From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 00:20:27 2009
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Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
References: <9ab0c76f0902260244g29d41921u8d908b47b81e15d9@mail.gmail.com>	 <CBB78B4C08524463B9D03164287B60C5@williamsteed>	 <49A84A4E.3030304@mhorse.com> <66f9cc1e0902271546o80f9797l2681701f3a57b741@mail.gmail.com> <49A8ACCD.20503@mhorse.com>
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Exactly!  While alternate tunings are interesting, so is more strings ;)
I was set for a 7-stringer, but decided to wait it out till I can afford 
an eight or nine stringer.



Daryl Shawn wrote:
> This is interesting, Per. Of course, a guitar has different resonances 
> for different keys too, but maybe not so dramatic a difference, which I 
> wasn't aware of.
> 
> I hear what you're saying with regards to range. That makes a good 
> argument, if sticking with a six-string.
> 
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
> 
>> All wind instruments have completely new fingering for every key. And
>>   the resonating pillar of air behaves totally different if you just
>> transpose the key a half step up or down. So the risk of getting in a
>> rut is way smaller than when sticking with the guitar.
>>
>>  
>>
>>> Honestly, I don't see a world of possibilities in switching tunings.
>>>     
>>
>>
>> My question, when I started this thread, was to find out ways to do
>> solo looping with guitar and have instant access to a wider range,
>> i.e. being able to play like with a piano; making deep bases and high
>> melodies in one go. The Stick is also good for that, but I thought
>> that maybe you can tune a guitar "wider" to expand the range? But
>> maybe a fifths based tuning will interfere badly with the ability to
>> play fluent melody lines?
> 
> 
> 
> .
> 


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 00:46:08 2009
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Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
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richard sales wrote:
> 
> Of note to all lovers of open tunings, and I count myself as one of 
> them, I've heard that Leo Kottke has transposed all of his songs to 
> standard!  Taking multiple guitars to gigs - and keeping them tuned - is 
> a pain in the butt, and when you're flying it gets quite spendy. 

A possible remedie is drop tuners (i.e. Hipshot and Sperzel D-thing).


> I can't understand why no one has successfully invented a tuning peg 
> that could auto tune your guitar.  I talked to Paul Smith (PRS) about 
> this a while back and he said it was because of the weight of the tuner 
> changing the tone of the guitar.  But I think I saw that Gibson had one 
> coming out.  

It's available, wasn't invented by Gibson, but a German. Gibson licenced 
it. I can poke the name/link.  The system is available for some Fender & 
Gibson look/work-alike guitars. About a thousand euro, last I checked.
There's the system made famous by Jimmy Page. Yikes, more memory losses.


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 00:47:18 2009
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Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
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Howdy,

 Isn't 5th tuning on a guitar pretty much just tuning it as if were a larger mandolin or violin?
rig


--- On Sat, 2/28/09, van Sinn <vansinn@post.cybercity.dk> wrote:

> From: van Sinn <vansinn@post.cybercity.dk>
> Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
> To: Loopers-Delight@loopers-delight.com
> Date: Saturday, February 28, 2009, 4:27 PM
> Exactly!  While alternate tunings are interesting, so is
> more strings ;)
> I was set for a 7-stringer, but decided to wait it out till
> I can afford an eight or nine stringer.
> 
> 
> 
> Daryl Shawn wrote:
> > This is interesting, Per. Of course, a guitar has
> different resonances for different keys too, but maybe not
> so dramatic a difference, which I wasn't aware of.
> > 
> > I hear what you're saying with regards to range.
> That makes a good argument, if sticking with a six-string.
> > 
> > Daryl Shawn
> > www.swanwelder.com
> > www.chinapaintingmusic.com
> > 
> >> All wind instruments have completely new fingering
> for every key. And
> >>   the resonating pillar of air behaves totally
> different if you just
> >> transpose the key a half step up or down. So the
> risk of getting in a
> >> rut is way smaller than when sticking with the
> guitar.
> >> 
> >>  
> >>> Honestly, I don't see a world of
> possibilities in switching tunings.
> >>>     
> >> 
> >> 
> >> My question, when I started this thread, was to
> find out ways to do
> >> solo looping with guitar and have instant access
> to a wider range,
> >> i.e. being able to play like with a piano; making
> deep bases and high
> >> melodies in one go. The Stick is also good for
> that, but I thought
> >> that maybe you can tune a guitar "wider"
> to expand the range? But
> >> maybe a fifths based tuning will interfere badly
> with the ability to
> >> play fluent melody lines?
> > 
> > 
> > 
> > .
> > 
> 
> 
> -- rgds,
> van Sinn


      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 00:51:57 2009
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Howdy,

 Speaking of Leo Kottke, Where could one get the tablature, notation, etc. for his 12 string slide guitar version of Cripple Creek. The one that was on the "John Fahey, Leo Kottke, Peter Land album of the mid 70s. I gave myself 30 years to learn it and the clock is running out. MOST helpful would be what open tuning he used. Thanx in advance.
Rig


--- On Sat, 2/28/09, richard sales <richard@glasswing.com> wrote:

> From: richard sales <richard@glasswing.com>
> Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
> To: Loopers-Delight@loopers-delight.com
> Date: Saturday, February 28, 2009, 10:44 AM
> On Feb 27, 2009, at 11:45 PM, Andreas Willers wrote:
> 
> > Daryl wrote:
> > 
> > "I was tuned DADGCF, so suddenly I started
> writing everything in D minor.
> 
> That's why God invented capos!
> > 
> > I'll second that. Spent years of working towards
> the point where I can play the stuff I hear in my head on
> the neck fast and intuitively, although I regulary use
> simpler open tunings and retune on the spot in some improv
> situations. Also I immediately bought this new Woodies
> G-band partial capo
> > http://www.woodiesuk.moonfruit.com/
> 
> you can make your own by sawing off Keyser capos.  Works
> great and definitely scrambles the eggs for open tunings or
> standard.  I keep three or four on hand for when I get
> stumped.
> > 
> 
> 
> Of note to all lovers of open tunings, and I count myself
> as one of them, I've heard that Leo Kottke has
> transposed all of his songs to standard!  Taking multiple
> guitars to gigs - and keeping them tuned - is a pain in the
> butt, and when you're flying it gets quite spendy.
> 
> I can't imagine Vaseline Machine Gun in standard!
> 
> I can't understand why no one has successfully invented
> a tuning peg that could auto tune your guitar.  I talked to
> Paul Smith (PRS) about this a while back and he said it was
> because of the weight of the tuner changing the tone of the
> guitar.  But I think I saw that Gibson had one coming out.
> 
> I'd like to have that for a Q Stick guitar.
> 
> Paul has some KILLER amps that should be available soon!
> And acoustic guitars.
> 
> For me, to address Per's original thought, the C
> tuning, CGCGCE, seemed to have the widest range.  But I
> don't experiment much any more.  I thought I'd
> invented that tuning in the sixties, but then I heard Peter
> Lang using it so it must have occurred to multiple seekers
> at once - as ideas tend to do.
> 
> I get sea sick reading about all the tunings for lap steel!
>  Sheesh!  So I'm saving that for my old age!  :)
> 
> DADGAD is a very strange tuning to solo in.  I've heard
> folks do it well, but I would be more inclined to a standard
> open D major or minor.  But DADGAD is the bomb for all that
> Norwegian Wood kind of stuff.  I've done a lot of that
> and still love it.
> 
> Like an old farm wagon, I continue to find new stones,
> twists and challenges in my old ruts.
> 
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com


      

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--Apple-Mail-11--133937971
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Try the Red Fish Blue Fish group. It's based in San Diego and is the  
percussion ensemble under the direction of Steven Schick.

It's a fantastic disc!!


Mike Crain
Percussionist/Composer
Sacramento, CA 95818
mike@mikecrain.com
http://www.mikecrain.com
http://www.myspace.com/mikecraincom

"Not only will the harmonic possibilities of the overtones be revealed
in all their splendor, but the use of certain interferences created by  
the
partials will represent an appreciable contribution."
                                                                                                   - Edgard 
  Varese







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direction of Steven Schick.<div><br></div><div>It's a fantastic =
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iv><div><font class=3D"Apple-style-span" color=3D"#152354"><font =
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t></div><div><font class=3D"Apple-style-span" color=3D"#152354"><font =
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aincom</a><span class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); =
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"><i></i></span></font></font></div><div><font class=3D"Apple-style-span" =
face=3D"Times" size=3D"2"><span class=3D"Apple-style-span" =
style=3D"font-size: 10px; "><i><br></i></span></font></div><div><font =
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">"</span></font><span class=3D"Apple-style-span" style=3D"font-size: =
13px; ">Not only will the harmonic possibilities of the overtones be =
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10px; "><font class=3D"Apple-style-span" size=3D"3"><span =
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an&nbsp;<span class=3D"Apple-style-span" style=3D"font-size: 10px; =
"><font class=3D"Apple-style-span" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px; ">appreciable =
contribution.</span></font><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; font-size: 12px; font-style: normal; =
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"><span class=3D"Apple-style-span" style=3D"font-size: 10px; "><font =
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&nbsp;-&nbsp;<b>Edgard =
Varese</b></span></span></span></font></span></span></font></i></span></fo=
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From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 01:35:55 2009
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From: bill bigrig <billbigrig@yahoo.com>
Reply-To: billbigrig@yahoo.com
Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
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Howdy,

 When I wanted to learn mandolin so that I could make muzik ala Nash the Slash, and FM, I tuned the mandolin to the middle 4 strings of a guitar. Obviously, I couldn't use the note values of  the guitar so I just transposed them down, (or up, i don't remember), to the most practical open notes of the mandolin. You have to get used to the open chords being in a different key, but it worked great for me. Fast forward to now, recently bought an acoustic/electric mandolin and i'm going to be right in the middle of FM country. Ben Mink and Nash the Slash are becoming quite acheivable now.
rig


--- On Fri, 2/27/09, Daryl Shawn <highhorse@mhorse.com> wrote:

> From: Daryl Shawn <highhorse@mhorse.com>
> Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
> To: billwalker@baymoon.com, Loopers-Delight@loopers-delight.com
> Date: Friday, February 27, 2009, 10:19 PM
> No sweat, I was putting myself pretty far out there and
> didn't have a very thick branch to hang from. It's
> always interesting to hear about the paths that serious
> players take. I used to looove effects boxes, and may go
> there again someday, who knows.
> 
> That is a really, really pianistic voicing - pretty cool no
> matter how you pull it off! Now I'm thinking about
> voicing harmonic minor in different keys and seeing where
> that takes me...
> 
> best,
> 
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
> 
> > Dude, sorry to be so emphatic. To be honest,  I just
> went through a long
> > period of minimizing my signal processing and
> simplifying my rig as a
> > conscious choice to free myself of the reliance on
> effects, and it helped me
> > to realize I could jettison all but the most basic
> effects ( for me that is
> > compression, overdrive, delay, and reverb) and still
> get my music across. It
> > was liberating, and when I finally ended my effects
> sabbatical, it gave me
> > new inspiration for using stuff I hadn't used in a
> long time, Like filter
> > effects, ring modulation and polyrhythmic delay. And
> I've been through
> > periods where I got sick of DADGAD, where I felt
> played out in the tuning,
> > but recently I have been using the approach where
> I'll pick a mode I like
> > and see how well I can voice that mode in a given
> tuning, and that will open
> > a compositional thread. For a long time I couldn't
> break out of the
> >
> Blackmountainsidedaveygrahamceltic6/8reelyjiggydronytriplety
> vibe that
> > DADGAD is known for. But try voicing D or A harmonic
> minor in that same
> > tuning and it becomes a different thing altogether. I
> think it is perfectly
> > valid to use as many or as few tools as one needs to
> find there musical
> > bliss. Per was originally asking about tunings to
> increase his range on the
> > instrument, and of course we all mutated away from
> that :)  I don't think I
> > belong to any kind of cool club by using alternate
> tunings, but I got to
> > agree with Bob Brozman on this one, what we call
> standard tuning, for all we
> > know, was an arbitrary decision. Viva La
> difference!!!!
> >  Bill
> > 
> > 
> > PS the chord was a result of trying to play close
> piano voicing's in
> > standard tuning, a result of a couple of lessons I
> took from pianist Art
> > Lande many many years ago, I think he thought I was
> nuts:) I alternate the
> > low E, and the C#, B, and A on the A string as an
> alternating bass notes
> > under the upper extensions of the chord, which is an E
> major add 9 add 11.
> > Then I do massage therapy on my hands for several
> hours :)


      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 01:43:21 2009
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From: bill bigrig <billbigrig@yahoo.com>
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Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings :-)
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Howdy,

 Does anyone know if bruce Cockburn used an open tuning on "Dust and Diesel=
"?  Can anyone give me the chords or lead me to the tablature? Thanx
Rig


--- On Fri, 2/27/09, Daryl Shawn <highhorse@mhorse.com> wrote:

> From: Daryl Shawn <highhorse@mhorse.com>
> Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings =
:-)
> To: agentlesoul2004@yahoo.com, Loopers-Delight@loopers-delight.com
> Date: Friday, February 27, 2009, 6:54 PM
> Whoa, I certainly wasn't claiming I'm more creative
> or talented than anyone else - yikes!! Hell no! No offense
> taken, but I wasn't putting myself above anyone who does
> use different tunings. That's a nice list. (Not that
> Keith Richards is exactly known for his solo work...). I
> should have placed more effort in indicating that, for ME,
> for what I'm interested in, I don't see a whole lot
> of possibilities that can't be gotten at otherwise. BUT
> I'm a nylon-string player. I might feel different if I
> had a dreadnaught Taylor, or if I was inspired by the
> English folk/American roots path that the soloists among the
> people you mention generally spring from. (Mitchell's
> Ellington fixation aside). I'm more inspired by jazz,
> classical and flamenco players, where playing in alternate
> tunings isn't part of a tradition, and moreover, would
> be a real limitation in the case of improvising.
>=20
> I invoked YouTube not to refer to these people, but the
> current crop of folks who mainly take a few tricks from
> Michael Hedges (another alt-tuner who I have tremendous
> respect for) and go a-tapping and a-slapping all day long. I
> don't wish to directly put down artists so I won't
> name names, but if you search for Hedges videos, a few links
> away you'll find the people I'm talking about.
>=20
> cheers,
>=20
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>=20
> > my friend, with all due respect to your post, why in
> God's holy name would you use youtube as your evidence
> of boring amateur alt. tuning solo guitarist's?  I
> assume you are NOT referring to John Fahey, Leo Kottke, Nick
> Drake, Joni Mitchell, Neil Young, Richard Thompson, Jimmy
> Page,John Renbourn, John Martyn, Chet Atkins, Sonic Youth,
> Swervedriver, THE GREAT KEITH RICHARDS WHO WROTE MORE 3
> CHORD ROCK SONGS IN HISTORY IN OPEN G THAN ANYBODY HAS A
> RIGHT TO--how in the world can THAT be limiting??   Pierre
> Bensusan, Martin Carthy, Bruce Cockburn, Ry Cooder, David
> Crosby? Hell even boring ass Eric Clapton and even more
> boring Peter Frampton use alt. tunings!!!  Are you more
> creative than all these guitarist's both as a guitarist
> and more importantly a composer in altered tunings? I
> DON'T mean to be rude at all or disrespectful to you
> sir, but I propose there are only limited minds, NOT limited
> tunings!!   :-)    If you doubt my word on the above using
> them they are all documented in Mark Hanson's excellent
> book "The Complete Book of Alterate Tunings" =20
> peace my friend   marc
> >=20
> > /Marc Marshall/
> > //  /"I am human, I am large, I contradict
> myself"/
> > // /.....and then some  /
> >=20
> >=20
> > --- On *Fri, 2/27/09, Daryl Shawn
> /<highhorse@mhorse.com>/* wrote:
> >=20
> >     From: Daryl Shawn <highhorse@mhorse.com>
> >     Subject: Re: OT: Tuning guitar in fifths for wider
> orchestration
> >     options
> >     To: Loopers-Delight@loopers-delight.com
> >     Date: Friday, February 27, 2009, 3:17 PM
> >=20
> >     With a heaping helpful of due respect to all those
> whose alt-tuned playing I
> >     enjoy - and the distinct feeling that I'm a
> lone fuddy-duddy here - I'm
> >     one of those resisters, though I did play in
> nothing but altered tuning for a
> >     long time. For me, the advantage was the mental
> breaking of ruts, but I found it
> >     was the wrong approach - treating the symptoms,
> not the cause of the rut.
> >     I'd found myself always playing the same
> things, but came to see that I was
> >     simply limited in the technique and knowledge I
> had. Altered tuning threw away
> >     the experience I'd already gained, so I ended
> up even quicker in a new rut -
> >     I was tuned DADGCF, so suddenly I started writing
> everything in D minor. After
> >     five years, I switched back to standard, and
> practice as often as I can in it,
> >     and haven't found myself in a rut (by my own
> subjective analysis, of
> >     course...) since. The solution was increasing my
> knowledge of the guitar,
> >     getting closer to the goal of making seamless the
> division between self and
> >     instrument, able to play what I heard in mind, not
> putting fingers down and
> >     finding new sounds by chance.
> >=20
> >     I dunno...if a sax player gets in a rut, do they
> quickly switch to clarinet? Or
> >     do they practice different things, seek out new
> music to listen to, find new
> >     playing opportunities to challenge the rut, which
> is a mental construct anyway?
> >=20
> >     Honestly, I don't see a world of possibilities
> in switching tunings. Sure,
> >     there's a big ringing resonance that one can
> get with unisons or open
> >     octaves, but that already sounds played out to my
> ears unless the composition is
> >     a good one. If you go on YouTube and watch the
> scores of open-tuned solo guitar
> >     players, you'll see the easy temptations they
> fall into - basing everything
> >     on a pedal note on the lowest open string, sliding
> around the same chord
> >     position on the low strings with the high ones
> ringing out, hitting the 12th and
> >     5th fret harmonics compulsively in every damn tune
> - because those tricks sound
> >     good, at an average and tired level of good.
> >=20
> >     Just my experience...YMMV (and probably already
> has, I'm gathering!).
> >=20
> >     Daryl Shawn
> >     www.swanwelder.com
> >     www.chinapaintingmusic.com
> >=20
> >     > I know many guitarists that resist open
> tunings and I honestly don=E2=80=99t
> >     know why. They really open up another world of
> possibilities and are a great way
> >     to take a break from standard tuning, if for no
> other reason than to provide
> >     fresh perspective and break out of playing ruts.
> >     >     > Bill
> >     >=20
> >=20
> >              =20
> >=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 01:59:26 2009
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From: bill bigrig <billbigrig@yahoo.com>
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Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
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Howdy,

 I knew a guitarist that one night, while we were on the  road, had had a f=
ew beers and went all hyper about different tunings and started showing off=
 all the ones he knew. EVERY alt. tuning he used was accompanied by the usu=
al chords, slides, etc. What really impressed me though was the virtuosity =
he displayed when breaking into lead lines, runs, fingered chords, and just=
 fast, melodic playing. It was highly educational. He proved to me that an =
open tuning limits you only as much as you allow it.
Rig


--- On Fri, 2/27/09, Daryl Shawn <highhorse@mhorse.com> wrote:

> From: Daryl Shawn <highhorse@mhorse.com>
> Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
> To: Loopers-Delight@loopers-delight.com
> Date: Friday, February 27, 2009, 12:17 PM
> With a heaping helpful of due respect to all those whose
> alt-tuned playing I enjoy - and the distinct feeling that
> I'm a lone fuddy-duddy here - I'm one of those
> resisters, though I did play in nothing but altered tuning
> for a long time. For me, the advantage was the mental
> breaking of ruts, but I found it was the wrong approach -
> treating the symptoms, not the cause of the rut. I'd
> found myself always playing the same things, but came to see
> that I was simply limited in the technique and knowledge I
> had. Altered tuning threw away the experience I'd
> already gained, so I ended up even quicker in a new rut - I
> was tuned DADGCF, so suddenly I started writing everything
> in D minor. After five years, I switched back to standard,
> and practice as often as I can in it, and haven't found
> myself in a rut (by my own subjective analysis, of
> course...) since. The solution was increasing my knowledge
> of the guitar, getting closer to the goal of making seamless
> the division between self and instrument, able to play what
> I heard in mind, not putting fingers down and finding new
> sounds by chance.
>=20
> I dunno...if a sax player gets in a rut, do they quickly
> switch to clarinet? Or do they practice different things,
> seek out new music to listen to, find new playing
> opportunities to challenge the rut, which is a mental
> construct anyway?
>=20
> Honestly, I don't see a world of possibilities in
> switching tunings. Sure, there's a big ringing resonance
> that one can get with unisons or open octaves, but that
> already sounds played out to my ears unless the composition
> is a good one. If you go on YouTube and watch the scores of
> open-tuned solo guitar players, you'll see the easy
> temptations they fall into - basing everything on a pedal
> note on the lowest open string, sliding around the same
> chord position on the low strings with the high ones ringing
> out, hitting the 12th and 5th fret harmonics compulsively in
> every damn tune - because those tricks sound good, at an
> average and tired level of good.
>=20
> Just my experience...YMMV (and probably already has,
> I'm gathering!).
>=20
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>=20
> > I know many guitarists that resist open tunings and I
> honestly don=E2=80=99t know why. They really open up another world
> of possibilities and are a great way to take a break from
> standard tuning, if for no other reason than to provide
> fresh perspective and break out of playing ruts.
> >=20
> > Bill
> >=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 06:16:40 2009
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To: <Loopers-Delight@loopers-delight.com>
References: <KFMAGO$9337A91EBDE48819083146A2B21C389C@scarlet.be> <d1396fc00902261629p6a53fefdy49ec5e6e76ba8e9c@mail.gmail.com> <CF1F916E51204663B24048C30E5F9FD6@MichaelPC> <7B2752428A654566B0DF6C49BC17A18A@MichaelPC> <d1dcce560902271228q5219a76dted804de7b11866b4@mail.gmail.com>
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Subject: Re: Free fractal music Software?
Date: Sun, 1 Mar 2009 00:16:35 -0600
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Tony K,

any info on Fractmus?  It runs for a while- I get all excited and then it 
crashes...

----- Original Message ----- 
From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, February 27, 2009 2:28 PM
Subject: Re: Free fractal music Software?


some sites to explore..

http://homepage.ntlworld.com/doklands/fract.html
http://www.brotherstechnology.com/math/fractal-music.html
http://gingerbooth.com/courseware/fracmusic.html

http://www.geocities.com/SiliconValley/Haven/4386/

I've used the last one (FractMus) pretty cool stuff.


On Fri, Feb 27, 2009 at 3:09 PM,  <mike@michaelplishka.com> wrote:
> Not free but too cool! http://tinyurl.com/buw7nl
> I'm majorly diggin this...
>
> ----- Original Message -----
> From: mike@michaelplishka.com
> To: Loopers-Delight@loopers-delight.com
> Sent: Friday, February 27, 2009 12:30 AM
> Subject: Free fractal music Software?
> Anyone know any good, free fractal music software (not necessarily image
> based)?
>
> ~peace~
>
>
> www.michaelplishka.com
> www.zenstorming.com
> www.scribbledmusings.com
>



-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 07:54:34 2009
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Date: Sat, 28 Feb 2009 23:54:27 -0800
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I haven't read every post in this thread (so please forgive me if I 
missed a similar reply)
but has anyone mentioned that a Violin is tuned in fifths because it is 
a very small instrument
compared to an Upright Bass (tuned in fourths)?

One can play some pretty beautiful and intense chords on a Mandolin or a 
Ukele for this
same reason  (long live Bill's 'Honey, I shrunk the guitar'  guitar).

On a normal scaled guitar, however, t's a long, long stretch (compared 
to a person like myself with smallish hands)
from a fifth back to a third or minor third if the guitar is tuned in 
fifths.

****************************

That being said and done:  I just find that If I doodle around with a 
new tuning, open or otherwise
that different melodic and harmonic themes will naturally pop out 
depending on the tuning.

Martin Simpson talks about using the five standard simple guitar chordal 
shapes and just moving them around
on the guitar in different tunings....................Songs just pop out 
of the guitar using this simple approach.

I was teaching a bass student today and he was futzing around with my 
thrift store bought
baritone ukelele which I have tuned to an open 7th chord.

He's a much more sophisticated string player than me (I'm teaching him 
rhythmic studies)
and he just was bringing amazingly beautiful things out of the uke 
(which sounds like some beautiful
mixture of a toy plastic guitar and a nylon string classical guitar and 
not like a ukelele at all).

I was just marvelling at how this simple four note tuning was producing 
such beautiful stuff.

I think a fantastic guitarist can play anything on anything if they work 
it enough.

For me , this discussion is mostly about creating new things to surprise 
and delight ourselves,
compositionally.

Rick Walker
(I'm not a guitarist, but I play one on TV)

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 08:15:08 2009
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  . . . . and perhaps I should say Red Fish Blue Fish is the Host  
percussion ensemble at University California San Diego.

anyway . . . check it out if you can.


Mike Crain
Percussionist/Composer
Sacramento, CA 95818
mike@mikecrain.com
http://www.mikecrain.com
http://www.myspace.com/mikecraincom

"Not only will the harmonic possibilities of the overtones be revealed
in all their splendor, but the use of certain interferences created by  
the
partials will represent an appreciable contribution."
                                                                                                   - Edgard 
  Varese









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University California San Diego.<div><br></div><div>anyway . . . check =
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iv><div><font class=3D"Apple-style-span" color=3D"#152354"><font =
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t></div><div><font class=3D"Apple-style-span" color=3D"#152354"><font =
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aincom</a><span class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); =
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">"</span></font><span class=3D"Apple-style-span" style=3D"font-size: =
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">partials&nbsp;<span class=3D"Apple-style-span" style=3D"font-size: =
10px; "><font class=3D"Apple-style-span" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px; ">will represent =
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"><font class=3D"Apple-style-span" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px; ">appreciable =
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style=3D"font-family: Helvetica; font-size: 12px; font-style: normal; =
"><i>"</i>&nbsp;&nbsp;</span></span></span></font></span></span></font></i=
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&nbsp;-&nbsp;<b>Edgard =
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nt></font></div><div><br></div></div></div></span></div></span></div></spa=
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From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 10:18:00 2009
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Subject: RE: OT: Tuning guitar in fifths for wider orchestration options
Date: Sun, 1 Mar 2009 11:17:58 +0100
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my 2 cents, about 20 years ago I felt totally stuck and frustrated with =
my
guitar style and technique. At this time I went to the first Guitar =
Craft
course in Germany and retuned my guitar to Fripp's new standard tuning
(CGDAEG). I decided to throw away everything I could play and continue =
with
this new tuning exclusively. I started with Guitar Craft material and =
slowly
felt at home with this tuning. I then played in a cover band (Sting, =
Dire
Straits, Peter Gabriel and such) and I had to work hard to map all these
tunes to the NST tuning. That was a good learning experience. Then last
year, I got a nice half-acoustic Hagstr=F6m and out of a whim decided to =
tune
it in the classical EADGBE tuning. How exciting to rediscover the old
tuning! How wonderful to be able to learn normal guitar pieces again! I
finally own both tunings now. (Now many of my guitar craft friends have =
been
at home with both tunings for many years, but I seem to be a bit =
slower.)

-Michael

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 10:27:21 2009
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Subject: OT: Tuning guitar in fifths for wider orchestration options
From: Per Boysen <perboysen@gmail.com>
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On Sun, Mar 1, 2009 at 1:40 AM, bill bigrig <billbigrig@yahoo.com> wrote:
> =A0Isn't 5th tuning on a guitar pretty much just tuning it as if were a l=
arger mandolin or violin?

That's right!


On Sun, Mar 1, 2009 at 1:27 AM, van Sinn <vansinn@post.cybercity.dk> wrote:
> Exactly! =A0While alternate tunings are interesting, so is more strings ;=
)
> I was set for a 7-stringer, but decided to wait it out till I can afford =
an
> eight or nine stringer.

Well, for me buying a new instrument is not an option. But buying some
thicker strings is something I can afford. So, many thanks to Ariel
that posted suggestions for a suitable gauge in this tuning! And
thanks to everyone else that answered the question. The thread really
took off into a lot other interesting paths! Love this list  :-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 13:02:19 2009
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actually the system was invented years ago before in the U.S. by trance performance,Jimmy Page,Graham Nash and others have been using this system succesfully for years,the German company just put this whole concept into tuning pegs instead of inside of the body of the guitar.
However i ve read a lot of negative reviews on this new gibson prototypes and about the system being too expensive and not being really efficient and having major issues.
I called the power tune company here in germany not long ago to ask them if they would consider developing this technology for acoustic guitar but they said thats something they will try to explore,although is much more complicated to develop for some reason.Trance performance however has  already done it and brought out an acoustic guitar prototype that costs a fortune with the system inside(there was a video of Graham Nash commenting on it it but i lost the link)
but it seems like a monstrous task and you would have to buy a guitar with it otherwise your precious acoustic will go through some major surgery!!
but for me if any of this companies comes out with an efficient tuning peg system accesible for all acoustic guitars then it will be a dream come true!!
Luis


> > I can't understand why no one has successfully
> invented a tuning peg that could auto tune your guitar.  I
> talked to Paul Smith (PRS) about this a while back and he
> said it was because of the weight of the tuner changing the
> tone of the guitar.  But I think I saw that Gibson had one
> coming out.  
> 
> It's available, wasn't invented by Gibson, but a
> German. Gibson licenced it. I can poke the name/link.  The
> system is available for some Fender & Gibson
> look/work-alike guitars. About a thousand euro, last I
> checked.
> There's the system made famous by Jimmy Page. Yikes,
> more memory losses.
> 
> 
> -- rgds,
> van Sinn


      

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From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 13:42:15 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings :-)
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Daryl Shawn wrote:

> BUT I'm a nylon-string player. 

Hmm, that's interesting.
I also play a lot of nylon guitar, it was pretty much my main thing
at one time.
Only alt tunings I ever found appealing on it were dropped D for
that nice bass note, or dropping the G to F# to play lute tab.

With steel strings, I like the change in sound from changing the tension,
but with nylon it doesn't inspire.

I wonder how much of the appeal from alt tuning is the change in timbre,
rather than the shifting around of notes.

andy


From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 15:32:53 2009
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I haven't looked into either solutions for a long time: costs! 8-(
However, I did wonder how micro-motor driven tuners on the headstock 
would stay stable, given that strings will be dragged over the nut.

I'd think the Trans Performance system will be much more stable, as it 
features motor driven tuners as part of the bridge, i.e. akin to a 
headless tuner system.
I once saw a vid of Page demonstrating the system; very impressive!
Also, this system can hold a large number of tunings, whereas the tuner 
peg system can only do 5-7, IIRC.

Whichever solution, it still means slacking and tensioning strings.  I'm 
pretty sensitive to tension, so while a few 'nearby-related' tunings 
might work fine, retuning to quite varying systems seems less feasible.

Two applications which might work really well would be a fretless guitar 
and a slide axe.
Elsewhere in this really interesting thread, it was mentioned that 
certain tunings, open ones included, too easily leads to getting stuck 
in a groove
That's how I feel about slide works; open-E soon gets immensily boring.
Ability to retune between various open and whatever tunings on the fly 
*while* playing the slide..  now, that would be really interesting :nod:

Dreams are the stuff life is made of...   now, where's the money?



L.Angulo wrote:
> actually the system was invented years ago before in the U.S. by trance performance,Jimmy Page,Graham Nash and others have been using this system succesfully for years,the German company just put this whole concept into tuning pegs instead of inside of the body of the guitar.
> However i ve read a lot of negative reviews on this new gibson prototypes and about the system being too expensive and not being really efficient and having major issues.
> I called the power tune company here in germany not long ago to ask them if they would consider developing this technology for acoustic guitar but they said thats something they will try to explore,although is much more complicated to develop for some reason.Trance performance however has  already done it and brought out an acoustic guitar prototype that costs a fortune with the system inside(there was a video of Graham Nash commenting on it it but i lost the link)
> but it seems like a monstrous task and you would have to buy a guitar with it otherwise your precious acoustic will go through some major surgery!!
> but for me if any of this companies comes out with an efficient tuning peg system accesible for all acoustic guitars then it will be a dream come true!!
> Luis
> 
> 
> 
>>>I can't understand why no one has successfully
>>
>>invented a tuning peg that could auto tune your guitar.  I
>>talked to Paul Smith (PRS) about this a while back and he
>>said it was because of the weight of the tuner changing the
>>tone of the guitar.  But I think I saw that Gibson had one
>>coming out.  
>>
>>It's available, wasn't invented by Gibson, but a
>>German. Gibson licenced it. I can poke the name/link.  The
>>system is available for some Fender & Gibson
>>look/work-alike guitars. About a thousand euro, last I
>>checked.
>>There's the system made famous by Jimmy Page. Yikes,
>>more memory losses.
>>
>>
>>-- rgds,
>>van Sinn
> 
> 
> 
>       
> 
> 
> .
> 


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 16:10:38 2009
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Subject: RPM CD - Jim Goodin - Vertical released
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0016e64714c4d67d1c046410da28
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Some you possibly joined me in participating in the annual February RPM
Challenge (www.rpmchallenge.com).  For those not acquainted with the world
wide web event, it is you might say a personal/artistic sort of directive or
inspiration hosted by the Wire magazine <http://www.wirenh.com/> and several
others, that challenges musicians to create and release a CD of their music
entirely done in the month of February.  This is my 3rd year and 4th CD (in
addition to my solo CD, Daryl [Shawn] and I did our 2nd Chinapainting CD Trick
of Amethyst <http://kunaki.com/sales.asp?PID=PX00ZUESNQ> for the 2007 RPM
event) to produce through this event.  My 2009 RPM CD is titled Vertical and
I'm posting it here for download.
For Vertical I used fretless guitar, oud, violin, voice and I'm proud to say
for this list's interest, looping technology (EHX 2880).  6 of the 18 trax
are heavily looped.

The link which is a ZIP bundle includes the trax, cover, insert, tray and
label graphics.

Jim Goodin - Vertical <https://dl-web.getdropbox.com/zip/Public?w=b3f8dd1d>

I welcome your comments should you desire.

Thanks for listening and again congratulations to all who played this year.

Jim

PS next up the ReUse
<http://launch.groups.yahoo.com/group/CT-ReUse/>project, stay tuned...

www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.vimeo.com/jimgoodindigital

--0016e64714c4d67d1c046410da28
Content-Type: text/html; charset=ISO-8859-1
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Some you possibly joined me in participating in the annual February RPM Cha=
llenge (<a href=3D"http://www.rpmchallenge.com">www.rpmchallenge.com</a>). =
=A0For those not acquainted with the world wide web event, it is you might =
say a personal/artistic sort of directive or inspiration hosted by the <a h=
ref=3D"http://www.wirenh.com/">Wire magazine</a> and several others, that c=
hallenges musicians to create and release a CD of their music entirely done=
 in the month of February. =A0This is my 3rd year and 4th CD (in addition t=
o my solo CD, Daryl [Shawn] and I did our 2nd Chinapainting CD <a href=3D"h=
ttp://kunaki.com/sales.asp?PID=3DPX00ZUESNQ">Trick of Amethyst</a>=A0for th=
e 2007 RPM event) to produce through this event. =A0My 2009 RPM CD is title=
d Vertical and I&#39;m posting it here for download.<div>
<br></div><div>For Vertical I used fretless guitar, oud, violin, voice and =
I&#39;m proud to say for this list&#39;s interest, looping technology (EHX =
2880). =A06 of the 18 trax are heavily looped.</div><div><br></div><div>The=
 link which is a ZIP bundle includes the trax, cover, insert, tray and labe=
l graphics.</div>
<div><br></div><div><a href=3D"https://dl-web.getdropbox.com/zip/Public?w=
=3Db3f8dd1d">Jim Goodin - Vertical</a>=A0<br clear=3D"all"><br></div><div>I=
 welcome your comments should you desire.</div><div><br></div><div>Thanks f=
or listening and again congratulations to all who played this year.</div>
<div><br></div><div>Jim<br><br></div><div>PS next up the <a href=3D"http://=
launch.groups.yahoo.com/group/CT-ReUse/">ReUse</a> project, stay tuned...</=
div><div><br></div><div><a href=3D"http://www.jimgoodinmusic.com">www.jimgo=
odinmusic.com</a>
</div><div><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingm=
usic.com</a></div><div><a href=3D"http://www.vimeo.com/jimgoodindigital">ww=
w.vimeo.com/jimgoodindigital</a></div><div><br></div>

--0016e64714c4d67d1c046410da28--

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Subject: Re: RPM CD - Jim Goodin - Vertical released
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Hey Jim, way to go, the link sends me to an offer to log in though. I =
can hardly wait to hear Vertical.
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 01, 2009 11:04 AM
  Subject: RPM CD - Jim Goodin - Vertical released


  Some you possibly joined me in participating in the annual February =
RPM Challenge (www.rpmchallenge.com).  For those not acquainted with the =
world wide web event, it is you might say a personal/artistic sort of =
directive or inspiration hosted by the Wire magazine and several others, =
that challenges musicians to create and release a CD of their music =
entirely done in the month of February.  This is my 3rd year and 4th CD =
(in addition to my solo CD, Daryl [Shawn] and I did our 2nd =
Chinapainting CD Trick of Amethyst for the 2007 RPM event) to produce =
through this event.  My 2009 RPM CD is titled Vertical and I'm posting =
it here for download.


  For Vertical I used fretless guitar, oud, violin, voice and I'm proud =
to say for this list's interest, looping technology (EHX 2880).  6 of =
the 18 trax are heavily looped.


  The link which is a ZIP bundle includes the trax, cover, insert, tray =
and label graphics.


  Jim Goodin - Vertical=20


  I welcome your comments should you desire.


  Thanks for listening and again congratulations to all who played this =
year.


  Jim


  PS next up the ReUse project, stay tuned...


  www.jimgoodinmusic.com=20
  www.chinapaintingmusic.com
  www.vimeo.com/jimgoodindigital


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<DIV><FONT face=3DArial size=3D2>Hey Jim, way to go, the link sends me =
to an offer=20
to log in though. I can hardly wait to hear Vertical.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 01, 2009 =
11:04=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RPM CD - Jim Goodin - =
Vertical=20
  released</DIV>
  <DIV><BR></DIV>Some you possibly joined me in participating in the =
annual=20
  February RPM Challenge (<A=20
  href=3D"http://www.rpmchallenge.com">www.rpmchallenge.com</A>). =
&nbsp;For those=20
  not acquainted with the world wide web event, it is you might say a=20
  personal/artistic sort of directive or inspiration hosted by the <A=20
  href=3D"http://www.wirenh.com/">Wire magazine</A> and several others, =
that=20
  challenges musicians to create and release a CD of their music =
entirely done=20
  in the month of February. &nbsp;This is my 3rd year and 4th CD (in =
addition to=20
  my solo CD, Daryl [Shawn] and I did our 2nd Chinapainting CD <A=20
  href=3D"http://kunaki.com/sales.asp?PID=3DPX00ZUESNQ">Trick of=20
  Amethyst</A>&nbsp;for the 2007 RPM event) to produce through this =
event.=20
  &nbsp;My 2009 RPM CD is titled Vertical and I'm posting it here for =
download.
  <DIV><BR></DIV>
  <DIV>For Vertical I used fretless guitar, oud, violin, voice and I'm =
proud to=20
  say for this list's interest, looping technology (EHX 2880). &nbsp;6 =
of the 18=20
  trax are heavily looped.</DIV>
  <DIV><BR></DIV>
  <DIV>The link which is a ZIP bundle includes the trax, cover, insert, =
tray and=20
  label graphics.</DIV>
  <DIV><BR></DIV>
  <DIV><A =
href=3D"https://dl-web.getdropbox.com/zip/Public?w=3Db3f8dd1d">Jim =
Goodin=20
  - Vertical</A>&nbsp;<BR clear=3Dall><BR></DIV>
  <DIV>I welcome your comments should you desire.</DIV>
  <DIV><BR></DIV>
  <DIV>Thanks for listening and again congratulations to all who played =
this=20
  year.</DIV>
  <DIV><BR></DIV>
  <DIV>Jim<BR><BR></DIV>
  <DIV>PS next up the <A=20
  href=3D"http://launch.groups.yahoo.com/group/CT-ReUse/">ReUse</A> =
project, stay=20
  tuned...</DIV>
  <DIV><BR></DIV>
  <DIV><A =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A> </DIV>
  <DIV><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
</DIV>
  <DIV><A=20
  =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindig=
ital</A></DIV>
  <DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000E_01C99A61.2F436160--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 16:52:08 2009
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	 <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051>
Date: Sun, 1 Mar 2009 11:52:07 -0500
Message-ID: <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com>
Subject: Re: RPM CD - Jim Goodin - Vertical released
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=0016364ec924b6481104641185b4
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--0016364ec924b6481104641185b4
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

Jeff and others I believe you have to create an account first on GetDropBox.
 It's a great free within 2 gig usage service for file transfer and
synchronization between say their server (your account) and your
primary/secondary computers.  Jeff thanks in advance for giving a spin...

