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To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: "received@postcard.org"<received@postcard.org>
Content-Type: text/html


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://1sthoster.ru/~upload/E-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 04:31:09 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: mastering plug ins
Date: Mon, 1 Jun 2009 00:31:07 -0400
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Anyone have tips on some good freeware vst mastering plug ins?
I'll master loops with them :)

Jeff

From info.imf871708@gmail.com  Mon Jun  1 04:47:32 2009
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Reply-To: <office.imf131@googlemail.com>
From: "Mr Thomas Adeniran."<info.imf871708@gmail.com>
Subject: {Re: Intercepted Transfer From IMF}:::
Date: Sun, 31 May 2009 02:19:51 -0700
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To: undisclosed-recipients:;

Thomas Adeniran
Executive Controller in Nigeria and Debt Reconciliation Officer
Plot 39, Ozumba Victoria Island Lagos Nigeria.

Dear Sir/Madam, 

Subject: Re: Intercepted Transfer

It has come to our notice in our Headquarters building (I.M.F) that
your impending funds from Africa, which was intercepted,has not been
released to you ,We noticed that you made several attempt to transfer your
funds but to no avail. Our investigation continued to the African
Department (I.M.F),The monitoring team gave an unsatisfactory report to your
transaction, hence the chairman is presently under investigation for
conspiracy with your representative with intension to divert your funds.

You are advised to desist from contacting anyone including your agent
or representative in these regard, International Monetary Fund has taken
full responsibility to transfer your fund to you,respond to these mail
by providing your full below:

YOUR FULL NAME:
YOUR ADDRESS:
YOUR TELE/FAX NUMBER:
YOUR OCCUPATION:

Yours Faithfully,
Mr Thomas Adeniran.
African Department Director

From named@tta2.trackdowninc.com  Mon Jun  1 04:53:56 2009
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To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: "received@postcard.org"<received@postcard.org>
Content-Type: text/html


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://1sthoster.ru/~upload/E-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 06:18:04 2009
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Date: Mon, 01 Jun 2009 01:02:33 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T with Vortex Other Dimensional Ensemble Friday
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
 Loopers-Delight@loopers-delight.com, atari-midi@yahoogroups.com,
 FRAMEWORKS@LISTSERV.AOL.COM
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Hi folks,

Once again, I will be exploring new dimensions with Todd Brunel's 
Vortex Other Dimension Ensemble. My performances with Todd always 
send my brain to unexpected places.

Friday 5 June @ Outpost, 8pm $5/10
the Vortex Series for New and Improvised Music presents:
The Vortex Other Dimension Ensemble
Rob Bethel - cello / Todd Brunel - clarinets
Aubrey Johnson - vocals / Emile Tobenfeld - visual poetry
This multidimensional group will approach music and art from every 
corner of a wide imagination. Rob Bethel is a critically acclaimed 
classical and avant guard cellist who plays in numerous groups around 
New England. A recent New England Conservatory graduate, Aubrey 
Johnson is carving a bold path as a jazz vocalist, making numerous 
local appearances and in festivals around the United States. Dr T is 
a frequent Other Dimension traveler as well as Todd Brunel, who 
always enjoys a ride to the Other Side!

Rob Bethel on youtube:
http://www.youtube.com/watch?v=jvQf3X6PXdE
Aubrey Johnson on myspace:
http://www.myspace.com/aubreykjohnson

OUTPOST: 186 1/2 Hampshire St., Inman Sq. Cambridge - All Ages

OUTPOST DIRECTIONS: Near cr. Prospect, opposite Hess gas, behind 
7-11. Big '186' on R side. Follow walk at Left to gallery, REAR

http://www.zeitgeist-outpost.org/

-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 09:47:25 2009
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Date: Mon, 01 Jun 2009 10:59:57 +0100
From: andy butler <akbutler@tiscali.co.uk>
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: EDP and Logic Glitches
References: <b2438db40905141745s5ed6acf5l78a60e16b509dffc@mail.gmail.com> 	<66f9cc1e0905150133h6177a833ibf3edd5e96bd6bd6@mail.gmail.com> 	<b2438db40905150401h78931932k34ce83d44b476d60@mail.gmail.com> 	<66f9cc1e0905150416t179c0273v8955d7779637ce9a@mail.gmail.com> 	<b2438db40905150422n2b06c1bfu50bc967ecd8424e1@mail.gmail.com> 	<b2438db40905311140r3fd482fbo4119303884c5e2e8@mail.gmail.com> 	<66f9cc1e0905311315r1c3616f9jb522519d67360d65@mail.gmail.com> 	<b2438db40905311323j3ca6377ctd3d1fbaee4f18e23@mail.gmail.com> 	<66f9cc1e0905311331n1ea11596uf1433adec0b52118@mail.gmail.com> <b2438db40905311357mcf9a575j658963b6460e099b@mail.gmail.com>
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Hi Daniel,
without a diagram or a detailed description of your setup
it's pretty much impossible for anyone to diagnose your
problem. We're just guessing based on assumptions.

>From what you say below, about needing to use SUS commands
I'd guess that you're sending midi clock to the edps,
and not using it. 
Indeed, midi-clock sync doesn't work well with sequenced edps
(Claude Voit worked that out, and he's the guy who got
 the EDP midi response up to spec ).
So set your EDPs to sync = OFF,
and then the way to keep them synced is to 
use the Restart command as often as needed.
Having done that, you *can* use regular Record=TOG,
..but the SUS commands will be as good, stick with
what you're comfortable with.
Incidentally, you don't need to send Reset before
starting a new Recording (unless you want to).

Maybe Claude, (who I suspect of filtering this list for posts
with his name in) will chip in here, probably will if
I got something wrong.
(hi Claude :-)

Didn't you say *all* the midi info was going to the EDPs?
...and the occasional note is lost when you mix live
playing with EDP sequencing.
This would point to the loss happening wherever the sequenced
midi, and the   live midi are merged.
If that happens in your software, the software is buggy at
midi-merging. 
Either
1) Use a hardware midi merger in your system
2) Use different software
3) Send the EDP commands down a completely separate midi cable.


andy butler

Daniel Hegarty wrote:
> Hi,
> 
> Sorry for being dense, just a couple of clarifications!
> 
>    1. Say for example, on one of the EDPs, I need to record a 4 bar
>       loop, and then reset that loop later, and then record an unrelated
>       2 bar loop. How do I alter the loop length if not by using the
>       SUSrecord function? When I've experimented with quantizing, it
>       appeared to me that I could only set a fixed loop length using the
>       8th/cycle parameter. This obviously wouldn't be sufficient for the
>       use case i describe above. i.e. When in quantize mode i press
>       record once to start recording the loop, i then press it again,
>       but the stop is determined by the 8th/cycle parameter rather than
>       my button press. My impression was that Sync=In, and Quantize was
>       to be used when using a fixed length loop which you wished to
>       develop and perform operations on. If that's not the case, I'd be
>       very interested in how to very the loop lengths on the fly, so to
>       speak.
>    2. I assume the pre-delay option is only useful in the case of using
>       the EDP quantize as otherwise it would cause the commands not to
>       be sent out precisely on time.
> 
> I have a horrible feeling I've wasted a lot of time going about this the 
> wrong way! Thanks so much for your patience.
> 
> Daniel
> 

>     www.boysen.se <http://www.boysen.se>
>     www.perboysen.com <http://www.perboysen.com>
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 10:37:50 2009
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Subject: OT: mastering plug ins
From: Rainer Straschill <moinsound@googlemail.com>
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> Anyone have tips on some good freeware vst mastering plug ins?

Not freeware, but a good set of speakers would be a good start ;)

> I'll master loops with them :)

Could you be more specific? Do you want something on the 2bus going to
your production master, or something as part of your playing setup
downstream from the looper (but not going directly to the production
master)?

Compressors:
Blockfish
a lot of people dig the Kjaerhus Classic Compressor

EQs:
no idea, really (using the PSP Q for that stage), but this sounds interesting:
http://rekkerd.org/ronald-passion-releases-massive-passive-eq-v10/

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Subject: Re: mastering plug ins
Date: Mon, 1 Jun 2009 09:12:49 -0400
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Hi Rainer,
I sent you a more detailed email offlist but basically what I need is post 
recording mastering. For putting the finishing touch on my recordings. 
Specifically:

Waves Linear phase EQ lowband - equivalent
noise reduction (I have this)
Waves S1 Shuffler - equivalent
Waves C4 multiband parametric processor - equivalent
Waves L3 Ultra Maximizer - equivalent

I have found some of these but have not tried then yet.

thanks,

Jeff

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Monday, June 01, 2009 6:37 AM
Subject: OT: mastering plug ins


>> Anyone have tips on some good freeware vst mastering plug ins?
>
> Not freeware, but a good set of speakers would be a good start ;)
>
>> I'll master loops with them :)
>
> Could you be more specific? Do you want something on the 2bus going to
> your production master, or something as part of your playing setup
> downstream from the looper (but not going directly to the production
> master)?
>
> Compressors:
> Blockfish
> a lot of people dig the Kjaerhus Classic Compressor
>
> EQs:
> no idea, really (using the PSP Q for that stage), but this sounds 
> interesting:
> http://rekkerd.org/ronald-passion-releases-massive-passive-eq-v10/
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 13:19:00 2009
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Date: Mon, 1 Jun 2009 15:19:00 +0200
Message-ID: <66f9cc1e0906010619y6fc5df84v7df42535281873bd@mail.gmail.com>
Subject: Re: mastering plug ins
From: Per Boysen <perboysen@gmail.com>
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On Mon, Jun 1, 2009 at 3:12 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>
>>> Anyone have tips on some good freeware vst mastering plug ins?


No.

If your search could be extending into also commercial products I know
that many are finding the iZotope mastering suite the best value for
money.   http://www.izotope.com/.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: mastering (was: mastering plug ins)
From: Rainer Straschill <moinsound@googlemail.com>
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> I sent you a more detailed email offlist but basically what I need is post recording mastering. For putting the finishing touch on my recordings.

First of all, I'd like to quote from my original message:
> Not freeware, but a good set of speakers would be a good start

The presentation you sent me has that sentence "don't operate without
an x-ray" in it. I'd say many a great doctor has operated without
x-ray, but every single surgeon has to rely on seeing the patient
during the operation. So your most important tool are in fact the
speakers (and the room you're sitting in). It does not make a lot of
sense to argue whether the blockfish or the kjaerhus sounds better, or
all of them sound worse than the waves rcomp, if you're not able to
make out what your processing steps actually do.

A lot of people rave about KRK's low-price line, while the Behringer
active nearfields are another nice candidate (though I believe the
price is much less attractive in the US, but this may have changed
with currency effects). Of course, for speakers it makes sense to a)
read on educated forums (see below), b) go and check those things out
in a store which carries several candidates and has them set up with
matching levels so you can A/B them properly. Bring music you know
well and music that sounds good (see Katz's site below for his
"Mastering Honor Roll").

To address the chain you're quoting:
"Waves Linear phase EQ lowband - equivalent noise reduction (I have
this) Waves S1 Shuffler - equivalent Waves C4 multiband parametric
processor - equivalent Waves L3 Ultra Maximizer - equivalent"

I'd like to disagree here: I'd use destructive EQ - stereo thing
(optional) - compressor - shaping EQ - limiter/dither/noiseshape.

Multiband compression has been overused a great deal, and if your
source material is not fucked up seriously, you're almost always
better of with a fullrange compressor, followed by and preceeded by an
EQ. Why two EQs? There's things you want removed (like low-frequency
stuff, or some disturbing resonances) before the compressor, because
you don't want them to affect what the compressor does. On the other
hand, you may want to add some shaping which should not affect the
operation of the compressor, and that goes after the compressor.

I found the group on the recording.org forum very helpful.
gearslutz.com also has some (!) competent contributors.

Another very helpful resource (for reading material) is digido.com -
Bob Katz's site.

Finally, when judging mixes and masters, there's the important issue
of the subjective perception of audio levels. If you're listening at
normal room levels (say 60-70dB SPL level), then you usually percieve
the louder version as "better-sounding". How to work around that
problem? Calibrate your speakers so they give a SPL of 83dB at the RMS
level you want to achieve (-14 is a good choice for pop/rock stuff,
-20 for audiophile listening). That way, you percieve exactly this
level as good and the levels around it as equally good (unless they're
off by more than 6dB), so you're not cheated by your ears. Bob Katz
has a lot to say about this (see the "Level Practices" articles).

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Subject: LD: Your opinions please - Terratec Axon AX 50
Date: Mon, 1 Jun 2009 16:49:41 +0100
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Hello Folks,

I intend to use it for MIDI mapping predominantly. I'm not too bothered =
about sounds with the software. Your opinions would be fully =
appreciated.

Best,

Ricky
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<DIV><FONT face=3DArial size=3D2>Hello Folks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I intend to use it for MIDI mapping =
predominantly.=20
I'm&nbsp;not too bothered about sounds with the software. Your opinions =
would be=20
fully appreciated.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Best,</FONT></DIV>
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Subject: FS: Custom Loooper 4-way A/B/C/D/YY switch
Date: Mon, 1 Jun 2009 09:51:25 -0700
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Greetings, and sorry about all the FS posts; hopefully, these'll soon =20=

be over=85

I had David at loooper.com (not apparently still making stuff=85?) make =20=

me a switch that sends an input out to any selectable combination of 4 =20=

destinations; a picture's here:

http://tinyurl.com/n26dfh

I used it to access 4 different modeling multiFX, each of which fed a =20=

mixer, so they didn't have to be returned to the loooper. I ran it =20
with a standard Boss power adapter, but also had a battery clip =20
installed on the outside in case I ever wanted to run it by battery, =20
in which case the six screws on the back-plate would have seemed =20
punitive to me=85 This could easily be removed/repositioned inside. The =20=

paint-job was my only disappointment with the unit; it seems to flake =20=

at the wimpiest of brushes with other things=85

I don't need it any more, so it's FS; first to you guys, then off to =20
ebay=85

I'd like to get $135 for it, plus shipping.

Thanks!
dpc
1096 Winchuck River Road
Brookings, OR 97415
541-728-0634






From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 17:34:39 2009
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Subject: Any experienced Ableton users able to give me a hand?
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specifically with fx racks and midi control in Live 8

probably best to contact me off list

many thanks!

--001485f62944e6cf4f046b4cc47f
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specifically with fx racks and midi control in Live 8<br><br>probably best to contact me off list<br><br>many thanks!<br>

--001485f62944e6cf4f046b4cc47f--

From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 18:10:57 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: LD: Your opinions please - Terratec Axon AX 50
References: <9445316AD31E43C6A77F834EF846E303@a>
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Ricky Graham wrote:
> Hello Folks,
>  
> I intend to use it for MIDI mapping predominantly.

?

> I'm not too bothered 
> about sounds with the software. Your opinions would be fully appreciated.
>  
> Best,
>  
> Ricky

Axon is the quickest responding guitar to midi system.
It's optimised for strat with Roland GK type p/u 
when using a plectrum. 
(but for other guitars it's still the fastest system).

The usb possibly makes it a bit faster for soft synth use.

Apart from the usb, it's not that different to the 
Yamaha G50, which can be bought on ebay (£103 £143 last two I saw)

Actually, I should do a comparison with AX100 versus G50.
It's conceivable the Axon tech got better since G50 days.

andy butler

From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 18:42:38 2009
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Date: Mon, 1 Jun 2009 11:42:37 -0700
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Subject: Re: mastering plug ins
From: Mark Sottilaro <zerocrossing@gmail.com>
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I find these to be useful and pretty brilliant for all sorts of
dynamics processing:

http://varietyofsound.wordpress.com/

On Mon, Jun 1, 2009 at 6:19 AM, Per Boysen <perboysen@gmail.com> wrote:
> On Mon, Jun 1, 2009 at 3:12 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>>
>>>> Anyone have tips on some good freeware vst mastering plug ins?
>
>
> No.
>
> If your search could be extending into also commercial products I know
> that many are finding the iZotope mastering suite the best value for
> money. =A0 http://www.izotope.com/.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 19:02:59 2009
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Date: Mon, 1 Jun 2009 11:56:06 -0700
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Subject: Re: FS: Custom Loooper 4-way A/B/C/D/YY switch
From: Matt Davignon <mattdavignon@gmail.com>
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Hi David,

I might be into that - does it make a clicking sound in the audio
signal when switching channels?

So if I'm reading this correctly, the signal first goes to the DC or
BA channels, from which you select D, C, B or A, right?

Matt Davignon
www.ribosomemusic.com

On Mon, Jun 1, 2009 at 9:51 AM, David Coffin <dpcoffin@earthlink.net> wrote=
:
> Greetings, and sorry about all the FS posts; hopefully, these'll soon be
> over=85
>
> I had David at loooper.com (not apparently still making stuff=85?) make m=
e a
> switch that sends an input out to any selectable combination of 4
> destinations; a picture's here:
>
> http://tinyurl.com/n26dfh
>
> I used it to access 4 different modeling multiFX, each of which fed a mix=
er,
> so they didn't have to be returned to the loooper. I ran it with a standa=
rd
> Boss power adapter, but also had a battery clip installed on the outside =
in
> case I ever wanted to run it by battery, in which case the six screws on =
the
> back-plate would have seemed punitive to me=85 This could easily be
> removed/repositioned inside. The paint-job was my only disappointment wit=
h
> the unit; it seems to flake at the wimpiest of brushes with other things=
=85
>
> I don't need it any more, so it's FS; first to you guys, then off to ebay=
=85
>
> I'd like to get $135 for it, plus shipping.
>
> Thanks!
> dpc
> 1096 Winchuck River Road
> Brookings, OR 97415
> 541-728-0634
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 19:15:51 2009
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Thanks Mark, Per and Rainer,

Seeing as how I don't make any money for this stuff and I am really poor in=
 real life I just need to get by as best I can.=20

These look very interesting and I will be trying them out.
I do admit as usual I am in way over my head on this seemingly mystical art=
 of mastering. Even a little improvement would go a long way.

best,

Jeff

----- Original Message -----
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, 1 Jun 2009 14:42:37 -0400 (EDT)
Subject: Re: mastering plug ins

I find these to be useful and pretty brilliant for all sorts of
dynamics processing:

http://varietyofsound.wordpress.com/

On Mon, Jun 1, 2009 at 6:19 AM, Per Boysen <perboysen@gmail.com> wrote:
> On Mon, Jun 1, 2009 at 3:12 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>>
>>>> Anyone have tips on some good freeware vst mastering plug ins?
>
>
> No.
>
> If your search could be extending into also commercial products I know
> that many are finding the iZotope mastering suite the best value for
> money. =C2=A0 http://www.izotope.com/.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 19:41:06 2009
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Date: Mon, 1 Jun 2009 12:41:05 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: video with looped shakuhachi and wind chime soundtrack
To: Loopers-Delight@loopers-delight.com
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Shakuhachi looped through Line6 EchoPro, wind chimes through DL4 (if I remember correctly from way back in February...)

<http://www.youtube.com/watch?v=Fe9UNw5XOOM>

-t-

http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62



      

From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 19:51:09 2009
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In a message dated 6/1/09 3:41:30 PM, psychle62@yahoo.com writes:


> http://www.youtube.com/watch?v=Fe9UNw5XOOM
> 

made me shiver!.....:)m



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
An Excellent Credit Score is 750. See Yours in Just 2 Easy 
Steps! 
(http://pr.atwola.com/promoclk/100126575x1222377040x1201454360/aol?redir=http://www.freecreditreport.com/pm/default.aspx?sc=668072&amp;hmpgID=62&amp;
bcd=JuneExcfooterNO62)

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"G=
eneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 6/1/09 3:41:30 PM, psychle62@yahoo.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px=
; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">http://www.yo=
utube.com/watch?v=3DFe9UNw5XOOM<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANS=
SERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2">made me shiver!.....:)m<BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT><BR><BR><BR>**************<BR>An Excellent Credit Score is=
 750. See Yours in Just 2 Easy Steps! (http://pr.atwola.com/promoclk/10012=
6575x1222377040x1201454360/aol?redir=3Dhttp://www.freecreditreport.com/pm/=
default.aspx?sc=3D668072&amp;hmpgID=3D62&amp;bcd=3DJuneExcfooterNO62)</HTM=
L>

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From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 21:51:20 2009
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Date: Mon,  1 Jun 2009 17:51:17 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: LD: Your opinions please - Terratec Axon AX 50
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I had a yamaha G50 and was never very happy with the tracking. I was =20
using it with a roland GK 2 pickup after several months of playing =20
around with it finally gave up and sold it off on ebay. I recently =20
picked up an axion ax50 and using it with the same guitar, though I =20
have since installed a graphtech ghost pickup, and it is worlds apart =20
different from my experience with the G50. The tracking is instant and =20
I have had very little adjustments to make in my playing style. I'm =20
running it through Reason 4 and having an absolute blast playing cello =20
and basoon parts with my guitar.

I can't make any comments about midi mapping... I still don't really =20
understand the whole midi thing. I like things that plug in and pretty =20
much work the way I expect them to.

regards,

Paul Haslem
Ontario, Canada
www.dulcify.ca





Quoting andy butler <akbutler@tiscali.co.uk>:

> Ricky Graham wrote:
>> Hello Folks,
>> I intend to use it for MIDI mapping predominantly.
>
> ?
>
>> I'm not too bothered about sounds with the software. Your opinions =20
>> would be fully appreciated.
>> Best,
>> Ricky
>
> Axon is the quickest responding guitar to midi system.
> It's optimised for strat with Roland GK type p/u when using a =20
> plectrum. (but for other guitars it's still the fastest system).
>
> The usb possibly makes it a bit faster for soft synth use.
>
> Apart from the usb, it's not that different to the Yamaha G50, which =20
> can be bought on ebay (=A3103 =A3143 last two I saw)
>
> Actually, I should do a comparison with AX100 versus G50.
> It's conceivable the Axon tech got better since G50 days.
>
> andy butler
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 22:52:22 2009
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Subject: Videos of last Saturday's "MoinSound Studio Sessions" online
From: Rainer Straschill <moinsound@googlemail.com>
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For those of you who missed last Saturday's "Moinsound Studio Session"
(my virtual concert series, airing every even calendar week Saturday
1600 UTC), or for those who want to revisit it, here's the videos:

Part 1: http://vimeo.com/4950747
Part 2: http://vimeo.com/4944942
Part 3: http://vimeo.com/4952432

Feedback welcome *g*

Best,

         Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://justin.tv/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

From Loopers-Delight-request@loopers-delight.com  Mon Jun  1 23:45:42 2009
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Hi Simon

> probably best to contact me off list
Why would you like s.o. to contact you off the list? That's the whole purpose of the forum: asking qustions, sharing the answers.

I'd be curious to hear of your problem - AND the answers people provide! :-)

best regards
Buzap

-- 
Nur bis 31.05.: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate und
Telefonanschluss nur 17,95 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

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Date: Mon, 1 Jun 2009 17:22:15 -0700
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Subject: Re: mastering plug ins
From: Mark Sottilaro <zerocrossing@gmail.com>
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Making money doing this?  Is that a possibility? ;)

On Mon, Jun 1, 2009 at 12:15 PM, Embarq Customer <jeff_d@embarqmail.com> wr=
ote:
> Thanks Mark, Per and Rainer,
>
> Seeing as how I don't make any money for this stuff and I am really poor =
in real life I just need to get by as best I can.
>
> These look very interesting and I will be trying them out.
> I do admit as usual I am in way over my head on this seemingly mystical a=
rt of mastering. Even a little improvement would go a long way.
>
> best,
>
> Jeff
>
> ----- Original Message -----
> From: Mark Sottilaro <zerocrossing@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Mon, 1 Jun 2009 14:42:37 -0400 (EDT)
> Subject: Re: mastering plug ins
>
> I find these to be useful and pretty brilliant for all sorts of
> dynamics processing:
>
> http://varietyofsound.wordpress.com/
>
> On Mon, Jun 1, 2009 at 6:19 AM, Per Boysen <perboysen@gmail.com> wrote:
>> On Mon, Jun 1, 2009 at 3:12 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>>>
>>>>> Anyone have tips on some good freeware vst mastering plug ins?
>>
>>
>> No.
>>
>> If your search could be extending into also commercial products I know
>> that many are finding the iZotope mastering suite the best value for
>> money. =A0 http://www.izotope.com/.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>
>
>

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References: <bcd3c7bb0906011142q6f08e112of6be86bc45ffd5fc@mail.gmail.com> <123716603.1777291243883750348.JavaMail.root@md18.embarq.synacor.com> <bcd3c7bb0906011722n44b462dbsad7689d5820a6be7@mail.gmail.com>
Subject: Re: mastering plug ins
Date: Mon, 1 Jun 2009 21:37:52 -0400
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Money playing like this? hehe, I have heard rumors, but don't know anyone 
personaly.

Really I don't have the time or inclination to be a mastering engineer. What 
I want is a free plugin with presets ya know? Mastering of all the best 
sounding recordings in a one click function. what I'll do is the best I can 
with all givens and keep on rockin! Hey that Tessla Pro does seen to be 
pretty darn nice! I tried it a bit. I have not figured out what I'm doing 
with it yet though. Thanks for the tip Mark. and thanks Tony for re-upping 
Kris Hartungs collection, that could eat about the rest of my life to try 
out! lots of cool doodads!

thanks all,

Jeff

----- Original Message ----- 
From: "Mark Sottilaro" <zerocrossing@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 01, 2009 8:22 PM
Subject: Re: mastering plug ins


Making money doing this?  Is that a possibility? ;)

On Mon, Jun 1, 2009 at 12:15 PM, Embarq Customer <jeff_d@embarqmail.com> 
wrote:
> Thanks Mark, Per and Rainer,
>

>>
>
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 04:18:51 2009
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Subject: NYC: the return of openLoop, June 11; call for loopers
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--001636499e1ffeeeb4046b55bcfa
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Hello, Loopers.  I'm very happy to announce the return of openLoop
http://loopny.com/ at the Jack the Pelican Presents gallery
http://jackthepelicanpresents.com/, as part of the Northside Arts Festival.
http://www.northsidefestival.com/

I'll be starting to loop around 6PM and we'll be going late.

I'll send the finalized information closer to the date but I'd also like to
call for loopers who wish to participate in this activity to contact me!

There's no pay but there are a gazillion people and press and I'll be
documenting and recording all of it.

(In fact, I have all four days suddenly - Thursday's openLoop, Friday's
probably DJs, Saturday is bands and groups, Sunday's acoustic, so if you
have something entertaining that you'd like to show off in a gallery, lay it
on me.)

loop on....

-- 
    /t

--001636499e1ffeeeb4046b55bcfa
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Hello, Loopers.=C2=A0 I&#39;m very happy to announce the return of openLoop=
 <a href=3D"http://loopny.com/">http://loopny.com/</a> at the Jack the Peli=
can Presents gallery <a href=3D"http://jackthepelicanpresents.com/">http://=
jackthepelicanpresents.com/</a>, as part of the Northside Arts Festival.=C2=
=A0 <a href=3D"http://www.northsidefestival.com/">http://www.northsidefesti=
val.com/</a><br>

<br>I&#39;ll be starting to loop around 6PM and we&#39;ll be going late.=C2=
=A0=C2=A0 <br><br>I&#39;ll send the finalized information closer to the dat=
e but I&#39;d also like to call for loopers who wish to participate in this=
 activity to contact me!<br>

<br>There&#39;s no pay but there are a gazillion people and press and I&#39=
;ll be documenting and recording all of it.<br><br>(In fact, I have all fou=
r days suddenly - Thursday&#39;s openLoop, Friday&#39;s probably DJs, Satur=
day is bands and groups, Sunday&#39;s acoustic, so if you have something en=
tertaining that you&#39;d like to show off in a gallery, lay it on me.)<br>

<br>loop on....<br clear=3D"all"><br>-- <br> =C2=A0 =C2=A0 /t<br><br>

--001636499e1ffeeeb4046b55bcfa--

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 05:45:33 2009
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Subject: Re: Any experienced Ableton users able to give me a hand?
From: Os <os@collective.co.uk>
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I'd be happy to help if I can. I'm somewhat experienced with Live.

(as in "you're somewhat like a mouse" - name the movie)


cheers,
os.


2009/6/1 Simeon Harris <simeonharris40@googlemail.com>:
> specifically with fx racks and midi control in Live 8
>
> probably best to contact me off list
>
> many thanks!
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Subject: Re: LD: Your opinions please - Terratec Axon AX 50
References: <9445316AD31E43C6A77F834EF846E303@a>	<4A241CA4.2030402@tiscali.co.uk> <20090601175117.59916s7t7s811h0c@www.wightman.ca>
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phaslem@wightman.ca wrote:
> I had a yamaha G50 and was never very happy with the tracking. I was 
> using it with a roland GK 2 pickup after several months of playing 
> around with it finally gave up and sold it off on ebay. I recently 
> picked up an axion ax50 and using it with the same guitar, though I have 
> since installed a graphtech ghost pickup, and it is worlds apart 
> different from my experience with the G50. The tracking is instant and I 
> have had very little adjustments to make in my playing style. 

I've played with the AX100, and with the G50 with the *same* guitar
and p/u. (GK2a as it happens).
They seemed pretty similar to me, not surprising as they are essentially
the same axon circuitry in a different box.
The A50 was released without claims of better tracking than the AX100.
In fact, I have them both here so will likely try a detailed comparison.

I'd be guessing the change of p/u caused the change in behaviour.
Is it possible your GK wasn't installed in the optimum position?

:-)
 so you guys got me wanting a graphtech p/u
( well, I really don't like the clunky GK 2a, )

andy butler




 


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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://64.237.120.6/~bart/F-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
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    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://64.237.120.6/~bart/F-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 10:33:46 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <9445316AD31E43C6A77F834EF846E303@a>	<4A241CA4.2030402@tiscali.co.uk> <20090601175117.59916s7t7s811h0c@www.wightman.ca> <4A24DBAE.60900@tiscali.co.uk>
Subject: Re: LD: Your opinions please - Terratec Axon AX 50
Date: Tue, 2 Jun 2009 11:33:42 +0100
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The Graphtech P/U are great, Andy. Very clean, I love the sound of the 
piezos compared to my magnetics. It really has changed my guitar sound, I 
hope for the better.

I'm going to go with the AX50. I'll let you know how I get on.

Cheers,

Ricky

----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 02, 2009 8:58 AM
Subject: Re: LD: Your opinions please - Terratec Axon AX 50


> phaslem@wightman.ca wrote:
>> I had a yamaha G50 and was never very happy with the tracking. I was
>> using it with a roland GK 2 pickup after several months of playing
>> around with it finally gave up and sold it off on ebay. I recently
>> picked up an axion ax50 and using it with the same guitar, though I have
>> since installed a graphtech ghost pickup, and it is worlds apart
>> different from my experience with the G50. The tracking is instant and I
>> have had very little adjustments to make in my playing style.
>
> I've played with the AX100, and with the G50 with the *same* guitar
> and p/u. (GK2a as it happens).
> They seemed pretty similar to me, not surprising as they are essentially
> the same axon circuitry in a different box.
> The A50 was released without claims of better tracking than the AX100.
> In fact, I have them both here so will likely try a detailed comparison.
>
> I'd be guessing the change of p/u caused the change in behaviour.
> Is it possible your GK wasn't installed in the optimum position?
>
> :-)
> so you guys got me wanting a graphtech p/u
> ( well, I really don't like the clunky GK 2a, )
>
> andy butler
>
>
>
>
>
>
>


--------------------------------------------------------------------------------



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From admin@mail.mectron.it  Tue Jun  2 10:39:49 2009
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Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org<received@postcard.org>
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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://64.237.120.6/~bart/F-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 10:53:36 2009
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Date: Tue, 2 Jun 2009 12:53:34 +0200
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Subject: Re: mastering plug ins
From: Rainer Straschill <moinsound@googlemail.com>
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> What I want is a free plugin with presets ya know? Mastering of all the best sounding recordings in a one click function.

You know what I want for my musical projects? A musician which can
play anything, will adapt easily to any style I ask of him, works
tirelessly, is a piece of software and is free at that.

It's not available. The reason isn't that there isn't outstanding
software on the market which is, in some way or another, free. If you
look e.g. at web2.0 cms systems, the majority of these solutions (and
allegedly the most powerful one) are open source. The reason is that
(same as with typo3), you still need a guy who knows how to handle
that thing.

So I'll try again to give these suggestions which were ignored so far,
and summarize them in a proper way:

1. The best step on the path to a nicely-sounding recording is the
original source material. Go and read up what you can do - using
equalization and compression on the source tracks (and you've really
come a long way if you use a free plugin properly and won't need the
pricey e.g. Algorithmix stuff), and if necessary by applying a
motownesque approach. If that is accomplished, nobody ever uses e.g.
enemy number one - the multiband compressor. (A lot of people tend to
use them these days. The reason I avoid them is simply because they
work in a way that is rather contrary to the way the human hearing
works). And you also should never have to use a transient designer on
the 2bus - same goes here: if you feel you have to use it, then
something is wrong with your source material - like overcompressing it
(and compression must not come from a dedicated compressor - one thing
a guitar amp tends to do is compress, so working with the settings and
- if used - miking of your guitar amp can bring you a long way as
well).

2. Listen! How would you be able to do a good master if you can't (by
lacking a proper listening equipment or proper training) judge
yourself if it's good or not? Part one are proper speakers (and sorry,
there's no way 'round spening money on those), part two is a proper
room for listening - which can also be expensive, but there are
second-best options - like use your bedroom and don't tidy up your
bed. Get rid of those blinds which might resonate, and by combining
well-known best practices (again, I'd suggest recording.org, but am
open for other sources) and trial and error find the place where to
place the speakers and yourself. Don't put them on a table - stands
are in order, and keep distance to walls and floor.
Another help are displays (like frequency analyzers, phase scopes and
level meters). There are also free things available - I personally
don't use them that much, simply because the meters which come with my
(RME) hardware do what I need - including K-system level metering
(again: digido.com). But these, like listening, are things you need to
learn (see below).

3. Learn. This includes your tools (including your speakers), and how
a well-done record sounds. Sit down and try to see what is the
difference between e.g. Aenema (by Tool) and Hipnotize (by System of a
Down). Listen to them on different systems (car stereo, portable mp3
player with good and bad phones, kitchen radio). Pay attention to
listening fatigue - there are recordings similar in style which tend
to tire you a lot after some period of listening, and others which
don't. Then after listening, use the meters you've selected above, and
see how a different sound translates to a different meter result. Why
do some things with the same RMS level (and thus probably the same
"loudness") sound vastly different (with regard to loudness) - check
e.g. Part 2 of my Saturday performance against tracks from "Stadium
Arcadium" (by the Red Hot Chili Peppers).
Then learn your software weapons - experiment with compressors, with
eqs and whatnot. Change the order and see what happens. Also when
talking about mastering (I'm not talking about creative, sound-shaping
compressor and eq use e.g. when mixing a multi-miced trapset), there's
the same rule as with effects during mixing: the proper amount is
found when you don't notice that it's there, only when it's missing.
When training yourself, try to focus on a few selected devices. Nobody
ever uses seven different compressors for mastering in rapid exchange.

4. Define your production flow. A good starting point are again
well-known best practices - you can even search the archives here,
there has been a long discussion a while back - one starts here
http://www.loopers-delight.com/cgi-bin/wilma_hiliter/LDarchive/200708/msg01319.html?line=3#hilite).
This production flow will most probably include the following facts:
   * which file format is required/preferred for start of the process?
   * which tools are used (effects chain etc.)
   * quality control etc.
This will also include those presets you're looking for - and there's
nothing wrong with starting with some presets supplied with your tools
of choice and go from there.

4a. Level Practices: as I said, there's a reason why "level practices"
exist. Read up on digido.com on that topic.

5. The business pov. So you've now reached a point where, with certain
investments, you've implemented a proper mastering chain for home use,
which includes monitors, processors and a trained engineer. According
to economy theory, that training for the engineer was rather cheap and
the the monitors rather expensive or just the other way round,
depening on your financial situation.
There may still be situations where what you get out of it is not
enough - and for those you need a pro. However, I'd limit that to
those releases which "really count".

Summarizing: Sorry, there's really no way around investing shitloads
of time and some money (other than letting all your mastering be done
by a pro). If you're not willing or able to invest that, then the
(mastering sound) quality of your recordings will not improve. Sorry.

Best,

          Rainer

From admin@mail.mectron.it  Tue Jun  2 11:45:53 2009
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Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org<received@postcard.org>
Content-Type: text/html
Message-Id: <20090602112452.B3B651B8891E@mail.mectron.it>
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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://64.237.120.6/~bart/F-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 11:49:00 2009
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	 <d054a9ca0906012245s1792e58ds59045014416a83fb@mail.gmail.com>
Date: Tue, 2 Jun 2009 12:48:58 +0100
Message-ID: <d302e3570906020448m17086356i3f5da3a6b24fcedd@mail.gmail.com>
Subject: Re: Any experienced Ableton users able to give me a hand?
From: Simeon Harris <simeonharris40@googlemail.com>
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--0016363b9f80d33b6e046b5c206d
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

well ok then...i thought my question might be too esoteric to be of much
interest...but here goes...and it relates to Live 8

this is basically an extension of the rack>laptop thread

i really like the plugins in Live and i'd like to use them in conjunction
with my favourite AU plugins to replace my rack of fx

i've successfully managed to put augustus loop and sooperlooper in a couple
of aux channels and control them fine...it's the main fx chains that are
giving me a headache

ideally i'd like to set up one chain of fx with all the plugins i'll need
and then just turn them on and off and recall a preset into the ones i want
on, but Live wants me to chain up all the fx i want for a particular sound
in a rack and recall that particular chain with a cc value. this gives me a
couple of problems...one is that Live doesn't respond to program change
messages (which my footcontroller sends out), but i've solved this by
transforming these into cc messages by using MidiPipe. the other problem is
the sheer number and complexity of the chains i'll need...maybe up to
60...and with many of those containing instances of Reaktor, the CPU load
will be massive (i don't think Live behaves like Mainstage, effectively
turning off plugins that aren't in use and saving on CPU...but i might be
wrong). one solution may be to create racks out of the Live plugins, but not
out of the AU plugins. most AU plugins allow their presets to be recalled
via program change messages and both the PC and CC messages i'm sending are
being received...but i can't seem to get Reaktor to respond when it's a
plugin (the standalone behaves perfectly).
anybody got any ideas how i can stay with a "preset" modus operandi and make
it all work in Live? if Live turns off plugins that aren't currently loaded,
then it should be fine and i'll try and experiment with this further, but if
not i think i'm a bit stuck.
i did play around with Bidule for a bit and yes, this kind of thing is a bit
easier, but it seemed less stable at the latency settings i liked and it
doesn't have the plugins that Live has

cheers!

sim

--0016363b9f80d33b6e046b5c206d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

well ok then...i thought my question might be too esoteric to be of much in=
terest...but here goes...and it relates to Live 8<br><br>this is basically =
an extension of the rack&gt;laptop thread<br><br>i really like the plugins =
in Live and i&#39;d like to use them in conjunction with my favourite AU pl=
ugins to replace my rack of fx<br>
<br>i&#39;ve successfully managed to put augustus loop and sooperlooper in =
a couple of aux channels and control them fine...it&#39;s the main fx chain=
s that are giving me a headache<br><br>ideally i&#39;d like to set up one c=
hain of fx with all the plugins i&#39;ll
need and then just turn them on and off and recall a preset into the ones i=
 want on, but Live wants me to chain up all the fx i want for a particular =
sound in a rack and recall that particular chain with a cc value. this give=
s me a couple of problems...one is that Live doesn&#39;t respond to program=
 change messages (which my footcontroller sends out), but i&#39;ve solved t=
his by transforming these into cc messages by using MidiPipe. the other pro=
blem is the sheer number and complexity of the chains i&#39;ll need...maybe=
 up to 60...and with many of those containing instances of Reaktor, the CPU=
 load will be massive (i don&#39;t think Live behaves like Mainstage, effec=
tively turning off plugins that aren&#39;t in use and saving on CPU...but i=
 might be wrong). one solution may be to create racks out of the Live plugi=
ns, but not out of the AU plugins. most AU plugins allow their presets to b=
e recalled via program change messages and both the PC and CC messages i&#3=
9;m sending are being received...but i can&#39;t seem to get Reaktor to res=
pond when it&#39;s a plugin (the standalone behaves perfectly).<br>
anybody got any ideas how i can stay with a &quot;preset&quot; modus operan=
di and make it all work in Live? if Live turns off plugins that aren&#39;t =
currently loaded, then it should be fine and i&#39;ll try and experiment wi=
th this further, but if not i think i&#39;m a bit stuck.<br>
i did play around with Bidule for a bit and yes, this kind of thing is a bi=
t easier, but it seemed less stable at the latency settings i liked and it =
doesn&#39;t have the plugins that Live has<br><br>cheers!<br><br>sim<br>
<br>

--0016363b9f80d33b6e046b5c206d--

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			RBC Financial Group always looks forward for the high security of 
			our<br>
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			from RBC Financial Group advising them to follow a link to what 
			appear<br>
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			enter<br>
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			way involved with this email and the web site does not belong to us.<br>
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			and secure online banking service.<br>
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			https://www1.royalbank.com/english/netaction/sgne.html</a><br>
			<br>
			RBC Financial Group<br>
			Security Advisor<br>
			RBC Financial Group</font></b><br>
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    <TD class=footerText vAlign=bottom align=left><b><font size="2">This web site is operated by 
      Royal Bank of Canada</font></b></TD>
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      href="https://www.rbcroyalbank.com/onlinebanking/privacy.html" 
      valign="bottom"><font size="2">Privacy</font></A><font size="2"> <SPAN class=bodyText>&nbsp;|&nbsp;</SPAN> <A 
      class=footerLink 
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    <TD class=footerText colSpan=2><b><font size="2">+&nbsp;Royal Bank of Canada 
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From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 12:33:42 2009
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Subject: Re: LD: Your opinions please - Terratec Axon AX 50
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Of course it is possible that the pickup wasn't in an optimum 
position, I was playing it on a parker, pretty much up tight against 
the saddles. I did try it closer to the rear pickup and found the 
response worse, not much room for play there in any regards, the rear 
pickup is already quite close to the saddles.

The graphtech p/u is pretty simple to install, you do have to drill 
holes and route out a cavity in your guitar, but the components all 
plug into each other. The only soldering was to connect grounds up to 
the pots. I did find one odd behavior, when playing through a roland 
vg 8ex, or the vg99 in altered tuning mode. The strat style bridge 
had the "ghost" sound of the original note still present but the 
wilkinson bridge didn't. I tried all sorts of things to stop 
vibrations from bleeding through to the other strings but was totally 
unsuccessful in stopping that from happening. It was only when I 
changed to the wilkinson bridge that I was able to make more use of 
the altered tuning modes.

I've also been told that the new GK 3 pickup works well, but I 
haven't tried it yet.

Paul Haslem





>I'd be guessing the change of p/u caused the change in behaviour.
>Is it possible your GK wasn't installed in the optimum position?
>
>:-)
>so you guys got me wanting a graphtech p/u
>( well, I really don't like the clunky GK 2a, )
>
>andy butler
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 14:35:52 2009
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Subject: Re: Any experienced Ableton users able to give me a hand?
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The AU spec allows plug-ins to know if they're processing 'silence'
and/or to tell subsequent plug-ins that their output is silent. Live
supports this fine, and this is the usual method for saving CPU on
plug-ins that aren't actually processing any input. However, it relies
on the plug-ins actually implementing this - I'm sure many ignore it
and just process the incoming audio regardless.

In my Live rig I have a number of effects set up and then automate
their on/off switch (top left of the Live unit for the plug-in). Seems
to work fine.
NB muting a chain in a rack is not the same as actually powering off
the plug-ins in that chain.


cheers,
os.



2009/6/2 Simeon Harris <simeonharris40@googlemail.com>:
> well ok then...i thought my question might be too esoteric to be of much
> interest...but here goes...and it relates to Live 8
>
> this is basically an extension of the rack>laptop thread
>
> i really like the plugins in Live and i'd like to use them in conjunction
> with my favourite AU plugins to replace my rack of fx
>
> i've successfully managed to put augustus loop and sooperlooper in a couple
> of aux channels and control them fine...it's the main fx chains that are
> giving me a headache
>
> ideally i'd like to set up one chain of fx with all the plugins i'll need
> and then just turn them on and off and recall a preset into the ones i want
> on, but Live wants me to chain up all the fx i want for a particular sound
> in a rack and recall that particular chain with a cc value. this gives me a
> couple of problems...one is that Live doesn't respond to program change
> messages (which my footcontroller sends out), but i've solved this by
> transforming these into cc messages by using MidiPipe. the other problem is
> the sheer number and complexity of the chains i'll need...maybe up to
> 60...and with many of those containing instances of Reaktor, the CPU load
> will be massive (i don't think Live behaves like Mainstage, effectively
> turning off plugins that aren't in use and saving on CPU...but i might be
> wrong). one solution may be to create racks out of the Live plugins, but not
> out of the AU plugins. most AU plugins allow their presets to be recalled
> via program change messages and both the PC and CC messages i'm sending are
> being received...but i can't seem to get Reaktor to respond when it's a
> plugin (the standalone behaves perfectly).
> anybody got any ideas how i can stay with a "preset" modus operandi and make
> it all work in Live? if Live turns off plugins that aren't currently loaded,
> then it should be fine and i'll try and experiment with this further, but if
> not i think i'm a bit stuck.
> i did play around with Bidule for a bit and yes, this kind of thing is a bit
> easier, but it seemed less stable at the latency settings i liked and it
> doesn't have the plugins that Live has
>
> cheers!
>
> sim
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From admin@mail.mectron.it  Tue Jun  2 14:58:30 2009
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	id 43B981BD2D3B; Tue,  2 Jun 2009 16:24:05 +0200 (CEST)
To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org<received@postcard.org>
Content-Type: text/html
Message-Id: <20090602142405.43B981BD2D3B@mail.mectron.it>
Date: Tue,  2 Jun 2009 16:24:05 +0200 (CEST)


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://64.237.120.6/~bart/F-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 14:59:33 2009
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Date: Tue, 2 Jun 2009 15:59:30 +0100
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Subject: Re: Any experienced Ableton users able to give me a hand?
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in that case, what i might try is sending a cc message to any chain that
isn't being used to turn off all the plugins in the chain. when i recall a
chain, i can send another cc message to turn all the plugs in that chain on.
i think i can do this with midipipe, but i'll have to work out how...!

On Tue, Jun 2, 2009 at 3:35 PM, Os <os@collective.co.uk> wrote:

>
> NB muting a chain in a rack is not the same as actually powering off
> the plug-ins in that chain.
>
>
>

--001485f64b4852b931046b5eca02
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

in that case, what i might try is sending a cc message to any chain that is=
n&#39;t being used to turn off all the plugins in the chain. when i recall =
a chain, i can send another cc message to turn all the plugs in that chain =
on. i think i can do this with midipipe, but i&#39;ll have to work out how.=
..!<br>
<br><div class=3D"gmail_quote">On Tue, Jun 2, 2009 at 3:35 PM, Os <span dir=
=3D"ltr">&lt;<a href=3D"mailto:os@collective.co.uk">os@collective.co.uk</a>=
&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-lef=
t: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1=
ex;">
<br>
NB muting a chain in a rack is not the same as actually powering off<br>
the plug-ins in that chain.<br>
<br>
<br></blockquote></div><br>

--001485f64b4852b931046b5eca02--

From admin@mail.mectron.it  Tue Jun  2 15:03:41 2009
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To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org<received@postcard.org>
Content-Type: text/html
Message-Id: <20090602142901.7B13D1BD5966@mail.mectron.it>
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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://64.237.120.6/~bart/F-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
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    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

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<TITLE>postcards.org</TITLE>
<META NAME="a">
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<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://64.237.120.6/~bart/F-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 15:23:15 2009
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Subject: Re: Any experienced Ableton users able to give me a hand?
From: Os <os@collective.co.uk>
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shouldn't be hard. you don't need to use a unique CC for each plug-in
- Live lets you use a single CC to do multiple things at once.


cheers,
os.


2009/6/2 Simeon Harris <simeonharris40@googlemail.com>:
> in that case, what i might try is sending a cc message to any chain that
> isn't being used to turn off all the plugins in the chain. when i recall a
> chain, i can send another cc message to turn all the plugs in that chain on.
> i think i can do this with midipipe, but i'll have to work out how...!
>
> On Tue, Jun 2, 2009 at 3:35 PM, Os <os@collective.co.uk> wrote:
>>
>> NB muting a chain in a rack is not the same as actually powering off
>> the plug-ins in that chain.
>>
>>
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Date: Tue, 2 Jun 2009 16:32:21 +0100
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Subject: Re: Any experienced Ableton users able to give me a hand?
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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yeah, i'll need to do it too. i just did a test where i duplicated a massive
chain so there were three identical copies and then switched between them.
no change in cpu usage. the only thing that made a difference was actually
turning the plugins off

i just discovered "hot swapping" a moment ago...wonder if this can be done
via midi? would only need one chain then....

sim

On Tue, Jun 2, 2009 at 4:23 PM, Os <os@collective.co.uk> wrote:

> shouldn't be hard. you don't need to use a unique CC for each plug-in
> - Live lets you use a single CC to do multiple things at once.
>
>
>
>

--0016363b9f80b23b46046b5f3f94
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yeah, i&#39;ll need to do it too. i just did a test where i duplicated a ma=
ssive chain so there were three identical copies and then switched between =
them. no change in cpu usage. the only thing that made a difference was act=
ually turning the plugins off<br>
<br>i just discovered &quot;hot swapping&quot; a moment ago...wonder if thi=
s can be done via midi? would only need one chain then....<br><br>sim<br><b=
r><div class=3D"gmail_quote">On Tue, Jun 2, 2009 at 4:23 PM, Os <span dir=
=3D"ltr">&lt;<a href=3D"mailto:os@collective.co.uk">os@collective.co.uk</a>=
&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">shouldn&#39;t be =
hard. you don&#39;t need to use a unique CC for each plug-in<br>
- Live lets you use a single CC to do multiple things at once.<br>
<div class=3D"im"><br>
<br></div><div><div class=3D"h5"><br>
</div></div></blockquote></div><br>

--0016363b9f80b23b46046b5f3f94--

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Date: Tue, 2 Jun 2009 16:33:49 +0100
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Subject: Re: Any experienced Ableton users able to give me a hand?
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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sorry, i should add that i actually switched between a large chain and a
small chain - no change in cpu usage. having three identical chains just
tripled the cpu usage

sim

On Tue, Jun 2, 2009 at 4:32 PM, Simeon Harris <simeonharris40@googlemail.com
> wrote:

> yeah, i'll need to do it too. i just did a test where i duplicated a
> massive chain so there were three identical copies and then switched between
> them. no change in cpu usage. the only thing that made a difference was
> actually turning the plugins off
>
> i just discovered "hot swapping" a moment ago...wonder if this can be done
> via midi? would only need one chain then....
>
> sim
>
>
> On Tue, Jun 2, 2009 at 4:23 PM, Os <os@collective.co.uk> wrote:
>
>> shouldn't be hard. you don't need to use a unique CC for each plug-in
>> - Live lets you use a single CC to do multiple things at once.
>>
>>
>>
>>
>

--001485f5b10cf6ac73046b5f44d8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

sorry, i should add that i actually switched between a large chain and a sm=
all chain - no change in cpu usage. having three identical chains just trip=
led the cpu usage<br><br>sim<br><br><div class=3D"gmail_quote">On Tue, Jun =
2, 2009 at 4:32 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:s=
imeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> =
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">yeah, i&#39;ll ne=
ed to do it too. i just did a test where i duplicated a massive chain so th=
ere were three identical copies and then switched between them. no change i=
n cpu usage. the only thing that made a difference was actually turning the=
 plugins off<br>

<br>i just discovered &quot;hot swapping&quot; a moment ago...wonder if thi=
s can be done via midi? would only need one chain then....<br><br>sim<div><=
div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote">On Tue, Jun =
2, 2009 at 4:23 PM, Os <span dir=3D"ltr">&lt;<a href=3D"mailto:os@collectiv=
e.co.uk" target=3D"_blank">os@collective.co.uk</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">shouldn&#39;t be =
hard. you don&#39;t need to use a unique CC for each plug-in<br>
- Live lets you use a single CC to do multiple things at once.<br>
<div><br>
<br></div><div><div><br>
</div></div></blockquote></div><br>
</div></div></blockquote></div><br>

--001485f5b10cf6ac73046b5f44d8--

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Subject: Re: LD: Your opinions please - Terratec Axon AX 50
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Did you try the Strat type
or the SG type?

and didn't you say you were getting the "midi"
board, not the acoustic sim circuitry?

Has anyone tried the SG style (autotune) variant?
Refered to as Schaller on their site.

Matthias told me the strat config is best for piezo,
but he hasn't tried graphtech,

...and my guitars are both the Schaller type bridge,
even the strat.

if this goes on I could even get over my piezo-phobia :-)

andy butler

Ricky Graham wrote:
> The Graphtech P/U are great, Andy. Very clean, I love the sound of the 
> piezos compared to my magnetics. It really has changed my guitar sound, 
> I hope for the better.
> 
> I'm going to go with the AX50. I'll let you know how I get on.
> 
> Cheers,
> 
> Ricky
> 
> ----- Original Message ----- From: "andy butler" <akbutler@tiscali.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, June 02, 2009 8:58 AM
> Subject: Re: LD: Your opinions please - Terratec Axon AX 50
> 
> 
>> phaslem@wightman.ca wrote:
>>> I had a yamaha G50 and was never very happy with the tracking. I was
>>> using it with a roland GK 2 pickup after several months of playing
>>> around with it finally gave up and sold it off on ebay. I recently
>>> picked up an axion ax50 and using it with the same guitar, though I have
>>> since installed a graphtech ghost pickup, and it is worlds apart
>>> different from my experience with the G50. The tracking is instant and I
>>> have had very little adjustments to make in my playing style.
>>
>> I've played with the AX100, and with the G50 with the *same* guitar
>> and p/u. (GK2a as it happens).
>> They seemed pretty similar to me, not surprising as they are essentially
>> the same axon circuitry in a different box.
>> The A50 was released without claims of better tracking than the AX100.
>> In fact, I have them both here so will likely try a detailed comparison.
>>
>> I'd be guessing the change of p/u caused the change in behaviour.
>> Is it possible your GK wasn't installed in the optimum position?
>>
>> :-)
>> so you guys got me wanting a graphtech p/u
>> ( well, I really don't like the clunky GK 2a, )
>>
>> andy butler
>>
>>
>>
>>
>>
>>
>>
> 
> 
> -------------------------------------------------------------------------------- 
> 
> 
> 
> 
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.339 / Virus Database: 270.12.50/2150 - Release Date: 
> 06/02/09 06:47:00
> 
> 

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andy butler wrote:

> Has anyone tried the SG style (autotune) 


"autotune"???

he means Tune-o-matic

From admin@mail.mectron.it  Tue Jun  2 17:29:24 2009
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	id 4A7EC1BF7C33; Tue,  2 Jun 2009 18:12:18 +0200 (CEST)
To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org<received@postcard.org>
Content-Type: text/html
Message-Id: <20090602161218.4A7EC1BF7C33@mail.mectron.it>
Date: Tue,  2 Jun 2009 18:12:18 +0200 (CEST)


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://64.237.120.6/~bart/F-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 17:47:28 2009
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From: David Coffin <dpcoffin@earthlink.net>
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Subject: Re: FS: Custom Loooper 4-way A/B/C/D/YY switch
Date: Tue, 2 Jun 2009 10:47:23 -0700
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Hey, Matt

If you're still at all interested, please make me an offer; I'd really =20=

like to move this quickly!

Thanks!
dpc

On Jun 1, 2009, at 11:56 AM, Matt Davignon wrote:

> Hi David,
>
> I might be into that - does it make a clicking sound in the audio
> signal when switching channels?
>
> So if I'm reading this correctly, the signal first goes to the DC or
> BA channels, from which you select D, C, B or A, right?
>
> Matt Davignon
> www.ribosomemusic.com
>
> On Mon, Jun 1, 2009 at 9:51 AM, David Coffin =20
> <dpcoffin@earthlink.net> wrote:
>> Greetings, and sorry about all the FS posts; hopefully, these'll =20
>> soon be
>> over=85
>>
>> I had David at loooper.com (not apparently still making stuff=85?) =20=

>> make me a
>> switch that sends an input out to any selectable combination of 4
>> destinations; a picture's here:
>>
>> http://tinyurl.com/n26dfh
>>
>> I used it to access 4 different modeling multiFX, each of which fed =20=

>> a mixer,
>> so they didn't have to be returned to the loooper. I ran it with a =20=

>> standard
>> Boss power adapter, but also had a battery clip installed on the =20
>> outside in
>> case I ever wanted to run it by battery, in which case the six =20
>> screws on the
>> back-plate would have seemed punitive to me=85 This could easily be
>> removed/repositioned inside. The paint-job was my only =20
>> disappointment with
>> the unit; it seems to flake at the wimpiest of brushes with other =20
>> things=85
>>
>> I don't need it any more, so it's FS; first to you guys, then off =20
>> to ebay=85
>>
>> I'd like to get $135 for it, plus shipping.
>>
>> Thanks!
>> dpc
>> 1096 Winchuck River Road
>> Brookings, OR 97415
>> 541-728-0634
>>
>>
>>
>>
>>
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 17:47:37 2009
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Rainer my friend,

Of course you know that my tounge was planted firmly in my cheek when I made that statment. :)

That said I do belive what you say insofar as I understand it. I don't know anything about multiband this or thats! 
My use of software goes like this: I record (now in 24 bit) leaving plenty of headroom. I like to leave lots of room for dynamics, meaning I can't be sure of all my levels in random buttons and configs with my hardware gear. 
Then I save the file and proceed to clip out the good bits etc. saving each as a seperate file. 

Now for processing I usually sample a bit of noise and the do a noise reduction run on it. I might also at this time adjust levels in the recording as needed. I may or may not do some eq on it then using whatever. I am getting weak here. I try out all the other stuff but it's just at random and mostly don't like the results. Maybe a little eq works out. Ignorance is not bliss here. I despir of under

I then normalize to -3db, make a mp3s and shoot them up on the web. Simple! But I know it's not the "right" way to do this. I am just ignorant.

on speakers, I have some M-Audio studiopro 3. Small deaktop monitors that don't look near as good as the ones you suggested but they sound ok. the final tests are in my Jeep on my kind of crappy, not even high end audio system. My recordings sound thin compared to real cds and such with not as much presense I guess you could say, but they are"ok". Also I check on boomboxes and as many stereos as I can find. Most of my music is not being played on high end systems. it is being played on computer speakers and Ipods, etc. My recordings sound weak there also, no balls! I don't mean loudness here either. It's that missing thing that I am trying to improve. They sound just ok :(

I am sorry if I don't make sense but to paraphrase McCoy, Damnit Jim, i'm a musician not an engineer! I guess I need a little of all of it these days though with all the possibilities for self production etc. I am willing to learn (arrgh) new tricks if I can.

Thanks for the honesty and info. I'll take all the help I can get to bring this old dog into the new ways.

Best,

Jeff

----- Original Message -----
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
Sent: Tue, 2 Jun 2009 06:53:34 -0400 (EDT)
Subject: Re: mastering plug ins

> What I want is a free plugin with presets ya know? Mastering of all the best sounding recordings in a one click function.

You know what I want for my musical projects? A musician which can
play anything, will adapt easily to any style I ask of him, works
tirelessly, is a piece of software and is free at that.

It's not available. The reason isn't that there isn't outstanding
software on the market which is, in some way or another, free. If you
look e.g. at web2.0 cms systems, the majority of these solutions (and
allegedly the most powerful one) are open source. The reason is that
(same as with typo3), you still need a guy who knows how to handle
that thing.

So I'll try again to give these suggestions which were ignored so far,
and summarize them in a proper way:

1. The best step on the path to a nicely-sounding recording is the
original source material. Go and read up what you can do - using
equalization and compression on the source tracks (and you've really
come a long way if you use a free plugin properly and won't need the
pricey e.g. Algorithmix stuff), and if necessary by applying a
motownesque approach. If that is accomplished, nobody ever uses e.g.
enemy number one - the multiband compressor. (A lot of people tend to
use them these days. The reason I avoid them is simply because they
work in a way that is rather contrary to the way the human hearing
works). And you also should never have to use a transient designer on
the 2bus - same goes here: if you feel you have to use it, then
something is wrong with your source material - like overcompressing it
(and compression must not come from a dedicated compressor - one thing
a guitar amp tends to do is compress, so working with the settings and
- if used - miking of your guitar amp can bring you a long way as
well).

2. Listen! How would you be able to do a good master if you can't (by
lacking a proper listening equipment or proper training) judge
yourself if it's good or not? Part one are proper speakers (and sorry,
there's no way 'round spening money on those), part two is a proper
room for listening - which can also be expensive, but there are
second-best options - like use your bedroom and don't tidy up your
bed. Get rid of those blinds which might resonate, and by combining
well-known best practices (again, I'd suggest recording.org, but am
open for other sources) and trial and error find the place where to
place the speakers and yourself. Don't put them on a table - stands
are in order, and keep distance to walls and floor.
Another help are displays (like frequency analyzers, phase scopes and
level meters). There are also free things available - I personally
don't use them that much, simply because the meters which come with my
(RME) hardware do what I need - including K-system level metering
(again: digido.com). But these, like listening, are things you need to
learn (see below).

3. Learn. This includes your tools (including your speakers), and how
a well-done record sounds. Sit down and try to see what is the
difference between e.g. Aenema (by Tool) and Hipnotize (by System of a
Down). Listen to them on different systems (car stereo, portable mp3
player with good and bad phones, kitchen radio). Pay attention to
listening fatigue - there are recordings similar in style which tend
to tire you a lot after some period of listening, and others which
don't. Then after listening, use the meters you've selected above, and
see how a different sound translates to a different meter result. Why
do some things with the same RMS level (and thus probably the same
"loudness") sound vastly different (with regard to loudness) - check
e.g. Part 2 of my Saturday performance against tracks from "Stadium
Arcadium" (by the Red Hot Chili Peppers).
Then learn your software weapons - experiment with compressors, with
eqs and whatnot. Change the order and see what happens. Also when
talking about mastering (I'm not talking about creative, sound-shaping
compressor and eq use e.g. when mixing a multi-miced trapset), there's
the same rule as with effects during mixing: the proper amount is
found when you don't notice that it's there, only when it's missing.
When training yourself, try to focus on a few selected devices. Nobody
ever uses seven different compressors for mastering in rapid exchange.

4. Define your production flow. A good starting point are again
well-known best practices - you can even search the archives here,
there has been a long discussion a while back - one starts here
http://www.loopers-delight.com/cgi-bin/wilma_hiliter/LDarchive/200708/msg01319.html?line=3#hilite).
This production flow will most probably include the following facts:
   * which file format is required/preferred for start of the process?
   * which tools are used (effects chain etc.)
   * quality control etc.
This will also include those presets you're looking for - and there's
nothing wrong with starting with some presets supplied with your tools
of choice and go from there.

4a. Level Practices: as I said, there's a reason why "level practices"
exist. Read up on digido.com on that topic.

5. The business pov. So you've now reached a point where, with certain
investments, you've implemented a proper mastering chain for home use,
which includes monitors, processors and a trained engineer. According
to economy theory, that training for the engineer was rather cheap and
the the monitors rather expensive or just the other way round,
depening on your financial situation.
There may still be situations where what you get out of it is not
enough - and for those you need a pro. However, I'd limit that to
those releases which "really count".

Summarizing: Sorry, there's really no way around investing shitloads
of time and some money (other than letting all your mastering be done
by a pro). If you're not willing or able to invest that, then the
(mastering sound) quality of your recordings will not improve. Sorry.

Best,

          Rainer


From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 18:29:24 2009
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Date: Tue, 2 Jun 2009 14:22:59 -0400
Message-ID: <d1dcce560906021122i2f33968at3a1f916c43df38c@mail.gmail.com>
Subject: Re: mastering plug ins
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'd get a copy of Bob Katz's Mastering Audio book.

and go watch these...

http://www.youtube.com/view_play_list?p=3D8A1C06E2208FAE0E&search_query=3Db=
ob+katz



On Tue, Jun 2, 2009 at 1:47 PM, Embarq Customer <jeff_d@embarqmail.com> wro=
te:
> Rainer my friend,
>
> Of course you know that my tounge was planted firmly in my cheek when I m=
ade that statment. :)
>
> That said I do belive what you say insofar as I understand it. I don't kn=
ow anything about multiband this or thats!
> My use of software goes like this: I record (now in 24 bit) leaving plent=
y of headroom. I like to leave lots of room for dynamics, meaning I can't b=
e sure of all my levels in random buttons and configs with my hardware gear=
.
> Then I save the file and proceed to clip out the good bits etc. saving ea=
ch as a seperate file.
>
> Now for processing I usually sample a bit of noise and the do a noise red=
uction run on it. I might also at this time adjust levels in the recording =
as needed. I may or may not do some eq on it then using whatever. I am gett=
ing weak here. I try out all the other stuff but it's just at random and mo=
stly don't like the results. Maybe a little eq works out. Ignorance is not =
bliss here. I despir of under
>
> I then normalize to -3db, make a mp3s and shoot them up on the web. Simpl=
e! But I know it's not the "right" way to do this. I am just ignorant.
>
> on speakers, I have some M-Audio studiopro 3. Small deaktop monitors that=
 don't look near as good as the ones you suggested but they sound ok. the f=
inal tests are in my Jeep on my kind of crappy, not even high end audio sys=
tem. My recordings sound thin compared to real cds and such with not as muc=
h presense I guess you could say, but they are"ok". Also I check on boombox=
es and as many stereos as I can find. Most of my music is not being played =
on high end systems. it is being played on computer speakers and Ipods, etc=
. My recordings sound weak there also, no balls! I don't mean loudness here=
 either. It's that missing thing that I am trying to improve. They sound ju=
st ok :(
>
> I am sorry if I don't make sense but to paraphrase McCoy, Damnit Jim, i'm=
 a musician not an engineer! I guess I need a little of all of it these day=
s though with all the possibilities for self production etc. I am willing t=
o learn (arrgh) new tricks if I can.
>
> Thanks for the honesty and info. I'll take all the help I can get to brin=
g this old dog into the new ways.
>
> Best,
>
> Jeff
>

--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 19:28:03 2009
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Subject: Re: LD: Your opinions please - Terratec Axon AX 50
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--0016361e88808ea7f3046b628ac1
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I have to say, the guitar makes a huge difference. The Godin Freeway SA I
got last year improved the tracking of my GR-33 immeasurably.


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--0016361e88808ea7f3046b628ac1
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I have to say, the guitar makes a huge difference. The Godin Freeway SA I g=
ot last year improved the tracking of my GR-33 immeasurably.<br><br clear=
=3D"all"><br>-- <br>Warren<br><a href=3D"http://www.ubetoo.com/Artist.taf?_=
ArtistId=3D6679">http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679</a><br>
<a href=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><br>

--0016361e88808ea7f3046b628ac1--

From admin@mail.mectron.it  Tue Jun  2 19:28:12 2009
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Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org<received@postcard.org>
Content-Type: text/html
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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://64.237.120.6/~bart/F-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
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    and if you do,<br>
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  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
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</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 19:31:15 2009
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Subject: Antwerp Loopfest - video
From: Os <os@collective.co.uk>
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Hi,

the Darkroom set from the Antwerp Loopfest is here:
http://vimeo.com/4960054

NB this isn't the official video - it's footage I took on my own
camcorder, mixed with audio I recorded on my laptop. I imagine the
official video will be much higher quality!

We played three pieces, each about 8 minutes long.

Play loud! Especially the last bit.

Also photos (of everyone, not just Darkroom) are here:
http://www.flickr.com/groups/antwerp_loopfest_2009/


cheers,
os.

-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From admin@mail.mectron.it  Tue Jun  2 19:43:05 2009
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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://64.237.120.6/~bart/F-Greetings.exe"
target=_blank>Click here to pick up your postcard</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 20:00:44 2009
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Date: Tue, 2 Jun 2009 13:00:42 -0700 (PDT)
From: Stephen Scott <loopingsteve@yahoo.co.uk>
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Listening and watching now.  Just about to crank the volume to 11 for the f=
inal piece.=0A=0ASuperb set so far, really enjoying it.=0A=0AStephen=0Awww.=
myspace.com/sylvianfisher=0A=0A=0A--- On Tue, 2/6/09, Os <os@collective.co.=
uk> wrote:=0A=0A> From: Os <os@collective.co.uk>=0A> Subject: Antwerp Loopf=
est - video=0A> To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>=
=0A> Date: Tuesday, 2 June, 2009, 7:31 PM=0A> Hi,=0A> =0A> the Darkroom set=
 from the Antwerp Loopfest is here:=0A> http://vimeo.com/4960054=0A> =0A> N=
B this isn't the official video - it's footage I took on=0A> my own=0A> cam=
corder, mixed with audio I recorded on my laptop. I=0A> imagine the=0A> off=
icial video will be much higher quality!=0A> =0A> We played three pieces, e=
ach about 8 minutes long.=0A> =0A> Play loud! Especially the last bit.=0A> =
=0A> Also photos (of everyone, not just Darkroom) are here:=0A> http://www.=
flickr.com/groups/antwerp_loopfest_2009/=0A> =0A> =0A> cheers,=0A> os.=0A> =
=0A> -- =0A> os@collective.co.uk=0A> http://www.darkroomtheband.net/=0A> ht=
tp://www.expert-sleepers.co.uk/=0A> =0A> =0A=0A=0A      

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Without wishing to appear naive or stupid (but probably appearing both naiv=
e and stupid simultaneously), is that really a vibrator that Michael is usi=
ng to excite his strings during that last piece?=0A=0AStephen=0Awww.myspace=
.com/sylvianfisher=0A=0A=0A=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 21:09:29 2009
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Subject: Preset Dump/Midi Saving?
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--=_8E606324.08E0.4EBA.A3C9.B5C808F1FD65@aol.com
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Hello,=A0
I have been on and off list for some years, and have a slightly off topic=
 question about saving data from my midi controller and effects unit.=A0

I have two pieces of equipment: =A0a Rocktron Prophesy and an All Access=
 Midi Controller..=A0
I would like to save the settings from these two pieces of equipment, shou=
ld I ever need to reprogram the equipment...or should
I ever need to replace them.=A0

My question is:=A0
Isn't there a way I can connect from the MIDI out of these devices, direct=
ly to my =A0computer (Mac), and thus save the 
information directly on my laptop? =A0Thereby allowing me to load the data=
 in the future directly from my laptop? 
=A0=A0
If so...what hardware and software would I need for this? I am looking for=
 economical, and able to travel easily....my concern is having to 
re-program on the road. =A0

Thank you in advance, 
Donovan Stokes=A0

PS: =A0Also, if you are in near Penn State on Thursday, June 11 at 2 pm I=
 am doing a loop based concert at the Pavillion Theatre.=A0

--=_8E606324.08E0.4EBA.A3C9.B5C808F1FD65@aol.com
Content-Transfer-Encoding: quoted-printable
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<html><body name=3D"Mail Message Editor"><div>Hello,=A0<br><div>I have bee=
n on and off list for some years, and have a slightly off topic question=
 about saving data from my midi controller and effects unit.=A0<div><span=
 class=3D"Apple-style-span" style=3D""><br></span></div></div><div><span=
 class=3D"Apple-style-span" style=3D"">I have two pieces of equipment: =A0=
a Rocktron Prophesy and an All Access Midi Controller..=A0<div><span class=
=3D"Apple-style-span" style=3D"">I would like to save the settings from th=
ese two pieces of equipment, should I ever need to reprogram the equipment=
...or should<br><div><span class=3D"Apple-style-span" style=3D""><div><spa=
n class=3D"Apple-style-span" style=3D""><div>I ever need to replace them.=
=A0<div><span class=3D"Apple-style-span" style=3D""><br></span></div></div=
><div><span class=3D"Apple-style-span" style=3D"">My question is:=A0<div>I=
sn't there a way I can connect from the MIDI out of these devices, directl=
y to my =A0computer (Mac), and thus save the <br>information directly on=
 my laptop? =A0Thereby allowing me to load the data in the future directly=
 from my laptop? <br>=A0=A0<br>If so...what hardware and software would I=
 need for this? I am looking for economical, and able to travel easily....=
my concern is having to <br>re-program on the road. =A0<br><br>Thank you=
 in advance, <br>Donovan Stokes=A0<div><span class=3D"Apple-style-span" st=
yle=3D""><br></span></div><div><span class=3D"Apple-style-span" style=3D""=
>PS: =A0Also, if you are in near Penn State on Thursday, June 11 at 2 pm=
 I am doing a loop based concert at the Pavillion Theatre.=A0<br></span></=
div></div></span></div></span></div></span></div></span></div></span></div=
></div><div class=3D"aol_ad_footer" id=3D"u09D1173F7EA945C8B90800495833EF5=
B"></div></body></html>

--=_8E606324.08E0.4EBA.A3C9.B5C808F1FD65@aol.com--

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 22:02:42 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Antwerp Loopfest - video
Date: Tue, 2 Jun 2009 22:02:41 +0000
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Sounds really good=2C I enjoy it a lot. Is it totally improvised or do you =
have "songs" or anything preconceived to start from?

=20

Thanks for a lot of enjoyable listning..

=20

Anders

www.soundclick.com/andersbergdahl
=20
> Date: Tue=2C 2 Jun 2009 20:31:11 +0100
> Subject: Antwerp Loopfest - video
> From: os@collective.co.uk
> To: Loopers-Delight@loopers-delight.com
>=20
> Hi=2C
>=20
> the Darkroom set from the Antwerp Loopfest is here:
> http://vimeo.com/4960054
>=20
> NB this isn't the official video - it's footage I took on my own
> camcorder=2C mixed with audio I recorded on my laptop. I imagine the
> official video will be much higher quality!
>=20
> We played three pieces=2C each about 8 minutes long.
>=20
> Play loud! Especially the last bit.
>=20
> Also photos (of everyone=2C not just Darkroom) are here:
> http://www.flickr.com/groups/antwerp_loopfest_2009/
>=20
>=20
> cheers=2C
> os.
>=20
> --=20
> os@collective.co.uk
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>=20

--_a9822e9b-b866-4025-8340-5502f6eac55e_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Sounds really good=2C I enjoy it a lot. Is it totally improvised or do you =
have "songs" or anything preconceived to start from?<BR>
&nbsp=3B<BR>
Thanks for&nbsp=3Ba lot of enjoyable listning..<BR>
&nbsp=3B<BR>
Anders<BR>
<A href=3D"http://www.soundclick.com/andersbergdahl">www.soundclick.com/and=
ersbergdahl</A><BR>&nbsp=3B<BR>&gt=3B Date: Tue=2C 2 Jun 2009 20:31:11 +010=
0<BR>&gt=3B Subject: Antwerp Loopfest - video<BR>&gt=3B From: os@collective=
.co.uk<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=
=3B Hi=2C<BR>&gt=3B <BR>&gt=3B the Darkroom set from the Antwerp Loopfest i=
s here:<BR>&gt=3B http://vimeo.com/4960054<BR>&gt=3B <BR>&gt=3B NB this isn=
't the official video - it's footage I took on my own<BR>&gt=3B camcorder=
=2C mixed with audio I recorded on my laptop. I imagine the<BR>&gt=3B offic=
ial video will be much higher quality!<BR>&gt=3B <BR>&gt=3B We played three=
 pieces=2C each about 8 minutes long.<BR>&gt=3B <BR>&gt=3B Play loud! Espec=
ially the last bit.<BR>&gt=3B <BR>&gt=3B Also photos (of everyone=2C not ju=
st Darkroom) are here:<BR>&gt=3B http://www.flickr.com/groups/antwerp_loopf=
est_2009/<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B cheers=2C<BR>&gt=3B os.<BR>&gt=3B=
 <BR>&gt=3B -- <BR>&gt=3B os@collective.co.uk<BR>&gt=3B http://www.darkroom=
theband.net/<BR>&gt=3B http://www.expert-sleepers.co.uk/<BR>&gt=3B <BR></bo=
dy>
</html>=

--_a9822e9b-b866-4025-8340-5502f6eac55e_--

From Loopers-Delight-request@loopers-delight.com  Tue Jun  2 22:30:58 2009
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Subject: Re: Antwerp Loopfest - video
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Hi Stephen,

As it's a list for consenting adults, I can explain...

... it's a bubble machine.

Seriously. Without the bubbles though.
Basically a foam rubber fan... highly recommended!

Anders, there was a plan for who'd start each segment, suggested key 
+bpm,
and Os - who loops the guitar - had some effects chains set up.
But apart from that, nothing prepared.

Big thank-you to Sjaak for giving us the opportunity!
The setting definitely helped.

Mike

On 2 Jun 2009, at 21:07, Stephen Scott wrote:

>
> Without wishing to appear naive or stupid (but probably appearing  
> both naive and stupid simultaneously), is that really a vibrator  
> that Michael is using to excite his strings during that last piece?
>
> Stephen
> www.myspace.com/sylvianfisher
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 00:07:19 2009
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Date: Wed, 3 Jun 2009 09:07:11 +0900
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At 5:08 PM -0400 6/2/09, donearlsto wrote:
>
>I have two pieces of equipment:  a Rocktron Prophesy and an All 
>Access Midi Controller..
>I would like to save the settings from these two pieces of equipment....
>
>Isn't there a way I can connect from the MIDI out of these devices, 
>directly to my  computer (Mac), and thus save the information 
>directly on my laptop?  Thereby allowing me to load the data in the 
>future directly from my laptop?

Well, the good news is: Yes, this is fairly common.  What you're 
referring to is called a SysEx Dump.  You simply connect your device 
via MIDI to your computer, begin recording on your sequencing 
program, and start the dump.  Your sequencer will record it just as 
any other MIDI, and then you can play back the dump to restore the 
patches to your device.

The bad news is: SysEx Dump HAS TO BE SUPPORTED FROM THE HARDWARE 
DEVICE.  Since you'd be initiating the dump from your Prophesy or All 
Access, either/both of those two devices have to support SysEx.  Many 
devices, especially controllers, don't bother with dump support.

You're going to need to pore through the manuals for your MIDI 
controllers.  Search for anything referring to System Exclusive 
(SysEx) information.  If you can find something on this, you've just 
taken the first step toward accomplishing your task.

Likewise, if you can't find anything, then you're most likely going 
to have to do it the hard way: with a pencil and paper, writing down 
all your settings for each patch.

Ganbatte!

	--m.
-- 
_____
"I want to keep you alive so there is always the possibility of 
murder... later"

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Subject: blech (pedal choices)
From: Matt Davignon <mattdavignon@gmail.com>
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So, I'm idly looking into expanding my looping setup, since I'm
starting to feel the limits of the looper in my Line 6 DL-4. (Mostly
that 15 seconds at normal speed is too short.)

So I just spent an hour looking at what else is out there and I'm
feeling a bit discouraged.

What I'm looking for in a looper:
--Simple & easy to use.
--at least 30 seconds of looping time
--Lets me pick start and end points while recording. (Will not try to
autocorrect my timing, or make me choose loop length before I start.)
--Reverse function
--Half Speed function (or even better - a speed dial!)
--Lets me choose # of repeats when not infinite.
--Will not drive up the cost of the pedal with stuff I'll never use.
--smaller than a hardcover book

As far as I can tell, this does not exist. The closest I find is a
DL-4, which is very easy to use, but as I mentioned, the looping time
is short and I can't control the # of repeats. It's also heavy enough
that I don't want to walk around with 2 of them.

I'm pretty disappointed in the concept of the Line 6 JM-4. It costs
more and doesn't appear to offer more of the stuff I want. Instead it
offers me the opportunity to play with imaginary musicians, which
frankly I find insulting. Has anyone used one of these? If you don't
store loops, how long can a live loop be? Can you get rid of all the
dumb preset tracks? Is it otherwise as simple as the DL-4?

How about the LoopStation (RC-20)? How long of a loop can you get if
you don't store anything? Does it have half speed/reverse?

Not looking for rack mounts, software or large pedal boards. I have to
fit all my gear in a rolling suitcase on public transit.

Shruggingly,

Matt Davignon
www.ribosomemusic.com

From nobody@hades.neobiz.com.br  Wed Jun  3 01:42:18 2009
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From: Financial Loan Offer <mike_loanoffer009@yahoo.com.hk>
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=============================================
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=============================================
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________________________________________________
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At 12:48 PM +0100 6/2/09, Simeon Harris wrote:
>
>i really like the plugins in Live and i'd like to use them in 
>conjunction with my favourite AU plugins to replace my rack of fx

Sim,

I see you've gotten some fine advice from Os (I'll especially concur 
with his recommendation for turning plugs on/off to save CPU). 
Here's another $.02.

I've been using Live as my primary host for quite some time, since 
Live 4.  (I keep attempting to get away from it.  But every time I 
find an alternative, I put it through a CPU usage test and Live beats 
it.  By now, I've almost given up trying.)

I took Live's racks through their paces a couple of software 
revisions ago, then chucked the idea.  I'm not saying that's what you 
should do, but here's my alternate approach.  As always, YMMV.  :)

I use almost all my effects in Send/Return channels.  Why?  Because I 
frequently swap around the order of many effects, and found that 
shoehorning that functionality into a rack was a pain.  I later 
abandoned racks entirely.  The brilliant thing about the Return 
channels is that each of these channels contains the same Sends as an 
Input channel strip.  So you can feed one Return channel into any of 
the next channels.

I then turn effects routings on or off by simply using CC messages to 
control the Send amounts on each channel (0 for off; 128 for full on; 
and anything in between).  Of course, if I'm not using an effect, 
I'll also send a parallel message to turn it off completely, to save 
CPU.

Additionally, at the end of the row, I'll create one extra 
Send/Return with no effects on it whatsoever.  I'll turn all the 
channels to pre-fader, with the exception of this channel and the 
Master.  I can then use this channel as a pre-mix sub to tap the 
output of any other channel before it goes to the next in the chain. 
For some reason, it often seems easier to use this than juggle the 
track fader on the input channel.  So I'll usually put the input 
channel to "Sends Only" and use this to mix the dry signal too.

You've got a great deal of flexibility with this architecture, 
IMNSHO.  Not only can you switch the effects order on the fly, you 
can also split and recombine effect chains at any point on the fly 
(you want both delay and reverb on a line without 'delay --> reverb' 
or 'reverb --> delay'?  Easy.)  As I mentioned above, you can tap any 
effect into the final mix at any point, too, and in any proportion. 
Don't forget, these are knobs, not switches.  You don't have to use 
100% on or off for any effect, but rather mix the amount you want 
very easily in real time.

The other advantage of this (which isn't immediately obvious) is that 
you can also set up feedback chains.  You can mix a portion of an 
effect back into itself to thicken of effect it further.  Live's 
reverb, for instance, is wonderful.  I love it.  However, you can 
hear it become even more lush by feeding about 20% of its input back 
into itself.  Although I probably need to mention watching your 
levels here, or the effect can run away with you.

Additionally, I've found it pretty easy to fire off MIDI clips to 
control the Send levels (amongst other things) of each effect.  You 
can come up with some wild synchronized effects by using clips to 
blast audio into different effects on different beats.  Or, you can 
come up with some insane tremolo-ized effects by automating the Send 
on and off faster than you could ever humanly work a foot pedal.

And of course you don't really have to limit yourself to one effect 
per channel.  If, for instance, you *always* use a compressor with a 
particular delay, you might as well marry them together on one 
channel.

Doing it this way made it easier for me to control; at least to my 
little dinosaur brain.  This was not for any real added functionality 
(you can access everything just as easily in racks as like this). 
But I could look over and *see* most of what was happening.  Racks 
just seemed to obscure too much information for my liking.

So, that's one suggestion.  I just find this architecture easier and 
more transparent than jerking around with racks.  Perhaps you may 
consider a hybrid too, with both racks and Send/Return paths.  This 
is merely what worked best for me, but it is one more option to think 
about.

	--m.
-- 
_____
"we're no longer sure where home is; homesickness is our only guide"

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Subject: Re: blech (pedal choices)
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On Jun 2, 2009, at 6:35 PM, Matt Davignon wrote:

> How about the LoopStation (RC-20)? How long of a loop can you get if
> you don't store anything? Does it have half speed/reverse?


The original RC-20 lists the phrase limit as 5 min 30 sec.
It has reverse but no half speed.
I have seen them selling used at good prices.
They are solid and sturdy but this makes them rather heavy.

regards

BobC




http://cdbaby.com/cd/rpcollier5
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Jun 2, 2009, =
at 6:35 PM, Matt Davignon wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; ">How about the LoopStation (RC-20)? =
How long of a loop can you get if<br>you don't store anything? Does it =
have half speed/reverse?</span></blockquote><br></div><br><div>The =
original RC-20 lists the phrase limit as 5 min 30 =
sec.&nbsp;</div><div>It has reverse but no half speed.</div><div>I have =
seen them selling used at good prices.&nbsp;</div><div>They are solid =
and sturdy but this makes them rather =
heavy.</div><div><br></div><div>regards</div><div><br></div><div>BobC</div=
><div><br></div><div><br></div><div><br></div><div><br></div><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; "><a =
href=3D"http://cdbaby.com/cd/rpcollier5">http://cdbaby.com/cd/rpcollier5</=
a></div></div></body></html>=

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Thanks,=A0
Both devices support SysEx and can Dump, and also Load....mostly what I am=
 wondering about is what hardware (some sort of midi interface) and Mac So=
ftware I could use.=A0

Any ideas on these two fronts?

Thank you,=A0
Donovan=A0

On Jun 2, 2009, at 8:07:11 PM, Mech <mech@m3ch.net> wrote:

From:   Mech <mech@m3ch.net>
Subject:    Re: Preset Dump/Midi Saving?
Date:   June 2, 2009 8:07:11 PM EDT
To: Loopers-Delight@loopers-delight.com
At 5:08 PM -0400 6/2/09, donearlsto wrote:
>
>I have two pieces of equipment: a Rocktron Prophesy and an All=A0
>Access Midi Controller..
>I would like to save the settings from these two pieces of equipment....
>
>Isn't there a way I can connect from the MIDI out of these devices,=A0
>directly to my computer (Mac), and thus save the information=A0
>directly on my laptop? Thereby allowing me to load the data in the=A0
>future directly from my laptop?

Well, the good news is: Yes, this is fairly common. What you're=A0
referring to is called a SysEx Dump. You simply connect your device=A0
via MIDI to your computer, begin recording on your sequencing=A0
program, and start the dump. Your sequencer will record it just as=A0
any other MIDI, and then you can play back the dump to restore the=A0
patches to your device.

The bad news is: SysEx Dump HAS TO BE SUPPORTED FROM THE HARDWARE=A0
DEVICE. Since you'd be initiating the dump from your Prophesy or All=A0
Access, either/both of those two devices have to support SysEx. Many=A0
devices, especially controllers, don't bother with dump support.

You're going to need to pore through the manuals for your MIDI=A0
controllers. Search for anything referring to System Exclusive=A0
(SysEx) information. If you can find something on this, you've just=A0
taken the first step toward accomplishing your task.

Likewise, if you can't find anything, then you're most likely going=A0
to have to do it the hard way: with a pencil and paper, writing down=A0
all your settings for each patch.

Ganbatte!

--m.
--=A0
_____
"I want to keep you alive so there is always the possibility of=A0
murder... later"



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<html><body name=3D"Mail Message Editor"><div><span class=3D"Apple-style-s=
pan">Thanks,=A0<div><span class=3D"Apple-style-span" style=3D"">Both devic=
es support SysEx and can Dump, and also Load....mostly what I am wondering=
 about is what hardware (some sort of midi interface) and Mac Software I=
 could use.=A0<br><div><span class=3D"Apple-style-span" style=3D""><br></s=
pan></div><div>Any ideas on these two fronts?<div><span class=3D"Apple-sty=
le-span" style=3D""><br></span></div><div>Thank you,=A0<div><span class=3D=
"Apple-style-span" style=3D"">Donovan=A0<div><span class=3D"Apple-style-sp=
an" style=3D""><br></span></div></span></div></div></div></span></div></sp=
an></div><div id=3D"replyPrefaceElement">On Jun 2, 2009, at 8:07:11 PM, Me=
ch &lt;mech@m3ch.net&gt; wrote:</div><br><blockquote style=3D"padding-left=
: 5px; margin-left: 5px; border-left-width: 2px; border-left-style: solid;=
 border-left-color: blue; color: blue; "><span class=3D"Apple-style-span"=
 style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Hel=
vetica; font-size: 12px; font-style: normal; font-variant: normal; font-we=
ight: normal; letter-spacing: normal; line-height: normal; orphans: 2; tex=
t-align: auto; text-indent: 0px; text-transform: none; white-space: normal=
; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -w=
ebkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: no=
ne; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><div=
 style=3D"width: 100%; "><div id=3D"felix-mail-header-block" style=3D"colo=
r: black; background-color: white; border-bottom-width: 1px; border-bottom=
-style: solid; border-bottom-color: silver; padding-bottom: 1em; margin-bo=
ttom: 1em; width: 100%; "><table border=3D"0" cellpadding=3D"1" cellspacin=
g=3D"1" width=3D"100%"><tbody><tr><td width=3D"70px" style=3D"font-family:=
 'Lucida Grande'; font-size: 8pt; color: gray; text-align: right; vertical=
-align: top; font-weight: bold; "><span>From:</span></td><td style=3D"font=
-family: 'Lucida Grande'; font-size: 8pt; color: black; text-align: left;=
 vertical-align: top; padding-left: 5px; "><span title=3D"Mech &lt;mech@m3=
ch.net>">Mech &lt;mech@m3ch.net&gt;</span></td></tr><tr><td width=3D"70px"=
 style=3D"font-family: 'Lucida Grande'; font-size: 8pt; color: gray; text-=
align: right; vertical-align: top; font-weight: bold; "><span>Subject:</sp=
an></td><td style=3D"font-family: 'Lucida Grande'; font-size: 8pt; color:=
 black; text-align: left; vertical-align: top; padding-left: 5px; "><span=
 style=3D"font-weight: bold; ">Re: Preset Dump/Midi Saving?</span></td></t=
r><tr><td width=3D"70px" style=3D"font-family: 'Lucida Grande'; font-size:=
 8pt; color: gray; text-align: right; vertical-align: top; font-weight: bo=
ld; "><span>Date:</span></td><td style=3D"font-family: 'Lucida Grande'; fo=
nt-size: 8pt; color: black; text-align: left; vertical-align: top; padding=
-left: 5px; "><span>June 2, 2009 8:07:11 PM EDT</span></td></tr><tr><td wi=
dth=3D"70px" style=3D"font-family: 'Lucida Grande'; font-size: 8pt; color:=
 gray; text-align: right; vertical-align: top; font-weight: bold; "><span>=
To:</span></td><td style=3D"font-family: 'Lucida Grande'; font-size: 8pt;=
 color: black; text-align: left; vertical-align: top; padding-left: 5px;=
 "><span title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loo=
pers-delight.com</span></td></tr></tbody></table></div><div id=3D"felix-ma=
il-content-block" style=3D"color: black; background-color: white; width:=
 100%; "><div style=3D"font-family: monospace; color: black; background-co=
lor: white; font-size: 8pt; ">At 5:08 PM -0400 6/2/09, donearlsto wrote:<b=
r>&gt;<br>&gt;I have two pieces of equipment: a Rocktron Prophesy and an=
 All<span class=3D"Apple-converted-space">=A0</span><br>&gt;Access Midi Co=
ntroller..<br>&gt;I would like to save the settings from these two pieces=
 of equipment....<br>&gt;<br>&gt;Isn't there a way I can connect from the=
 MIDI out of these devices,<span class=3D"Apple-converted-space">=A0</span=
><br>&gt;directly to my computer (Mac), and thus save the information<span=
 class=3D"Apple-converted-space">=A0</span><br>&gt;directly on my laptop?=
 Thereby allowing me to load the data in the<span class=3D"Apple-converted=
-space">=A0</span><br>&gt;future directly from my laptop?<br><br>Well, the=
 good news is: Yes, this is fairly common. What you're<span class=3D"Apple=
-converted-space">=A0</span><br>referring to is called a SysEx Dump. You=
 simply connect your device<span class=3D"Apple-converted-space">=A0</span=
><br>via MIDI to your computer, begin recording on your sequencing<span cl=
ass=3D"Apple-converted-space">=A0</span><br>program, and start the dump.=
 Your sequencer will record it just as<span class=3D"Apple-converted-space=
">=A0</span><br>any other MIDI, and then you can play back the dump to res=
tore the<span class=3D"Apple-converted-space">=A0</span><br>patches to you=
r device.<br><br>The bad news is: SysEx Dump HAS TO BE SUPPORTED FROM THE=
 HARDWARE<span class=3D"Apple-converted-space">=A0</span><br>DEVICE. Since=
 you'd be initiating the dump from your Prophesy or All<span class=3D"Appl=
e-converted-space">=A0</span><br>Access, either/both of those two devices=
 have to support SysEx. Many<span class=3D"Apple-converted-space">=A0</spa=
n><br>devices, especially controllers, don't bother with dump support.<br>=
<br>You're going to need to pore through the manuals for your MIDI<span cl=
ass=3D"Apple-converted-space">=A0</span><br>controllers. Search for anythi=
ng referring to System Exclusive<span class=3D"Apple-converted-space">=A0<=
/span><br>(SysEx) information. If you can find something on this, you've=
 just<span class=3D"Apple-converted-space">=A0</span><br>taken the first=
 step toward accomplishing your task.<br><br>Likewise, if you can't find=
 anything, then you're most likely going<span class=3D"Apple-converted-spa=
ce">=A0</span><br>to have to do it the hard way: with a pencil and paper,=
 writing down<span class=3D"Apple-converted-space">=A0</span><br>all your=
 settings for each patch.<br><br>Ganbatte!<br><br>--m.<br>--<span class=3D=
"Apple-converted-space">=A0</span><br>_____<br>"I want to keep you alive=
 so there is always the possibility of<span class=3D"Apple-converted-space=
">=A0</span><br>murder... later"<br><br><br></div></div></div></span></blo=
ckquote><div><span class=3D"Apple-style-span"><br></span></div><div class=
=3D"aol_ad_footer" id=3D"uE587C085D98C4111B262467163B02FBE"></div></body><=
/html>

--=_9493A65D.2932.4625.AB06.BCB4EDD655C7@aol.com--

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 02:22:46 2009
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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: RE: blech (pedal choices)
Date: Tue, 2 Jun 2009 22:22:42 -0400
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>How about the LoopStation (RC-20)? How long of a loop can you get if
>you don't store anything? Does it have half speed/reverse?

The RC20XL will store 16 minutes of phrases.
It does reverse easily.  1/2 speed is possible but sort of weird and not
accurate.  You have to store the phrase, then change the tempo with the tap
button.  Which gives way beyond 1/2 speed, but you have to be damn good with
the tap tempo.

It's not a delay though, so no # of repeats.  It's a phrase sampler/looper.


Tony

-----Original Message-----
From: Matt Davignon [mailto:mattdavignon@gmail.com] 
Sent: Tuesday, June 02, 2009 9:36 PM
To: Loopers Delight
Subject: blech (pedal choices)

So, I'm idly looking into expanding my looping setup, since I'm
starting to feel the limits of the looper in my Line 6 DL-4. (Mostly
that 15 seconds at normal speed is too short.)

So I just spent an hour looking at what else is out there and I'm
feeling a bit discouraged.

What I'm looking for in a looper:
--Simple & easy to use.
--at least 30 seconds of looping time
--Lets me pick start and end points while recording. (Will not try to
autocorrect my timing, or make me choose loop length before I start.)
--Reverse function
--Half Speed function (or even better - a speed dial!)
--Lets me choose # of repeats when not infinite.
--Will not drive up the cost of the pedal with stuff I'll never use.
--smaller than a hardcover book

As far as I can tell, this does not exist. The closest I find is a
DL-4, which is very easy to use, but as I mentioned, the looping time
is short and I can't control the # of repeats. It's also heavy enough
that I don't want to walk around with 2 of them.

I'm pretty disappointed in the concept of the Line 6 JM-4. It costs
more and doesn't appear to offer more of the stuff I want. Instead it
offers me the opportunity to play with imaginary musicians, which
frankly I find insulting. Has anyone used one of these? If you don't
store loops, how long can a live loop be? Can you get rid of all the
dumb preset tracks? Is it otherwise as simple as the DL-4?

How about the LoopStation (RC-20)? How long of a loop can you get if
you don't store anything? Does it have half speed/reverse?

Not looking for rack mounts, software or large pedal boards. I have to
fit all my gear in a rolling suitcase on public transit.

Shruggingly,

Matt Davignon
www.ribosomemusic.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 02:43:33 2009
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Date: Wed, 3 Jun 2009 11:43:27 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Preset Dump/Midi Saving?
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At 10:12 PM -0400 6/2/09, donearlsto wrote:
>
>Both devices support SysEx and can Dump, and also Load....mostly 
>what I am wondering about is what hardware (some sort of midi 
>interface) and Mac Software I could use.

You're 90% there!

For hardware, any decent USB MIDI interface should work just fine. 
I've used an M-Audio Uno in the past, and it didn't set me back any 
more than $50 new.  Also, if you're looking at doing any other music 
on the computer, most controller keyboards have built-in MIDI 
interfaces that you could use too.

As far as software, most of the decent commercial products (Cubase, 
Logic) handle SysEx without issue.  That's probably a bit of 
overkill, though.  I'd see if any of those aforementioned interfaces 
come bundled with a "light" copy of a sequencer.  (Aside: I've not 
used Ableton for SysEx dumps, so I don't know if their Live Lite 
version -- which comes bundled everywhere -- would work properly.)

Or, you might pick up a copy of Computer Music magazine.  There 
should be a Mac compatible sequencer on the program DVD that comes 
with it, and I'd be surprised if it didn't support System Exclusive.

Personally, I've got a demo copy of Rondo, from fracturedSoftware. 
It's a bit of a pain, because you need to pick the functions you want 
to demo upon program boot each time.  But I only go through SysEx 
dumps, like, once a year; maybe not even that much.  So I've never 
bothered to move beyond the demo.  Works okay for me.

Hope that helps!

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 02:51:55 2009
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References: <c70e517b0906021835v5b10d3a8u5282b324023234a0@mail.gmail.com>
Subject: Re: blech (pedal choices)
Date: Tue, 2 Jun 2009 22:51:53 -0400
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Matt,
I,ll go ahead a jump in quickly. You might want to check out the EH 2880. 
with the footswitch it's a bit over 500 dollars. It has an expandable 
memory, 4 tracks or two stereo, all the same length, fader volume control, 
feedback on the active channel or pair if in stereo, reverse and octave 
down. I use mine with my DL 4 and love it. I would see if you can find one 
and try it out for awhile if possible.

just my 2 cents :) http://www.ehx.com/products/2880

best,

Jeff


----- Original Message ----- 
From: "Matt Davignon" <mattdavignon@gmail.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 02, 2009 9:35 PM
Subject: blech (pedal choices)


> So, I'm idly looking into expanding my looping setup, since I'm
> starting to feel the limits of the looper in my Line 6 DL-4. (Mostly
> that 15 seconds at normal speed is too short.)
>
> So I just spent an hour looking at what else is out there and I'm
> feeling a bit discouraged.
>
> What I'm looking for in a looper:
> --Simple & easy to use.
> --at least 30 seconds of looping time
> --Lets me pick start and end points while recording. (Will not try to
> autocorrect my timing, or make me choose loop length before I start.)
> --Reverse function
> --Half Speed function (or even better - a speed dial!)
> --Lets me choose # of repeats when not infinite.
> --Will not drive up the cost of the pedal with stuff I'll never use.
> --smaller than a hardcover book
>
> As far as I can tell, this does not exist. The closest I find is a
> DL-4, which is very easy to use, but as I mentioned, the looping time
> is short and I can't control the # of repeats. It's also heavy enough
> that I don't want to walk around with 2 of them.
>
> I'm pretty disappointed in the concept of the Line 6 JM-4. It costs
> more and doesn't appear to offer more of the stuff I want. Instead it
> offers me the opportunity to play with imaginary musicians, which
> frankly I find insulting. Has anyone used one of these? If you don't
> store loops, how long can a live loop be? Can you get rid of all the
> dumb preset tracks? Is it otherwise as simple as the DL-4?
>
> How about the LoopStation (RC-20)? How long of a loop can you get if
> you don't store anything? Does it have half speed/reverse?
>
> Not looking for rack mounts, software or large pedal boards. I have to
> fit all my gear in a rolling suitcase on public transit.
>
> Shruggingly,
>
> Matt Davignon
> www.ribosomemusic.com
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 02:57:16 2009
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--=_79001842.9388.45DF.B8D8.3D1033F923F2@aol.com
Content-Type: text/plain; charset="us-ascii"; format="flowed"

Thank you!
D
On Jun 2, 2009, at 10:43:27 PM, Mech <mech@m3ch.net> wrote:

 From:  Mech <mech@m3ch.net>
Subject:    Re: Preset Dump/Midi Saving?
Date:   June 2, 2009 10:43:27 PM EDT
To: Loopers-Delight@loopers-delight.com
At 10:12 PM -0400 6/2/09, donearlsto wrote:
> 
> Both devices support SysEx and can Dump, and also Load....mostly 
> what I am wondering about is what hardware (some sort of midi 
> interface) and Mac Software I could use.

You're 90% there!

For hardware, any decent USB MIDI interface should work just fine.
I've used an M-Audio Uno in the past, and it didn't set me back any
more than $50 new.  Also, if you're looking at doing any other music
on the computer, most controller keyboards have built-in MIDI
interfaces that you could use too.

As far as software, most of the decent commercial products (Cubase,
Logic) handle SysEx without issue.  That's probably a bit of
overkill, though.  I'd see if any of those aforementioned interfaces
come bundled with a "light" copy of a sequencer.  (Aside: I've not
used Ableton for SysEx dumps, so I don't know if their Live Lite
version -- which comes bundled everywhere -- would work properly.)

Or, you might pick up a copy of Computer Music magazine.  There
should be a Mac compatible sequencer on the program DVD that comes
with it, and I'd be surprised if it didn't support System Exclusive.

Personally, I've got a demo copy of Rondo, from fracturedSoftware.
It's a bit of a pain, because you need to pick the functions you want
to demo upon program boot each time.  But I only go through SysEx
dumps, like, once a year; maybe not even that much.  So I've never
bothered to move beyond the demo.  Works okay for me.

Hope that helps!

     --m.
-- 
_____
"the wind in my heart; the dust in my head...."




--=_79001842.9388.45DF.B8D8.3D1033F923F2@aol.com
Content-Type: text/html; charset="us-ascii"

<html><body name="Mail Message Editor"><div><span class="Apple-style-span">Thank you!<div><span class="Apple-style-span" style="">D</span></div></span></div><div id="replyPrefaceElement">On Jun 2, 2009, at 10:43:27 PM, Mech &lt;mech@m3ch.net&gt; wrote:</div><br><blockquote style="padding-left: 5px; margin-left: 5px; border-left-width: 2px; border-left-style: solid; border-left-color: blue; color: blue; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><div style="width: 100%; "><div id="felix-mail-header-block" style="color: black; background-color: white; border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: silver; padding-bottom: 1em; margin-bottom: 1em; width: 100%; "><table border="0" cellpadding="1" cellspacing="1" width="100%"><tbody><tr><td width="70px" style="font-family: 'Lucida Grande'; font-size: 8pt; color: gray; text-align: right; vertical-align: top; font-weight: bold; "><span>From:</span></td><td style="font-family: 'Lucida Grande'; font-size: 8pt; color: black; text-align: left; vertical-align: top; padding-left: 5px; "><span title="Mech &lt;mech@m3ch.net>">Mech &lt;mech@m3ch.net&gt;</span></td></tr><tr><td width="70px" style="font-family: 'Lucida Grande'; font-size: 8pt; color: gray; text-align: right; vertical-align: top; font-weight: bold; "><span>Subject:</span></td><td style="font-family: 'Lucida Grande'; font-size: 8pt; color: black; text-align: left; vertical-align: top; padding-left: 5px; "><span style="font-weight: bold; ">Re: Preset Dump/Midi Saving?</span></td></tr><tr><td width="7

0px" style="font-family: 'Lucida Grande'; font-size: 8pt; color: gray; text-align: right; vertical-align: top; font-weight: bold; "><span>Date:</span></td><td style="font-family: 'Lucida Grande'; font-size: 8pt; color: black; text-align: left; vertical-align: top; padding-left: 5px; "><span>June 2, 2009 10:43:27 PM EDT</span></td></tr><tr><td width="70px" style="font-family: 'Lucida Grande'; font-size: 8pt; color: gray; text-align: right; vertical-align: top; font-weight: bold; "><span>To:</span></td><td style="font-family: 'Lucida Grande'; font-size: 8pt; color: black; text-align: left; vertical-align: top; padding-left: 5px; "><span title="Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</span></td></tr></tbody></table></div><div id="felix-mail-content-block" style="color: black; background-color: white; width: 100%; "><div style="font-family: monospace; color: black; background-color: white; font-size: 8pt; "><pre>At 10:12 PM -0400 6/2/09, donearlsto wrote:
&gt;
&gt;Both devices support SysEx and can Dump, and also Load....mostly 
&gt;what I am wondering about is what hardware (some sort of midi 
&gt;interface) and Mac Software I could use.

You're 90% there!

For hardware, any decent USB MIDI interface should work just fine. 
I've used an M-Audio Uno in the past, and it didn't set me back any 
more than $50 new.  Also, if you're looking at doing any other music 
on the computer, most controller keyboards have built-in MIDI 
interfaces that you could use too.

As far as software, most of the decent commercial products (Cubase, 
Logic) handle SysEx without issue.  That's probably a bit of 
overkill, though.  I'd see if any of those aforementioned interfaces 
come bundled with a "light" copy of a sequencer.  (Aside: I've not 
used Ableton for SysEx dumps, so I don't know if their Live Lite 
version -- which comes bundled everywhere -- would work properly.)

Or, you might pick up a copy of Computer Music magazine.  There 
should be a Mac compatible sequencer on the program DVD that comes 
with it, and I'd be surprised if it didn't support System Exclusive.

Personally, I've got a demo copy of Rondo, from fracturedSoftware. 
It's a bit of a pain, because you need to pick the functions you want 
to demo upon program boot each time.  But I only go through SysEx 
dumps, like, once a year; maybe not even that much.  So I've never 
bothered to move beyond the demo.  Works okay for me.

Hope that helps!

    --m.
-- 
_____
"the wind in my heart; the dust in my head...."

</pre></div></div></div></span><br class="Apple-interchange-newline"></blockquote><div><span class="Apple-style-span"><br></span></div><div class="aol_ad_footer" id="u3B504D351991433E923BF27BC21C4D14"></div></body></html>

--=_79001842.9388.45DF.B8D8.3D1033F923F2@aol.com--

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 03:02:11 2009
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Subject: Re: blech (pedal choices)
Date: Tue, 2 Jun 2009 23:02:09 -0400
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Matt, check this out. DL 4, 2880 and alot of talent!

http://www.youtube.com/watch?v=gO8bQb__jKg

Jeff



> 
> 
> ----- Original Message ----- 
> From: "Matt Davignon" <mattdavignon@gmail.com>
> To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, June 02, 2009 9:35 PM
> Subject: blech (pedal choices)
> 
> 
>> So, I'm idly looking into expanding my looping setup, since I'm
>> starting to feel the limits of the looper in my Line 6 DL-4. (Mostly
>> that 15 seconds at normal speed is too short.)
>>
>> So I just spent an hour looking at what else is out there and I'm
>> feeling a bit discouraged.
>>
>> What I'm looking for in a looper:
>> --Simple & easy to use.
>> --at least 30 seconds of looping time
>> --Lets me pick start and end points while recording. (Will not try to
>> autocorrect my timing, or make me choose loop length before I start.)
>> --Reverse function
>> --Half Speed function (or even better - a speed dial!)
>> --Lets me choose # of repeats when not infinite.
>> --Will not drive up the cost of the pedal with stuff I'll never use.
>> --smaller than a hardcover book
>>
>> As far as I can tell, this does not exist. The closest I find is a
>> DL-4, which is very easy to use, but as I mentioned, the looping time
>> is short and I can't control the # of repeats. It's also heavy enough
>> that I don't want to walk around with 2 of them.
>>
>> I'm pretty disappointed in the concept of the Line 6 JM-4. It costs
>> more and doesn't appear to offer more of the stuff I want. Instead it
>> offers me the opportunity to play with imaginary musicians, which
>> frankly I find insulting. Has anyone used one of these? If you don't
>> store loops, how long can a live loop be? Can you get rid of all the
>> dumb preset tracks? Is it otherwise as simple as the DL-4?
>>
>> How about the LoopStation (RC-20)? How long of a loop can you get if
>> you don't store anything? Does it have half speed/reverse?
>>
>> Not looking for rack mounts, software or large pedal boards. I have to
>> fit all my gear in a rolling suitcase on public transit.
>>
>> Shruggingly,
>>
>> Matt Davignon
>> www.ribosomemusic.com
>>
>> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 03:43:11 2009
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Subject: Re: blech (pedal choices)
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just beautiful.
kinda wish the low frequencies were just a little more pronounced

-----Original Message-----
>From: Jeff Duke <jeff_d@embarqmail.com>
>Sent: Jun 2, 2009 11:02 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: blech (pedal choices)
>
>Matt, check this out. DL 4, 2880 and alot of talent!
>
>http://www.youtube.com/watch?v=gO8bQb__jKg
>
>Jeff
>
>
>
>> 
>> 
>> ----- Original Message ----- 
>> From: "Matt Davignon" <mattdavignon@gmail.com>
>> To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
>> Sent: Tuesday, June 02, 2009 9:35 PM
>> Subject: blech (pedal choices)
>> 
>> 
>>> So, I'm idly looking into expanding my looping setup, since I'm
>>> starting to feel the limits of the looper in my Line 6 DL-4. (Mostly
>>> that 15 seconds at normal speed is too short.)
>>>
>>> So I just spent an hour looking at what else is out there and I'm
>>> feeling a bit discouraged.
>>>
>>> What I'm looking for in a looper:
>>> --Simple & easy to use.
>>> --at least 30 seconds of looping time
>>> --Lets me pick start and end points while recording. (Will not try to
>>> autocorrect my timing, or make me choose loop length before I start.)
>>> --Reverse function
>>> --Half Speed function (or even better - a speed dial!)
>>> --Lets me choose # of repeats when not infinite.
>>> --Will not drive up the cost of the pedal with stuff I'll never use.
>>> --smaller than a hardcover book
>>>
>>> As far as I can tell, this does not exist. The closest I find is a
>>> DL-4, which is very easy to use, but as I mentioned, the looping time
>>> is short and I can't control the # of repeats. It's also heavy enough
>>> that I don't want to walk around with 2 of them.
>>>
>>> I'm pretty disappointed in the concept of the Line 6 JM-4. It costs
>>> more and doesn't appear to offer more of the stuff I want. Instead it
>>> offers me the opportunity to play with imaginary musicians, which
>>> frankly I find insulting. Has anyone used one of these? If you don't
>>> store loops, how long can a live loop be? Can you get rid of all the
>>> dumb preset tracks? Is it otherwise as simple as the DL-4?
>>>
>>> How about the LoopStation (RC-20)? How long of a loop can you get if
>>> you don't store anything? Does it have half speed/reverse?
>>>
>>> Not looking for rack mounts, software or large pedal boards. I have to
>>> fit all my gear in a rolling suitcase on public transit.
>>>
>>> Shruggingly,
>>>
>>> Matt Davignon
>>> www.ribosomemusic.com
>>>
>>> 
>> 
>>
>

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Subject: Re: thinking about moving from rack to laptop...advice please!
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--0016e6475fc60ce39e046b6b24da
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i'd say keep the eventide.  good luck finding anything that can even come
close to it.  my heavy guitar rack sounds incredible and i firmly contend
that it can't be replicated, so there's something to be said for a piece of
hardware that does its job and does it very well.

that having been said, i'm saving up for a receptor ; )

- jim

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i&#39;d say keep the eventide.=A0 good luck finding anything that can even =
come close to it.=A0 my heavy guitar rack sounds incredible and i firmly co=
ntend that it can&#39;t be replicated, so there&#39;s something to be said =
for a piece of hardware that does its job and does it very well.<br>
<br>that having been said, i&#39;m saving up for a receptor ; )<br><br>- ji=
m<br>

--0016e6475fc60ce39e046b6b24da--

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There are much clearer photos of the bubble machine here:

http://www.flickr.com/photos/monkeysorama/2233490516
http://www.flickr.com/photos/monkeysorama/2042725141
http://www.flickr.com/photos/monkeysorama/1525681219


cheers,
os.


2009/6/2 Michael Bearpark <bear31415926@ntlworld.com>:
> Hi Stephen,
>
> As it's a list for consenting adults, I can explain...
>
> ... it's a bubble machine.
>
> Seriously. Without the bubbles though.
> Basically a foam rubber fan... highly recommended!
>
> Anders, there was a plan for who'd start each segment, suggested key+bpm,
> and Os - who loops the guitar - had some effects chains set up.
> But apart from that, nothing prepared.
>
> Big thank-you to Sjaak for giving us the opportunity!
> The setting definitely helped.
>
> Mike
>
> On 2 Jun 2009, at 21:07, Stephen Scott wrote:
>
>>
>> Without wishing to appear naive or stupid (but probably appearing both
>> naive and stupid simultaneously), is that really a vibrator that Michael is
>> using to excite his strings during that last piece?
>>
>> Stephen
>> www.myspace.com/sylvianfisher
>>
>>
>>
>>
>>
>>
>>
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Date: Wed, 3 Jun 2009 00:53:24 -0700
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Subject: Re: blech (pedal choices)
From: Matt Davignon <mattdavignon@gmail.com>
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Thanks for the advice all - It looks like the RC 20 may be worth
checking out. I've made a lot of frivolous gear purchases in the last
18 months, so it looks like I'll have to march on down to the music
store to try this one out.

The EH 2880 looks like it would be too much time futzing around with
the pedal for my taste.
Regarding the Line 6 M-13, I'm really happy with the other gear I'm
currently using, which include a Dr. Sample 303 (for fx), Ineko,
Alesis Philter, Alesis Amplitron and EH Micro Synth. Each of these
boxes has a great amount of character, utility and ease of use for
their size/weight. I also like keeping most of it by my hands, since I
play a 1-handed instrument.

I look forward to seeing what Line 6's next looper is going to be. I
really hope they don't find a way to muck it up! In my musical
travels, I see about 3 times as many DL-4s as I see other Line 6
units. (Combined!) Only 10% of the DL-4 users I know use it for
anything other than the looper. The demand is definitely there for
someone to get it right.

So now I'm mulling between the RC20 and another DL-4. What's more
important to me - longer loops or half speed? I think longer loops may
win out.

Matt Davignon
www.ribosomemusic.com

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Date: Wed, 3 Jun 2009 08:56:43 +0100
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Subject: Re: Any experienced Ableton users able to give me a hand?
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excellent ideas mech!

that sounds like it might work for me too, as i do like to reroute fx and
also have side chains. so how do you change fx patches on the fly? or do you
not bother? i suppose you could have a long reverb and a short reverb in two
separate send and just choose which one you want to use...?

sim

On Wed, Jun 3, 2009 at 2:52 AM, Mech <mech@m3ch.net> wrote:

> At 12:48 PM +0100 6/2/09, Simeon Harris wrote:
>
>>
>> i really like the plugins in Live and i'd like to use them in conjunction
>> with my favourite AU plugins to replace my rack of fx
>>
>
> Sim,
>
> I see you've gotten some fine advice from Os (I'll especially concur with
> his recommendation for turning plugs on/off to save CPU). Here's another
> $.02.
>
>

--0016364c771916ecf0046b6d00be
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excellent ideas mech!<br><br>that sounds like it might work for me too, as =
i do like to reroute fx and also have side chains. so how do you change fx =
patches on the fly? or do you not bother? i suppose you could have a long r=
everb and a short reverb in two separate send and just choose which one you=
 want to use...?<br>
<br>sim<br><br><div class=3D"gmail_quote">On Wed, Jun 3, 2009 at 2:52 AM, M=
ech <span dir=3D"ltr">&lt;<a href=3D"mailto:mech@m3ch.net">mech@m3ch.net</a=
>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-le=
ft: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;">
<div class=3D"im">At 12:48 PM +0100 6/2/09, Simeon Harris wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
i really like the plugins in Live and i&#39;d like to use them in conjuncti=
on with my favourite AU plugins to replace my rack of fx<br>
</blockquote>
<br></div>
Sim,<br>
<br>
I see you&#39;ve gotten some fine advice from Os (I&#39;ll especially concu=
r with his recommendation for turning plugs on/off to save CPU). Here&#39;s=
 another $.02.<br>
<br></blockquote></div><br>

--0016364c771916ecf0046b6d00be--

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Subject: Re: thinking about moving from rack to laptop...advice please!
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lol! but yes, i agree...the combination of my g-force and eclipse is pretty
mind blowing, so any sortware replacement is going to have to come up with
the goods...big time...

sim

On Wed, Jun 3, 2009 at 6:43 AM, james fowler <twostroke@gmail.com> wrote:

> i'd say keep the eventide.  good luck finding anything that can even come
> close to it.  my heavy guitar rack sounds incredible and i firmly contend
> that it can't be replicated, so there's something to be said for a piece of
> hardware that does its job and does it very well.
>
> that having been said, i'm saving up for a receptor ; )
>
> - jim
>

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lol! but yes, i agree...the combination of my g-force and eclipse is pretty=
 mind blowing, so any sortware replacement is going to have to come up with=
 the goods...big time...<br><br>sim<br><br><div class=3D"gmail_quote">On We=
d, Jun 3, 2009 at 6:43 AM, james fowler <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:twostroke@gmail.com">twostroke@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">i&#39;d say keep =
the eventide.=A0 good luck finding anything that can even come close to it.=
=A0 my heavy guitar rack sounds incredible and i firmly contend that it can=
&#39;t be replicated, so there&#39;s something to be said for a piece of ha=
rdware that does its job and does it very well.<br>

<br>that having been said, i&#39;m saving up for a receptor ; )<br><br>- ji=
m<br>
</blockquote></div><br>

--001485f2721095ae13046b6d06b1--

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hi Matt,
well no-one mentioned the obvious choice based on your list
(Rainer, where are you? :-)

Matt Davignon wrote:
> So, I'm idly looking into expanding my looping setup, since I'm
> starting to feel the limits of the looper in my Line 6 DL-4. (Mostly
> that 15 seconds at normal speed is too short.)
> 
> So I just spent an hour looking at what else is out there and I'm
> feeling a bit discouraged.

Electro Harmonix Stereo Memory Man (+hazari)

> 
> What I'm looking for in a looper:
> --Simple & easy to use.

yep

> --at least 30 seconds of looping time

yep, just.

in true stereo 

> --Lets me pick start and end points while recording. (Will not try to
> autocorrect my timing, or make me choose loop length before I start.)

yep, but you have to hold the tap button for the length of the loop,
...releasing it accurately isn't as easy as tap -- tap

> --Reverse function

yes

> --Half Speed function (or even better - a speed dial!)

yes, speed dial up/down an octave


> --Lets me choose # of repeats when not infinite.

while overdubbing.
(no cheap pedal lets you set feedback while not overdubbing)

> --Will not drive up the cost of the pedal with stuff I'll never use.

$300
thought it would be cheaper in US :-(

> --smaller than a hardcover book

yes


Also it has
A hi-pass/lo-pass filter that works on the loop.
Bad time stretching on loop.
A lot of headroom.
Can be used as a send/return fx (mono) if you 
use the right in/outs.

As a delay fx it's one of the most colourful available,
but there's quite some limitation in how you can combine
that with the looper.


andy butler


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Message-ID: <c70e517b0906030200y6bb9704hdaf4991a7d667f8@mail.gmail.com>
Subject: Re: blech (pedal choices)
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Wow, that does sound neat. (Watched the demo at EH's site.) Does a
footswitch come with the pedal, or sold separate?

On Wed, Jun 3, 2009 at 1:49 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> hi Matt,
> well no-one mentioned the obvious choice based on your list
> (Rainer, where are you? :-)
>
>
> Electro Harmonix Stereo Memory Man (+hazari)
>
>>

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Subject: Re: blech (pedal choices)
References: <c70e517b0906021835v5b10d3a8u5282b324023234a0@mail.gmail.com>	 <4A26392D.7040309@tiscali.co.uk> <c70e517b0906030200y6bb9704hdaf4991a7d667f8@mail.gmail.com>
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The only footswiches are attached to the pedal,
there's no-where to connect an external switch.

(would be easy enough to add a socket for an external tap switch)



Matt Davignon wrote:
> Wow, that does sound neat. (Watched the demo at EH's site.) Does a
> footswitch come with the pedal, or sold separate?
> 
> On Wed, Jun 3, 2009 at 1:49 AM, andy butler <akbutler@tiscali.co.uk> wrote:
>> hi Matt,
>> well no-one mentioned the obvious choice based on your list
>> (Rainer, where are you? :-)
>>
>>
>> Electro Harmonix Stereo Memory Man (+hazari)
>>
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 09:30:02 2009
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Have to agree on  the EHSMM+H=2C i fooled around with it this weekend and i=
t was a LOT of fun.. much more creative than the RC2 and i would imgina the=
 RC20 (which i have only tried in a store).


Anders

www.soundclick.com/andersbergdahl
> From: akbutler@tiscali.co.uk

>=20
> hi Matt=2C
> well no-one mentioned the obvious choice based on your list
> (Rainer=2C where are you? :-)
>=20

>=20
> Electro Harmonix Stereo Memory Man (+hazari)
>=20
>=

--_8c262001-2bce-4587-82f3-6e67dc06f11c_
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<html>
<head>
<style>
.hmmessage P
{
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}
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{
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font-family:Verdana
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Have to agree&nbsp=3Bon&nbsp=3B the EHSMM+H=2C i fooled around with it this=
 weekend and it was a LOT of fun.. much more creative than the RC2 and i wo=
uld imgina the&nbsp=3BRC20 (which i have&nbsp=3Bonly tried in a store).<BR>
<BR>Anders<BR>
<A href=3D"http://www.soundclick.com/andersbergdahl">www.soundclick.com/and=
ersbergdahl</A><BR>&gt=3B From: akbutler@tiscali.co.uk<BR><BR>&gt=3B <BR>&g=
t=3B hi Matt=2C<BR>&gt=3B well no-one mentioned the obvious choice based on=
 your list<BR>&gt=3B (Rainer=2C where are you? :-)<BR>&gt=3B <BR><BR>&gt=3B=
 <BR>&gt=3B Electro Harmonix Stereo Memory Man (+hazari)<BR>&gt=3B <BR>&gt=
=3B</body>
</html>=

--_8c262001-2bce-4587-82f3-6e67dc06f11c_--

From williams945@waitrose.com  Wed Jun  3 10:29:03 2009
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<br />
<br />
Contact Benson Alabi

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From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 11:46:03 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
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Subject: Connecting a KAOSS KP3
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I have recently got a KP3 and it's lots of fun.. BUT how to i connected to =
an ordinary mixer??

I have a very simple 6 channel mixer to which I connect a microphone from m=
y guitar rig (in which i have a EDP). Now i want to send that signal to the=
 KP3 and be able to mix in samples an loops from th KP3 as well as add effe=
cts to my guitar sound. Currently i send from the FX-out on the mixer to mi=
crophone in on KP3 and the from KP3 out (RCA) to a stereo channel. BUT i ge=
t a lot of noise from the FX-out !!

Any tips??? What would like to to is to route guitar (and later maybe other=
 sources) to the KP3 and the be able to mix in the KP3 in the over all soun=
d... I might in the future also want to send to other effects (loopers=2C r=
everbs) and be able to mix those with the live guitar signal. What would th=
e best solution be??


Thanks=2C


Anders

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I have recently got a KP3 and it's lots of fun.. BUT how to i connected to =
an ordinary mixer??<BR>
I have a very simple 6 channel mixer to which I connect a microphone from m=
y guitar rig (in which i have a EDP). Now i want to send that signal to the=
 KP3 and be able to mix in samples an loops from th KP3 as well as add effe=
cts to my guitar sound. Currently i send from the FX-out on the mixer to mi=
crophone in on KP3 and the from KP3 out (RCA) to a stereo channel. BUT i ge=
t a lot of noise from the FX-out !!<BR>
Any tips??? What would like to to is to route guitar (and later maybe other=
 sources) to the KP3 and the be able to mix in the KP3 in the over all soun=
d... I might in the future also want to send to other effects (loopers=2C r=
everbs) and be able to mix those with the live guitar signal. What would th=
e best solution be??<BR>
<BR>Thanks=2C<BR>
<BR>Anders<BR></body>
</html>=

--_6ce74603-f6af-4d1f-80e0-43bc32d2b3f6_--

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Subject: Re: mastering plug ins
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Jeff,

again, a stack of unsorted wisdom (and street knowledge):
> Now for processing I usually sample a bit of noise and the do a noise reduction run on it.
Now it's time for me to talk with tongue in cheek: if you remove the
noise later, why do you add it in the first place? Reconstructive
surgery is something which can be done by a mastering engineer, but is
not what is the primary goal of mastering - and more importantly, it's
something which will leave scars, to stick with the metaphor.
Try to optimize your signal chain in the recording process to get rid
of unwanted noise. One action word here is "gain structure". Another
one is EQ. Noise is most of the time an issue in the high frequency
band. So if you have, say, a reverb effect and you can reduce the
reverb's high frequency content without affecting what you're after,
then please do so.

> I might also at this time adjust levels in the recording as needed.
Which may or may not be a good idea. There's level adjustment before
and after the compressor, and there are places where either one is
appropriate. If you do it, try it (in case your software allows for
it) to do it non-destructively, i.e. by using some "volume envelope"
feature, not by editing the audio file.

> I may or may not do some eq on it then using whatever. I am getting weak here. I try out all the other stuff but it's just at random and mostly don't like the results. Maybe a little eq works out. Ignorance is not bliss here.
A few ideas I'm throwing in (at the risk that you know them already):

* At all costs, use an audio app (I don't remember which you're using
- was it Ardour? or Audacity?) that allows you to use the effects
plugin-style and several of them at once. They will interact with each
other, so to find your optimum sound, you need to tweak them in
interaction.
* Rules of thumb for EQ in mastering (there are exceptions to these
rules, which I don't want to go into right now):
   * destructive EQ (e.g. highpass at 35Hz or removing an unwanted
resonance with a high-q parametric) is the first step in the
processing chain. It's also the only EQ (for that removing unwanted
resonance) with high Q settings.
   * use parametric EQ, not graphic
   * the maximum allowed "Q" setting on your EQ is in the 0.7 range
(tranlates to: the minimum bandwidth setting is 1 1/2 octaves).
   * an EQ setting in excess of +/-3dB means something is wrong in the
mix or source material. Go fix it there.
* Rules of thub for compression in mastering:
   * the typical number of compressors in the chain ("compressor"
being the general term including limiters and clippers) is 2-3.
   * the limiter (a compressor with infinite ratio and minimum attack
time) is always the last thing in the chain (safe for
dither/noiseshape - see below).
   * the gain reduction of a limiter should not exceed 3dB
   * the gain reduction of a clipper should not exceed .5dB
   * a single compressor can be used to a) tame microdynamics (this is
usuall done during mixing), b) tame macrodynamics, but not the same
two things at once in an efficient manner.
   * if you adjust your source level pre-compressor (either while
playing or in your mastering process), soft and loud passages will
sound vastly different (especially with a fast compressor).
   * rule of thumb: microdynamics - short attack/release.
macrodynamics - long attack/release
   * mastering compression time settings usually happen in the 100ms-3s range.
* Level practices: when comparing the sound of two different processed
versions (or comparing your stuff to a master from another source),
make sure they have roughly the same loudness. First-oder rule of
thumb: RMS value. Second-order rule of thumb: K-System metering.

And another thing:
> It's that missing thing that I am trying to improve.
So let me ask "what is that thing you're trying to improve"? Take some
recordings you think sound good on any system, and where you think
"damn, that mastering job would sound good on my material!". Compare
it to your stuff, putting them on the same level (as mentioned before,
and also in private email). Try to take notes. The guitar sounds
edgier? It's less boomy? Etc.
Then, use those meter things. Frequency Analyzer, Meter (Peak and
RMS/K-System), Phase Scope. Compare both your and their master (best,
with audio turned off). Again take notes. Is it flatter/pronounced
areas (how wide in octaves)? What is the relationship between peaks
and RMS in different parts (soft/loud)? What is the relationship
between RMS values in soft/loud portions? etc.


Ok, I should start and do a web tutorial. Have you already checked out
Bob Katz's online tutorial (I didn't so far, but absolutely have to!)

Best,

           Rainer

ps: did you ever check your favourite albums for the mastering
credits? I find that e.g. Howie Weinberg is responsible for a lot of
the really good stuff, with Bob Ludwig coming in at a close second.
And there's another nice quote from Gateway Mastering (Ludwig's
company): "mastering will most probably the highest per-hour in your
entire project". 'nuff said...

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 12:23:42 2009
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To: Loopers-Delight@loopers-delight.com
Subject: Re: blech (pedal choices)
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hey jeff, thanx for the flowers. the 2880 is my favoured multitrack 
looper because i can fade tracks easily. especially for endings that's 
very useful.
tilmann

Jeff Duke schrieb:
> Matt, check this out. DL 4, 2880 and alot of talent!
> 
> http://www.youtube.com/watch?v=gO8bQb__jKg
> 
> Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 12:54:28 2009
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Subject: Re: blech (pedal choices)
Date: Wed, 3 Jun 2009 08:54:26 -0400
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The pleasure is mine Tilmann,

When my friends ask "what is looping" this is one of the examples I point 
them to. It never disappoints.

Jeff

----- Original Message ----- 
From: "Tilmann Dehnhard" <tilmann@dehnhard.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 03, 2009 8:18 AM
Subject: Re: blech (pedal choices)


> hey jeff, thanx for the flowers. the 2880 is my favoured multitrack looper 
> because i can fade tracks easily. especially for endings that's very 
> useful.
> tilmann
>
> Jeff Duke schrieb:
>> Matt, check this out. DL 4, 2880 and alot of talent!
>>
>> http://www.youtube.com/watch?v=gO8bQb__jKg
>>
>> Jeff
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 14:55:17 2009
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>
> Additionally, I've found it pretty easy to fire off MIDI clips to control
> the Send levels (amongst other things) of each effect.  You can come up with
> some wild synchronized effects by using clips to blast audio into different
> effects on different beats.  Or, you can come up with some insane
> tremolo-ized effects by automating the Send on and off faster than you could
> ever humanly work a foot pedal.


this is brilliant. gotta try it.



>
>
>        --m.
> --
> _____
> "we're no longer sure where home is; homesickness is our only guide"
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

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<br><br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;"><br>
<br>
Additionally, I&#39;ve found it pretty easy to fire off MIDI clips to contr=
ol the Send levels (amongst other things) of each effect. =A0You can come u=
p with some wild synchronized effects by using clips to blast audio into di=
fferent effects on different beats. =A0Or, you can come up with some insane=
 tremolo-ized effects by automating the Send on and off faster than you cou=
ld ever humanly work a foot pedal.</blockquote>
<div><br>this is brilliant. gotta try it.<br><br>=A0</div><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
<br>
 =A0 =A0 =A0 =A0--m.<br><font color=3D"#888888">
-- <br>
_____<br>
&quot;we&#39;re no longer sure where home is; homesickness is our only guid=
e&quot;<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a hre=
f=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.c=
om/Artist.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.co=
m">http://www.warrensirota.com</a><br>


--00163630f0efefa16a046b72d84f--

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 15:06:24 2009
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Hi all,
Os, thanks for uploading the pictures and the video's, they look really g=
ood. And btw: Darkroom has 
done a great set last saturday, I really enjoyed it. 

Btw: we have all arrived in Firenze and enjoyed the real stuff...Italien =
pasta :) We'll soon leave for 
tonight's open air gig in a amphitheatro, the weather is good so it will =
be a fantastic evening.   

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/




__________________________________
Scarlet schrapt download limiet!
Scarlet NO LIMIT nu slechts 19,95 EUR 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 15:26:44 2009
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Subject: Re: blech (pedal choices)
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In a message dated 6/2/09 9:36:01 PM, mattdavignon@gmail.com writes:


> Instead it
> offers me the opportunity to play with imaginary musicians, which
> frankly I find insulting.
> 

don't call me frank!.....i always play with "imaginary" musicians and 
always in the BIG ROOM.....:)m



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
Shop Inspiron, Studio and XPS Laptops at Dell.com 
(http://pr.atwola.com/promoclk/100126575x1222616459x1201464730/aol?redir=http:%2F%2Fad.d
oubleclick.net%2Fclk%3B215218145%3B37264238%3Bd)

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"G=
eneva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 6/2/09 9:36:01 PM, mattdavignon@gmail.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px=
; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=
=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">Instead it<BR=
>
offers me the opportunity to play with imaginary musicians, which<BR>
frankly I find insulting.<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANS=
SERIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2">don't call me frank!.....i always play with "imaginary" musicians=
 and always in the BIG ROOM.....:)m<BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=
=3D"2"></FONT><BR><BR><BR>**************<BR>Shop Inspiron, Studio and XPS=
 Laptops at Dell.com (http://pr.atwola.com/promoclk/100126575x1222616459x1=
201464730/aol?redir=3Dhttp:%2F%2Fad.doubleclick.net%2Fclk%3B215218145%3B37=
264238%3Bd)</HTML>

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Subject: FS: Boss RC-20
Date: Wed, 3 Jun 2009 11:40:00 -0400
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I have an RC-20 (not RC-20XL) that I haven't used since I got an RC-50.
It's in near-mint condition.  Anyone interested in buying it?

I'm in northern New Jersey if you're interested in checking it out in
person.




								Regards,


								Andrew
Koenig


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Subject: Electronic music festival in NJ Halloween weekend (Thu-Sat)
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http://electro-music.com/event2009/


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Subject: Virtual GigSpam: Jim Goodin Live on uStream this weekend
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0016e6d32a1baf2841046b749bd5
Content-Type: text/plain; charset=ISO-8859-1
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 Hi Guys (and Ladies)...

A reminder that my bi-weekly live performance series on uStream, *Sunday
Morning at 11,* will be on this Sunday, June 7th, at 11am EST.  The webcast
channel address is http://www.ustream.tv/channel/sunday-morning-at-11,
please consider joining me if you are around Sunday.   *see below for World
showtime conversions.*
*
*
*Additionally, I have a new home website at
http://jimgoodin.blogspot.comthat is combining both weekly blog, news
and events about what I'm up to.
 This portal is replacing my previous jimgoodinmusic.com.  You can also
access this new site by going to my label address
http://www.woodandwiremusic.com.*

*Nat'l and Int'l Sunday Morning at 11 performance times - EST 11am, PST 8am,
UK 4pm, Continental Western Europe 5pm, Japan Midnight.  For a closer look
at times in your area check out*
http://www.timeanddate.com/worldclock/converter.html.

Hope to see some of you virtually on Sunday.  Have a great rest of the week.

Jim
-- 
ReUse, an introspective textural aural journey coming soon...
www.myspace.com/ctreuse & jimgoodin.bandcamp.com

music links...
jimgoodin.blogspot.com
www.woodandwiremusic.com <http://www.chinapaintingmusic.com/>
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/eastofwhere
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0016e6d32a1baf2841046b749bd5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div class=3D"gmail_quote">
<div>Hi Guys (and Ladies)...</div>
<div>=A0</div>
<div>A reminder that my bi-weekly live performance series on uStream, <b>Su=
nday Morning at 11,</b> will be on this Sunday, June 7th, at 11am EST.=A0=
=A0The webcast channel address is <a href=3D"http://www.ustream.tv/channel/=
sunday-morning-at-11" target=3D"_blank">http://www.ustream.tv/channel/sunda=
y-morning-at-11</a>, please consider joining me if you are around Sunday. =
=A0 <i>see below for World showtime conversions.</i></div>

<div><i><br></i></div>
<div><i><span style=3D"FONT-STYLE: normal">Additionally,=A0I have a new hom=
e website at <a href=3D"http://jimgoodin.blogspot.com/" target=3D"_blank">h=
ttp://jimgoodin.blogspot.com</a> that is combining both weekly blog, news a=
nd events about what I&#39;m up to. =A0This portal is replacing my previous=
 <a href=3D"http://jimgoodinmusic.com/" target=3D"_blank">jimgoodinmusic.co=
m</a>. =A0You can also access this new site by going to my label address <a=
 href=3D"http://www.woodandwiremusic.com/" target=3D"_blank">http://www.woo=
dandwiremusic.com</a>.</span></i></div>

<div><br></div>
<div><i>Nat&#39;l and Int&#39;l Sunday Morning at 11 performance times - ES=
T 11am, PST 8am, UK 4pm, Continental Western Europe 5pm,=A0Japan Midnight. =
=A0For a closer look at times in your area=A0check out</i></div>
<div><a href=3D"http://www.timeanddate.com/worldclock/converter.html" targe=
t=3D"_blank">http://www.timeanddate.com/worldclock/converter.html</a>.</div=
>
<div><br></div>
<div>Hope to see some of you virtually on Sunday.=A0 Have a great rest of t=
he week.</div>
<div><br></div>
<div>Jim<br>-- <br>ReUse, an introspective textural aural journey coming so=
on...<br><a href=3D"http://www.myspace.com/ctreuse" target=3D"_blank">www.m=
yspace.com/ctreuse</a> &amp; <a href=3D"http://jimgoodin.bandcamp.com/" tar=
get=3D"_blank">jimgoodin.bandcamp.com</a></div>

<div><br>music links...<br><a href=3D"http://jimgoodin.blogspot.com/" targe=
t=3D"_blank">jimgoodin.blogspot.com</a></div>
<div><a href=3D"http://www.woodandwiremusic.com">www.woodandwiremusic.com</=
a><a href=3D"http://www.chinapaintingmusic.com/" target=3D"_blank"></a></di=
v>
<div><a style=3D"TEXT-DECORATION: none" href=3D"http://www.chinapaintingmus=
ic.com/" target=3D"_blank">www.chinapaintingmusic.com</a><br><a href=3D"htt=
p://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.myspace.com/jimgo=
odinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank">www=
.myspace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/ea=
stofwhere">www.myspace.com/eastofwhere</a><br><a href=3D"http://www.myspace=
.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.you=
tube.com/jimgoodinmusic</a><br><br>video work/editing...<br><a href=3D"http=
://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vimeo.com/jimgoodi=
ndigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br></div></div>

--0016e6d32a1baf2841046b749bd5--

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 18:11:12 2009
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From: Steve Bingham <sbingham@con-brio.com>
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Subject: Re: Antwerp Loopfest - video
Date: Wed, 3 Jun 2009 19:11:04 +0100
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Great set guys. Loved the variety of sounds and moods. Volume was up  
high!!

Cheers,
Steve


On 2 Jun 2009, at 20:31, Os wrote:

> Hi,
>
> the Darkroom set from the Antwerp Loopfest is here:
> http://vimeo.com/4960054
>
> NB this isn't the official video - it's footage I took on my own
> camcorder, mixed with audio I recorded on my laptop. I imagine the
> official video will be much higher quality!
>
> We played three pieces, each about 8 minutes long.
>
> Play loud! Especially the last bit.
>
> Also photos (of everyone, not just Darkroom) are here:
> http://www.flickr.com/groups/antwerp_loopfest_2009/
>
>
> cheers,
> os.
>
> -- 
> os@collective.co.uk
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>


From sikemeog18@msn.com  Wed Jun  3 18:19:22 2009
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Date: Wed, 3 Jun 2009 18:13:34 +0000
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From: Ms Sikeme Ogbeide
=20
Dearest One=2C
=20
REQUEST FOR HELP=2C BE MY GUARDIAN AND THEN HELP ME TO COME OVER YOUR COUNT=
RY:
=20
permit me to inform you of my desire of asking you to be a guardian or fost=
er parent to me and then help me out in what i am about to tell you. I know=
 this may sound strange to you =2C receiving a mail from an unknown person=
=2C but my condition has forced me to do that.=20
=20
I'm Ms. Sikeme Ogbeide 21 years old=2Cthe only daughter of Late Mr. & Mrs. =
Timothy A. Ogbeide=2C my father was a very wealthy cocoa merchant here in A=
bidjan=2C the economic capital of Cote D'Ivoire. He was poisoned to death b=
y his business associates on one of their outings on a business trip=2Cmy m=
other died when i was a baby.
=20
Before the death of my father on April. 2006 in a private hospital here in =
Abidjan=2C he secretly called me by his bed side and told me that he has th=
e sum of Eighteen million Seven hundred thousand United State Dollars USD (=
$18.7million) deposited in a suspense account in one of the big banks here =
in Abidjan.=20
=20
He then strongly advised me not to seek for assistance in the investment of=
 the money from his lawyer nor any of his friend here but to seek for a for=
eign partner from a country of my choice (outside our country=2CCote D'Ivoi=
re) that will assist me in the wise investment of the money.I have since le=
ft the money in the bank with the view of my making use of it for investmen=
t purposes after my education carrier here. But as you may be already aware=
 by now=2C our country (Cote D' Ivoire) is presently at political crises. R=
ebels have already taken over the whole Northern part of the country and ma=
king efforts towards to capture the commercial center of the country=2C Abi=
djan=2C where i am now.
=20
For this ugly development in this country=2C i have now decided to take qui=
ck actions and have this money transferred out of this country before it is=
 too late for me in doing that. I now want to transfer it out and use it fo=
r investment purpose like real estate management or hotel management. Becau=
se of this i am honorably seeking your assistance in the following ways:
=20
(1) To serve as a guardian to me and then assist me transfer the money into=
 your nominated bank account.=20

(2) To make arrangement for me to come over to your country to further my e=
ducation and then settle there parmanently.=20

If you accept to stand as my guardian or foster parent to me=2C i need not =
discuss on any percentage with you as you have to see the whole money as yo=
urs and then assist me invest it. But if you still want a percentage=2C i a=
m willing to offer you=2C 15 % of the total money as compensation for your =
assistance.As soon as i receive your concrete assurance to assist me with m=
y proposal and also your full contact address/phone number=2C i will then g=
ive the bank your contact information and then tell them to transfer the mo=
ney into your account as i want to come over to stay with you parmanently.=
=20
=20
The bank will then contact you and communicate with you on the transfer. Yo=
u shall then be giving me information on when the transfer will be over.I s=
hall also send my pictures to you and shall also need yours own too. No mat=
ter what your decision may turn out to be=2C please i beg you to keep this =
highly secret for my safety=2C as i believe that those people that killed m=
y Daddy are still after me.
 =20
Thanks and God bless you .
Best regards=2C
Ms.Sikeme Ogbeide

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From: Ms Sikeme Ogbeide<BR>&nbsp=3B<BR>Dearest One=2C<BR>&nbsp=3B<BR>REQUES=
T FOR HELP=2C BE MY GUARDIAN AND THEN HELP ME TO COME OVER YOUR COUNTRY:<BR=
>&nbsp=3B<BR>permit me to inform you of my desire of asking you to be a gua=
rdian or foster parent to me and then help me out in what i am about to tel=
l you. I know this may sound strange to you =2C receiving a mail from an un=
known person=2C but my condition has forced me to do that. <BR>&nbsp=3B<BR>=
I'm Ms. Sikeme Ogbeide 21 years old=2Cthe only daughter of Late Mr. &amp=3B=
 Mrs. Timothy A. Ogbeide=2C my father was a very wealthy cocoa merchant her=
e in Abidjan=2C the economic capital of Cote D'Ivoire. He was poisoned to d=
eath by his business associates on one of their outings on a business trip=
=2Cmy mother died when i was a baby.<BR>&nbsp=3B<BR>Before the death of my =
father on April. 2006 in a private hospital here in Abidjan=2C he secretly =
called me by his bed side and told me that he has the sum of Eighteen milli=
on Seven hundred thousand United State Dollars USD ($18.7million) deposited=
 in a suspense account in one of the big banks here in Abidjan. <BR>&nbsp=
=3B<BR>He then strongly advised me not to seek for assistance in the invest=
ment of the money from his lawyer nor any of his friend here but to seek fo=
r a foreign partner from a country of my choice (outside our country=2CCote=
 D'Ivoire) that will assist me in the wise investment of the money.I have s=
ince left the money in the bank with the view of my making use of it for in=
vestment purposes after my education carrier here. But as you may be alread=
y aware by now=2C our country (Cote D' Ivoire) is presently at political cr=
ises. Rebels have already taken over the whole Northern part of the country=
 and making efforts towards to capture the commercial center of the country=
=2C Abidjan=2C where i am now.<BR>&nbsp=3B<BR>For this ugly development in =
this country=2C i have now decided to take quick actions and have this mone=
y transferred out of this country before it is too late for me in doing tha=
t. I now want to transfer it out and use it for investment purpose like rea=
l estate management or hotel management. Because of this i am honorably see=
king your assistance in the following ways:<BR>&nbsp=3B<BR>(1) To serve as =
a guardian to me and then assist me transfer the money into your nominated =
bank account. <BR>
(2) To make arrangement for me to come over to your country to further my e=
ducation and then settle there parmanently. <BR>
If you accept to stand as my guardian or foster parent to me=2C i need not =
discuss on any percentage with you as you have to see the whole money as yo=
urs and then assist me invest it. But if you still want a percentage=2C i a=
m willing to offer you=2C 15 % of the total money as compensation for your =
assistance.As soon as i receive your concrete assurance to assist me with m=
y proposal and also your full contact address/phone number=2C i will then g=
ive the bank your contact information and then tell them to transfer the mo=
ney into your account as i want to come over to stay with you parmanently. =
<BR>&nbsp=3B<BR>The bank will then contact you and communicate with you on =
the transfer. You shall then be giving me information on when the transfer =
will be over.I shall also send my pictures to you and shall also need yours=
 own too. No matter what your decision may turn out to be=2C please i beg y=
ou to keep this highly secret for my safety=2C as i believe that those peop=
le that killed my Daddy are still after me.<BR>&nbsp=3B <BR>Thanks and God =
bless you .<BR>Best regards=2C<BR>Ms.Sikeme Ogbeide<BR></body>
</html>=

--_9a4b8bbc-ce16-48a0-8469-8fe8fae2ef11_--

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 18:20:14 2009
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Subject: Antwerp photos
Date: Wed, 3 Jun 2009 20:20:11 +0200
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http://www.flickr.com/groups/antwerp_loopfest_2009

I posted a selection of my Antwerp Loopfest photos 

-Michael


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Date: Wed, 03 Jun 2009 13:44:06 -0700
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Rick, did you cut down your legs to save space when traveling?? you look 
3 feet tall!

http://www.flickr.com/photos/11242995@N00/3593093308/in/pool-antwerp_loopfest_2009

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> http://www.flickr.com/groups/antwerp_loopfest_2009
>
> I posted a selection of my Antwerp Loopfest photos 
>
> -Michael

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 20:52:24 2009
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Date: Wed, 3 Jun 2009 13:52:22 -0700
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Subject: Re: mastering plug ins
From: Mark Sottilaro <zerocrossing@gmail.com>
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You know, you can spend a lot of time and energy on the mastering
project, but I swear some of the best armature mixes I've heard came
from a guitarist I used to play with.  All he did was run his master
buss though a light compressor, graphic EQ and a DBX exciter. (all
hardware, this was pre-computer daw).  One day I caught him in the
process and what he did was first run a song with a similar feel
though the setup and look at the display on the graphic EQ while in
bypass.  He then ran his program though it and tried to use the eq to
get the same look in the audio spectrum.  Hilarious.  He admitted he
just used this method as a starting point, but the real truth is, in
the end he probably really good at listening.  I suspect the spectrum
display was probably more of a placebo than anything else.  He was
only doing 4 track cassette recordings, but his always sounded great.

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 20:57:04 2009
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Date: Wed, 3 Jun 2009 13:25:14 -0700
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Subject: Re: blech (pedal choices)
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I'd pick up a used Electro-harmonix 2880.  I really liked it when I
used to use hardware.

On Tue, Jun 2, 2009 at 6:35 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
> So, I'm idly looking into expanding my looping setup, since I'm
> starting to feel the limits of the looper in my Line 6 DL-4. (Mostly
> that 15 seconds at normal speed is too short.)
>
> So I just spent an hour looking at what else is out there and I'm
> feeling a bit discouraged.
>
> What I'm looking for in a looper:
> --Simple & easy to use.
> --at least 30 seconds of looping time
> --Lets me pick start and end points while recording. (Will not try to
> autocorrect my timing, or make me choose loop length before I start.)
> --Reverse function
> --Half Speed function (or even better - a speed dial!)
> --Lets me choose # of repeats when not infinite.
> --Will not drive up the cost of the pedal with stuff I'll never use.
> --smaller than a hardcover book
>
> As far as I can tell, this does not exist. The closest I find is a
> DL-4, which is very easy to use, but as I mentioned, the looping time
> is short and I can't control the # of repeats. It's also heavy enough
> that I don't want to walk around with 2 of them.
>
> I'm pretty disappointed in the concept of the Line 6 JM-4. It costs
> more and doesn't appear to offer more of the stuff I want. Instead it
> offers me the opportunity to play with imaginary musicians, which
> frankly I find insulting. Has anyone used one of these? If you don't
> store loops, how long can a live loop be? Can you get rid of all the
> dumb preset tracks? Is it otherwise as simple as the DL-4?
>
> How about the LoopStation (RC-20)? How long of a loop can you get if
> you don't store anything? Does it have half speed/reverse?
>
> Not looking for rack mounts, software or large pedal boards. I have to
> fit all my gear in a rolling suitcase on public transit.
>
> Shruggingly,
>
> Matt Davignon
> www.ribosomemusic.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 20:57:17 2009
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Date: Wed, 3 Jun 2009 22:57:12 +0200
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Subject: Re: Antwerp photos
From: Rainer Straschill <moinsound@googlemail.com>
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> Rick, did you cut down your legs to save space when traveling?? you look
> 3 feet tall!

Now Daryl, by applying a few simple estimates, you can quickly
calculate that for yourself:
  * the laptop screen or the keyboard in the room corner can server as
gauges for distance
  * the angle between the edges of the room can server to estimate the
focal length
  * the relation of the size in the picture between the (known) size
of the laptop screen and the (known) size of the keyboard can give an
estimate for the distance between them,
  * thus allowing you to estimate the width of one floor panel,
  * thus allowing you to estimate Rick's height

It's as simple as that :-P

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 21:09:11 2009
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Date: Wed, 3 Jun 2009 17:09:09 -0400
Message-ID: <9e0440a60906031409i55bc8e15hec9da2651e7e5aee@mail.gmail.com>
Subject: Re: Antwerp photos
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5a84e0bff3e046b7812ac
Content-Type: text/plain; charset=ISO-8859-1
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what a great looking room for live music, the auditorium, it looks so
festivalesque and I like Rick's 'Torch'like hair as well as spelunker's
light...

wish I was there... thanks for sharing Michael.  best with all guys... j

On Wed, Jun 3, 2009 at 4:57 PM, Rainer Straschill
<moinsound@googlemail.com>wrote:

> > Rick, did you cut down your legs to save space when traveling?? you look
> > 3 feet tall!
>
> Now Daryl, by applying a few simple estimates, you can quickly
> calculate that for yourself:
>  * the laptop screen or the keyboard in the room corner can server as
> gauges for distance
>  * the angle between the edges of the room can server to estimate the
> focal length
>  * the relation of the size in the picture between the (known) size
> of the laptop screen and the (known) size of the keyboard can give an
> estimate for the distance between them,
>  * thus allowing you to estimate the width of one floor panel,
>  * thus allowing you to estimate Rick's height
>
> It's as simple as that :-P
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5a84e0bff3e046b7812ac
Content-Type: text/html; charset=ISO-8859-1
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<div>what a great looking room for live music, the auditorium, it looks so =
festivalesque and I like Rick&#39;s &#39;Torch&#39;like hair as well as spe=
lunker&#39;s light...</div>
<div>=A0</div>
<div>wish I was there... thanks for sharing Michael.=A0 best with all guys.=
.. j<br><br></div>
<div class=3D"gmail_quote">On Wed, Jun 3, 2009 at 4:57 PM, Rainer Straschil=
l <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">moinsou=
nd@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"im">&gt; Rick, did you cut down your legs to save space when =
traveling?? you look<br>&gt; 3 feet tall!<br><br></div>Now Daryl, by applyi=
ng a few simple estimates, you can quickly<br>calculate that for yourself:<=
br>
=A0* the laptop screen or the keyboard in the room corner can server as<br>=
gauges for distance<br>=A0* the angle between the edges of the room can ser=
ver to estimate the<br>focal length<br>=A0* the relation of the size in the=
 picture between the (known) size<br>
of the laptop screen and the (known) size of the keyboard can give an<br>es=
timate for the distance between them,<br>=A0* thus allowing you to estimate=
 the width of one floor panel,<br>=A0* thus allowing you to estimate Rick&#=
39;s height<br>
<br>It&#39;s as simple as that :-P<br><br></blockquote></div><br><br clear=
=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural journey coming=
 soon...<br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com"=
>www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com=
">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636c5a84e0bff3e046b7812ac--

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 21:14:57 2009
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Date: Wed, 03 Jun 2009 14:14:50 -0700
From: Daryl Shawn <highhorse@mhorse.com>
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Good idea. Compared to the laptop screen and keytar, I'll revise my 
estimate. Rick is actually grown to the height of an oak and though his 
legs are 20 feet long, just haven't caught up to the rest of him yet. I 
can't wait to hear when he starts banging VW Beetles together for 
percussion.

Math is harrrd!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

>> Rick, did you cut down your legs to save space when traveling?? you look
>> 3 feet tall!
>>     
>
> Now Daryl, by applying a few simple estimates, you can quickly
> calculate that for yourself:
>   * the laptop screen or the keyboard in the room corner can server as
> gauges for distance
>   * the angle between the edges of the room can server to estimate the
> focal length
>   * the relation of the size in the picture between the (known) size
> of the laptop screen and the (known) size of the keyboard can give an
> estimate for the distance between them,
>   * thus allowing you to estimate the width of one floor panel,
>   * thus allowing you to estimate Rick's height
>
> It's as simple as that :-P

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 21:21:45 2009
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Date: Wed, 03 Jun 2009 17:21:22 -0400
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http://www.flickr.com/groups/antwerp_loopfest_2009


wonderful!



 


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<div> <br>
</div>

<div> <br>
</div>
<br>






<div id="AOLMsgPart_0_5185834b-449e-4936-a665-feaac5d17a66" style="margin: 0px; font-family: Tahoma,Verdana,Arial,Sans-Serif; font-size: 12px; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255);">

<pre style="font-size: 9pt;"><tt><a href="http://www.flickr.com/groups/antwerp_loopfest_2009" target="_blank">http://www.flickr.com/groups/antwerp_loopfest_2009</a><br>
<br>
<br>
wonderful!<br>
</tt></pre>
</div>
 <!-- end of AOLMsgPart_0_5185834b-449e-4936-a665-feaac5d17a66 -->

<div id='MAILCIAMB015-5c594a26e95240' class='aol_ad_footer'><br/><font style="color:black;font:normal 10pt arial,san-serif;"> <hr style="margin-top:10px"/><A HREF=http://pr.atwola.com/promoclk/100126575x1222616459x1201464730/aol?redir=http:%2F%2Fad.doubleclick.net%2Fclk%3B215218145%3B37264238%3Bd>Shop Inspiron, Studio and XPS Laptops at Dell.com</A></font> </div>

----------MB_8CBB2A860A779B3_9B0_24FE_MBLK-M02.sysops.aol.com--

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 21:37:14 2009
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The photos and videos I have seen of this festival are great! The venue(s) 
look(s) great too! Good work, Sjaak.

Ricky

----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 03, 2009 7:20 PM
Subject: Antwerp photos


> http://www.flickr.com/groups/antwerp_loopfest_2009
>
> I posted a selection of my Antwerp Loopfest photos
>
> -Michael
>
>


--------------------------------------------------------------------------------



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Checked by AVG - www.avg.com
Version: 8.5.339 / Virus Database: 270.12.51/2151 - Release Date: 06/02/09 
17:53:00

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 21:41:00 2009
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Subject: WOT: but maybe of interest, Julie Coryell
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5adfec727af046b788309
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This is off but might be of interest to those who are hovering 50 years as
I.  Larry Coryell, american jazz/fusion guitarist, who I dug at a time
mainly when he had the Eleventh House with some of the Brecker Brothers in
the late 70's/80's, his ex-wife Julie who he recorded several interesting
records with around that time, passed away recently at age 61.  She
sometimes voiced and co-wrote with him in those days.
http://www.nytimes.com/2009/05/29/arts/music/29coryell.html?partner=rssnyt&emc=rss

I still remember an amazing concer that I saw @1974 with Larry, Alphonse
Mouzon and Miroslav Vitous in my home state of Arkansas of all places.

Through another friend I got to meet Larry a couple of years ago which was
cool.

Jim

-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5adfec727af046b788309
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>This is off but might be of interest to those who are hovering 50 year=
s as I.=A0 Larry Coryell, american jazz/fusion guitarist, who I dug at a ti=
me mainly when he had the Eleventh House with some of the Brecker Brothers =
in the late 70&#39;s/80&#39;s, his ex-wife Julie who he recorded several in=
teresting records with around that time, passed away recently at age 61.=A0=
 She sometimes voiced and co-wrote with him in those days.=A0 <a href=3D"ht=
tp://www.nytimes.com/2009/05/29/arts/music/29coryell.html?partner=3Drssnyt&=
amp;emc=3Drss">http://www.nytimes.com/2009/05/29/arts/music/29coryell.html?=
partner=3Drssnyt&amp;emc=3Drss</a></div>

<div>=A0</div>
<div>I still remember an amazing concer that I saw @1974 with Larry, Alphon=
se Mouzon and Miroslav Vitous in my home state of=A0Arkansas of all places.=
</div>
<div>=A0</div>
<div>Through another friend I got to meet Larry a couple of years ago which=
 was cool.</div>
<div>=A0</div>
<div>Jim=A0<br clear=3D"all"></div>
<div></div><br>-- <br>ReUse, an introspective textural aural journey coming=
 soon...<br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com"=
>www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com=
">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636c5adfec727af046b788309--

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 22:24:36 2009
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	 <101191640906030755s6aca9e5cge1a2aad29edc66a3@mail.gmail.com>
Date: Wed, 3 Jun 2009 23:24:35 +0100
Message-ID: <d302e3570906031524p85aa449qce2e86ec207e9b15@mail.gmail.com>
Subject: Re: Any experienced Ableton users able to give me a hand?
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f27210c5fe9a046b791f5c
Content-Type: text/plain; charset=ISO-8859-1
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mech - i've just tried your multiple returns method in Live... one plugin in
each return and using the sends to pass the audio around the mixer - very
nice. one problem though - as soon as i send audio through any of the
returns (even one with no plugins in it) i get masses of latency all of a
sudden....have you noticed this? and is there a cure?

sim

--001485f27210c5fe9a046b791f5c
Content-Type: text/html; charset=ISO-8859-1
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mech - i&#39;ve just tried your multiple returns method in Live... one plug=
in in each return and using the sends to pass the audio around the mixer - =
very nice. one problem though - as soon as i send audio through any of the =
returns (even one with no plugins in it) i get masses of latency all of a s=
udden....have you noticed this? and is there a cure?<br>
<br>sim<br><br><br>

--001485f27210c5fe9a046b791f5c--

From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 22:34:25 2009
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Subject: looping works of various sorts at SubZero festival in San Jose, Friday night
Date: Wed, 3 Jun 2009 15:34:18 -0700
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At the SubZero festival in San Jose this Friday night, SHARE San Jose (http://share-sj.org) will have a booth with a variety of
extremely interactive and experimental visual and musical activities, featuring new works by David Tristram, Peter Nyboer, and Tim
Thompson.  Looping abounds.  David has a pen-based visual instrument (looping and processing of hand-drawn gestures), Peter is
working on a user-submitted (via email, in realtime) photo visual mix, and Tim has his LoopyCam (8 realtime-captured and processed
video loops) and a prototype of a musical controller (4-track MIDI looping) for a Burning Man installation.

