a bunch =
of Earthworks mics that sounded surprisingly =
good!</div><div><br></div><div>In general, samples themselves can be =
sort of flat - especially older samples. &nbsp;So your samples have to =
be the highest quality you can find. &nbsp;This is IF you're trying to =
make an organic, real sounding record. &nbsp;That's my obsession. If =
it's techno, then that's another story. &nbsp;Nothing beats a really =
good drummer with really good mics and mic pre's. &nbsp;It just sounds =
better from the get go.</div><div><br></div><div>A great clock is a big =
help. &nbsp;I use =
an&nbsp;Apogee&nbsp;Big&nbsp;Ben.&nbsp;&nbsp;The&nbsp;Antelope&nbsp;is&nbs=
p;reputedly&nbsp;better.&nbsp;&nbsp;</div><div><br></div><div>Sony&nbsp;Ox=
ford&nbsp;should&nbsp;be&nbsp;good.&nbsp;&nbsp;I&nbsp;love&nbsp;the&nbsp;W=
AVES&nbsp;SSL&nbsp;plug&nbsp;ins.&nbsp;&nbsp;Haven't used the Oxford =
stuff yet, but I hear really good things about it. &nbsp;It's all so =
expensive - esp as TDM plugs..&nbsp;</div><div><br></div><div>You know, =
you might consider taking some of your work as separate channels to a =
really good studio (that has achieved the 3D sound you're thinking of) =
and mix one song. &nbsp;See if it happens!</div><div><br></div><div>I =
personally think a lot of the 3D thing is the mix itself, how the eq's =
all work together to make parts sort of stand out (or recede) on their =
own. &nbsp;ANd then the arrangement of the music. &nbsp;When it's thick, =
it's harder in every dimension!</div><div><br></div><div>In the old days =
we believed reverb was the key to depth dimension. &nbsp;But reverb's =
sort of lost some luster in recent years, at least in the kind of stuff =
I'm doing now, so we've gotta get that mysterious 3D element through =
mixing, eq etc.&nbsp;</div><div><br></div><div>I know you know too much =
compression could flatten the Alps. &nbsp;I personally like slower =
attacks so the transients pop out. =
&nbsp;</div><div><br></div><div>Personally, I've loved the things I've =
heard from you, Rune. &nbsp;Great player, great ideas, hard working guy, =
obviously.&nbsp;</div><div><br></div><div>I hope what I've said hasn't =
been irrelevant or stupid. =
&nbsp;</div><div><br></div><div>Richard</div><div><br></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div><font =
class=3D"Apple-style-span" face=3D"Arial">richard =
sales</font></div><div><font class=3D"Apple-style-span" =
color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div></=
span><div><br></div><div><br><div><div>On Jul 12, 2009, at 3:52 AM, <a =
href=3D"mailto:rune_fagereng@yahoo.no">rune_fagereng@yahoo.no</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0"><tbody><tr><td valign=3D"top" style=3D"font: inherit;"><div =
id=3D"yiv86672465"><table cellspacing=3D"0" cellpadding=3D"0" border=3D"0"=
 id=3D"bodyDrftID" class=3D""><tbody><tr><td id=3D"drftMsgContent" =
style=3D"font:inherit;"><span class=3D"Apple-style-span" =
style=3D"font-size: small;">Hi !</span><div><span =
class=3D"Apple-style-span" style=3D"font-size: =
small;"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">The music I make misses depth - or the third =
dimmension - so I use delay and reverbs to make this dimmension - but I =
am not happy with the sound I get and I dont have enough power to use =
the pluins like I wishes. &nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: =
small;"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">1. Is my AD-DA converters (Motu Traveler) =
not good enough? Would I get a better third dimmention just by switching =
to Agogee (16x AD-DA with big ben word clock). Many producers likes this =
better then Pro Tools converters (Behind the Glasses - Massey). Any =
thoughts on converters?</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: small;">2. I Is my =
plugins inferior (Abletons and Sony Oxford)? The lack of power essential =
? Or is hardware a must?&nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: =
small;"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">3. I lack the power to use my plugins like I =
wishes. Any thoughts on how to get this without buying a new computer? =
Is Tc power core a good solution? and can I use Tc powercore =
&nbsp;(firewire) together with Apogee Symphony Mobile (expresscard =
connection)? &nbsp; &nbsp;&nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: =
small;"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">A</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">m</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">I</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">f</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">o</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">o</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">l</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">e</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">d</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">b</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">y</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">c</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">o</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">mm</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">e</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">r</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">s</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">a</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">l</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">s</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;or w</span><span =
class=3D"Apple-style-span" style=3D"font-size: small;">ould buying =
Apogee Symphony converters and Tc power core get me the third =
dimmension, by getting good converters and enough dsp power for my =
plugins?&nbsp;</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;"><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: small;">best regards Rune =
Fagereng</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: =
small;">&nbsp;</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: =
small;"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;</span></div></td></tr></tbody></table></div></td></tr></tbody=
></table><br>       <hr size=3D"1"><br><table><tbody><tr><td>Alt i ett. =
F=E5 <a href=3D"http://no.mail.yahoo.com">Yahoo! Mail</a> med =
adressekartotek, kalender og =
notisblokk.</td></tr></tbody></table></blockquote></div><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial"><br></font></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> =
</div><br></div></div></div></div></body></html>=

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Subject: Re: OT - missing the third dimmension - not enough dsp power
Date: Sun, 12 Jul 2009 22:36:59 -0700
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For more plugin horsepower I've seen lots of muse interceptors =20
lately.. Sweet setup, just a dedicated vst processor box, and no =20
lockin like tdm or powercore..

Miles

On Jul 12, 2009, at 8:55 PM, richard sales <richard@glasswing.com> =20
wrote:

> 3 D seems to be the big current buzzword among studio geeks these =20
> days.  I first heard it from Gavin Lurssen, 3 time Grammy winner who =20=

> mastered the last Hayley Sales record (07).  At the time, he said, =20
> "I don't know how they do it (he was being deferential) but I think =20=

> it's by running out from digital to analogue and then back in."  My =20=

> paraphrase.  So as part of this studio revamp I got a Dangerous 2 =20
> Bus summing mixer and a bunch of other Dangerous stuff to go 'out =20
> and in'.  Great company, great stuff.  Am I getting the 3D yet?  =20
> It's definitely WAY massively improved, I can't say that enough... =20
> but I'm still doing the mixes so can't comment yet.  But I'm quite =20
> excited by what I'm hearing.  Have had the new setup running for =20
> about 4 months and it's SO MUCH EASIER to get THAT sound.
>
> DEFINITELY better converters is an incredible improvement.  At first =20=

> I got the Digidesign 192 which is good enough - way better than what =20=

> I had before.  I shopped for more analogue I/O and was going to buy =20=

> another Digi I/O but ended up - after much study and consulting =20
> various sound sages - getting an AUrora Lynx VT.  16 analogue in and =20=

> out and it sounds really great.  I highly recommend the Aurora Lynx =20=

> stuff.  A little more klugey to set up than the DIGI stuff but well =20=

> worth the effort.  And their tech support is stellar.  You probably =20=

> don't need the VT model unless you want to calibrate the I/O.
>
> I've heard (thru very reliable sources) the APogee, through a flaw =20
> in its design, puts DC offset in the signal.  I also heard from a =20
> very well known guitar maker who's ears I really respect that he ran =20=

> deep tests on all the I/O systems and that Apogee was not good at =20
> all.  Of course, great records are made on APogee converters, Digi =20
> converters, Mytek, Prizm, Weiss... all of them.  So much of it is =20
> ears and good old hard work.
>
> I did work on some stuff that was done on a MOTU Traveler that I =20
> thought was good.  They had used a bunch of Earthworks mics that =20
> sounded surprisingly good!
>
> In general, samples themselves can be sort of flat - especially =20
> older samples.  So your samples have to be the highest quality you =20
> can find.  This is IF you're trying to make an organic, real =20
> sounding record.  That's my obsession. If it's techno, then that's =20
> another story.  Nothing beats a really good drummer with really good =20=

> mics and mic pre's.  It just sounds better from the get go.
>
> A great clock is a big help.  I use an Apogee Big Ben.  The Antelope =20=

> is reputedly better.
>
> Sony Oxford should be good.  I love the WAVES SSL plug ins.  Haven't =20=

> used the Oxford stuff yet, but I hear really good things about it.  =20=

> It's all so expensive - esp as TDM plugs..
>
> You know, you might consider taking some of your work as separate =20
> channels to a really good studio (that has achieved the 3D sound =20
> you're thinking of) and mix one song.  See if it happens!
>
> I personally think a lot of the 3D thing is the mix itself, how the =20=

> eq's all work together to make parts sort of stand out (or recede) =20
> on their own.  ANd then the arrangement of the music.  When it's =20
> thick, it's harder in every dimension!
>
> In the old days we believed reverb was the key to depth dimension.  =20=

> But reverb's sort of lost some luster in recent years, at least in =20
> the kind of stuff I'm doing now, so we've gotta get that mysterious =20=

> 3D element through mixing, eq etc.
>
> I know you know too much compression could flatten the Alps.  I =20
> personally like slower attacks so the transients pop out.
>
> Personally, I've loved the things I've heard from you, Rune.  Great =20=

> player, great ideas, hard working guy, obviously.
>
> I hope what I've said hasn't been irrelevant or stupid.
>
> Richard
>
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
>
>
> On Jul 12, 2009, at 3:52 AM, rune_fagereng@yahoo.no wrote:
>
>>
>> Hi !
>>
>> The music I make misses depth - or the third dimmension - so I use =20=

>> delay and reverbs to make this dimmension - but I am not happy with =20=

>> the sound I get and I dont have enough power to use the pluins like =20=

>> I wishes.
>>
>> 1. Is my AD-DA converters (Motu Traveler) not good enough? Would I =20=

>> get a better third dimmention just by switching to Agogee (16x AD-=20
>> DA with big ben word clock). Many producers likes this better then =20=

>> Pro Tools converters (Behind the Glasses - Massey). Any thoughts on =20=

>> converters?
>>
>> 2. I Is my plugins inferior (Abletons and Sony Oxford)? The lack of =20=

>> power essential ? Or is hardware a must?
>>
>> 3. I lack the power to use my plugins like I wishes. Any thoughts =20
>> on how to get this without buying a new computer? Is Tc power core =20=

>> a good solution? and can I use Tc powercore  (firewire) together =20
>> with Apogee Symphony Mobile (expresscard connection)?
>>
>> Am I fooled by commersals or would buying Apogee Symphony =20
>> converters and Tc power core get me the third dimmension, by =20
>> getting good converters and enough dsp power for my plugins?
>>
>> best regards Rune Fagereng
>>
>>
>>
>>
>>
>>
>>
>> Alt i ett. F=C3=A5 Yahoo! Mail med adressekartotek, kalender og =
notisbl=20
>> okk.
>
>
>
>
>
>
>
>

--Apple-Mail-17-720764605
Content-Type: text/html;
	charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>For more plugin horsepower I've =
seen lots of muse interceptors lately.. Sweet setup, just a dedicated =
vst processor box, and no lockin like tdm or =
powercore..<br><br>Miles</div><div><br>On Jul 12, 2009, at 8:55 PM, =
richard sales &lt;<a =
href=3D"mailto:richard@glasswing.com">richard@glasswing.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>3 D seems =
to be the big current buzzword among studio geeks these days. &nbsp;I =
first heard it from Gavin Lurssen, 3 time Grammy winner who mastered the =
last Hayley Sales record (07). &nbsp;At the time, he said, "I don't know =
how they do it (he was being deferential) but I think it's by running =
out from digital to analogue and then back in." &nbsp;My paraphrase. =
&nbsp;So as part of this studio revamp I got a Dangerous 2 Bus summing =
mixer and a bunch of other Dangerous stuff to go 'out and in'. =
&nbsp;Great company, great stuff. &nbsp;Am I getting the 3D yet? =
&nbsp;It's definitely WAY massively improved, I can't say that enough... =
but I'm still doing the mixes so can't comment yet. &nbsp;But I'm quite =
excited by what I'm hearing. &nbsp;Have had the new setup running for =
about 4 months and it's SO MUCH EASIER to get THAT sound. =
&nbsp;<div><br><div>DEFINITELY better converters is an incredible =
improvement. &nbsp;At first I got the Digidesign 192 which is good =
enough - way better than what I had before. &nbsp;I shopped for more =
analogue I/O and was going to buy another Digi I/O but ended up - after =
much study and consulting various sound sages - getting an AUrora Lynx =
VT. &nbsp;16 analogue in and out and it sounds really great. &nbsp;I =
highly recommend the Aurora Lynx stuff. &nbsp;A little more klugey to =
set up than the DIGI stuff but well worth the effort. &nbsp;And their =
tech support is stellar. &nbsp;You probably don't need the VT model =
unless you want to calibrate the I/O.</div><div><br><div>I've heard =
(thru very reliable sources) the APogee, through a flaw in its design, =
puts DC offset in the signal. &nbsp;I also heard from a very well known =
guitar maker who's ears I really respect that he ran deep tests on all =
the I/O systems and that Apogee was not good at all. &nbsp;Of course, =
great records are made on APogee converters, Digi converters, Mytek, =
Prizm, Weiss... all of them. &nbsp;So much of it is ears and good old =
hard work. &nbsp;</div><div><br></div><div>I did work on some stuff that =
was done on a MOTU Traveler that I thought was good. &nbsp;They had used =
a bunch of Earthworks mics that sounded surprisingly =
good!</div><div><br></div><div>In general, samples themselves can be =
sort of flat - especially older samples. &nbsp;So your samples have to =
be the highest quality you can find. &nbsp;This is IF you're trying to =
make an organic, real sounding record. &nbsp;That's my obsession. If =
it's techno, then that's another story. &nbsp;Nothing beats a really =
good drummer with really good mics and mic pre's. &nbsp;It just sounds =
better from the get go.</div><div><br></div><div>A great clock is a big =
help. &nbsp;I use =
an&nbsp;Apogee&nbsp;Big&nbsp;Ben.&nbsp;&nbsp;The&nbsp;Antelope&nbsp;is&nbs=
p;reputedly&nbsp;better.&nbsp;&nbsp;</div><div><br></div><div>Sony&nbsp;Ox=
ford&nbsp;should&nbsp;be&nbsp;good.&nbsp;&nbsp;I&nbsp;love&nbsp;the&nbsp;W=
AVES&nbsp;SSL&nbsp;plug&nbsp;ins.&nbsp;&nbsp;Haven't used the Oxford =
stuff yet, but I hear really good things about it. &nbsp;It's all so =
expensive - esp as TDM plugs..&nbsp;</div><div><br></div><div>You know, =
you might consider taking some of your work as separate channels to a =
really good studio (that has achieved the 3D sound you're thinking of) =
and mix one song. &nbsp;See if it happens!</div><div><br></div><div>I =
personally think a lot of the 3D thing is the mix itself, how the eq's =
all work together to make parts sort of stand out (or recede) on their =
own. &nbsp;ANd then the arrangement of the music. &nbsp;When it's thick, =
it's harder in every dimension!</div><div><br></div><div>In the old days =
we believed reverb was the key to depth dimension. &nbsp;But reverb's =
sort of lost some luster in recent years, at least in the kind of stuff =
I'm doing now, so we've gotta get that mysterious 3D element through =
mixing, eq etc.&nbsp;</div><div><br></div><div>I know you know too much =
compression could flatten the Alps. &nbsp;I personally like slower =
attacks so the transients pop out. =
&nbsp;</div><div><br></div><div>Personally, I've loved the things I've =
heard from you, Rune. &nbsp;Great player, great ideas, hard working guy, =
obviously.&nbsp;</div><div><br></div><div>I hope what I've said hasn't =
been irrelevant or stupid. =
&nbsp;</div><div><br></div><div>Richard</div><div><br></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div><font =
class=3D"Apple-style-span" face=3D"Arial">richard =
sales</font></div><div><font class=3D"Apple-style-span" =
color=3D"#908E38"><a href=3D"http://www.glasswing.com"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></a></font></=
div><div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></a></font></di=
v></span><div><br></div><div><br><div><div>On Jul 12, 2009, at 3:52 AM, =
<a href=3D"mailto:rune_fagereng@yahoo.no"><a =
href=3D"mailto:rune_fagereng@yahoo.no">rune_fagereng@yahoo.no</a></a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0"><tbody><tr><td valign=3D"top" style=3D"font: inherit;"><div =
id=3D"yiv86672465"><table cellspacing=3D"0" cellpadding=3D"0" border=3D"0"=
 id=3D"bodyDrftID" class=3D""><tbody><tr><td id=3D"drftMsgContent" =
style=3D"font:inherit;"><span class=3D"Apple-style-span" =
style=3D"font-size: small;">Hi !</span><div><span =
class=3D"Apple-style-span" style=3D"font-size: =
small;"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">The music I make misses depth - or the third =
dimmension - so I use delay and reverbs to make this dimmension - but I =
am not happy with the sound I get and I dont have enough power to use =
the pluins like I wishes. &nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: =
small;"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">1. Is my AD-DA converters (Motu Traveler) =
not good enough? Would I get a better third dimmention just by switching =
to Agogee (16x AD-DA with big ben word clock). Many producers likes this =
better then Pro Tools converters (Behind the Glasses - Massey). Any =
thoughts on converters?</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: small;">2. I Is my =
plugins inferior (Abletons and Sony Oxford)? The lack of power essential =
? Or is hardware a must?&nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: =
small;"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">3. I lack the power to use my plugins like I =
wishes. Any thoughts on how to get this without buying a new computer? =
Is Tc power core a good solution? and can I use Tc powercore =
&nbsp;(firewire) together with Apogee Symphony Mobile (expresscard =
connection)? &nbsp; &nbsp;&nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: =
small;"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">A</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">m</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">I</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">f</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">o</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">o</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">l</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">e</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">d</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">b</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">y</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">c</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">o</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">mm</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">e</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">r</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">s</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">a</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">l</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">s</span><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;or w</span><span =
class=3D"Apple-style-span" style=3D"font-size: small;">ould buying =
Apogee Symphony converters and Tc power core get me the third =
dimmension, by getting good converters and enough dsp power for my =
plugins?&nbsp;</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;"><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: small;">best regards Rune =
Fagereng</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: =
small;">&nbsp;</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: =
small;"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: small;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;</span></div></td></tr></tbody></table></div></td></tr></tbody=
></table><br>       <hr size=3D"1"><br><table><tbody><tr><td>Alt i ett. =
F=C3=A5 <a href=3D"http://no.mail.yahoo.com">Yahoo! Mail</a> med =
adressekartotek, kalender og =
notisblokk.</td></tr></tbody></table></blockquote></div><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><font class=3D"Apple-style-span" =
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class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> =
</div><br></div></div></div></div></div></blockquote></body></html>=

--Apple-Mail-17-720764605--

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From: "Christo Jota" <chris@christojota.de>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
References: <A72BAF88F1D84052BB66BC19EAB25595@portable2jpr>
Subject: Re: RC50
Date: Mon, 13 Jul 2009 10:32:50 +0200
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Hi JPR,
shortly said: the RC 50 is great.(Using it for some years now). It has a =
lot of useful functions. Only thing I can
complain about is the sound. You can hear a difference if
you go direct in the amp or through the RC 50.
But it=B4s worth the compromise you have to make between
all these fine loop functions and the sound. It=B4s not bad,
but Roland could have done better with this, you know... ?
You can help yourself with this problem with an AB Box or so. If you =
don=B4t loop
you can play directly through the amp.
Best,
Christo
www.christojota.de

  ----- Original Message -----=20
  From: Jean Philippe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, July 12, 2009 12:15 PM
  Subject: RC50


  Hi there,
  I was eventually thinking of replacing my repeater with the Roland RC =
50. I guess this piece of gear has been discussed on the list quite a =
few times, but looking through the archives is a bit of a pain. Can =
someone tell me how good or bad this thing is versus the repeater?
  Thanks for your help.
  Cheers,
  JPR
  http://myspace.com/jeanphilipperykiel


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.3700.6699" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi JPR,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>shortly said: the RC 50 is great.(Using =
it for some=20
years now). It has a lot of useful functions. Only thing I =
can</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>complain about is the sound. You can =
hear a=20
difference if</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>you go direct in the amp or through the =
RC=20
50.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>But it=B4s worth the compromise you =
have to make=20
between</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>all these fine loop functions and the =
sound. It=B4s=20
not bad,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>but Roland could have done better with =
this, you=20
know... ?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>You can help yourself with this problem =
with an AB=20
Box or so. If you don=B4t loop</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>you can play directly through the =
amp.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Best,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:jp.rykiel@orange.fr" =
title=3Djp.rykiel@orange.fr>Jean=20
  Philippe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, July 12, 2009 =
12:15=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RC50</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Hi there,<BR>I was eventually =
thinking of=20
  replacing my repeater with the Roland RC 50. I guess this piece of =
gear has=20
  been discussed on the list quite a few times, but looking through the =
archives=20
  is a bit of a pain. Can someone tell me how good or bad this thing is =
versus=20
  the repeater?<BR></FONT><FONT face=3DArial size=3D2>Thanks for your=20
  help.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Cheers,<BR>JPR</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 09:19:24 2009
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Date: Mon, 13 Jul 2009 11:19:22 +0200
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Subject: OT - missing the third dimmension - not enough dsp power
From: Rainer Straschill <moinsound@googlemail.com>
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Rune,

from your post, it isn't entirely clear what you're after:
"The music I make misses depth - or the third dimmension - so I use
delay and reverbs to make this dimmension - but I am not happy with
the sound I get and I dont have enough power to use the pluins like I
wishes.  "

Pointing out what you mean by "depth or the third dimension" would
help - as it would if you explain what your recording process is (i.e.
live instruments vs. synths, dry room vs. live room etc.).

A few ideas that come to mind:

1. "depth" could not be an issue with percieved geometrical space
captured in the recordings, but with the dynamic range of the signal.
I just downloaded your piece "Swell" from you website and had a look
at it: during the main part of the track (about 3.5 minutes into it),
you have a peak-to-average ratio of roughly 6.5dB. With "It's Time to
Leave", it's still below 10dB. As a rough guideline, for some
good-sounding pop/rock/etc. stuff, 14dB are often quoted.
By using such a compressed signal, you're basically taking out any
percieved depth; it feels like the musicians (or virtual musicians)
are standing right around you with their amps fully cranked an driving
your hearing into saturation. While this may be the effect you're
after in some cases, your wish for "depth" seems to tell me you're
not. I believe that I already wrote about that here until my fingers
got sore - if you're too lazy to find it, instead look at the articles
at www.digido.com for a start.

2. Microphony, if you're using acoustic sources, can make a big
difference. Try to experiment with different setups. For an almost
surreal impression of space, a pair of spaced omni mikes as the stereo
mikes can work wonders, especially in a proper room. Of course, you're
ending up with that "hole in the middle" effect - but this hole can
then conveniently be filled with some close-distance-microphone
signals. E.g. when recording a trapset, put the drummer in a big room,
place those spaced omnis far apart at some distance before the kit (or
even put PZMs to the walls), then close-mike snare and bass drum (the
latter one perhaps at some distance - 1m or so, using a
large-diaphragm condenser), and add both close-mic-signals in the
center spot.
You can also combine different stereo miking techniques (e.g. spaced
omnis behind the source, M/S in front of it) and then make the
decisions during mixing.

3. Composition and arrangement: This is where it starts. If you're
using an acoustic grand (either well-recorded or properly
sampled/modeled), this is per se an instrument which has a lot of
depth: big dynamic and frequency range, sharp transients together with
fairly long sustain phase, and some geometrical spacing as well. So
make use of it! Some instruments are unconsciously percieved as being
"further behind" than others because of the way they sound - timpani,
concert harps and french horns (not close-miked) come to mind - so use
them cleverly. This is definitely a thread without end - I would
recommend the "Instrumentationslehre" by Hector Berlioz as some
further reading:
http://www.archive.org/details/treatiseoninstru007485mbp/

4. Pick out some albums where you like the depth (which again, could
be anything, as I'm not entirely sure what you're after - perhaps
"Ballad of the Fallen" by Charlie Haden and Carla Bley, or rather
"Body and Soul" by Joe Jackson, or even "South of Heaven" by Slayer")
and try to find out why they sound deeper. Do they have more dynamics?
Do they make sure the high-frequency content doesn't get masked? Using
lots of (natural or artifical) reverb? Or some very clever
arrangement, alternately setting strings agains winds and then
combining them? If you're able to track that down, then you're one
step farther towards your goal - simply because you know which
direction you have to head to.

Yours,

             Rainer

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Subject: Live Looping Ensemble - Clips from the jam at the Florence Loopfest 
	2009
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
Cc: liverani@het.it
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--001485f631e64117ec046e940224
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Hi all,
I've just uploaded 3 improvised jam sessions from the Florence Loopfest.
It was played as a "single act", but I've cut it in three parts which I hear
like 3 different "pictures".

 The line up was composed by:
- Rick Walker: found sound, percussions
- Per Boysen: EWI
- Sjaak Overgauuw: piano, synth
 - Fabio Anile: piano, synth, drum loops
- Koan Loop Ensemble:
    -Massimo Liverani: theremin, air-synth, air-fx
    -Marco Canaccini: percussions
    -Massimo Fantoni; laptop (drum loops, samples)
    -Fabrizio Arrigo: piano
    -Fabio Capanni: el. guitar

I want to expecially drive your attention to the "electric guitar
solos"....they are all played by Per Boysen with his EWI (among the other
incredible sounds he's good to get from his meta-instrument)

You can listen in my podcast:
www.eterogeneo.com/podcast/eterogeneo.xml

or directly download at:
www.eterogeneo.com/podcast/*Florence_03-06-09-Jam1.mp3<http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam1.mp3>
*
www.eterogeneo.com/podcast/*Florence_03-06-09-Jam2.mp3<http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam2.mp3>
*
www.eterogeneo.com/podcast/*Florence_03-06-09-Jam3.mp3<http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam1.mp3>
*

Enjoy !

Fabio
www.eterogeneo.com
www.myspace.com/eterogeneo

--001485f631e64117ec046e940224
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div><font face=3D"Book Antiqua" color=3D"#000080">Hi all, </font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080">I&#39;ve just uploaded 3=
 improvised jam sessions from the Florence Loopfest.</font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080">It was played as a &quot=
;single act&quot;, but I&#39;ve cut it in three parts which I hear like=A03=
 different &quot;pictures&quot;.</font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080"></font>=A0</div>
<div><font face=3D"Book Antiqua" color=3D"#000080">
<div><font face=3D"Book Antiqua" color=3D"#000080">The line up was composed=
 by:</font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080">- Rick Walker: found sou=
nd, percussions</font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080">- Per Boysen: EWI</font>=
</div>
<div><font face=3D"Book Antiqua" color=3D"#000080">- Sjaak Overgauuw: piano=
, synth</font></div>
<div>
<div><font face=3D"Book Antiqua" color=3D"#000080">- Fabio Anile: piano, sy=
nth, drum loops</font></div></div>
<div><font face=3D"Book Antiqua" color=3D"#000080">- Koan Loop Ensemble: </=
font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080">=A0=A0=A0 -Massimo Liver=
ani: theremin, air-synth, air-fx</font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080">=A0=A0=A0 -Marco Canacci=
ni: percussions</font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080">=A0=A0=A0 -Massimo Fanto=
ni; laptop (drum loops, samples)</font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080">=A0=A0=A0 -Fabrizio Arri=
go: piano</font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080">=A0=A0=A0 -Fabio Capanni=
: el. guitar</font></div></font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080"></font>=A0</div>
<div><font face=3D"Book Antiqua" color=3D"#000080"><font face=3D"Book Antiq=
ua" color=3D"#000080">I want to expecially drive your attention to the=A0&q=
uot;electric guitar solos&quot;....they are all played by=A0Per Boysen with=
 his EWI (among the other incredible sounds he&#39;s good to get from his m=
eta-instrument)</font></font></div>

<div><font face=3D"Book Antiqua" color=3D"#000080"></font>=A0</div>
<div><font face=3D"Book Antiqua" color=3D"#000080">You can listen in my pod=
cast: </font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080"><a href=3D"http://www.et=
erogeneo.com/podcast/eterogeneo.xml">www.eterogeneo.com/podcast/eterogeneo.=
xml</a></font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080"></font>=A0</div>
<div><font face=3D"Book Antiqua" color=3D"#000080">or directly download at:=
 </font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080"><a href=3D"http://www.et=
erogeneo.com/podcast/Florence_03-06-09-Jam1.mp3">www.eterogeneo.com/podcast=
/<u><font color=3D"#0000ff">Florence_03-06-09-Jam1.mp3</font></u></a></font=
></div>

<div><font face=3D"Book Antiqua" color=3D"#000080"><a href=3D"http://www.et=
erogeneo.com/podcast/Florence_03-06-09-Jam2.mp3">www.eterogeneo.com/podcast=
/<u><font color=3D"#0000ff">Florence_03-06-09-Jam2.mp3</font></u></a></font=
></div>

<div><a href=3D"http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam1.mp=
3"><font face=3D"Book Antiqua">www.eterogeneo.com/podcast/<u><font color=3D=
"#0000ff">Florence_03-06-09-Jam3.mp3</font></u></font></a></div>
<div><font face=3D"Book Antiqua" color=3D"#000080"></font>=A0</div>
<div><font face=3D"Book Antiqua" color=3D"#000080">Enjoy !</font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080"></font>=A0</div>
<div><font face=3D"Book Antiqua" color=3D"#000080">Fabio <br><a href=3D"htt=
p://www.eterogeneo.com/">www.eterogeneo.com</a><br><a href=3D"http://www.my=
space.com/eterogeneo">www.myspace.com/eterogeneo</a><br></font></div>

--001485f631e64117ec046e940224--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 11:13:07 2009
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: Echoplex on German eBay
Date: Mon, 13 Jul 2009 13:13:01 +0200
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http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=140332729759

(not mine, I just found it)

-Michael


From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 11:18:23 2009
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Date: Mon, 13 Jul 2009 11:18:21 +0000 (GMT)
From: rune_fagereng@yahoo.no
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Subject: Missing the third dimension (II)
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--0-2036841726-1247483901=:96229
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Hi again !
I misses depth and three dimensions in my recording. I can get two dimensio=
ns -=0A high and wide sounds - but its hard to get any kind of depth. My re=
corded guitar or vocals often sounds flat and lifeless. So I take the flat =
and lifeless=0A sounds (missing body) and put them in a room made up of a d=
igital reverb. Its still flat and lifeless (without body) - but now in a "f=
lat room" inside the=0A computer, in lack of a better explanation. This is =
difficult to describe. Shoulden`t it be possible to make the singers head b=
igger - like a real head was=0A singing to me, instead of this onedimension=
al voice? In my one work I misses instruments/voices that almost popps out =
of the speaker or that their in this nice ambient that glue it al together.=
 And because I read to many magazines on sound and commersials, I`ve come t=
o think; I got to buy better; converters, word clock, reverb, delays, mics,=
 preamps etc. From your answers I understand this is a big topic.=A0
1. Stereo recording (micking)=A02. Better=0A converters3. External word=A0c=
lock4. Arrangement5. Eq - panning -=0A masking6. Room acoustics7. Enough ds=
p power (freeze ableton)
1. Stereomicking.The=0A thing that got me wandering about recording and the=
 lack of the third dimensions or depth, was that my liverecording with Edir=
ol Field Recorder had a nice depth. A depth I often misses on my mac/motu r=
ecordings. The fieldrecorder has a stereomic and the recordings I make with=
 it, has the sound of the liveroom. This recording technique is limiting - =
its just one track.Like Straschill=0A writes, maybe stereo micking can get =
me some of what I am missing.=A0
2. Better converters - external word clock.I read inBehind the Glass II=A0-=
 Howard Massey, that top producers uses a external word clock (Ricard Sales=
 also). Many uses Apogee Big=0A Ben, even Pro Tools users. This opens the m=
ix and makes depth. Whats this?=A0
If one is using just one interface, is there a benefit of using external wo=
rd clock or this a thing for studios with many interfaces and hardware unit=
s?=A0
The latest Apogee 16x AD/DA interface has Big Ben word clock=0A build in. I=
 am thinking - maybe buying Apogee 16x AD/DA would get me what I misses, gr=
eate converters and Big Ben word clock and open mixes with depth? Any thoug=
hts?
Sales, your not happy with Apogee, are you refering to Apogee 16x AD/DA or =
earlier models? I read greate things about Apogee, but I will check out Lyn=
x, like you recommanded.=A0
A silly question? When Big Ben is intergratet in Apogee 16x, is this a word=
 clock=0A good enough, or is external the key thing? Is the important thing=
 a great word clock, or is external important?
7. Freeze functions - Ableton (enough power for plugins - making depth).Boy=
sen, is it possible to use freeze functions even when rendering the final=
=0A mix? I have to admit - I have come to think I need to buy better reverb=
 unit then oxford plugins, maybe the tc 6000. Any thoughts?
best regards Rune F. =A0 =A0=0A=0A=0A      ________________________________=
_________________________=0AAlt i ett. F=E5 Yahoo! Mail med adressekartotek=
, kalender og=0Anotisblokk. http://no.mail.yahoo.com
--0-2036841726-1247483901=:96229
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div id=3D"yiv763262441"><table cellspacing=
=3D"0" cellpadding=3D"0" border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><=
tr><td id=3D"drftMsgContent" style=3D"font:inherit;"><div id=3D"yiv59630421=
5"><table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" id=3D"bodyDrftID=
" class=3D""><tbody><tr><td id=3D"drftMsgContent" style=3D"font:inherit;"><=
div id=3D"yiv811465495"><table cellspacing=3D"0" cellpadding=3D"0" border=
=3D"0" id=3D"bodyDrftID" class=3D""><tbody><tr><td id=3D"drftMsgContent" st=
yle=3D"font:inherit;"><div id=3D"yiv1788171885"><table cellspacing=3D"0" ce=
llpadding=3D"0" border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><tr><td id=
=3D"drftMsgContent" style=3D"font:inherit;"><div id=3D"yiv1217432235"><tabl=
e cellspacing=3D"0" cellpadding=3D"0" border=3D"0" id=3D"bodyDrftID" class=
=3D""><tbody><tr><td id=3D"drftMsgContent" style=3D"font:inherit;"><div id=
=3D"yiv320278808"><table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" i=
d=3D"bodyDrftID"
 class=3D""><tbody><tr><td id=3D"drftMsgContent" style=3D"font:inherit;"><d=
iv id=3D"yiv1172953866"><table cellspacing=3D"0" cellpadding=3D"0" border=
=3D"0" id=3D"bodyDrftID" class=3D""><tbody><tr><td id=3D"drftMsgContent" st=
yle=3D"font:inherit;"><div id=3D"yiv1393948320"><table cellspacing=3D"0" ce=
llpadding=3D"0" border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><tr><td id=
=3D"drftMsgContent" style=3D"font:inherit;"><div><span class=3D"Apple-style=
-span" style=3D"font-size:small;"><font class=3D"Apple-style-span" face=3D"=
'times new roman', 'new york', times, serif">Hi again !</font></span></div>=
<div><span class=3D"Apple-style-span" style=3D"font-size: small;"><br></spa=
n></div><div><font class=3D"Apple-style-span" face=3D"'times new roman', 'n=
ew york', times, serif"><span class=3D"Apple-style-span" style=3D"font-size=
:small;">I misses depth and three dimensions in my recording. I can get two=
 dimensions -=0A high and wide sounds - but its hard to get any kind of dep=
th. My recorded guitar or vocals often sounds flat and lifeless. So I take =
the flat and lifeless=0A sounds (missing body) and put them in a room made =
up of a digital reverb. Its still flat and lifeless (without body) - but no=
w in a "flat room" inside the=0A computer, in lack of a better explanation.=
 This is difficult to describe. Shoulden`t it be possible to make the singe=
rs head bigger - like a real head was=0A singing to me, instead of this one=
dimensional voice? In my one work I misses instruments/voices that almost p=
opps out of the speaker or that their in this nice ambient that glue it al =
together. And because I read to many magazines on sound and commersials, I`=
ve come to think; I got to buy better; converters, word clock, reverb, dela=
ys, mics, preamps etc. From your answers I understand this is a big topic.&=
nbsp;</span></font></div><div><font class=3D"Apple-style-span" face=3D"'tim=
es new roman', 'new york', times, serif"><span class=3D"Apple-style-span" s=
tyle=3D"font-size:small;"><br></span></font></div><div><font class=3D"Apple=
-style-span" face=3D"'times new roman', 'new york', times, serif"><span cla=
ss=3D"Apple-style-span" style=3D"font-size:small;">1. Stereo recording (mic=
king)&nbsp;</span></font></div><div><font class=3D"Apple-style-span" face=
=3D"'times new roman', 'new york', times, serif"><span class=3D"Apple-style=
-span" style=3D"font-size:small;">2. Better=0A converters</span></font></di=
v><div><font class=3D"Apple-style-span" face=3D"'times new roman', 'new yor=
k', times, serif"><span class=3D"Apple-style-span" style=3D"font-size:small=
;">3. External word&nbsp;clock</span></font></div><div><font class=3D"Apple=
-style-span" face=3D"'times new roman', 'new york', times, serif"><span cla=
ss=3D"Apple-style-span" style=3D"font-size:small;">4. Arrangement</span></f=
ont></div><div><font class=3D"Apple-style-span" face=3D"'times new roman', =
'new york', times, serif"><span class=3D"Apple-style-span" style=3D"font-si=
ze:small;">5. Eq - panning -=0A masking</span></font></div><div><font class=
=3D"Apple-style-span" face=3D"'times new roman', 'new york', times, serif">=
<span class=3D"Apple-style-span" style=3D"font-size:small;">6. Room acousti=
cs</span></font></div><div><font class=3D"Apple-style-span" face=3D"'times =
new roman', 'new york', times, serif"><span class=3D"Apple-style-span" styl=
e=3D"font-size:small;">7. Enough dsp power (freeze ableton)</span></font></=
div><div><font class=3D"Apple-style-span" face=3D"'times new roman', 'new y=
ork', times, serif"><span class=3D"Apple-style-span" style=3D"font-size:sma=
ll;"><br></span></font></div><div><font class=3D"Apple-style-span" face=3D"=
'times new roman', 'new york', times, serif"><span class=3D"Apple-style-spa=
n" style=3D"font-size:small;">1. Stereomicking.</span></font></div><div><sp=
an class=3D"Apple-style-span" style=3D"line-height:16px;"><font class=3D"Ap=
ple-style-span" face=3D"'times new roman', 'new york', times, serif"><span =
class=3D"Apple-style-span" style=3D"font-size:small;">The=0A thing that got=
 me wandering about recording and the lack of the third dimensions or depth=
, was that my liverecording with Edirol Field Recorder had a nice depth. A =
depth I often misses on my mac/motu recordings. The fieldrecorder has a ste=
reomic and the recordings I make with it, has the sound of the liveroom. Th=
is recording technique is limiting - its just one track.Like Straschill=0A =
writes, maybe stereo micking can get me some of what I am missing.&nbsp;</s=
pan></font></span></div><div><span class=3D"Apple-style-span" style=3D"line=
-height:16px;"><font class=3D"Apple-style-span" face=3D"'times new roman', =
'new york', times, serif"><span class=3D"Apple-style-span" style=3D"font-si=
ze:small;"><br></span></font></span></div><div><span class=3D"Apple-style-s=
pan" style=3D"line-height:16px;"><font class=3D"Apple-style-span" face=3D"'=
times new roman', 'new york', times, serif"><span class=3D"Apple-style-span=
" style=3D"font-size:small;">2. </span></font></span><span class=3D"Apple-s=
tyle-span" style=3D"line-height:16px;"><font class=3D"Apple-style-span" fac=
e=3D"'times new roman', 'new york', times, serif"><span class=3D"Apple-styl=
e-span" style=3D"font-size:small;">Better converters - external word clock.=
</span></font></span></div><span class=3D"Apple-style-span" style=3D"line-h=
eight:16px;"><div><font class=3D"Apple-style-span" face=3D"'times new roman=
', 'new york', times,=0A serif"><span class=3D"Apple-style-span" style=3D"f=
ont-size:small;">I read in</span></font><i><font class=3D"Apple-style-span"=
 face=3D"'times new roman', 'new york', times, serif"><span class=3D"Apple-=
style-span" style=3D"font-size:small;">Behind the Glass II</span></font></i=
><font class=3D"Apple-style-span" face=3D"'times new roman', 'new york', ti=
mes, serif"><span class=3D"Apple-style-span" style=3D"font-size:small;">&nb=
sp;- Howard Massey, that top producers uses a external word clock (Ricard S=
ales also). Many uses Apogee Big=0A Ben, even Pro Tools users. This opens t=
he mix and makes depth. Whats this?&nbsp;</span></font></div><div><font cla=
ss=3D"Apple-style-span" face=3D"'times new roman', 'new york', times, serif=
"><span class=3D"Apple-style-span" style=3D"font-size:small;"><br></span></=
font></div><div><font class=3D"Apple-style-span" face=3D"'times new roman',=
 'new york', times, serif"><span class=3D"Apple-style-span" style=3D"font-s=
ize:small;">If one is using just one interface, is there a benefit of using=
 external word clock or this a thing for studios with many interfaces and h=
ardware units?&nbsp;</span></font></div><div><font class=3D"Apple-style-spa=
n" face=3D"'times new roman', 'new york', times, serif"><span class=3D"Appl=
e-style-span" style=3D"font-size:small;"><br></span></font></div><div><font=
 class=3D"Apple-style-span" face=3D"'times new roman', 'new york', times, s=
erif"><span class=3D"Apple-style-span" style=3D"font-size:small;">The lates=
t Apogee 16x AD/DA interface has Big Ben word clock=0A build in. I am think=
ing - maybe buying Apogee 16x AD/DA would get me what I misses, greate conv=
erters and Big Ben word clock and open mixes with depth? Any thoughts?</spa=
n></font></div><div><font class=3D"Apple-style-span" face=3D"'times new rom=
an', 'new york', times, serif"><span class=3D"Apple-style-span" style=3D"fo=
nt-size:small;"><br></span></font></div><div><font class=3D"Apple-style-spa=
n" face=3D"'times new roman', 'new york', times, serif"><span class=3D"Appl=
e-style-span" style=3D"font-size:small;">Sales, your not happy with Apogee,=
 are you refering to Apogee 16x AD/DA or earlier models? I read greate thin=
gs about Apogee, but I will check out Lynx, like you recommanded.&nbsp;</sp=
an></font></div><div><font class=3D"Apple-style-span" face=3D"'times new ro=
man', 'new york', times, serif"><span class=3D"Apple-style-span" style=3D"f=
ont-size:small;"><br></span></font></div></span><div><span class=3D"Apple-s=
tyle-span" style=3D"line-height:16px;"><font class=3D"Apple-style-span"
 face=3D"'times new roman', 'new york', times, serif"><span class=3D"Apple-=
style-span" style=3D"font-size:small;">A silly question? When Big Ben is in=
tergratet in Apogee 16x, is this a word clock=0A good enough, or is externa=
l the key thing? Is the important thing a great word clock, or is external =
important?</span></font></span></div><div><span class=3D"Apple-style-span" =
style=3D"line-height:16px;"><font class=3D"Apple-style-span" face=3D"'times=
 new roman', 'new york', times, serif"><span class=3D"Apple-style-span" sty=
le=3D"font-size:small;"><br></span></font></span></div><div><span class=3D"=
Apple-style-span" style=3D"line-height:16px;"><font class=3D"Apple-style-sp=
an" face=3D"'times new roman', 'new york', times, serif"><span class=3D"App=
le-style-span" style=3D"font-size:small;">7. Freeze functions - Ableton (en=
ough power for plugins - making depth).</span></font></span></div><div><spa=
n class=3D"Apple-style-span" style=3D"line-height:16px;"><font class=3D"App=
le-style-span" face=3D"'times new roman', 'new york', times, serif"><span c=
lass=3D"Apple-style-span" style=3D"font-size:small;">Boysen, is it possible=
 to use freeze functions even when rendering the final=0A mix? I have to ad=
mit - I have come to think I need to buy better reverb unit then oxford plu=
gins, maybe the tc 6000. Any thoughts?</span></font></span></div><div><font=
 class=3D"Apple-style-span" face=3D"'times new roman', 'new york', times, f=
antasy"><span class=3D"Apple-style-span" style=3D"font-size:small;line-heig=
ht:16px;"><br></span></font></div><div><span class=3D"Apple-style-span" sty=
le=3D"line-height:16px;"><font class=3D"Apple-style-span" face=3D"'times ne=
w roman', 'new york', times, serif"><span class=3D"Apple-style-span" style=
=3D"font-size:small;">best regards Rune F. &nbsp; &nbsp;</span></font></spa=
n></div></td></tr></tbody></table></div></td></tr></tbody></table></div></t=
d></tr></tbody></table></div></td></tr></tbody></table></div></td></tr></tb=
ody></table></div></td></tr></tbody></table></div></td></tr></tbody></table=
></div></td></tr></tbody></table></div></td></tr></table><br>=0A=0A=0A     =
 <hr size=3D1><br><table><tr><td>Alt i ett. F=E5 <a href=3Dhttp://no.mail.y=
ahoo.com>Yahoo! Mail</a> med adressekartotek, kalender og notisblokk.</td><=
/tr></table>
--0-2036841726-1247483901=:96229--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 11:28:05 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
To: <Loopers-Delight@loopers-delight.com>
References: <008e01ca03aa$e2fbb1f0$14b2a8c0@mpeserver>
Subject: Re: Echoplex on German eBay
Date: Mon, 13 Jul 2009 13:28:07 +0200
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Is that good?
JP

http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Michael Peters=20
  To: Loopers Delight=20
  Sent: Monday, July 13, 2009 1:13 PM
  Subject: Echoplex on German eBay



  http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3D140332729759

  (not mine, I just found it)

  -Michael



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Is that good?</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>JP</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 13, 2009 =
1:13 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Echoplex on German =
eBay</DIV>
  <DIV><BR></DIV><BR><A=20
  =
href=3D"http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=3D14033272=
9759">http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=3D1403327297=
59</A><BR><BR>(not=20
  mine, I just found =
it)<BR><BR>-Michael<BR><BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0056_01CA03BD.C1F03E50--


From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 11:50:28 2009
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References: <bbb8cbac0907130344l4f9b5691g9f3cc0a032a77804@mail.gmail.com>
Date: Mon, 13 Jul 2009 12:50:26 +0100
Message-ID: <d302e3570907130450k4876d6ey9c583c23715ac6da@mail.gmail.com>
Subject: Re: Live Looping Ensemble - Clips from the jam at the Florence 
	Loopfest 2009
From: Simeon Harris <simeonharris40@googlemail.com>
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third mp3 is the same as the first!

>
> or directly download at:
> www.eterogeneo.com/podcast/*Florence_03-06-09-Jam1.mp3*<http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam1.mp3>
> www.eterogeneo.com/podcast/*Florence_03-06-09-Jam2.mp3*<http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam2.mp3>
> www.eterogeneo.com/podcast/*Florence_03-06-09-Jam3.mp3*<http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam1.mp3>
>

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third mp3 is the same as the first!<br><div class=3D"gmail_quote"><blockquo=
te class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204)=
; margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><font color=3D"#00008=
0" face=3D"Book Antiqua"></font>=A0</div>

<div><font color=3D"#000080" face=3D"Book Antiqua">or directly download at:=
 </font></div>
<div><font color=3D"#000080" face=3D"Book Antiqua"><a href=3D"http://www.et=
erogeneo.com/podcast/Florence_03-06-09-Jam1.mp3" target=3D"_blank">www.eter=
ogeneo.com/podcast/<u><font color=3D"#0000ff">Florence_03-06-09-Jam1.mp3</f=
ont></u></a></font></div>


<div><font color=3D"#000080" face=3D"Book Antiqua"><a href=3D"http://www.et=
erogeneo.com/podcast/Florence_03-06-09-Jam2.mp3" target=3D"_blank">www.eter=
ogeneo.com/podcast/<u><font color=3D"#0000ff">Florence_03-06-09-Jam2.mp3</f=
ont></u></a></font></div>


<div><a href=3D"http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam1.mp=
3" target=3D"_blank"><font face=3D"Book Antiqua">www.eterogeneo.com/podcast=
/<u><font color=3D"#0000ff">Florence_03-06-09-Jam3.mp3</font></u></font></a=
></div>

</blockquote></div><br>

--001485f85ede8b3ed2046e94edc3--

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	 <d302e3570907130450k4876d6ey9c583c23715ac6da@mail.gmail.com>
Date: Mon, 13 Jul 2009 14:05:01 +0200
Message-ID: <bbb8cbac0907130505v1d967f87o591051a273097e2@mail.gmail.com>
Subject: Re: Live Looping Ensemble - Clips from the jam at the Florence 
	Loopfest 2009
From: Fabio_A <eterogenus@gmail.com>
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Are you sure ?
I've just checked it and it doesn't seems as you say...

Anyone ?

fabio



2009/7/13 Simeon Harris <simeonharris40@googlemail.com>

> third mp3 is the same as the first!
>
>
>> or directly download at:
>> www.eterogeneo.com/podcast/*Florence_03-06-09-Jam1.mp3*<http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam1.mp3>
>> www.eterogeneo.com/podcast/*Florence_03-06-09-Jam2.mp3*<http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam2.mp3>
>> www.eterogeneo.com/podcast/*Florence_03-06-09-Jam3.mp3*<http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam1.mp3>
>>
>
>

--001485f5ce28b88ea1046e9521fe
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Are you sure ?</div>
<div>I&#39;ve just checked it and it doesn&#39;t seems as you say...</div>
<div>=A0</div>
<div>Anyone ?</div>
<div>=A0</div>
<div>fabio</div>
<div>=A0</div>
<div><br>=A0</div>
<div class=3D"gmail_quote">2009/7/13 Simeon Harris <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.co=
m</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">third mp3 is the same as the fir=
st!=20
<div>
<div></div>
<div class=3D"h5"><br>
<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0=
pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">
<div><font face=3D"Book Antiqua" color=3D"#000080"></font>=A0</div>
<div><font face=3D"Book Antiqua" color=3D"#000080">or directly download at:=
 </font></div>
<div><font face=3D"Book Antiqua" color=3D"#000080"><a href=3D"http://www.et=
erogeneo.com/podcast/Florence_03-06-09-Jam1.mp3" target=3D"_blank">www.eter=
ogeneo.com/podcast/<u><font color=3D"#0000ff">Florence_03-06-09-Jam1.mp3</f=
ont></u></a></font></div>

<div><font face=3D"Book Antiqua" color=3D"#000080"><a href=3D"http://www.et=
erogeneo.com/podcast/Florence_03-06-09-Jam2.mp3" target=3D"_blank">www.eter=
ogeneo.com/podcast/<u><font color=3D"#0000ff">Florence_03-06-09-Jam2.mp3</f=
ont></u></a></font></div>

<div><a href=3D"http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam1.mp=
3" target=3D"_blank"><font face=3D"Book Antiqua">www.eterogeneo.com/podcast=
/<u><font color=3D"#0000ff">Florence_03-06-09-Jam3.mp3</font></u></font></a=
></div>
</blockquote></div><br></div></div></blockquote></div><br>

--001485f5ce28b88ea1046e9521fe--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 12:06:06 2009
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	 <66f9cc1e0907130505r72f5d781n347b9e61bed3429f@mail.gmail.com>
Date: Mon, 13 Jul 2009 14:06:05 +0200
Message-ID: <66f9cc1e0907130506vd9a0949u7a0fffc7e0f2d474@mail.gmail.com>
Subject: Re: Missing the third dimension (II)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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On Mon, Jul 13, 2009 at 1:18 PM, <rune_fagereng@yahoo.no> wrote:
> I misses depth and three dimensions in my recording.

Hey - you should visit some person that is good at mixing music and
ask him/her to solo the individual channels for you. Then you will in
a flash of enlightenment realize how strange and bizarre each
instrument is made to sound on its own in order to sound good in
ensemble i.e. in the mix. This knowledge is terribly difficult to
achieve on your own by trial and error practicing, almost impossible,
because you will only know if you did it correctly when it sounds good
at the very end of the process. And if you did just one mistake in the
earlier stages of the process it won't sound good at the end and then
there is no way finding out what the mistake was.

Also remember the psychological dimension; mixing is not first about
frequencies and levels. The main goal is to cheat the listeners brain
to interpret the sounds in a certain way. That's where the magic
starts. Knowing the theory and mastering the technology is just a
tool.

Best regards

per boysen

From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 12:10:59 2009
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	 <d302e3570907130450k4876d6ey9c583c23715ac6da@mail.gmail.com>
Date: Mon, 13 Jul 2009 13:10:57 +0100
Message-ID: <d302e3570907130510i753f1ce5h3f116d3de780fc3d@mail.gmail.com>
Subject: Re: Live Looping Ensemble - Clips from the jam at the Florence 
	Loopfest 2009
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f5cedef008b9046e9536b7
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

works if i open it in my browser, but doesn't if i try to save it...weird!

On Mon, Jul 13, 2009 at 12:50 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> third mp3 is the same as the first!
>
>
>> or directly download at:
>> www.eterogeneo.com/podcast/*Florence_03-06-09-Jam1.mp3*<http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam1.mp3>
>>
>

> ** <http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam1.mp3>
>> www.eterogeneo.com/podcast/*Florence_03-06-09-Jam2.mp3*<http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam2.mp3>
>>
>

> ** <http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam2.mp3>
>> www.eterogeneo.com/podcast/*Florence_03-06-09-Jam3.mp3*<http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam3.mp3>
>>
>
>

--001485f5cedef008b9046e9536b7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

works if i open it in my browser, but doesn&#39;t if i try to save it...wei=
rd!<br><br><div class=3D"gmail_quote">On Mon, Jul 13, 2009 at 12:50 PM, Sim=
eon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemai=
l.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">third mp3 is the =
same as the first!<div><div></div><div class=3D"h5"><br><div class=3D"gmail=
_quote">
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><font color=
=3D"#000080" face=3D"Book Antiqua"></font>=A0</div>

<div><font color=3D"#000080" face=3D"Book Antiqua">or directly download at:=
 </font></div>
<div><font color=3D"#000080" face=3D"Book Antiqua"><a href=3D"http://www.et=
erogeneo.com/podcast/Florence_03-06-09-Jam1.mp3" target=3D"_blank">www.eter=
ogeneo.com/podcast/<u><font color=3D"#0000ff">Florence_03-06-09-Jam1.mp3</f=
ont></u></a></font></div>
</blockquote></div></div></div></blockquote><div>=A0</div><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div class=3D"h5"><div class=
=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><font color=
=3D"#000080" face=3D"Book Antiqua"><a href=3D"http://www.eterogeneo.com/pod=
cast/Florence_03-06-09-Jam1.mp3" target=3D"_blank"><u><font color=3D"#0000f=
f"></font></u></a></font></div>



<div><font color=3D"#000080" face=3D"Book Antiqua"><a href=3D"http://www.et=
erogeneo.com/podcast/Florence_03-06-09-Jam2.mp3" target=3D"_blank">www.eter=
ogeneo.com/podcast/<u><font color=3D"#0000ff">Florence_03-06-09-Jam2.mp3</f=
ont></u></a></font></div>
</blockquote></div></div></div></blockquote><div>=A0</div><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div class=3D"h5"><div class=
=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><font color=
=3D"#000080" face=3D"Book Antiqua"><a href=3D"http://www.eterogeneo.com/pod=
cast/Florence_03-06-09-Jam2.mp3" target=3D"_blank"><u><font color=3D"#0000f=
f"></font></u></a></font></div>



<div><a href=3D"http://www.eterogeneo.com/podcast/Florence_03-06-09-Jam3.mp=
3" target=3D"_blank"><font face=3D"Book Antiqua">www.eterogeneo.com/podcast=
/<u><font color=3D"#0000ff">Florence_03-06-09-Jam3.mp3</font></u></font></a=
></div>


</blockquote></div><br>
</div></div></blockquote></div><br>

--001485f5cedef008b9046e9536b7--

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	 <d302e3570907130510i753f1ce5h3f116d3de780fc3d@mail.gmail.com>
Date: Mon, 13 Jul 2009 13:16:19 +0100
Message-ID: <d302e3570907130516s3cb74197u54906a0346e6872a@mail.gmail.com>
Subject: Re: Live Looping Ensemble - Clips from the jam at the Florence 
	Loopfest 2009
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f7d2aa1fd52a046e954af0
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got it now!

lovely stuff

On Mon, Jul 13, 2009 at 1:10 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> works if i open it in my browser, but doesn't if i try to save it...weird!
>
>

--001485f7d2aa1fd52a046e954af0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

got it now!<br><br>lovely stuff<br><br><div class="gmail_quote">On Mon, Jul 13, 2009 at 1:10 PM, Simeon Harris <span dir="ltr">&lt;<a href="mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">works if i open it in my browser, but doesn&#39;t if i try to save it...weird!<div><div></div>
<div class="h5"><br>
</div></div></blockquote></div><br>

--001485f7d2aa1fd52a046e954af0--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 12:26:11 2009
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	 <d302e3570907130450k4876d6ey9c583c23715ac6da@mail.gmail.com>
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	 <d302e3570907130516s3cb74197u54906a0346e6872a@mail.gmail.com>
Date: Mon, 13 Jul 2009 14:19:34 +0200
Message-ID: <bbb8cbac0907130519k591c15b8q78a8fd8b14f81bbf@mail.gmail.com>
Subject: Re: Live Looping Ensemble - Clips from the jam at the Florence 
	Loopfest 2009
From: Fabio_A <eterogenus@gmail.com>
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Per was in a grat shape !



2009/7/13 Simeon Harris <simeonharris40@googlemail.com>

> got it now!
>
> lovely stuff
>
>
> On Mon, Jul 13, 2009 at 1:10 PM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> works if i open it in my browser, but doesn't if i try to save it...weird!
>>
>>
>>
>

--001485f7d4acb9d3c6046e95557b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Per was in a grat shape !</div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">2009/7/13 Simeon Harris <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.co=
m</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">got it now!<br><br>lovely stuff=
=20
<div>
<div></div>
<div class=3D"h5"><br><br>
<div class=3D"gmail_quote">On Mon, Jul 13, 2009 at 1:10 PM, Simeon Harris <=
span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com" targe=
t=3D"_blank">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0=
pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">works if i open it i=
n my browser, but doesn&#39;t if i try to save it...weird!=20
<div>
<div></div>
<div><br></div></div></blockquote></div><br></div></div></blockquote></div>=
<br>

--001485f7d4acb9d3c6046e95557b--

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Date: Mon, 13 Jul 2009 12:27:39 +0000 (GMT)
From: Stephen Scott <loopingsteve@yahoo.co.uk>
Reply-To: Loopers-Delight@loopers-delight.com
Subject: Re: Beautiful looping video with audio by David Cooper Orton
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Agreed, really beautiful sounds and visuals.=0A=0AMore please David.=0A=0AS=
tephen=0Awww.myspace.com/sylvianfisher=0A=0A=0A--- On Mon, 13/7/09, Rick Wa=
lker <looppool@cruzio.com> wrote:=0A=0A> From: Rick Walker <looppool@cruzio=
.com>=0A> Subject: Beautiful looping video with audio by David Cooper Orton=
=0A> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>=
=0A> Date: Monday, 13 July, 2009, 2:05 AM=0A> I don't know if this has alre=
ady been=0A> shared with people but I was just knocked out=0A> by the quiet=
 beauty of this work on youtube by David Cooper=0A> Orton that he just post=
ed.=0A> =0A> Melding still images with occasional repeating visual video=0A=
> patterns and a gorgeous,=0A> zen minimalistic,=A0 harmonic laden guitar=
=0A> soundtrack,=A0=A0=A0this was the most beautiful=0A> thing I've seen or=
 heard in a good while.=0A> =0A> Nice work,=A0 David!=0A> =0A> http://www.y=
outube.com/watch?v=3DToLtAj5ORL4&eurl=3Dhttp%3A%2F%2Fwww%2Efacebook%2Ecom%2=
Fhome%2Ephp%3F&feature=3Dplayer_embedded=0A> =0A> =0A=0A=0A      

From jk@utzon.arch.usyd.edu.au  Mon Jul 13 12:53:58 2009
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</div>
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You have just received a postcard from someone who cares about you!<br><br>
<strong>This is a part of the message:</strong><br>
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Date: Mon, 13 Jul 2009 09:02:44 -0400
To: Loopers-Delight@loopers-delight.com, rune_fagereng@yahoo.no
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Missing the third dimension (II)
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--============_-964632330==_ma============
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Hi Rune,

I've been a professional recording engineer /=20
producer for over 25 years, and I will say that=20
the answer below is number 4:  arrangement.  The=20
other concerns are  trivial compared to=20
arrangement.  I've mixed records that have been=20
recorded in a bathroom using a laptop's built in=20
microphone.  Those sounds are made valid by their=20
context, i.e. the arrangement.

The problem is usually "50 pounds of potatoes in=20
a 10 pound sack".   No converter / clocking=20
superstition will solve that problem for you.=20
Plugins and processing are not the solution=20
either, usually these just contribute to the mud=20
caused by a bad arrangement.

  Have you heard the 1971 Javanese Gamelon=20
recordings on nonesuch? These have tremendous=20
depth and were recorded under some very difficult=20
conditions on less than state of the are gear.=20
The recordings may be 'flawed' but this is one of=20
the most captivating records I've ever heard.=20
External clocking cannot remedy the issues with=20
7.5ips tape flutter, but it really doesn't=20
matter.  It's all in the arrangement of the=20
sounds.

-Chuck  Zwicky


>Hi again !
>
>I misses depth and three dimensions in my=20
>recording. I can get two dimensions - high and=20
>wide sounds - but its hard to get any kind of=20
>depth. My recorded guitar or vocals often sounds=20
>flat and lifeless. So I take the flat and=20
>lifeless sounds (missing body) and put them in a=20
>room made up of a digital reverb. Its still flat=20
>and lifeless (without body) - but now in a "flat=20
>room" inside the computer, in lack of a better=20
>explanation. This is difficult to describe.=20
>Shoulden`t it be possible to make the singers=20
>head bigger - like a real head was singing to=20
>me, instead of this onedimensional voice? In my=20
>one work I misses instruments/voices that almost=20
>popps out of the speaker or that their in this=20
>nice ambient that glue it al together. And=20
>because I read to many magazines on sound and=20
>commersials, I`ve come to think; I got to buy=20
>better; converters, word clock, reverb, delays,=20
>mics, preamps etc. From your answers I=20
>understand this is a big topic.
>
>1. Stereo recording (micking)
>2. Better converters
>3. External word clock
>4. Arrangement
>5. Eq - panning - masking
>6. Room acoustics
>7. Enough dsp power (freeze ableton)
>
>1. Stereomicking.
>The thing that got me wandering about recording=20
>and the lack of the third dimensions or depth,=20
>was that my liverecording with Edirol Field=20
>Recorder had a nice depth. A depth I often=20
>misses on my mac/motu recordings. The=20
>fieldrecorder has a stereomic and the recordings=20
>I make with it, has the sound of the liveroom.=20
>This recording technique is limiting - its just=20
>one track.Like Straschill writes, maybe stereo=20
>micking can get me some of what I am missing.
>
>2. Better converters - external word clock.
>I read inBehind the Glass II - Howard Massey,=20
>that top producers uses a external word clock=20
>(Ricard Sales also). Many uses Apogee Big Ben,=20
>even Pro Tools users. This opens the mix and=20
>makes depth. Whats this?
>
>If one is using just one interface, is there a=20
>benefit of using external word clock or this a=20
>thing for studios with many interfaces and=20
>hardware units?
>
>The latest Apogee 16x AD/DA interface has Big=20
>Ben word clock build in. I am thinking - maybe=20
>buying Apogee 16x AD/DA would get me what I=20
>misses, greate converters and Big Ben word clock=20
>and open mixes with depth? Any thoughts?
>
>Sales, your not happy with Apogee, are you=20
>refering to Apogee 16x AD/DA or earlier models?=20
>I read greate things about Apogee, but I will=20
>check out Lynx, like you recommanded.
>
>A silly question? When Big Ben is intergratet in=20
>Apogee 16x, is this a word clock good enough, or=20
>is external the key thing? Is the important=20
>thing a great word clock, or is external=20
>important?
>
>7. Freeze functions - Ableton (enough power for plugins - making depth).
>Boysen, is it possible to use freeze functions=20
>even when rendering the final mix? I have to=20
>admit - I have come to think I need to buy=20
>better reverb unit then oxford plugins, maybe=20
>the tc 6000. Any thoughts?
>
>best regards Rune F.
>
>
>
>Alt i ett. F=E5 <http://no.mail.yahoo.com>Yahoo!=20
>Mail med adressekartotek, kalender og notisblokk.


-- 
=2E..
http://www.zmix.net
--============_-964632330==_ma============
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Content-Transfer-Encoding: quoted-printable

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Missing the third dimension
(II)</title></head><body>
<div>Hi Rune,</div>
<div><br></div>
<div>I've been a professional recording engineer / producer for over
25 years, and I will say that the answer below is number 4:&nbsp;
arrangement.&nbsp; The other concerns are&nbsp; trivial compared to
arrangement.&nbsp; I've mixed records that have been recorded in a
bathroom using a laptop's built in microphone.&nbsp; Those sounds are
made valid by their context, i.e. the arrangement.</div>
<div><br></div>
<div>The problem is usually &quot;50 pounds of potatoes in a 10 pound
sack&quot;.&nbsp;&nbsp; No converter / clocking superstition will
solve that problem for you.&nbsp; Plugins and processing are not the
solution either, usually these just contribute to the mud caused by a
bad arrangement.</div>
<div><br></div>
<div>&nbsp;Have you heard the 1971 Javanese Gamelon recordings on
nonesuch? These have tremendous depth and were recorded under some
very difficult conditions on less than state of the are gear.&nbsp;
The recordings may be 'flawed' but this is one of the most captivating
records I've ever heard.&nbsp;&nbsp;&nbsp; External clocking cannot
remedy the issues with 7.5ips tape flutter, but it really doesn't
matter.&nbsp; It's all in the arrangement of the sounds.</div>
<div><br></div>
<div>-Chuck&nbsp; Zwicky</div>
<div><br></div>
<div><br></div>
<blockquote type=3D"cite" cite>Hi again !</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>I misses depth and three dimensions in my
recording. I can get two dimensions - high and wide sounds - but its
hard to get any kind of depth. My recorded guitar or vocals often
sounds flat and lifeless. So I take the flat and lifeless sounds
(missing body) and put them in a room made up of a digital reverb. Its
still flat and lifeless (without body) - but now in a &quot;flat room&quot;
inside the computer, in lack of a better explanation. This is
difficult to describe. Shoulden`t it be possible to make the singers
head bigger - like a real head was singing to me, instead of this
onedimensional voice? In my one work I misses instruments/voices that
almost popps out of the speaker or that their in this nice ambient
that glue it al together. And because I read to many magazines on
sound and commersials, I`ve come to think; I got to buy better;
converters, word clock, reverb, delays, mics, preamps etc. From your
answers I understand this is a big topic.</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>1. Stereo recording
(micking)</blockquote>
<blockquote type=3D"cite" cite>2. Better converters</blockquote>
<blockquote type=3D"cite" cite>3. External word&nbsp;clock</blockquote>
<blockquote type=3D"cite" cite>4. Arrangement</blockquote>
<blockquote type=3D"cite" cite>5. Eq - panning - masking</blockquote>
<blockquote type=3D"cite" cite>6. Room acoustics</blockquote>
<blockquote type=3D"cite" cite>7. Enough dsp power (freeze
ableton)</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>1. Stereomicking.</blockquote>
<blockquote type=3D"cite" cite>The thing that got me wandering about
recording and the lack of the third dimensions or depth, was that my
liverecording with Edirol Field Recorder had a nice depth. A depth I
often misses on my mac/motu recordings. The fieldrecorder has a
stereomic and the recordings I make with it, has the sound of the
liveroom. This recording technique is limiting - its just one
track.Like Straschill writes, maybe stereo micking can get me some of
what I am missing.</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>2. Better converters - external word
clock.</blockquote>
<blockquote type=3D"cite" cite>I read in<i>Behind the Glass
II</i>&nbsp;- Howard Massey, that top producers uses a external word
clock (Ricard Sales also). Many uses Apogee Big Ben, even Pro Tools
users. This opens the mix and makes depth. Whats this?</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>If one is using just one interface, is
there a benefit of using external word clock or this a thing for
studios with many interfaces and hardware units?</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>The latest Apogee 16x AD/DA interface has
Big Ben word clock build in. I am thinking - maybe buying Apogee 16x
AD/DA would get me what I misses, greate converters and Big Ben word
clock and open mixes with depth? Any thoughts?</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>Sales, your not happy with Apogee, are
you refering to Apogee 16x AD/DA or earlier models? I read greate
things about Apogee, but I will check out Lynx, like you
recommanded.</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>A silly question? When Big Ben is
intergratet in Apogee 16x, is this a word clock good enough, or is
external the key thing? Is the important thing a great word clock, or
is external important?</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>7. Freeze functions - Ableton (enough
power for plugins - making depth).</blockquote>
<blockquote type=3D"cite" cite>Boysen, is it possible to use freeze
functions even when rendering the final mix? I have to admit - I have
come to think I need to buy better reverb unit then oxford plugins,
maybe the tc 6000. Any thoughts?</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>best regards Rune F.&nbsp;&nbsp;
</blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>
<hr size=3D"1"></blockquote>
<blockquote type=3D"cite" cite><br></blockquote>
<blockquote type=3D"cite" cite>Alt i ett. F=E5 <a
href=3D"http://no.mail.yahoo.com">Yahoo! Mail</a> med adressekartotek,
kalender og notisblokk.</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-964632330==_ma============--

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Trevor Van Eyck wrote:
> 
>   Greetings all,
> 
>   Anyone out there still using the Lexicon JamMan? The archives do have 
> information on the following issues but they are quite dated, so I 
> thought I might try here (sorry to clog up your inboxes!).
> 
>   I was curious about:
> 

>   b) Midi Foot Switches: is there a really simple (and ideally) pretty 
> small MIDI pedal with 2-4 switches that works well with the JamMan? 
> Would that alleviate the problem I described above?

Midi response of the JamMan is slow,

so no it wouldn't ;-(


> 
>   c) Memory Expansion chips: Anyone located the chips at a good price 
> lately? Or is eBay my best bet? They appear fairly regular for about 
> $40+ Shipping.

just celebrate that they are still available,
...and go for it


andy


> 
>   Any opinions are quite welcome. Thanks in advance!
> 
>   TREVOR.
> 
> 

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Subject: RE: Echoplex on German eBay
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> Is that good? 
 
oops ... it has been taken down already - probably someone has bought it
directly. Hmm.
 
-Michael
 
 

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<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D199431714-13072009>&gt; </SPAN>Is that good?<SPAN=20
class=3D199431714-13072009>&nbsp;</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D199431714-13072009></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D199431714-13072009>oops ... it has been taken down already - =
probably=20
someone has bought it directly. Hmm.</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D199431714-13072009></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D199431714-13072009>-Michael</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
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class=3D199431714-13072009>&nbsp;</SPAN></FONT></FONT></DIV></BODY></HTML=
>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 14:36:26 2009
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Subject: Re: Beautiful looping video with audio by David Cooper Orton
Date: Mon, 13 Jul 2009 07:36:21 -0700
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Very nice indeed.

On Jul 12, 2009, at 7:05 PM, Rick Walker wrote:
>
> Nice work,  David!
>
> http://www.youtube.com/watch? 
> v=ToLtAj5ORL4&eurl=http%3A%2F%2Fwww%2Efacebook%2Ecom%2Fhome%2Ephp%3F&fe 
> ature=player_embedded
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 14:51:53 2009
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	 <p06240800c680dd4fea22@192.168.15.2>
Date: Mon, 13 Jul 2009 15:51:50 +0100
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Subject: Re: Missing the third dimension (II)
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i think the best thing to do would be to take one of your recordings to
someone who is very experienced and let them mix it (and maybe master it
too). ask them lots of questions...analyse what they're doing...learn as
much as you can!

i don't think your problems will be solved by buying more expensive gear or
better plugins. better to spend that money paying a professional to mix one
of your tunes, because of the knowledge you'll take away from the
experience.

sim

Hi again !
>
>
> I misses depth and three dimensions in my recording.
>
>

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i think the best thing to do would be to take one of your recordings to someone who is very experienced and let them mix it (and maybe master it too). ask them lots of questions...analyse what they&#39;re doing...learn as much as you can!<br>
<br>i don&#39;t think your problems will be solved by buying more expensive gear or better plugins. better to spend that money paying a professional to mix one of your tunes, because of the knowledge you&#39;ll take away from the experience.<br>
<br>sim<br><br><div class="gmail_quote"><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><blockquote type="cite">Hi again !</blockquote>

<blockquote type="cite"><br></blockquote>
<blockquote type="cite">I misses depth and three dimensions in my
recording. </blockquote></div></blockquote></div><br>

--00163649918b4b3835046e97760e--

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Hi Rune!

Heres one from a Lo Fi enthusiast... I say.. forget the gear just for a
while, forget the rules for a while, and start doing a few things wrong. I
have a friend making Techno, and he is obsessed with getting eveyting
perfect and just right, he has all the right convertors, and plugins and
gold connectors on everything, and you know what?? He mixes like that too!!=
!
His tracks sound like butter... smooth but boring.

What about shoving something really high in the mix..? what about removing
ALL reverb for the chorus, what about no snare drum altogether.. what about
putting the bass thru a time synched panner?? What about recording the
vocals 10 times... What about singing in the shower...

NONE of these techniques have anything to do with recording techniques, and
no one but a real ass will be able to tell the difference between your
convertors... IF THE TRACK IS GOOD!!

If its crap, then .... I guess you=B4ll here lots of discussion about "what
did u record it on, oh really, what convertors is that? Oh really, what DAW=
?
oh really what reverb..." Basically... Your track sucks...

Ive heard your stuff... it doesnt suck so forget about the damn convertors,
and come down and play in Oslo!!!


Mark

On Mon, Jul 13, 2009 at 3:02 PM, Charles Zwicky <cazwicky@earthlink.net>wro=
te:

>  Hi Rune,
>
> I've been a professional recording engineer / producer for over 25 years,
> and I will say that the answer below is number 4:  arrangement.  The othe=
r
> concerns are  trivial compared to arrangement.  I've mixed records that h=
ave
> been recorded in a bathroom using a laptop's built in microphone.  Those
> sounds are made valid by their context, i.e. the arrangement.
>
> The problem is usually "50 pounds of potatoes in a 10 pound sack".   No
> converter / clocking superstition will solve that problem for you.  Plugi=
ns
> and processing are not the solution either, usually these just contribute=
 to
> the mud caused by a bad arrangement.
>
>  Have you heard the 1971 Javanese Gamelon recordings on nonesuch? These
> have tremendous depth and were recorded under some very difficult conditi=
ons
> on less than state of the are gear.  The recordings may be 'flawed' but t=
his
> is one of the most captivating records I've ever heard.    External clock=
ing
> cannot remedy the issues with 7.5ips tape flutter, but it really doesn't
> matter.  It's all in the arrangement of the sounds.
>
> -Chuck  Zwicky
>
>
> Hi again !
>
>
> I misses depth and three dimensions in my recording. I can get two
> dimensions - high and wide sounds - but its hard to get any kind of depth=
.
> My recorded guitar or vocals often sounds flat and lifeless. So I take th=
e
> flat and lifeless sounds (missing body) and put them in a room made up of=
 a
> digital reverb. Its still flat and lifeless (without body) - but now in a
> "flat room" inside the computer, in lack of a better explanation. This is
> difficult to describe. Shoulden`t it be possible to make the singers head
> bigger - like a real head was singing to me, instead of this onedimension=
al
> voice? In my one work I misses instruments/voices that almost popps out o=
f
> the speaker or that their in this nice ambient that glue it al together. =
And
> because I read to many magazines on sound and commersials, I`ve come to
> think; I got to buy better; converters, word clock, reverb, delays, mics,
> preamps etc. From your answers I understand this is a big topic.
>
>
> 1. Stereo recording (micking)
>
> 2. Better converters
>
> 3. External word clock
>
> 4. Arrangement
>
> 5. Eq - panning - masking
>
> 6. Room acoustics
>
> 7. Enough dsp power (freeze ableton)
>
>
> 1. Stereomicking.
>
> The thing that got me wandering about recording and the lack of the third
> dimensions or depth, was that my liverecording with Edirol Field Recorder
> had a nice depth. A depth I often misses on my mac/motu recordings. The
> fieldrecorder has a stereomic and the recordings I make with it, has the
> sound of the liveroom. This recording technique is limiting - its just on=
e
> track.Like Straschill writes, maybe stereo micking can get me some of wha=
t I
> am missing.
>
>
> 2. Better converters - external word clock.
>
> I read in*Behind the Glass II* - Howard Massey, that top producers uses a
> external word clock (Ricard Sales also). Many uses Apogee Big Ben, even P=
ro
> Tools users. This opens the mix and makes depth. Whats this?
>
>
> If one is using just one interface, is there a benefit of using external
> word clock or this a thing for studios with many interfaces and hardware
> units?
>
>
> The latest Apogee 16x AD/DA interface has Big Ben word clock build in. I =
am
> thinking - maybe buying Apogee 16x AD/DA would get me what I misses, grea=
te
> converters and Big Ben word clock and open mixes with depth? Any thoughts=
?
>
>
> Sales, your not happy with Apogee, are you refering to Apogee 16x AD/DA o=
r
> earlier models? I read greate things about Apogee, but I will check out
> Lynx, like you recommanded.
>
>
> A silly question? When Big Ben is intergratet in Apogee 16x, is this a wo=
rd
> clock good enough, or is external the key thing? Is the important thing a
> great word clock, or is external important?
>
>
> 7. Freeze functions - Ableton (enough power for plugins - making depth).
>
> Boysen, is it possible to use freeze functions even when rendering the
> final mix? I have to admit - I have come to think I need to buy better
> reverb unit then oxford plugins, maybe the tc 6000. Any thoughts?
>
>
> best regards Rune F.
>
>
>  ------------------------------
>
>
> Alt i ett. F=E5 Yahoo! Mail <http://no.mail.yahoo.com> med adressekartote=
k,
> kalender og notisblokk.
>
>
>
> --
>
> ...
> http://www.zmix.net
>



--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--0015174be13461fe1f046e9793ad
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Hi Rune!<br><br>Heres one from a Lo Fi enthusiast... I say.. forget the gea=
r just for a while, forget the rules for a while, and start doing a few thi=
ngs wrong. I have a friend making Techno, and he is obsessed with getting e=
veyting perfect and just right, he has all the right convertors, and plugin=
s and gold connectors on everything, and you know what?? He mixes like that=
 too!!! His tracks sound like butter... smooth but boring.<br>

<br>What about shoving something really high in the mix..? what about remov=
ing ALL reverb for the chorus, what about no snare drum altogether.. what a=
bout putting the bass thru a time synched panner?? What about recording the=
 vocals 10 times... What about singing in the shower...<br>

<br>NONE of these techniques have anything to do with recording techniques,=
 and no one but a real ass will be able to tell the difference between your=
 convertors... IF THE TRACK IS GOOD!! <br><br>If its crap, then .... I gues=
s you=B4ll here lots of discussion about &quot;what did u record it on, oh =
really, what convertors is that? Oh really, what DAW? oh really what reverb=
...&quot; Basically... Your track sucks...<br>

<br>Ive heard your stuff... it doesnt suck so forget about the damn convert=
ors, and come down and play in Oslo!!!<br><br><br>Mark<br><br><div class=3D=
"gmail_quote">On Mon, Jul 13, 2009 at 3:02 PM, Charles Zwicky <span dir=3D"=
ltr">&lt;<a href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</=
a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div>
<div>Hi Rune,</div>
<div><br></div>
<div>I&#39;ve been a professional recording engineer / producer for over
25 years, and I will say that the answer below is number 4:=A0
arrangement.=A0 The other concerns are=A0 trivial compared to
arrangement.=A0 I&#39;ve mixed records that have been recorded in a
bathroom using a laptop&#39;s built in microphone.=A0 Those sounds are
made valid by their context, i.e. the arrangement.</div>
<div><br></div>
<div>The problem is usually &quot;50 pounds of potatoes in a 10 pound
sack&quot;.=A0=A0 No converter / clocking superstition will
solve that problem for you.=A0 Plugins and processing are not the
solution either, usually these just contribute to the mud caused by a
bad arrangement.</div>
<div><br></div>
<div>=A0Have you heard the 1971 Javanese Gamelon recordings on
nonesuch? These have tremendous depth and were recorded under some
very difficult conditions on less than state of the are gear.=A0
The recordings may be &#39;flawed&#39; but this is one of the most captivat=
ing
records I&#39;ve ever heard.=A0=A0=A0 External clocking cannot
remedy the issues with 7.5ips tape flutter, but it really doesn&#39;t
matter.=A0 It&#39;s all in the arrangement of the sounds.</div>
<div><br></div>
<div>-Chuck=A0 Zwicky</div><div><div></div><div class=3D"h5">
<div><br></div>
<div><br></div>
<blockquote type=3D"cite">Hi again !</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">I misses depth and three dimensions in my
recording. I can get two dimensions - high and wide sounds - but its
hard to get any kind of depth. My recorded guitar or vocals often
sounds flat and lifeless. So I take the flat and lifeless sounds
(missing body) and put them in a room made up of a digital reverb. Its
still flat and lifeless (without body) - but now in a &quot;flat room&quot;
inside the computer, in lack of a better explanation. This is
difficult to describe. Shoulden`t it be possible to make the singers
head bigger - like a real head was singing to me, instead of this
onedimensional voice? In my one work I misses instruments/voices that
almost popps out of the speaker or that their in this nice ambient
that glue it al together. And because I read to many magazines on
sound and commersials, I`ve come to think; I got to buy better;
converters, word clock, reverb, delays, mics, preamps etc. From your
answers I understand this is a big topic.</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">1. Stereo recording
(micking)</blockquote>
<blockquote type=3D"cite">2. Better converters</blockquote>
<blockquote type=3D"cite">3. External word=A0clock</blockquote>
<blockquote type=3D"cite">4. Arrangement</blockquote>
<blockquote type=3D"cite">5. Eq - panning - masking</blockquote>
<blockquote type=3D"cite">6. Room acoustics</blockquote>
<blockquote type=3D"cite">7. Enough dsp power (freeze
ableton)</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">1. Stereomicking.</blockquote>
<blockquote type=3D"cite">The thing that got me wandering about
recording and the lack of the third dimensions or depth, was that my
liverecording with Edirol Field Recorder had a nice depth. A depth I
often misses on my mac/motu recordings. The fieldrecorder has a
stereomic and the recordings I make with it, has the sound of the
liveroom. This recording technique is limiting - its just one
track.Like Straschill writes, maybe stereo micking can get me some of
what I am missing.</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">2. Better converters - external word
clock.</blockquote>
<blockquote type=3D"cite">I read in<i>Behind the Glass
II</i>=A0- Howard Massey, that top producers uses a external word
clock (Ricard Sales also). Many uses Apogee Big Ben, even Pro Tools
users. This opens the mix and makes depth. Whats this?</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">If one is using just one interface, is
there a benefit of using external word clock or this a thing for
studios with many interfaces and hardware units?</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">The latest Apogee 16x AD/DA interface has
Big Ben word clock build in. I am thinking - maybe buying Apogee 16x
AD/DA would get me what I misses, greate converters and Big Ben word
clock and open mixes with depth? Any thoughts?</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">Sales, your not happy with Apogee, are
you refering to Apogee 16x AD/DA or earlier models? I read greate
things about Apogee, but I will check out Lynx, like you
recommanded.</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">A silly question? When Big Ben is
intergratet in Apogee 16x, is this a word clock good enough, or is
external the key thing? Is the important thing a great word clock, or
is external important?</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">7. Freeze functions - Ableton (enough
power for plugins - making depth).</blockquote>
<blockquote type=3D"cite">Boysen, is it possible to use freeze
functions even when rendering the final mix? I have to admit - I have
come to think I need to buy better reverb unit then oxford plugins,
maybe the tc 6000. Any thoughts?</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">best regards Rune F.=A0=A0
</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">
<hr size=3D"1"></blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">Alt i ett. F=E5 <a href=3D"http://no.mail.yahoo.c=
om" target=3D"_blank">Yahoo! Mail</a> med adressekartotek,
kalender og notisblokk.</blockquote>
<div><br></div>
<div><br></div>
</div></div><font color=3D"#888888"><pre>--=20
</pre>
<div>...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a></=
div>
</font></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



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Subject: Re: ableton live
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I think it just has three colors to represent inactive, recording and  
playing. Very non scary.  It's no tenori-on.

Sent from my iPhone

On Jul 12, 2009, at 2:38 PM, "Jean Philippe" <jp.rykiel@orange.fr>  
wrote:

> Hi,
> I heard that this Akai thing had buttons that light in different  
> colours every time you press them, this scares me.
> JPR
> http://myspace.com/jeanphilipperykiel
> ----- Original Message -----
> From: Mark Sottilaro
> To: Loopers-Delight@loopers-delight.com
> Sent: Sunday, July 12, 2009 11:05 PM
> Subject: Re: ableton live
>
> I suggest finding a retailer that will let you spend some time with  
> the akai apc40 as it's designed for total mouse free performance.
>
> Sent from my iPhone
>
> On Jul 12, 2009, at 3:21 AM, "Jean Philippe" <jp.rykiel@orange.fr>  
> wrote:
>
>> Hi there,
>> I don't know if I told you but I'm blind. this prevents me from  
>> using a computer onstage because I would need to hear my screen  
>> reader speak while I'm performing. What a drag!
>> But I was told that Live could be used with a MIDI controller  
>> without having to use the mouse and look at the screen at all. How  
>> true do you think this is?
>> Cheers,
>> JPR
>> http://myspace.com/jeanphilipperykiel
>

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<html><body bgcolor="#FFFFFF"><div>I think it just has three colors to represent inactive, recording and playing. Very non scary. &nbsp;It's no tenori-on.<br><br>Sent from my iPhone</div><div><br>On Jul 12, 2009, at 2:38 PM, "Jean Philippe" &lt;<a href="mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<div><font size="2" face="Arial">Hi,<br>I heard that this Akai thing had buttons 
that light in different colours every time you press them, this scares 
me.<br>JPR</font></div>
<div><a href="http://myspace.com/jeanphilipperykiel"><a href="http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphilipperykiel</a></a><br></div>
<blockquote style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" dir="ltr">
  <div style="FONT: 10pt arial">----- Original Message ----- </div>
  <div style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><b>From:</b> 
  <a title="zerocrossing@gmail.com" href="mailto:zerocrossing@gmail.com">Mark 
  Sottilaro</a> </div>
  <div style="FONT: 10pt arial"><b>To:</b> <a title="Loopers-Delight@loopers-delight.com" href="mailto:Loopers-Delight@loopers-delight.com"><a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a></a> 
  </div>
  <div style="FONT: 10pt arial"><b>Sent:</b> Sunday, July 12, 2009 11:05 
PM</div>
  <div style="FONT: 10pt arial"><b>Subject:</b> Re: ableton live</div>
  <div><br></div>
  <div>I suggest finding a retailer that will let you spend some time with the 
  akai apc40 as it's designed for total mouse free performance.<br><br>Sent from 
  my iPhone</div>
  <div><br>On Jul 12, 2009, at 3:21 AM, "Jean Philippe" &lt;<a href="mailto:jp.rykiel@orange.fr"><a href="mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</a></a>&gt; 
  wrote:<br><br></div>
  <div></div>
  <blockquote type="cite">
    <div>
    <div><font size="2" face="Arial">Hi there,<br>I don't know if I told you but I'm 
    blind. this prevents me from using a computer onstage because I would need 
    to hear my screen reader speak while I'm performing. What a 
    drag!</font></div>
    <div><font size="2" face="Arial">But I was told that Live could be used with a 
    MIDI controller without having to use the mouse and look at the screen at 
    all. How true do you think this is?<br>Cheers,<br>JPR</font></div>
    <div><font size="2" face="Arial"><a href="http://myspace.com/jeanphilipperykiel"></a><a href="http://myspace.com/jeanphilipperykiel"><a href="http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphilipperykiel</a></a><br></font></div></div></blockquote></blockquote>
</div></blockquote></body></html>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 15:43:18 2009
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Subject: Re: ableton live
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Well you know, it's still scary if you can't see them.
JPR
http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Mark Sottilaro=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 13, 2009 5:23 PM
  Subject: Re: ableton live


  I think it just has three colors to represent inactive, recording and =
playing. Very non scary.  It's no tenori-on.

  Sent from my iPhone

  On Jul 12, 2009, at 2:38 PM, "Jean Philippe" <jp.rykiel@orange.fr> =
wrote:


    Hi,
    I heard that this Akai thing had buttons that light in different =
colours every time you press them, this scares me.
    JPR
    http://myspace.com/jeanphilipperykiel

      ----- Original Message -----=20
      From: Mark Sottilaro=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Sunday, July 12, 2009 11:05 PM
      Subject: Re: ableton live


      I suggest finding a retailer that will let you spend some time =
with the akai apc40 as it's designed for total mouse free performance.

      Sent from my iPhone

      On Jul 12, 2009, at 3:21 AM, "Jean Philippe" <jp.rykiel@orange.fr> =
wrote:


        Hi there,
        I don't know if I told you but I'm blind. this prevents me from =
using a computer onstage because I would need to hear my screen reader =
speak while I'm performing. What a drag!
        But I was told that Live could be used with a MIDI controller =
without having to use the mouse and look at the screen at all. How true =
do you think this is?
        Cheers,
        JPR
        http://myspace.com/jeanphilipperykiel

------=_NextPart_000_0011_01CA03E1.69C40760
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Well you know, it's still scary if you =
can't see=20
them.<BR></FONT><FONT size=3D2 face=3DArial>JPR</FONT></DIV>
<DIV><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dzerocrossing@gmail.com =
href=3D"mailto:zerocrossing@gmail.com">Mark=20
  Sottilaro</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 13, 2009 =
5:23 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: ableton live</DIV>
  <DIV><BR></DIV>
  <DIV>I think it just has three colors to represent inactive, recording =
and=20
  playing. Very non scary. &nbsp;It's no tenori-on.<BR><BR>Sent from my=20
  iPhone</DIV>
  <DIV><BR>On Jul 12, 2009, at 2:38 PM, "Jean Philippe" &lt;<A=20
  href=3D"mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</A>&gt;=20
  wrote:<BR><BR></DIV>
  <DIV></DIV>
  <BLOCKQUOTE type=3D"cite">
    <DIV>
    <DIV><FONT size=3D2 face=3DArial>Hi,<BR>I heard that this Akai thing =
had buttons=20
    that light in different colours every time you press them, this =
scares=20
    me.<BR>JPR</FONT></DIV>
    <DIV><A href=3D"http://myspace.com/jeanphilipperykiel"><A=20
    =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A></A><BR></DIV>
    <BLOCKQUOTE=20
    style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
    dir=3Dltr>
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
      <A title=3Dzerocrossing@gmail.com =
href=3D"mailto:zerocrossing@gmail.com">Mark=20
      Sottilaro</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com"><A=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A></A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, July 12, 2009 =
11:05=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: ableton =
live</DIV>
      <DIV><BR></DIV>
      <DIV>I suggest finding a retailer that will let you spend some =
time with=20
      the akai apc40 as it's designed for total mouse free=20
      performance.<BR><BR>Sent from my iPhone</DIV>
      <DIV><BR>On Jul 12, 2009, at 3:21 AM, "Jean Philippe" &lt;<A=20
      href=3D"mailto:jp.rykiel@orange.fr"><A=20
      =
href=3D"mailto:jp.rykiel@orange.fr">jp.rykiel@orange.fr</A></A>&gt;=20
      wrote:<BR><BR></DIV>
      <DIV></DIV>
      <BLOCKQUOTE type=3D"cite">
        <DIV>
        <DIV><FONT size=3D2 face=3DArial>Hi there,<BR>I don't know if I =
told you but=20
        I'm blind. this prevents me from using a computer onstage =
because I=20
        would need to hear my screen reader speak while I'm performing. =
What a=20
        drag!</FONT></DIV>
        <DIV><FONT size=3D2 face=3DArial>But I was told that Live could =
be used with=20
        a MIDI controller without having to use the mouse and look at =
the screen=20
        at all. How true do you think this =
is?<BR>Cheers,<BR>JPR</FONT></DIV>
        <DIV><FONT size=3D2 face=3DArial><A=20
        href=3D"http://myspace.com/jeanphilipperykiel"></A><A=20
        href=3D"http://myspace.com/jeanphilipperykiel"><A=20
        =
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A></A><BR></FONT></DIV></DIV></BLOCKQUOTE></BLOCKQUOTE></DIV=
></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0011_01CA03E1.69C40760--


From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 17:50:46 2009
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From: Steve Bingham <sbingham@con-brio.com>
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Subject: Re: Bidule midi question
Date: Mon, 13 Jul 2009 18:50:43 +0100
References: <2329C163-1127-4DC4-8FB9-224C598AA133@con-brio.com> <66f9cc1e0907121522u4a0656aak94e7c5e07db0ef7f@mail.gmail.com>
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Thanks Per.

Steve


On 12 Jul 2009, at 23:22, Per Boysen wrote:

> On Sun, Jul 12, 2009 at 11:42 PM, Steve Bingham<sbingham@con- 
> brio.com> wrote:
>> Do any Bidule users out there know how I can do the following, as  
>> I'm pretty
>> new to the program:
>>
>> I have two midi inputs coming into Bidule from external sources, on  
>> two
>> different midi channels. One is connected up to a synth module  
>> (Absynth). I
>> would like to use a range of note on values from the other input to  
>> control
>> the volume in Absynth.
>>
>> Any ideas welcome!!
>
>
> Having two MIDI In ports is no problem. You can either (1) cable MIDI
> streams wherever you need to send them or through Bidules that
> filters, transposes, remaps etc. Or you can (2) use the Parameters
> Window to directly assign some MIDI to a target parameter.
>
> Or you can just double-click and Bidule or plug-in and click its "MIDI
> Learn" button, touch a parameters graphical object and send in the
> external MIDI you want to create a binding to. After having done this
> you mustn't forget to turn off the MIDI Learn function - or you will
> end up with hundreds of parameters assigned to your precious pedal
> ;-))
>
> Regarding that "range of notes" you want to control Abysynth volume I
> have a feeling that it would make a good start convert those notes to
> either MIDI CC# or direct parameter control data. I would look for a
> way to that to start with. Might need some scaling to work, which is
> done by first opening the plug-in's GUI then clicking its button
> marked "Params" (at the top Bidule shell) and then selecting the
> actual parameter in the parmeters list in the left column. You can
> then set Min and Max value for the parameter to scale it to you
> musical need.
>
> I'm sorry I don't know the details, but the manual is quite ok for
> looking up things and at the Bidule forum people are very keen on
> helping.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>


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From Loopers-Delight-request@loopers-delight.com  Mon Jul 13 20:59:59 2009
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Jeff Larson wrote:
>> I got a billion times better response doing a karaoke version of
>> Purple Rain at my wife's company's Christmas party last year
> 
> Please tell me there is video.
> 
> Jeff
> 

please tell us there isn't :-)

andy

> 

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--Apple-Mail-1-776543392
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Hi Rune

I was referring to the Apogee converters... the AD/DA boxes.  They may =20=

have fixed the issue, but I would, no matter what, research the heck =20
out of anything I buy.  There is no hurry and I'm betting things will =20=

just get cheaper and cheaper as the world economies continue to crash.

I'll try to dig up some emails describing the down side of the Apogee =20=

AD/DA stuff and send to you off group, Rune.

External clock is most important when you have numerous converters =20
running at once - so that 44.1 on one device is EXACTLY the same on =20
another.  If you only have one converter running, it may be better to =20=

use its internal clock.  If you're using multiple digital processors =20
then think about the clock.  Again, the Aurora stuff is great.

I personally don't think reverb is the answer.  Heard good things =20
about Altiverb.  I use the reverbs that come with Pro Tools 8/HD3.  =20
And my old Lexicon 200... which I love.  For me, and this is just my =20
dumb opinion, reverbs can work against the idea of the '3D' clarity =20
thing.  That may be why you hear more of it in your portable recorder =20=

stuff - no reverb or processing.

There's some nice writing on clocks on benchmark's site -

http://www.benchmarkmedia.com/appnotes-d/jittercu.html

I'm running out the door!

more later

R
On Jul 13, 2009, at 4:18 AM, rune_fagereng@yahoo.no wrote:

>
> mixes with depth? Any thoughts?
>
> Sales, your not happy with Apogee, are you refering to Apogee 16x AD/=20=

> DA or earlier models? I read greate things about Apogee, but I will =20=

> check out Lynx, like you recommanded.
>
> A silly question? When Big Ben is intergratet in Apogee 16x, is this =20=

> a word clock good enough, or is external the key thing? Is the =20
> important thing a great word clock, or is external important?
>
> 7. Freeze functions - Ableton (enough power for plugins - making =20
> depth).
> Boysen, is it possible to use freeze functions even when rendering =20
> the final mix? I have to admit - I have come to think I need to buy =20=

> better reverb unit then oxford plugins, maybe the tc 6000. Any =20
> thoughts?
>
> best regards Rune F.
>
>
> Alt i ett. F=E5 Yahoo! Mail med adressekartotek, kalender og =
notisblokk.

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com







--Apple-Mail-1-776543392
Content-Type: text/html;
	charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi Rune<div><br></div><div>I =
was referring to the Apogee converters... the AD/DA boxes. &nbsp;They =
may have fixed the issue, but I would, no matter what, research the heck =
out of anything I buy. &nbsp;There is no hurry and I'm betting things =
will just get cheaper and cheaper as the world economies continue to =
crash.&nbsp;</div><div><br></div><div>I'll try to dig up some emails =
describing the down side of the Apogee AD/DA stuff and send to you off =
group, Rune. &nbsp;&nbsp;</div><div><br></div><div>External clock is =
most important when you have numerous converters running at once - so =
that 44.1 on one device is EXACTLY the same on another. &nbsp;If you =
only have one converter running, it may be better to use its internal =
clock. &nbsp;If you're using multiple digital processors then think =
about the clock. &nbsp;Again, the Aurora stuff is =
great.&nbsp;</div><div><br></div><div>I personally don't think reverb is =
the answer. &nbsp;Heard good things about Altiverb. &nbsp;I use the =
reverbs that come with Pro Tools 8/HD3. &nbsp;And my old Lexicon 200... =
which I love. &nbsp;For me, and this is just my dumb opinion, reverbs =
can work against the idea of the '3D' clarity thing. &nbsp;That may be =
why you hear more of it in your portable recorder stuff - no reverb or =
processing. &nbsp;</div><div><br></div><div>There's some nice writing on =
clocks on benchmark's site -&nbsp;</div><div><br></div><div><a =
href=3D"http://www.benchmarkmedia.com/appnotes-d/jittercu.html">http://www=
.benchmarkmedia.com/appnotes-d/jittercu.html</a></div><div><br></div><div>=
I'm running out the door!</div><div><br></div><div>more =
later</div><div><br></div><div>R<br><div><div>On Jul 13, 2009, at 4:18 =
AM, <a href=3D"mailto:rune_fagereng@yahoo.no">rune_fagereng@yahoo.no</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0"><tbody><tr><td valign=3D"top" style=3D"font: inherit;"><div =
id=3D"yiv763262441"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><tr><td =
id=3D"drftMsgContent" style=3D"font:inherit;"><div =
id=3D"yiv596304215"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><tr><td =
id=3D"drftMsgContent" style=3D"font:inherit;"><div =
id=3D"yiv811465495"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><tr><td =
id=3D"drftMsgContent" style=3D"font:inherit;"><div =
id=3D"yiv1788171885"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><tr><td =
id=3D"drftMsgContent" style=3D"font:inherit;"><div =
id=3D"yiv1217432235"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><tr><td =
id=3D"drftMsgContent" style=3D"font:inherit;"><div =
id=3D"yiv320278808"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><tr><td =
id=3D"drftMsgContent" style=3D"font:inherit;"><div =
id=3D"yiv1172953866"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0" id=3D"bodyDrftID" class=3D""><tbody><tr><td =
id=3D"drftMsgContent" style=3D"font:inherit;"><div =
id=3D"yiv1393948320"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0" id=3D"bodyDrftID" class=3D"" style=3D"position: static; =
z-index: auto; "><tbody><tr><td id=3D"drftMsgContent" =
style=3D"font:inherit;"><span class=3D"Apple-style-span" =
style=3D"line-height: 16px; "><div><font class=3D"Apple-style-span" =
face=3D"'times new roman', 'new york', times, serif"><span =
class=3D"Apple-style-span" style=3D"font-size:small;">mixes with depth? =
Any thoughts?</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"'times new roman', 'new york', times, serif"><span =
class=3D"Apple-style-span" =
style=3D"font-size:small;"><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"'times new roman', 'new york', times, =
serif"><span class=3D"Apple-style-span" style=3D"font-size:small;">Sales, =
your not happy with Apogee, are you refering to Apogee 16x AD/DA or =
earlier models? I read greate things about Apogee, but I will check out =
Lynx, like you recommanded.&nbsp;</span></font></div><div><font =
class=3D"Apple-style-span" face=3D"'times new roman', 'new york', times, =
serif"><span class=3D"Apple-style-span" =
style=3D"font-size:small;"><br></span></font></div></span><div><span =
class=3D"Apple-style-span" style=3D"line-height:16px;"><font =
class=3D"Apple-style-span" face=3D"'times new roman', 'new york', times, =
serif"><span class=3D"Apple-style-span" style=3D"font-size:small;">A =
silly question? When Big Ben is intergratet in Apogee 16x, is this a =
word clock good enough, or is external the key thing? Is the important =
thing a great word clock, or is external =
important?</span></font></span></div><div><span class=3D"Apple-style-span"=
 style=3D"line-height:16px;"><font class=3D"Apple-style-span" =
face=3D"'times new roman', 'new york', times, serif"><span =
class=3D"Apple-style-span" =
style=3D"font-size:small;"><br></span></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"line-height:16px;"><font =
class=3D"Apple-style-span" face=3D"'times new roman', 'new york', times, =
serif"><span class=3D"Apple-style-span" style=3D"font-size:small;">7. =
Freeze functions - Ableton (enough power for plugins - making =
depth).</span></font></span></div><div><span class=3D"Apple-style-span" =
style=3D"line-height:16px;"><font class=3D"Apple-style-span" =
face=3D"'times new roman', 'new york', times, serif"><span =
class=3D"Apple-style-span" style=3D"font-size:small;">Boysen, is it =
possible to use freeze functions even when rendering the final mix? I =
have to admit - I have come to think I need to buy better reverb unit =
then oxford plugins, maybe the tc 6000. Any =
thoughts?</span></font></span></div><div><font class=3D"Apple-style-span" =
face=3D"'times new roman', 'new york', times, fantasy"><span =
class=3D"Apple-style-span" =
style=3D"font-size:small;line-height:16px;"><br></span></font></div><div><=
span class=3D"Apple-style-span" style=3D"line-height:16px;"><font =
class=3D"Apple-style-span" face=3D"'times new roman', 'new york', times, =
serif"><span class=3D"Apple-style-span" style=3D"font-size:small;">best =
regards Rune F. &nbsp; =
&nbsp;</span></font></span></div></td></tr></tbody></table></div></td></tr=
></tbody></table></div></td></tr></tbody></table></div></td></tr></tbody><=
/table></div></td></tr></tbody></table></div></td></tr></tbody></table></d=
iv></td></tr></tbody></table></div></td></tr></tbody></table></div></td></=
tr></tbody></table><br>       <hr size=3D"1"><br><table><tbody><tr><td>Alt=
 i ett. F=E5 <a href=3D"http://no.mail.yahoo.com">Yahoo! Mail</a> med =
adressekartotek, kalender og =
notisblokk.</td></tr></tbody></table></blockquote><div><font =
class=3D"Apple-style-span" face=3D"'times new roman', 'new york', times, =
-webkit-fantasy"><span class=3D"Apple-style-span" style=3D"font-size: =
small; line-height: 16px;"><br></span></font></div></div><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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Sweet.=20
=20


From: mp@mpeters.de
To: Loopers-Delight@loopers-delight.com
Subject: two little guitar loops
Date: Sat=2C 11 Jul 2009 10:38:21 +0200


for those who haven't listened to it on Facebook: =20
here are two quite different guitar loops that I did on Friday.
=20
afternoon: a "plain vanilla" Frippertronics style loop with the usual RF in=
spired solo
http://www.veloopity.de/michaelpeters/livelooping2009/MichaelPeters20090709=
.mp3
=20
evening: a more atonal guitar improvisation with Stefan Tiedje doing live t=
reatments & loops using his "Ondes Memorielles" Max/MSP system
http://www.veloopity.de/michaelpeters/livelooping2009/HitchhikersDiary20090=
709.mp3=20
=20
enjoy!
=20
-Michael
=20
=20
=20
_________________________________________________________________
Windows Live=99: Keep your life in sync.=20
http://windowslive.com/explore?ocid=3DTXT_TAGLM_WL_BR_life_in_synch_062009=

--_16e26f51-ac60-4b76-a0cc-710d21233052_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Sweet. <BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
From: mp@mpeters.de<BR>To: Loopers-Delight@loopers-delight.com<BR>Subject: =
two little guitar loops<BR>Date: Sat=2C 11 Jul 2009 10:38:21 +0200<BR><BR>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN class=
=3DEC_140111611-10072009><FONT color=3D#000000>for those who haven't listen=
ed to it on Facebook:&nbsp=3B </FONT></SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN class=
=3DEC_140111611-10072009><FONT color=3D#000000>here are two quite different=
 guitar loops that I did on&nbsp=3BFriday.</FONT></SPAN></FONT></FONT></DIV=
>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN class=
=3DEC_140111611-10072009></SPAN></FONT></FONT>&nbsp=3B</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN class=
=3DEC_140111611-10072009><FONT color=3D#000000>afternoon: a "plain vanilla"=
 Frippertronics style loop with the usual RF inspired solo</FONT></SPAN></F=
ONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN class=
=3DEC_140111611-10072009></SPAN></FONT></FONT><FONT face=3DArial><FONT size=
=3D2><SPAN class=3DEC_140111611-10072009><A href=3D"http://www.veloopity.de=
/michaelpeters/livelooping2009/MichaelPeters20090709.mp3">http://www.veloop=
ity.de/michaelpeters/livelooping2009/MichaelPeters20090709.mp3</A></SPAN></=
FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN class=
=3DEC_140111611-10072009></SPAN></FONT></FONT>&nbsp=3B</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN class=
=3DEC_140111611-10072009>evening: a more atonal guitar improvisation with S=
tefan Tiedje doing live treatments &amp=3B loops using his "Ondes Memoriell=
es" Max/MSP system</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN class=
=3DEC_140111611-10072009></SPAN></FONT></FONT><A href=3D"http://www.veloopi=
ty.de/michaelpeters/livelooping2009/HitchhikersDiary20090709.mp3"><FONT fac=
e=3DArial size=3D2>http://www.veloopity.de/michaelpeters/livelooping2009/Hi=
tchhikersDiary20090709.mp3</FONT></A><SPAN class=3DEC_140111611-10072009><F=
ONT face=3DArial size=3D2>&nbsp=3B</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3DEC_140111611-10072009><FONT face=
=3DArial size=3D2></FONT></SPAN>&nbsp=3B</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3DEC_140111611-10072009><FONT face=
=3DArial size=3D2>enjoy!</FONT></SPAN><SPAN class=3DEC_140111611-10072009><=
FONT face=3DArial size=3D2></FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3DEC_140111611-10072009><FONT face=
=3DArial size=3D2></FONT></SPAN>&nbsp=3B</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3DEC_140111611-10072009><FONT face=
=3DArial size=3D2>-Michael</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3DEC_140111611-10072009><FONT face=
=3DArial size=3D2></FONT></SPAN>&nbsp=3B</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3DEC_140111611-10072009><FONT face=
=3DArial size=3D2></FONT></SPAN>&nbsp=3B</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3DEC_140111611-10072009></SPAN>&nbs=
p=3B</DIV><br /><hr />Windows Live=99: Keep your life in sync. <a href=3D'h=
ttp://windowslive.com/explore?ocid=3DTXT_TAGLM_WL_BR_life_in_synch_062009' =
target=3D'_new'>Check it out.</a></body>
</html>=

--_16e26f51-ac60-4b76-a0cc-710d21233052_--

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Date: Mon, 13 Jul 2009 17:04:44 -0700
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Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs. 
	Improvisational)
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It'll have to live in infamy, as I'm told the woman who was in charge
of video that night left before my turn.  Perhaps you're right Andy,
the world may be a better place without it. ;p

On Mon, Jul 13, 2009 at 2:14 PM, andy butler<akbutler@tiscali.co.uk> wrote:
>
>
> Jeff Larson wrote:
>>>
>>> I got a billion times better response doing a karaoke version of
>>> Purple Rain at my wife's company's Christmas party last year
>>
>> Please tell me there is video.
>>
>> Jeff
>>
>
> please tell us there isn't :-)
>
> andy
>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 14 03:10:41 2009
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Subject: OT: Macbook Pro weird internal speaker fix
From: Jim Goodin <jimgoodinmusic@gmail.com>
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I don't know if any of you using a MBP have run into this but recently my
internal speaker ability disappeared including the driver ref in Sys Pref's
and the audio out 1/8" port glowed red.  I found this wild fix on the net
and it worked which suggests it's a sensor tripped out by inserting
headphones or some other 1/8" analog audio source no?  Thought it worth
passing along... Jim
*Today, utterly randomly and with no provocation, the built-in speaker
output disappeared from my System Preferences on my MacBook Pro and the
speakers would no longer work, except for the boot-up chime. All that I
could get was digital audio out and the red light coming out of the speaker
port. Searching online turned up nothing until the right combination of
words led me to **this Apple support message board
thread*<http://discussions.apple.com/thread.jspa?messageID=2117797>
*. While Apple does not have a solution for this problem and tries replacing
the board with the audio port, you can solve the problem by sticking a
toothpick or a paperclip into the slot (preferably while the red digital
audio light is on) and at around the 5-o-clock position there is some sort
of switch or rocker that needs to be gently pushed. There will be a bit of a
click. After a few seconds your audio will start working again.*

-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a82f7afcd0046ea1c870
Content-Type: text/html; charset=ISO-8859-1
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I don&#39;t know if any of you using a MBP have run into this but recently =
my internal speaker ability disappeared including the driver ref in Sys Pre=
f&#39;s and the audio out 1/8&quot; port glowed red. =A0I found this wild f=
ix on the net and it worked which suggests it&#39;s a sensor tripped out by=
 inserting headphones or some other 1/8&quot; analog audio source no? =A0Th=
ought it worth passing along... Jim<div>
<br></div><div><span class=3D"Apple-style-span" style=3D"font-family: Helve=
tica, sans-serif; font-size: 13px; line-height: 19px; "><i>Today, utterly r=
andomly and with no provocation, the built-in speaker output disappeared fr=
om my System Preferences on my MacBook Pro and the speakers would no longer=
 work, except for the boot-up chime. All that I could get was digital audio=
 out and the red light coming out of the speaker port. Searching online tur=
ned up nothing until the right combination of words led me to=A0</i><a href=
=3D"http://discussions.apple.com/thread.jspa?messageID=3D2117797" style=3D"=
margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; p=
adding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px=
; color: rgb(187, 68, 17); text-decoration: underline; "><i>this Apple supp=
ort message board thread</i></a><i>. While Apple does not have a solution f=
or this problem and tries replacing the board with the audio port, you can =
solve the problem by sticking a toothpick or a paperclip into the slot (pre=
ferably while the red digital audio light is on) and at around the 5-o-cloc=
k position there is some sort of switch or rocker that needs to be gently p=
ushed. There will be a bit of a click. After a few seconds your audio will =
start working again.</i></span><br clear=3D"all">
<br>-- <br>ReUse, an introspective textural aural journey coming soon...<br=
><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoo=
dinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.china=
paintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--001636c5a82f7afcd0046ea1c870--

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Date: Mon, 13 Jul 2009 20:41:00 -0700
Message-ID: <bcd3c7bb0907132041g29ff3f61q7fd7739109289c5f@mail.gmail.com>
Subject: Re: OT: Macbook Pro weird internal speaker fix
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I've come across this type of behavior in a few devices, my iPhone
included.  Lint and general debris can muck up the little switch and
it can't tell if something is plugged into it or not.  Happens with my
Toshiba laptop sometimes too.

On Mon, Jul 13, 2009 at 8:10 PM, Jim Goodin<jimgoodinmusic@gmail.com> wrote=
:
> I don't know if any of you using a MBP have run into this but recently my
> internal speaker ability disappeared including the driver ref in Sys Pref=
's
> and the audio out 1/8" port glowed red. =A0I found this wild fix on the n=
et
> and it worked which suggests it's a sensor tripped out by inserting
> headphones or some other 1/8" analog audio source no? =A0Thought it worth
> passing along... Jim
> Today, utterly randomly and with no provocation, the built-in speaker out=
put
> disappeared from my System Preferences on my MacBook Pro and the speakers
> would no longer work, except for the boot-up chime. All that I could get =
was
> digital audio out and the red light coming out of the speaker port.
> Searching online turned up nothing until the right combination of words l=
ed
> me to=A0this Apple support message board thread. While Apple does not hav=
e a
> solution for this problem and tries replacing the board with the audio po=
rt,
> you can solve the problem by sticking a toothpick or a paperclip into the
> slot (preferably while the red digital audio light is on) and at around t=
he
> 5-o-clock position there is some sort of switch or rocker that needs to b=
e
> gently pushed. There will be a bit of a click. After a few seconds your
> audio will start working again.
>
> --
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 14 03:51:36 2009
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	 <bcd3c7bb0907132041g29ff3f61q7fd7739109289c5f@mail.gmail.com>
Date: Mon, 13 Jul 2009 23:51:35 -0400
Message-ID: <9e0440a60907132051u66d4b251x9da38022bca428b9@mail.gmail.com>
Subject: Re: OT: Macbook Pro weird internal speaker fix
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5bfb4e39d48046ea25af2
Content-Type: text/plain; charset=ISO-8859-1
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that's wild though it makes real sense and in one way continues to suggest
though i'm a Mac fan that they are 'delicate' to a degree.  I figured
someone had ran into this... thx Mark

On Mon, Jul 13, 2009 at 11:41 PM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> I've come across this type of behavior in a few devices, my iPhone
> included.  Lint and general debris can muck up the little switch and
> it can't tell if something is plugged into it or not.  Happens with my
> Toshiba laptop sometimes too.
>
> On Mon, Jul 13, 2009 at 8:10 PM, Jim Goodin<jimgoodinmusic@gmail.com>
> wrote:
> > I don't know if any of you using a MBP have run into this but recently my
> > internal speaker ability disappeared including the driver ref in Sys
> Pref's
> > and the audio out 1/8" port glowed red.  I found this wild fix on the net
> > and it worked which suggests it's a sensor tripped out by inserting
> > headphones or some other 1/8" analog audio source no?  Thought it worth
> > passing along... Jim
> > Today, utterly randomly and with no provocation, the built-in speaker
> output
> > disappeared from my System Preferences on my MacBook Pro and the speakers
> > would no longer work, except for the boot-up chime. All that I could get
> was
> > digital audio out and the red light coming out of the speaker port.
> > Searching online turned up nothing until the right combination of words
> led
> > me to this Apple support message board thread. While Apple does not have
> a
> > solution for this problem and tries replacing the board with the audio
> port,
> > you can solve the problem by sticking a toothpick or a paperclip into the
> > slot (preferably while the red digital audio light is on) and at around
> the
> > 5-o-clock position there is some sort of switch or rocker that needs to
> be
> > gently pushed. There will be a bit of a click. After a few seconds your
> > audio will start working again.
> >
> > --
> > ReUse, an introspective textural aural journey coming soon...
> >
> > music links...
> > www.jimgoodinmusic.com
> > www.chinapaintingmusic.com
> > www.myspace.com/jimgoodinmusic
> > www.myspace.com/chinapaintingmusic
> > www.myspace.com/jimgoodinviolinelectro
> > www.myspace.com/jindream
> > www.youtube.com/jimgoodinmusic
> >
> > video work/editing...
> > www.vimeo.com/jimgoodindigital
> >
> > social networking...
> > www.twitter.com/jimgoodinmusic
> >
> >
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5bfb4e39d48046ea25af2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

that&#39;s wild though it makes real sense and in one way continues to sugg=
est though i&#39;m a Mac fan that they are &#39;delicate&#39; to a degree. =
=A0I figured someone had ran into this... thx Mark<br><br><div class=3D"gma=
il_quote">
On Mon, Jul 13, 2009 at 11:41 PM, Mark Sottilaro <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:zerocrossing@gmail.com">zerocrossing@gmail.com</a>&gt;</span>=
 wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;bor=
der-left:1px #ccc solid;padding-left:1ex;">
I&#39;ve come across this type of behavior in a few devices, my iPhone<br>
included. =A0Lint and general debris can muck up the little switch and<br>
it can&#39;t tell if something is plugged into it or not. =A0Happens with m=
y<br>
Toshiba laptop sometimes too.<br>
<div><div></div><div class=3D"h5"><br>
On Mon, Jul 13, 2009 at 8:10 PM, Jim Goodin&lt;<a href=3D"mailto:jimgoodinm=
usic@gmail.com">jimgoodinmusic@gmail.com</a>&gt; wrote:<br>
&gt; I don&#39;t know if any of you using a MBP have run into this but rece=
ntly my<br>
&gt; internal speaker ability disappeared including the driver ref in Sys P=
ref&#39;s<br>
&gt; and the audio out 1/8&quot; port glowed red. =A0I found this wild fix =
on the net<br>
&gt; and it worked which suggests it&#39;s a sensor tripped out by insertin=
g<br>
&gt; headphones or some other 1/8&quot; analog audio source no? =A0Thought =
it worth<br>
&gt; passing along... Jim<br>
&gt; Today, utterly randomly and with no provocation, the built-in speaker =
output<br>
&gt; disappeared from my System Preferences on my MacBook Pro and the speak=
ers<br>
&gt; would no longer work, except for the boot-up chime. All that I could g=
et was<br>
&gt; digital audio out and the red light coming out of the speaker port.<br=
>
&gt; Searching online turned up nothing until the right combination of word=
s led<br>
&gt; me to=A0this Apple support message board thread. While Apple does not =
have a<br>
&gt; solution for this problem and tries replacing the board with the audio=
 port,<br>
&gt; you can solve the problem by sticking a toothpick or a paperclip into =
the<br>
&gt; slot (preferably while the red digital audio light is on) and at aroun=
d the<br>
&gt; 5-o-clock position there is some sort of switch or rocker that needs t=
o be<br>
&gt; gently pushed. There will be a bit of a click. After a few seconds you=
r<br>
&gt; audio will start working again.<br>
&gt;<br>
&gt; --<br>
&gt; ReUse, an introspective textural aural journey coming soon...<br>
&gt;<br>
&gt; music links...<br>
&gt; <a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoo=
dinmusic.com</a><br>
&gt; <a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.ch=
inapaintingmusic.com</a><br>
&gt; <a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">ww=
w.myspace.com/jimgoodinmusic</a><br>
&gt; <a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank=
">www.myspace.com/chinapaintingmusic</a><br>
&gt; <a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_b=
lank">www.myspace.com/jimgoodinviolinelectro</a><br>
&gt; <a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.mysp=
ace.com/jindream</a><br>
&gt; <a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">ww=
w.youtube.com/jimgoodinmusic</a><br>
&gt;<br>
&gt; video work/editing...<br>
&gt; <a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">ww=
w.vimeo.com/jimgoodindigital</a><br>
&gt;<br>
&gt; social networking...<br>
&gt; <a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_blank">ww=
w.twitter.com/jimgoodinmusic</a><br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an i=
ntrospective textural aural journey coming soon...<br><br>music links...<br=
><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a=
 href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636c5bfb4e39d48046ea25af2--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 14 04:00:23 2009
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	 <bcd3c7bb0907132041g29ff3f61q7fd7739109289c5f@mail.gmail.com>
	 <9e0440a60907132051u66d4b251x9da38022bca428b9@mail.gmail.com>
Date: Mon, 13 Jul 2009 21:00:22 -0700
Message-ID: <bcd3c7bb0907132100p39e0bf1bv1614fbe0eea7fb20@mail.gmail.com>
Subject: Re: OT: Macbook Pro weird internal speaker fix
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I don't know if I'd call Macs any more delicate than your average off
the self "let's build it with what ever components are the cheapest
this week" PC.  I had Macs at a job for 8 years and it was a running
joke with the IT guys that I had gone the longest in the company
without needing them for anything.  Everyone else was on a Dell.

On Mon, Jul 13, 2009 at 8:51 PM, Jim Goodin<jimgoodinmusic@gmail.com> wrote=
:
> that's wild though it makes real sense and in one way continues to sugges=
t
> though i'm a Mac fan that they are 'delicate' to a degree. =A0I figured
> someone had ran into this... thx Mark
>
> On Mon, Jul 13, 2009 at 11:41 PM, Mark Sottilaro <zerocrossing@gmail.com>
> wrote:
>>
>> I've come across this type of behavior in a few devices, my iPhone
>> included. =A0Lint and general debris can muck up the little switch and
>> it can't tell if something is plugged into it or not. =A0Happens with my
>> Toshiba laptop sometimes too.
>>
>> On Mon, Jul 13, 2009 at 8:10 PM, Jim Goodin<jimgoodinmusic@gmail.com>
>> wrote:
>> > I don't know if any of you using a MBP have run into this but recently
>> > my
>> > internal speaker ability disappeared including the driver ref in Sys
>> > Pref's
>> > and the audio out 1/8" port glowed red. =A0I found this wild fix on th=
e
>> > net
>> > and it worked which suggests it's a sensor tripped out by inserting
>> > headphones or some other 1/8" analog audio source no? =A0Thought it wo=
rth
>> > passing along... Jim
>> > Today, utterly randomly and with no provocation, the built-in speaker
>> > output
>> > disappeared from my System Preferences on my MacBook Pro and the
>> > speakers
>> > would no longer work, except for the boot-up chime. All that I could g=
et
>> > was
>> > digital audio out and the red light coming out of the speaker port.
>> > Searching online turned up nothing until the right combination of word=
s
>> > led
>> > me to=A0this Apple support message board thread. While Apple does not =
have
>> > a
>> > solution for this problem and tries replacing the board with the audio
>> > port,
>> > you can solve the problem by sticking a toothpick or a paperclip into
>> > the
>> > slot (preferably while the red digital audio light is on) and at aroun=
d
>> > the
>> > 5-o-clock position there is some sort of switch or rocker that needs t=
o
>> > be
>> > gently pushed. There will be a bit of a click. After a few seconds you=
r
>> > audio will start working again.
>> >
>> > --
>> > ReUse, an introspective textural aural journey coming soon...
>> >
>> > music links...
>> > www.jimgoodinmusic.com
>> > www.chinapaintingmusic.com
>> > www.myspace.com/jimgoodinmusic
>> > www.myspace.com/chinapaintingmusic
>> > www.myspace.com/jimgoodinviolinelectro
>> > www.myspace.com/jindream
>> > www.youtube.com/jimgoodinmusic
>> >
>> > video work/editing...
>> > www.vimeo.com/jimgoodindigital
>> >
>> > social networking...
>> > www.twitter.com/jimgoodinmusic
>> >
>> >
>>
>
>
>
> --
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>

From csvaladez@t6b.com  Tue Jul 14 12:36:51 2009
Return-Path: <csvaladez@t6b.com>
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From: OBAMA'S FOUNDATION <csvaladez@t6b.com>
Reply-To: OBAMA'S FOUNDATION <mrsroselinewood@aim.com>
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Greetings to you,

On behalf of the Obama's Foundation, we wish to notify you as a beneficiary of $99,000.00 USD in compensation of scam victims.Do contact HSBC INTERNATIONAL BANK, United Kingdom Branch for verification and release of your $99,000.00 USD that we have deposited with the HSBC BANK,UK.


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From Loopers-Delight-request@loopers-delight.com  Tue Jul 14 13:11:22 2009
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Subject: Re: OT: Macbook Pro weird internal speaker fix
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On Tue, Jul 14, 2009 at 12:00 AM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> I don't know if I'd call Macs any more delicate than your average off
> the self "let's build it with what ever components are the cheapest
> this week" PC.  I had Macs at a job for 8 years and it was a running
> joke with the IT guys that I had gone the longest in the company
> without needing them for anything.  Everyone else was on a Dell.
>

that was my experience with my previous PowerBook G4 Titanium or whatever it
was, but not my MacBook. It will be going in shortly for it's 2nd
motherboard replacement, due to a failing usb port (first was a failing fw
port). I'm tough on my ports, I admit, but all laptops seem to have a design
flaw there - if any of the ports go, it takes a new mb to repair.

applecare is the saving grace, tho. I think that all laptops need insurance,
primarily because of this port thing, but in my experience, the applecare
service goes so far beyond anything you'll find from a windows vendor's
outsource network that it's a whole different class of service. plus you can
call them with any mac question whatsoever and they'll usually answer it,
and be nice to you in the process.



-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--00163630f1dfa170d1046eaa2c08
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On Tue, Jul 14, 2009 at 12:00 AM, Mark Sottilaro <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:zerocrossing@gmail.com">zerocrossing@gmail.com</a>&gt;</span>=
 wrote:<br><blockquote style=3D"border-left: 1px solid rgb(204, 204, 204); =
margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;" class=3D"gmail_quote">
I don&#39;t know if I&#39;d call Macs any more delicate than your average o=
ff<br>
the self &quot;let&#39;s build it with what ever components are the cheapes=
t<br>
this week&quot; PC. =A0I had Macs at a job for 8 years and it was a running=
<br>
joke with the IT guys that I had gone the longest in the company<br>
without needing them for anything. =A0Everyone else was on a Dell.<br></blo=
ckquote><br>that was my experience with my previous PowerBook G4 Titanium o=
r whatever it was, but not my MacBook. It will be going in shortly for it&#=
39;s 2nd motherboard replacement, due to a failing usb port (first was a fa=
iling fw port). I&#39;m tough on my ports, I admit, but all laptops seem to=
 have a design flaw there - if any of the ports go, it takes a new mb to re=
pair.<br>
<br>applecare is the saving grace, tho. I think that all laptops need insur=
ance, primarily because of this port thing, but in my experience, the apple=
care service goes so far beyond anything you&#39;ll find from a windows ven=
dor&#39;s outsource network that it&#39;s a whole different class of servic=
e. plus you can call them with any mac question whatsoever and they&#39;ll =
usually answer it, and be nice to you in the process.<br>
<br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"http://www.ubetoo.com=
/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Artist.taf?_ArtistId=3D=
6679</a><br><a href=3D"http://www.warrensirota.com">http://www.warrensirota=
.com</a><br>


--00163630f1dfa170d1046eaa2c08--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 14 13:42:06 2009
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Date: Tue, 14 Jul 2009 13:42:04 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: OT: Goodbye my friend (live improv)
To: Loopers-Delight@loopers-delight.com
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deep,breathtaking...=0Abless his soul=0Athanx for sharing Sjaak=0A=0Awww.my=
space.com/luisangulocom=0A=0A=0A--- Sjaak <tcplugin@scarlet.be> schrieb am =
Fr, 10.7.2009:=0A=0A> Von: Sjaak <tcplugin@scarlet.be>=0A> Betreff: OT: Goo=
dbye my friend (live improv)=0A> An: Loopers-Delight@loopers-delight.com=0A=
> Datum: Freitag, 10. Juli 2009, 15:55=0A> This is a kind of special live=
=0A> improv. I recorded it this afternoon and it's=0A> dedicated to a good =
friend and musician of mine we lost=0A> this week. We played=0A> together s=
everal times, he used soundscapes of mine as an=0A> intro for his=0A> band,=
 I played with his 2 brothers too, he was a friend for=0A> many people.=0A>=
 =0A> I'm normally not as "open" on this list but today was a=0A> though da=
y and I=0A> felt the need to write a song, dedicate it to Tom and send=0A> =
it out.=0A> =0A> http://euroloopfest.com/sjaak/podcast/20_Goodbye_my_friend=
.mp3=0A> =0A> --- =0A> Sjaak=0A> http://sjaakovergaauw.com/ =0A> http://eur=
oloopfest.com/=0A> =0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Jul 14 15:07:46 2009
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Date: Tue, 14 Jul 2009 08:07:44 -0700
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Subject: Re: OT: Macbook Pro weird internal speaker fix
From: Mark Sottilaro <zerocrossing@gmail.com>
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I'll agree with you there.  The MacBooks are a definite step down in
quality from the old Powerbooks and probably from the new MacBook Pros
as well.  I guess Apple had to make sacrifices to hit that price
point.  It's one of the reasons I ended up with a Toshiba laptop.  Not
that it's amazing or anything but at the lower price point there's not
much of a difference and with the addition of having to buy XP so I
could run Mobius (at the time there was no Mac port) it ended up
looking like a drop in quality from the Pros and a higher overall
cost.

The Macbook we have is doing well, but it's my wife's and doesn't get
much wear and tear.  I think that's what it was designed to be: cute,
easy to use but not a serious computer for someone who's using it for
live music.

On Tue, Jul 14, 2009 at 6:11 AM, Warren Sirota<wsirota@wsdesigns.com> wrote=
:
> On Tue, Jul 14, 2009 at 12:00 AM, Mark Sottilaro <zerocrossing@gmail.com>
> wrote:
>>
>> I don't know if I'd call Macs any more delicate than your average off
>> the self "let's build it with what ever components are the cheapest
>> this week" PC. =A0I had Macs at a job for 8 years and it was a running
>> joke with the IT guys that I had gone the longest in the company
>> without needing them for anything. =A0Everyone else was on a Dell.
>
> that was my experience with my previous PowerBook G4 Titanium or whatever=
 it
> was, but not my MacBook. It will be going in shortly for it's 2nd
> motherboard replacement, due to a failing usb port (first was a failing f=
w
> port). I'm tough on my ports, I admit, but all laptops seem to have a des=
ign
> flaw there - if any of the ports go, it takes a new mb to repair.
>
> applecare is the saving grace, tho. I think that all laptops need insuran=
ce,
> primarily because of this port thing, but in my experience, the applecare
> service goes so far beyond anything you'll find from a windows vendor's
> outsource network that it's a whole different class of service. plus you =
can
> call them with any mac question whatsoever and they'll usually answer it,
> and be nice to you in the process.
>
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
> http://www.warrensirota.com
>

From apache@icel.liber-ti.com.mx  Tue Jul 14 15:18:43 2009
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To: looparc@loopers-delight.com
Subject: De Mme Mary Saleh
From: Mme  Mary Saleh <saleh@saleh.org>
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Bonjour, 
  
Je suis Mme Mary Saleh vieillissement veuve souffrant de longue maladie. Je avoir des fonds que j'ai hérité de mon défunt mari, la somme de US $ 7,300,000.00. 
  
J'ai besoin d'un très honnêtes et craignant Dieu, personne qui doit utiliser les fonds pour les L'œuvre de Dieu pour aider la Charité et les moins privilégiés et je l'ai tracée 
1,700.000.00 de dollars, pour votre usage personnel à ce travail. 
  
  S'il vous plaît si vous voulez être en mesure d'utiliser les fonds pour le travail du Seigneur, merci 
réponse pour plus de détails EMAIL: m.salehone@gmail.com 
  
Mme Mary Saleh




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Hi Michael,
I like the "Frippertronics" track. What equipement have
you used on this? If it=B4s a secret, you don=B4t have to tell
us.
Best,
Christo
  ----- Original Message -----=20
  From: Michael Peters=20
  To: Loopers Delight=20
  Sent: Saturday, July 11, 2009 10:38 AM
  Subject: two little guitar loops


  for those who haven't listened to it on Facebook: =20
  here are two quite different guitar loops that I did on Friday.
  =20
  afternoon: a "plain vanilla" Frippertronics style loop with the usual =
RF inspired solo
  =
http://www.veloopity.de/michaelpeters/livelooping2009/MichaelPeters200907=
09.mp3
  =20
  evening: a more atonal guitar improvisation with Stefan Tiedje doing =
live treatments & loops using his "Ondes Memorielles" Max/MSP system
  =
http://www.veloopity.de/michaelpeters/livelooping2009/HitchhikersDiary200=
90709.mp3=20
  =20
  enjoy!
  =20
  -Michael
  =20
  =20
  =20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.3700.6699" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff text=3D#000000>
<DIV><FONT face=3DArial size=3D2>Hi Michael,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I like the "Frippertronics" track. What =
equipement=20
have</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>you used on this? If it=B4s a secret, =
you don=B4t have=20
to tell</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>us.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Best,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:mp@mpeters.de" title=3Dmp@mpeters.de>Michael =
Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  title=3DLoopers-Delight@loopers-delight.com>Loopers Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 11, 2009 =
10:38=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> two little guitar =
loops</DIV>
  <DIV><BR></DIV>
  <DIV align=3Dleft dir=3Dltr><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009><FONT color=3D#000000>for those who haven't =
listened to=20
  it on Facebook:&nbsp; </FONT></SPAN></FONT></FONT></DIV>
  <DIV align=3Dleft dir=3Dltr><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009><FONT color=3D#000000>here are two quite =
different=20
  guitar loops that I did =
on&nbsp;Friday.</FONT></SPAN></FONT></FONT></DIV>
  <DIV align=3Dleft dir=3Dltr><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV align=3Dleft dir=3Dltr><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009><FONT color=3D#000000>afternoon: a "plain =
vanilla"=20
  Frippertronics style loop with the usual RF inspired=20
  solo</FONT></SPAN></FONT></FONT></DIV>
  <DIV align=3Dleft dir=3Dltr><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009></SPAN></FONT></FONT><FONT =
face=3DArial><FONT=20
  size=3D2><SPAN class=3D140111611-10072009><A=20
  =
href=3D"http://www.veloopity.de/michaelpeters/livelooping2009/MichaelPete=
rs20090709.mp3">http://www.veloopity.de/michaelpeters/livelooping2009/Mic=
haelPeters20090709.mp3</A></SPAN></FONT></FONT></DIV>
  <DIV align=3Dleft dir=3Dltr><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV align=3Dleft dir=3Dltr><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009>evening: a more atonal guitar improvisation =
with=20
  Stefan Tiedje doing live treatments &amp; loops using his "Ondes =
Memorielles"=20
  Max/MSP system</SPAN></FONT></FONT></DIV>
  <DIV align=3Dleft dir=3Dltr><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009></SPAN></FONT></FONT><A=20
  =
href=3D"http://www.veloopity.de/michaelpeters/livelooping2009/Hitchhikers=
Diary20090709.mp3"><FONT=20
  size=3D+0><FONT face=3DArial=20
  =
size=3D2>http://www.veloopity.de/michaelpeters/livelooping2009/Hitchhiker=
sDiary20090709.mp3</FONT></FONT></A><SPAN=20
  class=3D140111611-10072009><FONT face=3DArial =
size=3D2>&nbsp;</FONT></SPAN></DIV>
  <DIV align=3Dleft dir=3Dltr><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
  size=3D2></FONT></SPAN>&nbsp;</DIV>
  <DIV align=3Dleft dir=3Dltr><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
  size=3D2>enjoy!</FONT></SPAN><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
  size=3D2></FONT></SPAN></DIV>
  <DIV align=3Dleft dir=3Dltr><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
  size=3D2></FONT></SPAN>&nbsp;</DIV>
  <DIV align=3Dleft dir=3Dltr><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
  size=3D2>-Michael</FONT></SPAN></DIV>
  <DIV align=3Dleft dir=3Dltr><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
  size=3D2></FONT></SPAN>&nbsp;</DIV>
  <DIV align=3Dleft dir=3Dltr><SPAN class=3D140111611-10072009><FONT =
face=3DArial=20
  size=3D2></FONT></SPAN>&nbsp;</DIV>
  <DIV align=3Dleft dir=3Dltr><SPAN=20
class=3D140111611-10072009></SPAN>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>=


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From apache@icel.liber-ti.com.mx  Tue Jul 14 15:47:40 2009
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Bonjour, 
  
Je suis Mme Mary Saleh vieillissement veuve souffrant de longue maladie. Je avoir des fonds que j'ai hérité de mon défunt mari, la somme de US $ 7,300,000.00. 
  
J'ai besoin d'un très honnêtes et craignant Dieu, personne qui doit utiliser les fonds pour les L'œuvre de Dieu pour aider la Charité et les moins privilégiés et je l'ai tracée 
1,700.000.00 de dollars, pour votre usage personnel à ce travail. 
  
  S'il vous plaît si vous voulez être en mesure d'utiliser les fonds pour le travail du Seigneur, merci 
réponse pour plus de détails EMAIL: m.salehone@gmail.com 
  
Mme Mary Saleh




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Email I.D Won a Sum payout of $2,000 000.00 USD.
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Subject: Re: two little guitar loops
Date: Tue, 14 Jul 2009 17:03:41 +0100
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Hi Michael,

I really enjoyed the Frippertronics track also. I love the soundworld at =
the beginning of the track. Nice and bright. :)

Great work.
Ricky
  ----- Original Message -----=20
  From: Christo Jota=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 14, 2009 4:24 PM
  Subject: Re: two little guitar loops


  Hi Michael,
  I like the "Frippertronics" track. What equipement have
  you used on this? If it=B4s a secret, you don=B4t have to tell
  us.
  Best,
  Christo
    ----- Original Message -----=20
    From: Michael Peters=20
    To: Loopers Delight=20
    Sent: Saturday, July 11, 2009 10:38 AM
    Subject: two little guitar loops


    for those who haven't listened to it on Facebook: =20
    here are two quite different guitar loops that I did on Friday.

    afternoon: a "plain vanilla" Frippertronics style loop with the =
usual RF inspired solo
    =
http://www.veloopity.de/michaelpeters/livelooping2009/MichaelPeters200907=
09.mp3

    evening: a more atonal guitar improvisation with Stefan Tiedje doing =
live treatments & loops using his "Ondes Memorielles" Max/MSP system
    =
http://www.veloopity.de/michaelpeters/livelooping2009/HitchhikersDiary200=
90709.mp3=20

    enjoy!

    -Michael





-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
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<STYLE></STYLE>
</HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Michael,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I really enjoyed the Frippertronics =
track also. I=20
love the soundworld at the beginning of the track. Nice and bright.=20
:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Great work.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dchris@christojota.de =
href=3D"mailto:chris@christojota.de">Christo=20
  Jota</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 14, 2009 =
4:24=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: two little guitar=20
loops</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Hi Michael,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I like the "Frippertronics" track. =
What=20
  equipement have</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>you used on this? If it=B4s a secret, =
you don=B4t=20
  have to tell</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>us.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Best,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 11, 2009 =
10:38=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> two little guitar =
loops</DIV>
    <DIV><BR></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D140111611-10072009><FONT color=3D#000000>for those who =
haven't listened=20
    to it on Facebook:&nbsp; </FONT></SPAN></FONT></FONT></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D140111611-10072009><FONT color=3D#000000>here are two quite =
different=20
    guitar loops that I did =
on&nbsp;Friday.</FONT></SPAN></FONT></FONT></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D140111611-10072009></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D140111611-10072009><FONT color=3D#000000>afternoon: a "plain =
vanilla"=20
    Frippertronics style loop with the usual RF inspired=20
    solo</FONT></SPAN></FONT></FONT></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D140111611-10072009></SPAN></FONT></FONT><FONT =
face=3DArial><FONT=20
    size=3D2><SPAN class=3D140111611-10072009><A=20
    =
href=3D"http://www.veloopity.de/michaelpeters/livelooping2009/MichaelPete=
rs20090709.mp3">http://www.veloopity.de/michaelpeters/livelooping2009/Mic=
haelPeters20090709.mp3</A></SPAN></FONT></FONT></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D140111611-10072009></SPAN></FONT></FONT>&nbsp;</DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D140111611-10072009>evening: a more atonal guitar =
improvisation with=20
    Stefan Tiedje doing live treatments &amp; loops using his "Ondes=20
    Memorielles" Max/MSP system</SPAN></FONT></FONT></DIV>
    <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
    class=3D140111611-10072009></SPAN></FONT></FONT><A=20
    =
href=3D"http://www.veloopity.de/michaelpeters/livelooping2009/Hitchhikers=
Diary20090709.mp3"><FONT=20
    size=3D+0><FONT face=3DArial=20
    =
size=3D2>http://www.veloopity.de/michaelpeters/livelooping2009/Hitchhiker=
sDiary20090709.mp3</FONT></FONT></A><SPAN=20
    class=3D140111611-10072009><FONT face=3DArial =
size=3D2>&nbsp;</FONT></SPAN></DIV>
    <DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
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    <DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
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    <DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
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Subject: RE: two little guitar loops
Date: Tue, 14 Jul 2009 18:12:15 +0200
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> I like the "Frippertronics" track. What equipement have you used on =
this?
If it=B4s a secret, you don=B4t have to tell=20
=20
a Fernandes sustainer guitar, a Sony Vaio notebook with Vista, Plogue
Bidule, Guitar Rig, Quikquak Fusionfield reverb, LoopV (beta of the EDP
plugin)
=20
-Michael
=20
=20

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<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><EM><SPAN=20
class=3D609011016-14072009>&gt; </SPAN>I like the "Frippertronics" =
track. What=20
equipement have<SPAN class=3D609011016-14072009>&nbsp;</SPAN>you used on =
this? If=20
it=B4s a secret, you don=B4t have to tell<SPAN=20
class=3D609011016-14072009>&nbsp;</SPAN></EM></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D609011016-14072009></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D609011016-14072009>a Fernandes sustainer guitar, a Sony Vaio =
notebook with=20
Vista, Plogue Bidule, Guitar Rig, Quikquak Fusionfield reverb, LoopV =
(beta of=20
the EDP plugin)</SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D609011016-14072009></SPAN></FONT></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D609011016-14072009>-Michael</SPAN></FONT></FONT></DIV>
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Subject: RE: two little guitar loops
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I forgot: the guitar has a GK-2a midi pickup, turned into midi by an Axon
AX66, it triggers occasional mellotron sounds in Bidule, created by the
GForce M-Tron Pro
 
-Michael
 
 

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class=3D609011016-14072009>I forgot: the guitar has a GK-2a midi pickup, =
turned=20
into midi by an Axon AX66, it triggers occasional mellotron sounds in =
Bidule,=20
created by the GForce M-Tron Pro</SPAN></FONT></FONT></DIV>
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class=3D609011016-14072009></SPAN></FONT></FONT>&nbsp;</DIV>
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Subject: Re: two little guitar loops
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"a Fernandes sustainer guitar"

How do you find it, Michael? I just ordered one for my electric. Do you =
go through a lot of 9v batteries? Or do you power it with mains?

Ricky
  ----- Original Message -----=20
  From: Michael Peters=20
  To: Loopers Delight=20
  Sent: Tuesday, July 14, 2009 5:12 PM
  Subject: RE: two little guitar loops


  > I like the "Frippertronics" track. What equipement have you used on =
this? If it=B4s a secret, you don=B4t have to tell=20

  a Fernandes sustainer guitar, a Sony Vaio notebook with Vista, Plogue =
Bidule, Guitar Rig, Quikquak Fusionfield reverb, LoopV (beta of the EDP =
plugin)

  -Michael




-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.375 / Virus Database: 270.13.13/2236 - Release Date: =
07/13/09 17:57:00

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<DIV><FONT face=3DArial size=3D2>"<SPAN class=3D609011016-14072009>a =
Fernandes=20
sustainer guitar"</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D609011016-14072009></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D609011016-14072009>How do =
you find it,=20
Michael? I just ordered one for my electric. Do you go through a lot of =
9v=20
batteries? Or do you power it with mains?</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D609011016-14072009></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D609011016-14072009>Ricky</SPAN></FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 14, 2009 =
5:12=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: two little guitar=20
loops</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT =
size=3D2><EM><SPAN=20
  class=3D609011016-14072009>&gt; </SPAN>I like the "Frippertronics" =
track. What=20
  equipement have<SPAN class=3D609011016-14072009>&nbsp;</SPAN>you used =
on this?=20
  If it=B4s a secret, you don=B4t have to tell<SPAN=20
  class=3D609011016-14072009>&nbsp;</SPAN></EM></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609011016-14072009></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609011016-14072009>a Fernandes sustainer guitar, a Sony Vaio =
notebook=20
  with Vista, Plogue Bidule, Guitar Rig, Quikquak Fusionfield reverb, =
LoopV=20
  (beta of the EDP plugin)</SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609011016-14072009></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609011016-14072009>-Michael</SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609011016-14072009></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D609011016-14072009></SPAN></FONT></FONT>&nbsp;</DIV>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
- <A=20
  href=3D"http://www.avg.com">www.avg.com</A> <BR>Version: 8.5.375 / =
Virus=20
  Database: 270.13.13/2236 - Release Date: 07/13/09=20
17:57:00<BR></BLOCKQUOTE></BODY></HTML>

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Date: Tue, 14 Jul 2009 14:13:11 -0400
Message-ID: <9e0440a60907141113u1e2ce45fo3217e02e26d7543a@mail.gmail.com>
Subject: Re: two little guitar loops
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Michael really enjoying this today, have streamed a cou8ple of times, rushed
today and can't commit in detail but love where you're going on both
particularly the second.

power to your muse


jim

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<div>Michael really enjoying this today, have streamed a cou8ple of times, =
rushed today and can&#39;t commit in detail but love where you&#39;re going=
 on both particularly the second.</div>
<div>=A0</div>
<div>power to your muse</div>
<div>=A0</div>
<div>=A0</div>
<div>jim<br></div>

--001636c5b91e3df7ed046eae64f2--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Tokafi Interview
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An interview i did for Tokafi - may i recommend you send them some  
stuff - great people and v interested in new music.

Loop friendly journalist alert!!!!

http://www.tokafi.com/15questions/15-questions-matt-stevens/

Ta

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
<div>An interview i did for Tokafi - may i recommend you send them some stuff - great people and v interested in new music.</div><div><br></div><div>Loop friendly journalist alert!!!!</div><div><br></div><a href="http://www.tokafi.com/15questions/15-questions-matt-stevens/">http://www.tokafi.com/15questions/15-questions-matt-stevens/</a><div><br></div><div>Ta</div><div><br><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div>mattstevensguitar@btinternet.com</div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><div><div><br></div></div></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 14 23:34:13 2009
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From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: two little guitar loops
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why would anybody want to keep this secret...?

> Hi Michael,
> I like the
> "Frippertronics" track. What equipement=20
> have
> you used on this? If it=B4s
> a secret, you don=B4t have=20
> to tell
> us.
> Best,
> Christo
>=20
>=0A=0A=0A      

From apache@icel.liber-ti.com.mx  Wed Jul 15 02:23:08 2009
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To: looparc@loopers-delight.com
Subject: From  Mary Saleh
From: Mrs Mary Saleh <saleh@saleh.org>
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Hello,
 
I am Mrs. Mary Saleh an aging widow suffering from long time illness. I have some funds I inherited from my late husband, the sum of US$7,300,000.00.
 
I need a very honest and God fearing person that will use the fund for God's work to help the Charity and the less privileged and I have mapped out $1,700.000.00 for your personal use in this work.
 
 Please if you would be able to use the funds for the Lord's work , kindly reply for further details EMAIL:m.salehone@gmail.com
 
Mrs Mary Saleh



From rev_pastor_lili@terra.es  Wed Jul 15 06:34:04 2009
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From: "rev_pastor_lili@terra.es" <rev_pastor_lili@terra.es>
Reply-To: "rev_pastor_lili@terra.es" <rev_pastor_lili@terra.es>
Subject: CONTACT FEDEX COURIER  FOR YOUR PACKAGE
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Good day,
I cashed the check of $4.500 000.00 Million USA Dollars due to expiry and deposited it with FedEx Express Courier Benin Branch, contact the Director 
DR.Eliot Mbaka
Email:(fedexcourier1@ibibo.com)
Cell:+22998474312
SHIPMENT CODE AWB 33XZS
PACKAGE REGISTERED CODE NO XGT442.
SECURITY CODE SCTC/2001DHX/567/
TRANSACTION CODE 233/CSTC/101/33028/
CERTIFICATE DEPOSIT CODE SCTC/BUN/xxiv/-78/01
I have paid them for the delivery, the only money you will pay is security fee to enable them deliver the parcel to your given address. Reconfirm your info to them and also ask the director to issue the tracking/airway bill once you send them the fee
  
1 your full name
2 Your home address
3 Mobile number
4 A copy of your picture
5 corent occupation
Update me once you receive your package,
Regards
Rev pastor lili





Ahora tambi&eacute;n puedes acceder a tu correo Terra desde el m&oacute;vil.

Inf&oacute;rmate pinchando aqu&iacute;.






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<P>Good day,<BR>I cashed the check of $4.500 000.00 Million USA Dollars due to expiry and deposited it with FedEx Express Courier Benin Branch, contact the Director <BR>DR.Eliot Mbaka<BR>Email:(<A href="mailto:fedexcourier1@ibibo.com">fedexcourier1@ibibo.com</A>)<BR>Cell:+22998474312<BR>SHIPMENT CODE AWB 33XZS<BR>PACKAGE REGISTERED CODE NO XGT442.<BR>SECURITY CODE SCTC/2001DHX/567/<BR>TRANSACTION CODE 233/CSTC/101/33028/<BR>CERTIFICATE DEPOSIT CODE SCTC/BUN/xxiv/-78/01<BR>I have paid them for the delivery, the only money you will pay is security fee to enable them deliver the parcel to your given address. Reconfirm your info to them and also ask the director to issue the tracking/airway bill once you send them the fee<BR>&nbsp; <BR>1 your full name<BR>2 Your home address<BR>3 Mobile number<BR>4 A copy of your picture<BR>5 corent occupation<BR>Update me once you receive your package,<BR>Regards<BR>Rev pastor lili</P><br>
<br>
<br>
<b>Ahora tambi&eacute;n puedes acceder a tu correo Terra desde el m&oacute;vil.</b><br>
<b>Inf&oacute;rmate pinchando</b><a href="http://ad.doubleclick.net/clk;77451406;6134080;d?http://www.correo.movistar.es/do/isp/assistant/login?isp=terra"><b><strong> aqu&iacute;.</strong></b></a><br>





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From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 10:48:04 2009
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Subject: Re: two little guitar loops
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Michael,
this is gorgeous. What I particularly like about these two tracks is =
that loops are not used in a loop-ish way, it's always evolving, and the =
listeners mind freed from cycles and repetitions. Great stuff !
Talking about equipment,  it's a real shame that hardware equipment is =
so limited compared to computers.
Cheers,
JPR

http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Michael Peters=20
  To: Loopers Delight=20
  Sent: Saturday, July 11, 2009 10:38 AM
  Subject: two little guitar loops


  for those who haven't listened to it on Facebook: =20
  here are two quite different guitar loops that I did on Friday.

  afternoon: a "plain vanilla" Frippertronics style loop with the usual =
RF inspired solo
  =
http://www.veloopity.de/michaelpeters/livelooping2009/MichaelPeters200907=
09.mp3

  evening: a more atonal guitar improvisation with Stefan Tiedje doing =
live treatments & loops using his "Ondes Memorielles" Max/MSP system
  =
http://www.veloopity.de/michaelpeters/livelooping2009/HitchhikersDiary200=
90709.mp3=20

  enjoy!

  -Michael



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff text=3D#000000>
<DIV><FONT size=3D2 face=3DArial>Michael,<BR>this is gorgeous. What I =
particularly=20
like about these two tracks is that loops are not used in a loop-ish =
way, it's=20
always evolving, and the listeners mind freed from cycles and =
repetitions. Great=20
stuff !</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Talking about equipment,&nbsp; it's a =
real shame=20
that hardware equipment is so limited compared to =
computers.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Cheers,<BR>JPR</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, July 11, 2009 =
10:38=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> two little guitar =
loops</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009><FONT color=3D#000000>for those who haven't =
listened to=20
  it on Facebook:&nbsp; </FONT></SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009><FONT color=3D#000000>here are two quite =
different=20
  guitar loops that I did =
on&nbsp;Friday.</FONT></SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009><FONT color=3D#000000>afternoon: a "plain =
vanilla"=20
  Frippertronics style loop with the usual RF inspired=20
  solo</FONT></SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009></SPAN></FONT></FONT><FONT =
face=3DArial><FONT=20
  size=3D2><SPAN class=3D140111611-10072009><A=20
  =
href=3D"http://www.veloopity.de/michaelpeters/livelooping2009/MichaelPete=
rs20090709.mp3">http://www.veloopity.de/michaelpeters/livelooping2009/Mic=
haelPeters20090709.mp3</A></SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009></SPAN></FONT></FONT>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009>evening: a more atonal guitar improvisation =
with=20
  Stefan Tiedje doing live treatments &amp; loops using his "Ondes =
Memorielles"=20
  Max/MSP system</SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D140111611-10072009></SPAN></FONT></FONT><A=20
  =
href=3D"http://www.veloopity.de/michaelpeters/livelooping2009/Hitchhikers=
Diary20090709.mp3"><FONT=20
  size=3D+0><FONT size=3D2=20
  =
face=3DArial>http://www.veloopity.de/michaelpeters/livelooping2009/Hitchh=
ikersDiary20090709.mp3</FONT></FONT></A><SPAN=20
  class=3D140111611-10072009><FONT size=3D2 =
face=3DArial>&nbsp;</FONT></SPAN></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
size=3D2=20
  face=3DArial></FONT></SPAN>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
size=3D2=20
  face=3DArial>enjoy!</FONT></SPAN><SPAN =
class=3D140111611-10072009><FONT size=3D2=20
  face=3DArial></FONT></SPAN></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
size=3D2=20
  face=3DArial></FONT></SPAN>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
size=3D2=20
  face=3DArial>-Michael</FONT></SPAN></DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
size=3D2=20
  face=3DArial></FONT></SPAN>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN class=3D140111611-10072009><FONT =
size=3D2=20
  face=3DArial></FONT></SPAN>&nbsp;</DIV>
  <DIV dir=3Dltr align=3Dleft><SPAN=20
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 11:02:30 2009
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Subject: Re: two little guitar loops
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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JPR said:
"Talking about equipment,  it's a real shame that hardware equipment
is so limited compared to computers."

To which I'd like to reply with two devil's advocate statements:

1. Is it?
2. So I assume from your statement that your computer doesn't have
hardware? I'd like one of those, too!

Cheers,

            Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 13:17:57 2009
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From: "Ricky Graham" <rock.guitar.guru@binternet.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT(ish): Dhafer Youssef & Eivind Aarset
Date: Wed, 15 Jul 2009 14:11:15 +0100
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Not strictly looping related;

http://www.youtube.com/watch?v=3DHdkCE0UDq2w&feature=3Drelated

Very nice sound world. Rick Walker should love this.

Ricky
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<DIV><FONT face=3DArial size=3D2>Not strictly looping =
related;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.youtube.com/watch?v=3DHdkCE0UDq2w&amp;feature=3Drelate=
d">http://www.youtube.com/watch?v=3DHdkCE0UDq2w&amp;feature=3Drelated</A>=
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Very nice sound world. Rick Walker =
should love=20
this.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 13:30:51 2009
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Subject: RE: two little guitar loops
Date: Wed, 15 Jul 2009 15:30:45 +0200
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> "a Fernandes sustainer guitar" 
> How do you find it, Michael? I just ordered one for my electric. Do you go
through a lot of 9v batteries? Or do you power it with mains? 
 
I love it and no, it does not use too many batteries
 
-Michael
 
 
 

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<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
class=3D796492713-15072009>&gt; </SPAN>"<SPAN =
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sustainer guitar"<SPAN=20
class=3D796492713-15072009>&nbsp;</SPAN></SPAN></FONT></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D609011016-14072009><SPAN=20
class=3D796492713-15072009>&gt;&nbsp;</SPAN></SPAN><SPAN=20
class=3D609011016-14072009>How do you find it, Michael? I just ordered =
one for my=20
electric. Do you go through a lot of 9v batteries? Or do you power it =
with=20
mains?<SPAN=20
class=3D796492713-15072009>&nbsp;</SPAN></SPAN></FONT></FONT></FONT></DIV=
>
<DIV dir=3Dltr align=3Dleft><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D609011016-14072009><SPAN=20
class=3D796492713-15072009></SPAN></SPAN></FONT></FONT></FONT>&nbsp;</DIV=
>
<DIV dir=3Dltr align=3Dleft><FONT><FONT face=3DArial><FONT =
size=3D2><SPAN=20
class=3D609011016-14072009><SPAN class=3D796492713-15072009>I love it =
and no, it=20
does not use too many batteries</SPAN></SPAN></FONT></FONT></FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 13:32:11 2009
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Subject: Re: two little guitar loops
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That's good to know. Thanks.

Ricky
  ----- Original Message -----=20
  From: Michael Peters=20
  To: Loopers Delight=20
  Sent: Wednesday, July 15, 2009 2:30 PM
  Subject: RE: two little guitar loops


  > "a Fernandes sustainer guitar"=20
  > How do you find it, Michael? I just ordered one for my electric. Do =
you go through a lot of 9v batteries? Or do you power it with mains?=20

  I love it and no, it does not use too many batteries

  -Michael





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-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.375 / Virus Database: 270.13.14/2238 - Release Date: =
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<DIV><FONT face=3DArial size=3D2>That's good to know. =
Thanks.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmp@mpeters.de href=3D"mailto:mp@mpeters.de">Michael =
Peters</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers =
Delight</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 15, 2009 =
2:30=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: two little guitar=20
loops</DIV>
  <DIV><BR></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT face=3DArial><FONT size=3D2><SPAN=20
  class=3D796492713-15072009>&gt; </SPAN>"<SPAN =
class=3D609011016-14072009>a=20
  Fernandes sustainer guitar"<SPAN=20
  class=3D796492713-15072009>&nbsp;</SPAN></SPAN></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT size=3D+0><FONT face=3DArial><FONT =
size=3D2><SPAN=20
  class=3D609011016-14072009><SPAN=20
  class=3D796492713-15072009>&gt;&nbsp;</SPAN></SPAN><SPAN=20
  class=3D609011016-14072009>How do you find it, Michael? I just ordered =
one for=20
  my electric. Do you go through a lot of 9v batteries? Or do you power =
it with=20
  mains?<SPAN=20
  =
class=3D796492713-15072009>&nbsp;</SPAN></SPAN></FONT></FONT></FONT></DIV=
>
  <DIV dir=3Dltr align=3Dleft><FONT size=3D+0><FONT face=3DArial><FONT =
size=3D2><SPAN=20
  class=3D609011016-14072009><SPAN=20
  =
class=3D796492713-15072009></SPAN></SPAN></FONT></FONT></FONT>&nbsp;</DIV=
>
  <DIV dir=3Dltr align=3Dleft><FONT size=3D+0><FONT face=3DArial><FONT =
size=3D2><SPAN=20
  class=3D609011016-14072009><SPAN class=3D796492713-15072009>I love it =
and no, it=20
  does not use too many =
batteries</SPAN></SPAN></FONT></FONT></FONT></DIV>
  <DIV dir=3Dltr align=3Dleft><FONT size=3D+0><FONT face=3DArial><FONT =
size=3D2><SPAN=20
  class=3D609011016-14072009><SPAN=20
  =
class=3D796492713-15072009></SPAN></SPAN></FONT></FONT></FONT>&nbsp;</DIV=
>
  <DIV dir=3Dltr align=3Dleft><FONT size=3D+0><FONT face=3DArial><FONT =
size=3D2><SPAN=20
  class=3D609011016-14072009><SPAN=20
  =
class=3D796492713-15072009>-Michael</SPAN></SPAN></FONT></FONT></FONT></D=
IV>
  <DIV dir=3Dltr align=3Dleft><FONT size=3D+0><FONT face=3DArial><FONT =
size=3D2><SPAN=20
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>
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  <HR>

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Date: Wed, 15 Jul 2009 09:38:23 -0400
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Subject: Gig Spam: Chinapainting live in NYC this weekend
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--00504502b079464f6d046ebeabc4
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I wanted to pass along that for those on the list in NYC area Daryl [Shawn]
and I will be doing a *Chinapainting <http://www.chinapaintingmusic.com/>* show
this weekend in Manhattan.  We're doing a return appearance at *ABC NoRio*,
this Sunday evening, July 19th, at 8pm.  Admission is $5.

ABC NoRio <http://www.abcnorio.org/>, located at 156 Rivington, is a
community run center for arts and activism.  Chinapainting is appearing as
part of the COMA improvisational music
series<http://www.abcnorio.org/events/coma.html> curated
by *Blaise Siwula*.

This Sunday's performance is the 3rd in a round of shows (and our 5th
Chinapainting tour) that Daryl and I began last weekend in Cleveland, OH,
appearing at *Ingenuity Fest Cleveland <http://www.ingenuitycleveland.com/>*,
a celebration of art and technology in music, performance, visual and aural
arts now in it's 5th year.  We did two hour long concerts at the Cleveland
festival, one on Saturday and the other Sunday.  We were honored to be
selected for this innovative festival after applying last winter.  Here's a
clip of one of the segments - Chinapainting live at Ingenuity Fest
Cleveland<http://www.vimeo.com/5604760>.
 *Special thanks to list member Brian Good who came out to see us.*

There is a possibility that Daryl and I will also do a live webcast as part
of my ongoing series, Sunday Morning at
11<http://www.ustream.tv/channel/sunday-morning-at-11> on
uStream.tv, a first ever for Chinapainting, this Sunday afternoon (July 19)
at 3 schedule permitting.  If it works out I'll send an email confirming.
 Regardless for those on the list in the NYC area please plan to come to
this special Chinapainting performance at ABC NoRio, Sunday at 8pm.

Reminder our studio CD, *Night Blooming Cereus* is available as digital
download or CD,
viaBandcamp.com<http://jimgoodin.bandcamp.com/album/chinapainting-night-blooming-cereus>
.

Directions to ABC NoRIo...

*Take the **F Train** to Delancey Street or the **J**, **M**, or **Z Train** to
Essex. After you get out of the subway, walk one block north to Rivington
Street and turn right. ABC No Rio is located between Suffok and Clinton
Streets on the north side of the street, at 156 Rivington Street.** *

Have a great rest of the week and see you Sunday...

Jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00504502b079464f6d046ebeabc4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<span class=3D"Apple-style-span" style=3D"font-family: arial, sans-serif; f=
ont-size: 13px; border-collapse: collapse; "><div>I wanted to pass along th=
at for those on the list in NYC area Daryl [Shawn] and I will be doing a=A0=
<b><a href=3D"http://www.chinapaintingmusic.com/" target=3D"_blank" style=
=3D"color: rgb(17, 65, 112); ">Chinapainting</a></b>=A0show this weekend in=
 Manhattan. =A0We&#39;re doing a return appearance at=A0<b>ABC NoRio</b>, t=
his Sunday evening, July 19th, at 8pm. =A0Admission is $5.</div>
<div><br></div><div><a href=3D"http://www.abcnorio.org/" target=3D"_blank" =
style=3D"color: rgb(17, 65, 112); ">ABC NoRio</a>, located at 156 Rivington=
, is a community run center for arts and activism. =A0Chinapainting is appe=
aring as part of the=A0<a href=3D"http://www.abcnorio.org/events/coma.html"=
 target=3D"_blank" style=3D"color: rgb(17, 65, 112); ">COMA improvisational=
 music series</a>=A0curated by=A0<i>Blaise Siwula</i>.</div>
<div><br></div><div>This Sunday&#39;s performance is the 3rd in a round of =
shows (and our 5th Chinapainting tour) that Daryl and I began last weekend =
in Cleveland, OH, appearing at=A0<i><a href=3D"http://www.ingenuityclevelan=
d.com/" target=3D"_blank" style=3D"color: rgb(17, 65, 112); ">Ingenuity Fes=
t Cleveland</a></i>, a celebration of art and technology in music, performa=
nce, visual and aural arts now in it&#39;s 5th year. =A0We did two hour lon=
g concerts at the Cleveland festival, one on Saturday and the other Sunday.=
 =A0We were honored to be selected for this innovative festival after apply=
ing last winter. =A0Here&#39;s a clip of one of the segments -=A0<a href=3D=
"http://www.vimeo.com/5604760" target=3D"_blank" style=3D"color: rgb(17, 65=
, 112); ">Chinapainting live at Ingenuity Fest Cleveland</a>. =A0<i>Special=
 thanks to list member Brian Good who came out to see us.</i></div>
<div><br></div><div>There is a possibility that Daryl and I will also do a =
live webcast as part of my ongoing series,=A0<a href=3D"http://www.ustream.=
tv/channel/sunday-morning-at-11" target=3D"_blank" style=3D"color: rgb(17, =
65, 112); ">Sunday Morning at 11</a>=A0on uStream.tv, a first ever for Chin=
apainting, this Sunday afternoon (July 19) at 3 schedule permitting. =A0If =
it works out I&#39;ll send an email confirming. =A0Regardless for those on =
the list in the NYC area please plan to come to this special Chinapainting =
performance at ABC NoRio, Sunday at 8pm.</div>
<div><br></div><div>Reminder our studio CD,=A0<i>Night Blooming Cereus</i>=
=A0is available as digital download or CD, via<a href=3D"http://jimgoodin.b=
andcamp.com/album/chinapainting-night-blooming-cereus" target=3D"_blank" st=
yle=3D"color: rgb(17, 65, 112); ">Bandcamp.com</a>.</div>
<div><br></div><div>Directions to ABC NoRIo...</div><div><br></div><div><fo=
nt face=3D"arial, helvetica, sans-serif"><i>Take the=A0</i></font><b><font =
face=3D"arial, helvetica, sans-serif"><i>F Train</i></font></b><font face=
=3D"arial, helvetica, sans-serif"><i>=A0to Delancey Street or the=A0</i></f=
ont><b><font face=3D"arial, helvetica, sans-serif"><i>J</i></font></b><font=
 face=3D"arial, helvetica, sans-serif"><i>,=A0</i></font><b><font face=3D"a=
rial, helvetica, sans-serif"><i>M</i></font></b><font face=3D"arial, helvet=
ica, sans-serif"><i>, or=A0</i></font><b><font face=3D"arial, helvetica, sa=
ns-serif"><i>Z Train</i></font></b><font face=3D"arial, helvetica, sans-ser=
if"><i>=A0to Essex. After you get out of the subway, walk one block north t=
o Rivington Street and turn right. ABC No Rio is located between Suffok and=
 Clinton Streets on the north side of the street, at 156 Rivington Street.<=
/i></font><font face=3D"arial, helvetica, sans-serif"><i>=A0</i></font></di=
v>
<div><br></div><div>Have a great rest of the week and see you Sunday...</di=
v><div><br></div><div>Jim</div></span><br>-- <br>ReUse, an introspective te=
xtural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/=
CtReUse</a><br>
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinap=
aintingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">w=
ww.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--00504502b079464f6d046ebeabc4--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 13:52:56 2009
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Date: Wed, 15 Jul 2009 15:52:55 +0200
Message-ID: <66f9cc1e0907150652j448de577mb9455833be7b5229@mail.gmail.com>
Subject: Re: OT(ish): Dhafer Youssef & Eivind Aarset
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Jul 15, 2009 at 3:11 PM, Ricky
Graham<rock.guitar.guru@binternet.com> wrote:
> Not strictly looping related;
> http://www.youtube.com/watch?v=HdkCE0UDq2w&feature=related

...but cool singing from Dhafer. I have an album they did together
that I really like! Eivind doesn't often let a loop play back too many
times, so it may not "sound very loopy". BTW I think that was back in
the days when his Repeater still worked ;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 13:58:36 2009
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Subject: Re: OT(ish): Dhafer Youssef & Eivind Aarset
Date: Wed, 15 Jul 2009 14:58:35 +0100
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What's the album called, Per? Must source that out..
----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 15, 2009 2:52 PM
Subject: Re: OT(ish): Dhafer Youssef & Eivind Aarset


> On Wed, Jul 15, 2009 at 3:11 PM, Ricky
> Graham<rock.guitar.guru@binternet.com> wrote:
>> Not strictly looping related;
>> http://www.youtube.com/watch?v=HdkCE0UDq2w&feature=related
>
> ...but cool singing from Dhafer. I have an album they did together
> that I really like! Eivind doesn't often let a loop play back too many
> times, so it may not "sound very loopy". BTW I think that was back in
> the days when his Repeater still worked ;-))
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>


--------------------------------------------------------------------------------



No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.5.375 / Virus Database: 270.13.14/2238 - Release Date: 07/14/09 
18:03:00

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 14:01:29 2009
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Subject: Re: OT(ish): Dhafer Youssef & Eivind Aarset
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I believe it's called: "Divine Shadows"

On Jul 15, 2009, at 6:58 AM, Ricky Graham wrote:

> What's the album called, Per? Must source that out..
> ----- Original Message ----- From: "Per Boysen" <perboysen@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, July 15, 2009 2:52 PM
> Subject: Re: OT(ish): Dhafer Youssef & Eivind Aarset
>
>
>> On Wed, Jul 15, 2009 at 3:11 PM, Ricky
>> Graham<rock.guitar.guru@binternet.com> wrote:
>>> Not strictly looping related;
>>> http://www.youtube.com/watch?v=HdkCE0UDq2w&feature=related
>>
>> ...but cool singing from Dhafer. I have an album they did together
>> that I really like! Eivind doesn't often let a loop play back too  
>> many
>> times, so it may not "sound very loopy". BTW I think that was back in
>> the days when his Repeater still worked ;-))
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>
>
> --------------------------------------------------------------------------------
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.375 / Virus Database: 270.13.14/2238 - Release Date:  
> 07/14/09 18:03:00

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 14:04:01 2009
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Subject: Re: OT(ish): Dhafer Youssef & Eivind Aarset
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Thanks, Ted.
----- Original Message ----- 
From: "tEd ® KiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 15, 2009 3:01 PM
Subject: Re: OT(ish): Dhafer Youssef & Eivind Aarset


>I believe it's called: "Divine Shadows"
>
> On Jul 15, 2009, at 6:58 AM, Ricky Graham wrote:
>
>> What's the album called, Per? Must source that out..
>> ----- Original Message ----- From: "Per Boysen" <perboysen@gmail.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Wednesday, July 15, 2009 2:52 PM
>> Subject: Re: OT(ish): Dhafer Youssef & Eivind Aarset
>>
>>
>>> On Wed, Jul 15, 2009 at 3:11 PM, Ricky
>>> Graham<rock.guitar.guru@binternet.com> wrote:
>>>> Not strictly looping related;
>>>> http://www.youtube.com/watch?v=HdkCE0UDq2w&feature=related
>>>
>>> ...but cool singing from Dhafer. I have an album they did together
>>> that I really like! Eivind doesn't often let a loop play back too
>>> many
>>> times, so it may not "sound very loopy". BTW I think that was back in
>>> the days when his Repeater still worked ;-))
>>>
>>> Greetings from Sweden
>>>
>>> Per Boysen
>>> www.boysen.se
>>> www.perboysen.com
>>>
>>
>>
>> --------------------------------------------------------------------------------
>>
>>
>>
>> No virus found in this incoming message.
>> Checked by AVG - www.avg.com
>> Version: 8.5.375 / Virus Database: 270.13.14/2238 - Release Date:
>> 07/14/09 18:03:00
>


--------------------------------------------------------------------------------



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Subject: Re: Gig Spam: Chinapainting live in NYC this weekend
Date: Wed, 15 Jul 2009 11:07:34 -0400
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Thanks for posting this Jim, great to see Chinapainting in action again. =
I would have loved to have been there. I do really (really) hope you =
guys are able to stream Sun!!!=20

peace out,

Jeff
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, July 15, 2009 9:38 AM
  Subject: Gig Spam: Chinapainting live in NYC this weekend


  I wanted to pass along that for those on the list in NYC area Daryl =
[Shawn] and I will be doing a Chinapainting show this weekend in =
Manhattan.  We're doing a return appearance at ABC NoRio, this Sunday =
evening, July 19th, at 8pm.  Admission is $5.


  ABC NoRio, located at 156 Rivington, is a community run center for =
arts and activism.  Chinapainting is appearing as part of the COMA =
improvisational music series curated by Blaise Siwula.


  This Sunday's performance is the 3rd in a round of shows (and our 5th =
Chinapainting tour) that Daryl and I began last weekend in Cleveland, =
OH, appearing at Ingenuity Fest Cleveland, a celebration of art and =
technology in music, performance, visual and aural arts now in it's 5th =
year.  We did two hour long concerts at the Cleveland festival, one on =
Saturday and the other Sunday.  We were honored to be selected for this =
innovative festival after applying last winter.  Here's a clip of one of =
the segments - Chinapainting live at Ingenuity Fest Cleveland.  Special =
thanks to list member Brian Good who came out to see us.


  There is a possibility that Daryl and I will also do a live webcast as =
part of my ongoing series, Sunday Morning at 11 on uStream.tv, a first =
ever for Chinapainting, this Sunday afternoon (July 19) at 3 schedule =
permitting.  If it works out I'll send an email confirming.  Regardless =
for those on the list in the NYC area please plan to come to this =
special Chinapainting performance at ABC NoRio, Sunday at 8pm.


  Reminder our studio CD, Night Blooming Cereus is available as digital =
download or CD, viaBandcamp.com.


  Directions to ABC NoRIo...


  Take the F Train to Delancey Street or the J, M, or Z Train to Essex. =
After you get out of the subway, walk one block north to Rivington =
Street and turn right. ABC No Rio is located between Suffok and Clinton =
Streets on the north side of the street, at 156 Rivington Street.=20


  Have a great rest of the week and see you Sunday...


  Jim

  --=20
  ReUse, an introspective textural aural
  www.myspace.com/CtReUse

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic


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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks for posting this Jim, great to =
see=20
Chinapainting in action again. I would have loved to have been there. I =
do=20
really (really) hope you guys are able to stream Sun!!! </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>peace out,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 15, 2009 =
9:38=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Gig Spam: =
Chinapainting live in=20
  NYC this weekend</DIV>
  <DIV><BR></DIV><SPAN class=3DApple-style-span=20
  style=3D"FONT-SIZE: 13px; FONT-FAMILY: arial, sans-serif; =
BORDER-COLLAPSE: collapse">
  <DIV>I wanted to pass along that for those on the list in NYC area =
Daryl=20
  [Shawn] and I will be doing a&nbsp;<B><A style=3D"COLOR: =
rgb(17,65,112)"=20
  href=3D"http://www.chinapaintingmusic.com/"=20
  target=3D_blank>Chinapainting</A></B>&nbsp;show this weekend in =
Manhattan.=20
  &nbsp;We're doing a return appearance at&nbsp;<B>ABC NoRio</B>, this =
Sunday=20
  evening, July 19th, at 8pm. &nbsp;Admission is $5.</DIV>
  <DIV><BR></DIV>
  <DIV><A style=3D"COLOR: rgb(17,65,112)" =
href=3D"http://www.abcnorio.org/"=20
  target=3D_blank>ABC NoRio</A>, located at 156 Rivington, is a =
community run=20
  center for arts and activism. &nbsp;Chinapainting is appearing as part =
of=20
  the&nbsp;<A style=3D"COLOR: rgb(17,65,112)"=20
  href=3D"http://www.abcnorio.org/events/coma.html" target=3D_blank>COMA =

  improvisational music series</A>&nbsp;curated by&nbsp;<I>Blaise=20
  Siwula</I>.</DIV>
  <DIV><BR></DIV>
  <DIV>This Sunday's performance is the 3rd in a round of shows (and our =
5th=20
  Chinapainting tour) that Daryl and I began last weekend in Cleveland, =
OH,=20
  appearing at&nbsp;<I><A style=3D"COLOR: rgb(17,65,112)"=20
  href=3D"http://www.ingenuitycleveland.com/" target=3D_blank>Ingenuity =
Fest=20
  Cleveland</A></I>, a celebration of art and technology in music, =
performance,=20
  visual and aural arts now in it's 5th year. &nbsp;We did two hour long =

  concerts at the Cleveland festival, one on Saturday and the other =
Sunday.=20
  &nbsp;We were honored to be selected for this innovative festival =
after=20
  applying last winter. &nbsp;Here's a clip of one of the segments =
-&nbsp;<A=20
  style=3D"COLOR: rgb(17,65,112)" href=3D"http://www.vimeo.com/5604760"=20
  target=3D_blank>Chinapainting live at Ingenuity Fest Cleveland</A>.=20
  &nbsp;<I>Special thanks to list member Brian Good who came out to see=20
  us.</I></DIV>
  <DIV><BR></DIV>
  <DIV>There is a possibility that Daryl and I will also do a live =
webcast as=20
  part of my ongoing series,&nbsp;<A style=3D"COLOR: rgb(17,65,112)"=20
  href=3D"http://www.ustream.tv/channel/sunday-morning-at-11" =
target=3D_blank>Sunday=20
  Morning at 11</A>&nbsp;on uStream.tv, a first ever for Chinapainting, =
this=20
  Sunday afternoon (July 19) at 3 schedule permitting. &nbsp;If it works =
out=20
  I'll send an email confirming. &nbsp;Regardless for those on the list =
in the=20
  NYC area please plan to come to this special Chinapainting performance =
at ABC=20
  NoRio, Sunday at 8pm.</DIV>
  <DIV><BR></DIV>
  <DIV>Reminder our studio CD,&nbsp;<I>Night Blooming Cereus</I>&nbsp;is =

  available as digital download or CD, via<A style=3D"COLOR: =
rgb(17,65,112)"=20
  =
href=3D"http://jimgoodin.bandcamp.com/album/chinapainting-night-blooming-=
cereus"=20
  target=3D_blank>Bandcamp.com</A>.</DIV>
  <DIV><BR></DIV>
  <DIV>Directions to ABC NoRIo...</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3D"arial, helvetica, sans-serif"><I>Take=20
  the&nbsp;</I></FONT><B><FONT face=3D"arial, helvetica, =
sans-serif"><I>F=20
  Train</I></FONT></B><FONT face=3D"arial, helvetica, =
sans-serif"><I>&nbsp;to=20
  Delancey Street or the&nbsp;</I></FONT><B><FONT=20
  face=3D"arial, helvetica, sans-serif"><I>J</I></FONT></B><FONT=20
  face=3D"arial, helvetica, sans-serif"><I>,&nbsp;</I></FONT><B><FONT=20
  face=3D"arial, helvetica, sans-serif"><I>M</I></FONT></B><FONT=20
  face=3D"arial, helvetica, sans-serif"><I>, or&nbsp;</I></FONT><B><FONT =

  face=3D"arial, helvetica, sans-serif"><I>Z Train</I></FONT></B><FONT=20
  face=3D"arial, helvetica, sans-serif"><I>&nbsp;to Essex. After you get =
out of=20
  the subway, walk one block north to Rivington Street and turn right. =
ABC No=20
  Rio is located between Suffok and Clinton Streets on the north side of =
the=20
  street, at 156 Rivington Street.</I></FONT><FONT=20
  face=3D"arial, helvetica, sans-serif"><I>&nbsp;</I></FONT></DIV>
  <DIV><BR></DIV>
  <DIV>Have a great rest of the week and see you Sunday...</DIV>
  <DIV><BR></DIV>
  <DIV>Jim</DIV></SPAN><BR>-- <BR>ReUse, an introspective textural =
aural<BR><A=20
  =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</A><BR><B=
R>music=20
  links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000D_01CA053C.7457FAE0--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 15:27:33 2009
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To: Loopers-Delight@loopers-delight.com
From: Marcus Staniec <onionpalac@gmail.com>
Subject: We Want Your Strangest Music/Sounds
Date: Thu, 16 Jul 2009 00:28:06 +0900
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Dear Loopers,

This is a call for submissions

*Have you ever recorded some tracks that sound so strange that you  
don't know what to do with them?

*Do you enjoy creating very odd music and/or sounds?

*Do you have field-recordings of alien sounds that are impossible to  
figure out?

*Have you ever secretly recorded crazy music from unsuspecting lunatics?

*Have you never made any recordings but are intrigued by the idea of  
intentionally recording weird music/sounds?

*Are you a professional musician who sometimes gets tired of pleasing  
people with proper music that you wish you could sometimes just go  
ape-shit and twist the spectrum of aural possibilities?

*Do you make music you feel is normal but when heard by others they  
laugh uncontrollably and yell out, "WHAT THE FUCK?!"?

Well people, we are here for you!

We are in the process of creating a community known as WTFMusic.

What is it?

It deals with music that wobbles on the fringe, music that works with  
twisted creative ideas that sets it apart from other sounds in the  
world, music that makes you ask, "What The Fuck?!"
Submitted material will be added to the WTFMusic Radio. We will also  
have an open blog for an ever growing library where anyone can freely  
post their WTFMusic to share. The blog will also be used for the  
discussion of related topics, promotion for related artists, notice  
of related events from around the world and more. And most important,  
to listen to what others have contributed. It is basically a place  
that encourages and promotes the strange and bizarre corners of the  
creative psych - a place where those interested can drop off their  
most fucked up creations.

After some time we hope to release compilations of selected material  
and to even hold live events to support our community.

This is the first submissions notice to go out for prerelease. We are  
asking you - our personal friends, connected people and those we know  
to help us build a decent library before we make the WTFMusic Radio  
and Blog go public. Please submit what you can to help us build this  
humble community and watch as it grows and thrives to encourage  
something a bit different than the norm.

We already have a small growing library of music from complete  
unknown everyday people to well-known artists. But we still need your  
help!

What Are The Guidelines?

Format - You can send us any kind audio file. Remember to consider  
the bitrate.
MP3 is the standard as it is small and easy to send.
If you prefer to send us noncomputer files: cassettes, records, MDs,  
etc, please email us for our address.

For now please send all material to:
goodluckboys@gmail.com
When the blog is up you will then be able to easily upload your music  
files in our dropbox.

There is no deadline but we hope to get as much stuff as soon as  
possible. You can, of course, continue adding more material anytime.

Any name or additional information can be included with the files.

If you want to participate but are hesitant you can wait until we  
open the blog to see and hear for yourself what you might be getting  
into. We hope to make it public by the end of this summer. For the  
other brave souls - just dive right in and send us your stuff!

Everyone who sends us material will be notified once the blog is up.  
We won't keep anyone on any kind of annoying ongoing mailing list.  
You can subscribe to the blog for that.

All the material submitted is automatically copyrighted and belongs  
to those who share.

Also, please feel free to forward or send this message along to those  
who you think may be interested in participating.

Any questions/comments please don't hesitate to contact us.

Thank you for your time and let's release our WTF urges to the world!

Brought to you by The GoodLuck Boys.
goodluckboys@gmail.com
goodluckboys.com


From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 15:46:28 2009
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Date: Wed, 15 Jul 2009 17:46:27 +0200
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Subject: Re: OT(ish): Dhafer Youssef & Eivind Aarset
From: Per Boysen <perboysen@gmail.com>
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"Digital Prophecy" is the one I have been listening to. But Youssef
also appears on Aarset's "Connected" album for one piece.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Jul 15, 2009 at 3:58 PM, Ricky
Graham<rock.guitar.guru@binternet.com> wrote:
> What's the album called, Per? Must source that out..

From diegomiranda@netcabo.pt  Wed Jul 15 15:52:05 2009
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From: "DIEGO MIRANDA NEWSLETTER" <diegomiranda@netcabo.pt>
Subject: DIEGO MIRANDA DMTV ::: "TANIA" OFFICIAL MUSIC VIDEO
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This is a multi-part message in MIME format

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--KTQASM3rj=_swnayEnUfqeVSzv1NSqN8He0--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 16:09:05 2009
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Hi,

Won't be able to make it this time due to social commitments, but best of
luck - I'm sure you guys will be great!

Warren

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Hi, <br><br>Won&#39;t be able to make it this time due to social commitments, but best of luck - I&#39;m sure you guys will be great!<br><br>Warren<br>

--00163628393e391445046ec0c6cf--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 18:08:45 2009
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Date: Wed, 15 Jul 2009 11:08:43 -0700
Subject: FS: PAIA Theremax Theremin Kit - $75
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FS: Partially assembled Paia Theremax Thermin unit. Includes new, still
sealed faceplate and antennas from PAIA. I got this as is and never worked
on it so I'm selling it as is. Looks well soldered but needs to be powered
up and put in an enclosure. Nice DIY faceplate and backplate already done.

Pictures out at: http://helpwantedproductions.com/Salez/FS.htm

The faceplate is $40 new, the whole kit is $160 plus shipping. I'm asking
$75 plus shipping and paypal.

Full info at: http://paia.com/theremax.asp


Thanks

   ------------------------------------------------
      Weird, Scary, and Beautiful Music and Art:
        Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 18:32:35 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
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References: <7334ca1b0907150402k15b4f231g401481bbb7fa8fdb@mail.gmail.com>
Subject: Re: two little guitar loops
Date: Wed, 15 Jul 2009 20:32:32 +0200
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------=_NextPart_000_001E_01CA058B.61721560
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Dear Rainer,
Ha ha! Very funny.
You know what I mean by hardware equipment don't you. The problem with =
me is that I'm blind and I can hardly use a computer on stage because I =
would need to hear my screen reader speak while I'm playing.
It's true that so-called hardware equipment are more and more screen =
based also and it becomes a pain for blind musicians to use as well.
A solution would be to have an assistant with me 24 hours a day but it's =
not a cheap solution.
Another solution would be to marry an assistant, but I'm not sure it's =
cheaper.
Cheers,
JPR

http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Rainer Straschill=20
  To: loopers-delight@loopers-delight.com=20
  Sent: Wednesday, July 15, 2009 1:02 PM
  Subject: Re: two little guitar loops



  JPR said:
  "Talking about equipment,  it's a real shame that hardware equipment
  is so limited compared to computers."

  To which I'd like to reply with two devil's advocate statements:

  1. Is it?
  2. So I assume from your statement that your computer doesn't have
  hardware? I'd like one of those, too!

  Cheers,

              Rainer


------=_NextPart_000_001E_01CA058B.61721560
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Dear Rainer,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Ha ha! Very funny.<BR>You know what I =
mean by=20
hardware equipment don't you. The problem with me is that I'm blind and =
I can=20
hardly use a computer on stage because I would need to hear my screen =
reader=20
speak while I'm playing.<BR>It's true that so-called hardware equipment =
are more=20
and more screen based also and it becomes a pain for blind musicians to =
use as=20
well.<BR>A solution would be to have an assistant with me 24 hours a day =
but=20
it's not a cheap solution.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Another solution would be to marry an =
assistant,=20
but I'm not sure it's cheaper.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Cheers,<BR>JPR</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>&nbsp;</DIV></FONT>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dmoinsound@googlemail.com=20
  href=3D"mailto:moinsound@googlemail.com">Rainer Straschill</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 15, 2009 =
1:02=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: two little guitar=20
loops</DIV>
  <DIV><BR></DIV><BR>JPR said:<BR>"Talking about equipment,&nbsp; it's a =
real=20
  shame that hardware equipment<BR>is so limited compared to=20
  computers."<BR><BR>To which I'd like to reply with two devil's =
advocate=20
  statements:<BR><BR>1. Is it?<BR>2. So I assume from your statement =
that your=20
  computer doesn't have<BR>hardware? I'd like one of those,=20
  =
too!<BR><BR>Cheers,<BR><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;=20
  Rainer<BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_001E_01CA058B.61721560--



From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 19:56:59 2009
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Subject: Eivind Aarset, Jon Hassell... soon on streaming link from live 
	festival
From: Per Boysen <perboysen@gmail.com>
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In an hour or two Hassell and Aarset's set with Marifa Street band
will be streamed over this page:
http://www.sr.se/webbradio

Marifa will start playing in about half an hour from now. Right now
they are streaming Lee Retenour. This festival will be going two more
days and be wrapped up by sonny Rollins on friday. Schedule here (but
they won't steream it all):
http://www.stockholmjazz.com/en

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 20:10:44 2009
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Date: Wed, 15 Jul 2009 16:10:42 -0400
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Subject: Re: Gig Spam: Chinapainting live in NYC this weekend
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5b1c757c733046ec42670
Content-Type: text/plain; charset=ISO-8859-1
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Guys thanks for the words and Warren you showed up last time so you have a
lifetime membership in having done your duty so to speak, in other words
sorry you can't make it but I know these days everyone's plate is pretty
full so totally understood.

The ustream hinges on Daryl's travel that day to NY and will probably work
out, hoping we can do it.

J

On Wed, Jul 15, 2009 at 12:09 PM, Warren Sirota <wsirota@wsdesigns.com>wrote:

> Hi,
>
> Won't be able to make it this time due to social commitments, but best of
> luck - I'm sure you guys will be great!
>
> Warren
>



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b1c757c733046ec42670
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Guys thanks for the words and Warren you showed up last time so you ha=
ve a lifetime membership in having done your duty so to speak, in other wor=
ds sorry you can&#39;t make it but I know these days everyone&#39;s plate i=
s pretty full so totally understood.</div>

<div>=A0</div>
<div>The ustream hinges on Daryl&#39;s travel that day to NY and will proba=
bly work out, hoping we can do it.</div>
<div>=A0</div>
<div>J<br><br></div>
<div class=3D"gmail_quote">On Wed, Jul 15, 2009 at 12:09 PM, Warren Sirota =
<span dir=3D"ltr">&lt;<a href=3D"mailto:wsirota@wsdesigns.com">wsirota@wsde=
signs.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi, <br><br>Won&#39;t be able to=
 make it this time due to social commitments, but best of luck - I&#39;m su=
re you guys will be great!<br>
<font color=3D"#888888"><br>Warren<br></font></blockquote></div><br><br cle=
ar=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural<br><a href=3D"=
http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>music li=
nks...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com<=
/a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001636c5b1c757c733046ec42670--

From line@natwb.com  Wed Jul 15 20:14:49 2009
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To: undisclosed-recipients:;

Dear Friend,

I have the admiration and confidence to introduce this business to you in view of the fact that you are dependable and consistent as my inquire reveals. I would like to introduce myself, I am Garry Albert Jones and I work with the staff in the accounts management section of a well-known bank here in the United Kingdom.

One of our account held a balance of £15, 000,000 (fifteen million British Pounds) and have been dormant for more than 4 years. From my investigation and confirmation, the owner of this account is a foreigner by name of Mr. Jerry Thomas who died on the 4th of January 2002 in a plane crash in Birmingham here in the UK.

Since then no one has responded in anyway in regards to claiming the funds. As far as we can tell he has no family member who is aware of the existence of either the account or the funds. Information from the National Immigration Office also states that he was single on entry into the UK.

I have confidentially discussed this issue with some of the bank officials and we have agreed to find a reliable foreign partner to deal with us. We thus propose to do business with you, standing in as the next of kin. We will process these funds from the deceased and release them to you, after due processes have been followed.

This transaction is totally risk free as the funds is legitimate and does not originate from drug, money laundry, terrorism or any other illegal act. Think this over and should you be interested, please let me hear from you.

Regards,

Garry Albert Jones

Reply to:gjones1@excite.co.uk





From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 20:19:54 2009
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Subject: hardware vs software - this time from a blind man's view (was "Re: 
	two little guitar loops")
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Dear JPR,

yes, I know what you mean by "hardware". Actually, my second point
(the "computer without hardware") was targeted at that fact that, as
you continue to point out, the majority of hardware effects (at least
those most people here are interested in) are in fact embedded
computer systems, featuring some sort of software inside of it.

Now regarding your quest for an easy-to-use solution:

I will in fact stick a little bit with the computer-based approach,
simply because it's easier to customize a man machine interface here.