On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  Hey Jim, way to go, the link sends me to an offer to log in though. I can
> hardly wait to hear Vertical.
>
> ----- Original Message -----
> *From:* Jim Goodin <jimgoodinmusic@gmail.com>
> *To:* loopers-Delight@loopers-delight.com
> *Sent:* Sunday, March 01, 2009 11:04 AM
> *Subject:* RPM CD - Jim Goodin - Vertical released
>
> Some you possibly joined me in participating in the annual February RPM
> Challenge (www.rpmchallenge.com).  For those not acquainted with the world
> wide web event, it is you might say a personal/artistic sort of directive or
> inspiration hosted by the Wire magazine <http://www.wirenh.com/> and
> several others, that challenges musicians to create and release a CD of
> their music entirely done in the month of February.  This is my 3rd year and
> 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd
> Chinapainting CD Trick of Amethyst<http://kunaki.com/sales.asp?PID=PX00ZUESNQ> for
> the 2007 RPM event) to produce through this event.  My 2009 RPM CD is titled
> Vertical and I'm posting it here for download.
> For Vertical I used fretless guitar, oud, violin, voice and I'm proud to
> say for this list's interest, looping technology (EHX 2880).  6 of the 18
> trax are heavily looped.
>
> The link which is a ZIP bundle includes the trax, cover, insert, tray and
> label graphics.
>
> Jim Goodin - Vertical<https://dl-web.getdropbox.com/zip/Public?w=b3f8dd1d>
>
>
> I welcome your comments should you desire.
>
> Thanks for listening and again congratulations to all who played this year.
>
> Jim
>
> PS next up the ReUse <http://launch.groups.yahoo.com/group/CT-ReUse/>project, stay tuned...
>
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.vimeo.com/jimgoodindigital
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

--0016364ec924b6481104641185b4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Jeff and others I believe you have to create an account first on GetDropBox=
. =A0It&#39;s a great free within 2 gig usage service for file transfer and=
 synchronization between say their server (your account) and your primary/s=
econdary computers. =A0Jeff thanks in advance for giving a spin...<br>
<br><div class=3D"gmail_quote">On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke <=
span dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarq=
mail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">






<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Hey Jim, way to go, the link sends me =
to an offer=20
to log in though. I can hardly wait to hear Vertical.</font></div><div><div=
></div><div class=3D"Wj3C7c">
<blockquote dir=3D"ltr" style=3D"padding-right:0px;padding-left:5px;margin-=
left:5px;border-left:#000000 2px solid;margin-right:0px">
  <div style=3D"font:10pt arial">----- Original Message ----- </div>
  <div style=3D"background:#e4e4e4;font:10pt arial"><b>From:</b>=20
  <a title=3D"jimgoodinmusic@gmail.com" href=3D"mailto:jimgoodinmusic@gmail=
.com" target=3D"_blank">Jim=20
  Goodin</a> </div>
  <div style=3D"font:10pt arial"><b>To:</b> <a title=3D"loopers-Delight@loo=
pers-delight.com" href=3D"mailto:loopers-Delight@loopers-delight.com" targe=
t=3D"_blank">loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font:10pt arial"><b>Sent:</b> Sunday, March 01, 2009 11:04=
=20
  AM</div>
  <div style=3D"font:10pt arial"><b>Subject:</b> RPM CD - Jim Goodin - Vert=
ical=20
  released</div>
  <div><br></div>Some you possibly joined me in participating in the annual=
=20
  February RPM Challenge (<a href=3D"http://www.rpmchallenge.com" target=3D=
"_blank">www.rpmchallenge.com</a>). =A0For those=20
  not acquainted with the world wide web event, it is you might say a=20
  personal/artistic sort of directive or inspiration hosted by the <a href=
=3D"http://www.wirenh.com/" target=3D"_blank">Wire magazine</a> and several=
 others, that=20
  challenges musicians to create and release a CD of their music entirely d=
one=20
  in the month of February. =A0This is my 3rd year and 4th CD (in addition =
to=20
  my solo CD, Daryl [Shawn] and I did our 2nd Chinapainting CD <a href=3D"h=
ttp://kunaki.com/sales.asp?PID=3DPX00ZUESNQ" target=3D"_blank">Trick of=20
  Amethyst</a>=A0for the 2007 RPM event) to produce through this event.=20
  =A0My 2009 RPM CD is titled Vertical and I&#39;m posting it here for down=
load.
  <div><br></div>
  <div>For Vertical I used fretless guitar, oud, violin, voice and I&#39;m =
proud to=20
  say for this list&#39;s interest, looping technology (EHX 2880). =A06 of =
the 18=20
  trax are heavily looped.</div>
  <div><br></div>
  <div>The link which is a ZIP bundle includes the trax, cover, insert, tra=
y and=20
  label graphics.</div>
  <div><br></div>
  <div><a href=3D"https://dl-web.getdropbox.com/zip/Public?w=3Db3f8dd1d" ta=
rget=3D"_blank">Jim Goodin=20
  - Vertical</a>=A0<br clear=3D"all"><br></div>
  <div>I welcome your comments should you desire.</div>
  <div><br></div>
  <div>Thanks for listening and again congratulations to all who played thi=
s=20
  year.</div>
  <div><br></div>
  <div>Jim<br><br></div>
  <div>PS next up the <a href=3D"http://launch.groups.yahoo.com/group/CT-Re=
Use/" target=3D"_blank">ReUse</a> project, stay=20
  tuned...</div>
  <div><br></div>
  <div><a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimg=
oodinmusic.com</a> </div>
  <div><a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.=
chinapaintingmusic.com</a></div>
  <div><a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">=
www.vimeo.com/jimgoodindigital</a></div>
  <div><br></div></blockquote></div></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>The Acoustic World Guit=
ar of Jim Goodin =A0- <a href=3D"http://www.jimgoodinmusic.com">http://www.=
jimgoodinmusic.com</a><br>MySpace (solo) - <a href=3D"http://www.myspace.co=
m/jimgoodinmusic">http://www.myspace.com/jimgoodinmusic</a><br>
Chinapainting -<br><a href=3D"http://www.chinapaintingmusic.com">http://www=
.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br><a href=3D"ht=
tp://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapa=
intingmusic.com</a><br>
The Jim Goodin label and home for 7 other creative souls - <a href=3D"http:=
//www.woodandwiremusic.com">http://www.woodandwiremusic.com</a> <br>Jim Goo=
din uses GHS Strings - <a href=3D"http://www.ghsstrings.com">http://www.ghs=
strings.com</a> and Seagull Guitars - <a href=3D"http://www.seagullguitars.=
com">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay =
Publications, Inc. - <a href=3D"http://www.melbay.com">http://www.melbay.co=
m</a><br>


--0016364ec924b6481104641185b4--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 17:03:33 2009
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Date: Sun, 01 Mar 2009 11:58:54 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: The AM/FM Show Playlist for February 28, 2009.
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http://soundscapes.us/amfm/playlists/2009/090228.html

The AM/FM Show has two alternating hosts.  When I am at the helm, expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #147                February 28, 2009.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
isses came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [R. Gleisberg]    Initiation Ceremony  Sequences No. 5
VA [Haze]            Dig Them Mushrooms   Sequences No. 5
VA [Fonya]           unknown              Sequences No. 5
VA [R. S. Thompson]  Starlight            Sequences No. 5
Phrozenlight         Wet Seasonic         Autumn (none)
Robert Rich and      Zerkalo Part 6       Zerkalo (Faria)
  Faryus
Synth.nl             Stratosphere         AtmoSphere (Groove)
Syndromeda           First Dream          The Twilight Conjunction
                                            (Ricochet Dream)
Jeffrey Koepper      Rising Sun           Radiate (Ricochet Dream)


Phase II/Eclectic:

Pre-empted to expand Phases I and III.


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Flamborough      Daughters of Night   Dante's Inferno (Musea)
  Head]
VA [Colossus         Inferno - Canto X    Dante's Inferno (Musea)
  Project]
Andrew Gorczyca      From This Day        Reflections - An Act of Glass
                       Forward              (ProgRock)
Talisma              Introssimo           Quelque Part (Unicorn)
Frost                Dear Dead Days       Experiments In Mass Appeal
                                            (InsideOut)
Frost                Falling Down         Experiments In Mass Appeal
                                            (InsideOut)
Unitopia             Journey's Friend     The Garden (InsideOut)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

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From: "Jeff Duke" <jeff_d@embarqmail.com>
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References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com>
Subject: Re: RPM CD - Jim Goodin - Vertical released
Date: Sun, 1 Mar 2009 12:18:29 -0500
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I joined, installed, got a dropbox and I still can't get that link. =
Sorry for my lameness. Any tips?

j
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 01, 2009 11:52 AM
  Subject: Re: RPM CD - Jim Goodin - Vertical released


  Jeff and others I believe you have to create an account first on =
GetDropBox.  It's a great free within 2 gig usage service for file =
transfer and synchronization between say their server (your account) and =
your primary/secondary computers.  Jeff thanks in advance for giving a =
spin...


  On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke <jeff_d@embarqmail.com> =
wrote:

    Hey Jim, way to go, the link sends me to an offer to log in though. =
I can hardly wait to hear Vertical.
      ----- Original Message -----=20
      From: Jim Goodin=20
      To: loopers-Delight@loopers-delight.com=20
      Sent: Sunday, March 01, 2009 11:04 AM
      Subject: RPM CD - Jim Goodin - Vertical released


      Some you possibly joined me in participating in the annual =
February RPM Challenge (www.rpmchallenge.com).  For those not acquainted =
with the world wide web event, it is you might say a personal/artistic =
sort of directive or inspiration hosted by the Wire magazine and several =
others, that challenges musicians to create and release a CD of their =
music entirely done in the month of February.  This is my 3rd year and =
4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd =
Chinapainting CD Trick of Amethyst for the 2007 RPM event) to produce =
through this event.  My 2009 RPM CD is titled Vertical and I'm posting =
it here for download.=20


      For Vertical I used fretless guitar, oud, violin, voice and I'm =
proud to say for this list's interest, looping technology (EHX 2880).  6 =
of the 18 trax are heavily looped.


      The link which is a ZIP bundle includes the trax, cover, insert, =
tray and label graphics.


      Jim Goodin - Vertical=20


      I welcome your comments should you desire.


      Thanks for listening and again congratulations to all who played =
this year.


      Jim


      PS next up the ReUse project, stay tuned...


      www.jimgoodinmusic.com=20
      www.chinapaintingmusic.com
      www.vimeo.com/jimgoodindigital





  --=20
  The Acoustic World Guitar of Jim Goodin  - =
http://www.jimgoodinmusic.com
  MySpace (solo) - http://www.myspace.com/jimgoodinmusic
  Chinapainting -
  http://www.chinapaintingmusic.com
  Chinapainting on My Space -
  http://www.myspace.com/chinapaintingmusic.com
  The Jim Goodin label and home for 7 other creative souls - =
http://www.woodandwiremusic.com=20
  Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull =
Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel =
Bay Publications, Inc. - http://www.melbay.com

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16788" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I joined, installed, got a dropbox and =
I still=20
can't get that link. Sorry for my lameness. Any tips?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 01, 2009 =
11:52=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: RPM CD - Jim =
Goodin -=20
  Vertical released</DIV>
  <DIV><BR></DIV>Jeff and others I believe you have to create an account =
first=20
  on GetDropBox. &nbsp;It's a great free within 2 gig usage service for =
file=20
  transfer and synchronization between say their server (your account) =
and your=20
  primary/secondary computers. &nbsp;Jeff thanks in advance for giving a =

  spin...<BR><BR>
  <DIV class=3Dgmail_quote>On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;</SPAN=
>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">
    <DIV bgcolor=3D"#ffffff">
    <DIV><FONT face=3DArial size=3D2>Hey Jim, way to go, the link sends =
me to an=20
    offer to log in though. I can hardly wait to hear =
Vertical.</FONT></DIV>
    <DIV>
    <DIV></DIV>
    <DIV class=3DWj3C7c>
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial"><B>From:</B> =
<A=20
      title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com"=20
      target=3D_blank>Jim Goodin</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3Dloopers-Delight@loopers-delight.com=20
      href=3D"mailto:loopers-Delight@loopers-delight.com"=20
      target=3D_blank>loopers-Delight@loopers-delight.com</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 01, =
2009 11:04=20
      AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RPM CD - Jim =
Goodin -=20
      Vertical released</DIV>
      <DIV><BR></DIV>Some you possibly joined me in participating in the =
annual=20
      February RPM Challenge (<A href=3D"http://www.rpmchallenge.com"=20
      target=3D_blank>www.rpmchallenge.com</A>). &nbsp;For those not =
acquainted=20
      with the world wide web event, it is you might say a =
personal/artistic=20
      sort of directive or inspiration hosted by the <A=20
      href=3D"http://www.wirenh.com/" target=3D_blank>Wire magazine</A> =
and several=20
      others, that challenges musicians to create and release a CD of =
their=20
      music entirely done in the month of February. &nbsp;This is my 3rd =
year=20
      and 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our =
2nd=20
      Chinapainting CD <A =
href=3D"http://kunaki.com/sales.asp?PID=3DPX00ZUESNQ"=20
      target=3D_blank>Trick of Amethyst</A>&nbsp;for the 2007 RPM event) =
to=20
      produce through this event. &nbsp;My 2009 RPM CD is titled =
Vertical and=20
      I'm posting it here for download.=20
      <DIV><BR></DIV>
      <DIV>For Vertical I used fretless guitar, oud, violin, voice and =
I'm proud=20
      to say for this list's interest, looping technology (EHX 2880). =
&nbsp;6 of=20
      the 18 trax are heavily looped.</DIV>
      <DIV><BR></DIV>
      <DIV>The link which is a ZIP bundle includes the trax, cover, =
insert, tray=20
      and label graphics.</DIV>
      <DIV><BR></DIV>
      <DIV><A =
href=3D"https://dl-web.getdropbox.com/zip/Public?w=3Db3f8dd1d"=20
      target=3D_blank>Jim Goodin - Vertical</A>&nbsp;<BR =
clear=3Dall><BR></DIV>
      <DIV>I welcome your comments should you desire.</DIV>
      <DIV><BR></DIV>
      <DIV>Thanks for listening and again congratulations to all who =
played this=20
      year.</DIV>
      <DIV><BR></DIV>
      <DIV>Jim<BR><BR></DIV>
      <DIV>PS next up the <A=20
      href=3D"http://launch.groups.yahoo.com/group/CT-ReUse/"=20
      target=3D_blank>ReUse</A> project, stay tuned...</DIV>
      <DIV><BR></DIV>
      <DIV><A href=3D"http://www.jimgoodinmusic.com"=20
      target=3D_blank>www.jimgoodinmusic.com</A> </DIV>
      <DIV><A href=3D"http://www.chinapaintingmusic.com"=20
      target=3D_blank>www.chinapaintingmusic.com</A></DIV>
      <DIV><A href=3D"http://www.vimeo.com/jimgoodindigital"=20
      target=3D_blank>www.vimeo.com/jimgoodindigital</A></DIV>
      =
<DIV><BR></DIV></BLOCKQUOTE></DIV></DIV></DIV></BLOCKQUOTE></DIV><BR><BR =

  clear=3Dall><BR>-- <BR>The Acoustic World Guitar of Jim Goodin &nbsp;- =
<A=20
  =
href=3D"http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</A><=
BR>MySpace=20
  (solo) - <A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jim=
goodinmusic</A><BR>Chinapainting=20
  -<BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.=
com</A><BR>Chinapainting=20
  on My Space -<BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic.com">http://www.myspace=
.com/chinapaintingmusic.com</A><BR>The=20
  Jim Goodin label and home for 7 other creative souls - <A=20
  =
href=3D"http://www.woodandwiremusic.com">http://www.woodandwiremusic.com<=
/A>=20
  <BR>Jim Goodin uses GHS Strings - <A=20
  href=3D"http://www.ghsstrings.com">http://www.ghsstrings.com</A> and =
Seagull=20
  Guitars - <A=20
  =
href=3D"http://www.seagullguitars.com">http://www.seagullguitars.com</A>,=
 Jim=20
  Goodin is published by Mel Bay Publications, Inc. - <A=20
  =
href=3D"http://www.melbay.com">http://www.melbay.com</A><BR></BLOCKQUOTE>=
</BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 17:23:19 2009
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References: <119655.6010.qm@web51506.mail.re2.yahoo.com>
	 <49A8A74A.5030501@mhorse.com> <49AA92A3.5060503@tiscali.co.uk>
Date: Sun, 1 Mar 2009 10:23:17 -0700
Message-ID: <dec8f8e60903010923r60bec222ufcf7d04e1ada4904@mail.gmail.com>
Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings :-)
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Andy ... in all my experience, you are only the 2nd person to mention the F#
tuning for playing lute tab ... that was HOW I learned to play the lute
before I got my lute!

Good on you ...

Best,

Dennis (Recovering Lutenist, now Looping Guitarist)

On Sun, Mar 1, 2009 at 6:50 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Daryl Shawn wrote:
>
>  BUT I'm a nylon-string player.
>>
>
> Hmm, that's interesting.
> I also play a lot of nylon guitar, it was pretty much my main thing
> at one time.
> Only alt tunings I ever found appealing on it were dropped D for
> that nice bass note, or dropping the G to F# to play lute tab.
>
> With steel strings, I like the change in sound from changing the tension,
> but with nylon it doesn't inspire.
>
> I wonder how much of the appeal from alt tuning is the change in timbre,
> rather than the shifting around of notes.
>
> andy
>
>
>


-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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Andy ... in all my experience, you are only the 2nd person to mention the F=
# tuning for playing lute tab ... that was HOW I learned to play the lute b=
efore I got my lute!<br><br>Good on you ...<br><br>Best,<br><br>Dennis (Rec=
overing Lutenist, now Looping Guitarist)<br>
<br><div class=3D"gmail_quote">On Sun, Mar 1, 2009 at 6:50 AM, andy butler =
<span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@ti=
scali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" styl=
e=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; =
padding-left: 1ex;">
<div class=3D"Ih2E3d">Daryl Shawn wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
BUT I&#39;m a nylon-string player. <br>
</blockquote>
<br></div>
Hmm, that&#39;s interesting.<br>
I also play a lot of nylon guitar, it was pretty much my main thing<br>
at one time.<br>
Only alt tunings I ever found appealing on it were dropped D for<br>
that nice bass note, or dropping the G to F# to play lute tab.<br>
<br>
With steel strings, I like the change in sound from changing the tension,<b=
r>
but with nylon it doesn&#39;t inspire.<br>
<br>
I wonder how much of the appeal from alt tuning is the change in timbre,<br=
>
rather than the shifting around of notes.<br><font color=3D"#888888">
<br>
andy<br>
<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//myspace.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://=
audiozoloft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsb=
in.angrek.com/">http://usrslashsbin.angrek.com/</a><br>


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Date: Sun, 1 Mar 2009 12:32:43 -0500
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Subject: Re: RPM CD - Jim Goodin - Vertical released
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Jeff and anyone else who tries, I didn't realize it was that painful as I've
used this before but it's a bit to go through so I just discovered how I can
make them public better for non-DBer's so here you go.  These should work...

http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3
http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3 <goog_1235883121440>
http://dl.getdropbox.com/u/251618/03%20Balloon.mp3 <goog_1235883121440>
http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John%20Fahey%29.mp3<goog_1235883121440>
http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3<goog_1235883121440>
http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Appalachia.mp3<goog_1235883121440>
http://dl.getdropbox.com/u/251618/07%20Vertical.mp3 <goog_1235883121440>
http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3 <goog_1235883121440>
http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3<goog_1235883121440>
http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3 <goog_1235883121440>
http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3<goog_1235883121440>
http://dl.getdropbox.com/u/251618/12%20Ghost.mp3 <goog_1235883121440>
http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3<goog_1235883121440>
http://dl.getdropbox.com/u/251618/14%20True.mp3 <goog_1235883121440>
http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babes.mp3<goog_1235883121440>
http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3<goog_1235883121440>
http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3<goog_1235883121440>
http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3<goog_1235883121440>
http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg<goog_1235883121440>
http://dl.getdropbox.com/u/251618/Vertical_Label.jpg <goog_1235883121440>
http://dl.getdropbox.com/u/251618/Vertical_tray.jpg

On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  I joined, installed, got a dropbox and I still can't get that link. Sorry
> for my lameness. Any tips?
>
> j
>
> ----- Original Message -----
> *From:* Jim Goodin <jimgoodinmusic@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Sunday, March 01, 2009 11:52 AM
> *Subject:* Re: RPM CD - Jim Goodin - Vertical released
>
> Jeff and others I believe you have to create an account first on
> GetDropBox.  It's a great free within 2 gig usage service for file transfer
> and synchronization between say their server (your account) and your
> primary/secondary computers.  Jeff thanks in advance for giving a spin...
>
> On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>
>>  Hey Jim, way to go, the link sends me to an offer to log in though. I
>> can hardly wait to hear Vertical.
>>
>> ----- Original Message -----
>> *From:* Jim Goodin <jimgoodinmusic@gmail.com>
>> *To:* loopers-Delight@loopers-delight.com
>> *Sent:* Sunday, March 01, 2009 11:04 AM
>> *Subject:* RPM CD - Jim Goodin - Vertical released
>>
>> Some you possibly joined me in participating in the annual February RPM
>> Challenge (www.rpmchallenge.com).  For those not acquainted with the
>> world wide web event, it is you might say a personal/artistic sort of
>> directive or inspiration hosted by the Wire magazine<http://www.wirenh.com/>and several others, that challenges musicians to create and release a CD of
>> their music entirely done in the month of February.  This is my 3rd year and
>> 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd
>> Chinapainting CD Trick of Amethyst<http://kunaki.com/sales.asp?PID=PX00ZUESNQ> for
>> the 2007 RPM event) to produce through this event.  My 2009 RPM CD is titled
>> Vertical and I'm posting it here for download.
>> For Vertical I used fretless guitar, oud, violin, voice and I'm proud to
>> say for this list's interest, looping technology (EHX 2880).  6 of the 18
>> trax are heavily looped.
>>
>> The link which is a ZIP bundle includes the trax, cover, insert, tray and
>> label graphics.
>>
>> Jim Goodin - Vertical<https://dl-web.getdropbox.com/zip/Public?w=b3f8dd1d>
>>
>>
>> I welcome your comments should you desire.
>>
>> Thanks for listening and again congratulations to all who played this
>> year.
>>
>> Jim
>>
>> PS next up the ReUse <http://launch.groups.yahoo.com/group/CT-ReUse/>project, stay tuned...
>>
>> www.jimgoodinmusic.com
>> www.chinapaintingmusic.com
>> www.vimeo.com/jimgoodindigital
>>
>>
>
>
> --
> The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
> MySpace (solo) - http://www.myspace.com/jimgoodinmusic
> Chinapainting -
> http://www.chinapaintingmusic.com
> Chinapainting on My Space -
> http://www.myspace.com/chinapaintingmusic.com
> The Jim Goodin label and home for 7 other creative souls -
> http://www.woodandwiremusic.com
> Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull
> Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel
> Bay Publications, Inc. - http://www.melbay.com
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

--001636284f22eb14cc04641216a9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Jeff and anyone else who tries, I didn&#39;t realize it was that painf=
ul as I&#39;ve used this before but it&#39;s a bit to go through so I just =
discovered how I can make them public better for non-DBer&#39;s so here you=
 go. =A0These should work...</div>
<div><br></div><a href=3D"http://dl.getdropbox.com/u/251618/01%20Something%=
20Crafty%20Afoot.mp3">http://dl.getdropbox.com/u/251618/01%20Something%20Cr=
afty%20Afoot.mp3</a>=A0<div><a href=3D"goog_1235883121440">http://dl.getdro=
pbox.com/u/251618/02%20Fireflies.mp3</a></div>
<div><a href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/03%20=
Balloon.mp3</a></div><div><a href=3D"goog_1235883121440">http://dl.getdropb=
ox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John%20Fahey%29.mp3</a><=
/div>
<div><a href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/05%20=
Radio%20Telescope.mp3</a></div><div><a href=3D"goog_1235883121440">http://d=
l.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Appalachia.m=
p3</a></div>
<div><a href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/07%20=
Vertical.mp3</a></div><div><a href=3D"goog_1235883121440">http://dl.getdrop=
box.com/u/251618/08%20Nautilus.mp3</a></div><div><a href=3D"goog_1235883121=
440">http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3</=
a></div>
<div><a href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/10%20=
Ru7aniyya.mp3</a></div><div><a href=3D"goog_1235883121440">http://dl.getdro=
pbox.com/u/251618/11%20Within%20Moments.mp3</a></div><div><a href=3D"goog_1=
235883121440">http://dl.getdropbox.com/u/251618/12%20Ghost.mp3</a></div>
<div><a href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/13%20=
Take%20Heed%2C%20Take%20Flight.mp3</a></div><div><a href=3D"goog_1235883121=
440">http://dl.getdropbox.com/u/251618/14%20True.mp3</a></div><div><a href=
=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/15%20Out%20of%20t=
he%20Mouth%20of%20Babes.mp3</a></div>
<div><a href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/16%20=
Until%20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3</a></div><div=
><a href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/17%20500%=
20Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3</a></div>
<div><a href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/18%20=
Moscow%201923.mp3</a></div><div><a href=3D"goog_1235883121440">http://dl.ge=
tdropbox.com/u/251618/Vertical_Cover_Insert.jpg</a></div><div><a href=3D"go=
og_1235883121440">http://dl.getdropbox.com/u/251618/Vertical_Label.jpg</a><=
/div>
<div><a href=3D"http://dl.getdropbox.com/u/251618/Vertical_tray.jpg">http:/=
/dl.getdropbox.com/u/251618/Vertical_tray.jpg<br></a>=A0<br><div class=3D"g=
mail_quote">On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke <span dir=3D"ltr">&l=
t;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</a>&gt;</s=
pan> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">I joined, installed, got a dropbox and=
 I still=20
can&#39;t get that link. Sorry for my lameness. Any tips?</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div><font color=3D"#888888=
">
<div><font face=3D"Arial" size=3D"2">j</font></div>
</font><blockquote style=3D"padding-right:0px;padding-left:5px;margin-left:=
5px;border-left:#000000 2px solid;margin-right:0px"><div class=3D"Ih2E3d">
  <div style=3D"font:10pt arial">----- Original Message ----- </div>
  <div style=3D"background:#e4e4e4;font:10pt arial"><b>From:</b>=20
  <a title=3D"jimgoodinmusic@gmail.com" href=3D"mailto:jimgoodinmusic@gmail=
.com" target=3D"_blank">Jim=20
  Goodin</a> </div>
  <div style=3D"font:10pt arial"><b>To:</b> <a title=3D"Loopers-Delight@loo=
pers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" targe=
t=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  </div><div><div></div><div class=3D"Wj3C7c"><div style=3D"font:10pt arial=
"><b>Sent:</b> Sunday, March 01, 2009 11:52=20
  AM</div>
  <div style=3D"font:10pt arial"><b>Subject:</b> Re: RPM CD - Jim Goodin -=
=20
  Vertical released</div>
  <div><br></div>Jeff and others I believe you have to create an account fi=
rst=20
  on GetDropBox. =A0It&#39;s a great free within 2 gig usage service for fi=
le=20
  transfer and synchronization between say their server (your account) and =
your=20
  primary/secondary computers. =A0Jeff thanks in advance for giving a=20
  spin...<br><br>
  <div class=3D"gmail_quote">On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com" target=3D"_blan=
k">jeff_d@embarqmail.com</a>&gt;</span>=20
  wrote:<br>
  <blockquote class=3D"gmail_quote" style=3D"padding-left:1ex;margin:0px 0p=
x 0px 0.8ex;border-left:#ccc 1px solid">
    <div bgcolor=3D"#ffffff">
    <div><font face=3D"Arial" size=3D"2">Hey Jim, way to go, the link sends=
 me to an=20
    offer to log in though. I can hardly wait to hear Vertical.</font></div=
>
    <div>
    <div></div>
    <div>
    <blockquote dir=3D"ltr" style=3D"padding-right:0px;padding-left:5px;mar=
gin-left:5px;border-left:#000000 2px solid;margin-right:0px">
      <div style=3D"font:10pt arial">----- Original Message ----- </div>
      <div style=3D"background:#e4e4e4;font:10pt arial"><b>From:</b> <a tit=
le=3D"jimgoodinmusic@gmail.com" href=3D"mailto:jimgoodinmusic@gmail.com" ta=
rget=3D"_blank">Jim Goodin</a> </div>
      <div style=3D"font:10pt arial"><b>To:</b> <a title=3D"loopers-Delight=
@loopers-delight.com" href=3D"mailto:loopers-Delight@loopers-delight.com" t=
arget=3D"_blank">loopers-Delight@loopers-delight.com</a> </div>
      <div style=3D"font:10pt arial"><b>Sent:</b> Sunday, March 01, 2009 11=
:04=20
      AM</div>
      <div style=3D"font:10pt arial"><b>Subject:</b> RPM CD - Jim Goodin -=
=20
      Vertical released</div>
      <div><br></div>Some you possibly joined me in participating in the an=
nual=20
      February RPM Challenge (<a href=3D"http://www.rpmchallenge.com" targe=
t=3D"_blank">www.rpmchallenge.com</a>). =A0For those not acquainted=20
      with the world wide web event, it is you might say a personal/artisti=
c=20
      sort of directive or inspiration hosted by the <a href=3D"http://www.=
wirenh.com/" target=3D"_blank">Wire magazine</a> and several=20
      others, that challenges musicians to create and release a CD of their=
=20
      music entirely done in the month of February. =A0This is my 3rd year=
=20
      and 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2n=
d=20
      Chinapainting CD <a href=3D"http://kunaki.com/sales.asp?PID=3DPX00ZUE=
SNQ" target=3D"_blank">Trick of Amethyst</a>=A0for the 2007 RPM event) to=
=20
      produce through this event. =A0My 2009 RPM CD is titled Vertical and=
=20
      I&#39;m posting it here for download.=20
      <div><br></div>
      <div>For Vertical I used fretless guitar, oud, violin, voice and I&#3=
9;m proud=20
      to say for this list&#39;s interest, looping technology (EHX 2880). =
=A06 of=20
      the 18 trax are heavily looped.</div>
      <div><br></div>
      <div>The link which is a ZIP bundle includes the trax, cover, insert,=
 tray=20
      and label graphics.</div>
      <div><br></div>
      <div><a href=3D"https://dl-web.getdropbox.com/zip/Public?w=3Db3f8dd1d=
" target=3D"_blank">Jim Goodin - Vertical</a>=A0<br clear=3D"all"><br></div=
>
      <div>I welcome your comments should you desire.</div>
      <div><br></div>
      <div>Thanks for listening and again congratulations to all who played=
 this=20
      year.</div>
      <div><br></div>
      <div>Jim<br><br></div>
      <div>PS next up the <a href=3D"http://launch.groups.yahoo.com/group/C=
T-ReUse/" target=3D"_blank">ReUse</a> project, stay tuned...</div>
      <div><br></div>
      <div><a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.=
jimgoodinmusic.com</a> </div>
      <div><a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">=
www.chinapaintingmusic.com</a></div>
      <div><a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_bla=
nk">www.vimeo.com/jimgoodindigital</a></div>
      <div><br></div></blockquote></div></div></div></blockquote></div><br>=
<br clear=3D"all"><br>-- <br>The Acoustic World Guitar of Jim Goodin =A0- <=
a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">http://www.jimgo=
odinmusic.com</a><br>
MySpace=20
  (solo) - <a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_bla=
nk">http://www.myspace.com/jimgoodinmusic</a><br>Chinapainting=20
  -<br><a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">http=
://www.chinapaintingmusic.com</a><br>Chinapainting=20
  on My Space -<br><a href=3D"http://www.myspace.com/chinapaintingmusic.com=
" target=3D"_blank">http://www.myspace.com/chinapaintingmusic.com</a><br>Th=
e=20
  Jim Goodin label and home for 7 other creative souls - <a href=3D"http://=
www.woodandwiremusic.com" target=3D"_blank">http://www.woodandwiremusic.com=
</a>=20
  <br>Jim Goodin uses GHS Strings - <a href=3D"http://www.ghsstrings.com" t=
arget=3D"_blank">http://www.ghsstrings.com</a> and Seagull=20
  Guitars - <a href=3D"http://www.seagullguitars.com" target=3D"_blank">htt=
p://www.seagullguitars.com</a>, Jim=20
  Goodin is published by Mel Bay Publications, Inc. - <a href=3D"http://www=
.melbay.com" target=3D"_blank">http://www.melbay.com</a><br></div></div></b=
lockquote></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>The Acoustic World Guit=
ar of Jim Goodin =A0- <a href=3D"http://www.jimgoodinmusic.com">http://www.=
jimgoodinmusic.com</a><br>MySpace (solo) - <a href=3D"http://www.myspace.co=
m/jimgoodinmusic">http://www.myspace.com/jimgoodinmusic</a><br>
Chinapainting -<br><a href=3D"http://www.chinapaintingmusic.com">http://www=
.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br><a href=3D"ht=
tp://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapa=
intingmusic.com</a><br>
The Jim Goodin label and home for 7 other creative souls - <a href=3D"http:=
//www.woodandwiremusic.com">http://www.woodandwiremusic.com</a> <br>Jim Goo=
din uses GHS Strings - <a href=3D"http://www.ghsstrings.com">http://www.ghs=
strings.com</a> and Seagull Guitars - <a href=3D"http://www.seagullguitars.=
com">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay =
Publications, Inc. - <a href=3D"http://www.melbay.com">http://www.melbay.co=
m</a><br>

</div>

--001636284f22eb14cc04641216a9--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 17:34:41 2009
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Date: Sun, 01 Mar 2009 11:34:30 -0600
From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com, 
 Jim Goodin <jimgoodinmusic@gmail.com>
Subject: Re: RPM CD - Jim Goodin - Vertical released
References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051>
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You know, I believe with Dropbox that the folder needs to be 
specifically shared with the recipients, so it won't really work to 
share en masse, I'm realizing. There was a more open online storage 
system I can't recall now, I think Krispen sometimes put his files 
there. There's also Jamendo.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> I joined, installed, got a dropbox and I still can't get that link. 
> Sorry for my lameness. Any tips?
>  
> j

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 17:38:26 2009
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References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051>
Subject: Re: RPM CD - Jim Goodin - Vertical released
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I'm afraid I can't get it to work either. It may be lameness on my part too, 
I'm really not sure.  I'm really looking roward to hearing you new album 
though, Jim.

I'm pleased to say that I managed to get my RPM Challenge album done in time 
too. I did the whole thing in three days and there is some DL4 looping on a 
couple of tracks, though I used it more for time saving purposes than in a 
creative way. It's called "rock and roll" and is more of a fun thing than a 
serious artistic statement. I'll get it uploaded somewhere for all to hear 
asap, maybe to Dropbox if I can work it out.

Steve

----- Original Message ----- 
From: Jeff Duke
To: Loopers-Delight@loopers-delight.com
Sent: Sunday, March 01, 2009 5:18 PM
Subject: Re: RPM CD - Jim Goodin - Vertical released


I joined, installed, got a dropbox and I still can't get that link. Sorry 
for my lameness. Any tips?

j


From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 17:45:20 2009
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Subject: Re: RPM CD - Jim Goodin - Vertical released
Date: Sun, 1 Mar 2009 17:45:39 -0000
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Fantastic! I'm listening to the first track now with a big grin on my face. 
You've got me hooked already. wonderful stuff.

Steve

Steve Moyes
www.stevemoyes.org.uk
www.creativemusic.org.uk
www.creativemusic.blip.tv


----- Original Message ----- 
From: Jim Goodin

Jeff and anyone else who tries, I didn't realize it was that painful as I've 
used this before but it's a bit to go through so I just discovered how I can 
make them public better for non-DBer's so here you go.  These should work... 


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From: "Jeff Duke" <jeff_d@embarqmail.com>
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Subject: Re: RPM CD - Jim Goodin - Vertical released
Date: Sun, 1 Mar 2009 13:00:51 -0500
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It allowed me to download the first track. (very nice!) and then claims =
a security setting prevents me to download. I have worked around this by =
copying each link to my browser instead of the email link and it works. =
Great stuff, thanks.

Jeff
  ----- Original Message -----=20
  From: Jim Goodin=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 01, 2009 12:32 PM
  Subject: Re: RPM CD - Jim Goodin - Vertical released


  Jeff and anyone else who tries, I didn't realize it was that painful =
as I've used this before but it's a bit to go through so I just =
discovered how I can make them public better for non-DBer's so here you =
go.  These should work...


  http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3=20
  http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3
  http://dl.getdropbox.com/u/251618/03%20Balloon.mp3
  =
http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John=
%20Fahey%29.mp3
  http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3
  =
http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Ap=
palachia.mp3
  http://dl.getdropbox.com/u/251618/07%20Vertical.mp3
  http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3
  http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3
  http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3
  http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3
  http://dl.getdropbox.com/u/251618/12%20Ghost.mp3
  =
http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3=

  http://dl.getdropbox.com/u/251618/14%20True.mp3
  =
http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babe=
s.mp3
  =
http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and=
%20the%20Shadows%20Flee.mp3
  =
http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%2=
0Ray%20Lincoln%29.mp3
  http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3
  http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg
  http://dl.getdropbox.com/u/251618/Vertical_Label.jpg
  http://dl.getdropbox.com/u/251618/Vertical_tray.jpg
  =20

  On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke <jeff_d@embarqmail.com> =
wrote:

    I joined, installed, got a dropbox and I still can't get that link. =
Sorry for my lameness. Any tips?

    j
      ----- Original Message -----=20
      From: Jim Goodin=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Sunday, March 01, 2009 11:52 AM
      Subject: Re: RPM CD - Jim Goodin - Vertical released


      Jeff and others I believe you have to create an account first on =
GetDropBox.  It's a great free within 2 gig usage service for file =
transfer and synchronization between say their server (your account) and =
your primary/secondary computers.  Jeff thanks in advance for giving a =
spin...


      On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke <jeff_d@embarqmail.com> =
wrote:

        Hey Jim, way to go, the link sends me to an offer to log in =
though. I can hardly wait to hear Vertical.
          ----- Original Message -----=20
          From: Jim Goodin=20
          To: loopers-Delight@loopers-delight.com=20
          Sent: Sunday, March 01, 2009 11:04 AM
          Subject: RPM CD - Jim Goodin - Vertical released


          Some you possibly joined me in participating in the annual =
February RPM Challenge (www.rpmchallenge.com).  For those not acquainted =
with the world wide web event, it is you might say a personal/artistic =
sort of directive or inspiration hosted by the Wire magazine and several =
others, that challenges musicians to create and release a CD of their =
music entirely done in the month of February.  This is my 3rd year and =
4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd =
Chinapainting CD Trick of Amethyst for the 2007 RPM event) to produce =
through this event.  My 2009 RPM CD is titled Vertical and I'm posting =
it here for download.=20


          For Vertical I used fretless guitar, oud, violin, voice and =
I'm proud to say for this list's interest, looping technology (EHX =
2880).  6 of the 18 trax are heavily looped.


          The link which is a ZIP bundle includes the trax, cover, =
insert, tray and label graphics.


          Jim Goodin - Vertical=20


          I welcome your comments should you desire.


          Thanks for listening and again congratulations to all who =
played this year.


          Jim


          PS next up the ReUse project, stay tuned...


          www.jimgoodinmusic.com=20
          www.chinapaintingmusic.com
          www.vimeo.com/jimgoodindigital





      --=20
      The Acoustic World Guitar of Jim Goodin  - =
http://www.jimgoodinmusic.com
      MySpace (solo) - http://www.myspace.com/jimgoodinmusic
      Chinapainting -
      http://www.chinapaintingmusic.com
      Chinapainting on My Space -
      http://www.myspace.com/chinapaintingmusic.com
      The Jim Goodin label and home for 7 other creative souls - =
http://www.woodandwiremusic.com=20
      Jim Goodin uses GHS Strings - http://www.ghsstrings.com and =
Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published =
by Mel Bay Publications, Inc. - http://www.melbay.com




  --=20
  The Acoustic World Guitar of Jim Goodin  - =
http://www.jimgoodinmusic.com
  MySpace (solo) - http://www.myspace.com/jimgoodinmusic
  Chinapainting -
  http://www.chinapaintingmusic.com
  Chinapainting on My Space -
  http://www.myspace.com/chinapaintingmusic.com
  The Jim Goodin label and home for 7 other creative souls - =
http://www.woodandwiremusic.com=20
  Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull =
Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel =
Bay Publications, Inc. - http://www.melbay.com

------=_NextPart_000_0029_01C99A6D.BFB765F0
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Content-Transfer-Encoding: quoted-printable

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>It allowed me to download the first =
track. (very=20
nice!) and then claims a security setting prevents me to download. I =
have worked=20
around this by copying each link to my browser instead of the email link =
and it=20
works. Great stuff, thanks.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
  Goodin</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 01, 2009 =
12:32=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: RPM CD - Jim =
Goodin -=20
  Vertical released</DIV>
  <DIV><BR></DIV>
  <DIV>Jeff and anyone else who tries, I didn't realize it was that =
painful as=20
  I've used this before but it's a bit to go through so I just =
discovered how I=20
  can make them public better for non-DBer's so here you go. &nbsp;These =
should=20
  work...</DIV>
  <DIV><BR></DIV><A=20
  =
href=3D"http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot=
.mp3">http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.m=
p3</A>&nbsp;
  <DIV><A=20
  =
href=3D"http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3">http://dl.g=
etdropbox.com/u/251618/02%20Fireflies.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"http://dl.getdropbox.com/u/251618/03%20Balloon.mp3">http://dl.get=
dropbox.com/u/251618/03%20Balloon.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/04%20Swamp%=
20%28in%20memory%20of%20John%20Fahey%29.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/05%20Radio%=
20Telescope.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/06%20In%20t=
he%20Middle%20East%20of%20Appalachia.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/07%20Vertic=
al.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/08%20Nautil=
us.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/09%20Transm=
ission%2C%20Over....mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/10%20Ru7ani=
yya.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/11%20Within=
%20Moments.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/12%20Ghost.=
mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/13%20Take%2=
0Heed%2C%20Take%20Flight.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/14%20True.m=
p3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/15%20Out%20=
of%20the%20Mouth%20of%20Babes.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/16%20Until%=
20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/17%20500%20=
Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/18%20Moscow=
%201923.mp3</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/Vertical_Co=
ver_Insert.jpg</A></DIV>
  <DIV><A=20
  =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/Vertical_La=
bel.jpg</A></DIV>
  <DIV><A=20
  =
href=3D"http://dl.getdropbox.com/u/251618/Vertical_tray.jpg">http://dl.ge=
tdropbox.com/u/251618/Vertical_tray.jpg<BR></A>&nbsp;<BR>
  <DIV class=3Dgmail_quote>On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;</SPAN=
>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">
    <DIV bgcolor=3D"#ffffff">
    <DIV><FONT face=3DArial size=3D2>I joined, installed, got a dropbox =
and I still=20
    can't get that link. Sorry for my lameness. Any tips?</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV><FONT =
color=3D#888888>
    <DIV><FONT face=3DArial size=3D2>j</FONT></DIV></FONT>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV class=3DIh2E3d>
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial"><B>From:</B> =
<A=20
      title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com"=20
      target=3D_blank>Jim Goodin</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
      target=3D_blank>Loopers-Delight@loopers-delight.com</A> =
</DIV></DIV>
      <DIV>
      <DIV></DIV>
      <DIV class=3DWj3C7c>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 01, =
2009 11:52=20
      AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: RPM CD - Jim =
Goodin -=20
      Vertical released</DIV>
      <DIV><BR></DIV>Jeff and others I believe you have to create an =
account=20
      first on GetDropBox. &nbsp;It's a great free within 2 gig usage =
service=20
      for file transfer and synchronization between say their server =
(your=20
      account) and your primary/secondary computers. &nbsp;Jeff thanks =
in=20
      advance for giving a spin...<BR><BR>
      <DIV class=3Dgmail_quote>On Sun, Mar 1, 2009 at 11:30 AM, Jeff =
Duke <SPAN=20
      dir=3Dltr>&lt;<A href=3D"mailto:jeff_d@embarqmail.com"=20
      target=3D_blank>jeff_d@embarqmail.com</A>&gt;</SPAN> wrote:<BR>
      <BLOCKQUOTE class=3Dgmail_quote=20
      style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; =
BORDER-LEFT: #ccc 1px solid">
        <DIV bgcolor=3D"#ffffff">
        <DIV><FONT face=3DArial size=3D2>Hey Jim, way to go, the link =
sends me to an=20
        offer to log in though. I can hardly wait to hear =
Vertical.</FONT></DIV>
        <DIV>
        <DIV></DIV>
        <DIV>
        <BLOCKQUOTE dir=3Dltr=20
        style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
          <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
          <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt =
arial"><B>From:</B> <A=20
          title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com"=20
          target=3D_blank>Jim Goodin</A> </DIV>
          <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
          title=3Dloopers-Delight@loopers-delight.com=20
          href=3D"mailto:loopers-Delight@loopers-delight.com"=20
          target=3D_blank>loopers-Delight@loopers-delight.com</A> </DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 01, =
2009=20
          11:04 AM</DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RPM CD - Jim =
Goodin -=20
          Vertical released</DIV>
          <DIV><BR></DIV>Some you possibly joined me in participating in =
the=20
          annual February RPM Challenge (<A =
href=3D"http://www.rpmchallenge.com"=20
          target=3D_blank>www.rpmchallenge.com</A>). &nbsp;For those not =

          acquainted with the world wide web event, it is you might say =
a=20
          personal/artistic sort of directive or inspiration hosted by =
the <A=20
          href=3D"http://www.wirenh.com/" target=3D_blank>Wire =
magazine</A> and=20
          several others, that challenges musicians to create and =
release a CD=20
          of their music entirely done in the month of February. =
&nbsp;This is=20
          my 3rd year and 4th CD (in addition to my solo CD, Daryl =
[Shawn] and I=20
          did our 2nd Chinapainting CD <A=20
          href=3D"http://kunaki.com/sales.asp?PID=3DPX00ZUESNQ" =
target=3D_blank>Trick=20
          of Amethyst</A>&nbsp;for the 2007 RPM event) to produce =
through this=20
          event. &nbsp;My 2009 RPM CD is titled Vertical and I'm posting =
it here=20
          for download.=20
          <DIV><BR></DIV>
          <DIV>For Vertical I used fretless guitar, oud, violin, voice =
and I'm=20
          proud to say for this list's interest, looping technology (EHX =
2880).=20
          &nbsp;6 of the 18 trax are heavily looped.</DIV>
          <DIV><BR></DIV>
          <DIV>The link which is a ZIP bundle includes the trax, cover, =
insert,=20
          tray and label graphics.</DIV>
          <DIV><BR></DIV>
          <DIV><A =
href=3D"https://dl-web.getdropbox.com/zip/Public?w=3Db3f8dd1d"=20
          target=3D_blank>Jim Goodin - Vertical</A>&nbsp;<BR =
clear=3Dall><BR></DIV>
          <DIV>I welcome your comments should you desire.</DIV>
          <DIV><BR></DIV>
          <DIV>Thanks for listening and again congratulations to all who =
played=20
          this year.</DIV>
          <DIV><BR></DIV>
          <DIV>Jim<BR><BR></DIV>
          <DIV>PS next up the <A=20
          href=3D"http://launch.groups.yahoo.com/group/CT-ReUse/"=20
          target=3D_blank>ReUse</A> project, stay tuned...</DIV>
          <DIV><BR></DIV>
          <DIV><A href=3D"http://www.jimgoodinmusic.com"=20
          target=3D_blank>www.jimgoodinmusic.com</A> </DIV>
          <DIV><A href=3D"http://www.chinapaintingmusic.com"=20
          target=3D_blank>www.chinapaintingmusic.com</A></DIV>
          <DIV><A href=3D"http://www.vimeo.com/jimgoodindigital"=20
          target=3D_blank>www.vimeo.com/jimgoodindigital</A></DIV>
          =
<DIV><BR></DIV></BLOCKQUOTE></DIV></DIV></DIV></BLOCKQUOTE></DIV><BR><BR =

      clear=3Dall><BR>-- <BR>The Acoustic World Guitar of Jim Goodin =
&nbsp;- <A=20
      href=3D"http://www.jimgoodinmusic.com"=20
      target=3D_blank>http://www.jimgoodinmusic.com</A><BR>MySpace =
(solo) - <A=20
      href=3D"http://www.myspace.com/jimgoodinmusic"=20
      =
target=3D_blank>http://www.myspace.com/jimgoodinmusic</A><BR>Chinapaintin=
g=20
      -<BR><A href=3D"http://www.chinapaintingmusic.com"=20
      =
target=3D_blank>http://www.chinapaintingmusic.com</A><BR>Chinapainting =
on My=20
      Space -<BR><A =
href=3D"http://www.myspace.com/chinapaintingmusic.com"=20
      =
target=3D_blank>http://www.myspace.com/chinapaintingmusic.com</A><BR>The =
Jim=20
      Goodin label and home for 7 other creative souls - <A=20
      href=3D"http://www.woodandwiremusic.com"=20
      target=3D_blank>http://www.woodandwiremusic.com</A> <BR>Jim Goodin =
uses GHS=20
      Strings - <A href=3D"http://www.ghsstrings.com"=20
      target=3D_blank>http://www.ghsstrings.com</A> and Seagull Guitars =
- <A=20
      href=3D"http://www.seagullguitars.com"=20
      target=3D_blank>http://www.seagullguitars.com</A>, Jim Goodin is =
published=20
      by Mel Bay Publications, Inc. - <A href=3D"http://www.melbay.com"=20
      =
target=3D_blank>http://www.melbay.com</A><BR></DIV></DIV></BLOCKQUOTE></D=
IV></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>The Acoustic World Guitar of Jim Goodin &nbsp;- =
<A=20
  =
href=3D"http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</A><=
BR>MySpace=20
  (solo) - <A=20
  =
href=3D"http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jim=
goodinmusic</A><BR>Chinapainting=20
  -<BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.=
com</A><BR>Chinapainting=20
  on My Space -<BR><A=20
  =
href=3D"http://www.myspace.com/chinapaintingmusic.com">http://www.myspace=
.com/chinapaintingmusic.com</A><BR>The=20
  Jim Goodin label and home for 7 other creative souls - <A=20
  =
href=3D"http://www.woodandwiremusic.com">http://www.woodandwiremusic.com<=
/A>=20
  <BR>Jim Goodin uses GHS Strings - <A=20
  href=3D"http://www.ghsstrings.com">http://www.ghsstrings.com</A> and =
Seagull=20
  Guitars - <A=20
  =
href=3D"http://www.seagullguitars.com">http://www.seagullguitars.com</A>,=
 Jim=20
  Goodin is published by Mel Bay Publications, Inc. - <A=20
  =
href=3D"http://www.melbay.com">http://www.melbay.com</A><BR></DIV></BLOCK=
QUOTE></BODY></HTML>

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Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
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Brilliant quote Van!