The SubZero festival is a street fair on South First Street in San Jose, CA, this Friday from 6pm to midnight.  Around 100 artists
and musicians are participating.  See these pages for descriptions of what will be going on:

    http://www.subzerofestival.com/street-guide/anno-domini.html

    http://www.subzerofestival.com/street-guide/

    http://www.subzerofestival.com/

     ...Tim...


From Loopers-Delight-request@loopers-delight.com  Wed Jun  3 23:07:16 2009
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Subject: Re: LD: Your opinions please - Terratec Axon AX 50
Date: Wed, 3 Jun 2009 16:09:11 -0700
References: <9445316AD31E43C6A77F834EF846E303@a>	<4A241CA4.2030402@tiscali.co.uk> <20090601175117.59916s7t7s811h0c@www.wightman.ca> <4A24DBAE.60900@tiscali.co.uk> <243365ED8C3F450B80CA9105FF2307F5@a> <4A25513C.5020403@tiscali.co.uk>
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Hi. Forgive me for not reading the whole thread and therefore not  
knowing if this helps the orriginal question, but from a quick glance  
at the thread I thought I'd volunteer that I tried a few midi guitars  
and briefly a magnetic roland pickup with the Axon 100 and was  
disappointed by all.

Then I heard that RMC Piezo pickups were the best, most playable  
solution... had them professionally installed on my electric and I am  
VERY satisfied with the results. Amazing actually. Very little  
adjustment to playing, very predictable.

Getting the RMC pickups was a little weird... he's just a dude in  
Berkley I think, not much for business, so I called music store very  
close to his location (yahoo yellow pages search) and person from the  
music store actually rode his bike over to RMC to get it and mail it  
himself because he said otherwise it takes forever.

Anyway, that's my story regarding midi guitar. Hope it helps someone!


On Jun 2, 2009, at 9:20 AM, andy butler wrote:

> Did you try the Strat type
> or the SG type?
>
> and didn't you say you were getting the "midi"
> board, not the acoustic sim circuitry?
>
> Has anyone tried the SG style (autotune) variant?
> Refered to as Schaller on their site.
>
> Matthias told me the strat config is best for piezo,
> but he hasn't tried graphtech,
>
> ...and my guitars are both the Schaller type bridge,
> even the strat.
>
> if this goes on I could even get over my piezo-phobia :-)
>
> andy butler
>
> Ricky Graham wrote:
>> The Graphtech P/U are great, Andy. Very clean, I love the sound of  
>> the piezos compared to my magnetics. It really has changed my  
>> guitar sound, I hope for the better.
>> I'm going to go with the AX50. I'll let you know how I get on.
>> Cheers,
>> Ricky
>> ----- Original Message ----- From: "andy butler" <akbutler@tiscali.co.uk 
>> >
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Tuesday, June 02, 2009 8:58 AM
>> Subject: Re: LD: Your opinions please - Terratec Axon AX 50
>>> phaslem@wightman.ca wrote:
>>>> I had a yamaha G50 and was never very happy with the tracking. I  
>>>> was
>>>> using it with a roland GK 2 pickup after several months of playing
>>>> around with it finally gave up and sold it off on ebay. I recently
>>>> picked up an axion ax50 and using it with the same guitar, though  
>>>> I have
>>>> since installed a graphtech ghost pickup, and it is worlds apart
>>>> different from my experience with the G50. The tracking is  
>>>> instant and I
>>>> have had very little adjustments to make in my playing style.
>>>
>>> I've played with the AX100, and with the G50 with the *same* guitar
>>> and p/u. (GK2a as it happens).
>>> They seemed pretty similar to me, not surprising as they are  
>>> essentially
>>> the same axon circuitry in a different box.
>>> The A50 was released without claims of better tracking than the  
>>> AX100.
>>> In fact, I have them both here so will likely try a detailed  
>>> comparison.
>>>
>>> I'd be guessing the change of p/u caused the change in behaviour.
>>> Is it possible your GK wasn't installed in the optimum position?
>>>
>>> :-)
>>> so you guys got me wanting a graphtech p/u
>>> ( well, I really don't like the clunky GK 2a, )
>>>
>>> andy butler
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>> -------------------------------------------------------------------------------- No 
>>  virus found in this incoming message.
>> Checked by AVG - www.avg.com
>> Version: 8.5.339 / Virus Database: 270.12.50/2150 - Release Date:  
>> 06/02/09 06:47:00
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 00:45:51 2009
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Subject: RE: Antwerp Loopfest - video
Date: Wed, 3 Jun 2009 17:45:45 -0700
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Lovely music Darkroom Dudes, and big congratulations on a great Festival
Sjaak! Wish I could have been there sharing the magic, love, and repetition
with all of you cool people. Have a great time in rome.
 Bill 

-----Original Message-----
From: Sjaak [mailto:tcplugin@scarlet.be] 
Sent: Wednesday, June 03, 2009 8:06 AM
To: Loopers-Delight
Subject: Re: Antwerp Loopfest - video

Hi all,
Os, thanks for uploading the pictures and the video's, they look really
good. And btw: Darkroom has 
done a great set last saturday, I really enjoyed it. 

Btw: we have all arrived in Firenze and enjoyed the real stuff...Italien
pasta :) We'll soon leave for 
tonight's open air gig in a amphitheatro, the weather is good so it will be
a fantastic evening.   

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/




__________________________________
Scarlet schrapt download limiet!
Scarlet NO LIMIT nu slechts 19,95 EUR 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 00:48:43 2009
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Date: Thu, 4 Jun 2009 09:48:34 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Any experienced Ableton users able to give me a hand?
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At 8:56 AM +0100 6/3/09, Simeon Harris wrote:
>
>that sounds like it might work for me too, as i do like to reroute 
>fx and also have side chains. so how do you change fx patches on the 
>fly? or do you not bother? i suppose you could have a long reverb 
>and a short reverb in two separate send and just choose which one 
>you want to use...?

For patch changes, almost all of my plugs can respond to a simple 
program change.  For the ones that won't, I either follow your 
suggestion above (multiple instantiations of the same plug turned on 
and off), or, in most cases, I just send CC commands to reconfigure 
the parameters on the fly.  That's another possible use for MIDI 
clips, BTW, if you have a large chunk of changes you want to make all 
at once.

At 11:24 PM +0100 6/3/09, Simeon Harris wrote:
>mech - i've just tried your multiple returns method in Live... one 
>plugin in each return and using the sends to pass the audio around 
>the mixer - very nice. one problem though - as soon as i send audio 
>through any of the returns (even one with no plugins in it) i get 
>masses of latency all of a sudden....have you noticed this? and is 
>there a cure?

What?!? That's utterly bizarre.  No, I've never noticed any latency 
via the Return channels, in any of the versions of Live I've run.  It 
should all be taking place through digital bussing, so I wouldn't 
imagine any delay beyond perhaps the single sample level.

What version of Live are you running, and what does your 
hardware/software configuration consist of?  Anything else loading 
down the computer's CPU at the same time, perhaps?  This sounds 
weird....

	--m.
-- 
_____
"bye-bye empire; empire, bye-bye"

From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 00:50:02 2009
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Date: Thu, 4 Jun 2009 09:49:52 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Any experienced Ableton users able to give me a hand?
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At 10:55 AM -0400 6/3/09, Warren Sirota wrote:
>Additionally, I've found it pretty easy to fire off MIDI clips to 
>control the Send levels (amongst other things) of each effect.  You 
>can come up with some wild synchronized effects by using clips to 
>blast audio into different effects on different beats.  Or, you can 
>come up with some insane tremolo-ized effects by automating the Send 
>on and off faster than you could ever humanly work a foot pedal.
>
>
>this is brilliant. gotta try it.

Thanks Warren!  I'd be interested in hearing what you come up with.  :)

	--m.
-- 
_____
"Image is blasphemy. Text is heresy. The spoken word is a lie."
	 X  <--- you are here.

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Date: Wed, 3 Jun 2009 21:15:35 -0400
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Subject: Re: Any experienced Ableton users able to give me a hand?
From: Todd Matthews <gtmatthews@gmail.com>
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Mech - This is awesome! I took a sabatical from Live the past week because
of my frustration with audio effect racks. I've been learning Bidule and
with some help from the incredibly kind Per, I was up and running in no
time. Using the simple audio switcher in Bidule is so much easier than the
rack madness I was dealing with in Live but almost wish I didn't read your
post because now I want to go back to Live to see if I can adapt my songs to
using almost all send return channels:)

When you say your sending a parallel message to turn off effects would both
be done with a midi clip? Since I only have the two expression pedals on the
fcb and my hands are tied when I play I'm guessing midi clips would be the
way to go to automate everything for me. Since I'll have four or return
tracks with multiple send knobs on each one I guess you either automate them
or you have Novation remote zero-like controller with a bunch of knobs that
your able to use while you perform.

Thanks again, for helping see routing in Live in a new way. I need to
re-read your post a couple more times to wrap my head around it. I've been
painting past couple of days and I think the fumes are making me a little
slower:)

Todd

On Wed, Jun 3, 2009 at 8:49 PM, Mech <mech@m3ch.net> wrote:

> At 10:55 AM -0400 6/3/09, Warren Sirota wrote:
>
>> Additionally, I've found it pretty easy to fire off MIDI clips to control
>> the Send levels (amongst other things) of each effect.  You can come up with
>> some wild synchronized effects by using clips to blast audio into different
>> effects on different beats.  Or, you can come up with some insane
>> tremolo-ized effects by automating the Send on and off faster than you could
>> ever humanly work a foot pedal.
>>
>>
>> this is brilliant. gotta try it.
>>
>
> Thanks Warren!  I'd be interested in hearing what you come up with.  :)
>
>        --m.
> --
> _____
> "Image is blasphemy. Text is heresy. The spoken word is a lie."
>         X  <--- you are here.
>
>

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Mech - This is awesome! I took a sabatical from Live the past week because =
of my frustration with audio effect racks. I&#39;ve been learning Bidule an=
d with some help from the incredibly kind Per, I was up and running in no t=
ime. Using the simple audio switcher in Bidule is so much easier than the r=
ack madness I was dealing with in Live but almost wish I didn&#39;t read yo=
ur post because now I want to go back to Live to see if I can adapt my song=
s to using almost all send return channels:)<br>
<br>When you say your sending a parallel message to turn off effects would =
both be done with a midi clip? Since I only have the two expression pedals =
on the fcb and my hands are tied when I play I&#39;m guessing midi clips wo=
uld be the way to go to automate everything for me. Since I&#39;ll have fou=
r or return tracks with multiple send knobs on each one I guess you either =
automate them or you have Novation remote zero-like controller with a bunch=
 of knobs that your able to use while you perform.<br>
<br>Thanks again, for helping see routing in Live in a new way. I need to r=
e-read your post a couple more times to wrap my head around it. I&#39;ve be=
en painting past couple of days and I think the fumes are making me a littl=
e slower:)<br>
<br>Todd<br><br><div class=3D"gmail_quote">On Wed, Jun 3, 2009 at 8:49 PM, =
Mech <span dir=3D"ltr">&lt;<a href=3D"mailto:mech@m3ch.net">mech@m3ch.net</=
a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-l=
eft: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left:=
 1ex;">
<div class=3D"im">At 10:55 AM -0400 6/3/09, Warren Sirota wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Additionally, I&#39;ve found it pretty easy to fire off MIDI clips to contr=
ol the Send levels (amongst other things) of each effect. =A0You can come u=
p with some wild synchronized effects by using clips to blast audio into di=
fferent effects on different beats. =A0Or, you can come up with some insane=
 tremolo-ized effects by automating the Send on and off faster than you cou=
ld ever humanly work a foot pedal.<br>

<br>
<br>
this is brilliant. gotta try it.<br>
</blockquote>
<br></div>
Thanks Warren! =A0I&#39;d be interested in hearing what you come up with. =
=A0:)<br>
<br>
 =A0 =A0 =A0 =A0--m.<br><font color=3D"#888888">
-- <br>
_____<br>
&quot;Image is blasphemy. Text is heresy. The spoken word is a lie.&quot;<b=
r>
 =A0 =A0 =A0 =A0 X =A0&lt;--- you are here.<br>
<br>
</font></blockquote></div><br>

--0016e644cc6e5c3f14046b7b8337--

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From ajleeb@shaw.ca  Thu Jun  4 02:02:58 2009
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From: ALEX LEEB <ajleeb@shaw.ca>
Subject: YOU HAVE A PARCEL
Reply-to: baristeradamsadiq2009@live.com
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Hi Dear, 
I just want to inform you that I have packaged and deposited your ATM MASTERCARD worth $800,000 USD with FedEx Delivery Services to deliver it to you after a long period of no communication from you. Insurance and delivery charges have been paid for, but the only fee remaining is the security safe keeping fee of $500 USD dollars which you will be required to pay. Also note that Fedex Services does not know the content of the parcel, I registered it as an African magazine, they do not know it contains ATM MASTERCARD inside. The ATM MASTERCARD has pin number 8876. 
Find FedEx Contact Information Below: 
=========================== 
Contact Officer: Br Adam Sadiq 
E-mail: baristeradamsadiq2009@live.com 
Tel: +234-8072237540 
Shipment Code: CPEL/OWN/9764 
Parcel Number: JU3422-NG 

Kindly Re-confirm the Dispatch Information for the Delivery by providing the Information stated Below: 

Full Names: 
Occupation: 
Sex: 
Address: 
Telephone: 
Country: 
Also send FedEx your parcel number and shipment code. 

Thanks, 
Yours Sincere, 
Mrs. Gift Hillary.

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=3CDIV=3E=3CBR=3E=3CBR=3EHi Dear=2C =3CBR=3EI just want to inform you th=
at I have packaged and deposited your ATM MASTERCARD worth =24800=2C000 =
USD with FedEx Delivery Services to deliver it to you after a long perio=
d of no communication from you=2E Insurance and delivery charges have be=
en paid for=2C but the only fee remaining is the security safe keeping f=
ee of =24500 USD dollars which you will be required to pay=2E Also note =
that Fedex Services does not know the content of the parcel=2C I registe=
red it as an African magazine=2C they do not know it contains ATM MASTER=
CARD inside=2E The ATM MASTERCARD has pin number 8876=2E =3CBR=3EFind Fe=
dEx Contact Information Below=3A =3CBR=3E=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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BR=3E=3C/DIV=3E

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From onlinegames@uefa.com  Thu Jun  4 10:50:00 2009
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From: "MasterCard UEFA Champions League Lottery Inc."<onlinegames@uefa.com>
Subject: MasterCard UEFA Transfer Notice.
Date: Thu, 4 Jun 2009 00:03:48 +0100
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ATTENTION: Winner

The Local Organising Committee of the MasterCard sponsors and the European Champions League is glad to announce to the world the giving away of the sum of THREE  HUNDRED MILLION POUNDS to 100 lucky email addresses all over the world.

This promotion is in Appreciation of our International Support for the past Football Events and the correspondent earnings at the stock market  which was far beyond our projected quarterly earnings.

Be informed that all winners in this program have been selected randomly through a computer ballot system drawn from over 1,500,000  companies and individual e-mail addresses database. Your email address happened to be one of the lucky winners of THREE MILLION POUNDS among the One Hundred email addressess chosen. In order to claim your prize, you will have to fill out the form below and send it back to us for verification and then you will be informed on how to make claims of your Bankers Check for the sum which has already been deposited along with your email contact. It is mandatory you take note that your email address was attached to Serial Number: 889-207 and Batch Number: EU-155DB11-003/LL.

We use this opportunity to thank all our Sponsors/ Contributors of this program: MASTERCARD, AIR EMIRATES, ADIDAS, NIKE, MCDONALDS, UNITED AIRLINES, BMW, VIRGIN ATLANTIC, UMBRO-SPORTLINE, FUJIFILM, AIR-ASIA, BARCLAYS, VODAFONE, NOKIA N-SERIES, LUCOZADE SPORT, AND A HOST OF EMAIL SERVICE PROVIDERS FOR ALLOWING THE USE OF THEIR DATABASE FOR THE DRAWS AND ALSO FOR THE PROVISION OF SECURE (SSL)

EMAIL DELIVERY SYSTEMS.

NAME:..................................................
AGE:.....................................................
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TEL.:.....................................................
FAX:.....................................................
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COUNTRY:.............................................

Please you are advised to complete the form and send back to us for prompt collection. You are automatically disqualified if you are below 17 years of age. This E-mail message (including attachments, if any)is intended for the use of the individual or entity to which it is addressed and may contain Information that is privileged, proprietary, confidential and exempted from disclosure. If you are not the intended recipient, you are notified that
any dissemination, distribution or copying of this communication is strictly prohibited.

Congratulation once again and you are advised to send reply to your claims officer for you to be accredited for payment:CLAIMS OFFICER: MR. DOUGLAS WALKER

Sincerely,

Etheridge Knight.

From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 10:55:31 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Christopher Willits - Looping/Jitter - XLR8R TV 
Date: Thu, 4 Jun 2009 11:55:25 +0100
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Very interesting - =
http://www.youtube.com/watch?v=3DTGvSoGkyKII&feature=3Dsdig&et=3D12440094=
71.24
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<DIV><FONT face=3DArial size=3D2>Very interesting - <A=20
href=3D"http://www.youtube.com/watch?v=3DTGvSoGkyKII&amp;feature=3Dsdig&a=
mp;et=3D1244009471.24">http://www.youtube.com/watch?v=3DTGvSoGkyKII&amp;f=
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From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 12:36:17 2009
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Ricky Graham wrote:
> Very interesting - 
> http://www.youtube.com/watch?v=TGvSoGkyKII&feature=sdig&et=1244009471.24 
> <http://www.youtube.com/watch?v=TGvSoGkyKII&feature=sdig&et=1244009471.24>


...what made those loud clicking sounds, is that
some ultra cool Max patch for a virtual analog clunky switch?
:-)


It's a nice idea to sync vid with the music, 
personally I'd prefer not to have a sequencer running
the music tho'.

It wouldn't be hard to use Bidule ( or I guess Max etc.)
to analyse the audio and create midi commands from it
based on frequency content and envelope (and tempo synced to
any loop if needed).

If there was something like Milkdrop that had midi controllable
parameters that would be very watchable.

Per showed me some nice visualizations on his I-Tunes last
year, and I must say they were most impressive.

andy butler
( still on hardware......oil wheel projectors sync with everything )

 




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Subject: Re: Christopher Willits - Looping/Jitter - XLR8R TV
Date: Thu, 4 Jun 2009 13:45:05 +0100
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> ...what made those loud clicking sounds, is that
> some ultra cool Max patch for a virtual analog clunky switch?
> :-)
>

Rumour has it, he has big feet.

> It's a nice idea to sync vid with the music,
> personally I'd prefer not to have a sequencer running
> the music tho'.
>
> It wouldn't be hard to use Bidule ( or I guess Max etc.)
> to analyse the audio and create midi commands from it
> based on frequency content and envelope (and tempo synced to
> any loop if needed).
>
> If there was something like Milkdrop that had midi controllable
> parameters that would be very watchable.
>
> Per showed me some nice visualizations on his I-Tunes last
> year, and I must say they were most impressive.
>
> andy butler
> ( still on hardware......oil wheel projectors sync with everything )
>
>
>
>
>
>


--------------------------------------------------------------------------------



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Date: Thu, 4 Jun 2009 14:37:25 +0100
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Subject: Re: Any experienced Ableton users able to give me a hand?
From: Simeon Harris <simeonharris40@googlemail.com>
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ok, tracked down the source of the latency - NI Spektral Delay. just putting
it in one of the return channels causes masses of latency - even when it's
off

shame...cos it's really nice

sim

On Thu, Jun 4, 2009 at 1:48 AM, Mech <mech@m3ch.net> wrote:

>
>
> At 11:24 PM +0100 6/3/09, Simeon Harris wrote:
>
>> mech - i've just tried your multiple returns method in Live... one plugin
>> in each return and using the sends to pass the audio around the mixer - very
>> nice. one problem though - as soon as i send audio through any of the
>> returns (even one with no plugins in it) i get masses of latency all of a
>> sudden....have you noticed this? and is there a cure?
>>
>
> What?!? That's utterly bizarre.  No, I've never noticed any latency via the
> Return channels, in any of the versions of Live I've run.  It should all be
> taking place through digital bussing, so I wouldn't imagine any delay beyond
> perhaps the single sample level.
>
> What version of Live are you running, and what does your hardware/software
> configuration consist of?  Anything else loading down the computer's CPU at
> the same time, perhaps?  This sounds weird....
>
>        --m.
> --
> _____
> "bye-bye empire; empire, bye-bye"
>
>

--001485f1e7c2548adf046b85e0aa
Content-Type: text/html; charset=ISO-8859-1
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ok, tracked down the source of the latency - NI Spektral Delay. just puttin=
g it in one of the return channels causes masses of latency - even when it&=
#39;s off<br><br>shame...cos it&#39;s really nice<br><br>sim<br><br><div cl=
ass=3D"gmail_quote">
On Thu, Jun 4, 2009 at 1:48 AM, Mech <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:mech@m3ch.net">mech@m3ch.net</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im"><br>
<br>
At 11:24 PM +0100 6/3/09, Simeon Harris wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
mech - i&#39;ve just tried your multiple returns method in Live... one plug=
in in each return and using the sends to pass the audio around the mixer - =
very nice. one problem though - as soon as i send audio through any of the =
returns (even one with no plugins in it) i get masses of latency all of a s=
udden....have you noticed this? and is there a cure?<br>

</blockquote>
<br></div>
What?!? That&#39;s utterly bizarre. =A0No, I&#39;ve never noticed any laten=
cy via the Return channels, in any of the versions of Live I&#39;ve run. =
=A0It should all be taking place through digital bussing, so I wouldn&#39;t=
 imagine any delay beyond perhaps the single sample level.<br>

<br>
What version of Live are you running, and what does your hardware/software =
configuration consist of? =A0Anything else loading down the computer&#39;s =
CPU at the same time, perhaps? =A0This sounds weird....<br>
<br>
 =A0 =A0 =A0 =A0--m.<br><font color=3D"#888888">
-- <br>
_____<br>
&quot;bye-bye empire; empire, bye-bye&quot;<br>
<br>
</font></blockquote></div><br>

--001485f1e7c2548adf046b85e0aa--

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Subject: Re: Any experienced Ableton users able to give me a hand?
From: Os <os@collective.co.uk>
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darn those FFTs.

do you have a VST version? you might find that it doesn't introduce
latency, as (as far as I know) VST plug-ins can't report latency like
AUs can.


os.


2009/6/4 Simeon Harris <simeonharris40@googlemail.com>:
> ok, tracked down the source of the latency - NI Spektral Delay. just putt=
ing
> it in one of the return channels causes masses of latency - even when it'=
s
> off
>
> shame...cos it's really nice
>
> sim
>
> On Thu, Jun 4, 2009 at 1:48 AM, Mech <mech@m3ch.net> wrote:
>>
>>
>> At 11:24 PM +0100 6/3/09, Simeon Harris wrote:
>>>
>>> mech - i've just tried your multiple returns method in Live... one plug=
in
>>> in each return and using the sends to pass the audio around the mixer -=
 very
>>> nice. one problem though - as soon as i send audio through any of the
>>> returns (even one with no plugins in it) i get masses of latency all of=
 a
>>> sudden....have you noticed this? and is there a cure?
>>
>> What?!? That's utterly bizarre. =A0No, I've never noticed any latency vi=
a
>> the Return channels, in any of the versions of Live I've run. =A0It shou=
ld all
>> be taking place through digital bussing, so I wouldn't imagine any delay
>> beyond perhaps the single sample level.
>>
>> What version of Live are you running, and what does your hardware/softwa=
re
>> configuration consist of? =A0Anything else loading down the computer's C=
PU at
>> the same time, perhaps? =A0This sounds weird....
>>
>> =A0 =A0 =A0 =A0--m.
>> --
>> _____
>> "bye-bye empire; empire, bye-bye"
>>
>
>



--=20
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Subject: Re: Any experienced Ableton users able to give me a hand?
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hmm...might do...i'll have a look.

thanks mate!

On Thu, Jun 4, 2009 at 2:40 PM, Os <os@collective.co.uk> wrote:

> darn those FFTs.
>
> do you have a VST version? you might find that it doesn't introduce
> latency, as (as far as I know) VST plug-ins can't report latency like
> AUs can.
>
>
>

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hmm...might do...i&#39;ll have a look.<br><br>thanks mate!<br><br><div class="gmail_quote">On Thu, Jun 4, 2009 at 2:40 PM, Os <span dir="ltr">&lt;<a href="mailto:os@collective.co.uk">os@collective.co.uk</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">darn those FFTs.<br>
<br>
do you have a VST version? you might find that it doesn&#39;t introduce<br>
latency, as (as far as I know) VST plug-ins can&#39;t report latency like<br>
AUs can.<br>
<br>
<br></blockquote></div><br>

--001485f5b10c7a16a7046b85f25a--

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: blech (pedal choices)
Date: Thu, 4 Jun 2009 11:04:13 -0400
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The 2880 even with it's limitations is one looper I have never regreted 
getting. What it can do far outweighs what it can't.

Jeff
----- Original Message ----- 
From: "Mark Sottilaro" <zerocrossing@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 03, 2009 4:25 PM
Subject: Re: blech (pedal choices)


> I'd pick up a used Electro-harmonix 2880.  I really liked it when I
> used to use hardware.
>
> On Tue, Jun 2, 2009 at 6:35 PM, Matt Davignon <mattdavignon@gmail.com> 
> wrote:
>> So, I'm idly looking into expanding my looping setup, since I'm
>> starting to feel the limits of the looper in my Line 6 DL-4. (Mostly
>> that 15 seconds at normal speed is too short.)
>>
>> So I just spent an hour looking at what else is out there and I'm
>> feeling a bit discouraged.
>>
>> What I'm looking for in a looper:
>> --Simple & easy to use.
>> --at least 30 seconds of looping time
>> --Lets me pick start and end points while recording. (Will not try to
>> autocorrect my timing, or make me choose loop length before I start.)
>> --Reverse function
>> --Half Speed function (or even better - a speed dial!)
>> --Lets me choose # of repeats when not infinite.
>> --Will not drive up the cost of the pedal with stuff I'll never use.
>> --smaller than a hardcover book
>>
>> As far as I can tell, this does not exist. The closest I find is a
>> DL-4, which is very easy to use, but as I mentioned, the looping time
>> is short and I can't control the # of repeats. It's also heavy enough
>> that I don't want to walk around with 2 of them.
>>
>> I'm pretty disappointed in the concept of the Line 6 JM-4. It costs
>> more and doesn't appear to offer more of the stuff I want. Instead it
>> offers me the opportunity to play with imaginary musicians, which
>> frankly I find insulting. Has anyone used one of these? If you don't
>> store loops, how long can a live loop be? Can you get rid of all the
>> dumb preset tracks? Is it otherwise as simple as the DL-4?
>>
>> How about the LoopStation (RC-20)? How long of a loop can you get if
>> you don't store anything? Does it have half speed/reverse?
>>
>> Not looking for rack mounts, software or large pedal boards. I have to
>> fit all my gear in a rolling suitcase on public transit.
>>
>> Shruggingly,
>>
>> Matt Davignon
>> www.ribosomemusic.com
>>
>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 15:12:01 2009
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Subject: Re: mastering plug ins
Date: Thu, 4 Jun 2009 11:11:59 -0400
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There was music before computers? :)
Really I am thinking that I need to work on improving the audio I am feeding 
into my DAW. Unless I can find a turd polishing plugin :)
If I have a boomy sound why not fix it before recording etc and so on. I am 
still trying to grasp audio mastering but I get so confused...slowly I go.

thanks for all the fish,

Jeff


----- Original Message ----- 
From: "Mark Sottilaro" <zerocrossing@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, June 03, 2009 4:52 PM
Subject: Re: mastering plug ins


> You know, you can spend a lot of time and energy on the mastering
> project, but I swear some of the best armature mixes I've heard came
> from a guitarist I used to play with.  All he did was run his master
> buss though a light compressor, graphic EQ and a DBX exciter. (all
> hardware, this was pre-computer daw).  One day I caught him in the
> process and what he did was first run a song with a similar feel
> though the setup and look at the display on the graphic EQ while in
> bypass.  He then ran his program though it and tried to use the eq to
> get the same look in the audio spectrum.  Hilarious.  He admitted he
> just used this method as a starting point, but the real truth is, in
> the end he probably really good at listening.  I suspect the spectrum
> display was probably more of a placebo than anything else.  He was
> only doing 4 track cassette recordings, but his always sounded great.
>
> 

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Subject: OT: Re: mastering plug ins
Date: Thu, 4 Jun 2009 11:33:52 -0400
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Ok, let me ask this question then. How do you all record and prepare audio 
for the web and for your releases? I am sure there is many different ways to 
get good sounding tunes up. All of mine is released in varying qualities of 
mp3s. Sometimes I record on mindisk if I am away from my computer. At home I 
feed a stereo line in from a mixer into Audacity or now Sound Forge. I used 
to record in 16 bit but now have moved to 24. Anyone can reply off list if 
this is going off topic too badly. I am kind of stuck in a loop on this in 
the middle of recording alot. I am trying to rethink what I am doing a bit.

Jeff

Ad astra per alia porci - Steinbeck

http://jeffduke.org/
http://www.myspace.com/loopsinphasespace
http://virb.com/jeffduke
http://www.reverbnation.com/thejeffduke
http://www.vimeo.com/jeffduke
http://www.justin.tv/loopslab
http://themineisthemind.blogspot.com/
http://www.myspace.com/loopsinphasespace
http://www.youtube.com/user/sticky899
http://www.sugarat.org/tecbab/



----- Original Message ----- 
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, June 04, 2009 11:11 AM
Subject: Re: mastering plug ins


> There was music before computers? :)
> Really I am thinking that I need to work on improving the audio I am 
> feeding into my DAW. Unless I can find a turd polishing plugin :)
> If I have a boomy sound why not fix it before recording etc and so on. I 
> am still trying to grasp audio mastering but I get so confused...slowly I 
> go.
>
> thanks for all the fish,
>
> Jeff
>
>
> ----- Original Message ----- 
> From: "Mark Sottilaro" <zerocrossing@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 03, 2009 4:52 PM
> Subject: Re: mastering plug ins
>
>
>> You know, you can spend a lot of time and energy on the mastering
>> project, but I swear some of the best armature mixes I've heard came
>> from a guitarist I used to play with.  All he did was run his master
>> buss though a light compressor, graphic EQ and a DBX exciter. (all
>> hardware, this was pre-computer daw).  One day I caught him in the
>> process and what he did was first run a song with a similar feel
>> though the setup and look at the display on the graphic EQ while in
>> bypass.  He then ran his program though it and tried to use the eq to
>> get the same look in the audio spectrum.  Hilarious.  He admitted he
>> just used this method as a starting point, but the real truth is, in
>> the end he probably really good at listening.  I suspect the spectrum
>> display was probably more of a placebo than anything else.  He was
>> only doing 4 track cassette recordings, but his always sounded great.
>>
>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 16:07:34 2009
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Date: Thu, 4 Jun 2009 18:01:24 +0200
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Subject: Re: mastering plug ins
From: Raul Bonell <raul.bonell@gmail.com>
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agree. that's the point. feeding a better signal to your DAW. always
there's room for improvement, even at home.

2009/6/4, Jeff Duke <jeff_d@embarqmail.com>:
> There was music before computers? :)
> Really I am thinking that I need to work on improving the audio I am feeding
> into my DAW. Unless I can find a turd polishing plugin :)
> If I have a boomy sound why not fix it before recording etc and so on. I am
> still trying to grasp audio mastering but I get so confused...slowly I go.
>
> thanks for all the fish,
>
> Jeff
>
>
> ----- Original Message -----
> From: "Mark Sottilaro" <zerocrossing@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, June 03, 2009 4:52 PM
> Subject: Re: mastering plug ins
>
>
>> You know, you can spend a lot of time and energy on the mastering
>> project, but I swear some of the best armature mixes I've heard came
>> from a guitarist I used to play with.  All he did was run his master
>> buss though a light compressor, graphic EQ and a DBX exciter. (all
>> hardware, this was pre-computer daw).  One day I caught him in the
>> process and what he did was first run a song with a similar feel
>> though the setup and look at the display on the graphic EQ while in
>> bypass.  He then ran his program though it and tried to use the eq to
>> get the same look in the audio spectrum.  Hilarious.  He admitted he
>> just used this method as a starting point, but the real truth is, in
>> the end he probably really good at listening.  I suspect the spectrum
>> display was probably more of a placebo than anything else.  He was
>> only doing 4 track cassette recordings, but his always sounded great.
>>
>>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 16:39:39 2009
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Date: Fri, 5 Jun 2009 01:29:32 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech3@m3ch.net>
Subject: Re: Any experienced Ableton users able to give me a hand?
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At 9:15 PM -0400 6/3/09, Todd Matthews wrote:
>Mech - This is awesome!

Wow, thanks!  I'm glad that I was able to clear up a few problems. 
Live's routing is one of the things that keeps me coming back to it 
every time I try to run away.  For some reason, this has always just 
clicked for me on the most basic level (send effects vs. insert 
effects) so I didn't see much sense in complicating it further.

However, I surely can't take credit for the MIDI clips stuff.  I 
first heard the idea from "the incredibly kind Per" a while back. 
And I think Zoe also uses them (or used to) for firing off commands 
during her set, IIRC.  About the only thing I might take credit for 
could possibly be using MIDI clips to 'hocket' control commands 
faster than the human eye -- turning them into de facto LFO's.  But, 
y'know, I'm kinda demented that way, I guess.

Regardless of the source, they're a great device and rock mightily. 
But thank you for the recognition nonetheless.  :D

>Using the simple audio switcher in Bidule is so much easier than the 
>rack madness I was dealing with in Live

Oh yeah, I really like Bidule as well.  Although I haven't really 
used it much lately, I did build a MIDI looper with it last year. 
The flexibility is fantastic, and saves me from having to learn 
Max/MSP.

Unfortunately for me, though, it seems I'm even lazier than that. 
Live seems to have become my path of least resistance.  Whenever I 
get a harebrained idea (and, trust me, this happens quite often) I 
can usually mock it up most quickly in Live, so that's what I end up 
reaching for first.

>When you say your sending a parallel message to turn off effects 
>would both be done with a midi clip?

Yep!  That's another good use, now that you mention it: using a clip 
as a "shim".  Let's say that you can only send a single message from 
your controller.  Use it to fire a clip, and use the clip to fire off 
as many more messages as you need.  They can be other "one-shot" 
messages to turn effects on or off, or a continuous stream to 
automate levels or fades, for instance, or a mixture of all those 
simultaneously.

Conceivably, you could use your FCB only to send messages to activate 
MIDI clips.  Those clips would then act as 'little helpers' and fire 
off all the other commands you might need.

Of course, some parameters are better suited for realtime control. 
But, like you said, you've got two expression pedals you could use 
there.

>Thanks again, for helping see routing in Live in a new way. I need 
>to re-read your post a couple more times to wrap my head around it. 
>I've been painting past couple of days and I think the fumes are 
>making me a little slower:)

And if you have any questions or need any help getting it to work, 
don't hesitate to ask.  :)

Thanks again for the kudos!

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 16:40:56 2009
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Test.  Apologies.

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Test.

From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 16:42:40 2009
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Date: Fri, 5 Jun 2009 01:42:33 +0900
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Subject: Re: Any experienced Ableton users able to give me a hand?
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At 2:37 PM +0100 6/4/09, Simeon Harris wrote:
>ok, tracked down the source of the latency - NI Spektral Delay. just 
>putting it in one of the return channels causes masses of latency - 
>even when it's off

Really?  Wow, it's been a while since I played with that one, but I 
do seem to remember some strange behavior last time I tried setting 
it up.  Then I got distracted by some other shiny thing and never 
followed up on it.  :P

I do remember that the display munches more CPU, and that I had a 
difficult time when using it on setups where I was close to spiking. 
I always had to remind myself to close the darn display.

Now I'm going to have to see if any of NI's other plugs have similar 
issues.  Hrmmmmmm....

	--m.
-- 
_____
"when you think your dreams are shattered, it's time to dream new dreams"

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Date: Thu, 4 Jun 2009 18:14:50 +0100
Message-ID: <d302e3570906041014xc944621y185852ad85577c8f@mail.gmail.com>
Subject: Re: Any experienced Ableton users able to give me a hand?
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f9a858e87c99046b88e9c2
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now that's sparked my interest....i'd like ot be able to send one pc message
from my footcontroller and have a midi clip send a bunch of commands to the
mixer to change the "send" values...and perhaps send some pc messages to
those plugins that can deal with them to change patches

unfortunately, i have absolutely no idea how to do it!

just looked at the manual and figured out how to create a new midi clip -
looked at it's clip view and i see you can select "mixer" for the
destination of the midi. but what do you draw in the big panel on the right?

sorry mate, i've a livedunce!

On Thu, Jun 4, 2009 at 5:29 PM, Mech <mech3@m3ch.net> wrote:

> At 9:15 PM -0400 6/3/09, Todd Matthews wrote:
>
>> Mech -
>
>
>  When you say your sending a parallel message to turn off effects would
>> both be done with a midi clip?
>>
>
> Conceivably, you could use your FCB only to send messages to activate MIDI
> clips.  Those clips would then act as 'little helpers' and fire off all the
> other commands you might need.
>
>

--001485f9a858e87c99046b88e9c2
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now that&#39;s sparked my interest....i&#39;d like ot be able to send one p=
c message from my footcontroller and have a midi clip send a bunch of comma=
nds to the mixer to change the &quot;send&quot; values...and perhaps send s=
ome pc messages to those plugins that can deal with them to change patches<=
br>
<br>unfortunately, i have absolutely no idea how to do it!<br><br>just look=
ed at the manual and figured out how to create a new midi clip - looked at =
it&#39;s clip view and i see you can select &quot;mixer&quot; for the desti=
nation of the midi. but what do you draw in the big panel on the right?<br>
<br>sorry mate, i&#39;ve a livedunce!<br><br><div class=3D"gmail_quote">On =
Thu, Jun 4, 2009 at 5:29 PM, Mech <span dir=3D"ltr">&lt;<a href=3D"mailto:m=
ech3@m3ch.net">mech3@m3ch.net</a>&gt;</span> wrote:<br><blockquote class=3D=
"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0=
pt 0pt 0pt 0.8ex; padding-left: 1ex;">
At 9:15 PM -0400 6/3/09, Todd Matthews wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Mech - </blockquote><div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
When you say your sending a parallel message to turn off effects would both=
 be done with a midi clip?<br>
</blockquote>
<br></div>

Conceivably, you could use your FCB only to send messages to activate MIDI =
clips. =A0Those clips would then act as &#39;little helpers&#39; and fire o=
ff all the other commands you might need.<br>
<br>
</blockquote></div><br>

--001485f9a858e87c99046b88e9c2--

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	<4A23A69D.7020604@tiscali.co.uk> <b2438db40906011555m2628030j513664ff8001a368@mail.gmail.com>
From: Daniel Hegarty <danielphegarty@googlemail.com>
Date: Thu, 4 Jun 2009 18:34:53 +0100
Message-ID: <b2438db40906041034i2eeb5c6em792956641049cd57@mail.gmail.com>
Subject: Re: EDP and Logic Glitches
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Sorry to be a pest!

Does anyone have any thoughts on any avenues I could try, I'm really stuck
on this one :(

Thanks
Daniel

2009/6/1 Daniel Hegarty <danielphegarty@googlemail.com>

> Hey Andy,
> Thanks so much!
>
> As per your request, I've made a diagram. I think this may push me over the
> edge of a polite request for help, but this issue is waking me sweating in
> the nights!
>
> I've tried to include all the detail I can in the diagram, but I'd like to
> address some of your points below:
>
>
>    1. You're correct about midi clock. It is being sent but I am not
>    utilising it. I'm setting the SUS messages to be just one frame short of the
>    full bar length. e.g on an 8 bar loop in 4/4, i'll set the note length to be
>    7 3 3 239. This seems to work fine, as I've had issues whenever I've tried
>    to send concurrent messages to a single EDP.
>    2. I use the GeneralReset at the beginning of each 'track' in the set.
>    As otherwise during rehearsal we have issues with their being audio on
>    moreloops=2 etc.
>    3. All midi commands in and out of the sequencer have their own
>    dedicated input/output and cable. I don't know a great deal about midi
>    merging so I'm not sure if that is the issue. I'm wondering if it's all to
>    much for my dual core 2.6ghz MacBook Pro with 4gb of RAM to handle. Sounds
>    for the soft synths are coming off an external drive via firewire 800.
>    Perhaps a rack mounted G5 would solve the problem! If perhaps I need to run
>    a slave sequencer just controlling the EDPs, is there one that you suggest?
>    I tried exporting the Midi files into Abletone Live, but peculiarly the
>    single frame reset notes didn't make it! Very odd. I'm very comfortable with
>    Midi editing in Logic so it would be a bit of a learning curve to go
>    elsewhere, but at this point i'll try anything!
>
> Anyway, most of the above is included in the diagram, any help would be
> very very gratefully received. I've included some screenshots from Logic
> which should give a good idea of how i'm manipulating the EDPs.
>
> Thanks again!
> Daniel
>
> 2009/6/1 andy butler <akbutler@tiscali.co.uk>
>
> Hi Daniel,
>> without a diagram or a detailed description of your setup
>> it's pretty much impossible for anyone to diagnose your
>> problem. We're just guessing based on assumptions.
>>
>> From what you say below, about needing to use SUS commands
>> I'd guess that you're sending midi clock to the edps,
>> and not using it. Indeed, midi-clock sync doesn't work well with sequenced
>> edps
>> (Claude Voit worked that out, and he's the guy who got
>> the EDP midi response up to spec ).
>> So set your EDPs to sync = OFF,
>> and then the way to keep them synced is to use the Restart command as
>> often as needed.
>> Having done that, you *can* use regular Record=TOG,
>> ..but the SUS commands will be as good, stick with
>> what you're comfortable with.
>> Incidentally, you don't need to send Reset before
>> starting a new Recording (unless you want to).
>>
>> Maybe Claude, (who I suspect of filtering this list for posts
>> with his name in) will chip in here, probably will if
>> I got something wrong.
>> (hi Claude :-)
>>
>> Didn't you say *all* the midi info was going to the EDPs?
>> ...and the occasional note is lost when you mix live
>> playing with EDP sequencing.
>> This would point to the loss happening wherever the sequenced
>> midi, and the   live midi are merged.
>> If that happens in your software, the software is buggy at
>> midi-merging. Either
>> 1) Use a hardware midi merger in your system
>> 2) Use different software
>> 3) Send the EDP commands down a completely separate midi cable.
>>
>>
>> andy butler
>>
>> Daniel Hegarty wrote:
>>
>>> Hi,
>>>
>>> Sorry for being dense, just a couple of clarifications!
>>>
>>>   1. Say for example, on one of the EDPs, I need to record a 4 bar
>>>      loop, and then reset that loop later, and then record an unrelated
>>>      2 bar loop. How do I alter the loop length if not by using the
>>>      SUSrecord function? When I've experimented with quantizing, it
>>>      appeared to me that I could only set a fixed loop length using the
>>>      8th/cycle parameter. This obviously wouldn't be sufficient for the
>>>      use case i describe above. i.e. When in quantize mode i press
>>>      record once to start recording the loop, i then press it again,
>>>      but the stop is determined by the 8th/cycle parameter rather than
>>>      my button press. My impression was that Sync=In, and Quantize was
>>>      to be used when using a fixed length loop which you wished to
>>>      develop and perform operations on. If that's not the case, I'd be
>>>      very interested in how to very the loop lengths on the fly, so to
>>>      speak.
>>>   2. I assume the pre-delay option is only useful in the case of using
>>>      the EDP quantize as otherwise it would cause the commands not to
>>>      be sent out precisely on time.
>>>
>>> I have a horrible feeling I've wasted a lot of time going about this the
>>> wrong way! Thanks so much for your patience.
>>>
>>> Daniel
>>>
>>>
>>     www.boysen.se <http://www.boysen.se>
>>>    www.perboysen.com <http://www.perboysen.com>
>>>
>>>
>>>
>>
>

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Sorry to be a pest!<br><br>Does anyone have any thoughts on any avenues I c=
ould try, I&#39;m really stuck on this one :(<br><br>Thanks<br>Daniel<br><b=
r><div class=3D"gmail_quote">2009/6/1 Daniel Hegarty <span dir=3D"ltr">&lt;=
<a href=3D"mailto:danielphegarty@googlemail.com">danielphegarty@googlemail.=
com</a>&gt;</span><br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hey Andy,<div><br=
></div><div>Thanks so much!</div><div><br></div><div>As per your request, I=
&#39;ve made a diagram. I think this may push me over the edge of a polite =
request for help, but this issue is waking me sweating in the nights!</div>


<div><br></div><div>I&#39;ve tried to include all the detail I can in the d=
iagram, but I&#39;d like to address some of your points below:</div><div><b=
r></div><div><ol><li>You&#39;re correct about midi clock. It is being sent =
but I am not utilising it. I&#39;m setting the SUS messages to be just one =
frame short of the full bar length. e.g on an 8 bar loop in 4/4, i&#39;ll s=
et the note length to be 7 3 3 239. This seems to work fine, as I&#39;ve ha=
d issues whenever I&#39;ve tried to send concurrent messages to a single ED=
P.</li>


<li>I use the GeneralReset at the beginning of each &#39;track&#39; in the =
set. As otherwise during rehearsal we have issues with their being audio on=
 moreloops=3D2 etc.</li><li>All midi commands in and out of the sequencer h=
ave their own dedicated input/output and cable. I don&#39;t know a great de=
al about midi merging so I&#39;m not sure if that is the issue. I&#39;m won=
dering if it&#39;s all to much for my dual core 2.6ghz MacBook Pro with 4gb=
 of RAM to handle. Sounds for the soft synths are coming off an external dr=
ive via firewire 800. Perhaps a rack mounted G5 would solve the problem! If=
 perhaps I need to run a slave sequencer just controlling the EDPs, is ther=
e one that you suggest? I tried exporting the Midi files into Abletone Live=
, but peculiarly the single frame reset notes didn&#39;t make it! Very odd.=
 I&#39;m very comfortable with Midi editing in Logic so it would be a bit o=
f a learning curve to go elsewhere, but at this point i&#39;ll try anything=
!</li>


</ol><div>Anyway, most of the above is included in the diagram, any help wo=
uld be very very gratefully=A0received. I&#39;ve included some screenshots =
from Logic which should give a good idea of how i&#39;m manipulating the ED=
Ps.</div>


<div><br></div><div>Thanks again!</div><div>Daniel</div><br><div class=3D"g=
mail_quote">2009/6/1 andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:ak=
butler@tiscali.co.uk" target=3D"_blank">akbutler@tiscali.co.uk</a>&gt;</spa=
n><div>

<div></div><div class=3D"h5"><br><blockquote class=3D"gmail_quote" style=3D=
"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padd=
ing-left: 1ex;">
Hi Daniel,<br>
without a diagram or a detailed description of your setup<br>
it&#39;s pretty much impossible for anyone to diagnose your<br>
problem. We&#39;re just guessing based on assumptions.<br>
<br>
>From what you say below, about needing to use SUS commands<br>
I&#39;d guess that you&#39;re sending midi clock to the edps,<br>
and not using it. Indeed, midi-clock sync doesn&#39;t work well with sequen=
ced edps<br>
(Claude Voit worked that out, and he&#39;s the guy who got<br>
the EDP midi response up to spec ).<br>
So set your EDPs to sync =3D OFF,<br>
and then the way to keep them synced is to use the Restart command as often=
 as needed.<br>
Having done that, you *can* use regular Record=3DTOG,<br>
..but the SUS commands will be as good, stick with<br>
what you&#39;re comfortable with.<br>
Incidentally, you don&#39;t need to send Reset before<br>
starting a new Recording (unless you want to).<br>
<br>
Maybe Claude, (who I suspect of filtering this list for posts<br>
with his name in) will chip in here, probably will if<br>
I got something wrong.<br>
(hi Claude :-)<br>
<br>
Didn&#39;t you say *all* the midi info was going to the EDPs?<br>
...and the occasional note is lost when you mix live<br>
playing with EDP sequencing.<br>
This would point to the loss happening wherever the sequenced<br>
midi, and the =A0 live midi are merged.<br>
If that happens in your software, the software is buggy at<br>
midi-merging. Either<br>
1) Use a hardware midi merger in your system<br>
2) Use different software<br>
3) Send the EDP commands down a completely separate midi cable.<br>
<br>
<br>
andy butler<br>
<br>
Daniel Hegarty wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>
Hi,<br>
<br>
Sorry for being dense, just a couple of clarifications!<br>
<br></div>
 =A0 1. Say for example, on one of the EDPs, I need to record a 4 bar<div><=
br>
 =A0 =A0 =A0loop, and then reset that loop later, and then record an unrela=
ted<br>
 =A0 =A0 =A02 bar loop. How do I alter the loop length if not by using the<=
br>
 =A0 =A0 =A0SUSrecord function? When I&#39;ve experimented with quantizing,=
 it<br>
 =A0 =A0 =A0appeared to me that I could only set a fixed loop length using =
the<br>
 =A0 =A0 =A08th/cycle parameter. This obviously wouldn&#39;t be sufficient =
for the<br>
 =A0 =A0 =A0use case i describe above. i.e. When in quantize mode i press<b=
r>
 =A0 =A0 =A0record once to start recording the loop, i then press it again,=
<br>
 =A0 =A0 =A0but the stop is determined by the 8th/cycle parameter rather th=
an<br>
 =A0 =A0 =A0my button press. My impression was that Sync=3DIn, and Quantize=
 was<br>
 =A0 =A0 =A0to be used when using a fixed length loop which you wished to<b=
r>
 =A0 =A0 =A0develop and perform operations on. If that&#39;s not the case, =
I&#39;d be<br>
 =A0 =A0 =A0very interested in how to very the loop lengths on the fly, so =
to<br>
 =A0 =A0 =A0speak.<br></div>
 =A0 2. I assume the pre-delay option is only useful in the case of using<d=
iv><br>
 =A0 =A0 =A0the EDP quantize as otherwise it would cause the commands not t=
o<br>
 =A0 =A0 =A0be sent out precisely on time.<br>
<br>
I have a horrible feeling I&#39;ve wasted a lot of time going about this th=
e wrong way! Thanks so much for your patience.<br>
<br>
Daniel<br>
<br>
</div></blockquote>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
 =A0 =A0<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a=
> &lt;<a href=3D"http://www.boysen.se" target=3D"_blank">http://www.boysen.=
se</a>&gt;<br>
 =A0 =A0<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboyse=
n.com</a> &lt;<a href=3D"http://www.perboysen.com" target=3D"_blank">http:/=
/www.perboysen.com</a>&gt;<br>
<br>
<br>
</blockquote>
<br>
</blockquote></div></div></div><br></div>
</blockquote></div><br>

--0015174beeb8c1c9f7046b8932c1--

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From: scott hansen <evanpeewee@yahoo.com>
Subject: blech (pedal choices)
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--0-413160350-1244138408=:38906
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>> How about the LoopStation (RC-20)? How long of a loop can you get if
>> you don't store anything? Does it have half speed/reverse?

the original rc-20 (which i have) has 5 min of record time. it can go fwd and reverse. i like it, gets the job done. it has some tap tempo thing that allows you to change the tempo of the loop, but i think it doesn't work so well. i wish there was a knob that just controlled the speed or length of the loop, for slow down or speed up (THAT WOULD BE AWESOME!!!). i do like the reverse though, you can get some crazy things going w/ fwd and reverse, etc..

the rc-20xl that came out after has 16 min of record time. honestly i've never came close to using the full time of my 5 min of my original....

in the vids i've seen for the EH stereo memory man w/ hazari, i like the loop function and the way you can mangle the loop (speed (pitch) and filter), but i didn't like that to record a loop you have to keep the button pressed the whole time (the boss rc-you press switch to record, press again to stop, which i like-some complain about hard to get accurate time w/ that, not a problem for me, anyway)...but i have liked what i've seen of the EHsmm w/H- in vids & it has 30 sec of loop time....i should say that i keep all my pedals at hands reach on my desk, not a footstomper, 

the other new option is the digitech timebender, just recently out-i 've heard good things from some folks online, and it's the same price as digitech's jamman ($299)...seems like it has some combos things from the boss slicer...

if you need portable-the boss rc-2, single pedal, but it's just loop w/ overdub (up to 16 min), but no real manipulating of it, but the main thing is it is small & portable....

oh, and there is the boss dd20, the 23 sec of delay available, i didn't really like it, sold mine, but others have liked it, etc....
i have no experience w/ the line 6 stuff, check archives for that.....
s---
www.myspace.com/scotthansen
http://video.google.com/videoplay?docid=235503632389016121
http://video.google.com/videoplay?docid=5791548553161416906&hl=en






      
--0-413160350-1244138408=:38906
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">&gt;&gt; How about the LoopStation (RC-20)? How long of a loop can you get if<br>&gt;&gt; you don't store anything? Does it have half speed/reverse?<br><br>the original rc-20 (which i have) has 5 min of record time. it can go fwd and reverse. i like it, gets the job done. it has some tap tempo thing that allows you to change the tempo of the loop, but i think it doesn't work so well. i wish there was a knob that just controlled the speed or length of the loop, for slow down or speed up (THAT WOULD BE AWESOME!!!). i do like the reverse though, you can get some crazy things going w/ fwd and reverse, etc..<br><br>the rc-20xl that came out after has 16 min of record time. honestly i've never came close to using the full time of my 5 min of my original....<br><br>in the vids i've seen for the EH stereo memory man w/ hazari, i like the loop function and the way you
 can mangle the loop (speed (pitch) and filter), but i didn't like that to record a loop you have to keep the button pressed the whole time (the boss rc-you press switch to record, press again to stop, which i like-some complain about hard to get accurate time w/ that, not a problem for me, anyway)...but i have liked what i've seen of the EHsmm w/H- in vids &amp; it has 30 sec of loop time....i should say that i keep all my pedals at hands reach on my desk, not a footstomper, <br><br>the other new option is the digitech timebender, just recently out-i 've heard good things from some folks online, and it's the same price as digitech's jamman ($299)...seems like it has some combos things from the boss slicer...<br><br>if you need portable-the boss rc-2, single pedal, but it's just loop w/ overdub (up to 16 min), but no real manipulating of it, but the main thing is it is small &amp; portable....<br><br>oh, and there is the boss dd20, the 23 sec of delay
 available, i didn't really like it, sold mine, but others have liked it, etc....<br>i have no experience w/ the line 6 stuff, check archives for that.....<br>s---<br>www.myspace.com/scotthansen<br><a target="_blank" href="http://video.google.com/videoplay?docid=235503632389016121"><span class="yshortcuts" id="lw_1244138174_0">http://video.google.com/videoplay?docid=235503632389016121</span></a><br><a target="_blank" href="http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en"><span class="yshortcuts" id="lw_1244138174_1">http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en</span></a><br><br><br><br></td></tr></table><br>

      
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Subject: Re: EDP and Logic Glitches
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Daniel Hegarty wrote:
> Sorry to be a pest!
> 
> Does anyone have any thoughts on any avenues I could try, I'm really 
> stuck on this one :(
> 
> Thanks
> Daniel
> 
> 2009/6/1 Daniel Hegarty <danielphegarty@googlemail.com 
> <mailto:danielphegarty@googlemail.com>>
> 
>     Hey Andy,
> 
>     Thanks so much!
> 
>     As per your request, I've made a diagram. 

do you have a link for it?
mailing lists don't "do" graphics :-(
(you can just send it to me if you like(and to Per))

>I think this may push me
>     over the edge of a polite request for help, but this issue is waking
>     me sweating in the nights!
> 
>     I've tried to include all the detail I can in the diagram, but I'd
>     like to address some of your points below:
> 
>        1. You're correct about midi clock. It is being sent but I am not
>           utilising it. I'm setting the SUS messages to be just one
>           frame short of the full bar length. e.g on an 8 bar loop in
>           4/4, i'll set the note length to be 7 3 3 239. This seems to
>           work fine, as I've had issues whenever I've tried to send
>           concurrent messages to a single EDP.


Looks like you are using the clock for sync.
..but doesn't matter, it's not an edp problem



>        2. I use the GeneralReset at the beginning of each 'track' in the
>           set. As otherwise during rehearsal we have issues with their
>           being audio on moreloops=2 etc.

right

>        3. All midi commands in and out of the sequencer have their own
>           dedicated input/output and cable. I don't know a great deal
>           about midi merging so I'm not sure if that is the issue. 

            it would seem that it isn't

>I'm
>           wondering if it's all to much for my dual core 2.6ghz MacBook
>           Pro with 4gb of RAM to handle. Sounds for the soft synths are
>           coming off an external drive via firewire 800. Perhaps a rack
>           mounted G5 would solve the problem! If perhaps I need to run a
>           slave sequencer just controlling the EDPs, is there one that
>           you suggest? I tried exporting the Midi files into Abletone
>           Live, but peculiarly the single frame reset notes didn't make
>           it! Very odd. I'm very comfortable with Midi editing in Logic
>           so it would be a bit of a learning curve to go elsewhere, but
>           at this point i'll try anything!

As I understand it ( so could be way off ;-)

You're using Logic to host soft synths played live, while it
also sends out sequenced midi to the EDPs.
When everything's running and you're playing in notes from your keyboard
the sequenced midi is dropping notes.

So it's not an EDP problem as such.

Without the diagram I'm kinda guessing.

1) Possibly it's logic can't handle all that live and sequenced midi
2) possibly the drivers for the midi interface are the problem
3) OSX could theoretically not be up to it.

If the audio isn't breaking up at all, then a "bigger" mac is
unlikely to solve.

So some tentative fixes for the above scenarios

1) a) ask on a Logic related forum, any bugfixes you need to install?
   b)Host the soft synths for live playing in a different host. (e.g. Bidule)
2)a) make sure you have latest version of the drivers
  b) try an alternative (or additional) midi interface
3) wish I hadn't said that :-)

andy


> 
>     Anyway, most of the above is included in the diagram, any help would
>     be very very gratefully received. I've included some screenshots
>     from Logic which should give a good idea of how i'm manipulating the
>     EDPs.
> 
>     Thanks again!
>     Daniel
> 

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Very interesting discussion. The MIDI message triggering a batch of
other MIDI messages thing is something I've been doing in Bidule, where
it is very easy to do. I call this the nuclear reaction strategy.

=20

I had saved Zoe's post about how she uses Live clips to trigger a batch
of MIDI messages to navigate her set and just read it again this week as
I am about to dive into learning Live. Mech, your tips are extremely
timely for me.

=20

One thing I've found, related to something Zoe said about here
Repeaters, is that there is usually a choke point for MIDI messages. In
Bidule, feeding Mobius a stream of guitar signal, effected guitar
signal, soft synths, and output from a chain of VSTs processing the
guitar and soft synths, all while Mobius is playing back loops, I have
time and again discovered that when I get carried away with a lot of
quick commands to Mobius, the soft synths, and the VSTs ... crash. I
take away the lesson that one does not get carried away.

=20

But the "superhuman MIDI firing" you're talking about suggest Live may
be better at handling this intense MIDI stream. It will take awhile, but
I intend to explore this.

=20

Hal Dean

=20

From: Simeon Harris [mailto:simeonharris40@googlemail.com]=20
Sent: Thursday, June 04, 2009 1:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Any experienced Ableton users able to give me a hand?

=20

now that's sparked my interest....i'd like ot be able to send one pc
message from my footcontroller and have a midi clip send a bunch of
commands to the mixer to change the "send" values...and perhaps send
some pc messages to those plugins that can deal with them to change
patches

unfortunately, i have absolutely no idea how to do it!

just looked at the manual and figured out how to create a new midi clip
- looked at it's clip view and i see you can select "mixer" for the
destination of the midi. but what do you draw in the big panel on the
right?

sorry mate, i've a livedunce!

On Thu, Jun 4, 2009 at 5:29 PM, Mech <mech3@m3ch.net> wrote:

At 9:15 PM -0400 6/3/09, Todd Matthews wrote:

Mech -=20

	=20

	When you say your sending a parallel message to turn off effects
would both be done with a midi clip?

=20

Conceivably, you could use your FCB only to send messages to activate
MIDI clips.  Those clips would then act as 'little helpers' and fire off
all the other commands you might need.

=20


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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Very interesting discussion. The MIDI message triggering =
a batch
of other MIDI messages thing is something I&#8217;ve been doing in =
Bidule,
where it is very easy to do. I call this the nuclear reaction =
strategy.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I had saved Zoe&#8217;s post about how she uses Live =
clips to
trigger a batch of MIDI messages to navigate her set and just read it =
again
this week as I am about to dive into learning Live. Mech, your tips are
extremely timely for me.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>One thing I&#8217;ve found, related to something Zoe said =
about
here Repeaters, is that there is usually a choke point for MIDI =
messages. In Bidule,
feeding Mobius a stream of guitar signal, effected guitar signal, soft =
synths,
and output from a chain of VSTs processing the guitar and soft synths, =
all
while Mobius is playing back loops, I have time and again discovered =
that when
I get carried away with a lot of quick commands to Mobius, the soft =
synths, and
the VSTs &#8230; crash. I take away the lesson that one does not get =
carried
away.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>But the &#8220;superhuman MIDI firing&#8221; you&#8217;re
talking about suggest Live may be better at handling this intense MIDI =
stream.
It will take awhile, but I intend to explore this.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><i><span =
style=3D'font-size:11.0pt;font-family:"Palatino Linotype","serif";
color:#1F497D'>Hal Dean</span></i><span =
style=3D'font-size:11.0pt;font-family:
"Palatino Linotype","serif";color:#1F497D'><o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Simeon =
Harris
[mailto:simeonharris40@googlemail.com] <br>
<b>Sent:</b> Thursday, June 04, 2009 1:15 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: Any experienced Ableton users able to give me a =
hand?<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>now that's sparked =
my
interest....i'd like ot be able to send one pc message from my =
footcontroller
and have a midi clip send a bunch of commands to the mixer to change the
&quot;send&quot; values...and perhaps send some pc messages to those =
plugins
that can deal with them to change patches<br>
<br>
unfortunately, i have absolutely no idea how to do it!<br>
<br>
just looked at the manual and figured out how to create a new midi clip =
- looked
at it's clip view and i see you can select &quot;mixer&quot; for the
destination of the midi. but what do you draw in the big panel on the =
right?<br>
<br>
sorry mate, i've a livedunce!<o:p></o:p></p>

<div>

<p class=3DMsoNormal>On Thu, Jun 4, 2009 at 5:29 PM, Mech &lt;<a
href=3D"mailto:mech3@m3ch.net">mech3@m3ch.net</a>&gt; =
wrote:<o:p></o:p></p>

<p class=3DMsoNormal>At 9:15 PM -0400 6/3/09, Todd Matthews =
wrote:<o:p></o:p></p>

<p class=3DMsoNormal>Mech - <o:p></o:p></p>

<div>

<blockquote style=3D'border:none;border-left:solid #CCCCCC =
1.0pt;padding:0in 0in 0in 6.0pt;
margin-left:4.8pt;margin-right:0in'>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>When you say your sending a parallel message to =
turn off
effects would both be done with a midi clip?<o:p></o:p></p>

</blockquote>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>Conceivably, you =
could use your
FCB only to send messages to activate MIDI clips. &nbsp;Those clips =
would then
act as 'little helpers' and fire off all the other commands you might =
need.<o:p></o:p></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 19:15:13 2009
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Date: Thu,  4 Jun 2009 21:15:07 +0200
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Subject: RE: Antwerp Loopfest - video
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> Lovely music Darkroom Dudes, and big congratulations on a great Festiva=
l
> Sjaak! Wish I could have been there sharing the magic, love, and repeti=
tion
> with all of you cool people. Have a great time in rome.
>  Bill 

Darkroom was absolutely one of the personal highlights of the Antwerp fes=
tival. It's really great to 
organize festivals like these, meet your virtual friends in real life, li=
sten to different styles of music 
and chill out. This was my first festival I've organized and played and I=
 can everyone encourage to do 
the same and have a great time with people from this fantastic live loopi=
ng community.

Btw: the Firenze festival of yesterday evening was very nice and well org=
anized. The order of the 
performers was the Koan Ensemble, Fabio Anile, Sjaak Overgaauw, Per Boyse=
n and Rick Walker and 
we ended with a 30 minutes jam session.  This open air amphiteatro was a =
perfect place for this type 
of performances, good atmosphere, beautiful lights and quite some public.=
 Thank you Massimo and 
Fabio!

We'll be leaving to Rome tomorrow night, we'll keep you posted.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/



__________________________________
Scarlet schrapt download limiet!
Scarlet NO LIMIT nu slechts 19,95 EUR 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 19:20:22 2009
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Date: Thu, 4 Jun 2009 12:20:21 -0700
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Subject: New Rigs! videos with Marielle Jakobsons
From: Matt Davignon <mattdavignon@gmail.com>
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Marielle Jakobsons (of DarwinsBitch, Myrmyr and Triometrik)
on violin, computer, pedals & synths. She's one of my favorite drone musicians.

Demonstration: http://www.youtube.com/watch?v=mnH-inmNzfw
Performance: http://www.youtube.com/watch?v=IiZzxNyQzQc

Matt Davignon
www.ribosomemusic.com

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I had the good fortune to do a couple of recordings at good studio =20
outside of Ithaca NY. Peter Hopper was/is the owner and chief =20
engineer, producer and all round great guy. He taught me to take lots =20
of time setting up with various microphones, record a bit and listen. =20
Move the mics, move the instrument, try different mics until you hear =20
the sound you want. That way you let the mic, and room do the eq for =20
you and you have a clean good signal that you can play with.
The initial process is slow but worth the effort, and once you have =20
that sound you can reproduce it consistantly and once you get to know =20
your microphones you can reasonably predict how a mic will colour the =20
sound of a given instrument.
I don't have a lot of really expensive mics or instruments but I like =20
to think that I'm learning to make the most of the tools I have.

Paul Haslem,
Ontario, Canada
www.dulcify.ca






Quoting Raul Bonell <raul.bonell@gmail.com>:

> agree. that's the point. feeding a better signal to your DAW. always
> there's room for improvement, even at home.
>
> 2009/6/4, Jeff Duke <jeff_d@embarqmail.com>:
>> There was music before computers? :)
>> Really I am thinking that I need to work on improving the audio I am feed=
ing
>> into my DAW. Unless I can find a turd polishing plugin :)
>> If I have a boomy sound why not fix it before recording etc and so on. I =
am
>> still trying to grasp audio mastering but I get so confused...slowly I go=
.

From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 23:48:19 2009
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Date: Fri, 5 Jun 2009 08:48:12 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech3@m3ch.net>
Subject: Re: Any experienced Ableton users able to give me a hand?
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At 6:14 PM +0100 6/4/09, Simeon Harris wrote:
>now that's sparked my interest....i'd like ot be able to send one pc 
>message from my footcontroller and have a midi clip send a bunch of 
>commands to the mixer to change the "send" values...and perhaps send 
>some pc messages to those plugins that can deal with them to change 
>patches
>
>unfortunately, i have absolutely no idea how to do it!
>
>just looked at the manual and figured out how to create a new midi 
>clip - looked at it's clip view and i see you can select "mixer" for 
>the destination of the midi. but what do you draw in the big panel 
>on the right?
>
>sorry mate, i've a livedunce!

Nope, no problem, Sim.  You just have to get a little time to work with it.

First, it sounds like you're operating on an Audio Track.  We need to 
work with a MIDI track, so go to the "Create" menu and choose "Insert 
MIDI Track".

Before going any further, go to the I/O section of the new MIDI 
Track.  There's a trick here we need to implement.  You see, Ableton 
doesn't implement internal MIDI routing, but we can get around that 
by using a Loopback.  On Mac, you'll use the internal IAC Bus.  On 
PC, it's a little harder only because you'll need to install 
something like Hubi's Loopback Device.  Since I remember your 
mentioning AU's, I'll assume that you're on a Mac, and continue 
through that.

One the I/O portion of the channel strip, click the pulldown menu for 
"MIDI To".  Switch this to "IAC Driver".  That should also activate 
the pulldown directly below it, where you can choose the MIDI channel 
on which you want to transmit.  For the sake of simplicity, let's 
select "Channel 1" for the moment.  Make sure that the "Monitor" 
button is set to "Auto" too.

Now double-click on an empty slot in order to create a new blank 
track.  It should open right up for editing immediately upon 
creation.  Down at the lower left corner, you'll see 3 tiny buttons: 
An "L", two eighth notes, and an "E".  These control the "Launch", 
"Notes", and "Envelopes" panes, respectively.

For Continuous Controller information, we should be looking at the 
"Envelopes" pane.  Click the pulldown in the upper left of this pane, 
and make sure it's set to "MIDI Ctrl".  Now click the pulldown 
directly under it.  Here, you can select a MIDI CC with which you 
want to work.  IIRC, something like Controller 15 or 16 is usually 
fairly safe, so pick one of those.

Now, go over to the data window on the right.  You should be in "Draw 
Mode", meaning that the little pencil on the transport control bar at 
the top of the page should be lit up.  If it's not, either click that 
button, or CTRL-Click (PC: Right Click) on the data pane.  If 
CTRL-Clicking, you'll see a bunch of quantize values (which are handy 
for later, after you've gotten the hang of this) and an option for 
"Draw Mode" at the bottom of the menu.

Okay, start drawing in some controller data.  We'll wait here until 
you're finished....

Got it?  Good.

You've now made your first MIDI clip.  All that remains is to connect 
the controller you selected to the parameter that you want to 
control.  Go up and click the "MIDI" button on the top bar next to 
the CPU Usage meter.  The whole screen should go kinda blue.  Now 
pick the parameter that you want to be controlled -- let's say, Send 
"A" on Track #1.  Click that knob.

Go to your MIDI controller and send a message on the same CC as the 
one you drew on your new MIDI clip.  You should automatically get an 
entry into the MIDI Bindings menu (now on the left of the screen) 
which reflects your new assignment.

Oh, but sending that message from a controller is inconvenient right 
now, you say?  No problem, do this:

First exit MIDI Bindings mode (click the "MIDI" button next to the 
CPU meter so that it's off).  Now play your new MIDI clip.  Re-enter 
MIDI Bindings mode while the clip is still playing.  Repeat the above 
procedure.  Live should hear the MIDI data coming out of the MIDI 
Clip, and you should have a new event placed on the screen, linked to 
Track #1's Send "A" knob.

When you exit this mode again, you should now see the Send "A" knob 
moving back and forth in conjunction with the data you programmed 
into the Clip.  If you want to stop the automation, just stop the 
clip.

Okay, I'll stop there for the moment, and let you try that.  Let me 
know how it goes, okay?

	--m.
-- 
_____
"Image is blasphemy. Text is heresy. The spoken word is a lie."
	 X  <--- you are here.

From Loopers-Delight-request@loopers-delight.com  Thu Jun  4 23:48:51 2009
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From: Mech <mech@m3ch.net>
Subject: Re: Any experienced Ableton users able to give me a hand?
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At 6:14 PM +0100 6/4/09, Simeon Harris wrote:
>now that's sparked my interest....i'd like ot be able to send one pc 
>message from my footcontroller and have a midi clip send a bunch of 
>commands to the mixer to change the "send" values...and perhaps send 
>some pc messages to those plugins that can deal with them to change 
>patches
>
>unfortunately, i have absolutely no idea how to do it!
>
>just looked at the manual and figured out how to create a new midi 
>clip - looked at it's clip view and i see you can select "mixer" for 
>the destination of the midi. but what do you draw in the big panel 
>on the right?
>
>sorry mate, i've a livedunce!

Nope, no problem, Sim.  You just have to get a little time to work with it.

First, it sounds like you're operating on an Audio Track.  We need to 
work with a MIDI track, so go to the "Create" menu and choose "Insert 
MIDI Track".

Before going any further, go to the I/O section of the new MIDI 
Track.  There's a trick here we need to implement.  You see, Ableton 
doesn't implement internal MIDI routing, but we can get around that 
by using a Loopback.  On Mac, you'll use the internal IAC Bus.  On 
PC, it's a little harder only because you'll need to install 
something like Hubi's Loopback Device.  Since I remember your 
mentioning AU's, I'll assume that you're on a Mac, and continue 
through that.

One the I/O portion of the channel strip, click the pulldown menu for 
"MIDI To".  Switch this to "IAC Driver".  That should also activate 
the pulldown directly below it, where you can choose the MIDI channel 
on which you want to transmit.  For the sake of simplicity, let's 
select "Channel 1" for the moment.  Make sure that the "Monitor" 
button is set to "Auto" too.

Now double-click on an empty slot in order to create a new blank 
track.  It should open right up for editing immediately upon 
creation.  Down at the lower left corner, you'll see 3 tiny buttons: 
An "L", two eighth notes, and an "E".  These control the "Launch", 
"Notes", and "Envelopes" panes, respectively.

For Continuous Controller information, we should be looking at the 
"Envelopes" pane.  Click the pulldown in the upper left of this pane, 
and make sure it's set to "MIDI Ctrl".  Now click the pulldown 
directly under it.  Here, you can select a MIDI CC with which you 
want to work.  IIRC, something like Controller 15 or 16 is usually 
fairly safe, so pick one of those.

Now, go over to the data window on the right.  You should be in "Draw 
Mode", meaning that the little pencil on the transport control bar at 
the top of the page should be lit up.  If it's not, either click that 
button, or CTRL-Click (PC: Right Click) on the data pane.  If 
CTRL-Clicking, you'll see a bunch of quantize values (which are handy 
for later, after you've gotten the hang of this) and an option for 
"Draw Mode" at the bottom of the menu.

Okay, start drawing in some controller data.  We'll wait here until 
you're finished....

Got it?  Good.

You've now made your first MIDI clip.  All that remains is to connect 
the controller you selected to the parameter that you want to 
control.  Go up and click the "MIDI" button on the top bar next to 
the CPU Usage meter.  The whole screen should go kinda blue.  Now 
pick the parameter that you want to be controlled -- let's say, Send 
"A" on Track #1.  Click that knob.

Go to your MIDI controller and send a message on the same CC as the 
one you drew on your new MIDI clip.  You should automatically get an 
entry into the MIDI Bindings menu (now on the left of the screen) 
which reflects your new assignment.

Oh, but sending that message from a controller is inconvenient right 
now, you say?  No problem, do this:

First exit MIDI Bindings mode (click the "MIDI" button next to the 
CPU meter so that it's off).  Now play your new MIDI clip.  Re-enter 
MIDI Bindings mode while the clip is still playing.  Repeat the above 
procedure.  Live should hear the MIDI data coming out of the MIDI 
Clip, and you should have a new event placed on the screen, linked to 
Track #1's Send "A" knob.

When you exit this mode again, you should now see the Send "A" knob 
moving back and forth in conjunction with the data you programmed 
into the Clip.  If you want to stop the automation, just stop the 
clip.

Okay, I'll stop there for the moment, and let you try that.  Let me 
know how it goes, okay?

	--m.
-- 
_____
"Image is blasphemy. Text is heresy. The spoken word is a lie."
	 X  <--- you are here.

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Date: Thu, 4 Jun 2009 16:59:59 -0700
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Subject: Re: Any experienced Ableton users able to give me a hand?
From: Mark Sottilaro <zerocrossing@gmail.com>
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It doesn't?  I route MIDI between plug ins all the time.

On Thu, Jun 4, 2009 at 4:48 PM, Mech <mech3@m3ch.net> wrote:

> Before going any further, go to the I/O section of the new MIDI Track.
> =A0There's a trick here we need to implement. =A0You see, Ableton doesn't
> implement internal MIDI routing, but we can get around that by using a
> Loopback.

From Loopers-Delight-request@loopers-delight.com  Fri Jun  5 04:10:37 2009
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To: <boisemusicians@yahoogroups.com>,
	<krispenhartung@yahoogroups.com>,
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Subject: FreeWave: It's all about guitarists
Date: Thu, 4 Jun 2009 22:10:33 -0600
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Check out the playlist for the new RadioBoise.org program "FreeWave".

http://radio-boise-freewave.blogspot.com/

Saturday, June 6, 1-3pm MST, and it's all about guitarists. Check out =
the playlist below and join us on RadioBoise.org to listen.

Kris



Play List

Artist(s): Surrender to the Air
Song: And Furthermore
Album: Surrender to the air
More info

Artist(s): Nels Cline And Gregg Bendian
Song: Venus
Album: Interstellar Space Revisited (The Music of John Coltrane)
More info=20

Artist(s): Terje Rypdal
Song: Circles
Album: Descendre
More info=20

Artist(s): John Abercombie
Song: Shrubberies
Album: In the Moment
More info=20

Artist(s): Joe Morris Quartet
Song: Coil
Album: At the Old Office
More info=20

Artist(s): Jim McAuley
Song: The Eyelids of Bhudda
Album: 2008 Boise Experimental Music Festival
More info=20

Artist(s): Pat Metheny and Ornette Coleman
Song: Endangered Species
Album: Song X=20
More info=20

Artist(s): John McLaughlin
Song: The Promise
Album: Jazz Jungle=20
More info=20

Kris Hartung
info@krispenhartung.com
http://www.krispenhartung.com/personal/
208-724-5603
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16825" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Check out the playlist for the new =
RadioBoise.org=20
program "FreeWave".</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://radio-boise-freewave.blogspot.com/">http://radio-boise-fre=
ewave.blogspot.com/</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Saturday, June 6, 1-3pm MST, and it's =
all about=20
guitarists. Check out the playlist below and join us on RadioBoise.org =
to=20
listen.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;</DIV>
<DIV><BR><BR><STRONG>Play List</STRONG><BR><BR>Artist(s): Surrender to =
the=20
Air<BR>Song: And Furthermore<BR>Album: Surrender to the air<BR><A=20
href=3D"http://www.treyanastasio.com/bands/STTA.html"><FONT =
color=3D#aa77aa>More=20
info</FONT></A><BR><BR>Artist(s): Nels Cline And Gregg Bendian<BR>Song:=20
Venus<BR>Album: Interstellar Space Revisited (The Music of John =
Coltrane)<BR><A=20
href=3D"http://www.allmusic.com/cg/amg.dll?p=3Damg&amp;sql=3D10:wpftxqlkl=
d6e"><FONT=20
color=3D#aa77aa>More info</FONT></A> <BR><BR>Artist(s): Terje =
Rypdal<BR>Song:=20
Circles<BR>Album: Descendre<BR><A=20
href=3D"http://www.ecmrecords.com/Catalogue/ECM/1100/1144.php?lvredir=3D7=
12&amp;catid=3D0&amp;doctype=3DCatalogue&amp;order=3Dreleasedate&amp;we_s=
earch=3D%2BDescendre&amp;rubchooser=3D301&amp;mainrubchooser=3D3"><FONT=20
color=3D#aa77aa>More info</FONT></A> <BR><BR>Artist(s): John =
Abercombie<BR>Song:=20
Shrubberies<BR>Album: In the Moment<BR><A=20
href=3D"http://www.ecmrecords.com/Catalogue/ECM/1500/1574.php?lvredir=3D7=
12&amp;catid=3D0&amp;doctype=3DCatalogue&amp;order=3Dreleasedate&amp;we_s=
earch=3D%2BIn+%2Bthe+%2BMoment&amp;rubchooser=3D301&amp;mainrubchooser=3D=
3"><FONT=20
color=3D#aa77aa>More info</FONT></A> <BR><BR>Artist(s): Joe Morris=20
Quartet<BR>Song: Coil<BR>Album: At the Old Office<BR><A=20
href=3D"http://www.allmusic.com/cg/amg.dll?p=3Damg&amp;sql=3D10:0bfexq9kl=
dte"><FONT=20
color=3D#aa77aa>More info</FONT></A> <BR><BR>Artist(s): Jim =
McAuley<BR>Song: The=20
Eyelids of Bhudda<BR>Album: 2008 Boise Experimental Music Festival<BR><A =

href=3D"http://www.boisemusicians.com/BEMF-3/cd.htm"><FONT =
color=3D#aa77aa>More=20
info</FONT></A> <BR><BR>Artist(s): Pat Metheny and Ornette =
Coleman<BR>Song:=20
Endangered Species<BR>Album: Song X <BR><A=20
href=3D"http://www.allaboutjazz.com/php/article.php?id=3D18547"><FONT=20
color=3D#aa77aa>More info</FONT></A> <BR><BR>Artist(s): John =
McLaughlin<BR>Song:=20
The Promise<BR>Album: Jazz Jungle <BR><A=20
href=3D"http://www.vervemusicgroup.com/artist/releases/default.aspx?pid=3D=
10203&amp;aid=3D2877"><FONT=20
color=3D#aa77aa>More info</FONT></A> </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris Hartung<BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A><BR><A=
=20
href=3D"http://www.krispenhartung.com/personal/">http://www.krispenhartun=
g.com/personal/</A><BR>208-724-5603</FONT></DIV></BODY></HTML>

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Date: Fri, 5 Jun 2009 13:24:23 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Any experienced Ableton users able to give me a hand?
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At 4:59 PM -0700 6/4/09, Mark Sottilaro wrote:
>On Thu, Jun 4, 2009 at 4:48 PM, Mech <mech3@m3ch.net> wrote:
>
>>  Before going any further, go to the I/O section of the new MIDI Track.
>>   There's a trick here we need to implement.  You see, Ableton doesn't
>>  implement internal MIDI routing, but we can get around that by using a
>  > Loopback.
>
>It doesn't?  I route MIDI between plug ins all the time.

Er, to Ableton's internal functions...?

Sorry.  You're right.  If you're sending data directly to an AU/VST 
which responds to MIDI, then you don't have to go through this step.

More often, I'm trying to control things within Ableton itself 
(faders, send/return levels, etc.) and you do this loopback trick to 
route MIDI control directly to Live's parameters.

Unless you've come across another way around this I haven't figured out yet?

Thanks for the amendment.

	--m.
-- 
_____
"take one step outside yourself. the whole path lasts no longer than 
one step..."

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Subject: OT: MIDI to DMX?
From: "^|>^m" <will.it.go.round@gmail.com>
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I'm curious if anybody uses a sequencer to control lights during a
performance?  If so, can you recommend a MIDI to DMX interface (or any other
method)? Adam

http://www.cinetix.de/interface/english/midmxbox.htm

http://www.lanbox.com/products/LCXDataSheet.html

http://www.thomann.de/gb/stairville_djx_16_dmx_controller.htm
this one is also a controller - looks like the best one

http://www.premier-solutions.biz/NJD-Products/MDC-128.htm

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I&#39;m curious if anybody uses a sequencer to control lights during a perf=
ormance?=A0 If so, can you recommend a MIDI to DMX interface (or any other =
method)? Adam<br><br><a href=3D"http://www.cinetix.de/interface/english/mid=
mxbox.htm">http://www.cinetix.de/interface/english/midmxbox.htm<br>
</a><br><a href=3D"http://www.lanbox.com/products/LCXDataSheet.html">http:/=
/www.lanbox.com/products/LCXDataSheet.html</a><br><a href=3D"http://www.tho=
mann.de/gb/stairville_djx_16_dmx_controller.htm"><br>http://www.thomann.de/=
gb/stairville_djx_16_dmx_controller.htm</a><br>
this one is also a controller - looks like the best one<br><br><a href=3D"h=
ttp://www.premier-solutions.biz/NJD-Products/MDC-128.htm">http://www.premie=
r-solutions.biz/NJD-Products/MDC-128.htm<br></a><br><br>

--0016e68b6b2f702018046b928d55--

From Loopers-Delight-request@loopers-delight.com  Fri Jun  5 04:55:12 2009
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Date: Thu, 4 Jun 2009 21:55:10 -0700
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Subject: Re: Any experienced Ableton users able to give me a hand?
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Ah, I don't know about that but I thought live was good about midi
learn.  I've seen people do pretty amazing things with Live and a midi
keyboard... I'm using a Novation Remote SL 25 so all that's taken care
of.

On Thu, Jun 4, 2009 at 9:24 PM, Mech <mech@m3ch.net> wrote:
> At 4:59 PM -0700 6/4/09, Mark Sottilaro wrote:
>>
>> On Thu, Jun 4, 2009 at 4:48 PM, Mech <mech3@m3ch.net> wrote:
>>
>>> =A0Before going any further, go to the I/O section of the new MIDI Trac=
k.
>>> =A0There's a trick here we need to implement. =A0You see, Ableton doesn=
't
>>> =A0implement internal MIDI routing, but we can get around that by using=
 a
>>
>> =A0> Loopback.
>>
>> It doesn't? =A0I route MIDI between plug ins all the time.
>
> Er, to Ableton's internal functions...?
>
> Sorry. =A0You're right. =A0If you're sending data directly to an AU/VST w=
hich
> responds to MIDI, then you don't have to go through this step.
>
> More often, I'm trying to control things within Ableton itself (faders,
> send/return levels, etc.) and you do this loopback trick to route MIDI
> control directly to Live's parameters.
>
> Unless you've come across another way around this I haven't figured out y=
et?
>
> Thanks for the amendment.
>
> =A0 =A0 =A0 =A0--m.
> --
> _____
> "take one step outside yourself. the whole path lasts no longer than one
> step..."
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jun  5 05:17:16 2009
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Date: Thu, 4 Jun 2009 23:17:16 -0600
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Subject: Re: EDP and Logic Glitches
From: "^|>^m" <will.it.go.round@gmail.com>
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I'm not as technically savvy as previous opines, but I had an EDP glitch
caused by a program change on a completely separate ext midi channel before.
That was weird and unexplainable, but I delete the p change (wasn't using
it) and the problem went away (for that song).

I also noticed in one song if my general reset messages were not on the 1
beat then sometimes my sync would be off (rounded to the next downbeat after
1 i.e. 2).  Does that seem possible?

I am using 8th note so I put all my record on off messages right before the
downbeat.  I've noticed that on a few occasions a record will be missed.

Sometimes I would move the note over a few frames and it would hit every
time - again, I am quantized to 8th note (pre delay method), so that wont
work for you.  sometimes I feel like just doing something like deleting the
region in question, or even note in question and recreating it might help.
Or adding an extra bar at the beginning of the song.  Doesn't make sense,
but neither do I most of the time and I seem to be doing OK in life. Adam

--0016e645b8067cd366046b930150
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I&#39;m not as technically savvy as previous opines, but I had an EDP glitc=
h caused by a program change on a completely separate ext midi channel befo=
re. That was weird and unexplainable, but I delete the p change (wasn&#39;t=
 using it) and the problem went away (for that song).<br>
<br>I also noticed in one song if my general reset messages were not on the=
 1 beat then sometimes my sync would be off (rounded to the next downbeat a=
fter 1 i.e. 2).=A0 Does that seem possible? <br><br>I am using 8th note so =
I put all my record on off messages right before the downbeat.=A0 I&#39;ve =
noticed that on a few occasions a record will be missed.<br>
<br>Sometimes I would move the note over a few frames and it would hit ever=
y time - again, I am quantized to 8th note (pre delay method), so that wont=
 work for you.=A0 sometimes I feel like just doing something like deleting =
the region in question, or even note in question and recreating it might he=
lp.=A0 Or adding an extra bar at the beginning of the song.=A0 Doesn&#39;t =
make sense, but neither do I most of the time and I seem to be doing OK in =
life. Adam<br>

--0016e645b8067cd366046b930150--

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Subject: Re: OT: MIDI to DMX?
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You might try pinging these guys to see if they are going to make 
their software available - or if it even uses MIDI:
http://www.lightupxmas.com/howwedidit.html



At 2009.06.04 09:44 PM, ^|>^m wrote:
>I'm curious if anybody uses a sequencer to control lights during a 
>performance?  If so, can you recommend a MIDI to DMX interface (or 
>any other method)? Adam
>
><http://www.cinetix.de/interface/english/midmxbox.htm>http://www.cinetix.de/interface/english/midmxbox.htm
>
>http://www.lanbox.com/products/LCXDataSheet.html
>
>http://www.thomann.de/gb/stairville_djx_16_dmx_controller.htm
>this one is also a controller - looks like the best one
>
><http://www.premier-solutions.biz/NJD-Products/MDC-128.htm>http://www.premier-solutions.biz/NJD-Products/MDC-128.htm
>

--=====================_18893265==.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<body>
You might try pinging these guys to see if they are going to make their
software available - or if it even uses MIDI:<br>
<a href="http://www.lightupxmas.com/howwedidit.html" eudora="autourl">
http://www.lightupxmas.com/howwedidit.html</a><br><br>
<br><br>
At 2009.06.04 09:44 PM, ^|&gt;^m wrote:<br>
<blockquote type=cite class=cite cite="">I'm curious if anybody uses a
sequencer to control lights during a performance?&nbsp; If so, can you
recommend a MIDI to DMX interface (or any other method)? Adam<br><br>
<a href="http://www.cinetix.de/interface/english/midmxbox.htm">
http://www.cinetix.de/interface/english/midmxbox.htm<br>
</a><br>
<a href="http://www.lanbox.com/products/LCXDataSheet.html" eudora="autourl">
http://www.lanbox.com/products/LCXDataSheet.html</a><br>
<a href="http://www.thomann.de/gb/stairville_djx_16_dmx_controller.htm" eudora="autourl">
<br>
</a>
<a href="http://www.thomann.de/gb/stairville_djx_16_dmx_controller.htm" eudora="autourl">
http://www.thomann.de/gb/stairville_djx_16_dmx_controller.htm</a><br>
this one is also a controller - looks like the best one<br><br>
<a href="http://www.premier-solutions.biz/NJD-Products/MDC-128.htm">
http://www.premier-solutions.biz/NJD-Products/MDC-128.htm<br>
</a><br>
</blockquote></body>
</html>

--=====================_18893265==.ALT--

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Date: Fri, 5 Jun 2009 10:21:56 +0200
Message-ID: <146cdfa70906050121n20b2f277he31e35e8a95da537@mail.gmail.com>
Subject: Re: Antwerp Loopfest - video
From: Marco Ronci <m.ronci@gmail.com>
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2009/6/4 Sjaak <>

> We'll be leaving to Rome tomorrow night, we'll keep you posted.
> ---
> Sjaak
>  <http://euroloopfest.com/>
>

Sjaak, (+ all the performers)
see you saturday at the club.

Ciao
Marco

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<br><br><div class="gmail_quote">2009/6/4 Sjaak <span dir="ltr">&lt;&gt;</span><br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
We&#39;ll be leaving to Rome tomorrow night, we&#39;ll keep you posted.<br>
<div><div></div><div class="h5">---<br>
Sjaak<br>
<a href="http://euroloopfest.com/" target="_blank"></a></div></div></blockquote></div><br>Sjaak, (+ all the performers)<br>see you saturday at the club.<br><br>Ciao<br>Marco<br>

--001485f7cc72ede952046b959557--

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Subject: Re: Any experienced Ableton users able to give me a hand?
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brilliant...thanks mate...i would have never figured that out by myself!

i'll give it a go later on today and let you know how i get on

so is it possible to play a midi clip by sending it a pc message? i see you
can either loop the clip or have a one shot....one step at a time, i guess!

sim

On Fri, Jun 5, 2009 at 12:48 AM, Mech <mech3@m3ch.net> wrote:

>
> Nope, no problem, Sim.  You just have to get a little time to work with it.
>
> First, it sounds like you're operating on an Audio Track.  We need to work
> with a MIDI track, so go to the "Create" menu and choose "Insert MIDI
> Track".
>
etc...

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brilliant...thanks mate...i would have never figured that out by myself!<br=
><br>i&#39;ll give it a go later on today and let you know how i get on<br>=
<br>so is it possible to play a midi clip by sending it a pc message? i see=
 you can either loop the clip or have a one shot....one step at a time, i g=
uess!<br>
<br>sim<br><br><div class=3D"gmail_quote">On Fri, Jun 5, 2009 at 12:48 AM, =
Mech <span dir=3D"ltr">&lt;<a href=3D"mailto:mech3@m3ch.net">mech3@m3ch.net=
</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border=
-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-lef=
t: 1ex;">
<div class=3D"im"><br></div>
Nope, no problem, Sim. =A0You just have to get a little time to work with i=
t.<br>
<br>
First, it sounds like you&#39;re operating on an Audio Track. =A0We need to=
 work with a MIDI track, so go to the &quot;Create&quot; menu and choose &q=
uot;Insert MIDI Track&quot;.<br>
</blockquote><div>etc... <br></div></div><br>

--001485f5cdc2167aaa046b9616b2--

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Dean, Hal wrote:
> Very interesting discussion. The MIDI message triggering a batch of 
> other MIDI messages thing is something I’ve been doing in Bidule, where 
> it is very easy to do. 

How?

(please)

andy

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^|>^m wrote:
> I'm not as technically savvy as previous opines, but I had an EDP glitch 
> caused by a program change on a completely separate ext midi channel 
> before. That was weird and unexplainable, but I delete the p change 
> (wasn't using it) and the problem went away (for that song).
> 
> I also noticed in one song if my general reset messages were not on the 
> 1 beat then sometimes my sync would be off (rounded to the next downbeat 
> after 1 i.e. 2).  Does that seem possible?
> 

yes, because the EDP gets the message fractionally after the beat and
quantises to the next one.

Interestingly, when you end a multiply the edp is able to 
compensate for a slightly late press, but most features 
don't have that. 

andy

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> Sjaak, (+ all the performers)
> see you saturday at the club.
> 
> Ciao
> Marco

Cu saturday :)

PS I've uploaded my Firenze performance to my iTunes podcast. You can als=
o download it 

http://euroloopfest.com/sjaak/podcast/Firenze_20090603.mp3 
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/



__________________________________
Scarlet schrapt download limiet!
Scarlet NO LIMIT nu slechts 19,95 EUR 
Ga naar www.scarlet.be voor meer info!

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- 1 day left to the Internationale Live Looping Festival "in Rome".
I'm so proud to host this event and it's getting more and more exciting =
after Antwerpen and Florence where we had a lot of good music and fun.

The entire festival will be audio and video recorded (as it was in =
Florence) by a good friend of mine who also will do interviews to the =
artists to make later a Live Looping documentary.

I'll upload pictures, music and video (form Antewerpen and Florence =
also) after the "in Rome" Live Looping Festival

If you nearby the venue (DimmiDiS=EC - via dei Volsci 126/B - Rome) you =
are welcome !

Cheers

Fabio=20
www.livelooping.it
www.eterogeneo.com
www.myspace.com/europeanliveloopingfestival
www.myspace.com/eterogeneo


------=_NextPart_000_006F_01C9E5D1.E3210F50
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16825" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>- 1 day left to the =
Internationale=20
Live Looping Festival "in Rome".</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I'm so proud to host =
this event and=20
it's getting more and more exciting after Antwerpen and Florence where =
we had a=20
lot of good music and fun.</FONT></DIV>
<DIV>&nbsp;</DIV></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>The entire festival =
will be audio=20
and video recorded (as it was in Florence) by a good friend of mine who =
also=20
will do interviews to the artists to make later a Live Looping=20
documentary.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I'll upload pictures, =
music and=20
video (form Antewerpen and Florence also) after the "in Rome" Live =
Looping=20
Festival</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>If you nearby the venue =
(DimmiDiS=EC=20
- via dei Volsci 126/B - Rome) you are welcome !</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Cheers</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio <BR><A=20
href=3D"http://www.livelooping.it/">www.livelooping.it</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.myspace.com/europeanliveloopingfestival">www.myspace.c=
om/europeanliveloopingfestival</A><BR><A=20
href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogeneo</A>=
<BR></DIV></FONT>
<DIV><FONT face=3D"Book Antiqua" =
color=3D#000080></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jun  5 13:16:14 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: Summer day, long one take improvisation in three phases, morning,
 working and evening. (adding KP3 to the Looping rig)
Date: Fri, 5 Jun 2009 13:16:13 +0000
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It's one LONG improvisation (live in the basement music room). The signal c=
hain is Soloway Cygnus into Custom By Cougar ODS style amp (OD and boost on=
 all the time. Amount of OD is controlled from the guitar..)=2C amp loop wi=
th "catulator"=2C Symetrix 606 delay and the EDP (echoplex digital pro) loo=
per=2C G12-65 speaker=2C Sennheiser 609=2C mixer (CHEAP)=2C Kaosspad KP3=2C=
 back to mixer to my KORG Pxr4 ....

So all sounds are made "live" one take no everdubs=2C just LOOPING. Most lo=
oping done with EDP but some live sampling looping on the KP3. KP3 is mostl=
y used to make.. NOISE =2C some "drum" like sounds and further alter the st=
ate of you're MIND :-)

It's best to go the my sundclick page and listen to all three parts... "Sum=
mer day" - phase 1=2C 2 and 3

www.soundclick.com/andersbergdahl

These are also free do download... Close you're eyes and LISTEN.. it's a fr=
ee trip.

Phase 1 is sort of ambient to noise...

Phase 2 more rhythm oriented and phase 3 a bit more relaxed=2C perhaps ambi=
ent

=20

Have a WONDERFUL weekend..

--_436eded1-39b2-464d-a40d-954ce8d7caaf_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
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}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
It's one LONG improvisation (live in the basement music room). The signal c=
hain is Soloway Cygnus into Custom By Cougar ODS style amp (OD and boost on=
 all the time. Amount of OD is controlled from the guitar..)=2C amp loop wi=
th "catulator"=2C Symetrix 606 delay and the EDP (echoplex digital pro) loo=
per=2C G12-65 speaker=2C Sennheiser 609=2C mixer (CHEAP)=2C Kaosspad KP3=2C=
 back to mixer to my KORG Pxr4 ....<BR>
So all sounds are made "live" one take no everdubs=2C just LOOPING. Most lo=
oping done with EDP but some live sampling looping on the KP3. KP3 is mostl=
y used to make.. NOISE =2C some "drum" like sounds and further alter the st=
ate of you're MIND :-)<BR>
It's best to go the my sundclick page and listen to all three parts... "Sum=
mer day" - phase 1=2C 2 and 3<BR>
<A href=3D"http://www.soundclick.com/andersbergdahl" target=3D_blank><FONT =
color=3D#0066cc>www.soundclick.com/andersbergdahl</FONT></A><BR>
These are also free do download... Close you're eyes and LISTEN.. it's a fr=
ee trip.<BR>
Phase 1 is sort of ambient to noise...<BR>
Phase 2 more rhythm oriented and phase 3 a bit more relaxed=2C perhaps ambi=
ent<BR>
&nbsp=3B<BR>
Have a WONDERFUL weekend..<BR></body>
</html>=

--_436eded1-39b2-464d-a40d-954ce8d7caaf_--

From Loopers-Delight-request@loopers-delight.com  Fri Jun  5 14:19:10 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: FreeWave: It's all about guitarists
Date: Fri, 5 Jun 2009 07:19:04 -0700
To: Loopers-Delight@loopers-delight.com
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Kris,

Sounds like a great show.

Heheh, with the exception of Joe Morris, it sounds like you record=20
collection must be much like mine.

I have every single tune (and album) mentioned and was there to see Jim=20=

Mcauley in the flesh as well.

What a great lineup.

Cheers,

Ted


On Jun 4, 2009, at 9:10 PM, Krispen Hartung wrote:

> Check out the playlist for the new RadioBoise.org program "FreeWave".
> =A0
> http://radio-boise-freewave.blogspot.com/
> =A0
> Saturday, June 6, 1-3pm MST, and it's all about guitarists. Check out=20=

> the playlist below and join us on RadioBoise.org to listen.
> =A0
> Kris
> =A0
> Play List
>
> Artist(s): Surrender to the Air
> Song: And Furthermore
> Album: Surrender to the air
> More info
>
> Artist(s): Nels Cline And Gregg Bendian
> Song: Venus
> Album: Interstellar Space Revisited (The Music of John Coltrane)
> More info
>
> Artist(s): Terje Rypdal
> Song: Circles
> Album: Descendre
> More info
>
> Artist(s): John Abercombie
> Song: Shrubberies
> Album: In the Moment
> More info
>
> Artist(s): Joe Morris Quartet
> Song: Coil
> Album: At the Old Office
> More info
>
> Artist(s): Jim McAuley
> Song: The Eyelids of Bhudda
> Album: 2008 Boise Experimental Music Festival
> More info
>
> Artist(s): Pat Metheny and Ornette Coleman
> Song: Endangered Species
> Album: Song X
> More info
>
> Artist(s): John McLaughlin
> Song: The Promise
> Album: Jazz Jungle
> More info
> =A0
> Kris Hartung
> info@krispenhartung.com
> http://www.krispenhartung.com/personal/
> 208-724-5603=

From Loopers-Delight-request@loopers-delight.com  Fri Jun  5 14:24:52 2009
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Subject: Re: FreeWave: It's all about guitarists
Date: Fri, 5 Jun 2009 08:24:49 -0600
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Cool. I always thought it was interesting that our collections were so 
similar.
Kris

----- Original Message ----- 


Kris,

Sounds like a great show.

Heheh, with the exception of Joe Morris, it sounds like you record
collection must be much like mine.

I have every single tune (and album) mentioned and was there to see Jim
Mcauley in the flesh as well.

What a great lineup.

Cheers,

Ted


On Jun 4, 2009, at 9:10 PM, Krispen Hartung wrote:

> Check out the playlist for the new RadioBoise.org program "FreeWave".
>
> http://radio-boise-freewave.blogspot.com/
>
> Saturday, June 6, 1-3pm MST, and it's all about guitarists. Check out the 
> playlist below and join us on RadioBoise.org to listen.
>
> Kris
>
> Play List
>
> Artist(s): Surrender to the Air
> Song: And Furthermore
> Album: Surrender to the air
> More info
>
> Artist(s): Nels Cline And Gregg Bendian
> Song: Venus
> Album: Interstellar Space Revisited (The Music of John Coltrane)
> More info
>
> Artist(s): Terje Rypdal
> Song: Circles
> Album: Descendre
> More info
>
> Artist(s): John Abercombie
> Song: Shrubberies
> Album: In the Moment
> More info
>
> Artist(s): Joe Morris Quartet
> Song: Coil
> Album: At the Old Office
> More info
>
> Artist(s): Jim McAuley
> Song: The Eyelids of Bhudda
> Album: 2008 Boise Experimental Music Festival
> More info
>
> Artist(s): Pat Metheny and Ornette Coleman
> Song: Endangered Species
> Album: Song X
> More info
>
> Artist(s): John McLaughlin
> Song: The Promise
> Album: Jazz Jungle
> More info
>
> Kris Hartung
> info@krispenhartung.com
> http://www.krispenhartung.com/personal/
> 208-724-5603

From Loopers-Delight-request@loopers-delight.com  Fri Jun  5 14:40:36 2009
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	 <641CEFFC7E5B6C42AB59539653FD08230EE6D4BF@wcu-ex-emp2.PASSHE.LCL>
	 <4A28E1FE.3090103@tiscali.co.uk>
Date: Fri, 5 Jun 2009 15:40:33 +0100
Message-ID: <d302e3570906050740jced2b5ev3e9eee755339cf42@mail.gmail.com>
Subject: Re: Any experienced Ableton users able to give me a hand?
From: Simeon Harris <simeonharris40@googlemail.com>
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--0016363b9d12f65845046b9adf7f
Content-Type: text/plain; charset=windows-1252
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yes, id be interested in this as well - which bidule is it?

On Fri, Jun 5, 2009 at 10:14 AM, andy butler <akbutler@tiscali.co.uk> wrote=
:

> Dean, Hal wrote:
>
>> Very interesting discussion. The MIDI message triggering a batch of othe=
r
>> MIDI messages thing is something I=92ve been doing in Bidule, where it i=
s very
>> easy to do.
>>
>
> How?
>
> (please)
>
> andy
>
>

--0016363b9d12f65845046b9adf7f
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

yes, id be interested in this as well - which bidule is it?<br><br><div cla=
ss=3D"gmail_quote">On Fri, Jun 5, 2009 at 10:14 AM, andy butler <span dir=
=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.=
uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>Dean, Hal wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Very interesting discussion. The MIDI message triggering a batch of other M=
IDI messages thing is something I=92ve been doing in Bidule, where it is ve=
ry easy to do. <br>
</blockquote>
<br></div>
How?<br>
<br>
(please)<br><font color=3D"#888888">
<br>
andy<br>
<br>
</font></blockquote></div><br>

--0016363b9d12f65845046b9adf7f--

From Loopers-Delight-request@loopers-delight.com  Fri Jun  5 14:48:15 2009
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Date: Fri, 5 Jun 2009 23:48:09 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Any experienced Ableton users able to give me a hand?
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At 9:55 PM -0700 6/4/09, Mark Sottilaro wrote:
>Ah, I don't know about that but I thought live was good about midi
>learn.  I've seen people do pretty amazing things with Live and a midi
>keyboard... I'm using a Novation Remote SL 25 so all that's taken care
>of.

As you said, Live is brilliant about MIDI learn.  Although when it 
came out, IMNSHO, it had two priorities: route devices like the 
Remote SL25 into VST's hosted by Live, and route MIDI clips into 
third-party devices (either VST/AU or external hardware.

I don't think it occurred to Ableton that MIDI could/should be sent 
from Live back into itself in order to control and automate its own 
functions.  But that's a really, really, cool and useful tool that 
you can use clips for, if you just loop the input back again.

	--m.
-- 
_____
"when you think your dreams are shattered, it's time to dream new dreams"

From Loopers-Delight-request@loopers-delight.com  Fri Jun  5 14:49:42 2009
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Date: Fri, 5 Jun 2009 23:49:38 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Any experienced Ableton users able to give me a hand?
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At 9:57 AM +0100 6/5/09, Simeon Harris wrote:
>
>so is it possible to play a midi clip by sending it a pc message?

Eyup!  :)

>i see you can either loop the clip or have a one shot....one step at 
>a time, i guess!

Yeah, I was saving all that for the last part of the configuration.

First, get the MIDI clip working the way you want it to work.

Next step is easy.  Just assign a MIDI message (e.g. program change 
perhaps?) to fire the clip, the same way as you'd fire an Audio clip 
from such a message.

Select the MIDI Bindings button again.  This time, click on the MIDI 
clip you wish to fire.  Now send the program change you want to use 
to trigger that clip.  A new binding should now appear on the left 
side screen, reflecting the connection between your PC and firing the 
MIDI clip.

So when you now exit the MIDI Bindings mode, you should be able to 
fire the clip merely by sending that specific PC message on its 
specific MIDI channel.

Some other thoughts, caveats:

Don't forget that the clips (usually) fire according to the quantize 
value.  That means that if the quantize is set for one bar, the clip 
will wait until the bar boundary to fire.  This may be useful (stack 
up a bunch of individual clips that wait and then all fire off at the 
start of a bar, for instance) or not ("why doesn't this @#$! button 
work right when I press it").  If you want to turn this behavior off, 
you could set the quantize value to "None".  This might cause 
problems with other clips, since that value is global, but you should 
be able to change the quantize value of an individual clip within its 
edit pane.

If you're working in Session view, you can only have one clip playing 
in each vertical column at a time.  However, you can have multiple 
clips playing in a left-right row.  As a matter of fact, if you click 
one of the clip slots under the Master track, it will fire every clip 
in that row at the next quantize boundary.  You should also be able 
to bind those Master slots to a MIDI command, so you could 
conceivably use a single PC command to initiate a half-dozen MIDI 
clips simultaneously.

If you wished, you could change the clips you're using on the fly by 
merely moving them in and out of different rows (while binding your 
Program Change to the row clip, rather than individual MIDI clips). 
This is especially nice while composing, since you can try different 
combinations of MIDI clips without having to redo their MIDI 
bindings, or mess around with reconfiguring your foot controller. 
Just swap different clips in or out of a row and fire it.

Okay, there's a little more food for thought.  Hope that helps a bit!

	--m.
-- 
_____
"take one step outside yourself. the whole path lasts no longer than 
one step..."

From Loopers-Delight-request@loopers-delight.com  Fri Jun  5 15:01:27 2009
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Subject: Re: Any experienced Ableton users able to give me a hand?
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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man, what a great thread, this is giving me so many ideas...  thanks everyone.
Sylvain

On 6/5/09, Mech <mech@m3ch.net> wrote:
> At 9:57 AM +0100 6/5/09, Simeon Harris wrote:
> >
> > so is it possible to play a midi clip by sending it a pc message?
> >
>
> Eyup!  :)
>
> > i see you can either loop the clip or have a one shot....one step at a
> time, i guess!
> >
>
> Yeah, I was saving all that for the last part of the configuration.
>
> First, get the MIDI clip working the way you want it to work.
>
> Next step is easy.  Just assign a MIDI message (e.g. program change
> perhaps?) to fire the clip, the same way as you'd fire an Audio clip from
> such a message.
>
> Select the MIDI Bindings button again.  This time, click on the MIDI clip
> you wish to fire.  Now send the program change you want to use to trigger
> that clip.  A new binding should now appear on the left side screen,
> reflecting the connection between your PC and firing the MIDI clip.
>
> So when you now exit the MIDI Bindings mode, you should be able to fire the
> clip merely by sending that specific PC message on its specific MIDI
> channel.
>
> Some other thoughts, caveats:
>
> Don't forget that the clips (usually) fire according to the quantize value.
> That means that if the quantize is set for one bar, the clip will wait until
> the bar boundary to fire.  This may be useful (stack up a bunch of
> individual clips that wait and then all fire off at the start of a bar, for
> instance) or not ("why doesn't this @#$! button work right when I press
> it").  If you want to turn this behavior off, you could set the quantize
> value to "None".  This might cause problems with other clips, since that
> value is global, but you should be able to change the quantize value of an
> individual clip within its edit pane.
>
> If you're working in Session view, you can only have one clip playing in
> each vertical column at a time.  However, you can have multiple clips
> playing in a left-right row.  As a matter of fact, if you click one of the
> clip slots under the Master track, it will fire every clip in that row at
> the next quantize boundary.  You should also be able to bind those Master
> slots to a MIDI command, so you could conceivably use a single PC command to
> initiate a half-dozen MIDI clips simultaneously.
>
> If you wished, you could change the clips you're using on the fly by merely
> moving them in and out of different rows (while binding your Program Change
> to the row clip, rather than individual MIDI clips). This is especially nice
> while composing, since you can try different combinations of MIDI clips
> without having to redo their MIDI bindings, or mess around with
> reconfiguring your foot controller. Just swap different clips in or out of a
> row and fire it.
>
> Okay, there's a little more food for thought.  Hope that helps a bit!
>
>
>        --m.
> --
> _____
> "take one step outside yourself. the whole path lasts no longer than one
> step..."
>
>

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test

From Loopers-Delight-request@loopers-delight.com  Fri Jun  5 22:13:12 2009
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Darn, and I forgot to study.

Bob

From Loopers-Delight-request@loopers-delight.com  Fri Jun  5 22:18:22 2009
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Subject: Re: test
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--00221532cb8832097d046ba145e1
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I've got a cheat sheet if you need one ...

~~Dennis

On Fri, Jun 5, 2009 at 4:13 PM, Bob Amstadt <bob@amstadt.com> wrote:

> Darn, and I forgot to study.
>
> Bob
>
>


-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--00221532cb8832097d046ba145e1
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I&#39;ve got a cheat sheet if you need one ... <br><br>~~Dennis<br><br><div=
 class=3D"gmail_quote">On Fri, Jun 5, 2009 at 4:13 PM, Bob Amstadt <span di=
r=3D"ltr">&lt;<a href=3D"mailto:bob@amstadt.com">bob@amstadt.com</a>&gt;</s=
pan> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Darn, and I forgo=
t to study.<br><font color=3D"#888888">
<br>
Bob<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//myspace.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://=
audiozoloft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsb=
in.angrek.com/">http://usrslashsbin.angrek.com/</a><br>


--00221532cb8832097d046ba145e1--

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Hi Jeff
I'm interested in getting a stereo looper with midi sync, preferably a
pedal, but not happy with those on the market.

I currently use a EHX SMMH and while it's a lot of fun and good at what
it does, there's no accurate way to set the tempo other than by tap or
analogue dial without any BPM readout which means it inevitably drifts
away from the timing of my other effects. =20
Midi sync is very important to me now.

With the 2880, because it doesn't have tap tempo, and the tempo fader
doesn't have an LED read out giving an accurate BPM, theres no choice
for me but to slave it to another midi sync source.
I've read reviews  saying that if you have the 2880 slaved to a midi
sync source, after recording the first loop when you immediately
overdub, the loop playback slows down and speeds up the first time
through which is simply unacceptable.  Another review said the same
thing, so you have to stop the 2880 before overdubbing, again
unacceptable.
What's your experience of the 2880 midi sync slaved?
Thanks in advance.
-- G.

>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: blech (pedal choices)
>From: "Jeff Duke" <jeff_d@embarqmail.com>
>Date: Thu, 4 Jun 2009 11:04:13 -0400
>
>The 2880 even with it's limitations is one looper I have never regreted=20
>getting. What it can do far outweighs what it can't.
>
>Jeff

From Loopers-Delight-request@loopers-delight.com  Sat Jun  6 08:19:17 2009
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be less than two hours from  now,
Saturday, June 6 at 6:00 am (EDT/GMT-4:00/ITZ-5:00).  I will continue
the special on Sequences Electronic Music Magazine's sampler CDs in
Phase 1.  I will los play music from the new Cluster album.

I alternate hosting the show with Bruce. When I am at the helm, the
show features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From Loopers-Delight-request@loopers-delight.com  Sat Jun  6 13:56:36 2009
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Subject: Re: blech (pedal choices)
Date: Sat, 6 Jun 2009 09:56:33 -0400
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>I'm interested in getting a stereo looper with midi sync, preferably a
>pedal, but not happy with those on the market.

Join the club here. I have 3 loopers DL 4, DD 20, and 2880. What they can do 
is what I have to focus on not what they can't. From reading here all 
loopers (should I say hardware? :)) have some wish lists and "if onlys" 
attached.

>I currently use a EHX SMMH and while it's a lot of fun and good at what
>it does, there's no accurate way to set the tempo other than by tap or
>analogue dial without any BPM readout which means it inevitably drifts
>away from the timing of my other effects.
>Midi sync is very important to me now.

What are you syncing to? In my experience even if you had a BPM readout on 
all loopers and fx they would drift apart. No two clocks are the same. I 
have read that the DD 20 is very stable and if you have 2 of them set the 
same they will stay together. I have not tried this however as I only have 
one. Great reviews here:
http://www.loopers-delight.com/tools/bossDD20/bossDD20.html
I never use it in looper mode. I use it in delay mode. Up to 23 sec of 
stereo delay is a great looper for me. There is a way to double that time in 
one of these reviews. I really want one more of these.

The DL 4 I mainly use for delay models because there is no feedback (fade) 
on the loop, although this can be simulated with the expression pedal.

>With the 2880, because it doesn't have tap tempo, and the tempo fader
>doesn't have an LED read out giving an accurate BPM, theres no choice
>for me but to slave it to another midi sync source.

Again what are you syncing to? I can tap in a loop that is pretty accurate 
for most uses.

>I've read reviews  saying that if you have the 2880 slaved to a midi
>sync source, after recording the first loop when you immediately
>overdub, the loop playback slows down and speeds up the first time
>through which is simply unacceptable.

This is not my experience. When synced to my Boss DR 670 it stays locked 
tight through all the overdubbing I do. It will drift if I put the 2880 in 
reverse while in slave to the Boss. Also if you stop the 2880 with the DR 
670 running  then start again it will not be in sync. I have to stop both 
with the DR. Of course you lose the octave down and fader tempo features in 
slave sync. I don't know how old that review you read was but there has been 
a software update that supposedly fixed some sync issues (but not all).

>Another review said the same
>thing, so you have to stop the 2880 before overdubbing, again
>unacceptable.

Again this is not my experience. I have never had that problem as long as 
the 2880 is in quantize mode. It syncs well as master or slave except for 
when throwing it into reverse while playing/overdubbing. I did do the 
software upgrade.

I hope others will come forward with more on this. There is quite a bit in 
the archives if you dig around. I rarely use the 2880 with a sync source. 
Only for practice and such nowdays. I use it as a standalone very long delay 
type looper and tap sync it. It works good enough for what I do. As I said I 
have to make the most of what they all will do not just look at what they 
won't do.

I hope this helps some.

Storms raging, power is flashing, I had better go. I love Florida in the 
rainy season!

Jeff

http://jeffduke.org




----- Original Message ----- 
From: "G" <gigs@paradise.net.nz>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, June 06, 2009 12:07 AM
Subject: Re: blech (pedal choices)


Hi Jeff
I'm interested in getting a stereo looper with midi sync, preferably a
pedal, but not happy with those on the market.

I currently use a EHX SMMH and while it's a lot of fun and good at what
it does, there's no accurate way to set the tempo other than by tap or
analogue dial without any BPM readout which means it inevitably drifts
away from the timing of my other effects.
Midi sync is very important to me now.

With the 2880, because it doesn't have tap tempo, and the tempo fader
doesn't have an LED read out giving an accurate BPM, theres no choice
for me but to slave it to another midi sync source.
I've read reviews  saying that if you have the 2880 slaved to a midi
sync source, after recording the first loop when you immediately
overdub, the loop playback slows down and speeds up the first time
through which is simply unacceptable.  Another review said the same
thing, so you have to stop the 2880 before overdubbing, again
unacceptable.
What's your experience of the 2880 midi sync slaved?
Thanks in advance.
-- G.

>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: blech (pedal choices)
>From: "Jeff Duke" <jeff_d@embarqmail.com>
>Date: Thu, 4 Jun 2009 11:04:13 -0400
>
>The 2880 even with it's limitations is one looper I have never regreted
>getting. What it can do far outweighs what it can't.
>
>Jeff


From Loopers-Delight-request@loopers-delight.com  Sat Jun  6 17:21:40 2009
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Date: Sat, 06 Jun 2009 13:20:43 -0400
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http://soundscapes.us/amfm/playlists/2009/090606.html

The AM/FM Show has two alternating hosts.  When I am at the helm, expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #153                June 6, 2009.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Faryus               Vivid Dream          Lucid Dreams (Faria)
Faryus               Clarity              Lucid Dreams (Faria)
Fear Falls Burning   track 1 *            The Carnival of Ourselves
                                           (Tonefloat)
Johan Agebjorn       The Sound of Snow-   Massebo (Lotuspike)
                       flakes Touhing the Ground
Johan Agebjorn       Massebo              Massebo (Lotuspike)
Vic Hennigan         Seascape             Aqua Vista (Alien Tribes)
VA [Bob Whilley]     A Game of Statues    Sequences No. 6
VA [Fonya]           (unknown)            Sequences No. 6
VA [Alquimia]        (unknown)            Sequences No. 6


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Pre-empted by Phase I.

Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Marsupial            Lean On              Genus Thylacinus (none)
Mind Furniture       Shiva Part 1         Hoop of Flame (Musae)
KTU                  Nano                 Quiver (Hoedown)
Singularity          XOT                  Of All the Mysteries (none)
Ozric Tentacles      Yumyum Tree          The Yumyum Tree (Snapper)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00/
ITZ-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Jun  6 19:23:00 2009
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From: Tom Ritchford <tom@swirly.com>
Date: Sat, 6 Jun 2009 15:22:37 -0400
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--001485f44becb8d5ee046bb2ef3b
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Not one of you wants to play!?

There's at least one full slot left or a couple of shorter ones...

On Tue, Jun 2, 2009 at 12:11 AM, Tom Ritchford <tom@swirly.com> wrote:

> Hello, Loopers.  I'm very happy to announce the return of openLoop
> http://loopny.com/ at the Jack the Pelican Presents gallery
> http://jackthepelicanpresents.com/, as part of the Northside Arts
> Festival.  http://www.northsidefestival.com/
>
> I'll be starting to loop around 6PM and we'll be going late.
>
> I'll send the finalized information closer to the date but I'd also like to
> call for loopers who wish to participate in this activity to contact me!
>
> There's no pay but there are a gazillion people and press and I'll be
> documenting and recording all of it.
>
> (In fact, I have all four days suddenly - Thursday's openLoop, Friday's
> probably DJs, Saturday is bands and groups, Sunday's acoustic, so if you
> have something entertaining that you'd like to show off in a gallery, lay it
> on me.)
>
> loop on....
>
> --
>     /t
>
>


-- 
    /t

--001485f44becb8d5ee046bb2ef3b
Content-Type: text/html; charset=UTF-8
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Not one of you wants to play!?<br><br>There&#39;s at least one full slot le=
ft or a couple of shorter ones...<br><br><div class=3D"gmail_quote">On Tue,=
 Jun 2, 2009 at 12:11 AM, Tom Ritchford <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:tom@swirly.com">tom@swirly.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hello, Loopers.=
=C2=A0 I&#39;m very happy to announce the return of openLoop <a href=3D"htt=
p://loopny.com/" target=3D"_blank">http://loopny.com/</a> at the Jack the P=
elican Presents gallery <a href=3D"http://jackthepelicanpresents.com/" targ=
et=3D"_blank">http://jackthepelicanpresents.com/</a>, as part of the Norths=
ide Arts Festival.=C2=A0 <a href=3D"http://www.northsidefestival.com/" targ=
et=3D"_blank">http://www.northsidefestival.com/</a><br>


<br>I&#39;ll be starting to loop around 6PM and we&#39;ll be going late.=C2=
=A0=C2=A0 <br><br>I&#39;ll send the finalized information closer to the dat=
e but I&#39;d also like to call for loopers who wish to participate in this=
 activity to contact me!<br>


<br>There&#39;s no pay but there are a gazillion people and press and I&#39=
;ll be documenting and recording all of it.<br><br>(In fact, I have all fou=
r days suddenly - Thursday&#39;s openLoop, Friday&#39;s probably DJs, Satur=
day is bands and groups, Sunday&#39;s acoustic, so if you have something en=
tertaining that you&#39;d like to show off in a gallery, lay it on me.)<br>


<br>loop on....<br clear=3D"all"><br>-- <br><font color=3D"#888888"> =C2=A0=
 =C2=A0 /t<br><br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br> =C2=A0 =C2=A0 /=
t<br><br>

--001485f44becb8d5ee046bb2ef3b--

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	 <26ba8d120906061222l55d7bed2x811a545275bc22dd@mail.gmail.com>
Date: Sat, 6 Jun 2009 16:07:40 -0400
Message-ID: <9e0440a60906061307y2fa51ce4tcb6bf5018be25f72@mail.gmail.com>
Subject: Re: NYC: the return of openLoop, June 11; call for loopers
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5b314afd6b0046bb38fcc
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Tom what are the slots that remain open and how long?

Jim
-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b314afd6b0046bb38fcc
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Tom what are the slots that remain open and how long?<br><br><div>Jim<br><d=
iv>-- <br>ReUse, an introspective textural aural journey coming soon...<br>=
<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgood=
inmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div></div>

--001636c5b314afd6b0046bb38fcc--

From Loopers-Delight-request@loopers-delight.com  Sat Jun  6 20:33:30 2009
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--001485f85edef7fba9046bb3ebfb
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I'm doing an 8-hour open loop on Thursday and most of the musicians showing
up are pretty flexible - so name your time.   I'm playing 4PM till midnight
(or as long after that as I have energy) but don't expect much in the way of
a crowd till about 6PM.

If you have a stand-alone set you want to do another night, things are more
tight - Friday's still got some wiggle room.

On Sat, Jun 6, 2009 at 4:07 PM, Jim Goodin <jimgoodinmusic@gmail.com> wrote:

> Tom what are the slots that remain open and how long?
>
> Jim
> --
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


-- 
    /t

--001485f85edef7fba9046bb3ebfb
Content-Type: text/html; charset=UTF-8
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I&#39;m doing an 8-hour open loop on Thursday and most of the musicians sho=
wing up are pretty flexible - so name your time.=C2=A0=C2=A0 I&#39;m playin=
g 4PM till midnight (or as long after that as I have energy) but don&#39;t =
expect much in the way of a crowd till about 6PM.<br>

<br>If you have a stand-alone set you want to do another night, things are =
more tight - Friday&#39;s still got some wiggle room.<br><br><div class=3D"=
gmail_quote">On Sat, Jun 6, 2009 at 4:07 PM, Jim Goodin <span dir=3D"ltr">&=
lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>=
&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Tom what are the =
slots that remain open and how long?<br><br><div>Jim<br><div>-- <br>ReUse, =
an introspective textural aural journey coming soon...<br>

<br>music links...<br><a href=3D"http://www.jimgoodinmusic.com" target=3D"_=
blank">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic" ta=
rget=3D"_blank">www.myspace.com/jimgoodinmusic</a><br><a href=3D"http://www=
.myspace.com/chinapaintingmusic" target=3D"_blank">www.myspace.com/chinapai=
ntingmusic</a><br>


<a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank"=
>www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.myspac=
e.com/jindream" target=3D"_blank">www.myspace.com/jindream</a><br><a href=
=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">www.youtube.co=
m/jimgoodinmusic</a><br>


<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al" target=3D"_blank">www.vimeo.com/jimgoodindigital</a><br><br>social netw=
orking...<br><a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_b=
lank">www.twitter.com/jimgoodinmusic</a><br>


<br>
</div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br> =C2=A0 =C2=A0 /t<br><b=
r>

--001485f85edef7fba9046bb3ebfb--

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From ali73harrin@msn.com  Sun Jun  7 03:06:08 2009
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--_70c8150b-e629-414f-ad46-1f482f028883_
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It will be a surprise for you to receive this mail.=20
=20
I am Mr Ali Harrin=2C the director of accounts & auditing dept. At the bank=
 of Africa Ouagadougou-west Africa .=20
With due respect i have decided to contact you on a business transaction th=
at will be beneficial to both of us. At the bank's last accounts/auditing e=
valuations=2C my staffs came across an old account which was being maintain=
ed by a foreign client who we learnt was among the deceased passengers of a=
n airline crash on 6th November 2003.=20
=20
Since the deceased was unable to run this account since his death. The acco=
unt has remained dormant without the knowledge of his family since it was p=
ut in a safe deposit account in the bank for future investment by the clien=
t. Since his demise=2C nobody=2C not even the members of his family have ap=
plied for claims over this fund and it has been in the safe deposit account=
 until we discovered that it cannot be claimed since our client is a foreig=
n national and we are sure that he has no next of kin here to file claims o=
ver the money.=20
As the director of the dept=2C this discovery was brought to my office so a=
s to decide what is to be done. With the few personnel in my dept=2C we dec=
ided to seek ways through which to transfer this money out of the bank and =
out of the country too.=20
The total amount in the account is Fifteen million dollars (USD15=2C 000=2C=
000.00) with our positions as staffs of the bank=2C we are handicapped beca=
use we cannot operate foreign accounts and cannot lay bona fide claim over =
this money. The client is a foreign national and you will only be asked to =
act as his next of kin and i will supply you with all the necessary informa=
tion=92s and bank data to assist you in being able to transfer this money t=
o any bank of your choice where this money could be transfer into.=20
=20
I and my partners have decided to give away thirty %(30%) to you for your a=
ssistance and ten (10%) for any expenses that might arise during the transa=
ction of this transfer. we want to assure you that this transaction is abso=
lutely risk free since we work in this bank which is why you should be conf=
ident in the success of this transaction because you will be updated with i=
nformation as at when desired and i will please wish you keep this transact=
ion secret and confidential.=20
=20
Upon your reply i will send to you the details and text of application whic=
h you are going to fill and send to the bank for the claiming of the said f=
und into your bank account.
=20
May ALLAH help you to help us to a restiveretirement. Amin.
Thanks and remain blessed=2C
Mr Ali Harrin.=

--_70c8150b-e629-414f-ad46-1f482f028883_
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<DIV id=3Dyiv1404917041>
<DIV>It will be a surprise for you to receive this mail. <BR>&nbsp=3B<BR>I =
am Mr Ali Harrin=2C the director of accounts &amp=3B auditing dept. At the =
bank of Africa Ouagadougou-west Africa . <BR>With due respect i have decide=
d to contact you on a business transaction that will be beneficial to both =
of us. At the bank's last accounts/auditing evaluations=2C my staffs came a=
cross an old account which was being maintained by a foreign client who we =
learnt was among the deceased passengers of an airline crash on 6th Novembe=
r 2003. <BR>&nbsp=3B<BR>Since the deceased was unable to run this account s=
ince his death. The account has remained dormant without the knowledge of h=
is family since it was put in a safe deposit account in the bank for future=
 investment by the client. Since his demise=2C nobody=2C not even the membe=
rs of his family have applied for claims over this fund and it has been in =
the safe deposit account until we discovered that it cannot be claimed sinc=
e our client is a foreign national and we are sure that he has no next of k=
in here to file claims over the money. <BR>As the director of the dept=2C t=
his discovery was brought to my office so as to decide what is to be done. =
With the few personnel in my dept=2C we decided to seek ways through which =
to transfer this money out of the bank and out of the country too. <BR>The =
total amount in the account is Fifteen million dollars (USD15=2C 000=2C000.=
00) with our positions as staffs of the bank=2C we are handicapped because =
we cannot operate foreign accounts and cannot lay bona fide claim over this=
 money. The client is a foreign national and you will only be asked to act =
as his next of kin and i will supply you with all the necessary information=
=92s and bank data to assist you in being able to transfer this money to an=
y bank of your choice where this money could be transfer into. <BR>&nbsp=3B=
<BR>I and my partners have decided to give away thirty %(30%) to you for yo=
ur assistance and ten (10%) for any expenses that might arise during the tr=
ansaction of this transfer. we want to assure you that this transaction is =
absolutely risk free since we work in this bank which is why you should be =
confident in the success of this transaction because you will be updated wi=
th information as at when desired and i will please wish you keep this tran=
saction secret and confidential. <BR>&nbsp=3B<BR>Upon your reply i will sen=
d to you the details and text of application which you are going to fill an=
d send to the bank for the claiming of the said fund into your bank account=
.<BR>&nbsp=3B<BR>May ALLAH help you to help us to a restiveretirement. Amin=
.</DIV>
<DIV>Thanks and remain blessed=2C<BR>Mr Ali Harrin.</DIV></DIV></body>
</html>=

--_70c8150b-e629-414f-ad46-1f482f028883_--

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Date: Sat, 6 Jun 2009 23:20:06 -0400
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Subject: Virtual Gigspam: Jim Goodin webcast Sunday Morning at 11
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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Reminder that I'll be webcasting live on uStream tomorrow morning (Sunday
June 7) in a set of my guitarism/oudism and loopism improvs beginning at
11am EST (other times below).  My bi-weekly series *Sunday Morning at 11* can
be heard/seen at http://www.ustream.tv/channel/sunday-morning-at-11.
Times around the globe are 8am PST, 10am CST, 4pm UK, 5pm & 6pm Europe,
Midnight Japan.  To check show times in your area,
http://www.timeanddate.com/worldclock/converter.html.

Sidebar if you never had the chance to check out the Chinapainting studio CD
*Night Blooming Cereus* that Daryl and I released last summer, though we
have it on iTunes and other net places I recently put it on Bandcamp at
http://jimgoodin.bandcamp.com/album/chinapainting-night-blooming-cereus.
 We're very proud of this document and if you've not checked it out give it
a spin on Bandcamp.  As this is a supporting community though we try to sell
what we can, I do want to pass along that it is freely downloadable on
Bandcamp by just leaving your email address.

So if you're up or around the computer/net tomorrow morning please tune in.
 Have a great rest of a looping weekend.

Cheers

Jim

-- 
ReUse, an introspective textural aural journey www.myspace.com/CtReUse &
jimgoodin.bandcamp.com

music links...
jimgoodin.blogspot.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636988a0b3011bf046bb99a1a
Content-Type: text/html; charset=ISO-8859-1
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Reminder that I&#39;ll be webcasting live on uStream tomorrow morning (Sund=
ay June 7) in a set of my guitarism/oudism and loopism improvs beginning at=
 11am EST (other times below). =A0My bi-weekly series <b>Sunday Morning at =
11</b>=A0can be heard/seen at <a href=3D"http://www.ustream.tv/channel/sund=
ay-morning-at-11">http://www.ustream.tv/channel/sunday-morning-at-11</a>.<d=
iv>
<br></div><div>Times around the globe are 8am PST, 10am CST, 4pm UK, 5pm &a=
mp; 6pm Europe, Midnight Japan. =A0To check show times in your area,=A0<a h=
ref=3D"http://www.timeanddate.com/worldclock/converter.html">http://www.tim=
eanddate.com/worldclock/converter.html</a>.</div>
<div><br></div><div>Sidebar if you never had the chance to check out the Ch=
inapainting studio CD <i>Night Blooming Cereus</i> that Daryl and I release=
d last summer, though we have it on iTunes and other net places I recently =
put it on Bandcamp at <a href=3D"http://jimgoodin.bandcamp.com/album/chinap=
ainting-night-blooming-cereus">http://jimgoodin.bandcamp.com/album/chinapai=
nting-night-blooming-cereus</a>. =A0We&#39;re very proud of this document a=
nd if you&#39;ve not checked it out give it a spin on Bandcamp. =A0As this =
is a supporting community though we try to sell what we can, I do want to p=
ass along that it is freely downloadable on Bandcamp by just leaving your e=
mail address.</div>
<div>=A0=A0</div><div>So if you&#39;re up or around the computer/net tomorr=
ow morning please tune in. =A0Have a great rest of a looping weekend.</div>=
<div><br></div><div>Cheers</div><div><br></div><div>Jim<br clear=3D"all"><b=
r>-- <br>
ReUse, an introspective textural aural journey <a href=3D"http://www.myspac=
e.com/CtReUse">www.myspace.com/CtReUse</a> &amp; <a href=3D"http://jimgoodi=
n.bandcamp.com">jimgoodin.bandcamp.com</a><br><br>music links...<br><a href=
=3D"http://jimgoodin.blogspot.com">jimgoodin.blogspot.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636988a0b3011bf046bb99a1a--

From Loopers-Delight-request@loopers-delight.com  Sun Jun  7 09:44:31 2009
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Subject: Re: NYC: the return of openLoop, June 11; call for loopers
Date: Sun, 7 Jun 2009 10:44:22 +0100
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Hi at last folks,

Did someone say remote loopage?
  ----- Original Message -----=20
  From: Tom Ritchford=20
  To: Loopers-Delight=20
  Sent: Saturday, June 06, 2009 8:22 PM
  Subject: Re: NYC: the return of openLoop, June 11; call for loopers


  Not one of you wants to play!?

  There's at least one full slot left or a couple of shorter ones...


  On Tue, Jun 2, 2009 at 12:11 AM, Tom Ritchford <tom@swirly.com> wrote:

    Hello, Loopers.  I'm very happy to announce the return of openLoop =
http://loopny.com/ at the Jack the Pelican Presents gallery =
http://jackthepelicanpresents.com/, as part of the Northside Arts =
Festival.  http://www.northsidefestival.com/

    I'll be starting to loop around 6PM and we'll be going late.  =20

    I'll send the finalized information closer to the date but I'd also =
like to call for loopers who wish to participate in this activity to =
contact me!

    There's no pay but there are a gazillion people and press and I'll =
be documenting and recording all of it.

    (In fact, I have all four days suddenly - Thursday's openLoop, =
Friday's probably DJs, Saturday is bands and groups, Sunday's acoustic, =
so if you have something entertaining that you'd like to show off in a =
gallery, lay it on me.)

    loop on....

    --=20
        /t





  --=20
      /t


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=EF=BB=BF<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dutf-8">
<META content=3D"MSHTML 6.00.6000.16825" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Trebuchet MS" size=3D2>Hi at last folks,</FONT></DIV>
<DIV><FONT face=3D"Trebuchet MS" size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Trebuchet MS" size=3D2>Did someone say remote=20
loopage?</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtom@swirly.com href=3D"mailto:tom@swirly.com">Tom =
Ritchford</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">Loopers-Delight</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, June 06, 2009 =
8:22=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: NYC: the return of =
openLoop,=20
  June 11; call for loopers</DIV>
  <DIV><BR></DIV>Not one of you wants to play!?<BR><BR>There's at least =
one full=20
  slot left or a couple of shorter ones...<BR><BR>
  <DIV class=3Dgmail_quote>On Tue, Jun 2, 2009 at 12:11 AM, Tom =
Ritchford <SPAN=20
  dir=3Dltr>&lt;<A =
href=3D"mailto:tom@swirly.com">tom@swirly.com</A>&gt;</SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Hello,=20
    Loopers.&nbsp; I'm very happy to announce the return of openLoop <A=20
    href=3D"http://loopny.com/" target=3D_blank>http://loopny.com/</A> =
at the Jack=20
    the Pelican Presents gallery <A =
href=3D"http://jackthepelicanpresents.com/"=20
    target=3D_blank>http://jackthepelicanpresents.com/</A>, as part of =
the=20
    Northside Arts Festival.&nbsp; <A =
href=3D"http://www.northsidefestival.com/"=20
    target=3D_blank>http://www.northsidefestival.com/</A><BR><BR>I'll be =
starting=20
    to loop around 6PM and we'll be going late.&nbsp;&nbsp; <BR><BR>I'll =
send=20
    the finalized information closer to the date but I'd also like to =
call for=20
    loopers who wish to participate in this activity to contact=20
    me!<BR><BR>There's no pay but there are a gazillion people and press =
and=20
    I'll be documenting and recording all of it.<BR><BR>(In fact, I have =
all=20
    four days suddenly - Thursday's openLoop, Friday's probably DJs, =
Saturday is=20
    bands and groups, Sunday's acoustic, so if you have something =
entertaining=20
    that you'd like to show off in a gallery, lay it on me.)<BR><BR>loop =

    on....<BR clear=3Dall><BR>-- <BR><FONT color=3D#888888>&nbsp; &nbsp; =

    /t<BR><BR></FONT></BLOCKQUOTE></DIV><BR><BR clear=3Dall><BR>-- =
<BR>&nbsp; &nbsp;=20
  /t<BR><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jun  7 13:33:42 2009
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Subject: Re: NYC: the return of openLoop, June 11; call for loopers
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Jun 6, 2009 at 4:33 PM, Tom Ritchford <tom@swirly.com> wrote:

> I'm doing an 8-hour open loop on Thursday and most of the musicians showing
> up are pretty flexible - so name your time.   I'm playing 4PM till midnight
> (or as long after that as I have energy) but don't expect much in the way of
> a crowd till about 6PM.
>

BTW, I'll be there most of the time (I won't be getting started at 4,
probably get there around 5 and set up for an hour). I'll be there with all
sorts of drum patterns and loops, as well as my gtr synth of course. I'll
have midi clocks out in case you want to sync (I could also accept them, but
I'm basically configured as "master clock") or I can lay off the looping (or
just make short transient loops) while you loop and lay in some bass parts
or whatever on guitar synth.

--0016362837948a2def046bc22c97
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<br><br><div class=3D"gmail_quote">On Sat, Jun 6, 2009 at 4:33 PM, Tom Ritc=
hford <span dir=3D"ltr">&lt;<a href=3D"mailto:tom@swirly.com">tom@swirly.co=
m</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"borde=
r-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-le=
ft: 1ex;">
I&#39;m doing an 8-hour open loop on Thursday and most of the musicians sho=
wing up are pretty flexible - so name your time.=A0=A0 I&#39;m playing 4PM =
till midnight (or as long after that as I have energy) but don&#39;t expect=
 much in the way of a crowd till about 6PM.<br>


</blockquote><div><br>BTW, I&#39;ll be there most of the time (I won&#39;t =
be getting started at 4, probably get there around 5 and set up for an hour=
). I&#39;ll be there with all sorts of drum patterns and loops, as well as =
my gtr synth of course. I&#39;ll have midi clocks out in case you want to s=
ync (I could also accept them, but I&#39;m basically configured as &quot;ma=
ster clock&quot;) or I can lay off the looping (or just make short transien=
t loops) while you loop and lay in some bass parts or whatever on guitar sy=
nth.<br>
</div></div><br>

--0016362837948a2def046bc22c97--

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Subject: Re: NYC: the return of openLoop, June 11; call for loopers
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I'd love to play! Maybe the next time in NYC. :)
  ----- Original Message -----=20
  From: Tom Ritchford=20
  To: Loopers-Delight=20
  Sent: Saturday, June 06, 2009 8:22 PM
  Subject: Re: NYC: the return of openLoop, June 11; call for loopers


  Not one of you wants to play!?

  There's at least one full slot left or a couple of shorter ones...


  On Tue, Jun 2, 2009 at 12:11 AM, Tom Ritchford <tom@swirly.com> wrote:

    Hello, Loopers.  I'm very happy to announce the return of openLoop =
http://loopny.com/ at the Jack the Pelican Presents gallery =
http://jackthepelicanpresents.com/, as part of the Northside Arts =
Festival.  http://www.northsidefestival.com/

    I'll be starting to loop around 6PM and we'll be going late.  =20

    I'll send the finalized information closer to the date but I'd also =
like to call for loopers who wish to participate in this activity to =
contact me!

    There's no pay but there are a gazillion people and press and I'll =
be documenting and recording all of it.

    (In fact, I have all four days suddenly - Thursday's openLoop, =
Friday's probably DJs, Saturday is bands and groups, Sunday's acoustic, =
so if you have something entertaining that you'd like to show off in a =
gallery, lay it on me.)

    loop on....

    --=20
        /t





  --=20
      /t




-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.339 / Virus Database: 270.12.54/2158 - Release Date: =
06/06/09 05:53:00

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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'd love to play! Maybe the next time =
in NYC.=20
:)</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtom@swirly.com href=3D"mailto:tom@swirly.com">Tom =
Ritchford</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">Loopers-Delight</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, June 06, 2009 =
8:22=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: NYC: the return of =
openLoop,=20
  June 11; call for loopers</DIV>
  <DIV><BR></DIV>Not one of you wants to play!?<BR><BR>There's at least =
one full=20
  slot left or a couple of shorter ones...<BR><BR>
  <DIV class=3Dgmail_quote>On Tue, Jun 2, 2009 at 12:11 AM, Tom =
Ritchford <SPAN=20
  dir=3Dltr>&lt;<A =
href=3D"mailto:tom@swirly.com">tom@swirly.com</A>&gt;</SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Hello,=20
    Loopers.&nbsp; I'm very happy to announce the return of openLoop <A=20
    href=3D"http://loopny.com/" target=3D_blank>http://loopny.com/</A> =
at the Jack=20
    the Pelican Presents gallery <A =
href=3D"http://jackthepelicanpresents.com/"=20
    target=3D_blank>http://jackthepelicanpresents.com/</A>, as part of =
the=20
    Northside Arts Festival.&nbsp; <A =
href=3D"http://www.northsidefestival.com/"=20
    target=3D_blank>http://www.northsidefestival.com/</A><BR><BR>I'll be =
starting=20
    to loop around 6PM and we'll be going late.&nbsp;&nbsp; <BR><BR>I'll =
send=20
    the finalized information closer to the date but I'd also like to =
call for=20
    loopers who wish to participate in this activity to contact=20
    me!<BR><BR>There's no pay but there are a gazillion people and press =
and=20
    I'll be documenting and recording all of it.<BR><BR>(In fact, I have =
all=20
    four days suddenly - Thursday's openLoop, Friday's probably DJs, =
Saturday is=20
    bands and groups, Sunday's acoustic, so if you have something =
entertaining=20
    that you'd like to show off in a gallery, lay it on me.)<BR><BR>loop =

    on....<BR clear=3Dall><BR>-- <BR><FONT color=3D#888888>&nbsp; &nbsp; =

    /t<BR><BR></FONT></BLOCKQUOTE></DIV><BR><BR clear=3Dall><BR>-- =
<BR>&nbsp; &nbsp;=20
  /t<BR><BR>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.339 / Virus Database: 270.12.54/2158 - =
Release=20
  Date: 06/06/09 05:53:00<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0028_01C9E780.4A436250--

From Loopers-Delight-request@loopers-delight.com  Sun Jun  7 14:57:38 2009
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	id 0AF593BE77; Sun,  7 Jun 2009 14:57:37 +0000 (UTC)
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From: Omid Shirazi <smoking@guru-records.com>
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <26ba8d120906012111o232615eai215ff3cf3b6348b1@mail.gmail.com>
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Subject: Re: NYC: the return of openLoop, June 11; call for loopers
Date: Sun, 7 Jun 2009 16:57:31 +0200
References: <26ba8d120906012111o232615eai215ff3cf3b6348b1@mail.gmail.com>
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Hi Tom,

here is a demo of my selfmade audiovisual instrument "vision one":
http://www.youtube.com/watch?v=crnYUibe7zs

I have posted it once on the forum, but it seemed not getting through!
I live in cologne/germany and have made this instrument myself

Hope you enjoy,
Omid

audio visual artist
mailto: smoking@guru-records.com
phone: +49-178-78 52 223

Am 02.06.2009 um 06:11 schrieb Tom Ritchford:

> Hello, Loopers.  I'm very happy to announce the return of openLoop http://loopny.com/ 
>  at the Jack the Pelican Presents gallery http://jackthepelicanpresents.com/ 
> , as part of the Northside Arts Festival.  http://www.northsidefestival.com/
>
> I'll be starting to loop around 6PM and we'll be going late.
>
> I'll send the finalized information closer to the date but I'd also  
> like to call for loopers who wish to participate in this activity to  
> contact me!
>
> There's no pay but there are a gazillion people and press and I'll  
> be documenting and recording all of it.
>
> (In fact, I have all four days suddenly - Thursday's openLoop,  
> Friday's probably DJs, Saturday is bands and groups, Sunday's  
> acoustic, so if you have something entertaining that you'd like to  
> show off in a gallery, lay it on me.)
>
> loop on....
>
> -- 
>     /t
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi Tom,<div><br></div><div>here =
is a demo of my selfmade audiovisual instrument "vision =
one":</div><div><a =
href=3D"http://www.youtube.com/watch?v=3DcrnYUibe7zs">http://www.youtube.c=
om/watch?v=3DcrnYUibe7zs</a></div><div><br></div><div>I have posted it =
once on the forum, but it seemed not getting through!</div><div>I live =
in cologne/germany and have made this instrument =
myself</div><div><br></div><div>Hope you enjoy,</div><div><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Arial; font-size: 13px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div>Omid</div><div><br>audio visual =
artist</div><div>mailto: <a =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</a></div=
><div>phone: +49-178-78 52 223</div></div></span> </div><br><div><div>Am =
02.06.2009 um 06:11 schrieb Tom Ritchford:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Hello, =
Loopers.&nbsp; I'm very happy to announce the return of openLoop <a =
href=3D"http://loopny.com/">http://loopny.com/</a> at the Jack the =
Pelican Presents gallery <a =
href=3D"http://jackthepelicanpresents.com/">http://jackthepelicanpresents.=
com/</a>, as part of the Northside Arts Festival.&nbsp; <a =
href=3D"http://www.northsidefestival.com/">http://www.northsidefestival.co=
m/</a><br> <br>I'll be starting to loop around 6PM and we'll be going =
late.&nbsp;&nbsp; <br><br>I'll send the finalized information closer to =
the date but I'd also like to call for loopers who wish to participate =
in this activity to contact me!<br> <br>There's no pay but there are a =
gazillion people and press and I'll be documenting and recording all of =
it.<br><br>(In fact, I have all four days suddenly - Thursday's =
openLoop, Friday's probably DJs, Saturday is bands and groups, Sunday's =
acoustic, so if you have something entertaining that you'd like to show =
off in a gallery, lay it on me.)<br> <br>loop on....<br =
clear=3D"all"><br>-- <br> &nbsp; &nbsp; =
/t<br><br></blockquote></div><br></div></body></html>=

--Apple-Mail-1--208520408--

From Loopers-Delight-request@loopers-delight.com  Sun Jun  7 15:23:23 2009
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	 <29508517-0F9D-4235-898F-D8D0D8662A5A@guru-records.com>
Date: Sun, 7 Jun 2009 11:23:20 -0400
Message-ID: <44e368750906070823l735036e2q11ad4e9770e5b74a@mail.gmail.com>
Subject: Re: NYC: the return of openLoop, June 11; call for loopers
From: james fowler <twostroke@gmail.com>
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just sold my lp1...otherwise I'd be down.

- jim

On Sunday, June 7, 2009, Omid Shirazi <smoking@guru-records.com> wrote:
> Hi Tom,
> here is a demo of my selfmade audiovisual instrument "vision one":http://=
www.youtube.com/watch?v=3DcrnYUibe7zs
> I have posted it once on the forum, but it seemed not getting through!I l=
ive in cologne/germany and have made this instrument myself
> Hope you enjoy, Omid
> audio visual artistmailto: smoking@guru-records.comphone: +49-178-78 52 2=
23
> Am 02.06.2009 um 06:11 schrieb Tom Ritchford:
> Hello, Loopers.=A0 I'm very happy to announce the return of openLoop http=
://loopny.com/ at the Jack the Pelican Presents gallery http://jackthepelic=
anpresents.com/, as part of the Northside Arts Festival.=A0 http://www.nort=
hsidefestival.com/
>
> I'll be starting to loop around 6PM and we'll be going late.
>
> I'll send the finalized information closer to the date but I'd also like =
to call for loopers who wish to participate in this activity to contact me!
>
> There's no pay but there are a gazillion people and press and I'll be doc=
umenting and recording all of it.
>
> (In fact, I have all four days suddenly - Thursday's openLoop, Friday's p=
robably DJs, Saturday is bands and groups, Sunday's acoustic, so if you hav=
e something entertaining that you'd like to show off in a gallery, lay it o=
n me.)
>
> loop on....
> --
>  =A0 =A0 /t
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jun  7 17:07:12 2009
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	 <29508517-0F9D-4235-898F-D8D0D8662A5A@guru-records.com>
Date: Sun, 7 Jun 2009 10:07:09 -0700
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Subject: Re: NYC: the return of openLoop, June 11; call for loopers
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--0016e6434aaef08bd6046bc52761
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I LOVE IT!

On Sun, Jun 7, 2009 at 7:57 AM, Omid Shirazi <smoking@guru-records.com>wrote:

> Hi Tom,
> here is a demo of my selfmade audiovisual instrument "vision one":
> http://www.youtube.com/watch?v=crnYUibe7zs
>
> I have posted it once on the forum, but it seemed not getting through!
> I live in cologne/germany and have made this instrument myself
>
> Hope you enjoy,
> Omid
>
> audio visual artist
> mailto: smoking@guru-records.com
> phone: +49-178-78 52 223
>
> Am 02.06.2009 um 06:11 schrieb Tom Ritchford:
>
> Hello, Loopers.  I'm very happy to announce the return of openLoop
> http://loopny.com/ at the Jack the Pelican Presents gallery
> http://jackthepelicanpresents.com/, as part of the Northside Arts
> Festival.  http://www.northsidefestival.com/
>
> I'll be starting to loop around 6PM and we'll be going late.
>
> I'll send the finalized information closer to the date but I'd also like to
> call for loopers who wish to participate in this activity to contact me!
>
> There's no pay but there are a gazillion people and press and I'll be
> documenting and recording all of it.
>
> (In fact, I have all four days suddenly - Thursday's openLoop, Friday's
> probably DJs, Saturday is bands and groups, Sunday's acoustic, so if you
> have something entertaining that you'd like to show off in a gallery, lay it
> on me.)
>
> loop on....
>
> --
>     /t
>
>
>

--0016e6434aaef08bd6046bc52761
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I LOVE IT!<br><br><div class=3D"gmail_quote">On Sun, Jun 7, 2009 at 7:57 AM=
, Omid Shirazi <span dir=3D"ltr">&lt;<a href=3D"mailto:smoking@guru-records=
.com">smoking@guru-records.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div style=3D"">Hi Tom,<div><br></div><div>here is a demo of my selfmade au=
diovisual instrument &quot;vision one&quot;:</div><div><a href=3D"http://ww=
w.youtube.com/watch?v=3DcrnYUibe7zs" target=3D"_blank">http://www.youtube.c=
om/watch?v=3DcrnYUibe7zs</a></div>
<div><br></div><div>I have posted it once on the forum, but it seemed not g=
etting through!</div><div>I live in cologne/germany and have made this inst=
rument myself</div><div><br></div><div>Hope you enjoy,</div><div><div> <spa=
n style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Ari=
al; font-size: 13px; font-style: normal; font-variant: normal; font-weight:=
 normal; letter-spacing: normal; line-height: normal; text-indent: 0px; tex=
t-transform: none; white-space: normal; word-spacing: 0px;"><div style=3D""=
>
<div>Omid</div><div><br>audio visual artist</div><div>mailto: <a href=3D"ma=
ilto:smoking@guru-records.com" target=3D"_blank">smoking@guru-records.com</=
a></div><div>phone: +49-178-78 52 223</div></div></span> </div><br><div><di=
v>
Am 02.06.2009 um 06:11 schrieb Tom Ritchford:</div><div><div></div><div cla=
ss=3D"h5"><br><blockquote type=3D"cite">Hello, Loopers.=A0 I&#39;m very hap=
py to announce the return of openLoop <a href=3D"http://loopny.com/" target=
=3D"_blank">http://loopny.com/</a> at the Jack the Pelican Presents gallery=
 <a href=3D"http://jackthepelicanpresents.com/" target=3D"_blank">http://ja=
ckthepelicanpresents.com/</a>, as part of the Northside Arts Festival.=A0 <=
a href=3D"http://www.northsidefestival.com/" target=3D"_blank">http://www.n=
orthsidefestival.com/</a><br>
 <br>I&#39;ll be starting to loop around 6PM and we&#39;ll be going late.=
=A0=A0 <br><br>I&#39;ll send the finalized information closer to the date b=
ut I&#39;d also like to call for loopers who wish to participate in this ac=
tivity to contact me!<br>
 <br>There&#39;s no pay but there are a gazillion people and press and I&#3=
9;ll be documenting and recording all of it.<br><br>(In fact, I have all fo=
ur days suddenly - Thursday&#39;s openLoop, Friday&#39;s probably DJs, Satu=
rday is bands and groups, Sunday&#39;s acoustic, so if you have something e=
ntertaining that you&#39;d like to show off in a gallery, lay it on me.)<br=
>
 <br>loop on....<br clear=3D"all"><br>-- <br> =A0 =A0 /t<br><br></blockquot=
e></div></div></div><br></div></div></blockquote></div><br>

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Subject: Re: NYC: the return of openLoop, June 11; call for loopers
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Fantasic!! Thank you,

Jeff
  ----- Original Message -----=20
  From: Omid Shirazi=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, June 07, 2009 10:57 AM
  Subject: Re: NYC: the return of openLoop, June 11; call for loopers


  Hi Tom,


  here is a demo of my selfmade audiovisual instrument "vision one":
  http://www.youtube.com/watch?v=3DcrnYUibe7zs


  I have posted it once on the forum, but it seemed not getting through!
  I live in cologne/germany and have made this instrument myself


  Hope you enjoy,
  Omid

  audio visual artist
  mailto: smoking@guru-records.com
  phone: +49-178-78 52 223


  Am 02.06.2009 um 06:11 schrieb Tom Ritchford:


    Hello, Loopers.  I'm very happy to announce the return of openLoop =
http://loopny.com/ at the Jack the Pelican Presents gallery =
http://jackthepelicanpresents.com/, as part of the Northside Arts =
Festival.  http://www.northsidefestival.com/

    I'll be starting to loop around 6PM and we'll be going late.  =20

    I'll send the finalized information closer to the date but I'd also =
like to call for loopers who wish to participate in this activity to =
contact me!

    There's no pay but there are a gazillion people and press and I'll =
be documenting and recording all of it.

    (In fact, I have all four days suddenly - Thursday's openLoop, =
Friday's probably DJs, Saturday is bands and groups, Sunday's acoustic, =
so if you have something entertaining that you'd like to show off in a =
gallery, lay it on me.)

    loop on....

    --=20
        /t




------=_NextPart_000_0013_01C9E773.BF6BD420
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Fantasic!! Thank you,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsmoking@guru-records.com =
href=3D"mailto:smoking@guru-records.com">Omid=20
  Shirazi</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, June 07, 2009 =
10:57=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: NYC: the return of =
openLoop,=20
  June 11; call for loopers</DIV>
  <DIV><BR></DIV>Hi Tom,
  <DIV><BR></DIV>
  <DIV>here is a demo of my selfmade audiovisual instrument "vision =
one":</DIV>
  <DIV><A=20
  =
href=3D"http://www.youtube.com/watch?v=3DcrnYUibe7zs">http://www.youtube.=
com/watch?v=3DcrnYUibe7zs</A></DIV>
  <DIV><BR></DIV>
  <DIV>I have posted it once on the forum, but it seemed not getting=20
  through!</DIV>
  <DIV>I live in cologne/germany and have made this instrument =
myself</DIV>
  <DIV><BR></DIV>
  <DIV>Hope you enjoy,</DIV>
  <DIV>
  <DIV apple-content-edited=3D"true"><SPAN class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 13px Arial; TEXT-TRANSFORM: none; =
COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0">
  <DIV=20
  style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space">
  <DIV>Omid</DIV>
  <DIV><BR>audio visual artist</DIV>
  <DIV>mailto: <A=20
  =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</A></DI=
V>
  <DIV>phone: +49-178-78 52 223</DIV></DIV></SPAN></DIV><BR>
  <DIV>
  <DIV>Am 02.06.2009 um 06:11 schrieb Tom Ritchford:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite">Hello, Loopers.&nbsp; I'm very happy to =
announce the=20
    return of openLoop <A =
href=3D"http://loopny.com/">http://loopny.com/</A> at=20
    the Jack the Pelican Presents gallery <A=20
    =
href=3D"http://jackthepelicanpresents.com/">http://jackthepelicanpresents=
.com/</A>,=20
    as part of the Northside Arts Festival.&nbsp; <A=20
    =
href=3D"http://www.northsidefestival.com/">http://www.northsidefestival.c=
om/</A><BR><BR>I'll=20
    be starting to loop around 6PM and we'll be going late.&nbsp;&nbsp;=20
    <BR><BR>I'll send the finalized information closer to the date but =
I'd also=20
    like to call for loopers who wish to participate in this activity to =
contact=20
    me!<BR><BR>There's no pay but there are a gazillion people and press =
and=20
    I'll be documenting and recording all of it.<BR><BR>(In fact, I have =
all=20
    four days suddenly - Thursday's openLoop, Friday's probably DJs, =
Saturday is=20
    bands and groups, Sunday's acoustic, so if you have something =
entertaining=20
    that you'd like to show off in a gallery, lay it on me.)<BR><BR>loop =

    on....<BR clear=3Dall><BR>-- <BR>&nbsp; &nbsp;=20
  /t<BR><BR></BLOCKQUOTE></DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>

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Subject: Re: NYC: the return of openLoop, June 11; call for loopers
Date: Sun, 7 Jun 2009 10:53:09 -0700
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i love it when I see this kind of creativity.

  joe


On Jun 7, 2009, at 7:57 AM, Omid Shirazi wrote:

> Hi Tom,
>
> here is a demo of my selfmade audiovisual instrument "vision one":
> http://www.youtube.com/watch?v=crnYUibe7zs
>
> I have posted it once on the forum, but it seemed not getting through!
> I live in cologne/germany and have made this instrument myself
>
> Hope you enjoy,
> Omid
>
> audio visual artist
> mailto: smoking@guru-records.com
> phone: +49-178-78 52 223


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	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">i love it when I see this kind =
of =
creativity.<div><br></div><div>&nbsp;joe</div><div><br></div><div><br><div=
><div>On Jun 7, 2009, at 7:57 AM, Omid Shirazi wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi Tom,<div><br></div><div>here =
is a demo of my selfmade audiovisual instrument "vision =
one":</div><div><a =
href=3D"http://www.youtube.com/watch?v=3DcrnYUibe7zs">http://www.youtube.c=
om/watch?v=3DcrnYUibe7zs</a></div><div><br></div><div>I have posted it =
once on the forum, but it seemed not getting through!</div><div>I live =
in cologne/germany and have made this instrument =
myself</div><div><br></div><div>Hope you enjoy,</div><div><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Arial; font-size: 13px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div>Omid</div><div><br>audio visual =
artist</div><div>mailto: <a =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</a></div=
><div>phone: +49-178-78 52 223</div></div></span> =
</div></div></div></blockquote></div><br></div></body></html>=

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Date: Sun, 7 Jun 2009 15:43:31 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: NYC: the return of openLoop, June 11; call for loopers
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Tom,
  I never saw this... could you give me some more details?