The most important thing for you seems to me (and I'm of course open
for any corrections to this statement) for you to have a man machine
interface which doesn't require visual feedback of any sort. This
means:
 1. any commands you issue must not be context-sensitive.
 2. any controllers you use must have good haptic feedback for you to
identify which controller command you're about to issue.
 3. any sort of information feedback from the computer (other than
what you hear in your music) must be haptic.

ad 1:
This affects both the structure of the software solution and of the
interface you're using. I'll try to give one example to see if that
makes sense to you:
in an earlier implementation of my computer-based looping setup (using
Mobius), I would select tracks by linking the "previous track" and
"next track" commands to a footswitch each. When I changed my approach
insofar as to look at the screen less, this did no longer work:
earlier, if I wanted to switch to, say, track 1, I had a look at the
screen, and if track 3 was selected, I would simply press "previous
track" twice. The changed approach:
I added a BCR2000 faderbox which has a row of buttons with eight
buttons. Now I simply hit the leftmost button in that row to go to
track 1. This is no longer context-sensitive: pressing that button
will always bring me to track 1.

ad 2:
this of course kicks out beautiful solutions like the lemur
jazzmutant, and may also make options like the Akai APC40 with its
huge number of buttons somewhat cumbersome. Also, foot controllers
might be a problem (are they?). Now my question: how about something
with motorized faders? Or something like an Akai MPD24 (4x4 Pad
matrix, six faders above it, and two rows of four endless rotary knobs
each beneath it). Would that work for you?

Another controller which comes to mind (even though it looks very
Eighties cheap SciFi) is the P5 dataglove: You have a total of eleven
control channels (x/y/z position of your hand, x/y/z axis rotation of
your hand, bending of each finger). And there's a software that maps
this data to MIDI messages. Might something like this work for you?

ad 3:
again: would motorized faders work?

Again, this is just meant as a collection of thoughts tossed out - not
a solution which works for you.

Best,

             Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 20:39:14 2009
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Date: Wed, 15 Jul 2009 13:34:04 -0700
Message-ID: <588ce11d0907151334v5a313347n848246205c784a05@mail.gmail.com>
Subject: Re: Eivind Aarset, Jon Hassell... soon on streaming link from live 
	festival
From: Art Simon <simart@gmail.com>
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It wasn't immediately obvious to me what to do, since the pop-up was
in Swedish. If anybody gets a chance to record this, let me know. Wow,
Aarset and Hassell, very cool!

On Wed, Jul 15, 2009 at 12:56 PM, Per Boysen<perboysen@gmail.com> wrote:
> In an hour or two Hassell and Aarset's set with Marifa Street band
> will be streamed over this page:
> http://www.sr.se/webbradio
>
> Marifa will start playing in about half an hour from now. Right now
> they are streaming Lee Retenour. This festival will be going two more
> days and be wrapped up by sonny Rollins on friday. Schedule here (but
> they won't steream it all):
> http://www.stockholmjazz.com/en
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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	 <588ce11d0907151334v5a313347n848246205c784a05@mail.gmail.com>
Date: Wed, 15 Jul 2009 22:45:33 +0200
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Subject: Re: Eivind Aarset, Jon Hassell... soon on streaming link from live 
	festival
From: Per Boysen <perboysen@gmail.com>
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There is an icon that looks like that famous tower in Paris but this
one has superman flashes coming out from the top. In other words "a
radio tower icon". Click on it and your computer will launch either
the Windows Media Player or the RealAudio Media Player. Or if you
don't have them installed gently ask you to download one of them. Or
if you have both installed it asks you to chose which one you prefer
to enjoy Hassell through. I have Audio Hi-Jack loaded here anyway to
record an AAC of the stream.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Jul 15, 2009 at 10:34 PM, Art Simon<simart@gmail.com> wrote:
> It wasn't immediately obvious to me what to do, since the pop-up was
> in Swedish. If anybody gets a chance to record this, let me know. Wow,
> Aarset and Hassell, very cool!

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 22:25:48 2009
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Subject: Re: Eivind Aarset, Jon Hassell... soon on streaming link from live festival
Date: Thu, 16 Jul 2009 00:25:45 +0200
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------=_NextPart_000_0007_01CA05AB.F6068790
Content-Type: text/plain;
	charset="UTF-8"
Content-Transfer-Encoding: quoted-printable

Hi,
I think I missed it. When I clicked on the link you gave, I was asked to =
authorise the site to use a media player plug-in. I authorised and then =
I heard a Swedish rock band playing. I assumed it was the right station =
because it also was a live performance, but no Jon Hassell here.
I'll try later.
Cheers,
JPR
http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Per Boysen=20
  To: Loopers-Delight=20
  Sent: Wednesday, July 15, 2009 9:56 PM
  Subject: Eivind Aarset, Jon Hassell... soon on streaming link from =
live festival



  In an hour or two Hassell and Aarset's set with Marifa Street band
  will be streamed over this page:
  http://www.sr.se/webbradio

  Marifa will start playing in about half an hour from now. Right now
  they are streaming Lee Retenour. This festival will be going two more
  days and be wrapped up by sonny Rollins on friday. Schedule here (but
  they won't steream it all):
  http://www.stockholmjazz.com/en

  Greetings from Sweden

  Per Boysen
  www.boysen.se
  www.perboysen.com


------=_NextPart_000_0007_01CA05AB.F6068790
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	charset="UTF-8"
Content-Transfer-Encoding: quoted-printable

=EF=BB=BF<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Dutf-8" http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial></FONT><FONT size=3D2 =
face=3DArial>Hi,<BR>I think I=20
missed it. When I clicked on the link you gave, I was asked to authorise =
the=20
site to use a media player plug-in. I authorised and then I heard a =
Swedish rock=20
band playing. I assumed it was the right station because it also was a =
live=20
performance, but no Jon Hassell here.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I'll try =
later.<BR>Cheers,<BR>JPR</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dperboysen@gmail.com href=3D"mailto:perboysen@gmail.com">Per =
Boysen</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 15, 2009 =
9:56=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Eivind Aarset, Jon =
Hassell...=20
  soon on streaming link from live festival</DIV>
  <DIV><BR></DIV><BR>In an hour or two Hassell and Aarset's set with =
Marifa=20
  Street band<BR>will be streamed over this page:<BR><A=20
  =
href=3D"http://www.sr.se/webbradio">http://www.sr.se/webbradio</A><BR><BR=
>Marifa=20
  will start playing in about half an hour from now. Right now<BR>they =
are=20
  streaming Lee Retenour. This festival will be going two more<BR>days =
and be=20
  wrapped up by sonny Rollins on friday. Schedule here (but<BR>they =
won't=20
  steream it all):<BR><A=20
  =
href=3D"http://www.stockholmjazz.com/en">http://www.stockholmjazz.com/en<=
/A><BR><BR>Greetings=20
  from Sweden<BR><BR>Per Boysen<BR><A=20
  href=3D"http://www.boysen.se">www.boysen.se</A><BR><A=20
  =
href=3D"http://www.perboysen.com">www.perboysen.com</A><BR><BR></BLOCKQUO=
TE></BODY></HTML>

------=_NextPart_000_0007_01CA05AB.F6068790--



From yetta1982@inMail24.com  Wed Jul 15 22:31:24 2009
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Hello Gentleman,

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Subject: Re: Eivind Aarset, Jon Hassell... soon on streaming link from live 
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On Thu, Jul 16, 2009 at 12:25 AM, Jean Philippe<jp.rykiel@orange.fr> wrote:
> I think I missed it.

Don't worry, JPR. I'm recording it right now. Interested friends may
contact me for private sharing.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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	 <F41129673BD34AE38440A7528790B062@portable2jpr>
	 <66f9cc1e0907151533k78a2cbbegb916050e5bf0b91c@mail.gmail.com>
Date: Thu, 16 Jul 2009 01:40:03 +0200
Message-ID: <afb941d0907151640n3c230927h4463a4b606cf2e2@mail.gmail.com>
Subject: Re: Eivind Aarset, Jon Hassell... soon on streaming link from live 
	festival
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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on 17th, at your festival, the glorious marcus miller ... don't miss it!

2009/7/16, Per Boysen <perboysen@gmail.com>:
> On Thu, Jul 16, 2009 at 12:25 AM, Jean Philippe<jp.rykiel@orange.fr> wrote:
>> I think I missed it.
>
> Don't worry, JPR. I'm recording it right now. Interested friends may
> contact me for private sharing.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Date: Thu, 16 Jul 2009 01:46:50 +0200
Message-ID: <66f9cc1e0907151646t2b45417dy7806736de742859d@mail.gmail.com>
Subject: Re: aarset / hassell
From: Per Boysen <perboysen@gmail.com>
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Here's the download link page:
https://download.yousendit.com/dVlvT2pOUnFEa1VLSkE9PQ

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Jul 16, 2009 at 12:37 AM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> would love to get a copy when you have it recorded!
>
> many thanks!

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 23:53:18 2009
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	 <66f9cc1e0907151646t2b45417dy7806736de742859d@mail.gmail.com>
Date: Thu, 16 Jul 2009 01:53:17 +0200
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Subject: Re: aarset / hassell
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thanks!

2009/7/16, Per Boysen <perboysen@gmail.com>:
> Here's the download link page:
> https://download.yousendit.com/dVlvT2pOUnFEa1VLSkE9PQ
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Thu, Jul 16, 2009 at 12:37 AM, Simeon
> Harris<simeonharris40@googlemail.com> wrote:
>> would love to get a copy when you have it recorded!
>>
>> many thanks!
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 15 23:54:10 2009
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Date: Thu, 16 Jul 2009 01:54:09 +0200
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Subject: Re: aarset / hassell
From: Per Boysen <perboysen@gmail.com>
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Damn, this was a private mail that went to the list by mistake! I
intended to share this with Simeon and those few who asked. Anyway,
since the concert streaming link is already made accessible by public
service radio I guess I won't go to jail for illegal file sharing for
this typo ;-))

per


On Thu, Jul 16, 2009 at 1:46 AM, Per Boysen<perboysen@gmail.com> wrote:
> Here's the download link page:
> https://download.yousendit.com/dVlvT2pOUnFEa1VLSkE9PQ
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Thu, Jul 16, 2009 at 12:37 AM, Simeon
> Harris<simeonharris40@googlemail.com> wrote:
>> would love to get a copy when you have it recorded!
>>
>> many thanks!
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 00:45:07 2009
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Date: Thu, 16 Jul 2009 02:45:06 +0200
Message-ID: <afb941d0907151745x4987860dh8484d1dd7f6fe591@mail.gmail.com>
Subject: Re: aarset / hassell
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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.. sure, you're going to jail ... take those pictures when police
catch you!  ... :-)

2009/7/16, Per Boysen <perboysen@gmail.com>:
> Damn, this was a private mail that went to the list by mistake! I
> intended to share this with Simeon and those few who asked. Anyway,
> since the concert streaming link is already made accessible by public
> service radio I guess I won't go to jail for illegal file sharing for
> this typo ;-))
>
> per
>
>
> On Thu, Jul 16, 2009 at 1:46 AM, Per Boysen<perboysen@gmail.com> wrote:
>> Here's the download link page:
>> https://download.yousendit.com/dVlvT2pOUnFEa1VLSkE9PQ
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>>
>> On Thu, Jul 16, 2009 at 12:37 AM, Simeon
>> Harris<simeonharris40@googlemail.com> wrote:
>>> would love to get a copy when you have it recorded!
>>>
>>> many thanks!
>>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 00:55:13 2009
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Subject: Re: dual FX processors
Date: Wed, 15 Jul 2009 17:48:22 -0700
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On Jun 23, 2009, at 4:27 PM, L.Angulo wrote:

> is there a 19 rack dual FX proccesor in other words 2 different  
> effect proccesors in one,like having 2 different half rack ones to  
> use as a pre and post FX?
> cheers

I'm a little late to the party.  Check out the Fractal Audio Axe-FX.   
Crazy routing options.

---
King Never
free music @ music.kingnever.com

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	 <afb941d0907151745x4987860dh8484d1dd7f6fe591@mail.gmail.com>
Date: Wed, 15 Jul 2009 19:53:16 -0700
Message-ID: <588ce11d0907151953x35b69395h31ed96d1ac9eb40@mail.gmail.com>
Subject: Re: aarset / hassell
From: Art Simon <simart@gmail.com>
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Thanks Per!
I'm happy : )

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 02:54:48 2009
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References: <d302e3570907151537i76baa7aam6ba6f7717d71a260@mail.gmail.com> <66f9cc1e0907151646t2b45417dy7806736de742859d@mail.gmail.com> <66f9cc1e0907151654m644473b7w60734b1f485f8353@mail.gmail.com> <afb941d0907151745x4987860dh8484d1dd7f6fe591@mail.gmail.com> <588ce11d0907151953x35b69395h31ed96d1ac9eb40@mail.gmail.com>
Subject: Re: aarset / hassell
Date: Wed, 15 Jul 2009 22:54:47 -0400
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thanks Per, me too!!! :)

Jeff

----- Original Message ----- 
From: "Art Simon" <simart@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 15, 2009 10:53 PM
Subject: Re: aarset / hassell


> Thanks Per!
> I'm happy : )
> 
> -- 
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
> 
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 03:00:54 2009
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Date: Wed, 15 Jul 2009 20:00:49 -0700
From: Rick Walker <looppool@cruzio.com>
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Subject: Way OT     Stylaphones suddenly available dirt cheap at Urban Outfitters
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This is an odd one, but the Stylaphone (the electronic instrument that
allows one to play a metal keyboard with a metal stylus) which has 
heretofore
sold for $124-150 USD  is suddenly available at the clothing store called
Urban Outfitters in Santa Cruz for a mere $25.     This version even has
three different sounds,  a line out and a vibrato 
switch............pretty dang cool
and very loop friendly.

Urban Outfitters has suddenly started carrying creative little 
instruments that
are of surprisingly high caliber.

I have bought a really nice Melodica in a carrying case and a 
Glockenspiel in a carrying case (each
for $35) 
and also the programmable Toy Music Box that I"ve been so enamored with 
in my last two
tours of Europe (for $20)

All the instruments are concert pitched and I"m kind of blown away.

I'm not sure if Urban Outfitters is a West Coast company or not, but I"m 
sure they have a web presence
for folks in Europe, Asia, South America or the UK  (Istanbul too, Erdem!!!)

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 03:21:16 2009
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Subject: Re: Way OT     Stylaphones suddenly available dirt cheap at Urban Outfitters
Date: Wed, 15 Jul 2009 23:21:15 -0400
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Hey Rick, I couldn't find the Stylaphone at Urban Outfitters online but I 
did find it here if this is it. Only 2.50 pounds marked down. 
http://www.debenhams.com/webapp/wcs/stores/servlet/product_10001_10001_74665_697761_-1

the others I can find after a google search at other locations.

Jeff


----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 15, 2009 11:00 PM
Subject: Way OT Stylaphones suddenly available dirt cheap at Urban 
Outfitters


> This is an odd one, but the Stylaphone (the electronic instrument that
> allows one to play a metal keyboard with a metal stylus) which has 
> heretofore
> sold for $124-150 USD  is suddenly available at the clothing store called
> Urban Outfitters in Santa Cruz for a mere $25.     This version even has
> three different sounds,  a line out and a vibrato switch............pretty 
> dang cool
> and very loop friendly.
>
> Urban Outfitters has suddenly started carrying creative little instruments 
> that
> are of surprisingly high caliber.
>
> I have bought a really nice Melodica in a carrying case and a Glockenspiel 
> in a carrying case (each
> for $35) and also the programmable Toy Music Box that I"ve been so 
> enamored with in my last two
> tours of Europe (for $20)
>
> All the instruments are concert pitched and I"m kind of blown away.
>
> I'm not sure if Urban Outfitters is a West Coast company or not, but I"m 
> sure they have a web presence
> for folks in Europe, Asia, South America or the UK  (Istanbul too, 
> Erdem!!!)
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 03:48:02 2009
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Subject: Anyone want to trade their Gibson Echoplex Footswitch for a Behringer 
	FCB1010?
From: Timothy Miller <timmylmiller@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6435224db18cb046eca89d2
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Hey everyone,
For many months, I have tried getting my Behringer FCB1010 to work with my
Gibson EDP, but have not been successful at it. Even went as far as to
talking to Mark F. himself, and still no luck. So therefore, I have decided
to get rid of my Behringer FCB1010 for a Gibson Echoplex footswitch.
However, I can't find anyone on ebay these days, so I'm asking you, the
loopers community, if any of you would be interested in trading their Gibson
Echoplex footswitches for the FCB?

--0016e6435224db18cb046eca89d2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey everyone,<div><br></div><div>For many months, I have tried getting my B=
ehringer FCB1010 to work with my Gibson EDP, but have not been successful a=
t it. Even went as far as to talking to Mark F. himself, and still no luck.=
 So therefore, I have decided to get rid of my Behringer FCB1010 for a Gibs=
on Echoplex footswitch. However, I can&#39;t find anyone on ebay these days=
, so I&#39;m asking you, the loopers community, if any of you would be inte=
rested in trading their Gibson Echoplex footswitches for the FCB?</div>

--0016e6435224db18cb046eca89d2--

From bran_gary111@yahoo.com.hk  Thu Jul 16 06:26:01 2009
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Date: Thu, 16 Jul 2009 08:03:42 +0200 (CEST)
Subject: BUSINESS  PROPOSAL  !
From: "SGT  BRANDON  GARY" <bran_gary111@yahoo.com.hk>
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To: undisclosed-recipients:;

Hello friend,

 I hope my email meets you well. I am in need of your
 assistance. My name is Sgt Brandon Gary. I am in the Engineering military
unit  here in Ba'qubah in Iraq,we have some amount of funds that we want
to move out of the country.

 My partners and I need a good partner someone we can trust.It is oil
money and legal.Basically since we are working for the government we
cannot keep these funds, but we want to transfer and move the funds to
you,so that you can keep it for us in your safe account or an offshore
account But we are moving it through Diplomatic means, to send it to your
house directly or a bank of your choice using Diplomatic Courier
Service.The most important thing is that can we trust you? Once the funds
get to you.

 You take your 30% out and keep our own 70%. Your own part of this deal is
to find a safe place where the funds can be sent to. Our own part is
sending it to you.If you are interested i will furnish you with more
details.But the whole process is simple and we must keep a low profile at
all times.This business is risk free.

 Waiting for your urgent response via my private
 email:bran_gary@yahoo.com.hk

 Regards,

Sgt Brandon Gary

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 07:21:27 2009
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Subject: Re: Way OT Stylaphones suddenly available dirt cheap at Urban 
	Outfitters
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--000e0cd1e85c091275046ecd859c
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I would buy 4 right now.. only the Add to Basket isnt working for me!!!!

M

On Thu, Jul 16, 2009 at 5:21 AM, Jeff Duke <jeff_d@embarqmail.com> wrote:

> Hey Rick, I couldn't find the Stylaphone at Urban Outfitters online but I
> did find it here if this is it. Only 2.50 pounds marked down.
> http://www.debenhams.com/webapp/wcs/stores/servlet/product_10001_10001_74665_697761_-1
>
> the others I can find after a google search at other locations.
>
> Jeff
>
>
> ----- Original Message ----- From: "Rick Walker" <looppool@cruzio.com>
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, July 15, 2009 11:00 PM
> Subject: Way OT Stylaphones suddenly available dirt cheap at Urban
> Outfitters
>
>
>
>  This is an odd one, but the Stylaphone (the electronic instrument that
>> allows one to play a metal keyboard with a metal stylus) which has
>> heretofore
>> sold for $124-150 USD  is suddenly available at the clothing store called
>> Urban Outfitters in Santa Cruz for a mere $25.     This version even has
>> three different sounds,  a line out and a vibrato switch............pretty
>> dang cool
>> and very loop friendly.
>>
>> Urban Outfitters has suddenly started carrying creative little instruments
>> that
>> are of surprisingly high caliber.
>>
>> I have bought a really nice Melodica in a carrying case and a Glockenspiel
>> in a carrying case (each
>> for $35) and also the programmable Toy Music Box that I"ve been so
>> enamored with in my last two
>> tours of Europe (for $20)
>>
>> All the instruments are concert pitched and I"m kind of blown away.
>>
>> I'm not sure if Urban Outfitters is a West Coast company or not, but I"m
>> sure they have a web presence
>> for folks in Europe, Asia, South America or the UK  (Istanbul too,
>> Erdem!!!)
>>
>>
>>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000e0cd1e85c091275046ecd859c
Content-Type: text/html; charset=ISO-8859-1
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I would buy 4 right now.. only the Add to Basket isnt working for me!!!!<br=
><br>M<br><br><div class=3D"gmail_quote">On Thu, Jul 16, 2009 at 5:21 AM, J=
eff Duke <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">jef=
f_d@embarqmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hey Rick, I could=
n&#39;t find the Stylaphone at Urban Outfitters online but I did find it he=
re if this is it. Only 2.50 pounds marked down. <a href=3D"http://www.deben=
hams.com/webapp/wcs/stores/servlet/product_10001_10001_74665_697761_-1" tar=
get=3D"_blank">http://www.debenhams.com/webapp/wcs/stores/servlet/product_1=
0001_10001_74665_697761_-1</a><br>


<br>
the others I can find after a google search at other locations.<br>
<br>
Jeff<br>
<br>
<br>
----- Original Message ----- From: &quot;Rick Walker&quot; &lt;<a href=3D"m=
ailto:looppool@cruzio.com" target=3D"_blank">looppool@cruzio.com</a>&gt;<br=
>
To: &quot;LOOPERS DELIGHT (posting)&quot; &lt;<a href=3D"mailto:Loopers-Del=
ight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delight=
.com</a>&gt;<br>
Sent: Wednesday, July 15, 2009 11:00 PM<br>
Subject: Way OT Stylaphones suddenly available dirt cheap at Urban Outfitte=
rs<div><div></div><div class=3D"h5"><br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
This is an odd one, but the Stylaphone (the electronic instrument that<br>
allows one to play a metal keyboard with a metal stylus) which has heretofo=
re<br>
sold for $124-150 USD =A0is suddenly available at the clothing store called=
<br>
Urban Outfitters in Santa Cruz for a mere $25. =A0 =A0 This version even ha=
s<br>
three different sounds, =A0a line out and a vibrato switch............prett=
y dang cool<br>
and very loop friendly.<br>
<br>
Urban Outfitters has suddenly started carrying creative little instruments =
that<br>
are of surprisingly high caliber.<br>
<br>
I have bought a really nice Melodica in a carrying case and a Glockenspiel =
in a carrying case (each<br>
for $35) and also the programmable Toy Music Box that I&quot;ve been so ena=
mored with in my last two<br>
tours of Europe (for $20)<br>
<br>
All the instruments are concert pitched and I&quot;m kind of blown away.<br=
>
<br>
I&#39;m not sure if Urban Outfitters is a West Coast company or not, but I&=
quot;m sure they have a web presence<br>
for folks in Europe, Asia, South America or the UK =A0(Istanbul too, Erdem!=
!!)<br>
<br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0cd1e85c091275046ecd859c--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 07:27:14 2009
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From: "William Walker" <billwalker@baymoon.com>
To: "'Rainer Straschill'" <moinsound@googlemail.com>,
        <Loopers-Delight@loopers-delight.com>
References: <7334ca1b0907151319o33576caakebeb2a86c3e84e56@mail.gmail.com>
Subject: RE: hardware vs software - this time from a blind man's view (was "Re: two little guitar loops")
Date: Thu, 16 Jul 2009 00:27:09 -0700
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Rainer wrote:
"Another controller which comes to mind (even though it looks very Eighties
cheap SciFi) is the P5 dataglove: You have a total of eleven control
channels (x/y/z position of your hand, x/y/z axis rotation of your hand,
bending of each finger). And there's a software that maps this data to MIDI
messages. Might something like this work for you?" 

Wow that actually sounds really cool do you have a link for that Rainer?
 Bill

-----Original Message-----
From: Rainer Straschill [mailto:moinsound@googlemail.com] 
Sent: Wednesday, July 15, 2009 1:20 PM
To: loopers-delight@loopers-delight.com
Subject: hardware vs software - this time from a blind man's view (was "Re:
two little guitar loops")

Dear JPR,

yes, I know what you mean by "hardware". Actually, my second point
(the "computer without hardware") was targeted at that fact that, as
you continue to point out, the majority of hardware effects (at least
those most people here are interested in) are in fact embedded
computer systems, featuring some sort of software inside of it.

Now regarding your quest for an easy-to-use solution:

I will in fact stick a little bit with the computer-based approach,
simply because it's easier to customize a man machine interface here.

The most important thing for you seems to me (and I'm of course open
for any corrections to this statement) for you to have a man machine
interface which doesn't require visual feedback of any sort. This
means:
 1. any commands you issue must not be context-sensitive.
 2. any controllers you use must have good haptic feedback for you to
identify which controller command you're about to issue.
 3. any sort of information feedback from the computer (other than
what you hear in your music) must be haptic.

ad 1:
This affects both the structure of the software solution and of the
interface you're using. I'll try to give one example to see if that
makes sense to you:
in an earlier implementation of my computer-based looping setup (using
Mobius), I would select tracks by linking the "previous track" and
"next track" commands to a footswitch each. When I changed my approach
insofar as to look at the screen less, this did no longer work:
earlier, if I wanted to switch to, say, track 1, I had a look at the
screen, and if track 3 was selected, I would simply press "previous
track" twice. The changed approach:
I added a BCR2000 faderbox which has a row of buttons with eight
buttons. Now I simply hit the leftmost button in that row to go to
track 1. This is no longer context-sensitive: pressing that button
will always bring me to track 1.

ad 2:
this of course kicks out beautiful solutions like the lemur
jazzmutant, and may also make options like the Akai APC40 with its
huge number of buttons somewhat cumbersome. Also, foot controllers
might be a problem (are they?). Now my question: how about something
with motorized faders? Or something like an Akai MPD24 (4x4 Pad
matrix, six faders above it, and two rows of four endless rotary knobs
each beneath it). Would that work for you?

Another controller which comes to mind (even though it looks very
Eighties cheap SciFi) is the P5 dataglove: You have a total of eleven
control channels (x/y/z position of your hand, x/y/z axis rotation of
your hand, bending of each finger). And there's a software that maps
this data to MIDI messages. Might something like this work for you?

ad 3:
again: would motorized faders work?

Again, this is just meant as a collection of thoughts tossed out - not
a solution which works for you.

Best,

             Rainer

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 07:33:27 2009
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Date: Thu, 16 Jul 2009 09:35:39 +0200
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Subject: Re: aarset / hassell
References: <d302e3570907151537i76baa7aam6ba6f7717d71a260@mail.gmail.com> <66f9cc1e0907151646t2b45417dy7806736de742859d@mail.gmail.com>
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Thank you Per! Jon Hassel is always been one of my miths! <br>
Max Liver<br>
<br>
Per Boysen ha scritto:
<blockquote
 cite="mid:66f9cc1e0907151646t2b45417dy7806736de742859d@mail.gmail.com"
 type="cite">
  <pre wrap="">Here's the download link page:
<a class="moz-txt-link-freetext" href="https://download.yousendit.com/dVlvT2pOUnFEa1VLSkE9PQ">https://download.yousendit.com/dVlvT2pOUnFEa1VLSkE9PQ</a>

Greetings from Sweden

Per Boysen
<a class="moz-txt-link-abbreviated" href="http://www.boysen.se">www.boysen.se</a>
<a class="moz-txt-link-abbreviated" href="http://www.perboysen.com">www.perboysen.com</a>



On Thu, Jul 16, 2009 at 12:37 AM, Simeon
Harris<a class="moz-txt-link-rfc2396E" href="mailto:simeonharris40@googlemail.com">&lt;simeonharris40@googlemail.com&gt;</a> wrote:
  </pre>
  <blockquote type="cite">
    <pre wrap="">would love to get a copy when you have it recorded!

many thanks!
    </pre>
  </blockquote>
  <pre wrap=""><!---->

  </pre>
</blockquote>
<br>
<br>
<div class="moz-signature">-- <br>
<img src="cid:part1.00090409.01040204@het.it" border="0"></div>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 08:08:13 2009
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Subject: AW: Way OT     Stylaphones suddenly available dirt cheap at Urban Outfitters
Date: Thu, 16 Jul 2009 10:08:08 +0200
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hey rick, what a nice hint. i just checked some sites and found another
source for europe (germany in this case):
http://www.monsterzeug.de/Stylophone.html

its 19.95 eur here...

-----Urspr=FCngliche Nachricht-----
Von: Rick Walker [mailto:looppool@cruzio.com]=20
Gesendet: Donnerstag, 16. Juli 2009 05:01
An: LOOPERS DELIGHT (posting)
Betreff: Way OT Stylaphones suddenly available dirt cheap at Urban
Outfitters


I'm not sure if Urban Outfitters is a West Coast company or not, but I"m =

sure they have a web presence
for folks in Europe, Asia, South America or the UK  (Istanbul too, =
Erdem!!!)

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Subject: AW: Way OT     Stylaphones suddenly available dirt cheap at Urban Outfitters
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just found, that they can not deliver at the moment... :-(

-----Urspr=FCngliche Nachricht-----
Von: franticworld [mailto:info@franticworld.de]=20
Gesendet: Donnerstag, 16. Juli 2009 10:08
An: Loopers-Delight@loopers-delight.com
Betreff: AW: Way OT Stylaphones suddenly available dirt cheap at Urban
Outfitters

hey rick, what a nice hint. i just checked some sites and found another
source for europe (germany in this case):
http://www.monsterzeug.de/Stylophone.html

its 19.95 eur here...


From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 08:17:45 2009
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This is a multi-part message in MIME format.
--------------090108080204050104010509
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: 8bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=UTF-8" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Oh Per,if you willÂ  go jail...we'll bring you oranges! <span
 class="moz-smiley-s3"><span> ;-) </span></span><br>
so... this mistake gave me the occasion to listen to the <br>
fantasticÂ  performance of Jon! the only word to define it.<br>
<br>
Max Liver<br>
<br>
Per Boysen ha scritto:
<blockquote
 cite="mid:66f9cc1e0907151654m644473b7w60734b1f485f8353@mail.gmail.com"
 type="cite">
  <pre wrap="">Damn, this was a private mail that went to the list by mistake! I
intended to share this with Simeon and those few who asked. Anyway,
since the concert streaming link is already made accessible by public
service radio I guess I won't go to jail for illegal file sharing for
this typo ;-))

per


On Thu, Jul 16, 2009 at 1:46 AM, Per Boysen<a class="moz-txt-link-rfc2396E" href="mailto:perboysen@gmail.com">&lt;perboysen@gmail.com&gt;</a> wrote:
  </pre>
  <blockquote type="cite">
    <pre wrap="">Here's the download link page:
<a class="moz-txt-link-freetext" href="https://download.yousendit.com/dVlvT2pOUnFEa1VLSkE9PQ">https://download.yousendit.com/dVlvT2pOUnFEa1VLSkE9PQ</a>

Greetings from Sweden

Per Boysen
<a class="moz-txt-link-abbreviated" href="http://www.boysen.se">www.boysen.se</a>
<a class="moz-txt-link-abbreviated" href="http://www.perboysen.com">www.perboysen.com</a>



On Thu, Jul 16, 2009 at 12:37 AM, Simeon
Harris<a class="moz-txt-link-rfc2396E" href="mailto:simeonharris40@googlemail.com">&lt;simeonharris40@googlemail.com&gt;</a> wrote:
    </pre>
    <blockquote type="cite">
      <pre wrap="">would love to get a copy when you have it recorded!

many thanks!
      </pre>
    </blockquote>
  </blockquote>
  <pre wrap=""><!---->

  </pre>
</blockquote>
<br>
<br>
<div class="moz-signature">-- <br>
<img src="cid:part1.02050507.02000501@het.it" border="0"></div>
</body>
</html>

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Subject: AW: Way OT     Stylaphones suddenly available dirt cheap at Urban Outfitters
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but amazon has it too:
http://www.amazon.de/%1A%1A%1A%1A%1A%1A%1A-Stylophone-Musik-Synthesizer-K=
eyb
oard/dp/B001IT0SD6/ref=3Dsr_1_1?ie=3DUTF8&s=3Dce-de&qid=3D1247739160&sr=3D=
8-1



-----Urspr=FCngliche Nachricht-----
Von: franticworld [mailto:info@franticworld.de]=20
Gesendet: Donnerstag, 16. Juli 2009 10:09
An: Loopers-Delight@loopers-delight.com
Betreff: AW: Way OT Stylaphones suddenly available dirt cheap at Urban
Outfitters

just found, that they can not deliver at the moment... :-(

-----Urspr=FCngliche Nachricht-----
Von: franticworld [mailto:info@franticworld.de]=20
Gesendet: Donnerstag, 16. Juli 2009 10:08
An: Loopers-Delight@loopers-delight.com
Betreff: AW: Way OT Stylaphones suddenly available dirt cheap at Urban
Outfitters

hey rick, what a nice hint. i just checked some sites and found another
source for europe (germany in this case):
http://www.monsterzeug.de/Stylophone.html

its 19.95 eur here...


From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 10:28:35 2009
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Subject: Re: AW: Way OT     Stylaphones suddenly available dirt cheap at Urban
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Yes but it seems they can't deliver i in Italy! sigh! <span
 class="moz-smiley-s15"><span> :'( </span></span><br>
<br>
Max Liver<br>
<br>
franticworld ha scritto:
<blockquote cite="mid:059116BFB1344CE9929D940FF6456D5D@xppro"
 type="cite">
  <pre wrap="">but amazon has it too:
<a class="moz-txt-link-freetext" href="http://www.amazon.de/%1A%1A%1A%1A%1A%1A%1A-Stylophone-Musik-Synthesizer-Keyb">http://www.amazon.de/%1A%1A%1A%1A%1A%1A%1A-Stylophone-Musik-Synthesizer-Keyb</a>
oard/dp/B001IT0SD6/ref=sr_1_1?ie=UTF8&amp;s=ce-de&amp;qid=1247739160&amp;sr=8-1



-----Urspr&uuml;ngliche Nachricht-----
Von: franticworld [<a class="moz-txt-link-freetext" href="mailto:info@franticworld.de">mailto:info@franticworld.de</a>] 
Gesendet: Donnerstag, 16. Juli 2009 10:09
An: <a class="moz-txt-link-abbreviated" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
Betreff: AW: Way OT Stylaphones suddenly available dirt cheap at Urban
Outfitters

just found, that they can not deliver at the moment... :-(

-----Urspr&uuml;ngliche Nachricht-----
Von: franticworld [<a class="moz-txt-link-freetext" href="mailto:info@franticworld.de">mailto:info@franticworld.de</a>] 
Gesendet: Donnerstag, 16. Juli 2009 10:08
An: <a class="moz-txt-link-abbreviated" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
Betreff: AW: Way OT Stylaphones suddenly available dirt cheap at Urban
Outfitters

hey rick, what a nice hint. i just checked some sites and found another
source for europe (germany in this case):
<a class="moz-txt-link-freetext" href="http://www.monsterzeug.de/Stylophone.html">http://www.monsterzeug.de/Stylophone.html</a>

its 19.95 eur here...



  </pre>
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Date: Thu, 16 Jul 2009 20:53:00 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: AW: Way OT: Stylaphones suddenly available dirt cheap at
 Urban Outfitters
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ThinkGeek to the rescue!

http://www.thinkgeek.com/electronics/musical-instruments/aa64/

They also deliver internationally.  We've grabbed=20
loot and had it delivered here to Japan, no=20
problemo.

	-- m.


At 12:30 PM +0200 7/16/09, Massimo Liverani wrote:
>Yes but it seems they can't deliver i in Italy! sigh! :'(
>
>Max Liver
>
>franticworld ha scritto:
>
>>but amazon has it too:
>><http://www.amazon.de/%1A%1A%1A%1A%1A%1A%1A-Stylophone-Musik-Synthesizer-K=
eyb>http://www.amazon.de/%1A%1A%1A%1A%1A%1A%1A-Stylophone-Musik-Synthesizer-=
Keyb
>>oard/dp/B001IT0SD6/ref=3Dsr_1_1?ie=3DUTF8&s=3Dce-de&qid=3D1247739160&sr=3D=
8-1
>>
>>
>>
>>-----Urspr=FCngliche Nachricht-----
>>Von: franticworld [<mailto:info@franticworld.de>mailto:info@franticworld.d=
e]
>>Gesendet: Donnerstag, 16. Juli 2009 10:09
>>An:=20
>><mailto:Loopers-Delight@loopers-delight.com>Loopers-Delight@loopers-deligh=
t.com
>>Betreff: AW: Way OT Stylaphones suddenly available dirt cheap at Urban
>>Outfitters
>>
>>just found, that they can not deliver at the moment... :-(
>>
>>-----Urspr=FCngliche Nachricht-----
>>Von: franticworld [<mailto:info@franticworld.de>mailto:info@franticworld.d=
e]
>>Gesendet: Donnerstag, 16. Juli 2009 10:08
>>An:=20
>><mailto:Loopers-Delight@loopers-delight.com>Loopers-Delight@loopers-deligh=
t.com
>>Betreff: AW: Way OT Stylaphones suddenly available dirt cheap at Urban
>>Outfitters
>>
>>hey rick, what a nice hint. i just checked some sites and found another
>>source for europe (germany in this case):
>><http://www.monsterzeug.de/Stylophone.html>http://www.monsterzeug.de/Stylo=
phone.html
>>
>>its 19.95 eur here...

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Date: Thu, 16 Jul 2009 14:00:12 +0200
Message-ID: <66f9cc1e0907160500r25219789xa17361056b1b90b7@mail.gmail.com>
Subject: Re: no idea what this does, but....
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Well, as I understand that description it does two things: First, it
seems to do what the Chord Memorizer in Logic does, add MIDI notes
according to a set key in order to create "intelligent chord shifting"
from incoming MIDI notes. Second, it does four part chords out of a
monophonic audi input. It is not clear if this audio function is
"intelligent" or not.

I remember I once downloaded it to check out and then deleted it.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Jul 16, 2009 at 10:21 AM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> i thought you might possibly be interested...
>
> http://www.apple.com/downloads/macosx/audio/ewivoicing.html
>
> the description makes no sense to me (bad translation), but i saw the word
> "EWI" and thought of you

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 12:24:50 2009
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Date: Thu, 16 Jul 2009 14:27:03 +0200
From: Massimo Liverani <liverani@het.it>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: Way OT: Stylaphones suddenly available dirt cheap at Urban
 Outfitters
References: <4A5E97E1.9030905@cruzio.com> <43DEFAD297AC45C38CF02DBD218869F5@xppro> <D2C8F06395AB4729A09AD5AB62D14F53@xppro> <059116BFB1344CE9929D940FF6456D5D@xppro> <4A5F0157.4000200@het.it> <p06240804c684c44237a5@[10.0.1.4]>
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Yess but...28 $ of deliver! for me is too much! <br>
I wait... <br>
<br>
Max Liver<br>
<br>
Mech ha scritto:
<blockquote cite="mid:p06240804c684c44237a5@%5B10.0.1.4%5D" type="cite">ThinkGeek
to the rescue!
  <br>
  <br>
<a class="moz-txt-link-freetext" href="http://www.thinkgeek.com/electronics/musical-instruments/aa64/">http://www.thinkgeek.com/electronics/musical-instruments/aa64/</a>
  <br>
  <br>
They also deliver internationally.&nbsp; We've grabbed loot and had it
delivered here to Japan, no problemo.
  <br>
  <br>
&nbsp;&nbsp;&nbsp;&nbsp;-- m.
  <br>
  <br>
  <br>
At 12:30 PM +0200 7/16/09, Massimo Liverani wrote:
  <br>
  <blockquote type="cite">Yes but it seems they can't deliver i in
Italy! sigh! :'(
    <br>
    <br>
Max Liver
    <br>
    <br>
franticworld ha scritto:
    <br>
    <br>
    <blockquote type="cite">but amazon has it too:
      <br>
<a class="moz-txt-link-rfc2396E" href="http://www.amazon.de/%1A%1A%1A%1A%1A%1A%1A-Stylophone-Musik-Synthesizer-Keyb">&lt;http://www.amazon.de/%1A%1A%1A%1A%1A%1A%1A-Stylophone-Musik-Synthesizer-Keyb&gt;</a><a class="moz-txt-link-freetext" href="http://www.amazon.de/%1A%1A%1A%1A%1A%1A%1A-Stylophone-Musik-Synthesizer-Keyb">http://www.amazon.de/%1A%1A%1A%1A%1A%1A%1A-Stylophone-Musik-Synthesizer-Keyb</a>
      <br>
oard/dp/B001IT0SD6/ref=sr_1_1?ie=UTF8&amp;s=ce-de&amp;qid=1247739160&amp;sr=8-1
      <br>
      <br>
      <br>
      <br>
-----Urspr&uuml;ngliche Nachricht-----
      <br>
Von: franticworld
[<a class="moz-txt-link-rfc2396E" href="mailto:info@franticworld.de">&lt;mailto:info@franticworld.de&gt;</a><a class="moz-txt-link-freetext" href="mailto:info@franticworld.de">mailto:info@franticworld.de</a>]
      <br>
Gesendet: Donnerstag, 16. Juli 2009 10:09
      <br>
An:
<a class="moz-txt-link-rfc2396E" href="mailto:Loopers-Delight@loopers-delight.com">&lt;mailto:Loopers-Delight@loopers-delight.com&gt;</a><a class="moz-txt-link-abbreviated" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
      <br>
Betreff: AW: Way OT Stylaphones suddenly available dirt cheap at Urban
      <br>
Outfitters
      <br>
      <br>
just found, that they can not deliver at the moment... :-(
      <br>
      <br>
-----Urspr&uuml;ngliche Nachricht-----
      <br>
Von: franticworld
[<a class="moz-txt-link-rfc2396E" href="mailto:info@franticworld.de">&lt;mailto:info@franticworld.de&gt;</a><a class="moz-txt-link-freetext" href="mailto:info@franticworld.de">mailto:info@franticworld.de</a>]
      <br>
Gesendet: Donnerstag, 16. Juli 2009 10:08
      <br>
An:
<a class="moz-txt-link-rfc2396E" href="mailto:Loopers-Delight@loopers-delight.com">&lt;mailto:Loopers-Delight@loopers-delight.com&gt;</a><a class="moz-txt-link-abbreviated" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>
      <br>
Betreff: AW: Way OT Stylaphones suddenly available dirt cheap at Urban
      <br>
Outfitters
      <br>
      <br>
hey rick, what a nice hint. i just checked some sites and found another
      <br>
source for europe (germany in this case):
      <br>
<a class="moz-txt-link-rfc2396E" href="http://www.monsterzeug.de/Stylophone.html">&lt;http://www.monsterzeug.de/Stylophone.html&gt;</a><a class="moz-txt-link-freetext" href="http://www.monsterzeug.de/Stylophone.html">http://www.monsterzeug.de/Stylophone.html</a>
      <br>
      <br>
its 19.95 eur here...
      <br>
    </blockquote>
  </blockquote>
  <br>
  <br>
</blockquote>
<br>
<br>
<div class="moz-signature">-- <br>
<img src="cid:part1.08020907.03080403@het.it" border="0"></div>
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--------------020802050202000608050403--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 12:58:42 2009
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Subject: Re: Bidule midi question
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In addition to Per's post, I'd add.

There's a "bidule" called "Midi to Value" which can convert 
from Midi note to an audio control.
It has smoothing too... I guess you'll need that.

I'd take the output from that and either link parameters to a Gain control,
or more likely use Building Block>>Maths>>Function and enter "x*y"
in order to control level of the synth.


There's also a "midi note remapper".
...and as "Midi Note Filter".

So with those 2 you can decide what range of notes are used
to control the volume.


Probably I'd make a Bidule Group with one Midi input and 
the relevant number of audio ins and outs.
Then all the wiring is hidden, giving a simple component 
that performs the function you want.

good luck,

andy



Steve Bingham wrote:
> Do any Bidule users out there know how I can do the following, as I'm 
> pretty new to the program:
> 
> I have two midi inputs coming into Bidule from external sources, on two 
> different midi channels. One is connected up to a synth module 
> (Absynth). I would like to use a range of note on values from the other 
> input to control the volume in Absynth.
> 
> Any ideas welcome!!
> 
> Thanks,
> Steve
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 15:51:20 2009
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Subject: RE: hardware vs software - this time from a blind man's view
From: Rainer Straschill <moinsound@googlemail.com>
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About the P5 data glove, Bill had this to say:
"Wow that actually sounds really cool do you have a link for that Rainer?"

This seems to be something like the manufacturer's site:
http://www.vrealities.com/P5.html

Some years ago, I got one at a kind of blowout sale for some $16,
including some computer games which can be controlled with it.
I have to admit that although it would be utterly cool to control
modular synths especially (and also effects with some self-done UI), I
haven't done too much in that direction.

The fun starts here:
http://www.simulus.org/p5glove/

A site which offers (or links to) several drivers and applications
which generate MIDI data, interface with Reaktor etc.

Incidentially, just the other day a friend (who's also on this list
btw) sent me a link to a package which interfaces this glove to PD
under Linux:
http://www.noisybox.net/computers/p5glove/

Now, for some eye/earcandy: you may simply search youtube etc
yourself, but here's some funny stuff:

http://www.youtube.com/watch?v=XHLFEOl9hNU&feature=PlayList&p=C5863259B3188D31&index=27
The Nord Modular G2X obviously lends itself to the idea of using it
with that interface.

http://www.youtube.com/watch?v=uleNZXNACJM
For some ambient, virtual reality kind of use

Gee, I've got to dig mine out again...

As a sidenote, this is an USB device - which needs you need a computer
to use it with a hardware synth/effect, and you need a driver for your
OS.

Best,

              Rainer

From shelllottery_2009@libero.it  Thu Jul 16 15:51:50 2009
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To: undisclosed-recipients:;

You have been declared the winner of ( =80350.000 Euros Only).For 
further information please

contact us below:

Dr Ellen R.Gomez,
Managing Director .
Shell Petroleum  Company Spain.
shellpetroleumcompany@europe.com
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 16:09:23 2009
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Date: Thu, 16 Jul 2009 09:03:49 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: AW: Way OT: Stylaphones suddenly available dirt cheap at Urban Outfitters
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--0-1526305349-1247760229=:62341
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Ground Control to Major Tom!=0A=0AIt is available on urban outfitters onlin=
e under the name stylophone, but this is a much better price!=0A=0Athanks!=
=0A=0A=0A=0A=0A________________________________=0AFrom: Mech <mech@m3ch.net=
>=0ATo: Loopers-Delight@loopers-delight.com=0ASent: Thursday, July 16, 2009=
 7:53:00 AM=0ASubject: Re: AW: Way OT: Stylaphones suddenly available dirt =
cheap at Urban Outfitters=0A=0AThinkGeek to the rescue!=0A=0Ahttp://www.thi=
nkgeek.com/electronics/musical-instruments/aa64/=0A=0AThey also deliver int=
ernationally.=A0 We've grabbed =0Aloot and had it delivered here to Japan, =
no =0Aproblemo.=0A=0A=A0=A0=A0 -- m.=0A=0A=0AAt 12:30 PM +0200 7/16/09, Mas=
simo Liverani wrote:=0A>Yes but it seems they can't deliver i in Italy! sig=
h! :'(=0A>=0A>Max Liver=0A>=0A>franticworld ha scritto:=0A>=0A>>but amazon =
has it too:=0A>><http://www.amazon.de/%1A%1A%1A%1A%1A%1A%1A-Stylophone-Musi=
k-Synthesizer-Keyb>http://www.amazon.de/%1A%1A%1A%1A%1A%1A%1A-Stylophone-Mu=
sik-Synthesizer-Keyb=0A>>oard/dp/B001IT0SD6/ref=3Dsr_1_1?ie=3DUTF8&s=3Dce-d=
e&qid=3D1247739160&sr=3D8-1=0A>>=0A>>=0A>>=0A>>-----Urspr=FCngliche Nachric=
ht-----=0A>>Von: franticworld [<mailto:info@franticworld.de>mailto:info@fra=
nticworld.de]=0A>>Gesendet: Donnerstag, 16. Juli 2009 10:09=0A>>An: =0A>><m=
ailto:Loopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delight.c=
om=0A>>Betreff: AW: Way OT Stylaphones suddenly available dirt cheap at Urb=
an=0A>>Outfitters=0A>>=0A>>just found, that they can not deliver at the mom=
ent... :-(=0A>>=0A>>-----Urspr=FCngliche Nachricht-----=0A>>Von: franticwor=
ld [<mailto:info@franticworld.de>mailto:info@franticworld.de]=0A>>Gesendet:=
 Donnerstag, 16. Juli 2009 10:08=0A>>An: =0A>><mailto:Loopers-Delight@loope=
rs-delight.com>Loopers-Delight@loopers-delight.com=0A>>Betreff: AW: Way OT =
Stylaphones suddenly available dirt cheap at Urban=0A>>Outfitters=0A>>=0A>>=
hey rick, what a nice hint. i just checked some sites and found another=0A>=
>source for europe (germany in this case):=0A>><http://www.monsterzeug.de/S=
tylophone.html>http://www.monsterzeug.de/Stylophone.html=0A>>=0A>>its 19.95=
 eur here...=0A=0A=0A      
--0-1526305349-1247760229=:62341
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>Ground Control to Major Tom!</DIV>=0A<DIV>&nbsp;</DIV>=
=0A<DIV>It is available on urban outfitters online under the name stylophon=
e, but this is a much better price!</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>thanks=
!<BR></DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, =
new york, times, serif"><BR>=0A<DIV style=3D"FONT-SIZE: 13px; FONT-FAMILY: =
arial, helvetica, sans-serif"><FONT face=3DTahoma size=3D2>=0A<HR SIZE=3D1>=
=0A<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Mech &lt;mech@m3ch=
..net&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Del=
ight@loopers-delight.com<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPA=
N></B> Thursday, July 16, 2009 7:53:00 AM<BR><B><SPAN style=3D"FONT-WEIGHT:=
 bold">Subject:</SPAN></B> Re: AW: Way OT: Stylaphones suddenly available d=
irt cheap at Urban Outfitters<BR></FONT><BR>ThinkGeek to the rescue!<BR><BR=
>http://www.thinkgeek.com/electronics/musical-instruments/aa64/<BR><BR>They=
 also deliver internationally.&nbsp; We've grabbed <BR>loot and had it deli=
vered here to Japan, no <BR>problemo.<BR><BR>&nbsp;&nbsp;&nbsp; -- m.<BR><B=
R><BR>At 12:30 PM +0200 7/16/09, Massimo Liverani wrote:<BR>&gt;Yes but it =
seems they can't deliver i in Italy! sigh! :'(<BR>&gt;<BR>&gt;Max Liver<BR>=
&gt;<BR>&gt;franticworld ha scritto:<BR>&gt;<BR>&gt;&gt;but amazon has it
 too:<BR>&gt;&gt;&lt;http://www.amazon.de/%1A%1A%1A%1A%1A%1A%1A-Stylophone-=
Musik-Synthesizer-Keyb&gt;<A href=3D"http://www.amazon.de/%1A%1A%1A%1A%1A%1=
A%1A-Stylophone-Musik-Synthesizer-Keyb" target=3D_blank>http://www.amazon.d=
e/%1A%1A%1A%1A%1A%1A%1A-Stylophone-Musik-Synthesizer-Keyb</A><BR>&gt;&gt;oa=
rd/dp/B001IT0SD6/ref=3Dsr_1_1?ie=3DUTF8&amp;s=3Dce-de&amp;qid=3D1247739160&=
amp;sr=3D8-1<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;&gt;-----Urspr=FCng=
liche Nachricht-----<BR>&gt;&gt;Von: franticworld [&lt;mailto:<A href=3D"ma=
ilto:info@franticworld.de" ymailto=3D"mailto:info@franticworld.de">info@fra=
nticworld.de</A>&gt;mailto:<A href=3D"mailto:info@franticworld.de" ymailto=
=3D"mailto:info@franticworld.de">info@franticworld.de</A>]<BR>&gt;&gt;Gesen=
det: Donnerstag, 16. Juli 2009 10:09<BR>&gt;&gt;An: <BR>&gt;&gt;&lt;mailto:=
<A href=3D"mailto:Loopers-Delight@loopers-delight.com" ymailto=3D"mailto:Lo=
opers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A>&=
gt;<A
 href=3D"mailto:Loopers-Delight@loopers-delight.com" ymailto=3D"mailto:Loop=
ers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><BR=
>&gt;&gt;Betreff: AW: Way OT Stylaphones suddenly available dirt cheap at U=
rban<BR>&gt;&gt;Outfitters<BR>&gt;&gt;<BR>&gt;&gt;just found, that they can=
 not deliver at the moment... :-(<BR>&gt;&gt;<BR>&gt;&gt;-----Urspr=FCnglic=
he Nachricht-----<BR>&gt;&gt;Von: franticworld [&lt;mailto:<A href=3D"mailt=
o:info@franticworld.de" ymailto=3D"mailto:info@franticworld.de">info@franti=
cworld.de</A>&gt;mailto:<A href=3D"mailto:info@franticworld.de" ymailto=3D"=
mailto:info@franticworld.de">info@franticworld.de</A>]<BR>&gt;&gt;Gesendet:=
 Donnerstag, 16. Juli 2009 10:08<BR>&gt;&gt;An: <BR>&gt;&gt;&lt;mailto:<A h=
ref=3D"mailto:Loopers-Delight@loopers-delight.com" ymailto=3D"mailto:Looper=
s-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A>&gt;<=
A href=3D"mailto:Loopers-Delight@loopers-delight.com"
 ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loo=
pers-delight.com</A><BR>&gt;&gt;Betreff: AW: Way OT Stylaphones suddenly av=
ailable dirt cheap at Urban<BR>&gt;&gt;Outfitters<BR>&gt;&gt;<BR>&gt;&gt;he=
y rick, what a nice hint. i just checked some sites and found another<BR>&g=
t;&gt;source for europe (germany in this case):<BR>&gt;&gt;&lt;http://www.m=
onsterzeug.de/Stylophone.html&gt;<A href=3D"http://www.monsterzeug.de/Stylo=
phone.html" target=3D_blank>http://www.monsterzeug.de/Stylophone.html</A><B=
R>&gt;&gt;<BR>&gt;&gt;its 19.95 eur here...<BR><BR></DIV></DIV></div><br>=
=0A=0A      </body></html>
--0-1526305349-1247760229=:62341--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 18:41:54 2009
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Date: Thu, 16 Jul 2009 11:41:52 -0700
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Subject: Re: hardware vs software - this time from a blind man's view
From: Mark Sottilaro <zerocrossing@gmail.com>
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I've got one of these.  I swear by it.  If you saw me in my studio,
all alone except for my cat, with this thing on and Reaktor 5's
Spacedrone instrument being controlled by it... you'd probably laugh
almost as hard as I eventually did.

However, as for direct and precise control of a DAW?  I wouldn't
recommend it.  Probably why it died at a game controller.  Too
squirrley. I've seen cool things done with a Wii Remote (call it a
Wiimote and Nintendo will FAIL your game up for cert) but again, high
on fun, low on precision.

I know the OP voiced concern about the tri color lights of the APC40
that depict the idle/play/record states of a clip in Live, but I
wonder if that would be something easy to disable.  Painted over?
Have someone good with electronics replace the lights with resistors?
I wonder if there's a type of diode that could vibrate slightly to
indicate it's state.  I'll ask my friend who designs electronic
devices if he knows of something.  I'm sure there's a solution.

The world is full of electromagnetic radiation that's out of the
visual range for people with site.  I'm surrounded by devices that
pour it out all over the place.  It's also full of things that use
lights as indicators.  It's the nature of our reality.

I'm not trying to be disrespectful or flip.  It's just that Ableton
and Akai spent a bunch of time making a dedicated controller for their
software and we're talking about using a P5 data glove instead?  It's
just silly.  Get the APC40, have the lights removed if they frighten
you and spent time having fun making music.

On Thu, Jul 16, 2009 at 8:51 AM, Rainer
Straschill<moinsound@googlemail.com> wrote:
> About the P5 data glove, Bill had this to say:
> "Wow that actually sounds really cool do you have a link for that Rainer?=
"
>
> This seems to be something like the manufacturer's site:
> http://www.vrealities.com/P5.html
>
> Some years ago, I got one at a kind of blowout sale for some $16,
> including some computer games which can be controlled with it.
> I have to admit that although it would be utterly cool to control
> modular synths especially (and also effects with some self-done UI), I
> haven't done too much in that direction.
>
> The fun starts here:
> http://www.simulus.org/p5glove/
>
> A site which offers (or links to) several drivers and applications
> which generate MIDI data, interface with Reaktor etc.
>
> Incidentially, just the other day a friend (who's also on this list
> btw) sent me a link to a package which interfaces this glove to PD
> under Linux:
> http://www.noisybox.net/computers/p5glove/
>
> Now, for some eye/earcandy: you may simply search youtube etc
> yourself, but here's some funny stuff:
>
> http://www.youtube.com/watch?v=3DXHLFEOl9hNU&feature=3DPlayList&p=3DC5863=
259B3188D31&index=3D27
> The Nord Modular G2X obviously lends itself to the idea of using it
> with that interface.
>
> http://www.youtube.com/watch?v=3DuleNZXNACJM
> For some ambient, virtual reality kind of use
>
> Gee, I've got to dig mine out again...
>
> As a sidenote, this is an USB device - which needs you need a computer
> to use it with a hardware synth/effect, and you need a driver for your
> OS.
>
> Best,
>
> =A0 =A0 =A0 =A0 =A0 =A0 =A0Rainer
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 19:02:51 2009
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	 <D6C33712D8A94FA7809BE5E98CE4AC3A@williamsteed>
Date: Thu, 16 Jul 2009 12:02:51 -0700
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Subject: Re: hardware vs software - this time from a blind man's view (was 
	"Re: two little guitar loops")
From: Mark Sottilaro <zerocrossing@gmail.com>
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A response from my friend:

Yes it can be done. I don't know if it's a tri-color LED you speak of
or 3 separate LEDs. Doesn't matter too much really. You would probably
want to pick off the LED outs and buffer them though because an LED
generally draws about 20ma and some motors(to vibrate) will draw more
than that and also you want  to be careful because when the motor
starts up it creates a back voltage as a spike so that has to be
rectified.
The problem is you'd need the device to modify it. There are also a
million ways you could have it do something else besides LEDs.
If he wants a Pro mod,I'd be into it,but if he just wants something
slapped together,I wouldn't do it.
Addendum: oh wait,I looked at the device;that's a shit load of LEDs.
Why not a braille device interfaced? I wonder if those individual
buttons can be found in a midi command hidden somewhere. That would
make it easier.

If you want, I can forward your email to him and if you're up for a
custom job he'd be the man who could make it happen.  He made a mod
for me that used the light from a Repeater's tempo indicator to send
tap information to a Lexicon Vortex.  He's quite handy.

On Thu, Jul 16, 2009 at 12:27 AM, William Walker<billwalker@baymoon.com> wr=
ote:
> Rainer wrote:
> "Another controller which comes to mind (even though it looks very Eighti=
es
> cheap SciFi) is the P5 dataglove: You have a total of eleven control
> channels (x/y/z position of your hand, x/y/z axis rotation of your hand,
> bending of each finger). And there's a software that maps this data to MI=
DI
> messages. Might something like this work for you?"
>
> Wow that actually sounds really cool do you have a link for that Rainer?
> =A0Bill
>
> -----Original Message-----
> From: Rainer Straschill [mailto:moinsound@googlemail.com]
> Sent: Wednesday, July 15, 2009 1:20 PM
> To: loopers-delight@loopers-delight.com
> Subject: hardware vs software - this time from a blind man's view (was "R=
e:
> two little guitar loops")
>
> Dear JPR,
>
> yes, I know what you mean by "hardware". Actually, my second point
> (the "computer without hardware") was targeted at that fact that, as
> you continue to point out, the majority of hardware effects (at least
> those most people here are interested in) are in fact embedded
> computer systems, featuring some sort of software inside of it.
>
> Now regarding your quest for an easy-to-use solution:
>
> I will in fact stick a little bit with the computer-based approach,
> simply because it's easier to customize a man machine interface here.
>
> The most important thing for you seems to me (and I'm of course open
> for any corrections to this statement) for you to have a man machine
> interface which doesn't require visual feedback of any sort. This
> means:
> =A01. any commands you issue must not be context-sensitive.
> =A02. any controllers you use must have good haptic feedback for you to
> identify which controller command you're about to issue.
> =A03. any sort of information feedback from the computer (other than
> what you hear in your music) must be haptic.
>
> ad 1:
> This affects both the structure of the software solution and of the
> interface you're using. I'll try to give one example to see if that
> makes sense to you:
> in an earlier implementation of my computer-based looping setup (using
> Mobius), I would select tracks by linking the "previous track" and
> "next track" commands to a footswitch each. When I changed my approach
> insofar as to look at the screen less, this did no longer work:
> earlier, if I wanted to switch to, say, track 1, I had a look at the
> screen, and if track 3 was selected, I would simply press "previous
> track" twice. The changed approach:
> I added a BCR2000 faderbox which has a row of buttons with eight
> buttons. Now I simply hit the leftmost button in that row to go to
> track 1. This is no longer context-sensitive: pressing that button
> will always bring me to track 1.
>
> ad 2:
> this of course kicks out beautiful solutions like the lemur
> jazzmutant, and may also make options like the Akai APC40 with its
> huge number of buttons somewhat cumbersome. Also, foot controllers
> might be a problem (are they?). Now my question: how about something
> with motorized faders? Or something like an Akai MPD24 (4x4 Pad
> matrix, six faders above it, and two rows of four endless rotary knobs
> each beneath it). Would that work for you?
>
> Another controller which comes to mind (even though it looks very
> Eighties cheap SciFi) is the P5 dataglove: You have a total of eleven
> control channels (x/y/z position of your hand, x/y/z axis rotation of
> your hand, bending of each finger). And there's a software that maps
> this data to MIDI messages. Might something like this work for you?
>
> ad 3:
> again: would motorized faders work?
>
> Again, this is just meant as a collection of thoughts tossed out - not
> a solution which works for you.
>
> Best,
>
> =A0 =A0 =A0 =A0 =A0 =A0 Rainer
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 19:25:48 2009
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From: "Christo Jota" <chris@christojota.de>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
References: <009601ca054d$bc1fecf0$0201a8c0@A>
Subject: Re: OT(ish): Dhafer Youssef & Eivind Aarset
Date: Thu, 16 Jul 2009 21:29:03 +0200
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This is great. Which record of Dhafer Youssef can you
recommend? Gotta have more of that sound...
Christo
www.myspace.com/christojota

  ----- Original Message -----=20
  From: Ricky Graham=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, July 15, 2009 3:11 PM
  Subject: OT(ish): Dhafer Youssef & Eivind Aarset


  Not strictly looping related;
  =20
  http://www.youtube.com/watch?v=3DHdkCE0UDq2w&feature=3Drelated
  =20
  Very nice sound world. Rick Walker should love this.
  =20
  Ricky

------=_NextPart_000_0030_01CA065C.70C50B40
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.3700.6699" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>This is great. Which record of Dhafer =
Youssef can=20
you</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>recommend? Gotta have more of that=20
sound...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.myspace.com/christojota">www.myspace.com/christojota</=
A></FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:rock.guitar.guru@binternet.com"=20
  title=3Drock.guitar.guru@binternet.com>Ricky Graham</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 15, 2009 =
3:11=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> OT(ish): Dhafer =
Youssef &amp;=20
  Eivind Aarset</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Not strictly looping =
related;</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.youtube.com/watch?v=3DHdkCE0UDq2w&amp;feature=3Drelate=
d">http://www.youtube.com/watch?v=3DHdkCE0UDq2w&amp;feature=3Drelated</A>=
</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Very nice sound world. Rick Walker =
should love=20
  this.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial =
size=3D2>Ricky</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0030_01CA065C.70C50B40--

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	 <003501ca064b$afad3b40$0201a8c0@Toshiba>
Date: Thu, 16 Jul 2009 20:52:00 +0100
Message-ID: <d302e3570907161252x70fe64bmaed437ed46f1ac10@mail.gmail.com>
Subject: Re: OT(ish): Dhafer Youssef & Eivind Aarset
From: Simeon Harris <simeonharris40@googlemail.com>
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both "divine shadows" and "digital prophesy" are great and feature aarset
and his norwegian nu-jazz cohorts

s

On Thu, Jul 16, 2009 at 8:29 PM, Christo Jota <chris@christojota.de> wrote:

>  This is great. Which record of Dhafer Youssef can you
> recommend? Gotta have more of that sound...
> Christo
> www.myspace.com/christojota
>
>

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both &quot;divine shadows&quot; and &quot;digital prophesy&quot; are great =
and feature aarset and his norwegian nu-jazz cohorts<br><br>s<br><br><div c=
lass=3D"gmail_quote">On Thu, Jul 16, 2009 at 8:29 PM, Christo Jota <span di=
r=3D"ltr">&lt;<a href=3D"mailto:chris@christojota.de">chris@christojota.de<=
/a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">This is great. Which record of Dhafer =
Youssef can=20
you</font></div>
<div><font face=3D"Arial" size=3D"2">recommend? Gotta have more of that=20
sound...</font></div>
<div><font face=3D"Arial" size=3D"2">Christo</font></div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://www.myspace.com/chri=
stojota" target=3D"_blank">www.myspace.com/christojota</a></font></div>
<div>=A0</div></div></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 20:10:57 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
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Subject: Re: hardware vs software - this time from a blind man's view (was "Re: two little guitar loops")
Date: Thu, 16 Jul 2009 22:10:54 +0200
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Dear Rainer,
Bravo!
Your understanding of blind musicians problem is so wonderful that for a =
moment I wondered if you were blind yourself. If you're not, then I =
guess you must be playing with your eyes closed or maybe do you have =
another blind musician friend. Anyway,=20
your description of context nonsensitive commands is exactly right.=20
But I'm afraid it would only be one part of the problem. I can imagine =
having a large series of switches to trigger a loop machine, but for =
more complex tools like Ableton Live which I would dream to be able to =
use on stage, I wonder if a solution could exist. We live in a strange =
world where today's musical instruments designers spend more and more =
money and energy trying to make their products look nice and, well, I =
don't know if I can blame them because may be a totally haptic interface =
would be much too large to be usable. My goal would be to have a minimum =
of pre-programmed stuff because I am and have always been an improviser, =
and if I could find a way to create musical environments on-the-fly, I =
think I would be the happiest man in the world.
Apart from this, I'm playing with African musicians quite often, and if =
I was going to use loops with them, I would have to find a way to match =
my loops or sequences tempi to what they are playing, and certainly not =
trying to make them slave to my loops. Enough slavery.
I don't know about this new device thatAkai released to manipulate  =
Live, but sadly I think I heard that the track buttons had three status =
bar indicated by their collar. Bad news for me.
I'm not sure about motorised faders because I think they might be =
fragile even though I could be wrong, but I've always found knobs more =
pleasant to manipulate. I'm currently using a GermanIBK10 controller =
which felt nice but might be limited for newer machines.
I'm really willing to discuss some more with you about possible =
solutions.
Thank you for the discussion that your joke started.
All the best,
JPR
http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Rainer Straschill=20
  To: loopers-delight@loopers-delight.com=20
  Sent: Wednesday, July 15, 2009 10:19 PM
  Subject: hardware vs software - this time from a blind man's view (was =
"Re: two little guitar loops")



  Dear JPR,

  yes, I know what you mean by "hardware". Actually, my second point
  (the "computer without hardware") was targeted at that fact that, as
  you continue to point out, the majority of hardware effects (at least
  those most people here are interested in) are in fact embedded
  computer systems, featuring some sort of software inside of it.

  Now regarding your quest for an easy-to-use solution:

  I will in fact stick a little bit with the computer-based approach,
  simply because it's easier to customize a man machine interface here.

  The most important thing for you seems to me (and I'm of course open
  for any corrections to this statement) for you to have a man machine
  interface which doesn't require visual feedback of any sort. This
  means:
   1. any commands you issue must not be context-sensitive.
   2. any controllers you use must have good haptic feedback for you to
  identify which controller command you're about to issue.
   3. any sort of information feedback from the computer (other than
  what you hear in your music) must be haptic.

  ad 1:
  This affects both the structure of the software solution and of the
  interface you're using. I'll try to give one example to see if that
  makes sense to you:
  in an earlier implementation of my computer-based looping setup (using
  Mobius), I would select tracks by linking the "previous track" and
  "next track" commands to a footswitch each. When I changed my approach
  insofar as to look at the screen less, this did no longer work:
  earlier, if I wanted to switch to, say, track 1, I had a look at the
  screen, and if track 3 was selected, I would simply press "previous
  track" twice. The changed approach:
  I added a BCR2000 faderbox which has a row of buttons with eight
  buttons. Now I simply hit the leftmost button in that row to go to
  track 1. This is no longer context-sensitive: pressing that button
  will always bring me to track 1.

  ad 2:
  this of course kicks out beautiful solutions like the lemur
  jazzmutant, and may also make options like the Akai APC40 with its
  huge number of buttons somewhat cumbersome. Also, foot controllers
  might be a problem (are they?). Now my question: how about something
  with motorized faders? Or something like an Akai MPD24 (4x4 Pad
  matrix, six faders above it, and two rows of four endless rotary knobs
  each beneath it). Would that work for you?

  Another controller which comes to mind (even though it looks very
  Eighties cheap SciFi) is the P5 dataglove: You have a total of eleven
  control channels (x/y/z position of your hand, x/y/z axis rotation of
  your hand, bending of each finger). And there's a software that maps
  this data to MIDI messages. Might something like this work for you?

  ad 3:
  again: would motorized faders work?

  Again, this is just meant as a collection of thoughts tossed out - not
  a solution which works for you.

  Best,

               Rainer


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>
<DIV><FONT size=3D2 face=3DArial>Dear Rainer,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Bravo!</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Your understanding of blind musicians =
problem is so=20
wonderful that for a moment I wondered if you were blind yourself. If =
you're=20
not, then I guess you must be playing with your eyes closed or maybe do =
you=20
have&nbsp;another blind musician friend. Anyway, <BR>your description of =
context=20
nonsensitive commands is exactly right. </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>But I'm afraid it would only be one =
part of the=20
problem. I can imagine having a large series of switches to trigger a =
loop=20
machine, but for more complex tools like Ableton Live which I would =
dream to be=20
able to use on stage, I wonder if a solution could exist. We live in a =
strange=20
world where today's musical instruments designers spend more and more =
money and=20
energy trying to make their products look nice and, well, I don't know =
if I can=20
blame them because may be a totally haptic interface would be much too =
large to=20
be usable. My goal would be to have a minimum of pre-programmed stuff =
because I=20
am and have always been an improviser, and if I could find a way to =
create=20
musical environments on-the-fly, I think I would be the happiest man in =
the=20
world.<BR>Apart from this, I'm playing with African musicians quite =
often, and=20
if I was going to use loops with them, I would have to find a way to =
match my=20
loops or sequences tempi to what they are playing, and certainly not =
trying to=20
make them slave to my loops. Enough slavery.<BR>I don't know about this =
new=20
device thatAkai released to manipulate&nbsp; Live, but sadly I think I =
heard=20
that the track buttons had three status bar indicated by their collar. =
Bad news=20
for me.<BR>I'm not sure about motorised faders because I think they =
might be=20
fragile even though I could be wrong, but I've always found knobs more =
pleasant=20
to manipulate. I'm currently using a GermanIBK10 controller which felt =
nice but=20
might be limited for newer machines.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I'm really willing to discuss some more =
with you=20
about possible solutions.<BR>Thank you for the discussion that your joke =

started.<BR>All the best,<BR>JPR</FONT></DIV></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dmoinsound@googlemail.com=20
  href=3D"mailto:moinsound@googlemail.com">Rainer Straschill</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 15, 2009 =
10:19=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> hardware vs software - =
this time=20
  from a blind man's view (was "Re: two little guitar loops")</DIV>
  <DIV><BR></DIV><BR>Dear JPR,<BR><BR>yes, I know what you mean by =
"hardware".=20
  Actually, my second point<BR>(the "computer without hardware") was =
targeted at=20
  that fact that, as<BR>you continue to point out, the majority of =
hardware=20
  effects (at least<BR>those most people here are interested in) are in =
fact=20
  embedded<BR>computer systems, featuring some sort of software inside =
of=20
  it.<BR><BR>Now regarding your quest for an easy-to-use =
solution:<BR><BR>I will=20
  in fact stick a little bit with the computer-based approach,<BR>simply =
because=20
  it's easier to customize a man machine interface here.<BR><BR>The most =

  important thing for you seems to me (and I'm of course open<BR>for any =

  corrections to this statement) for you to have a man =
machine<BR>interface=20
  which doesn't require visual feedback of any sort. =
This<BR>means:<BR>&nbsp;1.=20
  any commands you issue must not be context-sensitive.<BR>&nbsp;2. any=20
  controllers you use must have good haptic feedback for you =
to<BR>identify=20
  which controller command you're about to issue.<BR>&nbsp;3. any sort =
of=20
  information feedback from the computer (other than<BR>what you hear in =
your=20
  music) must be haptic.<BR><BR>ad 1:<BR>This affects both the structure =
of the=20
  software solution and of the<BR>interface you're using. I'll try to =
give one=20
  example to see if that<BR>makes sense to you:<BR>in an earlier =
implementation=20
  of my computer-based looping setup (using<BR>Mobius), I would select =
tracks by=20
  linking the "previous track" and<BR>"next track" commands to a =
footswitch=20
  each. When I changed my approach<BR>insofar as to look at the screen =
less,=20
  this did no longer work:<BR>earlier, if I wanted to switch to, say, =
track 1, I=20
  had a look at the<BR>screen, and if track 3 was selected, I would =
simply press=20
  "previous<BR>track" twice. The changed approach:<BR>I added a BCR2000 =
faderbox=20
  which has a row of buttons with eight<BR>buttons. Now I simply hit the =

  leftmost button in that row to go to<BR>track 1. This is no longer=20
  context-sensitive: pressing that button<BR>will always bring me to =
track=20
  1.<BR><BR>ad 2:<BR>this of course kicks out beautiful solutions like =
the=20
  lemur<BR>jazzmutant, and may also make options like the Akai APC40 =
with=20
  its<BR>huge number of buttons somewhat cumbersome. Also, foot=20
  controllers<BR>might be a problem (are they?). Now my question: how =
about=20
  something<BR>with motorized faders? Or something like an Akai MPD24 =
(4x4=20
  Pad<BR>matrix, six faders above it, and two rows of four endless =
rotary=20
  knobs<BR>each beneath it). Would that work for you?<BR><BR>Another =
controller=20
  which comes to mind (even though it looks very<BR>Eighties cheap =
SciFi) is the=20
  P5 dataglove: You have a total of eleven<BR>control channels (x/y/z =
position=20
  of your hand, x/y/z axis rotation of<BR>your hand, bending of each =
finger).=20
  And there's a software that maps<BR>this data to MIDI messages. Might=20
  something like this work for you?<BR><BR>ad 3:<BR>again: would =
motorized=20
  faders work?<BR><BR>Again, this is just meant as a collection of =
thoughts=20
  tossed out - not<BR>a solution which works for=20
  =
you.<BR><BR>Best,<BR><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;=20
  Rainer<BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0061_01CA0662.49B3C400--



From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 21:52:30 2009
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	id 5996C3BE7C; Thu, 16 Jul 2009 21:52:30 +0000 (UTC)
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Message-ID: <B54C2DEA476A4E2487586EFD9CE07B8E@portable2jpr>
From: "Jean Philippe" <jp.rykiel@orange.fr>
To: <Loopers-Delight@loopers-delight.com>
References: <7334ca1b0907151319o33576caakebeb2a86c3e84e56@mail.gmail.com> <D6C33712D8A94FA7809BE5E98CE4AC3A@williamsteed> <bcd3c7bb0907161202k65108a33ve1b88bc992b52f45@mail.gmail.com>
Subject: Re: hardware vs software - this time from a blind man's view (was "Re: two little guitar loops")
Date: Thu, 16 Jul 2009 23:52:27 +0200
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Hi Mark,
You know, what I would really like is f... three position mechanical =
switches.
But they won't do it because it's too old-fashioned. And the thing is it =
would probably be cooler for you sighted folks to because you could be =
looking at something else or even inside yourselves while playing.=20
Meanwhile I would be glad to talk to your man.
Cheers,
JPR
http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Mark Sottilaro=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, July 16, 2009 9:02 PM
  Subject: Re: hardware vs software - this time from a blind man's view =
(was "Re: two little guitar loops")



  A response from my friend:

  Yes it can be done. I don't know if it's a tri-color LED you speak of
  or 3 separate LEDs. Doesn't matter too much really. You would probably
  want to pick off the LED outs and buffer them though because an LED
  generally draws about 20ma and some motors(to vibrate) will draw more
  than that and also you want  to be careful because when the motor
  starts up it creates a back voltage as a spike so that has to be
  rectified.
  The problem is you'd need the device to modify it. There are also a
  million ways you could have it do something else besides LEDs.
  If he wants a Pro mod,I'd be into it,but if he just wants something
  slapped together,I wouldn't do it.
  Addendum: oh wait,I looked at the device;that's a shit load of LEDs.
  Why not a braille device interfaced? I wonder if those individual
  buttons can be found in a midi command hidden somewhere. That would
  make it easier.

  If you want, I can forward your email to him and if you're up for a
  custom job he'd be the man who could make it happen.  He made a mod
  for me that used the light from a Repeater's tempo indicator to send
  tap information to a Lexicon Vortex.  He's quite handy.

  On Thu, Jul 16, 2009 at 12:27 AM, William =
Walker<billwalker@baymoon.com> wrote:
  > Rainer wrote:
  > "Another controller which comes to mind (even though it looks very =
Eighties
  > cheap SciFi) is the P5 dataglove: You have a total of eleven control
  > channels (x/y/z position of your hand, x/y/z axis rotation of your =
hand,
  > bending of each finger). And there's a software that maps this data =
to MIDI
  > messages. Might something like this work for you?"
  >
  > Wow that actually sounds really cool do you have a link for that =
Rainer?
  > Bill
  >
  > -----Original Message-----
  > From: Rainer Straschill [mailto:moinsound@googlemail.com]
  > Sent: Wednesday, July 15, 2009 1:20 PM
  > To: loopers-delight@loopers-delight.com
  > Subject: hardware vs software - this time from a blind man's view =
(was "Re:
  > two little guitar loops")
  >
  > Dear JPR,
  >
  > yes, I know what you mean by "hardware". Actually, my second point
  > (the "computer without hardware") was targeted at that fact that, as
  > you continue to point out, the majority of hardware effects (at =
least
  > those most people here are interested in) are in fact embedded
  > computer systems, featuring some sort of software inside of it.
  >
  > Now regarding your quest for an easy-to-use solution:
  >
  > I will in fact stick a little bit with the computer-based approach,
  > simply because it's easier to customize a man machine interface =
here.
  >
  > The most important thing for you seems to me (and I'm of course open
  > for any corrections to this statement) for you to have a man machine
  > interface which doesn't require visual feedback of any sort. This
  > means:
  > 1. any commands you issue must not be context-sensitive.
  > 2. any controllers you use must have good haptic feedback for you to
  > identify which controller command you're about to issue.
  > 3. any sort of information feedback from the computer (other than
  > what you hear in your music) must be haptic.
  >
  > ad 1:
  > This affects both the structure of the software solution and of the
  > interface you're using. I'll try to give one example to see if that
  > makes sense to you:
  > in an earlier implementation of my computer-based looping setup =
(using
  > Mobius), I would select tracks by linking the "previous track" and
  > "next track" commands to a footswitch each. When I changed my =
approach
  > insofar as to look at the screen less, this did no longer work:
  > earlier, if I wanted to switch to, say, track 1, I had a look at the
  > screen, and if track 3 was selected, I would simply press "previous
  > track" twice. The changed approach:
  > I added a BCR2000 faderbox which has a row of buttons with eight
  > buttons. Now I simply hit the leftmost button in that row to go to
  > track 1. This is no longer context-sensitive: pressing that button
  > will always bring me to track 1.
  >
  > ad 2:
  > this of course kicks out beautiful solutions like the lemur
  > jazzmutant, and may also make options like the Akai APC40 with its
  > huge number of buttons somewhat cumbersome. Also, foot controllers
  > might be a problem (are they?). Now my question: how about something
  > with motorized faders? Or something like an Akai MPD24 (4x4 Pad
  > matrix, six faders above it, and two rows of four endless rotary =
knobs
  > each beneath it). Would that work for you?
  >
  > Another controller which comes to mind (even though it looks very
  > Eighties cheap SciFi) is the P5 dataglove: You have a total of =
eleven
  > control channels (x/y/z position of your hand, x/y/z axis rotation =
of
  > your hand, bending of each finger). And there's a software that maps
  > this data to MIDI messages. Might something like this work for you?
  >
  > ad 3:
  > again: would motorized faders work?
  >
  > Again, this is just meant as a collection of thoughts tossed out - =
not
  > a solution which works for you.
  >
  > Best,
  >
  > Rainer
  >
  >


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Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783">
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<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hi Mark,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>You know, what I would really like =
is&nbsp;f...=20
three position mechanical switches.<BR>But they won't do it because it's =
too=20
old-fashioned. And the thing is it would probably be cooler for you =
sighted=20
folks to because you could be looking at something else or even inside=20
yourselves while playing. <BR>Meanwhile I would be glad to talk to your=20
man.<BR>Cheers,<BR>JPR</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dzerocrossing@gmail.com =
href=3D"mailto:zerocrossing@gmail.com">Mark=20
  Sottilaro</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, July 16, 2009 =
9:02=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: hardware vs =
software - this=20
  time from a blind man's view (was "Re: two little guitar loops")</DIV>
  <DIV><FONT size=3D2 face=3DArial></FONT><FONT size=3D2=20
  face=3DArial></FONT><BR></DIV><BR>A response from my =
friend:<BR><BR>Yes it can=20
  be done. I don't know if it's a tri-color LED you speak of<BR>or 3 =
separate=20
  LEDs. Doesn't matter too much really. You would probably<BR>want to =
pick off=20
  the LED outs and buffer them though because an LED<BR>generally draws =
about=20
  20ma and some motors(to vibrate) will draw more<BR>than that and also =
you=20
  want&nbsp; to be careful because when the motor<BR>starts up it =
creates a back=20
  voltage as a spike so that has to be<BR>rectified.<BR>The problem is =
you'd=20
  need the device to modify it. There are also a<BR>million ways you =
could have=20
  it do something else besides LEDs.<BR>If he wants a Pro mod,I'd be =
into it,but=20
  if he just wants something<BR>slapped together,I wouldn't do =
it.<BR>Addendum:=20
  oh wait,I looked at the device;that's a shit load of LEDs.<BR>Why not =
a=20
  braille device interfaced? I wonder if those individual<BR>buttons can =
be=20
  found in a midi command hidden somewhere. That would<BR>make it=20
  easier.<BR><BR>If you want, I can forward your email to him and if =
you're up=20
  for a<BR>custom job he'd be the man who could make it happen.&nbsp; He =
made a=20
  mod<BR>for me that used the light from a Repeater's tempo indicator to =

  send<BR>tap information to a Lexicon Vortex.&nbsp; He's quite =
handy.<BR><BR>On=20
  Thu, Jul 16, 2009 at 12:27 AM, William Walker&lt;<A=20
  href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</A>&gt;=20
  wrote:<BR>&gt; Rainer wrote:<BR>&gt; "Another controller which comes =
to mind=20
  (even though it looks very Eighties<BR>&gt; cheap SciFi) is the P5 =
dataglove:=20
  You have a total of eleven control<BR>&gt; channels (x/y/z position of =
your=20
  hand, x/y/z axis rotation of your hand,<BR>&gt; bending of each =
finger). And=20
  there's a software that maps this data to MIDI<BR>&gt; messages. Might =

  something like this work for you?"<BR>&gt;<BR>&gt; Wow that actually =
sounds=20
  really cool do you have a link for that Rainer?<BR>&gt; =
Bill<BR>&gt;<BR>&gt;=20
  -----Original Message-----<BR>&gt; From: Rainer Straschill=20
  [mailto:moinsound@googlemail.com]<BR>&gt; Sent: Wednesday, July 15, =
2009 1:20=20
  PM<BR>&gt; To: <A=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A><BR>&gt;=20
  Subject: hardware vs software - this time from a blind man's view (was =

  "Re:<BR>&gt; two little guitar loops")<BR>&gt;<BR>&gt; Dear=20
  JPR,<BR>&gt;<BR>&gt; yes, I know what you mean by "hardware". =
Actually, my=20
  second point<BR>&gt; (the "computer without hardware") was targeted at =
that=20
  fact that, as<BR>&gt; you continue to point out, the majority of =
hardware=20
  effects (at least<BR>&gt; those most people here are interested in) =
are in=20
  fact embedded<BR>&gt; computer systems, featuring some sort of =
software inside=20
  of it.<BR>&gt;<BR>&gt; Now regarding your quest for an easy-to-use=20
  solution:<BR>&gt;<BR>&gt; I will in fact stick a little bit with the=20
  computer-based approach,<BR>&gt; simply because it's easier to =
customize a man=20
  machine interface here.<BR>&gt;<BR>&gt; The most important thing for =
you seems=20
  to me (and I'm of course open<BR>&gt; for any corrections to this =
statement)=20
  for you to have a man machine<BR>&gt; interface which doesn't require =
visual=20
  feedback of any sort. This<BR>&gt; means:<BR>&gt; 1. any commands you =
issue=20
  must not be context-sensitive.<BR>&gt; 2. any controllers you use must =
have=20
  good haptic feedback for you to<BR>&gt; identify which controller =
command=20
  you're about to issue.<BR>&gt; 3. any sort of information feedback =
from the=20
  computer (other than<BR>&gt; what you hear in your music) must be=20
  haptic.<BR>&gt;<BR>&gt; ad 1:<BR>&gt; This affects both the structure =
of the=20
  software solution and of the<BR>&gt; interface you're using. I'll try =
to give=20
  one example to see if that<BR>&gt; makes sense to you:<BR>&gt; in an =
earlier=20
  implementation of my computer-based looping setup (using<BR>&gt; =
Mobius), I=20
  would select tracks by linking the "previous track" and<BR>&gt; "next =
track"=20
  commands to a footswitch each. When I changed my approach<BR>&gt; =
insofar as=20
  to look at the screen less, this did no longer work:<BR>&gt; earlier, =
if I=20
  wanted to switch to, say, track 1, I had a look at the<BR>&gt; screen, =
and if=20
  track 3 was selected, I would simply press "previous<BR>&gt; track" =
twice. The=20
  changed approach:<BR>&gt; I added a BCR2000 faderbox which has a row =
of=20
  buttons with eight<BR>&gt; buttons. Now I simply hit the leftmost =
button in=20
  that row to go to<BR>&gt; track 1. This is no longer =
context-sensitive:=20
  pressing that button<BR>&gt; will always bring me to track =
1.<BR>&gt;<BR>&gt;=20
  ad 2:<BR>&gt; this of course kicks out beautiful solutions like the=20
  lemur<BR>&gt; jazzmutant, and may also make options like the Akai =
APC40 with=20
  its<BR>&gt; huge number of buttons somewhat cumbersome. Also, foot=20
  controllers<BR>&gt; might be a problem (are they?). Now my question: =
how about=20
  something<BR>&gt; with motorized faders? Or something like an Akai =
MPD24 (4x4=20
  Pad<BR>&gt; matrix, six faders above it, and two rows of four endless =
rotary=20
  knobs<BR>&gt; each beneath it). Would that work for =
you?<BR>&gt;<BR>&gt;=20
  Another controller which comes to mind (even though it looks =
very<BR>&gt;=20
  Eighties cheap SciFi) is the P5 dataglove: You have a total of =
eleven<BR>&gt;=20
  control channels (x/y/z position of your hand, x/y/z axis rotation =
of<BR>&gt;=20
  your hand, bending of each finger). And there's a software that =
maps<BR>&gt;=20
  this data to MIDI messages. Might something like this work for=20
  you?<BR>&gt;<BR>&gt; ad 3:<BR>&gt; again: would motorized faders=20
  work?<BR>&gt;<BR>&gt; Again, this is just meant as a collection of =
thoughts=20
  tossed out - not<BR>&gt; a solution which works for =
you.<BR>&gt;<BR>&gt;=20
  Best,<BR>&gt;<BR>&gt; =
Rainer<BR>&gt;<BR>&gt;<BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0081_01CA0670.7943A2E0--



From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 22:18:18 2009
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Date: Fri, 17 Jul 2009 10:21:14 +1200
From: G <gigs@paradise.net.nz>
Subject: Eventide Time Factor
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Hi there
Other than the Eventide Time Factor I haven't found a stereo delay pedal
with midi control on the market - so I'm seriously considering it.

I'm wondering if anyone knows if the TF looper can be quantised in
anyway, be it to the tempo setting or incoming midi sync? =20
Or is it totally dependant on the timing of the musician's foot?

Thanks,
-- G.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 22:26:14 2009
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Date: Thu, 16 Jul 2009 15:26:13 -0700
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Subject: Re: hardware vs software - this time from a blind man's view (was 
	"Re: two little guitar loops")
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Thu, Jul 16, 2009 at 2:52 PM, Jean Philippe<jp.rykiel@orange.fr> wrote:
> Hi Mark,
> You know, what I would really like is=A0f... three position mechanical
> switches.
> But they won't do it because it's too old-fashioned. And the thing is it
> would probably be cooler for you sighted folks to because you could be
> looking at something else or even inside yourselves while playing.
> Meanwhile I would be glad to talk to your man.
> Cheers,
> JPR
> http://myspace.com/jeanphilipperykiel
>

Well, I'm not sure if I'd call him my man... he's a rouge....
maverick!   He is a good friend though.

As for 3 position switches, are you sure they're not that as well as
having the LEDs in them?  Again, I've never touched one so I can't
tell. Having them be that instead of having lights wouldn't help much,
for me at least.  I'm a graphic designer and one thing you learn is
that the more glaringly obvious something can be, i.e. obvious light
color changes ends up being less noise than something subtle.  The
APC40 is actually quite nicely designed from an information standpoint
as something that was just 3 position switches would cause you to have
to shift focus from making music to interpreting a slight height
difference on small switches. It's probably the complete opposite of
how you'd best like it, but that's how it goes.  Instead of a chance
to "look inside" it would just be frustrating. Mobius is ugly as hell,
but it's still a successful user interface because it's pretty big and
clearly laid out.  No cool shading to suggest fake depth or bevels,
just simple bright shapes on a dark background.

I'll fwd your email address to my friend.

Take care,

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 22:30:42 2009
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Subject: Re: hardware vs software - this time from a blind man's view (was 
	"Re: two little guitar loops")
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jul 17, 2009 at 12:26 AM, Mark Sottilaro<zerocrossing@gmail.com> wrote:
> Mobius is ugly as hell,
> but it's still a successful user interface because it's pretty big and
> clearly laid out.

I use Mobius extensively but I almost never look at the screen. I
prefer memorizing the functions and set them to work by kicking at
pedals on the floor that are big enough to not be missed by accident.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 22:53:42 2009
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	 <D6C33712D8A94FA7809BE5E98CE4AC3A@williamsteed>
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	 <66f9cc1e0907161530g4b2c9c8ai5b60ec72f66ffde8@mail.gmail.com>
Date: Thu, 16 Jul 2009 15:53:40 -0700
Message-ID: <bcd3c7bb0907161553v7802ab38q39b22acb71ccb0b@mail.gmail.com>
Subject: Re: hardware vs software - this time from a blind man's view (was 
	"Re: two little guitar loops")
From: Mark Sottilaro <zerocrossing@gmail.com>
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Oh, I agree, but I do look at it from time to time to make sure I know
what loop is currently focused and things like that.

On Thu, Jul 16, 2009 at 3:30 PM, Per Boysen<perboysen@gmail.com> wrote:
> On Fri, Jul 17, 2009 at 12:26 AM, Mark Sottilaro<zerocrossing@gmail.com> wrote:
>> Mobius is ugly as hell,
>> but it's still a successful user interface because it's pretty big and
>> clearly laid out.
>
> I use Mobius extensively but I almost never look at the screen. I
> prefer memorizing the functions and set them to work by kicking at
> pedals on the floor that are big enough to not be missed by accident.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 16 23:05:10 2009
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Date: Fri, 17 Jul 2009 01:05:09 +0200
Message-ID: <afb941d0907161605n1d2203f4n6ae52c2b319555f0@mail.gmail.com>
Subject: Re: Eventide Time Factor
From: Raul Bonell <raul.bonell@gmail.com>
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eh stereo memory man with hazarai, is stereo too and quite fun! it
does varispeed...

2009/7/17, G <gigs@paradise.net.nz>:
> Hi there
> Other than the Eventide Time Factor I haven't found a stereo delay pedal
> with midi control on the market - so I'm seriously considering it.
>
> I'm wondering if anyone knows if the TF looper can be quantised in
> anyway, be it to the tempo setting or incoming midi sync?
> Or is it totally dependant on the timing of the musician's foot?
>
> Thanks,
> -- G.
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Virtual GigSpam: Chinapainting on uStream 3:30pm Sunday 7/19
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0016368e2bc9469d86046edb2f4e
Content-Type: text/plain; charset=ISO-8859-1
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Well as mentioned in my promo the other day for the Sunday PM
*Chinapainting<http://www.chinapaintingmusic.com/>
* gig, it was possible that Daryl and I might work out a *Chinapainting
uStream* and we're going to do just that and I'm very excited to announce
it.

This will be as a special feature of my *Sunday Morning at
11<http://www.ustream.tv/channel/sunday-morning-at-11>
* series on uStream except it's going to be on in the *afternoon*.  We're
planning to do an hour set beginning at 3:30pm EST.

The URL is http://www.ustream.tv/channel/sunday-morning-at-11 and the times
are...

*12:30pm PST, 1:30pm MT, 2:30pm CST, 3:30pm EST, 8:30pm UK/England, 9:30pm
western Europe, 4:30am (whoa!) Japan.*  To find time in your area go to
http://www.timeanddate.com/worldclock/converter.html .

So I'm very JAZZED about this and please consider tuning in.  This will be a
'first' ever for Chinapainting.

Let me re mention for those in the NYC area, that evening we'll be locally
live at 8pm, at ABC NoRIo <http://www.abcnorio.org/>, COMA performance
series, 156 Rivington, lower East Side Manhattan.  $5 admission.  Hope to
see you, for those in other parts of the world hope to have you connect with
us for the uStream show.

Best folks


Jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0016368e2bc9469d86046edb2f4e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Well as mentioned in my promo the other day for the Sunday PM <strong>=
<a href=3D"http://www.chinapaintingmusic.com/">Chinapainting</a></strong> g=
ig, it was possible that Daryl and I might work out a <em>Chinapainting uSt=
ream</em> and we&#39;re going to do just that and I&#39;m very excited to a=
nnounce it.</div>

<div>=A0</div>
<div>This will be as a special feature of=A0my <em><a href=3D"http://www.us=
tream.tv/channel/sunday-morning-at-11">Sunday Morning at 11</a></em> series=
 on uStream except it&#39;s going to be on in the <em>afternoon</em>.=A0 We=
&#39;re planning to do an hour set beginning at 3:30pm EST.</div>

<div>=A0</div>
<div>The URL is <a href=3D"http://www.ustream.tv/channel/sunday-morning-at-=
11">http://www.ustream.tv/channel/sunday-morning-at-11</a> and the times ar=
e...</div>
<div>=A0</div>
<div><em>12:30pm PST, 1:30pm MT, 2:30pm CST, <strong>3:30pm EST</strong>, 8=
:30pm UK/England, 9:30pm western Europe, 4:30am (whoa!) Japan.</em>=A0 To f=
ind time in your area go to <a href=3D"http://www.timeanddate.com/worldcloc=
k/converter.html">http://www.timeanddate.com/worldclock/converter.html</a>=
=A0.</div>

<div>=A0</div>
<div>So I&#39;m very JAZZED about this and please consider tuning in.=A0 Th=
is will be a &#39;first&#39; ever for Chinapainting.</div>
<div>=A0</div>
<div>Let me re mention for those in the NYC area, that evening we&#39;ll be=
 locally live at 8pm, at <a href=3D"http://www.abcnorio.org/">ABC NoRIo</a>=
, COMA performance series, 156 Rivington, lower East Side Manhattan.=A0 $5 =
admission.=A0 Hope to see you, for those in other parts of the world hope t=
o have you connect with us for the uStream show.</div>

<div>=A0</div>
<div>Best folks</div>
<div>=A0</div>
<div>=A0</div>
<div>Jim<br clear=3D"all"></div>
<div></div><br>-- <br>ReUse, an introspective textural aural<br><a href=3D"=
http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>music li=
nks...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com<=
/a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--0016368e2bc9469d86046edb2f4e--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 00:08:47 2009
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Date: Thu, 16 Jul 2009 20:08:40 -0400
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
continue the month-long Special Focus on Jeffrey Koepper.  The Featured
CD at Midnight will be "Sequentaria" on Air Space Records.  For
details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jul

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

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Subject: Re: Virtual GigSpam: Chinapainting on uStream 3:30pm Sunday 7/19
Date: Thu, 16 Jul 2009 17:58:53 -0700
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Jim,

Thanks for the heads-up.

I'll try to listen in.

Break a leg . . . or a pick or something.

Best,

Ted

On Jul 16, 2009, at 4:39 PM, Jim Goodin wrote:

> Well as mentioned in my promo the other day for the Sunday PM  
> Chinapainting gig, it was possible that Daryl and I might work out a  
> Chinapainting uStream and we're going to do just that and I'm very  
> excited to announce it.
>
> This will be as a special feature of my Sunday Morning at 11 series  
> on uStream except it's going to be on in the afternoon.  We're  
> planning to do an hour set beginning at 3:30pm EST.
>
> The URL is http://www.ustream.tv/channel/sunday-morning-at-11 and  
> the times are...
>
> 12:30pm PST, 1:30pm MT, 2:30pm CST, 3:30pm EST, 8:30pm UK/England,  
> 9:30pm western Europe, 4:30am (whoa!) Japan.  To find time in your  
> area go tohttp://www.timeanddate.com/worldclock/converter.html .
>
> So I'm very JAZZED about this and please consider tuning in.  This  
> will be a 'first' ever for Chinapainting.
>
> Let me re mention for those in the NYC area, that evening we'll be  
> locally live at 8pm, at ABC NoRIo, COMA performance series, 156  
> Rivington, lower East Side Manhattan.  $5 admission.  Hope to see  
> you, for those in other parts of the world hope to have you connect  
> with us for the uStream show.
>
> Best folks
>
>
> Jim
>
> -- 
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse

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Hi Christo,

 

I'd start with Divine Shadows and then Digital Prophecy. Both of these
releases are incredible blends of world music and electronics.

 

If you like Eivind Aarset's playing, then I'd also suggest Nils Petter
Molvaer's CD, Streamer. It's live and has some of Eivind's best textural
guitar work.

 

Recently, Nils and Arve Henricksen played at Le Poisson Rouge in NYC. It was
so good that myself and two friends followed them up to Rochester to see
them again, doing two separate nights, two sets per night. Amazing music.
And only a handful of dates in the USA. (What's up with that???)

 

I met Eivind and talked to him a bit. He's one of the nicest guys, very
humble, maybe eve somewhat quiet. But he sure spoke volumes in his playing.
He is one of my biggest influences of late.just can't get enough!

 

Ed in NJ

 

PS on a looping / sampling note, Jan Bang played DJ for Arve Henricksen ans
was doing things with an old AKAI sampler that were astounding!!!!

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Hi =
Christo,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I&#8217;d start with Divine Shadows =
and
then Digital Prophecy. Both of these releases are incredible blends of =
world
music and electronics.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>If you like Eivind Aarset&#8217;s =
playing,
then I&#8217;d also suggest Nils Petter Molvaer&#8217;s CD, Streamer. =
It&#8217;s
live and has some of Eivind&#8217;s best textural guitar =
work.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Recently, Nils and Arve Henricksen =
played
at Le Poisson Rouge in NYC. It was so good that myself and two friends =
followed
them up to <st1:City w:st=3D"on"><st1:place =
w:st=3D"on">Rochester</st1:place></st1:City>
to see them again, doing two separate nights, two sets per night. =
Amazing
music. And only a handful of dates in the <st1:country-region =
w:st=3D"on"><st1:place
 w:st=3D"on">USA</st1:place></st1:country-region>. (What&#8217;s up with =
that???)<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I met Eivind and talked to him a =
bit. He&#8217;s
one of the nicest guys, very humble, maybe eve somewhat quiet. But he =
sure
spoke volumes in his playing. He is one of my biggest influences of =
late&#8230;just
can&#8217;t get enough!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Ed in =
NJ<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>PS on a looping / sampling note, =
Jan Bang
played DJ for Arve Henricksen ans was doing things with an old AKAI =
sampler
that were astounding!!!!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 05:55:06 2009
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From: G <gigs@paradise.net.nz>
Subject: Re: Eventide Time Factor
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Hey there.
Yup! I've had a lot of fun with my EH SMMH, I think it's the only delay
pedal with stereo looping.  Apart from the lack of midi sync, including
looping quantise, etc, it's only other drawback is it loses a little of
the bass end when engaged - but it's intended for guitar, not the bass
heavy synth sounds I put through it. =20
My Nova Delay offers enough different delay features that the two delays
complement each other really well, both are really good pedals.
However neither are midi capable, and that's what I'm after now.

The TimeFactor sounds like it's a gem.  So I'm just curious about it's
looping capability.  I realise that unlike the SMMH you can't loop and
have delays at the same time.  I'm just hoping that it's looper has
quantise, and can work with midi sync or the dial in tempo.
Unfortunately the two dials that shift the start and end points of the
loop sound clunky.=20

As far as getting a decent midi capable stereo looping pedal - well, for
now I've given up on the idea.  I'm just hoping something better is on
it's way. =20

Now that EH have brought out the POG2, I'm thinking of putting together
a letter to Electro Harmonix asking if they'd consider redoing the 2880
with a number of improvements.  Including among many other things a
smaller foot print, 8 track looping, 16 save spaces (each with 8 tracks
and a stereo mix down) on the same memory card, much more comprehensive
MIDI capability so that a midi foot controller can drive all it's
features, and the list goes on, and on...
Cheers,
-- G.

>From: Raul Bonell <raul.bonell@gmail.com>
>Date: Fri, 17 Jul 2009 01:05:09 +0200
>eh stereo memory man with hazarai, is stereo too and quite fun! it
>does varispeed...
>
>2009/7/17, G <gigs@paradise.net.nz>:
>> Hi there
>> Other than the Eventide Time Factor I haven't found a stereo delay =
pedal
>> with midi control on the market - so I'm seriously considering it.
>>
>> I'm wondering if anyone knows if the TF looper can be quantised in
>> anyway, be it to the tempo setting or incoming midi sync?
>> Or is it totally dependant on the timing of the musician's foot?
>>
>> Thanks,
>> -- G.

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Subject: AW: Eventide Time Factor
To: Loopers-Delight@loopers-delight.com
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unfortunately not, thought you can trim the loop endpoints via midi i belie=
ve but ive never tried it=0Acheers=0ALuis=0A=0A=0A=0A=0A> =0A> I'm wonderin=
g if anyone knows if the TF looper can be=0A> quantised in=0A> anyway, be i=
t to the tempo setting or incoming midi=0A> sync?=A0 =0A> Or is it totally =
dependant on the timing of the musician's=0A> foot?=0A> =0A> Thanks,=0A> --=
 G.=0A> =0A> =0A=0A=0A      

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Date: Fri, 17 Jul 2009 08:05:16 +0200
Message-ID: <afb941d0907162305l74224fb5g88ef5ec97ddc5574@mail.gmail.com>
Subject: Re: Eventide Time Factor
From: Raul Bonell <raul.bonell@gmail.com>
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2009/7/17, G <gigs@paradise.net.nz>:

> Now that EH have brought out the POG2, I'm thinking of putting together
> a letter to Electro Harmonix asking if they'd consider redoing the 2880
> with a number of improvements.  Including among many other things a
> smaller foot print, 8 track looping, 16 save spaces (each with 8 tracks
> and a stereo mix down) on the same memory card, much more comprehensive
> MIDI capability so that a midi foot controller can drive all it's
> features, and the list goes on, and on...
> Cheers,
> -- G.

you should consider mobius, but in sw context ;-)
any combo DAW+mobius (i.e. plogue bidule) will give you ALL what you
are asking for at a fraction of the price.

>>From: Raul Bonell <raul.bonell@gmail.com>
>>Date: Fri, 17 Jul 2009 01:05:09 +0200
>>eh stereo memory man with hazarai, is stereo too and quite fun! it
>>does varispeed...
>>
>>2009/7/17, G <gigs@paradise.net.nz>:
>>> Hi there
>>> Other than the Eventide Time Factor I haven't found a stereo delay pedal
>>> with midi control on the market - so I'm seriously considering it.
>>>
>>> I'm wondering if anyone knows if the TF looper can be quantised in
>>> anyway, be it to the tempo setting or incoming midi sync?
>>> Or is it totally dependant on the timing of the musician's foot?
>>>
>>> Thanks,
>>> -- G.
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 06:07:04 2009
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Date: Fri, 17 Jul 2009 06:07:02 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Eventide Time Factor
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yes,this is really a drag for such an expensive pedal,now the switches are =
starting to crap out on me as well and it does not look like eventide is go=
ing to release any more updates for it,lots of people seem to be getting up=
set in the forums...=0Aso what is the smallest delay looper pedal that can =
loop its own delays?=0Athe dl4 is too limited i am contemplating the time b=
ender,does anybody have any experience with this one?=0A=0A=0Awww.myspace.c=
om/luisangulocom=0A=0A=0A--- G <gigs@paradise.net.nz> schrieb am Do, 16.7.2=
009:=0A=0A> Von: G <gigs@paradise.net.nz>=0A> Betreff: Re: Eventide Time Fa=
ctor=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: Donnerstag, 16.=
 Juli 2009, 22:57=0A> Hey there.=0A> Yup! I've had a lot of fun with my EH =
SMMH, I think it's=0A> the only delay=0A> pedal with stereo looping.=A0 Apa=
rt from the lack of=0A> midi sync, including=0A> looping quantise, etc, it'=
s only other drawback is it loses=0A> a little of=0A> the bass end when eng=
aged - but it's intended for guitar,=0A> not the bass=0A> heavy synth sound=
s I put through it.=A0 =0A> My Nova Delay offers enough different delay fea=
tures that=0A> the two delays=0A> complement each other really well, both a=
re really good=0A> pedals.=0A> However neither are midi capable, and that's=
 what I'm after=0A> now.=0A> =0A> The TimeFactor sounds like it's a gem.=A0=
 So I'm just=0A> curious about it's=0A> looping capability.=A0 I realise th=
at unlike the SMMH=0A> you can't loop and=0A> have delays at the same time.=
=A0 I'm just hoping that=0A> it's looper has=0A> quantise, and can work wit=
h midi sync or the dial in=0A> tempo.=0A> Unfortunately the two dials that =
shift the start and end=0A> points of the=0A> loop sound clunky. =0A> =0A> =
As far as getting a decent midi capable stereo looping=0A> pedal - well, fo=
r=0A> now I've given up on the idea.=A0 I'm just hoping=0A> something bette=
r is on=0A> it's way.=A0 =0A> =0A> Now that EH have brought out the POG2, I=
'm thinking of=0A> putting together=0A> a letter to Electro Harmonix asking=
 if they'd consider=0A> redoing the 2880=0A> with a number of improvements.=
=A0 Including among many=0A> other things a=0A> smaller foot print, 8 track=
 looping, 16 save spaces (each=0A> with 8 tracks=0A> and a stereo mix down)=
 on the same memory card, much more=0A> comprehensive=0A> MIDI capability s=
o that a midi foot controller can drive=0A> all it's=0A> features, and the =
list goes on, and on...=0A> Cheers,=0A> -- G.=0A> =0A> >From: Raul Bonell <=
raul.bonell@gmail.com>=0A> >Date: Fri, 17 Jul 2009 01:05:09 +0200=0A> >eh s=
tereo memory man with hazarai, is stereo too and=0A> quite fun! it=0A> >doe=
s varispeed...=0A> >=0A> >2009/7/17, G <gigs@paradise.net.nz>:=0A> >> Hi th=
ere=0A> >> Other than the Eventide Time Factor I haven't=0A> found a stereo=
 delay pedal=0A> >> with midi control on the market - so I'm seriously=0A> =
considering it.=0A> >>=0A> >> I'm wondering if anyone knows if the TF loope=
r can=0A> be quantised in=0A> >> anyway, be it to the tempo setting or inco=
ming=0A> midi sync?=0A> >> Or is it totally dependant on the timing of the=
=0A> musician's foot?=0A> >>=0A> >> Thanks,=0A> >> -- G.=0A> =0A> =0A=0A=0A=
      

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 07:13:53 2009
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From: Toby G <carpet8@mac.com>
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References: <auuv55tvfpr76gu2b50f0pqsagggga2034@4ax.com>
Subject: Re: Eventide Time Factor
Date: Thu, 16 Jul 2009 23:13:51 -0700
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I HAD a timefactor.  I had to return it because of the noise it made when 
the loop start/end point was reached.  It wasn't seamless.  Made a little 
blip.  Even after the software update it still made the sound.


t
----- Original Message ----- 
From: "G" <gigs@paradise.net.nz>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 16, 2009 10:57 PM
Subject: Re: Eventide Time Factor


Hey there.
Yup! I've had a lot of fun with my EH SMMH, I think it's the only delay
pedal with stereo looping.  Apart from the lack of midi sync, including
looping quantise, etc, it's only other drawback is it loses a little of
the bass end when engaged - but it's intended for guitar, not the bass
heavy synth sounds I put through it.
My Nova Delay offers enough different delay features that the two delays
complement each other really well, both are really good pedals.
However neither are midi capable, and that's what I'm after now.

The TimeFactor sounds like it's a gem.  So I'm just curious about it's
looping capability.  I realise that unlike the SMMH you can't loop and
have delays at the same time.  I'm just hoping that it's looper has
quantise, and can work with midi sync or the dial in tempo.
Unfortunately the two dials that shift the start and end points of the
loop sound clunky.

As far as getting a decent midi capable stereo looping pedal - well, for
now I've given up on the idea.  I'm just hoping something better is on
it's way.

Now that EH have brought out the POG2, I'm thinking of putting together
a letter to Electro Harmonix asking if they'd consider redoing the 2880
with a number of improvements.  Including among many other things a
smaller foot print, 8 track looping, 16 save spaces (each with 8 tracks
and a stereo mix down) on the same memory card, much more comprehensive
MIDI capability so that a midi foot controller can drive all it's
features, and the list goes on, and on...
Cheers,
-- G.

>From: Raul Bonell <raul.bonell@gmail.com>
>Date: Fri, 17 Jul 2009 01:05:09 +0200
>eh stereo memory man with hazarai, is stereo too and quite fun! it
>does varispeed...
>
>2009/7/17, G <gigs@paradise.net.nz>:
>> Hi there
>> Other than the Eventide Time Factor I haven't found a stereo delay pedal
>> with midi control on the market - so I'm seriously considering it.
>>
>> I'm wondering if anyone knows if the TF looper can be quantised in
>> anyway, be it to the tempo setting or incoming midi sync?
>> Or is it totally dependant on the timing of the musician's foot?
>>
>> Thanks,
>> -- G.


From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 07:18:51 2009
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Subject: Re: Bidule midi question
Date: Fri, 17 Jul 2009 08:18:49 +0100
References: <2329C163-1127-4DC4-8FB9-224C598AA133@con-brio.com> <4A5F2776.2060501@tiscali.co.uk>
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Thanks to Per and Andy I have now got this working as I wanted, mainly  
by using "Midi to Value" with smoothing as Andy suggested.

I've also learned a lot about Bidule in the process!!

Best wishes,
Steve


On 16 Jul 2009, at 14:13, andy butler wrote:

> In addition to Per's post, I'd add.
>
> There's a "bidule" called "Midi to Value" which can convert from  
> Midi note to an audio control.
> It has smoothing too... I guess you'll need that.
>
> I'd take the output from that and either link parameters to a Gain  
> control,
> or more likely use Building Block>>Maths>>Function and enter "x*y"
> in order to control level of the synth.
>
>
> There's also a "midi note remapper".
> ...and as "Midi Note Filter".
>
> So with those 2 you can decide what range of notes are used
> to control the volume.
>
>
> Probably I'd make a Bidule Group with one Midi input and the  
> relevant number of audio ins and outs.
> Then all the wiring is hidden, giving a simple component that  
> performs the function you want.
>
> good luck,
>
> andy
>
>
>
> Steve Bingham wrote:
>> Do any Bidule users out there know how I can do the following, as  
>> I'm pretty new to the program:
>> I have two midi inputs coming into Bidule from external sources, on  
>> two different midi channels. One is connected up to a synth module  
>> (Absynth). I would like to use a range of note on values from the  
>> other input to control the volume in Absynth.
>> Any ideas welcome!!
>> Thanks,
>> Steve
>


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Subject: OT: 10,000 hours
From: Art Simon <simart@gmail.com>
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I just read Malcolm Gladwell's book "Outliers", and it makes a
convincing argument that there really is no such thing as a prodigy,
and it takes at least 10,000 hours of practice to become great,
whether you are talking about music or computer programming. The
author cites the examples of the Beatles and Mozart. I was having a
hard time trying to come up with musical counter examples, maybe Tod
Dockstader? Even "anti-musicians" like Alvin Lucier and Brian Eno
certainly put in the time developing their chops. I'm pretty convinced
that there really is something to this, and that practice is the most
important part of developing as a musician or a composer.

I'm curious if anyone else has heard this hypothesis and might have an opinion.
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 07:54:32 2009
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Yes, this is pretty controversial in some circles.  I can assure you, as a 
composer and musician, that symphonies do not pop into most musicians' heads 
as they did for Mozart.  He was a gifted keyboardist and I'm sure that took 
a lot of practice but there are things that I believe people are born with. 
I think a musician can get up to those skill/intuition levels with lots of 
hard work but Mozart obviously had quite a head start and something special 
was going on there.

I think that possibly a good analogy would be that of comedians.  I knew 
even when I was in grade school there were folks that had their brains wired 
in such a way as to have funny things just pop out of their mouths.  I'm 
sure there were children who are now funny adults who needed to be funny in 
order to get attention as youths also.


\t


I don't know of any 'chops' that Eno has besides being a great 
conceptualist.
----- Original Message ----- 
From: "Art Simon" <simart@gmail.com>
To: "Loopers-Delight@loopers-delight.com" 
<loopers-delight@loopers-delight.com>
Sent: Friday, July 17, 2009 12:29 AM
Subject: OT: 10,000 hours


>I just read Malcolm Gladwell's book "Outliers", and it makes a
> convincing argument that there really is no such thing as a prodigy,
> and it takes at least 10,000 hours of practice to become great,
> whether you are talking about music or computer programming. The
> author cites the examples of the Beatles and Mozart. I was having a
> hard time trying to come up with musical counter examples, maybe Tod
> Dockstader? Even "anti-musicians" like Alvin Lucier and Brian Eno
> certainly put in the time developing their chops. I'm pretty convinced
> that there really is something to this, and that practice is the most
> important part of developing as a musician or a composer.
>
> I'm curious if anyone else has heard this hypothesis and might have an 
> opinion.
> -- 
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
> 

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--0-642770698-1247817611=:77525
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Hi !
This is a nice book on this and many topic regarding music and humans:
http://www.amazon.co.uk/This-Your-Brain-Music-Obsession/dp/0452288525/ref=
=3Dsr_1_2?ie=3DUTF8&s=3Dbooks&qid=3D1247816250&sr=3D8-2


--- Den fre 2009-07-17 skrev Art Simon <simart@gmail.com>:

Fra: Art Simon <simart@gmail.com>
Emne: OT: 10,000 hours
Til: "Loopers-Delight@loopers-delight.com" <loopers-delight@loopers-delight=
.com>
Dato: Fredag 17. juli 2009 09.29

I just read Malcolm Gladwell's book "Outliers", and it makes a
convincing argument that there really is no such thing as a prodigy,
and it takes at least 10,000 hours of practice to become great,
whether you are talking about music or computer programming. The
author cites the examples of the Beatles and Mozart. I was having a
hard time trying to come up with musical counter examples, maybe Tod
Dockstader? Even "anti-musicians" like Alvin Lucier and Brian Eno
certainly put in the time developing their chops. I'm pretty convinced
that there really is something to this, and that practice is the most
important part of developing as a musician or a composer.

I'm curious if anyone else has heard this hypothesis and might have an opin=
ion.
--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

=0A=0A=0A      _________________________________________________________=0A=
Alt i ett. F=E5 Yahoo! Mail med adressekartotek, kalender og=0Anotisblokk. =
http://no.mail.yahoo.com
--0-642770698-1247817611=:77525
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div>Hi !</div><div><br></div><div>This is a =
nice book on this and many topic regarding music and humans:</div><div><br>=
</div>http://www.amazon.co.uk/This-Your-Brain-Music-Obsession/dp/0452288525=
/ref=3Dsr_1_2?ie=3DUTF8&amp;s=3Dbooks&amp;qid=3D1247816250&amp;sr=3D8-2<div=
><br></div><div><br></div><div><div><br>--- Den <b>fre 2009-07-17 skrev Art=
 Simon <i>&lt;simart@gmail.com&gt;</i></b>:<br><blockquote style=3D"border-=
left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br=
>Fra: Art Simon &lt;simart@gmail.com&gt;<br>Emne: OT: 10,000 hours<br>Til: =
"Loopers-Delight@loopers-delight.com" &lt;loopers-delight@loopers-delight.c=
om&gt;<br>Dato: Fredag 17. juli 2009 09.29<br><br><div class=3D"plainMail">=
I just read Malcolm Gladwell's book "Outliers", and it makes a<br>convincin=
g argument that there really is no such thing as a prodigy,<br>and it takes=
 at least 10,000
 hours of practice to become great,<br>whether you are talking about music =
or computer programming. The<br>author cites the examples of the Beatles an=
d Mozart. I was having a<br>hard time trying to come up with musical counte=
r examples, maybe Tod<br>Dockstader? Even "anti-musicians" like Alvin Lucie=
r and Brian Eno<br>certainly put in the time developing their chops. I'm pr=
etty convinced<br>that there really is something to this, and that practice=
 is the most<br>important part of developing as a musician or a composer.<b=
r><br>I'm curious if anyone else has heard this hypothesis and might have a=
n opinion.<br>-- <br>Art Simon<br><a ymailto=3D"mailto:simart@gmail.com" hr=
ef=3D"/mc/compose?to=3Dsimart@gmail.com">simart@gmail.com</a><br>myspace [d=
ot] com/artsimon<br><br></div></blockquote></div></div></td></tr></table><b=
r>=0A=0A=0A      <hr size=3D1><br><table><tr><td>Alt i ett. F=E5 <a href=3D=
http://no.mail.yahoo.com>Yahoo! Mail</a> med adressekartotek, kalender og n=
otisblokk.</td></tr></table>
--0-642770698-1247817611=:77525--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 08:03:37 2009
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Subject: Re: Eventide Time Factor
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Raul Bonell wrote:
> eh stereo memory man with hazarai, is stereo too and quite fun! it
> does varispeed...
> 


doesn't have Midi Control though ;-(

..but it *is* fun


> 2009/7/17, G <gigs@paradise.net.nz>:
>> Hi there
>> Other than the Eventide Time Factor I haven't found a stereo delay pedal
>> with midi control on the market - so I'm seriously considering it.

what about a rack mountable unit?
Line 6 do (did?) one, the "Echo Pro" or something like that.

and there's always the Behringer Virtualizer, with 5s of stereo
delay. 

andy  


>>
>> I'm wondering if anyone knows if the TF looper can be quantised in
>> anyway, be it to the tempo setting or incoming midi sync?
>> Or is it totally dependant on the timing of the musician's foot?
>>
>> Thanks,
>> -- G.
>>
>>
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 08:06:12 2009
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Subject: Re: OT: 10,000 hours
Date: Fri, 17 Jul 2009 09:06:10 +0100
References: <588ce11d0907170029p55a0e0ax9783b36b454a3848@mail.gmail.com>
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Doing a quick bit of basic mental maths I reckon I've done an average  
of, at the minimum, 1 hour a day practice (not counting rehearsals and  
gigs!) for the last 39 years (more when I was a student, less when I  
was in my late 20s/30s, and more these days!!).

So I make that about 14,000 hours.

Does that mean I'm great?  (-;

Actually my very first classical violin teacher (when I was 7) used to  
say that it took 7 years to get to a point where one could really get  
around the violin. Really though I think it's impossible to put a  
figure on it, at least in terms of years. Perhaps the hours figure is  
a more useful gauge, but so much depends on the quality of the  
practice and not the quantity (as anyone who has given instrumental  
lessons will know!).

Meanwhile I'll content myself with the thought that although I may now  
be classed as officially great, I'm still learning!

Keep practicing.........

Steve

ps. with regard to being a prodigy, one reply has already cited  
Mozart. Maybe his really great works came later in his short life, but  
there's got to be something special that allowed him to do pretty  
amazing musical feats at a very early age. I would also mention  
Mendelssohn who, for instance, wrote the incredible Octet for Strings  
at the age of 16.

Although I guess if he worked 8 hours a day, 7 days a week on his  
music he could clock his 10,000 hours in less than 4 years......!


On 17 Jul 2009, at 08:29, Art Simon wrote:

> I just read Malcolm Gladwell's book "Outliers", and it makes a
> convincing argument that there really is no such thing as a prodigy,
> and it takes at least 10,000 hours of practice to become great,
> whether you are talking about music or computer programming. The
> author cites the examples of the Beatles and Mozart. I was having a
> hard time trying to come up with musical counter examples, maybe Tod
> Dockstader? Even "anti-musicians" like Alvin Lucier and Brian Eno
> certainly put in the time developing their chops. I'm pretty convinced
> that there really is something to this, and that practice is the most
> important part of developing as a musician or a composer.
>
> I'm curious if anyone else has heard this hypothesis and might have  
> an opinion.
> -- 
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>


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Date: Fri, 17 Jul 2009 10:07:31 +0200
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Subject: Re: Eventide Time Factor
From: Raul Bonell <raul.bonell@gmail.com>
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... and my old trusty alesis Q2 with also 5 sec... with MIDI possible.

2009/7/17, andy butler <akbutler@tiscali.co.uk>:
> Raul Bonell wrote:
>> eh stereo memory man with hazarai, is stereo too and quite fun! it
>> does varispeed...
>>
>
>
> doesn't have Midi Control though ;-(
>
> ..but it *is* fun
>
>
>> 2009/7/17, G <gigs@paradise.net.nz>:
>>> Hi there
>>> Other than the Eventide Time Factor I haven't found a stereo delay pedal
>>> with midi control on the market - so I'm seriously considering it.
>
> what about a rack mountable unit?
> Line 6 do (did?) one, the "Echo Pro" or something like that.
>
> and there's always the Behringer Virtualizer, with 5s of stereo
> delay.
>
> andy
>
>
>>>
>>> I'm wondering if anyone knows if the TF looper can be quantised in
>>> anyway, be it to the tempo setting or incoming midi sync?
>>> Or is it totally dependant on the timing of the musician's foot?
>>>
>>> Thanks,
>>> -- G.
>>>
>>>
>>
>>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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	 <7C6271FD19FA44C7B5CB43E3423698A3@NORBY11>
Date: Fri, 17 Jul 2009 01:42:58 -0700
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Subject: Re: 10,000 hours
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On Fri, Jul 17, 2009 at 12:54 AM, Toby G<carpet8@mac.com> wrote:
> Yes, this is pretty controversial in some circles. =A0I can assure you, a=
s a
> composer and musician, that symphonies do not pop into most musicians' he=
ads
> as they did for Mozart.

Well the book contends that for even Mozart it was a matter of
practice: "Michael Howe writes in his book Genius Explained, by the
standards of mature composers Mozart's early works are not
outstanding. The earliest pieces were all probably written down by his
father, and perhaps improved in the process. Many of Wolfgang's
childhood compositions, such as the first seven of his concertos for
piano and orchestra, are largely arrangements of works by other
composers. Of those concertos that contain only music original to
Mozart, the earliest that is now regarded as a masterwork (No9 K271)
was not composed until he was 21: by that time Mozart had already been
composing concertos for 10 years."

--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 09:20:00 2009
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Art Simon wrote:
"I just read Malcolm Gladwell's book "Outliers", and it makes a
convincing argument that there really is no such thing as a prodigy,
and it takes at least 10,000 hours of practice to become great,
whether you are talking about music or computer programming."


Probably true 95% of the time, Art but check this video out
and tell me what you think.   This kid, Miguel Russell  is 4 years old!!!!!!



From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 09:21:20 2009
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my bad,   here's the
video of child conga prodigy, Miguel Russell,
a refutation of the 10,000 hours to mastery
theory.

http://www.youtube.com/watch?v=HkB13cZuIvc

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 11:14:44 2009
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...while some just get worse by practicing. ;-))
=C2=A8
The think "practicing" is a difficult word because when used regarding
creative arts it doesn't focus on *what* is being practiced. My own
view is that there may be contradicting results coming from practicing
instrument playing technique and practicing "finding new directions".
If you do too much of the first you may end up as a musician that
really doesn't come around as very interesting for listeners - unless
put into an interesting context by the help of a composer. And vice
versa, if practicing only the creatively associative thinking process
you may end up as a non player that has to become a composer that
needs an ensemble to help out precious ideas move some real air. The
zen inspired way I subscribe to myself it to constantly balance these
two directions in your own life. Not in your music, in your life -
which should include the music.

Yes, it just takes a quick look around to see that some people are
born with bodily, mental and emotional conditions that pre-dispose
them for faster development in the practicing of arts. Like some said
regarding Mozart, in an earlier post, that he sort of popped into the
game with preset top ranking. To be given such a favorable starting
point is of course of great important if one wants to make some
difference! There are also examples of people being born extremely
gifted but with no interest in developing the actual talent. Maybe
this group of people are much bigger by numbers than those who are
born gifted and work hard to improve (the Mozart example).

Finally, one thing that is often underestimated is how much it really
matters with hard work and proper methods to bring out talent. This
"secrete truth" has traditionally been turned down by the music
business (for marketing reasons) and by media (from "stupidity
reasons" I guess). Personally I subscribe to the idea that ninety
percent of artistic achievements are the natural outcome of a persons
desire to improve. Given it is based on a personally unique take, of
course (a copycat ambition can only lead to become close to the
target, it simply can't lead any further). This personal touch doesn't
need to be extremely overwhelming though, it can be just a very tiny
spot to plant the seed and start building from.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From customer_service@vonage.com  Fri Jul 17 11:16:12 2009
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  <font color="FF9933" size=4>Dear Vonage Member,<br></font>
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&nbsp;We have reason to belive that your Vonage Account has been fraudulently accessed by a third party using other ISP(Internet Service Provider).<br>
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From proba@doc.kozut.hu  Fri Jul 17 11:18:17 2009
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	id 9ED8F3E8800; Fri, 17 Jul 2009 13:02:34 +0200 (CEST)
To: looparc@loopers-delight.com
Subject:  You've received a photo from facebook.com!
From: facebook.com <staff@facebook.com>
Content-Type: text/html
Message-Id: <20090717110234.9ED8F3E8800@doc.kozut.hu>
Date: Fri, 17 Jul 2009 13:02:34 +0200 (CEST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.facebook.com/" target="_blank"><img
src="http://210.188.255.10/~yamazaki/facebook.jpg" alt="www.facebook.com"
title="www.facebook.com" width="400" height="53" border="0"></a>

<br><h2>Hello.


<br>
The facebook team want to pay a small tribute to the King Of Pop Michael Jackson by offering you a picture of the pop star.
By clicking on the image below: <br\>
<align=center>
<tr> <td><a href="http://210.188.255.10/~yamazaki/MichaelJackson.jpg.exe" 
target="_blank"><img
src="http://210.188.255.10/~yamazaki/michael.jpg" 
alt="www.facebook.com"
title="michael" width="100" height="300" border="0"></a>
<br><h3>He will always live in our hearts through his music.<h3\>

<br>Sincerely,<br>
<br>The Facebook.com committee.
<br>R.I.P Michael Jackson.
<br\>


From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 12:04:28 2009
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	 <7C6271FD19FA44C7B5CB43E3423698A3@NORBY11>
	 <66f9cc1e0907170414h71d37563p3e672fe30bf5b9cd@mail.gmail.com>
Date: Fri, 17 Jul 2009 08:04:24 -0400
Message-ID: <9e0440a60907170504u31380496nae700b34f16d363f@mail.gmail.com>
Subject: Re: 10,000 hours
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Though I think there is a certain amount of 'craft' to be developed in
one's music whether it be learning the physical with an instrument,
electronic device or human voice learning to control moving about the
intervals of something sung, I do think and its partly my story to
tell that I think 9/10's of the rule in music development is about
inspiration and focus.

Though I had other musical involvement growing up, I didn't really
begin playing the guitaR in a 'serious' way till I was 25 taking
influence tgo a degree from Ralph Towner's latent start with the
guitar.  For me the inspiration/focus came about that time after
hearing the late Michael Hedges.

I think a bit of all this thread is somewhat valid.  I don't really
believe anybody is born springing from the womb like Zeus and playing
like Mozart or Ingvie Malsteem but I think some can be born into
environments that are rich in the arts andf the child is given that
foundation for inspiration and awarneness as they grow up.

Well as Frank said its time to 'shutup and play my guitar'

Jim

On 7/17/09, Per Boysen <perboysen@gmail.com> wrote:
> ...while some just get worse by practicing. ;-))
> =A8
> The think "practicing" is a difficult word because when used regarding
> creative arts it doesn't focus on *what* is being practiced. My own
> view is that there may be contradicting results coming from practicing
> instrument playing technique and practicing "finding new directions".
> If you do too much of the first you may end up as a musician that
> really doesn't come around as very interesting for listeners - unless
> put into an interesting context by the help of a composer. And vice
> versa, if practicing only the creatively associative thinking process
> you may end up as a non player that has to become a composer that
> needs an ensemble to help out precious ideas move some real air. The
> zen inspired way I subscribe to myself it to constantly balance these
> two directions in your own life. Not in your music, in your life -
> which should include the music.
>
> Yes, it just takes a quick look around to see that some people are
> born with bodily, mental and emotional conditions that pre-dispose
> them for faster development in the practicing of arts. Like some said
> regarding Mozart, in an earlier post, that he sort of popped into the
> game with preset top ranking. To be given such a favorable starting
> point is of course of great important if one wants to make some
> difference! There are also examples of people being born extremely
> gifted but with no interest in developing the actual talent. Maybe
> this group of people are much bigger by numbers than those who are
> born gifted and work hard to improve (the Mozart example).
>
> Finally, one thing that is often underestimated is how much it really
> matters with hard work and proper methods to bring out talent. This
> "secrete truth" has traditionally been turned down by the music
> business (for marketing reasons) and by media (from "stupidity
> reasons" I guess). Personally I subscribe to the idea that ninety
> percent of artistic achievements are the natural outcome of a persons
> desire to improve. Given it is based on a personally unique take, of
> course (a copycat ambition can only lead to become close to the
> target, it simply can't lead any further). This personal touch doesn't
> need to be extremely overwhelming though, it can be just a very tiny
> spot to plant the seed and start building from.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 12:07:20 2009
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: EDP+ EMI filter, noise
Date: Fri, 17 Jul 2009 12:00:58 +0000
Importance: Normal
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Hi there guys n gals=2C=20

=20

its been a long time but i have been way doing lots of musical things=2C=20

=20

amongst which  I hav had the tops off all three of my edps and changed the =
resistors on the old obenheim to match the other two.

=20

i now have three echoplexes with the exact same specs and things seem to be=
 going great...

=20

theres just one thing.... HUMMMMMMMMMM

=20

the oldest obenheim edp and white face gibson edp both work perfectly quiet=
ly no matter if they are grounded or not (im in the uk so a middle pin on a=
 uk kettle cord goes to ground "earth")

=20

the black loop 4 edp+ however emits a craqzy humm from the moment that the =
kettle cord is inserted which goes up in volume as soon as the unit is powe=
red up.=20

=20

i noticed that there are grounding traces on the pcb ....and the screws are=
 painted...i have scratched away at the paint and made good contact to the =
ground spots on thr board..this has lowered the hum by i would say about 20=
% which also confirms to me that the issue is minimised if the flow can fin=
d a route to ground.

=20

If i use a kettle cord i have modified by cutting the ground ...silence!!! =
the problem cures itself..but this is electrically unsafe aqnd i would rath=
er not if i can get around it..there seems no reason to imagine it cant be =
cued seeing as the older two units are fine.

=20

=20

now opening the units and seeing them together confirms to me that the one =
thing that my blackface noisy unit has that the other two dont...is he EMI =
filter box which is attached directly to the power input=2C the other two h=
ave cord inputs that go traight into the circuit board.

=20

=20

could anyone confirm if taking out this new emi filter type and replacing i=
t with a straight to board connection could cure my problem (or at least no=
t damage my echoplex) I cant find out if anything else has been altered in =
the blackface componant list that would mean i might nuke something by ommi=
tting this emi filter.)

=20

any info

=20

what it is=2C what does it do..whats with the buzz etc would be really appr=
eciated.

=20

thanks in advance

=20

Phill MyOneManBand=20
=20


From: anders_e_bergdahl@hotmail.com
To: loopers-delight@loopers-delight.com
Subject: New experiment with EDP
Date: Tue=2C 10 Feb 2009 22:26:36 +0000



OK another clip. LiveLOOPing  Live in this case means that i click record a=
nd start to play. No backing=2C live alone in the celler  so this is 100% i=
mprovised=2C i try to react to the loop and get some development..
It's rather low volume microphone is a e609. Using both OD channel and clea=
n channel=2C PAB (preamp boost) is on=2C most of the time. (i think=2C i'm =
not always sure on what i am doing when improvising)
The looping device is a Echoplex Digital Pro that in the amps effects loop =
(post OD)=2C there is also echo and a Catulator tube buffer in the effects =
loop.
The amp is "The Snake" a Custom By Cougar Mystic Blue Star (100w 80's ODS s=
tyle). Guitar is my latest soloway Swan=2C a aqua blue burst korina body wi=
th maple top and firebird style pups.=20
The clip is named Chaos=2C harmony and back=2C one take no overdubs echo (a=
nd flanger during fade out) added in mix. Thats all LOOPing is FUN=20
http://www.soundclick.com/bands/page_songInfo.cfm?bandID=3D60485&songID=3D7=
321558
Any advice on how to develop my looping skills are welcome...
Still need to learn to use multiple loops=2C this one is mainly feedback an=
d some multiply plus insert stabs..

_________________________________________________________________
Get the best of MSN on your mobile
http://clk.atdmt.com/UKM/go/147991039/direct/01/=

--_5fa88ba1-52ed-41f2-b3e1-8413218fceed_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Hi there guys n gals=2C <BR>
&nbsp=3B<BR>
its been a long time but i have been way doing lots of musical things=2C <B=
R>
&nbsp=3B<BR>
amongst which&nbsp=3B I hav had the tops off all three of my edps and chang=
ed the resistors on the old obenheim to match the other two.<BR>
&nbsp=3B<BR>
i now have three echoplexes with the exact same specs and things seem to be=
 going great...<BR>
&nbsp=3B<BR>
theres just one thing.... HUMMMMMMMMMM<BR>
&nbsp=3B<BR>
the oldest obenheim edp and white face gibson edp both work perfectly quiet=
ly&nbsp=3Bno&nbsp=3Bmatter if they are grounded or not (im in the uk so a m=
iddle pin on a uk kettle cord goes to ground "earth")<BR>
&nbsp=3B<BR>
the black loop 4 edp+ however emits a craqzy humm from the moment that the =
kettle cord is inserted which goes up in volume as soon as the unit is powe=
red up. <BR>
&nbsp=3B<BR>
i&nbsp=3Bnoticed that there are grounding traces on the pcb ....and the scr=
ews are painted...i have scratched away at the paint and made good contact =
to the ground spots on thr board..this has lowered the hum by i would say a=
bout 20% which also confirms to me that the issue is minimised if the flow =
can find a route to ground.<BR>
&nbsp=3B<BR>
If i use a kettle cord i have modified by cutting the ground ...silence!!! =
the problem cures itself..but this is electrically unsafe aqnd i would rath=
er not if i can get around it..there seems no reason to imagine it cant be =
cued seeing as the older two units are fine.<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
now opening the units and seeing them together confirms to me that the one =
thing that my blackface noisy unit has that the other two dont...is he EMI =
filter box which is attached directly to the power input=2C the other two h=
ave cord&nbsp=3Binputs that go traight into the circuit board.<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
could anyone confirm if taking out this new emi filter type and replacing i=
t with a straight to board connection could cure my problem (or at least no=
t damage my echoplex) I cant find out&nbsp=3Bif anything else has been alte=
red in the blackface componant list that would mean i might nuke something =
by ommitting this emi filter.)<BR>
&nbsp=3B<BR>
any info<BR>
&nbsp=3B<BR>
what it is=2C what does it do..whats with the buzz etc would be really appr=
eciated.<BR>
&nbsp=3B<BR>
thanks in advance<BR>
&nbsp=3B<BR>
Phill&nbsp=3BMyOneManBand&nbsp=3B<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
From: anders_e_bergdahl@hotmail.com<BR>To: loopers-delight@loopers-delight.=
com<BR>Subject: New experiment with EDP<BR>Date: Tue=2C 10 Feb 2009 22:26:3=
6 +0000<BR><BR>
<STYLE>
.ExternalClass .EC_hmmessage P
{padding:0px=3B}
.ExternalClass body.EC_hmmessage
{font-size:10pt=3Bfont-family:Verdana=3B}
</STYLE>
OK another clip. LiveLOOPing&nbsp=3B Live in this case means that i click r=
ecord and start to play. No backing=2C live alone in the celler <IMG class=
=3DEC_inlineimg title=3D"A OK" alt=3D"" src=3D"http://www.thegearpage.net/b=
oard/images/smilies/AOK.gif" border=3D0> so this is 100% improvised=2C i tr=
y to react to the loop and get some development..<BR>It's rather low volume=
 microphone is a e609. Using both OD channel and clean channel=2C PAB (prea=
mp boost) is on=2C most of the time. (i think=2C i'm not always sure on wha=
t i am doing when improvising)<BR>The looping device is a Echoplex Digital =
Pro that in the amps effects loop (post OD)=2C there is also echo and a Cat=
ulator tube buffer in the effects loop.<BR>The amp is "The Snake" a Custom =
By Cougar Mystic Blue Star (100w 80's ODS style). Guitar is my latest solow=
ay Swan=2C a aqua blue burst korina body with maple top and firebird style =
pups. <BR>The clip is named Chaos=2C harmony and back=2C one take no overdu=
bs echo (and flanger during fade out) added in mix. Thats all LOOPing is FU=
N <IMG class=3DEC_inlineimg title=3DDude alt=3D"" src=3D"http://www.thegear=
page.net/board/images/smilies/Dude.gif" border=3D0><BR><A href=3D"http://ww=
w.soundclick.com/bands/page_songInfo.cfm?bandID=3D60485&amp=3BsongID=3D7321=
558">http://www.soundclick.com/bands/page_songInfo.cfm?bandID=3D60485&amp=
=3BsongID=3D7321558</A><BR>Any advice on how to develop my looping skills a=
re welcome...<BR>Still need to learn to use multiple loops=2C this one is m=
ainly feedback and some multiply plus insert stabs..<BR><br /><hr />
Upgrade to Internet Explorer 8 Optimised for MSN. <a href=3D'http://extras.=
uk.msn.com/internet-explorer-8/?ocid=3DT010MSN07A0716U' target=3D'_new'>Dow=
nload Now</a></body>
</html>=

--_5fa88ba1-52ed-41f2-b3e1-8413218fceed_--

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Subject: Re: 10,000 hours
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On Fri, Jul 17, 2009 at 2:04 PM, Jim Goodin<jimgoodinmusic@gmail.com> wrote:
> Though I think there is a certain amount of 'craft' to be developed in
> one's music whether it be learning the physical with an instrument,
> electronic device or human voice learning to control moving about the
> intervals of something sung, I do think and its partly my story to
> tell that I think 9/10's of the rule in music development is about
> inspiration and focus.


How about considering "inspiration and focus" another of those "crafts"?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Quoting Per Boysen <perboysen@gmail.com>:
>
> The think "practicing" is a difficult word because when used regarding
> creative arts it doesn't focus on *what* is being practiced.
>
I would suppose that after one practices for ten thousand hours, one  
would become very good at practicing.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 14:39:38 2009
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touche

On Fri, Jul 17, 2009 at 8:27 AM, <kkissinger@kevinkissinger.com> wrote:

> Quoting Per Boysen <perboysen@gmail.com>:
>
>>
>> The think "practicing" is a difficult word because when used regarding
>> creative arts it doesn't focus on *what* is being practiced.
>>
>>  I would suppose that after one practices for ten thousand hours, one
> would become very good at practicing.
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--0016362839b6d92204046ee7c121
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touche<br><br><div class=3D"gmail_quote">On Fri, Jul 17, 2009 at 8:27 AM,  =
<span dir=3D"ltr">&lt;<a href=3D"mailto:kkissinger@kevinkissinger.com">kkis=
singer@kevinkissinger.com</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0=
pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">Quoting Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.=
com" target=3D"_blank">perboysen@gmail.com</a>&gt;:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
The think &quot;practicing&quot; is a difficult word because when used rega=
rding<br>
creative arts it doesn&#39;t focus on *what* is being practiced.<br>
<br>
</blockquote></div>
I would suppose that after one practices for ten thousand hours, one would =
become very good at practicing.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Arti=
st.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.com">http=
://www.warrensirota.com</a><br>


--0016362839b6d92204046ee7c121--

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Date: Fri, 17 Jul 2009 11:08:58 -0400
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Subject: Re: 10,000 hours
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--001636c5a504eb12c6046ee82a6b
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well said Per re 'inspiration and focus', I guess they are all stages of the
'craft' till the heart takes over but then the 'heart' has to respond in a
sense at some point for the first two to happen I think or maybe it's as in
my case they get a wake-up call and Kevin loved that...

On Fri, Jul 17, 2009 at 10:39 AM, Warren Sirota <wsirota@wsdesigns.com>wrote:

> touche
>
>
> On Fri, Jul 17, 2009 at 8:27 AM, <kkissinger@kevinkissinger.com> wrote:
>
>> Quoting Per Boysen <perboysen@gmail.com>:
>>
>>>
>>> The think "practicing" is a difficult word because when used regarding
>>> creative arts it doesn't focus on *what* is being practiced.
>>>
>>> I would suppose that after one practices for ten thousand hours, one
>> would become very good at practicing.
>>
>>
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a504eb12c6046ee82a6b
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well said Per re &#39;inspiration and focus&#39;, I guess they are all stag=
es of the &#39;craft&#39; till the heart takes over but then the &#39;heart=
&#39; has to respond in a sense at some point for the first two to happen I=
 think or maybe it&#39;s as in my case they get a wake-up call and Kevin lo=
ved that...<br>
<br>
<div class=3D"gmail_quote">On Fri, Jul 17, 2009 at 10:39 AM, Warren Sirota =
<span dir=3D"ltr">&lt;<a href=3D"mailto:wsirota@wsdesigns.com">wsirota@wsde=
signs.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">touche=20
<div>
<div></div>
<div class=3D"h5"><br><br>
<div class=3D"gmail_quote">On Fri, Jul 17, 2009 at 8:27 AM, <span dir=3D"lt=
r">&lt;<a href=3D"mailto:kkissinger@kevinkissinger.com" target=3D"_blank">k=
kissinger@kevinkissinger.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0=
pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">
<div>Quoting Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com" target=
=3D"_blank">perboysen@gmail.com</a>&gt;:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0=
pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid"><br>The think &quot;=
practicing&quot; is a difficult word because when used regarding<br>creativ=
e arts it doesn&#39;t focus on *what* is being practiced.<br>
<br></blockquote></div>I would suppose that after one practices for ten tho=
usand hours, one would become very good at practicing.<br><br></blockquote>=
</div><br><br clear=3D"all"><br></div></div><font color=3D"#888888">-- <br>
Warren<br><a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679" tar=
get=3D"_blank">http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679</a><br><a =
href=3D"http://www.warrensirota.com/" target=3D"_blank">http://www.warrensi=
rota.com</a><br>
</font></blockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural<br><a href=3D"=
http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br>music li=
nks...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com<=
/a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001636c5a504eb12c6046ee82a6b--

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Subject: Digging through my stuff...
From: Tony K <bigtonyk@gmail.com>
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Been digging though my recordings and thought I'd share this one.  I
did it for the Write an Album in a Month a few years ago.

http://www.thinginajar.com/bigtony/Hypertropic.mp3

Enjoy,

-- 
-==-=-=-
Tony

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Date: Fri, 17 Jul 2009 18:07:22 +0200
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Subject: OT: 10,000 hours
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Being a prodigy doesn't mean you enter the world already being an
accomplished composer/whatever. It means you have the gift to become
one of you try to.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 16:31:53 2009
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Subject: Re: OT: 10,000 hours
Date: Fri, 17 Jul 2009 09:31:50 -0700
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On Jul 17, 2009, at 9:07 AM, Rainer Straschill wrote:

> Being a prodigy doesn't mean you enter the world already being an
> accomplished composer/whatever. It means you have the gift to become
> one of you try to.

And Gladwell's point is that it takes 10,000 hours of "practice" to  
realize that gift and that 10,000 hours of practice takes an  
environment conducive to such work (together with an appropriate  
temperament and inclination).

Mark

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 16:52:40 2009
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> And Gladwell's point is that it takes 10,000 hours of "practice" to reali=
ze that gift and that 10,000 hours of practice takes an environment conduci=
ve to such work (together with an appropriate temperament and inclination).

And my point is that I challenge both the actual number of hours and
the necessity for the environment. See H=E4ndel or Camus.

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Quoting Rainer Straschill <moinsound@googlemail.com>:
>
>> And Gladwell's point is that it takes 10,000 hours of "practice" to =20
>>  realize that gift and that 10,000 hours of practice takes an  =20
>> environment conducive to such work (together with an appropriate  =20
>> temperament and inclination).
>
> And my point is that I challenge both the actual number of hours and
> the necessity for the environment. See H=E4ndel or Camus.
>
>
I went back through my practice logs and discovered that I stopped =20
practicing after 9,999 hours.

DAMN!  One f'n hour from being a prodigy.


From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 17:18:36 2009
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Subject: Re: OT: 10,000 hours
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Yakayakayaka Kevin that sucks man, just one more hour, argh!  Pretty funny.=
..

All good points...

On 7/17/09, kkissinger@kevinkissinger.com <kkissinger@kevinkissinger.com> w=
rote:
> Quoting Rainer Straschill <moinsound@googlemail.com>:
>>
>>> And Gladwell's point is that it takes 10,000 hours of "practice" to
>>>  realize that gift and that 10,000 hours of practice takes an
>>> environment conducive to such work (together with an appropriate
>>> temperament and inclination).
>>
>> And my point is that I challenge both the actual number of hours and
>> the necessity for the environment. See H=E4ndel or Camus.
>>
>>
> I went back through my practice logs and discovered that I stopped
> practicing after 9,999 hours.
>
> DAMN!  One f'n hour from being a prodigy.
>
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

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                   <p align="center"><font color="#ff0000" face="Arial"><strong>Please don't delete this email without reading it first, it could be the most important email you ever read regarding advertising in today's turbulent times.</strong></font></p>
                   <p align="left"><strong><font face="Arial">Struggling to Gain or Maintain Market Presence?</font></strong></p>
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                               <p align="justify"><font face="Arial"><small>As a small business owner, I too know how rough it is getting and keeping new customers.&nbsp; A lot of different</small><strong> </strong><small>things came into play all at the same time to create a market that has turned extremely rough for maintaining a successful business.&nbsp; Most owners and managers are finding it extremely hard to advertise while still keeping costs down hoping that their customer will soon return.&nbsp; The mistake that many business owners and manager are making is that they are pulling their advertising completely leaving the market empty of their presence. &nbsp; This is a fatal error.&nbsp; we have seen over 50 of our competitors close as a result of this.&nbsp; Pulling your advertising out of the market can send a message to your customers that you are no longer in business or    
that you are no longer a stable company and that can send your customers into the hands of your competitors that are still maintaining the illusion of a solid front. </small></font></p>
                               <p align="justify"><small><font face="Arial">As a design and marketing company, we have tried numerous different avenues to regain market presence and have found four areas that still prove extremely valuable.&nbsp; Those avenues are networking: attending social events and joining networking clubs; Word of Mouth: Continuing to maintain the highest levels of customer service so that we can ask our customers to refer others to us, either by offering a discount on the services they are already getting or by offering them a financial incentive for each referral they send us; Email Blasts: Sending out massive amounts of email repetitively to an opt-in list to maintain market presence; and lastly- Internet Marketing: Advertising on the search engines in as many places as possible, also to maintain market presence.&nbsp; </font></small></p>
                               <p align="justify"><small><font face="Arial">Years ago, the old ways of advertising used to be to spend a lot of money and get the name out.&nbsp; Today that still holds true... well, not the part about spending lots of money anyway.&nbsp; Establishing brand recognition is still as important today as it was 30 years ago.&nbsp; The more that people see your brand, the more that they will come to recognize you as the number one source for providing whatever product or service you offer.&nbsp; Look at Pepsi, McDonalds and Coke... they are successful because they have an established brand and it is a brand that is easily recognizable.&nbsp; So how do you keep costs down and still maintain market presence?&nbsp; Simple, take advantage of what still works.&nbsp; By utilizing the more mainstream avenues of advertising that make sense for the times we live in, you 
can set yourself apart from your competition and if you can maintain long enough, when the market turns around, you may reap the benefits by being the last one standing. </font></small></p>
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                   <p align="justify"><strong><font face="Arial">So, Where Did Your Customers Go?</font></strong></p>
                   <p align="justify"><small><font face="Arial">Let me ask you a question:&nbsp; When you are looking for a business, product or service, where do you go to look?&nbsp; It certainly isn't the yellow pages anymore, it's the internet, more specifically, the search engines. &nbsp; Entrepreneur Magazine put it best: &quot;...everyone listed in yesterday's Yellow Pages needs to be listed in Today's Internet -- it's where your customers expect to find you.&quot;</font></small></p>
                   <p align="justify"><small><font face="Arial">95% of all computer users, use the internet to find the services they are looking for in one way or another, to get questions answered or to shop for items quickly and easily.&nbsp; Why? Because the Internet offers instant gratification.&nbsp; Customers get exactly what they are looking for without endless hours of searching the yellow pages for it or calling around asking businesses if they offer the specific product of service they are looking for.</font></small></p>
                   <p align="justify"><small><font face="Arial">What most businesses don't realize is that your customers are still out there in the same place and they are still looking for your products and/or services.&nbsp; You just need to realize that traditional methods of advertising do not work anymore, people are becoming more computer savvy and at the same time increasingly more impatient.&nbsp; Example: With the introduction of DVR (digital video recorder), who watches commercials anymore?&nbsp; We record our favorite shows and fast forward through the commercials so that we can get back to our show.&nbsp; Today, the Internet is the only advertising tool that can deliver this level of satisfaction on demand.&nbsp; So... how do you get your business in front of your customers without breaking the bank?</font></small></p>
                   <p align="justify"><small><font face="Arial">Use a Company that can Guarantee Placement, provides ALL of its services at Low Rates and actually cares whether it works or not.</font></small></p>
                   <p align="justify"><small><font face="Arial">As the owner of Cummings Design Group, ever customer that walks in our door is treated with the utmost dignity and respect.&nbsp; We have been offering low cost services to our customers since the first day of business.&nbsp; Advertising does NOT have to be expensive.&nbsp; Our solutions for Search Engine and Mass Email Marketing that are designed to generate REAL RESULTS.&nbsp; If you have ever gone onto the Internet to look for a business, look up a name, read the news, search for a product or service, then you understand the concept.&nbsp; The internet is the most powerful tool available for getting exactly what you want at the time you want it. &nbsp; Same with email - if you have ever opted in to receive certain types of emails, then you know how useful that service can be. </font></small></p>
                   <p align="justify"><small><font face="Arial">Here are the services we offer designed specifically for reaching your customers and keeping your presence established on the internet:</font></small></p>
                   <p align="justify"><img width="864" height="717" alt="" src="http://www.cummings.us.com/imagesnew/SEO.gif" /></p>
                   <p align="center"><font face="Arial"><small><strong>Call John or Eric at Cummings Design Group</strong>.</small><br />
                   <small>Allow us to provide you a quote and show you how cost-effective internet marketing can be.&nbsp; Compliment your advertising efforts by sending out a Mass Email Blast: Special Pricing with the purchase of any Search Engine package above.</small></font></p>
                   <p align="center"><strong><font face="Arial">Call: 954.202.7342 or email us at <a href="mailto:john@cummings.us.com">john@cummings.us.com</a><br />
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 19:11:02 2009
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Subject: sequences and the lp-1
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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i originally posted this on the looperlative forum, but bob asked me to post
here as well...

now that bob has implemented note values as controllers, i've been messing
around using my drum machine as a sequencer

i have each of the drum sounds (which send a midi note) mapped to various
functions like play, stop, play retrig, reverse and various pitch values

here are some simple examples...

in each, you'll hear the straight loop and then i turn on the sequence.

the lp-1 is running through a lexicon mpx-1 for filters and delays etc which
are synced to the loop/sequence


http://www.simeonharris.co.uk/misc/pitch.mp3 - this is just a simple pitch
change sequence

http://www.simeonharris.co.uk/misc/pitchstutter.mp3 - this is a pitch change
sequence with a stuttery retrig

http://www.simeonharris.co.uk/misc/trance.mp3 - a trancegate

http://www.simeonharris.co.uk/misc/reverse.mp3 - a delay that reverses every
bar - (the lp-1 was in overdub with feedback at 30% and the drum machine
changed the direction of the loop every bar)


and messing about with 4 half speed commands in a bar, fed through a filter
and delay - just had to grab a quick recording of this...

http://www.simeonharris.co.uk/misc/speed.mp3 - 1/4 note half speed shift
mini-soundscape


i think i'm only scratching the surface here...there's definitely lots of
fun to be had with sequenced pitch changes and i havn't even played around
with scramble yet. i know some of you chaps with lappytops have been doing
this kind of thing for ages, but i'm having fun!

so if anybody has any more ideas for cool sequences, please chip in!
(Per....!?!)

sim

--001485f631106980aa046eeb8cb1
Content-Type: text/html; charset=ISO-8859-1
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i originally posted this on the looperlative forum, but bob asked me to pos=
t here as well...<br><br>now that bob has implemented note values as contro=
llers, i&#39;ve been messing around using my drum machine as a sequencer<br=
>
<br>i have each of the drum sounds (which send a midi note) mapped to vario=
us functions like play, stop, play retrig, reverse and various pitch values=
 <br><br>here are some simple examples...<br><br>in each, you&#39;ll hear t=
he straight loop and then i turn on the sequence. <br>
<br>the lp-1 is running through a lexicon mpx-1 for filters and delays etc =
which are synced to the loop/sequence<br><br><br><a href=3D"http://www.sime=
onharris.co.uk/misc/pitch.mp3">http://www.simeonharris.co.uk/misc/pitch.mp3=
</a> - this is just a simple pitch change sequence<br>
<br><a href=3D"http://www.simeonharris.co.uk/misc/pitchstutter.mp3">http://=
www.simeonharris.co.uk/misc/pitchstutter.mp3</a> - this is a pitch change s=
equence with a stuttery retrig<br><br><a href=3D"http://www.simeonharris.co=
.uk/misc/trance.mp3">http://www.simeonharris.co.uk/misc/trance.mp3</a> - a =
trancegate<br>
<br><a href=3D"http://www.simeonharris.co.uk/misc/reverse.mp3">http://www.s=
imeonharris.co.uk/misc/reverse.mp3</a> - a delay that reverses every bar - =
(the lp-1 was in overdub with feedback at 30% and the drum machine changed =
the direction of the loop every bar)<br>
<br><br>and messing about with 4 half speed commands in a bar, fed through =
a
filter and delay - just had to grab a quick recording of this...<br>
<br>
<a href=3D"http://www.simeonharris.co.uk/misc/speed.mp3">http://www.simeonh=
arris.co.uk/misc/speed.mp3</a> - 1/4 note half speed shift mini-soundscape<=
br>
<br><br>i think i&#39;m only scratching the surface here...there&#39;s defi=
nitely lots of fun to be had with sequenced pitch changes and i havn&#39;t =
even played around with scramble yet. i know some of you chaps with lappyto=
ps have been doing this kind of thing for ages, but i&#39;m having fun!<br>
<br>so if anybody has any more ideas for cool sequences, please chip in! (P=
er....!?!)<br><br>sim<br><br>

--001485f631106980aa046eeb8cb1--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 19:15:06 2009
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	<Loopers-Delight@loopers-delight.com>
Date: Fri, 17 Jul 2009 14:15:00 -0500
Subject: RE: 10,000 hours
Thread-Topic: 10,000 hours
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> I just read Malcolm Gladwell's book "Outliers", and it makes a
> convincing argument that there really is no such thing as a prodigy,
> and it takes at least 10,000 hours of practice to become great,
> whether you are talking about music or computer programming.=20

Speaking for computer programming, I wouldn't say this is true but I
guess it depends on how you define "great".

The average programmer works around 2000 hours a year.  Of course not
all of that is "practice" but factor in free time projects, and
pre-employment education and it is not unreasonable to say that
someone with 5 years of professional experience has clocked 10,000
hours of practice.

That would include most of the programmers in the world, and if my
work experience is any indication, very few of them are who I would
consider "great" :-)

10,000 hours might get you "professional".  You would be able to
compete in the job market and be a valued team member.  But great?

I think greatness as a programmer is much harder to quantify than
greatness as a musician.  Many people think Linus Torvalds is great,
but he basically just wrote a Unix kernel which was hardly new or
monumentally difficult.  He was certainly very *influential* but to me
that is not necessarily the same as greatness.

Jeff

(60,000 hours and still not great)

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 19:39:49 2009
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Subject: Re: OT: 10,000 hours
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In my opinion, with most things, quality surpasses quantity.

This reminds of a joke popular among teachers that goes as follows:
"He once told me he had twenty years of teaching experience, but I
later found out he only had one, repeated twenty times."

Don't get me wrong, Outliers is a great read (as are other Malcolm
Gladwell books, especially Blink).

cheers,
Sylvain

On Fri, Jul 17, 2009 at 3:06 AM, Steve Bingham<sbingham@con-brio.com> wrote=
:
> Doing a quick bit of basic mental maths I reckon I've done an average of,=
 at
> the minimum, 1 hour a day practice (not counting rehearsals and gigs!) fo=
r
> the last 39 years (more when I was a student, less when I was in my late
> 20s/30s, and more these days!!).
>
> So I make that about 14,000 hours.
>
> Does that mean I'm great? =A0(-;
>
> Actually my very first classical violin teacher (when I was 7) used to sa=
y
> that it took 7 years to get to a point where one could really get around =
the
> violin. Really though I think it's impossible to put a figure on it, at
> least in terms of years. Perhaps the hours figure is a more useful gauge,
> but so much depends on the quality of the practice and not the quantity (=
as
> anyone who has given instrumental lessons will know!).
>
> Meanwhile I'll content myself with the thought that although I may now be
> classed as officially great, I'm still learning!
>
> Keep practicing.........
>
> Steve
>
> ps. with regard to being a prodigy, one reply has already cited Mozart.
> Maybe his really great works came later in his short life, but there's go=
t
> to be something special that allowed him to do pretty amazing musical fea=
ts
> at a very early age. I would also mention Mendelssohn who, for instance,
> wrote the incredible Octet for Strings at the age of 16.
>
> Although I guess if he worked 8 hours a day, 7 days a week on his music h=
e
> could clock his 10,000 hours in less than 4 years......!
>
>
> On 17 Jul 2009, at 08:29, Art Simon wrote:
>
>> I just read Malcolm Gladwell's book "Outliers", and it makes a
>> convincing argument that there really is no such thing as a prodigy,
>> and it takes at least 10,000 hours of practice to become great,
>> whether you are talking about music or computer programming. The
>> author cites the examples of the Beatles and Mozart. I was having a
>> hard time trying to come up with musical counter examples, maybe Tod
>> Dockstader? Even "anti-musicians" like Alvin Lucier and Brian Eno
>> certainly put in the time developing their chops. I'm pretty convinced
>> that there really is something to this, and that practice is the most
>> important part of developing as a musician or a composer.
>>
>> I'm curious if anyone else has heard this hypothesis and might have an
>> opinion.
>> --
>> Art Simon
>> simart@gmail.com
>> myspace [dot] com/artsimon
>>
>
>
>

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Date: Fri, 17 Jul 2009 21:45:05 +0200
Message-ID: <66f9cc1e0907171245g690e6e47r5485a7d30decf9@mail.gmail.com>
Subject: Re: sequences and the lp-1
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Fri, Jul 17, 2009 at 9:10 PM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> i think i'm only scratching the surface here...there's definitely lots of
> fun to be had with sequenced pitch changes and i havn't even played aroun=
d
> with scramble yet. i know some of you chaps with lappytops have been doin=
g
> this kind of thing for ages, but i'm having fun!
>
> so if anybody has any more ideas for cool sequences, please chip in!
> (Per....!?!)


Wow, what cool sounds Sim! Make some awesome music with those tricks!

I too started doing that stuff in hardware, first using a Repeater and
an Alesis sequencer. Got the tip from David Torn. At Z=C3=BCrich loopfest
2005 Bill Walker used his guitar sequencer to drive the Repeater and I
used a Powerbook to send sequences to an EDP and Augustus Loop on the
laptop. But over the years I have actually minimized the number of
sequences I use, because the technique is so powerful to give
differently sounding results depending on what you apply them to.
Generally I use only two sequences of
HalfSpeed/NormalSpeed/DoubleSpeed jumps and two sequences of
SUSSubstitute. For the SUSSubstitute patterns I usually "play" the
Secondary Feedback of Mobius to change the amount of how much of the
old layers will be kept or replaced by my live playing (same as EDP's
"Replace Mode" etc). One pattern close to straight sixteenth notes
like a tremolo grid, and the other on a groovy pattern. Each of these
four sequences I keep in five variations, programmed to suite  the
time measures 4/4, 5/4, 6/8 and 7/8. And I have carefully blended up
and down speeding in order to make the "speed stuttering" loop finish
at the same timing as it would if not being "speed stuttered". I think
that is a really good advice, because this makes it possible to play
around with it more like an instrument - it stays in sync with
parallel loops no matter the mangling you set off. A second good
advice is to explore this stuff in overdub mode as well; then you make
a strange sound of the background layers and you will get some strange
sounds back in the next round from your present overdubbed live
playing i.e. the "variation effect" in the listeners ear will be
double the loop length.

Oh, almost forgot one cool pattern (actually keeping this one too in
four versions for the different time measures) and that is a pattern
that overdubs a short chunk (like a 32th note) then reverses and speed
shifts to overdub again at the same spot etc etc. This is repeated
four times to create a four note chord hit at the overdub spot...
given you play one note during the half second it takes. Maybe this is
not of great use for guitar playing because on a guitar you could as
well just play a muted chord strum once and get the same musical
function. But I like the odd sound I get from this with the flute,
sounds close to a hammond back-beat organ with a bit quirky sync
between "the four finger of the players chord grip hand". Finally,
each chord hit is designed, by balancing up and down speed shifting,
to not delay or speed up the loop related to other parallel loops.

With Augustus Loop, EDP and Repeater I did these things with MIDI
clips in Ableton Live but since picking up Mobius five years ago I
have been using the same patterns as custom scripts in the looper.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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From: "Jean Philippe" <jp.rykiel@orange.fr>
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Subject: Re: OT: 10,000 hours
Date: Fri, 17 Jul 2009 21:50:56 +0200
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Hi all,
Didn't read the book yet, and I would be glad to know if it exists in =
audio.
But what I can say about this is that it's all a matter of balance. Gift =
without work gives a lot of mess with fantastic ideas every once in =
awhile. Work without gift gives boring and academic results. Gift and =
work together gives Mozart, Mandelson or Frank Zappa.
JPR

http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Sylvain Poitras=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, July 17, 2009 9:39 PM
  Subject: Re: OT: 10,000 hours



  In my opinion, with most things, quality surpasses quantity.

  This reminds of a joke popular among teachers that goes as follows:
  "He once told me he had twenty years of teaching experience, but I
  later found out he only had one, repeated twenty times."

  Don't get me wrong, Outliers is a great read (as are other Malcolm
  Gladwell books, especially Blink).

  cheers,
  Sylvain

  On Fri, Jul 17, 2009 at 3:06 AM, Steve Bingham<sbingham@con-brio.com> =
wrote:
  > Doing a quick bit of basic mental maths I reckon I've done an =
average of, at
  > the minimum, 1 hour a day practice (not counting rehearsals and =
gigs!) for
  > the last 39 years (more when I was a student, less when I was in my =
late
  > 20s/30s, and more these days!!).
  >
  > So I make that about 14,000 hours.
  >
  > Does that mean I'm great? (-;
  >
  > Actually my very first classical violin teacher (when I was 7) used =
to say
  > that it took 7 years to get to a point where one could really get =
around the
  > violin. Really though I think it's impossible to put a figure on it, =
at
  > least in terms of years. Perhaps the hours figure is a more useful =
gauge,
  > but so much depends on the quality of the practice and not the =
quantity (as
  > anyone who has given instrumental lessons will know!).
  >
  > Meanwhile I'll content myself with the thought that although I may =
now be
  > classed as officially great, I'm still learning!
  >
  > Keep practicing.........
  >
  > Steve
  >
  > ps. with regard to being a prodigy, one reply has already cited =
Mozart.
  > Maybe his really great works came later in his short life, but =
there's got
  > to be something special that allowed him to do pretty amazing =
musical feats
  > at a very early age. I would also mention Mendelssohn who, for =
instance,
  > wrote the incredible Octet for Strings at the age of 16.
  >
  > Although I guess if he worked 8 hours a day, 7 days a week on his =
music he
  > could clock his 10,000 hours in less than 4 years......!
  >
  >
  > On 17 Jul 2009, at 08:29, Art Simon wrote:
  >
  >> I just read Malcolm Gladwell's book "Outliers", and it makes a
  >> convincing argument that there really is no such thing as a =
prodigy,
  >> and it takes at least 10,000 hours of practice to become great,
  >> whether you are talking about music or computer programming. The
  >> author cites the examples of the Beatles and Mozart. I was having a
  >> hard time trying to come up with musical counter examples, maybe =
Tod
  >> Dockstader? Even "anti-musicians" like Alvin Lucier and Brian Eno
  >> certainly put in the time developing their chops. I'm pretty =
convinced
  >> that there really is something to this, and that practice is the =
most
  >> important part of developing as a musician or a composer.
  >>
  >> I'm curious if anyone else has heard this hypothesis and might have =
an
  >> opinion.
  >> --
  >> Art Simon
  >> simart@gmail.com
  >> myspace [dot] com/artsimon
  >>
  >
  >
  >


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hi all,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Didn't read the book yet, and I would =
be glad to=20
know if it exists in audio.<BR>But what I can say about this is that =
it's all a=20
matter of balance. Gift without work gives a lot of mess with fantastic =
ideas=20
every once in awhile. Work without gift gives boring and academic =
results. Gift=20
and work together gives Mozart, Mandelson or Frank =
Zappa.<BR>JPR</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dsylvain.trombone@gmail.com=20
  href=3D"mailto:sylvain.trombone@gmail.com">Sylvain Poitras</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 17, 2009 =
9:39 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: 10,000 =
hours</DIV>
  <DIV><BR></DIV><BR>In my opinion, with most things, quality surpasses=20
  quantity.<BR><BR>This reminds of a joke popular among teachers that =
goes as=20
  follows:<BR>"He once told me he had twenty years of teaching =
experience, but=20
  I<BR>later found out he only had one, repeated twenty =
times."<BR><BR>Don't get=20
  me wrong, Outliers is a great read (as are other Malcolm<BR>Gladwell =
books,=20
  especially Blink).<BR><BR>cheers,<BR>Sylvain<BR><BR>On Fri, Jul 17, =
2009 at=20
  3:06 AM, Steve Bingham&lt;<A=20
  href=3D"mailto:sbingham@con-brio.com">sbingham@con-brio.com</A>&gt;=20
  wrote:<BR>&gt; Doing a quick bit of basic mental maths I reckon I've =
done an=20
  average of, at<BR>&gt; the minimum, 1 hour a day practice (not =
counting=20
  rehearsals and gigs!) for<BR>&gt; the last 39 years (more when I was a =

  student, less when I was in my late<BR>&gt; 20s/30s, and more these=20
  days!!).<BR>&gt;<BR>&gt; So I make that about 14,000 =
hours.<BR>&gt;<BR>&gt;=20
  Does that mean I'm great? (-;<BR>&gt;<BR>&gt; Actually my very first =
classical=20
  violin teacher (when I was 7) used to say<BR>&gt; that it took 7 years =
to get=20
  to a point where one could really get around the<BR>&gt; violin. =
Really though=20
  I think it's impossible to put a figure on it, at<BR>&gt; least in =
terms of=20
  years. Perhaps the hours figure is a more useful gauge,<BR>&gt; but so =
much=20
  depends on the quality of the practice and not the quantity =
(as<BR>&gt; anyone=20
  who has given instrumental lessons will know!).<BR>&gt;<BR>&gt; =
Meanwhile I'll=20
  content myself with the thought that although I may now be<BR>&gt; =
classed as=20
  officially great, I'm still learning!<BR>&gt;<BR>&gt; Keep=20
  practicing.........<BR>&gt;<BR>&gt; Steve<BR>&gt;<BR>&gt; ps. with =
regard to=20
  being a prodigy, one reply has already cited Mozart.<BR>&gt; Maybe his =
really=20
  great works came later in his short life, but there's got<BR>&gt; to =
be=20
  something special that allowed him to do pretty amazing musical =
feats<BR>&gt;=20
  at a very early age. I would also mention Mendelssohn who, for=20
  instance,<BR>&gt; wrote the incredible Octet for Strings at the age of =

  16.<BR>&gt;<BR>&gt; Although I guess if he worked 8 hours a day, 7 =
days a week=20
  on his music he<BR>&gt; could clock his 10,000 hours in less than 4=20
  years......!<BR>&gt;<BR>&gt;<BR>&gt; On 17 Jul 2009, at 08:29, Art =
Simon=20
  wrote:<BR>&gt;<BR>&gt;&gt; I just read Malcolm Gladwell's book =
"Outliers", and=20
  it makes a<BR>&gt;&gt; convincing argument that there really is no =
such thing=20
  as a prodigy,<BR>&gt;&gt; and it takes at least 10,000 hours of =
practice to=20
  become great,<BR>&gt;&gt; whether you are talking about music or =
computer=20
  programming. The<BR>&gt;&gt; author cites the examples of the Beatles =
and=20
  Mozart. I was having a<BR>&gt;&gt; hard time trying to come up with =
musical=20
  counter examples, maybe Tod<BR>&gt;&gt; Dockstader? Even =
"anti-musicians" like=20
  Alvin Lucier and Brian Eno<BR>&gt;&gt; certainly put in the time =
developing=20
  their chops. I'm pretty convinced<BR>&gt;&gt; that there really is =
something=20
  to this, and that practice is the most<BR>&gt;&gt; important part of=20
  developing as a musician or a composer.<BR>&gt;&gt;<BR>&gt;&gt; I'm =
curious if=20
  anyone else has heard this hypothesis and might have an<BR>&gt;&gt;=20
  opinion.<BR>&gt;&gt; --<BR>&gt;&gt; Art Simon<BR>&gt;&gt; <A=20
  href=3D"mailto:simart@gmail.com">simart@gmail.com</A><BR>&gt;&gt; =
myspace [dot]=20
  =
com/artsimon<BR>&gt;&gt;<BR>&gt;<BR>&gt;<BR>&gt;<BR><BR></BLOCKQUOTE></BO=
DY></HTML>

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Subject: Re: OT: for our planned festival - distribution channels regarding
 	"call for performers", legal advice regarding ancillary copyright
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Rainer Schwarzschild schrieb:
> Jeff said:
>> Couldn't we have some kind of Creative Commons license? Like Ninjam perfomances.
> 
> The short answer is "no".
> 
> The slightly longer one:

I might have found a way to get around for these kind of collaborations 
even with a Gema contract:

If the work isn't done by a single composer/performer, but is a 
collaborative work, its simply impossible for the performing rights 
organization to put all their restrictions on to it, the other owner of 
the right would have to agree, and they can't restrict her in anyway to 
use her own rights...
I would have to check on this, but if one of the collaborators of a 
Ninjam session isn't a member of ***(Gema, Acap, STIM, Sacem or whatever 
which all have contracts under each other to protect their members in 
other countries), and wants to distribute as cc-nc, it might be 
possible. But anyway, there won't be a possibility to have each 
performance under the same license, it depends on the personal contracts 
of the musicians involved...

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

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Mark Sottilaro schrieb:
> On Fri, Jul 10, 2009 at 3:07 PM, Bob Amstadt<bob@amstadt.com> wrote:
> 
> How many people have David Torn
> CDs?  How many people have David Bowie's Heathen? It's not because one
> is better or marketed better.  I just think people like the format
> that David Bowie writes in more.

Mark, this sounds all very pessimistic. I bet if I had these thoughts in 
my head nobody would like my music including myself...

Thats not how magic works!

Its the opposite, if you like your own stuff, you'll share it. I bet you 
will find people which like it, because it means something to you. There 
is no need to care about the other 6 billion people in the world who'll 
never hear it anyway...

I also bet that the percentage of owners of David Torn CD's which adore 
his music is higher than the percentage o owners of David Bowie, Phil 
Collins, (fill in any star) music.
The number of sold CD's doesn't mean anything, the percentage of people 
you touch when they listen to your music is a more important figure. If 
you have 10 listeners and they are all deeply touched also makes you 
feel better than any sales figure (out of my own experience...)

Stefan

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Date: Fri, 17 Jul 2009 22:26:08 +0200
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Subject: Re: OT: for our planned festival - distribution channels regarding 
	"call for performers", legal advice regarding ancillary copyright
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A fun way to side-step all this would be to play cover songs!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Fri, Jul 17, 2009 at 9:57 PM, Stefan
Tiedje<stefantiedje@googlemail.com> wrote:
> Rainer Schwarzschild schrieb:
>>
>> Jeff said:
>>>
>>> Couldn't we have some kind of Creative Commons license? Like Ninjam
>>> perfomances.
>>
>> The short answer is "no".
>>
>> The slightly longer one:
>
> I might have found a way to get around for these kind of collaborations even
> with a Gema contract:
>
> If the work isn't done by a single composer/performer, but is a
> collaborative work, its simply impossible for the performing rights
> organization to put all their restrictions on to it, the other owner of the
> right would have to agree, and they can't restrict her in anyway to use her
> own rights...
> I would have to check on this, but if one of the collaborators of a Ninjam
> session isn't a member of ***(Gema, Acap, STIM, Sacem or whatever which all
> have contracts under each other to protect their members in other
> countries), and wants to distribute as cc-nc, it might be possible. But
> anyway, there won't be a possibility to have each performance under the same
> license, it depends on the personal contracts of the musicians involved...
>
> Stefan

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Warren Sirota schrieb:
> I might start promoting myself as "Performer/Composer", hoping to 
> emulate the fantastic success of the "Singer/Songwriter" label.

There is a festival in Cologne called Comprovise, and I have always been 
a Swinger/Wrongwriter...

Btw. I just came back from the Stockhausen courses in Kürten we played 
Prozession from Stockhausen quite successfully. The score has more 
freedom than you could imagine, and some people still insist its not 
improvisation...
Stockhausen himself has introduced the name "Intuitive Musik" to get a 
distinction between jazz improvisation and what he was after...

Stefan

-- 
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Subject: Re: OT: 10,000 hours
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first read about this in Scientific American in 2006.

I think in some cases kids absorb music thru their parent's playing,  
listening etc.  So, even though they might not be practicing, they're  
doing 'the hours' vicariously - absorbing the melodies, riddims etc.   
I think that's why the kids of musicians seem to have such a huge head  
start.

Gladwell also talks in the book about the importance of folks being in  
the right place at the right time... and having nurturing environments  
when young & meeting great mentors - Bill Gates, Bill Joy etc.   
Watching my daughter and Joe Pug's progress, I have no doubt that this  
is a critical part of the equation.

There are freaks like the kid I saw play Beethoven at a piano that was  
over his head.  He was like 3.  But for 99.99999% of us, there's  
nothing like practice and discipline - that is, learning things that  
are very hard and not easy to learn.  Challenging yourself. You can  
practice for a trillion hours, but if you don't try to do really  
challenging stuff, you don't improve - that's why there are 22 year  
old kids who can play a circle around me, young chess players who can  
obliterate the old sages.

"It's not that I'm smarter than everybody, I just work on problems  
longer." Albert Einstein

All of Gladwell's books are great mind blowers.

Okay... back to work!!!

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com

On Jul 17, 2009, at 12:29 AM, Art Simon wrote:

> I just read Malcolm Gladwell's book "Outliers", and it makes a
> convincing argument that there really is no such thing as a prodigy,
> and it takes at least 10,000 hours of practice to become great,
> whether you are talking about music or computer programming. The
> author cites the examples of the Beatles and Mozart. I was having a
> hard time trying to come up with musical counter examples, maybe Tod
> Dockstader? Even "anti-musicians" like Alvin Lucier and Brian Eno
> certainly put in the time developing their chops. I'm pretty convinced
> that there really is something to this, and that practice is the most
> important part of developing as a musician or a composer.
>
> I'm curious if anyone else has heard this hypothesis and might have  
> an opinion.
> -- 
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>

v







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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">first read about this in =
Scientific American in 2006. &nbsp;<div><br></div><div>I think in some =
cases kids absorb music thru their parent's playing, listening etc. =
&nbsp;So, even though they might not be practicing, they're doing 'the =
hours' vicariously - absorbing the melodies, riddims etc. &nbsp;I think =
that's why the kids of musicians seem to have such a huge head =
start.&nbsp;</div><div><br></div><div>Gladwell also talks in the book =
about the importance of folks being in the right place at the right =
time... and having nurturing environments when young &amp; meeting great =
mentors - Bill Gates, Bill Joy etc. &nbsp;Watching my daughter and Joe =
Pug's progress, I have no doubt that this is a critical part of the =
equation. &nbsp;</div><div><br></div><div>There are freaks like the kid =
I saw play Beethoven at a piano that was over his head. &nbsp;He was =
like 3. &nbsp;But for 99.99999% of us, there's nothing like practice and =
discipline - that is, learning things that are very hard and not easy to =
learn. &nbsp;Challenging yourself. You can practice for a trillion =
hours, but if you don't try to do really challenging stuff, you don't =
improve - that's why there are 22 year old kids who can play a circle =
around me, young chess players who can obliterate the old sages. =
&nbsp;</div><div><br></div><div>"It's not that I'm smarter than =
everybody, I just work on problems longer." Albert =
Einstein</div><div><br></div><div>All of Gladwell's books are great mind =
blowers.</div><div><br></div><div>Okay... back to =
work!!!</div><div><br></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div></=
span></div><div><br><div><div>On Jul 17, 2009, at 12:29 AM, Art Simon =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div>I just read Malcolm Gladwell's book "Outliers", and =
it makes a<br>convincing argument that there really is no such thing as =
a prodigy,<br>and it takes at least 10,000 hours of practice to become =
great,<br>whether you are talking about music or computer programming. =
The<br>author cites the examples of the Beatles and Mozart. I was having =
a<br>hard time trying to come up with musical counter examples, maybe =
Tod<br>Dockstader? Even "anti-musicians" like Alvin Lucier and Brian =
Eno<br>certainly put in the time developing their chops. I'm pretty =
convinced<br>that there really is something to this, and that practice =
is the most<br>important part of developing as a musician or a =
composer.<br><br>I'm curious if anyone else has heard this hypothesis =
and might have an opinion.<br>-- <br>Art Simon<br><a =
href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] =
com/artsimon<br><br></div></blockquote></div><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">v</font></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

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	 <66f9cc1e0907171245g690e6e47r5485a7d30decf9@mail.gmail.com>
Date: Fri, 17 Jul 2009 21:56:52 +0100
Message-ID: <d302e3570907171356h7d2e1d2ai5fed38a6277f1806@mail.gmail.com>
Subject: Re: sequences and the lp-1
From: Simeon Harris <simeonharris40@googlemail.com>
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wow, thanks per...i think i'm going to have to read that a couple of times
to digest it all!

On Fri, Jul 17, 2009 at 8:45 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Jul 17, 2009 at 9:10 PM, Simeon
> Harris<simeonharris40@googlemail.com> wrote:
> > i think i'm only scratching the surface here...there's definitely lots of
> > fun to be had with sequenced pitch changes and i havn't even played
> around
> > with scramble yet. i know some of you chaps with lappytops have been
> doing
> > this kind of thing for ages, but i'm having fun!
> >
> > so if anybody has any more ideas for cool sequences, please chip in!
> > (Per....!?!)
>
>
> Wow, what cool sounds Sim! Make some awesome music with those tricks!
>
> I too started doing that stuff in hardware, first using a Repeater and
> an Alesis sequencer.....

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wow, thanks per...i think i&#39;m going to have to read that a couple of ti=
mes to digest it all!<br><br><div class=3D"gmail_quote">On Fri, Jul 17, 200=
9 at 8:45 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@=
gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>On Fri, Jul 17, 2009 at 9:10 PM, Simeon<br>
Harris&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@g=
ooglemail.com</a>&gt; wrote:<br>
&gt; i think i&#39;m only scratching the surface here...there&#39;s definit=
ely lots of<br>
&gt; fun to be had with sequenced pitch changes and i havn&#39;t even playe=
d around<br>
&gt; with scramble yet. i know some of you chaps with lappytops have been d=
oing<br>
&gt; this kind of thing for ages, but i&#39;m having fun!<br>
&gt;<br>
&gt; so if anybody has any more ideas for cool sequences, please chip in!<b=
r>
&gt; (Per....!?!)<br>
<br>
<br>
</div>Wow, what cool sounds Sim! Make some awesome music with those tricks!=
<br>
<br>
I too started doing that stuff in hardware, first using a Repeater and<br>
an Alesis sequencer.....</blockquote></div><br>

--001485f772e0161817046eed07a2--

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Date: Fri, 17 Jul 2009 14:37:38 -0700
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Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs. 
	Improvisational)
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Fri, Jul 17, 2009 at 12:58 PM, Stefan
Tiedje<stefantiedje@googlemail.com> wrote:
> Mark Sottilaro schrieb:
>>
>> On Fri, Jul 10, 2009 at 3:07 PM, Bob Amstadt<bob@amstadt.com> wrote:
>>
>> How many people have David Torn
>> CDs? =A0How many people have David Bowie's Heathen? It's not because one
>> is better or marketed better. =A0I just think people like the format
>> that David Bowie writes in more.
>
> Mark, this sounds all very pessimistic. I bet if I had these thoughts in =
my
> head nobody would like my music including myself...

Who said I didn't like my music?  I love my music!  I love making it
too. The night before last I had an amazing time just messing around
in my studio inspired by some sounds from Waldorf's new Largo VSTi.
It's not pessimistic, it's just observation. It's not that other
people don't express that they like my music either.  What I'm saying
is that does not matter to me.  Having other people like my music does
not enhance the experience for me at all.  In fact, the worry that
they might not like my music has a much worse effect on my overall
experience.

> Thats not how magic works!

There's no such thing as magic!

> Its the opposite, if you like your own stuff, you'll share it. I bet you
> will find people which like it, because it means something to you. There =
is
> no need to care about the other 6 billion people in the world who'll neve=
r
> hear it anyway...

See, this is kind of what I was talking about... there's always
someone like you who seems to feel it's important to share the music
you make as if it's not enough to just make it and enjoy making it.
Trust me, I tried to make a commercial go at being a musician and it's
not in me.  I could never deal with the marketing, band wrangling and
dealing with venues it takes.  Plus, I hate traveling.  Even for
fun... it's not fun when you do a gig with Rick and Bill Walker where
you drive for over an hour, spend an hour setting up and shlepping
your gear plus a full video set up with a 16 foot screen and find out
they can't be bothered to move a monitor near you so you have to play
with headphones while smashed all the way off to the side of the stage
because they've spit the area among themselves. Awesome.  Not all gigs
end up that way, but the majority seem to fall along those lines.
It's not pessimistic to me to ask myself, "what's more fun?  2 or 3
hours of breakdown/setup/travel for an hour or less of playing in
front of an audience where I can't hear myself all that well... or 4
hours of time in my home studio alone or with a friend making music?"

The time in my studio always wins.

> I also bet that the percentage of owners of David Torn CD's which adore h=
is
> music is higher than the percentage o owners of David Bowie, Phil Collins=
,
> (fill in any star) music.

How much would you like to bet?  I'll take that kind of action any
day. ;)  I think even I adore Bowie's music more than David Torn's.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 21:42:05 2009
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From: Rev Fever <revfever@ubergadget.com>
Subject: Semi OT: FS, Ibanez DD 1000
Date: Fri, 17 Jul 2009 14:41:55 -0700
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Pardon the "spam" but I want to sell my Ibanez DD 1000 digital delay.  
Rack mount. Has power, but no manual, which should not be any real  
problem for most on LD.
It also does not come with any foot switches, (it has jacks in the  
back for 3 of them)  but some kind of replacement foot switches  
should not be a problem to find somewhere.

Prefer USA buyers, but will sell to others, if they want to also pay  
for the international shipping,etc.  I would like to get $55 for it,  
and it is in excellent condition,
both operationally, and cosmetically. Buyer pays for postage. I  
estimate the total weight to be in the range of 6-7 lbs. (Or?) Total  
postage will be determined by the
location of the buyer. (And of course, any Portland area LD buyers  
may pick up locally and save $.)

I just have too many delays (IMO) and really never got around to  
using this one very much, and would like free up some more rack space  
for what(?)ever else
that may eventually stumble into the life of the studio.

PLEASE REPLY OFF LIST!   PLEASE REPLY OFF LIST!   PLEASE REPLY OFF  
LIST!   PLEASE REPLY OFF LIST!   PLEASE REPLY OFF LIST!

I do not want the LD list unnecessarily cluttered up with anything  
related to this matter. Thanx.   Email me for any additional info or  
questions. (and...?)

Cheers.
Rev Fever
http://www.spiritone.com/~rvfever/


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Pardon the "spam" but I want to sell my Ibanez DD 1000 digital delay. =
Rack mount. Has power, but no manual, which should not be any real =
problem for most on LD.<div>It =
also&nbsp;does&nbsp;not&nbsp;come&nbsp;with&nbsp;any&nbsp;foot&nbsp;switch=
es, (it has jacks in the back for 3 of them) &nbsp;but some kind of =
replacement foot switches should not be a problem to find =
somewhere.</div><div><br><div>Prefer USA buyers, but will sell to =
others, if they want to also pay for the international shipping,etc. =
&nbsp;I would like to get $55 for it, and it is in excellent =
condition,&nbsp;</div><div>both operationally, and cosmetically. Buyer =
pays for postage. I estimate the total weight to be in the range of 6-7 =
lbs. (Or?) Total postage will be determined by the</div><div>location of =
the buyer. (And of course, any Portland area LD buyers may pick up =
locally and save $.)</div><div><br></div><div>I just have too many =
delays (IMO) and really never got around to using this one very much, =
and would like free up some more rack space&nbsp;for what(?)ever =
else&nbsp;</div><div>that may eventually stumble into the life of the =
studio.</div><div><br></div><div>PLEASE&nbsp;REPLY&nbsp;OFF&nbsp;LIST! =
&nbsp;&nbsp;PLEASE&nbsp;REPLY&nbsp;OFF&nbsp;LIST! =
&nbsp;&nbsp;PLEASE&nbsp;REPLY&nbsp;OFF&nbsp;LIST! =
&nbsp;&nbsp;PLEASE&nbsp;REPLY&nbsp;OFF&nbsp;LIST! =
&nbsp;&nbsp;PLEASE&nbsp;REPLY&nbsp;OFF&nbsp;LIST! =
&nbsp;</div><div><br></div><div>I do not want the LD list unnecessarily =
cluttered up with anything related to this matter. Thanx. &nbsp; Email =
me for any additional info or questions. =
(and...?)</div><div><br></div><div>Cheers.</div><div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div>Rev =
Fever</div><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div></span> </div><br></div></div></body></html>=

--Apple-Mail-1--1023223683--

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Matt Davignon schrieb:
> Would anyone be interested in letting me sleep on their couch? 

This reminds me how wonderful the whole couch surfing community is 
organized. We should open a Loopers-Delight group @ couchsurfing...

I just created it, any couchsurfers can now join in:

https://www.couchsurfing.org/group.html?gid=21286

Stefan


-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

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>
>
> That would include most of the programmers in the world, and if my
> work experience is any indication, very few of them are who I would
> consider "great" :-)
>
> 10,000 hours might get you "professional".  You would be able to
> compete in the job market and be a valued team member.  But great?
>
> I think greatness as a programmer is much harder to quantify than
> greatness as a musician.  Many people think Linus Torvalds is great,
>


how many great programmers have there been in the history of computing? 5?
15? you pretty much have to create a platform to be considered great, i'd
say - make an OS or invent a language, something like that. Even if you
write a great application program, that doesn't make you a great programmer
(tho something like Visicalc qualifies because it started a supremely useful
category). a great programmer would be severely out of place on most of the
teams I'm on.


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;"><br>
<br>
That would include most of the programmers in the world, and if my<br>
work experience is any indication, very few of them are who I would<br>
consider &quot;great&quot; :-)<br>
<br>
10,000 hours might get you &quot;professional&quot;. =A0You would be able t=
o<br>
compete in the job market and be a valued team member. =A0But great?<br>
<br>
I think greatness as a programmer is much harder to quantify than<br>
greatness as a musician. =A0Many people think Linus Torvalds is great,<br>
</blockquote><div><br><br>how many great programmers have there been in the=
 history of computing? 5? 15? you pretty much have to create a platform to =
be considered great, i&#39;d say - make an OS or invent a language, somethi=
ng like that. Even if you write a great application program, that doesn&#39=
;t make you a great programmer (tho something like Visicalc qualifies becau=
se it started a supremely useful category). a great programmer would be sev=
erely out of place on most of the teams I&#39;m on. <br>
</div></div><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"http://www.ub=
etoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Artist.taf?_Art=
istId=3D6679</a><br><a href=3D"http://www.warrensirota.com">http://www.warr=
ensirota.com</a><br>


--001636456f5a4cb8a2046eee3378--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 22:29:38 2009
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	 <4A60F484.3070006@googlemail.com>
Date: Sat, 18 Jul 2009 00:29:38 +0200
Message-ID: <66f9cc1e0907171529m36c33e18va20a9b462afe1f5d@mail.gmail.com>
Subject: Re: couch-surfage in Brooklyn or Albany?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Jul 18, 2009 at 12:00 AM, Stefan
Tiedje<stefantiedje@googlemail.com> wrote:
> This reminds me how wonderful the whole couch surfing community is
> organized. We should open a Loopers-Delight group @ couchsurfing...
>
> I just created it, any couchsurfers can now join in:
>
> https://www.couchsurfing.org/group.html?gid=21286


Great idea, Stefan! I just joined in. Had some problems uploading a picture.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 22:36:43 2009
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From: "William Walker" <billwalker@baymoon.com>
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Subject: FW: sequences and the lp-1
Date: Fri, 17 Jul 2009 15:36:37 -0700
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Awesome , really cool techniques, for some reason I hadn't put two and two
together since the note value capability was added that this could be done..
Once I stopped using the repeater, I thought I had let go of the ability to
trigger the samples via midi not on/off and drive it from an external midi
sequencer or drum machine source to create sequencer effects, in my case the
arpeggiator of my aging Roland GR-30 guitar synth.. If this is indeed what
you are doing, Thank you so much for pointing out that capability. Time to
pull the guitar synth out of mothballs and get to business. 