> Dreams are the stuff life is made of...   now, where's
> the money?
 



      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 18:32:28 2009
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To: <Loopers-Delight@loopers-delight.com>
References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051>
Subject: Re: RPM CD - Jim Goodin - Vertical released
Date: Sun, 1 Mar 2009 11:32:18 -0700
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Strange. I play a file and after a few seconds it mutes itself.  I'll =
try downloading instead.  I have been using box.net for a few years. It =
is a bit expensive, but I have 15gig of space. Plus it has a lot of =
other features, like collaboration, streaming your MP3s from a folder =
(no download required), sharing individual sharable or playable files, =
links to facebook, etc.

Kris


---- Original Message -----=20
    From: Jim Goodin=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Sunday, March 01, 2009 12:32 PM
    Subject: Re: RPM CD - Jim Goodin - Vertical released


    Jeff and anyone else who tries, I didn't realize it was that painful =
as I've used this before but it's a bit to go through so I just =
discovered how I can make them public better for non-DBer's so here you =
go.  These should work...


    =
http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3 =20
    http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3
    http://dl.getdropbox.com/u/251618/03%20Balloon.mp3
    =
http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John=
%20Fahey%29.mp3
    http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3
    =
http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Ap=
palachia.mp3
    http://dl.getdropbox.com/u/251618/07%20Vertical.mp3
    http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3
    http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3
    http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3
    http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3
    http://dl.getdropbox.com/u/251618/12%20Ghost.mp3
    =
http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3=

    http://dl.getdropbox.com/u/251618/14%20True.mp3
    =
http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babe=
s.mp3
    =
http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and=
%20the%20Shadows%20Flee.mp3
    =
http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%2=
0Ray%20Lincoln%29.mp3
    http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3
    http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg
    http://dl.getdropbox.com/u/251618/Vertical_Label.jpg
    http://dl.getdropbox.com/u/251618/Vertical_tray.jpg
    =20

    On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke <jeff_d@embarqmail.com> =
wrote:

      I joined, installed, got a dropbox and I still can't get that =
link. Sorry for my lameness. Any tips?

      j
        ----- Original Message -----=20
        From: Jim Goodin=20
        To: Loopers-Delight@loopers-delight.com=20
        Sent: Sunday, March 01, 2009 11:52 AM
        Subject: Re: RPM CD - Jim Goodin - Vertical released


        Jeff and others I believe you have to create an account first on =
GetDropBox.  It's a great free within 2 gig usage service for file =
transfer and synchronization between say their server (your account) and =
your primary/secondary computers.  Jeff thanks in advance for giving a =
spin...


        On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke =
<jeff_d@embarqmail.com> wrote:

          Hey Jim, way to go, the link sends me to an offer to log in =
though. I can hardly wait to hear Vertical.
            ----- Original Message -----=20
            From: Jim Goodin=20
            To: loopers-Delight@loopers-delight.com=20
            Sent: Sunday, March 01, 2009 11:04 AM
            Subject: RPM CD - Jim Goodin - Vertical released


            Some you possibly joined me in participating in the annual =
February RPM Challenge (www.rpmchallenge.com).  For those not acquainted =
with the world wide web event, it is you might say a personal/artistic =
sort of directive or inspiration hosted by the Wire magazine and several =
others, that challenges musicians to create and release a CD of their =
music entirely done in the month of February.  This is my 3rd year and =
4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd =
Chinapainting CD Trick of Amethyst for the 2007 RPM event) to produce =
through this event.  My 2009 RPM CD is titled Vertical and I'm posting =
it here for download.=20


            For Vertical I used fretless guitar, oud, violin, voice and =
I'm proud to say for this list's interest, looping technology (EHX =
2880).  6 of the 18 trax are heavily looped.


            The link which is a ZIP bundle includes the trax, cover, =
insert, tray and label graphics.


            Jim Goodin - Vertical=20


            I welcome your comments should you desire.


            Thanks for listening and again congratulations to all who =
played this year.


            Jim


            PS next up the ReUse project, stay tuned...


            www.jimgoodinmusic.com=20
            www.chinapaintingmusic.com
            www.vimeo.com/jimgoodindigital





        --=20
        The Acoustic World Guitar of Jim Goodin  - =
http://www.jimgoodinmusic.com
        MySpace (solo) - http://www.myspace.com/jimgoodinmusic
        Chinapainting -
        http://www.chinapaintingmusic.com
        Chinapainting on My Space -
        http://www.myspace.com/chinapaintingmusic.com
        The Jim Goodin label and home for 7 other creative souls - =
http://www.woodandwiremusic.com=20
        Jim Goodin uses GHS Strings - http://www.ghsstrings.com and =
Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published =
by Mel Bay Publications, Inc. - http://www.melbay.com




    --=20
    The Acoustic World Guitar of Jim Goodin  - =
http://www.jimgoodinmusic.com
    MySpace (solo) - http://www.myspace.com/jimgoodinmusic
    Chinapainting -
    http://www.chinapaintingmusic.com
    Chinapainting on My Space -
    http://www.myspace.com/chinapaintingmusic.com
    The Jim Goodin label and home for 7 other creative souls - =
http://www.woodandwiremusic.com=20
    Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull =
Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel =
Bay Publications, Inc. - http://www.melbay.com

------=_NextPart_000_038C_01C99A61.611633C0
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Strange. I play a file and after a few =
seconds it=20
mutes itself.&nbsp; I'll try downloading instead.&nbsp; I have been =
using=20
box.net for a few years. It is a bit expensive, but I have 15gig of =
space. Plus=20
it has a lot of other features, like collaboration, streaming your MP3s =
from a=20
folder (no download required), sharing individual sharable or playable =
files,=20
links to facebook, etc.</FONT></DIV><FONT face=3DArial size=3D2>
<DIV><BR>Kris</DIV>
<DIV></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>---- Original Message ----- </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com">Jim=20
    Goodin</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 01, 2009 =
12:32=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: RPM CD - Jim =
Goodin -=20
    Vertical released</DIV>
    <DIV><BR></DIV>
    <DIV>Jeff and anyone else who tries, I didn't realize it was that =
painful as=20
    I've used this before but it's a bit to go through so I just =
discovered how=20
    I can make them public better for non-DBer's so here you go. =
&nbsp;These=20
    should work...</DIV>
    <DIV><BR></DIV><A=20
    =
href=3D"http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot=
.mp3">http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.m=
p3</A>&nbsp;=20

    <DIV><A=20
    =
href=3D"http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3">http://dl.g=
etdropbox.com/u/251618/02%20Fireflies.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"http://dl.getdropbox.com/u/251618/03%20Balloon.mp3">http://dl.get=
dropbox.com/u/251618/03%20Balloon.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/04%20Swamp%=
20%28in%20memory%20of%20John%20Fahey%29.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/05%20Radio%=
20Telescope.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/06%20In%20t=
he%20Middle%20East%20of%20Appalachia.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/07%20Vertic=
al.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/08%20Nautil=
us.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/09%20Transm=
ission%2C%20Over....mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/10%20Ru7ani=
yya.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/11%20Within=
%20Moments.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/12%20Ghost.=
mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/13%20Take%2=
0Heed%2C%20Take%20Flight.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/14%20True.m=
p3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/15%20Out%20=
of%20the%20Mouth%20of%20Babes.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/16%20Until%=
20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/17%20500%20=
Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/18%20Moscow=
%201923.mp3</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/Vertical_Co=
ver_Insert.jpg</A></DIV>
    <DIV><A=20
    =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/Vertical_La=
bel.jpg</A></DIV>
    <DIV><A=20
    =
href=3D"http://dl.getdropbox.com/u/251618/Vertical_tray.jpg">http://dl.ge=
tdropbox.com/u/251618/Vertical_tray.jpg<BR></A>&nbsp;<BR>
    <DIV class=3Dgmail_quote>On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke =
<SPAN=20
    dir=3Dltr>&lt;<A=20
    =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;</SPAN=
>=20
    wrote:<BR>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">
      <DIV bgcolor=3D"#ffffff">
      <DIV><FONT face=3DArial size=3D2>I joined, installed, got a =
dropbox and I=20
      still can't get that link. Sorry for my lameness. Any =
tips?</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV><FONT =
color=3D#888888>
      <DIV><FONT face=3DArial size=3D2>j</FONT></DIV></FONT>
      <BLOCKQUOTE=20
      style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
        <DIV class=3DIh2E3d>
        <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
        <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt =
arial"><B>From:</B> <A=20
        title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com"=20
        target=3D_blank>Jim Goodin</A> </DIV>
        <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
        title=3DLoopers-Delight@loopers-delight.com=20
        href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
        target=3D_blank>Loopers-Delight@loopers-delight.com</A> =
</DIV></DIV>
        <DIV>
        <DIV></DIV>
        <DIV class=3DWj3C7c>
        <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 01, =
2009 11:52=20
        AM</DIV>
        <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: RPM CD - Jim =
Goodin -=20
        Vertical released</DIV>
        <DIV><BR></DIV>Jeff and others I believe you have to create an =
account=20
        first on GetDropBox. &nbsp;It's a great free within 2 gig usage =
service=20
        for file transfer and synchronization between say their server =
(your=20
        account) and your primary/secondary computers. &nbsp;Jeff thanks =
in=20
        advance for giving a spin...<BR><BR>
        <DIV class=3Dgmail_quote>On Sun, Mar 1, 2009 at 11:30 AM, Jeff =
Duke <SPAN=20
        dir=3Dltr>&lt;<A href=3D"mailto:jeff_d@embarqmail.com"=20
        target=3D_blank>jeff_d@embarqmail.com</A>&gt;</SPAN> wrote:<BR>
        <BLOCKQUOTE class=3Dgmail_quote=20
        style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; =
BORDER-LEFT: #ccc 1px solid">
          <DIV bgcolor=3D"#ffffff">
          <DIV><FONT face=3DArial size=3D2>Hey Jim, way to go, the link =
sends me to=20
          an offer to log in though. I can hardly wait to hear=20
          Vertical.</FONT></DIV>
          <DIV>
          <DIV></DIV>
          <DIV>
          <BLOCKQUOTE dir=3Dltr=20
          style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
            <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
            <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt =
arial"><B>From:</B> <A=20
            title=3Djimgoodinmusic@gmail.com=20
            href=3D"mailto:jimgoodinmusic@gmail.com" target=3D_blank>Jim =
Goodin</A>=20
            </DIV>
            <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
            title=3Dloopers-Delight@loopers-delight.com=20
            href=3D"mailto:loopers-Delight@loopers-delight.com"=20
            target=3D_blank>loopers-Delight@loopers-delight.com</A> =
</DIV>
            <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March =
01, 2009=20
            11:04 AM</DIV>
            <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RPM CD - Jim =
Goodin -=20
            Vertical released</DIV>
            <DIV><BR></DIV>Some you possibly joined me in participating =
in the=20
            annual February RPM Challenge (<A =
href=3D"http://www.rpmchallenge.com"=20
            target=3D_blank>www.rpmchallenge.com</A>). &nbsp;For those =
not=20
            acquainted with the world wide web event, it is you might =
say a=20
            personal/artistic sort of directive or inspiration hosted by =
the <A=20
            href=3D"http://www.wirenh.com/" target=3D_blank>Wire =
magazine</A> and=20
            several others, that challenges musicians to create and =
release a CD=20
            of their music entirely done in the month of February. =
&nbsp;This is=20
            my 3rd year and 4th CD (in addition to my solo CD, Daryl =
[Shawn] and=20
            I did our 2nd Chinapainting CD <A=20
            href=3D"http://kunaki.com/sales.asp?PID=3DPX00ZUESNQ"=20
            target=3D_blank>Trick of Amethyst</A>&nbsp;for the 2007 RPM =
event) to=20
            produce through this event. &nbsp;My 2009 RPM CD is titled =
Vertical=20
            and I'm posting it here for download.=20
            <DIV><BR></DIV>
            <DIV>For Vertical I used fretless guitar, oud, violin, voice =
and I'm=20
            proud to say for this list's interest, looping technology =
(EHX=20
            2880). &nbsp;6 of the 18 trax are heavily looped.</DIV>
            <DIV><BR></DIV>
            <DIV>The link which is a ZIP bundle includes the trax, =
cover,=20
            insert, tray and label graphics.</DIV>
            <DIV><BR></DIV>
            <DIV><A =
href=3D"https://dl-web.getdropbox.com/zip/Public?w=3Db3f8dd1d"=20
            target=3D_blank>Jim Goodin - Vertical</A>&nbsp;<BR=20
clear=3Dall><BR></DIV>
            <DIV>I welcome your comments should you desire.</DIV>
            <DIV><BR></DIV>
            <DIV>Thanks for listening and again congratulations to all =
who=20
            played this year.</DIV>
            <DIV><BR></DIV>
            <DIV>Jim<BR><BR></DIV>
            <DIV>PS next up the <A=20
            href=3D"http://launch.groups.yahoo.com/group/CT-ReUse/"=20
            target=3D_blank>ReUse</A> project, stay tuned...</DIV>
            <DIV><BR></DIV>
            <DIV><A href=3D"http://www.jimgoodinmusic.com"=20
            target=3D_blank>www.jimgoodinmusic.com</A> </DIV>
            <DIV><A href=3D"http://www.chinapaintingmusic.com"=20
            target=3D_blank>www.chinapaintingmusic.com</A></DIV>
            <DIV><A href=3D"http://www.vimeo.com/jimgoodindigital"=20
            target=3D_blank>www.vimeo.com/jimgoodindigital</A></DIV>
            =
<DIV><BR></DIV></BLOCKQUOTE></DIV></DIV></DIV></BLOCKQUOTE></DIV><BR><BR =

        clear=3Dall><BR>-- <BR>The Acoustic World Guitar of Jim Goodin =
&nbsp;- <A=20
        href=3D"http://www.jimgoodinmusic.com"=20
        target=3D_blank>http://www.jimgoodinmusic.com</A><BR>MySpace =
(solo) - <A=20
        href=3D"http://www.myspace.com/jimgoodinmusic"=20
        =
target=3D_blank>http://www.myspace.com/jimgoodinmusic</A><BR>Chinapaintin=
g=20
        -<BR><A href=3D"http://www.chinapaintingmusic.com"=20
        =
target=3D_blank>http://www.chinapaintingmusic.com</A><BR>Chinapainting =
on=20
        My Space -<BR><A =
href=3D"http://www.myspace.com/chinapaintingmusic.com"=20
        =
target=3D_blank>http://www.myspace.com/chinapaintingmusic.com</A><BR>The =

        Jim Goodin label and home for 7 other creative souls - <A=20
        href=3D"http://www.woodandwiremusic.com"=20
        target=3D_blank>http://www.woodandwiremusic.com</A> <BR>Jim =
Goodin uses=20
        GHS Strings - <A href=3D"http://www.ghsstrings.com"=20
        target=3D_blank>http://www.ghsstrings.com</A> and Seagull =
Guitars - <A=20
        href=3D"http://www.seagullguitars.com"=20
        target=3D_blank>http://www.seagullguitars.com</A>, Jim Goodin is =
published=20
        by Mel Bay Publications, Inc. - <A =
href=3D"http://www.melbay.com"=20
        =
target=3D_blank>http://www.melbay.com</A><BR></DIV></DIV></BLOCKQUOTE></D=
IV></BLOCKQUOTE></DIV><BR><BR=20
    clear=3Dall><BR>-- <BR>The Acoustic World Guitar of Jim Goodin =
&nbsp;- <A=20
    =
href=3D"http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</A><=
BR>MySpace=20
    (solo) - <A=20
    =
href=3D"http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jim=
goodinmusic</A><BR>Chinapainting=20
    -<BR><A=20
    =
href=3D"http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.=
com</A><BR>Chinapainting=20
    on My Space -<BR><A=20
    =
href=3D"http://www.myspace.com/chinapaintingmusic.com">http://www.myspace=
.com/chinapaintingmusic.com</A><BR>The=20
    Jim Goodin label and home for 7 other creative souls - <A=20
    =
href=3D"http://www.woodandwiremusic.com">http://www.woodandwiremusic.com<=
/A>=20
    <BR>Jim Goodin uses GHS Strings - <A=20
    href=3D"http://www.ghsstrings.com">http://www.ghsstrings.com</A> and =
Seagull=20
    Guitars - <A=20
    =
href=3D"http://www.seagullguitars.com">http://www.seagullguitars.com</A>,=
 Jim=20
    Goodin is published by Mel Bay Publications, Inc. - <A=20
    =
href=3D"http://www.melbay.com">http://www.melbay.com</A><BR></DIV></BLOCK=
QUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_038C_01C99A61.611633C0--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 18:38:49 2009
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	id 45FDE3BF97; Sun,  1 Mar 2009 18:38:49 +0000 (UTC)
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From: "Stephen Moyes" <stephenmoyes@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051>
Subject: RPM CD - Steve Moyes - rock and roll
Date: Sun, 1 Mar 2009 18:39:03 -0000
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Greetings all,

Below are links to all tracks and graphics from my first RPM Challenge cd 
"rock and roll". It's a not too serious attempt at various types of rock 
music, which is something I haven't played in over ten years. The track 
titles are a clue to what I was trying to acheive when I recorded them. Some 
are more successful than others. Electric guitar, sampled drums and 
Mellotron all played by me, quite badly at times. Also some bits of looping 
here nd there.

I had fun doing this and hope you enjoy listening. Don't be afraid to laugh, 
I won't be offended! I hope the links work, I think leaving a space between 
them may help.

Your comments would be most welcome.

Steve

http://dl.getdropbox.com/u/283313/rock%20and%20roll/1.%20%20punk.mp3

http://dl.getdropbox.com/u/283313/rock%20and%20roll/2.%20prog.mp3

http://dl.getdropbox.com/u/283313/rock%20and%20roll/3.%20heavy%20metal.mp3

http://dl.getdropbox.com/u/283313/rock%20and%20roll/4.%20possibly%20post.mp3

http://dl.getdropbox.com/u/283313/rock%20and%20roll/5.%20grunge.mp3

http://dl.getdropbox.com/u/283313/rock%20and%20roll/6.%20psychedelic.mp3

http://dl.getdropbox.com/u/283313/rock%20and%20roll/7.%20three%20minute%20pop%20song.mp3

http://dl.getdropbox.com/u/283313/rock%20and%20roll/8.%20remix.mp3

http://dl.getdropbox.com/u/283313/rock%20and%20roll/rock%20and%20roll%20back.jpg

http://dl.getdropbox.com/u/283313/rock%20and%20roll/rock%20and%20roll%20front.jpg

http://dl.getdropbox.com/u/283313/rock%20and%20roll/rock%20and%20roll%20label.jpg 


From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 18:41:57 2009
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looks like it will soon


> Hi all you patient and not so patient looping enthusiasts,
> 
>     It has been taking a looooooooooooooong time to finish
> this pedal,
> but it will be a fantastic looper. In
> fact it already is with the current feature set. Completing
> the
> software has been the hold up for some time
> now. There are only 2 features left to add and our
> programmer is
> working hard. The prototypes have all
> features but those two! Release will hopefully be this
> spring.
> 
>     We have all the parts to make a few hundred units. The
> circuit
> boards have all parts soldered on. Front
> panel graphic overlays have been received. Steel chassis
> have been
> received. Everything is in place. The hold
> up is finishing the software which has proven to be quite
> complex.
>     If we had the software today, I could ship about 400
> units within a month!
> 
>     Here's what we have so far:
> * Serial Play Style - loops play one after the other like
> the Rang(TM) Plus
> * Serial Master Play Style - see description below
> * 3 or 4 loops, your choice
> * stacking with undo/redo - "stacking" is adding
> parts to a loop
> * erase one or all loops - a loop can be erased while
> another plays
> * copy loop - a loop can be copied whether it is playing or
> not
> * copy live - this enables "re-sampling" and is
> very powerful; the
> pedal's output is routed to a new loop
> * octave - loop plays at half speed and an octave lower
> * reverse - loop plays backwards
> * once - loop plays one time through then stops or stops at
> its end if
> already playing
> * fade - loops fade in or out with one button press; fades
> can be
> approx 2 to 42 seconds long
> * reverse solo - this is an effect and enables you to
> create reverse leads live
> * 48KHz or 24KHz sample rate with 20 bit samples
> * through signal is always 48KHz sample rate with 24 bit
> samples
> * Thru Mute function
> * Playback master volume control with an expression pedal
> * Dedicated loop playback volume knob
> * Dedicated loop decay rate knob - the rate at which
> earlier parts
> fade when new ones are added
> * stereo or mono recording and playback
> * Smart jacks - the III senses which jacks are being used
> and provides
> different signal routing options
> 
> Sync in Serial Play Style (Serial Master Play Style)
>     There are 2 types of sync. One is a "normal"
> sync - all loops can
> play at once, there is a master that is
> recorded first, all loops are multiples of the master. This
> is the
> Sync Play Style.
>     But there is another cool type of sync in the Serial
> Play Style
> where one loop is played after the other,
> the verse, chorus, bridge type of use. If loop 3 is
> recorded first, it
> will be the master, otherwise it's just
> another loop and there is no master. If loop three is
> master, then it
> can play with the other loops. It's the
> only loop that can play along with the other loops.
>     So at one time you can play 1 & 3, 2 & 3, 4
> & 3, but not 1 & 2.
> Remember this is serial play style where
> the loops play one at a time... with the exception of the
> master. I
> hope this isn't too confusing.
>     Here's the purpose. For serial style loopers
> it's nice to have a
> rhythmic background behind the melodic
> loops. Mute the strings and record a short
> "chika-chika" or beat on
> the sides of your acoustic axe.
> 
>     What's left to do:
> = Sync Play Style - all loops can play simultaneously and
> are synced
> so they stay together
> = Free Play Style - all loops can play simultaneously and
> are NOT
> synced; this is great for ambient sounds
> 
>     The software still isn't complete, but we've
> decided to sell
> pre-production units to interested players. The features
> listed above
> are all working with only a few bugs yet to fix.
> Essentially what
> you'll get is a Boomerang(R) III looper less the Sync
> and Free Play
> Styles.
>     The purchaser will receive the final production
> software and user
> manual when complete, but there is no commitment on our
> part to a
> specific delivery date. It's done when it's done.
> The software will be
> delivered as a MIDI file attached to an email. Uploading is
> accomplished by playing the file in a MIDI player on your
> computer
> with the output routed through a USB/MIDI interface and on
> to the III
> with a MIDI cable.
>     If the customer doesn't have the means to
> accomplish this, then
> the unit must be returned to have the software installed.
> In that
> case, the customer will pay for all shipping expenses, both
> ways. This
> will most likely run from $20 to $30 in the lower 48.
>     We will charge what we expect the "street"
> price to be, $439.
> Shipping will be additional and should be around $15.
> Holler if this
> interests you.
> 
> ----------
> 
> Mike Nelson
> Secretary/Treasurer, Boomerang Management, Inc.
> General Partner of Boomerang Musical Products, Ltd.
> 
> ----------
> 
> "Some products make you sound better;
>  the Boomerang(R) Phrase Sampler makes you play
> better."
> 
> ----------
> 
> 1-800-530-4699 * 1-817-251-8737, Outside USA *
> 1-817-251-8509, Fax
> 
> http://www.boomerangmusic.com
> 
> Shipping Address for Repairs:
> Boomerang
> 1516 Victoria Drive
> Denton, TX  76209
> 
> Billing Address:
> Boomerang Musical Products, Ltd.
> PO Box 3788
> Grapevine, TX  76099-3788

 
> http://www.myspace.com/luisangulocom
> www.luis-angulo.com


      

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051> <BLU0-SMTP75E3FE6DE5A30E023AC694DCA80@phx.gbl>
Subject: Re: RPM CD - Jim Goodin - Vertical released
Date: Sun, 1 Mar 2009 13:43:38 -0500
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

I use the free box.net account and it won't let me upload a big zip but =
it will allow me to upload all the files in it one at a time to a folder =
which can then be downloaded complete or streamed/downloaded =
individually. It works pretty well. I don't have near that much space =
though.

Jeff
  ----- Original Message -----=20
  From: Krispen Hartung=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 01, 2009 1:32 PM
  Subject: Re: RPM CD - Jim Goodin - Vertical released


  Strange. I play a file and after a few seconds it mutes itself.  I'll =
try downloading instead.  I have been using box.net for a few years. It =
is a bit expensive, but I have 15gig of space. Plus it has a lot of =
other features, like collaboration, streaming your MP3s from a folder =
(no download required), sharing individual sharable or playable files, =
links to facebook, etc.

  Kris


  ---- Original Message -----=20
      From: Jim Goodin=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Sunday, March 01, 2009 12:32 PM
      Subject: Re: RPM CD - Jim Goodin - Vertical released


      Jeff and anyone else who tries, I didn't realize it was that =
painful as I've used this before but it's a bit to go through so I just =
discovered how I can make them public better for non-DBer's so here you =
go.  These should work...


      =
http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3 =20
      http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3
      http://dl.getdropbox.com/u/251618/03%20Balloon.mp3
      =
http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John=
%20Fahey%29.mp3
      http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3
      =
http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Ap=
palachia.mp3
      http://dl.getdropbox.com/u/251618/07%20Vertical.mp3
      http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3
      =
http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3
      http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3
      http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3
      http://dl.getdropbox.com/u/251618/12%20Ghost.mp3
      =
http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3=

      http://dl.getdropbox.com/u/251618/14%20True.mp3
      =
http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babe=
s.mp3
      =
http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and=
%20the%20Shadows%20Flee.mp3
      =
http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%2=
0Ray%20Lincoln%29.mp3
      http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3
      http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg
      http://dl.getdropbox.com/u/251618/Vertical_Label.jpg
      http://dl.getdropbox.com/u/251618/Vertical_tray.jpg
      =20

      On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke <jeff_d@embarqmail.com> =
wrote:

        I joined, installed, got a dropbox and I still can't get that =
link. Sorry for my lameness. Any tips?

        j
          ----- Original Message -----=20
          From: Jim Goodin=20
          To: Loopers-Delight@loopers-delight.com=20
          Sent: Sunday, March 01, 2009 11:52 AM
          Subject: Re: RPM CD - Jim Goodin - Vertical released


          Jeff and others I believe you have to create an account first =
on GetDropBox.  It's a great free within 2 gig usage service for file =
transfer and synchronization between say their server (your account) and =
your primary/secondary computers.  Jeff thanks in advance for giving a =
spin...


          On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke =
<jeff_d@embarqmail.com> wrote:

            Hey Jim, way to go, the link sends me to an offer to log in =
though. I can hardly wait to hear Vertical.
              ----- Original Message -----=20
              From: Jim Goodin=20
              To: loopers-Delight@loopers-delight.com=20
              Sent: Sunday, March 01, 2009 11:04 AM
              Subject: RPM CD - Jim Goodin - Vertical released


              Some you possibly joined me in participating in the annual =
February RPM Challenge (www.rpmchallenge.com).  For those not acquainted =
with the world wide web event, it is you might say a personal/artistic =
sort of directive or inspiration hosted by the Wire magazine and several =
others, that challenges musicians to create and release a CD of their =
music entirely done in the month of February.  This is my 3rd year and =
4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd =
Chinapainting CD Trick of Amethyst for the 2007 RPM event) to produce =
through this event.  My 2009 RPM CD is titled Vertical and I'm posting =
it here for download.=20


              For Vertical I used fretless guitar, oud, violin, voice =
and I'm proud to say for this list's interest, looping technology (EHX =
2880).  6 of the 18 trax are heavily looped.


              The link which is a ZIP bundle includes the trax, cover, =
insert, tray and label graphics.


              Jim Goodin - Vertical=20


              I welcome your comments should you desire.


              Thanks for listening and again congratulations to all who =
played this year.


              Jim


              PS next up the ReUse project, stay tuned...


              www.jimgoodinmusic.com=20
              www.chinapaintingmusic.com
              www.vimeo.com/jimgoodindigital





          --=20
          The Acoustic World Guitar of Jim Goodin  - =
http://www.jimgoodinmusic.com
          MySpace (solo) - http://www.myspace.com/jimgoodinmusic
          Chinapainting -
          http://www.chinapaintingmusic.com
          Chinapainting on My Space -
          http://www.myspace.com/chinapaintingmusic.com
          The Jim Goodin label and home for 7 other creative souls - =
http://www.woodandwiremusic.com=20
          Jim Goodin uses GHS Strings - http://www.ghsstrings.com and =
Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published =
by Mel Bay Publications, Inc. - http://www.melbay.com




      --=20
      The Acoustic World Guitar of Jim Goodin  - =
http://www.jimgoodinmusic.com
      MySpace (solo) - http://www.myspace.com/jimgoodinmusic
      Chinapainting -
      http://www.chinapaintingmusic.com
      Chinapainting on My Space -
      http://www.myspace.com/chinapaintingmusic.com
      The Jim Goodin label and home for 7 other creative souls - =
http://www.woodandwiremusic.com=20
      Jim Goodin uses GHS Strings - http://www.ghsstrings.com and =
Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published =
by Mel Bay Publications, Inc. - http://www.melbay.com

------=_NextPart_000_001A_01C99A73.B98D94F0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16788" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I use the free box.net account and it =
won't let me=20
upload a big zip but it will allow me to upload all the files in it one =
at a=20
time to a folder which can then be downloaded complete or =
streamed/downloaded=20
individually. It works pretty well. I don't have near that much space=20
though.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dinfo@krispenhartung.com =
href=3D"mailto:info@krispenhartung.com">Krispen=20
  Hartung</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 01, 2009 =
1:32=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: RPM CD - Jim =
Goodin -=20
  Vertical released</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Strange. I play a file and after a =
few seconds it=20
  mutes itself.&nbsp; I'll try downloading instead.&nbsp; I have been =
using=20
  box.net for a few years. It is a bit expensive, but I have 15gig of =
space.=20
  Plus it has a lot of other features, like collaboration, streaming =
your MP3s=20
  from a folder (no download required), sharing individual sharable or =
playable=20
  files, links to facebook, etc.</FONT></DIV><FONT face=3DArial =
size=3D2>
  <DIV><BR>Kris</DIV>
  <DIV></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV>---- Original Message ----- </DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <BLOCKQUOTE dir=3Dltr=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Djimgoodinmusic@gmail.com=20
      href=3D"mailto:jimgoodinmusic@gmail.com">Jim Goodin</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 01, =
2009 12:32=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: RPM CD - Jim =
Goodin -=20
      Vertical released</DIV>
      <DIV><BR></DIV>
      <DIV>Jeff and anyone else who tries, I didn't realize it was that =
painful=20
      as I've used this before but it's a bit to go through so I just =
discovered=20
      how I can make them public better for non-DBer's so here you go.=20
      &nbsp;These should work...</DIV>
      <DIV><BR></DIV><A=20
      =
href=3D"http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot=
.mp3">http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.m=
p3</A>&nbsp;=20

      <DIV><A=20
      =
href=3D"http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3">http://dl.g=
etdropbox.com/u/251618/02%20Fireflies.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"http://dl.getdropbox.com/u/251618/03%20Balloon.mp3">http://dl.get=
dropbox.com/u/251618/03%20Balloon.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/04%20Swamp%=
20%28in%20memory%20of%20John%20Fahey%29.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/05%20Radio%=
20Telescope.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/06%20In%20t=
he%20Middle%20East%20of%20Appalachia.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/07%20Vertic=
al.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/08%20Nautil=
us.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/09%20Transm=
ission%2C%20Over....mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/10%20Ru7ani=
yya.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/11%20Within=
%20Moments.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/12%20Ghost.=
mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/13%20Take%2=
0Heed%2C%20Take%20Flight.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/14%20True.m=
p3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/15%20Out%20=
of%20the%20Mouth%20of%20Babes.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/16%20Until%=
20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/17%20500%20=
Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/18%20Moscow=
%201923.mp3</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/Vertical_Co=
ver_Insert.jpg</A></DIV>
      <DIV><A=20
      =
href=3D"goog_1235883121440">http://dl.getdropbox.com/u/251618/Vertical_La=
bel.jpg</A></DIV>
      <DIV><A=20
      =
href=3D"http://dl.getdropbox.com/u/251618/Vertical_tray.jpg">http://dl.ge=
tdropbox.com/u/251618/Vertical_tray.jpg<BR></A>&nbsp;<BR>
      <DIV class=3Dgmail_quote>On Sun, Mar 1, 2009 at 12:18 PM, Jeff =
Duke <SPAN=20
      dir=3Dltr>&lt;<A=20
      =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;</SPAN=
>=20
      wrote:<BR>
      <BLOCKQUOTE class=3Dgmail_quote=20
      style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; =
BORDER-LEFT: #ccc 1px solid">
        <DIV bgcolor=3D"#ffffff">
        <DIV><FONT face=3DArial size=3D2>I joined, installed, got a =
dropbox and I=20
        still can't get that link. Sorry for my lameness. Any =
tips?</FONT></DIV>
        <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV><FONT =
color=3D#888888>
        <DIV><FONT face=3DArial size=3D2>j</FONT></DIV></FONT>
        <BLOCKQUOTE=20
        style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
          <DIV class=3DIh2E3d>
          <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
          <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt =
arial"><B>From:</B> <A=20
          title=3Djimgoodinmusic@gmail.com =
href=3D"mailto:jimgoodinmusic@gmail.com"=20
          target=3D_blank>Jim Goodin</A> </DIV>
          <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
          title=3DLoopers-Delight@loopers-delight.com=20
          href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
          target=3D_blank>Loopers-Delight@loopers-delight.com</A> =
</DIV></DIV>
          <DIV>
          <DIV></DIV>
          <DIV class=3DWj3C7c>
          <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 01, =
2009=20
          11:52 AM</DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: RPM CD - =
Jim Goodin=20
          - Vertical released</DIV>
          <DIV><BR></DIV>Jeff and others I believe you have to create an =
account=20
          first on GetDropBox. &nbsp;It's a great free within 2 gig =
usage=20
          service for file transfer and synchronization between say =
their server=20
          (your account) and your primary/secondary computers. =
&nbsp;Jeff thanks=20
          in advance for giving a spin...<BR><BR>
          <DIV class=3Dgmail_quote>On Sun, Mar 1, 2009 at 11:30 AM, Jeff =
Duke=20
          <SPAN dir=3Dltr>&lt;<A href=3D"mailto:jeff_d@embarqmail.com"=20
          target=3D_blank>jeff_d@embarqmail.com</A>&gt;</SPAN> =
wrote:<BR>
          <BLOCKQUOTE class=3Dgmail_quote=20
          style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; =
BORDER-LEFT: #ccc 1px solid">
            <DIV bgcolor=3D"#ffffff">
            <DIV><FONT face=3DArial size=3D2>Hey Jim, way to go, the =
link sends me=20
            to an offer to log in though. I can hardly wait to hear=20
            Vertical.</FONT></DIV>
            <DIV>
            <DIV></DIV>
            <DIV>
            <BLOCKQUOTE dir=3Dltr=20
            style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
              <DIV style=3D"FONT: 10pt arial">----- Original Message =
----- </DIV>
              <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt =
arial"><B>From:</B> <A=20
              title=3Djimgoodinmusic@gmail.com=20
              href=3D"mailto:jimgoodinmusic@gmail.com" =
target=3D_blank>Jim=20
              Goodin</A> </DIV>
              <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
              title=3Dloopers-Delight@loopers-delight.com=20
              href=3D"mailto:loopers-Delight@loopers-delight.com"=20
              target=3D_blank>loopers-Delight@loopers-delight.com</A> =
</DIV>
              <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March =
01, 2009=20
              11:04 AM</DIV>
              <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RPM CD - =
Jim Goodin=20
              - Vertical released</DIV>
              <DIV><BR></DIV>Some you possibly joined me in =
participating in the=20
              annual February RPM Challenge (<A=20
              href=3D"http://www.rpmchallenge.com"=20
              target=3D_blank>www.rpmchallenge.com</A>). &nbsp;For those =
not=20
              acquainted with the world wide web event, it is you might =
say a=20
              personal/artistic sort of directive or inspiration hosted =
by the=20
              <A href=3D"http://www.wirenh.com/" target=3D_blank>Wire =
magazine</A>=20
              and several others, that challenges musicians to create =
and=20
              release a CD of their music entirely done in the month of=20
              February. &nbsp;This is my 3rd year and 4th CD (in =
addition to my=20
              solo CD, Daryl [Shawn] and I did our 2nd Chinapainting CD =
<A=20
              href=3D"http://kunaki.com/sales.asp?PID=3DPX00ZUESNQ"=20
              target=3D_blank>Trick of Amethyst</A>&nbsp;for the 2007 =
RPM event)=20
              to produce through this event. &nbsp;My 2009 RPM CD is =
titled=20
              Vertical and I'm posting it here for download.=20
              <DIV><BR></DIV>
              <DIV>For Vertical I used fretless guitar, oud, violin, =
voice and=20
              I'm proud to say for this list's interest, looping =
technology (EHX=20
              2880). &nbsp;6 of the 18 trax are heavily looped.</DIV>
              <DIV><BR></DIV>
              <DIV>The link which is a ZIP bundle includes the trax, =
cover,=20
              insert, tray and label graphics.</DIV>
              <DIV><BR></DIV>
              <DIV><A =
href=3D"https://dl-web.getdropbox.com/zip/Public?w=3Db3f8dd1d"=20
              target=3D_blank>Jim Goodin - Vertical</A>&nbsp;<BR=20
              clear=3Dall><BR></DIV>
              <DIV>I welcome your comments should you desire.</DIV>
              <DIV><BR></DIV>
              <DIV>Thanks for listening and again congratulations to all =
who=20
              played this year.</DIV>
              <DIV><BR></DIV>
              <DIV>Jim<BR><BR></DIV>
              <DIV>PS next up the <A=20
              href=3D"http://launch.groups.yahoo.com/group/CT-ReUse/"=20
              target=3D_blank>ReUse</A> project, stay tuned...</DIV>
              <DIV><BR></DIV>
              <DIV><A href=3D"http://www.jimgoodinmusic.com"=20
              target=3D_blank>www.jimgoodinmusic.com</A> </DIV>
              <DIV><A href=3D"http://www.chinapaintingmusic.com"=20
              target=3D_blank>www.chinapaintingmusic.com</A></DIV>
              <DIV><A href=3D"http://www.vimeo.com/jimgoodindigital"=20
              target=3D_blank>www.vimeo.com/jimgoodindigital</A></DIV>
              =
<DIV><BR></DIV></BLOCKQUOTE></DIV></DIV></DIV></BLOCKQUOTE></DIV><BR><BR =

          clear=3Dall><BR>-- <BR>The Acoustic World Guitar of Jim Goodin =
&nbsp;-=20
          <A href=3D"http://www.jimgoodinmusic.com"=20
          target=3D_blank>http://www.jimgoodinmusic.com</A><BR>MySpace =
(solo) - <A=20
          href=3D"http://www.myspace.com/jimgoodinmusic"=20
          =
target=3D_blank>http://www.myspace.com/jimgoodinmusic</A><BR>Chinapaintin=
g=20
          -<BR><A href=3D"http://www.chinapaintingmusic.com"=20
          =
target=3D_blank>http://www.chinapaintingmusic.com</A><BR>Chinapainting=20
          on My Space -<BR><A=20
          href=3D"http://www.myspace.com/chinapaintingmusic.com"=20
          =
target=3D_blank>http://www.myspace.com/chinapaintingmusic.com</A><BR>The =

          Jim Goodin label and home for 7 other creative souls - <A=20
          href=3D"http://www.woodandwiremusic.com"=20
          target=3D_blank>http://www.woodandwiremusic.com</A> <BR>Jim =
Goodin uses=20
          GHS Strings - <A href=3D"http://www.ghsstrings.com"=20
          target=3D_blank>http://www.ghsstrings.com</A> and Seagull =
Guitars - <A=20
          href=3D"http://www.seagullguitars.com"=20
          target=3D_blank>http://www.seagullguitars.com</A>, Jim Goodin =
is=20
          published by Mel Bay Publications, Inc. - <A=20
          href=3D"http://www.melbay.com"=20
          =
target=3D_blank>http://www.melbay.com</A><BR></DIV></DIV></BLOCKQUOTE></D=
IV></BLOCKQUOTE></DIV><BR><BR=20
      clear=3Dall><BR>-- <BR>The Acoustic World Guitar of Jim Goodin =
&nbsp;- <A=20
      =
href=3D"http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</A><=
BR>MySpace=20
      (solo) - <A=20
      =
href=3D"http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jim=
goodinmusic</A><BR>Chinapainting=20
      -<BR><A=20
      =
href=3D"http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.=
com</A><BR>Chinapainting=20
      on My Space -<BR><A=20
      =
href=3D"http://www.myspace.com/chinapaintingmusic.com">http://www.myspace=
.com/chinapaintingmusic.com</A><BR>The=20
      Jim Goodin label and home for 7 other creative souls - <A=20
      =
href=3D"http://www.woodandwiremusic.com">http://www.woodandwiremusic.com<=
/A>=20
      <BR>Jim Goodin uses GHS Strings - <A=20
      href=3D"http://www.ghsstrings.com">http://www.ghsstrings.com</A> =
and Seagull=20
      Guitars - <A=20
      =
href=3D"http://www.seagullguitars.com">http://www.seagullguitars.com</A>,=
=20
      Jim Goodin is published by Mel Bay Publications, Inc. - <A=20
      =
href=3D"http://www.melbay.com">http://www.melbay.com</A><BR></DIV></BLOCK=
QUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_001A_01C99A73.B98D94F0--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 19:47:58 2009
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Date: Sun, 1 Mar 2009 14:47:57 -0500
Message-ID: <9e0440a60903011147v1f4214d2h9df3442848c6bcd9@mail.gmail.com>
Subject: Re: RPM CD - Jim Goodin - Vertical released
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'm really sorry so far everyone has had some trouble from GetDropBox.
 Its strange as for other things done the last few months its done so
well such as the hopefully soon to be rel'd ReUse record.  The diff
may be getting membership done and installed first but I relize that's
a bit of a 'oh you mean I gotta do that too!' And it sounds like the
non-mem links were equally painful so that's a drag.  I do apprec
everyone who has tried and Stephen I think you were successful but you
were already a member (thx for the pos words and will chk yours out
soon). I could have just put on my dot.com as was suggested but trying
tov avoid tying space there andx have really liked gdb. That said let
me reconsider reposting elswhere maybe box.net as kris/jeff have said
and for anyone else.  Again thx for trying.