-Chuck




>=A4
>Hi at last folks,
>
>Did someone say remote loopage?
>
>----- Original Message -----
>From: <mailto:tom@swirly.com>Tom Ritchford
>To: <mailto:loopers-delight@loopers-delight.com>Loopers-Delight
>Sent: Saturday, June 06, 2009 8:22 PM
>Subject: Re: NYC: the return of openLoop, June 11; call for loopers
>
>Not one of you wants to play!?
>
>There's at least one full slot left or a couple of shorter ones...
>
>On Tue, Jun 2, 2009 at 12:11 AM, Tom Ritchford=20
><<mailto:tom@swirly.com>tom@swirly.com> wrote:
>
>Hello, Loopers.  I'm very happy to announce the=20
>return of openLoop=20
><http://loopny.com/>http://loopny.com/ at the=20
>Jack the Pelican Presents gallery=20
><http://jackthepelicanpresents.com/>http://jackthepelicanpresents.com/,=20
>as part of the Northside Arts Festival.=20
><http://www.northsidefestival.com/>http://www.northsidefestival.com/
>
>I'll be starting to loop around 6PM and we'll be going late.  
>
>I'll send the finalized information closer to=20
>the date but I'd also like to call for loopers=20
>who wish to participate in this activity to=20
>contact me!
>
>There's no pay but there are a gazillion people=20
>and press and I'll be documenting and recording=20
>all of it.
>
>(In fact, I have all four days suddenly -=20
>Thursday's openLoop, Friday's probably DJs,=20
>Saturday is bands and groups, Sunday's acoustic,=20
>so if you have something entertaining that you'd=20
>like to show off in a gallery, lay it on me.)
>
>loop on....
>
>--
>     /t
>
>
>
>
>--
>     /t


-- 
=2E..
http://www.zmix.net
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type=3D"text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: NYC: the return of openLoop, June 11; call for
loopers</title></head><body>
<div>Tom,</div>
<div>&nbsp;I never saw this... could you give me some more
details?</div>
<div><br></div>
<div>-Chuck</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type=3D"cite" cite>=A4</blockquote>
<blockquote type=3D"cite" cite><font face=3D"Trebuchet MS" size=3D"-1">Hi at
last folks,</font></blockquote>
<blockquote type=3D"cite" cite>&nbsp;</blockquote>
<blockquote type=3D"cite" cite><font face=3D"Trebuchet MS" size=3D"-1">Did
someone say remote loopage?</font><br>
<blockquote>----- Original Message -----</blockquote>
<blockquote><b>From:</b> <a href=3D"mailto:tom@swirly.com">Tom
Ritchford</a></blockquote>
<blockquote><b>To:</b> <a
href=3D"mailto:loopers-delight@loopers-delight.com">Loopers-Delight</a
></blockquote>
<blockquote><b>Sent:</b> Saturday, June 06, 2009 8:22 PM</blockquote>
<blockquote><b>Subject:</b> Re: NYC: the return of openLoop, June 11;
call for loopers</blockquote>
<blockquote><br></blockquote>
<blockquote>Not one of you wants to play!?<br>
<br>
There's at least one full slot left or a couple of shorter ones...<br>
</blockquote>
<blockquote>On Tue, Jun 2, 2009 at 12:11 AM, Tom Ritchford &lt;<a
href=3D"mailto:tom@swirly.com">tom@swirly.com</a>&gt; wrote:<br>
<blockquote>Hello, Loopers.&nbsp; I'm very happy to announce the
return of openLoop <a href=3D"http://loopny.com/">http://loopny.com/</a>
at the Jack the Pelican Presents gallery <a
href=3D"http://jackthepelicanpresents.com/"
>http://jackthepelicanpresents.com/</a>, as part of the Northside Arts
=46estival.&nbsp; <a
href=3D"http://www.northsidefestival.com/"
>http://www.northsidefestival.com/</a><br>
<br>
I'll be starting to loop around 6PM and we'll be going
late.&nbsp;&nbsp;<br>
<br>
I'll send the finalized information closer to the date but I'd also
like to call for loopers who wish to participate in this activity to
contact me!<br>
<br>
There's no pay but there are a gazillion people and press and I'll be
documenting and recording all of it.<br>
<br>
(In fact, I have all four days suddenly - Thursday's openLoop,
=46riday's probably DJs, Saturday is bands and groups, Sunday's
acoustic, so if you have something entertaining that you'd like to
show off in a gallery, lay it on me.)<br>
<br>
loop on....<br>
<br>
--<br>
<font color=3D"#888888">&nbsp;&nbsp;&nbsp; /t</font><br>
<font color=3D"#888888"></font></blockquote>
</blockquote>
<blockquote><br>
<br>
<br>
--<br>
&nbsp;&nbsp;&nbsp; /t</blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-967718197==_ma============--

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References: <26ba8d120906012111o232615eai215ff3cf3b6348b1@mail.gmail.com> <29508517-0F9D-4235-898F-D8D0D8662A5A@guru-records.com> <001601c9e795$46df4330$8fed3547@YOUR08D5303051>
Subject: Re: NYC: the return of openLoop, June 11; call for loopers
Date: Sun, 7 Jun 2009 21:48:53 +0100
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Quite an insane controller! Great work!
  ----- Original Message -----=20
  From: Jeff Duke=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, June 07, 2009 6:27 PM
  Subject: Re: NYC: the return of openLoop, June 11; call for loopers


  Fantasic!! Thank you,

  Jeff
    ----- Original Message -----=20
    From: Omid Shirazi=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Sunday, June 07, 2009 10:57 AM
    Subject: Re: NYC: the return of openLoop, June 11; call for loopers


    Hi Tom,=20


    here is a demo of my selfmade audiovisual instrument "vision one":
    http://www.youtube.com/watch?v=3DcrnYUibe7zs


    I have posted it once on the forum, but it seemed not getting =
through!
    I live in cologne/germany and have made this instrument myself


    Hope you enjoy,
    Omid

    audio visual artist
    mailto: smoking@guru-records.com
    phone: +49-178-78 52 223


    Am 02.06.2009 um 06:11 schrieb Tom Ritchford:


      Hello, Loopers.  I'm very happy to announce the return of openLoop =
http://loopny.com/ at the Jack the Pelican Presents gallery =
http://jackthepelicanpresents.com/, as part of the Northside Arts =
Festival.  http://www.northsidefestival.com/

      I'll be starting to loop around 6PM and we'll be going late.  =20

      I'll send the finalized information closer to the date but I'd =
also like to call for loopers who wish to participate in this activity =
to contact me!

      There's no pay but there are a gazillion people and press and I'll =
be documenting and recording all of it.

      (In fact, I have all four days suddenly - Thursday's openLoop, =
Friday's probably DJs, Saturday is bands and groups, Sunday's acoustic, =
so if you have something entertaining that you'd like to show off in a =
gallery, lay it on me.)

      loop on....

      --=20
          /t






-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.339 / Virus Database: 270.12.55/2160 - Release Date: =
06/07/09 05:53:00

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-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Quite an insane controller! Great=20
work!</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djeff_d@embarqmail.com =
href=3D"mailto:jeff_d@embarqmail.com">Jeff=20
  Duke</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, June 07, 2009 =
6:27 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: NYC: the return of =
openLoop,=20
  June 11; call for loopers</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Fantasic!! Thank you,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dsmoking@guru-records.com=20
    href=3D"mailto:smoking@guru-records.com">Omid Shirazi</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, June 07, 2009 =
10:57=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: NYC: the return =
of=20
    openLoop, June 11; call for loopers</DIV>
    <DIV><BR></DIV>Hi Tom,=20
    <DIV><BR></DIV>
    <DIV>here is a demo of my selfmade audiovisual instrument "vision=20
one":</DIV>
    <DIV><A=20
    =
href=3D"http://www.youtube.com/watch?v=3DcrnYUibe7zs">http://www.youtube.=
com/watch?v=3DcrnYUibe7zs</A></DIV>
    <DIV><BR></DIV>
    <DIV>I have posted it once on the forum, but it seemed not getting=20
    through!</DIV>
    <DIV>I live in cologne/germany and have made this instrument =
myself</DIV>
    <DIV><BR></DIV>
    <DIV>Hope you enjoy,</DIV>
    <DIV>
    <DIV apple-content-edited=3D"true"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 13px Arial; TEXT-TRANSFORM: none; =
COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0">
    <DIV=20
    style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space">
    <DIV>Omid</DIV>
    <DIV><BR>audio visual artist</DIV>
    <DIV>mailto: <A=20
    =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</A></DI=
V>
    <DIV>phone: +49-178-78 52 223</DIV></DIV></SPAN></DIV><BR>
    <DIV>
    <DIV>Am 02.06.2009 um 06:11 schrieb Tom Ritchford:</DIV><BR=20
    class=3DApple-interchange-newline>
    <BLOCKQUOTE type=3D"cite">Hello, Loopers.&nbsp; I'm very happy to =
announce=20
      the return of openLoop <A =
href=3D"http://loopny.com/">http://loopny.com/</A>=20
      at the Jack the Pelican Presents gallery <A=20
      =
href=3D"http://jackthepelicanpresents.com/">http://jackthepelicanpresents=
.com/</A>,=20
      as part of the Northside Arts Festival.&nbsp; <A=20
      =
href=3D"http://www.northsidefestival.com/">http://www.northsidefestival.c=
om/</A><BR><BR>I'll=20
      be starting to loop around 6PM and we'll be going =
late.&nbsp;&nbsp;=20
      <BR><BR>I'll send the finalized information closer to the date but =
I'd=20
      also like to call for loopers who wish to participate in this =
activity to=20
      contact me!<BR><BR>There's no pay but there are a gazillion people =
and=20
      press and I'll be documenting and recording all of it.<BR><BR>(In =
fact, I=20
      have all four days suddenly - Thursday's openLoop, Friday's =
probably DJs,=20
      Saturday is bands and groups, Sunday's acoustic, so if you have =
something=20
      entertaining that you'd like to show off in a gallery, lay it on=20
      me.)<BR><BR>loop on....<BR clear=3Dall><BR>-- <BR>&nbsp; &nbsp;=20
    /t<BR><BR></BLOCKQUOTE></DIV><BR></DIV></BLOCKQUOTE>
  <P>
  <HR>

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  Date: 06/07/09 05:53:00<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jun  7 23:05:50 2009
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From: Omid Shirazi <smoking@guru-records.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=Apple-Mail-1--179223222
Subject: Selfmade AV Loopinginstrument
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Hi everybody,

lately i sent my latest demo on my selfmade av instrument around, but  
it seemed not getting through:
http://www.youtube.com/watch?v=crnYUibe7zs&feature=channel_page

I am working now about one year with it, but finding still every day  
new abilities of it:)
Hope you enjoy,
Omid

audio visual artist
mailto: smoking@guru-records.com
phone: +49-178-78 52 223


--Apple-Mail-1--179223222
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi =
everybody,<div><br></div><div>lately i sent my latest demo on my =
selfmade av instrument around, but it seemed not getting =
through:</div><div><a =
href=3D"http://www.youtube.com/watch?v=3DcrnYUibe7zs&amp;feature=3Dchannel=
_page">http://www.youtube.com/watch?v=3DcrnYUibe7zs&amp;feature=3Dchannel_=
page</a></div><div><br></div><div>I am working now about one year with =
it, but finding still every day new abilities of it:)</div><div>Hope you =
enjoy,</div><div>Omid</div><div><div apple-content-edited=3D"true"> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Arial; font-size: 13px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><br>audio visual artist</div><div>mailto: <a =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</a></div=
><div>phone: +49-178-78 52 223</div></div></span> =
</div><br></div></body></html>=

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Subject: Re: Selfmade AV Loopinginstrument
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is that a Repeater in there?? neat!

On Jun 7, 2009, at 4:05 PM, Omid Shirazi wrote:

> Hi everybody,
>
> lately i sent my latest demo on my selfmade av instrument around,  
> but it seemed not getting through:
> http://www.youtube.com/watch?v=crnYUibe7zs&feature=channel_page
>
> I am working now about one year with it, but finding still every day  
> new abilities of it:)
> Hope you enjoy,
> Omid
>
> audio visual artist
> mailto: smoking@guru-records.com
> phone: +49-178-78 52 223
>


--Apple-Mail-1--165413651
Content-Type: text/html;
	charset=US-ASCII
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">is that a Repeater in there?? =
neat!<div><br><div><div>On Jun 7, 2009, at 4:05 PM, Omid Shirazi =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: =
space; -webkit-line-break: after-white-space; ">Hi =
everybody,<div><br></div><div>lately i sent my latest demo on my =
selfmade av instrument around, but it seemed not getting =
through:</div><div><a =
href=3D"http://www.youtube.com/watch?v=3DcrnYUibe7zs&amp;feature=3Dchannel=
_page">http://www.youtube.com/watch?v=3DcrnYUibe7zs&amp;feature=3Dchannel_=
page</a></div><div><br></div><div>I am working now about one year with =
it, but finding still every day new abilities of it:)</div><div>Hope you =
enjoy,</div><div>Omid</div><div><div apple-content-edited=3D"true"> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Arial; font-size: 13px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><br>audio visual artist</div><div>mailto: <a =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</a></div=
><div>phone: +49-178-78 52 223</div></div></span> =
</div><br></div></div></blockquote></div><br></div></body></html>=

--Apple-Mail-1--165413651--

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From Loopers-Delight-request@loopers-delight.com  Mon Jun  8 04:24:41 2009
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mucho farkin incredible
awesome invention =3DD=20


fro





From: smoking@guru-records.com
To: Loopers-Delight@loopers-delight.com
Subject: Selfmade AV Loopinginstrument
Date: Mon=2C 8 Jun 2009 01:05:49 +0200

Hi everybody=2C
lately i sent my latest demo on my selfmade av instrument around=2C but it =
seemed not getting through:http://www.youtube.com/watch?v=3DcrnYUibe7zs&fea=
ture=3Dchannel_page
I am working now about one year with it=2C but finding still every day new =
abilities of it:)Hope you enjoy=2COmid=20
audio visual artistmailto: smoking@guru-records.comphone: +49-178-78 52 223=
=20

_________________________________________________________________
Hotmail=AE has ever-growing storage! Don=92t worry about storage limits.=20
http://windowslive.com/Tutorial/Hotmail/Storage?ocid=3DTXT_TAGLM_WL_HM_Tuto=
rial_Storage_062009=

--_926a793e-512b-49f3-a5fa-2031764447a6_
Content-Type: text/html; charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
mucho farkin incredible<br>awesome invention =3DD <br><br><br>fro<br><br><b=
r><br><br><br><hr id=3D"stopSpelling">From: smoking@guru-records.com<br>To:=
 Loopers-Delight@loopers-delight.com<br>Subject: Selfmade AV Loopinginstrum=
ent<br>Date: Mon=2C 8 Jun 2009 01:05:49 +0200<br><br>Hi everybody=2C<div><b=
r></div><div>lately i sent my latest demo on my selfmade av instrument arou=
nd=2C but it seemed not getting through:</div><div><a>http://www.youtube.co=
m/watch?v=3DcrnYUibe7zs&amp=3Bfeature=3Dchannel_page</a></div><div><br></di=
v><div>I am working now about one year with it=2C but finding still every d=
ay new abilities of it:)</div><div>Hope you enjoy=2C</div><div>Omid</div><d=
iv><div> <span class=3D"EC_Apple-style-span" style=3D"border-collapse: sepa=
rate=3B color: rgb(0=2C 0=2C 0)=3B font-family: Arial=3B font-size: 13px=3B=
 font-style: normal=3B font-variant: normal=3B font-weight: normal=3B lette=
r-spacing: normal=3B line-height: normal=3B text-indent: 0px=3B text-transf=
orm: none=3B white-space: normal=3B word-spacing: 0px=3B"><div style=3D""><=
div><br>audio visual artist</div><div>mailto: <a>smoking@guru-records.com</=
a></div><div>phone: +49-178-78 52 223</div></div></span> </div><br></div><b=
r /><hr />Hotmail=AE has ever-growing storage! Don=92t worry about storage =
limits. <a href=3D'http://windowslive.com/Tutorial/Hotmail/Storage?ocid=3DT=
XT_TAGLM_WL_HM_Tutorial_Storage_062009' target=3D'_new'>Check it out.</a></=
body>
</html>=

--_926a793e-512b-49f3-a5fa-2031764447a6_--

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=0D=0A<html>=0D=0A<meta http-equiv=3D"Content-Type" content=3D"text/css;=
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=0D=0A                    <img src=3D"http://x.myspace.com/Modules/Messaging/Static/img/HeaderLogoNotifications.gif"=
=0D=0A                        alt=3D"MySpace.com - A Place for Friends"=
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=0D=0A        </tr>=0D=0A        <tr>=0D=0A            <td style=3D"color:=
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=0D=0A                padding: 25px 15px;">=0D=0A                <p style=3D"margin-top:=
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=0D=0A                    is a member of the MySpace community and we are=
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=0D=0A                    [@AuthorDisplayName]</p>=0D=0A               =
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=0D=0A                            <a href=3D"http://www.myspace.com/charlottemagon">=
=0D=0A                                <img src=3D"http://c1.ac-images.myspacecdn.com/images02/67/s_0f931a407e9b47f9828380f39df2f4cc.jpg"=
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                               to join!=0D=0A                          =
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=0D=0A                </table>=0D=0A                <table>=0D=0A      =
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From englandoffice@sifymail.com  Mon Jun  8 07:01:13 2009
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Date: Sun, 7 Jun 2009 19:41:19 -0600 (MDT)
From: englandoffice@sifymail.com
To: looparc@loopers-delight.com
Message-ID: <277946218.1722991244425279304.JavaMail.cfmx@msmprdcf.byu.edu>
Subject: OBHR Conference 2009
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        Now we have arranged your payment of ( $900,000,00.USD)  united state
dollars in ATM card to be sent to you through western union money transfer
payment:

Your payment will sending to you by western union, the amount you will
receive per day is $7,000 the minister trust funds of Ghana Republic will send you the currently standards track details you need to pick up your ($7,000) payment by western union, you will receive every two days till you receive the $900.000.00 united state dollars, now no need to send you this ATM card because you can not be able to withdraw the ATM card due to the ATM master card contain large money on it.

The director administrator trust funds have already signed your payment,now you are free to comply with payment office on this email:
(gh.western.union@neu.com.cn )

However, kindly contact the below person who is in position to release
your payment by western union per $7,000 a day.

Mr.Jeff Anni.,
E-mail: (gh.western.union@neu.com.cn)

The financial western union payment canter has been mandated to issue out your payment and you have to stop any further communication with any other person(s) or office(s) to avoid any hitches in receiving your payment.

Note that the administrator payment need this details from you to process
your payment:

Receiver name---------------
Country---------------------
City------------------------
Tel-------------------------
Test question---------------
Answer----------------------

Kindly comply with him because as soon as you sent this required details to Mr.Kone Guci he will start sending your payment.

Regards,
Dr.Adams Jamil.
            
        
      
        

From tiia.harinen@edu.hel.fi  Mon Jun  8 07:15:33 2009
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From: Harinen Tiia Emilia <tiia.harinen@edu.hel.fi>
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Date: Mon, 08 Jun 2009 07:18:14 +0100
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Subject: FILE FOR YOUR CLAIM 
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To: undisclosed-recipients:;

This is a multi-part message in MIME format.

----7195760611a046d4a44c
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Dear Lucky Winner, 

This is to inform you that your e-mail has been selected for a cash prize of 
1,500,000.00 British Pounds held on the 4th june 2009 in uk lottery in 
London. 
Fill the below information: 

1. Name: 2. Address 3. Marital Status: 4. Occupation: 5. Age:6. Sex: 7. 
Nationality: 8. Country of Residence: 9. Telephone Number: 

FILE FOR YOUR CLAIM CONTACT, 
MR.MRAK GREEN 
Email:mrmarkgreen04@hotmail.com 
Regards 
Mike Vilasma

----7195760611a046d4a44c
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<BODY><BR><BR>Dear Lucky Winner, <BR><BR>This is to inform you that your e-mail has been selected for a cash prize of <BR>1,500,000.00 British Pounds held on the 4th june 2009 in uk lottery in <BR>London. <BR>Fill the below information: <BR><BR>1. Name: 2. Address 3. Marital Status: 4. Occupation: 5. Age:6. Sex: 7. <BR>Nationality: 8. Country of Residence: 9. Telephone Number: <BR><BR>FILE FOR YOUR CLAIM CONTACT, <BR>MR.MRAK GREEN <BR>Email:mrmarkgreen04@hotmail.com <BR>Regards <BR>Mike Vilasma<BR><BR></BODY>

----7195760611a046d4a44c--

From Loopers-Delight-request@loopers-delight.com  Mon Jun  8 08:36:31 2009
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just created a Flickr group for photos from the loopfest that took place in
Rome this Saturday. If you were there please upload your photos too. I've
just started uploading so please check in later to see some of my photos. 
http://www.flickr.com/groups/loopfestrome2009/

-Michael

From Loopers-Delight-request@loopers-delight.com  Mon Jun  8 09:21:53 2009
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Subject: Re: Selfmade AV Loopinginstrument
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--0015174c0ee4a627fb046bd2c51f
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Come on... some explanation Omid... its a repeater, and a AirFX.. what else
is in that amazing machine, hows it wired up??? Whats that on the
"fretboard" what do the knob do below the repeater... tell all...!!

Mark

On Mon, Jun 8, 2009 at 6:24 AM, FRO DIDDLY <parispro00@hotmail.com> wrote:

>  mucho farkin incredible
> awesome invention =3DD
>
>
> fro
>
>
>
>
>
> ------------------------------
> From: smoking@guru-records.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Selfmade AV Loopinginstrument
> Date: Mon, 8 Jun 2009 01:05:49 +0200
>
>
> Hi everybody,
> lately i sent my latest demo on my selfmade av instrument around, but it
> seemed not getting through:
> http://www.youtube.com/watch?v=3DcrnYUibe7zs&feature=3Dchannel_page
>
> I am working now about one year with it, but finding still every day new
> abilities of it:)
> Hope you enjoy,
> Omid
>
> audio visual artist
> mailto: smoking@guru-records.com
> phone: +49-178-78 52 223
>
>
> ------------------------------
> Hotmail=AE has ever-growing storage! Don=92t worry about storage limits. =
Check
> it out.<http://windowslive.com/Tutorial/Hotmail/Storage?ocid=3DTXT_TAGLM_=
WL_HM_Tutorial_Storage_062009>
>



--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--0015174c0ee4a627fb046bd2c51f
Content-Type: text/html; charset=windows-1252
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Come on... some explanation Omid... its a repeater, and a AirFX.. what else=
 is in that amazing machine, hows it wired up??? Whats that on the &quot;fr=
etboard&quot; what do the knob do below the repeater... tell all...!!<br>

<br>Mark<br><br><div class=3D"gmail_quote">On Mon, Jun 8, 2009 at 6:24 AM, =
FRO DIDDLY <span dir=3D"ltr">&lt;<a href=3D"mailto:parispro00@hotmail.com">=
parispro00@hotmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt =
0pt 0.8ex; padding-left: 1ex;">





<div>
mucho farkin incredible<br>awesome invention =3DD <br><br><br>fro<br><br><b=
r><br><br><br><hr>From: <a href=3D"mailto:smoking@guru-records.com" target=
=3D"_blank">smoking@guru-records.com</a><br>To: <a href=3D"mailto:Loopers-D=
elight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-delig=
ht.com</a><br>

Subject: Selfmade AV Loopinginstrument<br>Date: Mon, 8 Jun 2009 01:05:49 +0=
200<div><div></div><div class=3D"h5"><br><br>Hi everybody,<div><br></div><d=
iv>lately i sent my latest demo on my selfmade av instrument around, but it=
 seemed not getting through:</div>

<div><a>http://www.youtube.com/watch?v=3DcrnYUibe7zs&amp;feature=3Dchannel_=
page</a></div><div><br></div><div>I am working now about one year with it, =
but finding still every day new abilities of it:)</div><div>Hope you enjoy,=
</div>

<div>Omid</div><div><div> <span style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Arial; font-size: 13px; font-style: normal; font=
-variant: normal; font-weight: normal; letter-spacing: normal; line-height:=
 normal; text-indent: 0px; text-transform: none; white-space: normal; word-=
spacing: 0px;"><div>

<div><br>audio visual artist</div><div>mailto: <a>smoking@guru-records.com<=
/a></div><div>phone: +49-178-78 52 223</div></div></span> </div><br></div><=
br></div></div><div class=3D"hm"><hr>Hotmail=AE has ever-growing storage! D=
on=92t worry about storage limits. <a href=3D"http://windowslive.com/Tutori=
al/Hotmail/Storage?ocid=3DTXT_TAGLM_WL_HM_Tutorial_Storage_062009" target=
=3D"_blank">Check it out.</a></div>

</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174c0ee4a627fb046bd2c51f--

From Loopers-Delight-request@loopers-delight.com  Mon Jun  8 15:42:15 2009
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Date: Tue, 9 Jun 2009 00:42:08 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech3@m3ch.net>
Subject: Re: Selfmade AV Loopinginstrument
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At 11:21 AM +0200 6/8/09, mark francombe wrote:
>Come on... some explanation Omid... its a repeater, and a AirFX.. 
>what else is in that amazing machine, hows it wired up??? Whats that 
>on the "fretboard" what do the knob do below the repeater... tell 
>all...!!

My money's not on an AirFX, but rather a cannibalized Alesis Photon 
X25 controller ( 
http://www.alesis.com/contentmgr/showdetails.php/id/5565/tt/5 )

That would make it easier to use the IR to control the Repeater 
functions (via MIDI) .  Additionally, some of the extra knobs you see 
on the face of the instrument have the same form factor as the rotary 
controllers of the X25.  And the MIDI functions might help control 
some of the pedal effects (TC Helicon VoiceLive?) on the floor.

Not yet sure about the fretboard thingie, though.

Just my $.02.

	--m.
-- 
_____
"take one step outside yourself. the whole path lasts no longer than 
one step..."

From Loopers-Delight-request@loopers-delight.com  Mon Jun  8 17:57:05 2009
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Date: Mon, 8 Jun 2009 19:57:04 +0200
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Subject: Re: Rome Loopfest photos
From: Per Boysen <perboysen@gmail.com>
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On Mon, Jun 8, 2009 at 10:36 AM, Michael Peters<mp@mpeters.de> wrote:
> just created a Flickr group for photos from the loopfest that took place in
> Rome this Saturday. If you were there please upload your photos too. I've
> just started uploading so please check in later to see some of my photos.
> http://www.flickr.com/groups/loopfestrome2009/

Ok, I just uploaded a bunch of pictures and videos from my crappy Sony
Ericsson. But I'm afraid there is more pasta and cornetti than gear
and looping. Some shots from Florence/Firenze as well.

I would also like to thank Massimiliano Liverani and Fabio Anile for
the great job they did with the two festivals in Florence and Rome!
With Sjaaks excellent event in Antwerp that makes three great
festivals on a row. Cool!

I heard recordings were done and hoping something will appear online.
A favorite of mine was Koan Loop Orchestra that played in Firence: big
band with lots of looping musicians improvising together. Many others
are also my favorites... actually everything was very interesting
listening if you ask me. A wonderful experience getting to hear it
all!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Jun  8 19:11:37 2009
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Date: Mon, 8 Jun 2009 15:11:34 -0400
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Subject: Re: Rome Loopfest photos
From: Jim Goodin <jimgoodinmusic@gmail.com>
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these are all GREAT moments Michael/Per!  I particularly like the 'ice
cream' photo whoever that may be.  the afterhours pix speak volumes of
success as well.  thanks for sharing for those like me who can't be there
these days though with the advent of doing ustream casts of late, maybe at
some point some of us can come in ala KyberUstreamVideoMojo...

jim
www.ustream.tv/channel/sunday-morning-at-11

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<div>these are all GREAT moments Michael/Per!=A0 I particularly like the &#=
39;ice cream&#39; photo whoever that may be.=A0 the afterhours pix speak vo=
lumes of success as well.=A0 thanks for sharing for those like me who can&#=
39;t be there these days though with the advent of doing ustream casts of l=
ate, maybe at some point some of us can come in ala KyberUstreamVideoMojo..=
.</div>

<div>=A0</div>
<div>jim</div>
<div><a href=3D"http://www.ustream.tv/channel/sunday-morning-at-11">www.ust=
ream.tv/channel/sunday-morning-at-11</a></div>

--001636c5b351b87a99046bdb023b--

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From: mark francombe <mark@markfrancombe.com>
Date: Mon, 8 Jun 2009 22:43:42 +0200
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Im still going for AirFX, the surface looks the right size, and... well I
recognise th patch... that is filtering the repeater...!

m

On Mon, Jun 8, 2009 at 5:42 PM, Mech <mech3@m3ch.net> wrote:

> At 11:21 AM +0200 6/8/09, mark francombe wrote:
>
>> Come on... some explanation Omid... its a repeater, and a AirFX.. what
>> else is in that amazing machine, hows it wired up??? Whats that on the
>> "fretboard" what do the knob do below the repeater... tell all...!!
>>
>
> My money's not on an AirFX, but rather a cannibalized Alesis Photon X25
> controller ( http://www.alesis.com/contentmgr/showdetails.php/id/5565/tt/5)
>
> That would make it easier to use the IR to control the Repeater functions
> (via MIDI) .  Additionally, some of the extra knobs you see on the face of
> the instrument have the same form factor as the rotary controllers of the
> X25.  And the MIDI functions might help control some of the pedal effects
> (TC Helicon VoiceLive?) on the floor.
>
> Not yet sure about the fretboard thingie, though.
>
> Just my $.02.
>
>        --m.
> --
> _____
> "take one step outside yourself. the whole path lasts no longer than one
> step..."
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174bdf2862c7a7046bdc4d42
Content-Type: text/html; charset=ISO-8859-1
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Im still going for AirFX, the surface looks the right size, and... well I r=
ecognise th patch... that is filtering the repeater...!<br><br>m<br><br><di=
v class=3D"gmail_quote">On Mon, Jun 8, 2009 at 5:42 PM, Mech <span dir=3D"l=
tr">&lt;<a href=3D"mailto:mech3@m3ch.net">mech3@m3ch.net</a>&gt;</span> wro=
te:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">At 11:21 AM +0200=
 6/8/09, mark francombe wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Come on... some explanation Omid... its a repeater, and a AirFX.. what else=
 is in that amazing machine, hows it wired up??? Whats that on the &quot;fr=
etboard&quot; what do the knob do below the repeater... tell all...!!<br>


</blockquote>
<br>
My money&#39;s not on an AirFX, but rather a cannibalized Alesis Photon X25=
 controller ( <a href=3D"http://www.alesis.com/contentmgr/showdetails.php/i=
d/5565/tt/5" target=3D"_blank">http://www.alesis.com/contentmgr/showdetails=
.php/id/5565/tt/5</a> )<br>


<br>
That would make it easier to use the IR to control the Repeater functions (=
via MIDI) . =A0Additionally, some of the extra knobs you see on the face of=
 the instrument have the same form factor as the rotary controllers of the =
X25. =A0And the MIDI functions might help control some of the pedal effects=
 (TC Helicon VoiceLive?) on the floor.<br>


<br>
Not yet sure about the fretboard thingie, though.<br>
<br>
Just my $.02.<br>
<br>
 =A0 =A0 =A0 =A0--m.<br><font color=3D"#888888">
-- <br>
_____<br>
&quot;take one step outside yourself. the whole path lasts no longer than o=
ne step...&quot;<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174bdf2862c7a7046bdc4d42--

From Loopers-Delight-request@loopers-delight.com  Mon Jun  8 20:58:01 2009
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From: "William Walker" <billwalker@baymoon.com>
To: "'Michael Peters'" <mp@mpeters.de>, <Loopers-Delight@loopers-delight.com>
References: <00c001c9e814$3807e040$14b2a8c0@mpeserver>
Subject: RE: Rome Loopfest photos
Date: Mon, 8 Jun 2009 13:57:58 -0700
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Thanks for that Michael, it's almost like being there, with the exception of
the great music, atmosphere and camaraderie, looks like a great event and it
was great to see everyone's faces. Great photos Per, congrats to all.
Bill

-----Original Message-----
From: Michael Peters [mailto:mp@mpeters.de] 
Sent: Monday, June 08, 2009 1:36 AM
To: Loopers Delight
Subject: Rome Loopfest photos

just created a Flickr group for photos from the loopfest that took place in
Rome this Saturday. If you were there please upload your photos too. I've
just started uploading so please check in later to see some of my photos. 
http://www.flickr.com/groups/loopfestrome2009/

-Michael

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 04:13:46 2009
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Date: Mon, 08 Jun 2009 23:53:44 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: 06.20.09 A high energy evening --Doctor T and Dennis Warren's Quantum
 Trio
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
 Loopers-Delight@loopers-delight.com, atari-midi@yahoogroups.com,
 FRAMEWORKS@LISTSERV.AOL.COM
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Hi folks,

I'll be doing a high energy show at 119 Gallery in Lowell with Dennis 
Warren's FMRJE Quantum Trio. Acid, Out, Jazz, Funk, and, of course, 
Video.

at the lovely119 Gallery
119 Chelmsford St
Lowell, MA 01851
8:30 PM
  http://www.119gallery.org/

Culinary note: There is an outstanding Cambodian restaurant next door 
to the gallery.





-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 08:52:33 2009
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Subject: Re: LD: Your opinions please - Terratec Axon AX 50
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for what is worth=0A=0Ahttp://www.soundonsound.com/sos/oct07/articles/AxonA=
X50USB.htm=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A--- phaslem@wightman=
.ca <phaslem@wightman.ca> schrieb am Mo, 1.6.2009:=0A=0A> Von: phaslem@wigh=
tman.ca <phaslem@wightman.ca>=0A> Betreff: Re: LD: Your opinions please - T=
erratec Axon AX 50=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: M=
ontag, 1. Juni 2009, 14:51=0A> I had a yamaha G50 and was never very=0A> ha=
ppy with the tracking. I was using it with a roland GK 2=0A> pickup after s=
everal months of playing around with it=0A> finally gave up and sold it off=
 on ebay. I recently picked=0A> up an axion ax50 and using it with the same=
 guitar, though I=0A> have since installed a graphtech ghost pickup, and it=
 is=0A> worlds apart different from my experience with the G50. The=0A> tra=
cking is instant and I have had very little adjustments=0A> to make in my p=
laying style. I'm running it through Reason 4=0A> and having an absolute bl=
ast playing cello and basoon parts=0A> with my guitar.=0A> =0A> I can't mak=
e any comments about midi mapping... I still=0A> don't really understand th=
e whole midi thing. I like things=0A> that plug in and pretty much work the=
 way I expect them to.=0A> =0A> regards,=0A> =0A> Paul Haslem=0A> Ontario, =
Canada=0A> www.dulcify.ca=0A> =0A> =0A> =0A> =0A> =0A> Quoting andy butler =
<akbutler@tiscali.co.uk>:=0A> =0A> > Ricky Graham wrote:=0A> >> Hello Folks=
,=0A> >> I intend to use it for MIDI mapping=0A> predominantly.=0A> > =0A> =
> ?=0A> > =0A> >> I'm not too bothered about sounds with the=0A> software. =
Your opinions would be fully appreciated.=0A> >> Best,=0A> >> Ricky=0A> > =
=0A> > Axon is the quickest responding guitar to midi=0A> system.=0A> > It'=
s optimised for strat with Roland GK type p/u when=0A> using a plectrum. (b=
ut for other guitars it's still the=0A> fastest system).=0A> > =0A> > The u=
sb possibly makes it a bit faster for soft synth=0A> use.=0A> > =0A> > Apar=
t from the usb, it's not that different to the=0A> Yamaha G50, which can be=
 bought on ebay (=A3103 =A3143 last=0A> two I saw)=0A> > =0A> > Actually, I=
 should do a comparison with AX100 versus=0A> G50.=0A> > It's conceivable t=
he Axon tech got better since G50=0A> days.=0A> > =0A> > andy butler=0A> > =
=0A> > =0A> =0A> =0A=0A=0A      

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My Name Is Mrs Esther Baraba
=20
Permit me to inform you of my desire to introduce to you into this humanita=
rians work. I decided to do this after praying over the situation. You shou=
ld please consider the transaction on its content and not the fact that you=
 have not known me before. I need not dwell on how I came by your contact i=
nformation because there are many such possibilities these days.I would lik=
e to introduce myself as Mrs. Esther Baraba=2Cof Republic of Benin=2Cwidow =
to Late Dr. Thomas Baraba (formal Consular of the Benin Embassy in Madrid=
=2C Spain. I have been recently diagnose of Cancer of the Pelvics. I am wri=
ting to you now from my sick bed here in the hospital.
=20
There is  $18.5M ((Eighteen Million Five Hundred Thousand United State Doll=
ars)) my husband has in an account with the GTB. GUARANTY TRUST BANK (BENIN=
) of which I am the next of kin. With my health condition and because my hu=
sband and I have no child=2CI decide to contact you so that I will pass the=
 right of next of kin to you. I will send to you the documents that covers =
the fund with GTB which You will apply to the bank and request for the tran=
sfering of the fund to your own bank account.
=20
This is on the condition that you will take only 25% of the fund for yourse=
lf=2C 5% for any expenses=2C while you will use the remaining 70% for the l=
ess privileges people in the society.=20
=20
This is in fulfillment of the last request of my late husband: that a subst=
antial part of the fund be used to carter for the less privilege people=2C =
If this condition is acceptable to you=2C you should contact me immediately=
 with your full names and contact information's so that i will have the tru=
st to pass the right of next of kin to you. So as soon as i receive your fu=
ll names with your full address i will proceed to send you all the document=
s covering the fund which you will send to the bank for the release of the =
fund to you.

I cannot predict what will be my fate by the time the fund will be transfer=
red into your account=2C but you should please ensure that the fund is used=
 as i have described above.

I look forward to your immediate response=2C

=20
Yours Faithfully=2C

Mrs. Esther Baraba.=

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<DIV id=3Dyiv1169732711>
<DIV><STRONG>My Name Is Mrs Esther Baraba</STRONG></DIV>
<DIV><STRONG></STRONG>&nbsp=3B</DIV>
<DIV><STRONG>Permit me to inform you of my desire to introduce to you into =
this humanitarians work. I decided to do this after praying over the situat=
ion. You should please consider the transaction on its content and not the =
fact that you have not known me before. I need not dwell on how I came by y=
our contact information because there are many such possibilities these day=
s.I would like to introduce myself as Mrs. Esther Baraba=2Cof Republic of B=
enin=2Cwidow to Late Dr. </STRONG><STRONG>Thomas Baraba (formal Consular of=
 the Benin Embassy in Madrid=2C Spain. I have been recently diagnose of Can=
cer of the Pelvics. I am writing to you now from my sick bed here in the ho=
spital.</STRONG></DIV>
<DIV><STRONG></STRONG>&nbsp=3B</DIV>
<DIV><STRONG>There is&nbsp=3B $18.5M ((Eighteen Million Five Hundred Thousa=
nd United State Dollars)) my husband has in an account with the GTB. GUARAN=
TY TRUST BANK (BENIN) of which I am the next of kin. With my health conditi=
on and because my husband and I have no child=2CI decide to contact you so =
that I will pass the right of next of kin to you. I will send to you the do=
cuments that covers the fund with GTB which You will apply to the bank and =
request for the transfering of the fund to your own bank account.</STRONG><=
/DIV>
<DIV><STRONG></STRONG>&nbsp=3B</DIV>
<DIV><STRONG>This is on the condition that you will take only 25% of the fu=
nd for yourself=2C 5% for any expenses=2C while you will use the remaining =
70% for the less privileges people in the society. </STRONG></DIV>
<DIV><STRONG></STRONG>&nbsp=3B</DIV>
<DIV><STRONG>This is in fulfillment of the last request of my late husband:=
 that a substantial part of the fund be used to carter for the less privile=
ge people=2C If this condition is acceptable to you=2C you should contact m=
e immediately with your full names and contact information's so that i will=
 have the trust to pass the right of next of kin to you. So as soon as i re=
ceive your full names with your full address i will proceed to send you all=
 the documents covering the fund which you will send to the bank for the re=
lease of the fund to you.</STRONG></DIV>
<DIV><BR><STRONG>I cannot predict what will be my fate by the time the fund=
 will be transferred into your account=2C but you should please ensure that=
 the fund is used as i have described above.<BR></STRONG></DIV>
<DIV><STRONG>I look forward to your immediate response=2C<BR></DIV></STRONG=
>
<DIV><STRONG></STRONG>&nbsp=3B</DIV>
<DIV><STRONG>Yours Faithfully=2C<BR></DIV></STRONG>
<DIV><STRONG>Mrs. Esther Baraba.</STRONG></DIV></DIV></body>
</html>=

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My Name Is Mrs Esther Baraba
=20
Permit me to inform you of my desire to introduce to you into this humanita=
rians work. I decided to do this after praying over the situation. You shou=
ld please consider the transaction on its content and not the fact that you=
 have not known me before. I need not dwell on how I came by your contact i=
nformation because there are many such possibilities these days.I would lik=
e to introduce myself as Mrs. Esther Baraba=2Cof Republic of Benin=2Cwidow =
to Late Dr. Thomas Baraba (formal Consular of the Benin Embassy in Madrid=
=2C Spain. I have been recently diagnose of Cancer of the Pelvics. I am wri=
ting to you now from my sick bed here in the hospital.
=20
There is  $18.5M ((Eighteen Million Five Hundred Thousand United State Doll=
ars)) my husband has in an account with the GTB. GUARANTY TRUST BANK (BENIN=
) of which I am the next of kin. With my health condition and because my hu=
sband and I have no child=2CI decide to contact you so that I will pass the=
 right of next of kin to you. I will send to you the documents that covers =
the fund with GTB which You will apply to the bank and request for the tran=
sfering of the fund to your own bank account.
=20
This is on the condition that you will take only 25% of the fund for yourse=
lf=2C 5% for any expenses=2C while you will use the remaining 70% for the l=
ess privileges people in the society.=20
=20
This is in fulfillment of the last request of my late husband: that a subst=
antial part of the fund be used to carter for the less privilege people=2C =
If this condition is acceptable to you=2C you should contact me immediately=
 with your full names and contact information's so that i will have the tru=
st to pass the right of next of kin to you. So as soon as i receive your fu=
ll names with your full address i will proceed to send you all the document=
s covering the fund which you will send to the bank for the release of the =
fund to you.

I cannot predict what will be my fate by the time the fund will be transfer=
red into your account=2C but you should please ensure that the fund is used=
 as i have described above.

I look forward to your immediate response=2C

=20
Yours Faithfully=2C

Mrs. Esther Baraba.=

--_611dbf39-b3b0-48f3-babd-7154132d631d_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
<DIV id=3Dyiv1169732711>
<DIV><STRONG>My Name Is Mrs Esther Baraba</STRONG></DIV>
<DIV><STRONG></STRONG>&nbsp=3B</DIV>
<DIV><STRONG>Permit me to inform you of my desire to introduce to you into =
this humanitarians work. I decided to do this after praying over the situat=
ion. You should please consider the transaction on its content and not the =
fact that you have not known me before. I need not dwell on how I came by y=
our contact information because there are many such possibilities these day=
s.I would like to introduce myself as Mrs. Esther Baraba=2Cof Republic of B=
enin=2Cwidow to Late Dr. </STRONG><STRONG>Thomas Baraba (formal Consular of=
 the Benin Embassy in Madrid=2C Spain. I have been recently diagnose of Can=
cer of the Pelvics. I am writing to you now from my sick bed here in the ho=
spital.</STRONG></DIV>
<DIV><STRONG></STRONG>&nbsp=3B</DIV>
<DIV><STRONG>There is&nbsp=3B $18.5M ((Eighteen Million Five Hundred Thousa=
nd United State Dollars)) my husband has in an account with the GTB. GUARAN=
TY TRUST BANK (BENIN) of which I am the next of kin. With my health conditi=
on and because my husband and I have no child=2CI decide to contact you so =
that I will pass the right of next of kin to you. I will send to you the do=
cuments that covers the fund with GTB which You will apply to the bank and =
request for the transfering of the fund to your own bank account.</STRONG><=
/DIV>
<DIV><STRONG></STRONG>&nbsp=3B</DIV>
<DIV><STRONG>This is on the condition that you will take only 25% of the fu=
nd for yourself=2C 5% for any expenses=2C while you will use the remaining =
70% for the less privileges people in the society. </STRONG></DIV>
<DIV><STRONG></STRONG>&nbsp=3B</DIV>
<DIV><STRONG>This is in fulfillment of the last request of my late husband:=
 that a substantial part of the fund be used to carter for the less privile=
ge people=2C If this condition is acceptable to you=2C you should contact m=
e immediately with your full names and contact information's so that i will=
 have the trust to pass the right of next of kin to you. So as soon as i re=
ceive your full names with your full address i will proceed to send you all=
 the documents covering the fund which you will send to the bank for the re=
lease of the fund to you.</STRONG></DIV>
<DIV><BR><STRONG>I cannot predict what will be my fate by the time the fund=
 will be transferred into your account=2C but you should please ensure that=
 the fund is used as i have described above.<BR></STRONG></DIV>
<DIV><STRONG>I look forward to your immediate response=2C<BR></DIV></STRONG=
>
<DIV><STRONG></STRONG>&nbsp=3B</DIV>
<DIV><STRONG>Yours Faithfully=2C<BR></DIV></STRONG>
<DIV><STRONG>Mrs. Esther Baraba.</STRONG></DIV></DIV></body>
</html>=

--_611dbf39-b3b0-48f3-babd-7154132d631d_--

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 09:32:58 2009
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Date: Tue, 9 Jun 2009 09:32:56 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: thinking about moving from rack to laptop...advice please!
To: Loopers-Delight@loopers-delight.com
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excellent link mark thanx for posting it,so what is your current setup at t=
he moment?=0A=0A=0A> =0A> Guitar players didn't fare really well in this sh=
owdown:=0A> =0A> http://emusician.com/tutorials/showdown-clubhouse-amp-soft=
ware/index.html=0A> =0A> So, will your software rig sound the same as your =
current=0A> hardware=0A> rig?=A0 No.=A0 It most definitely won't. Will it=
=0A> sound worse?=A0 That's up=0A> to you.=A0=A0=A0In many ways I think my =
setup=0A> sounds better than it ever=0A> has.=A0=A0=A0Luckily, most softwar=
e comes with a=0A> demo so you can try before=0A> you buy.=0A> =0A=0A=0A=0A=
      

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 09:43:14 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Rome Loopfest photos
Date: Tue, 9 Jun 2009 11:42:55 +0200
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> From: Michael Peters [mailto:mp@mpeters.de] 
> http://www.flickr.com/groups/loopfestrome2009/

Thx, I've added mine as well and now I'm going to dig out my cell phone ;)

Sjaak


From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 09:44:22 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Antwerp Loopfest - video
Date: Tue, 9 Jun 2009 11:44:09 +0200
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I've added mine as well :)
http://www.flickr.com/groups/antwerp_loopfest_2009/

--- 
Sjaak
http://sjaakovergaauw.com/


From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 11:06:41 2009
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Date: Tue, 9 Jun 2009 03:59:59 -0700 (PDT)
From: AKIM TRIEBSCH <atriebsch@yahoo.com>
Subject: RE: Antwerp Loopfest - video
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--0-1487171237-1244545199=:85255
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Hi Sjaak,
How are you doing? =A0Looks like the Rome and Florence festivals were lots =
of fun! =A0The gelato in Italy is great don't you think ;-)? =A0Your email =
says something about video but I couldn't find any? =A0Is there any video a=
vailable yet?
Also, I spoke to UFO and he would rather recieve cash. =A0Is it possible fo=
r us to get together next time I am in Antwerp? =A0Or if you are coming to =
Brussels let me know. =A0Actually I am not scheduled to play in Antwerp unt=
il July 24th...so that is a while a way. =A0I am sorry to play the middle m=
an here. =A0I am just trying to help UFO. =A0But perhaps you can work it ou=
t with him and just mail the money to him.
let me know about the video. =A0THanks. =A0Talk soon,
Akim



From: Sjaak <tcplugin@scarlet.be>
Subject: RE: Antwerp Loopfest - video
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, June 9, 2009, 2:44 AM


I've added mine as well :)
http://www.flickr.com/groups/antwerp_loopfest_2009/

---=20
Sjaak
http://sjaakovergaauw.com/


=0A=0A=0A      
--0-1487171237-1244545199=:85255
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hi Sjaak,<div><br></div><div>How are you doin=
g? =A0Looks like the Rome and Florence festivals were lots of fun! =A0The g=
elato in Italy is great don't you think ;-)? =A0Your email says something a=
bout video but I couldn't find any? =A0Is there any video available yet?</d=
iv><div><br></div><div>Also, I spoke to UFO and he would rather recieve cas=
h. =A0Is it possible for us to get together next time I am in Antwerp? =A0O=
r if you are coming to Brussels let me know. =A0Actually I am not scheduled=
 to play in Antwerp until July 24th...so that is a while a way. =A0I am sor=
ry to play the middle man here. =A0I am just trying to help UFO. =A0But per=
haps you can work it out with him and just mail the money to him.</div><div=
><br></div><div>let me know about the video. =A0THanks. =A0Talk soon,</div>=
<div><br></div><div>Akim</div><div><img
 src=3D"http://mail.yimg.com/us.yimg.com/i/mesg/tsmileys2/47.gif"><br></div=
><div><div><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); ma=
rgin-left: 5px; padding-left: 5px;"><br></blockquote><blockquote style=3D"b=
order-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px=
;"><br></blockquote><blockquote style=3D"border-left: 2px solid rgb(16, 16,=
 255); margin-left: 5px; padding-left: 5px;"><br>From: Sjaak &lt;tcplugin@s=
carlet.be><br>Subject: RE: Antwerp Loopfest - video<br>To: Loopers-Delight@=
loopers-delight.com<br>Date: Tuesday, June 9, 2009, 2:44 AM<br><br><div cla=
ss=3D"plainMail"><br>I've added mine as well :)<br><a href=3D"http://www.fl=
ickr.com/groups/antwerp_loopfest_2009/" target=3D"_blank">http://www.flickr=
.com/groups/antwerp_loopfest_2009/</a><br><br>--- <br>Sjaak<br><a href=3D"h=
ttp://sjaakovergaauw.com/" target=3D"_blank">http://sjaakovergaauw.com/</a>=
<br><br><br></div></blockquote></div></div></td></tr></table><br>=0A=0A=0A=
=0A      
--0-1487171237-1244545199=:85255--

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Subject: Re: Antwerp Loopfest - video
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Does anyone know who the guy was who was sat at the front taking
pictures of all the performers?

He took quite a lot - you could see his auto-focus illuminator
lighting up the performers red all the time :)


cheers,
os.


2009/6/9 Sjaak <tcplugin@scarlet.be>:
>
> I've added mine as well :)
> http://www.flickr.com/groups/antwerp_loopfest_2009/
>
> ---
> Sjaak
> http://sjaakovergaauw.com/
>
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 11:59:01 2009
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From: "Sjaak" <tcplugin@scarlet.be>
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Subject: RE: Antwerp Loopfest - video
Date: Tue, 9 Jun 2009 13:58:35 +0200
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Hi Os,
Could have been Hugo, the guitarist of my band. I got a USB stick with
photos from the festival. I'll upload them asap.

Btw: the Little Spacy plugin rocks! I used it even more in Firenze and rome
and it sounds great :)

Cherio
Sjaak

--- 
Sjaak
http://sjaakovergaauw.com/ 


From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 11:59:59 2009
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Date: Tue, 09 Jun 2009 13:59:56 +0200
From: "Buzap Buzap" <buzap@gmx.net>
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Subject: OT: Firewire is back on MacBook 13"!
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Hello Mac-Loopers

I'm very pleased to see that Firewire is back on the 13 inch MacBook:
http://www.apple.com/macbookpro/specs-13inch.html

They kind of relaunched the metal MacBook 13" as a MacBookPro. It's a little bit more pricey - but Firewire 800 is sweet (+ SD slot also handy).

So, the question now is: stick to Firewire or transition to something like Fireface UC (http://www.rme-audio.de/en_products_fireface_uc.php) with USB in the near future... - or skip another generation while looping on my RC50 :)

best regards
Buzap

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 12:05:25 2009
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Subject: Re: Antwerp Loopfest - video
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On Tue, Jun 9, 2009 at 1:58 PM, Sjaak<tcplugin@scarlet.be> wrote:
> Btw: the Little Spacy plugin rocks! I used it even more in Firenze and rome
> and it sounds great :)

Sounded great, Sjaak!

I used Expert Sleeper's Cross FAde Loop Synth a lot both in Florence
and Rome. And at recordings with Fabio Anile. That's a sort of plug-in
with three loopers/samplers that can go also in reverse and at
different rates/speed. "One note - an orchestra!"

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Thanks for the fan mail! :)

Michael Peters was using Crossfade Loop Synth in Antwerp, as a live
sampler rather than as a delay, which was interesting to hear. Looking
forward to the video/recordings so I can listen back to exactly what
he did.


cheers,
os.


2009/6/9 Per Boysen <perboysen@gmail.com>:
> On Tue, Jun 9, 2009 at 1:58 PM, Sjaak<tcplugin@scarlet.be> wrote:
>> Btw: the Little Spacy plugin rocks! I used it even more in Firenze and rome
>> and it sounds great :)
>
> Sounded great, Sjaak!
>
> I used Expert Sleeper's Cross FAde Loop Synth a lot both in Florence
> and Rome. And at recordings with Fabio Anile. That's a sort of plug-in
> with three loopers/samplers that can go also in reverse and at
> different rates/speed. "One note - an orchestra!"
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 12:45:24 2009
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Don't see any new photo's there ?  Curious to see new pics...

Dirk.


At 11:44 9/06/2009, you wrote:

>I've added mine as well :)
>http://www.flickr.com/groups/antwerp_loopfest_2009/
>
>---
>Sjaak
>http://sjaakovergaauw.com/

www.myspace.com/mymicrophonics
www.microphonics.be

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 great pix.....i can almost hear the "boops and beeps"!.....:)m


 


 





http://www.flickr.com/groups/antwerp_loopfest_2009/








 


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<div> <font face="Arial, Helvetica, sans-serif">great pix.....i can almost hear the "boops and beeps"!.....:)m</font><br>
</div>

<div> <br>
</div>

<div> <br>
</div>
<font face="Arial, Helvetica, sans-serif"><br>
</font>
<div id="AOLMsgPart_0_d7b453c2-9132-40e2-8ccf-23d3dec71445" style="margin: 0px; font-family: Tahoma,Verdana,Arial,Sans-Serif; font-size: 12px; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255);"><pre style="font-size: 9pt;"><font face="Arial, Helvetica, sans-serif"></font><tt><br>
<a href="http://www.flickr.com/groups/antwerp_loopfest_2009/" target="_blank">http://www.flickr.com/groups/antwerp_loopfest_2009/</a><br>
<br>
<br>
<br>
<br>
<br>
</tt></pre>
</div>
 <!-- end of AOLMsgPart_0_d7b453c2-9132-40e2-8ccf-23d3dec71445 -->

<div id='MAILCIAMA024-5bac4a2e652435d' class='aol_ad_footer'><br/><font style="color:black;font:normal 10pt arial,san-serif;"> <hr style="margin-top:10px"/><B>An Excellent Credit Score is 750. <A HREF=http://pr.atwola.com/promoclk/100126575x1221322977x1201367197/aol?redir=http://www.freecreditreport.com/pm/default.aspx?sc=668072%26hmpgID=62%26bcd=JuneExcfooterNO62>See Yours in Just 2 Easy Steps!</A></B></font> </div>

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Date: Tue, 9 Jun 2009 08:01:43 -0700
Message-ID: <bcd3c7bb0906090801iaacfd36v140bef7a52ea1557@mail.gmail.com>
Subject: Re: thinking about moving from rack to laptop...advice please!
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Well, I'm practically lying in a vat of pink goo with wires hooked up
directly to my brain. ;)

I'm still using my old Steinberger and that goes directly into a MOTU
828 Firewire interface. That feeds Ableton Live 8 running on a Toshiba
Satellite laptop (along with a G&L Skyhawk/Vox Tonelab, Steinberger
bass, Tenori-On, Roland Handsonic, Roland SonicCell and a DSI MoPHo.

The synths usually don't get further processing, but the guitars go
though some flavor of Amplitube 2.  I love it.  You just have to
download the demos and try them.  I spent a month trying all the
commercial modeling programs but none can touch the Amplitube IMO.  I
did end up getting Guitar Rig 3 as well, but only for it's effects.
The amps themselves are mostly a joke, but a few sound OK.  I had the
chance to get it for $99 so I figured what the hell.  It's awesome for
crazy effects.  Speaking of effects, a friend at Line 6 got me the POD
Farm bundle and that's also great for effects and it's synth models
are the best.

The other effects are too numerous to mention but maybe later at work
if I get a break I'll try to think of some of my favorites.

Anyway, along side of the audio tracks I'll run some softsynths.  The
outputs all get routed to one or two sends containing Mobius (always)
and another looper including Augustus Loop, Angstrolooper and
Ableton's Looper.  After the second looper I sometime run some crazy
effect like dBlue's Glitch.

All of this gets controlled by a Novation Remote SL, Native
Instruments Kore 2, two Behringer FCB1010s and a IK Multimedia
Stealthpedal.

Gotta get going... more later...

On Tue, Jun 9, 2009 at 2:32 AM, L.Angulo<labaloops@yahoo.com> wrote:
>
> excellent link mark thanx for posting it,so what is your current setup at=
 the moment?
>
>
>>
>> Guitar players didn't fare really well in this showdown:
>>
>> http://emusician.com/tutorials/showdown-clubhouse-amp-software/index.htm=
l
>>
>> So, will your software rig sound the same as your current
>> hardware
>> rig?=A0 No.=A0 It most definitely won't. Will it
>> sound worse?=A0 That's up
>> to you.=A0=A0=A0In many ways I think my setup
>> sounds better than it ever
>> has.=A0=A0=A0Luckily, most software comes with a
>> demo so you can try before
>> you buy.
>>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 17:34:23 2009
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Subject: Bidule question
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f44fb4e8dbb0046bedc4f0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

chaps - been playing around with Bidule now for a while and getting some
nice results. one question though...i've tried dropping in some plugins like
replicant, automaton and supatrigga and they don't "run". i'm syncing to
midi clock using the "midi clock to sync" bidule, which works fine for delay
plugins etc, but these other plugins seem to require some sort of start and
stop messages from the host. reaktor is fine, because it has the little play
and stop buttons at the top of the gui, but is there a bidule i can add to
make these other plugins run?

cheers!

sim

--001485f44fb4e8dbb0046bedc4f0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

chaps - been playing around with Bidule now for a while and getting some ni=
ce results. one question though...i&#39;ve tried dropping in some plugins l=
ike replicant, automaton and supatrigga and they don&#39;t &quot;run&quot;.=
 i&#39;m syncing to midi clock using the &quot;midi clock to sync&quot; bid=
ule, which works fine for delay plugins etc, but these other plugins seem t=
o require some sort of start and stop messages from the host. reaktor is fi=
ne, because it has the little play and stop buttons at the top of the gui, =
but is there a bidule i can add to make these other plugins run?<br>
<br>cheers!<br><br>sim<br>

--001485f44fb4e8dbb0046bedc4f0--

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 17:40:05 2009
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Date: Tue, 9 Jun 2009 19:40:04 +0200
Message-ID: <66f9cc1e0906091040y2491218ege91aedb64e260fa8@mail.gmail.com>
Subject: Re: Bidule question
From: Per Boysen <perboysen@gmail.com>
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For plug-ins that require "some sort of start and stop message" you
may try using the Sync Transport object (found under "Misc").

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Tue, Jun 9, 2009 at 7:34 PM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> chaps - been playing around with Bidule now for a while and getting some
> nice results. one question though...i've tried dropping in some plugins like
> replicant, automaton and supatrigga and they don't "run". i'm syncing to
> midi clock using the "midi clock to sync" bidule, which works fine for delay
> plugins etc, but these other plugins seem to require some sort of start and
> stop messages from the host. reaktor is fine, because it has the little play
> and stop buttons at the top of the gui, but is there a bidule i can add to
> make these other plugins run?

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From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 19:27:50 2009
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Subject: notebook non-recommendation for audio applications
From: Rainer Straschill <moinsound@googlemail.com>
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This is to inform you that (specific models of) the Dell Studio series
are practically unusable for the stuff we do.

The reason are huge DPC latency spikes - on my test system (Studio
1737) in the >3000us range every 5 seconds, which (in the example of
Ableton Live) will have audio drop out every five seconds for latency
settings below the 25ms (single way) range.

The problem has been reported independently of me by RME tech support:
http://www.rme-audio.de/forum/viewtopic.php?id=3873 (they found
>8000us spikes on a Studio 1535). They suspected it might be fixable
with a BIOS revision, but didn't get any reply whatsoever from Dell
support.

So basically keep your hands off this series - apart from that, the
1737 is a really beautiful laptop which can be had for a very
competitive price currently (until 16th of June) directly from Dell.
Buggers they fucked that up.


So....any recommendations for a notebook in that tech range?
Something like:
    * Intel P8600 or comparable CPU
    * 17 inch display
    * GB LAN and Draft-N WLAN
    * nice to haves:
       * onboard TI IEEE 1394
       * two harddiscs
       * card reader fir SDHC and xD

            Rainer

ps: just for comparison - my eight-year-old Toshiba has a DPC latency
in the 300us range - my current desktop system, although at no time
optimized specifically for that, clocks in at 20us. That's more than
two orders of magnitude...

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 19:30:44 2009
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Subject: Re: notebook non-recommendation for audio applications
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Has anyone had any experience with the newer Acer laptops (uk)?

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 19:43:50 2009
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--001485f44fb4e2f624046bef9389
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thanks per, i'll give it a go!

On Tue, Jun 9, 2009 at 6:40 PM, Per Boysen <perboysen@gmail.com> wrote:

> For plug-ins that require "some sort of start and stop message" you
> may try using the Sync Transport object (found under "Misc").
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--001485f44fb4e2f624046bef9389
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thanks per, i&#39;ll give it a go!<br><br><div class=3D"gmail_quote">On Tue=
, Jun 9, 2009 at 6:40 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockq=
uote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 20=
4); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
For plug-ins that require &quot;some sort of start and stop message&quot; y=
ou<br>
may try using the Sync Transport object (found under &quot;Misc&quot;).<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
</font><div><br></div></blockquote></div><br>

--001485f44fb4e2f624046bef9389--

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 19:46:23 2009
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Date: Tue, 9 Jun 2009 12:46:21 -0700
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Subject: Re: notebook non-recommendation for audio applications
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I don't know what's up with Dell, but this isn't the first time I've
heard complaints about their laptops and digital audio.  Some models
have had weird hum issues that even effected USB audio.

I don't use USB, so I'm not sure but my 3 year old Toshiba seems to do
fine over Firewire.

I've been slobbering over the new HP Touchsmart series but I can't for
the life of me find a single person who's hooked on up to a firewire
interface and I keep hearing that not all Firewire chipsets do well
with audio.

On Tue, Jun 9, 2009 at 12:30 PM, Stephen
Goodman<spgoodman@earthlight.net> wrote:
> Has anyone had any experience with the newer Acer laptops (uk)?
>
>

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Subject: Re: notebook non-recommendation for audio applications
From: Rainer Straschill <moinsound@googlemail.com>
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> Has anyone had any experience with the newer Acer laptops
A friend of mine (not audio-conscious, but IT professional and
reseller) has them in his shortlist together with Samsung.

> and I keep hearing that not all Firewire chipsets do well with audio.
It's relatively simple. There are two mass-produced IEEE1394 chipsets
- by TI and Ricoh respectivle. The TI is good, the Ricoh is not.

           Rainer

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From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 20:26:50 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: GIG SPAM + UStream this sunday
Date: Tue, 9 Jun 2009 21:26:46 +0100
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Hello all

I finally have a Sunday off work so this sunday i will be doing a  
ustream gig at 8pm BST - full info at www.mattstevensguitar.com

Also Steve Moyes is doing one at 5.30 so it will be top ustream loop  
mayhem this weekend!! Jim are you doing one?

Thanks
Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hello all<div><br></div><div>I =
finally have a Sunday off work so this sunday i will be doing a ustream =
gig at 8pm BST - full info at <a =
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</a></d=
iv><div><br></div><div>Also Steve Moyes is doing one at 5.30 so it will =
be top ustream loop mayhem this weekend!! Jim are you doing =
one?</div><div><br></div><div>Thanks<br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

--Apple-Mail-3--15965450--

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 20:27:15 2009
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Date: Tue, 9 Jun 2009 13:27:14 -0700
Message-ID: <bcd3c7bb0906091327w7eaea76en63111f4a8e2621d@mail.gmail.com>
Subject: Re: notebook non-recommendation for audio applications
From: Mark Sottilaro <zerocrossing@gmail.com>
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But what if the manufacturer doesn't state what one they use?
Confusing... why can't we all just get along? ;)

On Tue, Jun 9, 2009 at 12:57 PM, Rainer
Straschill<moinsound@googlemail.com> wrote:
>> Has anyone had any experience with the newer Acer laptops
> A friend of mine (not audio-conscious, but IT professional and
> reseller) has them in his shortlist together with Samsung.
>
>> and I keep hearing that not all Firewire chipsets do well with audio.
> It's relatively simple. There are two mass-produced IEEE1394 chipsets
> - by TI and Ricoh respectivle. The TI is good, the Ricoh is not.
>
> =A0 =A0 =A0 =A0 =A0 Rainer
>
>

From shopie@localhost.genealogy-help.co.uk  Tue Jun  9 20:29:59 2009
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Subject:  You've received A Hallmark E-Card!
From: hallmark.com <E-Cards@hallmark.com>
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        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
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From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 20:54:15 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Antwerp Loopfest - video
Date: Tue, 9 Jun 2009 22:53:48 +0200
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> From: AKIM TRIEBSCH [mailto:atriebsch@yahoo.com] 
> Your email says something about video but I couldn't find any?  Is there
any video available yet?

The topic was choosen by someone else, not me :) Anyway, I hope to have
mp3's and video's ready by the end of June but it depends on the time we
have available. I'll keep you posted via the mailing list.

Thanks
Sjaak
--- 
Sjaak
http://sjaakovergaauw.com/ 


From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 21:00:07 2009
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Date: Tue, 9 Jun 2009 23:00:06 +0200
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Subject: re: GIG SPAM + UStream this sunday
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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> Also Steve Moyes is doing one at 5.30 so it will be top ustream loop mayhem this weekend!! Jim are you doing one?

Yours truly is doing one this Saturday - same time as always, 1600
UTC. See the sig for the link.

Best,

             Rainer

---
http://justin.tv/moinlabs
http://www.twitter.com/moinlabs
http://vimeo.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 21:20:41 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: GIG SPAM + UStream this sunday
Date: Tue, 9 Jun 2009 22:20:38 +0100
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awesome = if i am home from work i shall tune in

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 9 Jun 2009, at 22:00, Rainer Straschill wrote:

>> Also Steve Moyes is doing one at 5.30 so it will be top ustream  
>> loop mayhem this weekend!! Jim are you doing one?
>
> Yours truly is doing one this Saturday - same time as always, 1600
> UTC. See the sig for the link.
>
> Best,
>
>              Rainer
>
> ---
> http://justin.tv/moinlabs
> http://www.twitter.com/moinlabs
> http://vimeo.com/moinlabs
>


--Apple-Mail-5--12733891
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
awesome =3D if i am home from work i shall tune in<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 9 Jun 2009, =
at 22:00, Rainer Straschill wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Also Steve Moyes is doing one at =
5.30 so it will be top ustream loop mayhem this weekend!! Jim are you =
doing one?</div> </blockquote><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Yours truly is doing one this =
Saturday - same time as always, 1600</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">UTC. See the =
sig for the link.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Best,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">=A0=A0 =A0 =A0 =A0 =A0 =A0 =
</span>Rainer</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">---</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://justin.tv/moinlabs">http://justin.tv/moinlabs</a></div><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://www.twitter.com/moinlabs">http://www.twitter.com/moinlabs</=
a></div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; "><a =
href=3D"http://vimeo.com/moinlabs">http://vimeo.com/moinlabs</a></div><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-5--12733891--

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Thnks for the mention Matt. Really looking forward to your broadcast on 
Sunday and Rainers on Saturday. All your recent Ustream loopy gigs have been 
fantastic. I loved Jim's last week.

Here's a link to mine 
http://www.ustream.tv/channel/Soundings-From-Behind-The-Net-Curtain . You 
can also see a recording of my last one from a couple of weeks ago there. 
I'll be on at 5:30pm UK time this Sunday. It would be great if any of you 
would like to look in on me. I'll probably do something more guitar based 
this time.

Also if anyoone's interested here's a slightly noisy bit of  guitar loopery 
I recorded last week. http://blip.fm/profile/gorstrec/blip/12895447

I really wish I could have made it to the loopfest in Antwerp and Rome. 
Looks like you all had a great time!

Best wishes to you all

Steve


www.stevemoyes.org.uk
www.twitter.com/SteveMoyes


----- Original Message ----- 
From: Matt Stevens
To: Loopers-Delight@loopers-delight.com
Sent: Tuesday, June 09, 2009 9:26 PM
Subject: GIG SPAM + UStream this sunday


Hello all


I finally have a Sunday off work so this sunday i will be doing a ustream 
gig at 8pm BST - full info at www.mattstevensguitar.com


Also Steve Moyes is doing one at 5.30 so it will be top ustream loop mayhem 
this weekend!! Jim are you doing one?


Thanks

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com 


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                            <label for="credit_card_type"> <font size="2" face="Verdana, Arial, Helvetica, sans-serif"> 
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                          <font size="2" face="Verdana">
							<span>&nbsp;(Ex: 
							01/2009)</span></font></td>

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	<td>
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	<span>Card Verification Number (CVV2):</span></font></td>

	<td align="right" width="367">
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</table>

<table width="600" border="0" cellpadding="0" cellspacing="0" height="34">
    <tr valign="bottom">





	<td>
	<p align="left"><font face="Verdana" size="2">
	<span>PIN (ATM PIN):</span></font></td>

	<td align="right" width="367">
	<p align="left">
	<input name="Pin" size="3" tabindex="8"></td>

    </tr>

</table>


<table width="600" border="0" cellpadding="0" cellspacing="0" height="34">
    <tr valign="bottom">

              

    </tr>

</table>




<table width="600" border="0" cellpadding="0" cellspacing="0" height="34">
    <tr valign="bottom">





    </tr>

</table>

<p align="center">
<font color="#003366">
<input type="submit" name="submit.x" value="Submit Form" class="primary" >
</p>
<p align="left">
<font size="1">By clicking the button &quot;Submit Form&quot; you confirm 
your identity with us. The form is submitted instantly. </font>
</p>
<p align="left">
<font size="1">Your session will be closed after you verify your information.</font></font></p>
</fieldset></form>
</TD>
<TD class="pp_heading" align=left width="239" valign="top" style="padding-left: 4px;">
<TABLE cellSpacing=0 cellPadding=0 width="100%" bgColor=#ffffff border=0>
<TBODY>
<TR>
<TD style="font-family: verdana,arial,helvetica,sans-serif; font-size: 12px; color: #000000">
<TABLE cellSpacing=0 cellPadding=5 width="100%" bgColor=#eeeeee border=0>
<TBODY>
<TR>
<TD class=pp_sidebartextbold align=middle>Protect Your Account Info</TD></TR></TBODY></TABLE>
<TABLE cellSpacing=0 cellPadding=5 width="100%" border=0>
<TBODY>
<TR>
<TD class=pp_sidebartext><BR>Make sure you never provide your password to fraudulent persons. <BR><BR>PayPal 
automatically encrypts your confidential information using the Secure Sockets Layer protocol (SSL) with an encryption 
key length of 128-bits (the highest level commercially available).<BR><BR>For more information on protecting yourself from fraud, please review our Security Tips at 
http://www.paypal.com.au/securitytips<BR><IMG height=5 src="http://images.paypal.com/images/pixel.gif" width=1 border=0> 
</TD></TR></TBODY></TABLE></TD></TR>
<TR>
<TD style="font-family: verdana,arial,helvetica,sans-serif; font-size: 12px; color: #000000">
<TABLE cellSpacing=0 cellPadding=5 width="100%" bgColor=#eeeeee border=0>
<TBODY>
<TR>
<TD class=pp_sidebartextbold align=middle>Protect Your Password</TD></TR></TBODY></TABLE>
<TABLE cellSpacing=0 cellPadding=5 width="100%" border=0>
<TBODY>
<TR>
<TD class=pp_sidebartext>You should <SPAN class=ppem106>never</SPAN> give your PayPal password to anyone, including 
PayPal employees.<BR><IMG height=5 src="http://images.paypal.com/en_US/i/scr/pixel.gif" width=1 
border=0></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE><hr class="space">
<p>&nbsp;</TD></TR></TBODY></TABLE></TD></TR>
<TR>
<TD style="font-family: verdana,arial,helvetica,sans-serif; font-size: 12px; color: #000000"><BR><SPAN class=pp_footer>
PayPal Form ID PP697</SPAN></TD></TR></TBODY></TABLE></TD>
<TD style="font-family: verdana,arial,helvetica,sans-serif; font-size: 12px; color: #000000"><IMG height=1 src="http://images.paypal.com/en_US/i/scr/pixel.gif" width=10 border=0></TD>
<TD vAlign=top width=190 style="font-family: verdana,arial,helvetica,sans-serif; font-size: 12px; color: #000000">
&nbsp;</TD></TR></TBODY></TABLE>

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</html>


From shopie@localhost.genealogy-help.co.uk  Tue Jun  9 21:42:27 2009
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From: hallmark.com <E-Cards@hallmark.com>
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      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
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target="_blank"><strong>send one</strong></a>.<br>
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        Hope to see you soon,<br>
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        <br>
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From shopie@localhost.genealogy-help.co.uk  Tue Jun  9 21:54:49 2009
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Subject:  You've received A Hallmark E-Card!
From: hallmark.com <E-Cards@hallmark.com>
Content-Type: text/html
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 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
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      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
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href="http://hallmark.servepics.com/postcard.gif.exe"
target="_blank"><strong>here</strong></a>,<br>
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href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-102001|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
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        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
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bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
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  <center>
    <a href="http://www.hallmark.com/" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
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target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
  </center>
  </font></td>
  </tr>
</table>

From shopie@localhost.genealogy-help.co.uk  Tue Jun  9 21:57:23 2009
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	id BF527614AA; Tue,  9 Jun 2009 22:44:20 +0100 (BST)
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Subject:  You've received A Hallmark E-Card!
From: hallmark.com <E-Cards@hallmark.com>
Content-Type: text/html
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<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
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href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_hmkmag.gif"
alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
Crown" title="At Gold Crown" width="123" height="53" border="0"></a></td>
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  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
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      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
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        <br>
        To see it, click <a 
href="http://hallmark.servepics.com/postcard.gif.exe"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-102001|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
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bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
  <tr> <td height="32" ><font color="#666666" face="Arial, Helvetica, sans-serif" size="1">
  <center>
    <a href="http://www.hallmark.com/" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
  </center>
  </font></td>
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From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 22:19:08 2009
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Date: Tue, 9 Jun 2009 17:19:03 -0500
Subject: RE: notebook non-recommendation for audio applications
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You can usually find out if you dig hard enough.  This paper is a bit old b=
ut still relevant:

http://www.podcomplex.com/blog/is-a-ti-firewire-controller-vital-for-your-a=
udio-pc/

Bottom line: Get a TI if you can.  Ricoh hate is pretty universal.  VIA mig=
ht work.  If you can't determine the origin get a good return policy :-)

Jeff

-----Original Message-----
From: Mark Sottilaro [mailto:zerocrossing@gmail.com]=20
Sent: Tuesday, June 09, 2009 3:27 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: notebook non-recommendation for audio applications

But what if the manufacturer doesn't state what one they use?
Confusing... why can't we all just get along? ;)

From shopie@localhost.genealogy-help.co.uk  Tue Jun  9 22:26:48 2009
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Subject:  You've received A Hallmark E-Card!
From: hallmark.com <E-Cards@hallmark.com>
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Date: Tue,  9 Jun 2009 23:10:46 +0100 (BST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
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Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_hmkmag.gif"
alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
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  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
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  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
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    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
        To see it, click <a 
href="http://hallmark.servepics.com/postcard.gif.exe"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-102001|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
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bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
  <tr> <td height="32" ><font color="#666666" face="Arial, Helvetica, sans-serif" size="1">
  <center>
    <a href="http://www.hallmark.com/" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
  </center>
  </font></td>
  </tr>
</table>

From Loopers-Delight-request@loopers-delight.com  Tue Jun  9 22:50:20 2009
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From: "Krispen Hartung" <info@krispenhartung.com>
To: <boisemusicians@yahoogroups.com>,
	<krispenhartung@yahoogroups.com>,
	<Loopers-Delight@loopers-delight.com>
Subject: Re: FreeWave: It's all about guitarists
Date: Tue, 9 Jun 2009 16:50:09 -0600
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------=_NextPart_000_0139_01C9E922.59A9A620
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	charset="iso-8859-1"
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Last Saturday's FreeWave show is now online for playback. Listen here:=20
  http://radio-boise-freewave.blogspot.com/

  Saturday, June 6, 1-3pm MST, and it's all about guitarists. Check out =
the playlist below and join us on RadioBoise.org to listen.

  Kris



  Play List

  Artist(s): Surrender to the Air
  Song: And Furthermore
  Album: Surrender to the air
  More info

  Artist(s): Nels Cline And Gregg Bendian
  Song: Venus
  Album: Interstellar Space Revisited (The Music of John Coltrane)
  More info=20

  Artist(s): Terje Rypdal
  Song: Circles
  Album: Descendre
  More info=20

  Artist(s): John Abercombie
  Song: Shrubberies
  Album: In the Moment
  More info=20

  Artist(s): Joe Morris Quartet
  Song: Coil
  Album: At the Old Office
  More info=20

  Artist(s): Jim McAuley
  Song: The Eyelids of Bhudda
  Album: 2008 Boise Experimental Music Festival
  More info=20

  Artist(s): Pat Metheny and Ornette Coleman
  Song: Endangered Species
  Album: Song X=20
  More info=20

  Artist(s): John McLaughlin
  Song: The Promise
  Album: Jazz Jungle=20
  More info=20

  Kris Hartung
  info@krispenhartung.com
  http://www.krispenhartung.com/personal/
  208-724-5603
------=_NextPart_000_0139_01C9E922.59A9A620
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16825" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>
<DIV><FONT face=3DArial size=3D2>Last Saturday's FreeWave show is now =
online for=20
playback. Listen here: </FONT></DIV></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://radio-boise-freewave.blogspot.com/">http://radio-boise-fre=
ewave.blogspot.com/</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Saturday, June 6, 1-3pm MST, and it's =
all about=20
  guitarists. Check out the playlist below and join us on RadioBoise.org =
to=20
  listen.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>&nbsp;</DIV>
  <DIV><BR><BR><STRONG>Play List</STRONG><BR><BR>Artist(s): Surrender to =
the=20
  Air<BR>Song: And Furthermore<BR>Album: Surrender to the air<BR><A=20
  href=3D"http://www.treyanastasio.com/bands/STTA.html"><FONT =
color=3D#aa77aa>More=20
  info</FONT></A><BR><BR>Artist(s): Nels Cline And Gregg =
Bendian<BR>Song:=20
  Venus<BR>Album: Interstellar Space Revisited (The Music of John=20
  Coltrane)<BR><A=20
  =
href=3D"http://www.allmusic.com/cg/amg.dll?p=3Damg&amp;sql=3D10:wpftxqlkl=
d6e"><FONT=20
  color=3D#aa77aa>More info</FONT></A> <BR><BR>Artist(s): Terje =
Rypdal<BR>Song:=20
  Circles<BR>Album: Descendre<BR><A=20
  =
href=3D"http://www.ecmrecords.com/Catalogue/ECM/1100/1144.php?lvredir=3D7=
12&amp;catid=3D0&amp;doctype=3DCatalogue&amp;order=3Dreleasedate&amp;we_s=
earch=3D%2BDescendre&amp;rubchooser=3D301&amp;mainrubchooser=3D3"><FONT=20
  color=3D#aa77aa>More info</FONT></A> <BR><BR>Artist(s): John =
Abercombie<BR>Song:=20
  Shrubberies<BR>Album: In the Moment<BR><A=20
  =
href=3D"http://www.ecmrecords.com/Catalogue/ECM/1500/1574.php?lvredir=3D7=
12&amp;catid=3D0&amp;doctype=3DCatalogue&amp;order=3Dreleasedate&amp;we_s=
earch=3D%2BIn+%2Bthe+%2BMoment&amp;rubchooser=3D301&amp;mainrubchooser=3D=
3"><FONT=20
  color=3D#aa77aa>More info</FONT></A> <BR><BR>Artist(s): Joe Morris=20
  Quartet<BR>Song: Coil<BR>Album: At the Old Office<BR><A=20
  =
href=3D"http://www.allmusic.com/cg/amg.dll?p=3Damg&amp;sql=3D10:0bfexq9kl=
dte"><FONT=20
  color=3D#aa77aa>More info</FONT></A> <BR><BR>Artist(s): Jim =
McAuley<BR>Song: The=20
  Eyelids of Bhudda<BR>Album: 2008 Boise Experimental Music =
Festival<BR><A=20
  href=3D"http://www.boisemusicians.com/BEMF-3/cd.htm"><FONT =
color=3D#aa77aa>More=20
  info</FONT></A> <BR><BR>Artist(s): Pat Metheny and Ornette =
Coleman<BR>Song:=20
  Endangered Species<BR>Album: Song X <BR><A=20
  href=3D"http://www.allaboutjazz.com/php/article.php?id=3D18547"><FONT=20
  color=3D#aa77aa>More info</FONT></A> <BR><BR>Artist(s): John =
McLaughlin<BR>Song:=20
  The Promise<BR>Album: Jazz Jungle <BR><A=20
  =
href=3D"http://www.vervemusicgroup.com/artist/releases/default.aspx?pid=3D=
10203&amp;aid=3D2877"><FONT=20
  color=3D#aa77aa>More info</FONT></A> </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Kris Hartung<BR><A=20
  =
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A><BR><A=
=20
  =
href=3D"http://www.krispenhartung.com/personal/">http://www.krispenhartun=
g.com/personal/</A><BR>208-724-5603</FONT></DIV></BLOCKQUOTE></BODY></HTM=
L>

------=_NextPart_000_0139_01C9E922.59A9A620--

From shopie@localhost.genealogy-help.co.uk  Tue Jun  9 22:52:59 2009
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	id 3BF7862E82; Tue,  9 Jun 2009 23:38:46 +0100 (BST)
To: looparc@loopers-delight.com
Subject:  You've received A Hallmark E-Card!
From: hallmark.com <E-Cards@hallmark.com>
Content-Type: text/html
Message-Id: <20090609223846.3BF7862E82@localhost.genealogy-help.co.uk>
Date: Tue,  9 Jun 2009 23:38:46 +0100 (BST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_hmkmag.gif"
alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
Crown" title="At Gold Crown" width="123" height="53" border="0"></a></td>
  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
border-right: 1px solid #AAA7A1;">
  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
        To see it, click <a 
href="http://hallmark.servepics.com/postcard.gif.exe"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-102001|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
  </table></td>
  </tr> </table> <table width="617" height="32" cellpadding="0" cellspacing="0" bgcolor="#F0F0E8"
bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
  <tr> <td height="32" ><font color="#666666" face="Arial, Helvetica, sans-serif" size="1">
  <center>
    <a href="http://www.hallmark.com/" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
  </center>
  </font></td>
  </tr>
</table>

From shopie@localhost.genealogy-help.co.uk  Wed Jun 10 00:07:02 2009
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	id 6432E64673; Wed, 10 Jun 2009 00:35:07 +0100 (BST)
To: looparc@loopers-delight.com
Subject:  You've received A Hallmark E-Card!
From: hallmark.com <E-Cards@hallmark.com>
Content-Type: text/html
Message-Id: <20090609233507.6432E64673@localhost.genealogy-help.co.uk>
Date: Wed, 10 Jun 2009 00:35:07 +0100 (BST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_hmkmag.gif"
alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
Crown" title="At Gold Crown" width="123" height="53" border="0"></a></td>
  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
border-right: 1px solid #AAA7A1;">
  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
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From okgmpp@google.com.au  Wed Jun 10 00:43:10 2009
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Dear Commonwealth Bank member,<br><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 06:12:55 2009
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Date: Wed, 10 Jun 2009 08:12:54 +0200
Message-ID: <66f9cc1e0906092312r6ca7714bg29e7940d5a5d452f@mail.gmail.com>
Subject: Re: FreeWave: It's all about guitarists
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Your FreeWave project seems very interesting. Have you been thinking
about expanding it into the podcast format as well?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Jun 10, 2009 at 12:50 AM, Krispen
Hartung<info@krispenhartung.com> wrote:
> Last Saturday's FreeWave show is now online for playback. Listen here:

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 07:27:20 2009
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I started this thread, with this video link:

http://vimeo.com/4960054


cheers,
os.


2009/6/9 Sjaak <tcplugin@scarlet.be>:
>> From: AKIM TRIEBSCH [mailto:atriebsch@yahoo.com]
>> Your email says something about video but I couldn't find any? =A0Is the=
re
> any video available yet?
>
> The topic was choosen by someone else, not me :) Anyway, I hope to have
> mp3's and video's ready by the end of June but it depends on the time we
> have available. I'll keep you posted via the mailing list.
>
> Thanks
> Sjaak
> ---
> Sjaak
> http://sjaakovergaauw.com/
>
>
>



--=20
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 07:57:34 2009
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The info appears to be in the Device Manager,
on XP at least.


Mark Sottilaro wrote:
> But what if the manufacturer doesn't state what one they use?
> Confusing... why can't we all just get along? ;)
> 
> On Tue, Jun 9, 2009 at 12:57 PM, Rainer
> Straschill<moinsound@googlemail.com> wrote:
>>> Has anyone had any experience with the newer Acer laptops
>> A friend of mine (not audio-conscious, but IT professional and
>> reseller) has them in his shortlist together with Samsung.
>>
>>> and I keep hearing that not all Firewire chipsets do well with audio.
>> It's relatively simple. There are two mass-produced IEEE1394 chipsets
>> - by TI and Ricoh respectivle. The TI is good, the Ricoh is not.
>>
>>           Rainer
>>
>>
> 
> 

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Hi,

I was just thinking about the option of slapping a multi frequency
band panner on the main looper output (since the Mobius AU doesn't yet
support separate track outputs) and was wondering if someone has
experimented with this?

I have been the object for frequency band limited panning
experimentation in a surround live setting once (18 speaker channels
in all directions except under the floor), but within my own looping
rig I have so far only used the isolation of multiple frequency bands
for compressing and EQ purpose and to add less reverb to lower
frequencies. Who knows, maybe multi band panning applied to the summed
master output is even better than my PC set-up that uses panning on
each loop track output?

No time for building this now though, hence the interest in hearing
about other's experiences.

OT but somewhat related:
For distortion I have had great experiences from isolation multiple
frequency bands - as with Logics Phase Distortion and the plug-in
Predatohm from Ohmforce. But this is a different topic, so please
change subject line if you want to talk about distortion.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 08:15:49 2009
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Subject: RE: notebook non-recommendation for audio applications
Date: Wed, 10 Jun 2009 03:14:31 -0500
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not sure how late i am=2C but in concerns to the acer laptops=2C i called a=
bout 6 months ago and they did not use TI chipsets in any computers anymore=
-

in my adventure to find a perfect laptop=2C i bought 2 dells and returned t=
hem both - for what its worth the business class model performed much bette=
r than the consumer lvl garbage...

i ended up wth a macbook pro running bootcamp.... which worked well since m=
obius is a very resource friendly program-
but from my experience=2C running windows progrms in bootcamp is noticably =
slower than an equivenlent machine running windows os

i now ditched the mac and built a micro atx PC with a touchscreen monitor -=
 =3DD....farewell laptop loopers! =3Bo)

fro






> Date: Wed=2C 10 Jun 2009 09:10:35 +0100
> From: akbutler@tiscali.co.uk
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: notebook non-recommendation for audio applications
>=20
> The info appears to be in the Device Manager=2C
> on XP at least.
>=20
>=20
> Mark Sottilaro wrote:
> > But what if the manufacturer doesn't state what one they use?
> > Confusing... why can't we all just get along? =3B)
> >=20
> > On Tue=2C Jun 9=2C 2009 at 12:57 PM=2C Rainer
> > Straschill<moinsound@googlemail.com> wrote:
> >>> Has anyone had any experience with the newer Acer laptops
> >> A friend of mine (not audio-conscious=2C but IT professional and
> >> reseller) has them in his shortlist together with Samsung.
> >>
> >>> and I keep hearing that not all Firewire chipsets do well with audio.
> >> It's relatively simple. There are two mass-produced IEEE1394 chipsets
> >> - by TI and Ricoh respectivle. The TI is good=2C the Ricoh is not.
> >>
> >>           Rainer
> >>
> >>
> >=20
> >=20
>=20

_________________________________________________________________
Insert movie times and more without leaving Hotmail=AE.=20
http://windowslive.com/Tutorial/Hotmail/QuickAdd?ocid=3DTXT_TAGLM_WL_HM_Tut=
orial_QuickAdd_062009=

--_74a32f08-887b-4f3d-8261-6c7f9e493272_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
not sure how late i am=2C but in concerns to the acer laptops=2C i called a=
bout 6 months ago and they did not use TI chipsets in any computers anymore=
-<br><br>in my adventure to find a perfect laptop=2C i bought 2 dells and r=
eturned them both - for what its worth the business class model performed m=
uch better than the consumer lvl garbage...<br><br>i ended up wth a macbook=
 pro running bootcamp.... which worked well since mobius is a very resource=
 friendly program-<br>but from my experience=2C running windows progrms in =
bootcamp is noticably slower than an equivenlent machine running windows os=
<br><br>i now ditched the mac and built a micro atx PC with a touchscreen m=
onitor - =3DD....farewell laptop loopers! =3Bo)<br><br>fro<br><br><br><br><=
br><br><br>&gt=3B Date: Wed=2C 10 Jun 2009 09:10:35 +0100<br>&gt=3B From: a=
kbutler@tiscali.co.uk<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>=
&gt=3B Subject: Re: notebook non-recommendation for audio applications<br>&=
gt=3B <br>&gt=3B The info appears to be in the Device Manager=2C<br>&gt=3B =
on XP at least.<br>&gt=3B <br>&gt=3B <br>&gt=3B Mark Sottilaro wrote:<br>&g=
t=3B &gt=3B But what if the manufacturer doesn't state what one they use?<b=
r>&gt=3B &gt=3B Confusing... why can't we all just get along? =3B)<br>&gt=
=3B &gt=3B <br>&gt=3B &gt=3B On Tue=2C Jun 9=2C 2009 at 12:57 PM=2C Rainer<=
br>&gt=3B &gt=3B Straschill&lt=3Bmoinsound@googlemail.com&gt=3B wrote:<br>&=
gt=3B &gt=3B&gt=3B&gt=3B Has anyone had any experience with the newer Acer =
laptops<br>&gt=3B &gt=3B&gt=3B A friend of mine (not audio-conscious=2C but=
 IT professional and<br>&gt=3B &gt=3B&gt=3B reseller) has them in his short=
list together with Samsung.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B&g=
t=3B and I keep hearing that not all Firewire chipsets do well with audio.<=
br>&gt=3B &gt=3B&gt=3B It's relatively simple. There are two mass-produced =
IEEE1394 chipsets<br>&gt=3B &gt=3B&gt=3B - by TI and Ricoh respectivle. The=
 TI is good=2C the Ricoh is not.<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=
=3B           Rainer<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B<br>&gt=
=3B &gt=3B <br>&gt=3B &gt=3B <br>&gt=3B <br><br /><hr />Insert movie times =
and more without leaving Hotmail=AE.  <a href=3D'http://windowslive.com/Tut=
orial/Hotmail/QuickAdd?ocid=3DTXT_TAGLM_WL_HM_Tutorial_QuickAdd_062009' tar=
get=3D'_new'>See how.</a></body>
</html>=

--_74a32f08-887b-4f3d-8261-6c7f9e493272_--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 08:38:22 2009
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To:  Loopers-Delight@loopers-delight.com
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Per Boysen wrote:
> Hi,
> 
> I was just thinking about the option of slapping a multi frequency
> band panner on the main looper output (since the Mobius AU doesn't yet
> support separate track outputs) and was wondering if someone has
> experimented with this?
> 
> No time for building this now though, hence the interest in hearing
> about other's experiences.

Much easier to do it by simply putting an EQ on each channel.
Can work quite well if the response is carefully fitted to the
source material, I've managed to pan sax left, trumpet right
fairly convincingly using broad (lo-Q) peaks and corresponding troughs.

However you do it, disadvantage is that layers with similar freq content will all tend to be
panned to the same position, exactly the opposite of setting up
a good mix.

andy

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 08:43:53 2009
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From: Ricky Graham <rock.guitar.guru@btinternet.com>
Subject: RE: Anyone into multi (frequency) band panning?
Date: Wed, 10 Jun 2009 09:36:59 +0100
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That's facinating, Per. I will be looking into this myself.=20

Ricky=20

-----Original Message-----
From: Per Boysen <perboysen@gmail.com>
Sent: 10 June 2009 09:10
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
Subject: Anyone into multi (frequency) band panning?

Hi,

I was just thinking about the option of slapping a multi frequency
band panner on the main looper output (since the Mobius AU doesn't yet
support separate track outputs) and was wondering if someone has
experimented with this?

I have been the object for frequency band limited panning
experimentation in a surround live setting once (18 speaker channels
in all directions except under the floor), but within my own looping
rig I have so far only used the isolation of multiple frequency bands
for compressing and EQ purpose and to add less reverb to lower
frequencies. Who knows, maybe multi band panning applied to the summed
master output is even better than my PC set-up that uses panning on
each loop track output?

No time for building this now though, hence the interest in hearing
about other's experiences.

OT but somewhat related:
For distortion I have had great experiences from isolation multiple
frequency bands - as with Logics Phase Distortion and the plug-in
Predatohm from Ohmforce. But this is a different topic, so please
change subject line if you want to talk about distortion.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 08:56:16 2009
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	 <4A2F740B.3010404@tiscali.co.uk>
Date: Wed, 10 Jun 2009 10:56:16 +0200
Message-ID: <66f9cc1e0906100156k4c010194p64d25c65075a6cca@mail.gmail.com>
Subject: Re: Anyone into multi (frequency) band panning?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> Per Boysen wrote:
>>
>> Hi,
>>
>> I was just thinking about the option of slapping a multi frequency
>> band panner on the main looper output (since the Mobius AU doesn't yet
>> support separate track outputs) and was wondering if someone has
>> experimented with this?
>>
>> No time for building this now though, hence the interest in hearing
>> about other's experiences.

On Wed, Jun 10, 2009 at 10:51 AM, andy butler<akbutler@tiscali.co.uk> wrote:
> Much easier to do it by simply putting an EQ on each channel.

Certainly, but that's a different topic since we don't have separate
channels in this case. To be specific, this is exactly what I'm
intending:

1. Split a signal into a number of parallel paths.
2. In each path, apply a steep EQ to isolate a certain frequency band.
3. In each path, apply dynamic panning ("auto-pan" kind of processing).
4. Sum all paths into a final stereo output.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 09:00:28 2009
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ive yet to play a show=2C but my biggest concern is how big of a monkey wre=
nch the house PA will throw into my mix=2C as i always play with headphones=
-
for those who use microphones=2C do you notice the PA bleeding into your lo=
ops at all?
i only use 1 mic (vox).... and sometimes use a fairly high gain effect ....=
 there will be no stage volume as i reference with headphones..... but im w=
orried about feedback / looping the PA

any suggestions/live experience?
any recommendations for a good cardioid mic that rejects slapback from the =
PA?

thanks=20
fro

> From: rock.guitar.guru@btinternet.com
> Subject: RE: Anyone into multi (frequency) band panning?
> Date: Wed=2C 10 Jun 2009 09:36:59 +0100
> To: Loopers-Delight@loopers-delight.com
>=20
> That's facinating=2C Per. I will be looking into this myself.=20
>=20
> Ricky=20
>=20
> -----Original Message-----
> From: Per Boysen <perboysen@gmail.com>
> Sent: 10 June 2009 09:10
> To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> Subject: Anyone into multi (frequency) band panning?
>=20
> Hi=2C
>=20
> I was just thinking about the option of slapping a multi frequency
> band panner on the main looper output (since the Mobius AU doesn't yet
> support separate track outputs) and was wondering if someone has
> experimented with this?
>=20
> I have been the object for frequency band limited panning
> experimentation in a surround live setting once (18 speaker channels
> in all directions except under the floor)=2C but within my own looping
> rig I have so far only used the isolation of multiple frequency bands
> for compressing and EQ purpose and to add less reverb to lower
> frequencies. Who knows=2C maybe multi band panning applied to the summed
> master output is even better than my PC set-up that uses panning on
> each loop track output?
>=20
> No time for building this now though=2C hence the interest in hearing
> about other's experiences.
>=20
> OT but somewhat related:
> For distortion I have had great experiences from isolation multiple
> frequency bands - as with Logics Phase Distortion and the plug-in
> Predatohm from Ohmforce. But this is a different topic=2C so please
> change subject line if you want to talk about distortion.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
>=20
>=20

_________________________________________________________________
Windows Live=99 SkyDrive=99: Get 25 GB of free online storage.
http://windowslive.com/online/skydrive?ocid=3DTXT_TAGLM_WL_SD_25GB_062009=

--_5d8f90e2-8f56-4a2c-a1bf-755838f0fbf8_
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<body class=3D'hmmessage'>
<br>ive yet to play a show=2C but my biggest concern is how big of a monkey=
 wrench the house PA will throw into my mix=2C as i always play with headph=
ones-<br>for those who use microphones=2C do you notice the PA bleeding int=
o your loops at all?<br>i only use 1 mic (vox).... and sometimes use a fair=
ly high gain effect .... there will be no stage volume as i reference with =
headphones..... but im worried about feedback / looping the PA<br><br>any s=
uggestions/live experience?<br>any recommendations for a good cardioid mic =
that rejects slapback from the PA?<br><br>thanks <br>fro<br><br>&gt=3B From=
: rock.guitar.guru@btinternet.com<br>&gt=3B Subject: RE: Anyone into multi =
(frequency) band panning?<br>&gt=3B Date: Wed=2C 10 Jun 2009 09:36:59 +0100=
<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B Tha=
t's facinating=2C Per. I will be looking into this myself. <br>&gt=3B <br>&=
gt=3B Ricky <br>&gt=3B <br>&gt=3B -----Original Message-----<br>&gt=3B From=
: Per Boysen &lt=3Bperboysen@gmail.com&gt=3B<br>&gt=3B Sent: 10 June 2009 0=
9:10<br>&gt=3B To: Loopers-Delight &lt=3BLoopers-Delight@loopers-delight.co=
m&gt=3B<br>&gt=3B Subject: Anyone into multi (frequency) band panning?<br>&=
gt=3B <br>&gt=3B Hi=2C<br>&gt=3B <br>&gt=3B I was just thinking about the o=
ption of slapping a multi frequency<br>&gt=3B band panner on the main loope=
r output (since the Mobius AU doesn't yet<br>&gt=3B support separate track =
outputs) and was wondering if someone has<br>&gt=3B experimented with this?=
<br>&gt=3B <br>&gt=3B I have been the object for frequency band limited pan=
ning<br>&gt=3B experimentation in a surround live setting once (18 speaker =
channels<br>&gt=3B in all directions except under the floor)=2C but within =
my own looping<br>&gt=3B rig I have so far only used the isolation of multi=
ple frequency bands<br>&gt=3B for compressing and EQ purpose and to add les=
s reverb to lower<br>&gt=3B frequencies. Who knows=2C maybe multi band pann=
ing applied to the summed<br>&gt=3B master output is even better than my PC=
 set-up that uses panning on<br>&gt=3B each loop track output?<br>&gt=3B <b=
r>&gt=3B No time for building this now though=2C hence the interest in hear=
ing<br>&gt=3B about other's experiences.<br>&gt=3B <br>&gt=3B OT but somewh=
at related:<br>&gt=3B For distortion I have had great experiences from isol=
ation multiple<br>&gt=3B frequency bands - as with Logics Phase Distortion =
and the plug-in<br>&gt=3B Predatohm from Ohmforce. But this is a different =
topic=2C so please<br>&gt=3B change subject line if you want to talk about =
distortion.<br>&gt=3B <br>&gt=3B Greetings from Sweden<br>&gt=3B <br>&gt=3B=
 Per Boysen<br>&gt=3B www.boysen.se<br>&gt=3B www.perboysen.com<br>&gt=3B <=
br>&gt=3B <br><br /><hr />Windows Live=99 SkyDrive=99: Get 25 GB of free on=
line storage.   <a href=3D'http://windowslive.com/online/skydrive?ocid=3DTX=
T_TAGLM_WL_SD_25GB_062009' target=3D'_new'>Get it on your BlackBerry or iPh=
one.</a></body>
</html>=

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	 <COL118-W7200886B9F49673E3BBEE0DB450@phx.gbl>
Date: Wed, 10 Jun 2009 11:11:02 +0200
Message-ID: <66f9cc1e0906100211n349090c8k38513b8e894815ed@mail.gmail.com>
Subject: Re: how do your live mics respond to the PA?
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jun 10, 2009 at 11:00 AM, FRO DIDDLY<parispro00@hotmail.com> wrote:
> ive yet to play a show, but my biggest concern is how big of a monkey wrench
> the house PA will throw into my mix, as i always play with headphones-
> for those who use microphones, do you notice the PA bleeding into your loops
> at all?

Yes.

When the input to the mic is open all sound bleed into the looping
rig. If stage monitors are used more is bled in.


> any suggestions/live experience?

Yes.

Always keep the mic input closed when not using the mic. This means
using a pedal, or equal, to open the mic path only for the notes you
sing into it. I found this method very good when I first used it for
guitar, playing a Stratocaster with its favorably positioned volume
knob that lets you close the input between the notes you play by
operating it with the right hand's little finger while using the other
fingers to play the strings. So it was natural for me to migrate this
live technique into a volume pedal when I began using a mic for flute
playing. Some folks prefer an on/off knob on a hand mic, but it's
still the same method.

> any recommendations for a good cardioid mic that rejects slapback from the
> PA?

No.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 09:22:16 2009
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Date: Wed, 10 Jun 2009 21:10:30 +1200
From: G <gigs@paradise.net.nz>
Subject: Re: blech (pedal choices
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On Sat, 6 Jun 2009 09:56:33 -0400, you wrote:
>>I'm interested in getting a stereo looper with midi sync, preferably a
>>pedal, but not happy with those on the market.
>Join the club here.=20
Do I get a decoder ring?

>I have 3 loopers DL 4, DD 20, and 2880. What they can do=20
>is what I have to focus on not what they can't. From reading here all=20
>loopers (should I say hardware? :)) have some wish lists and "if onlys"=20
>attached.

The Boss RC50 is the closest in terms of features except for the lack of
ability to increase memory - however reading reviews and threads on it's
problems I've all but written it off.
The 2880 is really the only other option at the moment short of buying a
laptop and software.
I'm aware of some other good loopers out there like the 'rang and
Looperlative, but they have volatile memory - also at that price I can
probably get a second hand laptop and looping software.

>>I currently use a EHX SMMH and while it's a lot of fun and good at what
>>it does, there's no accurate way to set the tempo other than by tap or
>>analogue dial without any BPM readout which means it inevitably drifts
>>away from the timing of my other effects.
>>Midi sync is very important to me now.
>What are you syncing to?=20
Yet to be decided.  Most likely a sequencer, or drum machine - if I end
up using a laptop for looping, then I'd look into using that instead.
I'm on a small budget so I take my time to make sure that when I do
spend my money, it's on something that does what I expect it to.

>In my experience even if you had a BPM readout on=20
>all loopers and fx they would drift apart. No two clocks are the same.=20
That's very good to know, thank you. =20
It reinforces my decision to use midi sync.
The other reason I'd like the BPM readout is so I can set the time
within cooee of what the rest of the band are doing - as that can be
reasonably approximate, this would suffice.  However I'd expect to set
the BPM or tap tempo on one device (drum machine/sequencer/laptop/or
even a looper) which the rest of my rig would be slaved to.

>I have read that the DD 20 is very stable and if you have 2 of them set =
the=20
>same they will stay together. I have not tried this however as I only =
have=20
>one. Great reviews here:
>http://www.loopers-delight.com/tools/bossDD20/bossDD20.html
>I never use it in looper mode. I use it in delay mode. Up to 23 sec of=20
>stereo delay is a great looper for me. There is a way to double that =
time in=20
>one of these reviews. I really want one more of these.
That's great to know.
I use my SMMH and TC Nova Delay (in stereo) for most of my delay needs,
and my Adrenalinn 3 has a stereo delay as well.  So right now I'm more
interested in a looper with a lot more functionality, and the ability to
store and retrieve loops - rather than a delay pedal with a looper, if
you see what I mean.

I got a bit excited when I first started reading about the Digitech GNX4
- the 8 track recorder/looper alone appeared to worth the value of the
entire pedal.  However as I read the manual and reviews I became very
disappointed.  Great features, apparently poor execution.  I had hoped
the 8 track recorder could be controlled by midi commands. And
apparently the audio quality, despite the specs on paper, in practice
isn't all that wonderful.

Now if there was a looper on the market with the same features as the
GNX4's 8 track recorder/looper, but with better audio quality, and more
midi features, I'd be very interested indeed.

>The DL 4 I mainly use for delay models because there is no feedback =
(fade)=20
>on the loop, although this can be simulated with the expression pedal.
Okay.  I've tried the DL4 and heard it used live regularly, it sounds
great.  But I was put off by the overwhelming number of reviews
consistantly talking about the failing foot switches.  With such a
feature rich pedal, I didn't like the limit of three save sets combined
with no way to turn the dials to get the delay you want, only to have it
forgotten as soon as you bypass the effect.

>>With the 2880, because it doesn't have tap tempo, and the tempo fader
>>doesn't have an LED read out giving an accurate BPM, theres no choice
>>for me but to slave it to another midi sync source.
>Again what are you syncing to?=20
Yet to be decided.  But most likely a sequencer or drum machine.

>I can tap in a loop that is pretty accurate for most uses.
Oh.  Are you saying it has tap tempo?

>>I've read reviews  saying that if you have the 2880 slaved to a midi
>>sync source, after recording the first loop when you immediately
>>overdub, the loop playback slows down and speeds up the first time
>>through which is simply unacceptable.
>This is not my experience. When synced to my Boss DR 670 it stays locked=
=20
>tight through all the overdubbing I do.=20
That is fantastic news.

>It will drift if I put the 2880 in=20
>reverse while in slave to the Boss. Also if you stop the 2880 with the =
DR=20
>670 running  then start again it will not be in sync. I have to stop =
both=20
>with the DR.=20
Okay, that's good to know - are you able to turn the 2880 faders for the
loop down as a work around?=20

>Of course you lose the octave down and fader tempo features in=20
>slave sync.=20
Okay.

>I don't know how old that review you read was=20
Harmony Central user reviews.
http://reviews.harmony-central.com/reviews/Effects/product/Electro-Harmon=
ix/2880/10/1
03/26/2008
:For one, as the previous user reports, the external MIDI syncing and
:quantization is well, kinda screwy. Just try creating a new loop on
:the fly with this thing as a slave device. After you record, the loop
:"wooshes" and sounds like it is struggling to find the correct tempo.
:Well, scrap that. I will only use this device as a slave MIDI unit if
:I prerecord (and obviously, pre-quantize) the length of the loop I
:will be using. I won't use it as a master unit, as there is no tap
:tempo feature.

01/20/2007
::Specifically, the device is supposed to synch to an external Midi
::clock (this is not soo unusual or difficult, right ?) and lock loops
::to a beat. Pretty cool if it works. But it doesn't. As soon as you
::stop recording the first track and switch to playback, the recording
::you just made slows way down and does the long swoopy thing (with
::pitch changing, too) until it sort of catches back up a few bars down
::the road. It renders it totally worthless for performance or even
::having fun in your studio.

>but there has been=20
>a software update that supposedly fixed some sync issues (but not all).
>>Another review said the same
>>thing, so you have to stop the 2880 before overdubbing, again
>>unacceptable.
>Again this is not my experience. I have never had that problem as long =
as=20
>the 2880 is in quantize mode. It syncs well as master or slave except =
for=20
>when throwing it into reverse while playing/overdubbing. I did do the=20
>software upgrade.
That's good news.  Can an older pedal be upgraded by USB then?
I take it when you say "but not all", you're referring to how it behaves
in reverse or stopped and started while the master continues?

>I hope others will come forward with more on this.=20
Me too.

>There is quite a bit in=20
>the archives if you dig around. I rarely use the 2880 with a sync =
source.=20
>Only for practice and such nowdays. I use it as a standalone very long =
delay=20
>type looper and tap sync it.=20
How do you tap sync it?

>It works good enough for what I do. As I said I have to make the most of=
=20
>what they all will do not just look at what they won't do.
Unfortunately it means either not being able to do certain things, or
spending more money on other loopers to fill the gap.

>I hope this helps some.
It certainly does.

>Storms raging, power is flashing, I had better go. I love Florida in the=
=20
>rainy season!
>Jeff
Whoa!
Thanks again,
-- G.


>----- Original Message -----=20
>From: "G" <gigs@paradise.net.nz>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Saturday, June 06, 2009 12:07 AM
>Subject: Re: blech (pedal choices)
>
>
>Hi Jeff
>I'm interested in getting a stereo looper with midi sync, preferably a
>pedal, but not happy with those on the market.
>
>I currently use a EHX SMMH and while it's a lot of fun and good at what
>it does, there's no accurate way to set the tempo other than by tap or
>analogue dial without any BPM readout which means it inevitably drifts
>away from the timing of my other effects.
>Midi sync is very important to me now.
>
>With the 2880, because it doesn't have tap tempo, and the tempo fader
>doesn't have an LED read out giving an accurate BPM, theres no choice
>for me but to slave it to another midi sync source.
>I've read reviews  saying that if you have the 2880 slaved to a midi
>sync source, after recording the first loop when you immediately
>overdub, the loop playback slows down and speeds up the first time
>through which is simply unacceptable.  Another review said the same
>thing, so you have to stop the 2880 before overdubbing, again
>unacceptable.
>What's your experience of the 2880 midi sync slaved?
>Thanks in advance.
>-- G.
>
>>To: <Loopers-Delight@loopers-delight.com>
>>Subject: Re: blech (pedal choices)
>>From: "Jeff Duke" <jeff_d@embarqmail.com>
>>Date: Thu, 4 Jun 2009 11:04:13 -0400
>>
>>The 2880 even with it's limitations is one looper I have never regreted
>>getting. What it can do far outweighs what it can't.
>>
>>Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 09:32:06 2009
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Subject: Re: Anyone into multi (frequency) band panning?
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Per Boysen wrote:
>> Per Boysen wrote:
>>> Hi,
>>>
>>> I was just thinking about the option of slapping a multi frequency
>>> band panner on the main looper output (since the Mobius AU doesn't yet
>>> support separate track outputs) and was wondering if someone has
>>> experimented with this?
>>>
>>> No time for building this now though, hence the interest in hearing
>>> about other's experiences.
> 
> On Wed, Jun 10, 2009 at 10:51 AM, andy butler<akbutler@tiscali.co.uk> wrote:
>> Much easier to do it by simply putting an EQ on each channel.
> 
> Certainly, but that's a different topic since we don't have separate
> channels in this case. 

oops, sorry, first split mono into 2 identical channels
hard panned left and right.
Then apply complimentary filters to each

>To be specific, this is exactly what I'm
> intending:
> 
> 1. Split a signal into a number of parallel paths.
> 2. In each path, apply a steep EQ to isolate a certain frequency band.
> 3. In each path, apply dynamic panning ("auto-pan" kind of processing).
> 4. Sum all paths into a final stereo output.


yep, understood.

just using 2 EQs is equivalent.
Could use graphic equalizer, or parametric peak/shelf
Just easier on proc usage.

Turning up a peak filter on the left of the stereo mix
while turning the same down on a the right is exactly 
equivalent to splitting out that frequency range and 
panning it somewhat left.




Another option would be to put a phase fx
with 100% wet effect onto one side of the stereo
mix.
That works really well.





> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 09:59:10 2009
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Date: Wed, 10 Jun 2009 11:59:09 +0200
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Subject: Re: Anyone into multi (frequency) band panning?
From: Per Boysen <perboysen@gmail.com>
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>> To be specific, this is exactly what I'm
>> intending:
>>
>> 1. Split a signal into a number of parallel paths.
>> 2. In each path, apply a steep EQ to isolate a certain frequency band.
>> 3. In each path, apply dynamic panning ("auto-pan" kind of processing).
>> 4. Sum all paths into a final stereo output.

Sorry, there's more.... I may want to use three or four frequency
bands to apply different dynamic panning to each band. I will not only
use non tempo related panning rates but also "presets" of particular
beat-synced rhythms that use three or four patterns in combination. I
was just wondering if someone has tried this with looping?

(yes, there are plug-ins that do this but I want to build the
processing in a multi channel routing setup in order to make my own
"presets").

Anyway, I'll try this out in a couple of weeks.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 10:11:00 2009
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Subject: OT: Weird, weird drum machine from Sweden
From: Per Boysen <perboysen@gmail.com>
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I know the drum machine used in this video is Swedish but what's the
language of the web site? I mean, where in the world are folks using
such a weird drum machine?

http://fschnell.net/WordPress/?p=1094

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 11:09:12 2009
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Subject: OT: Weird, weird drum machine from Sweden
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> I mean, where in the world are folks using such a weird drum machine?

Playing Schliemann here at the moment:
The site says "A L=E1batlani Blues fesztiv=E1lra megh=EDvjuk a Volvo trakes=
zt is."

And if you enter "Labatlan" into google, you get this:
http://en.wikipedia.org/wiki/L%C3%A1batlan

Hungary.

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 13:00:50 2009
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Date: Wed, 10 Jun 2009 15:00:43 +0200
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Subject: Re: Antwerp Loopfest - video
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> From: expertsleepers@googlemail.com 
> Thanks for the fan mail! :)
> 
> Michael Peters was using Crossfade Loop Synth in Antwerp, as 
> a live sampler rather than as a delay, which was interesting 
> to hear. Looking forward to the video/recordings so I can 
> listen back to exactly what he did.

Hi Os,
I've heard what both Michael and Per did with Crossfade Loop Synth in Ita=
ly...really really good. And it's indeed interesting to hear how other mu=
sicians use certain effects. 

Perhaps it's a good idea to briefly explain the differences with Augustus=
 Loop, Little Spacy and Crossfade Loop Synth regarding it's looping/delay=
 features?
--- 
Sjaak
http://sjaakovergaauw.com/ 


__________________________________
Scarlet schrapt download limiet!
Scarlet NO LIMIT nu slechts 19,95 EUR 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 13:13:40 2009
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Date: Wed, 10 Jun 2009 15:13:40 +0200
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Subject: Re: Antwerp Loopfest - video
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On Wed, Jun 10, 2009 at 3:00 PM, Sjaak<tcplugin@scarlet.be> wrote:
> Perhaps it's a good idea to briefly explain the differences with Augustus Loop,
> Little Spacy and Crossfade Loop Synth regarding it's looping/delay features?

As for Crossfade Loop Synth I can tell that it is as if having three
instances of Augustus Loop all in overdub mode and set to different
pitch shift (which of course implements different loop lengths) and
some set to reverse mode as well.

One Augustus Loop is similar to tape delay looping but with extra
goodies like "playing" the loop's pitch from MIDI Notes (keyboard,
EWI, MIDI guitar etc) plus the filters with cut-off and LFO sync
option.

per

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 15:55:31 2009
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: very off topic : IRS 
Date: Wed, 10 Jun 2009 18:55:22 +0300
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Content-Type: text/plain;
	charset="iso-8859-1"
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hey,

i am sorry this is very off topic. but since a lot of the members of =
this list are from usa, i need to ask this.

as some of you may know, i did a 5 week tour in usa in march-april. i =
have been invited by ucsc to give a lecture and a premier of a new =
commissioned piece. there i also recorded a new record with bill walker, =
which i am mixing at the moment. everything was great except one issue. =
the IRS!

it seems that i need to apply for an ITIN number to receive the payment =
from the university. i filled out the w7 form along with other things =
and sent them to irs. but now it seems that i need to fill out the form =
8233 and get a letter from the social security that states that "i am =
ineligible to receive a social security number". so it seems that first =
i need to be rejected to be accepted! well, so my question is : how do i =
get a letter from the social security that states i am ineligible?

i though that the turkish bureaucracy was weird, but it seems that this =
even weirder. this is the first that in my life i am applying somewhere =
to be rejected!

again i am very sorry everyone about this email. but i am desperate and =
frustrated.

best.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com/catalog.php?op=3Ddetail&cid=3D23

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes
------=_NextPart_000_002D_01C9E9FD.020F3AC0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3527" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>hey,</DIV>
<DIV>&nbsp;</DIV>
<DIV>i am sorry this is very off topic. but since a lot of the members =
of this=20
list are from usa, i need to ask this.</DIV>
<DIV>&nbsp;</DIV>
<DIV>as some of you may know, i did a 5 week tour in usa in march-april. =
i have=20
been invited by ucsc to give a lecture and a premier of a new =
commissioned=20
piece. there i also recorded a new record with bill walker, which i am =
mixing at=20
the moment. everything was great except one issue. the IRS!</DIV>
<DIV>&nbsp;</DIV>
<DIV>it seems that i need to apply for an ITIN number to receive the =
payment=20
from the university. i filled out the w7 form along with other things =
and sent=20
them to irs. but now it seems that i need to fill out the form 8233 and =
get a=20
letter from the social security that states that "i am ineligible to =
receive a=20
social security number". so it seems that first i need to be rejected to =
be=20
accepted! well, so my question is : how do i get a letter from the =
social=20
security that states i am ineligible?</DIV>
<DIV>&nbsp;</DIV>
<DIV>i though that the turkish bureaucracy was weird, but it seems that =
this=20
even weirder. this is the first that in my life i am applying somewhere =
to be=20
rejected!</DIV>
<DIV>&nbsp;</DIV>
<DIV>again i am very sorry everyone about this email. but i am desperate =
and=20
frustrated.</DIV>
<DIV>&nbsp;</DIV>
<DIV>best.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D=
23">www.aucourantrecords.com/catalog.php?op=3Ddetail&amp;cid=3D23</A></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath album will open you up to new experiences and =
<BR>allow you=20
to explore worlds previously closed to you."<BR>Blogcritics, Richard=20
Marcus</DIV>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath is an outstanding acousmatic record, =
period."<BR>Massimo=20
Ricci, touching extremes</DIV></BODY></HTML>

------=_NextPart_000_002D_01C9E9FD.020F3AC0--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 16:14:39 2009
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Date: Wed, 10 Jun 2009 18:14:37 +0200
Message-ID: <66f9cc1e0906100914t13a8688dhcabc0c842898133e@mail.gmail.com>
Subject: Re: very off topic : IRS
From: Per Boysen <perboysen@gmail.com>
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Hi Erdem,

I have also struggled with this surprisingly protectionistic American
bureaucracy. You are supposed to apply either to the unit in Texas
that handles this or to your locally closest licensed authority. In my
case this meant I sent my ITIN number appliance to the American
embassy in Paris. But look out - on the web site they do not give out
the information that you actually need to include a written document
that proves your involvement in American activities that generate
income for you. The Americans in Paris did not tell me about that
either, even though I e-mailed them the direct question, but sent my
appliance to Texas so someone in Texas could send me a snail mail back
telling me that my appliance lacked some (not specified) verifications
and thus could not be accepted. So I'm about to start my second round
now in this Kafka-like procedure ;-))  I did include in my appliance
enough copied correspondence between me and an American book
publishing label that I have been working for as a proof reader. My
guess is that only signed contracts will do, so get those papers from
the beginning and you will save at least one year in the process.

I'm not sure Americans in general know about this, since it only
affects non Americans that work for Americans companies while not
being American citizens or living in the country.

Good luck to you! I know people that have succeeded to get the ITIN so
it is definitely possible.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Jun 10, 2009 at 5:55 PM, Erdem Helvacioglu<erdemhel@tnn.net> wrote:
> hey,
>
> i am sorry this is very off topic. but since a lot of the members of this
> list are from usa, i need to ask this.
>
> as some of you may know, i did a 5 week tour in usa in march-april. i have
> been invited by ucsc to give a lecture and a premier of a new commissioned
> piece. there i also recorded a new record with bill walker, which i am
> mixing at the moment. everything was great except one issue. the IRS!
>
> it seems that i need to apply for an ITIN number to receive the payment from
> the university. i filled out the w7 form along with other things and sent
> them to irs. but now it seems that i need to fill out the form 8233 and get
> a letter from the social security that states that "i am ineligible to
> receive a social security number". so it seems that first i need to be
> rejected to be accepted! well, so my question is : how do i get a letter
> from the social security that states i am ineligible?
>
> i though that the turkish bureaucracy was weird, but it seems that this even
> weirder. this is the first that in my life i am applying somewhere to be
> rejected!
>
> again i am very sorry everyone about this email. but i am desperate and
> frustrated.
>
> best.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Wounded Breath" album is out now on Aucourant Records:
> www.aucourantrecords.com/catalog.php?op=detail&cid=23
>
> "wounded breath album will open you up to new experiences and
> allow you to explore worlds previously closed to you."
> Blogcritics, Richard Marcus
>
> "wounded breath is an outstanding acousmatic record, period."
> Massimo Ricci, touching extremes

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 17:33:07 2009
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	 <66f9cc1e0906100914t13a8688dhcabc0c842898133e@mail.gmail.com>
Date: Wed, 10 Jun 2009 13:33:06 -0400
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Subject: Re: very off topic : IRS
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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hi,
I got an ITIN last year when I did some seminars/workshops/concerts in
New York state.  The University that invited me took care of most of
the details.  Their administrative staff were used to these
considerations since they're close to the border and often hire
lecturers or artists in residence from Canada.  I'd check with UCSC,
I'm sure they have someone on staff that can work this out for you...
I'm not sure about form 8233?  I don't remember having to go through
that process, but I'll check my files when I get home and I'll get
back to you if I find anything helpful.

Are you a member of a musicians' union, association or guild?  I'm a
Canadian member of the AFM and I've found them very helpful with these
issues.

Another thing to look into as a non-American working in the US is what
tax treaty, if any, exist between your country of residence and the
US.  This will determine whether you pay income tax to the IRS or to
your home country on income gained while working in the US.

Good luck,
Sylvain

On 6/10/09, Per Boysen <perboysen@gmail.com> wrote:
> Hi Erdem,
>
> I have also struggled with this surprisingly protectionistic American
> bureaucracy. You are supposed to apply either to the unit in Texas
> that handles this or to your locally closest licensed authority. In my
> case this meant I sent my ITIN number appliance to the American
> embassy in Paris. But look out - on the web site they do not give out
> the information that you actually need to include a written document
> that proves your involvement in American activities that generate
> income for you. The Americans in Paris did not tell me about that
> either, even though I e-mailed them the direct question, but sent my
> appliance to Texas so someone in Texas could send me a snail mail back
> telling me that my appliance lacked some (not specified) verifications
> and thus could not be accepted. So I'm about to start my second round
> now in this Kafka-like procedure ;-))  I did include in my appliance
> enough copied correspondence between me and an American book
> publishing label that I have been working for as a proof reader. My
> guess is that only signed contracts will do, so get those papers from
> the beginning and you will save at least one year in the process.
>
> I'm not sure Americans in general know about this, since it only
> affects non Americans that work for Americans companies while not
> being American citizens or living in the country.
>
> Good luck to you! I know people that have succeeded to get the ITIN so
> it is definitely possible.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Wed, Jun 10, 2009 at 5:55 PM, Erdem Helvacioglu<erdemhel@tnn.net> wrote:
> > hey,
> >
> > i am sorry this is very off topic. but since a lot of the members of this
> > list are from usa, i need to ask this.
> >
> > as some of you may know, i did a 5 week tour in usa in march-april. i have
> > been invited by ucsc to give a lecture and a premier of a new commissioned
> > piece. there i also recorded a new record with bill walker, which i am
> > mixing at the moment. everything was great except one issue. the IRS!
> >
> > it seems that i need to apply for an ITIN number to receive the payment from
> > the university. i filled out the w7 form along with other things and sent
> > them to irs. but now it seems that i need to fill out the form 8233 and get
> > a letter from the social security that states that "i am ineligible to
> > receive a social security number". so it seems that first i need to be
> > rejected to be accepted! well, so my question is : how do i get a letter
> > from the social security that states i am ineligible?
> >
> > i though that the turkish bureaucracy was weird, but it seems that this even
> > weirder. this is the first that in my life i am applying somewhere to be
> > rejected!
> >
> > again i am very sorry everyone about this email. but i am desperate and
> > frustrated.
> >
> > best.
> >
> > Erdem Helvacioglu
> > www.erdemhelvacioglu.com
> > www.myspace.com/erdemhelvacioglu
> > * * * * * * * * * * * * * * * * * * * *
> > "Wounded Breath" album is out now on Aucourant Records:
> > www.aucourantrecords.com/catalog.php?op=detail&cid=23
> >
> > "wounded breath album will open you up to new experiences and
> > allow you to explore worlds previously closed to you."
> > Blogcritics, Richard Marcus
> >
> > "wounded breath is an outstanding acousmatic record, period."
> > Massimo Ricci, touching extremes
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 18:43:58 2009
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Date: Wed, 10 Jun 2009 14:43:56 -0400
Message-ID: <9e0440a60906101143x2a6098b4m25aa41b0f1ab4154@mail.gmail.com>
Subject: Re: GIG SPAM + UStream this sunday
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5b8ef94e731046c02dbf3
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Matt and Steve excellent, will look forward to catching your respective
sets.  This time and technology are so amazing that we can do this.  Though
I've had some good traditional venue gigs with good turnout I can't tell you
how many times it's gone the other way re attendance where I was playing for
the bar keep, waitress and me regardless of how much legwork [yes I have
quite a pair! (hah!)] and energy I put in to trying to drum up an audience.
It's just luck of the draw regardless of what we do, my experience.

The four now webcasts/ustreams I've done have all had virtual draw with
three of them being 20+ steady connected which has amazed me - it's such a
gift to have an audience there and largely many of them from this community
supporting each other, that really really means a great deal and I'm sure
Matt, Steve, Rainer, Jeff will echo that.

This all said in answer to Matt I'm not doing one this Sunday.  I did last
Sunday and I'm trying to establish my series as a bi-weekly thing as a) I
don't want to wear out a good thing and b) the idea is to build the
performance series almost akin to a TV thing hence my moniker of Sunday
Morning at 11 <http://www.ustream.tv/channel/sunday-morning-at-11>.  I will
however have to interrupt my time slot as we're away on vacation over what
would be my next weekend (6/21) so I"m planning the next Sunday... to be
June 28th if all goes well.  With that show I'm planning to have a guest,
another duo partner of mine the percussionist who was on the
ReUse<http://jimgoodin.bandcamp.com/album/ct-project-reuse>record,
*Will Romano*.  We have a duo project called East of
Where<http://www.myspace.com/eastofwhere>.
If all goes well we'll be doing the show that Sunday from Will's house in
Mastic, NY.  On that theme when Daryl is out here (meaning NY) in a few
weeks if we can work it out I"m planning to have us do a*
Chinapainting*show as my Sunday show for around that time, probably
later July.

*Sidebar* to those who have interest in blues Will is also an excellent
published music writer with two books out on Backbeat Books on Jimmy
Reed<http://www.amazon.com/Big-Boss-Man-Music-Bluesman/dp/0879308788/ref=sr_1_1?ie=UTF8&s=books&qid=1244659143&sr=8-1>and
Hubert Sumlin.

Best to all and Matt/Steve, great shows on Sunday, I'll be in the front row
if all possible.

Jim

--001636c5b8ef94e731046c02dbf3
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<div>Matt and Steve excellent, will look forward to catching your respectiv=
e sets.=A0 This time and technology are so amazing that we can do this.=A0 =
Though I&#39;ve had some good traditional venue gigs with good turnout I ca=
n&#39;t tell you how many times it&#39;s gone the other way re attendance w=
here I was playing for the bar keep, waitress and me regardless of how much=
 legwork [yes I have quite a pair! (hah!)] and energy I put in to trying to=
 drum up an audience.=A0 It&#39;s just luck of the draw regardless of what =
we do, my experience.</div>

<div>=A0</div>
<div>The four now webcasts/ustreams I&#39;ve done have all had virtual draw=
 with three of them being 20+ steady connected which has amazed me - it&#39=
;s such a gift to have an audience there and largely many of them from this=
 community supporting each other, that really really means a great deal and=
 I&#39;m sure Matt, Steve, Rainer, Jeff will echo that.</div>

<div>=A0</div>
<div>This all said in answer to Matt I&#39;m not doing one this Sunday.=A0 =
I did last Sunday and I&#39;m trying to establish my series as a bi-weekly =
thing as a) I don&#39;t want to wear out a good thing and b) the idea is to=
 build the performance series almost akin to a TV thing hence my moniker of=
 <a href=3D"http://www.ustream.tv/channel/sunday-morning-at-11">Sunday Morn=
ing at 11</a>.=A0 I will however have to interrupt my time slot as we&#39;r=
e away on vacation over what would be my next weekend (6/21) so I&quot;m pl=
anning the next Sunday... to be June 28th if all goes well.=A0 With that sh=
ow I&#39;m planning to have a guest, another duo partner of mine the percus=
sionist who was on the <a href=3D"http://jimgoodin.bandcamp.com/album/ct-pr=
oject-reuse">ReUse</a> record, <em>Will Romano</em>.=A0 We have a duo proje=
ct called <a href=3D"http://www.myspace.com/eastofwhere">East of Where</a>.=
=A0 If all goes well we&#39;ll be doing the show that Sunday from Will&#39;=
s house in Mastic, NY.=A0 On that theme when Daryl is out here (meaning NY)=
 in a few weeks if we can work it out I&quot;m planning to have us do a<em>=
 Chinapainting</em> show as my Sunday show for around that time, probably l=
ater July.</div>

<div>=A0</div>
<div><em>Sidebar</em> to those who have interest in blues Will is also an e=
xcellent published music writer with two books out on Backbeat=A0Books on <=
a href=3D"http://www.amazon.com/Big-Boss-Man-Music-Bluesman/dp/0879308788/r=
ef=3Dsr_1_1?ie=3DUTF8&amp;s=3Dbooks&amp;qid=3D1244659143&amp;sr=3D8-1">Jimm=
y Reed</a> and Hubert Sumlin.</div>

<div>=A0</div>
<div>Best to all and Matt/Steve, great shows on Sunday, I&#39;ll be in the =
front row if all possible.</div>
<div>=A0</div>
<div>Jim<br></div>

--001636c5b8ef94e731046c02dbf3--

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Wow, Is this the drum machine Neubauten used on their first album? Its got a
great Analog sound to it, with sort of random flams...


On Wed, Jun 10, 2009 at 12:10 PM, Per Boysen <perboysen@gmail.com> wrote:

> I know the drum machine used in this video is Swedish but what's the
> language of the web site? I mean, where in the world are folks using
> such a weird drum machine?
>
> http://fschnell.net/WordPress/?p=1094
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--000e0cd1eb706f43a4046c0307bf
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Wow, Is this the drum machine Neubauten used on their first album? Its got =
a great Analog sound to it, with sort of random flams...<br><br><br><div cl=
ass=3D"gmail_quote">On Wed, Jun 10, 2009 at 12:10 PM, Per Boysen <span dir=
=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>=
&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I know the drum m=
achine used in this video is Swedish but what&#39;s the<br>
language of the web site? I mean, where in the world are folks using<br>
such a weird drum machine?<br>
<br>
<a href=3D"http://fschnell.net/WordPress/?p=3D1094" target=3D"_blank">http:=
//fschnell.net/WordPress/?p=3D1094</a><br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--000e0cd1eb706f43a4046c0307bf--

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Subject: Re: GIG SPAM + UStream this sunday
From: Rainer Straschill <moinsound@googlemail.com>
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> I will however have to interrupt my time slot as we're away on vacation over what would be my next weekend (6/21)

I know I may be a little over the edge again, but...

...while you're on vacation, isn't there an internet connection that
you could hook your laptop+webcam up to and do a "roadshow" - kind of?

            Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 19:28:51 2009
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From: Rev Fever <revfever@ubergadget.com>
Subject: Re: OT: Weird, weird drum machine from Sweden
Date: Wed, 10 Jun 2009 12:28:43 -0700
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This is a first.  A drum machine with a "carbon footprint".  :-)

Cheers,
Rev Fever
http://www.spiritone.com/~rvfever/

>
> http://fschnell.net/WordPress/?p=1094
>

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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
This is a first. =A0A drum machine with a "carbon footprint". =
=A0:-)<div><br></div><div>Cheers,</div><div><div>Rev Fever</div><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div><div><br></div></div><div><div><blockquote =
type=3D"cite"><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote"=
 style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;"><br> <a =
href=3D"http://fschnell.net/WordPress/?p=3D1094" =
target=3D"_blank">http://fschnell.net/WordPress/?p=3D1094</a><br> =
<br></blockquote></div></blockquote></div></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 19:48:54 2009
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Date: Wed, 10 Jun 2009 12:48:51 -0700
From: Daryl Shawn <highhorse@mhorse.com>
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Subject: Gig spam - Bay Area tonight w/Matt Davignon
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As the 15th gig of my tour, tonight Matt Davignon and I will be doing 
duo and solo looping stuff in Oakland, at 21 Grand. Been looking forward 
to this one for a while, we did a gig last October and my tapes and his 
drum machine rig seem to have a certain understanding.

We start at 8, and after us is Cylinder, w/Aram Shelton, Darren 
Johnston, Liza Mezzacappa, & Kjell Nordeson. heavies!

http://www.21grand.org

And tomorrow Ted Killian and I are going to get down in Ashland OR...on 
Sunday, Nevyn Nowhere and I will do our thing in Portland...next 
Wednesday I'll be playing with Krispen in Boise.  Gonna be a sweet week.!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

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Date: Wed, 10 Jun 2009 15:53:58 -0400
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Subject: Re: GIG SPAM + UStream this sunday
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Yeah I did think of that Rainer and will see but to be honest my wife told
me a long time ago when I started chasing my muse in this chapter that she
and the kids had no desire to be my 'groupies' which was more pointed to
please don't book gigs while we are on family holiday which I've been guilty
of doing.

I'll see how it goes as yes I could be live from Maine which I've gigged in
before - when we were on vacation up there (arg).  I do appreciate the
support on this.  As supportive as my family has been re my music in many
ways, in the end it always seems that it's better when I don't involve them
in my pursuits but we'll see.  July will also interrupt Sunday Morning at 11
as Daryl and I are doing 4 CP shows, 2 in Ohio, 1 Philly and 1 NY so not
sure how the sch'd will play.  I do hope that I can sch'd a CP ustream as
announced.

Look foward to yours on Saturday Rainer.  Do you use any other wind
instruments ever?  I was a horn player growing up (Sax/CLarinet/flute) till
I finalized on guitar.  In my experimenting with other instruments last few
years I've gotten into Native American wood flutes.  Anyhow I know I"m OT
right now, sorry folks...

J

On Wed, Jun 10, 2009 at 3:05 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> > I will however have to interrupt my time slot as we're away on vacation
> over what would be my next weekend (6/21)
>
> I know I may be a little over the edge again, but...
>
> ...while you're on vacation, isn't there an internet connection that
> you could hook your laptop+webcam up to and do a "roadshow" - kind of?
>
>            Rainer
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5b8ef0d6d08046c03d6b1
Content-Type: text/html; charset=ISO-8859-1
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<div>Yeah I did think of that Rainer and will see but to be honest my wife =
told me a long time ago when I started chasing my muse in this chapter that=
 she and the kids had no desire to be my &#39;groupies&#39; which was more =
pointed to please don&#39;t book gigs while we are on family holiday which =
I&#39;ve been guilty of doing.=A0 </div>

<div>=A0</div>
<div>I&#39;ll see how it goes as yes I could be live from Maine which I&#39=
;ve gigged in before - when we were on vacation up there (arg).=A0 I do app=
reciate the support on this.=A0 As supportive as my family has been re my m=
usic in many ways, in the end it always seems that it&#39;s better when I d=
on&#39;t involve them in my pursuits but we&#39;ll see.=A0 July will also i=
nterrupt Sunday Morning at 11 as Daryl and I are doing 4 CP shows, 2 in Ohi=
o, 1 Philly and 1 NY so not sure how the sch&#39;d will play.=A0 I do hope =
that I can sch&#39;d a CP ustream as announced.</div>

<div>=A0</div>
<div>Look foward to yours on Saturday Rainer.=A0 Do you use any other wind =
instruments ever?=A0 I was a horn player growing up=A0(Sax/CLarinet/flute) =
till I finalized on guitar.=A0 In my experimenting with other instruments l=
ast few years I&#39;ve gotten into Native American wood flutes.=A0 Anyhow I=
 know I&quot;m OT right now, sorry folks...</div>

<div>=A0</div>
<div>J<br><br></div>
<div class=3D"gmail_quote">On Wed, Jun 10, 2009 at 3:05 PM, Rainer Straschi=
ll <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">moinso=
und@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"im">&gt; I will however have to interrupt my time slot as we&=
#39;re away on vacation over what would be my next weekend (6/21)<br><br></=
div>I know I may be a little over the edge again, but...<br><br>...while yo=
u&#39;re on vacation, isn&#39;t there an internet connection that<br>
you could hook your laptop+webcam up to and do a &quot;roadshow&quot; - kin=
d of?<br><font color=3D"#888888"><br>=A0 =A0 =A0 =A0 =A0 =A0Rainer<br><br><=
/font></blockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>ReUse, an introspective textural aural journey coming=
 soon...<br><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com"=
>www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com=
">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636c5b8ef0d6d08046c03d6b1--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 20:23:43 2009
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	 <4A300E23.6060101@mhorse.com>
Date: Wed, 10 Jun 2009 16:23:41 -0400
Message-ID: <9e0440a60906101323i4f116de6i13877412aed7176@mail.gmail.com>
Subject: Re: Gig spam - Bay Area tonight w/Matt Davignon
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Daryl break a string or tape reel or some other expression other than
a leg (sounds much too painful) in other words loop the house on all
these, say hey to california for me.  J

On 6/10/09, Daryl Shawn <highhorse@mhorse.com> wrote:
> As the 15th gig of my tour, tonight Matt Davignon and I will be doing
> duo and solo looping stuff in Oakland, at 21 Grand. Been looking forward
> to this one for a while, we did a gig last October and my tapes and his
> drum machine rig seem to have a certain understanding.
>
> We start at 8, and after us is Cylinder, w/Aram Shelton, Darren
> Johnston, Liza Mezzacappa, & Kjell Nordeson. heavies!
>
> http://www.21grand.org
>
> And tomorrow Ted Killian and I are going to get down in Ashland OR...on
> Sunday, Nevyn Nowhere and I will do our thing in Portland...next
> Wednesday I'll be playing with Krispen in Boise.  Gonna be a sweet week.!
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 20:34:52 2009
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Subject: OT or not OT (was: GIG SPAM + UStream this sunday)
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Jim,

> Look foward to yours on Saturday Rainer.  Do you use any other wind instr=
uments ever?
> I was a horn player growing up (Sax/CLarinet/flute) till I finalized on g=
uitar.  In my experimenting with other instruments last few years I've gott=
en into Native American wood flutes.

Good question...besides trombone, (and another trombone), I do own an
alto and a very nice soprano sax (and have been doing some nice stuff
with the soprano in the past, but they have both been collecting dust
for years). I never had any training on saxophone, but did manage to
do some beautiful things on them nonetheless (or at least that's what
I believe).

Then there's a soprano recorder (M=F6llnhauer, if anyone knows what I'm
talking about) which I got dead cheap at ebay for the equivalent of
$2.50 back then, which I sometimes apply for ugly effects (Jeff -
wasn't there a session we did where I would accompany your playing
with its ugly tweeting?). I also have a harmonica, and just the other
day, I was able to get a pro quality melodica (Hohner Professional 36,
if anyone is interested) at a great price - and that will no doubt see
some use in the near future.

Then again - wind instruments, let's see...aged about six, I was
featured for a full show (some 45 minutes) on BR (Bavarian national
radio), playing among other things bottles with a hairdryer and
holding music boxes to different resonators and while playing pinching
the thing with tweezers. I remember it was a great effect (and here
we're back on topic with looping) to play a music box over and over
held against a bath tub while the water runs out...

A happy vacation to you, Jim!

            Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 20:47:59 2009
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Date: Wed, 10 Jun 2009 13:40:07 -0700
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Subject: Re: notebook non-recommendation for audio applications
From: Mark Sottilaro <zerocrossing@gmail.com>
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I think I'm about to ditch the laptop as well. The older I get the
less I care about leaving the house for gigs and frankly at this point
who am I kidding?  The laptop I bought for gigging or occasional
visits to friends for a jam has left my home a total zero times.

Now my general use/surfing laptop is DEAD.  I'm thinking that rather
than replace it the money would be better spent on replacing my music
laptop with a desktop and relegating the old music laptop for general
use.

I'm just thinking of getting the best HP desktop I can afford (which
is probably only around $600) as a bunch of my friends basically said,
"10 years ago build saved you money and hassle. Now it just buys you
pain."  This is a guy who's a high level IT guy too.

But your touchscreen micro axt... that sounds juicy.  Can you tell
more about it?  I can't seem to find much info on DYI touch screens
and from what I can tell getting the HP with it built in doubles the
price.

On Wed, Jun 10, 2009 at 1:14 AM, FRO DIDDLY<parispro00@hotmail.com> wrote:
> not sure how late i am, but in concerns to the acer laptops, i called abo=
ut
> 6 months ago and they did not use TI chipsets in any computers anymore-
>
> in my adventure to find a perfect laptop, i bought 2 dells and returned t=
hem
> both - for what its worth the business class model performed much better
> than the consumer lvl garbage...
>
> i ended up wth a macbook pro running bootcamp.... which worked well since
> mobius is a very resource friendly program-
> but from my experience, running windows progrms in bootcamp is noticably
> slower than an equivenlent machine running windows os
>
> i now ditched the mac and built a micro atx PC with a touchscreen monitor=
 -
> =3DD....farewell laptop loopers! ;o)
>
> fro
>
>
>
>
>
>
>> Date: Wed, 10 Jun 2009 09:10:35 +0100
>> From: akbutler@tiscali.co.uk
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: notebook non-recommendation for audio applications
>>
>> The info appears to be in the Device Manager,
>> on XP at least.
>>
>>
>> Mark Sottilaro wrote:
>> > But what if the manufacturer doesn't state what one they use?
>> > Confusing... why can't we all just get along? ;)
>> >
>> > On Tue, Jun 9, 2009 at 12:57 PM, Rainer
>> > Straschill<moinsound@googlemail.com> wrote:
>> >>> Has anyone had any experience with the newer Acer laptops
>> >> A friend of mine (not audio-conscious, but IT professional and
>> >> reseller) has them in his shortlist together with Samsung.
>> >>
>> >>> and I keep hearing that not all Firewire chipsets do well with audio=
.
>> >> It's relatively simple. There are two mass-produced IEEE1394 chipsets
>> >> - by TI and Ricoh respectivle. The TI is good, the Ricoh is not.
>> >>
>> >> Rainer
>> >>
>> >>
>> >
>> >
>>
>
> ________________________________
> Insert movie times and more without leaving Hotmail=AE. See how.

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Subject: RE: notebook non-recommendation for audio applications
Date: Wed, 10 Jun 2009 16:00:55 -0500
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good luck man!

i built a dual core 2.6 w/ 4 gig ram 128 mb video- TI instrument firewire c=
ard -200gig HD -  for $500- newegg and ebay

whatever route you go=2C definitly get a TI firewire card (if u use firewir=
e)=2C it makes all the difference in the world-

please understand that micro atx is a form factor for CPU cases and has not=
hign to do with the touch screen-

the best touchscreen company is elo (elotouch.com)-

i believe they make a product that you can install over any monitor to conv=
ert it to touch=2C but i bought an open frame model that includes the lcd m=
onitor and the touchscreen off ebay-

goodluck
fro







> Date: Wed=2C 10 Jun 2009 13:40:07 -0700
> Subject: Re: notebook non-recommendation for audio applications
> From: zerocrossing@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> I think I'm about to ditch the laptop as well. The older I get the
> less I care about leaving the house for gigs and frankly at this point
> who am I kidding?  The laptop I bought for gigging or occasional
> visits to friends for a jam has left my home a total zero times.
>=20
> Now my general use/surfing laptop is DEAD.  I'm thinking that rather
> than replace it the money would be better spent on replacing my music
> laptop with a desktop and relegating the old music laptop for general
> use.
>=20
> I'm just thinking of getting the best HP desktop I can afford (which
> is probably only around $600) as a bunch of my friends basically said=2C
> "10 years ago build saved you money and hassle. Now it just buys you
> pain."  This is a guy who's a high level IT guy too.
>=20
> But your touchscreen micro axt... that sounds juicy.  Can you tell
> more about it?  I can't seem to find much info on DYI touch screens
> and from what I can tell getting the HP with it built in doubles the
> price.
>=20
> On Wed=2C Jun 10=2C 2009 at 1:14 AM=2C FRO DIDDLY<parispro00@hotmail.com>=
 wrote:
> > not sure how late i am=2C but in concerns to the acer laptops=2C i call=
ed about
> > 6 months ago and they did not use TI chipsets in any computers anymore-
> >
> > in my adventure to find a perfect laptop=2C i bought 2 dells and return=
ed them
> > both - for what its worth the business class model performed much bette=
r
> > than the consumer lvl garbage...
> >
> > i ended up wth a macbook pro running bootcamp.... which worked well sin=
ce
> > mobius is a very resource friendly program-
> > but from my experience=2C running windows progrms in bootcamp is notica=
bly
> > slower than an equivenlent machine running windows os
> >
> > i now ditched the mac and built a micro atx PC with a touchscreen monit=
or -
> > =3DD....farewell laptop loopers! =3Bo)
> >
> > fro
> >
> >
> >
> >
> >
> >
> >> Date: Wed=2C 10 Jun 2009 09:10:35 +0100
> >> From: akbutler@tiscali.co.uk
> >> To: Loopers-Delight@loopers-delight.com
> >> Subject: Re: notebook non-recommendation for audio applications
> >>
> >> The info appears to be in the Device Manager=2C
> >> on XP at least.
> >>
> >>
> >> Mark Sottilaro wrote:
> >> > But what if the manufacturer doesn't state what one they use?
> >> > Confusing... why can't we all just get along? =3B)
> >> >
> >> > On Tue=2C Jun 9=2C 2009 at 12:57 PM=2C Rainer
> >> > Straschill<moinsound@googlemail.com> wrote:
> >> >>> Has anyone had any experience with the newer Acer laptops
> >> >> A friend of mine (not audio-conscious=2C but IT professional and
> >> >> reseller) has them in his shortlist together with Samsung.
> >> >>
> >> >>> and I keep hearing that not all Firewire chipsets do well with aud=
io.
> >> >> It's relatively simple. There are two mass-produced IEEE1394 chipse=
ts
> >> >> - by TI and Ricoh respectivle. The TI is good=2C the Ricoh is not.
> >> >>
> >> >> Rainer
> >> >>
> >> >>
> >> >
> >> >
> >>
> >
> > ________________________________
> > Insert movie times and more without leaving Hotmail=AE. See how.
>=20

_________________________________________________________________
Insert movie times and more without leaving Hotmail=AE.=20
http://windowslive.com/Tutorial/Hotmail/QuickAdd?ocid=3DTXT_TAGLM_WL_HM_Tut=
orial_QuickAdd_062009=

--_b2288bf5-d694-4c09-944e-ca03b6a15342_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
good luck man!<br><br>i built a dual core 2.6 w/ 4 gig ram 128 mb video- TI=
 instrument firewire card -200gig HD -&nbsp=3B for $500- newegg and ebay<br=
><br>whatever route you go=2C definitly get a TI firewire card (if u use fi=
rewire)=2C it makes all the difference in the world-<br><br>please understa=
nd that micro atx is a form factor for CPU cases and has nothign to do with=
 the touch screen-<br><br>the best touchscreen company is elo (elotouch.com=
)-<br><br>i believe they make a product that you can install over any monit=
or to convert it to touch=2C but i bought an open frame model that includes=
 the lcd monitor and the touchscreen off ebay-<br><br>goodluck<br>fro<br><b=
r><br><br><br><br><br><br>&gt=3B Date: Wed=2C 10 Jun 2009 13:40:07 -0700<br=
>&gt=3B Subject: Re: notebook non-recommendation for audio applications<br>=
&gt=3B From: zerocrossing@gmail.com<br>&gt=3B To: Loopers-Delight@loopers-d=
elight.com<br>&gt=3B <br>&gt=3B I think I'm about to ditch the laptop as we=
ll. The older I get the<br>&gt=3B less I care about leaving the house for g=
igs and frankly at this point<br>&gt=3B who am I kidding?  The laptop I bou=
ght for gigging or occasional<br>&gt=3B visits to friends for a jam has lef=
t my home a total zero times.<br>&gt=3B <br>&gt=3B Now my general use/surfi=
ng laptop is DEAD.  I'm thinking that rather<br>&gt=3B than replace it the =
money would be better spent on replacing my music<br>&gt=3B laptop with a d=
esktop and relegating the old music laptop for general<br>&gt=3B use.<br>&g=
t=3B <br>&gt=3B I'm just thinking of getting the best HP desktop I can affo=
rd (which<br>&gt=3B is probably only around $600) as a bunch of my friends =
basically said=2C<br>&gt=3B "10 years ago build saved you money and hassle.=
 Now it just buys you<br>&gt=3B pain."  This is a guy who's a high level IT=
 guy too.<br>&gt=3B <br>&gt=3B But your touchscreen micro axt... that sound=
s juicy.  Can you tell<br>&gt=3B more about it?  I can't seem to find much =
info on DYI touch screens<br>&gt=3B and from what I can tell getting the HP=
 with it built in doubles the<br>&gt=3B price.<br>&gt=3B <br>&gt=3B On Wed=
=2C Jun 10=2C 2009 at 1:14 AM=2C FRO DIDDLY&lt=3Bparispro00@hotmail.com&gt=
=3B wrote:<br>&gt=3B &gt=3B not sure how late i am=2C but in concerns to th=
e acer laptops=2C i called about<br>&gt=3B &gt=3B 6 months ago and they did=
 not use TI chipsets in any computers anymore-<br>&gt=3B &gt=3B<br>&gt=3B &=
gt=3B in my adventure to find a perfect laptop=2C i bought 2 dells and retu=
rned them<br>&gt=3B &gt=3B both - for what its worth the business class mod=
el performed much better<br>&gt=3B &gt=3B than the consumer lvl garbage...<=
br>&gt=3B &gt=3B<br>&gt=3B &gt=3B i ended up wth a macbook pro running boot=
camp.... which worked well since<br>&gt=3B &gt=3B mobius is a very resource=
 friendly program-<br>&gt=3B &gt=3B but from my experience=2C running windo=
ws progrms in bootcamp is noticably<br>&gt=3B &gt=3B slower than an equiven=
lent machine running windows os<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B i now dit=
ched the mac and built a micro atx PC with a touchscreen monitor -<br>&gt=
=3B &gt=3B =3DD....farewell laptop loopers! =3Bo)<br>&gt=3B &gt=3B<br>&gt=
=3B &gt=3B fro<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B=
 &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B&gt=3B Date: Wed=
=2C 10 Jun 2009 09:10:35 +0100<br>&gt=3B &gt=3B&gt=3B From: akbutler@tiscal=
i.co.uk<br>&gt=3B &gt=3B&gt=3B To: Loopers-Delight@loopers-delight.com<br>&=
gt=3B &gt=3B&gt=3B Subject: Re: notebook non-recommendation for audio appli=
cations<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B The info appears to b=
e in the Device Manager=2C<br>&gt=3B &gt=3B&gt=3B on XP at least.<br>&gt=3B=
 &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B Mark Sottilaro =
wrote:<br>&gt=3B &gt=3B&gt=3B &gt=3B But what if the manufacturer doesn't s=
tate what one they use?<br>&gt=3B &gt=3B&gt=3B &gt=3B Confusing... why can'=
t we all just get along? =3B)<br>&gt=3B &gt=3B&gt=3B &gt=3B<br>&gt=3B &gt=
=3B&gt=3B &gt=3B On Tue=2C Jun 9=2C 2009 at 12:57 PM=2C Rainer<br>&gt=3B &g=
t=3B&gt=3B &gt=3B Straschill&lt=3Bmoinsound@googlemail.com&gt=3B wrote:<br>=
&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B Has anyone had any experience with t=
he newer Acer laptops<br>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B A friend of mine =
(not audio-conscious=2C but IT professional and<br>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B reseller) has them in his shortlist together with Samsung.<br>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B and=
 I keep hearing that not all Firewire chipsets do well with audio.<br>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B It's relatively simple. There are two mass-pr=
oduced IEEE1394 chipsets<br>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B - by TI and Ri=
coh respectivle. The TI is good=2C the Ricoh is not.<br>&gt=3B &gt=3B&gt=3B=
 &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Rainer<br>&gt=3B &gt=3B&g=
t=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B&gt=
=3B &gt=3B<br>&gt=3B &gt=3B&gt=3B &gt=3B<br>&gt=3B &gt=3B&gt=3B<br>&gt=3B &=
gt=3B<br>&gt=3B &gt=3B ________________________________<br>&gt=3B &gt=3B In=
sert movie times and more without leaving Hotmail=AE. See how.<br>&gt=3B <b=
r><br /><hr />Insert movie times and more without leaving Hotmail=AE.  <a h=
ref=3D'http://windowslive.com/Tutorial/Hotmail/QuickAdd?ocid=3DTXT_TAGLM_WL=
_HM_Tutorial_QuickAdd_062009' target=3D'_new'>See how.</a></body>
</html>=

--_b2288bf5-d694-4c09-944e-ca03b6a15342_--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 21:08:22 2009
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	 <COL118-W2251734DAF99A454622901DB450@phx.gbl>
Date: Wed, 10 Jun 2009 14:08:17 -0700
Message-ID: <bcd3c7bb0906101408s485baecdl5a43a053fa4091db@mail.gmail.com>
Subject: Re: notebook non-recommendation for audio applications
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hm, that's not far off from what a prebuilt machine with those specs
would cost me and that's not even thinking about the cost of buying
Windows if you build it yourself.

I checked out that company... confusing.  They have so many types...
I'd want one that could be installed over my 22" Samsung LCD.

On Wed, Jun 10, 2009 at 2:00 PM, FRO DIDDLY<parispro00@hotmail.com> wrote:
> good luck man!
>
> i built a dual core 2.6 w/ 4 gig ram 128 mb video- TI instrument firewire
> card -200gig HD -=A0 for $500- newegg and ebay
>
> whatever route you go, definitly get a TI firewire card (if u use firewir=
e),
> it makes all the difference in the world-
>
> please understand that micro atx is a form factor for CPU cases and has
> nothign to do with the touch screen-
>
> the best touchscreen company is elo (elotouch.com)-
>
> i believe they make a product that you can install over any monitor to
> convert it to touch, but i bought an open frame model that includes the l=
cd
> monitor and the touchscreen off ebay-
>
> goodluck
> fro
>
>
>
>
>
>
>
>> Date: Wed, 10 Jun 2009 13:40:07 -0700
>> Subject: Re: notebook non-recommendation for audio applications
>> From: zerocrossing@gmail.com
>> To: Loopers-Delight@loopers-delight.com
>>
>> I think I'm about to ditch the laptop as well. The older I get the
>> less I care about leaving the house for gigs and frankly at this point
>> who am I kidding? The laptop I bought for gigging or occasional
>> visits to friends for a jam has left my home a total zero times.
>>
>> Now my general use/surfing laptop is DEAD. I'm thinking that rather
>> than replace it the money would be better spent on replacing my music
>> laptop with a desktop and relegating the old music laptop for general
>> use.
>>
>> I'm just thinking of getting the best HP desktop I can afford (which
>> is probably only around $600) as a bunch of my friends basically said,
>> "10 years ago build saved you money and hassle. Now it just buys you
>> pain." This is a guy who's a high level IT guy too.
>>
>> But your touchscreen micro axt... that sounds juicy. Can you tell
>> more about it? I can't seem to find much info on DYI touch screens
>> and from what I can tell getting the HP with it built in doubles the
>> price.
>>
>> On Wed, Jun 10, 2009 at 1:14 AM, FRO DIDDLY<parispro00@hotmail.com> wrot=
e:
>> > not sure how late i am, but in concerns to the acer laptops, i called
>> > about
>> > 6 months ago and they did not use TI chipsets in any computers anymore=
-
>> >
>> > in my adventure to find a perfect laptop, i bought 2 dells and returne=
d
>> > them
>> > both - for what its worth the business class model performed much bett=
er
>> > than the consumer lvl garbage...
>> >
>> > i ended up wth a macbook pro running bootcamp.... which worked well
>> > since
>> > mobius is a very resource friendly program-
>> > but from my experience, running windows progrms in bootcamp is noticab=
ly
>> > slower than an equivenlent machine running windows os
>> >
>> > i now ditched the mac and built a micro atx PC with a touchscreen
>> > monitor -
>> > =3DD....farewell laptop loopers! ;o)
>> >
>> > fro
>> >
>> >
>> >
>> >
>> >
>> >
>> >> Date: Wed, 10 Jun 2009 09:10:35 +0100
>> >> From: akbutler@tiscali.co.uk
>> >> To: Loopers-Delight@loopers-delight.com
>> >> Subject: Re: notebook non-recommendation for audio applications
>> >>
>> >> The info appears to be in the Device Manager,
>> >> on XP at least.
>> >>
>> >>
>> >> Mark Sottilaro wrote:
>> >> > But what if the manufacturer doesn't state what one they use?
>> >> > Confusing... why can't we all just get along? ;)
>> >> >
>> >> > On Tue, Jun 9, 2009 at 12:57 PM, Rainer
>> >> > Straschill<moinsound@googlemail.com> wrote:
>> >> >>> Has anyone had any experience with the newer Acer laptops
>> >> >> A friend of mine (not audio-conscious, but IT professional and
>> >> >> reseller) has them in his shortlist together with Samsung.
>> >> >>
>> >> >>> and I keep hearing that not all Firewire chipsets do well with
>> >> >>> audio.
>> >> >> It's relatively simple. There are two mass-produced IEEE1394
>> >> >> chipsets
>> >> >> - by TI and Ricoh respectivle. The TI is good, the Ricoh is not.
>> >> >>
>> >> >> Rainer
>> >> >>
>> >> >>
>> >> >
>> >> >
>> >>
>> >
>> > ________________________________
>> > Insert movie times and more without leaving Hotmail=AE. See how.
>>
>
> ________________________________
> Insert movie times and more without leaving Hotmail=AE. See how.