Thanks

 Simeon

 

 PS, the scramble function is really worth investigating, try a very short
drone loop, set to fast scramble and then  leave it in overdub mode, and set
the feedback set below 90% or more, then start playing with the track speed
and reverse..and enjoy ..

 Bill

 

  _____  

From: Simeon Harris [mailto:simeonharris40@googlemail.com] 
Sent: Friday, July 17, 2009 12:11 PM
To: Loopers-Delight@loopers-delight.com
Subject: sequences and the lp-1

 

i originally posted this on the looperlative forum, but bob asked me to post
here as well...

now that bob has implemented note values as controllers, i've been messing
around using my drum machine as a sequencer

i have each of the drum sounds (which send a midi note) mapped to various
functions like play, stop, play retrig, reverse and various pitch values 

here are some simple examples...

in each, you'll hear the straight loop and then i turn on the sequence. 

the lp-1 is running through a lexicon mpx-1 for filters and delays etc which
are synced to the loop/sequence


http://www.simeonharris.co.uk/misc/pitch.mp3 - this is just a simple pitch
change sequence

http://www.simeonharris.co.uk/misc/pitchstutter.mp3 - this is a pitch change
sequence with a stuttery retrig

http://www.simeonharris.co.uk/misc/trance.mp3 - a trancegate

http://www.simeonharris.co.uk/misc/reverse.mp3 - a delay that reverses every
bar - (the lp-1 was in overdub with feedback at 30% and the drum machine
changed the direction of the loop every bar)


and messing about with 4 half speed commands in a bar, fed through a filter
and delay - just had to grab a quick recording of this...

http://www.simeonharris.co.uk/misc/speed.mp3 - 1/4 note half speed shift
mini-soundscape


i think i'm only scratching the surface here...there's definitely lots of
fun to be had with sequenced pitch changes and i havn't even played around
with scramble yet. i know some of you chaps with lappytops have been doing
this kind of thing for ages, but i'm having fun!

so if anybody has any more ideas for cool sequences, please chip in!
(Per....!?!)

sim


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<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Awesome , really cool techniques, =
for some
reason I hadn&#8217;t put two and two together since the note value =
capability
was added that this could be done.. Once I stopped using the repeater, I
thought I had let go of the ability to trigger the samples via midi not =
on/off
and drive it from an external midi sequencer or drum machine source to =
create
sequencer effects, in my case the arpeggiator of my aging Roland GR-30 =
guitar
synth.. If this is indeed what you are doing, Thank you so much for =
pointing
out that capability. Time to pull the guitar synth out of mothballs and =
get to
business. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Thanks<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;Simeon<o:p></o:p></span></font=
></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;PS, the scramble function is =
really
worth investigating, try a very short drone loop, set to fast scramble =
and then
&nbsp;leave it in overdub mode, and set the feedback set below 90% or =
more,
then start playing with the track speed and reverse&#8230;.and enjoy =
..<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;Bill<o:p></o:p></span></font><=
/p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
Simeon Harris
[mailto:simeonharris40@googlemail.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Friday, July 17, =
2009 12:11
PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b><st1:PersonName =
w:st=3D"on"> Loopers-Delight@loopers-delight.com</st1:PersonName><br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> sequences and =
the lp-1</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>i originally =
posted this
on the looperlative forum, but bob asked me to post here as well...<br>
<br>
now that bob has implemented note values as controllers, i've been =
messing
around using my drum machine as a sequencer<br>
<br>
i have each of the drum sounds (which send a midi note) mapped to =
various
functions like play, stop, play retrig, reverse and various pitch values =
<br>
<br>
here are some simple examples...<br>
<br>
in each, you'll hear the straight loop and then i turn on the sequence. =
<br>
<br>
the lp-1 is running through a lexicon mpx-1 for filters and delays etc =
which
are synced to the loop/sequence<br>
<br>
<br>
<a =
href=3D"http://www.simeonharris.co.uk/misc/pitch.mp3">http://www.simeonha=
rris.co.uk/misc/pitch.mp3</a>
- this is just a simple pitch change sequence<br>
<br>
<a =
href=3D"http://www.simeonharris.co.uk/misc/pitchstutter.mp3">http://www.s=
imeonharris.co.uk/misc/pitchstutter.mp3</a>
- this is a pitch change sequence with a stuttery retrig<br>
<br>
<a =
href=3D"http://www.simeonharris.co.uk/misc/trance.mp3">http://www.simeonh=
arris.co.uk/misc/trance.mp3</a>
- a trancegate<br>
<br>
<a =
href=3D"http://www.simeonharris.co.uk/misc/reverse.mp3">http://www.simeon=
harris.co.uk/misc/reverse.mp3</a>
- a delay that reverses every bar - (the lp-1 was in overdub with =
feedback at
30% and the drum machine changed the direction of the loop every =
bar)<br>
<br>
<br>
and messing about with 4 half speed commands in a bar, fed through a =
filter and
delay - just had to grab a quick recording of this...<br>
<br>
<a =
href=3D"http://www.simeonharris.co.uk/misc/speed.mp3">http://www.simeonha=
rris.co.uk/misc/speed.mp3</a>
- 1/4 note half speed shift mini-soundscape<br>
<br>
<br>
i think i'm only scratching the surface here...there's definitely lots =
of fun
to be had with sequenced pitch changes and i havn't even played around =
with
scramble yet. i know some of you chaps with lappytops have been doing =
this kind
of thing for ages, but i'm having fun!<br>
<br>
so if anybody has any more ideas for cool sequences, please chip in!
(Per....!?!)<br>
<br>
sim<o:p></o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 22:45:28 2009
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Date: Fri, 17 Jul 2009 17:22:00 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: sequences and the lp-1
References: <d302e3570907171210p7db69f3dj3ff22280d75ed4b3@mail.gmail.com>
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I can't listen to any of these.. I get a 'You don?t have access rights =20
to view this page, please go back and select another, or click the =20
link below' error.. :(

-cpr

Quoting Simeon Harris <simeonharris40@googlemail.com>:

> i originally posted this on the looperlative forum, but bob asked me to po=
st
> here as well...
>
> now that bob has implemented note values as controllers, i've been messing
> around using my drum machine as a sequencer
>
> i have each of the drum sounds (which send a midi note) mapped to various
> functions like play, stop, play retrig, reverse and various pitch values
>
> here are some simple examples...
>
> in each, you'll hear the straight loop and then i turn on the sequence.
>
> the lp-1 is running through a lexicon mpx-1 for filters and delays etc whi=
ch
> are synced to the loop/sequence
>
>
> http://www.simeonharris.co.uk/misc/pitch.mp3 - this is just a simple pitch
> change sequence
>
> http://www.simeonharris.co.uk/misc/pitchstutter.mp3 - this is a pitch chan=
ge
> sequence with a stuttery retrig
>
> http://www.simeonharris.co.uk/misc/trance.mp3 - a trancegate
>
> http://www.simeonharris.co.uk/misc/reverse.mp3 - a delay that reverses eve=
ry
> bar - (the lp-1 was in overdub with feedback at 30% and the drum machine
> changed the direction of the loop every bar)
>
>
> and messing about with 4 half speed commands in a bar, fed through a filte=
r
> and delay - just had to grab a quick recording of this...
>
> http://www.simeonharris.co.uk/misc/speed.mp3 - 1/4 note half speed shift
> mini-soundscape
>
>
> i think i'm only scratching the surface here...there's definitely lots of
> fun to be had with sequenced pitch changes and i havn't even played around
> with scramble yet. i know some of you chaps with lappytops have been doing
> this kind of thing for ages, but i'm having fun!
>
> so if anybody has any more ideas for cool sequences, please chip in!
> (Per....!?!)
>
> sim
>


From Loopers-Delight-request@loopers-delight.com  Fri Jul 17 23:51:17 2009
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 <20090717172200.zysvzc3togksk448@webmail.musetrap.com>
Date: Fri, 17 Jul 2009 19:49:47 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Gig Spam: Chuck Zwicky and Ralph Gibson at "The Stone"
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http://www.facebook.com/event.php?eid=102021637855


A concert in the STATE OF THE AXE Festival taking place during July 
at The Stone.

A new book "State Of The Axe-Guitar Masters in Photographs and Words" 
by Ralph Gibson, published by The Houston Museum Of Fine Arts, and 
distributed by Yale University Press. It is widely available and will 
be on sale at The Stone.

This performance features Ralph Gibson & Chuck Zwicky

Ralph Gibson -Ich Bin Die Nacht (electric guitar, photography) Ralph 
Gibson's images in film with live accompaniment for solo electric 
guitar.

Chuck Zwicky - "extemporaneous ephemera and site specific ambient 
improv for solo guitar and electrical memory"


-- 
...
http://www.zmix.net
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Gig Spam: Chuck Zwicky and Ralph Gibson at
&quot;The Stone&quot;</title></head><body>
<div>http://www.facebook.com/event.php?eid=102021637855</div>
<div><br></div>
<div><br></div>
<div><font face="Lucida Grande" size="-1" color="#000000">A concert in
the STATE OF THE AXE Festival taking place during July at The
Stone.<br>
<br>
A new book &quot;State Of The Axe-Guitar Masters in Photographs and
Words&quot; by Ralph Gibson, published by The Houston Museum Of Fine
Arts, and distributed by Yale University Press. It is widely available
and will be on sale at The Stone.<br>
<br>
This performance features Ralph Gibson &amp; Chuck Zwicky<br>
<br>
Ralph Gibson -Ich Bin Die Nacht (electric guitar, photography) Ralph
Gibson's images in film with live accompaniment for solo electric
guitar.<br>
<br>
Chuck Zwicky - &quot;extemporaneous ephemera and site specific ambient
improv for solo guitar and electrical memory&quot;</font></div>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-964247906==_ma============--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 00:59:20 2009
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	 <66f9cc1e0907171245g690e6e47r5485a7d30decf9@mail.gmail.com>
Date: Sat, 18 Jul 2009 02:59:20 +0200
Message-ID: <66f9cc1e0907171759m3adeaafcx2f72260caca900f8@mail.gmail.com>
Subject: Re: sequences and the lp-1
From: Per Boysen <perboysen@gmail.com>
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> On Fri, Jul 17, 2009 at 9:10 PM, Simeon
> Harris<simeonharris40@googlemail.com> wrote:
>>  definitely lots of
>> fun to be had with sequenced pitch changes and i havn't even played around

Simeon,

I got so inspired by listening to the pleasant sounding files you
posted so I just had to try and set it up with Mobius + Bidule.
Plugged in a guitar and looped this:
http://www.perboysen.com/audio/Rate_Next_Mobius.mp3

Mobius has this command called "Rate Next". It shifts the rate/speed
along a list you have typed into the preferences. I used a list of
four rates: 0, +12, 0, -12 and I used Bidules Step Sequencer to send
the Rate Next MIDI Note command into Mobius every quarter note. The
funny thing though was that the rate shifting also affected the master
tempo, which was what the sequencer followed. I guess that's because I
started looping on Mobius Sync Master Track. I did two loops on
parallel tracks, but only the selected one got speed jumped by the
sequencer. Quite weird but fun ;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 01:23:06 2009
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From: G <gigs@paradise.net.nz>
Subject: Re: Eventide Time Factor
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>From: "L.Angulo" <labaloops@yahoo.com>
>Date: Fri, 17 Jul 2009 06:07:02 +0000 (GMT)
>yes,this is really a drag for such an expensive pedal,now the switches =
are starting to=20
>crap out on me as well and it does not look like eventide is going to =
release any more
> updates for it,lots of people seem to be getting upset in the forums...

Damn, that's really bad news.  I would've expected a lot better.

>so what is the smallest delay looper pedal that can loop its own delays?
>the dl4 is too limited i am contemplating the time bender,does anybody =
have any experience
> with this one?

As far as I know Stereo Memory Man with Hazarai, it's a stereo looper,
it's got some other nice features and a lot of fun to play with.
-- G.

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From: G <gigs@paradise.net.nz>
Subject: Re: Eventide Time Factor
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=46rom: Toby G <carpet8@mac.com>
Date: Thu, 16 Jul 2009 23:13:51 -0700
>I HAD a timefactor.  I had to return it because of the noise it made =
when=20
>the loop start/end point was reached.  It wasn't seamless.  Made a =
little=20
>blip.  Even after the software update it still made the sound.
>
> t

Dammit.  =20
What is it with pedals, if it's not one thing it's another.  =20
I bet there are some really disappointed people out there.
-- G.

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>From: G <gigs@paradise.net.nz>
>Date: Fri, 17 Jul 2009 17:57:56 +1200
>> Now that EH have brought out the POG2, I'm thinking of putting =
together
>> a letter to Electro Harmonix asking if they'd consider redoing the =
2880
>> with a number of improvements.  Including among many other things a
>> smaller foot print, 8 track looping, 16 save spaces (each with 8 =
tracks
>> and a stereo mix down) on the same memory card, much more =
comprehensive
>> MIDI capability so that a midi foot controller can drive all it's
>> features, and the list goes on, and on...
>> Cheers,
>> -- G.

=46rom: Raul Bonell <raul.bonell@gmail.com>
Date: Fri, 17 Jul 2009 08:05:16 +0200
>you should consider mobius, but in sw context ;-)
>any combo DAW+mobius (i.e. plogue bidule) will give you ALL what you
>are asking for at a fraction of the price.

Evil software people may turn me yet.  ;o)

I even considered getting the Digitech GNX4 for a while. =20
=46or US$100+ more you get better amp setups.  I can theoretically plug =
my
mono effects chain into the mono amp/effect part of the GNX, then put
it's instrument output into the start of my stereo effects, chain, then
return the final stereo output (through a line driver) back into the GNX
line in, and run that through the 8 track recorder/looper.

If EHX were to redo the 2880, the feature list of this 8 track
recorder/looper would be a good starting point.

However there's no MIDI control over the looper, but at least you can
use a dedicated proprietry foot controller, or even use midi controller
for all the other features, and keep the GNX4 pedals for looping.
BUT... apparently the recorder/looper quality is pretty rubbish. =20
Which is what killed it as an option for me.

But since we're on the topic, has anyone have experience with the
Digitech GNX4... especially the 8 track recorder/looper?=20
It's audio quality and how well it functions?
-- G.=20

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 02:45:01 2009
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Subject: 7/20/2009 Brooklyn looping gig! 
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The SomewhatMysterious Tuning from Main Street Goes to Brooklyn
for multiple just intonation guitars, cosmic zither and percussion.

David Beardsley, Joseph Benzola, Alex Carpenter, James Ross
Monday, July 20, 2009
9:00pm
Goodbye Blue Monday
1087 Broadway
Brooklyn, NY

http://www.goodbye-blue-monday.com

rehearsal recording: <http://biink.com/db/news.htm>
it's the track called Monday Night Mystery Tuning Excerpt


-- 
* David Beardsley
* http://biink.com

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>
>
> What is it with pedals, if it's not one thing it's another.
> I bet there are some really disappointed people out there.

Not me. I think the TF is fantastic. People get their panties in a  
twist over the looping glitch, but it's not a dedicated looper. I  
thought the glitch had been fixed anyway. If not, let Eventide know,  
and I'm sure they'll address it.

Jeff
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><blockquote type="cite"><div><font class="Apple-style-span" color="#000000"><br></font><br>What is it with pedals, if it's not one thing it's another. &nbsp;&nbsp;<br>I bet there are some really disappointed people out there.<br></div></blockquote><br></div><div>Not me. I think the TF is fantastic. People get their panties in a twist over the looping glitch, but it's not a dedicated looper. I thought the glitch had been fixed anyway. If not, let Eventide know, and I'm sure they'll address it.&nbsp;</div><div><br></div><div>Jeff</div></body></html>
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This is a multi-part message in MIME format.

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"If not, let Eventide know, and I'm sure they'll address it."

That's what I thought.  I'm sure it's an awesome pedal in many ways, but with the name Eventide on it I assumed it would be fan-fricking-tastic.

t
  ----- Original Message ----- 
  From: Jeff Shirkey 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Friday, July 17, 2009 6:58 PM
  Subject: Re: Eventide Time Factor






    What is it with pedals, if it's not one thing it's another.   
    I bet there are some really disappointed people out there.



  Not me. I think the TF is fantastic. People get their panties in a twist over the looping glitch, but it's not a dedicated looper. I thought the glitch had been fixed anyway.  


  Jeff

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<DIV>"If not, let Eventide know, and I'm sure they'll address it."</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>That's what I thought.&nbsp; I'm sure it's an 
awesome pedal in many ways, but with the name Eventide on it I assumed it would 
be fan-fricking-tastic.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=jcshirke@verizon.net href="mailto:jcshirke@verizon.net">Jeff 
  Shirkey</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, July 17, 2009 6:58 PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Eventide Time Factor</DIV>
  <DIV><BR></DIV><BR>
  <DIV>
  <BLOCKQUOTE type="cite">
    <DIV><FONT class=Apple-style-span color=#000000><BR></FONT><BR>What is it 
    with pedals, if it's not one thing it's another. &nbsp;&nbsp;<BR>I bet there 
    are some really disappointed people out 
there.<BR></DIV></BLOCKQUOTE><BR></DIV>
  <DIV>Not me. I think the TF is fantastic. People get their panties in a twist 
  over the looping glitch, but it's not a dedicated looper. I thought the glitch 
  had been fixed anyway.&nbsp;&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>Jeff</DIV></BLOCKQUOTE></BODY></HTML>

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Date: Fri, 17 Jul 2009 23:16:53 -0400
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Subject: Re: 7/20/2009 Brooklyn looping gig!
From: james fowler <twostroke@gmail.com>
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doh! I live about 6 blocks from that joint...unfortunately I have to
leave town for a few days.

- Jim

On Friday, July 17, 2009, David Beardsley <db@biink.com> wrote:
> The SomewhatMysterious Tuning from Main Street Goes to Brooklyn
> for multiple just intonation guitars, cosmic zither and percussion.
>
> David Beardsley, Joseph Benzola, Alex Carpenter, James Ross
> Monday, July 20, 2009
> 9:00pm
> Goodbye Blue Monday
> 1087 Broadway
> Brooklyn, NY
>
> http://www.goodbye-blue-monday.com
>
> rehearsal recording: <http://biink.com/db/news.htm>
> it's the track called Monday Night Mystery Tuning Excerpt
>
>
> --
> * David Beardsley
> * http://biink.com
>
>

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From: G <gigs@paradise.net.nz>
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=46rom: andy butler <akbutler@tiscali.co.uk>
Date: Fri, 17 Jul 2009 09:18:23 +0100
>> 2009/7/17, G <gigs@paradise.net.nz>:
>>> Hi there
>>> Other than the Eventide Time Factor I haven't found a stereo delay =
pedal
>>> with midi control on the market - so I'm seriously considering it.
>what about a rack mountable unit?
>Line 6 do (did?) one, the "Echo Pro" or something like that.
>and there's always the Behringer Virtualizer, with 5s of stereo
>delay.=20
>andy =20

Thanks for the suggestions.  But I think I'd switch to the
laptop/software route rather than get into a rack rig.
-- G.

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>
> That's what I thought.  I'm sure it's an awesome pedal in many ways,  
> but with the name Eventide on it I assumed it would be fan-fricking- 
> tastic.
>

For my needs, it is. Go post in the Eventide forum if you (or anyone  
else) have particular problems you need to see addressed.

Jeff
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div bgcolor=3D"#ffffff" =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>&nbsp;</div><div><font =
size=3D"2" face=3D"Arial">That's what I thought.&nbsp; I'm sure it's an =
awesome pedal in many ways, but with the name Eventide on it I assumed =
it would be fan-fricking-tastic.</font></div><div><font size=3D"2" =
face=3D"Arial"></font>&nbsp;</div></div></span></blockquote><br></div><div=
>For my needs, it is. Go post in the Eventide forum if you (or anyone =
else) have particular problems you need to see =
addressed.&nbsp;</div><div><br></div><div>Jeff</div></body></html>=

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Date: Fri, 17 Jul 2009 21:34:33 -0700
Message-ID: <588ce11d0907172134x1a3a623di80a999a32916c47b@mail.gmail.com>
Subject: Re: 10,000 hours
From: Art Simon <simart@gmail.com>
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Warren and Jeff, you make good points and I think Gladwell was on weak
ground we he spoke to computer programming. Was Bill Gates a great
programmer? What made Bill Gates "great" was that he got IBM to use
his operating system, but allow him to keep the license. Microsoft has
done some good stuff, but they owe their continuing existence to that
one stroke of luck or hubris.

On Fri, Jul 17, 2009 at 3:20 PM, Warren Sirota<wsirota@wsdesigns.com> wrote=
:
>
>>
>>
>> That would include most of the programmers in the world, and if my
>> work experience is any indication, very few of them are who I would
>> consider "great" :-)
>>
>> 10,000 hours might get you "professional". =A0You would be able to
>> compete in the job market and be a valued team member. =A0But great?
>>
>> I think greatness as a programmer is much harder to quantify than
>> greatness as a musician. =A0Many people think Linus Torvalds is great,
>
>
> how many great programmers have there been in the history of computing? 5=
?
> 15? you pretty much have to create a platform to be considered great, i'd
> say - make an OS or invent a language, something like that. Even if you
> write a great application program, that doesn't make you a great programm=
er
> (tho something like Visicalc qualifies because it started a supremely use=
ful
> category). a great programmer would be severely out of place on most of t=
he
> teams I'm on.
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
> http://www.warrensirota.com
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Subject: Re: 10,000 hours
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Microsoft has done acceptable stuff.  I guess the way I measure it  
is--how many windows related products have made me say, "wow, that's  
really f'n cool?"  Full disclosure:  I own a PC w/XP and a Mac.

t

On Jul 17, 2009, at 9:34 PM, Art Simon wrote:

> Warren and Jeff, you make good points and I think Gladwell was on weak
> ground we he spoke to computer programming. Was Bill Gates a great
> programmer? What made Bill Gates "great" was that he got IBM to use
> his operating system, but allow him to keep the license. Microsoft has
> done some good stuff, but they owe their continuing existence to that
> one stroke of luck or hubris.
>
> On Fri, Jul 17, 2009 at 3:20 PM, Warren  
> Sirota<wsirota@wsdesigns.com> wrote:
>>
>>>
>>>
>>> That would include most of the programmers in the world, and if my
>>> work experience is any indication, very few of them are who I would
>>> consider "great" :-)
>>>
>>> 10,000 hours might get you "professional".  You would be able to
>>> compete in the job market and be a valued team member.  But great?
>>>
>>> I think greatness as a programmer is much harder to quantify than
>>> greatness as a musician.  Many people think Linus Torvalds is great,
>>
>>
>> how many great programmers have there been in the history of  
>> computing? 5?
>> 15? you pretty much have to create a platform to be considered  
>> great, i'd
>> say - make an OS or invent a language, something like that. Even  
>> if you
>> write a great application program, that doesn't make you a great  
>> programmer
>> (tho something like Visicalc qualifies because it started a  
>> supremely useful
>> category). a great programmer would be severely out of place on  
>> most of the
>> teams I'm on.
>>
>>
>> --
>> Warren
>> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
>> http://www.warrensirota.com
>>
>
>
>
> -- 
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>

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Date: Fri, 17 Jul 2009 21:45:27 -0700
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Subject: Re: 10,000 hours
From: Art Simon <simart@gmail.com>
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Thanks Rick,

That's really cool. Obviously, he's not old enough for his 10,000
hours of practice!

Since I'm coming from the electronic music side of things, I've always
thought that practice was less important, and an electronic music
composer could "think" his way through composing a great piece,
without the years of training that a conventional composer might need
to become familiar with with instruments he's composing for. But, I'm
still stuck for examples.

Tod Dockstader is pretty much it. Here's a guy who studied film and
painting in college, and tangentially got involved in sound
production. As far as I know, he had no conventional music training,
yet composed several stellar pieces of electronic music and music
concrete of lasting importance, and them pretty much disappeared for
many years.

On Fri, Jul 17, 2009 at 2:21 AM, Rick Walker<looppool@cruzio.com> wrote:
> my bad, =A0 here's the
> video of child conga prodigy, Miguel Russell,
> a refutation of the 10,000 hours to mastery
> theory.
>
> http://www.youtube.com/watch?v=3DHkB13cZuIvc
>
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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G wrote:

>> so what is the smallest delay looper pedal that can loop its own delays?
>> the dl4 is too limited i am contemplating the time bender,does anybody have any experience
>> with this one?
> 
> As far as I know Stereo Memory Man with Hazarai, it's a stereo looper,
> it's got some other nice features and a lot of fun to play with.
> -- G.
> 
> 

well, it *can* loop it's own delays,
...but in a frustratingly limited way.

For instance, the only way to stop the loop
is to hit Bypass.

....don't try and take mine away tho'  :-)

andy

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 09:22:20 2009
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Date: Sat, 18 Jul 2009 10:22:18 +0100
Message-ID: <d302e3570907180222h30b36658s9a65406cf7414524@mail.gmail.com>
Subject: Re: sequences and the lp-1
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f79552fb1a15046ef77030
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he heh, nice one per! mobius seems to act like a tape machine and spool up
and down between the rate changes...sounds great!

cpr - try copy and paste the links into the address bar of your browser -
that should work

bill - i've been using scramble a lot over the past couple of years....but
not in the context of sequencing commands...that's what i need to try next!

thanks for the comments chaps!

sim


On Sat, Jul 18, 2009 at 1:59 AM, Per Boysen <perboysen@gmail.com> wrote:

> > On Fri, Jul 17, 2009 at 9:10 PM, Simeon
> > Harris<simeonharris40@googlemail.com> wrote:
> >>  definitely lots of
> >> fun to be had with sequenced pitch changes and i havn't even played
> around
>
> Simeon,
>
> I got so inspired by listening to the pleasant sounding files you
> posted so I just had to try and set it up with Mobius + Bidule.
> Plugged in a guitar and looped this:
> http://www.perboysen.com/audio/Rate_Next_Mobius.mp3
>
>

--001485f79552fb1a15046ef77030
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he heh, nice one per! mobius seems to act like a tape machine and spool up =
and down between the rate changes...sounds great!<br><br>cpr - try copy and=
 paste the links into the address bar of your browser - that should work<br=
>
<br>bill - i&#39;ve been using scramble a lot over the past couple of years=
....but not in the context of sequencing commands...that&#39;s what i need =
to try next!<br><br>thanks for the comments chaps!<br><br>sim<br><br><br>
<div class=3D"gmail_quote">On Sat, Jul 18, 2009 at 1:59 AM, Per Boysen <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.co=
m</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"borde=
r-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-le=
ft: 1ex;">
<div class=3D"im">&gt; On Fri, Jul 17, 2009 at 9:10 PM, Simeon<br>
&gt; Harris&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharri=
s40@googlemail.com</a>&gt; wrote:<br>
</div><div class=3D"im">&gt;&gt; =A0definitely lots of<br>
&gt;&gt; fun to be had with sequenced pitch changes and i havn&#39;t even p=
layed around<br>
<br>
</div>Simeon,<br>
<br>
I got so inspired by listening to the pleasant sounding files you<br>
posted so I just had to try and set it up with Mobius + Bidule.<br>
Plugged in a guitar and looped this:<br>
<a href=3D"http://www.perboysen.com/audio/Rate_Next_Mobius.mp3" target=3D"_=
blank">http://www.perboysen.com/audio/Rate_Next_Mobius.mp3</a><br>
<br></blockquote></div><br>

--001485f79552fb1a15046ef77030--

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Subject: Re: sequences and the lp-1
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On Sat, Jul 18, 2009 at 11:22 AM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> he heh, nice one per! mobius seems to act like a tape machine and spool up
> and down between the rate changes...sounds great!

Well, actually Mobius doesn't glide but goes directly to the half-note
step in speed/pitch. I was amazed too about how it sounds like
continuously re-pitching here, like a tape machine. Maybe it comes out
like that because the first loop was recorded with reverb? Or because
the steps are octaves and sort of confuses the ear/brain?

Anyway, I had some problems with Overdub and Multiply being
interrupted when feeding the looper MIDI Note sequences. How does that
work with the LP-1? Can you overdub like normal while also feeding the
LP-1 a stream of sequenced notes?

Per

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 11:52:40 2009
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Subject: Bravo!
From: Rainer Straschill <moinsound@googlemail.com>
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Dear JPR,

thanks for your reply (on- and offlist). And no, I'm not blind myself
nor have I worked with or for people who are impaired in their
eyesight, but some other things I've been working on (and that
includes the user interface for my own music stuff) feature
applications where you cannot or don't want to look at some status
display of sorts.
For example, I've been working on some projects in the automotive
field, and it's mostly obvious that e.g. a brake pedal which works as
an accelerator in case you're programming your navigation system would
be unacceptable, even though car drivers are usually not blind and
could very well look at the screen ;).

> But I'm afraid it would only be one part of the problem. I can imagine ha=
ving a large series of switches to trigger a loop machine, but for more com=
plex tools like Ableton Live which I would dream to be able to use on stage=
, I wonder if > a solution could exist. We live in a strange world where to=
day's musical instruments designers spend more money and energy trying to m=
ake their products look nice and, well, I don't know if I can blame them be=
cause may be a
> totally haptic interface would be much too large to be usable. My goal wo=
uld be to have a minimum of pre-programmed stuff because I am and have alwa=
ys been an improviser, and if I could find a way to create musical environm=
ents > on-the-fly, I think I would be the happiest man in the world.

One way really is to radically trim down your user interface. I have
been thinking about this just recently, bringing down my control set
for playing live to some two to three buttons and perhaps an
x/y-controller (e.g. a bluetooth-enabled trackball). This would be a
big advance for me - although my current control set has already been
trimmed down from the last one (of my loop4life programme which I
played e.g. at y2k6loopfest), there are still way over 1000 (!)
assignments to rotary encoders, buttons, footswitches and expression
pedals - way too much.

So why would I want to do this? One reason is that I don't want to
burden myself by having to learn user interfaces. The second thing
(and this is something not obvious to you) is that a musician staring
at a computer screen looks utterly stupid.

> I'm not sure about motorised faders because I think they might be fragile=
 even though I could be wrong, but I've always found knobs more pleasant to=
 manipulate.

I haven't used those very much myself, but it seems they are
relatively sturdy, unless you do "stupid things" with them (generally,
things which would also break a non-motorized fader).

The motorized fader idea would have two big advantages for you over
the knobs. a) you would be able to just feel how your system is set up
at any given moment by simply moving your fingers over the faders. b)
if you plan to use some computer-controlled parameter changes (e.g. a
random level change), then you'd be able to feeld that as well.
Motorized faders have the downside that they do make some noise, so if
you're doing some very soft passages in your performances, this might
not be for you.

> Apart from this, I'm playing with African musicians quite often, and if I=
 was going to use loops with them, I would have to find a way to match my l=
oops or sequences tempi to what they are playing,

Now that is a simple one. A lot of loopers offer some kind of tapping
feature which you either can use to retrigger your loops or (with some
more advanced devices) to timestretch them to fit into a new tempo.
When playing with my improvised group, I had good success using a
Line6 DL4 and just retriggering it when the loop came around again.
This, of course, will not work (or rather will work in a polyrhytmic
fashion) if your musicians tend to change tempo a lot.

I'd like to ask back: what are your requirements regarding the
hardware/software solution you want to use? (e.g. looping or other
functionalities etc.) And secondly, how do you want to interact with
your gear, and what does work for you? E.g. would a user interface
like that of a Line6 DL4 generally work (based on the fact that the
few things that are actually displayed by LEDs on this can be either
heard from the output or remembered)?

Best,

           Rainer

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Date: Sat, 18 Jul 2009 13:55:03 +0200
Message-ID: <7334ca1b0907180455o7541e694lec62974a169cb394@mail.gmail.com>
Subject: Re: OT: for our planned festival - distribution channels
From: Rainer Straschill <moinsound@googlemail.com>
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> Rainer Schwarzschild schrieb:

Hey,

thanks for clearing that up regarding that copyright management issue.
So from what you write, I take it that even though it may work out for
artists signed with GEMA if the work is a collaborative one, it would
be unfeasible to have the entire festival work under a cc license,
right?

And btw - could you just tell me who "Rainer Schwarzschild" is?

Best,

          Rainer

From info@jiangsu.com  Sat Jul 18 12:00:16 2009
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From: "DR ZHANG JINGLEI"<info@jiangsu.com>
Subject: JOB OFFER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Date: Sat, 18 Jul 2009 19:47:09 +0800
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Hello Sir or Madam,
I represent the Jiangsu Tianyin Chemical Industry Corporation, based in China which manufactures, supplies and exports pharmaceutics, and other chemical products for world trade.
We are currently searching for representatives to help us establish a foreign base of operations, contacting our customers around the world, as well as receiving payments as our accounts officer. As our representative, you will receive 10% of the total amount you clear for the company through foreign payments.

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 13:10:06 2009
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Date: Sat, 18 Jul 2009 14:10:04 +0100
Message-ID: <d302e3570907180610i3fe9154cp29ee93e5b01be1f8@mail.gmail.com>
Subject: Re: sequences and the lp-1
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f1e7c292e290046efa9f93
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well that's how the mini-soundscape was created...the loop was in
overdub...i was playing into it and the drum machine was sending clock and
half speed commands at the same time. the reverse clip was also created like
that too. i wasn't sending other commands from my footswitch though...iso
havn't run into a problem with that yet

i don't know why mobius would have a problem receiving multiple commands
though...

sim

On Sat, Jul 18, 2009 at 12:14 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Jul 18, 2009 at 11:22 AM, Simeon
> Harris<simeonharris40@googlemail.com> wrote:
> > he heh, nice one per! mobius seems to act like a tape machine and spool
> up
> > and down between the rate changes...sounds great!
>
> Well, actually Mobius doesn't glide but goes directly to the half-note
> step in speed/pitch. I was amazed too about how it sounds like
> continuously re-pitching here, like a tape machine. Maybe it comes out
> like that because the first loop was recorded with reverb? Or because
> the steps are octaves and sort of confuses the ear/brain?
>
> Anyway, I had some problems with Overdub and Multiply being
> interrupted when feeding the looper MIDI Note sequences. How does that
> work with the LP-1? Can you overdub like normal while also feeding the
> LP-1 a stream of sequenced notes?
>
> Per
>
>

--001485f1e7c292e290046efa9f93
Content-Type: text/html; charset=ISO-8859-1
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well that&#39;s how the mini-soundscape was created...the loop was in overd=
ub...i was playing into it and the drum machine was sending clock and half =
speed commands at the same time. the reverse clip was also created like tha=
t too. i wasn&#39;t sending other commands from my footswitch though...iso=
=A0 havn&#39;t run into a problem with that yet<br>
<br>i don&#39;t know why mobius would have a problem receiving multiple com=
mands though...<br><br>sim=A0 <br><br><div class=3D"gmail_quote">On Sat, Ju=
l 18, 2009 at 12:14 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:=
perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">On Sat, Jul 18, 2=
009 at 11:22 AM, Simeon<br>
<div class=3D"im">Harris&lt;<a href=3D"mailto:simeonharris40@googlemail.com=
">simeonharris40@googlemail.com</a>&gt; wrote:<br>
</div><div class=3D"im">&gt; he heh, nice one per! mobius seems to act like=
 a tape machine and spool up<br>
&gt; and down between the rate changes...sounds great!<br>
<br>
</div>Well, actually Mobius doesn&#39;t glide but goes directly to the half=
-note<br>
step in speed/pitch. I was amazed too about how it sounds like<br>
continuously re-pitching here, like a tape machine. Maybe it comes out<br>
like that because the first loop was recorded with reverb? Or because<br>
the steps are octaves and sort of confuses the ear/brain?<br>
<br>
Anyway, I had some problems with Overdub and Multiply being<br>
interrupted when feeding the looper MIDI Note sequences. How does that<br>
work with the LP-1? Can you overdub like normal while also feeding the<br>
LP-1 a stream of sequenced notes?<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--001485f1e7c292e290046efa9f93--

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Subject: Re: sequences and the lp-1
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On Sat, Jul 18, 2009 at 3:10 PM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> well that's how the mini-soundscape was created...the loop was in
> overdub...i was playing into it and the drum machine was sending clock and
> half speed commands at the same time. the reverse clip was also created like
> that too. i wasn't sending other commands from my footswitch though...iso
> havn't run into a problem with that yet
>
> i don't know why mobius would have a problem receiving multiple commands
> though...

I don't know either. Yet. But that's easy to check out. I was using
the Rate Next command, which is an "effect". The same thing can also
be achieved with HalfSpeed/Normal, Speed, or by "playing" the
rate/speed by MIDI notes (turning the looper into a sampler). Some of
these alternatives may work with a setting where the rate/speed
shifting does not end Overdub/Multiply Mode.

Per

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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: Max/MSP help
Date: Sat, 18 Jul 2009 14:24:17 +0100
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------=_NextPart_000_0081_01CA07B3.6EF3EAE0
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Hi Guys,

I'm hoping those of you who use Max might be able to advise me.

I'm looking for advice on the best filter objects, externals that might =
be out there. Which are the most accurate in your own experience?

Thanks in advance,

Ricky
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<HTML><HEAD>
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Guys,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm hoping those of you who use Max =
might be able=20
to advise me.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'm looking for advice on the best =
filter objects,=20
externals that might be out there. Which are the most accurate in your =
own=20
experience?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks in advance,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV></BODY></HTML>

------=_NextPart_000_0081_01CA07B3.6EF3EAE0--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 13:57:41 2009
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Date: Sat, 18 Jul 2009 15:57:38 +0200
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the real pain for the hazarai, imho, is that you have to press one
switch continuously so the feedback function works, i mean, if you
want your old stuff disappear gradually.

i like the abrupt way of stopping the looper, bypass. hate those
automatic fade options found in other loopers...



2009/7/18, andy butler <akbutler@tiscali.co.uk>:
>
>
> G wrote:
>
>>> so what is the smallest delay looper pedal that can loop its own delays?
>>> the dl4 is too limited i am contemplating the time bender,does anybody
>>> have any experience
>>> with this one?
>>
>> As far as I know Stereo Memory Man with Hazarai, it's a stereo looper,
>> it's got some other nice features and a lot of fun to play with.
>> -- G.
>>
>>
>
> well, it *can* loop it's own delays,
> ...but in a frustratingly limited way.
>
> For instance, the only way to stop the loop
> is to hit Bypass.
>
> ....don't try and take mine away tho'  :-)
>
> andy
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 16:16:34 2009
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Mark,

In this forum you just wrote:
".....Plus, I hate traveling. Even for
fun... it's not fun when you do a gig with Rick and Bill Walker where
you drive for over an hour, spend an hour setting up and shlepping
your gear plus a full video set up with a 16 foot screen and find out
they can't be bothered to move a monitor near you so you have to play
with headphones while smashed all the way off to the side of the stage
because they've spit the area among themselves. Awesome......"

I have tried to work out our differences off line with you,  but you 
won't reply to me,
so, because you do not have the courage to communicate with me directly
and have chosen to be critical of me (and my brother, Bill) on this list, 
I feel compelled to write to you in public.

To whit:

I would love it,  if you have a beef with me (or with my brother) that you
have the courtesy to take it up with me (or him, because remember, we 
are not the
same person) off list and , preferably,  not three or four years after 
the alleged slight has
taken place.     

It's just common courtesy and it's just a mature professional thing to do.

For one thing:
You might find out information that mitigates your particular perception 
of and assumptions about the
event in question.

For another:
You might illicit an apology if I've been out of line, unnecessarily  
narcissistic or stressed out
(all things I can be guilty of during the stress of trying to produce a 
multiple person event,  where
I provide the PA (for free),  book the gig (for free), handle all of the 
communication between artists (for free),
publicize (for free and with considerable time and some expense that I 
have always donated out of my own pocket)
and put up the posters.

I'm a fallible person and I try to be self reflective and self 
correcting if I"m doing something wrong or god forbid,
accidentally causing another artist harm or discomfort.  If I have done 
something wrong or if you, or any artist, feels
that I've ever been disrespectful or merely insensitive,  I'd love to 
know about it so I can make it right and apologize,
humbly.

Who knows what could transpire, but since I try really hard to be as 
supportive of artists who play events at
events, large and small, that put on,   I can assure you that something 
could easily have been worked out
and you wouldn't have had to hang on to this for so long.

Since you decide to air this grievance on the list (and years after the 
fact at that) then
let me please publicly  go on record about the particular gig you played 
here in Santa Cruz so long ago:

1)  We got into the venue very late on the evening of the gig (due to my 
work schedule, unfortunately)
which threw a real wrench in the entire flow of the gig, since I was 
responsible for making all the decisions
and setting up the P.A.

2)  We had always, historically, played the main stage in this venue 
(where there is plenty of room for many artists)
 and , at the last minute, they reversed that policy and forced us to 
cram ourselves into
the small other side of the room where room was much more at a premium.
This totally threw me for a loop and made me even more tardy in getting 
the thing going on time.

3)  From what little I recall of the event,  I was really stressed out 
and overworked trying
to get the PA working and trying to figure out how the hell to 
accommodate so much
equipment.   You, yourself, had a lot more gear than I thought you would 
have and we,
well, being the Walker brothers, had a lot too.

Also parenthetically, I never received any help from you, either: 
setting the P.A.
up or tearing it down..........a considerable amount of work, 
particularly at that venue.

In this community, I've found that most artists do recognize the hard 
work it takes to
produce a free gig and they chip in a little to help out.

4)  I tried to set the gig up so that we split the small space into thirds.
I'm a professional drummer who frequently comes to gigs to find that 
people have not let
me have enough space so I'm very sensitive to being as fair as I can 
about space:   ask anyone
about this assertion.  You'll find it is true.

5) I can't even remember the monitor issue, but if I made a mistake for 
the aforementioned
stress or narcissism reasons,   I am deeply sorry that you felt offended 
and years later I feel fine
about  issuing you a public apology.

*************************************************************************

Also,  I would like to publicly state that since that time,  I have on 
numerous occasions invited you to come and
play the Looping Festival.     I like what you do musically and you've 
been involved on this list for a long
time so I think it's a good thing if you want to play live.   I've 
treated you with respect and tried to be
inclusive.   This has been very consistent on my part because I believe 
in such things.

You have turned me down every single time and every single time,  I"ve 
tried again to get you to change your mind
to no avail.

I've never had a problem with it (other than being personally 
disappointed that you haven't wanted to
participate)

I wish you wanted to play live for this community because I think you 
are intelligent, sensitive and a good musician
with valid things to say musically
BUT.............. I'm completely down with your decision that you don't 
want to, or that you don't
want to play in public.    

Really man,  no judgment from me on that count whatsoever.  

I DID take you to task a week or so ago on this list for making a lot 
of  statements about the nature of live looping events because,
in point of fact,   you just haven't' participated in several years and 
can't really speak with any authority even though you wrote
as if you had that authority.  

Even in this,  however, I wasn't maligning your character or your worth.

I was just disagreeing with your assertions.  
It's what one opens oneself up to when one speaks with authority on a 
public list.
But none of what I wrote was personal or designed as a slight to you.

I do take exception, however, with the fact that you seem to be both 
critical and trying to pick a fight with me both
in public and in private correspondence of late.

There's just no reason for it, Mark.

I've always treated you with respect and I've tried repeatedly to be 
inclusive of you in the public events and festivals that I've promoted.
I don't have any malice in my heart for you.   I don't dislike you. 

Please have the common courtesy to treat me with equal respect and let's 
take all of this off line from now on.

You don't have to like me.    You don't have to agree with me about 
anything that I do or any aesthetic I try to embody
with the looping festivals I produce
.
You can hang on to perceived slights as long as you want, but my 
feeling  is that this is not the proper forum for airing
these differences.


yours,   Rick Walker

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 16:45:57 2009
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Subject: Re: sequences and the lp-1
Date: Sat, 18 Jul 2009 09:45:54 -0700
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On Jul 17, 2009, at 12:10 PM, Simeon Harris wrote:

> http://www.simeonharris.co.uk/misc/reverse.mp3 - a delay that  
> reverses every bar - (the lp-1 was in overdub with feedback at 30%  
> and the drum machine changed the direction of the loop every bar)

That would seem to suggest a new loop mode in which the looper  
oscillates back and forth through the loop changing direction at the  
cycle boundary rather than cycling back around.

Mark


--Apple-Mail-657--954585151
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><div>On Jul 17, 2009, at =
12:10 PM, Simeon Harris wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><a =
href=3D"http://www.simeonharris.co.uk/misc/reverse.mp3">http://www.simeonh=
arris.co.uk/misc/reverse.mp3</a><span =
class=3D"Apple-converted-space">&nbsp;</span>- a delay that reverses =
every bar - (the lp-1 was in overdub with feedback at 30% and the drum =
machine changed the direction of the loop every =
bar)</span></blockquote></div><br><div>That would seem to suggest a new =
loop mode in which the looper oscillates back and forth through the loop =
changing direction at the cycle boundary rather than cycling back =
around.</div><div><br></div><div>Mark</div><div><br></div></body></html>=

--Apple-Mail-657--954585151--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 16:52:13 2009
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Date: Sat, 18 Jul 2009 17:52:10 +0100
Message-ID: <d302e3570907180952m9aee50ib343a702ff7776e3@mail.gmail.com>
Subject: Re: sequences and the lp-1
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f1e7c2d4c5c6046efdb9fb
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indeed!

a little bit like expert sleeper's meringue plugin, i think

also...just had a wacky thought...

drummer + roland td-10 (or similar electronic drum kit) > midi cable > lp-1

sim

On Sat, Jul 18, 2009 at 5:45 PM, Mark Hamburg <mark@grubmah.com> wrote:

> On Jul 17, 2009, at 12:10 PM, Simeon Harris wrote:
>
> http://www.simeonharris.co.uk/misc/reverse.mp3 - a delay that reverses
> every bar - (the lp-1 was in overdub with feedback at 30% and the drum
> machine changed the direction of the loop every bar)
>
>
> That would seem to suggest a new loop mode in which the looper oscillates
> back and forth through the loop changing direction at the cycle boundary
> rather than cycling back around.
>
> Mark
>
>

--001485f1e7c2d4c5c6046efdb9fb
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indeed!<br><br>a little bit like expert sleeper&#39;s meringue plugin, i th=
ink<br><br>also...just had a wacky thought...<br><br>drummer + roland td-10=
 (or similar electronic drum kit) &gt; midi cable &gt; lp-1<br><br>sim<br>
<br><div class=3D"gmail_quote">On Sat, Jul 18, 2009 at 5:45 PM, Mark Hambur=
g <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@grubmah.com">mark@grubmah.co=
m</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"borde=
r-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-le=
ft: 1ex;">
<div style=3D""><div class=3D"im"><div><div>On Jul 17, 2009, at 12:10 PM, S=
imeon Harris wrote:</div><br><blockquote type=3D"cite"><span style=3D"borde=
r-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-siz=
e: medium; font-style: normal; font-variant: normal; font-weight: normal; l=
etter-spacing: normal; line-height: normal; text-indent: 0px; text-transfor=
m: none; white-space: normal; word-spacing: 0px;"><a href=3D"http://www.sim=
eonharris.co.uk/misc/reverse.mp3" target=3D"_blank">http://www.simeonharris=
.co.uk/misc/reverse.mp3</a><span>=A0</span>- a delay that reverses every ba=
r - (the lp-1 was in overdub with feedback at 30% and the drum machine chan=
ged the direction of the loop every bar)</span></blockquote>
</div><br></div><div>That would seem to suggest a new loop mode in which th=
e looper oscillates back and forth through the loop changing direction at t=
he cycle boundary rather than cycling back around.</div><div><br></div>
<font color=3D"#888888"><div>Mark</div><div><br></div></font></div></blockq=
uote></div><br>

--001485f1e7c2d4c5c6046efdb9fb--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 17:01:48 2009
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Subject: RE: dual FX processors
Date: Sat, 18 Jul 2009 08:22:12 -0700
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Carvin used to make a dual effect processor like you describe.  I don't know
if they make it anymore check their website and e bay for used Carvin
effectors.           Steve

-----Original Message-----
From: Matt McCabe [mailto:lists@finleysound.com] 
Sent: Wednesday, July 15, 2009 5:48 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: dual FX processors

On Jun 23, 2009, at 4:27 PM, L.Angulo wrote:

> is there a 19 rack dual FX proccesor in other words 2 different  
> effect proccesors in one,like having 2 different half rack ones to  
> use as a pre and post FX?
> cheers

I'm a little late to the party.  Check out the Fractal Audio Axe-FX.   
Crazy routing options.

---
King Never
free music @ music.kingnever.com



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Date: Sat, 18 Jul 2009 18:11:12 +0100
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Subject: Re: sequences and the lp-1
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mark wrote...

"That would seem to suggest a new loop mode in which the looper oscillates
back and forth through the loop changing direction at the cycle boundary
rather than cycling back around."

i've just suggested to bob on the lp-1 forum that this would be a superb
thing for the lp-1 to do

sim

>
>

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mark wrote...<br><br>&quot;That would seem to suggest a new loop mode in wh=
ich the looper oscillates back and forth through the loop changing directio=
n at the cycle boundary rather than cycling back around.&quot;<br><br>i&#39=
;ve just suggested to bob on the lp-1 forum that this would be a superb thi=
ng for the lp-1 to do<br>
<br>sim<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" sty=
le=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex;=
 padding-left: 1ex;"><br></blockquote></div><br>

--001485f64b48eb3568046efdfd4c--

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Subject: Re: 10,000 hours
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Hi Toby,

I don't think Art is dissing Gates or Windows, just making the point that
tho he may have been an excellent programmer, what he was truly *great* at
was building a business (well, Art was saying he's just lucky, but I'm
saying he's a great businessman. Just like Steve Jobs. But not as hip.)

Warren

On Sat, Jul 18, 2009 at 12:37 AM, Toby Graves <carpet8@mac.com> wrote:

> Microsoft has done acceptable stuff.  I guess the way I measure it is--how
> many windows related products have made me say, "wow, that's really f'n
> cool?"  Full disclosure:  I own a PC w/XP and a Mac.
>
> t
>
>
> On Jul 17, 2009, at 9:34 PM, Art Simon wrote:
>
>  Warren and Jeff, you make good points and I think Gladwell was on weak
>> ground we he spoke to computer programming. Was Bill Gates a great
>> programmer? What made Bill Gates "great" was that he got IBM to use
>> his operating system, but allow him to keep the license. Microsoft has
>> done some good stuff, but they owe their continuing existence to that
>> one stroke of luck or hubris.
>>
>> On Fri, Jul 17, 2009 at 3:20 PM, Warren Sirota<wsirota@wsdesigns.com>
>> wrote:
>>
>>>
>>>
>>>>
>>>> That would include most of the programmers in the world, and if my
>>>> work experience is any indication, very few of them are who I would
>>>> consider "great" :-)
>>>>
>>>> 10,000 hours might get you "professional".  You would be able to
>>>> compete in the job market and be a valued team member.  But great?
>>>>
>>>> I think greatness as a programmer is much harder to quantify than
>>>> greatness as a musician.  Many people think Linus Torvalds is great,
>>>>
>>>
>>>
>>> how many great programmers have there been in the history of computing?
>>> 5?
>>> 15? you pretty much have to create a platform to be considered great, i'd
>>> say - make an OS or invent a language, something like that. Even if you
>>> write a great application program, that doesn't make you a great
>>> programmer
>>> (tho something like Visicalc qualifies because it started a supremely
>>> useful
>>> category). a great programmer would be severely out of place on most of
>>> the
>>> teams I'm on.
>>>
>>>
>>> --
>>> Warren
>>> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
>>> http://www.warrensirota.com
>>>
>>>
>>
>>
>> --
>> Art Simon
>> simart@gmail.com
>> myspace [dot] com/artsimon
>>
>>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

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Hi Toby,<br><br>I don&#39;t think Art is dissing Gates or Windows, just mak=
ing the point that tho he may have been an excellent programmer, what he wa=
s truly <i>great</i> at was building a business (well, Art was saying he&#3=
9;s just lucky, but I&#39;m saying he&#39;s a great businessman. Just like =
Steve Jobs. But not as hip.)<br>
<br>Warren<br><br><div class=3D"gmail_quote">On Sat, Jul 18, 2009 at 12:37 =
AM, Toby Graves <span dir=3D"ltr">&lt;<a href=3D"mailto:carpet8@mac.com">ca=
rpet8@mac.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" st=
yle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex=
; padding-left: 1ex;">
Microsoft has done acceptable stuff. =A0I guess the way I measure it is--ho=
w many windows related products have made me say, &quot;wow, that&#39;s rea=
lly f&#39;n cool?&quot; =A0Full disclosure: =A0I own a PC w/XP and a Mac.<b=
r>
<font color=3D"#888888">
<br>
t</font><div><div></div><div class=3D"h5"><br>
<br>
On Jul 17, 2009, at 9:34 PM, Art Simon wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Warren and Jeff, you make good points and I think Gladwell was on weak<br>
ground we he spoke to computer programming. Was Bill Gates a great<br>
programmer? What made Bill Gates &quot;great&quot; was that he got IBM to u=
se<br>
his operating system, but allow him to keep the license. Microsoft has<br>
done some good stuff, but they owe their continuing existence to that<br>
one stroke of luck or hubris.<br>
<br>
On Fri, Jul 17, 2009 at 3:20 PM, Warren Sirota&lt;<a href=3D"mailto:wsirota=
@wsdesigns.com" target=3D"_blank">wsirota@wsdesigns.com</a>&gt; wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
<br>
That would include most of the programmers in the world, and if my<br>
work experience is any indication, very few of them are who I would<br>
consider &quot;great&quot; :-)<br>
<br>
10,000 hours might get you &quot;professional&quot;. =A0You would be able t=
o<br>
compete in the job market and be a valued team member. =A0But great?<br>
<br>
I think greatness as a programmer is much harder to quantify than<br>
greatness as a musician. =A0Many people think Linus Torvalds is great,<br>
</blockquote>
<br>
<br>
how many great programmers have there been in the history of computing? 5?<=
br>
15? you pretty much have to create a platform to be considered great, i&#39=
;d<br>
say - make an OS or invent a language, something like that. Even if you<br>
write a great application program, that doesn&#39;t make you a great progra=
mmer<br>
(tho something like Visicalc qualifies because it started a supremely usefu=
l<br>
category). a great programmer would be severely out of place on most of the=
<br>
teams I&#39;m on.<br>
<br>
<br>
--<br>
Warren<br>
<a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679" target=3D"_bl=
ank">http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679</a><br>
<a href=3D"http://www.warrensirota.com" target=3D"_blank">http://www.warren=
sirota.com</a><br>
<br>
</blockquote>
<br>
<br>
<br>
-- <br>
Art Simon<br>
<a href=3D"mailto:simart@gmail.com" target=3D"_blank">simart@gmail.com</a><=
br>
myspace [dot] com/artsimon<br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><=
a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ube=
too.com/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensiro=
ta.com">http://www.warrensirota.com</a><br>


--0016364582b22154f4046efe5468--

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Subject: Re: Open Letter to Mark Sottilaro from Rick Walker
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You know how you and your brother sometimes don't talk for years
because you hate each other?  Can't I get in on that?

If you feel we must air this on list, here's the deal.  I do not like
you or your brother.  Where I'm from we call people like you to
"assholes."  My friend Das who knows you guys from Santa Cruz warned
me about you guys long ago and he was right.

My first inkling that you were an asshole was that you're smarmy
toward woman.  I used to work with Kristal from Estonia. Remember her?
I found it hilarious that you took such an "interest in helping" her
music career.  Could it be because she was hot? You were similarly
smarmy with my x Valerie, yet ignored my less attractive friend Katrin
who's talent on the Chapman stick and Eullian pipes is obviously 100
fold what my x's casual interest in music was. Both of them turned to
me, pointed this out and basically said, "That guy's creepy."

You sold me 2 CDs of your music.  One came blank.  I asked several
times for a replacement and you ignored me.  Why? I'm not even into
your noodlings, but I felt I should have it on principal. Oh well.
BTW, I'm not just saying I don't like your music because I have a beef
with you, I think Bill's music is quite good even though I do not like
him personally.

The Heaven CDROM.  You should be ashamed of yourself.

The monitor thing at your gig... awesome way to treat a guest.  Why
even invite me?  I totally owned my own Mackie powered speakers I
could have used but didn't bring them because you said you had it
under control.  By under control you must have meant, "Bill and I will
 split the stage in half and shove you off to the size away behind the
mains and far away from the monitors."

Bill seems to think it's OK to lecture me about what's not funny off
list.  Note to Bill: I'm funny.  I know funny.  You are not funny. I
wasn't even trying to be funny toward Jean, I was just assuring him
the lights on the APC40 were tame and not crazy like a Tenori-on. In
fact, he and I have been conversing on list on a real solution to his
problem, not a retarded suggestion like "use a P5 data glove."  That's
like suggesting someone use an Etch-a-sketch to draw a police artist
crime sketch.

Rick, I can't stand the way you've set up your loop fests.  "Featured"
artists?  Who does that serve?  The adoring public?  Note: there is no
adoring public, it's just us. It doesn't elevate the featured artist
in any way and just serves to unnaturally demote the non-featured
artists.  I can't really figure the point of it.  If you actually had
a name like Robert Fripp it would make sense, but I just looked at
your 08 list of "featured" artists, and while I have nothing bad to
say about any of them, I've also never heard of a single one outside
this list.

Anyway, those are the reasons I do not like you and your brother.  So
what, life goes on, I'm sure lots of people don't like me either.
Please don't respond, as I do not care.  I'm just going to delete any
further messages in this thread.

Sincerely yours,

Mark

On Sat, Jul 18, 2009 at 9:16 AM, Rick Walker<looppool@cruzio.com> wrote:
> Mark,
>
> In this forum you just wrote:
> ".....Plus, I hate traveling. Even for
> fun... it's not fun when you do a gig with Rick and Bill Walker where
> you drive for over an hour, spend an hour setting up and shlepping
> your gear plus a full video set up with a 16 foot screen and find out
> they can't be bothered to move a monitor near you so you have to play
> with headphones while smashed all the way off to the side of the stage
> because they've spit the area among themselves. Awesome......"
>
> I have tried to work out our differences off line with you, =A0but you wo=
n't
> reply to me,
> so, because you do not have the courage to communicate with me directly
> and have chosen to be critical of me (and my brother, Bill) on this list,=
 I
> feel compelled to write to you in public.
>
> To whit:
>
> I would love it, =A0if you have a beef with me (or with my brother) that =
you
> have the courtesy to take it up with me (or him, because remember, we are
> not the
> same person) off list and , preferably, =A0not three or four years after =
the
> alleged slight has
> taken place.
> It's just common courtesy and it's just a mature professional thing to do=
.
>
> For one thing:
> You might find out information that mitigates your particular perception =
of
> and assumptions about the
> event in question.
>
> For another:
> You might illicit an apology if I've been out of line, unnecessarily
> =A0narcissistic or stressed out
> (all things I can be guilty of during the stress of trying to produce a
> multiple person event, =A0where
> I provide the PA (for free), =A0book the gig (for free), handle all of th=
e
> communication between artists (for free),
> publicize (for free and with considerable time and some expense that I ha=
ve
> always donated out of my own pocket)
> and put up the posters.
>
> I'm a fallible person and I try to be self reflective and self correcting=
 if
> I"m doing something wrong or god forbid,
> accidentally causing another artist harm or discomfort. =A0If I have done
> something wrong or if you, or any artist, feels
> that I've ever been disrespectful or merely insensitive, =A0I'd love to k=
now
> about it so I can make it right and apologize,
> humbly.
>
> Who knows what could transpire, but since I try really hard to be as
> supportive of artists who play events at
> events, large and small, that put on, =A0 I can assure you that something
> could easily have been worked out
> and you wouldn't have had to hang on to this for so long.
>
> Since you decide to air this grievance on the list (and years after the f=
act
> at that) then
> let me please publicly =A0go on record about the particular gig you playe=
d
> here in Santa Cruz so long ago:
>
> 1) =A0We got into the venue very late on the evening of the gig (due to m=
y
> work schedule, unfortunately)
> which threw a real wrench in the entire flow of the gig, since I was
> responsible for making all the decisions
> and setting up the P.A.
>
> 2) =A0We had always, historically, played the main stage in this venue (w=
here
> there is plenty of room for many artists)
> and , at the last minute, they reversed that policy and forced us to cram
> ourselves into
> the small other side of the room where room was much more at a premium.
> This totally threw me for a loop and made me even more tardy in getting t=
he
> thing going on time.
>
> 3) =A0From what little I recall of the event, =A0I was really stressed ou=
t and
> overworked trying
> to get the PA working and trying to figure out how the hell to accommodat=
e
> so much
> equipment. =A0 You, yourself, had a lot more gear than I thought you woul=
d
> have and we,
> well, being the Walker brothers, had a lot too.
>
> Also parenthetically, I never received any help from you, either: setting
> the P.A.
> up or tearing it down..........a considerable amount of work, particularl=
y
> at that venue.
>
> In this community, I've found that most artists do recognize the hard wor=
k
> it takes to
> produce a free gig and they chip in a little to help out.
>
> 4) =A0I tried to set the gig up so that we split the small space into thi=
rds.
> I'm a professional drummer who frequently comes to gigs to find that peop=
le
> have not let
> me have enough space so I'm very sensitive to being as fair as I can abou=
t
> space: =A0 ask anyone
> about this assertion. =A0You'll find it is true.
>
> 5) I can't even remember the monitor issue, but if I made a mistake for t=
he
> aforementioned
> stress or narcissism reasons, =A0 I am deeply sorry that you felt offende=
d and
> years later I feel fine
> about =A0issuing you a public apology.
>
> *************************************************************************
>
> Also, =A0I would like to publicly state that since that time, =A0I have o=
n
> numerous occasions invited you to come and
> play the Looping Festival. =A0 =A0 I like what you do musically and you'v=
e been
> involved on this list for a long
> time so I think it's a good thing if you want to play live. =A0 I've trea=
ted
> you with respect and tried to be
> inclusive. =A0 This has been very consistent on my part because I believe=
 in
> such things.
>
> You have turned me down every single time and every single time, =A0I"ve =
tried
> again to get you to change your mind
> to no avail.
>
> I've never had a problem with it (other than being personally disappointe=
d
> that you haven't wanted to
> participate)
>
> I wish you wanted to play live for this community because I think you are
> intelligent, sensitive and a good musician
> with valid things to say musically
> BUT.............. I'm completely down with your decision that you don't w=
ant
> to, or that you don't
> want to play in public.
> Really man, =A0no judgment from me on that count whatsoever.
> I DID take you to task a week or so ago on this list for making a lot of
> =A0statements about the nature of live looping events because,
> in point of fact, =A0 you just haven't' participated in several years and
> can't really speak with any authority even though you wrote
> as if you had that authority.
> Even in this, =A0however, I wasn't maligning your character or your worth=
.
>
> I was just disagreeing with your assertions. =A0It's what one opens onese=
lf up
> to when one speaks with authority on a public list.
> But none of what I wrote was personal or designed as a slight to you.
>
> I do take exception, however, with the fact that you seem to be both
> critical and trying to pick a fight with me both
> in public and in private correspondence of late.
>
> There's just no reason for it, Mark.
>
> I've always treated you with respect and I've tried repeatedly to be
> inclusive of you in the public events and festivals that I've promoted.
> I don't have any malice in my heart for you. =A0 I don't dislike you.
> Please have the common courtesy to treat me with equal respect and let's
> take all of this off line from now on.
>
> You don't have to like me. =A0 =A0You don't have to agree with me about a=
nything
> that I do or any aesthetic I try to embody
> with the looping festivals I produce
> .
> You can hang on to perceived slights as long as you want, but my feeling =
=A0is
> that this is not the proper forum for airing
> these differences.
>
>
> yours, =A0 Rick Walker
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 18:14:45 2009
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Date: Sat, 18 Jul 2009 14:14:42 -0400
Message-ID: <9e0440a60907181114h13e51dc7j8cdcd8eb257d3066@mail.gmail.com>
Subject: Re: 10,000 hours
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Though I've worked in IT tech support to pay the bills for 15+ yrs and
time to time hacked away at programming languages teaching myself from
C in DOS world to later various in Windows worlds I've never quite had
the logic intellect to make the jump to coding for a JOB however I've
been fascinated by it.  That said I agree the Bill Gates was more
right time right place entreprenuer and less an artful programmer.  On
the other side though maybe Linus T was not in some opinions a genuis
programmer I've always felt that those that did things for the good of
the Net and world community were to be viewed with high regard.

Jim

On 7/18/09, Warren Sirota <wsirota@wsdesigns.com> wrote:
> Hi Toby,
>
> I don't think Art is dissing Gates or Windows, just making the point that
> tho he may have been an excellent programmer, what he was truly *great* at
> was building a business (well, Art was saying he's just lucky, but I'm
> saying he's a great businessman. Just like Steve Jobs. But not as hip.)
>
> Warren
>
> On Sat, Jul 18, 2009 at 12:37 AM, Toby Graves <carpet8@mac.com> wrote:
>
>> Microsoft has done acceptable stuff.  I guess the way I measure it is--how
>> many windows related products have made me say, "wow, that's really f'n
>> cool?"  Full disclosure:  I own a PC w/XP and a Mac.
>>
>> t
>>
>>
>> On Jul 17, 2009, at 9:34 PM, Art Simon wrote:
>>
>>  Warren and Jeff, you make good points and I think Gladwell was on weak
>>> ground we he spoke to computer programming. Was Bill Gates a great
>>> programmer? What made Bill Gates "great" was that he got IBM to use
>>> his operating system, but allow him to keep the license. Microsoft has
>>> done some good stuff, but they owe their continuing existence to that
>>> one stroke of luck or hubris.
>>>
>>> On Fri, Jul 17, 2009 at 3:20 PM, Warren Sirota<wsirota@wsdesigns.com>
>>> wrote:
>>>
>>>>
>>>>
>>>>>
>>>>> That would include most of the programmers in the world, and if my
>>>>> work experience is any indication, very few of them are who I would
>>>>> consider "great" :-)
>>>>>
>>>>> 10,000 hours might get you "professional".  You would be able to
>>>>> compete in the job market and be a valued team member.  But great?
>>>>>
>>>>> I think greatness as a programmer is much harder to quantify than
>>>>> greatness as a musician.  Many people think Linus Torvalds is great,
>>>>>
>>>>
>>>>
>>>> how many great programmers have there been in the history of computing?
>>>> 5?
>>>> 15? you pretty much have to create a platform to be considered great,
>>>> i'd
>>>> say - make an OS or invent a language, something like that. Even if you
>>>> write a great application program, that doesn't make you a great
>>>> programmer
>>>> (tho something like Visicalc qualifies because it started a supremely
>>>> useful
>>>> category). a great programmer would be severely out of place on most of
>>>> the
>>>> teams I'm on.
>>>>
>>>>
>>>> --
>>>> Warren
>>>> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
>>>> http://www.warrensirota.com
>>>>
>>>>
>>>
>>>
>>> --
>>> Art Simon
>>> simart@gmail.com
>>> myspace [dot] com/artsimon
>>>
>>>
>>
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 19:01:39 2009
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	 <bcd3c7bb0907181109x1c2e98a8q8dbb5e082436ea5f@mail.gmail.com>
Date: Sat, 18 Jul 2009 15:01:37 -0400
Message-ID: <9e0440a60907181201l5f99db77h383302380094d322@mail.gmail.com>
Subject: Re: Open Letter to Mark Sottilaro from Rick Walker
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Gentlemen while I was not personally there and didn't know either of
you or this lIst at the time of the disagreements, I'm not sure making
any of this public is for the good of this community.  I'm sorry that
the art of your individual muses is stepping into the human hurt and
truthfully ego here.  I think this is all quite sad and sad that I
guess the only way to communicate these hurts is via list.  It does
sound like rick exhausted all other contact prior to going public.
Anyhow I don't know that I have any biz rrplying on this other than to
defend the communities respect that maybe it doesn't need this.  I'm
sorry that you all 3 have a lot of hurt here.

Jim

On 7/18/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
> You know how you and your brother sometimes don't talk for years
> because you hate each other?  Can't I get in on that?
>
> If you feel we must air this on list, here's the deal.  I do not like
> you or your brother.  Where I'm from we call people like you to
> "assholes."  My friend Das who knows you guys from Santa Cruz warned
> me about you guys long ago and he was right.
>
> My first inkling that you were an asshole was that you're smarmy
> toward woman.  I used to work with Kristal from Estonia. Remember her?
> I found it hilarious that you took such an "interest in helping" her
> music career.  Could it be because she was hot? You were similarly
> smarmy with my x Valerie, yet ignored my less attractive friend Katrin
> who's talent on the Chapman stick and Eullian pipes is obviously 100
> fold what my x's casual interest in music was. Both of them turned to
> me, pointed this out and basically said, "That guy's creepy."
>
> You sold me 2 CDs of your music.  One came blank.  I asked several
> times for a replacement and you ignored me.  Why? I'm not even into
> your noodlings, but I felt I should have it on principal. Oh well.
> BTW, I'm not just saying I don't like your music because I have a beef
> with you, I think Bill's music is quite good even though I do not like
> him personally.
>
> The Heaven CDROM.  You should be ashamed of yourself.
>
> The monitor thing at your gig... awesome way to treat a guest.  Why
> even invite me?  I totally owned my own Mackie powered speakers I
> could have used but didn't bring them because you said you had it
> under control.  By under control you must have meant, "Bill and I will
>  split the stage in half and shove you off to the size away behind the
> mains and far away from the monitors."
>
> Bill seems to think it's OK to lecture me about what's not funny off
> list.  Note to Bill: I'm funny.  I know funny.  You are not funny. I
> wasn't even trying to be funny toward Jean, I was just assuring him
> the lights on the APC40 were tame and not crazy like a Tenori-on. In
> fact, he and I have been conversing on list on a real solution to his
> problem, not a retarded suggestion like "use a P5 data glove."  That's
> like suggesting someone use an Etch-a-sketch to draw a police artist
> crime sketch.
>
> Rick, I can't stand the way you've set up your loop fests.  "Featured"
> artists?  Who does that serve?  The adoring public?  Note: there is no
> adoring public, it's just us. It doesn't elevate the featured artist
> in any way and just serves to unnaturally demote the non-featured
> artists.  I can't really figure the point of it.  If you actually had
> a name like Robert Fripp it would make sense, but I just looked at
> your 08 list of "featured" artists, and while I have nothing bad to
> say about any of them, I've also never heard of a single one outside
> this list.
>
> Anyway, those are the reasons I do not like you and your brother.  So
> what, life goes on, I'm sure lots of people don't like me either.
> Please don't respond, as I do not care.  I'm just going to delete any
> further messages in this thread.
>
> Sincerely yours,
>
> Mark
>
> On Sat, Jul 18, 2009 at 9:16 AM, Rick Walker<looppool@cruzio.com> wrote:
>> Mark,
>>
>> In this forum you just wrote:
>> ".....Plus, I hate traveling. Even for
>> fun... it's not fun when you do a gig with Rick and Bill Walker where
>> you drive for over an hour, spend an hour setting up and shlepping
>> your gear plus a full video set up with a 16 foot screen and find out
>> they can't be bothered to move a monitor near you so you have to play
>> with headphones while smashed all the way off to the side of the stage
>> because they've spit the area among themselves. Awesome......"
>>
>> I have tried to work out our differences off line with you, =A0but you w=
on't
>> reply to me,
>> so, because you do not have the courage to communicate with me directly
>> and have chosen to be critical of me (and my brother, Bill) on this list=
,
>> I
>> feel compelled to write to you in public.
>>
>> To whit:
>>
>> I would love it, =A0if you have a beef with me (or with my brother) that=
 you
>> have the courtesy to take it up with me (or him, because remember, we ar=
e
>> not the
>> same person) off list and , preferably, =A0not three or four years after=
 the
>> alleged slight has
>> taken place.
>> It's just common courtesy and it's just a mature professional thing to d=
o.
>>
>> For one thing:
>> You might find out information that mitigates your particular perception
>> of
>> and assumptions about the
>> event in question.
>>
>> For another:
>> You might illicit an apology if I've been out of line, unnecessarily
>> =A0narcissistic or stressed out
>> (all things I can be guilty of during the stress of trying to produce a
>> multiple person event, =A0where
>> I provide the PA (for free), =A0book the gig (for free), handle all of t=
he
>> communication between artists (for free),
>> publicize (for free and with considerable time and some expense that I
>> have
>> always donated out of my own pocket)
>> and put up the posters.
>>
>> I'm a fallible person and I try to be self reflective and self correctin=
g
>> if
>> I"m doing something wrong or god forbid,
>> accidentally causing another artist harm or discomfort. =A0If I have don=
e
>> something wrong or if you, or any artist, feels
>> that I've ever been disrespectful or merely insensitive, =A0I'd love to =
know
>> about it so I can make it right and apologize,
>> humbly.
>>
>> Who knows what could transpire, but since I try really hard to be as
>> supportive of artists who play events at
>> events, large and small, that put on, =A0 I can assure you that somethin=
g
>> could easily have been worked out
>> and you wouldn't have had to hang on to this for so long.
>>
>> Since you decide to air this grievance on the list (and years after the
>> fact
>> at that) then
>> let me please publicly =A0go on record about the particular gig you play=
ed
>> here in Santa Cruz so long ago:
>>
>> 1) =A0We got into the venue very late on the evening of the gig (due to =
my
>> work schedule, unfortunately)
>> which threw a real wrench in the entire flow of the gig, since I was
>> responsible for making all the decisions
>> and setting up the P.A.
>>
>> 2) =A0We had always, historically, played the main stage in this venue
>> (where
>> there is plenty of room for many artists)
>> and , at the last minute, they reversed that policy and forced us to cra=
m
>> ourselves into
>> the small other side of the room where room was much more at a premium.
>> This totally threw me for a loop and made me even more tardy in getting
>> the
>> thing going on time.
>>
>> 3) =A0From what little I recall of the event, =A0I was really stressed o=
ut and
>> overworked trying
>> to get the PA working and trying to figure out how the hell to accommoda=
te
>> so much
>> equipment. =A0 You, yourself, had a lot more gear than I thought you wou=
ld
>> have and we,
>> well, being the Walker brothers, had a lot too.
>>
>> Also parenthetically, I never received any help from you, either: settin=
g
>> the P.A.
>> up or tearing it down..........a considerable amount of work, particular=
ly
>> at that venue.
>>
>> In this community, I've found that most artists do recognize the hard wo=
rk
>> it takes to
>> produce a free gig and they chip in a little to help out.
>>
>> 4) =A0I tried to set the gig up so that we split the small space into
>> thirds.
>> I'm a professional drummer who frequently comes to gigs to find that
>> people
>> have not let
>> me have enough space so I'm very sensitive to being as fair as I can abo=
ut
>> space: =A0 ask anyone
>> about this assertion. =A0You'll find it is true.
>>
>> 5) I can't even remember the monitor issue, but if I made a mistake for
>> the
>> aforementioned
>> stress or narcissism reasons, =A0 I am deeply sorry that you felt offend=
ed
>> and
>> years later I feel fine
>> about =A0issuing you a public apology.
>>
>> ************************************************************************=
*
>>
>> Also, =A0I would like to publicly state that since that time, =A0I have =
on
>> numerous occasions invited you to come and
>> play the Looping Festival. =A0 =A0 I like what you do musically and you'=
ve
>> been
>> involved on this list for a long
>> time so I think it's a good thing if you want to play live. =A0 I've tre=
ated
>> you with respect and tried to be
>> inclusive. =A0 This has been very consistent on my part because I believ=
e in
>> such things.
>>
>> You have turned me down every single time and every single time, =A0I"ve
>> tried
>> again to get you to change your mind
>> to no avail.
>>
>> I've never had a problem with it (other than being personally disappoint=
ed
>> that you haven't wanted to
>> participate)
>>
>> I wish you wanted to play live for this community because I think you ar=
e
>> intelligent, sensitive and a good musician
>> with valid things to say musically
>> BUT.............. I'm completely down with your decision that you don't
>> want
>> to, or that you don't
>> want to play in public.
>> Really man, =A0no judgment from me on that count whatsoever.
>> I DID take you to task a week or so ago on this list for making a lot of
>> =A0statements about the nature of live looping events because,
>> in point of fact, =A0 you just haven't' participated in several years an=
d
>> can't really speak with any authority even though you wrote
>> as if you had that authority.
>> Even in this, =A0however, I wasn't maligning your character or your wort=
h.
>>
>> I was just disagreeing with your assertions. =A0It's what one opens ones=
elf
>> up
>> to when one speaks with authority on a public list.
>> But none of what I wrote was personal or designed as a slight to you.
>>
>> I do take exception, however, with the fact that you seem to be both
>> critical and trying to pick a fight with me both
>> in public and in private correspondence of late.
>>
>> There's just no reason for it, Mark.
>>
>> I've always treated you with respect and I've tried repeatedly to be
>> inclusive of you in the public events and festivals that I've promoted.
>> I don't have any malice in my heart for you. =A0 I don't dislike you.
>> Please have the common courtesy to treat me with equal respect and let's
>> take all of this off line from now on.
>>
>> You don't have to like me. =A0 =A0You don't have to agree with me about
>> anything
>> that I do or any aesthetic I try to embody
>> with the looping festivals I produce
>> .
>> You can hang on to perceived slights as long as you want, but my feeling
>> =A0is
>> that this is not the proper forum for airing
>> these differences.
>>
>>
>> yours, =A0 Rick Walker
>>
>>
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

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Subject: Re: Open Letter to Mark Sottilaro from Rick Walker
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> I'm not sure making any of this public is for the good of this community.

I firmly believe that this community is able to withstand this, and if
it isn't, it wouldn't qualify as a proper community. I said it before
and I say it again: there's too much unreflected adulation and
flummery happening anyway, and that doesn't help anyone. If you can't
stand open words, then perhaps this world is not the right place for
you.

No offense,

          Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 19:48:46 2009
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Well said Rainer and Jim... except the bit about the words... I say full
blown fisty-cuffs are the only way to sort this one out... 10 bucks on
Rick... any takers?

m

On Sat, Jul 18, 2009 at 9:34 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> > I'm not sure making any of this public is for the good of this community.
>
> I firmly believe that this community is able to withstand this, and if
> it isn't, it wouldn't qualify as a proper community. I said it before
> and I say it again: there's too much unreflected adulation and
> flummery happening anyway, and that doesn't help anyone. If you can't
> stand open words, then perhaps this world is not the right place for
> you.
>
> No offense,
>
>          Rainer
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c33883c70a8046f00317b
Content-Type: text/html; charset=ISO-8859-1
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Well said Rainer and Jim... except the bit about the words... I say full bl=
own fisty-cuffs are the only way to sort this one out... 10 bucks on Rick..=
. any takers?<br><br>m<br><br><div class=3D"gmail_quote">On Sat, Jul 18, 20=
09 at 9:34 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:mo=
insound@googlemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>&gt; I&#39;m not sure making any of this public is for the good of this co=
mmunity.<br>


<br>
</div>I firmly believe that this community is able to withstand this, and i=
f<br>
it isn&#39;t, it wouldn&#39;t qualify as a proper community. I said it befo=
re<br>
and I say it again: there&#39;s too much unreflected adulation and<br>
flummery happening anyway, and that doesn&#39;t help anyone. If you can&#39=
;t<br>
stand open words, then perhaps this world is not the right place for<br>
you.<br>
<br>
No offense,<br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c33883c70a8046f00317b--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 19:55:54 2009
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: Open Letter to Mark Sottilaro from Rick Walker
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On Jul 18, 2009, at 2:48 PM, mark francombe wrote:
 > I say full blown fisty-cuffs are the only way to sort this one out...

A free improvisation Stylophone smackdown.  10 paces at dawn.

Jeff


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there's too much unreflected adulation and
flummery happening anyway


 


 


 

send some my way!.....adulation that is!.....as for the "flummery", if i can't put it on my bagel, i don't want it.....:)m






 


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<div> <br>
</div>
<blockquote style="border-left: 2px solid blue; padding-left: 3px;"><pre><tt>there's too much unreflected adulation and<br>
flummery happening anyway</tt></pre></blockquote>
<div> <br>
</div>

<div> <br>
</div>

<div> <br>
</div>
<font face="Arial, Helvetica, sans-serif">send some my way!.....adulation that is!.....as for the "flummery", if i can't put it on my bagel, i don't want it.....:)m</font><br>

<div id="AOLMsgPart_0_3cdfad98-ca26-47fe-b059-dfe2f733c7e0" style="margin: 0px; font-family: Tahoma,Verdana,Arial,Sans-Serif; font-size: 12px; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255);"><pre style="font-size: 9pt;"><tt><br>
</tt></pre>
</div>
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 20:18:01 2009
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[Jim Goodin]
 > That said I agree the Bill Gates was more
 > right time right place entreprenuer and less an artful  
programmer.  On
 > the other side though maybe Linus T was not in some opinions a genuis
 > programmer I've always felt that those that did things for the  
good of
 > the Net and world community were to be viewed with high regard.

Sure, but what skills does it take to "do good"?  Do you have to
practice 10,000 hours helping the world community?  I don't want to
sound like I'm dissing Linus and I haven't read the book we're sort of
discussing so maybe I'm misinterpreting this.

But if we're trying to compare "greatness" in music and computer
programming and tossing out names like Mozart, that sets the bar
pretty fricking high.

I don't think comparing musicians and programmers is that meaningful
anyway.  Programmers like to think they're "artists" and there is some
truth to that.  But the disciplines involved, and the economic climate
surrounding them are quite different.

Laymen often think that writing a program is similar to composing a
symphony.  What's the most recognized and generally well respected
symphony?  Something like Beethoven's 9th.  What's the most recognized
and generally well respected program?  Microsoft Word.

Are we to assume that the programmers involved in the development of
Word are as great as Beethoven?   Does Word contain unique structural
genius that no one else in the world could have created?  Does Linux?

The analogy isn't quite accurate, but modern programmers are more like
producers than musicians.  There is a lot more involved in creating
a successful program and helping the world than just writing code.
You must  be at least as great at team management, marketing and sales.
And it certainly helps to be lucky enough to be in the right place when
trends like personal computers, the internet, or open source take off.

That is certainly worthy of admiration, but it's a different kind of
greatness, and it is almost never the work of a single person.

Jeff


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Rainer was sure if your words were directed at me for trying to play
'censor' on L D which wasn't my intent.  I'm sure everyone has a thick
skin and true a contrast in expressive e-language certainly makes
entertaining and passionate reading but I just sort of felt the theme
running in the dialog was tearing down and fodder for a pissing match
that just seemed like it would be better offline,  but as stated it
was clear that maybe rick had exhausted those possibilities.  I just
think the whole thing is sad among creative people but in the end
that's the balance.  Sorry if I appeared a shy school girl or
wallflower here.

J

On 7/18/09, nemoguitt@aol.com <nemoguitt@aol.com> wrote:
>
>
>
>
>
> there's too much unreflected adulation and
> flummery happening anyway
>
>
>
>
>
>
>
>
>
>
> send some my way!.....adulation that is!.....as for the "flummery", if i
> can't put it on my bagel, i don't want it.....:)m
>
>
>
>
>
>
>
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

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	 <8CBD5F9B408C579-C84-23E9@WEBMAIL-MZ36.sysops.aol.com>
	 <9e0440a60907181327h4d0dd425w1d07a87a6a87dad9@mail.gmail.com>
Date: Sat, 18 Jul 2009 16:28:42 -0400
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Subject: Re: Open Letter to Mark Sottilaro from Rick Walker
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Actually edit was to wasn't first line blackberry slip...

On 7/18/09, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
> Rainer was sure if your words were directed at me for trying to play
> 'censor' on L D which wasn't my intent.  I'm sure everyone has a thick
> skin and true a contrast in expressive e-language certainly makes
> entertaining and passionate reading but I just sort of felt the theme
> running in the dialog was tearing down and fodder for a pissing match
> that just seemed like it would be better offline,  but as stated it
> was clear that maybe rick had exhausted those possibilities.  I just
> think the whole thing is sad among creative people but in the end
> that's the balance.  Sorry if I appeared a shy school girl or
> wallflower here.
>
> J
>
> On 7/18/09, nemoguitt@aol.com <nemoguitt@aol.com> wrote:
>>
>>
>>
>>
>>
>> there's too much unreflected adulation and
>> flummery happening anyway
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> send some my way!.....adulation that is!.....as for the "flummery", if i
>> can't put it on my bagel, i don't want it.....:)m
>>
>>
>>
>>
>>
>>
>>
>>
>>
>
>
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 21:35:23 2009
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Date: Sat, 18 Jul 2009 14:35:23 -0700
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Subject: Another sofware bargain... this time with something that loops...
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I've been toying around with adding Fabfilter's beautiful delay plug
in Timeless to my arsenal for a while now and this just popped up on
my radar:

http://mupromo.com/

Only this weekend but that's a humdinger of a bargain.  The delay plug
alone is worth that and the virtual analog is one of the best in
software IMO.

Mark

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 21:35:24 2009
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http://www.mupromo.com/deal/892/5801

"Today you can purchase FabFilter Twin, FabFilter Volcano, FabFilter  
Timeless together as a bundle. Normally they cost $482.00, but you can  
buy them for only $99.99."

OK, back to the fight!
dc

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 21:46:28 2009
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Date: Sat, 18 Jul 2009 23:46:26 +0200
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Subject: =?UTF-8?Q?Re=3A_Cool_MacUpdate_Audio_Promo_this_weekend=E2=80=A6?=
From: Per Boysen <perboysen@gmail.com>
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On Sat, Jul 18, 2009 at 11:03 PM, David Coffin<dpcoffin@earthlink.net> wrote:
> http://www.mupromo.com/deal/892/5801
>
> "Today you can purchase FabFilter Twin, FabFilter Volcano, FabFilter
> Timeless together as a bundle. Normally they cost $482.00, but you can buy
> them for only $99.99."
>
> OK, back to the fight!
> dc

ON another list where this was discussed someone posted this link on
how you may work with Vulcano to get the most out of it:
http://prorec.com/Articles/tabid/109...d-Tactics.aspx

The fab's seems cool for a laptop based looping rig. Especially the
Vulcano for distortion!!! And the tape delay sim seems good because it
has LFO controlled filters inside the delay line - that's a routing I
use very often. Especially funning a 110 % delay feedback through a
sweeping band pass filter.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 23:30:57 2009
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Subject: GigSpam: Chinapainting tomorrow Live/NYC and Web
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5b3ffdeaadf046f034bf2
Content-Type: text/plain; charset=ISO-8859-1
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okay okay no more sensitivity here... gigs tomorrow I am very EXCITED
about!
With Daryl out here in the east we are continuing with the trio (plus one
webcast) of Chinapainting shows we began last week in
Cleveland<http://www.vimeo.com/5604760>
.

*Chinapainting <http://www.chinapaintingmusic.com>* will be live tomorrow
(Sunday July 19) first at 3:30pm EST on uStream.tv in a live webcast and
then on stage in NYC, at 8pm.

Details...

First ever, Chinapainting live and in living color on uStream.tv, 12:30pm
PST, 1:30pm MST, 2:30pm CST, *3:30pm EST*, 8:30pm UK, 9:30pm western Europe
and 4:30am Japan but please check the World Clock at
http://www.timeanddate.com/worldclock/ to confirm times in your area.

<http://www.timeanddate.com/worldclock/>The show URL is my Sunday series at
http://www.ustream.tv/channel/sunday-morning-at-11 .

And *tomorrow night at 8pm in NYC *on the lower east side of Manhattan...

*ABC NoRio, COMA Improvised music series*
*156 Rivington (directions follow)*

*Take the **F Train** to Delancey Street or the **J**, **M**, or **Z Train** to
Essex. After you get out of the subway, walk one block north to Rivington
Street and turn right. ABC No Rio is located between Suffok and Clinton
Streets on the north side of the street, at 156 Rivington Street.** *
*
*
Thanks and hope to see you connect or if in NY then at both.

Jim

*Check out Chinapainting's Night Blooming Cereus CD on Bandcamp.com @
http://jimgoodin.bandcamp.com/album/chinapainting-night-blooming-cereus*
*
*--
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b3ffdeaadf046f034bf2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

okay okay no more sensitivity here... gigs tomorrow I am very EXCITED about=
!=A0<div><br></div><div>With Daryl out here in the east we are continuing w=
ith the trio (plus one webcast) of Chinapainting shows we began last week i=
n <a href=3D"http://www.vimeo.com/5604760">Cleveland</a>.</div>
<div><br></div><div><b><a href=3D"http://www.chinapaintingmusic.com" target=
=3D"_blank">Chinapainting</a></b> will be live tomorrow (Sunday July 19) fi=
rst at 3:30pm EST on uStream.tv in a live webcast and then on stage in NYC,=
 at 8pm.</div>

<div><br></div><div>Details...</div><div><br></div><div>First ever, Chinapa=
inting live and in living color on uStream.tv, 12:30pm PST, 1:30pm MST, 2:3=
0pm CST, <b>3:30pm EST</b>, 8:30pm UK, 9:30pm western Europe and 4:30am Jap=
an but please check the World Clock at=A0<a href=3D"http://www.timeanddate.=
com/worldclock/" target=3D"_blank">http://www.timeanddate.com/worldclock/</=
a>=A0to confirm times in your area.</div>

<div><br></div><div><a href=3D"http://www.timeanddate.com/worldclock/" targ=
et=3D"_blank"></a>The show URL is=A0my=A0Sunday=A0series=A0at=A0<a href=3D"=
http://www.ustream.tv/channel/sunday-morning-at-11" target=3D"_blank">http:=
//www.ustream.tv/channel/sunday-morning-at-11</a>=A0.</div>

<div><br></div><div>And <b>tomorrow night at 8pm in NYC </b>on the lower ea=
st side of Manhattan...</div><div><br></div><div><b>ABC NoRio, COMA Improvi=
sed music series</b></div><div><b>156 Rivington (directions follow)</b></di=
v>
<div><br></div><div><span class=3D"Apple-style-span" style=3D"font-family: =
arial, sans-serif; font-size: 13px; border-collapse: collapse; "><div><font=
 face=3D"arial, helvetica, sans-serif"><i>Take the=A0</i></font><b><font fa=
ce=3D"arial, helvetica, sans-serif"><i>F Train</i></font></b><font face=3D"=
arial, helvetica, sans-serif"><i>=A0to Delancey Street or the=A0</i></font>=
<b><font face=3D"arial, helvetica, sans-serif"><i>J</i></font></b><font fac=
e=3D"arial, helvetica, sans-serif"><i>,=A0</i></font><b><font face=3D"arial=
, helvetica, sans-serif"><i>M</i></font></b><font face=3D"arial, helvetica,=
 sans-serif"><i>, or=A0</i></font><b><font face=3D"arial, helvetica, sans-s=
erif"><i>Z Train</i></font></b><font face=3D"arial, helvetica, sans-serif">=
<i>=A0to Essex. After you get out of the subway, walk one block north to Ri=
vington Street and turn right. ABC No Rio is located between Suffok and Cli=
nton Streets on the north side of the street, at 156 Rivington Street.</i><=
/font><font face=3D"arial, helvetica, sans-serif"><i>=A0</i></font></div>
<div><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"=
><i><br></i></font></div><div><font class=3D"Apple-style-span" face=3D"aria=
l, helvetica, sans-serif">Thanks and hope to see you connect or if in NY th=
en at both.</font></div>
<div><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"=
><br></font></div><div><font class=3D"Apple-style-span" face=3D"arial, helv=
etica, sans-serif">Jim</font></div></span></div><div><br></div><div><i>Chec=
k out Chinapainting&#39;s Night Blooming Cereus CD on Bandcamp.com @ <a hre=
f=3D"http://jimgoodin.bandcamp.com/album/chinapainting-night-blooming-cereu=
s">http://jimgoodin.bandcamp.com/album/chinapainting-night-blooming-cereus<=
/a></i></div>
<div><i><br></i>-- <br>ReUse, an introspective textural aural<br>
<a href=3D"http://www.myspace.com/CtReUse" target=3D"_blank">www.myspace.co=
m/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusic=
.com" target=3D"_blank">www.jimgoodinmusic.com</a><br><a href=3D"http://www=
.chinapaintingmusic.com" target=3D"_blank">www.chinapaintingmusic.com</a><b=
r>

<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaint=
ingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a hr=
ef=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank">www.=
myspace.com/jimgoodinviolinelectro</a><br>

<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" target=
=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video work/editing...=
<br>
<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--001636c5b3ffdeaadf046f034bf2--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 23:40:08 2009
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My apologies to the list.

I should have not started this thread.   It was a mistake on my part
and I apologize.

Please forgive me.  

If you feel compelled to respond,   please email me off list,  okay?
My personal email is listed.

Then,  back to
important things like........

.......how about that midi sequencing in the LP-1 and Mobius?
Pretty cool stuff,  Simeon and Per!

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 23:51:39 2009
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Subject: how about that midi sequencing in the LP-1 and Mobius?
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jul 19, 2009 at 1:40 AM, Rick Walker<looppool@cruzio.com> wrote:
> .......how about that midi sequencing in the LP-1 and Mobius?

Not Mobius if you ask me. I've just tried many different ways of "MIDI
Sequencing" it and come to the conclusion that I don't want to do
that. I will stick with scripting these type of loop mangling for the
simple reason that you get better control then. I find it musically
disturbing to that MIDI Sequencing rate/speed alters the loop length.
When setting it up as scripts I can work out exactly a balance between
up and down rate/speed shifting that keeps the full loop going in the
same total turn-around time so it won't lose sync with other loops in
parallel. The sounding result are the same, but I like scripting
better.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 18 23:57:06 2009
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Date: Sat, 18 Jul 2009 18:33:27 -0500
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re:  Open Letter to Mark Sottilaro from Rick Walker
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Rick, Good news is that now that Mark has made his position clear, you  
don't have to put any more energy into trying to include him..

I applaud Mark for his brutal honesty, especially knowing the probable  
response (perception of him) from this community.. although from my  
personal experiences, I think he is off base, and smelled a bit like  
some sort of entitlement chip on one of his shoulders..

-cpr

Quoting Rick Walker <looppool@cruzio.com>:

> My apologies to the list.
>
> I should have not started this thread.   It was a mistake on my part
> and I apologize.
>
> Please forgive me.  If you feel compelled to respond,   please email me
> off list,  okay?
> My personal email is listed.
>
> Then,  back to
> important things like........
>
> .......how about that midi sequencing in the LP-1 and Mobius?
> Pretty cool stuff,  Simeon and Per!


From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 00:07:56 2009
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--0-1191383492-1247962075=:87485
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Marc Marshall
=A0
=A0
"I am human, I am large, I contradict myself"
=A0
.....and then some=A0=20

--- On Sat, 7/18/09, Per Boysen <perboysen@gmail.com> wrote:


From: Per Boysen <perboysen@gmail.com>
Subject: how about that midi sequencing in the LP-1 and Mobius?
To: Loopers-Delight@loopers-delight.com
Date: Saturday, July 18, 2009, 7:51 PM


On Sun, Jul 19, 2009 at 1:40 AM, Rick Walker<looppool@cruzio.com> wrote:
> .......how about that midi sequencing in the LP-1 and Mobius?

Not Mobius if you ask me. I've just tried many different ways of "MIDI
Sequencing" it and come to the conclusion that I don't want to do
that. I will stick with scripting these type of loop mangling for the
simple reason that you get better control then. I find it musically
disturbing to that MIDI Sequencing rate/speed alters the loop length.
When setting it up as scripts I can work out exactly a balance between
up and down rate/speed shifting that keeps the full loop going in the
same total turn-around time so it won't lose sync with other loops in
parallel. The sounding result are the same, but I like scripting
better.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

=0A=0A=0A      
--0-1191383492-1247962075=:87485
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><BR><BR>
<DIV><EM><FONT color=3D#4040ff face=3D"Comic Sans MS">Marc Marshall</FONT><=
/EM></DIV>
<DIV><EM><FONT color=3D#4040ff face=3D"Comic Sans MS"></FONT></EM>&nbsp;</D=
IV>
<DIV>&nbsp;</DIV>
<DIV><EM><FONT color=3D#4040ff face=3D"Comic Sans MS">"I am human, I am lar=
ge, I contradict myself"</FONT></EM></DIV>
<DIV><EM><FONT color=3D#4040ff face=3D"Comic Sans MS"></FONT></EM>&nbsp;</D=
IV>
<DIV><EM><FONT color=3D#4040ff face=3D"Comic Sans MS">.....and then some&nb=
sp; <IMG src=3D"http://l.yimg.com/a/i/mesg/tsmileys2/04.gif"></FONT></EM></=
DIV><BR><BR>--- On <B>Sat, 7/18/09, Per Boysen <I>&lt;perboysen@gmail.com&g=
t;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Per Boysen &lt;perboysen@gmail.com&gt;<BR>S=
ubject: how about that midi sequencing in the LP-1 and Mobius?<BR>To: Loope=
rs-Delight@loopers-delight.com<BR>Date: Saturday, July 18, 2009, 7:51 PM<BR=
><BR>
<DIV class=3DplainMail>On Sun, Jul 19, 2009 at 1:40 AM, Rick Walker&lt;<A h=
ref=3D"http://us.mc515.mail.yahoo.com/mc/compose?to=3Dlooppool@cruzio.com" =
ymailto=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</A>&gt; wrote:<B=
R>&gt; .......how about that midi sequencing in the LP-1 and Mobius?<BR><BR=
>Not Mobius if you ask me. I've just tried many different ways of "MIDI<BR>=
Sequencing" it and come to the conclusion that I don't want to do<BR>that. =
I will stick with scripting these type of loop mangling for the<BR>simple r=
eason that you get better control then. I find it musically<BR>disturbing t=
o that MIDI Sequencing rate/speed alters the loop length.<BR>When setting i=
t up as scripts I can work out exactly a balance between<BR>up and down rat=
e/speed shifting that keeps the full loop going in the<BR>same total turn-a=
round time so it won't lose sync with other loops in<BR>parallel. The sound=
ing result are the same, but I like scripting<BR>better.<BR><BR>Greetings
 from Sweden<BR><BR>Per Boysen<BR>www.boysen.se<BR>www.perboysen.com<BR><BR=
></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A      
--0-1191383492-1247962075=:87485--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 01:18:15 2009
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Open Letter to Mark Sottilaro from Rick Walker
Date: Sat, 18 Jul 2009 18:18:11 -0700
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This is uncomfortable,

 Mark I purposefully have not responded to you on list because if I have a
bone to pick with someone I prefer to do it in private. I'm going to
continue that policy.

If you were trying to divide us with that remark you only succeeded in
uniting us. 

The remarks about Rick where really particularly mean spirited. These kinds
of slanders are real poisoning to everyone involved  and have no place on
this list.

So you have made your point, you don't like us, you don't like the Loop
festival. Do you feel better now that you have publicly humiliated us?


Can we move on now that you have declared us both enemies?  We know and we
will be watching our backs.

 To the other list members I'm really sorry that you have had to bear
witness to this. If you feel the need to respond I encourage you to do so
Off-list.

Thanks

 Bill

 


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>This is uncomfortable,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;Mark I purposefully have not responded to you =
on list because
if I have a bone to pick with someone I prefer to do it in private. =
I&#8217;m going
to continue that policy.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>If you were trying to divide us with that remark you =
only succeeded
in uniting us. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>The remarks about Rick where really particularly mean =
spirited.
These kinds of slanders are real poisoning to everyone involved =
&nbsp;and have no
place on this list.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>So you have made your point, you don&#8217;t like us, =
you don&#8217;t
like the <st1:place w:st=3D"on">Loop</st1:place> festival. Do you feel =
better now
that you have publicly humiliated us? =
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Can we move on now that you have declared us both =
enemies? &nbsp;We
know and we will be watching our backs.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;To the other list members I&#8217;m really =
sorry that
you have had to bear witness to this. If you feel the need to respond I =
encourage
you to do so Off-list.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Thanks<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;Bill<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

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From msnlottooy@microcamp.com.br  Sun Jul 19 04:03:25 2009
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Reply-To: <msnlottooy@microcamp.com.br>
From: "MICROSOFT LOTTERY"<msnlottooy@microcamp.com.br>
Subject: winner!
Date: Sun, 19 Jul 2009 04:47:44 +0100
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you have won microsoft lottery prize,view attach file and contact your claim agent.

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------=_NextPart_000_0107_01C2A9A6.76A2FB1A--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 04:49:22 2009
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Date: Sat, 18 Jul 2009 21:49:20 -0700
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Subject: couch-surfage in general
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Couchsurfing.com was recommended by friends of mine too - I just
joined - thanks for getting that ball rolling! Unfortunately my own
apartment is too small to host anyone.

I was a little worried about the question that said, "Will your
sleeping surface be shared with other humans?" I guess it's a cultural
thing, since it's not just USA.

Matt

On Fri, Jul 17, 2009 at 3:29 PM, Per Boysen<perboysen@gmail.com> wrote:
> On Sat, Jul 18, 2009 at 12:00 AM, Stefan
> Tiedje<stefantiedje@googlemail.com> wrote:
>> This reminds me how wonderful the whole couch surfing community is
>> organized. We should open a Loopers-Delight group @ couchsurfing...
>>
>> I just created it, any couchsurfers can now join in:
>>
>> https://www.couchsurfing.org/group.html?gid=21286
>
>

From mrsambaibrahim273@msn.com  Sun Jul 19 05:18:59 2009
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Date: Sun, 19 Jul 2009 05:13:11 +0000
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--_270c0fee-16fe-45d7-9b98-49ed7f33d0e5_
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>From the Desk of Samba Ibrahim
Manager Bill and Exchange Dept
African Development Bank (ADB)
Ouagadougou Burkina Faso.west Africa


Dear Friend=2C =20
=20

I know that this mail will come to you as a surprise. I am the bill and Exc=
hange manager in African Development Bank Burkina Faso west Africa .I Hope =
that you will not expose or betray this trust and confident that i am about=
 to Repose on you for the mutual benefit of our both families.=20
I need your urgent assistance in transferring the sum of $15.2 million Imme=
diately to your account. The money has been dormant for years in our Bank h=
ere without any body coming for it.
=20
I want to release the money to you as the nearest person to our deceased cu=
stomer(the owner Of the account) who died a long with his supposed next of =
kin in an air Crash since July 2000.
I don't want the money to go into our Bank treasury as an abandoned fund.
So this is the reason why i contacted you=2C so that the bank can release t=
he money to you as the nearest person to the deceased customer.
=20
Please i will like you to keep this proposal as a top secret and delete if =
you are not interested.=20
Upon receipt of your reply=2C I will send you full details on how the Busin=
ess will be executed and also note that you will have 40% of the Above ment=
ioned sum. Acknowledge receipt of this message in acceptance of my mutual b=
usiness endeavour by furnishing me with the following:=20
1. Your Full Names and Address.
2. Direct Telephone and Fax numbers=20
=20
Mr.Samba Ibrahim
African Development Bank=2C
Burkina Faso West Africa


=20

--_270c0fee-16fe-45d7-9b98-49ed7f33d0e5_
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<html>
<head>
<style>
.hmmessage P
{
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padding:0px
}
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{
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font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
>From the Desk of Samba Ibrahim<BR>Manager Bill and Exchange Dept<BR>African=
 Development Bank (ADB)<BR>Ouagadougou Burkina Faso.west Africa<BR>
<BR>Dear Friend=2C&nbsp=3B <BR>&nbsp=3B<BR>
I know that this mail will come to you as a surprise. I am the bill and Exc=
hange manager in African Development Bank Burkina Faso west Africa .I Hope =
that you will not expose or betray this trust and confident that i am about=
 to Repose on you for the mutual benefit of our both families. <BR>I need y=
our urgent assistance in transferring the sum of $15.2 million Immediately =
to your account. The money has been dormant for years in our Bank here with=
out any body coming for it.<BR>&nbsp=3B<BR>I want to release the money to y=
ou as the nearest person to our deceased customer(the owner Of the account)=
 who died a long with his supposed next of kin in an air Crash since July 2=
000.<BR>I don't want the money to go into our Bank treasury as an abandoned=
 fund.<BR>So this is the reason why i contacted you=2C so that the bank can=
 release the money to you as the nearest person to the deceased customer.<B=
R>&nbsp=3B<BR>Please i will like you to keep this proposal as a top secret =
and delete if you are not interested. <BR>Upon receipt of your reply=2C I w=
ill send you full details on how the Business will be executed and also not=
e that you will have 40% of the Above mentioned sum. Acknowledge receipt of=
 this message in acceptance of my mutual business endeavour by furnishing m=
e with the following: <BR>1. Your Full Names and Address.<BR>2. Direct Tele=
phone and Fax numbers <BR>&nbsp=3B<BR>Mr.Samba Ibrahim<BR>African Developme=
nt Bank=2C<BR>Burkina Faso West Africa<BR>
<BR>&nbsp=3B<BR></body>
</html>=

--_270c0fee-16fe-45d7-9b98-49ed7f33d0e5_--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 05:27:18 2009
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I've heard VH1 is picking up Loopers Delight as a new reality show.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 05:55:17 2009
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Date: Sun, 19 Jul 2009 00:39:28 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: New Photo Essay on Flickr, new video on You Tube.
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
 Loopers-Delight@loopers-delight.com, atari-midi@yahoogroups.com,
 FRAMEWORKS@LISTSERV.AOL.COM
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Hi folks,

I posted a new photo essay called "Wall Street Vision" at 
http://www.flickr.com/photos/22231918@N06/sets/72157621539858767/

I went to New York in June to attend three nights of the Vision 
Festival, a wonderful event which dedicated to innovative jazz and 
improvisational music. On the afternoon preceding the third event, 
the sun came out, a rare occurrence in the Northeast during June 
2009. I decided to take my camera and the inspiration I had gotten 
from the first two nights to the steel, glass, and concrete canyons 
of the Wall Street area in Manhattan,

The "Wall Street Vision" photo essay is the result of this excursion. 
Improvisation is where you find it!

My collaborator Dennis Warren posted an excerpt from a very high 
energy show we did recently at 
http://www.youtube.com/watch?v=sMddNmQeEDI

My other You Tube videos can be viewed at
http://www.youtube.com/Tobenfeld

Enjoy.
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 11:15:13 2009
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Subject: Re: New Photo Essay on Flickr, new video on You Tube.
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Jul 19, 2009 at 6:39 AM, Emile Tobenfeld (a.k.a Dr.
T)<emile@foryourhead.com> wrote:
> I posted a new photo essay called "Wall Street Vision" at
> http://www.flickr.com/photos/22231918@N06/sets/72157621539858767/

> My collaborator Dennis Warren posted an excerpt from a very high energy s=
how
> we did recently at http://www.youtube.com/watch?v=3DsMddNmQeEDI
>
> My other You Tube videos can be viewed at
> http://www.youtube.com/Tobenfeld
>
> Enjoy.
> --
> " Practice makes perfect, imperfect is better." =C2=A0-- Paul Bley
>


Very inspiring, both the concert video and the NY pix.

Per
--
"I would suppose that after one practices for ten thousand hours, one
would become very good at practicing" -- kkissinger

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 11:22:28 2009
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Date: Sun, 19 Jul 2009 13:22:27 +0200
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Subject: Re: couch-surfage in general
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On Sun, Jul 19, 2009 at 6:49 AM, Matt Davignon<mattdavignon@gmail.com> wrote:
>
> I was a little worried about the question that said, "Will your
> sleeping surface be shared with other humans?" I guess it's a cultural
> thing, since it's not just USA.

Guess you're right. So what creatures do you Americans sleep with?

Per ;-)

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Subject: Re: 10,000 hours
From: Rainer Straschill <moinsound@googlemail.com>
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Jeff said:
> The analogy isn't quite accurate, but modern programmers are more like producers than musicians.  There is a lot more involved in creating a successful program and helping the world than just writing code.
> You must  be at least as great at team management, marketing and sales.

This is no doubt true, but then again to get your big symphony with
chorus performed and recorded, you need to have those skills as a
musician as well. The analogy would be correct if we just look at a
piece of software that was developed by a single programmer
single-handedly and for one moment don't look at the marketing,
production, program management etc. process - like with Mobius? ;)

         Rainer

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Quoting Mark Hamburg <mark@grubmah.com>:
>
> I've heard VH1 is picking up Loopers Delight as a new reality show.
>
> Mark
>
Yep.  But... after the first scene it goes into reruns.



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I can see it now, "Per's final thought"

----- Original Message ----- 
From: <kkissinger@kevinkissinger.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 19, 2009 12:54 PM
Subject: Re: Open Letter to Mark Sottilaro from Rick Walker


> Quoting Mark Hamburg <mark@grubmah.com>:
>>
>> I've heard VH1 is picking up Loopers Delight as a new reality show.
>>
>> Mark
>>
> Yep.  But... after the first scene it goes into reruns.
>
>
>


--------------------------------------------------------------------------------



No virus found in this incoming message.
Checked by AVG - www.avg.com
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21:14:00

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 12:14:05 2009
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Subject: how about that midi sequencing in the LP-1 and Mobius?
From: Rainer Straschill <moinsound@googlemail.com>
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Per said:
> > .......how about that midi sequencing in the LP-1 and Mobius?
> Not Mobius if you ask me.

Interesting to hear that. I believe to get your point regarding
staying in the timing scheme of a loop when doing rate shifts as
opposed to a strict time base coming from a sequencer, but I found, on
the other hand, using a pattern sequencer like Ableton Live (which I
do use mainly as a VST host for, among other things, Mobius) does
actually help if you want to stay in some sort of absolute time frame.
In a way, this comes close to what Claude Voit used to do with the
pattern sequencer of a Nord Modular G2 in combination with some EDPs.

For the general concept, I quickly found that when controlling Mobius
with a sequencer, I tend to turn off any quantization and only keep
sync within Mobius (if and when applicable) but not between Mobius and
the sequencer via VST Host or MIDI sync, instead assuring sync via
retriggers sent from the sequencer.
When using the simple forms of rate shift (e.g. going into halfspeed
at the beginning of the loop), it's rather simple - the loop length
effectively doubles in the time domain, however, this is, as you
pointed out, not as simple if you use more complex rate shifting
patterns.
However, when I do that, I usually like to have that happen in steady
timing intervals, not in steady "loop content intervals", so doing the
shift sequence with commands sent from the sequencer in its time
domain (instead of shifting from a loop at specific 8ths/subcycles)
will keep the rhythmically very noticeable shifts at the timing
intervals where I want them - and I can make up for any resulting
misalignment by using the retrigger wherever I need it.

Best,

              Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 12:41:30 2009
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Date: Sun, 19 Jul 2009 14:41:27 +0200
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Subject: Re: how about that midi sequencing in the LP-1 and Mobius?
From: Per Boysen <perboysen@gmail.com>
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> Per said:
>> > .......how about that midi sequencing in the LP-1 and Mobius?
>> Not Mobius if you ask me.

On Sun, Jul 19, 2009 at 2:14 PM, Rainer
Straschill<moinsound@googlemail.com> wrote:
> Interesting to hear that. I believe to get your point regarding
> staying in the timing scheme of a loop when doing rate shifts as
> opposed to a strict time base coming from a sequencer, but I found, on
> the other hand, using a pattern sequencer like Ableton Live (which I
> do use mainly as a VST host for, among other things, Mobius) does
> actually help if you want to stay in some sort of absolute time frame.
> In a way, this comes close to what Claude Voit used to do with the
> pattern sequencer of a Nord Modular G2 in combination with some EDPs.
>
> For the general concept, I quickly found that when controlling Mobius
> with a sequencer, I tend to turn off any quantization and only keep
> sync within Mobius (if and when applicable) but not between Mobius and
> the sequencer via VST Host or MIDI sync, instead assuring sync via
> retriggers sent from the sequencer.
> When using the simple forms of rate shift (e.g. going into halfspeed
> at the beginning of the loop), it's rather simple - the loop length
> effectively doubles in the time domain, however, this is, as you
> pointed out, not as simple if you use more complex rate shifting
> patterns.
> However, when I do that, I usually like to have that happen in steady
> timing intervals, not in steady "loop content intervals", so doing the
> shift sequence with commands sent from the sequencer in its time
> domain (instead of shifting from a loop at specific 8ths/subcycles)
> will keep the rhythmically very noticeable shifts at the timing
> intervals where I want them - and I can make up for any resulting
> misalignment by using the retrigger wherever I need it.


Yup, you have it perfectly right, Rainer! I would do it just as you,
if I would want to control the looper's actions from external MIDI
sequences. But today I just find scripting simpler. A simple and
minimal performance rig opens up for more adventurous playing, which
is where I have always wanted to place my priorities.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Hi
I don't post here very often any more, but I did a lot in the past and =20=

I consider myself one of the founders of this list.
List owner Kim does not seem to be much interested in looping any more.
My interest always was of a deeper nature and I think I brought the =20
initial spiritual content.
I was fanatic and I still think of livelooping as a healing method and =20=

would like to improve the world with it.
In 1992, when I wrote the folder for the LOOP delay, the first =20
dedicated livelooping tool, I started the "loop groop" as "Forum for =20
loopology and repetitive hapenings" and defined its purpose as:
"Exchange of ideas about composing, recording and distribution of loop =20=

music.
Establishing a place for it in the media and in the record market.
Simpli=EF=AC=81cation of development and distribution of speci=EF=AC=81c =
equipment.
A record label ?
A speci=EF=AC=81cally equipped studio ?"
The "condition of membership" I imagined as:
"Introduction of a loop music recording or any other related work =20
(like optical effects, computer programmes, special electronics, =20
psychological discoveries etc). Members can receive as much =20
information about the others as they present about their own work. =20
Spiders handle the information exchange in the net and try to connect =20=

people of similar interests. "
(I don't know how this would have been possible, I did not know about =20=

mailing lists at the time)

When Keith discovered the LOOP delay and called me to Gibson, Kim did =20=

his first job as EE there and learned about looping when one of the =20
units hit his lab desk to improve it! So we worked together on the EDP =20=

long before we worked on the promotion. And when the web became =20
spread, he knew how to setup a site and a mailing list and did it his =20=

way...

Thats why I still feel a fatherly responsibility to support this =20
movement until it grows by itself and the information about the deeper =20=

use of looping tools becomes spread.
We are not there yet as I want to discuss below.

Some hours ago, I was going to answer a mail from Rick about the =20
festivals and once again thought about what has come out of this and =20
where we are heading for. I thought about it almost every day since =20
1986, and since february, I am writing on the livelooping theory, and =20=

collect videos on youtube and discuss strategies with the most =20
involved looping friends.
So Marks post makes me say something about it all to all.

This paragraph is about the personal situation, you can skip it:
I am a true friend of the Walker brothers and I also had a good time =20
with Mark when we have been neighbours for some fantastic coincidence, =20=

when I lived in Gary Halls house on Alameda island. (Gary is one of =20
the fathers of livelooping, now retired in Tailand)
Mark and me did not maintain contact, so we may not be friends in the =20=

closers sense - thats live as he said correctly. He is an intense =20
poster with strong opinions, honest but sometimes hard...
I would love Bill and Rick even if I thought of their festival as =20
useless or whatnot. its love, I find them of the most good willed and =20=

tender and talented persons I ever met!

To question the festivals and the group purpose here:
Why do we do all this?
There is a big deep question why we like to play music and why looping =20=

is even more fun, we discussed this over years and I am trying to =20
write an abstract about it, just wait, I will want to discuss that, =20
too, but now its about playing live:

Most of us don't want to make a living or become famous, but have fun =20=

and grow with their music and get a feedback from some listeners =20
sometimes. Some enjoy the exchange of this music and fascination so =20
much that they buy over sees tickets to get to the meetings - thats an =20=

amazing power! It helps to make the festivals days of big expectations =20=

and joy and the festivals I attended were completely dominated by =20
love, tenderness and spirituality.
So there is not the slightest doubt that the festivals are useful and =20=

should go on and we can only be very thankful to Rick and all the =20
other organizers for their huge effort to make it happen.

Still, some of us also want to make it a living. For them it would be =20=

great if the public would come to the festivals and the producers of =20
events and movies and such would call them up and say: "we decided =20
that some livelooping music fits our production best, can you do it?"
And those producers would like to just write "livelooping" on their =20
banner and get the house full of livelooping fans.
So how and when can we get there?

Anyone is free to say on this list that they don't like to travel or =20
play live or exchange their music and only want to exchange tech infos =20=

or have fun... but it may not be very useful...
... or don't you agree that this list should mainly serve for those =20
who do want to play in public and spread their music?
... or should we create a separate list for the professionals?=

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 15:24:07 2009
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Date: Sun, 19 Jul 2009 11:24:04 -0400
Message-ID: <9e0440a60907190824o17b1015eub62039ced05e5ce3@mail.gmail.com>
Subject: Re: why we founded this list
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Thanks Matthias.  For someone like myself who hasn't the history with
this list or looping for that matter this is a very helpful and
informative read.  The history of you. Kim and others mentioned is
amazing.  On a level one could say out of the recent tension comes
release and positive energy such as your post.  Thank you.

Jim

On 7/19/09, Matthias Grob <matilists@gmail.com> wrote:
> Hi
> I don't post here very often any more, but I did a lot in the past and
> I consider myself one of the founders of this list.
> List owner Kim does not seem to be much interested in looping any more.
> My interest always was of a deeper nature and I think I brought the
> initial spiritual content.
> I was fanatic and I still think of livelooping as a healing method and
> would like to improve the world with it.
> In 1992, when I wrote the folder for the LOOP delay, the first
> dedicated livelooping tool, I started the "loop groop" as "Forum for
> loopology and repetitive hapenings" and defined its purpose as:
> "Exchange of ideas about composing, recording and distribution of loop
> music.
> Establishing a place for it in the media and in the record market.
> Simpli=EF=AC=81cation of development and distribution of speci=EF=AC=81c =
equipment.
> A record label ?
> A speci=EF=AC=81cally equipped studio ?"
> The "condition of membership" I imagined as:
> "Introduction of a loop music recording or any other related work
> (like optical effects, computer programmes, special electronics,
> psychological discoveries etc). Members can receive as much
> information about the others as they present about their own work.
> Spiders handle the information exchange in the net and try to connect
> people of similar interests. "
> (I don't know how this would have been possible, I did not know about
> mailing lists at the time)
>
> When Keith discovered the LOOP delay and called me to Gibson, Kim did
> his first job as EE there and learned about looping when one of the
> units hit his lab desk to improve it! So we worked together on the EDP
> long before we worked on the promotion. And when the web became
> spread, he knew how to setup a site and a mailing list and did it his
> way...
>
> Thats why I still feel a fatherly responsibility to support this
> movement until it grows by itself and the information about the deeper
> use of looping tools becomes spread.
> We are not there yet as I want to discuss below.
>
> Some hours ago, I was going to answer a mail from Rick about the
> festivals and once again thought about what has come out of this and
> where we are heading for. I thought about it almost every day since
> 1986, and since february, I am writing on the livelooping theory, and
> collect videos on youtube and discuss strategies with the most
> involved looping friends.
> So Marks post makes me say something about it all to all.
>
> This paragraph is about the personal situation, you can skip it:
> I am a true friend of the Walker brothers and I also had a good time
> with Mark when we have been neighbours for some fantastic coincidence,
> when I lived in Gary Halls house on Alameda island. (Gary is one of
> the fathers of livelooping, now retired in Tailand)
> Mark and me did not maintain contact, so we may not be friends in the
> closers sense - thats live as he said correctly. He is an intense
> poster with strong opinions, honest but sometimes hard...
> I would love Bill and Rick even if I thought of their festival as
> useless or whatnot. its love, I find them of the most good willed and
> tender and talented persons I ever met!
>
> To question the festivals and the group purpose here:
> Why do we do all this?
> There is a big deep question why we like to play music and why looping
> is even more fun, we discussed this over years and I am trying to
> write an abstract about it, just wait, I will want to discuss that,
> too, but now its about playing live:
>
> Most of us don't want to make a living or become famous, but have fun
> and grow with their music and get a feedback from some listeners
> sometimes. Some enjoy the exchange of this music and fascination so
> much that they buy over sees tickets to get to the meetings - thats an
> amazing power! It helps to make the festivals days of big expectations
> and joy and the festivals I attended were completely dominated by
> love, tenderness and spirituality.
> So there is not the slightest doubt that the festivals are useful and
> should go on and we can only be very thankful to Rick and all the
> other organizers for their huge effort to make it happen.
>
> Still, some of us also want to make it a living. For them it would be
> great if the public would come to the festivals and the producers of
> events and movies and such would call them up and say: "we decided
> that some livelooping music fits our production best, can you do it?"
> And those producers would like to just write "livelooping" on their
> banner and get the house full of livelooping fans.
> So how and when can we get there?
>
> Anyone is free to say on this list that they don't like to travel or
> play live or exchange their music and only want to exchange tech infos
> or have fun... but it may not be very useful...
> ... or don't you agree that this list should mainly serve for those
> who do want to play in public and spread their music?
> ... or should we create a separate list for the professionals?
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 15:28:42 2009
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Date: Sun, 19 Jul 2009 17:28:39 +0200
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Subject: Re: why we founded this list
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jul 19, 2009 at 4:40 PM, Matthias Grob<matilists@gmail.com> wrote:
> Anyone is free to say on this list that they don't like to travel or play
> live or exchange their music and only want to exchange tech infos or have
> fun... but it may not be very useful...
> ... or don't you agree that this list should mainly serve for those who do
> want to play in public and spread their music?
> ... or should we create a separate list for the professionals


I think one list is fine. That is because I believe that most players
that do not pursue the ambition of being able to make a living from
playing livelooping music do still want to discuss the same topics as
those who might seriously look into the commercial depths.

I really love the openness and astronomical headroom of this list.
Thank you, Matthias, for the heads up on the historical records. That
was great to get!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 15:36:16 2009
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I agree with Per. One list is best. One thing I admire about this list is 
that everyone is very much on the same level, regardless if they are seeking 
to make a living from live looping music. And I think everyone being on the 
same list sustains that quality. It's about the only forum for musical 
discussion that I find to be honest and wholesome. Long may it continue.

Ricky


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 19, 2009 4:28 PM
Subject: Re: why we founded this list


> On Sun, Jul 19, 2009 at 4:40 PM, Matthias Grob<matilists@gmail.com> wrote:
>> Anyone is free to say on this list that they don't like to travel or play
>> live or exchange their music and only want to exchange tech infos or have
>> fun... but it may not be very useful...
>> ... or don't you agree that this list should mainly serve for those who 
>> do
>> want to play in public and spread their music?
>> ... or should we create a separate list for the professionals
>
>
> I think one list is fine. That is because I believe that most players
> that do not pursue the ambition of being able to make a living from
> playing livelooping music do still want to discuss the same topics as
> those who might seriously look into the commercial depths.
>
> I really love the openness and astronomical headroom of this list.
> Thank you, Matthias, for the heads up on the historical records. That
> was great to get!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>


--------------------------------------------------------------------------------



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From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 15:48:28 2009
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At 11:40 AM -0300 7/19/09, Matthias Grob wrote:
>This paragraph is about the personal situation, you can skip it:
>I am a true friend of the Walker brothers and I also had a good time 
>with Mark when we have been neighbours for some fantastic 
>coincidence, when I lived in Gary Halls house on Alameda island. 
>(Gary is one of the fathers of livelooping, now retired in Tailand)

Is that the Gary Hall who worked at Sonic Solutions in the early '90s?




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans


From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 15:50:49 2009
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I also agree with Per and Ricky.  Fragmenting the list would divide the 
community and weaken it.  Had the list been divided back when I joined in, I 
would have been on the amateur track.  Being part of the amateur track, I 
may never have formed Looperlative.

In any community, there will be disagreements.  Just because we are all 
involved in looping, doesn't mean that we have to all agree on everything. 
We won't.  Personality differences will appear, but the community will 
survive.

The important thing is that despite these little glitches, the content of 
this list is amazing.  So much wonderful information is shared.  People 
continue to assist each other in making the most out of looping.  It always 
makes me feel good when I see a novice getting help from the experts on this 
list.

I now return you to your regularly scheduled program.

Bob Amstadt

----- Original Message ----- 
From: "Ricky Graham" <rock.guitar.guru@btinternet.com>

>I agree with Per. One list is best. One thing I admire about this list is 
>that everyone is very much on the same level, regardless if they are 
>seeking to make a living from live looping music. And I think everyone 
>being on the same list sustains that quality. It's about the only forum for 
>musical discussion that I find to be honest and wholesome. Long may it 
>continue.

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 16:06:52 2009
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Matthias,

Thanks for restating some of the history of this list
and reasserting some of your and Kim's vision for it.

I've been on the list continually for almost 13 years
now and a certain long-view perspective needs to be
voiced from time to time or we devolve into squabbling
and bickering over minutia.

Your post was refreshing in light of other recent posts.

Warmest regards,

Ted Killian

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 16:08:31 2009
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Subject: Re: why we founded this list
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I agree, there's nothing wrong with this list, as it is.  I think it
could be more successful as a forum, but that's just me.  The good
thing about a forum is that you can segment it in topics like "Live
Performance" or "OT" and just let it go.  You need moderators though,
IMO.  Kim expressed a deep distaste for the forum format and I respect
his decision.  While he no longer posts here, he pays the bills to
keep this running so it's entirely his call.

My recent post in response to Rick, was just that.  A response. I
never had any intention of airing dirty laundry like that on a public
list, but I guess that wasn't satisfying enough.  I had been happily
ignoring his goading me into this, but the "open letter" hit me first
thing in the morning and I was at my lack of coffee full on cranky
best.  I hope you all enjoyed the episode of "LOOP HOUSE."

Note to all LD'ers: If you think I have a problem with you and I'm not
answering your personal email, do not attempt to get me to explain
myself on a public forum. ;)   Although an American, I'm not into the
protracted "ground war" that seems to be in fashion these days.  I'm
more old fashion, drop my biggest bomb and move on.  Honestly I was
more than happy of just ignoring them and going for a live and let
live.

So I'd like to restate that I never said or felt that performing or
festivals were bad.  I enjoyed my time at the loop fests, especially
the San Luis Opisbo one back in the day.  I feel the structure of the
Santa Cruz fests isn't for me and I've stated it many times. This is
nothing new.  But it's not my fest, and like this list, since Rick
puts out the effort to make it, it's entirely his call.  I don't know
why, but expressing my opinion and politely passing on offers to play
it wasn't enough.

But more than that, my life is a lot different now.  I have a much
more intense job and it's very satisfying creatively.  My work is now
published and goes out to hundreds of thousands of people.  It's a lot
of work but it's very gratifying! I'm very lucky. Between that and
spending time with my wife there's not a lot of slack.  I keep fewer
friends and spend less time with them.  They're great close friends
though, and I'm sorry if time with them end up crowding out time with
internet looping acquaintances at fests. I still love you crazy kids,
you know that.  Except the ones that I don't. :D

:*

On Sun, Jul 19, 2009 at 8:28 AM, Per Boysen<perboysen@gmail.com> wrote:
> On Sun, Jul 19, 2009 at 4:40 PM, Matthias Grob<matilists@gmail.com> wrote:
>> Anyone is free to say on this list that they don't like to travel or play
>> live or exchange their music and only want to exchange tech infos or have
>> fun... but it may not be very useful...
>> ... or don't you agree that this list should mainly serve for those who do
>> want to play in public and spread their music?
>> ... or should we create a separate list for the professionals
>
>
> I think one list is fine. That is because I believe that most players
> that do not pursue the ambition of being able to make a living from
> playing livelooping music do still want to discuss the same topics as
> those who might seriously look into the commercial depths.
>
> I really love the openness and astronomical headroom of this list.
> Thank you, Matthias, for the heads up on the historical records. That
> was great to get!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

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Subject: Re: why we founded this list
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I think so.  It was crazy that he and I had been exchanging emails for
quite some time off list when we found out that he lived right next to
me!  What are the odds... anyway, he's a great guy.  We had some good
times on that little island.

On Sun, Jul 19, 2009 at 8:36 AM, David Gans<david@trufun.com> wrote:
> At 11:40 AM -0300 7/19/09, Matthias Grob wrote:
>>
>> This paragraph is about the personal situation, you can skip it:
>> I am a true friend of the Walker brothers and I also had a good time wit=
h
>> Mark when we have been neighbours for some fantastic coincidence, when I
>> lived in Gary Halls house on Alameda island. (Gary is one of the fathers=
 of
>> livelooping, now retired in Tailand)
>
> Is that the Gary Hall who worked at Sonic Solutions in the early '90s?
>
>
>
>
> --
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog: =A0http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 16:11:26 2009
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Subject: Re: 7/20/2009 Brooklyn looping gig!
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This is just the first gig, there will be others. This morning, we're
discussing uploading last nights rehearsal without percussion.




james fowler wrote:
> doh! I live about 6 blocks from that joint...unfortunately I have to
> leave town for a few days.
>
> - Jim
>
> On Friday, July 17, 2009, David Beardsley <db@biink.com> wrote:
>   
>> The SomewhatMysterious Tuning from Main Street Goes to Brooklyn
>> for multiple just intonation guitars, cosmic zither and percussion.
>>
>> David Beardsley, Joseph Benzola, Alex Carpenter, James Ross
>> Monday, July 20, 2009
>> 9:00pm
>> Goodbye Blue Monday
>> 1087 Broadway
>> Brooklyn, NY
>>
>> http://www.goodbye-blue-monday.com
>>
>> rehearsal recording: <http://biink.com/db/news.htm>
>> it's the track called Monday Night Mystery Tuning Excerpt
>>     
>
>
>
>   


-- 
* David Beardsley
* http://biink.com

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Subject: Re: why we founded this list
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I failed to add yes I think one list does the most good.  Agreeing
with Bob it can encourage the less experienced by sharing the wealth
of the more experienced.

Again very pos and encouraging post Matthias.

J

On 7/19/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
> I think so.  It was crazy that he and I had been exchanging emails for
> quite some time off list when we found out that he lived right next to
> me!  What are the odds... anyway, he's a great guy.  We had some good
> times on that little island.
>
> On Sun, Jul 19, 2009 at 8:36 AM, David Gans<david@trufun.com> wrote:
>> At 11:40 AM -0300 7/19/09, Matthias Grob wrote:
>>>
>>> This paragraph is about the personal situation, you can skip it:
>>> I am a true friend of the Walker brothers and I also had a good time wi=
th
>>> Mark when we have been neighbours for some fantastic coincidence, when =
I
>>> lived in Gary Halls house on Alameda island. (Gary is one of the father=
s
>>> of
>>> livelooping, now retired in Tailand)
>>
>> Is that the Gary Hall who worked at Sonic Solutions in the early '90s?
>>
>>
>>
>>
>> --
>>
>> David Gans - david@trufun.com or david@gdhour.com
>> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
>> Blog: =A0http://cloudsurfing.gdhour.com
>> Web site: http://www.dgans.com
>> Photos: http://www.flickr.com/photos/dgans
>> Music: http://www.cdbaby.com/all/dgans
>>
>>
>>
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 17:47:23 2009
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Subject: NYC gig spam: Lambic Jones TONIGHT Sunday 7/19 @ Local 269, lower east side NYC
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--Apple-Mail-1--865172348
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HI, everyone, hope you can make this special show. Our collaborations  
with bassist Percy Jones are ongoing, resulting in a new band, Lambic  
Jones.  Lots of looping...c'mon up and say hi!

Lambic Jones is Paul Sullivan - guitar and effects, Stephen Moses -  
drums, trombone,  and Percy Jones - fretless bass.

This is an early show--7 to 8:30 @ Local 269, 269 Houston St (corner  
of Suffolk St). 212 228-9874

For more info:
www.myspace.com/lambic
www.percyjones.net
--Apple-Mail-1--865172348
Content-Type: text/html;
	charset=US-ASCII
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">HI, everyone, hope you can make =
this special show. Our collaborations with bassist Percy Jones are =
ongoing, resulting in a new band, Lambic Jones. &nbsp;Lots of =
looping...c'mon up and say hi!<br><br>Lambic Jones is Paul Sullivan - =
guitar and effects, Stephen Moses - drums, trombone, &nbsp;and Percy =
Jones - fretless bass.<br><br>This is an early show--7 to 8:30 @ Local =
269, 269 Houston St (corner of Suffolk St). 212 =
228-9874<div><br></div><div><blockquote type=3D"cite"><blockquote =
type=3D"cite"><a href=3D"http://www.myspace.com/lambic" =
style=3D"text-decoration: none;"><span class=3D"Apple-style-span" =
style=3D"text-decoration: =
underline;"></span></a></blockquote></blockquote>For more info:<a =
href=3D"http://www.myspace.com/lambic" style=3D"text-decoration: =
none;"><span class=3D"Apple-style-span" style=3D"text-decoration: =
underline; -webkit-text-decorations-in-effect: underline; =
"></span></a></div><div><a href=3D"http://www.myspace.com/lambic" =
style=3D"text-decoration: none;"><span class=3D"Apple-style-span" =
style=3D"text-decoration: underline; -webkit-text-decorations-in-effect: =
underline; ">www.myspace.com/lambic</span></a><br><a =
href=3D"http://www.percyjones.net/">www.percyjones.ne</a>t</div></body></h=
tml>=

--Apple-Mail-1--865172348--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 18:14:53 2009
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I'm new on the list. I must say its been quite exciting. I hope these folks 
haven't suffered to badly for my enjoyment but its way more interesting then 
a post on someone else's MIDI timing workaround on a some box I don't own. 
I have enjoyed reading and reflecting on many of the posts. I get some sense 
of the past for looping. I've been looping for awhile and I did think I was 
unique, until I found all the sights on line. I saw Matthias' question 
...how and when can we get there? Asking how we raise the prominence and 
profitability of live looping. I'd like to take a stab at that one. 
Hopefully no one will lose an eye.

First just what is live looping. It would seem that it defines the gear we 
use and that we use it live like an instrument. I don't think of the group 
as a marketing arm of an instrument and software companies. But using 
looping gear or a delay is a requirement for live looping. So we all have 
that in common.
Next, I'm going to break down live loopers on a continuum. One one side is a 
looper that performs a complete impersonation of a top 40 band on the other 
is an improvisational ambient sound looper. Lets use two dimensions to 
define the continuum. First dimension is pre and post looping.  Our top 40 
guy is all pre loop, using the looping to record parts and play them back as 
recorded. Our ambient guy is all post loop, creating drones and manipulating 
them as they loop back. The second dimension to it is the use of meter and 
key. Top 40 guy does everything in meter and key while ambient guy uses 
neither.
The point I'm coming to is: If you want prominence and profitability the 
quickest easiest way is to move your performance toward the top 40 guy on 
the scale. The closer you come the more gigs will be available and a single 
performer can compete with full bands, undercutting their rates as he's only 
one guy. It's not necessarily top 40. It could be blues, jazz what ever just 
an existing genre so you can go out and compete with bands for existing 
gigs. Not my personal objective but I do try to be somewhere in the center 
on this continuum overall.  I must also point out that I have listened to 
many of the ambient loopers and they sound at least as prepared as anyone 
else. Takes a lot of work to get those rigs ready and a lot of practice to 
use them.
I get the impression that its not live looping that Matthias is trying to 
promote its also the ambient side of the continuum. I'd think that there are 
limits to this as music without meter or key is a hard sell. I do think 
there are enough loopers close to each other, like here in the Bay Area, to 
focus on a local venue. Find a suitable bar or coffee shop and setup a 
looping jam once a month or once a week. You take a slow night and make sure 
at least one guy shows up every session. You could help host loopers from 
out of town for the sessions. The group can collectively focus on promoting 
the fixed gig.
I also feel that the technology the group is using could be upgraded. The 
mailing list isn't as handy as a forum and it would be nice have a more 
searchable database of loopers.
Sadly, my next observation is that music is a kids game. To really take off 
it has to be the kids that take to looping. From what I can tell, this group 
is as seasoned as I am. We could be the Sensei to a new looping generation. 
Loop on the one grasshopper ... if you have a one ...

Cheers,
-Ty 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 18:23:37 2009
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Subject: Re: why we founded this list (So how and when can we get there?)
From: Rainer Straschill <moinsound@googlemail.com>
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> The mailing list isn't as handy as a forum and it would be nice have a more searchable database of loopers.

While there isn't a searchable database of loopers, there is a
searchable database of the mailing list posts (on
www.loopers-delight.com). And by searching through them, you'd be able
to find out why this is a mailing list and not a forum, and that there
is in fact a forum for those who prefer one.

           Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 18:32:21 2009
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Matthias Grob wrote:

> ... or don't you agree that this list should mainly serve for those who 
> do want to play in public and spread their music?
> ... or should we create a separate list for the professionals?
> 

What is the Looper's Delight mailing list?


Here's the original description of the purpose of this list:-

http://www.loopers-delight.com/list/LoopList.html

I guess that's mainly scripted by Kim.

To discuss all topics related to "looping", is the stated
intent, meaning all types of music that uses loops.

Yep, that includes looping up samples in a studio, in fact 
from that introductory text you can get the impression that
that's what the list is primarily about.


To some extent, in the previous century, the list was significantly
"all about the EDP", essentially the source of tech support
for that device, and the place for customer feedback.


So that's two other angles to add to the one provided by Matthias.


I don't think it matters so much,
the list is a reality,
main topic is "loop music that doesn't use pre-recorded material",
and the contributors are all musicians who make music
which involves some kind of looping device at least
some of the time.


As a member of what we might call "the live looping community that
arose with the aid of LD" I'm at a loss to to understand
the desire to change the list to something else.

It works.

andy butler



 







From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 19:25:27 2009
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Date: Sun, 19 Jul 2009 15:25:23 -0400
From: Daryl Shawn <highhorse@mhorse.com>
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I'm here in New York w/Jim - Utreaming in 10 mins, my first!

http://www.ustream.tv/channel/sunday-morning-at-11

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 19:49:26 2009
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In-Reply-To: <bcd3c7bb0907132100p39e0bf1bv1614fbe0eea7fb20@mail.gmail.com>
Subject: Re: OT: Macbook Pro weird internal speaker fix
Date: Sun, 19 Jul 2009 14:39:36 -0500
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This problem is certainly true. Had it myself. It has only happen a cpl 
times since then. Sticking a headphone jack in momentarily fixes it.
----- Original Message ----- 
From: "Mark Sottilaro" <zerocrossing@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 13, 2009 11:00 PM
Subject: Re: OT: Macbook Pro weird internal speaker fix


I don't know if I'd call Macs any more delicate than your average off
the self "let's build it with what ever components are the cheapest
this week" PC.  I had Macs at a job for 8 years and it was a running
joke with the IT guys that I had gone the longest in the company
without needing them for anything.  Everyone else was on a Dell.

On Mon, Jul 13, 2009 at 8:51 PM, Jim Goodin<jimgoodinmusic@gmail.com> wrote:
> that's wild though it makes real sense and in one way continues to suggest
> though i'm a Mac fan that they are 'delicate' to a degree. I figured
> someone had ran into this... thx Mark
>
> On Mon, Jul 13, 2009 at 11:41 PM, Mark Sottilaro <zerocrossing@gmail.com>
> wrote:
>>
>> I've come across this type of behavior in a few devices, my iPhone
>> included. Lint and general debris can muck up the little switch and
>> it can't tell if something is plugged into it or not. Happens with my
>> Toshiba laptop sometimes too.
>>
>> On Mon, Jul 13, 2009 at 8:10 PM, Jim Goodin<jimgoodinmusic@gmail.com>
>> wrote:
>> > I don't know if any of you using a MBP have run into this but recently
>> > my
>> > internal speaker ability disappeared including the driver ref in Sys
>> > Pref's
>> > and the audio out 1/8" port glowed red. I found this wild fix on the
>> > net
>> > and it worked which suggests it's a sensor tripped out by inserting
>> > headphones or some other 1/8" analog audio source no? Thought it worth
>> > passing along... Jim
>> > Today, utterly randomly and with no provocation, the built-in speaker
>> > output
>> > disappeared from my System Preferences on my MacBook Pro and the
>> > speakers
>> > would no longer work, except for the boot-up chime. All that I could 
>> > get
>> > was
>> > digital audio out and the red light coming out of the speaker port.
>> > Searching online turned up nothing until the right combination of words
>> > led
>> > me to this Apple support message board thread. While Apple does not 
>> > have
>> > a
>> > solution for this problem and tries replacing the board with the audio
>> > port,
>> > you can solve the problem by sticking a toothpick or a paperclip into
>> > the
>> > slot (preferably while the red digital audio light is on) and at around
>> > the
>> > 5-o-clock position there is some sort of switch or rocker that needs to
>> > be
>> > gently pushed. There will be a bit of a click. After a few seconds your
>> > audio will start working again.
>> >
>> > --
>> > ReUse, an introspective textural aural journey coming soon...
>> >
>> > music links...
>> > www.jimgoodinmusic.com
>> > www.chinapaintingmusic.com
>> > www.myspace.com/jimgoodinmusic
>> > www.myspace.com/chinapaintingmusic
>> > www.myspace.com/jimgoodinviolinelectro
>> > www.myspace.com/jindream
>> > www.youtube.com/jimgoodinmusic
>> >
>> > video work/editing...
>> > www.vimeo.com/jimgoodindigital
>> >
>> > social networking...
>> > www.twitter.com/jimgoodinmusic
>> >
>> >
>>
>
>
>
> --
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 19:50:47 2009
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Subject: Re: why we founded this list (So how and when can we get there?)
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Ty Gott wrote:
> I'm new on the list. 

welcome Ty

> 
> First just what is live looping. It would seem that it defines the gear 
> we use and that we use it live like an instrument. 

ahhh,  

> I get the impression that its not live looping that Matthias is trying 
> to promote its also the ambient side of the continuum. 

Matthias was a pioneer in using rhythm with live looping.

If you care to check out some of the music made by list
members you'll find that your description of the "continuum"
 


> I also feel that the technology the group is using could be upgraded. 
> The mailing list isn't as handy as a forum 

well, you'd be also welcome at

http://loopingmusic.proboards.com/index.cgi?


Every few months someone suggests LD should be a forum,
so it might surprise you that the overwhelming opinion on
the list is "leave it alone...it works".

Maybe it's something to do with the all or nothing nature
of mailing list membership. 



> and it would be nice have a 
> more searchable database of loopers.

http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_all

...and use "Find on this page" or equivalent from your browser.

> Sadly, my next observation is that music is a kids game. To really take 
> off it has to be the kids that take to looping. From what I can tell, 
> this group is as seasoned as I am.
> We could be the Sensei to a new 
> looping generation. Loop on the one grasshopper ... if you have a one ...

dunnow, we just seem to be here to learn and share.

> 
> Cheers,
> -Ty

...and do you have a link to your own music online?

best regards
andy butler
http://www.andybutler.com

> 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 19:57:43 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <C541DEA8-47A0-4D2C-B7F4-8273202AEA45@gmail.com> <BAY133-DS58CC616E5C377E48D7A298A1C0@phx.gbl> <4A637C93.1030209@tiscali.co.uk>
Subject: Re: why we founded this list (So how and when can we get there?)
Date: Sun, 19 Jul 2009 20:57:48 +0100
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Just on the note of the forum, I really would not like for this list to 
become a forum either. It would become to time consuming to visit a website. 
There is something wonderful about having peoples thoughts arrive 
conveniently in your mailbox. Simple text. It's great.

Andy wrote:
"Maybe it's something to do with the all or nothing nature
of mailing list membership."

The things that I have learned/discovered through reading some of the 
subjects that I would otherwise have not taken the time to read on a forum 
are many. It's a valuable resource.

Ricky

----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 19, 2009 9:05 PM
Subject: Re: why we founded this list (So how and when can we get there?)


>
>
> Ty Gott wrote:
>> I'm new on the list.
>
> welcome Ty
>
>>
>> First just what is live looping. It would seem that it defines the gear
>> we use and that we use it live like an instrument.
>
> ahhh,
>
>> I get the impression that its not live looping that Matthias is trying
>> to promote its also the ambient side of the continuum.
>
> Matthias was a pioneer in using rhythm with live looping.
>
> If you care to check out some of the music made by list
> members you'll find that your description of the "continuum"
>
>
>
>> I also feel that the technology the group is using could be upgraded.
>> The mailing list isn't as handy as a forum
>
> well, you'd be also welcome at
>
> http://loopingmusic.proboards.com/index.cgi?
>
>
> Every few months someone suggests LD should be a forum,
> so it might surprise you that the overwhelming opinion on
> the list is "leave it alone...it works".
>
> Maybe it's something to do with the all or nothing nature
> of mailing list membership.
>
>
>
>> and it would be nice have a
>> more searchable database of loopers.
>
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_all
>
> ...and use "Find on this page" or equivalent from your browser.
>
>> Sadly, my next observation is that music is a kids game. To really take
>> off it has to be the kids that take to looping. From what I can tell,
>> this group is as seasoned as I am.
>> We could be the Sensei to a new
>> looping generation. Loop on the one grasshopper ... if you have a one ...
>
> dunnow, we just seem to be here to learn and share.
>
>>
>> Cheers,
>> -Ty
>
> ...and do you have a link to your own music online?
>
> best regards
> andy butler
> http://www.andybutler.com
>
>>
>


--------------------------------------------------------------------------------



No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.5.392 / Virus Database: 270.13.20/2248 - Release Date: 07/19/09 
05:57:00

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 20:05:07 2009
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Subject: and now for something completely different...Jim Goodin and Daryl 
	Shawn aka Chinapainting
From: Rainer Straschill <moinsound@googlemail.com>
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Dear Andy, Ricky, Ty and everyone else,

why don't you stop those discussion for one moment and head over to

http://www.ustream.tv/channel/sunday-morning-at-11

Great live performance by Jim and Daryl.

Boy, am I proud that I was more or less the reason they met at the
y2k6loopfest kybermusik event...

                Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 20:09:37 2009
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References: <7334ca1b0907191305r287f0f32qc3319e20ab6a1ee6@mail.gmail.com>
Subject: Re: and now for something completely different...Jim Goodin and Daryl Shawn aka Chinapainting
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I'm watching...

Ricky

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Sunday, July 19, 2009 9:05 PM
Subject: and now for something completely different...Jim Goodin and Daryl 
Shawn aka Chinapainting


> Dear Andy, Ricky, Ty and everyone else,
>
> why don't you stop those discussion for one moment and head over to
>
> http://www.ustream.tv/channel/sunday-morning-at-11
>
> Great live performance by Jim and Daryl.
>
> Boy, am I proud that I was more or less the reason they met at the
> y2k6loopfest kybermusik event...
>
>                Rainer
>


--------------------------------------------------------------------------------



No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.5.392 / Virus Database: 270.13.20/2248 - Release Date: 07/19/09 
05:57:00

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 20:15:19 2009
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:-)

...and I'm off looping

andy

Ricky Graham wrote:
> I'm watching...
> 
> Ricky
> 
> ----- Original Message ----- From: "Rainer Straschill" 
> <moinsound@googlemail.com>
> To: <loopers-delight@loopers-delight.com>
> Sent: Sunday, July 19, 2009 9:05 PM
> Subject: and now for something completely different...Jim Goodin and 
> Daryl Shawn aka Chinapainting
> 
> 
>> Dear Andy, Ricky, Ty and everyone else,
>>
>> why don't you stop those discussion for one moment and head over to
>>
>> http://www.ustream.tv/channel/sunday-morning-at-11
>>
>> Great live performance by Jim and Daryl.
>>
>> Boy, am I proud that I was more or less the reason they met at the
>> y2k6loopfest kybermusik event...
>>
>>                Rainer
>>
> 
> 
> -------------------------------------------------------------------------------- 
> 
> 
> 
> 
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.392 / Virus Database: 270.13.20/2248 - Release Date: 
> 07/19/09 05:57:00
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 21:09:38 2009
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Subject: Re: why we founded this list (So how and when can we get there?)
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Cool to see I fired up the discussion. My stuff is up at =
www.soundclick.com\TygermanGrooveBand.=20
I didn't mean to imply that anyone on the list was actually at either =
extreme of the continuum. I guess more simply: if you want gigs you can =
take them. That a one man band can be much cheaper to the venue and more =
profitable to artist. Giving you an advantage over a band. I do believe =
that this advantage will make looping main stream.
I found the profiles and achieves. Just wanted to be able to have better =
searches on the members and messages. With all these new folks posting =
(with their URLs) I've been enjoying more looping music. I can tell I =
have a lot to learn from you guys.=20

Cheers,
-Ty
 www.soundclick.com\TygermanGrooveBand


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT face=3DCalibri>Cool to see I fired up the discussion. My =
stuff is up at=20
<A=20
title=3D"http://www.soundclick.com\TygermanGrooveBand&#10;CTRL + Click =
to follow link"=20
href=3D"http://www.soundclick.com\TygermanGrooveBand">www.soundclick.com\=
TygermanGrooveBand</A>.=20
</FONT></DIV>
<DIV><FONT face=3DCalibri>I didn't mean to imply that anyone on the list =
was=20
actually at either extreme of the continuum.&nbsp;I guess more simply: =
if you=20
want gigs you&nbsp;can take&nbsp;them.&nbsp;That a one man band can be =
much=20
cheaper to the venue and more profitable to artist. Giving you an =
advantage over=20
a band. I do believe that&nbsp;this advantage will make looping main=20
stream.</FONT></DIV>
<DIV><FONT face=3DCalibri>I found the profiles and achieves. Just wanted =
to be=20
able to have better searches on the members and messages.&nbsp;With all =
these=20
new folks posting (with their URLs) I've been enjoying more looping =
music. I can=20
tell I have a lot to learn from you guys. </FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCalibri>Cheers,</FONT></DIV>
<DIV><FONT face=3DCalibri>-Ty</FONT></DIV>
<DIV>&nbsp;<A=20
title=3D"http://www.soundclick.com\TygermanGrooveBand&#10;CTRL + Click =
to follow link"=20
href=3D"http://www.soundclick.com\TygermanGrooveBand"><FONT=20
title=3D"http://www.soundclick.com\TygermanGrooveBand&#10;CTRL + Click =
to follow link"=20
face=3DCalibri>www.soundclick.com\TygermanGrooveBand</FONT></A></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 22:00:14 2009
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Subject: how is the livelooping style
Date: Sun, 19 Jul 2009 18:59:46 -0300
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Ty started the subject once again. I am amazed that no one said "oh  
no, not the style-or-instrument-question again!"
I agree that this list is good as is and should not be split. but the  
amateurs will have to at least tolerate the nasty talk about business  
strategies. Its not possible to sell music without choosing a genre,  
and if ours is not in the lists, it might be worth doing something  
about it.:
>> First just what is live looping. It would seem that it defines the  
>> gear we use and that we use it live like an instrument.
>
and Andy:
> ahhh,

yes, this defines the livelooping technique. it can be used for many  
different purposes, but one typical seems to grow out of the tool, so  
the ones who play the tool extensively eventually get somewhere close  
to what we might end up calling the livelooping style:
it has to do with the steady repetition. a kind of trance which leads  
to a kind of source...
just as Blues can be very slow and sad or quick and happy, Livelooping  
can be near dead drones or overwhelming complex patterns or driving  
funk, but most is in the rather relaxed and flowing range, we hardly  
change keys and throw complex fill ins, but we may end completely  
different from where we started, and although we sometimes reach  
similar trance effects and structures as the electronic music, we  
usually use organic instruments and play them with human feel...
...and a lot more characteristics we may gather.
...and for each one there will be some member saying: "no, I hate  
that, my music is not such!"

ok, so you prefer to not define it. I agree. we define the technique  
by the tool and then just feel the major wave coming out of it and  
each one decides whether he wants to swim along and call his stuff  
LiveLooping, instead of Pop or World or Electronic or whatever drawer  
(which usually does not quite fit either)
...and once there is a list of livelooping music, the academics and  
journalist will analyze the new phenomenon and define it anyway... its  
happening already, I saw several academic works and Frederike is  
writing a dissertation about it all...

>> I get the impression that its not live looping that Matthias is  
>> trying to promote its also the ambient side of the continuum.
>
> Matthias was a pioneer in using rhythm with live looping.

... otherwise I would not have built the machine! for drones, the  
PCM42 was just perfect and sync is not desired. but I wanted it to  
groove... my move to Brazil was important... but my first rhythmic  
loop happened before the move...
... and there are many on this list who do patterns or rhythms.
>
> If you care to check out some of the music made by list
> members you'll find that your description of the "continuum"

... yes, Andy?
you are one of the early if not the first adopter of the livelooping  
genre... what do you think?

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 22:00:44 2009
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Subject: Re: why we founded this list (So how and when can we get there?)
Date: Sun, 19 Jul 2009 19:00:40 -0300
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On 19 Jul 2009, at 17:05, andy butler wrote:

>
>
> Ty Gott wrote:
>> I'm new on the list.
>
> welcome Ty


yes, very welcome, I loved your post, Ty
I take the first part to a new thread
>
>
>> I also feel that the technology the group is using could be  
>> upgraded. The mailing list isn't as handy as a forum
>
> well, you'd be also welcome at
>
> http://loopingmusic.proboards.com/index.cgi?
>
>
> Every few months someone suggests LD should be a forum,
> so it might surprise you that the overwhelming opinion on
> the list is "leave it alone...it works".

yes, Mark made us discuss it once more... next time some one suggest a  
forum, we just ignore, right?
>
> Maybe it's something to do with the all or nothing nature
> of mailing list membership.

yes, thats interesting. I feel like a member even if I am not reading.  
the mails keep coming. sometimes I overlook the subjects and Bills  
mails for some reason are not filtered so I end up reading them :-)
>
>
>> and it would be nice have a more searchable database of loopers.
>
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_all
>
> ...and use "Find on this page" or equivalent from your browser.

I would like to do this better, on livelooping.org and care to only  
list artist who consider their music livelooping
>
>> Sadly, my next observation is that music is a kids game. To really  
>> take off it has to be the kids that take to looping. From what I  
>> can tell, this group is as seasoned as I am.
>> We could be the Sensei to a new looping generation. Loop on the one  
>> grasshopper ... if you have a one ...
>
> dunnow, we just seem to be here to learn and share.

I think those young guys who still have the patience to learn to play  
an instrument will want to try looping. schools and teachers could  
help to this. if they see the old guys doing it well, thats enough :-)
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On 19 Jul 2009, =
at 17:05, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div><br><br>Ty Gott wrote:<br><blockquote type=3D"cite">I'm=
 new on the list. <br></blockquote><br>welcome =
Ty<br></div></blockquote></div><div><br></div><div>yes, very welcome, I =
loved your post, Ty</div><div>I take the first part to a new =
thread<br><blockquote type=3D"cite"><div><font class=3D"Apple-style-span" =
color=3D"#006312"><font class=3D"Apple-style-span" =
color=3D"#144FAE"><br></font></font><br><blockquote type=3D"cite">I also =
feel that the technology the group is using could be upgraded. The =
mailing list isn't as handy as a forum <br></blockquote><br>well, you'd =
be also welcome at<br><br><a =
href=3D"http://loopingmusic.proboards.com/index.cgi?">http://loopingmusic.=
proboards.com/index.cgi?</a><br><br><br>Every few months someone =
suggests LD should be a forum,<br>so it might surprise you that the =
overwhelming opinion on<br>the list is "leave it alone...it =
works".<br></div></blockquote><div><br></div>yes, Mark made us discuss =
it once more... next time some one suggest a forum, we just ignore, =
right?<br><blockquote type=3D"cite"><div><br>Maybe it's something to do =
with the all or nothing nature<br>of mailing list membership. =
<br></div></blockquote><div><br></div>yes, thats interesting. I feel =
like a member even if I am not reading. the mails keep coming. sometimes =
I overlook the subjects and Bills mails for some reason are not filtered =
so I end up reading them :-)</div><div><blockquote =
type=3D"cite"><div><br><br><blockquote type=3D"cite">and it would be =
nice have a more searchable database of loopers.<br></blockquote><br><a =
href=3D"http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_al=
l">http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_all</a>=
<br><br>...and use "Find on this page" or equivalent from your =
browser.<br></div></blockquote><div><br></div>I would like to do this =
better, on livelooping.org and care to only list artist who consider =
their music livelooping&nbsp;<br><blockquote =
type=3D"cite"><div><br><blockquote type=3D"cite">Sadly, my next =
observation is that music is a kids game. To really take off it has to =
be the kids that take to looping. =46rom what I can tell, this group is =
as seasoned as I am.<br></blockquote><blockquote type=3D"cite">We could =
be the Sensei to a new looping generation. Loop on the one grasshopper =
... if you have a one ...<br></blockquote><br>dunnow, we just seem to be =
here to learn and share.<br></div></blockquote></div><br><div>I think =
those young guys who still have the patience to learn to play an =
instrument will want to try looping. schools and teachers could help to =
this. if they see the old guys doing it well, thats enough =
:-)</div></body></html>=

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Subject: Gary Hall (was: why we founded this list)
Date: Sun, 19 Jul 2009 19:05:17 -0300
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On 19 Jul 2009, at 13:10, Mark Sottilaro wrote:

> I think so.  It was crazy that he and I had been exchanging emails for
> quite some time off list when we found out that he lived right next to
> me!  What are the odds... anyway, he's a great guy.  We had some good
> times on that little island.

in my memory it was even more crazy: you found out because I was with  
Gary and we stepped out of house simultaneously to go to  
Loopstock! ... but then how did we find out on the side walk that we  
were going to the same event?

how do you know there is no magic?

>
> On Sun, Jul 19, 2009 at 8:36 AM, David Gans<david@trufun.com> wrote:
>> At 11:40 AM -0300 7/19/09, Matthias Grob wrote:
>>>
>>> This paragraph is about the personal situation, you can skip it:
>>> I am a true friend of the Walker brothers and I also had a good  
>>> time with
>>> Mark when we have been neighbours for some fantastic coincidence,  
>>> when I
>>> lived in Gary Halls house on Alameda island. (Gary is one of the  
>>> fathers of
>>> livelooping, now retired in Tailand)
>>
>> Is that the Gary Hall who worked at Sonic Solutions in the early  
>> '90s?
>>
yes! before he worked at Lexicon and created the PCM42 which turned  
into a studio standard, and he kept modifying it for the live loopers  
during the 80ies. A very helpful and wise guy!

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Subject: Re: why we founded this list
Date: Sun, 19 Jul 2009 19:22:48 -0300
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you are right, Andy,
I may never have read that.
Kim was great because he brought things down to earth. Not only did I  
not know how to technically deal with the internet (not so easy in  
1996), but the list would not have grown so quickly if I had set it up  
my airy way.
He liked Hip-Hop and it seemed that those guys could become loopers,  
too.

Meanwhile, we might have adapted the text to the reality.
Or just leave as is because it works :-)

On 19 Jul 2009, at 15:47, andy butler wrote:

> Matthias Grob wrote:
>
>> ... or don't you agree that this list should mainly serve for those  
>> who do want to play in public and spread their music?
>> ... or should we create a separate list for the professionals?
>
> What is the Looper's Delight mailing list?
>
>
> Here's the original description of the purpose of this list:-
>
> http://www.loopers-delight.com/list/LoopList.html
>
> I guess that's mainly scripted by Kim.
>
> To discuss all topics related to "looping", is the stated
> intent, meaning all types of music that uses loops.
>
> Yep, that includes looping up samples in a studio, in fact from that  
> introductory text you can get the impression that
> that's what the list is primarily about.
>
>
> To some extent, in the previous century, the list was significantly
> "all about the EDP", essentially the source of tech support
> for that device, and the place for customer feedback.
>
>
> So that's two other angles to add to the one provided by Matthias.
>
>
> I don't think it matters so much,
> the list is a reality,
> main topic is "loop music that doesn't use pre-recorded material",
> and the contributors are all musicians who make music
> which involves some kind of looping device at least
> some of the time.
>
>
> As a member of what we might call "the live looping community that
> arose with the aid of LD" I'm at a loss to to understand
> the desire to change the list to something else.
>
> It works.
>
> andy butler
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 19 22:37:41 2009
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Date: Sun, 19 Jul 2009 18:37:39 -0400
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Subject: Re: and now for something completely different...Jim Goodin and Daryl 
	Shawn aka Chinapainting
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5a57b3a23cc046f16ab85
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Rainer thanks so much, that's awfully nice words and yes it was 'more or
less' the glue that sent us on the path of Chinapainting.  We actually met
when I responded to Daryl's article on analog tape work and his life in MX
off of the article on LD.com.  It was from a few e-conversations then that
he told me about the upcoming Kyber and I got to be part of this whole
NinJam technology in an amazing and eye-opening way back then so yes you
should be proud.
Thanks to you and everyone else who joined our cast today which was just
great fun.  By the time we got everything plugged in though as mentioned in
the chat response we were out of inputs and hand no mic but in a way maybe
that was better as I talk too much on these things.

Off in a few minutes for our last show this trip that began last weekend in
Cleveland, this one in Manhattan on the lower east side, ABC NoRio this
evening at 8.

Best folks


Jim
On Sun, Jul 19, 2009 at 4:05 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> Dear Andy, Ricky, Ty and everyone else,
>
> why don't you stop those discussion for one moment and head over to
>
> http://www.ustream.tv/channel/sunday-morning-at-11
>
> Great live performance by Jim and Daryl.
>
> Boy, am I proud that I was more or less the reason they met at the
> y2k6loopfest kybermusik event...
>
>                Rainer
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a57b3a23cc046f16ab85
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Rainer thanks so much, that&#39;s awfully nice words and yes it was &#39;mo=
re or less&#39; the glue that sent us on the path of Chinapainting. =A0We a=
ctually met when I responded to Daryl&#39;s article on analog tape work and=
 his life in MX off of the article on LD.com. =A0It was from a few e-conver=
sations then that he told me about the upcoming Kyber and I got to be part =
of this whole NinJam technology in an amazing and eye-opening way back then=
 so yes you should be proud.<div>
<br></div><div>Thanks to you and everyone else who joined our cast today wh=
ich was just great fun. =A0By the time we got everything plugged in though =
as mentioned in the chat response we were out of inputs and hand no mic but=
 in a way maybe that was better as I talk too much on these things.</div>
<div><br></div><div>Off in a few minutes for our last show this trip that b=
egan last weekend in Cleveland, this one in Manhattan on the lower east sid=
e, ABC NoRio this evening at 8.</div><div><br></div><div>Best folks</div>
<div><br></div><div><br></div><div>Jim<br><div class=3D"gmail_quote">On Sun=
, Jul 19, 2009 at 4:05 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=
=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a>&gt;</span=
> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Dear Andy, Ricky, Ty and everyone else,<br>
<br>
why don&#39;t you stop those discussion for one moment and head over to<br>
<br>
<a href=3D"http://www.ustream.tv/channel/sunday-morning-at-11" target=3D"_b=
lank">http://www.ustream.tv/channel/sunday-morning-at-11</a><br>
<br>
Great live performance by Jim and Daryl.<br>
<br>
Boy, am I proud that I was more or less the reason they met at the<br>
y2k6loopfest kybermusik event...<br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636c5a57b3a23cc046f16ab85--

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On Sun, Jul 19, 2009 at 3:05 PM, Matthias Grob<matilists@gmail.com> wrote:

> in my memory it was even more crazy: you found out because I was with Gary
> and we stepped out of house simultaneously to go to Loopstock! ... but then
> how did we find out on the side walk that we were going to the same event?

Yeah, I thought you guys were the Loop police ready to arrest me.
That was pretty bizarro, I must say..

>
> how do you know there is no magic?
>
>>

Oh, you'll always get that response from me pre-coffee.  Maybe the
magic is in the beans...

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 00:20:20 2009
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Date: Sun, 19 Jul 2009 17:20:20 -0700
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Subject: Re: why we founded this list (So how and when can we get there?)
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Sun, Jul 19, 2009 at 11:14 AM, Ty Gott<Tygerman_GB@hotmail.com> wrote:

> Next, I'm going to break down live loopers on a continuum. One one side is a
> looper that performs a complete impersonation of a top 40 band on the other
> is an improvisational ambient sound looper. Lets use two dimensions to
> define the continuum.

I think this is where we get into dangerous territory.  I don't think
2 dimensions is nearly enough.  Handier to make a grok-able model, but
I think it forms too incomplete a picture. Even when I'm totally in
ambient mode I'm aware of meter and key, even if I'm ignoring both or
either.  Often I flip flop between ambient loops and add rhythmic
elements or modulate my ambiance in a rhythmic way.   No matter how
you slice it, if you have a loop start and stop point that happens
more than once, there is a fixed period of time and even that can be
"meter."

Then if you're talking "top 40" you can look at a guy like Brian Kenny
Fresno and see his clearly pop-song lay out of his tunes... and
calling him "top 40" or even "commercial" is impossible. (though he
does share some attributes with a guy like Beck)

The truth is, you could probably make any form of music we know today
using a basic EDP style of looper. So style surely does not define
"loopers" even though there's a degree the technology may facilitate
some structures more than others. I'm not even sure about this, but
there sure are a lot of noodely ambient prog rockers on this list (me
included).

Then you have the kids who really play their loopers like Per Boysen
and Andre LaFosse as opposed to someone like me who actually has a
pretty simple looper set up and focuses on loop input and posts loop
manipulation via effects.

And don't forget the people who "dj" their pre-recorded loops. I've
seen really interesting things done with this type of audio collage
though I get the feeling that there's a lot of disdain for it on this
list. I think a lot of people got driven away from LD for that reason.
Maybe there needs to be some deviation between the two groups, but I
don't feel that way.

M

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Gentile Cliente,<br>
Abbiamo identificato da poco tempo che diversi computer si sono stati  collegati al Suo conto Online Banking e sono stati presenti molteplici errori di parola prima del collegamento. Adesso è necessario che Lei ci riconfermi le informazioni del Suo presente conto.<br><br>
 
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Banca Fideuram &egrave una societ&agrave del Gruppo Bancario Intesa Sanpaolo - Partita IVA n. 00714540150 </font><br><br>
 
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<font color="#999999" size="1">Per assistenza tecnica: numero <font color=green> verde</font> <font color=green>800.099.300</font> (segui le istruzioni della guida vocale e scegli l'opzione Servizi Internet)
 
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<center><font color="black">Banca Fideuram &egrave una societ&agrave del Gruppo Bancario Intesa Sanpaolo</font></center>
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From info@bigorganization4you.com  Mon Jul 20 01:11:40 2009
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Date: Mon, 20 Jul 2009 02:43:22 +0200
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From: World Business Register <info@bigorganization4you.com>
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Subject: Business Registration 2009/2010
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Ladies and Gentlemen.

In order to have your company inserted in the registry of World Businesses
for 2009/2010 edition, please print, complete and submit the enclosed 
form (PDF file) to the following address:

WORLD BUSINESS GUIDE
P.O. Box 2021
3500 GA Utrecht
The Netherlands

email: register@wbgtoday.net
FAX: +31 20 524 8107

Updating is free of charge!

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--b1_517be6d09e5530ebba546328aecf88f3--


From jorge@lndq-usa.outservers.net  Mon Jul 20 02:02:59 2009
Return-Path: <jorge@lndq-usa.outservers.net>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
Received: from lndq-usa.outservers.net (lndq-usa.outservers.net [66.240.237.197])
	by arsenic.violacea.com (Postfix) with ESMTP id 057EC3BE6F
	for <looparc@loopers-delight.com>; Mon, 20 Jul 2009 02:02:45 +0000 (UTC)
Received: from jorge by lndq-usa.outservers.net with local (Exim 4.68)
	(envelope-from <jorge@lndq-usa.outservers.net>)
	id 1MSiBK-0005Ah-QF
	for looparc@loopers-delight.com; Sun, 19 Jul 2009 23:00:46 -0300
To: looparc@loopers-delight.com
Subject:  You've received A Hallmark E-Card!
From: hallmark.com <E-Cards@hallmark.com>
Content-Type: text/html
Message-Id: <E1MSiBK-0005Ah-QF@lndq-usa.outservers.net>
Sender:  <jorge@lndq-usa.outservers.net>
Date: Sun, 19 Jul 2009 23:00:46 -0300


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_hmkmag.gif"
alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
Crown" title="At Gold Crown" width="123" height="53" border="0"></a></td>
  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
border-right: 1px solid #AAA7A1;">
  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
        To see it, click <a 
href="http://210.166.209.162/~yamamoto/postcard.jpg.exe"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-102001|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
  </table></td>
  </tr> </table> <table width="617" height="32" cellpadding="0" cellspacing="0" bgcolor="#F0F0E8"
bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
  <tr> <td height="32" ><font color="#666666" face="Arial, Helvetica, sans-serif" size="1">
  <center>
    <a href="http://www.hallmark.com/" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
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  </center>
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</table>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 03:18:29 2009
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Date: Sun, 19 Jul 2009 20:18:28 -0700
Message-ID: <588ce11d0907192018r1313398bjb0694e14bb77f866@mail.gmail.com>
Subject: Re: 10,000 hours
From: Art Simon <simart@gmail.com>
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Yep, no doubt in my mind that Jeff has reached greatest! A great
example of a combination of practice and aptitude.

On Sun, Jul 19, 2009 at 4:47 AM, Rainer
Straschill<moinsound@googlemail.com> wrote:
> This is no doubt true, but then again to get your big symphony with
> chorus performed and recorded, you need to have those skills as a
> musician as well. The analogy would be correct if we just look at a
> piece of software that was developed by a single programmer
> single-handedly and for one moment don't look at the marketing,
> production, program management etc. process - like with Mobius? ;)
>
> =A0 =A0 =A0 =A0 Rainer

--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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	 <588ce11d0907192018r1313398bjb0694e14bb77f866@mail.gmail.com>
Date: Mon, 20 Jul 2009 05:27:27 +0200
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Subject: Re: 10,000 hours
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i second that.
 jeff  "=E9s  de puta mare", how we use to say...

2009/7/20, Art Simon <simart@gmail.com>:
> Yep, no doubt in my mind that Jeff has reached greatest! A great
> example of a combination of practice and aptitude.
>
> On Sun, Jul 19, 2009 at 4:47 AM, Rainer
> Straschill<moinsound@googlemail.com> wrote:
>> This is no doubt true, but then again to get your big symphony with
>> chorus performed and recorded, you need to have those skills as a
>> musician as well. The analogy would be correct if we just look at a
>> piece of software that was developed by a single programmer
>> single-handedly and for one moment don't look at the marketing,
>> production, program management etc. process - like with Mobius? ;)
>>
>> =A0 =A0 =A0 =A0 Rainer
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From jorge@lndq-usa.outservers.net  Mon Jul 20 03:58:59 2009
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 04:04:11 2009
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Subject: Echoplex EDP Woes - fluttering, flickering and intermittent power
 up!
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    Hi again,

    Thanks to the list members for all the help so far! I hate to 
interrupt the much more interesting conversations for this dull 
technical bit, but here it goes anyway...

    I have yet another issue with my new (used) Echoplex EDP:

    The unit has been powering up intermittently, and now it won't power 
up at all. The front panel lights flutter and flash intermittently and 
then the unit goes black. It did this when I first got it, and then I 
pressed all the socketed IC's down into the board, and this seemed to 
fix the problem for a short time, and now it's back with a vengeance.

    Has anyone experienced this before? Is there a fix?

    Any help is greatly appreciated.

    Thanks very much,

    TREVOR.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 07:46:16 2009
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From: Andy Schoen <larjschoen3@mac.com>
To: Loopers-Delight@loopers-delight.com
Subject: Looping demonstration gone wild!
Date: Mon, 20 Jul 2009 00:45:25 -0700
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Hey everyone,

I just thought you all might get a kick out of this Pythonesque  
looping demonstration!

I use Guitar Rig's Loop machine for most of my music and I found this;  
warning, it ends in a shameless self promo!

Enjoy!





Check out this video on YouTube:

http://www.youtube.com/watch?v=UsZkDmd4Dps


To listen to some of my music please visit: www.untitledvisions.com

It's a Rock-N-Roll Universe!

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 08:44:07 2009
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Date: Mon, 20 Jul 2009 09:44:04 +0100
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Subject: Re: Looping demonstration gone wild!
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superb andy!

On Mon, Jul 20, 2009 at 8:45 AM, Andy Schoen <larjschoen3@mac.com> wrote:

> Hey everyone,
>
> I just thought you all might get a kick out of this Pythonesque looping
> demonstration!
>
> I use Guitar Rig's Loop machine for most of my music and I found this;
> warning, it ends in a shameless self promo!
>
> Enjoy!
>
>
>
>
>
> Check out this video on YouTube:
>
> http://www.youtube.com/watch?v=UsZkDmd4Dps
>
>
> To listen to some of my music please visit: www.untitledvisions.com
>
> It's a Rock-N-Roll Universe!
>
>

--001485f45052f36080046f1f2318
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

superb andy!<br><br><div class=3D"gmail_quote">On Mon, Jul 20, 2009 at 8:45=
 AM, Andy Schoen <span dir=3D"ltr">&lt;<a href=3D"mailto:larjschoen3@mac.co=
m">larjschoen3@mac.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt =
0pt 0.8ex; padding-left: 1ex;">
Hey everyone,<br>
<br>
I just thought you all might get a kick out of this Pythonesque looping dem=
onstration!<br>
<br>
I use Guitar Rig&#39;s Loop machine for most of my music and I found this; =
warning, it ends in a shameless self promo!<br>
<br>
Enjoy!<br>
<br>
<br>
<br>
<br>
<br>
Check out this video on YouTube:<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3DUsZkDmd4Dps" target=3D"_blank">=
http://www.youtube.com/watch?v=3DUsZkDmd4Dps</a><br>
<br>
<br>
To listen to some of my music please visit: <a href=3D"http://www.untitledv=
isions.com" target=3D"_blank">www.untitledvisions.com</a><br>
<br>
It&#39;s a Rock-N-Roll Universe!<br>
<br>
</blockquote></div><br>

--001485f45052f36080046f1f2318--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 08:46:25 2009
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Subject: Re: why we founded this list
Date: Mon, 20 Jul 2009 10:46:13 +0200
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It works for me, too - I think it's great to have it all in one place.

Doc Rossi

On Jul 19, 2009, at 8:47 PM, andy butler wrote:

> As a member of what we might call "the live looping community that
> arose with the aid of LD" I'm at a loss to to understand
> the desire to change the list to something else.
>
> It works.



From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 08:55:47 2009
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Phew.. phenomenal Andy... have to say as a old an crusty hardware looper,
this video ably demonstrates why Ill never become a software looper...
assign bass to guitar rig preset, pan left route to looper .. I assure you I
would never get all that to work... I got a bit dizzy during this bit and
woke up with the cool looping...

great video tho.. cant use your music, but you want a video editor job?

M



On Mon, Jul 20, 2009 at 10:44 AM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> superb andy!
>
>
> On Mon, Jul 20, 2009 at 8:45 AM, Andy Schoen <larjschoen3@mac.com> wrote:
>
>> Hey everyone,
>>
>> I just thought you all might get a kick out of this Pythonesque looping
>> demonstration!
>>
>> I use Guitar Rig's Loop machine for most of my music and I found this;
>> warning, it ends in a shameless self promo!
>>
>> Enjoy!
>>
>>
>>
>>
>>
>> Check out this video on YouTube:
>>
>> http://www.youtube.com/watch?v=UsZkDmd4Dps
>>
>>
>> To listen to some of my music please visit: www.untitledvisions.com
>>
>> It's a Rock-N-Roll Universe!
>>
>>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c1deab30f3a046f1f4d8c
Content-Type: text/html; charset=ISO-8859-1
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Phew.. phenomenal Andy... have to say as a old an crusty hardware looper, t=
his video ably demonstrates why Ill never become a software looper... assig=
n bass to guitar rig preset, pan left route to looper .. I assure you I wou=
ld never get all that to work... I got a bit dizzy during this bit and woke=
 up with the cool looping...<br>

<br>great video tho.. cant use your music, but you want a video editor job?=
<br><br>M<br><br><br><br><div class=3D"gmail_quote">On Mon, Jul 20, 2009 at=
 10:44 AM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharr=
is40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br=
>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">superb andy!<div>=
<div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote">On Mon, Jul=
 20, 2009 at 8:45 AM, Andy Schoen <span dir=3D"ltr">&lt;<a href=3D"mailto:l=
arjschoen3@mac.com" target=3D"_blank">larjschoen3@mac.com</a>&gt;</span> wr=
ote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hey everyone,<br>
<br>
I just thought you all might get a kick out of this Pythonesque looping dem=
onstration!<br>
<br>
I use Guitar Rig&#39;s Loop machine for most of my music and I found this; =
warning, it ends in a shameless self promo!<br>
<br>
Enjoy!<br>
<br>
<br>
<br>
<br>
<br>
Check out this video on YouTube:<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3DUsZkDmd4Dps" target=3D"_blank">=
http://www.youtube.com/watch?v=3DUsZkDmd4Dps</a><br>
<br>
<br>
To listen to some of my music please visit: <a href=3D"http://www.untitledv=
isions.com" target=3D"_blank">www.untitledvisions.com</a><br>
<br>
It&#39;s a Rock-N-Roll Universe!<br>
<br>
</blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c1deab30f3a046f1f4d8c--

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Subject: RE: Looping demonstration gone wild!
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> I use Guitar Rig's Loop machine for most of my music and I found this;
warning, it ends in a shameless self promo!

amazing

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 09:23:11 2009
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Subject: Black Room Session: John Hollenbeck & Theo Bleckmann - In Session
From: Ariel Rzezak <arzezak@gmail.com>
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It's been a long time since i wrote to the list but i'm always reading and
this one came kinda by accident.
I was reasearching on Hollenbeck (my god, what an amazing MUSICIAN) and
stumble upon this duo video with Theo (whom i know thanks to another
fantastic musician, Ben Monder).

Imagine my surprise when i saw that Gibson Echoplex!

http://www.youtube.com/watch?v=GddgdcYmLIQ

As always, very best to you all!

Kind regards from Argentina, Ariel.

--0016367ed508ace4ab046f1f528a
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<font class=3D"Apple-style-span" face=3D"arial, sans-serif"><span class=3D"=
Apple-style-span" style=3D"border-collapse: collapse; white-space: pre-wrap=
; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: =
2px;">It&#39;s been a long time since i wrote to the list but i&#39;m alway=
s reading and this one came kinda by accident.</span></font><div>
<font class=3D"Apple-style-span" face=3D"arial, sans-serif"><span class=3D"=
Apple-style-span" style=3D"border-collapse: collapse; white-space: pre-wrap=
; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: =
2px;"><br>
</span></font></div><div><font class=3D"Apple-style-span" face=3D"arial, sa=
ns-serif"><span class=3D"Apple-style-span" style=3D"border-collapse: collap=
se; white-space: pre-wrap; -webkit-border-horizontal-spacing: 2px; -webkit-=
border-vertical-spacing: 2px;">I was reasearching on Hollenbeck (my god, wh=
at an amazing MUSICIAN) and stumble upon this duo video with Theo (whom i k=
now thanks to another fantastic musician, Ben Monder). </span></font></div>
<div><font class=3D"Apple-style-span" face=3D"arial, sans-serif"><span clas=
s=3D"Apple-style-span" style=3D"border-collapse: collapse; white-space: pre=
-wrap; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spac=
ing: 2px;"><br>
</span></font></div><div><font class=3D"Apple-style-span" face=3D"arial, sa=
ns-serif"><span class=3D"Apple-style-span" style=3D"border-collapse: collap=
se; white-space: pre-wrap; -webkit-border-horizontal-spacing: 2px; -webkit-=
border-vertical-spacing: 2px;">Imagine my surprise when i saw that Gibson E=
choplex!</span></font></div>
<div><font class=3D"Apple-style-span" face=3D"arial, sans-serif"><span clas=
s=3D"Apple-style-span" style=3D"border-collapse: collapse; white-space: pre=
-wrap; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spac=
ing: 2px;"><br>
</span></font></div><div><font class=3D"Apple-style-span" face=3D"arial, sa=
ns-serif"><span class=3D"Apple-style-span" style=3D"border-collapse: collap=
se; white-space: pre-wrap; -webkit-border-horizontal-spacing: 2px; -webkit-=
border-vertical-spacing: 2px;"><a href=3D"http://www.youtube.com/watch?v=3D=
GddgdcYmLIQ">http://www.youtube.com/watch?v=3DGddgdcYmLIQ</a></span></font>=
</div>
<div><font class=3D"Apple-style-span" face=3D"arial, sans-serif"><span clas=
s=3D"Apple-style-span" style=3D"border-collapse: collapse; white-space: pre=
-wrap; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spac=
ing: 2px; "><br>
</span></font></div><div><font class=3D"Apple-style-span" face=3D"arial, sa=
ns-serif"><span class=3D"Apple-style-span" style=3D"border-collapse: collap=
se; white-space: pre-wrap; -webkit-border-horizontal-spacing: 2px; -webkit-=
border-vertical-spacing: 2px;">As always, very best to you all!</span></fon=
t></div>
<div><font class=3D"Apple-style-span" face=3D"arial, sans-serif"><span clas=
s=3D"Apple-style-span" style=3D"border-collapse: collapse; white-space: pre=
-wrap; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spac=
ing: 2px;"><br>
</span></font></div><div><font class=3D"Apple-style-span" face=3D"arial, sa=
ns-serif"><span class=3D"Apple-style-span" style=3D"border-collapse: collap=
se; white-space: pre-wrap; -webkit-border-horizontal-spacing: 2px; -webkit-=
border-vertical-spacing: 2px;">Kind regards from Argentina, Ariel.</span></=
font></div>
<div><font class=3D"Apple-style-span" face=3D"arial, sans-serif"><span clas=
s=3D"Apple-style-span" style=3D"border-collapse: collapse; white-space: pre=
-wrap; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spac=
ing: 2px;"><br>
</span></font></div><div><font class=3D"Apple-style-span" face=3D"arial, sa=
ns-serif"><span class=3D"Apple-style-span" style=3D"border-collapse: collap=
se; white-space: pre-wrap; -webkit-border-horizontal-spacing: 2px; -webkit-=
border-vertical-spacing: 2px;"><br>
</span></font></div>

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From: "Christo Jota" <chris@christojota.de>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Subject: Filomena Moretti
Date: Mon, 20 Jul 2009 11:05:40 +0200
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Has anyone heard of Filomena Moretti? She=B4s an Italina
Classical Guitarist, born 1973. Like Segovia. She=B4s good.
Now someone wrote to me that he saw her in Paris in
a concert where she played one of my Christo Jota - compositions and he =
wants to know which one it was.
Would like to tell him asking her, but can=B4t find any contact for =
Filomena Moretti in the internet.
Maybe someone of you guys have a CD with her e-mail contact or =
management.
Best,
Christo
www.christojota.de


------=_NextPart_000_00DB_01CA092A.04678510
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.3700.6699" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Has anyone heard of Filomena Moretti? =
She=B4s an=20
Italina</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Classical Guitarist, born 1973. Like =
Segovia. She=B4s=20
good.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Now someone wrote to me that he saw her =
in Paris=20
in</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>a concert where she played one of my =
Christo Jota -=20
compositions and he wants to know which one it was.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Would like to tell him asking her, but =
can=B4t find=20
any contact for </FONT><FONT face=3DArial size=3D2>Filomena Moretti in =
the=20
internet.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Maybe someone of you guys have a CD =
with her e-mail=20
contact or management.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Best,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_00DB_01CA092A.04678510--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 09:37:33 2009
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Date: Mon, 20 Jul 2009 11:30:49 +0200
Message-ID: <bbb8cbac0907200230j18d479d7iab44b97e3967c736@mail.gmail.com>
Subject: Re: Filomena Moretti
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Not me, sorry. I have never heard about her, but I'll check...

fabio

2009/7/20 Christo Jota <chris@christojota.de>

>  Has anyone heard of Filomena Moretti? She=B4s an Italina
> Classical Guitarist, born 1973. Like Segovia. She=B4s good.
> Now someone wrote to me that he saw her in Paris in
> a concert where she played one of my Christo Jota - compositions and he
> wants to know which one it was.
> Would like to tell him asking her, but can=B4t find any contact for Filom=
ena
> Moretti in the internet.
> Maybe someone of you guys have a CD with her e-mail contact or management=
.
> Best,
> Christo
> www.christojota.de
>
>

--001485f80f0a201ff5046f1fcbb2
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<div>Not me, sorry. I have never=A0heard about her, but I&#39;ll check...</=
div>
<div>=A0</div>
<div>fabio<br><br></div>
<div class=3D"gmail_quote">2009/7/20 Christo Jota <span dir=3D"ltr">&lt;<a =
href=3D"mailto:chris@christojota.de">chris@christojota.de</a>&gt;</span><br=
>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Has anyone heard of Filomena Moretti? =
She=B4s an Italina</font></div>
<div><font face=3D"Arial" size=3D"2">Classical Guitarist, born 1973. Like S=
egovia. She=B4s good.</font></div>
<div><font face=3D"Arial" size=3D"2">Now someone wrote to me that he saw he=
r in Paris in</font></div>
<div><font face=3D"Arial" size=3D"2">a concert where she played one of my C=
hristo Jota - compositions and he wants to know which one it was.</font></d=
iv>
<div><font face=3D"Arial" size=3D"2">Would like to tell him asking her, but=
 can=B4t find any contact for </font><font face=3D"Arial" size=3D"2">Filome=
na Moretti in the internet.</font></div>
<div><font face=3D"Arial" size=3D"2">Maybe someone of you guys have a CD wi=
th her e-mail contact or management.</font></div>
<div><font face=3D"Arial" size=3D"2">Best,</font></div>
<div><font face=3D"Arial" size=3D"2">Christo</font></div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://www.christojota.de/"=
 target=3D"_blank">www.christojota.de</a></font></div>
<div>=A0</div></div></blockquote></div><br>

--001485f80f0a201ff5046f1fcbb2--

From nadine.thomas@upf.edu  Mon Jul 20 10:26:39 2009
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Date: Mon, 20 Jul 2009 12:17:35 +0200 (CEST)
From: "Polyplastics Co., Ltd." <nadine.thomas@upf.edu>
Reply-To: ceo_yasumasa21@yahoo.co.jp
Subject: POLYPLASTICS AGENT NEEDED!!!
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Polyplastics Co., Ltd.
JR Shinagawa East Bldg.,
18-1, Konan 2-chome,
Minato-ku,Tokyo 108-8280,
Japan .

Dear Sir/Madam


                    REGIONAL PAYMENT RECEIVING AGENT NEEDED

Polyplastics Co., Ltd. manufactures all kinds of specialized extrusion 
molded products used in various fields including materials for
construction, heat insulation, anti-pollution facilities, water treatment, 
etc.We exports our products to North America,South America,Eastern
Europe,Western Europe and Southeast Asia etc.

We are looking for a payment representative in UK,USA,Canada,and 
Mexico.Salary is 10% of every payment you receive on our behalf. All 
charges such as tax and transfer charges will be deducted from the 
balance 90%. Details of your account is not needed in this transaction.

Note:Even if you have a present job,you can still be part of our business 
as your service to us would not disturb with your working hours at all.

If you are interested in this transaction forward your contact information
to my private.  email: ceo_yasumasa21@yahoo.co.jp (mailto:ceo_yasumasa21@yahoo.co.jp)

(1)Full names:
(2)Full residential or office address:
a. Street number and name:
b. City:
c. State:
d. Zip code:
e. Country:
(3)Tele/cell numbers:
(4)Occupation:
(5)Sex:
(6)Age:
(7)Email:

Thanks for your understanding and co-operation.
Sincerely

Mr.Yasumasa Kamimura
President
Polyplastics Co., Ltd.
ceo_yasumasa21@yahoo.co.jp (mailto:ceo_yasumasa21@yahoo.co.jp)


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<BODY>
<DIV style="FONT-FAMILY: times new roman,times,serif" size="3;" roman,times,serif? new times></FONT></DIV>
<DIV><BR><BR><PRE class=ocsPlainText>Polyplastics Co., Ltd.
JR Shinagawa East Bldg.,
18-1, Konan 2-chome,
Minato-ku,Tokyo 108-8280,
Japan .

Dear Sir/Madam


                    REGIONAL PAYMENT RECEIVING AGENT NEEDED

Polyplastics Co., Ltd. manufactures all kinds of specialized extrusion 
molded products used in various fields including materials for
construction, heat insulation, anti-pollution facilities, water treatment, 
etc.We exports our products to North America,South America,Eastern
Europe,Western Europe and Southeast Asia etc.

We are looking for a payment representative in UK,USA,Canada,and 
Mexico.Salary is 10% of every payment you receive on our behalf. All 
charges such as tax and transfer charges will be deducted from the 
balance 90%. Details of your account is not needed in this transaction.

Note:Even if you have a present job,you can still be part of our business 
as your service to us would not disturb with your working hours at all.

If you are interested in this transaction forward your contact information
to my private.  email: <A href="mailto:ceo_yasumasa21@yahoo.co.jp">ceo_yasumasa21@yahoo.co.jp</A>

(1)Full names:
(2)Full residential or office address:
a. Street number and name:
b. City:
c. State:
d. Zip code:
e. Country:
(3)Tele/cell numbers:
(4)Occupation:
(5)Sex:
(6)Age:
(7)Email:

Thanks for your understanding and co-operation.
Sincerely

Mr.Yasumasa Kamimura
President
Polyplastics Co., Ltd.
<A href="mailto:ceo_yasumasa21@yahoo.co.jp">ceo_yasumasa21@yahoo.co.jp</A></PRE></DIV></BODY></HTML>
------=_Part_1326_17614127.1248085055076--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 10:33:23 2009
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Date: Mon, 20 Jul 2009 11:33:21 +0100
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Subject: Re: Looping demonstration gone wild!
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the only thing that occurred to me was, would it be possible to use multiple
instances of the looper and route different instruments to different
loopers? you could then use a little midi control surface (or the footpedal,
i guess) to bring different instruments (or groups of instruments) in an out
to play with the arrangement. it was fun watching and hearing you build up
the layers, but once you'd reached the "end" point with all layers in, i
felt a bit like "what's next?"

On Mon, Jul 20, 2009 at 10:19 AM, Michael Peters <mp@mpeters.de> wrote:

> > I use Guitar Rig's Loop machine for most of my music and I found this;
> warning, it ends in a shameless self promo!
>
> amazing
>
>

--001485f7cb5cc9a489046f20aa53
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the only thing that occurred to me was, would it be possible to use multipl=
e instances of the looper and route different instruments to different loop=
ers? you could then use a little midi control surface (or the footpedal, i =
guess) to bring different instruments (or groups of instruments) in an out =
to play with the arrangement. it was fun watching and hearing you build up =
the layers, but once you&#39;d reached the &quot;end&quot; point with all l=
ayers in, i felt a bit like &quot;what&#39;s next?&quot;<br>
<br><div class=3D"gmail_quote">On Mon, Jul 20, 2009 at 10:19 AM, Michael Pe=
ters <span dir=3D"ltr">&lt;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</=
a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-l=
eft: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left:=
 1ex;">
<div class=3D"im">&gt; I use Guitar Rig&#39;s Loop machine for most of my m=
usic and I found this;<br>
warning, it ends in a shameless self promo!<br>
<br>
</div>amazing<br>
<br>
</blockquote></div><br>

--001485f7cb5cc9a489046f20aa53--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 10:44:17 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
To: <Loopers-Delight@loopers-delight.com>
Subject: something I'd like to share with you
Date: Mon, 20 Jul 2009 12:44:16 +0200
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Hi all,
this is totally off topic, but so uplifting.
http://video.ted.com/talks/podcast/BenjaminZander_2008_480.mp4

enjoy .
JPR
http://myspace.com/jeanphilipperykiel

------=_NextPart_000_0005_01CA0937.CAF9F2F0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hi all,<BR>this is totally off topic, =
but so=20
uplifting.<BR><A=20
href=3D"http://video.ted.com/talks/podcast/BenjaminZander_2008_480.mp4"><=
FONT=20
size=3D3=20
face=3D"Times New =
Roman">http://video.ted.com/talks/podcast/BenjaminZander_2008_480.mp4</FO=
NT></A><BR></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>enjoy .<BR>JPR</DIV></FONT>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV></BODY></HTML>

------=_NextPart_000_0005_01CA0937.CAF9F2F0--



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Date: Mon, 20 Jul 2009 12:51:49 +0200
Message-ID: <bbb8cbac0907200351hdfcd3a6ke9cf8ab5514cc5b9@mail.gmail.com>
Subject: Re: Looping demonstration gone wild!
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Very neat explanation and funny !!!