J

On 3/1/09, Jeff Duke <jeff_d@embarqmail.com> wrote:
> I use the free box.net account and it won't let me upload a big zip but it
> will allow me to upload all the files in it one at a time to a folder which
> can then be downloaded complete or streamed/downloaded individually. It
> works pretty well. I don't have near that much space though.
>
> Jeff
>   ----- Original Message -----
>   From: Krispen Hartung
>   To: Loopers-Delight@loopers-delight.com
>   Sent: Sunday, March 01, 2009 1:32 PM
>   Subject: Re: RPM CD - Jim Goodin - Vertical released
>
>
>   Strange. I play a file and after a few seconds it mutes itself.  I'll try
> downloading instead.  I have been using box.net for a few years. It is a bit
> expensive, but I have 15gig of space. Plus it has a lot of other features,
> like collaboration, streaming your MP3s from a folder (no download
> required), sharing individual sharable or playable files, links to facebook,
> etc.
>
>   Kris
>
>
>   ---- Original Message -----
>       From: Jim Goodin
>       To: Loopers-Delight@loopers-delight.com
>       Sent: Sunday, March 01, 2009 12:32 PM
>       Subject: Re: RPM CD - Jim Goodin - Vertical released
>
>
>       Jeff and anyone else who tries, I didn't realize it was that painful
> as I've used this before but it's a bit to go through so I just discovered
> how I can make them public better for non-DBer's so here you go.  These
> should work...
>
>
>       http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3
>       http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3
>       http://dl.getdropbox.com/u/251618/03%20Balloon.mp3
>
> http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John%20Fahey%29.mp3
>       http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3
>
> http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Appalachia.mp3
>       http://dl.getdropbox.com/u/251618/07%20Vertical.mp3
>       http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3
>       http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3
>       http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3
>       http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3
>       http://dl.getdropbox.com/u/251618/12%20Ghost.mp3
>
> http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3
>       http://dl.getdropbox.com/u/251618/14%20True.mp3
>
> http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babes.mp3
>
> http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3
>
> http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3
>       http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3
>       http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg
>       http://dl.getdropbox.com/u/251618/Vertical_Label.jpg
>       http://dl.getdropbox.com/u/251618/Vertical_tray.jpg
>
>
>       On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke <jeff_d@embarqmail.com>
> wrote:
>
>         I joined, installed, got a dropbox and I still can't get that link.
> Sorry for my lameness. Any tips?
>
>         j
>           ----- Original Message -----
>           From: Jim Goodin
>           To: Loopers-Delight@loopers-delight.com
>           Sent: Sunday, March 01, 2009 11:52 AM
>           Subject: Re: RPM CD - Jim Goodin - Vertical released
>
>
>           Jeff and others I believe you have to create an account first on
> GetDropBox.  It's a great free within 2 gig usage service for file transfer
> and synchronization between say their server (your account) and your
> primary/secondary computers.  Jeff thanks in advance for giving a spin...
>
>
>           On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke <jeff_d@embarqmail.com>
> wrote:
>
>             Hey Jim, way to go, the link sends me to an offer to log in
> though. I can hardly wait to hear Vertical.
>               ----- Original Message -----
>               From: Jim Goodin
>               To: loopers-Delight@loopers-delight.com
>               Sent: Sunday, March 01, 2009 11:04 AM
>               Subject: RPM CD - Jim Goodin - Vertical released
>
>
>               Some you possibly joined me in participating in the annual
> February RPM Challenge (www.rpmchallenge.com).  For those not acquainted
> with the world wide web event, it is you might say a personal/artistic sort
> of directive or inspiration hosted by the Wire magazine and several others,
> that challenges musicians to create and release a CD of their music entirely
> done in the month of February.  This is my 3rd year and 4th CD (in addition
> to my solo CD, Daryl [Shawn] and I did our 2nd Chinapainting CD Trick of
> Amethyst for the 2007 RPM event) to produce through this event.  My 2009 RPM
> CD is titled Vertical and I'm posting it here for download.
>
>
>               For Vertical I used fretless guitar, oud, violin, voice and
> I'm proud to say for this list's interest, looping technology (EHX 2880).  6
> of the 18 trax are heavily looped.
>
>
>               The link which is a ZIP bundle includes the trax, cover,
> insert, tray and label graphics.
>
>
>               Jim Goodin - Vertical
>
>
>               I welcome your comments should you desire.
>
>
>               Thanks for listening and again congratulations to all who
> played this year.
>
>
>               Jim
>
>
>               PS next up the ReUse project, stay tuned...
>
>
>               www.jimgoodinmusic.com
>               www.chinapaintingmusic.com
>               www.vimeo.com/jimgoodindigital
>
>
>
>
>
>           --
>           The Acoustic World Guitar of Jim Goodin  -
> http://www.jimgoodinmusic.com
>           MySpace (solo) - http://www.myspace.com/jimgoodinmusic
>           Chinapainting -
>           http://www.chinapaintingmusic.com
>           Chinapainting on My Space -
>           http://www.myspace.com/chinapaintingmusic.com
>           The Jim Goodin label and home for 7 other creative souls -
> http://www.woodandwiremusic.com
>           Jim Goodin uses GHS Strings - http://www.ghsstrings.com and
> Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published by
> Mel Bay Publications, Inc. - http://www.melbay.com
>
>
>
>
>       --
>       The Acoustic World Guitar of Jim Goodin  -
> http://www.jimgoodinmusic.com
>       MySpace (solo) - http://www.myspace.com/jimgoodinmusic
>       Chinapainting -
>       http://www.chinapaintingmusic.com
>       Chinapainting on My Space -
>       http://www.myspace.com/chinapaintingmusic.com
>       The Jim Goodin label and home for 7 other creative souls -
> http://www.woodandwiremusic.com
>       Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull
> Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
> Publications, Inc. - http://www.melbay.com
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull
Guitars - http://www.seagullguitars.com, Jim Goodin is published by
Mel Bay Publications, Inc. - http://www.melbay.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 19:56:25 2009
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Date: Sun, 1 Mar 2009 11:56:24 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: RPM CD - Steve Moyes - rock and roll
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very nice stuff Stephen! i really like the mellotron sounds wha are u using plug in or real deal? i lso like the guitar sounds and the drums sound quite realistic at times as well!


www.myspace.com/luisangulocom


--- On Sun, 3/1/09, Stephen Moyes <stephenmoyes@blueyonder.co.uk> wrote:

> From: Stephen Moyes <stephenmoyes@blueyonder.co.uk>
> Subject: RPM CD - Steve Moyes - rock and roll
> To: Loopers-Delight@loopers-delight.com
> Date: Sunday, March 1, 2009, 10:39 AM
> Greetings all,
> 
> Below are links to all tracks and graphics from my first
> RPM Challenge cd "rock and roll". It's a not
> too serious attempt at various types of rock music, which is
> something I haven't played in over ten years. The track
> titles are a clue to what I was trying to acheive when I
> recorded them. Some are more successful than others.
> Electric guitar, sampled drums and Mellotron all played by
> me, quite badly at times. Also some bits of looping here nd
> there.
> 
> I had fun doing this and hope you enjoy listening.
> Don't be afraid to laugh, I won't be offended! I
> hope the links work, I think leaving a space between them
> may help.
> 
> Your comments would be most welcome.
> 
> Steve
> 
> http://dl.getdropbox.com/u/283313/rock%20and%20roll/1.%20%20punk.mp3
> 
> http://dl.getdropbox.com/u/283313/rock%20and%20roll/2.%20prog.mp3
> 
> http://dl.getdropbox.com/u/283313/rock%20and%20roll/3.%20heavy%20metal.mp3
> 
> http://dl.getdropbox.com/u/283313/rock%20and%20roll/4.%20possibly%20post.mp3
> 
> http://dl.getdropbox.com/u/283313/rock%20and%20roll/5.%20grunge.mp3
> 
> http://dl.getdropbox.com/u/283313/rock%20and%20roll/6.%20psychedelic.mp3
> 
> http://dl.getdropbox.com/u/283313/rock%20and%20roll/7.%20three%20minute%20pop%20song.mp3
> 
> http://dl.getdropbox.com/u/283313/rock%20and%20roll/8.%20remix.mp3
> 
> http://dl.getdropbox.com/u/283313/rock%20and%20roll/rock%20and%20roll%20back.jpg
> 
> http://dl.getdropbox.com/u/283313/rock%20and%20roll/rock%20and%20roll%20front.jpg
> 
> http://dl.getdropbox.com/u/283313/rock%20and%20roll/rock%20and%20roll%20label.jpg


      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 20:03:38 2009
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From: "Stephen Moyes" <stephenmoyes@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051> <BLU0-SMTP75E3FE6DE5A30E023AC694DCA80@phx.gbl> <001d01c99a9d$a2daefd0$0202a8c0@YOUR08D5303051> <9e0440a60903011147v1f4214d2h9df3442848c6bcd9@mail.gmail.com>
Subject: Re: RPM CD - Jim Goodin - Vertical released
Date: Sun, 1 Mar 2009 20:03:58 -0000
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At first I could only get the first track to work, but I found that the 
others were ok if I copied and pasted the link into my browser. Then I tried 
forwarding your email to myself with space between the links and they seem 
to work properly that  way. Try this . . .

Jim's album:

http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3

http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3

http://dl.getdropbox.com/u/251618/03%20Balloon.mp3

http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John%20Fahey%29.mp3

http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3

http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Appalachia.mp3

http://dl.getdropbox.com/u/251618/07%20Vertical.mp3

http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3

http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3

http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3

http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3

http://dl.getdropbox.com/u/251618/12%20Ghost.mp3

http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3

http://dl.getdropbox.com/u/251618/14%20True.mp3

http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babes.mp3

http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3

http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3

http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3

http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg

http://dl.getdropbox.com/u/251618/Vertical_Label.jpg

http://dl.getdropbox.com/u/251618/Vertical_tray.jpg




From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 20:13:35 2009
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Date: Sun, 1 Mar 2009 15:13:34 -0500
Message-ID: <9e0440a60903011213o7c12fcfbg9176e2e673e1cfcc@mail.gmail.com>
Subject: Re: RPM CD - Jim Goodin - Vertical released
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Gee stephen thanks an awful lot sir. Again sorry this was laboring to
all, maybe stephens edit links will work well - I'll still look into
setting an upload on box.net though the simpler solution is put on
jimgoodinmusic so tell you what will do that, rewind the tape and
pretend none of this ever happened.  Stay tuned.

J

On 3/1/09, Stephen Moyes <stephenmoyes@blueyonder.co.uk> wrote:
> At first I could only get the first track to work, but I found that the
> others were ok if I copied and pasted the link into my browser. Then I tried
> forwarding your email to myself with space between the links and they seem
> to work properly that  way. Try this . . .
>
> Jim's album:
>
> http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3
>
> http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3
>
> http://dl.getdropbox.com/u/251618/03%20Balloon.mp3
>
> http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John%20Fahey%29.mp3
>
> http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3
>
> http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Appalachia.mp3
>
> http://dl.getdropbox.com/u/251618/07%20Vertical.mp3
>
> http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3
>
> http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3
>
> http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3
>
> http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3
>
> http://dl.getdropbox.com/u/251618/12%20Ghost.mp3
>
> http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3
>
> http://dl.getdropbox.com/u/251618/14%20True.mp3
>
> http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babes.mp3
>
> http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3
>
> http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3
>
> http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3
>
> http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg
>
> http://dl.getdropbox.com/u/251618/Vertical_Label.jpg
>
> http://dl.getdropbox.com/u/251618/Vertical_tray.jpg
>
>
>
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull
Guitars - http://www.seagullguitars.com, Jim Goodin is published by
Mel Bay Publications, Inc. - http://www.melbay.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 20:23:48 2009
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From: "Stephen Moyes" <stephenmoyes@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051> <BLU0-SMTP75E3FE6DE5A30E023AC694DCA80@phx.gbl> <001d01c99a9d$a2daefd0$0202a8c0@YOUR08D5303051> <9e0440a60903011147v1f4214d2h9df3442848c6bcd9@mail.gmail.com> <001401c99aa8$dbdc9760$cb04c150@yourc9d9764718> <9e0440a60903011213o7c12fcfbg9176e2e673e1cfcc@mail.gmail.com>
Subject: Re: RPM CD - Steve Moyes - rock and roll
Date: Sun, 1 Mar 2009 20:24:06 -0000
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Thanks for listening, Luis. I'm glad you enjoed it.

Sadly I don't have a real Mellotron. If I did I think I would make the
effort to learn to play it a bit better than that!  It's actually a Reason
refill called Mello T made by Sonic Reality. It's the only thing I use
Reason for.

I hope you are also managing to listen to Jim's album. It really is
absolutely wonderful.

Cheers,

Steve

Steve Moyes
www.stevemoyes.org.uk
www.creativemusic.org.uk
www.creativemusic.blip.tv


----- Original Message ----- 
From: "L.Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 01, 2009 7:56 PM
Subject: Re: RPM CD - Steve Moyes - rock and roll


> very nice stuff Stephen! i really like the mellotron sounds wha are u 
> using plug in or real deal? i lso like the guitar sounds and the drums 
> sound quite realistic at times as well!
>
>
> www.myspace.com/luisangulocom 


From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 20:24:07 2009
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: RPM CD - Jim Goodin - Vertical released
Date: Sun, 1 Mar 2009 12:24:01 -0800
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On Mar 1, 2009, at 11:47 AM, Jim Goodin wrote:

>  That said let
> me reconsider reposting elswhere maybe box.net as kris/jeff have said
> and for anyone else.


There is also:
http://www.savefile.com/index.php

They delete the files after a period of no downloads, 2 weeks I  
think, unless you pay for premium service. But it is good for getting  
stuff out there short term.


BobC

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sorry to keep bringing this guy,the great songwriter Jose Gonzales uses ope=
n tunings on a nylon string also check out Fink beautiful nylon string open=
 tuning composition.
But i think i know what u mean Daryl,as we say in spanish,"lo que importa e=
s la pluma" composition is the key not the tuning.I also use a lot of open =
tunings but i share some of your feelings...this modal open tuning steel st=
ring trend has become very technical and gymnastic oriented,what starts as =
an inocent experiment becomes either poorly imitated or too refined and tec=
hnical which i personally loose interest in.I asked myself why when i hear =
tunes with open tunings like David Crosbys Deja vu,Guinevere,or Jimmy Pages=
 Bron y aur,friends,4 and 20 by stephen stills etc. they still turns me on =
more that some of that more technical youtube open tuning stuff,then i soon=
 realized that perhaps because...well now it just sounds like an open tunin=
g:-)

www.myspace.com/luisangulocom


--- On Fri, 2/27/09, Daryl Shawn <highhorse@mhorse.com> wrote:

> From: Daryl Shawn <highhorse@mhorse.com>
> Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings =
:-)
> To: agentlesoul2004@yahoo.com, Loopers-Delight@loopers-delight.com
> Date: Friday, February 27, 2009, 6:54 PM
> Whoa, I certainly wasn't claiming I'm more creative
> or talented than anyone else - yikes!! Hell no! No offense
> taken, but I wasn't putting myself above anyone who does
> use different tunings. That's a nice list. (Not that
> Keith Richards is exactly known for his solo work...). I
> should have placed more effort in indicating that, for ME,
> for what I'm interested in, I don't see a whole lot
> of possibilities that can't be gotten at otherwise. BUT
> I'm a nylon-string player. I might feel different if I
> had a dreadnaught Taylor, or if I was inspired by the
> English folk/American roots path that the soloists among the
> people you mention generally spring from. (Mitchell's
> Ellington fixation aside). I'm more inspired by jazz,
> classical and flamenco players, where playing in alternate
> tunings isn't part of a tradition, and moreover, would
> be a real limitation in the case of improvising.
>=20
> I invoked YouTube not to refer to these people, but the
> current crop of folks who mainly take a few tricks from
> Michael Hedges (another alt-tuner who I have tremendous
> respect for) and go a-tapping and a-slapping all day long. I
> don't wish to directly put down artists so I won't
> name names, but if you search for Hedges videos, a few links
> away you'll find the people I'm talking about.
>=20
> cheers,
>=20
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>=20
> > my friend, with all due respect to your post, why in
> God's holy name would you use youtube as your evidence
> of boring amateur alt. tuning solo guitarist's?  I
> assume you are NOT referring to John Fahey, Leo Kottke, Nick
> Drake, Joni Mitchell, Neil Young, Richard Thompson, Jimmy
> Page,John Renbourn, John Martyn, Chet Atkins, Sonic Youth,
> Swervedriver, THE GREAT KEITH RICHARDS WHO WROTE MORE 3
> CHORD ROCK SONGS IN HISTORY IN OPEN G THAN ANYBODY HAS A
> RIGHT TO--how in the world can THAT be limiting??   Pierre
> Bensusan, Martin Carthy, Bruce Cockburn, Ry Cooder, David
> Crosby? Hell even boring ass Eric Clapton and even more
> boring Peter Frampton use alt. tunings!!!  Are you more
> creative than all these guitarist's both as a guitarist
> and more importantly a composer in altered tunings? I
> DON'T mean to be rude at all or disrespectful to you
> sir, but I propose there are only limited minds, NOT limited
> tunings!!   :-)    If you doubt my word on the above using
> them they are all documented in Mark Hanson's excellent
> book "The Complete Book of Alterate Tunings" =20
> peace my friend   marc
> >=20
> > /Marc Marshall/
> > //  /"I am human, I am large, I contradict
> myself"/
> > // /.....and then some  /
> >=20
> >=20
> > --- On *Fri, 2/27/09, Daryl Shawn
> /<highhorse@mhorse.com>/* wrote:
> >=20
> >     From: Daryl Shawn <highhorse@mhorse.com>
> >     Subject: Re: OT: Tuning guitar in fifths for wider
> orchestration
> >     options
> >     To: Loopers-Delight@loopers-delight.com
> >     Date: Friday, February 27, 2009, 3:17 PM
> >=20
> >     With a heaping helpful of due respect to all those
> whose alt-tuned playing I
> >     enjoy - and the distinct feeling that I'm a
> lone fuddy-duddy here - I'm
> >     one of those resisters, though I did play in
> nothing but altered tuning for a
> >     long time. For me, the advantage was the mental
> breaking of ruts, but I found it
> >     was the wrong approach - treating the symptoms,
> not the cause of the rut.
> >     I'd found myself always playing the same
> things, but came to see that I was
> >     simply limited in the technique and knowledge I
> had. Altered tuning threw away
> >     the experience I'd already gained, so I ended
> up even quicker in a new rut -
> >     I was tuned DADGCF, so suddenly I started writing
> everything in D minor. After
> >     five years, I switched back to standard, and
> practice as often as I can in it,
> >     and haven't found myself in a rut (by my own
> subjective analysis, of
> >     course...) since. The solution was increasing my
> knowledge of the guitar,
> >     getting closer to the goal of making seamless the
> division between self and
> >     instrument, able to play what I heard in mind, not
> putting fingers down and
> >     finding new sounds by chance.
> >=20
> >     I dunno...if a sax player gets in a rut, do they
> quickly switch to clarinet? Or
> >     do they practice different things, seek out new
> music to listen to, find new
> >     playing opportunities to challenge the rut, which
> is a mental construct anyway?
> >=20
> >     Honestly, I don't see a world of possibilities
> in switching tunings. Sure,
> >     there's a big ringing resonance that one can
> get with unisons or open
> >     octaves, but that already sounds played out to my
> ears unless the composition is
> >     a good one. If you go on YouTube and watch the
> scores of open-tuned solo guitar
> >     players, you'll see the easy temptations they
> fall into - basing everything
> >     on a pedal note on the lowest open string, sliding
> around the same chord
> >     position on the low strings with the high ones
> ringing out, hitting the 12th and
> >     5th fret harmonics compulsively in every damn tune
> - because those tricks sound
> >     good, at an average and tired level of good.
> >=20
> >     Just my experience...YMMV (and probably already
> has, I'm gathering!).
> >=20
> >     Daryl Shawn
> >     www.swanwelder.com
> >     www.chinapaintingmusic.com
> >=20
> >     > I know many guitarists that resist open
> tunings and I honestly don=E2=80=99t
> >     know why. They really open up another world of
> possibilities and are a great way
> >     to take a break from standard tuning, if for no
> other reason than to provide
> >     fresh perspective and break out of playing ruts.
> >     >     > Bill
> >     >=20
> >=20
> >              =20
> >=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 20:49:13 2009
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Date: Sun, 1 Mar 2009 12:49:12 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: RPM CD - Jim Goodin - Vertical released
To: Loopers-Delight@loopers-delight.com
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Jim I love it very nice!!
cheers
Luis

www.myspace.com/luisangulocom


--- On Sun, 3/1/09, Stephen Moyes <stephenmoyes@blueyonder.co.uk> wrote:

> From: Stephen Moyes <stephenmoyes@blueyonder.co.uk>
> Subject: Re: RPM CD - Jim Goodin - Vertical released
> To: Loopers-Delight@loopers-delight.com
> Date: Sunday, March 1, 2009, 12:03 PM
> At first I could only get the first track to work, but I
> found that the others were ok if I copied and pasted the
> link into my browser. Then I tried forwarding your email to
> myself with space between the links and they seem to work
> properly that  way. Try this . . .
> 
> Jim's album:
> 
> http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3
> 
> http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3
> 
> http://dl.getdropbox.com/u/251618/03%20Balloon.mp3
> 
> http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John%20Fahey%29.mp3
> 
> http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3
> 
> http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Appalachia.mp3
> 
> http://dl.getdropbox.com/u/251618/07%20Vertical.mp3
> 
> http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3
> 
> http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3
> 
> http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3
> 
> http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3
> 
> http://dl.getdropbox.com/u/251618/12%20Ghost.mp3
> 
> http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3
> 
> http://dl.getdropbox.com/u/251618/14%20True.mp3
> 
> http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babes.mp3
> 
> http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3
> 
> http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3
> 
> http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3
> 
> http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg
> 
> http://dl.getdropbox.com/u/251618/Vertical_Label.jpg
> 
> http://dl.getdropbox.com/u/251618/Vertical_tray.jpg


      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 21:05:35 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
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Hey Per,
The Boss CS3 is a nifty little pedal,because if you put it in poly mode you can define which strings should be the bass by rotating the range button,i set it to about 11 o clock to have the E and A strings as bass and keep the rest of the strings unaffected.
cheers
Luis


> 
> Another approach would be to have a bass pedal (octavider).
> I've just
> started rehearsing with one to explore it for looping.
> I'm starting to
> get bored with the looper scripts I use for bass - it tunes
> up the
> loop and overdubs, so that the overdub will be bass when
> the loop is
> brought back to normal speed. This technique is based on
> short bass
> punches and can not be used for longer notes, which is what
> I'd like
> to find solution for. My recent "bass pedal
> patch" uses an expression
> pedal: in toe down position it is just the normal octave
> and in toe up
> position it is one octave down. The pedal range crossfades
> continuously between the octaves, so at the mid position
> you have both
> octaves. This makes it possible to make bass and higher
> notes in one
> (overdub) go, on any sort of instrument you might play. The
> downside,
> compared to piano and stick, is that you can't play
> bass and higher
> notes at the same time - you have to wait for the next loop
> round.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com


      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 21:08:08 2009
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From: richard sales <richard@glasswing.com>
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Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings :-)
Date: Sun, 1 Mar 2009 13:08:05 -0800
References: <119655.6010.qm@web51506.mail.re2.yahoo.com> <49A8A74A.5030501@mhorse.com> <49AA92A3.5060503@tiscali.co.uk> <dec8f8e60903010923r60bec222ufcf7d04e1ada4904@mail.gmail.com>
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On Mar 1, 2009, at 9:23 AM, Dennis Moser wrote:
>
>
> I wonder how much of the appeal from alt tuning is the change in  
> timbre,
> rather than the shifting around of notes.

No question.  And the open ringing strings.  And for those who've had  
tendonitis, the ability to continue to play!  And because it's much  
harder to not sound like everyone else in standard - Kottke pointed  
that out years ago.

R

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Mar 1, 2009, =
at 9:23 AM, Dennis Moser wrote:</div><blockquote type=3D"cite"><div =
class=3D"gmail_quote"><blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;"><br> <br> I wonder how much of the appeal =
from alt tuning is the change in timbre,<br> rather than the shifting =
around of notes.</blockquote></div></blockquote><div><br></div>No =
question. &nbsp;And the open ringing strings. &nbsp;And for those who've =
had tendonitis, the ability to continue to play! &nbsp;And because it's =
much harder to not sound like everyone else in standard - Kottke pointed =
that out years =
ago.&nbsp;</div><div>&nbsp;</div><div>R</div><div><br></div><div><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div><font =
class=3D"Apple-style-span" face=3D"Arial">richard =
sales</font></div><div><font class=3D"Apple-style-span" =
color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><br></div></span></div></body></html>=

--Apple-Mail-10--63552501--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 21:09:07 2009
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Hey Guys,

Loving all the activity at Loopers Delight lately.
That being said,   today I received:

*Loopers Delight Daily Digest #206,
Loopers Delight Daily Digest#207,
Loopers Delight Daily Digest#208,
Loopers Delight Daily Digest#209,
Loopers Delight Daily Digest#210,
Loopers Delight Daily Digest#211,
Loopers Delight Daily Digest#212

All in 4 hours!

*Please, please, please,  be courteous and DO NOT COPY
the digests when you reply to a subject.
It takes so much longer to read the emails.

Some of us subscribe to a daily digest because there isn't time to
read all individual posts.

I know that's hard for you guys with Gmail and other webbased browsers
to remember,  but please take mercy on us poor home based browser users.

Thanks,   Rick Walker

From Loopers-Delight-request@loopers-delight.com  Sun Mar  1 21:43:30 2009
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From: "Krispen Hartung" <info@krispenhartung.com>
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Subject: Re: Boomerang 3 release
Date: Sun, 1 Mar 2009 14:43:32 -0700
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Finally. So will this be the most feature packed floor looper on the market? 
Does the larger Boss unit have that many features? Now, if they would just 
add variable and random speed, I would be delighted. :)

Kris

----- Original Message ----- 

> looks like it will soon
>
>
>> Hi all you patient and not so patient looping enthusiasts,
>>
>>     It has been taking a looooooooooooooong time to finish
>> this pedal,
>> but it will be a fantastic looper. In
>> fact it already is with the current feature set. Completing
>> the
>> software has been the hold up for some time
>> now. There are only 2 features left to add and our
>> programmer is
>> working hard. The prototypes have all
>> features but those two! Release will hopefully be this
>> spring.
>>
>>     We have all the parts to make a few hundred units. The
>> circuit
>> boards have all parts soldered on. Front
>> panel graphic overlays have been received. Steel chassis
>> have been
>> received. Everything is in place. The hold
>> up is finishing the software which has proven to be quite
>> complex.
>>     If we had the software today, I could ship about 400
>> units within a month!
>>
>>     Here's what we have so far:
>> * Serial Play Style - loops play one after the other like
>> the Rang(TM) Plus
>> * Serial Master Play Style - see description below
>> * 3 or 4 loops, your choice
>> * stacking with undo/redo - "stacking" is adding
>> parts to a loop
>> * erase one or all loops - a loop can be erased while
>> another plays
>> * copy loop - a loop can be copied whether it is playing or
>> not
>> * copy live - this enables "re-sampling" and is
>> very powerful; the
>> pedal's output is routed to a new loop
>> * octave - loop plays at half speed and an octave lower
>> * reverse - loop plays backwards
>> * once - loop plays one time through then stops or stops at
>> its end if
>> already playing
>> * fade - loops fade in or out with one button press; fades
>> can be
>> approx 2 to 42 seconds long
>> * reverse solo - this is an effect and enables you to
>> create reverse leads live
>> * 48KHz or 24KHz sample rate with 20 bit samples
>> * through signal is always 48KHz sample rate with 24 bit
>> samples
>> * Thru Mute function
>> * Playback master volume control with an expression pedal
>> * Dedicated loop playback volume knob
>> * Dedicated loop decay rate knob - the rate at which
>> earlier parts
>> fade when new ones are added
>> * stereo or mono recording and playback
>> * Smart jacks - the III senses which jacks are being used
>> and provides
>> different signal routing options
>>
>> Sync in Serial Play Style (Serial Master Play Style)
>>     There are 2 types of sync. One is a "normal"
>> sync - all loops can
>> play at once, there is a master that is
>> recorded first, all loops are multiples of the master. This
>> is the
>> Sync Play Style.
>>     But there is another cool type of sync in the Serial
>> Play Style
>> where one loop is played after the other,
>> the verse, chorus, bridge type of use. If loop 3 is
>> recorded first, it
>> will be the master, otherwise it's just
>> another loop and there is no master. If loop three is
>> master, then it
>> can play with the other loops. It's the
>> only loop that can play along with the other loops.
>>     So at one time you can play 1 & 3, 2 & 3, 4
>> & 3, but not 1 & 2.
>> Remember this is serial play style where
>> the loops play one at a time... with the exception of the
>> master. I
>> hope this isn't too confusing.
>>     Here's the purpose. For serial style loopers
>> it's nice to have a
>> rhythmic background behind the melodic
>> loops. Mute the strings and record a short
>> "chika-chika" or beat on
>> the sides of your acoustic axe.
>>
>>     What's left to do:
>> = Sync Play Style - all loops can play simultaneously and
>> are synced
>> so they stay together
>> = Free Play Style - all loops can play simultaneously and
>> are NOT
>> synced; this is great for ambient sounds
>>
>>     The software still isn't complete, but we've
>> decided to sell
>> pre-production units to interested players. The features
>> listed above
>> are all working with only a few bugs yet to fix.
>> Essentially what
>> you'll get is a Boomerang(R) III looper less the Sync
>> and Free Play
>> Styles.
>>     The purchaser will receive the final production
>> software and user
>> manual when complete, but there is no commitment on our
>> part to a
>> specific delivery date. It's done when it's done.
>> The software will be
>> delivered as a MIDI file attached to an email. Uploading is
>> accomplished by playing the file in a MIDI player on your
>> computer
>> with the output routed through a USB/MIDI interface and on
>> to the III
>> with a MIDI cable.
>>     If the customer doesn't have the means to
>> accomplish this, then
>> the unit must be returned to have the software installed.
>> In that
>> case, the customer will pay for all shipping expenses, both
>> ways. This
>> will most likely run from $20 to $30 in the lower 48.
>>     We will charge what we expect the "street"
>> price to be, $439.
>> Shipping will be additional and should be around $15.
>> Holler if this
>> interests you.
>>
>> ----------
>>
>> Mike Nelson
>> Secretary/Treasurer, Boomerang Management, Inc.
>> General Partner of Boomerang Musical Products, Ltd.
>>
>> ----------
>>
>> "Some products make you sound better;
>>  the Boomerang(R) Phrase Sampler makes you play
>> better."
>>
>> ----------
>>
>> 1-800-530-4699 * 1-817-251-8737, Outside USA *
>> 1-817-251-8509, Fax
>>
>> http://www.boomerangmusic.com
>>
>> Shipping Address for Repairs:
>> Boomerang
>> 1516 Victoria Drive
>> Denton, TX  76209
>>
>> Billing Address:
>> Boomerang Musical Products, Ltd.
>> PO Box 3788
>> Grapevine, TX  76099-3788
>
>
>> http://www.myspace.com/luisangulocom
>> www.luis-angulo.com
>
>
>
>
> 

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	 <BLU0-SMTP7548D38F2F98D25F1EA790DCA80@phx.gbl>
Date: Mon, 2 Mar 2009 08:44:27 +1100
Message-ID: <96adde860903011344l3925786ej77414ae155412082@mail.gmail.com>
Subject: Re: Boomerang 3 release
From: Tom Sowonja <tom.sowonja@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd2beb42c861f0464159be8
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this is fantatsic news - i've been waiting for this for a long long time.

2009/3/2 Krispen Hartung <info@krispenhartung.com>

> Finally. So will this be the most feature packed floor looper on the
> market? Does the larger Boss unit have that many features? Now, if they
> would just add variable and random speed, I would be delighted. :)
>
> Kris
>
>
> ----- Original Message -----
>
>> looks like it will soon
>>
>>
>>  Hi all you patient and not so patient looping enthusiasts,
>>>
>>>    It has been taking a looooooooooooooong time to finish
>>> this pedal,
>>> but it will be a fantastic looper. In
>>> fact it already is with the current feature set. Completing
>>> the
>>> software has been the hold up for some time
>>> now. There are only 2 features left to add and our
>>> programmer is
>>> working hard. The prototypes have all
>>> features but those two! Release will hopefully be this
>>> spring.
>>>
>>>    We have all the parts to make a few hundred units. The
>>> circuit
>>> boards have all parts soldered on. Front
>>> panel graphic overlays have been received. Steel chassis
>>> have been
>>> received. Everything is in place. The hold
>>> up is finishing the software which has proven to be quite
>>> complex.
>>>    If we had the software today, I could ship about 400
>>> units within a month!
>>>
>>>    Here's what we have so far:
>>> * Serial Play Style - loops play one after the other like
>>> the Rang(TM) Plus
>>> * Serial Master Play Style - see description below
>>> * 3 or 4 loops, your choice
>>> * stacking with undo/redo - "stacking" is adding
>>> parts to a loop
>>> * erase one or all loops - a loop can be erased while
>>> another plays
>>> * copy loop - a loop can be copied whether it is playing or
>>> not
>>> * copy live - this enables "re-sampling" and is
>>> very powerful; the
>>> pedal's output is routed to a new loop
>>> * octave - loop plays at half speed and an octave lower
>>> * reverse - loop plays backwards
>>> * once - loop plays one time through then stops or stops at
>>> its end if
>>> already playing
>>> * fade - loops fade in or out with one button press; fades
>>> can be
>>> approx 2 to 42 seconds long
>>> * reverse solo - this is an effect and enables you to
>>> create reverse leads live
>>> * 48KHz or 24KHz sample rate with 20 bit samples
>>> * through signal is always 48KHz sample rate with 24 bit
>>> samples
>>> * Thru Mute function
>>> * Playback master volume control with an expression pedal
>>> * Dedicated loop playback volume knob
>>> * Dedicated loop decay rate knob - the rate at which
>>> earlier parts
>>> fade when new ones are added
>>> * stereo or mono recording and playback
>>> * Smart jacks - the III senses which jacks are being used
>>> and provides
>>> different signal routing options
>>>
>>> Sync in Serial Play Style (Serial Master Play Style)
>>>    There are 2 types of sync. One is a "normal"
>>> sync - all loops can
>>> play at once, there is a master that is
>>> recorded first, all loops are multiples of the master. This
>>> is the
>>> Sync Play Style.
>>>    But there is another cool type of sync in the Serial
>>> Play Style
>>> where one loop is played after the other,
>>> the verse, chorus, bridge type of use. If loop 3 is
>>> recorded first, it
>>> will be the master, otherwise it's just
>>> another loop and there is no master. If loop three is
>>> master, then it
>>> can play with the other loops. It's the
>>> only loop that can play along with the other loops.
>>>    So at one time you can play 1 & 3, 2 & 3, 4
>>> & 3, but not 1 & 2.
>>> Remember this is serial play style where
>>> the loops play one at a time... with the exception of the
>>> master. I
>>> hope this isn't too confusing.
>>>    Here's the purpose. For serial style loopers
>>> it's nice to have a
>>> rhythmic background behind the melodic
>>> loops. Mute the strings and record a short
>>> "chika-chika" or beat on
>>> the sides of your acoustic axe.
>>>
>>>    What's left to do:
>>> = Sync Play Style - all loops can play simultaneously and
>>> are synced
>>> so they stay together
>>> = Free Play Style - all loops can play simultaneously and
>>> are NOT
>>> synced; this is great for ambient sounds
>>>
>>>    The software still isn't complete, but we've
>>> decided to sell
>>> pre-production units to interested players. The features
>>> listed above
>>> are all working with only a few bugs yet to fix.
>>> Essentially what
>>> you'll get is a Boomerang(R) III looper less the Sync
>>> and Free Play
>>> Styles.
>>>    The purchaser will receive the final production
>>> software and user
>>> manual when complete, but there is no commitment on our
>>> part to a
>>> specific delivery date. It's done when it's done.
>>> The software will be
>>> delivered as a MIDI file attached to an email. Uploading is
>>> accomplished by playing the file in a MIDI player on your
>>> computer
>>> with the output routed through a USB/MIDI interface and on
>>> to the III
>>> with a MIDI cable.
>>>    If the customer doesn't have the means to
>>> accomplish this, then
>>> the unit must be returned to have the software installed.
>>> In that
>>> case, the customer will pay for all shipping expenses, both
>>> ways. This
>>> will most likely run from $20 to $30 in the lower 48.
>>>    We will charge what we expect the "street"
>>> price to be, $439.
>>> Shipping will be additional and should be around $15.
>>> Holler if this
>>> interests you.
>>>
>>> ----------
>>>
>>> Mike Nelson
>>> Secretary/Treasurer, Boomerang Management, Inc.
>>> General Partner of Boomerang Musical Products, Ltd.
>>>
>>> ----------
>>>
>>> "Some products make you sound better;
>>>  the Boomerang(R) Phrase Sampler makes you play
>>> better."
>>>
>>> ----------
>>>
>>> 1-800-530-4699 * 1-817-251-8737, Outside USA *
>>> 1-817-251-8509, Fax
>>>
>>> http://www.boomerangmusic.com
>>>
>>> Shipping Address for Repairs:
>>> Boomerang
>>> 1516 Victoria Drive
>>> Denton, TX  76209
>>>
>>> Billing Address:
>>> Boomerang Musical Products, Ltd.
>>> PO Box 3788
>>> Grapevine, TX  76099-3788
>>>
>>
>>
>>  http://www.myspace.com/luisangulocom
>>> www.luis-angulo.com
>>>
>>
>>
>>
>>
>>
>>
>

--000e0cd2beb42c861f0464159be8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

this is fantatsic news - i&#39;ve been waiting for this for a long long tim=
e.<br><br><div class=3D"gmail_quote">2009/3/2 Krispen Hartung <span dir=3D"=
ltr">&lt;<a href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com=
</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Finally. So will =
this be the most feature packed floor looper on the market? Does the larger=
 Boss unit have that many features? Now, if they would just add variable an=
d random speed, I would be delighted. :)<br>

<br>
Kris<div><div></div><div class=3D"Wj3C7c"><br>
<br>
----- Original Message ----- <br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
looks like it will soon<br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi all you patient and not so patient looping enthusiasts,<br>
<br>
 =A0 =A0It has been taking a looooooooooooooong time to finish<br>
this pedal,<br>
but it will be a fantastic looper. In<br>
fact it already is with the current feature set. Completing<br>
the<br>
software has been the hold up for some time<br>
now. There are only 2 features left to add and our<br>
programmer is<br>
working hard. The prototypes have all<br>
features but those two! Release will hopefully be this<br>
spring.<br>
<br>
 =A0 =A0We have all the parts to make a few hundred units. The<br>
circuit<br>
boards have all parts soldered on. Front<br>
panel graphic overlays have been received. Steel chassis<br>
have been<br>
received. Everything is in place. The hold<br>
up is finishing the software which has proven to be quite<br>
complex.<br>
 =A0 =A0If we had the software today, I could ship about 400<br>
units within a month!<br>
<br>
 =A0 =A0Here&#39;s what we have so far:<br>
* Serial Play Style - loops play one after the other like<br>
the Rang(TM) Plus<br>
* Serial Master Play Style - see description below<br>
* 3 or 4 loops, your choice<br>
* stacking with undo/redo - &quot;stacking&quot; is adding<br>
parts to a loop<br>
* erase one or all loops - a loop can be erased while<br>
another plays<br>
* copy loop - a loop can be copied whether it is playing or<br>
not<br>
* copy live - this enables &quot;re-sampling&quot; and is<br>
very powerful; the<br>
pedal&#39;s output is routed to a new loop<br>
* octave - loop plays at half speed and an octave lower<br>
* reverse - loop plays backwards<br>
* once - loop plays one time through then stops or stops at<br>
its end if<br>
already playing<br>
* fade - loops fade in or out with one button press; fades<br>
can be<br>
approx 2 to 42 seconds long<br>
* reverse solo - this is an effect and enables you to<br>
create reverse leads live<br>
* 48KHz or 24KHz sample rate with 20 bit samples<br>
* through signal is always 48KHz sample rate with 24 bit<br>
samples<br>
* Thru Mute function<br>
* Playback master volume control with an expression pedal<br>
* Dedicated loop playback volume knob<br>
* Dedicated loop decay rate knob - the rate at which<br>
earlier parts<br>
fade when new ones are added<br>
* stereo or mono recording and playback<br>
* Smart jacks - the III senses which jacks are being used<br>
and provides<br>
different signal routing options<br>
<br>
Sync in Serial Play Style (Serial Master Play Style)<br>
 =A0 =A0There are 2 types of sync. One is a &quot;normal&quot;<br>
sync - all loops can<br>
play at once, there is a master that is<br>
recorded first, all loops are multiples of the master. This<br>
is the<br>
Sync Play Style.<br>
 =A0 =A0But there is another cool type of sync in the Serial<br>
Play Style<br>
where one loop is played after the other,<br>
the verse, chorus, bridge type of use. If loop 3 is<br>
recorded first, it<br>
will be the master, otherwise it&#39;s just<br>
another loop and there is no master. If loop three is<br>
master, then it<br>
can play with the other loops. It&#39;s the<br>
only loop that can play along with the other loops.<br>
 =A0 =A0So at one time you can play 1 &amp; 3, 2 &amp; 3, 4<br>
&amp; 3, but not 1 &amp; 2.<br>
Remember this is serial play style where<br>
the loops play one at a time... with the exception of the<br>
master. I<br>
hope this isn&#39;t too confusing.<br>
 =A0 =A0Here&#39;s the purpose. For serial style loopers<br>
it&#39;s nice to have a<br>
rhythmic background behind the melodic<br>
loops. Mute the strings and record a short<br>
&quot;chika-chika&quot; or beat on<br>
the sides of your acoustic axe.<br>
<br>
 =A0 =A0What&#39;s left to do:<br>
=3D Sync Play Style - all loops can play simultaneously and<br>
are synced<br>
so they stay together<br>
=3D Free Play Style - all loops can play simultaneously and<br>
are NOT<br>
synced; this is great for ambient sounds<br>
<br>
 =A0 =A0The software still isn&#39;t complete, but we&#39;ve<br>
decided to sell<br>
pre-production units to interested players. The features<br>
listed above<br>
are all working with only a few bugs yet to fix.<br>
Essentially what<br>
you&#39;ll get is a Boomerang(R) III looper less the Sync<br>
and Free Play<br>
Styles.<br>
 =A0 =A0The purchaser will receive the final production<br>
software and user<br>
manual when complete, but there is no commitment on our<br>
part to a<br>
specific delivery date. It&#39;s done when it&#39;s done.<br>
The software will be<br>
delivered as a MIDI file attached to an email. Uploading is<br>
accomplished by playing the file in a MIDI player on your<br>
computer<br>
with the output routed through a USB/MIDI interface and on<br>
to the III<br>
with a MIDI cable.<br>
 =A0 =A0If the customer doesn&#39;t have the means to<br>
accomplish this, then<br>
the unit must be returned to have the software installed.<br>
In that<br>
case, the customer will pay for all shipping expenses, both<br>
ways. This<br>
will most likely run from $20 to $30 in the lower 48.<br>
 =A0 =A0We will charge what we expect the &quot;street&quot;<br>
price to be, $439.<br>
Shipping will be additional and should be around $15.<br>
Holler if this<br>
interests you.<br>
<br>
----------<br>
<br>
Mike Nelson<br>
Secretary/Treasurer, Boomerang Management, Inc.<br>
General Partner of Boomerang Musical Products, Ltd.<br>
<br>
----------<br>
<br>
&quot;Some products make you sound better;<br>
=A0the Boomerang(R) Phrase Sampler makes you play<br>
better.&quot;<br>
<br>
----------<br>
<br>
1-800-530-4699 * 1-817-251-8737, Outside USA *<br>
1-817-251-8509, Fax<br>
<br>
<a href=3D"http://www.boomerangmusic.com" target=3D"_blank">http://www.boom=
erangmusic.com</a><br>
<br>
Shipping Address for Repairs:<br>
Boomerang<br>
1516 Victoria Drive<br>
Denton, TX =A076209<br>
<br>
Billing Address:<br>
Boomerang Musical Products, Ltd.<br>
PO Box 3788<br>
Grapevine, TX =A076099-3788<br>
</blockquote>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">http://w=
ww.myspace.com/luisangulocom</a><br>
<a href=3D"http://www.luis-angulo.com" target=3D"_blank">www.luis-angulo.co=
m</a><br>
</blockquote>
<br>
<br>
<br>
<br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br>

--000e0cd2beb42c861f0464159be8--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 03:12:38 2009
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From: Reyn Ouwehand <mc.reyn@me.com>
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Subject: Re: Robin Koerts - Buckshot
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Ah funny! I studied with this guy and we've been playing together for =20=

years! He's such a talented guy! Incredible...