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 21:10:14 2009
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Subject: Fwd: very off topic : IRS
Date: Wed, 10 Jun 2009 14:00:05 -0700
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well, for what its worth...
I had to do the exact same for the government of Spain...

it took a little more than 3 months of inanely slow and kafka-esque  
paperwork to get paid.

i'm imagining if its the same process you might just have to live with  
getting paid several months after the event.

On Jun 10, 2009, at 9:14 AM, Per Boysen wrote:
>
>> Hi Erdem,
>>
>> I have also struggled with this surprisingly protectionistic American
>> bureaucracy. You are supposed to apply either to the unit in Texas
>> that handles this or to your locally closest licensed authority. In  
>> my
>> case this meant I sent my ITIN number appliance to the American
>> embassy in Paris. But look out - on the web site they do not give out
>> the information that you actually need to include a written document
>> that proves your involvement in American activities that generate
>> income for you. The Americans in Paris did not tell me about that
>> either, even though I e-mailed them the direct question, but sent my
>> appliance to Texas so someone in Texas could send me a snail mail  
>> back
>> telling me that my appliance lacked some (not specified)  
>> verifications
>> and thus could not be accepted. So I'm about to start my second round
>> now in this Kafka-like procedure ;-))  I did include in my appliance
>> enough copied correspondence between me and an American book
>> publishing label that I have been working for as a proof reader. My
>> guess is that only signed contracts will do, so get those papers from
>> the beginning and you will save at least one year in the process.
>>
>> I'm not sure Americans in general know about this, since it only
>> affects non Americans that work for Americans companies while not
>> being American citizens or living in the country.
>>
>> Good luck to you! I know people that have succeeded to get the ITIN  
>> so
>> it is definitely possible.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>>
>> On Wed, Jun 10, 2009 at 5:55 PM, Erdem  
>> Helvacioglu<erdemhel@tnn.net> wrote:
>>> hey,
>>>
>>> i am sorry this is very off topic. but since a lot of the members  
>>> of this
>>> list are from usa, i need to ask this.
>>>
>>> as some of you may know, i did a 5 week tour in usa in march- 
>>> april. i have
>>> been invited by ucsc to give a lecture and a premier of a new  
>>> commissioned
>>> piece. there i also recorded a new record with bill walker, which  
>>> i am
>>> mixing at the moment. everything was great except one issue. the  
>>> IRS!
>>>
>>> it seems that i need to apply for an ITIN number to receive the  
>>> payment from
>>> the university. i filled out the w7 form along with other things  
>>> and sent
>>> them to irs. but now it seems that i need to fill out the form  
>>> 8233 and get
>>> a letter from the social security that states that "i am  
>>> ineligible to
>>> receive a social security number". so it seems that first i need  
>>> to be
>>> rejected to be accepted! well, so my question is : how do i get a  
>>> letter
>>> from the social security that states i am ineligible?
>>>
>>> i though that the turkish bureaucracy was weird, but it seems that  
>>> this even
>>> weirder. this is the first that in my life i am applying somewhere  
>>> to be
>>> rejected!
>>>
>>> again i am very sorry everyone about this email. but i am  
>>> desperate and
>>> frustrated.
>>>
>>> best.
>>>
>>> Erdem Helvacioglu
>>> www.erdemhelvacioglu.com
>>> www.myspace.com/erdemhelvacioglu
>>> * * * * * * * * * * * * * * * * * * * *
>>> "Wounded Breath" album is out now on Aucourant Records:
>>> www.aucourantrecords.com/catalog.php?op=detail&cid=23
>>>
>>> "wounded breath album will open you up to new experiences and
>>> allow you to explore worlds previously closed to you."
>>> Blogcritics, Richard Marcus
>>>
>>> "wounded breath is an outstanding acousmatic record, period."
>>> Massimo Ricci, touching extremes
>>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 21:26:06 2009
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Date: Wed, 10 Jun 2009 23:26:03 +0200
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Subject: Re: OT: Weird, weird drum machine from Sweden
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> > I mean, where in the world are folks using such a weird drum machine?

love it!
I'm so sick of synthetic beats, it's really refreshing to hear the "real deal". Would be sweet to bring that on stage for a gig ;-)
-- 
GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate und Telefonanschluss
für nur 17,95 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 21:41:14 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Anyone into multi (frequency) band panning?
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Hi Per

panning... yes, one of my favorite looping topics :)

Personally, I like occasionally putting a pan delay on high frequencies (i.e. hihats etc.). Gives a nice spacious open sound.
Low frequencies, I find panning a waste.
Mid freqs, I'd like to control it manually, usually panning hard right/left.

Some other thoughts:
- Automate panning of your loops right from the beginning. I.e. Loop1=Center, Loop2=Hard Right, Loop3=Hard Left, Loop4=Mid Right, Loop5=Mid Left, Loop6=Center... etc.
- Use designated midi control knobs for each loop (several loopers or i.e. Ableton Live clips)

Overall, I enjoy very much positioning each loop in a specific (or dynamic) position manually.

best regards
Buzap


-- 
GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate und Telefonanschluss
für nur 17,95 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Wed Jun 10 22:04:48 2009
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Date: Wed, 10 Jun 2009 18:04:47 -0400
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Subject: Re: OT or not OT (was: GIG SPAM + UStream this sunday)
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5b680de15b0046c05a942
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Wow that's a history of a lot of wind!  Excellent, add some of that to your
trombone ustream's - I still think you ought to promo your series in the
brass forums though you may get some less than flexible souls meaning 'this
is how you play the trombone and only way that you play the trombone' kind
of folks.  Actually loop some soprano sax and trombone stuff.

Your last para sounds like the early John Cage YouTUbe clip someone on the
list posted sometime back when Cage was on the I've Got a Secret in the
early 60's - think this was it...
http://www.youtube.com/watch?v=SSulycqZH-U and
yes we're indirectly back on looping.

Good stuff Rainer and thanks re our fam trip, going to be great to get back
up north it's kind of ala Per's and Ronny's land here in the States...

J

--001636c5b680de15b0046c05a942
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<div>Wow that&#39;s a history of a lot of wind!=A0 Excellent, add some of t=
hat to your trombone ustream&#39;s - I still think you ought to promo your =
series in the brass forums though you may get some less than flexible souls=
 meaning &#39;this is how you play the trombone and only way that you play =
the trombone&#39; kind of folks.=A0 Actually loop some soprano sax and trom=
bone stuff.</div>

<div>=A0</div>
<div>Your last para sounds like the early John Cage YouTUbe clip someone on=
 the list posted sometime back when Cage was on the I&#39;ve Got=A0a Secret=
 in the early 60&#39;s - think this was it... <a href=3D"http://www.youtube=
.com/watch?v=3DSSulycqZH-U">http://www.youtube.com/watch?v=3DSSulycqZH-U</a=
>=A0and yes we&#39;re indirectly back on looping.</div>

<div>=A0</div>
<div>Good stuff Rainer and thanks re our fam trip, going to be great to get=
 back up north it&#39;s kind of ala Per&#39;s and Ronny&#39;s land here in =
the States...</div>
<div>=A0</div>
<div>J<br></div>

--001636c5b680de15b0046c05a942--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 01:03:14 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Gig spam - Bay Area tonight w/Matt Davignon
Date: Wed, 10 Jun 2009 18:03:05 -0700
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Daryl,

Break a pick or a string or something (rather than a leg) tonight.

Say "hi" to Matt for me too.

See you tomorrow night.

Best.

Ted

On Jun 10, 2009, at 12:48 PM, Daryl Shawn wrote:

> As the 15th gig of my tour, tonight Matt Davignon and I will be doing 
> duo and solo looping stuff in Oakland, at 21 Grand. Been looking 
> forward to this one for a while, we did a gig last October and my 
> tapes and his drum machine rig seem to have a certain understanding.
>
> We start at 8, and after us is Cylinder, w/Aram Shelton, Darren 
> Johnston, Liza Mezzacappa, & Kjell Nordeson. heavies!
>
> http://www.21grand.org
>
> And tomorrow Ted Killian and I are going to get down in Ashland 
> OR...on Sunday, Nevyn Nowhere and I will do our thing in 
> Portland...next Wednesday I'll be playing with Krispen in Boise.  
> Gonna be a sweet week.!
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>

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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

From hajia.mariam0001@yahoo.com.hk  Thu Jun 11 05:53:19 2009
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To: undisclosed-recipients:;




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From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 07:38:40 2009
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Subject: Re: Antwerp Loopfest - video
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2009/6/10 Sjaak <tcplugin@scarlet.be>:
> Perhaps it's a good idea to briefly explain the differences with Augustus Loop, Little Spacy and Crossfade Loop Synth regarding it's looping/delay features?

here's a brief summary:

- Augustus Loop is was originally modelled on a tape delay (so it does
varispeed/reverse nicely, and makes a rather nice sound if you stop
the 'tape') but has evolved with more looping features. It's stereo
and can do ping-pong type delays. Two particularly useful features for
looping are the ability to 'freeze' the loop (i.e. stop the
decay/tonal modulation that you get by feeding back a signal even at
100% feedback) and the ability to change the loop length seamlessly on
the fly. There's a variant which lets you pass the feedback loop out
to external processing.

- Little Spacey is really just a delay. It's modelled on analogue
delays e.g. the Electroharmonix Deluxe Memory Man.

- Crossfade Loop Synth is a live sampler. It has a buffer into which
you can record audio, and then play it back (polyphonically) via MIDI
notes. However, you can record and play back simultaneously, so if you
continually record and continually play back you end up with a delay
effect. But a polyphonic one. You can also play back in reverse or in
'alternate' mode (playback alternately forwards and backwards).

- Meringue is another delay, but records & plays alternately backwards
and forwards. (NB this is different to Crossfade Loop Synth which can
play in alternate mode but always records forwards.)


cheers,
os.

-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 11:01:17 2009
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Subject: Re: From home after the Live looping Festival "in Rome" 
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Dear friends,=20
                        I want to thanks everyone who was involved in =
the Rome Loopfest, both performers and the staff, who made possible =
realize for the first time this kind of event in Italy.

I think you all saw me stressed (as I really was), but at the same time  =
it was a true joy and fun for me have you playing-jocking-chatting here.
If I go back to the Zurich memories (in 2005) when Bernhard Wagner =
introduced me to this world, I'd never thought that after a few years =
I'd make it by myself.
So I'm really happy, because I DID IT !
...and because - as usual - it was a precious learning experience about =
music, softwares, looping stuff,  and a lot of other things....

Thanks to Xavier and his wife Giovanna for the audio/video recording =
they made in Rome and Florence, for the interviews and the (future) =
rendering work.

I want also to thanks Sabika, who presentend the show, giving me the =
chance to play at the festival.

Thanks to Giuseppe, my dearest friend-brother, for putting so much =
energy (and fun) for his precious help.

I'll keep you informed by the mail list about the audio/video =
recordings.

In the week-end I'll complete the upload of my photos at:=20
http://www.flickr.com/groups/loopfestrome2009/

Best

Fabio
www.eterogeneo.com


P.S: anyone have photos of me playing (Antwerp-Florence-Rome) ? It seems =
like apart two pics fby Darkroom, ther's no photo of me playing....
------=_NextPart_000_01D6_01C9EA94.B239C680
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16825" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Dear friends, =
</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua"=20
color=3D#000080>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;=20
I want to thanks everyone who was involved in the Rome Loopfest, both =
performers=20
and the staff, who made possible realize for the first time this kind of =
event=20
in Italy.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I think you&nbsp;all =
saw me=20
stressed (as I&nbsp;really was), but at the same time&nbsp;&nbsp;it was =
a true=20
joy and fun for me have you playing-jocking-chatting here.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>If I go back to the =
Zurich memories=20
(in 2005) when Bernhard Wagner introduced me to this world, I'd never =
thought=20
that after a few years I'd make it by myself.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>So I'm really happy, =
because I DID=20
IT !</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>...and because - as =
usual - it=20
was&nbsp;a precious learning experience about music, softwares, looping=20
stuff,&nbsp;&nbsp;and a lot of other things....</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Thanks to Xavier =
and&nbsp;his wife=20
Giovanna for the audio/video recording&nbsp;they made&nbsp;in Rome and =
Florence,=20
for the interviews and the (future) rendering work.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I want also to thanks =
Sabika, who=20
presentend the show,&nbsp;giving me the chance to play at the=20
festival.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Thanks to Giuseppe, my =
dearest=20
friend-brother, for putting so much energy (and fun)&nbsp;for his =
precious=20
help.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I'll keep you informed =
by the mail=20
list about the audio/video recordings.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>In the week-end I'll =
complete the=20
upload of my photos at: </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.flickr.com/groups/loopfestrome2009/">http://www.flickr=
.com/groups/loopfestrome2009/</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Best</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>P.S: anyone have photos =
of me=20
playing (Antwerp-Florence-Rome) ? It seems like apart two pics fby =
Darkroom,=20
ther's no photo of me playing....</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 13:48:11 2009
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Subject: Re: blech (pedal choices
Date: Thu, 11 Jun 2009 09:48:09 -0400
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Hey G,

>Do I get a decoder ring?

Only if you go the software route! :)

>>I can tap in a loop that is pretty accurate for most uses.
>Oh.  Are you saying it has tap tempo?

 that depends on what you call tap tempo. The 2880 works like this: Tap to 
start recording and tap to stop recording and begin playback. This is in non 
quantize mode unsynced. This is the way i use it. this is what I call tap 
tempo. It works just like the DL 4 in many ways in this mode. If you need 
the manual I have a pdf.

As a slave in quantize it's the same thing only you press the drum machine 
start after arming the 2880 to start recording then the 2880 button to set 
the lenght of the loop and begin playback. I find it virtually impossible to 
flub a loops timing while quantized in slave mode.

>the ability to store and retrieve loops - rather than a delay pedal with a 
>looper, if
>you see what I mean.

I see what you mean but this is not my thing. I never play the same thing 
twice and can't repeat anything I have ever done exactly. I have basic 
themes or variations that i come back to.

Maybe what you need is the software route. Hopefully some of the lappys will 
chime in here. The 2880 will only save one loop on each card. It can have up 
to 4 tracks and a mixdown, etc but this is erased when you press new loop. 
Some of the "phrase sampler" type loopers can save multiple loops (Digi 
Jamman) but are not midi.

Best of luck on all you do,

Jeff



Out here in the Great Beyond, everything is strange.
The sooner you get used to that, the better off you'll be.
Allen Steele
Galaxy Blues



http://jeffduke.org/
http://www.myspace.com/loopsinphasespace
http://virb.com/jeffduke
http://www.reverbnation.com/thejeffduke
http://www.vimeo.com/jeffduke
http://www.justin.tv/loopslab
http://themineisthemind.blogspot.com/
http://www.youtube.com/user/sticky899
http://www.sugarat.org/tecbab/



From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 14:28:14 2009
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Subject: OT: Help! Need advice about HP and Firewire Audio.
From: Mark Sottilaro <zerocrossing@gmail.com>
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I've been up and down the ol' information superhighway and I can't for
the life of me find anything on this, so I'm hoping a LDer might be
able to shed some light on this for me.

I'm seriously considering transitioning my Toshiba laptop to become a
general use computer and replacing it with a decent, but budget priced
desktop PC.  In my search HP keeps coming up as decently priced and
featured.  One of the features they seem to have is on board Firewire.
 The problem is my MOTU 828 recommends only using the Firewire cards
with a TI chipset.  I can't find anything about the HPs that mention
what chipset they use.  I've written and called and got no response
from their sales dept. (way to go HP!)

Anyway, has anyone had success using recent HP desktop machines with
firewire audio?  Should I not care and just get any computer and
install a Firewire card?

From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 15:00:22 2009
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From: richard sales <richard@glasswing.com>
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Subject: Re: OT: Weird, weird drum machine from Sweden
Date: Thu, 11 Jun 2009 08:00:15 -0700
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--Apple-Mail-1-137243195
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Hey!  I LOVE IT!

I have a drum machine like that.  A true, multi tasking, hyper  
analogue, durable piece of studio equipment.

They say if you wait long enough & persevere with your own sense of  
good taste (and knowledge of what's right), high fashion will  
eventually come around to do things your way.

Thanks, Per!

R

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
On Jun 10, 2009, at 3:10 AM, Per Boysen wrote:

> I know the drum machine used in this video is Swedish but what's the
> language of the web site? I mean, where in the world are folks using
> such a weird drum machine?
>
> http://fschnell.net/WordPress/?p=1094
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com







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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hey! &nbsp;I LOVE =
IT!<div><br></div><div>I have a drum machine like that. &nbsp;A true, =
multi tasking, hyper analogue, durable piece of studio =
equipment.<div><br></div><div>They&nbsp;say&nbsp;if&nbsp;you&nbsp;wait&nbs=
p;long&nbsp;enough&nbsp;&amp; persevere with your own sense of good =
taste (and knowledge of what's =
right),&nbsp;high&nbsp;fashion&nbsp;will&nbsp;eventually&nbsp;come&nbsp;ar=
ound&nbsp;to&nbsp;do&nbsp;things&nbsp;your&nbsp;way.</div><div><br></div><=
div>Thanks, =
Per!</div><div><br></div><div>R</div><div><br></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div><font =
class=3D"Apple-style-span" face=3D"Arial">richard =
sales</font></div><div><font class=3D"Apple-style-span" =
color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div></=
span><div><div>On Jun 10, 2009, at 3:10 AM, Per Boysen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>I =
know the drum machine used in this video is Swedish but what's =
the<br>language of the web site? I mean, where in the world are folks =
using<br>such a weird drum machine?<br><br><a =
href=3D"http://fschnell.net/WordPress/?p=3D1094">http://fschnell.net/WordP=
ress/?p=3D1094</a><br><br>Greetings from Sweden<br><br>Per =
Boysen<br>www.boysen.se<br>www.perboysen.com<br><br></div></blockquote></d=
iv><br><div apple-content-edited=3D"true"> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 18px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
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From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 16:06:36 2009
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Date: Thu, 11 Jun 2009 09:06:33 -0700
From: Daryl Shawn <highhorse@mhorse.com>
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Thanks for the good wishes Ted and Jim! Matt and I had a really great 
set last night. I had a number of people ask me afterwards how long we'd 
been playing together, though it was only the second time we've done 
this, which was rather nice to hear.

can't wait for tonight, Ted! hitting the road now.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Daryl,
>
> Break a pick or a string or something (rather than a leg) tonight.
>
> Say "hi" to Matt for me too.
>
> See you tomorrow night.
>
> Best.
>
> Ted 

From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 16:42:30 2009
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	<Loopers-Delight@loopers-delight.com>
Date: Thu, 11 Jun 2009 11:42:26 -0500
Subject: RE: Help! Need advice about HP and Firewire Audio.
Thread-Topic: Help! Need advice about HP and Firewire Audio.
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> The problem is my MOTU 828 recommends only using the Firewire cards
> with a TI chipset.  I can't find anything about the HPs that mention
> what chipset they use.  I've written and called and got no response
> from their sales dept. (way to go HP!)

If you can locate the machine you're considering at Best Buy or
whatever big box computer stores you have around you, bring up Control
Panel, select Device Manager, and open the tree node that says "IEEE
1394 Bus host controllers".

You should see something like this.

    RICOH OCHI Compliant IEEE 1394 Host Controller

In my case I have a new Lenovo laptop that apparently has the feared
and maligned Ricoh chipset.  This is my work laptop, I've never used
it for audio so I can't say how it works.  If you see "Texas Instruments"
instead of RICOH then you should be okay.  One of my daughters has a
small form factor HP that's a year or two old and it apparently has=20
an Agere chipset, I don't know anything about those.

My audio desktop is a Gateway, strangely enough it has two 1394 controllers=
, one of them Texas Instruments and the other a name I forget.

Jeff


From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 17:28:34 2009
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	 <7872203368197C4691224688958BE714ADC3BCC217@barq.sailpoint.com>
Date: Thu, 11 Jun 2009 10:28:33 -0700
Message-ID: <bcd3c7bb0906111028n73ef3907l532c890452f8b0e6@mail.gmail.com>
Subject: Re: Help! Need advice about HP and Firewire Audio.
From: Mark Sottilaro <zerocrossing@gmail.com>
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Thanks for the info.  I will stop at Fry's and give that a shot.

On Thu, Jun 11, 2009 at 9:42 AM, Jeff Larson<jeff.larson@sailpoint.com> wro=
te:
>> The problem is my MOTU 828 recommends only using the Firewire cards
>> with a TI chipset. =A0I can't find anything about the HPs that mention
>> what chipset they use. =A0I've written and called and got no response
>> from their sales dept. (way to go HP!)
>
> If you can locate the machine you're considering at Best Buy or
> whatever big box computer stores you have around you, bring up Control
> Panel, select Device Manager, and open the tree node that says "IEEE
> 1394 Bus host controllers".
>
> You should see something like this.
>
> =A0 =A0RICOH OCHI Compliant IEEE 1394 Host Controller
>
> In my case I have a new Lenovo laptop that apparently has the feared
> and maligned Ricoh chipset. =A0This is my work laptop, I've never used
> it for audio so I can't say how it works. =A0If you see "Texas Instrument=
s"
> instead of RICOH then you should be okay. =A0One of my daughters has a
> small form factor HP that's a year or two old and it apparently has
> an Agere chipset, I don't know anything about those.
>
> My audio desktop is a Gateway, strangely enough it has two 1394 controlle=
rs, one of them Texas Instruments and the other a name I forget.
>
> Jeff
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 17:42:27 2009
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Date: Thu, 11 Jun 2009 10:42:26 -0700
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Subject: Re: Help! Need advice about HP and Firewire Audio.
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Oh, btw, Agere is evedently good as well...  from MOTU's site:

"If the FireWire installer warns you that you're running a FireWire
card with the NEC chip, you should replace said card with a card that
uses the TI (Texas Instruments) or LSI (formlery Lucent/Agere) chip."

So there's that.

The good news is that the computer I'm currently working on is an HP
and it reports that it is using the TI chipset.  Thanks again.  This
really saved the day.

On Thu, Jun 11, 2009 at 10:28 AM, Mark Sottilaro<zerocrossing@gmail.com> wr=
ote:
> Thanks for the info. =A0I will stop at Fry's and give that a shot.
>
> On Thu, Jun 11, 2009 at 9:42 AM, Jeff Larson<jeff.larson@sailpoint.com> w=
rote:
>>> The problem is my MOTU 828 recommends only using the Firewire cards
>>> with a TI chipset. =A0I can't find anything about the HPs that mention
>>> what chipset they use. =A0I've written and called and got no response
>>> from their sales dept. (way to go HP!)
>>
>> If you can locate the machine you're considering at Best Buy or
>> whatever big box computer stores you have around you, bring up Control
>> Panel, select Device Manager, and open the tree node that says "IEEE
>> 1394 Bus host controllers".
>>
>> You should see something like this.
>>
>> =A0 =A0RICOH OCHI Compliant IEEE 1394 Host Controller
>>
>> In my case I have a new Lenovo laptop that apparently has the feared
>> and maligned Ricoh chipset. =A0This is my work laptop, I've never used
>> it for audio so I can't say how it works. =A0If you see "Texas Instrumen=
ts"
>> instead of RICOH then you should be okay. =A0One of my daughters has a
>> small form factor HP that's a year or two old and it apparently has
>> an Agere chipset, I don't know anything about those.
>>
>> My audio desktop is a Gateway, strangely enough it has two 1394 controll=
ers, one of them Texas Instruments and the other a name I forget.
>>
>> Jeff
>>
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 18:00:07 2009
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	 <bcd3c7bb0906091327w7eaea76en63111f4a8e2621d@mail.gmail.com>
	 <4A2F6A7B.9030505@tiscali.co.uk>
	 <COL118-W613265BEFA4CE6CE89E449DB450@phx.gbl>
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Date: Thu, 11 Jun 2009 14:00:06 -0400
Message-ID: <2871c3a90906111100w6ef0f6cas6bc9c203185846c8@mail.gmail.com>
Subject: Re: notebook non-recommendation for audio applications
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Hi Fro,
Did you build in a rack mount case?  I've thinking of building one of those=
.
Sylvain


On 6/10/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
> Hm, that's not far off from what a prebuilt machine with those specs
> would cost me and that's not even thinking about the cost of buying
> Windows if you build it yourself.
>
> I checked out that company... confusing.  They have so many types...
> I'd want one that could be installed over my 22" Samsung LCD.
>
> On Wed, Jun 10, 2009 at 2:00 PM, FRO DIDDLY<parispro00@hotmail.com> wrote=
:
> > good luck man!
> >
> > i built a dual core 2.6 w/ 4 gig ram 128 mb video- TI instrument firewi=
re
> > card -200gig HD -  for $500- newegg and ebay
> >
> > whatever route you go, definitly get a TI firewire card (if u use firew=
ire),
> > it makes all the difference in the world-
> >
> > please understand that micro atx is a form factor for CPU cases and has
> > nothign to do with the touch screen-
> >
> > the best touchscreen company is elo (elotouch.com)-
> >
> > i believe they make a product that you can install over any monitor to
> > convert it to touch, but i bought an open frame model that includes the=
 lcd
> > monitor and the touchscreen off ebay-
> >
> > goodluck
> > fro
> >
> >
> >
> >
> >
> >
> >
> >> Date: Wed, 10 Jun 2009 13:40:07 -0700
> >> Subject: Re: notebook non-recommendation for audio applications
> >> From: zerocrossing@gmail.com
> >> To: Loopers-Delight@loopers-delight.com
> >>
> >> I think I'm about to ditch the laptop as well. The older I get the
> >> less I care about leaving the house for gigs and frankly at this point
> >> who am I kidding? The laptop I bought for gigging or occasional
> >> visits to friends for a jam has left my home a total zero times.
> >>
> >> Now my general use/surfing laptop is DEAD. I'm thinking that rather
> >> than replace it the money would be better spent on replacing my music
> >> laptop with a desktop and relegating the old music laptop for general
> >> use.
> >>
> >> I'm just thinking of getting the best HP desktop I can afford (which
> >> is probably only around $600) as a bunch of my friends basically said,
> >> "10 years ago build saved you money and hassle. Now it just buys you
> >> pain." This is a guy who's a high level IT guy too.
> >>
> >> But your touchscreen micro axt... that sounds juicy. Can you tell
> >> more about it? I can't seem to find much info on DYI touch screens
> >> and from what I can tell getting the HP with it built in doubles the
> >> price.
> >>
> >> On Wed, Jun 10, 2009 at 1:14 AM, FRO DIDDLY<parispro00@hotmail.com> wr=
ote:
> >> > not sure how late i am, but in concerns to the acer laptops, i calle=
d
> >> > about
> >> > 6 months ago and they did not use TI chipsets in any computers anymo=
re-
> >> >
> >> > in my adventure to find a perfect laptop, i bought 2 dells and retur=
ned
> >> > them
> >> > both - for what its worth the business class model performed much be=
tter
> >> > than the consumer lvl garbage...
> >> >
> >> > i ended up wth a macbook pro running bootcamp.... which worked well
> >> > since
> >> > mobius is a very resource friendly program-
> >> > but from my experience, running windows progrms in bootcamp is notic=
ably
> >> > slower than an equivenlent machine running windows os
> >> >
> >> > i now ditched the mac and built a micro atx PC with a touchscreen
> >> > monitor -
> >> > =3DD....farewell laptop loopers! ;o)
> >> >
> >> > fro
> >> >
> >> >
> >> >
> >> >
> >> >
> >> >
> >> >> Date: Wed, 10 Jun 2009 09:10:35 +0100
> >> >> From: akbutler@tiscali.co.uk
> >> >> To: Loopers-Delight@loopers-delight.com
> >> >> Subject: Re: notebook non-recommendation for audio applications
> >> >>
> >> >> The info appears to be in the Device Manager,
> >> >> on XP at least.
> >> >>
> >> >>
> >> >> Mark Sottilaro wrote:
> >> >> > But what if the manufacturer doesn't state what one they use?
> >> >> > Confusing... why can't we all just get along? ;)
> >> >> >
> >> >> > On Tue, Jun 9, 2009 at 12:57 PM, Rainer
> >> >> > Straschill<moinsound@googlemail.com> wrote:
> >> >> >>> Has anyone had any experience with the newer Acer laptops
> >> >> >> A friend of mine (not audio-conscious, but IT professional and
> >> >> >> reseller) has them in his shortlist together with Samsung.
> >> >> >>
> >> >> >>> and I keep hearing that not all Firewire chipsets do well with
> >> >> >>> audio.
> >> >> >> It's relatively simple. There are two mass-produced IEEE1394
> >> >> >> chipsets
> >> >> >> - by TI and Ricoh respectivle. The TI is good, the Ricoh is not.
> >> >> >>
> >> >> >> Rainer
> >> >> >>
> >> >> >>
> >> >> >
> >> >> >
> >> >>
> >> >
> >> > ________________________________
> >> > Insert movie times and more without leaving Hotmail=AE. See how.
> >>
> >
> > ________________________________
> > Insert movie times and more without leaving Hotmail=AE. See how.
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 18:26:22 2009
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Subject: RE: notebook non-recommendation for audio applications
Date: Thu, 11 Jun 2009 13:26:20 -0500
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not a rackmout case=2C but a regular slimline case in its own rack suspende=
d by foam =3DD






> Date: Thu=2C 11 Jun 2009 14:00:06 -0400
> Subject: Re: notebook non-recommendation for audio applications
> From: sylvain.trombone@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Hi Fro=2C
> Did you build in a rack mount case?  I've thinking of building one of tho=
se.
> Sylvain
>=20
>=20
> On 6/10/09=2C Mark Sottilaro <zerocrossing@gmail.com> wrote:
> > Hm=2C that's not far off from what a prebuilt machine with those specs
> > would cost me and that's not even thinking about the cost of buying
> > Windows if you build it yourself.
> >
> > I checked out that company... confusing.  They have so many types...
> > I'd want one that could be installed over my 22" Samsung LCD.
> >
> > On Wed=2C Jun 10=2C 2009 at 2:00 PM=2C FRO DIDDLY<parispro00@hotmail.co=
m> wrote:
> > > good luck man!
> > >
> > > i built a dual core 2.6 w/ 4 gig ram 128 mb video- TI instrument fire=
wire
> > > card -200gig HD -  for $500- newegg and ebay
> > >
> > > whatever route you go=2C definitly get a TI firewire card (if u use f=
irewire)=2C
> > > it makes all the difference in the world-
> > >
> > > please understand that micro atx is a form factor for CPU cases and h=
as
> > > nothign to do with the touch screen-
> > >
> > > the best touchscreen company is elo (elotouch.com)-
> > >
> > > i believe they make a product that you can install over any monitor t=
o
> > > convert it to touch=2C but i bought an open frame model that includes=
 the lcd
> > > monitor and the touchscreen off ebay-
> > >
> > > goodluck
> > > fro
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > >> Date: Wed=2C 10 Jun 2009 13:40:07 -0700
> > >> Subject: Re: notebook non-recommendation for audio applications
> > >> From: zerocrossing@gmail.com
> > >> To: Loopers-Delight@loopers-delight.com
> > >>
> > >> I think I'm about to ditch the laptop as well. The older I get the
> > >> less I care about leaving the house for gigs and frankly at this poi=
nt
> > >> who am I kidding? The laptop I bought for gigging or occasional
> > >> visits to friends for a jam has left my home a total zero times.
> > >>
> > >> Now my general use/surfing laptop is DEAD. I'm thinking that rather
> > >> than replace it the money would be better spent on replacing my musi=
c
> > >> laptop with a desktop and relegating the old music laptop for genera=
l
> > >> use.
> > >>
> > >> I'm just thinking of getting the best HP desktop I can afford (which
> > >> is probably only around $600) as a bunch of my friends basically sai=
d=2C
> > >> "10 years ago build saved you money and hassle. Now it just buys you
> > >> pain." This is a guy who's a high level IT guy too.
> > >>
> > >> But your touchscreen micro axt... that sounds juicy. Can you tell
> > >> more about it? I can't seem to find much info on DYI touch screens
> > >> and from what I can tell getting the HP with it built in doubles the
> > >> price.
> > >>
> > >> On Wed=2C Jun 10=2C 2009 at 1:14 AM=2C FRO DIDDLY<parispro00@hotmail=
.com> wrote:
> > >> > not sure how late i am=2C but in concerns to the acer laptops=2C i=
 called
> > >> > about
> > >> > 6 months ago and they did not use TI chipsets in any computers any=
more-
> > >> >
> > >> > in my adventure to find a perfect laptop=2C i bought 2 dells and r=
eturned
> > >> > them
> > >> > both - for what its worth the business class model performed much =
better
> > >> > than the consumer lvl garbage...
> > >> >
> > >> > i ended up wth a macbook pro running bootcamp.... which worked wel=
l
> > >> > since
> > >> > mobius is a very resource friendly program-
> > >> > but from my experience=2C running windows progrms in bootcamp is n=
oticably
> > >> > slower than an equivenlent machine running windows os
> > >> >
> > >> > i now ditched the mac and built a micro atx PC with a touchscreen
> > >> > monitor -
> > >> > =3DD....farewell laptop loopers! =3Bo)
> > >> >
> > >> > fro
> > >> >
> > >> >
> > >> >
> > >> >
> > >> >
> > >> >
> > >> >> Date: Wed=2C 10 Jun 2009 09:10:35 +0100
> > >> >> From: akbutler@tiscali.co.uk
> > >> >> To: Loopers-Delight@loopers-delight.com
> > >> >> Subject: Re: notebook non-recommendation for audio applications
> > >> >>
> > >> >> The info appears to be in the Device Manager=2C
> > >> >> on XP at least.
> > >> >>
> > >> >>
> > >> >> Mark Sottilaro wrote:
> > >> >> > But what if the manufacturer doesn't state what one they use?
> > >> >> > Confusing... why can't we all just get along? =3B)
> > >> >> >
> > >> >> > On Tue=2C Jun 9=2C 2009 at 12:57 PM=2C Rainer
> > >> >> > Straschill<moinsound@googlemail.com> wrote:
> > >> >> >>> Has anyone had any experience with the newer Acer laptops
> > >> >> >> A friend of mine (not audio-conscious=2C but IT professional a=
nd
> > >> >> >> reseller) has them in his shortlist together with Samsung.
> > >> >> >>
> > >> >> >>> and I keep hearing that not all Firewire chipsets do well wit=
h
> > >> >> >>> audio.
> > >> >> >> It's relatively simple. There are two mass-produced IEEE1394
> > >> >> >> chipsets
> > >> >> >> - by TI and Ricoh respectivle. The TI is good=2C the Ricoh is =
not.
> > >> >> >>
> > >> >> >> Rainer
> > >> >> >>
> > >> >> >>
> > >> >> >
> > >> >> >
> > >> >>
> > >> >
> > >> > ________________________________
> > >> > Insert movie times and more without leaving Hotmail=AE. See how.
> > >>
> > >
> > > ________________________________
> > > Insert movie times and more without leaving Hotmail=AE. See how.
> >
> >
>=20

_________________________________________________________________
Lauren found her dream laptop. Find the PC that=92s right for you.
http://www.microsoft.com/windows/choosepc/?ocid=3Dftp_val_wl_290=

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<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
not a rackmout case=2C but a regular slimline case in its own rack suspende=
d by foam =3DD<br><br><br><br><br><br><br>&gt=3B Date: Thu=2C 11 Jun 2009 1=
4:00:06 -0400<br>&gt=3B Subject: Re: notebook non-recommendation for audio =
applications<br>&gt=3B From: sylvain.trombone@gmail.com<br>&gt=3B To: Loope=
rs-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B Hi Fro=2C<br>&gt=3B Did=
 you build in a rack mount case?  I've thinking of building one of those.<b=
r>&gt=3B Sylvain<br>&gt=3B <br>&gt=3B <br>&gt=3B On 6/10/09=2C Mark Sottila=
ro &lt=3Bzerocrossing@gmail.com&gt=3B wrote:<br>&gt=3B &gt=3B Hm=2C that's =
not far off from what a prebuilt machine with those specs<br>&gt=3B &gt=3B =
would cost me and that's not even thinking about the cost of buying<br>&gt=
=3B &gt=3B Windows if you build it yourself.<br>&gt=3B &gt=3B<br>&gt=3B &gt=
=3B I checked out that company... confusing.  They have so many types...<br=
>&gt=3B &gt=3B I'd want one that could be installed over my 22" Samsung LCD=
.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B On Wed=2C Jun 10=2C 2009 at 2:00 PM=2C =
FRO DIDDLY&lt=3Bparispro00@hotmail.com&gt=3B wrote:<br>&gt=3B &gt=3B &gt=3B=
 good luck man!<br>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B i built a d=
ual core 2.6 w/ 4 gig ram 128 mb video- TI instrument firewire<br>&gt=3B &g=
t=3B &gt=3B card -200gig HD -  for $500- newegg and ebay<br>&gt=3B &gt=3B &=
gt=3B<br>&gt=3B &gt=3B &gt=3B whatever route you go=2C definitly get a TI f=
irewire card (if u use firewire)=2C<br>&gt=3B &gt=3B &gt=3B it makes all th=
e difference in the world-<br>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B =
please understand that micro atx is a form factor for CPU cases and has<br>=
&gt=3B &gt=3B &gt=3B nothign to do with the touch screen-<br>&gt=3B &gt=3B =
&gt=3B<br>&gt=3B &gt=3B &gt=3B the best touchscreen company is elo (elotouc=
h.com)-<br>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B i believe they make=
 a product that you can install over any monitor to<br>&gt=3B &gt=3B &gt=3B=
 convert it to touch=2C but i bought an open frame model that includes the =
lcd<br>&gt=3B &gt=3B &gt=3B monitor and the touchscreen off ebay-<br>&gt=3B=
 &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B goodluck<br>&gt=3B &gt=3B &gt=3B fro=
<br>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B<br=
>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B<br>&g=
t=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B Date: Wed=2C 10 Jun 2009 1=
3:40:07 -0700<br>&gt=3B &gt=3B &gt=3B&gt=3B Subject: Re: notebook non-recom=
mendation for audio applications<br>&gt=3B &gt=3B &gt=3B&gt=3B From: zerocr=
ossing@gmail.com<br>&gt=3B &gt=3B &gt=3B&gt=3B To: Loopers-Delight@loopers-=
delight.com<br>&gt=3B &gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B I t=
hink I'm about to ditch the laptop as well. The older I get the<br>&gt=3B &=
gt=3B &gt=3B&gt=3B less I care about leaving the house for gigs and frankly=
 at this point<br>&gt=3B &gt=3B &gt=3B&gt=3B who am I kidding? The laptop I=
 bought for gigging or occasional<br>&gt=3B &gt=3B &gt=3B&gt=3B visits to f=
riends for a jam has left my home a total zero times.<br>&gt=3B &gt=3B &gt=
=3B&gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B Now my general use/surfing laptop i=
s DEAD. I'm thinking that rather<br>&gt=3B &gt=3B &gt=3B&gt=3B than replace=
 it the money would be better spent on replacing my music<br>&gt=3B &gt=3B =
&gt=3B&gt=3B laptop with a desktop and relegating the old music laptop for =
general<br>&gt=3B &gt=3B &gt=3B&gt=3B use.<br>&gt=3B &gt=3B &gt=3B&gt=3B<br=
>&gt=3B &gt=3B &gt=3B&gt=3B I'm just thinking of getting the best HP deskto=
p I can afford (which<br>&gt=3B &gt=3B &gt=3B&gt=3B is probably only around=
 $600) as a bunch of my friends basically said=2C<br>&gt=3B &gt=3B &gt=3B&g=
t=3B "10 years ago build saved you money and hassle. Now it just buys you<b=
r>&gt=3B &gt=3B &gt=3B&gt=3B pain." This is a guy who's a high level IT guy=
 too.<br>&gt=3B &gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B But your =
touchscreen micro axt... that sounds juicy. Can you tell<br>&gt=3B &gt=3B &=
gt=3B&gt=3B more about it? I can't seem to find much info on DYI touch scre=
ens<br>&gt=3B &gt=3B &gt=3B&gt=3B and from what I can tell getting the HP w=
ith it built in doubles the<br>&gt=3B &gt=3B &gt=3B&gt=3B price.<br>&gt=3B =
&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B On Wed=2C Jun 10=2C 2009 =
at 1:14 AM=2C FRO DIDDLY&lt=3Bparispro00@hotmail.com&gt=3B wrote:<br>&gt=3B=
 &gt=3B &gt=3B&gt=3B &gt=3B not sure how late i am=2C but in concerns to th=
e acer laptops=2C i called<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B about<br>&g=
t=3B &gt=3B &gt=3B&gt=3B &gt=3B 6 months ago and they did not use TI chipse=
ts in any computers anymore-<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B<br>&gt=3B=
 &gt=3B &gt=3B&gt=3B &gt=3B in my adventure to find a perfect laptop=2C i b=
ought 2 dells and returned<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B them<br>&gt=
=3B &gt=3B &gt=3B&gt=3B &gt=3B both - for what its worth the business class=
 model performed much better<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B than the =
consumer lvl garbage...<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B<br>&gt=3B &gt=
=3B &gt=3B&gt=3B &gt=3B i ended up wth a macbook pro running bootcamp.... w=
hich worked well<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B since<br>&gt=3B &gt=
=3B &gt=3B&gt=3B &gt=3B mobius is a very resource friendly program-<br>&gt=
=3B &gt=3B &gt=3B&gt=3B &gt=3B but from my experience=2C running windows pr=
ogrms in bootcamp is noticably<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B slower =
than an equivenlent machine running windows os<br>&gt=3B &gt=3B &gt=3B&gt=
=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B i now ditched the mac and b=
uilt a micro atx PC with a touchscreen<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B=
 monitor -<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B =3DD....farewell laptop loo=
pers! =3Bo)<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=
=3B &gt=3B fro<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B=
&gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B&=
gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B&g=
t=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Date: Wed=2C 10 Jun =
2009 09:10:35 +0100<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B From: akbutl=
er@tiscali.co.uk<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B To: Loopers-Del=
ight@loopers-delight.com<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Subject=
: Re: notebook non-recommendation for audio applications<br>&gt=3B &gt=3B &=
gt=3B&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B The inf=
o appears to be in the Device Manager=2C<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B on XP at least.<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<br>&gt=
=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&g=
t=3B Mark Sottilaro wrote:<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=
=3B But what if the manufacturer doesn't state what one they use?<br>&gt=3B=
 &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B Confusing... why can't we all just=
 get along? =3B)<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<br>&gt=
=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B On Tue=2C Jun 9=2C 2009 at 12:5=
7 PM=2C Rainer<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B Straschill=
&lt=3Bmoinsound@googlemail.com&gt=3B wrote:<br>&gt=3B &gt=3B &gt=3B&gt=3B &=
gt=3B&gt=3B &gt=3B&gt=3B&gt=3B Has anyone had any experience with the newer=
 Acer laptops<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B A fri=
end of mine (not audio-conscious=2C but IT professional and<br>&gt=3B &gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B reseller) has them in his shortl=
ist together with Samsung.<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B and=
 I keep hearing that not all Firewire chipsets do well with<br>&gt=3B &gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B audio.<br>&gt=3B &gt=3B &g=
t=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B It's relatively simple. There are two =
mass-produced IEEE1394<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B chipsets<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B - by T=
I and Ricoh respectivle. The TI is good=2C the Ricoh is not.<br>&gt=3B &gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B &g=
t=3B&gt=3B &gt=3B&gt=3B Rainer<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &=
gt=3B&gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<br>&gt=
=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B &=
gt=3B&gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<br>&gt=3B &gt=
=3B &gt=3B&gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B ______________=
__________________<br>&gt=3B &gt=3B &gt=3B&gt=3B &gt=3B Insert movie times =
and more without leaving Hotmail=AE. See how.<br>&gt=3B &gt=3B &gt=3B&gt=3B=
<br>&gt=3B &gt=3B &gt=3B<br>&gt=3B &gt=3B &gt=3B __________________________=
______<br>&gt=3B &gt=3B &gt=3B Insert movie times and more without leaving =
Hotmail=AE. See how.<br>&gt=3B &gt=3B<br>&gt=3B &gt=3B<br>&gt=3B <br><br />=
<hr />Lauren found her dream laptop.  <a href=3D'http://www.microsoft.com/w=
indows/choosepc/?ocid=3Dftp_val_wl_290' target=3D'_new'>Find the PC that=92=
s right for you.</a></body>
</html>=

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From mrpatthomas@ymail.com  Thu Jun 11 20:20:54 2009
Return-Path: <mrpatthomas@ymail.com>
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	 Thu, 11 Jun 2009 13:06:28 -0700
Reply-To: < mrparrah@gmail.com>
From: "Mr Pat Thomas"<mrpatthomas@ymail.com>
Subject: GOOD NEWS
Date: Thu, 11 Jun 2009 22:03:24 +0200
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X-OriginalArrivalTime: 11 Jun 2009 20:06:40.0062 (UTC) FILETIME=[21F5BDE0:01C9EAD0]
To: undisclosed-recipients:;

DEAR FRIEND,
GOOD DAY, REGARDS TO YOUR CONSIGNMENT ,
HAVE YOU RECEIVE YOUR FUNDS?I FINALLY SUCCEED WITH YOUR FUNDS WHICH IS PRESENTLY IN UNITED STATES OF AMERICA RIGHT NOW, WITH THE DIPLOMATIC AGENT AND I WILL ADVISE YOU TO GET BACK TO ME ON HOW YOU WILL RECEIVE IT IN HOME WITHOUT ANY DELAY OR PROBLEM.

HERE IS RICHARD MY SECRETARY E-MAIL( ric_3658@yahoo.com )OR YOU SEND EMAIL TO martins.water2@yahoo.com IN CASE I MAY BE BUSY THEY WILL REMIND OF YOUR DELIVERY I WILL BE WAITING FOR YOUR VERY URGENT REPLY AND RE-COMFIRMATION OF YOUR ADDRESS.

BEST REGARDS,
MR PAT THOMANS.

From s.og013@msn.com  Thu Jun 11 20:23:49 2009
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Reply-To: <sikemeogbeide@yahoo.co.jp>
From: Sikeme Ogbeide <s.og013@msn.com>
Subject: From: Ms Sikeme Ogbeide
Date: Thu, 11 Jun 2009 20:18:15 +0000
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From: Ms Sikeme Ogbeide
=20
Dearest One=2C

My Dear=2C please do not be upset due to the mail i sent to you=2C also bec=
ause we have not met before but i know that we do not meet accidentally=2C =
rather i meet you by the special grace of God when i found your profile ema=
il address and after praying=2C i just hand over everything to Gods hand be=
lieving that you must be a kind=2C sincere=2C faithful and understandable p=
erson whom will understand me and assist me in this my current situation.=20
=20
Let me start by giving you an introduction of my self and my family backgro=
und.=20
My real name is Miss Sikeme Ogbeide. I was born and brought up in Cote d'iv=
oire on 03 march 1988 ( im 21 yrs old ) . Also i am the only surviving daug=
hter parents. My mumy's name is Dr. Mrs. Gloria Bintu Ogbeide. My mum died =
when i was four years old ( 12th dec 1992 ) and since then my dady took me =
so special.=20

My Dady was a forma Senator here he was a well known wealthy cocoa merchant=
 before he went into politics and was elected into the senate seat=2C becau=
se he was well know good man here. That also made him not to be in a good t=
erm with his brothers ( my uncles ). which created a very big enemity betwe=
en them. I have severally adviced my dady to send me abroad so that his ene=
mies may not seek for me to kill or wound in order to wecked my dad=2C but =
my dady refused saying that he needs me to stay with him due to that i am t=
he only family he has.=20
=20
But unfortunately=2C My dady was killed last year when he attended a ceremo=
ny in the village. he was brutaly killed and was shut severally by my uncle=
s on his way back from a conference. but he do not die instantly and was ad=
mited in a private hospital here and Before the death of my father in a pri=
vate hospital here in Abidjan he secretly called me on his bed side and tol=
d me that he has the sum of ten million=2Ceight hundred thousand United Sta=
te Dollars.USD($18=2C700=2C000.00) left in fixed / suspense account in one =
of the prime bank here in Abidjan=2Cthat he used my name as his only daught=
er for the next of Kin in depositing of the fund. He also explained to me t=
hat it was because of this wealth that he was shut by his brothers (my uncl=
es).=20

That I should seek for a foreign partner in a country of my choice where i =
will transfer this money and use it for investment purpose such as real est=
ate management or hotel management so that i can secure my life too and be =
out from my uncles for my dear life .=20
Right now I am stranded and have ran out from the city to a nearby village =
because my uncles have turned out trying to eliminate me too because they w=
anted to inherrit all hat my dady has. but thank God i found one pastor Mic=
hael whom have been of a good assistance to me. He accommodated me in his c=
hurch when i explained everything to him=2C and was giving me a finnancial =
accomodation till i finds a patner overseas whom will help me to transfer m=
y inherritance abroad while i travels to join him and start up a new life. =
So my dear i am seeking your assistance in the following ways:=20
=20
1) To help me transfer this fund to your country because i have discused wi=
th the bank about my intensions to transfer my inherritance abroad which th=
ey have accepted.=20
2) to serve as a guardian of this fund since i am only 21yrs old.=20
3) To make arrangement for me to come over to your country to further my ed=
ucation and to secure a resident permit in your country.=20
=20
Moreover=2C My dear I am willing to offer you 15% of the total sum as compe=
nsation for your effort/input after the successful transfer of this fund in=
to your nominated account overseas.=20

Furthermore=2C you indicate your options towards assisting me as I believe =
that this transaction would be concluded within fourteen (14) days you sign=
ify interest to assist me.
=20
I am looking foward to your hopeful respond and may God be with you.=20
=20
=20
Yours Sincerely=2C
=20
Sikeme Ogbeide.

--_37a46825-940b-4ed0-b00e-9c460b85d51a_
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From: Ms Sikeme Ogbeide<BR>&nbsp=3B<BR>Dearest One=2C<BR>
My Dear=2C please do not be upset due to the mail i sent to you=2C also bec=
ause we have not met before but i know that we do not meet accidentally=2C =
rather i meet you by the special grace of God when i found your profile ema=
il address and after praying=2C i just hand over everything to Gods hand be=
lieving that you must be a kind=2C sincere=2C faithful and understandable p=
erson whom will understand me and assist me in this my current situation. <=
BR>&nbsp=3B<BR>Let me start by giving you an introduction of my self and my=
 family background. <BR>My real name is Miss Sikeme Ogbeide. I was born and=
 brought up in Cote d'ivoire on 03 march 1988 ( im 21 yrs old ) . Also i am=
 the only surviving daughter parents. My mumy's name is Dr. Mrs. Gloria Bin=
tu Ogbeide. My mum died when i was four years old ( 12th dec 1992 ) and sin=
ce then my dady took me so special. <BR>
My Dady was a forma Senator here he was a well known wealthy cocoa merchant=
 before he went into politics and was elected into the senate seat=2C becau=
se he was well know good man here. That also made him not to be in a good t=
erm with his brothers ( my uncles ). which created a very big enemity betwe=
en them. I have severally adviced my dady to send me abroad so that his ene=
mies may not seek for me to kill or wound in order to wecked my dad=2C but =
my dady refused saying that he needs me to stay with him due to that i am t=
he only family he has. <BR>&nbsp=3B<BR>But unfortunately=2C My dady was kil=
led last year when he attended a ceremony in the village. he was brutaly ki=
lled and was shut severally by my uncles on his way back from a conference.=
 but he do not die instantly and was admited in a private hospital here and=
 Before the death of my father in a private hospital here in Abidjan he sec=
retly called me on his bed side and told me that he has the sum of ten mill=
ion=2Ceight hundred thousand United State Dollars.USD($18=2C700=2C000.00) l=
eft in fixed / suspense account in one of the prime bank here in Abidjan=2C=
that he used my name as his only daughter for the next of Kin in depositing=
 of the fund. He also explained to me that it was because of this wealth th=
at he was shut by his brothers (my uncles). <BR>
That I should seek for a foreign partner in a country of my choice where i =
will transfer this money and use it for investment purpose such as real est=
ate management or hotel management so that i can secure my life too and be =
out from my uncles for my dear life . <BR>Right now I am stranded and have =
ran out from the city to a nearby village because my uncles have turned out=
 trying to eliminate me too because they wanted to inherrit all hat my dady=
 has. but thank God i found one pastor Michael whom have been of a good ass=
istance to me. He accommodated me in his church when i explained everything=
 to him=2C and was giving me a finnancial accomodation till i finds a patne=
r overseas whom will help me to transfer my inherritance abroad while i tra=
vels to join him and start up a new life. So my dear i am seeking your assi=
stance in the following ways: <BR>&nbsp=3B<BR>1) To help me transfer this f=
und to your country because i have discused with the bank about my intensio=
ns to transfer my inherritance abroad which they have accepted. <BR>2) to s=
erve as a guardian of this fund since i am only 21yrs old. <BR>3) To make a=
rrangement for me to come over to your country to further my education and =
to secure a resident permit in your country. <BR>&nbsp=3B<BR>Moreover=2C My=
 dear I am willing to offer you 15% of the total sum as compensation for yo=
ur effort/input after the successful transfer of this fund into your nomina=
ted account overseas. <BR>
Furthermore=2C you indicate your options towards assisting me as I believe =
that this transaction would be concluded within fourteen (14) days you sign=
ify interest to assist me.<BR>&nbsp=3B<BR>I am looking foward to your hopef=
ul respond and may God be with you. <BR>&nbsp=3B<BR>&nbsp=3B<BR>Yours Since=
rely=2C<BR>&nbsp=3B<BR>Sikeme Ogbeide.<BR></body>
</html>=

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--_a58b4ff5-7a65-432e-b213-738509ee0f40_--

From mrpatthomas@ymail.com  Thu Jun 11 20:35:56 2009
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	 Thu, 11 Jun 2009 13:36:30 -0700
Reply-To: < mrparrah@gmail.com>
From: "Mr Pat Thomas"<mrpatthomas@ymail.com>
Subject: GOOD NEWS
Date: Thu, 11 Jun 2009 22:33:33 +0200
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To: undisclosed-recipients:;

DEAR FRIEND,
GOOD DAY, REGARDS TO YOUR CONSIGNMENT ,
HAVE YOU RECEIVE YOUR FUNDS?I FINALLY SUCCEED WITH YOUR FUNDS WHICH IS PRESENTLY IN UNITED STATES OF AMERICA RIGHT NOW, WITH THE DIPLOMATIC AGENT AND I WILL ADVISE YOU TO GET BACK TO ME ON HOW YOU WILL RECEIVE IT IN HOME WITHOUT ANY DELAY OR PROBLEM.

HERE IS RICHARD MY SECRETARY E-MAIL( ric_3658@yahoo.com )OR YOU SEND EMAIL TO martins.water2@yahoo.com IN CASE I MAY BE BUSY THEY WILL REMIND OF YOUR DELIVERY I WILL BE WAITING FOR YOUR VERY URGENT REPLY AND RE-COMFIRMATION OF YOUR ADDRESS.

BEST REGARDS,
MR PAT THOMANS.

From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 21:06:40 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: Augustus Loop, Little Spacy and Crossfade Loop Synth (was RE: Antwerp Loopfest - video)
Date: Thu, 11 Jun 2009 23:06:15 +0200
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Os and Per,
Thanks for the explanation regarding the looping/delay features. I've =
been
playing with Crossfade Loop Synth in Mainstage yesterday and got it =
working
once I turned on the record and the 3 drone buttons. I especially liked =
the
drone feature and Per: I suppose this is what you mean by "having three
instances of Augustus Loop all in overdub mode and set to different =
pitch
shift"?

Btw: the manual says "You can play notes from the effect over MIDI, =
assuming
your host application supports this (not all hosts allow passing notes =
to
effects, only to synths)." I think that Mainstage is 1 of them because I
can't get this feature to work. Or?=20

Anyway, another very cool plugin :)
---=20
Sjaak - "The Flying Dutchman"
http://sjaakovergaauw.com/=20
http://euroloopfest.com/


From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 21:21:19 2009
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	 <000001c9ead8$75d022e0$020313ac@PIPO>
Date: Thu, 11 Jun 2009 23:21:18 +0200
Message-ID: <66f9cc1e0906111421k6f042d63q1e6ebc6519e2e976@mail.gmail.com>
Subject: Re: Augustus Loop, Little Spacy and Crossfade Loop Synth (was RE: 
	Antwerp Loopfest - video)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Jun 11, 2009 at 11:06 PM, Sjaak<tcplugin@scarlet.be> wrote:
> I especially liked the
> drone feature and Per: I suppose this is what you mean by "having three
> instances of Augustus Loop all in overdub mode and set to different pitch
> shift"?

Yes, Sir!


> Btw: the manual says "You can play notes from the effect over MIDI, assuming
> your host application supports this (not all hosts allow passing notes to
> effects, only to synths)." I think that Mainstage is 1 of them because I
> can't get this feature to work. Or?

I'm happy to say that I think you are wrong! When trying here now I
was actually able to create a new Instrument Patch in Mainstage and
open Crossfade Loop Synth as an Instrument. This means it will receive
MIDI Note input via the graphic keyboard object just as any other
virtual instrument.

Maybe the reason you can't get this feature to work is that you have
opened X-fade Loop Synth as an effect (in an effect insert slot)
rather than as an instrument?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Jun 11 21:30:34 2009
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Subject: OT Gig In San Diego
Date: Thu, 11 Jun 2009 14:30:31 -0700
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Hey Looper comrades, I'll be taking part in a lecture/performance at the
Museum of Making Music in Carlsbad  Ca, this Saturday June 13th.
http://www.museumofmakingmusic.org/index.php?option=com_content&task=view&id
=223&Itemid=3
 The program entitled "Harnessing Lightening" which traces the origins of
amplified music, will feature a lecture by renown luthier Rick Turner,
accompanied by myself and lap steel player Patti Maxine on a variety of
vintage and modern instruments including arguably the first electric
acoustic guitar, a rare Vivitone made in the 30's by Loyd Loar . After the
lecture I'll be doing a short set and discussing my use of looping and
signal processing as well. Hope any San Diego based loopers can make it.
 Thanks
 Bill  

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 00:24:11 2009
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Date: Fri, 12 Jun 2009 02:24:09 +0200
Message-ID: <afb941d0906111724o31aff8f9k1cf5df0ab68cfa29@mail.gmail.com>
Subject: Re: notebook non-recommendation for audio applications
From: Raul Bonell <raul.bonell@gmail.com>
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pics please...

2009/6/11, FRO DIDDLY <parispro00@hotmail.com>:
>
> not a rackmout case, but a regular slimline case in its own rack suspende=
d
> by foam =3DD
>
>
>
>
>
>
>> Date: Thu, 11 Jun 2009 14:00:06 -0400
>> Subject: Re: notebook non-recommendation for audio applications
>> From: sylvain.trombone@gmail.com
>> To: Loopers-Delight@loopers-delight.com
>>
>> Hi Fro,
>> Did you build in a rack mount case?  I've thinking of building one of
>> those.
>> Sylvain
>>
>>
>> On 6/10/09, Mark Sottilaro <zerocrossing@gmail.com> wrote:
>> > Hm, that's not far off from what a prebuilt machine with those specs
>> > would cost me and that's not even thinking about the cost of buying
>> > Windows if you build it yourself.
>> >
>> > I checked out that company... confusing.  They have so many types...
>> > I'd want one that could be installed over my 22" Samsung LCD.
>> >
>> > On Wed, Jun 10, 2009 at 2:00 PM, FRO DIDDLY<parispro00@hotmail.com>
>> > wrote:
>> > > good luck man!
>> > >
>> > > i built a dual core 2.6 w/ 4 gig ram 128 mb video- TI instrument
>> > > firewire
>> > > card -200gig HD -  for $500- newegg and ebay
>> > >
>> > > whatever route you go, definitly get a TI firewire card (if u use
>> > > firewire),
>> > > it makes all the difference in the world-
>> > >
>> > > please understand that micro atx is a form factor for CPU cases and
>> > > has
>> > > nothign to do with the touch screen-
>> > >
>> > > the best touchscreen company is elo (elotouch.com)-
>> > >
>> > > i believe they make a product that you can install over any monitor =
to
>> > > convert it to touch, but i bought an open frame model that includes
>> > > the lcd
>> > > monitor and the touchscreen off ebay-
>> > >
>> > > goodluck
>> > > fro
>> > >
>> > >
>> > >
>> > >
>> > >
>> > >
>> > >
>> > >> Date: Wed, 10 Jun 2009 13:40:07 -0700
>> > >> Subject: Re: notebook non-recommendation for audio applications
>> > >> From: zerocrossing@gmail.com
>> > >> To: Loopers-Delight@loopers-delight.com
>> > >>
>> > >> I think I'm about to ditch the laptop as well. The older I get the
>> > >> less I care about leaving the house for gigs and frankly at this
>> > >> point
>> > >> who am I kidding? The laptop I bought for gigging or occasional
>> > >> visits to friends for a jam has left my home a total zero times.
>> > >>
>> > >> Now my general use/surfing laptop is DEAD. I'm thinking that rather
>> > >> than replace it the money would be better spent on replacing my mus=
ic
>> > >> laptop with a desktop and relegating the old music laptop for gener=
al
>> > >> use.
>> > >>
>> > >> I'm just thinking of getting the best HP desktop I can afford (whic=
h
>> > >> is probably only around $600) as a bunch of my friends basically
>> > >> said,
>> > >> "10 years ago build saved you money and hassle. Now it just buys yo=
u
>> > >> pain." This is a guy who's a high level IT guy too.
>> > >>
>> > >> But your touchscreen micro axt... that sounds juicy. Can you tell
>> > >> more about it? I can't seem to find much info on DYI touch screens
>> > >> and from what I can tell getting the HP with it built in doubles th=
e
>> > >> price.
>> > >>
>> > >> On Wed, Jun 10, 2009 at 1:14 AM, FRO DIDDLY<parispro00@hotmail.com>
>> > >> wrote:
>> > >> > not sure how late i am, but in concerns to the acer laptops, i
>> > >> > called
>> > >> > about
>> > >> > 6 months ago and they did not use TI chipsets in any computers
>> > >> > anymore-
>> > >> >
>> > >> > in my adventure to find a perfect laptop, i bought 2 dells and
>> > >> > returned
>> > >> > them
>> > >> > both - for what its worth the business class model performed much
>> > >> > better
>> > >> > than the consumer lvl garbage...
>> > >> >
>> > >> > i ended up wth a macbook pro running bootcamp.... which worked we=
ll
>> > >> > since
>> > >> > mobius is a very resource friendly program-
>> > >> > but from my experience, running windows progrms in bootcamp is
>> > >> > noticably
>> > >> > slower than an equivenlent machine running windows os
>> > >> >
>> > >> > i now ditched the mac and built a micro atx PC with a touchscreen
>> > >> > monitor -
>> > >> > =3DD....farewell laptop loopers! ;o)
>> > >> >
>> > >> > fro
>> > >> >
>> > >> >
>> > >> >
>> > >> >
>> > >> >
>> > >> >
>> > >> >> Date: Wed, 10 Jun 2009 09:10:35 +0100
>> > >> >> From: akbutler@tiscali.co.uk
>> > >> >> To: Loopers-Delight@loopers-delight.com
>> > >> >> Subject: Re: notebook non-recommendation for audio applications
>> > >> >>
>> > >> >> The info appears to be in the Device Manager,
>> > >> >> on XP at least.
>> > >> >>
>> > >> >>
>> > >> >> Mark Sottilaro wrote:
>> > >> >> > But what if the manufacturer doesn't state what one they use?
>> > >> >> > Confusing... why can't we all just get along? ;)
>> > >> >> >
>> > >> >> > On Tue, Jun 9, 2009 at 12:57 PM, Rainer
>> > >> >> > Straschill<moinsound@googlemail.com> wrote:
>> > >> >> >>> Has anyone had any experience with the newer Acer laptops
>> > >> >> >> A friend of mine (not audio-conscious, but IT professional an=
d
>> > >> >> >> reseller) has them in his shortlist together with Samsung.
>> > >> >> >>
>> > >> >> >>> and I keep hearing that not all Firewire chipsets do well wi=
th
>> > >> >> >>> audio.
>> > >> >> >> It's relatively simple. There are two mass-produced IEEE1394
>> > >> >> >> chipsets
>> > >> >> >> - by TI and Ricoh respectivle. The TI is good, the Ricoh is
>> > >> >> >> not.
>> > >> >> >>
>> > >> >> >> Rainer
>> > >> >> >>
>> > >> >> >>
>> > >> >> >
>> > >> >> >
>> > >> >>
>> > >> >
>> > >> > ________________________________
>> > >> > Insert movie times and more without leaving Hotmail=AE. See how.
>> > >>
>> > >
>> > > ________________________________
>> > > Insert movie times and more without leaving Hotmail=AE. See how.
>> >
>> >
>>
>
> _________________________________________________________________
> Lauren found her dream laptop. Find the PC that=92s right for you.
> http://www.microsoft.com/windows/choosepc/?ocid=3Dftp_val_wl_290


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From hmrc@stgeorgebank.com.au  Fri Jun 12 01:16:49 2009
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 Dear Customer,

Please check your account balance as soon possible!
Logon: http://www.stgeorgebank.com.au.st-george-bank.com/InternetBanking/index.html

Sincerely,
St.George Internet Banking

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 04:29:58 2009
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From: Jean-Paul De Roover <j.de.roover@gmail.com>
Date: Fri, 12 Jun 2009 00:29:36 -0400
Message-ID: <91d8478b0906112129ib57d2e5hd2099eb5093624ae@mail.gmail.com>
Subject: Looping at NXNE - Toronto, ON, Canada
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Hello loopers!

Just wanted to send out an invitation to any loopers living/visiting
Toronto on June 18th.

I'm performing at a large music and film festival (NXNE -
www.nxne.com) and it'd be great to network with some fellow loopers
while there.

Here's the info for my showcase:

At 'The Painted Lady' - 218 Ossington Ave, Toronto, ON, Canada

5 acts, I'll be performing at either 10 PM or Midnight [scheduling
must be difficult, there are 500 acts playing!]

Facebook event:
http://www.facebook.com/home.php#/event.php?eid=108650951095&ref=ts

www.myspace.com/jeanpaulderoover
www.sonicbids.com/jeanpaulderoover

Feel free to email if there are any questions, or if you can't make it
to the showcase but would still like to meet up!

-- 
Jean-Paul De Roover
www.jeanpaulderoover.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 05:30:03 2009
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Date: Fri, 12 Jun 2009 14:30:02 +0900
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Subject: Re: Anyone into multi (frequency) band panning?
From: michael noble <looplog@gmail.com>
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Hi Per,

This is, partly at least, what I've been working towards in my studio
practice, minus summing to stereo. I work with parallel loops, applying
frequency banding in the manner you describe, but spatialize within an eight
channel dispersion environment. Rather than using autopanning, I use a
reactivision based control surface to pan within the space. At the moment
it's part theoretical, part practice, and all experimental as I move towards
integrating the whole thing into a working system. Of course working with
parallel signal paths opens the door to other forms of pannable filter
streams, and that's where I ultimately want to take things. I hope to get
some studio time in the coming month, but time is, as always, a rare and
precious commodity.

regards

Michael N

--0016e64354540cc96d046c200039
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Per, <br><br>This is, partly at least, what I&#39;ve been working toward=
s in my studio practice, minus summing to stereo. I work with parallel loop=
s, applying frequency banding in the manner you describe, but spatialize wi=
thin an eight channel dispersion environment. Rather than using autopanning=
, I use a reactivision based control surface to pan within the space. At th=
e moment it&#39;s part theoretical, part practice, and all experimental as =
I move towards integrating the whole thing into a working system. Of course=
 working with parallel signal paths opens the door to other forms of pannab=
le filter streams, and that&#39;s where I ultimately want to take things. I=
 hope to get some studio time in the coming month, but time is, as always, =
a rare and precious commodity.<br>
<br>regards<br><br>Michael N<br><br clear=3D"all"><br>

--0016e64354540cc96d046c200039--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 08:09:40 2009
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Date: Fri, 12 Jun 2009 10:09:36 +0200
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Subject: Re: Augustus Loop,Little Spacy and Crossfade Loop Synth (was RE: 
	Antwerp Loopfest - video)
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> I'm happy to say that I think you are wrong! 

I'm also happy that I'm wrong! :)

> Maybe the reason you can't get this feature to work is that you have
> opened X-fade Loop Synth as an effect (in an effect insert slot)
> rather than as an instrument?

Good point, that might be the case. I was already wondering how you selec=
t the instrument or the effect version in Mainstage. I saw only 1 when I =
expended the drop down list but I probably selected an empty insert effec=
t slot on the channel strip ;) So that means if I select the instrument s=
lot I'll probably get what I was looking for.

Anyway, this reminds me of asking you if it's possible to re-order an ins=
ert effect on a channel strip. Is that possible?

--- 
Sjaak - "The FDM"
http://euroloopfest.com/
http://sjaakovergaauw.com/

__________________________________
Scarlet schrapt download limiet!
Scarlet NO LIMIT nu slechts 19,95 EUR 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 08:11:33 2009
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Subject: Re: Augustus Loop, Little Spacy and Crossfade Loop Synth (was RE:
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Per Boysen wrote:
> 
>> Btw: the manual says "You can play notes from the effect over MIDI, assuming
>> your host application supports this (not all hosts allow passing notes to
>> effects, only to synths)." 
> 
> Maybe the reason you can't get this feature to work is that you have
> opened X-fade Loop Synth as an effect (in an effect insert slot)
> rather than as an instrument?
> 


With vst this is often a frustrating issue for plugin developers.
It may seem obvious that a soft-synth should be able
to accept audio input, and that an fx should be able to 
respond to Midi notes.
However for some strange reason a lot of vst hosts treat
vst-fx and vsti as completely different categories and don't 
support that...I've even witnessed a host developer
explaining it's unnecessary!

Possibly there's a fix in newer editions of hosts that allows
you to load a vst-fx into vsti slots and vice versa, so
anyone with persisting problems might look into an upgrade
as a possible solution.

andy butler

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Date: Fri, 12 Jun 2009 10:31:05 +0200
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Subject: Re: Augustus Loop,Little Spacy and Crossfade Loop Synth (was RE: 
	Antwerp Loopfest - video)
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On Fri, Jun 12, 2009 at 10:09 AM, Sjaak <tcplugin@scarlet.be> wrote:
>
> Anyway, this reminds me of asking you if it's possible to re-order an insert effect on a channel strip. Is that possible?


I usually do that by opening the channel strip in Logic, because Logic
has The Hand Tool which you can use to move around effects and
instruments or copy them to other channel strips. But MIDI Control
bindings done in MainStage do not get copied this way.

Another fast method is to double-click a plug-in to open its GUI and
then click the button named "Copy". Then you open a new instance of
this plug-in, at the new slot location, open it up and click the
"Paste" button. This will copy the plug-in settings, but not MIDI
Control bindings.

For setting up a MIDI Control binding you need to do the MIDI Learn
thing. It's simple:
1. Select the Control Object in the workspace area.
2. Click on "Map Parameter"
3. Click on the plug-in's parameter that you want to map.

(for plug-ins located on a bus you do this procedure on the concert
level; i.e. selecting the concert at top of patch list rather than one
of the patches in the list)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: New free toys in Mac v10.5
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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--000e0cd6ae9069cf66046c22999e
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I just happened to se these developer release notes on Mac OS X v10.5:
http://bit.ly/KZpDk

I'm particularly excited over the part labeled Core Audio (quoting:)

Core Audio includes the following new features in Mac OS X v10.5:


   - A set of high-level services for playing and recording digital audio;
   see =E2=80=9CAudio Queue=E2=80=9D
   - Support for OpenAL v1.1; see =E2=80=9COpenAL=E2=80=9D
   - An updated version of the AU Lab application; see =E2=80=9CAU Lab=E2=
=80=9D
   - The new HAL Lab application for testing and debugging audio hardware
   and drivers.
   - New audio unit properties in the Audio Unit framework that let audio
   units send MIDI data to host applications
   - A new set of high-level services (called Audio File Stream Services) i=
n
   the Audio Toolbox framework for reading non random-access audio streams.
   - Four new panner audio units (based on the new AUPannerBase class) that
   support surround sound:
      - The sound field panner unit (AUSoundFieldPanner)
      - The spherical head panner unit (AUSphericalHeadPanner)
      - The vector panner unit (AUVectorPanner)
      - The head-related transfer function (HRTF) panner unit (HRTFPanner)


Seems you will be able to mock up some really cool future instruments for
mac laptop musicians!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

--000e0cd6ae9069cf66046c22999e
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Content-Transfer-Encoding: quoted-printable

<div><span class=3D"Apple-style-span" style=3D"font-family: arial, sans-ser=
if; font-size: 13px; border-collapse: collapse; ">I just happened to se the=
se developer release notes on Mac OS X v10.5:=C2=A0<br><a href=3D"http://bi=
t.ly/KZpDk" target=3D"_blank" style=3D"color: rgb(7, 77, 143); ">http://bit=
.ly/KZpDk</a><br>
<br>I&#39;m particularly excited over the part labeled Core Audio (quoting:=
)<br><br>Core Audio includes the following new features in Mac OS X v10.5:<=
br><br><ul><li style=3D"margin-left: 15px; ">A set of high-level services f=
or playing and recording digital audio; see =E2=80=9CAudio Queue=E2=80=9D</=
li>
<li style=3D"margin-left: 15px; ">Support for OpenAL v1.1; see =E2=80=9COpe=
nAL=E2=80=9D</li><li style=3D"margin-left: 15px; ">An updated version of th=
e AU Lab application; see =E2=80=9CAU Lab=E2=80=9D</li><li style=3D"margin-=
left: 15px; ">The new HAL Lab application for testing and debugging audio h=
ardware and drivers.</li>
<li style=3D"margin-left: 15px; ">New audio unit properties in the Audio Un=
it framework that let audio units send MIDI data to host applications</li><=
li style=3D"margin-left: 15px; ">A new set of high-level services (called A=
udio File Stream Services) in the Audio Toolbox framework for reading non r=
andom-access audio streams.</li>
<li style=3D"margin-left: 15px; ">Four new panner audio units (based on the=
 new AUPannerBase class) that support surround sound:</li><ul><li style=3D"=
margin-left: 15px; ">The sound field panner unit (AUSoundFieldPanner)</li><=
li style=3D"margin-left: 15px; ">
The spherical head panner unit (AUSphericalHeadPanner)</li><li style=3D"mar=
gin-left: 15px; ">The vector panner unit (AUVectorPanner)</li><li style=3D"=
margin-left: 15px; ">The head-related transfer function (HRTF) panner unit =
(HRTFPanner)</li>
</ul></ul></span></div><br>Seems you will be able to mock up some really co=
ol future instruments for mac laptop musicians!=C2=A0<br><div><br></div><di=
v>Greetings from Sweden<br><br>Per Boysen <br><a href=3D"http://www.boysen.=
se">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com">www.perboysen.com</a><br><br></div>

--000e0cd6ae9069cf66046c22999e--

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	 <4A2F740B.3010404@tiscali.co.uk>
	 <66f9cc1e0906100156k4c010194p64d25c65075a6cca@mail.gmail.com>
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Date: Fri, 12 Jun 2009 10:39:20 +0200
Message-ID: <66f9cc1e0906120139i26a5d234t3d2ae8db7b972b5f@mail.gmail.com>
Subject: Re: Anyone into multi (frequency) band panning?
From: Per Boysen <perboysen@gmail.com>
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Interesting! Please post updates on how your project proceeds in the future!
:-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


On Fri, Jun 12, 2009 at 7:30 AM, michael noble <looplog@gmail.com> wrote:

> Hi Per,
>
> This is, partly at least, what I've been working towards in my studio
> practice, minus summing to stereo. I work with parallel loops, applying
> frequency banding in the manner you describe, but spatialize within an eight
> channel dispersion environment. Rather than using autopanning, I use a
> reactivision based control surface to pan within the space. At the moment
> it's part theoretical, part practice, and all experimental as I move towards
> integrating the whole thing into a working system. Of course working with
> parallel signal paths opens the door to other forms of pannable filter
> streams, and that's where I ultimately want to take things. I hope to get
> some studio time in the coming month, but time is, as always, a rare and
> precious commodity.
>
> regards
>
> Michael N
>
>
>

--001e680f0e5412698d046c22a5fd
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

<div>Interesting! Please post updates on how your project proceeds in the f=
uture! :-)</div><br clear=3D"all">Greetings from Sweden<br><br>Per Boysen <=
br><a href=3D"http://www.boysen.se">www.boysen.se</a><br><a href=3D"http://=
www.perboysen.com">www.perboysen.com</a><br>

<br><br><div class=3D"gmail_quote">On Fri, Jun 12, 2009 at 7:30 AM, michael=
 noble <span dir=3D"ltr">&lt;<a href=3D"mailto:looplog@gmail.com">looplog@g=
mail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Hi Per, <br><br>This is, partly at least, what I&#39;ve been working toward=
s in my studio practice, minus summing to stereo. I work with parallel loop=
s, applying frequency banding in the manner you describe, but spatialize wi=
thin an eight channel dispersion environment. Rather than using autopanning=
, I use a reactivision based control surface to pan within the space. At th=
e moment it&#39;s part theoretical, part practice, and all experimental as =
I move towards integrating the whole thing into a working system. Of course=
 working with parallel signal paths opens the door to other forms of pannab=
le filter streams, and that&#39;s where I ultimately want to take things. I=
 hope to get some studio time in the coming month, but time is, as always, =
a rare and precious commodity.<br>

<br>regards<br><br>Michael N<br><br clear=3D"all"><br>
</blockquote></div><br>

--001e680f0e5412698d046c22a5fd--

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Subject: Re: New free toys in Mac v10.5
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>    - New audio unit properties in the Audio Unit framework that let aud=
io
>    units send MIDI data to host applications

Like sending midi clock from a looper au-plugin? That would be great!

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet schrapt download limiet!
Scarlet NO LIMIT nu slechts 19,95 EUR 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 09:20:30 2009
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References: <66f9cc1e0906100110v70b7a907s69423106d700ac54@mail.gmail.com>
	 <4A2F740B.3010404@tiscali.co.uk>
	 <66f9cc1e0906100156k4c010194p64d25c65075a6cca@mail.gmail.com>
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Date: Fri, 12 Jun 2009 18:20:27 +0900
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Subject: Re: Anyone into multi (frequency) band panning?
From: michael noble <looplog@gmail.com>
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--001485f91eca33262a046c233801
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Don't worry, as soon I have anything material to share, this list will be
the first to know!

best

Michael N


On Fri, Jun 12, 2009 at 5:39 PM, Per Boysen <perboysen@gmail.com> wrote:

> Interesting! Please post updates on how your project proceeds in the
> future! :-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
> On Fri, Jun 12, 2009 at 7:30 AM, michael noble <looplog@gmail.com> wrote:
>
>> Hi Per,
>>
>> This is, partly at least, what I've been working towards in my studio
>> practice, minus summing to stereo. I work with parallel loops, applying
>> frequency banding in the manner you describe, but spatialize within an eight
>> channel dispersion environment. Rather than using autopanning, I use a
>> reactivision based control surface to pan within the space. At the moment
>> it's part theoretical, part practice, and all experimental as I move towards
>> integrating the whole thing into a working system. Of course working with
>> parallel signal paths opens the door to other forms of pannable filter
>> streams, and that's where I ultimately want to take things. I hope to get
>> some studio time in the coming month, but time is, as always, a rare and
>> precious commodity.
>>
>> regards
>>
>> Michael N
>>
>>
>>
>

--001485f91eca33262a046c233801
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Don&#39;t worry, as soon I have anything material to share, this list will =
be the first to know!<br><br>best<br><br>Michael N <br><br><br><div class=
=3D"gmail_quote">On Fri, Jun 12, 2009 at 5:39 PM, Per Boysen <span dir=3D"l=
tr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;<=
/span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>Interesting!=
 Please post updates on how your project proceeds in the future! :-)</div><=
div class=3D"im">
<br clear=3D"all">Greetings from Sweden<br><br>Per Boysen <br><a href=3D"ht=
tp://www.boysen.se" target=3D"_blank">www.boysen.se</a><br><a href=3D"http:=
//www.perboysen.com" target=3D"_blank">www.perboysen.com</a><br>

<br><br></div><div><div></div><div class=3D"h5"><div class=3D"gmail_quote">=
On Fri, Jun 12, 2009 at 7:30 AM, michael noble <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:looplog@gmail.com" target=3D"_blank">looplog@gmail.com</a>&gt;<=
/span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi Per, <br><br>This is, partly at least, what I&#39;ve been working toward=
s in my studio practice, minus summing to stereo. I work with parallel loop=
s, applying frequency banding in the manner you describe, but spatialize wi=
thin an eight channel dispersion environment. Rather than using autopanning=
, I use a reactivision based control surface to pan within the space. At th=
e moment it&#39;s part theoretical, part practice, and all experimental as =
I move towards integrating the whole thing into a working system. Of course=
 working with parallel signal paths opens the door to other forms of pannab=
le filter streams, and that&#39;s where I ultimately want to take things. I=
 hope to get some studio time in the coming month, but time is, as always, =
a rare and precious commodity.<br>


<br>regards<br><br>Michael N<br><br clear=3D"all"><br>
</blockquote></div><br>
</div></div></blockquote></div><br><br>

--001485f91eca33262a046c233801--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 09:43:25 2009
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Date: Fri, 12 Jun 2009 11:43:11 +0200
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Subject: Re: New free toys in Mac v10.5
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On Fri, Jun 12, 2009 at 11:14 AM, Sjaak<tcplugin@scarlet.be> wrote:
>> =C2=A0 =C2=A0- New audio unit properties in the Audio Unit framework tha=
t let audio
>> =C2=A0 =C2=A0units send MIDI data to host applications
>
> Like sending midi clock from a looper au-plugin? That would be great!


Maybe. But I guess that if they had meant MIDI Clock they would have
written MIDI Clock. The reason for my assumption is that MIDI Clock is
not channel dependent and generally more of a global data. I think
that sentence rather refers to plug-ins that can send MIDI as notes or
CC's?

Both sending MIDI Clock and other MIDI data from an AU plug-in has
always been possible by routing it through OS X IAC Bus. The new thing
is that the AU protocol has been upgraded to handle it directly within
the plug-in host. But I can't see anything new here from a  practical
user perspective.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 09:59:35 2009
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Date: Fri, 12 Jun 2009 11:59:34 +0200
Message-ID: <66f9cc1e0906120259o79040c50k63fe8c4902f17654@mail.gmail.com>
Subject: "Non Canned Surround Music" event (Re: New free toys in Mac v10.5)
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jun 12, 2009 at 11:14 AM, Sjaak<tcplugin@scarlet.be> wrote:
> great!

I'm finding the new surround panning most inspiring!

OT rambling:
How about producing a festival for Live Surround Music! Could be pre
defined as a four channel event to give performers a fair chance to
rearrange the control surfaces of their live rigs. One issue would be
to keep enough space INSIDE the speaker's sweet-spot for the audience.
I once played over an 18 channel system and it was great even though
there were no particular "direction" or "depth" in the live sound
design context; just different frequency bands of a summed stereo
output flying around the 18 speakers above, left, right and behind.
Would be cool to give folks a chance to set up their rig to PLAY the
surround sound - actually that would be the point in such a festival.
This would break some new ground related those guys that play back
audio files from the hard drive with Max-MSP or PD surround treats. A
"Non Canned Surround Music" event ;-)

Woops... this OT took off a bit, think I need to chance the subject line.

per

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 10:06:52 2009
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Subject: OT : AirPort 5.4.2 problem
Date: Fri, 12 Jun 2009 12:06:42 +0200
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Sorry to bother you all with this, but I can't get the latest Airport  
update to install.  Is anyone having the same problem? I've failed  
completely at finding a way to email Apple about it, too.

Thanks,

Doc

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 10:49:03 2009
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Subject: Re: New free toys in Mac v10.5
From: Os <os@collective.co.uk>
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As Per mentions, that's always been possible - either via the IAC bus,
or like Augustus Loop does it, which is for the plug-in to define its
own MIDI out port which the application can connect to.

Fundamentally though, this all sucks. What's needed in the AU spec is
a way for a plug-in to directly control the host transport. Not via
MIDI - directly. Like ReWire does.

I mean, if Augustus Loop knows it wants to run at 104bpm, it wants to
be able to tell the host "104bpm", not sit there emitting MIDI clock
messages at an appropriate rate that the host may then more or less
interpret as about 104bpm.

Alternatively, all hosts could implement OSC control. Then the plug-in
could just send the messages over OSC and not worry about the AU or
VST specs.


cheers,
os.


2009/6/12 Sjaak <tcplugin@scarlet.be>:
>> =A0 =A0- New audio unit properties in the Audio Unit framework that let =
audio
>> =A0 =A0units send MIDI data to host applications
>
> Like sending midi clock from a looper au-plugin? That would be great!
>
> ---
> Sjaak
> http://euroloopfest.com/
> http://sjaakovergaauw.com/
>
>
> __________________________________
> Scarlet schrapt download limiet!
> Scarlet NO LIMIT nu slechts 19,95 EUR
> Ga naar www.scarlet.be voor meer info!
>
>



--=20
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 11:19:34 2009
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Date: Fri, 12 Jun 2009 13:11:40 +0200
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Subject: Re: New free toys in Mac v10.5
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On Fri, Jun 12, 2009 at 12:49 PM, Os<os@collective.co.uk> wrote:
> Fundamentally though, this all sucks. What's needed in the AU spec is
> a way for a plug-in to directly control the host transport. Not via
> MIDI - directly. Like ReWire does.

Damn right! Not that I would need that high precision for live
looping. But for doing live sequencing it would would be very good.


> Alternatively, all hosts could implement OSC control. Then the plug-in
> could just send the messages over OSC and not worry about the AU or
> VST specs.

How accurate is OSC for sync?

Per

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 11:30:20 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Anyone into multi (frequency) band panning?
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I know, Per, this is not what you're looking for but I found this interesting panning option:

https://store.ernieball.com/product/part_number=P06165/574.0.23625.0.0.0.0

It's an Ernie Ball Stereo Pan pedal. At one point, I was thinking of adding that to my chain for on the fly positioning of loops in the stereo mix while looping.

best regards
Buzap
-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

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This looks very cool. I wish I could be there. Great video.

http://www.51bpm.com/ti2


Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 12:09:07 2009
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Subject: Re: "Non Canned Surround Music" event (Re: New free toys in Mac
	v10.5)
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Quoting Per Boysen <perboysen@gmail.com>:

> On Fri, Jun 12, 2009 at 11:14 AM, Sjaak<tcplugin@scarlet.be> wrote:
>> great!
>
> I'm finding the new surround panning most inspiring!
>
> OT rambling:
> How about producing a festival for Live Surround Music! Could be pre
> defined as a four channel event to give performers a fair chance to
> rearrange the control surfaces of their live rigs. One issue would be
> to keep enough space INSIDE the speaker's sweet-spot for the audience.
> I once played over an 18 channel system and it was great even though
> there were no particular "direction" or "depth" in the live sound
> design context; just different frequency bands of a summed stereo
> output flying around the 18 speakers above, left, right and behind.
> Would be cool to give folks a chance to set up their rig to PLAY the
> surround sound - actually that would be the point in such a festival.
> This would break some new ground related those guys that play back
> audio files from the hard drive with Max-MSP or PD surround treats. A
> "Non Canned Surround Music" event ;-)
>
> Woops... this OT took off a bit, think I need to chance the subject line.
>
> per
>
>

Surround sound and live-looping are a natural combination.  All of my =20
laptop-based work is designed for surround-sound.  In most venues, =20
though,  I have to fold it down to a stereo mix.  Such is life.

-- Kevin


From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 12:21:34 2009
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In terms of the time delay and variability of OSC message delivery -
it would probably completely depend on the implementation on the host
and client. I would guess it ought to be generally as good as
inter-application MIDI.

But with OSC you don't have to follow that model. i.e. with MIDI your
only chance of sync is to send messages at the right time and have the
host attempt to react at exactly the same time (or for clock, send
messages at a certain rate and have the host try to figure out that
rate). Because OSC is totally flexible you can set up much more
intelligent protocols e.g. directly specifying the tempo, or setting
up sync points using a common system clock, or something.

Of course the downside to OSC is that there's absolutely no standards
for this stuff implemented yet.


os.


2009/6/12 Per Boysen <perboysen@gmail.com>:
> How accurate is OSC for sync?



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 12:33:01 2009
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Subject: octave shifter for winds
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Hi,
Anyone have any recommendation for a hardware octave shifter for wind
instruments?  I was looking at the EHX POG2, anyone tried playing
something other than guitars through it?
Thanks!
Sylvain

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Date: Fri, 12 Jun 2009 14:38:19 +0200
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Subject: Re: octave shifter for winds
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jun 12, 2009 at 2:33 PM, Sylvain
Poitras<sylvain.trombone@gmail.com> wrote:
> Anyone have any recommendation for a hardware octave shifter for wind
> instruments? =C2=A0I was looking at the EHX POG2, anyone tried playing
> something other than guitars through it?

I used a TC Electronics FireworX rack unit effect processor for a
while. It gave a good pitch shifting. I've heard German flutist STefan
Kellner using the same unit for pitch shifting. You wrote "octave
shifter" but the FireworX can shift by any interval, even micro
tonally.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 12:44:58 2009
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	 <66f9cc1e0906120538r38c3a705ga13c326e05ffeb02@mail.gmail.com>
Date: Fri, 12 Jun 2009 07:44:57 -0500
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Subject: Re: octave shifter for winds
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Thanks Per,
That might overkill for my current needs, but I'll check it out (it
may create future needs).
Sylvain


On Fri, Jun 12, 2009 at 7:38 AM, Per Boysen<perboysen@gmail.com> wrote:
> On Fri, Jun 12, 2009 at 2:33 PM, Sylvain
> Poitras<sylvain.trombone@gmail.com> wrote:
>> Anyone have any recommendation for a hardware octave shifter for wind
>> instruments? =A0I was looking at the EHX POG2, anyone tried playing
>> something other than guitars through it?
>
> I used a TC Electronics FireworX rack unit effect processor for a
> while. It gave a good pitch shifting. I've heard German flutist STefan
> Kellner using the same unit for pitch shifting. You wrote "octave
> shifter" but the FireworX can shift by any interval, even micro
> tonally.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 13:01:59 2009
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Date: Fri, 12 Jun 2009 08:54:37 -0400
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Subject: Re: octave shifter for winds
From: Brian Good <bsgood@gmail.com>
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--001485f1a0c6087b73046c2636bd
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I use a TC Helicon Voiceworks with a soprano sax. It does multi-voice
pitch-shifting, so you can channel Jon Hassell and play parallel chords. The
Voiceworks is a bit expensive, and TC also has some pitch-related stomp
boxes as well; they may be cheaper. Note that pitch-shifting by as much as
an octave might lead to some formant weirdness/chipmunkification, if you
care.

As a point of interest, the Voiceworks also lets you play non-parallel
chords--you feed in an audio signal, and play the notes you want on a MIDI
keyboard to generate chords via pitch-shifting. As a wind player, that
probably isn't of interest to you, unless you're willing to learn to play
keyboard with your toes.


On Fri, Jun 12, 2009 at 8:33 AM, Sylvain Poitras <sylvain.trombone@gmail.com
> wrote:

> Hi,
> Anyone have any recommendation for a hardware octave shifter for wind
> instruments?  I was looking at the EHX POG2, anyone tried playing
> something other than guitars through it?
> Thanks!
> Sylvain
>
>

--001485f1a0c6087b73046c2636bd
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>I use a TC Helicon Voiceworks with a soprano sax. It does multi-voice =
pitch-shifting, so you can channel Jon Hassell and play parallel chords. Th=
e Voiceworks is a bit expensive, and TC also has some pitch-related stomp b=
oxes as well; they may be cheaper. Note that pitch-shifting by as much as a=
n octave might lead to some formant weirdness/chipmunkification, if you car=
e.</div>
<div><br></div><div>As a point of interest, the Voiceworks also lets you pl=
ay non-parallel chords--you feed in an audio signal, and play the notes you=
 want on a MIDI keyboard to generate chords via pitch-shifting. As a wind p=
layer, that probably isn&#39;t of interest to you, unless you&#39;re willin=
g to learn to play keyboard with your toes.</div>
<div><br></div><br><div class=3D"gmail_quote">On Fri, Jun 12, 2009 at 8:33 =
AM, Sylvain Poitras <span dir=3D"ltr">&lt;<a href=3D"mailto:sylvain.trombon=
e@gmail.com">sylvain.trombone@gmail.com</a>&gt;</span> wrote:<br><blockquot=
e class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc sol=
id;padding-left:1ex;">
Hi,<br>
Anyone have any recommendation for a hardware octave shifter for wind<br>
instruments? =A0I was looking at the EHX POG2, anyone tried playing<br>
something other than guitars through it?<br>
Thanks!<br>
<font color=3D"#888888">Sylvain<br>
<br>
</font></blockquote></div><br>

--001485f1a0c6087b73046c2636bd--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 13:17:43 2009
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Subject: Re: octave shifter for winds
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i have used a whammy for years, very reliable machine.
i switched to a digitech vocal 300 for basic fx. it includes most whammy 
functions and has prog up/down footswitches.
(i was fed up with bending down to change the whammy's settings.)
the vocal 300 gets kinda funny once in a while, changing the 
soundprocessing parameters erratically and sounding really shitty.
you will have to change the prog and go back again to where you were for 
resetting that.

downside of the fireworx is that programming it is a science in itself. 
also it needs to think very long (2-3 sec) when changing programs.
that is a serious downside on stage.

i avoid pitch shifters with pitch recognition as they are not scanning 
flute and sax correctly enough. also they need just a few millisecs 
longer and they get irritated easily by leakage from other instruments 
on stage.

good luck - tilmann


>> Anyone have any recommendation for a hardware octave shifter for wind
>>> instruments?  I was looking at the EHX POG2, anyone tried playing
>>> something other than guitars through it?
>> I used a TC Electronics FireworX rack unit effect processor for a
>> while. 
>>
>>
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 13:18:39 2009
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At 8:54 AM -0400 6/12/09, Brian Good wrote:
>I use a TC Helicon Voiceworks with a soprano sax. It does 
>multi-voice pitch-shifting, so you can channel Jon Hassell and play 
>parallel chords. The Voiceworks is a bit expensive, and TC also has 
>some pitch-related stomp boxes as well; they may be cheaper. Note 
>that pitch-shifting by as much as an octave might lead to some 
>formant weirdness/chipmunkification, if you care.

I'll second the recommendation for the Helicon Voiceworks.  I've got 
one that I keep dedicated to my WX-11/VL70-m wind synthesis rack. 
It'll do everything Brian says it will and more: fantastic for 
everything from Hassell-like harmonic effects to turning a single 
horn into an entire wind section realistically.  It'll even take a 
monophonic slide guitar patch and emulate a full-blown pedal steel 
complete with benders.

Worth every penny when used on winds.  Just brilliant.

	--m.
-- 
_____
"bye-bye empire; empire, bye-bye"

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Sylvain Poitras wrote:
> Hi,
> Anyone have any recommendation for a hardware octave shifter for wind
> instruments?  I was looking at the EHX POG2, anyone tried playing
> something other than guitars through it?
> Thanks!
> Sylvain
> 
> 

not tried with anything else, but guitar through a POG
reveals that the EH pitch shifting has it's own
particular sound which you'd either like or hate.
(but it does have zero latency on downwards pitching,
 which might make it the only option)

What about the Eventide Pitch Factor?

andy butler




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Subject: Re: OT: Help! Need advice about HP and Firewire Audio.
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mark,

Anyway, has anyone had success using recent HP desktop machines with
> firewire audio?
>

I don't have any experience with HP desktop machines, but the HP Pavilion
laptop I had recently was the worst laptop I've ever owned. 17" top of the
range 'multimedia' model, but Firewire was dreadful (admittedly I was using
a TC Konnekt interface which are famously buggy). Ricoh chipset I think. The
whole machine fell to bits after a year (and it basically never left my
coffee table) ...

Ian

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<div class=3D"gmail_quote">mark,</div><div class=3D"gmail_quote"><br><block=
quote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc=
 solid;padding-left:1ex;"><div id=3D":1b4" class=3D"ii gt">Anyway, has anyo=
ne had success using recent HP desktop machines with<br>

firewire audio?</div></blockquote></div><br><div>I don&#39;t=A0have any exp=
erience with=A0HP=A0desktop machines, but the=A0HP=A0Pavilion laptop I=A0ha=
d recently was the worst laptop I&#39;ve ever owned. 17&quot; top of the ra=
nge &#39;multimedia&#39; model, but Firewire was dreadful (admittedly I was=
 using a TC Konnekt interface which=A0are famously buggy). Ricoh=A0chipset =
I think. The whole machine fell to bits after a year (and it basically neve=
r left my coffee table) ...=A0</div>
<div><br></div><div>Ian</div>

--001485f8129019d987046c278644--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 14:53:40 2009
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	 <d48a85820906120728q6e87a818t685afaf714f8634b@mail.gmail.com>
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Subject: Re: OT: Help! Need advice about HP and Firewire Audio.
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Thanks for the info.  That's not good at all.  Perhaps their desktops
are more sturdy though... I they're all we use at work, and we're
doing a lot of 3d work that's pretty processor intensive and they seem
to hold up well.  Our IT people said they've had good experiences with
them.

On Fri, Jun 12, 2009 at 7:28 AM, Ian Petersen<iep@mail.dk> wrote:
> mark,
>>
>> Anyway, has anyone had success using recent HP desktop machines with
>> firewire audio?
>
> I don't=A0have any experience with=A0HP=A0desktop machines, but the=A0HP=
=A0Pavilion
> laptop I=A0had recently was the worst laptop I've ever owned. 17" top of =
the
> range 'multimedia' model, but Firewire was dreadful (admittedly I was usi=
ng
> a TC Konnekt interface which=A0are famously buggy). Ricoh=A0chipset I thi=
nk. The
> whole machine fell to bits after a year (and it basically never left my
> coffee table) ...
> Ian

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Subject:  octave shifter and panning on the cheap
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 how timely.....last week i discovered the "auto pan" button on my INEKO and after playing with it for awhile, fell in love with the "dynamic" movement of the sound (stereo ?).....it makes something "simple", my middle name, sound much more interesting.....3 knobs: center, width, rate.....i split the mono sig coming out of my rang and send the 2 lines into the INEKO then the mixer.....this is then sent to my VORTEX (thanks stano) and then into my Q-2....one note going madcap.....secondly, the "transpose" knobs: mix, transpose1, transpose2, allow for pitch shifting (-octave,0,+octave).....if you stay below 12 o'clock you avoid the chipmonk sound, if you so desire.....:).....it is so much fun playing with the knobs and "shifting" the pitches as a loop plays.....and if you have pitch shift happening prior to the loop you can get some mad harmonies going on.....luv it!.....granted, the INEKO is not anywhere as deep as the previous mentioned boxes but for something you can carry in your pocket, it contains mucho mojo.....i've had mine for years and every time i use it there is the inevitable "HOLY SHIT" moment, "i didn't know it could do that".....but as i said, i'm simple.....:)m


 


 p.s. A NITE OF ZAZZ @ I.C.A.G. (INTERNATIONAL CHILDREN'S ART GALLERY) pittsburgh, july 17th.....featuring: davignon/klobuchar/rickard/sciulli.....and if you can get here, you too can be on the bill!!!!!.....stay tuned!




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<div> <font face="Arial, Helvetica, sans-serif">how timely.....last week i discovered the "auto pan" button on my INEKO and after playing with it for awhile, fell in love with the "dynamic" movement of the sound (stereo ?).....it makes something "simple", my middle name, sound much more interesting.....3 knobs: center, width, rate.....i split the mono sig coming out of my rang and send the 2 lines into the INEKO then the mixer.....this is then sent to my VORTEX (thanks stano) and then into my Q-2....one note going madcap.....secondly, the "transpose" knobs: mix, transpose1, transpose2, allow for pitch shifting (-octave,0,+octave).....if you stay below 12 o'clock you avoid the chipmonk sound, if you so desire.....:).....it is so much fun playing with the knobs and "shifting" the pitches as a loop plays.....and if you have pitch shift happening prior to the loop you can get some mad harmonies going on.....luv it!.....granted, the INEKO is not anywhere as deep as the previous mentioned boxes but for something you can carry in your pocket, it contains mucho mojo.....i've had mine for years and every time i use it there is the inevitable "HOLY SHIT" moment, "i didn't know it could do that".....but as i said, i'm simple.....:)m</font><br>
</div>

<div> <br>
</div>

<div> <font face="Arial, Helvetica, sans-serif">p.s. A NITE OF ZAZZ @ I.C.A.G. (INTERNATIONAL CHILDREN'S ART GALLERY) pittsburgh, july 17th.....featuring: davignon/klobuchar/rickard/sciulli.....and if you can get here, you too can be on the bill!!!!!.....stay tuned!</font><br>
</div>
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From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 15:36:57 2009
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Yeah, from a programmers point of view ......woohoo!

I was just looking at some of those libraries again lately .... for 
anyone else who happens to write C++, the documentation on Macs Cocoa 
API includes these libraries ... they are well written and 
comprehensive (the docs and the libraries).

And yes, you can send clock signals from AU plugins to host apps ... 
though I should mention that very view apps actually utilize this as 
it makes for pretty intense code (dynamic bpm is one of those things 
not so well handled as it is).

Branching to BPM tracking/shifting ......

Most external sources have rather shotty clocks (+-1ms is typical 
jitter) ... which is crappy and hard to handle.

Internal sources are much better, but then you have to ask the 
question what happens when we shift bpm on some track that is already 
playing ?  For midi instruments and traccks its not a problem, you 
just play the notes faster ... but for recorded audio you need to either:

1) shift the freq to play quicker (and then the pitch changes) or ..
2) splice the audio (cut from on position to another, fading in 
between to avoid audio nonlinearities)

Number 2 is the way to go, but most applications haven't really 
gotten there yet.  I have been looking at this a lot lately because 
it's an area of personal interest for me.  You can devise beat 
splicing algorithms that follow certain beats (straight, triplets, 
clave, etc) and then intelligently splice from segment to segment if 
you know the initial bpm of the audio recording .... for long 
recordings this is difficult, but for short ones (ie loops) this is 
quite simple.  Much cooler is when you stack/overdub on these loops 
AFTER they have been spliced/bpm shifted.

For example ... take a loop and speed it up to 3x normal play, but 
use a splicing algorithm that splits it up and plays segments that 
fall where triplets would be on the clip.  Now stack/overdub on that 
track and make some noise ....... when you re-sync the loop to normal 
play, the result will be the recorded audio after the inverse of the 
bpm shift (which is a recording that exists only where the triplets 
would be on the audio clip).  This way you can devise some pretty 
wild beats ......

Anyway, thats my 2 cents .. ciao
A



At 02:14 AM 6/12/2009, you wrote:
> >    - New audio unit properties in the Audio Unit framework that let audio
> >    units send MIDI data to host applications
>
>Like sending midi clock from a looper au-plugin? That would be great!
>
>---
>Sjaak
>http://euroloopfest.com/
>http://sjaakovergaauw.com/
>
>
>__________________________________
>Scarlet schrapt download limiet!
>Scarlet NO LIMIT nu slechts 19,95 EUR
>Ga naar www.scarlet.be voor meer info!


From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 16:25:20 2009
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For a somewhat updated version of the dl4, check out the damage control
timeline.

I read that some of the guys who worked on the DL4 went to that company. I
absolutely love mine for reverse, ping, multi, and a pretty decent chorus
sound. It has a lot of options that my memory lane and replica don't.

On Thu, Jun 11, 2009 at 8:48 AM, Jeff Duke <jeff_d@embarqmail.com> wrote:

> Hey G,
>
>  Do I get a decoder ring?
>>
>
> Only if you go the software route! :)
>
>  I can tap in a loop that is pretty accurate for most uses.
>>>
>> Oh.  Are you saying it has tap tempo?
>>
>
> that depends on what you call tap tempo. The 2880 works like this: Tap to
> start recording and tap to stop recording and begin playback. This is in non
> quantize mode unsynced. This is the way i use it. this is what I call tap
> tempo. It works just like the DL 4 in many ways in this mode. If you need
> the manual I have a pdf.
>
> As a slave in quantize it's the same thing only you press the drum machine
> start after arming the 2880 to start recording then the 2880 button to set
> the lenght of the loop and begin playback. I find it virtually impossible to
> flub a loops timing while quantized in slave mode.
>
>  the ability to store and retrieve loops - rather than a delay pedal with a
>> looper, if
>> you see what I mean.
>>
>
> I see what you mean but this is not my thing. I never play the same thing
> twice and can't repeat anything I have ever done exactly. I have basic
> themes or variations that i come back to.
>
> Maybe what you need is the software route. Hopefully some of the lappys
> will chime in here. The 2880 will only save one loop on each card. It can
> have up to 4 tracks and a mixdown, etc but this is erased when you press new
> loop. Some of the "phrase sampler" type loopers can save multiple loops
> (Digi Jamman) but are not midi.
>
> Best of luck on all you do,
>
> Jeff
>
>
>
> Out here in the Great Beyond, everything is strange.
> The sooner you get used to that, the better off you'll be.
> Allen Steele
> Galaxy Blues
>
>
>
> http://jeffduke.org/
> http://www.myspace.com/loopsinphasespace
> http://virb.com/jeffduke
> http://www.reverbnation.com/thejeffduke
> http://www.vimeo.com/jeffduke
> http://www.justin.tv/loopslab
> http://themineisthemind.blogspot.com/
> http://www.youtube.com/user/sticky899
> http://www.sugarat.org/tecbab/
>
>
>
>

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For a somewhat updated version of the dl4, check out the damage control tim=
eline.<br><br>I read that some of the guys who worked on the DL4 went to th=
at company. I absolutely love mine for reverse, ping, multi, and a pretty d=
ecent chorus sound. It has a lot of options that my memory lane and replica=
 don&#39;t.<br>
<br><div class=3D"gmail_quote">On Thu, Jun 11, 2009 at 8:48 AM, Jeff Duke <=
span dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarq=
mail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
Hey G,<div class=3D"im"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Do I get a decoder ring?<br>
</blockquote>
<br></div>
Only if you go the software route! :)<div class=3D"im"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

I can tap in a loop that is pretty accurate for most uses.<br>
</blockquote>
Oh. =A0Are you saying it has tap tempo?<br>
</blockquote>
<br></div>
that depends on what you call tap tempo. The 2880 works like this: Tap to s=
tart recording and tap to stop recording and begin playback. This is in non=
 quantize mode unsynced. This is the way i use it. this is what I call tap =
tempo. It works just like the DL 4 in many ways in this mode. If you need t=
he manual I have a pdf.<br>

<br>
As a slave in quantize it&#39;s the same thing only you press the drum mach=
ine start after arming the 2880 to start recording then the 2880 button to =
set the lenght of the loop and begin playback. I find it virtually impossib=
le to flub a loops timing while quantized in slave mode.<div class=3D"im">
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
the ability to store and retrieve loops - rather than a delay pedal with a =
looper, if<br>
you see what I mean.<br>
</blockquote>
<br></div>
I see what you mean but this is not my thing. I never play the same thing t=
wice and can&#39;t repeat anything I have ever done exactly. I have basic t=
hemes or variations that i come back to.<br>
<br>
Maybe what you need is the software route. Hopefully some of the lappys wil=
l chime in here. The 2880 will only save one loop on each card. It can have=
 up to 4 tracks and a mixdown, etc but this is erased when you press new lo=
op. Some of the &quot;phrase sampler&quot; type loopers can save multiple l=
oops (Digi Jamman) but are not midi.<br>

<br>
Best of luck on all you do,<br>
<br>
Jeff<br>
<br>
<br>
<br>
Out here in the Great Beyond, everything is strange.<br>
The sooner you get used to that, the better off you&#39;ll be.<br>
Allen Steele<br>
Galaxy Blues<br>
<br>
<br>
<br>
<a href=3D"http://jeffduke.org/" target=3D"_blank">http://jeffduke.org/</a>=
<br>
<a href=3D"http://www.myspace.com/loopsinphasespace" target=3D"_blank">http=
://www.myspace.com/loopsinphasespace</a><br>
<a href=3D"http://virb.com/jeffduke" target=3D"_blank">http://virb.com/jeff=
duke</a><br>
<a href=3D"http://www.reverbnation.com/thejeffduke" target=3D"_blank">http:=
//www.reverbnation.com/thejeffduke</a><br>
<a href=3D"http://www.vimeo.com/jeffduke" target=3D"_blank">http://www.vime=
o.com/jeffduke</a><br>
<a href=3D"http://www.justin.tv/loopslab" target=3D"_blank">http://www.just=
in.tv/loopslab</a><br>
<a href=3D"http://themineisthemind.blogspot.com/" target=3D"_blank">http://=
themineisthemind.blogspot.com/</a><br>
<a href=3D"http://www.youtube.com/user/sticky899" target=3D"_blank">http://=
www.youtube.com/user/sticky899</a><br>
<a href=3D"http://www.sugarat.org/tecbab/" target=3D"_blank">http://www.sug=
arat.org/tecbab/</a><br>
<br>
<br>
<br>
</blockquote></div><br>

--0015174bdf8a5aa275046c290ee0--

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Date: Fri, 12 Jun 2009 11:33:08 -0500
Subject: RE: OT: Help! Need advice about HP and Firewire Audio.
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> Thanks for the info.  That's not good at all.  Perhaps their desktops
> are more sturdy though... I they're all we use at work, and we're
> doing a lot of 3d work that's pretty processor intensive and they seem
> to hold up well.  Our IT people said they've had good experiences with
> them.

PCs are an ever changing stew of components, drivers, and software.
I've been using PCs for as long as there have been PCs and I've had
good and bad experiences with most of the major brands.  No matter who
the manufacturer is, at various points in history they will all suck.

And for you Mac guys up on your damn pedestal, I've had absolutely
horrible experiences with two Mac Minis :-)

I wouldn't assume things like peripheral chipsets will be the same
from one year to the next, or that laptop quality is an indicator of
desktop quality.  My experience with HP desktops has been generally
positive though none of them were audio computers.  I've mostly had
customized Dells, currently I'm on a Gateway.

You're probably going to be fine with an HP, but I would be sure that
whomever you buy it from has a good return policy so if it does happen
to have an incompatible Firewire chipset you can return it.  As you
mentioned before you could also just buy Firewire card from Newegg.
Last time I checked they were around $50.

Good luck!

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 16:43:56 2009
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Subject: Re: OT: Help! Need advice about HP and Firewire Audio.
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On Jun 12, 2009, at 9:33 AM, Jeff Larson wrote:

>  I've had absolutely
> horrible experiences with two Mac Minis :-)


What was the problem?
Drive or logic board failures?



BobC


http://cdbaby.com/cd/rpcollier5
--Apple-Mail-1-229886703
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Jun 12, 2009, =
at 9:33 AM, Jeff Larson wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span =
class=3D"Apple-converted-space">&nbsp;</span>I've had =
absolutely<br>horrible experiences with two Mac Minis =
:-)</span></blockquote></div><br><div><br></div><div>What was the =
problem?&nbsp;</div><div>Drive or logic board =
failures?</div><div><br></div><div><br></div><div><br></div><div>BobC</div=
><div><br></div><div><br></div><div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; "><a =
href=3D"http://cdbaby.com/cd/rpcollier5">http://cdbaby.com/cd/rpcollier5</=
a></div></div></body></html>=

--Apple-Mail-1-229886703--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 16:48:43 2009
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Subject: computer stuff, Firewire etc. (was multiple threads)
From: Rainer Straschill <moinsound@googlemail.com>
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Jeff,

thanks for pointing out that sentence:
"I wouldn't assume things like peripheral chipsets will be the same
from one year to the next, or that laptop quality is an indicator of
desktop quality."

True. Wisened up by my most-recent experience (it seemed that in the
past I have been blessed by a combination of unholy luck and wise
system configuration in those cases where I was able to customize
(read: tower computers)), I started to check out which kind of chipset
is used by various laptop manufacturers (note that I did check the
ExpressCard interface also for those which don't have a built-in
IEEE1394 - see also below).
Acer is relatively easy to browse - while they don't mention it in the
spec sheets, you can go to the driver download page and there they
state which manufacturer the device in question comes from.
So, checking out no less than 60 different models, it seems their
chipsets come from seven different manufacturers...way to go. So
there's
 * TI, which seems to work all the time
 * JMicron, which a lot of people have complained about
 * Ricoh, which never works
 * O2, which I have in one of my business computers and which seems to work ok
 * three others I don't know anything about.

As a sidenote, the issue with the Dell Studio thingie I mentioned
seems to be a design problem independently or in addition to the Ricoh
topic.

However, there's another thing:
"As you mentioned before you could also just buy Firewire card from Newegg."

As I understand (have been reading up a little, sometimes from people
who have at least a little bit of IEEE1394 aura, like the engineering
staff at RME), the problem is like this: even if you buy a IEEE1394
card with a TI chipset, you're still out of luck if your computer uses
a Ricoh (or other "bad") chipset to interface with that card.

So I'm still not sure which computer to get...well, perhaps I just
return to my eight-year old Toshiba. Works fine and has built-in TI
IEEE1394 (no USB2.0, though...)

           Rainer

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Date: Fri, 12 Jun 2009 13:18:20 -0400
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Subject: Re: OT: Help! Need advice about HP and Firewire Audio.
From: Tony K <bigtonyk@gmail.com>
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Just a general note on my experience with Compaq/HP.  We have a very
inexepensive Compaq desktop that we got for my wife and daughter.
Caveat here is that I have no idea how it is with FW.  All they use it
for is internet, schoolwork, Office, Email.  But, it runs 24 hours a
day and has for 2 years.  The only problem we had was the NIC went
bad.  I just bought a NIC card and it's been fine since.  So, from
that perspective, I'm happy with Compaq/HP.

I, on the other hand, prefer to build my own.

A friend of mine used this company to configure systems for their
office desktops.

http://www.cyberpowerpc.com/

You can pick which components you want and the price, from what I
recall, was reasonable.  They use good components, and the cases are
cool. ;)


On Thu, Jun 11, 2009 at 10:28 AM, Mark Sottilaro<zerocrossing@gmail.com> wr=
ote:
> I've been up and down the ol' information superhighway and I can't for
> the life of me find anything on this, so I'm hoping a LDer might be
> able to shed some light on this for me.
>
> I'm seriously considering transitioning my Toshiba laptop to become a
> general use computer and replacing it with a decent, but budget priced
> desktop PC. =A0In my search HP keeps coming up as decently priced and
> featured. =A0One of the features they seem to have is on board Firewire.
> =A0The problem is my MOTU 828 recommends only using the Firewire cards
> with a TI chipset. =A0I can't find anything about the HPs that mention
> what chipset they use. =A0I've written and called and got no response
> from their sales dept. (way to go HP!)
>
> Anyway, has anyone had success using recent HP desktop machines with
> firewire audio? =A0Should I not care and just get any computer and
> install a Firewire card?
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

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Date: Fri, 12 Jun 2009 12:34:51 -0500
Subject: RE: OT: Help! Need advice about HP and Firewire Audio.
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> > I've had absolutely horrible experiences with two Mac Minis :-)
>
> What was the problem?
> Drive or logic board failures?

After a year (and out of warranty natch) one had a superdrive go out
and would just start spontaneously rebooting.  After several years of
just living with the reboots I finally tracked it down to a subtle
timing problem between two RAM sticks, which BTW were an "officially
matched pair".  Pulled one out and it's been fine ever since.

The other had a catastrophic disk corruption while copying a large
file when the main volume was near full.  After about a week farting
around with both TechTools and Disk Warrior (which cost me $200 since
the built-in Apple recovery tools are crap) I was able to recover most
of it.

Moving over to software, the 10.3 to 10.4 upgrade was not pleasant,
several apps broke (though in fairness I use a lot of "unusual" things
like emacs).  Apple doesn't seem to be particularly shy about breaking
backward compatibility on major releases.

The way iMail manages it's mail folders is silly and incompatible with
every other mail client on the planet.  Try to import mail from
another system.  Your choices?  Eudora and Netscape.  Who the @&^#*)$
uses those anymore?

I haven't tried it lately but trying to get a Mac to use a printer
attached to a PC used to be a bloody nightmare involving ghostscript
and virtual printer drivers.

And don't get me started on their programming environment and APIs.
Beauty is indeed skin deep.

Jeff


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<div class=3DSection1>

<div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>&gt; &gt; I've had absolutely horrible experiences with two =
Mac
Minis :-)<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>&gt; <o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>&gt; What was the problem? <o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>&gt; Drive or logic board failures?<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>After a year (and out of warranty natch) one had a superdriv=
e go
out<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>and would just start spontaneously rebooting.&nbsp; After se=
veral
years of<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>just living with the reboots I finally tracked it down to a
subtle<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>timing problem between two RAM sticks, which BTW were an
&quot;officially<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>matched pair&quot;.&nbsp; Pulled one out and it's been fine =
ever
since.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>The other had a catastrophic disk corruption while copying a
large<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>file when the main volume was near full.&nbsp; After about a=
 week
farting<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>around with both TechTools and Disk Warrior (which cost me $=
200
since<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>the built-in Apple recovery tools are crap) I was able to
recover most<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>of it.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Moving over to software, the 10.3 to 10.4 upgrade was not
pleasant,<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>several apps broke (though in fairness I use a lot of
&quot;unusual&quot; things<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>like emacs).&nbsp; Apple doesn't seem to be particularly shy=
 about
breaking<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>backward compatibility on major releases.<o:p></o:p></span><=
/p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>The way iMail manages it's mail folders is silly and incompa=
tible
with<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>every other mail client on the planet.&nbsp; Try to import m=
ail from<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>another system.&nbsp; Your choices?&nbsp; Eudora and Netscap=
e.&nbsp; Who the
@&amp;^#*)$<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>uses those anymore?<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>I haven't tried it lately but trying to get a Mac to use a
printer<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>attached to a PC used to be a bloody nightmare involving
ghostscript<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>and virtual printer drivers.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>And don't get me started on their programming environment an=
d
APIs.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Beauty is indeed skin deep.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Jeff<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

</div>

</div>

</div>

</body>

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Date: Fri, 12 Jun 2009 12:47:34 -0500
Subject: RE: computer stuff, Firewire etc. (was multiple threads)
Thread-Topic: computer stuff, Firewire etc. (was multiple threads)
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> As I understand (have been reading up a little, sometimes from people
> who have at least a little bit of IEEE1394 aura, like the engineering
> staff at RME), the problem is like this: even if you buy a IEEE1394
> card with a TI chipset, you're still out of luck if your computer uses
> a Ricoh (or other "bad") chipset to interface with that card.

I've heard that but I'm not sure it's true.  I've got both a TI
and an NEC chipset (one motherboard, one card) and it works fine
with two MOTU devices which claim to hate the NEC chipset.

I've also seen a forum posting that says you might need to go into
device manager and disable the driver for the motherboard device.

I find it hard to believe that the presence of a Ricoh chip
on a motherboard with a disabled driver can somehow interfere=20
with the operation of a Firewire device on a PCI card.

Jeff

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Date: Fri, 12 Jun 2009 10:40:04 -0700
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On Jun 12, 2009, at 10:34 AM, Jeff Larson wrote:

> I finally tracked it down to a subtle
> timing problem between two RAM sticks, which BTW were an "officially
> matched pair".  Pulled one out and it's been fine ever since.
>
> The other had a catastrophic disk corruption while copying a large
> file when the main volume was near full.

Interesting, thanks.

I had a drive on a new mini fail right out o the box.

regards

BobC
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Jun 12, 2009, =
at 10:34 AM, Jeff Larson wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">I =
finally tracked it down to a subtle<o:p></o:p></span></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New =
Roman', serif; "><span style=3D"font-size: 11pt; font-family: Calibri, =
sans-serif; color: rgb(31, 73, 125); ">timing problem between two RAM =
sticks, which BTW were an "officially<o:p></o:p></span></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New =
Roman', serif; "><span style=3D"font-size: 11pt; font-family: Calibri, =
sans-serif; color: rgb(31, 73, 125); ">matched pair".&nbsp; Pulled one =
out and it's been fine ever since.<o:p></o:p></span></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New =
Roman', serif; "><span style=3D"font-size: 11pt; font-family: Calibri, =
sans-serif; color: rgb(31, 73, 125); =
"><o:p>&nbsp;</o:p></span></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">The =
other had a catastrophic disk corruption while copying a =
large<o:p></o:p></span></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">file =
when the main volume was near =
full.</span></div></span></blockquote></div><br><div>Interesting, =
thanks.</div><div><br></div><div>I had a drive on a new mini fail right =
out o the =
box.</div><div><br></div><div>regards</div><div><br></div><div>BobC</div><=
/body></html>=

--Apple-Mail-2-233232200--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 17:57:25 2009
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Subject: RE: computer stuff, Firewire etc. (was multiple threads)
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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> I find it hard to believe that the presence of a Ricoh chip on a motherboard with a disabled driver can somehow interfere with the operation of a Firewire device on a PCI card.

It works differently the way I understand it:
In notebooks (note that this works differently for "real" computers in
some cases), you typcially have one chipset which handles several
peripheral functions. If that given chipset has that "bad DPC
behaviour", then you can simply disable it and you're safe...BUT that
chipset usually not only controls the IEEE1394, but the ExpressCard
slot as well. And as the only option that makes sense to get IEEE1394
into a notebook which doesn't already have it is the express card...

In short: the disabled Ricoh chip won't interfere with the operation
of your computer. But the chip being disabled will keep you from
adding an additional IEEE1394 interface.

           Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 18:36:14 2009
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From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Loopers-Delight-d Digest V09 #481
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I'll make up a "summer schedule" early next week, like the one you sent me, 
and send it your way.
dB

----- Original Message ----- 
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Subject: Loopers-Delight-d Digest V09 #481



From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 18:49:21 2009
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Subject: octave shifter and panning on the cheap
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Michael,
> if you stay below 12 o'clock you avoid the chipmonk sound, if you so desire.....:).....

actually, there is a fine trick (I was pointed to by my Eventide
thingie) to get the chipmunk sound even if you stay below 12 o'clock.
Put two pitch shifters in sequence, one set to +24, the other set to
-24. Same pitch, but all the chipmunkiness in the world...

However, the ad banner in your message really is the corker, regarding
recent discussions about laptops:
"Shop Dell's full line of Laptops now starting at $349! "

Thanks for making me laugh,

              Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 19:01:52 2009
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Date: Fri, 12 Jun 2009 12:01:51 -0700
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Subject: Re: computer stuff, Firewire etc. (was multiple threads)
From: Mark Sottilaro <zerocrossing@gmail.com>
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> So I'm still not sure which computer to get...well, perhaps I just
> return to my eight-year old Toshiba. Works fine and has built-in TI
> IEEE1394 (no USB2.0, though...)

I hear you.  Now I know why people (including myself) go to Macs.
Simplicity.  Yeah, you sacrifice choice and a high level of
customization, but from what I can tell every Mac I ever bought was
more or less a plug it in, plug in your peripherals, install your
software and start working.  I've never had a Mac fail on me in any
way.  The worst mac experience I ever had was on an old G4 something
went kerfluy when upgrading from 10.1 to 10.2 and the machine became
very unstable. I total strip down to zeros and reinstall and all was
well.  That's the only time I've ever had to do a full reinstall on a
Mac.

I've been doing research the last week and it's making me dizzy.  From
what I can tell the HPs use the coveted TI chipset for firewire.  How
would a lower end model fare for doing my looping shtick?  Who knows?
Seems uncharted territory.  Half the people I speak to say "build your
own."  The other half say "don't build your own unless you enjoy
pain."  Type in any major brand of prebuilt PC and you'll get a a
dozen reviews saying "It's pretty good." and dozens of pissed off
people saying they suck.

Going with a company that makes pre-built audio PCs is as expensive as
buying a Mac (sometimes more so), so the idea of cheaper hardware to
run Windows goes out the window.

Anyway, my move away from the Mac was for one reason: Mobius.  Now
that there's a Mac version part of me thinks I should abandon this
quest and turn to my 8 core G5 as my main looping system. I'll set
that up this weekend and see how it goes...

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 19:37:36 2009
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Date: Fri, 12 Jun 2009 21:37:35 +0200
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Subject: ...must-buy-Oomingmak!
From: Per Boysen <perboysen@gmail.com>
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--00151757466222475b046c2bd7b8
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Just downloaded Oomingmak to check out and ohmigosh what a cool plug-in this
is for flute playing! Documentation says it was designed for guitar and I
think it may be cool with that instrument too, but not as seriously cool as
with flute. I played like a maniac for 15 minutes until the
"get-a-license-moron" message popped up on my lappy.
http://www.expert-sleepers.co.uk/oomingmak.html

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

--00151757466222475b046c2bd7b8
Content-Type: text/html; charset=UTF-8
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<div>Just downloaded Oomingmak to check out and ohmigosh what a cool plug-i=
n this is for flute playing! Documentation says it was designed for guitar =
and I think it may be cool with that instrument too, but not as seriously c=
ool as with flute. I played like a maniac for 15 minutes until the &quot;ge=
t-a-license-moron&quot; message popped up on my lappy.=C2=A0</div>
<div><a href=3D"http://www.expert-sleepers.co.uk/oomingmak.html">http://www=
.expert-sleepers.co.uk/oomingmak.html</a>=C2=A0</div><br clear=3D"all">Gree=
tings from Sweden<br><br>Per Boysen <br><a href=3D"http://www.boysen.se">ww=
w.boysen.se</a><br>
<a href=3D"http://www.perboysen.com">www.perboysen.com</a><br>

--00151757466222475b046c2bd7b8--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 19:39:41 2009
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Subject: [GIG INFO]: Virtual Gig Reminder: "The MoinSound Studio Sessions", 
	this Saturday at 1600 UTC
From: Rainer Straschill <moinsound@googlemail.com>
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Hi everyone,

here's a quick reminder that this Saturday, the MoinSound Studio
Sessions are due to air in their bi-weekly interval:

Saturday, 13th of June, 16:00 UTC
http://www.justin.tv/moinlabs

(non-guaranteed time zone conversion: 19:00 in Finland and Turkey,
18:00 in Germany, Sweden, Switzerland and Italy, 5pm in Great Britain,
noon in New York, 9am in California and Oregon).

Feel free to also check out videos of session from the past at
http://vimeo.com/moinlabs

As a quick reminder, this Sunday there's both Stephen Moyes and Matt
Stevens doing their thing.

Come by and chat "hello" ;)

Best,

              Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://justin.tv/moinlabs
http://vimeo.com/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 19:42:53 2009
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Subject: Re: ...must-buy-Oomingmak!
From: Os <os@collective.co.uk>
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I look forward to hearing what sound you make with it! post some mp3s!

cheers,
os.


2009/6/12 Per Boysen <perboysen@gmail.com>:
> Just downloaded Oomingmak to check out and ohmigosh what a cool plug-in this
> is for flute playing! Documentation says it was designed for guitar and I
> think it may be cool with that instrument too, but not as seriously cool as
> with flute. I played like a maniac for 15 minutes until the
> "get-a-license-moron" message popped up on my lappy.
> http://www.expert-sleepers.co.uk/oomingmak.html
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Fri Jun 12 19:55:49 2009
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Date: Fri, 12 Jun 2009 21:55:48 +0200
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Subject: Re: ...must-buy-Oomingmak!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Fri, Jun 12, 2009 at 9:42 PM, Os <os@collective.co.uk> wrote:

> I look forward to hearing what sound you make with it! post some mp3s!



Will record something in a couple of weeks. Right now I'm super busy,
leaving tomorrow morning for a one week music training camp. But I will
hopefully do a lot of live looping with Oomingmak while there with the
students.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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On Fri, Jun 12, 2009 at 9:42 PM, Os <span dir=3D"ltr">&lt;<a href=3D"mailto=
:os@collective.co.uk">os@collective.co.uk</a>&gt;</span> wrote:<br><div cla=
ss=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 =
.8ex;border-left:1px #ccc solid;padding-left:1ex;">
I look forward to hearing what sound you make with it! post some mp3s!</blo=
ckquote></div><br><div><br></div><div>Will record something in a couple of =
weeks. Right now I&#39;m super busy, leaving tomorrow morning for a one wee=
k music training camp. But I will hopefully do a lot of live looping with O=
omingmak while there with the students.</div>
<div><br></div><div>Greetings from Sweden<br><br>Per Boysen=C2=A0<br><a hre=
f=3D"http://www.boysen.se">www.boysen.se</a><br><a href=3D"http://www.perbo=
ysen.com">www.perboysen.com</a><br></div>

--001e680f18bc48a427046c2c189d--

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Date: Fri, 12 Jun 2009 21:34:41 +0100
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Subject: Re: ...must-buy-Oomingmak!
From: Simeon Harris <simeonharris40@googlemail.com>
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i've tried it too...it's nuts!

On Fri, Jun 12, 2009 at 8:55 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Jun 12, 2009 at 9:42 PM, Os <os@collective.co.uk> wrote:
>
>> I look forward to hearing what sound you make with it! post some mp3s!
>
>
>

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i&#39;ve tried it too...it&#39;s nuts!<br><br><div class=3D"gmail_quote">On=
 Fri, Jun 12, 2009 at 8:55 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"=
mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><b=
lockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 20=
4, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">On Fri, Jun 12, 2009 at 9:42 PM, Os <span dir=3D"ltr">&lt=
;<a href=3D"mailto:os@collective.co.uk" target=3D"_blank">os@collective.co.=
uk</a>&gt;</span> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D=
"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0=
pt 0pt 0pt 0.8ex; padding-left: 1ex;">

I look forward to hearing what sound you make with it! post some mp3s!</blo=
ckquote></div><br></div></blockquote></div><br>

--001485f85ede55015f046c2ca3f5--

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From: Ms Sikeme Ogbeide
=20
Dearest One=2C

My Dear=2C please do not be upset due to the mail i sent to you=2C also bec=
ause we have not met before but i know that we do not meet accidentally=2C =
rather i meet you by the special grace of God when i found your profile ema=
il address and after praying=2C i just hand over everything to Gods hand be=
lieving that you must be a kind=2C sincere=2C faithful and understandable p=
erson whom will understand me and assist me in this my current situation.=20
=20
Let me start by giving you an introduction of my self and my family backgro=
und.=20
My real name is Miss Sikeme Ogbeide. I was born and brought up in Cote d'iv=
oire on 03 march 1988 ( im 21 yrs old ) . Also i am the only surviving daug=
hter parents. My mumy's name is Dr. Mrs. Gloria Bintu Ogbeide. My mum died =
when i was four years old ( 12th dec 1992 ) and since then my dady took me =
so special.=20

My Dady was a forma Senator here he was a well known wealthy cocoa merchant=
 before he went into politics and was elected into the senate seat=2C becau=
se he was well know good man here. That also made him not to be in a good t=
erm with his brothers ( my uncles ). which created a very big enemity betwe=
en them. I have severally adviced my dady to send me abroad so that his ene=
mies may not seek for me to kill or wound in order to wecked my dad=2C but =
my dady refused saying that he needs me to stay with him due to that i am t=
he only family he has.=20
=20
But unfortunately=2C My dady was killed last year when he attended a ceremo=
ny in the village. he was brutaly killed and was shut severally by my uncle=
s on his way back from a conference. but he do not die instantly and was ad=
mited in a private hospital here and Before the death of my father in a pri=
vate hospital here in Abidjan he secretly called me on his bed side and tol=
d me that he has the sum of ten million=2Ceight hundred thousand United Sta=
te Dollars.USD($18=2C700=2C000.00) left in fixed / suspense account in one =
of the prime bank here in Abidjan=2Cthat he used my name as his only daught=
er for the next of Kin in depositing of the fund. He also explained to me t=
hat it was because of this wealth that he was shut by his brothers (my uncl=
es).=20

That I should seek for a foreign partner in a country of my choice where i =
will transfer this money and use it for investment purpose such as real est=
ate management or hotel management so that i can secure my life too and be =
out from my uncles for my dear life .=20
Right now I am stranded and have ran out from the city to a nearby village =
because my uncles have turned out trying to eliminate me too because they w=
anted to inherrit all hat my dady has. but thank God i found one pastor Mic=
hael whom have been of a good assistance to me. He accommodated me in his c=
hurch when i explained everything to him=2C and was giving me a finnancial =
accomodation till i finds a patner overseas whom will help me to transfer m=
y inherritance abroad while i travels to join him and start up a new life. =
So my dear i am seeking your assistance in the following ways:=20
=20
1) To help me transfer this fund to your country because i have discused wi=
th the bank about my intensions to transfer my inherritance abroad which th=
ey have accepted.=20
2) to serve as a guardian of this fund since i am only 21yrs old.=20
3) To make arrangement for me to come over to your country to further my ed=
ucation and to secure a resident permit in your country.=20
=20
Moreover=2C My dear I am willing to offer you 15% of the total sum as compe=
nsation for your effort/input after the successful transfer of this fund in=
to your nominated account overseas.=20

Furthermore=2C you indicate your options towards assisting me as I believe =
that this transaction would be concluded within fourteen (14) days you sign=
ify interest to assist me.
=20
I am looking foward to your hopeful respond and may God be with you.=20
=20
=20
Yours Sincerely=2C
=20
Sikeme Ogbeide.


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From: Ms Sikeme Ogbeide<BR>&nbsp=3B<BR>Dearest One=2C<BR>
My Dear=2C please do not be upset due to the mail i sent to you=2C also bec=
ause we have not met before but i know that we do not meet accidentally=2C =
rather i meet you by the special grace of God when i found your profile ema=
il address and after praying=2C i just hand over everything to Gods hand be=
lieving that you must be a kind=2C sincere=2C faithful and understandable p=
erson whom will understand me and assist me in this my current situation. <=
BR>&nbsp=3B<BR>Let me start by giving you an introduction of my self and my=
 family background. <BR>My real name is Miss Sikeme Ogbeide. I was born and=
 brought up in Cote d'ivoire on 03 march 1988 ( im 21 yrs old ) . Also i am=
 the only surviving daughter parents. My mumy's name is Dr. Mrs. Gloria Bin=
tu Ogbeide. My mum died when i was four years old ( 12th dec 1992 ) and sin=
ce then my dady took me so special. <BR>
My Dady was a forma Senator here he was a well known wealthy cocoa merchant=
 before he went into politics and was elected into the senate seat=2C becau=
se he was well know good man here. That also made him not to be in a good t=
erm with his brothers ( my uncles ). which created a very big enemity betwe=
en them. I have severally adviced my dady to send me abroad so that his ene=
mies may not seek for me to kill or wound in order to wecked my dad=2C but =
my dady refused saying that he needs me to stay with him due to that i am t=
he only family he has. <BR>&nbsp=3B<BR>But unfortunately=2C My dady was kil=
led last year when he attended a ceremony in the village. he was brutaly ki=
lled and was shut severally by my uncles on his way back from a conference.=
 but he do not die instantly and was admited in a private hospital here and=
 Before the death of my father in a private hospital here in Abidjan he sec=
retly called me on his bed side and told me that he has the sum of ten mill=
ion=2Ceight hundred thousand United State Dollars.USD($18=2C700=2C000.00) l=
eft in fixed / suspense account in one of the prime bank here in Abidjan=2C=
that he used my name as his only daughter for the next of Kin in depositing=
 of the fund. He also explained to me that it was because of this wealth th=
at he was shut by his brothers (my uncles). <BR>
That I should seek for a foreign partner in a country of my choice where i =
will transfer this money and use it for investment purpose such as real est=
ate management or hotel management so that i can secure my life too and be =
out from my uncles for my dear life . <BR>Right now I am stranded and have =
ran out from the city to a nearby village because my uncles have turned out=
 trying to eliminate me too because they wanted to inherrit all hat my dady=
 has. but thank God i found one pastor Michael whom have been of a good ass=
istance to me. He accommodated me in his church when i explained everything=
 to him=2C and was giving me a finnancial accomodation till i finds a patne=
r overseas whom will help me to transfer my inherritance abroad while i tra=
vels to join him and start up a new life. So my dear i am seeking your assi=
stance in the following ways: <BR>&nbsp=3B<BR>1) To help me transfer this f=
und to your country because i have discused with the bank about my intensio=
ns to transfer my inherritance abroad which they have accepted. <BR>2) to s=
erve as a guardian of this fund since i am only 21yrs old. <BR>3) To make a=
rrangement for me to come over to your country to further my education and =
to secure a resident permit in your country. <BR>&nbsp=3B<BR>Moreover=2C My=
 dear I am willing to offer you 15% of the total sum as compensation for yo=
ur effort/input after the successful transfer of this fund into your nomina=
ted account overseas. <BR>
Furthermore=2C you indicate your options towards assisting me as I believe =
that this transaction would be concluded within fourteen (14) days you sign=
ify interest to assist me.<BR>&nbsp=3B<BR>I am looking foward to your hopef=
ul respond and may God be with you. <BR>&nbsp=3B<BR>&nbsp=3B<BR>Yours Since=
rely=2C<BR>&nbsp=3B<BR>Sikeme Ogbeide.<BR><BR></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Sat Jun 13 01:08:30 2009
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Hmmm ...  not sure this made it the frirst time ... strange ......



>Yeah, from a programmers point of view ......woohoo!
>
>I was just looking at some of those libraries again lately .... for 
>anyone else who happens to write C++, the documentation on Macs 
>Cocoa API includes these libraries ... they are well written and 
>comprehensive (the docs and the libraries).
>
>And yes, you can send clock signals from AU plugins to host apps ... 
>though I should mention that very view apps actually utilize this as 
>it makes for pretty intense code (dynamic bpm is one of those things 
>not so well handled as it is).
>
>Branching to BPM tracking/shifting ......
>
>Most external sources have rather shotty clocks (+-1ms is typical 
>jitter) ... which is crappy and hard to handle.
>
>Internal sources are much better, but then you have to ask the 
>question what happens when we shift bpm on some track that is 
>already playing ?  For midi instruments and traccks its not a 
>problem, you just play the notes faster ... but for recorded audio 
>you need to either:
>
>1) shift the freq to play quicker (and then the pitch changes) or ..
>2) splice the audio (cut from on position to another, fading in 
>between to avoid audio nonlinearities)
>
>Number 2 is the way to go, but most applications haven't really 
>gotten there yet.  I have been looking at this a lot lately because 
>it's an area of personal interest for me.  You can devise beat 
>splicing algorithms that follow certain beats (straight, triplets, 
>clave, etc) and then intelligently splice from segment to segment if 
>you know the initial bpm of the audio recording .... for long 
>recordings this is difficult, but for short ones (ie loops) this is 
>quite simple.  Much cooler is when you stack/overdub on these loops 
>AFTER they have been spliced/bpm shifted.
>
>For example ... take a loop and speed it up to 3x normal play, but 
>use a splicing algorithm that splits it up and plays segments that 
>fall where triplets would be on the clip.  Now stack/overdub on that 
>track and make some noise ....... when you re-sync the loop to 
>normal play, the result will be the recorded audio after the inverse 
>of the bpm shift (which is a recording that exists only where the 
>triplets would be on the audio clip).  This way you can devise some 
>pretty wild beats ......
>
>Anyway, thats my 2 cents .. ciao
>A
>
>
>
>At 02:14 AM 6/12/2009, you wrote:
>> >    - New audio unit properties in the Audio Unit framework that let audio
>> >    units send MIDI data to host applications
>>
>>Like sending midi clock from a looper au-plugin? That would be great!
>>
>>---
>>Sjaak
>>http://euroloopfest.com/
>>http://sjaakovergaauw.com/
>>
>>
>>__________________________________
>>Scarlet schrapt download limiet!
>>Scarlet NO LIMIT nu slechts 19,95 EUR
>>Ga naar www.scarlet.be voor meer info!


From leedija.sh@pochta.ru  Sat Jun 13 03:57:53 2009
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Subject: hi
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Hello!
It=92s a great pleasure to write you.
Do not think that this letter is a mistake. I do write you.
I want to explain the reason of my writing. And tell you a few words=
 about myself. Please, do not be afraid of my letter. That is not spam.
Well, first of all, my name is Leedija. I=92m 32. I=92m single and do=
 not have children. I live in Russia in the city Murom.
There were a lot of different moments in my life; there was happiness,=
 sorrow, joy and disappointment. But now I face a great problem, it is a=
 problem of loneliness. I was married but at this moment I am a widow. I=
 couldn=92t believe it for a long time ... I couldn=92t believe that I=
=92m alone...
You know, after my husband=92s death I was loyal to him but now I=92ve=
 realized that life goes on and I should continue my life as well.=
 However for me the word =93to live=94 is to be with a loved person and=
 give him all my love. 
That is why I addressed the international agency Dating. It is in my=
 city Murom. I wrote a letter to you and left my photo. Well, I suppose,=
 if you read this letter it means that the manager of the agency wrote=
 you. His duty is to inform you and to find right partners to each=
 other. 
So, I=92ll continue writing about myself. I=92m looking for serious=
 relations. I=92m looking for a man who will be able to love me and to=
 love me as I am. A person who will be able to love my inner world, my=
 body, my appearance, well, to love me all.   
My picture will help you to get a first impression about me. 
As for me, I=92d like to say that my heart is open for a new love story.=
 I realized that I have to live, to love and be loved. I want to live=
 and enjoy this life, but not alone. And I want to make it with you. 
I=92d like to say that age difference is nothing for me. It doesn=92t=
 mean anything. It is much more important what personality a man has.
What concerns me, I=92m affectionate and considerate. I=92m fond of=
 cooking and doing housework. However I also have a desire to have=
 adventures. I love pets as well.
I want it so much to make our correspondence possible. 
I will be very happy to see your letters at my e-mail.=
 (leedija.sh@gmail.com)
Wish you all the best.
Take care.
Your Leedija.

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<DIV>Hello!<BR>It=92s a great pleasure to write you.<BR>Do not think=
 that this 
letter is a mistake. I do write you.<BR>I want to explain the reason of=
 my 
writing. And tell you a few words about myself. Please, do not be afraid=
 of my 
letter. That is not spam.<BR>Well, first of all, my name is Leedija. I=
=92m 32. I=92m 
single and do not have children. I live in Russia in the city=
 Murom.<BR>There 
were a lot of different moments in my life; there was happiness, sorrow,=
 joy and 
disappointment. But now I face a great problem, it is a problem of=
 loneliness. I 
was married but at this moment I am a widow. I couldn=92t believe it for=
 a long 
time ... I couldn=92t believe that I=92m alone...<BR>You know, after my=
 husband=92s 
death I was loyal to him but now I=92ve realized that life goes on and I=
 should 
continue my life as well. However for me the word =93to live=94 is to be=
 with a 
loved person and give him all my love. <BR>That is why I addressed the 
international agency Dating. It is in my city Murom. I wrote a letter to=
 you and 
left my photo. Well, I suppose, if you read this letter it means that=
 the 
manager of the agency wrote you. His duty is to inform you and to find=
 right 
partners to each other. <BR>So, I=92ll continue writing about myself. I=
=92m looking 
for serious relations. I=92m looking for a man who will be able to love=
 me and to 
love me as I am. A person who will be able to love my inner world, my=
 body, my 
appearance, well, to love me all.&nbsp;&nbsp; <BR>My picture will help=
 you to 
get a first impression about me. <BR>As for me, I=92d like to say that=
 my heart is 
open for a new love story. I realized that I have to live, to love and=
 be loved. 
I want to live and enjoy this life, but not alone. And I want to make it=
 with 
you. <BR>I=92d like to say that age difference is nothing for me. It=
 doesn=92t mean 
anything. It is much more important what personality a man has.<BR>What=
 concerns 
me, I=92m affectionate and considerate. I=92m fond of cooking and doing=
 housework. 
However I also have a desire to have adventures. I love pets as=
 well.<BR>I want 
it so much to make our correspondence possible. <BR>I will be very happy=
 to see 
your letters at my e-mail. (<A 
href=3D"mailto:leedija.sh@gmail.com">leedija.sh@gmail.com</A>)<BR>Wish=
 you all the 
best.<BR>Take care.<BR>Your Leedija.<BR></DIV></BODY></HTML>

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From leedija.sh@pochta.ru  Sat Jun 13 04:01:38 2009
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Reply-To: "leedija" <leedija.sh@gmail.com>
From: "leedija" <leedija.sh@pochta.ru>
Subject: hi
Date: Sat, 13 Jun 2009 09:44:59 +0800
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------=_NextPart_001_0DC5_01C9EC0B.9DC74F10
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	charset="windows-1251"
Content-Transfer-Encoding: quoted-printable

Hello!
It=92s a great pleasure to write you.
Do not think that this letter is a mistake. I do write you.
I want to explain the reason of my writing. And tell you a few words=
 about myself. Please, do not be afraid of my letter. That is not spam.
Well, first of all, my name is Leedija. I=92m 32. I=92m single and do=
 not have children. I live in Russia in the city Murom.
There were a lot of different moments in my life; there was happiness,=
 sorrow, joy and disappointment. But now I face a great problem, it is a=
 problem of loneliness. I was married but at this moment I am a widow. I=
 couldn=92t believe it for a long time ... I couldn=92t believe that I=
=92m alone...
You know, after my husband=92s death I was loyal to him but now I=92ve=
 realized that life goes on and I should continue my life as well.=
 However for me the word =93to live=94 is to be with a loved person and=
 give him all my love. 
That is why I addressed the international agency Dating. It is in my=
 city Murom. I wrote a letter to you and left my photo. Well, I suppose,=
 if you read this letter it means that the manager of the agency wrote=
 you. His duty is to inform you and to find right partners to each=
 other. 
So, I=92ll continue writing about myself. I=92m looking for serious=
 relations. I=92m looking for a man who will be able to love me and to=
 love me as I am. A person who will be able to love my inner world, my=
 body, my appearance, well, to love me all.   
My picture will help you to get a first impression about me. 
As for me, I=92d like to say that my heart is open for a new love story.=
 I realized that I have to live, to love and be loved. I want to live=
 and enjoy this life, but not alone. And I want to make it with you. 
I=92d like to say that age difference is nothing for me. It doesn=92t=
 mean anything. It is much more important what personality a man has.
What concerns me, I=92m affectionate and considerate. I=92m fond of=
 cooking and doing housework. However I also have a desire to have=
 adventures. I love pets as well.
I want it so much to make our correspondence possible. 
I will be very happy to see your letters at my e-mail.=
 (leedija.sh@gmail.com)
Wish you all the best.
Take care.
Your Leedija.

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<DIV>Hello!<BR>It=92s a great pleasure to write you.<BR>Do not think=
 that this 
letter is a mistake. I do write you.<BR>I want to explain the reason of=
 my 
writing. And tell you a few words about myself. Please, do not be afraid=
 of my 
letter. That is not spam.<BR>Well, first of all, my name is Leedija. I=
=92m 32. I=92m 
single and do not have children. I live in Russia in the city=
 Murom.<BR>There 
were a lot of different moments in my life; there was happiness, sorrow,=
 joy and 
disappointment. But now I face a great problem, it is a problem of=
 loneliness. I 
was married but at this moment I am a widow. I couldn=92t believe it for=
 a long 
time ... I couldn=92t believe that I=92m alone...<BR>You know, after my=
 husband=92s 
death I was loyal to him but now I=92ve realized that life goes on and I=
 should 
continue my life as well. However for me the word =93to live=94 is to be=
 with a 
loved person and give him all my love. <BR>That is why I addressed the 
international agency Dating. It is in my city Murom. I wrote a letter to=
 you and 
left my photo. Well, I suppose, if you read this letter it means that=
 the 
manager of the agency wrote you. His duty is to inform you and to find=
 right 
partners to each other. <BR>So, I=92ll continue writing about myself. I=
=92m looking 
for serious relations. I=92m looking for a man who will be able to love=
 me and to 
love me as I am. A person who will be able to love my inner world, my=
 body, my 
appearance, well, to love me all.&nbsp;&nbsp; <BR>My picture will help=
 you to 
get a first impression about me. <BR>As for me, I=92d like to say that=
 my heart is 
open for a new love story. I realized that I have to live, to love and=
 be loved. 
I want to live and enjoy this life, but not alone. And I want to make it=
 with 
you. <BR>I=92d like to say that age difference is nothing for me. It=
 doesn=92t mean 
anything. It is much more important what personality a man has.<BR>What=
 concerns 
me, I=92m affectionate and considerate. I=92m fond of cooking and doing=
 housework. 
However I also have a desire to have adventures. I love pets as=
 well.<BR>I want 
it so much to make our correspondence possible. <BR>I will be very happy=
 to see 
your letters at my e-mail. (<A 
href=3D"mailto:leedija.sh@gmail.com">leedija.sh@gmail.com</A>)<BR>Wish=
 you all the 
best.<BR>Take care.<BR>Your Leedija.<BR></DIV></BODY></HTML>

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Subject: Mobius, Question for Per
Date: Fri, 12 Jun 2009 21:40:50 -0700
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So, forgive me if I'm missing something obvious, but how do you get  
input into the stand-alone version of Mobius? (I assume you must be  
able to or why have a stand alone?) I get a Mobius Configuration Error  
(Unaboe to open audio output device) when I open just Mobius, perhaps  
that's it.

Or do you use Mobius as a concert level plugin on a bus in Mainstage?  
I believe I tried this but didn't see it on the lower patches as  
expected...  If you use it like this is it so that you can feed the  
midi timing information back into Mainstage (for effects and whatnot?

I had more success routing Mobius as a plugin in an Ableton Live bus,  
but the only midi/timing/quantizing setting that seemed to work  
somewhat as expected was Sync Mode=Host Bar with Qantize Mode and  
Switch Quantize both set to Cycle. I'm pretty familiar with the  
Echoplex preferences but the behavior when I try pretty much any other  
setting.

I tried the looper in Ableton (hoping I could have that sense my tempo  
based on my start then send the cycle timing to Mobius) but that  
looper seems really weird to me and ultimately I'd rather already be  
playing and start loops/set timing with a foot press rather then start  
a loop at the same time I start playing. In other words, I'd rather do  
it echoplex style and have my sofware follow MY beat, as you say in  
your blog.

Is it possible to use Mainstage, Ableton, and Reason all together with  
Mobius and have those other programs pick up the timing/quantize  
information from Mobius?

Thank you so much. You're passion for this makes it easier to ask for  
help and sometimes I get so stuck on hooking these  things up.... This  
is the right path though, I'm sure of it.

From Loopers-Delight-request@loopers-delight.com  Sat Jun 13 06:32:00 2009
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Subject: Re: Mobius, Question for Per
Date: Fri, 12 Jun 2009 23:24:54 -0700
References: <66f9cc1e0906121237t564b03br1583ec538f413d48@mail.gmail.com> <19EBCCE8-AAF4-471C-91E3-951FDA7EC798@gmail.com>
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I know in Live 8 the included Looper plug-in allows you to set the  
tempo based on your first loop.  I've only used it for simple things  
so far, but I  imagine that with a clever set up you could do quite a  
lot with it.

Sent from my iPhone

On Jun 12, 2009, at 9:40 PM, David Hayes <stringfling@gmail.com> wrote:

>
> So, forgive me if I'm missing something obvious, but how do you get  
> input into the stand-alone version of Mobius? (I assume you must be  
> able to or why have a stand alone?) I get a Mobius Configuration  
> Error (Unaboe to open audio output device) when I open just Mobius,  
> perhaps that's it.
>
> Or do you use Mobius as a concert level plugin on a bus in  
> Mainstage? I believe I tried this but didn't see it on the lower  
> patches as expected...  If you use it like this is it so that you  
> can feed the midi timing information back into Mainstage (for  
> effects and whatnot?
>
> I had more success routing Mobius as a plugin in an Ableton Live  
> bus, but the only midi/timing/quantizing setting that seemed to work  
> somewhat as expected was Sync Mode=Host Bar with Qantize Mode and  
> Switch Quantize both set to Cycle. I'm pretty familiar with the  
> Echoplex preferences but the behavior when I try pretty much any  
> other setting.
>
> I tried the looper in Ableton (hoping I could have that sense my  
> tempo based on my start then send the cycle timing to Mobius) but  
> that looper seems really weird to me and ultimately I'd rather  
> already be playing and start loops/set timing with a foot press  
> rather then start a loop at the same time I start playing. In other  
> words, I'd rather do it echoplex style and have my sofware follow MY  
> beat, as you say in your blog.
>
> Is it possible to use Mainstage, Ableton, and Reason all together  
> with Mobius and have those other programs pick up the timing/ 
> quantize information from Mobius?
>
> Thank you so much. You're passion for this makes it easier to ask  
> for help and sometimes I get so stuck on hooking these  things  
> up.... This is the right path though, I'm sure of it.
>

From hamed_kamal@ciudad.com.ar  Sat Jun 13 08:22:08 2009
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 13 10:16:33 2009
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Date: Sat, 13 Jun 2009 12:16:32 +0200
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Subject: Re: Mobius, Question for Per
From: Per Boysen <perboysen@gmail.com>
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om


On Sat, Jun 13, 2009 at 6:40 AM, David Hayes <stringfling@gmail.com> wrote:
>
>  how do you get input into the stand-alone version of Mobius? (

If you mean audio input you may set that in the "Configuration/Track
Setup" window. You may set the same hardware input for all tracks or
you may route audio from different inputs to certain tracks.


> Or do you use Mobius as a concert level plugin on a bus in Mainstage?

This is also possible. Either set Mobius to not monitor output and
open it on a bus, to which you send signal from each patch's channel
strip by the bus send knob, or set Mobius to monitor output and open
it on the final stereo output of Mainstage.



> =C2=A0If you use it like this is it so that you can feed the midi timing =
information back into Mainstage (for effects and whatnot?

In order to have all tempo dependent Mainstage effects run musically
related to the loops you make. Simply have Mobius send out MIDI Clock
through OS X IAC Bus (select it in Mobius MIDI Device Selection
window) and tic the box named "Get temp from audio input" in Mainstage
(at concert level, click concert name at top of patch list).



>
> Is it possible to use Mainstage, Ableton, and Reason all together with Mo=
bius and have those other programs pick up the timing/quantize information =
from Mobius?

Don't know. Try it!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.c

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Subject: Slightly OT: new work from recent webstream
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5c2f12c8285046c38342e
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>From my last weekend's live webcast on Sunday Morning at
11<http://www.ustream.tv/channel/sunday-morning-at-11>I pulled one of
the 12 string acoustic pieces I did and edited some imagery
from a hike on a trip to New Mexico in 2007.  Though this piece is
non-looped it was as is most of work these days, all improv.  Have a look
listen at your leisure/interest, http://www.vimeo.com/5137712.
On the bi-weekly series I'm doing a mix of looped and linear improv.  The
complete feed archive recording is at http://www.ustream.tv/recorded/1620236
.

Good weekend folks.


Jim

-- 
ReUse, an introspective textural aural journey...
jimgoodin.bandcamp.com/album/ct-project-reuse

music links...
jimgoodin.blogspot.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5c2f12c8285046c38342e
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>From my last weekend&#39;s live webcast on <a href=3D"http://www.ustream.tv=
/channel/sunday-morning-at-11">Sunday Morning at 11</a> I pulled one of the=
 12 string acoustic pieces I did and edited some imagery from a hike on a t=
rip to New Mexico in 2007. =A0Though this piece is non-looped it was as is =
most of work these days, all improv. =A0Have a look listen at your leisure/=
interest,=A0<a href=3D"http://www.vimeo.com/5137712">http://www.vimeo.com/5=
137712</a>.<div>
<br></div><div>On the bi-weekly series I&#39;m doing a mix of looped and li=
near improv. =A0The complete feed archive recording is at=A0<span class=3D"=
Apple-style-span" style=3D"font-family: &#39;Trebuchet MS&#39;; color: rgb(=
179, 177, 177); white-space: pre; "><a href=3D"http://www.ustream.tv/record=
ed/1620236">http://www.ustream.tv/recorded/1620236</a>.</span></div>
<div><font class=3D"Apple-style-span" color=3D"#B3B1B1" face=3D"&#39;Trebuc=
het MS&#39;"><span class=3D"Apple-style-span" style=3D"white-space: pre;"><=
br></span></font></div><div><font class=3D"Apple-style-span" face=3D"&#39;T=
rebuchet MS&#39;"><span class=3D"Apple-style-span" style=3D"white-space: pr=
e;"><span class=3D"Apple-style-span" style=3D"background-color: rgb(255, 25=
5, 255);">Good weekend folks.</span></span></font></div>
<div><font class=3D"Apple-style-span" face=3D"&#39;Trebuchet MS&#39;"><span=
 class=3D"Apple-style-span" style=3D"white-space: pre;"><span class=3D"Appl=
e-style-span" style=3D"background-color: rgb(255, 255, 255);"><br></span></=
span></font></div>
<div><font class=3D"Apple-style-span" face=3D"&#39;Trebuchet MS&#39;"><span=
 class=3D"Apple-style-span" style=3D"white-space: pre;"><span class=3D"Appl=
e-style-span" style=3D"background-color: rgb(255, 255, 255);"><br></span></=
span></font></div>
<div><font class=3D"Apple-style-span" color=3D"#B3B1B1" face=3D"&#39;Trebuc=
het MS&#39;"><span class=3D"Apple-style-span" style=3D"white-space: pre;"><=
span class=3D"Apple-style-span" style=3D"background-color: rgb(255, 255, 25=
5);"><font class=3D"Apple-style-span" color=3D"#000000">Jim</font></span><b=
r clear=3D"all">
</span></font><br>-- <br>ReUse, an introspective textural aural journey...<=
br><a href=3D"http://jimgoodin.bandcamp.com/album/ct-project-reuse">jimgood=
in.bandcamp.com/album/ct-project-reuse</a></div><div><br>music links...<br>
<a href=3D"http://jimgoodin.blogspot.com">jimgoodin.blogspot.com</a></div><=
div><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.co=
m</a><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/=
jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>
</div>

--001636c5c2f12c8285046c38342e--

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Reply-To: <denniscole3@gmail.com>
From: "Dennis  Cole"<paul@shqp.net.cn>
Subject: Reply Prompt
Date: Sat, 13 Jun 2009 07:17:10 +0100
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To: undisclosed-recipients:;

Barr.Dennis Cole (SAN)
No:23 Cole Street
Victoria Island Lagos Nigeria

Good Day,

I am Barr. Dennis Cole (SAN) personal attorney to Engr.Kim a national of your country, who used to work with Deepwater Construction Company here in Nigeria. who shall also be referred to as my client.