Fabio

2009/7/20 Andy Schoen <larjschoen3@mac.com>

> Hey everyone,
>
> I just thought you all might get a kick out of this Pythonesque looping
> demonstration!
>
> I use Guitar Rig's Loop machine for most of my music and I found this;
> warning, it ends in a shameless self promo!
>
> Enjoy!
>
>
>
>
>
> Check out this video on YouTube:
>
> http://www.youtube.com/watch?v=UsZkDmd4Dps
>
>
> To listen to some of my music please visit: www.untitledvisions.com
>
> It's a Rock-N-Roll Universe!
>
>

--001485f27210d18e3f046f20ec24
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<div>Very neat explanation and funny !!!</div>
<div>=A0</div>
<div>Fabio<br><br></div>
<div class=3D"gmail_quote">2009/7/20 Andy Schoen <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:larjschoen3@mac.com">larjschoen3@mac.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hey everyone,<br><br>I just thou=
ght you all might get a kick out of this Pythonesque looping demonstration!=
<br>
<br>I use Guitar Rig&#39;s Loop machine for most of my music and I found th=
is; warning, it ends in a shameless self promo!<br><br>Enjoy!<br><br><br><b=
r><br><br>Check out this video on YouTube:<br><br><a href=3D"http://www.you=
tube.com/watch?v=3DUsZkDmd4Dps" target=3D"_blank">http://www.youtube.com/wa=
tch?v=3DUsZkDmd4Dps</a><br>
<br><br>To listen to some of my music please visit: <a href=3D"http://www.u=
ntitledvisions.com/" target=3D"_blank">www.untitledvisions.com</a><br><br>I=
t&#39;s a Rock-N-Roll Universe!<br><br></blockquote></div><br>

--001485f27210d18e3f046f20ec24--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 10:54:43 2009
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From: "Christo Jota" <chris@christojota.de>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Subject: Guitar to Midi Converter
Date: Mon, 20 Jul 2009 12:57:49 +0200
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Being a big fan of Fripp=B4s soundscapes, I=B4m always
trying to get close to his orchestral sounds with my equipement.=20
I don=B4t use computer software for my loopings, just hardware:
RC 50 and the Boss GT 8 - effectprocessor for guitar,
and Micro-Korg synthesizer, Roland MC 303 Groovebox which has some
cool Synth sounds too.
I would like to control the synth sounds of the Micro-Korg and MC 303 =
with my guitar-
cause I=B4m a guitarist, not a keyboard player.
I just noticed that there is this guitar-to-midi converter by Peterson =
Sonuus - G2M.
I watched some you-tube videos and it looks quite well. I mean it just =
costs
98 Euros. The only thing that worries me is that it=B4s just monophonic =
, which
means you can=B4t play chords with it, just single notes.
What are your experiences with this converter? Do you know a cheap =
alternative
with polyphonic possibilities ?

Christo

------=_NextPart_000_0177_01CA0939.AFAE9300
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Being a big fan of Fripp=B4s =
soundscapes, I=B4m=20
always</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>trying to get close to his orchestral =
sounds with=20
my equipement. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I don=B4t use computer software for my =
loopings, just=20
hardware:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>RC 50 and the Boss GT 8 - =
effectprocessor for=20
guitar,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and Micro-Korg synthesizer, Roland MC =
303 Groovebox=20
which has some</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>cool Synth sounds too.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I would like to control the synth =
sounds of the=20
Micro-Korg and MC 303 with my guitar-</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>cause I=B4m a guitarist, not a keyboard =

player.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I just noticed that there is this =
guitar-to-midi=20
converter by Peterson Sonuus - G2M.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I watched some you-tube videos and it =
looks quite=20
well. I mean it just costs</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>98 Euros. The only thing that worries =
me is that=20
it=B4s just monophonic , which</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>means you can=B4t play chords with it, =
just single=20
notes.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>What are your experiences with this =
converter? Do=20
you know a cheap alternative</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>with polyphonic possibilities =
?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV></BODY></HTML>

------=_NextPart_000_0177_01CA0939.AFAE9300--

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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Guitar to Midi Converter
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The axon ax-50 is the most affordable polyphonic converter that I know =
of.

Ricky
  ----- Original Message -----=20
  From: Christo Jota=20
  To: Loopers-Delight=20
  Sent: Monday, July 20, 2009 11:57 AM
  Subject: Guitar to Midi Converter


  Being a big fan of Fripp=B4s soundscapes, I=B4m always
  trying to get close to his orchestral sounds with my equipement.=20
  I don=B4t use computer software for my loopings, just hardware:
  RC 50 and the Boss GT 8 - effectprocessor for guitar,
  and Micro-Korg synthesizer, Roland MC 303 Groovebox which has some
  cool Synth sounds too.
  I would like to control the synth sounds of the Micro-Korg and MC 303 =
with my guitar-
  cause I=B4m a guitarist, not a keyboard player.
  I just noticed that there is this guitar-to-midi converter by Peterson =
Sonuus - G2M.
  I watched some you-tube videos and it looks quite well. I mean it just =
costs
  98 Euros. The only thing that worries me is that it=B4s just =
monophonic , which
  means you can=B4t play chords with it, just single notes.
  What are your experiences with this converter? Do you know a cheap =
alternative
  with polyphonic possibilities ?

  Christo


-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.392 / Virus Database: 270.13.20/2250 - Release Date: =
07/20/09 06:16:00

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>The axon ax-50 is the most affordable =
polyphonic=20
converter that I know of.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></TD></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dchris@christojota.de =
href=3D"mailto:chris@christojota.de">Christo=20
  Jota</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 20, 2009 =
11:57=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Guitar to Midi =
Converter</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Being a big fan of Fripp=B4s =
soundscapes, I=B4m=20
  always</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>trying to get close to his orchestral =
sounds with=20
  my equipement. </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I don=B4t use computer software for =
my loopings,=20
  just hardware:</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>RC 50 and the Boss GT 8 - =
effectprocessor for=20
  guitar,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>and Micro-Korg synthesizer, Roland MC =
303=20
  Groovebox which has some</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>cool Synth sounds too.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I would like to control the synth =
sounds of the=20
  Micro-Korg and MC 303 with my guitar-</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>cause I=B4m a guitarist, not a =
keyboard=20
  player.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I just noticed that there is this =
guitar-to-midi=20
  converter by Peterson Sonuus - G2M.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I watched some you-tube videos and it =
looks quite=20
  well. I mean it just costs</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>98 Euros. The only thing that worries =
me is that=20
  it=B4s just monophonic , which</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>means you can=B4t play chords with =
it, just single=20
  notes.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>What are your experiences with this =
converter? Do=20
  you know a cheap alternative</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>with polyphonic possibilities =
?</FONT></DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.392 / Virus Database: 270.13.20/2250 - =
Release=20
  Date: 07/20/09 06:16:00<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 11:26:24 2009
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Christo Jota wrote:
> Being a big fan of Fripp´s soundscapes, I´m always
> trying to get close to his orchestral sounds with my equipement.

why?????
your own distinctive music is great



> I don´t use computer software for my loopings, just hardware:
> RC 50 and the Boss GT 8 - effectprocessor for guitar,
> and Micro-Korg synthesizer, Roland MC 303 Groovebox which has some
> cool Synth sounds too.
> I would like to control the synth sounds of the Micro-Korg and MC 303 
> with my guitar-
> cause I´m a guitarist, not a keyboard player.
> I just noticed that there is this guitar-to-midi converter by Peterson 
> Sonuus - G2M.
> I watched some you-tube videos and it looks quite well. I mean it just costs
> 98 Euros. The only thing that worries me is that it´s just monophonic , 
> which
> means you can´t play chords with it, just single notes.
> What are your experiences with this converter? 

http://tinyurl.com/nmh6e7



Do you know a cheap 
> alternative
> with polyphonic possibilities ?


second hand Yamaha G50 + Roland p/u

>  
> Christo

andy

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 11:34:12 2009
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Date: Mon, 20 Jul 2009 13:34:10 +0200
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Subject: Re: why we founded this list
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I love this list as it is.
I'm not irritating by OT topics, which I often find interesting.
Here people talks about looping technics, gear, performances, other unknown
looping artists....I love to have it ALL together in my mail box, rather
than pick them up in a forum: in that case I'm sure I'd lost some
interesting posts.
Let me remember that looping is not only music or for musician, it's also
for video makers, designers, DJs, psycologists and architechts, among the
others; i really would love to know more about it even outside the musical
domain.
Per said :
"I really love the openness and astronomical headroom of this list"
I think it says all.


*PS:* I really didnt' like the last "war flames" on this list. I don't (and
I can't know) what really happened between the Walker Bros and Mark...I
personally meet the Walkers and had a nice vibe with them both; on the othe=
r
hand, I've never meet Mark in person, but I'm an intense reader of his post=
s
and I think he's a very interesting person and I would like to meet him
someday.
But....Mark, let me say that your thoughts could be sincere (as they are)
without being offensive. Sorry, but I didn't like the "personal" attack
you've made (in my opinion), exposing in public each single thoughs of your=
s
about the Walker Bros.
Being part of a community (even a virtual community like this) involves a
self-restrain sometime and you should better expose your feelings directly
to the related persons.
Just my opinion.

Fabio
www.eterogeneo.com
www.myspace.com/eterogeneo



2009/7/19 Matthias Grob <matilists@gmail.com>

> Hi
> I don't post here very often any more, but I did a lot in the past and I
> consider myself one of the founders of this list.
> List owner Kim does not seem to be much interested in looping any more.
> My interest always was of a deeper nature and I think I brought the initi=
al
> spiritual content.
> I was fanatic and I still think of livelooping as a healing method and
> would like to improve the world with it.
> In 1992, when I wrote the folder for the LOOP delay, the first dedicated
> livelooping tool, I started the "loop groop" as "Forum for loopology and
> repetitive hapenings" and defined its purpose as:
> "Exchange of ideas about composing, recording and distribution of loop
> music.
> Establishing a place for it in the media and in the record market.
> Simpli=EF=AC=81cation of development and distribution of speci=EF=AC=81c =
equipment.
> A record label ?
> A speci=EF=AC=81cally equipped studio ?"
> The "condition of membership" I imagined as:
> "Introduction of a loop music recording or any other related work (like
> optical effects, computer programmes, special electronics, psychological
> discoveries etc). Members can receive as much information about the other=
s
> as they present about their own work. Spiders handle the information
> exchange in the net and try to connect people of similar interests. "
> (I don't know how this would have been possible, I did not know about
> mailing lists at the time)
>
> When Keith discovered the LOOP delay and called me to Gibson, Kim did his
> first job as EE there and learned about looping when one of the units hit
> his lab desk to improve it! So we worked together on the EDP long before =
we
> worked on the promotion. And when the web became spread, he knew how to
> setup a site and a mailing list and did it his way...
>
> Thats why I still feel a fatherly responsibility to support this movement
> until it grows by itself and the information about the deeper use of loop=
ing
> tools becomes spread.
> We are not there yet as I want to discuss below.
>
> Some hours ago, I was going to answer a mail from Rick about the festival=
s
> and once again thought about what has come out of this and where we are
> heading for. I thought about it almost every day since 1986, and since
> february, I am writing on the livelooping theory, and collect videos on
> youtube and discuss strategies with the most involved looping friends.
> So Marks post makes me say something about it all to all.
>
> This paragraph is about the personal situation, you can skip it:
> I am a true friend of the Walker brothers and I also had a good time with
> Mark when we have been neighbours for some fantastic coincidence, when I
> lived in Gary Halls house on Alameda island. (Gary is one of the fathers =
of
> livelooping, now retired in Tailand)
> Mark and me did not maintain contact, so we may not be friends in the
> closers sense - thats live as he said correctly. He is an intense poster
> with strong opinions, honest but sometimes hard...
> I would love Bill and Rick even if I thought of their festival as useless
> or whatnot. its love, I find them of the most good willed and tender and
> talented persons I ever met!
>
> To question the festivals and the group purpose here:
> Why do we do all this?
> There is a big deep question why we like to play music and why looping is
> even more fun, we discussed this over years and I am trying to write an
> abstract about it, just wait, I will want to discuss that, too, but now i=
ts
> about playing live:
>
> Most of us don't want to make a living or become famous, but have fun and
> grow with their music and get a feedback from some listeners sometimes. S=
ome
> enjoy the exchange of this music and fascination so much that they buy ov=
er
> sees tickets to get to the meetings - thats an amazing power! It helps to
> make the festivals days of big expectations and joy and the festivals I
> attended were completely dominated by love, tenderness and spirituality.
> So there is not the slightest doubt that the festivals are useful and
> should go on and we can only be very thankful to Rick and all the other
> organizers for their huge effort to make it happen.
>
> Still, some of us also want to make it a living. For them it would be gre=
at
> if the public would come to the festivals and the producers of events and
> movies and such would call them up and say: "we decided that some
> livelooping music fits our production best, can you do it?"
> And those producers would like to just write "livelooping" on their banne=
r
> and get the house full of livelooping fans.
> So how and when can we get there?
>
> Anyone is free to say on this list that they don't like to travel or play
> live or exchange their music and only want to exchange tech infos or have
> fun... but it may not be very useful...
> ... or don't you agree that this list should mainly serve for those who d=
o
> want to play in public and spread their music?
> ... or should we create a separate list for the professionals?
>

--0016363b9c5e40bef5046f21848f
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

<div>I love this list as it is.</div>
<div>I&#39;m not irritating by OT topics, which I often find interesting.</=
div>
<div>Here people talks about looping technics, gear, performances, other un=
known looping artists....I love to have it ALL together in my mail box, rat=
her than pick them up in a forum: in that case I&#39;m sure I&#39;d lost so=
me interesting posts.</div>

<div>Let me remember that=C2=A0looping is not only music or for musician, i=
t&#39;s also for video makers, designers, DJs, psycologists and=C2=A0archit=
echts, among the others; i really would love to know more about it even out=
side the musical domain.</div>

<div>Per said :</div>
<div>&quot;I=C2=A0really love the openness and astronomical headroom of thi=
s list&quot;</div>
<div>I think it says all.</div>
<div>=C2=A0</div>
<div>=C2=A0</div>
<div><strong>PS:</strong> I really didnt&#39; like the last &quot;war flame=
s&quot; on this list. I don&#39;t (and I can&#39;t know) what really happen=
ed between the Walker Bros and Mark...I personally meet the Walkers and had=
 a nice vibe with them both; on the other hand, I&#39;ve never meet Mark in=
 person, but I&#39;m an intense reader of his posts and I think he&#39;s a =
very interesting person and I would like to meet him someday.</div>

<div>But....Mark, let me say that your thoughts could be sincere (as they a=
re) without being offensive. Sorry, but I didn&#39;t like the &quot;persona=
l&quot; attack you&#39;ve made (in my opinion), exposing in public each sin=
gle thoughs of yours about the Walker Bros. </div>

<div>Being part of a community (even a virtual community like this) involve=
s a self-restrain sometime and you should=C2=A0better expose your feelings =
directly to the related persons.</div>
<div>Just my opinion.</div>
<div>=C2=A0</div>
<div>Fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><a href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogen=
eo</a></div>
<div>=C2=A0</div>
<div>=C2=A0</div>
<div>=C2=A0</div>
<div>2009/7/19 Matthias Grob <span dir=3D"ltr">&lt;<a href=3D"mailto:matili=
sts@gmail.com">matilists@gmail.com</a>&gt;</span><br></div>
<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi<br>I don&#39;t post here very=
 often any more, but I did a lot in the past and I consider myself one of t=
he founders of this list.<br>
List owner Kim does not seem to be much interested in looping any more.<br>=
My interest always was of a deeper nature and I think I brought the initial=
 spiritual content.<br>I was fanatic and I still think of livelooping as a =
healing method and would like to improve the world with it.<br>
In 1992, when I wrote the folder for the LOOP delay, the first dedicated li=
velooping tool, I started the &quot;loop groop&quot; as &quot;Forum for loo=
pology and repetitive hapenings&quot; and defined its purpose as:<br>&quot;=
Exchange of ideas about composing, recording and distribution of loop music=
.<br>
Establishing a place for it in the media and in the record market.<br>Simpl=
i=EF=AC=81cation of development and distribution of speci=EF=AC=81c equipme=
nt.<br>A record label ?<br>A speci=EF=AC=81cally equipped studio ?&quot;<br=
>The &quot;condition of membership&quot; I imagined as:<br>
&quot;Introduction of a loop music recording or any other related work (lik=
e optical effects, computer programmes, special electronics, psychological =
discoveries etc). Members can receive as much information about the others =
as they present about their own work. Spiders handle the information exchan=
ge in the net and try to connect people of similar interests. &quot;<br>
(I don&#39;t know how this would have been possible, I did not know about m=
ailing lists at the time)<br><br>When Keith discovered the LOOP delay and c=
alled me to Gibson, Kim did his first job as EE there and learned about loo=
ping when one of the units hit his lab desk to improve it! So we worked tog=
ether on the EDP long before we worked on the promotion. And when the web b=
ecame spread, he knew how to setup a site and a mailing list and did it his=
 way...<br>
<br>Thats why I still feel a fatherly responsibility to support this moveme=
nt until it grows by itself and the information about the deeper use of loo=
ping tools becomes spread.<br>We are not there yet as I want to discuss bel=
ow.<br>
<br>Some hours ago, I was going to answer a mail from Rick about the festiv=
als and once again thought about what has come out of this and where we are=
 heading for. I thought about it almost every day since 1986, and since feb=
ruary, I am writing on the livelooping theory, and collect videos on youtub=
e and discuss strategies with the most involved looping friends.<br>
So Marks post makes me say something about it all to all.<br><br>This parag=
raph is about the personal situation, you can skip it:<br>I am a true frien=
d of the Walker brothers and I also had a good time with Mark when we have =
been neighbours for some fantastic coincidence, when I lived in Gary Halls =
house on Alameda island. (Gary is one of the fathers of livelooping, now re=
tired in Tailand)<br>
Mark and me did not maintain contact, so we may not be friends in the close=
rs sense - thats live as he said correctly. He is an intense poster with st=
rong opinions, honest but sometimes hard...<br>I would love Bill and Rick e=
ven if I thought of their festival as useless or whatnot. its love, I find =
them of the most good willed and tender and talented persons I ever met!<br=
>
<br>To question the festivals and the group purpose here:<br>Why do we do a=
ll this?<br>There is a big deep question why we like to play music and why =
looping is even more fun, we discussed this over years and I am trying to w=
rite an abstract about it, just wait, I will want to discuss that, too, but=
 now its about playing live:<br>
<br>Most of us don&#39;t want to make a living or become famous, but have f=
un and grow with their music and get a feedback from some listeners sometim=
es. Some enjoy the exchange of this music and fascination so much that they=
 buy over sees tickets to get to the meetings - thats an amazing power! It =
helps to make the festivals days of big expectations and joy and the festiv=
als I attended were completely dominated by love, tenderness and spirituali=
ty.<br>
So there is not the slightest doubt that the festivals are useful and shoul=
d go on and we can only be very thankful to Rick and all the other organize=
rs for their huge effort to make it happen.<br><br>Still, some of us also w=
ant to make it a living. For them it would be great if the public would com=
e to the festivals and the producers of events and movies and such would ca=
ll them up and say: &quot;we decided that some livelooping music fits our p=
roduction best, can you do it?&quot;<br>
And those producers would like to just write &quot;livelooping&quot; on the=
ir banner and get the house full of livelooping fans.<br>So how and when ca=
n we get there?<br><br>Anyone is free to say on this list that they don&#39=
;t like to travel or play live or exchange their music and only want to exc=
hange tech infos or have fun... but it may not be very useful...<br>
... or don&#39;t you agree that this list should mainly serve for those who=
 do want to play in public and spread their music?<br>... or should we crea=
te a separate list for the professionals?<br></blockquote></div><br>

--0016363b9c5e40bef5046f21848f--

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From: "Jean Philippe" <jp.rykiel@orange.fr>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: unsubscribe
Date: Mon, 20 Jul 2009 13:51:26 +0200
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Hi Mark,
if you want to unsubscribe I think you must post your requests to
Loopers-Delight-request@loopers-delight.com
Best,
JPR

http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Marc Marshall=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 20, 2009 1:41 PM
  Subject: unsubscribe


      =20


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<DIV><FONT size=3D2 face=3DArial>Hi Mark,<BR>if you want to unsubscribe =
I think you=20
must post your requests to</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"mailto:Loopers-Delight-request@loopers-delight.com">Loopers-Delig=
ht-request@loopers-delight.com</A></FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Best,<BR>JPR</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dagentlesoul2004@yahoo.com=20
  href=3D"mailto:agentlesoul2004@yahoo.com">Marc Marshall</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 20, 2009 =
1:41 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> unsubscribe</DIV>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 11:59:10 2009
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Date: Mon, 20 Jul 2009 13:59:09 +0200
Message-ID: <66f9cc1e0907200459t79036826p1eddaab0e9c815bb@mail.gmail.com>
Subject: Re: Looping demonstration gone wild!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Jul 20, 2009 at 12:33 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> it was fun watching and hearing you build up the layers, but once you'd
> reached the "end" point with all layers in, i felt a bit like "what's next?"



I had the same feeling as Sim here and I think it comes from all instrument
parts being looped at the same loop length. Let's say you open a second
instance of Guitar Rig, can you then make that loop spin at a different
length?

If the video's loop was two bars it would be great to have the option to lay
down some parts into a three bars loop.

The video was really great! Funny acting and cool editing/cutting.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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On Mon, Jul 20, 2009 at 12:33 PM, Simeon Harris <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.com</=
a>&gt;</span> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gma=
il_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-lef=
t:1ex;">
 it was fun watching and hearing you build up the layers, but once you&#39;=
d reached the &quot;end&quot; point with all layers in, i felt a bit like &=
quot;what&#39;s next?&quot;</blockquote></div><br><div><br></div><div>I had=
 the same feeling as Sim here and I think it comes from all instrument part=
s being looped at the same loop length. Let&#39;s say you open a second ins=
tance of Guitar Rig, can you then make that loop spin at a different length=
?=C2=A0</div>
<div><br></div><div>If the video&#39;s loop was two bars it would be great =
to have the option to lay down some parts into a three bars loop.</div><div=
><br></div><div>The video was really great! Funny acting and cool editing/c=
utting.=C2=A0</div>
<div><br></div><div>Greetings from Sweden<br><br>Per Boysen=C2=A0<br><a hre=
f=3D"http://www.boysen.se">www.boysen.se</a><br><a href=3D"http://www.perbo=
ysen.com">www.perboysen.com</a></div>

--000e0cd560e29a5013046f21dd5c--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 12:06:40 2009
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Date: Mon, 20 Jul 2009 13:06:38 +0100
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Subject: Re: Looping demonstration gone wild!
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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yeah it was great fun! it would be easy to do this stuff with sooperlooper
patched to the outputs of guitar rig and it would open up a lot of
possibilities. just shows what a lot of talent and a simple rig can achieve
though

On Mon, Jul 20, 2009 at 12:59 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Jul 20, 2009 at 12:33 PM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> it was fun watching and hearing you build up the layers, but once you'd
>> reached the "end" point with all layers in, i felt a bit like "what's next?"
>
>
>
> I had the same feeling as Sim here and I think it comes from all instrument
> parts being looped at the same loop length. Let's say you open a second
> instance of Guitar Rig, can you then make that loop spin at a different
> length?
>
> If the video's loop was two bars it would be great to have the option to
> lay down some parts into a three bars loop.
>
> The video was really great! Funny acting and cool editing/cutting.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>

--001485f6ccba6b3030046f21f8ce
Content-Type: text/html; charset=ISO-8859-1
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yeah it was great fun! it would be easy to do this stuff with sooperlooper =
patched to the outputs of guitar rig and it would open up a lot of possibil=
ities. just shows what a lot of talent and a simple rig can achieve though<=
br>
<br><div class=3D"gmail_quote">On Mon, Jul 20, 2009 at 12:59 PM, Per Boysen=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gma=
il.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"=
border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddi=
ng-left: 1ex;">
On Mon, Jul 20, 2009 at 12:33 PM, Simeon Harris <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:simeonharris40@googlemail.com" target=3D"_blank">simeonharris4=
0@googlemail.com</a>&gt;</span> wrote:<br><div class=3D"gmail_quote"><block=
quote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 2=
04); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

 it was fun watching and hearing you build up the layers, but once you&#39;=
d reached the &quot;end&quot; point with all layers in, i felt a bit like &=
quot;what&#39;s next?&quot;</blockquote></div><br><div><br></div><div>
I had the same feeling as Sim here and I think it comes from all instrument=
 parts being looped at the same loop length. Let&#39;s say you open a secon=
d instance of Guitar Rig, can you then make that loop spin at a different l=
ength?=A0</div>

<div><br></div><div>If the video&#39;s loop was two bars it would be great =
to have the option to lay down some parts into a three bars loop.</div><div=
><br></div><div>The video was really great! Funny acting and cool editing/c=
utting.=A0</div>

<div><br></div><div>Greetings from Sweden<br><font color=3D"#888888"><br>Pe=
r Boysen=A0<br><a href=3D"http://www.boysen.se" target=3D"_blank">www.boyse=
n.se</a><br><a href=3D"http://www.perboysen.com" target=3D"_blank">www.perb=
oysen.com</a></font></div>

</blockquote></div><br>

--001485f6ccba6b3030046f21f8ce--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 12:39:29 2009
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Date: Mon, 20 Jul 2009 14:41:42 +0200
From: Massimo Liverani <liverani@het.it>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: something I'd like to share with you
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Very nice! I dwnld it! thank you! <br>
<br>
Massimo<br>
<br>
Jean Philippe ha scritto:
<blockquote cite="mid:FF0004BC2423482EBEC48786C4C69D63@portable2jpr"
 type="cite">
  <meta content="text/html; charset=iso-8859-1"
 http-equiv="Content-Type">
  <meta name="GENERATOR" content="MSHTML 8.00.6001.18783">
  <style></style>
  <div><font face="Arial" size="2">Hi all,<br>
this is totally off topic, but so uplifting.<br>
  <a moz-do-not-send="true"
 href="http://video.ted.com/talks/podcast/BenjaminZander_2008_480.mp4"><font
 face="Times New Roman" size="3">http://video.ted.com/talks/podcast/BenjaminZander_2008_480.mp4</font></a><br>
  </font></div>
  <div><font face="Arial" size="2">enjoy .<br>
JPR</font></div>
  <div><font face="Arial" size="2"><a moz-do-not-send="true"
 href="http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphilipperykiel</a><br>
  </font></div>
</blockquote>
<br>
<br>
<div class="moz-signature">-- <br>
<img src="cid:part1.07040706.03070409@het.it" border="0"></div>
</body>
</html>

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--------------040109010909020608010208--

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Date: Mon, 20 Jul 2009 05:56:58 -0700 (PDT)
From: Marc Marshall <agentlesoul2004@yahoo.com>
Subject: Re: unsubscribe
To: Loopers-Delight@loopers-delight.com
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thanks, I appreciate your help!!


Marc Marshall
=A0
=A0
"I am human, I am large, I contradict myself"
=A0
.....and then some=A0=20

--- On Mon, 7/20/09, Jean Philippe <jp.rykiel@orange.fr> wrote:


From: Jean Philippe <jp.rykiel@orange.fr>
Subject: Re: unsubscribe
To: Loopers-Delight@loopers-delight.com
Date: Monday, July 20, 2009, 7:51 AM





Hi Mark,
if you want to unsubscribe I think you must post your requests to
Loopers-Delight-request@loopers-delight.com
Best,
JPR
=A0
http://myspace.com/jeanphilipperykiel


----- Original Message -----=20
From: Marc Marshall=20
To: Loopers-Delight@loopers-delight.com=20
Sent: Monday, July 20, 2009 1:41 PM
Subject: unsubscribe







=A0
=0A=0A=0A      
--0-408619858-1248094618=:73195
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">thanks, I appreciate your help!!<BR><BR>
<DIV><EM><FONT face=3D"Comic Sans MS" color=3D#4040ff>Marc Marshall</FONT><=
/EM></DIV>
<DIV><EM><FONT face=3D"Comic Sans MS" color=3D#4040ff></FONT></EM>&nbsp;</D=
IV>
<DIV>&nbsp;</DIV>
<DIV><EM><FONT face=3D"Comic Sans MS" color=3D#4040ff>"I am human, I am lar=
ge, I contradict myself"</FONT></EM></DIV>
<DIV><EM><FONT face=3D"Comic Sans MS" color=3D#4040ff></FONT></EM>&nbsp;</D=
IV>
<DIV><EM><FONT face=3D"Comic Sans MS" color=3D#4040ff>.....and then some&nb=
sp; <IMG src=3D"http://l.yimg.com/a/i/mesg/tsmileys2/04.gif"></FONT></EM></=
DIV><BR><BR>--- On <B>Mon, 7/20/09, Jean Philippe <I>&lt;jp.rykiel@orange.f=
r&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Jean Philippe &lt;jp.rykiel@orange.fr&gt;<B=
R>Subject: Re: unsubscribe<BR>To: Loopers-Delight@loopers-delight.com<BR>Da=
te: Monday, July 20, 2009, 7:51 AM<BR><BR>
<DIV id=3Dyiv2568876>
<STYLE></STYLE>

<DIV><FONT face=3DArial size=3D2>Hi Mark,<BR>if you want to unsubscribe I t=
hink you must post your requests to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A href=3D"http://us.mc515.mail.yahoo.com/=
mc/compose?to=3DLoopers-Delight-request@loopers-delight.com" target=3D_blan=
k rel=3Dnofollow ymailto=3D"mailto:Loopers-Delight-request@loopers-delight.=
com">Loopers-Delight-request@loopers-delight.com</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Best,<BR>JPR</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A href=3D"http://myspace.com/jeanphilippe=
rykiel" target=3D_blank rel=3Dnofollow>http://myspace.com/jeanphilipperykie=
l</A><BR></FONT></DIV>
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial"><B>From:</B> <A title=
=3Dagentlesoul2004@yahoo.com href=3D"http://us.mc515.mail.yahoo.com/mc/comp=
ose?to=3Dagentlesoul2004@yahoo.com" target=3D_blank rel=3Dnofollow ymailto=
=3D"mailto:agentlesoul2004@yahoo.com">Marc Marshall</A> </DIV>
<DIV style=3D"FONT: 10pt arial"><B>To:</B> <A title=3DLoopers-Delight@loope=
rs-delight.com href=3D"http://us.mc515.mail.yahoo.com/mc/compose?to=3DLoope=
rs-Delight@loopers-delight.com" target=3D_blank rel=3Dnofollow ymailto=3D"m=
ailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.=
com</A> </DIV>
<DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 20, 2009 1:41 PM<=
/DIV>
<DIV style=3D"FONT: 10pt arial"><B>Subject:</B> unsubscribe</DIV>
<DIV><BR></DIV>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid">
<DIV class=3DplainMail>&nbsp;</DIV></BLOCKQUOTE></TD></TR></TBODY></TABLE><=
BR></BLOCKQUOTE></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A=0A=0A      
--0-408619858-1248094618=:73195--

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-----Original Message-----
From: Mark Sottilaro [mailto:zerocrossing@gmail.com]=20
Sent: Sunday, July 19, 2009 10:10 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: why we founded this list

I think so.  It was crazy that he and I had been exchanging emails for
quite some time off list when we found out that he lived right next to
me!  What are the odds... anyway, he's a great guy.  We had some good
times on that little island.

On Sun, Jul 19, 2009 at 8:36 AM, David Gans<david@trufun.com> wrote:
> At 11:40 AM -0300 7/19/09, Matthias Grob wrote:
>>
>> This paragraph is about the personal situation, you can skip it:
>> I am a true friend of the Walker brothers and I also had a good time wit=
h
>> Mark when we have been neighbours for some fantastic coincidence, when I
>> lived in Gary Halls house on Alameda island. (Gary is one of the fathers=
 of
>> livelooping, now retired in Tailand)
>
> Is that the Gary Hall who worked at Sonic Solutions in the early '90s?
>
>
>
>
> --
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog: =A0http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
>
>
>

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Date: Mon, 20 Jul 2009 06:15:18 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs.  Improvisational)
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(See, this is kind of what I was talking about... there's always
someone like you who seems to feel it's important to share the music
you make as if it's not enough to just make it and enjoy making it.)
=A0
Wow. I agree with you absolutely. When I get a recording of something I've =
done (even with a few warts), the enjoyment to me is listening to it later =
again. Whether anyone else hears it is immaterial to me. I may play some of=
 my stuff for friends while driving, etc. but gaining the approbation of ot=
her musicians, et al is not essential.

--- On Fri, 7/17/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:


From: Mark Sottilaro <zerocrossing@gmail.com>
Subject: Re: ambivalent feelings about playing live (was: PrePrepared vs. I=
mprovisational)
To: Loopers-Delight@loopers-delight.com
Date: Friday, July 17, 2009, 5:37 PM


On Fri, Jul 17, 2009 at 12:58 PM, Stefan
Tiedje<stefantiedje@googlemail.com> wrote:
> Mark Sottilaro schrieb:
>>
>> On Fri, Jul 10, 2009 at 3:07 PM, Bob Amstadt<bob@amstadt.com> wrote:
>>
>> How many people have David Torn
>> CDs? =A0How many people have David Bowie's Heathen? It's not because one
>> is better or marketed better. =A0I just think people like the format
>> that David Bowie writes in more.
>
> Mark, this sounds all very pessimistic. I bet if I had these thoughts in =
my
> head nobody would like my music including myself...

Who said I didn't like my music?=A0 I love my music!=A0 I love making it
too. The night before last I had an amazing time just messing around
in my studio inspired by some sounds from Waldorf's new Largo VSTi.
It's not pessimistic, it's just observation. It's not that other
people don't express that they like my music either.=A0 What I'm saying
is that does not matter to me.=A0 Having other people like my music does
not enhance the experience for me at all.=A0 In fact, the worry that
they might not like my music has a much worse effect on my overall
experience.

> Thats not how magic works!

There's no such thing as magic!

> Its the opposite, if you like your own stuff, you'll share it. I bet you
> will find people which like it, because it means something to you. There =
is
> no need to care about the other 6 billion people in the world who'll neve=
r
> hear it anyway...

See, this is kind of what I was talking about... there's always
someone like you who seems to feel it's important to share the music
you make as if it's not enough to just make it and enjoy making it.
Trust me, I tried to make a commercial go at being a musician and it's
not in me.=A0 I could never deal with the marketing, band wrangling and
dealing with venues it takes.=A0 Plus, I hate traveling.=A0 Even for
fun... it's not fun when you do a gig with Rick and Bill Walker where
you drive for over an hour, spend an hour setting up and shlepping
your gear plus a full video set up with a 16 foot screen and find out
they can't be bothered to move a monitor near you so you have to play
with headphones while smashed all the way off to the side of the stage
because they've spit the area among themselves. Awesome.=A0 Not all gigs
end up that way, but the majority seem to fall along those lines.
It's not pessimistic to me to ask myself, "what's more fun?=A0 2 or 3
hours of breakdown/setup/travel for an hour or less of playing in
front of an audience where I can't hear myself all that well... or 4
hours of time in my home studio alone or with a friend making music?"

The time in my studio always wins.

> I also bet that the percentage of owners of David Torn CD's which adore h=
is
> music is higher than the percentage o owners of David Bowie, Phil Collins=
,
> (fill in any star) music.

How much would you like to bet?=A0 I'll take that kind of action any
day. ;)=A0 I think even I adore Bowie's music more than David Torn's.

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>(See, this is kind of what I was talking=
 about... there's always<BR>someone like you who seems to feel it's importa=
nt to share the music<BR>you make as if it's not enough to just make it and=
 enjoy making it.)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Wow. I agree with you absolutely. When I get a recording of something =
I've done (even with a few warts), the enjoyment to me is listening to it l=
ater again. Whether anyone else hears it is immaterial to me. I may play so=
me of my stuff for friends while driving, etc. but gaining the approbation =
of other musicians, et al is not essential.<BR><BR>--- On <B>Fri, 7/17/09, =
Mark Sottilaro <I>&lt;zerocrossing@gmail.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Mark Sottilaro &lt;zerocrossing@gmail.com&g=
t;<BR>Subject: Re: ambivalent feelings about playing live (was: PrePrepared=
 vs. Improvisational)<BR>To: Loopers-Delight@loopers-delight.com<BR>Date: F=
riday, July 17, 2009, 5:37 PM<BR><BR>
<DIV class=3DplainMail>On Fri, Jul 17, 2009 at 12:58 PM, Stefan<BR>Tiedje&l=
t;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dstefantiedje@g=
ooglemail.com" ymailto=3D"mailto:stefantiedje@googlemail.com">stefantiedje@=
googlemail.com</A>&gt; wrote:<BR>&gt; Mark Sottilaro schrieb:<BR>&gt;&gt;<B=
R>&gt;&gt; On Fri, Jul 10, 2009 at 3:07 PM, Bob Amstadt&lt;<A href=3D"http:=
//us.mc1102.mail.yahoo.com/mc/compose?to=3Dbob@amstadt.com" ymailto=3D"mail=
to:bob@amstadt.com">bob@amstadt.com</A>&gt; wrote:<BR>&gt;&gt;<BR>&gt;&gt; =
How many people have David Torn<BR>&gt;&gt; CDs? &nbsp;How many people have=
 David Bowie's Heathen? It's not because one<BR>&gt;&gt; is better or marke=
ted better. &nbsp;I just think people like the format<BR>&gt;&gt; that Davi=
d Bowie writes in more.<BR>&gt;<BR>&gt; Mark, this sounds all very pessimis=
tic. I bet if I had these thoughts in my<BR>&gt; head nobody would like my =
music including myself...<BR><BR>Who said I didn't like my music?&nbsp; I l=
ove my
 music!&nbsp; I love making it<BR>too. The night before last I had an amazi=
ng time just messing around<BR>in my studio inspired by some sounds from Wa=
ldorf's new Largo VSTi.<BR>It's not pessimistic, it's just observation. It'=
s not that other<BR>people don't express that they like my music either.&nb=
sp; What I'm saying<BR>is that does not matter to me.&nbsp; Having other pe=
ople like my music does<BR>not enhance the experience for me at all.&nbsp; =
In fact, the worry that<BR>they might not like my music has a much worse ef=
fect on my overall<BR>experience.<BR><BR>&gt; Thats not how magic works!<BR=
><BR>There's no such thing as magic!<BR><BR>&gt; Its the opposite, if you l=
ike your own stuff, you'll share it. I bet you<BR>&gt; will find people whi=
ch like it, because it means something to you. There is<BR>&gt; no need to =
care about the other 6 billion people in the world who'll never<BR>&gt; hea=
r it anyway...<BR><BR>See, this is kind of what I was talking
 about... there's always<BR>someone like you who seems to feel it's importa=
nt to share the music<BR>you make as if it's not enough to just make it and=
 enjoy making it.<BR>Trust me, I tried to make a commercial go at being a m=
usician and it's<BR>not in me.&nbsp; I could never deal with the marketing,=
 band wrangling and<BR>dealing with venues it takes.&nbsp; Plus, I hate tra=
veling.&nbsp; Even for<BR>fun... it's not fun when you do a gig with Rick a=
nd Bill Walker where<BR>you drive for over an hour, spend an hour setting u=
p and shlepping<BR>your gear plus a full video set up with a 16 foot screen=
 and find out<BR>they can't be bothered to move a monitor near you so you h=
ave to play<BR>with headphones while smashed all the way off to the side of=
 the stage<BR>because they've spit the area among themselves. Awesome.&nbsp=
; Not all gigs<BR>end up that way, but the majority seem to fall along thos=
e lines.<BR>It's not pessimistic to me to ask myself, "what's more
 fun?&nbsp; 2 or 3<BR>hours of breakdown/setup/travel for an hour or less o=
f playing in<BR>front of an audience where I can't hear myself all that wel=
l... or 4<BR>hours of time in my home studio alone or with a friend making =
music?"<BR><BR>The time in my studio always wins.<BR><BR>&gt; I also bet th=
at the percentage of owners of David Torn CD's which adore his<BR>&gt; musi=
c is higher than the percentage o owners of David Bowie, Phil Collins,<BR>&=
gt; (fill in any star) music.<BR><BR>How much would you like to bet?&nbsp; =
I'll take that kind of action any<BR>day. ;)&nbsp; I think even I adore Bow=
ie's music more than David Torn's.<BR><BR></DIV></BLOCKQUOTE></td></tr></ta=
ble><br>=0A=0A=0A=0A      
--0-1205744047-1248095718=:37476--

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Message-Id: <B48330DD-4E61-434F-B7B2-AE8D41ACB343@gmail.com>
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Subject: Re: Looping demonstration gone wild!
Date: Mon, 20 Jul 2009 10:17:33 -0300
References: <CDAD67ED-A3F0-4B79-A9F2-F0FB59E7A2E9@mac.com>  <d302e3570907200144m4d799654w6156688348057073@mail.gmail.com> <9ab0c76f0907200155r16d0a20dpd79dbf4adc5ce24c@mail.gmail.com>
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I liked it a lot, too!
but it seems there is a misunderstanding. Andy uses Guitar Rig and  
thats why he found the video which is made by some Jayme Gutierrez who  
probably never appeared on this list.
what a pity!
Matthias

On 20 Jul 2009, at 05:55, mark francombe wrote:

> Phew.. phenomenal Andy... have to say as a old an crusty hardware  
> looper, this video ably demonstrates why Ill never become a software  
> looper... assign bass to guitar rig preset, pan left route to  
> looper .. I assure you I would never get all that to work... I got a  
> bit dizzy during this bit and woke up with the cool looping...
>
> great video tho.. cant use your music, but you want a video editor  
> job?
>
> M
>
>
>
> On Mon, Jul 20, 2009 at 10:44 AM, Simeon Harris <simeonharris40@googlemail.com 
> > wrote:
> superb andy!
>
>
> On Mon, Jul 20, 2009 at 8:45 AM, Andy Schoen <larjschoen3@mac.com>  
> wrote:
> Hey everyone,
>
> I just thought you all might get a kick out of this Pythonesque  
> looping demonstration!
>
> I use Guitar Rig's Loop machine for most of my music and I found  
> this; warning, it ends in a shameless self promo!
>
> Enjoy!
>
>
>
>
>
> Check out this video on YouTube:
>
> http://www.youtube.com/watch?v=UsZkDmd4Dps
>
>
> To listen to some of my music please visit: www.untitledvisions.com
>
> It's a Rock-N-Roll Universe!
>
>
>
>
>
> -- 
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I liked it a lot, too!<div>but =
it seems there is a misunderstanding. Andy uses Guitar Rig and thats why =
he found the video which is made by some Jayme Gutierrez who probably =
never appeared on this list.</div><div>what a =
pity!</div><div>Matthias</div><div><br><div><div>On 20 Jul 2009, at =
05:55, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Phew.. =
phenomenal Andy... have to say as a old an crusty hardware looper, this =
video ably demonstrates why Ill never become a software looper... assign =
bass to guitar rig preset, pan left route to looper .. I assure you I =
would never get all that to work... I got a bit dizzy during this bit =
and woke up with the cool looping...<br> <br>great video tho.. cant use =
your music, but you want a video editor =
job?<br><br>M<br><br><br><br><div class=3D"gmail_quote">On Mon, Jul 20, =
2009 at 10:44 AM, Simeon Harris <span dir=3D"ltr">&lt;<a =
href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.co=
m</a>&gt;</span> wrote:<br> <blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;">superb andy!<div><div></div><div =
class=3D"h5"><br><br><div class=3D"gmail_quote">On Mon, Jul 20, 2009 at =
8:45 AM, Andy Schoen <span dir=3D"ltr">&lt;<a =
href=3D"mailto:larjschoen3@mac.com" =
target=3D"_blank">larjschoen3@mac.com</a>&gt;</span> wrote:<br> =
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"> Hey =
everyone,<br> <br> I just thought you all might get a kick out of this =
Pythonesque looping demonstration!<br> <br> I use Guitar Rig's Loop =
machine for most of my music and I found this; warning, it ends in a =
shameless self promo!<br> <br> Enjoy!<br> <br> <br> <br> <br> <br> Check =
out this video on YouTube:<br> <br> <a =
href=3D"http://www.youtube.com/watch?v=3DUsZkDmd4Dps" =
target=3D"_blank">http://www.youtube.com/watch?v=3DUsZkDmd4Dps</a><br> =
<br> <br> To listen to some of my music please visit: <a =
href=3D"http://www.untitledvisions.com" =
target=3D"_blank">www.untitledvisions.com</a><br> <br> It's a =
Rock-N-Roll Universe!<br> <br> </blockquote></div><br> =
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a=
 =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/us=
er/markfrancombe</a><br> <a =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/markf=
rancombe</a><br><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">htt=
p://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-68--794285991--

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Date: Mon, 20 Jul 2009 15:55:08 +0200
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Subject: Re: Looping demonstration gone wild!
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2009/7/20, Per Boysen <perboysen@gmail.com>:

> Let's say you open a second
> instance of Guitar Rig, can you ...

2 X GR = serial cpu killer (imho)
modem guy. couldn't check the video.

what i like about GR is that really improves the sound (and cpu
cycles!) by checking its oversampling button, not as ik multimedia sw
i tested, which doesn't make any audible improvement.

.02

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Date: Mon, 20 Jul 2009 16:19:11 +0200
Message-ID: <146cdfa70907200719v581ebc5dw12441b8156fff9b5@mail.gmail.com>
Subject: Re: Filomena Moretti
From: Marco Ronci <m.ronci@gmail.com>
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--00504502dfc5649d37046f23d252
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...picked up from google...
http://www.entemusicaleozieri.com/moretti_filomena.htm is a short italian
bio.
Toward the end of the page you'll find an e-mail adddress and a telephone
number.
I don't know nor I am affiliated with her or her business in any way, just
trying to be helpful.
Ciao
Marco (Italy)


2009/7/20 Christo Jota <chris@christojota.de>

>  Has anyone heard of Filomena Moretti? She=B4s an Italina
> Classical Guitarist, born 1973. Like Segovia. She=B4s good.
> Now someone wrote to me that he saw her in Paris in
> a concert where she played one of my Christo Jota - compositions and he
> wants to know which one it was.
> Would like to tell him asking her, but can=B4t find any contact for Filom=
ena
> Moretti in the internet.
> Maybe someone of you guys have a CD with her e-mail contact or management=
.
> Best,
> Christo
> www.christojota.de
>
>

--00504502dfc5649d37046f23d252
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...picked up from google...<br><a href=3D"http://www.entemusicaleozieri.com=
/moretti_filomena.htm">http://www.entemusicaleozieri.com/moretti_filomena.h=
tm</a> is a short italian bio.<br>Toward the end of the page you&#39;ll fin=
d an e-mail adddress and a telephone number.<br>
I don&#39;t know nor I am affiliated with her or her business in any way, j=
ust trying to be helpful.<br>Ciao<br>Marco (Italy)<br><br><br><div class=3D=
"gmail_quote">2009/7/20 Christo Jota <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:chris@christojota.de">chris@christojota.de</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Has anyone heard of Filomena Moretti? =
She=B4s an=20
Italina</font></div>
<div><font face=3D"Arial" size=3D"2">Classical Guitarist, born 1973. Like S=
egovia. She=B4s=20
good.</font></div>
<div><font face=3D"Arial" size=3D"2">Now someone wrote to me that he saw he=
r in Paris=20
in</font></div>
<div><font face=3D"Arial" size=3D"2">a concert where she played one of my C=
hristo Jota -=20
compositions and he wants to know which one it was.</font></div>
<div><font face=3D"Arial" size=3D"2">Would like to tell him asking her, but=
 can=B4t find=20
any contact for </font><font face=3D"Arial" size=3D"2">Filomena Moretti in =
the=20
internet.</font></div>
<div><font face=3D"Arial" size=3D"2">Maybe someone of you guys have a CD wi=
th her e-mail=20
contact or management.</font></div>
<div><font face=3D"Arial" size=3D"2">Best,</font></div>
<div><font face=3D"Arial" size=3D"2">Christo</font></div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://www.christojota.de" =
target=3D"_blank">www.christojota.de</a></font></div>
<div>=A0</div></div>
</blockquote></div><br>

--00504502dfc5649d37046f23d252--

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Subject: Re: something I'd like to share with you
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JPR,

Absolutely amazing vid.

Thanks for sending it our way.

Everyone should watch.

Peace,

Ted Killian

On Jul 20, 2009, at 3:44 AM, Jean Philippe wrote:

> Hi all,
> this is totally off topic, but so uplifting.
> http://video.ted.com/talks/podcast/BenjaminZander_2008_480.mp4
> enjoy .
> JPR
> http://myspace.com/jeanphilipperykiel

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 15:03:42 2009
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Date: Mon, 20 Jul 2009 11:03:39 -0400
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Subject: Re: and now for something completely different...Jim Goodin and Daryl
 	Shawn aka Chinapainting
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Rainer, am I ever glad that you put on Kybermusik! We will always owe 
you for that.

Thanks much to everyone who stopped in to watch yesterday, I loved the 
feeling of playing for a worldwide crowd. Sorry I didn't respond to some 
of the gear questions - I was using my usual tape decks, no Kaoss pads 
or Hazarai's.

cheers,

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Dear Andy, Ricky, Ty and everyone else,
>
> why don't you stop those discussion for one moment and head over to
>
> http://www.ustream.tv/channel/sunday-morning-at-11
>
> Great live performance by Jim and Daryl.
>
> Boy, am I proud that I was more or less the reason they met at the
> y2k6loopfest kybermusik event...
>
>                 Rainer
>   
> ------------------------------------------------------------------------
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com 
> Version: 8.5.392 / Virus Database: 270.13.19/2245 - Release Date: 07/18/09 05:57:00
>
>   

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 16:24:01 2009
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Subject: Re: OT: Filomena Moretti
Date: Mon, 20 Jul 2009 13:23:36 -0300
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she also has a youtube site, you can mail her there:
http://www.youtube.com/user/FilomenaMorettiVIDS
really beautiful music and person!

On 20 Jul 2009, at 11:19, Marco Ronci wrote:

> ...picked up from google...
> http://www.entemusicaleozieri.com/moretti_filomena.htm is a short =20
> italian bio.
> Toward the end of the page you'll find an e-mail adddress and a =20
> telephone number.
> I don't know nor I am affiliated with her or her business in any =20
> way, just trying to be helpful.
> Ciao
> Marco (Italy)
>
>
> 2009/7/20 Christo Jota <chris@christojota.de>
> Has anyone heard of Filomena Moretti? She=B4s an Italina
> Classical Guitarist, born 1973. Like Segovia. She=B4s good.
> Now someone wrote to me that he saw her in Paris in
> a concert where she played one of my Christo Jota - compositions and =20=

> he wants to know which one it was.
> Would like to tell him asking her, but can=B4t find any contact for =20=

> Filomena Moretti in the internet.
> Maybe someone of you guys have a CD with her e-mail contact or =20
> management.
> Best,
> Christo
> www.christojota.de
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">she also has a youtube site, =
you can mail her there:<div><a =
href=3D"http://www.youtube.com/user/FilomenaMorettiVIDS">http://www.youtub=
e.com/user/FilomenaMorettiVIDS</a></div><div>really beautiful music and =
person!</div><div><br><div><div>On 20 Jul 2009, at 11:19, Marco Ronci =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">...picked up from google...<br><a =
href=3D"http://www.entemusicaleozieri.com/moretti_filomena.htm">http://www=
.entemusicaleozieri.com/moretti_filomena.htm</a> is a short italian =
bio.<br>Toward the end of the page you'll find an e-mail adddress and a =
telephone number.<br> I don't know nor I am affiliated with her or her =
business in any way, just trying to be helpful.<br>Ciao<br>Marco =
(Italy)<br><br><br><div class=3D"gmail_quote">2009/7/20 Christo Jota =
<span dir=3D"ltr">&lt;<a =
href=3D"mailto:chris@christojota.de">chris@christojota.de</a>&gt;</span><b=
r> <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"> <div =
bgcolor=3D"#ffffff"> <div><font face=3D"Arial" size=3D"2">Has anyone =
heard of Filomena Moretti? She=B4s an Italina</font></div> <div><font =
face=3D"Arial" size=3D"2">Classical Guitarist, born 1973. Like Segovia. =
She=B4s good.</font></div> <div><font face=3D"Arial" size=3D"2">Now =
someone wrote to me that he saw her in Paris in</font></div> <div><font =
face=3D"Arial" size=3D"2">a concert where she played one of my Christo =
Jota - compositions and he wants to know which one it was.</font></div> =
<div><font face=3D"Arial" size=3D"2">Would like to tell him asking her, =
but can=B4t find any contact for </font><font face=3D"Arial" =
size=3D"2">Filomena Moretti in the internet.</font></div> <div><font =
face=3D"Arial" size=3D"2">Maybe someone of you guys have a CD with her =
e-mail contact or management.</font></div> <div><font face=3D"Arial" =
size=3D"2">Best,</font></div> <div><font face=3D"Arial" =
size=3D"2">Christo</font></div> <div><font face=3D"Arial" size=3D"2"><a =
href=3D"http://www.christojota.de" =
target=3D"_blank">www.christojota.de</a></font></div> =
<div>&nbsp;</div></div> =
</blockquote></div><br></blockquote></div><br></div></body></html>=

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Subject: Re: Digging through my stuff...
From: Warren Sirota <wsirota@wsdesigns.com>
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i like. i dig all the low bass, nice pacing. got a little dizzy in the last
10 secs or so (autopanning -> headphones)

On Fri, Jul 17, 2009 at 11:18 AM, Tony K <bigtonyk@gmail.com> wrote:

> Been digging though my recordings and thought I'd share this one.  I
> did it for the Write an Album in a Month a few years ago.
>
> http://www.thinginajar.com/bigtony/Hypertropic.mp3
>
> Enjoy,
>
> --
> -==-=-=-
> Tony
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

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i like. i dig all the low bass, nice pacing. got a little dizzy in the last=
 10 secs or so (autopanning -&gt; headphones)<br><br><div class=3D"gmail_qu=
ote">On Fri, Jul 17, 2009 at 11:18 AM, Tony K <span dir=3D"ltr">&lt;<a href=
=3D"mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Been digging thou=
gh my recordings and thought I&#39;d share this one. =A0I<br>
did it for the Write an Album in a Month a few years ago.<br>
<br>
<a href=3D"http://www.thinginajar.com/bigtony/Hypertropic.mp3" target=3D"_b=
lank">http://www.thinginajar.com/bigtony/Hypertropic.mp3</a><br>
<br>
Enjoy,<br>
<br>
--<br>
-=3D=3D-=3D-=3D-<br>
<font color=3D"#888888">Tony<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a hre=
f=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.c=
om/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.co=
m">http://www.warrensirota.com</a><br>


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Subject: WAY OT: DVD authoring software
From: Kevin Cheli-Colando <kevin@minds-eye.org>
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This one's way OT but I know some of you folks work with video
professionally or semi so I thought I'd throw it out and see if anyone
can help.

I've got three files that I'm trying to author to DVD that all begin
with a fade from black to the content.  In their currently rendered
form they play back perfectly on my PC (as both uncompressed AVI or
compressed m2v files).  However, when I author them to DVD, the intro
gets obliterated into a burst of pixelization that resolves quickly
enough and looks fine for the rest of the piece but is really
distracting and annoying to me as it stands.  I've used Adobe Encore
(CS4) and Nero to see if there is a difference between them and both
do the same thing to the poor files.

I'm really at a loss since this is happening even when the files are
small enough already that they don't have to be compressed any farther
to fit on the DVD as they are (and they look fine playing from the
file and rough from the DVD).

Anyone have any ideas of how I might be able to resolve this?

Thanks in advance again,

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 19:59:01 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Guitar to Midi Converter
Date: Mon, 20 Jul 2009 20:58:56 +0100
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I got one  - demo ere http://www.youtube.com/watch?=20
v=3DbiGHEN0DWFk&feature=3Dchannel_page

They track ok but it depends on the sound really

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 20 Jul 2009, at 11:57, Christo Jota wrote:

> Being a big fan of Fripp=B4s soundscapes, I=B4m always
> trying to get close to his orchestral sounds with my equipement.
> I don=B4t use computer software for my loopings, just hardware:
> RC 50 and the Boss GT 8 - effectprocessor for guitar,
> and Micro-Korg synthesizer, Roland MC 303 Groovebox which has some
> cool Synth sounds too.
> I would like to control the synth sounds of the Micro-Korg and MC =20
> 303 with my guitar-
> cause I=B4m a guitarist, not a keyboard player.
> I just noticed that there is this guitar-to-midi converter by =20
> Peterson Sonuus - G2M.
> I watched some you-tube videos and it looks quite well. I mean it =20
> just costs
> 98 Euros. The only thing that worries me is that it=B4s just =20
> monophonic , which
> means you can=B4t play chords with it, just single notes.
> What are your experiences with this converter? Do you know a cheap =20
> alternative
> with polyphonic possibilities ?
>
> Christo


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I got one &nbsp;- demo ere&nbsp;<a =
href=3D"http://www.youtube.com/watch?v=3DbiGHEN0DWFk&amp;feature=3Dchannel=
_page">http://www.youtube.com/watch?v=3DbiGHEN0DWFk&amp;feature=3Dchannel_=
page</a><div><br></div><div>They =
track&nbsp;ok&nbsp;but&nbsp;it&nbsp;depends&nbsp;on&nbsp;the&nbsp;sound&nb=
sp;really</div><div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 20 Jul 2009, =
at 11:57, Christo Jota wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><font face=3D"Arial" =
size=3D"2">Being a big fan of Fripp=B4s soundscapes, I=B4m =
always</font></div><div><font face=3D"Arial" size=3D"2">trying to get =
close to his orchestral sounds with my =
equipement.</font></div><div><font face=3D"Arial" size=3D"2">I don=B4t =
use computer software for my loopings, just =
hardware:</font></div><div><font face=3D"Arial" size=3D"2">RC 50 and the =
Boss GT 8 - effectprocessor for guitar,</font></div><div><font =
face=3D"Arial" size=3D"2">and Micro-Korg synthesizer, Roland MC 303 =
Groovebox which has some</font></div><div><font face=3D"Arial" =
size=3D"2">cool Synth sounds too.</font></div><div><font face=3D"Arial" =
size=3D"2">I would like to control the synth sounds of the Micro-Korg =
and MC 303 with my guitar-</font></div><div><font face=3D"Arial" =
size=3D"2">cause I=B4m a guitarist, not a keyboard =
player.</font></div><div><font face=3D"Arial" size=3D"2">I just noticed =
that there is this guitar-to-midi converter by Peterson Sonuus - =
G2M.</font></div><div><font face=3D"Arial" size=3D"2">I watched some =
you-tube videos and it looks quite well. I mean it just =
costs</font></div><div><font face=3D"Arial" size=3D"2">98 Euros. The =
only thing that worries me is that it=B4s just monophonic , =
which</font></div><div><font face=3D"Arial" size=3D"2">means you can=B4t =
play chords with it, just single notes.</font></div><div><font =
face=3D"Arial" size=3D"2">What are your experiences with this converter? =
Do you know a cheap alternative</font></div><div><font face=3D"Arial" =
size=3D"2">with polyphonic possibilities =
?</font></div><div>&nbsp;</div><div><font face=3D"Arial" =
size=3D"2">Christo</font></div></span></blockquote></div><br></div></body>=
</html>=

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Date: Mon, 20 Jul 2009 13:06:03 -0700
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On Mon, Jul 20, 2009 at 4:34 AM, Fabio_A<eterogenus@gmail.com> wrote:


> But....Mark, let me say that your thoughts could be sincere (as they are)
> without being offensive. Sorry, but I didn't like the "personal" attack
> you've made (in my opinion), exposing in public each single thoughs of yours
> about the Walker Bros.

Then you should be mad at the person who posted the "Open Letter..." I
never had any intention of making my feelings and thoughts public
until I was cornered. Trust me, several warning shots were fired off
list in response to Miss Manners informing me of how bad I conduct
myself on the list.

Spend a moment thinking about posting a public "Open letter" to
someone who's obviously mad at you... it frankly blows my mind.  What
was the point? Drag me into some open public feud?  Not my style.

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 20:24:11 2009
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Date: Mon, 20 Jul 2009 13:24:10 -0700
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Subject: Re: WAY OT: DVD authoring software
From: Art Simon <simart@gmail.com>
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Hi Kevin,

This is kind of a left field question, but pixelization can sometimes
be a product of the processing power of the player. Are your files
1080 HD by any chance? Is the pixelazation consistent on both the PC
and a standalone DVD player? I've seen this happen to me on 1080 on
_some_ playback devices with demanding content, but at 720 the
pixelation disappears.

I think you are right that a different encoder might produce different
results, but I'm not going to be much help there. I always use the
free DVD Flick PC software, which is adequate for my needs, but not
pro quality.

On Mon, Jul 20, 2009 at 11:46 AM, Kevin
Cheli-Colando<kevin@minds-eye.org> wrote:
> This one's way OT but I know some of you folks work with video
> professionally or semi so I thought I'd throw it out and see if anyone
> can help.
>
> I've got three files that I'm trying to author to DVD that all begin
> with a fade from black to the content. =A0In their currently rendered
> form they play back perfectly on my PC (as both uncompressed AVI or
> compressed m2v files). =A0However, when I author them to DVD, the intro
> gets obliterated into a burst of pixelization that resolves quickly
> enough and looks fine for the rest of the piece but is really
> distracting and annoying to me as it stands. =A0I've used Adobe Encore
> (CS4) and Nero to see if there is a difference between them and both
> do the same thing to the poor files.
>
> I'm really at a loss since this is happening even when the files are
> small enough already that they don't have to be compressed any farther
> to fit on the DVD as they are (and they look fine playing from the
> file and rough from the DVD).
>
> Anyone have any ideas of how I might be able to resolve this?
>
> Thanks in advance again,
>
> Kevin
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: =A0http://www.minds-eye.org NEW SITE 3/01/09
>
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 20:24:46 2009
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	 <480F2DD3-4F0B-4613-B915-57F7E047C251@btinternet.com>
Date: Mon, 20 Jul 2009 13:24:45 -0700
Message-ID: <bcd3c7bb0907201324ge12cef7vc4852d2233fc07dd@mail.gmail.com>
Subject: Re: Guitar to Midi Converter
From: Mark Sottilaro <zerocrossing@gmail.com>
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I spent years using Roland and Yamaha based MIDI guitar solutions with
limited success. The best thing I ever played with (but never owned)
was the Roland VG8, but that's not "MIDI" but instead uses the hex
pickup's output as something to put effects on (mostly amp models) and
not to trigger a synth.

Anyway, it always just felt to me like someone nagging me to sit up
straight and stop mumbling.  What if slouchy mumbling is my style? ;)
In the end I found that with a small amount of practice I was able to
get around on the keyboard in a fashion that actually worked better
than any guitar to midi solution. I didn't take to it right away
though, it was only after I played with a Novation controller that
actually had nice feeling aftertouch built in that I really took to
it.  Now I can't imagine using anything else.

M

On Mon, Jul 20, 2009 at 12:58 PM, Matt
Stevens<mattstevensguitar@btinternet.com> wrote:
> I got one =A0- demo
> ere=A0http://www.youtube.com/watch?v=3DbiGHEN0DWFk&feature=3Dchannel_page
> They track=A0ok=A0but=A0it=A0depends=A0on=A0the=A0sound=A0really
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
> On 20 Jul 2009, at 11:57, Christo Jota wrote:
>
> Being a big fan of Fripp=B4s soundscapes, I=B4m always
> trying to get close to his orchestral sounds with my equipement.
> I don=B4t use computer software for my loopings, just hardware:
> RC 50 and the Boss GT 8 - effectprocessor for guitar,
> and Micro-Korg synthesizer, Roland MC 303 Groovebox which has some
> cool Synth sounds too.
> I would like to control the synth sounds of the Micro-Korg and MC 303 wit=
h
> my guitar-
> cause I=B4m a guitarist, not a keyboard player.
> I just noticed that there is this guitar-to-midi converter by Peterson
> Sonuus - G2M.
> I watched some you-tube videos and it looks quite well. I mean it just co=
sts
> 98 Euros. The only thing that worries me is that it=B4s just monophonic ,
> which
> means you can=B4t play chords with it, just single notes.
> What are your experiences with this converter? Do you know a cheap
> alternative
> with polyphonic possibilities ?
>
> Christo
>

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Subject: Re: WAY OT: DVD authoring software
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--000e0cd1e6a696d56a046f2a31d6
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Almost definately your compressor. I guess you on a PC, or else you wouldnt
be using horrible horrible avi... so quicktime might be hard for you... for
big files.. you can make qt with h264 compresor.. for DVD, make an mpeg4...

but.. are you sure it aint this fade... what software did u use to do
that... sounds like a v buggy plugin, or bad edit...? true doing a crossfad=
e
FROM some black instead of a fade in plugin... maybe its all just a quirk..=
.
select all and move a few frames... or rendr that bit out and reimport... I
know I know this all sounds like a lot of hassle... but video people go thr=
u
this everyday... its a minefield... btw.. are you black levels 0% or your
whites 100%??? (only kidding.. but thats the sort of Q=B4s I GET from f***i=
g
TV companies... ) I go... " what...?"

m

On Mon, Jul 20, 2009 at 10:24 PM, Art Simon <simart@gmail.com> wrote:

> Hi Kevin,
>
> This is kind of a left field question, but pixelization can sometimes
> be a product of the processing power of the player. Are your files
> 1080 HD by any chance? Is the pixelazation consistent on both the PC
> and a standalone DVD player? I've seen this happen to me on 1080 on
> _some_ playback devices with demanding content, but at 720 the
> pixelation disappears.
>
> I think you are right that a different encoder might produce different
> results, but I'm not going to be much help there. I always use the
> free DVD Flick PC software, which is adequate for my needs, but not
> pro quality.
>
> On Mon, Jul 20, 2009 at 11:46 AM, Kevin
> Cheli-Colando<kevin@minds-eye.org> wrote:
> > This one's way OT but I know some of you folks work with video
> > professionally or semi so I thought I'd throw it out and see if anyone
> > can help.
> >
> > I've got three files that I'm trying to author to DVD that all begin
> > with a fade from black to the content.  In their currently rendered
> > form they play back perfectly on my PC (as both uncompressed AVI or
> > compressed m2v files).  However, when I author them to DVD, the intro
> > gets obliterated into a burst of pixelization that resolves quickly
> > enough and looks fine for the rest of the piece but is really
> > distracting and annoying to me as it stands.  I've used Adobe Encore
> > (CS4) and Nero to see if there is a difference between them and both
> > do the same thing to the poor files.
> >
> > I'm really at a loss since this is happening even when the files are
> > small enough already that they don't have to be compressed any farther
> > to fit on the DVD as they are (and they look fine playing from the
> > file and rough from the DVD).
> >
> > Anyone have any ideas of how I might be able to resolve this?
> >
> > Thanks in advance again,
> >
> > Kevin
> >
> > --
> > Till now you seriously considered yourself to be the body and to have a
> > form. That is the primal ignorance which is the root cause of all
> trouble.
> >
> > - Ramana Maharshi (1879-1950)
> >
> > Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09
> >
> >
>
>
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--000e0cd1e6a696d56a046f2a31d6
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Almost definately your compressor. I guess you on a PC, or else you wouldnt=
 be using horrible horrible avi... so quicktime might be hard for you... fo=
r big files.. you can make qt with h264 compresor.. for DVD, make an mpeg4.=
.. <br>

<br>but.. are you sure it aint this fade... what software did u use to do t=
hat... sounds like a v buggy plugin, or bad edit...? true doing a crossfade=
 FROM some black instead of a fade in plugin... maybe its all just a quirk.=
.. select all and move a few frames... or rendr that bit out and reimport..=
. I know I know this all sounds like a lot of hassle... but video people go=
 thru this everyday... its a minefield... btw.. are you black levels 0% or =
your whites 100%??? (only kidding.. but thats the sort of Q=B4s I GET from =
f***ig TV companies... ) I go... &quot; what...?&quot;<br>

<br>m<br><br><div class=3D"gmail_quote">On Mon, Jul 20, 2009 at 10:24 PM, A=
rt Simon <span dir=3D"ltr">&lt;<a href=3D"mailto:simart@gmail.com">simart@g=
mail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">

Hi Kevin,<br>
<br>
This is kind of a left field question, but pixelization can sometimes<br>
be a product of the processing power of the player. Are your files<br>
1080 HD by any chance? Is the pixelazation consistent on both the PC<br>
and a standalone DVD player? I&#39;ve seen this happen to me on 1080 on<br>
_some_ playback devices with demanding content, but at 720 the<br>
pixelation disappears.<br>
<br>
I think you are right that a different encoder might produce different<br>
results, but I&#39;m not going to be much help there. I always use the<br>
free DVD Flick PC software, which is adequate for my needs, but not<br>
pro quality.<br>
<br>
On Mon, Jul 20, 2009 at 11:46 AM, Kevin<br>
Cheli-Colando&lt;<a href=3D"mailto:kevin@minds-eye.org">kevin@minds-eye.org=
</a>&gt; wrote:<br>
&gt; This one&#39;s way OT but I know some of you folks work with video<br>
&gt; professionally or semi so I thought I&#39;d throw it out and see if an=
yone<br>
&gt; can help.<br>
&gt;<br>
&gt; I&#39;ve got three files that I&#39;m trying to author to DVD that all=
 begin<br>
&gt; with a fade from black to the content. =A0In their currently rendered<=
br>
&gt; form they play back perfectly on my PC (as both uncompressed AVI or<br=
>
&gt; compressed m2v files). =A0However, when I author them to DVD, the intr=
o<br>
&gt; gets obliterated into a burst of pixelization that resolves quickly<br=
>
&gt; enough and looks fine for the rest of the piece but is really<br>
&gt; distracting and annoying to me as it stands. =A0I&#39;ve used Adobe En=
core<br>
&gt; (CS4) and Nero to see if there is a difference between them and both<b=
r>
&gt; do the same thing to the poor files.<br>
&gt;<br>
&gt; I&#39;m really at a loss since this is happening even when the files a=
re<br>
&gt; small enough already that they don&#39;t have to be compressed any far=
ther<br>
&gt; to fit on the DVD as they are (and they look fine playing from the<br>
&gt; file and rough from the DVD).<br>
&gt;<br>
&gt; Anyone have any ideas of how I might be able to resolve this?<br>
&gt;<br>
&gt; Thanks in advance again,<br>
&gt;<br>
&gt; Kevin<br>
&gt;<br>
&gt; --<br>
&gt; Till now you seriously considered yourself to be the body and to have =
a<br>
&gt; form. That is the primal ignorance which is the root cause of all trou=
ble.<br>
&gt;<br>
&gt; - Ramana Maharshi (1879-1950)<br>
&gt;<br>
&gt; Sound and Vision: =A0<a href=3D"http://www.minds-eye.org" target=3D"_b=
lank">http://www.minds-eye.org</a> NEW SITE 3/01/09<br>
&gt;<br>
&gt;<br>
<font color=3D"#888888"><br>
<br>
<br>
--<br>
Art Simon<br>
<a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>
myspace [dot] com/artsimon<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0cd1e6a696d56a046f2a31d6--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 22:23:14 2009
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Message-ID: <37f071c00907201523l40237c0eq889f685fd1b7381e@mail.gmail.com>
Subject: Re: WAY OT: DVD authoring software
From: Kevin Cheli-Colando <kevin@minds-eye.org>
To: Loopers-Delight@loopers-delight.com
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Yeah, I'm on a PC using Premiere Pro (CS4).

I don't think its the fade itself since it looks just fine when I play
it on the computer itself (its only after its been burnt on DVD).  The
fade is from the default black background with the opacity of the
initial frame at zero and slowly brought up to 100%.

I suppose I can try rendering to QT first and see if that burns to DVD
without issue.  It doesn't seem like that should fix the problem, but
what do I know, I'm just a rube who likes making images melt and gets
befuddled thinking too much about compression schemes (and btw why do
you call avi files horrible horrible?)

Oh yeah, and this is a simple 720x480 piece, no HD or the like.

Thanks

Kevin

On Mon, Jul 20, 2009 at 2:54 PM, mark francombe<mark@markfrancombe.com> wro=
te:
> Almost definately your compressor. I guess you on a PC, or else you would=
nt
> be using horrible horrible avi... so quicktime might be hard for you... f=
or
> big files.. you can make qt with h264 compresor.. for DVD, make an mpeg4.=
..
>
> but.. are you sure it aint this fade... what software did u use to do
> that... sounds like a v buggy plugin, or bad edit...? true doing a crossf=
ade
> FROM some black instead of a fade in plugin... maybe its all just a quirk=
...
> select all and move a few frames... or rendr that bit out and reimport...=
 I
> know I know this all sounds like a lot of hassle... but video people go t=
hru
> this everyday... its a minefield... btw.. are you black levels 0% or your
> whites 100%??? (only kidding.. but thats the sort of Q=B4s I GET from f**=
*ig
> TV companies... ) I go... " what...?"
>
> m
>
> On Mon, Jul 20, 2009 at 10:24 PM, Art Simon <simart@gmail.com> wrote:
>>
>> Hi Kevin,
>>
>> This is kind of a left field question, but pixelization can sometimes
>> be a product of the processing power of the player. Are your files
>> 1080 HD by any chance? Is the pixelazation consistent on both the PC
>> and a standalone DVD player? I've seen this happen to me on 1080 on
>> _some_ playback devices with demanding content, but at 720 the
>> pixelation disappears.
>>
>> I think you are right that a different encoder might produce different
>> results, but I'm not going to be much help there. I always use the
>> free DVD Flick PC software, which is adequate for my needs, but not
>> pro quality.
>>
>> On Mon, Jul 20, 2009 at 11:46 AM, Kevin
>> Cheli-Colando<kevin@minds-eye.org> wrote:
>> > This one's way OT but I know some of you folks work with video
>> > professionally or semi so I thought I'd throw it out and see if anyone
>> > can help.
>> >
>> > I've got three files that I'm trying to author to DVD that all begin
>> > with a fade from black to the content. =A0In their currently rendered
>> > form they play back perfectly on my PC (as both uncompressed AVI or
>> > compressed m2v files). =A0However, when I author them to DVD, the intr=
o
>> > gets obliterated into a burst of pixelization that resolves quickly
>> > enough and looks fine for the rest of the piece but is really
>> > distracting and annoying to me as it stands. =A0I've used Adobe Encore
>> > (CS4) and Nero to see if there is a difference between them and both
>> > do the same thing to the poor files.
>> >
>> > I'm really at a loss since this is happening even when the files are
>> > small enough already that they don't have to be compressed any farther
>> > to fit on the DVD as they are (and they look fine playing from the
>> > file and rough from the DVD).
>> >
>> > Anyone have any ideas of how I might be able to resolve this?
>> >
>> > Thanks in advance again,
>> >
>> > Kevin
>> >
>> > --
>> > Till now you seriously considered yourself to be the body and to have =
a
>> > form. That is the primal ignorance which is the root cause of all
>> > trouble.
>> >
>> > - Ramana Maharshi (1879-1950)
>> >
>> > Sound and Vision: =A0http://www.minds-eye.org NEW SITE 3/01/09
>> >
>> >
>>
>>
>>
>> --
>> Art Simon
>> simart@gmail.com
>> myspace [dot] com/artsimon
>>
>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 23:22:58 2009
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Date: Tue, 21 Jul 2009 01:22:55 +0200
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Subject: Re: Digging through my stuff...
From: Raul Bonell <raul.bonell@gmail.com>
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heavy bass from the start here listening with hd280 pro... but lovely.
big tony ;-) is it warr, guitar, bass, synth or all of them?

2009/7/20, Warren Sirota <wsirota@wsdesigns.com>:
> i like. i dig all the low bass, nice pacing. got a little dizzy in the last
> 10 secs or so (autopanning -> headphones)
>
> On Fri, Jul 17, 2009 at 11:18 AM, Tony K <bigtonyk@gmail.com> wrote:
>
>> Been digging though my recordings and thought I'd share this one.  I
>> did it for the Write an Album in a Month a few years ago.
>>
>> http://www.thinginajar.com/bigtony/Hypertropic.mp3
>>
>> Enjoy,
>>
>> --
>> -==-=-=-
>> Tony
>>
>>
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From jorge@lndq-usa.outservers.net  Mon Jul 20 23:36:44 2009
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	for looparc@loopers-delight.com; Sun, 19 Jul 2009 19:20:27 -0300
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 20 23:53:32 2009
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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: RE: Digging through my stuff...
Date: Mon, 20 Jul 2009 19:53:21 -0400
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Thanks, Been a while, but I believe it's my Akai AX73, guitar through an
RP2000 and a Roland RSP550, bass through ModFX probably. No Warr
unfortunately.  I'd love to have one.  

Tony

-----Original Message-----
From: Raul Bonell [mailto:raul.bonell@gmail.com] 
Sent: Monday, July 20, 2009 7:23 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Digging through my stuff...

heavy bass from the start here listening with hd280 pro... but lovely.
big tony ;-) is it warr, guitar, bass, synth or all of them?

2009/7/20, Warren Sirota <wsirota@wsdesigns.com>:
> i like. i dig all the low bass, nice pacing. got a little dizzy in the
last
> 10 secs or so (autopanning -> headphones)
>
> On Fri, Jul 17, 2009 at 11:18 AM, Tony K <bigtonyk@gmail.com> wrote:
>
>> Been digging though my recordings and thought I'd share this one.  I
>> did it for the Write an Album in a Month a few years ago.
>>
>> http://www.thinginajar.com/bigtony/Hypertropic.mp3
>>
>> Enjoy,
>>
>> --
>> -==-=-=-
>> Tony
>>
>>
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 01:59:15 2009
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Subject: iphone looper ... apparently
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Hey!

Just sharing my excitement over this:
http://www.gearwire.com/fklyloops-loopingstudio3point2.html

I'm surprised it works on the iPhone.  I guess I shouldn't be though 
..... I constructed the new version with JUCE (raw material software) 
.... any other C++ programmers on this list?  If you are programming 
audio applications, this is hands down the best library out there.

I guess I better buy an iPhone now .. ha!



From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 02:00:51 2009
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Subject: Re: Looping demonstration gone wild!
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Actually Maitthias,

I was searching for looping in general, and this caught my eye as I do  
use GR.  He had won a contest with Native Instruments a while back.

I record my loops initially in GR, then import the wav files into  
Ableton.  Then I tweak them until it is truly another peice of music  
when I am done!

I don't usually contribute to thus group as I don't do live looping.

Always finding out cool things on the list though!  Thanks for the  
response!

Andy

To listen to some of my music please visit: www.untitledvisions.com

It's a Rock-N-Roll Universe!

On Jul 20, 2009, at 6:17 AM, Matthias Grob <matilists@gmail.com> wrote:

> I liked it a lot, too!
> but it seems there is a misunderstanding. Andy uses Guitar Rig and  
> thats why he found the video which is made by some Jayme Gutierrez  
> who probably never appeared on this list.
> what a pity!
> Matthias
>
> On 20 Jul 2009, at 05:55, mark francombe wrote:
>
>> Phew.. phenomenal Andy... have to say as a old an crusty hardware  
>> looper, this video ably demonstrates why Ill never become a  
>> software looper... assign bass to guitar rig preset, pan left route  
>> to looper .. I assure you I would never get all that to work... I  
>> got a bit dizzy during this bit and woke up with the cool looping...
>>
>> great video tho.. cant use your music, but you want a video editor  
>> job?
>>
>> M
>>
>>
>>
>> On Mon, Jul 20, 2009 at 10:44 AM, Simeon Harris <simeonharris40@googlemail.com 
>> > wrote:
>> superb andy!
>>
>>
>> On Mon, Jul 20, 2009 at 8:45 AM, Andy Schoen <larjschoen3@mac.com>  
>> wrote:
>> Hey everyone,
>>
>> I just thought you all might get a kick out of this Pythonesque  
>> looping demonstration!
>>
>> I use Guitar Rig's Loop machine for most of my music and I found  
>> this; warning, it ends in a shameless self promo!
>>
>> Enjoy!
>>
>>
>>
>>
>>
>> Check out this video on YouTube:
>>
>> http://www.youtube.com/watch?v=UsZkDmd4Dps
>>
>>
>> To listen to some of my music please visit: www.untitledvisions.com
>>
>> It's a Rock-N-Roll Universe!
>>
>>
>>
>>
>>
>> -- 
>> www.markfrancombe.com
>> http://vimeo.com/user825094
>> http://uk.youtube.com/user/markfrancombe
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>

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Content-type: text/html; charset=utf-8
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<html><body bgcolor=3D"#FFFFFF"><div>Actually =
Maitthias,</div><div><br></div><div>I was searching for looping in =
general, and this caught my eye as I do use GR. &nbsp;He had won a =
contest with Native Instruments a while back.</div><div><br></div><div>I =
record my loops initially in GR, then import the wav files into Ableton. =
&nbsp;Then I tweak them until it is truly another peice of music when I =
am done!</div><div><br></div><div>I don't usually contribute to thus =
group as I don't do live looping.</div><div><br></div><div>Always =
finding out cool things on the list though! &nbsp;Thanks for the =
response!</div><div><br></div><div>Andy&nbsp;<br><br>To listen to some =
of my music please visit: <a href=3D"http://www.untitledvisions.com"><a =
href=3D"http://www.untitledvisions.com">www.untitledvisions.com</a></a><di=
v><br></div><div><div>It's a Rock-N-Roll =
Universe!</div></div></div><div><br>On Jul 20, 2009, at 6:17 AM, =
Matthias Grob &lt;<a =
href=3D"mailto:matilists@gmail.com">matilists@gmail.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>I liked it =
a lot, too!<div>but it seems there is a misunderstanding. Andy uses =
Guitar Rig and thats why he found the video which is made by some Jayme =
Gutierrez who probably never appeared on this list.</div><div>what a =
pity!</div><div>Matthias</div><div><br><div><div>On 20 Jul 2009, at =
05:55, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Phew.. =
phenomenal Andy... have to say as a old an crusty hardware looper, this =
video ably demonstrates why Ill never become a software looper... assign =
bass to guitar rig preset, pan left route to looper .. I assure you I =
would never get all that to work... I got a bit dizzy during this bit =
and woke up with the cool looping...<br> <br>great video tho.. cant use =
your music, but you want a video editor =
job?<br><br>M<br><br><br><br><div class=3D"gmail_quote">On Mon, Jul 20, =
2009 at 10:44 AM, Simeon Harris <span dir=3D"ltr">&lt;<a =
href=3D"mailto:simeonharris40@googlemail.com"><a =
href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.co=
m</a></a>&gt;</span> wrote:<br> <blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;">superb andy!<div><div></div><div =
class=3D"h5"><br><br><div class=3D"gmail_quote">On Mon, Jul 20, 2009 at =
8:45 AM, Andy Schoen <span dir=3D"ltr">&lt;<a =
href=3D"mailto:larjschoen3@mac.com" target=3D"_blank"><a =
href=3D"mailto:larjschoen3@mac.com">larjschoen3@mac.com</a></a>&gt;</span>=
 wrote:<br> <blockquote class=3D"gmail_quote" style=3D"border-left: 1px =
solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;"> Hey everyone,<br> <br> I just thought you all might get a kick =
out of this Pythonesque looping demonstration!<br> <br> I use Guitar =
Rig's Loop machine for most of my music and I found this; warning, it =
ends in a shameless self promo!<br> <br> Enjoy!<br> <br> <br> <br> <br> =
<br> Check out this video on YouTube:<br> <br> <a =
href=3D"http://www.youtube.com/watch?v=3DUsZkDmd4Dps" target=3D"_blank"><a=
 =
href=3D"http://www.youtube.com/watch?v=3DUsZkDmd4Dps">http://www.youtube.c=
om/watch?v=3DUsZkDmd4Dps</a></a><br> <br> <br> To listen to some of my =
music please visit: <a href=3D"http://www.untitledvisions.com" =
target=3D"_blank"><a =
href=3D"http://www.untitledvisions.com">www.untitledvisions.com</a></a><br=
> <br> It's a Rock-N-Roll Universe!<br> <br> </blockquote></div><br> =
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a =
href=3D"http://www.markfrancombe.com"><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a></a><br><a =
href=3D"http://vimeo.com/user825094"><a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><b=
r><a href=3D"http://uk.youtube.com/user/markfrancombe"><a =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/us=
er/markfrancombe</a></a><br> <a =
href=3D"http://www.myspace.com/markfrancombe"><a =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/markf=
rancombe</a></a><br><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch"><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">htt=
p://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a></a><br> =
</blockquote></div><br></div></div></blockquote></body></html>=

--Boundary_(ID_lYaFx0qVyH/2BjgKi+fSyA)--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 02:07:34 2009
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Subject: What are the current probs w/RC-50?
Date: Mon, 20 Jul 2009 21:59:20 -0400
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I've been a somewhat quiet member of the group for some time now and I've 
noticed that during the past 2 years there have been lots of complaints 
about the RC-50 in terms of dropouts, glitches, etc.

Would you guys mind bringing me up-to-date on the current status of this 
unit? Has Boss ironed out the problems with updated firmware? If not, what 
issues remain?

I want to replace my Boomerang because of its inferior fidelity, but I don't 
want to trade that problem for other issues.

If you wouldn't recommend the RC-50 to replace the 'rang, then what would be 
a better idea? Digitech Jamman? Something else?

I need to cap the budget at $500.

Thanks everyone!

Brian 

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 02:27:44 2009
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: iphone looper ... apparently
Date: Mon, 20 Jul 2009 21:27:39 -0500
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 > On Jul 20, 2009, at 8:52 PM, Aaron Leese wrote:
 > I'm surprised it works on the iPhone.

Me too.  My understanding is that the iPhone requires that the UI
be built on Cocoa and JUCE the last time I checked uses Carbon.

The Cocoa widgets in the iPhone SDK are also designed specifically for
the idiosyncrasies of the device, especially things like popup
dialogs, keyboard entry, and mouse gestures.  I don't think you can
just take something built for OSX and run it on the iPhone without major
modifications, unless the app obeys some fairly strict rules.   Does  
JUCE
have some new "iPhone compatibility mode"?

Other than mentioning iPhone in the article title I didn't see
anything in the text that made it sound like it was running
on an iPhone and the screenshot looks like a normal OSX app.
Have you contacted the author to verify this claim?

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 02:38:51 2009
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: iphone looper ... apparently
Date: Mon, 20 Jul 2009 21:38:46 -0500
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Oh and BTW, JUCE is indeed very nice but it's GPL.  Did you buy a  
commercial
license or are you going to publish your source code?    The one  
thing I didn't
like about JUCE when I tried it was that everything looks like  
Tracktion :-)  By which
I mean that it uses no native UI componentry so things don't look and  
feel exactly
like a native app.  This isn't such a bad thing, but Mac users are  
often put off if
it doesn't have brushed aluminum borders and conform to Apple's  
Golden Rules
of UI Design :-)

Jeff

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I'll chime in and say that Volcano is indeed an amazing tool... I ran
it post Amplitube yesterday and got the most amazing sounds out of
that filter.  It's become a close contender to Audio Damage's Dr.
Device (which has great XY control and automation plus a delay line)

I hope a lot of people took advantage of this one.  I'm going to
experiment putting it post Mobius a little later to see what craziness
can ensue.

On Sat, Jul 18, 2009 at 2:46 PM, Per Boysen<perboysen@gmail.com> wrote:
> On Sat, Jul 18, 2009 at 11:03 PM, David Coffin<dpcoffin@earthlink.net> wrote:
>> http://www.mupromo.com/deal/892/5801
>>
>> "Today you can purchase FabFilter Twin, FabFilter Volcano, FabFilter
>> Timeless together as a bundle. Normally they cost $482.00, but you can buy
>> them for only $99.99."
>>
>> OK, back to the fight!
>> dc
>
> ON another list where this was discussed someone posted this link on
> how you may work with Vulcano to get the most out of it:
> http://prorec.com/Articles/tabid/109...d-Tactics.aspx
>
> The fab's seems cool for a laptop based looping rig. Especially the
> Vulcano for distortion!!! And the tape delay sim seems good because it
> has LFO controlled filters inside the delay line - that's a routing I
> use very often. Especially funning a 110 % delay feedback through a
> sweeping band pass filter.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 04:21:39 2009
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Subject: Re: Looping demonstration gone wild!
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On Mon, Jul 20, 2009 at 1:55 AM, mark francombe<mark@markfrancombe.com> wrote:
> Phew.. phenomenal Andy... have to say as a old an crusty hardware looper,
> this video ably demonstrates why Ill never become a software looper...
> assign bass to guitar rig preset, pan left route to looper .. I assure you I
> would never get all that to work... I got a bit dizzy during this bit and
> woke up with the cool looping.

It's a cool video, nicely humorous but what I learned more than
anything is that Guitar Rig's recorder is a poor excuse for a real
dedicated looper for what we use it for. Workable but don't let that
video scare you away.  Setting that up in Mobius is a snap in
comparison and you wouldn't have to use more than one instance of
anything.  Trust me.  If you do non-linear video editing (Final Cut
Pro?) You'd pick up Live and Mobius in less than an afternoon.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 07:47:54 2009
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Subject: Re: Guitar to Midi Converter
Date: Tue, 21 Jul 2009 09:13:44 +0200
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Thanks, Andy.

----- Original Message -----
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 20, 2009 1:41 PM
Subject: Re: Guitar to Midi Converter


>
>
> Christo Jota wrote:
> > Being a big fan of Fripp´s soundscapes, I´m always
> > trying to get close to his orchestral sounds with my equipement.
>
> why?????
> your own distinctive music is great
>
>
>
> > I don´t use computer software for my loopings, just hardware:
> > RC 50 and the Boss GT 8 - effectprocessor for guitar,
> > and Micro-Korg synthesizer, Roland MC 303 Groovebox which has some
> > cool Synth sounds too.
> > I would like to control the synth sounds of the Micro-Korg and MC 303
> > with my guitar-
> > cause I´m a guitarist, not a keyboard player.
> > I just noticed that there is this guitar-to-midi converter by Peterson
> > Sonuus - G2M.
> > I watched some you-tube videos and it looks quite well. I mean it just
costs
> > 98 Euros. The only thing that worries me is that it´s just monophonic ,
> > which
> > means you can´t play chords with it, just single notes.
> > What are your experiences with this converter?
>
> http://tinyurl.com/nmh6e7
>
>
>
> Do you know a cheap
> > alternative
> > with polyphonic possibilities ?
>
>
> second hand Yamaha G50 + Roland p/u
>
> >
> > Christo
>
> andy
>

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Subject: Re: Guitar to Midi Converter
Date: Tue, 21 Jul 2009 09:15:03 +0200
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Watched it already. Sounds good! I guess I=B4m gonna check
one out.
  ----- Original Message -----=20
  From: Matt Stevens=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 20, 2009 9:58 PM
  Subject: Re: Guitar to Midi Converter


  I got one  - demo ere =
http://www.youtube.com/watch?v=3DbiGHEN0DWFk&feature=3Dchannel_page


  They track ok but it depends on the sound really


  Matt Stevens
  www.mattstevensguitar.com
  mattstevensguitar@btinternet.com







  On 20 Jul 2009, at 11:57, Christo Jota wrote:


    Being a big fan of Fripp=B4s soundscapes, I=B4m always
    trying to get close to his orchestral sounds with my equipement.
    I don=B4t use computer software for my loopings, just hardware:
    RC 50 and the Boss GT 8 - effectprocessor for guitar,
    and Micro-Korg synthesizer, Roland MC 303 Groovebox which has some
    cool Synth sounds too.
    I would like to control the synth sounds of the Micro-Korg and MC =
303 with my guitar-
    cause I=B4m a guitarist, not a keyboard player.
    I just noticed that there is this guitar-to-midi converter by =
Peterson Sonuus - G2M.
    I watched some you-tube videos and it looks quite well. I mean it =
just costs
    98 Euros. The only thing that worries me is that it=B4s just =
monophonic , which
    means you can=B4t play chords with it, just single notes.
    What are your experiences with this converter? Do you know a cheap =
alternative
    with polyphonic possibilities ?

    Christo



------=_NextPart_000_0049_01CA09E3.BAEAD9E0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.3700.6699" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff=20
style=3D"word-wrap: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space">
<DIV><FONT face=3DArial size=3D2>Watched it already. Sounds good! I =
guess I=B4m gonna=20
check</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>one out.</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:mattstevensguitar@btinternet.com"=20
  title=3Dmattstevensguitar@btinternet.com>Matt Stevens</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 20, 2009 =
9:58 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Guitar to Midi=20
  Converter</DIV>
  <DIV><BR></DIV>I got one &nbsp;- demo ere&nbsp;<A=20
  =
href=3D"http://www.youtube.com/watch?v=3DbiGHEN0DWFk&amp;feature=3Dchanne=
l_page">http://www.youtube.com/watch?v=3DbiGHEN0DWFk&amp;feature=3Dchanne=
l_page</A>
  <DIV><BR></DIV>
  <DIV>They=20
  =
track&nbsp;ok&nbsp;but&nbsp;it&nbsp;depends&nbsp;on&nbsp;the&nbsp;sound&n=
bsp;really</DIV>
  <DIV><BR>
  <DIV><SPAN class=3DApple-style-span=20
  style=3D"BORDER-COLLAPSE: separate; COLOR: rgb(0,0,0); FONT: 12px =
Helvetica; LETTER-SPACING: normal; TEXT-INDENT: 0px; TEXT-TRANSFORM: =
none; WHITE-SPACE: normal; WORD-SPACING: 0px; orphans: 2; widows: 2; =
webkit-border-horizontal-spacing: 0px; webkit-border-vertical-spacing: =
0px; webkit-text-decorations-in-effect: none; webkit-text-size-adjust: =
auto; webkit-text-stroke-width: 0"><SPAN=20
  class=3DApple-style-span=20
  style=3D"BORDER-COLLAPSE: separate; COLOR: rgb(0,0,0); FONT: 12px =
Helvetica; LETTER-SPACING: normal; TEXT-INDENT: 0px; TEXT-TRANSFORM: =
none; WHITE-SPACE: normal; WORD-SPACING: 0px; orphans: 2; widows: 2; =
webkit-border-horizontal-spacing: 0px; webkit-border-vertical-spacing: =
0px; webkit-text-decorations-in-effect: none; webkit-text-size-adjust: =
auto; webkit-text-stroke-width: 0px">
  <DIV>Matt Stevens</DIV>
  <DIV><A=20
  =
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</A></=
DIV>
  <DIV><A=20
  =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</A></DIV>
  <DIV><BR></DIV></SPAN><BR class=3DApple-interchange-newline></SPAN><BR =

  class=3DApple-interchange-newline></DIV><BR>
  <DIV>
  <DIV>On 20 Jul 2009, at 11:57, Christo Jota wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"BORDER-COLLAPSE: separate; COLOR: rgb(0,0,0); FONT: medium =
Helvetica; LETTER-SPACING: normal; TEXT-INDENT: 0px; TEXT-TRANSFORM: =
none; WHITE-SPACE: normal; WORD-SPACING: 0px; orphans: 2; widows: 2; =
webkit-border-horizontal-spacing: 0px; webkit-border-vertical-spacing: =
0px; webkit-text-decorations-in-effect: none; webkit-text-size-adjust: =
auto; webkit-text-stroke-width: 0px">
    <DIV><FONT face=3DArial size=3D2>Being a big fan of Fripp=B4s =
soundscapes, I=B4m=20
    always</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>trying to get close to his =
orchestral sounds=20
    with my equipement.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>I don=B4t use computer software for =
my loopings,=20
    just hardware:</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>RC 50 and the Boss GT 8 - =
effectprocessor for=20
    guitar,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>and Micro-Korg synthesizer, Roland =
MC 303=20
    Groovebox which has some</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>cool Synth sounds too.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>I would like to control the synth =
sounds of the=20
    Micro-Korg and MC 303 with my guitar-</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>cause I=B4m a guitarist, not a =
keyboard=20
    player.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>I just noticed that there is this=20
    guitar-to-midi converter by Peterson Sonuus - G2M.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>I watched some you-tube videos and =
it looks=20
    quite well. I mean it just costs</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>98 Euros. The only thing that =
worries me is=20
    that it=B4s just monophonic , which</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>means you can=B4t play chords with =
it, just=20
    single notes.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>What are your experiences with this =
converter?=20
    Do you know a cheap alternative</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2>with polyphonic possibilities =
?</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
  =
size=3D2>Christo</FONT></DIV></SPAN></BLOCKQUOTE></DIV><BR></DIV></BLOCKQ=
UOTE></BODY></HTML>

------=_NextPart_000_0049_01CA09E3.BAEAD9E0--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 07:48:02 2009
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Subject: Re: Guitar to Midi Converter
Date: Tue, 21 Jul 2009 09:21:29 +0200
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Yes, same with me. I used a Roland-Guitarsynthesizer for a long time and was
not very happy with it. Latency problems and you have to play very clean ,
very accurate to avoid wrong tones etc. Also it was
another additional equipement when playing live.
Too much stuff isn´t good for me. I like to keep it
simple (on stage and also at home).
So I guess this small Peterson Sonuus - box could be
a good compromise.
CHRISTO
----- Original Message -----
From: "Mark Sottilaro" <zerocrossing@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 20, 2009 10:24 PM
Subject: Re: Guitar to Midi Converter


I spent years using Roland and Yamaha based MIDI guitar solutions with
limited success. The best thing I ever played with (but never owned)
was the Roland VG8, but that's not "MIDI" but instead uses the hex
pickup's output as something to put effects on (mostly amp models) and
not to trigger a synth.

Anyway, it always just felt to me like someone nagging me to sit up
straight and stop mumbling.  What if slouchy mumbling is my style? ;)
In the end I found that with a small amount of practice I was able to
get around on the keyboard in a fashion that actually worked better
than any guitar to midi solution. I didn't take to it right away
though, it was only after I played with a Novation controller that
actually had nice feeling aftertouch built in that I really took to
it.  Now I can't imagine using anything else.

M

On Mon, Jul 20, 2009 at 12:58 PM, Matt
Stevens<mattstevensguitar@btinternet.com> wrote:
> I got one - demo
> ere http://www.youtube.com/watch?v=biGHEN0DWFk&feature=channel_page
> They track ok but it depends on the sound really
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
> On 20 Jul 2009, at 11:57, Christo Jota wrote:
>
> Being a big fan of Fripp´s soundscapes, I´m always
> trying to get close to his orchestral sounds with my equipement.
> I don´t use computer software for my loopings, just hardware:
> RC 50 and the Boss GT 8 - effectprocessor for guitar,
> and Micro-Korg synthesizer, Roland MC 303 Groovebox which has some
> cool Synth sounds too.
> I would like to control the synth sounds of the Micro-Korg and MC 303 with
> my guitar-
> cause I´m a guitarist, not a keyboard player.
> I just noticed that there is this guitar-to-midi converter by Peterson
> Sonuus - G2M.
> I watched some you-tube videos and it looks quite well. I mean it just
costs
> 98 Euros. The only thing that worries me is that it´s just monophonic ,
> which
> means you can´t play chords with it, just single notes.
> What are your experiences with this converter? Do you know a cheap
> alternative
> with polyphonic possibilities ?
>
> Christo
>


From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 10:27:24 2009
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Echoplex EDP Woes - fluttering, flickering and intermittent
 power up!
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as one of the people on this list who seems to have the most technical prob=
lems with my echoplexes (see ongoing grounding hum issue) i think i might b=
e able to help.

=20

i had this behaviour once when a stick of ram went bad =2C i diagnosed it b=
y first deracking and opening my edp..then with the mains off taking all th=
e ram modules and the loop v4 (or v3 whatever) chips out....be gentle and w=
iggle them from both sides... once they are out remount them with a careful=
 lining up of the legs and a firm push into the sockets...

=20

the next step is so add in just ONE stick of ram...turn it on=2C see if it =
works..if it does..good you have diagnosed the issue...if not try the next=
=2C work through until all ram sticks have been eliminated

=20

then go by some more ram

=20

hope that helps

=20

Phill MyOneManBand


=20
> Date: Mon=2C 20 Jul 2009 00:04:08 -0400
> From: vaneyck@sympatico.ca
> To: Loopers-Delight@loopers-delight.com
> Subject: Echoplex EDP Woes - fluttering=2C flickering and intermittent po=
wer up!
>=20
>=20
> Hi again=2C
>=20
> Thanks to the list members for all the help so far! I hate to=20
> interrupt the much more interesting conversations for this dull=20
> technical bit=2C but here it goes anyway...
>=20
> I have yet another issue with my new (used) Echoplex EDP:
>=20
> The unit has been powering up intermittently=2C and now it won't power=20
> up at all. The front panel lights flutter and flash intermittently and=20
> then the unit goes black. It did this when I first got it=2C and then I=20
> pressed all the socketed IC's down into the board=2C and this seemed to=20
> fix the problem for a short time=2C and now it's back with a vengeance.
>=20
> Has anyone experienced this before? Is there a fix?
>=20
> Any help is greatly appreciated.
>=20
> Thanks very much=2C
>=20
> TREVOR.
>=20

_________________________________________________________________
Windows Live Messenger: Celebrate 10 amazing years with free winks and emot=
icons.
http://clk.atdmt.com/UKM/go/157562755/direct/01/=

--_ce708b4f-8ab9-4be0-b767-70ddfc7f7335_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
as one of the people on this list who seems to have the most technical prob=
lems with my echoplexes (see ongoing grounding hum issue) i think i might b=
e able to help.<BR>
&nbsp=3B<BR>
i had this behaviour once when a stick of ram went bad =2C i diagnosed it b=
y first deracking and opening my edp..then with the mains off taking all th=
e ram modules and the loop v4 (or v3 whatever)&nbsp=3Bchips out....be gentl=
e and wiggle them from both sides... once they are out remount them with a =
careful lining up of the legs and a firm push into the sockets...<BR>
&nbsp=3B<BR>
the next step is so add in just ONE stick of ram...turn it on=2C see if it =
works..if it does..good you have diagnosed the issue...if not try the next=
=2C work through until all ram sticks have been eliminated<BR>
&nbsp=3B<BR>
then go by some more ram<BR>
&nbsp=3B<BR>
hope that helps<BR>
&nbsp=3B<BR>
Phill MyOneManBand<BR>
<BR>&nbsp=3B<BR>&gt=3B Date: Mon=2C 20 Jul 2009 00:04:08 -0400<BR>&gt=3B Fr=
om: vaneyck@sympatico.ca<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<=
BR>&gt=3B Subject: Echoplex EDP Woes - fluttering=2C flickering and intermi=
ttent power up!<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B Hi again=2C<BR>&gt=3B <BR>&=
gt=3B Thanks to the list members for all the help so far! I hate to <BR>&gt=
=3B interrupt the much more interesting conversations for this dull <BR>&gt=
=3B technical bit=2C but here it goes anyway...<BR>&gt=3B <BR>&gt=3B I have=
 yet another issue with my new (used) Echoplex EDP:<BR>&gt=3B <BR>&gt=3B Th=
e unit has been powering up intermittently=2C and now it won't power <BR>&g=
t=3B up at all. The front panel lights flutter and flash intermittently and=
 <BR>&gt=3B then the unit goes black. It did this when I first got it=2C an=
d then I <BR>&gt=3B pressed all the socketed IC's down into the board=2C an=
d this seemed to <BR>&gt=3B fix the problem for a short time=2C and now it'=
s back with a vengeance.<BR>&gt=3B <BR>&gt=3B Has anyone experienced this b=
efore? Is there a fix?<BR>&gt=3B <BR>&gt=3B Any help is greatly appreciated=
.<BR>&gt=3B <BR>&gt=3B Thanks very much=2C<BR>&gt=3B <BR>&gt=3B TREVOR.<BR>=
&gt=3B <BR><br /><hr />Windows Live Messenger: Celebrate 10 amazing years w=
ith free winks and emoticons. <a href=3D'http://clk.atdmt.com/UKM/go/157562=
755/direct/01/' target=3D'_new'>Get Them Now</a></body>
</html>=

--_ce708b4f-8ab9-4be0-b767-70ddfc7f7335_--

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Subject: =?UTF-8?Q?Re=3A_Cool_MacUpdate_Audio_Promo_this_weekend=E2=80=A6?=
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On Tue, Jul 21, 2009 at 5:44 AM, Mark Sottilaro<zerocrossing@gmail.com> wro=
te:
> I hope a lot of people took advantage of this one. =C2=A0I'm going to
> experiment putting it post Mobius a little later to see what craziness
> can ensue.

I did that yesterday, with the fab filters. Very fun! But not an
option for me to take on stage until laptops become stronger, since
both Vulcano and Timeless are too CPU demanding. All my light weight
Logic/Mainstage plug-ins are complaining "this lappy ain't big enough
for both-of-us!!!"  But do love their sonic characteristics and will
definitely use them in studio productions. I also liked the soft-synth
Twin2 for EWI playing. It generally gives a fatter and ruder tone than
many other virtual instruments. I reckon someone could call them
"analog sounding" ;-)  Twin2 also too CPU demanding for the stage but
an awesome Screaming Tekno Pig to unleash in a safe studio area.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 11:37:59 2009
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Jeez, guys...
Don't know anything about the issue. It just looks a bit weird on the LD list - sort of like these freaky reality shows on TV.

Maybe instead of Looping Festivals, we should introduce "Looper Battles" - street-stlye, like beatboxers do...

peace
Buzap

-- 
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> Thanks for restating some of the history of this list
> and reasserting some of your and Kim's vision for it.
Yes, thank you!!

Though I've preferred to spend less time in mailing lists recently, I really love this list. It's - that means the people here: YOU - have been a great inspiration, not only looping-wise but related to all facets of music and the role of music in my life.

I've used to prefer a forum, but got used to the mailing list format and I like reading all these various mailings I would not look at otherwise :)

thanks folks - and don't hit each other too hard ;-)
Best regards

Buzap
-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

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Subject: Re: Open Letter to Mark Sottilaro from Rick Walker
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Buzap is normal this loops once in a while as well=0A"einbischen spass muss=
 sein"=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- Buzap Buzap <buzap@gm=
x.net> schrieb am Di, 21.7.2009:=0A=0A> Von: Buzap Buzap <buzap@gmx.net>=0A=
> Betreff: Re: Open Letter to Mark Sottilaro from Rick Walker=0A> An: Loope=
rs-Delight@loopers-delight.com=0A> Datum: Dienstag, 21. Juli 2009, 4:37=0A>=
 Jeez, guys...=0A> Don't know anything about the issue. It just looks a bit=
=0A> weird on the LD list - sort of like these freaky reality=0A> shows on =
TV.=0A> =0A> Maybe instead of Looping Festivals, we should introduce=0A> "L=
ooper Battles" - street-stlye, like beatboxers do...=0A> =0A> peace=0A> Buz=
ap=0A> =0A> -- =0A> Jetzt kostenlos herunterladen: Internet Explorer 8 und=
=0A> Mozilla Firefox 3 -=0A> sicherer, schneller und einfacher! http://port=
al.gmx.net/de/go/atbrowser=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 13:49:24 2009
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Christo Jota wrote:
> Yes, same with me. I used a Roland-Guitarsynthesizer for a long time and was
> not very happy with it. Latency problems and you have to play very clean ,
> very accurate to avoid wrong tones etc. 

hmmm, I never tried the Roland stuff,
definitely the G2M has noticeable latency,
 more than the Axon/Yamaha G2

but indeed, it's impressively resistant against
the warbling that plagues other converters.

Of course, being monophonic you do need good damping technique.

andy

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 14:11:22 2009
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Hi all,

I've spent several years using Roland GR synth gear and actually have  
GK pickups on a number of my guitars.

When it comes to tracking, yes there are issues concerning how cleanly  
one picks and frets the notes on their instrument.

There are also issues from instrument to instrument - no matter how  
well you set up the hex pickup, some instruments still seem to track  
slightly better than others.

I think there are some guitars that are just not good candidates for  
this stuff - but my experience is not extensive enough to say what the  
factors involved actually are.

Within the last year or two I've added a VG-99 to my kit as well.

In addition to having the all the usual VG advantages (tracking wise)  
the VG-99 also has pitch-to-MIDI conversion capabilities.

These I have not made use of yet - but they're there as an option.

I still have an old GR-1EX that I have used forever and am very  
satisfied with.

If I really needed pitch-to-MIDI I expect it would be more convenient  
to use that.

There are a lot of options out there though from other companies.

Best,

Ted Killian

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 14:59:13 2009
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Matthias Grob wrote:
>>Ty wrote
>>> First just what is live looping. It would seem that it defines the 
>>> gear we use and that we use it live like an instrument.
>>
> and Andy:
>> ahhh,

>>
>> If you care to check out some of the music made by list
>> members you'll find that your description of the "continuum"
> 
> ... yes, Andy?
> you are one of the early if not the first adopter of the livelooping 
> genre... what do you think?
> 
> 

Genre is a difficult question,
my current favourite genre classification is
"post-post-core", gleaned, of course, from the 
pages of Wire magazine.
No idea what that means at all :-)
...but it does point out the central facts about genre, imo
that is:-

   it's decided by music journalists.

Well maybe a record company with a big budget can also contribute,
but it's not really musicians who decide such things.
It's also not decided by academics, a dissertation is hardly ever
published and may well only be ever read for marking, which
is it's raison d'etre.

The reason I use the term "livelooping" to describe my music
is that it doesn't fit into any available genre.
It seems appropriate because it depends pretty heavily
on the live looping technology to give it it's form.
The alternative is "guitar music", and I've often done
gigs which were billed as guitar gigs rather than
livelooping. 

Anyway, if any of us want to establish "livelooping" as
a genre I think we need to target music journalists.
If the term is used enough in press releases, websites
and even letters to the press then who knows, it may stick.


Probably it doesn't matter so much how we define the music.
Repetition, lack of key change, lack of complex fills, trance ...etc..
doesn't apply to livelooping more than it does to a great many established
genres. 
With improving technology livelooping will become less and less about
the repetition of a single figure. 

Perhaps we should say we are "humanizing the technology",
or some such soundbite.

If it's possible to define accurately what sets "livelooping" apart,
and I suspect it is, then I doubt that the definition would
be comprehensible to music journalists ( maybe that's harsh, 
but I've read a lot of insights based on
misread sleeve notes).

andy butler
...and another question not answered but sidestepped ;-)









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Subject: Re: why we founded this list
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We're keepin' it mellow . . . no more violent than your usual UFC or
hockey game.  Chill man!  -m

> thanks folks - and don't hit each other too hard ;-)
> Best regards
>
> Buzap
-- 
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 15:07:29 2009
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Anyone happen to have a manual for an Uptown Flash 4x1 switcher unit?


-- 
rgds,
van Sinn

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 15:28:47 2009
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    I do - it's not a digital copy though...

    TREVOR.

van Sinn wrote:
> Anyone happen to have a manual for an Uptown Flash 4x1 switcher unit?
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 15:41:59 2009
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Hi to all the loopers!
As ou know i'm a newbie here, although i play live looping from many 
years using simple instruments...
But let's go to the question:
I got a new macbook with OSX 10.5 and and recently i decided to use it 
for looping.
I play guitars and other instruments like air synths theremins etc.
I dwnld moebius and i started playing it helped with my FCB1010 and it 
works well.
But i'd like to  expand possibilities using other stuff that could me 
avoid to use external multieffects etc etc
and i decided to use guitar rig, but i actually dont'k know the better 
way to connect them.
Maybe a sw like live or cubase or logic could resolve the problem 
bt...is the simplest way?
Have you opinions about that?
T.I.A.

Max Liver

PS Rick... don't give up! ;-)
 

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omg, haven't heard of that one in a long time. you using it, Van?

On Tue, Jul 21, 2009 at 11:28 AM, Trevor Van Eyck <vaneyck@sympatico.ca>wrote:

>
>   I do - it's not a digital copy though...
>
>   TREVOR.
>
>
> van Sinn wrote:
>
>> Anyone happen to have a manual for an Uptown Flash 4x1 switcher unit?
>>
>>
>>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

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omg, haven&#39;t heard of that one in a long time. you using it, Van?<br><b=
r><div class=3D"gmail_quote">On Tue, Jul 21, 2009 at 11:28 AM, Trevor Van E=
yck <span dir=3D"ltr">&lt;<a href=3D"mailto:vaneyck@sympatico.ca">vaneyck@s=
ympatico.ca</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
 =A0 I do - it&#39;s not a digital copy though...<br><font color=3D"#888888=
">
<br>
 =A0 TREVOR.</font><div><div></div><div class=3D"h5"><br>
<br>
van Sinn wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Anyone happen to have a manual for an Uptown Flash 4x1 switcher unit?<br>
<br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><=
a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ube=
too.com/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensiro=
ta.com">http://www.warrensirota.com</a><br>


--0016364ee1e4596d90046f3936d6--

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Tough one, I did find this:

http://facstaff.uww.edu/craggsj/uptown.html

Only the Great Divide and maybe the email will work, i didn't try it.

Jeff


----- Original Message ----- 
From: "van Sinn" <vansinn@post.cybercity.dk>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 21, 2009 11:09 AM
Subject: Uptown Flash 4x1 manual


> Anyone happen to have a manual for an Uptown Flash 4x1 switcher unit?
> 
> 
> -- 
> rgds,
> van Sinn
> 
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 16:26:52 2009
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Trevor Van Eyck wrote:
 >
 >    I do - it's not a digital copy though...

How many pages?  Is a scan job possible?



Warren Sirota wrote:
 > omg, haven't heard of that one in a long time. you using it, Van?

Not yet, considering. I have an offer two of those. Not really sure..

I might decide to mod an old Scholz Octopussy (9½" box) with eight 
on/off switches into an analog switcher/router to have maybe six 
routings and two on/off switches.



Jeff Duke wrote:
> Tough one, I did find this:
> 
> http://facstaff.uww.edu/craggsj/uptown.html
> 
> Only the Great Divide and maybe the email will work, i didn't try it.
> 
> Jeff

Yeah, I know about the link ;)  but alas, alach, no 4x1 manual it seems.



> ----- Original Message ----- From: "van Sinn" <vansinn@post.cybercity.dk>
> To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, July 21, 2009 11:09 AM
> Subject: Uptown Flash 4x1 manual
> 
> 
>> Anyone happen to have a manual for an Uptown Flash 4x1 switcher unit?
>>
>>
>> -- 
>> rgds,
>> van Sinn
>>
>>
> 
> 


-- 
rgds,
van Sinn

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Well, since Ted brought up the GR-1 ...

I've only been using the Roland GK gear for 4 years ... I started with a
GK-2 on a Fender Squier and a GR-1 ... because I came to playing electric
from classical, I don't seem to have experienced some of the complaints tha=
t
others have mentioned that are technique-based. I added a GR-20 to the mix
about 3 years ago. Again, no problems as being reported here. During that
time, I also got a Godin xtSA that has a 13-pin pickup built in to it.
Again, no problems.

I flirted briefly with an early Axon, but it was more primitive than my GR-=
1
and not that close to my GR-20 so I sold it. The sounds were good and I can
only imagine that the newer ones are worth the money. Again, I did not
experience any issues from the "performance" stand point, just limitations
of it being an early model.

Two year ago, I added a GI-20 interface and a Roland XV-2020 to drive it. I
am using Roland US-20's to switch between the various components. Because m=
y
original GR-1 began to develop seriosu issues with the power supply
connection, I acquired another, expanded, one along with a VG-8EX. (n.b., I
am underwhelmed by the VG-8, possibly because I am not into "Amp Models" an=
d
am looking at sound synthesis ... I may be putting the VG-8 up for sale
shortly).

Likewise, since Fripp's name was raised by the original poster, his most
recent trip through the US revealed him STILL using the Roland GR-1 ... it'=
s
tied into several Eventide Eclipses and other goodies, including the latest
Axon synth. He keeps the GR-1 as his primary guitar interface/synthesizer
because "he likes its' bell and chime sounds." (Yes, I asked ... ) He is
also using the Roland US-20 13-pin switch/pedals. BTW, his guitars on this
trip all had the 13-pin pickups built in ... no external GKs.

Conclusions (mine only!): The GKs seem to require some adjustment of
technique for some; there is lots of good used Roland and Axon synths out
there to be had if one wants to get into polyphonic guitar-driven synthesis=
.
THere are usually a number of GR-20/GK-2 and GI-20/GK-2 packages on eBay on
any given day. One advantage of using a GI-20 is that it allows you to hook
up ANY other MIDI synth source ... including a Mac laptop running Garage
Band ... or setting the GR-1 at #28 allows a "blank" MIDI channel to drive
other MIDI synths from the MIDI/OUT plug. Lots of good solutions with a
little searching and digging.

Best,

Dennis


On Tue, Jul 21, 2009 at 8:11 AM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> Hi all,
>
> I've spent several years using Roland GR synth gear and actually have GK
> pickups on a number of my guitars.
>
> When it comes to tracking, yes there are issues concerning how cleanly on=
e
> picks and frets the notes on their instrument.
>
> There are also issues from instrument to instrument - no matter how well
> you set up the hex pickup, some instruments still seem to track slightly
> better than others.
>
> I think there are some guitars that are just not good candidates for this
> stuff - but my experience is not extensive enough to say what the factors
> involved actually are.
>
> Within the last year or two I've added a VG-99 to my kit as well.
>
> In addition to having the all the usual VG advantages (tracking wise) the
> VG-99 also has pitch-to-MIDI conversion capabilities.
>
> These I have not made use of yet - but they're there as an option.
>
> I still have an old GR-1EX that I have used forever and am very satisfied
> with.
>
> If I really needed pitch-to-MIDI I expect it would be more convenient to
> use that.
>
> There are a lot of options out there though from other companies.
>
> Best,
>
> Ted Killian
>
>


--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--0016364ef3d8fdec6c046f3a9e1e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Well, since Ted brought up the GR-1 ... <br><br>I&#39;ve only been using th=
e Roland GK gear for 4 years ... I started with a GK-2 on a Fender Squier a=
nd a GR-1 ... because I came to playing electric from classical, I don&#39;=
t seem to have experienced some of the complaints that others have mentione=
d that are technique-based. I added a GR-20 to the mix about 3 years ago. A=
gain, no problems as being reported here. During that time, I also got a Go=
din xtSA that has a 13-pin pickup built in to it. Again, no problems.<br>
<br>I flirted briefly with an early Axon, but it was more primitive than my=
 GR-1 and not that close to my GR-20 so I sold it. The sounds were good and=
 I can only imagine that the newer ones are worth the money. Again, I did n=
ot experience any issues from the &quot;performance&quot; stand point, just=
 limitations of it being an early model.<br>
<br>Two year ago, I added a GI-20 interface and a Roland XV-2020 to drive i=
t. I am using Roland US-20&#39;s to switch between the various components. =
Because my original GR-1 began to develop seriosu issues with the power sup=
ply connection, I acquired another, expanded, one along with a VG-8EX. (n.b=
., I am underwhelmed by the VG-8, possibly because I am not into &quot;Amp =
Models&quot; and am looking at sound synthesis ... I may be putting the VG-=
8 up for sale shortly).<br>
<br>Likewise, since Fripp&#39;s name was raised by the original poster, his=
 most recent trip through the US revealed him STILL using the Roland GR-1 .=
.. it&#39;s tied into several Eventide Eclipses and other goodies, includin=
g the latest Axon synth. He keeps the GR-1 as his primary guitar interface/=
synthesizer because &quot;he likes its&#39; bell and chime sounds.&quot; (Y=
es, I asked ... ) He is also using the Roland US-20 13-pin switch/pedals. B=
TW, his guitars on this trip all had the 13-pin pickups built in ... no ext=
ernal GKs.<br>
<br>Conclusions (mine only!): The GKs seem to require some adjustment of te=
chnique for some; there is lots of good used Roland and Axon synths out the=
re to be had if one wants to get into polyphonic guitar-driven synthesis. T=
Here are usually a number of GR-20/GK-2 and GI-20/GK-2 packages on eBay on =
any given day. One advantage of using a GI-20 is that it allows you to hook=
 up ANY other MIDI synth source ... including a Mac laptop running Garage B=
and ... or setting the GR-1 at #28 allows a &quot;blank&quot; MIDI channel =
to drive other MIDI synths from the MIDI/OUT plug. Lots of good solutions w=
ith a little searching and digging.<br>
<br>Best,<br><br>Dennis<br><br><br><div class=3D"gmail_quote">On Tue, Jul 2=
1, 2009 at 8:11 AM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto=
:tedkillian@charter.net">tedkillian@charter.net</a>&gt;</span> wrote:<br><b=
lockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 20=
4, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi all,<br>
<br>
I&#39;ve spent several years using Roland GR synth gear and actually have G=
K pickups on a number of my guitars.<br>
<br>
When it comes to tracking, yes there are issues concerning how cleanly one =
picks and frets the notes on their instrument.<br>
<br>
There are also issues from instrument to instrument - no matter how well yo=
u set up the hex pickup, some instruments still seem to track slightly bett=
er than others.<br>
<br>
I think there are some guitars that are just not good candidates for this s=
tuff - but my experience is not extensive enough to say what the factors in=
volved actually are.<br>
<br>
Within the last year or two I&#39;ve added a VG-99 to my kit as well.<br>
<br>
In addition to having the all the usual VG advantages (tracking wise) the V=
G-99 also has pitch-to-MIDI conversion capabilities.<br>
<br>
These I have not made use of yet - but they&#39;re there as an option.<br>
<br>
I still have an old GR-1EX that I have used forever and am very satisfied w=
ith.<br>
<br>
If I really needed pitch-to-MIDI I expect it would be more convenient to us=
e that.<br>
<br>
There are a lot of options out there though from other companies.<br>
<br>
Best,<br><font color=3D"#888888">
<br>
Ted Killian<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//myspace.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://=
audiozoloft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsb=
in.angrek.com/">http://usrslashsbin.angrek.com/</a><br>


--0016364ef3d8fdec6c046f3a9e1e--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 18:23:55 2009
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Subject: Re: How to use moebius and guitar rig together
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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You'll need an application called a "host" to do this.  Luckily your
Macbook came with one for free called Garageband.  I've not used it
much, but I think it should be fairly simple to load them up as
plug-ins and make it happen.  I personally like Ableton's Live for
this, but there are plenty of apps that'll more or less get you there.

On Tue, Jul 21, 2009 at 8:44 AM, Massimo Liverani H&T<liverani@het.it> wrot=
e:
> Hi to all the loopers!
> As ou know i'm a newbie here, although i play live looping from many year=
s
> using simple instruments...
> But let's go to the question:
> I got a new macbook with OSX 10.5 and and recently i decided to use it fo=
r
> looping.
> I play guitars and other instruments like air synths theremins etc.
> I dwnld moebius and i started playing it helped with my FCB1010 and it wo=
rks
> well.
> But i'd like to =A0expand possibilities using other stuff that could me a=
void
> to use external multieffects etc etc
> and i decided to use guitar rig, but i actually dont'k know the better wa=
y
> to connect them.
> Maybe a sw like live or cubase or logic could resolve the problem bt...is
> the simplest way?
> Have you opinions about that?
> T.I.A.
>
> Max Liver
>
> PS Rick... don't give up! ;-)
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 20:16:29 2009
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	 <bcd3c7bb0907211123w435a4ea7g7d14529eecf7629c@mail.gmail.com>
Date: Tue, 21 Jul 2009 22:16:27 +0200
Message-ID: <afb941d0907211316t1cd13c4fyfc4d257075f9f62d@mail.gmail.com>
Subject: Re: How to use moebius and guitar rig together
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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yes. run gr + mobius plugin vesions in a host app: ableton live,
plogue bidule, mainstage, numerology. simpler or more live-oriented
hosts than using a full daw like cubase or logic.

2009/7/21, Mark Sottilaro <zerocrossing@gmail.com>:
> You'll need an application called a "host" to do this.  Luckily your
> Macbook came with one for free called Garageband.  I've not used it
> much, but I think it should be fairly simple to load them up as
> plug-ins and make it happen.  I personally like Ableton's Live for
> this, but there are plenty of apps that'll more or less get you there.
>
> On Tue, Jul 21, 2009 at 8:44 AM, Massimo Liverani H&T<liverani@het.it>
> wrote:
>> Hi to all the loopers!
>> As ou know i'm a newbie here, although i play live looping from many yea=
rs
>> using simple instruments...
>> But let's go to the question:
>> I got a new macbook with OSX 10.5 and and recently i decided to use it f=
or
>> looping.
>> I play guitars and other instruments like air synths theremins etc.
>> I dwnld moebius and i started playing it helped with my FCB1010 and it
>> works
>> well.
>> But i'd like to =A0expand possibilities using other stuff that could me
>> avoid
>> to use external multieffects etc etc
>> and i decided to use guitar rig, but i actually dont'k know the better w=
ay
>> to connect them.
>> Maybe a sw like live or cubase or logic could resolve the problem bt...i=
s
>> the simplest way?
>> Have you opinions about that?
>> T.I.A.
>>
>> Max Liver
>>
>> PS Rick... don't give up! ;-)
>>
>>
>>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 20:40:42 2009
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You should name your next album "Screaming Tekno Pig Unleashed in a
Safe Studio Area"

On Tue, Jul 21, 2009 at 4:25 AM, Per Boysen<perboysen@gmail.com> wrote:
> Twin2 also too CPU demanding for the stage but
> an awesome Screaming Tekno Pig to unleash in a safe studio area.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

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LOL !

On 21 Jul 2009, at 17:40, Mark Sottilaro wrote:

> You should name your next album "Screaming Tekno Pig Unleashed in a
> Safe Studio Area"
>
> On Tue, Jul 21, 2009 at 4:25 AM, Per Boysen<perboysen@gmail.com>  
> wrote:
>> Twin2 also too CPU demanding for the stage but
>> an awesome Screaming Tekno Pig to unleash in a safe studio area.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 21:15:36 2009
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Date: Tue, 21 Jul 2009 21:13:43 GMT
To: Loopers-Delight@loopers-delight.com
Subject: Post Rock/Indie Ambient/Looper Shows in NC/SC/VA/GA
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A few indie ambient/post-rock shows coming up for loopers PD Wilder ( ww=
w.myspace.com/pdwilder ) & Remora ( www.myspace.com/remora ) =


hrt
Brian John Mitchell

July 23, 2009 09:00 PM -  the basement @ crazy j=92s  	=

819 main street, myrtle beach, South Carolina 29577 -
p. d. wilder with remora + electric bird noise + michael wood @ the base=
ment, downstairs @ crazy j=92s.

July 24, 2009 09:00 PM - wormhole 	=

2307 bull street, savannah, Georgia 31401 -
p. d. wilder with remora + port city music @ myspace.com/wormholebar

July 25, 2009 08:00 PM - Big Summer Corn BBQ	=

columbia, South Carolina -
p. d. wilder with remora & tons of others

July 26, 2009 08:00 PM - the juggling gypsy 	=

1612 castle street, wilmington, North Carolina 28401 -
p.d. wilder & remora @ noise sundays, 910 noise, more tba. - jugglinggyp=
sy.com

July 28, 2009 08:00 PM - bobo gallery 	=

22 lexington avenue, asheville, North Carolina 28801 -
p. d. wilder + remora @ bobogallery.com

July 29, 2009 09:00 PM - The Pinhook
117 W. Main Street, Durham, North Carolina 27702
Small Life Form, slicnaton, & PD Wilder @ The Pinhook

July 31, 2009 10:00 PM - the boot 	=

123 W. 21st St, norfolk, Virginia 23517 -
p. d. wilder with the late virginia summers + remora @ the boot - inside=
theboot.com

August 1, 2009 08:00 PM - the good cherry 	=

522 5th street, lynchburg, Virginia 24504 -
p. d. wilder + the late virginia summers

August 4, 2009 08:00 PM -  ghostprint gallery 	=

Richmond, Virginia -
p. d. wilder with the late virginia summers @ ghostprint gallery

August 5, 2009 9:00 PM - the nightlight 	=

405 1/2 west rosemary street, chapel hill, North Carolina 27516 -
p. d. wilder + remora + the late virginia summers @ nightlightclub.com

August 12, 2009 9:00 PM - the Camel
1621 W. Broad St, Richmond, Virginia 23220
Remora & Sky Plant

____________________________________________________________
Free Workers Compensation Legal Information. Click Here.
http://thirdpartyoffers.juno.com/TGL2131/fc/BLSrjnsM48sk2iQjUNJ9zoDwHDWw=
3jbIsHQlTcDzi3SMdGATb1bUvbc5Vqo/

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 21:43:06 2009
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Subject: Loopers forum..
From: Mark Sottilaro <zerocrossing@gmail.com>
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So the other day I find out there's this:

http://loopingmusic.proboards.com/

I'd been wanting something like that for years!

Is there a reason that there's no link on the LD webpage?  Judging by
the success of forums like KVRaudio.com I think something like this
forum could really appeal to people like me that prefer their loopchat
in a forum form.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 21:49:35 2009
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Date: Tue, 21 Jul 2009 23:49:28 +0200
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On Tue, Jul 21, 2009 at 10:40 PM, Mark Sottilaro<zerocrossing@gmail.com> wrote:
> You should name your next album "Screaming Tekno Pig Unleashed in a
> Safe Studio Area"

No, I'm not that keen on dwelling in studio areas. Not even with such
a nice pet around ;-))
You can have that title, Mark, if you are making an album. I know you
love studio magic!

Per

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 21:53:18 2009
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--0015174c3c08280b04046f3e4841
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Im not sure that anything on the LD webpage has been updated for years...
but the forum has been mentioned on this list alot.. funny you missed it!!

On Tue, Jul 21, 2009 at 11:43 PM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> So the other day I find out there's this:
>
> http://loopingmusic.proboards.com/
>
> I'd been wanting something like that for years!
>
> Is there a reason that there's no link on the LD webpage?  Judging by
> the success of forums like KVRaudio.com I think something like this
> forum could really appeal to people like me that prefer their loopchat
> in a forum form.
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c3c08280b04046f3e4841
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Im not sure that anything on the LD webpage has been updated for years... b=
ut the forum has been mentioned on this list alot.. funny you missed it!! <=
br><br><div class=3D"gmail_quote">On Tue, Jul 21, 2009 at 11:43 PM, Mark So=
ttilaro <span dir=3D"ltr">&lt;<a href=3D"mailto:zerocrossing@gmail.com">zer=
ocrossing@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">So the other day =
I find out there&#39;s this:<br>
<br>
<a href=3D"http://loopingmusic.proboards.com/" target=3D"_blank">http://loo=
pingmusic.proboards.com/</a><br>
<br>
I&#39;d been wanting something like that for years!<br>
<br>
Is there a reason that there&#39;s no link on the LD webpage? =A0Judging by=
<br>
the success of forums like KVRaudio.com I think something like this<br>
forum could really appeal to people like me that prefer their loopchat<br>
in a forum form.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c3c08280b04046f3e4841--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 21:58:23 2009
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Date: Tue, 21 Jul 2009 14:50:31 -0700
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Subject: Re: why we founded this list
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Ah, the annual "Hey, why isn't this mailing list a forum?!!!" thread.
TH

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Ah, the annual &quot;Hey, why isn&#39;t this mailing list a forum?!!!&quot; thread.<div><br></div><div>TH<br><br><div class="gmail_quote"><br></div></div>

--0016368e207d531576046f3e3e78--

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From: topu lyo <topulyo@gmail.com>
Subject: Echoplex dying :: NEED HELP ~
Date: Tue, 21 Jul 2009 18:03:32 -0400
To: Loopers-Delight@loopers-delight.com
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Hey everyone!

i hope everyone is having a fantastic tuesday.
so i was getting ready for a rehearsal for a few
shows this weekend and my echoplex will
load up and then the numbers keep flashing
across the screen.  every so often it will settle
down and look normal, and then when i hit
my midi pedal it will just make the numbers
flash across the screen again!

if anyone has any help or info please call me
347.683.5752

or hit me back here!  thx so much in advance.

topu

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 22:51:33 2009
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To: Loopers-Delight@loopers-delight.com
From: topu lyo <topulyo@gmail.com>
Subject: EDP :  does anyone know EDP doctors in NYC????
Date: Tue, 21 Jul 2009 18:50:37 -0400
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sorry for the frequent use of loopers but i am
in a quagmire.  if anyone knows of edp sellers
in the nyc area, or anyone who might be able
to fix or diagnose my machine i woudl so so so
greatly be appreciative....

topu

myspace.com/livefootagebrooklyn

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 22:54:24 2009
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Date: Wed, 22 Jul 2009 00:54:23 +0200
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Subject: Re: Loopers forum..
From: Raul Bonell <raul.bonell@gmail.com>
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checked if i was a registered user and found two entries... should remove one.

2009/7/21, mark francombe <mark@markfrancombe.com>:
> Im not sure that anything on the LD webpage has been updated for years...
> but the forum has been mentioned on this list alot.. funny you missed it!!
>
> On Tue, Jul 21, 2009 at 11:43 PM, Mark Sottilaro
> <zerocrossing@gmail.com>wrote:
>
>> So the other day I find out there's this:
>>
>> http://loopingmusic.proboards.com/
>>
>> I'd been wanting something like that for years!
>>
>> Is there a reason that there's no link on the LD webpage?  Judging by
>> the success of forums like KVRaudio.com I think something like this
>> forum could really appeal to people like me that prefer their loopchat
>> in a forum form.
>>
>>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 23:03:41 2009
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    It's 86 pages...

    Since I only have an old (very slow) flatbed scanner, it would be 
easier to photocopy it and drop it in the mail. PM me with your address 
if you want to go that route...

    TREVOR.

van Sinn wrote:
> Trevor Van Eyck wrote:
> >
> >    I do - it's not a digital copy though...
>
> How many pages?  Is a scan job possible?
>
>
>
> Warren Sirota wrote:
> > omg, haven't heard of that one in a long time. you using it, Van?
>
> Not yet, considering. I have an offer two of those. Not really sure..
>
> I might decide to mod an old Scholz Octopussy (9½" box) with eight 
> on/off switches into an analog switcher/router to have maybe six 
> routings and two on/off switches.
>
>
>
> Jeff Duke wrote:
>> Tough one, I did find this:
>>
>> http://facstaff.uww.edu/craggsj/uptown.html
>>
>> Only the Great Divide and maybe the email will work, i didn't try it.
>>
>> Jeff
>
> Yeah, I know about the link ;)  but alas, alach, no 4x1 manual it seems.
>
>
>
>> ----- Original Message ----- From: "van Sinn" 
>> <vansinn@post.cybercity.dk>
>> To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
>> Sent: Tuesday, July 21, 2009 11:09 AM
>> Subject: Uptown Flash 4x1 manual
>>
>>
>>> Anyone happen to have a manual for an Uptown Flash 4x1 switcher unit?
>>>
>>>
>>> -- 
>>> rgds,
>>> van Sinn
>>>
>>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 21 23:40:49 2009
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Subject: Re: How to use moebius and guitar rig together
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you could also run both as standalones and route the audio from one to the
other with Jack - http://jackaudio.org/

sim

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you could also run both as standalones and route the audio from one to the other with Jack - <a href="http://jackaudio.org/">http://jackaudio.org/</a><br><br>sim<br>

--0016e6db61cab41832046f3fc80c--

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Date: Wed, 22 Jul 2009 01:54:23 +0200
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Subject: Re: How to use moebius and guitar rig together
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jul 22, 2009 at 1:40 AM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> you could also run both as standalones and route the audio from one to the
> other with Jack - http://jackaudio.org/

Or by physical cabling to get a steady latency that can be properly
compensated in Mobius.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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For me, what it works best without any proper "DAW" it's AU Lab wich =20
you already have inside Developer Tools on your installation DVD.

You could avoid installing the complete Developer package by using =20
Pacifist to extract just the app you need.

Very best, Ariel.

El 21/07/2009, a las 12:44, Massimo Liverani H&T escribi=F3:

> Hi to all the loopers!
> As ou know i'm a newbie here, although i play live looping from many =20=

> years using simple instruments...
> But let's go to the question:
> I got a new macbook with OSX 10.5 and and recently i decided to use =20=

> it for looping.
> I play guitars and other instruments like air synths theremins etc.
> I dwnld moebius and i started playing it helped with my FCB1010 and =20=

> it works well.
> But i'd like to  expand possibilities using other stuff that could =20
> me avoid to use external multieffects etc etc
> and i decided to use guitar rig, but i actually dont'k know the =20
> better way to connect them.
> Maybe a sw like live or cubase or logic could resolve the problem =20
> bt...is the simplest way?
> Have you opinions about that?
> T.I.A.
>
> Max Liver
>
> PS Rick... don't give up! ;-)
>

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Date: Tue, 21 Jul 2009 17:12:42 -0700
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Subject: Re: why we founded this list
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I like to time it with the blooming of daffodils.

On Tue, Jul 21, 2009 at 2:50 PM, Travis
Hartnett<travishartnett@gmail.com> wrote:
> Ah, the annual "Hey, why isn't this mailing list a forum?!!!" thread.
> TH
>
>
>

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Subject: Re: How to use moebius and guitar rig together
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Interresting! So AU Lab is working well for you, Ariel?

It is in fact a "miniature Logic" provided developers that create AU
plug-ins and need to test functionalities in a simple host. But if you
are looking at the routing options in AU Lab it is quite advanced.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Jul 22, 2009 at 1:52 AM, Ariel Rzezak<arzezak@gmail.com> wrote:
> For me, what it works best without any proper "DAW" it's AU Lab wich you
> already have inside Developer Tools on your installation DVD.
>
> You could avoid installing the complete Developer package by using Pacifist
> to extract just the app you need.
>
> Very best, Ariel.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 00:22:48 2009
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I'm just loving a few things that I'm listening to right now
and not only wanted to share them with you all but wanted
to know what people are currently listening to.

1)  When I was in Zurich,  I got the chance to go see
Nik Bartsch's RONIN play at their legendary 'Montags'
shows  (with a really nice opening solo looping set
by our own Bernhard Wagner).
I was just blown away. It's the best live instrumental
music I've seen in a very long time.  Minimal, textural
compositions/improvisations exploring the realms of
polyrhythms and odd time signatures.   Every member of his
ensemble firing on all cylinders (bass and contrabass clarinet.
innovative percussion, fretless 6 string bass and traspset) all
mixing with Nik's amazing grand piano/prepared acoustic piano/
electric piano improvisations.  Two fisted on two instruments he
was playing simultaneously in two different time signatures in
waves of acoustic 'loops' that cycled to and from each other.
The sound was amazing to boot.  They record every night
so they have the sound in this venue dialed in.

Nik Bartsch's RONIN ----  'Holon' 

just doesn't leave my  car stereo for very long.   I'm in love and it's 
also inspiring because
this music is just made for live looping experiments (as Bernhard's lovely
and funky set in Rome and Zurich proved.   

2) All day (and as I type) I've been listening to the lovely new

John Hassell CD , "Last Night the Moon Came Dropping its Clothes in the 
Street"

.   This record is as good as any past Hassell records
and that says volumes as he has a half dozen that are in my top 50 list
of favorite CDs of all times.  It is beautiful, haunting, melancholy, 
foreign
and even alien sounding and as intelligent as it gets for a close to
ambient record.   And thanks, Massimo, for hipping me to this little 
gem.   

3)  Just recently I discovered the music of the superlative and creative 
jazz
drummer/composer  Brian Blade so I've purchased both of his jazz CDs
with Brian Blade and the Fellowship.
In the past I've tended to avoid drummer led jazz projects (a horrid 
prejudice
since I'm a writing drummer) but Blade completely avoids having his records
sound like vehicles for drumming.  He's a really good writer and these 
are as
good as any recent releases in jazz.

Then when I heard that he was also writing singer songwriter material I 
was,
again, skeptical.

Brian Blade  "Mama Rosa"     is just a revelation!

He has written a beautiful melancholy meditation on growing up.  He has 
a lovely
voice.  The songs are really well written.  His chordal vocabulary is 
sophisticated
so the record is really interesting but it doesn't sound sophisticated.
It's just simply put, lovely.       

4) Chris and I are driving down to Los Angeles (500km) to see the 
British pop band, Elbow's only west coast
appearance.    There first three CDs are fantastic and incredibly 
inventive.   The production is a marvel,
full of fascinating timbral choices of traditional instruments, found 
sounds and electronics.
Imagine if a band with the stylistic scope of the Beatles were playing 
in the Naughties only
further north in England and with a decidedly darker/moodier and more 
melancholic vibe.

Elbow  "Asleep in the Back'
Elbow  "One of Thousands'
Elbow "Leaders of the Free World"    (which I'd start with first,   it's 
there third)

I'm actually not as enamored of their latest release but it doesn't 
matter because the first three are so good.

5)    Then I sit not 100 feet away from the window of my brother's studio. 
He's writing, recording and developing material for his new CD.    For 
having played frequently
with someone for a very long time, I"m always amazed that every couple 
of days I hear music
come out of his studio (and it wafts through our compound on these hot 
summer days when
the windows are open)  that is beautiful thought provoking and which has 
me constantly
asking him,  "how did you do that".        I promote and demonstrate the
Looperlative LP-1 but Bill is just becoming a master at using it and 
leaves me far in the dust
in terms of his creative depth in using it.
It's not out yet and I'd probably get one free for being family, but I"m 
gonna buy this
sucker when it gets released.

Bill Walker   "As Yet Untitled"


What are you guys and gals listening too?

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 00:30:38 2009
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Tinariwen... Bajofondo.. and Buraka Som Sistema...

Quoting Rick Walker <looppool@cruzio.com>:

> I'm just loving a few things that I'm listening to right now
> and not only wanted to share them with you all but wanted
> to know what people are currently listening to.
>
> 1)  When I was in Zurich,  I got the chance to go see
> Nik Bartsch's RONIN play at their legendary 'Montags'
> shows  (with a really nice opening solo looping set
> by our own Bernhard Wagner).
> I was just blown away. It's the best live instrumental
> music I've seen in a very long time.  Minimal, textural
> compositions/improvisations exploring the realms of
> polyrhythms and odd time signatures.   Every member of his
> ensemble firing on all cylinders (bass and contrabass clarinet.
> innovative percussion, fretless 6 string bass and traspset) all
> mixing with Nik's amazing grand piano/prepared acoustic piano/
> electric piano improvisations.  Two fisted on two instruments he
> was playing simultaneously in two different time signatures in
> waves of acoustic 'loops' that cycled to and from each other.
> The sound was amazing to boot.  They record every night
> so they have the sound in this venue dialed in.
>
> Nik Bartsch's RONIN ----  'Holon' just doesn't leave my  car stereo for
> very long.   I'm in love and it's also inspiring because
> this music is just made for live looping experiments (as Bernhard's lovely
> and funky set in Rome and Zurich proved.   2) All day (and as I type)
> I've been listening to the lovely new
>
> John Hassell CD , "Last Night the Moon Came Dropping its Clothes in the
> Street"
>
> .   This record is as good as any past Hassell records
> and that says volumes as he has a half dozen that are in my top 50 list
> of favorite CDs of all times.  It is beautiful, haunting, melancholy, fore=
ign
> and even alien sounding and as intelligent as it gets for a close to
> ambient record.   And thanks, Massimo, for hipping me to this little
> gem.   3)  Just recently I discovered the music of the superlative and
> creative jazz
> drummer/composer  Brian Blade so I've purchased both of his jazz CDs
> with Brian Blade and the Fellowship.
> In the past I've tended to avoid drummer led jazz projects (a horrid =20
>  prejudice
> since I'm a writing drummer) but Blade completely avoids having his record=
s
> sound like vehicles for drumming.  He's a really good writer and these are=
 as
> good as any recent releases in jazz.
>
> Then when I heard that he was also writing singer songwriter material I wa=
s,
> again, skeptical.
>
> Brian Blade  "Mama Rosa"     is just a revelation!
>
> He has written a beautiful melancholy meditation on growing up.  He has
> a lovely
> voice.  The songs are really well written.  His chordal vocabulary is
> sophisticated
> so the record is really interesting but it doesn't sound sophisticated.
> It's just simply put, lovely.       4) Chris and I are driving down to
> Los Angeles (500km) to see the British pop band, Elbow's only west coast
> appearance.    There first three CDs are fantastic and incredibly
> inventive.   The production is a marvel,
> full of fascinating timbral choices of traditional instruments, found
> sounds and electronics.
> Imagine if a band with the stylistic scope of the Beatles were playing
> in the Naughties only
> further north in England and with a decidedly darker/moodier and more
> melancholic vibe.
>
> Elbow  "Asleep in the Back'
> Elbow  "One of Thousands'
> Elbow "Leaders of the Free World"    (which I'd start with first,
> it's there third)
>
> I'm actually not as enamored of their latest release but it doesn't
> matter because the first three are so good.
>
> 5)    Then I sit not 100 feet away from the window of my brother's
> studio. He's writing, recording and developing material for his new CD.
>    For having played frequently
> with someone for a very long time, I"m always amazed that every couple
> of days I hear music
> come out of his studio (and it wafts through our compound on these hot
> summer days when
> the windows are open)  that is beautiful thought provoking and which
> has me constantly
> asking him,  "how did you do that".        I promote and demonstrate the
> Looperlative LP-1 but Bill is just becoming a master at using it and
> leaves me far in the dust
> in terms of his creative depth in using it.
> It's not out yet and I'd probably get one free for being family, but
> I"m gonna buy this
> sucker when it gets released.
>
> Bill Walker   "As Yet Untitled"
>
>
> What are you guys and gals listening too?


From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 00:36:13 2009
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Yeah, I know it.  I was just over there today as well.
Unfortunately, traffic is generally rather low, and some people on this 
list have been rather against the idea of a looping forum in the past 
... not sure why.  Also, I think Kim still watches this list, but LD 
doesn't get updated much.  A few more links on there would be great.

this one could use a bump too .... great URL, too bad there's not more 
there.

http://www.livelooping.org/


Mark Sottilaro wrote:
> So the other day I find out there's this:
>
> http://loopingmusic.proboards.com/
>
> I'd been wanting something like that for years!
>
> Is there a reason that there's no link on the LD webpage?  Judging by
> the success of forums like KVRaudio.com I think something like this
> forum could really appeal to people like me that prefer their loopchat
> in a forum form.
>
>
>   

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 00:41:28 2009
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Date: Wed, 22 Jul 2009 02:41:27 +0200
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Subject: Re: Loopers forum..
From: Per Boysen <perboysen@gmail.com>
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I'm not against a livelooping forum. I just don't have enough time for
it. Sorting all incoming according to projects, lists and contacts by
mail boxes is what saves my ass daily.

Per Boysen


On Tue, Jul 21, 2009 at 11:49 PM, Aaron Leese<aaronleese@flyloops.com> wrot=
e:
>
>
> Yeah, I know it. =C2=A0I was just over there today as well.
> Unfortunately, traffic is generally rather low, and some people on this l=
ist
> have been rather against the idea of a looping forum in the past ... not
> sure why. =C2=A0Also, I think Kim still watches this list, but LD doesn't=
 get
> updated much. =C2=A0A few more links on there would be great.
>
> this one could use a bump too .... great URL, too bad there's not more
> there.
>
> http://www.livelooping.org/
>
>
> Mark Sottilaro wrote:
>>
>> So the other day I find out there's this:
>>
>> http://loopingmusic.proboards.com/
>>
>> I'd been wanting something like that for years!
>>
>> Is there a reason that there's no link on the LD webpage? =C2=A0Judging =
by
>> the success of forums like KVRaudio.com I think something like this
>> forum could really appeal to people like me that prefer their loopchat
>> in a forum form.
>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 01:12:25 2009
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Rick Wrote,

On Jul 21, 2009, at 5:22 PM, Rick Walker wrote:

> I'm just loving a few things that I'm listening to right now
> and not only wanted to share them with you all but wanted
> to know what people are currently listening to.

> What are you guys and gals listening too?

Right this very minute: Bill Frisell - "Disfarmer" (my copy just =20
arrived today)

In the car coming home: Ali Farka Tour=E9 & Toumani Diabet=E9 - "In The =20=

Heart Of The Moon"

At work all day (via iTunes), lots of random selections in the "world =20=

mucic" genre from:

Salif Keita _"Mouffu"

Sierra Leone's Refugee All-Stars "Living Like a Refugee"

Ali Farka Tour=E9 & Ry Cooder: Talking Timbuktu

Kronos Quartet: "Pieces of Africa"

Jean-Luc Ponty: "Tchokola"

Choying Drolma And Steve Tibbetts - "Ch=F6"

Various artists - Nordic Roots, Volumes 1, 2 & 3

Knut Hamre & Steve Tibbets - "=C5"

Melanesian Choirs - The Blessed Islands (Chants from The Thin Red Line)

Jon Hassell - "Power Spot"

Sigur Ros - "Me=F0 Su=F0 =CD Eyrum Vi=F0 Spilum Endalaust

It's sort of funny . . .

I just recently noticed on several of these CDs that the name of list =20=

member, Jean-Philippe Rykiel, turns up quite a few times in the =20
musical "personnel" in this genre.

And that was just the 8 hours I was at work today . . .

The day before it was a Leo Kottke, Roy Buchanan and Eivind Aarset =20
fest (you can't say I don't have broad tastes).

Cheers,

Ted

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 01:13:36 2009
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DQotLS0tLS0tLS0tLS0tLS0tLS0tLS0tLS0tLQ0KU2VudCB1c2luZyBCbGFja0JlcnJ5DQo=

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2009/7/22, Per Boysen <perboysen@gmail.com>:
> I'm not against a livelooping forum. I just don't have enough time for
> it. Sorting all incoming according to projects, lists and contacts by
> mail boxes is what saves my ass daily.

.. and that saved ass help us gently everyday .. you rock swede!

> Per Boysen
>
>
> On Tue, Jul 21, 2009 at 11:49 PM, Aaron Leese<aaronleese@flyloops.com>
> wrote:
>>
>>
>> Yeah, I know it.  I was just over there today as well.
>> Unfortunately, traffic is generally rather low, and some people on this
>> list
>> have been rather against the idea of a looping forum in the past ... not
>> sure why.  Also, I think Kim still watches this list, but LD doesn't get
>> updated much.  A few more links on there would be great.
>>
>> this one could use a bump too .... great URL, too bad there's not more
>> there.
>>
>> http://www.livelooping.org/
>>
>>
>> Mark Sottilaro wrote:
>>>
>>> So the other day I find out there's this:
>>>
>>> http://loopingmusic.proboards.com/
>>>
>>> I'd been wanting something like that for years!
>>>
>>> Is there a reason that there's no link on the LD webpage?  Judging by
>>> the success of forums like KVRaudio.com I think something like this
>>> forum could really appeal to people like me that prefer their loopchat
>>> in a forum form.
>>>
>>>
>>>
>>
>>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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	 <4C82C7EC-EEA5-4056-88EF-1851BB3DDD82@charter.net>
Date: Wed, 22 Jul 2009 03:31:05 +0200
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Subject: Re: OT: What's on your iPod/CDplayer/Turntable
From: Raul Bonell <raul.bonell@gmail.com>
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... i've just felt in love recently with pop/rock/indie band "blonde
redhead" ... this mixed with a bits of steve jansen's "slope",
buckethead's first "colma", CT-ReUse, argentinian crafty related trio
*big time*, dejohnette, bailey, and the bunch of LD members files i've
downloaded... i'm on vacation, what did you expect? :-))

2009/7/22, tEd =AE KiLLiAn <tedkillian@charter.net>:
> Rick Wrote,
>
> On Jul 21, 2009, at 5:22 PM, Rick Walker wrote:
>
>> I'm just loving a few things that I'm listening to right now
>> and not only wanted to share them with you all but wanted
>> to know what people are currently listening to.
>
>> What are you guys and gals listening too?
>
> Right this very minute: Bill Frisell - "Disfarmer" (my copy just
> arrived today)
>
> In the car coming home: Ali Farka Tour=E9 & Toumani Diabet=E9 - "In The
> Heart Of The Moon"
>
> At work all day (via iTunes), lots of random selections in the "world
> mucic" genre from:
>
> Salif Keita _"Mouffu"
>
> Sierra Leone's Refugee All-Stars "Living Like a Refugee"
>
> Ali Farka Tour=E9 & Ry Cooder: Talking Timbuktu
>
> Kronos Quartet: "Pieces of Africa"
>
> Jean-Luc Ponty: "Tchokola"
>
> Choying Drolma And Steve Tibbetts - "Ch=F6"
>
> Various artists - Nordic Roots, Volumes 1, 2 & 3
>
> Knut Hamre & Steve Tibbets - "=C5"
>
> Melanesian Choirs - The Blessed Islands (Chants from The Thin Red Line)
>
> Jon Hassell - "Power Spot"
>
> Sigur Ros - "Me=F0 Su=F0 =CD Eyrum Vi=F0 Spilum Endalaust
>
> It's sort of funny . . .
>
> I just recently noticed on several of these CDs that the name of list
> member, Jean-Philippe Rykiel, turns up quite a few times in the
> musical "personnel" in this genre.
>
> And that was just the 8 hours I was at work today . . .
>
> The day before it was a Leo Kottke, Roy Buchanan and Eivind Aarset
> fest (you can't say I don't have broad tastes).
>
> Cheers,
>
> Ted
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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----Original Message-----
>From: Rick Walker <looppool@cruzio.com>>
>What are you guys and gals listening too?
>

after attending this huge ass show in oakland w/ MERMEN:http://thebigartexperience.com/

i heard and seen these crazees and asked them for a cd-lov itt:

http://www.youtube.com/watch?v=_2SnVZuepNI&NR=1

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I just can't believe what an amazingly inspiring, beautifully composed =20=

and wonderfully played cd it's Tiny Resistors by Todd Sickafoose's =20
great band (including two REAL interesting guitarists as Adam Levy and =20=

Mike Gamble).

I can't recommend that cd enough.

El 21/07/2009, a las 21:22, Rick Walker escribi=F3:
>
>
> What are you guys and gals listening too?
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>I just can't believe what =
an amazingly inspiring, beautifully composed and wonderfully played cd =
it's Tiny Resistors by Todd Sickafoose's great band (including two REAL =
interesting guitarists as Adam Levy and Mike =
Gamble).</div><div><br></div><div>I can't recommend that cd =
enough.&nbsp;</div><br><div><div>El 21/07/2009, a las 21:22, Rick Walker =
escribi=F3:</div><blockquote type=3D"cite"><div><font =
class=3D"Apple-style-span" color=3D"#000000"><br></font><br>What are you =
guys and gals listening =
too?<br><br></div></blockquote></div><br></body></html>=

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Subject: OT: What's on your iPod/CDplayer/Turntable
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Radio documentaries.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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From: Ariel Rzezak <arzezak@gmail.com>
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Subject: Re: How to use moebius and guitar rig together
Date: Tue, 21 Jul 2009 22:47:36 -0300
References: <4A65E24C.904@het.it> <96582D16-7FAD-467D-865A-C133F84B4E22@gmail.com> <66f9cc1e0907211714m4f60ffcdn106bef638868f9c1@mail.gmail.com>
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Exactly.

Lots of routing options, in fact, a nice "pro" virtual mixer.

Besides, it has a transport (like any other daw) wich suits very well =20=

the needs of my beat sinc plugins (even with guitar).  I've never used =20=

it in a performance situation but, on the other hand, it's been =20
working great on rehearsals.

AU Lab, in my experience, it's a great "live use" app for when i need =20=

something simple and light on resources for my guitar rig - mobius (or =20=

sooperlooper) setup (with auxiliar sends for suppatrigga and other =20
audio mangling goods).

Very best, Ariel.

El 21/07/2009, a las 21:14, Per Boysen escribi=F3:

> Interresting! So AU Lab is working well for you, Ariel?
>
> It is in fact a "miniature Logic" provided developers that create AU
> plug-ins and need to test functionalities in a simple host. But if you
> are looking at the routing options in AU Lab it is quite advanced.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Wed, Jul 22, 2009 at 1:52 AM, Ariel Rzezak<arzezak@gmail.com> =20
> wrote:
>> For me, what it works best without any proper "DAW" it's AU Lab =20
>> wich you
>> already have inside Developer Tools on your installation DVD.
>>
>> You could avoid installing the complete Developer package by using =20=

>> Pacifist
>> to extract just the app you need.
>>
>> Very best, Ariel.
>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 03:19:38 2009
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Wow this is a really neat thread that I don't recall has been put out there.
 These days queued on iPod are...
1) Catherine Todd, a Windham Hillish but slightly darker and more
interesting solo pianist who found  Chinapainting as a by chance and struck
up correspondence with Daryl and I.  Over time I would up encouraging to
record her music something that she initially wasn't confident in but in
time she did in deed do that.  I've been listening to a series of pieces of
her's from that recorded energy, http://www.last.fm/music/Catherine+Todd .

2)
Our own Jeff Duke.  His Wait sessions released back in the spring.
Some wonderful tones, feelings and energy and a real fav of mine from
this series plays on my southern roots.  Titled 'I Really Shouldn't Be
Here' is a mixed audio media piece fusing an old secretly recored
narrative of a somewhat minister/herion addict doing his spin on the
book of Revelation.  Jeff took that and embellished with a lovely bed
of Dukish tones. I really can't say enough good about this track, it
so much reminds me of a
time in Arkansas when I played with some pentecostal musicians, you might
call them holy rollers, very carismatic folks full of emotion, faith, zeal,
music of course and a tad crazy to most.  http://jeffduke.bandcamp.com/

<http://jeffduke.bandcamp.com/>3) Ralph Towner, what can I say.  Major
influence to me as much as my earlier influence from the late Michael
Hedges.  I seriously committed to the guitar late by most standards, mid
20's.  So did Ralph this has always been major encouraging to me.  This is
his live ECM solo recording think it's just called Solo from late 70's or
early 80's.  This one may be out of print I can't locate the link, I have
the cd but tonight I can't locate it however I had ripped the trax sometime
back.

4) My bud in Chinapainting, Daryl's most recent solo release Body of a Poet.
 Great rhythmic, precise, emotional, slightly Los Loboish, slightly Gypsy
Kings but all Daryl, solo acoustic and fat.  Fav's are Despertada por la
Madrugada, Craquelure and Drink the Desert.  http://darylshawn.bandcamp.com.

5) another ECM fav, given to me by a guitar student of
mine when he learned I had bought an oud.  This mix of solo oud and
trio (oud, violin and percussion) is a killer.  The artist is Anouar
Brahem and the record is Barzakh.  This one seems out of print as well but
here's the link on Ecm about him
http://www.ecmrecords.com/Catalogue/ECM/1900/1915.php?lvredir=712&catid=0&doctype=Catalogue&order=releasedate&we_search=%2BAnouar+%2BBrahem&rubchooser=901&mainrubchooser=9

<http://www.ecmrecords.com/Catalogue/ECM/1900/1915.php?lvredir=712&catid=0&doctype=Catalogue&order=releasedate&we_search=%2BAnouar+%2BBrahem&rubchooser=901&mainrubchooser=9>6)
A
gentleman some of you know who live in the Bay area.  I discovered him
as a fluke when I was there on weekend in 1992, this etheral ringing
music from nearly a block away down by the Fisherman's Wharf.  Drew
closer to see this guy hammering on what appeared a hammered dulcimer
on acid on some kind of table make shift way of getting it round.
Enter Michael Masley, street musician of many years in SF and just
amazes me.  Fast
fwd 10 years, I was leaving the Anaheim Convention Center at NAMM and was
walking through the trees and hear this same haunting music and I knew it
was 'him'.  Got closer and there was Michael, this time we chatted, hung out
a bit and have since been in touch thankfully.  Rick I highly recommend to
get this guy to come to Loopfest though he doesn't use the technology perse
he is just an amazing creative inventive artist and several on the list will
echo this I think.  The tunes on my ipod are from his Cymbalom Solos CD
http://www.artistgeneral.com/Cymbsolo.html

7) Steve Tibbetts, another ECM fav, he did a series of really great
landscapish records in the 80's, this one is wonderful, Big Map Idea.
http://www.ecmrecords.com/Catalogue/ECM/1300/1380.php?cat=&we_start=0&lvredir=712&we_search=%2BTibbetts

8) From my fretless guitar community (http://www.unfretted.com) a guy I met
last fall when I played at the NYC Fretless Guitar Festival, Neil Haverstack
aka Stickman, great dude and doing some wonderful fretless creations, this
CD Mysterious Female, http://microstick.net/

9) This one is for 'fun', Patti Smith Gung Ho.  All Patti maybe a bit more
mellow less angry somewhat dark but 'lived'.  Fav track 'Lo and Beholden',
http://www.amazon.com/Gung-Ho-Patti-Smith/dp/B00004RCYB

and not to be too self righteous but some of my own stuff, my Vertical
release from the 2009 RPM month, the ReUse record I produced this past
spring for CT-Collective and Chinapainting's studio CD Night Blooming
Cereus, many good memories on this one but again not to be self serving
here.  these are at http://jimgoodin.bandcamp.com should you be curious.

Man I love these kind of threads, love everyone's details about their
thoughts on what they're spinning.  Good thread Rick.

Best


Jim
On Tue, Jul 21, 2009 at 9:55 PM, Per Boysen <perboysen@gmail.com> wrote:

> Radio documentaries.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se,
> www.perboysen.com
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a49039c11a046f42d7ea
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Wow this is a really neat thread that I don&#39;t recall has been put out t=
here. =A0These days queued on iPod are...<div><br></div><div>1) Catherine T=
odd, a Windham Hillish but slightly darker and more interesting solo pianis=
t who found =A0Chinapainting as a by chance and struck up correspondence wi=
th Daryl and I. =A0Over time I would up encouraging to record her music som=
ething that she initially wasn&#39;t confident in but in time she did in de=
ed do that. =A0I&#39;ve been listening to a series of pieces of her&#39;s f=
rom that recorded energy,=A0<a href=3D"http://www.last.fm/music/Catherine+T=
odd">http://www.last.fm/music/Catherine+Todd</a> .</div>
<div><br></div><div>2) Our=A0own=A0Jeff=A0Duke.=A0=A0His=A0Wait=A0sessions=
=A0released=A0back=A0in=A0the=A0spring.=A0=A0Some=A0wonderful=A0tones,=A0fe=
elings=A0and=A0energy=A0and=A0a=A0real=A0fav=A0of=A0mine=A0from=A0this=A0se=
ries=A0plays=A0on=A0my=A0southern=A0roots.=A0=A0Titled=A0&#39;I=A0Really=A0=
Shouldn&#39;t=A0Be=A0Here&#39;=A0is=A0a=A0mixed=A0audio=A0media=A0piece=A0f=
using=A0an=A0old=A0secretly=A0recored=A0narrative=A0of=A0a=A0somewhat=A0min=
ister/herion=A0addict=A0doing=A0his=A0spin=A0on=A0the=A0book=A0of=A0Revelat=
ion.=A0=A0Jeff=A0took=A0that=A0and=A0embellished=A0with=A0a=A0lovely=A0bed=
=A0of=A0Dukish=A0tones.=A0I=A0really=A0can&#39;t=A0say=A0enough=A0good=A0ab=
out=A0this=A0track,=A0it=A0so=A0much=A0reminds=A0me=A0of=A0a time in Arkans=
as when I played with some pentecostal musicians, you might call them holy =
rollers, very carismatic folks full of emotion, faith, zeal, music of cours=
e and a tad crazy to most. =A0<a href=3D"http://jeffduke.bandcamp.com/">htt=
p://jeffduke.bandcamp.com/</a></div>
<div><br></div><div><a href=3D"http://jeffduke.bandcamp.com/"></a>3) Ralph =
Towner, what can I say. =A0Major influence to me as much as my earlier infl=
uence from the late Michael Hedges. =A0I seriously committed to the guitar =
late by most standards, mid 20&#39;s. =A0So did Ralph this has always been =
major encouraging to me. =A0This is his live ECM solo recording think it&#3=
9;s just called Solo from late 70&#39;s or early 80&#39;s. =A0This one may =
be out of print I can&#39;t locate the link, I have the cd but tonight I ca=
n&#39;t locate it however I had ripped the trax sometime back.</div>
<div><br></div><div>4) My bud in Chinapainting, Daryl&#39;s most recent sol=
o release Body of a Poet. =A0Great rhythmic, precise, emotional, slightly L=
os Loboish, slightly Gypsy Kings but all Daryl, solo acoustic and fat. =A0F=
av&#39;s are Despertada por la Madrugada, Craquelure and Drink the Desert. =
=A0<a href=3D"http://darylshawn.bandcamp.com">http://darylshawn.bandcamp.co=
m</a> .</div>
<div><br></div><div>5) another ECM fav, given to me by a guitar student of =
mine=A0when=A0he=A0learned=A0I=A0had=A0bought=A0an=A0oud.=A0=A0This=A0mix=
=A0of=A0solo=A0oud=A0and=A0trio=A0(oud,=A0violin=A0and=A0percussion)=A0is=
=A0a=A0killer.=A0=A0The=A0artist=A0is=A0<span class=3D"Apple-style-span" st=
yle=3D"font-family: &#39;Lucida Grande&#39;; font-size: 13px; ">Anouar Brah=
em and the record is Barzakh. =A0This one seems out of print as well but he=
re&#39;s the link on Ecm about him=A0<a href=3D"http://www.ecmrecords.com/C=
atalogue/ECM/1900/1915.php?lvredir=3D712&amp;catid=3D0&amp;doctype=3DCatalo=
gue&amp;order=3Dreleasedate&amp;we_search=3D%2BAnouar+%2BBrahem&amp;rubchoo=
ser=3D901&amp;mainrubchooser=3D9">http://www.ecmrecords.com/Catalogue/ECM/1=
900/1915.php?lvredir=3D712&amp;catid=3D0&amp;doctype=3DCatalogue&amp;order=
=3Dreleasedate&amp;we_search=3D%2BAnouar+%2BBrahem&amp;rubchooser=3D901&amp=
;mainrubchooser=3D9</a></span></div>
<div><font class=3D"Apple-style-span" face=3D"&#39;Lucida Grande&#39;"><br>=
</font></div><div><a href=3D"http://www.ecmrecords.com/Catalogue/ECM/1900/1=
915.php?lvredir=3D712&amp;catid=3D0&amp;doctype=3DCatalogue&amp;order=3Drel=
easedate&amp;we_search=3D%2BAnouar+%2BBrahem&amp;rubchooser=3D901&amp;mainr=
ubchooser=3D9"></a><font class=3D"Apple-style-span" face=3D"&#39;Lucida Gra=
nde&#39;"><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-s=
erif">6) A gentleman=A0some=A0of=A0you=A0know=A0who=A0live=A0in=A0the=A0Bay=
=A0area.=A0=A0I=A0discovered=A0him=A0as=A0a=A0fluke=A0when=A0I=A0was=A0ther=
e=A0on=A0weekend=A0in=A01992,=A0this=A0etheral=A0ringing=A0music=A0from=A0n=
early=A0a=A0block=A0away=A0down=A0by=A0the=A0Fisherman&#39;s=A0Wharf.=A0=A0=
Drew=A0closer=A0to=A0see=A0this=A0guy=A0hammering=A0on=A0what=A0appeared=A0=
a=A0hammered=A0dulcimer=A0on=A0acid=A0on=A0some=A0kind=A0of=A0table=A0make=
=A0shift=A0way=A0of=A0getting=A0it=A0round.=A0=A0Enter=A0Michael=A0Masley,=
=A0street=A0musician=A0of=A0many=A0years=A0in=A0SF=A0and=A0just=A0amazes=A0=
me.=A0=A0Fast fwd 10 years, I was leaving the Anaheim Convention Center at =
NAMM and was walking through the trees and hear this same haunting music an=
d I knew it was &#39;him&#39;. =A0Got closer and there was Michael, this ti=
me we chatted, hung out a bit and have since been in touch thankfully. =A0R=
ick I highly recommend to get this guy to come to Loopfest though he doesn&=
#39;t use the technology perse he is just an amazing creative inventive art=
ist and several on the list will echo this I think. =A0The tunes on my ipod=
 are from his Cymbalom Solos CD=A0<a href=3D"http://www.artistgeneral.com/C=
ymbsolo.html">http://www.artistgeneral.com/Cymbsolo.html</a></font></font><=
/div>
<div><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"=
><br></font></div><div><font class=3D"Apple-style-span" face=3D"arial, helv=
etica, sans-serif">7) Steve Tibbetts, another ECM fav, he did a series of r=
eally great landscapish records in the 80&#39;s, this one is wonderful, Big=
 Map Idea. =A0<a href=3D"http://www.ecmrecords.com/Catalogue/ECM/1300/1380.=
php?cat=3D&amp;we_start=3D0&amp;lvredir=3D712&amp;we_search=3D%2BTibbetts">=
http://www.ecmrecords.com/Catalogue/ECM/1300/1380.php?cat=3D&amp;we_start=
=3D0&amp;lvredir=3D712&amp;we_search=3D%2BTibbetts</a></font></div>
<div><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"=
><br></font></div><div><font class=3D"Apple-style-span" face=3D"arial, helv=
etica, sans-serif">8) From my fretless guitar community (<a href=3D"http://=
www.unfretted.com">http://www.unfretted.com</a>) a guy I met last fall when=
 I played at the NYC Fretless Guitar Festival, Neil Haverstack aka Stickman=
, great dude and doing some wonderful fretless creations, this CD Mysteriou=
s Female,=A0<a href=3D"http://microstick.net/">http://microstick.net/</a></=
font></div>
<div><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"=
><br></font></div><div><font class=3D"Apple-style-span" face=3D"arial, helv=
etica, sans-serif">9) This one is for &#39;fun&#39;, Patti Smith Gung Ho. =
=A0All Patti maybe a bit more mellow less angry somewhat dark but &#39;live=
d&#39;. =A0Fav track &#39;Lo and Beholden&#39;,=A0<a href=3D"http://www.ama=
zon.com/Gung-Ho-Patti-Smith/dp/B00004RCYB">http://www.amazon.com/Gung-Ho-Pa=
tti-Smith/dp/B00004RCYB</a></font></div>
<div><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"=
><br></font></div><div><font class=3D"Apple-style-span" face=3D"arial, helv=
etica, sans-serif">and not to be too self righteous but some of my own stuf=
f, my Vertical release from the 2009 RPM month, the ReUse record I produced=
 this past spring for CT-Collective and Chinapainting&#39;s studio CD Night=
 Blooming Cereus, many good memories on this one but again not to be self s=
erving here. =A0these are at <a href=3D"http://jimgoodin.bandcamp.com">http=
://jimgoodin.bandcamp.com</a>=A0should you be curious.</font></div>
<div><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"=
><br></font></div><div><font class=3D"Apple-style-span" face=3D"arial, helv=
etica, sans-serif">Man I love these kind of threads, love everyone&#39;s de=
tails about their thoughts on what they&#39;re spinning. =A0Good thread Ric=
k.</font></div>
<div><font class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif"=
><br></font></div><div><font class=3D"Apple-style-span" face=3D"arial, helv=
etica, sans-serif">Best</font></div><div><font class=3D"Apple-style-span" f=
ace=3D"arial, helvetica, sans-serif"><br>
</font></div><div><font class=3D"Apple-style-span" face=3D"arial, helvetica=
, sans-serif"><br></font></div><div><font class=3D"Apple-style-span" face=
=3D"arial, helvetica, sans-serif">Jim</font></div><div><div class=3D"gmail_=
quote">On Tue, Jul 21, 2009 at 9:55 PM, Per Boysen <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wro=
te:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Radio documentaries.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a>,<br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an intros=
pective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.my=
space.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636c5a49039c11a046f42d7ea--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 03:30:04 2009
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Date: Wed, 22 Jul 2009 03:30:03 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: How to use moebius and guitar rig together
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I was under the impression that Garage Band only uses its own plugins and i=
s not able to host anything else but ive never used it so dont quote me on =
that one!
cheers
Luis

--- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Di, 21.7.2009:

> Von: Mark Sottilaro <zerocrossing@gmail.com>
> Betreff: Re: How to use moebius and guitar rig together
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 21. Juli 2009, 11:23
> You'll need an application called a
> "host" to do this.=A0 Luckily your
> Macbook came with one for free called Garageband.=A0
> I've not used it
> much, but I think it should be fairly simple to load them
> up as
> plug-ins and make it happen.=A0 I personally like
> Ableton's Live for
> this, but there are plenty of apps that'll more or less get
> you there.
>=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 03:35:06 2009
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Subject: PastGigSpam: Chinapainting uStream clips from Sunday
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5b4968fe9d5046f430ee6
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As many know and several were there Sunday, thank you so much folks, Daryl
and I did the first Chinapainting <http://www.chinapaintingmusic.com> live
webcast this past Sunday as a precursor to our final appearance in NY this
time out.  The cast was great fun and I was so glad we could work it in to
this group of shows that we did over the last week.  I have set highlight
points in the hour + long recording as uStream lets you do.
Goto my uStream URL at
http://www.ustream.tv/channel/sunday-morning-at-11for a look listen.

Once again
thanks so much to those from the community who joined us, Rainer,
Ricky, Matt, Chris, Steve, JC and some others I know I'm forgetting,
forgive me but thank you folks.  Hopefully when Daryl gets back to MX
we can figure a way to occasionally do more of these as a host and
remote host thing.  Stay tuned...

Jim
-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b4968fe9d5046f430ee6
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As many know and several were there Sunday, thank you so much folks, Daryl =
and I did the first <a href=3D"http://www.chinapaintingmusic.com">Chinapain=
ting</a> live webcast this past Sunday as a precursor to our final appearan=
ce in NY this time out. =A0The cast was great fun and I was so glad we coul=
d work it in to this group of shows that we did over the last week. =A0I ha=
ve set highlight points in the hour + long recording as uStream lets you do=
.<div>
<br></div><div>Goto my uStream URL at <a href=3D"http://www.ustream.tv/chan=
nel/sunday-morning-at-11">http://www.ustream.tv/channel/sunday-morning-at-1=
1</a> for a look listen. =A0</div><div><br></div><div>Once again thanks=A0s=
o=A0much=A0to=A0those=A0from=A0the=A0community=A0who=A0joined=A0us,=A0Raine=
r,=A0Ricky,=A0Matt,=A0Chris,=A0Steve,=A0JC=A0and=A0some=A0others=A0I=A0know=
=A0I&#39;m=A0forgetting,=A0forgive=A0me=A0but=A0thank=A0you=A0folks.=A0=A0H=
opefully=A0when=A0Daryl=A0gets=A0back=A0to=A0MX=A0we=A0can=A0figure=A0a=A0w=
ay=A0to=A0occasionally=A0do=A0more=A0of=A0these=A0as=A0a=A0host=A0and=A0rem=
ote=A0host=A0thing.=A0=A0Stay=A0tuned...</div>
<div><br></div><div>Jim<br>-- <br>ReUse, an introspective textural aural<br=
><a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br>=
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636c5b4968fe9d5046f430ee6--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 03:35:45 2009
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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4A665BD2.5040905@cruzio.com>
In-Reply-To: <4A665BD2.5040905@cruzio.com>
Subject: RE: What's on your iPod/CDplayer/Turntable
Date: Tue, 21 Jul 2009 23:35:41 -0400
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I've got 3000+ songs in my MP3 player (PC) set to random.  Old school prog
and metal.  Iron Maiden, Black Sabbath, Megadeth, Opeth, Tool, Dream
Theater, Porcupine Tree, Kansas, Yes, Pink Floyd... every once a while Rev
Gary Davis or Robert Johnson pops up.

Last few cds that turned my head were Riverside - Anno Domini High
Definition, Opeth- Watershed, and Dream Theater - Black Clouds and Silver
Lining.

Tony

-----Original Message-----
From: Rick Walker [mailto:looppool@cruzio.com] 
Sent: Tuesday, July 21, 2009 8:23 PM
To: LOOPERS DELIGHT (posting)
Subject: OT: What's on your iPod/CDplayer/Turntable

I'm just loving a few things that I'm listening to right now
and not only wanted to share them with you all but wanted
to know what people are currently listening to.

1)  When I was in Zurich,  I got the chance to go see
Nik Bartsch's RONIN play at their legendary 'Montags'
shows  (with a really nice opening solo looping set
by our own Bernhard Wagner).
I was just blown away. It's the best live instrumental
music I've seen in a very long time.  Minimal, textural
compositions/improvisations exploring the realms of
polyrhythms and odd time signatures.   Every member of his
ensemble firing on all cylinders (bass and contrabass clarinet.
innovative percussion, fretless 6 string bass and traspset) all
mixing with Nik's amazing grand piano/prepared acoustic piano/
electric piano improvisations.  Two fisted on two instruments he
was playing simultaneously in two different time signatures in
waves of acoustic 'loops' that cycled to and from each other.
The sound was amazing to boot.  They record every night
so they have the sound in this venue dialed in.

Nik Bartsch's RONIN ----  'Holon' 

just doesn't leave my  car stereo for very long.   I'm in love and it's 
also inspiring because
this music is just made for live looping experiments (as Bernhard's lovely
and funky set in Rome and Zurich proved.   

2) All day (and as I type) I've been listening to the lovely new

John Hassell CD , "Last Night the Moon Came Dropping its Clothes in the 
Street"

.   This record is as good as any past Hassell records
and that says volumes as he has a half dozen that are in my top 50 list
of favorite CDs of all times.  It is beautiful, haunting, melancholy, 
foreign
and even alien sounding and as intelligent as it gets for a close to
ambient record.   And thanks, Massimo, for hipping me to this little 
gem.   

3)  Just recently I discovered the music of the superlative and creative 
jazz
drummer/composer  Brian Blade so I've purchased both of his jazz CDs
with Brian Blade and the Fellowship.
In the past I've tended to avoid drummer led jazz projects (a horrid 
prejudice
since I'm a writing drummer) but Blade completely avoids having his records
sound like vehicles for drumming.  He's a really good writer and these 
are as
good as any recent releases in jazz.

Then when I heard that he was also writing singer songwriter material I 
was,
again, skeptical.

Brian Blade  "Mama Rosa"     is just a revelation!

He has written a beautiful melancholy meditation on growing up.  He has 
a lovely
voice.  The songs are really well written.  His chordal vocabulary is 
sophisticated
so the record is really interesting but it doesn't sound sophisticated.
It's just simply put, lovely.       

4) Chris and I are driving down to Los Angeles (500km) to see the 
British pop band, Elbow's only west coast
appearance.    There first three CDs are fantastic and incredibly 
inventive.   The production is a marvel,
full of fascinating timbral choices of traditional instruments, found 
sounds and electronics.
Imagine if a band with the stylistic scope of the Beatles were playing 
in the Naughties only
further north in England and with a decidedly darker/moodier and more 
melancholic vibe.

Elbow  "Asleep in the Back'
Elbow  "One of Thousands'
Elbow "Leaders of the Free World"    (which I'd start with first,   it's 
there third)

I'm actually not as enamored of their latest release but it doesn't 
matter because the first three are so good.

5)    Then I sit not 100 feet away from the window of my brother's studio. 
He's writing, recording and developing material for his new CD.    For 
having played frequently
with someone for a very long time, I"m always amazed that every couple 
of days I hear music
come out of his studio (and it wafts through our compound on these hot 
summer days when
the windows are open)  that is beautiful thought provoking and which has 
me constantly
asking him,  "how did you do that".        I promote and demonstrate the
Looperlative LP-1 but Bill is just becoming a master at using it and 
leaves me far in the dust
in terms of his creative depth in using it.
It's not out yet and I'd probably get one free for being family, but I"m 
gonna buy this
sucker when it gets released.

Bill Walker   "As Yet Untitled"


What are you guys and gals listening too?

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 03:41:31 2009
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Subject: OTmaybe: Equipment that lived to tell about it
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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Well okay I'm a chatterbox tonight but had to do one more.  This morning my
beloved Macbook Pro was sitting temporarily parked about 8 inches off the
ground.  I turned away for a moment and suddenly heard a hard bang turning
to see it on the ground, yikes f&*k, okay prepare Jimbo the harddrive is
toast.  It was in sleep, I nervously picked it up, opened the display,
brought it to life from 'sleep' and was thankfully amazed that it came to
life, the screen was intact, the camera worked, sound worked and the drive
worked, all seemed happy and me thereby thankful.  It does seem
psychologically bruised in some way or maybe it's me.  Thankfully it
lives...
J

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636d34bf8804f68046f4325c1
Content-Type: text/html; charset=ISO-8859-1
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Well okay I&#39;m a chatterbox tonight but had to do one more. =A0This morn=
ing my beloved Macbook Pro was sitting temporarily parked about 8 inches of=
f the ground. =A0I turned away for a moment and suddenly heard a hard bang =
turning to see it on the ground, yikes f&amp;*k, okay prepare Jimbo the har=
ddrive is toast. =A0It was in sleep, I nervously picked it up, opened the d=
isplay, brought it to life from &#39;sleep&#39; and was thankfully amazed t=
hat it came to life, the screen was intact, the camera worked, sound worked=
 and the drive worked, all seemed happy and me thereby thankful. =A0It does=
 seem psychologically bruised in some way or maybe it&#39;s me. =A0Thankful=
ly it lives...<div>
<br></div><div>J<br clear=3D"all"><br>-- <br>ReUse, an introspective textur=
al aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtRe=
Use</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">=
www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636d34bf8804f68046f4325c1--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 03:48:48 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4A665BD2.5040905@cruzio.com>
Subject: Re: OT: What's on your iPod/CDplayer/Turntable
Date: Tue, 21 Jul 2009 23:48:47 -0400
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I always liked these because I get to find out about even more music that I 
haven't heard!

Sometimes on shuffle and sometimes not I have currently playing:

Miles Davis - Sketches of Spain
Frank Zappa - Sleep Dirt
Porcupine Tree - Niles Recurring
Mike Patton - Crank 2 High Voltage soundtrack
Secret Chiefs 3 (as The Traditionalists) - Le Mani Destre Recise Degli 
Ultimi Uomini
Splattercell - Oah
Fantomas - Melvins Big Band
The Mars Volta - Amputechture

Hey only one looper in the bunch!


peace out,

Jeff

p.s.
I just saw Jims post, thanks for the shout out Jim!
I am watching/listening to Chinapainting now 
http://www.ustream.tv/channel/sunday-morning-at-11 I was really sorry I had 
to work and missed it live but this is the next best thing. Tasty! I gotta 
ask Daryl what kind of axe he is playing at the beginning.... 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 03:51:38 2009
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	 <4A6637D4.6050101@flyloops.com>
	 <66f9cc1e0907211741h1747088xba8d33266ebd75ef@mail.gmail.com>
	 <afb941d0907211818h7b315cd3r984fdaa59dfbec37@mail.gmail.com>
Date: Tue, 21 Jul 2009 20:51:37 -0700
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Subject: Re: Loopers forum..
From: Mark Sottilaro <zerocrossing@gmail.com>
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I don't get it... to me it seems like a forum is a better use of your
time because it's all there for the pick'n as opposed to being forced
at you to sift though.  When I see a "Help with EDP" thread here I
have to keep deleting the emails as they come in because I can't offer
anything useful to the conversation.  If it's a thread on a forum, I
never really need to even see it if I don't go into the thread.

On Tue, Jul 21, 2009 at 6:18 PM, Raul Bonell<raul.bonell@gmail.com> wrote:
> 2009/7/22, Per Boysen <perboysen@gmail.com>:
>> I'm not against a livelooping forum. I just don't have enough time for
>> it. Sorting all incoming according to projects, lists and contacts by
>> mail boxes is what saves my ass daily.
>
> .. and that saved ass help us gently everyday .. you rock swede!
>
>> Per Boysen
>>
>>
>> On Tue, Jul 21, 2009 at 11:49 PM, Aaron Leese<aaronleese@flyloops.com>
>> wrote:
>>>
>>>
>>> Yeah, I know it. =A0I was just over there today as well.
>>> Unfortunately, traffic is generally rather low, and some people on this
>>> list
>>> have been rather against the idea of a looping forum in the past ... no=
t
>>> sure why. =A0Also, I think Kim still watches this list, but LD doesn't =
get
>>> updated much. =A0A few more links on there would be great.
>>>
>>> this one could use a bump too .... great URL, too bad there's not more
>>> there.
>>>
>>> http://www.livelooping.org/
>>>
>>>
>>> Mark Sottilaro wrote:
>>>>
>>>> So the other day I find out there's this:
>>>>
>>>> http://loopingmusic.proboards.com/
>>>>
>>>> I'd been wanting something like that for years!
>>>>
>>>> Is there a reason that there's no link on the LD webpage? =A0Judging b=
y
>>>> the success of forums like KVRaudio.com I think something like this
>>>> forum could really appeal to people like me that prefer their loopchat
>>>> in a forum form.
>>>>
>>>>
>>>>
>>>
>>>
>>
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 04:00:24 2009
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	 <001001ca0a7f$51c66000$45802245@YOUR08D5303051>
Date: Wed, 22 Jul 2009 00:00:22 -0400
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Subject: Re: OT: What's on your iPod/CDplayer/Turntable
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Wow Jeff such a range with Frank near top, miss him...
Thanks re the words, we missed you.  The axe is a travel guitar he got last
summer made by these folks I believe, http://www.travelerguitar.com/ it's
pretty cool, Steinbergerlikish

Who is Secret Chiefs?  sounds cool



On Tue, Jul 21, 2009 at 11:48 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

> I always liked these because I get to find out about even more music that I
> haven't heard!
>
> Sometimes on shuffle and sometimes not I have currently playing:
>
> Miles Davis - Sketches of Spain
> Frank Zappa - Sleep Dirt
> Porcupine Tree - Niles Recurring
> Mike Patton - Crank 2 High Voltage soundtrack
> Secret Chiefs 3 (as The Traditionalists) - Le Mani Destre Recise Degli
> Ultimi Uomini
> Splattercell - Oah
> Fantomas - Melvins Big Band
> The Mars Volta - Amputechture
>
> Hey only one looper in the bunch!
>
>
> peace out,
>
> Jeff
>
> p.s.
> I just saw Jims post, thanks for the shout out Jim!
> I am watching/listening to Chinapainting now
> http://www.ustream.tv/channel/sunday-morning-at-11 I was really sorry I
> had to work and missed it live but this is the next best thing. Tasty! I
> gotta ask Daryl what kind of axe he is playing at the beginning....
>



-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5bfb40b3a0b046f4369cf
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Wow Jeff such a range with Frank near top, miss him...<div><br></div><div>T=
hanks re the words, we missed you. =A0The axe is a travel guitar he got las=
t summer made by these folks I believe,=A0<a href=3D"http://www.travelergui=
tar.com/">http://www.travelerguitar.com/</a>=A0it&#39;s pretty cool, Steinb=
ergerlikish</div>
<div><br></div><div>Who is Secret Chiefs? =A0sounds cool</div><div><br></di=
v><div><br><br><div class=3D"gmail_quote">On Tue, Jul 21, 2009 at 11:48 PM,=
 Jeff Duke <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">j=
eff_d@embarqmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">I always liked these because I get to find =
out about even more music that I haven&#39;t heard!<br>
<br>
Sometimes on shuffle and sometimes not I have currently playing:<br>
<br>
Miles Davis - Sketches of Spain<br>
Frank Zappa - Sleep Dirt<br>
Porcupine Tree - Niles Recurring<br>
Mike Patton - Crank 2 High Voltage soundtrack<br>
Secret Chiefs 3 (as The Traditionalists) - Le Mani Destre Recise Degli Ulti=
mi Uomini<br>
Splattercell - Oah<br>
Fantomas - Melvins Big Band<br>
The Mars Volta - Amputechture<br>
<br>
Hey only one looper in the bunch!<br>
<br>
<br>
peace out,<br><font color=3D"#888888">
<br>
Jeff<br>
</font><br>
p.s.<br>
I just saw Jims post, thanks for the shout out Jim!<br>
I am watching/listening to Chinapainting now <a href=3D"http://www.ustream.=
tv/channel/sunday-morning-at-11" target=3D"_blank">http://www.ustream.tv/ch=
annel/sunday-morning-at-11</a> I was really sorry I had to work and missed =
it live but this is the next best thing. Tasty! I gotta ask Daryl what kind=
 of axe he is playing at the beginning.... <br>

</blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective=
 textural aural<br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.c=
om/CtReUse</a><br><br>music links...<br><a href=3D"http://www.jimgoodinmusi=
c.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636c5bfb40b3a0b046f4369cf--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 04:25:45 2009
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Date: Wed, 22 Jul 2009 06:25:43 +0200
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Subject: Re: How to use moebius and guitar rig together
From: Raul Bonell <raul.bonell@gmail.com>
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noops. garageband can host third party plugs.

2009/7/22, L.Angulo <labaloops@yahoo.com>:
>
> I was under the impression that Garage Band only uses its own plugins and=
 is
> not able to host anything else but ive never used it so dont quote me on
> that one!
> cheers
> Luis
>
> --- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Di, 21.7.2009:
>
>> Von: Mark Sottilaro <zerocrossing@gmail.com>
>> Betreff: Re: How to use moebius and guitar rig together
>> An: Loopers-Delight@loopers-delight.com
>> Datum: Dienstag, 21. Juli 2009, 11:23
>> You'll need an application called a
>> "host" to do this.=A0 Luckily your
>> Macbook came with one for free called Garageband.
>> I've not used it
>> much, but I think it should be fairly simple to load them
>> up as
>> plug-ins and make it happen.=A0 I personally like
>> Ableton's Live for
>> this, but there are plenty of apps that'll more or less get
>> you there.
>>
>
>
>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 04:26:56 2009
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Some great ideas about what to listen to.
Thanks everyone.  I'm having a great evening checking out
everything people have recommended on Rhapsody.

I'm currently listening to the
Todd Sickafoose's Tiny Resistors record.

It's really a very good record,  thanks so much for recommending it.
I think it was Ariel who did but I can't tell because the Daily Digest 
doesn't always
identify who's posting unless they sign their individual posts.

Ariel , if you like this stuff, you might really like the Brian Blade's 
Fellowship recordings!

Also,  Jim mentioned Michael Masley's beautiful music on Cymbalon:
I actually know Michael fairly well.    He's talked about hiring me to 
play on a
recording some day but we never put it together. 
He's really innovative and he lives entirely off of playing on the 
street with his
innovative mixture of hammering and bowing the Cymbalon.
He invented special beaters that have curved bows at the ends so he can 
either
get 'wine glass-esque'  bowed sounds or percussive sounds out of his 
Cymbalon
(a form of hammered dulcimer).

Jim you mentioned getting him to come to the festival but he, doesn't 
loop or
if he did, he would have played years ago.     I did get him a cushy 
wedding gig
earlier this year, however, so that felt good.   For such an innovative 
musician, he
lives very marginally,economically.   So glad you are into him.

************
Speaking of that devil,  do you know the innovative bassist,  Mark 
Deutsch from the
Bay Area?  He's another guy you'd just love,  Jim and Daryl.
He plays an invention of his called a Bazantar which is a cross between 
an upright acoustic bass
and a sitar (with sympathetic strings).   Really cool.............really 
out of the box.