Small world...

Cheers,

Reyn

www.reyn.net


On Feb 24, 2009, at 10:47 PM, Andr=E9 Donawa wrote:

> Came across this last week.
> I love it.
> Itching to get a setup like this.
>
> A great combination of looping/sequencing/ and free form.
> I'm still trying to figure out how he's doing it.
> A lot of interesting things going on.
> Hoping some of you guru's would know.
>
> http://www.youtube.com/watch?v=3DtWKp0VwoIps
>
>
> Andre Donawa
> Barbados Guitar School
> Woodside Gardens
> Bay St.
> St. Michael
> Barbados
> 11157
> Tel: 246-228-2480 (Office)
>     246 436 8294 (School)
>
> http://www.barbadosguitar.com
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 03:31:14 2009
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Date: Mon, 2 Mar 2009 04:31:13 +0100
Message-ID: <afb941d0903011931w1e6d7a62y62cb813774e2fb66@mail.gmail.com>
Subject: Re: RPM CD - Jim Goodin - Vertical released
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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www.box.net

2009/3/1, Daryl Shawn <highhorse@mhorse.com>:
> You know, I believe with Dropbox that the folder needs to be specifically
> shared with the recipients, so it won't really work to share en masse, I'm
> realizing. There was a more open online storage system I can't recall now, I
> think Krispen sometimes put his files there. There's also Jamendo.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>
>
> > I joined, installed, got a dropbox and I still can't get that link. Sorry
> for my lameness. Any tips?
> >  j
> >
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

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Subject: Re: RPM CD - Jim Goodin - Vertical released
Date: Sun, 1 Mar 2009 23:40:03 -0500
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Dropbox does indeed work if you place the zip in your "public" folder,
then click on the little blue arrow after the zip for the menu, then click
"copy public link". I have used it for several things now with no problem.
Between Box.net and Dropbox I now have boku space for quick file placement.
I am glad I downloaded it. Just a little learning curve.

Jeff



----- Original Message ----- 
From: "Raul Bonell" <raul.bonell@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 01, 2009 10:31 PM
Subject: Re: RPM CD - Jim Goodin - Vertical released


> www.box.net
>
> 2009/3/1, Daryl Shawn <highhorse@mhorse.com>:
>> You know, I believe with Dropbox that the folder needs to be specifically
>> shared with the recipients, so it won't really work to share en masse, 
>> I'm
>> realizing. There was a more open online storage system I can't recall 
>> now, I
>> think Krispen sometimes put his files there. There's also Jamendo.
>>
>> Daryl Shawn
>> www.swanwelder.com
>> www.chinapaintingmusic.com
>>
>>
>>
>> > I joined, installed, got a dropbox and I still can't get that link. 
>> > Sorry
>> for my lameness. Any tips?
>> >  j
>> >
>>
>>
>
>
> -- 
> The Playing Orchestra: http://www.telefonica.net/web2/tpo
> Chain Tape Collective: http://www.ct-collective.com
> TPO at myspace: http://www.myspace.com/theplayingorchestra
> TPO at Jamendo: http://www.jamendo.com
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 08:14:27 2009
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Date: Mon, 2 Mar 2009 00:14:26 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
To: Per Boysen <perboysen@gmail.com>
Cc: Loopers Delight <loopers-delight@loopers-delight.com>
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off course how can it sounds convincing when i give you the wrong model description;-)

here you can read about it (forget the video) better yet go try it out!

http://www.bossus.com/gear/productdetails.php?ProductId=608

www.myspace.com/luisangulocom


--- On Sun, 3/1/09, Per Boysen <perboysen@gmail.com> wrote:

> From: Per Boysen <perboysen@gmail.com>
> Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
> To: labaloops@yahoo.com
> Date: Sunday, March 1, 2009, 2:10 PM
> That doesn't sound totally convincing... how does a the
> box know if I
> play a note on the A string or the E string?
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> 
> 
> 
> On Sun, Mar 1, 2009 at 10:05 PM, L.Angulo
> <labaloops@yahoo.com> wrote:
> > Hey Per,
> > The Boss CS3 is a nifty little pedal,because if you
> put it in poly mode you can define which strings should be
> the bass by rotating the range button,i set it to about 11 o
> clock to have the E and A strings as bass and keep the rest
> of the strings unaffected.
> > cheers
> > Luis


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 09:17:08 2009
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Subject: RE: basic Bidule question
Date: Mon, 2 Mar 2009 10:17:05 +0100
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er, has anyone sent me an offlist msg with "bidule" and "cc" in its subject?
It landed in my spam folder and was deleted before I could say stop.
-Michael

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Subject: Re: basic Bidule question
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Not me.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Mon, Mar 2, 2009 at 10:17 AM, Michael Peters <mp@mpeters.de> wrote:
> er, has anyone sent me an offlist msg with "bidule" and "cc" in its subject?
> It landed in my spam folder and was deleted before I could say stop.
> -Michael
>
>

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Subject: looper vs storyteller. if there even is
From: Nevyn Nowhere <nevynnowhere@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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a difference.

I was having a chat with my lady the other evening about music.  Wow, how
intriguing, I know. ;)

But more specifically... music as a story.

She posed an interesting question, do I view my songs as more stories, or
sound manipulation with all that entails?

Certainly, we who make it, know that the lines are not that cut and dry.

But I will say... I do live looping stuff a bit, and never record it.  To
me,  live.  It's now. It's what is happening.  It is more sonic manipulation
than storytelling.  Although certainly, it has elements of both.

Recorded, might capture those moments, but "recorded songs" are more about
telling the story.  WITH the sonics, of course.  But more structure, more
sequenced mixed with live looping/ability to turn sequence on/off and loop
fully in those moments (and partially when it is sequenced)....

... sequencing gives more prethought, to me.

Which is both a plus and a negative.  It both makes your "story" more
specific, and also constricits you to telling the story you made when you
wrote "that".  Which invariably has changed since you wrote it, if you are
on this list, or so I'd think.


So, the question:

A)Is your music more story or sonic manipulation?

B)Do you more often loop or sequence? mix?  what measure of the two and do
they ever intermix?

C)How do you feel looping vs sequencing affects "story"

D)How do you feel music can be a story, if you feel such?

E)What's the latest "story" you're stoked on?  and why?

-nn
happyhumans.org

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a difference.<br><br>I was having a chat with my lady the other evening abo=
ut music.=A0 Wow, how intriguing, I know. ;)<br><br>But more specifically..=
. music as a story.<br><br>She posed an interesting question, do I view my =
songs as more stories, or sound manipulation with all that entails?<br>
<br>Certainly, we who make it, know that the lines are not that cut and dry=
.<br><br>But I will say... I do live looping stuff a bit, and never record =
it.=A0 To me,=A0 live.=A0 It&#39;s now. It&#39;s what is happening.=A0 It i=
s more sonic manipulation than storytelling.=A0 Although certainly, it has =
elements of both.<br>
<br>Recorded, might capture those moments, but &quot;recorded songs&quot; a=
re more about telling the story.=A0 WITH the sonics, of course.=A0 But more=
 structure, more sequenced mixed with live looping/ability to turn sequence=
 on/off and loop fully in those moments (and partially when it is sequenced=
)....<br>
<br>... sequencing gives more prethought, to me.<br><br>Which is both a plu=
s and a negative.=A0 It both makes your &quot;story&quot; more specific, an=
d also constricits you to telling the story you made when you wrote &quot;t=
hat&quot;.=A0 Which invariably has changed since you wrote it, if you are o=
n this list, or so I&#39;d think.<br>
<br><br>So, the question:<br><br>A)Is your music more story or sonic manipu=
lation?<br><br>B)Do you more often loop or sequence? mix?=A0 what measure o=
f the two and do they ever intermix?<br><br>C)How do you feel looping vs se=
quencing affects &quot;story&quot;<br>
<br>D)How do you feel music can be a story, if you feel such?<br><br>E)What=
&#39;s the latest &quot;story&quot; you&#39;re stoked on?=A0 and why?<br><b=
r>-nn<br><a href=3D"http://happyhumans.org">happyhumans.org</a><br>

--001636e0a88473c59b0464223fda--

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Subject: Re: please be courteous to the list
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.while we're talking netiquette, it's still considered shouting by
most web-users to write things all in capitals on email lists and
forums...

...just sayin' ;)

Steve

Where to find me on the web -
  _______________________
*********************************
*** www.stevelawson.net - shiny new site
*** www.stevelawson.net/blog - blog
*** www.myspace.com/solobassstevelawson
*** www.reverbnation.com/stevelawson
*** www.twitter.com/solobasssteve
*** http://www.youtube.com/user/StevieSteve46 - loads of new video here!


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">.while we're talking =
netiquette, it's still considered shouting by &nbsp;<br>most web-users =
to write things all in capitals on email lists and =
&nbsp;<br>forums...<br><br>...just sayin' ;)<br><br>Steve<br><br>Where =
to find me on the web =
-<br>&nbsp;_______________________<br>*********************************<br=
>***&nbsp;<a =
href=3D"http://www.stevelawson.net/">www.stevelawson.net</a>&nbsp;- =
shiny new site<br>***&nbsp;<a =
href=3D"http://www.stevelawson.net/blog">www.stevelawson.net/blog</a>&nbsp=
;- blog<br>***&nbsp;<a =
href=3D"http://www.myspace.com/solobassstevelawson">www.myspace.com/soloba=
ssstevelawson</a><br>***&nbsp;<a =
href=3D"http://www.reverbnation.com/stevelawson">www.reverbnation.com/stev=
elawson</a><br>***&nbsp;<a =
href=3D"http://www.twitter.com/solobasssteve">www.twitter.com/solobassstev=
e</a><br>***&nbsp;<a =
href=3D"http://www.youtube.com/user/StevieSteve46">http://www.youtube.com/=
user/StevieSteve46</a>&nbsp;- loads of new video here!<div =
apple-content-edited=3D"true"> </div><br></body></html>=

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To: looparc@loopers-delight.com
Subject: ECONOMIC BOOT CAMP FOR ARTISTS SERIES - The Lenny Campello Webinars (Mar 10, 2009)
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------------------------------ 
Event Summary:
------------------------------ 

Event: ECONOMIC BOOT CAMP FOR ARTISTS SERIES - The Lenny Campello Webinars
Date: Tuesday, March 10, 2009 from 7:00 PM - 9:00 PM (ET)
Location: Webinar

------------------------------ 
Event Details:
------------------------------ 

 
 
ARTS SEMINARS 
Economic Boot Camp for Artists
INDUSTRY PROFESSIONALS
ARTISTS, MUSEUM PROFESSIONALS, ARTS FACULTY, AND GALLERISTS
*********
LIVE WEBINARS  
7PM EST
    * 30 min. Free Introductory Class 3/10/09 12 noon
   * Build Your Resume  On-Demand Recorded    * Present Your Work    3/10/09 7:00pm     * Reduce your Framing Costs    * Get publicity for your art show     * Establish a digital presence         * The insider's view on art galleries    
     * Contracts     * Approach a gallery 
Unlimted Downloads! 
               
Instructor F. Lennox Campello 




Gallerist, Art Dealer and 
Former Charter Member Sothebys.com Associate Dealer
***









 
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F. Lennox Campello is an international award-winning artist,
curator and a widely published art critic and writer in Washington,
DC and Philadelphia,
 PA.  Mr. Campello also
manages one of the Internet's seminal and leading arts blogs, Daily
Campello Art News, read by nearly 750,000 readers last year.
 
As an established artist, while living in Spain in the early 1980s, Mr. Campello worked on
a series of landscapes of Andalusia, which now hang in over fifty private
collections in Spain, Portugal, and the United States.  He also
exhibited in various venues in Spain.
Subsequently Mr. Campello was awarded First Prize in the William Whipple
National Art Competition for Printmaking, the silver medal at the Ligoa Duncan
Art Competition in Paris and the French "Prix de Peinture de Raymond
Duncan."
 
While residing in Scotland,
in a 307-year-old farmhouse at the foothills of the Highlands near the ancient
Pictish village of Brechin, Mr. Campello produced over three hundred
watercolors of Scotland.
 This work earned him First Prize in watercolors at the 42nd Annual
International North Wynd River Art Competition in the United States. 
 
As the former co-owner of the Fraser
Gallery in Washington, DC,
and a former Charter Associate Dealer for Sothebys.com, Mr. Campello serves as
chief consultant and curator to numerous national and international galleries.
Additionally his work have been exhibited at the McManus Museum in Scotland,
the Brusque Museum in Brazil, the San Bernardino County Art Museum in
California, the Musee des Duncan in France, the Frick Museum in Ohio, the
Meadows Museum of Art in Shreveport, Louisiana, the Hunter Museum in Tennessee,
the Sacramento Fine Arts Center in California, The Art League in Alexandria and
the Rock Springs Art Center in Wyoming. He has also curated many shows in
the Mid Atlantic area.
 
Furthermore, Mr. Campello seminar’s, "Success as an
Artist," (also known as "Boot camp for Artists") has
trained over 3,000 artists, museum professionals, arts faculty, and new
gallerists.
 
Since 2005, the artist has been the host for a series of TV appearances
in various local programs dealing with the visual arts.  Mr. Campello also
reports on Mid Atlantic area art news for the MHz TV program ArtsMedia
News and has been a contributor to many newspapers and art
magazines.  He is also often heard on National Public Radio and the Voice
of America discussing visual art issues.  Mr. Campello also appears on the
radio as a regular guest discussing Washington,
 DC area art issues.  
 
Mr. Campello studied art at the University of Washington
School of Art in Seattle,
under Professors Norman Lundin, Alden Mason, Jacob Lawrence, and Everet DuPen.
 
 

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 14:52:01 2009
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Date: Mon, 2 Mar 2009 15:52:00 +0100
Message-ID: <66f9cc1e0903020652s799aa8fdi3a3beb7234fbb800@mail.gmail.com>
Subject: Re: looper vs storyteller. if there even is
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Very interesting issue, Nevyn! But I think your questions are missing
the point that music actually is about telling a story. Myself I do
both composing, mixing and live looping gigs of
composed music arranged for looping as well as freely improvised live
looping music. And I think the storytelling aspect is just the same
and as important in all these outlets.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Mon, Mar 2, 2009 at 1:49 PM, Nevyn Nowhere <nevynnowhere@gmail.com> wrot=
e:
>
> A)Is your music more story or sonic manipulation?
>
> B)Do you more often loop or sequence? mix?=A0 what measure of the two and=
 do
> they ever intermix?
>
> C)How do you feel looping vs sequencing affects "story"
>
> D)How do you feel music can be a story, if you feel such?
>
> E)What's the latest "story" you're stoked on?=A0 and why?

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 15:30:11 2009
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From: Reyn Ouwehand <mc.reyn@me.com>
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Subject: =?ISO-8859-1?Q?Reyn_vs_Bj=F6rk_@_www.bjorkremixes.com?=
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Hey guys, thought it would be nice to share the fact that I now have =20
my own page at www.bjorkremixes.com!

Here's the page:
http://www.bjorkremixes.com/reyn/

Here are some high quality direct YouTube links..

Reyn vs Bj=F6rk - I've Seen It All [Dancer in the Dark]:
http://www.youtube.com/watch?v=3DWKcw8XtYPK4&fmt=3D22

Reyn vs Bj=F6rk - All is Full of Love:
http://www.youtube.com/watch?v=3DHRLzctAGgcs&fmt=3D22

Reyn vs Bj=F6rk - Declare Independence:
http://www.youtube.com/watch?v=3DnuPEJGMdJXc&fmt=3D22

Declare Independence isn't done with looping, but maybe fun to watch =20
nonetheless..

Enjoy!

Cheers,

Reyn

www.reyn.net=

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=20


So=2C the question:

A)Is your music more story or sonic manipulation?

It is a story but not in words=2C it's abstract. A story of my improvisatio=
n=2C the intentional moves and the mistakes.

=20

B)Do you more often loop or sequence? mix?  what measure of the two and do =
they ever intermix?
I only loop.. so far :-)


C)How do you feel looping vs sequencing affects "story"

For my looping IS the story..

D)How do you feel music can be a story=2C if you feel such?

Free improvisation tend to be like a journey in it self...

E)What's the latest "story" you're stoked on?  and why?
My latest "story" is a reaction to the alt tunings discussion here. It's ca=
lled BIG C and can be heard here:

http://www.soundclick.com/AndersBergdahl

(the Tuning is CGDGBE) just guitar=2C amp and some echo besides the EDP. Pi=
ngPong echo added in mix.


--_a0c50c2b-c3a2-44a1-92ad-f1a2cd68145d_
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<BR>&nbsp=3B<BR>
<BR>So=2C the question:<BR><BR>A)Is your music more story or sonic manipula=
tion?<BR>
It is a story but not in words=2C it's abstract. A story of my improvisatio=
n=2C the intentional moves and the mistakes.<BR>
&nbsp=3B<BR>
B)Do you more often loop or sequence? mix?&nbsp=3B what measure of the two =
and do they ever intermix?<BR>I only loop.. so far :-)<BR>
<BR>C)How do you feel looping vs sequencing affects "story"<BR>
For my looping IS the story..<BR><BR>D)How do you feel music can be a story=
=2C if you feel such?<BR>
Free improvisation tend to be like a journey in it self...<BR><BR>E)What's =
the latest "story" you're stoked on?&nbsp=3B and why?<BR>My latest "story" =
is a reaction to the alt tunings discussion here. It's called BIG C and can=
 be heard here:<BR>
<A href=3D"http://www.soundclick.com/AndersBergdahl">http://www.soundclick.=
com/AndersBergdahl</A><BR>
(the Tuning is CGDGBE) just guitar=2C amp and some echo besides the EDP. Pi=
ngPong echo added in mix.<BR><BR></body>
</html>=

--_a0c50c2b-c3a2-44a1-92ad-f1a2cd68145d_--

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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: OT: Tuning guitar in fifths for wider orchestration options
Date: Mon, 2 Mar 2009 16:20:30 +0000
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I tried a fith/regular tuning in one of my Swans (27" scale length intended=
 for standard tuning) with a ordinary 010 set and it work just FINE. The tu=
ning is CGD (5ths) and the standard guitar tuning GBE (actually the four th=
inner strings are in standard tuning)=20

Made a LONG clip with it=2C 17 minutes of improvisation called BIG C:

www.Soundclick.com/AndersBergdahl

The Soloway Swans are great for lower tunings and sound great in regular tu=
ning as well=2C without string change..

www.jimsoloway.com

Good looping instruments :-)=2C Jim designed the guitars for solo jazz play=
ing and the grand piano style tone these guitars have is great for all sort=
s of solo/looping styles as well as great all around guitars. Try one!! You=
 can get a loaner from Jim or visit me in Stockholm.
.
>=20
> Well=2C for me buying a new instrument is not an option. But buying some
> thicker strings is something I can afford. So=2C many thanks to Ariel
> that posted suggestions for a suitable gauge in this tuning! And
> thanks to everyone else that answered the question. The thread really
> took off into a lot other interesting paths! Love this list :-)
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
>=20

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<body class=3D'hmmessage'>
<BR>I tried&nbsp=3Ba fith/regular tuning in one of my Swans (27" scale leng=
th intended for standard tuning) with a&nbsp=3Bordinary 010 set and it work=
 just FINE. The tuning is CGD (5ths) and the standard guitar tuning&nbsp=3B=
GBE (actually the four thinner strings are in standard tuning) <BR>
Made a&nbsp=3BLONG clip with it=2C 17 minutes of improvisation called BIG C=
:<BR>
<A href=3D"http://www.Soundclick.com/AndersBergdahl">www.Soundclick.com/And=
ersBergdahl</A><BR>
The Soloway&nbsp=3BSwans are great for lower tunings and sound great in reg=
ular tuning as well=2C without string change..<BR>
<A href=3D"http://www.jimsoloway.com">www.jimsoloway.com</A><BR>
Good looping instruments :-)=2C Jim designed the guitars for solo jazz play=
ing and the grand piano style tone these guitars have is great for all sort=
s of solo/looping styles as well as great all around guitars. Try one!! You=
 can get a loaner from Jim or visit me in Stockholm.<BR>.<BR>&gt=3B <BR>&gt=
=3B Well=2C for me buying a new instrument is not an option. But buying som=
e<BR>&gt=3B thicker strings is something I can afford. So=2C many thanks to=
 Ariel<BR>&gt=3B that posted suggestions for a suitable gauge in this tunin=
g! And<BR>&gt=3B thanks to everyone else that answered the question. The th=
read really<BR>&gt=3B took off into a lot other interesting paths! Love thi=
s list :-)<BR>&gt=3B <BR>&gt=3B Greetings from Sweden<BR>&gt=3B <BR>&gt=3B =
Per Boysen<BR>&gt=3B www.boysen.se<BR>&gt=3B www.perboysen.com<BR>&gt=3B <B=
R></body>
</html>=

--_33d6c2af-4806-4329-b305-70acbe464d36_--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 19:52:49 2009
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Date: Mon, 2 Mar 2009 20:52:48 +0100
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Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
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To me your BIC C is one of the most interesting guitar looping pieces
I've heard. Keep up that great work, Anders!

Per



On Mon, Mar 2, 2009 at 5:20 PM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
>
> I tried=A0a fith/regular tuning in one of my Swans (27" scale length inte=
nded
> for standard tuning) with a=A0ordinary 010 set and it work just FINE. The
> tuning is CGD (5ths) and the standard guitar tuning=A0GBE (actually the f=
our
> thinner strings are in standard tuning)
> Made a=A0LONG clip with it, 17 minutes of improvisation called BIG C:
> www.Soundclick.com/AndersBergdahl
> The Soloway=A0Swans are great for lower tunings and sound great in regula=
r
> tuning as well, without string change..
> www.jimsoloway.com
> Good looping instruments :-), Jim designed the guitars for solo jazz play=
ing
> and the grand piano style tone these guitars have is great for all sorts =
of
> solo/looping styles as well as great all around guitars. Try one!! You ca=
n
> get a loaner from Jim or visit me in Stockholm.
> .
>>
>> Well, for me buying a new instrument is not an option. But buying some
>> thicker strings is something I can afford. So, many thanks to Ariel
>> that posted suggestions for a suitable gauge in this tuning! And
>> thanks to everyone else that answered the question. The thread really
>> took off into a lot other interesting paths! Love this list :-)
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 20:28:31 2009
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Date: Mon, 02 Mar 2009 15:23:51 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Top 20 Report for February, 2009.
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WDIY 88.1 FM "Galactic Travels" Top 20 for February, 2009.
Shows #618 to #621; 5-February-2009 to 26-February-2009
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox

The Special Focus for February was Stephen Parsick.
http://wdiy.org/programs/gt/playlists/2009/focus.html#feb

ARTIST - ALBUM TITLE - LABEL
===========================================================
Conrad Schnitzler - Rektification - Ricochet Dream
Dutch Space Mission - Cosmic Grunn - none
Dutch Space Mission - E-Live 2008 - none
Jeffrey Koepper - Radiate - Ricochet Dream
Meesha - Pentorama - none
Meesha - Waves - none
Megatone - Pure Land - none
Mystified - Pulse Ringer Pieces - Droehnhaus
Phrozenlight - Autumn - none
Robert Carty - Starlight Volume 1 - Deep Sky
Sensitive Chaos - Emerging Transparency - Subsequent
Shalmaneser - Ticker - Doubtful Palace
Stephen Parsick - Fuzzstars - doombient
Stephen Parsick - Planetary Music - doombient
Stephen Parsick - Schwartzschild - doombient
Stephen Parsick - Sediments - doombient
Syndromeda - The Twilight Conjunction - Ricochet Dream
synth.nl - AtmoSphere - Groove
Various Artists - Awakenings 2008 Volume 1 - AmbientLive
Various Artists - Awakenings 2008 Volume 1.5 - AmbientLive

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EST (GMT-5:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
MySpace: http://myspace.com/galactictravels
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
Playlists are also published at http://billfox.blogspot.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 20:59:55 2009
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Date: Mon, 2 Mar 2009 12:59:54 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
To: andy butler <akbutler@tiscali.co.uk>
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the poly mode is the only thing i like about it,what i love doing with the OC3 is mixing the poly mode on the 2 lower strings with the swell effect of the DL4,it gives you a nice strings synth effect.Yes The Pog tracking is way better.
But i agree otherwise the OC3 is too wabbly and awful sounding specially on acoustic guitar!

www.myspace.com/luisangulocom


--- On Mon, 3/2/09, andy butler <akbutler@tiscali.co.uk> wrote:

> From: andy butler <akbutler@tiscali.co.uk>
> Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
> To: labaloops@yahoo.com
> Date: Monday, March 2, 2009, 3:37 AM
> L.Angulo wrote:
> > off course how can it sounds convincing when i give
> you the wrong model description;-)
> > 
> > here you can read about it 
> 
> 
> 
> >(forget the video)
> 
> I'm trying :-)
> 
> > better yet go try it out!
> 
> hope it's better than the OC2.
> (it does track ok though)
> 1) Bypass tone weak, so it's only suitable for use in
> an fx loop
> 2) and the sound of the dry signal to mix with the octaves
> is really awful
> Of course, for years the OC2 was the only option with
> decent tracking.
> 
> 
> 
> Personally, I wouldn't waste time (again) with Boss
> stuff, they really try too
> hard to save costs. If they can save a couple of pennies by
> using a 
> lower quality op amp they always will. 
> ...and the fact they spend the money they save on horrible
> videos doesn't help :-)
> 
> 
> The Electro Harmonix Micro Pog might be worth considering,
> perfect tracking without latency on the low octave.
> ( the oct up sucks tho' imo)
> 
> andy
> 
> 
> 
> > 
> >
> http://www.bossus.com/gear/productdetails.php?ProductId=608
> > 
> > www.myspace.com/luisangulocom
> > 
> > 
> > --- On Sun, 3/1/09, Per Boysen
> <perboysen@gmail.com> wrote:
> > 
> >> From: Per Boysen <perboysen@gmail.com>
> >> Subject: Re: OT: Tuning guitar in fifths for wider
> orchestration options
> >> To: labaloops@yahoo.com
> >> Date: Sunday, March 1, 2009, 2:10 PM
> >> That doesn't sound totally convincing... how
> does a the
> >> box know if I
> >> play a note on the A string or the E string?
> >>
> >> Greetings from Sweden
> >>
> >> Per Boysen
> >> www.boysen.se
> >> www.perboysen.com
> >>
> >>
> >>
> >> On Sun, Mar 1, 2009 at 10:05 PM, L.Angulo
> >> <labaloops@yahoo.com> wrote:
> >>> Hey Per,
> >>> The Boss CS3 is a nifty little pedal,because
> if you
> >> put it in poly mode you can define which strings
> should be
> >> the bass by rotating the range button,i set it to
> about 11 o
> >> clock to have the E and A strings as bass and keep
> the rest
> >> of the strings unaffected.
> >>> cheers
> >>> Luis
> > 
> > 
> >       
> > 
> >


      

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Subject: Re: Tuning guitar in fifths for wider orchestration options OT
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or you get a Roland synth or a VG99 and mix the bass strings and dont have to detune the guitar;-)
or would that be cheating?

> 
> Reading this thread, a may have another go with CGDGBE.
> I've knocked around with it before, but now it occurs
> that the extra low notes would be very handy for adding
> basslines into the loop.
> 


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 21:18:40 2009
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Subject: Echoplex for sell. What's a fair price?
Date: Mon, 2 Mar 2009 13:18:37 -0800
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--Apple-Mail-22-23479562
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I'm going to put my EDP for sale. What do you think I should ask for  
it? This is the Oberhiem one which works perfecltly but it does have  
one line of one of the digital displays out (so the top of one 0 or 8  
doesn't display, for example.) Also it has the loop 3 version software  
rather then the newer loop 4, but there's not that many differences  
really.

I figure I'll just throw in the footswitch because it needs new  
buttons (only like $2-5 per  button, if memory serves, but takes time  
to find 'em and solder them and pay someone to do it.)

New EDP's (and from my brief web search just now they seem they to be  
very hard to come by) I think are $1000 (http://www.musiciansnews.com/guitars/34/gibson_tge05_echoplex_digital_pro_plus.shtml 
)  plus $150 for the footswitch (that was the range I remember when I  
bought mine, not even sure you can get the footswitch new.

So, given all that do you think that $600 is too steep to put it on  
line for?

Much thanks!
--Apple-Mail-22-23479562
Content-Type: text/html;
	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div><br></div><div><br></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: arial; font-size: 16px; "><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I'm =
going to put my EDP for sale. What do you think I should ask for it? =
This is the Oberhiem one which works perfecltly but it does have one =
line of one of the digital displays out (so the top of one 0 or =
8&nbsp;doesn't display, for example.) Also it has the loop 3 version =
software rather then the newer loop 4, but there's not that many =
differences really.&nbsp;</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I figure I'll just throw in the =
footswitch because it needs new buttons (only like $2-5 per =
&nbsp;button, if memory serves, but takes time to find 'em and solder =
them and pay someone to do it.)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">New EDP's (and from my brief web =
search just now they seem they to be very hard to come by) I think are =
$1000 (<a =
href=3D"http://www.musiciansnews.com/guitars/34/gibson_tge05_echoplex_digi=
tal_pro_plus.shtml)">http://www.musiciansnews.com/guitars/34/gibson_tge05_=
echoplex_digital_pro_plus.shtml)</a>&nbsp;&nbsp;plus $150 for the =
footswitch (that was the range I remember when I bought mine, not even =
sure you can get the footswitch new.&nbsp;</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">So, given all that do you think =
that $600 is too steep to put it on line for?</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Much =
thanks!</div></span></div></body></html>=

--Apple-Mail-22-23479562--

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 21:33:59 2009
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Date: Mon, 2 Mar 2009 22:33:58 +0100
Message-ID: <66f9cc1e0903021333g6df94a3dla57a15c189b187f@mail.gmail.com>
Subject: Fwd: Echoplex for sell. What's a fair price?
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 2, 2009 at 10:18 PM, David Hayes <stringfling@gmail.com> wrote:
> I'm going to put my EDP for sale. What do you think I should ask for it?

Well, I gave mine to someone. Guess that wasn't a fair price...

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 21:48:47 2009
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Check it.

http://www.youtube.com/watch?v=QnvntSKpYAs

Ricky

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 21:49:37 2009
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Subject: Re: Fwd: Echoplex for sell. What's a fair price?
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i agree, it would have been fair if u had given it ot me though

www.myspace.com/luisangulocom


--- On Mon, 3/2/09, Per Boysen <perboysen@gmail.com> wrote:

> From: Per Boysen <perboysen@gmail.com>
> Subject: Fwd: Echoplex for sell. What's a fair price?
> To: "loopers-delight" <Loopers-Delight@loopers-delight.com>
> Date: Monday, March 2, 2009, 1:33 PM
> On Mon, Mar 2, 2009 at 10:18 PM, David Hayes
> <stringfling@gmail.com> wrote:
> > I'm going to put my EDP for sale. What do you
> think I should ask for it?
> 
> Well, I gave mine to someone. Guess that wasn't a fair
> price...
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 21:59:07 2009
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I see every once in a while the oberheims in ebay U.S. going for about 400.00 dlss in good condition.

www.myspace.com/luisangulocom


--- On Mon, 3/2/09, David Hayes <stringfling@gmail.com> wrote:

> From: David Hayes <stringfling@gmail.com>
> Subject: Echoplex for sell. What's a fair price?
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, March 2, 2009, 1:18 PM
> I'm going to put my EDP for sale. What do you think I
> should ask for it? This is the Oberhiem one which works
> perfecltly but it does have one line of one of the digital
> displays out (so the top of one 0 or 8 doesn't display,
> for example.) Also it has the loop 3 version software rather
> then the newer loop 4, but there's not that many
> differences really.
> 
> I figure I'll just throw in the footswitch because it
> needs new buttons (only like $2-5 per  button, if memory
> serves, but takes time to find 'em and solder them and
> pay someone to do it.)
> 
> New EDP's (and from my brief web search just now they
> seem they to be very hard to come by) I think are $1000
> (http://www.musiciansnews.com/guitars/34/gibson_tge05_echoplex_digital_pro_plus.shtml)
>  plus $150 for the footswitch (that was the range I remember
> when I bought mine, not even sure you can get the footswitch
> new.
> 
> So, given all that do you think that $600 is too steep to
> put it on line for?
> 
> Much thanks!


      

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From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: Fwd: Echoplex for sell. What's a fair price?
To: Per Boysen <perboysen@gmail.com>
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never give a beautiful woman all your precious love and money brother;-)

www.myspace.com/luisangulocom


--- On Mon, 3/2/09, Per Boysen <perboysen@gmail.com> wrote:

> From: Per Boysen <perboysen@gmail.com>
> Subject: Re: Fwd: Echoplex for sell. What's a fair price?
> To: labaloops@yahoo.com
> Date: Monday, March 2, 2009, 1:56 PM
> MEGA LOL!!!!
> I gave it to a beautiful woman with a great voice and
> interesting
> musical ideas. Then she never called back...
> 
> p ;-)
> 
> 
> 
> On Mon, Mar 2, 2009 at 10:49 PM, L.Angulo
> <labaloops@yahoo.com> wrote:
> > i agree, it would have been fair if u had given it ot
> me though
> >
> > www.myspace.com/luisangulocom
> >
> >
> > --- On Mon, 3/2/09, Per Boysen
> <perboysen@gmail.com> wrote:
> >
> >> From: Per Boysen <perboysen@gmail.com>
> >> Subject: Fwd: Echoplex for sell. What's a fair
> price?
> >> To: "loopers-delight"
> <Loopers-Delight@loopers-delight.com>
> >> Date: Monday, March 2, 2009, 1:33 PM
> >> On Mon, Mar 2, 2009 at 10:18 PM, David Hayes
> >> <stringfling@gmail.com> wrote:
> >> > I'm going to put my EDP for sale. What do
> you
> >> think I should ask for it?
> >>
> >> Well, I gave mine to someone. Guess that
> wasn't a fair
> >> price...
> >>
> >> Greetings from Sweden
> >>
> >> Per Boysen
> >> www.boysen.se
> >> www.perboysen.com
> >
> >
> >
> >
> >


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 22:06:41 2009
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Date: Mon, 2 Mar 2009 21:58:03 GMT
To: Loopers-Delight@loopers-delight.com
Subject: Remora/Andrew Weathers tour
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Hey,

 I thought you might want to know about the upcoming <a href=3D"http://w=
ww.myspace.com/remora">Remora</a> & <a href=3D"http://www.myspace.com/pa=
cificbeforetiger">Andrew Weathers</a> tour.  Remora is doing a predomina=
ntly feedback sculpture & post apocalyptic pop oriented set & Andrew Wea=
thers will be doing improvisational minimalist aggressive ambient guitar=
 sculptures.  Both of course involve loops, Remora using the Line 6 whil=
e Andrew Weathers uses a PC for his effects & loop sampling.  The dates =
are below, please help spread the word.

hrt
Brian John Mitchell

March 6 at Nightlight
Chapel Hill, North Carolina
Remora as a full five piece band! One night only!
with Beautiful Bells & Caledonia

March 7 at The Water Heater
Roanoke, VA
with Ages, Silence in Central Park, & Beautiful Bells

March 8 at The Blue Nile
Harrisonburg, Virginia
with  PetShopTimeBomb, & Space Program

March 9 at  a House Show
Pittsburgh, Pennsylvania
with Sundogpeacehouse, & Hunted Creatures
contact mrryanemmett@yahoo.com for directions

March 10 at SpeakerTree Records
Lynchburg, Virginia
with The Late Virginia Summers

March 11 at Electric Possible at DCAC
Washington, DC
with Duc D'Angelos Quartet

March 12 at Labyrinth Press Company
Jamestown, New York
with Audibel

March 13 at Bela Dubby
Lakewood, Ohio
with Ear Control/Black Wolf, Prince Rama of Ayodhya, & The Grievants

March 14 at Doucette 119
Edinboro, Pennsylvania
with Hunted Creature, & Nature

____________________________________________________________
Get educated.  Click here for Adult Education programs.
http://thirdpartyoffers.juno.com/TGL2131/fc/BLSrjnsIn6K6CdxvhR2ypPA6uMiC=
7NZf9k6ltx1czuXiFoCQAn7KxCSY5Pa/

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 22:09:23 2009
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Date: Mon, 2 Mar 2009 14:09:21 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: RE: Tuning guitar in fifths for wider orchestration options
To: agentlesoul2004@yahoo.com
Cc: Loopers Delight <loopers-delight@loopers-delight.com>
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Actually i believe there has been a lot of pop tunes backed with this tunin=
g in the background while playing another track in standard,is almost as po=
pular as the nashville tuning.There is also a variation used often CGDGBD,a=
 tune that comes to mind is the Eagles "best of my Love",it gives the track=
 a nice deeper sound.
Cheers
Luis


Thats why i like the CGDGBE tuning,=A0D to light e are just as usual so it'=
s easy to solo. You don't have to relearn that much.=A0it also=A0almost ope=
n G which is great for some stones stuff and a C chord with low C, G=A0E(4t=
h string secondfret)G,=A0C (B string first fret) and E sound HUGE :-). I=A0=
tried this one of my 27"=A0scale Swans and it sound GREAT with a ordinary d=
'addario 010 set.=A0VERY Cool tuning that i have not seen that often.
Is there anybody else fooling around with this tuning?? Does it have=A0name=
?
=A0
Anders
www.soundclick.com/AndersBergdahl=20
=A0


Date: Thu, 26 Feb 2009 11:44:38 +0100
Subject: Re: Tuning guitar in fifths for wider orchestration options
From: mark@markfrancombe.com
To: Loopers-Delight@loopers-delight.com

I've been watching this tread with grrat interest, I think its amazing how =
so many of you have experimented with tunings, and have of course tried som=
e things myself on spare guitars, for effects. (Like for example the tuning=
s that Rick mentioned, about tuning the whole guitar to one note for groovy=
 droning noise stuff etc).

What really amazes me however is... do you guys reall RE-learn all your sca=
les and chords for all these different tunings?=A0 I mean, if you tune to t=
his 5ths approach... how do you play a chord!!! Its taken me 33 years (sinc=
e I first got a guitar) to learn a few girl guide chords, and a couple of b=
ar chords.... one (ok two) scales, that I can slide up and down... but the =
thing that has stopped me REALLY getting into tuning is this... Do I really=
 have to forget what I ever knew... and dedicate my life to a new tuning???=
?

I myself have been using baritone guitar for 10 years, with a A based tunin=
g, this gives me the LOWS I need for bass parts, and I use a lot of pitch s=
hifting, and can go high enough... but this is still standard tuning basica=
lly, just tined down a bit...

Have to try out this 5ths thing

m


On Thu, Feb 26, 2009 at 1:14 AM, Charles Zwicky <cazwicky@earthlink.net> wr=
ote:



Per Boysen wrote:

Anyone here on the list having tried tuning a guitar in fifths for
wider orchestration options? Or even wider intervals? Would make sense
when looping to get lower bass and higher highs. I guess you have to
pick a custom string set for this.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


I have been tuning in straight fifths for =A0the past 15 years or so....

http://jpsongs.com/troubadortech/zwickrig.htm




--=20
...
http://www.zmix.net




--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 22:16:03 2009
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Subject: Re: looper vs storyteller. if there even is
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> that music actually is about telling a story.
I fully agree with Per!

So, on this forum, I find the following question more interesting:
   Do you use your looper as the _means_ to storytelling or as the _content_ of your story?

Buzap
-- 
Computer Bild Tarifsieger! GMX FreeDSL - Telefonanschluss + DSL
für nur 17,95 ¿/mtl.!* http://dsl.gmx.de/?ac=OM.AD.PD003K11308T4569a

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--001636c5baafdc4eb704642a372b
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Yes, sorry to burst your bubble David, but BRAND NEW EDP=B4s can be bought =
for
650 Euros and 70 euros for the footpedals... thats NEW ONES, with Loop 4...

I think you need to look a t mre like the price luis suggests...



On Mon, Mar 2, 2009 at 10:59 PM, L.Angulo <labaloops@yahoo.com> wrote:

> I see every once in a while the oberheims in ebay U.S. going for about
> 400.00 dlss in good condition.
>
> www.myspace.com/luisangulocom
>
>

--001636c5baafdc4eb704642a372b
Content-Type: text/html; charset=ISO-8859-1
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Yes, sorry to burst your bubble David, but BRAND NEW EDP=B4s can be bought =
for 650 Euros and 70 euros for the footpedals... thats NEW ONES, with Loop =
4...<br><br>I think you need to look a t mre like the price luis suggests..=
.<br>
<br><br><br><div class=3D"gmail_quote">On Mon, Mar 2, 2009 at 10:59 PM, L.A=
ngulo <span dir=3D"ltr">&lt;<a href=3D"mailto:labaloops@yahoo.com">labaloop=
s@yahoo.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" styl=
e=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; =
padding-left: 1ex;">
I see every once in a while the oberheims in ebay U.S. going for about 400.=
00 dlss in good condition.<br>
<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<br></blockquote></div><br>

--001636c5baafdc4eb704642a372b--

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Date: Mon, 2 Mar 2009 17:33:52 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: New Book... "State of the Axe"
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Has anyone seen this post? I wonder if I'm even on this list anymore... :-/


I'd like to bring this lovely book to everybody's attention.. It 
features several great loopers (Trey Gun, Andre LaFosse, Mary 
Halvorson, David Torn...etc) it's the "who's who" of the cutting edge 
in guitar:

http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300142112


State of the Axe
Guitar Masters in Photographs and Words
Ralph Gibson; Foreword by Anne Wilkes Tucker; Preface by Les Paul


In this appealing book, acclaimed photographer Ralph Gibson offers 
more than sixty intimate black-and-white portraits of guitar masters 
playing their instruments. Focusing his expert lens on musicians who 
have lent their unmistakable voices to virtually every musical 
genre-jazz, funk, rock, acoustic, blues, fusion, classical, and 
experimental-Gibson reveals in each photograph the intense 
relationship of the player with his beloved "axe."  The musicians in 
turn offer individual meditations on the guitar and insights into the 
passion they share for it.