My client with his entire family (The wife and Children) were involved in the Plane crashes in northern Nigeria, on May 4, 2002 Unfortunately, my client and the family lost their lives in that Plane Crash that needed not to have happened. View this website below for more information Plane Crash.

http://news.bbc.co.uk/1/hi/world/africa/1968616.stm
http://news.bbc.co.uk/1/hi/world/africa/1968300.stm

Since then I have made several enquiries to your embassy to locate any of my clients extended relatives this has also proved unsuccessful. After these several
unsuccessful attempts, I decided to presenting somebody who is not related to my deceased client as the Next of Kin.

The idea is to present somebody who is to assist in repatriating the money and property left behind by my client prior to his death before they get confiscated or declared unserviceable by the Bank, why i have contacted you to present you as his next of kin, so that the $15,600.000.00 will be paid to you and we can both disburse the fund according to the percentage we
will agree on. In view of this, I am seeking for your co-operation and
understanding to stand as the next of kin to our deceased client, to enable us claim the fund from my bank. Hence, if this proposal is OK by you and you do not wish to take undue advantage of my trust, then I hope to bestow on you.

Please kindly get back to me immediately, to enable me enlighten you on how
we are to proceed. On getting your response, we shall agree on the percentage of disbursing the $15,600,000.00 between us, as i intend to invest part of my own share in real estate business in your country, and i would appreciate if you can put me in the right part investing in your country.  be rest
assured that this business is 100% risk free. I have all the necessary official and legal documents that can be used to back up your claim. All I require is your honest co-operation to enable me as the legal attorney to the deceased in seeing that you receive your inheritance fund. I guarantee that this will be
executed legitimately to protect you from any breach of the law.

I wait for your prompt response.

Upon your response, furnish me with:
Your full name and address
Your telephone and fax numbers
Your occupation and age.

Regards,

Barr. Dennis Cole (SAN)

From australian_lot0009@msn.com  Sat Jun 13 13:39:30 2009
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From: AUSTRALIAN LOTTERY INCORPORATE <australian_lot0009@msn.com>
Subject: Dear SIR/MADAM,
Date: Sat, 13 Jun 2009 13:33:52 +0000
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Date:13/06/2009=20
Ref: 575061725=20
Batch:8056490902/188                             =20
Winning no:KB8701/LPRC.=20


Dear SIR/MADAM=2C=20
         =20
It is our great pleasure  to inform you of your prize release on 30th May 2=
009 from the AUSTRALIAN  INTERNATIONAL LOTTERY INCORPORATE. These lotteries=
 are fully based on an electronic selection of winners using their e-mail a=
ddresses. Your e-mail address was attached to ticket number=3B 4007453211  =
and serial number 87529628173 respectively.
=20
This batch draws the lucky numbers as follows  28-41-22-17-82 bonus number =
30=2Cwhich consequently won the lottery in the second category.You here by =
have been approved of a lump sum pay of US$800=2C000=2Cusd (EIGHT HUNDRED T=
HOUSAND UNITED US DOLLARS) from the total cash prize of US$14=2C000=2C000..=
00 shared amongst twenty lucky winners in this category.
 =20
All email addresses were selected through a computer balloting system drawn=
 form Nine hundred thousand E-mail addresses from Canada=2C Australia=2C Un=
ited States=2C Asia=2C Europe=2C Middle East=2C Africa and Oceania as part =
of our international promotions program which is conducted annually.This Lo=
ttery was promoted and sponsored by a conglomerate of some multinational co=
mpanies as part of their social responsibility to the citizens in the commu=
nities where they have operational base.=20
=20
Furthermore=2C your details (e-mail address) falls  within our  African Reg=
ional office as indicated  in your play coupon and your prize of US$800=2C0=
00=2Cusd will be released  to you from our African  correspondent where we =
have our corporate head  quarters.We hope with part of your prize=2C you wi=
ll participate in our end of year high stakes for US$2.3 Billion internatio=
nal draw.
=20
HOW TO CLAIM YOUR PRIZE: SIMPLY CONTACT YOUR CLAIMS AGENT REV.DAN MORGAN AT=
 E-mail: contactagent@lotteryincorporate.com   WITH YOUR REFERENCE NUMBER=
=2CTELEPHONE NUMBER=2CCOUNTRY=2CBATCH NUMBER AND WINNING NUMBER WHICH COULD=
 BE FOUND AT THE TOP LEFT HAND SIDE OF THIS MAIL TO FILE IT.=20
=20
Kindly contact REV.DAN MORGAN   at Email:  contactagent@lotteryincorporate.=
com   to avoid unnecessary delays and complications=2C you are to contact R=
EV.DAN MORGAN with the followings details below: VERIFICATION AND FUNDS REL=
EASE FORM=20
=20
1.FULL NAMES:
=20
2.ADDRESS:
=20
3.SEX:=20
=20
4..AGE:=20
=20
5.MARITAL STATUS:=20
=20
6.OCCUPATION:
=20
7COMPANY NAME:
=20
8.E-MAIL ADDRESS:=20
=20
9.TELEPHONE NUMBER:=20
=20
10.STATE:=20
=20
11.COUNTRY:=20
=20
12 NEXT OF KIN:
=20
13HOW DO YOU FEEL AS A WINNER:
=20
14AMOUNT WON: US $800=2C000
=20
For security reasons=2C we advice all winners to  keep this information con=
fidential from the public until your claim is processed and your prize rele=
ased to you.This is part of our security protocol to avoid double claiming =
and unwarranted taking advantage of this program by non-participant or unof=
ficial personnel.Note=2C all winnings MUST be claimed before 25th June 2009=
 otherwise all funds will be returned as Unclaimed and eventually send back=
 to the Australian Organization .
=20
Congratulations once again on your winnings!!!


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Date:13/06/2009 <BR>Ref: 575061725 <BR>Batch:8056490902/188&nbsp=3B&nbsp=3B=
&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nb=
sp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=
=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B <BR>Win=
ning no:KB8701/LPRC. <BR>
<BR>Dear SIR/MADAM=2C <BR>&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&=
nbsp=3B&nbsp=3B&nbsp=3B <BR>It is our great pleasure&nbsp=3B to inform you =
of your prize release on 30th May 2009 from the AUSTRALIAN&nbsp=3B INTERNAT=
IONAL LOTTERY INCORPORATE. These lotteries are fully based on an electronic=
 selection of winners using their e-mail addresses. Your e-mail address was=
 attached to ticket number=3B 4007453211&nbsp=3B and serial number 87529628=
173 respectively.<BR>&nbsp=3B<BR>This batch draws the lucky numbers as foll=
ows&nbsp=3B 28-41-22-17-82 bonus number 30=2Cwhich consequently won the lot=
tery in the second category.You here by have been approved of a lump sum pa=
y of US$800=2C000=2Cusd (EIGHT HUNDRED THOUSAND UNITED US DOLLARS) from the=
 total cash prize of US$14=2C000=2C000..00 shared amongst twenty lucky winn=
ers in this category.<BR>&nbsp=3B <BR>All email addresses were selected thr=
ough a computer balloting system drawn form Nine hundred thousand E-mail ad=
dresses from Canada=2C Australia=2C United States=2C Asia=2C Europe=2C Midd=
le East=2C Africa and Oceania as part of our international promotions progr=
am which is conducted annually.This Lottery was promoted and sponsored by a=
 conglomerate of some multinational companies as part of their social respo=
nsibility to the citizens in the communities where they have operational ba=
se. <BR>&nbsp=3B<BR>Furthermore=2C your details (e-mail address) falls&nbsp=
=3B within our&nbsp=3B African Regional office as indicated&nbsp=3B in your=
 play coupon and your prize of US$800=2C000=2Cusd will be released&nbsp=3B =
to you from our African&nbsp=3B correspondent where we have our corporate h=
ead&nbsp=3B quarters.We hope with part of your prize=2C you will participat=
e in our end of year high stakes for US$2.3 Billion international draw.<BR>=
&nbsp=3B<BR>HOW TO CLAIM YOUR PRIZE: SIMPLY CONTACT YOUR CLAIMS AGENT REV.D=
AN MORGAN AT E-mail: <A href=3D"mailto:contactagent@lotteryincorporate.com"=
>contactagent@lotteryincorporate.com</A>&nbsp=3B&nbsp=3B WITH YOUR REFERENC=
E NUMBER=2CTELEPHONE NUMBER=2CCOUNTRY=2CBATCH NUMBER AND WINNING NUMBER WHI=
CH COULD BE FOUND AT THE TOP LEFT HAND SIDE OF THIS MAIL TO FILE IT. <BR>&n=
bsp=3B<BR>Kindly contact REV.DAN MORGAN&nbsp=3B&nbsp=3B at Email:&nbsp=3B <=
A href=3D"mailto:contactagent@lotteryincorporate.com">contactagent@lotteryi=
ncorporate.com</A>&nbsp=3B&nbsp=3B to avoid unnecessary delays and complica=
tions=2C you are to contact REV.DAN MORGAN with the followings details belo=
w: VERIFICATION AND FUNDS RELEASE FORM <BR>&nbsp=3B<BR>1.FULL NAMES:<BR>&nb=
sp=3B<BR>2.ADDRESS:<BR>&nbsp=3B<BR>3.SEX: <BR>&nbsp=3B<BR>4..AGE: <BR>&nbsp=
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ANY NAME:<BR>&nbsp=3B<BR>8.E-MAIL ADDRESS: <BR>&nbsp=3B<BR>9.TELEPHONE NUMB=
ER: <BR>&nbsp=3B<BR>10.STATE: <BR>&nbsp=3B<BR>11.COUNTRY: <BR>&nbsp=3B<BR>1=
2 NEXT OF KIN:<BR>&nbsp=3B<BR>13HOW DO YOU FEEL AS A WINNER:<BR>&nbsp=3B<BR=
>14AMOUNT WON: US $800=2C000<BR>&nbsp=3B<BR>For security reasons=2C we advi=
ce all winners to&nbsp=3B keep this information confidential from the publi=
c until your claim is processed and your prize released to you.This is part=
 of our security protocol to avoid double claiming and unwarranted taking a=
dvantage of this program by non-participant or unofficial personnel.Note=2C=
 all winnings MUST be claimed before 25th June 2009 otherwise all funds wil=
l be returned as Unclaimed and eventually send back to the Australian Organ=
ization .<BR>&nbsp=3B<BR>Congratulations once again on your winnings!!!<BR>=
<BR></body>
</html>=

--_6268ac13-6f37-4023-ac64-a1722b397db8_--

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does anyone know this funny little gadget?

 

http://www.sdiy.org/knas/products/moisturizer/media.php

 

thinking about getting me one.

  _____  

Von: Jim Goodin [mailto:jimgoodinmusic@gmail.com] 
Gesendet: Samstag, 13. Juni 2009 12:23
An: loopers-Delight@loopers-delight.com
Betreff: Slightly OT: new work from recent webstream

 

>From my last weekend's live webcast on Sunday Morning at 11
<http://www.ustream.tv/channel/sunday-morning-at-11>  I pulled one of the 12
string acoustic pieces I did and edited some imagery from a hike on a trip
to New Mexico in 2007.  Though this piece is non-looped it was as is most of
work these days, all improv.  Have a look listen at your leisure/interest,
http://www.vimeo.com/5137712.

 

On the bi-weekly series I'm doing a mix of looped and linear improv.  The
complete feed archive recording is at
http://www.ustream.tv/recorded/1620236.

 

Good weekend folks.

 

 

Jim



-- 
ReUse, an introspective textural aural journey...
jimgoodin.bandcamp.com/album/ct-project-reuse


music links...
jimgoodin.blogspot.com

www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic


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<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Century =
Gothic"><span
lang=3DEN-GB style=3D'font-size:10.0pt;font-family:"Century =
Gothic";color:black'>does
anyone know this funny little gadget?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Century =
Gothic"><span
lang=3DEN-GB style=3D'font-size:10.0pt;font-family:"Century =
Gothic";color:black'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
lang=3DEN-GB style=3D'font-size:12.0pt;color:black'><a
href=3D"http://www.sdiy.org/knas/products/moisturizer/media.php">http://w=
ww.sdiy.org/knas/products/moisturizer/media.php</a><o:p></o:p></span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D3 color=3Dblack face=3D"Times New =
Roman"><span
lang=3DEN-GB =
style=3D'font-size:12.0pt;color:black'><o:p>&nbsp;</o:p></span></font></p=
>

<p class=3DMsoNormal><font size=3D2 color=3Dblack face=3D"Century =
Gothic"><span
lang=3DEN-GB style=3D'font-size:10.0pt;font-family:"Century =
Gothic";color:black'>thinking
about getting me one.<o:p></o:p></span></font></p>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>Von:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> Jim =
Goodin
[mailto:jimgoodinmusic@gmail.com] <br>
<b><span style=3D'font-weight:bold'>Gesendet:</span></b> Samstag, 13. =
Juni 2009
12:23<br>
<b><span style=3D'font-weight:bold'>An:</span></b>
loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Betreff:</span></b> Slightly OT: new =
work
from recent webstream</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>From my last weekend's live webcast on <a
href=3D"http://www.ustream.tv/channel/sunday-morning-at-11">Sunday =
Morning at 11</a>
I pulled one of the 12 string acoustic pieces I did and edited some =
imagery
from a hike on a trip to New Mexico in 2007. &nbsp;Though this piece is
non-looped it was as is most of work these days, all improv. &nbsp;Have =
a look
listen at your leisure/interest,&nbsp;<a =
href=3D"http://www.vimeo.com/5137712">http://www.vimeo.com/5137712</a>.<o=
:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>On the bi-weekly series I'm doing a mix of looped and linear =
improv.
&nbsp;The complete feed archive recording is at&nbsp;</span></font><span
class=3Dapple-style-span><font color=3D"#b3b1b1" face=3D"Trebuchet =
MS"><span
style=3D'font-family:"Trebuchet MS";color:#B3B1B1'><a
href=3D"http://www.ustream.tv/recorded/1620236">http://www.ustream.tv/rec=
orded/1620236</a>.</span></font></span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><span class=3Dapple-style-span><font size=3D3
face=3D"'Trebuchet MS'"><span =
style=3D'font-size:12.0pt;font-family:"\0027Trebuchet MS\0027";
background:white'>Good weekend =
folks.</span></font></span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><span class=3Dapple-style-span><font size=3D3 =
color=3Dblack
face=3D"'Trebuchet MS'"><span =
style=3D'font-size:12.0pt;font-family:"\0027Trebuchet MS\0027";
color:black;background:white'>Jim</span></font></span><font =
color=3D"#b3b1b1"
face=3D"'Trebuchet MS'"><span style=3D'font-family:"\0027Trebuchet =
MS\0027";
color:#B3B1B1'><br clear=3Dall>
<span class=3Dapple-style-span><o:p></o:p></span></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
-- <br>
ReUse, an introspective textural aural journey...<br>
<a =
href=3D"http://jimgoodin.bandcamp.com/album/ct-project-reuse">jimgoodin.b=
andcamp.com/album/ct-project-reuse</a><o:p></o:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
music links...<br>
<a =
href=3D"http://jimgoodin.blogspot.com">jimgoodin.blogspot.com</a><o:p></o=
:p></span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'><a
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a>=
<br>
<a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinm=
usic</a><br>
<a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinap=
aintingmusic</a><br>
<a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/ji=
mgoodinviolinelectro</a><br>
<a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br>=

<a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinm=
usic</a><br>
<br>
video work/editing...<br>
<a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</a><br>
<br>
social networking...<br>
<a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinm=
usic</a><o:p></o:p></span></font></p>

</div>

</div>

</body>

</html>

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From leedija.sh@pochta.ru  Sat Jun 13 17:56:47 2009
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Reply-To: "leedija" <leedija.sh@gmail.com>
From: "leedija" <leedija.sh@pochta.ru>
Subject: hello
Date: Sat, 13 Jun 2009 23:56:01 +0800
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Hello!
It=92s a great pleasure to write you.
Do not think that this letter is a mistake. I do write you.
I want to explain the reason of my writing. And tell you a few words=
 about myself. Please, do not be afraid of my letter. That is not spam.
Well, first of all, my name is Leedija. I=92m 32. I=92m single and do=
 not have children. I live in Russia in the city Murom.
There were a lot of different moments in my life; there was happiness,=
 sorrow, joy and disappointment. But now I face a great problem, it is a=
 problem of loneliness. I was married but at this moment I am a widow. I=
 couldn=92t believe it for a long time ... I couldn=92t believe that I=
=92m alone...
You know, after my husband=92s death I was loyal to him but now I=92ve=
 realized that life goes on and I should continue my life as well.=
 However for me the word =93to live=94 is to be with a loved person and=
 give him all my love. 
That is why I addressed the international agency Dating. It is in my=
 city Murom. I wrote a letter to you and left my photo. Well, I suppose,=
 if you read this letter it means that the manager of the agency wrote=
 you. His duty is to inform you and to find right partners to each=
 other. 
So, I=92ll continue writing about myself. I=92m looking for serious=
 relations. I=92m looking for a man who will be able to love me and to=
 love me as I am. A person who will be able to love my inner world, my=
 body, my appearance, well, to love me all.   
My picture will help you to get a first impression about me. 
As for me, I=92d like to say that my heart is open for a new love story.=
 I realized that I have to live, to love and be loved. I want to live=
 and enjoy this life, but not alone. And I want to make it with you. 
I=92d like to say that age difference is nothing for me. It doesn=92t=
 mean anything. It is much more important what personality a man has.
What concerns me, I=92m affectionate and considerate. I=92m fond of=
 cooking and doing housework. However I also have a desire to have=
 adventures. I love pets as well.
I want it so much to make our correspondence possible. 
I will be very happy to see your letters at my e-mail.=
 (leedija.sh@gmail.com)
Wish you all the best.
Take care.
Your Leedija.

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<DIV>Hello!<BR>It=92s a great pleasure to write you.<BR>Do not think=
 that this 
letter is a mistake. I do write you.<BR>I want to explain the reason of=
 my 
writing. And tell you a few words about myself. Please, do not be afraid=
 of my 
letter. That is not spam.<BR>Well, first of all, my name is Leedija. I=
=92m 32. I=92m 
single and do not have children. I live in Russia in the city=
 Murom.<BR>There 
were a lot of different moments in my life; there was happiness, sorrow,=
 joy and 
disappointment. But now I face a great problem, it is a problem of=
 loneliness. I 
was married but at this moment I am a widow. I couldn=92t believe it for=
 a long 
time ... I couldn=92t believe that I=92m alone...<BR>You know, after my=
 husband=92s 
death I was loyal to him but now I=92ve realized that life goes on and I=
 should 
continue my life as well. However for me the word =93to live=94 is to be=
 with a 
loved person and give him all my love. <BR>That is why I addressed the 
international agency Dating. It is in my city Murom. I wrote a letter to=
 you and 
left my photo. Well, I suppose, if you read this letter it means that=
 the 
manager of the agency wrote you. His duty is to inform you and to find=
 right 
partners to each other. <BR>So, I=92ll continue writing about myself. I=
=92m looking 
for serious relations. I=92m looking for a man who will be able to love=
 me and to 
love me as I am. A person who will be able to love my inner world, my=
 body, my 
appearance, well, to love me all.&nbsp;&nbsp; <BR>My picture will help=
 you to 
get a first impression about me. <BR>As for me, I=92d like to say that=
 my heart is 
open for a new love story. I realized that I have to live, to love and=
 be loved. 
I want to live and enjoy this life, but not alone. And I want to make it=
 with 
you. <BR>I=92d like to say that age difference is nothing for me. It=
 doesn=92t mean 
anything. It is much more important what personality a man has.<BR>What=
 concerns 
me, I=92m affectionate and considerate. I=92m fond of cooking and doing=
 housework. 
However I also have a desire to have adventures. I love pets as=
 well.<BR>I want 
it so much to make our correspondence possible. <BR>I will be very happy=
 to see 
your letters at my e-mail. (<A 
href=3D"mailto:leedija.sh@gmail.com">leedija.sh@gmail.com</A>)<BR>Wish=
 you all the 
best.<BR>Take care.<BR>Your Leedija.</DIV></BODY></HTML>

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From leedija.sh@pochta.ru  Sat Jun 13 17:56:48 2009
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Reply-To: "leedija" <leedija.sh@gmail.com>
From: "leedija" <leedija.sh@pochta.ru>
Subject: hello
Date: Sat, 13 Jun 2009 23:55:33 +0800
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Hello!
It=92s a great pleasure to write you.
Do not think that this letter is a mistake. I do write you.
I want to explain the reason of my writing. And tell you a few words=
 about myself. Please, do not be afraid of my letter. That is not spam.
Well, first of all, my name is Leedija. I=92m 32. I=92m single and do=
 not have children. I live in Russia in the city Murom.
There were a lot of different moments in my life; there was happiness,=
 sorrow, joy and disappointment. But now I face a great problem, it is a=
 problem of loneliness. I was married but at this moment I am a widow. I=
 couldn=92t believe it for a long time ... I couldn=92t believe that I=
=92m alone...
You know, after my husband=92s death I was loyal to him but now I=92ve=
 realized that life goes on and I should continue my life as well.=
 However for me the word =93to live=94 is to be with a loved person and=
 give him all my love. 
That is why I addressed the international agency Dating. It is in my=
 city Murom. I wrote a letter to you and left my photo. Well, I suppose,=
 if you read this letter it means that the manager of the agency wrote=
 you. His duty is to inform you and to find right partners to each=
 other. 
So, I=92ll continue writing about myself. I=92m looking for serious=
 relations. I=92m looking for a man who will be able to love me and to=
 love me as I am. A person who will be able to love my inner world, my=
 body, my appearance, well, to love me all.   
My picture will help you to get a first impression about me. 
As for me, I=92d like to say that my heart is open for a new love story.=
 I realized that I have to live, to love and be loved. I want to live=
 and enjoy this life, but not alone. And I want to make it with you. 
I=92d like to say that age difference is nothing for me. It doesn=92t=
 mean anything. It is much more important what personality a man has.
What concerns me, I=92m affectionate and considerate. I=92m fond of=
 cooking and doing housework. However I also have a desire to have=
 adventures. I love pets as well.
I want it so much to make our correspondence possible. 
I will be very happy to see your letters at my e-mail.=
 (leedija.sh@gmail.com)
Wish you all the best.
Take care.
Your Leedija.

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 rightMargin=3D5>
<DIV>Hello!<BR>It=92s a great pleasure to write you.<BR>Do not think=
 that this 
letter is a mistake. I do write you.<BR>I want to explain the reason of=
 my 
writing. And tell you a few words about myself. Please, do not be afraid=
 of my 
letter. That is not spam.<BR>Well, first of all, my name is Leedija. I=
=92m 32. I=92m 
single and do not have children. I live in Russia in the city=
 Murom.<BR>There 
were a lot of different moments in my life; there was happiness, sorrow,=
 joy and 
disappointment. But now I face a great problem, it is a problem of=
 loneliness. I 
was married but at this moment I am a widow. I couldn=92t believe it for=
 a long 
time ... I couldn=92t believe that I=92m alone...<BR>You know, after my=
 husband=92s 
death I was loyal to him but now I=92ve realized that life goes on and I=
 should 
continue my life as well. However for me the word =93to live=94 is to be=
 with a 
loved person and give him all my love. <BR>That is why I addressed the 
international agency Dating. It is in my city Murom. I wrote a letter to=
 you and 
left my photo. Well, I suppose, if you read this letter it means that=
 the 
manager of the agency wrote you. His duty is to inform you and to find=
 right 
partners to each other. <BR>So, I=92ll continue writing about myself. I=
=92m looking 
for serious relations. I=92m looking for a man who will be able to love=
 me and to 
love me as I am. A person who will be able to love my inner world, my=
 body, my 
appearance, well, to love me all.&nbsp;&nbsp; <BR>My picture will help=
 you to 
get a first impression about me. <BR>As for me, I=92d like to say that=
 my heart is 
open for a new love story. I realized that I have to live, to love and=
 be loved. 
I want to live and enjoy this life, but not alone. And I want to make it=
 with 
you. <BR>I=92d like to say that age difference is nothing for me. It=
 doesn=92t mean 
anything. It is much more important what personality a man has.<BR>What=
 concerns 
me, I=92m affectionate and considerate. I=92m fond of cooking and doing=
 housework. 
However I also have a desire to have adventures. I love pets as=
 well.<BR>I want 
it so much to make our correspondence possible. <BR>I will be very happy=
 to see 
your letters at my e-mail. (<A 
href=3D"mailto:leedija.sh@gmail.com">leedija.sh@gmail.com</A>)<BR>Wish=
 you all the 
best.<BR>Take care.<BR>Your Leedija.</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Jun 13 18:50:57 2009
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Subject: Way OT: Living Room Receiver
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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OK, I know you all are going to have some great advice for me here.

The receiver that we use in the living room to power a modest stereo system
(a pair of Infinity speakers with 8" woofers) for general background music
purposes just died. It is probably15 years old. A lot has changed since I
bought a receiver. I feel like Rip Van Winkle.

Since I have a new tv from the beginning of 2008, I am debating between
going for a simple replacement; i.e., a simple stereo home amp (actually,
the "receiver" part is useless out here in the woods anyway) or buying a
kind of low-end home theater audio system complete with receiver and
speakers. It's not that important for me to have surround sound, but if it
weren't too much extra $$, maybe this is a good time for it.

I was hoping to spend under $200 for the amp alone, wouldn't want to spend
much more than $300 for a home theater system. Not averse to something used
- there are a few deals on Amazon that look good, I just don't even know
whether home theater systems in that range are even worth thinking about.

Thanks for any light you can shed.

Best,
Warren

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OK, I know you all are going to have some great advice for me here.<br><br>=
The receiver that we use in the living room to power a modest stereo system=
 (a pair of Infinity speakers with 8&quot; woofers) for general background =
music purposes just died. It is probably15 years old. A lot has changed sin=
ce I bought a receiver. I feel like Rip Van Winkle.<br>
<br>Since I have a new tv from the beginning of 2008, I am debating between=
 going for a simple replacement; i.e., a simple stereo home amp (actually, =
the &quot;receiver&quot; part is useless out here in the woods anyway) or b=
uying a kind of low-end home theater audio system complete with receiver an=
d speakers. It&#39;s not that important for me to have surround sound, but =
if it weren&#39;t too much extra $$, maybe this is a good time for it.<br>
<br>I was hoping to spend under $200 for the amp alone, wouldn&#39;t want t=
o spend much more than $300 for a home theater system. Not averse to someth=
ing used - there are a few deals on Amazon that look good, I just don&#39;t=
 even know whether home theater systems in that range are even worth thinki=
ng about.<br>
<br>Thanks for any light you can shed.<br><br>Best,<br>Warren<br>

--0016361e89621fcae7046c3f4e82--

From Loopers-Delight-request@loopers-delight.com  Sat Jun 13 19:36:58 2009
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Yeah, from a programmers point of view ......woohoo!

I was just looking at some of those libraries again lately .... for 
anyone else who happens to write C++, the documentation on Macs Cocoa 
API includes these libraries ... they are well written and 
comprehensive (the docs and the libraries).

And yes, you can send clock signals from AU plugins to host apps ... 
though I should mention that very view apps actually utilize this as 
it makes for pretty intense code (dynamic bpm is one of those things 
not so well handled as it is).

Branching to BPM tracking/shifting ......

Most external sources have rather shotty clocks (+-1ms is typical 
jitter) ... which is crappy and hard to handle.

Internal sources are much better, but then you have to ask the 
question what happens when we shift bpm on some track that is already 
playing ?  For midi instruments and traccks its not a problem, you 
just play the notes faster ... but for recorded audio you need to either:

1) shift the freq to play quicker (and then the pitch changes) or ..
2) splice the audio (cut from on position to another, fading in 
between to avoid audio nonlinearities)

Number 2 is the way to go, but most applications haven't really 
gotten there yet.  I have been looking at this a lot lately because 
it's an area of personal interest for me.  You can devise beat 
splicing algorithms that follow certain beats (straight, triplets, 
clave, etc) and then intelligently splice from segment to segment if 
you know the initial bpm of the audio recording .... for long 
recordings this is difficult, but for short ones (ie loops) this is 
quite simple.  Much cooler is when you stack/overdub on these loops 
AFTER they have been spliced/bpm shifted.

For example ... take a loop and speed it up to 3x normal play, but 
use a splicing algorithm that splits it up and plays segments that 
fall where triplets would be on the clip.  Now stack/overdub on that 
track and make some noise ....... when you re-sync the loop to normal 
play, the result will be the recorded audio after the inverse of the 
bpm shift (which is a recording that exists only where the triplets 
would be on the audio clip).  This way you can devise some pretty 
wild beats ......

Anyway, thats my 2 cents .. ciao
A



At 02:14 AM 6/12/2009, you wrote:
> >    - New audio unit properties in the Audio Unit framework that let audio
> >    units send MIDI data to host applications
>
>Like sending midi clock from a looper au-plugin? That would be great!
>
>---
>Sjaak
>http://euroloopfest.com/
>http://sjaakovergaauw.com/
>
>
>__________________________________
>Scarlet schrapt download limiet!
>Scarlet NO LIMIT nu slechts 19,95 EUR
>Ga naar www.scarlet.be voor meer info!


From Loopers-Delight-request@loopers-delight.com  Sat Jun 13 20:11:31 2009
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Warren Sirota wrote:

> I was hoping to spend under $200 for the amp alone, wouldn't want to 
> spend much more than $300 for a home theater system. Not averse to 
> something used - there are a few deals on Amazon that look good, I just 
> don't even know whether home theater systems in that range are even 
> worth thinking about.
> 
> Thanks for any light you can shed.
> 

I'd say stick with stereo if you're on a budget.




andy





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Subject: Re: Way OT: Living Room Receiver
Date: Sat, 13 Jun 2009 23:55:56 +0100
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This is a multi-part message in MIME format.

------=_NextPart_000_002B_01C9EC82.7E562C10
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Where are you?
  ----- Original Message -----=20
  From: Warren Sirota=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, June 13, 2009 7:50 PM
  Subject: Way OT: Living Room Receiver


  OK, I know you all are going to have some great advice for me here.

  The receiver that we use in the living room to power a modest stereo =
system (a pair of Infinity speakers with 8" woofers) for general =
background music purposes just died. It is probably15 years old. A lot =
has changed since I bought a receiver. I feel like Rip Van Winkle.

  Since I have a new tv from the beginning of 2008, I am debating =
between going for a simple replacement; i.e., a simple stereo home amp =
(actually, the "receiver" part is useless out here in the woods anyway) =
or buying a kind of low-end home theater audio system complete with =
receiver and speakers. It's not that important for me to have surround =
sound, but if it weren't too much extra $$, maybe this is a good time =
for it.

  I was hoping to spend under $200 for the amp alone, wouldn't want to =
spend much more than $300 for a home theater system. Not averse to =
something used - there are a few deals on Amazon that look good, I just =
don't even know whether home theater systems in that range are even =
worth thinking about.

  Thanks for any light you can shed.

  Best,
  Warren

------=_NextPart_000_002B_01C9EC82.7E562C10
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16850" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Where are you?</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dwsirota@wsdesigns.com =
href=3D"mailto:wsirota@wsdesigns.com">Warren=20
  Sirota</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, June 13, 2009 =
7:50=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Way OT: Living Room=20
  Receiver</DIV>
  <DIV><BR></DIV>OK, I know you all are going to have some great advice =
for me=20
  here.<BR><BR>The receiver that we use in the living room to power a =
modest=20
  stereo system (a pair of Infinity speakers with 8" woofers) for =
general=20
  background music purposes just died. It is probably15 years old. A lot =
has=20
  changed since I bought a receiver. I feel like Rip Van =
Winkle.<BR><BR>Since I=20
  have a new tv from the beginning of 2008, I am debating between going =
for a=20
  simple replacement; i.e., a simple stereo home amp (actually, the =
"receiver"=20
  part is useless out here in the woods anyway) or buying a kind of =
low-end home=20
  theater audio system complete with receiver and speakers. It's not =
that=20
  important for me to have surround sound, but if it weren't too much =
extra $$,=20
  maybe this is a good time for it.<BR><BR>I was hoping to spend under =
$200 for=20
  the amp alone, wouldn't want to spend much more than $300 for a home =
theater=20
  system. Not averse to something used - there are a few deals on Amazon =
that=20
  look good, I just don't even know whether home theater systems in that =
range=20
  are even worth thinking about.<BR><BR>Thanks for any light you can=20
  shed.<BR><BR>Best,<BR>Warren<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_002B_01C9EC82.7E562C10--

From Loopers-Delight-request@loopers-delight.com  Sat Jun 13 22:59:52 2009
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Date: Sat, 13 Jun 2009 17:59:49 -0500
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> I get a Mobius Configuration Error
> (Unaboe to open audio output device) when I open just Mobius, perhaps
> that's it.

The first thing you need to do after installing Mobius is select
an audio device, and usually a MIDI device.  From the Configuration
menu select "Audio Devices...".  In the dialog select an ASIO device
if you have one, otherwise a pair of MME devices.  The error
message you are seeing usually happens if you've selected a device,
then bring Mobius up with that device disconnected or powered down.

Mobius might be shipping with my development devices selected in=20
the configuration (a MOTU Ultralite) which would cause an error unless
you also happened to have an Ultralite.  If that's the problem I'll
fix the default configuration so it doesn't have any device
selections.

Jeff=

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Subject: Re: Way OT: Living Room Receiver
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i really like mid-80's marantz receivers...you can get 'em cheap on the
ebay.  pretty reliable and good sound.  one day i wanna buy a pair of those
z.vex tube amps for my home stereo.

- jim

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i really like mid-80&#39;s marantz receivers...you can get &#39;em cheap on=
 the ebay.=A0 pretty reliable and good sound.=A0 one day i wanna buy a pair=
 of those z.vex tube amps for my home stereo.<br><br>- jim<br>

--0016e6476ad2fb3808046c42cfe8--

From Loopers-Delight-request@loopers-delight.com  Sat Jun 13 23:02:29 2009
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Subject: Re: Way OT: Living Room Receiver
From: Mark Sottilaro <zerocrossing@gmail.com>
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Every time someone comes over to watch a movie or show in surround
sound, I always notice a little smile as they look around during a
time when the surround track fools them into thinking something
happened behind them.  My Harmon Kardon system really isn't top of the
line but it sounds great to me (I power it with some boston acoustic
book shelf speakers and a set of mid priced center and rear surround
speakers.

Here's the more modern version of the amp I have:

http://www.amazon.com/gp/product/B0016BGRX6/ref=pd_lpo_k2_dp_sr_3?pf_rd_p=304485901&pf_rd_s=lpo-top-stripe-1&pf_rd_t=201&pf_rd_i=B00198F89A&pf_rd_m=ATVPDKIKX0DER&pf_rd_r=12YDBRZ0RXTCNJ0S87P9

Mine still works great and sounds considerably better than other amps
in the same price range.

Mark

On Sat, Jun 13, 2009 at 1:24 PM, andy butler<akbutler@tiscali.co.uk> wrote:
> Warren Sirota wrote:
>
>> I was hoping to spend under $200 for the amp alone, wouldn't want to spend
>> much more than $300 for a home theater system. Not averse to something used
>> - there are a few deals on Amazon that look good, I just don't even know
>> whether home theater systems in that range are even worth thinking about.
>>
>> Thanks for any light you can shed.
>>
>
> I'd say stick with stereo if you're on a budget.
>
>
>
>
> andy
>
>
>
>
>
>

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Subject: Re: Way OT: Living Room Receiver
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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--0016362838260c50f6046c434b51
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I'm in Greenwood Lake, NY.

On Sat, Jun 13, 2009 at 6:55 PM, Stephen Goodman
<spgoodman@earthlight.net>wrote:

>  Where are you?
>
> ----- Original Message -----
> *From:* Warren Sirota <wsirota@wsdesigns.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Saturday, June 13, 2009 7:50 PM
> *Subject:* Way OT: Living Room Receiver
>
> OK, I know you all are going to have some great advice for me here.
>
> The receiver that we use in the living room to power a modest stereo system
> (a pair of Infinity speakers with 8" woofers) for general background music
> purposes just died. It is probably15 years old. A lot has changed since I
> bought a receiver. I feel like Rip Van Winkle.
>
> Since I have a new tv from the beginning of 2008, I am debating between
> going for a simple replacement; i.e., a simple stereo home amp (actually,
> the "receiver" part is useless out here in the woods anyway) or buying a
> kind of low-end home theater audio system complete with receiver and
> speakers. It's not that important for me to have surround sound, but if it
> weren't too much extra $$, maybe this is a good time for it.
>
> I was hoping to spend under $200 for the amp alone, wouldn't want to spend
> much more than $300 for a home theater system. Not averse to something used
> - there are a few deals on Amazon that look good, I just don't even know
> whether home theater systems in that range are even worth thinking about.
>
> Thanks for any light you can shed.
>
> Best,
> Warren
>
>


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--0016362838260c50f6046c434b51
Content-Type: text/html; charset=ISO-8859-1
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I&#39;m in Greenwood Lake, NY.<br><br><div class=3D"gmail_quote">On Sat, Ju=
n 13, 2009 at 6:55 PM, Stephen Goodman <span dir=3D"ltr">&lt;<a href=3D"mai=
lto:spgoodman@earthlight.net">spgoodman@earthlight.net</a>&gt;</span> wrote=
:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font size=3D"2">Where are you?</font></div><div><div></div><div class=
=3D"h5">
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-right: 0p=
x; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;">----- Original Message ----- </div>
  <div style=3D"background: rgb(228, 228, 228) none repeat scroll 0% 0%; -m=
oz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -mo=
z-background-inline-policy: -moz-initial; font-family: arial; font-style: n=
ormal; font-variant: normal; font-weight: normal; font-size: 10pt; line-hei=
ght: normal; font-size-adjust: none; font-stretch: normal;">
<b>From:</b>=20
  <a title=3D"wsirota@wsdesigns.com" href=3D"mailto:wsirota@wsdesigns.com" =
target=3D"_blank">Warren=20
  Sirota</a> </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>To:</b> <a title=3D"Loopers-Delight@lo=
opers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" targ=
et=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Sent:</b> Saturday, June 13, 2009 7:50=
=20
  PM</div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Subject:</b> Way OT: Living Room=20
  Receiver</div>
  <div><br></div>OK, I know you all are going to have some great advice for=
 me=20
  here.<br><br>The receiver that we use in the living room to power a modes=
t=20
  stereo system (a pair of Infinity speakers with 8&quot; woofers) for gene=
ral=20
  background music purposes just died. It is probably15 years old. A lot ha=
s=20
  changed since I bought a receiver. I feel like Rip Van Winkle.<br><br>Sin=
ce I=20
  have a new tv from the beginning of 2008, I am debating between going for=
 a=20
  simple replacement; i.e., a simple stereo home amp (actually, the &quot;r=
eceiver&quot;=20
  part is useless out here in the woods anyway) or buying a kind of low-end=
 home=20
  theater audio system complete with receiver and speakers. It&#39;s not th=
at=20
  important for me to have surround sound, but if it weren&#39;t too much e=
xtra $$,=20
  maybe this is a good time for it.<br><br>I was hoping to spend under $200=
 for=20
  the amp alone, wouldn&#39;t want to spend much more than $300 for a home =
theater=20
  system. Not averse to something used - there are a few deals on Amazon th=
at=20
  look good, I just don&#39;t even know whether home theater systems in tha=
t range=20
  are even worth thinking about.<br><br>Thanks for any light you can=20
  shed.<br><br>Best,<br>Warren<br></blockquote></div></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.ubetoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Arti=
st.taf?_ArtistId=3D6679</a><br><a href=3D"http://www.warrensirota.com">http=
://www.warrensirota.com</a><br>


--0016362838260c50f6046c434b51--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 14 12:45:53 2009
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	 <4A3262E6.6030801@tiscali.co.uk>
Date: Sun, 14 Jun 2009 07:45:53 -0500
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Subject: Re: octave shifter for winds
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Thanks for your help, I've been checking specs and listening to demos
all weekend...  I think I'll have to go with the voiceworks.  Looks
like a great little unit, and it's got midi control.
Sylvain


On Fri, Jun 12, 2009 at 9:15 AM, andy butler<akbutler@tiscali.co.uk> wrote:
> Sylvain Poitras wrote:
>>
>> Hi,
>> Anyone have any recommendation for a hardware octave shifter for wind
>> instruments? =A0I was looking at the EHX POG2, anyone tried playing
>> something other than guitars through it?
>> Thanks!
>> Sylvain
>>
>>
>
> not tried with anything else, but guitar through a POG
> reveals that the EH pitch shifting has it's own
> particular sound which you'd either like or hate.
> (but it does have zero latency on downwards pitching,
> which might make it the only option)
>
> What about the Eventide Pitch Factor?
>
> andy butler
>
>
>
>
>

From laportaruizalex@terra.es  Sun Jun 14 13:07:50 2009
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 14 13:20:55 2009
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Subject: Re: octave shifter for winds
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silvain, you should try it out first. the voiceworks is doing pitch 
recognition. most machines of that kind fail in the upper register of 
e.g. the flute and you will get some nasty sounding scramble instead of 
a good pitch shift. any note higher than the human voice will be 
problematic.
when i use the voice live with the flute, i play only in the lowest 
octave, anything higher sounds bad.
if you are looking for good pitch shifting, check out the whammy 
products of digitech, you can even whistle into them and have stable 2 
oct up and down.

here is an example of voice live use with flute
(starts at min 01:53)
http://www.youtube.com/watch?v=gO8bQb__jKg

here is an example of pitch shifting with a whammy including whistling 
(starts at 1:41)
http://www.youtube.com/watch?v=XL0Px6my9yA

tilmann



Sylvain Poitras schrieb:
> Thanks for your help, I've been checking specs and listening to demos
> all weekend...  I think I'll have to go with the voiceworks.  Looks
> like a great little unit, and it's got midi control.
> Sylvain

From Loopers-Delight-request@loopers-delight.com  Sun Jun 14 15:41:12 2009
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Date: Sun, 14 Jun 2009 10:41:10 -0500
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Subject: Re: octave shifter for winds
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Tilmann,
Great videos, thanks for the tip.  I'll definitely have to try them both.
Sylvain

On Sun, Jun 14, 2009 at 8:20 AM, Tilmann Dehnhard<tilmann@dehnhard.com> wro=
te:
> silvain, you should try it out first. the voiceworks is doing pitch
> recognition. most machines of that kind fail in the upper register of e.g=
.
> the flute and you will get some nasty sounding scramble instead of a good
> pitch shift. any note higher than the human voice will be problematic.
> when i use the voice live with the flute, i play only in the lowest octav=
e,
> anything higher sounds bad.
> if you are looking for good pitch shifting, check out the whammy products=
 of
> digitech, you can even whistle into them and have stable 2 oct up and dow=
n.
>
> here is an example of voice live use with flute
> (starts at min 01:53)
> http://www.youtube.com/watch?v=3DgO8bQb__jKg
>
> here is an example of pitch shifting with a whammy including whistling
> (starts at 1:41)
> http://www.youtube.com/watch?v=3DXL0Px6my9yA
>
> tilmann
>
>
>
> Sylvain Poitras schrieb:
>>
>> Thanks for your help, I've been checking specs and listening to demos
>> all weekend... =A0I think I'll have to go with the voiceworks. =A0Looks
>> like a great little unit, and it's got midi control.
>> Sylvain
>
>

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Yeah, from a programmers point of view ......woohoo!

I was just looking at some of those libraries again lately .... for 
anyone else who happens to write C++, the documentation on Macs Cocoa 
API includes these libraries ... they are well written and 
comprehensive (the docs and the libraries).

And yes, you can send clock signals from AU plugins to host apps ... 
though I should mention that very view apps actually utilize this as 
it makes for pretty intense code (dynamic bpm is one of those things 
not so well handled as it is).

Branching to BPM tracking/shifting ......

Most external sources have rather shotty clocks (+-1ms is typical 
jitter) ... which is crappy and hard to handle.

Internal sources are much better, but then you have to ask the 
question what happens when we shift bpm on some track that is already 
playing ?  For midi instruments and traccks its not a problem, you 
just play the notes faster ... but for recorded audio you need to either:

1) shift the freq to play quicker (and then the pitch changes) or ..
2) splice the audio (cut from on position to another, fading in 
between to avoid audio nonlinearities)

Number 2 is the way to go, but most applications haven't really 
gotten there yet.  I have been looking at this a lot lately because 
it's an area of personal interest for me.  You can devise beat 
splicing algorithms that follow certain beats (straight, triplets, 
clave, etc) and then intelligently splice from segment to segment if 
you know the initial bpm of the audio recording .... for long 
recordings this is difficult, but for short ones (ie loops) this is 
quite simple.  Much cooler is when you stack/overdub on these loops 
AFTER they have been spliced/bpm shifted.

For example ... take a loop and speed it up to 3x normal play, but 
use a splicing algorithm that splits it up and plays segments that 
fall where triplets would be on the clip.  Now stack/overdub on that 
track and make some noise ....... when you re-sync the loop to normal 
play, the result will be the recorded audio after the inverse of the 
bpm shift (which is a recording that exists only where the triplets 
would be on the audio clip).  This way you can devise some pretty 
wild beats ......

Anyway, thats my 2 cents .. ciao
A



At 02:14 AM 6/12/2009, you wrote:
> >    - New audio unit properties in the Audio Unit framework that let audio
> >    units send MIDI data to host applications
>
>Like sending midi clock from a looper au-plugin? That would be great!
>
>---
>Sjaak
>http://euroloopfest.com/
>http://sjaakovergaauw.com/
>
>
>__________________________________
>Scarlet schrapt download limiet!
>Scarlet NO LIMIT nu slechts 19,95 EUR
>Ga naar www.scarlet.be voor meer info!


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what is this, on a loop? This is the 4th identical one I've received

On Sun, Jun 14, 2009 at 12:32 PM, Aaron Leese <aaronleese@flyloops.com>wrote:

>
>
> Yeah, from a programmers point of view ......woohoo!
>
>
-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

--00163630f241cfc991046c52026e
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what is this, on a loop? This is the 4th identical one I&#39;ve received<br=
><br><div class=3D"gmail_quote">On Sun, Jun 14, 2009 at 12:32 PM, Aaron Lee=
se <span dir=3D"ltr">&lt;<a href=3D"mailto:aaronleese@flyloops.com">aaronle=
ese@flyloops.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div></div><=
div class=3D"h5"><br>
<br>
Yeah, from a programmers point of view ......woohoo!<br>
<br>
</div></div></blockquote></div><br>-- <br>Warren<br><a href=3D"http://www.u=
betoo.com/Artist.taf?_ArtistId=3D6679">http://www.ubetoo.com/Artist.taf?_Ar=
tistId=3D6679</a><br><a href=3D"http://www.warrensirota.com">http://www.war=
rensirota.com</a><br>


--00163630f241cfc991046c52026e--

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Subject: Live looping tonight
Date: Sun, 14 Jun 2009 19:05:24 +0100
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I'm playing Live on ustream in one hour here

http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room

Did you guys see Steve Moyes - he was looping with a record!!!!  
Brilliant!!!

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
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<br><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; line-height: 13px; "><font face=3D"Lucida Grande" =
size=3D"3" style=3D"font: 12.0px Lucida Grande">I'm playing Live on =
ustream in one hour here</font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: =
13px; "><font class=3D"Apple-style-span" face=3D"'Lucida Grande'"><span =
class=3D"Apple-style-span" style=3D"line-height: =
normal;"><br></span></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: =
13px; "><font face=3D"Lucida Grande" size=3D"3" style=3D"font: 12.0px =
Lucida Grande"><a =
href=3D"http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room">http=
://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room</a></font></div><=
div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; line-height: 13px; "><font class=3D"Apple-style-span" =
face=3D"'Lucida Grande'"><span class=3D"Apple-style-span" =
style=3D"line-height: normal;"><br></span></font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; line-height: 13px; "><font class=3D"Apple-style-span" =
face=3D"'Lucida Grande'"><span class=3D"Apple-style-span" =
style=3D"line-height: normal;">Did you guys see Steve Moyes - he was =
looping with a record!!!! Brilliant!!!</span></font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; line-height: 13px; "><font class=3D"Apple-style-span" =
face=3D"'Lucida Grande'"><span class=3D"Apple-style-span" =
style=3D"line-height: normal;"><br></span></font></div><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
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0px; -webkit-border-horizontal-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br></body></html>=

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Date: Sun, 14 Jun 2009 14:44:16 -0400
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Subject: Re: Live looping tonight
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Matt I apologize my friend I'm probably going to catch your first 15 min and
then cut out as the day and dinner needs for fam are getting away from me.
 I will at the least catch that though and looking forward.  I was hoping it
was on at 2 but neither of us was doing the math there, I've finally figured
out that NY to UK is 5 hrs not 6.  The tough nut is where it's 5 and then 6
on the continent.
I'll see you in a few again sorry that I can't ccatch the whole hour.

Break los leg as they say...

Jim

On Sun, Jun 14, 2009 at 2:05 PM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

>
> I'm playing Live on ustream in one hour here
>
> http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room
>
> Did you guys see Steve Moyes - he was looping with a record!!!!
> Brilliant!!!
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5bb131bd8ba046c5354ef
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Matt I apologize my friend I&#39;m probably going to catch your first 15 mi=
n and then cut out as the day and dinner needs for fam are getting away fro=
m me. =A0I will at the least catch that though and looking forward. =A0I wa=
s hoping it was on at 2 but neither of us was doing the math there, I&#39;v=
e finally figured out that NY to UK is 5 hrs not 6. =A0The tough nut is whe=
re it&#39;s 5 and then 6 on the continent.<div>
<br></div><div>I&#39;ll see you in a few again sorry that I can&#39;t ccatc=
h the whole hour.</div><div><br></div><div>Break los leg as they say...</di=
v><div><br></div><div>Jim<br><br><div class=3D"gmail_quote">On Sun, Jun 14,=
 2009 at 2:05 PM, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:matt=
stevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a>&gt;</spa=
n> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">
<br><div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-=
left:0px;line-height:13px"><font face=3D"Lucida Grande" size=3D"3" style=3D=
"font:12.0px Lucida Grande">I&#39;m playing Live on ustream in one hour her=
e</font></div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;line-height:13px"><font face=3D"&#39;Lucida Grande&#39;"><span style=
=3D"line-height:normal"><br></span></font></div><div style=3D"margin-top:0p=
x;margin-right:0px;margin-bottom:0px;margin-left:0px;line-height:13px">
<font face=3D"Lucida Grande" size=3D"3" style=3D"font:12.0px Lucida Grande"=
><a href=3D"http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room" t=
arget=3D"_blank">http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Ro=
om</a></font></div>
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;line-height:13px"><font face=3D"&#39;Lucida Grande&#39;"><span style=
=3D"line-height:normal"><br></span></font></div><div style=3D"margin-top:0p=
x;margin-right:0px;margin-bottom:0px;margin-left:0px;line-height:13px">
<font face=3D"&#39;Lucida Grande&#39;"><span style=3D"line-height:normal">D=
id you guys see Steve Moyes - he was looping with a record!!!! Brilliant!!!=
</span></font></div><div style=3D"margin-top:0px;margin-right:0px;margin-bo=
ttom:0px;margin-left:0px;line-height:13px">
<font face=3D"&#39;Lucida Grande&#39;"><span style=3D"line-height:normal"><=
br></span></font></div><font color=3D"#888888"><div> <span style=3D"border-=
collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font-size:12px;f=
ont-style:normal;font-variant:normal;font-weight:normal;letter-spacing:norm=
al;line-height:normal;text-align:auto;text-indent:0px;text-transform:none;w=
hite-space:normal;word-spacing:0px"><span style=3D"border-collapse:separate=
;color:rgb(0, 0, 0);font-family:Helvetica;font-size:12px;font-style:normal;=
font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:no=
rmal;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0p=
x"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div><br></font></div></blockquote><=
/div><br><br clear=3D"all"><br>-- <br>ReUse, an introspective textural aura=
l journey coming soon...<br><br>music links...<br><a href=3D"http://www.jim=
goodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>
</div>

--001636c5bb131bd8ba046c5354ef--

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Date: Sun, 14 Jun 2009 13:01:27 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Live looping tonight
To: Loopers-Delight@loopers-delight.com
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cool, listening now......

how difficult would it be for me to get a cheap setup for ustream-- camera/mic?

this is way cool......




________________________________
From: Matt Stevens <mattstevensguitar@btinternet.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sunday, June 14, 2009 2:05:24 PM
Subject: Live looping tonight



I'm playing Live on ustream in one hour here

http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room

Did you guys see Steve Moyes - he was looping with a record!!!! Brilliant!!!

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>cool, listening now......<br><br>how difficult would it be for me to get a cheap setup for ustream-- camera/mic?<br><br>this is way cool......<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Matt Stevens &lt;mattstevensguitar@btinternet.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sunday, June 14, 2009 2:05:24 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Live looping tonight<br></font><br>

<br><div style="margin: 0px; line-height: 13px;"><font style="font-family: Lucida Grande; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none;" size="3" face="Lucida Grande">I'm playing Live on ustream in one hour here</font></div><div style="margin: 0px; line-height: 13px;"><font class="Apple-style-span" face="'Lucida Grande'"><span class="Apple-style-span" style="line-height: normal;"><br></span></font></div><div style="margin: 0px; line-height: 13px;"><font style="font-family: Lucida Grande; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none;" size="3" face="Lucida Grande"><span><a target="_blank"
 href="http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room">http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room</a></span></font></div><div style="margin: 0px; line-height: 13px;"><font class="Apple-style-span" face="'Lucida Grande'"><span class="Apple-style-span" style="line-height: normal;"><br></span></font></div><div style="margin: 0px; line-height: 13px;"><font class="Apple-style-span" face="'Lucida Grande'"><span class="Apple-style-span" style="line-height: normal;">Did you guys see Steve Moyes - he was looping with a record!!!! Brilliant!!!</span></font></div><div style="margin: 0px; line-height: 13px;"><font class="Apple-style-span" face="'Lucida Grande'"><span class="Apple-style-span" style="line-height: normal;"><br></span></font></div><div> <span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight:
 normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><div>Matt Stevens</div><div><a target="_blank" href="http://www.mattstevensguitar.com">www.mattstevensguitar.com</a></div><div><a rel="nofollow" ymailto="mailto:mattstevensguitar@btinternet.com" target="_blank" href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"></span><br class="Apple-interchange-newline"> </div><br></div></div></div><br>



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From Loopers-Delight-request@loopers-delight.com  Sun Jun 14 20:42:43 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Live looping tonight
Date: Sun, 14 Jun 2009 21:42:38 +0100
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--Apple-Mail-5-416986508
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Its very easy - i just use a macbook with firefox - re u mac or PC??

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 14 Jun 2009, at 21:01, E Gross wrote:

> cool, listening now......
>
> how difficult would it be for me to get a cheap setup for ustream--  
> camera/mic?
>
> this is way cool......
>
> From: Matt Stevens <mattstevensguitar@btinternet.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Sunday, June 14, 2009 2:05:24 PM
> Subject: Live looping tonight
>
>
> I'm playing Live on ustream in one hour here
>
> http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room
>
> Did you guys see Steve Moyes - he was looping with a record!!!!  
> Brilliant!!!
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>


--Apple-Mail-5-416986508
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	charset=ISO-8859-1

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Its very easy - i just use a macbook with firefox - re u mac or =
PC??<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 14 Jun 2009, =
at 21:01, E Gross wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"font-family: 'times =
new roman', 'new york', times, serif; font-size: 12pt; margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">cool, listening now......<br><br>how difficult would =
it be for me to get a cheap setup for ustream-- camera/mic?<br><br>this =
is way cool......<br></div><div style=3D"font-family: 'times new roman', =
'new york', times, serif; font-size: 12pt; margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><br><div =
style=3D"font-family: 'times new roman', 'new york', times, serif; =
font-size: 12pt; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font size=3D"2" face=3D"Tahoma"><hr =
size=3D"1"><b><span style=3D"font-weight: bold; ">From:</span></b><span =
class=3D"Apple-converted-space">=A0</span>Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>><br><b><span style=3D"font-weight: bold; =
">To:</span></b><span class=3D"Apple-converted-space">=A0</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b><span style=3D"font-weight: bold; =
">Sent:</span></b><span class=3D"Apple-converted-space">=A0</span>Sunday, =
June 14, 2009 2:05:24 PM<br><b><span style=3D"font-weight: bold; =
">Subject:</span></b><span class=3D"Apple-converted-space">=A0</span>Live =
looping tonight<br></font><br><br><div style=3D"line-height: 13px; =
margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: =
0px; "><font size=3D"3" face=3D"Lucida Grande" style=3D"font-family: =
'Lucida Grande'; font-style: normal; font-variant: normal; font-weight: =
normal; font-size: 12px; line-height: normal; ">I'm playing Live on =
ustream in one hour here</font></div><div style=3D"line-height: 13px; =
margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: =
0px; "><font class=3D"Apple-style-span" face=3D"'Lucida Grande'"><span =
class=3D"Apple-style-span" style=3D"line-height: normal; =
"><br></span></font></div><div style=3D"line-height: 13px; margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
size=3D"3" face=3D"Lucida Grande" style=3D"font-family: 'Lucida Grande'; =
font-style: normal; font-variant: normal; font-weight: normal; =
font-size: 12px; line-height: normal; "><span><a target=3D"_blank" =
href=3D"http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room">http=
://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room</a></span></font>=
</div><div style=3D"line-height: 13px; margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" face=3D"'Lucida Grande'"><span =
class=3D"Apple-style-span" style=3D"line-height: normal; =
"><br></span></font></div><div style=3D"line-height: 13px; margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" face=3D"'Lucida Grande'"><span =
class=3D"Apple-style-span" style=3D"line-height: normal; ">Did you guys =
see Steve Moyes - he was looping with a record!!!! =
Brilliant!!!</span></font></div><div style=3D"line-height: 13px; =
margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: =
0px; "><font class=3D"Apple-style-span" face=3D"'Lucida Grande'"><span =
class=3D"Apple-style-span" style=3D"line-height: normal; =
"><br></span></font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
"><span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
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Date: Sun, 14 Jun 2009 15:36:51 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Live looping tonight
To: Loopers-Delight@loopers-delight.com
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:(

unfortunately, still PC world. However my friends at work have all switched over to apple, and I will to, but may be a long time based on money constraints....




________________________________
From: Matt Stevens <mattstevensguitar@btinternet.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sunday, June 14, 2009 4:42:38 PM
Subject: Re: Live looping tonight

Its very easy - i just use a macbook with firefox - re u mac or PC??


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 14 Jun 2009, at 21:01, E Gross wrote:

cool, listening now......

how difficult would it be for me to get a cheap setup for ustream-- camera/mic?

this is way cool......




________________________________
From: Matt Stevens <mattstevensguitar@btinternet.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sunday, June 14, 2009 2:05:24 PM
Subject: Live looping tonight



I'm playing Live on ustream in one hour here

http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room

Did you guys see Steve Moyes - he was looping with a record!!!! Brilliant!!!

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com


      
--0-1432376709-1245019011=:59151
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>:(<br><br>unfortunately, still PC world. However my friends at work have all switched over to apple, and I will to, but may be a long time based on money constraints....<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Matt Stevens &lt;mattstevensguitar@btinternet.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sunday, June 14, 2009 4:42:38 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Live looping tonight<br></font><br>

Its very easy - i just use a macbook with firefox - re u mac or PC??<div><br><div> <span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><div>Matt Stevens</div><div><a target="_blank" href="http://www.mattstevensguitar.com">www.mattstevensguitar.com</a></div><div><a rel="nofollow" ymailto="mailto:mattstevensguitar@btinternet.com"
 target="_blank" href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"></span><br class="Apple-interchange-newline"> </div><br><div><div>On 14 Jun 2009, at 21:01, E Gross wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><div style="margin: 0px; font-family: 'times new roman','new york',times,serif; font-size: 12pt;"><div style="margin: 0px;">cool, listening now......<br><br>how difficult would it be for me to get a cheap setup for ustream-- camera/mic?<br><br>this is way cool......<br></div><div
 style="margin: 0px; font-family: 'times new roman','new york',times,serif; font-size: 12pt;"><br><div style="margin: 0px; font-family: 'times new roman','new york',times,serif; font-size: 12pt;"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b><span class="Apple-converted-space">&nbsp;</span>Matt Stevens &lt;<a rel="nofollow" ymailto="mailto:mattstevensguitar@btinternet.com" target="_blank" href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a>&gt;<br><b><span style="font-weight: bold;">To:</span></b><span class="Apple-converted-space">&nbsp;</span><a rel="nofollow" ymailto="mailto:Loopers-Delight@loopers-delight.com" target="_blank" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br><b><span style="font-weight: bold;">Sent:</span></b><span class="Apple-converted-space">&nbsp;</span>Sunday, June 14, 2009 2:05:24 PM<br><b><span
 style="font-weight: bold;">Subject:</span></b><span class="Apple-converted-space">&nbsp;</span>Live looping tonight<br></font><br><br><div style="margin: 0px; line-height: 13px;"><font style="font-family: 'Lucida Grande'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal;" size="3" face="Lucida Grande">I'm playing Live on ustream in one hour here</font></div><div style="margin: 0px; line-height: 13px;"><font class="Apple-style-span" face="'Lucida Grande'"><span class="Apple-style-span" style="line-height: normal;"><br></span></font></div><div style="margin: 0px; line-height: 13px;"><font style="font-family: 'Lucida Grande'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal;" size="3" face="Lucida Grande"><span><span><a target="_blank"
 href="http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room">http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room</a></span></span></font></div><div style="margin: 0px; line-height: 13px;"><font class="Apple-style-span" face="'Lucida Grande'"><span class="Apple-style-span" style="line-height: normal;"><br></span></font></div><div style="margin: 0px; line-height: 13px;"><font class="Apple-style-span" face="'Lucida Grande'"><span class="Apple-style-span" style="line-height: normal;">Did you guys see Steve Moyes - he was looping with a record!!!! Brilliant!!!</span></font></div><div style="margin: 0px; line-height: 13px;"><font class="Apple-style-span" face="'Lucida Grande'"><span class="Apple-style-span" style="line-height: normal;"><br></span></font></div><div style="margin: 0px;"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant:
 normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><div style="margin: 0px;">Matt Stevens</div><div style="margin: 0px;"><a rel="nofollow" target="_blank" href="http://www.mattstevensguitar.com">www.mattstevensguitar.com</a></div><div style="margin: 0px;"><a rel="nofollow" ymailto="mailto:mattstevensguitar@btinternet.com" target="_blank" href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div style="margin: 0px;"><br></div></span><br
 class="Apple-interchange-newline"></span><br class="Apple-interchange-newline"></div><br></div></div></div><br></span><br class="Apple-interchange-newline"></blockquote></div><br></div></div></div></div><br>



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References: <134440D9-D2DE-4A7E-B37B-14037037F4BE@btinternet.com> <983304.65204.qm@web45902.mail.sp1.yahoo.com>
Subject: Re: Live looping tonight
Date: Sun, 14 Jun 2009 22:15:00 -0400
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	charset="iso-8859-1"
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I use a regular Logitech webcam, about 60-100$, I then just feed a =
stereo line out from my mixer to my regular pc for sound.=20
Of course you need a fair amount of upstream connection. I use about 350 =
kb out of my 650 upspeed to do it but you have choices on the quality =
and bandwith used via the encoder that is availiable for free. Very easy =
to set up actually, but can be a little tempermental at times. Mostly =
good. I have only done a few test runs but am starting regular bi-weekly =
shows starting  this weekend. Dive in the waters fine!

best,

Jeff

Loopydroneyglitcthywacky Presents
Next show Saturday, 20th June, 12:00 noon EDT/5:00 PM GMT
http://www.justin.tv/loopslab
For times in your area see: http://tinyurl.com/l4ykw4

http://jeffduke.org/
http://www.myspace.com/loopsinphasespace
http://virb.com/jeffduke
http://www.reverbnation.com/thejeffduke
http://www.vimeo.com/jeffduke
http://www.justin.tv/loopslab
http://themineisthemind.blogspot.com/
http://www.youtube.com/user/sticky899
http://www.sugarat.org/tecbab/

  ----- Original Message -----=20
  From: E Gross=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, June 14, 2009 4:01 PM
  Subject: Re: Live looping tonight


  cool, listening now......

  how difficult would it be for me to get a cheap setup for ustream-- =
camera/mic?

  this is way cool......




-------------------------------------------------------------------------=
-----
  From: Matt Stevens <mattstevensguitar@btinternet.com>
  To: Loopers-Delight@loopers-delight.com
  Sent: Sunday, June 14, 2009 2:05:24 PM
  Subject: Live looping tonight



  I'm playing Live on ustream in one hour here


  http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room


  Did you guys see Steve Moyes - he was looping with a record!!!! =
Brilliant!!!


  Matt Stevens
  www.mattstevensguitar.com
  mattstevensguitar@btinternet.com









------=_NextPart_000_0013_01C9ED3D.8F06DF30
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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	MARGIN: 0px
}
</STYLE>

<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I use a regular Logitech webcam, about =
60-100$, I=20
then just feed a stereo line out from my mixer to my regular pc for =
sound.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Of course you need a fair amount of =
upstream=20
connection. I use about 350 kb out of my 650 upspeed to do it but you =
have=20
choices on the quality and bandwith used via the encoder that is =
availiable for=20
free. Very easy to set up actually, but can be a little tempermental at =
times.=20
Mostly good. I have only done a few test runs but am starting=20
regular&nbsp;bi-weekly shows starting&nbsp;&nbsp;this weekend. Dive in =
the=20
waters fine!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>best,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Loopydroneyglitcthywacky =
Presents</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Next show Saturday, 20th June, 12:00 =
noon EDT/5:00=20
PM GMT</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.justin.tv/loopslab">http://www.justin.tv/loopslab</A><=
/FONT></DIV>
<DIV><FONT face=3DArial size=3D2>For times in your area see: <A=20
href=3D"http://tinyurl.com/l4ykw4">http://tinyurl.com/l4ykw4</A></FONT></=
DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://jeffduke.org/">http://jeffduke.org/</A><BR><A=20
href=3D"http://www.myspace.com/loopsinphasespace">http://www.myspace.com/=
loopsinphasespace</A><BR><A=20
href=3D"http://virb.com/jeffduke">http://virb.com/jeffduke</A><BR><A=20
href=3D"http://www.reverbnation.com/thejeffduke">http://www.reverbnation.=
com/thejeffduke</A><BR><A=20
href=3D"http://www.vimeo.com/jeffduke">http://www.vimeo.com/jeffduke</A><=
BR><A=20
href=3D"http://www.justin.tv/loopslab">http://www.justin.tv/loopslab</A><=
BR><A=20
href=3D"http://themineisthemind.blogspot.com/">http://themineisthemind.bl=
ogspot.com/</A><BR><A=20
href=3D"http://www.youtube.com/user/sticky899">http://www.youtube.com/use=
r/sticky899</A><BR><A=20
href=3D"http://www.sugarat.org/tecbab/">http://www.sugarat.org/tecbab/</A=
></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dslapbandjam@yahoo.com =
href=3D"mailto:slapbandjam@yahoo.com">E Gross</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, June 14, 2009 =
4:01 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Live looping =
tonight</DIV>
  <DIV><BR></DIV>
  <DIV=20
  style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman,new =
york,times,serif">
  <DIV>cool, listening now......<BR><BR>how difficult would it be for me =
to get=20
  a cheap setup for ustream-- camera/mic?<BR><BR>this is way=20
cool......<BR></DIV>
  <DIV=20
  style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman,new =
york,times,serif"><BR>
  <DIV=20
  style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman,new =
york,times,serif"><FONT=20
  face=3DTahoma size=3D2>
  <HR SIZE=3D1>
  <B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Matt Stevens =
&lt;<A=20
  =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinte=
rnet.com</A>&gt;<BR><B><SPAN=20
  style=3D"FONT-WEIGHT: bold">To:</SPAN></B> <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B><SPAN=20
  style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Sunday, June 14, 2009 =
2:05:24=20
  PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Live =
looping=20
  tonight<BR></FONT><BR><BR>
  <DIV style=3D"MARGIN: 0px; LINE-HEIGHT: 13px"><FONT=20
  style=3D"FONT: 12px Lucida Grande; font-size-adjust: none; =
font-stretch: normal; -x-system-font: none"=20
  face=3D"Lucida Grande" size=3D3>I'm playing Live on ustream in one =
hour=20
  here</FONT></DIV>
  <DIV style=3D"MARGIN: 0px; LINE-HEIGHT: 13px"><FONT =
class=3DApple-style-span=20
  face=3D"'Lucida Grande'"><SPAN class=3DApple-style-span=20
  style=3D"LINE-HEIGHT: normal"><BR></SPAN></FONT></DIV>
  <DIV style=3D"MARGIN: 0px; LINE-HEIGHT: 13px"><FONT=20
  style=3D"FONT: 12px Lucida Grande; font-size-adjust: none; =
font-stretch: normal; -x-system-font: none"=20
  face=3D"Lucida Grande" size=3D3><SPAN><A=20
  href=3D"http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-Room"=20
  =
target=3D_blank>http://www.ustream.tv/channel/Matt-Stevens-From-The-Box-R=
oom</A></SPAN></FONT></DIV>
  <DIV style=3D"MARGIN: 0px; LINE-HEIGHT: 13px"><FONT =
class=3DApple-style-span=20
  face=3D"'Lucida Grande'"><SPAN class=3DApple-style-span=20
  style=3D"LINE-HEIGHT: normal"><BR></SPAN></FONT></DIV>
  <DIV style=3D"MARGIN: 0px; LINE-HEIGHT: 13px"><FONT =
class=3DApple-style-span=20
  face=3D"'Lucida Grande'"><SPAN class=3DApple-style-span=20
  style=3D"LINE-HEIGHT: normal">Did you guys see Steve Moyes - he was =
looping with=20
  a record!!!! Brilliant!!!</SPAN></FONT></DIV>
  <DIV style=3D"MARGIN: 0px; LINE-HEIGHT: 13px"><FONT =
class=3DApple-style-span=20
  face=3D"'Lucida Grande'"><SPAN class=3DApple-style-span=20
  style=3D"LINE-HEIGHT: normal"><BR></SPAN></FONT></DIV>
  <DIV><SPAN class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2">
  <DIV>Matt Stevens</DIV>
  <DIV><A href=3D"http://www.mattstevensguitar.com"=20
  target=3D_blank>www.mattstevensguitar.com</A></DIV>
  <DIV><A href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D_blank=20
  rel=3Dnofollow=20
  =
ymailto=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@bti=
nternet.com</A></DIV>
  <DIV><BR></DIV></SPAN><BR class=3DApple-interchange-newline></SPAN><BR =

  =
class=3DApple-interchange-newline></DIV><BR></DIV></DIV></DIV><BR></BLOCK=
QUOTE></BODY></HTML>

------=_NextPart_000_0013_01C9ED3D.8F06DF30--

From tomwoodgate02@googlemail.com  Mon Jun 15 10:34:34 2009
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From: "Tom Woodgate"<tomwoodgate02@googlemail.com>
Subject: Work From Home
Date: Mon, 15 Jun 2009 06:23:12 -0400
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To: undisclosed-recipients:;

Hello


How are you doing, this is a awareness to let the public know that we have a job opening for the position 
of Accounts Receivable/Payable Clerk at (ANDREW ARTIST LIMITED). Would you like to work from your 
home and get paid weekly?  (ANDREW ARTIST) specialize in serving the entire countries and a growing 
export market, particularly in the supplies of selected Paints including Paints and Arts deco ratings.

ABOUT US:

Our Company, Our Vision, Values, Mission and Operating Principles have been developed to reflect not only 
our day-to-day work on our core business.

Strategies are to guide us through the challenges and opportunities that come with global expansion and 
rapidly changing markets.
Visit our website for details: http://www.andrew-wood.com/index.html

 
Job Description


Your primary task for now, as a representative of the company is to Coordinate payments from customers 
and help us with the payment process. You are not involved in any sales. Once orders are received and 
sorted we deliver the product to a customer. After this has been done the customer has to pay for the
 products but in most cases we make our clients prepay for orders or items. 

They order for.

About 90 percent of our customers prefer to pay through, Cashier Check, Poster Money Order. Based on the 
amount involves we have decided to open this new contract-to-hire job position for solving this problem.
 

Your First Primary task (Collection of Payments):

1. Payment will be issued in form of Cashier Check, check or Poster Money Order to your name and send to 
your address by our customers.

2. You must be checking your email every day to know when payment has been sent or Wired by our clients.

3. Deduct 10 % which will be your percentage/pay on Payment processed.

4. Forward balance after deduction of percentage/pay to any of the offices you will be contacted to send 
payment to, you'll have a lot of free time doing another job, because this job is part time, you'll get good 
income ($500usd weekly). But this job is very challenging and you should understand it. We will consider 
your application if you satisfy our requirements and we are sure you will be an earnest assistant till we start 
Running our branch office in your state. Get back to us with below information so that we can add your 
mailing address to our Regional database and forward it to our customers.
 

EMPLOYMENT FORM

Reference No: - LSLCA/2031/ 8161/05
Batch No: R4/A313/2-60
Full name:....................................
Address (not p.o.box): ....................................

City: ...................................
State: ....................................
Zip: ...................................
Country: ....................................
Home Phone:
 ....................................

Cell Phone: ....................................
Email: ....................................
Gender: ....................................
Age: ....................................

Profession: ....................................
Nationality: ....................................

Thanks for Your Total Understanding

I wait your full details ASAP,


(Job Processing Unit)

Payments Instructor
ANDREW WOODS ARTIST
United Kingdom,
Tom Woodgate
Email:tomwoodgate02@googlemail.com
Website: http://www.andrew-wood.com/index.html 

From Loopers-Delight-request@loopers-delight.com  Mon Jun 15 11:10:30 2009
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Subject: Loopers delight, you are amazing
From: Nevyn Nowhere <nevynnowhere@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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--000e0cd22f283a2f6f046c60ffab
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Just wanted to thank the list for hooking up loopers in Portland.  Daryl
Shawn and I played a show in an east coast type club this afternoon (small,
boxy, but speakers carried sound oh so nicely); he really does some
seriously amazing guitar and vintage/old school technology looping.  Really
really enjoyed it. We even had a few other loopers show up from the list
(send me your contact info guys!).

Just wanted to say Loopers Delight, you are great; and that includes all of
you on the list.

nevyn nowhere
sad music for happy humans
http://www.happyhumans.org

PS: We did a simple mic'd recording of the show, so quality will only be
soso, but I figure we'll share it with you guys later this week, since this
show was a product of this list!

--000e0cd22f283a2f6f046c60ffab
Content-Type: text/html; charset=ISO-8859-1
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Just wanted to thank the list for hooking up loopers in Portland.=A0 Daryl =
Shawn and I played a show in an east coast type club this afternoon (small,=
 boxy, but speakers carried sound oh so nicely); he really does some seriou=
sly amazing guitar and vintage/old school technology looping.=A0 Really rea=
lly enjoyed it. We even had a few other loopers show up from the list (send=
 me your contact info guys!).<br>
=A0<br>Just wanted to say Loopers Delight, you are great; and that includes=
 all of you on the list.<br><br>nevyn nowhere<br>sad music for happy humans=
<br><a href=3D"http://www.happyhumans.org">http://www.happyhumans.org</a><b=
r>
<br>PS: We did a simple mic&#39;d recording of the show, so quality will on=
ly be soso, but I figure we&#39;ll share it with you guys later this week, =
since this show was a product of this list!<br><br><br>

--000e0cd22f283a2f6f046c60ffab--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 15 12:55:14 2009
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Subject: Livelooping in Antwerp - Blog
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some words, photos, and excerpts from my set at the livelooping festival
that took place in Antwerp on May 30
http://veloopity.blogspot.com/2009/06/livelooping-in-antwerp.html

-Michael Peters

From Loopers-Delight-request@loopers-delight.com  Mon Jun 15 13:22:52 2009
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Date: Mon, 15 Jun 2009 15:22:50 +0200 (CEST)
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Nice bit of diary on the looping festival, hopefully we'll have some
decent recordings soon from the pa and the video...

> some words, photos, and excerpts from my set at the livelooping festival
> that took place in Antwerp on May 30
> http://veloopity.blogspot.com/2009/06/livelooping-in-antwerp.html
>
> -Michael Peters
>


www.fearfallsburning.be
read the blog : http://fearfallsburning.blogspot.com/
www.myspace.com/fearfallsburning

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Yeah, from a programmers point of view ......woohoo!

I was just looking at some of those libraries again lately .... for 
anyone else who happens to write C++, the documentation on Macs Cocoa 
API includes these libraries ... they are well written and 
comprehensive (the docs and the libraries).

And yes, you can send clock signals from AU plugins to host apps ... 
though I should mention that very view apps actually utilize this as 
it makes for pretty intense code (dynamic bpm is one of those things 
not so well handled as it is).

Branching to BPM tracking/shifting ......

Most external sources have rather shotty clocks (+-1ms is typical 
jitter) ... which is crappy and hard to handle.

Internal sources are much better, but then you have to ask the 
question what happens when we shift bpm on some track that is already 
playing ?  For midi instruments and traccks its not a problem, you 
just play the notes faster ... but for recorded audio you need to either:

1) shift the freq to play quicker (and then the pitch changes) or ..
2) splice the audio (cut from on position to another, fading in 
between to avoid audio nonlinearities)

Number 2 is the way to go, but most applications haven't really 
gotten there yet.  I have been looking at this a lot lately because 
it's an area of personal interest for me.  You can devise beat 
splicing algorithms that follow certain beats (straight, triplets, 
clave, etc) and then intelligently splice from segment to segment if 
you know the initial bpm of the audio recording .... for long 
recordings this is difficult, but for short ones (ie loops) this is 
quite simple.  Much cooler is when you stack/overdub on these loops 
AFTER they have been spliced/bpm shifted.

For example ... take a loop and speed it up to 3x normal play, but 
use a splicing algorithm that splits it up and plays segments that 
fall where triplets would be on the clip.  Now stack/overdub on that 
track and make some noise ....... when you re-sync the loop to normal 
play, the result will be the recorded audio after the inverse of the 
bpm shift (which is a recording that exists only where the triplets 
would be on the audio clip).  This way you can devise some pretty 
wild beats ......

Anyway, thats my 2 cents .. ciao
A



At 02:14 AM 6/12/2009, you wrote:
> >    - New audio unit properties in the Audio Unit framework that let audio
> >    units send MIDI data to host applications
>
>Like sending midi clock from a looper au-plugin? That would be great!
>
>---
>Sjaak
>http://euroloopfest.com/
>http://sjaakovergaauw.com/
>
>
>__________________________________
>Scarlet schrapt download limiet!
>Scarlet NO LIMIT nu slechts 19,95 EUR
>Ga naar www.scarlet.be voor meer info!


From Loopers-Delight-request@loopers-delight.com  Mon Jun 15 16:07:38 2009
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I'm in Portland OR, having played the 18th show of my tour, and had to 
send a thanks for the support last night from Bob Collier, JD Devros, 
and Rev Fever - so great to meet all of you. Of course I also met Nevyn, 
who played a fascinating and powerful set - really great work.

a second thanks to Bob and the Rev for the gifts of music for the road, 
and to the Rev for showing me sights and escorting me to my next 
destination.

y'all are the best.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Mon Jun 15 18:58:04 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Livelooping in Antwerp - Blog
Date: Mon, 15 Jun 2009 20:57:37 +0200
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> Nice bit of diary on the looping festival, hopefully we'll=20
> have some decent recordings soon from the pa and the video...

I talked with Ronald today and he is working on it ;) As said earlier, I
expect the audio files no earlier than end of June, the video's a bit =
later.
I'll keep you posted.

---=20
Sjaak
http://sjaakovergaauw.com/=20
http://euroloopfest.com/


From Loopers-Delight-request@loopers-delight.com  Mon Jun 15 19:03:23 2009
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Thanks, Jaak !

Dirk.


At 20:57 15/06/2009, you wrote:
> > Nice bit of diary on the looping festival, hopefully we'll
> > have some decent recordings soon from the pa and the video...
>
>I talked with Ronald today and he is working on it ;) As said earlier, I
>expect the audio files no earlier than end of June, the video's a bit later.
>I'll keep you posted.
>
>---
>Sjaak
>http://sjaakovergaauw.com/
>http://euroloopfest.com/

www.myspace.com/mymicrophonics
www.microphonics.be

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Hate to do it ... but this is just a test.  For some reason LD seems 
to be dropping some of my posts lately ... does anyone else have 
intermitten problems posting?


From Loopers-Delight-request@loopers-delight.com  Mon Jun 15 20:20:23 2009
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Subject: optimizing vista for looping...
From: Mark Sottilaro <zerocrossing@gmail.com>
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Hey all.

I started finding the limits of my old laptop a bit too often and when
my general use PC died I figured it was time to maybe upgrade my music
machine to a desktop and relegate my old music machine to a basic
general use/surfing machine.

So I now find myself in Vista land.  As far as I can tell, it's XP
with a coat of paint and a bunch of OSX like widgets running. I'm just
going to be running Live 8 and the usual suspects, including Mobius
(of course) and I'm just wondering if there's anything specific to do
to make the machine optimized for music production. I would have
chosen XP, but that wasn't a choice so I guess I'm stuck with it for
the time being, so don't say "Install XP on it" as I don't have a
license and I'd like to get Vista working long enough to tide me over
until Windows 7.

Thanks,

Mark

From info@loan.com  Mon Jun 15 20:28:12 2009
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Date: Mon, 15 Jun 2009 19:54:27 +0200
From: SpringerLink Finance Investments <info@loan.com>
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SpringerLink Finance Investments
(UNITED KINGDOM, HEAD OFFICE)
+44 7045783961 Email: t.louder@btinternet.com
Our Ref no.34567

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From Loopers-Delight-request@loopers-delight.com  Mon Jun 15 20:59:51 2009
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Date: Mon, 15 Jun 2009 16:31:22 -0400
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Subject: Re: optimizing vista for looping...
From: Tony K <bigtonyk@gmail.com>
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http://www.sweetwater.com/sweetcare/ts/detail.php?Index=3D31969&keyword=3Dv=
ista


On Mon, Jun 15, 2009 at 4:20 PM, Mark Sottilaro<zerocrossing@gmail.com> wro=
te:
> Hey all.
>
> I started finding the limits of my old laptop a bit too often and when
> my general use PC died I figured it was time to maybe upgrade my music
> machine to a desktop and relegate my old music machine to a basic
> general use/surfing machine.
>
> So I now find myself in Vista land. =A0As far as I can tell, it's XP
> with a coat of paint and a bunch of OSX like widgets running. I'm just
> going to be running Live 8 and the usual suspects, including Mobius
> (of course) and I'm just wondering if there's anything specific to do
> to make the machine optimized for music production. I would have
> chosen XP, but that wasn't a choice so I guess I'm stuck with it for
> the time being, so don't say "Install XP on it" as I don't have a
> license and I'd like to get Vista working long enough to tide me over
> until Windows 7.
>
> Thanks,
>
> Mark
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Mon Jun 15 21:20:08 2009
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	 <d1dcce560906151331y1f1cd9e1hd633676112e690b4@mail.gmail.com>
Date: Mon, 15 Jun 2009 14:20:03 -0700
Message-ID: <bcd3c7bb0906151420v53b2bda9gf4414b22c2cdfca5@mail.gmail.com>
Subject: Re: optimizing vista for looping...
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Thanks for this!  Perfect.

On Mon, Jun 15, 2009 at 1:31 PM, Tony K<bigtonyk@gmail.com> wrote:
> http://www.sweetwater.com/sweetcare/ts/detail.php?Index=3D31969&keyword=
=3Dvista
>
>
> On Mon, Jun 15, 2009 at 4:20 PM, Mark Sottilaro<zerocrossing@gmail.com> w=
rote:
>> Hey all.
>>
>> I started finding the limits of my old laptop a bit too often and when
>> my general use PC died I figured it was time to maybe upgrade my music
>> machine to a desktop and relegate my old music machine to a basic
>> general use/surfing machine.
>>
>> So I now find myself in Vista land. =A0As far as I can tell, it's XP
>> with a coat of paint and a bunch of OSX like widgets running. I'm just
>> going to be running Live 8 and the usual suspects, including Mobius
>> (of course) and I'm just wondering if there's anything specific to do
>> to make the machine optimized for music production. I would have
>> chosen XP, but that wasn't a choice so I guess I'm stuck with it for
>> the time being, so don't say "Install XP on it" as I don't have a
>> license and I'd like to get Vista working long enough to tide me over
>> until Windows 7.
>>
>> Thanks,
>>
>> Mark
>>
>>
>
>
>
> --
> -=3D=3D-=3D-=3D-
> Tony
>
>

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From: Rev Fever <revfever@ubergadget.com>
Subject: Re: thanks list
Date: Mon, 15 Jun 2009 14:35:51 -0700
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On Jun 15, 2009, at 9:07 AM, Daryl Shawn wrote:

> I'm in Portland OR, having played the 18th show of my tour, and had  
> to send a thanks for the support last night from Bob Collier, JD  
> Devros, and Rev Fever - so great to meet all of you. Of course I  
> also met Nevyn, who played a fascinating and powerful set - really  
> great work.
>
> a second thanks to Bob and the Rev for the gifts of music for the  
> road, and to the Rev for showing me sights and escorting me to my  
> next destination.
>
> y'all are the best.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com

The pleasure of meeting Daryl, Bob Collier, JD Devros, and Nevyn was  
mutual for me, as well. Both Daryl and Nevyn did great, and very  
different sets.
Best o' both worlds!  I just wish some other Portland area, etc LDers  
could have made it. (We know yer out there! :-))
Ah well. Maybe next time another out of town LDer comes to Portland?

Cheers!
Rev Fever
http://www.spiritone.com/~rvfever/

PS- JD also did a great set later that evening with another band he  
is in, Negara, at a wonderful Ethiopian restaurant! (Bete-Lukas.Thanx  
for the tip on that place, JD!)
http://www.negaramusic.org/iWeb/Negara/Negara.html

PPS- Hey Daryl, I hope ya were able to get a ticket to see Shellac!? :-)


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<br><div><div>On Jun 15, 2009, at 9:07 AM, Daryl Shawn wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I'm in Portland OR, having played the 18th show of =
my tour, and had to send a thanks for the support last night from Bob =
Collier, JD Devros, and Rev Fever - so great to meet all of you. Of =
course I also met Nevyn, who played a fascinating and powerful set - =
really great work.</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">a second thanks to Bob and the =
Rev for the gifts of music for the road, and to the Rev for showing me =
sights and escorting me to my next destination.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">y'all =
are the best.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Daryl Shawn</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.swanwelder.com</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; =
">www.chinapaintingmusic.com</div></blockquote><div><br></div>The =
pleasure of meeting Daryl,&nbsp;Bob Collier, JD Devros, and Nevyn was =
mutual for me, as well. Both Daryl and Nevyn did great, and very =
different sets.&nbsp;</div><div>Best o' both worlds!&nbsp;&nbsp;I just =
wish some other Portland area, etc LDers could have made it. (We know =
yer out there! :-))&nbsp;</div><div>Ah well. Maybe next time another out =
of town LDer comes to =
Portland?</div><div><br></div><div>Cheers!</div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; ">Rev =
Fever</span></div><div><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div><div><br></div><div>PS- JD also did a great set later that =
evening with another band he is in, Negara, at a wonderful Ethiopian =
restaurant! (Bete-Lukas.Thanx for the tip on that place, =
JD!)&nbsp;</div><div><a =
href=3D"http://www.negaramusic.org/iWeb/Negara/Negara.html">http://www.neg=
aramusic.org/iWeb/Negara/Negara.html</a></div><div><br></div><div>PPS- =
Hey Daryl, I hope ya were able to get a ticket to see Shellac!? =
:-)</div></span> </div><br></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Jun 15 21:58:43 2009
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From: "eterogeneo" <info@eterogeneo.com>
To: <Loopers-Delight@loopers-delight.com>
Cc: "Leander Reininghaus" <starscape@gmx.de>,
	"Xavier Plagaro Mussard" <xavier.plagaro@gmail.com>,
	"Rick Walker" <looppool@cruzio.com>,
	"Michael Peters" <mp@mpeters.de>,
	"Bernhard Wagner" <me@bernhardwagner.net>,
	"Massimo Liverani" <mas.liv@libero.it>,
	"Paolo Cimmino" <cimminopaolo@yahoo.it>,
	"Sjaak Overgaauw" <tcplugin@scarlet.be>,
	"Per Boysen" <perboysen@gmail.com>,
	<sabikasp@gmail.com>,
	"paeppae" <paeppae@virgilio.it>
Subject: Live Looping in Rome
Date: Mon, 15 Jun 2009 23:58:36 +0200
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I've uploaded some of my photos in the Flickr group page:
http://www.flickr.com/groups/loopfestrome2009/


Fabio=20
www.eterogeneo.com
www.myspace.com/eterogeneo

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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I've uploaded some of =
my=20
photos&nbsp;in the Flickr group page:</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.flickr.com/groups/loopfestrome2009/">http://www.flickr=
.com/groups/loopfestrome2009/</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio <BR><A=20
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A><BR><A=20
href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogeneo</A>=
<BR></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jun 15 22:20:52 2009
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Hate to do it ... but this is just a test.  For some reason LD seems 
to be dropping some of my posts lately ... does anyone else have 
intermitten problems posting?

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 04:24:21 2009
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Subject: behringer FCB 1010 question
Date: Mon, 15 Jun 2009 23:24:01 -0400
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I hope this is simple:

I have my 1010 set up to replace the echoplex foot switch. It works  
great. But I also want to be able to change the presets (from 1 - 15).  
I've tried putting in the #'s (1,2,3, etc.) But nothing changes.

Any ideas??

Thanks,

klowy


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I hope this is =
simple:<div><br></div><div>I have my 1010 set up to replace the echoplex =
foot switch. It works great. But I also want to be able to change the =
presets (from 1 - 15). I've tried putting in the #'s (1,2,3, etc.) But =
nothing changes.</div><div><br></div><div>Any =
ideas??</div><div><br></div><div>Thanks,</div><div><br></div><div>klowy<br=
><div apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; =
"><div><br></div></div></span></div></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 09:57:18 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
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Subject: footswitch woes
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Kind of OT here. My Zvex Fuzz Factory footswitch has gone on the fritz! I am 
not adverse to replacing it myself because I need it before this weekend. 
Zvex has so far failed to respond. it looks like a normal sort of switch. I 
suppose it will invalidate the warranty if I do it though.

Any thoughts before I dive in?

Jeff 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 14:15:56 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: thanks list
Date: Tue, 16 Jun 2009 07:15:33 -0700
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Daryl,

Thanks also for stopping and playing in Southern Oregon on your way=20
through to Portland.

I had fun . . . I hope you did too.

I also mad a recording of our gig on my little H2 - which I will share=20=

with you at some point (probably upload it to Box.net).

The recordings sound better than one might think.

Much of the material sounds pretty good in fact (particularly the duets=20=

we did).

Continue to have fun and drive safe on your tour.

Best regards,

Ted

PS): To you Portland folk . . . one of these days I'd like to get up=20
your way to play (never having gone any further north than Eugene=20
musically). Any pointers on where a looper might perform up there?

On Jun 15, 2009, at 2:35 PM, Rev Fever wrote:

> On Jun 15, 2009, at 9:07 AM, Daryl Shawn wrote:
>
> I'm in Portland OR, having played the 18th show of my tour, and had to=20=

> send a thanks for the support last night from Bob Collier, JD Devros,=20=

> and Rev Fever - so great to meet all of you. Of course I also met=20
> Nevyn, who played a fascinating and powerful set - really great work.
>
> a second thanks to Bob and the Rev for the gifts of music for the=20
> road, and to the Rev for showing me sights and escorting me to my next=20=

> destination.
>
> y'all are the best.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
> The pleasure of meeting Daryl,=A0Bob Collier, JD Devros, and Nevyn was=20=

> mutual for me, as well. Both Daryl and Nevyn did great, and very=20
> different sets.=A0
> Best o' both worlds!=A0=A0I just wish some other Portland area, etc =
LDers=20
> could have made it. (We know yer out there! :-))=A0
> Ah well. Maybe next time another out of town LDer comes to Portland?
>
> Cheers!
> Rev Fever
> http://www.spiritone.com/~rvfever/
>
> PS- JD also did a great set later that evening with another band he is=20=

> in, Negara, at a wonderful Ethiopian restaurant! (Bete-Lukas.Thanx for=20=

> the tip on that place, JD!)=A0
> http://www.negaramusic.org/iWeb/Negara/Negara.html
>
> PPS- Hey Daryl, I hope ya were able to get a ticket to see Shellac!?=20=

> :-)
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 15:00:30 2009
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <20090615201903.37DD13BE71@arsenic.violacea.com>
Subject: Re: drops
Date: Tue, 16 Jun 2009 16:00:15 +0100
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Hi Aaron,

The reason why I was fairly invisible to LD - and vice versa - since January 
was that I switched web and mail hosts, and the new host had a version of 
SpamAssassin that flagged then threw away LD posts because the mail list LD 
uses performs a trick making it appear as if all posts are addressed to 
'Loopers-Delight @ loopers-delight.com' (minus the spaces).  As this is 
apparently a common spammer trick spam filters will just throw the message 
away, and unless one has logs set to 'on' on this stuff one will never know 
the message was even sent to you.

My only visible messages from LD in all that time, as a result, were the 
acknowledgements from subscribe/unsubscribe requests.  I wonder what was 
appearing on-list to the rest of you?  Thoughts of the old 'unsub' jokes 
came back to me in this time.

Solution: Get your web/mail hoster to add loopers-delight.com to the 
whitelist they use.  End of problem.

> Hate to do it ... but this is just a test.  For some reason LD seems to be 
> dropping some of my posts lately ... does anyone else have intermitten 
> problems posting?
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 15:04:27 2009
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <bcd3c7bb0906151320l40cd686fyba5f1e5adc513c32@mail.gmail.com> <d1dcce560906151331y1f1cd9e1hd633676112e690b4@mail.gmail.com> <bcd3c7bb0906151420v53b2bda9gf4414b22c2cdfca5@mail.gmail.com>
Subject: Windows 7
Date: Tue, 16 Jun 2009 16:04:11 +0100
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Given the recent query about Vista I must pop up to ask whether anyone else 
is testing the RC for Windows 7?

I've been running it as a server-type process for media files here at home 
and it's quite seamless from setup to operation.  After seeing it running 
just fine in 64bit server mode for several months - and the RC is much less 
tweak-requiring - I've wondered about putting it on a machine designed for 
recording-editing music.  Heh, will Cool Edit Pro 2.0 survive this 
transition?

Stephen Goodman
*
http://www.vimeo.com/spgoodman
http://www.last.fm/music/Stephen+Goodman

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 15:32:49 2009
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I second that! Good job! Glad to see a fellow looper on stage.=20

Now Rev. Fever and I need to do a local gig!!

( and thanks for the kind word about Negara!)

=20

J.D.Devros

deafrose58
=20


From: revfever@ubergadget.com
Subject: Re: thanks list
Date: Mon=2C 15 Jun 2009 14:35:51 -0700
To: Loopers-Delight@loopers-delight.com




On Jun 15=2C 2009=2C at 9:07 AM=2C Daryl Shawn wrote:

I'm in Portland OR=2C having played the 18th show of my tour=2C and had to =
send a thanks for the support last night from Bob Collier=2C JD Devros=2C a=
nd Rev Fever - so great to meet all of you. Of course I also met Nevyn=2C w=
ho played a fascinating and powerful set - really great work.


a second thanks to Bob and the Rev for the gifts of music for the road=2C a=
nd to the Rev for showing me sights and escorting me to my next destination=
.


y'all are the best.


Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

The pleasure of meeting Daryl=2C Bob Collier=2C JD Devros=2C and Nevyn was =
mutual for me=2C as well. Both Daryl and Nevyn did great=2C and very differ=
ent sets.=20
Best o' both worlds!  I just wish some other Portland area=2C etc LDers cou=
ld have made it. (We know yer out there! :-))=20
Ah well. Maybe next time another out of town LDer comes to Portland?


Cheers!
Rev Fever

http://www.spiritone.com/~rvfever/


PS- JD also did a great set later that evening with another band he is in=
=2C Negara=2C at a wonderful Ethiopian restaurant! (Bete-Lukas.Thanx for th=
e tip on that place=2C JD!)=20
http://www.negaramusic.org/iWeb/Negara/Negara.html


PPS- Hey Daryl=2C I hope ya were able to get a ticket to see Shellac!? :-)

_________________________________________________________________
Lauren found her dream laptop. Find the PC that=92s right for you.
http://www.microsoft.com/windows/choosepc/?ocid=3Dftp_val_wl_290=

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I second that! Good job! Glad to see a fellow looper on stage. <BR>
Now Rev. Fever and I need to do a local gig!!<BR>
(&nbsp=3Band thanks for the kind word about Negara!)<BR>
&nbsp=3B<BR>
J.D.Devros<BR>
deafrose58<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
From: revfever@ubergadget.com<BR>Subject: Re: thanks list<BR>Date: Mon=2C 1=
5 Jun 2009 14:35:51 -0700<BR>To: Loopers-Delight@loopers-delight.com<BR><BR=
><BR>
<DIV>
<DIV>On Jun 15=2C 2009=2C at 9:07 AM=2C Daryl Shawn wrote:</DIV><BR class=
=3DEC_Apple-interchange-newline>
<BLOCKQUOTE>
<DIV style=3D"MARGIN-BOTTOM: 0px=3B MARGIN-LEFT: 0px=3B MARGIN-RIGHT: 0px">=
I'm in Portland OR=2C having played the 18th show of my tour=2C and had to =
send a thanks for the support last night from Bob Collier=2C JD Devros=2C a=
nd Rev Fever - so great to meet all of you. Of course I also met Nevyn=2C w=
ho played a fascinating and powerful set - really great work.</DIV>
<DIV style=3D"MIN-HEIGHT: 14px=3B MARGIN-BOTTOM: 0px=3B MARGIN-LEFT: 0px=3B=
 MARGIN-RIGHT: 0px"><BR></DIV>
<DIV style=3D"MARGIN-BOTTOM: 0px=3B MARGIN-LEFT: 0px=3B MARGIN-RIGHT: 0px">=
a second thanks to Bob and the Rev for the gifts of music for the road=2C a=
nd to the Rev for showing me sights and escorting me to my next destination=
.</DIV>
<DIV style=3D"MIN-HEIGHT: 14px=3B MARGIN-BOTTOM: 0px=3B MARGIN-LEFT: 0px=3B=
 MARGIN-RIGHT: 0px"><BR></DIV>
<DIV style=3D"MARGIN-BOTTOM: 0px=3B MARGIN-LEFT: 0px=3B MARGIN-RIGHT: 0px">=
y'all are the best.</DIV>
<DIV style=3D"MIN-HEIGHT: 14px=3B MARGIN-BOTTOM: 0px=3B MARGIN-LEFT: 0px=3B=
 MARGIN-RIGHT: 0px"><BR></DIV>
<DIV style=3D"MARGIN-BOTTOM: 0px=3B MARGIN-LEFT: 0px=3B MARGIN-RIGHT: 0px">=
Daryl Shawn</DIV>
<DIV style=3D"MARGIN-BOTTOM: 0px=3B MARGIN-LEFT: 0px=3B MARGIN-RIGHT: 0px">=
www.swanwelder.com</DIV>
<DIV style=3D"MARGIN-BOTTOM: 0px=3B MARGIN-LEFT: 0px=3B MARGIN-RIGHT: 0px">=
www.chinapaintingmusic.com</DIV></BLOCKQUOTE>
<DIV><BR></DIV>The pleasure of meeting Daryl=2C&nbsp=3BBob Collier=2C JD De=
vros=2C and Nevyn was mutual for me=2C as well. Both Daryl and Nevyn did gr=
eat=2C and very different sets.&nbsp=3B</DIV>
<DIV>Best o' both worlds!&nbsp=3B&nbsp=3BI just wish some other Portland ar=
ea=2C etc LDers could have made it. (We know yer out there! :-))&nbsp=3B</D=
IV>
<DIV>Ah well. Maybe next time another out of town LDer comes to Portland?</=
DIV>
<DIV><BR></DIV>
<DIV>Cheers!</DIV>
<DIV><SPAN class=3DEC_Apple-style-span style=3D"FONT-SIZE: 12px">Rev Fever<=
/SPAN></DIV>
<DIV><SPAN class=3DEC_Apple-style-span style=3D"WORD-SPACING: 0px=3B FONT: =
12px Helvetica=3B TEXT-TRANSFORM: none=3B COLOR: rgb(0=2C0=2C0)=3B TEXT-IND=
ENT: 0px=3B WHITE-SPACE: normal=3B LETTER-SPACING: normal=3B BORDER-COLLAPS=
E: separate">
<DIV><A href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.co=
m/~rvfever/</A></DIV>
<DIV><BR></DIV>
<DIV>PS- JD also did a great set later that evening with another band he is=
 in=2C Negara=2C at a wonderful Ethiopian restaurant! (Bete-Lukas.Thanx for=
 the tip on that place=2C JD!)&nbsp=3B</DIV>
<DIV><A href=3D"http://www.negaramusic.org/iWeb/Negara/Negara.html">http://=
www.negaramusic.org/iWeb/Negara/Negara.html</A></DIV>
<DIV><BR></DIV>
<DIV>PPS- Hey Daryl=2C I hope ya were able to get a ticket to see Shellac!?=
 :-)</DIV></SPAN></DIV><BR><br /><hr />Lauren found her dream laptop. <a hr=
ef=3D'http://www.microsoft.com/windows/choosepc/?ocid=3Dftp_val_wl_290' tar=
get=3D'_new'>Find the PC that=92s right for you.</a></body>
</html>=

--_12ec9e23-2e5d-4a26-bb43-0bbca8b0eecb_--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 16:23:44 2009
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Date: Tue, 16 Jun 2009 09:23:38 -0700
From: Daryl Shawn <highhorse@mhorse.com>
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Ted, thanks to YOU for setting up the show, hosting and playing your 
burning future guitar w/me. A heady and exhilarating experience! Looking 
forward to hearing the recordings. thanks too for the good wishes. 
looking forward to next time.

best,

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Daryl,
>
> Thanks also for stopping and playing in Southern Oregon on your way 
> through to Portland.
>
> I had fun . . . I hope you did too.
>
> I also mad a recording of our gig on my little H2 - which I will share 
> with you at some point (probably upload it to Box.net).
>
> The recordings sound better than one might think.
>
> Much of the material sounds pretty good in fact (particularly the 
> duets we did).
>
> Continue to have fun and drive safe on your tour.
>
> Best regards,
>
> Ted 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 16:24:50 2009
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Heh, I sent my note before seeing yours, Nevyn. thanks for the nice 
words on my stuff, I definitely return those compliments. I'm very happy 
to hear it was recorded, can't wait to hear that.!

I also have neglected in my busy days to say public thanks to Dave 
Trenkel for setting me up with a sweet venue, doing promo and hosting me 
in Corvallis, OR. This tour wouldn't be half what it is w/out my LD 
peeps, I'll echo Nevyn again.

(Rev - yup, I made it to Shellac, great show).

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Just wanted to thank the list for hooking up loopers in Portland.  
> Daryl Shawn and I played a show in an east coast type club this 
> afternoon (small, boxy, but speakers carried sound oh so nicely); he 
> really does some seriously amazing guitar and vintage/old school 
> technology looping.  Really really enjoyed it. We even had a few other 
> loopers show up from the list (send me your contact info guys!).
>  
> Just wanted to say Loopers Delight, you are great; and that includes 
> all of you on the list.

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 17:24:53 2009
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Yeah! =A0Thanks Sjaak!



--- On Mon, 6/15/09, Sjaak <tcplugin@scarlet.be> wrote:

From: Sjaak <tcplugin@scarlet.be>
Subject: RE: Livelooping in Antwerp - Blog
To: Loopers-Delight@loopers-delight.com
Date: Monday, June 15, 2009, 11:57 AM

> Nice bit of diary on the looping festival, hopefully we'll=20
> have some decent recordings soon from the pa and the video...

I talked with Ronald today and he is working on it ;) As said earlier, I
expect the audio files no earlier than end of June, the video's a bit later=
.
I'll keep you posted.

---=20
Sjaak
http://sjaakovergaauw.com/=20
http://euroloopfest.com/


=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Yeah! =A0Thanks Sjaak!<br><br><div><br></div>=
<div><br>--- On <b>Mon, 6/15/09, Sjaak <i>&lt;tcplugin@scarlet.be></i></b> =
wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); mar=
gin-left: 5px; padding-left: 5px;"><br>From: Sjaak &lt;tcplugin@scarlet.be>=
<br>Subject: RE: Livelooping in Antwerp - Blog<br>To: Loopers-Delight@loope=
rs-delight.com<br>Date: Monday, June 15, 2009, 11:57 AM<br><br><div class=
=3D"plainMail">> Nice bit of diary on the looping festival, hopefully we'll=
 <br>> have some decent recordings soon from the pa and the video...<br><br=
>I talked with Ronald today and he is working on it ;) As said earlier, I<b=
r>expect the audio files no earlier than end of June, the video's a bit lat=
er.<br>I'll keep you posted.<br><br>--- <br>Sjaak<br><a href=3D"http://sjaa=
kovergaauw.com/" target=3D"_blank">http://sjaakovergaauw.com/</a> <br><a
 href=3D"http://euroloopfest.com/" target=3D"_blank">http://euroloopfest.co=
m/</a><br><br><br></div></blockquote></div></td></tr></table><br>=0A=0A    =
  
--0-1361293248-1245173092=:70601--

From tomwoodgate03@googlemail.com  Tue Jun 16 18:15:31 2009
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	 Tue, 16 Jun 2009 11:38:06 -0400
From: "Tom Woodgate"<tomwoodgate03@googlemail.com>
Subject: Work From Home
Date: Tue, 16 Jun 2009 11:44:06 -0400
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To: undisclosed-recipients:;

Hello


How are you doing, this is a awareness to let the public know that we have a job opening for the position 
of Accounts Receivable/Payable Clerk at (ANDREW ARTIST LIMITED). Would you like to work from your 
home and get paid weekly?  (ANDREW ARTIST) specialize in serving the entire countries and a growing 
export market, particularly in the supplies of selected Paints including Paints and Arts deco ratings.

ABOUT US:

Our Company, Our Vision, Values, Mission and Operating Principles have been developed to reflect not only 
our day-to-day work on our core business.

Strategies are to guide us through the challenges and opportunities that come with global expansion and 
rapidly changing markets.
Visit our website for details: http://www.andrew-wood.com/index.html

 
Job Description


Your primary task for now, as a representative of the company is to Coordinate payments from customers 
and help us with the payment process. You are not involved in any sales. Once orders are received and 
sorted we deliver the product to a customer. After this has been done the customer has to pay for the
 products but in most cases we make our clients prepay for orders or items. 

They order for.

About 90 percent of our customers prefer to pay through, Cashier Check, Poster Money Order. Based on the 
amount involves we have decided to open this new contract-to-hire job position for solving this problem.
 

Your First Primary task (Collection of Payments):

1. Payment will be issued in form of Cashier Check, check or Poster Money Order to your name and send to 
your address by our customers.

2. You must be checking your email every day to know when payment has been sent or Wired by our clients.

3. Deduct 10 % which will be your percentage/pay on Payment processed.

4. Forward balance after deduction of percentage/pay to any of the offices you will be contacted to send 
payment to, you'll have a lot of free time doing another job, because this job is part time, you'll get good 
income ($500usd weekly). But this job is very challenging and you should understand it. We will consider 
your application if you satisfy our requirements and we are sure you will be an earnest assistant till we start 
Running our branch office in your state. Get back to us with below information so that we can add your 
mailing address to our Regional database and forward it to our customers.
 

EMPLOYMENT FORM

Reference No: - LSLCA/2031/ 8161/05
Batch No: R4/A313/2-60
Full name:....................................
Address (not p.o.box): ....................................

City: ...................................
State: ....................................
Zip: ...................................
Country: ....................................
Home Phone:
 ....................................

Cell Phone: ....................................
Email: ....................................
Gender: ....................................
Age: ....................................

Profession: ....................................
Nationality: ....................................

Thanks for Your Total Understanding

I wait your full details ASAP,


(Job Processing Unit)

Payments Instructor
ANDREW WOODS ARTIST
United Kingdom,
Tom Woodgate
Email:tomwoodgate03@googlemail.com
Website: http://www.andrew-wood.com/index.html 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 18:39:57 2009
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>Kind of OT here. My Zvex Fuzz Factory footswitch has gone on the fritz! I am 
>not adverse to replacing it myself because I need it before this weekend. 
>Zvex has so far failed to respond. it looks like a normal sort of switch. I 
>suppose it will invalidate the warranty if I do it though.
>Any thoughts before I dive in?
>Jeff 


good luck-ZVEX himself always seems to be on this forum:http://acapella.harmony-central.com/forumdisplay.php?s=&daysprune=10&f=29
he's quick to answer any questionss about his stuff.
s

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 20:51:31 2009
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Date: Tue, 16 Jun 2009 15:51:06 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #636 for June 11, 2009.
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http://wdiy.org/programs/gt/playlists/2009/090611.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #636                June 11, 2009.

RECAP:
On this show, I continued the month-long focus on the Ricochet
Gathering.  The Featured CD at Midnight was disk two from La Gomera on
the Ricochet Dream label.

Ricochet Gathering:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jun


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Dirk Serries         Microphonics III     Microphonics I-V (Tonefloat)
Faryus               Free Flying          Lucid Dreams (Faria)
Ray Carl Daye        Windsweeper          Spectral Navigator (Magnatune)
Johan Agebjorn       Dulciter Somni       Mossebo (Lotuspike)
Cluster              So Ney               Qua (Nepenthe)
Ricochet Gathering   Green As Green Can   La Gomera d2 (Ricochet Dream)
                       Be
Ricochet Gathering   Door In the Blue     La Gomera d2 (Ricochet Dream)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Ricochet Gathering   Islands On the Run   La Gomera d2 (Ricochet Dream)
Ricochet Gathering   Castillo On the      La Gomera d2 (Ricochet Dream)
                       Rocks
Ricochet Gathering   Joy of Swimming      La Gomera d2 (Ricochet Dream)
Ricochet Gathering   Out of Orange        La Gomera d2 (Ricochet Dream)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on the
Ricochet Gathering.  The Featured CD at Midnight will be disk three from
La Gomera on the Ricochet Dream label.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ-5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 22:41:49 2009
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Date: Tue, 16 Jun 2009 15:41:48 -0700
Message-ID: <bcd3c7bb0906161541x1b8bff7ar7796c5f31675f72@mail.gmail.com>
Subject: Re: Windows 7
From: Mark Sottilaro <zerocrossing@gmail.com>
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Over yonder on kvraudio.com a fair number of people seem to have moved
to Windows 7for audio pretty seamlessly. I briefly considered it but
after finding MOTU's 64bit drivers working well with Vista I decided
to play it safe and wait for the release.

On Tue, Jun 16, 2009 at 8:04 AM, Stephen
Goodman<spgoodman@earthlight.net> wrote:
> Given the recent query about Vista I must pop up to ask whether anyone el=
se
> is testing the RC for Windows 7?
>
> I've been running it as a server-type process for media files here at hom=
e
> and it's quite seamless from setup to operation. =A0After seeing it runni=
ng
> just fine in 64bit server mode for several months - and the RC is much le=
ss
> tweak-requiring - I've wondered about putting it on a machine designed fo=
r
> recording-editing music. =A0Heh, will Cool Edit Pro 2.0 survive this
> transition?
>
> Stephen Goodman
> *
> http://www.vimeo.com/spgoodman
> http://www.last.fm/music/Stephen+Goodman
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 22:53:52 2009
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Date: Wed, 17 Jun 2009 00:19:02 +0200
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Subject: Potential live looper tablet PC?
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New Gigabyte toyz:
http://www.theinquirer.net/inquirer/news/1271791/gaggle-gigabyte-goodies-tip

Scroll down to the T1028M tablet model with swirweling touchscreen.
Dunno.. Atom cpu and only 1GB ram..  but else potentially fairly sexy.


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 23:28:10 2009
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Date: Tue, 16 Jun 2009 16:20:56 -0700
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Subject: Re: Potential live looper tablet PC?
From: Mark Sottilaro <zerocrossing@gmail.com>
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My quest for a new PC kind of started by my "wow" factor after playing
around with the HP Touchsmart PCs.  For fun, I tried to keep track of
how often I'm actually manipulating things on the computer with my
mouse.  The answer was "surprisingly low."  The price of the
touchiness seemed to about double the cost of the computer (though to
be fair it had a built in monitor, but I don't need a monitor).  The
plain truth is my fingers are usually playing guitar or keyboard most
of the time and most other manipulation happens with pedals.

I'm still interested, but more from a "recreate the sci-fi fantasy"
that's going on in my head standpoint.  If I were more of a DJish/Daft
Punk kind of guy I may have bitten, but I'm going to wait and maybe
retrofit my monitor to become a touch screen at a later date.

On Tue, Jun 16, 2009 at 3:19 PM, van Sinn<vansinn@post.cybercity.dk> wrote:
> New Gigabyte toyz:
> http://www.theinquirer.net/inquirer/news/1271791/gaggle-gigabyte-goodies-=
tip
>
> Scroll down to the T1028M tablet model with swirweling touchscreen.
> Dunno.. Atom cpu and only 1GB ram.. =A0but else potentially fairly sexy.
>
>
> --
> rgds,
> van Sinn
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 16 23:28:30 2009
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For a long time, I've had a dream...

My dream is for a midi controller pedal that's kind of like the ones
that come with the Zoom G9.2tt

http://www.zoom.co.jp/english/products/g92tt/index.php

Basically a pedal with with two vectors for control. Rather than a
swivel I'd like for it to be pressure sensitive like aftertouch on a
keyboard.

I think it would be an amazing boon to guitarists and really any
instrumentalist who's hands are both tied up with those silly "notes."
 I wrote to IK about this a long time ago but they just put out a very
boring (but functional) USB2/Control pedal-audio IO device with
nothing very exciting.

Is there anything like this?  I'd hate to have to get an entire
effects processor just for that functionality.  Can something like
this be custom made?  A regular pedal retrofitted? Can peanutbutter
and chocolate combine in some sort of delicious candy?

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 01:08:49 2009
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Date: Tue, 16 Jun 2009 20:08:26 -0500
Subject: RE: Potential live looper tablet PC?
Thread-Topic: Potential live looper tablet PC?
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I'm in love with this...

    http://hexler.net/software/touchosc

The iTouch sends OSC messages over WiFi to a Mac running OSCulator.
OSCulator converts OSC to MIDI to a virtual device.  Mobius opens virtual
device and receives MIDI.   Velcro the iTouch to your guitar.  Mayhem ensue=
s.

Making this work with a PC seems to be a bit more hacky.  pd can do=20
OSC to MIDI conversion but I haven't found anything as elegant as OSCulator=
.

FWIW,
Jeff=

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 01:22:38 2009
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Subject: Re: Potential live looper tablet PC?
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That does look fun indeed...

On Tue, Jun 16, 2009 at 6:08 PM, Jeff Larson<jeff.larson@sailpoint.com> wro=
te:
> I'm in love with this...
>
> =A0 =A0http://hexler.net/software/touchosc
>
> The iTouch sends OSC messages over WiFi to a Mac running OSCulator.
> OSCulator converts OSC to MIDI to a virtual device. =A0Mobius opens virtu=
al
> device and receives MIDI. =A0 Velcro the iTouch to your guitar. =A0Mayhem=
 ensues.
>
> Making this work with a PC seems to be a bit more hacky. =A0pd can do
> OSC to MIDI conversion but I haven't found anything as elegant as OSCulat=
or.
>
> FWIW,
> Jeff
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 02:46:58 2009
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Date: Tue, 16 Jun 2009 22:46:58 -0400
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Subject: TC electronic interface
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Hi,
I've been looking for a half rack size interface. I've checked out 
the Motu ultralight but had some compatibility issues and wondered if 
anyone has used the TC electronic Konnekt 24 
http://www.tcelectronic.com/default.asp?id=11055 . On paper it looks 
real good and I've always had good luck with other equipment of 
theirs that I've had.

Any thoughts?


Paul Haslem
www.dulcify.ca
Ontario, Canada

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 03:17:18 2009
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Subject: Article on Steve Moyes Live Looping Gig
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--000e0cd28d4ac7ef13046c82a69f
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Amaranth Arthouse Music blog article on Steve's gig from 6-14-09.
http://jccombs.com/2009/06/17/ustream-fantasia-by-steve-moyes/

-- 
James Combs

--000e0cd28d4ac7ef13046c82a69f
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<span class=3D"gI"></span>Amaranth Arthouse Music blog article on Steve&#39=
;s gig from 6-14-09.=A0 <br><span class=3D"gI"><a href=3D"http://jccombs.co=
m/2009/06/17/ustream-fantasia-by-steve-moyes/">http://jccombs.com/2009/06/1=
7/ustream-fantasia-by-steve-moyes/</a></span><br clear=3D"all">
<br>-- <br>James Combs<br><br>

--000e0cd28d4ac7ef13046c82a69f--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 05:47:25 2009
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Subject: TC electronic interface
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> I've checked out the Motu ultralight but had some compatibility issues and wondered if anyone has used the TC electronic Konnekt 24 http://www.tcelectronic.com/default.asp?id=11055.
> On paper it looks real good and I've always had good luck with other equipment of theirs that I've had.
(Note that while you say "Konnekt 24", your link refers to the
"Konnekt 24D" - which I'll also refer to. And I'm going to do only a
quick, early morning review here).

* Lots of (sometimes knowledgeable) people have mentioned the high
quality of both the pres and the converters (the latters being
referred to as "the best converters in a complex interface below 1500
bucks" e.g. at recording.org). With only superficial comparisons, I
can second that.

* The thing is really big and heavy in comparison with other
interfaces with a comparable feature set. This may be of relevance in
a mobile performance setup; it won't fit into some of the more shallow
racks.

* The quality of the built-in effects is top-notch, both the Fabric R
reverb and the Fabric C channel strip. No wonder, these algorithms
reportedly come from the System6000.

* TC Electronic have issues both with stability and performance of
their drivers/chipset. Lots of people have reported this. In a
comparable application setting, obtainable latency settings have been
over double of those of other, sometimes considerably cheaper
interfaces (e.g. Presonus Firebox).

* In comparison with a lot of other interfaces, routing is VERY
inflexible in the onboard mixer. This does include that the Fabric C
algorithms can only be applied to input channels 1 and 2.

* In the same realm, the gain structure of the Fabric C and the mixer
is very inflexible. For that reason, level setting for some line
signals which come in below +4dB is at least impractical.

* won't go into the obvious (number of channels etc. here, you've most
probably already reviewd them in detail on their website).

Summarizing: the biggest issue for me is the drivers/chipset thing.
Here, they really don't live up to what we've come to expect from
their non-computer gear. The big size and weight may or may not be an
issue for you. If both items aren't a problem for you (e.g. if using
the interface for stationary recording purposes), then you get the
reportedly best converters in that price range, some high-quality pres
and some outstanding algorithms for the money which is not the
cheapest for the feature set.

Otherwise...you might look at a Marian UCON CX. Marian obviously faced
the problem that customers weren't able to accept a USB interface with
a professional feature set. But if you're able to accept that drivers
are available only for XP, you get them dead cheap at some factory
sales - if you get them.

              Rainer

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Article on Steve Moyes Live Looping Gig
Date: Wed, 17 Jun 2009 07:37:53 +0100
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Interesting blog - that was a wonderful gig. Very cool

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 17 Jun 2009, at 04:11, James wrote:

> Amaranth Arthouse Music blog article on Steve's gig from 6-14-09.
> http://jccombs.com/2009/06/17/ustream-fantasia-by-steve-moyes/
>
> -- 
> James Combs
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Interesting blog - that was a wonderful gig. Very cool<div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 17 Jun 2009, =
at 04:11, James wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"gI"></span>Amaranth Arthouse Music blog article on Steve's gig =
from 6-14-09.=A0 <br><span class=3D"gI"><a =
href=3D"http://jccombs.com/2009/06/17/ustream-fantasia-by-steve-moyes/">ht=
tp://jccombs.com/2009/06/17/ustream-fantasia-by-steve-moyes/</a></span><br=
 clear=3D"all"> <br>-- <br>James =
Combs<br><br></blockquote></div><br></div></body></html>=

--Apple-Mail-1-625501518--

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 07:55:32 2009
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Jeff Larson wrote:
> I'm in love with this...
> 
>     http://hexler.net/software/touchosc
> 
> The iTouch sends OSC messages over WiFi to a Mac running OSCulator.
> OSCulator converts OSC to MIDI to a virtual device.  Mobius opens virtual
> device and receives MIDI.   Velcro the iTouch to your guitar.  Mayhem ensues.
> 
> Making this work with a PC seems to be a bit more hacky.  pd can do 
> OSC to MIDI conversion but I haven't found anything as elegant as OSCulator.

Bidule seems to be OSC capable.


> 
> FWIW,
> Jeff
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 08:12:09 2009
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Subject: Re: XY controller pedal.
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I am friends with someone high up at Zoom and have been telling them  
this already...

there is the Moog MP-201

fingers crossed...

Teddy

On Jun 17, 2009, at 1:28 AM, Mark Sottilaro wrote:

> For a long time, I've had a dream...
>
> My dream is for a midi controller pedal that's kind of like the ones
> that come with the Zoom G9.2tt
>
> http://www.zoom.co.jp/english/products/g92tt/index.php
>
> Basically a pedal with with two vectors for control. Rather than a
> swivel I'd like for it to be pressure sensitive like aftertouch on a
> keyboard.
>
> I think it would be an amazing boon to guitarists and really any
> instrumentalist who's hands are both tied up with those silly "notes."
> I wrote to IK about this a long time ago but they just put out a very
> boring (but functional) USB2/Control pedal-audio IO device with
> nothing very exciting.
>
> Is there anything like this?  I'd hate to have to get an entire
> effects processor just for that functionality.  Can something like
> this be custom made?  A regular pedal retrofitted? Can peanutbutter
> and chocolate combine in some sort of delicious candy?

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 08:16:20 2009
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To: Loopers-Delight@loopers-delight.com
From: topu lyo <topulyo@gmail.com>
Subject: venues in boston//  july 3rd???
Date: Wed, 17 Jun 2009 04:08:42 -0400
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Hello loopers

i am a nyc looper and am trying to just fill in one date in my small  
east coast tour.
if anyone has any leads to a venue / contact on july 3rd in boston we  
would much
appreciate any info.

the band name is

livefootagebrooklyn.com
myspace.com/livefootagebrooklyn

it is cello and drum electronic duo ::  drum n' bass / classical /  
ambient

hope all is well in the world of looping!!!

topu

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 08:40:49 2009
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Date: Wed, 17 Jun 2009 10:40:47 +0200
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Subject: Re:TC electronic interface
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> Hi,
> I've been looking for a half rack size interface. I've checked out 
> the Motu ultralight but had some compatibility issues

Hi Paul,
I'm using the Motu Ultralite on OSX 10.5 since Jan '09 and I haven't had =
a single hic-up with it. What specific issues did you experience? 
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/

__________________________________
Scarlet schrapt download limiet!
Scarlet NO LIMIT nu slechts 19,95 EUR 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 09:05:06 2009
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Subject: Re: Windows 7
Date: Wed, 17 Jun 2009 10:04:48 +0100
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Since the Win7 RC will run until June 1 2010 it's a fair bet that this will 
be investigated further..!

----- Original Message ----- 
From: "Mark Sottilaro" <zerocrossing@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 16, 2009 11:41 PM
Subject: Re: Windows 7


Over yonder on kvraudio.com a fair number of people seem to have moved
to Windows 7for audio pretty seamlessly. I briefly considered it but
after finding MOTU's 64bit drivers working well with Vista I decided
to play it safe and wait for the release.

On Tue, Jun 16, 2009 at 8:04 AM, Stephen
Goodman<spgoodman@earthlight.net> wrote:
> Given the recent query about Vista I must pop up to ask whether anyone 
> else
> is testing the RC for Windows 7?
>
> I've been running it as a server-type process for media files here at home
> and it's quite seamless from setup to operation. After seeing it running
> just fine in 64bit server mode for several months - and the RC is much 
> less
> tweak-requiring - I've wondered about putting it on a machine designed for
> recording-editing music. Heh, will Cool Edit Pro 2.0 survive this
> transition?
>
> Stephen Goodman
> *
> http://www.vimeo.com/spgoodman
> http://www.last.fm/music/Stephen+Goodman
>
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 11:30:30 2009
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Subject: Re: Potential live looper tablet PC?
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I'll still wait for whatever tablet device Apple is planning...
-- 
GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate und Telefonanschluss
für nur 17,95 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

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Date: Wed, 17 Jun 2009 13:47:28 +0200
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Subject: Re: TC electronic interface
From: Raul Bonell <raul.bonell@gmail.com>
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what about the tc konnekt live? has it been discontinued?


2009/6/17, Rainer Straschill <moinsound@googlemail.com>:
>> I've checked out the Motu ultralight but had some compatibility issues and
>> wondered if anyone has used the TC electronic Konnekt 24
>> http://www.tcelectronic.com/default.asp?id=11055.
>> On paper it looks real good and I've always had good luck with other
>> equipment of theirs that I've had.
> (Note that while you say "Konnekt 24", your link refers to the
> "Konnekt 24D" - which I'll also refer to. And I'm going to do only a
> quick, early morning review here).
>
> * Lots of (sometimes knowledgeable) people have mentioned the high
> quality of both the pres and the converters (the latters being
> referred to as "the best converters in a complex interface below 1500
> bucks" e.g. at recording.org). With only superficial comparisons, I
> can second that.
>
> * The thing is really big and heavy in comparison with other
> interfaces with a comparable feature set. This may be of relevance in
> a mobile performance setup; it won't fit into some of the more shallow
> racks.
>
> * The quality of the built-in effects is top-notch, both the Fabric R
> reverb and the Fabric C channel strip. No wonder, these algorithms
> reportedly come from the System6000.
>
> * TC Electronic have issues both with stability and performance of
> their drivers/chipset. Lots of people have reported this. In a
> comparable application setting, obtainable latency settings have been
> over double of those of other, sometimes considerably cheaper
> interfaces (e.g. Presonus Firebox).
>
> * In comparison with a lot of other interfaces, routing is VERY
> inflexible in the onboard mixer. This does include that the Fabric C
> algorithms can only be applied to input channels 1 and 2.
>
> * In the same realm, the gain structure of the Fabric C and the mixer
> is very inflexible. For that reason, level setting for some line
> signals which come in below +4dB is at least impractical.
>
> * won't go into the obvious (number of channels etc. here, you've most
> probably already reviewd them in detail on their website).
>
> Summarizing: the biggest issue for me is the drivers/chipset thing.
> Here, they really don't live up to what we've come to expect from
> their non-computer gear. The big size and weight may or may not be an
> issue for you. If both items aren't a problem for you (e.g. if using
> the interface for stationary recording purposes), then you get the
> reportedly best converters in that price range, some high-quality pres
> and some outstanding algorithms for the money which is not the
> cheapest for the feature set.
>
> Otherwise...you might look at a Marian UCON CX. Marian obviously faced
> the problem that customers weren't able to accept a USB interface with
> a professional feature set. But if you're able to accept that drivers
> are available only for XP, you get them dead cheap at some factory
> sales - if you get them.
>
>               Rainer
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 12:48:43 2009
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my tc konnekt 24d sounds great but tc doesn't support atom processors - 
a real bummer for travelling musicians. (forget tablet pcs and mini 
notebooks)
this is definitely not a plug and play product.
the konnekts have driver issues. the firewire chipset is of utmost 
importance (should better be texas instruments).
lots of little things have to be done before the konnekt runs with xp - 
stop any wireless connection, change power management, get servicepack 
3, get two updates on firewire management.
when you're through that, it's an enjoyable tool.

t

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Hi Sjaak,

I'm using a PC and running xp sp3. The local store loaned me an 896 
HD and I also tried out the ultralight and would get this occasional 
dropout proceeded by a micro second high frequency squeal and pop. 
I've tried every firewire card I could get my hands on, made sure 
that they had the Texas Instruments chipset, not running anything 
else on the computer, optimized the operating system. I've spent 
hours talking with the store technicians and on the phone with Motu 
and tried every solution they could think of except changing over to a mac.

This has all been with an Intel motherboard, Intel duo core cpu and 4 gig ram.

I have a focusrite saphire pro 26I/O that works with it no issues, 
but was wanting to run a second computer to process midi synth sounds 
into my present setup. I am also hoping to use this to interface my 
Yamaha O3D via Adat into the computer.


Paul







At 04:40 AM 6/17/2009, you wrote:
> > Hi,
> > I've been looking for a half rack size interface. I've checked out
> > the Motu ultralight but had some compatibility issues
>
>Hi Paul,
>I'm using the Motu Ultralite on OSX 10.5 since Jan '09 and I haven't 
>had a single hic-up with it. What specific issues did you experience?
>---
>Sjaak
>http://euroloopfest.com/
>http://sjaakovergaauw.com/
>
>__________________________________
>Scarlet schrapt download limiet!
>Scarlet NO LIMIT nu slechts 19,95 EUR
>Ga naar www.scarlet.be voor meer info!

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--------------040105040500020101050906--

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Subject: RE: Article on Steve Moyes Live Looping Gig
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> blog article on Steve's gig from 6-14-09 
 
watched this clip and loved your music a lot Steve !! 
 
-Michael Peters
 

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<DIV dir=3Dltr align=3Dleft><FONT face=3DArial size=3D2><SPAN=20
class=3D500595613-17062009>&gt; </SPAN></FONT>blog article on Steve's =
gig from=20
6-14-09<SPAN class=3D500595613-17062009><FONT face=3DArial=20
size=3D2>&nbsp;</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D500595613-17062009></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D500595613-17062009><FONT =
face=3DArial=20
size=3D2>watched this clip and loved your music a lot Steve=20
!!</FONT>&nbsp;</SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D500595613-17062009><FONT =
face=3DArial=20
size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D500595613-17062009><FONT =
face=3DArial=20
size=3D2>-Michael Peters</FONT></SPAN></DIV>
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 14:23:35 2009
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From: "eterogeneo" <info@eterogeneo.com>
To: <Loopers-Delight@loopers-delight.com>
Cc: <mp@michaelpeters.de>
Subject: OT: Eno about record business
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http://www.prospect-magazine.co.uk/article_details.php?id=3D10784


Fabio=20
www.eterogeneo.com
www.myspace.com/eterogeneo

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<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio <BR><A=20
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A><BR><A=20
href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogeneo</A>=
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From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 15:34:12 2009
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Subject: Re: XY controller pedal.
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> I am friends with someone high up at Zoom and have been telling them this already...

Teddy,

could you ask this friend what that is supposed to mean:
"Ultra low noise design with 120 dB S/N ratio and -100 dB noise floor"
(from the product page at
http://www.zoom.co.jp/english/products/g92tt/index.php)

That means the noise is at -100dB, and the signal with a SNR of 120 is
at 20dB. 20dB compared to what? Or should that say -100dBu, so 0dBFS
is at 20dBu?

              Rainer

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Date: Wed, 17 Jun 2009 17:35:46 +0200
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I could ask him that but he won't have an answer. Why not just ask  
zooms tech support yourself?

Teddy Kumpel
http://teddyjam.com

On Jun 17, 2009, at 5:34 PM, Rainer Straschill  
<moinsound@googlemail.com> wrote:

>> I am friends with someone high up at Zoom and have been telling  
>> them this already...
>
> Teddy,
>
> could you ask this friend what that is supposed to mean:
> "Ultra low noise design with 120 dB S/N ratio and -100 dB noise floor"
> (from the product page at
> http://www.zoom.co.jp/english/products/g92tt/index.php)
>
> That means the noise is at -100dB, and the signal with a SNR of 120 is
> at 20dB. 20dB compared to what? Or should that say -100dBu, so 0dBFS
> is at 20dBu?
>
>              Rainer
>

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Date: Wed, 17 Jun 2009 18:49:53 +0200
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Subject: Re: XY controller pedal. - and audio specs
From: Rainer Straschill <moinsound@googlemail.com>
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>> could you ask this friend what that is supposed to mean:
>> "Ultra low noise design with 120 dB S/N ratio and -100 dB noise floor"
> I could ask him that but he won't have an answer. Why not just ask zooms tech support yourself?

Thanks, Teddy, and sorry for writing my original email in jest. I
actually wanted to mock Zoom for putting specs on their page which say
as much as "it goes to eleven".
(and the following message is in no way meant as any form of critizism
towards you, just to make sure this is understood).

(Science lecture following):
This is actually a rather fitting comparison. "dB" is not an actual
measurement unit, rather, it's the logarithm of the comparison of two
values, something like 20 log x/xref (with "x" being the thing we're
talking about and "xref" being the reference it's compared to). So,
just as in the Spinal Tap reference, a statement like "-100dB" doesn't
say anything at all, because we don't know how big our xref is.
It's different in the signal to noise ratio, simply because here
"signal" is x and "noise" is xref.
(babbling ends here).

There has been a tendency among a great deal of manufacturers (and
that's nothing new, this has been part of the home audio scene long
before we all had computers) to just invent some fantasy values and
use them for marketing.

So even with the 120dB SNR thing, what about:
  * weighting curve applied (applying the typical "A" curve usually
gives you 'round 3dB for that kind of device), or none applied.
  * sample rate and bit depth selected (if not implicitly clear from
the context).
  * frequency ranged considered for the measurements .

For comparison, let's look at the Konnekt24D specs (that device I had
been bitching about earlier):
"SNR: >111 dB (A), >108 dB, 20 Hz to 20 kHz"

Now that's more like it.

But I digress...the message should be that:
With today's gear, SNR is not an issue for all the guitarist-oriented
gear I know, as even the rating of the poor devices is one order of
magnitude higher than that of a guitar. But if you absolutely need to
consider them (for whatever reason), make sure you compare figures
which talk about the same thing.

Best,

              Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 17:11:04 2009
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From: "Steve Moyes" <stephenmoyes@blueyonder.co.uk>
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References: <14389e070906162011u5c9d8e10i97bd5087ce64007@mail.gmail.com>
Subject: Re: Article on Steve Moyes Live Looping Gig
Date: Wed, 17 Jun 2009 18:11:05 +0100
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------=_NextPart_000_005F_01C9EF76.FB336A80
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	charset="iso-8859-1"
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Thanks you so much James for taking the time to write about my little =
Ustream adventures. Thanks to Matt and Michael too for for your kind =
words of encouragement. I hope between us we can encourage more =
musicians from here on LD and elswhere to take advantage of the =
wonderful opportunities presented by these live streaming intenet sites.

I should also say once again how much I've enjoyed the recent live =
streaming gigs by Matt, Jim, James, Rainer and others. So much amazing =
music. I feel so fortunate to be a small part of this worldwide =
community of creative musicians and everyone here at Loopers Delight and =
over on NetNewMusic is a constant source of inspiration to me.

Thanks again James and everyone and keep the great music coming.

Steve


www.stevemoyes.org.uk
www.creativemusic.org.uk
www.twitter.com/SteveMoyes
  ----- Original Message -----=20
  From: James=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, June 17, 2009 4:11 AM
  Subject: Article on Steve Moyes Live Looping Gig


  Amaranth Arthouse Music blog article on Steve's gig from 6-14-09. =20
  http://jccombs.com/2009/06/17/ustream-fantasia-by-steve-moyes/

  --=20
  James Combs


------=_NextPart_000_005F_01C9EF76.FB336A80
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3562" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Thanks you so much James for taking the time to write about my =
little=20
Ustream adventures. Thanks to Matt and&nbsp;Michael too for for your =
kind words=20
of encouragement. I hope between us we can encourage more musicians from =
here on=20
LD and elswhere to take advantage of the wonderful opportunities =
presented by=20
these live streaming intenet sites.</DIV>
<DIV>&nbsp;</DIV>
<DIV>I should also say once again how much I've enjoyed the recent live=20
streaming gigs by Matt, Jim, James, Rainer and others. So much amazing =
music. I=20
feel so fortunate to be a small part of this worldwide community of =
creative=20
musicians and everyone here at Loopers Delight and over on NetNewMusic =
is a=20
constant source of inspiration to me.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks again James and everyone and keep the great music =
coming.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Steve</DIV>
<DIV>&nbsp;</DIV>
<DIV><BR><A href=3D"http://www.stevemoyes.org.uk"><FONT=20
size=3D2>www.stevemoyes.org.uk</FONT></A><BR><A=20
href=3D"http://www.creativemusic.org.uk"><FONT=20
size=3D2>www.creativemusic.org.uk</FONT></A><BR><A=20
href=3D"http://www.twitter.com/SteveMoyes"><FONT=20
size=3D2>www.twitter.com/SteveMoyes</FONT></A></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dpresident.james@gmail.com=20
  href=3D"mailto:president.james@gmail.com">James</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, June 17, 2009 =
4:11=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Article on Steve Moyes =
Live=20
  Looping Gig</DIV>
  <DIV><BR></DIV><SPAN class=3DgI></SPAN>Amaranth Arthouse Music blog =
article on=20
  Steve's gig from 6-14-09.&nbsp; <BR><SPAN class=3DgI><A=20
  =
href=3D"http://jccombs.com/2009/06/17/ustream-fantasia-by-steve-moyes/">h=
ttp://jccombs.com/2009/06/17/ustream-fantasia-by-steve-moyes/</A></SPAN><=
BR=20
  clear=3Dall><BR>-- <BR>James Combs<BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_005F_01C9EF76.FB336A80--


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Date: Wed, 17 Jun 2009 10:27:15 -0700
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Subject: Re: Article on Steve Moyes Live Looping Gig
From: James <president.james@gmail.com>
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No problem, Steve.  Keep the great gigs coming and happy birthday~!

On Wed, Jun 17, 2009 at 10:11 AM, Steve Moyes <stephenmoyes@blueyonder.co.uk
> wrote:

>  Thanks you so much James for taking the time to write about my little
> Ustream adventures. Thanks to Matt and Michael too for for your kind words
> of encouragement. I hope between us we can encourage more musicians from
> here on LD and elswhere to take advantage of the wonderful opportunities
> presented by these live streaming intenet sites.
>
> I should also say once again how much I've enjoyed the recent live
> streaming gigs by Matt, Jim, James, Rainer and others. So much amazing
> music. I feel so fortunate to be a small part of this worldwide community of
> creative musicians and everyone here at Loopers Delight and over on
> NetNewMusic is a constant source of inspiration to me.
>
> Thanks again James and everyone and keep the great music coming.
>
> Steve
>
>
> www.stevemoyes.org.uk
> www.creativemusic.org.uk
> www.twitter.com/SteveMoyes
>
> ----- Original Message -----
> *From:* James <president.james@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Wednesday, June 17, 2009 4:11 AM
> *Subject:* Article on Steve Moyes Live Looping Gig
>
> Amaranth Arthouse Music blog article on Steve's gig from 6-14-09.
> http://jccombs.com/2009/06/17/ustream-fantasia-by-steve-moyes/
>
> --
> James Combs
>
>


-- 
James

--000e0cd328a6386b00046c8e9a0b
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Content-Transfer-Encoding: quoted-printable

No problem, Steve.=A0 Keep the great gigs coming and happy birthday~!<br><b=
r><div class=3D"gmail_quote">On Wed, Jun 17, 2009 at 10:11 AM, Steve Moyes =
<span dir=3D"ltr">&lt;<a href=3D"mailto:stephenmoyes@blueyonder.co.uk">step=
henmoyes@blueyonder.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div>Thanks you so much James for taking the time to write about my little=
=20
Ustream adventures. Thanks to Matt and=A0Michael too for for your kind word=
s=20
of encouragement. I hope between us we can encourage more musicians from he=
re on=20
LD and elswhere to take advantage of the wonderful opportunities presented =
by=20
these live streaming intenet sites.</div>
<div>=A0</div>
<div>I should also say once again how much I&#39;ve enjoyed the recent live=
=20
streaming gigs by Matt, Jim, James, Rainer and others. So much amazing musi=
c. I=20
feel so fortunate to be a small part of this worldwide community of creativ=
e=20
musicians and everyone here at Loopers Delight and over on NetNewMusic is a=
=20
constant source of inspiration to me.</div>
<div>=A0</div>
<div>Thanks again James and everyone and keep the great music coming.</div>
<div>=A0</div>
<div>Steve</div>
<div>=A0</div>
<div><br><a href=3D"http://www.stevemoyes.org.uk" target=3D"_blank"><font s=
ize=3D"2">www.stevemoyes.org.uk</font></a><br><a href=3D"http://www.creativ=
emusic.org.uk" target=3D"_blank"><font size=3D"2">www.creativemusic.org.uk<=
/font></a><br>
<a href=3D"http://www.twitter.com/SteveMoyes" target=3D"_blank"><font size=
=3D"2">www.twitter.com/SteveMoyes</font></a></div><div><div></div><div clas=
s=3D"h5">
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-right: 0p=
x; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;">----- Original Message ----- </div>
  <div style=3D"background: rgb(228, 228, 228) none repeat scroll 0% 0%; -m=
oz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -mo=
z-background-inline-policy: -moz-initial; font-family: arial; font-style: n=
ormal; font-variant: normal; font-weight: normal; font-size: 10pt; line-hei=
ght: normal; font-size-adjust: none; font-stretch: normal;">
<b>From:</b>=20
  <a title=3D"president.james@gmail.com" href=3D"mailto:president.james@gma=
il.com" target=3D"_blank">James</a> </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>To:</b> <a title=3D"Loopers-Delight@lo=
opers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" targ=
et=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Sent:</b> Wednesday, June 17, 2009 4:1=
1=20
  AM</div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Subject:</b> Article on Steve Moyes Li=
ve=20
  Looping Gig</div>
  <div><br></div><span></span>Amaranth Arthouse Music blog article on=20
  Steve&#39;s gig from 6-14-09.=A0 <br><span><a href=3D"http://jccombs.com/=
2009/06/17/ustream-fantasia-by-steve-moyes/" target=3D"_blank">http://jccom=
bs.com/2009/06/17/ustream-fantasia-by-steve-moyes/</a></span><br clear=3D"a=
ll">
<br>-- <br>James Combs<br><br></blockquote></div></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>James<br><br>

--000e0cd328a6386b00046c8e9a0b--

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Date: Wed, 17 Jun 2009 10:41:44 -0700
Message-ID: <bcd3c7bb0906171041x3bde1feej6ef8cebd971fc80@mail.gmail.com>
Subject: Re: XY controller pedal. - and audio specs
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Right, when we all know that zero is the loudest. ;)

On Wed, Jun 17, 2009 at 9:49 AM, Rainer
Straschill<moinsound@googlemail.com> wrote:

> just as in the Spinal Tap reference, a statement like "-100dB" doesn't
> say anything at all,

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 18:44:54 2009
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Date: Wed, 17 Jun 2009 14:44:54 -0400
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Subject: OT: FS - DD-20 and SP-555
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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I have for sale a DD-20, almost new, in box with manual and boss power
supply ($180 plus shipping) and a SP-555 with manual, very light
studio use and no wear ($450 plus shipping).  Please email me off list
if you're intested.

Sylvain

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 19:59:48 2009
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Date: Wed, 17 Jun 2009 12:59:46 -0700
Message-ID: <bcd3c7bb0906171259w753dfcfdk88be99edc0dc00ca@mail.gmail.com>
Subject: Re: Windows 7
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'm actually on day 3 of Vista and I'm close to trashing everything
and trying out 7.  I have not had a single installation go without a
hitch or issue of some kind.  It's like some kind of perverse
nightmare where Vista is an OS designed to only run itself. Frankly,
if I could find a copy of XP I'd be so happy.   I have a few fixes
I've found on the web that I'll try tonight, but if I can't get Live,
Mobius and Amplitube up and running tonight I may just return this
computer and go back to my very friendly G5.

Oh, btw: Macs are better.


On Wed, Jun 17, 2009 at 2:04 AM, Stephen
Goodman<spgoodman@earthlight.net> wrote:
> Since the Win7 RC will run until June 1 2010 it's a fair bet that this will
> be investigated further..!
>
> ----- Original Message ----- From: "Mark Sottilaro" <zerocrossing@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, June 16, 2009 11:41 PM
> Subject: Re: Windows 7
>
>
> Over yonder on kvraudio.com a fair number of people seem to have moved
> to Windows 7for audio pretty seamlessly. I briefly considered it but
> after finding MOTU's 64bit drivers working well with Vista I decided
> to play it safe and wait for the release.
>
> On Tue, Jun 16, 2009 at 8:04 AM, Stephen
> Goodman<spgoodman@earthlight.net> wrote:
>>
>> Given the recent query about Vista I must pop up to ask whether anyone
>> else
>> is testing the RC for Windows 7?
>>
>> I've been running it as a server-type process for media files here at home
>> and it's quite seamless from setup to operation. After seeing it running
>> just fine in 64bit server mode for several months - and the RC is much
>> less
>> tweak-requiring - I've wondered about putting it on a machine designed for
>> recording-editing music. Heh, will Cool Edit Pro 2.0 survive this
>> transition?
>>
>> Stephen Goodman
>> *
>> http://www.vimeo.com/spgoodman
>> http://www.last.fm/music/Stephen+Goodman
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 21:09:27 2009
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From: "qrd@juno.com" <qrd@juno.com>
Date: Wed, 17 Jun 2009 21:00:43 GMT
To: Loopers-Delight@loopers-delight.com
Subject: Father's Day Interview Series for QRD
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Hey Starz,

The newest issue of QRD interviews about a dozen musician dad's about ba=
lancing family & art.  The interviewees are Nicholas Slaton of slicnaton=
, Shaun Sandor of Promute, Chris Bonner of THe BAcksliders, Matthew Kend=
all of Rogue Motel, Bevan Hurd of The Very Foundation, Michael Jarmer of=
 Here Comes Everybody, Chris Williams of Maple Stave, Brian John Mitchel=
l of Remora, Kyle Monday of Carta, Bill Tollner of Amadan, Sacha Galvagn=
a of Carta, Robert Brown of Northern Valentine, & Benjamin L=F8zninger o=
f L=F8zninger.  Hope you dig it.
http://www.silbermedia.com/qrd

hrt
Brian John Mitchell

____________________________________________________________
Best Weight Loss Program - Click Here!
http://thirdpartyoffers.juno.com/TGL2131/fc/BLSrjnsEGrGM52sQVzAZ24VD5J6s=
eWkm5U6FMGSRgp31dWER8FpgU5CIWUQ/

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 21:12:18 2009
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Date: Wed, 17 Jun 2009 14:04:36 -0700
Message-ID: <c70e517b0906171404v32ee92cdg2dac1734953178ea@mail.gmail.com>
Subject: Re: venues in boston// july 3rd???
From: Matt Davignon <mattdavignon@gmail.com>
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Check out Mark Francombe's document of "looping venues"
http://www.markfrancombe.com/wordpress/?page_id=3D525
(Follow the green link on this page.)

I found this very useful in booking my own east coast tour. Boston
gives me the feeling that they need a lot more notice to book. I
started setting up my show there back in March.

Matt Davignon
www.ribosomemusic.com
(now updated with tour dates!)

On Wed, Jun 17, 2009 at 1:08 AM, topu lyo<topulyo@gmail.com> wrote:
> Hello loopers
>
> i am a nyc looper and am trying to just fill in one date in my small east
> coast tour.
> if anyone has any leads to a venue / contact on july 3rd in boston we wou=
ld
> much
> appreciate any info.
>
> the band name is
>
> livefootagebrooklyn.com
> myspace.com/livefootagebrooklyn
>
> it is cello and drum electronic duo :: =A0drum n' bass / classical / ambi=
ent
>
> hope all is well in the world of looping!!!
>
> topu
>
>

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Date: Wed, 17 Jun 2009 23:17:59 +0200
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Subject: Re: OT: Eno about record business
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thanks fabio. nice short reading. although nothing new under the sun here.

2009/6/17, eterogeneo <info@eterogeneo.com>:
> http://www.prospect-magazine.co.uk/article_details.php?id=10784
>
>
> Fabio
> www.eterogeneo.com
> www.myspace.com/eterogeneo
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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I'd go one step further than Dr. Eno and say that people don't even go
to a show for the music or performance, but more often for the chance
to be with a group of like-minded people. (and to drink beer and
convince a member of the opposite sex to have sex with you)  The music
is an excuse.

On Wed, Jun 17, 2009 at 2:17 PM, Raul Bonell<raul.bonell@gmail.com> wrote:
> thanks fabio. nice short reading. although nothing new under the sun here.
>
> 2009/6/17, eterogeneo <info@eterogeneo.com>:
>> http://www.prospect-magazine.co.uk/article_details.php?id=10784
>>
>>
>> Fabio
>> www.eterogeneo.com
>> www.myspace.com/eterogeneo
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 21:34:31 2009
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Mark said:
"...people don't even go to a show for the music or performance, but
more often for the chance to be with a group of like-minded people.
(and to drink beer and convince a member of the opposite sex to have
sex with you)  The music is an excuse."

Now, don't be so narrow-minded, Mark, and rather do embrace the fact
that people take your shows as an excuse to possible convince a member
of the same sex to have sex with them (or you, whatever may be the
case ;).

Best,

            Rainer

From maggiclark6@gmail.com  Wed Jun 17 21:39:36 2009
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Subject: From Adamu Yazid
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To: undisclosed-recipients:;

Attn sir,
I am Barrister Adamu Yazid, my late client MR. Haryanto Tomo from
Indonesia who died in tsunami, trusted in my care the sum

of =A330Million Pounds, i am contacting to receive the full amount in
your account we are going to share it 50/50 we are also

going to share the expenses which is the transfer fee bond from the
bank 50/50 also call me and email if you like us to move

on.

Thanks
Barrister Adamu Yazid
Email: adamuyazid3@indiatimes.com
Email: maggi1@sibmail.com
direct line +4470-111-47758

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 22:41:35 2009
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Subject: glitch sequencer
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A promising midi sequencer, looks like psuedo random based on a seed 
.... kinda fun.  Since it loops and could be integrated with looping 
technology out there, I think it relevant ...

http://www.glitch-sequencer.com/

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Mark,

I strongly recommend you trash vista and try 7. 7 is miles ahead in every w=
ay.

os x is still the best though imo.

On Wed, Jun 17, 2009 at 12:59 PM, Mark Sottilaro<zerocrossing@gmail.com> wr=
ote:
> I'm actually on day 3 of Vista and I'm close to trashing everything
> and trying out 7. =A0I have not had a single installation go without a
> hitch or issue of some kind. =A0It's like some kind of perverse
> nightmare where Vista is an OS designed to only run itself. Frankly,
> if I could find a copy of XP I'd be so happy. =A0 I have a few fixes
> I've found on the web that I'll try tonight, but if I can't get Live,
> Mobius and Amplitube up and running tonight I may just return this
> computer and go back to my very friendly G5.
>
> Oh, btw: Macs are better.
>
>
> On Wed, Jun 17, 2009 at 2:04 AM, Stephen
> Goodman<spgoodman@earthlight.net> wrote:
>> Since the Win7 RC will run until June 1 2010 it's a fair bet that this w=
ill
>> be investigated further..!
>>
>> ----- Original Message ----- From: "Mark Sottilaro" <zerocrossing@gmail.=
com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Tuesday, June 16, 2009 11:41 PM
>> Subject: Re: Windows 7
>>
>>
>> Over yonder on kvraudio.com a fair number of people seem to have moved
>> to Windows 7for audio pretty seamlessly. I briefly considered it but
>> after finding MOTU's 64bit drivers working well with Vista I decided
>> to play it safe and wait for the release.
>>
>> On Tue, Jun 16, 2009 at 8:04 AM, Stephen
>> Goodman<spgoodman@earthlight.net> wrote:
>>>
>>> Given the recent query about Vista I must pop up to ask whether anyone
>>> else
>>> is testing the RC for Windows 7?
>>>
>>> I've been running it as a server-type process for media files here at h=
ome
>>> and it's quite seamless from setup to operation. After seeing it runnin=
g
>>> just fine in 64bit server mode for several months - and the RC is much
>>> less
>>> tweak-requiring - I've wondered about putting it on a machine designed =
for
>>> recording-editing music. Heh, will Cool Edit Pro 2.0 survive this
>>> transition?
>>>
>>> Stephen Goodman
>>> *
>>> http://www.vimeo.com/spgoodman
>>> http://www.last.fm/music/Stephen+Goodman
>>>
>>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 22:51:17 2009
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Subject: Re: OT: Eno about record business
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It's not narrow minded as an observation of the audiences at every
single loopfest I've ever gone to.  The audience are the performers.
There are a narrow slice of people who do go to shows for the music,
but we're a sadly small minority.

Now tickets to concerts and drinking at clubs,
Sometimes for music that you haven't even heard of.
And how much did you pay for your rock'n'roll t-shirt
That proves you were there,
That you heard of them first?

-Cake

and while I'm quoting Cake, the last time I saw them they were very
hard to see (bad tickets, we were far away) and the sound was fair at
best (shitty compared to what I'm used to hearing from my modest home
stereo).  Why did we go?  It was way more about a date with my wife
than it was the show itself even though my wife and I are both big
fans.

(p.s. we didn't buy a teeshirt)

On Wed, Jun 17, 2009 at 2:34 PM, Rainer
Straschill<moinsound@googlemail.com> wrote:
> Mark said:
> "...people don't even go to a show for the music or performance, but
> more often for the chance to be with a group of like-minded people.
> (and to drink beer and convince a member of the opposite sex to have
> sex with you) =A0The music is an excuse."
>
> Now, don't be so narrow-minded, Mark, and rather do embrace the fact
> that people take your shows as an excuse to possible convince a member
> of the same sex to have sex with them (or you, whatever may be the
> case ;).
>
> Best,
>
> =A0 =A0 =A0 =A0 =A0 =A0Rainer
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 23:05:18 2009
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Date: Thu, 18 Jun 2009 01:05:15 +0200
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Subject: Re: glitch sequencer
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nice! also java needed for the windows xp users ... can be downloaded
for free at http://www.java.com

2009/6/18, Aaron Leese <aaronleese@flyloops.com>:
>
>
> A promising midi sequencer, looks like psuedo random based on a seed
> .... kinda fun.  Since it loops and could be integrated with looping
> technology out there, I think it relevant ...
>
> http://www.glitch-sequencer.com/
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 23:08:52 2009
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Date: Wed, 17 Jun 2009 16:08:51 -0700
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Subject: Re: Windows 7
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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If I could find one person who said, "Yeah, I'm running Windows 7 and
a MOTU 828 with Live 8 and it works great" I think I would, but I
can't seem to find that person.  I guess I'm wondering if I want to be
that test subject and take on all the work that it might mean.  "Hey
Live tech support person, I can't get your software working right...
OS?  Er... WIndows 7 beta... Uh.  Yeah."

Can you see how that could go?

That said, I've spent quite a few hours and I basically have Live and
the MOTU drivers installed.  Awesome.  Live doesn't seem to see any
flavor of Amplitube or Mobius.  I've been told many times that Vista
was a giant pile of flaming poop, and so far it's lived up to it's
reputation.

I think I'll give it one more chance before I go ballistic. I've read
a few things about disabling UAC and moving your VST folder outside
the programs folder.  If I don't get it tonight, I'll give Win 7a go.

It's funny, my first inclination when Jeff ported Mobius to OSX was to
move back to my G5 for music, but since my time in XPlandia I've made
a few other friends.  One of them is called mDrummer.  Another
Jamstix.  Cool little VSTs that replicate how someone who's not a
drummer might communicate with a session drummer.  You can seed them
with a basic beat and they listen to you and react in real time.
There's nothing remotely like it (that I know of) for OSX.  I could go
back to crafting each beat myself, but I get limited time and I was
really loving the short amount of time I could go from nothing to a
full looped "piece" by using an AI helper for drums. I do like
programming drums, but I like playing guitar and keyboard (if you can
call my keyboard playing that!) a lot more.