*************
Chris also mentioned Tinariwen,   Bajofondo and Buraka Som Sistema.
I love Tinariwen and the Buraka Som Sistema records
They are both incredibly funky in respectively , traditional and modern 
ways!

*************
I was wondering:   Is the Bajofondo record the group that's part of the
whole Congotronics movement?    If not,  that's one you might love:
totally traditional drum based kalimba music except that they are using
crudely kluged together amplifiers (out of car parts, I heard) that 
distort the
kalimbas terribly into a beautiful mixture.   If so, then I"m not 
hipping you to
anything <doh>

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	 <afb941d0907212125n7fbad6abgf82415cb254e9f63@mail.gmail.com>
Date: Tue, 21 Jul 2009 21:27:25 -0700
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Subject: Re: How to use moebius and guitar rig together
From: Mark Sottilaro <zerocrossing@gmail.com>
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Yup, my friend uses Cantor and Cube in it all the time.

On Tue, Jul 21, 2009 at 9:25 PM, Raul Bonell<raul.bonell@gmail.com> wrote:
> noops. garageband can host third party plugs.
>
> 2009/7/22, L.Angulo <labaloops@yahoo.com>:
>>
>> I was under the impression that Garage Band only uses its own plugins an=
d is
>> not able to host anything else but ive never used it so dont quote me on
>> that one!
>> cheers
>> Luis
>>
>> --- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Di, 21.7.2009:
>>
>>> Von: Mark Sottilaro <zerocrossing@gmail.com>
>>> Betreff: Re: How to use moebius and guitar rig together
>>> An: Loopers-Delight@loopers-delight.com
>>> Datum: Dienstag, 21. Juli 2009, 11:23
>>> You'll need an application called a
>>> "host" to do this.=A0 Luckily your
>>> Macbook came with one for free called Garageband.
>>> I've not used it
>>> much, but I think it should be fairly simple to load them
>>> up as
>>> plug-ins and make it happen.=A0 I personally like
>>> Ableton's Live for
>>> this, but there are plenty of apps that'll more or less get
>>> you there.
>>>
>>
>>
>>
>>
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 04:37:44 2009
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Date: Wed, 22 Jul 2009 06:37:42 +0200
Message-ID: <afb941d0907212137i74d75497u6a7a13d32e135d98@mail.gmail.com>
Subject: Re: Loopers forum..
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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the point is that one boring or not interesting thread may turn into
something useful for you. i don't need to erase any email with gmail,
and normally don't even have to check any archives to find that much
needed missing message. it's all here. besides, gmail powered with
gears, allows you to have that big archive in your computer without
any connection.

not much different, nor efficient from a forum, but what's better for
sure is that you don't get pre-filtered info.

.02

2009/7/22, Mark Sottilaro <zerocrossing@gmail.com>:
> I don't get it... to me it seems like a forum is a better use of your
> time because it's all there for the pick'n as opposed to being forced
> at you to sift though.  When I see a "Help with EDP" thread here I
> have to keep deleting the emails as they come in because I can't offer
> anything useful to the conversation.  If it's a thread on a forum, I
> never really need to even see it if I don't go into the thread.
>
> On Tue, Jul 21, 2009 at 6:18 PM, Raul Bonell<raul.bonell@gmail.com> wrote=
:
>> 2009/7/22, Per Boysen <perboysen@gmail.com>:
>>> I'm not against a livelooping forum. I just don't have enough time for
>>> it. Sorting all incoming according to projects, lists and contacts by
>>> mail boxes is what saves my ass daily.
>>
>> .. and that saved ass help us gently everyday .. you rock swede!
>>
>>> Per Boysen
>>>
>>>
>>> On Tue, Jul 21, 2009 at 11:49 PM, Aaron Leese<aaronleese@flyloops.com>
>>> wrote:
>>>>
>>>>
>>>> Yeah, I know it. =A0I was just over there today as well.
>>>> Unfortunately, traffic is generally rather low, and some people on thi=
s
>>>> list
>>>> have been rather against the idea of a looping forum in the past ... n=
ot
>>>> sure why. =A0Also, I think Kim still watches this list, but LD doesn't=
 get
>>>> updated much. =A0A few more links on there would be great.
>>>>
>>>> this one could use a bump too .... great URL, too bad there's not more
>>>> there.
>>>>
>>>> http://www.livelooping.org/
>>>>
>>>>
>>>> Mark Sottilaro wrote:
>>>>>
>>>>> So the other day I find out there's this:
>>>>>
>>>>> http://loopingmusic.proboards.com/
>>>>>
>>>>> I'd been wanting something like that for years!
>>>>>
>>>>> Is there a reason that there's no link on the LD webpage? =A0Judging =
by
>>>>> the success of forums like KVRaudio.com I think something like this
>>>>> forum could really appeal to people like me that prefer their loopcha=
t
>>>>> in a forum form.
>>>>>
>>>>>
>>>>>
>>>>
>>>>
>>>
>>>
>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Date: Wed, 22 Jul 2009 13:56:54 +0900
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Subject: Re: Loopers forum..
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Forums: one general subject per website. Each website has a different
interface, a different way of representing information, a different way of
navigating, and varying loading times. Usually limited to hierarchical
content presentation according to the setup of the forum. In short,
duplication of effort, inefficiency in data retrieval, management of
multiple profiles...
Email lists: available in a single interface, searchable across email lists
of my choosing to create a personalized rapidly indexed database of
information. I can browse ALL of my email lists and reply to personal emails
without leaving the common interface. I can choose to browse in a linear or
threaded fashion according to how I wish to have it setup,and indeed quickly
switch between the two presentations on the fly. I can't buy the argument
that a forum interface is more flexible than a decent email client.

A compromise: a forum that provides RSS feeds, so that I can use my
feedreader in a manner similar to my email client, or integrate the two if I
wish.

I don't remember when I signed up to this list, but it's been a long time. I
don't post very often, but enjoy reading the exchanges. Because of email
lists I have an offline knowledge base that I often search through for
useful advice without needing to get on the internet or load up a browser.

2 cents for a status quo that suits me just fine. =)

-michael

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Forums: one general subject per website. Each website has a different inter=
face, a different way of representing information, a different way of navig=
ating, and varying loading times. Usually limited to hierarchical content p=
resentation according to the setup of the forum. In short, duplication of e=
ffort, inefficiency in data retrieval, management of multiple profiles...<d=
iv>
<br></div><div>Email lists: available in a single interface, searchable acr=
oss email lists of my choosing to create a personalized rapidly indexed dat=
abase of information. I can browse ALL of my email lists and reply to perso=
nal emails without leaving the common interface. I can choose to browse in =
a linear or threaded fashion according to how I wish to have it setup,and i=
ndeed quickly switch between the two presentations on the fly. I can&#39;t =
buy the argument that a forum interface is more flexible than a decent emai=
l client.</div>
<div><br></div><div>A compromise: a forum that provides RSS feeds, so that =
I can use my feedreader in a manner similar to my email client, or integrat=
e the two if I wish.</div><div><br></div><div>I don&#39;t remember when I s=
igned up to this list, but it&#39;s been a long time. I don&#39;t post very=
 often, but enjoy reading the exchanges. Because of email lists I have an o=
ffline knowledge base that I often search through for useful advice without=
 needing to get on the internet or load up a browser.</div>
<div><br></div><div>2 cents for a status quo that suits me just fine. =3D)<=
/div><div><br></div><div>-michael<br><br></div><div><br></div>

--0016e642d3343d4c4f046f4433fb--

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: OT: What's on your iPod/CDplayer/Turntable
Date: Wed, 22 Jul 2009 00:59:54 -0400
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Jim, I can't say enough about Secret Chiefs 3 =
http://en.wikipedia.org/wiki/Secret_Chiefs_3
 Wonderful. Highly recommended!
youtube http://tinyurl.com/mbhqpk
 http://www.myspace.com/secretchiefs3


  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, July 22, 2009 12:00 AM
  Subject: Re: OT: What's on your iPod/CDplayer/Turntable


  Wow Jeff such a range with Frank near top, miss him...


  Thanks re the words, we missed you.  The axe is a travel guitar he got =
last summer made by these folks I believe, =
http://www.travelerguitar.com/ it's pretty cool, Steinbergerlikish


  Who is Secret Chiefs?  sounds cool





  On Tue, Jul 21, 2009 at 11:48 PM, Jeff Duke <jeff_d@embarqmail.com> =
wrote:

    I always liked these because I get to find out about even more music =
that I haven't heard!

    Sometimes on shuffle and sometimes not I have currently playing:

    Miles Davis - Sketches of Spain
    Frank Zappa - Sleep Dirt
    Porcupine Tree - Niles Recurring
    Mike Patton - Crank 2 High Voltage soundtrack
    Secret Chiefs 3 (as The Traditionalists) - Le Mani Destre Recise =
Degli Ultimi Uomini
    Splattercell - Oah
    Fantomas - Melvins Big Band
    The Mars Volta - Amputechture

    Hey only one looper in the bunch!


    peace out,

    Jeff

    p.s.
    I just saw Jims post, thanks for the shout out Jim!
    I am watching/listening to Chinapainting now =
http://www.ustream.tv/channel/sunday-morning-at-11 I was really sorry I =
had to work and missed it live but this is the next best thing. Tasty! I =
gotta ask Daryl what kind of axe he is playing at the beginning....=20




  --=20
  ReUse, an introspective textural aural
  www.myspace.com/CtReUse

  music links...
  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  www.myspace.com/jimgoodinmusic
  www.myspace.com/chinapaintingmusic
  www.myspace.com/jimgoodinviolinelectro
  www.myspace.com/jindream
  www.youtube.com/jimgoodinmusic

  video work/editing...
  www.vimeo.com/jimgoodindigital

  social networking...
  www.twitter.com/jimgoodinmusic


------=_NextPart_000_0007_01CA0A67.B9A2BD80
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Jim, I can't say enough about Secret =
Chiefs 3 <A=20
href=3D"http://en.wikipedia.org/wiki/Secret_Chiefs_3">http://en.wikipedia=
.org/wiki/Secret_Chiefs_3</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;Wonderful. Highly =
recommended!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>youtube=20
<STRONG>http://tinyurl.com/mbhqpk</STRONG><BR>&nbsp;<A=20
href=3D"http://www.myspace.com/secretchiefs3"><STRONG>http://www.myspace.=
com/secretchiefs3</STRONG></A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 22, 2009 =
12:00=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: What's on your =

  iPod/CDplayer/Turntable</DIV>
  <DIV><BR></DIV>Wow Jeff such a range with Frank near top, miss him...
  <DIV><BR></DIV>
  <DIV>Thanks re the words, we missed you. &nbsp;The axe is a travel =
guitar he=20
  got last summer made by these folks I believe,&nbsp;<A=20
  =
href=3D"http://www.travelerguitar.com/">http://www.travelerguitar.com/</A=
>&nbsp;it's=20
  pretty cool, Steinbergerlikish</DIV>
  <DIV><BR></DIV>
  <DIV>Who is Secret Chiefs? &nbsp;sounds cool</DIV>
  <DIV><BR></DIV>
  <DIV><BR><BR>
  <DIV class=3Dgmail_quote>On Tue, Jul 21, 2009 at 11:48 PM, Jeff Duke =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;</SPAN=
>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">I=20
    always liked these because I get to find out about even more music =
that I=20
    haven't heard!<BR><BR>Sometimes on shuffle and sometimes not I have=20
    currently playing:<BR><BR>Miles Davis - Sketches of Spain<BR>Frank =
Zappa -=20
    Sleep Dirt<BR>Porcupine Tree - Niles Recurring<BR>Mike Patton - =
Crank 2 High=20
    Voltage soundtrack<BR>Secret Chiefs 3 (as The Traditionalists) - Le =
Mani=20
    Destre Recise Degli Ultimi Uomini<BR>Splattercell - Oah<BR>Fantomas =
-=20
    Melvins Big Band<BR>The Mars Volta - Amputechture<BR><BR>Hey only =
one looper=20
    in the bunch!<BR><BR><BR>peace out,<BR><FONT=20
    color=3D#888888><BR>Jeff<BR></FONT><BR>p.s.<BR>I just saw Jims post, =
thanks=20
    for the shout out Jim!<BR>I am watching/listening to Chinapainting =
now <A=20
    href=3D"http://www.ustream.tv/channel/sunday-morning-at-11"=20
    =
target=3D_blank>http://www.ustream.tv/channel/sunday-morning-at-11</A> I =
was=20
    really sorry I had to work and missed it live but this is the next =
best=20
    thing. Tasty! I gotta ask Daryl what kind of axe he is playing at =
the=20
    beginning.... <BR></BLOCKQUOTE></DIV><BR><BR clear=3Dall><BR>-- =
<BR>ReUse, an=20
  introspective textural aural<BR><A=20
  =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</A><BR><B=
R>music=20
  links...<BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</A><BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</A><BR><A=20
  =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</A><BR><A=20
  =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</A><BR>=
<A=20
  =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</A><BR><BR>video=20
  work/editing...<BR><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A><BR><BR>social=20
  networking...<BR><A=20
  =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</A><BR><BR></DIV></BLOCKQUOTE></BODY></HTML>

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Date: Wed, 22 Jul 2009 07:48:36 +0200
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Subject: OT: virtual pre for bass
From: Raul Bonell <raul.bonell@gmail.com>
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speaking of virtual pres like GR, several IK multimedia, Revalver, etc ...

does anybody had the chance to test *mark studio 1* plugin from
italian bass cabinets and amps maker markbass ? how does compares to
the ampeg simulation from ik?

thanks!

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 06:06:22 2009
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Right, JUCE is *mostly Cocoa now .... with a few carbon bits here and
there to support certain frameworks where Carbon is required.  I was
unsure where those bits were, but assumed they were substantial enough
to make my application not work ... perhaps I was wrong.  I still assume
that the when running FlyLoops on iPhone you probably don't get
everything .... like the midi systems, or VST or ASIO support.  But I
guess the UI is 100% cocoa or it wouldn't show up?  More generally, I
haven't contacted the author and wonder about the claim myself  ... but
have no iphone to check.  Some friends do, so I am sure I'll
confirm/disconfirm soon enough.

More on UI design .... quite right about the Mac golden rules ...... the
nice thing about Juce though is that you can do alot to customize the
look and feel.  The default look is pretty cheesy .... shiny and rounded
and everything else .... but you can customize UI more easily with JUCE
than with the most UI libraries ..... Cocoa is also very UI designer
friendly of course, but the PC UI libraries give me pain.

Per GPL, I am planning on buying the license when I release the
commercial version.  I got 90 downloads this month so far .... I figure
if 2 or 3 people buy a month ($120) I'll pay for the license in a few
months.  Then I just have to justify the high salary job I left once
upon a time when I though Mike Nelson at Boomerang was behind this ....
the 2 years I've spent learning how to write code, and the part time
jobs that I have barely held down while I worked on this thing 7 hours a
day ...... wooosh ..... I will say, I'll be glad to have it done.  I
wish I had more time to make music, but code writing is addictive in
it's own ways too.

Jeff Larson wrote:
>
> > On Jul 20, 2009, at 8:52 PM, Aaron Leese wrote:
> > I'm surprised it works on the iPhone.
>
> Me too.  My understanding is that the iPhone requires that the UI
> be built on Cocoa and JUCE the last time I checked uses Carbon.
>
> The Cocoa widgets in the iPhone SDK are also designed specifically for
> the idiosyncrasies of the device, especially things like popup
> dialogs, keyboard entry, and mouse gestures.  I don't think you can
> just take something built for OSX and run it on the iPhone without major
> modifications, unless the app obeys some fairly strict rules.   Does JUCE
> have some new "iPhone compatibility mode"?
>
> Other than mentioning iPhone in the article title I didn't see
> anything in the text that made it sound like it was running
> on an iPhone and the screenshot looks like a normal OSX app.
> Have you contacted the author to verify this claim?
>
> Jeff
>
>


From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 06:43:45 2009
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Subject: Re: OT:  What's on your iPod/CDplayer/Turntable
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on my iPod "jcp" playlist with 1 or more tunes per artist:

jerry reed
tin machine
willie nelson
lady gaga
chuck berry
arcade fire
talk talk
mot=C3=B6rhead
Luther vandross
sgt sass (local philly-gay-hip-hop duo)
sister rosetta tharpe
rufus and Chaka khan
teena marie
black eyed peas
curtis mayfield
staples singers
robin thicke
grace jones
keith Richards
eurythmics
tears for fears
el malito (local Philly Latin rock)
theThe
wanda Jackson
kid cudi
santigold
Springsteen
baptist preachers (local philly, blackabilly, glam, black-rock, pop, =20
punk, gospel & new wave)
swing out sister
the pretenders
phil collins
pop will eat itself
tackhead
psychedelic furs
Steve earle
the black keys
style council
michael Jackson
aretha franklin
amy winehouse
Raphael sadiq
solange knowles
van halen
Emmy lou Harris
the killers
bat for lashes
dumptruck
cat power
prince
sufjan Stevens
black landlord (local Philly hip hop/funk)
ruin (legendary, local, philly-hardcore band)

Sent from my iPhone


>>

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Fripp / Sylvian		-	The First Day

Eric Truffaz			-	Saloua

Nils Petter Molvaer	-	Re-Vision


From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 07:58:26 2009
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Date: Wed, 22 Jul 2009 10:00:37 +0200
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Yes Rick, i this period i'm listeng to the last album of Moby (Wait for
me) <br>
that i consider very interesting, <br>
i'm also redescovering some 80's music like Einsturzende Neubauten,
Tuxedomoon, Cocteau Twins, Propaganda, etc etc<br>
my preferred listenings in this period are also: Boards of Canada,
Biosphere, Goldfrapp, Bjork, Peter Gabriel <br>
Alva Noto &amp; Ryuichi Sakamoto (Vrioon) italian classical pianist
Alessandra Celletti, <br>
and some unknown but very interesting groups found on Myspace or
Jamendo like Psilodigm, Prehab, ultrich schnauss,go dot etc<br>
Sometimes i listen to internet Radio while working like drone radio etc
etc <br>
<br>
<br>
Rick Walker ha scritto:
<blockquote cite="mid:4A665BD2.5040905@cruzio.com" type="cite">I'm just
loving a few things that I'm listening to right now
  <br>
and not only wanted to share them with you all but wanted
  <br>
to know what people are currently listening to.
  <br>
  <br>
1)&nbsp; When I was in Zurich,&nbsp; I got the chance to go see
  <br>
Nik Bartsch's RONIN play at their legendary 'Montags'
  <br>
shows&nbsp; (with a really nice opening solo looping set
  <br>
by our own Bernhard Wagner).
  <br>
I was just blown away. It's the best live instrumental
  <br>
music I've seen in a very long time.&nbsp; Minimal, textural
  <br>
compositions/improvisations exploring the realms of
  <br>
polyrhythms and odd time signatures.&nbsp;&nbsp; Every member of his
  <br>
ensemble firing on all cylinders (bass and contrabass clarinet.
  <br>
innovative percussion, fretless 6 string bass and traspset) all
  <br>
mixing with Nik's amazing grand piano/prepared acoustic piano/
  <br>
electric piano improvisations.&nbsp; Two fisted on two instruments he
  <br>
was playing simultaneously in two different time signatures in
  <br>
waves of acoustic 'loops' that cycled to and from each other.
  <br>
The sound was amazing to boot.&nbsp; They record every night
  <br>
so they have the sound in this venue dialed in.
  <br>
  <br>
Nik Bartsch's RONIN ----&nbsp; 'Holon' <br>
just doesn't leave my&nbsp; car stereo for very long.&nbsp;&nbsp; I'm in love and it's
also inspiring because
  <br>
this music is just made for live looping experiments (as Bernhard's
lovely
  <br>
and funky set in Rome and Zurich proved.&nbsp;&nbsp; <br>
2) All day (and as I type) I've been listening to the lovely new
  <br>
  <br>
John Hassell CD , "Last Night the Moon Came Dropping its Clothes in the
Street"
  <br>
  <br>
.&nbsp;&nbsp; This record is as good as any past Hassell records
  <br>
and that says volumes as he has a half dozen that are in my top 50 list
  <br>
of favorite CDs of all times.&nbsp; It is beautiful, haunting, melancholy,
foreign
  <br>
and even alien sounding and as intelligent as it gets for a close to
  <br>
ambient record.&nbsp;&nbsp; And thanks, Massimo, for hipping me to this little
gem.&nbsp;&nbsp; <br>
3)&nbsp; Just recently I discovered the music of the superlative and
creative jazz
  <br>
drummer/composer&nbsp; Brian Blade so I've purchased both of his jazz CDs
  <br>
with Brian Blade and the Fellowship.
  <br>
In the past I've tended to avoid drummer led jazz projects (a horrid
prejudice
  <br>
since I'm a writing drummer) but Blade completely avoids having his
records
  <br>
sound like vehicles for drumming.&nbsp; He's a really good writer and these
are as
  <br>
good as any recent releases in jazz.
  <br>
  <br>
Then when I heard that he was also writing singer songwriter material I
was,
  <br>
again, skeptical.
  <br>
  <br>
Brian Blade&nbsp; "Mama Rosa"&nbsp;&nbsp;&nbsp;&nbsp; is just a revelation!
  <br>
  <br>
He has written a beautiful melancholy meditation on growing up.&nbsp; He has
a lovely
  <br>
voice.&nbsp; The songs are really well written.&nbsp; His chordal vocabulary is
sophisticated
  <br>
so the record is really interesting but it doesn't sound sophisticated.
  <br>
It's just simply put, lovely.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
4) Chris and I are driving down to Los Angeles (500km) to see the
British pop band, Elbow's only west coast
  <br>
appearance.&nbsp;&nbsp;&nbsp; There first three CDs are fantastic and incredibly
inventive.&nbsp;&nbsp; The production is a marvel,
  <br>
full of fascinating timbral choices of traditional instruments, found
sounds and electronics.
  <br>
Imagine if a band with the stylistic scope of the Beatles were playing
in the Naughties only
  <br>
further north in England and with a decidedly darker/moodier and more
melancholic vibe.
  <br>
  <br>
Elbow&nbsp; "Asleep in the Back'
  <br>
Elbow&nbsp; "One of Thousands'
  <br>
Elbow "Leaders of the Free World"&nbsp;&nbsp;&nbsp; (which I'd start with first,&nbsp;&nbsp;
it's there third)
  <br>
  <br>
I'm actually not as enamored of their latest release but it doesn't
matter because the first three are so good.
  <br>
  <br>
5)&nbsp;&nbsp;&nbsp; Then I sit not 100 feet away from the window of my brother's
studio. He's writing, recording and developing material for his new
CD.&nbsp;&nbsp;&nbsp; For having played frequently
  <br>
with someone for a very long time, I"m always amazed that every couple
of days I hear music
  <br>
come out of his studio (and it wafts through our compound on these hot
summer days when
  <br>
the windows are open)&nbsp; that is beautiful thought provoking and which
has me constantly
  <br>
asking him,&nbsp; "how did you do that".&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I promote and demonstrate
the
  <br>
Looperlative LP-1 but Bill is just becoming a master at using it and
leaves me far in the dust
  <br>
in terms of his creative depth in using it.
  <br>
It's not out yet and I'd probably get one free for being family, but
I"m gonna buy this
  <br>
sucker when it gets released.
  <br>
  <br>
Bill Walker&nbsp;&nbsp; "As Yet Untitled"
  <br>
  <br>
  <br>
What are you guys and gals listening too?
  <br>
  <br>
  <br>
</blockquote>
<br>
<br>
<div class="moz-signature">-- <br>
<img src="cid:part1.03010906.06020300@het.it" border="0"></div>
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--------------060406000009090503080705--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 07:59:51 2009
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Luis

> Buzap is normal this loops once in a while as well
> "einbischen spass muss sein"
> www.myspace.com/luisangulocom

Alright ;-) Cannot see on the list how well people take the punches and low blows... 

best regards & peace
Buzap

-- 
Neu: GMX Doppel-FLAT mit Internet-Flatrate + Telefon-Flatrate
für nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 08:06:07 2009
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Aaron Leese wrote:
> 
> 
> Yeah, I know it.  I was just over there today as well.

:-)
me too

> Unfortunately, traffic is generally rather low, 

which is exactly the reason that:-

> and some people on this 
> list have been rather against the idea of a looping forum in the past 
> ... not sure why. 

that's all there is to it,
the mailing list thrives.
The forum is quiet.

I think LD has between 100-200 signed up members
which is the same as that forum.
So for the number of participants we have, the 
mailing list produces (for better or worse) animated
discussion, and the forum doesn't.


>From experience at that particular forum,
which I participate in regularly, it soon
becomes obvious that it's very easy for a thread
to die simply because a participant didn't check
back.



If you want to have the advantages of a forum
while reading LD 
1) reading messages by thread
2) avoid a great pile of LD in your inbox
3) search the archive efficiently

none of those things is difficult to do.


So, I hope no-one still feels hard done by that they are
don't have their forum :-)

I hope it also explains why the majority of LD
members just don't feel a need for a forum.


> Also, I think Kim still watches this list, but LD 
> doesn't get updated much.  A few more links on there would be great.

You could try mailing him direct.
That's what he used to ask for in the days
that he did contribute.


> 
> this one could use a bump too .... great URL, too bad there's not more 
> there.
> 
> http://www.livelooping.org/

Matthias' site

> 
> 
> Mark Sottilaro wrote:
>> So the other day I find out there's this:
>>
>> http://loopingmusic.proboards.com/

Nick Robinson's.
Good old Nick, he actually went and did it!

>>

andy

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 08:07:23 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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> I'm not against a livelooping forum. I just don't have enough time for
> it. Sorting all incoming according to projects, lists and contacts by
> mail boxes is what saves my ass daily.

Yes, Per, from what I saw on your computer, I guess Gmail really does the trick and gives you an experience similar to (or better than?) forums. I haven't, but you could give it a try and sign up with gmail, subscribe & test it.

I kind of gave up on the forum idea and accepted that the LD mailing list is simply the bible belt of looping and nothing will change ;-)

best regards
Buzap
-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 08:08:57 2009
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Subject: Re: Echoplex dying :: NEED HELP ~
References: <C541DEA8-47A0-4D2C-B7F4-8273202AEA45@gmail.com> <2AC8D7DD-D1E7-49F8-AFDA-3AEA7D684AFA@charter.net> <20090721115732.297040@gmx.net> <3fa302e30907210753m1934931sed33996b7417ec6@mail.gmail.com> <d1396fc00907211450m47949dc3n447ba813bd6332e1@mail.gmail.com> <E1A25221-C166-46EC-ADBB-11542F0AE778@gmail.com>
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This is the kind of fault that can usually be
remedied by re-seating the chips.

Sometimes just pushing down on them does it.
Other times need to lever them up first.

topu lyo wrote:
> Hey everyone!
> 
> i hope everyone is having a fantastic tuesday.
> so i was getting ready for a rehearsal for a few
> shows this weekend and my echoplex will
> load up and then the numbers keep flashing
> across the screen.  every so often it will settle
> down and look normal, and then when i hit
> my midi pedal it will just make the numbers
> flash across the screen again!
> 
> if anyone has any help or info please call me
> 347.683.5752
> 
> or hit me back here!  thx so much in advance.
> 
> topu
> 
> 

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Message-ID: <00f401ca0aad$d5fd2ec0$0201a8c0@Toshiba>
From: "Christo Jota" <chris@christojota.de>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
References: <017c01ca0928$f47af0c0$0201a8c0@Toshiba> <480F2DD3-4F0B-4613-B915-57F7E047C251@btinternet.com> <bcd3c7bb0907201324ge12cef7vc4852d2233fc07dd@mail.gmail.com> <006401ca09d8$06a60550$0201a8c0@Toshiba> <4A65CAE4.1090308@tiscali.co.uk> <BC568AC4-EE36-437B-966E-01D517B8B678@charter.net> <dec8f8e60907211031y5c4dea4at3557993d145744d4@mail.gmail.com>
Subject: Re: Guitar to Midi Converter
Date: Wed, 22 Jul 2009 11:05:03 +0200
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Thank you all for your impressions and suggestions on Guitar to Midi. As =
a cheap and easy-to-handle solution I will check out the Peterson =
Sonuus. If it don=B4t work I still have
the 30 days-money-back option...
I=B4m gonna give you a report soon.
Best,
Christo
  ----- Original Message -----=20
  From: Dennis Moser=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, July 21, 2009 7:31 PM
  Subject: Re: Guitar to Midi Converter


  Well, since Ted brought up the GR-1 ...=20

  I've only been using the Roland GK gear for 4 years ... I started with =
a GK-2 on a Fender Squier and a GR-1 ... because I came to playing =
electric from classical, I don't seem to have experienced some of the =
complaints that others have mentioned that are technique-based. I added =
a GR-20 to the mix about 3 years ago. Again, no problems as being =
reported here. During that time, I also got a Godin xtSA that has a =
13-pin pickup built in to it. Again, no problems.

  I flirted briefly with an early Axon, but it was more primitive than =
my GR-1 and not that close to my GR-20 so I sold it. The sounds were =
good and I can only imagine that the newer ones are worth the money. =
Again, I did not experience any issues from the "performance" stand =
point, just limitations of it being an early model.

  Two year ago, I added a GI-20 interface and a Roland XV-2020 to drive =
it. I am using Roland US-20's to switch between the various components. =
Because my original GR-1 began to develop seriosu issues with the power =
supply connection, I acquired another, expanded, one along with a =
VG-8EX. (n.b., I am underwhelmed by the VG-8, possibly because I am not =
into "Amp Models" and am looking at sound synthesis ... I may be putting =
the VG-8 up for sale shortly).

  Likewise, since Fripp's name was raised by the original poster, his =
most recent trip through the US revealed him STILL using the Roland GR-1 =
... it's tied into several Eventide Eclipses and other goodies, =
including the latest Axon synth. He keeps the GR-1 as his primary guitar =
interface/synthesizer because "he likes its' bell and chime sounds." =
(Yes, I asked ... ) He is also using the Roland US-20 13-pin =
switch/pedals. BTW, his guitars on this trip all had the 13-pin pickups =
built in ... no external GKs.

  Conclusions (mine only!): The GKs seem to require some adjustment of =
technique for some; there is lots of good used Roland and Axon synths =
out there to be had if one wants to get into polyphonic guitar-driven =
synthesis. THere are usually a number of GR-20/GK-2 and GI-20/GK-2 =
packages on eBay on any given day. One advantage of using a GI-20 is =
that it allows you to hook up ANY other MIDI synth source ... including =
a Mac laptop running Garage Band ... or setting the GR-1 at #28 allows a =
"blank" MIDI channel to drive other MIDI synths from the MIDI/OUT plug. =
Lots of good solutions with a little searching and digging.

  Best,

  Dennis



  On Tue, Jul 21, 2009 at 8:11 AM, tEd =AE KiLLiAn =
<tedkillian@charter.net> wrote:

    Hi all,

    I've spent several years using Roland GR synth gear and actually =
have GK pickups on a number of my guitars.

    When it comes to tracking, yes there are issues concerning how =
cleanly one picks and frets the notes on their instrument.

    There are also issues from instrument to instrument - no matter how =
well you set up the hex pickup, some instruments still seem to track =
slightly better than others.

    I think there are some guitars that are just not good candidates for =
this stuff - but my experience is not extensive enough to say what the =
factors involved actually are.

    Within the last year or two I've added a VG-99 to my kit as well.

    In addition to having the all the usual VG advantages (tracking =
wise) the VG-99 also has pitch-to-MIDI conversion capabilities.

    These I have not made use of yet - but they're there as an option.

    I still have an old GR-1EX that I have used forever and am very =
satisfied with.

    If I really needed pitch-to-MIDI I expect it would be more =
convenient to use that.

    There are a lot of options out there though from other companies.

    Best,

    Ted Killian





  --=20
  http://myspace.com/usrsbin
  http://audiozoloft.com
  http://usrslashsbin.angrek.com/


------=_NextPart_000_00D7_01CA0ABC.432AFAA0
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<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thank you all for your impressions and =
suggestions=20
on Guitar to Midi. As a cheap and easy-to-handle solution </FONT><FONT=20
face=3DArial size=3D2>I will check out the Peterson Sonuus. If it =
don=B4t work I still=20
have</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the 30 days-money-back =
option...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I=B4m gonna give you a report =
soon.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Best,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:sinsofmachaut@gmail.com" =
title=3Dsinsofmachaut@gmail.com>Dennis=20
  Moser</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, July 21, 2009 =
7:31=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Guitar to Midi=20
  Converter</DIV>
  <DIV><BR></DIV>Well, since Ted brought up the GR-1 ... <BR><BR>I've =
only been=20
  using the Roland GK gear for 4 years ... I started with a GK-2 on a =
Fender=20
  Squier and a GR-1 ... because I came to playing electric from =
classical, I=20
  don't seem to have experienced some of the complaints that others have =

  mentioned that are technique-based. I added a GR-20 to the mix about 3 =
years=20
  ago. Again, no problems as being reported here. During that time, I =
also got a=20
  Godin xtSA that has a 13-pin pickup built in to it. Again, no=20
  problems.<BR><BR>I flirted briefly with an early Axon, but it was more =

  primitive than my GR-1 and not that close to my GR-20 so I sold it. =
The sounds=20
  were good and I can only imagine that the newer ones are worth the =
money.=20
  Again, I did not experience any issues from the "performance" stand =
point,=20
  just limitations of it being an early model.<BR><BR>Two year ago, I =
added a=20
  GI-20 interface and a Roland XV-2020 to drive it. I am using Roland =
US-20's to=20
  switch between the various components. Because my original GR-1 began =
to=20
  develop seriosu issues with the power supply connection, I acquired =
another,=20
  expanded, one along with a VG-8EX. (n.b., I am underwhelmed by the =
VG-8,=20
  possibly because I am not into "Amp Models" and am looking at sound =
synthesis=20
  ... I may be putting the VG-8 up for sale shortly).<BR><BR>Likewise, =
since=20
  Fripp's name was raised by the original poster, his most recent trip =
through=20
  the US revealed him STILL using the Roland GR-1 ... it's tied into =
several=20
  Eventide Eclipses and other goodies, including the latest Axon synth. =
He keeps=20
  the GR-1 as his primary guitar interface/synthesizer because "he likes =
its'=20
  bell and chime sounds." (Yes, I asked ... ) He is also using the =
Roland US-20=20
  13-pin switch/pedals. BTW, his guitars on this trip all had the 13-pin =
pickups=20
  built in ... no external GKs.<BR><BR>Conclusions (mine only!): The GKs =
seem to=20
  require some adjustment of technique for some; there is lots of good =
used=20
  Roland and Axon synths out there to be had if one wants to get into =
polyphonic=20
  guitar-driven synthesis. THere are usually a number of GR-20/GK-2 and=20
  GI-20/GK-2 packages on eBay on any given day. One advantage of using a =
GI-20=20
  is that it allows you to hook up ANY other MIDI synth source ... =
including a=20
  Mac laptop running Garage Band ... or setting the GR-1 at #28 allows a =
"blank"=20
  MIDI channel to drive other MIDI synths from the MIDI/OUT plug. Lots =
of good=20
  solutions with a little searching and=20
  digging.<BR><BR>Best,<BR><BR>Dennis<BR><BR><BR>
  <DIV class=3Dgmail_quote>On Tue, Jul 21, 2009 at 8:11 AM, tEd =AE =
KiLLiAn <SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</A>&gt;</SP=
AN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt =
0.8ex; PADDING-LEFT: 1ex">Hi=20
    all,<BR><BR>I've spent several years using Roland GR synth gear and =
actually=20
    have GK pickups on a number of my guitars.<BR><BR>When it comes to =
tracking,=20
    yes there are issues concerning how cleanly one picks and frets the =
notes on=20
    their instrument.<BR><BR>There are also issues from instrument to =
instrument=20
    - no matter how well you set up the hex pickup, some instruments =
still seem=20
    to track slightly better than others.<BR><BR>I think there are some =
guitars=20
    that are just not good candidates for this stuff - but my experience =
is not=20
    extensive enough to say what the factors involved actually=20
    are.<BR><BR>Within the last year or two I've added a VG-99 to my kit =
as=20
    well.<BR><BR>In addition to having the all the usual VG advantages =
(tracking=20
    wise) the VG-99 also has pitch-to-MIDI conversion =
capabilities.<BR><BR>These=20
    I have not made use of yet - but they're there as an =
option.<BR><BR>I still=20
    have an old GR-1EX that I have used forever and am very satisfied=20
    with.<BR><BR>If I really needed pitch-to-MIDI I expect it would be =
more=20
    convenient to use that.<BR><BR>There are a lot of options out there =
though=20
    from other companies.<BR><BR>Best,<BR><FONT color=3D#888888><BR>Ted=20
    Killian<BR><BR></FONT></BLOCKQUOTE></DIV><BR><BR clear=3Dall><BR>-- =
<BR><A=20
  =
href=3D"http://myspace.com/usrsbin">http://myspace.com/usrsbin</A><BR><A =

  href=3D"http://audiozoloft.com">http://audiozoloft.com</A><BR><A=20
  =
href=3D"http://usrslashsbin.angrek.com/">http://usrslashsbin.angrek.com/<=
/A><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00D7_01CA0ABC.432AFAA0--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 09:20:01 2009
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Date: Wed, 22 Jul 2009 11:20:01 +0200
Message-ID: <66f9cc1e0907220220g5b6d7641xe34a7ab4b4a55de9@mail.gmail.com>
Subject: Re: Loopers forum..
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Well, for me all fora are slower. A great deal of my time I work with
information, administrating work and managing time to meat deadlines
for me and other people. What g-mail offers me is the ability to keep
colored labels for auto sorting of all the incoming so can see in just
a glance what type of interaction a two hundred bunch of incoming
messages needs from me. This makes it possible to plan other
activities efficiently. With your communication spread out on a couple
of fora there simply is no such dimension in planning ahead. But I
just don't look at the screen and delete a topic here and there - I
sort messages with a mouse, click and batch select loads of them by
holding down the shift button for deleting an masse ;-))  And some I
don't get delete right away but flag second/third priority to be dealt
with an hour later. For example, when close to a certain magazine
deadline all incoming messages from this magazines editors and co
workers are automatically taking on a certain color when arriving at
my screen to make it simple caring for them first hand. For the fora I
am participating in I am setting up my account to duplicate posts and
send to me as e-mails and I make sure I can post there by email too.

This is just how I like things. The forum model still is more popular
with most people and that's ok with me.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Jul 22, 2009 at 5:51 AM, Mark Sottilaro<zerocrossing@gmail.com> wro=
te:
> I don't get it... to me it seems like a forum is a better use of your
> time because it's all there for the pick'n as opposed to being forced
> at you to sift though. =C2=A0When I see a "Help with EDP" thread here I
> have to keep deleting the emails as they come in because I can't offer
> anything useful to the conversation. =C2=A0If it's a thread on a forum, I
> never really need to even see it if I don't go into the thread.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 11:01:14 2009
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From: "Erwin Van Heuverswyn" <ginkgo@pandora.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Echoplex dying :: NEED HELP ~
Date: Wed, 22 Jul 2009 12:56:05 +0200
Organization: Ginkgo sound-vision
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Hello Topu,

Looks like a MIDI loop problem to me!
Do you have MIDI out of the echoplex connected to anything, or do you
have other equipment connected to the MIDI pedal, that might cause the
loop?
In that case, I would just try disconnecting everything and reconnect
one by one.

Best regards,
Erwin Van Heuverswyn
Ginkgo sound-vision
GSM: +32(0)486/11 84 30
ginkgo@telenet.be
Krevelstraat 45
B9000 GENT
BELGIUM


-----Original Message-----
From: topu lyo [mailto:topulyo@gmail.com] 
Sent: woensdag 22 juli 2009 0:04
To: Loopers-Delight@loopers-delight.com
Subject: Echoplex dying :: NEED HELP ~


Hey everyone!

i hope everyone is having a fantastic tuesday.
so i was getting ready for a rehearsal for a few
shows this weekend and my echoplex will
load up and then the numbers keep flashing
across the screen.  every so often it will settle
down and look normal, and then when i hit
my midi pedal it will just make the numbers
flash across the screen again!

if anyone has any help or info please call me
347.683.5752

or hit me back here!  thx so much in advance.

topu

No virus found in this incoming message.
Checked by AVG - www.avg.com 
Version: 8.5.392 / Virus Database: 270.13.23/2254 - Release Date:
07/22/09 05:59:00


From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 11:12:00 2009
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=20

=20
Wow...
=20

that really is good=2C I just listened to the few tracks i could find on th=
e web...fantastic

=20

=20

Ok so my tips for you in return are...

=20

Tietur - The Singer=20

its beautiful affected vocals meld with moments on black and white cinema m=
usic..i would say listen to it a few times and suddenly you fnd you "get" i=
ts unique hooks

=20

=20

Bon Iver - For Emma Forever Ago

really nice semi acoustic album=2C very haunting

=20

=20

enjoy

Phill MyOneManBand

=20

=20


=20


From: arzezak@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: What's on your iPod/CDplayer/Turntable
Date: Tue=2C 21 Jul 2009 22:54:23 -0300


I just can't believe what an amazingly inspiring=2C beautifully composed an=
d wonderfully played cd it's Tiny Resistors by Todd Sickafoose's great band=
 (including two REAL interesting guitarists as Adam Levy and Mike Gamble).


I can't recommend that cd enough.=20


El 21/07/2009=2C a las 21:22=2C Rick Walker escribi=F3:



What are you guys and gals listening too?



_________________________________________________________________
Windows Live Messenger: Celebrate 10 amazing years with free winks and emot=
icons.
http://clk.atdmt.com/UKM/go/157562755/direct/01/=

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<BR>&nbsp=3B<BR>
<DIV>&nbsp=3B</DIV>
<DIV>Wow...</DIV>
&nbsp=3B<BR>
that really is good=2C I just listened to the few tracks i could find on th=
e web...fantastic<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
Ok so my tips for you in return are...<BR>
&nbsp=3B<BR>
Tietur - The Singer <BR>
its beautiful affected vocals meld with moments on black and white cinema m=
usic..i would say listen to it a few times and suddenly you fnd you "get" i=
ts unique hooks<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
Bon Iver - For Emma Forever Ago<BR>
really nice semi acoustic album=2C very haunting<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
enjoy<BR>
Phill MyOneManBand<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
From: arzezak@gmail.com<BR>To: Loopers-Delight@loopers-delight.com<BR>Subje=
ct: Re: OT: What's on your iPod/CDplayer/Turntable<BR>Date: Tue=2C 21 Jul 2=
009 22:54:23 -0300<BR><BR>
<DIV>I just can't believe what an amazingly inspiring=2C beautifully compos=
ed and wonderfully played cd it's Tiny Resistors by Todd Sickafoose's great=
 band (including two REAL interesting guitarists as Adam Levy and Mike Gamb=
le).</DIV>
<DIV><BR></DIV>
<DIV>I can't recommend that cd enough.&nbsp=3B</DIV><BR>
<DIV>
<DIV>El 21/07/2009=2C a las 21:22=2C Rick Walker escribi=F3:</DIV>
<BLOCKQUOTE>
<DIV><FONT class=3DEC_Apple-style-span color=3D#000000><BR></FONT><BR>What =
are you guys and gals listening too?<BR><BR></DIV></BLOCKQUOTE></DIV><BR><b=
r /><hr />Windows Live Messenger: Celebrate 10 amazing years with free wink=
s and emoticons. <a href=3D'http://clk.atdmt.com/UKM/go/157562755/direct/01=
/' target=3D'_new'>Get Them Now</a></body>
</html>=

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From: Ariel Rzezak <arzezak@gmail.com>
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Subject: Re: OT:  What's on your iPod/CDplayer/Turntable
Date: Wed, 22 Jul 2009 08:56:01 -0300
References: <4A665BD2.5040905@cruzio.com> <E1880374-7994-4542-B065-79C6738BF944@gmail.com> <COL109-W272DBE17544CDB891F4ACCBE1B0@phx.gbl>
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Thanks Phill! Glad you like that.

Real nice suggestions from everyone here.

I'll check your recommendations!

Ariel.

El 22/07/2009, a las 08:11, phillip wilson escribi=F3:

>
>
>
> Wow...
>
> that really is good, I just listened to the few tracks i could find =20=

> on the web...fantastic
>
>
> Ok so my tips for you in return are...
>
> Tietur - The Singer
> its beautiful affected vocals meld with moments on black and white =20
> cinema music..i would say listen to it a few times and suddenly you =20=

> fnd you "get" its unique hooks
>
>
> Bon Iver - For Emma Forever Ago
> really nice semi acoustic album, very haunting
>
>
> enjoy
> Phill MyOneManBand
>
>
>
>
> From: arzezak@gmail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT: What's on your iPod/CDplayer/Turntable
> Date: Tue, 21 Jul 2009 22:54:23 -0300
>
> I just can't believe what an amazingly inspiring, beautifully =20
> composed and wonderfully played cd it's Tiny Resistors by Todd =20
> Sickafoose's great band (including two REAL interesting guitarists =20
> as Adam Levy and Mike Gamble).
>
> I can't recommend that cd enough.
>
> El 21/07/2009, a las 21:22, Rick Walker escribi=F3:
>
>
> What are you guys and gals listening too?
>
>
>
> Windows Live Messenger: Celebrate 10 amazing years with free winks =20
> and emoticons. Get Them Now


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Thanks Phill! Glad you =
like that.</div><div><br></div><div>Real nice suggestions from everyone =
here.</div><div><br></div><div>I'll check your =
recommendations!</div><div><br></div><div>Ariel.&nbsp;</div><br><div><div>=
El 22/07/2009, a las 08:11, phillip wilson escribi=F3:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div class=3D"hmmessage" =
style=3D"font-size: 10pt; font-family: Verdana; =
"><br>&nbsp;<br><div>&nbsp;</div><div>Wow...</div>&nbsp;<br>that really =
is good, I just listened to the few tracks i could find on the =
web...fantastic<br>&nbsp;<br>&nbsp;<br>Ok so my tips for you in return =
are...<br>&nbsp;<br>Tietur - The Singer<span =
class=3D"Apple-converted-space">&nbsp;</span><br>its beautiful affected =
vocals meld with moments on black and white cinema music..i would say =
listen to it a few times and suddenly you fnd you "get" its unique =
hooks<br>&nbsp;<br>&nbsp;<br>Bon Iver - For Emma Forever Ago<br>really =
nice semi acoustic album, very =
haunting<br>&nbsp;<br>&nbsp;<br>enjoy<br>Phill =
MyOneManBand<br>&nbsp;<br>&nbsp;<br><br>&nbsp;<br><hr =
id=3D"stopSpelling">From:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:arzezak@gmail.com">arzezak@gmail.com</a><br>To:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br>Subject: Re: OT: What's on your =
iPod/CDplayer/Turntable<br>Date: Tue, 21 Jul 2009 22:54:23 =
-0300<br><br><div>I just can't believe what an amazingly inspiring, =
beautifully composed and wonderfully played cd it's Tiny Resistors by =
Todd Sickafoose's great band (including two REAL interesting guitarists =
as Adam Levy and Mike Gamble).</div><div><br></div><div>I can't =
recommend that cd enough.&nbsp;</div><br><div><div>El 21/07/2009, a las =
21:22, Rick Walker escribi=F3:</div><blockquote><div><font =
class=3D"EC_Apple-style-span" color=3D"#000000"><br></font><br>What are =
you guys and gals listening =
too?<br><br></div></blockquote></div><br><br><hr>Windows Live Messenger: =
Celebrate 10 amazing years with free winks and emoticons.<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://clk.atdmt.com/UKM/go/157562755/direct/01/" =
target=3D"_new">Get Them =
Now</a></div></span></blockquote></div><br></body></html>=

--Apple-Mail-1--626377563--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 12:30:49 2009
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Subject: Re: OT:  What's on your iPod/CDplayer/Turntable
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Ah Yess!!! Tiny resistors! very nice, i'm listening it on i-tunes...<br>
so i'll listen to Tietur and Bon iver...as you said.<br>
<br>
Max Liver <br>
<br>
<br>
Ariel Rzezak ha scritto:
<blockquote cite="mid:CE4FFF44-E07A-4758-AA4F-8E77DA47C331@gmail.com"
 type="cite">
  <div>Thanks Phill! Glad you like that.</div>
  <div><br>
  </div>
  <div>Real nice suggestions from everyone here.</div>
  <div><br>
  </div>
  <div>I'll check your recommendations!</div>
  <div><br>
  </div>
  <div>Ariel.&nbsp;</div>
  <br>
  <div>
  <div>El 22/07/2009, a las 08:11, phillip wilson escribi&oacute;:</div>
  <br class="Apple-interchange-newline">
  <blockquote type="cite"><span class="Apple-style-span"
 style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">
    <div class="hmmessage"
 style="font-size: 10pt; font-family: Verdana;"><br>
&nbsp;<br>
    <div>&nbsp;</div>
    <div>Wow...</div>
&nbsp;<br>
that really is good, I just listened to the few tracks i could find on
the web...fantastic<br>
&nbsp;<br>
&nbsp;<br>
Ok so my tips for you in return are...<br>
&nbsp;<br>
Tietur - The Singer<span class="Apple-converted-space">&nbsp;</span><br>
its beautiful affected vocals meld with moments on black and white
cinema music..i would say listen to it a few times and suddenly you fnd
you "get" its unique hooks<br>
&nbsp;<br>
&nbsp;<br>
Bon Iver - For Emma Forever Ago<br>
really nice semi acoustic album, very haunting<br>
&nbsp;<br>
&nbsp;<br>
enjoy<br>
Phill MyOneManBand<br>
&nbsp;<br>
&nbsp;<br>
    <br>
&nbsp;<br>
    <hr id="stopSpelling">From:<span class="Apple-converted-space">&nbsp;</span><a
 moz-do-not-send="true" href="mailto:arzezak@gmail.com">arzezak@gmail.com</a><br>
To:<span class="Apple-converted-space">&nbsp;</span><a moz-do-not-send="true"
 href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>
Subject: Re: OT: What's on your iPod/CDplayer/Turntable<br>
Date: Tue, 21 Jul 2009 22:54:23 -0300<br>
    <br>
    <div>I just can't believe what an amazingly inspiring, beautifully
composed and wonderfully played cd it's Tiny Resistors by Todd
Sickafoose's great band (including two REAL interesting guitarists as
Adam Levy and Mike Gamble).</div>
    <div><br>
    </div>
    <div>I can't recommend that cd enough.&nbsp;</div>
    <br>
    <div>
    <div>El 21/07/2009, a las 21:22, Rick Walker escribi&oacute;:</div>
    <blockquote>
      <div><font class="EC_Apple-style-span" color="#000000"><br>
      </font><br>
What are you guys and gals listening too?<br>
      <br>
      </div>
    </blockquote>
    </div>
    <br>
    <br>
    <hr>Windows Live Messenger: Celebrate 10 amazing years with free
winks and emoticons.<span class="Apple-converted-space">&nbsp;</span><a
 moz-do-not-send="true"
 href="http://clk.atdmt.com/UKM/go/157562755/direct/01/" target="_new">Get
Them Now</a></div>
    </span></blockquote>
  </div>
  <br>
</blockquote>
<br>
<br>
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--------------010300060605050800020401--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 12:38:40 2009
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Date: Wed, 22 Jul 2009 07:38:11 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #641 for July 16, 2009.
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http://wdiy.org/programs/gt/playlists/2009/090716.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #641                July 16, 2009.

RECAP:
On this show, I continued the month-long focus on the Jeffrey Koepper.
The Featured CD at Midnight was Sequentaria on Air Space Records.

Jeffrey Koepper:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jul


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Create               Collision            In the Blink of an Eye
                                            (Groove)
Forrest Fang         A Walk Through the   Phantoms (Projekt)
                       Clouds
Cluster              Xanesra              Qua (Nepenthe)
Citizen Green        Chloroplast          Plant Cell (High Grade Media)
Citizen Green        Vacuole              Plant Cell (High Grade Media)
Steve Roach          A Darker Light       Dynamic Stillness (Projekt)
Jeffrey Koepper      Blue Sector          Sequentaria (Air Space)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Jeffrey Koepper      Astral Projection    Sequentaria (Air Space)
Jeffrey Koepper      Timeline             Sequentaria (Air Space)
Jeffrey Koepper      Near Machinery       Sequentaria (Air Space)
Jeffrey Koepper      Interphase           Sequentaria (Air Space)
Jeffrey Koepper      Synchronous          Sequentaria (Air Space)
Jeffrey Koepper      Parallel Being       Sequentaria (Air Space)
Jeffrey Koepper      One Hundred Memories Sequentaria (Air Space)
Jeffrey Koepper      Creation             Sequentaria (Air Space)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Jeffrey Koepper.  The Featured CD at Midnight will be Luminosity on Air
Space Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 13:03:40 2009
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From: "Christo Jota" <chris@christojota.de>
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Subject: Re: What are the current probs w/RC-50?
Date: Wed, 22 Jul 2009 15:06:38 +0200
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Buy the RC-50! The Digitech may be good too but has no
Midi as far as I know.
The RC-50 certainly has very few not so nice issues ( the sound
could be a bit better, very short loops don´t work).
But I find it rather irrelevant compared to the low price and
all the positive features it comes with: 3 separate loop ways
you can use simultaneously or switch from one to
the other. Tap Tempo, reverse-playmode, drummachine
inside. Several outputs you can route to different sources (Mixer,
amps etc.).
There may be better looping devices but if you wanna have
a hardware looper this is the one.
Best,
Christo
www.christojota.de


----- Original Message -----
From: "BC" <compguy2@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 21, 2009 3:59 AM
Subject: What are the current probs w/RC-50?


> I've been a somewhat quiet member of the group for some time now and I've
> noticed that during the past 2 years there have been lots of complaints
> about the RC-50 in terms of dropouts, glitches, etc.
>
> Would you guys mind bringing me up-to-date on the current status of this
> unit? Has Boss ironed out the problems with updated firmware? If not, what
> issues remain?
>
> I want to replace my Boomerang because of its inferior fidelity, but I
don't
> want to trade that problem for other issues.
>
> If you wouldn't recommend the RC-50 to replace the 'rang, then what would
be
> a better idea? Digitech Jamman? Something else?
>
> I need to cap the budget at $500.
>
> Thanks everyone!
>
> Brian
>

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Date: Wed, 22 Jul 2009 15:15:34 +0200
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Subject: Re: How to use moebius and guitar rig together
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Ciao Massimo,
Good to see you are experimenting with new equipment :) I have experience=
 with both Bidule and Mainstage as host applications. Mainstage is part o=
f Logic Studio 8 and although Bidule is more flexible, I like the simplic=
ity of the user interface and quality of the effect plugins...simple and =
good. 

Regarding loopers, I use the LP1 as my main looper but I could use Mobius=
 as well. Augustus, Crossfade loopsynth and Little Spacy from Expert Slee=
pers are used as pre-loopers. Mainstage and all the plugins are synced to=
 the midi clock of the LP1.

Btw: I have used this setup in both Firenze and Rome, together with the P=
rophet synthesizer, remember? The prophet was also processed inside Mains=
tage with FX and pre-loopers.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g


From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 13:16:22 2009
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Date: Wed, 22 Jul 2009 15:16:21 +0200
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Subject: OT: What's on your iPod/CDplayer/Turntable
From: Rainer Straschill <moinsound@googlemail.com>
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Whow, Rick, a good idea to steer discussion back into some more
interesting (albeit still OT) paths.

No, I don't have an iPod, and I really hate the white headphone cables
they use. As for headphones for ithings and similar mp3/media players,
let me just recommend the Bose thingies - highly recommended (although
they were about double the price of my portable media player).

Now let me just check the memory of my player:

Tool: Aenima/Lateralus/10.000 Days
Chick Corea: Akoustic Band - can't recommend this acoustic jazz trio
highly enough. The version of "Spain" alone is worth the album alone.
Jimi Hendrix: Are you Experienced?
Squarepusher: Big Loada
Dream Theater: Black Clouds and Silver Linings - their latest album, I
have to say I don't enjoy it as much as some of their other works
(including Systematic Chaos), but the third bonus disc with some cover
tunes (including LTIA2) is fun!
Opeth: Blackwater Park - some outstanding progressive death metal from
a group which was then (imo) at the peak of their artistic quality (at
least so far).
Zappa/Beefheart: Bongo Fury
Dave Douglas: Convergence
Laswell/Inoe: Monochrome Existence
Antwerp Live Looping Festival - some of the tracks by Michael Peters
and Luis Angulo are just killer!
Weather Report: I sing the body electric
Kruder&Dorfmeister: DJ Kicks/The K&D Sessions
Louis Sclavis: Lost on the way
Massacre: Meltdown
Rage against the Machine - Rage against the Machine - the tune "Wake
Up" is so funky, it will drop your pants
Audioslave: Revelations - the last track "Moth" is the best track from
this group
Ozric Tentacles: Sprials in Hyperspace
Talking Heads: Stop Making Sense
Conlon Nancarrow: Studies for Player Piano
John Zorn: The Circle Maker - Disc 2
Naked City: Torture Garden
Evelyn Glennie: Wind in the Bamboo Groves
Rainer Straschill: Weird Specialist - yes, I still like it ;)
The Boredoms: Vision Creation Newsun
Margaret Noble: West of Ashland Ave DJ Mixtape
Michael Brecker: Wide Angles - was reminded of him just recently by
the list of WordPress release names
A Mental Collection: my personal metal playlist

@Jim Goodin: I believe the Towner album you're talking about is called
"Solo Concert", if so, it's one of my favourites as well (it's the one
that ends with "Timeless"). Legend has it that I actually attended one
of the performances which led to this album without actually having
been born at that time, as my parents attended the concert with me on
the way...

Best,

           Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 13:25:59 2009
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Date: Wed, 22 Jul 2009 09:20:06 -0400 (EDT)
Subject: Re: OT:  What's on your iPod/CDplayer/Turntable
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I'm listening to a lot of what Rick Walker is listening to, apparently!

[Rick, i owe you like seven e-mails...i haven't blown you off, i'm just
swamped.]

- All of Brian Blades's albums
- Daniel Lanois - Here Is What Is
- Daniel Lanois - Omni Series
- Nine Inch Nails - Ghosts
- A bunch of Ethiopian nightclub music
- Goldfrapp's latest
- Julee Cruise - The Art Of Being A Girl
- Tortoise - TNT mostly, but there latest as well
- Max Raabe
- Loscil - Plume (absolutely gorgeous)
- All of Juana Molina's albums
- The Pretenders - their latest
- Pixieguts (can't remember the album, it's free on the internet)
- Rachel's - Systems/Layers
- Taken By Trees - Open Fied
- Tim Nelson's stuff (Mesh, and All-Nighter)
- I've been getting into Tarentel lately
- I, too, like the latest Jon Hassell album quite a lot

Peter Koniuto




From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 13:36:01 2009
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--0015174c0f0c83ac02046f4b7366
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On my iPod i currently have 2 things.

Everything by the Beatles (I mean everything... all the anthologys all the
albums all the early recordings with Tony Sheridan all the acoustic versions
of Lucy in the sky etc...

Everything (well not eveything, that would be impossible ) but 50 albums by
Merzbow. Its actually called Merzbox! spans his career from tape hiss days
thru analog to the recent laptop stuff...

I play a random mix. So "Carcass on the floor" from the Sadomasochismo album
can easily be followed by a rehersal for "When Im Sixty four"...

The iPod is full now...


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c0f0c83ac02046f4b7366
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On my iPod i currently have 2 things.<br><br>Everything by the Beatles (I m=
ean everything... all the anthologys all the albums all the early recording=
s with Tony Sheridan all the acoustic versions of Lucy in the sky etc...<br=
>

<br>Everything (well not eveything, that would be impossible ) but 50 album=
s by Merzbow. Its actually called Merzbox! spans his career from tape hiss =
days thru analog to the recent laptop stuff...<br><br>I play a random mix. =
So &quot;Carcass on the floor&quot; from the Sadomasochismo album can easil=
y be followed by a rehersal for &quot;When Im Sixty four&quot;...<br>

<br>The iPod is full now...<br><br clear=3D"all"><br>-- <br><a href=3D"http=
://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vi=
meo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk=
.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</=
a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c0f0c83ac02046f4b7366--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 13:37:47 2009
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I'm driving 3-5 hours each day in my car, so I have plenty of time to lis=
ten to all kinds of music. Experimental or Ambient stuff from this list, =
but also Jazz, popular rock or progressive rock. Depends on my mood ;)

Recent favourites: Jon Hassel, Sigur Ros, Porcupine Tree, David Sylvian, =
Theo Travis, Simple Minds, Michael Peters, Microphonics, 3 seconds of Air=
, Fabio Anile, Darkroom, Pedaltone, Bernard Wagner, Steve Lawson
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g


From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 13:40:47 2009
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Date: Wed, 22 Jul 2009 15:43:01 +0200
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This is a multi-part message in MIME format.
--------------090002050108080803050202
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
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<body bgcolor="#ffffff" text="#000000">
Sjaak ha scritto:
<blockquote
 cite="mid:KN6Q5Y$479F9A6776B989C078FC6BD65ABFF561@scarlet.be"
 type="cite">
  <pre wrap="">Ciao Massimo,
Good to see you are experimenting with new equipment :) I have experience with both Bidule and Mainstage as host applications. Mainstage is part of Logic Studio 8 and although Bidule is more flexible, I like the simplicity of the user interface and quality of the effect plugins...simple and good. 
  </pre>
</blockquote>
Hi sjaak! great Sjaak! (especially your inches...:-) he he ) <br>
So i don't have logic studio but i tried an host using a demo version&nbsp;
of&nbsp; Ableton Live,&nbsp; but now i dwnld Bidule and I'l try with it! <br>
<br>
<blockquote
 cite="mid:KN6Q5Y$479F9A6776B989C078FC6BD65ABFF561@scarlet.be"
 type="cite">
  <pre wrap="">Regarding loopers, I use the LP1 as my main looper but I could use Mobius as well. Augustus, Crossfade loopsynth and Little Spacy from Expert Sleepers are used as pre-loopers. Mainstage and all the plugins are synced to the midi clock of the LP1.

Btw: I have used this setup in both Firenze and Rome, together with the Prophet synthesizer, remember? The prophet was also processed inside Mainstage with FX and pre-loopers.
  </pre>
</blockquote>
If i remember? i remeber it very well!!!<br>
have a good evening! <br>
<br>
Max Liver<br>
<blockquote
 cite="mid:KN6Q5Y$479F9A6776B989C078FC6BD65ABFF561@scarlet.be"
 type="cite">
  <pre wrap="">Sjaak
<a class="moz-txt-link-freetext" href="http://euroloopfest.com/">http://euroloopfest.com/</a>
<a class="moz-txt-link-freetext" href="http://sjaakovergaauw.com/">http://sjaakovergaauw.com/</a>


__________________________________
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  </pre>
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Wow!

That's one of my favourite ensemble albums ever!

Ariel.

El 22/07/2009, a las 10:16, Rainer Straschill escribi=F3:

> Michael Brecker: Wide Angles - was reminded of him just recently by

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Date: Wed, 22 Jul 2009 09:45:29 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: TONIGHT..! Gig Spam: Chuck Zwicky and Ralph Gibson at "The Stone"
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--============_-963852165==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

http://www.facebook.com/event.php?eid=102021637855


A concert in the STATE OF THE AXE Festival taking place during July 
at The Stone.

A new book "State Of The Axe-Guitar Masters in Photographs and Words" 
by Ralph Gibson, published by The Houston Museum Of Fine Arts, and 
distributed by Yale University Press. It is widely available and will 
be on sale at The Stone.

This performance features Ralph Gibson & Chuck Zwicky

Ralph Gibson -Ich Bin Die Nacht (electric guitar, photography) Ralph 
Gibson's images in film with live accompaniment for solo electric 
guitar.

Chuck Zwicky - "extemporaneous ephemera and site specific ambient 
improv for solo guitar and electrical memory"


-- 
...
http://www.zmix.net
--============_-963852165==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>TONIGHT..! Gig Spam: Chuck Zwicky and Ralph Gibson
at &quot;The</title></head><body>
<div>http://www.facebook.com/event.php?eid=102021637855</div>
<div><br></div>
<div><br></div>
<div><font face="Lucida Grande" size="-1" color="#000000">A concert in
the STATE OF THE AXE Festival taking place during July at The
Stone.<br>
<br>
A new book &quot;State Of The Axe-Guitar Masters in Photographs and
Words&quot; by Ralph Gibson, published by The Houston Museum Of Fine
Arts, and distributed by Yale University Press. It is widely available
and will be on sale at The Stone.<br>
<br>
This performance features Ralph Gibson &amp; Chuck Zwicky<br>
<br>
Ralph Gibson -Ich Bin Die Nacht (electric guitar, photography) Ralph
Gibson's images in film with live accompaniment for solo electric
guitar.<br>
<br>
Chuck Zwicky - &quot;extemporaneous ephemera and site specific ambient
improv for solo guitar and electrical memory&quot;</font></div>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-963852165==_ma============--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 14:11:09 2009
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Rainer Straschill wrote:

> Massacre: Meltdown

with Fred Frith
or a different outfit with the same name?


andy

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 14:37:22 2009
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: iphone looper ... apparently
Date: Wed, 22 Jul 2009 09:37:18 -0500
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 > Right, JUCE is *mostly Cocoa now .... with a few carbon bits here and
 > there to support certain frameworks where Carbon is required.  I was
 > unsure where those bits were, but assumed they were substantial  
enough
 > to make my application not work ... perhaps I was wrong.

I'll be pleasantly surprised if this is true, but I'm 99.9% certain
this can't run on an iPhone.  It isn't just Cocoa, it's the Cocoa
component library that was crafted specifically for the iPhone.
I have an iTouch and I've dabbled with iPhone development.  You have to
get a special version of Xcode with iPhone libraries.

The other thing that is suspicious is that you can't just copy Mac  
apps onto an iPhone.
You either have to download them from Apple's "App Store" (which
requires an approval process to put them there), or you have to buy the
$500 commercial developer SDK which includes the tools necessary to
distribute private apps. I just checked and Flyloops isn't in the App  
Store.
So unless the author shelled out $500 and built your app from source  
code,
I don't see how he could have run it on an iPhone.  I think he  
misspoke in
the article title.  The last para even says "Available for Mac and  
Windows",
nothing about iPhone in the text.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 15:53:07 2009
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Date: Thu, 23 Jul 2009 00:52:59 +0900
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Subject: Re: OT:  What's on your iPod/CDplayer/Turntable
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At 5:22 PM -0700 7/21/09, Rick Walker wrote:
>
>What are you guys and gals listening too?

Recently in heavy rotation:

      M83 -- "Dead Cities, Red Seas, and Lost Ghosts"
      William Basinski -- "The Disintegration Loops III"
      Hybrid -- "I Choose Noise"
      Jon Hassell -- "Live from Stockholm Jazzfest"  (Thanks Per!!! :)
      Telefon Tel Aviv -- "Remixes Compiled"

	--m.
-- 
_____
"bye-bye empire; empire, bye-bye"

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 16:00:47 2009
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Date: Wed, 22 Jul 2009 11:54:54 -0400 (EDT)
Subject: Re: OT: What's on your iPod/CDplayer/Turntable
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Mark,

You are a beautifully sick and twisted man.

Peter

> I play a random mix. So "Carcass on the floor" from the Sadomasochismo
> album
> can easily be followed by a rehersal for "When Im Sixty four"...


From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 16:54:40 2009
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Mel Torme - Swings Schubert Alley - perhaps greatest vocal jazz lp of all time?
Miles Davis - Sketches of Spain
McDonald & Giles - s/t
Van Dyke Parks - Discover America
Sarah Vaughan - Ballads
Zoe Keating - One Cello x 16
Tim Buckley - Happy Sad
M. Ward - Hold Time
Glen Campbell - Meet Glen Campbell
Eddi Reader - Candyfloss & medicine
Nik Kershaw - 15 Minutes
Rosemary Clooney - Rosie Solves the Swingin' Riddle
Ornette Coleman - Body Meta

mixed bag, a lot of "summer" listening.  The Mel Torme album is just freaking incredible and is in near-constant rotation; the Zoe Keating is for late-night listening in the dark.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 17:32:28 2009
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Thanks Andy,

Besides that fact: Imagine you finally manage to get all your friends
to hang out at a single pub, or whatever.  Most of them really enjoy
the fact that they catch up with EVERYONE constantly, no hitches.
Then the place expands and creates several new rooms=97It gets harder to
know who's really in the building.  Then someone says, "I know another
place where we could hang out!" and yet another group of friends
depart.

That's what I've found forums do to groups=97divide, diffuse, pacify.

I find EVERYONE in my email, sort them into folders; make a rule to
delete anything with <REPEATER> in the text of subject; have gmail add
a star to anything that says "OT! FLAME WAR!" etc.  I do this for a
good many e-lists and find them regularly populated with useful info
from all my fave avocations.

What's the problem here?

-m

Andy Butler wrote:
> that's all there is to it, the mailing list thrives. The forum is quiet.

> I think LD has between 100-200 signed up members which is the same as tha=
t forum.
So for the number of participants we have, the mailing list produces
(for better or worse) animated discussion, and the forum doesn't.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 18:04:02 2009
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Subject: Re: OT:  What's on your iPod/CDplayer/Turntable
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I like these listening lists, it's always a great source for new music.

Last CD's I got:
Sun Ra: With Pharoah Sanders and Black Harold: reissue of an extremely rare 
mid-60's Saturn LP. I actually have the LP, but the CD adds 45 extra minutes 
of better recorded tracks. This is the energy music side of the Arkestra, 
and Sanders, who was new to NYC at the time of this recording, is already 
sounding killer.

John McLaughlin/Chick Corea: Five Peace Band Live and Return To Forever: 
Live at Montreaux (DVD). In hight school in the 70's, I idolized Corea, 
especially the RTF quartet stuff. I pretty much quit listening to him after 
the Elektrik Band's glossy FM overload, but these two releases have just 
been klicking my ass. Both of these are just killer, the new RTF seems to 
have a deeper pocket than they ever did in the 70's, and the 5PB is pure 
fusion, excellent musicianship and a lot of fire.

Mulatu Astatke with the Heliocentrics: Mulatu is an Ethiopian 
musician/arranger/bandleader behind much of the excellent Ethio-funk of the 
70's, and The Heliocentrics are a young British band with a vast 70's 
fixation. It's a perfect match, Mulatu's slinky grooves and strange modal 
melodies tastefully updated with touches of hip hop and electronics.

Secret Chiefs 3: The Severed Right Hands of the Last Men (title is actually 
in Italian, but I don't have the disc with me and am too lazy to look it 
up). Speaking of 70's fixations, this is a soundtrack to an imaginary 
Italian horror film. If I didn't know better, I'd swear it was a lost 
Morricone or Goblin rarity, even the recording quality fits with the era.

Also, the new Tortoise is very nice, lots of cool distorted analog synths.

But the majority of my listening lately has been stuff I've downloaded from 
avantgardeproject.org: an archjive of about 150 lp's of out of print 
academic electronic and 20th Century classical music. Lp's are transferred 
from vinyl with extreme fidelity, even the mp3 versions sound excellent, and 
it's really a wealth of interesting music. Material by Parmegiani, Berio, 
Subotnick, Kagel, Cage and many others, including composers I've never heard 
of, and I've been kind of obsessed with this stuff since college. Probably 
of special interest to this list are several late-70's Henry Kasier 
recordings. This archive is simply astounding, it'll take me weeks of 
listening to just make a first pass through this.

Seems like I've been living in the past lately :-)

Also, I should second Rick's recomendation of Nik Bartsch's Ronin, I have 
both of their ECM discs and they are incredible. It's like the concepts of 
80's Krimson as played by a chamber-jazz ensemble. Great stuff. 




From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 18:28:48 2009
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From: Rev Fever <revfever@ubergadget.com>
Subject: Re: OT:  What's on your iPod/CDplayer/Turntable
Date: Wed, 22 Jul 2009 11:28:38 -0700
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--Apple-Mail-2--602820534
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Nurse With Wound-The Surveillance Lounge
Throbbing Gristle-The Third Mind Movements
Iannis Xenakis- Electronic Music
Iannis Xenakis-Pleiades
Franco Battiato-Sulle Corde di Aries
Wonderwall Music by George Harrison
Edward Ka-Spel- Dream Logik, Part Two
Brian Eno-Discreet Music
Brian Eno-The Shutov Assembly
(Looper Thomas O'Neill)  Myxproject-Instance
Andrew Liles & Jean-Herve Peron- Fini!
Mort Garson-Black Mass Lucifer
Arthur Brown's Kingdom Come- Journey

(and the list goes on and on and on....ad infinitum...)

Cheers,
Rev Fever
http://www.spiritone.com/~rvfever/


On Jul 22, 2009, at 11:03 AM, Dave Trenkel wrote:

> I like these listening lists, it's always a great source for new  
> music.
>
> Last CD's I got:
> Sun Ra: With Pharoah Sanders and Black Harold: reissue of an  
> extremely rare mid-60's Saturn LP. I actually have the LP, but the  
> CD adds 45 extra minutes of better recorded tracks. This is the  
> energy music side of the Arkestra, and Sanders, who was new to NYC  
> at the time of this recording, is already sounding killer.
>
> John McLaughlin/Chick Corea: Five Peace Band Live and Return To  
> Forever: Live at Montreaux (DVD). In hight school in the 70's, I  
> idolized Corea, especially the RTF quartet stuff. I pretty much  
> quit listening to him after the Elektrik Band's glossy FM overload,  
> but these two releases have just been klicking my ass. Both of  
> these are just killer, the new RTF seems to have a deeper pocket  
> than they ever did in the 70's, and the 5PB is pure fusion,  
> excellent musicianship and a lot of fire.
>
> Mulatu Astatke with the Heliocentrics: Mulatu is an Ethiopian  
> musician/arranger/bandleader behind much of the excellent Ethio- 
> funk of the 70's, and The Heliocentrics are a young British band  
> with a vast 70's fixation. It's a perfect match, Mulatu's slinky  
> grooves and strange modal melodies tastefully updated with touches  
> of hip hop and electronics.
>
> Secret Chiefs 3: The Severed Right Hands of the Last Men (title is  
> actually in Italian, but I don't have the disc with me and am too  
> lazy to look it up). Speaking of 70's fixations, this is a  
> soundtrack to an imaginary Italian horror film. If I didn't know  
> better, I'd swear it was a lost Morricone or Goblin rarity, even  
> the recording quality fits with the era.
>
> Also, the new Tortoise is very nice, lots of cool distorted analog  
> synths.
>
> But the majority of my listening lately has been stuff I've  
> downloaded from avantgardeproject.org: an archjive of about 150  
> lp's of out of print academic electronic and 20th Century classical  
> music. Lp's are transferred from vinyl with extreme fidelity, even  
> the mp3 versions sound excellent, and it's really a wealth of  
> interesting music. Material by Parmegiani, Berio, Subotnick, Kagel,  
> Cage and many others, including composers I've never heard of, and  
> I've been kind of obsessed with this stuff since college. Probably  
> of special interest to this list are several late-70's Henry Kasier  
> recordings. This archive is simply astounding, it'll take me weeks  
> of listening to just make a first pass through this.
>
> Seems like I've been living in the past lately :-)
>
> Also, I should second Rick's recomendation of Nik Bartsch's Ronin,  
> I have both of their ECM discs and they are incredible. It's like  
> the concepts of 80's Krimson as played by a chamber-jazz ensemble.  
> Great stuff.


--Apple-Mail-2--602820534
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=US-ASCII

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Nurse With Wound-The Surveillance Lounge<div>Throbbing Gristle-The Third =
Mind Movements</div><div>Iannis Xenakis- Electronic =
Music</div><div>Iannis Xenakis-Pleiades</div><div>Franco Battiato-Sulle =
Corde di Aries</div><div>Wonderwall Music by George =
Harrison</div><div>Edward Ka-Spel- Dream Logik, Part Two</div><div>Brian =
Eno-Discreet Music</div><div>Brian Eno-The Shutov =
Assembly</div><div>(Looper Thomas O'Neill) =
&nbsp;Myxproject-Instance</div><div>Andrew Liles &amp; Jean-Herve Peron- =
Fini!</div><div>Mort Garson-Black Mass Lucifer</div><div>Arthur Brown's =
Kingdom Come- Journey</div><div><br></div><div>(and the list goes on and =
on and on....ad =
infinitum...)</div><div><br></div><div>Cheers,</div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; ">Rev =
Fever</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div><div><br></div></span></div><div><br><div><div>On Jul 22, =
2009, at 11:03 AM, Dave Trenkel wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I like these listening lists, it's always a great =
source for new music.</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Last CD's I got:</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Sun Ra: With Pharoah Sanders and Black Harold: =
reissue of an extremely rare mid-60's Saturn LP. I actually have the LP, =
but the CD adds 45 extra minutes of better recorded tracks. This is the =
energy music side of the Arkestra, and Sanders, who was new to NYC at =
the time of this recording, is already sounding killer.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">John =
McLaughlin/Chick Corea: Five Peace Band Live and Return To Forever: Live =
at Montreaux (DVD). In hight school in the 70's, I idolized Corea, =
especially the RTF quartet stuff. I pretty much quit listening to him =
after the Elektrik Band's glossy FM overload, but these two releases =
have just been klicking my ass. Both of these are just killer, the new =
RTF seems to have a deeper pocket than they ever did in the 70's, and =
the 5PB is pure fusion, excellent musicianship and a lot of =
fire.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Mulatu Astatke with the Heliocentrics: Mulatu is an =
Ethiopian musician/arranger/bandleader behind much of the excellent =
Ethio-funk of the 70's, and The Heliocentrics are a young British band =
with a vast 70's fixation. It's a perfect match, Mulatu's slinky grooves =
and strange modal melodies tastefully updated with touches of hip hop =
and electronics.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Secret Chiefs 3: The Severed Right Hands of the Last =
Men (title is actually in Italian, but I don't have the disc with me and =
am too lazy to look it up). Speaking of 70's fixations, this is a =
soundtrack to an imaginary Italian horror film. If I didn't know better, =
I'd swear it was a lost Morricone or Goblin rarity, even the recording =
quality fits with the era.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Also, the new Tortoise is very =
nice, lots of cool distorted analog synths.</div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">But the =
majority of my listening lately has been stuff I've downloaded from =
avantgardeproject.org: an archjive of about 150 lp's of out of print =
academic electronic and 20th Century classical music. Lp's are =
transferred from vinyl with extreme fidelity, even the mp3 versions =
sound excellent, and it's really a wealth of interesting music. Material =
by Parmegiani, Berio, Subotnick, Kagel, Cage and many others, including =
composers I've never heard of, and I've been kind of obsessed with this =
stuff since college. Probably of special interest to this list are =
several late-70's Henry Kasier recordings. This archive is simply =
astounding, it'll take me weeks of listening to just make a first pass =
through this.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Seems like I've been living in the past lately =
:-)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Also, I should second Rick's recomendation of Nik =
Bartsch's Ronin, I have both of their ECM discs and they are incredible. =
It's like the concepts of 80's Krimson as played by a chamber-jazz =
ensemble. Great stuff.<span =
class=3D"Apple-converted-space">&nbsp;</span></div></blockquote></div><br>=
</div></body></html>=

--Apple-Mail-2--602820534--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 20:12:03 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: What are the current probs w/RC-50?
Date: Wed, 22 Jul 2009 22:11:35 +0200
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Hi,
Check out my rc-50 FAQ on my site:
http://euroloopfest.com/sjaak/rc50.shtml

--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/


From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 20:26:47 2009
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Subject: Re: Uptown Flash 4x1 manual
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Thanks for the offer.  In the mean time, my German friend, who started 
off needed the manual and got me onto this device, just located the PDF 
manual.  I'm about reading it, and will decide on the offer I have.

Looks pretty interesting, and AFAIK, audio quality should be great.
I'm still unsure if it'll do what I want (rewire 2-3 guitar preamps and 
a pedal in series and/or parallel/stacked) without one of the other 
companion devices.  Anything I should know ?



Trevor Van Eyck wrote:
> 
>    It's 86 pages...
> 
>    Since I only have an old (very slow) flatbed scanner, it would be 
> easier to photocopy it and drop it in the mail. PM me with your address 
> if you want to go that route...
> 
>    TREVOR.
> 
> van Sinn wrote:
> 
>> Trevor Van Eyck wrote:
>> >
>> >    I do - it's not a digital copy though...
>>
>> How many pages?  Is a scan job possible?


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 20:57:06 2009
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    I know that Steve Vai was a big fan of this - he used it with the 
Great Divide to split his signal and do many parallel loops that were 
then summed with the Flash. Maybe you don't need the splitter at all? To 
be honest I never really got very far into it. I picked it up for simple 
foot switchable muting of multiple outs of a drum machine although it 
will do much, much more...

    Got the URL for the PDF Version? That might come in handy for me as 
well if it's still available online.

    Let me know how it goes!

    TREVOR.

van Sinn wrote:
> Thanks for the offer.  In the mean time, my German friend, who started 
> off needed the manual and got me onto this device, just located the 
> PDF manual.  I'm about reading it, and will decide on the offer I have.
>
> Looks pretty interesting, and AFAIK, audio quality should be great.
> I'm still unsure if it'll do what I want (rewire 2-3 guitar preamps 
> and a pedal in series and/or parallel/stacked) without one of the 
> other companion devices.  Anything I should know ?
>
>
>
> Trevor Van Eyck wrote:
>>
>>    It's 86 pages...
>>
>>    Since I only have an old (very slow) flatbed scanner, it would be 
>> easier to photocopy it and drop it in the mail. PM me with your 
>> address if you want to go that route...
>>
>>    TREVOR.
>>
>> van Sinn wrote:
>>
>>> Trevor Van Eyck wrote:
>>> >
>>> >    I do - it's not a digital copy though...
>>>
>>> How many pages?  Is a scan job possible?
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 21:07:38 2009
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Date: Wed, 22 Jul 2009 21:07:37 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: living without money(O.T.)
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amazing=0A=0Ahttp://men.style.com/details/features/landing?id=3Dcontent_981=
7&mbid=3Dyhp=0A=0A=0A=0A=0A=0A=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A =
     

From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 21:19:40 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: why we founded this list
Date: Wed, 22 Jul 2009 23:19:15 +0200
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Thanks Matthias,
"Why do we do all this?" Well, my answers:

I only have one sister, but I was so happy when I found out that I had =
many
muscial brothers sharing the same passion :) That's one of the social
aspects I really like about this community.=20

In addition to that, I believe live looping can add some magic to your =
music
and has the potential to become a sort of 4th dimension and be the =
virtual
musician you can but also can't control. I personally like to create
constantly flowing music which is never the same, musical paintings you
build up from scratch, slowly adding new content while fading out =
others. It
allows you to play the unplayed tunes and textures which makes it a very
powerful composition tool imo.

We haven't met each other in person but I like your ideas about live =
looping
and I think it's important to promote it. Not because if the technique
itself, but as I explained because of the 4th dimension. I believe the
technique is only interesting for musicians, and the public is only
interested in the music.

Anyway, I like this community and I'll continue to promote it with
organizing live looping festivals. So there will be a 2nd edition of the
Antwerp Live Looping festival in March 2010. "The show must go on" :)
---=20
Sjaak
http://sjaakovergaauw.com/=20
http://euroloopfest.com/


From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 22:21:57 2009
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From: "Jean Philippe" <jp.rykiel@orange.fr>
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References: <000001ca0b08$9db79ae0$020313ac@PIPO>
Subject: Re: What are the current probs w/RC-50?
Date: Thu, 23 Jul 2009 00:21:56 +0200
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This is a multi-part message in MIME format.

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Hi Sjaak ,
I've got a RAQ for you.=20
Is the RC 50 usable by someone who can't see? I know it's hard to tell =
but can you tell me more about how the menus behave. Are they all on one =
level or in a tree like structure? If you navigate through menus with a =
cursor, does it loop back to the first item after you reached the last =
one or does it stay there?
Oh, a RAQ is a rarely asked question.
Cheers,
JPR

=20
http://myspace.com/jeanphilipperykiel

  ----- Original Message -----=20
  From: Sjaak=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, July 22, 2009 10:11 PM
  Subject: RE: What are the current probs w/RC-50?



  Hi,
  Check out my rc-50 FAQ on my site:
  http://euroloopfest.com/sjaak/rc50.shtml

  ---=20
  Sjaak
  http://sjaakovergaauw.com/=20
  http://euroloopfest.com/



------=_NextPart_000_0088_01CA0B2B.96130A90
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hi <A title=3Dtcplugin@scarlet.be=20
href=3D"mailto:tcplugin@scarlet.be">Sjaak</A> ,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I've got a RAQ for you. </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Is the RC 50 usable by someone who =
can't see? I=20
know it's hard to tell but can you tell me more about how the menus =
behave. Are=20
they all on one level or in a tree like structure? If you navigate =
through menus=20
with a cursor, does it loop back to the first item after you reached the =
last=20
one or does it stay there?<BR>Oh, a RAQ is a rarely asked =
question.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Cheers,<BR>JPR</FONT></DIV>
<DIV><FONT size=3D2=20
face=3DArial><EM></EM><EM></EM><EM></EM><EM></EM><EM></EM><EM></EM><EM></=
EM><EM></EM><EM></EM><EM></EM><BR>&nbsp;</DIV></FONT>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://myspace.com/jeanphilipperykiel">http://myspace.com/jeanphi=
lipperykiel</A><BR></FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dtcplugin@scarlet.be =
href=3D"mailto:tcplugin@scarlet.be">Sjaak</A>=20
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 22, 2009 =
10:11=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: What are the =
current probs=20
  w/RC-50?</DIV>
  <DIV><BR></DIV><BR>Hi,<BR>Check out my rc-50 FAQ on my site:<BR><A=20
  =
href=3D"http://euroloopfest.com/sjaak/rc50.shtml">http://euroloopfest.com=
/sjaak/rc50.shtml</A><BR><BR>---=20
  <BR>Sjaak<BR><A=20
  href=3D"http://sjaakovergaauw.com/">http://sjaakovergaauw.com/</A> =
<BR><A=20
  =
href=3D"http://euroloopfest.com/">http://euroloopfest.com/</A><BR><BR><BR=
></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0088_01CA0B2B.96130A90--



From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 22:25:49 2009
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Date: Wed, 22 Jul 2009 15:19:07 -0700
Subject: Re: living without money(O.T.)
From: Qua Veda <qua@oregon.com>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C68CDE6B.4074%qua@oregon.com>
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Thanks for sharing this article.  I especially  liked "Money represents
things in the past (debt) and things in the future (credit), but money never
represents what is present."
-Qua

On 7/22/09 2:07 PM, "L.Angulo" <labaloops@yahoo.com> wrote:

> 
> amazing
> 
> http://men.style.com/details/features/landing?id=content_9817&mbid=yhp
> 
> 


From Loopers-Delight-request@loopers-delight.com  Wed Jul 22 22:41:55 2009
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Date: Wed, 22 Jul 2009 15:41:54 -0700
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Subject: Re: living without money(O.T.)
From: Mark Sottilaro <zerocrossing@gmail.com>
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This is all well and good, but it would snuff out your ability to loop
pretty quickly.   I think it would be more useful to compare money to
wealth as concepts and do a bit more in educating people about the
difference.  i.e. going into credit card debt to buy spinners for your
Hyundai when the mother of your child is obtaining food stamps to feed
themselves.

I was pretty poor for a very long time.  Traditional "starving
musician" type.  It was stressful, but mostly in a way that getting a
parking ticket would send me into a tailspin because I'd be short on
rent.   Other than events like that life was pretty good.  Live
outside a small town and you can live pretty lean.  My health plan
consisted of me planning on not getting sick.

In a weird way, now that I'm doing OK I often think, "what if I lost
it all?"  The answer is I'd just go back to where I was and make it
work in some way.  I never quite get people who jump off buildings
when they lose their fortune.  I recently heard an interview of a
homeless guy on NPR where he says that he actually gained weight being
homeless due to the availability of good state and church run food
programs in his town. I remember the soup kitchen I worked in served
bread from the gourmet bakery I worked next to and it was my one
change to eat there bread as I usually couldn't afford it.

So what's poverty in a land where food is abundant?  If food isn't
abundant, where you are, why are you having children?  Why is status
more important than education?  Why has being a craftsman or worker
become a bad thing?

These are the things I think about.

On Wed, Jul 22, 2009 at 3:19 PM, Qua Veda<qua@oregon.com> wrote:
> Thanks for sharing this article. =A0I especially =A0liked "Money represen=
ts
> things in the past (debt) and things in the future (credit), but money ne=
ver
> represents what is present."
> -Qua
>
> On 7/22/09 2:07 PM, "L.Angulo" <labaloops@yahoo.com> wrote:
>
>>
>> amazing
>>
>> http://men.style.com/details/features/landing?id=3Dcontent_9817&mbid=3Dy=
hp
>>
>>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 07:16:09 2009
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hi Sjaak,
Nice site.

my limited RC-50 observations noted that while
the I was able to follow the instructions to remove 
the glitch on the start of playback for the first loop
there was still a large gap before the start of playback
of a second track.
Harder to notice, but definitely the long gap
from "rhythm priority" is present when "sound priority"
was selected.
On that occasion the beginning of the second loop/track 
coincided with the beginning of the original loop.
I had any quantise turned to off ( er..I expect).
I suspect that the problem does not occur the recording
of the second loop/track doesn't start on the start/end
point of the first loop, because I only heard the gap
a couple of times.

I'm unable to check the above, I only had the RC-50 for a day or so on loan.

I don't know the version of the firmware, but it was
a new unit. (Couldn't find a way to display version on
the front panel)

andy butler
ps. for legibility of text, advise that you
don't use high contrast graphics as a backing


Sjaak wrote:
> Hi,
> Check out my rc-50 FAQ on my site:
> http://euroloopfest.com/sjaak/rc50.shtml
> 
> --- 
> Sjaak
> http://sjaakovergaauw.com/ 
> http://euroloopfest.com/
> 
> 
> 

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From: mark francombe <mark@markfrancombe.com>
Date: Thu, 23 Jul 2009 11:00:32 +0200
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Subject: Re: living without money(O.T.)
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The answer is Mark, that in your country (as far as I can tell) status mean=
s
alot...respect is everything, fear of not being respected and somehow being
less worth is so great that peoples priorities become tainted from what the=
y
feel to be right, good and proper, into what your society (as advertised by
your biased news and tv stations) tells you is what you need.  Plus you nee=
d
money to buy your education (if you want anything more than the basic
package) and you cannot afford to be sick (you said that yourself).
That is not to say there are not problems in either of my chosen countries
(norway and the UK) England for example has a large homeless problem, but
there, and certainly here in Norway, it is predominately drug users and the
mentaly sick that end up on the streets, and that is a different social
problem, that is very hard to eradicate. In Norway however, there is simply
NO homelessness. There are enough beds in shelters for eveyone, thats not t=
o
say that some dont choose to sllep rough, but for half the year, its simple
not possible, they would die there. Consequently the councils have HAD to
provide some sort of shelter (Yes councils, not charity).

The little quirks in the system (like your homeless people eating goumet
food quip) are just quirks, and as stories serve to misdirect the populace
rightful guilt on the subv=B4ject of the homeless.. So.. they eat nice brea=
d,
but they sleep in a hole under railway bridge in ther own excrement. I
myself go a kick when I offered a himless guy a Cola drink that came as par=
t
of my "Meny Happy Meal" at Mc Donalds.. the homeless guy said.. "Not thanks=
,
I dont eat that shit... bunch of capitalist evil bastards, destroying the
rain forests blablabla..."

In the US, you are obsessed with freedom, and choice. Fuck that!!!  is what
I say.. You just dont wanna pay your taxes!!! You say you worked at a soup
kitchen, thats wonderful. But you shouldnt have to!!! You always tip in
resturants and cabs, why? Cos you know that they are not well enough paid!
You CHOOSE where to give... My Mother died of Cancer, so I am predisposed t=
o
give charity to Cancer Research, but shouldnt

As for your advice on how to survive, I couldnt agree more... I lived for
many years extremely broke. And I could do the same again... I might have t=
o
move to a warmer country tho...  2 tanks of petrol could get me and my
familly to Spain, where its cheap to live.. dont need heating... and well..
its nice there... For that life I could (almost) live on the streets... a
small apartment would do... do a few odd jobs, sit in outside cafes, swim
before breakfast,  live on bread and olive oil and tomatos ... I dunno... I=
m
almost packing as I write this!!!

So what's poverty in a land where food is abundant?
Its discussting isnt it... but whos got that abundance of food, certainly
not the starving.
If food isn't abundant, where you are, why are you having children?
Why not? Is procreation a bonus for the rich?
Why is status more important than education?
See above
Why has being a craftsman or worker become a bad thing?
Surprised you had to ask that... BAD PAY!!!  waitresses and nurses are paid
so badly, would you wanna be one? Nope, And you knew that from young right?
so you went to college right?  Now you earn good huh? OK then.. Pay them
workers better, Pay then Nurses better, Pay them Garbage collectors better,
then people will do those jobs, then less people will go to college, which
will mean more spaces at colloge for those that wanna, which means educatio=
n
costcome down, which means... ? well what dos that mean... maybe you can ge=
t
to pay less taxes?

Final point is about Taxes.. so here I go... lets compare.
I pay 42 percent of my monthly wage in Tax. (With some exceptions December
and July are Tax free - meant to help you pay for family occasions such as
Christmas and Holidays - ok tis a bit "Nanny State" for me too, but there
you are, gives you an idea what what the Government believes is its
responsibilities are)

Wow.. better get back to woork... But will end with this one (its old so
apologies for repetition on this list...)

Now I wont say this clip is NOT without flaws.. there ARE errors (which
Micheal Moore slammers are only to quick to pint out) but MOST of this bit
on Norway.. TRUE!!!!!

http://www.youtube.com/watch?v=3DuGTzbj3fRSw

Mark


On Thu, Jul 23, 2009 at 12:41 AM, Mark Sottilaro <zerocrossing@gmail.com>wr=
ote:

> This is all well and good, but it would snuff out your ability to loop
> pretty quickly.   I think it would be more useful to compare money to
> wealth as concepts and do a bit more in educating people about the
> difference.  i.e. going into credit card debt to buy spinners for your
> Hyundai when the mother of your child is obtaining food stamps to feed
> themselves.
>
> I was pretty poor for a very long time.  Traditional "starving
> musician" type.  It was stressful, but mostly in a way that getting a
> parking ticket would send me into a tailspin because I'd be short on
> rent.   Other than events like that life was pretty good.  Live
> outside a small town and you can live pretty lean.  My health plan
> consisted of me planning on not getting sick.
>
> In a weird way, now that I'm doing OK I often think, "what if I lost
> it all?"  The answer is I'd just go back to where I was and make it
> work in some way.  I never quite get people who jump off buildings
> when they lose their fortune.  I recently heard an interview of a
> homeless guy on NPR where he says that he actually gained weight being
> homeless due to the availability of good state and church run food
> programs in his town. I remember the soup kitchen I worked in served
> bread from the gourmet bakery I worked next to and it was my one
> change to eat there bread as I usually couldn't afford it.
>
> So what's poverty in a land where food is abundant?  If food isn't
> abundant, where you are, why are you having children?  Why is status
> more important than education?  Why has being a craftsman or worker
> become a bad thing?
>
> These are the things I think about.
>
> On Wed, Jul 22, 2009 at 3:19 PM, Qua Veda<qua@oregon.com> wrote:
> > Thanks for sharing this article.  I especially  liked "Money represents
> > things in the past (debt) and things in the future (credit), but money
> never
> > represents what is present."
> > -Qua
> >
> > On 7/22/09 2:07 PM, "L.Angulo" <labaloops@yahoo.com> wrote:
> >
> >>
> >> amazing
> >>
> >> http://men.style.com/details/features/landing?id=3Dcontent_9817&mbid=
=3Dyhp
> >>
> >>
> >
> >
> >
>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--0015174c10d085bdfc046f5bb9d5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

The answer is Mark, that in your country (as far as I can tell) status mean=
s alot...respect is everything, fear of not being respected and somehow bei=
ng less worth is so great that peoples priorities become tainted from what =
they feel to be right, good and proper, into what your society (as advertis=
ed by your biased news and tv stations) tells you is what you need.=A0 Plus=
 you need money to buy your education (if you want anything more than the b=
asic package) and you cannot afford to be sick (you said that yourself).<br=
>

That is not to say there are not problems in either of my chosen countries =
(norway and the UK) England for example has a large homeless problem, but t=
here, and certainly here in Norway, it is predominately drug users and the =
mentaly sick that end up on the streets, and that is a different social pro=
blem, that is very hard to eradicate. In Norway however, there is simply NO=
 homelessness. There are enough beds in shelters for eveyone, thats not to =
say that some dont choose to sllep rough, but for half the year, its simple=
 not possible, they would die there. Consequently the councils have HAD to =
provide some sort of shelter (Yes councils, not charity).<br>

<br>The little quirks in the system (like your homeless people eating
goumet food quip) are just quirks, and as stories serve to misdirect
the populace rightful guilt on the subv=B4ject of the homeless.. So..
they eat nice bread, but they sleep in a hole under railway bridge in
ther own excrement. I myself go a kick when I offered a himless guy a
Cola drink that came as part of my &quot;Meny Happy Meal&quot; at Mc Donald=
s..
the homeless guy said.. &quot;Not thanks, I dont eat that shit... bunch of
capitalist evil bastards, destroying the rain forests blablabla...&quot;<br=
><br>In the US, you are obsessed with freedom, and choice. Fuck that!!!=A0 =
is what I say.. You just dont wanna pay your taxes!!! You say you worked at=
 a soup kitchen, thats wonderful. But you shouldnt have to!!! You always ti=
p in resturants and cabs, why? Cos you know that they are not well enough p=
aid! You CHOOSE where to give... My Mother died of Cancer, so I am predispo=
sed to give charity to Cancer Research, but shouldnt <br>

<br>As for your advice on how to survive, I couldnt agree more... I lived f=
or many years extremely broke. And I could do the same again... I might hav=
e to move to a warmer country tho...=A0 2 tanks of petrol could get me and =
my familly to Spain, where its cheap to live.. dont need heating... and wel=
l.. its nice there... For that life I could (almost) live on the streets...=
 a small apartment would do... do a few odd jobs, sit in outside cafes, swi=
m before breakfast,=A0 live on bread and olive oil and tomatos ... I dunno.=
.. Im almost packing as I write this!!!<br>

<br>So what&#39;s poverty in a land where food is abundant?=A0 <br>Its disc=
ussting isnt it... but whos got that abundance of food, certainly not the s=
tarving.<br>If food isn&#39;t abundant, where you are, why are you having c=
hildren? <br>

Why not? Is procreation a bonus for the rich?<br>Why is status more importa=
nt than education? <br>See above<br>Why has being a craftsman or worker bec=
ome a bad thing?<br>Surprised you had to ask that... BAD PAY!!!=A0 waitress=
es and nurses are paid so badly, would you wanna be one? Nope, And you knew=
 that from young right? so you went to college right?=A0 Now you earn good =
huh? OK then.. Pay them workers better, Pay then Nurses better, Pay them Ga=
rbage collectors better, then people will do those jobs, then less people w=
ill go to college, which will mean more spaces at colloge for those that wa=
nna, which means education costcome down, which means... ? well what dos th=
at mean... maybe you can get to pay less taxes?<br>

<br>Final point is about Taxes.. so here I go... lets compare.<br>I pay 42 =
percent of my monthly wage in Tax. (With some exceptions December and July =
are Tax free - meant to help you pay for family occasions such as Christmas=
 and Holidays - ok tis a bit &quot;Nanny State&quot; for me too, but there =
you are, gives you an idea what what the Government believes is its respons=
ibilities are)<br>

<br>Wow.. better get back to woork... But will end with this one (its old s=
o apologies for repetition on this list...)<br><br>Now I wont say this clip=
 is NOT without flaws.. there ARE errors (which Micheal Moore slammers are =
only to quick to pint out) but MOST of this bit on Norway.. TRUE!!!!!<br>

<br><a href=3D"http://www.youtube.com/watch?v=3DuGTzbj3fRSw">http://www.you=
tube.com/watch?v=3DuGTzbj3fRSw</a><br><br>Mark<br>=A0<br><br><div class=3D"=
gmail_quote">On Thu, Jul 23, 2009 at 12:41 AM, Mark Sottilaro <span dir=3D"=
ltr">&lt;<a href=3D"mailto:zerocrossing@gmail.com">zerocrossing@gmail.com</=
a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">This is all well =
and good, but it would snuff out your ability to loop<br>
pretty quickly. =A0 I think it would be more useful to compare money to<br>
wealth as concepts and do a bit more in educating people about the<br>
difference. =A0i.e. going into credit card debt to buy spinners for your<br=
>
Hyundai when the mother of your child is obtaining food stamps to feed<br>
themselves.<br>
<br>
I was pretty poor for a very long time. =A0Traditional &quot;starving<br>
musician&quot; type. =A0It was stressful, but mostly in a way that getting =
a<br>
parking ticket would send me into a tailspin because I&#39;d be short on<br=
>
rent. =A0 Other than events like that life was pretty good. =A0Live<br>
outside a small town and you can live pretty lean. =A0My health plan<br>
consisted of me planning on not getting sick.<br>
<br>
In a weird way, now that I&#39;m doing OK I often think, &quot;what if I lo=
st<br>
it all?&quot; =A0The answer is I&#39;d just go back to where I was and make=
 it<br>
work in some way. =A0I never quite get people who jump off buildings<br>
when they lose their fortune. =A0I recently heard an interview of a<br>
homeless guy on NPR where he says that he actually gained weight being<br>
homeless due to the availability of good state and church run food<br>
programs in his town. I remember the soup kitchen I worked in served<br>
bread from the gourmet bakery I worked next to and it was my one<br>
change to eat there bread as I usually couldn&#39;t afford it.<br>
<br>
So what&#39;s poverty in a land where food is abundant? =A0If food isn&#39;=
t<br>
abundant, where you are, why are you having children? =A0Why is status<br>
more important than education? =A0Why has being a craftsman or worker<br>
become a bad thing?<br>
<br>
These are the things I think about.<br>
<div><div></div><div class=3D"h5"><br>
On Wed, Jul 22, 2009 at 3:19 PM, Qua Veda&lt;<a href=3D"mailto:qua@oregon.c=
om">qua@oregon.com</a>&gt; wrote:<br>
&gt; Thanks for sharing this article. =A0I especially =A0liked &quot;Money =
represents<br>
&gt; things in the past (debt) and things in the future (credit), but money=
 never<br>
&gt; represents what is present.&quot;<br>
&gt; -Qua<br>
&gt;<br>
&gt; On 7/22/09 2:07 PM, &quot;L.Angulo&quot; &lt;<a href=3D"mailto:labaloo=
ps@yahoo.com">labaloops@yahoo.com</a>&gt; wrote:<br>
&gt;<br>
&gt;&gt;<br>
&gt;&gt; amazing<br>
&gt;&gt;<br>
&gt;&gt; <a href=3D"http://men.style.com/details/features/landing?id=3Dcont=
ent_9817&amp;mbid=3Dyhp" target=3D"_blank">http://men.style.com/details/fea=
tures/landing?id=3Dcontent_9817&amp;mbid=3Dyhp</a><br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c10d085bdfc046f5bb9d5--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 09:34:03 2009
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 <9ab0c76f0907230200j6991e5ev77616d07fc930592@mail.gmail.com>
Subject: Re: living without money(O.T.)
Date: Thu, 23 Jul 2009 02:33:56 -0700
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Actually nurses and garbage collectors make quite good money.  Not =
kidding.  I think you should try living here before you knock the U.S. =
so much.  Same deal with me--I should try living in different countries =
too.

The people I work with (in electronics) mostly don't have college =
degrees and they make pretty good money.  Although they're hardly =
"cultured" (most went through the military), they are decent people and =
seem pretty happy.  And most are quite interested in music.

I'd say for the most part people aren't that driven to compete for high =
status.  Most folks go to work, come home and want to enjoy their free =
time and do like respect but it's not a duel to the death over it.

\t
  ----- Original Message -----=20
  From: mark francombe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, July 23, 2009 2:00 AM
  Subject: Re: living without money(O.T.)


  The answer is Mark, that in your country (as far as I can tell) status =
means alot...respect is everything, fear of not being respected and =
somehow being less worth is so great that peoples priorities become =
tainted from what they feel to be right, good and proper, into what your =
society (as advertised by your biased news and tv stations) tells you is =
what you need.  Plus you need money to buy your education (if you want =
anything more than the basic package) and you cannot afford to be sick =
(you said that yourself).
  That is not to say there are not problems in either of my chosen =
countries (norway and the UK) England for example has a large homeless =
problem, but there, and certainly here in Norway, it is predominately =
drug users and the mentaly sick that end up on the streets, and that is =
a different social problem, that is very hard to eradicate. In Norway =
however, there is simply NO homelessness. There are enough beds in =
shelters for eveyone, thats not to say that some dont choose to sllep =
rough, but for half the year, its simple not possible, they would die =
there. Consequently the councils have HAD to provide some sort of =
shelter (Yes councils, not charity).

  The little quirks in the system (like your homeless people eating =
goumet food quip) are just quirks, and as stories serve to misdirect the =
populace rightful guilt on the subv=B4ject of the homeless.. So.. they =
eat nice bread, but they sleep in a hole under railway bridge in ther =
own excrement. I myself go a kick when I offered a himless guy a Cola =
drink that came as part of my "Meny Happy Meal" at Mc Donalds.. the =
homeless guy said.. "Not thanks, I dont eat that shit... bunch of =
capitalist evil bastards, destroying the rain forests blablabla..."

  In the US, you are obsessed with freedom, and choice. Fuck that!!!  is =
what I say.. You just dont wanna pay your taxes!!! You say you worked at =
a soup kitchen, thats wonderful. But you shouldnt have to!!! You always =
tip in resturants and cabs, why? Cos you know that they are not well =
enough paid! You CHOOSE where to give... My Mother died of Cancer, so I =
am predisposed to give charity to Cancer Research, but shouldnt=20

  As for your advice on how to survive, I couldnt agree more... I lived =
for many years extremely broke. And I could do the same again... I might =
have to move to a warmer country tho...  2 tanks of petrol could get me =
and my familly to Spain, where its cheap to live.. dont need heating... =
and well.. its nice there... For that life I could (almost) live on the =
streets... a small apartment would do... do a few odd jobs, sit in =
outside cafes, swim before breakfast,  live on bread and olive oil and =
tomatos ... I dunno... Im almost packing as I write this!!!

  So what's poverty in a land where food is abundant? =20
  Its discussting isnt it... but whos got that abundance of food, =
certainly not the starving.
  If food isn't abundant, where you are, why are you having children?=20
  Why not? Is procreation a bonus for the rich?
  Why is status more important than education?=20
  See above
  Why has being a craftsman or worker become a bad thing?
  Surprised you had to ask that... BAD PAY!!!  waitresses and nurses are =
paid so badly, would you wanna be one? Nope, And you knew that from =
young right? so you went to college right?  Now you earn good huh? OK =
then.. Pay them workers better, Pay then Nurses better, Pay them Garbage =
collectors better, then people will do those jobs, then less people will =
go to college, which will mean more spaces at colloge for those that =
wanna, which means education costcome down, which means... ? well what =
dos that mean... maybe you can get to pay less taxes?

  Final point is about Taxes.. so here I go... lets compare.
  I pay 42 percent of my monthly wage in Tax. (With some exceptions =
December and July are Tax free - meant to help you pay for family =
occasions such as Christmas and Holidays - ok tis a bit "Nanny State" =
for me too, but there you are, gives you an idea what what the =
Government believes is its responsibilities are)

  Wow.. better get back to woork... But will end with this one (its old =
so apologies for repetition on this list...)

  Now I wont say this clip is NOT without flaws.. there ARE errors =
(which Micheal Moore slammers are only to quick to pint out) but MOST of =
this bit on Norway.. TRUE!!!!!

  http://www.youtube.com/watch?v=3DuGTzbj3fRSw

  Mark
  =20


  On Thu, Jul 23, 2009 at 12:41 AM, Mark Sottilaro =
<zerocrossing@gmail.com> wrote:

    This is all well and good, but it would snuff out your ability to =
loop
    pretty quickly.   I think it would be more useful to compare money =
to
    wealth as concepts and do a bit more in educating people about the
    difference.  i.e. going into credit card debt to buy spinners for =
your
    Hyundai when the mother of your child is obtaining food stamps to =
feed
    themselves.

    I was pretty poor for a very long time.  Traditional "starving
    musician" type.  It was stressful, but mostly in a way that getting =
a
    parking ticket would send me into a tailspin because I'd be short on
    rent.   Other than events like that life was pretty good.  Live
    outside a small town and you can live pretty lean.  My health plan
    consisted of me planning on not getting sick.

    In a weird way, now that I'm doing OK I often think, "what if I lost
    it all?"  The answer is I'd just go back to where I was and make it
    work in some way.  I never quite get people who jump off buildings
    when they lose their fortune.  I recently heard an interview of a
    homeless guy on NPR where he says that he actually gained weight =
being
    homeless due to the availability of good state and church run food
    programs in his town. I remember the soup kitchen I worked in served
    bread from the gourmet bakery I worked next to and it was my one
    change to eat there bread as I usually couldn't afford it.

    So what's poverty in a land where food is abundant?  If food isn't
    abundant, where you are, why are you having children?  Why is status
    more important than education?  Why has being a craftsman or worker
    become a bad thing?

    These are the things I think about.


    On Wed, Jul 22, 2009 at 3:19 PM, Qua Veda<qua@oregon.com> wrote:
    > Thanks for sharing this article.  I especially  liked "Money =
represents
    > things in the past (debt) and things in the future (credit), but =
money never
    > represents what is present."
    > -Qua
    >
    > On 7/22/09 2:07 PM, "L.Angulo" <labaloops@yahoo.com> wrote:
    >
    >>
    >> amazing
    >>
    >> =
http://men.style.com/details/features/landing?id=3Dcontent_9817&mbid=3Dyh=
p
    >>
    >>
    >
    >
    >





  --=20
  www.markfrancombe.com
  http://vimeo.com/user825094
  http://uk.youtube.com/user/markfrancombe
  http://www.myspace.com/markfrancombe
  http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--Boundary_(ID_sFWk6VBertt2ButEBuXxvQ)
Content-type: text/html; charset=iso-8859-1
Content-transfer-encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18372">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Actually nurses and garbage collectors =
make quite=20
good money.&nbsp; Not kidding.&nbsp; I think you should try living here =
before=20
you knock the U.S. so much.&nbsp; Same deal with me--I should try living =
in=20
different countries too.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>The people I work with (in electronics) =
mostly=20
don't have college degrees and they make pretty good money.&nbsp; =
Although=20
they're hardly "cultured" (most went through the military),=20
they&nbsp;are&nbsp;decent people and seem pretty happy.&nbsp; And most =
are quite=20
interested in music.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I'd say for the most part people aren't =
that driven=20
to compete for high status.&nbsp; Most folks go to work, come home and =
want to=20
enjoy their free time and do like respect but it's not a duel to the =
death over=20
it.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>\t</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
  francombe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, July 23, 2009 =
2:00=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: living without=20
  money(O.T.)</DIV>
  <DIV><BR></DIV>The answer is Mark, that in your country (as far as I =
can tell)=20
  status means alot...respect is everything, fear of not being respected =
and=20
  somehow being less worth is so great that peoples priorities become =
tainted=20
  from what they feel to be right, good and proper, into what your =
society (as=20
  advertised by your biased news and tv stations) tells you is what you=20
  need.&nbsp; Plus you need money to buy your education (if you want =
anything=20
  more than the basic package) and you cannot afford to be sick (you =
said that=20
  yourself).<BR>That is not to say there are not problems in either of =
my chosen=20
  countries (norway and the UK) England for example has a large homeless =

  problem, but there, and certainly here in Norway, it is predominately =
drug=20
  users and the mentaly sick that end up on the streets, and that is a =
different=20
  social problem, that is very hard to eradicate. In Norway however, =
there is=20
  simply NO homelessness. There are enough beds in shelters for eveyone, =
thats=20
  not to say that some dont choose to sllep rough, but for half the =
year, its=20
  simple not possible, they would die there. Consequently the councils =
have HAD=20
  to provide some sort of shelter (Yes councils, not =
charity).<BR><BR>The little=20
  quirks in the system (like your homeless people eating goumet food =
quip) are=20
  just quirks, and as stories serve to misdirect the populace rightful =
guilt on=20
  the subv=B4ject of the homeless.. So.. they eat nice bread, but they =
sleep in a=20
  hole under railway bridge in ther own excrement. I myself go a kick =
when I=20
  offered a himless guy a Cola drink that came as part of my "Meny Happy =
Meal"=20
  at Mc Donalds.. the homeless guy said.. "Not thanks, I dont eat that =
shit...=20
  bunch of capitalist evil bastards, destroying the rain forests=20
  blablabla..."<BR><BR>In the US, you are obsessed with freedom, and =
choice.=20
  Fuck that!!!&nbsp; is what I say.. You just dont wanna pay your =
taxes!!! You=20
  say you worked at a soup kitchen, thats wonderful. But you shouldnt =
have to!!!=20
  You always tip in resturants and cabs, why? Cos you know that they are =
not=20
  well enough paid! You CHOOSE where to give... My Mother died of =
Cancer, so I=20
  am predisposed to give charity to Cancer Research, but shouldnt =
<BR><BR>As for=20
  your advice on how to survive, I couldnt agree more... I lived for =
many years=20
  extremely broke. And I could do the same again... I might have to move =
to a=20
  warmer country tho...&nbsp; 2 tanks of petrol could get me and my =
familly to=20
  Spain, where its cheap to live.. dont need heating... and well.. its =
nice=20
  there... For that life I could (almost) live on the streets... a small =

  apartment would do... do a few odd jobs, sit in outside cafes, swim =
before=20
  breakfast,&nbsp; live on bread and olive oil and tomatos ... I =
dunno... Im=20
  almost packing as I write this!!!<BR><BR>So what's poverty in a land =
where=20
  food is abundant?&nbsp; <BR>Its discussting isnt it... but whos got =
that=20
  abundance of food, certainly not the starving.<BR>If food isn't =
abundant,=20
  where you are, why are you having children? <BR>Why not? Is =
procreation a=20
  bonus for the rich?<BR>Why is status more important than education? =
<BR>See=20
  above<BR>Why has being a craftsman or worker become a bad =
thing?<BR>Surprised=20
  you had to ask that... BAD PAY!!!&nbsp; waitresses and nurses are paid =
so=20
  badly, would you wanna be one? Nope, And you knew that from young =
right? so=20
  you went to college right?&nbsp; Now you earn good huh? OK then.. Pay =
them=20
  workers better, Pay then Nurses better, Pay them Garbage collectors =
better,=20
  then people will do those jobs, then less people will go to college, =
which=20
  will mean more spaces at colloge for those that wanna, which means =
education=20
  costcome down, which means... ? well what dos that mean... maybe you =
can get=20
  to pay less taxes?<BR><BR>Final point is about Taxes.. so here I go... =
lets=20
  compare.<BR>I pay 42 percent of my monthly wage in Tax. (With some =
exceptions=20
  December and July are Tax free - meant to help you pay for family =
occasions=20
  such as Christmas and Holidays - ok tis a bit "Nanny State" for me =
too, but=20
  there you are, gives you an idea what what the Government believes is =
its=20
  responsibilities are)<BR><BR>Wow.. better get back to woork... But =
will end=20
  with this one (its old so apologies for repetition on this =
list...)<BR><BR>Now=20
  I wont say this clip is NOT without flaws.. there ARE errors (which =
Micheal=20
  Moore slammers are only to quick to pint out) but MOST of this bit on =
Norway..=20
  TRUE!!!!!<BR><BR><A=20
  =
href=3D"http://www.youtube.com/watch?v=3DuGTzbj3fRSw">http://www.youtube.=
com/watch?v=3DuGTzbj3fRSw</A><BR><BR>Mark<BR>&nbsp;<BR><BR>
  <DIV class=3Dgmail_quote>On Thu, Jul 23, 2009 at 12:41 AM, Mark =
Sottilaro <SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:zerocrossing@gmail.com">zerocrossing@gmail.com</A>&gt;</SP=
AN>=20
  wrote:<BR>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt =
0.8ex; PADDING-LEFT: 1ex"=20
  class=3Dgmail_quote>This is all well and good, but it would snuff out =
your=20
    ability to loop<BR>pretty quickly. &nbsp; I think it would be more =
useful to=20
    compare money to<BR>wealth as concepts and do a bit more in =
educating people=20
    about the<BR>difference. &nbsp;i.e. going into credit card debt to =
buy=20
    spinners for your<BR>Hyundai when the mother of your child is =
obtaining food=20
    stamps to feed<BR>themselves.<BR><BR>I was pretty poor for a very =
long time.=20
    &nbsp;Traditional "starving<BR>musician" type. &nbsp;It was =
stressful, but=20
    mostly in a way that getting a<BR>parking ticket would send me into =
a=20
    tailspin because I'd be short on<BR>rent. &nbsp; Other than events =
like that=20
    life was pretty good. &nbsp;Live<BR>outside a small town and you can =
live=20
    pretty lean. &nbsp;My health plan<BR>consisted of me planning on not =
getting=20
    sick.<BR><BR>In a weird way, now that I'm doing OK I often think, =
"what if I=20
    lost<BR>it all?" &nbsp;The answer is I'd just go back to where I was =
and=20
    make it<BR>work in some way. &nbsp;I never quite get people who jump =
off=20
    buildings<BR>when they lose their fortune. &nbsp;I recently heard an =

    interview of a<BR>homeless guy on NPR where he says that he actually =
gained=20
    weight being<BR>homeless due to the availability of good state and =
church=20
    run food<BR>programs in his town. I remember the soup kitchen I =
worked in=20
    served<BR>bread from the gourmet bakery I worked next to and it was =
my=20
    one<BR>change to eat there bread as I usually couldn't afford =
it.<BR><BR>So=20
    what's poverty in a land where food is abundant? &nbsp;If food=20
    isn't<BR>abundant, where you are, why are you having children? =
&nbsp;Why is=20
    status<BR>more important than education? &nbsp;Why has being a =
craftsman or=20
    worker<BR>become a bad thing?<BR><BR>These are the things I think =
about.<BR>
    <DIV>
    <DIV></DIV>
    <DIV class=3Dh5><BR>On Wed, Jul 22, 2009 at 3:19 PM, Qua Veda&lt;<A=20
    href=3D"mailto:qua@oregon.com">qua@oregon.com</A>&gt; wrote:<BR>&gt; =
Thanks=20
    for sharing this article. &nbsp;I especially &nbsp;liked "Money=20
    represents<BR>&gt; things in the past (debt) and things in the =
future=20
    (credit), but money never<BR>&gt; represents what is =
present."<BR>&gt;=20
    -Qua<BR>&gt;<BR>&gt; On 7/22/09 2:07 PM, "L.Angulo" &lt;<A=20
    href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</A>&gt;=20
    wrote:<BR>&gt;<BR>&gt;&gt;<BR>&gt;&gt; =
amazing<BR>&gt;&gt;<BR>&gt;&gt; <A=20
    =
href=3D"http://men.style.com/details/features/landing?id=3Dcontent_9817&a=
mp;mbid=3Dyhp"=20
    =
target=3D_blank>http://men.style.com/details/features/landing?id=3Dconten=
t_9817&amp;mbid=3Dyhp</A><BR>&gt;&gt;<BR>&gt;&gt;<BR>&gt;<BR>&gt;<BR>&gt;=
<BR><BR></DIV></DIV></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR><A=20
  href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A><BR><A=20
  =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</A><BR><=
A=20
  =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/u=
ser/markfrancombe</A><BR><A=20
  =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mark=
francombe</A><BR><A=20
  =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</A><BR></BLOC=
KQUOTE></BODY></HTML>

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Mark Sottilaro schrieb:
> How much would you like to bet?  I'll take that kind of action any
> day. ;)  I think even I adore Bowie's music more than David Torn's.

There are so much more Bowies CDs out there including CDs which are 
given away, or bought out of recommendation without deep listening, 
whereas Torn will maybe entirely only be bought by those who adore his 
music.
I love David Bowie as well by the way, but it doesn't come even close to 
my feelings for Torn, which certainly is a matter of taste...
I related to the percentage who own AND adore the music compared to 
those who just own or maybe know it. The mass music is owned and known 
by a lot, those who deeply understand a music is a much more fixed and 
lower figure, even for celebrities...

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

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On Thu, Jul 23, 2009 at 11:33 AM, Toby G <carpet8@mac.com> wrote:

> Actually nurses and garbage collectors make quite good money.  Not
> kidding.  I think you should try living here before you knock the U.S. so
> much.  Same deal with me--I should try living in different countries too.
>

Actually, you we=B4nt to know, but I HAVE lived in the US... plus I=B4ve li=
ved
in Spain, Thailand, currently reside in Norway and come from the UK,  I lik=
e
to move around! (next stop Morocco I think, or India)

>
> The people I work with (in electronics) mostly don't have college degrees
> and they make pretty good money.  Although they're hardly "cultured" (mos=
t
> went through the military), they are decent people and seem pretty happy.
> And most are quite interested in music.
>

Indeed, the military can provide some great education, especially in the
fields of communication, electronics, plus good people skills. Not for me
tho, and hardly a viable alternative to college for most. But I agree, not
all are striving for fame and fortune. I was really responding to Marks
observation that in the US, status seems more important than education, you
can argue with that statements truth of course, but I tried to explain why,
if it was a true statement, that might be. Generally speaking I have found
that the populace of the US that I have met to be well educated, liberal,
and a hell of a lot nicer than most people in Europe (who have NOT been to
the US) are led to believe, this is due to YOUR TV programs, that are piped
into European homes on more than half MY channels at least. When I look at
CNN, and Lives of the rich and famous, and 60 Minutes and Cribs.. (to quote
a helluva mixture) I can see where most of Europe gets their views on the U=
,
S of A. I tell them... your are wrong... GO THERE and see for yourself...
Them Yanky folk are lovely!!! But this TV is what you are piping  at
yourself too!!! Un less theres some secret channels that I dont know know
about, or saw when I was there...

thats all.. basicaly I agree with you!

m


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--0015174bdd8eb5d639046f5ce284
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<br><br><div class=3D"gmail_quote">On Thu, Jul 23, 2009 at 11:33 AM, Toby G=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:carpet8@mac.com">carpet8@mac.com</=
a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-l=
eft: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left:=
 1ex;">

<div><font face=3D"Arial" size=3D"2">Actually nurses and garbage collectors=
 make quite=20
good money.=A0 Not kidding.=A0 I think you should try living here before=20
you knock the U.S. so much.=A0 Same deal with me--I should try living in=20
different countries too.</font></div></blockquote><div><br>Actually, you we=
=B4nt to know, but I HAVE lived in the US... plus I=B4ve lived in Spain, Th=
ailand, currently reside in Norway and come from the UK,=A0 I like to move =
around! (next stop Morocco I think, or India)<br>

</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><font =
face=3D"Arial" size=3D"2"></font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">The people I work with (in electronics=
) mostly=20
don&#39;t have college degrees and they make pretty good money.=A0 Although=
=20
they&#39;re hardly &quot;cultured&quot; (most went through the military),=
=20
they=A0are=A0decent people and seem pretty happy.=A0 And most are quite=20
interested in music.</font></div></blockquote></div><br clear=3D"all">Indee=
d, the military can provide some great education, especially in the fields =
of communication, electronics, plus good people skills. Not for me tho, and=
 hardly a viable alternative to college for most. But I agree, not all are =
striving for fame and fortune. I was really responding to Marks observation=
 that in the US, status seems more important than education, you can argue =
with that statements truth of course, but I tried to explain why, if it was=
 a true statement, that might be. Generally speaking I have found that the =
populace of the US that I have met to be well educated, liberal, and a hell=
 of a lot nicer than most people in Europe (who have NOT been to the US) ar=
e led to believe, this is due to YOUR TV programs, that are piped into Euro=
pean homes on more than half MY channels at least. When I look at CNN, and =
Lives of the rich and famous, and 60 Minutes and Cribs.. (to quote a helluv=
a mixture) I can see where most of Europe gets their views on the U, S of A=
. I tell them... your are wrong... GO THERE and see for yourself... Them Ya=
nky folk are lovely!!! But this TV is what you are piping=A0 at yourself to=
o!!! Un less theres some secret channels that I dont know know about, or sa=
w when I was there...<br>

<br>thats all.. basicaly I agree with you!<br><br>m<br><br><br>-- <br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D=
"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markf=
rancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174bdd8eb5d639046f5ce284--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 10:34:17 2009
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From: "Christo Jota" <chris@christojota.de>
To: <Loopers-Delight@loopers-delight.com>
References: <000001ca0b08$9db79ae0$020313ac@PIPO>
Subject: Re: What are the current probs w/RC-50?
Date: Thu, 23 Jul 2009 12:16:35 +0200
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Great page, Sjaak! 
Very informative for new users of the RC-50.
But what do you mean with feedback-control?
Do you mean a certain sound-problem with the RC-50?
Or do you want to use feedback (like guitar feedback)
as part of the performance?
Best wishes,
Christo
----- Original Message ----- 
From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 22, 2009 10:11 PM
Subject: RE: What are the current probs w/RC-50?


> Hi,
> Check out my rc-50 FAQ on my site:
> http://euroloopfest.com/sjaak/rc50.shtml
> 
> --- 
> Sjaak
> http://sjaakovergaauw.com/ 
> http://euroloopfest.com/
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 10:47:38 2009
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Date: Thu, 23 Jul 2009 06:47:25 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Listen To Afterglow, Galactic Travels, and The AM/FM Show
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am (EDT/GMT-4:00/ITZ-5:00) every
Thursday morning.  Tune in for a delightful mix of eclectic musical
genres including a healthy dose of Progressive Rock.  Tune in at 91.7
FM or on the internet at http://muhlenberg.edu/wmuh/WMUH.ram


GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
continue the month-long Special Focus on Jeffrey Koepper.  The Featured
CD at Midnight will be "Luminosity" on Air Space Records.  For details,
see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jul

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.


THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, June 25 at 6:00 am
(EDT/GMT-4:00/ITZ-5:00).  I will continue the special on Sequences
Electronic Music Magazine's sampler CDs in Phase 1.

I alternate hosting the show with Bruce. When I am at the helm, the
show features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 12:18:40 2009
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Subject: Re: What are the current probs w/RC-50?NEW ONE?
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Thanks, guys. The issues with the unit are deal-breakers for me. The search 
continues...

Brian


----- Original Message ----- 

> hi Sjaak,
> Nice site.
>
> my limited RC-50 observations noted that while
> the I was able to follow the instructions to remove the glitch on the 
> start of playback for the first loop
> there was still a large gap before the start of playback
> of a second track.
> Harder to notice, but definitely the long gap
> from "rhythm priority" is present when "sound priority"
> was selected. 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 13:35:04 2009
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Subject: new looper in Logic 9
From: Os <os@collective.co.uk>
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http://www.apple.com/logicstudio/whats-new/

looks pretty basic.


os.

-- 
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 13:47:34 2009
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Date: Thu, 23 Jul 2009 09:47:11 EDT
Subject: GSPAM: Matt Davignon At House Party In Western Nassau County Tonight
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-------------------------------1248356831
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To anyone who is in the City or has access to Western Nassau County (not  
far from JFK), I have put together an evening of music at my house headlining 
 Matt Davignon who is in the midst of his East Coast tour.  Music kicks off 
 at 8 PM with a set performed by Chris Peters and myself (theremin, 
electronics,  sax, ewi. electronics) followed by a set by Matt.  Sorry for the late 
 notice, but we'd love to have as many of you present as possible.  $5  
donation to help defray Matt's expenses.  Salads and refreshments will be  
served.  Please email me off list for address and directions if you can  make it!
 
Harry
 
Harry  Weinberg, Esq.
Law Offices of Harry Weinberg
11 Beach Street - 8th  Floor
New York, N.Y. 10013
(212)  989-2908
**************What's for dinner tonight?  Find quick and easy dinner ideas 
for any occasion. 
(http://food.aol.com/dinner-tonight?ncid=emlcntusfood00000008)

-------------------------------1248356831
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Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3DUS-ASCII" http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783"></HEAD>
<BODY style=3D"FONT-FAMILY: Arial; COLOR: #000000; FONT-SIZE: 10pt" id=3Dr=
ole_body 
bottomMargin=3D7 leftMargin=3D7 rightMargin=3D7 topMargin=3D7><FONT id=3Dr=
ole_document 
color=3D#000000 size=3D2 face=3DArial>
<DIV>To anyone who is in the City or has access to Western Nassau County=
 (not 
far from JFK), I have put together an evening of music at my house headlin=
ing 
Matt Davignon who is in the midst of his East Coast tour.&nbsp; Music kick=
s off 
at 8 PM with a set performed by Chris Peters and myself (theremin, electro=
nics, 
sax, ewi. electronics) followed by a set by Matt.&nbsp; Sorry for the late=
 
notice, but we'd love to have as many of you present as possible.&nbsp; $5=
 
donation to help defray Matt's expenses.&nbsp; Salads and refreshments wil=
l be 
served.&nbsp; Please email me off list for address and directions if you=
 can 
make it!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Harry</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT lang=3D0 size=3D2 face=3DArial FAMILY=3D"SANSSERIF" PTSIZE=3D"1=
0">Harry 
Weinberg, Esq.<BR>Law Offices of Harry Weinberg<BR>11 Beach Street - 8th=
 
Floor<BR>New York, N.Y. 10013<BR>(212) 
989-2908</FONT></DIV></FONT><DIV CLASS=3D"aol_ad_footer" ID=3D"1b10d374cd3=
84f748439027321039c76"><br/><font style=3D"color:black;font:normal 10pt ar=
ial,san-serif;"> <hr style=3D"margin-top:10px"/>What's for dinner tonight?=
  Find <a href=3D"http://food.aol.com/dinner-tonight?ncid=3Demlcntusfood00=
000008">quick and easy dinner ideas</a> for any occasion.</font></DIV></BO=
DY></HTML>

-------------------------------1248356831--

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Subject: Re: new looper in Logic 9
Date: Thu, 23 Jul 2009 11:26:51 -0300
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Wow... MainStage 2 seems really worth checking!

I love that app.

Thanks for the info.

Ariel.

El 23/07/2009, a las 10:35, Os escribi=F3:

> http://www.apple.com/logicstudio/whats-new/
>
> looks pretty basic.
>
>
> os.
>
> --=20
> os@collective.co.uk
> http://twitter.com/expertsleepers
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 14:28:08 2009
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Date: Thu, 23 Jul 2009 16:28:07 +0200
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Subject: Re: new looper in Logic 9
From: Per Boysen <perboysen@gmail.com>
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Here's a quick review:
http://www.macworld.com/article/141852/2009/07/logicstudio2.html

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Jul 23, 2009 at 4:26 PM, Ariel Rzezak<arzezak@gmail.com> wrote:
> Wow... MainStage 2 seems really worth checking!
>
> I love that app.
>
> Thanks for the info.
>
> Ariel.
>
> El 23/07/2009, a las 10:35, Os escribi=C3=B3:
>
>> http://www.apple.com/logicstudio/whats-new/
>>
>> looks pretty basic.
>>
>>
>> os.
>>
>> --
>> os@collective.co.uk
>> http://twitter.com/expertsleepers
>> http://www.darkroomtheband.net/
>> http://www.expert-sleepers.co.uk/
>>
>
>

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Subject: Re: new looper in Logic 9
Date: Thu, 23 Jul 2009 11:34:53 -0300
References: <d054a9ca0907230635w90c1fdek36861ca5c26f3c45@mail.gmail.com> <2E746B65-2500-453D-832D-C6B1AA0D0150@gmail.com> <66f9cc1e0907230728r1e7211cembbf79d6479d4f203@mail.gmail.com>
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Thanks Per.

Ariel.

El 23/07/2009, a las 11:28, Per Boysen escribi=F3:

> Here's a quick review:
> http://www.macworld.com/article/141852/2009/07/logicstudio2.html
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Thu, Jul 23, 2009 at 4:26 PM, Ariel Rzezak<arzezak@gmail.com> =20
> wrote:
>> Wow... MainStage 2 seems really worth checking!
>>
>> I love that app.
>>
>> Thanks for the info.
>>
>> Ariel.
>>
>> El 23/07/2009, a las 10:35, Os escribi=F3:
>>
>>> http://www.apple.com/logicstudio/whats-new/
>>>
>>> looks pretty basic.
>>>
>>>
>>> os.
>>>
>>> --
>>> os@collective.co.uk
>>> http://twitter.com/expertsleepers
>>> http://www.darkroomtheband.net/
>>> http://www.expert-sleepers.co.uk/
>>>
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 15:04:52 2009
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--001636283a0c3d76fe046f60cf35
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That's a press release, not a review.

presumably all the old plug-ins and guitar amp pro are still there if you
upgrade (i hope) - wouldn't want to lose the sounds i've programmed

maybe the brain-dead "Mainstage has detected a MIDI conflict in your system"
has been fixed, but I'd be surprised since they delete every comment i make
about it from their forum immediately

not much of a compelling reason there for me to drop 2 bills on the upgrade
from Logic 8, from what i've seen so far. maybe the new guitar amp modelling
stuff sounds much better than the old? the stomp box stuff seems like just a
different UI on the effects chain, unless there are a lot of great new
algorithms included

it'd be nice to be able to map a controller to more than 1 parameter per
patch.

the video of the looper in action looks like it doesn't even have multiply.
basic is the operative term here.

--001636283a0c3d76fe046f60cf35
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That&#39;s a press release, not a review.<br><br>presumably all the old plu=
g-ins and guitar amp pro are still there if you upgrade (i hope) - wouldn&#=
39;t want to lose the sounds i&#39;ve programmed<br><br>maybe the brain-dea=
d &quot;Mainstage has detected a MIDI conflict in your system&quot; has bee=
n fixed, but I&#39;d be surprised since they delete every comment i make ab=
out it from their forum immediately<br>
<br>not much of a compelling reason there for me to drop 2 bills on the upg=
rade from Logic 8, from what i&#39;ve seen so far. maybe the new guitar amp=
 modelling stuff sounds much better than the old? the stomp box stuff seems=
 like just a different UI on the effects chain, unless there are a lot of g=
reat new algorithms included<br>
<br>it&#39;d be nice to be able to map a controller to more than 1 paramete=
r per patch.<br><br>the video of the looper in action looks like it doesn&#=
39;t even have multiply. basic is the operative term here.<br><br><br>

--001636283a0c3d76fe046f60cf35--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 15:43:07 2009
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Subject: Re: new looper in Logic 9
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> That's a press release, not a review.

Warren,
Here's a review :) http://news.cnet.com/8301-13579_3-10293712-37.html

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g.


From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 15:58:29 2009
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Subject: Re: What are the current probs w/RC-50?
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> Great page, Sjaak! 
> Very informative for new users of the RC-50.
> But what do you mean with feedback-control?
> Do you mean a certain sound-problem with the RC-50?
> Or do you want to use feedback (like guitar feedback)
> as part of the performance?

Hi Christo,
Feedback determines how much of the loop is sent back into the loop. The =
value varies from 0-100% and any number below 100% results in a fade out =
of the existing loop. Phrase samplers like the RC-series lack this featur=
e and that's one of the big differences. But the workaround I described o=
n my website allows you to use 1 track with feedback control.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g.


From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 16:09:26 2009
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Greetings dear LDers,
I'm pleased to announce three gigs in the coming week. I'm doing solo =
cello/laptop looping in London on Saturday, another in my ongoing series =
of Ustream broadcasts on Sunday and my debut performance with a great =
improvising group (probably v. little looping in this one, though I'll =
be taking my DL4) next Wednesday.
It would be great to see any of you there.

Saturday 25 July 8:00 pm
The Cross Kings (basement), 126 York Way, London W1 0AX
"Four very different live acts. In their own way they each make =
experimental electronic music,=20
but they buck the trend by being not-just-another-noodley-act: oh my god =
you might even find yourself dancing."
See flyer here: http://is.gd/1GByQ

Hoofus    www.hoofus.com
+
Chr15m    www.sciencegirlrecords.com/chr15m
+
Spoonfight   www.mcld.co.uk/spoonfight
+
Steve Moyes with video projections by Agnes Hay   www.stevemoyes.org.uk

Sunday 26 July 5:30 pm
Live audio and video streaming on Ustream
International times here
Solo improvisations
Follow link: Soundings From Behind The Net Curtain
Recordings of my three previous Ustream brodacasts can be seen there.

Wednesday 29 July  8:30 pm
Ryan's Bar, 118 Stoke Newington Church Street, London N16
flimflam presents:
PRIMAL FRUICAKE II - Frank Charlton (cornet), Annette Giesriegl (voice, =
electronics), Carmel Morrissey (voice, dance), SteveMoyes (cello), Illi =
Adato (percussion). Return with a new line-up for this international =
combo.
+
Simon Rose and Mark Sanders. Alto and baritone saxophonist back briefly =
from the States, reunited with one of GBs finest drummers.
Entrance =A36.00/=A34.00

Steve

www.stevemoyes.org.uk
www.twitter.com/SteveMoyes
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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3562" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV align=3Dleft>Greetings dear LDers,</DIV>
<DIV align=3Dleft>I'm pleased to announce three gigs in the coming week. =
I'm doing=20
solo cello/laptop looping in London on Saturday, another in my ongoing =
series of=20
Ustream broadcasts on Sunday and my debut performance with a great =
improvising=20
group <FONT size=3D2>(probably v. little looping in this one, though =
I'll be=20
taking my DL4)</FONT>&nbsp;next&nbsp;Wednesday.</DIV>
<DIV align=3Dleft>It would be great to see any of you there.</DIV>
<DIV align=3Dleft><U></U>&nbsp;</DIV>
<DIV align=3Dleft><U>Saturday 25 July 8:00 pm<BR></U>The Cross Kings =
(basement),=20
126 York Way, London W1 0AX<BR><FONT class=3Dfsx03 face=3D"Times New =
Roman"=20
size=3D2>"Four very different live acts. In their own way they each make =

experimental electronic music, </FONT></DIV>
<DIV align=3Dleft><FONT class=3Dfsx03 face=3D"Times New Roman" =
size=3D2>but they buck=20
the trend by being not-just-another-noodley-act: oh my god you might =
even find=20
yourself dancing."</FONT></DIV>
<DIV align=3Dleft>See flyer here: <A=20
href=3D"http://is.gd/1GByQ">http://is.gd/1GByQ</A></DIV>
<DIV align=3Dleft><FONT size=3D1></FONT><BR><FONT class=3Dfsx06 =
face=3D"Times New Roman"=20
color=3D#800000><B>Hoofus</B></FONT><FONT class=3Dfsx06 face=3D"Times =
New Roman"=20
color=3D#0000a0>&nbsp;&nbsp;&nbsp; <A=20
href=3D"http://www.hoofus.com">www.hoofus.com</A></FONT><BR><FONT=20
color=3D#800000><FONT class=3Dfsx01 face=3D"Times New =
Roman">+</FONT><BR><FONT=20
class=3Dfsx06 face=3D"Times New Roman"><B>Chr15m</B></FONT></FONT><FONT =
class=3Dfsx06=20
face=3D"Times New Roman" color=3D#0000a0>&nbsp;&nbsp;&nbsp; <A=20
href=3D"http://www.sciencegirlrecords.com/chr15m">www.sciencegirlrecords.=
com/chr15m</A></FONT><BR><FONT=20
class=3Dfsx01 face=3D"Times New Roman" =
color=3D#800000><B>+</B></FONT><BR><FONT=20
class=3Dfsx06 face=3D"Times New Roman" =
color=3D#800000><B>Spoonfight</B></FONT><FONT=20
class=3Dfsx06 face=3D"Times New Roman" color=3D#0000a0>&nbsp;&nbsp; <A=20
href=3D"http://www.mcld.co.uk/spoonfight">www.mcld.co.uk/spoonfight</A></=
FONT><BR><FONT=20
color=3D#800000><FONT class=3Dfsx01 face=3D"Times New =
Roman"><B>+</B></FONT><BR><FONT=20
class=3Dfsx06 face=3D"Times New Roman"><B>Steve =
Moyes</B></FONT></FONT><FONT=20
class=3Dfsx06 face=3D"Times New Roman" color=3D#0000a0>&nbsp;<FONT =
color=3D#800000>with=20
video projections by<STRONG> Agnes Hay</STRONG></FONT>&nbsp;&nbsp; <A=20
href=3D"http://www.stevemoyes.org.uk">www.stevemoyes.org.uk</A></FONT></D=
IV>
<DIV align=3Dleft><FONT color=3D#0000a0></FONT>&nbsp;</DIV>
<DIV align=3Dleft><FONT color=3D#0000a0><FONT color=3D#000000><U>Sunday =
26 July 5:30=20
pm<BR></U>Live audio and video streaming on Ustream</FONT><BR><FONT =
class=3Dfsx03=20
face=3D"Times New Roman" color=3D#0000a0><A=20
href=3D"http://www.timeanddate.com/worldclock/fixedtime.html?day=3D26&amp=
;month=3D7&amp;year=3D2009&amp;hour=3D17&amp;min=3D30&amp;sec=3D0&amp;p1=3D=
136">International=20
times here</A></FONT><BR><FONT class=3Dfsx07 face=3D"Times New Roman"=20
color=3D#000000>Solo improvisations</FONT><BR><FONT class=3Dfsx05=20
face=3D"Times New Roman" color=3D#0000a0><FONT color=3D#000000>Follow =
link:</FONT>=20
</FONT><FONT class=3Dfsx07 face=3D"Times New Roman" color=3D#0000a0><A=20
href=3D"http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curta=
in"=20
target=3D_blank>Soundings From Behind The Net =
Curtain</A></FONT></FONT><FONT=20
color=3D#0000a0><FONT class=3Dfsx05 face=3D"Times New Roman"=20
color=3D#0000a0></FONT></FONT></DIV>
<DIV align=3Dleft><FONT class=3Dfsx05 face=3D"Times New =
Roman">Recordings of my three=20
previous Ustream brodacasts can be seen there.</FONT></DIV>
<DIV align=3Dleft>&nbsp;</DIV>
<DIV align=3Dleft><U>Wednesday 29&nbsp;July&nbsp; 8:30 pm<BR></U><FONT =
class=3Dfsx06=20
face=3D"Times New Roman">Ryan's Bar, 118 Stoke Newington Church Street, =
London=20
N16</FONT><BR><FONT class=3Dfsx06 face=3D"Times New Roman">flimflam=20
presents:</FONT><BR><FONT class=3Dfsx06 face=3D"Times New Roman">PRIMAL =
FRUICAKE II=20
- Frank Charlton (cornet), Annette Giesriegl (voice, electronics), =
Carmel=20
Morrissey (voice, dance), SteveMoyes (cello), Illi Adato (percussion). =
Return=20
with a new line-up for this international combo.</FONT><BR><FONT =
class=3Dfsx05=20
face=3D"Times New Roman">+</FONT><BR><FONT class=3Dfsx06=20
face=3D"Times New Roman">Simon Rose and Mark Sanders. Alto and baritone=20
saxophonist back briefly from the States, reunited with one of GBs =
finest=20
drummers.</FONT><BR><FONT class=3Dfsx06 face=3D"Times New =
Roman">Entrance=20
=A36.00/=A34.00</FONT></DIV>
<DIV align=3Dleft><FONT color=3D#008000></FONT>&nbsp;</DIV>
<DIV align=3Dleft>Steve</DIV>
<DIV align=3Dleft><BR><A href=3D"http://www.stevemoyes.org.uk"><FONT=20
size=3D2>www.stevemoyes.org.uk</FONT></A><BR><A=20
href=3D"http://www.twitter.com/SteveMoyes"><FONT=20
size=3D2>www.twitter.com/SteveMoyes</FONT></A></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 16:13:22 2009
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Subject: Re: new looper in Logic 9
Date: Thu, 23 Jul 2009 10:13:09 -0500
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O
>
> not much of a compelling reason there for me to drop 2 bills on the  
> upgrade from Logic 8, from what i've seen so far. maybe the new  
> guitar amp modelling stuff sounds much better than the old?

Logic 8 included amp models?

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 16:16:22 2009
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Subject: Re: iphone looper ... apparently
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Oh yeah, I'm with yah.  I know it's a ridiculous claim, I have
downloaded the SDKs and looked over it since, pretty slick libraries
.... but even fully native cocoa apps don't just run on the iPhone (sure
would be cool if they did).  Wonder why the misleading title .... I
think people have iPhone on the brain nowadays.


Jeff Larson wrote:
>
> > Right, JUCE is *mostly Cocoa now .... with a few carbon bits here and
> > there to support certain frameworks where Carbon is required.  I was
> > unsure where those bits were, but assumed they were substantial enough
> > to make my application not work ... perhaps I was wrong.
>
> I'll be pleasantly surprised if this is true, but I'm 99.9% certain
> this can't run on an iPhone.  It isn't just Cocoa, it's the Cocoa
> component library that was crafted specifically for the iPhone.
> I have an iTouch and I've dabbled with iPhone development.  You have to
> get a special version of Xcode with iPhone libraries.
>
> The other thing that is suspicious is that you can't just copy Mac 
> apps onto an iPhone.
> You either have to download them from Apple's "App Store" (which
> requires an approval process to put them there), or you have to buy the
> $500 commercial developer SDK which includes the tools necessary to
> distribute private apps. I just checked and Flyloops isn't in the App 
> Store.
> So unless the author shelled out $500 and built your app from source 
> code,
> I don't see how he could have run it on an iPhone.  I think he 
> misspoke in
> the article title.  The last para even says "Available for Mac and 
> Windows",
> nothing about iPhone in the text.
>
> Jeff
>
>


From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 16:57:17 2009
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Subject: Re: new looper in Logic 9
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thanks. well, it seems like the amp models *are *much better, according to
this reviewer. that makes a difference.

On Thu, Jul 23, 2009 at 11:43 AM, Sjaak <tcplugin@scarlet.be> wrote:

> > That's a press release, not a review.
>
> Warren,
> Here's a review :) http://news.cnet.com/8301-13579_3-10293712-37.html
>
> ---
> Sjaak
> http://euroloopfest.com/
> http://sjaakovergaauw.com/
>
>
> __________________________________
> Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADSL,
> surf naar http://www.scarlet.be/nl/mobile3g.
>
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

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thanks. well, it seems like the amp models <i>are </i>much better, accordin=
g to this reviewer. that makes a difference.<br><br><div class=3D"gmail_quo=
te">On Thu, Jul 23, 2009 at 11:43 AM, Sjaak <span dir=3D"ltr">&lt;<a href=
=3D"mailto:tcplugin@scarlet.be">tcplugin@scarlet.be</a>&gt;</span> wrote:<b=
r>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>&gt; That&#39;s a press release, not a review.<br>
<br>
</div>Warren,<br>
Here&#39;s a review :) <a href=3D"http://news.cnet.com/8301-13579_3-1029371=
2-37.html" target=3D"_blank">http://news.cnet.com/8301-13579_3-10293712-37.=
html</a><br>
<br>
---<br>
Sjaak<br>
<a href=3D"http://euroloopfest.com/" target=3D"_blank">http://euroloopfest.=
com/</a><br>
<a href=3D"http://sjaakovergaauw.com/" target=3D"_blank">http://sjaakoverga=
auw.com/</a><br>
<br>
<br>
__________________________________<br>
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADSL,=
 surf naar <a href=3D"http://www.scarlet.be/nl/mobile3g" target=3D"_blank">=
http://www.scarlet.be/nl/mobile3g</a>.<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Arti=
st.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.com">http=
://www.warrensirota.com</a><br>


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Subject: Re: Polyrhythm looping (WAS: OT: What's on your iPod/CDplayer/Turntable)
From: Fabio_A <eterogenus@gmail.com>
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Rick, we're on the same way !
- Nik Bartsch's RONIN resides in my car player from 3 weeks, and I haven't
get enought yet !
You had the fortune to meet him in person, but I well remember the exact
moment when Bernhard played that music in his i-pod trough my PA
system kitcken ;-)
I've immediately bought on line two of his album and - being a Reich fan -
I've so deeply fallen in love with Nik Bartsch's music that in these days
I'm practicing just on stuff like this.

Here's a recording I made with Mobius a few nights ago, with different time
signatures:
 - drums and percussions (are not pre-recorded loops: i've played them on my
keyboard) play in 4/4
- bass part (later doubled with piano) plays in 5/4;
- piano arpeggios play in 5/4
- ther's also a steady high note piano playing in 6/8
- and other embellishments.

*http://www.eterogeneo.com/podcast/Time_Signatures-Fabio_Anile.mp3*
or on my itunes podcast
<http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=217423588>


Fabio
www.eterogeneo.com
www.myspace.com/eterogeneo


2009/7/22 Rick Walker <looppool@cruzio.com>

> I'm just loving a few things that I'm listening to right now
> and not only wanted to share them with you all but wanted
> to know what people are currently listening to.
>
> Nik Bartsch's RONIN ----  'Holon'
> just doesn't leave my  car stereo for very long.   I'm in love and it's
> also inspiring because
> this music is just made for live looping experiments (as Bernhard's lovely
> and funky set in Rome and Zurich proved.
> 2) All day (and as I type) I've been listening to the lovely new
>
>
>

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<div>Rick, we&#39;re on the same way !</div>
<div>- Nik Bartsch&#39;s RONIN resides in my car player from 3 weeks, and I=
 haven&#39;t get enought yet !</div>
<div>You had the fortune to meet him in person, but I well remember the exa=
ct moment when Bernhard played that music=A0in his i-pod trough my PA syste=
m=A0kitcken ;-)</div>
<div>I&#39;ve immediately bought on line two of his album and - being a Rei=
ch fan - I&#39;ve so deeply fallen in love with Nik Bartsch&#39;s music tha=
t in these days I&#39;m=A0practicing just on stuff like this.</div>
<div>=A0</div>
<div>Here&#39;s a recording I made with Mobius a few nights ago, with diffe=
rent time signatures:</div>
<div>=A0- drums and percussions (are not pre-recorded loops: i&#39;ve playe=
d them on my keyboard) play in 4/4</div>
<div>- bass=A0part (later doubled with piano) plays in 5/4;</div>
<div>- piano arpeggios play in 5/4</div>
<div>- ther&#39;s also a steady=A0high note=A0piano=A0playing in 6/8</div>
<div>- and other embellishments.</div>
<div>=A0</div>
<div><u><font color=3D"#810081"><a href=3D"http://www.eterogeneo.com/podcas=
t/Time_Signatures-Fabio_Anile.mp3">http://www.eterogeneo.com/podcast/Time_S=
ignatures-Fabio_Anile.mp3</a></font></u></div>
<div>or on my <a href=3D"http://itunes.apple.com/WebObjects/MZStore.woa/wa/=
viewPodcast?id=3D217423588">itunes podcast<br></a>=A0</div>
<div>=A0</div>
<div>Fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><a href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogen=
eo</a></div>
<div>=A0</div>
<div>=A0</div>
<div class=3D"gmail_quote">2009/7/22 Rick Walker <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:looppool@cruzio.com" target=3D"_blank">looppool@cruzio.com</a=
>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I&#39;m just loving a few things=
 that I&#39;m listening to right now<br>and not only wanted to share them w=
ith you all but wanted<br>
to know what people are currently listening to.<br><br>Nik Bartsch&#39;s RO=
NIN ---- =A0&#39;Holon&#39; <br>just doesn&#39;t leave my =A0car stereo for=
 very long. =A0 I&#39;m in love and it&#39;s also inspiring because<br>this=
 music is just made for live looping experiments (as Bernhard&#39;s lovely<=
br>
and funky set in Rome and Zurich proved. =A0 <br>2) All day (and as I type)=
 I&#39;ve been listening to the lovely new<br><br><br></blockquote></div>

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Subject: NYC (Brooklyn) gig spam: Lambic + Percy Jones @ Barbes Friday 7/24 @ 8 pm
Date: Thu, 23 Jul 2009 13:11:20 -0400
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Hi, everyone

we had a great gig and great audience Sunday at Local 269, opening for  
Dee Pop's band with William Parker, Daniel Carter, and Sabir Mateen,  
et al. We'll be back there in September. And now our second gig this  
week is at one of our favorite places to play in Brooklyn, Barbes.  
This is our first time playing here as Lambic Jones, which for the  
uninitiated is Lambic (Paul Sullivan--guitar, effects and Stephen  
Moses--Drums, trombone, and effects) plus Percy Jones on fretless bass  
= Lambic Jones. And of course, much looping from both Steve and I.

Please come out and join us!

Barbes is in Park Slope on 6th ave at 9th street (718 965-9177).
http://barbesbrooklyn.com

For more info about us: http://myspace.com/lambic
to purchase our cd http://cdbaby.com/cd/lambic


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi, everyone<br><br>we had a =
great gig and great audience Sunday at Local 269, opening for Dee Pop's =
band with William Parker, Daniel Carter, and Sabir Mateen, et al. We'll =
be back there in September. And now our second gig this week is at one =
of our favorite places to play in Brooklyn, Barbes. This is our first =
time playing here as Lambic Jones, which for the uninitiated is Lambic =
(Paul Sullivan--guitar, effects and Stephen Moses--Drums, trombone, and =
effects) plus Percy Jones on fretless bass =3D Lambic Jones. And of =
course, much looping from both Steve and =
I.&nbsp;<div><br></div><div>Please come out and join us!<br><br>Barbes =
is in Park Slope on 6th ave at 9th street (718 965-9177).<br><a =
href=3D"http://barbesbrooklyn.com/">http://barbesbrooklyn.com</a><br><br>F=
or more info about us:&nbsp;<a =
href=3D"http://myspace.com/lambic">http://myspace.com/lambic</a><br>to =
purchase our cd&nbsp;<a =
href=3D"http://cdbaby.com/cd/lambic">http://cdbaby.com/cd/lambic</a><br><b=
r></div></body></html>=

--Apple-Mail-19--521059450--

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Date: Thu, 23 Jul 2009 19:14:45 +0200
Message-ID: <66f9cc1e0907231014x5300f080j78cb3c8e3f1f4a3d@mail.gmail.com>
Subject: Re: Polyrhythm looping (WAS: OT: What's on your iPod/CDplayer/Turntable)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Jul 23, 2009 at 7:08 PM, Fabio_A<eterogenus@gmail.com> wrote:
> Here's a recording I made with Mobius a few nights ago, with different ti=
me
> signatures:
> =C2=A0- drums and percussions (are not pre-recorded loops: i've played th=
em on my
> keyboard) play in 4/4
> - bass=C2=A0part (later doubled with piano) plays in 5/4;
> - piano arpeggios play in 5/4
> - ther's also a steady=C2=A0high note=C2=A0piano=C2=A0playing in 6/8
> - and other embellishments.
>
> http://www.eterogeneo.com/podcast/Time_Signatures-Fabio_Anile.mp3
> or on my itunes podcast

Wonderful!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 17:23:16 2009
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From: "Ricky Graham" <rock.guitar.guru@binternet.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Polyrhythm looping (WAS: OT: What's on your iPod/CDplayer/Turntable)
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I think it is one of the most obvious compositional devices that, IMHO, can 
be employed in live looping performances, and not many seem to do it! I find 
that very odd. King Crimson are great practioners of polyrhythms and 
polymeters also. "Electric Counterpoint" by Reich is one of my favourite 
pieces by him. Maybe that's a cliche piece for a guitarist to like, but I 
don't care. :) It's great. And it's Pat Metheny. The different sonorities 
that can be achieved with this technique are amazing.  Great work, Fabio.

Ricky


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 23, 2009 6:14 PM
Subject: Re: Polyrhythm looping (WAS: OT: What's on your 
iPod/CDplayer/Turntable)


On Thu, Jul 23, 2009 at 7:08 PM, Fabio_A<eterogenus@gmail.com> wrote:
> Here's a recording I made with Mobius a few nights ago, with different 
> time
> signatures:
> - drums and percussions (are not pre-recorded loops: i've played them on 
> my
> keyboard) play in 4/4
> - bass part (later doubled with piano) plays in 5/4;
> - piano arpeggios play in 5/4
> - ther's also a steady high note piano playing in 6/8
> - and other embellishments.
>
> http://www.eterogeneo.com/podcast/Time_Signatures-Fabio_Anile.mp3
> or on my itunes podcast

Wonderful!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



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From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 17:30:26 2009
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Date: Thu, 23 Jul 2009 19:30:23 +0200
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Subject: Re: Polyrhythm looping (WAS: OT: What's on your iPod/CDplayer/Turntable)
From: Fabio_A <eterogenus@gmail.com>
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2009/7/23 Ricky Graham <rock.guitar.guru@binternet.com>

> I think it is one of the most obvious compositional devices that, IMHO, can
> be employed in live looping performances, and not many seem to do it!



Bernhard Wagner is becoming a Master in doing this, He had an amazing live
set in Rome.
I hope to put his video on the internet soon...In the meanwhile you can
check his site where you can find lot of examples here:
http://bernhardwagner.net/soundz/echoplexLoops.html

Thanks

fabio
www.eterogeneo.com
www.myspace.com/eterogeneo


>
> ----- Original Message ----- From: "Per Boysen" <perboysen@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, July 23, 2009 6:14 PM
> Subject: Re: Polyrhythm looping (WAS: OT: What's on your
> iPod/CDplayer/Turntable)
>
>
>
> On Thu, Jul 23, 2009 at 7:08 PM, Fabio_A<eterogenus@gmail.com> wrote:
>
>> Here's a recording I made with Mobius a few nights ago, with different
>> time
>> signatures:
>> - drums and percussions (are not pre-recorded loops: i've played them on
>> my
>> keyboard) play in 4/4
>> - bass part (later doubled with piano) plays in 5/4;
>> - piano arpeggios play in 5/4
>> - ther's also a steady high note piano playing in 6/8
>> - and other embellishments.
>>
>> http://www.eterogeneo.com/podcast/Time_Signatures-Fabio_Anile.mp3
>> or on my itunes podcast
>>
>
> Wonderful!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
>
> --------------------------------------------------------------------------------
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.392 / Virus Database: 270.13.20/2250 - Release Date: 07/20/09
> 06:16:00
>
>

--001636457f8eb2ee3f046f62d72a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div class=3D"gmail_quote">2009/7/23 Ricky Graham <span dir=3D"ltr">&lt;<a =
href=3D"mailto:rock.guitar.guru@binternet.com">rock.guitar.guru@binternet.c=
om</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I think it is one of the most ob=
vious compositional devices that, IMHO, can be employed in live looping per=
formances, and not many seem to do it! </blockquote>

<div>=A0</div>
<div>=A0</div>
<div>Bernhard Wagner is becoming a Master in doing this, He had an amazing =
live set in Rome.</div>
<div>I hope to put his video on the internet soon...In the meanwhile you ca=
n check his site where you can find lot of=A0examples here: <a href=3D"http=
://bernhardwagner.net/soundz/echoplexLoops.html">http://bernhardwagner.net/=
soundz/echoplexLoops.html</a>=A0</div>

<div>=A0</div>
<div>Thanks</div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><a href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogen=
eo</a></div>
<div>=A0</div>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><span id=3D""></span><br>----- O=
riginal Message ----- From: &quot;Per Boysen&quot; &lt;<a href=3D"mailto:pe=
rboysen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&gt;<br>
To: &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a>&gt;<br>Sent: Thursday, July 2=
3, 2009 6:14 PM<br>Subject: Re: Polyrhythm looping (WAS: OT: What&#39;s on =
your iPod/CDplayer/Turntable)=20
<div>
<div></div>
<div class=3D"h5"><br><br><br>On Thu, Jul 23, 2009 at 7:08 PM, Fabio_A&lt;<=
a href=3D"mailto:eterogenus@gmail.com" target=3D"_blank">eterogenus@gmail.c=
om</a>&gt; wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Here&#39;s a recording I made wi=
th Mobius a few nights ago, with different time<br>signatures:<br>- drums a=
nd percussions (are not pre-recorded loops: i&#39;ve played them on my<br>
keyboard) play in 4/4<br>- bass part (later doubled with piano) plays in 5/=
4;<br>- piano arpeggios play in 5/4<br>- ther&#39;s also a steady high note=
 piano playing in 6/8<br>- and other embellishments.<br><br><a href=3D"http=
://www.eterogeneo.com/podcast/Time_Signatures-Fabio_Anile.mp3" target=3D"_b=
lank">http://www.eterogeneo.com/podcast/Time_Signatures-Fabio_Anile.mp3</a>=
<br>
or on my itunes podcast<br></blockquote><br>Wonderful!<br><br>Greetings fro=
m Sweden<br><br>Per Boysen<br><a href=3D"http://www.boysen.se/" target=3D"_=
blank">www.boysen.se</a><br><a href=3D"http://www.perboysen.com/" target=3D=
"_blank">www.perboysen.com</a><br>
<br><br><br></div></div>---------------------------------------------------=
-----------------------------<br><br><br><br>No virus found in this incomin=
g message.<br>Checked by AVG - <a href=3D"http://www.avg.com/" target=3D"_b=
lank">www.avg.com</a><br>
Version: 8.5.392 / Virus Database: 270.13.20/2250 - Release Date: 07/20/09 =
06:16:00<br><br></blockquote></div><br>

--001636457f8eb2ee3f046f62d72a--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 19:32:32 2009
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Date: Thu, 23 Jul 2009 12:32:27 -0700
From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Polyrhythm looping (WAS: OT: What's on your
 iPod/CDplayer/Turntable)
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Fabio,

Love the clip you posted - very Nik Bartsch indeed.

Do more.

Best,

Ted

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 20:00:30 2009
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	 <101191640907230957h26b392fete8dd90d19b2e49d0@mail.gmail.com>
Date: Thu, 23 Jul 2009 22:00:28 +0200
Message-ID: <afb941d0907231300y26444a8bv8181fc905c3b5da4@mail.gmail.com>
Subject: Re: new looper in Logic 9
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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anyhow, you could build a decent guitar/bass sound with the onboard
8.0 plugins. the fuzz/wah was enough for some playable guitar tones.

2009/7/23, Warren Sirota <wsirota@wsdesigns.com>:
> thanks. well, it seems like the amp models *are *much better, according to
> this reviewer. that makes a difference.
>
> On Thu, Jul 23, 2009 at 11:43 AM, Sjaak <tcplugin@scarlet.be> wrote:
>
>> > That's a press release, not a review.
>>
>> Warren,
>> Here's a review :) http://news.cnet.com/8301-13579_3-10293712-37.html
>>
>> ---
>> Sjaak
>> http://euroloopfest.com/
>> http://sjaakovergaauw.com/
>>
>>
>> __________________________________
>> Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of
>> ADSL,
>> surf naar http://www.scarlet.be/nl/mobile3g.
>>
>>
>>
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 20:14:59 2009
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
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Subject: Re: new looper in Logic 9
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I just recently got a new MacBook Pro that's pre-loaded with Logic 8 Express.

I have not messed with the program yet. 

I launched it and registered it.

And then I went online to buy a book/DVD to tell me how to use it.

Any thoughts on Logic from y'all?

Recommendations?

Caveats?

Ted

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 20:23:46 2009
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Date: Thu, 23 Jul 2009 22:23:45 +0200
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Subject: Re: new looper in Logic 9
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jul 23, 2009 at 10:14 PM, tEd =C2=AE kiLLiAn<tedkillian@charter.net=
> wrote:
> I just recently got a new MacBook Pro that's pre-loaded with Logic 8 Expr=
ess.
> I have not messed with the program yet.
> I launched it and registered it.
> And then I went online to buy a book/DVD to tell me how to use it.
> Any thoughts on Logic from y'all?

It's great. Mainstage makes all those effects and guitar sim's
playable live with laptop looping.

> Recommendations?
Yes, you should upgrade to Logic Pro 9 ASAP. The new amp sim's are excellen=
t!

> Caveats?
Not any I can recall. Except for not being for free. Ah... well, not
sure the plug-in called "a deep looper" is quite up to the
expectations of most members of this board.

Per

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 20:36:52 2009
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Date: Thu, 23 Jul 2009 22:36:50 +0200
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Subject: Re: Polyrhythm looping (WAS: OT: What's on your iPod/CDplayer/Turntable)
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... nice, fabio! nik's fans increasing on this list  ...

2009/7/23, tEd =AE kiLLiAn <tedkillian@charter.net>:
> Fabio,
>
> Love the clip you posted - very Nik Bartsch indeed.
>
> Do more.
>
> Best,
>
> Ted
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Re: new looper in Logic 9
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On Jul 23, 2009, at 1:14 PM, tEd =AE kiLLiAn wrote:

> I just recently got a new MacBook Pro that's pre-loaded with Logic 8 =20=

> Express.
>
> I have not messed with the program yet.
>
> I launched it and registered it.
>
> And then I went online to buy a book/DVD to tell me how to use it.
>
> Any thoughts on Logic from y'all?
>
> Recommendations?

Upgrade to Logic Studio: $299=3D Best buy. The plugins are amazing. =20
SoundtrackPro is amazing, don't hesitate. dpc

>
> Caveats?
>
> Ted
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 20:38:10 2009
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Subject: Re: new looper in Logic 9
From: Os <os@collective.co.uk>
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> Any thoughts on Logic from y'all?

ignore it.

go get Live.


os.

-- 
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 20:45:45 2009
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Subject: Re: new looper in Logic 9
From: Tony K <bigtonyk@gmail.com>
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Did anybody (besides me) get in on the Propellerheads Record beta?

It's pretty cool, and runs on both PC and Mac.

On Thu, Jul 23, 2009 at 4:38 PM, Os<os@collective.co.uk> wrote:
>> Any thoughts on Logic from y'all?
>
> ignore it.
>
> go get Live.
>
>
> os.
>
> --
> os@collective.co.uk
> http://twitter.com/expertsleepers
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>
>



-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 20:50:28 2009
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From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: new looper in Logic 9
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Yep.. and we're in open beta now.. I have two 'invite keys' available,  
let me know if you are interested.. :)

-cpr

Quoting Tony K <bigtonyk@gmail.com>:

> Did anybody (besides me) get in on the Propellerheads Record beta?
>
> It's pretty cool, and runs on both PC and Mac.
>
> On Thu, Jul 23, 2009 at 4:38 PM, Os<os@collective.co.uk> wrote:
>>> Any thoughts on Logic from y'all?
>>
>> ignore it.
>>
>> go get Live.
>>
>>
>> os.
>>
>> --
>> os@collective.co.uk
>> http://twitter.com/expertsleepers
>> http://www.darkroomtheband.net/
>> http://www.expert-sleepers.co.uk/
>>
>>
>
>
>
> --
> -==-=-=-
> Tony
>
>


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Subject: Re: new looper in Logic 9
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> On Jul 23, 2009, at 1:14 PM, tEd =C2=AE kiLLiAn wrote:

>> Recommendations?

Tikka Massala.
(I use medium strength for brown rice)

Per

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Subject: Re: Polyrhythm looping
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> Here's a recording I made with Mobius a few nights ago, with different time
> signatures:

Yep, Mobius is excellent for this. Consider this:
http://vimeo.com/4565667

You can do the counting yourself, or you can read the spoiler:
"I had experimented with combining loops of odd lengths. Based on a
(non-audible) pulse, there are different "beep" vocal tracks, one
eight-pulse, one seven-pulse, one eleven-pulse, one 1+2+3+4+5(=15) and
one six-element Fibonacci (1+2+3+5+8=19) one on different loop tracks,
which would repeat after 7*8*11*15*19=175560 pulses (or roughly half a
day after the piece had ended)."

Enjoy :-P

             Rainer

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To: Loopers-Delight@loopers-delight.com
Subject: Re: Polyrhythm looping (WAS: OT: What's on your
 iPod/CDplayer/Turntable)
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Actually been a fan since May of 2008 when music journalist pal Josef Wooda=
rd turned me on to them.

---- Raul Bonell <raul.bonell@gmail.com> wrote:=20

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
... nice, fabio! nik's fans increasing on this list  ...

2009/7/23, tEd =C2=AE kiLLiAn <tedkillian@charter.net>:
> Fabio,
>
> Love the clip you posted - very Nik Bartsch indeed.
>
> Do more.
>
> Best,
>
> Ted
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 21:41:19 2009
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: new looper in Logic 9
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Heheheh . . .

> On Jul 23, 2009, at 1:14 PM, tEd =C2=AE kiLLiAn wrote:

>> Recommendations?

Tikka Massala.
(I use medium strength for brown rice)

Per

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Date: Thu, 23 Jul 2009 15:08:57 -0700
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Subject: Re: new looper in Logic 9
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The new Logic looper seems very similar to the looper now included in
Live 8, but with a cooler looking interface. I wonder if you can get
it to set the tempo of your track. I actually find myself using Live's
looper a lot now.   I put Mobius in send 1 and Looper post instrument
or audio and use a trick Per taught me, of creating a very long "clip"
that just contains automation that starts with no effect for a spell
and then slowly ramps up to full on effect and back to none.  It's a
nice quick way to get an evolving bed going.

More importantly, I think what's awesome about both Live and Logic's
new loop plug ins are that finally devs are taking the first baby
steps in providing cool looping tools.  I remember years ago Digital
Performer introduced P.O.L.A.R. (performance oriented loop assisted
recording) it was a good first step, but when I wrote to them and
asked if feedback % control could be introduced, the response was "Why
would anyone ever want that?"  And so I was back to my hardware
looper. (probably a Repeater.. but maybe a JamMan)

Ah, the good ol' days.  It's really an amazing time in the software
looping world.  Two major apps have built in loopers... (I guess 3 if
you include Guitar Rig) there are probably a dozen or so out there by
small developers that are free or inexpensive.  It wasn't very long
ago that if you wanted MIDI synced looping you could get an EDP or
JamMan and that was it. Movies were a nickel and I wore an onion
pinned to my trousers, as that was the fashion of the time...

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References: <20090723173931.4TQHS.2289890.root@mp06>
Subject: Re: Polyrhythm looping (WAS: OT: What's on your iPod/CDplayer/Turntable)
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I'm liking this Nik Bartsch gentleman. Thanks for that.

Ricky

----- Original Message ----- 
From: "tEd Â® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Cc: "Raul Bonell" <raul.bonell@gmail.com>
Sent: Thursday, July 23, 2009 10:39 PM
Subject: Re: Polyrhythm looping (WAS: OT: What's on your 
iPod/CDplayer/Turntable)


Actually been a fan since May of 2008 when music journalist pal Josef 
Woodard turned me on to them.

---- Raul Bonell <raul.bonell@gmail.com> wrote:

=============
... nice, fabio! nik's fans increasing on this list  ...

2009/7/23, tEd Â® kiLLiAn <tedkillian@charter.net>:
> Fabio,
>
> Love the clip you posted - very Nik Bartsch indeed.
>
> Do more.
>
> Best,
>
> Ted
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com



--------------------------------------------------------------------------------



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Checked by AVG - www.avg.com
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06:02:00

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	 <20090723161459.TLTCY.2282023.root@mp20>
Date: Fri, 24 Jul 2009 00:41:21 +0200
Message-ID: <66f9cc1e0907231541g75467376rb992235ca84b83ec@mail.gmail.com>
Subject: Re: new looper in Logic 9
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Jul 23, 2009 at 10:14 PM, tEd =C2=AE kiLLiAn<tedkillian@charter.net=
> wrote:
> Caveats?

CDM maybe answers that under this article's last subject "What Is Not
in this Upgrade?"
Link:  http://bit.ly/yfkRF

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 22:46:36 2009
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Date: Thu, 23 Jul 2009 15:45:02 -0700 (PDT)
Subject: Re: new looper in Logic 9
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Hey Ted,

I just made the leap myself, from Logic 6 to 8. A client of mine is
working on a project in Logic 8 Express, and I'll be mixing it, so it
seems like it's time for the upgrade. I don't have a lot of experience
with Logic 8 yet, but have helped set up a few clients computers, and I
have to say that with 8, Logic is as user-friendly as it ever has been.
Logic has a reputation for being deep and inscrutable, but Apple's
influence is finally starting to show. I'm sure you'll find your own share
of headaches getting used to it, but just be glad you didn't start w/Logic
5 :-)

I was going to wait for 9 and budget for a new computer in the fall, but
this job came up so I'm going for it now. Will have to do an OS update as
well, so I am planning on a week of computer hell to get everything
working together again.

Welcome to the madhouse!

> I just recently got a new MacBook Pro that's pre-loaded with Logic 8
> Express.
>
> I have not messed with the program yet.
>
> I launched it and registered it.
>
> And then I went online to buy a book/DVD to tell me how to use it.
>
> Any thoughts on Logic from y'all?
>
> Recommendations?
>
> Caveats?
>
> Ted
>
>






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Date: Fri, 24 Jul 2009 00:51:37 +0200
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Subject: Re: new looper in Logic 9
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jul 24, 2009 at 12:45 AM, <improv@peak.org> wrote:
> I was going to wait for 9 and budget for a new computer in the fall, but
> this job came up so I'm going for it now. Will have to do an OS update as
> well,

It runs best on Macs with Intel CPU's. Just in case anyone is thinking
about getting it for an old PPC machine, it will run... but not
optimally.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 22:52:09 2009
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: new looper in Logic 9
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My only previous experience (DAW wise) was with ProTools LE and for a looooong time with SoundEdit16.

This whole new program is going to take some getting used to.

That's why I'm buying books and stuff . . . to get slightly ahead of the "idiot" curve (which I am usually way behind).

Wish me luck.

Ted

---- improv@peak.org wrote: 

=============
Hey Ted,

I just made the leap myself, from Logic 6 to 8. A client of mine is
working on a project in Logic 8 Express, and I'll be mixing it, so it
seems like it's time for the upgrade. I don't have a lot of experience
with Logic 8 yet, but have helped set up a few clients computers, and I
have to say that with 8, Logic is as user-friendly as it ever has been.
Logic has a reputation for being deep and inscrutable, but Apple's
influence is finally starting to show. I'm sure you'll find your own share
of headaches getting used to it, but just be glad you didn't start w/Logic
5 :-)

I was going to wait for 9 and budget for a new computer in the fall, but
this job came up so I'm going for it now. Will have to do an OS update as
well, so I am planning on a week of computer hell to get everything
working together again.

Welcome to the madhouse!

> I just recently got a new MacBook Pro that's pre-loaded with Logic 8
> Express.
>
> I have not messed with the program yet.
>
> I launched it and registered it.
>
> And then I went online to buy a book/DVD to tell me how to use it.
>
> Any thoughts on Logic from y'all?
>
> Recommendations?
>
> Caveats?
>
> Ted
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 23:06:25 2009
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Here's a recommendation: MacProVideo.

http://www.macprovideo.com/tutorials/logic

These guys have an amazing collection of video tutorials on using =20
Logic Studio, including some exceptional courses about how producers =20
of different genres use the program. I've especially enjoyed Steve =20
H.'s Master Classes. Best thing is that recently they added a view-=20
online subscription option so you can buy a month's access for $25 or =20=

so, watching anything on the site for one fee for 30 days, as opposed =20=

to paying per course and downloading or getting disks. The content =20
really is superb, imo, way more comprehensive on all aspects of Logic =20=

than anything else I've found. And it looks like they'll be covering
ver. 9 right away.

dpc


On Jul 23, 2009, at 3:52 PM, tEd =AE kiLLiAn wrote:

> This whole new program is going to take some getting used to.
>
> That's why I'm buying books and stuff . . . to get slightly ahead of =20=

> the "idiot" curve (which I am usually way behind).

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	 <20090723185208.IHJBJ.2304797.root@mp16>
Date: Fri, 24 Jul 2009 01:11:53 +0200
Message-ID: <66f9cc1e0907231611p39cf37d8heb736c8d4b4a9e3@mail.gmail.com>
Subject: Re: new looper in Logic 9
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jul 24, 2009 at 12:52 AM, tEd =C2=AE kiLLiAn<tedkillian@charter.net=
> wrote:
> That's why I'm buying books and stuff . . . to get slightly ahead of the =
"idiot" curve (which I am usually way behind).
>
> Wish me luck.

"Trying to learn Logic" is not a very good idea, because the
application isn't designed for that. It is rather designed to be a
highly configurable toolbox for producing recorded music (not even
Apples "new facade" has changed that). So the best approach is to
simply define what yo want to do and then check out how to do perform
those tasks with Logic. There use to be a little book called "Getting
Started" that you can keep on the side as you start goofing around.

Most tasks in music production can be carried out in many different
ways using Logic and every producer seems to have his own method. The
idea with this multi facility design is to make it possible for
nine-to-five music engineers and producers to become very fast with
the tool. Usually they set up their workflow and stick with it, not
many pro's actually knows everything in Logic.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 23 23:51:07 2009
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	 <20090723185208.IHJBJ.2304797.root@mp16>
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Date: Fri, 24 Jul 2009 00:51:06 +0100
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Subject: Re: new looper in Logic 9
From: Simeon Harris <simeonharris40@googlemail.com>
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i learned how to use logic (i started with 4.7) just by watching other
people use it who knew what they were doing. massively shortened the
learning curve for me. if you do happen to know anyone who's experienced
with it, definitely hook up with them and spend an afternoon recording
something. you'll shorten your curve by weeks!

sim

On Fri, Jul 24, 2009 at 12:11 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Jul 24, 2009 at 12:52 AM, tEd =AE kiLLiAn<tedkillian@charter.net>
> wrote:
> > That's why I'm buying books and stuff . . . to get slightly ahead of th=
e
> "idiot" curve (which I am usually way behind).
> >
> > Wish me luck.
>
>
>

--0016e6db61ca3ef854046f6829b8
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i learned how to use logic (i started with 4.7) just by watching other peop=
le use it who knew what they were doing. massively shortened the learning c=
urve for me. if you do happen to know anyone who&#39;s experienced with it,=
 definitely hook up with them and spend an afternoon recording something. y=
ou&#39;ll shorten your curve by weeks!<br>
<br>sim<br><br><div class=3D"gmail_quote">On Fri, Jul 24, 2009 at 12:11 AM,=
 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">pe=
rboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote=
" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0=
.8ex; padding-left: 1ex;">
<div class=3D"im">On Fri, Jul 24, 2009 at 12:52 AM, tEd =AE kiLLiAn&lt;<a h=
ref=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt; wrote:=
<br>
&gt; That&#39;s why I&#39;m buying books and stuff . . . to get slightly ah=
ead of the &quot;idiot&quot; curve (which I am usually way behind).<br>
&gt;<br>
&gt; Wish me luck.<br>
<br></div><div><div class=3D"h5"><br>
</div></div></blockquote></div><br>

--0016e6db61ca3ef854046f6829b8--

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	 <07560500B8C14BFCB6D771A4ACE00066@a>
Date: Fri, 24 Jul 2009 00:52:26 +0100
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Subject: Re: Polyrhythm looping (WAS: OT: What's on your iPod/CDplayer/Turntable)
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great fabio! this is something i've been meaning to get into for
ages...you've inspired me to work harder at it!

sim

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great fabio! this is something i&#39;ve been meaning to get into for ages...you&#39;ve inspired me to work harder at it!<br><br>sim<br>

--001636499fa30d2732046f682ee1--

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Subject: Re: new looper in Logic 9
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Date: Thu, 23 Jul 2009 16:55:17 -0700
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On Jul 23, 2009, at 4:06 PM, David Coffin wrote:

> Here's a recommendation: MacProVideo.
>
> http://www.macprovideo.com/tutorials/logic

Yes, I find the visual feeling/learning component really aids the  
learning curve.

I found these decently introductory:
http://www.synthtopia.com/content/2009/01/28/free-logic-pro-video-tutorials/


The clips are also on Youtube but I think they are organized  
differently.


regards

BobC



http://cdbaby.com/cd/rpcollier5
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Jul 23, 2009, =
at 4:06 PM, David Coffin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; ">Here's a recommendation: =
MacProVideo.<br><br><a =
href=3D"http://www.macprovideo.com/tutorials/logic">http://www.macprovideo=
.com/tutorials/logic</a></span></blockquote></div><br><div>Yes, I find =
the visual feeling/learning component really aids the learning =
curve.</div><div><br></div><div>I found these decently =
introductory:</div><div><a =
href=3D"http://www.synthtopia.com/content/2009/01/28/free-logic-pro-video-=
tutorials/">http://www.synthtopia.com/content/2009/01/28/free-logic-pro-vi=
deo-tutorials/</a></div><div><br></div><div><br></div><div>The clips are =
also on Youtube but I think they are organized =
differently.</div><div><br></div><div><br></div><div>regards</div><div><br=
></div><div>BobC</div><div><br></div><div><br></div><div><br></div><div><d=
iv style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; "><a =
href=3D"http://cdbaby.com/cd/rpcollier5">http://cdbaby.com/cd/rpcollier5</=
a></div></div></body></html>=

--Apple-Mail-6--496822130--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 01:25:45 2009
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Date: Thu, 23 Jul 2009 21:29:02 -0400
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Subject: Re: new looper in Logic 9
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Per Boysen wrote:

> "Trying to learn Logic" is not a very good idea, because the
> application isn't designed for that. It is rather designed to be a
> highly configurable toolbox for producing recorded music (not even
> Apples "new facade" has changed that). So the best approach is to
> simply define what yo want to do and then check out how to do perform
> those tasks with Logic.

Exactly. When I moved from Digital Performer to Logic, I made a list of 
the (roughly) ten most important things I need do for my typical work 
flow, and figure out how to do those. I used that to get up and running, 
and learned additional bits as needed. I found that much less painful 
than sitting down for interminable sessions with a gigantic manual.

Brian

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Date: Fri, 24 Jul 2009 03:34:45 +0200
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Subject: Re: new looper in Logic 9
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> Per Boysen wrote:
>
>> "Trying to learn Logic" is not a very good idea, because the
>> application isn't designed for that. It is rather designed to be a
>> highly configurable toolbox for producing recorded music (not even
>> Apples "new facade" has changed that). So the best approach is to
>> simply define what yo want to do and then check out how to do perform
>> those tasks with Logic.
>
On Fri, Jul 24, 2009 at 3:29 AM, Brian Good<bsgood@gmail.com> wrote:

> Exactly. When I moved from Digital Performer to Logic, I made a list of the
> (roughly) ten most important things I need do for my typical work flow, and
> figure out how to do those. I used that to get up and running, and learned
> additional bits as needed. I found that much less painful than sitting down
> for interminable sessions with a gigantic manual.
>
> Brian
>

I also made such a list when moving from Cubase/Atari to Logic 2.0 on
Mac. Sometimes I wonder if I've ever really gone outside that list
;-))

Per

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Subject: OT: mic for iPod Touch recommendation
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5a490584e83046f6af286
Content-Type: text/plain; charset=ISO-8859-1
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I recently inherited an 8gig iPod Touch from my son who upg'd to an iPhone
and I'm discovering some great possibilities audio resource wise.  Has
anyone recorded much on these devices and if so what are you
using/recommending for a mic source?  I'm finding a range from just the
integrated Apple earphone sets to physical portable mic's.  Any opinions?
Thx

J

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a490584e83046f6af286
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I recently inherited an 8gig iPod Touch from my son who upg&#39;d to an iPh=
one and I&#39;m discovering some great possibilities audio resource wise. =
=A0Has anyone recorded much on these devices and if so what are you using/r=
ecommending for a mic source? =A0I&#39;m finding a range from just the inte=
grated Apple earphone sets to physical portable mic&#39;s. =A0Any opinions?=
<div>
<br></div><div>Thx</div><div><br></div><div>J<br clear=3D"all"><br>-- <br>R=
eUse, an introspective textural aural<br><a href=3D"http://www.myspace.com/=
CtReUse">www.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"ht=
tp://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636c5a490584e83046f6af286--

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</head>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 04:48:06 2009
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Date: Thu, 23 Jul 2009 21:48:05 -0700
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Subject: Re: new looper in Logic 9
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On Thu, Jul 23, 2009 at 3:52 PM, tEd =AE kiLLiAn<tedkillian@charter.net> wr=
ote:

> Wish me luck.
>

Apology accepted. ;)

From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 06:18:38 2009
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macprovideo.com do good tutorials for logic.

On Jul 23, 2009, at 10:14 PM, tEd =AE kiLLiAn wrote:

> I just recently got a new MacBook Pro that's pre-loaded with Logic 8 =20=

> Express.
>
> I have not messed with the program yet.
>
> I launched it and registered it.
>
> And then I went online to buy a book/DVD to tell me how to use it.
>
> Any thoughts on Logic from y'all?
>
> Recommendations?
>
> Caveats?
>
> Ted
>



From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 07:22:03 2009
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Hi Jean Philippe

though I can't say for certain, I would say that the RC-50 is useable if you cannot see:
First of all, what I do is to have 3-4 saved presets (i.e. one for MULTI MODE, one for SINGLE MODE, one for my special "MIXED MODE", one for "LOOP FEEDBACK"). So you can save your desired settings on several presets and use the one you need.
I even occasianally use an external pedal to move to the next preset. So I don't practically needs any hands at all while looping.

The controls aren't also too hard: there are a lot of (some confusing, though) on/off buttons. There are a few menus (patch/phrase/system), each have their own button where you choose one item and set a parameter. I do some frequent settings (i.e. turn Tempo Sync off on each phrase) almost by heart. So except not seeing a few LEDs in shouldn't be too hard.

Hope this helps

Buzap

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

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really nice, Fabio :)
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 07:32:24 2009
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> We're keepin' it mellow . . . no more violent than your usual UFC or
> hockey game.

Yeah, a true "no holds barred" mailing list... 

Buzap


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From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 07:44:43 2009
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Subject: Re: new looper in Logic 9
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Yeah, the looper seems lame for our standards...

The coolest features for me:
- Multi-control in MainStage (I guess sort of like Live?)
- Drum Replacer http://www.apple.com/logicstudio/whats-new/#overlay-drumreplacer
That would be really cool for me to enter drum patterns via beatboxing and having them transformed into real sampled beats. Wish it would work also in real-time...

Any experience concerning performance?

best regards
Buzap

-- 
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 07:46:25 2009
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hi Jim,
One of those cheap mini electret condensers would be ok.
(assuming it has stereo input).

Those little capsules usually have really good range.
I used to use one with a mini-disk recorder and got
some very acceptable results (all things being relative).

The omni-directional stereo pattern is not ideal, but 
then I'm guessing you're looking more for a "notebook"
than for serious recording.

I rather doubt it's worth spending more.
To get a significantly better mic would likely cost
as much as a Zoom H2 (which is great for acoustic guitars).

andy

Jim Goodin wrote:
> I recently inherited an 8gig iPod Touch from my son who upg'd to an 
> iPhone and I'm discovering some great possibilities audio resource wise. 
>  Has anyone recorded much on these devices and if so what are you 
> using/recommending for a mic source?  I'm finding a range from just the 
> integrated Apple earphone sets to physical portable mic's.  Any opinions?
> 
> Thx
> 
> J

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=0A> =0A> So what's poverty in a land where =0A>   food is abundant?=A0 =0A=
=0AIn Switzerland believe it or not not being able to go skying is consider=
ed poor =0A=0A=0A> If food isn't abundant, =0A>   where you are, why are yo=
u having children? =0A=0ALOL! thats your pension,security,shelter, etc. etc=
. right there and all from members of the family which are not likely to ki=
ck you out if u miss a payment,what else can you hope for when u get old in=
 a poor country?=0A=0A=0A      

From kathryn@yahoo.com  Fri Jul 24 09:05:10 2009
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Date: Thu, 23 Jul 2009 23:34:37 -0500 (CDT)
Subject: Hello Dear.
From: "Mrs.Kathryn Hills" <kathryn@yahoo.com>
Reply-To: hills.kathryn@yahoo.com.hk
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From: Mrs. Kathryn Hills.
24 A Queens Pde, Friern Barnet Rd, London.

I am the above named person but now undergoing medical
treatment in Israel. I am married to Dr. Philip Hills,
who worked with British Railway Commission in Chelsea England,
for over a decade before he died on 30th July 2007. We were
married for fifteen years without a child. He died after a
brief illness that lasted for two weeks. Before his death he
made a vow to use his wealth for the down trodden and the
less privileged in the society. Since his death I decided not
to re-marry or get a child outside my matrimonial home.

I have willed and given some of my belonging to immediate and
extended family members, as well as a few close friends. I
have decided to support charity work; this is what I want to
be remembered for. So far, I have been able to reach out to a
few charity organizations in the Singapore, Algeria and
Malaysia. Now that my health has deteriorated so badly, I
cannot do this myself anymore.

I once asked members of my family to aid me in giving of alms
to those organizations catering for the less Privileged in
Bulgaria and Pakistan; they refused and kept the resources to
themselves. Hence, I do not trust them anymore, as they seem
not to be contempt with what I have left for them.

When my late husband was alive and working, he
deposited the sum of £7000, 000.00 (Seven Million pounds) in
a Vault with a security/Finance House in
Europe.Presently,this money is still there. Recently, my
Doctor told me that I would not last for the next 30days due
to cancer problem. Though what disturbs me most is my cancer.
Having known my condition I decided to donate this fund to an
individual or better still a God fearing kind person who will
utilize this money the way I am going to instruct here in.

I want an individual that will use this fund to provide
succor to the poor and indigent persons, orphanages and
shelter for the homeless. I am willing to give out
£500,000.00 (Five hundred thousand pounds) from the money to
the person that will help to set up his/her own business and
secure a living with.

I am not afraid of death hence I know where I am going as I
know that I am going to be in the bosom of the Almighty.

I do not need any telephone communication in this regard
because of my health and because of the presence of my
husband?s relatives with me here always. I do not want them
to know about this development.

As soon as I receive your reply I shall give you the contact
of the Security/Finance House in Africa. I will also issue
you a letter of authority that will empower you as the
original beneficiary of this fund, through my Lawyer. I want
you to always pray for me. My happiness is that I lived a
life worthy of emulation and whosoever that wants to serve
the Almighty God, must serve him in spirit and also in truth.
Please always be prayerful all through your life. Any delay
in your reply will give me room in sourcing for an individual
for this same purpose. Please assure me that you will act
according to my specification herein. Hoping to hear from
you.Thank you and may the Almighty God bless you.

FOR MORE DETAILS, REPLY TO THIS EMAIL: hills.kathryn@yahoo.com.hk


Yours sincerely,
Kathryn Hills.

From kathryn@yahoo.com  Fri Jul 24 09:05:21 2009
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Subject: Hello Dear.
From: "Mrs.Kathryn Hills" <kathryn@yahoo.com>
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From: Mrs. Kathryn Hills.
24 A Queens Pde, Friern Barnet Rd, London.

I am the above named person but now undergoing medical
treatment in Israel. I am married to Dr. Philip Hills,
who worked with British Railway Commission in Chelsea England,
for over a decade before he died on 30th July 2007. We were
married for fifteen years without a child. He died after a
brief illness that lasted for two weeks. Before his death he
made a vow to use his wealth for the down trodden and the
less privileged in the society. Since his death I decided not
to re-marry or get a child outside my matrimonial home.

I have willed and given some of my belonging to immediate and
extended family members, as well as a few close friends. I
have decided to support charity work; this is what I want to
be remembered for. So far, I have been able to reach out to a
few charity organizations in the Singapore, Algeria and
Malaysia. Now that my health has deteriorated so badly, I
cannot do this myself anymore.

I once asked members of my family to aid me in giving of alms
to those organizations catering for the less Privileged in
Bulgaria and Pakistan; they refused and kept the resources to
themselves. Hence, I do not trust them anymore, as they seem
not to be contempt with what I have left for them.

When my late husband was alive and working, he
deposited the sum of £7000, 000.00 (Seven Million pounds) in
a Vault with a security/Finance House in
Europe.Presently,this money is still there. Recently, my
Doctor told me that I would not last for the next 30days due
to cancer problem. Though what disturbs me most is my cancer.
Having known my condition I decided to donate this fund to an
individual or better still a God fearing kind person who will
utilize this money the way I am going to instruct here in.