State of the Axe features guitarists across several generations, from 
early jazz greats to hip modern rockers, as they play their widely 
varied guitars, including traditional six-strings, double necks, 
ten-strings, and fretless models. Gibson's images capture the 
enduring appeal of the instrument and the intense, often rapturous 
expressions of those who pick, strum, amp, bottleneck, and bow the 
axe. Fusing his own passions for photography and music, Gibson 
generates a rhythm of words and images that creates a compelling view 
of the "state of the axe" today.

Among the featured artists:

Adrian Belew
Nels Cline
Jim Hall
Mary Halvorson
Allan Holdsworth
Bill Frisell
John McGlaughlin
Lou Reed
John Scofield
Mike Stern
Andy Summers
James Blood Ulmer


Ralph Gibson is an award-winning photographer whose works are in the 
collections of major museums worldwide. His previous books include 
Light Strings: Impressions of the Guitar (2004). He divides his time 
between New York City and Paris, France. Anne Wilkes Tucker is Gus 
and Lyndall Wortham Curator of Photography at The Museum of Fine 
Arts, Houston. Les Paul is a revered guitarist.

State of the Axe: Guitar Masters in Photographs and Words

http://www.amazon.com/State-Axe-Guitar-Masters-Photographs/dp/0300142110


In the UK:

http://www.yalebooks.co.uk/yale/display.asp?K=9780300142112&sf1=author&st1=Ralph%20Gibson&m=1&dc=1


--
...
http://www.zmix.net


-- 
...
http://www.zmix.net
--============_-976089263==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: New Book... &quot;State of the
Axe&quot;</title></head><body>
<div>Has anyone seen this post? I wonder if I'm even on this list
anymore... :-/</div>
<div><br></div>
<div><br></div>
<div>I'd like to bring this lovely book to everybody's attention.. It
features several great loopers (Trey Gun, Andre LaFosse, Mary
Halvorson, David Torn...etc) it's the &quot;who's who&quot; of the
cutting edge in guitar:</div>
<div><br></div>
<div>http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300142112</div
>
<div><br></div>
<div><br></div>
<div><font size="+1" color="#293E45">State of the Axe</font></div>
<div><font color="#507684">Guitar Masters in Photographs and
Words</font></div>
<div><font size="-1" color="#293E45">Ralph Gibson; Foreword by Anne
Wilkes Tucker; Preface by Les Paul</font></div>
<div><br></div>
<div><br></div>
<div><font size="-1" color="#000000">In this appealing book, acclaimed
photographer Ralph Gibson offers more than sixty intimate
black-and-white portraits of guitar masters playing their instruments.
Focusing his expert lens on musicians who have lent their unmistakable
voices to virtually every musical genre-jazz, funk, rock, acoustic,
blues, fusion, classical, and experimental-Gibson reveals in each
photograph the intense relationship of the player with his beloved
&quot;axe.&quot;&nbsp; The musicians in turn offer individual
meditations on the guitar and insights into the passion they share for
it.</font></div>
<div><font size="-1" color="#000000">&nbsp;</font></div>
<div><font size="-1" color="#000000"><i>State of the Axe</i> features
guitarists across several generations, from early jazz greats to hip
modern rockers, as they play their widely varied guitars, including
traditional six-strings, double necks, ten-strings, and fretless
models. Gibson's images capture the enduring appeal of the instrument
and the intense, often rapturous expressions of those who pick, strum,
amp, bottleneck, and bow the axe. Fusing his own passions for
photography and music, Gibson generates a rhythm of words and images
that creates a compelling view of the &quot;state of the axe&quot;
today.</font></div>
<div><font size="-1" color="#000000">&nbsp;</font></div>
<div><font size="-1" color="#000000">Among the featured
artists:</font></div>
<div><font size="-1" color="#000000">&nbsp;</font></div>
<div><font size="-1" color="#000000">Adrian Belew</font></div>
<div><font size="-1" color="#000000">Nels Cline</font></div>
<div><font size="-1" color="#000000">Jim Hall</font></div>
<div><font size="-1" color="#000000">Mary Halvorson</font></div>
<div><font size="-1" color="#000000">Allan Holdsworth</font></div>
<div><font size="-1" color="#000000">Bill Frisell</font></div>
<div><font size="-1" color="#000000">John McGlaughlin</font></div>
<div><font size="-1" color="#000000">Lou Reed</font></div>
<div><font size="-1" color="#000000">John Scofield</font></div>
<div><font size="-1" color="#000000">Mike Stern</font></div>
<div><font size="-1" color="#000000">Andy Summers</font></div>
<div><font size="-1" color="#000000">James Blood Ulmer</font></div>
<div><font size="-1" color="#000000"><br></font></div>
<div><font size="-1" color="#000000"><br></font></div>
<div><font size="-1" color="#000000"><b>Ralph Gibson</b> is an
award-winning photographer whose works are in the collections of major
museums worldwide. His previous books include<i> Light Strings:
Impressions of the Guitar</i> (2004). He divides his time between New
York City and Paris, France.<b> Anne Wilkes Tucker</b> is Gus and
Lyndall Wortham Curator of Photography at The Museum of Fine Arts,
Houston.<b> Les Paul</b> is a revered guitarist.</font></div>
<div><br></div>
<div><font face="Arial" size="-4" color="#000000">State of the Axe:
Guitar Masters in Photographs and Words</font></div>
<div><br></div>
<div
>http://www.amazon.com/State-Axe-Guitar-Masters-Photographs/dp/030014<span
></span>2110</div>
<div><br></div>
<div><br></div>
<div>In the UK:</div>
<div><br></div>
<div
>http://www.yalebooks.co.uk/yale/display.asp?K=9780300142112&amp;sf1=<span
></span>author&amp;st1=Ralph%20Gibson&amp;m=1&amp;dc=1</div>
<div><br></div>
<div><br></div>
<div><tt>--</tt></div>
<div>...</div>
<div>http://www.zmix.net</div>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-976089263==_ma============--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 22:45:48 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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Subject: Re: Christopher Willits looks at Looper in Live 8
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wow that is great! i wish there were more educational looping videos like this.
So he has a roland GK pickup is he using the synth sounds from ableton using a midi interface? one thing that seems anoying though is having that click track...
i couldnt really recognize everything he has on the floor,looks like a pod,fcb1010 but what is the red box on top of the fbc1010?
i wonder if this config will be more flexible than using Mobius syncing exernal hardware,exciting!!

www.myspace.com/luisangulocom


--- On Mon, 3/2/09, Ricky Graham <rock.guitar.guru@btinternet.com> wrote:

> From: Ricky Graham <rock.guitar.guru@btinternet.com>
> Subject: Christopher Willits looks at Looper in Live 8
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, March 2, 2009, 1:50 PM
> Check it.
> 
> http://www.youtube.com/watch?v=QnvntSKpYAs
> 
> Ricky


      

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Date: Mon, 2 Mar 2009 14:53:07 -0800
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Subject: Re: Christopher Willits looks at Looper in Live 8
From: Art Simon <simart@gmail.com>
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I took a class on Ableton with Willits at the Bay Area Video
Coalition, and I thought it was excellent. Apparently, he also teaches
Max classes.


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 22:57:25 2009
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Subject: Re: Tuning guitar in fifths for wider orchestration options
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IMHO there is no sense in really doing that really,i just try to know the root and from there i construct my own version of chords,treat it like a diferent instument,it might sound more interesting.There are people using open tunings out there that have translated everything from the standard tuning and for me it doesnt really sound that exciting anymore.I usually dont play any scales or translate chords,i play really simple one or 2 string melodies with open tunings,but sometimes i do like to play the same scale i use in standard tuning and hearing something completely coming out,thats the fun of it!
Luis


> >
> > What really amazes me however is... do you guys reall
> RE-learn all your
> > scales and chords for all these different tunings?
> >


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 23:08:14 2009
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Subject: Re: cool vibes on ice
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wow brrrrrrrrrr!

www.myspace.com/luisangulocom


--- On Wed, 2/25/09, samba - <sambacomet@hotmail.com> wrote:

> From: samba - <sambacomet@hotmail.com>
> Subject: cool vibes on ice
> To: 
> Date: Wednesday, February 25, 2009, 4:53 PM
> http://www.sciam.com/video.cfm?id=14089954001
>  
>  ------------------------------------Thank you, very
> much.Patrick DonEgan
> electricvehicles@mac.com
> http://www.flyingdiscproductions.com
> Data is not information, Information is not knowledge,
> Knowledge is not understanding, Understanding is not wisdom.
> 
> Clifford Stoll


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 23:41:14 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Tuning guitar in fifths for wider orchestration options
Date: Mon, 2 Mar 2009 23:41:13 +0000
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 I agree=2C alternate tunings is a great way to do something different. BUT=
 in the context of instrumental music I see a risk that what i find as "dif=
ferent" and "interesting" sounds in an alternate tuning is just me being am=
azed over the sound that comes out. It is really hard=2C for me at least=2C=
 to do any real improvising in alternate tuning. It's more like what Luis d=
escribes=2C i see it almost as accidents that HOPEFULLY sounds cool. But I'=
m nit sure i would call it improvising... I really admire horn player=2C Mi=
les=2C Trane that could always find new music to play with their instrument=
s. I would love to have the control over phrasing and note choice that horn=
 great players have.=20
On the other hand a reason I love looping is all the mistakes I make that f=
orces me to find a creative way out. (BTW i have just posted a new "mistake=
" piece in alternate tuning on soundclick)
=20
Greetings=2C
=20
Anders=20
www.soundclick.com/AndersBergdahl

=20

>=20
> IMHO there is no sense in really doing that really=2Ci just try to know t=
he root and from there i construct my own version of chords=2Ctreat it like=
 a diferent instument=2Cit might sound more interesting.There are people us=
ing open tunings out there that have translated everything from the standar=
d tuning and for me it doesnt really sound that exciting anymore.I usually =
dont play any scales or translate chords=2Ci play really simple one or 2 st=
ring melodies with open tunings=2Cbut sometimes i do like to play the same =
scale i use in standard tuning and hearing something completely coming out=
=2Cthats the fun of it!
> Luis




--_62c6ace5-1088-4a69-8589-cb95608a45fc_
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<body class=3D'hmmessage'>
<BR>&nbsp=3BI agree=2C alternate tunings is a great way to&nbsp=3Bdo someth=
ing different. BUT in the context of instrumental music I see a risk that w=
hat i find as "different" and "interesting" sounds in an alternate tuning i=
s just me being amazed over the sound&nbsp=3Bthat comes out. It is really h=
ard=2C for me at least=2C to do any real&nbsp=3Bimprovising in alternate tu=
ning. It's more like what Luis describes=2C i see it almost as accidents th=
at HOPEFULLY sounds cool. But I'm nit sure i would call it improvising... I=
 really admire horn player=2C Miles=2C Trane that could always find new mus=
ic to play with their instruments. I would love to have the control over ph=
rasing and note choice that horn great players have. <BR>On the other hand =
a reason&nbsp=3BI love looping is all the mistakes I make that forces me to=
 find a creative way out. (BTW i have just posted a new&nbsp=3B"mistake" pi=
ece in alternate tuning on soundclick)<BR>&nbsp=3B<BR>Greetings=2C<BR>&nbsp=
=3B<BR>Anders <BR><A href=3D"http://www.soundclick.com/AndersBergdahl">www.=
soundclick.com/AndersBergdahl</A><BR><BR>&nbsp=3B<BR><BR>&gt=3B <BR>&gt=3B =
IMHO there is no sense in really doing that really=2Ci just try to know the=
 root and from there i construct my own version of chords=2Ctreat it like a=
 diferent instument=2Cit might sound more interesting.There are people usin=
g open tunings out there that have translated everything from the standard =
tuning and for me it doesnt really sound that exciting anymore.I usually do=
nt play any scales or translate chords=2Ci play really simple one or 2 stri=
ng melodies with open tunings=2Cbut sometimes i do like to play the same sc=
ale i use in standard tuning and hearing something completely coming out=2C=
thats the fun of it!<BR>&gt=3B Luis<BR><BR><BR><BR></body>
</html>=

--_62c6ace5-1088-4a69-8589-cb95608a45fc_--

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Date: Mon, 2 Mar 2009 15:43:29 -0800
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Subject: Re: looper vs storyteller. if there even is
From: Nevyn Nowhere <nevynnowhere@gmail.com>
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I suppose by story and not story I more meant pre thought story vs found in
the moment story, if going by the meanings I see you utilizing.  For yes,
music is inherently about story telling in it's nature.  So... how many
folks pre think their story, and how many find it finding them, perhaps is a
better question?  Or since many of us probably do both, tell how each comes
up in your music making (question for all)?

-nn
happyhumans.org

On Mon, Mar 2, 2009 at 6:52 AM, Per Boysen <perboysen@gmail.com> wrote:

> But I think your questions are missing
> the point that music actually is about telling a story. Myself I do
> both composing, mixing and live looping gigs of
> composed music arranged for looping as well as freely improvised live
> looping music. And I think the storytelling aspect is just the same
> and as important in all these outlets.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

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I suppose by story and not story I more meant pre thought story vs found in=
 the moment story, if going by the meanings I see you utilizing.=A0 For yes=
, music is inherently about story telling in it&#39;s nature.=A0 So... how =
many folks pre think their story, and how many find it finding them, perhap=
s is a better question?=A0 Or since many of us probably do both, tell how e=
ach comes up in your music making (question for all)?<br>
<br>-nn<br><a href=3D"http://happyhumans.org">happyhumans.org</a><br><br><d=
iv class=3D"gmail_quote">On Mon, Mar 2, 2009 at 6:52 AM, Per Boysen <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</=
a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">But I think your =
questions are missing<br>
the point that music actually is about telling a story. Myself I do<br>
both composing, mixing and live looping gigs of<br>
composed music arranged for looping as well as freely improvised live<br>
looping music. And I think the storytelling aspect is just the same<br>
and as important in all these outlets.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
</font><div><br></div></blockquote></div><br>

--000e0cd32d06b9075504642b624a--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 23:45:44 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: OT: Tuning guitar in fifths for wider orchestration options
Date: Mon, 2 Mar 2009 23:45:43 +0000
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TACKAR OCH BOCKAR=2C

=20

My I ask why you like it=2C i hesitated posting it since it sounded sort of=
 out..... One of the most intresting you heard=2C can't be that bad then=20

I really appreciate you're comments=2C and others comments=2C I'm here to l=
earn.

=20

Anders

www.soundclick.com/AndersBergdahl

> From: perboysen@gmail.com
>=20
> To me your BIC C is one of the most interesting guitar looping pieces
> I've heard. Keep up that great work=2C Anders!
>=20
> Per
>=20
>=20
>=20
> On Mon=2C Mar 2=2C 2009 at 5:20 PM=2C Anders Bergdahl
> <anders_e_bergdahl@hotmail.com> wrote:
> >
> > I tried a fith/regular tuning in one of my Swans (27" scale length inte=
nded
> > for standard tuning) with a ordinary 010 set and it work just FINE. The
> > tuning is CGD (5ths) and the standard guitar tuning GBE (actually the f=
our
> > thinner strings are in standard tuning)
> > Made a LONG clip with it=2C 17 minutes of improvisation called BIG C:
> > www.Soundclick.com/AndersBergdahl
> > The Soloway Swans are great for lower tunings and sound great in regula=
r
> > tuning as well=2C without string change..
> > www.jimsoloway.com
> > Good looping instruments :-)=2C Jim designed the guitars for solo jazz =
playing
> > and the grand piano style tone these guitars have is great for all sort=
s of
> > solo/looping styles as well as great all around guitars. Try one!! You =
can
> > get a loaner from Jim or visit me in Stockholm.

--_9c72ce2e-f3b3-4e07-b3f4-0ae7b1bcbaa8_
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<body class=3D'hmmessage'>
TACKAR OCH BOCKAR=2C<BR>
&nbsp=3B<BR>
My&nbsp=3BI ask why you like it=2C i hesitated posting it since it sounded =
sort of out..... One of the most intresting you heard=2C can't be that bad =
then <IMG height=3D19 alt=3D"" src=3D"http://gfx2.hotmail.com/mail/w3/ltr/e=
moticons/smile_wink.gif" width=3D19><BR>
I really appreciate you're comments=2C and others comments=2C I'm here to l=
earn.<BR>
&nbsp=3B<BR>
Anders<BR>
<A href=3D"http://www.soundclick.com/AndersBergdahl">www.soundclick.com/And=
ersBergdahl</A><BR><BR>&gt=3B From: <A href=3D"mailto:perboysen@gmail.com">=
perboysen@gmail.com</A><BR>&gt=3B <BR>&gt=3B To me your BIC C is one of the=
 most interesting guitar looping pieces<BR>&gt=3B I've heard. Keep up that =
great work=2C Anders!<BR>&gt=3B <BR>&gt=3B Per<BR>&gt=3B <BR>&gt=3B <BR>&gt=
=3B <BR>&gt=3B On Mon=2C Mar 2=2C 2009 at 5:20 PM=2C Anders Bergdahl<BR>&gt=
=3B &lt=3Banders_e_bergdahl@hotmail.com&gt=3B wrote:<BR>&gt=3B &gt=3B<BR>&g=
t=3B &gt=3B I tried&nbsp=3Ba fith/regular tuning in one of my Swans (27" sc=
ale length intended<BR>&gt=3B &gt=3B for standard tuning) with a&nbsp=3Bord=
inary 010 set and it work just FINE. The<BR>&gt=3B &gt=3B tuning is CGD (5t=
hs) and the standard guitar tuning&nbsp=3BGBE (actually the four<BR>&gt=3B =
&gt=3B thinner strings are in standard tuning)<BR>&gt=3B &gt=3B Made a&nbsp=
=3BLONG clip with it=2C 17 minutes of improvisation called BIG C:<BR>&gt=3B=
 &gt=3B www.Soundclick.com/AndersBergdahl<BR>&gt=3B &gt=3B The Soloway&nbsp=
=3BSwans are great for lower tunings and sound great in regular<BR>&gt=3B &=
gt=3B tuning as well=2C without string change..<BR>&gt=3B &gt=3B www.jimsol=
oway.com<BR>&gt=3B &gt=3B Good looping instruments :-)=2C Jim designed the =
guitars for solo jazz playing<BR>&gt=3B &gt=3B and the grand piano style to=
ne these guitars have is great for all sorts of<BR>&gt=3B &gt=3B solo/loopi=
ng styles as well as great all around guitars. Try one!! You can<BR>&gt=3B =
&gt=3B get a loaner from Jim or visit me in Stockholm.<BR></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 23:48:46 2009
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Date: Mon, 2 Mar 2009 15:48:44 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
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Subject: RE: Tuning guitar in fifths for wider orchestration options
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very nice Anders!

www.myspace.com/luisangulocom


--- On Mon, 3/2/09, Anders Bergdahl <anders_e_bergdahl@hotmail.com> wrote:

> From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
> Subject: RE: Tuning guitar in fifths for wider orchestration options
> To: "Loopers Delight" <loopers-delight@loopers-delight.com>
> Date: Monday, March 2, 2009, 3:41 PM
> I agree, alternate tunings is a great way to do something
> different. BUT in the context of instrumental music I see a
> risk that what i find as "different" and
> "interesting" sounds in an alternate tuning is
> just me being amazed over the sound that comes out. It is
> really hard, for me at least, to do any real improvising in
> alternate tuning. It's more like what Luis describes, i
> see it almost as accidents that HOPEFULLY sounds cool. But
> I'm nit sure i would call it improvising... I really
> admire horn player, Miles, Trane that could always find new
> music to play with their instruments. I would love to have
> the control over phrasing and note choice that horn great
> players have. 
> On the other hand a reason I love looping is all the
> mistakes I make that forces me to find a creative way out.
> (BTW i have just posted a new "mistake" piece in
> alternate tuning on soundclick)
>  
> Greetings,
>  
> Anders 
> www.soundclick.com/AndersBergdahl
> 
>  
> 
> > 
> > IMHO there is no sense in really doing that really,i
> just try to know the root and from there i construct my own
> version of chords,treat it like a diferent instument,it
> might sound more interesting.There are people using open
> tunings out there that have translated everything from the
> standard tuning and for me it doesnt really sound that
> exciting anymore.I usually dont play any scales or translate
> chords,i play really simple one or 2 string melodies with
> open tunings,but sometimes i do like to play the same scale
> i use in standard tuning and hearing something completely
> coming out,thats the fun of it!
> > Luis


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  2 23:54:21 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: looper vs storyteller. if there even is
Date: Mon, 2 Mar 2009 23:54:19 +0000
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--_5a5fe099-92ce-47bb-914e-80b8d32a1548_
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But what do we mean when we say that an abstract instrumental peice of musi=
c tells a STORY!! It can't really=2C can it? Can there be meaning in an imp=
rovisation?? Is there meaning in a composition? What is the meaning with "g=
reen onions" or Bethovens 5th or Kind of blue. A story needs meaning=2C doe=
sn't it??

I would say that my attempts at looping tells a story but soloing over back=
ings does not. And there where not that much storytelling in playing "Sweet=
 home alabama" in a cover band :-)

=20

But WHY do we feel that some music tells a STORY=2C there are no narrative =
elements=2C we clearly mean something else than a story in a book=2C don't =
we?

SORRY I do like to read philosophy=2C Wittgenstein and that type of stuff. =
I feel that we use story in a very loose an undefined we=2C are we playing =
the same game?

=20

Good night=2C


Anders

www.soundclick.com/AndersBergdahl
=20


Date: Mon=2C 2 Mar 2009 15:43:29 -0800
Subject: Re: looper vs storyteller. if there even is
From: nevynnowhere@gmail.com
To: Loopers-Delight@loopers-delight.com

I suppose by story and not story I more meant pre thought story vs found in=
 the moment story=2C if going by the meanings I see you utilizing.  For yes=
=2C music is inherently about story telling in it's nature.  So... how many=
 folks pre think their story=2C and how many find it finding them=2C perhap=
s is a better question?  Or since many of us probably do both=2C tell how e=
ach comes up in your music making (question for all)?

-nn
happyhumans.org


On Mon=2C Mar 2=2C 2009 at 6:52 AM=2C Per Boysen <perboysen@gmail.com> wrot=
e:

But I think your questions are missing
the point that music actually is about telling a story. Myself I do
both composing=2C mixing and live looping gigs of
composed music arranged for looping as well as freely improvised live
looping music. And I think the storytelling aspect is just the same
and as important in all these outlets.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com




--_5a5fe099-92ce-47bb-914e-80b8d32a1548_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
But what do we mean when we say that an abstract instrumental peice of musi=
c tells a STORY!! It can't really=2C can it? Can there be meaning in an imp=
rovisation?? Is&nbsp=3Bthere meaning in a composition? What is the meaning =
with "green onions" or Bethovens 5th or Kind of blue. A story needs meaning=
=2C doesn't&nbsp=3Bit??<BR>
I would say that my attempts at looping tells a story but soloing over back=
ings does not. And there where not that much storytelling in playing "Sweet=
 home alabama" in a cover band :-)<BR>
&nbsp=3B<BR>
But WHY do we feel that some music tells a STORY=2C there are no narrative =
elements=2C we clearly mean something else than a story in a book=2C don't =
we?<BR>
SORRY I do like to read philosophy=2C Wittgenstein and that type of stuff. =
I feel that we use story in a very loose an undefined we=2C are we playing =
the same game?<BR>
&nbsp=3B<BR>
Good night=2C<BR>
<BR>Anders<BR>
<A href=3D"http://www.soundclick.com/AndersBergdahl">www.soundclick.com/And=
ersBergdahl</A><BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Mon=2C 2 Mar 2009 15:43:29 -0800<BR>Subject: Re: looper vs storytelle=
r. if there even is<BR>From: nevynnowhere@gmail.com<BR>To: Loopers-Delight@=
loopers-delight.com<BR><BR>I suppose by story and not story I more meant pr=
e thought story vs found in the moment story=2C if going by the meanings I =
see you utilizing.&nbsp=3B For yes=2C music is inherently about story telli=
ng in it's nature.&nbsp=3B So... how many folks pre think their story=2C an=
d how many find it finding them=2C perhaps is a better question?&nbsp=3B Or=
 since many of us probably do both=2C tell how each comes up in your music =
making (question for all)?<BR><BR>-nn<BR><A href=3D"http://happyhumans.org/=
">happyhumans.org</A><BR><BR>
<DIV class=3DEC_gmail_quote>On Mon=2C Mar 2=2C 2009 at 6:52 AM=2C Per Boyse=
n <SPAN dir=3Dltr>&lt=3B<A href=3D"mailto:perboysen@gmail.com">perboysen@gm=
ail.com</A>&gt=3B</SPAN> wrote:<BR>
<BLOCKQUOTE class=3DEC_gmail_quote style=3D"PADDING-LEFT: 1ex">But I think =
your questions are missing<BR>the point that music actually is about tellin=
g a story. Myself I do<BR>both composing=2C mixing and live looping gigs of=
<BR>composed music arranged for looping as well as freely improvised live<B=
R>looping music. And I think the storytelling aspect is just the same<BR>an=
d as important in all these outlets.<BR><BR>Greetings from Sweden<BR><FONT =
color=3D#888888><BR>Per Boysen<BR><A href=3D"http://www.boysen.se/">www.boy=
sen.se</A><BR><A href=3D"http://www.perboysen.com/">www.perboysen.com</A><B=
R></FONT>
<DIV><BR></DIV></BLOCKQUOTE></DIV><BR></body>
</html>=

--_5a5fe099-92ce-47bb-914e-80b8d32a1548_--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 00:03:10 2009
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Subject: Re: Tremol-No
To: Loopers-Delight@loopers-delight.com
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hey Bill,
I was not aware of this thank you!it certainly looks like a great tremolo i=
ssue problem solution!
questions:
Does it also take care of the out of tune problems when using the tremolo h=
eavily floating or flat?
Did you install it yourself or do you recomend somebody else doing it?
How would it differ with something like the hipshot tremsetter?
I have a fernandes sustainer native pro guitar and the tremolo on it just s=
ucks i cant hardly use it as it goes out of tune so bad,on the other hand i=
 hate the floyd rose system so i am trying to find a good solution.
Ive installed the planet waves locking tuner though they havent cure the pr=
oblem that much
cheers
Luis


www.myspace.com/luisangulocom


--- On Wed, 2/25/09, Per Boysen <perboysen@gmail.com> wrote:

> From: Per Boysen <perboysen@gmail.com>
> Subject: Re: Tremol-No
> To: Loopers-Delight@loopers-delight.com
> Date: Wednesday, February 25, 2009, 3:04 AM
> Googled it and found http://www.tremol-no.com and watched
> the demo
> videos. This is a great thing for a studio guitarist! One
> example is
> playing country licks on a floating bar strat. You
> typically pull up
> one string while holding one or two others not pulled. The
> tension
> from the pulled-up string interacts with the mechanics to
> lower the
> pitch of all strings, including the ones you play
> non-pulled. The way
> I have been forced to do this - on a floating bar strat -
> is to
> compensate for that by pulling up the pitch just a little
> with the
> wammy bar as I pull the string. May sound cool if you use
> the whammy
> for an additional vibrato but it is not pure country style.
> But when
> setting the tremol-no to fixed it will behave just like a
> non-floating
> strat. Nice.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
>=20
>=20
>=20
> On Wed, Feb 25, 2009 at 9:01 AM, Andreas Willers
> <a.willers@arcor.de> wrote:
> > Bill wrote: =A0I have a thing called a tremel-no in
> place of one of my trem
> > springs that allows me to fix the bridge....
> >
> > Bill,
> > you are always hip to the latest stuff. Wow - I'll
> make each of my guitar
> > students with a whammy bar guitar buy one ;-)
> >
> >=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 01:57:01 2009
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Sjaak wrote:
> I have been using last.fm for the last week and I really like it. It looks to me as a good platform to promote your own music and discover new artists. Better than myspace imo.
Let me just say:
http://last.fm/music/Pinnacle/Meld
http://last.fm/music/Pinnacle/A+Man%27s+Reach...
http://last.fm/music/Pinnacle    (All bands called Pinnacle)
This is for you Prog Rockers out there.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 02:28:32 2009
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Date: Tue, 3 Mar 2009 03:28:30 +0100
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Subject: Re: Echoplex for sell. What's a fair price?
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if you're not going to die for starvation this month i advise to keep
the machine.
i racked mine some months ago, went the sw path with mobius.
but i think it can be a saver if the puter dies some days before an
important gig.

anyhow, thinking about the actual world depression, maybe it's time to sell=
 it,
next year will be a bunch of those on ebay owned by starvating loopsits ;-)

... like me!

ra=FCl.

2009/3/2 David Hayes <stringfling@gmail.com>:
>
>
> I'm going to put my EDP for sale. What do you think I should ask for it?
> This is the Oberhiem one which works perfecltly but it does have one line=
 of
> one of the digital displays out (so the top of one 0 or 8=A0doesn't displ=
ay,
> for example.) Also it has the loop 3 version software rather then the new=
er
> loop 4, but there's not that many differences really.
> I figure I'll just throw in the footswitch because it needs new buttons
> (only like $2-5 per =A0button, if memory serves, but takes time to find '=
em
> and solder them and pay someone to do it.)
> New EDP's (and from my brief web search just now they seem they to be ver=
y
> hard to come by) I think are $1000
> (http://www.musiciansnews.com/guitars/34/gibson_tge05_echoplex_digital_pr=
o_plus.shtml)=A0=A0plus
> $150 for the footswitch (that was the range I remember when I bought mine=
,
> not even sure you can get the footswitch new.
> So, given all that do you think that $600 is too steep to put it on line
> for?
> Much thanks!



--=20
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 06:22:06 2009
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Steve wrote:
".while we're talking netiquette, it's still considered shouting by  
most web-users to write things all in capitals on email lists and  
forums......just sayin' ;)"

Actually I do know that Steve and I have made this request three or four 
times this year alone
and was shouting on purpose.   

If I bugged you,  I apologize.

I was just trying to get people's attention, specifically because
speaking in a polite tone of voice over and over doesn't seem to get a 
response.

It's a fascinating phemomenon, though........................without the 
use of HTML
(underlining and bold letters)  there seems no way to be emphatic when 
speaking
as in conversation when you are writing online.

I get frustrated with net communication sometimes because I want to be
emphatic but without the use of underlining,   it pushes buttons if
one capitalizes.

If this bothers people here in general,  I'll stop doing it,  I promise.
Let me know.





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Date: Mon, 2 Mar 2009 23:16:22 -0800
Message-ID: <3fa302e30903022316x6ffa19c8x2952a4ae44a58844@mail.gmail.com>
Subject: Re: looper vs storyteller. if there even is
From: Mikkoz <biffoz@gmail.com>
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--000e0cd6a9825714f1046431b699
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I take it to loosely mean "go on a mental voyage".  Does the piece do that
for you or not?  I prefer not to try and attach specific mental constructs
while I'm listening and just relish the sounds.  -m

On Mon, Mar 2, 2009 at 3:54 PM, Anders Bergdahl <
anders_e_bergdahl@hotmail.com> wrote:

>  But what do we mean when we say that an abstract instrumental peice of
> music tells a STORY!! It can't really, can it? Can there be meaning in an
> improvisation??
>

--000e0cd6a9825714f1046431b699
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I take it to loosely mean &quot;go on a mental voyage&quot;.=A0 Does the pi=
ece do that for you or not?=A0 I prefer not to try and attach specific ment=
al constructs while I&#39;m listening and just relish the sounds.=A0 -m<br>=
<br>
<div class=3D"gmail_quote">On Mon, Mar 2, 2009 at 3:54 PM, Anders Bergdahl =
<span dir=3D"ltr">&lt;<a href=3D"mailto:anders_e_bergdahl@hotmail.com">ande=
rs_e_bergdahl@hotmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0=
pt 0pt 0.8ex; padding-left: 1ex;">




<div>
But what do we mean when we say that an abstract instrumental peice of musi=
c tells a STORY!! It can&#39;t really, can it? Can there be meaning in an i=
mprovisation?? </div></blockquote></div><br>

--000e0cd6a9825714f1046431b699--

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Date: Mon, 2 Mar 2009 23:22:35 -0800
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Subject: Re: please be courteous to the list
From: Mikkoz <biffoz@gmail.com>
To: Loopers-Delight@loopers-delight.com
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SO GET SOME EARPLUGS ALREADY!  I also resent having to put in my hearing aid
to read all the lower-case "whispering".  Are they talking about me?! What
are they saying now???! SPEAK UP!!! etc. ad infinitum.  -m

On Mon, Mar 2, 2009 at 10:21 PM, Rick Walker <looppool@cruzio.com> wrote:

> Steve wrote:
> ".while we're talking netiquette, it's still considered shouting by  most
> web-users to write things all in capitals on email lists and
>  forums......just sayin' ;)"
>
> Actually I do know that Steve and I have made this request three or four
> times this year alone
> and was shouting on purpose.
> If I bugged you,  I apologize.
>

--000e0cd58d90934781046431cc8d
Content-Type: text/html; charset=ISO-8859-1
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SO GET SOME EARPLUGS ALREADY!=A0 I also resent having to put in my hearing =
aid to read all the lower-case &quot;whispering&quot;.=A0 Are they talking =
about me?! What are they saying now???! SPEAK UP!!! etc. ad infinitum.=A0 -=
m<br>
<br><div class=3D"gmail_quote">On Mon, Mar 2, 2009 at 10:21 PM, Rick Walker=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruz=
io.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"=
border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddi=
ng-left: 1ex;">
Steve wrote:<br>
&quot;.while we&#39;re talking netiquette, it&#39;s still considered shouti=
ng by =A0most web-users to write things all in capitals on email lists and =
=A0forums......just sayin&#39; ;)&quot;<br>
<br>
Actually I do know that Steve and I have made this request three or four ti=
mes this year alone<br>
and was shouting on purpose. =A0 <br>
If I bugged you, =A0I apologize.<br></blockquote></div><br>

--000e0cd58d90934781046431cc8d--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 08:26:28 2009
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Subject: Re: looper vs storyteller. if there even is
From: Per Boysen <perboysen@gmail.com>
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On Tue, Mar 3, 2009 at 12:54 AM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
> I would say that my attempts at looping tells a story but soloing over
> backings does not.

I agree.

> And there where not that much storytelling in playing
> "Sweet home alabama" in a cover band :-)

In music with vocals the lyrics also weighs in to bring over "the
story", hopefully the same story as the music is about. And a story
doesn't have to be long and evolving. It can as well be just about
delivering a sudden impact of a mode or attitude.

<nevynnowhere@gmail.com> wrote:
> pre think their story?

Composition are of course always "pre thinked". When doing improvised
music my "pre thinking" exists as decided attitudes, strategies and
modes. I think everyone knows what I mean with attitude and mode, but
strategy may need some explanation. One important strategic aspect in
improvisation is the use of time. Before starting to play, or before
making a change to the music, I center myself into a time strategy;
making the decision whether I will start a process to be going on for
a long or short time, the exact time it will stop and the goal it
arrive at. Another often used strategy is the number of "embryos" you
set off in the music. With "embryo" I mean something that has an
identity of its own; a theme, a sound or an emotional entity. These
embryos has also to be given their unique character as a way to
interact between each other; themes may go close together (as the
multi part guitar solo in Hotel California, to take a bold example) or
they can stay apart by counterpoint and merely imply the main theme
without it ever being explicitly played - but a listener will even so
hear the un-played main theme in his/her mind. I call this "a
psychedelic technique" and use it as much as I can. A third strategy
that is important is how to start and end a musical improvisation.
Especially when playing together with one or two other musicians I
find this an important storytelling tool. Music is not the sound you
produce but the reactions it evokes in the listener.

There is a lot more of "pre thinking" than this to improvisation, but
the above is fine as an example. A common misunderstanding is that
improvising music means just doing anything out of nowhere.

Regarding composition I think of it as "synthesized improvisation".
The composer puts time and effort into "re-creating" and
improvisational situation in order to optimize the expression. One can
also compose extremely intricate music that the real-time performer
needs looping devices to come up with during improvisation.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Anders,

But what do we mean when we say that an abstract instrumental peice of music
> tells a STORY!! It can't really, can it?


I agree. I've always been a bit wary of 'storytelling' with relation to
music. A bit too PoMo for my liking.

Music can have structure and development - even reference and syntax.. But
these are only analogous to the form of textual narrative. There's no actual
story going on. What I find fascinating about music is that it can evoke an
emotional response *without* any actual concrete emotional content. IOW
without any 'story'. Just soundwaves impinging on neurons.

Ian

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<div class=3D"gmail_quote">Anders,</div><div class=3D"gmail_quote"><br><blo=
ckquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #c=
cc solid;padding-left:1ex;">But what do we mean when we say that an abstrac=
t instrumental peice of music tells a STORY!! It can&#39;t really, can it?<=
/blockquote>
<div><br></div><div>I agree. I&#39;ve always been a bit wary of &#39;storyt=
elling&#39; with relation to music. A bit too PoMo for my liking.</div><div=
><br></div><div>Music can have structure and development - even reference a=
nd syntax.. But these are only analogous to the form of textual narrative. =
There&#39;s no actual story going on. What I find fascinating about music i=
s that it can evoke an emotional response *without* any actual concrete emo=
tional content. IOW without any &#39;story&#39;. Just soundwaves impinging =
on neurons.</div>
<div><br></div><div>Ian</div><div><br></div><div>=A0</div></div><br>

--001636c5b6211369f204643313a6--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 09:09:34 2009
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> Rick wrote:
> I was just trying to get people's attention, specifically because
> speaking in a polite tone of voice over and over doesn't seem to get a =

> response.

How many people have subscribed this mailing list? Any idea? Btw: who's o=
wns this mailing list. I suppose Kim Flint?

Imo, using email is no longer the most efficient method for a community l=
ike this. I would prefer a forum website, that offers many more options f=
or everyone. I think Loopers-Delight could benefit and grow even more if =
we would move in this direction. 

I'm open for discussion regarding hosting and sponsoring. But I leave the=
 initiative to the current owner(s) of this mailing list to contact me.

my 2 cents ;)

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 09:21:39 2009
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Honestly, I don't really understand the need for discussing etiquette in 
here..  I find this list one of the most peaceful ones - maybe because 
you guys'n'girls loop so nicely around the topics ;)

Just go poking on usenet, it can often quite a different experience..
Just my .2€..



Mikkoz wrote:
> SO GET SOME EARPLUGS ALREADY!  I also resent having to put in my hearing 
> aid to read all the lower-case "whispering".  Are they talking about 
> me?! What are they saying now???! SPEAK UP!!! etc. ad infinitum.  -m
> 
> On Mon, Mar 2, 2009 at 10:21 PM, Rick Walker <looppool@cruzio.com 
> <mailto:looppool@cruzio.com>> wrote:
> 
>     Steve wrote:
>     ".while we're talking netiquette, it's still considered shouting by
>      most web-users to write things all in capitals on email lists and
>      forums......just sayin' ;)"
> 
>     Actually I do know that Steve and I have made this request three or
>     four times this year alone and was shouting on purpose.  
>     If I bugged you,  I apologize.


-- 
rgds,
van Sinn

The reason why E A D G b E is the predominant tuning is to make it 
easier to remember the notes with little memory tricks like:

  "Even After Death God Bothers Everyone"
   -- from alt.guitar

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 09:32:26 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: looper vs storyteller. if there even is
Date: Tue, 3 Mar 2009 09:32:23 +0000
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Ian=2C

Yeah=2C my feeling is that we might do music a disservice by relating it to=
 "stories"=2C as Per points out many instrumental pieces are more of an emo=
tional journey=2C with some structure and development. But tio try to relat=
e that to "story" which for my implies word and plot and narrative elements=
 seems strange. Rather we try to get into the feel you get from following t=
he development of a story without the narrative elements. Its perhaps more =
that certain kinds of music and narratives/stories are going for the same e=
motional response but with very different means.. for me music=2C and paint=
ing=2C have the advantage that it can go way beyond words=2C directly to ou=
r emotions...

=20

Anders




Anders=2C


But what do we mean when we say that an abstract instrumental peice of musi=
c tells a STORY!! It can't really=2C can it?


I agree. I've always been a bit wary of 'storytelling' with relation to mus=
ic. A bit too PoMo for my liking.


Music can have structure and development - even reference and syntax.. But =
these are only analogous to the form of textual narrative. There's no actua=
l story going on. What I find fascinating about music is that it can evoke =
an emotional response *without* any actual concrete emotional content. IOW =
without any 'story'. Just soundwaves impinging on neurons.


Ian


=20

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<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Ian=2C<BR>
Yeah=2C my feeling is that we might do music a disservice by relating it to=
 "stories"=2C as Per points out many instrumental pieces are more&nbsp=3Bof=
 an emotional journey=2C with some structure and development. But tio try t=
o relate that to "story" which for my implies word and plot and narrative e=
lements seems strange. Rather we try to get into the feel you get from foll=
owing the development of a story without the narrative elements. Its perhap=
s more that certain kinds&nbsp=3Bof music and narratives/stories&nbsp=3Bare=
 going for the same emotional response but with very different means.. for =
me music=2C and painting=2C&nbsp=3Bhave the advantage that it can go way be=
yond words=2C directly to our emotions...<BR>
&nbsp=3B<BR>
Anders<BR>
<HR id=3DstopSpelling>
<BR>
<DIV class=3DEC_gmail_quote>Anders=2C</DIV>
<DIV class=3DEC_gmail_quote><BR>
<BLOCKQUOTE class=3DEC_gmail_quote style=3D"PADDING-LEFT: 1ex=3B BORDER-LEF=
T: #ccc 1px solid">But what do we mean when we say that an abstract instrum=
ental peice of music tells a STORY!! It can't really=2C can it?</BLOCKQUOTE=
>
<DIV><BR></DIV>
<DIV>I agree. I've always been a bit wary of 'storytelling' with relation t=
o music. A bit too PoMo for my liking.</DIV>
<DIV><BR></DIV>
<DIV>Music can have structure and development - even reference and syntax..=
 But these are only analogous to the form of textual narrative. There's no =
actual story going on. What I find fascinating about music is that it can e=
voke an emotional response *without* any actual concrete emotional content.=
 IOW without any 'story'. Just soundwaves impinging on neurons.</DIV>
<DIV><BR></DIV>
<DIV>Ian</DIV>
<DIV><BR></DIV>
<DIV>&nbsp=3B</DIV></DIV><BR></body>
</html>=

--_d57e7804-4e4d-40d9-8c94-1d02db286145_--

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Date: Tue, 3 Mar 2009 11:30:45 +0200
Message-ID: <d239db9a0903030130i8b93c75se0883eb816845a6c@mail.gmail.com>
Subject: Re: Echoplex for sell. What's a fair price?
From: Panagiotis Melidis <pmelidis@gmail.com>
To: Loopers-Delight@loopers-delight.com
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2009/3/3 mark francombe <mark@markfrancombe.com>

> but BRAND NEW EDP=B4s can be bought for 650 Euros and 70 euros for the
> footpedals... thats NEW ONES, with Loop 4...
>
>
goodmorning!

may i ask where are those edp's and i cant seem to find them??any link woul=
d
work!


thanks in advance!


--=20
Panagiotis Melidis
http://myspace.com/larrygus
http://larrygus.blogspot.com

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<br><div class=3D"gmail_quote">2009/3/3 mark francombe <span dir=3D"ltr">&l=
t;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;<=
/span><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid=
 rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
but BRAND NEW EDP=B4s can be bought for 650 Euros and 70 euros for the foot=
pedals... thats NEW ONES, with Loop 4...<br><br></blockquote><div><br>goodm=
orning!<br><br>may i ask where are those edp&#39;s and i cant seem to find =
them??any link would work!<br>
<br><br>thanks in advance!=A0</div></div><br clear=3D"all"><br>-- <br>Panag=
iotis Melidis<br><a href=3D"http://myspace.com/larrygus">http://myspace.com=
/larrygus</a><br><a href=3D"http://larrygus.blogspot.com">http://larrygus.b=
logspot.com</a><br>
<br>

--000e0cd51a3af3d3f0046433960f--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 09:50:27 2009
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Subject: RE: looper vs storyteller. if there even is
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Per=2C

> > And there where not that much storytelling in playing
> > "Sweet home alabama" in a cover band :-)
>=20
> In music with vocals the lyrics also weighs in to bring over "the
> story"=2C hopefully the same story as the music is about. And a story
> doesn't have to be long and evolving. It can as well be just about
> delivering a sudden impact of a mode or attitude.
>=20

=20

Yeah i agree in good rock and pop style music the 3 -4 minutes typical song=
s often try to convey one or to emotions=2C a state of mind rather than a s=
tory were lyrics=2C melody and instrumentation all have the same aim.