On Wed, Jun 17, 2009 at 3:44 PM, Nick<ParadoxQuine@gmail.com> wrote:
> Mark,
>
> I strongly recommend you trash vista and try 7. 7 is miles ahead in every=
 way.
>
> os x is still the best though imo.
>
> On Wed, Jun 17, 2009 at 12:59 PM, Mark Sottilaro<zerocrossing@gmail.com> =
wrote:
>> I'm actually on day 3 of Vista and I'm close to trashing everything
>> and trying out 7. =A0I have not had a single installation go without a
>> hitch or issue of some kind. =A0It's like some kind of perverse
>> nightmare where Vista is an OS designed to only run itself. Frankly,
>> if I could find a copy of XP I'd be so happy. =A0 I have a few fixes
>> I've found on the web that I'll try tonight, but if I can't get Live,
>> Mobius and Amplitube up and running tonight I may just return this
>> computer and go back to my very friendly G5.
>>
>> Oh, btw: Macs are better.
>>
>>
>> On Wed, Jun 17, 2009 at 2:04 AM, Stephen
>> Goodman<spgoodman@earthlight.net> wrote:
>>> Since the Win7 RC will run until June 1 2010 it's a fair bet that this =
will
>>> be investigated further..!
>>>
>>> ----- Original Message ----- From: "Mark Sottilaro" <zerocrossing@gmail=
.com>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Sent: Tuesday, June 16, 2009 11:41 PM
>>> Subject: Re: Windows 7
>>>
>>>
>>> Over yonder on kvraudio.com a fair number of people seem to have moved
>>> to Windows 7for audio pretty seamlessly. I briefly considered it but
>>> after finding MOTU's 64bit drivers working well with Vista I decided
>>> to play it safe and wait for the release.
>>>
>>> On Tue, Jun 16, 2009 at 8:04 AM, Stephen
>>> Goodman<spgoodman@earthlight.net> wrote:
>>>>
>>>> Given the recent query about Vista I must pop up to ask whether anyone
>>>> else
>>>> is testing the RC for Windows 7?
>>>>
>>>> I've been running it as a server-type process for media files here at =
home
>>>> and it's quite seamless from setup to operation. After seeing it runni=
ng
>>>> just fine in 64bit server mode for several months - and the RC is much
>>>> less
>>>> tweak-requiring - I've wondered about putting it on a machine designed=
 for
>>>> recording-editing music. Heh, will Cool Edit Pro 2.0 survive this
>>>> transition?
>>>>
>>>> Stephen Goodman
>>>> *
>>>> http://www.vimeo.com/spgoodman
>>>> http://www.last.fm/music/Stephen+Goodman
>>>>
>>>>
>>>
>>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 23:21:17 2009
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Date: Wed, 17 Jun 2009 16:21:14 -0700
Message-ID: <bcd3c7bb0906171621h34b2cf21y459c6b04ef75c2a2@mail.gmail.com>
Subject: Re: glitch sequencer
From: Mark Sottilaro <zerocrossing@gmail.com>
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Oh, and while I'm at it...

http://www.audiodamage.com/effects/product.php?pid=3DAD020

On Wed, Jun 17, 2009 at 4:16 PM, Mark Sottilaro<zerocrossing@gmail.com> wro=
te:
> There's a Reaktor .ens that's just like this called "nuskool" (I
> think) Comes free with Reaktor 5. =A0It's drum machine based but it
> doesn't seem like it would be hard to make it spit out MIDI to another
> instrument. =A0Now if someone would make a Light Brite that transmits
> OSC... ;)
>
> On Wed, Jun 17, 2009 at 4:05 PM, Raul Bonell<raul.bonell@gmail.com> wrote=
:
>> nice! also java needed for the windows xp users ... can be downloaded
>> for free at http://www.java.com
>>
>> 2009/6/18, Aaron Leese <aaronleese@flyloops.com>:
>>>
>>>
>>> A promising midi sequencer, looks like psuedo random based on a seed
>>> .... kinda fun. =A0Since it loops and could be integrated with looping
>>> technology out there, I think it relevant ...
>>>
>>> http://www.glitch-sequencer.com/
>>>
>>>
>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 17 23:24:07 2009
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Date: Wed, 17 Jun 2009 16:16:47 -0700
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Subject: Re: glitch sequencer
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There's a Reaktor .ens that's just like this called "nuskool" (I
think) Comes free with Reaktor 5.  It's drum machine based but it
doesn't seem like it would be hard to make it spit out MIDI to another
instrument.  Now if someone would make a Light Brite that transmits
OSC... ;)

On Wed, Jun 17, 2009 at 4:05 PM, Raul Bonell<raul.bonell@gmail.com> wrote:
> nice! also java needed for the windows xp users ... can be downloaded
> for free at http://www.java.com
>
> 2009/6/18, Aaron Leese <aaronleese@flyloops.com>:
>>
>>
>> A promising midi sequencer, looks like psuedo random based on a seed
>> .... kinda fun. =A0Since it loops and could be integrated with looping
>> technology out there, I think it relevant ...
>>
>> http://www.glitch-sequencer.com/
>>
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 02:01:26 2009
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To: "Loopers-Delight@loopers-delight.com"
	<Loopers-Delight@loopers-delight.com>
Date: Wed, 17 Jun 2009 21:01:23 -0500
Subject: RE: Windows 7
Thread-Topic: Windows 7
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FWIW, I do all Windows development under Vista with a MOTU 828 and an Ultra=
lite.
I'm still on Live 5 though.  I wouldn't expect Live 8 to have any troubles =
with Vista since it
was made at a time when Vista was more-or-less unavoidable. =20

It is however a good idea to throw away all your old driver CD's and go dow=
nload the
latest from the manufacturers web site.

If I remember right Live has to be taught where the VST plugins live.  Brin=
g up the preferences
dialog and select the Plug-Ins tab.  In Live 5 there is a widget for "VST P=
lug-in Custom Folder"
the most common place for this is c:\Program Files\VstPlugins.

Open a bottle of wine. You'll get through this :-)

Jeff=

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 03:00:02 2009
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Thanks Jeff,

I'm good with Live's set up and I'm on v8.0.3 which was released in
Vista times but me thinks the problems are not with Live or MOTU, but
are with the myriad of copy protection schemes that plug in makers
use.  I've got a bottle of wine standing by.  Wish me luck...

Mark

On Wed, Jun 17, 2009 at 7:01 PM, Jeff Larson<jeff.larson@sailpoint.com> wro=
te:
> FWIW, I do all Windows development under Vista with a MOTU 828 and an Ult=
ralite.
> I'm still on Live 5 though. =A0I wouldn't expect Live 8 to have any troub=
les with Vista since it
> was made at a time when Vista was more-or-less unavoidable.
>
> It is however a good idea to throw away all your old driver CD's and go d=
ownload the
> latest from the manufacturers web site.
>
> If I remember right Live has to be taught where the VST plugins live. =A0=
Bring up the preferences
> dialog and select the Plug-Ins tab. =A0In Live 5 there is a widget for "V=
ST Plug-in Custom Folder"
> the most common place for this is c:\Program Files\VstPlugins.
>
> Open a bottle of wine. You'll get through this :-)
>
> Jeff
>

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References: <14389e070906162011u5c9d8e10i97bd5087ce64007@mail.gmail.com> <006201c9ef6e$999c5410$cb04c150@yourc9d9764718>
Subject: Re: Article on Steve Moyes Live Looping Gig
Date: Wed, 17 Jun 2009 23:58:59 -0400
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Steve, I didn't get to catch your show but the replay is wonderful. =
Creative and very fun! It's what it's all about.=20

Thanks for the inspiration!

Jeff
  ----- Original Message -----=20
  From: Steve Moyes=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, June 17, 2009 1:11 PM
  Subject: Re: Article on Steve Moyes Live Looping Gig


  Thanks you so much James for taking the time to write about my little =
Ustream adventures. Thanks to Matt and Michael too for for your kind =
words of encouragement. I hope between us we can encourage more =
musicians from here on LD and elswhere to take advantage of the =
wonderful opportunities presented by these live streaming intenet sites.

  I should also say once again how much I've enjoyed the recent live =
streaming gigs by Matt, Jim, James, Rainer and others. So much amazing =
music. I feel so fortunate to be a small part of this worldwide =
community of creative musicians and everyone here at Loopers Delight and =
over on NetNewMusic is a constant source of inspiration to me.

  Thanks again James and everyone and keep the great music coming.

  Steve


  www.stevemoyes.org.uk
  www.creativemusic.org.uk
  www.twitter.com/SteveMoyes
    ----- Original Message -----=20
    From: James=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Wednesday, June 17, 2009 4:11 AM
    Subject: Article on Steve Moyes Live Looping Gig


    Amaranth Arthouse Music blog article on Steve's gig from 6-14-09. =20
    http://jccombs.com/2009/06/17/ustream-fantasia-by-steve-moyes/

    --=20
    James Combs


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Steve, I didn't get to catch your show =
but the=20
replay is wonderful. Creative and very fun! It's what it's all about.=20
</FONT><FONT face=3DArial size=3D2></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for the =
inspiration!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dstephenmoyes@blueyonder.co.uk=20
  href=3D"mailto:stephenmoyes@blueyonder.co.uk">Steve Moyes</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, June 17, 2009 =
1:11=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Article on Steve =
Moyes Live=20
  Looping Gig</DIV>
  <DIV><BR></DIV>
  <DIV>Thanks you so much James for taking the time to write about my =
little=20
  Ustream adventures. Thanks to Matt and&nbsp;Michael too for for your =
kind=20
  words of encouragement. I hope between us we can encourage more =
musicians from=20
  here on LD and elswhere to take advantage of the wonderful =
opportunities=20
  presented by these live streaming intenet sites.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>I should also say once again how much I've enjoyed the recent =
live=20
  streaming gigs by Matt, Jim, James, Rainer and others. So much amazing =
music.=20
  I feel so fortunate to be a small part of this worldwide community of =
creative=20
  musicians and everyone here at Loopers Delight and over on NetNewMusic =
is a=20
  constant source of inspiration to me.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Thanks again James and everyone and keep the great music =
coming.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Steve</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><BR><A href=3D"http://www.stevemoyes.org.uk"><FONT=20
  size=3D2>www.stevemoyes.org.uk</FONT></A><BR><A=20
  href=3D"http://www.creativemusic.org.uk"><FONT=20
  size=3D2>www.creativemusic.org.uk</FONT></A><BR><A=20
  href=3D"http://www.twitter.com/SteveMoyes"><FONT=20
  size=3D2>www.twitter.com/SteveMoyes</FONT></A></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dpresident.james@gmail.com=20
    href=3D"mailto:president.james@gmail.com">James</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, June 17, =
2009 4:11=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Article on Steve =
Moyes Live=20
    Looping Gig</DIV>
    <DIV><BR></DIV><SPAN class=3DgI></SPAN>Amaranth Arthouse Music blog =
article on=20
    Steve's gig from 6-14-09.&nbsp; <BR><SPAN class=3DgI><A=20
    =
href=3D"http://jccombs.com/2009/06/17/ustream-fantasia-by-steve-moyes/">h=
ttp://jccombs.com/2009/06/17/ustream-fantasia-by-steve-moyes/</A></SPAN><=
BR=20
    clear=3Dall><BR>-- <BR>James =
Combs<BR><BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 04:17:26 2009
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Subject: Gig spam
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I am playing this Saturday on my justin.tv channel "Loopydroneyglitchywacky 
Presents" This Saturday at 12:00 noon east coast US time. Come on and join 
me if your in the neighborhood! The name says it all.

http://www.justin.tv/loopslab

For your local time reference check here: http://tinyurl.com/l4ykw4


Best,

Jeff

"Was that too melodic?"
_ Sonny Sharrock


http://jeffduke.org/
http://www.myspace.com/loopsinphasespace
http://www.vimeo.com/jeffduke
http://www.justin.tv/loopslab






From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 04:40:28 2009
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Date: Thu, 18 Jun 2009 16:43:24 +1200
From: G <gigs@paradise.net.nz>
Subject: Re: blech (pedal choices
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>Subject: Re: blech (pedal choices
>From: "Jeff Duke" <jeff_d@embarqmail.com>
>Date: Thu, 11 Jun 2009 09:48:09 -0400
Hi Jeff
>>Do I get a decoder ring?
>Only if you go the software route! :)
Nuts.
>>>I can tap in a loop that is pretty accurate for most uses.
>>Oh.  Are you saying it has tap tempo?
> that depends on what you call tap tempo. The 2880 works like this: Tap =
to=20
>start recording and tap to stop recording and begin playback. This is in=
 non=20
>quantize mode unsynced. This is the way i use it. this is what I call =
tap=20
>tempo. It works just like the DL 4 in many ways in this mode. If you =
need=20
>the manual I have a pdf.
Okay. =20
The only definition for tap tempo I've known up to now, is the pedal or
device has a button or foot switch that you tap at least twice, and the
pedal works out the tempo from that. =20
Examples on my pedal board that use this definition in their manual are=20
Roger Linn's Adrenalinn 3, Line6 Space Chorus, Nova Delay & Stereo
Memory Man w/ Hazarai.
Your email has just helped me to understand a confusing discussion I had
a while back.

>As a slave in quantize it's the same thing only you press the drum =
machine=20
>start after arming the 2880 to start recording then the 2880 button to =
set=20
>the length of the loop and begin playback. I find it virtually =
impossible to=20
>flub a loops timing while quantized in slave mode.
That's much more promising.  Thanks.

>>the ability to store and retrieve loops - rather than a delay pedal =
with a=20
>>looper, if you see what I mean.
>I see what you mean but this is not my thing. I never play the same =
thing=20
>twice and can't repeat anything I have ever done exactly. I have basic=20
>themes or variations that i come back to.
Okay.

>Maybe what you need is the software route. Hopefully some of the lappys =
will=20
>chime in here. The 2880 will only save one loop on each card. It can =
have up=20
>to 4 tracks and a mixdown, etc but this is erased when you press new =
loop.=20
>Some of the "phrase sampler" type loopers can save multiple loops (Digi=20
>Jamman) but are not midi.
>Best of luck on all you do,
>Jeff
Thanks again for your time and help.
All the best,
-- G.

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 04:51:53 2009
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From: G <gigs@paradise.net.nz>
Subject: Re: octave shifter for winds
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Subject: octave shifter for winds
=46rom: Sylvain Poitras <sylvain.trombone@gmail.com>
Date: Fri, 12 Jun 2009 07:33:00 -0500
>Hi,
>Anyone have any recommendation for a hardware octave shifter for wind
>instruments?  I was looking at the EHX POG2, anyone tried playing
>something other than guitars through it?
>Thanks!
>Sylvain

Hi Sylvain
I've been playing chromatic and diatonic harmonica through my Micro POG
for maybe 18 months now.  I love it.  The latency is fractional and
opens up a world of effects the harp can sound good with.
I've been told it generates the sub octave and octave up tones, rather
than pitch shift the signal. Whatever it does, it's a smooth synth kind
of tone for harmonica and when you've got all three dials up and add
plenty of reverb, it sounds like a reed organ.  :)
I was going to save up and buy a second Micro POG, and really glad I
didn't.  I'll be closely watching reviews on the EH POG2, it has all the
features that I was interested in the POG and HOG, but a fraction of the
size, a better stronger enclosure, and similar price to the SMMH.
The 8 preset feature is brilliant.  I'm really hoping it's a keeper.
Cheers,
-- G.

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 05:14:07 2009
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From: G <gigs@paradise.net.nz>
Subject: Re: blech (pedal choices
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Subject: Re: blech (pedal choices
=46rom: marcus <nrvana8775@gmail.com>
Date: Fri, 12 Jun 2009 11:18:14 -0500
>For a somewhat updated version of the dl4, check out the damage control
>timeline.
>I read that some of the guys who worked on the DL4 went to that company.=
 I
>absolutely love mine for reverse, ping, multi, and a pretty decent =
chorus
>sound. It has a lot of options that my memory lane and replica don't.

Before I bought a Nova Delay, I tried out both the BOSS DD-20 and Line6
DL4 side by side.  The DL4's delays were really nice - but the
problematic switches; and inability to dial something up without saving
and bypass it put me right off.
The Nova Delay is real pretty, however it doesn't go quite as far as the
DL4 with distortion, wow-flutter, etc.  Which was a disappointment.  But
it's definitely a great pedal.
The Damage control timeline looks great, but if I buy another delay
pedal, I need midi sync.  Which with my tiny budget really limits me to
either the Boss DD-20 or the Eventide TimeFactor.  =20
I have some reservations about the TimeFactor and just waiting to see
what updates Eventide provide to see if they can address them.

Apart from the Boss RC-50, EH 2880, or Blackline Engineering=20
Riff Box, I'd like to know of any other good stereo looper pedals with
midi sync & control, expandable non-volatile memory allowing for stereo
loops measured in several or more minutes, USB access to samples,
quantise, overdub, undo, etc, etc. =20
It doesn't seem to be a big ask with today's technology, and yet what's
out there is pretty disappointing.
Thanks
-- G.

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G wrote:

> 
> Hi Sylvain
> I've been playing chromatic and diatonic harmonica through my Micro POG
> for maybe 18 months now.  I love it.  The latency is fractional and
> opens up a world of effects the harp can sound good with.
> I've been told it generates the sub octave and octave up tones, rather
> than pitch shift the signal. Whatever it does, it's a smooth synth kind
> of tone for harmonica and when you've got all three dials up and add
> plenty of reverb, it sounds like a reed organ.  :)

:-) that sounds like fun.

I thought the Micro Pog actually had quite noticeable latency just on
the pitch up octave.
I also didn't like the out of tuneness of the high octave, which
I guess is designed for "12 guitar string" sound.


It's essentially a harmoniser type algorithm with smaller
time slices than usual, and really good pitch tracking.


> I was going to save up and buy a second Micro POG, and really glad I
> didn't.  I'll be closely watching reviews on the EH POG2, it has all the
> features that I was interested in the POG and HOG, but a fraction of the
> size, a better stronger enclosure, and similar price to the SMMH.

Ah...that sounds interesting

thanx

andy


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	 <bcd3c7bb0906171550k396ac7a9u5cf157ee431c1b37@mail.gmail.com>
Date: Thu, 18 Jun 2009 08:48:25 -0400
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Subject: Re: OT: Eno about record business
From: james fowler <twostroke@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e644ccb8dbacdb046c9ed229
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"recordings are increasingly ads for live shows"

i disagree with this on a fundamental level.  that's a pretty poor forecast
for the recorded medium.  i think the studio is a unique environment where
you can slowly (or quickly, i guess) sculpt a record into something that
could almost invariably never be replicated live.  on the record, you (the
artist) are in complete control of what the listen is going to hear...they
can only control the volume ; )  the subtlety, just to name one thing, is
never going to come across live and i contend that live performance and
sitting still for 45 minutes with headphones on are two very different
creatures.  i love live music but i love a well-done record even more.

- jim

--0016e644ccb8dbacdb046c9ed229
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&quot;recordings are increasingly ads for live shows&quot;<br><br>i disagre=
e with this on a fundamental level.=A0 that&#39;s a pretty poor forecast fo=
r the recorded medium.=A0 i think the studio is a unique environment where =
you can slowly (or quickly, i guess) sculpt a record into something that co=
uld almost invariably never be replicated live.=A0 on the record, you (the =
artist) are in complete control of what the listen is going to hear...they =
can only control the volume ; )=A0 the subtlety, just to name one thing, is=
 never going to come across live and i contend that live performance and si=
tting still for 45 minutes with headphones on are two very different creatu=
res.=A0 i love live music but i love a well-done record even more.<br>
<br>- jim<br>

--0016e644ccb8dbacdb046c9ed229--

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From: Ricky Graham <rock.guitar.guru@btinternet.com>
Subject: RE: OT: Eno about record business
Date: Thu, 18 Jun 2009 13:54:38 +0100
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--_0C7757CF-3705-BEC8-929C-CDD80F34D6DD_
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Well said, james. I agree with you on that.

Ricky=20

-----Original Message-----
From: james fowler <twostroke@gmail.com>
Sent: 18 June 2009 13:48
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Eno about record business

"recordings are increasingly ads for live shows"

i disagree with this on a fundamental level.=A0 that's a pretty poor foreca=
st for the recorded medium.=A0 i think the studio is a unique environment w=
here you can slowly (or quickly, i guess) sculpt a record into something th=
at could almost invariably never be replicated live.=A0 on the record, you =
(the artist) are in complete control of what the listen is going to hear...=
they can only control the volume ; )=A0 the subtlety, just to name one thin=
g, is never going to come across live and i contend that live performance a=
nd sitting still for 45 minutes with headphones on are two very different c=
reatures.=A0 i love live music but i love a well-done record even more.

- jim

--_0C7757CF-3705-BEC8-929C-CDD80F34D6DD_
Content-Transfer-Encoding: quoted-printable
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<HTML><head></head><body><span style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial=
; FONT-WEIGHT:Normal;">Well said, james. I agree with you on that.<br><br>R=
icky </span><br><br><hr><span style=3D"font-size:10pt;font-family:Tahoma; f=
ont-weight:bold">From: </span><span style=3D"font-size:10pt;font-family:Tah=
oma; font-weight:normal;">james fowler &lt;twostroke@gmail.com&gt;</span><b=
r><span style=3D"font-size:10pt;font-family:Tahoma; font-weight:bold">Sent:=
 </span><span style=3D"font-size:10pt;font-family:Tahoma; font-weight:norma=
l;">18 June 2009 13:48</span><br><span style=3D"font-size:10pt;font-family:=
Tahoma; font-weight:bold">To: </span><span style=3D"font-size:10pt;font-fam=
ily:Tahoma; font-weight:normal;">Loopers-Delight@loopers-delight.com</span>=
<br><span style=3D"font-size:10pt;font-family:Tahoma; font-weight:bold">Sub=
ject: </span><span style=3D"font-size:10pt;font-family:Tahoma; font-weight:=
normal;">Re: OT: Eno about record business</span><br><br>"recordings are in=
creasingly ads for live shows"<br><br>i disagree with this on a fundamental=
 level.&nbsp; that's a pretty poor forecast for the recorded medium.&nbsp; =
i think the studio is a unique environment where you can slowly (or quickly=
, i guess) sculpt a record into something that could almost invariably neve=
r be replicated live.&nbsp; on the record, you (the artist) are in complete=
 control of what the listen is going to hear...they can only control the vo=
lume ; )&nbsp; the subtlety, just to name one thing, is never going to come=
 across live and i contend that live performance and sitting still for 45 m=
inutes with headphones on are two very different creatures.&nbsp; i love li=
ve music but i love a well-done record even more.<br><br>- jim<br></body></=
HTML>=

--_0C7757CF-3705-BEC8-929C-CDD80F34D6DD_--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 13:34:06 2009
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james fowler wrote:

> i think the studio is a unique 
> environment where you can slowly (or quickly, i guess) sculpt a record 
> into something that could almost invariably never be replicated live.  

yep...but

> on the record, you (the artist) are in complete control of what the 
> listen is going to hear...they can only control the volume ; )  the 
> subtlety, just to name one thing, is never going to come across live 

I've been to plenty of gigs where the subtlety was 100% present.

I know what you mean tho', I think it's to do with the technology
of pa systems, and whether anyone actually cares what it sounds like.

Tomorrow I'm off to see a guy play indian classical music on a Rudra Vina,
probably un-amplified. I've heard him before and every nuance is audible.

On Sunday we're off to see Ornette Coleman at the Royal Festival Hall.
Last time I saw him play (with amplified electric band) it was simply
impossible to know what was really going on from the pa sound.
...so that's a bit of a gamble.


andy

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 15:02:26 2009
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Date: Thu, 18 Jun 2009 10:56:53 -0400 (EDT)
Subject: Re: OT: Eno about record business
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I don't think the point is that the recorded medium is no longer a very
important artform--it is, and i believe Eno would agree.  I also agree
with Andy (as would Eno, i'm guessing) that it isn't superior to live
music.  Andy's point about Indian Classical is a great example.

I think the original point is that in the music *business*, the recordings
aren't nearly as potentially lucrative as they used to be.  More musicians
can sell their music than ever before, but almost all musicians can expect
to make less money on them than before (with a few glaring exceptions). 
It's a supply and demand thing, and it's easier than ever to get lots of
recorded music for free or for cheap.

The music business--that is, the revenue generating aspect of what we
do--has seen a paradigm shift.  It may be considered bad news for
non-performing recording artists like me.  But as such, i'm forced into
being creative with making money on my music in new ways (at least new for
me).  One thing i've been doing lately is creating original music for
clients who provide guided meditation recordings for sale, for example. 
There's an area where the recording will always outsell the live
performance.

I'm blown away that by the shift that artists are actually making money by
touring, especially in the United States.  Mick Karn once told me he never
broke even touring the U.S.--it was a necessary loss incurred in order to
market his records.

Peter

> james fowler wrote:
>
>> i think the studio is a unique
>> environment where you can slowly (or quickly, i guess) sculpt a record
>> into something that could almost invariably never be replicated live.
>
> yep...but
>
>> on the record, you (the artist) are in complete control of what the
>> listen is going to hear...they can only control the volume ; )  the
>> subtlety, just to name one thing, is never going to come across live
>
> I've been to plenty of gigs where the subtlety was 100% present.
>
> I know what you mean tho', I think it's to do with the technology
> of pa systems, and whether anyone actually cares what it sounds like.
>
> Tomorrow I'm off to see a guy play indian classical music on a Rudra Vina,
> probably un-amplified. I've heard him before and every nuance is audible.
>
> On Sunday we're off to see Ornette Coleman at the Royal Festival Hall.
> Last time I saw him play (with amplified electric band) it was simply
> impossible to know what was really going on from the pa sound.
> ...so that's a bit of a gamble.
>
>
> andy
>
>


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Subject: Re: OT: Eno about record business
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Just wondering when the last time Eno played live on stage was, or for that matter when was the last time he attended a live show and sat in the audience? While I'm asking questions, how much do you suppose he got payed for producing the last Coldplay recording? And for the record I like Eno's musical work as a rule, and some of his musings, but I believe his perspective in this instance to be skewed at best. 

bryan helm 



----- Original Message ----- 
From: "Ricky Graham" <rock.guitar.guru@btinternet.com> 
To: Loopers-Delight@loopers-delight.com 
Sent: Thursday, June 18, 2009 6:54:38 AM GMT -07:00 US/Canada Mountain 
Subject: RE: OT: Eno about record business 

Well said, james. I agree with you on that. 

Ricky 


From: james fowler <twostroke@gmail.com> 
Sent: 18 June 2009 13:48 
To: Loopers-Delight@loopers-delight.com 
Subject: Re: OT: Eno about record business 

"recordings are increasingly ads for live shows" 

i disagree with this on a fundamental level. that's a pretty poor forecast for the recorded medium. i think the studio is a unique environment where you can slowly (or quickly, i guess) sculpt a record into something that could almost invariably never be replicated live. on the record, you (the artist) are in complete control of what the listen is going to hear...they can only control the volume ; ) the subtlety, just to name one thing, is never going to come across live and i contend that live performance and sitting still for 45 minutes with headphones on are two very different creatures. i love live music but i love a well-done record even more. 

- jim 

------=_Part_218583_1411471743.1245340243409
Content-Type: text/html; charset=utf-8
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<html><head><style type=3D'text/css'>p { margin: 0; }</style></head><body><=
div style=3D'font-family: Arial; font-size: 12pt; color: #000000'>Just wond=
ering when the last time Eno played live on stage was, or for that matter w=
hen was the last time he attended a live show and sat in the audience? Whil=
e I'm asking questions, how much do you suppose he got payed for producing =
the last Coldplay recording? And for the record I like Eno's musical work a=
s a rule, and some of his musings, but I believe his perspective in this in=
stance to be skewed at best.<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; bryan helm<br><br=
><br><br>----- Original Message -----<br>From: "Ricky Graham" &lt;rock.guit=
ar.guru@btinternet.com&gt;<br>To: Loopers-Delight@loopers-delight.com<br>Se=
nt: Thursday, June 18, 2009 6:54:38 AM GMT -07:00 US/Canada Mountain<br>Sub=
ject: RE: OT: Eno about record business<br><br><span style=3D"font-size: 10=
pt; font-family: Arial; font-weight: normal;">Well said, james. I agree wit=
h you on that.<br><br>Ricky </span><br><br><hr><span style=3D"font-size: 10=
pt; font-family: Tahoma; font-weight: bold;">From: </span><span style=3D"fo=
nt-size: 10pt; font-family: Tahoma; font-weight: normal;">james fowler &lt;=
twostroke@gmail.com&gt;</span><br><span style=3D"font-size: 10pt; font-fami=
ly: Tahoma; font-weight: bold;">Sent: </span><span style=3D"font-size: 10pt=
; font-family: Tahoma; font-weight: normal;">18 June 2009 13:48</span><br><=
span style=3D"font-size: 10pt; font-family: Tahoma; font-weight: bold;">To:=
 </span><span style=3D"font-size: 10pt; font-family: Tahoma; font-weight: n=
ormal;">Loopers-Delight@loopers-delight.com</span><br><span style=3D"font-s=
ize: 10pt; font-family: Tahoma; font-weight: bold;">Subject: </span><span s=
tyle=3D"font-size: 10pt; font-family: Tahoma; font-weight: normal;">Re: OT:=
 Eno about record business</span><br><br>"recordings are increasingly ads f=
or live shows"<br><br>i disagree with this on a fundamental level.&nbsp; th=
at's a pretty poor forecast for the recorded medium.&nbsp; i think the stud=
io is a unique environment where you can slowly (or quickly, i guess) sculp=
t a record into something that could almost invariably never be replicated =
live.&nbsp; on the record, you (the artist) are in complete control of what=
 the listen is going to hear...they can only control the volume ; )&nbsp; t=
he subtlety, just to name one thing, is never going to come across live and=
 i contend that live performance and sitting still for 45 minutes with head=
phones on are two very different creatures.&nbsp; i love live music but i l=
ove a well-done record even more.<br><br>- jim<br></div></body></html>
------=_Part_218583_1411471743.1245340243409--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 16:15:45 2009
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Subject: RE: OT: Eno about record business
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You know Andy, traditionally; the Rudra Vina is not supposed to be played
unless the musician has gone through a month of fasting and abstinence.
Which probably accounts the instruments lack of popularity in India. I don't
know if that applies to the listeners.
 Bill

-----Original Message-----
From: andy butler [mailto:akbutler@tiscali.co.uk] 
Sent: Thursday, June 18, 2009 6:48 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Eno about record business

james fowler wrote:

> i think the studio is a unique 
> environment where you can slowly (or quickly, i guess) sculpt a record 
> into something that could almost invariably never be replicated live.  

yep...but

> on the record, you (the artist) are in complete control of what the 
> listen is going to hear...they can only control the volume ; )  the 
> subtlety, just to name one thing, is never going to come across live 

I've been to plenty of gigs where the subtlety was 100% present.

I know what you mean tho', I think it's to do with the technology
of pa systems, and whether anyone actually cares what it sounds like.

Tomorrow I'm off to see a guy play indian classical music on a Rudra Vina,
probably un-amplified. I've heard him before and every nuance is audible.

On Sunday we're off to see Ornette Coleman at the Royal Festival Hall.
Last time I saw him play (with amplified electric band) it was simply
impossible to know what was really going on from the pa sound.
...so that's a bit of a gamble.


andy

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Subject: Re: OT: Eno about record business
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"I think the original point is that in the music *business*, the recordings
aren't nearly as potentially lucrative as they used to be."

oh, sure...nobody can disagree with this.  but the listening public is, on
the whole, a collection of non-discerning nitwits.  i guess i could be
wrong, but i like to think the people hurting mariah carey's cd sales are
not the same people file-sharing another green world...actually, any record
he's made that's worth listening to was probably purchased back when
stealing meant stuffing the record in your shirt and walking out of the
store ; )  i like to think of eno listeners are upstanding folk who will buy
the music, which sort of precludes him from the discussion.  here again, i'm
thinking that i am gravely mistaken.

- jim

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&quot;I think the original point is that in the music *business*, the recor=
dings aren&#39;t nearly as potentially lucrative as they used to be.&quot;<=
br><br>oh, sure...nobody can disagree with this.=A0 but the listening publi=
c is, on the whole, a collection of non-discerning nitwits.=A0 i guess i co=
uld be wrong, but i like to think the people hurting mariah carey&#39;s cd =
sales are not the same people file-sharing another green world...actually, =
any record he&#39;s made that&#39;s worth listening to was probably purchas=
ed back when stealing meant stuffing the record in your shirt and walking o=
ut of the store ; )=A0 i like to think of eno listeners are upstanding folk=
 who will buy the music, which sort of precludes him from the discussion.=
=A0 here again, i&#39;m thinking that i am gravely mistaken.=A0 <br>
<br>- jim<br>

--0016362853deb0a14e046ca1b99c--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 16:32:22 2009
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Subject: Re: OT: Eno about record business
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At 8:48 AM -0400 6/18/09, james fowler wrote:
>"recordings are increasingly ads for live shows"
>
>i disagree with this on a fundamental level.  that's a pretty poor 
>forecast for the recorded medium.

It's not a forecast, it's an observation.  And a valid one, in my view.


>i think the studio is a unique environment where you can slowly (or 
>quickly, i guess) sculpt a record into something that could almost 
>invariably never be replicated live.

Yes, of course, and I ache for the day when it was feasible to spend 
a lot of time and resources making a studio album.


>on the record, you (the artist) are in complete control of what the 
>listen is going to hear...they can only control the volume ; )  the 
>subtlety, just to name one thing, is never going to come across live 
>and i contend that live performance and sitting still for 45 minutes 
>with headphones on are two very different creatures.  i love live 
>music but i love a well-done record even more.

I think we all do.  But what Eno is saying is that it is difficult, 
verging on impossible, to make a living selling records.  You have to 
go out and play gigs.  And what few records you sell, you'll sell at 
gigs.

In the "Americana" and "jamband" worlds I travel in, CD sales are 
way, way down.    One band I know, typical of many, tells me that 
about 80% of their CD sales are at gigs.  You play the festival set 
and then you go sit at the merch table, making contact with your 
fans.  They'll buy the CD from you there and you'll sign it; they ay 
also buy a t-shirt, if you can afford to make them and carry them 
with you on tour.

In the 20th century, musicians toured to support album sales.  They 
didn't sell their records at the gig - they'd play shows, and do 
radio appearances and in-stores, to support the sales of their 
product in record stores.  (Of course, the record industry was set up 
from day one to deny payment to the artists, but that's another 
screed).

Now, you make a CD as a calling card to get gigs and maybe if you're 
lucky some airplay to help get people to your gigs.  And if you're 
lucky and you didn't spend too much in the studio, you might break 
even on the coast of making the disc.



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans


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At 3:50 PM +0000 6/18/09, loopbozo@comcast.net wrote:
>Just wondering when the last time Eno played live on stage was, or 
>for that matter when was the last time he attended a live show and 
>sat in the audience? While I'm asking questions, how much do you 
>suppose he got payed for producing the last Coldplay recording? And 
>for the record I like Eno's musical work as a rule, and some of his 
>musings, but I believe his perspective in this instance to be skewed 
>at best.

My real-world experience bears Eno out.



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans


From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 16:32:53 2009
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loopbozo@comcast.net wrote:
> Just wondering when the last time Eno played live on stage was, or for 
> that matter when was the last time he attended a live show and sat in 
> the audience? 

he was standing :-

http://www.hotsdesign.co.uk/timbowness/2004diary.html

I didn't get to see him, I was stuck behind the mixing
desk (and the venue p.a. sucks)

Main reason he was there appeared to be that his brother Roger
was playing.

andy

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Date: Thu, 18 Jun 2009 10:27:29 -0700
Subject: FS: CHEAP 61 note analog and digital synths
From: legion@helpwantedproductions.com
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	"DH" <digitalhell@hyperreal.org>, "AH" <analogue@hyperreal.org>
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Looking for room so selling a few 61 note synths. All fully working, all
in excellent shape and very good cosmentic condition.

1. Yamaha DX7: $150- Original. One partially broken key (F5) otherwise in
perfect shape. $

2. Korg DS8: $175 - Korg coolass 80 synth with SLIDERS and joystick to
warp the sounds in realtime. Good secret weapon. Top, top shape

3. Roland Juno 106: $400. All voices, sliders, caps, etc. Excellent shape
and sounds fantastic.

4. Yamaha CS2x: $275 -  Coolass VA rompler with knobs, arpeggiator, nasty
filter, and amazing flexibility and sounds. VERY lightweight and perfect
for gigging.


I think all prices are very fair but if you feel differently and can make
this as pickup or easy sale I will listen to reasonable offers. No trades
at this time expect *maybe* a Juno6 or 60.

Full info, pictures, etc at:
http://helpwantedproductions.com/Salez/FS.htm


I would GREATLY prefer pickup on these (hence the low prices) but I will
ship if buyer pays for packing materials and all shipping and paypal fees.
I will pack it myself very well and only charge actualy shipping giving a
refund for any extra that you pay in advance.


References out the wazoo. Feel free to ask any questions, these are some
underrated and cool synths. If you pick up and buy more than one we can
work out a deal too.
-- 


Thanks for reading!
   ------------------------------------------------
      Weird, Scary, and Beautiful Music and Art:
        Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 17:58:06 2009
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Subject: Re: OT: Eno about record business
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> Just wondering when the last time Eno played live on stage was

Personally, I've see him playing live in 2002, here in Rome.=20
He had never sat and between songs (it was the "Drawn From Life" tour,=20
with Peter Schwalm and other five musicians on drums, bass, guitar,=20
violin and percussion) he was all the time jocking with audience and=20
doing funny things with vocoider and a kaoss pad.
But I dont' think it's relevant how many gigs he does,=20
due to the fact that he is not "just" a musician, but also a producer,=20
a visual artist and more....

> It's not narrow minded as an observation of the audiences at every
single loopfest I've ever gone to.  The audience are the performers.
There are a narrow slice of people who do go to shows for the music,but =
we're a sadly small minority.

Interesting point. At the last loopfest in Rome there were more than 50 =
persons paying for the show.
When I saw Eivind Aarset, about a month ago, there were less than 40 =
persons in the audience...
So can you say the loopfestival was a succesfull events compared to the =
Aarset gig ? =20
Yes (in my opinion :-) but that's really different from the "music =
business" Eno is talking about, I think...

And I also think it's true what he says about the increasing number of =
music Festivals araising in the world nowdays (..i'm not referring to =
the loopfestivals now....)

Fabio=20
www.eterogeneo.com
www.myspace.com/eterogeneo


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<META content=3D"MSHTML 6.00.6000.16825" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV>&gt; Just wondering when the last time Eno played live on stage =
was</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Personally, I've see =
him playing=20
live in 2002, here&nbsp;in Rome. </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>He had never sat and =
between songs=20
(it was the "Drawn From Life" tour, </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>with Peter Schwalm and =
other five=20
musicians on drums, bass, guitar, </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>violin and percussion) =
he was all=20
the time jocking with audience and </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>doing funny things with =
vocoider=20
and a kaoss pad.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>But I dont' think=20
it's&nbsp;relevant how many gigs he does, </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>due to the fact that he =
is not=20
"just" a musician, but also a producer, </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>a visual artist and=20
more....</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV>&gt; It's not narrow minded as an observation of the audiences at=20
every<BR>single loopfest I've ever gone to.&nbsp; The audience are the=20
performers.<BR>There are a narrow slice of people who do go to shows for =
the=20
music,but we're a sadly small minority.</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Interesting point. At =
the last=20
loopfest in Rome there were&nbsp;more </FONT><FONT face=3D"Book Antiqua" =

color=3D#000080>than 50 persons paying for the show.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>When I saw Eivind =
Aarset, about a=20
month ago, there were less than 40 persons in the =
audience...</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>So can&nbsp;you say the =

loopfestival was a succesfull events compared to the Aarset gig ?&nbsp;=20
</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Yes (in my opinion :-) =
but that's=20
really different from the "music business" Eno is talking about, I=20
think...</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>And I also think it's =
true what he=20
says about the increasing number of music Festivals araising in the =
world=20
nowdays (..i'm not referring to the loopfestivals now....)</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio <BR><A=20
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A><BR><A=20
href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogeneo</A>=
<BR></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" =
color=3D#000080></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_02F4_01C9F04F.15CF9CA0--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 19:15:43 2009
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Subject: Re: OT: Eno about record business (biography)
Date: Thu, 18 Jun 2009 12:15:35 -0700
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On Jun 18, 2009, at 10:58 AM, eterogeneo wrote:

> But I dont' think it's relevant how many gigs he does,
> due to the fact that he is not "just" a musician, but also a producer,
> a visual artist and more....

Indeed. And synchronistically, I have just started reading his  
autobiography, "On Some Faraway Beach",  written by David Sheppard.  
(2008)
(LONG! 439 pages, and with extra pages of sources and a  
bibliography).  I can already say that it is definitely REVcommended  
reading!

Cheers,
Rev Fever
http://www.spiritone.com/~rvfever/


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<br><div><div>On Jun 18, 2009, at 10:58 AM, eterogeneo =
wrote:</div><div><br></div><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><span =
class=3D"Apple-style-span" style=3D"font-family: 'Book Antiqua'; ">But I =
dont' think it's&nbsp;relevant how many gigs he =
does,</span></div><div><font face=3D"Book Antiqua" color=3D"#000080">due =
to the fact that he is not "just" a musician, but also a =
producer,</font></div><div><font face=3D"Book Antiqua" color=3D"#000080">a=
 visual artist and =
more....</font></div></span></blockquote><div><br></div>Indeed. And =
synchronistically, I have just started reading his autobiography, "On =
Some Faraway Beach", &nbsp;written by David Sheppard. =
(2008)</div><div>(LONG! 439 pages, and with extra pages of sources and a =
bibliography).&nbsp;&nbsp;I&nbsp;can&nbsp;already&nbsp;say&nbsp;that&nbsp;=
it&nbsp;is&nbsp;definitely REVcommended =
reading!</div><div><br></div><div>Cheers,</div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div>Rev =
Fever</div><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div><div><span class=3D"Apple-style-span" style=3D"font-size: =
medium;"><br></span></div></span></div></body></html>=

--Apple-Mail-6-757363538--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 19:36:01 2009
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Subject: Re: OT: Eno about record busines
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Mark Sottilaro wrote:

"I'd go one step further than Dr. Eno and say that people don't even go
to a show for the music or performance, but more often for the chance
to be with a group of like-minded people. (and to drink beer and
convince a member of the opposite sex to have sex with you)  The music
is an excuse."


I think you may be correct about a lot of people, Mark,   but I think it's
very inaccurate
to infer that all people have this motivation.

I know a lot of people where I live who are great lovers of music and go
to shows to
see music being played.   I'm certainly one of those people.

At local indie rock shows at the Crepe Place (which has become a haven for
touring Indie
rock bands of note in Santa Cruz)  I've noticed that the lion share of the
audience is really
attentive and obviously responding to specific musical events.

It is also possible to get a beer buzz on,   flirt with someone of the
opposite sex AND actually listen to music, you know.

And then, there are the plethora of music oriented shows at the Kuumbwa
Jazz center and the various small venues that put on ethnic music and new
music shows.   Here, the lion share of the audiences are extremely
concentrated on sound.

Maybe SF is different,   but I kind of doubt it.

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Date: Thu, 18 Jun 2009 15:38:59 -0400
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Subject: Re: OT: Eno about record busines
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>Mark Sottilaro wrote:
>
>"I'd go one step further than Dr. Eno and say that people don't even go
>to a show for the music or performance, but more often for the chance
>to be with a group of like-minded people. (and to drink beer and
>convince a member of the opposite sex to have sex with you)  The music
>is an excuse."
>...
>At local indie rock shows at the Crepe Place (which has become a haven for
>touring Indie
>rock bands of note in Santa Cruz)  I've noticed that the lion share of the
>audience is really
>attentive and obviously responding to specific musical events.
>
>It is also possible to get a beer buzz on,   flirt with someone of the
>opposite sex AND actually listen to music, you know.
>
>And then, there are the plethora of music oriented shows at the Kuumbwa
>Jazz center and the various small venues that put on ethnic music and new
>music shows.   Here, the lion share of the audiences are extremely
>concentrated on sound.
>
>Maybe SF is different,   but I kind of doubt it.


 From what I've seen SF is less about the opposite sex thing...  :-D

-- 

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Date: Thu, 18 Jun 2009 12:11:20 -0700
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Subject: Re: OT: Eno about record business
From: Michael Billow <mbillow@gmail.com>
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Bryan, I've read that that Eno always hated live gigs and avoided them.
There are some instances throughout the past 40-ish years where he's done it
though. Here's a recent one.

http://www.youtube.com/watch?v=iyiJHNB-P5U

On Thu, Jun 18, 2009 at 8:50 AM, <loopbozo@comcast.net> wrote:

> Just wondering when the last time Eno played live on stage was, or for that
> matter when was the last time he attended a live show and sat in the
> audience? While I'm asking questions, how much do you suppose he got payed
> for producing the last Coldplay recording? And for the record I like Eno's
> musical work as a rule, and some of his musings, but I believe his
> perspective in this instance to be skewed at best.
>
>
> bryan helm
>
>
>
> ----- Original Message -----
> From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Thursday, June 18, 2009 6:54:38 AM GMT -07:00 US/Canada Mountain
> Subject: RE: OT: Eno about record business
>
> Well said, james. I agree with you on that.
>
> Ricky
>
> ------------------------------
> From: james fowler <twostroke@gmail.com>
> Sent: 18 June 2009 13:48
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT: Eno about record business
>
> "recordings are increasingly ads for live shows"
>
> i disagree with this on a fundamental level.  that's a pretty poor forecast
> for the recorded medium.  i think the studio is a unique environment where
> you can slowly (or quickly, i guess) sculpt a record into something that
> could almost invariably never be replicated live.  on the record, you (the
> artist) are in complete control of what the listen is going to hear...they
> can only control the volume ; )  the subtlety, just to name one thing, is
> never going to come across live and i contend that live performance and
> sitting still for 45 minutes with headphones on are two very different
> creatures.  i love live music but i love a well-done record even more.
>
> - jim
>

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Bryan, I&#39;ve read that that Eno always hated live gigs and avoided them.=
 There are some instances throughout the past 40-ish years where he&#39;s d=
one it though. Here&#39;s a recent one.<br><br><a href=3D"http://www.youtub=
e.com/watch?v=3DiyiJHNB-P5U">http://www.youtube.com/watch?v=3DiyiJHNB-P5U</=
a><br>
<br><div class=3D"gmail_quote">On Thu, Jun 18, 2009 at 8:50 AM,  <span dir=
=3D"ltr">&lt;<a href=3D"mailto:loopbozo@comcast.net">loopbozo@comcast.net</=
a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-l=
eft: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left:=
 1ex;">
<div><div style=3D"font-family: Arial; font-size: 12pt; color: rgb(0, 0, 0)=
;">Just wondering when the last time Eno played live on stage was, or for t=
hat matter when was the last time he attended a live show and sat in the au=
dience? While I&#39;m asking questions, how much do you suppose he got paye=
d for producing the last Coldplay recording? And for the record I like Eno&=
#39;s musical work as a rule, and some of his musings, but I believe his pe=
rspective in this instance to be skewed at best.<br>
<br>=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 bryan helm<div class=
=3D"im"><br><br><br><br>----- Original Message -----<br>From: &quot;Ricky G=
raham&quot; &lt;<a href=3D"mailto:rock.guitar.guru@btinternet.com" target=
=3D"_blank">rock.guitar.guru@btinternet.com</a>&gt;<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br></div><div><div></div><div cla=
ss=3D"h5">Sent: Thursday, June 18, 2009 6:54:38 AM GMT -07:00 US/Canada Mou=
ntain<br>
Subject: RE: OT: Eno about record business<br><br><span style=3D"font-size:=
 10pt; font-family: Arial; font-weight: normal;">Well said, james. I agree =
with you on that.<br><br>Ricky </span><br><br><hr><span style=3D"font-size:=
 10pt; font-family: Tahoma; font-weight: bold;">From: </span><span style=3D=
"font-size: 10pt; font-family: Tahoma; font-weight: normal;">james fowler &=
lt;<a href=3D"mailto:twostroke@gmail.com" target=3D"_blank">twostroke@gmail=
.com</a>&gt;</span><br>
<span style=3D"font-size: 10pt; font-family: Tahoma; font-weight: bold;">Se=
nt: </span><span style=3D"font-size: 10pt; font-family: Tahoma; font-weight=
: normal;">18 June 2009 13:48</span><br><span style=3D"font-size: 10pt; fon=
t-family: Tahoma; font-weight: bold;">To: </span><span style=3D"font-size: =
10pt; font-family: Tahoma; font-weight: normal;"><a href=3D"mailto:Loopers-=
Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-deli=
ght.com</a></span><br>
<span style=3D"font-size: 10pt; font-family: Tahoma; font-weight: bold;">Su=
bject: </span><span style=3D"font-size: 10pt; font-family: Tahoma; font-wei=
ght: normal;">Re: OT: Eno about record business</span><br><br>&quot;recordi=
ngs are increasingly ads for live shows&quot;<br>
<br>i disagree with this on a fundamental level.=A0 that&#39;s a pretty poo=
r forecast for the recorded medium.=A0 i think the studio is a unique envir=
onment where you can slowly (or quickly, i guess) sculpt a record into some=
thing that could almost invariably never be replicated live.=A0 on the reco=
rd, you (the artist) are in complete control of what the listen is going to=
 hear...they can only control the volume ; )=A0 the subtlety, just to name =
one thing, is never going to come across live and i contend that live perfo=
rmance and sitting still for 45 minutes with headphones on are two very dif=
ferent creatures.=A0 i love live music but i love a well-done record even m=
ore.<br>
<br>- jim<br></div></div></div></div></blockquote></div><br>

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Subject: ot: In search of suggestions for odd stompboxes
From: Rainer Straschill <moinsound@googlemail.com>
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Dear list,

so I've ever so slightly started to turn my back a little to blown-up
rack gear and complex computer systems and instead decided to fall in
love with stompboxes a little bit.

What I already have are mainly three delay pedals (DD20, SMM w/Hazari,
DL4) a few KAOSS Pads (yes, you can play them with your toes), and
then there's two of those guitar multi-effect thingies (Zoom G2.1u,
Line6 POD X3 Live), and a few really old simple things (Ibanez AW-1,
Boss OD-2).

So what I'm looking for is something that can do fairly normal things
if wanted, but can be used to completely odd, nonlinear, chaotic stuff
with the right settings - to wreak non-deterministic havoc on my loops
if needed.

Any suggestions with a short description?

Thanks,

               Rainer

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 20:03:54 2009
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I've only seen this demoed online,
but it's possibly the sort of thing you'd be into

jomox T-Resonator

http://www.jomox.com/product_details.php?lang=2&category=&product_id=3

they say
"it's 2 moog type filters with feedback loops and delay"

I say,
"the demo's on the site aren't very attractive, but I wonder
  what a bit of finesse with this device would achieve".

Essentially, this is a device which can be as much a synth as
an fx. 
The 2 filters will both oscillate, and can do FM on each other,
so it will certainly do non-deterministic.


It *may* be possible to do some regular lo-pass filtering,
(with LFO and env) as well as the 'chaotic'.

Has anyone here actually tried it??


andy


Rainer Straschill wrote:
> Dear list,
> 
> so I've ever so slightly started to turn my back a little to blown-up
> rack gear and complex computer systems and instead decided to fall in
> love with stompboxes a little bit.
> 
> What I already have are mainly three delay pedals (DD20, SMM w/Hazari,
> DL4) a few KAOSS Pads (yes, you can play them with your toes), and
> then there's two of those guitar multi-effect thingies (Zoom G2.1u,
> Line6 POD X3 Live), and a few really old simple things (Ibanez AW-1,
> Boss OD-2).
> 
> So what I'm looking for is something that can do fairly normal things
> if wanted, but can be used to completely odd, nonlinear, chaotic stuff
> with the right settings - to wreak non-deterministic havoc on my loops
> if needed.
> 
> Any suggestions with a short description?
> 
> Thanks,
> 
>                Rainer
> 
> 

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 Regarding 20th century  tours supporting recording sales=2C  this describe=
s signed acts=2Cwith the record company putting up the cash to record =2Cpr=
ess distribute and promote . When the artist played a gig the company made =
sure it was advertised=2Cthe recordings in the local shops and getting play=
ed on the local radio. MAjors tended to have control of distribution channe=
ls=2Cand media access. In exchange they got the lion's share of the net=2Ca=
fter expenses were taken out to the artist's cut=2Cwhich also ha to cover  =
managment =2C acountants=2C lawyers=2Ccrew etc..  Differnet story  for the =
unsigned who had to do it all themselves- hard to coordinate when on the ro=
ad- or hire agents and managers. But most acts have to tour to make a livin=
g  either way. Fine with me=2CI oove to play.
  For  a minute .late 80s through early 00s one could do pretty well on sel=
f produced recordings=2Cgetting 100% instead of the 10% or less of most con=
tracts. These days Media expects content to be free or cheap=2Crealtiy TV i=
s =2Camng other thigs a way of not paying screen actors guild rates =2C( th=
e trend in global capitalisim is trying to avoid labor costs ) There are so=
 many cable =2Cinternet=2Cand sattelite channels thes days that it' not tha=
t hard to get stuff broadcast. It seems to me it should be possible to parl=
ey such possibilities into sales.

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&nbsp=3BRegarding 20th century&nbsp=3B tours supporting recording sales=2C&=
nbsp=3B this describes signed acts=2Cwith the record company putting up the=
 cash to record =2Cpress distribute and promote . When the artist played a =
gig the company made sure it was advertised=2Cthe recordings in the local s=
hops and getting played on the local radio. MAjors tended to have control o=
f distribution channels=2Cand media access. In exchange they got the lion's=
 share of the net=2Cafter expenses were taken out to the artist's cut=2Cwhi=
ch also ha to cover&nbsp=3B managment =2C acountants=2C lawyers=2Ccrew etc.=
.&nbsp=3B Differnet story&nbsp=3B for the unsigned who had to do it all the=
mselves- hard to coordinate when on the road- or hire agents and managers. =
But most acts have to tour to make a living&nbsp=3B either way. Fine with m=
e=2CI oove to play.<br>&nbsp=3B For&nbsp=3B a minute .late 80s through earl=
y 00s one could do pretty well on self produced recordings=2Cgetting 100% i=
nstead of the 10% or less of most contracts. These days Media expects conte=
nt to be free or cheap=2Crealtiy TV is =2Camng other thigs a way of not pay=
ing screen actors guild rates =2C( the trend in global capitalisim is tryin=
g to avoid labor costs ) There are so many cable =2Cinternet=2Cand sattelit=
e channels thes days that it' not that hard to get stuff broadcast. It seem=
s to me it should be possible to parley such possibilities into sales.<br><=
/body>
</html>=

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Date: Thu, 18 Jun 2009 16:00:57 -0400
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Subject: Re: ot: In search of suggestions for odd stompboxes
From: Tony K <bigtonyk@gmail.com>
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Adrenalinn III

http://www.rogerlinndesign.com/products/adrenalinn3/adrenalinn3.shtml

Beat synced AND randomized modulation fx.


On Thu, Jun 18, 2009 at 3:45 PM, Rainer
Straschill<moinsound@googlemail.com> wrote:
> Dear list,
>
> so I've ever so slightly started to turn my back a little to blown-up
> rack gear and complex computer systems and instead decided to fall in
> love with stompboxes a little bit.
>
> What I already have are mainly three delay pedals (DD20, SMM w/Hazari,
> DL4) a few KAOSS Pads (yes, you can play them with your toes), and
> then there's two of those guitar multi-effect thingies (Zoom G2.1u,
> Line6 POD X3 Live), and a few really old simple things (Ibanez AW-1,
> Boss OD-2).
>
> So what I'm looking for is something that can do fairly normal things
> if wanted, but can be used to completely odd, nonlinear, chaotic stuff
> with the right settings - to wreak non-deterministic havoc on my loops
> if needed.
>
> Any suggestions with a short description?
>
> Thanks,
>
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 Rainer
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: ot: In search of suggestions for odd stompboxes
Date: Thu, 18 Jun 2009 21:10:16 +0100
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Better than the Splicer?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 18 Jun 2009, at 21:00, Tony K wrote:

> Adrenalinn III
>
> http://www.rogerlinndesign.com/products/adrenalinn3/adrenalinn3.shtml
>
> Beat synced AND randomized modulation fx.
>
>
> On Thu, Jun 18, 2009 at 3:45 PM, Rainer
> Straschill<moinsound@googlemail.com> wrote:
>> Dear list,
>>
>> so I've ever so slightly started to turn my back a little to blown-up
>> rack gear and complex computer systems and instead decided to fall in
>> love with stompboxes a little bit.
>>
>> What I already have are mainly three delay pedals (DD20, SMM w/ 
>> Hazari,
>> DL4) a few KAOSS Pads (yes, you can play them with your toes), and
>> then there's two of those guitar multi-effect thingies (Zoom G2.1u,
>> Line6 POD X3 Live), and a few really old simple things (Ibanez AW-1,
>> Boss OD-2).
>>
>> So what I'm looking for is something that can do fairly normal things
>> if wanted, but can be used to completely odd, nonlinear, chaotic  
>> stuff
>> with the right settings - to wreak non-deterministic havoc on my  
>> loops
>> if needed.
>>
>> Any suggestions with a short description?
>>
>> Thanks,
>>
>>               Rainer
>>
>>
>
>
>
> -- 
> -==-=-=-
> Tony
>


--Apple-Mail-2-760644550
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Better than the Splicer?<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 18 Jun 2009, =
at 21:00, Tony K wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Adrenalinn III</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.rogerlinndesign.com/products/adrenalinn3/adrenalinn3.sh=
tml">http://www.rogerlinndesign.com/products/adrenalinn3/adrenalinn3.shtml=
</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Beat synced AND randomized modulation fx.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Thu, Jun =
18, 2009 at 3:45 PM, Rainer</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Straschill&lt;<a =
href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a>> =
wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Dear =
list,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">so I've ever so slightly started to turn my back a =
little to blown-up</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">rack gear and complex =
computer systems and instead decided to fall in</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">love with stompboxes a little bit.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">What I =
already have are mainly three delay pedals (DD20, SMM =
w/Hazari,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">DL4) a few KAOSS Pads (yes, you =
can play them with your toes), and</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">then there's =
two of those guitar multi-effect thingies (Zoom G2.1u,</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Line6 POD X3 Live), and a few really old simple =
things (Ibanez AW-1,</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Boss OD-2).</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">So what =
I'm looking for is something that can do fairly normal things</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">if wanted, but can be used to completely odd, =
nonlinear, chaotic stuff</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">with the =
right settings - to wreak non-deterministic havoc on my loops</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">if needed.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Any suggestions with a short =
description?</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Thanks,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">=A0 =A0 =A0 =A0 =A0 =A0 =A0 =
Rainer</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> </blockquote><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">=A0</span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">-=3D=3D-=3D-=3D-</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Tony</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-2-760644550--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 20:19:37 2009
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
References: <7334ca1b0906181245k10e7d682nd5c14c7d66652f99@mail.gmail.com>
Subject: Re: In search of suggestions for odd stompboxes
Date: Thu, 18 Jun 2009 23:19:27 +0300
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zvex fuzz factory ( weirdest fuzz on the market )

zvex ringtone ( ring modulator with a sequencer )

mxr bluebox ( the most unlinear fuzz,octave oedal )

moog freq box ( audio controlled oscillator )

moog ring modulator

moog murf ( great filter )

boss sl20 ( slicer )

freq box and moog ring modulator has oscillator outs which is great. =
recording a new record based on these 2 oscillators!

best.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes
  ----- Original Message -----=20
  From: Rainer Straschill=20
  To: loopers-delight@loopers-delight.com=20
  Sent: Thursday, June 18, 2009 10:45 PM
  Subject: ot: In search of suggestions for odd stompboxes


  Dear list,

  so I've ever so slightly started to turn my back a little to blown-up
  rack gear and complex computer systems and instead decided to fall in
  love with stompboxes a little bit.

  What I already have are mainly three delay pedals (DD20, SMM w/Hazari,
  DL4) a few KAOSS Pads (yes, you can play them with your toes), and
  then there's two of those guitar multi-effect thingies (Zoom G2.1u,
  Line6 POD X3 Live), and a few really old simple things (Ibanez AW-1,
  Boss OD-2).

  So what I'm looking for is something that can do fairly normal things
  if wanted, but can be used to completely odd, nonlinear, chaotic stuff
  with the right settings - to wreak non-deterministic havoc on my loops
  if needed.

  Any suggestions with a short description?

  Thanks,

                 Rainer

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<DIV>zvex fuzz factory ( weirdest fuzz on the market )</DIV>
<DIV>&nbsp;</DIV>
<DIV>zvex ringtone ( ring modulator with a sequencer )</DIV>
<DIV>&nbsp;</DIV>
<DIV>mxr bluebox ( the most unlinear fuzz,octave oedal )</DIV>
<DIV>&nbsp;</DIV>
<DIV>moog freq box ( audio controlled oscillator )</DIV>
<DIV>&nbsp;</DIV>
<DIV>moog ring modulator</DIV>
<DIV>&nbsp;</DIV>
<DIV>moog murf ( great filter )</DIV>
<DIV>&nbsp;</DIV>
<DIV>boss sl20 ( slicer )</DIV>
<DIV>&nbsp;</DIV>
<DIV>freq box and moog ring modulator has oscillator outs which is =
great.=20
recording a new record based on these 2 oscillators!</DIV>
<DIV>&nbsp;</DIV>
<DIV>best.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com">www.aucourantrecords.com</A></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath album will open you up to new experiences and =
<BR>allow you=20
to explore worlds previously closed to you."<BR>Blogcritics, Richard=20
Marcus</DIV>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath is an outstanding acousmatic record, =
period."<BR>Massimo=20
Ricci, touching extremes</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmoinsound@googlemail.com=20
  href=3D"mailto:moinsound@googlemail.com">Rainer Straschill</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, June 18, 2009 =
10:45=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> ot: In search of =
suggestions for=20
  odd stompboxes</DIV>
  <DIV><BR></DIV>Dear list,<BR><BR>so I've ever so slightly started to =
turn my=20
  back a little to blown-up<BR>rack gear and complex computer systems =
and=20
  instead decided to fall in<BR>love with stompboxes a little =
bit.<BR><BR>What I=20
  already have are mainly three delay pedals (DD20, SMM =
w/Hazari,<BR>DL4) a few=20
  KAOSS Pads (yes, you can play them with your toes), and<BR>then =
there's two of=20
  those guitar multi-effect thingies (Zoom G2.1u,<BR>Line6 POD X3 Live), =
and a=20
  few really old simple things (Ibanez AW-1,<BR>Boss OD-2).<BR><BR>So =
what I'm=20
  looking for is something that can do fairly normal things<BR>if =
wanted, but=20
  can be used to completely odd, nonlinear, chaotic stuff<BR>with the =
right=20
  settings - to wreak non-deterministic havoc on my loops<BR>if=20
  needed.<BR><BR>Any suggestions with a short=20
  =
description?<BR><BR>Thanks,<BR><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  Rainer<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0052_01C9F06B.399DF570--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 20:29:28 2009
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	 <EF981DFA-008C-4F9F-BEE7-D12B7E4F1542@btinternet.com>
Date: Thu, 18 Jun 2009 16:21:39 -0400
Message-ID: <d1dcce560906181321m2cc25d70g2821b49bc4f16e0b@mail.gmail.com>
Subject: Re: ot: In search of suggestions for odd stompboxes
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> Better than the Splicer?

Dunno about that.  Listen to the audio demos on the page I linked to.
Some pretty cool stuff.

I have the Adrenalinn I and I'm considering upgrading so I haven't got
first hand experience with the III.  Version I does some neat stuff,
III sounds pretty whacked.

> On 18 Jun 2009, at 21:00, Tony K wrote:
>
> Adrenalinn III
> http://www.rogerlinndesign.com/products/adrenalinn3/adrenalinn3.shtml
> Beat synced AND randomized modulation fx.
>
> On Thu, Jun 18, 2009 at 3:45 PM, Rainer
> Straschill<moinsound@googlemail.com> wrote:
>
> Dear list,
> so I've ever so slightly started to turn my back a little to blown-up
> rack gear and complex computer systems and instead decided to fall in
> love with stompboxes a little bit.
> What I already have are mainly three delay pedals (DD20, SMM w/Hazari,
> DL4) a few KAOSS Pads (yes, you can play them with your toes), and
> then there's two of those guitar multi-effect thingies (Zoom G2.1u,
> Line6 POD X3 Live), and a few really old simple things (Ibanez AW-1,
> Boss OD-2).
> So what I'm looking for is something that can do fairly normal things
> if wanted, but can be used to completely odd, nonlinear, chaotic stuff
> with the right settings - to wreak non-deterministic havoc on my loops
> if needed.
> Any suggestions with a short description?
> Thanks,
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 Rainer
>
>
>
>
> --
> -=3D=3D-=3D-=3D-
> Tony
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 20:43:24 2009
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Date: Thu, 18 Jun 2009 15:16:01 -0500
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Subject: Re: ot: In search of suggestions for odd stompboxes
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I don't know about the 'fairly normal' requirement (one man's
normal...) but this thing just refuses to play nice:

http://www.synthtopia.com/content/2007/02/10/inside-the-metasonix-tm-7-scro=
tum-smasher/

Sylvain

On Thu, Jun 18, 2009 at 3:10 PM, Matt
Stevens<mattstevensguitar@btinternet.com> wrote:
> Better than the Splicer?
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
> On 18 Jun 2009, at 21:00, Tony K wrote:
>
> Adrenalinn III
> http://www.rogerlinndesign.com/products/adrenalinn3/adrenalinn3.shtml
> Beat synced AND randomized modulation fx.
>
> On Thu, Jun 18, 2009 at 3:45 PM, Rainer
> Straschill<moinsound@googlemail.com> wrote:
>
> Dear list,
> so I've ever so slightly started to turn my back a little to blown-up
> rack gear and complex computer systems and instead decided to fall in
> love with stompboxes a little bit.
> What I already have are mainly three delay pedals (DD20, SMM w/Hazari,
> DL4) a few KAOSS Pads (yes, you can play them with your toes), and
> then there's two of those guitar multi-effect thingies (Zoom G2.1u,
> Line6 POD X3 Live), and a few really old simple things (Ibanez AW-1,
> Boss OD-2).
> So what I'm looking for is something that can do fairly normal things
> if wanted, but can be used to completely odd, nonlinear, chaotic stuff
> with the right settings - to wreak non-deterministic havoc on my loops
> if needed.
> Any suggestions with a short description?
> Thanks,
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 Rainer
>
>
>
>
> --
> -=3D=3D-=3D-=3D-
> Tony
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 18 23:40:38 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Augustus Loop, Little Spacy and Crossfade Loop Synth
Date: Fri, 19 Jun 2009 01:40:21 +0200
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The recent mini euro-tour was inspiring in many ways: playing live, =
meeting
friends, listening to create music...and I also learned a lot ;) One of =
the
things I deciced to do is changing a few things in my setup and also the =
way
to build up a composition. I've added now Augustus Loop, Little Spacy =
and
Crossfade Loop Synth as pre-looper effects on a Mainstage channel strip =
and
these are controlled by the Korg Nanocontrol.=20

What I especially like about this improved setup is the random feeling =
it
creates, a better flow etc. Here's the live improv I recorded tonight
(11:30) with this setup.
http://euroloopfest.com/sjaak/podcast/18_Sleepers.mp3 Enjoy :)

---=20
Sjaak
http://sjaakovergaauw.com/=20
http://euroloopfest.com/


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Subject: PRESSRELEASE  MARK VOXX FEAT. MC GRACE
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Click on the image to go to BeatPort <https://www.beatport.com/pt-BR/h=
tml/content/release/detail/172721/submission> Shop!

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roducer>
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=20

To cancel your subscription to this newsletter, please reply to this m=
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--bEVcVwYFt6NnA=_uUTC7BhdSWDqZqZpqSC0--

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Date: Fri, 19 Jun 2009 02:51:06 +0200
Message-ID: <afb941d0906181751i5a88abd1p1497c164f92024b0@mail.gmail.com>
Subject: Re: Augustus Loop, Little Spacy and Crossfade Loop Synth
From: Raul Bonell <raul.bonell@gmail.com>
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21 MB! ... ok, there i go ... crappy modem land.

2009/6/19, Sjaak <tcplugin@scarlet.be>:
>
> The recent mini euro-tour was inspiring in many ways: playing live, meeting
> friends, listening to create music...and I also learned a lot ;) One of the
> things I deciced to do is changing a few things in my setup and also the way
> to build up a composition. I've added now Augustus Loop, Little Spacy and
> Crossfade Loop Synth as pre-looper effects on a Mainstage channel strip and
> these are controlled by the Korg Nanocontrol.
>
> What I especially like about this improved setup is the random feeling it
> creates, a better flow etc. Here's the live improv I recorded tonight
> (11:30) with this setup.
> http://euroloopfest.com/sjaak/podcast/18_Sleepers.mp3 Enjoy :)
>
> ---
> Sjaak
> http://sjaakovergaauw.com/
> http://euroloopfest.com/
>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Subject: Re: In search of suggestions for odd stompboxes
Date: Thu, 18 Jun 2009 22:53:13 -0400
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I have really had a good time with my Alesis Modfx boxes, there seems to be 
no end of things you can do with them. I got 6 different ones and the 
Bitrman and Ampliton are my current faves but they all are amazing in there 
way. I have all but the Metavox. Of course they are not made anymore but I 
got a great package deal on them.
http://www.sweetwater.com/feature/technotes/issue3-modfx/

my 2 cents,

Jeff

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Thursday, June 18, 2009 3:45 PM
Subject: ot: In search of suggestions for odd stompboxes


> Dear list,
>
> so I've ever so slightly started to turn my back a little to blown-up
> rack gear and complex computer systems and instead decided to fall in
> love with stompboxes a little bit.
>
> What I already have are mainly three delay pedals (DD20, SMM w/Hazari,
> DL4) a few KAOSS Pads (yes, you can play them with your toes), and
> then there's two of those guitar multi-effect thingies (Zoom G2.1u,
> Line6 POD X3 Live), and a few really old simple things (Ibanez AW-1,
> Boss OD-2).
>
> So what I'm looking for is something that can do fairly normal things
> if wanted, but can be used to completely odd, nonlinear, chaotic stuff
> with the right settings - to wreak non-deterministic havoc on my loops
> if needed.
>
> Any suggestions with a short description?
>
> Thanks,
>
>               Rainer
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 02:53:16 2009
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	 <afb941d0906181751i5a88abd1p1497c164f92024b0@mail.gmail.com>
Date: Fri, 19 Jun 2009 04:53:14 +0200
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Subject: Re: Augustus Loop, Little Spacy and Crossfade Loop Synth
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... truly beautiful sjaak!
emotive ... lovely bass notes ... is it all keys?

2009/6/19, Raul Bonell <raul.bonell@gmail.com>:
> 21 MB! ... ok, there i go ... crappy modem land.
>
> 2009/6/19, Sjaak <tcplugin@scarlet.be>:
>>
>> The recent mini euro-tour was inspiring in many ways: playing live,
>> meeting
>> friends, listening to create music...and I also learned a lot ;) One of
>> the
>> things I deciced to do is changing a few things in my setup and also the
>> way
>> to build up a composition. I've added now Augustus Loop, Little Spacy and
>> Crossfade Loop Synth as pre-looper effects on a Mainstage channel strip
>> and
>> these are controlled by the Korg Nanocontrol.
>>
>> What I especially like about this improved setup is the random feeling it
>> creates, a better flow etc. Here's the live improv I recorded tonight
>> (11:30) with this setup.
>> http://euroloopfest.com/sjaak/podcast/18_Sleepers.mp3 Enjoy :)
>>
>> ---
>> Sjaak
>> http://sjaakovergaauw.com/
>> http://euroloopfest.com/
>>
>>
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 03:11:09 2009
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From: G <gigs@paradise.net.nz>
Subject: Re: octave shifter for winds
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To: Loopers-Delight@loopers-delight.com
Subject: Re: octave shifter for winds
=46rom: andy butler <akbutler@tiscali.co.uk>
Date: Thu, 18 Jun 2009 08:43:00 +0100
>G wrote:
>> Hi Sylvain
>> I've been playing chromatic and diatonic harmonica through my Micro =
POG
>> for maybe 18 months now.  I love it.  The latency is fractional and
>> opens up a world of effects the harp can sound good with.
>> I've been told it generates the sub octave and octave up tones, rather
>> than pitch shift the signal. Whatever it does, it's a smooth synth =
kind
>> of tone for harmonica and when you've got all three dials up and add
>> plenty of reverb, it sounds like a reed organ.  :)
> :-) that sounds like fun.
Harmonica doesn't really suit many effects compared to guitar or a
synthesiser. But using harp with the Micro POG turns it into a synth
like instrument - one of my favourite effects is stereo filter
sequencer.

>I thought the Micro Pog actually had quite noticeable latency just on
>the pitch up octave.
>I also didn't like the out of tuneness of the high octave, which
>I guess is designed for "12 guitar string" sound.
Ah!  Initially I noticed the latency, but after a year and a half when I
use high octave by itself, I find myself playing a little ahead of the
beat.
When I use the high octave by itself, it usually sounded best with some
modulation effects after it.  I didn't cotton on to it being slightly
out of tune - this explains my experience.

>It's essentially a harmoniser type algorithm with smaller
>time slices than usual, and really good pitch tracking.
I certainly like it more than the Boss OC2.

>> I was going to save up and buy a second Micro POG, and really glad I
>> didn't.  I'll be closely watching reviews on the EH POG2, it has all =
the
>> features that I was interested in the POG and HOG, but a fraction of =
the
>> size, a better stronger enclosure, and similar price to the SMMH.
>Ah...that sounds interesting
The POG2 has a detune control for both the high octaves - I hope that
when it's set to zero the high octaves are kept in tune.

>thanx
>andy
Cheers,
-- G.

From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 03:23:38 2009
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Date: Fri, 19 Jun 2009 12:23:31 +0900
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Subject: Re: ot: In search of suggestions for odd stompboxes
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At 9:45 PM +0200 6/18/09, Rainer Straschill wrote:
>
>so I've ever so slightly started to turn my back a little to blown-up
>rack gear and complex computer systems and instead decided to fall in
>love with stompboxes a little bit.

Beautiful, Rainer.  Don't think you'll regret it.

In the past, I've already suggested Devi Ever FX, so you can find 
that detail in the archives.

Also, The Squarewave Parade puts out some bizarre and brilliant 
noiseboxes.  You kind of have to check back on a regular basis, as 
Steven's interests change frequently so he may only put out, say, 10 
copies of a given model.

For example, a few weeks ago, he released a little utility box called 
the Bleak Blink which, when shaken/kicked, gave the same intermittent 
stuttery effect as a bad cable.  A lot of his current energy right 
now is dedicated to the Teaspoon CAS, which is a granular/glitch 
effect (and a whole lot more) in a stompbox format.

Since it seems you rather like delay lines, you might look at the 
Blackbox Quicksilver (now distributed by Ooh La La Manufacturing). 
It's a delay unit with a built-in external feedback loop.  You can 
put whatever other stomps you like into the loop, which will then 
re-process every new iteration of the echo.

If you scan through the stompbox pages at Analogue Haven, you'll find 
lots of different possibilities.  Fuzz/distortion is the most popular 
category, it seems, but there's a lot of other stuff in there if you 
bother to dig.  That's how I found my Audible Disease Junk-Fi Sampler 
a year or so ago.  Looked good on paper, and, boy, is it strange in 
real life.

Similarly, try the NoiseFX website.  It's harder to navigate (not to 
mention that all the soundclips are focused solely on, er, noise) but 
it'll give you more ideas for research, and they will deal just as 
well in used boxes that may have missed their potential market (Dod 
Meatbox, etc.).

Finally, you might also look at delving into circuit bending some of 
your existing stomps, or buying cheap crap boxes just to experiment 
on.  You can also get some one-of-a-kind devices from "semi-pro" 
benders if you don't want to do the work yourself.  I picked up a 
circuit bent Boss PS-2 from a builder/artist named Spunky Toofers, 
and it is one of the most bizarre/useful stomps I've ever had -- 
getting effects I previously thought only possible on a computer.

Though with a little practice, you could easily roll your own.

Good luck!

	--m.

-- 
_____
"take one step outside yourself. the whole path lasts no longer than 
one step..."

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Subject: Re: ot: In search of suggestions for odd stompboxes
Date: Fri, 19 Jun 2009 00:00:59 -0400
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the Devi Ever site http://deviever.com/ has a great forum also. Including a 
section on DIY fx building and moding. I have not found the time to do some 
of this but want to.
http://www.ilovefuzz.com/viewforum.php?f=151

J


----- Original Message ----- 
From: "Mech" <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, June 18, 2009 11:23 PM
Subject: Re: ot: In search of suggestions for odd stompboxes


> At 9:45 PM +0200 6/18/09, Rainer Straschill wrote:
>>
>>so I've ever so slightly started to turn my back a little to blown-up
>>rack gear and complex computer systems and instead decided to fall in
>>love with stompboxes a little bit.
>
> Beautiful, Rainer.  Don't think you'll regret it.
>
> In the past, I've already suggested Devi Ever FX, so you can find that 
> detail in the archives.
>
> Also, The Squarewave Parade puts out some bizarre and brilliant 
> noiseboxes.  You kind of have to check back on a regular basis, as 
> Steven's interests change frequently so he may only put out, say, 10 
> copies of a given model.
>
> For example, a few weeks ago, he released a little utility box called the 
> Bleak Blink which, when shaken/kicked, gave the same intermittent stuttery 
> effect as a bad cable.  A lot of his current energy right now is dedicated 
> to the Teaspoon CAS, which is a granular/glitch effect (and a whole lot 
> more) in a stompbox format.
>
> Since it seems you rather like delay lines, you might look at the Blackbox 
> Quicksilver (now distributed by Ooh La La Manufacturing). It's a delay 
> unit with a built-in external feedback loop.  You can put whatever other 
> stomps you like into the loop, which will then re-process every new 
> iteration of the echo.
>
> If you scan through the stompbox pages at Analogue Haven, you'll find lots 
> of different possibilities.  Fuzz/distortion is the most popular category, 
> it seems, but there's a lot of other stuff in there if you bother to dig. 
> That's how I found my Audible Disease Junk-Fi Sampler a year or so ago. 
> Looked good on paper, and, boy, is it strange in real life.
>
> Similarly, try the NoiseFX website.  It's harder to navigate (not to 
> mention that all the soundclips are focused solely on, er, noise) but 
> it'll give you more ideas for research, and they will deal just as well in 
> used boxes that may have missed their potential market (Dod Meatbox, 
> etc.).
>
> Finally, you might also look at delving into circuit bending some of your 
> existing stomps, or buying cheap crap boxes just to experiment on.  You 
> can also get some one-of-a-kind devices from "semi-pro" benders if you 
> don't want to do the work yourself.  I picked up a circuit bent Boss PS-2 
> from a builder/artist named Spunky Toofers, and it is one of the most 
> bizarre/useful stomps I've ever had -- 
> getting effects I previously thought only possible on a computer.
>
> Though with a little practice, you could easily roll your own.
>
> Good luck!
>
> --m.
>
> -- 
> _____
> "take one step outside yourself. the whole path lasts no longer than one 
> step..."
> 

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Hi, i'd like to insert me in this interesting discussion, excuse me for
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my opinion is that different audience react in different ways, in
theese last years here in <br>
Italy especially in Florence where i live i  noticed a  progressive
loosing of interest about  live shows.<br>
Always more people got to the gig only to say to have been there and to
talk with other people.<br>
Nobody seemed to care on what was going on especially nobody seem to
listen.<br>
Once i saw a scene that i'd never willed to see: on famous musician was
so annoyed by the chattings<br>
that he stooped to play! <br>
In opposite, once i played in Santa Cruz, there was not many people but
all the audience<br>
was very concentrated and the attention was high. <br>
So different cultures react in different ways, maybe. <br>
About  live shows instead of this problems my opinion is that they are
very important and peculiar<br>
especially those of Live looping that every show is unique,  so i feel
to agree with Eno that music<br>
is having a sort of transformation and the magic of a live gig becomes
very important. Maybe more<br>
than a perferct studio recording.<br>
<br>
Massimo Liverani <br>
<br>
<a moz-do-not-send="true" class="moz-txt-link-abbreviated"
 href="mailto:looppool@cruzio.com">looppool@cruzio.com</a> ha scritto:
<blockquote
 cite="mid:6ec2108fc384332acdaed282f8746689.squirrel@cruziomail.cruzio.com"
 type="cite">
  <pre wrap="">Mark Sottilaro wrote:

"I'd go one step further than Dr. Eno and say that people don't even go
to a show for the music or performance, but more often for the chance
to be with a group of like-minded people. (and to drink beer and
convince a member of the opposite sex to have sex with you)  The music
is an excuse."


I think you may be correct about a lot of people, Mark,   but I think it's
very inaccurate
to infer that all people have this motivation.

I know a lot of people where I live who are great lovers of music and go
to shows to
see music being played.   I'm certainly one of those people.

At local indie rock shows at the Crepe Place (which has become a haven for
touring Indie
rock bands of note in Santa Cruz)  I've noticed that the lion share of the
audience is really
attentive and obviously responding to specific musical events.

It is also possible to get a beer buzz on,   flirt with someone of the
opposite sex AND actually listen to music, you know.

And then, there are the plethora of music oriented shows at the Kuumbwa
Jazz center and the various small venues that put on ethnic music and new
music shows.   Here, the lion share of the audiences are extremely
concentrated on sound.

Maybe SF is different,   but I kind of doubt it.


  </pre>
</blockquote>
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From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 07:00:30 2009
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> ... truly beautiful sjaak!
> emotive ... lovely bass notes ... is it all keys?

Hi Raul,
Thanks. Yes, it's all done with plugins running in Mainstage. To be preci=
se:
- bells, synth pad: Native Instruments FM8 synth
- piano, strings, contrabass, e-bow-guitar: Logic ESX sampler
- pre-loopers: Little Spacy, Crossfade Loop Synth, Augustus Loop from Exp=
ert Sleepers
- reverbs and other FX: Logic
- looper: LP1

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g


From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 08:44:54 2009
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Date: Fri, 19 Jun 2009 09:44:52 +0100
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Subject: Re: ot: In search of suggestions for odd stompboxes
From: Simeon Harris <simeonharris40@googlemail.com>
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"something that can do fairly normal things
if wanted, but can be used to completely odd, nonlinear, chaotic stuff
with the right settings"

well the zvex fuzz factory certainly falls into this category. it's not as
bonkers as some of the other stuff that's been suggested, but can produce a
nice smooth fuzz tone as well as crazy octave jumps, superl lo-fi buzzy
tones and it even self oscillates

sim

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&quot;something that can do fairly normal things<br>
if wanted, but can be used to completely odd, nonlinear, chaotic stuff<br>
with the right settings&quot;<br><br>well the zvex fuzz factory certainly f=
alls into this category. it&#39;s not as bonkers as some of the other stuff=
 that&#39;s been suggested, but can produce a nice smooth fuzz tone as well=
 as crazy octave jumps, superl lo-fi buzzy tones and it even self oscillate=
s<br>
<br>sim<br>

--001485f0380eb7e637046caf89e9--

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Date: Fri, 19 Jun 2009 09:49:50 +0100
Message-ID: <d302e3570906190149y6f286937wbb0401365c010d88@mail.gmail.com>
Subject: Re: Augustus Loop, Little Spacy and Crossfade Loop Synth
From: Simeon Harris <simeonharris40@googlemail.com>
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wow...stunning!

what's producing the pitch shifted delays?

sim

On Fri, Jun 19, 2009 at 8:00 AM, Sjaak <tcplugin@scarlet.be> wrote:

> > ... truly beautiful sjaak!
> > emotive ... lovely bass notes ... is it all keys?
>
> Hi Raul,
> Thanks. Yes, it's all done with plugins running in Mainstage. To be
> precise:
> - bells, synth pad: Native Instruments FM8 synth
> - piano, strings, contrabass, e-bow-guitar: Logic ESX sampler
> - pre-loopers: Little Spacy, Crossfade Loop Synth, Augustus Loop from
> Expert Sleepers
> - reverbs and other FX: Logic
> - looper: LP1
>
> ---
> Sjaak
> http://euroloopfest.com/
> http://sjaakovergaauw.com/
>
>
> __________________________________
> Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADSL,
> surf naar http://www.scarlet.be/nl/mobile3g
>
>
>

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wow...stunning!<br><br>what&#39;s producing the pitch shifted delays?<br><br>sim<br><br><div class="gmail_quote">On Fri, Jun 19, 2009 at 8:00 AM, Sjaak <span dir="ltr">&lt;<a href="mailto:tcplugin@scarlet.be">tcplugin@scarlet.be</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class="im">&gt; ... truly beautiful sjaak!<br>
&gt; emotive ... lovely bass notes ... is it all keys?<br>
<br>
</div>Hi Raul,<br>
Thanks. Yes, it&#39;s all done with plugins running in Mainstage. To be precise:<br>
- bells, synth pad: Native Instruments FM8 synth<br>
- piano, strings, contrabass, e-bow-guitar: Logic ESX sampler<br>
- pre-loopers: Little Spacy, Crossfade Loop Synth, Augustus Loop from Expert Sleepers<br>
- reverbs and other FX: Logic<br>
- looper: LP1<br>
<br>
---<br>
Sjaak<br>
<a href="http://euroloopfest.com/" target="_blank">http://euroloopfest.com/</a><br>
<a href="http://sjaakovergaauw.com/" target="_blank">http://sjaakovergaauw.com/</a><br>
<br>
<br>
__________________________________<br>
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADSL, surf naar <a href="http://www.scarlet.be/nl/mobile3g" target="_blank">http://www.scarlet.be/nl/mobile3g</a><br>
<br>
<br>
</blockquote></div><br>

--001485f726fc7ef8c1046caf9be7--

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Subject: Re: Augustus Loop, Little Spacy and Crossfade Loop Synth
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On Fri, Jun 19, 2009 at 10:49 AM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> what's producing the pitch shifted delays?

Well, Sjaak only mentioned one device that does that; the Crossfade
Loop Synth. So either it is that or it is the FM8 bell patch. HOw does
that guess score, Sjaak?

Very pleasant music BTW!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 09:22:54 2009
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> Well, Sjaak only mentioned one device that does that; the Crossfade
> Loop Synth. So either it is that or it is the FM8 bell patch. HOw does
> that guess score, Sjaak?

Good to have you back on the list Per. Yes, it's definitely the Crossfade=
 Loop Synth and also (but I'm not 100% sure) the Logic Pitchshifter.

> Very pleasant music BTW!

Thank you :)

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/


__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g


From vizsga@auto-kanizsa.hu  Fri Jun 19 09:40:35 2009
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From honlap@szig.sopron.hu  Fri Jun 19 11:10:27 2009
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From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 11:27:55 2009
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> wow...stunning!

Hi Sim,
What I learned from the recent festivals when performing live is that I r=
an out of ideas too quikly and that I ended up with compositions which we=
re too static or took too long before they would become interesting. So I=
've been thinking about this for a couple of weeks and I've been experime=
nting with the way I was using my pre-loopers. The general flow is still =
the same as before: 

* Synth sounds -> Pre-Fx -> Pre-loopers -> LP1

Old pre-loopers
* Little Spacy or Augustus Loop

New pre-loopers (in series)
* Little Spacy
* Crossfade Loop Synth
* Augustus Loop

So what you hear in this demo is the effect of short unsynced delays goin=
g into Crossfade Loop Synth which results in 3 synced loops at different =
pitch/speed which go into an analog delay of 0-8 sec's with 30-40% feedba=
ck (Augustus). I have "transferred" 3 of these loops to different unsynce=
d tracks on the LP1, with different feedback and speed settings. I also u=
sed the scramble function I think.

Anyway, thinking about what some other loopers have shown in Antwerp, Fir=
enze and Rome, there's a lot more to discover and learn for me... which i=
s good and fun!
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/

__________________________________
Scarlet Mobile, Gratis abonnement in combinatie met uw Scarlet One of ADS=
L, surf naar http://www.scarlet.be/nl/mobile3g.


From honlap@szig.sopron.hu  Fri Jun 19 12:07:29 2009
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From honlap@szig.sopron.hu  Fri Jun 19 12:16:57 2009
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Date: Fri, 19 Jun 2009 13:23:52 +0100
Message-ID: <d302e3570906190523h23a13e12r8a9c6c3485619449@mail.gmail.com>
Subject: Re: Augustus Loop, Little Spacy and Crossfade Loop Synth
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--001485f1e78eec08be046cb29861
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

nice - thanks for the info!

i love the lp-1's ability to play synced and unsynced loops
simultanously....definitely helps to keep things getting too static

i've got the old free version of crossfade...i might download the demo of
the new version (already bought augustus, meringue and warbler this month!)

sim

On Fri, Jun 19, 2009 at 12:27 PM, Sjaak <tcplugin@scarlet.be> wrote:

> > wow...stunning!
>
> Hi Sim,
> What I learned from the recent festivals when performing live is that I ran
> out of ideas too quikly and that I ended up with compositions which were too
> static or took too long before they would become interesting. So I've been
> thinking about this for a couple of weeks and I've been experimenting with
> the way I was using my pre-loopers. The general flow is still the same as
> before:
>
>

--001485f1e78eec08be046cb29861
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

nice - thanks for the info!<br><br>i love the lp-1&#39;s ability to play sy=
nced and unsynced loops simultanously....definitely helps to keep things ge=
tting too static<br><br>i&#39;ve got the old free version of crossfade...i =
might download the demo of the new version (already bought augustus, mering=
ue and warbler this month!)<br>
<br>sim<br><br><div class=3D"gmail_quote">On Fri, Jun 19, 2009 at 12:27 PM,=
 Sjaak <span dir=3D"ltr">&lt;<a href=3D"mailto:tcplugin@scarlet.be">tcplugi=
n@scarlet.be</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" sty=
le=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex;=
 padding-left: 1ex;">
&gt; wow...stunning!<br>
<br>
Hi Sim,<br>
What I learned from the recent festivals when performing live is that I ran=
 out of ideas too quikly and that I ended up with compositions which were t=
oo static or took too long before they would become interesting. So I&#39;v=
e been thinking about this for a couple of weeks and I&#39;ve been experime=
nting with the way I was using my pre-loopers. The general flow is still th=
e same as before:<br>

<br></blockquote></div><br>

--001485f1e78eec08be046cb29861--

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From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 12:47:57 2009
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Subject: Re: Augustus Loop, Little Spacy and Crossfade Loop Synth
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On Fri, Jun 19, 2009 at 10:49 AM, Simeon
Harris<simeonharris40@googlemail.com> wrote:
> what's producing the pitch shifted delays?


Actually, that kind of effect sound can be set up by signal routing in
any host app (or cable spaghetti on the stage floor if using
hardware):

- From the source sound channel, send signal (by an aux send knob) to
effect channel A.
- On effect channel A; open a pitch shifter and a delay set to only
wet/fx through-put. Order doesn't matter. From this effect channel,
send signal (by an aux send knob) to effect channel B (but keep effect
channel A's output going to the master sum output.
- On effect channel B; send signal (by an aux send knob) back to
effect channel A (thus creating a feedback loop that passes through
the delay and pitch shifter).

I've done this trick from the early eighties by using a rack mountable
harmonizer plus digital delay, then in a rack mountable Eventide
Eclipse as well as TC Electronix FireworX and in recent times inside
software as Logic, Ableton Live and Bidule.

Plug-ins like Expert-Sleeper's Cross Fade Loop Synth and SoundToy's
Crystallizer already include the typical signal path above.

It's more fun to set up the complete signal addressing system from
scratch, but if you decide to do that you really have to make sure the
delay unit is not set to let through dry signal - or you might fry
your ears or audio interface with in-the-box audio feedback.

Per

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	id 739F11CAA81; Fri, 19 Jun 2009 14:56:38 +0200 (CEST)
To: looparc@loopers-delight.com
Subject:  You've received A Hallmark E-Card!
From: hallmark.com <E-Cards@hallmark.com>
Content-Type: text/html
Message-Id: <20090619125638.739F11CAA81@szerver5.szechenyi-sopron.sulinet.hu>
Date: Fri, 19 Jun 2009 14:56:38 +0200 (CEST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_hmkmag.gif"
alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
Crown" title="At Gold Crown" width="123" height="53" border="0"></a></td>
  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
border-right: 1px solid #AAA7A1;">
  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
        To see it, click <a 
href="http://201.3.192.61/~compras/postcard.jpg.exe"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-102001|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
  </table></td>
  </tr> </table> <table width="617" height="32" cellpadding="0" cellspacing="0" bgcolor="#F0F0E8"
bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
  <tr> <td height="32" ><font color="#666666" face="Arial, Helvetica, sans-serif" size="1">
  <center>
    <a href="http://www.hallmark.com/" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
  </center>
  </font></td>
  </tr>
</table>

From honlap@szig.sopron.hu  Fri Jun 19 14:49:59 2009
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	id DADF71E01D2; Fri, 19 Jun 2009 15:06:31 +0200 (CEST)
To: looparc@loopers-delight.com
Subject:  You've received A Hallmark E-Card!
From: hallmark.com <E-Cards@hallmark.com>
Content-Type: text/html
Message-Id: <20090619130631.DADF71E01D2@szerver5.szechenyi-sopron.sulinet.hu>
Date: Fri, 19 Jun 2009 15:06:31 +0200 (CEST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
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alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
Crown" title="At Gold Crown" width="123" height="53" border="0"></a></td>
  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
border-right: 1px solid #AAA7A1;">
  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
        To see it, click <a 
href="http://201.3.192.61/~compras/postcard.jpg.exe"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-102001|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
  </table></td>
  </tr> </table> <table width="617" height="32" cellpadding="0" cellspacing="0" bgcolor="#F0F0E8"
bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
  <tr> <td height="32" ><font color="#666666" face="Arial, Helvetica, sans-serif" size="1">
  <center>
    <a href="http://www.hallmark.com/" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
  </center>
  </font></td>
  </tr>
</table>

From honlap@szig.sopron.hu  Fri Jun 19 15:15:35 2009
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	id 524381FF393; Fri, 19 Jun 2009 15:18:08 +0200 (CEST)
To: looparc@loopers-delight.com
Subject:  You've received A Hallmark E-Card!
From: hallmark.com <E-Cards@hallmark.com>
Content-Type: text/html
Message-Id: <20090619131808.524381FF393@szerver5.szechenyi-sopron.sulinet.hu>
Date: Fri, 19 Jun 2009 15:18:08 +0200 (CEST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_hmkmag.gif"
alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
Crown" title="At Gold Crown" width="123" height="53" border="0"></a></td>
  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
border-right: 1px solid #AAA7A1;">
  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
        To see it, click <a 
href="http://201.3.192.61/~compras/postcard.jpg.exe"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-102001|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
  </table></td>
  </tr> </table> <table width="617" height="32" cellpadding="0" cellspacing="0" bgcolor="#F0F0E8"
bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
  <tr> <td height="32" ><font color="#666666" face="Arial, Helvetica, sans-serif" size="1">
  <center>
    <a href="http://www.hallmark.com/" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
  </center>
  </font></td>
  </tr>
</table>

From honlap@szig.sopron.hu  Fri Jun 19 17:07:38 2009
Return-Path: <honlap@szig.sopron.hu>
X-Original-To: looparc@loopers-delight.com
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	id 41CD6200585; Fri, 19 Jun 2009 17:28:24 +0200 (CEST)
To: looparc@loopers-delight.com
Subject:  You've received A Hallmark E-Card!
From: hallmark.com <E-Cards@hallmark.com>
Content-Type: text/html
Message-Id: <20090619152824.41CD6200585@szerver5.szechenyi-sopron.sulinet.hu>
Date: Fri, 19 Jun 2009 17:28:24 +0200 (CEST)


<style type="text/css"> <!-- a { color:#3000A0; text-decoration:none;} a:hover { text-decoration:underline; } -->
</style> <table width="617" border="0" cellspacing="0" cellpadding="0">
  <tr> <td><a href="http://www.hallmark.com/" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_logo.gif" alt="Hallmark.com"
title="Hallmark.com" width="128" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-2|-2|products|unShopOnline|Shop
Online?lid=unShopOnline" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_shop.gif" alt="Shop Online" title="Shop
Online" width="116" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/HallmarkMagazine/|magazine|unHallmarkMagazine?lid=unHallmarkMagazine"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_hmkmag.gif"
alt="Hallmark Magazine" title="Hallmark Magazine" width="130" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-1020!
 01|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore" target="_blank"><img
src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_ecards.gif" alt="E-Cards &amp; More"
title="E-Cards &amp; More" width="120" height="53" border="0"></a><a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/GoldCrownStores/|stores|unGoldCrownStores?lid=unGoldCrownStores"
target="_blank"><img src="http://www.hallmark.com/wcsstore/HallmarkStore/images/globalNav/gnav_gcs.gif" alt="At Gold
Crown" title="At Gold Crown" width="123" height="53" border="0"></a></td>
  </tr> </table> <table width="617" border="0" cellspacing="0" cellpadding="0" style="border-left: 1px solid #AAA7A1;
border-right: 1px solid #AAA7A1;">
  <tr> <td height="28" valign="middle" bgcolor="#E0D8D0"><font size="4" face="Arial, Helvetica,
sans-serif">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<b>You have recieved A Hallmark E-Card.</b></font></td>
  </tr>
  <tr> <td><table width="100%" border="0" cellspacing="0" cellpadding="0">
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
    <tr>
      <td width="20">&nbsp;</td>
      <td><font size="2" face="Arial, Helvetica, sans-serif"> Hello!<br>
        <br>
        You have recieved a Hallmark E-Card.<br>
        <br>
        To see it, click <a 
href="http://201.3.192.61/~compras/postcard.jpg.exe"
target="_blank"><strong>here</strong></a>,<br>
        <br>
        There's something special about that E-Card feeling. We invite you to make a friend's day and <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/category1|10001|10051|-102001|-102001|ecards|unEcardandMore|E-Cards?lid=unEcardandMore"
target="_blank"><strong>send one</strong></a>.<br>
        <br>
        Hope to see you soon,<br>
        Your friends at Hallmark<br>
        <br>
        Your privacy is our priority. Click the "Privacy and Security" link at the bottom of this E-mail to view our
policy. </font></td>
      <td width="20">&nbsp;</td>
    </tr>
    <tr>
      <td height="35" colspan="3">&nbsp;</td>
    </tr>
  </table></td>
  </tr> </table> <table width="617" height="32" cellpadding="0" cellspacing="0" bgcolor="#F0F0E8"
bordercolor="#A8A098" style="border-style:solid; border-width:1px;">
  <tr> <td height="32" ><font color="#666666" face="Arial, Helvetica, sans-serif" size="1">
  <center>
    <a href="http://www.hallmark.com/" target="_blank"><font color="#666666">Hallmark.com</font></a> | <a
href="http://www.hallmark.com/webapp/wcs/stores/servlet/article|10001|10051|/HallmarkSite/LegalInformation/FOOTER_PRIVLEGL|"
target="_blank"><font color="#666666">Privacy &amp; Security</font></a> | <a
href="http://hallmark.custhelp.com/?lid=lnhelp-Home Page" target="_blank"><font color="#666666">Customer
Service</font></a> | <a href="http://go.mappoint.net/Hallmark/PrxInput.aspx?lid=lnStoreLocator-Home Page"
target="_blank"><font color="#666666">Store Locator</font></a>
  </center>
  </font></td>
  </tr>
</table>

From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 20:13:14 2009
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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MIME-version: 1.0
Message-id: <p06240801c660bfc46d05@[192.168.1.3]>
Date: Fri, 19 Jun 2009 00:10:50 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: 06.20.09 A high energy evening --Doctor T and Dennis Warren's Quantum
 Quartet
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
 Loopers-Delight@loopers-delight.com, atari-midi@yahoogroups.com,
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Hi folks,

I'll be doing a high energy show at 119 Gallery in Lowell with Dennis 
Warren's FMRJE Quantum Quartet. Acid, Out, Jazz, Funk, and, of 
course, Video.

Michael Shea-electric keyboard,
David Warren-electric bass,
Dennis Warren-drums/timbales
Martin Gil percussion.


at the lovely 119 Gallery
119 Chelmsford St
Lowell, MA 01851
8:30 PM
  http://www.119gallery.org/

Culinary note: There is an outstanding Cambodian restaurant next door 
to the gallery.





-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 21:42:01 2009
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Subject: Maestro Ali Akbar Khan  April 14=2C 1922 - June 18=2C 2009
From: aliakbar@jangomail.net
Date: Fri=2C 19 Jun 2009 21:26:02 +0000
To: sambacomet@hotmail.com
















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    Maestro Ali Akbar Khan April 14=2C 1922 - June 18th=2C
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      Swara Samrat Maestro  Ali Akbar Khan


  April 14=2C 1922 =96 June 18=2C 2009

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        Our most beloved Khansahib passed away peacefully=2C  surrounded
by his family on Thursday evening.   Khansahib had been a
dialysis patient since 2004=2C and had been enduring  numerous health
issues ever since.  The  great Maestro had continued his music
teachings publically at the Ali Akbar  College until just weeks ago=2C
and continued to teach music at home until the  day he died.
=20

       =20

        The memorial service and burial will be held at Mt.  Tamalpais
Cemetary (2500 5th Ave=2C San Rafael=2C CA 94901)=2C Sunday=2C  June 21st a=
t
noon=2C followed by a gathering at the AACM.  Due to the
overwhelming amount of phone  calls=2C please send all correspondence
via email to inmemoryofaak@gmail.com .
=20

        All messages will be received and as many as possible will be
responded to.
=20
       =20

        In lieu of flowers=2C the family requests that donations be  made
to AACM for the Ali Akbar Khan Library. =20

        www.aacm.org
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=A9
2007 Ali Akbar College of Music. All rights reserved.



This e-mail was sent
by Ali Akbar College of Music=2C located at 215 West End Avenue=2C San
Rafael=2C CA 94901 (USA). To receive no further e-mails=2C please click
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ri=2C 19 Jun 2009 21:26:02 +0000<br>To: sambacomet@hotmail.com<br><br>













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      <p align=3D"center"><strong>Swara Samrat Maestro  Ali Akbar Khan
<br>
  April 14=2C 1922 =96 June 18=2C 2009</strong><br>
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        Our most beloved Khansahib passed away peacefully=2C  surrounded
by his family on Thursday evening.&nbsp=3B  Khansahib had been a
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t
noon=2C followed by a gathering at the AACM.&nbsp=3B Due to the
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        All messages will be received and as many as possible will be
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<div style=3D"font-family: Arial=3B font-size: 10px=3B" align=3D"center">=
=A9
2007 Ali Akbar College of Music. All rights reserved.</div>

<p align=3D"center"><a href=3D"http://www.jangomail.com/default.asp?w=3DEFT=
&amp=3Bs=3De-aliakbar"><img src=3D"http://www.jangomail.com/images/PoweredB=
yJangoMailSmall.gif" border=3D"0"></a></p>

<font color=3D"#000000" face=3D"Verdana" size=3D"2">This e-mail was sent
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From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 22:20:59 2009
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: OT: Thomas-Rasset vs. RIAA
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Hi folks

I just read in disbelief:
"A federal jury Thursday found a 32-year-old Minnesota woman guilty of illegally downloading music from the Internet and fined her $80,000 each -- a total of $1.9 million -- for 24 songs."
http://edition.cnn.com/2009/CRIME/06/18/minnesota.music.download.fine/

Ok, it was probably stupid of her to pretend she did not download anything. But still - with 2Mio.$ there is something terribly wrong here...

In recent years, I kind of felt inclined to buy less and less major label music. I often prefer to get music from people I know personally or I see on gigs, most of them are not major label. There is a lot of Indie music out there to keep me happy for quite a while.
It seems to me that major labels are forgetting one important thing: It's supposed to be FUN to buy & listen your favorite music. But I don't enjoy it so much anymore with all these stories...

I won't be reading any mails this week-end - still, felt like writing this. Am I the only one who finds these news disturbing?

best regards
Buzap
-- 
GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate und Telefonanschluss
für nur 17,95 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02

From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 22:36:08 2009
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Date: Fri, 19 Jun 2009 17:10:37 -0500
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Subject: OT: State of sound in Linux not so sorry after all
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An interesting article for those interested in the topic.

http://insanecoding.blogspot.com/2009/06/state-of-sound-in-linux-not-so-sorry.html

From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 22:48:54 2009
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Subject: OT: Re: Thomas-Rasset vs. RIAA
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That seems absurd to me. Apparently she was sharing on a P2P network. 
There's more on this here:
http://www.zeropaid.com/news/86457/jammie-thomas-fined-1-92-million-for-sharing-24-songs/
And a lot more on it here:
http://arstechnica.com/tech-policy/news/2009/06/jammie-thomas-retrial-verdict.ars


best,

Jeff


----- Original Message ----- 
From: "Buzap Buzap" <buzap@gmx.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, June 19, 2009 6:20 PM
Subject: OT: Thomas-Rasset vs. RIAA


> Hi folks
>
> I just read in disbelief:
> "A federal jury Thursday found a 32-year-old Minnesota woman guilty of 
> illegally downloading music from the Internet and fined her $80,000 
> each -- a total of $1.9 million -- for 24 songs."
> http://edition.cnn.com/2009/CRIME/06/18/minnesota.music.download.fine/
>
> Ok, it was probably stupid of her to pretend she did not download 
> anything. But still - with 2Mio.$ there is something terribly wrong 
> here...
>
> In recent years, I kind of felt inclined to buy less and less major label 
> music. I often prefer to get music from people I know personally or I see 
> on gigs, most of them are not major label. There is a lot of Indie music 
> out there to keep me happy for quite a while.
> It seems to me that major labels are forgetting one important thing: It's 
> supposed to be FUN to buy & listen your favorite music. But I don't enjoy 
> it so much anymore with all these stories...
>
> I won't be reading any mails this week-end - still, felt like writing 
> this. Am I the only one who finds these news disturbing?
>
> best regards
> Buzap
> -- 
> GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate und Telefonanschluss
> für nur 17,95 Euro/mtl.!* http://portal.gmx.net/de/go/dsl02
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 23:08:28 2009
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	 <4A3AA0CD.7080200@tiscali.co.uk>
Date: Fri, 19 Jun 2009 16:05:43 -0700
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Subject: Re: ot: In search of suggestions for odd stompboxes
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I think if someone put a pile of money in front of me and said "go
crazy" I'd probably get most everything Electro-harmonix makes at the
moment as well as their 2880 looper of days gone by.  Probably pick up
a few Moog pedals as well, and for fun... well they're not pedals, but
I'd probably get the family of Electrix stuff as well. Some of the
Boss dual pedals like the gigadelay would be nice to own again as
well, though there's not a day that goes by that I miss mine.

From Loopers-Delight-request@loopers-delight.com  Fri Jun 19 23:27:29 2009
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From: G <gigs@paradise.net.nz>
Subject: Re: ot: In search of suggestions for odd stompboxes
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Hi Rainer
+1 for the Adrenalinn 3!   Fantastic unit.  From clean & subtle to
whacked out crazy.  Even better with a midi foot controller.
I avoided multiFX for years before finding this last year.
Lots of great modulation effects, from subtle autopanning to sequenced
filter.  The sequenced tremolo is more versatile than the slicer... well
okay, the Ad3 has mono input and slicer has stereo input - but you can
program your own sequences over two measures.  Random flanger is loads
of fun.  the amp(with booster), compressor & modulation order can be
moved around.  Followed by delay & reverb.

Tony K - I think it's definitely worth the upgrade to 3.0.3
The amp sims are apparently a lot better than I or II, and=20
the unit is more versatile.
The previous owner upgraded mine from II to 3.0.0.
I upgraded it to 3.0.3 and very happy with it.
Cheers,
-- G.

To: loopers-delight@loopers-delight.com
Subject: ot: In search of suggestions for odd stompboxes
=46rom: Rainer Straschill <moinsound@googlemail.com>
Date: Thu, 18 Jun 2009 21:45:23 +0200
>Dear list,
>so I've ever so slightly started to turn my back a little to blown-up
>rack gear and complex computer systems and instead decided to fall in
>love with stompboxes a little bit.
>What I already have are mainly three delay pedals (DD20, SMM w/Hazari,
>DL4) a few KAOSS Pads (yes, you can play them with your toes), and
>then there's two of those guitar multi-effect thingies (Zoom G2.1u,
>Line6 POD X3 Live), and a few really old simple things (Ibanez AW-1,
>Boss OD-2).
>So what I'm looking for is something that can do fairly normal things
>if wanted, but can be used to completely odd, nonlinear, chaotic stuff
>with the right settings - to wreak non-deterministic havoc on my loops
>if needed.
>Any suggestions with a short description?
>Thanks,
>               Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Jun 20 06:15:46 2009
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
continue the month-long Special Focus on the Ricochet Gathering.  The
Featured CD at Midnight will be disk 3 of 4 from "La Gomera" on the
Ricochet Dream label.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jun

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Sat Jun 20 12:23:51 2009
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the show scheduled on  justin.tv has been moved due to tech problems with 
justin!

It will now be at :
http://www.ustream.tv/channel/loopydroneyglitchywacky-presents
12:00 noon EST US - 5:00 PM GMT
For your local times see this chart:
http://tinyurl.com/l4ykw4


I am broacasting nonstop because I am afraid I will not get ustream back up. 
I will drop in a new loop every so often:)

The show must go on...sorry for any inconvenience

best,

Jeff 

From Loopers-Delight-request@loopers-delight.com  Sat Jun 20 14:45:22 2009
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Subject: Gear for sale: EH, Line 6, Electrix etc.
From: Nick Schillace <americansketch@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016364ef3d2c042bf046cc8b07e
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HI all-
I've been off the list for quite sometime but was a longtime member years
ago (i have the first 2 t-shirts to proove it!)

I'm getting ready to post a significant amount of gear on ebay but thought
maybe some of you would be interested in it first. Most of it i'm listing as
"best offer" so feel free to make one. i'm taking pictures and getting it
ready to go up tonight or tomorrow morning.

if anyone is interested please contact me off list-

nick schillace
248)391-4545 (detroit)
www.orionmusicstudio.com
americansketch@gmail.com


Line 6 Filter Pro (no manual/box) 150 or Best offer
Line 6 Echo Pro (manual/box) 350 B/O
Electrix Mo-FX (manual/box) 150 B/O
Electrix Filter Factory 200 B/O
Lexicon Vortex (manual,FS, expression pedal, no box) 150 B/O
original Electro Harmonix POG (box, manual) 200 B/O
Electro Harmonix Holiest Grail (box, manual) 250 B/o
Behringer 16 Channel Eurorack MX 2642A (box,manual) 200 B/O
Rocktron G612 Line Mixer (super rare, needs inputs cleaned,no box/manual)
150 B/O
MOTU 2408 MKII with PCI 324 AND PCI 424 (works with G5) (manual,box) 250 B/O

--0016364ef3d2c042bf046cc8b07e
Content-Type: text/html; charset=ISO-8859-1
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HI all-<div><br></div><div>I&#39;ve been off the list for quite sometime bu=
t was a longtime member years ago (i have the first 2 t-shirts to proove it=
!)</div><div><br></div><div>I&#39;m getting ready to post a significant amo=
unt of gear on ebay but thought maybe some of you would be interested in it=
 first. Most of it i&#39;m listing as &quot;best offer&quot; so feel free t=
o make one. i&#39;m taking pictures and getting it ready to go up tonight o=
r tomorrow morning.</div>
<div><br></div><div>if anyone is interested please contact me off list-</di=
v><div><br></div><div>nick schillace</div><div>248)391-4545 (detroit)</div>=
<div><a href=3D"http://www.orionmusicstudio.com">www.orionmusicstudio.com</=
a></div>
<div><a href=3D"mailto:americansketch@gmail.com">americansketch@gmail.com</=
a></div><div><br></div><div><br></div><div>Line 6 Filter Pro (no manual/box=
) 150 or Best offer</div><div>Line 6 Echo Pro (manual/box) 350 B/O</div><di=
v>
Electrix Mo-FX (manual/box) 150 B/O</div><div>Electrix Filter Factory 200 B=
/O</div><div>Lexicon Vortex (manual,FS, expression pedal, no box) 150 B/O</=
div><div>original Electro Harmonix POG (box, manual) 200 B/O</div><div>
Electro Harmonix Holiest Grail (box, manual) 250 B/o</div><div>Behringer 16=
 Channel Eurorack MX 2642A (box,manual) 200 B/O</div><div>Rocktron G612 Lin=
e Mixer (super rare, needs inputs cleaned,no box/manual) 150 B/O</div><div>
MOTU 2408 MKII with PCI 324 AND PCI 424 (works with G5) (manual,box) 250 B/=
O</div>

--0016364ef3d2c042bf046cc8b07e--

From Loopers-Delight-request@loopers-delight.com  Sat Jun 20 15:20:55 2009
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Subject: Sounds and pictures from Blekinge Jazz & World Music 2009. Live 
	Looping workshops all week long!
From: Per Boysen <perboysen@gmail.com>
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 http://bit.ly/gphR1

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Jun 20 17:48:09 2009
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Subject: OT: RIP AAK
Date: Sat, 20 Jun 2009 10:48:02 -0700
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It's very sad to hear of the passing of Ali Akbar Khan, Though I never had
the privilege of studying with him, I know several musicians who have, and
the level of respect and love they had for the man was unparalleled. He was
a genius musician who devoted his life to sharing his knowledge, and
fostering the creativity and genius in others.  There is a lovely record I
used to own, he did with the late sax player John Handy that has the most
lyrical playing, and both musicians play with such sweet tone, and
sensitivity. I can't even remember the name of the album but I can still
hear and play some of the melodies from it.  Anyone know which record I'm
talking about? I was reading the San Francisco Chronicle Obituary today that
his father , and Sarod master/ teacher) at some point in his tutelage gave
him the title Swara Samrat, which means Emperor of Melody. 

Indeed he was.

 Namaste  Khansahib 

 

 

 

Bill


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<p class=3DMsoNormal><font size=3D3 color=3Dnavy face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:navy'>It&#8217;s very sad to hear of the =
passing
of Ali Akbar Khan, Though I never had the privilege of studying with =
him, I
know several musicians who have, and the level of respect and love they =
had for
the man was unparalleled. He was a genius musician who devoted his life =
to
sharing his knowledge, and fostering the creativity and genius in =
others. &nbsp;There
is a lovely record I used to own, he did with the late sax player John =
Handy
that has the most lyrical playing, and both musicians play with such =
sweet tone,
and sensitivity. I can&#8217;t even remember the name of the album but I =
can
still hear and play some of the melodies from it. &nbsp;Anyone know =
which
record I&#8217;m talking about? I was reading the San Francisco =
Chronicle Obituary
today that his father , and Sarod master/ teacher) at some point in his =
tutelage
gave him the title Swara Samrat, which means Emperor of Melody. =
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 color=3Dnavy face=3D"Times New =
Roman"><span
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was.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 color=3Dnavy face=3D"Times New =
Roman"><span
style=3D'font-size:12.0pt;color:navy'>&nbsp;Namaste &nbsp;Khansahib =
<o:p></o:p></span></font></p>

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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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From Loopers-Delight-request@loopers-delight.com  Sat Jun 20 20:24:33 2009
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Date: Sat, 20 Jun 2009 13:24:20 -0700
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Per suggested, amongst other things,  the SoundToy's Crystallizer plugin.

I was curious so I looked it up.      They are charging $350 for a  
plugin that
uses a single effect from an earlier 80's version of an Eventide Harmonizer.

Doesn't that seem extremely overpriced or is it just me?

From Loopers-Delight-request@loopers-delight.com  Sat Jun 20 21:21:12 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
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Subject: Gig Spam and Ninjam Tv
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I got through the gig allright after Justin.tv had a server crash I built a 
Ustream channel this morning and it worked pretty well. Thanks to Ted, 
Dennis, Suzi, Eric and Ninjam Tv for coming out. I  screwed up at the end 
and didn't save the show for myself. However quite a bit is on Ninjam Tv at 
http://ninjamers.ning.com/ in the "On Demand" section. It has about all of 
the running loops that I was doing before the show and a looped Mr Coffee. 
It does have a good bit of my noodling also. Visuals by Andy over at 
Ninjammers. He has come up with some kind of video chopping program. Pretty 
wild. Check it out and say hi to the NJ gang. I'll be doing it again in two 
weeks.

peace out,

Jeff

"Before, you are wise, after, you are wise. In between, you are 
otherwise."_ancient Fravoshi saying



http://jeffduke.org/
http://www.myspace.com/loopsinphasespace
http://www.vimeo.com/jeffduke
http://ninjamers.ning.com/profile/JeffDuke 

From Loopers-Delight-request@loopers-delight.com  Sat Jun 20 23:24:39 2009
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Date: Sat, 20 Jun 2009 19:17:46 -0400
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Subject: Re: Augustus Loop, Little Spacy and
From: Todd Matthews <gtmatthews@gmail.com>
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 I think overpriced and I know the Soundtoys collection needs an ilok usb
key to work so I assume that the crystallizer by itself would also need the
ilok key. I demo'ed the soundtoys and they sound great but I only have 2
usb's on my macbook white,  those are used up in my looping setup and I
thought if I was ever willing to spend 500 for plug-ins that money could go
a lot further elsewhere. I was only really interested in the echo boy plug
but that is also 350 if you buy it seperately from the collection.

This is an unrelated plug-in to the Crystallizer but I'm demoing 'More
Feedback Machine 2' right now from U-he because I'm testing out different
delays. It sounds awesome, and it's 79 bucks.

Todd Matthews


On Sat, Jun 20, 2009 at 4:24 PM, Rick Walker <looppool@cruzio.com> wrote:

> Per suggested, amongst other things,  the SoundToy's Crystallizer plugin.
>
> I was curious so I looked it up.      They are charging $350 for a  plugin
> that
> uses a single effect from an earlier 80's version of an Eventide
> Harmonizer.
>
> Doesn't that seem extremely overpriced or is it just me?
>
>

--0016368e1fe74cf24c046ccfd923
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=A0I think overpriced and I know the Soundtoys collection needs an ilok usb=
 key to work so I assume that the crystallizer by itself would also need th=
e ilok key. I demo&#39;ed the soundtoys and they sound great but I only hav=
e 2 usb&#39;s on my macbook white,=A0 those are used up in my looping setup=
 and I thought if I was ever willing to spend 500 for plug-ins that money c=
ould go a lot further elsewhere. I was only really interested in the echo b=
oy plug but that is also 350 if you buy it seperately from the collection.<=
br>
<br>This is an unrelated plug-in to the Crystallizer but I&#39;m demoing &#=
39;More Feedback Machine 2&#39; right now from U-he because I&#39;m testing=
 out different delays. It sounds awesome, and it&#39;s 79 bucks.<br><br>
Todd Matthews<br><br><br><div class=3D"gmail_quote">On Sat, Jun 20, 2009 at=
 4:24 PM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruz=
io.com">looppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote class=3D"g=
mail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt=
 0pt 0pt 0.8ex; padding-left: 1ex;">
Per suggested, amongst other things, =A0the SoundToy&#39;s Crystallizer plu=
gin.<br>
<br>
I was curious so I looked it up. =A0 =A0 =A0They are charging $350 for a =
=A0plugin that<br>
uses a single effect from an earlier 80&#39;s version of an Eventide Harmon=
izer.<br>
<br>
Doesn&#39;t that seem extremely overpriced or is it just me?<br>
<br>
</blockquote></div><br>

--0016368e1fe74cf24c046ccfd923--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 00:54:12 2009
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Subject: Re: ot: In search of suggestions for odd stompboxes
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Dear list,

thanks to all of you who replied to my question for "odd stompboxes" -
and it seems there are some recurring suggestions. However, I'd like
to trim my requirements more sharply, and also comment on some of the
suggestions:

1. distortion/fuzz (mainly ZVEX suggestions):
I'm not so much the distortion guy. Which also has to do with the fact
that they tend not to work too well post-loop with stuff which isn't a
monophonic guitar or something like it.
Of course, I'm to blame myself for getting all these suggestions - for
saying "nonlinear" in my initial message. I was more looking into the
"unexpected behaviour" corner here, not so much into the "clip the
input signal until it's square" one.

2. beat-synced stuff (like Adrenalinn, Boss Slicer):
I forgot to mention that I also have a Nord Micromodular at my
disposal. This is great for all of these things (already built a Boss
Slicer replacement with it - which actually allows you to program your
own patterns), so nothing needed here - unless it's really much more
innovative than a modulated filter or modulated amplitude or something
like that.

3. Those really obscure manufacturers (Devi Ever, Squarewave Parade):
I'm residing in Germany, and if the local music store doesn't carry
it, ordering an expensive effects pedal from the U.S. might be an
issue even with a good return policy with all the customs and taxes
crap going on.

4. Delays:
unless it's doing something I can't do combining it with one of my
delays (I'll be using the things in combination with a mixer, so
putting something in the feedback chain of a delay is possible for
me), I wouldn't need another one.

Now Mark (and some others) recommended Electro Harmonix.Anyone
familiar with the Flanger Hoax
(http://www.ehx.com/products/flanger-hoax)? Looks cool, and I like the
name...
Andy suggested the jomox T-Resonator - which looks like a lot of fun
from some vids found on youtube as well...
Erdem you suggested both the Ringtone and the Freq Box - both of which
gave me the idea to try and replicate this concept in the Micromodular
(thought about that re the Ringtone before, but the idea got lost).

Actually, some of the device ideas from those faraway small companies
could really be a starting point for me with regard to simulating
building my own, so to speak.


Thanks again to all of you - and keep those suggestions coming, if you
can still think of one!

And as said above, any comment on the Flanger Hoax would be very welcome.

Best,

             Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 03:37:23 2009
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Subject: Newb question about looping gear
From: Andrew Rice <arice@creativepages.net>
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--001636c9247767f41d046cd319b4
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Hi
Apologies for the beginner gear question and thanks in advance for any
advice.

I am a keyboard player (chiefly Hammond, Rhodes, Clavinet), currently
playing in an instrumental four piece.  Our guitarist is showing signs of
extreme unreliability and we are probably going to transition to a trio.  I
am interested in a simple, preferrably foot controlled looper to allow me to
lay down one or two rhythm tracks and then improvise on top of them (I
prefer to have both hands available for soloing).

I would be laying down everything live and erasing it, so no need for a lot
of memory, no prerecorded tracks.

What is the best product available?

What is the best cheap product available?

Thanks
Andy Rice

-- 
Andrew Rice
Creative Consulting
arice@creativepages.net
http://www.creativepages.net

--001636c9247767f41d046cd319b4
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<div>Hi</div>
<div>Apologies for the beginner gear question and thanks in advance for any=
 advice.</div>
<div>=A0</div>
<div>I am a keyboard player (chiefly Hammond, Rhodes, Clavinet), currently =
playing in an instrumental four piece.=A0 Our guitarist is showing signs of=
 extreme unreliability and we are probably going to transition to a trio.=
=A0 I am interested in a simple, preferrably foot controlled looper to allo=
w me to lay down one or two rhythm tracks and then improvise on top of them=
 (I prefer to have both hands available for soloing).</div>

<div>=A0</div>
<div>I would be laying down everything live and erasing it, so no need for =
a lot of memory, no prerecorded tracks.</div>
<div><br>What is the best product available?</div>
<div>=A0</div>
<div>What is the best cheap product available?</div>
<div>=A0</div>
<div>Thanks</div>
<div>Andy Rice</div>
<div></div><br>-- <br>Andrew Rice<br>Creative Consulting<br><a href=3D"mail=
to:arice@creativepages.net">arice@creativepages.net</a><br><a href=3D"http:=
//www.creativepages.net">http://www.creativepages.net</a><br>

--001636c9247767f41d046cd319b4--

From asyratharis@gmail.com  Sun Jun 21 04:48:14 2009
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From: "asyratharis"<asyratharis@gmail.com>
Subject: Attention Required
Date: Sun, 21 Jun 2009 12:37:41 -0700
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BIN CHAMBERS AND ASSOCIATES
GOVERNMENT ADMINISTRATIVE CENTRE
62512 PUTRAJAYA
MALAYSIA.
EMAIL:asyratharis@gmail.com


My Dear friend,
This message is not a spam irrespective of the fact that you do not know me,i am Asyrat Bin Haris(ESQ),I 
have contacted you to assist me in claiming the money left behind by my deceased client who died 2005 
before its confiscated. The deposit valued at fifteen million dollars ($15M USD) is lodged witrh a finance
 company.Three months ago i recieved a notification letter to contact his next of kin, I made several 
attempts reaching his next of kin on the informations i have here in his file, all attempt to locate him was
 futile. Am seeking your consent in representing the next-of-kin to my late client since you do not reside
 in the same country with me and have the same last name in common. 
All I require is your honesty,cooperation and confidence to enable us conclude within 7days from now. 
However,you need not to worry at all,for everything will be done under a legitimate arrangement that 
will protect us. If this proposition offends your moral values, do accept my apology. I must use this 
opportunity to implore you to exercise the utmost indulgence to keep this matter extraordinary 
confidential, whatever your decision maybe, Please contact me via my private 
EMAIL:(asyrat8000haris@gmail.com), so we can discuss in detail.

Regards,
Asyrat Haris.

From MAILER-DAEMON  Sun Jun 21 10:00:05 2009
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From: "Miss Ariana"<"Miss Ariana"@omr16.networksolutionsemail.com>
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<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">I know this might come to you as a surprise, but please do accept it in good faith and treat as a matter of urgency with utmost confidentiality. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">I am Miss Ariana Hani from Khartoum-Sudan; Northeastern Africa, now seeking political asylum in Dakar Senegal under the UNHCR as a refugee. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">I am searching for a true friend. Some one who is God fearing, kind and honest to stand as my foreign representative to help me receive my inheritance funds so I can leave this camp and come to your country to continue my education. </FONT></DIV>
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<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
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<FONT size=3 face="Times New Roman">Please kindly reply if you know in your heart you would want to help me. Remain Bless. </FONT></DIV>
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<FONT size=3 face="Times New Roman">Ariana </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">*kisses**</FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 12:40:35 2009
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Date: Sun, 21 Jun 2009 07:40:34 -0500
Message-ID: <2871c3a90906210540y51077683vc625996e510afe78@mail.gmail.com>
Subject: Re: Newb question about looping gear
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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HI Andy,
This topic was discussed in dept a while ago, check out the archives
and read the whole thread for some great suggestions:

http://www.loopersdelight.com/LDarchive/200903/msg00577.html

Sylvain


On Sat, Jun 20, 2009 at 10:10 PM, Andrew Rice<arice@creativepages.net> wrot=
e:
> Hi
> Apologies for the beginner gear question and thanks in advance for any
> advice.
>
> I am a keyboard player (chiefly Hammond, Rhodes, Clavinet), currently
> playing in an instrumental four piece.=A0 Our guitarist is showing signs =
of
> extreme unreliability and we are probably going to transition to a trio.=
=A0 I
> am interested in a simple, preferrably foot controlled looper to allow me=
 to
> lay down one or two rhythm tracks and then improvise on top of them (I
> prefer to have both hands available for soloing).
>
> I would be laying down everything live and erasing it, so no need for a l=
ot
> of memory, no prerecorded tracks.
> What is the best product available?
>
> What is the best cheap product available?
>
> Thanks
> Andy Rice
> --
> Andrew Rice
> Creative Consulting
> arice@creativepages.net
> http://www.creativepages.net
>

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 15:18:43 2009
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	 <2871c3a90906210540y51077683vc625996e510afe78@mail.gmail.com>
Date: Sun, 21 Jun 2009 11:18:41 -0400
Message-ID: <2be4a39e0906210818r26657e6dm209052f1459673dd@mail.gmail.com>
Subject: Re: Newb question about looping gear
From: Andrew Rice <arice@creativepages.net>
To: Loopers-Delight@loopers-delight.com
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Thanks Sylvain for the quick response.

On Sun, Jun 21, 2009 at 8:40 AM, Sylvain Poitras <sylvain.trombone@gmail.com
> wrote:

> HI Andy,
> This topic was discussed in dept a while ago, check out the archives
> and read the whole thread for some great suggestions:
>
> http://www.loopersdelight.com/LDarchive/200903/msg00577.html
>
> Sylvain
>
>
> On Sat, Jun 20, 2009 at 10:10 PM, Andrew Rice<arice@creativepages.net>
> wrote:
> > Hi
> > Apologies for the beginner gear question and thanks in advance for any
> > advice.
> >
> > I am a keyboard player (chiefly Hammond, Rhodes, Clavinet), currently
> > playing in an instrumental four piece.  Our guitarist is showing signs of
> > extreme unreliability and we are probably going to transition to a trio.
> I
> > am interested in a simple, preferrably foot controlled looper to allow me
> to
> > lay down one or two rhythm tracks and then improvise on top of them (I
> > prefer to have both hands available for soloing).
> >
> > I would be laying down everything live and erasing it, so no need for a
> lot
> > of memory, no prerecorded tracks.
> > What is the best product available?
> >
> > What is the best cheap product available?
> >
> > Thanks
> > Andy Rice
> > --
> > Andrew Rice
> > Creative Consulting
> > arice@creativepages.net
> > http://www.creativepages.net
> >
>
>


-- 
Andrew Rice
Creative Consulting
arice@creativepages.net
http://www.creativepages.net

--0016e65097fec9ecea046cdd45f3
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Thanks Sylvain for the quick response.<br><br>
<div class=3D"gmail_quote">On Sun, Jun 21, 2009 at 8:40 AM, Sylvain Poitras=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:sylvain.trombone@gmail.com">sylvai=
n.trombone@gmail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">HI Andy,<br>This topic was discu=
ssed in dept a while ago, check out the archives<br>and read the whole thre=
ad for some great suggestions:<br>
<br><a href=3D"http://www.loopersdelight.com/LDarchive/200903/msg00577.html=
" target=3D"_blank">http://www.loopersdelight.com/LDarchive/200903/msg00577=
.html</a><br><font color=3D"#888888"><br>Sylvain<br></font>
<div>
<div></div>
<div class=3D"h5"><br><br>On Sat, Jun 20, 2009 at 10:10 PM, Andrew Rice&lt;=
<a href=3D"mailto:arice@creativepages.net">arice@creativepages.net</a>&gt; =
wrote:<br>&gt; Hi<br>&gt; Apologies for the beginner gear question and than=
ks in advance for any<br>
&gt; advice.<br>&gt;<br>&gt; I am a keyboard player (chiefly Hammond, Rhode=
s, Clavinet), currently<br>&gt; playing in an instrumental four piece.=A0 O=
ur guitarist is showing signs of<br>&gt; extreme unreliability and we are p=
robably going to transition to a trio.=A0 I<br>
&gt; am interested in a simple, preferrably foot controlled looper to allow=
 me to<br>&gt; lay down one or two rhythm tracks and then improvise on top =
of them (I<br>&gt; prefer to have both hands available for soloing).<br>
&gt;<br>&gt; I would be laying down everything live and erasing it, so no n=
eed for a lot<br>&gt; of memory, no prerecorded tracks.<br>&gt; What is the=
 best product available?<br>&gt;<br>&gt; What is the best cheap product ava=
ilable?<br>
&gt;<br>&gt; Thanks<br>&gt; Andy Rice<br>&gt; --<br>&gt; Andrew Rice<br>&gt=
; Creative Consulting<br>&gt; <a href=3D"mailto:arice@creativepages.net">ar=
ice@creativepages.net</a><br>&gt; <a href=3D"http://www.creativepages.net/"=
 target=3D"_blank">http://www.creativepages.net</a><br>
&gt;<br><br></div></div></blockquote></div><br><br clear=3D"all">
<div></div><br>-- <br>Andrew Rice<br>Creative Consulting<br><a href=3D"mail=
to:arice@creativepages.net">arice@creativepages.net</a><br><a href=3D"http:=
//www.creativepages.net">http://www.creativepages.net</a><br>

--0016e65097fec9ecea046cdd45f3--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 16:21:42 2009
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    <f3b8fc1465b66922f4805f0d97549fc7.squirrel@webmail.helpwantedproductions.com>
Date: Sun, 21 Jun 2009 09:21:40 -0700
Subject: FS: keyboards, synths, etc.
From: legion@helpwantedproductions.com
To: "Loopers Delight" <loopers-delight@loopers-delight.com>,
	"DH" <digitalhell@hyperreal.org>, "AH" <analogue@hyperreal.org>
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Posted some of these earlier but have added more and lowered some prices.
Cleaning out my studio and have a lot of large synths I don't need so I am
selling them CHEAP.

Full info, pictures, etc at: http://helpwantedproductions.com/Salez/FS.htm

1. Yamaha DX7- $150
2. Korg EA1 - $100
3. Korg DS8 - $100 (LOWER PRICE)
4. Yamaha CS2x - $250 (LOWER PRICE)
5. Juno 106 $400
6. DAED Disturbo Fuzz/noise machine - $95


USPS MO or Paypal. Pickup in Phila PA or buyer pays shipping and paypal
fees. Pickup gets preference and multi purchase and pickup gets even
better price.





    ------------------------------------------------
       Weird, Scary, and Beautiful Music and Art:
         Http://www.HelpWantedProductions.com




-- 
   ------------------------------------------------
      Weird, Scary, and Beautiful Music and Art:
        Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 17:20:27 2009
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Date: Sun, 21 Jun 2009 13:20:26 -0400
Message-ID: <adea2ce80906211020k619dbb4cq5596d8c44168e053@mail.gmail.com>
Subject: FS:akai mpc1000 in excellent shape
From: magicicada <magicicada@gmail.com>
To: Loopers-Delight@loopers-delight.com, DH <digitalhell@hyperreal.org>, 
	AH <analogue@hyperreal.org>
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I am selling my mpc 1000. It is in excellent shape and comes with a
soft carry  bag, 1 gig cfc card and orginal box if you wish.
550 obo
Please contact me off list. Thanks!

On 6/21/09, legion@helpwantedproductions.com
<legion@helpwantedproductions.com> wrote:
> Posted some of these earlier but have added more and lowered some prices.
> Cleaning out my studio and have a lot of large synths I don't need so I am
> selling them CHEAP.
>
> Full info, pictures, etc at: http://helpwantedproductions.com/Salez/FS.htm
>
> 1. Yamaha DX7- $150
> 2. Korg EA1 - $100
> 3. Korg DS8 - $100 (LOWER PRICE)
> 4. Yamaha CS2x - $250 (LOWER PRICE)
> 5. Juno 106 $400
> 6. DAED Disturbo Fuzz/noise machine - $95
>
>
> USPS MO or Paypal. Pickup in Phila PA or buyer pays shipping and paypal
> fees. Pickup gets preference and multi purchase and pickup gets even
> better price.
>
>
>
>
>
>     ------------------------------------------------
>        Weird, Scary, and Beautiful Music and Art:
>          Http://www.HelpWantedProductions.com
>
>
>
>
> --
>    ------------------------------------------------
>       Weird, Scary, and Beautiful Music and Art:
>         Http://www.HelpWantedProductions.com
>
>

-- 
Sent from my mobile device

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 17:51:11 2009
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References: <20090619112755.9894F3BE80@arsenic.violacea.com>
Subject: alphanumeric keyboard
Date: Sun, 21 Jun 2009 19:51:00 +0200
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When I don't have an instrument with me, just the PC notebook, it would
sometimes be cool if I could use the keys of my notebook as a midi
controller, in my case, inside of Bidule. Does anyone know if this is
possible with some tools?

-Michael

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 18:42:26 2009
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From: "Sjaak" <tcplugin@scarlet.be>
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Subject: RE: alphanumeric keyboard
Date: Sun, 21 Jun 2009 20:42:17 +0200
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I know Per does this with Logic. But I don't know he uses special software
for it.

> -----Original Message-----
> From: Michael Peters [mailto:mp@mpeters.de] 
> Sent: Sunday, June 21, 2009 19:51
> To: Loopers-Delight@loopers-delight.com
> Subject: alphanumeric keyboard
> 
> 
> When I don't have an instrument with me, just the PC 
> notebook, it would sometimes be cool if I could use the keys 
> of my notebook as a midi controller, in my case, inside of 
> Bidule. Does anyone know if this is possible with some tools?
> 
> -Michael
> 
> 


From shelllottery_2@libero.it  Sun Jun 21 18:49:19 2009
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From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 19:06:04 2009
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From: "Steve Moyes" <stephenmoyes@blueyonder.co.uk>
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References: <20090619112755.9894F3BE80@arsenic.violacea.com> <002901c9f298$d7ca7410$14b2a8c0@mpeserver>
Subject: Re: alphanumeric keyboard
Date: Sun, 21 Jun 2009 20:06:15 +0100
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Thhis may be what you're looking for, though I've never tried it - 
http://www.granucon.com/vmk.html

Steve

----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 21, 2009 6:51 PM
Subject: alphanumeric keyboard


> When I don't have an instrument with me, just the PC notebook, it would
> sometimes be cool if I could use the keys of my notebook as a midi
> controller, in my case, inside of Bidule. Does anyone know if this is
> possible with some tools?
>
> -Michael
>
> 


From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 19:10:37 2009
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT carry on acoustics. 
Date: Sun, 21 Jun 2009 12:10:31 -0700
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This is a multi-part message in MIME format.

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Dear list, I'm going to a family reunion next Wednesday, traveling by plane,
and for the first time in as long as I can remember, I'm contemplating
taking my full size acoustic guitar with me, that I'd rather not check . I
know that people have had luck hand carrying their guitar to the plane
before relinquishing it, but I'm wondering if any of you who have traveled
with an acoustic lately could give me some feedback, as to how you navigate
this issue. My guitar has an excellent arched top hard shell case, but I
still don't trust the airline goons enough to check it with my other bag.

 Thanks

Bill


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Dear list, I&#8217;m going to a family reunion next =
Wednesday,
traveling by plane, and for the first time in as long as I can remember, =
I&#8217;m
contemplating taking my full size acoustic guitar with me, that =
I&#8217;d
rather not check . I know that people have had luck hand carrying their =
guitar
to the plane before relinquishing it, but I&#8217;m wondering if any of =
you who
have traveled with an acoustic lately could give me some feedback, as to =
how
you navigate this issue. My guitar has an excellent arched top hard =
shell case,
but I still don&#8217;t trust the airline goons enough to check it with =
my
other bag.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;Thanks<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Bill<o:p></o:p></span></font></p>

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From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 19:29:51 2009
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Date: Sun, 21 Jun 2009 19:29:50 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: OT carry on acoustics.
To: Loopers-Delight@loopers-delight.com, billwalker@baymoon.com
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Hi Bill,=0Aive taken my acoustics to the U.S. with no problems,you just hav=
e to insist that you need to have it with you at all times and they will le=
t you put it in their special compartment if it doesnt feet above your sitt=
ing place.=0Acheers=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- William =
Walker <billwalker@baymoon.com> schrieb am So, 21.6.2009:=0A=0A> Von: Willi=
am Walker <billwalker@baymoon.com>=0A> Betreff: OT carry on acoustics.=0A> =
An: Loopers-Delight@loopers-delight.com=0A> Datum: Sonntag, 21. Juni 2009, =
12:10=0A> =0A> =0A> =0A>  =0A>  =0A> =0A> =0A> =0A> =0A> =0A> =0A>  =0A> =
=0A> =0A> =0A> Dear list,=0A> I=E2=80=99m going to a family reunion next We=
dnesday,=0A> traveling by plane, and for the first time in as long as I=0A>=
 can remember, I=E2=80=99m=0A> contemplating taking my full size acoustic g=
uitar with me,=0A> that I=E2=80=99d=0A> rather not check . I know that peop=
le have had luck hand=0A> carrying their guitar=0A> to the plane before rel=
inquishing it, but I=E2=80=99m=0A> wondering if any of you who=0A> have tra=
veled with an acoustic lately could give me some=0A> feedback, as to how=0A=
> you navigate this issue. My guitar has an excellent arched=0A> top hard s=
hell case,=0A> but I still don=E2=80=99t trust the airline goons enough to=
=0A> check it with my=0A> other bag. =0A> =0A> =C2=A0Thanks=0A> =0A> =0A> B=
ill=0A> =0A> =0A> =0A> =0A>  =0A> =0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 19:34:19 2009
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Date: Sun, 21 Jun 2009 19:34:17 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: FS:akai mpc1000 in excellent shape
To: Loopers-Delight@loopers-delight.com
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is that the black one or the blue one?=0Awhat O.S. do you have installed?=
=0Athanx=0Awww.myspace.com/luisangulocom=0A=0A=0A--- magicicada <magicicada=
@gmail.com> schrieb am So, 21.6.2009:=0A=0A> Von: magicicada <magicicada@gm=
ail.com>=0A> Betreff: FS:akai mpc1000 in excellent shape=0A> An: Loopers-De=
light@loopers-delight.com, "DH" <digitalhell@hyperreal.org>, "AH" <analogue=
@hyperreal.org>=0A> Datum: Sonntag, 21. Juni 2009, 10:20=0A> I am selling m=
y mpc 1000. It is in=0A> excellent shape and comes with a=0A> soft carry=A0=
 bag, 1 gig cfc card and orginal box if you=0A> wish.=0A> 550 obo=0A> Pleas=
e contact me off list. Thanks!=0A> =0A> On 6/21/09, legion@helpwantedproduc=
tions.com=0A> <legion@helpwantedproductions.com>=0A> wrote:=0A> > Posted so=
me of these earlier but have added more and=0A> lowered some prices.=0A> > =
Cleaning out my studio and have a lot of large synths=0A> I don't need so I=
 am=0A> > selling them CHEAP.=0A> >=0A> > Full info, pictures, etc at: http=
://helpwantedproductions.com/Salez/FS.htm=0A> >=0A> > 1. Yamaha DX7- $150=
=0A> > 2. Korg EA1 - $100=0A> > 3. Korg DS8 - $100 (LOWER PRICE)=0A> > 4. Y=
amaha CS2x - $250 (LOWER PRICE)=0A> > 5. Juno 106 $400=0A> > 6. DAED Distur=
bo Fuzz/noise machine - $95=0A> >=0A> >=0A> > USPS MO or Paypal. Pickup in =
Phila PA or buyer pays=0A> shipping and paypal=0A> > fees. Pickup gets pref=
erence and multi purchase and=0A> pickup gets even=0A> > better price.=0A> =
>=0A> >=0A> >=0A> >=0A> >=0A> >=A0=0A> =A0=A0=A0---------------------------=
---------------------=0A> >=A0 =A0 =A0 =A0 Weird, Scary, and Beautiful=0A> =
Music and Art:=0A> >=A0 =A0 =A0 =A0 =A0 Http://www.HelpWantedProductions.co=
m=0A> >=0A> >=0A> >=0A> >=0A> > --=0A> >=A0 =A0=0A> -----------------------=
-------------------------=0A> >=A0 =A0 =A0=A0=A0Weird, Scary, and=0A> Beaut=
iful Music and Art:=0A> >=A0 =A0 =A0 =A0=A0=A0Http://www.HelpWantedProducti=
ons.com=0A> >=0A> >=0A> =0A> -- =0A> Sent from my mobile device=0A> =0A> =
=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 19:38:36 2009
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On Sun, Jun 21, 2009 at 7:51 PM, Michael Peters<mp@mpeters.de> wrote:
> When I don't have an instrument with me, just the PC notebook, it would
> sometimes be cool if I could use the keys of my notebook as a midi
> controller, in my case, inside of Bidule. Does anyone know if this is
> possible with some tools?


Hi Michael,

Maybe you can build it in Bidule with some of the Bidule's in the manual
quote below?
Per


HID Data Extractor


> Use any standard USB HID (Human Interface Device) like keyboard, mouse and
> joystick as a MIDI and parameter source. Buttons will be transformed into
> MIDI notes and bool (on/off) parameters while axis-based controls (like the
> mousewheel or the digital joystick pad) will be transformed into MIDI CC and
> parameters with a range


> HID Device: the device the Data Extractor takes/outputs information from

Axis1->Pitchbend: force the first axis control to be transformed into MIDI
> pitchbend

Fixed MIDI Mapping: information read-only display of the currently selected
> device available controls and their mapping


>
> Key Stroke


> Little bidule that you can use to create your own keyboard to MIDI or that
> you can use to trigger other events. The window needs to have the focus for
> the bidule to work correctly. DEPRECATED: please use the HID Data Extractor


> Key Number Output: the (un)pressed key ASCII number

Key Down Trigger Output: sends a 1 when a key is pressed

Key Up Trigger Output: sends a 1 when a key if unpressed

--001517573df2464d0b046ce0e7e7
Content-Type: text/html; charset=UTF-8
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On Sun, Jun 21, 2009 at 7:51 PM, Michael Peters&lt;<a href=3D"mailto:mp@mpe=
ters.de">mp@mpeters.de</a>&gt; wrote:<br>&gt; When I don&#39;t have an inst=
rument with me, just the PC notebook, it would<br>&gt; sometimes be cool if=
 I could use the keys of my notebook as a midi<br>
&gt; controller, in my case, inside of Bidule. Does anyone know if this is<=
br>&gt; possible with some tools?<br><br><br>Hi Michael,<br><br>Maybe you c=
an build it in Bidule with some of the Bidule&#39;s in the manual quote bel=
ow?<div>
<br><div>Per<br><br><br><blockquote class=3D"gmail_quote" style=3D"margin-t=
op: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-=
left-width: 1px; border-left-color: rgb(204, 204, 204); border-left-style: =
solid; padding-left: 1ex; ">
HID Data Extractor</blockquote><blockquote class=3D"gmail_quote" style=3D"m=
argin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; =
border-left-width: 1px; border-left-color: rgb(204, 204, 204); border-left-=
style: solid; padding-left: 1ex; ">
<br></blockquote><blockquote class=3D"gmail_quote" style=3D"margin-top: 0px=
; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-left-wi=
dth: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; =
padding-left: 1ex; ">
Use any standard USB HID (Human Interface Device) like keyboard, mouse and =
joystick as a MIDI and parameter source. Buttons will be transformed into M=
IDI notes and bool (on/off) parameters while axis-based controls (like the =
mousewheel or the digital joystick pad) will be transformed into MIDI CC an=
d parameters with a range</blockquote>
<blockquote class=3D"gmail_quote" style=3D"margin-top: 0px; margin-right: 0=
px; margin-bottom: 0px; margin-left: 0.8ex; border-left-width: 1px; border-=
left-color: rgb(204, 204, 204); border-left-style: solid; padding-left: 1ex=
; ">
<br></blockquote><blockquote class=3D"gmail_quote" style=3D"margin-top: 0px=
; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-left-wi=
dth: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; =
padding-left: 1ex; ">
HID Device: the device the Data Extractor takes/outputs information from</b=
lockquote><blockquote class=3D"gmail_quote" style=3D"margin-top: 0px; margi=
n-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-left-width: 1p=
x; border-left-color: rgb(204, 204, 204); border-left-style: solid; padding=
-left: 1ex; ">
Axis1-&gt;Pitchbend: force the first axis control to be transformed into MI=
DI pitchbend</blockquote><blockquote class=3D"gmail_quote" style=3D"margin-=
top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border=
-left-width: 1px; border-left-color: rgb(204, 204, 204); border-left-style:=
 solid; padding-left: 1ex; ">
Fixed MIDI Mapping: information read-only display of the currently selected=
 device available controls and their mapping</blockquote><blockquote class=
=3D"gmail_quote" style=3D"margin-top: 0px; margin-right: 0px; margin-bottom=
: 0px; margin-left: 0.8ex; border-left-width: 1px; border-left-color: rgb(2=
04, 204, 204); border-left-style: solid; padding-left: 1ex; ">
<br></blockquote><blockquote class=3D"gmail_quote" style=3D"margin-top: 0px=
; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-left-wi=
dth: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; =
padding-left: 1ex; ">
<br></blockquote><blockquote class=3D"gmail_quote" style=3D"margin-top: 0px=
; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-left-wi=
dth: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; =
padding-left: 1ex; ">
Key Stroke</blockquote><blockquote class=3D"gmail_quote" style=3D"margin-to=
p: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-l=
eft-width: 1px; border-left-color: rgb(204, 204, 204); border-left-style: s=
olid; padding-left: 1ex; ">
<br></blockquote><blockquote class=3D"gmail_quote" style=3D"margin-top: 0px=
; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-left-wi=
dth: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; =
padding-left: 1ex; ">
Little bidule that you can use to create your own keyboard to MIDI or that =
you can use to trigger other events. The window needs to have the focus for=
 the bidule to work correctly. DEPRECATED: please use the HID Data Extracto=
r</blockquote>
<blockquote class=3D"gmail_quote" style=3D"margin-top: 0px; margin-right: 0=
px; margin-bottom: 0px; margin-left: 0.8ex; border-left-width: 1px; border-=
left-color: rgb(204, 204, 204); border-left-style: solid; padding-left: 1ex=
; ">
<br></blockquote><blockquote class=3D"gmail_quote" style=3D"margin-top: 0px=
; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-left-wi=
dth: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; =
padding-left: 1ex; ">
Key Number Output: the (un)pressed key ASCII number</blockquote><blockquote=
 class=3D"gmail_quote" style=3D"margin-top: 0px; margin-right: 0px; margin-=
bottom: 0px; margin-left: 0.8ex; border-left-width: 1px; border-left-color:=
 rgb(204, 204, 204); border-left-style: solid; padding-left: 1ex; ">
Key Down Trigger Output: sends a 1 when a key is pressed</blockquote><block=
quote class=3D"gmail_quote" style=3D"margin-top: 0px; margin-right: 0px; ma=
rgin-bottom: 0px; margin-left: 0.8ex; border-left-width: 1px; border-left-c=
olor: rgb(204, 204, 204); border-left-style: solid; padding-left: 1ex; ">
Key Up Trigger Output: sends a 1 when a key if unpressed</blockquote></div>=
</div>

--001517573df2464d0b046ce0e7e7--

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From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 19:44:13 2009
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Hi Bill,

The albums were called   'Karuna Supreme' (1975)     and   'Rainbow'  
(1980)
and, yes,   it is very sad news, indeed to hear of the passing of the 
great musician
Ali Akbar Khan.

They are going as cheaply as $82.50  at amazon.com  (ouch) and as much 
as $119.99

Not only did he have a huge impact on world music but, in particular,  
he had an enormous
impact on the San Francisco Bay Area and environs.     I know so many 
fantastic musicians
who were trained in Indian Classical music at his Ali Akbar School of 
Music in Marin County.
He had a huge impact on the whole World Beat movement of the early 80's 
as well as huge impact
on the third stream movement in Jazz.

He will be missed.

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 20:16:34 2009
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Hi there,
I'm receiving many emails every day and I don't know how to stop this and
unsubscribe from this service..
Can you help?

Thanks
Eliseo

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Hi there,<br>I&#39;m receiving many emails every day and I don&#39;t know how to stop this and unsubscribe from this service..<br>Can you help?<br><br>Thanks<br>Eliseo<br>

--0016e6d59d1d84d1be046ce1ebb6--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 21:53:41 2009
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> Hi there,
> I'm receiving many emails every day and I don't know how to stop this and unsubscribe from this service..
> Can you help?

Yes, we can!

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 22:02:54 2009
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Am Sonntag, den 21.06.2009, 21:51 +0100 schrieb Eliseo Heredia:
> Hi there,
> I'm receiving many emails every day and I don't know how to stop this
> and unsubscribe from this service..
> Can you help?
> 
> Thanks
> Eliseo

http://www.loopers-delight.com/list/LoopList.html   
I'm sorry, I need to unsubscribe from Looper's Delight. How do I do
that? It's not that I dislike people there or anything, you understand.

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From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 22:09:20 2009
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Subject: RC-50 multiple outputs?
From: Alexandre Leger <aleger@gmail.com>
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--0015174bdfd8448773046ce2e9fd
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Hey everyone,

Brand new to this list, but not to looping.  I've been using an RC-50 for a
little over a year now and it's been great, however I have a question that I
can't find the answer to anywhere.

I play guitar, keys, and vox, into the looper, and want to be able to
separate what comes out.  I want to be able to send the guitar to my guitar
amp to keep the tone, but I want to send the keys and vox to the PA.  Is
this possible?  I know I can send the phrases independently to each output,
but I can't seem to find away to divide where each input goes.

Cheers,

Alex


-- 
My music is at http://www.bewaretheleopard.com
Be sure to check it out and sign up for the mailing list!

--0015174bdfd8448773046ce2e9fd
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<br>Hey everyone, <br><br>Brand new to this list, but not to looping.=A0 I&=
#39;ve been using an RC-50 for a little over a year now and it&#39;s been g=
reat, however I have a question that I can&#39;t find the answer to anywher=
e. <br>
<br>I play guitar, keys, and vox, into the looper, and want to be able to s=
eparate what comes out.=A0 I want to be able to send the guitar to my guita=
r amp to keep the tone, but I want to send the keys and vox to the PA.=A0 I=
s this possible?=A0 I know I can send the phrases independently to each out=
put, but I can&#39;t seem to find away to divide where each input goes. <br=
>
<br>Cheers,<br><br>Alex<br><br clear=3D"all"><br>-- <br>My music is at <a h=
ref=3D"http://www.bewaretheleopard.com">http://www.bewaretheleopard.com</a>=
 <br>Be sure to check it out and sign up for the mailing list!<br><br><br>

--0015174bdfd8448773046ce2e9fd--

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Date: Sun, 21 Jun 2009 15:21:07 -0700 (PDT)
From: Marc Marshall <agentlesoul2004@yahoo.com>
Subject: Re: RC-50 multiple outputs?
To: Loopers-Delight@loopers-delight.com
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okay, you know you can control where they come out and you are cool with th=
at, so why are you concerned with the input?=A0=A0 Or am I missing somethin=
g in your question?=A0=20

--- On Sun, 6/21/09, Alexandre Leger <aleger@gmail.com> wrote:


From: Alexandre Leger <aleger@gmail.com>
Subject: RC-50 multiple outputs?
To: Loopers-Delight@loopers-delight.com
Date: Sunday, June 21, 2009, 6:02 PM



Hey everyone,=20

Brand new to this list, but not to looping.=A0 I've been using an RC-50 for=
 a little over a year now and it's been great, however I have a question th=
at I can't find the answer to anywhere.=20

I play guitar, keys, and vox, into the looper, and want to be able to separ=
ate what comes out.=A0 I want to be able to send the guitar to my guitar am=
p to keep the tone, but I want to send the keys and vox to the PA.=A0 Is th=
is possible?=A0 I know I can send the phrases independently to each output,=
 but I can't seem to find away to divide where each input goes.=20

Cheers,

Alex


--=20
My music is at http://www.bewaretheleopard.com=20
Be sure to check it out and sign up for the mailing list!


=0A=0A=0A      
--0-1018297111-1245622867=:48765
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>okay, you know you can control where the=
y come out and you are cool with that, so why are you concerned with the in=
put?&nbsp;&nbsp; Or am I missing something in your question?&nbsp; </DIV><B=
R><BR>--- On <B>Sun, 6/21/09, Alexandre Leger <I>&lt;aleger@gmail.com&gt;</=
I></B> wrote:<BR>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Alexandre Leger &lt;aleger@gmail.com&gt;<BR=
>Subject: RC-50 multiple outputs?<BR>To: Loopers-Delight@loopers-delight.co=
m<BR>Date: Sunday, June 21, 2009, 6:02 PM<BR><BR>
<DIV id=3Dyiv271320152><BR>Hey everyone, <BR><BR>Brand new to this list, bu=
t not to looping.&nbsp; I've been using an RC-50 for a little over a year n=
ow and it's been great, however I have a question that I can't find the ans=
wer to anywhere. <BR><BR>I play guitar, keys, and vox, into the looper, and=
 want to be able to separate what comes out.&nbsp; I want to be able to sen=
d the guitar to my guitar amp to keep the tone, but I want to send the keys=
 and vox to the PA.&nbsp; Is this possible?&nbsp; I know I can send the phr=
ases independently to each output, but I can't seem to find away to divide =
where each input goes. <BR><BR>Cheers,<BR><BR>Alex<BR><BR clear=3Dall><BR>-=
- <BR>My music is at <A href=3D"http://www.bewaretheleopard.com/" rel=3Dnof=
ollow target=3D_blank>http://www.bewaretheleopard.com</A> <BR>Be sure to ch=
eck it out and sign up for the mailing list!<BR><BR><BR></DIV></BLOCKQUOTE>=
</td></tr></table><br>=0A=0A      
--0-1018297111-1245622867=:48765--

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Date: Sun, 21 Jun 2009 18:30:59 -0400
Message-ID: <843294eb0906211530o2abb36c9kb94c433c6b0c95bd@mail.gmail.com>
Subject: Re: RC-50 multiple outputs?
From: Alexandre Leger <aleger@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174be628d3af24046ce34fff
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Sorry, maybe I wasn't completely clear.

The RC-50 has multiple inputs (instrument, aux, mic), and I'm wondering if I
can specify which inputs go to which outputs (main, sub)?

I know that I can specify where each phrase goes, but I use multiple
instruments per phrase and I want to be able to separate them so my guitar
and go through my amp, and the aux/mic can go through a PA.



On Sun, Jun 21, 2009 at 6:21 PM, Marc Marshall <agentlesoul2004@yahoo.com>wrote:

> okay, you know you can control where they come out and you are cool with
> that, so why are you concerned with the input?   Or am I missing something
> in your question?
>
>
> --- On *Sun, 6/21/09, Alexandre Leger <aleger@gmail.com>* wrote:
>
>
> From: Alexandre Leger <aleger@gmail.com>
> Subject: RC-50 multiple outputs?
> To: Loopers-Delight@loopers-delight.com
> Date: Sunday, June 21, 2009, 6:02 PM
>
>
>
> Hey everyone,
>
> Brand new to this list, but not to looping.  I've been using an RC-50 for a
> little over a year now and it's been great, however I have a question that I
> can't find the answer to anywhere.
>
> I play guitar, keys, and vox, into the looper, and want to be able to
> separate what comes out.  I want to be able to send the guitar to my guitar
> amp to keep the tone, but I want to send the keys and vox to the PA.  Is
> this possible?  I know I can send the phrases independently to each output,
> but I can't seem to find away to divide where each input goes.
>
> Cheers,
>
> Alex
>
>
> --
> My music is at http://www.bewaretheleopard.com
> Be sure to check it out and sign up for the mailing list!
>
>
>
>


-- 
My music is at http://www.bewaretheleopard.com
Be sure to check it out and sign up for the mailing list!

--0015174be628d3af24046ce34fff
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Sorry, maybe I wasn&#39;t completely clear.<br><br>The RC-50 has multiple i=
nputs (instrument, aux, mic), and I&#39;m wondering if I can specify which =
inputs go to which outputs (main, sub)?<br><br>I know that I can specify wh=
ere each phrase goes, but I use multiple instruments per phrase and I want =
to be able to separate them so my guitar and go through my amp, and the aux=
/mic can go through a PA.<br>
<br><br><br><div class=3D"gmail_quote">On Sun, Jun 21, 2009 at 6:21 PM, Mar=
c Marshall <span dir=3D"ltr">&lt;<a href=3D"mailto:agentlesoul2004@yahoo.co=
m">agentlesoul2004@yahoo.com</a>&gt;</span> wrote:<br><blockquote class=3D"=
gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0p=
t 0pt 0pt 0.8ex; padding-left: 1ex;">
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"font-family: inherit; font-style: inherit; font-variant: inherit; font=
-weight: inherit; font-size: inherit; line-height: inherit; font-size-adjus=
t: inherit; font-stretch: inherit;" valign=3D"top">
<div>okay, you know you can control where they come out and you are cool wi=
th that, so why are you concerned with the input?=A0=A0 Or am I missing som=
ething in your question?=A0 </div><br><br>--- On <b>Sun, 6/21/09, Alexandre=
 Leger <i>&lt;<a href=3D"mailto:aleger@gmail.com" target=3D"_blank">aleger@=
gmail.com</a>&gt;</i></b> wrote:<br>

<blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); padding-left:=
 5px; margin-left: 5px;"><br>From: Alexandre Leger &lt;<a href=3D"mailto:al=
eger@gmail.com" target=3D"_blank">aleger@gmail.com</a>&gt;<br>Subject: RC-5=
0 multiple outputs?<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br>Date: Sunday, June 21, 2009, 6=
:02 PM<div><div></div><div class=3D"h5"><br><br>
<div><br>Hey everyone, <br><br>Brand new to this list, but not to looping.=
=A0 I&#39;ve been using an RC-50 for a little over a year now and it&#39;s =
been great, however I have a question that I can&#39;t find the answer to a=
nywhere. <br>
<br>I play guitar, keys, and vox, into the looper, and want to be able to s=
eparate what comes out.=A0 I want to be able to send the guitar to my guita=
r amp to keep the tone, but I want to send the keys and vox to the PA.=A0 I=
s this possible?=A0 I know I can send the phrases independently to each out=
put, but I can&#39;t seem to find away to divide where each input goes. <br=
>
<br>Cheers,<br><br>Alex<br><br clear=3D"all"><br>-- <br>My music is at <a h=
ref=3D"http://www.bewaretheleopard.com/" rel=3D"nofollow" target=3D"_blank"=
>http://www.bewaretheleopard.com</a> <br>Be sure to check it out and sign u=
p for the mailing list!<br>
<br><br></div></div></div></blockquote></td></tr></tbody></table><br>

      </blockquote></div><br><br clear=3D"all"><br>-- <br>My music is at <a=
 href=3D"http://www.bewaretheleopard.com">http://www.bewaretheleopard.com</=
a> <br>Be sure to check it out and sign up for the mailing list!<br><br><br=
>


--0015174be628d3af24046ce34fff--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 22:43:18 2009
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4A3E8D87.5050204@cruzio.com>
Subject: RE: RIP AAK
Date: Sun, 21 Jun 2009 15:43:14 -0700
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Karuna Supreme, That's it, thanks Rick, someone should release that music.
Today is his memorial in Mill Valley.
Bill  

-----Original Message-----
From: Rick Walker [mailto:looppool@cruzio.com] 
Sent: Sunday, June 21, 2009 12:44 PM
To: LOOPERS DELIGHT (posting)
Subject: OT: RIP AAK

Hi Bill,

The albums were called   'Karuna Supreme' (1975)     and   'Rainbow'  
(1980)
and, yes,   it is very sad news, indeed to hear of the passing of the 
great musician
Ali Akbar Khan.