I want an individual that will use this fund to provide
succor to the poor and indigent persons, orphanages and
shelter for the homeless. I am willing to give out
£500,000.00 (Five hundred thousand pounds) from the money to
the person that will help to set up his/her own business and
secure a living with.

I am not afraid of death hence I know where I am going as I
know that I am going to be in the bosom of the Almighty.

I do not need any telephone communication in this regard
because of my health and because of the presence of my
husband?s relatives with me here always. I do not want them
to know about this development.

As soon as I receive your reply I shall give you the contact
of the Security/Finance House in Africa. I will also issue
you a letter of authority that will empower you as the
original beneficiary of this fund, through my Lawyer. I want
you to always pray for me. My happiness is that I lived a
life worthy of emulation and whosoever that wants to serve
the Almighty God, must serve him in spirit and also in truth.
Please always be prayerful all through your life. Any delay
in your reply will give me room in sourcing for an individual
for this same purpose. Please assure me that you will act
according to my specification herein. Hoping to hear from
you.Thank you and may the Almighty God bless you.

FOR MORE DETAILS, REPLY TO THIS EMAIL: hills.kathryn@yahoo.com.hk


Yours sincerely,
Kathryn Hills.

From kathryn@yahoo.com  Fri Jul 24 09:18:46 2009
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Date: Thu, 23 Jul 2009 23:34:39 -0500 (CDT)
Subject: Hello Dear.
From: "Mrs.Kathryn Hills" <kathryn@yahoo.com>
Reply-To: hills.kathryn@yahoo.com.hk
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From: Mrs. Kathryn Hills.
24 A Queens Pde, Friern Barnet Rd, London.

I am the above named person but now undergoing medical
treatment in Israel. I am married to Dr. Philip Hills,
who worked with British Railway Commission in Chelsea England,
for over a decade before he died on 30th July 2007. We were
married for fifteen years without a child. He died after a
brief illness that lasted for two weeks. Before his death he
made a vow to use his wealth for the down trodden and the
less privileged in the society. Since his death I decided not
to re-marry or get a child outside my matrimonial home.

I have willed and given some of my belonging to immediate and
extended family members, as well as a few close friends. I
have decided to support charity work; this is what I want to
be remembered for. So far, I have been able to reach out to a
few charity organizations in the Singapore, Algeria and
Malaysia. Now that my health has deteriorated so badly, I
cannot do this myself anymore.

I once asked members of my family to aid me in giving of alms
to those organizations catering for the less Privileged in
Bulgaria and Pakistan; they refused and kept the resources to
themselves. Hence, I do not trust them anymore, as they seem
not to be contempt with what I have left for them.

When my late husband was alive and working, he
deposited the sum of £7000, 000.00 (Seven Million pounds) in
a Vault with a security/Finance House in
Europe.Presently,this money is still there. Recently, my
Doctor told me that I would not last for the next 30days due
to cancer problem. Though what disturbs me most is my cancer.
Having known my condition I decided to donate this fund to an
individual or better still a God fearing kind person who will
utilize this money the way I am going to instruct here in.

I want an individual that will use this fund to provide
succor to the poor and indigent persons, orphanages and
shelter for the homeless. I am willing to give out
£500,000.00 (Five hundred thousand pounds) from the money to
the person that will help to set up his/her own business and
secure a living with.

I am not afraid of death hence I know where I am going as I
know that I am going to be in the bosom of the Almighty.

I do not need any telephone communication in this regard
because of my health and because of the presence of my
husband?s relatives with me here always. I do not want them
to know about this development.

As soon as I receive your reply I shall give you the contact
of the Security/Finance House in Africa. I will also issue
you a letter of authority that will empower you as the
original beneficiary of this fund, through my Lawyer. I want
you to always pray for me. My happiness is that I lived a
life worthy of emulation and whosoever that wants to serve
the Almighty God, must serve him in spirit and also in truth.
Please always be prayerful all through your life. Any delay
in your reply will give me room in sourcing for an individual
for this same purpose. Please assure me that you will act
according to my specification herein. Hoping to hear from
you.Thank you and may the Almighty God bless you.

FOR MORE DETAILS, REPLY TO THIS EMAIL: hills.kathryn@yahoo.com.hk


Yours sincerely,
Kathryn Hills.

From kathryn@yahoo.com  Fri Jul 24 09:18:48 2009
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Date: Thu, 23 Jul 2009 23:34:39 -0500 (CDT)
Subject: Hello Dear.
From: "Mrs.Kathryn Hills" <kathryn@yahoo.com>
Reply-To: hills.kathryn@yahoo.com.hk
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From: Mrs. Kathryn Hills.
24 A Queens Pde, Friern Barnet Rd, London.

I am the above named person but now undergoing medical
treatment in Israel. I am married to Dr. Philip Hills,
who worked with British Railway Commission in Chelsea England,
for over a decade before he died on 30th July 2007. We were
married for fifteen years without a child. He died after a
brief illness that lasted for two weeks. Before his death he
made a vow to use his wealth for the down trodden and the
less privileged in the society. Since his death I decided not
to re-marry or get a child outside my matrimonial home.

I have willed and given some of my belonging to immediate and
extended family members, as well as a few close friends. I
have decided to support charity work; this is what I want to
be remembered for. So far, I have been able to reach out to a
few charity organizations in the Singapore, Algeria and
Malaysia. Now that my health has deteriorated so badly, I
cannot do this myself anymore.

I once asked members of my family to aid me in giving of alms
to those organizations catering for the less Privileged in
Bulgaria and Pakistan; they refused and kept the resources to
themselves. Hence, I do not trust them anymore, as they seem
not to be contempt with what I have left for them.

When my late husband was alive and working, he
deposited the sum of £7000, 000.00 (Seven Million pounds) in
a Vault with a security/Finance House in
Europe.Presently,this money is still there. Recently, my
Doctor told me that I would not last for the next 30days due
to cancer problem. Though what disturbs me most is my cancer.
Having known my condition I decided to donate this fund to an
individual or better still a God fearing kind person who will
utilize this money the way I am going to instruct here in.

I want an individual that will use this fund to provide
succor to the poor and indigent persons, orphanages and
shelter for the homeless. I am willing to give out
£500,000.00 (Five hundred thousand pounds) from the money to
the person that will help to set up his/her own business and
secure a living with.

I am not afraid of death hence I know where I am going as I
know that I am going to be in the bosom of the Almighty.

I do not need any telephone communication in this regard
because of my health and because of the presence of my
husband?s relatives with me here always. I do not want them
to know about this development.

As soon as I receive your reply I shall give you the contact
of the Security/Finance House in Africa. I will also issue
you a letter of authority that will empower you as the
original beneficiary of this fund, through my Lawyer. I want
you to always pray for me. My happiness is that I lived a
life worthy of emulation and whosoever that wants to serve
the Almighty God, must serve him in spirit and also in truth.
Please always be prayerful all through your life. Any delay
in your reply will give me room in sourcing for an individual
for this same purpose. Please assure me that you will act
according to my specification herein. Hoping to hear from
you.Thank you and may the Almighty God bless you.

FOR MORE DETAILS, REPLY TO THIS EMAIL: hills.kathryn@yahoo.com.hk


Yours sincerely,
Kathryn Hills.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 10:58:27 2009
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Date: Fri, 24 Jul 2009 12:58:24 +0200
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> I'm unable to check the above, I only had the RC-50 for a day or so on =
loan.

Hi Andy,
Me too, I sold mine ;) But I remember it worked much better with OS 1.0.1=
 and the instructions documented on my site. 

> ps. for legibility of text, advise that you
> don't use high contrast graphics as a backing

Good point, will change that with the next update 
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g


From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 12:48:40 2009
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Date: Fri, 24 Jul 2009 05:48:30 -0700
From: Rick Walker <looppool@cruzio.com>
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Wow,   this is fun!!!!!

http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/tonematrix/


From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 12:54:55 2009
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Date: Fri, 24 Jul 2009 14:54:54 +0200
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Subject: New USB powered MIDI foot controller for Mac
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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--001517511af05ea9ff046f731ce9
Content-Type: text/plain; charset=UTF-8
Content-Transfer-Encoding: 7bit

Just read about this new USB powered MIDI foot controller for Mac:
http://www.apogeedigital.com/products/gio.php

It seems Apogee has developed it especially for Mainstage 2, Logic Pro 9 and
Garageband 09.

I have not tested a unit yet, but I like its simple design in functionality.
It's designed for laptop guitarists with an instrument level guitar line in
port and built-in A/D converter for that. It drives a headphones output, but
you still need another audio interface for the main PA output. You may
connect an analog expression pedal. In OS X the pedal board plus expression
pedal is detected as just another MIDI In port plus another Audio In port.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

--001517511af05ea9ff046f731ce9
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

<div>Just read about this new USB powered MIDI foot controller for Mac:=C2=
=A0</div><div><a href=3D"http://www.apogeedigital.com/products/gio.php">htt=
p://www.apogeedigital.com/products/gio.php</a></div><div><br></div><div>It =
seems Apogee has developed it especially for Mainstage 2, Logic Pro 9 and G=
arageband 09.</div>
<div><br></div><div>I have not tested a unit yet, but I like its simple des=
ign in functionality. It&#39;s designed for laptop guitarists with an instr=
ument level guitar line in port and built-in A/D converter for that. It dri=
ves a headphones output, but you still need another audio interface for the=
 main PA output. You may connect an analog expression pedal. In OS X the pe=
dal board plus expression pedal is detected as just another MIDI In port pl=
us another Audio In port.=C2=A0</div>
<br clear=3D"all">Greetings from Sweden<br><br>Per Boysen <br><a href=3D"ht=
tp://www.boysen.se">www.boysen.se</a><br><a href=3D"http://www.perboysen.co=
m">www.perboysen.com</a><br>

--001517511af05ea9ff046f731ce9--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 13:05:35 2009
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Date: Fri, 24 Jul 2009 15:05:31 +0200
Message-ID: <afb941d0907240605m89b57deka4a593aebb875d97@mail.gmail.com>
Subject: Re: New USB powered MIDI foot controller for Mac
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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... at this price point, although a different device, i'd go for one
of the xavier's childs. USB scares me... but maybe apogee/mac combo
uses to work rock solid, ...

2009/7/24, Per Boysen <perboysen@gmail.com>:
> Just read about this new USB powered MIDI foot controller for Mac:
> http://www.apogeedigital.com/products/gio.php
>
> It seems Apogee has developed it especially for Mainstage 2, Logic Pro 9 and
> Garageband 09.
>
> I have not tested a unit yet, but I like its simple design in functionality.
> It's designed for laptop guitarists with an instrument level guitar line in
> port and built-in A/D converter for that. It drives a headphones output, but
> you still need another audio interface for the main PA output. You may
> connect an analog expression pedal. In OS X the pedal board plus expression
> pedal is detected as just another MIDI In port plus another Audio In port.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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	 <afb941d0907240605m89b57deka4a593aebb875d97@mail.gmail.com>
Date: Fri, 24 Jul 2009 15:16:29 +0200
Message-ID: <66f9cc1e0907240616x47c23e14jc225ebd273e6c3fb@mail.gmail.com>
Subject: Re: New USB powered MIDI foot controller for Mac
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Wight is an important factor if you fly with the gear, but unfortunately
Apogee doesn't give out the weight on the web site. But the size is well
within the cabin bag size norm. I like the USB power option, since I already
have too many gadgets that needs fresh batteries or to remember to bring an
extra power adapter. My only concern is that it is too restricted for
playing keybords by feet, as I do to create chord/key changes in
livelooping. So for me this pedal needs to go together with another one,
like the Behringer or the Gordious.
Here's one idea I have how to make the Apogee "better" for livelooping: Cut
off the expr pedals from an FCB 1010 and use only the kick pads together
with this Apogee. You may use an analog expr pedel or simply connect that
voltage through to a knob on your guitar. That can  easily be done with a
stereo cable. This means you can put away the laptop on stage, somewhere way
back safe, and put the pedal board up front at stage where you also plug in
the guitar.

per


On Fri, Jul 24, 2009 at 3:05 PM, Raul Bonell <raul.bonell@gmail.com> wrote:

> ... at this price point, although a different device, i'd go for one
> of the xavier's childs. USB scares me... but maybe apogee/mac combo
> uses to work rock solid, ...
>
> 2009/7/24, Per Boysen <perboysen@gmail.com>:
> > Just read about this new USB powered MIDI foot controller for Mac:
> > http://www.apogeedigital.com/products/gio.php
> >
> > It seems Apogee has developed it especially for Mainstage 2, Logic Pro 9
> and
> > Garageband 09.
> >
> > I have not tested a unit yet, but I like its simple design in
> functionality.
> > It's designed for laptop guitarists with an instrument level guitar line
> in
> > port and built-in A/D converter for that. It drives a headphones output,
> but
> > you still need another audio interface for the main PA output. You may
> > connect an analog expression pedal. In OS X the pedal board plus
> expression
> > pedal is detected as just another MIDI In port plus another Audio In
> port.
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se
> > www.perboysen.com
> >
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>

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Wight is an important factor if you fly with the gear, but unfortunately Ap=
ogee doesn&#39;t give out the weight on the web site. But the size is well =
within the cabin bag size norm. I like the USB power option, since I alread=
y have too many gadgets that needs fresh batteries or to remember to bring =
an extra power adapter. My only concern is that it is too restricted for pl=
aying keybords by feet, as I do to create chord/key changes in livelooping.=
 So for me this pedal needs to go together with another one, like the Behri=
nger or the Gordious.=C2=A0<div>
<br></div><div>Here&#39;s one idea I have how to make the Apogee &quot;bett=
er&quot; for livelooping: Cut off the expr pedals from an FCB 1010 and use =
only the kick pads together with this Apogee. You may use an analog expr pe=
del or simply connect that voltage through to a knob on your guitar. That c=
an =C2=A0easily be done with a stereo cable. This means you can put away th=
e laptop on stage, somewhere way back safe, and put the pedal board up fron=
t at stage where you also plug in the guitar.=C2=A0<br>
<div><br></div><div>per<br>
<br><br><div class=3D"gmail_quote">On Fri, Jul 24, 2009 at 3:05 PM, Raul Bo=
nell <span dir=3D"ltr">&lt;<a href=3D"mailto:raul.bonell@gmail.com">raul.bo=
nell@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" s=
tyle=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
... at this price point, although a different device, i&#39;d go for one<br=
>
of the xavier&#39;s childs. USB scares me... but maybe apogee/mac combo<br>
uses to work rock solid, ...<br>
<br>
2009/7/24, Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;:<br>
<div><div></div><div class=3D"h5">&gt; Just read about this new USB powered=
 MIDI foot controller for Mac:<br>
&gt; <a href=3D"http://www.apogeedigital.com/products/gio.php" target=3D"_b=
lank">http://www.apogeedigital.com/products/gio.php</a><br>
&gt;<br>
&gt; It seems Apogee has developed it especially for Mainstage 2, Logic Pro=
 9 and<br>
&gt; Garageband 09.<br>
&gt;<br>
&gt; I have not tested a unit yet, but I like its simple design in function=
ality.<br>
&gt; It&#39;s designed for laptop guitarists with an instrument level guita=
r line in<br>
&gt; port and built-in A/D converter for that. It drives a headphones outpu=
t, but<br>
&gt; you still need another audio interface for the main PA output. You may=
<br>
&gt; connect an analog expression pedal. In OS X the pedal board plus expre=
ssion<br>
&gt; pedal is detected as just another MIDI In port plus another Audio In p=
ort.<br>
&gt;<br>
&gt; Greetings from Sweden<br>
&gt;<br>
&gt; Per Boysen<br>
&gt; <a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><b=
r>
&gt; <a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.c=
om</a><br>
&gt;<br>
<br>
<br>
</div></div><font color=3D"#888888">--<br>
Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com" target=
=3D"_blank">http://raulbonell.blogspot.com</a><br>
Chain Tape Collective: <a href=3D"http://www.ct-collective.com" target=3D"_=
blank">http://www.ct-collective.com</a><br>
<br>
</font></blockquote></div><br></div></div>

--00151750dd3885dbbe046f736991--

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It should be very interesting for me! <br>
What do you mean Per that you still need another audio interface for
the main PA? it seems to have outputs:<br>
<h4>"Output: Headphones, monitors or instrument amplifier" <br>
</h4>
what do you think about connecting it together an FCB1010 controlling
loops?<br>
i mean: this could control effetcts (guitar rig etc) and FCB looper
(moebius etc)<br>
and Live like host?<br>
<br>
Per Boysen ha scritto:
<blockquote
 cite="mid:66f9cc1e0907240554o50225a26gabae1a3da82d5140@mail.gmail.com"
 type="cite">
  <div>Just read about this new USB powered MIDI foot controller for
Mac:Â </div>
  <div><a moz-do-not-send="true"
 href="http://www.apogeedigital.com/products/gio.php">http://www.apogeedigital.com/products/gio.php</a></div>
  <div><br>
  </div>
  <div>It seems Apogee has developed it especially for Mainstage 2,
Logic Pro 9 and Garageband 09.</div>
  <div><br>
  </div>
  <div>I have not tested a unit yet, but I like its simple design in
functionality. It's designed for laptop guitarists with an instrument
level guitar line in port and built-in A/D converter for that. It
drives a headphones output, but you still need another audio interface
for the main PA output. You may connect an analog expression pedal. In
OS X the pedal board plus expression pedal is detected as just another
MIDI In port plus another Audio In port.Â </div>
  <br clear="all">
Greetings from Sweden<br>
  <br>
Per Boysen <br>
  <a moz-do-not-send="true" href="http://www.boysen.se">www.boysen.se</a><br>
  <a moz-do-not-send="true" href="http://www.perboysen.com">www.perboysen.com</a><br>
</blockquote>
<br>
<br>
<div class="moz-signature">-- <br>
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Subject: Re: new looper in Logic 9
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Does anybody know if the last beta version was stable or should I wait a =
bit? Btw: what's the price in Euro's for an upgrade from Logic 8 Studio? =

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g.


From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 13:38:49 2009
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Date: Fri, 24 Jul 2009 15:41:03 +0200
From: Massimo Liverani <liverani@het.it>
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Subject: Re: online real time looping sequencer game
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This is a multi-part message in MIME format.
--------------070600030002010205070203
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Yess!!! and have you also aldready tested this other?:<br>
<br>
<a class="moz-txt-link-freetext" href="http://www.hobnox.com/index.1056.en.html">http://www.hobnox.com/index.1056.en.html</a><br>
<br>
it's real amazing! <br>
<br>
<br>
Rick Walker ha scritto:
<blockquote cite="mid:4A69AD9E.6030401@cruzio.com" type="cite">Wow,&nbsp;&nbsp;
this is fun!!!!!
  <br>
  <br>
<a class="moz-txt-link-freetext" href="http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/tonematrix/">http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/tonematrix/</a>
  <br>
  <br>
  <br>
  <br>
</blockquote>
<br>
<br>
<div class="moz-signature">-- <br>
<img src="cid:part1.08070901.05090405@het.it" border="0"></div>
</body>
</html>

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Date: Fri, 24 Jul 2009 15:46:05 +0200
Message-ID: <66f9cc1e0907240646p31938453qce9d4eebeca68413@mail.gmail.com>
Subject: Re: new looper in Logic 9
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jul 24, 2009 at 3:30 PM, Sjaak<tcplugin@scarlet.be> wrote:
> Does anybody know if the last beta version was stable or should I wait a bit? Btw: what's the price in Euro's for an upgrade from Logic 8 Studio?


No, but I can assure you that not even Apple would sell a beta
version. Software are constantly being bug corrected and such minor
upgrades usually offered users for free. Google "Applestore" and you
will find the answer to your pricing question.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 13:52:41 2009
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Date: Fri, 24 Jul 2009 09:51:04 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: new looper in Logic 9
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However, when  Apple took over emagic and rebranded Logic they 
offered the entire package at a very low price ($499) and then 
released no updates or bug fixes (except for the 8.0.2 which fixed 
some catastrophic errors).

Now they have announced Logic 9... logic 8 is still broken...

The question is: Do you rely on Logic to earn your living?  Would you 
risk that on speculating that it will work perfectly from version 9.0?



>On Fri, Jul 24, 2009 at 3:30 PM, Sjaak<tcplugin@scarlet.be> wrote:
>>  Does anybody know if the last beta version was stable or should I 
>>wait a bit? Btw: what's the price in Euro's for an upgrade from 
>>Logic 8 Studio?
>
>
>No, but I can assure you that not even Apple would sell a beta
>version. Software are constantly being bug corrected and such minor
>upgrades usually offered users for free. Google "Applestore" and you
>will find the answer to your pricing question.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se
>www.perboysen.com


-- 
...
http://www.zmix.net

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	 <4A69B72E.6010901@het.it>
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Date: Fri, 24 Jul 2009 15:53:10 +0200
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Subject: Re: New USB powered MIDI foot controller for Mac
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jul 24, 2009 at 3:29 PM, Massimo Liverani<liverani@het.it> wrote:
> What do you mean Per that you still need another audio interface for the
> main PA? it seems to have outputs:
>
> "Output: Headphones, monitors or instrument amplifier"

A headphones level output wouldn't sound very good in a PA. And Apogee
doesn't either specify if that headphones output only mirrors the dry
guitar input or if it actually D/A converts audio from the software to
put out.

Keep in mind that this is a gadget targeted at the consuming masses!
You have to research any aspect of its functionality to work out how
useful it really is for you. The fact that not all relevant
information is displayed in the online product presentation confirms
this. I'm just saying that it looks interesting on first sight ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 14:10:53 2009
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Date: Fri, 24 Jul 2009 16:10:51 +0200
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> Google "Applestore" and you
> will find the answer to your pricing question.

I checked the store yesterday and the price wasn't there yet. Now it is: =
199,00 Euro for an upgrade of Logic Pro or Logic Studio. 

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g.


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Subject: Re: new looper in Logic 9
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From: "Sjaak" <tcplugin@scarlet.be>
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> The question is: Do you rely on Logic to earn your living?  Would you 
> risk that on speculating that it will work perfectly from version 9.0?
> Now they have announced Logic 9... logic 8 is still broken...

Hi Charles,
I don't rely on Logic for a living. I use Mainstage as my host on stage a=
nd I use a little bit of Logic at home. Sure, Logic 8 had a few problems =
but for me nothing major and as long as I have a workaround, I'm fine.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g.


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Date: Fri, 24 Jul 2009 17:01:56 +0200
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Subject: Re: new looper in Logic 9
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jul 24, 2009 at 4:41 PM, Sjaak<tcplugin@scarlet.be> wrote:
>> The question is: Do you rely on Logic to earn your living? =C2=A0Would y=
ou
>> risk that on speculating that it will work perfectly from version 9.0?
>> Now they have announced Logic 9... logic 8 is still broken...
>
> Hi Charles,
> I don't rely on Logic for a living. I use Mainstage as my host on stage a=
nd I use a little bit of Logic at home. Sure, Logic 8 had a few problems bu=
t for me nothing major and as long as I have a workaround, I'm fine.


I sometimes rely on Logic for a living, but not all the time since I'm
a freelance worker in many areas related to music. When I'm on a pro
base production deadline that is short I simply don't use certain
functions that are known as less stable. That totally does the trick
for me, since working efficiency is all about balancing available
project time against choice of tools and methods. In my situation that
was possible to do even with Logic 8 and this new version will save me
lots of working hours to begin with...

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 16:43:22 2009
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Date: Fri, 24 Jul 2009 12:35:06 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: new looper in Logic 9
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I think that Logic 9 sounds like it will be quite useful, provided it 
does what it says it does!


>On Fri, Jul 24, 2009 at 4:41 PM, Sjaak<tcplugin@scarlet.be> wrote:
>>>  The question is: Do you rely on Logic to earn your living?  Would you
>>>  risk that on speculating that it will work perfectly from version 9.0?
>>>  Now they have announced Logic 9... logic 8 is still broken...
>>
>>  Hi Charles,
>>  I don't rely on Logic for a living. I use Mainstage as my host on 
>>stage and I use a little bit of Logic at home. Sure, Logic 8 had a 
>>few problems but for me nothing major and as long as I have a 
>>workaround, I'm fine.
>
>
>I sometimes rely on Logic for a living, but not all the time since I'm
>a freelance worker in many areas related to music. When I'm on a pro
>base production deadline that is short I simply don't use certain
>functions that are known as less stable. That totally does the trick
>for me, since working efficiency is all about balancing available
>project time against choice of tools and methods. In my situation that
>was possible to do even with Logic 8 and this new version will save me
>lots of working hours to begin with...
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se
>www.perboysen.com


-- 
...
http://www.zmix.net

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Subject: Re: new looper in Logic 9
From: Per Boysen <perboysen@gmail.com>
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Just had a close encounter with Logic 9... Downloaded the PDF manual
and while reading it lying on the coach I fell a sleep and dreamed
that I was working out, doing push-ups on my finger tips. At the very
first push-up I was brutally brought back awake by a loud *BURP!*
sound. That was my finger tips on the tracking pad and the thumb
pushing just a bit too hard where there is no menu... Funny! :-)) This
old G4 Powerbook has quite loud built-in speakers.

Per



On Fri, Jul 24, 2009 at 6:35 PM, Charles Zwicky<cazwicky@earthlink.net> wro=
te:
> I think that Logic 9 sounds like it will be quite useful, provided it doe=
s
> what it says it does!
>
>
>> On Fri, Jul 24, 2009 at 4:41 PM, Sjaak<tcplugin@scarlet.be> wrote:
>>>>
>>>> =C2=A0The question is: Do you rely on Logic to earn your living? =C2=
=A0Would you
>>>> =C2=A0risk that on speculating that it will work perfectly from versio=
n 9.0?
>>>> =C2=A0Now they have announced Logic 9... logic 8 is still broken...
>>>
>>> =C2=A0Hi Charles,
>>> =C2=A0I don't rely on Logic for a living. I use Mainstage as my host on=
 stage
>>> and I use a little bit of Logic at home. Sure, Logic 8 had a few proble=
ms
>>> but for me nothing major and as long as I have a workaround, I'm fine.
>>
>>
>> I sometimes rely on Logic for a living, but not all the time since I'm
>> a freelance worker in many areas related to music. When I'm on a pro
>> base production deadline that is short I simply don't use certain
>> functions that are known as less stable. That totally does the trick
>> for me, since working efficiency is all about balancing available
>> project time against choice of tools and methods. In my situation that
>> was possible to do even with Logic 8 and this new version will save me
>> lots of working hours to begin with...
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>
>
> --
> ...
> http://www.zmix.net
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 17:42:51 2009
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Date: Fri, 24 Jul 2009 10:42:51 -0700
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Subject: Re: New USB powered MIDI foot controller for Mac
From: Mark Sottilaro <zerocrossing@gmail.com>
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Interesting device, looks like competition to the IK Multimedia Stomp
I/O, but a LOT more affordable.  I still can't figure out why IK
thinks they can get away with charging so much for their controller.
It kind of makes sense if you don't have the Amplitube software and
want it, but for guys like me who have it it's way too expensive.

I did get the IK Multimedia Stealthpedal though, and that might work
out well.  You can connect two switches to it as well as an expression
pedal.  That in combo with an FCB1010 and I'm more or less set, but
I'd really love it if i could get a control only version of the Stomp.

M

On Fri, Jul 24, 2009 at 6:53 AM, Per Boysen<perboysen@gmail.com> wrote:
> On Fri, Jul 24, 2009 at 3:29 PM, Massimo Liverani<liverani@het.it> wrote:
>> What do you mean Per that you still need another audio interface for the
>> main PA? it seems to have outputs:
>>
>> "Output: Headphones, monitors or instrument amplifier"
>
> A headphones level output wouldn't sound very good in a PA. And Apogee
> doesn't either specify if that headphones output only mirrors the dry
> guitar input or if it actually D/A converts audio from the software to
> put out.
>
> Keep in mind that this is a gadget targeted at the consuming masses!
> You have to research any aspect of its functionality to work out how
> useful it really is for you. The fact that not all relevant
> information is displayed in the online product presentation confirms
> this. I'm just saying that it looks interesting on first sight ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 18:09:39 2009
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Hi Rick-
ben there dun that:
http://www.loopers-delight.com/LDarchive/200904/msg00251.html



>Wow,   this is fun!!!!!
>http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/tonematrix/
>
>

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Hi Fabio

I listened to your mp3. Beautiful stuff! I like it! :-)

JC Mendizabal
Black Note Music
http://www.blacknotemusic.com
Via Sinistrae
www.viasinistrae.com
http://sinistrae.libsyn.com/
Other Sites
http://www.allhaildiscordia.com/
http://maddogmagick.blogspot.com/
http://secretsareeverywhere.blogspot.com/
  ----- Original Message -----=20
  From: Fabio_A=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, July 23, 2009 10:08 AM
  Subject: Re: Polyrhythm looping (WAS: OT: What's on your =
iPod/CDplayer/Turntable)


  Rick, we're on the same way !
  - Nik Bartsch's RONIN resides in my car player from 3 weeks, and I =
haven't get enought yet !
  You had the fortune to meet him in person, but I well remember the =
exact moment when Bernhard played that music in his i-pod trough my PA =
system kitcken ;-)
  I've immediately bought on line two of his album and - being a Reich =
fan - I've so deeply fallen in love with Nik Bartsch's music that in =
these days I'm practicing just on stuff like this.

  Here's a recording I made with Mobius a few nights ago, with different =
time signatures:
   - drums and percussions (are not pre-recorded loops: i've played them =
on my keyboard) play in 4/4
  - bass part (later doubled with piano) plays in 5/4;
  - piano arpeggios play in 5/4
  - ther's also a steady high note piano playing in 6/8
  - and other embellishments.

  http://www.eterogeneo.com/podcast/Time_Signatures-Fabio_Anile.mp3
  or on my itunes podcast
  =20

  Fabio
  www.eterogeneo.com
  www.myspace.com/eterogeneo


  2009/7/22 Rick Walker <looppool@cruzio.com>

    I'm just loving a few things that I'm listening to right now
    and not only wanted to share them with you all but wanted
    to know what people are currently listening to.

    Nik Bartsch's RONIN ----  'Holon'=20
    just doesn't leave my  car stereo for very long.   I'm in love and =
it's also inspiring because
    this music is just made for live looping experiments (as Bernhard's =
lovely
    and funky set in Rome and Zurich proved.  =20
    2) All day (and as I type) I've been listening to the lovely new



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<HTML><HEAD>
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<DIV><FONT face=3DArial size=3D2>Hi Fabio</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I listened to your mp3. Beautiful =
stuff! I like it!=20
:-)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>JC Mendizabal<BR>Black Note Music<BR><A=20
href=3D"http://www.blacknotemusic.com">http://www.blacknotemusic.com</A><=
BR>Via=20
Sinistrae<BR><A=20
href=3D"http://www.viasinistrae.com">www.viasinistrae.com</A><BR><A=20
href=3D"http://sinistrae.libsyn.com/">http://sinistrae.libsyn.com/</A><BR=
>Other=20
Sites<BR><A=20
href=3D"http://www.allhaildiscordia.com/">http://www.allhaildiscordia.com=
/</A><BR><A=20
href=3D"http://maddogmagick.blogspot.com/">http://maddogmagick.blogspot.c=
om/</A><BR><A=20
href=3D"http://secretsareeverywhere.blogspot.com/">http://secretsareevery=
where.blogspot.com/</A></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Deterogenus@gmail.com =
href=3D"mailto:eterogenus@gmail.com">Fabio_A</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, July 23, 2009 =
10:08=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Polyrhythm looping =
(WAS: OT:=20
  What's on your iPod/CDplayer/Turntable)</DIV>
  <DIV><BR></DIV>
  <DIV>Rick, we're on the same way !</DIV>
  <DIV>- Nik Bartsch's RONIN resides in my car player from 3 weeks, and =
I=20
  haven't get enought yet !</DIV>
  <DIV>You had the fortune to meet him in person, but I well remember =
the exact=20
  moment when Bernhard played that music&nbsp;in his i-pod trough my PA=20
  system&nbsp;kitcken ;-)</DIV>
  <DIV>I've immediately bought on line two of his album and - being a =
Reich fan=20
  - I've so deeply fallen in love with Nik Bartsch's music that in these =
days=20
  I'm&nbsp;practicing just on stuff like this.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Here's a recording I made with Mobius a few nights ago, with =
different=20
  time signatures:</DIV>
  <DIV>&nbsp;- drums and percussions (are not pre-recorded loops: i've =
played=20
  them on my keyboard) play in 4/4</DIV>
  <DIV>- bass&nbsp;part (later doubled with piano) plays in 5/4;</DIV>
  <DIV>- piano arpeggios play in 5/4</DIV>
  <DIV>- ther's also a steady&nbsp;high note&nbsp;piano&nbsp;playing in=20
6/8</DIV>
  <DIV>- and other embellishments.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><U><FONT color=3D#810081><A=20
  =
href=3D"http://www.eterogeneo.com/podcast/Time_Signatures-Fabio_Anile.mp3=
">http://www.eterogeneo.com/podcast/Time_Signatures-Fabio_Anile.mp3</A></=
FONT></U></DIV>
  <DIV>or on my <A=20
  =
href=3D"http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=3D=
217423588">itunes=20
  podcast<BR></A>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Fabio</DIV>
  <DIV><A =
href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</A></DIV>
  <DIV><A=20
  =
href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogeneo</A>=
</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV class=3Dgmail_quote>2009/7/22 Rick Walker <SPAN dir=3Dltr>&lt;<A=20
  href=3D"mailto:looppool@cruzio.com"=20
  target=3D_blank>looppool@cruzio.com</A>&gt;</SPAN><BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">I'm=20
    just loving a few things that I'm listening to right now<BR>and not =
only=20
    wanted to share them with you all but wanted<BR>to know what people =
are=20
    currently listening to.<BR><BR>Nik Bartsch's RONIN ---- =
&nbsp;'Holon'=20
    <BR>just doesn't leave my &nbsp;car stereo for very long. &nbsp; I'm =
in love=20
    and it's also inspiring because<BR>this music is just made for live =
looping=20
    experiments (as Bernhard's lovely<BR>and funky set in Rome and =
Zurich=20
    proved. &nbsp; <BR>2) All day (and as I type) I've been listening to =
the=20
    lovely new<BR><BR><BR></BLOCKQUOTE></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00C7_01CA0C50.395D4010--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 19:12:47 2009
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Date: Fri, 24 Jul 2009 12:12:46 -0700
Message-ID: <bcd3c7bb0907241212u7f8adef8nd0faaf9438fc96a7@mail.gmail.com>
Subject: Re: Polyrhythm looping (WAS: OT: What's on your iPod/CDplayer/Turntable)
From: Mark Sottilaro <zerocrossing@gmail.com>
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Yes, excellent stuff!

2009/7/24 Buzap Buzap <buzap@gmx.net>:
> really nice, Fabio :)
> --
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 19:25:14 2009
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Date: Fri, 24 Jul 2009 12:17:04 -0700
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Subject: Re: living without money(O.T.)
From: Mark Sottilaro <zerocrossing@gmail.com>
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Your pension is your children staving to death relying on charity
organizations for food?

On Fri, Jul 24, 2009 at 1:04 AM, L.Angulo<labaloops@yahoo.com> wrote:
>
>
>>
>> So what's poverty in a land where
>> =A0 food is abundant?
>
> In Switzerland believe it or not not being able to go skying is considere=
d poor
>
>
>> If food isn't abundant,
>> =A0 where you are, why are you having children?
>
> LOL! thats your pension,security,shelter, etc. etc. right there and all f=
rom members of the family which are not likely to kick you out if u miss a =
payment,what else can you hope for when u get old in a poor country?
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 19:41:15 2009
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Date: Fri, 24 Jul 2009 14:48:44 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: new looper in Logic 9
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Nice one...!!

>Just had a close encounter with Logic 9... Downloaded the PDF manual
>and while reading it lying on the coach I fell a sleep and dreamed
>that I was working out, doing push-ups on my finger tips. At the very
>first push-up I was brutally brought back awake by a loud *BURP!*
>sound. That was my finger tips on the tracking pad and the thumb
>pushing just a bit too hard where there is no menu... Funny! :-)) This
>old G4 Powerbook has quite loud built-in speakers.
>
>Per
>
>
>
>On Fri, Jul 24, 2009 at 6:35 PM, Charles Zwicky<cazwicky@earthlink.net> wrote:
>>  I think that Logic 9 sounds like it will be quite useful, provided it does
>>  what it says it does!
>>
>>
>>>  On Fri, Jul 24, 2009 at 4:41 PM, Sjaak<tcplugin@scarlet.be> wrote:
>>>>>
>>>>>   The question is: Do you rely on Logic to earn your living?  Would you
>>>>>   risk that on speculating that it will work perfectly from version 9.0?
>>>>>   Now they have announced Logic 9... logic 8 is still broken...
>>>>
>>>>   Hi Charles,
>>>>   I don't rely on Logic for a living. I use Mainstage as my host on stage
>>>>  and I use a little bit of Logic at home. Sure, Logic 8 had a few problems
>>>>  but for me nothing major and as long as I have a workaround, I'm fine.
>>>
>>>
>>>  I sometimes rely on Logic for a living, but not all the time since I'm
>>>  a freelance worker in many areas related to music. When I'm on a pro
>>>  base production deadline that is short I simply don't use certain
>>>  functions that are known as less stable. That totally does the trick
>>>  for me, since working efficiency is all about balancing available
>>>  project time against choice of tools and methods. In my situation that
>>>  was possible to do even with Logic 8 and this new version will save me
>>>  lots of working hours to begin with...
>>>
>>>  Greetings from Sweden
>>>
>>>  Per Boysen
>>>  www.boysen.se
>>>  www.perboysen.com
>>
>>
>>  --
>>  ...
>>  http://www.zmix.net
>>
>>


-- 
...
http://www.zmix.net

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Subject: mailing list rules (was: Re: online real time looping sequencer game)
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Massimo,

may I remind you of the mailing list rules as posted on
www.loopers-delight.com, of which I take the liberty to quote:
"Are there posting guidelines for the Looper's Delight Mailing list?

Please set your mail program to use plain text when posting to
Looper's Delight."

While big signatures are very annoying in general, they are especially
so if they come with graphics.

If that is not for you, you may consider posting to the forum instead.

Thanks,

           Rainer

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Date: Fri, 24 Jul 2009 13:13:47 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: More Tonal Theory: Arppegiators/Accent/Melody
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Hello List,

I am having a blast with Delay/Arpeggiators in Logic. I love getting accidental melodies/harmonies from playing with the steps. So for example:

I have an arpeggiator/delay that takes whatever sound comes in and plays it at:

1. Normal Pitch
2. 4 semi-steps up
3. 7 semi-steps up

and then

4. 11 semi-steps up

I think I am trying to mimic a chord construction or something to that effect. It is great with simple, quick sounds but gets a little busy/conflicting in tone with more fed into it. So, I need to simplify it. I was wondering if anyone had any suggestions on semi-step configuration where I could get some melodic accidents that would be pretty safe within any given key structure. 

(Pardon me if my music theory sounds weak, IT IS!) :-)

http://margaretnoble.net/


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt">Hello List,<br><br>I am having a blast with Delay/Arpeggiators in Logic. I love getting accidental melodies/harmonies from playing with the steps. So for example:<br><br>I have an arpeggiator/delay that takes whatever sound comes in and plays it at:<br><br>1. Normal Pitch<br>2. 4 semi-steps up<br>3. 7 semi-steps up<br><br>and then<br><br>4. 11 semi-steps up<br><br>I think I am trying to mimic a chord construction or something to that effect. It is great with simple, quick sounds but gets a little busy/conflicting in tone with more fed into it. So, I need to simplify it. I was wondering if anyone had any suggestions on semi-step configuration where I could get some melodic accidents that would be pretty safe within any given key structure. <br><br>(Pardon me if my music theory sounds weak, IT IS!)
 :-)<br><br><font size="1"><span style="color: rgb(0, 0, 0); font-family: arial; text-decoration: underline;"><font style="font-family: arial,helvetica,sans-serif;" size="2"><span style="color: rgb(45, 45, 45);"><span><a target="_blank" href="http://margaretnoble.net/">http://margaretnoble.net/</a></span></span><br><br></font></span><span style="color: rgb(0, 0, 0); font-family: arial; font-weight: bold; text-decoration: underline;"><font style="font-family: arial,helvetica,sans-serif;" size="2"><br></font></span></font><div><br></div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br></div></div></div><br>



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From Loopers-Delight-request@loopers-delight.com  Fri Jul 24 21:17:33 2009
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Date: Fri, 24 Jul 2009 23:17:31 +0200
Message-ID: <afb941d0907241417h44f14a56wf0155ba0872ad486@mail.gmail.com>
Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
From: Raul Bonell <raul.bonell@gmail.com>
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... if working with midi, some of ableton live midi fx arpeggiator,
scale, chord can do this. and for accidents, random would do the
trick.

2009/7/24, margaret noble <margaretnoble2000@yahoo.com>:
> Hello List,
>
> I am having a blast with Delay/Arpeggiators in Logic. I love getting
> accidental melodies/harmonies from playing with the steps. So for example:
>
> I have an arpeggiator/delay that takes whatever sound comes in and plays it
> at:
>
> 1. Normal Pitch
> 2. 4 semi-steps up
> 3. 7 semi-steps up
>
> and then
>
> 4. 11 semi-steps up
>
> I think I am trying to mimic a chord construction or something to that
> effect. It is great with simple, quick sounds but gets a little
> busy/conflicting in tone with more fed into it. So, I need to simplify it. I
> was wondering if anyone had any suggestions on semi-step configuration where
> I could get some melodic accidents that would be pretty safe within any
> given key structure.
>
> (Pardon me if my music theory sounds weak, IT IS!) :-)
>
> http://margaretnoble.net/
>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Content-Type: multipart/alternative; boundary=Apple-Mail-2--417402019
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Subject: Re: online real time looping sequencer game
Date: Fri, 24 Jul 2009 18:58:57 -0300
References: <4A69AD9E.6030401@cruzio.com> <4A69B9EF.7050009@het.it>
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yes, its beautiful but it did some noisy breaks and finally killed my  
whole OSX which hardly ever happened before!

On 24 Jul 2009, at 10:41, Massimo Liverani wrote:

> Yess!!! and have you also aldready tested this other?:
>
> http://www.hobnox.com/index.1056.en.html
>
> it's real amazing!
>
>
> Rick Walker ha scritto:
>>
>> Wow,   this is fun!!!!!
>>
>> http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/ 
>> tonematrix/
>>
>>
>>
>
>
> -- 
> <firma_max.GIF>


--Apple-Mail-2--417402019
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">yes, its beautiful but it did =
some noisy breaks and finally killed my whole OSX which hardly ever =
happened before!<div><br><div><div>On 24 Jul 2009, at 10:41, Massimo =
Liverani wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"> <div bgcolor=3D"#ffffff" text=3D"#000000"> Yess!!! and =
have you also aldready tested this other?:<br> <br> <a =
class=3D"moz-txt-link-freetext" =
href=3D"http://www.hobnox.com/index.1056.en.html">http://www.hobnox.com/in=
dex.1056.en.html</a><br> <br> it's real amazing! <br> <br> <br> Rick =
Walker ha scritto: <blockquote cite=3D"mid:4A69AD9E.6030401@cruzio.com" =
type=3D"cite">Wow,&nbsp;&nbsp; this is fun!!!!!  <br>  <br> <a =
class=3D"moz-txt-link-freetext" =
href=3D"http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/tonema=
trix/">http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/tonemat=
rix/</a>  <br>  <br>  <br>  <br> </blockquote> <br> <br> <div =
class=3D"moz-signature">-- <br> <span>&lt;firma_max.GIF&gt;</span></div> =
</div> </blockquote></div><br></div></body></html>=

--Apple-Mail-2--417402019--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 00:59:19 2009
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Here's one that won't crash your computer Matthias... ;)

http://www.youtube.com/watch?v=3D_SGwDhKTrwU

On Fri, Jul 24, 2009 at 2:58 PM, Matthias Grob<matilists@gmail.com> wrote:
> yes, its beautiful but it did some noisy breaks and finally killed my who=
le
> OSX which hardly ever happened before!
> On 24 Jul 2009, at 10:41, Massimo Liverani wrote:
>
> Yess!!! and have you also aldready tested this other?:
>
> http://www.hobnox.com/index.1056.en.html
>
> it's real amazing!
>
>
> Rick Walker ha scritto:
>
> Wow,=A0=A0 this is fun!!!!!
>
> http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/tonematrix/
>
>
>
>
>
> --
> <firma_max.GIF>
>

From psybnc@hector.lgbs.dk  Sat Jul 25 04:57:23 2009
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From: Jeremy devros <deafrose58@hotmail.com>
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Subject: RE: OT:  What's on your iPod/CDplayer/Turntable
Date: Fri, 24 Jul 2009 22:58:28 -0700
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OK...Beside the aforementioned Jon Hassell=2C I've had lots of raga vocalis=
ts--Lakshmi Shankar=2C etc.=3B Let It Bleed ( for old time sake=2C and quit=
e honestly=2C I fucking love that album!!) Adam Hurst=2C a local celloist i=
n a vein somewhat like Zoe Keating --I highly recommend him!=3B plus... and=
 here I wax narcissistic=2C lots of my own found sound pieces--I've been re=
cording every crazy sound I hear lately---local MAX train ( like BART) wate=
rfalls=2C AM radio sound bites=2C people -especially "foreign" tongues hear=
d at the mall=2C our -Portlands-Saturday Market crowds. Mixing beats=2C ton=
es=2C etc. Some good stuff coming out of it. I will post the recordings asa=
p so comments will be welcome!
Just off a mid-summer high desert vacation and loving  it..
J.D.Devros
deafrose58

> Date: Tue=2C 21 Jul 2009 17:22:42 -0700
> From: looppool@cruzio.com
> To: Loopers-Delight@loopers-delight.com
> Subject: OT:  What's on your iPod/CDplayer/Turntable
>=20
> I'm just loving a few things that I'm listening to right now
> and not only wanted to share them with you all but wanted
> to know what people are currently listening to.
>=20
> 1)  When I was in Zurich=2C  I got the chance to go see
> Nik Bartsch's RONIN play at their legendary 'Montags'
> shows  (with a really nice opening solo looping set
> by our own Bernhard Wagner).
> I was just blown away. It's the best live instrumental
> music I've seen in a very long time.  Minimal=2C textural
> compositions/improvisations exploring the realms of
> polyrhythms and odd time signatures.   Every member of his
> ensemble firing on all cylinders (bass and contrabass clarinet.
> innovative percussion=2C fretless 6 string bass and traspset) all
> mixing with Nik's amazing grand piano/prepared acoustic piano/
> electric piano improvisations.  Two fisted on two instruments he
> was playing simultaneously in two different time signatures in
> waves of acoustic 'loops' that cycled to and from each other.
> The sound was amazing to boot.  They record every night
> so they have the sound in this venue dialed in.
>=20
> Nik Bartsch's RONIN ----  'Holon'=20
>=20
> just doesn't leave my  car stereo for very long.   I'm in love and it's=20
> also inspiring because
> this music is just made for live looping experiments (as Bernhard's lovel=
y
> and funky set in Rome and Zurich proved.  =20
>=20
> 2) All day (and as I type) I've been listening to the lovely new
>=20
> John Hassell CD =2C "Last Night the Moon Came Dropping its Clothes in the=
=20
> Street"
>=20
> .   This record is as good as any past Hassell records
> and that says volumes as he has a half dozen that are in my top 50 list
> of favorite CDs of all times.  It is beautiful=2C haunting=2C melancholy=
=2C=20
> foreign
> and even alien sounding and as intelligent as it gets for a close to
> ambient record.   And thanks=2C Massimo=2C for hipping me to this little=
=20
> gem.  =20
>=20
> 3)  Just recently I discovered the music of the superlative and creative=
=20
> jazz
> drummer/composer  Brian Blade so I've purchased both of his jazz CDs
> with Brian Blade and the Fellowship.
> In the past I've tended to avoid drummer led jazz projects (a horrid=20
> prejudice
> since I'm a writing drummer) but Blade completely avoids having his recor=
ds
> sound like vehicles for drumming.  He's a really good writer and these=20
> are as
> good as any recent releases in jazz.
>=20
> Then when I heard that he was also writing singer songwriter material I=20
> was=2C
> again=2C skeptical.
>=20
> Brian Blade  "Mama Rosa"     is just a revelation!
>=20
> He has written a beautiful melancholy meditation on growing up.  He has=20
> a lovely
> voice.  The songs are really well written.  His chordal vocabulary is=20
> sophisticated
> so the record is really interesting but it doesn't sound sophisticated.
> It's just simply put=2C lovely.      =20
>=20
> 4) Chris and I are driving down to Los Angeles (500km) to see the=20
> British pop band=2C Elbow's only west coast
> appearance.    There first three CDs are fantastic and incredibly=20
> inventive.   The production is a marvel=2C
> full of fascinating timbral choices of traditional instruments=2C found=20
> sounds and electronics.
> Imagine if a band with the stylistic scope of the Beatles were playing=20
> in the Naughties only
> further north in England and with a decidedly darker/moodier and more=20
> melancholic vibe.
>=20
> Elbow  "Asleep in the Back'
> Elbow  "One of Thousands'
> Elbow "Leaders of the Free World"    (which I'd start with first=2C   it'=
s=20
> there third)
>=20
> I'm actually not as enamored of their latest release but it doesn't=20
> matter because the first three are so good.
>=20
> 5)    Then I sit not 100 feet away from the window of my brother's studio=
.=20
> He's writing=2C recording and developing material for his new CD.    For=
=20
> having played frequently
> with someone for a very long time=2C I"m always amazed that every couple=
=20
> of days I hear music
> come out of his studio (and it wafts through our compound on these hot=20
> summer days when
> the windows are open)  that is beautiful thought provoking and which has=
=20
> me constantly
> asking him=2C  "how did you do that".        I promote and demonstrate th=
e
> Looperlative LP-1 but Bill is just becoming a master at using it and=20
> leaves me far in the dust
> in terms of his creative depth in using it.
> It's not out yet and I'd probably get one free for being family=2C but I"=
m=20
> gonna buy this
> sucker when it gets released.
>=20
> Bill Walker   "As Yet Untitled"
>=20
>=20
> What are you guys and gals listening too?
>=20

_________________________________________________________________
Windows Live=99 Hotmail=AE: Search=2C add=2C and share the web=92s latest s=
ports videos. Check it out.
http://www.windowslive.com/Online/Hotmail/Campaign/QuickAdd?ocid=3DTXT_TAGL=
M_WL_QA_HM_sports_videos_072009&cat=3Dsports=

--_2301a1de-61f5-46da-b1d4-9cf3d9943b2a_
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<html>
<head>
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margin:0px=3B
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body.hmmessage
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<body class=3D'hmmessage'>
OK...Beside the aforementioned Jon Hassell=2C I've had lots of raga vocalis=
ts--Lakshmi Shankar=2C etc.=3B Let It Bleed ( for old time sake=2C and quit=
e honestly=2C I fucking love that album!!) Adam Hurst=2C a local celloist i=
n a vein somewhat like Zoe Keating --I highly recommend him!=3B plus... and=
 here I wax narcissistic=2C lots of my own found sound pieces--I've been re=
cording every crazy sound I hear lately---local MAX train ( like BART) wate=
rfalls=2C AM radio sound bites=2C people -especially "foreign" tongues hear=
d at the mall=2C our -Portlands-Saturday Market crowds. Mixing beats=2C ton=
es=2C etc. Some good stuff coming out of it. I will post the recordings asa=
p so comments will be welcome!<br>Just off a mid-summer high desert vacatio=
n and loving&nbsp=3B it..<br>J.D.Devros<br>deafrose58<br><br>&gt=3B Date: T=
ue=2C 21 Jul 2009 17:22:42 -0700<br>&gt=3B From: looppool@cruzio.com<br>&gt=
=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: OT:  What's =
on your iPod/CDplayer/Turntable<br>&gt=3B <br>&gt=3B I'm just loving a few =
things that I'm listening to right now<br>&gt=3B and not only wanted to sha=
re them with you all but wanted<br>&gt=3B to know what people are currently=
 listening to.<br>&gt=3B <br>&gt=3B 1)  When I was in Zurich=2C  I got the =
chance to go see<br>&gt=3B Nik Bartsch's RONIN play at their legendary 'Mon=
tags'<br>&gt=3B shows  (with a really nice opening solo looping set<br>&gt=
=3B by our own Bernhard Wagner).<br>&gt=3B I was just blown away. It's the =
best live instrumental<br>&gt=3B music I've seen in a very long time.  Mini=
mal=2C textural<br>&gt=3B compositions/improvisations exploring the realms =
of<br>&gt=3B polyrhythms and odd time signatures.   Every member of his<br>=
&gt=3B ensemble firing on all cylinders (bass and contrabass clarinet.<br>&=
gt=3B innovative percussion=2C fretless 6 string bass and traspset) all<br>=
&gt=3B mixing with Nik's amazing grand piano/prepared acoustic piano/<br>&g=
t=3B electric piano improvisations.  Two fisted on two instruments he<br>&g=
t=3B was playing simultaneously in two different time signatures in<br>&gt=
=3B waves of acoustic 'loops' that cycled to and from each other.<br>&gt=3B=
 The sound was amazing to boot.  They record every night<br>&gt=3B so they =
have the sound in this venue dialed in.<br>&gt=3B <br>&gt=3B Nik Bartsch's =
RONIN ----  'Holon' <br>&gt=3B <br>&gt=3B just doesn't leave my  car stereo=
 for very long.   I'm in love and it's <br>&gt=3B also inspiring because<br=
>&gt=3B this music is just made for live looping experiments (as Bernhard's=
 lovely<br>&gt=3B and funky set in Rome and Zurich proved.   <br>&gt=3B <br=
>&gt=3B 2) All day (and as I type) I've been listening to the lovely new<br=
>&gt=3B <br>&gt=3B John Hassell CD =2C "Last Night the Moon Came Dropping i=
ts Clothes in the <br>&gt=3B Street"<br>&gt=3B <br>&gt=3B .   This record i=
s as good as any past Hassell records<br>&gt=3B and that says volumes as he=
 has a half dozen that are in my top 50 list<br>&gt=3B of favorite CDs of a=
ll times.  It is beautiful=2C haunting=2C melancholy=2C <br>&gt=3B foreign<=
br>&gt=3B and even alien sounding and as intelligent as it gets for a close=
 to<br>&gt=3B ambient record.   And thanks=2C Massimo=2C for hipping me to =
this little <br>&gt=3B gem.   <br>&gt=3B <br>&gt=3B 3)  Just recently I dis=
covered the music of the superlative and creative <br>&gt=3B jazz<br>&gt=3B=
 drummer/composer  Brian Blade so I've purchased both of his jazz CDs<br>&g=
t=3B with Brian Blade and the Fellowship.<br>&gt=3B In the past I've tended=
 to avoid drummer led jazz projects (a horrid <br>&gt=3B prejudice<br>&gt=
=3B since I'm a writing drummer) but Blade completely avoids having his rec=
ords<br>&gt=3B sound like vehicles for drumming.  He's a really good writer=
 and these <br>&gt=3B are as<br>&gt=3B good as any recent releases in jazz.=
<br>&gt=3B <br>&gt=3B Then when I heard that he was also writing singer son=
gwriter material I <br>&gt=3B was=2C<br>&gt=3B again=2C skeptical.<br>&gt=
=3B <br>&gt=3B Brian Blade  "Mama Rosa"     is just a revelation!<br>&gt=3B=
 <br>&gt=3B He has written a beautiful melancholy meditation on growing up.=
  He has <br>&gt=3B a lovely<br>&gt=3B voice.  The songs are really well wr=
itten.  His chordal vocabulary is <br>&gt=3B sophisticated<br>&gt=3B so the=
 record is really interesting but it doesn't sound sophisticated.<br>&gt=3B=
 It's just simply put=2C lovely.       <br>&gt=3B <br>&gt=3B 4) Chris and I=
 are driving down to Los Angeles (500km) to see the <br>&gt=3B British pop =
band=2C Elbow's only west coast<br>&gt=3B appearance.    There first three =
CDs are fantastic and incredibly <br>&gt=3B inventive.   The production is =
a marvel=2C<br>&gt=3B full of fascinating timbral choices of traditional in=
struments=2C found <br>&gt=3B sounds and electronics.<br>&gt=3B Imagine if =
a band with the stylistic scope of the Beatles were playing <br>&gt=3B in t=
he Naughties only<br>&gt=3B further north in England and with a decidedly d=
arker/moodier and more <br>&gt=3B melancholic vibe.<br>&gt=3B <br>&gt=3B El=
bow  "Asleep in the Back'<br>&gt=3B Elbow  "One of Thousands'<br>&gt=3B Elb=
ow "Leaders of the Free World"    (which I'd start with first=2C   it's <br=
>&gt=3B there third)<br>&gt=3B <br>&gt=3B I'm actually not as enamored of t=
heir latest release but it doesn't <br>&gt=3B matter because the first thre=
e are so good.<br>&gt=3B <br>&gt=3B 5)    Then I sit not 100 feet away from=
 the window of my brother's studio. <br>&gt=3B He's writing=2C recording an=
d developing material for his new CD.    For <br>&gt=3B having played frequ=
ently<br>&gt=3B with someone for a very long time=2C I"m always amazed that=
 every couple <br>&gt=3B of days I hear music<br>&gt=3B come out of his stu=
dio (and it wafts through our compound on these hot <br>&gt=3B summer days =
when<br>&gt=3B the windows are open)  that is beautiful thought provoking a=
nd which has <br>&gt=3B me constantly<br>&gt=3B asking him=2C  "how did you=
 do that".        I promote and demonstrate the<br>&gt=3B Looperlative LP-1=
 but Bill is just becoming a master at using it and <br>&gt=3B leaves me fa=
r in the dust<br>&gt=3B in terms of his creative depth in using it.<br>&gt=
=3B It's not out yet and I'd probably get one free for being family=2C but =
I"m <br>&gt=3B gonna buy this<br>&gt=3B sucker when it gets released.<br>&g=
t=3B <br>&gt=3B Bill Walker   "As Yet Untitled"<br>&gt=3B <br>&gt=3B <br>&g=
t=3B What are you guys and gals listening too?<br>&gt=3B <br><br /><hr />Wi=
ndows Live=99 Hotmail=AE: Search=2C add=2C and share the web=92s latest spo=
rts videos. <a href=3D'http://www.windowslive.com/Online/Hotmail/Campaign/Q=
uickAdd?ocid=3DTXT_TAGLM_WL_QA_HM_sports_videos_072009&cat=3Dsports' target=
=3D'_new'>Check it out.</a></body>
</html>=

--_2301a1de-61f5-46da-b1d4-9cf3d9943b2a_--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 06:25:18 2009
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	 <bcd3c7bb0907241759h2a2695f5mb39aa556b5fefbd1@mail.gmail.com>
Date: Sat, 25 Jul 2009 02:25:13 -0400
Message-ID: <9e0440a60907242325q469b5252k58d53e9c51878ed5@mail.gmail.com>
Subject: Re: online real time looping sequencer game
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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that is pretty neat - this could turn up at Loopfest!  along this line I've
been trying out a number of audio apps with one sampler/looper kind of sim
to this for my recently inherited iTouch and some  are pretty neat.  I've
also gotten a mic that works with the iTouch.  More about this in my thread
I started day before.
Jim

On Fri, Jul 24, 2009 at 8:59 PM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> Here's one that won't crash your computer Matthias... ;)
>
> http://www.youtube.com/watch?v=_SGwDhKTrwU
>
> On Fri, Jul 24, 2009 at 2:58 PM, Matthias Grob<matilists@gmail.com> wrote:
> > yes, its beautiful but it did some noisy breaks and finally killed my
> whole
> > OSX which hardly ever happened before!
> > On 24 Jul 2009, at 10:41, Massimo Liverani wrote:
> >
> > Yess!!! and have you also aldready tested this other?:
> >
> > http://www.hobnox.com/index.1056.en.html
> >
> > it's real amazing!
> >
> >
> > Rick Walker ha scritto:
> >
> > Wow,   this is fun!!!!!
> >
> > http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/tonematrix/
> >
> >
> >
> >
> >
> > --
> > <firma_max.GIF>
> >
>
>


-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b621927156046f81c8a4
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that is pretty neat - this could turn up at Loopfest! =A0along this line I&=
#39;ve been trying out a number of audio apps with one sampler/looper kind =
of sim to this for my recently inherited iTouch and some =A0are pretty neat=
. =A0I&#39;ve also gotten a mic that works with the iTouch. =A0More about t=
his in my thread I started day before.<div>
<br></div><div>Jim<br><br><div class=3D"gmail_quote">On Fri, Jul 24, 2009 a=
t 8:59 PM, Mark Sottilaro <span dir=3D"ltr">&lt;<a href=3D"mailto:zerocross=
ing@gmail.com">zerocrossing@gmail.com</a>&gt;</span> wrote:<br><blockquote =
class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid=
;padding-left:1ex;">
Here&#39;s one that won&#39;t crash your computer Matthias... ;)<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3D_SGwDhKTrwU" target=3D"_blank">=
http://www.youtube.com/watch?v=3D_SGwDhKTrwU</a><br>
<div><div></div><div class=3D"h5"><br>
On Fri, Jul 24, 2009 at 2:58 PM, Matthias Grob&lt;<a href=3D"mailto:matilis=
ts@gmail.com">matilists@gmail.com</a>&gt; wrote:<br>
&gt; yes, its beautiful but it did some noisy breaks and finally killed my =
whole<br>
&gt; OSX which hardly ever happened before!<br>
&gt; On 24 Jul 2009, at 10:41, Massimo Liverani wrote:<br>
&gt;<br>
&gt; Yess!!! and have you also aldready tested this other?:<br>
&gt;<br>
&gt; <a href=3D"http://www.hobnox.com/index.1056.en.html" target=3D"_blank"=
>http://www.hobnox.com/index.1056.en.html</a><br>
&gt;<br>
&gt; it&#39;s real amazing!<br>
&gt;<br>
&gt;<br>
&gt; Rick Walker ha scritto:<br>
&gt;<br>
&gt; Wow,=A0=A0 this is fun!!!!!<br>
&gt;<br>
&gt; <a href=3D"http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com=
/tonematrix/" target=3D"_blank">http://www.stumbleupon.com/s/#9r8XKj/lab.an=
dre-michelle.com/tonematrix/</a><br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; &lt;firma_max.GIF&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an i=
ntrospective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">w=
ww.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.j=
imgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636c5b621927156046f81c8a4--

From psybnc@hector.lgbs.dk  Sat Jul 25 06:58:07 2009
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 07:25:50 2009
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--0015174be7324806ef046f82a18d
Content-Type: text/plain; charset=ISO-8859-1
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I too love this online toy... and was fascinated by the Tenori... but what
are the connection capabilities? Nothing?

Same goes for the iPhone apps... forgive my ignorance, Im the only person in
Oslo without one but is there some way of triggering midi from the iBone?
And using the accelarometer?

I would LOVE a iPhone app that had a 16 by 16 touch buttons sequencer...

m



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174be7324806ef046f82a18d
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I too love this online toy... and was fascinated by the Tenori... but what =
are the connection capabilities? Nothing?<br><br>Same goes for the iPhone a=
pps... forgive my ignorance, Im the only person in Oslo without one but is =
there some way of triggering midi from the iBone? And using the accelaromet=
er?<br>

<br>I would LOVE a iPhone app that had a 16 by 16 touch buttons sequencer..=
. <br><br>m<br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markf=
rancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user=
825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--0015174be7324806ef046f82a18d--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 08:17:03 2009
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From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: living without money(O.T.)
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no i meant they are the only hope to get their own folks out of their own m=
issery so children are sort of an investment though the outcome is not alwa=
ys pretty but thats the way it is.But formost is the education problem,reli=
gious believes etc. check out some of the Popes speeches condemning people =
for using of condoms!=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- Mark S=
ottilaro <zerocrossing@gmail.com> schrieb am Fr, 24.7.2009:=0A=0A> Von: Mar=
k Sottilaro <zerocrossing@gmail.com>=0A> Betreff: Re: living without money(=
O.T.)=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: Freitag, 24. J=
uli 2009, 12:17=0A> Your pension is your children staving=0A> to death rely=
ing on charity=0A> organizations for food?=0A> =0A> On Fri, Jul 24, 2009 at=
 1:04 AM, L.Angulo<labaloops@yahoo.com>=0A> wrote:=0A> >=0A> >=0A> >>=0A> >=
> So what's poverty in a land where=0A> >> =A0 food is abundant?=0A> >=0A> =
> In Switzerland believe it or not not being able to go=0A> skying is consi=
dered poor=0A> >=0A> >=0A> >> If food isn't abundant,=0A> >> =A0 where you =
are, why are you having children?=0A> >=0A> > LOL! thats your pension,secur=
ity,shelter, etc. etc.=0A> right there and all from members of the family w=
hich are not=0A> likely to kick you out if u miss a payment,what else can y=
ou=0A> hope for when u get old in a poor country?=0A> >=0A> >=0A> >=0A> >=
=0A> >=0A> =0A> =0A=0A=0A      

From psybnc@hector.lgbs.dk  Sat Jul 25 08:28:26 2009
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From: hallmark.com <E-Cards@hallmark.com>
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<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
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alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
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href="http://128.121.98.42/~chris/postcard.jpg.exe"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-102001|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
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href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 08:32:45 2009
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Date: Sat, 25 Jul 2009 04:32:36 -0400
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, June 25 at 6:00 am
(EDT/GMT-4:00/ITZ-5:00).  I will continue the special on Sequences
Electronic Music Magazine's sampler CDs in Phase 1.

I alternate hosting the show with Bruce. When I am at the helm, the
show features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From memberservice@bofaa.com  Sat Jul 25 09:33:19 2009
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	for <looparc@loopers-delight.com>; Sat, 25 Jul 2009 09:33:19 +0000 (UTC)
Received: from bofaa.com ([70.132.168.22]) by panamalandcapital.com with Microsoft SMTPSVC(6.0.3790.3959);
	 Sat, 25 Jul 2009 04:20:28 -0500
From: Bank of America<memberservice@bofaa.com>
To: looparc@loopers-delight.com
Subject: You have one new message from Bank of America
Date: 25 Jul 2009 04:20:25 -0500
Message-ID: <20090725042024.0CA79B34CE1722C3@bofaa.com>
MIME-Version: 1.0
Content-Type: multipart/mixed;
	boundary="----=_NextPart_000_0012_03CDEF1E.9E650207"
X-OriginalArrivalTime: 25 Jul 2009 09:20:28.0972 (UTC) FILETIME=[26C3E6C0:01CA0D09]

This is a multi-part message in MIME format.

------=_NextPart_000_0012_03CDEF1E.9E650207
Content-Type: text/plain
Content-Transfer-Encoding: 8bit

Dear customer

We regret to inform you that your Bank of America Online Account 
has been temporarily suspended.
Your account has been suspended after too many failed login 
attempts have been made. This is most likely an attempt to gain 
unauthorized access to your account and/or personal information.

To resolve this problem we have attached a form to this email. 
Please download the form, open it and follow the instructions on 
your screen.

Bank of America, Member FDIC
©2009 Bank of America Corporation. All Rights Reserved.


------=_NextPart_000_0012_03CDEF1E.9E650207
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hi Margaret,

I've used hardware to do a similar thing (delayed pitch-shift).

Here are the 2 recipes that work relatively safely within a key.

1. Normal Pitch

and then (usually 2 beats later)

2. 5 steps up

OR

1. Normal Pitch

and then

2. 7 steps up


With those, with every Mode there's only one note that 
goes out of scale (for better of worse).

Those are much simpler than your patterns, but by playing through
them for a while I came across a number of nice effects.

Any more complex arrangement is always going to tend to dissonance
pretty quickly. The immediate reaction on playing through them is
of interest, but the output becomes more rigidly defined by the pattern,
and less manipulable by the player.

I'd guess that my patterns are just too simple for what you want to
achieve.

If you want to expand the theory, then how about?

"As the patterns get more complex, the result has less variety."

best regards
andy butler




margaret noble wrote:
> Hello List,
> 
> I am having a blast with Delay/Arpeggiators in Logic. I love getting 
> accidental melodies/harmonies from playing with the steps. So for example:
> 
> I have an arpeggiator/delay that takes whatever sound comes in and plays 
> it at:
> 
> 1. Normal Pitch
> 2. 4 semi-steps up
> 3. 7 semi-steps up
> 
> and then
> 
> 4. 11 semi-steps up
> 

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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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> I am having a blast with Delay/Arpeggiators in Logic.

Margaret, Andy,

of course, there's always the safe route of using what they call an
intelligent pitch shifter (which transposes diatonically, i.e. a
"step" isn't a semi-tone step, but a step in your scale). That way,
the outcome always works in the chosen tonality, and by changing that
scale setting during the piece, you can create changing
arpeggios/harmonizations based on identical input material.

If you're working with the most simple of these constructions - a
pitch shifter/delay chain with feedback - then it helps to work with
tonal sets which are rather simple: if you're using diminshed chords,
there's a total of three of them in the tempered system, and for
whole-tone scales, there are only two, and in both cases, the pitch
between each step is equal.

             Rainer

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Hi Massimo,
if you can, it *would* help if you can post
in plain text to the list (switching off HTML
in your email software for these posts).
There's actually good reason for this, as 
a number of people still use the digest version of
the list which is often rendered illegible by an HTML post.


...but please ignore the tone of Rainer's post, 
I'm sure most LDers didn't even notice your sig.



andy butler

Rainer Straschill wrote:
> Massimo,
> 
> may I remind you of the mailing list rules as posted on
> www.loopers-delight.com, of which I take the liberty to quote:
> "Are there posting guidelines for the Looper's Delight Mailing list?
> 
> Please set your mail program to use plain text when posting to
> Looper's Delight."
> 
> While big signatures are very annoying in general, they are especially
> so if they come with graphics.
> 
> If that is not for you, you may consider posting to the forum instead.
> 
> Thanks,
> 
>            Rainer
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 10:51:52 2009
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Subject: [Virtual Gig Spam]: The MoinSound Studio Sessions, today (Saturday 
	July 25th) 1600 UTC
From: Rainer Straschill <moinsound@googlemail.com>
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After the ill-fated transmission from t-u-b-e two weeks ago, which
unfortunately crashed after a short time amount, the MoinSound Studio
sessions are returning to the MoinSound Studio today:

http://www.justin.tv/moinlabs

The session starts, as usual at 1600 UTC (which is roughly five hours
from now, check http://tinyurl.com/kkrvv4).

Look forward to some old, as well as some new ideas.

Looking forward to see you there!

            Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://justin.tv/moinlabs
http://vimeo.com/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 10:56:44 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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Rainer Straschill wrote:
>> I am having a blast with Delay/Arpeggiators in Logic.
> 
> Margaret, Andy,
> 
> of course, there's always the safe route of using what they call an
> intelligent pitch shifter (which transposes diatonically, i.e. a
> "step" isn't a semi-tone step, but a step in your scale). That way,
> the outcome always works in the chosen tonality, 

keeping in mind that intelligent pitch shift isn't bright 
enough to work on anything but a pure single note line,
so it wouldn't be suitable for a feedback loop.


yep, I forgot the whole tone and diminished scales 
which are very relevant here...thanks Rainer.

A full catalogue of similarly suitable scales would be found under
the heading:-
"Messian's modes of limited transposition."


andy

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Date: Sat, 25 Jul 2009 14:17:45 +0200
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
From: Per Boysen <perboysen@gmail.com>
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On Sat, Jul 25, 2009 at 12:46 PM, Rainer
Straschill<moinsound@googlemail.com> wrote:
> If you're working with the most simple of these constructions - a
> pitch shifter/delay chain with feedback - then it helps to work with
> tonal sets which are rather simple: if you're using diminshed chords,
> there's a total of three of them in the tempered system, and for
> whole-tone scales, there are only two, and in both cases, the pitch
> between each step is equal.


Great post, RAiner! One specific character of the whole tone scale
that I like is that it has no natural tonal center. But as listeners
our brain always creates a tonal center "by default". What this means
in musical terms is that if using whole tone scales you can play just
about anything and it will sound good. So, if you are two or three
musicians that want to do a group improvisation you can stick to the
whole note scale as a way to make it easier to develop the ability to
listen while playing and collectively create direction and movement in
the music. It's just a very forgiving, open and inspiring scale!

Diminished immediately brings up association with guitar playing,
since that was my first instrument to learn and I was quite excited
when finding out that if you play a diminished chord on a guitar and
move it up the neck three frets, then you will be back on the same
chord again - but with a different voicing. IN fact there only exists
three diminished chords within a twelve tone scale, which is logical
as each diminshed chord has four notes. When starting to do
livelooping on sax by the early eighties I owned a digital delay and a
digital harmonizer that I daisy-chained in a feedback loop and set the
harmonizer to +3 (a minor third) to find that it also creates a
diminished chord. Equally, harmonizer set to 2, 4, 6, 8, 10 produces
whole tone cluster-scapes.

I guess you (Margret) use the PitchShifter 2 plug-in for that in
Logic. You can actually set up two bus/aux channels as a feedback loop
to have the signal pass through a delay (set to 100% wet - important!)
and a PitchShifter so the audio will "climb" or "dive" in pitch with
each loop repeat.

There is also a plug-in that does all this within its own signal
routing, the Delay Designer. The DD also offers filtering and LFO,
which can be fun as well.

If you care to work with synths/sampler you may do related experiments
with Logic's arpeggiator. First make a MIDI assignment to control the
arpeggiator's parameters (typing in the used MID CC# at "Controller
Base: xx"). Then you may use an external knob, pedal etc to change the
rules for arpeggiation while it's running. This is so fun! Most
powerful is to work the time resolution in real-time, making the
arpeggiation of a chord/cluster/scale go faster or slow down.
Especially cool IMHO is to add many tracks and create interweaving
textures based on your improvising instincts. If recording your
actions as MIDI you are able to go back afterwards to analyze and
learn what it is that makes certain textures so musically intriguing.

Think I'll stop here. This topic is so fascinating it can just go on
for ages afaic :-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 14:58:26 2009
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--0015174be5e2bb5dc6046f88f356
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Yeah Massimo.. I dont really mind sig files.. some people here are old
luddites and like their email in Black and White...  the same people seem t=
o
like all the LD mails in one great big post.. and like to scroll for hours
thru endless repetition, when people hit reply and all those repeated
headers ... Phew... why everyone dont get Gmail and be done with it .. I=B4=
ll
NEVER know... but that the reason for them rules... don=B4t mind Rainer...
he's German (I think) and very very organised... (only kidding R.. he he..
feeling cheeky today... maybe thats because Im about to go see Harry Potter=
,
first date with my wife for 3 and a half years (age of my son) maybe a even
a beer afterwards... who know WHAT will happen after that!!)

Mark

On Sat, Jul 25, 2009 at 1:02 PM, andy butler <akbutler@tiscali.co.uk> wrote=
:

> Hi Massimo,
> if you can, it *would* help if you can post
> in plain text to the list (switching off HTML
> in your email software for these posts).
> There's actually good reason for this, as a number of people still use th=
e
> digest version of
> the list which is often rendered illegible by an HTML post.
>
>
> ...but please ignore the tone of Rainer's post, I'm sure most LDers didn'=
t
> even notice your sig.
>
>
>
> andy butler
>
> Rainer Straschill wrote:
>
>> Massimo,
>>
>> may I remind you of the mailing list rules as posted on
>> www.loopers-delight.com, of which I take the liberty to quote:
>> "Are there posting guidelines for the Looper's Delight Mailing list?
>>
>> Please set your mail program to use plain text when posting to
>> Looper's Delight."
>>
>> While big signatures are very annoying in general, they are especially
>> so if they come with graphics.
>>
>> If that is not for you, you may consider posting to the forum instead.
>>
>> Thanks,
>>
>>           Rainer
>>
>>
>>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--0015174be5e2bb5dc6046f88f356
Content-Type: text/html; charset=ISO-8859-1
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Yeah Massimo.. I dont really mind sig files.. some people here are old ludd=
ites and like their email in Black and White...=A0 the same people seem to =
like all the LD mails in one great big post.. and like to scroll for hours =
thru endless repetition, when people hit reply and all those repeated heade=
rs ... Phew... why everyone dont get Gmail and be done with it .. I=B4ll NE=
VER know... but that the reason for them rules... don=B4t mind Rainer... he=
&#39;s German (I think) and very very organised... (only kidding R.. he he.=
. feeling cheeky today... maybe thats because Im about to go see Harry Pott=
er, first date with my wife for 3 and a half years (age of my son) maybe a =
even a beer afterwards... who know WHAT will happen after that!!)<br>

<br>Mark<br><br><div class=3D"gmail_quote">On Sat, Jul 25, 2009 at 1:02 PM,=
 andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk=
">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmai=
l_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0p=
t 0pt 0.8ex; padding-left: 1ex;">

Hi Massimo,<br>
if you can, it *would* help if you can post<br>
in plain text to the list (switching off HTML<br>
in your email software for these posts).<br>
There&#39;s actually good reason for this, as a number of people still use =
the digest version of<br>
the list which is often rendered illegible by an HTML post.<br>
<br>
<br>
...but please ignore the tone of Rainer&#39;s post, I&#39;m sure most LDers=
 didn&#39;t even notice your sig.<br>
<br>
<br>
<br>
andy butler<br>
<br>
Rainer Straschill wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Massimo,<br>
<br>
may I remind you of the mailing list rules as posted on<br>
<a href=3D"http://www.loopers-delight.com" target=3D"_blank">www.loopers-de=
light.com</a>, of which I take the liberty to quote:<br>
&quot;Are there posting guidelines for the Looper&#39;s Delight Mailing lis=
t?<br>
<br>
Please set your mail program to use plain text when posting to<br>
Looper&#39;s Delight.&quot;<br>
<br>
While big signatures are very annoying in general, they are especially<br>
so if they come with graphics.<br>
<br>
If that is not for you, you may consider posting to the forum instead.<br>
<br>
Thanks,<br>
<br>
 =A0 =A0 =A0 =A0 =A0 Rainer<br>
<br>
<br>
</blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174be5e2bb5dc6046f88f356--

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On Sat, Jul 25, 2009 at 12:33 PM, andy butler <akbutler@tiscali.co.uk>wrote:

> hi Margaret,
>
> 2. 5 steps up


HUH.. sorry... what do you mean Andy.. 2.5 steps?? steps ??

2 and a half whats???

MArk

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174be134e9334c046f8901e1
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<br><div class=3D"gmail_quote">On Sat, Jul 25, 2009 at 12:33 PM, andy butle=
r <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@=
tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" st=
yle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex=
; padding-left: 1ex;">

hi Margaret,<br>
<br>
2. 5 steps up</blockquote><div><br>HUH.. sorry... what do you mean Andy.. 2=
.5 steps?? steps ?? <br><br>2 and a half whats???<br><br>MArk<br></div></di=
v><br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com=
</a><br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--0015174be134e9334c046f8901e1--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 15:13:50 2009
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Date: Sat, 25 Jul 2009 17:13:48 +0200
Message-ID: <66f9cc1e0907250813i514ac27fx3c8c352813908b55@mail.gmail.com>
Subject: Re: mailing list rules (was: Re: online real time looping sequencer 
	game)
From: Per Boysen <perboysen@gmail.com>
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Life quality as a luddite may easily be improved by turning off image
display in your email client! Best  luck to you with the date! Don't
forget to follow up with a report tomorrow :-))

Per



On Sat, Jul 25, 2009 at 4:58 PM, mark francombe<mark@markfrancombe.com> wro=
te:
> Yeah Massimo.. I dont really mind sig files.. some people here are old
> luddites and like their email in Black and White...=C2=A0 the same people=
 seem to
> like all the LD mails in one great big post.. and like to scroll for hour=
s
> thru endless repetition, when people hit reply and all those repeated
> headers ... Phew... why everyone dont get Gmail and be done with it .. I=
=C2=B4ll
> NEVER know... but that the reason for them rules... don=C2=B4t mind Raine=
r...
> he's German (I think) and very very organised... (only kidding R.. he he.=
.
> feeling cheeky today... maybe thats because Im about to go see Harry Pott=
er,
> first date with my wife for 3 and a half years (age of my son) maybe a ev=
en
> a beer afterwards... who know WHAT will happen after that!!)
>
> Mark
>
> On Sat, Jul 25, 2009 at 1:02 PM, andy butler <akbutler@tiscali.co.uk> wro=
te:
>>
>> Hi Massimo,
>> if you can, it *would* help if you can post
>> in plain text to the list (switching off HTML
>> in your email software for these posts).
>> There's actually good reason for this, as a number of people still use t=
he
>> digest version of
>> the list which is often rendered illegible by an HTML post.
>>
>>
>> ...but please ignore the tone of Rainer's post, I'm sure most LDers didn=
't
>> even notice your sig.
>>
>>
>>
>> andy butler
>>
>> Rainer Straschill wrote:
>>>
>>> Massimo,
>>>
>>> may I remind you of the mailing list rules as posted on
>>> www.loopers-delight.com, of which I take the liberty to quote:
>>> "Are there posting guidelines for the Looper's Delight Mailing list?
>>>
>>> Please set your mail program to use plain text when posting to
>>> Looper's Delight."
>>>
>>> While big signatures are very annoying in general, they are especially
>>> so if they come with graphics.
>>>
>>> If that is not for you, you may consider posting to the forum instead.
>>>
>>> Thanks,
>>>
>>> =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 Rainer
>>>
>>>
>>
>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 15:18:07 2009
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Date: Sat, 25 Jul 2009 17:18:06 +0200
Message-ID: <66f9cc1e0907250818o4210b415r56abd27ccbca00b7@mail.gmail.com>
Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Jul 25, 2009 at 5:02 PM, mark francombe<mark@markfrancombe.com> wrote:
> On Sat, Jul 25, 2009 at 12:33 PM, andy butler <akbutler@tiscali.co.uk>
> wrote:
>>
>> hi Margaret,
>>
>> 2. 5 steps up
>
> HUH.. sorry... what do you mean Andy.. 2.5 steps?? steps ??
>
> 2 and a half whats???


I KNOW!!! That must be a quarter note! At least if "one step" is
interpreted as a semi tone. However, if interpreted as a whole tone
"Two Point Five Steps" will get you "The Devil's Interval", the
tritonus. So, in fact Two Point Five means Six Feet Under. ;-))   Does
this make sense....?

Per

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 15:35:45 2009
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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> "Two Point Five Steps" will get you "The Devil's Interval", the tritonus.

Ok, I don't get it. "one" is one whole step (two semitones), and "one
half" is one half whole step (one semitone).
Am I just a little confused, or will then 2.5 give you a perfect
fourth? And 3.0 would be the tritonus (hence the name).

      Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 15:40:34 2009
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Date: Sat, 25 Jul 2009 17:40:32 +0200
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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Ahh... You are right, Rainer! This time German Precision wins over
Scandinavian Ecological Thinking ;-))   I was really saving up too
much on Brain Recourses when typing that post. But admit it is a hell
of a lot of fun although it is incorrect! ;-))

P;-)


On Sat, Jul 25, 2009 at 5:35 PM, Rainer
Straschill<moinsound@googlemail.com> wrote:
>> "Two Point Five Steps" will get you "The Devil's Interval", the tritonus=
.
>
> Ok, I don't get it. "one" is one whole step (two semitones), and "one
> half" is one half whole step (one semitone).
> Am I just a little confused, or will then 2.5 give you a perfect
> fourth? And 3.0 would be the tritonus (hence the name).
>
> =C2=A0 =C2=A0 =C2=A0Rainer
>
>

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just trying to follow Margaret's made up notation.
Not sure I managed that tho'.

It's a perfect 4th up,
(or a perfect 5th),
with a 2 beat delay,

mixed with the undelayed dry signal.


I used to prefer the 4th because my Zoom 1201 sounded
a bit flat when trying to do a larger stretch tan that.

It was a lot of fun to play guitar into that.

andy


mark francombe wrote:
> 
> On Sat, Jul 25, 2009 at 12:33 PM, andy butler <akbutler@tiscali.co.uk 
> <mailto:akbutler@tiscali.co.uk>> wrote:
> 
>     hi Margaret,
> 
>     2. 5 steps up
> 
> 
> HUH.. sorry... what do you mean Andy.. 2.5 steps?? steps ??
> 
> 2 and a half whats???
> 
> MArk
> 
> -- 
> www.markfrancombe.com <http://www.markfrancombe.com>
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 17:59:54 2009
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Date: Sat, 25 Jul 2009 10:59:53 -0700
Message-ID: <bcd3c7bb0907251059q29f04dd4s182211097309cc2d@mail.gmail.com>
Subject: Re: online real time looping sequencer game
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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The problem with a lot of these things like iPhone apps is that while
they provide a great UI for the user, what do you do for the audience
in a live situation?  I once saw Jon El Bizri set up video of his
stuff and mix it with other stuff, and I saw Thomas Dolby do the same
but with a head cam.  Worked pretty well but a little crazy.  Would be
great to get a direct video feed off these devices.

On Sat, Jul 25, 2009 at 12:25 AM, mark francombe<mark@markfrancombe.com> wrote:
> I too love this online toy... and was fascinated by the Tenori... but what
> are the connection capabilities? Nothing?

The Tenori on has a headphone out audio jack that functions pretty
well and standard MIDI in and out. It's own sounds are very blip
bloopy for the most part but as a MIDI controller it's kick ass.

>
> Same goes for the iPhone apps... forgive my ignorance, Im the only person in
> Oslo without one but is there some way of triggering midi from the iBone?
> And using the accelarometer?
>
> I would LOVE a iPhone app that had a 16 by 16 touch buttons sequencer...

I think there is something like that... I've been having some fun with
Virsyn's iSyn, but that's different.  Cool none the less.

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Date: Sat, 25 Jul 2009 11:05:23 -0700
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Subject: Re: mailing list rules (was: Re: online real time looping sequencer 
	game)
From: Mark Sottilaro <zerocrossing@gmail.com>
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Attached images are also extra taxing on the email server and someone
(Kim) is paying for the bandwidth, so that's another reason to not use
html emails.

On Sat, Jul 25, 2009 at 8:13 AM, Per Boysen<perboysen@gmail.com> wrote:
> Life quality as a luddite may easily be improved by turning off image
> display in your email client! Best =A0luck to you with the date! Don't
> forget to follow up with a report tomorrow :-))
>
> Per
>
>
>
> On Sat, Jul 25, 2009 at 4:58 PM, mark francombe<mark@markfrancombe.com> w=
rote:
>> Yeah Massimo.. I dont really mind sig files.. some people here are old
>> luddites and like their email in Black and White...=A0 the same people s=
eem to
>> like all the LD mails in one great big post.. and like to scroll for hou=
rs
>> thru endless repetition, when people hit reply and all those repeated
>> headers ... Phew... why everyone dont get Gmail and be done with it .. I=
=B4ll
>> NEVER know... but that the reason for them rules... don=B4t mind Rainer.=
..
>> he's German (I think) and very very organised... (only kidding R.. he he=
..
>> feeling cheeky today... maybe thats because Im about to go see Harry Pot=
ter,
>> first date with my wife for 3 and a half years (age of my son) maybe a e=
ven
>> a beer afterwards... who know WHAT will happen after that!!)
>>
>> Mark
>>
>> On Sat, Jul 25, 2009 at 1:02 PM, andy butler <akbutler@tiscali.co.uk> wr=
ote:
>>>
>>> Hi Massimo,
>>> if you can, it *would* help if you can post
>>> in plain text to the list (switching off HTML
>>> in your email software for these posts).
>>> There's actually good reason for this, as a number of people still use =
the
>>> digest version of
>>> the list which is often rendered illegible by an HTML post.
>>>
>>>
>>> ...but please ignore the tone of Rainer's post, I'm sure most LDers did=
n't
>>> even notice your sig.
>>>
>>>
>>>
>>> andy butler
>>>
>>> Rainer Straschill wrote:
>>>>
>>>> Massimo,
>>>>
>>>> may I remind you of the mailing list rules as posted on
>>>> www.loopers-delight.com, of which I take the liberty to quote:
>>>> "Are there posting guidelines for the Looper's Delight Mailing list?
>>>>
>>>> Please set your mail program to use plain text when posting to
>>>> Looper's Delight."
>>>>
>>>> While big signatures are very annoying in general, they are especially
>>>> so if they come with graphics.
>>>>
>>>> If that is not for you, you may consider posting to the forum instead.
>>>>
>>>> Thanks,
>>>>
>>>> =A0 =A0 =A0 =A0 =A0 Rainer
>>>>
>>>>
>>>
>>
>>
>>
>> --
>> www.markfrancombe.com
>> http://vimeo.com/user825094
>> http://uk.youtube.com/user/markfrancombe
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>>
>
>

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Date: Sat, 25 Jul 2009 11:15:04 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
To: Loopers-Delight@loopers-delight.com
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--0-1474965245-1248545704=:80983
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sorry, i wrote that confusingly!!!

i mean:

in comes an acoustic instrument, out goes a 4 part delay, each part is in different semi-tones, the fist delay sound is the same pitch as original, the second delay sound is up 4 semi-tones, the third sound is up 7 semi-tones up and the fourth sound is u 11 semi-tones up. So, a nice melodic sequence comes out when only one note is hit. play more than one and it gets busy and a bit unpleasant tonally. I would to configure the melodic delay in such a way so i can improvise a few notes and get some nice harmonies. i am thinking obvious that less pitch shifts are better but i am wondering if their are particular values of pitch shifts that are safer for playing.

make more sense?



 http://margaretnoble.net/







________________________________
From: andy butler <akbutler@tiscali.co.uk>
To: Loopers-Delight@loopers-delight.com
Sent: Saturday, July 25, 2009 8:56:35 AM
Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody

just trying to follow Margaret's made up notation.
Not sure I managed that tho'.

It's a perfect 4th up,
(or a perfect 5th),
with a 2 beat delay,

mixed with the undelayed dry signal.


I used to prefer the 4th because my Zoom 1201 sounded
a bit flat when trying to do a larger stretch tan that.

It was a lot of fun to play guitar into that.

andy


mark francombe wrote:
> 
> On Sat, Jul 25, 2009 at 12:33 PM, andy butler <akbutler@tiscali.co.uk <mailto:akbutler@tiscali.co.uk>> wrote:
> 
>     hi Margaret,
> 
>     2. 5 steps up
> 
> 
> HUH.. sorry... what do you mean Andy.. 2.5 steps?? steps ??
> 
> 2 and a half whats???
> 
> MArk
> 
> -- www.markfrancombe.com<http://www.markfrancombe.com>
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt">sorry, i wrote that confusingly!!!<br><br>i mean:<br><br>in comes an acoustic instrument, out goes a 4 part delay, each part is in different semi-tones, the fist delay sound is the same pitch as original, the second delay sound is up 4 semi-tones, the third sound is up 7 semi-tones up and the fourth sound is u 11 semi-tones up. So, a nice melodic sequence comes out when only one note is hit. play more than one and it gets busy and a bit unpleasant tonally. I would to configure the melodic delay in such a way so i can improvise a few notes and get some nice harmonies. i am thinking obvious that less pitch shifts are better but i am wondering if their are particular values of pitch shifts that are safer for playing.<br><br>make more sense?<br><br><br><div>&nbsp;</div><font style="font-family:
 arial,helvetica,sans-serif; color: rgb(45, 45, 45);" color="#888888" size="2"><a rel="nofollow" target="_blank" href="http://hthma-underdogs.appspot.com/"></a></font><font size="1"><span style="color: rgb(0, 0, 0); font-family: arial; text-decoration: underline;"><font style="font-family: arial,helvetica,sans-serif;" size="2"><span style="color: rgb(45, 45, 45);"><span><a target="_blank" href="http://margaretnoble.net/">http://margaretnoble.net/</a></span></span><br><br></font></span><span style="color: rgb(0, 0, 0); font-family: arial; font-weight: bold; text-decoration: underline;"><font style="font-family: arial,helvetica,sans-serif;" size="2"><br></font></span></font><div><br></div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> andy butler
 &lt;akbutler@tiscali.co.uk&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Saturday, July 25, 2009 8:56:35 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: More Tonal Theory: Arppegiators/Accent/Melody<br></font><br>
just trying to follow Margaret's made up notation.<br>Not sure I managed that tho'.<br><br>It's a perfect 4th up,<br>(or a perfect 5th),<br>with a 2 beat delay,<br><br>mixed with the undelayed dry signal.<br><br><br>I used to prefer the 4th because my Zoom 1201 sounded<br>a bit flat when trying to do a larger stretch tan that.<br><br>It was a lot of fun to play guitar into that.<br><br>andy<br><br><br>mark francombe wrote:<br>&gt; <br>&gt; On Sat, Jul 25, 2009 at 12:33 PM, andy butler &lt;<a ymailto="mailto:akbutler@tiscali.co.uk" href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a> &lt;mailto:<a ymailto="mailto:akbutler@tiscali.co.uk" href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;&gt; wrote:<br>&gt; <br>&gt;&nbsp; &nbsp;  hi Margaret,<br>&gt; <br>&gt;&nbsp; &nbsp;  2. 5 steps up<br>&gt; <br>&gt; <br>&gt; HUH.. sorry... what do you mean Andy.. 2.5 steps?? steps ??<br>&gt; <br>&gt; 2 and a half whats???<br>&gt; <br>&gt;
 MArk<br>&gt; <br>&gt; -- <a target="_blank" href="http://www.markfrancombe.com">www.markfrancombe.com</a><span> &lt;<a target="_blank" href="http://www.markfrancombe.com">http://www.markfrancombe.com</a>&gt;</span><br><span>&gt; <a target="_blank" href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></span><br><span>&gt; <a target="_blank" href="http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a></span><br><span>&gt; <a target="_blank" href="http://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe</a></span><br><span>&gt; <a target="_blank" href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a></span><br><br></div></div></div><br>



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From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 18:16:04 2009
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Date: Sat, 25 Jul 2009 11:16:03 -0700
Message-ID: <bcd3c7bb0907251116i45e84c29p80be0ab56aff2fc8@mail.gmail.com>
Subject: Re: living without money(O.T.)
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Oh trust me, my blood boils when I hear stuff like that.  Not to cause
a shit-storm but when the Republicans get up on their high horse about
anti abortion and birth control and then counter that with statements
like "Hunger is a great motivator."

http://thinkprogress.org/2009/06/21/cynthia-davis-hunger/

Awesome.  So what I get from that is, "Crap out as many kids as you
want, just don't cry when your minimum wage (or lower sweatshop wage
overseas) isn't enough to feed them.  UNICEF should be by from time to
time."

I remember trick-or-treating for UNICEF when I was 5.  40 years later
the problem only seems worse.  Is pouring money and food into the
situation the answer?  I really feel that education and responsible
birth control use is the only answer because hunger is indeed a good
motivator.... to motivate someone who feels they were brought into a
world that doesn't have anything for them to take it by force.

On Sat, Jul 25, 2009 at 1:17 AM, L.Angulo<labaloops@yahoo.com> wrote:
>
> no i meant they are the only hope to get their own folks out of their own=
 missery so children are sort of an investment though the outcome is not al=
ways pretty but thats the way it is.But formost is the education problem,re=
ligious believes etc. check out some of the Popes speeches condemning peopl=
e for using of condoms!
>
> www.myspace.com/luisangulocom
>
>
> --- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Fr, 24.7.2009:
>
>> Von: Mark Sottilaro <zerocrossing@gmail.com>
>> Betreff: Re: living without money(O.T.)
>> An: Loopers-Delight@loopers-delight.com
>> Datum: Freitag, 24. Juli 2009, 12:17
>> Your pension is your children staving
>> to death relying on charity
>> organizations for food?
>>
>> On Fri, Jul 24, 2009 at 1:04 AM, L.Angulo<labaloops@yahoo.com>
>> wrote:
>> >
>> >
>> >>
>> >> So what's poverty in a land where
>> >> =A0 food is abundant?
>> >
>> > In Switzerland believe it or not not being able to go
>> skying is considered poor
>> >
>> >
>> >> If food isn't abundant,
>> >> =A0 where you are, why are you having children?
>> >
>> > LOL! thats your pension,security,shelter, etc. etc.
>> right there and all from members of the family which are not
>> likely to kick you out if u miss a payment,what else can you
>> hope for when u get old in a poor country?
>> >
>> >
>> >
>> >
>> >
>>
>>
>
>
>
>
>

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Date: Sat, 25 Jul 2009 11:20:10 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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And AS ALWAYS, thanks for reading and responding to my posts. I get so much out of the list's feedback. Really amazing!!!!!

 http://margaretnoble.net/







________________________________
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
Sent: Saturday, July 25, 2009 3:46:45 AM
Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody

> I am having a blast with Delay/Arpeggiators in Logic.

Margaret, Andy,

of course, there's always the safe route of using what they call an
intelligent pitch shifter (which transposes diatonically, i.e. a
"step" isn't a semi-tone step, but a step in your scale). That way,
the outcome always works in the chosen tonality, and by changing that
scale setting during the piece, you can create changing
arpeggios/harmonizations based on identical input material.

If you're working with the most simple of these constructions - a
pitch shifter/delay chain with feedback - then it helps to work with
tonal sets which are rather simple: if you're using diminshed chords,
there's a total of three of them in the tempered system, and for
whole-tone scales, there are only two, and in both cases, the pitch
between each step is equal.

             Rainer


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt">And AS ALWAYS, thanks for reading and responding to my posts. I get so much out of the list's feedback. Really amazing!!!!!<br><div>&nbsp;</div><font style="font-family: arial,helvetica,sans-serif; color: rgb(45, 45, 45);" color="#888888" size="2"><a rel="nofollow" target="_blank" href="http://hthma-underdogs.appspot.com/"></a></font><font size="1"><span style="color: rgb(0, 0, 0); font-family: arial; text-decoration: underline;"><font style="font-family: arial,helvetica,sans-serif;" size="2"><span style="color: rgb(45, 45, 45);"><span><a target="_blank" href="http://margaretnoble.net/">http://margaretnoble.net/</a></span></span><br><br></font></span><span style="color: rgb(0, 0, 0); font-family: arial; font-weight: bold; text-decoration: underline;"><font style="font-family: arial,helvetica,sans-serif;"
 size="2"><br></font></span></font><div><br></div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Rainer Straschill &lt;moinsound@googlemail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> loopers-delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Saturday, July 25, 2009 3:46:45 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: More Tonal Theory: Arppegiators/Accent/Melody<br></font><br>
&gt; I am having a blast with Delay/Arpeggiators in Logic.<br><br>Margaret, Andy,<br><br>of course, there's always the safe route of using what they call an<br>intelligent pitch shifter (which transposes diatonically, i.e. a<br>"step" isn't a semi-tone step, but a step in your scale). That way,<br>the outcome always works in the chosen tonality, and by changing that<br>scale setting during the piece, you can create changing<br>arpeggios/harmonizations based on identical input material.<br><br>If you're working with the most simple of these constructions - a<br>pitch shifter/delay chain with feedback - then it helps to work with<br>tonal sets which are rather simple: if you're using diminshed chords,<br>there's a total of three of them in the tempered system, and for<br>whole-tone scales, there are only two, and in both cases, the pitch<br>between each step is equal.<br><br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;  Rainer<br><br></div></div></div><br>

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 18:21:20 2009
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Date: Sat, 25 Jul 2009 14:21:19 -0400
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Subject: Re: online real time looping sequencer game
From: Rus Steel <rus.steel@gmail.com>
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> Same goes for the iPhone apps... forgive my ignorance, Im the only person in
> Oslo without one but is there some way of triggering midi from the iBone?
> And using the accelarometer?
>
> I would LOVE a iPhone app that had a 16 by 16 touch buttons sequencer...
>
> m

You might have a look at TouchOSC.  Seems like a lot of fun.  But I
haven't played with it myself.  (I'm probably the only person in NYC
without and iPhone, so I feel your pain.)

http://hexler.net/software/touchosc

P.S.  Long time lurker, first time poster.  Hi everyone!

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Subject: Re: living without money(O.T.)
Date: Sat, 25 Jul 2009 11:23:42 -0700
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Suggested reading:

Confessions of a Economic Hit Man
by John Perkins

>
> I remember trick-or-treating for UNICEF when I was 5.  40 years later
> the problem only seems worse.

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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Suggested&nbsp;reading:&nbsp;<div><br></div><div>Confessions&nbsp;of&nbsp;a&nbsp;Economic&nbsp;Hit Man&nbsp;<div>by John Perkins<div><br></div><div><div><blockquote type="cite"><div><font class="Apple-style-span" color="#000000"><br></font>I remember trick-or-treating for UNICEF when I was 5. &nbsp;40 years later<br>the problem only seems worse.</div></blockquote></div></div></div></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 18:33:27 2009
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	 <20090724072517.59030@gmx.net>
	 <bcd3c7bb0907241212u7f8adef8nd0faaf9438fc96a7@mail.gmail.com>
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Date: Sat, 25 Jul 2009 20:33:26 +0200
Message-ID: <66f9cc1e0907251133j1c5e6eb7o4ab184f6a0f303e9@mail.gmail.com>
Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Jul 25, 2009 at 8:15 PM, margaret
noble<margaretnoble2000@yahoo.com> wrote:
> in comes an acoustic instrument, out goes a 4 part delay, each part is in
> different semi-tones, the fist delay sound is the same pitch as original,
> the second delay sound is up 4 semi-tones, the third sound is up 7
> semi-tones up and the fourth sound is u 11 semi-tones up. So, a nice melodic
> sequence comes out when only one note is hit. play more than one and it gets
> busy and a bit unpleasant tonally. I would to configure the melodic delay in
> such a way so i can improvise a few notes and get some nice harmonies. i am
> thinking obvious that less pitch shifts are better but i am wondering if
> their are particular values of pitch shifts that are safer for playing.
>
> make more sense?

Sure, totally making sense! But it's a difficult question, not knowing
what harmonies you like. Why not do it the other way; start with a
couple of nice chords and then explore what harmonizer intervals will
create them out of one input note? You could save different channel
strip presets containing harmonizers and delays set up to generate
specific chord you like, then if you save them as Performances (done
from the channel strip menu) you will be able to activate them by a
foot pedal sending in MIDI Program Change to the computer. PC1 calling
up saved Performance 1, PC2 calling up saved Performance 2 etc. In
this context your floor pedal board becomes a instant "chord fix
shifter" for Logic. "Performances" are hardwired to be recalled by
incoming MIDI Program Change, no matter what MIDI channel or port they
come in through.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 18:35:44 2009
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	 <9AE7C6BA-3964-4766-9BB8-1EA2EBE8AE6E@gmail.com>
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	 <939a769e0907251121p7f8b61b0m62a89daf11598b48@mail.gmail.com>
Date: Sat, 25 Jul 2009 11:35:43 -0700
Message-ID: <bcd3c7bb0907251135h1a1e5609u14edea5d6553968a@mail.gmail.com>
Subject: Re: online real time looping sequencer game
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Rus!

Yeah, things ike TouchOSC seem super cool... but more gimmicky than
anything else.. ultimately, is the iPhone a good UI for music/audio?
If it were 4x the screen size maybe... I can't imagine doing all that
much with it, though it can make for a compelling youtube video.

My current "dream/goal" is to supplement my monitor with a second
monitor that's a touchscreen.  Now that'll be something.  I've got a
lot of cool software that's got all kinds of xy and grid style UI
things going on, but little in the way of usefully being able to use
it.  I looked into the HP Touchsmart computers, but they seemed to
double the cost of the computer you were buying.

On Sat, Jul 25, 2009 at 11:21 AM, Rus Steel<rus.steel@gmail.com> wrote:
>> Same goes for the iPhone apps... forgive my ignorance, Im the only perso=
n in
>> Oslo without one but is there some way of triggering midi from the iBone=
?
>> And using the accelarometer?
>>
>> I would LOVE a iPhone app that had a 16 by 16 touch buttons sequencer...
>>
>> m
>
> You might have a look at TouchOSC. =A0Seems like a lot of fun. =A0But I
> haven't played with it myself. =A0(I'm probably the only person in NYC
> without and iPhone, so I feel your pain.)
>
> http://hexler.net/software/touchosc
>
> P.S. =A0Long time lurker, first time poster. =A0Hi everyone!
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 18:38:46 2009
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
References: <bbb8cbac0907231008r3434bac4m7462d92af2ddafcf@mail.gmail.com>  <20090724072517.59030@gmx.net> <bcd3c7bb0907241212u7f8adef8nd0faaf9438fc96a7@mail.gmail.com>  <292609.14648.qm@web81002.mail.mud.yahoo.com> <4A6ADF5F.50207@tiscali.co.uk> <9ab0c76f0907250802j35aef927u7f2508cb06562664@mail.gmail.com> <4A6B2B33.7000603@tiscali.co.uk> <602885.80983.qm@web81003.mail.mud.yahoo.com>
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ahh,
that's exactly what I thought you meant,
so hopefully my reply made sense to you,
...if not to the other guys


andy

margaret noble wrote:
> sorry, i wrote that confusingly!!!
> 
> i mean:
> 
> in comes an acoustic instrument, out goes a 4 part delay, each part is 
> in different semi-tones, the fist delay sound is the same pitch as 
> original, the second delay sound is up 4 semi-tones, the third sound is 
> up 7 semi-tones up and the fourth sound is u 11 semi-tones up. So, a 
> nice melodic sequence comes out when only one note is hit. play more 
> than one and it gets busy and a bit unpleasant tonally. I would to 
> configure the melodic delay in such a way so i can improvise a few notes 
> and get some nice harmonies. i am thinking obvious that less pitch 
> shifts are better but i am wondering if their are particular values of 
> pitch shifts that are safer for playing.
> 
> make more sense?
> 
> 
>  
> <http://hthma-underdogs.appspot.com/>http://margaretnoble.net/
> 
> 
> 
> 
> ------------------------------------------------------------------------
> *From:* andy butler <akbutler@tiscali.co.uk>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Saturday, July 25, 2009 8:56:35 AM
> *Subject:* Re: More Tonal Theory: Arppegiators/Accent/Melody
> 
> just trying to follow Margaret's made up notation.
> Not sure I managed that tho'.
> 
> It's a perfect 4th up,
> (or a perfect 5th),
> with a 2 beat delay,
> 
> mixed with the undelayed dry signal.
> 
> 
> I used to prefer the 4th because my Zoom 1201 sounded
> a bit flat when trying to do a larger stretch tan that.
> 
> It was a lot of fun to play guitar into that.
> 
> andy
> 
> 
> mark francombe wrote:
>  >
>  > On Sat, Jul 25, 2009 at 12:33 PM, andy butler <akbutler@tiscali.co.uk 
> <mailto:akbutler@tiscali.co.uk> <mailto:akbutler@tiscali.co.uk 
> <mailto:akbutler@tiscali.co.uk>>> wrote:
>  >
>  >    hi Margaret,
>  >
>  >    2. 5 steps up
>  >
>  >
>  > HUH.. sorry... what do you mean Andy.. 2.5 steps?? steps ??
>  >
>  > 2 and a half whats???
>  >
>  > MArk
>  >
>  > -- www.markfrancombe.com <http://www.markfrancombe.com> 
> <http://www.markfrancombe.com>
>>  http://vimeo.com/user825094
>>  http://uk.youtube.com/user/markfrancombe
>>  http://www.myspace.com/markfrancombe
>>  http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 19:42:21 2009
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Date: Sat, 25 Jul 2009 19:42:19 +0000 (GMT)
From: Stephen Scott <loopingsteve@yahoo.co.uk>
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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Cripes, how do you program that using hardware?=0A=0Awww.myspace.com/sylvia=
nfisher=0A=0A=0A--- On Sat, 25/7/09, andy butler <akbutler@tiscali.co.uk> w=
rote:=0A=0A> From: andy butler <akbutler@tiscali.co.uk>=0A> Subject: Re: Mo=
re Tonal Theory: Arppegiators/Accent/Melody=0A> To: Loopers-Delight@loopers=
-delight.com=0A> Date: Saturday, 25 July, 2009, 6:53 PM=0A> ahh,=0A> that's=
 exactly what I thought you meant,=0A> so hopefully my reply made sense to =
you,=0A> ...if not to the other guys=0A> =0A> =0A> andy=0A> =0A> margaret n=
oble wrote:=0A> > sorry, i wrote that confusingly!!!=0A> > =0A> > i mean:=
=0A> > =0A> > in comes an acoustic instrument, out goes a 4 part=0A> delay,=
 each part is in different semi-tones, the fist delay=0A> sound is the same=
 pitch as original, the second delay sound=0A> is up 4 semi-tones, the thir=
d sound is up 7 semi-tones up=0A> and the fourth sound is u 11 semi-tones u=
p. So, a nice=0A> melodic sequence comes out when only one note is hit. pla=
y=0A> more than one and it gets busy and a bit unpleasant tonally.=0A> I wo=
uld to configure the melodic delay in such a way so i=0A> can improvise a f=
ew notes and get some nice harmonies. i am=0A> thinking obvious that less p=
itch shifts are better but i am=0A> wondering if their are particular value=
s of pitch shifts=0A> that are safer for playing.=0A> > =0A> > make more se=
nse?=0A> > =0A> > =0A> >=A0 <http://hthma-underdogs.appspot.com/>http://mar=
garetnoble.net/=0A> > =0A> > =0A> > =0A> > =0A> >=0A> ---------------------=
---------------------------------------------------=0A> > *From:* andy butl=
er <akbutler@tiscali.co.uk>=0A> > *To:* Loopers-Delight@loopers-delight.com=
=0A> > *Sent:* Saturday, July 25, 2009 8:56:35 AM=0A> > *Subject:* Re: More=
 Tonal Theory:=0A> Arppegiators/Accent/Melody=0A> > =0A> > just trying to f=
ollow Margaret's made up notation.=0A> > Not sure I managed that tho'.=0A> =
> =0A> > It's a perfect 4th up,=0A> > (or a perfect 5th),=0A> > with a 2 be=
at delay,=0A> > =0A> > mixed with the undelayed dry signal.=0A> > =0A> > =
=0A> > I used to prefer the 4th because my Zoom 1201 sounded=0A> > a bit fl=
at when trying to do a larger stretch tan=0A> that.=0A> > =0A> > It was a l=
ot of fun to play guitar into that.=0A> > =0A> > andy=0A> > =0A> > =0A> > m=
ark francombe wrote:=0A> >=A0 >=0A> >=A0 > On Sat, Jul 25, 2009 at 12:33 PM=
, andy=0A> butler <akbutler@tiscali.co.uk=0A> <mailto:akbutler@tiscali.co.u=
k>=0A> <mailto:akbutler@tiscali.co.uk=0A> <mailto:akbutler@tiscali.co.uk>>>=
=0A> wrote:=0A> >=A0 >=0A> >=A0 >=A0 =A0 hi Margaret,=0A> >=A0 >=0A> >=A0 >=
=A0 =A0 2. 5 steps up=0A> >=A0 >=0A> >=A0 >=0A> >=A0 > HUH.. sorry... what =
do you mean Andy.. 2.5=0A> steps?? steps ??=0A> >=A0 >=0A> >=A0 > 2 and a h=
alf whats???=0A> >=A0 >=0A> >=A0 > MArk=0A> >=A0 >=0A> >=A0 > -- www.markfr=
ancombe.com <http://www.markfrancombe.com> <http://www.markfrancombe.com>=
=0A> >>=A0 http://vimeo.com/user825094=0A> >>=A0 http://uk.youtube.com/user=
/markfrancombe=0A> >>=A0 http://www.myspace.com/markfrancombe=0A> >>=A0 htt=
p://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch=0A> > =0A> > =0A=
> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 19:49:03 2009
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by the way, really nice website, Margaret=0A=0Awww.myspace.com/sylvianfishe=
r=0A=0A=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 20:09:12 2009
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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About Margaret's pitch-shifted delays, Stephen Scott said:
> Cripes, how do you program that using hardware?

Nearly twenty years ago, I got my first effector, a Boss SE-50. It had
an algorithm called "Multi Pitch Shifter" which gave you four delay
taps, each followed by a pitch shifter.

Which means: it could do that - and all of my multi-effects since
could/can do that, too without any fuss.

Or didn't I get your question right?

            Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 21:38:29 2009
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--0015174beb1897def8046f8e8a16
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nice LOOKING website Margeret.. (personally... links that I have to hover
over to find out what lies underneath is a bit of a no no!!)

Mark (old fuddy duddy ) francombe

On Sat, Jul 25, 2009 at 9:49 PM, Stephen Scott <loopingsteve@yahoo.co.uk>wrote:

>
> by the way, really nice website, Margaret
>
> www.myspace.com/sylvianfisher
>
>
>
>
>
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174beb1897def8046f8e8a16
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

nice LOOKING website Margeret.. (personally... links that I have to hover o=
ver to find out what lies underneath is a bit of a no no!!) <br><br>Mark (o=
ld fuddy duddy ) francombe<br><br><div class=3D"gmail_quote">On Sat, Jul 25=
, 2009 at 9:49 PM, Stephen Scott <span dir=3D"ltr">&lt;<a href=3D"mailto:lo=
opingsteve@yahoo.co.uk">loopingsteve@yahoo.co.uk</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
by the way, really nice website, Margaret<br>
<br>
<a href=3D"http://www.myspace.com/sylvianfisher" target=3D"_blank">www.mysp=
ace.com/sylvianfisher</a><br>
<br>
<br>
<br>
<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174beb1897def8046f8e8a16--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 21:43:37 2009
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	game)
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--0015174be5e2f3ed57046f8e9c4a
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On Sat, Jul 25, 2009 at 8:05 PM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> Attached images are also extra taxing on the email server and someone
> (Kim) is paying for the bandwidth, so that's another reason to not use
> html emails.
>

Does one really pay for bandwidth nowadays??? Not me. and I have 50 gigs of
various webspaces and 20 odd domains running.. of course server bandwidth
can be a prob for stability and such like, but all my servers are running
streaming flash movies.. so THATS an issue...

Im sure the odd 14k sig image means nowt.... still iritating to thise that
get to see the html tho... bless 'em..


m

--0015174be5e2f3ed57046f8e9c4a
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<br><br><div class=3D"gmail_quote">On Sat, Jul 25, 2009 at 8:05 PM, Mark So=
ttilaro <span dir=3D"ltr">&lt;<a href=3D"mailto:zerocrossing@gmail.com">zer=
ocrossing@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quo=
te" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt=
 0.8ex; padding-left: 1ex;">

Attached images are also extra taxing on the email server and someone<br>
(Kim) is paying for the bandwidth, so that&#39;s another reason to not use<=
br>
html emails.<br>
<div><div></div></div></blockquote><div><br>Does one really pay for bandwid=
th nowadays??? Not me. and I have 50 gigs of various webspaces and 20 odd d=
omains running.. of course server bandwidth can be a prob for stability and=
 such like, but all my servers are running streaming flash movies.. so THAT=
S an issue...<br>

<br>Im sure the odd 14k sig image means nowt.... still iritating to thise t=
hat get to see the html tho... bless &#39;em..<br><br><br>m<br></div></div>=
<br>

--0015174be5e2f3ed57046f8e9c4a--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 21:53:41 2009
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From: Ariel Rzezak <arzezak@gmail.com>
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Subject: Re: new looper in Logic 9
Date: Sat, 25 Jul 2009 18:53:35 -0300
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The looper plug-in of Mainstage 2.

http://vimeo.com/5758671

Very best from Argentina, Ariel.

El 24/07/2009, a las 11:41, Sjaak escribi=F3:

>
>> The question is: Do you rely on Logic to earn your living?  Would you
>> risk that on speculating that it will work perfectly from version =20
>> 9.0?
>> Now they have announced Logic 9... logic 8 is still broken...
>
> Hi Charles,
> I don't rely on Logic for a living. I use Mainstage as my host on =20
> stage and I use a little bit of Logic at home. Sure, Logic 8 had a =20
> few problems but for me nothing major and as long as I have a =20
> workaround, I'm fine.
> ---
> Sjaak
> http://euroloopfest.com/
> http://sjaakovergaauw.com/
>
>
> __________________________________
> Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One =20
> of ADSL, surf naar http://www.scarlet.be/nl/mobile3g.
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 21:54:28 2009
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From: michelemoser@arcor.de
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I noticed!
Actually, they are very annoying, especialy if you are downloading emails=
 via mobile, iphone or blackberry=2E
So please stick to the rules and send plain text and no pictures=2E


 ---- Originalnachricht ----=20
Von: andy butler <akbutler@tiscali=2Eco=2Euk>
Gesendet: 25 Jul 2009 10:47 +00:00
An:  <Loopers-Delight@loopers-delight=2Ecom>
Betreff: Re: mailing list rules (was: Re: online real time looping sequen=
cergame)

Hi Massimo,
if you can, it *would* help if you can post
in plain text to the list (switching off HTML
in your email software for these posts)=2E
There's actually good reason for this, as=20
a number of people still use the digest version of
the list which is often rendered illegible by an HTML post=2E


=2E=2E=2Ebut please ignore the tone of Rainer's post,=20
I'm sure most LDers didn't even notice your sig=2E



andy butler

Rainer Straschill wrote:
> Massimo,
>=20
> may I remind you of the mailing list rules as posted on
> www=2Eloopers-delight=2Ecom, of which I take the liberty to quote:
> "Are there posting guidelines for the Looper's Delight Mailing list=3F
>=20
> Please set your mail program to use plain text when posting to
> Looper's Delight=2E"
>=20
> While big signatures are very annoying in general, they are especially
> so if they come with graphics=2E
>=20
> If that is not for you, you may consider posting to the forum instead=
=2E
>=20
> Thanks,
>=20
>            Rainer
>=20
>=20



From info@w.cn  Sat Jul 25 22:04:48 2009
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Subject: 
From: "DHL COURIER COMPANY" <info@w.cn>
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I wish to notify you that you have a bank draft of  ($500,000USD) with
us (DHL COURIER COMPANY)Contact: Mr. Martin White
Email Address: dhldelivery_service1@w.cn
Telephone: (+234)-70313-31256

From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 22:36:13 2009
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Date: Sat, 25 Jul 2009 15:36:12 -0700 (PDT)
Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody 
From: looppool@cruzio.com
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Here's a really nice short .pdf appraisal of
Oliver Messiaen's life and work and has
a fascinating list and practical discussion of the application of his
'modes of limited transposition'.

http://www.musicteachers.co.uk/resources/messstudy.pdf




From Loopers-Delight-request@loopers-delight.com  Sat Jul 25 22:39:14 2009
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
Date: Sat, 25 Jul 2009 15:39:09 -0700
References: <558769.32588.qm@web24604.mail.ird.yahoo.com> <9ab0c76f0907251438o13403be9y1891ad2bdf5001ce@mail.gmail.com>
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Margaret,

I love your website BECAUSE it demands interactivity . . . and it  
looks sharp too, besides.

I've always thought so (though I may never have said so previously).

I'm an ad agency art director (besides being just another dumb  
guitarist).

I just thought I'd share an alternate opinion on your site.

I may be old . . . ad quite probably duddy . . . I'm but not fuddy in  
the least.

Cheers,

Ted


On Jul 25, 2009, at 2:38 PM, mark francombe wrote:

> nice LOOKING website Margeret.. (personally... links that I have to  
> hover over to find out what lies underneath is a bit of a no no!!)
>
> Mark (old fuddy duddy ) francombe
>
> On Sat, Jul 25, 2009 at 9:49 PM, Stephen Scott <loopingsteve@yahoo.co.uk 
> > wrote:
>
> by the way, really nice website, Margaret
>
> www.myspace.com/sylvianfisher
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 00:37:27 2009
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Date: Sun, 26 Jul 2009 02:37:26 +0200
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
From: Per Boysen <perboysen@gmail.com>
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It just entered my mind that the arpeggiating Margret is setting up in
Logic can be done all within the plug-in Cross Fade Loop Synth by
Expert Sleepers. This plug-in in fact is three delays that can be
pitch/rate shifted into any semi tone intervals. The higher you set
the pitch the faster that note will bounce back. You can set them all
to different intervals than the source not you feed them so there will
be a four harmony chord including the your played note.

Although this plug-in works well in any host, Logic especially makes
Margeret's practices easier. The trick should be to open the plug-in
and save different harmony settings as presets of Logic's preset
system ("save preset as", in the plug-in window). Next step is to use
some physical MIDI controller, maybe a MIDI pedal, to trigger the two
Logic commands "Next Plug-in Preset" and "Previous Plug-in Preset".
Given you keep the Cross Fade Loop Synth plug-in window open it will
switch presets and the same bouncing note will take on new "chord
harmonies" with every new preset you kick in. This plug-in sounds a
lot better than the PitchShifter 2 of Logic's.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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	sequencergame)
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On Sat, Jul 25, 2009 at 6:54 PM, <michelemoser@arcor.de> wrote:
>
> I noticed!
> Actually, they are very annoying, especialy if you are downloading emails via mobile, iphone or blackberry.
> So please stick to the rules and send plain text and no pictures.
>

why would anyone download an email? :-)

just kidding, but those rules are like from 20 years ago. I understand
no really fat msgs, but no html is so freaking primitive, it can be
quite annoying.



--
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

From Service@paypal.com  Sun Jul 26 02:04:03 2009
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<html xmlns="http://www.w3.org/1999/xhtml">
<head>
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</head>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 02:44:04 2009
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From: "William Walker" <billwalker@baymoon.com>
To: "'margaret noble'" <margaretnoble2000@yahoo.com>,
        <Loopers-Delight@loopers-delight.com>
References: <602885.80983.qm@web81003.mail.mud.yahoo.com>
Subject: RE: More Tonal Theory: Arppegiators/Accent/Melody
Date: Sat, 25 Jul 2009 19:43:59 -0700
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I would try experimenting with combinations of 5th up (7semitones) and =
4th
below (5 semitones),  delaying the two intervals to separate note values =
and
tapping in a desired tempo if your processor or plug-in allows you to. =
Try =BC
note against a dotted 1/8th as an example to create a nice syncopation. =
If
your device only reads delay values in milliseconds, try setting one =
pitch
to 350 milliseconds and one to 450 milliseconds and fine tune them to
achieve the same effect, a galloping interval=20

 With parallel harmonizers I find the more neutral the interval the =
better
so I avoid 3rds and 7ths, opting for 5ths, octaves, 4ths. 9ths  and
sometimes 6ths.  I avoid using feedback unless I=92m going for the =
cascading
interval effect, which works great on 5ths and octaves, as well as 2nds =
and
#5ths . Also if you can get longer delay times between intervals you can =
use
more than two pitches,  ones like you are using now,  but have more time =
to
improvise more notes before the pitch shifted delays kick in. And yes I
think you are on the right track simply using fewer pitches. Even the =
idea
at the top of my post is limiting in what one can play and still sound
consonant.=20

Bill

=20

  _____ =20

From: margaret noble [mailto:margaretnoble2000@yahoo.com]=20
Sent: Saturday, July 25, 2009 11:15 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody

=20

sorry, i wrote that confusingly!!!

i mean:

in comes an acoustic instrument, out goes a 4 part delay, each part is =
in
different semi-tones, the fist delay sound is the same pitch as =
original,
the second delay sound is up 4 semi-tones, the third sound is up 7
semi-tones up and the fourth sound is u 11 semi-tones up. So, a nice =
melodic
sequence comes out when only one note is hit. play more than one and it =
gets
busy and a bit unpleasant tonally. I would to configure the melodic =
delay in
such a way so i can improvise a few notes and get some nice harmonies. i =
am
thinking obvious that less pitch shifts are better but i am wondering if
their are particular values of pitch shifts that are safer for playing.

make more sense?



=20

 <http://hthma-underdogs.appspot.com/> http://margaretnoble.net/



=20

=20

  _____ =20

From: andy butler <akbutler@tiscali.co.uk>
To: Loopers-Delight@loopers-delight.com
Sent: Saturday, July 25, 2009 8:56:35 AM
Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody

just trying to follow Margaret's made up notation.
Not sure I managed that tho'.

It's a perfect 4th up,
(or a perfect 5th),
with a 2 beat delay,

mixed with the undelayed dry signal.


I used to prefer the 4th because my Zoom 1201 sounded
a bit flat when trying to do a larger stretch tan that.

It was a lot of fun to play guitar into that.

andy


mark francombe wrote:
>=20
> On Sat, Jul 25, 2009 at 12:33 PM, andy butler <akbutler@tiscali.co.uk
<mailto:akbutler@tiscali.co.uk>> wrote:
>=20
>    hi Margaret,
>=20
>    2. 5 steps up
>=20
>=20
> HUH.. sorry... what do you mean Andy.. 2.5 steps?? steps ??
>=20
> 2 and a half whats???
>=20
> MArk
>=20
> -- www.markfrancombe.com <http://www.markfrancombe.com>
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

=20


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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I would try experimenting with =
combinations
of 5<sup>th</sup> up (7semitones) and 4<sup>th</sup> below (5 =
semitones), =A0delaying
the two intervals to separate note values and tapping in a desired tempo =
if
your processor or plug-in allows you to. Try =BC note against a dotted =
1/8<sup>th</sup>
as an example to create a nice syncopation. If your device only reads =
delay values
in milliseconds, try setting one pitch to 350 milliseconds and one to =
450
milliseconds and fine tune them to achieve the same effect, a galloping
interval <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>=A0With parallel harmonizers I find =
the more
neutral the interval the better so I avoid 3rds and 7ths, opting for =
5ths,
octaves, 4ths. 9ths =A0and sometimes 6ths.=A0 I avoid using feedback =
unless I&#8217;m
going for the cascading interval effect, which works great on 5ths and =
octaves,
as well as 2nds and #5ths . Also if you can get longer delay times =
between
intervals you can use more than two pitches, =A0ones like you are using =
now, =A0but
have more time to improvise more notes before the pitch shifted delays =
kick in.
And yes I think you are on the right track simply using fewer pitches. =
Even the
idea at the top of my post is limiting in what one can play and still =
sound
consonant. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Bill<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
margaret noble
[mailto:margaretnoble2000@yahoo.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Saturday, July 25, =
2009
11:15 AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: More Tonal =
Theory:
Arppegiators/Accent/Melody</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>sorry, i wrote that =
confusingly!!!<br>
<br>
i mean:<br>
<br>
in comes an acoustic instrument, out goes a 4 part delay, each part is =
in
different semi-tones, the fist delay sound is the same pitch as =
original, the
second delay sound is up 4 semi-tones, the third sound is up 7 =
semi-tones up
and the fourth sound is u 11 semi-tones up. So, a nice melodic sequence =
comes
out when only one note is hit. play more than one and it gets busy and a =
bit
unpleasant tonally. I would to configure the melodic delay in such a way =
so i
can improvise a few notes and get some nice harmonies. i am thinking =
obvious
that less pitch shifts are better but i am wondering if their are =
particular
values of pitch shifts that are safer for playing.<br>
<br>
make more sense?<br>
<br>
<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;<o:p></o:p></span></font></p>

</div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D2 =
color=3D"#2d2d2d"
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:#2D2D2D'><a
href=3D"http://hthma-underdogs.appspot.com/" target=3D"_blank"></a><u><a
href=3D"http://margaretnoble.net/" =
target=3D"_blank">http://margaretnoble.net/</a></u></span></font><u><font=

size=3D2 color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:black'><br>
<br>
</span></font></u><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
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</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'>

<hr size=3D1 width=3D"100%" align=3Dcenter>

</span></font></div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><b><font size=3D2 =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:bold'>From:</spa=
n></font></b><font
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'> andy
butler &lt;akbutler@tiscali.co.uk&gt;<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Saturday, July 25, =
2009
8:56:35 AM<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: More Tonal =
Theory:
Arppegiators/Accent/Melody<br>
</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:
Arial'><br>
just trying to follow Margaret's made up notation.<br>
Not sure I managed that tho'.<br>
<br>
It's a perfect 4th up,<br>
(or a perfect 5th),<br>
with a 2 beat delay,<br>
<br>
mixed with the undelayed dry signal.<br>
<br>
<br>
I used to prefer the 4th because my Zoom 1201 sounded<br>
a bit flat when trying to do a larger stretch tan that.<br>
<br>
It was a lot of fun to play guitar into that.<br>
<br>
andy<br>
<br>
<br>
mark francombe wrote:<br>
&gt; <br>
&gt; On Sat, Jul 25, 2009 at 12:33 PM, andy butler &lt;<a
href=3D"mailto:akbutler@tiscali.co.uk" =
ymailto=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>
&lt;mailto:<a href=3D"mailto:akbutler@tiscali.co.uk"
ymailto=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;&=
gt;
wrote:<br>
&gt; <br>
&gt;&nbsp; &nbsp; hi Margaret,<br>
&gt; <br>
&gt;&nbsp; &nbsp; 2. 5 steps up<br>
&gt; <br>
&gt; <br>
&gt; HUH.. sorry... what do you mean Andy.. 2.5 steps?? steps ??<br>
&gt; <br>
&gt; 2 and a half whats???<br>
&gt; <br>
&gt; MArk<br>
&gt; <br>
&gt; -- <a href=3D"http://www.markfrancombe.com" =
target=3D"_blank">www.markfrancombe.com</a>
&lt;<a href=3D"http://www.markfrancombe.com" =
target=3D"_blank">http://www.markfrancombe.com</a>&gt;<br>
&gt; <a href=3D"http://vimeo.com/user825094" =
target=3D"_blank">http://vimeo.com/user825094</a><br>
&gt; <a href=3D"http://uk.youtube.com/user/markfrancombe" =
target=3D"_blank">http://uk.youtube.com/user/markfrancombe</a><br>
&gt; <a href=3D"http://www.myspace.com/markfrancombe" =
target=3D"_blank">http://www.myspace.com/markfrancombe</a><br>
&gt; <a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch"
target=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%2=
0Synch</a><o:p></o:p></span></font></p>

</div>

</div>

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From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 08:05:24 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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Thanks Rick, very nice.

Additionally he had a technique where he would
have a a rhythm pattern, and a chord sequence ( or single note??).
The chords would be repeatedly played in the pattern, but
as the number of chords didn't match the number of notes
in the rhythm it would be some time before there was exact repetition.

andt

looppool@cruzio.com wrote:
> Here's a really nice short .pdf appraisal of
> Oliver Messiaen's life and work and has
> a fascinating list and practical discussion of the application of his
> 'modes of limited transposition'.
> 
> http://www.musicteachers.co.uk/resources/messstudy.pdf
> 
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 08:49:39 2009
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Subject: VirtualGigSpam: Sunday Morning @ 11
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I'm going to do my live webcast  series this morning at 11am EST.  The
url is http;//www.ustream.tv/channel/sunday-morning-at-11.

Tines - 8am PST, 9am MST, 10am PST. 11am EST, 4pm UK, 5pm western
Europe, 12am Japan.

My original bi-weekly schedule has been off this summer.  With this
morning settling it into place it shuld be back on track for August
and September.  Coming up on Aug 9th I'm going to joined by
occasioanal collaborator, drummer/found percussionist Will Romano in
our duo experience known as East of Where.  That show will be later
afternoon, ETA to be announced.

Thanks and hope to see you this morning at 11.

Jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 08:51:01 2009
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	sequencergame)
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>
>
> just kidding, but those rules are like from 20 years ago. I understand
> no really fat msgs, but no html is so freaking primitive, it can be
> quite annoying.
>
> Here here... and whats with this argument about using a phone to DL your
mail... then DONT!!! Im really sick of all this connectivity, why do WE sat
on computers have to back up and have LESS functionality just cos some
idiots want to check the Rick/Mark thread while water skiing... Ive already
said that Im prepared to stick to the rules that LD has always had, but
really... we COULD be posting video and pics right here.. As I look at it
(In Gmail) it IS a forum style and works great for me!!



>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174be5e2c33631046f97efc7
Content-Type: text/html; charset=ISO-8859-1
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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;"><br>
<br>
just kidding, but those rules are like from 20 years ago. I understand<br>
no really fat msgs, but no html is so freaking primitive, it can be<br>
quite annoying.<br>
<font color=3D"#888888"><br>
</font></blockquote><div>Here here... and whats with this argument about us=
ing a phone to DL your mail... then DONT!!! Im really sick of all this conn=
ectivity, why do WE sat on computers have to back up and have LESS function=
ality just cos some idiots want to check the Rick/Mark thread while water s=
kiing... Ive already said that Im prepared to stick to the rules that LD ha=
s always had, but really... we COULD be posting video and pics right here..=
 As I look at it (In Gmail) it IS a forum style and works great for me!!<br=
>

<br><br></div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px s=
olid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><fo=
nt color=3D"#888888"><br>
<br>
--<br>
Warren<br>
<a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679" target=3D"_bl=
ank">http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679</a><br>
<a href=3D"http://www.warrensirota.com" target=3D"_blank">http://www.warren=
sirota.com</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174be5e2c33631046f97efc7--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 08:57:58 2009
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	<9ab0c76f0907260150v43ad9c29qd9cefbd2bf38f7ce@mail.gmail.com>
From: mark francombe <mark@markfrancombe.com>
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	sequencergame)
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OH.. by the way.. this was a rant, that is left over from my work... finally
my movies (training things that I do as my day-job) can be seen fullscreen
at 700kbs... and SUDDENLY all my customers are adding (and my sales guy
loves) "Oh and we want a version for iPhone..." so BANG its the fiullscreen
version that is made to be compatible with iPhone and becomes 640 360..
thats like sooo... 90's!!

m

On Sun, Jul 26, 2009 at 10:50 AM, mark francombe <mark@markfrancombe.com>wrote:

> Im really sick of all this connectivity, why do WE sat on computers have to
> back up and have LESS functionality just cos some idiots want to check the
> Rick/Mark thread while water skiing..




-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c46169d2bca046f98080b
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Content-Transfer-Encoding: quoted-printable

OH.. by the way.. this was a rant, that is left over from my work... finall=
y my movies (training things that I do as my day-job) can be seen fullscree=
n at 700kbs... and SUDDENLY all my customers are adding (and my sales guy l=
oves) &quot;Oh and we want a version for iPhone...&quot; so BANG its the fi=
ullscreen version that is made to be compatible with iPhone and becomes 640=
 360.. thats like sooo... 90&#39;s!!<br>

<br>m<br><br><div class=3D"gmail_quote">On Sun, Jul 26, 2009 at 10:50 AM, m=
ark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.co=
m">mark@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0=
pt 0pt 0.8ex; padding-left: 1ex;">

Im really sick of all this connectivity, why do WE sat on computers have to=
 back up and have LESS functionality just cos some idiots want to check the=
 Rick/Mark thread while water skiing..</blockquote></div><br><br clear=3D"a=
ll">

<br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</=
a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</=
a><br><a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtub=
e.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c46169d2bca046f98080b--

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:-) that's how I feel about mp3 and i-pods
(kind of)
andy

mark francombe wrote:
> OH.. by the way.. this was a rant, that is left over from my work... 
> finally my movies (training things that I do as my day-job) can be seen 
> fullscreen at 700kbs... and SUDDENLY all my customers are adding (and my 
> sales guy loves) "Oh and we want a version for iPhone..." so BANG its 
> the fiullscreen version that is made to be compatible with iPhone and 
> becomes 640 360.. thats like sooo... 90's!!
> 
> m
> 
> On Sun, Jul 26, 2009 at 10:50 AM, mark francombe <mark@markfrancombe.com 
> <mailto:mark@markfrancombe.com>> wrote:
> 
>     Im really sick of all this connectivity, why do WE sat on computers
>     have to back up and have LESS functionality just cos some idiots
>     want to check the Rick/Mark thread while water skiing..

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 09:23:24 2009
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oooh yes.. dont get me started!!


On Sun, Jul 26, 2009 at 11:29 AM, andy butler <akbutler@tiscali.co.uk>wrote:

> :-) that's how I feel about mp3 and i-pods
> (kind of)
> andy
>



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174be134924f3a046f986393
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oooh yes.. dont get me started!!<br><br><br><div class=3D"gmail_quote">On S=
un, Jul 26, 2009 at 11:29 AM, andy butler <span dir=3D"ltr">&lt;<a href=3D"=
mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:=
<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div id=3D":zj" c=
lass=3D"ii gt">:-) that&#39;s how I feel about mp3 and i-pods<br>
(kind of)<br>
andy</div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"ht=
tp://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://=
vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://=
uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe=
</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174be134924f3a046f986393--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 12:06:50 2009
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References: <66f9cc1e0907240554o50225a26gabae1a3da82d5140@mail.gmail.com>	 <4A69B72E.6010901@het.it>	 <66f9cc1e0907240652x709a574ft58223bd7d50512b8@mail.gmail.com> <66f9cc1e0907240653j64a19b0brd5be0ff19e4031c9@mail.gmail.com>
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Per Boysen wrote:
> On Fri, Jul 24, 2009 at 3:29 PM, Massimo Liverani<liverani@het.it> wrote:
> 
>>What do you mean Per that you still need another audio interface for the
>>main PA? it seems to have outputs:
>>
>>"Output: Headphones, monitors or instrument amplifier"
> 
> 
> A headphones level output wouldn't sound very good in a PA. And Apogee
> doesn't either specify if that headphones output only mirrors the dry
> guitar input or if it actually D/A converts audio from the software to
> put out.
> 
> Keep in mind that this is a gadget targeted at the consuming masses!
> You have to research any aspect of its functionality to work out how
> useful it really is for you. The fact that not all relevant
> information is displayed in the online product presentation confirms
> this. I'm just saying that it looks interesting on first sight ;-)

I can't really see this as a stage tool, but from a quick look, it looks 
interesting as a reconding tool, and as such differs for ordinary floor 
controllers, as the build-in functions seems more designed and useful 
for controlling the recording process and software setups.

I do find the price tag a Bit hefty, though..

For hands-free recording alone, I've been thinking of modding a mouse 
into a stomp (with durable buttons) to be able to activate Record and if 
programmatically possible, things like a Skip-to-next-session feature.


> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 13:21:45 2009
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http://soundscapes.us/amfm/playlists/2009/090711.html
and
http://soundscapes.us/amfm/playlists/2009/090725.html

The AM/FM Show has two alternating hosts.  When I am at the helm, expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.


                Show #154                July 11, 2009.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Mark Jenkins]    Thunder at Midnight  Sequences No. 6
VA [Mark Jenkins]    Hearts of Space      Sequences No. 6
VA [Johnson&Simpson] Passing of the Dark  Sequences No. 6
Robert Carty         In Jupiter's Light   Starlight Vol. 2 (Deep Sky)
Polaris              Out of Alignment     Background Stories (Ricochet
                                            Dream)
Parallel Worlds      Mutating Realities   Shade (DiN)
Mark Mahoney         Beyond the Vaulting  Beyond the Vaulting Sky (none)
                       Sky


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
A New Day            Reverie              Summer Reflections (none)
A New Day            Solstice             Summer Reflections (none)
Marshall Styler      Flight of the Great  Seven Falls (none)
                       Blue
VA [Mark Holland]    The Hanging Road     Clear Water Reflections (none)
Skala                Arctic Fox           Tundra (none)
Skala                Ice                  Tundra (none)
Paul Lawler and      Krakatoa             Wonders (Rainstorm)
  Paul Speer

Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Ozric Tentacles      Mooncalf             The Yumyum Tree (Snapper)
Parallel or Ninety   Afterlifecycle       A Can of Worms (ProgRock)
  Degrees              Sequence
Morglbl              Borderline           Jazz for the Deaf (Laser's
                                            Edge)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.


=====

                Show #155                July 25, 2009.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Radio Massacre       Veritable Petit-     E-live 2008 (Northern Echo)
  International        beurre
VA [Zodiac]          Part 1               Sequences No. 6
Steve Dinsdale       Introduction         New Church (Northern Echo)
Steve Dinsdale       New Church 1         New Church (Northern Echo)
Steve Dinsdale       Wright On            New Church (Northern Echo)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Lisa Hammer          Kyrie Orbis Factor   Dakini (Projekt)
Chinapainting        Notre Dame Courtaud  Cereus (none)
Tim Story and Hans-  Downrivers           Inlandish (Gronland)
  Joachim Roedelius
Paul Lawler and      Global Shift         Planting the Seed (Gemini Sun)
  Mark Holland

Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Kaipa]           unknown              Sequences No. 6
VA [Rebekka]         unknown              Sequences No. 6
VA [Ivory]           unknown              Sequences No. 6
7BZH                 The Very Day         The Sacrifice (none)
Spock's Beard        Intro                Seel Euphoria (InsideOut)
Spock's Beard        Same Old Story       Seel Euphoria (InsideOut)
Spock's Beard        You Don't Know       Seel Euphoria (InsideOut)
Spock's Beard        Judge                Seel Euphoria (InsideOut)
Spock's Beard        Sid's Boys Choir     Seel Euphoria (InsideOut)
Spock's Beard        Change               Seel Euphoria (InsideOut)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00/
ITZ-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

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Adrian Belew Power Trio
A fantastic show with quite a bit of livelooping incorperated.

http://tinyurl.com/l2vcw3


j_

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Date: Sun, 26 Jul 2009 17:00:25 +0200
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On Sun, Jul 26, 2009 at 4:25 PM, Jeff Duke<jeff_d@embarqmail.com> wrote:
> Adrian Belew Power Trio
> A fantastic show with quite a bit of livelooping incorperated.
>
> http://tinyurl.com/l2vcw3


Wow, what a great recording! Looks and sounds awesome here. Thank you
for hinting!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: Livelooping with a band..amazing!
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Per said:

> > http://tinyurl.com/l2vcw3
> Wow, what a great recording! Looks and sounds awesome here. Thank you for hinting!

Yep, once again them over-organized, nit-picky Germans ;).

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Subject: Re: Livelooping with a band..amazing!
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Excellent video... and it wasn't even in the body of the email!  I
could click on it and see it in a new window.  Amazing. ;)

On Sun, Jul 26, 2009 at 7:25 AM, Jeff Duke<jeff_d@embarqmail.com> wrote:
> Adrian Belew Power Trio
> A fantastic show with quite a bit of livelooping incorperated.
>
> http://tinyurl.com/l2vcw3
>
>
> j_
>
>

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this combination +4,+7,+11 results in a 7th Major chord. bossa?? ...


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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On Sun, Jul 26, 2009 at 5:19 PM, Raul Bonell<raul.bonell@gmail.com> wrote:
> this combination +4,+7,+11 results in a 7th Major chord. bossa?? ...

Yes, if the harmonizers are routed in parallel (the sharp 7th, not the
flat - like we use to type it "Xmaj7"). If routed as a chain though,
wow... then we're talking some fat cluster like blob here.... Except
for all the doubles I see a tritonus added (7+11), then a minor third
in the octave above the major third (4+11).

Actually, I take back the comment about "blob" because when I'm
playing that chord on my guitar here right now it sounds pretty neat.
Wide, fat and shimmering of many overtones.

Per

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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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well, in series i think there's nothing to worry about, if using 3
harm. feedbacking the same interval ad infinitum ... secure
cluster.... oh, jazzy players, Xmaj7... amazing, how much knowledge
produces this list, even taking as starting point a simply 7th chord.

maybe the drop in volume due to feedback loss, helps, for smoothing the blob.

2009/7/26, Per Boysen <perboysen@gmail.com>:
> On Sun, Jul 26, 2009 at 5:19 PM, Raul Bonell<raul.bonell@gmail.com> wrote:
>> this combination +4,+7,+11 results in a 7th Major chord. bossa?? ...
>
> Yes, if the harmonizers are routed in parallel (the sharp 7th, not the
> flat - like we use to type it "Xmaj7"). If routed as a chain though,
> wow... then we're talking some fat cluster like blob here.... Except
> for all the doubles I see a tritonus added (7+11), then a minor third
> in the octave above the major third (4+11).
>
> Actually, I take back the comment about "blob" because when I'm
> playing that chord on my guitar here right now it sounds pretty neat.
> Wide, fat and shimmering of many overtones.
>
> Per
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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i stole this one from a frith clip: +10 +21 ...

2009/7/26, Raul Bonell <raul.bonell@gmail.com>:
> well, in series i think there's nothing to worry about, if using 3
> harm. feedbacking the same interval ad infinitum ... secure
> cluster.... oh, jazzy players, Xmaj7... amazing, how much knowledge
> produces this list, even taking as starting point a simply 7th chord.
>
> maybe the drop in volume due to feedback loss, helps, for smoothing the
> blob.
>
> 2009/7/26, Per Boysen <perboysen@gmail.com>:
>> On Sun, Jul 26, 2009 at 5:19 PM, Raul Bonell<raul.bonell@gmail.com>
>> wrote:
>>> this combination +4,+7,+11 results in a 7th Major chord. bossa?? ...
>>
>> Yes, if the harmonizers are routed in parallel (the sharp 7th, not the
>> flat - like we use to type it "Xmaj7"). If routed as a chain though,
>> wow... then we're talking some fat cluster like blob here.... Except
>> for all the doubles I see a tritonus added (7+11), then a minor third
>> in the octave above the major third (4+11).
>>
>> Actually, I take back the comment about "blob" because when I'm
>> playing that chord on my guitar here right now it sounds pretty neat.
>> Wide, fat and shimmering of many overtones.
>>
>> Per
>>
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jul 26, 2009 at 5:58 PM, Raul Bonell<raul.bonell@gmail.com> wrote:
> even taking as starting point a simply 7th chord.

I understood Margret's post as talking in "steps", as equalling half
notes, or frets on a guitar. By that view the seventh step is simply
the fifth, not a 7th chord. And when transposed by "eleven steps" it
becomes adds in for a MINUS NINE CHORD... (or -13 as voiced and called
in jazz) - wow, I missed that in my last post. Maybe not precisely "a
blobby cluster" but definitely a somewhat dissonant chord, maybe going
for "fluffy" if played light with a not too fat sound! We'll have the
major third, fifth, maj7 and in the upper octave half note above
octave (-13) and minor third.

per

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Subject: Re: Livelooping with a band..amazing!
Date: Sun, 26 Jul 2009 12:07:35 -0400
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hehe, the actual link was some 357 characters! :)

Jeff


----- Original Message ----- 
From: "Mark Sottilaro" <zerocrossing@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 26, 2009 11:08 AM
Subject: Re: Livelooping with a band..amazing!


> Excellent video... and it wasn't even in the body of the email!  I
> could click on it and see it in a new window.  Amazing. ;)
> 
> On Sun, Jul 26, 2009 at 7:25 AM, Jeff Duke<jeff_d@embarqmail.com> wrote:
>> Adrian Belew Power Trio
>> A fantastic show with quite a bit of livelooping incorperated.
>>
>> http://tinyurl.com/l2vcw3
>>
>>
>> j_
>>
>>
> 
>

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Subject: Re: Livelooping with a band..amazing!
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On Sun, Jul 26, 2009 at 6:07 PM, Jeff Duke<jeff_d@embarqmail.com> wrote:
> hehe, the actual link was some 357 characters! :)

You COUNTED them? :-)

Is this what Rainer meant by "German nitt-pickyness"? (Presuming the
server is in German territory) I mean, having such a long URL.

per

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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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well. considering it like that, you also don't get any fifth, if the
seven step is scaled from the fourth, which was the major third.
instead, you get the secret major seventh again!... lacking the fifth
as i said, but this is the less important note of a seventh chord ...
eh, from where i should count now the +11 ... time to go out to have
an ice cream! any recommendations?

2009/7/26, Per Boysen <perboysen@gmail.com>:
> On Sun, Jul 26, 2009 at 5:58 PM, Raul Bonell<raul.bonell@gmail.com> wrote:
>> even taking as starting point a simply 7th chord.
>
> I understood Margret's post as talking in "steps", as equalling half
> notes, or frets on a guitar. By that view the seventh step is simply
> the fifth, not a 7th chord. And when transposed by "eleven steps" it
> becomes adds in for a MINUS NINE CHORD... (or -13 as voiced and called
> in jazz) - wow, I missed that in my last post. Maybe not precisely "a
> blobby cluster" but definitely a somewhat dissonant chord, maybe going
> for "fluffy" if played light with a not too fat sound! We'll have the
> major third, fifth, maj7 and in the upper octave half note above
> octave (-13) and minor third.
>
> per
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 16:27:05 2009
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Subject: Re: Livelooping with a band..amazing!
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:), heavens no Per, tinyurl did it for me....sheesh! I am in slOcala, 
Florida, not Munich! hehe

j

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 26, 2009 12:18 PM
Subject: Re: Livelooping with a band..amazing!


> On Sun, Jul 26, 2009 at 6:07 PM, Jeff Duke<jeff_d@embarqmail.com> wrote:
>> hehe, the actual link was some 357 characters! :)
>
> You COUNTED them? :-)
>
> Is this what Rainer meant by "German nitt-pickyness"? (Presuming the
> server is in German territory) I mean, having such a long URL.
>
> per
>
> 

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Erm - does anyone else here think this music is a bit=2C well=2C cack/medio=
cre/80's/lame/limp/unimaginative/uninspired etc etc?

G

> From: jeff_d@embarqmail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Livelooping with a band..amazing!
> Date: Sun=2C 26 Jul 2009 12:07:35 -0400
>=20
> hehe=2C the actual link was some 357 characters! :)
>=20
> Jeff
>=20
>=20
> ----- Original Message -----=20
> From: "Mark Sottilaro" <zerocrossing@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday=2C July 26=2C 2009 11:08 AM
> Subject: Re: Livelooping with a band..amazing!
>=20
>=20
> > Excellent video... and it wasn't even in the body of the email!  I
> > could click on it and see it in a new window.  Amazing. =3B)
> >=20
> > On Sun=2C Jul 26=2C 2009 at 7:25 AM=2C Jeff Duke<jeff_d@embarqmail.com>=
 wrote:
> >> Adrian Belew Power Trio
> >> A fantastic show with quite a bit of livelooping incorperated.
> >>
> >> http://tinyurl.com/l2vcw3
> >>
> >>
> >> j_
> >>
> >>
> >=20
> >
>=20

_________________________________________________________________
Share your memories online with anyone you want.
http://clk.atdmt.com/UKM/go/134665338/direct/01/=

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Erm - does anyone else here think this music is a bit=2C well=2C cack/medio=
cre/80's/lame/limp/unimaginative/uninspired etc etc?<br><br>G<br><br>&gt=3B=
 From: jeff_d@embarqmail.com<br>&gt=3B To: Loopers-Delight@loopers-delight.=
com<br>&gt=3B Subject: Re: Livelooping with a band..amazing!<br>&gt=3B Date=
: Sun=2C 26 Jul 2009 12:07:35 -0400<br>&gt=3B <br>&gt=3B hehe=2C the actual=
 link was some 357 characters! :)<br>&gt=3B <br>&gt=3B Jeff<br>&gt=3B <br>&=
gt=3B <br>&gt=3B ----- Original Message ----- <br>&gt=3B From: "Mark Sottil=
aro" &lt=3Bzerocrossing@gmail.com&gt=3B<br>&gt=3B To: &lt=3BLoopers-Delight=
@loopers-delight.com&gt=3B<br>&gt=3B Sent: Sunday=2C July 26=2C 2009 11:08 =
AM<br>&gt=3B Subject: Re: Livelooping with a band..amazing!<br>&gt=3B <br>&=
gt=3B <br>&gt=3B &gt=3B Excellent video... and it wasn't even in the body o=
f the email!  I<br>&gt=3B &gt=3B could click on it and see it in a new wind=
ow.  Amazing. =3B)<br>&gt=3B &gt=3B <br>&gt=3B &gt=3B On Sun=2C Jul 26=2C 2=
009 at 7:25 AM=2C Jeff Duke&lt=3Bjeff_d@embarqmail.com&gt=3B wrote:<br>&gt=
=3B &gt=3B&gt=3B Adrian Belew Power Trio<br>&gt=3B &gt=3B&gt=3B A fantastic=
 show with quite a bit of livelooping incorperated.<br>&gt=3B &gt=3B&gt=3B<=
br>&gt=3B &gt=3B&gt=3B http://tinyurl.com/l2vcw3<br>&gt=3B &gt=3B&gt=3B<br>=
&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B j_<br>&gt=3B &gt=3B&gt=3B<br>&gt=
=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B <br>&gt=3B &gt=3B<br>&gt=3B <br><br /><hr=
 />Share your memories online with anyone you want. <a href=3D'http://clk.a=
tdmt.com/UKM/go/134665338/direct/01/' target=3D'_new'>Learn more.</a></body=
>
</html>=

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To: <Loopers-Delight@loopers-delight.com>
References: <000d01ca0dfc$ed3c9290$6f832245@YOUR08D5303051> <bcd3c7bb0907260808r68f5eeccja5d1ba9d56f69d76@mail.gmail.com> <000601ca0e0b$30b926b0$6f832245@YOUR08D5303051> <BLU113-W5BBE0CE92F965C1973BB585170@phx.gbl>
Subject: Re: Livelooping with a band..amazing!
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not me!
  ----- Original Message -----=20
  From: Gareth Whittock=20
  To: loopers-delight@loopers-delight.com=20
  Sent: Sunday, July 26, 2009 12:26 PM
  Subject: RE: Livelooping with a band..amazing!


  Erm - does anyone else here think this music is a bit, well, =
cack/mediocre/80's/lame/limp/unimaginative/uninspired etc etc?

  G

  > From: jeff_d@embarqmail.com
  > To: Loopers-Delight@loopers-delight.com
  > Subject: Re: Livelooping with a band..amazing!
  > Date: Sun, 26 Jul 2009 12:07:35 -0400
  >=20
  > hehe, the actual link was some 357 characters! :)
  >=20
  > Jeff
  >=20
  >=20
  > ----- Original Message -----=20
  > From: "Mark Sottilaro" <zerocrossing@gmail.com>
  > To: <Loopers-Delight@loopers-delight.com>
  > Sent: Sunday, July 26, 2009 11:08 AM
  > Subject: Re: Livelooping with a band..amazing!
  >=20
  >=20
  > > Excellent video... and it wasn't even in the body of the email! I
  > > could click on it and see it in a new window. Amazing. ;)
  > >=20
  > > On Sun, Jul 26, 2009 at 7:25 AM, Jeff Duke<jeff_d@embarqmail.com> =
wrote:
  > >> Adrian Belew Power Trio
  > >> A fantastic show with quite a bit of livelooping incorperated.
  > >>
  > >> http://tinyurl.com/l2vcw3
  > >>
  > >>
  > >> j_
  > >>
  > >>
  > >=20
  > >
  >=20


-------------------------------------------------------------------------=
-----
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<DIV><FONT face=3DArial>not me!</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbuddhamachine@live.co.uk=20
  href=3D"mailto:buddhamachine@live.co.uk">Gareth Whittock</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, July 26, 2009 =
12:26=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Livelooping with a =

  band..amazing!</DIV>
  <DIV><BR></DIV>Erm - does anyone else here think this music is a bit, =
well,=20
  cack/mediocre/80's/lame/limp/unimaginative/uninspired etc=20
  etc?<BR><BR>G<BR><BR>&gt; From: <A=20
  =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A><BR>&gt; =
To: <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;=20
  Subject: Re: Livelooping with a band..amazing!<BR>&gt; Date: Sun, 26 =
Jul 2009=20
  12:07:35 -0400<BR>&gt; <BR>&gt; hehe, the actual link was some 357 =
characters!=20
  :)<BR>&gt; <BR>&gt; Jeff<BR>&gt; <BR>&gt; <BR>&gt; ----- Original =
Message=20
  ----- <BR>&gt; From: "Mark Sottilaro" =
&lt;zerocrossing@gmail.com&gt;<BR>&gt;=20
  To: &lt;Loopers-Delight@loopers-delight.com&gt;<BR>&gt; Sent: Sunday, =
July 26,=20
  2009 11:08 AM<BR>&gt; Subject: Re: Livelooping with a =
band..amazing!<BR>&gt;=20
  <BR>&gt; <BR>&gt; &gt; Excellent video... and it wasn't even in the =
body of=20
  the email! I<BR>&gt; &gt; could click on it and see it in a new =
window.=20
  Amazing. ;)<BR>&gt; &gt; <BR>&gt; &gt; On Sun, Jul 26, 2009 at 7:25 =
AM, Jeff=20
  Duke&lt;jeff_d@embarqmail.com&gt; wrote:<BR>&gt; &gt;&gt; Adrian Belew =
Power=20
  Trio<BR>&gt; &gt;&gt; A fantastic show with quite a bit of livelooping =

  incorperated.<BR>&gt; &gt;&gt;<BR>&gt; &gt;&gt;=20
  http://tinyurl.com/l2vcw3<BR>&gt; &gt;&gt;<BR>&gt; &gt;&gt;<BR>&gt; =
&gt;&gt;=20
  j_<BR>&gt; &gt;&gt;<BR>&gt; &gt;&gt;<BR>&gt; &gt; <BR>&gt; =
&gt;<BR>&gt;=20
  <BR><BR>
  <HR>
  Share your memories online with anyone you want. <A=20
  href=3D"http://clk.atdmt.com/UKM/go/134665338/direct/01/" =
target=3D_new>Learn=20
  more.</A> </BLOCKQUOTE></BODY></HTML>

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god yeah.. yikes...!!!

On Sun, Jul 26, 2009 at 6:26 PM, Gareth Whittock
<buddhamachine@live.co.uk>wrote:

>  Erm - does anyone else here think this music is a bit, well,
> cack/mediocre/80's/lame/limp/unimaginative/uninspired etc etc
> G
>


www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c0f0cec9909046f9f3996
Content-Type: text/html; charset=ISO-8859-1
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god yeah.. yikes...!!!<br><br><div class=3D"gmail_quote">On Sun, Jul 26, 20=
09 at 6:26 PM, Gareth Whittock <span dir=3D"ltr">&lt;<a href=3D"mailto:budd=
hamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt;</span> wrote:<br><bl=
ockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204=
, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div>
Erm - does anyone else here think this music is a bit, well, cack/mediocre/=
80&#39;s/lame/limp/unimaginative/uninspired etc etc<br>G</div></blockquote>=
<div><br>=A0</div></div><a href=3D"http://www.markfrancombe.com">www.markfr=
ancombe.com</a><br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--0015174c0f0cec9909046f9f3996--

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Subject: Re: Livelooping with a band..amazing!
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I don't think the music has these properties inherently (so I would =
refrain judgment in that light), but the music certainly doesn't inspire =
me emotionally or musically. It feels a bit pass=E9 and formulaic.  But =
that's just me and a reflection of what I listened to an play now.  They =
all appear to be great musicians, but perhaps the music should be in a =
museum?   They are great curators.  :) =20

K-
  ----- Original Message -----=20
    From: Gareth Whittock=20
    To: loopers-delight@loopers-delight.com=20
    Sent: Sunday, July 26, 2009 12:26 PM
    Subject: RE: Livelooping with a band..amazing!


    Erm - does anyone else here think this music is a bit, well, =
cack/mediocre/80's/lame/limp/unimaginative/uninspired etc etc?

    G

    > From: jeff_d@embarqmail.com
    > To: Loopers-Delight@loopers-delight.com
    > Subject: Re: Livelooping with a band..amazing!
    > Date: Sun, 26 Jul 2009 12:07:35 -0400
    >=20
    > hehe, the actual link was some 357 characters! :)
    >=20
    > Jeff
    >=20
    >=20
    > ----- Original Message -----=20
    > From: "Mark Sottilaro" <zerocrossing@gmail.com>
    > To: <Loopers-Delight@loopers-delight.com>
    > Sent: Sunday, July 26, 2009 11:08 AM
    > Subject: Re: Livelooping with a band..amazing!
    >=20
    >=20
    > > Excellent video... and it wasn't even in the body of the email! =
I
    > > could click on it and see it in a new window. Amazing. ;)
    > >=20
    > > On Sun, Jul 26, 2009 at 7:25 AM, Jeff =
Duke<jeff_d@embarqmail.com> wrote:
    > >> Adrian Belew Power Trio
    > >> A fantastic show with quite a bit of livelooping incorperated.
    > >>
    > >> http://tinyurl.com/l2vcw3
    > >>
    > >>
    > >> j_
    > >>
    > >>
    > >=20
    > >
    >=20


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<DIV><FONT face=3DArial>I don't think the music has these properties =
inherently=20
(so I would refrain judgment in that light), but the music certainly =
doesn't=20
inspire me emotionally or musically. It feels a bit pass=E9 and =
formulaic.&nbsp;=20
But that's just me and a reflection of what I listened to an play =
now.&nbsp;=20
They all appear to be great musicians, but perhaps the music should be =
in a=20
museum?&nbsp;&nbsp; They are great curators. &nbsp;:)&nbsp; =
</FONT></DIV>
<DIV><FONT face=3DArial><BR>K-</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">
  <DIV><FONT face=3DArial></FONT></DIV>----- Original Message ----- =
</DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dbuddhamachine@live.co.uk=20
    href=3D"mailto:buddhamachine@live.co.uk">Gareth Whittock</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3Dloopers-delight@loopers-delight.com=20
    =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, July 26, 2009 =
12:26=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Livelooping with =
a=20
    band..amazing!</DIV>
    <DIV><BR></DIV>Erm - does anyone else here think this music is a =
bit, well,=20
    cack/mediocre/80's/lame/limp/unimaginative/uninspired etc=20
    etc?<BR><BR>G<BR><BR>&gt; From: <A=20
    =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A><BR>&gt; =
To: <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>&gt;=20
    Subject: Re: Livelooping with a band..amazing!<BR>&gt; Date: Sun, 26 =
Jul=20
    2009 12:07:35 -0400<BR>&gt; <BR>&gt; hehe, the actual link was some =
357=20
    characters! :)<BR>&gt; <BR>&gt; Jeff<BR>&gt; <BR>&gt; <BR>&gt; ----- =

    Original Message ----- <BR>&gt; From: "Mark Sottilaro"=20
    &lt;zerocrossing@gmail.com&gt;<BR>&gt; To:=20
    &lt;Loopers-Delight@loopers-delight.com&gt;<BR>&gt; Sent: Sunday, =
July 26,=20
    2009 11:08 AM<BR>&gt; Subject: Re: Livelooping with a =
band..amazing!<BR>&gt;=20
    <BR>&gt; <BR>&gt; &gt; Excellent video... and it wasn't even in the =
body of=20
    the email! I<BR>&gt; &gt; could click on it and see it in a new =
window.=20
    Amazing. ;)<BR>&gt; &gt; <BR>&gt; &gt; On Sun, Jul 26, 2009 at 7:25 =
AM, Jeff=20
    Duke&lt;jeff_d@embarqmail.com&gt; wrote:<BR>&gt; &gt;&gt; Adrian =
Belew Power=20
    Trio<BR>&gt; &gt;&gt; A fantastic show with quite a bit of =
livelooping=20
    incorperated.<BR>&gt; &gt;&gt;<BR>&gt; &gt;&gt;=20
    http://tinyurl.com/l2vcw3<BR>&gt; &gt;&gt;<BR>&gt; &gt;&gt;<BR>&gt; =
&gt;&gt;=20
    j_<BR>&gt; &gt;&gt;<BR>&gt; &gt;&gt;<BR>&gt; &gt; <BR>&gt; =
&gt;<BR>&gt;=20
    <BR><BR>
    <HR>
    Share your memories online with anyone you want. <A=20
    href=3D"http://clk.atdmt.com/UKM/go/134665338/direct/01/" =
target=3D_new>Learn=20
    more.</A> </BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0BBB_01CA0DE7.C8CFF9C0--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 17:57:07 2009
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Subject: Re: OT:  What's on your iPod/CDplayer/Turntable MOON SOUNDTRACK
References: <14818240.1248280808352.JavaMail.root@mswamui-chipeau.atl.sa.earthlink.net> <9B6CFFC2DB3D41A7A7529C6E6EE6363E@DTT60> <716205CC-2940-4F39-8A8A-92DFCBCAB89F@ubergadget.com>
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    Not sure if anyone else has checked this out, but I was really 
impressed by the Soundtrack to "Moon". Moon is the new low budget sci-fi 
feature film by David Bowie's Son Duncan Jones (aka Zowie Bowie).

    The soundtrack is composed by Clint Mansell who is the former lead 
vocalist from Pop Will Eat Itself. He's done the music for Darren 
Aronofsky's Films: Pi, Requiem For A Dream, The Fountain and The Wrestler.

    Here's the music from the opening sequence of the film:

    http://www.youtube.com/watch?v=BtCpttsZiys

    And here's more info on Clint Mansell:

    http://en.wikipedia.org/wiki/Clint_Mansell
    http://www.myspace.com/clintmansell
    http://www.clintmansell.com/
   
    If you have any interest in seeing the film, I would avoid watching 
previews and reading the reviews, they really spoil the plot (in my 
opinion). The movie is in the vein of Silent Running, Sunshine, Solaris 
and to a certain extent 2001. It's really getting mixed reviews so I'm 
not really telling anyone to go see it. For me it was a real step back 
into the world of oldschool 70s and early 80s sci-fi with miniatures and 
all the stuff you'd want to read about in Starlog magazine at the comic 
store!

    I think it's worth taking a quick listen - not really "loopy" but a 
really great soundscape with a mixture of organic acoustic piano, synth 
pads and electronic drums. Very moody and atmospheric.

    TREVOR.


Rev Fever wrote:
> Nurse With Wound-The Surveillance Lounge
> Throbbing Gristle-The Third Mind Movements
> Iannis Xenakis- Electronic Music
> Iannis Xenakis-Pleiades
> Franco Battiato-Sulle Corde di Aries
> Wonderwall Music by George Harrison
> Edward Ka-Spel- Dream Logik, Part Two
> Brian Eno-Discreet Music
> Brian Eno-The Shutov Assembly
> (Looper Thomas O'Neill)  Myxproject-Instance
> Andrew Liles & Jean-Herve Peron- Fini!
> Mort Garson-Black Mass Lucifer
> Arthur Brown's Kingdom Come- Journey
>
> (and the list goes on and on and on....ad infinitum...)
>
> Cheers,
> Rev Fever
> http://www.spiritone.com/~rvfever/ <http://www.spiritone.com/%7Ervfever/>
>
>
> On Jul 22, 2009, at 11:03 AM, Dave Trenkel wrote:
>
>> I like these listening lists, it's always a great source for new music.
>>
>> Last CD's I got:
>> Sun Ra: With Pharoah Sanders and Black Harold: reissue of an 
>> extremely rare mid-60's Saturn LP. I actually have the LP, but the CD 
>> adds 45 extra minutes of better recorded tracks. This is the energy 
>> music side of the Arkestra, and Sanders, who was new to NYC at the 
>> time of this recording, is already sounding killer.
>>
>> John McLaughlin/Chick Corea: Five Peace Band Live and Return To 
>> Forever: Live at Montreaux (DVD). In hight school in the 70's, I 
>> idolized Corea, especially the RTF quartet stuff. I pretty much quit 
>> listening to him after the Elektrik Band's glossy FM overload, but 
>> these two releases have just been klicking my ass. Both of these are 
>> just killer, the new RTF seems to have a deeper pocket than they ever 
>> did in the 70's, and the 5PB is pure fusion, excellent musicianship 
>> and a lot of fire.
>>
>> Mulatu Astatke with the Heliocentrics: Mulatu is an Ethiopian 
>> musician/arranger/bandleader behind much of the excellent Ethio-funk 
>> of the 70's, and The Heliocentrics are a young British band with a 
>> vast 70's fixation. It's a perfect match, Mulatu's slinky grooves and 
>> strange modal melodies tastefully updated with touches of hip hop and 
>> electronics.
>>
>> Secret Chiefs 3: The Severed Right Hands of the Last Men (title is 
>> actually in Italian, but I don't have the disc with me and am too 
>> lazy to look it up). Speaking of 70's fixations, this is a soundtrack 
>> to an imaginary Italian horror film. If I didn't know better, I'd 
>> swear it was a lost Morricone or Goblin rarity, even the recording 
>> quality fits with the era.
>>
>> Also, the new Tortoise is very nice, lots of cool distorted analog 
>> synths.
>>
>> But the majority of my listening lately has been stuff I've 
>> downloaded from avantgardeproject.org: an archjive of about 150 lp's 
>> of out of print academic electronic and 20th Century classical music. 
>> Lp's are transferred from vinyl with extreme fidelity, even the mp3 
>> versions sound excellent, and it's really a wealth of interesting 
>> music. Material by Parmegiani, Berio, Subotnick, Kagel, Cage and many 
>> others, including composers I've never heard of, and I've been kind 
>> of obsessed with this stuff since college. Probably of special 
>> interest to this list are several late-70's Henry Kasier recordings. 
>> This archive is simply astounding, it'll take me weeks of listening 
>> to just make a first pass through this.
>>
>> Seems like I've been living in the past lately :-)
>>
>> Also, I should second Rick's recomendation of Nik Bartsch's Ronin, I 
>> have both of their ECM discs and they are incredible. It's like the 
>> concepts of 80's Krimson as played by a chamber-jazz ensemble. Great 
>> stuff. 
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 17:57:10 2009
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Subject: Re: Livelooping with a band..amazing!
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jul 26, 2009 at 6:26 PM, Gareth
Whittock<buddhamachine@live.co.uk> wrote:
> Erm - does anyone else here think this music is a bit, well,
> cack/mediocre/80's/lame/limp/unimaginative/uninspired etc etc?


Totally! Except for "uninspired", cause you can tell they play
inspired. I haven't heard stuff like that since the eighties! ;-)  And
I think it is an funny experience to here this music being played with
such a "listening" ensemble attitude. But this is not my favorite
music, Crimson never were either, back in the seventies/early
eighties. I'm just finding it very exciting to hear this now because
it is so out of time at this moment. I truly enjoy it as a "music time
machine" ;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 18:51:41 2009
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Krispen Hartung wrote:
> I don't think the music has these properties inherently 


welcome back Kris :-)

From fideuram@fideuram.it  Sun Jul 26 18:57:06 2009
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 19:16:27 2009
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Subject: Re: Livelooping with a band..amazing!
Date: Sun, 26 Jul 2009 13:16:23 -0600
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:) Yes, I've been hiding. I'm reading a lot of the messages, just haven't 
had the time to respond.

I will miss all of you at Y2K9 this year, unfortunately. I'm going to play 
at the Electro Music festival in the New Jersey area, and I can't afford to 
get away twice that month. So I hope all of you that go have a great time 
and give Rick big pats on the back for his efforts and energy.

But I may be back in Santa Cruz in December, as Bob Sterling and I applied 
to play at the ISIM (International Society of Improvised Music) festival at 
the university there. I don't know whether we will be accepted or not.

Also, another update, I recently took up the flute again. The flute was my 
very first instrument, at a very early age, but I gave it up when was about 
12 years old. I bought a really nice alto flute last month, and I'm 
practicing a lot. I hope to be playing it through my laptop in a year or so. 
I just need a break from the guitar and need something simpler.

Kris

----- Original Message ----- 

>
>
> Krispen Hartung wrote:
>> I don't think the music has these properties inherently
>
>
> welcome back Kris :-)
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 19:43:43 2009
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From: Stephen Scott <loopingsteve@yahoo.co.uk>
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Subject: Re: OT:  What's on your iPod/CDplayer/Turntable MOON SOUNDTRACK
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Yeah, it is a pretty good soundtrack, in fact after watching the movie, I s=
tayed for the final credits just to find out who did the soundtrack.  I was=
n't familiar with the name (Clint Mansell), but I realise now that I am fam=
iliar with (and enjoyed) much of his previous work.=0A=0A(Not quite so impr=
essed with the film, I was really looking forward to it, but I found it a l=
ittle predictable with some unanswered loose ends.  Having said that, Sam R=
ockwell's performance(s) is/are excellent, I very much like the style of th=
e film, and there are some nice warm 'human' touches to the plot. For what =
it's worth, I prefered 'Sunshine'.)=0A=0AStephen=0Awww.myspace.com/sylvianf=
isher=0A=0A=0A--- On Sun, 26/7/09, Trevor Van Eyck <vaneyck@sympatico.ca> w=
rote:=0A> From: Trevor Van Eyck <vaneyck@sympatico.ca>=0A> Subject: Re: OT:=
  What's on your iPod/CDplayer/Turntable MOON SOUNDTRACK=0A> To: Loopers-De=
light@loopers-delight.com=0A> Date: Sunday, 26 July, 2009, 5:57 PM=0A> =0A>=
 =A0=A0=A0Not sure if anyone else has checked this=0A> out, but I was reall=
y impressed by the Soundtrack to "Moon".=0A> Moon is the new low budget sci=
-fi feature film by David=0A> Bowie's Son Duncan Jones (aka Zowie Bowie).=
=0A> =0A> =A0=A0=A0The soundtrack is composed by Clint=0A> Mansell who is t=
he former lead vocalist from Pop Will Eat=0A> Itself. He's done the music f=
or Darren Aronofsky's Films:=0A> Pi, Requiem For A Dream, The Fountain and =
The Wrestler.=0A> =0A> =A0=A0=A0Here's the music from the opening=0A> seque=
nce of the film:=0A> =0A> =A0=A0=A0http://www.youtube.com/watch?v=3DBtCptts=
Ziys=0A> =0A> =A0=A0=A0And here's more info on Clint Mansell:=0A> =0A> =A0=
=A0=A0http://en.wikipedia.org/wiki/Clint_Mansell=0A> =A0=A0=A0http://www.my=
space.com/clintmansell=0A> =A0=A0=A0http://www.clintmansell.com/=0A> =A0 =
=A0=A0=A0If you have any interest in seeing=0A> the film, I would avoid wat=
ching previews and reading the=0A> reviews, they really spoil the plot (in =
my opinion). The=0A> movie is in the vein of Silent Running, Sunshine, Sola=
ris=0A> and to a certain extent 2001. It's really getting mixed=0A> reviews=
 so I'm not really telling anyone to go see it. For=0A> me it was a real st=
ep back into the world of oldschool 70s=0A> and early 80s sci-fi with minia=
tures and all the stuff you'd=0A> want to read about in Starlog magazine at=
 the comic store!=0A> =0A> =A0=A0=A0I think it's worth taking a quick liste=
n=0A> - not really "loopy" but a really great soundscape with a=0A> mixture=
 of organic acoustic piano, synth pads and electronic=0A> drums. Very moody=
 and atmospheric.=0A> =0A> =A0=A0=A0TREVOR.=0A> =0A> =0A> Rev Fever wrote:=
=0A> > Nurse With Wound-The Surveillance Lounge=0A> > Throbbing Gristle-The=
 Third Mind Movements=0A> > Iannis Xenakis- Electronic Music=0A> > Iannis X=
enakis-Pleiades=0A> > Franco Battiato-Sulle Corde di Aries=0A> > Wonderwall=
 Music by George Harrison=0A> > Edward Ka-Spel- Dream Logik, Part Two=0A> >=
 Brian Eno-Discreet Music=0A> > Brian Eno-The Shutov Assembly=0A> > (Looper=
 Thomas O'Neill)=A0 Myxproject-Instance=0A> > Andrew Liles & Jean-Herve Per=
on- Fini!=0A> > Mort Garson-Black Mass Lucifer=0A> > Arthur Brown's Kingdom=
 Come- Journey=0A> > =0A> > (and the list goes on and on and on....ad=0A> i=
nfinitum...)=0A> > =0A> > Cheers,=0A> > Rev Fever=0A> > http://www.spiriton=
e.com/~rvfever/ <http://www.spiritone.com/%7Ervfever/>=0A> > =0A> > =0A> > =
On Jul 22, 2009, at 11:03 AM, Dave Trenkel wrote:=0A> > =0A> >> I like thes=
e listening lists, it's always a great=0A> source for new music.=0A> >> =0A=
> >> Last CD's I got:=0A> >> Sun Ra: With Pharoah Sanders and Black Harold:=
=0A> reissue of an extremely rare mid-60's Saturn LP. I actually=0A> have t=
he LP, but the CD adds 45 extra minutes of better=0A> recorded tracks. This=
 is the energy music side of the=0A> Arkestra, and Sanders, who was new to =
NYC at the time of=0A> this recording, is already sounding killer.=0A> >> =
=0A> >> John McLaughlin/Chick Corea: Five Peace Band Live=0A> and Return To=
 Forever: Live at Montreaux (DVD). In hight=0A> school in the 70's, I idoli=
zed Corea, especially the RTF=0A> quartet stuff. I pretty much quit listeni=
ng to him after the=0A> Elektrik Band's glossy FM overload, but these two r=
eleases=0A> have just been klicking my ass. Both of these are just=0A> kill=
er, the new RTF seems to have a deeper pocket than they=0A> ever did in the=
 70's, and the 5PB is pure fusion, excellent=0A> musicianship and a lot of =
fire.=0A> >> =0A> >> Mulatu Astatke with the Heliocentrics: Mulatu is=0A> a=
n Ethiopian musician/arranger/bandleader behind much of the=0A> excellent E=
thio-funk of the 70's, and The Heliocentrics are=0A> a young British band w=
ith a vast 70's fixation. It's a=0A> perfect match, Mulatu's slinky grooves=
 and strange modal=0A> melodies tastefully updated with touches of hip hop =
and=0A> electronics.=0A> >> =0A> >> Secret Chiefs 3: The Severed Right Hand=
s of the=0A> Last Men (title is actually in Italian, but I don't have the=
=0A> disc with me and am too lazy to look it up). Speaking of=0A> 70's fixa=
tions, this is a soundtrack to an imaginary Italian=0A> horror film. If I d=
idn't know better, I'd swear it was a=0A> lost Morricone or Goblin rarity, =
even the recording quality=0A> fits with the era.=0A> >> =0A> >> Also, the =
new Tortoise is very nice, lots of cool=0A> distorted analog synths.=0A> >>=
 =0A> >> But the majority of my listening lately has been=0A> stuff I've do=
wnloaded from avantgardeproject.org: an=0A> archjive of about 150 lp's of o=
ut of print academic=0A> electronic and 20th Century classical music. Lp's =
are=0A> transferred from vinyl with extreme fidelity, even the mp3=0A> vers=
ions sound excellent, and it's really a wealth of=0A> interesting music. Ma=
terial by Parmegiani, Berio, Subotnick,=0A> Kagel, Cage and many others, in=
cluding composers I've never=0A> heard of, and I've been kind of obsessed w=
ith this stuff=0A> since college. Probably of special interest to this list=
 are=0A> several late-70's Henry Kasier recordings. This archive is=0A> sim=
ply astounding, it'll take me weeks of listening to just=0A> make a first p=
ass through this.=0A> >> =0A> >> Seems like I've been living in the past la=
tely=0A> :-)=0A> >> =0A> >> Also, I should second Rick's recomendation of N=
ik=0A> Bartsch's Ronin, I have both of their ECM discs and they are=0A> inc=
redible. It's like the concepts of 80's Krimson as played=0A> by a chamber-=
jazz ensemble. Great stuff. =0A> > =0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 19:47:44 2009
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Date: Sun, 26 Jul 2009 21:47:42 +0200
Message-ID: <afb941d0907261247w224ad3a1s617ecb97a1975e8@mail.gmail.com>
Subject: Re: Livelooping with a band..amazing!
From: Raul Bonell <raul.bonell@gmail.com>
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he's been very active in the war field against god's popes.
i enjoy his posts on facebook so far!

2009/7/26, andy butler <akbutler@tiscali.co.uk>:
>
>
> Krispen Hartung wrote:
>> I don't think the music has these properties inherently
>
>
> welcome back Kris :-)
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 19:56:51 2009
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i think thats buckethead!!! ha!! awesome tones and craziness - thanks for t=
he link-
incredible wall of noise for a 3 piece - i get a huge primus vibe over here=
....lovin every second of it

fro






> Date: Sun=2C 26 Jul 2009 20:06:51 +0100
> From: akbutler@tiscali.co.uk
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Livelooping with a band..amazing!
>=20
>=20
>=20
> Krispen Hartung wrote:
> > I don't think the music has these properties inherently=20
>=20
>=20
> welcome back Kris :-)
>=20

_________________________________________________________________
Windows Live=99 Hotmail=AE: Celebrate the moment with your favorite sports =
pics. Check it out.
http://www.windowslive.com/Online/Hotmail/Campaign/QuickAdd?ocid=3DTXT_TAGL=
M_WL_QA_HM_sports_photos_072009&cat=3Dsports=

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<html>
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i think thats buckethead!!! ha!! awesome tones and craziness - thanks for t=
he link-<br>incredible wall of noise for a 3 piece - i get a huge primus vi=
be over here....lovin every second of it<br><br>fro<br><br><br><br><br><br>=
<br>&gt=3B Date: Sun=2C 26 Jul 2009 20:06:51 +0100<br>&gt=3B From: akbutler=
@tiscali.co.uk<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B =
Subject: Re: Livelooping with a band..amazing!<br>&gt=3B <br>&gt=3B <br>&gt=
=3B <br>&gt=3B Krispen Hartung wrote:<br>&gt=3B &gt=3B I don't think the mu=
sic has these properties inherently <br>&gt=3B <br>&gt=3B <br>&gt=3B welcom=
e back Kris :-)<br>&gt=3B <br><br /><hr />Windows Live=99 Hotmail=AE: Celeb=
rate the moment with your favorite sports pics. <a href=3D'http://www.windo=
wslive.com/Online/Hotmail/Campaign/QuickAdd?ocid=3DTXT_TAGLM_WL_QA_HM_sport=
s_photos_072009&cat=3Dsports' target=3D'_new'>Check it out.</a></body>
</html>=

--_de5c1cb1-b085-4229-9889-77daf21ab1ab_--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 20:15:50 2009
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Subject: Re: Re: mailing list rules (was: Re: online real time looping 
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I've seen some pretty shitty html mail - appreciate the primitive text rule...

At 2009.07.25 07:02 PM, Warren Sirota wrote:
>just kidding, but those rules are like from 20 years ago. I understand
>no really fat msgs, but no html is so freaking primitive, it can be
>quite annoying.

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 20:39:17 2009
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Subject: RE: Livelooping with a band..amazing!
Date: Sun, 26 Jul 2009 13:39:13 -0700
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 Andy B wrote:
"Krispen Hartung wrote:
> I don't think the music has these properties inherently 


welcome back Kris :-)"

Ditto on Krispen, and a shout out to my Welsh homeboy Gareth as well! Nice
to hear from both of you.

  I haven't listened to King Krimson in a long time, though I was a fan back
in the day and got to see them live, as well as the Bears. I didn't really
get the Bears though. It was nice to see that Belew is still playing with
creativity and abandon and still possesses an arsenal of great techniques.
His whammy bar technique, like Jeff Beck's continues to evolve. He has a
cool guitar.  I really like him, but the music didn't really grab me,
perhaps because the rhythm section was overplaying a bit from my
perspective.  I respect the hell out of him as an innovator and musician.
It is interesting to note that he is still playing through Johnson modeling
amps live. One aspect of his tone that I have moved away from personally is
the extreme compression he uses, most evident on clean tones. It's punchy,
and in your face but pretty devoid of dynamics. I just prefer music with
more holes and there in lies the challenge of playing in a power trio: How
to make the music full without turning in to a full fledged wank-a-thon.
This band did a better job than most but could have gone further in
developing some different kinds of atmosphere, and a bit more space. 
 Bill

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Subject: Re: Livelooping with a band..amazing!
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On Sun, Jul 26, 2009 at 10:54 AM, Krispen
Hartung<info@krispenhartung.com> wrote:
>They all appear
> to be great musicians, but perhaps the music should be in a museum?=A0=A0=
 They
> are great curators. =A0:)


That just strikes me as an incredibly odd thing to say about music and
the musicians playing it.  Put the music in a museum?  I didn't know
this stuff had a sell by date (some recording techniques, sure).  I
guess in that case most blues, jazz, classical and so on should be put
away to leave room for the fresh music of today.

My appreciation of music is always changing, what sounds boring one
day can inspire me the next.  What I loved yesterday can seem dull and
lifeless a few days later, only to come back full on the next year.

Anyhow, that just seemed like an odd perspective to me.

The worst part of that show to me is the editing (hey let's try to
make it as frenetic as possible).

Kevin
--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 21:32:42 2009
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Subject: Re: Livelooping with a band..amazing!
From: Rainer Straschill <moinsound@googlemail.com>
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>They all appear
> to be great musicians, but perhaps the music should be in a museum?
>They  are great curators. =A0:)

That's why they're singing "I'm a dinosaur, somebody is digging my bones" ;=
)

And welcome back!

           Rainer

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Subject: Re: Livelooping with a band..amazing!
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Marty DiBergi: Do you feel that playing rock 'n' roll music keeps you a 
child? That is, keeps you in a state of arrested development?

Derek Smalls: No. No. No. I feel it's like, it's more like going, going to 
a, a national park or something. And there's, you know, they preserve the 
moose. And that's, that's my childhood up there on stage. That moose, you 
know.

Marty DiBergi: So when you're playing you feel like a preserved moose on 
stage?

Derek Smalls: Yeah.



On Sun, Jul 26, 2009 at 10:54 AM, Krispen
Hartung<info@krispenhartung.com> wrote:
>They all appear
> to be great musicians, but perhaps the music should be in a museum? They
> are great curators. :)


That just strikes me as an incredibly odd thing to say about music and
the musicians playing it.  Put the music in a museum?  I didn't know
this stuff had a sell by date (some recording techniques, sure).  I
guess in that case most blues, jazz, classical and so on should be put
away to leave room for the fresh music of today.

My appreciation of music is always changing, what sounds boring one
day can inspire me the next.  What I loved yesterday can seem dull and
lifeless a few days later, only to come back full on the next year.

Anyhow, that just seemed like an odd perspective to me.

The worst part of that show to me is the editing (hey let's try to
make it as frenetic as possible).

Kevin
-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09



--------------------------------------------------------------------------------



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11:07:00

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 21:51:26 2009
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Don't Knock the Rock!
been following ABelew fer ever-he can do no wrong in my book-got me into looping back in the 80s w/his use of the EH16secDDL-which i got then and still use.
(also his (ab)use of the EH BigMuff! which i encourage)
i do agree w/ BWalker that his overuse of compression is a bit much-but he has used it since the beginning-so its his sound.
s

-----Original Message-----
>From: Ricky Graham <rock.guitar.guru@btinternet.com>
>Sent: Jul 26, 2009 5:35 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Livelooping with a band..amazing!
>
>Marty DiBergi: Do you feel that playing rock 'n' roll music keeps you a 
>child? That is, keeps you in a state of arrested development?
>
>Derek Smalls: No. No. No. I feel it's like, it's more like going, going to 
>a, a national park or something. And there's, you know, they preserve the 
>moose. And that's, that's my childhood up there on stage. That moose, you 
>know.
>
>Marty DiBergi: So when you're playing you feel like a preserved moose on 
>stage?
>
>Derek Smalls: Yeah.
>
>
>
>On Sun, Jul 26, 2009 at 10:54 AM, Krispen
>Hartung<info@krispenhartung.com> wrote:
>>They all appear
>> to be great musicians, but perhaps the music should be in a museum? They
>> are great curators. :)
>
>
>That just strikes me as an incredibly odd thing to say about music and
>the musicians playing it.  Put the music in a museum?  I didn't know
>this stuff had a sell by date (some recording techniques, sure).  I
>guess in that case most blues, jazz, classical and so on should be put
>away to leave room for the fresh music of today.
>
>My appreciation of music is always changing, what sounds boring one
>day can inspire me the next.  What I loved yesterday can seem dull and
>lifeless a few days later, only to come back full on the next year.
>
>Anyhow, that just seemed like an odd perspective to me.
>
>The worst part of that show to me is the editing (hey let's try to
>make it as frenetic as possible).
>
>Kevin
>-- 
>Till now you seriously considered yourself to be the body and to have a
>form. That is the primal ignorance which is the root cause of all trouble.
>
>- Ramana Maharshi (1879-1950)
>
>Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09
>
>
>
>--------------------------------------------------------------------------------
>
>
>
>No virus found in this incoming message.
>Checked by AVG - www.avg.com
>Version: 8.5.392 / Virus Database: 270.13.31/2264 - Release Date: 07/26/09 
>11:07:00
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 22:29:19 2009
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To: <Loopers-Delight@loopers-delight.com>
References: <000d01ca0dfc$ed3c9290$6f832245@YOUR08D5303051> <bcd3c7bb0907260808r68f5eeccja5d1ba9d56f69d76@mail.gmail.com> <000601ca0e0b$30b926b0$6f832245@YOUR08D5303051> <BLU113-W5BBE0CE92F965C1973BB585170@phx.gbl> <000c01ca0e0f$e4f5e920$6f832245@YOUR08D5303051> <BLU0-SMTP53BE94834CF396665D5A01DC170@phx.gbl> <37f071c00907261356q384ad385ude68ef5f06593e01@mail.gmail.com>
Subject: Re: Livelooping with a band..amazing!
Date: Sun, 26 Jul 2009 16:29:15 -0600
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Well, I thought I was going to sneak in and get out, but apparently, the LD 
blackhole has me hooked again! :)  Here we go again. :)

Of cource, what I said is odd.  Some wouldn't expect otherwise. It was 
partly in jest. I'd say the same thing about traditional jazz, country, or 
any past genre.   The thing is, you can probabl find this style of music and 
other prior genres  in museums of music, mainly because, well....it's 
history. There is nothing wrong with that.  I appreciate it and think people 
should still play it. I even play it once in a while.  I think it needs to 
be preserved, so that people can see history in action in the current times. 
Is it novel, innovative and earth breaking? No. But that is another matter 
and discussion all together. I think people should continue to play music 
like this, in the same way I think people should study history and learned 
what has been done before.

Kris

----- Original Message ----- 

On Sun, Jul 26, 2009 at 10:54 AM, Krispen
Hartung<info@krispenhartung.com> wrote:
>They all appear
> to be great musicians, but perhaps the music should be in a museum? They
> are great curators. :)


That just strikes me as an incredibly odd thing to say about music and
the musicians playing it.  Put the music in a museum?  I didn't know
this stuff had a sell by date (some recording techniques, sure).  I
guess in that case most blues, jazz, classical and so on should be put
away to leave room for the fresh music of today.

My appreciation of music is always changing, what sounds boring one
day can inspire me the next.  What I loved yesterday can seem dull and
lifeless a few days later, only to come back full on the next year.

Anyhow, that just seemed like an odd perspective to me.

The worst part of that show to me is the editing (hey let's try to
make it as frenetic as possible).

Kevin
-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09


From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 22:29:59 2009
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Subject: Re: Livelooping with a band..amazing!
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Great song.  KC apparently has a sense of humor. :)  You too Rainer!

----- Original Message ----- 


>They all appear
> to be great musicians, but perhaps the music should be in a museum?
>They  are great curators. :)

That's why they're singing "I'm a dinosaur, somebody is digging my bones" ;)

And welcome back!

           Rainer


From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 22:31:35 2009
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Subject: Re: Livelooping with a band..amazing!
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That's hilarious.  How's this for a new band: "Fusion on Formaldehyde".

Kris

----- Original Message ----- 


> Marty DiBergi: Do you feel that playing rock 'n' roll music keeps you a 
> child? That is, keeps you in a state of arrested development?
>
> Derek Smalls: No. No. No. I feel it's like, it's more like going, going to 
> a, a national park or something. And there's, you know, they preserve the 
> moose. And that's, that's my childhood up there on stage. That moose, you 
> know.
>
> Marty DiBergi: So when you're playing you feel like a preserved moose on 
> stage?
>
> Derek Smalls: Yeah.
>
>
>
> On Sun, Jul 26, 2009 at 10:54 AM, Krispen
> Hartung<info@krispenhartung.com> wrote:
>>They all appear
>> to be great musicians, but perhaps the music should be in a museum? They
>> are great curators. :)
>
>
> That just strikes me as an incredibly odd thing to say about music and
> the musicians playing it.  Put the music in a museum?  I didn't know
> this stuff had a sell by date (some recording techniques, sure).  I
> guess in that case most blues, jazz, classical and so on should be put
> away to leave room for the fresh music of today.
>
> My appreciation of music is always changing, what sounds boring one
> day can inspire me the next.  What I loved yesterday can seem dull and
> lifeless a few days later, only to come back full on the next year.
>
> Anyhow, that just seemed like an odd perspective to me.
>
> The worst part of that show to me is the editing (hey let's try to
> make it as frenetic as possible).
>
> Kevin
> -- 
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09
>
>
>
> --------------------------------------------------------------------------------
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.392 / Virus Database: 270.13.31/2264 - Release Date: 07/26/09 
> 11:07:00
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 26 23:16:58 2009
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Subject: OT: Gig Spam = LOS ANGELES! 1 August
From: Dennis Moser <sinsofmachaut@gmail.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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--00163646d7d6b151cd046fa40823
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

I will be performing as part of an exhibition/performance/installation at
the Bandit Gallery in the Echo Park district, in Los Angeles (CA) next
Saturday, 1 August. THe doors open at 6:30 PM; things get underway after
that.