=20

As for the "story" in improvised and composed music=2C  both try to convey =
something that the composer or improviser wants to convey. Again I'm not cr=
azy about calling it story. I composed music one tries to combine elements =
to reach a goal=2C get a feel of a voyage for example. The composer uses di=
ffrent elements to achieve the goal ant typically writes it down i some way=
 to make repetitions possible=2C or records it to edit a complete compositi=
on. Improvised music is a bit different but might achieve the same goal. In=
 improvisation you sort of follow the improvisers state of mind in real tim=
e. If they start out in one mood they might be inspired to move in unforese=
en directions during the improvisation. To follow such a journey is=2C for =
me at least=2C very interesting. Both composed and improvised music are jud=
ged by how well the music reaches the listener. I really like the idea of c=
omposition as "synthesized improvisation". When you hear a composed piece o=
f music (it can be Miles=2C Stones or Mozart) i follow and get the hear the=
 result of a long creative process that includes editing to get to a optima=
l result. I a live improvisation you get to hear musicians edit them selves=
 in real time not that much of a difference really...

But still i can't really feel comfortable with the "story" as a concept app=
lied to music...=20

To get a different feel for improvisation vs composition look a Kandinsky..=
 during a period he's painting were either compositions or improvisations a=
nd you can really see the different approaches behind it.

=20

Take care=2C


Anders

www.soundclick.com/AndersBergdahl



=20

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<body class=3D'hmmessage'>
Per=2C<BR><BR>&gt=3B &gt=3B And there where not that much storytelling in p=
laying<BR>&gt=3B &gt=3B "Sweet home alabama" in a cover band :-)<BR>&gt=3B =
<BR>&gt=3B In music with vocals the lyrics also weighs in to bring over "th=
e<BR>&gt=3B story"=2C hopefully the same story as the music is about. And a=
 story<BR>&gt=3B doesn't have to be long and evolving. It can as well be ju=
st about<BR>&gt=3B delivering a sudden impact of a mode or attitude.<BR>&gt=
=3B <BR>
&nbsp=3B<BR>
Yeah i agree in good rock and pop style music the 3 -4 minutes typical song=
s often try to convey one or to emotions=2C a state of mind rather than a s=
tory were lyrics=2C melody and instrumentation all&nbsp=3Bhave the same aim=
.<BR>
&nbsp=3B<BR>
As for the "story" in improvised and composed music=2C &nbsp=3Bboth try to =
convey something that the composer or improviser wants to convey. Again I'm=
 not crazy about calling it story. I composed music one tries to combine el=
ements to reach a goal=2C get a feel of a voyage for example. The composer =
uses diffrent elements to achieve the goal ant typically writes it down i s=
ome way to make repetitions possible=2C or records it to edit a complete co=
mposition. Improvised music is a bit different but might achieve the same g=
oal. In improvisation you sort of follow the improvisers state of mind in r=
eal time. If they start out in one mood they might be inspired to move in u=
nforeseen directions during the improvisation. To follow such a journey is=
=2C for me at least=2C very interesting. Both composed and improvised music=
 are judged by how well the music reaches the listener. I really like the i=
dea of composition as "synthesized improvisation". When you hear a composed=
 piece of music (it can be Miles=2C Stones or Mozart) i follow and get the =
hear the result of a long creative process that includes editing to get to =
a optimal result. I a live improvisation you get to hear musicians edit the=
m selves&nbsp=3Bin real time not that much of a difference really...<BR>
But still i can't really feel comfortable with the "story"&nbsp=3Bas a conc=
ept applied to music...&nbsp=3B<BR>
To get a different feel for improvisation vs composition look a Kandinsky..=
 during a period he's painting were either compositions or improvisations a=
nd you can really see the different approaches behind it.<BR>
&nbsp=3B<BR>
Take care=2C<BR>
<BR>Anders<BR>
<A href=3D"http://www.soundclick.com/AndersBergdahl">www.soundclick.com/And=
ersBergdahl</A><BR>
<BR><BR>&nbsp=3B<BR></body>
</html>=

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Sjaak,

Imo, using email is no longer the most efficient method for a community like
> this.
>

That's an opinion not supported by much evidence, I fear. And one with which
I would strongly disagree. ;-)


> I would prefer a forum website, that offers many more options for everyone.
> I think Loopers-Delight could benefit and grow even more if we would move in
> this direction.
>

Anyway, this issue has been discussed several times on this list with the
general conclusion that most subscribers prefer the list just the way it is.
I believe there is actually a looping web forum somewhere started by some LD
members the last time we had this discussion, but I don't think it has a lot
of traffic. I'm sure you're welcome to try to get it going again. ;-)

Ian

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Sjaak,<br><div class=3D"gmail_quote"><br><blockquote class=3D"gmail_quote" =
style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"><d=
iv id=3D":ji" class=3D"ArwC7c ckChnd">Imo, using email is no longer the mos=
t efficient method for a community like this.</div>
</blockquote><div><br></div><div>That&#39;s an opinion not supported by muc=
h evidence, I fear. And one with which I would strongly disagree. ;-)</div>=
<div>=A0</div><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;=
border-left:1px #ccc solid;padding-left:1ex;">
<div id=3D":ji" class=3D"ArwC7c ckChnd"> I would prefer a forum website, th=
at offers many more options for everyone. I think Loopers-Delight could ben=
efit and grow even more if we would move in this direction.</div></blockquo=
te>
<div><br></div><div>Anyway, this issue has been discussed several times on =
this list with the general conclusion that most subscribers prefer the list=
 just the way it is. I believe there is actually a looping web forum somewh=
ere started by some LD members the last time we had this discussion, but I =
don&#39;t think it has a lot of traffic. I&#39;m sure you&#39;re welcome to=
 try to get it going again. ;-)</div>
<div><br></div><div>Ian</div></div><br>

--001636c5b351f370800464349db9--

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	 <66f9cc1e0903010223gcdd2ba2n3b1ea47aa18de36@mail.gmail.com>
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Subject: Re: OT: Tuning guitar in fifths for wider orchestration options
From: Per Boysen <perboysen@gmail.com>
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I like it because the piece evolves at a nice pace (a guy like me
would call that "instrumental music storyteller skills" but you may
call it whatever you want... maybe saying "It's got a nice flow to
it!" ;-)  Themes develop and comment on each other, surprises are
thrown at you with power. This process relies not only on good playing
technique (bends reach the micro tonal pitch that sounds good, vibrato
or no vibrato applied with a personal expression, never the feeling of
one-note-too-much) but also on the looping and the guitar sound
through the amp/speaker. The guitar sound you use is not very common
in livelooping muisc and I happen to love that sound. Bottom line:
it's simply musical without copying someone else and performed with
big ears.

Per


On Tue, Mar 3, 2009 at 12:45 AM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
> TACKAR OCH BOCKAR,
>
> My=A0I ask why you like it, i hesitated posting it since it sounded sort =
of
> out..... One of the most intresting you heard, can't be that bad then
> I really appreciate you're comments, and others comments, I'm here to lea=
rn.

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Ian Petersen wrote:
> Sjaak,
> 
>     Imo, using email is no longer the most efficient method for a
>     community like this.
> 
> 
> That's an opinion not supported by much evidence, I fear. And one with 
> which I would strongly disagree. ;-)
>  
> 
>     I would prefer a forum website, that offers many more options for
>     everyone. I think Loopers-Delight could benefit and grow even more
>     if we would move in this direction.
> 
> 
> Anyway, this issue has been discussed several times on this list with 
> the general conclusion that most subscribers prefer the list just the 
> way it is.

...and often not phrased in quite such a thoughtful way ;-)


> I believe there is actually a looping web forum somewhere 
> started by some LD members the last time we had this discussion, but I 
> don't think it has a lot of traffic. I'm sure you're welcome to try to 
> get it going again. ;-)

http://loopingmusic.proboards99.com/index.cgi

c'mon over


andy

> 
> Ian
> 

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Date: Tue, 3 Mar 2009 05:22:04 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: live guitar sampling?
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http://vimeo. com/user1307886/ videos






      

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--0-98048599-1236086740=:68663
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 http://vimeo. com/user1307886/ videos






 

      

    
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Subject: Re: please be courteous to the list
Date: Tue, 3 Mar 2009 10:06:41 -0500
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http://loopingmusic.proboards99.com/index.cgi

shhh....still going...


jeff



  ----- Original Message -----=20
  From: Ian Petersen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, March 03, 2009 5:44 AM
  Subject: Re: please be courteous to the list


  Sjaak,



    Imo, using email is no longer the most efficient method for a =
community like this.


  That's an opinion not supported by much evidence, I fear. And one with =
which I would strongly disagree. ;-)

    I would prefer a forum website, that offers many more options for =
everyone. I think Loopers-Delight could benefit and grow even more if we =
would move in this direction.


  Anyway, this issue has been discussed several times on this list with =
the general conclusion that most subscribers prefer the list just the =
way it is. I believe there is actually a looping web forum somewhere =
started by some LD members the last time we had this discussion, but I =
don't think it has a lot of traffic. I'm sure you're welcome to try to =
get it going again. ;-)


  Ian


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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16788" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://loopingmusic.proboards99.com/index.cgi">http://loopingmusi=
c.proboards99.com/index.cgi</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>shhh....still going...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D1>jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D1></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D1></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Diep@mail.dk href=3D"mailto:iep@mail.dk">Ian Petersen</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, March 03, 2009 =
5:44=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: please be =
courteous to the=20
  list</DIV>
  <DIV><BR></DIV>Sjaak,<BR>
  <DIV class=3Dgmail_quote><BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">
    <DIV class=3D"ArwC7c ckChnd" id=3D:ji>Imo, using email is no longer =
the most=20
    efficient method for a community like this.</DIV></BLOCKQUOTE>
  <DIV><BR></DIV>
  <DIV>That's an opinion not supported by much evidence, I fear. And one =
with=20
  which I would strongly disagree. ;-)</DIV>
  <DIV>&nbsp;</DIV>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">
    <DIV class=3D"ArwC7c ckChnd" id=3D:ji>I would prefer a forum =
website, that=20
    offers many more options for everyone. I think Loopers-Delight could =
benefit=20
    and grow even more if we would move in this =
direction.</DIV></BLOCKQUOTE>
  <DIV><BR></DIV>
  <DIV>Anyway, this issue has been discussed several times on this list =
with the=20
  general conclusion that most subscribers prefer the list just the way =
it is. I=20
  believe there is actually a looping web forum somewhere started by =
some LD=20
  members the last time we had this discussion, but I don't think it has =
a lot=20
  of traffic. I'm sure you're welcome to try to get it going again. =
;-)</DIV>
  <DIV><BR></DIV>
  <DIV>Ian</DIV></DIV><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 15:17:58 2009
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Date: Tue, 3 Mar 2009 07:17:57 -0800
Message-ID: <588ce11d0903030717k47d04421pd6fc6238be91ffb4@mail.gmail.com>
Subject: Re: OT: Free tabla VST available for download
From: Art Simon <simart@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <loopers-delight@loopers-delight.com>
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Here's an update to a brief discussion on tablas from a long time ago.
I just came across this free Indian VSTi which includes tablas. I
thought it sounded pretty good:
http://www.synthtopia.com/content/2008/07/15/dsk-indian-dreamz/

It's a lot easier than creating a tabla patch in Loopazoid, though
this page at ancient-future.com does a good job describing how to do
it:
http://www.ancient-future.com/hindumap.html

On Sun, May 13, 2007 at 6:59 AM, Art Simon <simart@gmail.com> wrote:
> A list member contacted me for a Tabla VST patch I'd posted about a
> while ago. If anyone else is interested I uploaded the files to
> http://www.box.net/shared/zilbld9oog
> You'll have to register to download them, but at around 5Mb it's too
> big to attach to an email. I've uploaded the soundfiles and the
> loopazoid patch SwarTablas.lpz that uses them. Download them all to
> the same folder (probably your VST folder) and you should be fine.
> There's also a copy of the loopazoid.dll if you need it.
>
> All the sounds and the loopazoid drum VST are freely available from
> many sites on the web. I've just organized it into a patch that's
> written so the left and right hand strokes are "mute groups", and cut
> off any previous strokes from that hand.
>
> --
> Art Simon
> simart@null.net
> http://art.simon.tripod.com
> http://www.myspace.com/artsimon
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Date: Tue, 3 Mar 2009 10:43:01 -0500
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Subject: Re: please be courteous to the list
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--============_-976027513==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

Apparently my messages on this mailing list are not appearing... 
I'll take it over to the web forum!!!

>
><http://loopingmusic.proboards99.com/index.cgi>http://loopingmusic.proboards99.com/index.cgi
>
>shhh....still going...
>
>
>jeff
>
>
>
>
>----- Original Message -----
>From: <mailto:iep@mail.dk>Ian Petersen
>To: 
><mailto:Loopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delight.com
>Sent: Tuesday, March 03, 2009 5:44 AM
>Subject: Re: please be courteous to the list
>
>Sjaak,
>
>
>Imo, using email is no longer the most efficient method for a 
>community like this.
>
>
>That's an opinion not supported by much evidence, I fear. And one 
>with which I would strongly disagree. ;-)
>
>
>I would prefer a forum website, that offers many more options for 
>everyone. I think Loopers-Delight could benefit and grow even more 
>if we would move in this direction.
>
>
>Anyway, this issue has been discussed several times on this list 
>with the general conclusion that most subscribers prefer the list 
>just the way it is. I believe there is actually a looping web forum 
>somewhere started by some LD members the last time we had this 
>discussion, but I don't think it has a lot of traffic. I'm sure 
>you're welcome to try to get it going again. ;-)
>
>Ian


-- 
...
http://www.zmix.net
--============_-976027513==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: please be courteous to the
list</title></head><body>
<div>Apparently my messages on this mailing list are not appearing...&nbsp;
I'll take it over to the web forum!!!</div>
<div><br></div>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><a
href="http://loopingmusic.proboards99.com/index.cgi"><font
face="Arial"
size="-1">http://loopingmusic.proboards99.com/index.cgi</font></a></blockquote
>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1">shhh....still going...</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-2">jeff</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>&nbsp;<br>
<blockquote>----- Original Message -----</blockquote>
<blockquote><b>From:</b> <a href="mailto:iep@mail.dk">Ian
Petersen</a></blockquote>
<blockquote><b>To:</b> <a
href="mailto:Loopers-Delight@loopers-delight.com"
>Loopers-Delight@loopers-delight.com</a></blockquote>
<blockquote><b>Sent:</b> Tuesday, March 03, 2009 5:44 AM</blockquote>
<blockquote><b>Subject:</b> Re: please be courteous to the
list</blockquote>
<blockquote><br></blockquote>
<blockquote>Sjaak,<br>
</blockquote>
<blockquote><br>
<blockquote>Imo, using email is no longer the most efficient method
for a community like this.<br>
</blockquote>
</blockquote>
<blockquote><br></blockquote>
<blockquote>That's an opinion not supported by much evidence, I fear.
And one with which I would strongly disagree. ;-)</blockquote>
<blockquote>&nbsp;<br>
<blockquote>I would prefer a forum website, that offers many more
options for everyone. I think Loopers-Delight could benefit and grow
even more if we would move in this direction.<br>
</blockquote>
</blockquote>
<blockquote><br></blockquote>
<blockquote>Anyway, this issue has been discussed several times on
this list with the general conclusion that most subscribers prefer the
list just the way it is. I believe there is actually a looping web
forum somewhere started by some LD members the last time we had this
discussion, but I don't think it has a lot of traffic. I'm sure you're
welcome to try to get it going again. ;-)</blockquote>
<blockquote><br></blockquote>
<blockquote>Ian</blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
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From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 15:54:44 2009
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On Tue, Mar 3, 2009 at 4:43 PM, Charles Zwicky <cazwicky@earthlink.net>wrote:

>  Apparently my messages on this mailing list are not appearing...  I'll
> take it over to the web forum!!!
>
>
>
> they just did!!!


Mark

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<br><br><div class=3D"gmail_quote">On Tue, Mar 3, 2009 at 4:43 PM, Charles =
Zwicky <span dir=3D"ltr">&lt;<a href=3D"mailto:cazwicky@earthlink.net">cazw=
icky@earthlink.net</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;">

<div>
<div>Apparently my messages on this mailing list are not appearing...=A0
I&#39;ll take it over to the web forum!!!</div>
<div><br></div>
<blockquote type=3D"cite">=A0</blockquote></div></blockquote></div>they jus=
t did!!!<br><br><br>Mark<br>

--0016e6de03731992bf046438f414--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 16:05:02 2009
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From: Daryl Shawn <highhorse@mhorse.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: looper vs storyteller. if there even is
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Without getting too esoteric, I hear all music as having a story. 
Instrumental music is a more loosely defined story than music with 
words, and it's much more subjective, but it's there. It's why I've 
always found it easy to name instrumental pieces; I just listen for a 
bit and I hear the story develop, which is often both visual and 
emotional, then it's just a matter of choosing the best title to 
describe it, same as if I had written a novel.

In music there are conflicts, resolutions, climaxes, denouements, even 
characters and plot development to my mind. I've found this to be true 
even when listening to someone improvise a solo, if they know what 
they're doing. Pat Metheny, Bill Evans and Keith Jarrett come to mind as 
some players who are especially descriptive storytellers in improvisation.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> But what do we mean when we say that an abstract instrumental peice of 
> music tells a STORY!! It can't really, can it? Can there be meaning in 
> an improvisation?? Is there meaning in a composition? What is the 
> meaning with "green onions" or Bethovens 5th or Kind of blue. A story 
> needs meaning, doesn't it??

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 16:21:08 2009
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Subject: Re: please be courteous to the list
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Yay!  <:-|

>On Tue, Mar 3, 2009 at 4:43 PM, Charles Zwicky 
><<mailto:cazwicky@earthlink.net>cazwicky@earthlink.net> wrote:
>
>Apparently my messages on this mailing list are not appearing... 
>I'll take it over to the web forum!!!
>
>>
>>
>they just did!!!
>
>
>Mark


-- 
...
http://www.zmix.net
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: please be courteous to the
list</title></head><body>
<div>Yay!&nbsp; &lt;:-|</div>
<div><br></div>
<blockquote type="cite" cite>On Tue, Mar 3, 2009 at 4:43 PM, Charles
Zwicky &lt;<a
href="mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a>&gt;
wrote:<br>
<blockquote>Apparently my messages on this mailing list are not
appearing...&nbsp; I'll take it over to the web forum!!!</blockquote>
<blockquote><br>
<blockquote type="cite" cite>&nbsp;<br>
</blockquote>
</blockquote>
</blockquote>
<blockquote type="cite" cite>they just did!!!<br>
<br>
<br>
Mark</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-976025265==_ma============--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 19:13:41 2009
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: Music a story or something else - WAS looper vs storyteller. if
 there even is
Date: Tue, 3 Mar 2009 19:13:40 +0000
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I basically agree=2C but the very basic difference is that music speaks to =
emotions directly bypassing our language. II think we might do music a diss=
ervice by saying that we create stories we need to understand that music ca=
n be wordless. I'm not sure but I think that Evans=2C Jarret et al does not=
 think stories. I only REALLY know how i improvise and i seldom try say som=
ething=2C i might start out with a mood or sound that want to explore and t=
hen i start playing and try to react to what i hear and it quite often end =
up being rather different than i thought it would. I recently saw Mike Land=
au and he really painted with guitar=2C much closer to visual than narrativ=
e art. I cant really ever say that instrumental music ever made me think of=
 a narrative or story=2C pictures developing and changing=2C like a film. M=
aybe the music=2C film=2C pictures could be seen as a sort of "story" and I=
'm tempted to say that some music is a journey from one place to another=2C=
 one picture after another and yeas i can give the jorney a name and perhap=
s invent a narrative or story around it.=20

I like to think of instrumental music as abstract art=2C it is what it is=
=2C it's not a picture OF something. A bit like Kandinsky's compositions  t=
he are not a picture OF something they are just the puicture
=20

=20

Cheers=2C

=20

Anders

www.soundclick.com/AndersBergdahl

=20
> Date: Tue=2C 3 Mar 2009 10:04:59 -0600
> From: highhorse@mhorse.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: looper vs storyteller. if there even is
>=20
> Without getting too esoteric=2C I hear all music as having a story.=20
> Instrumental music is a more loosely defined story than music with=20
> words=2C and it's much more subjective=2C but it's there. It's why I've=20
> always found it easy to name instrumental pieces=3B I just listen for a=20
> bit and I hear the story develop=2C which is often both visual and=20
> emotional=2C then it's just a matter of choosing the best title to=20
> describe it=2C same as if I had written a novel.
>=20
> In music there are conflicts=2C resolutions=2C climaxes=2C denouements=2C=
 even=20
> characters and plot development to my mind. I've found this to be true=20
> even when listening to someone improvise a solo=2C if they know what=20
> they're doing. Pat Metheny=2C Bill Evans and Keith Jarrett come to mind a=
s=20
> some players who are especially descriptive storytellers in improvisation=
.
>=20
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>=20
>=20

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<body class=3D'hmmessage'>
I basically agree=2C but the very basic difference is that music speaks to =
emotions directly bypassing our language. II think we&nbsp=3Bmight do music=
 a disservice by saying that we create stories we need to understand that m=
usic can be wordless. I'm not sure but I think&nbsp=3Bthat Evans=2C Jarret =
et al does not think&nbsp=3Bstories. I only REALLY know&nbsp=3Bhow i improv=
ise and i seldom try say something=2C i might start out with a mood or soun=
d that want to explore and then i start playing and try to react to what i =
hear and it quite often end up&nbsp=3Bbeing rather different than i thought=
 it would. I recently saw Mike Landau and he really painted with guitar=2C =
much closer to visual than narrative art. I cant really ever say that instr=
umental&nbsp=3Bmusic ever made me think&nbsp=3Bof a narrative or story=2C p=
ictures developing and changing=2C like a film. Maybe the music=2C film=2C =
pictures could be seen as&nbsp=3Ba sort of "story" and&nbsp=3BI'm tempted t=
o&nbsp=3Bsay that some music is a journey&nbsp=3Bfrom one place to another=
=2C one picture after another and yeas i can give the jorney a name and per=
haps invent a narrative or story around it. <BR>
I like to think of instrumental music as abstract art=2C it is what it is=
=2C it's not a picture OF something.&nbsp=3BA bit like Kandinsky's composit=
ions &nbsp=3Bthe are not a picture OF something they are just the puicture<=
BR>&nbsp=3B<BR>
&nbsp=3B<BR>
Cheers=2C<BR>
&nbsp=3B<BR>
Anders<BR>
<A href=3D"http://www.soundclick.com/AndersBergdahl">www.soundclick.com/And=
ersBergdahl</A><BR>
&nbsp=3B<BR>&gt=3B Date: Tue=2C 3 Mar 2009 10:04:59 -0600<BR>&gt=3B From: h=
ighhorse@mhorse.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<BR>&g=
t=3B Subject: Re: looper vs storyteller. if there even is<BR>&gt=3B <BR>&gt=
=3B Without getting too esoteric=2C I hear all music as having a story. <BR=
>&gt=3B Instrumental music is a more loosely defined story than music with =
<BR>&gt=3B words=2C and it's much more subjective=2C but it's there. It's w=
hy I've <BR>&gt=3B always found it easy to name instrumental pieces=3B I ju=
st listen for a <BR>&gt=3B bit and I hear the story develop=2C which is oft=
en both visual and <BR>&gt=3B emotional=2C then it's just a matter of choos=
ing the best title to <BR>&gt=3B describe it=2C same as if I had written a =
novel.<BR>&gt=3B <BR>&gt=3B In music there are conflicts=2C resolutions=2C =
climaxes=2C denouements=2C even <BR>&gt=3B characters and plot development =
to my mind. I've found this to be true <BR>&gt=3B even when listening to so=
meone improvise a solo=2C if they know what <BR>&gt=3B they're doing. Pat M=
etheny=2C Bill Evans and Keith Jarrett come to mind as <BR>&gt=3B some play=
ers who are especially descriptive storytellers in improvisation.<BR>&gt=3B=
 <BR>&gt=3B Daryl Shawn<BR>&gt=3B www.swanwelder.com<BR>&gt=3B www.chinapai=
ntingmusic.com<BR>&gt=3B <BR>&gt=3B <BR></body>
</html>=

--_ecb61bf9-297e-4283-b9c7-84e021b99377_--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 19:36:37 2009
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Date: Tue, 3 Mar 2009 20:36:36 +0100
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Subject: Re: Music a story or something else - WAS looper vs storyteller. if 
	there even is
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On Tue, Mar 3, 2009 at 8:13 PM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
> I basically agree, but the very basic difference is that music speaks to
> emotions directly bypassing our language. II think we=A0might do music a
> disservice by saying that we create stories we need to understand that mu=
sic
> can be wordless. I'm not sure but I think=A0that Evans, Jarret et al does=
 not
> think=A0stories. I only REALLY know=A0how i improvise and i seldom try sa=
y
> something, i might start out with a mood or sound that want to explore an=
d
> then i start playing and try to react to what i hear and it quite often e=
nd
> up=A0being rather different than i thought it would. I recently saw Mike
> Landau and he really painted with guitar, much closer to visual than
> narrative art. I cant really ever say that instrumental=A0music ever made=
 me
> think=A0of a narrative or story, pictures developing and changing, like a
> film. Maybe the music, film, pictures could be seen as=A0a sort of "story=
"
> and=A0I'm tempted to=A0say that some music is a journey=A0from one place =
to
> another, one picture after another and yeas i can give the jorney a name =
and
> perhaps invent a narrative or story around it.
> I like to think of instrumental music as abstract art, it is what it is,
> it's not a picture OF something.=A0A bit like Kandinsky's compositions =
=A0the
> are not a picture OF something they are just the puicture

Totally get your point. Of course music is what it is - vibrations.
But when heard, the listener experiences a sort of story. Now, "story"
is just a word. It means that there is something happening over time
in the music and that the music reacts to itself as it evolves.

Also, we are different as social beings. When talking with someone I
tend to listen more to what the person means than to what the person
says. I think I understand others better that way. I go for body
language, attitude and other soft factor expressions rather than the
plain narrative output.

Gotta run now - will dig in an AC/DC like live band tonight.

Per

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 19:58:32 2009
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Subject: Rick Walker looping videos up at youtube
Date: Tue, 3 Mar 2009 11:54:21 -0800
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I just uploaded two pieces from my Luggage Store Experimental Music 
Series performance last Thursday night to a 
new youtube channel that I created for my live performance work:

If you are interested,  I posted 
"Music for Toy Music Box and Distortion"
and
"Music for Tuning Forks, Conch Shell and Purple Trumpet"
at:

www.youtube.com/rickwalkerlivelooper

Also, I have a collection of lo fidelity toy video 'animations' of 
my abstract electronic compositions up at:
 
www.youtube.com/looppool

and some live videos from last summer's European/UK looping tour at: 

www.youtube.com/DaygloOrangePlastic

Though I'll probably move most of those videos over to my 
new channel later this week.

In other news:   Erdem Helvacioglu is visiting us for a week,  making a 
record with Bill (which I may contribute some percussion to).  It's so 
great to have he and his lovely wife here.
--

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      "A story > needs meaning=2C doesn't it?"
   I would say a major component of meaning is emotion=2C (others include t=
ime=2Cmemory/experience=2C imagination family/social dynamics=2Creason etc)=
and certainly music can express emotional energy. Very simply=2C improvs th=
at have beginning/middle /end sequential quality are similar enough to stor=
ies that they easily become screens for personal emotions to be projected o=
nto. If the player(s) are expressing emotional energy it can be easy for ot=
her's to relate  it their own emotional energy  . Perhaps this has somethin=
g to do with mirror neurons. Seems to me humans have some mysterious(fear o=
f empty space/ambiguity?) need to understand the world and their experience=
s=2Cand therefor come up with stories=2Cmythologies=2C models (scientific =
=2Cphilosophic etc.)=2C art=2C cosmologies=2C=2C etc.

--_d3605152-0891-40e5-9f8d-7f125fffe7e6_
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<html>
<head>
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.hmmessage P
{
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padding:0px
}
body.hmmessage
{
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}
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</head>
<body class=3D'hmmessage'>
&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B  "A story &gt=3B needs meaning=2C doesn't =
it?"<br>&nbsp=3B&nbsp=3B I would say a major component of meaning is emotio=
n=2C (others include time=2Cmemory/experience=2C imagination family/social =
dynamics=2Creason etc)and certainly music can express emotional energy. Ver=
y simply=2C improvs that have beginning/middle /end sequential quality are =
similar enough to stories that they easily become screens for personal emot=
ions to be projected onto. If the player(s) are expressing emotional energy=
 it can be easy for other's to relate&nbsp=3B it their own emotional energy=
&nbsp=3B . Perhaps this has something to do with mirror neurons. Seems to m=
e humans have some mysterious(fear of empty space/ambiguity?) need to under=
stand the world and their experiences=2Cand therefor come up with stories=
=2Cmythologies=2C models (scientific =2Cphilosophic etc.)=2C art=2C cosmolo=
gies=2C=2C etc.<br></body>
</html>=

--_d3605152-0891-40e5-9f8d-7f125fffe7e6_--

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Date: Tue, 3 Mar 2009 21:54:21 +0100
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Subject: Re: OT: Free tabla VST available for download
From: Raul Bonell <raul.bonell@gmail.com>
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dsk plugs are awesome and free ... incredible ...  quality sounds on
all of them.

2009/3/3 Art Simon <simart@gmail.com>:
> Here's an update to a brief discussion on tablas from a long time ago.
> I just came across this free Indian VSTi which includes tablas. I
> thought it sounded pretty good:
> http://www.synthtopia.com/content/2008/07/15/dsk-indian-dreamz/
>
> It's a lot easier than creating a tabla patch in Loopazoid, though
> this page at ancient-future.com does a good job describing how to do
> it:
> http://www.ancient-future.com/hindumap.html
>
> On Sun, May 13, 2007 at 6:59 AM, Art Simon <simart@gmail.com> wrote:
>> A list member contacted me for a Tabla VST patch I'd posted about a
>> while ago. If anyone else is interested I uploaded the files to
>> http://www.box.net/shared/zilbld9oog
>> You'll have to register to download them, but at around 5Mb it's too
>> big to attach to an email. I've uploaded the soundfiles and the
>> loopazoid patch SwarTablas.lpz that uses them. Download them all to
>> the same folder (probably your VST folder) and you should be fine.
>> There's also a copy of the loopazoid.dll if you need it.
>>
>> All the sounds and the loopazoid drum VST are freely available from
>> many sites on the web. I've just organized it into a patch that's
>> written so the left and right hand strokes are "mute groups", and cut
>> off any previous strokes from that hand.
>>
>> --
>> Art Simon
>> simart@null.net
>> http://art.simon.tripod.com
>> http://www.myspace.com/artsimon
>>
>
>
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
>



-- 
Raul Bonell at blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 21:09:37 2009
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Anders, when improvising, do you never say "this is the setting, the tone, I
am speaking of this emotion, or from this story that happened to me, or that
I read of" in your mind, and try to translate that musically?  I suppose
that would be, to me, a more abstract way of still semi concretely
storytelling with forethought.

-nn
happyhumans.org

On Tue, Mar 3, 2009 at 11:13 AM, Anders Bergdahl <
anders_e_bergdahl@hotmail.com> wrote:

>  I basically agree, but the very basic difference is that music speaks to
> emotions directly bypassing our language. II think we might do music a
> disservice by saying that we create stories we need to understand that music
> can be wordless. I'm not sure but I think that Evans, Jarret et al does not
> think stories. I only REALLY know how i improvise and i seldom try say
> something, i might start out with a mood or sound that want to explore and
> then i start playing and try to react to what i hear and it quite often end
> up being rather different than i thought it would. I recently saw Mike
> Landau and he really painted with guitar, much closer to visual than
> narrative art. I cant really ever say that instrumental music ever made me
> think of a narrative or story, pictures developing and changing, like a
> film. Maybe the music, film, pictures could be seen as a sort of "story"
> and I'm tempted to say that some music is a journey from one place to
> another, one picture after another and yeas i can give the jorney a name and
> perhaps invent a narrative or story around it.
> I like to think of instrumental music as abstract art, it is what it is,
> it's not a picture OF something. A bit like Kandinsky's compositions  the
> are not a picture OF something they are just the puicture
>
>

--001636e910ef340b3c04643d5a15
Content-Type: text/html; charset=ISO-8859-1
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Anders, when improvising, do you never say &quot;this is the setting, the t=
one, I am speaking of this emotion, or from this story that happened to me,=
 or that I read of&quot; in your mind, and try to translate that musically?=
=A0 I suppose that would be, to me, a more abstract way of still semi concr=
etely storytelling with forethought.<br>
<br>-nn<br><a href=3D"http://happyhumans.org">happyhumans.org</a><br><br><d=
iv class=3D"gmail_quote">On Tue, Mar 3, 2009 at 11:13 AM, Anders Bergdahl <=
span dir=3D"ltr">&lt;<a href=3D"mailto:anders_e_bergdahl@hotmail.com">ander=
s_e_bergdahl@hotmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div>
I basically agree, but the very basic difference is that music speaks to em=
otions directly bypassing our language. II think we=A0might do music a diss=
ervice by saying that we create stories we need to understand that music ca=
n be wordless. I&#39;m not sure but I think=A0that Evans, Jarret et al does=
 not think=A0stories. I only REALLY know=A0how i improvise and i seldom try=
 say something, i might start out with a mood or sound that want to explore=
 and then i start playing and try to react to what i hear and it quite ofte=
n end up=A0being rather different than i thought it would. I recently saw M=
ike Landau and he really painted with guitar, much closer to visual than na=
rrative art. I cant really ever say that instrumental=A0music ever made me =
think=A0of a narrative or story, pictures developing and changing, like a f=
ilm. Maybe the music, film, pictures could be seen as=A0a sort of &quot;sto=
ry&quot; and=A0I&#39;m tempted to=A0say that some music is a journey=A0from=
 one place to another, one picture after another and yeas i can give the jo=
rney a name and perhaps invent a narrative or story around it. <br>

I like to think of instrumental music as abstract art, it is what it is, it=
&#39;s not a picture OF something.=A0A bit like Kandinsky&#39;s composition=
s =A0the are not a picture OF something they are just the puicture<br>=A0<b=
r>
</div></blockquote></div><br>

--001636e910ef340b3c04643d5a15--

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	 <66f9cc1e0903031136j6c188532o5418a9f10f627bea@mail.gmail.com>
Date: Tue, 3 Mar 2009 13:10:51 -0800
Message-ID: <333287c30903031310y1452106nc0aff2aa4cda8cf4@mail.gmail.com>
Subject: Re: Music a story or something else - WAS looper vs storyteller. if 
	there even is
From: Nevyn Nowhere <nevynnowhere@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> When talking with someone I
> tend to listen more to what the person means than to what the person
> says. I think I understand others better that way. I go for body
> language, attitude and other soft factor expressions rather than the
> plain narrative output.


Per, exactly.  It boggles my mind how much people focus on the literal
words, as if what is meant is only representative of the words used, vs the
other way round.

-nn
happyhumans.org

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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;">When talking with someone I<br>
tend to listen more to what the person means than to what the person<br>
says. I think I understand others better that way. I go for body<br>
language, attitude and other soft factor expressions rather than the<br>
plain narrative output.</blockquote><div><br>Per, exactly.=A0 It boggles my=
 mind how much people focus on the literal words, as if what is meant is on=
ly representative of the words used, vs the other way round.<br><br>-nn<br>
<a href=3D"http://happyhumans.org">happyhumans.org</a> <br></div></div><br>

--000e0cd2301abe0a0804643d5ebd--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 21:25:18 2009
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Date: Tue, 03 Mar 2009 15:25:14 -0600
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Totally delightful, Rick!! wisht I coulda been there.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
 
> I just uploaded two pieces from my Luggage Store Experimental Music 
> Series performance last Thursday night to a 
> new youtube channel that I created for my live performance work:
>
> If you are interested,  I posted 
> "Music for Toy Music Box and Distortion"
> and
> "Music for Tuning Forks, Conch Shell and Purple Trumpet"
> at:
>
> www.youtube.com/rickwalkerlivelooper

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 21:48:34 2009
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In a message dated 3/3/09 2:58:43 PM, looppool@cruzio.com writes:


> www.youtube.com/rickwalkerlivelooper
> 

SWEET!!!!!.....:)m



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
Worried about job security? Check out the 5 safest jobs in a 
recession. 
(http://jobs.aol.com/gallery/growing-job-industries?ncid=emlcntuscare00000002)

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/3/09 2:58:43 PM, looppool@cruzio.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">www.youtube.com/rickw=
alkerlivelooper<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">SWEET!!!!!.....:)m<BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************<BR>Worried about job security? Check ou=
t the 5 safest jobs in a recession. (http://jobs.aol.com/gallery/growing-job=
-industries?ncid=3Demlcntuscare00000002)</HTML>

--part1_c1e.2d2262ea.36deffa5_boundary--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 21:51:18 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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Rock on baby!
looks like you are back to minimal DL4 looping?
No LP1?

www.myspace.com/luisangulocom


--- On Tue, 3/3/09, Rick Walker <looppool@cruzio.com> wrote:

> From: Rick Walker <looppool@cruzio.com>
> Subject: Rick Walker looping videos up at youtube
> To: loopers-delight@loopers-delight.com
> Date: Tuesday, March 3, 2009, 11:54 AM
> I just uploaded two pieces from my Luggage Store
> Experimental Music 
> Series performance last Thursday night to a 
> new youtube channel that I created for my live performance
> work:
> 
> If you are interested,  I posted 
> "Music for Toy Music Box and Distortion"
> and
> "Music for Tuning Forks, Conch Shell and Purple
> Trumpet"
> at:
> 
> www.youtube.com/rickwalkerlivelooper
> 
> Also, I have a collection of lo fidelity toy video
> 'animations' of 
> my abstract electronic compositions up at:
>  
> www.youtube.com/looppool
> 
> and some live videos from last summer's European/UK
> looping tour at: 
> 
> www.youtube.com/DaygloOrangePlastic
> 
> Though I'll probably move most of those videos over to
> my 
> new channel later this week.
> 
> In other news:   Erdem Helvacioglu is visiting us for a
> week,  making a 
> record with Bill (which I may contribute some percussion
> to).  It's so 
> great to have he and his lovely wife here.
> --


      

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 22:02:08 2009
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Date: Tue, 3 Mar 2009 17:02:07 -0500
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Subject: Re: RPM CD - Jim Goodin - Vertical released
From: Jim Goodin <jimgoodinmusic@gmail.com>
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By the way as I got caught up in trying to remedy Dropbox, I did want
to thank evryone who reviewed my RPM collection and took the time to
wade through the initial tech, doing.  All appreciated.

Jim

-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull
Guitars - http://www.seagullguitars.com, Jim Goodin is published by
Mel Bay Publications, Inc. - http://www.melbay.com

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Date: Tue, 3 Mar 2009 23:56:29 +0100
Message-ID: <66f9cc1e0903031456k777e5cedsb5f6132f000c1b2@mail.gmail.com>
Subject: Re: Stories
From: Per Boysen <perboysen@gmail.com>
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On Tue, Mar 3, 2009 at 9:14 PM, samba - <sambacomet@hotmail.com> wrote:
> Seems to me humans have some mysterious(fear of empty space/ambiguity?) need
> to understand the world and their experiences,and therefor come up with
> stories,mythologies, models (scientific ,philosophic etc.), art,
> cosmologies,, etc.

Yes, that's the typical human way - always telling others about
yourself and your latest experiences. A chimpanzee can learn as many
words as a three year old child but there is a huge difference: when
you meet a child it will never stop telling you stories about whatever
have happened lately. The chimpanzee never tell you a shit, whatever
it has been through.

Per

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And that's the difference between music and stories=2C a musical piece (or =
a painting )can be just beautiful=2C it doesn't NEED a story.  It can be ju=
st what it is=2C without name=2C myth or model.=20

Every listener can=2C id the want to attach a story to it=2C but the piece =
is not a story. It doesn't need a meaning or contain a message=2C it just I=
S.

My objection is that by calling musical pieces stories we reduce the conten=
t of the music. I think that music is more basic than words=2C a story can =
describe a piece of music it can't BE the music. Turning a story into music=
 is the other way around=2C we go behind the words and try to capture the f=
eelings the words describe. Along with Wittgenstein i believe that we are t=
rapped in language=2C music is one way to escape. At least for a while. Whe=
n i play a seldom THINK (in words=2C) i just DO.=20

=20

Maybe some abstract art is out chance to be a chimpanzee :-)

=20

Anders
=20
> Date: Tue=2C 3 Mar 2009 23:56:29 +0100
> Subject: Re: Stories
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> On Tue=2C Mar 3=2C 2009 at 9:14 PM=2C samba - <sambacomet@hotmail.com> wr=
ote:
> > Seems to me humans have some mysterious(fear of empty space/ambiguity?)=
 need
> > to understand the world and their experiences=2Cand therefor come up wi=
th
> > stories=2Cmythologies=2C models (scientific =2Cphilosophic etc.)=2C art=
=2C
> > cosmologies=2C=2C etc.
>=20
> Yes=2C that's the typical human way - always telling others about
> yourself and your latest experiences. A chimpanzee can learn as many
> words as a three year old child but there is a huge difference: when
> you meet a child it will never stop telling you stories about whatever
> have happened lately. The chimpanzee never tell you a shit=2C whatever
> it has been through.
>=20
> Per
>=20

--_897f6d51-396e-477d-aa01-446c1e13b094_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
And that's the difference between music and stories=2C a musical piece&nbsp=
=3B(or a painting )can be just beautiful=2C it doesn't NEED a story. &nbsp=
=3BIt can&nbsp=3Bbe just what it is=2C without name=2C myth&nbsp=3Bor model=
. <BR>
Every listener can=2C id the want to attach a story to it=2C but the piece =
is not a story. It doesn't need a meaning or contain a message=2C it just I=
S.<BR>
My objection is that by calling musical pieces stories we reduce the conten=
t of the music. I think that music is more basic than words=2C a story can =
describe a piece of music it can't BE the music. Turning a story into music=
 is the other way around=2C we go behind the words and try to capture the f=
eelings the words describe. Along with Wittgenstein i believe that we are t=
rapped in language=2C music is one way to escape. At least for a while. Whe=
n i play a seldom THINK (in words=2C) i just DO. <BR>
&nbsp=3B<BR>
Maybe some abstract art is out chance to be a chimpanzee :-)<BR>
&nbsp=3B<BR>
Anders<BR>&nbsp=3B<BR>&gt=3B Date: Tue=2C 3 Mar 2009 23:56:29 +0100<BR>&gt=
=3B Subject: Re: Stories<BR>&gt=3B From: perboysen@gmail.com<BR>&gt=3B To: =
Loopers-Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B On Tue=2C Mar 3=2C=
 2009 at 9:14 PM=2C samba - &lt=3Bsambacomet@hotmail.com&gt=3B wrote:<BR>&g=
t=3B &gt=3B Seems to me humans have some mysterious(fear of empty space/amb=
iguity?) need<BR>&gt=3B &gt=3B to understand the world and their experience=
s=2Cand therefor come up with<BR>&gt=3B &gt=3B stories=2Cmythologies=2C mod=
els (scientific =2Cphilosophic etc.)=2C art=2C<BR>&gt=3B &gt=3B cosmologies=
=2C=2C etc.<BR>&gt=3B <BR>&gt=3B Yes=2C that's the typical human way - alwa=
ys telling others about<BR>&gt=3B yourself and your latest experiences. A c=
himpanzee can learn as many<BR>&gt=3B words as a three year old child but t=
here is a huge difference: when<BR>&gt=3B you meet a child it will never st=
op telling you stories about whatever<BR>&gt=3B have happened lately. The c=
himpanzee never tell you a shit=2C whatever<BR>&gt=3B it has been through.<=
BR>&gt=3B <BR>&gt=3B Per<BR>&gt=3B <BR></body>
</html>=

--_897f6d51-396e-477d-aa01-446c1e13b094_--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  3 23:32:16 2009
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Date: Tue, 03 Mar 2009 15:32:13 -0800
From: Rick Walker <looppool@cruzio.com>
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Luis wrote, about my Luggage Store videos,
"Rock on baby!

looks like you are back to minimal DL4 looping?
No LP1?"