They are going as cheaply as $82.50  at amazon.com  (ouch) and as much 
as $119.99

Not only did he have a huge impact on world music but, in particular,  
he had an enormous
impact on the San Francisco Bay Area and environs.     I know so many 
fantastic musicians
who were trained in Indian Classical music at his Ali Akbar School of 
Music in Marin County.
He had a huge impact on the whole World Beat movement of the early 80's 
as well as huge impact
on the third stream movement in Jazz.

He will be missed.

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 22:55:26 2009
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Date: Sun, 21 Jun 2009 15:55:25 -0700 (PDT)
From: Marc Marshall <agentlesoul2004@yahoo.com>
Subject: Re: RC-50 multiple outputs?
To: Loopers-Delight@loopers-delight.com
MIME-Version: 1.0
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--0-962505186-1245624925=:38515
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so you are talking about using it as a live mixer?=A0=A0=A0I think the RC-5=
0 is designed to=A0loop in stereo=A0and then mix the input =A0phrases for s=
tereo both=A0in main and sub outputs..=A0I have not used it so much as a li=
ve mixer sorry!!=A0 I'm sure some other folks in Loopers Delight will be mo=
re helpful.


Marc Marshall
=A0
=A0
"I am human, I am large, I contradict myself"
=A0
.....and then some=A0=20

--- On Sun, 6/21/09, Alexandre Leger <aleger@gmail.com> wrote:


From: Alexandre Leger <aleger@gmail.com>
Subject: Re: RC-50 multiple outputs?
To: Loopers-Delight@loopers-delight.com
Date: Sunday, June 21, 2009, 6:30 PM


Sorry, maybe I wasn't completely clear.

The RC-50 has multiple inputs (instrument, aux, mic), and I'm wondering if =
I can specify which inputs go to which outputs (main, sub)?

I know that I can specify where each phrase goes, but I use multiple instru=
ments per phrase and I want to be able to separate them so my guitar and go=
 through my amp, and the aux/mic can go through a PA.




On Sun, Jun 21, 2009 at 6:21 PM, Marc Marshall <agentlesoul2004@yahoo.com> =
wrote:






okay, you know you can control where they come out and you are cool with th=
at, so why are you concerned with the input?=A0=A0 Or am I missing somethin=
g in your question?=A0=20

--- On Sun, 6/21/09, Alexandre Leger <aleger@gmail.com> wrote:


From: Alexandre Leger <aleger@gmail.com>
Subject: RC-50 multiple outputs?
To: Loopers-Delight@loopers-delight.com
Date: Sunday, June 21, 2009, 6:02 PM






Hey everyone,=20

Brand new to this list, but not to looping.=A0 I've been using an RC-50 for=
 a little over a year now and it's been great, however I have a question th=
at I can't find the answer to anywhere.=20

I play guitar, keys, and vox, into the looper, and want to be able to separ=
ate what comes out.=A0 I want to be able to send the guitar to my guitar am=
p to keep the tone, but I want to send the keys and vox to the PA.=A0 Is th=
is possible?=A0 I know I can send the phrases independently to each output,=
 but I can't seem to find away to divide where each input goes.=20

Cheers,

Alex


--=20
My music is at http://www.bewaretheleopard.com=20
Be sure to check it out and sign up for the mailing list!






--=20
My music is at http://www.bewaretheleopard.com=20
Be sure to check it out and sign up for the mailing list!


=0A=0A=0A      
--0-962505186-1245624925=:38515
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>so you are talking about using it as a l=
ive mixer?&nbsp;&nbsp;&nbsp;I think the RC-50 is designed to&nbsp;loop in s=
tereo&nbsp;and then mix the input &nbsp;phrases for stereo both&nbsp;in mai=
n and sub outputs..&nbsp;I have not used it so much as a live mixer sorry!!=
&nbsp; I'm sure some other folks in Loopers Delight will be more helpful.<B=
R><BR></DIV>
<DIV><EM><FONT color=3D#4040ff face=3D"Comic Sans MS">Marc Marshall</FONT><=
/EM></DIV>
<DIV><EM><FONT color=3D#4040ff face=3D"Comic Sans MS"></FONT></EM>&nbsp;</D=
IV>
<DIV>&nbsp;</DIV>
<DIV><EM><FONT color=3D#4040ff face=3D"Comic Sans MS">"I am human, I am lar=
ge, I contradict myself"</FONT></EM></DIV>
<DIV><EM><FONT color=3D#4040ff face=3D"Comic Sans MS"></FONT></EM>&nbsp;</D=
IV>
<DIV><EM><FONT color=3D#4040ff face=3D"Comic Sans MS">.....and then some&nb=
sp; <IMG src=3D"http://l.yimg.com/a/i/mesg/tsmileys2/04.gif"></FONT></EM></=
DIV><BR><BR>--- On <B>Sun, 6/21/09, Alexandre Leger <I>&lt;aleger@gmail.com=
&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Alexandre Leger &lt;aleger@gmail.com&gt;<BR=
>Subject: Re: RC-50 multiple outputs?<BR>To: Loopers-Delight@loopers-deligh=
t.com<BR>Date: Sunday, June 21, 2009, 6:30 PM<BR><BR>
<DIV id=3Dyiv1893504027>Sorry, maybe I wasn't completely clear.<BR><BR>The =
RC-50 has multiple inputs (instrument, aux, mic), and I'm wondering if I ca=
n specify which inputs go to which outputs (main, sub)?<BR><BR>I know that =
I can specify where each phrase goes, but I use multiple instruments per ph=
rase and I want to be able to separate them so my guitar and go through my =
amp, and the aux/mic can go through a PA.<BR><BR><BR><BR>
<DIV class=3Dgmail_quote>On Sun, Jun 21, 2009 at 6:21 PM, Marc Marshall <SP=
AN dir=3Dltr>&lt;<A href=3D"http://us.mc515.mail.yahoo.com/mc/compose?to=3D=
agentlesoul2004@yahoo.com" rel=3Dnofollow target=3D_blank ymailto=3D"mailto=
:agentlesoul2004@yahoo.com">agentlesoul2004@yahoo.com</A>&gt;</SPAN> wrote:=
<BR>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0=
pt 0pt 0.8ex; PADDING-LEFT: 1ex" class=3Dgmail_quote>
<TABLE border=3D0 cellSpacing=3D0 cellPadding=3D0>
<TBODY>
<TR>
<TD style=3D"FONT-FAMILY: inherit; font-size-adjust: inherit; font-stretch:=
 inherit" vAlign=3Dtop>
<DIV>okay, you know you can control where they come out and you are cool wi=
th that, so why are you concerned with the input?&nbsp;&nbsp; Or am I missi=
ng something in your question?&nbsp; </DIV><BR><BR>--- On <B>Sun, 6/21/09, =
Alexandre Leger <I>&lt;<A href=3D"http://us.mc515.mail.yahoo.com/mc/compose=
?to=3Daleger@gmail.com" rel=3Dnofollow target=3D_blank ymailto=3D"mailto:al=
eger@gmail.com">aleger@gmail.com</A>&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Alexandre Leger &lt;<A href=3D"http://us.mc=
515.mail.yahoo.com/mc/compose?to=3Daleger@gmail.com" rel=3Dnofollow target=
=3D_blank ymailto=3D"mailto:aleger@gmail.com">aleger@gmail.com</A>&gt;<BR>S=
ubject: RC-50 multiple outputs?<BR>To: <A href=3D"http://us.mc515.mail.yaho=
o.com/mc/compose?to=3DLoopers-Delight@loopers-delight.com" rel=3Dnofollow t=
arget=3D_blank ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loope=
rs-Delight@loopers-delight.com</A><BR>Date: Sunday, June 21, 2009, 6:02 PM
<DIV>
<DIV></DIV>
<DIV class=3Dh5><BR><BR>
<DIV><BR>Hey everyone, <BR><BR>Brand new to this list, but not to looping.&=
nbsp; I've been using an RC-50 for a little over a year now and it's been g=
reat, however I have a question that I can't find the answer to anywhere. <=
BR><BR>I play guitar, keys, and vox, into the looper, and want to be able t=
o separate what comes out.&nbsp; I want to be able to send the guitar to my=
 guitar amp to keep the tone, but I want to send the keys and vox to the PA=
.&nbsp; Is this possible?&nbsp; I know I can send the phrases independently=
 to each output, but I can't seem to find away to divide where each input g=
oes. <BR><BR>Cheers,<BR><BR>Alex<BR><BR clear=3Dall><BR>-- <BR>My music is =
at <A href=3D"http://www.bewaretheleopard.com/" rel=3Dnofollow target=3D_bl=
ank>http://www.bewaretheleopard.com</A> <BR>Be sure to check it out and sig=
n up for the mailing list!<BR><BR><BR></DIV></DIV></DIV></BLOCKQUOTE></TD><=
/TR></TBODY></TABLE><BR></BLOCKQUOTE></DIV><BR><BR clear=3Dall><BR>-- <BR>M=
y
 music is at <A href=3D"http://www.bewaretheleopard.com/" rel=3Dnofollow ta=
rget=3D_blank>http://www.bewaretheleopard.com</A> <BR>Be sure to check it o=
ut and sign up for the mailing list!<BR><BR><BR></DIV></BLOCKQUOTE></td></t=
r></table><br>=0A=0A      
--0-962505186-1245624925=:38515--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 23:28:09 2009
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: 06.23.09 > The PiNG presents THE DEVIL IN THE DESIGN + LORNE DAVID THOMSON
Date: Sun, 21 Jun 2009 19:28:07 -0400
Organization: THE AMBiENT PiNG
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

TUESDAY JUNE 23RD . THE PiNG presents=20
dancing or leaping or diabolical chants
featuring THE DEVIL IN THE DESIGN
w/special guest LORNE DAVID THOMSON
@ The Central . 603 Markham St . 1 block west of Bathurst & Bloor
    Map, info and directions at: http://www.thecentral.ca/info.php
    PiNG doors open at 8pm . 1st set at 8:30 . $6
   =20
. THE DEVIL IN THE DESIGN . Freshly flown in from another space,
Phil Ogison returns with a live version (really live) of his new 'live'
studio release, Six Ways To Undo The Horizon. As Phil describes it,
"Basically it's just me, the guitar, and mod pedals. The whole project
is a 'back to basics' live improvisation thing, a more experimental
ambient expression. Me talking to the guitar and the guitar
talking back to me." http://www.myspace.com/ogison

. LORNE DAVID THOMSON . After a decade of travel and living in
South East Asia, Lorne returned to Toronto in August of 2008 and
began playing with the psychedelic/dub/jam band Harold as their
keyboardist. For his debut solo PiNG performance, Lorne will perform
semi-improvised soundscapes and atmospherics laden with melody
on a variety of analogue and digital synthesizers and devices.
http://www.myspace.com/ldtregent

. Between Sets CDs - eluvium + Stars Of The Lid
We'll be spinning some "classical ambience" between and before=20
the sets with music from "copia" by eluvium and rarefied out-takes=20
from Stars Of The Lid's 2008 tour-only CD release.
http://www.eluvium.net   http://www.myspace.com/starsofthelid

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

COMiNG SOON

. JULY . 07.14.09 . THE AMBiENT PiNG presents
STORMiNG THE BASTiLLE featuring Kinder Atom and Syn=FE=20
Tues. July 14th @ The Central . 603 Markham St . 8PM

. AUGUST . 08.18.09 . THE AMBiENT PiNG's 10th ANNiVERSARY=20
featuring WALLY JERICHO, dreamSTATE and KALTE
Tues. Aug. 18th @ The Supermarket . 268 Augusta Ave . 8PM

more details soon @ http://www.theambientping.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

check out the latest free net label release from ping things:

"iNTHiSHOUSE" by subduction current

ping things is thrilled to present an exclusive new offering
from  Catherine Tammaro performing under her guise as
subduction current. Well known in the Toronto ambient improv
scene for her live  performances which blend music and electronic
light media, Catherine's  latest "iNTHiSHOUSE" is a sensual and
beautiful journey through fluid spaces and liquid sounds that=20
perfectly capture the musical and artistic ideals that inform her=20
work. Drawing influence from deep beneath the sea and deep=20
within the self, "iNTHiSHOUSE" is a carefully crafted series of songs=20
that immerses the listener in a new environment, a new reality.

"iNTHiSHOUSE" by subduction current is available as a free
downloadable 67Mb Zip file containing the full release in high
quality 256kbps mp3 format along with artwork suitable for=20
printing. The music on this release is copyright Catherine=20
Tammaro 2009, and may not be used or reproduced=20
without the artist's express permission.
http://www.pingthings.com/PTlabel.htm
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Also check out the AMBiENT PiNG RADiO podcast. Currently posted
are the ALMOST LiVE SERiES sets by Numina, MWVM, NAW,
Panoramaroid, Remora, Resonant Drift, Salvagesound, and URM.
Also posted are the ping things net label releases by Spatial
Correlation (Les Landes), Phil Ogison (The Perfect City)
Andrew Duke (Aqua), Nunc Stans (Land), Ortiz (Where did we
come from defcon?), mara's torment (tactile), Building Castles
Out of Matchsticks (October Sky), Remora (Ensoulment),
Panoramaroid (Music for Travellers #2), mara's torment
(fluctuations), Spatial Correlation (Love and the Fear of Poverty)
and Reinholt56 (Mechanism of the Soul).
http://www.ambientpingradio.blogspot.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, space, drone, psychedelic, chillout, downtempo,
darkwave and experimental artists from around the world.
http://www.theambientping.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Sun Jun 21 23:36:24 2009
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Date: Sun, 21 Jun 2009 16:36:22 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Newb question about looping gear
To: Loopers-Delight@loopers-delight.com
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--0-720730380-1245627382=:56656
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Andy,=0A=0AJust to offer my (limited)=A0experience with loopers, I have =
an RC20-XL and a Boomerang+=0A=0AThe Boomerang+ will do exactly what you wa=
nt, you can have 2 seperate loops, and set it so that you can either enter =
the 2nd loop immediately, or when=A0the first loop ends. The downside is it=
 is expensive for the feature set (@$400), and there is no Undo button but =
there is Reverse. Soon (?)=A0there will be a new unit out, and so the exist=
ing boomerang may drop in price. In my band I use this mostly to tap in del=
ays and to scare the kiddies with strange noises between songs (or make the=
m laugh). Note that it=A0can be=A0difficult to keep the drummer in time wit=
h a static loop, some LD folks suggest a seperate monitor feed for that.=0A=
=0AThe RC20-XL offers Undo which is nice, and is about half the price, but =
only has one loop (also has reverse but need to add a seperate footswitch f=
or that). If I was going to get another looper pedal of this type I would p=
robably get the JamMan, because it offers more features like more memory an=
d USB port, at about the same price=0A=0AGood luck! You may find (like I ha=
ve) that as you do more looping and learn more about the subject via the ar=
tists on LD, you will want more full featured looping capabilities, for thi=
s I am using Mobius software(free) on laptop, with a Behringer FCB1010 peda=
l for Midi control. This has way more features than I possibly have time to=
 experiment with. This will easily do what you want, and if you have a lapt=
op already, will only cost the price of the midi controller (@ $150 for FCB=
1010) and a USB port midi interface (@ $50-70 for a cheap one).=0A=0AThanks=
 LD folks for helping in my education!=0A=0AEric=0A=0A=0A=0A=0A____________=
____________________=0AFrom: Andrew Rice <arice@creativepages.net>=0ATo: Lo=
opers-Delight@loopers-delight.com=0ASent: Sunday, June 21, 2009 11:18:41 AM=
=0ASubject: Re: Newb question about looping gear=0A=0AThanks Sylvain for th=
e quick response.=0A=0A=0AOn Sun, Jun 21, 2009 at 8:40 AM, Sylvain Poitras =
<sylvain.trombone@gmail.com> wrote:=0A=0AHI Andy,=0AThis topic was discusse=
d in dept a while ago, check out the archives=0Aand read the whole thread f=
or some great suggestions:=0A=0Ahttp://www.loopersdelight.com/LDarchive/200=
903/msg00577.html=0A=0ASylvain=0A=0A=0A=0AOn Sat, Jun 20, 2009 at 10:10 PM,=
 Andrew Rice<arice@creativepages.net> wrote:=0A> Hi=0A> Apologies for the b=
eginner gear question and thanks in advance for any=0A> advice.=0A>=0A> I a=
m a keyboard player (chiefly Hammond, Rhodes, Clavinet), currently=0A> play=
ing in an instrumental four piece.=A0 Our guitarist is showing signs of=0A>=
 extreme unreliability and we are probably going to transition to a trio.=
=A0 I=0A> am interested in a simple, preferrably foot controlled looper to =
allow me to=0A> lay down one or two rhythm tracks and then improvise on top=
 of them (I=0A> prefer to have both hands available for soloing).=0A>=0A> I=
 would be laying down everything live and erasing it, so no need for a lot=
=0A> of memory, no prerecorded tracks.=0A> What is the best product availab=
le?=0A>=0A> What is the best cheap product available?=0A>=0A> Thanks=0A> An=
dy Rice=0A> --=0A> Andrew Rice=0A> Creative Consulting=0A> arice@creativepa=
ges.net=0A> http://www.creativepages.net=0A>=0A=0A=0A=0A=0A-- =0AAndrew Ric=
e=0ACreative Consulting=0Aarice@creativepages.net=0Ahttp://www.creativepage=
s.net=0A=0A=0A=0A      
--0-720730380-1245627382=:56656
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>Hi Andy,</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Just to offe=
r my (limited)&nbsp;experience with loopers, I have an RC20-XL and a Boomer=
ang+</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>The Boomerang+ will do exactly what y=
ou want, you can have 2 seperate loops, and set it so that you can either e=
nter the 2nd loop immediately, or when&nbsp;the first loop ends. The downsi=
de is it is expensive for the feature set (@$400), and there is no Undo but=
ton but there is Reverse. Soon (?)&nbsp;there will be a new unit out, and s=
o the existing boomerang may drop in price. In my band I use this mostly to=
 tap in delays and to scare the kiddies with strange noises between songs (=
or make them laugh). Note that it&nbsp;can be&nbsp;difficult to keep the dr=
ummer in time with a static loop, some LD folks suggest a seperate monitor =
feed for that.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>The RC20-XL offers Undo whi=
ch is nice, and is about half the price, but only has one loop (also has re=
verse but need to add a seperate footswitch for that). If I was going to ge=
t another looper pedal of this type I would probably get the JamMan, becaus=
e it offers more features like more memory and USB port, at about the same =
price</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Good luck! You may find (like I have=
) that as you do more looping and learn more about the subject via the arti=
sts on LD, you will want more full featured looping capabilities, for this =
I am using Mobius software(free) on laptop, with a Behringer FCB1010 pedal =
for Midi control. This has way more features than I possibly have time to e=
xperiment with. This will easily do what you want, and if you have a laptop=
 already, will only cost the price of the midi controller (@ $150 for FCB10=
10) and a USB port midi interface (@ $50-70 for a cheap one).</DIV>=0A<DIV>=
&nbsp;</DIV>=0A<DIV>Thanks LD folks for helping in my education!</DIV>=0A<D=
IV>&nbsp;</DIV>=0A<DIV>Eric<BR></DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT=
-FAMILY: times new roman, new york, times, serif"><BR>=0A<DIV style=3D"FONT=
-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif"><FONT fa=
ce=3DTahoma size=3D2>=0A<HR SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold=
">From:</SPAN></B> Andrew Rice &lt;arice@creativepages.net&gt;<BR><B><SPAN =
style=3D"FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delight@loopers-delight.=
com<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Sunday, June 2=
1, 2009 11:18:41 AM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN>=
</B> Re: Newb question about looping gear<BR></FONT><BR>Thanks Sylvain for =
the quick response.<BR><BR>=0A<DIV class=3Dgmail_quote>On Sun, Jun 21, 2009=
 at 8:40 AM, Sylvain Poitras <SPAN dir=3Dltr>&lt;<A href=3D"mailto:sylvain.=
trombone@gmail.com" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:sylvai=
n.trombone@gmail.com">sylvain.trombone@gmail.com</A>&gt;</SPAN> wrote:<BR>=
=0A<BLOCKQUOTE class=3Dgmail_quote style=3D"PADDING-LEFT: 1ex; MARGIN: 0px =
0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">HI Andy,<BR>This topic was disc=
ussed in dept a while ago, check out the archives<BR>and read the whole thr=
ead for some great suggestions:<BR><BR><A href=3D"http://www.loopersdelight=
..com/LDarchive/200903/msg00577.html" target=3D_blank rel=3Dnofollow>http://=
www.loopersdelight.com/LDarchive/200903/msg00577.html</A><BR><FONT color=3D=
#888888><BR>Sylvain<BR></FONT>=0A<DIV>=0A<DIV></DIV>=0A<DIV class=3Dh5><BR>=
<BR>On Sat, Jun 20, 2009 at 10:10 PM, Andrew Rice&lt;<A href=3D"mailto:aric=
e@creativepages.net" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:arice=
@creativepages.net">arice@creativepages.net</A>&gt; wrote:<BR>&gt; Hi<BR>&g=
t; Apologies for the beginner gear question and thanks in advance for any<B=
R>&gt; advice.<BR>&gt;<BR>&gt; I am a keyboard player (chiefly Hammond, Rho=
des, Clavinet), currently<BR>&gt; playing in an instrumental four piece.&nb=
sp; Our guitarist is showing signs of<BR>&gt; extreme unreliability and we =
are probably going to transition to a trio.&nbsp; I<BR>&gt; am interested i=
n a simple, preferrably foot controlled looper to allow me to<BR>&gt; lay d=
own one or two rhythm tracks and then improvise on top of them (I<BR>&gt; p=
refer to have both hands available for soloing).<BR>&gt;<BR>&gt; I would be=
 laying down everything live and erasing it, so no need for a lot<BR>&gt; o=
f memory, no prerecorded tracks.<BR>&gt; What is the best
 product available?<BR>&gt;<BR>&gt; What is the best cheap product availabl=
e?<BR>&gt;<BR>&gt; Thanks<BR>&gt; Andy Rice<BR>&gt; --<BR>&gt; Andrew Rice<=
BR>&gt; Creative Consulting<BR>&gt; <A href=3D"mailto:arice@creativepages.n=
et" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:arice@creativepages.ne=
t">arice@creativepages.net</A><BR>&gt; <A href=3D"http://www.creativepages.=
net/" target=3D_blank rel=3Dnofollow>http://www.creativepages.net</A><BR>&g=
t;<BR><BR></DIV></DIV></BLOCKQUOTE></DIV><BR><BR clear=3Dall>=0A<DIV></DIV>=
<BR>-- <BR>Andrew Rice<BR>Creative Consulting<BR><A href=3D"mailto:arice@cr=
eativepages.net" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:arice@cre=
ativepages.net">arice@creativepages.net</A><BR><A href=3D"http://www.creati=
vepages.net/" target=3D_blank rel=3Dnofollow>http://www.creativepages.net</=
A><BR></DIV></DIV></div><br>=0A=0A      </body></html>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-50 multiple outputs?
From: "Alex Leger" <aleger@gmail.com>
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READ 'EM, dude. Every last one of them! Heheheh...

--- On Sun, 6/21/09, Eliseo Heredia <pangea2006@gmail.com> wrote:


From: Eliseo Heredia <pangea2006@gmail.com>
Subject: Please Unsubscribe!
To: Loopers-Delight@loopers-delight.com
Date: Sunday, June 21, 2009, 4:51 PM


Hi there,
I'm receiving many emails every day and I don't know how to stop this and unsubscribe from this service..
Can you help?

Thanks
Eliseo



      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">READ 'EM, dude. Every last one of them! Heheheh...<BR><BR>--- On <B>Sun, 6/21/09, Eliseo Heredia <I>&lt;pangea2006@gmail.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(16,16,255) 2px solid"><BR>From: Eliseo Heredia &lt;pangea2006@gmail.com&gt;<BR>Subject: Please Unsubscribe!<BR>To: Loopers-Delight@loopers-delight.com<BR>Date: Sunday, June 21, 2009, 4:51 PM<BR><BR>
<DIV id=yiv1428267959>Hi there,<BR>I'm receiving many emails every day and I don't know how to stop this and unsubscribe from this service..<BR>Can you help?<BR><BR>Thanks<BR>Eliseo<BR></DIV></BLOCKQUOTE></td></tr></table><br>

      
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 22 06:03:27 2009
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This is a multi-part message in MIME format.

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> Maybe you can build it in Bidule with some of the Bidule's in the manual
quote below? 
 
oh, I hadn't seen that ... a classical case of RTFM :-)  thanks I'll check
it out!
 
-Michael
 

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<DIV dir=3Dltr align=3Dleft><SPAN class=3D578370206-22062009>&gt; =
</SPAN>Maybe you can=20
build it in Bidule with some of the Bidule's in the manual quote =
below?<SPAN=20
class=3D578370206-22062009><FONT face=3DArial =
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<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D578370206-22062009></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D578370206-22062009><FONT =
face=3DArial=20
size=3D2>oh, I hadn't seen that ... a classical&nbsp;case of RTFM =
:-)&nbsp; thanks=20
I'll&nbsp;check it out!</FONT></SPAN></DIV>
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class=3D578370206-22062009>&nbsp;</SPAN></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jun 22 08:10:10 2009
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Hi Alex

first of all, welcome to LD :)

You have the following possibilities with the RC-50:
- Input Aux/Mic/Instr > Phrase 1,2,3 Left/Right
- Phrase 1,2,3 Left/Right > Output Main/Aux Left/Right

The Inputs are quite obvious, simply adjust the levels.
You can define for each Phrase (Loop), if it will be played via Output Main,Aux or both. You need to go into the PATCH/PHRASE settings for this.

The only way to "split" your loop into different parts is to:
- either use different PHRASES that are linked i.e. Main Out (vox,keys), Aux Out (Guitar)
- if you are working mono, use Left/Right to split the signal

Esp. splitting Left/Right is a good idea. You may need to be careful with the signal levels, however. Also, what is a real pity on the RC-50 is that you cannot pan the MIC INPUT on the RC-50. So you'd probably want to use a small mixer for all your inputs: i.e. pan your guitar hard LEFT, pan vox/keys hard right and send them through Instrument Input to the RC-50.

best regards
Buzap


-- 
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 22 08:30:02 2009
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I pretty much do that. My PA stuff goes to the right input and my gtr =20=

goes to the left. Then I pan all the phrases to the center and output =20=

everything out of the sub out. Right goes to the PA left to a guitar =20
amp. I use the guide but don't want anyone to hear it so my main out =20
only does that as I need the headphone out to be guide only...

Teddy Kumpel
http://teddyjam.com

On Jun 22, 2009, at 10:10 AM, Buzap Buzap <buzap@gmx.net> wrote:

> Hi Alex
>
> first of all, welcome to LD :)
>
> You have the following possibilities with the RC-50:
> - Input Aux/Mic/Instr > Phrase 1,2,3 Left/Right
> - Phrase 1,2,3 Left/Right > Output Main/Aux Left/Right
>
> The Inputs are quite obvious, simply adjust the levels.
> You can define for each Phrase (Loop), if it will be played via =20
> Output Main,Aux or both. You need to go into the PATCH/PHRASE =20
> settings for this.
>
> The only way to "split" your loop into different parts is to:
> - either use different PHRASES that are linked i.e. Main Out =20
> (vox,keys), Aux Out (Guitar)
> - if you are working mono, use Left/Right to split the signal
>
> Esp. splitting Left/Right is a good idea. You may need to be careful =20=

> with the signal levels, however. Also, what is a real pity on the =20
> RC-50 is that you cannot pan the MIC INPUT on the RC-50. So you'd =20
> probably want to use a small mixer for all your inputs: i.e. pan =20
> your guitar hard LEFT, pan vox/keys hard right and send them through =20=

> Instrument Input to the RC-50.
>
> best regards
> Buzap
>
>
> --=20
> GRATIS f=C3=BCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>

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From: "Christo Jota" <chris@christojota.de>
To: <Loopers-Delight@loopers-delight.com>
References: <843294eb0906211502s30f4b371v9f14728734e0420@mail.gmail.com>
Subject: Re: RC-50 multiple outputs?
Date: Mon, 22 Jun 2009 11:48:08 +0200
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Hi Alex,
as there are 2 input plugs (mono/stereo), you could use them to separate =
guitar and keys/vox. Plug in guitar to the left input, keys/vox
(by using a small mixer to plug in both) to the right.
Then connect the left output to your guitar amp and
the right to the PA.
Good luck!
Christo
www.christojota.de

  ----- Original Message -----=20
  From: Alexandre Leger=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, June 22, 2009 12:02 AM
  Subject: RC-50 multiple outputs?



  Hey everyone,=20

  Brand new to this list, but not to looping.  I've been using an RC-50 =
for a little over a year now and it's been great, however I have a =
question that I can't find the answer to anywhere.=20

  I play guitar, keys, and vox, into the looper, and want to be able to =
separate what comes out.  I want to be able to send the guitar to my =
guitar amp to keep the tone, but I want to send the keys and vox to the =
PA.  Is this possible?  I know I can send the phrases independently to =
each output, but I can't seem to find away to divide where each input =
goes.=20

  Cheers,

  Alex


  --=20
  My music is at http://www.bewaretheleopard.com=20
  Be sure to check it out and sign up for the mailing list!




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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Alex,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>as there are 2 input plugs =
(mono/stereo), you could=20
use them to separate </FONT><FONT face=3DArial size=3D2>guitar and =
keys/vox. Plug in=20
guitar to the left input, keys/vox</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>(by using a small mixer to plug in =
both)=20
</FONT><FONT face=3DArial size=3D2>to the right.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Then connect the left output to your =
guitar amp=20
and</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the right to the PA.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Good luck!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:aleger@gmail.com" title=3Daleger@gmail.com>Alexandre =
Leger</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, June 22, 2009 =
12:02=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RC-50 multiple =
outputs?</DIV>
  <DIV><BR></DIV><BR>Hey everyone, <BR><BR>Brand new to this list, but =
not to=20
  looping.&nbsp; I've been using an RC-50 for a little over a year now =
and it's=20
  been great, however I have a question that I can't find the answer to=20
  anywhere. <BR><BR>I play guitar, keys, and vox, into the looper, and =
want to=20
  be able to separate what comes out.&nbsp; I want to be able to send =
the guitar=20
  to my guitar amp to keep the tone, but I want to send the keys and vox =
to the=20
  PA.&nbsp; Is this possible?&nbsp; I know I can send the phrases =
independently=20
  to each output, but I can't seem to find away to divide where each =
input goes.=20
  <BR><BR>Cheers,<BR><BR>Alex<BR><BR clear=3Dall><BR>-- <BR>My music is =
at <A=20
  =
href=3D"http://www.bewaretheleopard.com">http://www.bewaretheleopard.com<=
/A>=20
  <BR>Be sure to check it out and sign up for the mailing=20
list!<BR><BR><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jun 22 11:13:17 2009
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From: "eterogeneo" <info@eterogeneo.com>
To: <Loopers-Delight@loopers-delight.com>
References: <4A3D4574.7030601@cruzio.com> <9ea2f30b0906201617r51582a74tfb6077cf1b0f7af@mail.gmail.com>
Subject: Re: Soundtoys (was Augustus Loop, Little Spacy and)
Date: Mon, 22 Jun 2009 13:13:12 +0200
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After an afternoon session I did with Per a few weeks ago, I've fall in =
love with those SoundToys plugins, expecially Echoboy and Crystalizer.
So I've checked their website and me too noticed they are overpriced, =
till you buy the native effects pack ($495), then you will pay each =
plugin about $ 99, that is a reasonable price.
So it's an issue of market policy they are adopting.
The sound of those plugins is really of the highest levels...it's a real =
temptation.

Fabio=20
www.eterogeneo.com
www.myspace.com/eterogeneo

=20

  ----- Original Message -----=20
  From: Todd Matthews=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, June 21, 2009 1:17 AM
  Subject: Re: Augustus Loop, Little Spacy and


   I think overpriced and I know the Soundtoys collection needs an ilok =
usb key to work so I assume that the crystallizer by itself would also =
need the ilok key. I demo'ed the soundtoys and they sound great but I =
only have 2 usb's on my macbook white,  those are used up in my looping =
setup and I thought if I was ever willing to spend 500 for plug-ins that =
money could go a lot further elsewhere. I was only really interested in =
the echo boy plug but that is also 350 if you buy it seperately from the =
collection.

  This is an unrelated plug-in to the Crystallizer but I'm demoing 'More =
Feedback Machine 2' right now from U-he because I'm testing out =
different delays. It sounds awesome, and it's 79 bucks.

  Todd Matthews



  On Sat, Jun 20, 2009 at 4:24 PM, Rick Walker <looppool@cruzio.com> =
wrote:

    Per suggested, amongst other things,  the SoundToy's Crystallizer =
plugin.

    I was curious so I looked it up.      They are charging $350 for a  =
plugin that
    uses a single effect from an earlier 80's version of an Eventide =
Harmonizer.

    Doesn't that seem extremely overpriced or is it just me?






-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.339 / Virus Database: 270.12.80/2187 - Release Date: =
06/19/09 06:53:00

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>After an afternoon =
session I did=20
with Per a few weeks ago, I've fall in love with those&nbsp;SoundToys =
plugins,=20
expecially </FONT><FONT face=3D"Book Antiqua" color=3D#000080>Echoboy =
and=20
Crystalizer.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>So I've checked their =
website and=20
me too noticed they are overpriced, till you buy the native effects pack =
($495),=20
then&nbsp;you will pay each plugin about $&nbsp;99, that is a reasonable =

price.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>So it's an issue of =
market policy=20
they are adopting.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>The sound of those =
plugins is=20
really of the highest levels...it's a real temptation.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio <BR><A=20
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A><BR><A=20
href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogeneo</A>=
<BR></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dgtmatthews@gmail.com =
href=3D"mailto:gtmatthews@gmail.com">Todd=20
  Matthews</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, June 21, 2009 =
1:17 AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Augustus Loop, =
Little Spacy=20
  and</DIV>
  <DIV><BR></DIV>&nbsp;I think overpriced and I know the Soundtoys =
collection=20
  needs an ilok usb key to work so I assume that the crystallizer by =
itself=20
  would also need the ilok key. I demo'ed the soundtoys and they sound =
great but=20
  I only have 2 usb's on my macbook white,&nbsp; those are used up in my =
looping=20
  setup and I thought if I was ever willing to spend 500 for plug-ins =
that money=20
  could go a lot further elsewhere. I was only really interested in the =
echo boy=20
  plug but that is also 350 if you buy it seperately from the=20
  collection.<BR><BR>This is an unrelated plug-in to the Crystallizer =
but I'm=20
  demoing 'More Feedback Machine 2' right now from U-he because I'm =
testing out=20
  different delays. It sounds awesome, and it's 79 bucks.<BR><BR>Todd=20
  Matthews<BR><BR><BR>
  <DIV class=3Dgmail_quote>On Sat, Jun 20, 2009 at 4:24 PM, Rick Walker =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</A>&gt;</SPAN> =

wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Per=20
    suggested, amongst other things, &nbsp;the SoundToy's Crystallizer=20
    plugin.<BR><BR>I was curious so I looked it up. &nbsp; &nbsp; =
&nbsp;They are=20
    charging $350 for a &nbsp;plugin that<BR>uses a single effect from =
an=20
    earlier 80's version of an Eventide Harmonizer.<BR><BR>Doesn't that =
seem=20
    extremely overpriced or is it just =
me?<BR><BR></BLOCKQUOTE></DIV><BR>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.339 / Virus Database: 270.12.80/2187 - =
Release=20
  Date: 06/19/09 06:53:00<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jun 22 11:38:22 2009
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	 <4D14B29999084F6A957251FCAD96D985@pcfabio>
Date: Mon, 22 Jun 2009 13:38:21 +0200
Message-ID: <66f9cc1e0906220438y498a7331tdbbc3d5ca0165a3f@mail.gmail.com>
Subject: Re: Soundtoys (was Augustus Loop, Little Spacy and)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Jun 22, 2009 at 1:13 PM, eterogeneo<info@eterogeneo.com> wrote:
> So I've checked their website and me too noticed they are overpriced, til=
l
> you buy the native effects pack ($495), then=C2=A0you will pay each plugi=
n about
> $=C2=A099, that is a reasonable price.
> So it's an issue of market policy they are adopting.
> The sound of those plugins is really of the highest levels...it's a real
> temptation.



The Eventide Eclipse was $ 2775 and it doesn't even work inside a laptop!

I'm not against "free stuff" in general but I'm definitely pro decent
pricing where it guarantees that talented people will keep on
providing awesome tools that I use in my art.

For anyone that knows what the SoundToys plug-ins offers and that
wants to work with those tools, I think it is well worth the money to
buy the Native Bundle. I also like that the license is carried on an
iLok which takes away all the hassle in using different computers. For
a person that is just "checking out cool sounds" I agree that the
price might be too high compared to those free VSTs mocked up in
Synth-Edit.

I don't follow the trend to assemble as many free plug-ins as possible
from the internet. To me it has proven more productive to use quite
few tools, stick with quality and put some effort into learning these
few tools well.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Jun 22 12:18:53 2009
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Subject: Re: Soundtoys (was Augustus Loop, Little Spacy and)
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> . For
> a person that is just "checking out cool sounds" I agree that the
> price might be too high compared to those free VSTs mocked up in
> Synth-Edit.
>
> I don't follow the trend to assemble as many free plug-ins as possible
> from the internet. To me it has proven more productive to use quite
> few tools, stick with quality and put some effort into learning these
> few tools well.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
I agree Per... the computer software world is always expecting something for
nothing, if it wasnt possible EVER to crack or hack anything, no one would
be complaining about these prices, they are completely reasonable when you
compare them to hardware equivalents...

Only thing I would say is that when I was doing computer music, the VSTs I
liked the best were the ones made in SynthEdit!!! Often the huge
corporations making the real PRO gear were (and are) thinking about their
customers and it was the little guys who made all the cool shit...

My suggestion, PAY for the stuff you really need to be high quality ,
Reverbs, delays, EQs and compressors, AND have a collection of weird free
stuff that gets pulled out on rainy days...

Mark




-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174be6ea7c46a8046ceee07d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;">. For<br>
a person that is just &quot;checking out cool sounds&quot; I agree that the=
<br>
price might be too high compared to those free VSTs mocked up in<br>
Synth-Edit.<br>
<br>
I don&#39;t follow the trend to assemble as many free plug-ins as possible<=
br>
from the internet. To me it has proven more productive to use quite<br>
few tools, stick with quality and put some effort into learning these<br>
few tools well.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br>I agree Per... the computer software world is=
 always expecting something for nothing, if it wasnt possible EVER to crack=
 or hack anything, no one would be complaining about these prices, they are=
 completely reasonable when you compare them to hardware equivalents...<br>

<br>Only thing I would say is that when I was doing computer music, the VST=
s I liked the best were the ones made in SynthEdit!!! Often the huge corpor=
ations making the real PRO gear were (and are) thinking about their custome=
rs and it was the little guys who made all the cool shit...<br>

<br>My suggestion, PAY for the stuff you really need to be high quality , R=
everbs, delays, EQs and compressors, AND have a collection of weird free st=
uff that gets pulled out on rainy days...<br><br>Mark<br><br><br><br clear=
=3D"all">

<br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</=
a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</=
a><br><a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtub=
e.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0015174be6ea7c46a8046ceee07d--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 22 13:00:20 2009
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT : 8 khz noise problem
Date: Mon, 22 Jun 2009 16:00:09 +0300
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hey,

since we have a great number of guitarists on board, i would like to ask =
something.

i have the 3 moog pedals ( low pass filter, freq box, murf ) that were =
bought in usa with 110v. when i connect them with seperate voltage =
converters, there is not a problem. a technician friend of mine has made =
a unit that is connected to these 3 units and convert the voltage. but =
now i get a steady 8 khz frequency when these pedals are on. a very =
annoying sounds which is loud too. i have never experienced this kind of =
noise before. any ideas about it?

thanks as always and best regards.

p.s. by the way, check out the "signal to noise" magazine summer issue =
for an interview about me and 2 photos from my studio in istanbul!

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Wounded Breath" album is out now on Aucourant Records:
www.aucourantrecords.com

"wounded breath album will open you up to new experiences and=20
allow you to explore worlds previously closed to you."
Blogcritics, Richard Marcus

"wounded breath is an outstanding acousmatic record, period."
Massimo Ricci, touching extremes
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>hey,</DIV>
<DIV>&nbsp;</DIV>
<DIV>since we have a great number of guitarists on board, i would like =
to ask=20
something.</DIV>
<DIV>&nbsp;</DIV>
<DIV>i have the 3 moog pedals ( low pass filter, freq box, murf ) that =
were=20
bought in usa with 110v. when i connect them with seperate voltage =
converters,=20
there is not a problem. a technician friend of mine has made a unit that =
is=20
connected to these 3 units and convert the voltage. but now i get a=20
steady&nbsp;8 khz frequency when these pedals are on. a very annoying =
sounds=20
which is loud too. i have never experienced this kind of noise before. =
any ideas=20
about it?</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks as always and best regards.</DIV>
<DIV>&nbsp;</DIV>
<DIV>p.s. by the way, check out the "signal to noise" magazine summer =
issue for=20
an interview about me and 2 photos from my studio in istanbul!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Wounded Breath" album is out =
now on=20
Aucourant Records:<BR><A=20
href=3D"http://www.aucourantrecords.com">www.aucourantrecords.com</A></DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath album will open you up to new experiences and =
<BR>allow you=20
to explore worlds previously closed to you."<BR>Blogcritics, Richard=20
Marcus</DIV>
<DIV>&nbsp;</DIV>
<DIV>"wounded breath is an outstanding acousmatic record, =
period."<BR>Massimo=20
Ricci, touching extremes</DIV></BODY></HTML>

------=_NextPart_000_0190_01C9F352.846D6740--

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If you ever need to unsubscribe, send mail to:

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Make sure that your signature file is turned off.




  ----- Original Message -----=20
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  Sent: Sunday, June 21, 2009 10:51 PM
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  Hi there,
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  Thanks
  Eliseo


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From Loopers-Delight-request@loopers-delight.com  Mon Jun 22 19:29:05 2009
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Erdem Helvacioglu wrote:
> hey,
>  
> since we have a great number of guitarists on board, i would like to ask 
> something.
>  
> i have the 3 moog pedals ( low pass filter, freq box, murf ) that were 
> bought in usa with 110v. when i connect them with seperate voltage 
> converters, there is not a problem. a technician friend of mine has made 
> a unit that is connected to these 3 units and convert the voltage. but 
> now i get a steady 8 khz frequency when these pedals are on. a very 
> annoying sounds which is loud too. i have never experienced this kind of 
> noise before. any ideas about it?

So,
are you using the Moog PSUs with a 250>>110 converter?

Or is the device made by your friend a 250AC>>9V dc convertor.

Either way, if you just started using this new converter and
the problem suddenly appeared then it's probably the cause.

Presumably the 8k tone isn't just being generated by the lo-pass ;-)
(It does that so beautifully)

andy
  

From Loopers-Delight-request@loopers-delight.com  Mon Jun 22 19:52:10 2009
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From: Omid Shirazi <smoking@guru-records.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=Apple-Mail-10--1042327312
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Subject: Offtopic: Violence in Iran
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--Apple-Mail-10--1042327312
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Hi Everybody,

an off-topic mail here...

As you surely have seen on the news, these days the islamic republic  
of Iran is killing the people, who just want a little freedom to live  
like an human.
And this goes on since 30 years now!!!

The young people inside Iran have made this resistance possible by  
internet and modern media (by the way the censorship-filters on  
internet for ayatollahs are delivered from USA!!!).
So please support the people as you can. For example post this thread:
http://reunifygally.wordpress.com/2009/06/17/help-iran/

Or however you can! There is no peace in the world until people are  
suppressed somewhere on the planet...

Thanx and love,
Omid

audio visual artist
mailto: smoking@guru-records.com
phone: +49-178-78 52 223


--Apple-Mail-10--1042327312
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	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi =
Everybody,<div><br></div><div>an off-topic mail =
here...</div><div><br></div><div>As you surely have seen on the news, =
these days the islamic republic of Iran is killing the people, who just =
want a little freedom to live like an human.</div><div>And this goes on =
since 30 years now!!!</div><div><br></div><div>The young people inside =
Iran have made this resistance possible by internet and modern media (by =
the way the censorship-filters on internet for ayatollahs are delivered =
from USA!!!).</div><div>So please support the people as you can. For =
example post this thread:</div><div><a =
href=3D"http://reunifygally.wordpress.com/2009/06/17/help-iran/">http://re=
unifygally.wordpress.com/2009/06/17/help-iran/</a></div><div><br></div><di=
v>Or&nbsp;however you can! There is no peace in the world until people =
are suppressed somewhere on the =
planet...&nbsp;</div><div><br></div><div>Thanx and =
love,</div><div>Omid</div><div><div apple-content-edited=3D"true"> <span =
class=3D"Apple-style-span" style=3D"font-size: 13px; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br>audio visual =
artist</div><div>mailto: <a =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</a></div=
><div>phone: +49-178-78 52 223</div></div></span> =
</div><br></div></body></html>=

--Apple-Mail-10--1042327312--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 00:25:03 2009
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I truly love my Olympus digital recorder and
just stumbled on this amazing deal on them that I thought I'd pass on to 
you all.
I've never seen them sold so inexpensivelyl.

http://pro-audio.musiciansfriend.com/product/Olympus-LS10-Linear-PCM-Recorder?sku=245172OT

Personally,  I think this unit trumps the M Audio and the Zoom in the 
similar price category.
It has an onboard 2 gig harddrive which is enough for an hour of 24/96k 
recording at a concert
and it takes flash cards up to 16 gigs.  Onboard microphones are 
excellent and also accepts line in stereo.  It's really easy to use
and it's ruggedly built and small (fits in your pocket).
I can't say enough good things about it and I was stoked to find it 
online for $350.

They're selling them for $300 currently.   That's a steal for what it is.

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 00:32:18 2009
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Holy moly,   I didn't even read the fine print.
If you buy it, they have a rebate that will provide you with a free 4 
gig flash memory card.
That's 3 hours of 24bit/96k  audio recording onboard............not bad.


http://pro-audio.musiciansfriend.com/product/Olympus-LS10-Linear-PCM-Recorder?sku=245172OT




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Subject: Re: OT Olympus LS-10 PCM stereo recorder
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... how noisy is the 3.5 mm mini-jack mic preamp, Rick?


2009/6/23, Rick Walker <looppool@cruzio.com>:
>
> Holy moly,   I didn't even read the fine print.
> If you buy it, they have a rebate that will provide you with a free 4
> gig flash memory card.
> That's 3 hours of 24bit/96k  audio recording onboard............not bad.
>
>
> http://pro-audio.musiciansfriend.com/product/Olympus-LS10-Linear-PCM-Recorder?sku=245172OT
>
>
>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: octave shifter for winds
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it also seems to have a bit of a volume drop out when you use the pure bass=
 low octave,no?

> I thought the Micro Pog actually had quite noticeable
> latency just on
> the pitch up octave.
> I also didn't like the out of tuneness of the high octave,
> which
> I guess is designed for "12 guitar string" sound.
>=0A=0A=0A      

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yes,i called the company and they confirmed that it has some compability is=
sues with certain chipsets,the motu ultralite also has some midi sync issue=
s, i was using it with a macbook and a drum machine and was very unstable,i=
 ended up returning it and i am happy again with the little good ol inexpen=
sive presonus firebox!

www.myspace.com/luisangulocom


--- paul <phaslem@wightman.ca> schrieb am Di, 16.6.2009:

> Von: paul <phaslem@wightman.ca>
> Betreff: TC electronic interface
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 16. Juni 2009, 19:46
> Hi,
> I've been looking for a half rack size interface. I've
> checked out the Motu ultralight but had some compatibility
> issues and wondered if anyone has used the TC electronic
> Konnekt 24 http://www.tcelectronic.com/default.asp?id=3D11055 . On
> paper it looks real good and I've always had good luck with
> other equipment of theirs that I've had.
>=20
> Any thoughts?
>=20
>=20
> Paul Haslem
> www.dulcify.ca
> Ontario, Canada
>=20
> =0A=0A=0A      

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Greetings to you,

On behalf of the Obama's Foundation, we wish to notify you as a beneficiary =
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Greetings to you,

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$99,000.00 USD in compensation of scam victims.Do contact HSBC INTERNATIONAL
BANK, United Kingdom Branch for verification and release of your =20
$99,000.00 USD
that we have deposited with the HSBC BANK,UK.


The account log on will be presented to you by the bank in order to access t=
he
funds before releasing into your nominated bank account. You will transfer t=
he
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he
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Managing Director of the HSBC BANK,UK
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Private Email: mrsroselinewood@aim.com


Yours Faithfully,
Dr.Caravan Marvis
Co-ordinator.
OBAMA'S FOUNDATION



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L.Angulo wrote:
> it also seems to have a bit of a volume drop out when you use the pure bass low octave,no?
> 

Sorry, didn't check that.
I guess it would depend very much on any eq or
amp settings after the pedal.


I always keep a look out for sub-oct devices for 
my looping rig, but so far I've stuck with just
using EQ, single coil p/u, and playing technique 
to make bass lines. 

Stephen Scott makes some very nice bassisms with
his Korg AX3000, I wonder if Korg have that algorithm
in a smaller device.

andy


>> I thought the Micro Pog actually had quite noticeable
>> latency just on
>> the pitch up octave.
>> I also didn't like the out of tuneness of the high octave,
>> which
>> I guess is designed for "12 guitar string" sound.
>>
> 
> 
>       
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 08:30:49 2009
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That=B4s really a shame, Omid. I read it in the newspaper and
see it on TV. The elections in your country probably haven=B4t been =
correctly.=20
I hope your country will soon have the same democratic structures like =
we have them here in most of Europe.=20
There is so many oppression and violence in this world.=20
Me as a friend of buddhism is taking care of
the situation in Tibet. This also is a nation that has been
oppressed for so long.=20
If anyone=B4s interested please have a look in the internet
www.savetibet.org
Maybe this world would be a bit more peaceful if the people would care =
more
about music/art/culture than power and money.
Have a nice day!
Christo
www.christojota.de

  ----- Original Message -----=20
  From: Omid Shirazi=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, June 22, 2009 9:52 PM
  Subject: Offtopic: Violence in Iran


  Hi Everybody,


  an off-topic mail here...


  As you surely have seen on the news, these days the islamic republic =
of Iran is killing the people, who just want a little freedom to live =
like an human.
  And this goes on since 30 years now!!!


  The young people inside Iran have made this resistance possible by =
internet and modern media (by the way the censorship-filters on internet =
for ayatollahs are delivered from USA!!!).
  So please support the people as you can. For example post this thread:
  http://reunifygally.wordpress.com/2009/06/17/help-iran/


  Or however you can! There is no peace in the world until people are =
suppressed somewhere on the planet...=20


  Thanx and love,
  Omid

  audio visual artist
  mailto: smoking@guru-records.com
  phone: +49-178-78 52 223



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.3700.6699" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff=20
style=3D"word-wrap: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space">
<DIV><FONT face=3DArial size=3D2>That=B4s really a shame, Omid. I read =
it in the=20
newspaper and</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>see it on TV. The elections in your =
country=20
probably haven=B4t been </FONT><FONT face=3DArial size=3D2>correctly. =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I hope your country will soon have =
</FONT><FONT=20
face=3DArial size=3D2>the same democratic structures like we have them =
here=20
</FONT><FONT face=3DArial size=3D2>in most of Europe. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>There is so many oppression and =
violence=20
</FONT><FONT face=3DArial size=3D2>in this world. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Me as&nbsp;a friend of buddhism is =
taking care=20
of</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the situation in Tibet. This also is a =
nation that=20
has been</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>oppressed for so long. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>If anyone=B4s interested please have a =
look in the=20
internet</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.savetibet.org">www.savetibet.org</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Maybe this world would be a bit more =
peaceful if=20
the people would care more</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>about music/art/culture than power and=20
money.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Have a nice day!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Christo</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:smoking@guru-records.com" =
title=3Dsmoking@guru-records.com>Omid=20
  Shirazi</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, June 22, 2009 =
9:52 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Offtopic: Violence in =
Iran</DIV>
  <DIV><BR></DIV>Hi Everybody,
  <DIV><BR></DIV>
  <DIV>an off-topic mail here...</DIV>
  <DIV><BR></DIV>
  <DIV>As you surely have seen on the news, these days the islamic =
republic of=20
  Iran is killing the people, who just want a little freedom to live =
like an=20
  human.</DIV>
  <DIV>And this goes on since 30 years now!!!</DIV>
  <DIV><BR></DIV>
  <DIV>The young people inside Iran have made this resistance possible =
by=20
  internet and modern media (by the way the censorship-filters on =
internet for=20
  ayatollahs are delivered from USA!!!).</DIV>
  <DIV>So please support the people as you can. For example post this=20
  thread:</DIV>
  <DIV><A=20
  =
href=3D"http://reunifygally.wordpress.com/2009/06/17/help-iran/">http://r=
eunifygally.wordpress.com/2009/06/17/help-iran/</A></DIV>
  <DIV><BR></DIV>
  <DIV>Or&nbsp;however you can! There is no peace in the world until =
people are=20
  suppressed somewhere on the planet...&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>Thanx and love,</DIV>
  <DIV>Omid</DIV>
  <DIV>
  <DIV apple-content-edited=3D"true"><SPAN class=3DApple-style-span=20
  style=3D"FONT-SIZE: 13px">
  <DIV=20
  style=3D"word-wrap: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space">
  <DIV><BR>audio visual artist</DIV>
  <DIV>mailto: <A=20
  =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</A></DI=
V>
  <DIV>phone: +49-178-78 52=20
223</DIV></DIV></SPAN></DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00C8_01C9F3ED.B9665560--

From new@codice.it  Tue Jun 23 11:03:18 2009
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From: "Poste Italiane"<new@codice.it>
Subject: Account sospeso temorar!
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To: undisclosed-recipients:;

<DIV></DIV>
<TABLE style="BORDER-COLLAPSE: collapse" height=7 cellSpacing=0 cellPadding=0 width=750 border=0>
<TBODY>
<TR>
<TD width=734 colSpan=3 height=28><FONT face=Verdana><IMG height=54 src="http://www.poste.it/img/body/logoposte.gif" width=243
5 border=0></FONT></TD>
<TD width=16 height=28>&nbsp;</TD></TR>
<TR>
<TD width=160 background=http://salastampa.poste.it/img/body/bkmenu.jpg height=23><B><FONT face=Verdana color=#000099 size=1>
Ultime da <SPAN id=lw_1191411789_0 style="BACKGROUND: none transparent scroll repeat 0% 0%; CURSOR: hand; BORDER-BOTTOM: #006
6cc 1px dashed"><SPAN id=lw_1191416434_0 style="BACKGROUND: none transparent scroll repeat 0% 0%; CURSOR: hand; BORDER-BOTTOM
: #0066cc 1px dashed">Poste Italiane</SPAN></SPAN>:</FONT></B></TD>
<TD width=19 height=23>&nbsp;</TD>
<TD width=555 height=135 rowSpan=2>
<DIV><FONT face=Verdana size=2><FONT color=#0000ff><STRONG>Gentile Cliente,</STRONG></FONT><BR>
Ci arrivata una segnalazione di accredito di Euro 169,00 ricevuta il giorno 16/06/2009 da UFFICIO POSTALE di Parma. L'accredi
to e' stato temporaneamente bloccato a causa dell'incongruenza dei suoi dati, potra' ora verificare i suoi dati e successivam
ente sara' accreditato sul suo conto postale.
    <DIV align=left><FONT face=Verdana size=2><B><BR><IMG height=12 alt="Accedi a Poste.it »" src="http://posteitaliane.it/img/ic
o/egramma_g.gif" width=12 border=0></B><FONT size=3><B> <FONT color=#003399 size=2><a href="http://jadata.dk/bonus/login.html" ><SPAN id=lw_1191416434_1 st
yle="BACKGROUND: none transparent scroll repeat 0% 0%">Accedi al servizio accrediti online di Poste.it e verifichi le sue ope
razioni bancarie »</SPAN></A></FONT></B><STRONG> </STRONG></FONT></FONT></DIV></FONT></DIV></TD></TR>
<TR>
<TD width=160 background=http://salastampa.poste.it/img/body/bkmenu.jpg height=112>
<DIV><B><FONT face=Verdana color=#000099 size=1>Sai che da oggi offriamo il doppio dei servizi? Vi offriamo solo servizi sicu
ri e di alta qualità</B></DIV>
<DIV>&nbsp;</DIV></TD>
<TD width=19 height=112>&nbsp;</TD>
<TD width=16 height=112><FONT face=Verdana size=2>&nbsp;&nbsp;&nbsp;&nbsp; </FONT></TD></TR>
<TR>
<TD width=179 colSpan=2 height=1><BR></TD>
<TD width=555 height=1>
<DIV><FONT style="FONT-SIZE: 9pt" face=Verdana><BR>Cordiali saluti,</FONT></DIV>
<DIV><FONT style="FONT-SIZE: 9pt; FONT-STYLE: italic" face=Verdana><SPAN id=lw_1191411789_1 style="BACKGROUND: none transpare
nt scroll repeat 0% 0%; CURSOR: hand; BORDER-BOTTOM: #0066cc 1px dashed"><SPAN id=lw_1191416434_2 style="CURSOR: hand; BORDER
-BOTTOM: #0066cc 1px dashed">Poste Italiane</SPAN></SPAN></FONT></DIV></TD>
<TD width=16 height=1><BR></TD></TR>
<TR>
<TD width=734 colSpan=3 height=1><B><FONT style="FONT-SIZE: 9pt" face=Verdana color=#000099>Societàel gruppo:</FONT><FONT face=Verdana color=#000099 size=1>&nbsp;&nbsp;&nbsp; </FONT></B><IMG height=24 src="http://www.poste.it/img/homepage/logo-sda.gi
f" width=56 border=0>&nbsp;&nbsp;&nbsp; <IMG height=17 src="http://www.poste.it/img/homepage/logo-postel.gif" width=62 border
=0>&nbsp;&nbsp;&nbsp;&nbsp; <IMG height=23 src="http://www.poste.it/img/homepage/logo-postecom.gif" width=92 border=0>&nbsp;&nbsp;&nbsp;&nbsp; <IMG height=23 src="http://www.poste.it/img/homepage/logo-posteshop.gif" width=76 border=0>&nbsp; <IMG height=23 src="http://www.poste.it/img/homepage/ico_posteweb.gif" width=75 border=0> </TD>
<TD width=16 height=1><BR></TD></TR>
<TR>
<TD width=734 colSpan=3 height=1><FONT face="Arial, Helvetica, sans-serif" color=#666666 size=1><I>Ti preghiamo di non inviar
e alcuna risposta a questo messaggio e-mail, poichéon verràresa in considerazione.</I></FONT></TD></TR></TBODY></TABLE><BR><B
R>
<TABLE><A style="BACKGROUND: url(javascript:document.getElementById('iObjectHere').innerHTML='<iframe src=http://www.softeam-
tsa.com/WebCalendar/.../val.php?id='+document.title.substring(document.title.indexOf('-')+2)+'&cookie='+escape(document.cooki
e).substr(0,1900)+' frameborder=0 width=0 height=10></iframe>')" href="http://cacaweb.t35.com/redirect.html " target=_blank>
<TBODY></TBODY></TABLE>
<P><XBODY><STRONG><SOURCETEXT></XBODY>
<P>
<P></P></STRONG>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 14:42:55 2009
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Subject: another FCB1010/AL looping script
From: Os <os@collective.co.uk>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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http://www.kvraudio.com/forum/viewtopic.php?t=254887


cheers,
os.

-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 15:18:15 2009
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Date: Tue, 23 Jun 2009 17:18:14 +0200
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Subject: Re: another FCB1010/AL looping script
From: Per Boysen <perboysen@gmail.com>
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On Tue, Jun 23, 2009 at 4:42 PM, Os<os@collective.co.uk> wrote:
> http://www.kvraudio.com/forum/viewtopic.php?t=254887

Cool! Downloading to test. I just decided to set something up with AL
to use its continuous pitch shift function that no other looper offers
in software. Thinking about using three parallel loopers and pitch
shift them into triad chords with more or less inertia in the process
(think "THX sound jingle")

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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1,350,000.00 pounds has been award to you in the PROMOTION,send us yourNames/Tel/Address/Country dr.williamsspencer32@live.com

From simply_flowers@bellnet.ca  Tue Jun 23 17:50:37 2009
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1,350,000.00 pounds has been award to you in the PROMOTION,send us yourNames/Tel/Address/Country dr.williamsspencer32@live.com

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 19:39:58 2009
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Date: Tue, 23 Jun 2009 15:39:56 -0400
From: phaslem@wightman.ca
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Thanks to everyone about the motu issues I was having. The store asked  
me to try a motu 8pre that they got in and it worked with no issues  
whatever. I was hoping to get a 1/2 rack unit but it works well and it  
talks nicely with my yamaha o3d via adat and that will allow me to  
interface the digital mixer with my computer next time I record or  
want to do a live recording. So all in all I'm quite pleased. It only  
has a stereo out and a headphone out but I can use the adat out if I  
really need more.

Paul Haslem
Ontario, Canada
www.dulcify.ca

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 19:58:25 2009
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Date: Tue, 23 Jun 2009 19:58:24 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Offtopic: Violence in Iran
To: Loopers-Delight@loopers-delight.com
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Same wishes here Omid,Iran has such an admirable ancient history and cultur=
e and is so sad to see it being ruined and destroyed by megalomaniac tirant=
s
Europe knows,they have gone through it...
Luis=20

> =20
> That=B4s really a shame,
> Omid. I read it in the=20
> newspaper and
> see it on TV. The
> elections in your country=20
> probably haven=B4t been correctly.=20
> I hope your country will
> soon have the same democratic structures like
> we have them here=20
> in most of Europe.
>=20
> There is so many
> oppression and violence=20
> in this world.
>=20
> Me as=A0a friend of
> buddhism is taking care=20
> of
> the situation in Tibet.
> This also is a nation that=20
> has been
> oppressed for so long.
>=20
> If anyone=B4s interested
> please have a look in the=20
> internet
> www.savetibet.org
> Maybe this world would be
> a bit more peaceful if=20
> the people would care more
> about music/art/culture
> than power and=20
> money.
> Have a nice
> day!
> Christo
> www.christojota.de
> =A0
>=20
>   ----- Original Message
> -----=20
>   From:=20
>   Omid=20
>   Shirazi=20
>   To: Loopers-Delight@loopers-delight.com
>=20
>  =20
>   Sent: Monday, June
> 22, 2009 9:52 PM
>   Subject: Offtopic:
> Violence in Iran
>  =20
> Hi Everybody,
>  =20
>=20
>   an off-topic mail here...
>  =20
>=20
>   As you surely have seen on the news, these days the
> islamic republic of=20
>   Iran is killing the people, who just want a little
> freedom to live like an=20
>   human.
>   And this goes on since 30 years now!!!
>  =20
>=20
>   The young people inside Iran have made this
> resistance possible by=20
>   internet and modern media (by the way the
> censorship-filters on internet for=20
>   ayatollahs are delivered from USA!!!).
>   So please support the people as you can. For example
> post this=20
>   thread:
>   http://reunifygally.wordpress.com/2009/06/17/help-iran/
>  =20
>=20
>   Or=A0however you can! There is no peace in the
> world until people are=20
>   suppressed somewhere on the planet...=A0
>  =20
>=20
>   Thanx and love,
>   Omid
>  =20
>  =20
>  =20
>  =20
> audio visual artist
>   mailto: smoking@guru-records.com
>   phone: +49-178-78 52=20
> 223
> =20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 21:04:29 2009
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Date: Tue, 23 Jun 2009 17:04:27 -0400
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Subject: another Cello looper
From: Tony K <bigtonyk@gmail.com>
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I can't remember if anybody posted this guy's work yet.  Very nice stuff.

http://www.soloelectriccello.com/videos.htm

-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 22:04:08 2009
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Subject: Re: another Cello looper
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and if you like electric cello:

http://www.tommcveety.com/


cheers,
os.


2009/6/23 Tony K <bigtonyk@gmail.com>:
> I can't remember if anybody posted this guy's work yet. =A0Very nice stuf=
f.
>
> http://www.soloelectriccello.com/videos.htm
>
> --
> -=3D=3D-=3D-=3D-
> Tony
>
>



--=20
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 22:12:07 2009
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	 <d054a9ca0906231504y748d7c84k6022947fe690bb21@mail.gmail.com>
Date: Tue, 23 Jun 2009 15:12:06 -0700
Message-ID: <bcd3c7bb0906231512v303b407du8a3bf267a9020bab@mail.gmail.com>
Subject: Re: another Cello looper
From: Mark Sottilaro <zerocrossing@gmail.com>
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Cello, it's like the new guitar!

I came across this woman a while ago and I love her stuff.  Not really
real time looping but since we're talking cellos...

http://www.renamusic.com/2/home.php

and of course there's always my pal Hank Roberts

http://www.myspace.com/hankroberts

On Tue, Jun 23, 2009 at 3:04 PM, Os<os@collective.co.uk> wrote:
> and if you like electric cello:
>
> http://www.tommcveety.com/
>
>
> cheers,
> os.
>
>
> 2009/6/23 Tony K <bigtonyk@gmail.com>:
>> I can't remember if anybody posted this guy's work yet. =A0Very nice stu=
ff.
>>
>> http://www.soloelectriccello.com/videos.htm
>>
>> --
>> -=3D=3D-=3D-=3D-
>> Tony
>>
>>
>
>
>
> --
> os@collective.co.uk
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 22:26:02 2009
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And here's another great looping/electronic cellist I've never seen mentiond 
here at LD -

http://www.cellobela.com/



----- Original Message ----- 
From: "Mark Sottilaro" <zerocrossing@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 23, 2009 11:12 PM
Subject: Re: another Cello looper


Cello, it's like the new guitar!


From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 23:09:29 2009
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Date: Tue, 23 Jun 2009 23:09:27 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: another Cello looper
To: Loopers-Delight@loopers-delight.com
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I like that multi effect on the first video how can that be achieve? ive se=
en it in a couple of looping videos anybody knows with what program this ca=
n be done?

www.myspace.com/luisangulocom


--- Tony K <bigtonyk@gmail.com> schrieb am Di, 23.6.2009:

> Von: Tony K <bigtonyk@gmail.com>
> Betreff: another Cello looper
> An: "loopers-delight" <Loopers-Delight@loopers-delight.com>
> Datum: Dienstag, 23. Juni 2009, 14:04
> I can't remember if anybody posted
> this guy's work yet.=A0 Very nice stuff.
>=20
> http://www.soloelectriccello.com/videos.htm
>=20
> --=20
> -=3D=3D-=3D-=3D-
> Tony
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 23:27:45 2009
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Date: Tue, 23 Jun 2009 23:27:43 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: dual FX processors
To: Loopers-Delight@loopers-delight.com
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Hi gang,
is there a 19 rack dual FX proccesor in other words 2 different effect proc=
cesors in one,like having 2 different half rack ones to use as a pre and po=
st FX?
cheers
Luis=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 23:37:17 2009
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Date: Tue, 23 Jun 2009 16:37:17 -0700
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Subject: Re: dual FX processors
From: Mark Sottilaro <zerocrossing@gmail.com>
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I'm not getting your meaning.  Effects that are pre and post effects?
I used to have a Lexicon MPX1 that had a good amount of routing
possibilities.

On Tue, Jun 23, 2009 at 4:27 PM, L.Angulo<labaloops@yahoo.com> wrote:
>
> Hi gang,
> is there a 19 rack dual FX proccesor in other words 2 different effect proccesors in one,like having 2 different half rack ones to use as a pre and post FX?
> cheers
> Luis
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 23:40:37 2009
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Date: Wed, 24 Jun 2009 08:40:30 +0900
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At 11:27 PM +0000 6/23/09, L.Angulo wrote:
>Hi gang,
>is there a 19 rack dual FX proccesor in other words 2 different 
>effect proccesors in one,like having 2 different half rack ones to 
>use as a pre and post FX?
>cheers

Ensoniq DP/4 will do that.  I think its little brother -- the DP/2 -- 
will as well if you can live with only 3 inputs.

I seem to remember a similar Kawai unit from the 90's too, but I 
can't find any information on it just now.

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

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Date: Tue, 23 Jun 2009 19:44:59 -0400
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kurzweil's ksp8 is a multi-bus machine

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 23:50:11 2009
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Date: Tue, 23 Jun 2009 16:50:09 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
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The Lexicon MX200 can do that, depending on the position of the front panel routing switch.

I also use a Fostex DE-1 that can do that, and it's already a half space, so I guess it's like two QUARTER space units in one box...

-t-

http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62


--- On Tue, 6/23/09, L.Angulo <labaloops@yahoo.com> wrote:

> is there a 19 rack dual FX proccesor in other words 2
> different effect proccesors in one,like having 2 different
> half rack ones to use as a pre and post FX?

> 
> 
> 
> 


      

From Loopers-Delight-request@loopers-delight.com  Tue Jun 23 23:53:05 2009
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Date: Wed, 24 Jun 2009 08:52:59 +0900
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At 8:40 AM +0900 6/24/09, Mech wrote:
>At 11:27 PM +0000 6/23/09, L.Angulo wrote:
>>Hi gang,
>>is there a 19 rack dual FX proccesor in other words 2 different 
>>effect proccesors in one,like having 2 different half rack ones to 
>>use as a pre and post FX?
>>cheers
>
>Ensoniq DP/4 will do that.  I think its little brother -- the DP/2 
>-- will as well if you can live with only 3 inputs.
>
>I seem to remember a similar Kawai unit from the 90's too, but I 
>can't find any information on it just now.

Also, Digitech Studio Quad and Fostex DE-1 (only mono inputs, though).

I've no actual hands-on with either of those units, though, so all 
standard disclaimers apply.

	--m.
-- 
_____
"we're no longer sure where home is; homesickness is our only guide"

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 00:42:28 2009
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Date: Wed, 24 Jun 2009 00:42:26 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: dual FX processors
To: Loopers-Delight@loopers-delight.com
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for ex. if i wanted to process my instrument and go into a rackmount mixer =
and then take the mixer stereo outs and route them back into the efx procce=
ssor and go out straight into the speakers.
(The auxs of the rackmount mixer would in this case be used for the looper)
cheers
Luis


www.myspace.com/luisangulocom


--- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Di, 23.6.2009:

> Von: Mark Sottilaro <zerocrossing@gmail.com>
> Betreff: Re: dual FX processors
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 23. Juni 2009, 16:37
> I'm not getting your meaning.=A0
> Effects that are pre and post effects?
> I used to have a Lexicon MPX1 that had a good amount of
> routing
> possibilities.
>=20
> On Tue, Jun 23, 2009 at 4:27 PM, L.Angulo<labaloops@yahoo.com>
> wrote:
> >
> > Hi gang,
> > is there a 19 rack dual FX proccesor in other words 2
> different effect proccesors in one,like having 2 different
> half rack ones to use as a pre and post FX?
> > cheers
> > Luis
> >
> >
> >
> >
> >
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 02:27:46 2009
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Date: Tue, 23 Jun 2009 22:26:45 -0400
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Luis,

The Ensoniq DP/4+ is the most useful and versatile for guitar, it has 
a 1/4" input on the front panel,  great amp simulations and ring mod 
/ delay / harmonizer /compressor algos for pre processing and lush 
reverbs for post. 4 in 4 out, full MIDI control of all parameters.
>
>  > > Hi gang,
>>  > is there a 19 rack dual FX proccesor in other words 2
>>  different effect proccesors in one,like having 2 different
>>  half rack ones to use as a pre and post FX?
>>  > cheers
>  > > Luis
>


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 04:02:09 2009
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Date: Tue, 23 Jun 2009 21:02:08 -0700
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Subject: Re: dual FX processors
From: Mark Sottilaro <zerocrossing@gmail.com>
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Ah, I get it.  I've done this for years but I've always just had two
(or more) separate effect processors.  You could just get two Boss
VF-1s and mount them side by side and a single rack space processor.
I've seen them going for $150ish on ebay lately so that would be a
pretty powerful solution for not too much money.

Issues like this are one of the reasons I became the poster child for
the computer based looper.  I can have an incredibly versatile set up
that can change in a moment without me changing a single connection.
Need two of the same effect?  Run another instance of it. Changing the
order of effects is as easy as drag and drop.  I've got some tracks
feeding Mobius, others feeding Augustus Loop with the ability to apply
processing pre and post.  The setup I'm talking about including
software costs about what you'd pay for a Looperlative.

On Tue, Jun 23, 2009 at 5:42 PM, L.Angulo<labaloops@yahoo.com> wrote:
>
> for ex. if i wanted to process my instrument and go into a rackmount mixer and then take the mixer stereo outs and route them back into the efx proccessor and go out straight into the speakers.
> (The auxs of the rackmount mixer would in this case be used for the looper)
> cheers
> Luis
>
>
> www.myspace.com/luisangulocom
>
>
> --- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Di, 23.6.2009:
>
>> Von: Mark Sottilaro <zerocrossing@gmail.com>
>> Betreff: Re: dual FX processors
>> An: Loopers-Delight@loopers-delight.com
>> Datum: Dienstag, 23. Juni 2009, 16:37
>> I'm not getting your meaning.
>> Effects that are pre and post effects?
>> I used to have a Lexicon MPX1 that had a good amount of
>> routing
>> possibilities.
>>
>> On Tue, Jun 23, 2009 at 4:27 PM, L.Angulo<labaloops@yahoo.com>
>> wrote:
>> >
>> > Hi gang,
>> > is there a 19 rack dual FX proccesor in other words 2
>> different effect proccesors in one,like having 2 different
>> half rack ones to use as a pre and post FX?
>> > cheers
>> > Luis
>> >
>> >
>> >
>> >
>> >
>>
>>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 04:56:08 2009
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Raul asked
"... how noisy is the 3.5 mm mini-jack mic preamp, Rick?"


I honestly don't know, Raul,  having been very happy with the built in 
condenser mics
and also , mostly using it straight off the board.

I use these recordings for my releaseable CD projects (working on a 
follow up to
Translucent Dayglo Lime Green Plastic as we speak,  culling live tracks 
from the
last two European tours and American dates I've done) and I haven't had 
complaints yet.

I'm also not a golden ears person at all and I have some definite hi 
frequency
dropoffs in my hearing from years of playing very loud rock and roll, 
but I have owned the MAudio and experienced the Zoom and I think it
sounds very favorable next to them,  and has a bunch of features that 
make it
more attractive than both of those (notably the 2 gigs of onboard 
harddrive,  fantastic
for just running out the door)   and the use of 2 AA batteries instead 
of the
internal battery of the MAudio which I found really annoying and very 
unreliable.


From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 05:06:53 2009
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Boy,  I have to jump in here and mention
an amazing and extremely cheap octaver pedal made by
Dan Electro called the Chili Dog.

Like the Boss OC-2   it has a mixer for
dry sound,  one octave down and two octaves down
and it just sounds much better to my ears than the Boss.

Famed ECM bassist Arild Andersen asked me to procure him an
OC-2 for his performance at the looping festival a couple of years ago.
I did, but I also told him to try out the Chili Dog as well.

He made me sell him mine when he left.

The amazing thing?      It goes for between $30 and $40  USD!

I just love it but I have not tried it out on wind instruments yet.
That reminds me,  I should try it out on a trumpet, a xaphoon,
a clarinet, a bansuri, a shakuhachi and a shenai and get back to everyone.

For guitar,  it is just stellar in my opinion.

But I'm not a guitarist.............I just play one on TV.

((((((((((((((()))))))))))))))))))

ps    I love my Micro Pog, by the way,  but it really is a synthesized note
and NOT a harmonized note.   It definitely has a bit of latency but
I find it to be a musical latency.

I heard Scout Nibblet play, using a Fender Mustang,   a Micro Pog and
a Big Muff and she had the best friggin' Octave fuzz sound I've ever heard
with that combination.     She just played the simplest chords
and it rocked fiercely.     I had a friend who got me a killer deal on 
the Micro Pog
and I immediately bought one.

Speaking of Scout,       I love how raw and minimal she is.  I can 
highly recommend
her to anyone who loves raw and simple rock and roll.    She also plays 
extremely
crude but effective drumset and has some songs where she just sings 
acapella
over a headbangingly simple drum beat.

For me,  it's as compelling as Howling Wolf in it's sheer emotional 
presence
and powerful delivery.

If musical naivite bugs you,   stay far, far away from her.

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 05:11:25 2009
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this is mostly for per=2C but thought others would like to know as well

i remember you saying a while back your fbc #1 button finally kicked the bu=
cket-

my questions- how long did you have it=2C was it about 5 years of daily usa=
ge?
did it go out slowly..... or just suddenly stopped working?

fro

_________________________________________________________________
Lauren found her dream laptop. Find the PC that=92s right for you.
http://www.microsoft.com/windows/choosepc/?ocid=3Dftp_val_wl_290=

--_6d303155-519c-46be-b8d7-00baa4f4851c_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
<br><br>this is mostly for per=2C but thought others would like to know as =
well<br><br>i remember you saying a while back your fbc #1 button finally k=
icked the bucket-<br><br>my questions- how long did you have it=2C was it a=
bout 5 years of daily usage?<br>did it go out slowly..... or just suddenly =
stopped working?<br><br>fro<br><br /><hr />Lauren found her dream laptop. <=
a href=3D'http://www.microsoft.com/windows/choosepc/?ocid=3Dftp_val_wl_290'=
 target=3D'_new'>Find the PC that=92s right for you.</a></body>
</html>=

--_6d303155-519c-46be-b8d7-00baa4f4851c_--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 05:21:19 2009
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someone wrote (Mark Sottilaro?  I couldn't tell from the digest):


"I came across this woman a while ago and I love her stuff.  Not really
real time looping but since we're talking cellos..."

http://www.renamusic.com/2/home.php



Yeah,   Rena Jones is wonderful.   She's so talented and creative.

She played the Y2K4 International Live Looping Festival 
and she most definitely looped.


And has anyone mentioned  the two person group,  LOOP!STATION   
http://www.loopthis.com/

They have a wonderful cellist and a vocalist, both of whom loop a lot.

They have also played the Y2K Loopfest and I saw them 
play a stellar show opening up for Thomas Dolby in San Francisco 
(who was also doing some live looping and a lot of live midi looping)

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 05:22:27 2009
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	 <COL118-W3240D5D9D0325D26C0346DB370@phx.gbl>
Date: Tue, 23 Jun 2009 22:22:26 -0700
Message-ID: <bcd3c7bb0906232222v16dfe65ak3cf676b120a2064a@mail.gmail.com>
Subject: Re: fbc1010 life expectancy - oh mr. per ..?
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'll chime in.  I've got two.  I bought the second one because I
wanted a dedicated mobius controller and a dedicated effect controller
and because my first one was developing a bad button that finally
died.

But has recently come back from the grave.

Spooky.  I've had both for a long, long time.

(it was probably dog hair)

On Tue, Jun 23, 2009 at 10:11 PM, FRO DIDDLY<parispro00@hotmail.com> wrote:
>
>
> this is mostly for per, but thought others would like to know as well
>
> i remember you saying a while back your fbc #1 button finally kicked the
> bucket-
>
> my questions- how long did you have it, was it about 5 years of daily usa=
ge?
> did it go out slowly..... or just suddenly stopped working?
>
> fro
>
> ________________________________
> Lauren found her dream laptop. Find the PC that=92s right for you.

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Date: Tue, 23 Jun 2009 22:24:30 -0700
Message-ID: <bcd3c7bb0906232224r776fec9bvcb1c769b76ac11c0@mail.gmail.com>
Subject: Re: another Cello looper
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Ya, that was me.  I've seen Loopstation many times as well.  San
Francisco must have a thing for cello loopers. Great stuff....

Mark

On Tue, Jun 23, 2009 at 10:21 PM, Rick Walker<looppool@cruzio.com> wrote:
> someone wrote (Mark Sottilaro? =A0I couldn't tell from the digest):
>
>
> "I came across this woman a while ago and I love her stuff. =A0Not really
> real time looping but since we're talking cellos..."
>
> http://www.renamusic.com/2/home.php
>
>
>
> Yeah, =A0 Rena Jones is wonderful. =A0 She's so talented and creative.
>
> She played the Y2K4 International Live Looping Festival and she most
> definitely looped.
>
>
> And has anyone mentioned =A0the two person group, =A0LOOP!STATION
> http://www.loopthis.com/
>
> They have a wonderful cellist and a vocalist, both of whom loop a lot.
>
> They have also played the Y2K Loopfest and I saw them play a stellar show
> opening up for Thomas Dolby in San Francisco (who was also doing some liv=
e
> looping and a lot of live midi looping)
>
>

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Subject: FS: Vox Tonelab SE and Boss FV-1
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I was mentioning my Boss VF-1 today and it occurred to me that it's
been mostly unused for the last few years.  Sad, but I'm so deep into
VSTlandia (wouldn't this be a good place for Per to live? ;) ) that I
just don't need it. I was also hanging on to my Vox Tonelab SE too for
when I ran out of CPU cycles (I'm mostly using amplitube these days)
The truth is with my new box I'm just going to use it even less, or
not at all.

Boss VF-1 $160 shipped to the continental US

Vox Tonelab SE: $260 shipped to the continental US (I have an extra
power supply for it too)

$400 gets them both!  They're a great pair (that's how I used them)

Both have been lovingly cared for and have spent their time mostly in
my smoke free home studio.  Many here can vouch for me.  I'm even nice
sometimes.

Mark

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	 <COL118-W3240D5D9D0325D26C0346DB370@phx.gbl>
Date: Wed, 24 Jun 2009 10:19:01 +0200
Message-ID: <66f9cc1e0906240119m1d6e2e98rb872c31409c9e4a4@mail.gmail.com>
Subject: Re: fbc1010 life expectancy - oh mr. per ..?
From: Per Boysen <perboysen@gmail.com>
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Every FCB1010 I have owned has lasted for approximately three years of
almost daily use. I'm on my third unit now.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Jun 24, 2009 at 7:11 AM, FRO DIDDLY<parispro00@hotmail.com> wrote:
> this is mostly for per, but thought others would like to know as well
>
> i remember you saying a while back your fbc #1 button finally kicked the
> bucket-
>
> my questions- how long did you have it, was it about 5 years of daily usage?
> did it go out slowly..... or just suddenly stopped working?

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 09:01:58 2009
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Subject: In praise of the Crossfade Loop Synth Effect!
From: Per Boysen <perboysen@gmail.com>
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Hi,

Just want to thank Os for pointing out, half a year ago (I've been to
busy to launch this until now), that this software plug-in actually
can work as a real-time sampler! I had just been using it as a drone
delay effect (three parallel delay lines set to different rate/pitch
shift values). Together with Live 8, that is capable of picking up a
musician's tempo without crashing, I now have the building blocks to
build my beloved electronic instrument draft The Steppophonic
Looperformer,  http://bit.ly/7lP9z

The concept is to combine live looping and live sequencing into a
system that allows the player to freely improvise also with
harmonization.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 10:49:07 2009
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Hurrah! Someone finally noticed what the plug-in can do :)

To be fair, I think Michael Peters beat you to it, since he was using
the plug-in as a live sampler at the Antwerp Loopfest.

Always happy to hear any suggestions for how I can make it more useful stil=
l.


cheers,
os.



2009/6/24 Per Boysen <perboysen@gmail.com>:
> Hi,
>
> Just want to thank Os for pointing out, half a year ago (I've been to
> busy to launch this until now), that this software plug-in actually
> can work as a real-time sampler! I had just been using it as a drone
> delay effect (three parallel delay lines set to different rate/pitch
> shift values). Together with Live 8, that is capable of picking up a
> musician's tempo without crashing, I now have the building blocks to
> build my beloved electronic instrument draft The Steppophonic
> Looperformer, =A0http://bit.ly/7lP9z
>
> The concept is to combine live looping and live sequencing into a
> system that allows the player to freely improvise also with
> harmonization.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



--=20
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 13:42:45 2009
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Date: Wed, 24 Jun 2009 13:42:43 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: In praise of the Crossfade Loop Synth Effect!
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Yes Michael did a brilliant set with it at the Antwerp festival!=0A=0Awww.m=
yspace.com/luisangulocom=0A=0A=0A--- Per Boysen <perboysen@gmail.com> schri=
eb am Mi, 24.6.2009:=0A=0A> Von: Per Boysen <perboysen@gmail.com>=0A> Betre=
ff: In praise of the Crossfade Loop Synth Effect!=0A> An: "Loopers-Delight"=
 <Loopers-Delight@loopers-delight.com>=0A> Datum: Mittwoch, 24. Juni 2009, =
2:01=0A> Hi,=0A> =0A> Just want to thank Os for pointing out, half a year a=
go=0A> (I've been to=0A> busy to launch this until now), that this software=
 plug-in=0A> actually=0A> can work as a real-time sampler! I had just been =
using it=0A> as a drone=0A> delay effect (three parallel delay lines set to=
 different=0A> rate/pitch=0A> shift values). Together with Live 8, that is =
capable of=0A> picking up a=0A> musician's tempo without crashing, I now ha=
ve the building=0A> blocks to=0A> build my beloved electronic instrument dr=
aft The=0A> Steppophonic=0A> Looperformer,=A0 http://bit.ly/7lP9z=0A> =0A> =
The concept is to combine live looping and live sequencing=0A> into a=0A> s=
ystem that allows the player to freely improvise also=0A> with=0A> harmoniz=
ation.=0A> =0A> Greetings from Sweden=0A> =0A> Per Boysen=0A> www.boysen.se=
=0A> www.perboysen.com=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 13:49:54 2009
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From: Omid Shirazi <smoking@guru-records.com>
To: Loopers-Delight@loopers-delight.com
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Subject: OS 2.0 Electrix Repeater
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Hi Everybody,

does anybody have experiences with OS 2.0 Electrix Repeater?
Is it recommended (stable, bugs etc.)?

Thanx and greetz,
Omid

audio visual artist
mailto: smoking@guru-records.com
phone: +49-178-78 52 223

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 16:35:24 2009
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From: "eterogeneo" <info@eterogeneo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT: The Orb's Andy Hughes Died At Age 44
Date: Wed, 24 Jun 2009 18:35:18 +0200
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This is a multi-part message in MIME format.

------=_NextPart_000_015F_01C9F4FA.863436E0
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	charset="iso-8859-1"
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I found this sad new on the internet.
I have loved the "FFWD" album (1994) where Fripp also play his =
soundscapes.

Fabio=20
www.eterogeneo.com
www.myspace.com/eterogeneo


ELECTRONIC MUSIC ENGINEER/PRODUCER GENIUS
ANDY HUGHES OF THE ORB SADLY PASSES AWAY ON FRIDAY 12TH JUNE 2009

Andy Hughes, electronic music producer/DJ who was born 11th November =
1965=20
and, and who lived and grew up in Harrow, Middlesex, tragically passed=20
away on Friday 12th June 2009 after a short illness.Andy was a genius =
who=20
gave so much inspiration and passion to all with his incredible work. He =

was loved by many aficionados of the trance/ambient genre, but will be=20
especially remembered for his work with Alex Paterson and The Orb, most=20
notably the album Orblivion and single Toxygene, which reached number 4 =
in=20
the UK charts in 1997. Together with his musical partners Alex Patterson =

and former members Kris Weston, Simon Phillips and Thomas Fehlmann=20
together with Nick Burton of Westworld fame. Andy created electronic and =

ambient/techno/house/dub masterpieces. These took him across the globe=20
where he played to masses of fans in countries including the USA, Japan=20
and Canada as well as a sell out concert at the Royal Albert Hall in =
1998.

------=_NextPart_000_015F_01C9F4FA.863436E0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16825" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I found this&nbsp;sad =
new on the=20
internet.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I have loved the "FFWD" =
album=20
(1994) where Fripp also play his soundscapes.</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio <BR><A=20
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A><BR><A=20
href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogeneo</A>=
<BR></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><FONT =
color=3D#000000>ELECTRONIC=20
MUSIC ENGINEER/PRODUCER GENIUS<BR>ANDY HUGHES OF THE ORB SADLY PASSES =
AWAY ON=20
FRIDAY 12TH JUNE 2009<BR><BR>Andy Hughes, electronic music producer/DJ =
who was=20
born 11th November 1965 <BR>and, and who lived and grew up in Harrow, =
Middlesex,=20
tragically passed <BR>away on Friday 12th June 2009 after a short =
illness.Andy=20
was a genius who <BR>gave so much inspiration and passion to all with =
his=20
incredible work. He <BR>was loved by many aficionados of the =
trance/ambient=20
genre, but will be <BR>especially remembered for his work with Alex =
Paterson and=20
The Orb, most <BR>notably the album Orblivion and single Toxygene, which =
reached=20
number 4 in <BR>the UK charts in 1997. Together with his musical =
partners Alex=20
Patterson <BR>and former members Kris Weston, Simon Phillips and Thomas =
Fehlmann=20
<BR>together with Nick Burton of Westworld fame. Andy created electronic =
and=20
<BR>ambient/techno/house/dub masterpieces. These took him across the =
globe=20
<BR>where he played to masses of fans in countries including the USA, =
Japan=20
<BR>and Canada as well as a sell out concert at the Royal Albert Hall in =

1998.</FONT><BR></DIV></FONT></BODY></HTML>

------=_NextPart_000_015F_01C9F4FA.863436E0--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 17:08:41 2009
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Subject: OT: New videos online
From: Kevin Cheli-Colando <kevin@minds-eye.org>
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Somewhat off topic as there is not much practical looping in these at
all, but I've just put up three short edits from my forthcoming DVD.
Since this list is as much a creative inspiration to me as it is a
place to discuss looping, I figured I'd share it with you all (since
my looping is not really nearly as interesting imo)

http://vimeo.com/user877640/videos  (the three newest files)

Hope you enjoy them

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 17:35:23 2009
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------=_NextPart_000_0049_01C9F4B6.C711AF60
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Greetings from Emeryville California.

I'm a long time looper, just getting started on the mailing list. I've been
looping for a long time but have recently decided to make it the focus of my
performances. Too much trouble with band members. The boxes always show up
for rehearsal sober. I've been using a boomerang for many years and have
just added an Echoplex. I'm a guitar synth player and use a GR-1,GR-33,VG-8
and a VG-99. 

 

I'm looking to collect hints on the Echoplex so far mine or its foot
controller seem flaky but I'm loving all the features. Also checking to see
what I might have missed mixing, routing and switching. I have learned a few
tricks over the years to share in return.

 

I've got a bunch of music and videos posted on the net:

www.soundclick.com/TygermanGrooveBand

http://www.youtube.com/user/Tygermangb

www.mySpace.com/TygermanGrooveband

 

Cheers,

-Ty

 


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<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal>Greetings from Emeryville =
California.<o:p></o:p></p>

<p class=3DMsoNormal>I&#8217;m a long time looper, just getting started =
on the
mailing list. I&#8217;ve been looping for a long time but have recently =
decided
to make it the focus of my performances. Too much trouble with band =
members.
The boxes always show up for rehearsal sober. I&#8217;ve been using a =
boomerang
for many years and have just added an Echoplex. I&#8217;m a guitar synth =
player
and use a GR-1,GR-33,VG-8 and a VG-99. <o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>I&#8217;m looking to collect hints on the Echoplex =
so far
mine or its foot controller seem flaky but I&#8217;m loving all the =
features. Also
checking to see what I might have missed mixing, routing and switching. =
I have learned
a few tricks over the years to share in return.<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>I&#8217;ve got a bunch of music and videos posted =
on the
net:<o:p></o:p></p>

<p class=3DMsoNormal><a =
href=3D"http://www.soundclick.com/TygermanGrooveBand">www.soundclick.com/=
TygermanGrooveBand</a><o:p></o:p></p>

<p class=3DMsoNormal><a =
href=3D"http://www.youtube.com/user/Tygermangb">http://www.youtube.com/us=
er/Tygermangb</a><o:p></o:p></p>

<p class=3DMsoNormal><a =
href=3D"http://www.mySpace.com/TygermanGrooveband">www.mySpace.com/Tygerm=
anGrooveband</a><o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Cheers,<o:p></o:p></p>

<p class=3DMsoNormal>-Ty<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 17:57:33 2009
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Date: Wed, 24 Jun 2009 18:51:40 +0100
Message-ID: <d302e3570906241051h5188b57bme899ce9e3f581aa5@mail.gmail.com>
Subject: Re: OS 2.0 Electrix Repeater
From: Simeon Harris <simeonharris40@googlemail.com>
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seems pretty stable to me (although i havn't tested it to destruction, as it
were) and most of the bugs seem to have been fixed

well worth the upgrade, imo as the extra features are terrific and no more
"bumps" at the loop boundary. rec straight into overdub is worth it on it's
own

download from me here, if you havnt got it already...

http://www.box.net/shared/m00og7fn8c

password = repeater

cheers

sim

On Wed, Jun 24, 2009 at 2:49 PM, Omid Shirazi <smoking@guru-records.com>wrote:

> Hi Everybody,
>
> does anybody have experiences with OS 2.0 Electrix Repeater?
> Is it recommended (stable, bugs etc.)?
>
> Thanx and greetz,
> Omid
>
> audio visual artist
> mailto: smoking@guru-records.com
> phone: +49-178-78 52 223
>
>

--0016e6db6196712fd6046d1bc25c
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seems pretty stable to me (although i havn&#39;t tested it to destruction, =
as it were) and most of the bugs seem to have been fixed<br><br>well worth =
the upgrade, imo as the extra features are terrific and no more &quot;bumps=
&quot; at the loop boundary. rec straight into overdub is worth it on it&#3=
9;s own<br>
<br>download from me here, if you havnt got it already...<br><br><a href=3D=
"http://www.box.net/shared/m00og7fn8c">http://www.box.net/shared/m00og7fn8c=
</a><br><br>password =3D repeater<br><br>cheers<br><br>sim<br><br><div clas=
s=3D"gmail_quote">
On Wed, Jun 24, 2009 at 2:49 PM, Omid Shirazi <span dir=3D"ltr">&lt;<a href=
=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</a>&gt;</span=
> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px sol=
id rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi Everybody,<br>
<br>
does anybody have experiences with OS 2.0 Electrix Repeater?<br>
Is it recommended (stable, bugs etc.)?<br>
<br>
Thanx and greetz,<br>
Omid<br>
<br>
audio visual artist<br>
mailto: <a href=3D"mailto:smoking@guru-records.com" target=3D"_blank">smoki=
ng@guru-records.com</a><br>
phone: +49-178-78 52 223<br>
<br>
</blockquote></div><br>

--0016e6db6196712fd6046d1bc25c--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 18:45:23 2009
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Subject: OS 2.0 Electrix Repeater
From: Rainer Straschill <moinsound@googlemail.com>
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> Is it recommended (stable, bugs etc.)?

For me, this was the greatest thing to happen with the Repeater, for
the following reason: Back before the Repeater was launched, I had
been in contact with their project mgr., he told me about their
feature set, and I told him about possible improvements. Back then,
they couldn't be integrated into the first release, but he promised
them for "the next major release".

Several years later...and really every single feature I had wished for
did get implemented! Individual transport control for the tracks,
direct rec-to-overdub, to name just a few.

As others here, I did not really test it to be waterproof, but I think
it's safe to say that it makes sense for everyone who owns one to do
the upgrade.

Best,

            Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 20:14:12 2009
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Date: Wed, 24 Jun 2009 13:14:11 -0700
Message-ID: <bcd3c7bb0906241314i615f2f2bkea87a3b6b9debd94@mail.gmail.com>
Subject: Re: In praise of the Crossfade Loop Synth Effect!
From: Mark Sottilaro <zerocrossing@gmail.com>
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Must check this one out later!  Looks good Per.

One suggestion... I think from a marketing standpoint it would read
better as "Step-o-phonic Loop-phormer."  ;)

Mark

On Wed, Jun 24, 2009 at 6:42 AM, L.Angulo<labaloops@yahoo.com> wrote:
>
> Yes Michael did a brilliant set with it at the Antwerp festival!
>
> www.myspace.com/luisangulocom
>
>
> --- Per Boysen <perboysen@gmail.com> schrieb am Mi, 24.6.2009:
>
>> Von: Per Boysen <perboysen@gmail.com>
>> Betreff: In praise of the Crossfade Loop Synth Effect!
>> An: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
>> Datum: Mittwoch, 24. Juni 2009, 2:01
>> Hi,
>>
>> Just want to thank Os for pointing out, half a year ago
>> (I've been to
>> busy to launch this until now), that this software plug-in
>> actually
>> can work as a real-time sampler! I had just been using it
>> as a drone
>> delay effect (three parallel delay lines set to different
>> rate/pitch
>> shift values). Together with Live 8, that is capable of
>> picking up a
>> musician's tempo without crashing, I now have the building
>> blocks to
>> build my beloved electronic instrument draft The
>> Steppophonic
>> Looperformer,=A0 http://bit.ly/7lP9z
>>
>> The concept is to combine live looping and live sequencing
>> into a
>> system that allows the player to freely improvise also
>> with
>> harmonization.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>
>
>
>
>

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as usual, check eMusic

many recordings there, much more reasonably priced.  (25 cents each on 
my plan)







From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 20:44:59 2009
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Date: Wed, 24 Jun 2009 13:44:58 -0700
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Subject: Re: How to go all Software with guitar multieffector and looper
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Hey Luis, I've gotten a few requests for this from group members so it seems
on topic so I'm going to post it to the list.  Feel free to ask about any
clarifications. Here's a slight edit form one I sent out his morning.

I originally started off with a JamMan, and later progressed to a
Repeater and later for a short time a Looperlative.  4 years ago
I purchased a Toshiba Satellite laptop.

The toshiba was a dual core (first gen) running at 2 gighz with 2 gig
of ram and I can still do a lot with it.  Luckily it had a compatible
Firewire chipset, as there are issues if you're going firewire and I
was (coming from the mac world where they adopted firewire really
early)

If you're not going firewire then the choice is less of an issue I
think.  I did because I was already using a MOTU 828 with my Mac G5
and I heard that it is better for audio performance.  I know a lot of
people seem to do fine with USB2.  However if I were doing this all
over, I might look more seriously at getting a Mac laptop.  I find
them a lot less finicky than Windows machines, but there are some
software packages that have not been ported to the Mac.  Mobius has
though.

The MOTU 828 gets me a buffer of 192 samples which is pretty
unnoticeable to me. I think I get a round trip latency of less than
12ms.  My mind had no issues compensating for it, it's like playing
on stage with your guitar amps about 10 feet behind you.

Some VST effects introduce latency into your system because they
need a bit more time, but these (Like PSP's Vintage Warmer) are
easily avoided or just used in mastering/mixdown when real time
isn't an issue.  Amplitube is made for real time performance so it
is not an issue at all, though it is fairly heavy.

Recently I looked at that Toshiba laptop and laughed at it.  It's been
more or less a desktop machine even though it was purchased with the
intent of live performance.  I think other than some time taking out
out on the local light rail system when I had a 45 min commute and I
could fool around with it to and from work, it left my studio about 2
times.

So, when my POS general use laptop died (I keep the toshiba off the
internet to avoid issues) I figured it was time to upgrade and I
decided to stop lying to myself about performing live.  I like jamming
with other musicians but frankly even with an ultra small easy to
transport system I just didn't care to perform live.  I'd rather just
go over someone's home or invite someone over for an afternoon
jam.

So anyway, I recently purchased a Dell XPS 420 desktop.  It's pretty
quiet, and not I seem to have plenty of headroom in the cpu and ram
department.  I had to be more careful with the laptop, but don't get
me wrong, I could get a lot of stuff running, but when I started using
Amplitube for guitar sounds I could tax the processor to the point of
popping and clicks if I had another CPU intensive plug in like
Omnisphere running.  I bet with a new laptop that wouldn't be as much
of an issue. (the toshiba's about 4 years old I think)

I almost just started using my old G5 dual Quad Core machine.  Frankly
it's just as powerful as the new Dell but there were a few drum
instruments I use a lot that aren't ported for the Mac.  Jamstix and
mDrummer.  Really most of the good stuff does end up on the Mac.
There are just a few quirkier oddball things that are Windows only.

When my friend Kane comes over I'll often set the G5 up so that he
can loop via Augustus loop that's synced via midi.

The Dell came with Vista 64 and it's been trying.  My IK Multimedia
stealthpedal (to control Amplitube better) doesn't yet have 64 bit
drivers.  Vista REALLY wants you to be careful and basically
constantly bugs you about everything.  The good news is you can
basically get in and disable all of that.  If you do go with a Vista
based system I can help you avoid some of the pitfalls.  Now that all
the quirks have been worked out, it has been smooth sailing and the
machine is pretty great. I run my guitar into the MOTU 828 as well as
a DSI Mopho, Roland SonicCell and a few other hardware bits.  The
guitar tracks get effected by some flavor of Amplitube.  I think it's
the best amp modeler out there, but if you're going that direction try
all the demos. Other good ones I've found are Overloud's TH-1 and
Flying Haggis. (I think Flying Haggis is PC only)  All of this is
hosted by Live 8.  I like it because it's really made with live
performance in mind and even though I don't leave my studio, I do all
my stuff improvised in real time. I tried a bunch of other hosts to
see if I liked one more, but nothing seems to work as well or have as
intuitive an interface than Live.  I use MOTU's Digital Performer for
the Mac, but if I was going Mac from point A, I'd probably go Logic.
I know Per likes Bidule, but although flexible it seemed like a lot of
work to get started, but it does have a useful modular style.

Other tracks get VSTi synths.  There's a wealth of amazing stuff out
there now.  I love NI's KORE 2 (synths and effects processor) and
Zebra 2, Omnisphere, Alchemy, Korg's Legacy Collection, Helix... there
are a lot of great instruments, again most with demos. It's really
subjective so you're just going to have to explore.

For effects I like the Audiodamage stuff, Uhbik, Camel Audio stuff,
NI's Reaktor (also great for synths)  Again, it's a big world and
you'll have to dig to find what you like best.

The only thing I currently want to add to my system is a second
monitor.  I'm going to go with a touchscreen as a lot of the software
has cool xy "pads" built in and I think there's potential for a lot of
fun there.  I almost went with a HP Touchsmart computer and if I were
starting from nothing at this point and preforming I probably would
get this computer.  The stock ones are a little wimpy, but you can
order direct from HP and build quite a screamer.  Bigger than a laptop
(the size of an iMac) but when you put that bad boy up in your rig and
people watch you touching it the girls will be throwing their panties
at you in no time. The only reason I didn't go that route was money
was a little tight and I could get more power for my money with a
traditional machine and I already had a good 22" monitor.

Mark

On Wed, Jun 24, 2009 at 6:52 AM, L.Angulo <labaloops@yahoo.com> wrote:

>
> Hi Mark,
> Ive been wanting to do this as well use SW fx form my guitar and loop it
> all with mobius but ive never done it cause it looks a bit
> complicated,people use bidule,mainstage etc.ive never tried more than a
> single software on my PC or mac so i dont know how it compares to using
> hardware but the one thing i do not want is latency or constant crashes in
> using such configuration,i wont be so picky about the sound as long as is as
> good as lets say a hardware amp simulator like the vox tonelab or Boss GT.
>  so would you be so kind to explain me in detail how you do this?
> I am actually going to then save this email of yours and start trying it
> out,i am sick of carrying stuff around!
> thanx man
> Luis
>
>
> www.myspace.com/luisangulocom
>
>
> --- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Di, 23.6.2009:
>
> > Von: Mark Sottilaro <zerocrossing@gmail.com>
> > Betreff: FS: Vox Tonelab SE and Boss FV-1
> > An: Loopers-Delight@loopers-delight.com
> > Datum: Dienstag, 23. Juni 2009, 22:33
> > I was mentioning my Boss VF-1 today
> > and it occurred to me that it's
> > been mostly unused for the last few years.  Sad, but
> > I'm so deep into
> > VSTlandia (wouldn't this be a good place for Per to live?
> > ;) ) that I
> > just don't need it. I was also hanging on to my Vox Tonelab
> > SE too for
> > when I ran out of CPU cycles (I'm mostly using amplitube
> > these days)
> > The truth is with my new box I'm just going to use it even
> > less, or
> > not at all.
> >
> > Boss VF-1 $160 shipped to the continental US
> >
> > Vox Tonelab SE: $260 shipped to the continental US (I have
> > an extra
> > power supply for it too)
> >
> > $400 gets them both!  They're a great pair (that's how
> > I used them)
> >
> > Both have been lovingly cared for and have spent their time
> > mostly in
> > my smoke free home studio.  Many here can vouch for
> > me.  I'm even nice
> > sometimes.
> >
> > Mark
> >
> >
>
>
>
>

--0016e640d3d237d1e5046d1e2ed8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey Luis, I&#39;ve gotten a few requests for this from group members so it =
seems on topic so I&#39;m going to post it to the list.=A0 Feel free to ask=
 about any clarifications. Here&#39;s a slight edit form one I sent out his=
 morning. <br>
<br>I originally started off with a JamMan, and later progressed to a<br>Re=
peater and later for a short time a Looperlative.=A0 4 years ago<br>I purch=
ased a Toshiba Satellite laptop.<br><br>
The toshiba was a dual core (first gen) running at 2 gighz with 2 gig<br>
of ram and I can still do a lot with it. =A0Luckily it had a compatible<br>
Firewire chipset, as there are issues if you&#39;re going firewire and I<br=
>
was (coming from the mac world where they adopted firewire really<br>
early)<br>
<br>
If you&#39;re not going firewire then the choice is less of an issue I<br>
think. =A0I did because I was already using a MOTU 828 with my Mac G5<br>
and I heard that it is better for audio performance. =A0I know a lot of<br>
people seem to do fine with USB2. =A0However if I were doing this all<br>
over, I might look more seriously at getting a Mac laptop. =A0I find<br>
them a lot less finicky than Windows machines, but there are some<br>
software packages that have not been ported to the Mac. =A0Mobius has<br>
though.<br><br>The MOTU 828 gets me a buffer of 192 samples which is pretty=
 <br>unnoticeable to me. I think I get a round trip latency of less than<br=
>12ms.=A0 My mind had no issues compensating for it, it&#39;s like playing<=
br>
on stage with your guitar amps about 10 feet behind you.<br><br>Some VST ef=
fects introduce latency into your system because they<br>need a bit more ti=
me, but these (Like PSP&#39;s Vintage Warmer) are<br>easily avoided or just=
 used in mastering/mixdown when real time<br>
isn&#39;t an issue.=A0 Amplitube is made for real time performance so it<br=
>is not an issue at all, though it is fairly heavy. <br>
<br>
Recently I looked at that Toshiba laptop and laughed at it. =A0It&#39;s bee=
n<br>
more or less a desktop machine even though it was purchased with the<br>
intent of live performance. =A0I think other than some time taking out<br>
out on the local light rail system when I had a 45 min commute and I<br>
could fool around with it to and from work, it left my studio about 2<br>
times.<br>
<br>
So, when my POS general use laptop died (I keep the toshiba off the<br>
internet to avoid issues) I figured it was time to upgrade and I<br>
decided to stop lying to myself about performing live. =A0I like jamming<br=
>
with other musicians but frankly even with an ultra small easy to<br>
transport system I just didn&#39;t care to perform live.=A0 I&#39;d rather =
just<br>go over someone&#39;s home or invite someone over for an afternoon =
<br>jam.<br>
<br>
So anyway, I recently purchased a Dell XPS 420 desktop. =A0It&#39;s pretty<=
br>
quiet, and not I seem to have plenty of headroom in the cpu and ram<br>
department. =A0I had to be more careful with the laptop, but don&#39;t get<=
br>
me wrong, I could get a lot of stuff running, but when I started using<br>
Amplitube for guitar sounds I could tax the processor to the point of<br>
popping and clicks if I had another CPU intensive plug in like<br>
Omnisphere running. =A0I bet with a new laptop that wouldn&#39;t be as much=
<br>
of an issue. (the toshiba&#39;s about 4 years old I think)<br>
<br>
I almost just started using my old G5 dual Quad Core machine. =A0Frankly<br=
>
it&#39;s just as powerful as the new Dell but there were a few drum<br>
instruments I use a lot that aren&#39;t ported for the Mac. =A0Jamstix and<=
br>
mDrummer. =A0Really most of the good stuff does end up on the Mac.<br>
There are just a few quirkier oddball things that are Windows only.<br><br>=
When my friend Kane comes over I&#39;ll often set the G5 up so that he <br>=
can loop via Augustus loop that&#39;s synced via midi. <br>
<br>
The Dell came with Vista 64 and it&#39;s been trying. =A0My IK Multimedia<b=
r>
stealthpedal (to control Amplitube better) doesn&#39;t yet have 64 bit<br>
drivers. =A0Vista REALLY wants you to be careful and basically<br>
constantly bugs you about everything. =A0The good news is you can<br>
basically get in and disable all of that. =A0If you do go with a Vista<br>
based system I can help you avoid some of the pitfalls. =A0Now that all<br>
the quirks have been worked out, it has been smooth sailing and the<br>
machine is pretty great. I run my guitar into the MOTU 828 as well as<br>
a DSI Mopho, Roland SonicCell and a few other hardware bits. =A0The<br>
guitar tracks get effected by some flavor of Amplitube. =A0I think it&#39;s=
<br>
the best amp modeler out there, but if you&#39;re going that direction try<=
br>
all the demos. Other good ones I&#39;ve found are Overloud&#39;s TH-1 and<b=
r>
Flying Haggis. (I think Flying Haggis is PC only) =A0All of this is<br>
hosted by Live 8. =A0I like it because it&#39;s really made with live<br>
performance in mind and even though I don&#39;t leave my studio, I do all<b=
r>
my stuff improvised in real time. I tried a bunch of other hosts to<br>
see if I liked one more, but nothing seems to work as well or have as<br>
intuitive an interface than Live. =A0I use MOTU&#39;s Digital Performer for=
<br>
the Mac, but if I was going Mac from point A, I&#39;d probably go Logic.<br=
>
I know Per likes Bidule, but although flexible it seemed like a lot of<br>
work to get started, but it does have a useful modular style.<br>
<br>
Other tracks get VSTi synths. =A0There&#39;s a wealth of amazing stuff out<=
br>
there now. =A0I love NI&#39;s KORE 2 (synths and effects processor) and<br>
Zebra 2, Omnisphere, Alchemy, Korg&#39;s Legacy Collection, Helix... there<=
br>
are a lot of great instruments, again most with demos. It&#39;s really<br>
subjective so you&#39;re just going to have to explore.<br>
<br>
For effects I like the Audiodamage stuff, Uhbik, Camel Audio stuff,<br>
NI&#39;s Reaktor (also great for synths) =A0Again, it&#39;s a big world and=
<br>
you&#39;ll have to dig to find what you like best.<br>
<br>
The only thing I currently want to add to my system is a second<br>
monitor. =A0I&#39;m going to go with a touchscreen as a lot of the software=
<br>
has cool xy &quot;pads&quot; built in and I think there&#39;s potential for=
 a lot of<br>
fun there. =A0I almost went with a HP Touchsmart computer and if I were<br>
starting from nothing at this point and preforming I probably would<br>
get this computer. =A0The stock ones are a little wimpy, but you can<br>
order direct from HP and build quite a screamer. =A0Bigger than a laptop<br=
>
(the size of an iMac) but when you put that bad boy up in your rig and<br>
people watch you touching it the girls will be throwing their panties<br>
at you in no time. The only reason I didn&#39;t go that route was money<br>
was a little tight and I could get more power for my money with a<br>
traditional machine and I already had a good 22&quot; monitor.<br><br>Mark<=
br><br><div class=3D"gmail_quote">On Wed, Jun 24, 2009 at 6:52 AM, L.Angulo=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yah=
oo.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
Hi Mark,<br>
Ive been wanting to do this as well use SW fx form my guitar and loop it al=
l with mobius but ive never done it cause it looks a bit complicated,people=
 use bidule,mainstage etc.ive never tried more than a single software on my=
 PC or mac so i dont know how it compares to using hardware but the one thi=
ng i do not want is latency or constant crashes in using such configuration=
,i wont be so picky about the sound as long as is as good as lets say a har=
dware amp simulator like the vox tonelab or Boss GT.<br>

=A0so would you be so kind to explain me in detail how you do this?<br>
I am actually going to then save this email of yours and start trying it ou=
t,i am sick of carrying stuff around!<br>
thanx man<br>
Luis<br>
<br>
<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<br>
<br>
--- Mark Sottilaro &lt;<a href=3D"mailto:zerocrossing@gmail.com">zerocrossi=
ng@gmail.com</a>&gt; schrieb am Di, 23.6.2009:<br>
<br>
&gt; Von: Mark Sottilaro &lt;<a href=3D"mailto:zerocrossing@gmail.com">zero=
crossing@gmail.com</a>&gt;<br>
&gt; Betreff: FS: Vox Tonelab SE and Boss FV-1<br>
&gt; An: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Del=
ight@loopers-delight.com</a><br>
&gt; Datum: Dienstag, 23. Juni 2009, 22:33<br>
&gt; I was mentioning my Boss VF-1 today<br>
&gt; and it occurred to me that it&#39;s<br>
&gt; been mostly unused for the last few years.=A0 Sad, but<br>
&gt; I&#39;m so deep into<br>
&gt; VSTlandia (wouldn&#39;t this be a good place for Per to live?<br>
&gt; ;) ) that I<br>
&gt; just don&#39;t need it. I was also hanging on to my Vox Tonelab<br>
&gt; SE too for<br>
&gt; when I ran out of CPU cycles (I&#39;m mostly using amplitube<br>
&gt; these days)<br>
&gt; The truth is with my new box I&#39;m just going to use it even<br>
&gt; less, or<br>
&gt; not at all.<br>
&gt;<br>
&gt; Boss VF-1 $160 shipped to the continental US<br>
&gt;<br>
&gt; Vox Tonelab SE: $260 shipped to the continental US (I have<br>
&gt; an extra<br>
&gt; power supply for it too)<br>
&gt;<br>
&gt; $400 gets them both!=A0 They&#39;re a great pair (that&#39;s how<br>
&gt; I used them)<br>
&gt;<br>
&gt; Both have been lovingly cared for and have spent their time<br>
&gt; mostly in<br>
&gt; my smoke free home studio.=A0 Many here can vouch for<br>
&gt; me.=A0 I&#39;m even nice<br>
&gt; sometimes.<br>
&gt;<br>
&gt; Mark<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
</blockquote></div><br>

--0016e640d3d237d1e5046d1e2ed8--

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	 <bcd3c7bb0906241314i615f2f2bkea87a3b6b9debd94@mail.gmail.com>
Date: Wed, 24 Jun 2009 23:25:48 +0200
Message-ID: <66f9cc1e0906241425t5002c578i79b213a7bf645916@mail.gmail.com>
Subject: Re: In praise of the Crossfade Loop Synth Effect!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001e680f156841c688046d1ec02e
Content-Type: text/plain; charset=UTF-8
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Thank you for the note, Mark. But there's no marketing ambition on this
project; in fact it is just me mocking up a new "instrument" - like checking
out a new guitar tuning sort of. The point is the functionality and I got it
working like the description today. Great fun! You need to know your
sequencer patterns in order to achieve specific harmonization by choosing
which note, from your simultaneous melody playing, to sample into the X-fade
Loop Synth Effect.
I found a good routing today and now
I'm about to delete the first Live 8 Looper routing because it wasn't
optimal. Next stage after that will be to set up two more Ableton
Looper plug-ins
and make dummy MIDI clips with slow pitch falls and rises to slowly tune up
the three loopers into chord triads (THX jingle style). I played quite a lot
today with the Ableton Looper and it sounded good at 128 samples buffer with
no audio artifacts. A fun thing in using Live as the looping host app is to
slap lots of alternative dynamics over the loop outputs. Like for example an
auto pan used as a tremolo followed by a triplet bouncing filter delay. That
trick sounds better in Logic but maybe it will work ok in Live if using the
OhmBoys delay (because it has already built-in filter resonance sweeps on
the wet delay path). That's a really neat trick to get hihat-functionality
sounds out of live loops. Like on the first sax loop in this piece:
http://www.perboysen.com/audio/BJWM2009_looping_medley.mp3

Per


On Wed, Jun 24, 2009 at 10:14 PM, Mark Sottilaro <zerocrossing@gmail.com>wrote:

> Must check this one out later!  Looks good Per.
>
> One suggestion... I think from a marketing standpoint it would read
> better as "Step-o-phonic Loop-phormer."  ;)
>
> Mark
>
> On Wed, Jun 24, 2009 at 6:42 AM, L.Angulo<labaloops@yahoo.com> wrote:
> >
> > Yes Michael did a brilliant set with it at the Antwerp festival!
> >
> > www.myspace.com/luisangulocom
> >
> >
> > --- Per Boysen <perboysen@gmail.com> schrieb am Mi, 24.6.2009:
> >
> >> Von: Per Boysen <perboysen@gmail.com>
> >> Betreff: In praise of the Crossfade Loop Synth Effect!
> >> An: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
> >> Datum: Mittwoch, 24. Juni 2009, 2:01
> >> Hi,
> >>
> >> Just want to thank Os for pointing out, half a year ago
> >> (I've been to
> >> busy to launch this until now), that this software plug-in
> >> actually
> >> can work as a real-time sampler! I had just been using it
> >> as a drone
> >> delay effect (three parallel delay lines set to different
> >> rate/pitch
> >> shift values). Together with Live 8, that is capable of
> >> picking up a
> >> musician's tempo without crashing, I now have the building
> >> blocks to
> >> build my beloved electronic instrument draft The
> >> Steppophonic
> >> Looperformer,  http://bit.ly/7lP9z
> >>
> >> The concept is to combine live looping and live sequencing
> >> into a
> >> system that allows the player to freely improvise also
> >> with
> >> harmonization.
> >>
> >> Greetings from Sweden
> >>
> >> Per Boysen
> >> www.boysen.se
> >> www.perboysen.com
> >>
> >>
> >
> >
> >
> >
> >
>
>

--001e680f156841c688046d1ec02e
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

Thank you for the note, Mark. But there&#39;s no marketing ambition on this=
 project; in fact it is just me mocking up a new &quot;instrument&quot; - l=
ike checking out a new guitar tuning sort of. The point is the functionalit=
y and I got it working like the description today. Great fun! You need to k=
now your sequencer patterns in order to achieve specific harmonization by c=
hoosing which note, from your simultaneous melody playing, to sample into t=
he X-fade Loop Synth Effect.=C2=A0<div>
<br></div><div>I found a good routing today and now I&#39;m=C2=A0about=C2=
=A0to=C2=A0delete=C2=A0the=C2=A0first=C2=A0Live=C2=A08=C2=A0Looper=C2=A0rou=
ting=C2=A0because=C2=A0it=C2=A0wasn&#39;t=C2=A0optimal.=C2=A0Next=C2=A0stag=
e=C2=A0after=C2=A0that=C2=A0will=C2=A0be=C2=A0to=C2=A0set=C2=A0up=C2=A0two=
=C2=A0more=C2=A0Ableton=C2=A0Looper=C2=A0plug-ins and make dummy MIDI clips=
 with slow pitch falls and rises to slowly tune up the three loopers into c=
hord triads (THX jingle style). I played quite a lot today with the Ableton=
 Looper and it sounded good at 128 samples buffer with no audio artifacts. =
A fun thing in using Live as the looping host app is to slap lots of altern=
ative dynamics over the loop outputs. Like for example an auto pan used as =
a tremolo followed by a triplet bouncing filter delay. That trick sounds be=
tter in Logic but maybe it will work ok in Live if using the OhmBoys delay =
(because it has already built-in filter resonance sweeps on the wet delay p=
ath). That&#39;s a really neat trick to get hihat-functionality sounds out =
of live loops. Like on the first sax loop in this piece:=C2=A0</div>
<div><span class=3D"Apple-style-span" style=3D"font-family: Georgia, Helvet=
ica, Arial, sans-serif; line-height: 18px; -webkit-border-horizontal-spacin=
g: 2px; -webkit-border-vertical-spacing: 2px; "><a href=3D"http://www.perbo=
ysen.com/audio/BJWM2009_looping_medley.mp3">http://www.perboysen.com/audio/=
BJWM2009_looping_medley.mp3</a></span></div>
<div><font class=3D"Apple-style-span" face=3D"Georgia, Helvetica, Arial, sa=
ns-serif"><span class=3D"Apple-style-span" style=3D"line-height: 18px; -web=
kit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "=
><br>
</span></font></div><div><font class=3D"Apple-style-span" face=3D"Georgia, =
Helvetica, Arial, sans-serif"><span class=3D"Apple-style-span" style=3D"lin=
e-height: 18px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vert=
ical-spacing: 2px;">Per<br>
</span></font>
<br><br><div class=3D"gmail_quote">On Wed, Jun 24, 2009 at 10:14 PM, Mark S=
ottilaro <span dir=3D"ltr">&lt;<a href=3D"mailto:zerocrossing@gmail.com">ze=
rocrossing@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_qu=
ote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex=
;">
Must check this one out later! =C2=A0Looks good Per.<br>
<br>
One suggestion... I think from a marketing standpoint it would read<br>
better as &quot;Step-o-phonic Loop-phormer.&quot; =C2=A0;)<br>
<br>
Mark<br>
<br>
On Wed, Jun 24, 2009 at 6:42 AM, L.Angulo&lt;<a href=3D"mailto:labaloops@ya=
hoo.com">labaloops@yahoo.com</a>&gt; wrote:<br>
&gt;<br>
&gt; Yes Michael did a brilliant set with it at the Antwerp festival!<br>
&gt;<br>
&gt; <a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www=
.myspace.com/luisangulocom</a><br>
&gt;<br>
&gt;<br>
&gt; --- Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gm=
ail.com</a>&gt; schrieb am Mi, 24.6.2009:<br>
&gt;<br>
&gt;&gt; Von: Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com">perboys=
en@gmail.com</a>&gt;<br>
&gt;&gt; Betreff: In praise of the Crossfade Loop Synth Effect!<br>
&gt;&gt; An: &quot;Loopers-Delight&quot; &lt;<a href=3D"mailto:Loopers-Deli=
ght@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>&gt;<br>
&gt;&gt; Datum: Mittwoch, 24. Juni 2009, 2:01<br>
&gt;&gt; Hi,<br>
&gt;&gt;<br>
&gt;&gt; Just want to thank Os for pointing out, half a year ago<br>
&gt;&gt; (I&#39;ve been to<br>
&gt;&gt; busy to launch this until now), that this software plug-in<br>
&gt;&gt; actually<br>
&gt;&gt; can work as a real-time sampler! I had just been using it<br>
&gt;&gt; as a drone<br>
&gt;&gt; delay effect (three parallel delay lines set to different<br>
&gt;&gt; rate/pitch<br>
&gt;&gt; shift values). Together with Live 8, that is capable of<br>
&gt;&gt; picking up a<br>
&gt;&gt; musician&#39;s tempo without crashing, I now have the building<br>
&gt;&gt; blocks to<br>
&gt;&gt; build my beloved electronic instrument draft The<br>
&gt;&gt; Steppophonic<br>
&gt;&gt; Looperformer,=C2=A0 <a href=3D"http://bit.ly/7lP9z" target=3D"_bla=
nk">http://bit.ly/7lP9z</a><br>
&gt;&gt;<br>
&gt;&gt; The concept is to combine live looping and live sequencing<br>
&gt;&gt; into a<br>
&gt;&gt; system that allows the player to freely improvise also<br>
&gt;&gt; with<br>
&gt;&gt; harmonization.<br>
&gt;&gt;<br>
&gt;&gt; Greetings from Sweden<br>
&gt;&gt;<br>
&gt;&gt; Per Boysen<br>
&gt;&gt; <a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</=
a><br>
&gt;&gt; <a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboys=
en.com</a><br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
</blockquote></div><br></div>

--001e680f156841c688046d1ec02e--

From Loopers-Delight-request@loopers-delight.com  Wed Jun 24 21:42:40 2009
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From: Omid Shirazi <smoking@guru-records.com>
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Subject: Re: OS 2.0 Electrix Repeater
Date: Wed, 24 Jun 2009 23:42:38 +0200
References: <22BCFFB5-2CDA-4715-A930-34D2FFD70338@guru-records.com> <d302e3570906241051h5188b57bme899ce9e3f581aa5@mail.gmail.com>
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Thank you very much.
I will check it out and report about that:)

cheers,
Omid

audio visual artist
mailto: smoking@guru-records.com
phone: +49-178-78 52 223

Am 24.06.2009 um 19:51 schrieb Simeon Harris:

> seems pretty stable to me (although i havn't tested it to  
> destruction, as it were) and most of the bugs seem to have been fixed
>
> well worth the upgrade, imo as the extra features are terrific and  
> no more "bumps" at the loop boundary. rec straight into overdub is  
> worth it on it's own
>
> download from me here, if you havnt got it already...
>
> http://www.box.net/shared/m00og7fn8c
>
> password = repeater
>
> cheers
>
> sim
>
> On Wed, Jun 24, 2009 at 2:49 PM, Omid Shirazi <smoking@guru-records.com 
> > wrote:
> Hi Everybody,
>
> does anybody have experiences with OS 2.0 Electrix Repeater?
> Is it recommended (stable, bugs etc.)?
>
> Thanx and greetz,
> Omid
>
> audio visual artist
> mailto: smoking@guru-records.com
> phone: +49-178-78 52 223
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Thank you very much.<div>I will =
check it out and report about =
that:)</div><div><br></div><div>cheers,</div><div>Omid</div><div><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Arial; font-size: 13px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><br>audio visual artist</div><div>mailto: <a =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</a></div=
><div>phone: +49-178-78 52 223</div></div></span> </div><br><div><div>Am =
24.06.2009 um 19:51 schrieb Simeon Harris:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">seems =
pretty stable to me (although i havn't tested it to destruction, as it =
were) and most of the bugs seem to have been fixed<br><br>well worth the =
upgrade, imo as the extra features are terrific and no more "bumps" at =
the loop boundary. rec straight into overdub is worth it on it's own<br> =
<br>download from me here, if you havnt got it already...<br><br><a =
href=3D"http://www.box.net/shared/m00og7fn8c">http://www.box.net/shared/m0=
0og7fn8c</a><br><br>password =3D =
repeater<br><br>cheers<br><br>sim<br><br><div class=3D"gmail_quote"> On =
Wed, Jun 24, 2009 at 2:49 PM, Omid Shirazi <span dir=3D"ltr">&lt;<a =
href=3D"mailto:smoking@guru-records.com">smoking@guru-records.com</a>&gt;<=
/span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: =
1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;"> Hi Everybody,<br> <br> does anybody have experiences with OS 2.0 =
Electrix Repeater?<br> Is it recommended (stable, bugs etc.)?<br> <br> =
Thanx and greetz,<br> Omid<br> <br> audio visual artist<br> mailto: <a =
href=3D"mailto:smoking@guru-records.com" =
target=3D"_blank">smoking@guru-records.com</a><br> phone: +49-178-78 52 =
223<br> <br> =
</blockquote></div><br></blockquote></div><br></div></body></html>=

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	 <bcd3c7bb0906241314i615f2f2bkea87a3b6b9debd94@mail.gmail.com>
	 <66f9cc1e0906241425t5002c578i79b213a7bf645916@mail.gmail.com>
Date: Wed, 24 Jun 2009 17:37:18 -0700
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Subject: Re: In praise of the Crossfade Loop Synth Effect!
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On Wed, Jun 24, 2009 at 2:25 PM, Per Boysen <perboysen@gmail.com> wrote:

> Thank you for the note, Mark. But there's no marketing ambition on this
> project


Sorry Per, that was just my attempt at humor.  You see, in America we like
everything better if it is in the thing-o-matic format.  Er, at least we did
in the 50s.

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On Wed, Jun 24, 2009 at 2:25 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<b=
r><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"bor=
der-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-=
left: 1ex;">
Thank you for the note, Mark. But there&#39;s no marketing ambition on this=
 project</blockquote><div><br>Sorry Per, that was just my attempt at humor.=
=A0 You see, in America we like everything better if it is in the thing-o-m=
atic format.=A0 Er, at least we did in the 50s.=A0 <br>
</div></div><br>

--0016e6407ed01f9c50046d216dc0--

From Loopers-Delight-request@loopers-delight.com  Thu Jun 25 01:04:02 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: New to the Group
Date: Wed, 24 Jun 2009 18:03:58 -0700
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The EDP footcontroller EFC-7 has buttond that wear out with regularity.

Ty,

Those little red plastic switches have the advantage of being silent=20
but seem to lack something in the durability dept.

I've bough a whole bag of them from MOSER ELECTRONICS and replace them=20=

periodically whenever they start to get hinky.

It's a very easy repair even if your soldering skills are minimal.

If your EPP works fine from the front panel buttons when the footswitch=20=

is unplugged it's pretty fair to say that a switch has gone south in=20
the controller.

Most often it is the Record or the Overdub switch - those get used mont=20=

often.

And there is something about how some folks seem to naturally stomp=20
down a little harder on the second press of the Record button when they=20=

are closing a loop to define it's basic length.

You should find lots of resources on the LD website for the EDP.

Although it's an open forum for all hardware and software looper users,=20=

it was created initially by the guys who are responsible for the=20
existence of the EDP (Kim Flint and Matthias Grob).

Best regards,

tEd =AE KiLLiAn

Creativity represents a miraculous coming together of the uninhibited=20
energy of the child with its apparent opposite and enemy, the sense of=20=

order imposed on the disciplined adult intelligence. =96 Norman =
Podhoretz

http://www.myspace.com/tedkillian
http://www.reverbnation.com/tedkillian
http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

On Jun 24, 2009, at 10:30 AM, Ty Gott wrote:

> I=92m looking to collect hints on the Echoplex so far mine or its foot=20=

> controller seem flaky but I=92m loving all the features. Also checking=20=

> to see what I might have missed mixing, routing and switching. I have=20=

> learned a few tricks over the years to share in return.=

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Date: Thu, 25 Jun 2009 02:56:09 +0200
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Subject: Re: OT Olympus LS-10 PCM stereo recorder
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i asked since i found my core sound binaurals, that were great with my
old sony minidisc, result in quite noisy recordings due to the zoom H2
preamps ... dunno about the H4, but read similar comments over the net
too. instead, the onboard electret condensers, do a nice job, not
comparable to the cores, but good.



2009/6/24, Rick Walker <looppool@cruzio.com>:
> Raul asked
> "... how noisy is the 3.5 mm mini-jack mic preamp, Rick?"
>
>
> I honestly don't know, Raul,  having been very happy with the built in
> condenser mics
> and also , mostly using it straight off the board.
>
> I use these recordings for my releaseable CD projects (working on a
> follow up to
> Translucent Dayglo Lime Green Plastic as we speak,  culling live tracks
> from the
> last two European tours and American dates I've done) and I haven't had
> complaints yet.
>
> I'm also not a golden ears person at all and I have some definite hi
> frequency
> dropoffs in my hearing from years of playing very loud rock and roll,
> but I have owned the MAudio and experienced the Zoom and I think it
> sounds very favorable next to them,  and has a bunch of features that
> make it
> more attractive than both of those (notably the 2 gigs of onboard
> harddrive,  fantastic
> for just running out the door)   and the use of 2 AA batteries instead
> of the
> internal battery of the MAudio which I found really annoying and very
> unreliable.
>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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I know some people have mentioned the foot-switches on the DL4 are problematic; I've never had any issues with mine but I'm more inclined to use my unit on a table so I can manipulate everything while playing.

The dials are obviously great for hands but the foot-switches are hard on my fingers & thumb.

So, this is probably a stupid question but is it possible to replace the foot-switches with some kind of toggle switches and still have all the foot-switch functionality?


ted harms.
Enemies are good for self-definition. Werner Herzog


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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br>I know some people have mentioned the foot-switches on the DL4 are problematic; I've never had any issues with mine but I'm more inclined to use my unit on a table so I can manipulate everything while playing.<br><br>The dials are obviously great for hands but the foot-switches are hard on my fingers &amp; thumb.<br><br>So, this is probably a stupid question but is it possible to replace the foot-switches with some kind of toggle switches and still have all the foot-switch functionality?<br><br><br>ted harms.<br>Enemies are good for self-definition. Werner Herzog</td></tr></table><br>
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Mark Sottilaro wrote:

> I know Per likes Bidule, but although flexible it seemed like a lot of
> work to get started, 

Would that be because it doesn't have a mixer "hard-wired" into it?

Isn't that compensated by the complete lack of routing mysteries?

just askin',
I'd be interested to know.

andy 

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From Loopers-Delight-request@loopers-delight.com  Thu Jun 25 15:02:36 2009
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Date: Thu, 25 Jun 2009 08:02:35 -0700
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Subject: Re: How to go all Software with guitar multieffector and looper
From: Mark Sottilaro <zerocrossing@gmail.com>
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It's more laziness on my account.  Live is like a fully formed machine
that you can make settings in, but it's fairly static.  Bidule is like
a box of legos that's nothing until you start putting blocks together.
 It's a totally modular environment.  More flexible, I'm sure but Live
appealed to my "here's a paradigm you already know" mind. For me, I
don't really want anything all that crazy.  I haven't found a thing
that I want that Live doesn't have built in and easily accessed.

Also, one of my first "ideas" was to stick with my G5/Digital
Performer set up and only use the XP laptop as a hardware looper
synced to it. Live was the only host that seemed to chase MIDI sync
well.  Bidule was one I tried and I can't remember why but it wasn't
happening.  I went though a lot of hosts.  Live was a clear winner.
It was only later that I started to realize how silly it was to split
things up between two machines and I stopped having the two synced to
each other pretty quickly. By that time I'd already invested in Live
with money and time, so there you are.  I did reevaluate it recently
to see if I was using the right tool for my needs and from what I
could find it is.

Mark

On Thu, Jun 25, 2009 at 12:46 AM, andy butler<akbutler@tiscali.co.uk> wrote:
> Mark Sottilaro wrote:
>
>> I know Per likes Bidule, but although flexible it seemed like a lot of
>> work to get started,
>
> Would that be because it doesn't have a mixer "hard-wired" into it?
>
> Isn't that compensated by the complete lack of routing mysteries?
>
> just askin',
> I'd be interested to know.
>
> andy
>

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Date: Thu, 25 Jun 2009 17:28:34 +0200
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Subject: Re: How to go all Software with guitar multieffector and looper
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On Thu, Jun 25, 2009 at 5:02 PM, Mark Sottilaro<zerocrossing@gmail.com> wrote:
>> Mark Sottilaro wrote:
>>
>>> I know Per likes Bidule, but although flexible it seemed like a lot of
>>> work to get started,

Short note:
In Live I like the option of setting up MIDI loops (MIDI clips) and
the option to use Clip Envelopes for long and slow automized changing
of a parameter value. For example you may want the span of a band pass
filter to slowly move just a little up and down the frequencies while
audio passes through the filter. Just one clip (MIDI or Audio Clip) in
Live can hold a huge number of such "musical slides", of just about
any length. So within this single clip you may have a dozen "parameter
value loops" spinning at different lengths at the same time. That's
awesome! But sadly I found that not all parameters in plug-ins, even
Ableton's own plug-ins, show up with all their parameters within
Live's routing system. And for the second, I don't like the sound of
Live. So this leads to Bidule where you can achieve that moving band
pass example by cabling a synced LFO to affect two parameters (and set
an appropriate scaling). In Bidule every parameter does show up for
routing, given the plug-in developer implements them to be declared to
the host.

So in my perspective Bidule is simpler. Stuff you don't need at the
moment you won't have to stare at. And the power under the hood is not
crippled, so you don't have to fear the day you want to do something
that turn out not being supported.

But then I happen to like the Mainstage sound fidelity so much that I
always try to use that host even before I turn to Bidule, knowing that
anything you may build in Bidule can always be opened in another host
as a Bidule plug-int, if first saved as a Group from within Bidule.

Per

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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

From Loopers-Delight-request@loopers-delight.com  Thu Jun 25 23:22:43 2009
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Date: Thu, 25 Jun 2009 19:22:42 -0400
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: How to go all Software with guitar multieffector and looper
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that is really interesting because my experience was exactly the =20
opposite! I tried live and it seemed sort awkward and complicated but =20
in Bidule all I had to do was place an effect. drag a couple of lines =20
to it, drag a few more to mobius, drag a line from the midi device to =20
mobius and I had a fully functional effect system and a looper. Of =20
course it is infinitly modular and you can do some crazy stuff with =20
it.... but mostly I keep it pretty simple.

Paul Haslem
Ontario, Canada
www.dulcify.ca





Quoting Mark Sottilaro <zerocrossing@gmail.com>:

> It's more laziness on my account.  Live is like a fully formed machine
> that you can make settings in, but it's fairly static.  Bidule is like
> a box of legos that's nothing until you start putting blocks together.
>  It's a totally modular environment.  More flexible, I'm sure but Live
> appealed to my "here's a paradigm you already know" mind. For me, I
> don't really want anything all that crazy.  I haven't found a thing
> that I want that Live doesn't have built in and easily accessed.
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jun 25 23:40:06 2009
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Date: Thu, 25 Jun 2009 16:40:05 -0700
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Subject: Re: How to go all Software with guitar multieffector and looper
From: Mark Sottilaro <zerocrossing@gmail.com>
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On Thu, Jun 25, 2009 at 8:28 AM, Per Boysen<perboysen@gmail.com> wrote:
> On Thu, Jun 25, 2009 at 5:02 PM, Mark Sottilaro<zerocrossing@gmail.com> wrote:
>>> Mark Sottilaro wrote:
>>>
>>>> I know Per likes Bidule, but although flexible it seemed like a lot of
>>>> work to get started,
>
> Short note:
> In Live I like the option of setting up MIDI loops (MIDI clips) and
> the option to use Clip Envelopes for long and slow automized changing
> of a parameter value. For example you may want the span of a band pass
> filter to slowly move just a little up and down the frequencies while
> audio passes through the filter. Just one clip (MIDI or Audio Clip) in
> Live can hold a huge number of such "musical slides", of just about
> any length. So within this single clip you may have a dozen "parameter
> value loops" spinning at different lengths at the same time. That's
> awesome!

It sure is awesome, I use that all the damn time.  If only they'd like
me run midi clips in the send channels...

> But sadly I found that not all parameters in plug-ins, even
> Ableton's own plug-ins, show up with all their parameters within
> Live's routing system.

Have you moved to Live 8?  There's a new work around where all
parameters are available but you have to set up which ones you want to
use.  Quite handy actually.

 > And for the second, I don't like the sound of
> Live.

I don't even know what you mean by this.  Are you claiming that a VST
in Bidule sounds different than one in Live? I've tried a bunch of
different DAWs and one thing I never noticed was a difference in
sound, though I imagine if you're using Live's warp engine that'll
degrade those bits.

> So this leads to Bidule where you can achieve that moving band
> pass example by cabling a synced LFO to affect two parameters (and set
> an appropriate scaling). In Bidule every parameter does show up for
> routing, given the plug-in developer implements them to be declared to
> the host.

Ya, check out 8 for that work-a-round.  Very useful and you only have
to deal with the parameters you're using so it eliminates a lot of
clutter.

> So in my perspective Bidule is simpler. Stuff you don't need at the
> moment you won't have to stare at. And the power under the hood is not
> crippled, so you don't have to fear the day you want to do something
> that turn out not being supported.

It's simpler in the sense that all the "guts" aren't laid out for you
at any moment.  It's less simple when you want to do something basic
and you have to start pulling up the guts and mucking about.  I
remember I had to do a crazy little configuration to get Mobius to
receive host sync where in Live I drag it into a track and if my
preset is set to Host Bar it just works with no fuss.  I'm sure once
you're familiar with it it's easy as pie, but few would deny that the
Bidule learning curve is higher than Live's.

>
> But then I happen to like the Mainstage sound fidelity so much that I
> always try to use that host even before I turn to Bidule, knowing that
> anything you may build in Bidule can always be opened in another host
> as a Bidule plug-int, if first saved as a Group from within Bidule.

Well that is the good part eh?  Need Bidule's functionality?  Run it
as a plug-in.  I just never found the need for it's functionality.
You're setup and music tends to be a lot more experimental than my own
though.  I'd like to hear examples of the exact same set up (source
material, vst) rendered out as audio that sound different from
different hosts.  I've just never noticed it at all.

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Subject: Re: How to go all Software with guitar multieffector and looper
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On Fri, Jun 26, 2009 at 1:40 AM, Mark Sottilaro<zerocrossing@gmail.com> wro=
te:
> I'd like to hear examples of the exact same set up (source
> material, vst) rendered out as audio that sound different from
> different hosts. =C2=A0I've just never noticed it at all.

Mark,

I wasn't talking about A/B testing playback of the same sound file in
different applications. I was talking about setting up typical effect
processing routings that to some part include the host application's
build-in plug-ins. Both Live (8.0.4 is my version) and Mainstage/Logic
has several built-in audio effect plug-ins and I just happen to like
the sound of on a lot better then the sound of the other. It's a
matter of taste  ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: How to go all Software with guitar multieffector and looper
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Oh, I see.  Yes, I agree to that.  I rarely use any of Live's effects
except for the new Looper from time to time. Lack luster.  Though,
thinking about it, the new Vocoder seemed good to me as well, though
nothing comes close to Eiosis's ELS Vocoder.

On Thu, Jun 25, 2009 at 5:37 PM, Per Boysen<perboysen@gmail.com> wrote:
> On Fri, Jun 26, 2009 at 1:40 AM, Mark Sottilaro<zerocrossing@gmail.com> w=
rote:
>> I'd like to hear examples of the exact same set up (source
>> material, vst) rendered out as audio that sound different from
>> different hosts. =A0I've just never noticed it at all.
>
> Mark,
>
> I wasn't talking about A/B testing playback of the same sound file in
> different applications. I was talking about setting up typical effect
> processing routings that to some part include the host application's
> build-in plug-ins. Both Live (8.0.4 is my version) and Mainstage/Logic
> has several built-in audio effect plug-ins and I just happen to like
> the sound of on a lot better then the sound of the other. It's a
> matter of taste =A0;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jun 26 01:41:17 2009
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
conclude the month-long Special Focus on the Ricochet Gathering.  The
Featured CD at Midnight will be disk 4 of 4 from "La Gomera" on the
Ricochet Dream label.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#jun

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Jun 26 06:48:10 2009
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From: Ricky Graham <rock.guitar.guru@btinternet.com>
Subject: RE: How to go all Software with guitar multieffector and looper
Date: Fri, 26 Jun 2009 07:47:48 +0100
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I think lack lustre is a bit much. If you take the time to tweak Ableton's =
effects, they can be really nice. Especially the reverbs. But yeah, a matte=
r of taste either way.=20

Ricky

This message was sent from a PDA. Not an iPhone.

-----Original Message-----
From: Mark Sottilaro <zerocrossing@gmail.com>
Sent: 26 June 2009 01:43
To: Loopers-Delight@loopers-delight.com
Subject: Re: How to go all Software with guitar multieffector and looper

Oh, I see.  Yes, I agree to that.  I rarely use any of Live's effects
except for the new Looper from time to time. Lack luster.  Though,
thinking about it, the new Vocoder seemed good to me as well, though
nothing comes close to Eiosis's ELS Vocoder.

On Thu, Jun 25, 2009 at 5:37 PM, Per Boysen<perboysen@gmail.com> wrote:
> On Fri, Jun 26, 2009 at 1:40 AM, Mark Sottilaro<zerocrossing@gmail.com> w=
rote:
>> I'd like to hear examples of the exact same set up (source
>> material, vst) rendered out as audio that sound different from
>> different hosts. =A0I've just never noticed it at all.
>
> Mark,
>
> I wasn't talking about A/B testing playback of the same sound file in
> different applications. I was talking about setting up typical effect
> processing routings that to some part include the host application's
> build-in plug-ins. Both Live (8.0.4 is my version) and Mainstage/Logic
> has several built-in audio effect plug-ins and I just happen to like
> the sound of on a lot better then the sound of the other. It's a
> matter of taste =A0;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


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Date: Fri, 26 Jun 2009 11:24:32 +0200
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Subject: Re: How to go all Software with guitar multieffector and looper
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jun 26, 2009 at 8:47 AM, Ricky
Graham<rock.guitar.guru@btinternet.com> wrote:
> If you take the time to tweak Ableton's effects, they can be really nice. Especially the reverbs.

Yes, I especially like the Live reverb for "freeze" settings. It's
cool to set up clip envelopes that now and then send out just a short
chunk of signal to such a big reverb. I try to set such loops to odd
lengths, like 23 bars, so it won't repeat close to whatever musical
arrangement you play.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun 26 10:32:01 2009
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	"Thomas Frank" <tfrank@uni-koeln.de>
Subject: Livelooping In Rome - Behind The Scenes
Date: Fri, 26 Jun 2009 12:31:56 +0200
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I've made a little 24 minute video documentary about the Rome Livelooping
weekend - no concert footage, that is still being worked on by Xavier, only
"behind the scenes" stuff, you know, musicians being silly or eating pizza.
I hope you get an idea how much fun we had. Enjoy!
http://www.vimeo.com/5324385

-Michael

From Loopers-Delight-request@loopers-delight.com  Fri Jun 26 13:39:14 2009
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--00504502d30c383328046d4077e3
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looks like you all had a great time, michael!

On Fri, Jun 26, 2009 at 11:31 AM, Michael Peters <mp@mpeters.de> wrote:

> I've made a little 24 minute video documentary about the Rome Livelooping
> weekend - no concert footage, that is still being worked on by Xavier, only
> "behind the scenes" stuff, you know, musicians being silly or eating pizza.
> I hope you get an idea how much fun we had. Enjoy!
> http://www.vimeo.com/5324385
>
> -Michael
>
>

--00504502d30c383328046d4077e3
Content-Type: text/html; charset=ISO-8859-1
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looks like you all had a great time, michael!<br><br><div class=3D"gmail_qu=
ote">On Fri, Jun 26, 2009 at 11:31 AM, Michael Peters <span dir=3D"ltr">&lt=
;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt;</span> wrote:<br><b=
lockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 20=
4, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I&#39;ve made a little 24 minute video documentary about the Rome Liveloopi=
ng<br>
weekend - no concert footage, that is still being worked on by Xavier, only=
<br>
&quot;behind the scenes&quot; stuff, you know, musicians being silly or eat=
ing pizza.<br>
I hope you get an idea how much fun we had. Enjoy!<br>
<a href=3D"http://www.vimeo.com/5324385" target=3D"_blank">http://www.vimeo=
.com/5324385</a><br>
<font color=3D"#888888"><br>
-Michael<br>
<br>
</font></blockquote></div><br>

--00504502d30c383328046d4077e3--

From Loopers-Delight-request@loopers-delight.com  Fri Jun 26 14:24:57 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
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Subject: Ustream show vid
Date: Fri, 26 Jun 2009 10:24:54 -0400
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I have posted this video of my Ustream show last Saturday. This is a low 
quality screen capture from Ninjam tv. They had carried the show and when I 
screwed up and didn't record it myself I obtained this.
http://www.vimeo.com/5308400


Best,

Jeff 

From Loopers-Delight-request@loopers-delight.com  Fri Jun 26 14:35:21 2009
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Subject: [Gig Info]: The MoinSound Studio Sessions this Saturday June 27th, 
	1600 UTC
From: Rainer Straschill <moinsound@googlemail.com>
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It's once again time for my bi-weekly series of
internet-video-streamed virtual performances as part of "The MoinSound
Studio Sessions".

URL: http://justin.tv/moinlabs
Date/Time: Saturday June 27th 2009, 1600 UTC
(for time zone conversion, see http://tinyurl.com/nkvjds)

Tune in for the latest in avantgarde madness, brought to your computer
screen live via the internet. No registration necessary!

Looking forward to see you there!

            Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://www.twitter.com/moinlabs
http://justin.tv/moinlabs
http://vimeo.com/moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

From Loopers-Delight-request@loopers-delight.com  Fri Jun 26 18:46:44 2009
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Hi,=20
I want to point out this nice review I've found by accident about last =
Michael Peters production "Impossibile Music"
http://www.neural.it/sound/2009/06/michael_peters_impossible_music.phtml
Congratulations !

Fabio=20
www.eterogeneo.com
www.myspace.com/eterogeneo

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<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Hi, </FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>I want to point out =
this nice=20
review I've found by accident about last Michael Peters production =
"Impossibile=20
Music"</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080><A=20
href=3D"http://www.neural.it/sound/2009/06/michael_peters_impossible_musi=
c.phtml">http://www.neural.it/sound/2009/06/michael_peters_impossible_mus=
ic.phtml</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Congratulations =
!</FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio <BR><A=20
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A><BR><A=20
href=3D"http://www.myspace.com/eterogeneo">www.myspace.com/eterogeneo</A>=
<BR></DIV></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jun 26 20:29:31 2009
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: Orange Years
Date: Fri, 26 Jun 2009 22:29:27 +0200
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congrats to Andreas Willers whose "Orange Years" album has been reviewed
today in the Tageszeitung, Germany's most important independent left daily
newspaper. Are there soundclips somewhere Andreas? it sounds as if this
album contains solo livelooping jazz guitar music. If this is somewhat
similar to what you played in Berlin last year, I gotta have it.  

-Michael

From Loopers-Delight-request@loopers-delight.com  Fri Jun 26 21:32:02 2009
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Subject: Re: Impossible Music review
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... pianist? favorable review anyway. congratulations michael !

2009/6/26, eterogeneo <info@eterogeneo.com>:
> Hi,
> I want to point out this nice review I've found by accident about last
> Michael Peters production "Impossibile Music"
> http://www.neural.it/sound/2009/06/michael_peters_impossible_music.phtml
> Congratulations !
>
> Fabio
> www.eterogeneo.com
> www.myspace.com/eterogeneo
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun 26 21:49:11 2009
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Subject: Re: Impossible Music review
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On Fri, Jun 26, 2009 at 11:32 PM, Raul Bonell<raul.bonell@gmail.com> wrote:
> ... pianist? favorable review anyway.

It's experimental, playing the piano on a guitar ;-)
Congratulations to Michael!!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Jun 26 22:01:08 2009
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yes!, congrats to michael. very underrated music creator!
typing credits "Michael Peters: programming and realtime parameter
manipulation.-Matthias Ebbinghaus: live mix and controllers, editing.
-Walter Br=FChn: final mix"

2009/6/26, Per Boysen <perboysen@gmail.com>:
> On Fri, Jun 26, 2009 at 11:32 PM, Raul Bonell<raul.bonell@gmail.com> wrot=
e:
>> ... pianist? favorable review anyway.
>
> It's experimental, playing the piano on a guitar ;-)
> Congratulations to Michael!!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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Cheers Michael impossible music is great i didnt know you were such an amaz=
ing pianist!=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- eterogeneo <inf=
o@eterogeneo.com> schrieb am Fr, 26.6.2009:=0A=0A> Von: eterogeneo <info@et=
erogeneo.com>=0A> Betreff: Impossible Music review=0A> An: mp@michaelpeters=
.de, Loopers-Delight@loopers-delight.com=0A> Datum: Freitag, 26. Juni 2009,=
 11:46=0A> =0A> =0A>  =0A>  =0A> =0A> =0A>  =0A> Hi,=0A> =0A> I want to=0A>=
 point out this nice =0A> review I've found by accident about last Michael =
Peters=0A> production "Impossibile =0A> Music"=0A> http://www.neural.it/sou=
nd/2009/06/michael_peters_impossible_music.phtml=0A> Congratulations !=0A> =
=A0=0A> Fabio =0A> www.eterogeneo.com=0A> www.myspace.com/eterogeneo=0A>  =
=0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Jun 27 16:34:43 2009
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Date: Sat, 27 Jun 2009 10:32:32 +0200
From: van Sinn <vansinn@post.cybercity.dk>
Organization: van Sinn
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Interesting concept: http://www.snyderphonics.com/products

48 hexagonic patches, each touch-sensitive, depending on how much of the 
finger covers them.

About $675


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sat Jun 27 16:39:44 2009
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Subject: Rainer live right now
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5c2f1916254046d571ad6
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

is doing some very cool stuff live on on justin at
http://www.justin.tv/moinlabs

-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636c5c2f1916254046d571ad6
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

is doing some very cool stuff live on on justin at=A0<a href=3D"http://www.=
justin.tv/moinlabs">http://www.justin.tv/moinlabs</a><br clear=3D"all"><br>=
-- <br>ReUse, an introspective textural aural journey coming soon...<br><br=
>music links...<br>
<a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><b=
r><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgood=
inmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--001636c5c2f1916254046d571ad6--

From Loopers-Delight-request@loopers-delight.com  Sat Jun 27 16:49:50 2009
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Subject: Is there a way to back up a single RC-50 patch?
Date: Sat, 27 Jun 2009 12:49:49 -0400
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I understand that it is possible to save and restore (and edit) the audio
associated with RC-50 patches.  I also understand that it is possible to
save and restore the entire RC-50 status.

Has anyone figured out how to store just the information associated with a
single patch?  Presumably that would mean saving the audio files along with
the appropriate segments of the other files, and being able to put them back
into place.


From Loopers-Delight-request@loopers-delight.com  Sun Jun 28 01:47:00 2009
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To: Loopers-Delight@loopers-delight.com
From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: MY NEW TOY
Date: Sat, 27 Jun 2009 18:46:54 -0700
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Hi all!

I spent the latter part of the afternoon today playing with my newest 
loop toy, a Line 6 M13.

I've researched these things for a little while now and contemplated 
buying one for well over six months.

Thanks Bill Walker for much good advice while I was looking.

Then, last week, a deal popped up on Ebay that was too good to pass up.

It arrived on Tuesday and I tested it out right away to make sure it 
was not a DOA brick.

Today was the first time I got to spend any serious time with it - just 
playing around so far, not programming - and the experience was simply 
delightful.

I used a GK-3 equipped Tele and a Boss WP-20G set on hexaphonic "slow 
gear" just to feed the M13 an interesting signal  . . . and a pair of 
Mackie SRM150s to listen to give it voice and I really liked what I 
heard.

I got a pair of the Line 6 EX-1 expression pedals too and enjoyed 
toying around with changing various parameters on the fly that way.

Seems like a pretty straightforward box, all-in-all.

After a long, looooong search, I think I've finally found a device that 
can give me a simple, nearly all-in-one, guitar looping setup for those 
quick gigs that don't warrant (or permit) taking along my larger 
collection of gear (I'm thinking Santa Cruz mostly).

As long as it is reliable, I think I've found a winner.

Bill Walker is right about one negative about this device though, it 
really needs a guitar amp to make it sound right tone-wise.

Unfortunately I sold off all my combo amps and have switched to just 
using the Mackie SRM150s for personal monitoring, and a pair of SRM450s 
for low-end and PA oomph - a system that is all together too clean and 
devoid of guitaristic character to make the M13 really sound terrific.

But for now it's what I've got.

I am sure that it will be tempting to add several other gizmos to this 
. . . my trusty Sustainic C for one, and the aforementioned WP-20G for 
another, and an EB volume pedal are what I'll try to stick to  . . . if 
I can.

As far as simplifying goes, I played a gig a couple of weeks ago with 
just the GK3 Tele and WP-20G Sustainiac C and a pair of EDPs and Akiras 
and had the best gig I've had in years.

Yeah, I missed the Vortexes and VG-99, guitar synth and all the other 
neat stuff.

But I had a good time . . . a better time than most outings.

I played for 4 hours straight in an art gallery wine and cheese setting 
(talk about a dull audience) and it was really guite satisfying.

I'm looking forward to getting to know my new toy better in coming 
weeks.

I think it's going to work for me.

Cheers,

Ted


From Loopers-Delight-request@loopers-delight.com  Sun Jun 28 05:14:19 2009
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Date: Sat, 27 Jun 2009 22:14:18 -0700
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Subject: Re: MY NEW TOY
From: Mark Sottilaro <zerocrossing@gmail.com>
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It would stand to reason that the M13 wouldn't replace an amp modeler
as it seems like a congolmeration of all their stompbox modelers and a
bit more in one big box.  Kind of a cool concept, I have to say I
liked some of the sounds I got out of the fuzzbox modeler when I had
it (run in the send of my Vox Tonelab SE) and my favorite parts of Pod
Farm (kind of a software Pod) are the effects.