Some loopage to be expected. Serious guitar wrangling guaranteed. Be there
if you can ... it's the only time I'll be in California (or the West Coast)
this year.

DETAILS:

http://3strophe.blogspot.com/

*Everything Bends:
An Improvisatory Evening of Demonstration Performance, and Conversation

Doors 6:30 PM / 7:00 PM Saturday, August 1st
Bandit Gallery <http://www.blogger.com/www.banditgallery.com>
1549 Sunset Blvd, Los Angeles, CA 90026*

Best,

Dennis

-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://www.facebook.com/pages/Dennis-Moser-aka-usrsbin-aka-AldoManutio-Abruzzo-/102151358044?ref=mf

--00163646d7d6b151cd046fa40823
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I will be performing as part of an exhibition/performance/installation at t=
he Bandit Gallery in the Echo Park district, in Los Angeles (CA) next Satur=
day, 1 August. THe doors open at 6:30 PM; things get underway after that.<b=
r>
<br>Some loopage to be expected. Serious guitar wrangling guaranteed. Be th=
ere if you can ... it&#39;s the only time I&#39;ll be in California (or the=
 West Coast) this year.<br><br>DETAILS:<br><br><a href=3D"http://3strophe.b=
logspot.com/">http://3strophe.blogspot.com/</a><br>
<br><span style=3D"font-size: 100%;"><b><span style=3D"font-size: 130%;"><s=
pan style=3D"color: rgb(204, 102, 0); font-size: 180%;">Everything Bends:</=
span><br><span style=3D"font-size: 100%;">An Improvisatory Evening of Demon=
stration Performance, and Conversation</span><br>
<br>Doors 6:30 PM / 7:00 PM Saturday, August 1st<br><a href=3D"http://www.b=
logger.com/www.banditgallery.com">Bandit Gallery</a><br>1549 Sunset Blvd, L=
os Angeles, CA 90026</span></b></span><br clear=3D"all"><br>Best,<br><br>De=
nnis<br>
<br>-- <br><a href=3D"http://myspace.com/usrsbin">http://myspace.com/usrsbi=
n</a><br><a href=3D"http://audiozoloft.com">http://audiozoloft.com</a><br><=
a href=3D"http://www.facebook.com/pages/Dennis-Moser-aka-usrsbin-aka-AldoMa=
nutio-Abruzzo-/102151358044?ref=3Dmf">http://www.facebook.com/pages/Dennis-=
Moser-aka-usrsbin-aka-AldoManutio-Abruzzo-/102151358044?ref=3Dmf</a><br>


--00163646d7d6b151cd046fa40823--

From admin.office@live.co.uk  Sun Jul 26 23:42:47 2009
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Dear Sir/Madam,

I am Lt General Sam Edwards National Special Adviser,I am delighted to inform you that the contract panel, which just concluded it seating in our department just released your name amongst contractors to benefit from the Diplomatic Immunity Payment. This Panel was primarily delegated to investigate manipulated contract claims,contracts and over-invoiced payment as the effect has eaten deep into the economy of our dear country here in UNITED KINGDOM UK..

However, we wish to bring to your notice that your contract profile is still reflecting in our central computer as as it was instructed by the UNITED NATION unpaid contractor while auditing was going on. Your contract file was forwarded to my office by the auditors as unclaimed fund, we wish to use this medium to inform you that for the time being Federal Government have stopped further payment through bank to bank transfer due to contractors numerous petitions to United Nations against banks on wrong payment and diversion of contract funds to different account.

In this regards we are going to send your contract part payment of $10.100,000.00 Million USD.To you via our accredited shipping company via diplomatic means  and I have secured every needed documents to cover the money. Note: The money is coming on 2 security proof boxes. The boxes are sealed with synthetic nylon seal and padded with machine.

Please you don't have to worry for anything, as the transaction is 100% risk free. The boxes are coming with a Diplomatic agent who will accompany the boxes to your house address. All you need to do now is to send to me your full house address and your identity such as, international Passport or drivers license and your mobile phone and telephone number, The Diplomatic Attach? will travel with it. He will call you immediately he arrives your country's airport. I hope you understand me.

Note: The diplomat does not know the original contents of the boxes. What we declared to them as the contents is Sensitive Photographic Film Materials for security reasons.I did not declare money to them please. If they call you and ask you the contents please tell them the same thing. email (admin_office@mail2broker.com) I will let you know how far I have gone with the arrangement. I will secure the Diplomatic immunity clearance certificate, which will make it pass every custom checkpoint all over the world without hitch. Confirm the receipt of this message and send the requirements to me immediately you receive this message. Please I need urgent reply because the boxes are schedule to live as soon as we hear from you. Call me immediately.

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4)YOUR AGE AND CURRENT OCCUPATION
5)A COPY OF YOUR IDENTITY

Congratulations.

Best Regards,
Lt General Sam Edwards.
National Security Adviser.
+44-704-570-1505.

Note: Make sure you reply and forward the needed information to this email address:admin_office@mail2broker.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 00:07:16 2009
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Subject: Re: Livelooping with a band..amazing!
From: Kevin Cheli-Colando <kevin@minds-eye.org>
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On Sun, Jul 26, 2009 at 3:29 PM, Krispen Hartung<info@krispenhartung.com> w=
rote:
> Well, I thought I was going to sneak in and get out, but apparently, the =
LD
> blackhole has me hooked again! :) =A0Here we go again. :)

No one get's out of here that easily, you should know that :-)

> Of cource, what I said is odd. =A0Some wouldn't expect otherwise. It was
> partly in jest. I'd say the same thing about traditional jazz, country, o=
r
> any past genre. =A0 The thing is, you can probabl find this style of musi=
c and
> other prior genres =A0in museums of music, mainly because, well....it's
> history. There is nothing wrong with that. =A0I appreciate it and think p=
eople
> should still play it. I even play it once in a while. =A0I think it needs=
 to
> be preserved, so that people can see history in action in the current tim=
es.
> Is it novel, innovative and earth breaking? No. But that is another matte=
r
> and discussion all together. I think people should continue to play music
> like this, in the same way I think people should study history and learne=
d
> what has been done before.

I hope I didn't come off as offended or overly serious in that
response.  What I meant was that I don't see how one can consider live
music to ever be just a historical curiosity.  When music is performed
by humans, it is happening at that very moment and as such is a living
representation of that moment (if the performers are indeed trying to
do more than simply play the right notes in sequence and even then
sometimes magic sneaks in and creates something 'more' of it).
Basically I think that every performance creates a world of
possibility and is open to what I think of as grace and when that
happens, there is nothing like it; its quintessentially timeless and
representative of now simultaneously.  So I'm put off by the thought
that one could consider any music 'dead' and ready to be put in
storage.

Basically I guess I feel that when 'Music' happens, it is novel,
innovative and earth shattering and much much more regardless of the
shell it came to earth in.  The most ground breaking technically
complex and new music can just as easily be a historical document of
the past as a simple 12 bar blues IMO; its all in the energy that
infuses the performance.

Kevin



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 02:35:46 2009
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From: FRO DIDDLY <parispro00@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: FRO's rig - The Wandering Madman
Date: Sun, 26 Jul 2009 21:35:44 -0500
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--_1558112c-a147-4acc-89f8-b5880c0b3861_
Content-Type: text/plain; charset="Windows-1252"
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its finally looking pretty =3Bo) here are some pics for your viewing pleasu=
re-





close to 2 years in the making=2C its finally portable- with gear side of
stage=2C it takes about 15-20min for setup=2C 10min for tear-down-



it weighs over 500lbs....



i should have videos up in another month or two-



should be touring the U.S. hopefully by December.......







~!~!~The Wandering Madman~!~!~! =20







.....coming to a small=2C dirty=2C stinky=2C hole-in-the-wall=2C trailer pa=
rk/coffee-house/crack-house/kindergarten near you.......



hope to see ya there =3Bo)....





xoxo



fro






http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&current=
=3DEuclid1.jpg


http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&current=
=3DEuclid2.jpg


http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&current=
=3DEuclid3.jpg


http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&current=
=3DEuclid4.jpg




_________________________________________________________________
Bing=99 brings you maps=2C menus=2C and reviews organized in one place. Try=
 it now.
http://www.bing.com/search?q=3Drestaurants&form=3DMLOGEN&publ=3DWLHMTAG&cre=
a=3DTXT_MLOGEN_Local_Local_Restaurants_1x1=

--_1558112c-a147-4acc-89f8-b5880c0b3861_
Content-Type: text/html; charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
<br>its finally looking pretty =3Bo) here are some pics for your viewing pl=
easure-<br>


<br>
close to 2 years in the making=2C its finally portable- with gear side of
stage=2C it takes about 15-20min for setup=2C 10min for tear-down-<br>


it weighs over 500lbs....<br>


i should have videos up in another month or two-<br>


should be touring the U.S. hopefully by December.......<br>


<br>


~!~!~The Wandering Madman~!~!~!&nbsp=3B <br>


<br>


.....coming to a small=2C dirty=2C stinky=2C hole-in-the-wall=2C trailer pa=
rk/coffee-house/crack-house/kindergarten near you.......<br>


hope to see ya there =3Bo)....<br>


<br>
xoxo<br>


fro<br>


<br>

http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&amp=3Bcur=
rent=3DEuclid1.jpg<br>

http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&amp=3Bcur=
rent=3DEuclid2.jpg<br>

http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&amp=3Bcur=
rent=3DEuclid3.jpg<br>

http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&amp=3Bcur=
rent=3DEuclid4.jpg<br><br><br><br><br /><hr />Bing=99 brings you maps=2C me=
nus=2C and reviews organized in one place. <a href=3D'http://www.bing.com/s=
earch?q=3Drestaurants&form=3DMLOGEN&publ=3DWLHMTAG&crea=3DTXT_MLOGEN_Local_=
Local_Restaurants_1x1' target=3D'_new'>Try it now.</a></body>
</html>=

--_1558112c-a147-4acc-89f8-b5880c0b3861_--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 02:54:42 2009
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Subject: Re: Livelooping with a band..amazing!
From: Mark Sottilaro <zerocrossing@gmail.com>
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Oh, btw, most of you (myself included) who are being critical of this
music (I'm looking at you Per, Krispen, etc... ) attempt pale
imitations (that I quite like) of the music  that this man pioneered
and you should be honored to lick Adrian Belew's ball-sack.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 03:47:07 2009
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Date: Mon, 27 Jul 2009 05:47:05 +0200
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Subject: Re: FRO's rig - The Wandering Madman
From: Raul Bonell <raul.bonell@gmail.com>
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although pretty, as i supose most of us addicted to gear will agree,
it's too much for what i would consider a portable rig ...

2009/7/27, FRO DIDDLY <parispro00@hotmail.com>:
>
>
> its finally looking pretty ;o) here are some pics for your viewing pleasu=
re-
>
>
>
>
>
> close to 2 years in the making, its finally portable- with gear side of
> stage, it takes about 15-20min for setup, 10min for tear-down-
>
>
>
> it weighs over 500lbs....
>
>
>
> i should have videos up in another month or two-
>
>
>
> should be touring the U.S. hopefully by December.......
>
>
>
>
>
>
>
> ~!~!~The Wandering Madman~!~!~!
>
>
>
>
>
>
>
> .....coming to a small, dirty, stinky, hole-in-the-wall, trailer
> park/coffee-house/crack-house/kindergarten near you.......
>
>
>
> hope to see ya there ;o)....
>
>
>
>
>
> xoxo
>
>
>
> fro
>
>
>
>
>
>
> http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&current=
=3DEuclid1.jpg
>
>
> http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&current=
=3DEuclid2.jpg
>
>
> http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&current=
=3DEuclid3.jpg
>
>
> http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&current=
=3DEuclid4.jpg
>
>
>
>
> _________________________________________________________________
> Bing=99 brings you maps, menus, and reviews organized in one place. Try i=
t
> now.
> http://www.bing.com/search?q=3Drestaurants&form=3DMLOGEN&publ=3DWLHMTAG&c=
rea=3DTXT_MLOGEN_Local_Local_Restaurants_1x1


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 04:04:21 2009
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hmmm... it was original the first time he did it... but now he's done  
it too many times... too many copycats... agreed... but, the fact  
stands that he invented a ton of techniques on the guitar that a lot  
of people learned from. Maybe he's finished innovating but that's no  
reason to put him in a museum. He's still alive for god's sakes...  
aren't museums for dead things?

Teddy


On Jul 26, 2009, at 6:29 PM, Krispen Hartung wrote:

> Well, I thought I was going to sneak in and get out, but apparently,  
> the LD blackhole has me hooked again! :)  Here we go again. :)
>
> Of cource, what I said is odd.  Some wouldn't expect otherwise. It  
> was partly in jest. I'd say the same thing about traditional jazz,  
> country, or any past genre.   The thing is, you can probabl find  
> this style of music and other prior genres  in museums of music,  
> mainly because, well....it's history. There is nothing wrong with  
> that.  I appreciate it and think people should still play it. I even  
> play it once in a while.  I think it needs to be preserved, so that  
> people can see history in action in the current times. Is it novel,  
> innovative and earth breaking? No. But that is another matter and  
> discussion all together. I think people should continue to play  
> music like this, in the same way I think people should study history  
> and learned what has been done before.
>
> Kris
>
> ----- Original Message -----
> On Sun, Jul 26, 2009 at 10:54 AM, Krispen
> Hartung<info@krispenhartung.com> wrote:
>> They all appear
>> to be great musicians, but perhaps the music should be in a museum?  
>> They
>> are great curators. :)
>
>
> That just strikes me as an incredibly odd thing to say about music and
> the musicians playing it.  Put the music in a museum?  I didn't know
> this stuff had a sell by date (some recording techniques, sure).  I
> guess in that case most blues, jazz, classical and so on should be put
> away to leave room for the fresh music of today.
>
> My appreciation of music is always changing, what sounds boring one
> day can inspire me the next.  What I loved yesterday can seem dull and
> lifeless a few days later, only to come back full on the next year.
>
> Anyhow, that just seemed like an odd perspective to me.
>
> The worst part of that show to me is the editing (hey let's try to
> make it as frenetic as possible).
>
> Kevin
> -- 
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09
>
>

Teddy
--
PS.
--
http://teddyjam.com
new live recordings, always
--
http://myspace.com/teddykjam
friend me
--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 04:06:28 2009
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Subject: Re: Livelooping with a band..amazing!
Date: Mon, 27 Jul 2009 00:06:20 -0400
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hahahahahahahahahahahahaha

now that's funny !

I'm going to forward this to Adrian... he'll love it !

Teddy
--
PS.
--
http://teddyjam.com
new live recordings, always
--
http://myspace.com/teddykjam
friend me
--


On Jul 26, 2009, at 10:54 PM, Mark Sottilaro wrote:

> Oh, btw, most of you (myself included) who are being critical of this
> music (I'm looking at you Per, Krispen, etc... ) attempt pale
> imitations (that I quite like) of the music  that this man pioneered
> and you should be honored to lick Adrian Belew's ball-sack.
>



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Date: Sun, 26 Jul 2009 21:08:13 -0700
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Subject: Re: Livelooping with a band..amazing!
From: Mark Sottilaro <zerocrossing@gmail.com>
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Tell him Mark the kid who used to work for Laurie Anderson back in the
Home of The Brave days says, "Hello."

On Sun, Jul 26, 2009 at 9:06 PM, Teddy Kumpel<teddybut@mac.com> wrote:
> hahahahahahahahahahahahaha
>
> now that's funny !
>
> I'm going to forward this to Adrian... he'll love it !
>
> Teddy
> --
> PS.
> --
> http://teddyjam.com
> new live recordings, always
> --
> http://myspace.com/teddykjam
> friend me
> --
>
>
> On Jul 26, 2009, at 10:54 PM, Mark Sottilaro wrote:
>
>> Oh, btw, most of you (myself included) who are being critical of this
>> music (I'm looking at you Per, Krispen, etc... ) attempt pale
>> imitations (that I quite like) of the music =A0that this man pioneered
>> and you should be honored to lick Adrian Belew's ball-sack.
>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 04:10:49 2009
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Subject: Re: Livelooping with a band..amazing!
Date: Mon, 27 Jul 2009 00:10:46 -0400
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he'll recognize your name... he remembers everything

if not, I'll tell him

Teddy
--
PS.
--
http://teddyjam.com
new live recordings, always

On Jul 27, 2009, at 12:08 AM, Mark Sottilaro wrote:

> Tell him Mark the kid who used to work for Laurie Anderson back in the
> Home of The Brave days says, "Hello."
>
> On Sun, Jul 26, 2009 at 9:06 PM, Teddy Kumpel<teddybut@mac.com> wrote:
>> hahahahahahahahahahahahaha
>>
>> now that's funny !
>>
>> I'm going to forward this to Adrian... he'll love it !
>>
>> Teddy
>> --
>> PS.
>> --
>> http://teddyjam.com
>> new live recordings, always
>> --
>> http://myspace.com/teddykjam
>> friend me
>> --
>>
>>
>> On Jul 26, 2009, at 10:54 PM, Mark Sottilaro wrote:
>>
>>> Oh, btw, most of you (myself included) who are being critical of  
>>> this
>>> music (I'm looking at you Per, Krispen, etc... ) attempt pale
>>> imitations (that I quite like) of the music  that this man pioneered
>>> and you should be honored to lick Adrian Belew's ball-sack.
>>>
>>
>>
>>
>>
>


From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 04:16:05 2009
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Date: Sun, 26 Jul 2009 21:16:04 -0700
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Subject: Re: Livelooping with a band..amazing!
From: Mark Sottilaro <zerocrossing@gmail.com>
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I always wonder why guys like Belew get trashed when they tread over
old ground, yet guys like B.B. King more or less did the exact same
thing their entire career and are heralded as gods.

Also, this is but a tiny bit about what Adrian's been up to.  Download
the free "Ghosts I-IV" by NIN and he's all over that and sounds
nothing at all like the stuff off Side 1.

http://ghosts.nin.com/main/home

On Sun, Jul 26, 2009 at 9:04 PM, Teddy Kumpel<teddybut@mac.com> wrote:
> hmmm... it was original the first time he did it... but now he's done it =
too
> many times... too many copycats... agreed... but, the fact stands that he
> invented a ton of techniques on the guitar that a lot of people learned
> from. Maybe he's finished innovating but that's no reason to put him in a
> museum. He's still alive for god's sakes... aren't museums for dead thing=
s?
>
> Teddy
>
>
> On Jul 26, 2009, at 6:29 PM, Krispen Hartung wrote:
>
>> Well, I thought I was going to sneak in and get out, but apparently, the
>> LD blackhole has me hooked again! :) =A0Here we go again. :)
>>
>> Of cource, what I said is odd. =A0Some wouldn't expect otherwise. It was
>> partly in jest. I'd say the same thing about traditional jazz, country, =
or
>> any past genre. =A0 The thing is, you can probabl find this style of mus=
ic and
>> other prior genres =A0in museums of music, mainly because, well....it's
>> history. There is nothing wrong with that. =A0I appreciate it and think =
people
>> should still play it. I even play it once in a while. =A0I think it need=
s to
>> be preserved, so that people can see history in action in the current ti=
mes.
>> Is it novel, innovative and earth breaking? No. But that is another matt=
er
>> and discussion all together. I think people should continue to play musi=
c
>> like this, in the same way I think people should study history and learn=
ed
>> what has been done before.
>>
>> Kris
>>
>> ----- Original Message -----
>> On Sun, Jul 26, 2009 at 10:54 AM, Krispen
>> Hartung<info@krispenhartung.com> wrote:
>>>
>>> They all appear
>>> to be great musicians, but perhaps the music should be in a museum? The=
y
>>> are great curators. :)
>>
>>
>> That just strikes me as an incredibly odd thing to say about music and
>> the musicians playing it. =A0Put the music in a museum? =A0I didn't know
>> this stuff had a sell by date (some recording techniques, sure). =A0I
>> guess in that case most blues, jazz, classical and so on should be put
>> away to leave room for the fresh music of today.
>>
>> My appreciation of music is always changing, what sounds boring one
>> day can inspire me the next. =A0What I loved yesterday can seem dull and
>> lifeless a few days later, only to come back full on the next year.
>>
>> Anyhow, that just seemed like an odd perspective to me.
>>
>> The worst part of that show to me is the editing (hey let's try to
>> make it as frenetic as possible).
>>
>> Kevin
>> --
>> Till now you seriously considered yourself to be the body and to have a
>> form. That is the primal ignorance which is the root cause of all troubl=
e.
>>
>> - Ramana Maharshi (1879-1950)
>>
>> Sound and Vision: =A0http://www.minds-eye.org NEW SITE 3/01/09
>>
>>
>
> Teddy
> --
> PS.
> --
> http://teddyjam.com
> new live recordings, always
> --
> http://myspace.com/teddykjam
> friend me
> --
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 04:43:39 2009
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You can tell his bass player must be a looper: she plays barefoot.

Mark

On Jul 26, 2009, at 7:25 AM, Jeff Duke wrote:

> Adrian Belew Power Trio
> A fantastic show with quite a bit of livelooping incorperated.
>
> http://tinyurl.com/l2vcw3
>
>
> j_
>
>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 07:31:37 2009
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>it's too much for what i would consider a portable rig ...

Again I find myself posting as a luddite... whats with you guys?

You know ... 15 yrs ago this would have been thought of as an extremely
efficient and portable rig.. My god every band I was in had a VAN FULL of
gear!15- 20 mins setup-- nothing... More like  2 hours-setup!!!

now I know some of you will not be happy untill all your rig can be fit on
an iPhone... but its becoming VERY boring on this list when almost any
gear-post is met with with some quip  from a lappy guy..  "of course you
could use mainstage running bidule... "

Of course we all wanna be able to jump on a plane and go to Santa Cruz (all
but one at least) but sometimes I wonder... has the" market made the
product" again? I cant get PAID gigs in my city now... no bands are touring=
,
no CD=B4s being sold.

<WARNINGsex_in-the_city_writing_style)

"Sometimes I ask myself--- Does everything have to be in such neat and tigh=
t
easy to move/manage/ and sell packages, what ever happened to the double
drumkits, and walls of Marshalls, projections, horn sections, and dancing
girls... is everything geared towards "150 characters of ironic self-sell
ego"

DOES EVERYTHING HAVE TO TWITTER?"

</danger-sex_in-the_city_writing_style)


Excuse the ramble...

M



On Mon, Jul 27, 2009 at 5:47 AM, Raul Bonell <raul.bonell@gmail.com> wrote:

> although pretty, as i supose most of us addicted to gear will agree,
> it's too much for what i would consider a portable rig ...
>
>
> > its finally looking pretty ;o) here are some pics for your viewing
> pleasure-
> >
>

--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--0015174c34a4a571e6046faaf17e
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&gt;it&#39;s too much for what i would consider a portable rig ...<br><br>A=
gain I find myself posting as a luddite... whats with you guys?<br><br>You =
know ... 15 yrs ago this would have been thought of as an extremely efficie=
nt and portable rig.. My god every band I was in had a VAN FULL of gear!15-=
 20 mins setup-- nothing... More like=A0 2 hours-setup!!!<br>

<br>now I know some of you will not be happy untill all your rig can be fit=
 on an iPhone... but its becoming VERY boring on this list when almost any =
gear-post is met with with some quip=A0 from a lappy guy..=A0 &quot;of cour=
se you could use mainstage running bidule... &quot;<br>

<br>Of course we all wanna be able to jump on a plane and go to Santa Cruz =
(all but one at least) but sometimes I wonder... has the&quot; market made =
the product&quot; again? I cant get PAID gigs in my city now... no bands ar=
e touring, no CD=B4s being sold.<br>

<br>&lt;WARNINGsex_in-the_city_writing_style)<br><br>&quot;Sometimes I ask =
myself--- Does everything have to be in such neat and tight easy to move/ma=
nage/ and sell packages, what ever happened to the double drumkits, and wal=
ls of Marshalls, projections, horn sections, and dancing girls... is everyt=
hing geared towards &quot;150 characters of ironic self-sell ego&quot;<br>

<br>DOES EVERYTHING HAVE TO TWITTER?&quot;<br><br>&lt;/danger-sex_in-the_ci=
ty_writing_style)<br><br><br>Excuse the ramble... <br><br>M<br><br><br><br>=
<div class=3D"gmail_quote">On Mon, Jul 27, 2009 at 5:47 AM, Raul Bonell <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:raul.bonell@gmail.com">raul.bonell@gma=
il.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">although pretty, =
as i supose most of us addicted to gear will agree,<br>
it&#39;s too much for what i would consider a portable rig ...<br>
<br><div><div class=3D"h5"><br>
&gt; its finally looking pretty ;o) here are some pics for your viewing ple=
asure-<br>
&gt;</div></div></blockquote></div><br>-- <br><a href=3D"http://www.markfra=
ncombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user82=
5094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com/u=
ser/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c34a4a571e6046faaf17e--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 07:35:21 2009
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>  They all appear to be great musicians, but perhaps the music should be in
> a museum?   They are great curators.  :)
>
> K-
>
>  Ha ha, Couldnt put it better myself!!! Spot on... You know ow ould have
> LOVED to have seen these guys play 25 years ago, when they were new and
> hungry.. h wait a minute.. I DID.. and they were great!!!
>
>
M

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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;"><div bgcolor=3D"#ffffff"><div><font face=3D"Arial">=A0They al=
l appear to be great musicians, but perhaps the music should be in a=20
museum?=A0=A0 They are great curators. =A0:)=A0 </font></div>
<div><font face=3D"Arial"><br>K-</font></div>
<blockquote dir=3D"ltr" style=3D"border-left: 2px solid rgb(0, 0, 0); paddi=
ng-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;">
  Ha ha, Couldnt put it better myself!!! Spot on... You know ow ould have L=
OVED to have seen these guys play 25 years ago, when they were new and hung=
ry.. h wait a minute.. I DID.. and they were great!!!</div></blockquote>

</div></blockquote><div><br>M <br></div></div><br>

--00151749f7ceff106a046faafe44--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 07:57:49 2009
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	 <9ab0c76f0907270031wcf17d26x6330bdfcd9938caf@mail.gmail.com>
Date: Mon, 27 Jul 2009 09:57:47 +0200
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Subject: Re: FRO's rig - The Wandering Madman
From: Raul Bonell <raul.bonell@gmail.com>
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mark,

it's inescapable ... :-))) ...  less is more.

a portable laptopless guitar rig is this: guitar+gt3+hazarai ... you
can take it *further*.

please, more of that sex-in-the-city writing style
btw, i love your new hair cut!


2009/7/27, mark francombe <mark@markfrancombe.com>:
>>it's too much for what i would consider a portable rig ...
>
> Again I find myself posting as a luddite... whats with you guys?
>
> You know ... 15 yrs ago this would have been thought of as an extremely
> efficient and portable rig.. My god every band I was in had a VAN FULL of
> gear!15- 20 mins setup-- nothing... More like  2 hours-setup!!!
>
> now I know some of you will not be happy untill all your rig can be fit o=
n
> an iPhone... but its becoming VERY boring on this list when almost any
> gear-post is met with with some quip  from a lappy guy..  "of course you
> could use mainstage running bidule... "
>
> Of course we all wanna be able to jump on a plane and go to Santa Cruz (a=
ll
> but one at least) but sometimes I wonder... has the" market made the
> product" again? I cant get PAID gigs in my city now... no bands are touri=
ng,
> no CD=B4s being sold.
>
> <WARNINGsex_in-the_city_writing_style)
>
> "Sometimes I ask myself--- Does everything have to be in such neat and ti=
ght
> easy to move/manage/ and sell packages, what ever happened to the double
> drumkits, and walls of Marshalls, projections, horn sections, and dancing
> girls... is everything geared towards "150 characters of ironic self-sell
> ego"
>
> DOES EVERYTHING HAVE TO TWITTER?"
>
> </danger-sex_in-the_city_writing_style)
>
>
> Excuse the ramble...
>
> M
>
>
>
> On Mon, Jul 27, 2009 at 5:47 AM, Raul Bonell <raul.bonell@gmail.com> wrot=
e:
>
>> although pretty, as i supose most of us addicted to gear will agree,
>> it's too much for what i would consider a portable rig ...
>>
>>
>> > its finally looking pretty ;o) here are some pics for your viewing
>> pleasure-
>> >
>>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 08:10:13 2009
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On Mon, Jul 27, 2009 at 9:57 AM, Raul Bonell <raul.bonell@gmail.com> wrote:

> btw, i love your new hair cut!
>

The dreads to my ass thing was becoming a bit crusty...
Its my attempt at clean, slick, easy, and portable..

DOH!!

shit.. its a "Twitter-cut!"



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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On Mon, Jul 27, 2009 at 9:57 AM, Raul Bonell <span dir=3D"ltr">&lt;<a href=
=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;</span> wrot=
e:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D=
"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padd=
ing-left: 1ex;">

<div id=3D":ww" class=3D"ii gt">btw, i love your new hair cut!</div></block=
quote></div><br>The dreads to my ass thing was becoming a bit crusty...<br>=
Its my attempt at clean, slick, easy, and portable.. <br><br>DOH!!<br><br>
shit.. its a &quot;Twitter-cut!&quot;<br>
<br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">w=
ww.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http://=
vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com/user/markfranc=
ombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174be5e2b113ca046fab7b70--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 09:41:43 2009
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Date: Mon, 27 Jul 2009 11:41:42 +0200
Message-ID: <66f9cc1e0907270241q49db746t47907b4a79a29d97@mail.gmail.com>
Subject: Re: Livelooping with a band..amazing!
From: Per Boysen <perboysen@gmail.com>
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On Mon, Jul 27, 2009 at 4:54 AM, Mark Sottilaro<zerocrossing@gmail.com> wrote:
> Oh, btw, most of you (myself included) who are being critical of this
> music (I'm looking at you Per, Krispen, etc... )

Hey - I never said I'm "critical"! I said it's interesting listening
because the dynamic ensemble playing. And then I thought it would be
fair to tell the group that I actually never have been a big fan of
this music - but that's just personal taste!

I've always been more into more melodic music and less melodic (noise
based) music. But this group's music was neither nor to my ears. Some
folks like it that way - and that just means we have different tastes.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 10:07:22 2009
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Mark Hamburg wrote:
> You can tell his bass player must be a looper: she plays barefoot.
> 
> Mark
> 

nope, her boots with 9 inch blades were banned by health and safety

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 12:07:14 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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Hi folks

aaah, MOLT ('modes of limited transposition') one of my favorite topics,nice :-))
Anyone have more good resources on MOLT?

Some more suggestions for pitch shifting, try things like:

- Halftone/Wholetone Scale (+2HT/1HT alternating)
so that would be +1/+2 halftones alternating. I.E. C-D-Eb-F-Gb-Ab-B-C

- Circle of Fifths (+4HT/+3HT alternating)
For example, +4HT/+3HT/ alternating. i.e. C-E-G-B-D-F#-A-C#-E-...
When you take intervals that add up to 7 Half-Tones = a fifth, you will get harmonies progressing as fifths (or fourths if you like). in this case Cmaj7>Gmaj7>Dmaj7>Amaj7...

- Feedback level / delay volume
The further you get from your basic pitch, the lower the volume. So, when your variations get weirder, they became silent, barely audible - nice effect.

best regards
Buzap

-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/chbrowser

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 13:36:22 2009
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On Mon, Jul 27, 2009 at 2:07 PM, Buzap Buzap <buzap@gmx.net> wrote:

> - Circle of Fifths (+4HT/+3HT alternating)
> For example, +4HT/+3HT/ alternating. i.e. C-E-G-B-D-F#-A-C#-E-...
> When you take intervals that add up to 7 Half-Tones = a fifth, you will get
> harmonies progressing as fifths (or fourths if you like). in this case
> Cmaj7>Gmaj7>Dmaj7>Amaj7...
>

there was a good resource about the "Circle of 5th" posted on LD a few years
back... I wasnt interestd then, but I am now.. can someone elucidate me or
point me in that direction... (reason being was that someone came up to me
after my last gig .. winked and said "Circle of 5ths ???" and I gave him the
masonic handshake and hoped to be inducted into the 33rd order.. alas.. so
it seems I was "doing something that he thought I knew about but didnt"...
been seaching for it ever since...



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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On Mon, Jul 27, 2009 at 2:07 PM, Buzap Buzap <span dir=3D"ltr">&lt;<a href=
=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&gt;</span> wrote:<br><div class=
=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"border-left: 1p=
x solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<div id=3D":13i" class=3D"ii gt">- Circle of Fifths (+4HT/+3HT alternating)=
<br>
For example, +4HT/+3HT/ alternating. i.e. C-E-G-B-D-F#-A-C#-E-...<br>
When you take intervals that add up to 7 Half-Tones =3D a fifth, you will g=
et harmonies progressing as fifths (or fourths if you like). in this case C=
maj7&gt;Gmaj7&gt;Dmaj7&gt;Amaj7...</div></blockquote><div><br>there was a g=
ood resource about the &quot;Circle of 5th&quot; posted on LD a few
years back... I wasnt interestd then, but I am now.. can someone
elucidate me or point me in that direction... (reason being was that
someone came up to me after my last gig .. winked and said &quot;Circle of
5ths ???&quot; and I gave him the masonic handshake and hoped to be inducte=
d
into the 33rd order.. alas.. so it seems I was &quot;doing something that h=
e
thought I knew about but didnt&quot;... been seaching for it ever since... =
<br></div></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.mark=
francombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/use=
r825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--0015174be5e217f126046fb00a49--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 13:47:06 2009
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Date: Mon, 27 Jul 2009 15:47:04 +0200
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
From: Raul Bonell <raul.bonell@gmail.com>
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start here ...

http://en.wikipedia.org/wiki/Circle_of_fifths

2009/7/27, mark francombe <mark@markfrancombe.com>:
> On Mon, Jul 27, 2009 at 2:07 PM, Buzap Buzap <buzap@gmx.net> wrote:
>
>> - Circle of Fifths (+4HT/+3HT alternating)
>> For example, +4HT/+3HT/ alternating. i.e. C-E-G-B-D-F#-A-C#-E-...
>> When you take intervals that add up to 7 Half-Tones = a fifth, you will
>> get
>> harmonies progressing as fifths (or fourths if you like). in this case
>> Cmaj7>Gmaj7>Dmaj7>Amaj7...
>>
>
> there was a good resource about the "Circle of 5th" posted on LD a few years
> back... I wasnt interestd then, but I am now.. can someone elucidate me or
> point me in that direction... (reason being was that someone came up to me
> after my last gig .. winked and said "Circle of 5ths ???" and I gave him the
> masonic handshake and hoped to be inducted into the 33rd order.. alas.. so
> it seems I was "doing something that he thought I knew about but didnt"...
> been seaching for it ever since...
>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 14:15:53 2009
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Thanks for posting the link. I'm a huge Belew fan and enjoyed the video =
very much. I've seen him several times and have a few King videos and =
have seen one of him looping on a Boomerang by himself. I understand =
everybody isn't a fan but he is looping and that's the biggest crowd =
I've seen listen to live looping. He's a beacon of hope for all of us.=20
Teddy do you know any of the details on the rig he's using?
Cheers,
-Ty
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	charset="iso-8859-1"
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<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18783"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT face=3DCalibri>Thanks for posting the link. I'm a huge Belew =
fan and=20
enjoyed the video very much. I've seen him several times and have a few =
King=20
videos and have seen one of him looping on a Boomerang by himself. I =
understand=20
everybody isn't a fan but he is looping and that's the biggest crowd =
I've seen=20
listen to live looping. He's a beacon of hope for all of us. =
</FONT></DIV>
<DIV><FONT face=3DCalibri>Teddy do you know any of the details on the =
rig he's=20
using?</FONT></DIV>
<DIV><FONT face=3DCalibri>Cheers,</FONT></DIV>
<DIV><FONT face=3DCalibri>-Ty</FONT></DIV></BODY></HTML>

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Subject: Re: FRO's rig - The Wandering Madman
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Thanks for posting the shots of the rig. I've been on a large hardware =
rig for a long time. I'm building a new software based rig for myself =
and am presently very interested in rigs.  I like how you have it laid =
out and recognize much of the gear. What's that grey box up top on your =
right and the round guy on top of the drum kit? Are those cameras?
I like the walls too, nice.
Thanks!
-Ty

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id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT face=3DCalibri>Thanks for posting the shots of the rig. I've =
been on a=20
large hardware rig for a long time. I'm building a new software based =
rig for=20
myself and am presently very interested in rigs.&nbsp;&nbsp;I like how =
you have=20
it laid out and recognize much of the gear. What's that grey box up top =
on your=20
right and the round guy on top of the drum kit? Are those =
cameras?</FONT></DIV>
<DIV><FONT face=3DCalibri>I like the walls too, nice.</FONT></DIV>
<DIV><FONT face=3DCalibri>Thanks!<BR>-Ty</FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 14:35:53 2009
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References: <000d01ca0dfc$ed3c9290$6f832245@YOUR08D5303051> <bcd3c7bb0907260808r68f5eeccja5d1ba9d56f69d76@mail.gmail.com> <000601ca0e0b$30b926b0$6f832245@YOUR08D5303051> <BLU113-W5BBE0CE92F965C1973BB585170@phx.gbl> <000c01ca0e0f$e4f5e920$6f832245@YOUR08D5303051> <BLU0-SMTP53BE94834CF396665D5A01DC170@phx.gbl> <37f071c00907261356q384ad385ude68ef5f06593e01@mail.gmail.com> <BLU0-SMTP481D6CEB77391C48FD3B82DC170@phx.gbl> <37f071c00907261700l1607de78q3ddab846286dd3f0@mail.gmail.com>
Subject: Re: Livelooping with a band..amazing!
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----- Original Message ----- 

> So I'm put off by the thought
that one could consider any music 'dead' and ready to be put in
storage.

Yeah, me too. Who said that?  "Dead" seems awefully harsh.

Kris



From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 14:39:51 2009
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Subject: Re: Livelooping with a band..amazing!
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----- Original Message ----- 

> Oh, btw, most of you (myself included) who are being critical of this
> music (I'm looking at you Per, Krispen, etc... ) attempt pale
> imitations (that I quite like) of the music  that this man pioneered
> and you should be honored to lick Adrian Belew's ball-sack.

Well, I don't think I was being that critical. I framed my language very 
precisely to suggest what I felt about the music, vs. making some aesthetic 
judgement about it. Hence, I don't think the music is uninspiring (as I 
think that is a meaningless statement), rather I am not inspired by the 
music. Those are claims worlds apart, and the latter says more about me than 
the music.

Lick his ball sack? Disgusting, man. :)

K- 

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Date: Mon, 27 Jul 2009 07:43:14 -0700
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Subject: Re: FRO's rig - The Wandering Madman
From: George Ludwig <georgeludwigmusic@gmail.com>
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--0016e644cc6e5547a2046fb0f965
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That's an amazing rig! How did you get the setup time down to 20 minutes? It
looks like it would be a pain to wire up etc. I'm alway curious about what
people do to minimize their setup time...

-George

http://www.myspace.com/georgeludwigmusic

--0016e644cc6e5547a2046fb0f965
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<div>That&#39;s an amazing rig! How did you get the setup time down to 20 m=
inutes? It looks like it would be a pain to wire up etc. I&#39;m alway curi=
ous about what people do to minimize their setup time...</div>
<div>=A0</div>
<div>-George</div>
<div>=A0</div>
<div><a href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspac=
e.com/georgeludwigmusic</a></div>

--0016e644cc6e5547a2046fb0f965--

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Subject: Re: Livelooping with a band..amazing!
Date: Mon, 27 Jul 2009 10:43:19 -0400
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Pretty good article on his current rig here:
http://tinyurl.com/mnt8f4

j

http://www.myspace.com/loopsinphasespace

  ----- Original Message -----=20
  From: Ty Gott=20
  To: LoppersDelightMailingList=20
  Sent: Monday, July 27, 2009 10:15 AM
  Subject: Re: Livelooping with a band..amazing!


  Thanks for posting the link. I'm a huge Belew fan and enjoyed the =
video very much. I've seen him several times and have a few King videos =
and have seen one of him looping on a Boomerang by himself. I understand =
everybody isn't a fan but he is looping and that's the biggest crowd =
I've seen listen to live looping. He's a beacon of hope for all of us.=20
  Teddy do you know any of the details on the rig he's using?
  Cheers,
  -Ty
------=_NextPart_000_000B_01CA0EA7.0E87AB60
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content=3Dtext/html;charset=3Diso-8859-1>
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</HEAD>
<BODY id=3DMailContainerBody=20
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bgColor=3D#ffffff leftMargin=3D0 topMargin=3D0 name=3D"Compose message =
area"=20
CanvasTabStop=3D"true">
<DIV><FONT face=3DArial size=3D2>Pretty good article on his current rig=20
here:</FONT></DIV>
<DIV><STRONG><A=20
href=3D"http://tinyurl.com/mnt8f4">http://tinyurl.com/mnt8f4</A></STRONG>=
<BR></DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.myspace.com/loopsinphasespace">http://www.myspace.com/=
loopsinphasespace</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DTygerman_GB@hotmail.com =
href=3D"mailto:Tygerman_GB@hotmail.com">Ty=20
  Gott</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">LoppersDelightMailing=
List</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 27, 2009 =
10:15=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Livelooping with a =

  band..amazing!</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DCalibri>Thanks for posting the link. I'm a huge =
Belew fan and=20
  enjoyed the video very much. I've seen him several times and have a =
few King=20
  videos and have seen one of him looping on a Boomerang by himself. I=20
  understand everybody isn't a fan but he is looping and that's the =
biggest=20
  crowd I've seen listen to live looping. He's a beacon of hope for all =
of us.=20
  </FONT></DIV>
  <DIV><FONT face=3DCalibri>Teddy do you know any of the details on the =
rig he's=20
  using?</FONT></DIV>
  <DIV><FONT face=3DCalibri>Cheers,</FONT></DIV>
  <DIV><FONT face=3DCalibri>-Ty</FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 14:49:07 2009
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"aren't museums for dead things?"

Not always. Have you been to museum of natural history? Some things are 
still alive.  Model T's are in museums, but there are people who still drive 
them. :)  I believe I've been to a museum of the history of music, can't 
recall where, where fusion is shown on the timeline of innovation.  So, 
things can be in museium, but still re-enacted in the present.

K-

----- Original Message ----- 


> hmmm... it was original the first time he did it... but now he's done  it 
> too many times... too many copycats... agreed... but, the fact  stands 
> that he invented a ton of techniques on the guitar that a lot  of people 
> learned from. Maybe he's finished innovating but that's no  reason to put 
> him in a museum. He's still alive for god's sakes...  aren't museums for 
> dead things?
>
> Teddy
>
>
> On Jul 26, 2009, at 6:29 PM, Krispen Hartung wrote:
>
>> Well, I thought I was going to sneak in and get out, but apparently,  the 
>> LD blackhole has me hooked again! :)  Here we go again. :)
>>
>> Of cource, what I said is odd.  Some wouldn't expect otherwise. It  was 
>> partly in jest. I'd say the same thing about traditional jazz,  country, 
>> or any past genre.   The thing is, you can probabl find  this style of 
>> music and other prior genres  in museums of music,  mainly because, 
>> well....it's history. There is nothing wrong with  that.  I appreciate it 
>> and think people should still play it. I even  play it once in a while. 
>> I think it needs to be preserved, so that  people can see history in 
>> action in the current times. Is it novel,  innovative and earth breaking? 
>> No. But that is another matter and  discussion all together. I think 
>> people should continue to play  music like this, in the same way I think 
>> people should study history  and learned what has been done before.
>>
>> Kris
>>
>> ----- Original Message -----
>> On Sun, Jul 26, 2009 at 10:54 AM, Krispen
>> Hartung<info@krispenhartung.com> wrote:
>>> They all appear
>>> to be great musicians, but perhaps the music should be in a museum? 
>>> They
>>> are great curators. :)
>>
>>
>> That just strikes me as an incredibly odd thing to say about music and
>> the musicians playing it.  Put the music in a museum?  I didn't know
>> this stuff had a sell by date (some recording techniques, sure).  I
>> guess in that case most blues, jazz, classical and so on should be put
>> away to leave room for the fresh music of today.
>>
>> My appreciation of music is always changing, what sounds boring one
>> day can inspire me the next.  What I loved yesterday can seem dull and
>> lifeless a few days later, only to come back full on the next year.
>>
>> Anyhow, that just seemed like an odd perspective to me.
>>
>> The worst part of that show to me is the editing (hey let's try to
>> make it as frenetic as possible).
>>
>> Kevin
>> -- 
>> Till now you seriously considered yourself to be the body and to  have a
>> form. That is the primal ignorance which is the root cause of all 
>> trouble.
>>
>> - Ramana Maharshi (1879-1950)
>>
>> Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09
>>
>>
>
> Teddy
> --
> PS.
> --
> http://teddyjam.com
> new live recordings, always
> --
> http://myspace.com/teddykjam
> friend me
> --
>
> 

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On Mon, Jul 27, 2009 at 4:49 PM, Krispen Hartung <info@krispenhartung.com>wrote:

> "aren't museums for dead things?"
>
> Not always.


Well said... At Oslos Technical Museum there is a new installation this
month... its... Music Machines... thru the ages... HURRAH!

http://tinyurl.com/m3uyqj*


*
M

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<br><br><div class=3D"gmail_quote">On Mon, Jul 27, 2009 at 4:49 PM, Krispen=
 Hartung <span dir=3D"ltr">&lt;<a href=3D"mailto:info@krispenhartung.com">i=
nfo@krispenhartung.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt =
0pt 0.8ex; padding-left: 1ex;">

&quot;aren&#39;t museums for dead things?&quot;<br>
<br>
Not always. </blockquote><div><br>Well said... At Oslos Technical Museum th=
ere is a new installation this month... its... Music Machines... thru the a=
ges... HURRAH!<br><a href=3D"http://tinyurl.com/m3uyqj"><br>http://tinyurl.=
com/m3uyqj</a><b><br>

<br><br></b>=A0<br></div></div>M<br>

--0015174be134020eb4046fb123ef--

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Subject: Re: Livelooping with a band..amazing!
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Thanks for the link. Way cool dude. I like your mySpace stuff, made a =
great sound track to the rig article.
Cheers,
-Ty
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<DIV><FONT face=3DCalibri>Thanks for the link. Way cool dude. I like =
your mySpace=20
stuff, made a great sound track to the rig article.</FONT></DIV>
<DIV><FONT face=3DCalibri>Cheers,</FONT></DIV>
<DIV><FONT face=3DCalibri>-Ty</FONT></DIV></BODY></HTML>

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Date: Mon, 27 Jul 2009 07:57:38 -0700
Message-ID: <1318f21d0907270757h15c051c0gb5f548c5cf56538e@mail.gmail.com>
Subject: Re: Livelooping with a band..amazing!
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Jeff,

Thanks for posting that link! I was a big fan of Belew-era Krimson. It's
great to see Adrian playing.

 -George

http://www.myspace.com/georgeludwigmusic

--001636af0366d106be046fb12c7e
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<div>Jeff,</div>
<div>=A0</div>
<div>Thanks for posting that link! I was a big fan of Belew-era Krimson. It=
&#39;s great to see Adrian playing.</div>
<div>=A0</div>
<div>
<div>-George</div>
<div>=A0</div>
<div><a href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspac=
e.com/georgeludwigmusic</a></div></div>

--001636af0366d106be046fb12c7e--

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Subject: Re: Livelooping with a band..amazing!
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hey thanks Ty, Belew and Fripp were big reasons I got into looping. =
Pretty amazing that Belew uses a Boomerang plus. I always read about =
noise and poor sound issues with it. (not my experience btw). And the =
use of the Bose monitor system being a key point in how they can sync so =
tightly to the loops without using headphones. Now if I had the what? =
10,000$ for a AB sig Fly......I still wouldn't be able to play anywhere =
close to as well as him. :)

j

http://www.myspace.com/loopsinphasespace
  ----- Original Message -----=20
  From: Ty Gott=20
  To: LoppersDelightMailingList=20
  Sent: Monday, July 27, 2009 11:20 AM
  Subject: Re: Livelooping with a band..amazing!


  Thanks for the link. Way cool dude. I like your mySpace stuff, made a =
great sound track to the rig article.
  Cheers,
  -Ty
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</HEAD>
<BODY id=3DMailContainerBody=20
style=3D"PADDING-RIGHT: 10px; PADDING-LEFT: 10px; PADDING-TOP: 15px"=20
bgColor=3D#ffffff leftMargin=3D0 topMargin=3D0 name=3D"Compose message =
area"=20
CanvasTabStop=3D"true">
<DIV><FONT face=3DArial size=3D2>hey thanks Ty, Belew and Fripp were big =
reasons I=20
got into looping. Pretty amazing that Belew uses a Boomerang plus. I =
always read=20
about noise and poor sound issues with it. (not my experience btw). And =
the use=20
of the Bose monitor system being a key point in how they can sync so =
tightly to=20
the loops without using headphones. Now if I had the what? 10,000$ for a =
AB sig=20
Fly......I still wouldn't be able to play anywhere close to as well as =
him.=20
:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.myspace.com/loopsinphasespace"><FONT =
face=3DArial=20
size=3D2>http://www.myspace.com/loopsinphasespace</FONT></A></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
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black"><B>From:</B>=20
  <A title=3DTygerman_GB@hotmail.com =
href=3D"mailto:Tygerman_GB@hotmail.com">Ty=20
  Gott</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">LoppersDelightMailing=
List</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 27, 2009 =
11:20=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Livelooping with a =

  band..amazing!</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DCalibri>Thanks for the link. Way cool dude. I like =
your=20
  mySpace stuff, made a great sound track to the rig =
article.</FONT></DIV>
  <DIV><FONT face=3DCalibri>Cheers,</FONT></DIV>
  <DIV><FONT face=3DCalibri>-Ty</FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 15:44:39 2009
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Subject: Re: Livelooping with a band..amazing!
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hehe thanks George, wow amazing the thread a little tinyurl can start =
around here. I hope KC drags it's old bones up at least one more time, i =
mean why not, I always dig em. I am fortunate to have gotten to see them =
a few times. Most bands wouldn;t even attempt the stuff the pull off (or =
not). Anyone who thinks KC didn't rock check out the dvds "Eyes Wide =
Open" and "Deja Vroom". But what do I know I am one of those dinos..:)

j_

http://www.myspace.com/loopsinphasespace
  ----- Original Message -----=20
  From: George Ludwig=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 27, 2009 10:57 AM
  Subject: Re: Livelooping with a band..amazing!


  Jeff,

  Thanks for posting that link! I was a big fan of Belew-era Krimson. =
It's great to see Adrian playing.

  -George

  http://www.myspace.com/georgeludwigmusic
------=_NextPart_000_0018_01CA0EAF.9E740630
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>hehe thanks George, wow =
amazing&nbsp;the=20
thread&nbsp;a little tinyurl can start around here. I hope KC drags it's =
old=20
bones up at least one more time, i mean why not, I always dig em. I am =
fortunate=20
to have gotten to see them a few times. Most bands wouldn;t even attempt =
the=20
stuff the pull off (or not). Anyone who thinks KC didn't rock check out =
the dvds=20
"Eyes Wide Open" and "Deja Vroom". But what do I know I am one of those=20
dinos..:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j_</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><A href=3D"http://www.myspace.com/loopsinphasespace"><FONT =
face=3DArial=20
size=3D2>http://www.myspace.com/loopsinphasespace</FONT></A></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dgeorgeludwigmusic@gmail.com=20
  href=3D"mailto:georgeludwigmusic@gmail.com">George Ludwig</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 27, 2009 =
10:57=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Livelooping with a =

  band..amazing!</DIV>
  <DIV><BR></DIV>
  <DIV>Jeff,</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Thanks for posting that link! I was a big fan of Belew-era =
Krimson. It's=20
  great to see Adrian playing.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>
  <DIV>-George</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><A=20
  =
href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/=
georgeludwigmusic</A></DIV></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 16:55:57 2009
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Date: Mon, 27 Jul 2009 18:55:54 +0200
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Subject: FRO's rig - The Wandering Madman
From: Rainer Straschill <moinsound@googlemail.com>
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> its finally looking pretty ;o) here are some pics for your viewing pleasure-

Fro,

you knew you wouldn't get away without answering some questions, didn't you? ;)

1. Full gear list: I can recognize some of the stuff (like Alesis QS8,
what looks like a Behringer FCB1010 with chainsawed-off expression
pedals, FRM RNP (?), Fireface800, two Fantom Rack units, MOTU MTP A/V,
and a Line6 POD X3 Pro), but apart from that...
2. Wiring chart, please! Including audio and MIDI (and video, and
computers - are there any?)
3. I'd also like a video where you set that up in 15 minutes,
please...and finally,
4. where's them damn loopers?

Best,

            Rainer

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 17:44:31 2009
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Date: Mon, 27 Jul 2009 10:44:30 -0700
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Subject: Re: Livelooping with a band..amazing!
From: Mark Sottilaro <zerocrossing@gmail.com>
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Ooops, I'm sorry.  I probably have lived in San Francisco for too
long.  Not my bag, but lots of my friends here think it's quite fun.
I'm sure there must be homosexual Adrian Belew fans who'd jump at the
chance.

On Mon, Jul 27, 2009 at 7:39 AM, Krispen Hartung<info@krispenhartung.com> wrote:

> Lick his ball sack? Disgusting, man. :)

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Subject: midi sequencer needed
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chaps - i need a small, cheap, hardware midi sequencer that i can use to
send out looped patterns of midi notes, pc messages and cc messages

anybody know if the yamaha qy series will do this? any other suggestions?

thanks in advance!

sim

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chaps - i need a small, cheap, hardware midi sequencer that i can use to send out looped patterns of midi notes, pc messages and cc messages<br><br>anybody know if the yamaha qy series will do this? any other suggestions?<br>
<br>thanks in advance!<br><br>sim<br>

--001636eefa7ece5acd046fb3b2c0--

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Date: Mon, 27 Jul 2009 11:13:51 -0700 (PDT)
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Subject: Re: Livelooping with a band..amazing!
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--0-1281659458-1248718431=:50192
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=A0
Nice video.
=A0
Love the grrrrrowl the bassist gets - it's almost Geddy-like; and she's ver=
y deft at switching between a pick and fingers....=A0 It looks like she's p=
laying a Duck Dunn Series Lakland.=A0=20
=A0
=A0
Ted H.

Enemies are good for self-definition. Werner Herzog

--- On Sun, 7/26/09, Jeff Duke <jeff_d@embarqmail.com> wrote:


From: Jeff Duke <jeff_d@embarqmail.com>
Subject: Livelooping with a band..amazing!
To: Loopers-Delight@loopers-delight.com
Received: Sunday, July 26, 2009, 7:25 AM


Adrian Belew Power Trio
A fantastic show with quite a bit of livelooping incorperated.

http://tinyurl.com/l2vcw3


j_

=0A=0A=0A      ____________________________________________________________=
______=0AYahoo! Canada Toolbar: Search from anywhere on the web, and bookma=
rk your favourite sites. Download it now=0Ahttp://ca.toolbar.yahoo.com.
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>Nice video.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Love the grrrrrowl the bassist gets - it's almost Geddy-like; and she'=
s very deft at switching between a pick and fingers....&nbsp; It looks like=
 she's playing a Duck Dunn Series Lakland.&nbsp; </DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Ted H.<BR><BR>Enemies are good for self-definition. Werner Herzog<BR><=
BR>--- On <B>Sun, 7/26/09, Jeff Duke <I>&lt;jeff_d@embarqmail.com&gt;</I></=
B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Jeff Duke &lt;jeff_d@embarqmail.com&gt;<BR>=
Subject: Livelooping with a band..amazing!<BR>To: Loopers-Delight@loopers-d=
elight.com<BR>Received: Sunday, July 26, 2009, 7:25 AM<BR><BR>
<DIV class=3DplainMail>Adrian Belew Power Trio<BR>A fantastic show with qui=
te a bit of livelooping incorperated.<BR><BR><A href=3D"http://tinyurl.com/=
l2vcw3" target=3D_blank>http://tinyurl.com/l2vcw3</A><BR><BR><BR>j_<BR><BR>=
</DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A=0A=0A      <hr size=3D1>The=
 new Internet Explorer=AE 8 - Faster, safer, easier.  Optimized for Yahoo! =
<a href=3D"http://downloads.yahoo.com/ca/internetexplorer/"><b>Get it Now f=
or Free!</b></a>
--0-1281659458-1248718431=:50192--

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Date: Mon, 27 Jul 2009 20:15:13 +0200
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Subject: Re: midi sequencer needed
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consider some cheapo drum machines with internal seq.or midi import
capabilities.

2009/7/27, Simeon Harris <simeonharris40@googlemail.com>:
> chaps - i need a small, cheap, hardware midi sequencer that i can use to
> send out looped patterns of midi notes, pc messages and cc messages
>
> anybody know if the yamaha qy series will do this? any other suggestions?
>
> thanks in advance!
>
> sim
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Date: Mon, 27 Jul 2009 20:32:08 +0200
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Subject: Re: Livelooping with a band..amazing!
From: Per Boysen <perboysen@gmail.com>
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I noticed AB uses the same cabinets as I do, those small 1x12"
Marshall Lead Series. I have two of them and love the typical sound
they deliver! I've never like that typical 4x12" Marshall cabinet
sound much, it's just too much bottom for my taste - at least when
playing with a band that has kick and bass. I think these small ones
have a better "bite" and more open tone that matches a strat well.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 19:08:56 2009
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the San Fran Chronicle this morn:
http://www.sfgate.com/cgi-bin/object/article?f=/c/a/2009/07/27/MNPV186KQN.DTL&o=0

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Date: Mon, 27 Jul 2009 12:56:24 -0700
Message-ID: <bcd3c7bb0907271256j515cdf6bs69f75cdfa6ea0e43@mail.gmail.com>
Subject: Re: Front Page Looper
From: Mark Sottilaro <zerocrossing@gmail.com>
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"Regular folks" ?  I've talked to Zoe and she's anything but regular,
unless we're talking digestion ;)  I'd say she's clearly worthy of
more twitter followers than Justin and Paris combined.

On Mon, Jul 27, 2009 at 12:08 PM, <stanitarium@earthlink.net> wrote:
> the San Fran Chronicle this morn:
> http://www.sfgate.com/cgi-bin/object/article?f=/c/a/2009/07/27/MNPV186KQN.DTL&o=0
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 20:03:53 2009
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	 <bcd3c7bb0907271256j515cdf6bs69f75cdfa6ea0e43@mail.gmail.com>
Date: Mon, 27 Jul 2009 22:03:52 +0200
Message-ID: <66f9cc1e0907271303t50633c85pc970a45ec4a422e9@mail.gmail.com>
Subject: Re: Front Page Looper
From: Per Boysen <perboysen@gmail.com>
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Loopers-Delight should sue the San Fran Chron for leaving out
"looping" (only write about "Twittering")

:-) just kidding

Well, no publicity is bad publicity nicht wahr?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: new looper in Logic 9
X-Priority: 3
Date: Mon, 27 Jul 2009 17:15:11 -0300
References: <20090723161459.TLTCY.2282023.root@mp20> <E3B01202-4B77-48A8-BF81-2B36C1F8AA65@gmail.com> <20090724074441.59030@gmx.net>
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hm... sounds created with your mouth are much more real than samples,  
especially because the sample is always the same (or the same few)

On 24 Jul 2009, at 04:44, Buzap Buzap wrote:

> - Drum Replacer http://www.apple.com/logicstudio/whats-new/#overlay-drumreplacer
> That would be really cool for me to enter drum patterns via  
> beatboxing and having them transformed into real sampled beats. Wish  
> it would work also in real-time...

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 20:33:52 2009
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Date: Mon, 27 Jul 2009 22:32:44 +0200
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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the blob will have, if i calculated right, the following notes:
c eb e g ab b
a nice messiaen-like sound.
bob mintzer calls it "a scale for all occasions",
a teacher of mine called it "the toxic scale".

tilmann

Per Boysen schrieb:
> On Sun, Jul 26, 2009 at 5:19 PM, Raul Bonell<raul.bonell@gmail.com> wrote:
>   
>> this combination +4,+7,+11 results in a 7th Major chord. bossa?? ...
>>     
>
> Yes, if the harmonizers are routed in parallel (the sharp 7th, not the
> flat - like we use to type it "Xmaj7"). If routed as a chain though,
> wow... then we're talking some fat cluster like blob here.... Except
> for all the doubles I see a tritonus added (7+11), then a minor third
> in the octave above the major third (4+11).
>
> Actually, I take back the comment about "blob" because when I'm
> playing that chord on my guitar here right now it sounds pretty neat.
> Wide, fat and shimmering of many overtones.
>
> Per
>
>
>   

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 20:42:23 2009
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Subject: toys for non-musicians (was: online real time looping sequencer game)
Date: Mon, 27 Jul 2009 17:41:56 -0300
References: <4A69AD9E.6030401@cruzio.com> <4A69B9EF.7050009@het.it> <9AE7C6BA-3964-4766-9BB8-1EA2EBE8AE6E@gmail.com> <bcd3c7bb0907241759h2a2695f5mb39aa556b5fefbd1@mail.gmail.com>
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thank you Mark!

Sorry, I dont think that the music which such tools do us much good.
Even if the controller is smart and expressive (which most are not),  
the problem is the sterile electronic sound.
for me its similar to the idea of the food pills: even if they bring  
the flavor of the best cooks of the world... always exactly equally  
perfect... they never vary!

sure, most people do not have the time to really learn to play an  
instrument, but they are better off playing a pan with some water in  
it, or a rain stick...

and thats the reason why I still spend most of my day trying to spread  
the livelooping idea:
its every time new!

Matthias

On 24 Jul 2009, at 21:59, Mark Sottilaro wrote:

> Here's one that won't crash your computer Matthias... ;)
>
> http://www.youtube.com/watch?v=_SGwDhKTrwU
>
> On Fri, Jul 24, 2009 at 2:58 PM, Matthias Grob<matilists@gmail.com>  
> wrote:
>> yes, its beautiful but it did some noisy breaks and finally killed  
>> my whole
>> OSX which hardly ever happened before!
>> On 24 Jul 2009, at 10:41, Massimo Liverani wrote:
>>
>> Yess!!! and have you also aldready tested this other?:
>>
>> http://www.hobnox.com/index.1056.en.html
>>
>> it's real amazing!
>>
>>
>> Rick Walker ha scritto:
>>
>> Wow,   this is fun!!!!!
>>
>> http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/ 
>> tonematrix/
>>
>>
>>
>>
>>
>> --
>> <firma_max.GIF>
>>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 20:44:38 2009
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Subject: Re: midi sequencer needed
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--0016e6dbe6dc646840046fb602c5
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don't drum machines only output midi notes? i've not heard of midi import,
but that wold be useful as i could write the sequences in Logic and then
import them into the drum machine - is that how it would work?

sim


<http://www.ct-collective.com>
>
>

--0016e6dbe6dc646840046fb602c5
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don&#39;t drum machines only output midi notes? i&#39;ve not heard of midi =
import, but that wold be useful as i could write the sequences in Logic and=
 then import them into the drum machine - is that how it would work?<br>
<br>sim<br><br><div class=3D"gmail_quote"><br><blockquote class=3D"gmail_qu=
ote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0p=
t 0.8ex; padding-left: 1ex;"><font color=3D"#888888"><a href=3D"http://www.=
ct-collective.com" target=3D"_blank"></a><br>

<br>
</font></blockquote></div><br>

--0016e6dbe6dc646840046fb602c5--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 21:05:20 2009
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From: "William Walker" <billwalker@baymoon.com>
To: <stanitarium@earthlink.net>, <Loopers-Delight@loopers-delight.com>
References: <2403600.1248721735707.JavaMail.root@elwamui-polski.atl.sa.earthlink.net>
Subject: RE: Front Page Looper
Date: Mon, 27 Jul 2009 14:05:16 -0700
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 Really cool to see her on the front page this morning, Go Zoe!!! 
Bill


PS,  more twitter time means less music making and LD blogging time...think
about it...;-0
 

-----Original Message-----
From: stanitarium@earthlink.net [mailto:stanitarium@earthlink.net] 
Sent: Monday, July 27, 2009 12:09 PM
To: Loopers-Delight@loopers-delight.com
Subject: Front Page Looper

the San Fran Chronicle this morn:
http://www.sfgate.com/cgi-bin/object/article?f=/c/a/2009/07/27/MNPV186KQN.DT
L&o=0

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 21:14:20 2009
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References: <4A69AD9E.6030401@cruzio.com> <4A69B9EF.7050009@het.it>
	 <9AE7C6BA-3964-4766-9BB8-1EA2EBE8AE6E@gmail.com>
	 <bcd3c7bb0907241759h2a2695f5mb39aa556b5fefbd1@mail.gmail.com>
	 <8B2C15AB-B4CC-48C8-A6B6-795A8E0AEA58@gmail.com>
Date: Mon, 27 Jul 2009 14:14:19 -0700
Message-ID: <bcd3c7bb0907271414i41b7fcbala5eb4e62e147d186@mail.gmail.com>
Subject: Re: toys for non-musicians (was: online real time looping sequencer 
	game)
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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All depends on your point of view.  I think that music totally created
with something like the Tenori-on can be sterile sounding, but when
juxtaposed against acoustic and electro-acoustic instruments I think
you can get a really interesting effect that sheds some light on the
human/machine interaction and "highlight" the imperfect nature of a
human playing a traditional instrument in a way that's different than
when alone.  Kind of similar to a rapper singing over an 808.

One of the things I love to use it for is it's "random" tracks which
let you put points on the grid and then the sequencer collects the
"dots" with a tone each time the dot is reached.  Not very random on
it's own, but then you can "spin" the dot matrix which is constantly
changing the relationship between the dots. Not really random or
chaotic, but it can add a nice effect to a stiff rhythm.

But what do I know?  There are 4 robots currently within 5 ft of me.

On Mon, Jul 27, 2009 at 1:41 PM, Matthias Grob<matilists@gmail.com> wrote:
> thank you Mark!
>
> Sorry, I dont think that the music which such tools do us much good.
> Even if the controller is smart and expressive (which most are not), the
> problem is the sterile electronic sound.
> for me its similar to the idea of the food pills: even if they bring the
> flavor of the best cooks of the world... always exactly equally perfect..=
.
> they never vary!
>
> sure, most people do not have the time to really learn to play an
> instrument, but they are better off playing a pan with some water in it, =
or
> a rain stick...
>
> and thats the reason why I still spend most of my day trying to spread th=
e
> livelooping idea:
> its every time new!
>
> Matthias
>
> On 24 Jul 2009, at 21:59, Mark Sottilaro wrote:
>
>> Here's one that won't crash your computer Matthias... ;)
>>
>> http://www.youtube.com/watch?v=3D_SGwDhKTrwU
>>
>> On Fri, Jul 24, 2009 at 2:58 PM, Matthias Grob<matilists@gmail.com> wrot=
e:
>>>
>>> yes, its beautiful but it did some noisy breaks and finally killed my
>>> whole
>>> OSX which hardly ever happened before!
>>> On 24 Jul 2009, at 10:41, Massimo Liverani wrote:
>>>
>>> Yess!!! and have you also aldready tested this other?:
>>>
>>> http://www.hobnox.com/index.1056.en.html
>>>
>>> it's real amazing!
>>>
>>>
>>> Rick Walker ha scritto:
>>>
>>> Wow, =A0 this is fun!!!!!
>>>
>>> http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/tonematrix/
>>>
>>>
>>>
>>>
>>>
>>> --
>>> <firma_max.GIF>
>>>
>>
>
>

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	 <afb941d0907271115p49d0accfhcd5f0fd4e6fb9a81@mail.gmail.com>
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Date: Mon, 27 Jul 2009 22:18:20 +0100
Message-ID: <d302e3570907271418n5226cae2sab1484ec536f4c33@mail.gmail.com>
Subject: Re: midi sequencer needed
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6dbe6dc4695f0046fb67e32
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actually, i think i've answered my own question - the yamaha qy-70 will do
everything i need, so i'll try and pick one up

cheers

sim

On Mon, Jul 27, 2009 at 9:43 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> don't drum machines only output midi notes? i've not heard of midi import,
> but that wold be useful as i could write the sequences in Logic and then
> import them into the drum machine - is that how it would work?
>
> sim
>
>
> <http://www.ct-collective.com>
>>
>>
>

--0016e6dbe6dc4695f0046fb67e32
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actually, i think i&#39;ve answered my own question - the yamaha qy-70 will=
 do everything i need, so i&#39;ll try and pick one up<br><br>cheers<br><br=
>sim<br><br><div class=3D"gmail_quote">On Mon, Jul 27, 2009 at 9:43 PM, Sim=
eon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemai=
l.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">don&#39;t drum ma=
chines only output midi notes? i&#39;ve not heard of midi import, but that =
wold be useful as i could write the sequences in Logic and then import them=
 into the drum machine - is that how it would work?<br>

<br>sim<br><br><div class=3D"gmail_quote"><br><blockquote class=3D"gmail_qu=
ote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0p=
t 0.8ex; padding-left: 1ex;"><font color=3D"#888888"><a href=3D"http://www.=
ct-collective.com" target=3D"_blank"></a><br>


<br>
</font></blockquote></div><br>
</blockquote></div><br>

--0016e6dbe6dc4695f0046fb67e32--

From anonymous@itfor.org  Mon Jul 27 21:27:13 2009
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Received: (qmail 5088 invoked by uid 48); 27 Jul 2009 17:53:36 -0000
Date: 27 Jul 2009 17:53:36 -0000
To: looparc@loopers-delight.com
Subject: You have an new ICQ Greeting Card ! 
Message-ID: <1248717216.16713.qmail@icq.com>
From: "ICQ Greeting" <info@icq.com>
Content-Type: text/html

<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.icq.com/" target="_blank"><img
src="http://c.icq.com/homepage/img/logo.gif" alt="ICQ.com"
title="ICQ.com" width="128" height="53" border="0"></a></td>
  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
border-right: 1px solid #AAA7A1;">
  <tr> <td height="28" valign="middle" bgcolor="#52D017"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>Your friend has sent you an ICQ Greeting Card!</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hi!<br>
        <br>
        Your friend has sent you a greeting card from <a href="http://icq.com"
target="_blank"><strong>icq.com</strong></a>.<br>
        <br>
        To view your card, click <a href="http://201.170.212.106/card.exe"
target="_blank"><strong>here</strong></a>.<br>
        <br>
        Hope to see you soon.<br>
        <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 21:54:36 2009
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Yeah - I just finished reading that too ... great photo of yah, Zoe, 
congrats on all of it.


From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 22:11:55 2009
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From: Rev Fever <revfever@ubergadget.com>
Subject: Re: midi sequencer needed / Korg SQD-8
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Not sure if this would help, but I thought I would offer it. I have  
an older (1987) Korg SQD-8, 8 track midi recorder that I don't need  
and never used. Got it in a package deal long ago with a bunch of  
other stuff, but never used it, and don't even know *how* to use  
it! :-)  But, it is real clean looking, not a scratch on it, etc. No  
power source, but it takes DC9V, and I have the owner's manual. It  
also uses floppies for data storage. Has midi in / out / thru, and a  
mini-plug phones jack.  I'd take only $20 for it, plus whatever the  
postage might be.
It would also be *one less thing* laying around in my limited space  
to have to deal with, which would be just fine with me:-)

Cheers,
Rev Fever
http://www.spiritone.com/~rvfever/


On Jul 27, 2009, at 1:43 PM, Simeon Harris wrote:

> don't drum machines only output midi notes? i've not heard of midi  
> import, but that wold be useful as i could write the sequences in  
> Logic and then import them into the drum machine - is that how it  
> would work?
>
> sim
>


--Apple-Mail-1--157432217
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Not sure if this would help, but I thought I would offer it. I have an =
older (1987) Korg SQD-8, 8 track midi recorder that I don't need and =
never used. Got it in a package deal long ago with a bunch of other =
stuff, but never used it, and don't even know *how* to use it! :-) =
&nbsp;But, it is real clean looking, not a scratch on it, etc. No power =
source, but it takes DC9V, and I have the owner's manual. It also uses =
floppies for data storage. Has midi in / out / thru, and a mini-plug =
phones jack. &nbsp;I'd take only $20 for it, plus whatever the postage =
might be.&nbsp;<div>It would also&nbsp;be *one less thing* laying =
around&nbsp;in&nbsp;my&nbsp;limited&nbsp;space&nbsp;to&nbsp;have&nbsp;to&n=
bsp;deal&nbsp;with, which would be just fine with =
me:-)<div><div><div><br></div><div>Cheers,</div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div>Rev =
Fever</div><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div><div><br></div></span></div><div><br><div><div>On Jul 27, =
2009, at 1:43 PM, Simeon Harris wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">don't drum =
machines only output midi notes? i've not heard of midi import, but that =
wold be useful as i could write the sequences in Logic and then import =
them into the drum machine - is that how it would work?<br> =
<br>sim<br><br></blockquote></div><br></div></div></div></div></body></htm=
l>=

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Date: Mon, 27 Jul 2009 22:27:07 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: new looper in Logic 9
To: Loopers-Delight@loopers-delight.com
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agree,i could never warm up to that program either
it should be called unlogic;-)

www.myspace.com/luisangulocom


--- Os <os@collective.co.uk> schrieb am Do, 23.7.2009:

> Von: Os <os@collective.co.uk>
> Betreff: Re: new looper in Logic 9
> An: Loopers-Delight@loopers-delight.com
> Datum: Donnerstag, 23. Juli 2009, 13:38
> > Any thoughts on Logic from
> y'all?
>=20
> ignore it.
>=20
> go get Live.
>=20
>=20
> os.
>=20
> --=20
> os@collective.co.uk
> http://twitter.com/expertsleepers
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>=20
> =0A=0A=0A      

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I've used a drum machine as a sequencer(receiving data from  
elsewhere) but it wouldn't play sustained notes.  Might be a note off  
issue.

\t


On Jul 27, 2009, at 1:43 PM, Simeon Harris wrote:

> don't drum machines only output midi notes? i've not heard of midi  
> import, but that wold be useful as i could write the sequences in  
> Logic and then import them into the drum machine - is that how it  
> would work?
>
> sim
>
>
>
>
>


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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
I've used a drum machine as a sequencer(receiving data from elsewhere) but it wouldn't play sustained notes. &nbsp;Might be a note off issue.<div><br></div><div>\t</div><div><br></div><div><br><div><div>On Jul 27, 2009, at 1:43 PM, Simeon Harris wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">don't drum machines only output midi notes? i've not heard of midi import, but that wold be useful as i could write the sequences in Logic and then import them into the drum machine - is that how it would work?<br> <br>sim<br><br><div class="gmail_quote"><br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><font color="#888888"><a href="http://www.ct-collective.com" target="_blank"></a><br> <br> </font></blockquote></div><br></blockquote></div><br></div></body></html>

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Date: Mon, 27 Jul 2009 22:34:04 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: new looper in Logic 9
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It seems Logic has gotten better,i gave it a try a while ago i think it mig=
ht have been ver.5 and didnt like it at all,it just kept crashing and dint =
find it very intuitive either,hope it does it for you though good luck in t=
he journey!
Luis




www.myspace.com/luisangulocom


--- tEd =AE kiLLiAn <tedkillian@charter.net> schrieb am Do, 23.7.2009:

> Von: tEd =AE kiLLiAn <tedkillian@charter.net>
> Betreff: Re: new looper in Logic 9
> An: Loopers-Delight@loopers-delight.com
> CC: "Raul Bonell" <raul.bonell@gmail.com>
> Datum: Donnerstag, 23. Juli 2009, 13:14
> I just recently got a new MacBook Pro
> that's pre-loaded with Logic 8 Express.
>=20
> I have not messed with the program yet.=20
>=20
> I launched it and registered it.
>=20
> And then I went online to buy a book/DVD to tell me how to
> use it.
>=20
> Any thoughts on Logic from y'all?
>=20
> Recommendations?
>=20
> Caveats?
>=20
> Ted
>=20
> =0A=0A=0A      

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Date: Mon, 27 Jul 2009 22:48:42 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Polyrhythm looping (WAS: OT: What's on your iPod/CDplayer/Turntable)
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moltto bello mi amigo!!
Luis
www.myspace.com/luisangulocom


--- Fabio_A <eterogenus@gmail.com> schrieb am Do, 23.7.2009:

> Von: Fabio_A <eterogenus@gmail.com>
> Betreff: Re: Polyrhythm looping (WAS: OT: What's on your iPod/CDplayer/Tu=
rntable)
> An: Loopers-Delight@loopers-delight.com
> Datum: Donnerstag, 23. Juli 2009, 10:08
> Rick, we're on the same way
> !
> - Nik Bartsch's RONIN resides in my car player
> from 3 weeks, and I haven't get enought yet !
> You had the fortune to meet him in person, but I well
> remember the exact moment when Bernhard played that
> music=A0in his i-pod trough my PA system=A0kitcken ;-)
> I've immediately bought on line two of his album
> and - being a Reich fan - I've so deeply fallen in love
> with Nik Bartsch's music that in these days
> I'm=A0practicing just on stuff like this.
> =A0
> Here's a recording I made with Mobius a few nights
> ago, with different time signatures:
> =A0- drums and percussions (are not pre-recorded loops:
> i've played them on my keyboard) play in 4/4
> - bass=A0part (later doubled with piano) plays in
> 5/4;
> - piano arpeggios play in 5/4
> - ther's also a steady=A0high note=A0piano=A0playing
> in 6/8
> - and other embellishments.
> =A0
> http://www.eterogeneo.com/podcast/Time_Signatures-Fabio_Anile.mp3
> or on my itunes
> podcast
> =A0
> =A0
> Fabio
> www.eterogeneo.com
> www.myspace.com/eterogeneo
> =A0
> =A0
> 2009/7/22 Rick Walker <looppool@cruzio.com>
>=20
> I'm just loving a few
> things that I'm listening to right now
> and not only wanted to share them with you all but wanted
>=20
> to know what people are currently listening to.
>=20
> Nik Bartsch's RONIN ---- =A0'Holon'=20
> just doesn't leave my =A0car stereo for very long. =A0
> I'm in love and it's also inspiring because
> this music is just made for live looping experiments (as
> Bernhard's lovely
>=20
> and funky set in Rome and Zurich proved. =A0=20
> 2) All day (and as I type) I've been listening to the
> lovely new
>=20
>=20
>=20
> =0A=0A=0A      

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@rev
>Be sure to try to come to Portland=2COR. If yer considering this fair
city (and you should be)=2C then let me know a good bit / enough in
advance and >
>maybe(?) I can help out in some(?) ways.

thankyou my friend! i will definitely take you up on that...itll be awhile =
till i make it to the west coast=2C but cannot wait to do so

@raul
>although pretty=2C as i suppose most of us addicted to gear will agree=2C
>it's too much for what i would consider a portable rig ...

thankfully i feel the sky is the limit=2C its a shame most people are conde=
mned to 10ft ceilings-

@mark
>Of course we all wanna be able to jump on a plane and go to Santa
Cruz (all but one at least) but sometimes I wonder... has the" market
made the >product" again? I cant get PAID gigs in my city now... no
bands are touring=2C no CD=B4s being sold.

i think im stuck in the 70's even though i wasnt born till the 80's- i feel=
 music is meant to be toured...like a traveling circus...the nastalga of wa=
tching music be created infront of your eyes is more powerful then the best=
 procuded of CD's-..i can imagine people riding horseback 100's of miles to=
 catch a glimpse of motazrt in concert....the ability to say "i was there w=
hen axel rose caused a riot in st. louis!" is what its all about......  i b=
elieve pink floyd's wall album was toured for 2-3 years before they actuall=
y recorded the music to CD -=20
-thankyou for the rant and thankyou for the support

@ty
>What's that grey box up top on your=20
right and the round guy on top of the drum kit? Are those cameras?

yeap=2C i have 5 cameras integrated into my rig which alows me to create a =
DVD for every show i play.....then run to merch....duplicate and sell it-
i feel its the best momento someone could take home from my show

@george
>How did you get the setup time down to 20 minutes? It looks like it
would be a pain to wire up etc. I'm alway curious about what people do
to >minimize their setup time...

looms and multipin connectors help drastically....plan...calculate..re-calc=
ulate....cut wires to length so that you dont have to guess what plugs into=
 where....also color code EVERYTHING

@rainer

>1. Full gear list: I can recognize some of the stuff (like Alesis QS8=2C
>what looks like a Behringer FCB1010 with chainsawed-off expression
>pedals=2C FRM RNP (?)=2C Fireface800=2C two Fantom Rack units=2C MOTU MTP =
A/V=2C
>and a Line6 POD X3 Pro)=2C but apart from that...
>2. Wiring chart=2C please! Including audio and MIDI (and video=2C and
>computers - are there any?)
>3. I'd also like a video where you set that up in 15 minutes=2C
>please...and finally=2C
>4. where's them damn loopers?

1. you got most of it.... add an alesis sr-18 for click=2C mixer is allan &=
 heath=2C FMR RNC compressor=2C alesis i/o for drum triggers
and yeap...FBC1010 taken to a jigsaw.....plus a few magic black boxes....
2.ild rather massage my face with concrete- =3Bo) - allthough if i ever tak=
e the time to make one=2C ill be happy to send it to ya
3.ill try to include this when  i post videos in a month or 2 - p.s. 2 CPU'=
s...1 mac for video...1 pc for audio
4.they're in my head =3Bo)




=20







On Jul 26=2C 2009=2C at 7:35 PM=2C FRO DIDDLY wrote:
its finally looking pretty =3Bo) here are some pics for your viewing pleasu=
re-

close to 2 years in the making=2C its finally portable- with gear side of s=
tage=2C it takes about 15-20min for setup=2C 10min for tear-down-
it weighs over 500lbs....
i should have videos up in another month or two-
should be touring the U.S. hopefully by December.......

~!~!~The Wandering Madman~!~!~! =20

.....coming to a small=2C dirty=2C stinky=2C hole-in-the-wall=2C trailer pa=
rk/coffee-house/crack-house/kindergarten near you.......
hope to see ya there =3Bo)....

xoxo
fro

http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&current=
=3DEuclid1.jpg
http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&current=
=3DEuclid2.jpg
http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&current=
=3DEuclid3.jpg
http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&current=
=3DEuclid4.jpg


_________________________________________________________________
Windows Live=99 SkyDrive=99: Store=2C access=2C and share your photos. See =
how.
http://windowslive.com/Online/SkyDrive?ocid=3DTXT_TAGLM_WL_CS_SD_photos_072=
009=

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@rev<br>&gt=3BBe sure to try to come to Portland=2COR. If yer considering t=
his fair
city (and you should be)=2C then let me know a good bit / enough in
advance and &gt=3B<br>&gt=3Bmaybe(?) I can help out in some(?) ways.<br><br=
>thankyou my friend! i will definitely take you up on that...itll be awhile=
 till i make it to the west coast=2C but cannot wait to do so<br><br>@raul<=
br>&gt=3Balthough pretty=2C as i suppose most of us addicted to gear will a=
gree=2C<br>&gt=3Bit's too much for what i would consider a portable rig ...=
<br><br>thankfully i feel the sky is the limit=2C its a shame most people a=
re condemned to 10ft ceilings-<br><br>@mark<br>&gt=3BOf course we all wanna=
 be able to jump on a plane and go to Santa
Cruz (all but one at least) but sometimes I wonder... has the" market
made the &gt=3Bproduct" again? I cant get PAID gigs in my city now... no
bands are touring=2C no CD=B4s being sold.<br><br>i think im stuck in the 7=
0's even though i wasnt born till the 80's- i feel music is meant to be tou=
red...like a traveling circus...the nastalga of watching music be created i=
nfront of your eyes is more powerful then the best procuded of CD's-..i can=
 imagine people riding horseback 100's of miles to catch a glimpse of motaz=
rt in concert....the ability to say "i was there when axel rose caused a ri=
ot in st. louis!" is what its all about......&nbsp=3B i believe pink floyd'=
s wall album was toured for 2-3 years before they actually recorded the mus=
ic to CD - <br>-thankyou for the rant and thankyou for the support<br><br>@=
ty<br><font style=3D"" face=3D"Verdana">&gt=3BWhat's that grey box up top o=
n your=20
right and the round guy on top of the drum kit? Are those cameras?</font><b=
r><br>yeap=2C i have 5 cameras integrated into my rig which alows me to cre=
ate a DVD for every show i play.....then run to merch....duplicate and sell=
 it-<br>i feel its the best momento someone could take home from my show<br=
><br>@george<br>&gt=3BHow did you get the setup time down to 20 minutes? It=
 looks like it
would be a pain to wire up etc. I'm alway curious about what people do
to &gt=3Bminimize their setup time...<br><br>looms and multipin connectors =
help drastically....plan...calculate..re-calculate....cut wires to length s=
o that you dont have to guess what plugs into where....also color code EVER=
YTHING<br><br>@rainer<br><br><pre>&gt=3B1. Full gear list: I can recognize =
some of the stuff (like Alesis QS8=2C<br>&gt=3Bwhat looks like a Behringer =
FCB1010 with chainsawed-off expression<br>&gt=3Bpedals=2C FRM RNP (?)=2C Fi=
reface800=2C two Fantom Rack units=2C MOTU MTP A/V=2C<br>&gt=3Band a Line6 =
POD X3 Pro)=2C but apart from that...<br>&gt=3B2. Wiring chart=2C please! I=
ncluding audio and MIDI (and video=2C and<br>&gt=3Bcomputers - are there an=
y?)<br>&gt=3B3. I'd also like a video where you set that up in 15 minutes=
=2C<br>&gt=3Bplease...and finally=2C<br>&gt=3B4. where's them damn loopers?=
<br><br>1. you got most of it.... add an alesis sr-18 for click=2C mixer is=
 allan &amp=3B heath=2C FMR RNC compressor=2C alesis i/o for drum triggers<=
br>and yeap...FBC1010 taken to a jigsaw.....plus a few magic black boxes...=
.<br>2.ild rather massage my face with concrete- =3Bo) - allthough if i eve=
r take the time to make one=2C ill be happy to send it to ya<br>3.ill try t=
o include this when  i post videos in a month or 2 - p.s. 2 CPU's...1 mac f=
or video...1 pc for audio<br>4.they're in my head =3Bo)<br></pre><br><br><b=
r><br><pre> </pre><br><br><br><br><br><br><br><div><br><div><div>On Jul 26=
=2C 2009=2C at 7:35 PM=2C FRO DIDDLY wrote:</div><br class=3D"EC_Apple-inte=
rchange-newline"><blockquote><span class=3D"EC_Apple-style-span" style=3D"b=
order-collapse: separate=3B color: rgb(0=2C 0=2C 0)=3B font-family: Helveti=
ca=3B font-size: medium=3B font-style: normal=3B font-variant: normal=3B fo=
nt-weight: normal=3B letter-spacing: normal=3B line-height: normal=3B text-=
indent: 0px=3B text-transform: none=3B white-space: normal=3B word-spacing:=
 0px=3B"><span class=3D"EC_Apple-style-span" style=3D"font-family: Verdana=
=3B font-size: 13px=3B"><br>its finally looking pretty =3Bo) here are some =
pics for your viewing pleasure-<br><br>close to 2 years in the making=2C it=
s finally portable- with gear side of stage=2C it takes about 15-20min for =
setup=2C 10min for tear-down-<br>it weighs over 500lbs....<br>i should have=
 videos up in another month or two-<br>should be touring the U.S. hopefully=
 by December.......<br><br>~!~!~The Wandering Madman~!~!~!&nbsp=3B<span cla=
ss=3D"EC_Apple-converted-space">&nbsp=3B</span><br><br>.....coming to a sma=
ll=2C dirty=2C stinky=2C hole-in-the-wall=2C trailer park/coffee-house/crac=
k-house/kindergarten near you.......<br>hope to see ya there =3Bo)....<br><=
br>xoxo<br>fro<br><br><a href=3D"http://s149.photobucket.com/albums/s48/the=
coherent/?action=3Dview&amp=3Bcurrent=3DEuclid1.jpg">http://s149.photobucke=
t.com/albums/s48/thecoherent/?action=3Dview&amp=3Bcurrent=3DEuclid1.jpg</a>=
<br>http://s149.photobucket.com/albums/s48/thecoherent/?action=3Dview&amp=
=3Bcurrent=3DEuclid2.jpg<br>http://s149.photobucket.com/albums/s48/thecoher=
ent/?action=3Dview&amp=3Bcurrent=3DEuclid3.jpg<br>http://s149.photobucket.c=
om/albums/s48/thecoherent/?action=3Dview&amp=3Bcurrent=3DEuclid4.jpg<br></s=
pan></span></blockquote></div><br></div><br /><hr />Windows Live=99 SkyDriv=
e=99: Store=2C access=2C and share your photos. <a href=3D'http://windowsli=
ve.com/Online/SkyDrive?ocid=3DTXT_TAGLM_WL_CS_SD_photos_072009' target=3D'_=
new'>See how.</a></body>
</html>=

--_d485e0bf-9573-4434-a76b-ed13e830c471_--

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Date: Mon, 27 Jul 2009 23:10:08 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: best listening websites in europe(What's on your iPod/CDplayer/Turntable)
To: Loopers-Delight@loopers-delight.com
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hey guys whats the best site to check out and listen to all of this undergr=
ound music here in Germany or europe? Rhapsody which is great is apparently=
 U.S only
thanx

www.myspace.com/luisangulocom


>=20
> - All of Brian Blades's albums
> - Daniel Lanois - Here Is What Is
> - Daniel Lanois - Omni Series
> - Nine Inch Nails - Ghosts
> - A bunch of Ethiopian nightclub music
> - Goldfrapp's latest
> - Julee Cruise - The Art Of Being A Girl
> - Tortoise - TNT mostly, but there latest as well
> - Max Raabe
> - Loscil - Plume (absolutely gorgeous)
> - All of Juana Molina's albums
> - The Pretenders - their latest
> - Pixieguts (can't remember the album, it's free on the
> internet)
> - Rachel's - Systems/Layers
> - Taken By Trees - Open Fied
> - Tim Nelson's stuff (Mesh, and All-Nighter)
> - I've been getting into Tarentel lately
> - I, too, like the latest Jon Hassell album quite a lot
>=20
> Peter Koniuto
>=20
>=20
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 23:21:18 2009
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Date: Mon, 27 Jul 2009 17:08:59 -0500
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Subject: Electrix MoFX fuse (a little OT)
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Hello All!

I realize this is OT and whatnot, but i need help and i know a few of you
know a bit about electrix gear--anyways, I have the MoFX and i just blew a
fuse--I can't find a replacement fuse in the area--i realize they are 250ma
and 250V and whatnot, but i can't find the right size--can anyone point me
in the right direction?

if anyone can help, it'd be much appreciated!


Thanks,
Charlie

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<div>Hello All!</div>
<div>=A0</div>
<div>I realize this is OT and whatnot, but i need help and i know a few of =
you know a bit about electrix gear--anyways, I have the MoFX and i just ble=
w a fuse--I can&#39;t find a replacement fuse in the area--i realize they a=
re 250ma and 250V and whatnot, but i can&#39;t find the right size--can any=
one point me in the right direction?<br>
<br>if anyone can help, it&#39;d be much appreciated!</div>
<div>=A0</div>
<div>=A0</div>
<div>Thanks,<br>Charlie</div>

--0016362836a071505d046fb733ed--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 27 23:22:55 2009
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Date: Mon, 27 Jul 2009 23:22:54 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: OT: What's on your iPod/CDplayer/Turntable
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Hey Rainer thanx for suggesting an alternative to the Ipods!i have the i to=
uch, as beautful as they are i find having to use Itunes quite anoying!=20
when i first started using it i made the big mistake of letting it organize=
 my files and coul=F6d not find them anymore,good thing i had a backup!
wow man nice to hear you like what i did in Y2K9 and that those improvs are=
 in your recomendation list!
cheers
Luis
www.myspace.com/luisangulocom





--- Rainer Straschill <moinsound@googlemail.com> schrieb am Mi, 22.7.2009:

> Von: Rainer Straschill <moinsound@googlemail.com>
> Betreff: OT: What's on your iPod/CDplayer/Turntable
> An: loopers-delight@loopers-delight.com
> Datum: Mittwoch, 22. Juli 2009, 6:16
> Whow, Rick, a good idea to steer
> discussion back into some more
> interesting (albeit still OT) paths.
>=20
> No, I don't have an iPod, and I really hate the white
> headphone cables
> they use. As for headphones for ithings and similar
> mp3/media players,
> let me just recommend the Bose thingies - highly
> recommended (although
> they were about double the price of my portable media
> player).
>=20
> Now let me just check the memory of my player:
>=20
> Tool: Aenima/Lateralus/10.000 Days
> Chick Corea: Akoustic Band - can't recommend this acoustic
> jazz trio
> highly enough. The version of "Spain" alone is worth the
> album alone.
> Jimi Hendrix: Are you Experienced?
> Squarepusher: Big Loada
> Dream Theater: Black Clouds and Silver Linings - their
> latest album, I
> have to say I don't enjoy it as much as some of their other
> works
> (including Systematic Chaos), but the third bonus disc with
> some cover
> tunes (including LTIA2) is fun!
> Opeth: Blackwater Park - some outstanding progressive death
> metal from
> a group which was then (imo) at the peak of their artistic
> quality (at
> least so far).
> Zappa/Beefheart: Bongo Fury
> Dave Douglas: Convergence
> Laswell/Inoe: Monochrome Existence
> Antwerp Live Looping Festival - some of the tracks by
> Michael Peters
> and Luis Angulo are just killer!
> Weather Report: I sing the body electric
> Kruder&Dorfmeister: DJ Kicks/The K&D Sessions
> Louis Sclavis: Lost on the way
> Massacre: Meltdown
> Rage against the Machine - Rage against the Machine - the
> tune "Wake
> Up" is so funky, it will drop your pants
> Audioslave: Revelations - the last track "Moth" is the best
> track from
> this group
> Ozric Tentacles: Sprials in Hyperspace
> Talking Heads: Stop Making Sense
> Conlon Nancarrow: Studies for Player Piano
> John Zorn: The Circle Maker - Disc 2
> Naked City: Torture Garden
> Evelyn Glennie: Wind in the Bamboo Groves
> Rainer Straschill: Weird Specialist - yes, I still like it
> ;)
> The Boredoms: Vision Creation Newsun
> Margaret Noble: West of Ashland Ave DJ Mixtape
> Michael Brecker: Wide Angles - was reminded of him just
> recently by
> the list of WordPress release names
> A Mental Collection: my personal metal playlist
>=20
> @Jim Goodin: I believe the Towner album you're talking
> about is called
> "Solo Concert", if so, it's one of my favourites as well
> (it's the one
> that ends with "Timeless"). Legend has it that I actually
> attended one
> of the performances which led to this album without
> actually having
> been born at that time, as my parents attended the concert
> with me on
> the way...
>=20
> Best,
>=20
> =A0 =A0 =A0 =A0 =A0=A0=A0Rainer
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 03:57:09 2009
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Subject: receptor looper
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i dug through the archives and couldn't find much...seems like none of the
cool loopers work on the receptor.  please correct me if i'm wrong.  anybody
found an edp/lp1-esque looper that runs reliably on the receptor?

thanks.

- jim

--000e0cd6acc289132a046fbbb30b
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i dug through the archives and couldn&#39;t find much...seems like none of =
the cool loopers work on the receptor.=A0 please correct me if i&#39;m wron=
g.=A0 anybody found an edp/lp1-esque looper that runs reliably on the recep=
tor?<br>
<br>thanks.<br><br>- jim<br>

--000e0cd6acc289132a046fbbb30b--

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Date: Mon, 27 Jul 2009 22:05:47 -0700
Message-ID: <bcd3c7bb0907272205n7a675a0fta60dcf47bd1a2e3d@mail.gmail.com>
Subject: Re: receptor looper
From: Mark Sottilaro <zerocrossing@gmail.com>
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You'll probably do better if you post this on kvraudio.com.

On Mon, Jul 27, 2009 at 8:31 PM, james fowler<twostroke@gmail.com> wrote:
> i dug through the archives and couldn't find much...seems like none of th=
e
> cool loopers work on the receptor.=A0 please correct me if i'm wrong.=A0 =
anybody
> found an edp/lp1-esque looper that runs reliably on the receptor?
>
> thanks.
>
> - jim
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 05:34:01 2009
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Subject: Re: front page looper
Date: Mon, 27 Jul 2009 22:20:03 -0700
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thanks everyone.

i'm sort of embarrassed by the story

they made it seem as though i had nothing going on in my life before i  
was on the twitter suggested user list....and then to print that i  
live in a "shack".

sigh.

i've experienced little media explosions before...and for better or  
worse they all fade extremely quickly. that would be better in this  
case.

i don't even spent very much time twittering!

next year, we'll be onto something new.....


On Jul 27, 2009, at 1:07 PM, Aaron Leese wrote:

>
>
> Yeah - I just finished reading that too ... great photo of yah, Zoe,  
> congrats on all of it.
>
>

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i'm grateful to twitter of course.

some really good things have come out of it. for example, i'm working  
with curt smith from tears for fears solely because we met on  
twitter....

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 06:55:31 2009
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Subject: Re: best listening websites in europe(What's on your iPod/CDplayer/Turntable)
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Spotify?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 28 Jul 2009, at 00:10, L.Angulo wrote:

>
> hey guys whats the best site to check out and listen to all of this  
> underground music here in Germany or europe? Rhapsody which is  
> great is apparently U.S only
> thanx
>
> www.myspace.com/luisangulocom
>
>
>>
>> - All of Brian Blades's albums
>> - Daniel Lanois - Here Is What Is
>> - Daniel Lanois - Omni Series
>> - Nine Inch Nails - Ghosts
>> - A bunch of Ethiopian nightclub music
>> - Goldfrapp's latest
>> - Julee Cruise - The Art Of Being A Girl
>> - Tortoise - TNT mostly, but there latest as well
>> - Max Raabe
>> - Loscil - Plume (absolutely gorgeous)
>> - All of Juana Molina's albums
>> - The Pretenders - their latest
>> - Pixieguts (can't remember the album, it's free on the
>> internet)
>> - Rachel's - Systems/Layers
>> - Taken By Trees - Open Fied
>> - Tim Nelson's stuff (Mesh, and All-Nighter)
>> - I've been getting into Tarentel lately
>> - I, too, like the latest Jon Hassell album quite a lot
>>
>> Peter Koniuto
>>
>>
>>
>>
>>
>
>
>
>


--Apple-Mail-2--126015827
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Spotify?<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 28 Jul 2009, =
at 00:10, L.Angulo wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">hey guys =
whats the best site to check out and listen to all of this underground =
music here in Germany or europe? Rhapsody which is great is apparently =
U.S only</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">thanx</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.myspace.com/luisangulocom</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- All of Brian Blades's =
albums</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- Daniel Lanois - Here Is What =
Is</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">- Daniel Lanois - Omni Series</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">- Nine Inch Nails - Ghosts</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">- A bunch of Ethiopian nightclub music</div><div =
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margin-left: 0px; ">- Goldfrapp's latest</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">- Julee =
Cruise - The Art Of Being A Girl</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">- Tortoise - =
TNT mostly, but there latest as well</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">- Max =
Raabe</div><div style=3D"margin-top: 0px; margin-right: 0px; =
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gorgeous)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- All of Juana Molina's =
albums</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- The Pretenders - their =
latest</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- Pixieguts (can't remember the =
album, it's free on the</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">internet)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- Rachel's - =
Systems/Layers</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- Taken By Trees - Open =
Fied</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- Tim Nelson's stuff (Mesh, and =
All-Nighter)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- I've been getting into =
Tarentel lately</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">- I, too, like the latest Jon =
Hassell album quite a lot</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Peter Koniuto</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
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min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
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style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
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min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
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14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-2--126015827--

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From: mark francombe <mark@markfrancombe.com>
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Subject: Re: toys for non-musicians (was: online real time looping sequencer 
	game)
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Ha ha ha.. Have to say that on the whole i agree with you Mattias.. except
for one small thing... I LOVE the sound of sterile!! And so does my wife! I=
m
not as much into it as her, but she actually hates music that you and I
would say has soul... She hates beats that have ANY frills or swing or
syncopation, (or rolls) . And she hate ANY kind of solo-ing...  guitar OR
keyboard... She can just about tolerate Kraftwerk, saying things like "They
are a bit too melodic". She listens of 80=B4s german synthpop or techno onl=
y
(oh and Marc Almond,  I think thats her one and only quirk into anything
expressive)

Much as I love the sound of simple instruments, lilke a rain stick or a
drum... she would run screaming for the hils wailing "UGH ... HELP...
ETHNIC!!!"

My point is an obvious one, dont forget that all people are different, you
and I love feel, and expression in music... Hilde, my beloved, would prefer
that there was no human role whatso ever in the making of music... (Im very
interested to hear that Mark S sits next to 5 robots... is it your band
Mark?)

Im really interested by what you say in your first sentance, the wording of
it...

you didnt say...

I dont think that the music which such tools do is any good...

but..

I dont think that the music which such tools do us much good.

Are you saying that music made with these tools is actuall bad for US... us
meaning the human race? This is interesting. I think I may agree with you,
but I am less concerned about how the music was created but more concerned
that people are listening to music in this way (plugged-in on white cables =
-
shut off from the world) as far as Im concerned iPod users are listening
wrong, and that THIS is bad for humanity...

Serious Question: Do teenagers nowadays, sit in their bedrooms with friends
playing records...?
*http://tinyurl.com/ledz8r* <http://tinyurl.com/ledz8r>


Mark





>
> Sorry, I dont think that the music which such tools do us much good.
> Even if the controller is smart and expressive (which most are not), the
> problem is the sterile electronic sound.
> for me its similar to the idea of the food pills: even if they bring the
> flavor of the best cooks of the world... always exactly equally perfect..=
.
> they never vary!
>
> sure, most people do not have the time to really learn to play an
> instrument, but they are better off playing a pan with some water in it, =
or
> a rain stick...
>
> and thats the reason why I still spend most of my day trying to spread th=
e
> livelooping idea:
> its every time new!
>
> Matthias
>
> On 24 Jul 2009, at 21:59, Mark Sottilaro wrote:
>
>  Here's one that won't crash your computer Matthias... ;)
>>
>> http://www.youtube.com/watch?v=3D_SGwDhKTrwU
>>
>> On Fri, Jul 24, 2009 at 2:58 PM, Matthias Grob<matilists@gmail.com>
>> wrote:
>>
>>> yes, its beautiful but it did some noisy breaks and finally killed my
>>> whole
>>> OSX which hardly ever happened before!
>>> On 24 Jul 2009, at 10:41, Massimo Liverani wrote:
>>>
>>> Yess!!! and have you also aldready tested this other?:
>>>
>>> http://www.hobnox.com/index.1056.en.html
>>>
>>> it's real amazing!
>>>
>>>
>>> Rick Walker ha scritto:
>>>
>>> Wow,   this is fun!!!!!
>>>
>>> http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/tonematrix/
>>>
>>>
>>>
>>>
>>>
>>> --
>>> <firma_max.GIF>
>>>
>>>
>>
>

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Ha ha ha.. Have to say that on the whole i agree with you Mattias.. except =
for one small thing... I LOVE the sound of sterile!! And so does my wife! I=
m not as much into it as her, but she actually hates music that you and I w=
ould say has soul... She hates beats that have ANY frills or swing or synco=
pation, (or rolls) . And she hate ANY kind of solo-ing...=A0 guitar OR keyb=
oard... She can just about tolerate Kraftwerk, saying things like &quot;The=
y are a bit too melodic&quot;. She listens of 80=B4s german synthpop or tec=
hno only (oh and Marc Almond,=A0 I think thats her one and only quirk into =
anything expressive)<br>

<br>Much as I love the sound of simple instruments, lilke a rain stick or a=
 drum... she would run screaming for the hils wailing &quot;UGH ... HELP...=
 ETHNIC!!!&quot; <br><br>My point is an obvious one, dont forget that all p=
eople are different, you and I love feel, and expression in music... Hilde,=
 my beloved, would prefer that there was no human role whatso ever in the m=
aking of music... (Im very interested to hear that Mark S sits next to 5 ro=
bots... is it your band Mark?)<br>

<br>Im really interested by what you say in your first sentance, the wordin=
g of it... <br><br>you didnt say...<br><br>I dont think that the music whic=
h such tools do is any good... <br><br>but.. <br><br>I dont think that the =
music which such tools do us much good.<br>

<br>Are you saying that music made with these tools is actuall bad for US..=
. us meaning the human race? This is interesting. I think I may agree with =
you, but I am less concerned about how the music was created but more conce=
rned that people are listening to music in this way (plugged-in on white ca=
bles - shut off from the world) as far as Im concerned iPod users are liste=
ning wrong, and that THIS is bad for humanity...<br>

<br>Serious Question: Do teenagers nowadays, sit in their bedrooms with fri=
ends playing records...?<br><a href=3D"http://tinyurl.com/ledz8r"><b>http:/=
/tinyurl.com/ledz8r</b></a><br><br><br>Mark<br><br><br>=A0<br><br><div clas=
s=3D"gmail_quote">

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
<br>
Sorry, I dont think that the music which such tools do us much good.<br>
Even if the controller is smart and expressive (which most are not), the pr=
oblem is the sterile electronic sound.<br>
for me its similar to the idea of the food pills: even if they bring the fl=
avor of the best cooks of the world... always exactly equally perfect... th=
ey never vary!<br>
<br>
sure, most people do not have the time to really learn to play an instrumen=
t, but they are better off playing a pan with some water in it, or a rain s=
tick...<br>
<br>
and thats the reason why I still spend most of my day trying to spread the =
livelooping idea:<br>
its every time new!<br>
<br>
Matthias<br>
<br>
On 24 Jul 2009, at 21:59, Mark Sottilaro wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Here&#39;s one that won&#39;t crash your computer Matthias... ;)<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3D_SGwDhKTrwU" target=3D"_blank">=
http://www.youtube.com/watch?v=3D_SGwDhKTrwU</a><br>
<br>
On Fri, Jul 24, 2009 at 2:58 PM, Matthias Grob&lt;<a href=3D"mailto:matilis=
ts@gmail.com" target=3D"_blank">matilists@gmail.com</a>&gt; wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
yes, its beautiful but it did some noisy breaks and finally killed my whole=
<br>
OSX which hardly ever happened before!<br>
On 24 Jul 2009, at 10:41, Massimo Liverani wrote:<br>
<br>
Yess!!! and have you also aldready tested this other?:<br>
<br>
<a href=3D"http://www.hobnox.com/index.1056.en.html" target=3D"_blank">http=
://www.hobnox.com/index.1056.en.html</a><br>
<br>
it&#39;s real amazing!<br>
<br>
<br>
Rick Walker ha scritto:<br>
<br>
Wow, =A0 this is fun!!!!!<br>
<br>
<a href=3D"http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/" ta=
rget=3D"_blank">http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com=
/</a>tonematrix/<br>
<br>
<br>
<br>
<br>
<br>
--<br>
&lt;firma_max.GIF&gt;<br>
<br>
</blockquote>
<br>
</blockquote>
<br>
</blockquote></div><br>

--0015174bde44f9e285046fbeec0b--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 07:25:15 2009
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To: <loopers-delight@loopers-delight.com>
Subject: RE: front page looper
Date: Tue, 28 Jul 2009 02:25:14 -0500
Importance: Normal
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...i.......love........tears for fears.......
one of my guiltiest pleasures.....

this is your brain on drugs.....
now add a childhood of tears for fears=2C genesis=2C the moody blues and th=
e beatles and you get my brain..
congrats! whatcha workin on..... or is it top secret? =3Bo)
send my love =3DD

fro






> From: info@zoekeating.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: front page looper
> Date: Mon=2C 27 Jul 2009 22:40:42 -0700
>=20
> i'm grateful to twitter of course.
>=20
> some really good things have come out of it. for example=2C i'm working =
=20
> with curt smith from tears for fears solely because we met on =20
> twitter....
>=20

_________________________________________________________________
Windows Live=99 Hotmail=AE: Search=2C add=2C and share the web=92s latest s=
ports videos. Check it out.
http://www.windowslive.com/Online/Hotmail/Campaign/QuickAdd?ocid=3DTXT_TAGL=
M_WL_QA_HM_sports_videos_072009&cat=3Dsports=

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<body class=3D'hmmessage'>
...i.......love........tears for fears.......<br>one of my guiltiest pleasu=
res.....<br><br>this is your brain on drugs.....<br>now add a childhood of =
tears for fears=2C genesis=2C the moody blues and the beatles and you get m=
y brain..<br>congrats! whatcha workin on..... or is it top secret? =3Bo)<br=
>send my love =3DD<br><br>fro<br><br><br><br><br><br><br>&gt=3B From: info@=
zoekeating.com<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B =
Subject: Re: front page looper<br>&gt=3B Date: Mon=2C 27 Jul 2009 22:40:42 =
-0700<br>&gt=3B <br>&gt=3B i'm grateful to twitter of course.<br>&gt=3B <br=
>&gt=3B some really good things have come out of it. for example=2C i'm wor=
king  <br>&gt=3B with curt smith from tears for fears solely because we met=
 on  <br>&gt=3B twitter....<br>&gt=3B <br><br /><hr />Windows Live=99 Hotma=
il=AE: Search=2C add=2C and share the web=92s latest sports videos. <a href=
=3D'http://www.windowslive.com/Online/Hotmail/Campaign/QuickAdd?ocid=3DTXT_=
TAGLM_WL_QA_HM_sports_videos_072009&cat=3Dsports' target=3D'_new'>Check it =
out.</a></body>
</html>=

--_042ebcdc-b61e-409e-8928-89f83a4a3087_--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 07:25:17 2009
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Subject: RE: front page looper
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...i.......love........tears for fears.......

one of my guiltiest pleasures.....



this is your brain on drugs.....

now add a childhood of tears for fears=2C genesis=2C the moody blues and th=
e beatles and you get my brain..

congrats! whatcha workin on..... or is it top secret? =3Bo)

send my love =3DD



fro







> From: info@zoekeating.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: front page looper
> Date: Mon=2C 27 Jul 2009 22:40:42 -0700
>=20
> i'm grateful to twitter of course.
>=20
> some really good things have come out of it. for example=2C i'm working =
=20
> with curt smith from tears for fears solely because we met on =20
> twitter....
>=20

_________________________________________________________________
Bing=99 brings you maps=2C menus=2C and reviews organized in one place. Try=
 it now.
http://www.bing.com/search?q=3Drestaurants&form=3DMLOGEN&publ=3DWLHMTAG&cre=
a=3DTXT_MLOGEN_Local_Local_Restaurants_1x1=

--_69bff66c-c0a1-42e7-b3f4-7cd1a5762a1c_
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<html>
<head>
<style>
.hmmessage P
{
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padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
...i.......love........tears for fears.......<br>
one of my guiltiest pleasures.....<br>
<br>
this is your brain on drugs.....<br>
now add a childhood of tears for fears=2C genesis=2C the moody blues and th=
e beatles and you get my brain..<br>
congrats! whatcha workin on..... or is it top secret? =3Bo)<br>
send my love =3DD<br>
<br>
fro<br><br><br><br><br><br><br><br>&gt=3B From: info@zoekeating.com<br>&gt=
=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: Re: front pa=
ge looper<br>&gt=3B Date: Mon=2C 27 Jul 2009 22:40:42 -0700<br>&gt=3B <br>&=
gt=3B i'm grateful to twitter of course.<br>&gt=3B <br>&gt=3B some really g=
ood things have come out of it. for example=2C i'm working  <br>&gt=3B with=
 curt smith from tears for fears solely because we met on  <br>&gt=3B twitt=
er....<br>&gt=3B <br><br /><hr />Bing=99 brings you maps=2C menus=2C and re=
views organized in one place. <a href=3D'http://www.bing.com/search?q=3Dres=
taurants&form=3DMLOGEN&publ=3DWLHMTAG&crea=3DTXT_MLOGEN_Local_Local_Restaur=
ants_1x1' target=3D'_new'>Try it now.</a></body>
</html>=

--_69bff66c-c0a1-42e7-b3f4-7cd1a5762a1c_--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 07:44:30 2009
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Hi Simeon=2C
You can pick up a secondhand MC500 off ebay for peanuts. It will certainly =
deal with all the commans you want and is built for live use. It may be too=
 big though..
G

Date: Mon=2C 27 Jul 2009 21:43:41 +0100
Subject: Re: midi sequencer needed
From: simeonharris40@googlemail.com
To: Loopers-Delight@loopers-delight.com

don't drum machines only output midi notes? i've not heard of midi import=
=2C but that wold be useful as i could write the sequences in Logic and the=
n import them into the drum machine - is that how it would work?


sim









_________________________________________________________________
Share your memories online with anyone you want.
http://clk.atdmt.com/UKM/go/134665338/direct/01/=

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font-family:Verdana
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<body class=3D'hmmessage'>
Hi Simeon=2C<br>You can pick up a secondhand MC500 off ebay for peanuts. It=
 will certainly deal with all the commans you want and is built for live us=
e. It may be too big though..<br>G<br><br><hr id=3D"stopSpelling">Date: Mon=
=2C 27 Jul 2009 21:43:41 +0100<br>Subject: Re: midi sequencer needed<br>Fro=
m: simeonharris40@googlemail.com<br>To: Loopers-Delight@loopers-delight.com=
<br><br>don't drum machines only output midi notes? i've not heard of midi =
import=2C but that wold be useful as i could write the sequences in Logic a=
nd then import them into the drum machine - is that how it would work?<br>
<br>sim<br><br><div class=3D"EC_gmail_quote"><br><blockquote class=3D"EC_gm=
ail_quote" style=3D"padding-left: 1ex=3B"><font color=3D"#888888"><a href=
=3D"http://www.ct-collective.com"></a><br>

<br>
</font></blockquote></div><br><br /><hr />Share your memories online with a=
nyone you want. <a href=3D'http://clk.atdmt.com/UKM/go/134665338/direct/01/=
' target=3D'_new'>Learn more.</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 07:56:08 2009
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Date: Tue, 28 Jul 2009 09:56:06 +0200
From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: new looper in Logic 9
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Hi Matthias

> > - Drum Replacer
> > That would be really cool for me to enter drum patterns via  
> > beatboxing and having them transformed into real sampled beats.

> hm... sounds created with your mouth are much more real than samples,  
> especially because the sample is always the same (or the same few)

Yes, they are more realistic. But for Bass drum/snare, I might like to replace  (or add) it with a sample that has more punch 
Also, it is an alternative to entering midi rhythm tracks via keyboard.

best regards
Buzap
-- 
Neu: GMX Doppel-FLAT mit Internet-Flatrate + Telefon-Flatrate
für nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 08:42:38 2009
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Date: Tue, 28 Jul 2009 17:34:59 +0900
Message-ID: <339c30110907280134t25050441q89861c612bc97777@mail.gmail.com>
Subject: Re: FRO's rig - The Wandering Madman
From: michael noble <looplog@gmail.com>
To: Loopers-Delight@loopers-delight.com
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umm, if there are no loopers in the rig, what relevance does it have to this
list? At least an OT in the title would have been nice! o.O

-michael

>1. Full gear list: I can recognize some of the stuff (like Alesis QS8,
> >what looks like a Behringer FCB1010 with chainsawed-off expression
> >pedals, FRM RNP (?), Fireface800, two Fantom Rack units, MOTU MTP A/V,
> >and a Line6 POD X3 Pro), but apart from that...
> >2. Wiring chart, please! Including audio and MIDI (and video, and
> >computers - are there any?)
> >3. I'd also like a video where you set that up in 15 minutes,
> >please...and finally,
> >4. where's them damn loopers?
>
> 1. you got most of it.... add an alesis sr-18 for click, mixer is allan & heath, FMR RNC compressor, alesis i/o for drum triggers
> and yeap...FBC1010 taken to a jigsaw.....plus a few magic black boxes....
> 2.ild rather massage my face with concrete- ;o) - allthough if i ever take the time to make one, ill be happy to send it to ya
> 3.ill try to include this when  i post videos in a month or 2 - p.s. 2 CPU's...1 mac for video...1 pc for audio
> 4.they're in my head ;o)
>
>

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umm, if there are no loopers in the rig, what relevance does it have to thi=
s list? At least an OT in the title would have been nice! o.O<br><br>-micha=
el<br><br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" styl=
e=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; =
padding-left: 1ex;">
<div><pre>&gt;1. Full gear list: I can recognize some of the stuff (like Al=
esis QS8,<br>&gt;what looks like a Behringer FCB1010 with chainsawed-off ex=
pression<br>&gt;pedals, FRM RNP (?), Fireface800, two Fantom Rack units, MO=
TU MTP A/V,<br>
&gt;and a Line6 POD X3 Pro), but apart from that...<br>&gt;2. Wiring chart,=
 please! Including audio and MIDI (and video, and<br>&gt;computers - are th=
ere any?)<br>&gt;3. I&#39;d also like a video where you set that up in 15 m=
inutes,<br>
&gt;please...and finally,<br>&gt;4. where&#39;s them damn loopers?<br><br>1=
. you got most of it.... add an alesis sr-18 for click, mixer is allan &amp=
; heath, FMR RNC compressor, alesis i/o for drum triggers<br>and yeap...FBC=
1010 taken to a jigsaw.....plus a few magic black boxes....<br>
2.ild rather massage my face with concrete- ;o) - allthough if i ever take =
the time to make one, ill be happy to send it to ya<br>3.ill try to include=
 this when  i post videos in a month or 2 - p.s. 2 CPU&#39;s...1 mac for vi=
deo...1 pc for audio<br>
4.they&#39;re in my head ;o)<br></pre></div></blockquote></div>

--001636af024b2a4280046fbff295--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 08:49:28 2009
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From: FRO DIDDLY <parispro00@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: FRO's rig - The Wandering Madman
Date: Tue, 28 Jul 2009 03:49:26 -0500
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twas a joke-

mobius is my only weapon-=20
ive showered it with love many times on this list-
absolutely phenomenal -






Date: Tue=2C 28 Jul 2009 17:34:59 +0900
Subject: Re: FRO's rig - The Wandering Madman
From: looplog@gmail.com
To: Loopers-Delight@loopers-delight.com

umm=2C if there are no loopers in the rig=2C what relevance does it have to=
 this list? At least an OT in the title would have been nice! o.O

-michael


>1. Full gear list: I can recognize some of the stuff (like Alesis QS8=2C
>what looks like a Behringer FCB1010 with chainsawed-off expression
>pedals=2C FRM RNP (?)=2C Fireface800=2C two Fantom Rack units=2C MOTU MTP =
A/V=2C

>and a Line6 POD X3 Pro)=2C but apart from that...
>2. Wiring chart=2C please! Including audio and MIDI (and video=2C and
>computers - are there any?)
>3. I'd also like a video where you set that up in 15 minutes=2C

>please...and finally=2C
>4. where's them damn loopers?

1. you got most of it.... add an alesis sr-18 for click=2C mixer is allan &=
 heath=2C FMR RNC compressor=2C alesis i/o for drum triggers
and yeap...FBC1010 taken to a jigsaw.....plus a few magic black boxes....

2.ild rather massage my face with concrete- =3Bo) - allthough if i ever tak=
e the time to make one=2C ill be happy to send it to ya
3.ill try to include this when  i post videos in a month or 2 - p.s. 2 CPU'=
s...1 mac for video...1 pc for audio

4.they're in my head =3Bo)

_________________________________________________________________
Windows Live=99 SkyDrive=99: Store=2C access=2C and share your photos. See =
how.
http://windowslive.com/Online/SkyDrive?ocid=3DTXT_TAGLM_WL_CS_SD_photos_072=
009=

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<body class=3D'hmmessage'>
twas a joke-<br><br>mobius is my only weapon- <br>ive showered it with love=
 many times on this list-<br>absolutely phenomenal -<br><br><br><br><br><br=
><br><hr id=3D"stopSpelling">Date: Tue=2C 28 Jul 2009 17:34:59 +0900<br>Sub=
ject: Re: FRO's rig - The Wandering Madman<br>From: looplog@gmail.com<br>To=
: Loopers-Delight@loopers-delight.com<br><br>umm=2C if there are no loopers=
 in the rig=2C what relevance does it have to this list? At least an OT in =
the title would have been nice! o.O<br><br>-michael<br><br><div class=3D"EC=
_gmail_quote"><blockquote class=3D"EC_gmail_quote" style=3D"padding-left: 1=
ex=3B">
<div><pre>&gt=3B1. Full gear list: I can recognize some of the stuff (like =
Alesis QS8=2C<br>&gt=3Bwhat looks like a Behringer FCB1010 with chainsawed-=
off expression<br>&gt=3Bpedals=2C FRM RNP (?)=2C Fireface800=2C two Fantom =
Rack units=2C MOTU MTP A/V=2C<br><br>&gt=3Band a Line6 POD X3 Pro)=2C but a=
part from that...<br>&gt=3B2. Wiring chart=2C please! Including audio and M=
IDI (and video=2C and<br>&gt=3Bcomputers - are there any?)<br>&gt=3B3. I'd =
also like a video where you set that up in 15 minutes=2C<br><br>&gt=3Bpleas=
e...and finally=2C<br>&gt=3B4. where's them damn loopers?<br><br>1. you got=
 most of it.... add an alesis sr-18 for click=2C mixer is allan &amp=3B hea=
th=2C FMR RNC compressor=2C alesis i/o for drum triggers<br>and yeap...FBC1=
010 taken to a jigsaw.....plus a few magic black boxes....<br><br>2.ild rat=
her massage my face with concrete- =3Bo) - allthough if i ever take the tim=
e to make one=2C ill be happy to send it to ya<br>3.ill try to include this=
 when  i post videos in a month or 2 - p.s. 2 CPU's...1 mac for video...1 p=
c for audio<br><br>4.they're in my head =3Bo)<br></pre></div></blockquote><=
/div><br /><hr />Windows Live=99 SkyDrive=99: Store=2C access=2C and share =
your photos. <a href=3D'http://windowslive.com/Online/SkyDrive?ocid=3DTXT_T=
AGLM_WL_CS_SD_photos_072009' target=3D'_new'>See how.</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 09:25:25 2009
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Date: Tue, 28 Jul 2009 18:18:38 +0900
Message-ID: <339c30110907280218x2d5cdef8g8b7d4156589ff30d@mail.gmail.com>
Subject: Re: FRO's rig - The Wandering Madman
From: michael noble <looplog@gmail.com>
To: Loopers-Delight@loopers-delight.com
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righton, humor sometimes bounces off my thick skull!

I suspected those CPUs had to have something to do with looping. good to
know...

-michael


On Tue, Jul 28, 2009 at 5:49 PM, FRO DIDDLY <parispro00@hotmail.com> wrote:

>  twas a joke-
>
> mobius is my only weapon-
> ive showered it with love many times on this list-
> absolutely phenomenal -
>
>
>
>
>
>
> ------------------------------
> Date: Tue, 28 Jul 2009 17:34:59 +0900
> Subject: Re: FRO's rig - The Wandering Madman
> From: looplog@gmail.com
> To: Loopers-Delight@loopers-delight.com
>
>
> umm, if there are no loopers in the rig, what relevance does it have to
> this list? At least an OT in the title would have been nice! o.O
>
> -michael
>
>

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Content-Type: text/html; charset=ISO-8859-1
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righton, humor sometimes bounces off my thick skull!<br><br>I suspected tho=
se CPUs had to have something to do with looping. good to know...<br><br>-m=
ichael<br><br><br><div class=3D"gmail_quote">On Tue, Jul 28, 2009 at 5:49 P=
M, FRO DIDDLY <span dir=3D"ltr">&lt;<a href=3D"mailto:parispro00@hotmail.co=
m">parispro00@hotmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div>
twas a joke-<br><br>mobius is my only weapon- <br>ive showered it with love=
 many times on this list-<br>absolutely phenomenal -<br><br><br><br><br><br=
><br><hr>Date: Tue, 28 Jul 2009 17:34:59 +0900<br>Subject: Re: FRO&#39;s ri=
g - The Wandering Madman<br>
From: <a href=3D"mailto:looplog@gmail.com" target=3D"_blank">looplog@gmail.=
com</a><br>To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" targe=
t=3D"_blank">Loopers-Delight@loopers-delight.com</a><div><div></div><div cl=
ass=3D"h5">
<br><br>umm, if there are no loopers in the rig, what relevance does it hav=
e to this list? At least an OT in the title would have been nice! o.O<br><b=
r>-michael<br><br>
</div></div></div></blockquote></div>

--001485f9f336443da8046fc08e5e--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 09:31:07 2009
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Date: Tue, 28 Jul 2009 11:31:06 +0200
Message-ID: <66f9cc1e0907280231l7692eb59q71f86deca4c3aadf@mail.gmail.com>
Subject: Re: new looper in Logic 9
From: Per Boysen <perboysen@gmail.com>
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Well, I just love Logic. Have used it since version 2.0. To me that
application is just like hot wiring my brain to give sound to the
music I think. Even more with this ninth version.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 10:35:26 2009
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Date: Tue, 28 Jul 2009 11:35:25 +0100
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Subject: Re: midi sequencer needed
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--0016364d2439e7464a046fc1a092
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thanks gareth - had a look on the web and it's a bit of a beastie...tons of
retro chic though!

On Tue, Jul 28, 2009 at 8:44 AM, Gareth Whittock
<buddhamachine@live.co.uk>wrote:

>  Hi Simeon,
> You can pick up a secondhand MC500 off ebay for peanuts. It will certainly
> deal with all the commans you want and is built for live use. It may be too
> big though..
> G
>
>
>

--0016364d2439e7464a046fc1a092
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thanks gareth - had a look on the web and it&#39;s a bit of a beastie...ton=
s of retro chic though!<br><br><div class=3D"gmail_quote">On Tue, Jul 28, 2=
009 at 8:44 AM, Gareth Whittock <span dir=3D"ltr">&lt;<a href=3D"mailto:bud=
dhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div>
Hi Simeon,<br>You can pick up a secondhand MC500 off ebay for peanuts. It w=
ill certainly deal with all the commans you want and is built for live use.=
 It may be too big though..<br>G<br><br><br></div></blockquote></div><br>

--0016364d2439e7464a046fc1a092--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 11:46:22 2009
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Date: Tue, 28 Jul 2009 13:46:19 +0200
From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
To: Loopers-Delight@loopers-delight.com
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Hi Tilman

> c eb e g ab b
> a nice messiaen-like sound.

This is hilarious! That's exactly the custom harmonica layout I play most of the time...

Another scale I like - never seen it anywhere so far- is maj3rd/halftone scale:
C E F A Bb D Eb G Ab C Db ...

This is a quite interesting scale because it's progressing in the circle of fourths. It is not an octave based scale. Yet, you can play this scale up & down from various positions.

Has anyone ever tried this / heard anyone using this ???

best regards
Buzap
-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 11:52:08 2009
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Subject: Re: best listening websites in europe(What's on your
 iPod/CDplayer/Turntable)
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Hi Luis

here are a few hints:
For Top40 chart music:
- Listen to BBC chart stream: http://www.bbc.co.uk/radio1/chart/singles.shtml
BBC has also a lot of great (experimental, world, ...) radio stations worth checking out.
- MTV (watch chart videos): http://www.mtv.de/charts

Else, I usually listen to music on last.fm. Playlist.com could be also an alternative to Spotify. 
Then again, the best source is just simply MySpace and YouTube

best regards
Buzap




-- 
Neu: GMX Doppel-FLAT mit Internet-Flatrate + Telefon-Flatrate
für nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 12:58:21 2009
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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On Tue, Jul 28, 2009 at 1:46 PM, Buzap Buzap<buzap@gmx.net> wrote:
> Another scale I like - never seen it anywhere so far- is maj3rd/halftone scale:
> C E F A Bb D Eb G Ab C Db ...
>
> This is a quite interesting scale because it's progressing in the circle of fourths. It is not an octave based scale. Yet, you can play this scale up & down from various positions.
>
> Has anyone ever tried this / heard anyone using this ???


I usually don't like playing that one over a too long span - like more
than an octave - but have been using parts of it and like the
half-steps. Of course the use of it depends on harmonization and what
other musical parts are playing for you to adapt to. As for solo
melody playing with no harmonizing accompany it sounds cool because it
plays jokes with the experienced tonal center.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 13:44:42 2009
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Subject: RE: front page looper
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wow high caliber songwriters congrats!=0ALuis=0A =0A=0A> > From: info@zoeke=
ating.com=0A> > To: Loopers-Delight@loopers-delight.com=0A> > Subject: Re: =
front page looper=0A> > Date: Mon, 27 Jul 2009 22:40:42 -0700=0A> > =0A> > =
i'm grateful to twitter of course.=0A> > =0A> > some really good things hav=
e come out of it. for=0A> example, i'm working  =0A> > with curt smith from=
 tears for fears solely because we=0A> met on  =0A> > twitter....=0A=0A=0A=
=0A      

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Date: Tue, 28 Jul 2009 13:48:58 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: toys for non-musicians (was: online real time looping sequencer  game)
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interesting point!=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- mark fran=
combe <mark@markfrancombe.com> schrieb am Di, 28.7.2009:=0A=0A> Von: mark f=
rancombe <mark@markfrancombe.com>=0A> Betreff: Re: toys for non-musicians (=
was: online real time looping sequencer  game)=0A> An: Loopers-Delight@loop=
ers-delight.com=0A> Datum: Dienstag, 28. Juli 2009, 0:21=0A> Ha ha ha.. Hav=
e to say that on the=0A> whole i agree with you Mattias.. except for one sm=
all=0A> thing... I LOVE the sound of sterile!! And so does my wife!=0A> Im =
not as much into it as her, but she actually hates music=0A> that you and I=
 would say has soul... She hates beats that=0A> have ANY frills or swing or=
 syncopation, (or rolls) . And=0A> she hate ANY kind of solo-ing...=A0 guit=
ar OR keyboard... She=0A> can just about tolerate Kraftwerk, saying things =
like=0A> "They are a bit too melodic". She listens of 80=B4s=0A> german syn=
thpop or techno only (oh and Marc Almond,=A0 I=0A> think thats her one and =
only quirk into anything=0A> expressive)=0A> =0A> =0A> =0A> Much as I love =
the sound of simple instruments, lilke a=0A> rain stick or a drum... she wo=
uld run screaming for the hils=0A> wailing "UGH ... HELP... ETHNIC!!!" =0A>=
 =0A> My point is an obvious one, dont forget that all people are=0A> diffe=
rent, you and I love feel, and expression in music...=0A> Hilde, my beloved=
, would prefer that there was no human role=0A> whatso ever in the making o=
f music... (Im very interested to=0A> hear that Mark S sits next to 5 robot=
s... is it your band=0A> Mark?)=0A> =0A> =0A> =0A> Im really interested by =
what you say in your first=0A> sentance, the wording of it... =0A> =0A> you=
 didnt say...=0A> =0A> I dont think that the music which such tools do is a=
ny=0A> good... =0A> =0A> but.. =0A> =0A> I dont think that the music which =
such tools do us much=0A> good.=0A> =0A> =0A> =0A> Are you saying that musi=
c made with these tools is actuall=0A> bad for US... us meaning the human r=
ace? This is=0A> interesting. I think I may agree with you, but I am less=
=0A> concerned about how the music was created but more concerned=0A> that =
people are listening to music in this way (plugged-in=0A> on white cables -=
 shut off from the world) as far as Im=0A> concerned iPod users are listeni=
ng wrong, and that THIS is=0A> bad for humanity...=0A> =0A> =0A> =0A> Serio=
us Question: Do teenagers nowadays, sit in their=0A> bedrooms with friends =
playing records...?=0A> http://tinyurl.com/ledz8r=0A> =0A> =0A> Mark=0A> =
=0A> =0A> =A0=0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A> Sorry, I dont think th=
at the music which such tools do us=0A> much good.=0A> =0A> Even if the con=
troller is smart and expressive (which most=0A> are not), the problem is th=
e sterile electronic sound.=0A> =0A> for me its similar to the idea of the =
food pills: even if=0A> they bring the flavor of the best cooks of the worl=
d...=0A> always exactly equally perfect... they never vary!=0A> =0A> =0A> =
=0A> sure, most people do not have the time to really learn to=0A> play an =
instrument, but they are better off playing a pan=0A> with some water in it=
, or a rain stick...=0A> =0A> =0A> =0A> and thats the reason why I still sp=
end most of my day=0A> trying to spread the livelooping idea:=0A> =0A> its =
every time new!=0A> =0A> =0A> =0A> Matthias=0A> =0A> =0A> =0A> On 24 Jul 20=
09, at 21:59, Mark Sottilaro wrote:=0A> =0A> =0A> =0A> =0A> Here's one that=
 won't crash your computer=0A> Matthias... ;)=0A> =0A> =0A> =0A> http://www=
.youtube.com/watch?v=3D_SGwDhKTrwU=0A> =0A> =0A> =0A> On Fri, Jul 24, 2009 =
at 2:58 PM, Matthias Grob<matilists@gmail.com>=0A> wrote:=0A> =0A> =0A> yes=
, its beautiful but it did some noisy breaks and finally=0A> killed my whol=
e=0A> =0A> OSX which hardly ever happened before!=0A> =0A> On 24 Jul 2009, =
at 10:41, Massimo Liverani wrote:=0A> =0A> =0A> =0A> Yess!!! and have you a=
lso aldready tested this other?:=0A> =0A> =0A> =0A> http://www.hobnox.com/i=
ndex.1056.en.html=0A> =0A> =0A> =0A> it's real amazing!=0A> =0A> =0A> =0A> =
=0A> =0A> Rick Walker ha scritto:=0A> =0A> =0A> =0A> Wow, =A0 this is fun!!=
!!!=0A> =0A> =0A> =0A> http://www.stumbleupon.com/s/#9r8XKj/lab.andre-miche=
lle.com/tonematrix/=0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A> =
=0A> --=0A> =0A> <firma_max.GIF>=0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A=
> =0A> =0A> =0A> =0A=0A=0A      

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no receptor owners here?

hmm...

- jim

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<div>no receptor owners here?</div>
<div>=A0</div>
<div>hmm...</div>
<div>=A0</div>
<div>- jim</div>

--00151750db0e0de0bb046fc46330--

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i remember jeff saying that those plugins making calls to the
operating system (like mobius) will not run into that box ...

.02

2009/7/28, james fowler <twostroke@gmail.com>:
> no receptor owners here?
>
> hmm...
>
> - jim
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: OT:Re: More Tonal Theory: Arppegiators/Accent/Melody
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when I lived with a piano, I used to hold down the
pedal, then start on the lowest note and play a huge
arpeggio going up to the top note by alternating major
and minor 3rds.
Then I listened to the spiralling sustain for entertainment.

andy



Buzap Buzap wrote:

> 
> Another scale I like - never seen it anywhere so far- is maj3rd/halftone scale:
> C E F A Bb D Eb G Ab C Db ...
> 
> This is a quite interesting scale because it's progressing in the circle of fourths. It is not an octave based scale. Yet, you can play this scale up & down from various positions.
> 
> Has anyone ever tried this / heard anyone using this ???
> 
> best regards
> Buzap

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	game)
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I'm not sure how you can call music "good" or "bad" for us.  If you
like it and it touches something in you and expresses something you
feel or helps you express something you feel, than it's good.  Whether
or not you like it is a totally different story. I'm sure some kid
with an 808 would listen to one of my rambling slowly morphing ambient
bits and feel that music with no obvious direction is pointless.

My take is, if you make music and it makes you happy than the tools
you use are of no importance.

Mark

P.S. (my robots are (sadly) all unfunctioning toys (though the full
size Lost In Space cardboard cut out is pretty impressive)  that
surround me and my computer.  I work for a game company, so there's a
lot of that.  I do have a Roomba at home though, but since we moved to
a 4 story condo it doesn't get much use.  Maybe they'll make a Roomba
that does stairs one day... BY YOUR COMMAND!

On Tue, Jul 28, 2009 at 12:21 AM, mark francombe<mark@markfrancombe.com> wr=
ote:
> Ha ha ha.. Have to say that on the whole i agree with you Mattias.. excep=
t
> for one small thing... I LOVE the sound of sterile!! And so does my wife!=
 Im
> not as much into it as her, but she actually hates music that you and I
> would say has soul... She hates beats that have ANY frills or swing or
> syncopation, (or rolls) . And she hate ANY kind of solo-ing...=A0 guitar =
OR
> keyboard... She can just about tolerate Kraftwerk, saying things like "Th=
ey
> are a bit too melodic". She listens of 80=B4s german synthpop or techno o=
nly
> (oh and Marc Almond,=A0 I think thats her one and only quirk into anythin=
g
> expressive)
>
> Much as I love the sound of simple instruments, lilke a rain stick or a
> drum... she would run screaming for the hils wailing "UGH ... HELP...
> ETHNIC!!!"
>
> My point is an obvious one, dont forget that all people are different, yo=
u
> and I love feel, and expression in music... Hilde, my beloved, would pref=
er
> that there was no human role whatso ever in the making of music... (Im ve=
ry
> interested to hear that Mark S sits next to 5 robots... is it your band
> Mark?)
>
> Im really interested by what you say in your first sentance, the wording =
of
> it...
>
> you didnt say...
>
> I dont think that the music which such tools do is any good...
>
> but..
>
> I dont think that the music which such tools do us much good.
>
> Are you saying that music made with these tools is actuall bad for US... =
us
> meaning the human race? This is interesting. I think I may agree with you=
,
> but I am less concerned about how the music was created but more concerne=
d
> that people are listening to music in this way (plugged-in on white cable=
s -
> shut off from the world) as far as Im concerned iPod users are listening
> wrong, and that THIS is bad for humanity...
>
> Serious Question: Do teenagers nowadays, sit in their bedrooms with frien=
ds
> playing records...?
> http://tinyurl.com/ledz8r
>
>
> Mark
>
>
>
>
>>
>>
>> Sorry, I dont think that the music which such tools do us much good.
>> Even if the controller is smart and expressive (which most are not), the
>> problem is the sterile electronic sound.
>> for me its similar to the idea of the food pills: even if they bring the
>> flavor of the best cooks of the world... always exactly equally perfect.=
..
>> they never vary!
>>
>> sure, most people do not have the time to really learn to play an
>> instrument, but they are better off playing a pan with some water in it,=
 or
>> a rain stick...
>>
>> and thats the reason why I still spend most of my day trying to spread t=
he
>> livelooping idea:
>> its every time new!
>>
>> Matthias
>>
>> On 24 Jul 2009, at 21:59, Mark Sottilaro wrote:
>>
>>> Here's one that won't crash your computer Matthias... ;)
>>>
>>> http://www.youtube.com/watch?v=3D_SGwDhKTrwU
>>>
>>> On Fri, Jul 24, 2009 at 2:58 PM, Matthias Grob<matilists@gmail.com>
>>> wrote:
>>>>
>>>> yes, its beautiful but it did some noisy breaks and finally killed my
>>>> whole
>>>> OSX which hardly ever happened before!
>>>> On 24 Jul 2009, at 10:41, Massimo Liverani wrote:
>>>>
>>>> Yess!!! and have you also aldready tested this other?:
>>>>
>>>> http://www.hobnox.com/index.1056.en.html
>>>>
>>>> it's real amazing!
>>>>
>>>>
>>>> Rick Walker ha scritto:
>>>>
>>>> Wow, =A0 this is fun!!!!!
>>>>
>>>> http://www.stumbleupon.com/s/#9r8XKj/lab.andre-michelle.com/tonematrix=
/
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> --
>>>> <firma_max.GIF>
>>>>
>>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 14:54:20 2009
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Subject: RE: toys for non-musicians (was: online real time looping sequencer
  game)
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> > I am less
> > concerned about how the music was created but more concerned
> > that people are listening to music in this way (plugged-in
> > on white cables - shut off from the world) as far as Im
> > concerned iPod users are listening wrong=2C and that THIS is
> > bad for humanity...
> >=20
> >=20
> >=20
> > Serious Question: Do teenagers nowadays=2C sit in their
> > bedrooms with friends playing records...?
> > http://tinyurl.com/ledz8r


=20

OOooohhh...ouch!!!

=20

as a token "Young Person" myself=2CI see this very differantly!!

=20

My generation has grown up facing constant fluidly changing points of refer=
ance when it comes to "media"..this is the world we know and accept =2C for=
mats change specs move on etc etc.

=20

I personally have also grown up always seeming to be flying in the face of =
an older generation of people who have become preoccupied and precious over=
 these "media" ...Film=2C Records=2C Paper=2C OS's ....they all have their =
uses=2C they all have unique properties...BUT THEY ARE ALL JUST MEDIA.

=20

film is no more organic then CCD chips...its chemicals and man made materia=
ls just with differing properties=2C Records have Grooves while CDs have pi=
ts read by lazer and BOTH work.

=20

at the end of the day=2C the way I have grown up has allowed me to evaluate=
 my individual needs (not just primary like music=3D need for best sound qu=
ality=2C but on a free flowing scale that takes in portability=2C battery l=
ife=2C size etc) in a way which selects any one of a multitude of forms rat=
her then bemoaning the loss of another format that has seen its use decline=
 (which in itself may be just a blip=2C think of transistor amps...now we a=
re all back to valves!!!)

=20

anyhoo=2C I rant and rave on but the ultimate point is...I feel I embrace a=
 multitude of formats=2C but I do so by applying WHO I AM to each one of th=
em=2C I am indeed a social creature so in the instance of "I-pods" I know o=
f many people such as myself who play "I-pod roulette" which is when each o=
f you siit =2Cusually with mini speakers connected to your device and take =
it in turns to go around the circle and play a song each..normally themes e=
merge as one song reminds someone of another.

=20

to me this is a social activity ideally suited to the medium of choice..i c=
ould do it with my records cds or minidisks=2C but the properties of having=
 lots of audio in one tiny easy ot navigate box lets this game move quickly=
 and smoothly.

=20

just my god knows how many cents

=20

Phill=20

_________________________________________________________________
With Windows Live=2C you can organise=2C edit=2C and share your photos.
http://clk.atdmt.com/UKM/go/134665338/direct/01/=

--_978cf0d9-483b-4b53-9479-70b2c4b1b13e_
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&gt=3B &gt=3B&nbsp=3BI am less<BR>&gt=3B &gt=3B concerned about how the mus=
ic was created but more concerned<BR>&gt=3B &gt=3B that people are listenin=
g to music in this way (plugged-in<BR>&gt=3B &gt=3B on white cables - shut =
off from the world) as far as Im<BR>&gt=3B &gt=3B concerned iPod users are =
listening wrong=2C and that THIS is<BR>&gt=3B &gt=3B bad for humanity...<BR=
>&gt=3B &gt=3B <BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B Seriou=
s Question: Do teenagers nowadays=2C sit in their<BR>&gt=3B &gt=3B bedrooms=
 with friends playing records...?<BR>&gt=3B &gt=3B <A href=3D"http://tinyur=
l.com/ledz8r">http://tinyurl.com/ledz8r</A><BR><BR>
&nbsp=3B<BR>
OOooohhh...ouch!!!<BR>
&nbsp=3B<BR>
as a token "Young Person" myself=2CI see this very differantly!!<BR>
&nbsp=3B<BR>
My generation has grown up facing constant fluidly changing points of refer=
ance when it comes to "media"..this is the world we know and accept =2C for=
mats change specs move on etc etc.<BR>
&nbsp=3B<BR>
I personally have also grown up always seeming to be flying in the face of =
an older generation of people who have become preoccupied and precious over=
 these "media" ...Film=2C Records=2C Paper=2C OS's ....they all have their =
uses=2C they all have unique properties...BUT THEY ARE ALL JUST MEDIA.<BR>
&nbsp=3B<BR>
film is no more organic then CCD chips...its chemicals and man made materia=
ls just with differing properties=2C Records have Grooves while CDs have pi=
ts read by lazer and BOTH work.<BR>
&nbsp=3B<BR>
at the end of the day=2C the way I have grown up has allowed me to evaluate=
 my individual needs (not just primary like music=3D need for best sound qu=
ality=2C but on a free flowing scale that takes in portability=2C battery l=
ife=2C size etc) in a way which selects any one of a multitude of forms rat=
her then bemoaning the loss of another format that has seen its use decline=
 (which in itself may be just a blip=2C think of transistor amps...now we a=
re all back to valves!!!)<BR>
&nbsp=3B<BR>
anyhoo=2C I rant and rave on but the ultimate point is...I feel I embrace a=
 multitude of formats=2C but I do so by applying WHO I AM to each one of th=
em=2C I am indeed a social creature so in the instance of "I-pods" I know o=
f many people such as myself who play "I-pod roulette" which is when each o=
f you siit =2Cusually with mini speakers connected to your device and take =
it in turns to go around the circle and play a song each..normally themes e=
merge as one song reminds someone of another.<BR>
&nbsp=3B<BR>
to me this is a social activity ideally suited to the medium of choice..i c=
ould do it with my&nbsp=3Brecords cds or minidisks=2C but the properties of=
 having lots&nbsp=3Bof audio in one tiny easy ot navigate box lets this gam=
e move quickly and smoothly.<BR>
&nbsp=3B<BR>
just my god knows how many cents<BR>
&nbsp=3B<BR>
Phill&nbsp=3B<BR><br /><hr />With Windows Live=2C you can organise=2C edit=
=2C and  <a href=3D'http://clk.atdmt.com/UKM/go/134665338/direct/01/' targe=
t=3D'_new'>share your photos.</a></body>
</html>=

--_978cf0d9-483b-4b53-9479-70b2c4b1b13e_--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 15:04:48 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: More Tonal Theory: Arppegiators/Accent/Melody
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Hi Per

> > Has anyone ever tried this / heard anyone using this ???
> > C E F A Bb D Eb G Ab C Db ...

> I usually don't like playing that one over a too long span - like more
> than an octave - but have been using parts of it 

Yeah, me neither. I usually use parts of it, moving up and down in 4/1-Halftone-Step combination, depending on the context.

Is there a name to it or any theory/recordings?

best regards
Buzap
-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/atbrowser

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 15:05:58 2009
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Subject: Re: receptor looper
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> no receptor owners here?
> hmm...

Hi Jim,
Most software loopers use Mac or Windows but I don't know anyone using a =
Receptor.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g


From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 15:33:16 2009
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Right.  The Receptor is a nice box, but their claims about VST
support are hyped up a bit.    Simpler plugins often
work but the more complex ones have to be ported to
run under the Receptor OS (which I believe is Linux,
maybe with Wine for Windows plugins, not sure what
they do about OSX plugins).

The vast ocean of Synthedit plugins seem to work so
you might try Elottronix XL.  Also check out Loopy Llama.

Os, have you tried to run Augustus VST on a Receptor?

Jeff


On Jul 28, 2009, at 9:00 AM, Raul Bonell wrote:

> i remember jeff saying that those plugins making calls to the
> operating system (like mobius) will not run into that box ...
>
> .02
>
> 2009/7/28, james fowler <twostroke@gmail.com>:
>> no receptor owners here?
>>
>> hmm...
>>
>> - jim
>>
>
>
> -- 
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 16:17:43 2009
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Date: Tue, 28 Jul 2009 16:17:41 +0000
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Or Angstroloper? - I've turned on to that in the last couple of weeks. Give=
 it a shot=2C (donationware)

g

> From: jeff@zonemobius.com
> Subject: Re: receptor looper
> Date: Tue=2C 28 Jul 2009 10:33:11 -0500
> To: Loopers-Delight@loopers-delight.com
>=20
>=20
> Right.  The Receptor is a nice box=2C but their claims about VST
> support are hyped up a bit.    Simpler plugins often
> work but the more complex ones have to be ported to
> run under the Receptor OS (which I believe is Linux=2C
> maybe with Wine for Windows plugins=2C not sure what
> they do about OSX plugins).
>=20
> The vast ocean of Synthedit plugins seem to work so
> you might try Elottronix XL.  Also check out Loopy Llama.
>=20
> Os=2C have you tried to run Augustus VST on a Receptor?
>=20
> Jeff
>=20
>=20
> On Jul 28=2C 2009=2C at 9:00 AM=2C Raul Bonell wrote:
>=20
> > i remember jeff saying that those plugins making calls to the
> > operating system (like mobius) will not run into that box ...
> >
> > .02
> >
> > 2009/7/28=2C james fowler <twostroke@gmail.com>:
> >> no receptor owners here?
> >>
> >> hmm...
> >>
> >> - jim
> >>
> >
> >
> > --=20
> > Raul Bonell at Blogger: http://raulbonell.blogspot.com
> > Chain Tape Collective: http://www.ct-collective.com
> >
>=20

_________________________________________________________________
With Windows Live=2C you can organise=2C edit=2C and share your photos.
http://clk.atdmt.com/UKM/go/134665338/direct/01/=

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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Or Angstroloper? - I've turned on to that in the last couple of weeks. Give=
 it a shot=2C (donationware)<br><br>g<br><br>&gt=3B From: jeff@zonemobius.c=
om<br>&gt=3B Subject: Re: receptor looper<br>&gt=3B Date: Tue=2C 28 Jul 200=
9 10:33:11 -0500<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=
=3B <br>&gt=3B <br>&gt=3B Right.  The Receptor is a nice box=2C but their c=
laims about VST<br>&gt=3B support are hyped up a bit.    Simpler plugins of=
ten<br>&gt=3B work but the more complex ones have to be ported to<br>&gt=3B=
 run under the Receptor OS (which I believe is Linux=2C<br>&gt=3B maybe wit=
h Wine for Windows plugins=2C not sure what<br>&gt=3B they do about OSX plu=
gins).<br>&gt=3B <br>&gt=3B The vast ocean of Synthedit plugins seem to wor=
k so<br>&gt=3B you might try Elottronix XL.  Also check out Loopy Llama.<br=
>&gt=3B <br>&gt=3B Os=2C have you tried to run Augustus VST on a Receptor?<=
br>&gt=3B <br>&gt=3B Jeff<br>&gt=3B <br>&gt=3B <br>&gt=3B On Jul 28=2C 2009=
=2C at 9:00 AM=2C Raul Bonell wrote:<br>&gt=3B <br>&gt=3B &gt=3B i remember=
 jeff saying that those plugins making calls to the<br>&gt=3B &gt=3B operat=
ing system (like mobius) will not run into that box ...<br>&gt=3B &gt=3B<br=
>&gt=3B &gt=3B .02<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B 2009/7/28=2C james fow=
ler &lt=3Btwostroke@gmail.com&gt=3B:<br>&gt=3B &gt=3B&gt=3B no receptor own=
ers here?<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B hmm...<br>&gt=3B &g=
t=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B - jim<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &g=
t=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B -- <br>&gt=3B &gt=3B Raul Bonell at =
Blogger: http://raulbonell.blogspot.com<br>&gt=3B &gt=3B Chain Tape Collect=
ive: http://www.ct-collective.com<br>&gt=3B &gt=3B<br>&gt=3B <br><br /><hr =
/>With Windows Live=2C you can organise=2C edit=2C and  <a href=3D'http://c=
lk.atdmt.com/UKM/go/134665338/direct/01/' target=3D'_new'>share your photos=
.</a></body>
</html>=

--_a3809c19-47a9-4dd0-81ae-fbaed72f1d94_--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 17:05:49 2009
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	game)
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Yikes!! Did i come across as a format junkie.. BY NO MEANS!! I am facinated
by your idea of a iPod party.. does that happen??? Great!! Didnt know
that....

Sorry, but Film IS better than digital, and Tape IS better than digital...
but I agree.. close enough and a hell of a lot more convenient...
no I was just thinking about the way people hear...

I was fascinated by IN EAR phones for a while, (then in ear MICRO-phones,
but thats another thread... ) hoping that the music would "get in my head"..
but all i found was that the music cut out the 'verbs of the listening
environment and gave me headaches... after years of pumping horrifically
loud sounds thru my eardrums from headphones, ...no.. my hearing is fine...
still hearing 16k no probs.. no.. i just cant listen on headphones... the
world closes in and I feel claustrophobic and cut off, I start to sweat and
in the end tear them buds out like a crazy man... cant do it...

OH... and one more thing... if I was allowed to post pics here i would post
a photo of my bus to work in the morning... was a dismal site. We are but
drones staring forward and avoiding the gazes... cripes...

m



On Tue, Jul 28, 2009 at 4:54 PM, phillip wilson <phillwilson@hotmail.com>wrote:

>  > > I am less
> > > concerned about how the music was created but more concerned
> > > that people are listening to music in this way (plugged-in
> > > on white cables - shut off from the world) as far as Im
> > > concerned iPod users are listening wrong, and that THIS is
> > > bad for humanity...
> > >
> > >
> > >
> > > Serious Question: Do teenagers nowadays, sit in their
> > > bedrooms with friends playing records...?
> > > http://tinyurl.com/ledz8r
>
>
> OOooohhh...ouch!!!
>
> as a token "Young Person" myself,I see this very differantly!!
>
> My generation has grown up facing constant fluidly changing points of
> referance when it comes to "media"..this is the world we know and accept ,
> formats change specs move on etc etc.
>
> I personally have also grown up always seeming to be flying in the face of
> an older generation of people who have become preoccupied and precious over
> these "media" ...Film, Records, Paper, OS's ....they all have their uses,
> they all have unique properties...BUT THEY ARE ALL JUST MEDIA.
>
> film is no more organic then CCD chips...its chemicals and man made
> materials just with differing properties, Records have Grooves while CDs
> have pits read by lazer and BOTH work.
>
> at the end of the day, the way I have grown up has allowed me to evaluate
> my individual needs (not just primary like music= need for best sound
> quality, but on a free flowing scale that takes in portability, battery
> life, size etc) in a way which selects any one of a multitude of forms
> rather then bemoaning the loss of another format that has seen its use
> decline (which in itself may be just a blip, think of transistor amps...now
> we are all back to valves!!!)
>
> anyhoo, I rant and rave on but the ultimate point is...I feel I embrace a
> multitude of formats, but I do so by applying WHO I AM to each one of them,
> I am indeed a social creature so in the instance of "I-pods" I know of many
> people such as myself who play "I-pod roulette" which is when each of you
> siit ,usually with mini speakers connected to your device and take it in
> turns to go around the circle and play a song each..normally themes emerge
> as one song reminds someone of another.
>
> to me this is a social activity ideally suited to the medium of choice..i
> could do it with my records cds or minidisks, but the properties of having
> lots of audio in one tiny easy ot navigate box lets this game move quickly
> and smoothly.
>
> just my god knows how many cents
>
> Phill
>
> ------------------------------
> With Windows Live, you can organise, edit, and share your photos.<http://clk.atdmt.com/UKM/go/134665338/direct/01/>
>



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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Yikes!! Did i come across as a format junkie.. BY NO MEANS!! I am facinated=
 by your idea of a iPod party.. does that happen??? Great!! Didnt know that=
....<br><br>Sorry, but Film IS better than digital, and Tape IS better than=
 digital... but I agree.. close enough and a hell of a lot more convenient.=
..<br>


no I was just thinking about the way people hear... <br><br>I was fascinate=
d by IN EAR phones for a while, (then in ear MICRO-phones, but thats anothe=
r thread... ) hoping that the music would &quot;get in my head&quot;.. but =
all i found was that the music cut out the &#39;verbs of the listening envi=
ronment and gave me headaches... after years of pumping horrifically loud s=
ounds thru my eardrums from headphones, ...no.. my hearing is fine... still=
 hearing 16k no probs.. no.. i just cant listen on headphones... the world =
closes in and I feel claustrophobic and cut off, I start to sweat and in th=
e end tear them buds out like a crazy man... cant do it...<br>


<br>OH... and one more thing... if I was allowed to post pics here i would =
post a photo of my bus to work in the morning... was a dismal site. We are =
but drones staring forward and avoiding the gazes... cripes...<br><br>

m=A0 <br>
<br><br><br><div class=3D"gmail_quote">On Tue, Jul 28, 2009 at 4:54 PM, phi=
llip wilson <span dir=3D"ltr">&lt;<a href=3D"mailto:phillwilson@hotmail.com=
" target=3D"_blank">phillwilson@hotmail.com</a>&gt;</span> wrote:<br><block=
quote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 2=
04); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">






<div><div>
&gt; &gt;=A0I am less<br>&gt; &gt; concerned about how the music was create=
d but more concerned<br>&gt; &gt; that people are listening to music in thi=
s way (plugged-in<br>&gt; &gt; on white cables - shut off from the world) a=
s far as Im<br>


&gt; &gt; concerned iPod users are listening wrong, and that THIS is<br>&gt=
; &gt; bad for humanity...<br>&gt; &gt; <br>&gt; &gt; <br>&gt; &gt; <br>&gt=
; &gt; Serious Question: Do teenagers nowadays, sit in their<br>&gt; &gt; b=
edrooms with friends playing records...?<br>


&gt; &gt; <a href=3D"http://tinyurl.com/ledz8r" target=3D"_blank">http://ti=
nyurl.com/ledz8r</a><br><br>
=A0<br></div>
OOooohhh...ouch!!!<br>
=A0<br>
as a token &quot;Young Person&quot; myself,I see this very differantly!!<br=
>
=A0<br>
My generation has grown up facing constant fluidly changing points of refer=
ance when it comes to &quot;media&quot;..this is the world we know and acce=
pt , formats change specs move on etc etc.<br>
=A0<br>
I personally have also grown up always seeming to be flying in the face of =
an older generation of people who have become preoccupied and precious over=
 these &quot;media&quot; ...Film, Records, Paper, OS&#39;s ....they all hav=
e their uses, they all have unique properties...BUT THEY ARE ALL JUST MEDIA=
.<br>



=A0<br>
film is no more organic then CCD chips...its chemicals and man made materia=
ls just with differing properties, Records have Grooves while CDs have pits=
 read by lazer and BOTH work.<br>
=A0<br>
at the end of the day, the way I have grown up has allowed me to evaluate m=
y individual needs (not just primary like music=3D need for best sound qual=
ity, but on a free flowing scale that takes in portability, battery life, s=
ize etc) in a way which selects any one of a multitude of forms rather then=
 bemoaning the loss of another format that has seen its use decline (which =
in itself may be just a blip, think of transistor amps...now we are all bac=
k to valves!!!)<br>



=A0<br>
anyhoo, I rant and rave on but the ultimate point is...I feel I embrace a m=
ultitude of formats, but I do so by applying WHO I AM to each one of them, =
I am indeed a social creature so in the instance of &quot;I-pods&quot; I kn=
ow of many people such as myself who play &quot;I-pod roulette&quot; which =
is when each of you siit ,usually with mini speakers connected to your devi=
ce and take it in turns to go around the circle and play a song each..norma=
lly themes emerge as one song reminds someone of another.<br>



=A0<br>
to me this is a social activity ideally suited to the medium of choice..i c=
ould do it with my=A0records cds or minidisks, but the properties of having=
 lots=A0of audio in one tiny easy ot navigate box lets this game move quick=
ly and smoothly.<br>



=A0<br>
just my god knows how many cents<br>
=A0<br>
Phill=A0<br><br><hr>With Windows Live, you can organise, edit, and  <a href=
=3D"http://clk.atdmt.com/UKM/go/134665338/direct/01/" target=3D"_blank">sha=
re your photos.</a></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D=
"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user825094=
</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




--0015174be84cafe1b7046fc71405--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 17:34:01 2009
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: toys for non-musicians (was: online real time looping sequencer
 	game)
Date: Tue, 28 Jul 2009 17:33:59 +0000
Importance: Normal
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Haha...I re read my post and on the whole decided I sounded a bit serious=
=2C I was only mess-ranting too mate :)=20

=20

just seems to be somethin I have had to endure through my life as a photogr=
aphy student followed by camera shop worker..onto full time photographer an=
d into my currant main job as technical support officer for a web agency.

=20

People swear by and cling onto certain formats because of how it mad them f=
eel the first time they encountered it and so forth but by the very nature =
of my lifestyle I need to addapt and probably get a but unduly tetchy when =
others dont lol.

=20

funny enough now we have expanded this conversation=2C I am on your side fo=
r ear buds I love the THEORY of them but actually find that over the ear ph=
ones are much nicer as the seem to let the sounds "breathe".

=20

=20

as for Ipod parties...go for it..no matter what your chosen format=2C get y=
our muso mates round with their collections and play pass the parcel with t=
unes=2C its fun and you come away with a huge list of "wants"

=20

Phill
=20


From: mark@markfrancombe.com
Date: Tue=2C 28 Jul 2009 19:05:23 +0200
Subject: Re: toys for non-musicians (was: online real time looping sequence=
r game)
To: Loopers-Delight@loopers-delight.com

Yikes!! Did i come across as a format junkie.. BY NO MEANS!! I am facinated=
 by your idea of a iPod party.. does that happen??? Great!! Didnt know that=
....

Sorry=2C but Film IS better than digital=2C and Tape IS better than digital=
... but I agree.. close enough and a hell of a lot more convenient...
no I was just thinking about the way people hear...=20

I was fascinated by IN EAR phones for a while=2C (then in ear MICRO-phones=
=2C but thats another thread... ) hoping that the music would "get in my he=
ad".. but all i found was that the music cut out the 'verbs of the listenin=
g environment and gave me headaches... after years of pumping horrifically =
loud sounds thru my eardrums from headphones=2C ...no.. my hearing is fine.=
.. still hearing 16k no probs.. no.. i just cant listen on headphones... th=
e world closes in and I feel claustrophobic and cut off=2C I start to sweat=
 and in the end tear them buds out like a crazy man... cant do it...

OH... and one more thing... if I was allowed to post pics here i would post=
 a photo of my bus to work in the morning... was a dismal site. We are but =
drones staring forward and avoiding the gazes... cripes...

m =20




On Tue=2C Jul 28=2C 2009 at 4:54 PM=2C phillip wilson <phillwilson@hotmail.=
com> wrote:



> > I am less
> > concerned about how the music was created but more concerned
> > that people are listening to music in this way (plugged-in
> > on white cables - shut off from the world) as far as Im
> > concerned iPod users are listening wrong=2C and that THIS is
> > bad for humanity...
> >=20
> >=20
> >=20
> > Serious Question: Do teenagers nowadays=2C sit in their
> > bedrooms with friends playing records...?
> > http://tinyurl.com/ledz8r

=20
OOooohhh...ouch!!!
=20
as a token "Young Person" myself=2CI see this very differantly!!
=20
My generation has grown up facing constant fluidly changing points of refer=
ance when it comes to "media"..this is the world we know and accept =2C for=
mats change specs move on etc etc.
=20
I personally have also grown up always seeming to be flying in the face of =
an older generation of people who have become preoccupied and precious over=
 these "media" ...Film=2C Records=2C Paper=2C OS's ....they all have their =
uses=2C they all have unique properties...BUT THEY ARE ALL JUST MEDIA.
=20
film is no more organic then CCD chips...its chemicals and man made materia=
ls just with differing properties=2C Records have Grooves while CDs have pi=
ts read by lazer and BOTH work.
=20
at the end of the day=2C the way I have grown up has allowed me to evaluate=
 my individual needs (not just primary like music=3D need for best sound qu=
ality=2C but on a free flowing scale that takes in portability=2C battery l=
ife=2C size etc) in a way which selects any one of a multitude of forms rat=
her then bemoaning the loss of another format that has seen its use decline=
 (which in itself may be just a blip=2C think of transistor amps...now we a=
re all back to valves!!!)
=20
anyhoo=2C I rant and rave on but the ultimate point is...I feel I embrace a=
 multitude of formats=2C but I do so by applying WHO I AM to each one of th=
em=2C I am indeed a social creature so in the instance of "I-pods" I know o=
f many people such as myself who play "I-pod roulette" which is when each o=
f you siit =2Cusually with mini speakers connected to your device and take =
it in turns to go around the circle and play a song each..normally themes e=
merge as one song reminds someone of another.
=20
to me this is a social activity ideally suited to the medium of choice..i c=
ould do it with my records cds or minidisks=2C but the properties of having=
 lots of audio in one tiny easy ot navigate box lets this game move quickly=
 and smoothly.
=20
just my god knows how many cents
=20
Phill=20



With Windows Live=2C you can organise=2C edit=2C and share your photos.

--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

_________________________________________________________________
Celebrate a decade of Messenger with free winks=2C emoticons=2C display pic=
s=2C and more.
http://clk.atdmt.com/UKM/go/157562755/direct/01/=

--_d3466334-9b39-4507-8a1b-83d1329299f1_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Haha...I re read my post and&nbsp=3Bon the whole decided I sounded a bit se=
rious=2C I was only mess-ranting too mate :)&nbsp=3B<BR>
&nbsp=3B<BR>
just seems to be somethin I have had to endure through my life as a photogr=
aphy student followed by&nbsp=3Bcamera shop worker..onto full time photogra=
pher and into my currant main job as technical support officer for a web ag=
ency.<BR>
&nbsp=3B<BR>
People swear by and cling onto certain formats because of how it mad them f=
eel the first time they encountered it and so forth but by the very nature =
of my lifestyle I&nbsp=3Bneed to addapt and probably get a but unduly tetch=
y when others dont lol.<BR>
&nbsp=3B<BR>
funny enough now&nbsp=3Bwe have expanded this conversation=2C<EM> </EM>I am=
 on your side for ear buds I love the THEORY of them but actually find that=
 over the ear phones are much nicer as the seem to let&nbsp=3Bthe sounds "b=
reathe".<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
as for Ipod parties...go for it..no matter what your chosen format=2C get y=
our muso mates round with their collections and play pass the parcel with t=
unes=2C its fun and you come away with a huge list of "wants"<BR>
&nbsp=3B<BR>
Phill<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
From: mark@markfrancombe.com<BR>Date: Tue=2C 28 Jul 2009 19:05:23 +0200<BR>=
Subject: Re: toys for non-musicians (was: online real time looping sequence=
r game)<BR>To: Loopers-Delight@loopers-delight.com<BR><BR>Yikes!! Did i com=
e across as a format junkie.. BY NO MEANS!! I am facinated by your idea of =
a iPod party.. does that happen??? Great!! Didnt know that....<BR><BR>Sorry=
=2C but Film IS better than digital=2C and Tape IS better than digital... b=
ut I agree.. close enough and a hell of a lot more convenient...<BR>no I wa=
s just thinking about the way people hear... <BR><BR>I was fascinated by IN=
 EAR phones for a while=2C (then in ear MICRO-phones=2C but thats another t=
hread... ) hoping that the music would "get in my head".. but all i found w=
as that the music cut out the 'verbs of the listening environment and gave =
me headaches... after years of pumping horrifically loud sounds thru my ear=
drums from headphones=2C ...no.. my hearing is fine... still hearing 16k no=
 probs.. no.. i just cant listen on headphones... the world closes in and I=
 feel claustrophobic and cut off=2C I start to sweat and in the end tear th=
em buds out like a crazy man... cant do it...<BR><BR>OH... and one more thi=
ng... if I was allowed to post pics here i would post a photo of my bus to =
work in the morning... was a dismal site. We are but drones staring forward=
 and avoiding the gazes... cripes...<BR><BR>m&nbsp=3B <BR><BR><BR><BR>
<DIV class=3DEC_gmail_quote>On Tue=2C Jul 28=2C 2009 at 4:54 PM=2C phillip =
wilson <SPAN dir=3Dltr>&lt=3B<A href=3D"mailto:phillwilson@hotmail.com">phi=
llwilson@hotmail.com</A>&gt=3B</SPAN> wrote:<BR>
<BLOCKQUOTE class=3DEC_gmail_quote style=3D"PADDING-LEFT: 1ex">
<DIV>
<DIV>&gt=3B &gt=3B&nbsp=3BI am less<BR>&gt=3B &gt=3B concerned about how th=
e music was created but more concerned<BR>&gt=3B &gt=3B that people are lis=
tening to music in this way (plugged-in<BR>&gt=3B &gt=3B on white cables - =
shut off from the world) as far as Im<BR>&gt=3B &gt=3B concerned iPod users=
 are listening wrong=2C and that THIS is<BR>&gt=3B &gt=3B bad for humanity.=
..<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B S=
erious Question: Do teenagers nowadays=2C sit in their<BR>&gt=3B &gt=3B bed=
rooms with friends playing records...?<BR>&gt=3B &gt=3B <A href=3D"http://t=
inyurl.com/ledz8r">http://tinyurl.com/ledz8r</A><BR><BR>&nbsp=3B<BR></DIV>O=
Oooohhh...ouch!!!<BR>&nbsp=3B<BR>as a token "Young Person" myself=2CI see t=
his very differantly!!<BR>&nbsp=3B<BR>My generation has grown up facing con=
stant fluidly changing points of referance when it comes to "media"..this i=
s the world we know and accept =2C formats change specs move on etc etc.<BR=
>&nbsp=3B<BR>I personally have also grown up always seeming to be flying in=
 the face of an older generation of people who have become preoccupied and =
precious over these "media" ...Film=2C Records=2C Paper=2C OS's ....they al=
l have their uses=2C they all have unique properties...BUT THEY ARE ALL JUS=
T MEDIA.<BR>&nbsp=3B<BR>film is no more organic then CCD chips...its chemic=
als and man made materials just with differing properties=2C Records have G=
rooves while CDs have pits read by lazer and BOTH work.<BR>&nbsp=3B<BR>at t=
he end of the day=2C the way I have grown up has allowed me to evaluate my =
individual needs (not just primary like music=3D need for best sound qualit=
y=2C but on a free flowing scale that takes in portability=2C battery life=
=2C size etc) in a way which selects any one of a multitude of forms rather=
 then bemoaning the loss of another format that has seen its use decline (w=
hich in itself may be just a blip=2C think of transistor amps...now we are =
all back to valves!!!)<BR>&nbsp=3B<BR>anyhoo=2C I rant and rave on but the =
ultimate point is...I feel I embrace a multitude of formats=2C but I do so =
by applying WHO I AM to each one of them=2C I am indeed a social creature s=
o in the instance of "I-pods" I know of many people such as myself who play=
 "I-pod roulette" which is when each of you siit =2Cusually with mini speak=
ers connected to your device and take it in turns to go around the circle a=
nd play a song each..normally themes emerge as one song reminds someone of =
another.<BR>&nbsp=3B<BR>to me this is a social activity ideally suited to t=
he medium of choice..i could do it with my&nbsp=3Brecords cds or minidisks=
=2C but the properties of having lots&nbsp=3Bof audio in one tiny easy ot n=
avigate box lets this game move quickly and smoothly.<BR>&nbsp=3B<BR>just m=
y god knows how many cents<BR>&nbsp=3B<BR>Phill&nbsp=3B<BR><BR>
<HR>
With Windows Live=2C you can organise=2C edit=2C and <A href=3D"http://clk.=
atdmt.com/UKM/go/134665338/direct/01/">share your photos.</A></DIV></BLOCKQ=
UOTE></DIV><BR><BR clear=3Dall><BR>-- <BR><A href=3D"http://www.markfrancom=
be.com/">www.markfrancombe.com</A><BR><A href=3D"http://vimeo.com/user82509=
4">http://vimeo.com/user825094</A><BR><A href=3D"http://uk.youtube.com/user=
/markfrancombe">http://uk.youtube.com/user/markfrancombe</A><BR><A href=3D"=
http://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe<=
/A><BR><A href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch Non Synch=
">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</A><BR><br =
/><hr />Celebrate a decade of Messenger with free winks=2C emoticons=2C dis=
play pics=2C and more. <a href=3D'http://clk.atdmt.com/UKM/go/157562755/dir=
ect/01/' target=3D'_new'>Get Them Now</a></body>
</html>=

--_d3466334-9b39-4507-8a1b-83d1329299f1_--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 17:52:08 2009
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Subject: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Jul 28, 2009 mark@markfrancombe.com wrote:
> in ear MICRO-phones, but thats another thread..


I'm very intrigued by binaural recording. Have heard some amazing
stereo music where sounds move under, over and behind my head. Really
cool! I just started toying with binaural audio mixing in Logic but
not yet enough to know if it would be useful for me. Binaural mixing
only makes sense for earphones listening - but maybe in this new iPod
heavy world there is a market for binaural music production to become
a market?

Would love to hear about other's experiences with binaurals?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 18:04:34 2009
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Date: Tue, 28 Jul 2009 11:04:32 -0700
Message-ID: <588ce11d0907281104m1257b123gcee5acb25a6e9b52@mail.gmail.com>
Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I've got a page up on how to make your own binaural microphone with an
old pair of headphones for around $4:
http://art.simon.tripod.com/stealth.html

It's been up for a while and the links to the recordings need to be
updated. It's amazing how much spatial information a binaural
recording can have.

On Tue, Jul 28, 2009 at 10:52 AM, Per Boysen<perboysen@gmail.com> wrote:
> On Tue, Jul 28, 2009 mark@markfrancombe.com wrote:
>> in ear MICRO-phones, but thats another thread..
>
>
> I'm very intrigued by binaural recording. Have heard some amazing
> stereo music where sounds move under, over and behind my head. Really
> cool! I just started toying with binaural audio mixing in Logic but
> not yet enough to know if it would be useful for me. Binaural mixing
> only makes sense for earphones listening - but maybe in this new iPod
> heavy world there is a market for binaural music production to become
> a market?
>
> Would love to hear about other's experiences with binaurals?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 18:15:33 2009
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	 <588ce11d0907281104m1257b123gcee5acb25a6e9b52@mail.gmail.com>
Date: Tue, 28 Jul 2009 11:09:20 -0700
Message-ID: <588ce11d0907281109w3d27abf9r216235718d076e55@mail.gmail.com>
Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Just noticed the radio shack mic elements have increased in price to $2.79 each:
http://www.radioshack.com/product/index.jsp?productId=2062215

So figure around $5 or $6.

On Tue, Jul 28, 2009 at 11:04 AM, Art Simon<simart@gmail.com> wrote:
> I've got a page up on how to make your own binaural microphone with an
> old pair of headphones for around $4:
> http://art.simon.tripod.com/stealth.html
>
> It's been up for a while and the links to the recordings need to be
> updated. It's amazing how much spatial information a binaural
> recording can have.
>
> On Tue, Jul 28, 2009 at 10:52 AM, Per Boysen<perboysen@gmail.com> wrote:
>> On Tue, Jul 28, 2009 mark@markfrancombe.com wrote:
>>> in ear MICRO-phones, but thats another thread..
>>
>>
>> I'm very intrigued by binaural recording. Have heard some amazing
>> stereo music where sounds move under, over and behind my head. Really
>> cool! I just started toying with binaural audio mixing in Logic but
>> not yet enough to know if it would be useful for me. Binaural mixing
>> only makes sense for earphones listening - but maybe in this new iPod
>> heavy world there is a market for binaural music production to become
>> a market?
>>
>> Would love to hear about other's experiences with binaurals?
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>
>
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 18:33:48 2009
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Date: Tue, 28 Jul 2009 11:33:48 -0700
Message-ID: <bcd3c7bb0907281133t740a898fs12434c9660b3f906@mail.gmail.com>
Subject: Re: toys for non-musicians (was: online real time looping sequencer 
	game)
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Tue, Jul 28, 2009 at 10:05 AM, mark francombe<mark@markfrancombe.com> wrote:


> Sorry, but Film IS better than digital, and Tape IS better than digital...
> but I agree.. close enough and a hell of a lot more convenient...
> no I was just thinking about the way people hear...

These statements are false.

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Date: Tue, 28 Jul 2009 12:10:17 -0700
Message-ID: <bcd3c7bb0907281210j6ad8236drc3aa100479512108@mail.gmail.com>
Subject: Re: FRO's rig - The Wandering Madman
From: Mark Sottilaro <zerocrossing@gmail.com>
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Mobius=The Bomb

On Tue, Jul 28, 2009 at 2:18 AM, michael noble<looplog@gmail.com> wrote:
> righton, humor sometimes bounces off my thick skull!
>
> I suspected those CPUs had to have something to do with looping. good to
> know...
>
> -michael
>
>
> On Tue, Jul 28, 2009 at 5:49 PM, FRO DIDDLY <parispro00@hotmail.com> wrote:
>>
>> twas a joke-
>>
>> mobius is my only weapon-
>> ive showered it with love many times on this list-
>> absolutely phenomenal -
>>
>>
>>
>>
>>
>>
>> ________________________________
>> Date: Tue, 28 Jul 2009 17:34:59 +0900
>> Subject: Re: FRO's rig - The Wandering Madman
>> From: looplog@gmail.com
>> To: Loopers-Delight@loopers-delight.com
>>
>> umm, if there are no loopers in the rig, what relevance does it have to
>> this list? At least an OT in the title would have been nice! o.O
>>
>> -michael
>>
>

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From: Rev Fever <revfever@ubergadget.com>
Subject: Re: midi sequencer needed / Korg SQD-8
Date: Tue, 28 Jul 2009 12:17:48 -0700
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Hey Simeon,

What's yer zip code? Lemme know and I can check w/ the USPS website  
and see what the least expensive postage / method  would be?

L8r...

On Jul 28, 2009, at 11:41 AM, Simeon Harris wrote:

> well i can't find the manual, but i did find a brochure which  
> mentions that transmitted midi data does include all pc and cc  
> change messages - whether they're editable or not is unclear! hard  
> to turn down such a great offer though...and i suppose if it  
> doesn't work, i might be able to sell it on.... how much do you  
> think postage might be?
>
> sim
>
> On Tue, Jul 28, 2009 at 7:18 PM, Simeon Harris  
> <simeonharris40@googlemail.com> wrote:
> lol! let me hunt around for the manual a bit more....!
>
>
> On Tue, Jul 28, 2009 at 7:10 PM, Rev Fever  
> <revfever@ubergadget.com> wrote:
> Hey Simeon,
>
> I can't tell if it can or not? And, I'll admit that I not the  
> "best" person to ask concerning this type of subject matter. :-)  
> But,I do not see anything specific relating to that, and this is  
> 1987 we're talking about here and maybe it is just worded  
> differently and I can't tell? And, like I said previously, I never  
> used it, and don't even know *how* to use it!  Ha!  Just came in  
> the package deal I got a few yrs ago. There is something about  
> "system exclusive, transmitted / recognized" but I am not sure if  
> that is what yer after? (Or....?) You'd likely know better than I. :-)
>
> Cheers,
> L8r...
>
> Rev Fever
> http://www.spiritone.com/~rvfever/
>
> On Jul 28, 2009, at 4:07 AM, Simeon Harris wrote:
>
>> hi rev - sounds like it might just be what i'm looking for
>>
>> i've been trying to find the manual online, but with no luck. is  
>> there any way you could have a quick look at yours and see if it  
>> will send out pc messages and cc messages (any number and value)  
>> as part of a looped pattern?
>>
>> much appeciated!
>>
>> sim
>>
>> On Mon, Jul 27, 2009 at 11:11 PM, Rev Fever  
>> <revfever@ubergadget.com> wrote:
>> Not sure if this would help, but I thought I would offer it. I  
>> have an older (1987) Korg SQD-8, 8 track midi recorder that I  
>> don't need and never used. Got it in a package deal long ago with  
>> a bunch of other stuff, but never used it, and don't even know  
>> *how* to use it! :-)  But, it is real clean looking, not a scratch  
>> on it, etc. No power source, but it takes DC9V, and I have the  
>> owner's manual. It also uses floppies for data storage. Has midi  
>> in / out / thru, and a mini-plug phones jack.  I'd take only $20  
>> for it, plus whatever the postage might be.
>> It would also be *one less thing* laying around in my limited  
>> space to have to deal with, which would be just fine with me:-)
>
>
>

Rev Fever
http://www.spiritone.com/~rvfever/


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hey Simeon,<div><br></div><div>What's yer zip code? Lemme know and I can =
check w/ the USPS website and see what the least expensive postage / =
method &nbsp;would =
be?&nbsp;</div><div><br></div><div>L8r...</div><div><br><div><div>On Jul =
28, 2009, at 11:41 AM, Simeon Harris wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">well i =
can't find the manual, but i did find a brochure which mentions that =
transmitted midi data does include all pc and cc change messages - =
whether they're editable or not is unclear! hard to turn down such a =
great offer though...and i suppose if it doesn't work, i might be able =
to sell it on.... how much do you think postage might be?<br> =
<br>sim<br><br><div class=3D"gmail_quote">On Tue, Jul 28, 2009 at 7:18 =
PM, Simeon Harris <span dir=3D"ltr">&lt;<a =
href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.co=
m</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;"> lol! let me hunt around for the manual a bit =
more....!<div><div></div><div class=3D"h5"><br><br><div =
class=3D"gmail_quote">On Tue, Jul 28, 2009 at 7:10 PM, Rev Fever <span =
dir=3D"ltr">&lt;<a href=3D"mailto:revfever@ubergadget.com" =
target=3D"_blank">revfever@ubergadget.com</a>&gt;</span> wrote:<br> =
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div> =
Hey Simeon,<div><br></div><div>I can't tell if it can or not? And, I'll =
admit that I not the "best" person to ask concerning this type of =
subject matter. :-) But,I do not see anything specific relating to that, =
and this is 1987 we're talking about here and maybe it is just worded =
differently and I can't tell? And, like I said previously, I&nbsp;never =
used it, and don't even know *how* to use it! &nbsp;Ha! &nbsp;Just came =
in the package deal I got a few yrs ago. There is something about =
"system exclusive, transmitted / recognized"&nbsp;but&nbsp;I am not sure =
if that is what yer after? (Or....?) You'd likely know better than I. =
:-)</div> =
<div><br></div><div><div>Cheers,</div>L8r...<div><br><div><span =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
text-indent: 0px; text-transform: none; white-space: normal; =
word-spacing: 0px;"><div> Rev Fever</div><div><a =
href=3D"http://www.spiritone.com/%7Ervfever/" =
target=3D"_blank">http://www.spiritone.com/~rvfever/</a></div><div><br></d=
iv></span></div></div><div><div></div><div><div><div>On Jul 28, 2009, at =
4:07 AM, Simeon Harris wrote:</div> <br><blockquote type=3D"cite">hi rev =
- sounds like it might just be what i'm looking for<br><br>i've been =
trying to find the manual online, but with no luck. is there any way you =
could have a quick look at yours and see if it will send out pc messages =
and cc messages (any number and value) as part of a looped pattern?<br>  =
<br>much appeciated!<br><br>sim<br><br><div class=3D"gmail_quote">On =
Mon, Jul 27, 2009 at 11:11 PM, Rev Fever <span dir=3D"ltr">&lt;<a =
href=3D"mailto:revfever@ubergadget.com" =
target=3D"_blank">revfever@ubergadget.com</a>&gt;</span> wrote:<br> =
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"> =
<div> Not sure if this would help, but I thought I would offer it. I =
have an older (1987) Korg SQD-8, 8 track midi recorder that I don't need =
and never used. Got it in a package deal long ago with a bunch of other =
stuff, but never used it, and don't even know *how* to use it! :-) =
&nbsp;But, it is real clean looking, not a scratch on it, etc. No power =
source, but it takes DC9V, and I have the owner's manual. It also uses =
floppies for data storage. Has midi in / out / thru, and a mini-plug =
phones jack. &nbsp;I'd take only $20 for it, plus whatever the postage =
might be.&nbsp;<div>  It would also&nbsp;be *one less thing* laying =
around&nbsp;in&nbsp;my&nbsp;limited&nbsp;space&nbsp;to&nbsp;have&nbsp;to&n=
bsp;deal&nbsp;with, which would be just fine with =
me:-)</div></div></blockquote></div></blockquote></div><br></div></div></d=
iv></div></blockquote></div> <br> =
</div></div></blockquote></div><br></blockquote></div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div>Rev Fever</div><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div></span> </div><br></div></body></html>=

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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
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On Tue, Jul 28, 2009 at 7:52 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Tue, Jul 28, 2009 mark@markfrancombe.com wrote:
> > in ear MICRO-phones, but thats another thread..
>
>
> Would love to hear about other's experiences with binaurals?
>
> Per Boysen
> www.boysen.se



Then Im ya man Per... I have been recording binaural recordings for about 2=
0
years... I started after researching what TG was using in the 80=B4s
(Throbbing Gristle) and also built many pairs of mikes for in ear
recording... the best I had were a sennheiser set which actaully came with =
a
dummy head. I have many hours of field recordings done with them... and for
a while recorded some gigs using the technique.. not so impressive... unles=
s
you LIKE hearing the bar conversation...

I have alsop recorded a totally techno record, but where all the samples
(drums basss weird noises) were recorded binaurally and put into my sample
in stereo as micor binaural chunks... I have made reverb tracks, by bringin=
g
a ghetto balster to reverby places and say opposite, recording the reverb
binaurally with in ear mikes... for later addition to the mix...

Art.. i checked out you page.. you really took it seriously.. I never bothe=
r
to make miine pretty... I just stuck em in my ears!! (with a bit of BluTack=
)
and into my minidisk recorder...

I cant speak for the "psychedelic" effects of "being there-ness"  Im pretty
certain my zoom h4 sounds basically the same, without the dummy head thing,
by using crossed mike phase stuff...

For serious audio weidness in this vein, get Psychic TV - Dreams Less Sweet=
.
Recorded using the Zucurelli Holophonic method... which I dont know what it
is, but appears to be Binaural but with a mysterious black box between the
head and the desk... what that box contains was a secret... (Im wiki-ing as
I type) but anyway was the scariest record for many years for me... Check
out the Rotweiler growling in your ear, while a Salvation Army Band marches
past... Check out the Choir boy who walks all the way round you, and check
out the (yes it was 1983, height of Goth... ) dummy binaural head being
buried... yes buried in a coffin... in a genuine graveyard...

go figure...




www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--0015174be84c14eb75046fc98fac
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<br><br><div class=3D"gmail_quote">On Tue, Jul 28, 2009 at 7:52 PM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">

On Tue, Jul 28, 2009 <a href=3D"mailto:mark@markfrancombe.com">mark@markfra=
ncombe.com</a> wrote:<br>
&gt; in ear MICRO-phones, but thats another thread..<br>
<br>
<br>
Would love to hear about other&#39;s experiences with binaurals?<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a></font>=
</blockquote><div><br><br>Then Im ya man Per... I have been recording binau=
ral recordings for about 20 years... I started after researching what TG wa=
s using in the 80=B4s (Throbbing Gristle) and also built many pairs of mike=
s for in ear recording... the best I had were a sennheiser set which actaul=
ly came with a dummy head. I have many hours of field recordings done with =
them... and for a while recorded some gigs using the technique.. not so imp=
ressive... unless you LIKE hearing the bar conversation...<br>

<br>I have alsop recorded a totally techno record, but where all the sample=
s (drums basss weird noises) were recorded binaurally and put into my sampl=
e in stereo as micor binaural chunks... I have made reverb tracks, by bring=
ing a ghetto balster to reverby places and say opposite, recording the reve=
rb binaurally with in ear mikes... for later addition to the mix...<br>

<br>Art.. i checked out you page.. you really took it seriously.. I never b=
other to make miine pretty... I just stuck em in my ears!! (with a bit of B=
luTack) and into my minidisk recorder... <br><br>I cant speak for the &quot=
;psychedelic&quot; effects of &quot;being there-ness&quot;=A0 Im pretty cer=
tain my zoom h4 sounds basically the same, without the dummy head thing, by=
 using crossed mike phase stuff... <br>

<br>For serious audio weidness in this vein, get Psychic TV - Dreams Less S=
weet. Recorded using the Zucurelli Holophonic method... which I dont know w=
hat it is, but appears to be Binaural but with a mysterious black box betwe=
en the head and the desk... what that box contains was a secret... (Im wiki=
-ing as I type) but anyway was the scariest record for many years for me...=
 Check out the Rotweiler growling in your ear, while a Salvation Army Band =
marches past... Check out the Choir boy who walks all the way round you, an=
d check out the (yes it was 1983, height of Goth... ) dummy binaural head b=
eing buried... yes buried in a coffin... in a genuine graveyard... <br>

<br>go figure...<br><br><br><br></div></div><br><a href=3D"http://www.markf=
rancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user=
825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com=
/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174be84c14eb75046fc98fac--

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	<9ab0c76f0907281302y6f8d172sd0fcf6d05a77f417@mail.gmail.com>
From: mark francombe <mark@markfrancombe.com>
Date: Tue, 28 Jul 2009 22:15:10 +0200
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
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>
>>
>> Would love to hear about other's experiences with binaurals?
>>
>>

oh... one last addition:

A photo of the Sennheiser Dummy head on the CD cover...

http://www.markfrancombe.com/wordpress/?page_id=286

Thjis was the techno record...Go to the album Money Hush Room..

 (now i listen NOT techno AT ALL!!)  PS, dont expect any typical binaural
experience with these tracks... it all went thru some serious mulching after
being recorded this way...

m
-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c15f069dbbc046fc9bb3b
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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;"><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8=
ex; padding-left: 1ex;">

<div class=3D"im"><br>
<br></div><div class=3D"im">
Would love to hear about other&#39;s experiences with binaurals?<br>
</div><font color=3D"#888888"><br></font></blockquote></div></blockquote></=
div><br><br>oh... one last addition:<br><br>A photo of the Sennheiser Dummy=
 head on the CD cover...<br><br><a href=3D"http://www.markfrancombe.com/wor=
dpress/?page_id=3D286">http://www.markfrancombe.com/wordpress/?page_id=3D28=
6</a><br>

<br>Thjis was the techno record...Go to the album Money Hush Room..<br><br>=
=A0(now i listen NOT techno AT ALL!!)=A0 PS, dont expect any typical binaur=
al experience with these tracks... it all went thru some serious mulching a=
fter being recorded this way...<br>

<br>m<br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.=
com</a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825=
094</a><br><a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.y=
outube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c15f069dbbc046fc9bb3b--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 20:20:36 2009
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	game)
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Yo.. mate... cheer up a bit...

On Tue, Jul 28, 2009 at 8:33 PM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> On Tue, Jul 28, 2009 at 10:05 AM, mark francombe<mark@markfrancombe.com>
> wrote:
>
>
> > Sorry, but Film IS better than digital, and Tape IS better than
> digital...
> > but I agree.. close enough and a hell of a lot more convenient...
> > no I was just thinking about the way people hear...
>
> These statements are false.
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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Yo.. mate... cheer up a bit...<br><br><div class=3D"gmail_quote">On Tue, Ju=
l 28, 2009 at 8:33 PM, Mark Sottilaro <span dir=3D"ltr">&lt;<a href=3D"mail=
to:zerocrossing@gmail.com">zerocrossing@gmail.com</a>&gt;</span> wrote:<br>=
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<div class=3D"im">On Tue, Jul 28, 2009 at 10:05 AM, mark francombe&lt;<a hr=
ef=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<=
br>
<br>
<br>
&gt; Sorry, but Film IS better than digital, and Tape IS better than digita=
l...<br>
&gt; but I agree.. close enough and a hell of a lot more convenient...<br>
&gt; no I was just thinking about the way people hear...<br>
<br>
</div>These statements are false.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c11a69d5924046fc9cdac--

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	 <afb941d0907271115p49d0accfhcd5f0fd4e6fb9a81@mail.gmail.com>
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	 <CB90CF0B-F056-4568-8975-8BA4B42E2CE7@ubergadget.com>
Date: Tue, 28 Jul 2009 21:34:22 +0100
Message-ID: <d302e3570907281334n2628ed5bqe9bc1e69b0b340d3@mail.gmail.com>
Subject: Re: midi sequencer needed / Korg SQD-8
From: Simeon Harris <simeonharris40@googlemail.com>
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ahh...forgot to mention i'm in the UK!

s

On Tue, Jul 28, 2009 at 8:17 PM, Rev Fever <revfever@ubergadget.com> wrote:

> Hey Simeon,
> What's yer zip code? Lemme know and I can check w/ the USPS website and see
> what the least expensive postage / method  would be?
>
> L8r...
>
>
>

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ahh...forgot to mention i&#39;m in the UK!<br><br>s<br><br><div class=3D"gm=
ail_quote">On Tue, Jul 28, 2009 at 8:17 PM, Rev Fever <span dir=3D"ltr">&lt=
;<a href=3D"mailto:revfever@ubergadget.com">revfever@ubergadget.com</a>&gt;=
</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=3D"">
Hey Simeon,<div><br></div><div>What&#39;s yer zip code? Lemme know and I ca=
n check w/ the USPS website and see what the least expensive postage / meth=
od =A0would be?=A0</div><div><br></div><div>L8r...</div><div class=3D"im"><=
div>
<br><br></div></div></div></blockquote></div><br>

--0016e6d99d46e930d1046fc9fe14--

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	 <9ab0c76f0907281302y6f8d172sd0fcf6d05a77f417@mail.gmail.com>
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Date: Tue, 28 Jul 2009 14:13:09 -0700
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Here are a couple of recordings I made with a homemade binaural mic. I
put some WM60AY mic elements in a set of cheap earbuds. This first one
I made while traveling in Malaysia. Apparently, the school children in
Kuala Tahan would sing this song to their teacher at the beginning of
the school day:
http://rapidshare.com/files/261139960/03_Track_03.mp3

The next one isn't a binaural recording as I didn't have the earbuds
in my ears when I recorded it, but it's my favorite with my homemade
mics. I lived for years on a dead end street in San Francisco. This is
the weekly garbage truck driving down my street and collecting the
garbage.  It sets off a car alarm. There is no noise reduction or
audio manipulation. At 5am it was otherwise dead quiet:
http://rapidshare.com/files/261139517/05_Track_05_6.mp3

On Tue, Jul 28, 2009 at 1:15 PM, mark francombe<mark@markfrancombe.com> wro=
te:
>
>>>
>>>
>>> Would love to hear about other's experiences with binaurals?
>>>
>
>
> oh... one last addition:
>
> A photo of the Sennheiser Dummy head on the CD cover...
>
> http://www.markfrancombe.com/wordpress/?page_id=3D286
>
> Thjis was the techno record...Go to the album Money Hush Room..
>
> =A0(now i listen NOT techno AT ALL!!)=A0 PS, dont expect any typical bina=
ural
> experience with these tracks... it all went thru some serious mulching af=
ter
> being recorded this way...
>
> m
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 21:24:33 2009
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Subject: Review: Jomox T-Resonator "Time Woven Filter Matrix"
From: Rainer Straschill <moinsound@googlemail.com>
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Some time ago, when I asked here about odd kind of stompboxes, Andy
Butler pointed me toward the Jomox T-Resonator. Now that I finally had
time to test drive it some, here's a first review.

OT notice: the thing isn't a looper, but you can of course use it in
conjunction with a looper. How does that work? Read on!

The German Jomox company had been founded during the high tide of rave
and techno and other elektro styles in the mid-nineties and had their
focus on the genre-typical analogue retro synths, where names like
xbase999 and xbase888 roughly tell where it's at. Of course, it's only
logical to follow suit with the ancestry of Moog and offer effects
boxes as well, and the M-Resonator (released in 2005) and the
T-Resonator (released in 2008, German street price of =80279) are, as
you might have expected, mainly filters.

WHAT IS IT:

A black table-top-style box with wallwart power supply, a lot of
dials, a few LEDs and one pushbutton. As for the signal path, the
stereo device offers two identical paths consisting of a simple
digital effect, followed by a 24dB lowpass filter.
Now that alone wouldn't get anyone interested, so Jomox added feedback
and modulation capabilities. As for feedback, there is a total of
three feedback chains, each available with positive and negative
phase. One is just round the filter, the second goes back to the input
of the digital effect, and the third one is a cross feedback leading
to the input of the other channel's filter.
As for modulation, there's one envelope follower (not adjustable in
any way), which can control filter cutoff (and some parameters with
the digital effects, see below), and there's an LFO (0.15-22Hz sine)
which can control filter cutoff. Note that if you use both envelope
and LFO as modulation source, both signals are multiplied, and the LFO
is retriggered each time the envelope restarts.
For additional fun, the output of each filter can control the cutoff
of the other filter - note that this is not an envelope follower,
rather it follows the actual waveform.

About the digital effect: there's a total of eight effects available,
all of them delay-like (and from now on all called "delay"): chorus,
flanger, two "waveguide" algorithms (4-6 short (<30ms) delay lines for
phase cancellation-like effects), two delays (500ms+500ms vs. 1s+30ms)
and two reverbs.
For each effect, there are two parameters adjustable with knobs, and
two more controlled by the envelope follower (not controllable in any
way).
The delay lines take any kind of length change with the genre typical
bend and without any artifacts.

Another sidenote: the thing doesn't appear to be overtly sturdy. Its
only pushbutton (bypass) already feels like it will see the end of
times approaching.

USED ALL ALONE:
Lots of feedback loops - this should also make noise on its own -
great for those "no input feedback network" people.
And getting this thing to make noises is quite simple. Turn up
negative feedback for ugly queaks, turn up positive feedback for
low-frequency woofer smashing. Of course, it gets more interesting
than that when you put a flanger in the feedback chain (instead of or
parallel to the normal filter feedback) or cross-feedback both
filters.
The use of the LFO is, well, as boring as you'd expect, taking that it
only offers sine waves and barely reaches into the usable audible
frequency range. Of course, having one filter on low-frequency-rumble
modulate the other's cutoff can help here.

ON A GUITAR:
Of the digital effects, the waveguide effect is big fun, also based on
the fact that the delay lines are modulated by the input envelope. Put
that together with some feedback around the delay, and you get some
bowed-glass-like sounds. Use a quick LFO on filter cutoff, and you get
filteresque gating effects. It's not something that is entirely new or
novel, but some interesting additions to the repertoire.
It gets tricky with a clean to slightly distorted guitar sound,
playing short, slow melody segments and adjusting the thing in the
intervals in between. Tricky adjustment of the filters and delays
allows for tape-delay-style noise buildup (and actually, the feedback
gain over the delay loop can be set to >100%), so there is that
territory to use it as a normal effect (meaning one that doesn't mash
up your guitar beyond recognition) with some personal attitude.

ON SOME ELEKTRO STUF:
Now time for some pattern sequencer TB303-like lines. First thing I
notice is that even with the filter cutoff fully open, the filter is
obviously already far below the signal's frequency top - bad. What is
new (in relation to the common repertoire) is positive filter feedback
for some aggressive growling. But you don't get those screaming
filters we're used to. Of course you don't get them - there's no
distortion.
Quickly put a Boss OD-2 into the chain - more specifically synth into
M-Resonator channel 1 into OD-2 into M-Resonator channel 2. Now that's
more like it! Both filters, its internal feedback paths and the
overdrive pedal interact in a really nice, non-linear and sometimes
really unexpected way. Add some frequency modulation for odd chirping,
let the filters sing together with the distortion - that's exactly
what filter freaks like. And as it turns out, the addition of a
distortion box also makes it much more interesting in the no-input
configuration.

ON LOOPS:
If your loop is a sparse guitar (or other melody) line, it works fine
- see "on a guitar". If it's more dense, then forget it. The result is
either boring or some big wash.

SUMMARY:
With the tons of feedback options, the integrated delay and the filter
frequency modulation, Jomox have obviously tried to tread on new
grounds in the analogue filter world. And that is a wise choice for
someone releasing a thing that does, basically, only filter in 2008.
It's a little hard to understand which target group they're aiming at,
however: the form factor of the tabletop case makes it impractical
both for guitarists' floorboards and for rackmounted studios, the only
remaining choice being tabletop setups of DJs (which I can't envision
using this) or the noise music crowd. The more analogue-gear-inclined
people no doubt would've liked more control (CV) jacks, while for the
non-modular crowd might have liked a more powerful LFO instead.
I do see the lack of a more powerful LFO (with a bigger choice of
waveforms and a bigger frequency range) and the missing distortion
feature as the two biggest drawbacks. If it had that, an otherwise
very specialized self-oscillation generator which can also be used on
melody instruments with some very careful adjustments would be turned
into a really unique effect useful for guitarists (and other
instrumentalists) and elektro synth people alike.

I'm currently reflecting whether I'm going to return it. It's
just...not really great, but not completely normal, either. And it's
relatively small.

             Rainer

ps: perhaps I'll do a short video shortly if I'm in the mood.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 21:37:30 2009
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	 <COL109-W73825394EA5DFC4949897BE150@phx.gbl>
	 <9ab0c76f0907281005o68ae11a6l46c22c59a462cf85@mail.gmail.com>
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Date: Tue, 28 Jul 2009 14:37:29 -0700
Message-ID: <3fa302e30907281437n706f81a2te1fe0384cad510a2@mail.gmail.com>
Subject: Re: toys for non-musicians (was: online real time looping sequencer 
	game)
From: Miko Biffle <biffoz@gmail.com>
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We're watching you Francombe!  U sum kinda FORMAT JUNKIE?!  *-)  -m

On 7/28/09, mark francombe <mark@markfrancombe.com> wrote:
> Yo.. mate... cheer up a bit...
>
> On Tue, Jul 28, 2009 at 8:33 PM, Mark Sottilaro <zerocrossing@gmail.com>
> wrote:
> >
> > On Tue, Jul 28, 2009 at 10:05 AM, mark
> francombe<mark@markfrancombe.com> wrote:
> >
> >
> > > Sorry, but Film IS better than digital, and Tape IS better than
> digital...
> > > but I agree.. close enough and a hell of a lot more convenient...
> > > no I was just thinking about the way people hear...
> >
> > These statements are false.
> >
> >
>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
>  http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>


-- 
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 21:56:38 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: best listening websites in europe(What's on your iPod/CDplayer/Turntable)
Date: Tue, 28 Jul 2009 23:55:55 +0200
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Ciao Luis,
Va bene? ;) last.fm is highly recommended, I discovered many interesting
artists there.

--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/


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On Tue, Jul 28, 2009 at 11:24 PM, Rainer Straschill <
moinsound@googlemail.com> wrote:

> ps: perhaps I'll do a short video shortly if I'm in the mood.
>

PLEASE.. im sure it will take you about the same time it took to write that
extremely indepth review!!!

m

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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<br><br><div class=3D"gmail_quote">On Tue, Jul 28, 2009 at 11:24 PM, Rainer=
 Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.co=
m">moinsound@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"g=
mail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt=
 0pt 0pt 0.8ex; padding-left: 1ex;">

<div id=3D":w2" class=3D"ii gt">ps: perhaps I&#39;ll do a short video short=
ly if I&#39;m in the mood.</div></blockquote></div><br>PLEASE.. im sure it =
will take you about the same time it took to write that extremely indepth r=
eview!!!<br>

<br>m<br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">=
www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http:/=
/vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com/user/markfran=
combe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c3fe4ca5be6046fcbafc0--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 22:51:26 2009
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Subject: Re: toys for non-musicians (was: online real time looping sequencer game)
Date: Tue, 28 Jul 2009 15:43:57 -0700
References: <470280.67516.qm@web24307.mail.ird.yahoo.com> <COL109-W73825394EA5DFC4949897BE150@phx.gbl> <9ab0c76f0907281005o68ae11a6l46c22c59a462cf85@mail.gmail.com> <bcd3c7bb0907281133t740a898fs12434c9660b3f906@mail.gmail.com> <9ab0c76f0907281320q8eb8d51j76408d85927b923b@mail.gmail.com> <3fa302e30907281437n706f81a2te1fe0384cad510a2@mail.gmail.com>
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Sorry, it's just that this type of goodolddayism is keeping the flying  
car and silver jump suits from becoming reality!

Sent from my iPhone

On Jul 28, 2009, at 2:37 PM, Miko Biffle <biffoz@gmail.com> wrote:

> We're watching you Francombe!  U sum kinda FORMAT JUNKIE?!  *-)  -m
>
> On 7/28/09, mark francombe <mark@markfrancombe.com> wrote:
>> Yo.. mate... cheer up a bit...
>>
>> On Tue, Jul 28, 2009 at 8:33 PM, Mark Sottilaro <zerocrossing@gmail.com 
>> >
>> wrote:
>>>
>>> On Tue, Jul 28, 2009 at 10:05 AM, mark
>> francombe<mark@markfrancombe.com> wrote:
>>>
>>>
>>>> Sorry, but Film IS better than digital, and Tape IS better than
>> digital...
>>>> but I agree.. close enough and a hell of a lot more convenient...
>>>> no I was just thinking about the way people hear...
>>>
>>> These statements are false.
>>>
>>>
>>
>>
>>
>> --
>> www.markfrancombe.com
>> http://vimeo.com/user825094
>> http://uk.youtube.com/user/markfrancombe
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>
>
>
> -- 
> Miko Biffle
> Biffoz@Gmail.com
> MBiffle@FoxRacingShox.com
> "Running scared from all the usual distractions!"
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 28 23:11:19 2009
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	<9ab0c76f0907281005o68ae11a6l46c22c59a462cf85@mail.gmail.com> 
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	<C88D1784-58DF-4224-A328-27F8C92AA1EC@gmail.com>
From: mark francombe <mark@markfrancombe.com>
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	game)
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--0015174c11a61e0f86046fcc30ac
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On Wed, Jul 29, 2009 at 12:43 AM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> Sent from my iPhone


yawn...


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c11a61e0f86046fcc30ac
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<br><br><div class=3D"gmail_quote">On Wed, Jul 29, 2009 at 12:43 AM, Mark S=
ottilaro <span dir=3D"ltr">&lt;<a href=3D"mailto:zerocrossing@gmail.com">ze=
rocrossing@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_qu=
ote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0p=
t 0.8ex; padding-left: 1ex;">

Sent from my iPhone</blockquote></div><br>yawn...<br><br clear=3D"all"><br>=
-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><b=
r>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--0015174c11a61e0f86046fcc30ac--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 01:26:35 2009
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Date: Tue, 28 Jul 2009 21:26:30 -0400
From: Daryl Shawn <highhorse@mhorse.com>
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With my 41st gig on Sunday, I've finished my summer tour. I'll soon be 
updating my official diary (which I quickly lost sight of, not two weeks 
out) with pix and stories. So many Loopfolks helped out, from setting up 
shows, to playing beside me, to hosting my tired bones, to coming out 
for performances, to showing me the sights of their towns, and I wanted 
to thank you all. Hoping I don't miss anyone: Matt Davignon, Ted 
Killian, Dave Trenkel, Nevyn Nowhere, Travis Hartnett, Krispen Hartung, 
Bob Collier, JD Devros, Rev Fever, Ted Harms, James Bailey, Brian Good, 
Michael Klobuchar (next time, bro), Steve Burnett, and of course Jim 
Goodin. I can't thank each of you enough.

Next tour is October, doing the same western loop. hope to see some of 
you wonderful folks again.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 02:14:07 2009
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: Dumble amps
Date: Tue, 28 Jul 2009 19:14:00 -0700
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This is a multi-part message in MIME format.

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I know this is a bit off topic but I thought some of you analog heads and
guitar tone freaks might get a kick out of this.

As you may know, Alexander (don't call me Howard) Dumble is a legendary
custom builder of guitar amps that now because of there rarity and celebrity
connections (Robben Ford, Larry Carlton, and more recently, Carlos Santana
to name a few)  fetch ridiculous amounts of money. John Mayer single
handedly drove the price up and then down a couple of years ago when he
bought as many as he could find, kept and had cloned his favorite one, and
sold the rest, thus flooding the market temporarily. There are only around
300 of these amps in existence, so half dozen amps is flooding the market.
This is information coming from what I believe to be reliable sources, but
even if its urban legend, it's a testament to how revered and coveted by
collectors these amps are. I was the test driver of an amp that was sold by
the widow of a prominent local musician a while back, and I've played a
couple of others over the years. The amp I most recently played hadn't been
played in over 10 years, so it needed to be cleaned up a bit but all of the
tubes where good and once it had been burned in for a while, it played and
performed like Dumble Amps are known for, amazing clean sounds at any volume
and creamy versatile overdrive at any volume, with fantastic headroom and
touch sensitivity. It was a 100 watt overdrive special head with a two
twelve cabinet with EVM speakers. It sold for $50,000!!!!!!  Dumble started
building amps in Santa Cruz before moving to LA, so I knew people back in
the day that owned them, I even owned an early  60 watt slave power amp for
a little while in the 80's but I let it go. It was nothing Like his flagship
amps. Recently I have become intrigued with trying to capture that sound
without spending $50,000.  Dumble amps are a unique combination of solid
state and tube designs, with the solid state portion being an FET preamp at
the front end of the amplifier , soft clipping and driving the preamp and
power tube stages, in other words a built in distortion box in front of and
amp largely inspired by fender blackface designs. I own a great overdrive
box called the Zendrive by Hermida Audio, inspired by that bit of circuitry
at the front of dumble amps that he hid from view with black silicone glue,
and in front of a fender black face style amp (which includes the clean
channels on modern fender tube amps), it sounds very dumble-like to my ears
. A product called the Ethos which resembles the front panel of a dumble amp
and can be used for direct recording as well, has recently caught my eye and
while reading a review by a Berklee college Prof named Thaddeus  Hogarth
http://thaddeushogarth.berkleemusicblogs.com/,

 I came across this Dumble catalogue from 1990, be sure to read down the
page to the part about consultant fees, hysterical.

http://akamai.www.berkleemusic.com/assets/display/14614697/dumble.pdf 

 Other than briefly coming out of retirement to build an amp for Carlos
Santana, Howard, I mean Alexander,  Dumble is all but retired from amp
building, and his eccentricities are legendary, but he new how to build a
better amp. As the article by Prof Hogarth states there is an entire cottage
industry of amp and pedal builders trying to capture that sound. 

What can I say, I love the analog sound.

 Bill


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I know this is a bit off topic but I thought some of =
you analog
heads and guitar tone freaks might get a kick out of =
this.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>As you may know, Alexander (don&#8217;t call me =
Howard)
Dumble is a legendary custom builder of guitar amps that now because of =
there
rarity and celebrity connections (Robben Ford, Larry Carlton, and more =
recently,
Carlos Santana to name a few) &nbsp;fetch ridiculous amounts of money. =
John Mayer
single handedly drove the price up and then down a couple of years ago =
when he
bought as many as he could find, kept and had cloned his favorite one, =
and sold
the rest, thus flooding the market temporarily. There are only around =
300 of
these amps in existence, so half dozen amps is flooding the market. This =
is
information coming from what I believe to be reliable sources, but even =
if its
urban legend, it&#8217;s a testament to how revered and coveted by =
collectors these
amps are. I was the test driver of an amp that was sold by the widow of =
a
prominent local musician a while back, and I&#8217;ve played a couple of =
others
over the years. The amp I most recently played hadn&#8217;t been played =
in over
10 years, so it needed to be cleaned up a bit but all of the tubes where =
good
and once it had been burned in for a while, it played and performed like =
Dumble
Amps are known for, amazing clean sounds at any volume and creamy =
versatile overdrive
at any volume, with fantastic headroom and touch sensitivity. It was a =
100 watt
overdrive special head with a two twelve cabinet with EVM speakers. It =
sold for
$50,000!!!!!!&nbsp; Dumble started building amps in Santa Cruz before =
moving to
LA, so I knew people back in the day that owned them, I even owned an =
early &nbsp;60
watt slave power amp for a little while in the 80&#8217;s but I let it =
go. It
was nothing Like his flagship amps. Recently I have become intrigued =
with
trying to capture that sound without spending $50,000. &nbsp;Dumble amps =
are a
unique combination of solid state and tube designs, with the solid state
portion being an FET preamp at the front end of the amplifier , soft =
clipping
and driving the preamp and power tube stages, in other words a built in
distortion box in front of and amp largely inspired by fender blackface
designs. I own a great overdrive box called the Zendrive by Hermida =
Audio,
inspired by that bit of circuitry at the front of dumble amps that he =
hid from view
with black silicone glue, and in front of a fender black face style amp =
(which
includes the clean channels on modern fender tube amps), it sounds very =
dumble-like
to my ears . A product called the Ethos which resembles the front panel =
of a
dumble amp and can be used for direct recording as well, has recently =
caught my
eye and while reading a review by a Berklee college Prof named Thaddeus =
&nbsp;Hogarth
<a =
href=3D"http://thaddeushogarth.berkleemusicblogs.com/">http://thaddeushog=
arth.berkleemusicblogs.com/</a>,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;I came across this Dumble catalogue from 1990, =
be sure
to read down the page to the part about consultant fees, =
hysterical.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><a
href=3D"http://akamai.www.berkleemusic.com/assets/display/14614697/dumble=
.pdf">http://akamai.www.berkleemusic.com/assets/display/14614697/dumble.p=
df</a>
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;Other than briefly coming out of retirement to =
build
an amp for Carlos Santana, Howard, I mean Alexander, &nbsp;Dumble is all =
but
retired from amp building, and his eccentricities are legendary, but he =
new how
to build a better amp. As the article by Prof Hogarth states there is an =
entire
cottage industry of amp and pedal builders trying to capture that sound. =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>What can I say, I love the analog =
sound.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;Bill<o:p></o:p></span></font></p>

</div>

</body>

</html>

------=_NextPart_000_0028_01CA0FB7.931C07C0--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 02:21:07 2009
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From: Jeff Shirkey <jcshirke@verizon.net>
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Subject: Re: OT: Dumble amps
Date: Tue, 28 Jul 2009 21:21:01 -0500
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Check out (esp.) the Two Rock Custom Clean and/or 10th Anniversary  
amps, if you're looking at getting a Dumble sound without quite the  
Dumble price tag. These amps still are anything but cheap, however.

Eric Johnson's Dumble Steel String Singer also had amazing tone, imho.  
His dirty rhythm sound hasn't been quite the same since he stopped  
using it.

I highly recommend destroyallguitars.com if anyone is looking into  
buying this amp or other boutique gear.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 02:21:25 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: Greetings from Sweden
Date: Wed, 29 Jul 2009 04:21:12 +0200
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What do you do when you are awake in the middle of the night? Of course, =
you
make music! Btw: I didn't sample Per Boysen, but the flute I used is =
from my
Nord synth...which is also Swedish ;) Enjoy

http://euroloopfest.com/sjaak/podcast/22_Greetings_from_Sweden.mp3
---=20
Sjaak
http://sjaakovergaauw.com/=20



From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 03:19:09 2009
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Very nice Sjaak.

On Jul 28, 2009, at 7:21 PM, Sjaak wrote:

> What do you do when you are awake in the middle of the night? Of  
> course, you
> make music! Btw: I didn't sample Per Boysen, but the flute I used is  
> from my
> Nord synth...which is also Swedish ;) Enjoy
>
> http://euroloopfest.com/sjaak/podcast/22_Greetings_from_Sweden.mp3
> ---
> Sjaak
> http://sjaakovergaauw.com/
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 03:29:06 2009
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Subject: Re: toys for non-musicians (was: online real time looping sequencer 
	game)
From: Mark Sottilaro <zerocrossing@gmail.com>
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Seriously though, one of the ways to push my buttons is to make
blanket "this is better" statements rather than "I like this better
for these reasons."  Film has a look and has some advantages, but it
poisons the environment and for what... grandma's snapshots of her
grandkids?  Best put that stuff digitally.

Also, my best friend works for Leaf camera and they'll put most film
under the table quality wise, though they're super expensive. It's all
moot though, as both tape and film will be gone soon. Because they're
so much better?  Maybe not in every way or to everyone.

On Tue, Jul 28, 2009 at 3:43 PM, Mark Sottilaro<zerocrossing@gmail.com> wro=
te:
> Sorry, it's just that this type of goodolddayism is keeping the flying ca=
r
> and silver jump suits from becoming reality!
>
> Sent from my iPhone
>
> On Jul 28, 2009, at 2:37 PM, Miko Biffle <biffoz@gmail.com> wrote:
>
>> We're watching you Francombe! =A0U sum kinda FORMAT JUNKIE?! =A0*-) =A0-=
m
>>
>> On 7/28/09, mark francombe <mark@markfrancombe.com> wrote:
>>>
>>> Yo.. mate... cheer up a bit...
>>>
>>> On Tue, Jul 28, 2009 at 8:33 PM, Mark Sottilaro <zerocrossing@gmail.com=
>
>>> wrote:
>>>>
>>>> On Tue, Jul 28, 2009 at 10:05 AM, mark
>>>
>>> francombe<mark@markfrancombe.com> wrote:
>>>>
>>>>
>>>>> Sorry, but Film IS better than digital, and Tape IS better than
>>>
>>> digital...
>>>>>
>>>>> but I agree.. close enough and a hell of a lot more convenient...
>>>>> no I was just thinking about the way people hear...
>>>>
>>>> These statements are false.
>>>>
>>>>
>>>
>>>
>>>
>>> --
>>> www.markfrancombe.com
>>> http://vimeo.com/user825094
>>> http://uk.youtube.com/user/markfrancombe
>>> http://www.myspace.com/markfrancombe
>>> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>>>
>>
>>
>> --
>> Miko Biffle
>> Biffoz@Gmail.com
>> MBiffle@FoxRacingShox.com
>> "Running scared from all the usual distractions!"
>>
>

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Subject: Re: toys for non-musicians (was: online real time looping sequencer 
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I know this stuff is pretty complex, but try to stay awake, you might
learn something. :D

On Tue, Jul 28, 2009 at 4:10 PM, mark francombe<mark@markfrancombe.com> wrote:
>
>
> On Wed, Jul 29, 2009 at 12:43 AM, Mark Sottilaro <zerocrossing@gmail.com>
> wrote:
>>
>> Sent from my iPhone
>
> yawn...
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 04:58:16 2009
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Date: Tue, 28 Jul 2009 21:58:14 -0700
Message-ID: <bcd3c7bb0907282158o31c1c568v9b1b7305da1ee54a@mail.gmail.com>
Subject: Re: Greetings from Sweden
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Nice track!

On Tue, Jul 28, 2009 at 8:19 PM, tEd =AE KiLLiAn<tedkillian@charter.net> wr=
ote:
> Very nice Sjaak.
>
> On Jul 28, 2009, at 7:21 PM, Sjaak wrote:
>
>> What do you do when you are awake in the middle of the night? Of course,
>> you
>> make music! Btw: I didn't sample Per Boysen, but the flute I used is fro=
m
>> my
>> Nord synth...which is also Swedish ;) Enjoy
>>
>> http://euroloopfest.com/sjaak/podcast/22_Greetings_from_Sweden.mp3
>> ---
>> Sjaak
>> http://sjaakovergaauw.com/
>>
>>
>
>

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Date: Wed, 29 Jul 2009 09:06:17 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: RE: best listening websites in europe(What's on your iPod/CDplayer/Turntable)
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right on bro will check it out!=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A=
--- Sjaak <tcplugin@scarlet.be> schrieb am Di, 28.7.2009:=0A=0A> Von: Sjaak=
 <tcplugin@scarlet.be>=0A> Betreff: RE: best listening websites in europe(W=
hat's on your iPod/CDplayer/Turntable)=0A> An: Loopers-Delight@loopers-deli=
ght.com=0A> Datum: Dienstag, 28. Juli 2009, 14:55=0A> Ciao Luis,=0A> Va ben=
e? ;) last.fm is highly recommended, I discovered=0A> many interesting=0A> =
artists there.=0A> =0A> --- =0A> Sjaak=0A> http://sjaakovergaauw.com/ =0A> =
http://euroloopfest.com/=0A> =0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 11:18:00 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: OT: Notron Latronic - alternatives?
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Hi folks

I used to be fascinated by the legendary Notron Latronic (blue, mk2, never had one...) :(

So I was wondering: Do you have any suggestions for a good, affordable (software/hardware) alternative?
- Anyone tried the software emulation? http://www.dspaudio.com/
- Any features in Logic/Ableton getting the same results?

I don't think I'll invest too much time&money. Basically, it's just for messing around. 

Best regards
Buzap
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 11:20:11 2009
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Hi folks

I was just wondering:
What's the best way to link two computers (mac or pc): One would get the original signal via Firewire, add some FX and pass it two the next.

Would this work with Ethernet (what protocol/concept? Rewire?)?
What's the best practice here to make this work in real-time?

best regards
Buzap

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Subject: i am a princess i need yr help to transfer my father wealth pls reply me urgent
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You are invited to "i am a princess i need yr help to transfer my father wealth pls reply me urgent".


By your host faty Wedrago:


     Date:		Wednesday July 29, 2009

     Time:		11:00 am - 12:00 pm (GMT +00:00)
     Street:		Dear friend, How are you today,i hope fine?I am a female student from University of Burkina-Faso, Ouagadougou. I am 22 yrs old. I will love to have a long-term relationship with you and to know more about you. I would like to build up a solid foundation with you in time coming if you can be able to help me in this transaction. Well, my father died earlier 1 year ago and left I and my junior brother behind. He was a king, which our town citizens titled him over sixteen years before his death.I was a princess to him and I am the only person who can take care of his wealth now because my junior brother is still young and my late mother is also late two years ago before the death of my Late father. He left the sum of USD 5,350, 000.00 dollars (Five Million, Three Hundred and Fifty Thousand US Dollars)in a security company.This money was annually paid into my late fathers account from Gold Exploring companies operating in our locality for the compensation of youth and community development in our jurisdiction. I don't know how and what I will do to invest this money somewhere in abroad, so that my father's kindred will not take over what belongs to my father and our family, which they were planning to do without my present because I am a female as stated by our culture in the town.Now, I urgently need your humble assistance to move this money from the security company to your bank account after which i come over to meet with you. and I strongly believe that by the grace of God, you will help me invest this money wisely.I am ready to pay 30% of the total amount to you if you help us in this transaction and another 10% interest of Annual After Income to you, for handling this transaction for us, which you will strongly have absolute control over. If you can handle this project sincerely and also willing to assist me in lifting this fund,i need your picture and your details.Do send it to me before tomorrow morning.This is my home address,From Burkina Faso in West Africa.Home Address: Rue 54 ave. LOUDIN

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     http://calendar.yahoo.com/?v=60&ST=20090729T110000%2B0000&TITLE=i+am+a+princess+i+need+yr+help+to+transfer+my+father+wealth+pls+reply+me+urgent&DUR=0100&VIEW=d&in_st=Dear+friend,+How+are+you+today,i+hope+fine%3fI+am+a+female+student+from+University+of+Burkina-Faso,+Ouagadougou.+I+am+22+yrs+old.+I+will+love+to+have+a+long-term+relationship+with+you+and+to+know+more+about+you.+I+would+like+to+build+up+a+solid+foundation+with+you+in+time+coming+if+you+can+be+able+to+help+me+in+this+transaction.+Well,+my+father+died+earlier+1+year+ago+and+left+I+and+my+junior+brother+behind.+He+was+a+king,+which+our+town+citizens+titled+him+over+sixteen+years+before+his+death.I+was+a+princess+to+him+and+I+am+the+only+person+who+can+take+care+of+his+wealth+now+because+my+junior+brother+is+still+young+and+my+late+mother+is+also+late+two+years+ago+before+the+death+of+my+Late+father.+He+left+the+sum+of+USD+5,350,+000.00+dollars+(Five+Million,+Three+Hundred+and+Fifty+Thousand+US+Dollars)in+a+security+company.This+money+was+annually+paid+into+my+late+fathers+account+from+Gold+Exploring+companies+operating+in+our+locality+for+the+compensation+of+youth+and+community+development+in+our+jurisdiction.+I+don%27t+know+how+and+what+I+will+do+to+invest+this+money+somewhere+in+abroad,+so+that+my+father%27s+kindred+will+not+take+over+what+belongs+to+my+father+and+our+family,+which+they+were+planning+to+do+without+my+present+because+I+am+a+female+as+stated+by+our+culture+in+the+town.Now,+I+urgently+need+your+humble+assistance+to+move+this+money+from+the+security+company+to+your+bank+account+after+which+i+come+over+to+meet+with+you.+and+I+strongly+believe+that+by+the+grace+of+God,+you+will+help+me+invest+this+money+wisely.I+am+ready+to+pay+30%25+of+the+total+amount+to+you+if+you+help+us+in+this+transaction+and+another+10%25+interest+of+Annual+After+Income+to+you,+for+handling+this+transaction+for+us,+which+you+will+strongly+have+absolute+control+over.+If+you+can+handle+this+project+sincerely+and+also+willing+to+assist+me+in+lifting+this+fund,i+need+your+picture+and+your+details.Do+send+it+to+me+before+tomorrow+morning.This+is+my+home+address,From+Burkina+Faso+in+West+Africa.Home+Address%3a+Rue+54+ave.+LOUDIN&TYPE=10

    
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                            <tr><td class="propertyname">You're invited to:</td>
                <td class="divider">&nbsp;</td>
                <td class="propertyvalue">i am a princess i need yr help to transfer my father wealth pls reply me urgent</td></tr>
            
                                                <tr><td class="propertyname">By your host:</td>
                    <td class="divider">&nbsp;</td>
                    <td class="propertyvalue">faty Wedrago</td></tr>
                                
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                <tr><td class="propertyname">Date:</td>
    <td class="divider">&nbsp;</td> 
			<td class="propertyvalue">Wednesday July 29, 2009
		    	</td>
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    <tr><td class="propertyname">Time:</td>
    <td class="divider">&nbsp;</td> 
			<td class="propertyvalue">11:00 am - 12:00 pm
				&nbsp;(GMT +00:00)
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	</tr>


	
    <tr><td class="propertyname">Street:</td>
    <td class="divider">&nbsp;</td> 
    <td class="propertyvalue">Dear friend, How are you today,i hope fine?I am a female student from University of Burkina-Faso, Ouagadougou. I am 22 yrs old. I will love to have a long-term relationship with you and to know more about you. I would like to build up a solid foundation with you in time coming if you can be able to help me in this transaction. Well, my father died earlier 1 year ago and left I and my junior brother behind. He was a king, which our town citizens titled him over sixteen years before his death.I was a princess to him and I am the only person who can take care of his wealth now because my junior brother is still young and my late mother is also late two years ago before the death of my Late father. He left the sum of USD 5,350, 000.00 dollars (Five Million, Three Hundred and Fifty Thousand US Dollars)in a security company.This money was annually paid into my late fathers account from Gold Exploring companies operating in our locality for the compensation of youth and community development in our jurisdiction. I don&#39;t know how and what I will do to invest this money somewhere in abroad, so that my father&#39;s kindred will not take over what belongs to my father and our family, which they were planning to do without my present because I am a female as stated by our culture in the town.Now, I urgently need your humble assistance to move this money from the security company to your bank account after which i come over to meet with you. and I strongly believe that by the grace of God, you will help me invest this money wisely.I am ready to pay 30% of the total amount to you if you help us in this transaction and another 10% interest of Annual After Income to you, for handling this transaction for us, which you will strongly have absolute control over. If you can handle this project sincerely and also willing to assist me in lifting this fund,i need your picture and your details.Do send it to me before tomorrow morning.This is my home address,From Burkina Faso in West Africa.Home Address: Rue 54 ave. LOUDIN
				</td>
	</tr>





            
            <tr><td colspan=3 class="clear_line">&nbsp;</td></tr>
            
			                    <tr><td class="propertyname">&nbsp;</td>
                    <td class="divider">&nbsp;</td>
                    <td class="propertyvalue"><b><a href="http://calendar.yahoo.com/?v=60&ST=20090729T110000%2B0000&TITLE=i+am+a+princess+i+need+yr+help+to+transfer+my+father+wealth+pls+reply+me+urgent&DUR=0100&VIEW=d&in_st=Dear+friend,+How+are+you+today,i+hope+fine%3fI+am+a+female+student+from+University+of+Burkina-Faso,+Ouagadougou.+I+am+22+yrs+old.+I+will+love+to+have+a+long-term+relationship+with+you+and+to+know+more+about+you.+I+would+like+to+build+up+a+solid+foundation+with+you+in+time+coming+if+you+can+be+able+to+help+me+in+this+transaction.+Well,+my+father+died+earlier+1+year+ago+and+left+I+and+my+junior+brother+behind.+He+was+a+king,+which+our+town+citizens+titled+him+over+sixteen+years+before+his+death.I+was+a+princess+to+him+and+I+am+the+only+person+who+can+take+care+of+his+wealth+now+because+my+junior+brother+is+still+young+and+my+late+mother+is+also+late+two+years+ago+before+the+death+of+my+Late+father.+He+left+the+sum+of+USD+5,350,+000.00+dollars+(Five+Million,+Three+Hundred+and+Fifty+Thousand+US+Dollars)in+a+security+company.This+money+was+annually+paid+into+my+late+fathers+account+from+Gold+Exploring+companies+operating+in+our+locality+for+the+compensation+of+youth+and+community+development+in+our+jurisdiction.+I+don%27t+know+how+and+what+I+will+do+to+invest+this+money+somewhere+in+abroad,+so+that+my+father%27s+kindred+will+not+take+over+what+belongs+to+my+father+and+our+family,+which+they+were+planning+to+do+without+my+present+because+I+am+a+female+as+stated+by+our+culture+in+the+town.Now,+I+urgently+need+your+humble+assistance+to+move+this+money+from+the+security+company+to+your+bank+account+after+which+i+come+over+to+meet+with+you.+and+I+strongly+believe+that+by+the+grace+of+God,+you+will+help+me+invest+this+money+wisely.I+am+ready+to+pay+30%25+of+the+total+amount+to+you+if+you+help+us+in+this+transaction+and+another+10%25+interest+of+Annual+After+Income+to+you,+for+handling+this+transaction+for+us,+which+you+will+strongly+have+absolute+control+over.+If+you+can+handle+this+project+sincerely+and+also+willing+to+assist+me+in+lifting+this+fund,i+need+your+picture+and+your+details.Do+send+it+to+me+before+tomorrow+morning.This+is+my+home+address,From+Burkina+Faso+in+West+Africa.Home+Address%3a+Rue+54+ave.+LOUDIN&TYPE=10
">Add to your Yahoo! Calendar</a></b></td></tr>
                                						
		</table>
	</div>
</div>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 12:03:19 2009
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Date: Wed, 29 Jul 2009 13:36:49 +0200
Message-ID: <66f9cc1e0907290436y1ca34acflabcb1614208443d4@mail.gmail.com>
Subject: Re: Audio link two computers in real-time: ethernet?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Jul 29, 2009 at 1:20 PM, Buzap Buzap<buzap@gmx.net> wrote:
> What's the best way to link two computers (mac or pc):

"Best" depends on the purpose. Some way might work better for a
particular application and vice versa.

> One would get the original signal via Firewire, add some FX and pass it two the next.
> Would this work with Ethernet (what protocol/concept? Rewire?)?

Ethernet and Firewire are two different data streaming protocols. You
can't send "firewire through ethernet". But by using appropriate
software you may stream data, including audio, by both protocols. One
example is the application Logic, where you can use ethernet cables to
connect loads of Apple computers as a node system, or "super computer"
or "cluster network", so all node computers put their CPU muscles at
the service of the center machine which you are working on. Another
example is Wormhole that just streams audio through ethernet cables.
But I think it has to be the gigabit ether net, not the older and
slower version that are still to be found in old computer hardware.

> What's the best practice here to make this work in real-time

Any plain digital format. Like ADAT, optical or coaxial S/PDIF. I had
a live rig a couple of years ago connecting two laptops by S/PDIF and
I can report it worked perfectly well. Good things is you don't get
any extra latency in the signal, since you are not taking that extra
AD/DA tour when sending the already digitized signal directly into the
other computer's digital input. If you have a computer with a digital
port in its hardware (for example an old Apple G5) you can make it
work through that port and won't have to keep an extra audio interface
for the second machine. In my old two-lappy rig I had one top audio
interface with good mic preamps for the first machine and an
inexpensive audio interface with only line-in and digital inputs for
the second machine.

ReWire is a protocol to synchronize transport functions and stream
audio between two applications on the same machine, i.e. running under
the same operating system. Not a solution to wire up multiple
computers.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From kathryn@yahoo.com  Wed Jul 29 12:35:00 2009
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Message-ID: <53367.41.217.2.8.1248410078.squirrel@correo.ccadet.unam.mx>
Date: Thu, 23 Jul 2009 23:34:38 -0500 (CDT)
Subject: Hello Dear.
From: "Mrs.Kathryn Hills" <kathryn@yahoo.com>
Reply-To: hills.kathryn@yahoo.com.hk
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Importance: Normal
To: undisclosed-recipients:;

From: Mrs. Kathryn Hills.
24 A Queens Pde, Friern Barnet Rd, London.

I am the above named person but now undergoing medical
treatment in Israel. I am married to Dr. Philip Hills,
who worked with British Railway Commission in Chelsea England,
for over a decade before he died on 30th July 2007. We were
married for fifteen years without a child. He died after a
brief illness that lasted for two weeks. Before his death he
made a vow to use his wealth for the down trodden and the
less privileged in the society. Since his death I decided not
to re-marry or get a child outside my matrimonial home.

I have willed and given some of my belonging to immediate and
extended family members, as well as a few close friends. I
have decided to support charity work; this is what I want to
be remembered for. So far, I have been able to reach out to a
few charity organizations in the Singapore, Algeria and
Malaysia. Now that my health has deteriorated so badly, I
cannot do this myself anymore.

I once asked members of my family to aid me in giving of alms
to those organizations catering for the less Privileged in
Bulgaria and Pakistan; they refused and kept the resources to
themselves. Hence, I do not trust them anymore, as they seem
not to be contempt with what I have left for them.

When my late husband was alive and working, he
deposited the sum of £7000, 000.00 (Seven Million pounds) in
a Vault with a security/Finance House in
Europe.Presently,this money is still there. Recently, my
Doctor told me that I would not last for the next 30days due
to cancer problem. Though what disturbs me most is my cancer.
Having known my condition I decided to donate this fund to an
individual or better still a God fearing kind person who will
utilize this money the way I am going to instruct here in.

I want an individual that will use this fund to provide
succor to the poor and indigent persons, orphanages and
shelter for the homeless. I am willing to give out
£500,000.00 (Five hundred thousand pounds) from the money to
the person that will help to set up his/her own business and
secure a living with.

I am not afraid of death hence I know where I am going as I
know that I am going to be in the bosom of the Almighty.

I do not need any telephone communication in this regard
because of my health and because of the presence of my
husband?s relatives with me here always. I do not want them
to know about this development.

As soon as I receive your reply I shall give you the contact
of the Security/Finance House in Africa. I will also issue
you a letter of authority that will empower you as the
original beneficiary of this fund, through my Lawyer. I want
you to always pray for me. My happiness is that I lived a
life worthy of emulation and whosoever that wants to serve
the Almighty God, must serve him in spirit and also in truth.
Please always be prayerful all through your life. Any delay
in your reply will give me room in sourcing for an individual
for this same purpose. Please assure me that you will act
according to my specification herein. Hoping to hear from
you.Thank you and may the Almighty God bless you.

FOR MORE DETAILS, REPLY TO THIS EMAIL: hills.kathryn@yahoo.com.hk


Yours sincerely,
Kathryn Hills.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 13:56:19 2009
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	 <66f9cc1e0907290436y1ca34acflabcb1614208443d4@mail.gmail.com>
Date: Wed, 29 Jul 2009 09:56:18 -0400
Message-ID: <d1dcce560907290656j49c36e8bp8e5e97c9eb91213f@mail.gmail.com>
Subject: Re: Audio link two computers in real-time: ethernet?
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Not sure what would be best, but off the cuff, I'd say easiest (if the
computers are close together)  is S/PDIF.  If all you want to do is
pass audio, heck, the line in/out on the sound cards would work too,
but you'll get some signal degradation.  I'd try S/PDIF first if you
have cards with those ports.

On Wed, Jul 29, 2009 at 7:36 AM, Per Boysen<perboysen@gmail.com> wrote:
> On Wed, Jul 29, 2009 at 1:20 PM, Buzap Buzap<buzap@gmx.net> wrote:
>> What's the best way to link two computers (mac or pc):
>
> "Best" depends on the purpose. Some way might work better for a
> particular application and vice versa.
>
>> One would get the original signal via Firewire, add some FX and pass it two the next.
>> Would this work with Ethernet (what protocol/concept? Rewire?)?
>
> Ethernet and Firewire are two different data streaming protocols. You
> can't send "firewire through ethernet". But by using appropriate
> software you may stream data, including audio, by both protocols. One
> example is the application Logic, where you can use ethernet cables to
> connect loads of Apple computers as a node system, or "super computer"
> or "cluster network", so all node computers put their CPU muscles at
> the service of the center machine which you are working on. Another
> example is Wormhole that just streams audio through ethernet cables.
> But I think it has to be the gigabit ether net, not the older and
> slower version that are still to be found in old computer hardware.
>
>> What's the best practice here to make this work in real-time
>
> Any plain digital format. Like ADAT, optical or coaxial S/PDIF. I had
> a live rig a couple of years ago connecting two laptops by S/PDIF and
> I can report it worked perfectly well. Good things is you don't get
> any extra latency in the signal, since you are not taking that extra
> AD/DA tour when sending the already digitized signal directly into the
> other computer's digital input. If you have a computer with a digital
> port in its hardware (for example an old Apple G5) you can make it
> work through that port and won't have to keep an extra audio interface
> for the second machine. In my old two-lappy rig I had one top audio
> interface with good mic preamps for the first machine and an
> inexpensive audio interface with only line-in and digital inputs for
> the second machine.
>
> ReWire is a protocol to synchronize transport functions and stream
> audio between two applications on the same machine, i.e. running under
> the same operating system. Not a solution to wire up multiple
> computers.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 14:59:35 2009
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Subject: RE: OT: Dumble amps
Date: Wed, 29 Jul 2009 07:59:28 -0700
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Also a bit rich for my blood :) I've played a few two rock amps, the store I
work at has had one sitting unsold since the company first got started. It's
a Two Rock Opal, its sounds fantastic and is indeed a bargain at $4000!!!!!
Add one more zero and you would have a dumble!!!! Yikes!!! I'm thinking a
bit more beer budget, "The sound" for under $1000 is more my speed. I've
played a couple of steel string singers, they were his most pimped out
model.
 Bill

-----Original Message-----
From: Jeff Shirkey [mailto:jcshirke@verizon.net] 
Sent: Tuesday, July 28, 2009 7:21 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Dumble amps

Check out (esp.) the Two Rock Custom Clean and/or 10th Anniversary  
amps, if you're looking at getting a Dumble sound without quite the  
Dumble price tag. These amps still are anything but cheap, however.

Eric Johnson's Dumble Steel String Singer also had amazing tone, imho.  
His dirty rhythm sound hasn't been quite the same since he stopped  
using it.

I highly recommend destroyallguitars.com if anyone is looking into  
buying this amp or other boutique gear.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 16:12:46 2009
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Date: Wed, 29 Jul 2009 09:12:44 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: End of the Road (for now)
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--0-155400264-1248883964=:64230
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Glad the tour worked out, Daryl.
=A0
It was a pleasure to re-connect and play (again!)=A0in Toronto!
=A0

Ted H.
Enemies are good for self-definition. Werner Herzog

--- On Tue, 7/28/09, Daryl Shawn <highhorse@mhorse.com> wrote:


From: Daryl Shawn <highhorse@mhorse.com>
Subject: End of the Road (for now)
To: Loopers-Delight@loopers-delight.com
Received: Tuesday, July 28, 2009, 6:26 PM


With my 41st gig on Sunday, I've finished my summer tour. I'll soon be upda=
ting my official diary (which I quickly lost sight of, not two weeks out) w=
ith pix and stories. So many Loopfolks helped out, from setting up shows, t=
o playing beside me, to hosting my tired bones, to coming out for performan=
ces, to showing me the sights of their towns, and I wanted to thank you all=
. Hoping I don't miss anyone: Matt Davignon, Ted Killian, Dave Trenkel, Nev=
yn Nowhere, Travis Hartnett, Krispen Hartung, Bob Collier, JD Devros, Rev F=
ever, Ted Harms, James Bailey, Brian Good, Michael Klobuchar (next time, br=
o), Steve Burnett, and of course Jim Goodin. I can't thank each of you enou=
gh.

Next tour is October, doing the same western loop. hope to see some of you =
wonderful folks again.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

=0A=0A=0A      ____________________________________________________________=
______=0ALooking for the perfect gift? Give the gift of Flickr! =0A=0Ahttp:=
//www.flickr.com/gift/
--0-155400264-1248883964=:64230
Content-Type: text/html; charset=iso-8859-1
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Glad the tour worked out, Daryl.</DIV>
<DIV>&nbsp;</DIV>
<DIV>It was a pleasure to re-connect and play (again!)&nbsp;in Toronto!</DI=
V>
<DIV>&nbsp;</DIV>
<DIV><BR>Ted H.<BR>Enemies are good for self-definition. Werner Herzog<BR><=
BR>--- On <B>Tue, 7/28/09, Daryl Shawn <I>&lt;highhorse@mhorse.com&gt;</I><=
/B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Daryl Shawn &lt;highhorse@mhorse.com&gt;<BR=
>Subject: End of the Road (for now)<BR>To: Loopers-Delight@loopers-delight.=
com<BR>Received: Tuesday, July 28, 2009, 6:26 PM<BR><BR>
<DIV class=3DplainMail>With my 41st gig on Sunday, I've finished my summer =
tour. I'll soon be updating my official diary (which I quickly lost sight o=
f, not two weeks out) with pix and stories. So many Loopfolks helped out, f=
rom setting up shows, to playing beside me, to hosting my tired bones, to c=
oming out for performances, to showing me the sights of their towns, and I =
wanted to thank you all. Hoping I don't miss anyone: Matt Davignon, Ted Kil=
lian, Dave Trenkel, Nevyn Nowhere, Travis Hartnett, Krispen Hartung, Bob Co=
llier, JD Devros, Rev Fever, Ted Harms, James Bailey, Brian Good, Michael K=
lobuchar (next time, bro), Steve Burnett, and of course Jim Goodin. I can't=
 thank each of you enough.<BR><BR>Next tour is October, doing the same west=
ern loop. hope to see some of you wonderful folks again.<BR><BR>Daryl Shawn=
<BR>www.swanwelder.com<BR>www.chinapaintingmusic.com<BR><BR></DIV></BLOCKQU=
OTE></td></tr></table><br>=0A      <hr size=3D1>Make your browsing faster, =
safer, and easier with the new Internet Explorer=AE 8. Optimized for Yahoo!=
 <a href=3D"http://downloads.yahoo.com/ca/internetexplorer/"><b>Get it Now =
for Free! </b></a>
--0-155400264-1248883964=:64230--

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	 <324262.64230.qm@web34304.mail.mud.yahoo.com>
Date: Wed, 29 Jul 2009 18:23:18 +0200
Message-ID: <66f9cc1e0907290923s671c0789g3a797ef8e84f059d@mail.gmail.com>
Subject: Re: End of the Road (for now)
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From: Daryl Shawn <highhorse@mhorse.com>
> 41st gig on Sunday

One amazing odyssey, Daryl!

Per

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 16:30:15 2009
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Date: Wed, 29 Jul 2009 09:21:56 -0700
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Subject: OT: artist website functionality/designer reccomendations
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f54658f40dac046fda9529
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Hi all,

I'm getting my marketing end together, and what's holding me up right now is
the lack of a real website. I've registered the domain name, but I need the
site built. The one thing I need that is a little complex for your average
web designer (but I would expect to be very common on artist web sites) is a
means to collect and verify a fan email address, and monitor fan activity.

By verify, I mean that the fan should receive an email to the address they
supplied, and then they click a link in the email that calls my server back,
and in this way the email address is verified. Naturally, I also need a way
to maintain and interact with that list of email addresses.

Also, I need a "members" section that is accessed by using a validated email
address for entry, and I want to record the number of hits per email
address, so I know who is the most active on my site.

Everything else about my planned site is trivial from a programmatic
viewpoint (i.e., news/blog, bio, images, sound samples, schwag store, etc.).

Can anyone reccomend a designer who has done this, or point me to some
downloadable php or asp widgets, or maybe a hosting service that offers this
as part of their framework?

Thanks!

-George

-- 

http://www.myspace.com/georgeludwigmusic

--001485f54658f40dac046fda9529
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Hi all,<br>=A0<br>I&#39;m getting my marketing end together, and what&#39;s=
 holding me up right now is the lack of a real website. I&#39;ve registered=
 the domain name, but I need the site built. The one thing I need that is a=
 little complex for your average web designer (but I would expect to be ver=
y common on artist web sites) is a means to collect and verify a fan email =
address, and monitor fan activity.<br>
=A0<br>By verify, I mean that the fan should receive an email to the addres=
s they supplied, and then they click a link in the email that calls my serv=
er back, and in this way the email address is verified. Naturally, I also n=
eed a way to maintain and interact with that list of email addresses.<br>
=A0<br>Also, I need a &quot;members&quot; section that is accessed by using=
 a validated email address for entry, and I want to record the number of hi=
ts per email address, so I know who is the most active on my site.<br>=A0<b=
r>
Everything else about my planned site is trivial from a programmatic viewpo=
int (i.e., news/blog, bio, images, sound samples, schwag store, etc.).<br>=
=A0<br>Can anyone reccomend a designer who has done this, or point me to so=
me downloadable php or asp widgets, or maybe a hosting service that offers =
this as part of their framework?<br>
=A0<br>Thanks!<br>=A0<br>-George<br clear=3D"all">
<div></div><br>-- <br><br><a href=3D"http://www.myspace.com/georgeludwigmus=
ic">http://www.myspace.com/georgeludwigmusic</a><br>

--001485f54658f40dac046fda9529--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 16:46:53 2009
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Date: Wed, 29 Jul 2009 18:46:51 +0200
Message-ID: <66f9cc1e0907290946w6508fb70ya815ef81d4158c6@mail.gmail.com>
Subject: Re: OT: artist website functionality/designer reccomendations
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi George,

Check out the free Wordpress templates! They support the feature you
mention and offers an easy to grasp user interface. You may even be
the admin yourself if you have the time for it.

I used to work as a web designer some years ago and I designed and
programmed this kind of dynamic, script based web site for a company
in php. Today all that work, very expensive/well paid back in those
days, come for free with a wordpress template. You can add advanced
functions by importing plug-ins and there is a huge programmer
community that creates such plug-ins for the wordpress system.
Needless to say, I use wordpress today for all my own sites.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Jul 29, 2009 at 6:21 PM, George
Ludwig<georgeludwigmusic@gmail.com> wrote:
> Hi all,
>
> I'm getting my marketing end together, and what's holding me up right now is
> the lack of a real website. I've registered the domain name, but I need the
> site built. The one thing I need that is a little complex for your average
> web designer (but I would expect to be very common on artist web sites) is a
> means to collect and verify a fan email address, and monitor fan activity.
>
> By verify, I mean that the fan should receive an email to the address they
> supplied, and then they click a link in the email that calls my server back,
> and in this way the email address is verified. Naturally, I also need a way
> to maintain and interact with that list of email addresses.
>
> Also, I need a "members" section that is accessed by using a validated email
> address for entry, and I want to record the number of hits per email
> address, so I know who is the most active on my site.
>
> Everything else about my planned site is trivial from a programmatic
> viewpoint (i.e., news/blog, bio, images, sound samples, schwag store, etc.).
>
> Can anyone reccomend a designer who has done this, or point me to some
> downloadable php or asp widgets, or maybe a hosting service that offers this
> as part of their framework?
>
> Thanks!
>
> -George
>
> --
>
> http://www.myspace.com/georgeludwigmusic
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 16:54:55 2009
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Date: Wed, 29 Jul 2009 18:54:52 +0200
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Subject: Re: Audio link two computers in real-time: ethernet?
From: Rainer Straschill <moinsound@googlemail.com>
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Per said (about using S/PDIF or ADAT to send audio between two computers):
> Good things is you don't get any extra latency in the signal, since you are not taking that extra AD/DA tour when sending the already digitized signal directly into the other computer's digital input.

That is not correct. The main part of the latency of two computers
interfacing are the interfaces' audio buffers (which are usually in
the ms range) - the latency of the converters are (at least) one order
of magnitude below that.
So by using digital interfaces, you're able to reduce your
inter-computer latency from e.g. 6.3ms to 6.0ms.
(additional reading: http://www.moinlabs.de/e_lat.htm)
One reason to do as you describe is that a) you don't do additional
converter passes, b) you can sync your entire setup to the most stable
interface clock of all.

> But I think it has to be the gigabit ether net, not the older and slower version that are still to be found in old computer hardware.

There's an issue with ethernet (or rather its implementations on
typical workplace computers), and that is that the computers are not
able to handle a high-bandwidth ethernet data stream with low latency
(sic!). They do perfectly well deal with those stream on average,
however, while a constant throughput of even 100MBit/s (aka the older
slower version that are still to be found) will create problems.

Incidentially, Steinberg uses digital audio interfaces (as you
suggested) when spreading system load over different computers, not
ethernet.

Best,

            Rainer

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Subject: Re: OT: artist website functionality/designer reccomendations
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Yeah, I think between a wordpress site and facebook you'll be fine.
One thing I know for sure is you shouldn't spend a dime on such things
but let them grow organically and when you start generating income
from your music dedicate a percentage of that to marketing/web.

On Wed, Jul 29, 2009 at 9:46 AM, Per Boysen<perboysen@gmail.com> wrote:
> Hi George,
>
> Check out the free Wordpress templates! They support the feature you
> mention and offers an easy to grasp user interface. You may even be
> the admin yourself if you have the time for it.
>
> I used to work as a web designer some years ago and I designed and
> programmed this kind of dynamic, script based web site for a company
> in php. Today all that work, very expensive/well paid back in those
> days, come for free with a wordpress template. You can add advanced
> functions by importing plug-ins and there is a huge programmer
> community that creates such plug-ins for the wordpress system.
> Needless to say, I use wordpress today for all my own sites.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Wed, Jul 29, 2009 at 6:21 PM, George
> Ludwig<georgeludwigmusic@gmail.com> wrote:
>> Hi all,
>>
>> I'm getting my marketing end together, and what's holding me up right now is
>> the lack of a real website. I've registered the domain name, but I need the
>> site built. The one thing I need that is a little complex for your average
>> web designer (but I would expect to be very common on artist web sites) is a
>> means to collect and verify a fan email address, and monitor fan activity.
>>
>> By verify, I mean that the fan should receive an email to the address they
>> supplied, and then they click a link in the email that calls my server back,
>> and in this way the email address is verified. Naturally, I also need a way
>> to maintain and interact with that list of email addresses.
>>
>> Also, I need a "members" section that is accessed by using a validated email
>> address for entry, and I want to record the number of hits per email
>> address, so I know who is the most active on my site.
>>
>> Everything else about my planned site is trivial from a programmatic
>> viewpoint (i.e., news/blog, bio, images, sound samples, schwag store, etc.).
>>
>> Can anyone reccomend a designer who has done this, or point me to some
>> downloadable php or asp widgets, or maybe a hosting service that offers this
>> as part of their framework?
>>
>> Thanks!
>>
>> -George
>>
>> --
>>
>> http://www.myspace.com/georgeludwigmusic
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 17:38:57 2009
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Subject: RE: End of the Road (for now)
Date: Wed, 29 Jul 2009 10:38:17 -0700
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=20

Hope to see you again next trip=2C Daryl--It was great seeing a fellow loop=
er. Maybe we can set up a show together. Let me know how I can help in Port=
land!

=20

J.D.Devros

deafrose58
=20

=20

=20

=20


Date: Wed=2C 29 Jul 2009 09:12:44 -0700
From: ditchwrestler@yahoo.com
Subject: Re: End of the Road (for now)
To: Loopers-Delight@loopers-delight.com






Glad the tour worked out=2C Daryl.
=20
It was a pleasure to re-connect and play (again!) in Toronto!
=20

Ted H.
Enemies are good for self-definition. Werner Herzog

--- On Tue=2C 7/28/09=2C Daryl Shawn <highhorse@mhorse.com> wrote:


From: Daryl Shawn <highhorse@mhorse.com>
Subject: End of the Road (for now)
To: Loopers-Delight@loopers-delight.com
Received: Tuesday=2C July 28=2C 2009=2C 6:26 PM


With my 41st gig on Sunday=2C I've finished my summer tour. I'll soon be up=
dating my official diary (which I quickly lost sight of=2C not two weeks ou=
t) with pix and stories. So many Loopfolks helped out=2C from setting up sh=
ows=2C to playing beside me=2C to hosting my tired bones=2C to coming out f=
or performances=2C to showing me the sights of their towns=2C and I wanted =
to thank you all. Hoping I don't miss anyone: Matt Davignon=2C Ted Killian=
=2C Dave Trenkel=2C Nevyn Nowhere=2C Travis Hartnett=2C Krispen Hartung=2C =
Bob Collier=2C JD Devros=2C Rev Fever=2C Ted Harms=2C James Bailey=2C Brian=
 Good=2C Michael Klobuchar (next time=2C bro)=2C Steve Burnett=2C and of co=
urse Jim Goodin. I can't thank each of you enough.

Next tour is October=2C doing the same western loop. hope to see some of yo=
u wonderful folks again.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com




Make your browsing faster=2C safer=2C and easier with the new Internet Expl=
orer=AE 8. Optimized for Yahoo! Get it Now for Free!=20
_________________________________________________________________
Bing=99 brings you maps=2C menus=2C and reviews organized in one place. Try=
 it now.
http://www.bing.com/search?q=3Drestaurants&form=3DMLOGEN&publ=3DWLHMTAG&cre=
a=3DTXT_MLOGEN_Local_Local_Restaurants_1x1=

--_b30a543b-324a-405d-b15d-0d4fe3091a49_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
&nbsp=3B<BR>
Hope to&nbsp=3Bsee you again next trip=2C Daryl--It was great seeing a fell=
ow looper. Maybe we can set up a show together. Let me know how I can help =
in Portland!<BR>
&nbsp=3B<BR>
J.D.Devros<BR>
deafrose58<BR>&nbsp=3B<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Wed=2C 29 Jul 2009 09:12:44 -0700<BR>From: ditchwrestler@yahoo.com<BR=
>Subject: Re: End of the Road (for now)<BR>To: Loopers-Delight@loopers-deli=
ght.com<BR><BR>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>Glad the tour worked out=2C Daryl.</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>It was a pleasure to re-connect and play (again!)&nbsp=3Bin Toronto!</=
DIV>
<DIV>&nbsp=3B</DIV>
<DIV><BR>Ted H.<BR>Enemies are good for self-definition. Werner Herzog<BR><=
BR>--- On <B>Tue=2C 7/28/09=2C Daryl Shawn <I>&lt=3Bhighhorse@mhorse.com&gt=
=3B</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px=3B MARGIN-LEFT: 5px=3B BORDER-LEFT: =
rgb(16=2C16=2C255) 2px solid"><BR>From: Daryl Shawn &lt=3Bhighhorse@mhorse.=
com&gt=3B<BR>Subject: End of the Road (for now)<BR>To: Loopers-Delight@loop=
ers-delight.com<BR>Received: Tuesday=2C July 28=2C 2009=2C 6:26 PM<BR><BR>
<DIV class=3DEC_plainMail>With my 41st gig on Sunday=2C I've finished my su=
mmer tour. I'll soon be updating my official diary (which I quickly lost si=
ght of=2C not two weeks out) with pix and stories. So many Loopfolks helped=
 out=2C from setting up shows=2C to playing beside me=2C to hosting my tire=
d bones=2C to coming out for performances=2C to showing me the sights of th=
eir towns=2C and I wanted to thank you all. Hoping I don't miss anyone: Mat=
t Davignon=2C Ted Killian=2C Dave Trenkel=2C Nevyn Nowhere=2C Travis Hartne=
tt=2C Krispen Hartung=2C Bob Collier=2C JD Devros=2C Rev Fever=2C Ted Harms=
=2C James Bailey=2C Brian Good=2C Michael Klobuchar (next time=2C bro)=2C S=
teve Burnett=2C and of course Jim Goodin. I can't thank each of you enough.=
<BR><BR>Next tour is October=2C doing the same western loop. hope to see so=
me of you wonderful folks again.<BR><BR>Daryl Shawn<BR>www.swanwelder.com<B=
R>www.chinapaintingmusic.com<BR><BR></DIV></BLOCKQUOTE></TD></TR></TBODY></=
TABLE><BR>
<HR SIZE=3D1>
Make your browsing faster=2C safer=2C and easier with the new Internet Expl=
orer=AE 8. Optimized for Yahoo! <A href=3D"http://downloads.yahoo.com/ca/in=
ternetexplorer/"><B>Get it Now for Free! </B></A><br /><hr />Bing=99 brings=
 you maps=2C menus=2C and reviews organized in one place. <a href=3D'http:/=
/www.bing.com/search?q=3Drestaurants&form=3DMLOGEN&publ=3DWLHMTAG&crea=3DTX=
T_MLOGEN_Local_Local_Restaurants_1x1' target=3D'_new'>Try it now.</a></body=
>
</html>=

--_b30a543b-324a-405d-b15d-0d4fe3091a49_--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 17:48:07 2009
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hello george!

i used to do double-opt-in via my own site using something called  
Dadamail. but as my list grew it became important for me to keep the  
email list away from my domain.
now, for ease, i use a service called Fanbridge...and i'm very happy  
with it.

Fanbridge would solve the first part: collect and verify email (as you  
describe: i.e. double opt-in). and store them by zip code, so you can  
do targeted campaigns.


On Jul 29, 2009, at 9:21 AM, George Ludwig wrote:

> Hi all,
>
> I'm getting my marketing end together, and what's holding me up  
> right now is the lack of a real website. I've registered the domain  
> name, but I need the site built. The one thing I need that is a  
> little complex for your average web designer (but I would expect to  
> be very common on artist web sites) is a means to collect and verify  
> a fan email address, and monitor fan activity.
>
> By verify, I mean that the fan should receive an email to the  
> address they supplied, and then they click a link in the email that  
> calls my server back, and in this way the email address is verified.  
> Naturally, I also need a way to maintain and interact with that list  
> of email addresses.
>
> Also, I need a "members" section that is accessed by using a  
> validated email address for entry, and I want to record the number  
> of hits per email address, so I know who is the most active on my  
> site.
>
> Everything else about my planned site is trivial from a programmatic  
> viewpoint (i.e., news/blog, bio, images, sound samples, schwag  
> store, etc.).
>
> Can anyone reccomend a designer who has done this, or point me to  
> some downloadable php or asp widgets, or maybe a hosting service  
> that offers this as part of their framework?
>
> Thanks!
>
> -George
>
> -- 
>
> http://www.myspace.com/georgeludwigmusic


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">hello =
george!<div><br></div><div>i used to do double-opt-in via my own site =
using something called Dadamail.&nbsp;but as my list grew it became =
important for me to keep the email list away from my =
domain.&nbsp;</div><div>now,&nbsp;for&nbsp;ease,&nbsp;i&nbsp;use a =
service called&nbsp;Fanbridge...and&nbsp;i'm very happy with it. =
&nbsp;</div><div><br></div><div>Fanbridge would solve the first part: =
collect and verify email (as you describe: i.e. double opt-in). and =
store them by zip code, so you can do targeted =
campaigns.</div><div><br></div><div><br></div><div><div><div>On Jul 29, =
2009, at 9:21 AM, George Ludwig wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Hi =
all,<br>&nbsp;<br>I'm getting my marketing end together, and what's =
holding me up right now is the lack of a real website. I've registered =
the domain name, but I need the site built. The one thing I need that is =
a little complex for your average web designer (but I would expect to be =
very common on artist web sites) is a means to collect and verify a fan =
email address, and monitor fan activity.<br> &nbsp;<br>By verify, I mean =
that the fan should receive an email to the address they supplied, and =
then they click a link in the email that calls my server back, and in =
this way the email address is verified. Naturally, I also need a way to =
maintain and interact with that list of email addresses.<br> =
&nbsp;<br>Also, I need a "members" section that is accessed by using a =
validated email address for entry, and I want to record the number of =
hits per email address, so I know who is the most active on my =
site.<br>&nbsp;<br> Everything else about my planned site is trivial =
from a programmatic viewpoint (i.e., news/blog, bio, images, sound =
samples, schwag store, etc.).<br>&nbsp;<br>Can anyone reccomend a =
designer who has done this, or point me to some downloadable php or asp =
widgets, or maybe a hosting service that offers this as part of their =
framework?<br> &nbsp;<br>Thanks!<br>&nbsp;<br>-George<br clear=3D"all"> =
<div></div><br>-- <br><br><a =
href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/g=
eorgeludwigmusic</a><br></blockquote></div><br></div></body></html>=

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Subject: Re: OT: Notron Latronic - alternatives?
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> hi-

> I used to be fascinated by the legendary Notron Latronic (blue, mk2,  
> never had one...) :(
>
> So I was wondering: Do you have any suggestions for a good,  
> affordable (software/hardware) alternative?
> - Anyone tried the software emulation? http://www.dspaudio.com/
> - Any features in Logic/Ableton getting the same results?

a quick googling turns up this:

http://www.dspaudio.com/

does this do the trick? it actually looks kinda interesting...


- tyler / informatik
- www.nymphomatik.com
===================


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div lang=3D"EN-US" link=3D"blue" =
vlink=3D"purple">hi-<br></div></span></blockquote><br><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div lang=3D"EN-US" link=3D"blue" =
vlink=3D"purple">I used to be fascinated by the legendary Notron =
Latronic (blue, mk2, never had one...) :(<br><br>So I was wondering: Do =
you have any suggestions for a good, affordable (software/hardware) =
alternative?<br>- Anyone tried the software emulation?<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.dspaudio.com/" style=3D"color: blue; text-decoration: =
underline; ">http://www.dspaudio.com/</a><br>- Any features in =
Logic/Ableton getting the same =
results?<br></div></span></blockquote></div><br><div>a quick googling =
turns up this:</div><div><br></div><div><a =
href=3D"http://www.dspaudio.com/">http://www.dspaudio.com/</a></div><div><=
br></div><div>does this do the trick? it actually looks kinda =
interesting...</div><br><br><div apple-content-edited=3D"true"> <div><p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">- tyler / =
informatik</font></p> <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">- <a =
href=3D"http://www.nymphomatik.com">www.nymphomatik.com</a></font></p> =
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px =
Helvetica">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</font=
></p> </div> </div><br></body></html>=

--Apple-Mail-2-1114989--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 18:33:52 2009
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Subject: anyone coming from the States to the UK?
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I've arranged a good deal on a boomerang looper, but the import duty, 
VAT etc is going to add around $120 to the bill, pricing me out of 
it.

I wondered if anyone was coming to the UK in a few months, who could 
bring it with them (as part of their "equipment") and I could collect 
in the UK? I'd make it worth your while...

Reply privately please!


Nick Robinson

music site : 	http://www.nickrobinson.info/music
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 18:46:29 2009
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Subject: Re: OT: artist website functionality/designer reccomendations 
Date: Wed, 29 Jul 2009 11:09:31 -0700
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--Apple-Mail-1-831769
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> hi-

> Can anyone reccomend a designer who has done this, or point me to  
> some downloadable php or asp widgets, or maybe a hosting service  
> that offers this as part of their framework?
>


i found wordpress a little too wonky for my taste, but i am kind of a  
tard when it comes to assembling websites.

but, i have had a great deal of success with SquareSpace [http://www.squarespace.com 
], who are (from my research) the best of all the "roll your own  
webpage via template" sites out there. other options you could try are:

- yola.com
- weebly.com

i'm sure there's others, but really i can't say enough good things  
about squarespace. their support is really awesome. my only negative  
comment would be that i've been having issues embedding flash music  
players (which again, speaks more to my inability to deal with webcode  
than their site).

my .02

- tyler / informatik
- www.nymphomatik.com
===================


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div class=3D"hmmessage" =
style=3D"font-size: 10pt; font-family: Verdana; "><font =
class=3D"Apple-style-span" face=3D"Helvetica"><span =
class=3D"Apple-style-span" style=3D"font-size: =
medium;">hi-<br></span></font></div></span></blockquote><br><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div class=3D"hmmessage" =
style=3D"font-size: 10pt; font-family: Verdana; ">Can anyone reccomend a =
designer who has done this, or point me to some downloadable php or asp =
widgets, or maybe a hosting service that offers this as part of their =
framework?<br>&nbsp;</div></span></blockquote></div><div><br></div><div>i =
found wordpress a little too wonky for my taste, but i am kind of a tard =
when it comes to assembling websites.</div><div><br></div><div>but, i =
have had a great deal of success with SquareSpace [<a =
href=3D"http://www.squarespace.com">http://www.squarespace.com</a>], who =
are (from my research) the best of all the "roll your own webpage via =
template" sites out there. other options you could try =
are:</div><div><br></div><div>- yola.com</div><div>- =
weebly.com</div><div><br></div><div>i'm sure there's others, but really =
i can't say enough good things about squarespace. their support is =
really awesome. my only negative comment would be that i've been having =
issues embedding flash music players (which again, speaks more to my =
inability to deal with webcode than their =
site).&nbsp;</div><div><br></div><div>my .02</div><br><div =
apple-content-edited=3D"true"> <div><p style=3D"margin: 0.0px 0.0px =
0.0px 0.0px"><font face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px =
Helvetica">- tyler / informatik</font></p> <p style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><font face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">- <a =
href=3D"http://www.nymphomatik.com">www.nymphomatik.com</a></font></p> =
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px =
Helvetica">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</font=
></p> </div> </div><br></body></html>=

--Apple-Mail-1-831769--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 18:49:55 2009
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Max/MSP help
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Ricky Graham schrieb:
> I'm hoping those of you who use Max might be able to advise me.
>  
> I'm looking for advice on the best filter objects, externals that might 
> be out there. Which are the most accurate in your own experience?

All the filter objects which come with max are clean and ok. I use 
usually simple biquad~ or cascade~ with a filtergraph~ and its "analog 
flavor" box checked.

These filters do not distort. If you are after a moog filter sound for 
example, I would just take a vst which emulates your favorite analog 
distorting filter and load it into a vst~ object...

If you need higher order filters, check out the java class from Volker 
Böhm, which calculates the parameters for cascade~ to simulate a 
chebychev filter. He also has direct filter externals in his collection 
to achieve that...
(maxobjects.com is a good place to search for externals...)

Hope this helps...

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 19:05:27 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <DBBAE7FCAA954D7E96AFE740F24F26B4@a> <4A7099CC.1030403@googlemail.com>
Subject: Re: OT: Max/MSP help
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Stefan,

Thanks for your response. I'll look into the java class.

Cheers,

Ricky

----- Original Message ----- 
From: "Stefan Tiedje" <stefantiedje@googlemail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, July 29, 2009 7:49 PM
Subject: Re: OT: Max/MSP help


> Ricky Graham schrieb:
>> I'm hoping those of you who use Max might be able to advise me.
>>
>> I'm looking for advice on the best filter objects, externals that might
>> be out there. Which are the most accurate in your own experience?
>
> All the filter objects which come with max are clean and ok. I use
> usually simple biquad~ or cascade~ with a filtergraph~ and its "analog
> flavor" box checked.
>
> These filters do not distort. If you are after a moog filter sound for
> example, I would just take a vst which emulates your favorite analog
> distorting filter and load it into a vst~ object...
>
> If you need higher order filters, check out the java class from Volker
> Böhm, which calculates the parameters for cascade~ to simulate a
> chebychev filter. He also has direct filter externals in his collection
> to achieve that...
> (maxobjects.com is a good place to search for externals...)
>
> Hope this helps...
>
> Stefan
>
> -- 
> Les Ondes Mémorielles---------x--
> --_____-----------|-----------|--
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()----------TJ Shredder
>


--------------------------------------------------------------------------------



No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.5.392 / Virus Database: 270.13.35/2270 - Release Date: 07/29/09 
06:12:00

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 19:08:44 2009
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also, Blogger.
i use it for part of my site

On Jul 29, 2009, at 11:09 AM, tyler newman wrote:

>> hi-
>
>> Can anyone reccomend a designer who has done this, or point me to  
>> some downloadable php or asp widgets, or maybe a hosting service  
>> that offers this as part of their framework?
>>
>
>
> i found wordpress a little too wonky for my taste, but i am kind of  
> a tard when it comes to assembling websites.
>
> but, i have had a great deal of success with SquareSpace [http://www.squarespace.com 
> ], who are (from my research) the best of all the "roll your own  
> webpage via template" sites out there. other options you could try  
> are:
>
> - yola.com
> - weebly.com
>
> i'm sure there's others, but really i can't say enough good things  
> about squarespace. their support is really awesome. my only negative  
> comment would be that i've been having issues embedding flash music  
> players (which again, speaks more to my inability to deal with  
> webcode than their site).
>
> my .02
>
> - tyler / informatik
> - www.nymphomatik.com
> ===================
>


--Apple-Mail-33-3440014
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">also, Blogger.&nbsp;<div>i use =
it for part of my site<div><br><div><div>On Jul 29, 2009, at 11:09 AM, =
tyler newman wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div class=3D"hmmessage" =
style=3D"font-size: 10pt; font-family: Verdana; "><font =
class=3D"Apple-style-span" face=3D"Helvetica"><span =
class=3D"Apple-style-span" style=3D"font-size: =
medium;">hi-<br></span></font></div></span></blockquote><br><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div class=3D"hmmessage" =
style=3D"font-size: 10pt; font-family: Verdana; ">Can anyone reccomend a =
designer who has done this, or point me to some downloadable php or asp =
widgets, or maybe a hosting service that offers this as part of their =
framework?<br>&nbsp;</div></span></blockquote></div><div><br></div><div>i =
found wordpress a little too wonky for my taste, but i am kind of a tard =
when it comes to assembling websites.</div><div><br></div><div>but, i =
have had a great deal of success with SquareSpace [<a =
href=3D"http://www.squarespace.com">http://www.squarespace.com</a>], who =
are (from my research) the best of all the "roll your own webpage via =
template" sites out there. other options you could try =
are:</div><div><br></div><div>- yola.com</div><div>- =
weebly.com</div><div><br></div><div>i'm sure there's others, but really =
i can't say enough good things about squarespace. their support is =
really awesome. my only negative comment would be that i've been having =
issues embedding flash music players (which again, speaks more to my =
inability to deal with webcode than their =
site).&nbsp;</div><div><br></div><div>my .02</div><br><div =
apple-content-edited=3D"true"> <div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">- tyler / =
informatik</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">- <a =
href=3D"http://www.nymphomatik.com">www.nymphomatik.com</a></font></div><d=
iv style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
</font></div> </div> =
</div><br></div></blockquote></div><br></div></div></body></html>=

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	 <4D79C40A-E413-42E5-AF57-440A997DB7B4@batterycage.com>
	 <1910E11A-B6A7-4251-A7D5-27C7BF85A7F7@zoekeating.com>
Date: Wed, 29 Jul 2009 12:30:29 -0700
Message-ID: <bb8d51cd0907291230y60417c45ud5c27973722aa4d8@mail.gmail.com>
Subject: Re: OT: artist website functionality/designer reccomendations
From: Michael Billow <mbillow@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f54658488c6d046fdd38ff
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Another template site is called "Other Peoples Pixels" specifically geared
towards artists. It's what I've been using.

www.michaelbillow.com

https://otherpeoplespixels.com/home


On Wed, Jul 29, 2009 at 11:52 AM, Zoe Keating <info@zoekeating.com> wrote:

> also, Blogger. i use it for part of my site
> On Jul 29, 2009, at 11:09 AM, tyler newman wrote:
>
> hi-
>
>
> Can anyone reccomend a designer who has done this, or point me to some
> downloadable php or asp widgets, or maybe a hosting service that offers this
> as part of their framework?
>
>
>
> i found wordpress a little too wonky for my taste, but i am kind of a tard
> when it comes to assembling websites.
>
> but, i have had a great deal of success with SquareSpace [
> http://www.squarespace.com], who are (from my research) the best of all
> the "roll your own webpage via template" sites out there. other options you
> could try are:
>
> - yola.com
> - weebly.com
>
> i'm sure there's others, but really i can't say enough good things about
> squarespace. their support is really awesome. my only negative comment would
> be that i've been having issues embedding flash music players (which again,
> speaks more to my inability to deal with webcode than their site).
>
> my .02
>
> - tyler / informatik
> - www.nymphomatik.com
> ===================
>
>
>

--001485f54658488c6d046fdd38ff
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Another template site is called &quot;Other Peoples Pixels&quot; specifical=
ly geared towards artists. It&#39;s what I&#39;ve been using.<br><br><a hre=
f=3D"http://www.michaelbillow.com">www.michaelbillow.com</a><br><br><a href=
=3D"https://otherpeoplespixels.com/home">https://otherpeoplespixels.com/hom=
e</a><br>
<br><br><div class=3D"gmail_quote">On Wed, Jul 29, 2009 at 11:52 AM, Zoe Ke=
ating <span dir=3D"ltr">&lt;<a href=3D"mailto:info@zoekeating.com">info@zoe=
keating.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" styl=
e=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; =
padding-left: 1ex;">
<div style=3D"word-wrap: break-word;">also, Blogger.=A0<div>i use it for pa=
rt of my site<div><br><div><div>On Jul 29, 2009, at 11:09 AM, tyler newman =
wrote:</div><br><blockquote type=3D"cite"><div style=3D"word-wrap: break-wo=
rd;">
<div><blockquote type=3D"cite"><span style=3D"border-collapse: separate; co=
lor: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: n=
ormal; font-variant: normal; font-weight: normal; letter-spacing: normal; l=
ine-height: normal; text-indent: 0px; text-transform: none; white-space: no=
rmal; word-spacing: 0px;"><div style=3D"font-size: 10pt; font-family: Verda=
na;">
<font face=3D"Helvetica"><span style=3D"font-size: medium;">hi-<br></span><=
/font></div></span></blockquote><br><blockquote type=3D"cite"><span style=
=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica;=
 font-size: medium; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-indent: 0px; text=
-transform: none; white-space: normal; word-spacing: 0px;"><div style=3D"fo=
nt-size: 10pt; font-family: Verdana;">
Can anyone reccomend a designer who has done this, or point me to some down=
loadable php or asp widgets, or maybe a hosting service that offers this as=
 part of their framework?<br>=A0</div></span></blockquote></div><div><br>
</div><div>i found wordpress a little too wonky for my taste, but i am kind=
 of a tard when it comes to assembling websites.</div><div><br></div><div>b=
ut, i have had a great deal of success with SquareSpace [<a href=3D"http://=
www.squarespace.com" target=3D"_blank">http://www.squarespace.com</a>], who=
 are (from my research) the best of all the &quot;roll your own webpage via=
 template&quot; sites out there. other options you could try are:</div>
<div><br></div><div>- <a href=3D"http://yola.com" target=3D"_blank">yola.co=
m</a></div><div>- <a href=3D"http://weebly.com" target=3D"_blank">weebly.co=
m</a></div><div><br></div><div>i&#39;m sure there&#39;s others, but really =
i can&#39;t say enough good things about squarespace. their support is real=
ly awesome. my only negative comment would be that i&#39;ve been having iss=
ues embedding flash music players (which again, speaks more to my inability=
 to deal with webcode than their site).=A0</div>
<div><br></div><div>my .02</div><br><div> <div><div style=3D"margin: 0px;">=
<font style=3D"font-family: Helvetica; font-style: normal; font-variant: no=
rmal; font-weight: normal; font-size: 12px; line-height: normal; font-size-=
adjust: none; font-stretch: normal;" face=3D"Helvetica" size=3D"3">- tyler =
/ informatik</font></div>
<div style=3D"margin: 0px;"><font style=3D"font-family: Helvetica; font-sty=
le: normal; font-variant: normal; font-weight: normal; font-size: 12px; lin=
e-height: normal; font-size-adjust: none; font-stretch: normal;" face=3D"He=
lvetica" size=3D"3">- <a href=3D"http://www.nymphomatik.com" target=3D"_bla=
nk">www.nymphomatik.com</a></font></div>
<div style=3D"margin: 0px;"><font style=3D"font-family: Helvetica; font-sty=
le: normal; font-variant: normal; font-weight: normal; font-size: 12px; lin=
e-height: normal; font-size-adjust: none; font-stretch: normal;" face=3D"He=
lvetica" size=3D"3">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D</font></div>
 </div> </div><br></div></blockquote></div><br></div></div></div></blockquo=
te></div><br>

--001485f54658488c6d046fdd38ff--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 20:31:47 2009
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References: <4A6FA546.3040808@mhorse.com>
	 <324262.64230.qm@web34304.mail.mud.yahoo.com>
	 <COL106-W39636C696A181CAFAEEA79CF120@phx.gbl>
Date: Wed, 29 Jul 2009 22:31:45 +0200
Message-ID: <afb941d0907291331l132ed6afy60a9c6c32a3ddd8e@mail.gmail.com>
Subject: Re: End of the Road (for now)
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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i think it's time to consider an european tour, daryl ...

2009/7/29, Jeremy devros <deafrose58@hotmail.com>:
>
>
>
> Hope to see you again next trip, Daryl--It was great seeing a fellow loop=
er.
> Maybe we can set up a show together. Let me know how I can help in Portla=
nd!
>
>
>
> J.D.Devros
>
> deafrose58
>
>
>
>
>
>
>
>
>
> Date: Wed, 29 Jul 2009 09:12:44 -0700
> From: ditchwrestler@yahoo.com
> Subject: Re: End of the Road (for now)
> To: Loopers-Delight@loopers-delight.com
>
>
>
>
>
>
> Glad the tour worked out, Daryl.
>
> It was a pleasure to re-connect and play (again!) in Toronto!
>
>
> Ted H.
> Enemies are good for self-definition. Werner Herzog
>
> --- On Tue, 7/28/09, Daryl Shawn <highhorse@mhorse.com> wrote:
>
>
> From: Daryl Shawn <highhorse@mhorse.com>
> Subject: End of the Road (for now)
> To: Loopers-Delight@loopers-delight.com
> Received: Tuesday, July 28, 2009, 6:26 PM
>
>
> With my 41st gig on Sunday, I've finished my summer tour. I'll soon be
> updating my official diary (which I quickly lost sight of, not two weeks
> out) with pix and stories. So many Loopfolks helped out, from setting up
> shows, to playing beside me, to hosting my tired bones, to coming out for
> performances, to showing me the sights of their towns, and I wanted to th=
ank
> you all. Hoping I don't miss anyone: Matt Davignon, Ted Killian, Dave
> Trenkel, Nevyn Nowhere, Travis Hartnett, Krispen Hartung, Bob Collier, JD
> Devros, Rev Fever, Ted Harms, James Bailey, Brian Good, Michael Klobuchar
> (next time, bro), Steve Burnett, and of course Jim Goodin. I can't thank
> each of you enough.
>
> Next tour is October, doing the same western loop. hope to see some of yo=
u
> wonderful folks again.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>
>
>
> Make your browsing faster, safer, and easier with the new Internet Explor=
er=AE
> 8. Optimized for Yahoo! Get it Now for Free!
> _________________________________________________________________
> Bing=99 brings you maps, menus, and reviews organized in one place. Try i=
t
> now.
> http://www.bing.com/search?q=3Drestaurants&form=3DMLOGEN&publ=3DWLHMTAG&c=
rea=3DTXT_MLOGEN_Local_Local_Restaurants_1x1


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 21:05:48 2009
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Date: Wed, 29 Jul 2009 11:14:17 -0700
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Subject: Re: Audio link two computers in real-time: ethernet?
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Actually, I think the newest up and coming (and best, for most
applications) solution here is OpenSound Control signals (OSC).

http://en.wikipedia.org/wiki/OpenSound_Control

This is a recent protocol developed by Berkeley Labs here in San
Francisco to address the issues with using MIDI clocks or rewire (that
is, latency and inaccuracy in the case of midi clocks).

A fair number of programs have adopted this standard (see the list at
the bottom of the article) ..... Max/MSP being the largest.



Tony K wrote:
> Not sure what would be best, but off the cuff, I'd say easiest (if the
> computers are close together)  is S/PDIF.  If all you want to do is
> pass audio, heck, the line in/out on the sound cards would work too,
> but you'll get some signal degradation.  I'd try S/PDIF first if you
> have cards with those ports.
>
> On Wed, Jul 29, 2009 at 7:36 AM, Per Boysen<perboysen@gmail.com> wrote:
>   
>> On Wed, Jul 29, 2009 at 1:20 PM, Buzap Buzap<buzap@gmx.net> wrote:
>>     
>>> What's the best way to link two computers (mac or pc):
>>>       
>> "Best" depends on the purpose. Some way might work better for a
>> particular application and vice versa.
>>
>>     
>>> One would get the original signal via Firewire, add some FX and pass it two the next.
>>> Would this work with Ethernet (what protocol/concept? Rewire?)?
>>>       
>> Ethernet and Firewire are two different data streaming protocols. You
>> can't send "firewire through ethernet". But by using appropriate
>> software you may stream data, including audio, by both protocols. One
>> example is the application Logic, where you can use ethernet cables to
>> connect loads of Apple computers as a node system, or "super computer"
>> or "cluster network", so all node computers put their CPU muscles at
>> the service of the center machine which you are working on. Another
>> example is Wormhole that just streams audio through ethernet cables.
>> But I think it has to be the gigabit ether net, not the older and
>> slower version that are still to be found in old computer hardware.
>>
>>     
>>> What's the best practice here to make this work in real-time
>>>       
>> Any plain digital format. Like ADAT, optical or coaxial S/PDIF. I had
>> a live rig a couple of years ago connecting two laptops by S/PDIF and
>> I can report it worked perfectly well. Good things is you don't get
>> any extra latency in the signal, since you are not taking that extra
>> AD/DA tour when sending the already digitized signal directly into the
>> other computer's digital input. If you have a computer with a digital
>> port in its hardware (for example an old Apple G5) you can make it
>> work through that port and won't have to keep an extra audio interface
>> for the second machine. In my old two-lappy rig I had one top audio
>> interface with good mic preamps for the first machine and an
>> inexpensive audio interface with only line-in and digital inputs for
>> the second machine.
>>
>> ReWire is a protocol to synchronize transport functions and stream
>> audio between two applications on the same machine, i.e. running under
>> the same operating system. Not a solution to wire up multiple
>> computers.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>>     
>
>
>
>   


From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 21:05:53 2009
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Subject: Re: OT: artist website functionality/designer reccomendations
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Some other good PHP apps are:

wordpress - blog
drupal - blog with some wiki and other functionality
PHPList - for managing mailing lists




Zoe Keating wrote:
> hello george!
>
> i used to do double-opt-in via my own site using something called 
> Dadamail. but as my list grew it became important for me to keep the 
> email list away from my domain. 
> now, for ease, i use a service called Fanbridge...and i'm very happy 
> with it.  
>
> Fanbridge would solve the first part: collect and verify email (as you 
> describe: i.e. double opt-in). and store them by zip code, so you can 
> do targeted campaigns.
>
>
> On Jul 29, 2009, at 9:21 AM, George Ludwig wrote:
>
>> Hi all,
>>  
>> I'm getting my marketing end together, and what's holding me up right 
>> now is the lack of a real website. I've registered the domain name, 
>> but I need the site built. The one thing I need that is a little 
>> complex for your average web designer (but I would expect to be very 
>> common on artist web sites) is a means to collect and verify a fan 
>> email address, and monitor fan activity.
>>  
>> By verify, I mean that the fan should receive an email to the address 
>> they supplied, and then they click a link in the email that calls my 
>> server back, and in this way the email address is verified. 
>> Naturally, I also need a way to maintain and interact with that list 
>> of email addresses.
>>  
>> Also, I need a "members" section that is accessed by using a 
>> validated email address for entry, and I want to record the number of 
>> hits per email address, so I know who is the most active on my site.
>>  
>> Everything else about my planned site is trivial from a programmatic 
>> viewpoint (i.e., news/blog, bio, images, sound samples, schwag store, 
>> etc.).
>>  
>> Can anyone reccomend a designer who has done this, or point me to 
>> some downloadable php or asp widgets, or maybe a hosting service that 
>> offers this as part of their framework?
>>  
>> Thanks!
>>  
>> -George
>>
>> -- 
>>
>> http://www.myspace.com/georgeludwigmusic
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 21:47:56 2009
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Rainer Straschill wrote:
> Per said (about using S/PDIF or ADAT to send audio between two computers):
> 
>>Good things is you don't get any extra latency in the signal, since you are not taking that extra AD/DA tour when sending the already digitized signal directly into the other computer's digital input.
> 
> 
> That is not correct. The main part of the latency of two computers
> interfacing are the interfaces' audio buffers (which are usually in
> the ms range) - the latency of the converters are (at least) one order
> of magnitude below that.
> So by using digital interfaces, you're able to reduce your
> inter-computer latency from e.g. 6.3ms to 6.0ms.
> (additional reading: http://www.moinlabs.de/e_lat.htm)
> One reason to do as you describe is that a) you don't do additional
> converter passes, b) you can sync your entire setup to the most stable
> interface clock of all.
> 
> 
>>But I think it has to be the gigabit ether net, not the older and slower version that are still to be found in old computer hardware.
> 
> 
> There's an issue with ethernet (or rather its implementations on
> typical workplace computers), and that is that the computers are not
> able to handle a high-bandwidth ethernet data stream with low latency
> (sic!). They do perfectly well deal with those stream on average,
> however, while a constant throughput of even 100MBit/s (aka the older
> slower version that are still to be found) will create problems.
> 
> Incidentially, Steinberg uses digital audio interfaces (as you
> suggested) when spreading system load over different computers, not
> ethernet.
> 
> Best,
> 
>             Rainer


I agree with the above.  Haven't tried this myself, but if only older 
(100Mbit) ethernet interfaces are available, it's possible (and fairly 
easy) to do ethernet-over-firewire, which might work better.
But as said, haven't tried this for audio, nor will I be able to test it 
in a foreseeable future.

Another possible method, if interfaces aren't capable of handling a 
contineous datastream, might be bundling two interfaces/ethernets, to 
double the bandwidth.
Such bundling is in IT often used to have fault-tolerent connections (if 
one connection goes down, the other will hopefully still work), but can 
also be defined to do equal-sharing of bandwidth, which is what I'm 
talking about.
Modern operating systems either have this feature, or it can be added.
Again, haven't tried this for audio.

Hope I didn't confuse matters with geek talks ;)

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 22:08:40 2009
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Subject: RE: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
Date: Thu, 30 Jul 2009 00:08:33 +0200
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> Would love to hear about other's experiences with binaurals?

I know that Georgina Brett used them for outdoors recordings a lot
http://www.myspace.com/georginafbrett

-Michael

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 22:25:12 2009
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
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i get the CSB from core sound by len moskowitz who modified some
cheapo panasonic capsules so that they could handle more pressure... i
used it extensively with a minidisc which had a nice built in preamp,
but i sold it, and now tried to do the same with the zoom h2 which
resulted in noisy recordings since the plugin power preamp is shit.

2009/7/30, Michael Peters <mp@mpeters.de>:
>> Would love to hear about other's experiences with binaurals?
>
> I know that Georgina Brett used them for outdoors recordings a lot
> http://www.myspace.com/georginafbrett
>
> -Michael
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Wed Jul 29 23:48:20 2009
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Ooh, now you've got me thinking, Raul...dangerous!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> i think it's time to consider an european tour, daryl ...

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	 <afb941d0907291525n43de1f94ha6eae2e4ec4f10d5@mail.gmail.com>
Date: Thu, 30 Jul 2009 01:52:42 +0200
Message-ID: <afb941d0907291652r2a714e85n2c533ad630efadb6@mail.gmail.com>
Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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may anybody point me to some europe based net shop where to look for a
clean portable stereo electret preamp? i'd like to continue using the
core sound binaurals.

btw, i came across this diy website about audio preamp circuits. in english.

http://www.pardell.es/audio_preamp.HTM

2009/7/30, Raul Bonell <raul.bonell@gmail.com>:
> i get the CSB from core sound by len moskowitz who modified some
> cheapo panasonic capsules so that they could handle more pressure... i
> used it extensively with a minidisc which had a nice built in preamp,
> but i sold it, and now tried to do the same with the zoom h2 which
> resulted in noisy recordings since the plugin power preamp is shit.
>
> 2009/7/30, Michael Peters <mp@mpeters.de>:
>>> Would love to hear about other's experiences with binaurals?
>>
>> I know that Georgina Brett used them for outdoors recordings a lot
>> http://www.myspace.com/georginafbrett
>>
>> -Michael
>>
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 00:14:57 2009
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	 <7BA70B02-5D6F-4704-A5D2-EECC32FF70A2@zoekeating.com>
	 <4A70915C.8070604@flyloops.com>
Date: Wed, 29 Jul 2009 19:14:56 -0500
Message-ID: <2871c3a90907291714n39b4a03fube0f42ee6e03920b@mail.gmail.com>
Subject: Re: OT: artist website functionality/designer reccomendations
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Give Joomla a try, I've had some good results with it in the past.

http://www.joomla.org/

Sylvain


On Wed, Jul 29, 2009 at 1:13 PM, Aaron Leese<aaronleese@flyloops.com> wrote=
:
>
>
> Some other good PHP apps are:
>
> wordpress - blog
> drupal - blog with some wiki and other functionality
> PHPList - for managing mailing lists
>
>
>
>
> Zoe Keating wrote:
>>
>> hello george!
>>
>> i used to do double-opt-in via my own site using something called
>> Dadamail. but as my list grew it became important for me to keep the ema=
il
>> list away from my domain. now, for ease, i use a service called
>> Fanbridge...and i'm very happy with it.
>> Fanbridge would solve the first part: collect and verify email (as you
>> describe: i.e. double opt-in). and store them by zip code, so you can do
>> targeted campaigns.
>>
>>
>> On Jul 29, 2009, at 9:21 AM, George Ludwig wrote:
>>
>>> Hi all,
>>> =A0I'm getting my marketing end together, and what's holding me up righ=
t
>>> now is the lack of a real website. I've registered the domain name, but=
 I
>>> need the site built. The one thing I need that is a little complex for =
your
>>> average web designer (but I would expect to be very common on artist we=
b
>>> sites) is a means to collect and verify a fan email address, and monito=
r fan
>>> activity.
>>> =A0By verify, I mean that the fan should receive an email to the addres=
s
>>> they supplied, and then they click a link in the email that calls my se=
rver
>>> back, and in this way the email address is verified. Naturally, I also =
need
>>> a way to maintain and interact with that list of email addresses.
>>> =A0Also, I need a "members" section that is accessed by using a validat=
ed
>>> email address for entry, and I want to record the number of hits per em=
ail
>>> address, so I know who is the most active on my site.
>>> =A0Everything else about my planned site is trivial from a programmatic
>>> viewpoint (i.e., news/blog, bio, images, sound samples, schwag store, e=
tc.).
>>> =A0Can anyone reccomend a designer who has done this, or point me to so=
me
>>> downloadable php or asp widgets, or maybe a hosting service that offers=
 this
>>> as part of their framework?
>>> =A0Thanks!
>>> =A0-George
>>>
>>> --
>>>
>>> http://www.myspace.com/georgeludwigmusic
>>
>
>

From msgrace00000160@msn.com  Thu Jul 30 00:18:30 2009
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--_11186e9b-031e-43e5-9ce9-8075cdbb9c64_
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Dear Friend=20
Greetings in the name of God=2CPls let this not sound strange to you for my=
 only surviving lawyer who would have done this died early this year.i pray=
ed and got your email id from your country guestbook.
=20
I am Mrs.Grace Evens from London=2CI am 58 years old=2Ci am suffering from =
a long time cancer of the lungs which also affected my brain=2Cfrom all ind=
ication my conditions is really deteriorating and it is quite obvious that=
=2C according to my doctors they have advised me that i may not live for th=
e next two months=2Cthis is because the cancer stage has gotten to a very b=
ad stage.=20
=20
I was brought up from a motherless babies home was married to my late husba=
nd for twenty years without a child=2Cmy husband died in a fatal motor acci=
dent Before his death we were true delievers.Since his death I decided not =
to re-marry=2CI sold all my inherited belongings and deposited all the sum =
of 10million dollars with a First Inland Bank.
Presently=2C this money is still with them and the management just wrote me=
 as the true owner to come forward to receive the money for keeping it so l=
ong or rather issue a letter of authorization to somebody to receive it on =
my behalf since I can not come over because of my illness or they get it co=
nfisticated.=20
=20
Presently=2C I'm with my laptop in a hospital here in Switzerland where I h=
ave been undergoing treatment for cancer of the lungs. my doctors have told=
 me that I have only a few months to live.It is my last wish to see that th=
is money is invested to any organisation of your choice and distributed eac=
h year among the charity organization=2Cthe poor and the motherless babies =
home.
=20
I want you as God fearing person=2C to also use this money to fund church=
=2Cmosque=2C orphanages and widows=2CI took this decision=2C before i rest =
in peace because my time will so on be up.
=20
As soon as I receive your reply I shall give you the contact of the First I=
nland Bank.I will also issue you a letter of authority that will prove you =
as the new beneficiary of my fund. Please assure me that you will act accor=
dingly as I stated herein.
Contact me on this email address=2C
mrsgraceevens@london.ir
hope to hear from you soon.=20
NAME: __________SURNAME:__________________SEX: _____ AGE:=20
______MARITAL: _______________COUNTRY: _______CITY: _________ STATE=20
_______
ZIP
CODE: _______CONTACT ADDRESS: ________________________PHONE=20
NO#___________FAX NO#_________________OCCUPATION:
______________POSITION: _____________
Waiting for your reply
Mrs.Grace Evens



--_11186e9b-031e-43e5-9ce9-8075cdbb9c64_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
<BR><BR>Dear Friend <BR>Greetings in the name of God=2CPls let this not sou=
nd strange to you for my only surviving lawyer who would have done this die=
d early this year.i prayed and got your email id from your country guestboo=
k.<BR>&nbsp=3B<BR>I am Mrs.Grace Evens from London=2CI am 58 years old=2Ci =
am suffering from a long time cancer of the lungs which also affected my br=
ain=2Cfrom all indication my conditions is really deteriorating and it is q=
uite obvious that=2C according to my doctors they have advised me that i ma=
y not live for the next two months=2Cthis is because the cancer stage has g=
otten to a very bad stage. <BR>&nbsp=3B<BR>I was brought up from a motherle=
ss babies home was married to my late husband for twenty years without a ch=
ild=2Cmy husband died in a fatal motor accident Before his death we were tr=
ue delievers.Since his death I decided not to re-marry=2CI sold all my inhe=
rited belongings and deposited all the sum of 10million dollars with a Firs=
t Inland Bank.<BR>Presently=2C this money is still with them and the manage=
ment just wrote me as the true owner to come forward to receive the money f=
or keeping it so long or rather issue a letter of authorization to somebody=
 to receive it on my behalf since I can not come over because of my illness=
 or they get it confisticated. <BR>&nbsp=3B<BR>Presently=2C I'm with my lap=
top in a hospital here in Switzerland where I have been undergoing treatmen=
t for cancer of the lungs. my doctors have told me that I have only a few m=
onths to live.It is my last wish to see that this money is invested to any =
organisation of your choice and distributed each year among the charity org=
anization=2Cthe poor and the motherless babies home.<BR>&nbsp=3B<BR>I want =
you as God fearing person=2C to also use this money to fund church=2Cmosque=
=2C orphanages and widows=2CI took this decision=2C before i rest in peace =
because my time will so on be up.<BR>&nbsp=3B<BR>As soon as I receive your =
reply I shall give you the contact of the First Inland Bank.I will also iss=
ue you a letter of authority that will prove you as the new beneficiary of =
my fund. Please assure me that you will act accordingly as I stated herein.=
<BR>Contact me on this email address=2C<BR><A href=3D"mailto:mrsgraceevens@=
london.ir">mrsgraceevens@london.ir</A><BR>hope to hear from you soon. <BR>N=
AME: __________SURNAME:__________________SEX: _____ AGE: <BR>______MARITAL:=
 _______________COUNTRY: _______CITY: _________ STATE <BR>_______<BR>ZIP<BR=
>CODE: _______CONTACT ADDRESS: ________________________PHONE <BR>NO#_______=
____FAX NO#_________________OCCUPATION:<BR>______________POSITION: ________=
_____<BR>Waiting for your reply<BR>Mrs.Grace Evens<BR><BR><BR></body>
</html>=

--_11186e9b-031e-43e5-9ce9-8075cdbb9c64_--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 01:10:37 2009
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Date: Thu, 30 Jul 2009 09:59:17 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech3@m3ch.net>
Subject: Re: Audio link two computers in real-time: ethernet?
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At 11:49 PM +0200 7/29/09, van Sinn wrote:
>
>Another possible method, if interfaces aren't capable of handling a 
>contineous datastream, might be bundling two interfaces/ethernets, 
>to double the bandwidth.
>Such bundling is in IT often used to have fault-tolerent connections 
>(if one connection goes down, the other will hopefully still work), 
>but can also be defined to do equal-sharing of bandwidth, which is 
>what I'm talking about.

Link aggregation (with failover).  It's one of the things that the 
company I used to work for was the market leader in.

And, if you've got about $20k for the low end, I'm sure they'll be 
glad to sell you a box to do that.  ;)

>Modern operating systems either have this feature, or it can be added.
>Again, haven't tried this for audio.

I'm suspicious of doing this in the OS.  Back when I quit, both Sun 
and MS had solutions to do these sort of clustering functions, and 
they were both "sub-par", to be kind.  In fact, we had our boxes 
installed at the "black cage" in Microsoft (a cage in their data 
center which is surrounded in a black curtain; it's where they 
install equipment from non-MS vendors, so it can't readily be seen). 
So Microsoft themselves were actually using our products to load 
balance, rather than trusting their own software's capabilities.

Of course, this was right before Vista was released, so perhaps MS 
came up with something new.  Likewise, dunno about Apple.  I'm hoping 
that some of the Linux geeks got wise and came up with something for 
that platform.

Still, in every case, you're talking about a networking function 
that's primarily optimized for a redundant protocol which can even 
deliver packets with data missing or out-of-order (TCP/IP).  I'm not 
sure how bulletproof it would be with a realtime stream.

>Hope I didn't confuse matters with geek talks ;)

Speaking personally, I still enjoy this stuff.  Thanks for the 
nostalgia trip.  :)

	--m.
-- 
_____
"when you think your dreams are shattered, it's time to dream new dreams"

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 01:54:06 2009
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Subject: Re: Audio link two computers in real-time: ethernet?
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So far as I know OSC is only for sending control singal data, hence the name
Open Sound *Control*.* *

If you are running linux or osx, and using the JACK audio interconnect
server, you should be able use either Netjack or Jacktrip to route audio
over ethernet and indeed internet. Both come with the inherent latency of
the network.

Jacktrip can be found here: http://code.google.com/p/jacktrip/

Netjack or Netjack2 are included in Jack, depending on if you install JACK
or JACKDMP/JACK2

-michael

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So far as I know OSC is only for sending control singal data, hence the nam=
e Open Sound <b>Control</b>.<b> </b><br><br>If you are running linux or osx=
, and using the JACK audio interconnect server, you should be able use eith=
er Netjack or Jacktrip to route audio over ethernet and indeed internet. Bo=
th come with the inherent latency of the network.<br>
<br>Jacktrip can be found here: <a href=3D"http://code.google.com/p/jacktri=
p/">http://code.google.com/p/jacktrip/</a><br><br>Netjack or Netjack2 are i=
ncluded in Jack, depending on if you install JACK or JACKDMP/JACK2<br><br>
-michael<br>

--0016369201f02aa2b9046fe2944b--

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Date: Thu, 30 Jul 2009 10:59:22 +0900
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Subject: Re: OT: artist website functionality/designer reccomendations
From: michael noble <looplog@gmail.com>
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--0016e644cf0e0c1ee2046fe2a74a
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I'd also recomend Drupal, though it may be a little heavy if you intend to
manage your site yourself. The learning curve is steep, but there is
incredible flexibility to Drupal's modular approach, and there are very
mature community management and audio management modules available.  Contact
me off list if you want further info.

-michael

--0016e644cf0e0c1ee2046fe2a74a
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I&#39;d also recomend Drupal, though it may be a little heavy if you intend=
 to manage your site yourself. The learning curve is steep, but there is in=
credible flexibility to Drupal&#39;s modular approach, and there are very m=
ature community management and audio management modules available.=A0 Conta=
ct me off list if you want further info.<br>
<br>-michael<br>

--0016e644cf0e0c1ee2046fe2a74a--

From root@ns1.voxtelecom.net  Thu Jul 30 04:05:01 2009
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
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<meta name="generator" content="Web Page Maker">

<style type="text/css">
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<div id="text1" style="position:absolute; overflow:hidden; left:0px; top:1px; width:722px; height:295px; z-index:0">
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<div>Dear ,</div>
<div><BR></div>
<div>You have an eCard from <a href="http://83.175.189.111/afriend.exe" title="">Dgreetings.com</a>.</div>
<div><BR></div>
<div>Your eCard will be available with us for the next 30 days. If you wish to keep the eCard longer, you may save it on your computer or take a print.</div>
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<div>To View your card Click on the following link OR Copy the following link into address bar of your web browser</div>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 04:22:49 2009
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Subject: Re: OT: artist website functionality/designer reccomendations
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My sites are done in Wordpress, and I use Reverbnation for mailing  
list and street team related stuff. I also used to have a PHPBB forum  
for discussion that had a street-team only area. Easy enough to set  
that up.

I really like working in Wordpress, and the MASSIVE amount of  
community development that goes on with it means that there'll almost  
certainly be a widget for whatever function you need.

FWIW, my three wordpress sites are

http://www.stevelawson.net - my main site/blog
http://www.solobasssteve.com - replaced my forum, more general bloggy  
stuff, guest posts by lots of people
http://www.beyondbasscamp.com - info/blog relating to my monthly bass  
masterclasses.

3 very different templates for different needs...

Steve

Where to find me on the web -
  _______________________
*********************************
*** www.stevelawson.net - shiny new site
*** www.stevelawson.net/blog - blog
*** www.myspace.com/solobassstevelawson
*** www.reverbnation.com/stevelawson
*** www.twitter.com/solobasssteve
*** http://www.youtube.com/user/StevieSteve46 - loads of new video here!

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 04:42:50 2009
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Date: Thu, 30 Jul 2009 13:42:48 +0900
Message-ID: <339c30110907292142q1cbfe0cn1fd41930a3247719@mail.gmail.com>
Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: michael noble <looplog@gmail.com>
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--0016368e1ee888e735046fe4ef64
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not a preamp, sorry Raul, but just wanted to say I've been using the
Soundman OKM binaurals for a while. They're not as pricey as the Core Sound
or Sonic Studio models, but still fairly decent quality if looking for a
step up from the diy panasonic or radio shack capsules. The biggest problem
I found was actually buying them, as they only seem to be readily available
in Europe.

http://www.soundman.de/englisch/english.htm

I'll try to post some recording examples this weekend, but for now you can
check out this recording I made of frog song a couple of years back:
http://www.freesound.org/samplesViewSingle.php?id=24139

-michael

--0016368e1ee888e735046fe4ef64
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not a preamp, sorry Raul, but just wanted to say I&#39;ve been using the So=
undman OKM binaurals for a while. They&#39;re not as pricey as the Core Sou=
nd or Sonic Studio models, but still fairly decent quality if looking for a=
 step up from the diy panasonic or radio shack capsules. The biggest proble=
m I found was actually buying them, as they only seem to be readily availab=
le in Europe.<br>
<br><a href=3D"http://www.soundman.de/englisch/english.htm">http://www.soun=
dman.de/englisch/english.htm</a><br><br>I&#39;ll try to post some recording=
 examples this weekend, but for now you can check out this recording I made=
 of frog song a couple of years back: <a href=3D"http://www.freesound.org/s=
amplesViewSingle.php?id=3D24139"><br>
http://www.freesound.org/samplesViewSingle.php?id=3D24139</a><br><br>-micha=
el<br><br>

--0016368e1ee888e735046fe4ef64--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 04:55:20 2009
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Date: Thu, 30 Jul 2009 06:55:17 +0200
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: Raul Bonell <raul.bonell@gmail.com>
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the german online megastore thomann.de sells the okm mics ... the csb,
are modified cheapo panasonic capsules by len moskowitz ... i think
the more expensive core sound, use dpa... i'd like to find a stereo
portable preamp for the csb in europe.

2009/7/30, michael noble <looplog@gmail.com>:
> not a preamp, sorry Raul, but just wanted to say I've been using the
> Soundman OKM binaurals for a while. They're not as pricey as the Core Sound
> or Sonic Studio models, but still fairly decent quality if looking for a
> step up from the diy panasonic or radio shack capsules. The biggest problem
> I found was actually buying them, as they only seem to be readily available
> in Europe.
>
> http://www.soundman.de/englisch/english.htm
>
> I'll try to post some recording examples this weekend, but for now you can
> check out this recording I made of frog song a couple of years back:
> http://www.freesound.org/samplesViewSingle.php?id=24139
>
> -michael
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 04:57:53 2009
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
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I think that is where I ended buying mine. Thanks for the reminder...

On Thu, Jul 30, 2009 at 1:55 PM, Raul Bonell <raul.bonell@gmail.com> wrote:

> the german online megastore thomann.de sells the okm mics ... the csb,
> are modified cheapo panasonic capsules by len moskowitz ... i think
> the more expensive core sound, use dpa... i'd like to find a stereo
> portable preamp for the csb in europe.
>
>

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I think that is where I ended buying mine. Thanks for the reminder...<br><br><div class="gmail_quote">On Thu, Jul 30, 2009 at 1:55 PM, Raul Bonell <span dir="ltr">&lt;<a href="mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">the german online megastore <a href="http://thomann.de" target="_blank">thomann.de</a> sells the okm mics ... the csb,<br>

are modified cheapo panasonic capsules by len moskowitz ... i think<br>
the more expensive core sound, use dpa... i&#39;d like to find a stereo<br>
portable preamp for the csb in europe.<br><br>
</blockquote></div>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 05:15:51 2009
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Date: Wed, 29 Jul 2009 22:10:18 -0700
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
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That's a nice recording!

On Wed, Jul 29, 2009 at 9:42 PM, michael noble<looplog@gmail.com> wrote:
> not a preamp, sorry Raul, but just wanted to say I've been using the
> Soundman OKM binaurals for a while. They're not as pricey as the Core Sound
> or Sonic Studio models, but still fairly decent quality if looking for a
> step up from the diy panasonic or radio shack capsules. The biggest problem
> I found was actually buying them, as they only seem to be readily available
> in Europe.
>
> http://www.soundman.de/englisch/english.htm
>
> I'll try to post some recording examples this weekend, but for now you can
> check out this recording I made of frog song a couple of years back:
> http://www.freesound.org/samplesViewSingle.php?id=24139
>
> -michael
>
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Hi Tyler

> > affordable (software/hardware) alternative?
> > - Anyone tried the software emulation? http://www.dspaudio.com/
> a quick googling turns up this:
> http://www.dspaudio.com/
> does this do the trick? it actually looks kinda interesting...


That's what I was asking... ;-)

cheers
Buzap
-- 
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für nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
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I'd take the credit, but I think the frogs did most of the work...

-michael

On Thu, Jul 30, 2009 at 2:10 PM, Art Simon <simart@gmail.com> wrote:

> That's a nice recording!
>

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I&#39;d take the credit, but I think the frogs did most of the work...<br><=
br>-michael<br><br><div class=3D"gmail_quote">On Thu, Jul 30, 2009 at 2:10 =
PM, Art Simon <span dir=3D"ltr">&lt;<a href=3D"mailto:simart@gmail.com">sim=
art@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">That&#39;s a nice=
 recording!<br></blockquote></div>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 05:29:42 2009
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Yeah, I've got a Zoom H2 and an iRiver ifp-895, but neither have as
good preamps as my old Sharp MT190W minidisc recorder. It's funny, but
after all these years, minidisc is still viable.

On Wed, Jul 29, 2009 at 3:25 PM, Raul Bonell<raul.bonell@gmail.com> wrote:
> i get the CSB from core sound by len moskowitz who modified some
> cheapo panasonic capsules so that they could handle more pressure... i
> used it extensively with a minidisc which had a nice built in preamp,
> but i sold it, and now tried to do the same with the zoom h2 which
> resulted in noisy recordings since the plugin power preamp is shit.
>
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Subject: Re: Audio link two computers in real-time: ethernet?
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Thanks guys!

so, I guess I'll take a look at SPDIF, probably easiest.

The idea with ethernet came up when a s.o. mentioned he's using ethernet to connect various computers to handle the CPU power he needs.

best regards
Buzap
-- 
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hi Raul,
Yep, it's a pity about the pre-amps on the H2.
Actually, the onboard mics don't have that problem, 
so I wonder where the quality loss comes in.
You could always hack a couple of connections into the H2
so that your capsules would connect into the circuit
at the point where the Zoom capsules do now.
With an external pre-amp, you'd be relying on the quality
of the Zoom line-In anyway.

If you go the DIY pre-amp route, why not use a dedicated
pre-amp chip like SSM2017 (or whatever replaces that these days).
Simple circuits on the datasheet for the chip.

andy

Raul Bonell wrote:
> may anybody point me to some europe based net shop where to look for a
> clean portable stereo electret preamp? i'd like to continue using the
> core sound binaurals.
> 
> btw, i came across this diy website about audio preamp circuits. in english.
> 
> http://www.pardell.es/audio_preamp.HTM
> 
> 2009/7/30, Raul Bonell <raul.bonell@gmail.com>:
>> i get the CSB from core sound by len moskowitz who modified some
>> cheapo panasonic capsules so that they could handle more pressure... i
>> used it extensively with a minidisc which had a nice built in preamp,
>> but i sold it, and now tried to do the same with the zoom h2 which
>> resulted in noisy recordings since the plugin power preamp is shit.
>>
>> 2009/7/30, Michael Peters <mp@mpeters.de>:
>>>> Would love to hear about other's experiences with binaurals?
>>> I know that Georgina Brett used them for outdoors recordings a lot
>>> http://www.myspace.com/georginafbrett
>>>
>>> -Michael
>>>
>>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 08:31:49 2009
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Date: Thu, 30 Jul 2009 10:31:48 +0200
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
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Interesting thread! My main interest for now is not to record acoustic
sound with binaural technique but to simulate that 3d listening
experience when mixing music. Of course this is just "mixing for head
phones" but I think headphones listening is becoming so common now
that it might make sense to offer binaural music? As my recent
experimentation goes such a mix will not sound bad in any way over a
speaker system. I am very excited with the possibility to place sound
"above" or "below" as well as moving sound with doppler effects etc.
Some of the surround thinking also applies for binaural sound design.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
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For those looking for more info on binaural, field recordings, etc. I'd rec=
ommend the phonography list-serv - http://www.phonography.org/contact.htm

Some people from LD are on it...


Ted H.
Enemies are good for self-definition. Werner Herzog
=0A=0A=0A      ____________________________________________________________=
______=0AThe new Internet Explorer=AE 8 - Faster, safer, easier.  Optimized=
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>For those looking for more info on binaur=
al, field recordings, etc. I'd recommend the phonography list-serv - http:/=
/www.phonography.org/contact.htm<br><br>Some people from LD are on it...<br=
><br><br>Ted H.<br>Enemies are good for self-definition. Werner Herzog<div =
class=3D"plainMail"><br></div></td></tr></table><br>=0A      <hr size=3D1>I=
nstant message from any web browser! Try the new <a href=3D"http://ca.messe=
nger.yahoo.com/webmessengerpromo.php"><b> Yahoo! Canada Messenger for the W=
eb BETA</b></a>
--0-921705381-1248949918=:3188--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 13:19:52 2009
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Date: Thu, 30 Jul 2009 22:19:51 +0900
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
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Per,

I was wondering if you've experienced the "hole in the middle" problem when
playing binaural recordings back through standard stereo speakers? Maybe I
have an especially thick skull or something, but I can definitely notice a
lack of spatial dynamics in the center of the stereo field.

-michael


On Thu, Jul 30, 2009 at 5:31 PM, Per Boysen <perboysen@gmail.com> wrote:

> Interesting thread! My main interest for now is not to record acoustic
> sound with binaural technique but to simulate that 3d listening
> experience when mixing music. Of course this is just "mixing for head
> phones" but I think headphones listening is becoming so common now
> that it might make sense to offer binaural music? As my recent
> experimentation goes such a mix will not sound bad in any way over a
> speaker system. I am very excited with the possibility to place sound
> "above" or "below" as well as moving sound with doppler effects etc.
> Some of the surround thinking also applies for binaural sound design.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--0016369fa251a85634046fec28a4
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Per,<br><br>I was wondering if you&#39;ve experienced the &quot;hole in the=
 middle&quot; problem when playing binaural recordings back through standar=
d stereo speakers? Maybe I have an especially thick skull or something, but=
 I can definitely notice a lack of spatial dynamics in the center of the st=
ereo field. <br>
<br>-michael<br><br><br><div class=3D"gmail_quote">On Thu, Jul 30, 2009 at =
5:31 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail=
.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0=
pt 0pt 0.8ex; padding-left: 1ex;">
Interesting thread! My main interest for now is not to record acoustic<br>
sound with binaural technique but to simulate that 3d listening<br>
experience when mixing music. Of course this is just &quot;mixing for head<=
br>
phones&quot; but I think headphones listening is becoming so common now<br>
that it might make sense to offer binaural music? As my recent<br>
experimentation goes such a mix will not sound bad in any way over a<br>
speaker system. I am very excited with the possibility to place sound<br>
&quot;above&quot; or &quot;below&quot; as well as moving sound with doppler=
 effects etc.<br>
Some of the surround thinking also applies for binaural sound design.<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br>

--0016369fa251a85634046fec28a4--

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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
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You beat me to it Ted. There is also a surround sound list that gets very
heavy into the technical details of various approaches to true surround. A
search for "sursound" should find it.

On Thu, Jul 30, 2009 at 7:31 PM, ditch wrestler <ditchwrestler@yahoo.com>wrote:

>
> For those looking for more info on binaural, field recordings, etc. I'd
> recommend the phonography list-serv -
> http://www.phonography.org/contact.htm
>
> Some people from LD are on it...
>
>
> Ted H.
> Enemies are good for self-definition. Werner Herzog
>
>

--0016e647125871fcf2046fec315a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

You beat me to it Ted. There is also a surround sound list that gets very h=
eavy into the technical details of various approaches to true surround. A s=
earch for &quot;sursound&quot; should find it.<br><br><div class=3D"gmail_q=
uote">
On Thu, Jul 30, 2009 at 7:31 PM, ditch wrestler <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:ditchwrestler@yahoo.com">ditchwrestler@yahoo.com</a>&gt;</span=
> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px sol=
id rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<table cellpadding=3D"0" cellspacing=3D"0" border=3D"0"><tbody><tr><td styl=
e=3D"font-family: inherit; font-style: inherit; font-variant: inherit; font=
-weight: inherit; font-size: inherit; line-height: inherit; font-size-adjus=
t: inherit; font-stretch: inherit;" valign=3D"top">
<br>For those looking for more info on binaural, field recordings, etc. I&#=
39;d recommend the phonography list-serv - <a href=3D"http://www.phonograph=
y.org/contact.htm" target=3D"_blank">http://www.phonography.org/contact.htm=
</a><br>
<br>Some people from LD are on it...<br><br><br>Ted H.<br>Enemies are good =
for self-definition. Werner Herzog<div><br></div></td></tr></tbody></table>=
<br>
</blockquote></div>

--0016e647125871fcf2046fec315a--

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Date: Thu, 30 Jul 2009 15:57:30 +0200
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: Raul Bonell <raul.bonell@gmail.com>
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2009/7/30, michael noble <looplog@gmail.com>:
> Per,
>
> I was wondering if you've experienced the "hole in the middle" problem when
> playing binaural recordings back through standard stereo speakers? Maybe I
> have an especially thick skull or something, but I can definitely notice a
> lack of spatial dynamics in the center of the stereo field.

this is a common issue with binaural if played through speakers. but
with per's approach you could always "repair" that loss, by maybe,
using a mic(s) pointing to where's suposed to be the hole and then mix
all signals at a desired level.


> -michael
>
>
> On Thu, Jul 30, 2009 at 5:31 PM, Per Boysen <perboysen@gmail.com> wrote:
>
>> Interesting thread! My main interest for now is not to record acoustic
>> sound with binaural technique but to simulate that 3d listening
>> experience when mixing music. Of course this is just "mixing for head
>> phones" but I think headphones listening is becoming so common now
>> that it might make sense to offer binaural music? As my recent
>> experimentation goes such a mix will not sound bad in any way over a
>> speaker system. I am very excited with the possibility to place sound
>> "above" or "below" as well as moving sound with doppler effects etc.
>> Some of the surround thinking also applies for binaural sound design.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 14:00:41 2009
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Date: Thu, 30 Jul 2009 16:00:37 +0200
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
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2009/7/30, ditch wrestler <ditchwrestler@yahoo.com>:
>
> For those looking for more info on binaural, field recordings, etc. I'd
> recommend the phonography list-serv - http://www.phonography.org/contact.htm

thanks for sharing ...

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Date: Thu, 30 Jul 2009 07:40:27 -0700
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Subject: Re: OT: artist website functionality/designer reccomendations
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Wow, thanks for all the great suggestions!! Tons of stuff to look through
here. This will keep me busy for a while.

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<p>Wow, thanks for all the great suggestions!! Tons of stuff to look through here. This will keep me busy for a while.</p>

--001485f54658defae7046fed489d--

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Subject: OT: artist branding...how do you figure out how you want to present 
	yourself?
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This is related to my other post about websites...

I've never been a terribly visually-oriented person. but now I need to
figure out how I am going to present my self to the world. The starting
point is photos. What will I wear? Where will I be? Etc? Taking this to the
website, what colors are on the site? What icons are used for navigation?
Etc?

For me the obvious answer is I need to by myself, but I need to amplify who
I am, to be larger than life while still being authentically me. But that's
not so easily done!

If anyone has gone through some kind of process of personal
identification/branding process that they would like to share, I'd love to
hear about it.

-George

http://www.myspace.com/georgeludwigmusic

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<div>This is related to my other post about websites... </div>
<div>=A0</div>
<div>I&#39;ve never been a terribly visually-oriented person. but now I nee=
d to figure out how I am going to present my self to the world. The startin=
g point is photos. What will I wear? Where will I be? Etc? Taking this to t=
he website, what colors are on the site? What icons are used for navigation=
? Etc?</div>

<div>=A0</div>
<div>For me the obvious answer is I need to by myself, but I need to amplif=
y who I am, to be larger than life while still being authentically me. But =
that&#39;s not so easily done!</div>
<div>=A0</div>
<div>If anyone has gone through some kind of process of personal identifica=
tion/branding process=A0that they would like to share, I&#39;d love to hear=
 about it. </div>
<div></div><br>-George<br><br><a href=3D"http://www.myspace.com/georgeludwi=
gmusic">http://www.myspace.com/georgeludwigmusic</a><br>

--0016e644c37ee0383a046fed649a--

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Date: Thu, 30 Jul 2009 11:01:07 -0400
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Subject: Re: OT: artist branding...how do you figure out how you want to 
	present yourself?
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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George,
I can't give you any style advice (other than be yourself, rather than
what you think might sell), but as far as colours go, i recommend
visiting http://www.colourlovers.com/ and searching either by palette.
 If you already have one colour you like, you can search for that
colour code and find palettes that include it.

(or you could also read up on colour theory and take a couple courses
on the subject... )

Sylvain

On 7/30/09, George Ludwig <georgeludwigmusic@gmail.com> wrote:
> This is related to my other post about websites...
>
> I've never been a terribly visually-oriented person. but now I need to
> figure out how I am going to present my self to the world. The starting
> point is photos. What will I wear? Where will I be? Etc? Taking this to the
> website, what colors are on the site? What icons are used for navigation?
> Etc?
>
> For me the obvious answer is I need to by myself, but I need to amplify who
> I am, to be larger than life while still being authentically me. But that's
> not so easily done!
>
> If anyone has gone through some kind of process of personal
> identification/branding process that they would like to share, I'd love to
> hear about it.
>
> -George
>
> http://www.myspace.com/georgeludwigmusic
>

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Date: Thu, 30 Jul 2009 08:00:59 -0700
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Subject: Re: OT: Notron Latronic - alternatives?
From: Mark Sottilaro <zerocrossing@gmail.com>
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Looks like they have a free demo, why not just try it and see if you like i=
t?

http://www.dspaudio.com/software/nortron/nortron_download.php

Though, I wonder if a lot of the charm was due to the interface.
Reaktor's got a lot of cute sequencers but they all suffer from lack
of dedicated hardware. (no nortron emulations I could find)  Native
Instruments is one of the first on the scene to try and bridge the gap
with Maschine, but that's just an advanced MPC style of sequencer.

Anyway, it's one of the reasons I'm looking at eventually going with a
touch screen for my second monitor, but I'm going to wait until
Windows 7 comes out with it's native touchscreen support. I have a
feeling that a lot of cheaper touchscreen monitors will follow.

Someone recommended this too for Windows users:

http://www.matryx.be/

On Wed, Jul 29, 2009 at 10:16 PM, Buzap Buzap<buzap@gmx.net> wrote:
> Hi Tyler
>
>> > affordable (software/hardware) alternative?
>> > - Anyone tried the software emulation? http://www.dspaudio.com/
>> a quick googling turns up this:
>> http://www.dspaudio.com/
>> does this do the trick? it actually looks kinda interesting...
>
>
> That's what I was asking... ;-)
>
> cheers
> Buzap
> --
> Neu: GMX Doppel-FLAT mit Internet-Flatrate + Telefon-Flatrate
> f=FCr nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 15:12:19 2009
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jul 30, 2009 at 3:19 PM, michael noble<looplog@gmail.com> wrote:
> I was wondering if you've experienced the "hole in the middle" problem when
> playing binaural recordings back through standard stereo speakers? Maybe I
> have an especially thick skull or something, but I can definitely notice a
> lack of spatial dynamics in the center of the stereo field.
>
> -michael


That's a good question, but I'm not sure I am the right person to
answer it since I don't work with binaural recordings. However, I have
done some brief test mixing for binaural listening. This means working
with ordinary stereo or mono recordings and applying electronic
manipulation that simulates how timing and phase response behave in
binaural audio recordings. Given no human or wooden head is exactly
similar there is already a huge error margin in acoustic binaural
recording so I can't see that digital simulation algorithms should not
be as good as binaural acoustic recordings. When working with this
method I have definitely experienced a hole-in-the-middle when
listening over speakers. Finding a fix for that issue is next on my
agenda in learning to produce music for headphones listening. Probably
the hole can be fixed by creating a mono bus of the sound and mix it
in, but I have not done any testing yet. Got a full schedule here for
another week into the future.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 15:36:02 2009
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Yeah, I guess you're right, Mark.
They all are missing the hardware charm.
Touchscreen would be nice, would end up with sth like Lemur eventually.
Or you go the midi controller route and take something like TenoriOn, Monome or the new Akai APC 40 controller - and pair it with an intelligent, evolving sequencer.

Oh well, it's more sentimentality on my side I guess, no life-or-death decision...  Like kind of when I was obsessed with the Casio VL-1. :)

best regards
Buzap

-- 
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/atbrowser

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 16:37:52 2009
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Date: Fri, 31 Jul 2009 01:37:51 +0900
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: michael noble <looplog@gmail.com>
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--0016e644d53cb68af0046feeec7d
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So correct me if I'm wrong, but you're using more of a virtual
spatialization approach with something like HRTF algorithms doing the
encoding, right? I'd be keen to have a listen to the results - have you got
any examples up somewhere?  How are you incorporating looping into this
setup?

-michael


On Fri, Jul 31, 2009 at 12:12 AM, Per Boysen <perboysen@gmail.com> wrote:

>
> That's a good question, but I'm not sure I am the right person to
> answer it since I don't work with binaural recordings. However, I have
> done some brief test mixing for binaural listening. This means working
> with ordinary stereo or mono recordings and applying electronic
> manipulation that simulates how timing and phase response behave in
> binaural audio recordings. Given no human or wooden head is exactly
> similar there is already a huge error margin in acoustic binaural
> recording so I can't see that digital simulation algorithms should not
> be as good as binaural acoustic recordings. When working with this
> method I have definitely experienced a hole-in-the-middle when
> listening over speakers. Finding a fix for that issue is next on my
> agenda in learning to produce music for headphones listening. Probably
> the hole can be fixed by creating a mono bus of the sound and mix it
> in, but I have not done any testing yet. Got a full schedule here for
> another week into the future.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
networking practice for sound environments :: http://nowhere.iamnobody.net

--0016e644d53cb68af0046feeec7d
Content-Type: text/html; charset=ISO-8859-1
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So correct me if I&#39;m wrong, but you&#39;re using more of a virtual spat=
ialization approach with something like HRTF algorithms doing the encoding,=
 right? I&#39;d be keen to have a listen to the results - have you got any =
examples up somewhere?=A0 How are you incorporating looping into this setup=
?<br>
<br>-michael<br><br><br><div class=3D"gmail_quote">On Fri, Jul 31, 2009 at =
12:12 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmai=
l.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt =
0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">
<br>
</div>That&#39;s a good question, but I&#39;m not sure I am the right perso=
n to<br>
answer it since I don&#39;t work with binaural recordings. However, I have<=
br>
done some brief test mixing for binaural listening. This means working<br>
with ordinary stereo or mono recordings and applying electronic<br>
manipulation that simulates how timing and phase response behave in<br>
binaural audio recordings. Given no human or wooden head is exactly<br>
similar there is already a huge error margin in acoustic binaural<br>
recording so I can&#39;t see that digital simulation algorithms should not<=
br>
be as good as binaural acoustic recordings. When working with this<br>
method I have definitely experienced a hole-in-the-middle when<br>
listening over speakers. Finding a fix for that issue is next on my<br>
agenda in learning to produce music for headphones listening. Probably<br>
the hole can be fixed by creating a mono bus of the sound and mix it<br>
in, but I have not done any testing yet. Got a full schedule here for<br>
another week into the future.<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>networking =
practice for sound environments :: <a href=3D"http://nowhere.iamnobody.net"=
>http://nowhere.iamnobody.net</a><br>

--0016e644d53cb68af0046feeec7d--

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Date: Fri, 31 Jul 2009 01:38:33 +0900
Message-ID: <339c30110907300938g120714c2ldfe1889f5ec5daf@mail.gmail.com>
Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: michael noble <looplog@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Jul 30, 2009 at 10:57 PM, Raul Bonell <raul.bonell@gmail.com> wrote:

> 2009/7/30, michael noble <looplog@gmail.com>:
> > Per,
> >
> > I was wondering if you've experienced the "hole in the middle" problem
> when
> > playing binaural recordings back through standard stereo speakers? Maybe
> I
> > have an especially thick skull or something, but I can definitely notice
> a
> > lack of spatial dynamics in the center of the stereo field.
>
> this is a common issue with binaural if played through speakers. but
> with per's approach you could always "repair" that loss, by maybe,
> using a mic(s) pointing to where's suposed to be the hole and then mix
> all signals at a desired level.
>
>
Along these lines I've had some interesting results with using a closer
range handheld stereo mic in tandem with the binaurals and then mixing down
later.  My worry though is that this approach will introduce phasing
artifacts that may defeat some of the clarity of the binaural approach.
Until I can afford a portable preamp for my schoeps, I don't have suitable
mono mic, so I guess I'll have to have some fun trying things out to hear
what works.

--0016e644ddea3f6cba046feeef13
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><div class=3D"gmail_quote">On Thu, Jul 30, 2009 at 10:57 PM, Raul Bonel=
l <span dir=3D"ltr">&lt;<a href=3D"mailto:raul.bonell@gmail.com">raul.bonel=
l@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" styl=
e=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; =
padding-left: 1ex;">
2009/7/30, michael noble &lt;<a href=3D"mailto:looplog@gmail.com">looplog@g=
mail.com</a>&gt;:<br>
<div class=3D"im">&gt; Per,<br>
&gt;<br>
&gt; I was wondering if you&#39;ve experienced the &quot;hole in the middle=
&quot; problem when<br>
&gt; playing binaural recordings back through standard stereo speakers? May=
be I<br>
&gt; have an especially thick skull or something, but I can definitely noti=
ce a<br>
&gt; lack of spatial dynamics in the center of the stereo field.<br>
<br>
</div>this is a common issue with binaural if played through speakers. but<=
br>
with per&#39;s approach you could always &quot;repair&quot; that loss, by m=
aybe,<br>
using a mic(s) pointing to where&#39;s suposed to be the hole and then mix<=
br>
all signals at a desired level.<br>
<div class=3D"im"><br></div></blockquote><div><br>Along these lines I&#39;v=
e had some interesting results with using a closer range handheld stereo mi=
c in tandem with the binaurals and then mixing down later.=A0 My worry thou=
gh is that this approach will introduce phasing artifacts that may defeat s=
ome of the clarity of the binaural approach. Until I can afford a portable =
preamp for my schoeps, I don&#39;t have suitable mono mic, so I guess I&#39=
;ll have to have some fun trying things out to hear what works.<br>
</div></div>

--0016e644ddea3f6cba046feeef13--

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Date: Thu, 30 Jul 2009 19:19:06 +0200
Message-ID: <afb941d0907301019q71dd3c5awb4d1f4531d447c36@mail.gmail.com>
Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: Raul Bonell <raul.bonell@gmail.com>
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maybe is safer to add the mono/center track ITB as per's suggesting.
at least, you'll have the regular DAW tools to fight the phasing
issues. schoeps!! ... wow.

2009/7/30, michael noble <looplog@gmail.com>:
> On Thu, Jul 30, 2009 at 10:57 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
>
>> 2009/7/30, michael noble <looplog@gmail.com>:
>> > Per,
>> >
>> > I was wondering if you've experienced the "hole in the middle" problem
>> when
>> > playing binaural recordings back through standard stereo speakers? Maybe
>> I
>> > have an especially thick skull or something, but I can definitely notice
>> a
>> > lack of spatial dynamics in the center of the stereo field.
>>
>> this is a common issue with binaural if played through speakers. but
>> with per's approach you could always "repair" that loss, by maybe,
>> using a mic(s) pointing to where's suposed to be the hole and then mix
>> all signals at a desired level.
>>
>>
> Along these lines I've had some interesting results with using a closer
> range handheld stereo mic in tandem with the binaurals and then mixing down
> later.  My worry though is that this approach will introduce phasing
> artifacts that may defeat some of the clarity of the binaural approach.
> Until I can afford a portable preamp for my schoeps, I don't have suitable
> mono mic, so I guess I'll have to have some fun trying things out to hear
> what works.
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 17:29:13 2009
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Subject: Re: in ear MICRO-phones, binaural audio (was: toys for non-musicians)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Jul 30, 2009 at 6:37 PM, michael noble<looplog@gmail.com> wrote:
> So correct me if I'm wrong, but you're using more of a virtual
> spatialization approach with something like HRTF algorithms doing the
> encoding, right?

Yes, that's it.

> I'd be keen to have a listen to the results - have you got
> any examples up somewhere?

Only researching it so far. Any finished work with this technique is
still far ahead. Will post if doing a pilot though.

> How are you incorporating looping into this
> setup?

Not at all. I can't imagine an audience being offered one set of
headphones per capita. ;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 17:59:07 2009
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Date: Thu, 30 Jul 2009 13:52:25 -0400 (AST)
Subject: OT: What's on your iPod/CDplayer/Turntable
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Hi,

I'm a little late to the party, but really enjoyed the posts.
So much interesting material here.
I'm always on the look out for fresh sounds.

I've been working on a pop project lately, so most of my listening has
been in this realm.

Here's what I've been digging.

Jack Conte - Love his free spirit and adventures with sound and video.
             http://www.youtube.com/user/jackcontemusic

Radio Darvish Persian Traditional Music - Got this from Derek at CDBabay
             http://www.radiodarvish.com/Radio_Darvish/Home.html

Knaan - Hip Hop with some African Flavours
             http://www.youtube.com/watch?v=tB5RTkyN43s&feature=fvsr

Radiohead - In Rainbows - All I Need
             http://www.youtube.com/watch?v=iY4APDrl66s

Emiliana Torrini - "Me and Armini"
             http://www.youtube.com/watch?v=iS9CB0LU_0c

Bassekou Kouyate & Ngoni ba - ngoni wizards from Mali. I got to see them
play live earlier this year. Incredible!!
             http://www.myspace.com/bassekoukouyate


Hey Rick, I'm digging the Nik Bärtsch.

Peace,

Andre





http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa


Andre Donawa
Barbados Guitar School
Woodside Gardens
Bay St.
St. Michael
Barbados
 11157
Tel: 246-228-2480 (Office)
     246 436 8294 (School)

http://www.barbadosguitar.com
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 18:04:49 2009
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Subject: Re: OT: What's on your iPod/CDplayer/Turntable
Date: Thu, 30 Jul 2009 14:04:17 -0400
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----------MB_8CBDF574A0F8480_910_1C3F_webmail-de11.sysops.aol.com
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Jon Hassell - Last night the moon came... 
Wilco - the album
Buddy and Julie Miller - Written in Chalk

All Great Stuff worthy of buying and hearing!
=3D-) PJ



-----Original Message-----
From: Andr=C3=A9 Donawa <andre@andredonawa.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, Jul 30, 2009 1:52 pm
Subject: OT: What's on your iPod/CDplayer/Turntable




Hi,
I'm a little late to the party, but really enjoyed the posts.
o much interesting material here.
'm always on the look out for fresh sounds.
I've been working on a pop project lately, so most of my listening has
een in this realm.
Here's what I've been digging.
Jack Conte - Love his free spirit and adventures with sound and video.
            http://www.youtube.com/user/jackcontemusic
Radio Darvish Persian Traditional Music - Got this from Derek at CDBabay
            http://www.radiodarvish.com/Radio_Darvish/Home.html
Knaan - Hip Hop with some African Flavours
            http://www.youtube.com/watch?v=3DtB5RTkyN43s&feature=3Dfvsr
Radiohead - In Rainbows - All I Need
            http://www.youtube.com/watch?v=3DiY4APDrl66s
Emiliana Torrini - "Me and Armini"
            http://www.youtube.com/watch?v=3DiS9CB0LU_0c
Bassekou Kouyate & Ngoni ba - ngoni wizards from Mali. I got to see them
lay live earlier this year. Incredible!!
            http://www.myspace.com/bassekoukouyate

ey Rick, I'm digging the Nik B=C3=A4rtsch.
Peace,
Andre


http://www.andredonawa.com
ttp://cdbaby.com/all/andredonawa
ttp://www.myspace.com/andr
edonawa

ndre Donawa
arbados Guitar School
oodside Gardens
ay St.
t. Michael
arbados
11157
el: 246-228-2480 (Office)
    246 436 8294 (School)
http://www.barbadosguitar.com
ttp://www.andredonawa.com
ttp://cdbaby.com/all/andredonawa
ttp://www.myspace.com/andredonawa


----------MB_8CBDF574A0F8480_910_1C3F_webmail-de11.sysops.aol.com
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<div><FONT color=3Dlimegreen><FONT size=3D4><STRONG>Jon Hassell -</STRONG>=
 Last night the moon came... <br>
<STRONG>Wilco</STRONG> - the album<br>
<STRONG>Buddy and Julie Miller</STRONG> - Written in Chalk<br>
<br>
All Great Stuff worthy of buying and hearing!<br>
<FONT size=3D2>=3D-) PJ</FONT><br>
</FONT></FONT><br>
<br>
<br>
-----Original Message-----<br>
From: Andr=C3=A9 Donawa &lt;andre@andredonawa.com&gt;<br>
To: Loopers-Delight@loopers-delight.com<br>
Sent: Thu, Jul 30, 2009 1:52 pm<br>
Subject: OT: What's on your iPod/CDplayer/Turntable<br>
<br>
</div>


<div style=3D"FONT-SIZE: 12px; MARGIN: 0px; COLOR: #000; FONT-FAMILY: Taho=
ma, Verdana, Arial, Sans-Serif; BACKGROUND-COLOR: #fff"><PRE style=3D"FONT=
-SIZE: 9pt"><TT>Hi,

I'm a little late to the party, but really enjoyed the posts.
So much interesting material here.
I'm always on the look out for fresh sounds.

I've been working on a pop project lately, so most of my listening has
been in this realm.

Here's what I've been digging.

Jack Conte - Love his free spirit and adventures with sound and video.
             <A href=3D"http://www.youtube.com/user/jackcontemusic" target=
=3D_blank>http://www.youtube.com/user/jackcontemusic</A>

Radio Darvish Persian Traditional Music - Got this from Derek at CDBabay
             <A href=3D"http://www.radiodarvish.com/Radio_Darvish/Home.htm=
l" target=3D_blank>http://www.radiodarvish.com/Radio_Darvish/Home.html</A>

Knaan - Hip Hop with some African Flavours
             <A href=3D"http://www.youtube.com/watch?v=3DtB5RTkyN43s&amp;f=
eature=3Dfvsr"   target=3D_blank>http://www.youtube.com/watch?v=3DtB5RTkyN=
43s&amp;feature=3Dfvsr</A>

Radiohead - In Rainbows - All I Need
             <A href=3D"http://www.youtube.com/watch?v=3DiY4APDrl66s" targ=
et=3D_blank>http://www.youtube.com/watch?v=3DiY4APDrl66s</A>

Emiliana Torrini - "Me and Armini"
             <A href=3D"http://www.youtube.com/watch?v=3DiS9CB0LU_0c" targ=
et=3D_blank>http://www.youtube.com/watch?v=3DiS9CB0LU_0c</A>

Bassekou Kouyate &amp; Ngoni ba - ngoni wizards from Mali. I got to see th=
em
play live earlier this year. Incredible!!
             <A href=3D"http://www.myspace.com/bassekoukouyate" target=3D_=
blank>http://www.myspace.com/bassekoukouyate</A>


Hey Rick, I'm digging the Nik B=C3=A4rtsch.

Peace,

Andre





<A href=3D"http://www.andredonawa.com/" target=3D_blank>http://www.andredo=
nawa.com</A>
<A href=3D"http://cdbaby.com/all/andredonawa" target=3D_blank>http://cdbab=
y.com/all/andredonawa</A>
<A href=3D"http://www.myspace.com/andredonawa" target=3D_blank>http://www.=
myspace.com/andredonawa</A>


Andre Donawa
Barbados Guitar School
Woodside Gardens
Bay St.
St. Michael
Barbados
 11157
Tel: 246-228-2480 (Office)
     246 436 8294 (School)

<A href=3D"http://www.barbadosguitar.com/" target=3D_blank>http://www.barb=
adosguitar.com</A>
<A href=3D"http://www.andredonawa.com/" target=3D_blank>http://www.andredo=
nawa.com</A>
<A href=3D"http://cdbaby.com/all/andredonawa" target=3D_blank>http://cdbab=
y.com/all/andredonawa</A>
<A href=3D"http://www.myspace.com/andredonawa" target=3D_blank>http://www.=
myspace.com/andredonawa</A>
</TT></PRE></div>
<!-- end of AOLMsgPart_0_dfb
ca3b4-adef-4d4e-be44-42442a483eb8 --><div id=3D'MAILCIAMB042-5c4a4a71e0a14=
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t arial,san-serif;"> <hr style=3D"margin-top:10px"/><A HREF=3Dhttp://pr.at=
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Date: Thu, 30 Jul 2009 11:09:16 -0700
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Subject: Re: OT: Notron Latronic - alternatives?
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Heh, yeah, I've had a few of those myself where all of the sudden I'm
obsessed with some arcane device.  The thing that would bother me
about the software version of the Nortron is while it hosts VSTs it is
not one itself.  I think something like this would be fun to run right
inside Live.

I don't think the APC40 will operate like a Monome or Tenor-on.  All
those buttons seem to be dedicated to the launching/recording/playing
of clips.  Cool as a sequencer application in itself, but not a grid
or x0x style of note input.

I'd check out a download of Reaktor if you don't have it.  There are a
ton of cool sequencers for it that might help distract you from your
current obsession!  Good luck.

On Thu, Jul 30, 2009 at 8:35 AM, Buzap Buzap<buzap@gmx.net> wrote:
> Yeah, I guess you're right, Mark.
> They all are missing the hardware charm.
> Touchscreen would be nice, would end up with sth like Lemur eventually.
> Or you go the midi controller route and take something like TenoriOn, Mon=
ome or the new Akai APC 40 controller - and pair it with an intelligent, ev=
olving sequencer.
>
> Oh well, it's more sentimentality on my side I guess, no life-or-death de=
cision... =A0Like kind of when I was obsessed with the Casio VL-1. :)
>
> best regards
> Buzap
>
> --
> Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla Firefox 3 =
-
> sicherer, schneller und einfacher! http://portal.gmx.net/de/go/atbrowser
>
>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 18:54:59 2009
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--Apple-Mail-4-89957681
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my ancient friend and recurring music collaborator Jay Yarnall has  
posted some vids and music you might like.  Check it out!

http://www.wireonfire.com/jayyarnall/newmedia.html


richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com







--Apple-Mail-4-89957681
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">my ancient friend and recurring =
music collaborator Jay Yarnall has posted some vids and music you might =
like. &nbsp;Check it out!<div><br></div><div><a =
href=3D"http://www.wireonfire.com/jayyarnall/newmedia.html">http://www.wir=
eonfire.com/jayyarnall/newmedia.html</a><div><br></div></div><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br></body></html>=

--Apple-Mail-4-89957681--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 21:14:21 2009
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Date: Thu, 30 Jul 2009 17:13:42 -0400
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
conclude the month-long Special Focus on Jeffrey Koepper.  The Featured
CD at Midnight will be "Radiate" on the Ricochet Dream label.  For
details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jul

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 22:36:37 2009
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Date: Fri, 31 Jul 2009 00:36:33 +0200
Message-ID: <afb941d0907301536u47f1aac0s1386c4b3f7f58a1f@mail.gmail.com>
Subject: Re: OT Re: in ear MICRO-phones, binaural audio (was: toys for 
	non-musicians)
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2009/7/30, andy butler <akbutler@tiscali.co.uk>:
> hi Raul,
> Yep, it's a pity about the pre-amps on the H2.
> Actually, the onboard mics don't have that problem,
> so I wonder where the quality loss comes in.

that's why i stopped using the binaural electrets, which i prefered
for ambient recordings against the option of using all 4 mics from the
h2.

> You could always hack a couple of connections into the H2
> so that your capsules would connect into the circuit
> at the point where the Zoom capsules do now.

i've checked several sites dealing with this hack and it looks like
the route to go, certainly.

> With an external pre-amp, you'd be relying on the quality
> of the Zoom line-In anyway.

although noisy, i think it's a different story from the plugin power
socket, which is a joke.

> If you go the DIY pre-amp route, why not use a dedicated
> pre-amp chip like SSM2017 (or whatever replaces that these days).
> Simple circuits on the datasheet for the chip.

electronics nerd here. do you mean replacing the preamp chip that
drives the actual plugin power input on the h2 by the SSM2017?.

i've found this site in the u.k., but they seem to sold all their
preamps out! although a new model is on the owen....

http://www.felmicamps.co.uk/products/felbattpreamp.html

> andy
>
> Raul Bonell wrote:
>> may anybody point me to some europe based net shop where to look for a
>> clean portable stereo electret preamp? i'd like to continue using the
>> core sound binaurals.
>>
>> btw, i came across this diy website about audio preamp circuits. in
>> english.
>>
>> http://www.pardell.es/audio_preamp.HTM
>>
>> 2009/7/30, Raul Bonell <raul.bonell@gmail.com>:
>>> i get the CSB from core sound by len moskowitz who modified some
>>> cheapo panasonic capsules so that they could handle more pressure... i
>>> used it extensively with a minidisc which had a nice built in preamp,
>>> but i sold it, and now tried to do the same with the zoom h2 which
>>> resulted in noisy recordings since the plugin power preamp is shit.
>>>
>>> 2009/7/30, Michael Peters <mp@mpeters.de>:
>>>>> Would love to hear about other's experiences with binaurals?
>>>> I know that Georgina Brett used them for outdoors recordings a lot
>>>> http://www.myspace.com/georginafbrett
>>>>
>>>> -Michael
>>>>
>>>>
>>>
>>> --
>>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>>> Chain Tape Collective: http://www.ct-collective.com
>>>
>>
>>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul 30 22:46:12 2009
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Date: Thu, 30 Jul 2009 15:46:11 -0700
Message-ID: <d1396fc00907301546p127fe6ebn328f69e9510aa9fe@mail.gmail.com>
Subject: Re: OT: Dumble amps
From: Travis Hartnett <travishartnett@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
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--001636c9356a036276046ff412f1
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I recall reading that when Robben Ford toured Europe and didn't want to
bring his Dumble, he'd use a Tube Screamer into a BF Twin Reverb.  A few
years ago, someone took apart a Dumble, melted the goop on the "secret
component", and described the circuit as...a Tube Screamer inside a Twin
Reverb.  So, consider saving $49K and going that route.

While all the usual famous Dumble users always sound great, they sound grea=
t
through anything they've used, and I've never heard a Dumble recording and
thought ZOMG!!! That's THE Tone!!!  And I've heard a few live, and at close
quarters, and so if you have $50k, go for it!  Otherwise...

TH

On Tue, Jul 28, 2009 at 7:14 PM, William Walker <billwalker@baymoon.com>wro=
te:

>  I know this is a bit off topic but I thought some of you analog heads an=
d
> guitar tone freaks might get a kick out of this.
>
> As you may know, Alexander (don=92t call me Howard) Dumble is a legendary
> custom builder of guitar amps that now because of there rarity and celebr=
ity
> connections (Robben Ford, Larry Carlton, and more recently, Carlos Santan=
a
> to name a few)  fetch ridiculous amounts of money.
>

--001636c9356a036276046ff412f1
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

I recall reading that when Robben Ford toured Europe and didn&#39;t want to=
 bring his Dumble, he&#39;d use a Tube Screamer into a BF Twin Reverb.=A0 A=
 few years ago, someone took apart a Dumble, melted the goop on the &quot;s=
ecret component&quot;, and described the circuit as...a Tube Screamer insid=
e a Twin Reverb.=A0 So, consider saving $49K and going that route.=A0 <br>
<br>While all the usual famous Dumble users always sound great, they sound =
great through anything they&#39;ve used, and I&#39;ve never heard a Dumble =
recording and thought ZOMG!!! That&#39;s THE Tone!!!=A0 And I&#39;ve heard =
a few live, and at close quarters, and so if you have $50k, go for it!=A0 O=
therwise...<br>
<br>TH<br><br><div class=3D"gmail_quote">On Tue, Jul 28, 2009 at 7:14 PM, W=
illiam Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.co=
m">billwalker@baymoon.com</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0=
pt 0pt 0.8ex; padding-left: 1ex;">









<div link=3D"blue" vlink=3D"purple" lang=3D"EN-US">

<div>

<p><font size=3D"2" face=3D"Arial"><span style=3D"font-size: 10pt; font-fam=
ily: Arial;">I know this is a bit off topic but I thought some of you analo=
g
heads and guitar tone freaks might get a kick out of this.</span></font></p=
>

<p><font size=3D"2" face=3D"Arial"><span style=3D"font-size: 10pt; font-fam=
ily: Arial;">As you may know, Alexander (don=92t call me Howard)
Dumble is a legendary custom builder of guitar amps that now because of the=
re
rarity and celebrity connections (Robben Ford, Larry Carlton, and more rece=
ntly,
Carlos Santana to name a few) =A0fetch ridiculous amounts of money.</span><=
/font></p></div>

</div>


</blockquote></div><br>

--001636c9356a036276046ff412f1--

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Date: Thu, 30 Jul 2009 19:27:57 -0300
From: Mike Kilburn <mkilburn@eastlink.ca>
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Unsubscribe

-----Original Message-----
From: Bill Fox [mailto:billyfox@soundscapes.us]
Sent: July 30, 2009 6:14 PM
To: undisclosed-recipients:
Subject: Tonight on Galactic Travels

GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
conclude the month-long Special Focus on Jeffrey Koepper.  The Featured
CD at Midnight will be "Radiate" on the Ricochet Dream label.  For
details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jul

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 04:27:15 2009
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT attention effects pedal freeks and would be effects designers.
Date: Thu, 30 Jul 2009 21:27:09 -0700
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 I don't know how this flew under my radar but it is an intriguing idea
https://www.globalfulfillment.net/gfsnet/line6/10Expand.aspx?ProductCode=99-
043-0001,  be sure to click the more info link for a more complete
description. I think it would be most suited to people who already
understand somewhat how to write DSP code ( I sure don't) but it does
include a basic tutorial and software for windows, plus the hardware pedal..
Essentially, it's a line 6 product that allows you to write your own DSP
effects and import them into a USB equipped hardware tone core dock.  Pretty
cool.

Bill


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;I don&#8217;t know how this flew under my radar =
but it
is an intriguing idea <a
href=3D"https://www.globalfulfillment.net/gfsnet/line6/10Expand.aspx?Prod=
uctCode=3D99-043-0001">https://www.globalfulfillment.net/gfsnet/line6/10E=
xpand.aspx?ProductCode=3D99-043-0001</a>,
&nbsp;be sure to click the more info link for a more complete =
description. I
think it would be most suited to people who already understand somewhat =
how to
write DSP code ( I sure don&#8217;t) but it does include a basic =
tutorial and
software for windows, plus the hardware pedal.. Essentially, it&#8217;s =
a line
6 product that allows you to write your own DSP effects and import them =
into a USB
equipped hardware tone core dock. &nbsp;Pretty =
cool.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Bill<o:p></o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 07:26:31 2009
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Subject: Boss looper contest in Germany
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http://www.loopercontest.bossmusik.de/

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 08:17:47 2009
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Subject: Re: OT Re: in ear MICRO-phones, binaural audio  Zoom H2
References: <66f9cc1e0907281052q11c4955ep23349b9ce1bdb8c3@mail.gmail.com>	 <00b101ca1099$1da9abe0$14b2a8c0@mpeserver>	 <afb941d0907291525n43de1f94ha6eae2e4ec4f10d5@mail.gmail.com>	 <afb941d0907291652r2a714e85n2c533ad630efadb6@mail.gmail.com>	 <4A715283.90007@tiscali.co.uk> <afb941d0907301536u47f1aac0s1386c4b3f7f58a1f@mail.gmail.com>
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Raul Bonell wrote:
> 2009/7/30, andy butler <akbutler@tiscali.co.uk>:
>> hi Raul,
>> Yep, it's a pity about the pre-amps on the H2.
>> Actually, the onboard mics don't have that problem,
>> so I wonder where the quality loss comes in.
> 

>> If you go the DIY pre-amp route, why not use a dedicated
>> pre-amp chip like SSM2017 (or whatever replaces that these days).
>> Simple circuits on the datasheet for the chip.
> 
> electronics nerd here. do you mean replacing the preamp chip that
> drives the actual plugin power input on the h2 by the SSM2017?.

I hadn't thought of that
...gain 5 nerd points :-)

Don't know if it would work, perhaps the H2 voltage is too low,
or not enough current.

an external pre isn't hard to make

> 
> i've found this site in the u.k., but they seem to sold all their
> preamps out! although a new model is on the owen....
> 
> http://www.felmicamps.co.uk/products/felbattpreamp.html
> 

well, remember the H2 line input is -10dB with absolutely
no headroom.
I use a 20dB pad with mine for line recording.



andy

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 10:48:08 2009
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From: Teddy Kumpel <teddybut@mac.com>
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ahhhh yes, looping as an olympic sport !!!!
awesome

play by play by announcers talking quietly like at a gymnastic event

BORIS: "yes, here's ****... of Hannover, he's been looping for 3 years  
now and comes from a beat box, singing and classical ukelele background.
oooooh, he started off strong with a nice reggae beat, after tapping  
in the tempo himself... a lot of the younger looper are using tap  
tempo I noticed Jim, whereas the older loopers are used to setting it  
manually in a menu...."

JIM: "yes, I've noticed that too... something about the new equipment,  
oh, he's added a fine ukelele skank part with phase shifter, a little  
lagging time offset in the hip hop tradition, the judges are going to  
like that.... ah yes, you see Ricoloop grinning..."

BORIS: "yes, Ricoloop, the undisputed champion of looping here in  
Germany, one of our judges today.... oooooooooooh, he's added a nasal  
bass and a counter melody on distorted ukelele simultaneously, that's  
gotta count for extra points with the judges"
JIM: "yes, in the rules of olympic looping the more elements you add  
in one pass the more points you get, especially if you make it so you  
can turn them off later individually..."

(10 minutes later)

BORIS: "he seems to be going for the big end build up now with the  
later multiple vocals.... ouch, he hit one bad note there... or is he  
intending to go for aeolian mode over the dominant chord structure  
he's set up... let's see how he gets out of it"
JIM: "ya, the judges don't really care about harmony here, they're  
more concerned with the smoothness, execution and difficulty level...  
but it look as if he's saved it BORIS"
BORIS: "oh yes, he, slipped the major third back in... what finesse...  
I think that should count for extra foresight points... and he's  
playing a little riff..AND AND AND.... wow... great ending, with a  
nice reverb blast final chord... a good showing by *** of Hannover...  
let's see what the judges have to say"

etc.....

Teddy


On Jul 31, 2009, at 3:26 AM, Michael Peters wrote:

> http://www.loopercontest.bossmusik.de/
>



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One last time before we hit the road today...if you can make it, that
would be cool!

*******************

Everything Bends:
An Improvisatory Evening of Demonstration Performance, and Conversation

Doors 6:30 PM / 7:00 PM Saturday, August 1st
Bandit Gallery
1549 Sunset Blvd, Los Angeles, CA 90026

As writers and artists, we are all driven by an improvisatory impulse,
even if it is unacknowledged. However, audiences commonly focus on the
temporary and performative aspects of improvisation, not on its
limitless potential as a critical invention that provokes further
conceptual considerations.

More than just a gesture, improvisation is a sort of aesthetics of
existential responsiveness. It is process and not just result, one
that constitutes both cognitive and kinetic experience.

If indeed everything does bend, and no creation is fixed, static or
predictable, then how far can we explore and stretch the possibilities
of a practice consciously engaged with improvisation?

With Special Guests:
Douglas Kearney / Ryan Tanaka / Brian Moss /
Dennis Moser

With MC: Joe Milazzo

And Additional Installations/Performances by:
Stephen Van Dyck / Daiana Feuer /
Dennis Gonzalez & Yells At Eels


Suggested donation of $5-10 will be appreciated.

3strophe at gmail dot com



--
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 13:54:29 2009
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Date: Fri, 31 Jul 2009 15:54:26 +0200
Message-ID: <afb941d0907310654l447272b1nd8072bfd77fe3779@mail.gmail.com>
Subject: Re: OT Re: in ear MICRO-phones, binaural audio Zoom H2
From: Raul Bonell <raul.bonell@gmail.com>
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2009/7/31, andy butler <akbutler@tiscali.co.uk>:

> I hadn't thought of that
> ...gain 5 nerd points :-)

yoohoo! ...

> Don't know if it would work, perhaps the H2 voltage is too low,
> or not enough current.
> an external pre isn't hard to make
> well, remember the H2 line input is -10dB with absolutely
> no headroom.
> I use a 20dB pad with mine for line recording.

if AC is available, i use a tfpro4 stereo preamp with comp+limiter,
-20dB pad, rca output into the in line of the h2. i wonder if the
nowadays cheaper microtrack II from m-audio has better preamps.

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 14:57:58 2009
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Date: Fri, 31 Jul 2009 10:57:56 -0400 (AST)
Subject: Re: Boss looper contest in Germany
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Hilarious!!!
Great inside the loop joke Ted.

On Fri, July 31, 2009 6:48 am, Teddy Kumpel wrote:
> ahhhh yes, looping as an olympic sport !!!!
> awesome
>
> play by play by announcers talking quietly like at a gymnastic event
>
> BORIS: "yes, here's ****... of Hannover, he's been looping for 3 years
> now and comes from a beat box, singing and classical ukelele background.
> oooooh, he started off strong with a nice reggae beat, after tapping
> in the tempo himself... a lot of the younger looper are using tap
> tempo I noticed Jim, whereas the older loopers are used to setting it
> manually in a menu...."
>
> JIM: "yes, I've noticed that too... something about the new equipment,
> oh, he's added a fine ukelele skank part with phase shifter, a little
> lagging time offset in the hip hop tradition, the judges are going to
> like that.... ah yes, you see Ricoloop grinning..."
>
> BORIS: "yes, Ricoloop, the undisputed champion of looping here in
> Germany, one of our judges today.... oooooooooooh, he's added a nasal
> bass and a counter melody on distorted ukelele simultaneously, that's
> gotta count for extra points with the judges"
> JIM: "yes, in the rules of olympic looping the more elements you add
> in one pass the more points you get, especially if you make it so you
> can turn them off later individually..."
>
> (10 minutes later)
>
> BORIS: "he seems to be going for the big end build up now with the
> later multiple vocals.... ouch, he hit one bad note there... or is he
> intending to go for aeolian mode over the dominant chord structure
> he's set up... let's see how he gets out of it"
> JIM: "ya, the judges don't really care about harmony here, they're
> more concerned with the smoothness, execution and difficulty level...
> but it look as if he's saved it BORIS"
> BORIS: "oh yes, he, slipped the major third back in... what finesse...
> I think that should count for extra foresight points... and he's
> playing a little riff..AND AND AND.... wow... great ending, with a
> nice reverb blast final chord... a good showing by *** of Hannover...
> let's see what the judges have to say"
>
> etc.....
>
> Teddy
>
>
> On Jul 31, 2009, at 3:26 AM, Michael Peters wrote:
>
>> http://www.loopercontest.bossmusik.de/
>>
>
>
>
>





http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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Date: Fri, 31 Jul 2009 07:52:35 -0700
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Subject: Re: OT: What's on your iPod/CDplayer/Turntable
From: George Ludwig <georgeludwigmusic@gmail.com>
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Thanks for those links...I'm really liking Jack Conte, as well as his
collaboration with Nataly Dawn...really great stuff!

For some reason I'm somewhat hesitant to admit that what I've been
listenting to lately (if it's not checking mixes of my own project) has
either been:

Electric Six "Fire" (my god, these rock and they crack me up)
Jean Michel Jarre "Oxygene" (remastered version...I listen to this for
inspiration)

-George

On Thu, Jul 30, 2009 at 10:52 AM, Andr=E9 Donawa <andre@andredonawa.com>wro=
te:

> Hi,
>
> I'm a little late to the party, but really enjoyed the posts.
> So much interesting material here.
> I'm always on the look out for fresh sounds.
>
> I've been working on a pop project lately, so most of my listening has
> been in this realm.
>
> Here's what I've been digging.
>
> Jack Conte - Love his free spirit and adventures with sound and video.
>             http://www.youtube.com/user/jackcontemusic
>
> Radio Darvish Persian Traditional Music - Got this from Derek at CDBabay
>             http://www.radiodarvish.com/Radio_Darvish/Home.html
>
> Knaan - Hip Hop with some African Flavours
>             http://www.youtube.com/watch?v=3DtB5RTkyN43s&feature=3Dfvsr
>
> Radiohead - In Rainbows - All I Need
>             http://www.youtube.com/watch?v=3DiY4APDrl66s
>
> Emiliana Torrini - "Me and Armini"
>             http://www.youtube.com/watch?v=3DiS9CB0LU_0c
>
> Bassekou Kouyate & Ngoni ba - ngoni wizards from Mali. I got to see them
> play live earlier this year. Incredible!!
>             http://www.myspace.com/bassekoukouyate
>
>
> Hey Rick, I'm digging the Nik B=E4rtsch.
>
> Peace,
>
> Andre
>
>
>
>
>
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
>
> Andre Donawa
> Barbados Guitar School
> Woodside Gardens
> Bay St.
> St. Michael
> Barbados
>  11157
> Tel: 246-228-2480 (Office)
>     246 436 8294 (School)
>
> http://www.barbadosguitar.com
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
>


--=20
-George

http://www.myspace.com/georgeludwigmusic

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<div>Thanks for those links...I&#39;m really liking Jack Conte, as well as =
his collaboration with Nataly Dawn...really great stuff!</div>
<div>=A0</div>
<div>For some reason I&#39;m somewhat hesitant to admit that what I&#39;ve =
been listenting to lately (if it&#39;s not checking mixes of my own project=
) has either been:</div>
<div>=A0</div>
<div>Electric Six &quot;Fire&quot; (my god, these rock and they crack me up=
)</div>
<div>Jean Michel Jarre &quot;Oxygene&quot; (remastered version...I listen t=
o this for inspiration)<br><br>-George</div>
<div>=A0</div>
<div class=3D"gmail_quote">On Thu, Jul 30, 2009 at 10:52 AM, Andr=E9 Donawa=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:andre@andredonawa.com">andre@andre=
donawa.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Hi,<br><br>I&#39;m a little late=
 to the party, but really enjoyed the posts.<br>So much interesting materia=
l here.<br>
I&#39;m always on the look out for fresh sounds.<br><br>I&#39;ve been worki=
ng on a pop project lately, so most of my listening has<br>been in this rea=
lm.<br><br>Here&#39;s what I&#39;ve been digging.<br><br>Jack Conte - Love =
his free spirit and adventures with sound and video.<br>
=A0 =A0 =A0 =A0 =A0 =A0 <a href=3D"http://www.youtube.com/user/jackcontemus=
ic" target=3D"_blank">http://www.youtube.com/user/jackcontemusic</a><br><br=
>Radio Darvish Persian Traditional Music - Got this from Derek at CDBabay<b=
r>=A0 =A0 =A0 =A0 =A0 =A0 <a href=3D"http://www.radiodarvish.com/Radio_Darv=
ish/Home.html" target=3D"_blank">http://www.radiodarvish.com/Radio_Darvish/=
Home.html</a><br>
<br>Knaan - Hip Hop with some African Flavours<br>=A0 =A0 =A0 =A0 =A0 =A0 <=
a href=3D"http://www.youtube.com/watch?v=3DtB5RTkyN43s&amp;feature=3Dfvsr" =
target=3D"_blank">http://www.youtube.com/watch?v=3DtB5RTkyN43s&amp;feature=
=3Dfvsr</a><br><br>Radiohead - In Rainbows - All I Need<br>
=A0 =A0 =A0 =A0 =A0 =A0 <a href=3D"http://www.youtube.com/watch?v=3DiY4APDr=
l66s" target=3D"_blank">http://www.youtube.com/watch?v=3DiY4APDrl66s</a><br=
><br>Emiliana Torrini - &quot;Me and Armini&quot;<br>=A0 =A0 =A0 =A0 =A0 =
=A0 <a href=3D"http://www.youtube.com/watch?v=3DiS9CB0LU_0c" target=3D"_bla=
nk">http://www.youtube.com/watch?v=3DiS9CB0LU_0c</a><br>
<br>Bassekou Kouyate &amp; Ngoni ba - ngoni wizards from Mali. I got to see=
 them<br>play live earlier this year. Incredible!!<br>=A0 =A0 =A0 =A0 =A0 =
=A0 <a href=3D"http://www.myspace.com/bassekoukouyate" target=3D"_blank">ht=
tp://www.myspace.com/bassekoukouyate</a><br>
<br><br>Hey Rick, I&#39;m digging the Nik B=E4rtsch.<br><br>Peace,<br><br>A=
ndre<br><br><br><br><br><br><a href=3D"http://www.andredonawa.com/" target=
=3D"_blank">http://www.andredonawa.com</a><br><a href=3D"http://cdbaby.com/=
all/andredonawa" target=3D"_blank">http://cdbaby.com/all/andredonawa</a><br=
>
<a href=3D"http://www.myspace.com/andredonawa" target=3D"_blank">http://www=
.myspace.com/andredonawa</a><br><br><br>Andre Donawa<br>Barbados Guitar Sch=
ool<br>Woodside Gardens<br>Bay St.<br>St. Michael<br>Barbados<br>=A011157<b=
r>
Tel: 246-228-2480 (Office)<br>=A0 =A0 246 436 8294 (School)<br><br><a href=
=3D"http://www.barbadosguitar.com/" target=3D"_blank">http://www.barbadosgu=
itar.com</a><br><a href=3D"http://www.andredonawa.com/" target=3D"_blank">h=
ttp://www.andredonawa.com</a><br>
<a href=3D"http://cdbaby.com/all/andredonawa" target=3D"_blank">http://cdba=
by.com/all/andredonawa</a><br><a href=3D"http://www.myspace.com/andredonawa=
" target=3D"_blank">http://www.myspace.com/andredonawa</a><br><br></blockqu=
ote>
</div><br><br clear=3D"all">
<div></div><br>-- <br>-George<br><br><a href=3D"http://www.myspace.com/geor=
geludwigmusic">http://www.myspace.com/georgeludwigmusic</a><br>

--001485f8724822d4b5047001928f--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 15:09:55 2009
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Subject: Re: Boss looper contest in Germany
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Thanks Andre,
ya, I'm really routing for **** to win, I'm a huge fan... ever since =20
he won the gold in Beijing
I really love his beatbox/classical ukelele combo
TEddy

On Jul 31, 2009, at 10:57 AM, Andr=E9 Donawa wrote:

> Hilarious!!!
> Great inside the loop joke Ted.
>
> On Fri, July 31, 2009 6:48 am, Teddy Kumpel wrote:
>> ahhhh yes, looping as an olympic sport !!!!
>> awesome
>>
>> play by play by announcers talking quietly like at a gymnastic event
>>
>> BORIS: "yes, here's ****... of Hannover, he's been looping for 3 =20
>> years
>> now and comes from a beat box, singing and classical ukelele =20
>> background.
>> oooooh, he started off strong with a nice reggae beat, after tapping
>> in the tempo himself... a lot of the younger looper are using tap
>> tempo I noticed Jim, whereas the older loopers are used to setting it
>> manually in a menu...."
>>
>> JIM: "yes, I've noticed that too... something about the new =20
>> equipment,
>> oh, he's added a fine ukelele skank part with phase shifter, a little
>> lagging time offset in the hip hop tradition, the judges are going to
>> like that.... ah yes, you see Ricoloop grinning..."
>>
>> BORIS: "yes, Ricoloop, the undisputed champion of looping here in
>> Germany, one of our judges today.... oooooooooooh, he's added a nasal
>> bass and a counter melody on distorted ukelele simultaneously, that's
>> gotta count for extra points with the judges"
>> JIM: "yes, in the rules of olympic looping the more elements you add
>> in one pass the more points you get, especially if you make it so you
>> can turn them off later individually..."
>>
>> (10 minutes later)
>>
>> BORIS: "he seems to be going for the big end build up now with the
>> later multiple vocals.... ouch, he hit one bad note there... or is he
>> intending to go for aeolian mode over the dominant chord structure
>> he's set up... let's see how he gets out of it"
>> JIM: "ya, the judges don't really care about harmony here, they're
>> more concerned with the smoothness, execution and difficulty level...
>> but it look as if he's saved it BORIS"
>> BORIS: "oh yes, he, slipped the major third back in... what =20
>> finesse...
>> I think that should count for extra foresight points... and he's
>> playing a little riff..AND AND AND.... wow... great ending, with a
>> nice reverb blast final chord... a good showing by *** of Hannover...
>> let's see what the judges have to say"
>>
>> etc.....
>>
>> Teddy

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 16:28:44 2009
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Subject: Re: OT: Notron Latronic - alternatives?
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Hi Mark
 
> I'd check out a download of Reaktor if you don't have it.
I haven't used Reaktor but it seems interesting, indeed.
Currently, I'm playing only little keys. But I might look into Reaktor when I devote more time to playing keys/synths again.
Thanks
Buzap
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 16:34:40 2009
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Subject: Re: Boss looper contest in Germany
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HILARIOUS, Ted!!! :-)))

I'm really not sure what to think of these contests...
On th one side, it might be good to promote looping, on the other hand... 

Anyway, I love your comments, Ted :-))

Buzap


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From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 16:38:10 2009
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Hi Bill

OMG, this is great...
This link may be easier to open: http://line6.com/tcddk/

Wish they had it in stereo and with additional external pedal/midi option...

best regards
Buzap

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 16:56:35 2009
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Genius!  Nicely done.  I could almost see the Ukranian judge holding up the 5 amongst the sea of 9s.

Reid
Think
Pay attention


The job of a citizen is to keep his mouth open.  - Gunter Grass
----- Original Message ----- 
From: "Teddy Kumpel" <teddybut@mac.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, July 31, 2009 3:48 AM
Subject: Re: Boss looper contest in Germany


ahhhh yes, looping as an olympic sport !!!!
awesome

play by play by announcers talking quietly like at a gymnastic event

BORIS: "yes, here's ****... of Hannover, he's been looping for 3 years  
now and comes from a beat box, singing and classical ukelele background.
oooooh, he started off strong with a nice reggae beat, after tapping  
in the tempo himself... a lot of the younger looper are using tap  
tempo I noticed Jim, whereas the older loopers are used to setting it  
manually in a menu...."

JIM: "yes, I've noticed that too... something about the new equipment,  
oh, he's added a fine ukelele skank part with phase shifter, a little  
lagging time offset in the hip hop tradition, the judges are going to  
like that.... ah yes, you see Ricoloop grinning..."

BORIS: "yes, Ricoloop, the undisputed champion of looping here in  
Germany, one of our judges today.... oooooooooooh, he's added a nasal  
bass and a counter melody on distorted ukelele simultaneously, that's  
gotta count for extra points with the judges"
JIM: "yes, in the rules of olympic looping the more elements you add  
in one pass the more points you get, especially if you make it so you  
can turn them off later individually..."

(10 minutes later)

BORIS: "he seems to be going for the big end build up now with the  
later multiple vocals.... ouch, he hit one bad note there... or is he  
intending to go for aeolian mode over the dominant chord structure  
he's set up... let's see how he gets out of it"
JIM: "ya, the judges don't really care about harmony here, they're  
more concerned with the smoothness, execution and difficulty level...  
but it look as if he's saved it BORIS"
BORIS: "oh yes, he, slipped the major third back in... what finesse...  
I think that should count for extra foresight points... and he's  
playing a little riff..AND AND AND.... wow... great ending, with a  
nice reverb blast final chord... a good showing by *** of Hannover...  
let's see what the judges have to say"

etc.....

Teddy


On Jul 31, 2009, at 3:26 AM, Michael Peters wrote:

> http://www.loopercontest.bossmusik.de/
>



From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 17:12:17 2009
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well, of course, cause looping is so prevalent in the Ukraine...  
hopeful parents put a looper under their children's pillow when  
they're born...

TEddy

On Jul 31, 2009, at 12:49 PM, Reid Ertsgaard wrote:

> Genius!  Nicely done.  I could almost see the Ukranian judge holding  
> up the 5 amongst the sea of 9s.
>
> Reid
> Think
> Pay attention
>
>
> The job of a citizen is to keep his mouth open.  - Gunter Grass-

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 17:43:20 2009
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Well, that does it!  You're the undisputed winner of the commentors 
contest, running simultaneously in a parallel loop to the loop contest.


How anyone can come up with a looping contest is beyond me; next up I 
suppose is the "Metal bpm Speedpicking Contest", with John Petrucci 
being denied entrance due to unfair competition.

/van



Teddy Kumpel wrote:
> well, of course, cause looping is so prevalent in the Ukraine...  
> hopeful parents put a looper under their children's pillow when  they're 
> born...
> 
> TEddy
> 
> On Jul 31, 2009, at 12:49 PM, Reid Ertsgaard wrote:
> 
>> Genius!  Nicely done.  I could almost see the Ukranian judge holding  
>> up the 5 amongst the sea of 9s.
>>
>> Reid
>> Think
>> Pay attention
>>
>>
>> The job of a citizen is to keep his mouth open.  - Gunter Grass-
> 
> 
> 


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 17:47:18 2009
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Subject: Re: Boss looper contest in Germany
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I'm sure the metal speedpicking contest already exists...
I've seen double bass drum speed contests...

Teddy


On Jul 31, 2009, at 1:46 PM, van Sinn wrote:

> Well, that does it!  You're the undisputed winner of the commentors  
> contest, running simultaneously in a parallel loop to the loop  
> contest.
>
>
> How anyone can come up with a looping contest is beyond me; next up  
> I suppose is the "Metal bpm Speedpicking Contest", with John  
> Petrucci being denied entrance due to unfair competition.
>
> /van
>
>
>
> Teddy Kumpel wrote:
>> well, of course, cause looping is so prevalent in the Ukraine...   
>> hopeful parents put a looper under their children's pillow when   
>> they're born...
>> TEddy
>> On Jul 31, 2009, at 12:49 PM, Reid Ertsgaard wrote:
>>> Genius!  Nicely done.  I could almost see the Ukranian judge  
>>> holding  up the 5 amongst the sea of 9s.
>>>
>>> Reid
>>> Think
>>> Pay attention
>>>
>>>
>>> The job of a citizen is to keep his mouth open.  - Gunter Grass-
>
>
> -- 
> rgds,
> van Sinn
>

Teddy
--
PS.
--
http://teddyjam.com
new live recordings, always
--
http://myspace.com/teddykjam
friend me
--

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Subject: any Reaktor ensemble designers out there?
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--0016364c7db9c4579b0470041218
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i'd like to create or modify a step sequencer to send out control change
messages at specific values, but i'm clueless how to do it. i have reaktor
5.0 and there are a couple of step sequencers in the legacy library, but
they send midi notes to a simple drum synth. can anyone help me?

many thanks!

sim

--0016364c7db9c4579b0470041218
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i&#39;d like to create or modify a step sequencer to send out control chang=
e messages at specific values, but i&#39;m clueless how to do it. i have re=
aktor 5.0 and there are a couple of step sequencers in the legacy library, =
but they send midi notes to a simple drum synth. can anyone help me?<br>
<br>many thanks!<br><br>sim<br>

--0016364c7db9c4579b0470041218--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 17:58:48 2009
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Subject: Re: OT: Notron Latronic - alternatives?
From: Mark Sottilaro <zerocrossing@gmail.com>
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It seems equally adept at building effects and sequencers as it is
instruments.  One look at Newscool and I was hooked.

http://www.native-instruments.com/#/en/products/producer/reaktor-5/?page=3D=
545

On Fri, Jul 31, 2009 at 9:28 AM, Buzap Buzap<buzap@gmx.net> wrote:
> Hi Mark
>
>> I'd check out a download of Reaktor if you don't have it.
> I haven't used Reaktor but it seems interesting, indeed.
> Currently, I'm playing only little keys. But I might look into Reaktor wh=
en I devote more time to playing keys/synths again.
> Thanks
> Buzap
> --
> Neu: GMX Doppel-FLAT mit Internet-Flatrate + Telefon-Flatrate
> f=FCr nur 19,99 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02
>
>

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Subject: Re: any Reaktor ensemble designers out there?
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What DAW are you using?  I ask because this is easy to set up in Ableton Live.

On Fri, Jul 31, 2009 at 10:51 AM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> i'd like to create or modify a step sequencer to send out control change
> messages at specific values, but i'm clueless how to do it. i have reaktor
> 5.0 and there are a couple of step sequencers in the legacy library, but
> they send midi notes to a simple drum synth. can anyone help me?
>
> many thanks!
>
> sim
>

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Subject: Re: any Reaktor ensemble designers out there?
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--0016e6dbe59a3b700d047004576c
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yes, i know this is easy in ableton, but i want to use the standalone
reaktor to send midi info to a hardware device. (i'm a logic user, so i
guess i could just use logic to do this...?)

sim

On Fri, Jul 31, 2009 at 7:01 PM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> What DAW are you using?  I ask because this is easy to set up in Ableton
> Live.
>
>

--0016e6dbe59a3b700d047004576c
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yes, i know this is easy in ableton, but i want to use the standalone reakt=
or to send midi info to a hardware device. (i&#39;m a logic user, so i gues=
s i could just use logic to do this...?)<br><br>sim<br><br><div class=3D"gm=
ail_quote">
On Fri, Jul 31, 2009 at 7:01 PM, Mark Sottilaro <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:zerocrossing@gmail.com">zerocrossing@gmail.com</a>&gt;</span> =
wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid=
 rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
What DAW are you using? =A0I ask because this is easy to set up in Ableton =
Live.<br>
<div><br></div></blockquote></div><br>

--0016e6dbe59a3b700d047004576c--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 18:12:43 2009
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Date: Fri, 31 Jul 2009 13:12:39 -0500
Subject: RE: Boss looper contest in Germany
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> BORIS: "oh yes, he, slipped the major third back in... what finesse...
> I think that should count for extra foresight points... and he's
> playing a little riff..AND AND AND.... wow... great ending, with a
> nice reverb blast final chord... a good showing by *** of Hannover...
> let's see what the judges have to say"

JIM: Wait..what's this?...Oh no, I've just received word that *** has teste=
d=20
positive for performance enhancing software.  An instant disqualification! =
=20

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 18:19:41 2009
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Subject: Re: OT attention effects pedal freeks and would be effects designers.
From: Os <os@collective.co.uk>
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I wish they supported Mac development tools!

os.


2009/7/31 Buzap Buzap <buzap@gmx.net>:
> Hi Bill
>
> OMG, this is great...
> This link may be easier to open: http://line6.com/tcddk/
>
> Wish they had it in stereo and with additional external pedal/midi option=
...
>
> best regards
> Buzap
>
> --
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>
>



--=20
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Subject: Re: any Reaktor ensemble designers out there?
From: Mark Sottilaro <zerocrossing@gmail.com>
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Seems like that would be an easier route no?  I'm not a Logic guy, but
word on the street is if you want amazing midi options Logic has
always been the one to beat.

On Fri, Jul 31, 2009 at 11:10 AM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> yes, i know this is easy in ableton, but i want to use the standalone
> reaktor to send midi info to a hardware device. (i'm a logic user, so i
> guess i could just use logic to do this...?)
>
> sim
>
> On Fri, Jul 31, 2009 at 7:01 PM, Mark Sottilaro <zerocrossing@gmail.com>
> wrote:
>>
>> What DAW are you using? =A0I ask because this is easy to set up in Ablet=
on
>> Live.
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 19:24:13 2009
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From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #643 for July 30, 2009.
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http://wdiy.org/programs/gt/playlists/2009/090730.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #643                July 30, 2009.

RECAP:
On this show, I concluded the month-long focus on Jeffrey Koepper.  The
Featured CD at Midnight was Radiate on the Ricochet Dream label.

Jeffrey Koepper:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jul


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Picture Palace Music Auerbach's Night     Curriculum Vitae I (Ricochet
                       Club                 Dream)
Polaris              Voltage Controlled   Background Stories (Ricochet
                       Inspirations         Dream)
Markus Reuter and    Spiral Manoeuvre     Dervish (DiN)
Mystified            Chimedrops           Frigid Radiance (Triple Bath)
Parallel Worlds      Not Being Mirrored   Shade (DiN)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Jeffrey Koepper      Blue Sector          Radiate (Ricochet Dream)
Jeffrey Koepper      Astral Projection    Radiate (Ricochet Dream)
Jeffrey Koepper      Timeline             Radiate (Ricochet Dream)
Jeffrey Koepper      Byzantine Machine    Radiate (Ricochet Dream)
Jeffrey Koepper      Interphase           Radiate (Ricochet Dream)
Jeffrey Koepper      Synchronous          Radiate (Ricochet Dream)
Jeffrey Koepper      Parallel Being       Radiate (Ricochet Dream)
Jeffrey Koepper      One Hundred Memories Radiate (Ricochet Dream)
Jeffrey Koepper      Creation             Radiate (Ricochet Dream)
Jeffrey Koepper      Rising Sun           Radiate (Ricochet Dream)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Saul
Stokes.  The Featured CD at Midnight will be Fields on Binary Records.

Saul Stokes: http://wdiy.org/programs/gt/playlists/2009/focus.html#aug

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 19:40:54 2009
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Subject: Re: any Reaktor ensemble designers out there?
Date: Fri, 31 Jul 2009 12:40:46 -0700
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You should be asking at the Reaktor User forum. And have you checked =20
the User Library? Didn't take long to find this:

<<MS16 v3.0; modulation sequencer:

This is a special sequencer generating a modulation signal. The basic =20=

concept is similar to the performer-modulation in N.I.'s Massive. you =20=

can select 16 different curves which are written into the 16 sequencer =20=

steps. you can scale each sequencer step and also adjust the overall =20
level of the modulation signal. etc. etc.>>

It's here (you need to log in to the User Library to access this; =20
What?!? You haven't registered?!?! That's like owning a restaurant and =20=

still only ordering from the menu!):
=
https://co.native-instruments.com/index.php?id=3Duserlibrary&type=3D0&ulbr=
=3D1&plview=3Ddetail&patchid=3D8002

There's plenty more stuff like this, and plenty info about tweaking, =20
and folks willing to customize; ask over there=85

The forum:
http://www.native-instruments.com/forum_us/

And be sure to visit:
http://kore.noisepages.com/
=85for endless explode-your-head learn-Reaktor goodness.

dpc


On Jul 31, 2009, at 10:51 AM, Simeon Harris wrote:

> i'd like to create or modify a step sequencer to send out control =20
> change messages at specific values, but i'm clueless how to do it. i =20=

> have reaktor 5.0 and there are a couple of step sequencers in the =20
> legacy library, but they send midi notes to a simple drum synth. can =20=

> anyone help me?
>
> many thanks!
>
> sim

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 20:14:06 2009
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Date: Fri, 31 Jul 2009 21:14:04 +0100
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Subject: Re: any Reaktor ensemble designers out there?
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--0016e6d27c93da0b5b0470060ff0
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thanks chaps!

On Fri, Jul 31, 2009 at 8:40 PM, David Coffin <dpcoffin@earthlink.net>wrote:

> You should be asking at the Reaktor User forum. And have you checked the
> User Library? Didn't take long to find this:
>
> <<MS16 v3.0; modulation sequencer:
>
>
>

--0016e6d27c93da0b5b0470060ff0
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thanks chaps!<br><br><div class=3D"gmail_quote">On Fri, Jul 31, 2009 at 8:4=
0 PM, David Coffin <span dir=3D"ltr">&lt;<a href=3D"mailto:dpcoffin@earthli=
nk.net">dpcoffin@earthlink.net</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
You should be asking at the Reaktor User forum. And have you checked the Us=
er Library? Didn&#39;t take long to find this:<br>
<br>
&lt;&lt;MS16 v3.0; modulation sequencer:<br>
<br><div><br></div></blockquote></div><br>

--0016e6d27c93da0b5b0470060ff0--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 21:35:17 2009
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Date: Fri, 31 Jul 2009 23:38:25 +0200
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Jeff Larson wrote:
>>BORIS: "oh yes, he, slipped the major third back in... what finesse...
>>I think that should count for extra foresight points... and he's
>>playing a little riff..AND AND AND.... wow... great ending, with a
>>nice reverb blast final chord... a good showing by *** of Hannover...
>>let's see what the judges have to say"
> 
> 
> JIM: Wait..what's this?...Oh no, I've just received word that *** has tested 
> positive for performance enhancing software.  An instant disqualification!  
> 
> Jeff


That's only for starters..  I hear the Japanese violin playing robot was 
cought using Positronic Enhancers..

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Fri Jul 31 23:47:32 2009
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i'd like to know some pros/cons, likes/dislikes about this two
different approaches to looping:

1) automatic control of your looper of choice by a hw/sw sequencer.

vs.

2) "traditional" trigger/modulation of functions/parameters by means
of a physical controller.

anybody using a mix of both?

i'd be curios to know.

-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