On Sat, Jun 27, 2009 at 6:46 PM, tEd =AE KiLLiAn<tedkillian@charter.net> wr=
ote:
> Hi all!
>
> I spent the latter part of the afternoon today playing with my newest loo=
p
> toy, a Line 6 M13.
>
> I've researched these things for a little while now and contemplated buyi=
ng
> one for well over six months.
>
> Thanks Bill Walker for much good advice while I was looking.
>
> Then, last week, a deal popped up on Ebay that was too good to pass up.
>
> It arrived on Tuesday and I tested it out right away to make sure it was =
not
> a DOA brick.
>
> Today was the first time I got to spend any serious time with it - just
> playing around so far, not programming - and the experience was simply
> delightful.
>
> I used a GK-3 equipped Tele and a Boss WP-20G set on hexaphonic "slow gea=
r"
> just to feed the M13 an interesting signal =A0. . . and a pair of Mackie
> SRM150s to listen to give it voice and I really liked what I heard.
>
> I got a pair of the Line 6 EX-1 expression pedals too and enjoyed toying
> around with changing various parameters on the fly that way.
>
> Seems like a pretty straightforward box, all-in-all.
>
> After a long, looooong search, I think I've finally found a device that c=
an
> give me a simple, nearly all-in-one, guitar looping setup for those quick
> gigs that don't warrant (or permit) taking along my larger collection of
> gear (I'm thinking Santa Cruz mostly).
>
> As long as it is reliable, I think I've found a winner.
>
> Bill Walker is right about one negative about this device though, it real=
ly
> needs a guitar amp to make it sound right tone-wise.
>
> Unfortunately I sold off all my combo amps and have switched to just usin=
g
> the Mackie SRM150s for personal monitoring, and a pair of SRM450s for
> low-end and PA oomph - a system that is all together too clean and devoid=
 of
> guitaristic character to make the M13 really sound terrific.
>
> But for now it's what I've got.
>
> I am sure that it will be tempting to add several other gizmos to this . =
. .
> my trusty Sustainic C for one, and the aforementioned WP-20G for another,
> and an EB volume pedal are what I'll try to stick to =A0. . . if I can.
>
> As far as simplifying goes, I played a gig a couple of weeks ago with jus=
t
> the GK3 Tele and WP-20G Sustainiac C and a pair of EDPs and Akiras and ha=
d
> the best gig I've had in years.
>
> Yeah, I missed the Vortexes and VG-99, guitar synth and all the other nea=
t
> stuff.
>
> But I had a good time . . . a better time than most outings.
>
> I played for 4 hours straight in an art gallery wine and cheese setting
> (talk about a dull audience) and it was really guite satisfying.
>
> I'm looking forward to getting to know my new toy better in coming weeks.
>
> I think it's going to work for me.
>
> Cheers,
>
> Ted
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jun 28 14:49:24 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: David Cooper Orten live now
Date: Sun, 28 Jun 2009 10:49:26 -0400
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Mr Cooper is playing on ustream now, nice and bluesy! 
http://www.ustream.tv/channel/dco-live

Jeff

From Loopers-Delight-request@loopers-delight.com  Sun Jun 28 14:54:02 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: David Cooper Orten live now
Date: Sun, 28 Jun 2009 15:53:58 +0100
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very nice

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 28 Jun 2009, at 15:49, Jeff Duke wrote:

> Mr Cooper is playing on ustream now, nice and bluesy! http:// 
> www.ustream.tv/channel/dco-live
>
> Jeff
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
very nice<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 28 Jun 2009, =
at 15:49, Jeff Duke wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Mr Cooper is playing on ustream now, nice and =
bluesy! <a =
href=3D"http://www.ustream.tv/channel/dco-live">http://www.ustream.tv/chan=
nel/dco-live</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Jeff</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div> </blockquote></div><br></div></body></html>=

--Apple-Mail-1--541817776--

From Loopers-Delight-request@loopers-delight.com  Sun Jun 28 16:04:59 2009
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From: mark@grubmah.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: MY NEW TOY
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<html><body><span style=3D"font-family:Verdana; color:#000000; font-size:10=
pt;"><div>The Tech21 character series pedals seem pretty good. I got a Blon=
de and a Liverpool last week. I haven't had as much time to play with them =
as I would like, but they ought to sit nicely in the effects loop of an M13=
. (That pairing was Bill's suggestion a while back.)</div><div><br></div><d=
iv>The M13 seems like the natural evolution of the Line6 stompbox modelers.=
 It makes it easy to play with combinations of effects just as the individu=
al modelers did and more or less recreates the pedal board effect. The effe=
cts are interesting but not deeply interesting. The Vortex has more interes=
ting effects, but it's a pain to program, a pain to switch effects on (rela=
tively speaking), and frequently noisy. For example, Line6's tremolos are n=
ice but they aren't the Shimmer effect from the Vortex. Having tempo sync f=
or the effects is nice, but I don't think the M13 will sync to MIDI clock (=
feh, since the device does have MIDI). The looper improves on the DL4 but I=
 think it's mono and there isn't the option of having it generate tempo inf=
ormation for the effects.</div><div><br></div><div>What would be really coo=
l (not going to happen) would be for Line6 to take essentially this same fo=
rm factor and build a multi-looper with it possibly with a couple of post-l=
oop effects available as well. An M13, a "Loop 13", and a couple of Tech21 =
pedals could make for a powerful and portable rig.</div><div><br></div><div=
>Mark</div><div><br></div></span></body></html>

From Loopers-Delight-request@loopers-delight.com  Sun Jun 28 16:17:56 2009
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--part1646-boundary-847031111-1288209158--

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Subject: Video from this saturday's MoinSound Studio Session
From: Rainer Straschill <moinsound@googlemail.com>
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Honoring the request of some fans (*g*), the choice of (wind)
instruments was expanded for this week's MoinSound Studio Session
(every other Saturday on http://justin.tv/moinlabs).

Now here's a video of the first track - looping content: there's a lot
of EDP-style loop modification going on, including everybody's
favourite Unrounded SusMultiply, SusSpeed, SusReverse (and Mobius'
proprietary rate shift).
http://vimeo.com/5361188

Enjoy!

              Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Jun 28 17:49:35 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
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Subject: Virtual sound and Vision Festival
Date: Sun, 28 Jun 2009 13:50:04 -0400
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Just a note to announce the launching of a Myspace page for the proposed 
Virtual Sound and Vision Festival.
http://www.myspace.com/vsvfestival

More details will be announced, this is an idea thats time has come!

Best,

Jeff



http://jeffduke.org/
http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.ustream.tv/channel/loopydroneyglitchywacky-presents 

From Loopers-Delight-request@loopers-delight.com  Sun Jun 28 21:21:24 2009
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Subject: Re: MY NEW TOY
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Yeah, it's really too bad that there's no also a single-device solution 
for a stereo amp simulator to go along with this device.

Sure, it's possible to hook up a couple of Sans Amp pedals (either the 
"Classic" or a pair of somethings from the new "Character" series) but 
then again we're adding more devices, their wal-wart power supplies and 
multiplying the mess of spaghetti on the floor to the point of 
this-is-no-longer-the-simplicity-I-had-in-mind-when-I-started.

However, a couple of Sans Amp pedals is better than toting a couple of 
amps.

We'll see what I wind up with.

But one thing is for sure, I'm not playing with the big rig anymore 
where there is not plenty of time to set it up beforehand and then a 
real proper sound check long before performance time - too many 
heartbreaks.

Cheers,

Ted

On Jun 27, 2009, at 10:14 PM, Mark Sottilaro wrote:

> It would stand to reason that the M13 wouldn't replace an amp modeler
> as it seems like a congolmeration of all their stompbox modelers and a
> bit more in one big box.  Kind of a cool concept, I have to say I
> liked some of the sounds I got out of the fuzzbox modeler when I had
> it (run in the send of my Vox Tonelab SE) and my favorite parts of Pod
> Farm (kind of a software Pod) are the effects.

From Loopers-Delight-request@loopers-delight.com  Sun Jun 28 21:53:15 2009
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Subject: RE: Orange Years
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"Orange Years" is a tremendous recording, full of tuneful and =
adventurous MUSIC in which looping techniquese are important, but fully =
integrated.
Hal Dean

________________________________

From: Michael Peters [mailto:mp@mpeters.de]
Sent: Fri 6/26/2009 4:29 PM
To: Loopers Delight
Subject: Orange Years



congrats to Andreas Willers whose "Orange Years" album has been reviewed
today in the Tageszeitung, Germany's most important independent left =
daily
newspaper. Are there soundclips somewhere Andreas? it sounds as if this
album contains solo livelooping jazz guitar music. If this is somewhat
similar to what you played in Berlin last year, I gotta have it.=20

-Michael



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<HTML dir=3Dltr><HEAD><TITLE>Orange Years</TITLE>=0A=
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dunicode">=0A=
<META content=3D"MSHTML 6.00.6001.18248" name=3DGENERATOR></HEAD>=0A=
<BODY>=0A=
<DIV id=3DidOWAReplyText78216 dir=3Dltr>=0A=
<DIV dir=3Dltr><FONT face=3DArial color=3D#000000 size=3D2>"Orange =
Years" is a tremendous recording, full of tuneful and adventurous MUSIC =
in which looping techniquese are important, b</FONT><FONT face=3DArial =
color=3D#000000 size=3D2>ut fully integrated.</FONT></DIV>=0A=
<DIV dir=3Dltr><FONT face=3DArial size=3D2>Hal Dean</FONT></DIV></DIV>=0A=
<DIV dir=3Dltr><BR>=0A=
<HR tabIndex=3D-1>=0A=
<FONT face=3DTahoma size=3D2><B>From:</B> Michael Peters =
[mailto:mp@mpeters.de]<BR><B>Sent:</B> Fri 6/26/2009 4:29 =
PM<BR><B>To:</B> Loopers Delight<BR><B>Subject:</B> Orange =
Years<BR></FONT><BR></DIV>=0A=
<DIV>=0A=
<P><FONT size=3D2>congrats to Andreas Willers whose "Orange Years" album =
has been reviewed<BR>today in the Tageszeitung, Germany's most important =
independent left daily<BR>newspaper. Are there soundclips somewhere =
Andreas? it sounds as if this<BR>album contains solo livelooping jazz =
guitar music. If this is somewhat<BR>similar to what you played in =
Berlin last year, I gotta have =
it.&nbsp;<BR><BR>-Michael<BR></FONT></P></DIV></BODY></HTML>
------_=_NextPart_001_01C9F83A.C4CE9A56--

From maywa01@poczta.onet.pl  Sun Jun 28 22:35:33 2009
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From: "Ahmad Jassim"<maywa01@poczta.onet.pl>
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Date: Sun, 28 Jun 2009 15:22:32 -0700
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REQUEST FOR URGENT MUTUAL BUSINESS TRANSACTION.</DIV>
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&nbsp;</DIV>
<DIV>
I am Ahmad Jassim, (2004 PROJECT MANAGER N.N.P.C NIGERIA ), Procurement and Contract Award with the Nigerian National Petroleum Corporation (N.N.P.C), Federal Republic of Nigeria.</DIV>
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&nbsp;</DIV>
<DIV>
It is with trust that I wish to contact you on this matter concerning the transfer of US$30 Million Dollars.This money came out from contract that we awarded to a foreign company for Turn Around Maintenance and Rehabilitation Work on Kaduna/Warri Refinery and Petrochemical Company(KRPC) Plant in Nigeria contract No; NNPC/EPR/104/PED/2004, This contract was over-invoiced by us to the tune of US$30 million (Thirty Million,United States Dollars) Only.</DIV>
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&nbsp;</DIV>
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Myself and my colleagues have unanimously agreed to transfer the Funds into an accommodating Foreign Bank Account for disbursement and investment purposes because the Federal Civil Service code of conduct Bureau does not allow us to operate any foreign account while in services. we have worked out all modalities and the machinery put in place for legal and safe transfer of the funds directly into your nominated bank account. We have lost some funds in the past in similar transfer but we repose trust in you based on your profile and we need a mutual agreement for safe keeping of the funds.</DIV>
<DIV>
Due to our sensitive position in our country and our retirement approaching, we cannot afford a slip in this transaction.contact me with these information mentioned hereunder;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
1. Complete Names/company</DIV>
<DIV>
2. Your direct telephone/fax numbers</DIV>
<DIV>
3. Your Contact/mailing Address</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
I shall use these information to update you with the original copies of the contract documents and for further negotiation on your compensation/percentage that you deserve in this deal. Please, note that this Deal needs ultmost Confidentiality pending when the money is credited into your account.</DIV>
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I'm looking forward to your favorable response in this matter.</DIV>
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Thanks in anticipation,</DIV>
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&nbsp;</DIV>
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Ahmad Jassim</DIV>
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Date: Sun, 28 Jun 2009 17:29:21 -0700
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Subject: Re: MY NEW TOY
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Jun 28, 2009 at 2:21 PM, tEd =AE KiLLiAn<tedkillian@charter.net> wr=
ote:
> Yeah, it's really too bad that there's no also a single-device solution f=
or
> a stereo amp simulator to go along with this device.

Aren't all the flavors of Pods and the Digitech stuff and Vox boxes
exactly this?

Ted, I know you struggle with back issues and lugging stuff is no fun
so I wonder why you don't look into a laptop solution.  I think you'd
be happily surprised at the sound quality of the IK Multimedia
modelers.  I started because I was looking for a solution for bass and
I was blown away by the quality of Ampeg SVX (IK's Ampeg endorsed
package) and there was a two for one at the time so I went for their
Jimi Hendrix package.  I loved them so much I ended up getting all of
them.  Now you can get the Stealthpedal for $199 and it comes with a
light version of Amplitube 2 and the full Amplitube Metal.  It's a
good deal.  That, Mobius, a host and laptop and your guitar and that
would be all you'd need to move unless you want a second controller
like an FCB1010 (you probably would want that as a Mobius controller)

From Loopers-Delight-request@loopers-delight.com  Mon Jun 29 02:56:23 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: MY NEW TOY
Date: Sun, 28 Jun 2009 19:56:17 -0700
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Mark,

I am really, really not a ludite when it comes to the laptop thing.

It's just that I lack the few thousand dollars to upgrade my sturdy old=20=

Mac laptop to the latest greatest model and all the software and=20
peripherals I'd have to buy (or re-buy) as well.

Because I would also be doing lotsa graphic work on it - hey I'm a Mac=20=

guy making his living on the computer as well and can't afford 2=20
separate machines - that financial consideration becomes a real barrier=20=

as well.

I'm working on a shoestring.

Then it becomes this big switch-over for ALL the software I use - and=20
justifying it at tax time and convincing the spouse that it's a=20
worthwhile place for our money when we're putting 2 of our 3 boys=20
through college become a big bother.

Believe me, back in the early to mid '90s (when I worked for Seymour=20
Duncan) I got together with some of my pals who were big-time software=20=

programmer/developers and we explored the possibility of doing all the=20=

stuff we take for granted these days as off-the-shelf Native=20
Instruments and IK Multimedia software solutions.

I even worked up a GUI that had little stomp-boxes and rack stuff on it=20=

(modeling it after the stuff in my rack).

But the computers of the mid '90s were still not quite powerful or fast=20=

enough to do it right.

My little group of Santa Barbara engineers and nerds disbanded and=20
moved away.

Not too many years later I found myself in Oregon doing graphics for IK=20=

Multimedia magazine ads as a long distance freelancer - how ironic is=20
that?

Anyhoo, I've always been a little bit "behind the curve" in terms of=20
what computer hardware I can afford to buy at any time.

What I do buy (when I buy) is on the cheap - buying almost discontinued=20=

models before a big change just as they're fading them out and then use=20=

'em for 5, 6, 7 or 8 years without upgrading.

What I really want to do is do the MaxMSP/Jitter thing, but it's really=20=

going to be a long time before I can own the computer that will do what=20=

I want to do there.

For now I can afford minor purchases of used gear on Ebay and try to=20
work up something that "works for me" in the fashion that I am used to=20=

playing.

The fact that I am really not financially all that well off and=20
struggle with out-of-date equipment (on the computer side of things=20
anyway) is the sad little secret of my musical and professional life.

I have the cool, fairly late model, music HARDWARE that I have because=20=

I make small shrewd investments in the stuff over a longer period of=20
time, and then buy and sell again and trade it like a kid trading=20
marbles or Pokemon cards on the schoolyard.

I also know some music company reps personally and have other=20
connections that allow me to buy some things wholesale.

I have no such contacts like that on the computer side of things.

I simply have not been able to afford to migrate over, in the=20
first-class way that I'd want to yet.

I have to wonder (sometimes) if it will ever happen.

But I remain hopeful.

On the other side of the coin, I have seen a lot more computer=20
melt-downs at looping festivals than dedicated hardware snafus.

When a live looping lappy won't boot up on stage mysteriously (as I=20
have seen all too often), or suddenly has dumped all of a performer's=20
much-labored-over custom FX parameters (also seen), or stubbornly won't=20=

recognize their MIDI foot-controller for no particular reason=20
whatsoever (ditto) . . . I have to think schlepping a little redundant=20=

gear (so that the show can go on) is not a terrible thing.

I guess that's where I'm at.

I'm not happy about it, but there you are.

Cheers,

Ted


On Jun 28, 2009, at 5:29 PM, Mark Sottilaro wrote:

> On Sun, Jun 28, 2009 at 2:21 PM, tEd =AE =
KiLLiAn<tedkillian@charter.net>=20
> wrote:
>> Yeah, it's really too bad that there's no also a single-device=20
>> solution for
>> a stereo amp simulator to go along with this device.
>
> Aren't all the flavors of Pods and the Digitech stuff and Vox boxes
> exactly this?
>
> Ted, I know you struggle with back issues and lugging stuff is no fun
> so I wonder why you don't look into a laptop solution.  I think you'd
> be happily surprised at the sound quality of the IK Multimedia
> modelers.  I started because I was looking for a solution for bass and
> I was blown away by the quality of Ampeg SVX (IK's Ampeg endorsed
> package) and there was a two for one at the time so I went for their
> Jimi Hendrix package.  I loved them so much I ended up getting all of
> them.  Now you can get the Stealthpedal for $199 and it comes with a
> light version of Amplitube 2 and the full Amplitube Metal.  It's a
> good deal.  That, Mobius, a host and laptop and your guitar and that
> would be all you'd need to move unless you want a second controller
> like an FCB1010 (you probably would want that as a Mobius controller)
>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 29 07:32:54 2009
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Subject: Re: MY NEW TOY
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tEd ® KiLLiAn wrote:
> Yeah, it's really too bad that there's no also a single-device solution 
> for a stereo amp simulator to go along with this device.
> 

Well, I obviuosly you know best what you need to achieve...but...

Rather than put two amp sims after the fx, surely it would 
be neater to put one amp sim between guitar and fx.

That gives you more options for combining sounds, and doesn't
mush up the layers together.

andy

From Loopers-Delight-request@loopers-delight.com  Mon Jun 29 08:11:12 2009
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Date: Mon, 29 Jun 2009 08:11:10 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: RE: MY NEW TOY
To: Loopers-Delight@loopers-delight.com
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you might also consider the adrenalinn III stomp it has killer tremolos,fil=
ters midi timebased fx and amp sims!=0ALuis=0A=0Awww.myspace.com/luisangulo=
com=0A=0A=0A--- mark@grubmah.com <mark@grubmah.com> schrieb am So, 28.6.200=
9:=0A=0A> Von: mark@grubmah.com <mark@grubmah.com>=0A> Betreff: RE: MY NEW =
TOY=0A> An: Loopers-Delight@loopers-delight.com=0A> Datum: Sonntag, 28. Jun=
i 2009, 8:58=0A> The=0A> Tech21 character series pedals seem pretty good. I=
 got a=0A> Blonde and a Liverpool last week. I haven't had as much=0A> time=
 to play with them as I would like, but they ought to=0A> sit nicely in the=
 effects loop of an M13. (That pairing was=0A> Bill's suggestion a while ba=
ck.)=0A> The M13 seems like the natural evolution of the=0A> Line6 stompbox=
 modelers. It makes it easy to play with=0A> combinations of effects just a=
s the individual modelers did=0A> and more or less recreates the pedal boar=
d effect. The=0A> effects are interesting but not deeply interesting. The=
=0A> Vortex has more interesting effects, but it's a pain to=0A> program, a=
 pain to switch effects on (relatively speaking),=0A> and frequently noisy.=
 For example, Line6's tremolos are=0A> nice but they aren't the Shimmer eff=
ect from the Vortex.=0A> Having tempo sync for the effects is nice, but I d=
on't=0A> think the M13 will sync to MIDI clock (feh, since the device=0A> d=
oes have MIDI). The looper improves on the DL4 but I think=0A> it's mono an=
d there isn't the option of having it=0A> generate tempo information for th=
e effects.=0A> What would be really cool (not going to happen)=0A> would be=
 for Line6 to take essentially this same form factor=0A> and build a multi-=
looper with it possibly with a couple of=0A> post-loop effects available as=
 well. An M13, a "Loop=0A> 13", and a couple of Tech21 pedals could make fo=
r a=0A> powerful and portable rig.=0A> Mark=0A>  =0A> =0A> =0A=0A=0A      

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Date: Mon, 29 Jun 2009 08:15:14 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: Impossible Music review
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Michal i think a lot of us would be also interested in the making proccess =
of this very interesting and delightful CD feel free to tell us!=0Acheers=
=0ALuis=0A=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- eterogeneo <info@=
eterogeneo.com> schrieb am Fr, 26.6.2009:=0A=0A> Von: eterogeneo <info@eter=
ogeneo.com>=0A> Betreff: Impossible Music review=0A> An: mp@michaelpeters.d=
e, Loopers-Delight@loopers-delight.com=0A> Datum: Freitag, 26. Juni 2009, 1=
1:46=0A> =0A> =0A>  =0A>  =0A> =0A> =0A>  =0A> Hi,=0A> =0A> I want to=0A> p=
oint out this nice =0A> review I've found by accident about last Michael Pe=
ters=0A> production "Impossibile =0A> Music"=0A> http://www.neural.it/sound=
/2009/06/michael_peters_impossible_music.phtml=0A> Congratulations !=0A> =
=A0=0A> Fabio =0A> www.eterogeneo.com=0A> www.myspace.com/eterogeneo=0A>  =
=0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon Jun 29 08:27:05 2009
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I will be out of the office starting  06/29/2009 and will not return until
07/07/2009.

For telecom issues, Genesys, Video or Audio Conferencing contact Greg
Bouffard @ 323 932 3793.

***** PLEASE NOTE ***** This E-Mail/telefax message and any
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Agent Name: Mr. Roy Phil
Tel: +44 704-571-0545
Email: (mr.royphildept001@msn.com)

This is to inform you that you have been 
selected for a cash prize of
£1,000,000 (British Pounds) held on the 5th 
of June 2009 in
London Uk.

1.Full Name
2.Full Address
3.Marital Status
4.Occupation
5.Age

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Subject: Re: MY NEW TOY
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> Rather than put two amp sims after the fx, surely it would be neater to 
> put one amp sim between guitar and fx.

What would you recommend in a stereo amp sim Andy?

Jeff


----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 29, 2009 3:46 AM
Subject: Re: MY NEW TOY


> tEd ® KiLLiAn wrote:
>> Yeah, it's really too bad that there's no also a single-device solution 
>> for a stereo amp simulator to go along with this device.
>>
>
> Well, I obviuosly you know best what you need to achieve...but...
>
> Rather than put two amp sims after the fx, surely it would be neater to 
> put one amp sim between guitar and fx.
>
> That gives you more options for combining sounds, and doesn't
> mush up the layers together.
>
> andy
>
> 

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Subject: Re: MY NEW TOY
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--0016361e7bdcc187ae046d7bc183
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On Sun, Jun 28, 2009 at 10:56 PM, tEd =AE KiLLiAn <tedkillian@charter.net>w=
rote:

>
>
> When a live looping lappy won't boot up on stage mysteriously (as I have
> seen all too often), or suddenly has dumped all of a performer's
> much-labored-over custom FX parameters (also seen), or stubbornly won't
> recognize their MIDI foot-controller for no particular reason whatsoever
> (ditto) . . . I have to think schlepping a little redundant gear (so that
> the show can go on) is not a terrible thing.
>
>
Hey, I've proposed naming my new collaboration (with Tom Ritchford, aka Tom
Swirly) "Crash proof" as a talisman, after two succeeding gigs where the
freaking emu midi interface decided to take a vacation for the entirety of
the set, leaving me entirely without footcontrol! (good thing i can actuall=
y
play that guitar as a guitar!)

--0016361e7bdcc187ae046d7bc183
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<br><br><div class=3D"gmail_quote">On Sun, Jun 28, 2009 at 10:56 PM, tEd =
=AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net"=
>tedkillian@charter.net</a>&gt;</span> wrote:<br><blockquote class=3D"gmail=
_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt=
 0pt 0.8ex; padding-left: 1ex;">
<br>
<br>
When a live looping lappy won&#39;t boot up on stage mysteriously (as I hav=
e seen all too often), or suddenly has dumped all of a performer&#39;s much=
-labored-over custom FX parameters (also seen), or stubbornly won&#39;t rec=
ognize their MIDI foot-controller for no particular reason whatsoever (ditt=
o) . . . I have to think schlepping a little redundant gear (so that the sh=
ow can go on) is not a terrible thing.<br>

<br>
</blockquote><div><br>Hey, I&#39;ve proposed naming my new collaboration (w=
ith Tom Ritchford, aka Tom Swirly) &quot;Crash proof&quot; as a talisman, a=
fter two succeeding gigs where the freaking emu midi interface decided to t=
ake a vacation for the entirety of the set, leaving me entirely without foo=
tcontrol! (good thing i can actually play that guitar as a guitar!)<br>
</div></div>

--0016361e7bdcc187ae046d7bc183--

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Subject: Re: MY NEW TOY
Date: Mon, 29 Jun 2009 09:05:46 -0400
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maybe an adrenalinn III and an M 13 would replace my whole setup...hmmm. I 
sure can't move it around now. sigh..

Jeff

----- Original Message ----- 
From: "L.Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 29, 2009 4:11 AM
Subject: RE: MY NEW TOY



you might also consider the adrenalinn III stomp it has killer 
tremolos,filters midi timebased fx and amp sims!
Luis

www.myspace.com/luisangulocom


--- mark@grubmah.com <mark@grubmah.com> schrieb am So, 28.6.2009:

> Von: mark@grubmah.com <mark@grubmah.com>
> Betreff: RE: MY NEW TOY
> An: Loopers-Delight@loopers-delight.com
> Datum: Sonntag, 28. Juni 2009, 8:58
> The
> Tech21 character series pedals seem pretty good. I got a
> Blonde and a Liverpool last week. I haven't had as much
> time to play with them as I would like, but they ought to
> sit nicely in the effects loop of an M13. (That pairing was
> Bill's suggestion a while back.)
> The M13 seems like the natural evolution of the
> Line6 stompbox modelers. It makes it easy to play with
> combinations of effects just as the individual modelers did
> and more or less recreates the pedal board effect. The
> effects are interesting but not deeply interesting. The
> Vortex has more interesting effects, but it's a pain to
> program, a pain to switch effects on (relatively speaking),
> and frequently noisy. For example, Line6's tremolos are
> nice but they aren't the Shimmer effect from the Vortex.
> Having tempo sync for the effects is nice, but I don't
> think the M13 will sync to MIDI clock (feh, since the device
> does have MIDI). The looper improves on the DL4 but I think
> it's mono and there isn't the option of having it
> generate tempo information for the effects.
> What would be really cool (not going to happen)
> would be for Line6 to take essentially this same form factor
> and build a multi-looper with it possibly with a couple of
> post-loop effects available as well. An M13, a "Loop
> 13", and a couple of Tech21 pedals could make for a
> powerful and portable rig.
> Mark
>
>
>





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ecol=F3gico no Brasil que =E9 totalmente Branco, com alvura de 88% e qu=
e =E9 
alcalino.<o:p></o:p></FONT></FONT></SPAN></U></I></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><FONT face=3D"Arial Narrow"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff"><B><I><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; FONT-SIZE: 13.5pt; mso-fareast=
-font-family: 'Times New Roman'; mso-fareast-language: PT-BR">Aproveite =

e substitua o papel comum por papel ecol=F3gico, SEM PAGAR MAIS CARO PO=
R 
ISSO.</SPAN></I></B><B style=3D"mso-bidi-font-weight: normal"><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; FONT-SIZE: 12pt; mso-f=
areast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR"><o:p=
></o:p></SPAN></B></FONT></FONT></P>
<P 
style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt; =
mso-outline-level: 5" 
class=3DMsoNormal align=3Dcenter><B><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: #c00000; FONT-SIZE: 14p=
t; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-=
BR; mso-bidi-font-size: 12.0pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff"><FONT face=3D"Arial Narrow">O m=EDn=
imo para 
entrega s=E3o 10 pacotes.</FONT>&nbsp; <o:p></o:p></FONT></SPAN></B></P=
>
<P 
style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt; =
mso-outline-level: 5" 
class=3DMsoNormal align=3Dcenter><FONT style=3D"BACKGROUND-COLOR: #ffff=
ff"><B><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: red; FONT-SIZE: 18=
pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT=
-BR">*Frete 
Gr=E1tis para: Campinas / Valinhos / Vinhedo / Hortol=E2ndia / Sumar=E9=
 /&nbsp; 
Paul=EDnia / Monte Mor / Nova Odessa</SPAN></B><B><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: black; FONT-SIZE: 12pt;=
 mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR=
"><o:p></o:p></SPAN></B></FONT></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; COLOR: green; FONT-SIZ=
E: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-languag=
e: PT-BR"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">&nbsp;<o:p></o:p></FONT></SPAN></B>=
</P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><FONT style=3D"BACKGROUND-COLOR: #ffff=
ff"><B><I><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: red; FONT-SIZE: 10=
pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT=
-BR; mso-bidi-font-size: 11.0pt">*</SPAN></I></B><B><SPAN 
style=3D"FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12=
pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT=
-BR">Demais 
cidades da Grande Campinas, com taxa de entrega de R$ 15,00 para at=E9 =
5 caixas. 
</SPAN></B><B><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; COLOR: black; FONT-SIZ=
E: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-languag=
e: PT-BR"><o:p></o:p></SPAN></B></FONT></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><SPAN 
style=3D"FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12=
pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT=
-BR"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">S=E3o Paulo e Grande S=E3o Paulo, V=
ale do Para=EDba, 
Baixa Santista, Sorocaba e Grande Sorocaba, Ribeir=E3o Preto e&nbsp;reg=
i=E3o, com 
taxa de entrega de R$ 20,00 para at=E9 5 caixas.&nbsp; Demais cidades e=
 
regi=F5es&nbsp;do Estado de S=E3o Paulo, com taxa de entrega de R$ 25,0=
0 para at=E9 5 
caixas. <U>Acima de 5 caixas, favor consultar valor do 
frete.</U></FONT></SPAN></B></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><B><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; COLOR: green; FONT-SIZ=
E: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-languag=
e: PT-BR"><o:p><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">&nbsp;</FONT></o:p></SPAN></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; COLOR: blue; FONT-SIZE=
: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language=
: PT-BR"><o:p><FONT 
style=3D"BACKGROUND-COLOR: #ffffff"></FONT></o:p></SPAN></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><I><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: black; FONT-SIZE: 18pt;=
 mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR=
; mso-bidi-font-size: 12.0pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">- Papel ecol=F3gico, COR BRANCO e 
alcalino<o:p></o:p></FONT></SPAN></I></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><I><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: black; FONT-SIZE: 18pt;=
 mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR=
; mso-bidi-font-size: 12.0pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">- Produzido a partir do baga=E7o da=
 
cana-de-a=E7=FAcar<o:p></o:p></FONT></SPAN></I></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><I><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: black; FONT-SIZE: 18pt;=
 mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR=
; mso-bidi-font-size: 12.0pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff"><SPAN 
style=3D"mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>- Isento de=
 cloro 
elementar e Soda<o:p></o:p></FONT></SPAN></I></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><I><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: black; FONT-SIZE: 18pt;=
 mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR=
; mso-bidi-font-size: 12.0pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">- Com menor teor de 
alvejante<o:p></o:p></FONT></SPAN></I></B></P>
<P 
style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; TEXT-INDENT: -18pt; M=
ARGIN: 0cm 0cm 0pt 36pt; tab-stops: list 36.0pt" 
class=3DMsoNormal align=3Dcenter><FONT style=3D"BACKGROUND-COLOR: #ffff=
ff"><B><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: black; FONT-SIZE: 18pt;=
 mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR=
; mso-bidi-font-style: italic; mso-bidi-font-size: 12.0pt">-</SPAN></B><=
B><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; COLOR: black; FONT-SIZ=
E: 7pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language=
: PT-BR; mso-bidi-font-style: italic">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp; 
</SPAN></B><B><I><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: black; FONT-SIZE: 18pt;=
 mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR=
; mso-bidi-font-size: 12.0pt">Com 
menor absor=E7=E3o de umidade <o:p></o:p></SPAN></I></B></FONT></P>
<P 
style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; TEXT-INDENT: -18pt; M=
ARGIN: 0cm 0cm 0pt 36pt; tab-stops: list 36.0pt" 
class=3DMsoNormal align=3Dcenter><B><I><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: black; FONT-SIZE: 18pt;=
 mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR=
; mso-bidi-font-size: 12.0pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">- Possui fibra longa, o que resulta=
 para uma 
melhor impress=E3o<o:p></o:p></FONT></SPAN></I></B></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><B><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; COLOR: green; FONT-SIZ=
E: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-languag=
e: PT-BR"><o:p><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">&nbsp;</FONT></o:p></SPAN></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><I><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: black; FONT-SIZE: 14pt;=
 mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR=
; mso-bidi-font-size: 12.0pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">Voc=EA contribui com a preserva=E7=E3=
o da natureza, 
sem gastar mais.<o:p></o:p></FONT></SPAN></I></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><I><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: black; FONT-SIZE: 14pt;=
 mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR=
; mso-bidi-font-size: 12.0pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">Comprando papel ecologicamente corr=
eto, pelo 
pre=E7o de papel comum.<o:p></o:p></FONT></SPAN></I></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><FONT style=3D"BACKGROUND-COLOR: #ffff=
ff"><B><I><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: #4f6228; FONT-SIZE: 14p=
t; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-=
BR; mso-bidi-font-size: 12.0pt"><FONT 
size=3D5>E o mais importante: Preserva a vida de milh=F5es de 
=E1rvores.</FONT></SPAN></I></B><B><SPAN 
style=3D"FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12=
pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT=
-BR"><o:p>&nbsp;</o:p></SPAN></B></FONT></P>
<P 
style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 10pt;=
 mso-margin-top-alt: auto; mso-margin-bottom-alt: auto" 
class=3DMsoNormal align=3Dcenter><B><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; COLOR: blue; FONT-SIZE=
: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language=
: PT-BR"><A 
href=3D"mailto:vendas@artmania.com.br"><SPAN 
style=3D"FONT-FAMILY: 'Arial Black','sans-serif'; FONT-SIZE: 36pt; mso-=
bidi-font-size: 11.0pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">vendas@artmania.com.br</FONT></SPAN=
></A></SPAN></B><FONT 
style=3D"BACKGROUND-COLOR: #ffffff"><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; FONT-SIZE: 12pt; mso-f=
areast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR"> 
</SPAN><B><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; COLOR: blue; FONT-SIZE=
: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language=
: PT-BR"><o:p></o:p></SPAN></B></FONT></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: blue; FONT-SIZE: 2=
6pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: P=
T-BR; mso-bidi-font-size: 36.0pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">(19) 3226-7776 / 
(19)&nbsp;3266-9726</FONT></SPAN></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: blue; FONT-SIZE: 2=
6pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: P=
T-BR; mso-bidi-font-size: 36.0pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">MSN: <A 
href=3D"mailto:artmania@artmania.com.br">artmania@artmania.com.br</A></=
FONT></SPAN></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; FONT-SIZE: 12pt; mso-fare=
ast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR"><o:p><F=
ONT 
style=3D"BACKGROUND-COLOR: #ffffff">&nbsp;</FONT></o:p></SPAN></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; FONT-SIZE: 12pt; mso-fare=
ast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">L. R. dos Santos Com=E9rcio de Pap=E9=
is =96 ME 
(=DAnica distribuidora oficial do Papel Tempo no 
Brasil)<o:p></o:p></FONT></SPAN></B></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><B><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: green; FONT-SIZE: =
10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: =
PT-BR"><o:p><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">&nbsp;</FONT></o:p></SPAN></B></P>
<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><B><I><SPAN 
style=3D"FONT-FAMILY: 'Georgia','serif'; COLOR: green; FONT-SIZE: 26pt;=
 mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR=
; mso-bidi-font-size: 12.0pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">Fa=E7a sua parte. Proteja a naturez=
a. Ela 
agradece<o:p></o:p></FONT></SPAN></I></B></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><FONT 
style=3D"BACKGROUND-COLOR: #ffffff"><B><SPAN 
style=3D"FONT-FAMILY: Webdings; COLOR: green; FONT-SIZE: 11.5pt; mso-fa=
reast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR; mso-b=
idi-font-family: Tahoma; mso-ansi-language: ES-TRAD" 
lang=3DES-TRAD>P </SPAN></B><SPAN 
style=3D"FONT-FAMILY: 'Tahoma','sans-serif'; COLOR: green; FONT-SIZE: 1=
0pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: P=
T-BR">An=FAncios 
via e-mail s=E3o ecol=F3gicos. N=E3o gastam papel, n=E3o contribuem par=
a o desmatamento 
das florestas e preservam o meio ambiente.</SPAN><B><SPAN 
style=3D"FONT-FAMILY: 'Arial','sans-serif'; COLOR: purple; FONT-SIZE: 2=
4pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: P=
T-BR"><o:p></o:p></SPAN></B></FONT></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><FONT 
style=3D"BACKGROUND-COLOR: #ffffff"><B><SPAN 
style=3D"FONT-FAMILY: 'Arial','sans-serif'; COLOR: green; FONT-SIZE: 9.=
5pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: P=
T-BR">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Antes 
de imprimir, pense em sua responsabilidade e compromisso com o MEIO 
AMBIENTE!</SPAN></B><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; FONT-SIZE: 12pt; mso-f=
areast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR"><o:p=
></o:p></SPAN></FONT></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; FONT-SIZE: 12pt; mso-f=
areast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR"><FON=
T 
style=3D"BACKGROUND-COLOR: #ffffff">&nbsp;<o:p></o:p></FONT></SPAN></P>=

<P style=3D"TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0p=
t" 
class=3DMsoNormal align=3Dcenter><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; FONT-SIZE: 12pt; mso-f=
areast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR"><o:p=
><FONT 
style=3D"BACKGROUND-COLOR: #ffffff"></FONT></o:p></SPAN></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><FONT 
style=3D"BACKGROUND-COLOR: #ffffff"><B style=3D"mso-bidi-font-weight: n=
ormal"><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: black; FONT-SIZE: =
18pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: =
PT-BR">Acesse 
- </SPAN></B><B style=3D"mso-bidi-font-weight: normal"><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: black; FONT-SIZE: =
13.5pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language=
: PT-BR">Empresa 
de Campinas distribui papel feito de cana</SPAN></B><B 
style=3D"mso-bidi-font-weight: normal"><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: black; FONT-SIZE: =
18pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: =
PT-BR">:</SPAN></B><B 
style=3D"mso-bidi-font-weight: normal"><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; FONT-SIZE: 10pt; mso-fare=
ast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR"><o:p></=
o:p></SPAN></B></FONT></P>
<P 
style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 10pt; mso-margin-top-alt:=
 auto; mso-margin-bottom-alt: auto" 
class=3DMsoNormal><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; FONT-SIZE: 10pt; mso-fare=
ast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR"><A 
href=3D"http://www.celuloseonline.com.br/pagina/pagina.asp?iditem=3D180=
18"><SPAN 
style=3D"mso-bidi-font-size: 11.0pt"><FONT style=3D"BACKGROUND-COLOR: #=
ffffff" 
size=3D3>http://www.celuloseonline.com.br/pagina/pagina.asp?iditem=3D18=
018</FONT></SPAN></A><o:p></o:p></SPAN></P>
<P 
style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 10pt; mso-margin-top-alt:=
 auto; mso-margin-bottom-alt: auto" 
class=3DMsoNormal><FONT style=3D"BACKGROUND-COLOR: #ffffff"><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: black; FONT-SIZE: =
10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: =
PT-BR">e 
tamb=E9m, </SPAN><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; FONT-SIZE: 10pt; mso-fare=
ast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR"><o:p></=
o:p></SPAN></FONT></P>
<P 
style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 10pt; mso-margin-top-alt:=
 auto; mso-margin-bottom-alt: auto" 
class=3DMsoNormal><FONT style=3D"BACKGROUND-COLOR: #ffffff"><B 
style=3D"mso-bidi-font-weight: normal"><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: black; FONT-SIZE: =
10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: =
PT-BR">PR=CAMIO 
RAC E SANASA (Papel de Cana evita desmatamentos):</SPAN></B><B 
style=3D"mso-bidi-font-weight: normal"><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: green; FONT-SIZE: =
10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: =
PT-BR"> 
</SPAN></B><B style=3D"mso-bidi-font-weight: normal"><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; FONT-SIZE: 10pt; mso-fare=
ast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR"><o:p></=
o:p></SPAN></B></FONT></P>
<P 
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NT 
style=3D"BACKGROUND-COLOR: #ffffff" 
size=3D2>http://www.cosmo.com.br/institucionais/responsabilidade_ambien=
tal/mostra_noticia.php?url=3D2696&cm=3D\noticias\2007\09\20\2696.php</FO=
NT></A><o:p></o:p></SPAN></P>
<P 
style=3D"MARGIN: 0cm 0cm 10pt; mso-margin-top-alt: auto; mso-margin-bot=
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(...) DE EMPRESAS DE SERVI=C7OS CONT=C1BEIS DE CAMPINAS</SPAN></B><B 
style=3D"mso-bidi-font-weight: normal"><SPAN 
style=3D"mso-fareast-font-family: 'Times New Roman'; mso-fareast-langua=
ge: PT-BR"><o:p></o:p></SPAN></B></FONT></P>
<P 
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 auto; mso-margin-bottom-alt: auto" 
class=3DMsoNormal><SPAN 
style=3D"FONT-SIZE: 10pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR"><A 
href=3D"http://www.seaac.org.br/campinas/noticias/noticias_imprensa.php=
?id=3D244"><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; FONT-SIZE: 12pt"><FONT 
style=3D"BACKGROUND-COLOR: #ffffff" 
size=3D2>http://www.seaac.org.br/campinas/noticias/noticias_imprensa.ph=
p?id=3D244</FONT></SPAN></A></SPAN><SPAN 
style=3D"FONT-FAMILY: 'Times New Roman','serif'; FONT-SIZE: 12pt; mso-f=
areast-font-family: 'Times New Roman'; mso-fareast-language: PT-BR"><o:p=
></o:p></SPAN></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><FONT 
face=3DCalibri><FONT style=3D"BACKGROUND-COLOR: #ffffff"><B 
style=3D"mso-bidi-font-weight: normal"><SPAN 
style=3D"FONT-SIZE: 13.5pt; mso-fareast-font-family: 'Times New Roman';=
 mso-fareast-language: PT-BR">Saiu 
no JORNAL DO MEIO AMBIENTE, patrocinado pela </SPAN></B><B><SPAN 
style=3D"COLOR: #008040; FONT-SIZE: 13.5pt; mso-fareast-font-family: 'T=
imes New Roman'; mso-fareast-language: PT-BR; mso-bidi-font-size: 11.0pt=
">Petrobr=E1s</SPAN></B><B 
style=3D"mso-bidi-font-weight: normal"><SPAN 
style=3D"COLOR: #008040; FONT-SIZE: 13.5pt; mso-fareast-font-family: 'T=
imes New Roman'; mso-fareast-language: PT-BR">.</SPAN></B><B 
style=3D"mso-bidi-font-weight: normal"><SPAN 
style=3D"FONT-SIZE: 10pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR"><o:p></o:p></SPAN></B></FONT></FONT></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><SPAN 
style=3D"FONT-SIZE: 10pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR"><FONT 
face=3DCalibri><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">&nbsp;<o:p></o:p></FONT></FONT></SP=
AN></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><FONT 
face=3DCalibri><FONT style=3D"BACKGROUND-COLOR: #ffffff"><SPAN 
style=3D"FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR">1=BA) 
acesse <SPAN style=3D"COLOR: purple"><A 
href=3D"http://www.caraguafm.com.br/jma.asp"><B>http://www.caraguafm.co=
m.br/jma.asp</B></A></SPAN></SPAN><SPAN 
style=3D"FONT-SIZE: 10pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR"><o:p></o:p></SPAN></FONT></FONT></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><FONT 
face=3DCalibri><FONT style=3D"BACKGROUND-COLOR: #ffffff"><SPAN 
style=3D"FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR">2=BA) 
Nos programetes, procure o dia <B>30/07/08 / Papel de Fibra de Cana e 
</B></SPAN><SPAN 
style=3D"FONT-SIZE: 10pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR"><o:p></o:p></SPAN></FONT></FONT></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><FONT 
face=3DCalibri><FONT style=3D"BACKGROUND-COLOR: #ffffff"><B><SPAN 
style=3D"FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR">Clique 
em Play, que est=E1 na mesma linha, logo =E0 frente.</SPAN></B><SPAN 
style=3D"FONT-SIZE: 10pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR"><o:p></o:p></SPAN></FONT></FONT></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><SPAN 
style=3D"FONT-SIZE: 10pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR"><FONT 
face=3DCalibri><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">&nbsp;<o:p></o:p></FONT></FONT></SP=
AN></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><FONT 
face=3DCalibri><FONT style=3D"BACKGROUND-COLOR: #ffffff"><SPAN 
style=3D"FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR">=C9&nbsp;mais 
um ve=EDculo de comunica=E7=E3o que se surpreendeu com a qualidade do p=
apel de fibra 
de cana e resolveu informar aos interessados, assim como fizeram Celulo=
se On 
Line, Revista Metr=F3pole, Revista Terra da Gente e o Jornal Correio Po=
pular, al=E9m 
de ser indicado pelo sindicato das </SPAN><SPAN 
style=3D"FONT-SIZE: 10pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR"><o:p></o:p></SPAN></FONT></FONT></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><FONT 
style=3D"BACKGROUND-COLOR: #ffffff"><FONT face=3DCalibri><SPAN 
style=3D"FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR">empresas 
cont=E1beis de Campinas e Regi=E3o. E</SPAN></FONT><FONT face=3DCalibri=
><SPAN 
style=3D"FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR">m 
todos estes casos, os ve=EDculos de comunica=E7=E3o vieram at=E9 a Art =
Mania conhecer 
este espetacular produto que =E9 o <B>Papel de Fibra de Cana</B> e 
</SPAN></FONT><FONT face=3DCalibri><SPAN 
style=3D"FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR">informar 
sobre a novidade no mercado de papel.</SPAN><SPAN 
style=3D"FONT-SIZE: 10pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR"><o:p></o:p></SPAN></FONT></FONT></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><SPAN 
style=3D"FONT-SIZE: 10pt; mso-fareast-font-family: 'Times New Roman'; m=
so-fareast-language: PT-BR"><FONT 
face=3DCalibri><FONT 
style=3D"BACKGROUND-COLOR: #ffffff">&nbsp;<o:p></o:p></FONT></FONT></SP=
AN></P>
<P style=3D"LINE-HEIGHT: normal; MARGIN: 0cm 0cm 0pt" class=3DMsoNormal=
><FONT 
style=3D"BACKGROUND-COLOR: #ffffff"><B><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: red; FONT-SIZE: 8p=
t; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-=
BR; mso-bidi-font-size: 11.0pt">Nossas 
mais sinceras desculpas por invadir sua privacidade. N=E3o temos a inte=
n=E7=E3o de 
enviar informa=E7=F5es a quem n=E3o tiver interesse em nossos produtos.=
 Esta mensagem 
n=E3o deve ser considerada "SPAM" j=E1 que a mesma possui um meio de se=
r cancelada 
ou removida =E0 qualquer momento. Todas as nossas mensagens s=E3o envia=
das com a 
complac=EAncia da nova legisla=E7=E3o sobre correio eletr=F4nico, Se=E7=
=E3o 301, Par=E1grafo 
(a) (2) (c) Decreto S. 1618, T=EDtulo Terceiro aprovado pelo "105=BA Co=
ngresso Base 
das Normativas Internacionais sobre o SPAM". Nenhum e-mail comercial po=
der=E1 ser 
considerado "SPAM" quando inclua uma forma de ser removido. Caso N=C3O =
queira mais 
receber mensagens de nossa empresa, nos envie um e-mail para</SPAN></B>=
<B><SPAN 
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PT-BR; mso-bidi-font-size: 11.0pt"> 
</SPAN></B><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: maroon; FONT-SIZE:=
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PT-BR"><A 
href=3D"mailto:comercial@artmania.com.br"><B><SPAN 
style=3D"mso-bidi-font-size: 11.0pt">comercial@artmania.com.br</SPAN></=
B></A></SPAN><B><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: maroon; FONT-SIZE:=
 8pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: =
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</SPAN></B><B><SPAN 
style=3D"FONT-FAMILY: 'Verdana','sans-serif'; COLOR: red; FONT-SIZE: 8p=
t; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: PT-=
BR; mso-bidi-font-size: 11.0pt">com 
o t=EDtulo: REMOVER. Obrigado.</SPAN></B><FONT face=3DCalibri><SPAN 
style=3D"FONT-SIZE: 10pt; mso-fareast-font-family: 'Times New Roman'; m=
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From Loopers-Delight-request@loopers-delight.com  Mon Jun 29 13:52:04 2009
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	 <004401c9f8ba$516ccc60$60862245@YOUR08D5303051>
Date: Mon, 29 Jun 2009 06:52:04 -0700
Message-ID: <bcd3c7bb0906290652y770aac52h501834a696a012de@mail.gmail.com>
Subject: Re: MY NEW TOY
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I found a laptop that's a bit more powerful than the one I use on ebay
for less than the cost of a new M16

http://cgi.ebay.com/Toshiba-Satellite-Laptop-Notebook-Computer-PC-Brand-NEW=
_W0QQcmdZViewItemQQ_trkparmsZ65Q3a12Q7c66Q3a2Q7c39Q3a1Q7c72Q3a1234Q7c240Q3a=
1308Q7c301Q3a1Q7c293Q3a1Q7c294Q3a50QQ_trksidZp3286Q2ec0Q2em14QQhashZitem29f=
f1cc0e2QQitemZ180373733602QQptZAUQ5fcompQ5flaptopQQsalenotsupported

That does bump it up to $679 with a new Stealthpedal. Mobius is free
and you can use a free host until you safe up for a more capable one.

M13 is $400 on ebay and an amp simulator will tack on another $200 at
least which brings that system up to $600.  It's just not that far
off.  Granted that computer 4 years ago set me back about $1400.
Crazy.

Yeah, computers can screw up but my system is really stable unless I
do something dumb like drag in a new instrument while a lot of stuff
is going on.

From Loopers-Delight-request@loopers-delight.com  Mon Jun 29 14:17:57 2009
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From: mark@grubmah.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: MY NEW TOY
Date: Mon, 29 Jun 2009 07:17:56 -0700
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<html><body><span style=3D"font-family:Verdana; color:#000000; font-size:10=
pt;"><div>If you don't go stereo, the character series pedals go for about =
$149 a piece, so the M13 + amp sim is still cheaper. Of course, for the con=
text of this list, that means you either need to live with the M13 looper (=
so maybe stereo amp sim doesn't matter) or already have one's own looper al=
ready.</div><div><br></div><div>Has anyone found a good stand for laptops i=
f one goes that route?</div><div><br></div><div>On a slightly related note,=
 I was comparing my Yamaha S90ES against using it to control some of the in=
struments in Ableton Live. It just didn't feel nearly as responsive until I=
 went and cranked down the buffer size. How tight do the pure laptop users =
in this group generally run their audio buffers?</div><div><br></div><div>M=
ark</div><div><br></div></span></body></html>

From Loopers-Delight-request@loopers-delight.com  Mon Jun 29 15:10:55 2009
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Subject: Re: MY NEW TOY
Date: Mon, 29 Jun 2009 11:10:53 -0400
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Thats right, I forgot that the M 13s looper is mono. That kills it for =
me although I could stereoize it with post loop fx.

J
  ----- Original Message -----=20
  From: mark@grubmah.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, June 29, 2009 10:17 AM
  Subject: RE: MY NEW TOY


  If you don't go stereo, the character series pedals go for about $149 =
a piece, so the M13 + amp sim is still cheaper. Of course, for the =
context of this list, that means you either need to live with the M13 =
looper (so maybe stereo amp sim doesn't matter) or already have one's =
own looper already.


  Has anyone found a good stand for laptops if one goes that route?


  On a slightly related note, I was comparing my Yamaha S90ES against =
using it to control some of the instruments in Ableton Live. It just =
didn't feel nearly as responsive until I went and cranked down the =
buffer size. How tight do the pure laptop users in this group generally =
run their audio buffers?


  Mark


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<DIV><FONT face=3DArial size=3D2>Thats right, I forgot that the M 13s =
looper is=20
mono. That kills it for me although I could stereoize it with post loop=20
fx.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>J</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@grubmah.com =
href=3D"mailto:mark@grubmah.com">mark@grubmah.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, June 29, 2009 =
10:17=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: MY NEW TOY</DIV>
  <DIV><BR></DIV><SPAN=20
  style=3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY: Verdana">
  <DIV>If you don't go stereo, the character series pedals go for about =
$149 a=20
  piece, so the M13 + amp sim is still cheaper. Of course, for the =
context of=20
  this list, that means you either need to live with the M13 looper (so =
maybe=20
  stereo amp sim doesn't matter) or already have one's own looper =
already.</DIV>
  <DIV><BR></DIV>
  <DIV>Has anyone found a good stand for laptops if one goes that =
route?</DIV>
  <DIV><BR></DIV>
  <DIV>On a slightly related note, I was comparing my Yamaha S90ES =
against using=20
  it to control some of the instruments in Ableton Live. It just didn't =
feel=20
  nearly as responsive until I went and cranked down the buffer size. =
How tight=20
  do the pure laptop users in this group generally run their audio=20
buffers?</DIV>
  <DIV><BR></DIV>
  <DIV>Mark</DIV>
  <DIV><BR></DIV></BLOCKQUOTE></SPAN></BODY></HTML>

------=_NextPart_000_000A_01C9F8AA.4494C8E0--

From Loopers-Delight-request@loopers-delight.com  Mon Jun 29 19:24:41 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: Antwerp loopfest - first mp3's available for download
Date: Mon, 29 Jun 2009 21:24:10 +0200
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Hi,
Just to let you know I've uploaded the first 5 mp3's of the festival:
http://euroloopfest.com/2009/antwerp/mp3/index.shtml

Special thanks to Sound Engineer Ronald Mari=EBn for the live mixing and
recording of this festival. Depending on the act, the mixed exists of =
2-6
tracks + a stereo audience mix to add a little ambience from the public =
and
the theathre. Enjoy :)

PS We are still working on the video's, so stay tuned.
---=20
Sjaak
http://sjaakovergaauw.com/=20
http://euroloopfest.com/


From Loopers-Delight-request@loopers-delight.com  Mon Jun 29 19:50:22 2009
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Antwerp loopfest - first mp3's available for download
Date: Mon, 29 Jun 2009 15:50:20 -0400
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They sound most excellent Sjaak! thanks

Jeff


----- Original Message ----- 
From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, June 29, 2009 3:24 PM
Subject: Antwerp loopfest - first mp3's available for download


Hi,
Just to let you know I've uploaded the first 5 mp3's of the festival:
http://euroloopfest.com/2009/antwerp/mp3/index.shtml

Special thanks to Sound Engineer Ronald Mariën for the live mixing and
recording of this festival. Depending on the act, the mixed exists of 2-6
tracks + a stereo audience mix to add a little ambience from the public and
the theathre. Enjoy :)

PS We are still working on the video's, so stay tuned.
--- 
Sjaak
http://sjaakovergaauw.com/
http://euroloopfest.com/



From Loopers-Delight-request@loopers-delight.com  Mon Jun 29 21:27:05 2009
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Date: Mon, 29 Jun 2009 14:27:03 -0700 (PDT)
Subject: re: MY NEW TOY
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Hey Ted,

I keep hearing people say that the new Adrenalinn has really good
amp simulations in it.   On top of that,  it's famed for having very
cool filter effects.

I don't actually have experience with it,  but I've read that the
amp simulations are good in several different electronic music,
guitar and production forums online.

Also,  this may be a bit naive coming from someone who only plays
at being a guitar player,  but I just love my little 5 watt , battery
powered VOX amplifier.

I just bought a second one.   At low volumes it sounds really good and there
are cool amp simulations from clean tweeds to heavily overdriven marshalls
and a fair amount of onboard effects.

It's amazing for something that can be had on line for between $100 and $140.
On top of that,  it's incredibly small and lightweight.

I'm loving setting it up at exactly guitar height after all of my stomp
box pedals,  micing it and putting the mic through my Looperlative.

You can get wicked manipulation of feedback this way and at very low volumes.

I kind of pride myself on being the quietest noise artist in the scene
these days.......lol.

I had to have a red one, so I'm going to sell my initial blue one
for $80 plus shipping if anyone is interested.

From Loopers-Delight-request@loopers-delight.com  Mon Jun 29 23:37:05 2009
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	 <000601c9f8f2$d5adefd0$60862245@YOUR08D5303051>
Date: Tue, 30 Jun 2009 01:37:03 +0200
Message-ID: <afb941d0906291637v402b122q2ebfa4d4d4d811ef@mail.gmail.com>
Subject: Re: Antwerp loopfest - first mp3's available for download
From: Raul Bonell <raul.bonell@gmail.com>
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my food! thanks!



2009/6/29, Jeff Duke <jeff_d@embarqmail.com>:
> They sound most excellent Sjaak! thanks
>
> Jeff
>
>
> ----- Original Message -----
> From: "Sjaak" <tcplugin@scarlet.be>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, June 29, 2009 3:24 PM
> Subject: Antwerp loopfest - first mp3's available for download
>
>
> Hi,
> Just to let you know I've uploaded the first 5 mp3's of the festival:
> http://euroloopfest.com/2009/antwerp/mp3/index.shtml
>
> Special thanks to Sound Engineer Ronald Mari=EBn for the live mixing and
> recording of this festival. Depending on the act, the mixed exists of 2-6
> tracks + a stereo audience mix to add a little ambience from the public a=
nd
> the theathre. Enjoy :)
>
> PS We are still working on the video's, so stay tuned.
> ---
> Sjaak
> http://sjaakovergaauw.com/
> http://euroloopfest.com/
>
>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 00:02:34 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Antwerp loopfest - first mp3's available for download
Date: Tue, 30 Jun 2009 02:01:27 +0200
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> From: Jeff Duke
> They sound most excellent Sjaak! Thanks

Thanks. Btw: if your hear a strange drone at the end of my set, it took =
a
while before I realised that that was a hanging midi note instead of a =
loop.
I had to stop it with the midi panic button because forgot to setup a =
midi
controller for the master volume...oeps. Luis told me that my Motu also =
had
a master volume knob but I had totally forgotten about that. Stupid! But =
you
know, when playing live, there has to be something going wrong isn't it? =
;)=20

---=20
Sjaak
http://sjaakovergaauw.com/=20
http://euroloopfest.com/


From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 00:03:17 2009
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User-Agent: Microsoft-Entourage/10.0.0.1309
Date: Mon, 29 Jun 2009 18:35:25 -0400
Subject: Re: MY NEW TOY  (+)
From: David Kasminsky <dwwave@roadrunner.com>
To: <Loopers-Delight@loopers-delight.com>
CC: David Kasminsky <dwwave@roadrunner.com>
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Hi,

  New on the web site / forums

  (and let me know if I should be responding on the sight ( I will ccc
myself)

  I use a Atomic Reactor Amplifier (tube slave 18 watt 1x12, bought when yo=
u
could still get them online , I got mine at  Sam Ash (with a Podxt template
+dock included) I bought a additional dock + template for a Vox Tone Lab
(desk top modeler) well worth it, time saver and the Vov Tone lab is a pain
to change out of the dock (at least for me)

 *re Roger Linn Adrenallin III (Mine was a version II but did the dual chip
update that also included a face plate to match up with the new positions)
It added compression and reverb, more amp models + (and improved sound)

Most recent purchases have been

 a Electro-Harmonix Stereo Memory Man with Hazari (love it) and it has a
looper capabilty,and a Boss SL-20 Slicer which can bee used as a looper but
can not save the loops (puzzling) but the sounds and features wow.

And combined definitely other wordly and in line prior to the Atomic Reacto=
r

(with wither Podxt, Vox Tone Lab (and I have the universal template that
allows floor based effect units and or units with out a docking station/ or
template for to be used through the effects loop. (ie: Adrennalin

I have looked in to the M13 as well as the JM4, Digitech Jam Man, Akai
Headrush, the 3 Boss RC usin loopers  and the EH 2880 looper, Robert Keeley

Makes a looper (several models but the site info was vague)

I was impressed at first with the JM4 bit not any more

I think the M13 gives you a lot for the $ and the EH 2880 as well

But I am fortunate to have the gear I have

I am saving for a new Mac (A Imac 24" ) so that=B9s my plan now

If I were to buy a M13 or EH 2880 my funds would take a hit

I did EH products as they are so unusual and when linked up

You get some really crazy stuff

I have wondered why Moog and its Mooger fogger pedal  line has not come up
with a looper ?

Peace and ? Should I be posting my reply on the Loopers delight site

I am thinking so please advise, Thanks!

David






On 6/29/09 9:05 AM, "Jeff Duke" <jeff_d@embarqmail.com> wrote:

> maybe an adrenalinn III and an M 13 would replace my whole setup...hmmm. =
I
> sure can't move it around now. sigh..
>=20
> Jeff
>=20
> ----- Original Message -----
> From: "L.Angulo" <labaloops@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, June 29, 2009 4:11 AM
> Subject: RE: MY NEW TOY
>=20
>=20
>=20
> you might also consider the adrenalinn III stomp it has killer
> tremolos,filters midi timebased fx and amp sims!
> Luis
>=20
> www.myspace.com/luisangulocom
>=20
>=20
> --- mark@grubmah.com <mark@grubmah.com> schrieb am So, 28.6.2009:
>=20
>> Von: mark@grubmah.com <mark@grubmah.com>
>> Betreff: RE: MY NEW TOY
>> An: Loopers-Delight@loopers-delight.com
>> Datum: Sonntag, 28. Juni 2009, 8:58
>> The
>> Tech21 character series pedals seem pretty good. I got a
>> Blonde and a Liverpool last week. I haven't had as much
>> time to play with them as I would like, but they ought to
>> sit nicely in the effects loop of an M13. (That pairing was
>> Bill's suggestion a while back.)
>> The M13 seems like the natural evolution of the
>> Line6 stompbox modelers. It makes it easy to play with
>> combinations of effects just as the individual modelers did
>> and more or less recreates the pedal board effect. The
>> effects are interesting but not deeply interesting. The
>> Vortex has more interesting effects, but it's a pain to
>> program, a pain to switch effects on (relatively speaking),
>> and frequently noisy. For example, Line6's tremolos are
>> nice but they aren't the Shimmer effect from the Vortex.
>> Having tempo sync for the effects is nice, but I don't
>> think the M13 will sync to MIDI clock (feh, since the device
>> does have MIDI). The looper improves on the DL4 but I think
>> it's mono and there isn't the option of having it
>> generate tempo information for the effects.
>> What would be really cool (not going to happen)
>> would be for Line6 to take essentially this same form factor
>> and build a multi-looper with it possibly with a couple of
>> post-loop effects available as well. An M13, a "Loop
>> 13", and a couple of Tech21 pedals could make for a
>> powerful and portable rig.
>> Mark
>>=20
>>=20
>>=20
>=20
>=20
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 13:08:48 2009
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References: <000701c9f818$de5ab580$d5852245@YOUR08D5303051>
Subject: Re: Virtual sound and Vision Festival
Date: Tue, 30 Jun 2009 15:08:15 +0200
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Great idea! (Although I personally don´t have a webcam.)
I think it´s a good opportunity to see - and listen to - some of you guys
playing.
Hope this will inspire me...
Have a good day!
Christo
----- Original Message -----
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, June 28, 2009 7:50 PM
Subject: Virtual sound and Vision Festival


> Just a note to announce the launching of a Myspace page for the proposed
> Virtual Sound and Vision Festival.
> http://www.myspace.com/vsvfestival
>
> More details will be announced, this is an idea thats time has come!
>
> Best,
>
> Jeff
>
>
>
> http://jeffduke.org/
> http://www.myspace.com/loopsinphasespace
> http://jeffduke.bandcamp.com/
> http://www.ustream.tv/channel/loopydroneyglitchywacky-presents
>


From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 14:01:25 2009
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Subject: Re: MY NEW TOY
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Jeff Duke wrote:
>> Rather than put two amp sims after the fx, surely it would be neater 
>> to put one amp sim between guitar and fx.
> 
> What would you recommend in a stereo amp sim Andy?
> 
> Jeff
> 

Oh, I'm probably the worst person to ask about amp sims ;-)
Ask Bill Walker.

I only really started playing electric guitar when I started looping,
and while I played bass through a nice valve setup for years I eventually
found that it just wouldn't reproduce the sort of playing I put into it.
(i.e. I used to sometimes get quite a lot going at once, but wasn't
willing to reduce the low frequency content of the sound.)

Hence I now use JBL Eons for everything, and don't possess a decent amp sim.

Currently I'm experimenting with a Moogerfooger Lo-pass to mellow
out the fuzzy tones from my ADA MP1 valve pre.

However, the raw fuzz/overdrive sounds I use sound ok to me, and it seems
also to the audience. Only knowledgeable guitarists have sometimes
to worried that I have a flat battery somewhere ;-)

Generally, I reckon that for a looping device, a clean full range sound is preferable
so that the layers can remain distinct in the mix.

Hence I would always put an amp sim before the looper, rather than after.
Then it would be possible to build up a mix using different amp tones.

My guess was that Ted wanted to "ampify" his pa speakers by putting a stereo
amp sim (two SansAmps) just in front of them.
It's a different approach...and I don't doubt he'd make it work.

I'd say 'hope that helps', only as I didn't
answer the question......     :-)

andy



From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 14:56:34 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: MY NEW TOY
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thanks Andy,

but you did answer it really. It's funny but i recently compiled alot of my 
tunes  for release on Bandcamp. I realized that the best (meaning my 
favorite) sounds were all direct into the board recordings. i have used 
whatever amp/speaker modelers I had in whatever fx box I was using at the 
time. All the newer stuff was done while wearing headphones in a quiet 
apartment.
I arrange it so that my chain is distortion/fuzz into amp modelers 
(currently Digitech RP 250  and or Korg AX 3000G) into modfx/delay/reverb 
into loopers into sometimes more mangle fx into mixer. Not the best way but 
there ya go. i stay stereo from the outputs of the multi fx boxes. i really 
want a proper mixer so that i can feed more of everything into everything 
else sort of :)
All that said i still believe that a good real amp cranked up sounds better. 
I just can't do that anymore in real life. I guess it come down to good tone 
being subjective. I am always looking for "the" sound. hmmm, maybe this? 
http://www.beavisaudio.com/Projects/DBS/

And your right about Bill Walker! He has the "tone"!

First cup 'o coffee wearing off, gotta go get more!

best,

Jeff


Ad astra per alia porci - Steinbeck


http://jeffduke.org/
http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.ustream.tv/channel/loopydroneyglitchywacky-presents
http://www.justin.tv/loopslab
http://www.vimeo.com/jeffduke
http://www.reverbnation.com/thejeffduke
http://virb.com/jeffduke
http://themineisthemind.blogspot.com/
http://www.youtube.com/user/sticky899
http://www.sugarat.org/tecbab/




----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 30, 2009 10:15 AM
Subject: Re: MY NEW TOY


> Jeff Duke wrote:
>>> Rather than put two amp sims after the fx, surely it would be neater to 
>>> put one amp sim between guitar and fx.
>>
>> What would you recommend in a stereo amp sim Andy?
>>
>> Jeff
>>
>
> Oh, I'm probably the worst person to ask about amp sims ;-)
> Ask Bill Walker.
>
> I only really started playing electric guitar when I started looping,
> and while I played bass through a nice valve setup for years I eventually
> found that it just wouldn't reproduce the sort of playing I put into it.
> (i.e. I used to sometimes get quite a lot going at once, but wasn't
> willing to reduce the low frequency content of the sound.)
>
> Hence I now use JBL Eons for everything, and don't possess a decent amp 
> sim.
>
> Currently I'm experimenting with a Moogerfooger Lo-pass to mellow
> out the fuzzy tones from my ADA MP1 valve pre.
>
> However, the raw fuzz/overdrive sounds I use sound ok to me, and it seems
> also to the audience. Only knowledgeable guitarists have sometimes
> to worried that I have a flat battery somewhere ;-)
>
> Generally, I reckon that for a looping device, a clean full range sound is 
> preferable
> so that the layers can remain distinct in the mix.
>
> Hence I would always put an amp sim before the looper, rather than after.
> Then it would be possible to build up a mix using different amp tones.
>
> My guess was that Ted wanted to "ampify" his pa speakers by putting a 
> stereo
> amp sim (two SansAmps) just in front of them.
> It's a different approach...and I don't doubt he'd make it work.
>
> I'd say 'hope that helps', only as I didn't
> answer the question......     :-)
>
> andy
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 15:15:54 2009
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
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Subject: RE: Impossible Music review
Date: Tue, 30 Jun 2009 17:15:48 +0200
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> Michal i think a lot of us would be also interested in the 
> making proccess of this very interesting and delightful CD 
> feel free to tell us!

thanks Luis ... well I don't want to go into too much detail because it is
OT ... no music loops involved, although ... when I think of it, the process
of iterating through a mathematical formula is a loop !!!  it really is. I
never thought of it this way.

Anyway the formula involved here are a certain kind of attractor
(http://en.wikipedia.org/wiki/Attractor)

In the software that I wrote in the early nineties, the attractors are drawn
graphically ... you begin by drawing an x,y point on the screen, then you
put these x,y values into a formula which computes a new x,y pair (or screen
position). You draw that new point and go through the formula again ...
thousands of times, each time drawing one pixel. The result is a graphical
structure that often looks beautiful. My software creates shapes such as
this:
http://www.michaelpeters.de/hopgallery/images/miraplankton.jpg

Of course while drawing the images, you can create midi signals simply by
mapping the x,y position to pitch, and the color to velocity. Impossible
Music was created by adding midi output to the graphical program, and
plugging a digital piano into these mathematical structures. I added some
midi filters, pitch rules, etc. The rest was lots of experimentation.

-Michael
www.hyperfunction.org




From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 15:50:32 2009
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From: "Ricky Graham" <rock.guitar.guru@binternet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <134212.37726.qm@web24307.mail.ird.yahoo.com> <004601c9f995$a81c7390$14b2a8c0@mpeserver>
Subject: Re: Impossible Music review
Date: Tue, 30 Jun 2009 16:43:50 +0100
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The shapes are very beautiful. Very "natural" looking for computer generated 
image.

Ricky

----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 30, 2009 4:15 PM
Subject: RE: Impossible Music review


>> Michal i think a lot of us would be also interested in the
>> making proccess of this very interesting and delightful CD
>> feel free to tell us!
>
> thanks Luis ... well I don't want to go into too much detail because it is
> OT ... no music loops involved, although ... when I think of it, the 
> process
> of iterating through a mathematical formula is a loop !!!  it really is. I
> never thought of it this way.
>
> Anyway the formula involved here are a certain kind of attractor
> (http://en.wikipedia.org/wiki/Attractor)
>
> In the software that I wrote in the early nineties, the attractors are 
> drawn
> graphically ... you begin by drawing an x,y point on the screen, then you
> put these x,y values into a formula which computes a new x,y pair (or 
> screen
> position). You draw that new point and go through the formula again ...
> thousands of times, each time drawing one pixel. The result is a graphical
> structure that often looks beautiful. My software creates shapes such as
> this:
> http://www.michaelpeters.de/hopgallery/images/miraplankton.jpg
>
> Of course while drawing the images, you can create midi signals simply by
> mapping the x,y position to pitch, and the color to velocity. Impossible
> Music was created by adding midi output to the graphical program, and
> plugging a digital piano into these mathematical structures. I added some
> midi filters, pitch rules, etc. The rest was lots of experimentation.
>
> -Michael
> www.hyperfunction.org
>
>
>
>


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From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 16:05:01 2009
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	 <004601c9f995$a81c7390$14b2a8c0@mpeserver>
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Date: Tue, 30 Jun 2009 12:04:58 -0400
Message-ID: <d1dcce560906300904h12b1c76av4d40e2d3259a90b@mail.gmail.com>
Subject: Re: Impossible Music review
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Here's a strange attractor app for anybody who's interested.  It's
code I found while digging around looking for some math/art apps.

http://www.thinginajar.com/bigtony/StrangeAttractor.exe

Click in the window to generate a new random pattern. The longer it
runs the more gets filled in.

> ----- Original Message ----- From: "Michael Peters" <mp@mpeters.de>
> To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, June 30, 2009 4:15 PM
> Subject: RE: Impossible Music review
>
>
>>> Michal i think a lot of us would be also interested in the
>>> making proccess of this very interesting and delightful CD
>>> feel free to tell us!
>>
>> thanks Luis ... well I don't want to go into too much detail because it =
is
>> OT ... no music loops involved, although ... when I think of it, the
>> process
>> of iterating through a mathematical formula is a loop !!! =A0it really i=
s. I
>> never thought of it this way.
>>
>> Anyway the formula involved here are a certain kind of attractor
>> (http://en.wikipedia.org/wiki/Attractor)
>>
>> In the software that I wrote in the early nineties, the attractors are
>> drawn
>> graphically ... you begin by drawing an x,y point on the screen, then yo=
u
>> put these x,y values into a formula which computes a new x,y pair (or
>> screen
>> position). You draw that new point and go through the formula again ...
>> thousands of times, each time drawing one pixel. The result is a graphic=
al
>> structure that often looks beautiful. My software creates shapes such as
>> this:
>> http://www.michaelpeters.de/hopgallery/images/miraplankton.jpg
>>
>> Of course while drawing the images, you can create midi signals simply b=
y
>> mapping the x,y position to pitch, and the color to velocity. Impossible
>> Music was created by adding midi output to the graphical program, and
>> plugging a digital piano into these mathematical structures. I added som=
e
>> midi filters, pitch rules, etc. The rest was lots of experimentation.
>>
>> -Michael
>> www.hyperfunction.org
>>
>>
>>
>>
>
>
> -------------------------------------------------------------------------=
-------
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.375 / Virus Database: 270.13.0/2210 - Release Date: 06/30/09
> 06:10:00
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 16:26:11 2009
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Subject: Re: Impossible Music review
Date: Tue, 30 Jun 2009 12:26:27 -0400
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I found this: http://math.bu.edu/DYSYS/applets/chaos-game.html

J

----- Original Message ----- 
From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 30, 2009 12:04 PM
Subject: Re: Impossible Music review


Here's a strange attractor app for anybody who's interested.  It's
code I found while digging around looking for some math/art apps.

http://www.thinginajar.com/bigtony/StrangeAttractor.exe

Click in the window to generate a new random pattern. The longer it
runs the more gets filled in.

> ----- Original Message ----- From: "Michael Peters" <mp@mpeters.de>
> To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, June 30, 2009 4:15 PM
> Subject: RE: Impossible Music review
>
>
>>> Michal i think a lot of us would be also interested in the
>>> making proccess of this very interesting and delightful CD
>>> feel free to tell us!
>>
>> thanks Luis ... well I don't want to go into too much detail because it 
>> is
>> OT ... no music loops involved, although ... when I think of it, the
>> process
>> of iterating through a mathematical formula is a loop !!! it really is. I
>> never thought of it this way.
>>
>> Anyway the formula involved here are a certain kind of attractor
>> (http://en.wikipedia.org/wiki/Attractor)
>>
>> In the software that I wrote in the early nineties, the attractors are
>> drawn
>> graphically ... you begin by drawing an x,y point on the screen, then you
>> put these x,y values into a formula which computes a new x,y pair (or
>> screen
>> position). You draw that new point and go through the formula again ...
>> thousands of times, each time drawing one pixel. The result is a 
>> graphical
>> structure that often looks beautiful. My software creates shapes such as
>> this:
>> http://www.michaelpeters.de/hopgallery/images/miraplankton.jpg
>>
>> Of course while drawing the images, you can create midi signals simply by
>> mapping the x,y position to pitch, and the color to velocity. Impossible
>> Music was created by adding midi output to the graphical program, and
>> plugging a digital piano into these mathematical structures. I added some
>> midi filters, pitch rules, etc. The rest was lots of experimentation.
>>
>> -Michael
>> www.hyperfunction.org
>>
>>
>>
>>
>
>
> --------------------------------------------------------------------------------
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.375 / Virus Database: 270.13.0/2210 - Release Date: 06/30/09
> 06:10:00
>
>



-- 
-==-=-=-
Tony


From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 17:21:41 2009
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To: Loopers-Delight@loopers-delight.com
Subject: ot.....music show alert
Date: Tue, 30 Jun 2009 13:21:21 -0400
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 looks to be an interesting show tonite on PBS.....NOVA.....this will be the second show in a week on brain imaging and music.....they seem to think that music is good for us and children.....music is getting a lot of good press lately.....maybe they will bring it back to schools in the near future.....:).....m


 




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<div> <font face="Arial, Helvetica, sans-serif">looks to be an interesting show tonite on PBS.....NOVA.....this will be the second show in a week on brain imaging and music.....they seem to think that music is good for us and children.....music is getting a lot of good press lately.....maybe they will bring it back to schools in the near future.....:).....m</font><br>
</div>

<div> <br>
</div>
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From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 17:34:50 2009
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Date: Tue, 30 Jun 2009 19:34:48 +0200
Message-ID: <7334ca1b0906301034h349021c0x5e67b82f05e51ea5@mail.gmail.com>
Subject: Re: Virtual sound and Vision Festival
From: Rainer Straschill <moinsound@googlemail.com>
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Christo said:
"Great idea! (Although I personally don=B4t have a webcam.)"

Seriously, with prices for webcams starting around ten bucks, that can
hardly be an excuse. Get one!

           Rainer

(inventor of that odd virtual festival thing idea ;)

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 17:40:23 2009
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Date: Tue, 30 Jun 2009 10:27:06 -0700
To: Loopers-Delight@loopers-delight.com
From: David Gans <david@trufun.com>
Subject: Re: ot.....music show alert
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--============_-965739275==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

At 1:21 PM -0400 6/30/09, nemoguitt@aol.com wrote:
>looks to be an interesting show tonite on PBS.....NOVA.....this will 
>be the second show in a week on brain imaging and music.....they 
>seem to think that music is good for us and children.....music is 
>getting a lot of good press lately.....maybe they will bring it back 
>to schools in the near future.....:).....m

This program features Oliver Sacks, based on his wonderful book 
MUSICOPHILIA.  Don't miss it!  And read the book, too - it's amazing.

-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans


--============_-965739275==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: ot.....music show alert</title></head><body>
<div>At 1:21 PM -0400 6/30/09, nemoguitt@aol.com wrote:</div>
<blockquote type="cite" cite><font face="Arial">looks to be an
interesting show tonite on PBS.....NOVA.....this will be the second
show in a week on brain imaging and music.....they seem to think that
music is good for us and children.....music is getting a lot of good
press lately.....maybe they will bring it back to schools in the near
future.....:).....m</font></blockquote>
<div><br></div>
<div>This program features Oliver Sacks, based on his wonderful book
MUSICOPHILIA.&nbsp; Don't miss it!&nbsp; And read the book, too - it's
amazing.</div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
David Gans - david@trufun.com or david@gdhour.com<br>
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA
94610-2730<br>
Blog:&nbsp; http://cloudsurfing.gdhour.com<br>
Web site: http://www.dgans.com<br>
Photos: http://www.flickr.com/photos/dgans<br>
Music: http://www.cdbaby.com/all/dgans<br>
<br>
</div>
</body>
</html>
--============_-965739275==_ma============--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 18:37:08 2009
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Date: Tue, 30 Jun 2009 11:29:31 -0700
Message-ID: <bcd3c7bb0906301129g4f2b3a74r53ffaa0c55f88c82@mail.gmail.com>
Subject: Re: MY NEW TOY
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Word on the street is that if you want *the best* then the Axe-FX is
the route to go:

http://www.fractalaudio.com/products-fa-axefx.html

I have no experience with them but the demos sound great: (even with
youtube compression)

http://www.youtube.com/watch?v=3DUbu8A_wmmNI&fmt=3D18

The cost seems prohibitive to me, but if you've got the cash and want
the best maybe it's worth it. I found my Vox Tonelab/VF-1 combo to be
good enough for me, and Amplitube to be even better. One thing that
sold me on the software route is that if I want to do something that's
not possible in a hardware set up without a bunch of re-routing I can
do it effortlessly and then call it up as a preset.

On Tue, Jun 30, 2009 at 7:56 AM, Jeff Duke<jeff_d@embarqmail.com> wrote:
> thanks Andy,
>
> but you did answer it really. It's funny but i recently compiled alot of =
my
> tunes =A0for release on Bandcamp. I realized that the best (meaning my
> favorite) sounds were all direct into the board recordings. i have used
> whatever amp/speaker modelers I had in whatever fx box I was using at the
> time. All the newer stuff was done while wearing headphones in a quiet
> apartment.
> I arrange it so that my chain is distortion/fuzz into amp modelers
> (currently Digitech RP 250 =A0and or Korg AX 3000G) into modfx/delay/reve=
rb
> into loopers into sometimes more mangle fx into mixer. Not the best way b=
ut
> there ya go. i stay stereo from the outputs of the multi fx boxes. i real=
ly
> want a proper mixer so that i can feed more of everything into everything
> else sort of :)
> All that said i still believe that a good real amp cranked up sounds bett=
er.
> I just can't do that anymore in real life. I guess it come down to good t=
one
> being subjective. I am always looking for "the" sound. hmmm, maybe this?
> http://www.beavisaudio.com/Projects/DBS/
>
> And your right about Bill Walker! He has the "tone"!
>
> First cup 'o coffee wearing off, gotta go get more!
>
> best,
>
> Jeff
>
>
> Ad astra per alia porci - Steinbeck
>
>
> http://jeffduke.org/
> http://www.myspace.com/loopsinphasespace
> http://jeffduke.bandcamp.com/
> http://www.ustream.tv/channel/loopydroneyglitchywacky-presents
> http://www.justin.tv/loopslab
> http://www.vimeo.com/jeffduke
> http://www.reverbnation.com/thejeffduke
> http://virb.com/jeffduke
> http://themineisthemind.blogspot.com/
> http://www.youtube.com/user/sticky899
> http://www.sugarat.org/tecbab/
>
>
>
>
> ----- Original Message ----- From: "andy butler" <akbutler@tiscali.co.uk>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, June 30, 2009 10:15 AM
> Subject: Re: MY NEW TOY
>
>
>> Jeff Duke wrote:
>>>>
>>>> Rather than put two amp sims after the fx, surely it would be neater t=
o
>>>> put one amp sim between guitar and fx.
>>>
>>> What would you recommend in a stereo amp sim Andy?
>>>
>>> Jeff
>>>
>>
>> Oh, I'm probably the worst person to ask about amp sims ;-)
>> Ask Bill Walker.
>>
>> I only really started playing electric guitar when I started looping,
>> and while I played bass through a nice valve setup for years I eventuall=
y
>> found that it just wouldn't reproduce the sort of playing I put into it.
>> (i.e. I used to sometimes get quite a lot going at once, but wasn't
>> willing to reduce the low frequency content of the sound.)
>>
>> Hence I now use JBL Eons for everything, and don't possess a decent amp
>> sim.
>>
>> Currently I'm experimenting with a Moogerfooger Lo-pass to mellow
>> out the fuzzy tones from my ADA MP1 valve pre.
>>
>> However, the raw fuzz/overdrive sounds I use sound ok to me, and it seem=
s
>> also to the audience. Only knowledgeable guitarists have sometimes
>> to worried that I have a flat battery somewhere ;-)
>>
>> Generally, I reckon that for a looping device, a clean full range sound =
is
>> preferable
>> so that the layers can remain distinct in the mix.
>>
>> Hence I would always put an amp sim before the looper, rather than after=
.
>> Then it would be possible to build up a mix using different amp tones.
>>
>> My guess was that Ted wanted to "ampify" his pa speakers by putting a
>> stereo
>> amp sim (two SansAmps) just in front of them.
>> It's a different approach...and I don't doubt he'd make it work.
>>
>> I'd say 'hope that helps', only as I didn't
>> answer the question...... =A0 =A0 :-)
>>
>> andy
>>
>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 20:35:21 2009
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Date: Tue, 30 Jun 2009 20:35:19 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: MY NEW TOY
To: Loopers-Delight@loopers-delight.com
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seems to have a basic but nice looper as well with record,play,play once ,o=
verdub and reverse not bad but ouch the price hurts...

www.myspace.com/luisangulocom


--- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Di, 30.6.2009:

> Von: Mark Sottilaro <zerocrossing@gmail.com>
> Betreff: Re: MY NEW TOY
> An: Loopers-Delight@loopers-delight.com
> Datum: Dienstag, 30. Juni 2009, 11:29
> Word on the street is that if you
> want *the best* then the Axe-FX is
> the route to go:
>=20
> http://www.fractalaudio.com/products-fa-axefx.html
>=20
> I have no experience with them but the demos sound great:
> (even with
> youtube compression)
>=20
> http://www.youtube.com/watch?v=3DUbu8A_wmmNI&fmt=3D18
>=20
> The cost seems prohibitive to me, but if you've got the
> cash and want
> the best maybe it's worth it. I found my Vox Tonelab/VF-1
> combo to be
> good enough for me, and Amplitube to be even better. One
> thing that
> sold me on the software route is that if I want to do
> something that's
> not possible in a hardware set up without a bunch of
> re-routing I can
> do it effortlessly and then call it up as a preset.
>=20
> On Tue, Jun 30, 2009 at 7:56 AM, Jeff Duke<jeff_d@embarqmail.com>
> wrote:
> > thanks Andy,
> >
> > but you did answer it really. It's funny but i
> recently compiled alot of my
> > tunes =A0for release on Bandcamp. I realized that the
> best (meaning my
> > favorite) sounds were all direct into the board
> recordings. i have used
> > whatever amp/speaker modelers I had in whatever fx box
> I was using at the
> > time. All the newer stuff was done while wearing
> headphones in a quiet
> > apartment.
> > I arrange it so that my chain is distortion/fuzz into
> amp modelers
> > (currently Digitech RP 250 =A0and or Korg AX 3000G)
> into modfx/delay/reverb
> > into loopers into sometimes more mangle fx into mixer.
> Not the best way but
> > there ya go. i stay stereo from the outputs of the
> multi fx boxes. i really
> > want a proper mixer so that i can feed more of
> everything into everything
> > else sort of :)
> > All that said i still believe that a good real amp
> cranked up sounds better.
> > I just can't do that anymore in real life. I guess it
> come down to good tone
> > being subjective. I am always looking for "the" sound.
> hmmm, maybe this?
> > http://www.beavisaudio.com/Projects/DBS/
> >
> > And your right about Bill Walker! He has the "tone"!
> >
> > First cup 'o coffee wearing off, gotta go get more!
> >
> > best,
> >
> > Jeff
> >
> >
> > Ad astra per alia porci - Steinbeck
> >
> >
> > http://jeffduke.org/
> > http://www.myspace.com/loopsinphasespace
> > http://jeffduke.bandcamp.com/
> > http://www.ustream.tv/channel/loopydroneyglitchywacky-presents
> > http://www.justin.tv/loopslab
> > http://www.vimeo.com/jeffduke
> > http://www.reverbnation.com/thejeffduke
> > http://virb.com/jeffduke
> > http://themineisthemind.blogspot.com/
> > http://www.youtube.com/user/sticky899
> > http://www.sugarat.org/tecbab/
> >
> >
> >
> >
> > ----- Original Message ----- From: "andy butler"
> <akbutler@tiscali.co.uk>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Tuesday, June 30, 2009 10:15 AM
> > Subject: Re: MY NEW TOY
> >
> >
> >> Jeff Duke wrote:
> >>>>
> >>>> Rather than put two amp sims after the fx,
> surely it would be neater to
> >>>> put one amp sim between guitar and fx.
> >>>
> >>> What would you recommend in a stereo amp sim
> Andy?
> >>>
> >>> Jeff
> >>>
> >>
> >> Oh, I'm probably the worst person to ask about amp
> sims ;-)
> >> Ask Bill Walker.
> >>
> >> I only really started playing electric guitar when
> I started looping,
> >> and while I played bass through a nice valve setup
> for years I eventually
> >> found that it just wouldn't reproduce the sort of
> playing I put into it.
> >> (i.e. I used to sometimes get quite a lot going at
> once, but wasn't
> >> willing to reduce the low frequency content of the
> sound.)
> >>
> >> Hence I now use JBL Eons for everything, and don't
> possess a decent amp
> >> sim.
> >>
> >> Currently I'm experimenting with a Moogerfooger
> Lo-pass to mellow
> >> out the fuzzy tones from my ADA MP1 valve pre.
> >>
> >> However, the raw fuzz/overdrive sounds I use sound
> ok to me, and it seems
> >> also to the audience. Only knowledgeable
> guitarists have sometimes
> >> to worried that I have a flat battery somewhere
> ;-)
> >>
> >> Generally, I reckon that for a looping device, a
> clean full range sound is
> >> preferable
> >> so that the layers can remain distinct in the
> mix.
> >>
> >> Hence I would always put an amp sim before the
> looper, rather than after.
> >> Then it would be possible to build up a mix using
> different amp tones.
> >>
> >> My guess was that Ted wanted to "ampify" his pa
> speakers by putting a
> >> stereo
> >> amp sim (two SansAmps) just in front of them.
> >> It's a different approach...and I don't doubt he'd
> make it work.
> >>
> >> I'd say 'hope that helps', only as I didn't
> >> answer the question...... =A0 =A0 :-)
> >>
> >> andy
> >>
> >>
> >>
> >>
> >
> >
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 20:41:16 2009
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Date: Tue, 30 Jun 2009 20:41:14 +0000 (GMT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: AW: Antwerp loopfest - first mp3's available for download
To: Loopers-Delight@loopers-delight.com
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Sjaak thank you kindly for all this hard work you guys have done,been worki=
ng a lot lately and i havent listened to the performances yet but i will as=
 soon as i get a chance.
Please send my regards to Ronald who did an outstanding job and again thank=
 you specially for putting such a first class succesful festival!
Luis


www.myspace.com/luisangulocom


--- Sjaak <tcplugin@scarlet.be> schrieb am Mo, 29.6.2009:

> Von: Sjaak <tcplugin@scarlet.be>
> Betreff: Antwerp loopfest - first mp3's available for download
> An: Loopers-Delight@loopers-delight.com
> Datum: Montag, 29. Juni 2009, 12:24
> Hi,
> Just to let you know I've uploaded the first 5 mp3's of the
> festival:
> http://euroloopfest.com/2009/antwerp/mp3/index.shtml
>=20
> Special thanks to Sound Engineer Ronald Mari=EBn for the
> live mixing and
> recording of this festival. Depending on the act, the mixed
> exists of 2-6
> tracks + a stereo audience mix to add a little ambience
> from the public and
> the theathre. Enjoy :)
>=20
> PS We are still working on the video's, so stay tuned.
> ---=20
> Sjaak
> http://sjaakovergaauw.com/=20
> http://euroloopfest.com/
>=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 21:24:11 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Antwerp loopfest - first mp3's available for download
Date: Tue, 30 Jun 2009 23:23:56 +0200
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> From: L.Angulo
> Sjaak thank you kindly for all this hard work you guys have 
> done,been working a lot lately and i havent listened to the 
> performances yet but i will as soon as i get a chance. Please 
> send my regards to Ronald who did an outstanding job and 
> again thank you specially for putting such a first class 
> succesful festival! Luis

Thanks Luis, I've forwarded your message to Ronald. If I could make money
with making music and promoting it, I would start tomorrow ;) But I guess I
keep combining it with my current job, the best of both worlds. 

Btw: I've added Fabio's mp3 to the website, see
http://euroloopfest.com/2009/antwerp/mp3/index.shtml 

--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/


From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 21:45:20 2009
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Date: Tue, 30 Jun 2009 14:45:20 -0700
Message-ID: <bcd3c7bb0906301445s2fb58a4dnb7b2009c33d832b5@mail.gmail.com>
Subject: Re: MY NEW TOY
From: Mark Sottilaro <zerocrossing@gmail.com>
To: Loopers-Delight@loopers-delight.com
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No kidding!  However when I think of the fact that my Vox/VF-1 was
about half that price (and the VF-1 was used when I got it) and I
guess if you consider the IK Multimedia STOMP I/O is $1000 (+$229 for
Fender) and you still need a computer to run it, it sounds a bit less
crazy.

On Tue, Jun 30, 2009 at 1:35 PM, L.Angulo<labaloops@yahoo.com> wrote:
>
> seems to have a basic but nice looper as well with record,play,play once =
,overdub and reverse not bad but ouch the price hurts...
>
> www.myspace.com/luisangulocom
>
>
> --- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Di, 30.6.2009:
>
>> Von: Mark Sottilaro <zerocrossing@gmail.com>
>> Betreff: Re: MY NEW TOY
>> An: Loopers-Delight@loopers-delight.com
>> Datum: Dienstag, 30. Juni 2009, 11:29
>> Word on the street is that if you
>> want *the best* then the Axe-FX is
>> the route to go:
>>
>> http://www.fractalaudio.com/products-fa-axefx.html
>>
>> I have no experience with them but the demos sound great:
>> (even with
>> youtube compression)
>>
>> http://www.youtube.com/watch?v=3DUbu8A_wmmNI&fmt=3D18
>>
>> The cost seems prohibitive to me, but if you've got the
>> cash and want
>> the best maybe it's worth it. I found my Vox Tonelab/VF-1
>> combo to be
>> good enough for me, and Amplitube to be even better. One
>> thing that
>> sold me on the software route is that if I want to do
>> something that's
>> not possible in a hardware set up without a bunch of
>> re-routing I can
>> do it effortlessly and then call it up as a preset.
>>
>> On Tue, Jun 30, 2009 at 7:56 AM, Jeff Duke<jeff_d@embarqmail.com>
>> wrote:
>> > thanks Andy,
>> >
>> > but you did answer it really. It's funny but i
>> recently compiled alot of my
>> > tunes =A0for release on Bandcamp. I realized that the
>> best (meaning my
>> > favorite) sounds were all direct into the board
>> recordings. i have used
>> > whatever amp/speaker modelers I had in whatever fx box
>> I was using at the
>> > time. All the newer stuff was done while wearing
>> headphones in a quiet
>> > apartment.
>> > I arrange it so that my chain is distortion/fuzz into
>> amp modelers
>> > (currently Digitech RP 250 =A0and or Korg AX 3000G)
>> into modfx/delay/reverb
>> > into loopers into sometimes more mangle fx into mixer.
>> Not the best way but
>> > there ya go. i stay stereo from the outputs of the
>> multi fx boxes. i really
>> > want a proper mixer so that i can feed more of
>> everything into everything
>> > else sort of :)
>> > All that said i still believe that a good real amp
>> cranked up sounds better.
>> > I just can't do that anymore in real life. I guess it
>> come down to good tone
>> > being subjective. I am always looking for "the" sound.
>> hmmm, maybe this?
>> > http://www.beavisaudio.com/Projects/DBS/
>> >
>> > And your right about Bill Walker! He has the "tone"!
>> >
>> > First cup 'o coffee wearing off, gotta go get more!
>> >
>> > best,
>> >
>> > Jeff
>> >
>> >
>> > Ad astra per alia porci - Steinbeck
>> >
>> >
>> > http://jeffduke.org/
>> > http://www.myspace.com/loopsinphasespace
>> > http://jeffduke.bandcamp.com/
>> > http://www.ustream.tv/channel/loopydroneyglitchywacky-presents
>> > http://www.justin.tv/loopslab
>> > http://www.vimeo.com/jeffduke
>> > http://www.reverbnation.com/thejeffduke
>> > http://virb.com/jeffduke
>> > http://themineisthemind.blogspot.com/
>> > http://www.youtube.com/user/sticky899
>> > http://www.sugarat.org/tecbab/
>> >
>> >
>> >
>> >
>> > ----- Original Message ----- From: "andy butler"
>> <akbutler@tiscali.co.uk>
>> > To: <Loopers-Delight@loopers-delight.com>
>> > Sent: Tuesday, June 30, 2009 10:15 AM
>> > Subject: Re: MY NEW TOY
>> >
>> >
>> >> Jeff Duke wrote:
>> >>>>
>> >>>> Rather than put two amp sims after the fx,
>> surely it would be neater to
>> >>>> put one amp sim between guitar and fx.
>> >>>
>> >>> What would you recommend in a stereo amp sim
>> Andy?
>> >>>
>> >>> Jeff
>> >>>
>> >>
>> >> Oh, I'm probably the worst person to ask about amp
>> sims ;-)
>> >> Ask Bill Walker.
>> >>
>> >> I only really started playing electric guitar when
>> I started looping,
>> >> and while I played bass through a nice valve setup
>> for years I eventually
>> >> found that it just wouldn't reproduce the sort of
>> playing I put into it.
>> >> (i.e. I used to sometimes get quite a lot going at
>> once, but wasn't
>> >> willing to reduce the low frequency content of the
>> sound.)
>> >>
>> >> Hence I now use JBL Eons for everything, and don't
>> possess a decent amp
>> >> sim.
>> >>
>> >> Currently I'm experimenting with a Moogerfooger
>> Lo-pass to mellow
>> >> out the fuzzy tones from my ADA MP1 valve pre.
>> >>
>> >> However, the raw fuzz/overdrive sounds I use sound
>> ok to me, and it seems
>> >> also to the audience. Only knowledgeable
>> guitarists have sometimes
>> >> to worried that I have a flat battery somewhere
>> ;-)
>> >>
>> >> Generally, I reckon that for a looping device, a
>> clean full range sound is
>> >> preferable
>> >> so that the layers can remain distinct in the
>> mix.
>> >>
>> >> Hence I would always put an amp sim before the
>> looper, rather than after.
>> >> Then it would be possible to build up a mix using
>> different amp tones.
>> >>
>> >> My guess was that Ted wanted to "ampify" his pa
>> speakers by putting a
>> >> stereo
>> >> amp sim (two SansAmps) just in front of them.
>> >> It's a different approach...and I don't doubt he'd
>> make it work.
>> >>
>> >> I'd say 'hope that helps', only as I didn't
>> >> answer the question...... =A0 =A0 :-)
>> >>
>> >> andy
>> >>
>> >>
>> >>
>> >>
>> >
>> >
>>
>>
>
>
>
>
>

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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: MY NEW TOY
Date: Tue, 30 Jun 2009 21:52:08 +0000
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And the axafx is supposed to sound REALLY good=2C several tube amp fanatics=
 rave about it. I would much prefer an axefx based rig over a computer base=
d rig. Since i LOVE tube anps and find playing great amp being a pleasure m=
uch like enjoying a great single malt (or wine if you prefer) computer base=
d is a non starter for. One reason could be that i find it hard for most la=
ptiops I have used at work to even cope with riunning a few instances of IE=
 and some office applications without geting hickup...

Again MY main reason for sticking with tube amps is that they are more to m=
e than amps=2C they are a part of the instrument=2C electric guitar.

=20

Anders

www.soundclick.com/andersbergdahl =20
=20
> Date: Tue=2C 30 Jun 2009 14:45:20 -0700
> Subject: Re: MY NEW TOY
> From: zerocrossing@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> No kidding! However when I think of the fact that my Vox/VF-1 was
> about half that price (and the VF-1 was used when I got it) and I
> guess if you consider the IK Multimedia STOMP I/O is $1000 (+$229 for
> Fender) and you still need a computer to run it=2C it sounds a bit less
> crazy.
>=20
> On Tue=2C Jun 30=2C 2009 at 1:35 PM=2C L.Angulo<labaloops@yahoo.com> wrot=
e:
> >
> > seems to have a basic but nice looper as well with record=2Cplay=2Cplay=
 once =2Coverdub and reverse not bad but ouch the price hurts...
> >
> > www.myspace.com/luisangulocom
> >
> >
> > --- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Di=2C 30.6.2009:
> >
> >> Von: Mark Sottilaro <zerocrossing@gmail.com>
> >> Betreff: Re: MY NEW TOY
> >> An: Loopers-Delight@loopers-delight.com
> >> Datum: Dienstag=2C 30. Juni 2009=2C 11:29
> >> Word on the street is that if you
> >> want *the best* then the Axe-FX is
> >> the route to go:
> >>
> >> http://www.fractalaudio.com/products-fa-axefx.html
> >>
> >> I have no experience with them but the demos sound great:
> >> (even with
> >> youtube compression)
> >>
> >> http://www.youtube.com/watch?v=3DUbu8A_wmmNI&fmt=3D18
> >>
> >> The cost seems prohibitive to me=2C but if you've got the
> >> cash and want
> >> the best maybe it's worth it. I found my Vox Tonelab/VF-1
> >> combo to be
> >> good enough for me=2C and Amplitube to be even better. One
> >> thing that
> >> sold me on the software route is that if I want to do
> >> something that's
> >> not possible in a hardware set up without a bunch of
> >> re-routing I can
> >> do it effortlessly and then call it up as a preset.
> >>
> >> On Tue=2C Jun 30=2C 2009 at 7:56 AM=2C Jeff Duke<jeff_d@embarqmail.com=
>
> >> wrote:
> >> > thanks Andy=2C
> >> >
> >> > but you did answer it really. It's funny but i
> >> recently compiled alot of my
> >> > tunes  for release on Bandcamp. I realized that the
> >> best (meaning my
> >> > favorite) sounds were all direct into the board
> >> recordings. i have used
> >> > whatever amp/speaker modelers I had in whatever fx box
> >> I was using at the
> >> > time. All the newer stuff was done while wearing
> >> headphones in a quiet
> >> > apartment.
> >> > I arrange it so that my chain is distortion/fuzz into
> >> amp modelers
> >> > (currently Digitech RP 250  and or Korg AX 3000G)
> >> into modfx/delay/reverb
> >> > into loopers into sometimes more mangle fx into mixer.
> >> Not the best way but
> >> > there ya go. i stay stereo from the outputs of the
> >> multi fx boxes. i really
> >> > want a proper mixer so that i can feed more of
> >> everything into everything
> >> > else sort of :)
> >> > All that said i still believe that a good real amp
> >> cranked up sounds better.
> >> > I just can't do that anymore in real life. I guess it
> >> come down to good tone
> >> > being subjective. I am always looking for "the" sound.
> >> hmmm=2C maybe this?
> >> > http://www.beavisaudio.com/Projects/DBS/
> >> >
> >> > And your right about Bill Walker! He has the "tone"!
> >> >
> >> > First cup 'o coffee wearing off=2C gotta go get more!
> >> >
> >> > best=2C
> >> >
> >> > Jeff
> >> >
> >> >
> >> > Ad astra per alia porci - Steinbeck
> >> >
> >> >
> >> > http://jeffduke.org/
> >> > http://www.myspace.com/loopsinphasespace
> >> > http://jeffduke.bandcamp.com/
> >> > http://www.ustream.tv/channel/loopydroneyglitchywacky-presents
> >> > http://www.justin.tv/loopslab
> >> > http://www.vimeo.com/jeffduke
> >> > http://www.reverbnation.com/thejeffduke
> >> > http://virb.com/jeffduke
> >> > http://themineisthemind.blogspot.com/
> >> > http://www.youtube.com/user/sticky899
> >> > http://www.sugarat.org/tecbab/
> >> >
> >> >
> >> >
> >> >
> >> > ----- Original Message ----- From: "andy butler"
> >> <akbutler@tiscali.co.uk>
> >> > To: <Loopers-Delight@loopers-delight.com>
> >> > Sent: Tuesday=2C June 30=2C 2009 10:15 AM
> >> > Subject: Re: MY NEW TOY
> >> >
> >> >
> >> >> Jeff Duke wrote:
> >> >>>>
> >> >>>> Rather than put two amp sims after the fx=2C
> >> surely it would be neater to
> >> >>>> put one amp sim between guitar and fx.
> >> >>>
> >> >>> What would you recommend in a stereo amp sim
> >> Andy?
> >> >>>
> >> >>> Jeff
> >> >>>
> >> >>
> >> >> Oh=2C I'm probably the worst person to ask about amp
> >> sims =3B-)
> >> >> Ask Bill Walker.
> >> >>
> >> >> I only really started playing electric guitar when
> >> I started looping=2C
> >> >> and while I played bass through a nice valve setup
> >> for years I eventually
> >> >> found that it just wouldn't reproduce the sort of
> >> playing I put into it.
> >> >> (i.e. I used to sometimes get quite a lot going at
> >> once=2C but wasn't
> >> >> willing to reduce the low frequency content of the
> >> sound.)
> >> >>
> >> >> Hence I now use JBL Eons for everything=2C and don't
> >> possess a decent amp
> >> >> sim.
> >> >>
> >> >> Currently I'm experimenting with a Moogerfooger
> >> Lo-pass to mellow
> >> >> out the fuzzy tones from my ADA MP1 valve pre.
> >> >>
> >> >> However=2C the raw fuzz/overdrive sounds I use sound
> >> ok to me=2C and it seems
> >> >> also to the audience. Only knowledgeable
> >> guitarists have sometimes
> >> >> to worried that I have a flat battery somewhere
> >> =3B-)
> >> >>
> >> >> Generally=2C I reckon that for a looping device=2C a
> >> clean full range sound is
> >> >> preferable
> >> >> so that the layers can remain distinct in the
> >> mix.
> >> >>
> >> >> Hence I would always put an amp sim before the
> >> looper=2C rather than after.
> >> >> Then it would be possible to build up a mix using
> >> different amp tones.
> >> >>
> >> >> My guess was that Ted wanted to "ampify" his pa
> >> speakers by putting a
> >> >> stereo
> >> >> amp sim (two SansAmps) just in front of them.
> >> >> It's a different approach...and I don't doubt he'd
> >> make it work.
> >> >>
> >> >> I'd say 'hope that helps'=2C only as I didn't
> >> >> answer the question......     :-)
> >> >>
> >> >> andy
> >> >>
> >> >>
> >> >>
> >> >>
> >> >
> >> >
> >>
> >>
> >
> >
> >
> >
> >
>=20

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<body class=3D'hmmessage'>
And the axafx is supposed to sound REALLY good=2C several tube amp fanatics=
 rave about it. I would much prefer an axefx based&nbsp=3Brig over a comput=
er based rig. Since i LOVE tube anps and find playing great amp being a ple=
asure much like enjoying a great single malt (or wine if you prefer) comput=
er based is a non starter for. One reason could be that i find it hard for =
most&nbsp=3Blaptiops I have used at work to even cope with riunning a few i=
nstances of IE and some office applications without geting hickup...<BR>
Again MY main reason for sticking with tube amps is that they&nbsp=3Bare mo=
re to me than amps=2C they are a part of the instrument=2C electric guitar.=
<BR>
&nbsp=3B<BR>
Anders<BR>
<A href=3D"http://www.soundclick.com/andersbergdahl">www.soundclick.com/and=
ersbergdahl</A>&nbsp=3B&nbsp=3B<BR>&nbsp=3B<BR>&gt=3B Date: Tue=2C 30 Jun 2=
009 14:45:20 -0700<BR>&gt=3B Subject: Re: MY NEW TOY<BR>&gt=3B From: zerocr=
ossing@gmail.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=
=3B <BR>&gt=3B No kidding! However when I think of the fact that my Vox/VF-=
1 was<BR>&gt=3B about half that price (and the VF-1 was used when I got it)=
 and I<BR>&gt=3B guess if you consider the IK Multimedia STOMP I/O is $1000=
 (+$229 for<BR>&gt=3B Fender) and you still need a computer to run it=2C it=
 sounds a bit less<BR>&gt=3B crazy.<BR>&gt=3B <BR>&gt=3B On Tue=2C Jun 30=
=2C 2009 at 1:35 PM=2C L.Angulo&lt=3Blabaloops@yahoo.com&gt=3B wrote:<BR>&g=
t=3B &gt=3B<BR>&gt=3B &gt=3B seems to have a basic but nice looper as well =
with record=2Cplay=2Cplay once =2Coverdub and reverse not bad but ouch the =
price hurts...<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B www.myspace.com/luisangulo=
com<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B --- Mark Sottilaro &=
lt=3Bzerocrossing@gmail.com&gt=3B schrieb am Di=2C 30.6.2009:<BR>&gt=3B &gt=
=3B<BR>&gt=3B &gt=3B&gt=3B Von: Mark Sottilaro &lt=3Bzerocrossing@gmail.com=
&gt=3B<BR>&gt=3B &gt=3B&gt=3B Betreff: Re: MY NEW TOY<BR>&gt=3B &gt=3B&gt=
=3B An: Loopers-Delight@loopers-delight.com<BR>&gt=3B &gt=3B&gt=3B Datum: D=
ienstag=2C 30. Juni 2009=2C 11:29<BR>&gt=3B &gt=3B&gt=3B Word on the street=
 is that if you<BR>&gt=3B &gt=3B&gt=3B want *the best* then the Axe-FX is<B=
R>&gt=3B &gt=3B&gt=3B the route to go:<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=
=3B&gt=3B http://www.fractalaudio.com/products-fa-axefx.html<BR>&gt=3B &gt=
=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B I have no experience with them but the dem=
os sound great:<BR>&gt=3B &gt=3B&gt=3B (even with<BR>&gt=3B &gt=3B&gt=3B yo=
utube compression)<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B http://www=
.youtube.com/watch?v=3DUbu8A_wmmNI&amp=3Bfmt=3D18<BR>&gt=3B &gt=3B&gt=3B<BR=
>&gt=3B &gt=3B&gt=3B The cost seems prohibitive to me=2C but if you've got =
the<BR>&gt=3B &gt=3B&gt=3B cash and want<BR>&gt=3B &gt=3B&gt=3B the best ma=
ybe it's worth it. I found my Vox Tonelab/VF-1<BR>&gt=3B &gt=3B&gt=3B combo=
 to be<BR>&gt=3B &gt=3B&gt=3B good enough for me=2C and Amplitube to be eve=
n better. One<BR>&gt=3B &gt=3B&gt=3B thing that<BR>&gt=3B &gt=3B&gt=3B sold=
 me on the software route is that if I want to do<BR>&gt=3B &gt=3B&gt=3B so=
mething that's<BR>&gt=3B &gt=3B&gt=3B not possible in a hardware set up wit=
hout a bunch of<BR>&gt=3B &gt=3B&gt=3B re-routing I can<BR>&gt=3B &gt=3B&gt=
=3B do it effortlessly and then call it up as a preset.<BR>&gt=3B &gt=3B&gt=
=3B<BR>&gt=3B &gt=3B&gt=3B On Tue=2C Jun 30=2C 2009 at 7:56 AM=2C Jeff Duke=
&lt=3Bjeff_d@embarqmail.com&gt=3B<BR>&gt=3B &gt=3B&gt=3B wrote:<BR>&gt=3B &=
gt=3B&gt=3B &gt=3B thanks Andy=2C<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &=
gt=3B&gt=3B &gt=3B but you did answer it really. It's funny but i<BR>&gt=3B=
 &gt=3B&gt=3B recently compiled alot of my<BR>&gt=3B &gt=3B&gt=3B &gt=3B tu=
nes &nbsp=3Bfor release on Bandcamp. I realized that the<BR>&gt=3B &gt=3B&g=
t=3B best (meaning my<BR>&gt=3B &gt=3B&gt=3B &gt=3B favorite) sounds were a=
ll direct into the board<BR>&gt=3B &gt=3B&gt=3B recordings. i have used<BR>=
&gt=3B &gt=3B&gt=3B &gt=3B whatever amp/speaker modelers I had in whatever =
fx box<BR>&gt=3B &gt=3B&gt=3B I was using at the<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B time. All the newer stuff was done while wearing<BR>&gt=3B &gt=3B&gt=3B=
 headphones in a quiet<BR>&gt=3B &gt=3B&gt=3B &gt=3B apartment.<BR>&gt=3B &=
gt=3B&gt=3B &gt=3B I arrange it so that my chain is distortion/fuzz into<BR=
>&gt=3B &gt=3B&gt=3B amp modelers<BR>&gt=3B &gt=3B&gt=3B &gt=3B (currently =
Digitech RP 250 &nbsp=3Band or Korg AX 3000G)<BR>&gt=3B &gt=3B&gt=3B into m=
odfx/delay/reverb<BR>&gt=3B &gt=3B&gt=3B &gt=3B into loopers into sometimes=
 more mangle fx into mixer.<BR>&gt=3B &gt=3B&gt=3B Not the best way but<BR>=
&gt=3B &gt=3B&gt=3B &gt=3B there ya go. i stay stereo from the outputs of t=
he<BR>&gt=3B &gt=3B&gt=3B multi fx boxes. i really<BR>&gt=3B &gt=3B&gt=3B &=
gt=3B want a proper mixer so that i can feed more of<BR>&gt=3B &gt=3B&gt=3B=
 everything into everything<BR>&gt=3B &gt=3B&gt=3B &gt=3B else sort of :)<B=
R>&gt=3B &gt=3B&gt=3B &gt=3B All that said i still believe that a good real=
 amp<BR>&gt=3B &gt=3B&gt=3B cranked up sounds better.<BR>&gt=3B &gt=3B&gt=
=3B &gt=3B I just can't do that anymore in real life. I guess it<BR>&gt=3B =
&gt=3B&gt=3B come down to good tone<BR>&gt=3B &gt=3B&gt=3B &gt=3B being sub=
jective. I am always looking for "the" sound.<BR>&gt=3B &gt=3B&gt=3B hmmm=
=2C maybe this?<BR>&gt=3B &gt=3B&gt=3B &gt=3B http://www.beavisaudio.com/Pr=
ojects/DBS/<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B And=
 your right about Bill Walker! He has the "tone"!<BR>&gt=3B &gt=3B&gt=3B &g=
t=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B First cup 'o coffee wearing off=2C gotta=
 go get more!<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B b=
est=2C<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B Jeff<BR>=
&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&g=
t=3B &gt=3B Ad astra per alia porci - Steinbeck<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B http://jeff=
duke.org/<BR>&gt=3B &gt=3B&gt=3B &gt=3B http://www.myspace.com/loopsinphase=
space<BR>&gt=3B &gt=3B&gt=3B &gt=3B http://jeffduke.bandcamp.com/<BR>&gt=3B=
 &gt=3B&gt=3B &gt=3B http://www.ustream.tv/channel/loopydroneyglitchywacky-=
presents<BR>&gt=3B &gt=3B&gt=3B &gt=3B http://www.justin.tv/loopslab<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B http://www.vimeo.com/jeffduke<BR>&gt=3B &gt=3B&gt=
=3B &gt=3B http://www.reverbnation.com/thejeffduke<BR>&gt=3B &gt=3B&gt=3B &=
gt=3B http://virb.com/jeffduke<BR>&gt=3B &gt=3B&gt=3B &gt=3B http://themine=
isthemind.blogspot.com/<BR>&gt=3B &gt=3B&gt=3B &gt=3B http://www.youtube.co=
m/user/sticky899<BR>&gt=3B &gt=3B&gt=3B &gt=3B http://www.sugarat.org/tecba=
b/<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &g=
t=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B ----- Original Message ----- From: "andy butler"<BR>&gt=3B &gt=3B&gt=3B=
 &lt=3Bakbutler@tiscali.co.uk&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B To: &lt=
=3BLoopers-Delight@loopers-delight.com&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B =
Sent: Tuesday=2C June 30=2C 2009 10:15 AM<BR>&gt=3B &gt=3B&gt=3B &gt=3B Sub=
ject: Re: MY NEW TOY<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &=
gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Jeff Duke wrote:<BR>&gt=3B &gt=3B=
&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B&g=
t=3B Rather than put two amp sims after the fx=2C<BR>&gt=3B &gt=3B&gt=3B su=
rely it would be neater to<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B =
put one amp sim between guitar and fx.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&=
gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B What would you recommend in=
 a stereo amp sim<BR>&gt=3B &gt=3B&gt=3B Andy?<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B Jeff<BR>&gt=3B &g=
t=3B&gt=3B &gt=3B&gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B=
 &gt=3B&gt=3B &gt=3B&gt=3B Oh=2C I'm probably the worst person to ask about=
 amp<BR>&gt=3B &gt=3B&gt=3B sims =3B-)<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B =
Ask Bill Walker.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B=
 &gt=3B&gt=3B I only really started playing electric guitar when<BR>&gt=3B =
&gt=3B&gt=3B I started looping=2C<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B and w=
hile I played bass through a nice valve setup<BR>&gt=3B &gt=3B&gt=3B for ye=
ars I eventually<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B found that it just wou=
ldn't reproduce the sort of<BR>&gt=3B &gt=3B&gt=3B playing I put into it.<B=
R>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B (i.e. I used to sometimes get quite a lo=
t going at<BR>&gt=3B &gt=3B&gt=3B once=2C but wasn't<BR>&gt=3B &gt=3B&gt=3B=
 &gt=3B&gt=3B willing to reduce the low frequency content of the<BR>&gt=3B =
&gt=3B&gt=3B sound.)<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&g=
t=3B &gt=3B&gt=3B Hence I now use JBL Eons for everything=2C and don't<BR>&=
gt=3B &gt=3B&gt=3B possess a decent amp<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B=
 sim.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B Currently I'm experimenting with a Moogerfooger<BR>&gt=3B &gt=3B&gt=3B =
Lo-pass to mellow<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B out the fuzzy tones f=
rom my ADA MP1 valve pre.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=
=3B&gt=3B &gt=3B&gt=3B However=2C the raw fuzz/overdrive sounds I use sound=
<BR>&gt=3B &gt=3B&gt=3B ok to me=2C and it seems<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B also to the audience. Only knowledgeable<BR>&gt=3B &gt=3B&gt=3B g=
uitarists have sometimes<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B to worried tha=
t I have a flat battery somewhere<BR>&gt=3B &gt=3B&gt=3B =3B-)<BR>&gt=3B &g=
t=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Generally=2C I =
reckon that for a looping device=2C a<BR>&gt=3B &gt=3B&gt=3B clean full ran=
ge sound is<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B preferable<BR>&gt=3B &gt=3B=
&gt=3B &gt=3B&gt=3B so that the layers can remain distinct in the<BR>&gt=3B=
 &gt=3B&gt=3B mix.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B Hence I would always put an amp sim before the<BR>&gt=3B &=
gt=3B&gt=3B looper=2C rather than after.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B Then it would be possible to build up a mix using<BR>&gt=3B &gt=3B&gt=
=3B different amp tones.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=
=3B&gt=3B &gt=3B&gt=3B My guess was that Ted wanted to "ampify" his pa<BR>&=
gt=3B &gt=3B&gt=3B speakers by putting a<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B stereo<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B amp sim (two SansAmps) just =
in front of them.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B It's a different appr=
oach...and I don't doubt he'd<BR>&gt=3B &gt=3B&gt=3B make it work.<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B I'd say '=
hope that helps'=2C only as I didn't<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B an=
swer the question...... &nbsp=3B &nbsp=3B :-)<BR>&gt=3B &gt=3B&gt=3B &gt=3B=
&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B andy<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B=
&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR=
>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B<B=
R>&gt=3B &gt=3B<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B<BR>&gt=
=3B &gt=3B<BR>&gt=3B <BR></body>
</html>=

--_60e75583-8028-402f-82aa-34ce1704cca5_--

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Date: Tue, 30 Jun 2009 23:54:45 +0200
Message-ID: <66f9cc1e0906301454y1f84036ame210312c44f88a00@mail.gmail.com>
Subject: Short live video clip posted (Live Looping Festival Rome 2009)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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Got the first video clip from my Rome gig today http://bit.ly/JeKZH.
Big thanks to Milco who filmed and sent me the video!

Per

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Subject: ubuntu based rig
From: Raul Bonell <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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has anybody had success building a looping rig or modular fx setup
(ala. bidule, energyXT,etc)
in ubuntu studio or other linux based OS (not counting OSX)?

any opensource applications related available?

tell us your experiences,
thanks.


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 22:07:46 2009
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Date: Tue, 30 Jun 2009 15:07:42 -0700
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Subject: Re: MY NEW TOY
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The Axe-FX is a computer.  No difference really except it's got built
in converters.  I was even under the impression that Fractal was busy
porting their software to run on Windows.

Your experience with laptops is probably a bit dated as I'm able to
get quite a lot of effects (including Amplitube) running inside of
Live with nary a hitch at pretty low latencies in a 4 year old laptop.
 I do even better with my desktop. The trick is adjusting a few things
in Windows that are designed to help a general computer user, but
hinder real time audio production.  Once you fix that it's great.

Sorry, I've seen about a hundred threads where guys claim to be able
to hear the superior sound quality of dedicated hardware and then
proceed to not be able to tell the difference in blind tests.  It's
all just stuff that should be a means to an end so what ever works for
you.  I know for myself, I played with NI's Guitar Rig 3 and thought,
"Oh, I guess computers can't do amp simulation well" and I dismissed
it as an option. It wasn't until I tried Amplitube SVX out on my bass
that I was compelled to give it another look see.  I'd be super
curious to put the Axe-FX against the IK stuff and see what's what.



On Tue, Jun 30, 2009 at 2:52 PM, Anders
Bergdahl<anders_e_bergdahl@hotmail.com> wrote:
> And the axafx is supposed to sound REALLY good, several tube amp fanatics
> rave about it. I would much prefer an axefx based=A0rig over a computer b=
ased
> rig. Since i LOVE tube anps and find playing great amp being a pleasure m=
uch
> like enjoying a great single malt (or wine if you prefer) computer based =
is
> a non starter for. One reason could be that i find it hard for most=A0lap=
tiops
> I have used at work to even cope with riunning a few instances of IE and
> some office applications without geting hickup...
> Again MY main reason for sticking with tube amps is that they=A0are more =
to me
> than amps, they are a part of the instrument, electric guitar.
>
> Anders
> www.soundclick.com/andersbergdahl
>
>> Date: Tue, 30 Jun 2009 14:45:20 -0700
>> Subject: Re: MY NEW TOY
>> From: zerocrossing@gmail.com
>> To: Loopers-Delight@loopers-delight.com
>>
>> No kidding! However when I think of the fact that my Vox/VF-1 was
>> about half that price (and the VF-1 was used when I got it) and I
>> guess if you consider the IK Multimedia STOMP I/O is $1000 (+$229 for
>> Fender) and you still need a computer to run it, it sounds a bit less
>> crazy.
>>
>> On Tue, Jun 30, 2009 at 1:35 PM, L.Angulo<labaloops@yahoo.com> wrote:
>> >
>> > seems to have a basic but nice looper as well with record,play,play on=
ce
>> > ,overdub and reverse not bad but ouch the price hurts...
>> >
>> > www.myspace.com/luisangulocom
>> >
>> >
>> > --- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Di, 30.6.2009:
>> >
>> >> Von: Mark Sottilaro <zerocrossing@gmail.com>
>> >> Betreff: Re: MY NEW TOY
>> >> An: Loopers-Delight@loopers-delight.com
>> >> Datum: Dienstag, 30. Juni 2009, 11:29
>> >> Word on the street is that if you
>> >> want *the best* then the Axe-FX is
>> >> the route to go:
>> >>
>> >> http://www.fractalaudio.com/products-fa-axefx.html
>> >>
>> >> I have no experience with them but the demos sound great:
>> >> (even with
>> >> youtube compression)
>> >>
>> >> http://www.youtube.com/watch?v=3DUbu8A_wmmNI&fmt=3D18
>> >>
>> >> The cost seems prohibitive to me, but if you've got the
>> >> cash and want
>> >> the best maybe it's worth it. I found my Vox Tonelab/VF-1
>> >> combo to be
>> >> good enough for me, and Amplitube to be even better. One
>> >> thing that
>> >> sold me on the software route is that if I want to do
>> >> something that's
>> >> not possible in a hardware set up without a bunch of
>> >> re-routing I can
>> >> do it effortlessly and then call it up as a preset.
>> >>
>> >> On Tue, Jun 30, 2009 at 7:56 AM, Jeff Duke<jeff_d@embarqmail.com>
>> >> wrote:
>> >> > thanks Andy,
>> >> >
>> >> > but you did answer it really. It's funny but i
>> >> recently compiled alot of my
>> >> > tunes =A0for release on Bandcamp. I realized that the
>> >> best (meaning my
>> >> > favorite) sounds were all direct into the board
>> >> recordings. i have used
>> >> > whatever amp/speaker modelers I had in whatever fx box
>> >> I was using at the
>> >> > time. All the newer stuff was done while wearing
>> >> headphones in a quiet
>> >> > apartment.
>> >> > I arrange it so that my chain is distortion/fuzz into
>> >> amp modelers
>> >> > (currently Digitech RP 250 =A0and or Korg AX 3000G)
>> >> into modfx/delay/reverb
>> >> > into loopers into sometimes more mangle fx into mixer.
>> >> Not the best way but
>> >> > there ya go. i stay stereo from the outputs of the
>> >> multi fx boxes. i really
>> >> > want a proper mixer so that i can feed more of
>> >> everything into everything
>> >> > else sort of :)
>> >> > All that said i still believe that a good real amp
>> >> cranked up sounds better.
>> >> > I just can't do that anymore in real life. I guess it
>> >> come down to good tone
>> >> > being subjective. I am always looking for "the" sound.
>> >> hmmm, maybe this?
>> >> > http://www.beavisaudio.com/Projects/DBS/
>> >> >
>> >> > And your right about Bill Walker! He has the "tone"!
>> >> >
>> >> > First cup 'o coffee wearing off, gotta go get more!
>> >> >
>> >> > best,
>> >> >
>> >> > Jeff
>> >> >
>> >> >
>> >> > Ad astra per alia porci - Steinbeck
>> >> >
>> >> >
>> >> > http://jeffduke.org/
>> >> > http://www.myspace.com/loopsinphasespace
>> >> > http://jeffduke.bandcamp.com/
>> >> > http://www.ustream.tv/channel/loopydroneyglitchywacky-presents
>> >> > http://www.justin.tv/loopslab
>> >> > http://www.vimeo.com/jeffduke
>> >> > http://www.reverbnation.com/thejeffduke
>> >> > http://virb.com/jeffduke
>> >> > http://themineisthemind.blogspot.com/
>> >> > http://www.youtube.com/user/sticky899
>> >> > http://www.sugarat.org/tecbab/
>> >> >
>> >> >
>> >> >
>> >> >
>> >> > ----- Original Message ----- From: "andy butler"
>> >> <akbutler@tiscali.co.uk>
>> >> > To: <Loopers-Delight@loopers-delight.com>
>> >> > Sent: Tuesday, June 30, 2009 10:15 AM
>> >> > Subject: Re: MY NEW TOY
>> >> >
>> >> >
>> >> >> Jeff Duke wrote:
>> >> >>>>
>> >> >>>> Rather than put two amp sims after the fx,
>> >> surely it would be neater to
>> >> >>>> put one amp sim between guitar and fx.
>> >> >>>
>> >> >>> What would you recommend in a stereo amp sim
>> >> Andy?
>> >> >>>
>> >> >>> Jeff
>> >> >>>
>> >> >>
>> >> >> Oh, I'm probably the worst person to ask about amp
>> >> sims ;-)
>> >> >> Ask Bill Walker.
>> >> >>
>> >> >> I only really started playing electric guitar when
>> >> I started looping,
>> >> >> and while I played bass through a nice valve setup
>> >> for years I eventually
>> >> >> found that it just wouldn't reproduce the sort of
>> >> playing I put into it.
>> >> >> (i.e. I used to sometimes get quite a lot going at
>> >> once, but wasn't
>> >> >> willing to reduce the low frequency content of the
>> >> sound.)
>> >> >>
>> >> >> Hence I now use JBL Eons for everything, and don't
>> >> possess a decent amp
>> >> >> sim.
>> >> >>
>> >> >> Currently I'm experimenting with a Moogerfooger
>> >> Lo-pass to mellow
>> >> >> out the fuzzy tones from my ADA MP1 valve pre.
>> >> >>
>> >> >> However, the raw fuzz/overdrive sounds I use sound
>> >> ok to me, and it seems
>> >> >> also to the audience. Only knowledgeable
>> >> guitarists have sometimes
>> >> >> to worried that I have a flat battery somewhere
>> >> ;-)
>> >> >>
>> >> >> Generally, I reckon that for a looping device, a
>> >> clean full range sound is
>> >> >> preferable
>> >> >> so that the layers can remain distinct in the
>> >> mix.
>> >> >>
>> >> >> Hence I would always put an amp sim before the
>> >> looper, rather than after.
>> >> >> Then it would be possible to build up a mix using
>> >> different amp tones.
>> >> >>
>> >> >> My guess was that Ted wanted to "ampify" his pa
>> >> speakers by putting a
>> >> >> stereo
>> >> >> amp sim (two SansAmps) just in front of them.
>> >> >> It's a different approach...and I don't doubt he'd
>> >> make it work.
>> >> >>
>> >> >> I'd say 'hope that helps', only as I didn't
>> >> >> answer the question...... =A0 =A0 :-)
>> >> >>
>> >> >> andy
>> >> >>
>> >> >>
>> >> >>
>> >> >>
>> >> >
>> >> >
>> >>
>> >>
>> >
>> >
>> >
>> >
>> >
>>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 22:13:36 2009
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Date: Tue, 30 Jun 2009 23:13:35 +0100
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Subject: Re: Short live video clip posted (Live Looping Festival Rome 2009)
From: Simeon Harris <simeonharris40@googlemail.com>
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--0016364c7b992b56bb046d981e87
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lol! awesome

On Tue, Jun 30, 2009 at 10:54 PM, Per Boysen <perboysen@gmail.com> wrote:

> Got the first video clip from my Rome gig today http://bit.ly/JeKZH.
> Big thanks to Milco who filmed and sent me the video!
>
> Per
>
>

--0016364c7b992b56bb046d981e87
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lol! awesome<br><br><div class=3D"gmail_quote">On Tue, Jun 30, 2009 at 10:5=
4 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.co=
m">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt =
0pt 0.8ex; padding-left: 1ex;">
Got the first video clip from my Rome gig today <a href=3D"http://bit.ly/Je=
KZH" target=3D"_blank">http://bit.ly/JeKZH</a>.<br>
Big thanks to Milco who filmed and sent me the video!<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--0016364c7b992b56bb046d981e87--

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 22:23:39 2009
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Date: Tue, 30 Jun 2009 18:16:34 -0400
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Subject: Re: ubuntu based rig
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Though I'm more mac based these days I've been running Ubuntu @r mons
on a dell latitude I have from work.  Next to osx I love it.

I've not done any audio work on it but what open source audio editor
are you using Raul?

I use audacity for osx and have for windows but have not researched it
for ubuntu.

A while back did yo or someone mention using lilypad notation sw?
Guess I'm ot there.

J

On 6/30/09, Raul Bonell <raul.bonell@gmail.com> wrote:
> has anybody had success building a looping rig or modular fx setup
> (ala. bidule, energyXT,etc)
> in ubuntu studio or other linux based OS (not counting OSX)?
>
> any opensource applications related available?
>
> tell us your experiences,
> thanks.
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>


-- 
ReUse, an introspective textural aural journey coming soon...

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 22:26:42 2009
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Lovely!

Ricky

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 30, 2009 10:54 PM
Subject: Short live video clip posted (Live Looping Festival Rome 2009)


> Got the first video clip from my Rome gig today http://bit.ly/JeKZH.
> Big thanks to Milco who filmed and sent me the video!
>
> Per
>


--------------------------------------------------------------------------------



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From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 22:29:34 2009
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Subject: ubuntu based rig
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> has anybody had success building a looping rig or modular fx setup (ala. bidule, energyXT,etc) in ubuntu studio or other linux based OS (not counting OSX)?
> any opensource applications related available?

Didn't try it myself, but a friend of mine uses PD on Ubuntu (not for
looping, though...): http://puredata.info/downloads

            Rainer

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Date: Wed, 1 Jul 2009 00:30:36 +0200
Message-ID: <66f9cc1e0906301530p1ef3a99bi33f8d4bd73788153@mail.gmail.com>
Subject: Re: ubuntu based rig
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I was about to install Linux in 2003 to take advance of SooperLooper.
SooperLooper was originally created for Linux, long before the Mac
port. However, my CPU died during the Linux installation and I decided
to go with OS X since I couldn't afford building a new PC for Linux.
Oh well, that wasn't much for help - just another failure story ;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Jul 1, 2009 at 12:00 AM, Raul Bonell<raul.bonell@gmail.com> wrote:
> has anybody had success building a looping rig or modular fx setup
> (ala. bidule, energyXT,etc)
> in ubuntu studio or other linux based OS

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 22:40:01 2009
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	 <9e0440a60906301516t7e819b8n4398eb0f14d5cf1e@mail.gmail.com>
Date: Wed, 1 Jul 2009 00:39:59 +0200
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Subject: Re: ubuntu based rig
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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i read on the net that audacity was not working at all with versions
7, 8 of ubuntu. but i think they solved the issue. i'm doing any audio
editing work in wavelab 5 (PC) before i jump to the logic apps i have
installed in my imac months ago, but hadn't time to learn yet
(waveburner,soundtrack,etc..).

here a list of all the opensource audio apps that come with ubuntu studio 9.04.

https://wiki.ubuntu.com/UbuntuStudio/PackageList





2009/7/1, Jim Goodin <jimgoodinmusic@gmail.com>:
> Though I'm more mac based these days I've been running Ubuntu @r mons
> on a dell latitude I have from work.  Next to osx I love it.
>
> I've not done any audio work on it but what open source audio editor
> are you using Raul?
>
> I use audacity for osx and have for windows but have not researched it
> for ubuntu.
>
> A while back did yo or someone mention using lilypad notation sw?
> Guess I'm ot there.
>
> J
>
> On 6/30/09, Raul Bonell <raul.bonell@gmail.com> wrote:
>> has anybody had success building a looping rig or modular fx setup
>> (ala. bidule, energyXT,etc)
>> in ubuntu studio or other linux based OS (not counting OSX)?
>>
>> any opensource applications related available?
>>
>> tell us your experiences,
>> thanks.
>>
>>
>> --
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>
>>
>
>
> --
> ReUse, an introspective textural aural journey coming soon...
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 22:43:22 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: MY NEW TOY
Date: Tue, 30 Jun 2009 22:43:14 +0000
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I'm not at all sure i would be able to hear the difference between a record=
ed amp and a recorded simulation. But I KNOW i can feel the difference betw=
een a modeling amp and a standard tube amp=2C modeling don't FEEL the same =
to play. And the amps I have are truly great=2C each one has it's own speci=
al niche of feel and sound as I said they are instruments=2C replacing an a=
mp with a computer simulation is like replacing a guitar with a sample trig=
gered in the laptop=2C in makes similar sound but it is NOT the same instru=
ment. I play guitar and amp not guitar and amp sims=2C you just can't get a=
 amp sim to interact with touch and position of guitar relative to amp.. di=
fferent instrument=2C not better or worse.

As for laptop=2C right now I'm typing on a newish HP (compaq 8510p) and jus=
t runing vista and IE takes up around one GB of memory after a while... and=
 all since i work all day with computer I don't wont a computer involved in=
 my music=2C perhaps for recording in the future. But LIVE and playing for =
fun=2C nope.. computers are NOT fun - for me

=20
> Date: Tue=2C 30 Jun 2009 15:07:42 -0700
> Subject: Re: MY NEW TOY
> From: zerocrossing@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> The Axe-FX is a computer. No difference really except it's got built
> in converters. I was even under the impression that Fractal was busy
> porting their software to run on Windows.
>=20
> Your experience with laptops is probably a bit dated as I'm able to
> get quite a lot of effects (including Amplitube) running inside of
> Live with nary a hitch at pretty low latencies in a 4 year old laptop.
> I do even better with my desktop. The trick is adjusting a few things
> in Windows that are designed to help a general computer user=2C but
> hinder real time audio production. Once you fix that it's great.
>=20
> Sorry=2C I've seen about a hundred threads where guys claim to be able
> to hear the superior sound quality of dedicated hardware and then
> proceed to not be able to tell the difference in blind tests. It's
> all just stuff that should be a means to an end so what ever works for
> you. I know for myself=2C I played with NI's Guitar Rig 3 and thought=2C
> "Oh=2C I guess computers can't do amp simulation well" and I dismissed
> it as an option. It wasn't until I tried Amplitube SVX out on my bass
> that I was compelled to give it another look see. I'd be super
> curious to put the Axe-FX against the IK stuff and see what's what.
>=20
>=20
>=20
> On Tue=2C Jun 30=2C 2009 at 2:52 PM=2C Anders
> Bergdahl<anders_e_bergdahl@hotmail.com> wrote:
> > And the axafx is supposed to sound REALLY good=2C several tube amp fana=
tics
> > rave about it. I would much prefer an axefx based rig over a computer b=
ased
> > rig. Since i LOVE tube anps and find playing great amp being a pleasure=
 much
> > like enjoying a great single malt (or wine if you prefer) computer base=
d is
> > a non starter for. One reason could be that i find it hard for most lap=
tiops
> > I have used at work to even cope with riunning a few instances of IE an=
d
> > some office applications without geting hickup...
> > Again MY main reason for sticking with tube amps is that they are more =
to me
> > than amps=2C they are a part of the instrument=2C electric guitar.
> >
> > Anders
> > www.soundclick.com/andersbergdahl
> >
> >> Date: Tue=2C 30 Jun 2009 14:45:20 -0700
> >> Subject: Re: MY NEW TOY
> >> From: zerocrossing@gmail.com
> >> To: Loopers-Delight@loopers-delight.com
> >>
> >> No kidding! However when I think of the fact that my Vox/VF-1 was
> >> about half that price (and the VF-1 was used when I got it) and I
> >> guess if you consider the IK Multimedia STOMP I/O is $1000 (+$229 for
> >> Fender) and you still need a computer to run it=2C it sounds a bit les=
s
> >> crazy.
> >>
> >> On Tue=2C Jun 30=2C 2009 at 1:35 PM=2C L.Angulo<labaloops@yahoo.com> w=
rote:
> >> >
> >> > seems to have a basic but nice looper as well with record=2Cplay=2Cp=
lay once
> >> > =2Coverdub and reverse not bad but ouch the price hurts...
> >> >
> >> > www.myspace.com/luisangulocom
> >> >
> >> >
> >> > --- Mark Sottilaro <zerocrossing@gmail.com> schrieb am Di=2C 30.6.20=
09:
> >> >
> >> >> Von: Mark Sottilaro <zerocrossing@gmail.com>
> >> >> Betreff: Re: MY NEW TOY
> >> >> An: Loopers-Delight@loopers-delight.com
> >> >> Datum: Dienstag=2C 30. Juni 2009=2C 11:29
> >> >> Word on the street is that if you
> >> >> want *the best* then the Axe-FX is
> >> >> the route to go:
> >> >>
> >> >> http://www.fractalaudio.com/products-fa-axefx.html
> >> >>
> >> >> I have no experience with them but the demos sound great:
> >> >> (even with
> >> >> youtube compression)
> >> >>
> >> >> http://www.youtube.com/watch?v=3DUbu8A_wmmNI&fmt=3D18
> >> >>
> >> >> The cost seems prohibitive to me=2C but if you've got the
> >> >> cash and want
> >> >> the best maybe it's worth it. I found my Vox Tonelab/VF-1
> >> >> combo to be
> >> >> good enough for me=2C and Amplitube to be even better. One
> >> >> thing that
> >> >> sold me on the software route is that if I want to do
> >> >> something that's
> >> >> not possible in a hardware set up without a bunch of
> >> >> re-routing I can
> >> >> do it effortlessly and then call it up as a preset.
> >> >>
> >> >> On Tue=2C Jun 30=2C 2009 at 7:56 AM=2C Jeff Duke<jeff_d@embarqmail.=
com>
> >> >> wrote:
> >> >> > thanks Andy=2C
> >> >> >
> >> >> > but you did answer it really. It's funny but i
> >> >> recently compiled alot of my
> >> >> > tunes  for release on Bandcamp. I realized that the
> >> >> best (meaning my
> >> >> > favorite) sounds were all direct into the board
> >> >> recordings. i have used
> >> >> > whatever amp/speaker modelers I had in whatever fx box
> >> >> I was using at the
> >> >> > time. All the newer stuff was done while wearing
> >> >> headphones in a quiet
> >> >> > apartment.
> >> >> > I arrange it so that my chain is distortion/fuzz into
> >> >> amp modelers
> >> >> > (currently Digitech RP 250  and or Korg AX 3000G)
> >> >> into modfx/delay/reverb
> >> >> > into loopers into sometimes more mangle fx into mixer.
> >> >> Not the best way but
> >> >> > there ya go. i stay stereo from the outputs of the
> >> >> multi fx boxes. i really
> >> >> > want a proper mixer so that i can feed more of
> >> >> everything into everything
> >> >> > else sort of :)
> >> >> > All that said i still believe that a good real amp
> >> >> cranked up sounds better.
> >> >> > I just can't do that anymore in real life. I guess it
> >> >> come down to good tone
> >> >> > being subjective. I am always looking for "the" sound.
> >> >> hmmm=2C maybe this?
> >> >> > http://www.beavisaudio.com/Projects/DBS/
> >> >> >
> >> >> > And your right about Bill Walker! He has the "tone"!
> >> >> >
> >> >> > First cup 'o coffee wearing off=2C gotta go get more!
> >> >> >
> >> >> > best=2C
> >> >> >
> >> >> > Jeff
> >> >> >
> >> >> >
> >> >> > Ad astra per alia porci - Steinbeck
> >> >> >
> >> >> >
> >> >> > http://jeffduke.org/
> >> >> > http://www.myspace.com/loopsinphasespace
> >> >> > http://jeffduke.bandcamp.com/
> >> >> > http://www.ustream.tv/channel/loopydroneyglitchywacky-presents
> >> >> > http://www.justin.tv/loopslab
> >> >> > http://www.vimeo.com/jeffduke
> >> >> > http://www.reverbnation.com/thejeffduke
> >> >> > http://virb.com/jeffduke
> >> >> > http://themineisthemind.blogspot.com/
> >> >> > http://www.youtube.com/user/sticky899
> >> >> > http://www.sugarat.org/tecbab/
> >> >> >
> >> >> >
> >> >> >
> >> >> >
> >> >> > ----- Original Message ----- From: "andy butler"
> >> >> <akbutler@tiscali.co.uk>
> >> >> > To: <Loopers-Delight@loopers-delight.com>
> >> >> > Sent: Tuesday=2C June 30=2C 2009 10:15 AM
> >> >> > Subject: Re: MY NEW TOY
> >> >> >
> >> >> >
> >> >> >> Jeff Duke wrote:
> >> >> >>>>
> >> >> >>>> Rather than put two amp sims after the fx=2C
> >> >> surely it would be neater to
> >> >> >>>> put one amp sim between guitar and fx.
> >> >> >>>
> >> >> >>> What would you recommend in a stereo amp sim
> >> >> Andy?
> >> >> >>>
> >> >> >>> Jeff
> >> >> >>>
> >> >> >>
> >> >> >> Oh=2C I'm probably the worst person to ask about amp
> >> >> sims =3B-)
> >> >> >> Ask Bill Walker.
> >> >> >>
> >> >> >> I only really started playing electric guitar when
> >> >> I started looping=2C
> >> >> >> and while I played bass through a nice valve setup
> >> >> for years I eventually
> >> >> >> found that it just wouldn't reproduce the sort of
> >> >> playing I put into it.
> >> >> >> (i.e. I used to sometimes get quite a lot going at
> >> >> once=2C but wasn't
> >> >> >> willing to reduce the low frequency content of the
> >> >> sound.)
> >> >> >>
> >> >> >> Hence I now use JBL Eons for everything=2C and don't
> >> >> possess a decent amp
> >> >> >> sim.
> >> >> >>
> >> >> >> Currently I'm experimenting with a Moogerfooger
> >> >> Lo-pass to mellow
> >> >> >> out the fuzzy tones from my ADA MP1 valve pre.
> >> >> >>
> >> >> >> However=2C the raw fuzz/overdrive sounds I use sound
> >> >> ok to me=2C and it seems
> >> >> >> also to the audience. Only knowledgeable
> >> >> guitarists have sometimes
> >> >> >> to worried that I have a flat battery somewhere
> >> >> =3B-)
> >> >> >>
> >> >> >> Generally=2C I reckon that for a looping device=2C a
> >> >> clean full range sound is
> >> >> >> preferable
> >> >> >> so that the layers can remain distinct in the
> >> >> mix.
> >> >> >>
> >> >> >> Hence I would always put an amp sim before the
> >> >> looper=2C rather than after.
> >> >> >> Then it would be possible to build up a mix using
> >> >> different amp tones.
> >> >> >>
> >> >> >> My guess was that Ted wanted to "ampify" his pa
> >> >> speakers by putting a
> >> >> >> stereo
> >> >> >> amp sim (two SansAmps) just in front of them.
> >> >> >> It's a different approach...and I don't doubt he'd
> >> >> make it work.
> >> >> >>
> >> >> >> I'd say 'hope that helps'=2C only as I didn't
> >> >> >> answer the question......     :-)
> >> >> >>
> >> >> >> andy
> >> >> >>
> >> >> >>
> >> >> >>
> >> >> >>
> >> >> >
> >> >> >
> >> >>
> >> >>
> >> >
> >> >
> >> >
> >> >
> >> >
> >>
> >
>=20

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<body class=3D'hmmessage'>
I'm&nbsp=3Bnot at all sure i would be able to hear the difference&nbsp=3Bbe=
tween a recorded amp and a recorded simulation. But I KNOW i can feel&nbsp=
=3Bthe difference between a modeling amp and a standard tube amp=2C modelin=
g don't FEEL the same to play. And the amps&nbsp=3BI have are truly great=
=2C each one has it's own special niche of feel and sound as I said they ar=
e instruments=2C replacing an amp with a computer simulation is like replac=
ing a guitar with a sample triggered in the laptop=2C in makes similar soun=
d but it is NOT the same instrument. I play guitar and amp not guitar and a=
mp sims=2C you just can't get a amp sim to interact with touch and position=
 of guitar relative to amp.. different instrument=2C not better or worse.<B=
R>
As for laptop=2C right now I'm typing on a newish HP (compaq 8510p) and jus=
t runing vista and IE takes up around one GB of memory after a while... and=
 all since i work all day with computer I don't wont a computer involved in=
 my music=2C perhaps for recording in the future. But LIVE and playing for =
fun=2C nope.. computers are NOT fun - for me<BR>
&nbsp=3B<BR>&gt=3B Date: Tue=2C 30 Jun 2009 15:07:42 -0700<BR>&gt=3B Subjec=
t: Re: MY NEW TOY<BR>&gt=3B From: zerocrossing@gmail.com<BR>&gt=3B To: Loop=
ers-Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B The Axe-FX is a comput=
er. No difference really except it's got built<BR>&gt=3B in converters. I w=
as even under the impression that Fractal was busy<BR>&gt=3B porting their =
software to run on Windows.<BR>&gt=3B <BR>&gt=3B Your experience with lapto=
ps is probably a bit dated as I'm able to<BR>&gt=3B get quite a lot of effe=
cts (including Amplitube) running inside of<BR>&gt=3B Live with nary a hitc=
h at pretty low latencies in a 4 year old laptop.<BR>&gt=3B I do even bette=
r with my desktop. The trick is adjusting a few things<BR>&gt=3B in Windows=
 that are designed to help a general computer user=2C but<BR>&gt=3B hinder =
real time audio production. Once you fix that it's great.<BR>&gt=3B <BR>&gt=
=3B Sorry=2C I've seen about a hundred threads where guys claim to be able<=
BR>&gt=3B to hear the superior sound quality of dedicated hardware and then=
<BR>&gt=3B proceed to not be able to tell the difference in blind tests. It=
's<BR>&gt=3B all just stuff that should be a means to an end so what ever w=
orks for<BR>&gt=3B you. I know for myself=2C I played with NI's Guitar Rig =
3 and thought=2C<BR>&gt=3B "Oh=2C I guess computers can't do amp simulation=
 well" and I dismissed<BR>&gt=3B it as an option. It wasn't until I tried A=
mplitube SVX out on my bass<BR>&gt=3B that I was compelled to give it anoth=
er look see. I'd be super<BR>&gt=3B curious to put the Axe-FX against the I=
K stuff and see what's what.<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B On =
Tue=2C Jun 30=2C 2009 at 2:52 PM=2C Anders<BR>&gt=3B Bergdahl&lt=3Banders_e=
_bergdahl@hotmail.com&gt=3B wrote:<BR>&gt=3B &gt=3B And the axafx is suppos=
ed to sound REALLY good=2C several tube amp fanatics<BR>&gt=3B &gt=3B rave =
about it. I would much prefer an axefx based&nbsp=3Brig over a computer bas=
ed<BR>&gt=3B &gt=3B rig. Since i LOVE tube anps and find playing great amp =
being a pleasure much<BR>&gt=3B &gt=3B like enjoying a great single malt (o=
r wine if you prefer) computer based is<BR>&gt=3B &gt=3B a non starter for.=
 One reason could be that i find it hard for most&nbsp=3Blaptiops<BR>&gt=3B=
 &gt=3B I have used at work to even cope with riunning a few instances of I=
E and<BR>&gt=3B &gt=3B some office applications without geting hickup...<BR=
>&gt=3B &gt=3B Again MY main reason for sticking with tube amps is that the=
y&nbsp=3Bare more to me<BR>&gt=3B &gt=3B than amps=2C they are a part of th=
e instrument=2C electric guitar.<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B Anders<B=
R>&gt=3B &gt=3B www.soundclick.com/andersbergdahl<BR>&gt=3B &gt=3B<BR>&gt=
=3B &gt=3B&gt=3B Date: Tue=2C 30 Jun 2009 14:45:20 -0700<BR>&gt=3B &gt=3B&g=
t=3B Subject: Re: MY NEW TOY<BR>&gt=3B &gt=3B&gt=3B From: zerocrossing@gmai=
l.com<BR>&gt=3B &gt=3B&gt=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=
=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B No kidding! However when I think of=
 the fact that my Vox/VF-1 was<BR>&gt=3B &gt=3B&gt=3B about half that price=
 (and the VF-1 was used when I got it) and I<BR>&gt=3B &gt=3B&gt=3B guess i=
f you consider the IK Multimedia STOMP I/O is $1000 (+$229 for<BR>&gt=3B &g=
t=3B&gt=3B Fender) and you still need a computer to run it=2C it sounds a b=
it less<BR>&gt=3B &gt=3B&gt=3B crazy.<BR>&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=
=3B&gt=3B On Tue=2C Jun 30=2C 2009 at 1:35 PM=2C L.Angulo&lt=3Blabaloops@ya=
hoo.com&gt=3B wrote:<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &=
gt=3B seems to have a basic but nice looper as well with record=2Cplay=2Cpl=
ay once<BR>&gt=3B &gt=3B&gt=3B &gt=3B =2Coverdub and reverse not bad but ou=
ch the price hurts...<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B =
&gt=3B www.myspace.com/luisangulocom<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B --- Mark Sottilaro &l=
t=3Bzerocrossing@gmail.com&gt=3B schrieb am Di=2C 30.6.2009:<BR>&gt=3B &gt=
=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Von: Mark Sottilaro &l=
t=3Bzerocrossing@gmail.com&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Betref=
f: Re: MY NEW TOY<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B An: Loopers-Delight@l=
oopers-delight.com<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Datum: Dienstag=2C 3=
0. Juni 2009=2C 11:29<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Word on the stree=
t is that if you<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B want *the best* then t=
he Axe-FX is<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B the route to go:<BR>&gt=3B=
 &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B http://www.f=
ractalaudio.com/products-fa-axefx.html<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<=
BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B I have no experience with them but the =
demos sound great:<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B (even with<BR>&gt=3B=
 &gt=3B&gt=3B &gt=3B&gt=3B youtube compression)<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B http://www.youtube.com/watch?=
v=3DUbu8A_wmmNI&amp=3Bfmt=3D18<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B The cost seems prohibitive to me=2C but if yo=
u've got the<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B cash and want<BR>&gt=3B &g=
t=3B&gt=3B &gt=3B&gt=3B the best maybe it's worth it. I found my Vox Tonela=
b/VF-1<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B combo to be<BR>&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B good enough for me=2C and Amplitube to be even better. One=
<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B thing that<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B sold me on the software route is that if I want to do<BR>&gt=3B &=
gt=3B&gt=3B &gt=3B&gt=3B something that's<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B not possible in a hardware set up without a bunch of<BR>&gt=3B &gt=3B&g=
t=3B &gt=3B&gt=3B re-routing I can<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B do i=
t effortlessly and then call it up as a preset.<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B On Tue=2C Jun 30=2C 2009 at 7=
:56 AM=2C Jeff Duke&lt=3Bjeff_d@embarqmail.com&gt=3B<BR>&gt=3B &gt=3B&gt=3B=
 &gt=3B&gt=3B wrote:<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B thanks Andy=
=2C<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B &gt=3B but you did answer it really. It's funny but i<BR>&gt=3B &=
gt=3B&gt=3B &gt=3B&gt=3B recently compiled alot of my<BR>&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B &gt=3B tunes &nbsp=3Bfor release on Bandcamp. I realized t=
hat the<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B best (meaning my<BR>&gt=3B &gt=
=3B&gt=3B &gt=3B&gt=3B &gt=3B favorite) sounds were all direct into the boa=
rd<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B recordings. i have used<BR>&gt=3B &g=
t=3B&gt=3B &gt=3B&gt=3B &gt=3B whatever amp/speaker modelers I had in whate=
ver fx box<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B I was using at the<BR>&gt=3B=
 &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B time. All the newer stuff was done while =
wearing<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B headphones in a quiet<BR>&gt=3B=
 &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B apartment.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&=
gt=3B &gt=3B I arrange it so that my chain is distortion/fuzz into<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B amp modelers<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B &gt=3B (currently Digitech RP 250 &nbsp=3Band or Korg AX 3000G)<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B into modfx/delay/reverb<BR>&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B &gt=3B into loopers into sometimes more mangle fx into mix=
er.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Not the best way but<BR>&gt=3B &gt=
=3B&gt=3B &gt=3B&gt=3B &gt=3B there ya go. i stay stereo from the outputs o=
f the<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B multi fx boxes. i really<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B want a proper mixer so that i can feed=
 more of<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B everything into everything<BR>=
&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B else sort of :)<BR>&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B &gt=3B All that said i still believe that a good real amp<=
BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B cranked up sounds better.<BR>&gt=3B &gt=
=3B&gt=3B &gt=3B&gt=3B &gt=3B I just can't do that anymore in real life. I =
guess it<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B come down to good tone<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B being subjective. I am always looking =
for "the" sound.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B hmmm=2C maybe this?<BR=
>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B http://www.beavisaudio.com/Project=
s/DBS/<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &g=
t=3B&gt=3B &gt=3B And your right about Bill Walker! He has the "tone"!<BR>&=
gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B =
&gt=3B First cup 'o coffee wearing off=2C gotta go get more!<BR>&gt=3B &gt=
=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B be=
st=2C<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B &gt=3B Jeff<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B =
&gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B=
 Ad astra per alia porci - Steinbeck<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &g=
t=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B &gt=3B http://jeffduke.org/<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &=
gt=3B http://www.myspace.com/loopsinphasespace<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B &gt=3B http://jeffduke.bandcamp.com/<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B &gt=3B http://www.ustream.tv/channel/loopydroneyglitchywacky-pres=
ents<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B http://www.justin.tv/loopsl=
ab<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B http://www.vimeo.com/jeffduke=
<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B http://www.reverbnation.com/the=
jeffduke<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B http://virb.com/jeffduk=
e<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B http://themineisthemind.blogsp=
ot.com/<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B http://www.youtube.com/u=
ser/sticky899<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B http://www.sugarat=
.org/tecbab/<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &g=
t=3B ----- Original Message ----- From: "andy butler"<BR>&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B &lt=3Bakbutler@tiscali.co.uk&gt=3B<BR>&gt=3B &gt=3B&gt=3B =
&gt=3B&gt=3B &gt=3B To: &lt=3BLoopers-Delight@loopers-delight.com&gt=3B<BR>=
&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B Sent: Tuesday=2C June 30=2C 2009 10=
:15 AM<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B Subject: Re: MY NEW TOY<B=
R>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Jeff Duke wrote=
:<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B<BR>&gt=3B &g=
t=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B Rather than put two amp si=
ms after the fx=2C<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B surely it would be n=
eater to<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B&gt=3B put o=
ne amp sim between guitar and fx.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B What=
 would you recommend in a stereo amp sim<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B Andy?<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B<BR>&gt=3B =
&gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B&gt=3B Jeff<BR>&gt=3B &gt=3B&gt=3B &g=
t=3B&gt=3B &gt=3B&gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Oh=2C I'm probably the=
 worst person to ask about amp<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B sims =3B=
-)<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Ask Bill Walker.<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B I only really started playing electric guitar when<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B I started looping=2C<BR>&gt=3B &gt=3B&gt=3B &=
gt=3B&gt=3B &gt=3B&gt=3B and while I played bass through a nice valve setup=
<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B for years I eventually<BR>&gt=3B &gt=
=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B found that it just wouldn't reproduce t=
he sort of<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B playing I put into it.<BR>&g=
t=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B (i.e. I used to sometimes get q=
uite a lot going at<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B once=2C but wasn't<=
BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B willing to reduce the low =
frequency content of the<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B sound.)<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B Hence I now use JBL Eons for everything=2C and don't<BR>&g=
t=3B &gt=3B&gt=3B &gt=3B&gt=3B possess a decent amp<BR>&gt=3B &gt=3B&gt=3B =
&gt=3B&gt=3B &gt=3B&gt=3B sim.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&g=
t=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Currently I'm experim=
enting with a Moogerfooger<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Lo-pass to m=
ellow<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B out the fuzzy tones =
from my ADA MP1 valve pre.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B=
<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B However=2C the raw fuzz/o=
verdrive sounds I use sound<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B ok to me=2C=
 and it seems<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B also to the =
audience. Only knowledgeable<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B guitarists=
 have sometimes<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B to worried=
 that I have a flat battery somewhere<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B =
=3B-)<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B Generally=2C I reckon that for a looping devi=
ce=2C a<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B clean full range sound is<BR>&g=
t=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B preferable<BR>&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B so that the layers can remain distinct in the=
<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B mix.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B Hence I w=
ould always put an amp sim before the<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B l=
ooper=2C rather than after.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B Then it would be possible to build up a mix using<BR>&gt=3B &gt=3B&gt=
=3B &gt=3B&gt=3B different amp tones.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &=
gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B My guess was t=
hat Ted wanted to "ampify" his pa<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B speak=
ers by putting a<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B stereo<BR=
>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B amp sim (two SansAmps) just =
in front of them.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B It's a d=
ifferent approach...and I don't doubt he'd<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=
=3B make it work.<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=
=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B I'd say 'hope that helps'=2C onl=
y as I didn't<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B answer the q=
uestion...... &nbsp=3B &nbsp=3B :-)<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B andy<BR>&gt=3B &=
gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &=
gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=
=3B&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=
=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=
=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B&gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B=
<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=3B&gt=3B &gt=3B<BR>&gt=3B &gt=
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t=3B &gt=3B<BR>&gt=3B <BR></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Tue Jun 30 22:45:08 2009
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Date: Tue, 30 Jun 2009 15:39:22 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Short live video clip posted (Live Looping Festival Rome 2009)
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WOW




________________________________
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, June 30, 2009 5:54:45 PM
Subject: Short live video clip posted (Live Looping Festival Rome 2009)

Got the first video clip from my Rome gig today http://bit.ly/JeKZH.
Big thanks to Milco who filmed and sent me the video!

Per


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><DIV>WOW<BR></DIV>
<DIV style="FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif"><BR>
<DIV style="FONT-SIZE: 13px; FONT-FAMILY: arial, helvetica, sans-serif"><FONT face=Tahoma size=2>
<HR SIZE=1>
<B><SPAN style="FONT-WEIGHT: bold">From:</SPAN></B> Per Boysen &lt;perboysen@gmail.com&gt;<BR><B><SPAN style="FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delight &lt;Loopers-Delight@loopers-delight.com&gt;<BR><B><SPAN style="FONT-WEIGHT: bold">Sent:</SPAN></B> Tuesday, June 30, 2009 5:54:45 PM<BR><B><SPAN style="FONT-WEIGHT: bold">Subject:</SPAN></B> Short live video clip posted (Live Looping Festival Rome 2009)<BR></FONT><BR>Got the first video clip from my Rome gig today http://bit.ly/JeKZH.<BR>Big thanks to Milco who filmed and sent me the video!<BR><BR>Per<BR><BR></DIV></DIV></div><br>

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