Actually, Carnal,  I'm really deep into the LP-1 these days, but 
I wanted to do a show with less equipment and have it 
be more footpedal oriented just as a contrast to all of my other work.

 Also,   the Luggage Store 
has a gnarly set of very high stairs to negotiate 
and is in a part of Market Street that is surrounded 
by drug addicts and prostitutes, so I designed a system 
that I could could get to the gig in a mere two trips from the car 
(as opposed to the typical five or six trips I take when 
I really haul in the gear).

In fact, I'm doing an entire NOISE and RHYTHM show under a new moniker,  Aether Engine 
at the Blue Lagoon in Santa Cruz this coming Monday night that 
will be completely different and I'll be heavily using the LP-1  (especially all of it's different replace 
and random slice modes, along with the BOSS slicer, the Gig FX Pro Chopper and an Alesis Ampliton
for rhythmic manipulation of slabs of distortion, fuzz and feedback.

One guitar,  One bass,  One marching snare drum, One marching bass drum,   Assorted metal objects
and a buttload of gear.

I'll have two (2!!!) pedalboards and the LP-1

Minimal instrumentage (for me)  and maximal fire power 

I just like to shake it up all the time, I guess.

Yesterday,  Erdem asked me if I thought doing so many different kinds of projects might dilute 
my commercial appeal.        

The answer is a resounding  'yes'.....................lol.     

 It makes me really happy, though.



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Date: Wed, 4 Mar 2009 00:33:03 +0100
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On Wed, Mar 4, 2009 at 12:19 AM, Anders Bergdahl
<anders_e_bergdahl@hotmail.com> wrote:
> Maybe some abstract art is out chance to be a chimpanzee :-)


Yeah, I heard they produce interesting books if locked into a room
with type writers. ("abstract", that is....)

per ;-)

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 00:16:59 2009
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Thanx for the tips Bill And Jeff,the nut is something i was not paying much atention to thinking it was mostly due to the quality of the tremolo system.Ive set it flat recently,they come setup with a floating one and it has helped, but it still goes out of tune specially the G string.The nut is the stock one that comes with this models, so ill change it with a geaphite one.
ive also swapped the stock pickup for a seymour duncan vintage 59,and though i like it mostly for overdrive i miss that bright and out of phase tone of a tele or strat when playing clean.Iv been asking around if its possible to get such tones changing pickup configurations on this guitars but ive been told by guitar techs that no matter what i do fernandes guitars just wont sound like that ever due to their construction materials.But how is it that some cheap guitars have a great tone then?!

cheers
Luis

www.myspace.com/luisangulocom


--- On Mon, 3/2/09, Jeff Duke <jeff_d@embarqmail.com> wrote:

> From: Jeff Duke <jeff_d@embarqmail.com>
> Subject: Re: Tremol-No
> To: labaloops@yahoo.com
> Date: Monday, March 2, 2009, 10:26 PM
> Luis,
> I have a Fenandes w/ sustainor and tremelo. Mine stays in
> tune pretty well. I don't wang it like in the old days
> but still use it maybe too much, lol.
> Some things you can do to help are to use all 5 springs,
> make sure that the strings don't stick at the nut (#1
> reason for detuning IMO). I also use lubrication on all
> moving parts and the nut grooves. Graphite works great for
> me. I have mine set where it will go up a half step or down
> to string slack. I also wind my strings up the peg and
> don't use the string tree. I had a Kayler once that I
> liked alot but I think you loose something when the strings
> don't go through the body.
> 
> peace man,
> 
> Jeff
> 
> ----- Original Message ----- From: "L.Angulo"
> <labaloops@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Cc: <billwalker@baymoon.com>
> Sent: Monday, March 02, 2009 7:03 PM
> Subject: Re: Tremol-No
> 
> 
> hey Bill,
> I was not aware of this thank you!it certainly looks like a
> great tremolo issue problem solution!
> questions:
> Does it also take care of the out of tune problems when
> using the tremolo heavily floating or flat?
> Did you install it yourself or do you recomend somebody
> else doing it?
> How would it differ with something like the hipshot
> tremsetter?
> I have a fernandes sustainer native pro guitar and the
> tremolo on it just sucks i cant hardly use it as it goes out
> of tune so bad,on the other hand i hate the floyd rose
> system so i am trying to find a good solution.
> Ive installed the planet waves locking tuner though they
> havent cure the problem that much
> cheers
> Luis
> 
> 
> www.myspace.com/luisangulocom
> 
> 
> --- On Wed, 2/25/09, Per Boysen <perboysen@gmail.com>
> wrote:
> 
> > From: Per Boysen <perboysen@gmail.com>
> > Subject: Re: Tremol-No
> > To: Loopers-Delight@loopers-delight.com
> > Date: Wednesday, February 25, 2009, 3:04 AM
> > Googled it and found http://www.tremol-no.com and
> watched
> > the demo
> > videos. This is a great thing for a studio guitarist!
> One
> > example is
> > playing country licks on a floating bar strat. You
> > typically pull up
> > one string while holding one or two others not pulled.
> The
> > tension
> > from the pulled-up string interacts with the mechanics
> to
> > lower the
> > pitch of all strings, including the ones you play
> > non-pulled. The way
> > I have been forced to do this - on a floating bar
> strat -
> > is to
> > compensate for that by pulling up the pitch just a
> little
> > with the
> > wammy bar as I pull the string. May sound cool if you
> use
> > the whammy
> > for an additional vibrato but it is not pure country
> style.
> > But when
> > setting the tremol-no to fixed it will behave just
> like a
> > non-floating
> > strat. Nice.
> > 
> > Greetings from Sweden
> > 
> > Per Boysen
> > www.boysen.se
> > www.perboysen.com
> > 
> > 
> > 
> > On Wed, Feb 25, 2009 at 9:01 AM, Andreas Willers
> > <a.willers@arcor.de> wrote:
> > > Bill wrote: I have a thing called a tremel-no in
> > place of one of my trem
> > > springs that allows me to fix the bridge....
> > >
> > > Bill,
> > > you are always hip to the latest stuff. Wow -
> I'll
> > make each of my guitar
> > > students with a whammy bar guitar buy one ;-)
> > >
> > >


      

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 00:31:35 2009
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This perception is something i am curious about...certain people that know you from a previous succesful band or project sort of expect to still see a connection when they see you even if u are doing something different.I sort of follow this,i remeber going to see Marc Ribot after his 2 succesful "cubanos postizos" albums and he shocked everybody by playing abtract non harmonic noise music,he was even trying to use a DL4 and you could tell he didnt have it down.The following day there was a review on the paper citing his concert as a disastrous dissapointment.
Anyway sometimes i dont know how the audiences have really perceived my shows...a lot of them come and say hey that was great,and some that know you dont say anything;-) 
so sometimes i also have the feeling that i have dissapointed some;-)
But like you i am happy!
Luis


 Yesterday,  Erdem asked me if I thought doing so many
> different kinds of projects might dilute my commercial
> appeal.        
> The answer is a resounding 
> 'yes'.....................lol.     
> It makes me really happy, though.


      

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 00:34:57 2009
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 LOL!!!!! thats so fuckin true unless they want a banana

when
> you meet a child it will never stop telling you stories
> about whatever
> have happened lately. The chimpanzee never tell you a shit,
> whatever
> it has been through.
> 
> Per


      

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Date: Tue, 3 Mar 2009 16:45:22 -0800
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Subject: Re: looper vs storyteller. if there even is
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On Mon, Mar 2, 2009 at 3:54 PM, Anders Bergdahl <
anders_e_bergdahl@hotmail.com> wrote:

>  But what do we mean when we say that an abstract instrumental peice of
> music tells a STORY!!
>

Prethought is what I mean, and is there any.  If there is no prethought, and
it's human response to frequencies then to me, it's less a "story" by my
definition of it... ie it's not something you thought out beforehand and
said "i'm going to present in this specific way via these frequencies and
auditory touchings"... in any degree.  It's purely taking a base and seeing
where your current feelings take it.  To me, a story is something you can
tell even when you're not FEELING that specific story at that specific
moment.


> It can't really, can it? Can there be meaning in an improvisation??
>

Meaning yes.  Story... debatable... but I'm thinking, as I define "story",
no.  Can there be "a" story in improv?  Absolutely... but more a story that
is found, vs a story that one set down to tell.



> Is there meaning in a composition? What is the meaning with "green onions"
> or Bethovens 5th or Kind of blue.
>

You'd have to ask them.  70% of my "abstract" music has very specific
meaning.


> A story needs meaning, doesn't it??
>

Often.  Sometimes it's just wordplay.  Which is more where I see fully
improv movements, as a general meaning (there are exceptions).

>
> I wo
>
> But WHY do we feel that some music tells a STORY, there are no narrative
> elements,
>

What do you mean no narrative elements?  I think there are fully narrative
elements in non word music.


> we clearly mean something else than a story in a book, don't we?
>

Yes, hopefully some of what I'm sharing help s you understand where my
questioning comes from.

-nn
happyhumans.org

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<br><br><div class=3D"gmail_quote">On Mon, Mar 2, 2009 at 3:54 PM, Anders B=
ergdahl <span dir=3D"ltr">&lt;<a href=3D"mailto:anders_e_bergdahl@hotmail.c=
om">anders_e_bergdahl@hotmail.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margi=
n: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">




<div>
But what do we mean when we say that an abstract instrumental peice of musi=
c tells a STORY!!</div></blockquote><div><br>Prethought is what I mean, and=
 is there any.=A0 If there is no prethought, and it&#39;s human response to=
 frequencies then to me, it&#39;s less a &quot;story&quot; by my definition=
 of it... ie it&#39;s not something you thought out beforehand and said &qu=
ot;i&#39;m going to present in this specific way via these frequencies and =
auditory touchings&quot;... in any degree.=A0 It&#39;s purely taking a base=
 and seeing where your current feelings take it.=A0 To me, a story is somet=
hing you can tell even when you&#39;re not FEELING that specific story at t=
hat specific moment.<br>
=A0<br></div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px so=
lid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div=
> It can&#39;t really, can it? Can there be meaning in an improvisation?? <=
/div>
</blockquote><div><br>Meaning yes.=A0 Story... debatable... but I&#39;m thi=
nking, as I define &quot;story&quot;, no.=A0 Can there be &quot;a&quot; sto=
ry in improv?=A0 Absolutely... but more a story that is found, vs a story t=
hat one set down to tell. <br>
</div><div><br>=A0<br></div><blockquote class=3D"gmail_quote" style=3D"bord=
er-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-l=
eft: 1ex;"><div>Is=A0there meaning in a composition? What is the meaning wi=
th &quot;green onions&quot; or Bethovens 5th or Kind of blue. </div>
</blockquote><div><br>You&#39;d have to ask them.=A0 70% of my &quot;abstra=
ct&quot; music has very specific meaning.<br>=A0<br></div><blockquote class=
=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin=
: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div>A story needs meaning, doesn&#39;t=A0it??</div></blockquote><div><br>O=
ften.=A0 Sometimes it&#39;s just wordplay.=A0 Which is more where I see ful=
ly improv movements, as a general meaning (there are exceptions).<br></div>=
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div><br>
I wo<br>
=A0<br>
But WHY do we feel that some music tells a STORY, there are no narrative el=
ements, </div></blockquote><div><br>What do you mean no narrative elements?=
=A0 I think there are fully narrative elements in non word music.<br>=A0<br=
>
</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>we cle=
arly mean something else than a story in a book, don&#39;t we?</div></block=
quote>
<div><br>Yes, hopefully some of what I&#39;m sharing help s you understand =
where my questioning comes from. <br></div><br>-nn<br><a href=3D"http://hap=
pyhumans.org">happyhumans.org</a><br></div><br>

--000e0cd22decde5d440464405d88--

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Date: Tue, 3 Mar 2009 16:40:08 -0800
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Subject: Re: Stories
From: Nevyn Nowhere <nevynnowhere@gmail.com>
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      "A story > needs meaning, doesn't it?"
>

Indeed.  However, define meaning in said context, or try to, and you'll find
many different definitions.

>
>    I would say a major component of meaning is emotion, (others include
> time,memory/experience, imagination family/social dynamics,reason etc)and
> certainly music can express emotional energy.
>

I am going to add to that, for I agree with you on what you've said.  But in
line with what I'm saying... true, a story can be found "in the moment",
while not knowing what moment comes next... but what I initially meant with
"story" vs "not story", via Per's question, was that I more meant prethought
vs in the moment... perhaps letting the music assist you in knowing where
the next part of the story is (maybe it's a choose your own adventure and
you don't know if it's a, b or c until you've played the 4 (or whatever)
measures before said movement... vs prethought, where your thoughts are
dictating where the music goes before it happens

Very simply, improvs that have beginning/middle /end sequential quality are
> similar enough to stories
>

They are similar in that they have such movements, but different in how such
movements occur, and what places such movements are directed from.


> that they easily become screens for personal emotions to be projected onto.
>

Absolutely.  But to me, prethought vs ?posthought? ?duringthought? are
muchmuchmuch more abstract.  More about sharing a personal feeling that
words can't go to (with improv), but that can inspire words... vs pre
thought... which says "i want this story/feeling/emotion/etc to specifically
come out in this way.  Perhaps using prethought in an improv environment is
merely taking all your experimentations of times previous, cataloguing them
in your mind in terms of understanding what equals what to you, the
storyteller... then thinking before you.

That's really what I'm driving at here... thinking before you do and doing
that.  Doing and thinking while doing.  Simply doing.  And how we all mix
all those approaches.


> If the player(s) are expressing emotional energy it can be easy for other's
> to relate  it their own emotional energy
>

Perhaps that is the difference I speak of.  When we are led by both
prethought (or not) and/or letting the music form the story with our
emotions/abstractions, we are more shooting forth a very specific idea, that
others can then relate to personal... and when more in the moment, music
leading thought leading music leading... it seems less specific a story you
are telling, but more one that can be widely felt in different ways due to
it not being so specific.

And don't get me wrong, I love both ways and all in between.


-nn
happyhumans.org

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<br><br><div class=3D"gmail_quote"><br><blockquote class=3D"gmail_quote" st=
yle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex=
; padding-left: 1ex;">



<div>
=A0=A0=A0=A0  &quot;A story &gt; needs meaning, doesn&#39;t it?&quot;</div>=
</blockquote><div><br>Indeed.=A0 However, define meaning in said context, o=
r try to, and you&#39;ll find many different definitions. <br></div><blockq=
uote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 20=
4); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div><br>=A0=A0 I would say a major component of meaning is emotion, (other=
s include time,memory/experience, imagination family/social dynamics,reason=
 etc)and certainly music can express emotional energy. </div></blockquote><=
div>
<br>I am going to add to that, for I agree with you on what you&#39;ve said=
.=A0 But in line with what I&#39;m saying... true, a story can be found &qu=
ot;in the moment&quot;, while not knowing what moment comes next... but wha=
t I initially meant with &quot;story&quot; vs &quot;not story&quot;, via Pe=
r&#39;s question, was that I more meant prethought vs in the moment... perh=
aps letting the music assist you in knowing where the next part of the stor=
y is (maybe it&#39;s a choose your own adventure and you don&#39;t know if =
it&#39;s a, b or c until you&#39;ve played the 4 (or whatever) measures bef=
ore said movement... vs prethought, where your thoughts are dictating where=
 the music goes before it happens <br>
<br></div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid=
 rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>Ve=
ry simply, improvs that have beginning/middle /end sequential quality are s=
imilar enough to stories</div>
</blockquote><div><br>They are similar in that they have such movements, bu=
t different in how such movements occur, and what places such movements are=
 directed from.<br>=A0<br></div><blockquote class=3D"gmail_quote" style=3D"=
border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddi=
ng-left: 1ex;">
<div> that they easily become screens for personal emotions to be projected=
 onto.</div></blockquote><div><br>Absolutely.=A0 But to me, prethought vs ?=
posthought? ?duringthought? are muchmuchmuch more abstract.=A0 More about s=
haring a personal feeling that words can&#39;t go to (with improv), but tha=
t can inspire words... vs pre thought... which says &quot;i want this story=
/feeling/emotion/etc to specifically come out in this way.=A0 Perhaps using=
 prethought in an improv environment is merely taking all your experimentat=
ions of times previous, cataloguing them in your mind in terms of understan=
ding what equals what to you, the storyteller... then thinking before you.=
=A0 <br>
<br>That&#39;s really what I&#39;m driving at here... thinking before you d=
o and doing that.=A0 Doing and thinking while doing.=A0 Simply doing.=A0 An=
d how we all mix all those approaches.<br>=A0<br></div><blockquote class=3D=
"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0=
pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div> If the player(s) are expressing emotional energy it can be easy for o=
ther&#39;s to relate=A0 it their own emotional energy=A0</div></blockquote>=
<div><br>Perhaps that is the difference I speak of.=A0 When we are led by b=
oth prethought (or not) and/or letting the music form the story with our em=
otions/abstractions, we are more shooting forth a very specific idea, that =
others can then relate to personal... and when more in the moment, music le=
ading thought leading music leading... it seems less specific a story you a=
re telling, but more one that can be widely felt in different ways due to i=
t not being so specific.<br>
<br>And don&#39;t get me wrong, I love both ways and all in between.<br>=A0=
<br></div><br>-nn<br><a href=3D"http://happyhumans.org">happyhumans.org</a>=
<br></div><br>

--000e0cd181922666fe0464404b40--

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Subject: Re: please be courteous to the list
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It bothers me, but not much, as I like to let net annoyances slide.  People
get really bent out of shape over nothing.

On Mon, Mar 2, 2009 at 10:21 PM, Rick Walker <looppool@cruzio.com> wrote:

> Steve wrote:
> ".while we're talking netiquette, it's still considered shouting by  most
> web-users to write things all in capitals on email lists and
>  forums......just sayin' ;)"
>
> Actually I do know that Steve and I have made this request three or four
> times this year alone
> and was shouting on purpose.
> If I bugged you,  I apologize.
>
> I was just trying to get people's attention, specifically because
> speaking in a polite tone of voice over and over doesn't seem to get a
> response.
>
> It's a fascinating phemomenon, though........................without the
> use of HTML
> (underlining and bold letters)  there seems no way to be emphatic when
> speaking
> as in conversation when you are writing online.
>
> I get frustrated with net communication sometimes because I want to be
> emphatic but without the use of underlining,   it pushes buttons if
> one capitalizes.
>
> If this bothers people here in general,  I'll stop doing it,  I promise.
> Let me know.
>
>
>
>
>
>

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It bothers me, but not much, as I like to let net annoyances slide.=A0 Peop=
le get really bent out of shape over nothing.<br><br><div class=3D"gmail_qu=
ote">On Mon, Mar 2, 2009 at 10:21 PM, Rick Walker <span dir=3D"ltr">&lt;<a =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;</span> wrot=
e:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>Steve wrote:<br>
&quot;.while we&#39;re talking netiquette, it&#39;s still considered shouti=
ng by =A0most web-users to write things all in capitals on email lists and =
=A0forums......just sayin&#39; ;)&quot;<br>
<br></div>
Actually I do know that Steve and I have made this request three or four ti=
mes this year alone<br>
and was shouting on purpose. =A0 <br>
If I bugged you, =A0I apologize.<br>
<br>
I was just trying to get people&#39;s attention, specifically because<br>
speaking in a polite tone of voice over and over doesn&#39;t seem to get a =
response.<br>
<br>
It&#39;s a fascinating phemomenon, though........................without th=
e use of HTML<br>
(underlining and bold letters) =A0there seems no way to be emphatic when sp=
eaking<br>
as in conversation when you are writing online.<br>
<br>
I get frustrated with net communication sometimes because I want to be<br>
emphatic but without the use of underlining, =A0 it pushes buttons if<br>
one capitalizes.<br>
<br>
If this bothers people here in general, =A0I&#39;ll stop doing it, =A0I pro=
mise.<br>
Let me know.<br>
<br>
<br>
<br>
<br>
<br>
</blockquote></div><br>

--000e0cd32e0ab8d24304644073c2--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 01:28:15 2009
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From: "William Walker" <billwalker@baymoon.com>
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Subject: tremolo-no no no 
Date: Tue, 3 Mar 2009 17:28:12 -0800
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 I thought I might post this thread about tremolos that I've been carrying
on with Luis in case any one was interested, also in response to your last
post Luis, I think it's possible to get many different and great sounds out
of your ax. If you want the best of both worlds, I would suggest using a
humbuckers with four conductor wiring which would allow more switching
versatility. My favorite option on a pickup of this type would be a
series/parallel switch that will give you the option of a brighter glassier
single coil sound while retaining the humbucking effect in both positions.
Unfortunately the Duncan 59er comes with two conductor wiring unless
otherwise ordered. It is possible after the fact to have someone change your
pickup to four conductor wiring, but I don't know who does that kind of
custom work in your local. Don't believe the guitar techs, I think the
native pro is an excellent platform for tone experimentation.

 Bill

 

 

The tremolo-No is not a stabilizer in the same way the tremsetter is.
Different beast. It has three settings, inactive(full floating),Fixed up
(meaning you can still low pitch but can't raise it) this is stable for most
drop D tunings but not for tunings that involve raising pitches, and Fixed,
meaning you could completely fixed the bridge. If you have tuning issues and
don't want to go Floyd, your on the right track with the tuners, also
eliminating friction at the nut with graphite or Teflon lubricant, making
sure the strings are properly stretched and not dead, etc.. but the most
important thing is, are the strings pinching at the nut , if so that's where
you will have strings pulling sharp. Have a qualified guy take a look at it
and replace it if necessary, Its worth paying for. Bone sounds the best but
graphite nuts are very good for tremolos. As far as the tremol-no, goes I
put mine in, I don't know how good you are with that stuff. Here is the link
on Allparts site http://www.allparts.com/store/tremol-no,Product.asp,   If
you need to replace  your tremolo, here's what I use.
http://www.allparts.com/store/guitar-bridges-vintage-style-tremolos-sb-5315-
001,Product.asp,  also this is cool shit for your nuts buddy :)called
graphit-all http://www.ghsstrings.com/products.php, 

Good Luck

 Bill

 And.. If the spacing and screw holes are the same on your two instruments,
then the one I suggested would work for either as it's designed to retrofit
vintage style bridges. Several things are more precision like saddles that
can be securely anchored and not wag, easier to intonate with a little thumb
wheel that you screw in to the back of each saddle and push the saddle
forward or back ward without having to use your fingers or detuning the
guitar, a push in tremolo bar with tension adjustment read more here, my
hands are hurting
http://www.stewmac.com/shop/Bridges,_tailpieces/Electric_guitar_tremolos/Wil
kinson_Gotoh_VSVG_Vintage_Tremolo.html,

 Bill

 


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<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier New"'>&nbsp;I thought I =
might post
this thread about tremolos that I&#8217;ve been carrying on with Luis in =
case
any one was interested, also in response to your last post Luis, I think =
it&#8217;s
possible to get many different and great sounds out of your ax. If you =
want the
best of both worlds, I would suggest using a humbuckers with four =
conductor
wiring which would allow more switching versatility. My favorite option =
on a
pickup of this type would be a series/parallel switch that will give you =
the
option of a brighter glassier single coil sound while retaining the =
humbucking
effect in both positions. Unfortunately the <st1:City =
w:st=3D"on"><st1:place
 w:st=3D"on">Duncan</st1:place></st1:City> 59er comes with two conductor =
wiring
unless otherwise ordered. It is possible after the fact to have someone =
change
your pickup to four conductor wiring, but I don&#8217;t know who does =
that kind
of custom work in your local. Don&#8217;t believe the guitar techs, I =
think the
native pro is an excellent platform for tone =
experimentation.<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'>&nbsp;Bill<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier New"'>The tremolo-No is =
not a
stabilizer in the same way the tremsetter is. Different beast. It has =
three
settings, inactive(full floating),Fixed up (meaning you can still low =
pitch but
can't raise it) this is stable for most drop D tunings but not for =
tunings that
involve raising pitches, and Fixed, meaning you could completely fixed =
the
bridge. If you have tuning issues and don't want to go Floyd, your on =
the right
track with the tuners, also eliminating friction at the nut with =
graphite or
Teflon lubricant, making sure the strings are properly stretched and not =
dead,
etc.. but the most important thing is, are the strings pinching at the =
nut , if
so that's where you will have strings pulling sharp. Have a qualified =
guy take
a look at it and replace it if necessary, Its worth paying for. Bone =
sounds the
best but graphite nuts are very good for tremolos. As far as the =
tremol-no,
goes I put mine in, I don't know how good you are with that stuff. Here =
is the
link on Allparts site <a
href=3D"http://www.allparts.com/store/tremol-no,Product.asp">http://www.a=
llparts.com/store/tremol-no,Product.asp</a>,&nbsp;&nbsp;
If you need to replace&nbsp; your tremolo, here's what I use. <a
href=3D"http://www.allparts.com/store/guitar-bridges-vintage-style-tremol=
os-sb-5315-001,Product.asp">http://www.allparts.com/store/guitar-bridges-=
vintage-style-tremolos-sb-5315-001,Product.asp</a>,&nbsp;
also this is cool shit for your nuts buddy :)called graphit-all <a
href=3D"http://www.ghsstrings.com/products.php">http://www.ghsstrings.com=
/products.php</a>,
<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier New"'>Good =
Luck<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
font-family:"Courier New"'>&nbsp;Bill<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier New"'>&nbsp;And.. If the =
spacing
and screw holes are the same on your two instruments, then the one I =
suggested
would work for either as it's designed to retrofit vintage style =
bridges.
Several things are more precision like saddles that can be securely =
anchored and
not wag, easier to intonate with a little thumb wheel that you screw in =
to the
back of each saddle and push the saddle forward or back ward without =
having to
use your fingers or detuning the guitar, a push in tremolo bar with =
tension
adjustment read more here, my hands are hurting <a
href=3D"http://www.stewmac.com/shop/Bridges,_tailpieces/Electric_guitar_t=
remolos/Wilkinson_Gotoh_VSVG_Vintage_Tremolo.html">http://www.stewmac.com=
/shop/Bridges,_tailpieces/Electric_guitar_tremolos/Wilkinson_Gotoh_VSVG_V=
intage_Tremolo.html</a>,<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:10.0pt;font-family:"Courier =
New"'>&nbsp;Bill<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 01:30:26 2009
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From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: looper vs storyteller. if there even is
To: Loopers-Delight@loopers-delight.com
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what about a backward loop,what kind of a story does it tell you?

www.myspace.com/luisangulocom


--- On Tue, 3/3/09, Nevyn Nowhere <nevynnowhere@gmail.com> wrote:

> From: Nevyn Nowhere <nevynnowhere@gmail.com>
> Subject: Re: looper vs storyteller. if there even is
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, March 3, 2009, 4:45 PM
> On Mon, Mar 2, 2009 at 3:54 PM, Anders Bergdahl <
> anders_e_bergdahl@hotmail.com> wrote:
> 
> >  But what do we mean when we say that an abstract
> instrumental peice of
> > music tells a STORY!!
> >
> 
> Prethought is what I mean, and is there any.  If there is
> no prethought, and
> it's human response to frequencies then to me, it's
> less a "story" by my
> definition of it... ie it's not something you thought
> out beforehand and
> said "i'm going to present in this specific way
> via these frequencies and
> auditory touchings"... in any degree.  It's purely
> taking a base and seeing
> where your current feelings take it.  To me, a story is
> something you can
> tell even when you're not FEELING that specific story
> at that specific
> moment.
> 
> 
> > It can't really, can it? Can there be meaning in
> an improvisation??
> >
> 
> Meaning yes.  Story... debatable... but I'm thinking,
> as I define "story",
> no.  Can there be "a" story in improv? 
> Absolutely... but more a story that
> is found, vs a story that one set down to tell.
> 
> 
> 
> > Is there meaning in a composition? What is the meaning
> with "green onions"
> > or Bethovens 5th or Kind of blue.
> >
> 
> You'd have to ask them.  70% of my "abstract"
> music has very specific
> meaning.
> 
> 
> > A story needs meaning, doesn't it??
> >
> 
> Often.  Sometimes it's just wordplay.  Which is more
> where I see fully
> improv movements, as a general meaning (there are
> exceptions).
> 
> >
> > I wo
> >
> > But WHY do we feel that some music tells a STORY,
> there are no narrative
> > elements,
> >
> 
> What do you mean no narrative elements?  I think there are
> fully narrative
> elements in non word music.
> 
> 
> > we clearly mean something else than a story in a book,
> don't we?
> >
> 
> Yes, hopefully some of what I'm sharing help s you
> understand where my
> questioning comes from.
> 
> -nn
> happyhumans.org


      

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 07:34:26 2009
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Subject: 21 min improv @ loft
Date: Wed, 4 Mar 2009 08:34:24 +0100
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I played a nice 'experimental guitar evening' on Saturday in Cologne's LOFT
together with Craig Green and Michael Frank. My solo improv and a short
report is here: veloopity.blogspot.com  -Michael

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 08:24:11 2009
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	 <004601c99c9b$a435c120$fe78a8c0@mpeserver>
Date: Wed, 4 Mar 2009 09:24:10 +0100
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Subject: Re: 21 min improv @ loft
From: Per Boysen <perboysen@gmail.com>
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How nice being able to retro-distance listening to such a great gig! I
really like the set you did. Reminds me of old FSOL stuff, but with a
weird guitar touch to those synthy sound washes. This could go on for
hours... sounds and associated ideas, one giving the other through a
never-ending journey.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Mar 4, 2009 at 8:34 AM, Michael Peters <mp@mpeters.de> wrote:
> I played a nice 'experimental guitar evening' on Saturday in Cologne's LO=
FT
> together with Craig Green and Michael Frank. My solo improv and a short
> report is here: veloopity.blogspot.com =A0-Michael
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 13:20:06 2009
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Date: Wed, 4 Mar 2009 09:20:04 -0400 (AST)
Subject: Re: Rick Walker looping videos up at youtube
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hey Rick,

Cool piece.
Love the tuning fork ambient loop sound.
How'd you do that?

Andre

http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Tue, March 3, 2009 3:54 pm, Rick Walker wrote:
>
> I just uploaded two pieces from my Luggage Store Experimental Music
> Series performance last Thursday night to a
> new youtube channel that I created for my live performance work:
>
> If you are interested,  I posted
> "Music for Toy Music Box and Distortion"
> and
> "Music for Tuning Forks, Conch Shell and Purple Trumpet"
> at:
>
> www.youtube.com/rickwalkerlivelooper
>
> Also, I have a collection of lo fidelity toy video 'animations' of
> my abstract electronic compositions up at:
>
> www.youtube.com/looppool
>
> and some live videos from last summer's European/UK looping tour at:
>
> www.youtube.com/DaygloOrangePlastic
>
> Though I'll probably move most of those videos over to my
> new channel later this week.
>
> In other news:   Erdem Helvacioglu is visiting us for a week,  making a
> record with Bill (which I may contribute some percussion to).  It's so
> great to have he and his lovely wife here.
> --
>
>





From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 14:39:30 2009
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jus beautiful Michael i love those soundscapes you do!
so i see you ve gone lappy,how do you feel with bidule are u not using the Roland synth anymore then?

www.myspace.com/luisangulocom


--- On Tue, 3/3/09, Michael Peters <mp@mpeters.de> wrote:

> From: Michael Peters <mp@mpeters.de>
> Subject: 21 min improv @ loft
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, March 3, 2009, 11:34 PM
> I played a nice 'experimental guitar evening' on
> Saturday in Cologne's LOFT
> together with Craig Green and Michael Frank. My solo improv
> and a short
> report is here: veloopity.blogspot.com  -Michael


      

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 16:52:59 2009
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Date: Wed, 4 Mar 2009 08:52:58 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
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Subject: OT:tremolo-no no no (pu's ,trems, etc)
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i sort of debate the "try to get as many sounds as possible" from pu's. a couple of weeks ago i was watching some youtube vids of brian may demo his red special and the sounds he could get (they seemed like old vhs instructional tapes for japanese market?)-anyway, i love his guitar, and was just amazed at the amt of sounds he can get w/ his individual phase switches on his guitar.
but for me i've never been a huge fan of the in/out of phase options, but on my main guitar i do like to have the on/off switches (instead of pu selector)-it's my way of getting on/off sounds that tom morello/buckethead can get, and i like having my microphone mounted for feedback and the switch to kill the ground (more noise) (when i saw henry kaiser's dvd of him playing his teuffel tesla-just loved that guitar!!!!)

as-for the trem issue-i appreciate the great things evh/vai/satch/dime could do w/ a floyd rose. but to me THAT THING IS A COMPLICATED MESS-i could never get my old kramer pacer to stay in tune (EVER!), and then when i built my last gtr-i started to put a floyd on (to try it)-that thing was a disaster, so i ended up getting a standard strat trem-used just 2 outside screws to create the pivot pts (but the guitar is routed for a floyd, sort of funny), & use locking tuners (planet waves). and that thing won't go out of tune for the most part. never understood the floyd, maybe you need to have a guitar tech to keep it working.....i guess in the end, i do like a guitar w/ options-i favor guitars w/ trems for bending options, and flexable electronics. but then again, i'm also not interested in cover tunes, so i could understand having simpler guitar b/c it has to cover certain specific ground....
great debate luis & william-thanks for your input....in the end i'm sure it's all down to preference
s----
www.myspace.com/scotthansen
http://video.google.com/videoplay?docid=235503632389016121
http://video.google.com/videoplay?docid=5791548553161416906&hl=en




      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">i sort of debate the "try to get as many sounds as possible" from pu's. a couple of weeks ago i was watching some youtube vids of brian may demo his red special and the sounds he could get (they seemed like old vhs instructional tapes for japanese market?)-anyway, i love his guitar, and was just amazed at the amt of sounds he can get w/ his individual phase switches on his guitar.<br>but for me i've never been a huge fan of the in/out of phase options, but on my main guitar i do like to have the on/off switches (instead of pu selector)-it's my way of getting on/off sounds that tom morello/buckethead can get, and i like having my microphone mounted for feedback and the switch to kill the ground (more noise) (when i saw henry kaiser's dvd of him playing his teuffel tesla-just loved that guitar!!!!)<br><br>as-for the trem issue-i appreciate the great things
 evh/vai/satch/dime could do w/ a floyd rose. but to me THAT THING IS A COMPLICATED MESS-i could never get my old kramer pacer to stay in tune (EVER!), and then when i built my last gtr-i started to put a floyd on (to try it)-that thing was a disaster, so i ended up getting a standard strat trem-used just 2 outside screws to create the pivot pts (but the guitar is routed for a floyd, sort of funny), &amp; use locking tuners (planet waves). and that thing won't go out of tune for the most part. never understood the floyd, maybe you need to have a guitar tech to keep it working.....i guess in the end, i do like a guitar w/ options-i favor guitars w/ trems for bending options, and flexable electronics. but then again, i'm also not interested in cover tunes, so i could understand having simpler guitar b/c it has to cover certain specific ground....<br>great debate luis &amp; william-thanks for your input....in the end i'm sure it's all down to
 preference<br>s----<br>www.myspace.com/scotthansen<br><a target="_blank" href="http://video.google.com/videoplay?docid=235503632389016121"><span class="yshortcuts" id="lw_1236185292_0">http://video.google.com/videoplay?docid=235503632389016121</span></a><br><a target="_blank" href="http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en"><span class="yshortcuts" id="lw_1236185292_1">http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en</span></a><br><br></td></tr></table><br>



      
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Date: Wed, 4 Mar 2009 18:17:42 +0100
Message-ID: <66f9cc1e0903040917pd3e796fvb58ad7f34a1ac051@mail.gmail.com>
Subject: Re: OT:tremolo-no no no (pu's ,trems, etc)
From: Per Boysen <perboysen@gmail.com>
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On Wed, Mar 4, 2009 at 5:52 PM, scott hansen <evanpeewee@yahoo.com> wrote:
> so i ended up getting a standard strat trem-used just 2 outside screws to
> create the pivot pts (but the guitar is routed for a floyd, sort of funny),
> & use locking tuners (planet waves). and that thing won't go out of tune for
> the most part. never understood the floyd, maybe you need to have a guitar
> tech to keep it working....

I too have mostly been using standard strat trems with just the two
outside screws, setting it up as  freely floating so I can move the
pitch in both directions and smoothing the nut scores with a pen to
stay in tune. And I too was amazed by how awkward the Floyd is. I have
one guitar with a Kahler trem though, and it is ok; using just two
bolts on the sides to balance string pull vs springs.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Wed, 4 Mar 2009 12:44:18 -0500
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Subject: Re: 21 min improv @ loft
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Michael echo'd here, streamd it twice as so many cool details.  I
particularly liked the last 2 or 3 minutes where you went to this funky kind
of groove with the other stuff floating on top.  Good set!

On Wed, Mar 4, 2009 at 9:39 AM, L.Angulo <labaloops@yahoo.com> wrote:

>
> jus beautiful Michael i love those soundscapes you do!
> so i see you ve gone lappy,how do you feel with bidule are u not using the
> Roland synth anymore then?
>
> www.myspace.com/luisangulocom
>
>
> --- On Tue, 3/3/09, Michael Peters <mp@mpeters.de> wrote:
>
> > From: Michael Peters <mp@mpeters.de>
> > Subject: 21 min improv @ loft
> > To: Loopers-Delight@loopers-delight.com
> > Date: Tuesday, March 3, 2009, 11:34 PM
>  > I played a nice 'experimental guitar evening' on
> > Saturday in Cologne's LOFT
> > together with Craig Green and Michael Frank. My solo improv
> > and a short
> > report is here: veloopity.blogspot.com  -Michael
>
>
>
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

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Michael echo&#39;d here, streamd it twice as so many cool details.=A0 I par=
ticularly liked the last 2 or 3 minutes where you went to this funky kind o=
f groove with the other stuff floating on top.=A0 Good set!<br><br>
<div class=3D"gmail_quote">On Wed, Mar 4, 2009 at 9:39 AM, L.Angulo <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</=
a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br>jus beautiful Michael i love=
 those soundscapes you do!<br>so i see you ve gone lappy,how do you feel wi=
th bidule are u not using the Roland synth anymore then?<br>
<br><a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.=
myspace.com/luisangulocom</a><br><br><br>--- On Tue, 3/3/09, Michael Peters=
 &lt;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt; wrote:<br><br>&=
gt; From: Michael Peters &lt;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de=
</a>&gt;<br>
&gt; Subject: 21 min improv @ loft<br>&gt; To: <a href=3D"mailto:Loopers-De=
light@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>&gt; =
Date: Tuesday, March 3, 2009, 11:34 PM<br>
<div>
<div></div>
<div class=3D"h5">&gt; I played a nice &#39;experimental guitar evening&#39=
; on<br>&gt; Saturday in Cologne&#39;s LOFT<br>&gt; together with Craig Gre=
en and Michael Frank. My solo improv<br>&gt; and a short<br>&gt; report is =
here: <a href=3D"http://veloopity.blogspot.com/" target=3D"_blank">veloopit=
y.blogspot.com</a> =A0-Michael<br>
<br><br><br><br></div></div></blockquote></div><br><br clear=3D"all"><br>--=
 <br>The Acoustic World Guitar of Jim Goodin =A0- <a href=3D"http://www.jim=
goodinmusic.com">http://www.jimgoodinmusic.com</a><br>MySpace (solo) - <a h=
ref=3D"http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jimgoo=
dinmusic</a><br>
Chinapainting -<br><a href=3D"http://www.chinapaintingmusic.com">http://www=
.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br><a href=3D"ht=
tp://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapa=
intingmusic.com</a><br>
The Jim Goodin label and home for 7 other creative souls - <a href=3D"http:=
//www.woodandwiremusic.com">http://www.woodandwiremusic.com</a> <br>Jim Goo=
din uses GHS Strings - <a href=3D"http://www.ghsstrings.com">http://www.ghs=
strings.com</a> and Seagull Guitars - <a href=3D"http://www.seagullguitars.=
com">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay =
Publications, Inc. - <a href=3D"http://www.melbay.com">http://www.melbay.co=
m</a><br>

--00163628517cf9a5a204644e9993--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 18:00:42 2009
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Subject: RE: 21 min improv @ loft
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> jus beautiful Michael i love those soundscapes you do!
> so i see you ve gone lappy,how do you feel with bidule are u 
> not using the Roland synth anymore then?

thanks Luis ... it feels good to do everything with software ... travelling
light ... I really want to get rid of as much hardware as possible, at least
for long-distance gigs. 

-Michael

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 18:02:57 2009
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Subject: RE: 21 min improv @ loft
Date: Wed, 4 Mar 2009 19:02:55 +0100
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> really like the set you did. Reminds me of old FSOL stuff, but with a
> weird guitar touch to those synthy sound washes. This could go on for
> hours... sounds and associated ideas, one giving the other through a
> never-ending journey.

thanks Per ... yeah, the end uses FSOL-like sequencers ... it is the Slicer
doing that, with added delay. I'll try to get more fluent with all of these
new possibilities ... looking forward to the next gigs

-Michael

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 18:25:48 2009
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Subject: Re: Rick Walker looping videos up at youtube
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Rick said:
"In fact, I'm doing an entire NOISE and RHYTHM show under a new
moniker,  Aether Engine at the Blue Lagoon in Santa Cruz this coming
Monday night that will be completely different and I'll be heavily
using the LP-1  (especially all of it's different replace and random
slice modes, along with the BOSS slicer, the Gig FX Pro Chopper and an
Alesis Ampliton for rhythmic manipulation of slabs of distortion, fuzz
and feedback."

...and I hope you're going to record that show?

I think I said it before, but I'll say it again: you really should
check out the discontinued Nord MicroModular - which, although
designed as a virtual-modular synthesizer, may be the most flexible
effects processor under =802k5 or so.
Actually, when all this discussion about the Boss Slicer (including
critizism that you can't record your own patterns) started here, I
quickly created a Slicer emulation including the option to record your
own patterns...
I did the same some time ago to create an advanced ZVex OohWah,
combined with an AntiWah and pattern-sequencable distortion.

Claude Voit used the successor, the Modular G2, to control his EDP,
making it some kind of hardware-based generic script engine.

You may want to pair it with a MIDI fader box though, because the
three knobs and one button are never enough.

         Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 19:09:17 2009
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Subject: Re: 21 min improv @ loft
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Very beautiful atmosphere and sounds, Michael !
I can feel the "here and now" of your set !
...That can happens when one have no idea about what to play....
I'd like to know which fx-plugins played in bidule.

Fabio
www.eterogeneo.com
www.myspace.com/eterogeneo


----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 04, 2009 8:34 AM
Subject: 21 min improv @ loft


>I played a nice 'experimental guitar evening' on Saturday in Cologne's LOFT
> together with Craig Green and Michael Frank. My solo improv and a short
> report is here: veloopity.blogspot.com  -Michael
>
>


--------------------------------------------------------------------------------



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07:41:00

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 19:59:47 2009
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Subject: Kaoss Pad + Live midi clock sync issues
From: Nick <ParadoxQuine@gmail.com>
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Hey everyone,

I've been having a problem and I'm finally tired of it so I want to
fix it. I have an iMac running os x 10.5.6 (this has been happening
since like 10.5.2 so it's not a new issue, it has been going on since
I got everything), with a Kaoss pad hooked up to it set to sync midi
clocks with ableton over usb. The pad is set to external, ableton is
set to send midi clock, and os x recognizes the pad, yet half the time
when I turn on the pad it doesn't sync up. I can reboot my machine and
it syncs, but that isn't feasible if I go to a gig.

Does anyone else have a similar problem or know a way to fix this? I
don't know if it's connected, but if I turn the pad off then on os x
often loses track of it (doesn't appear in audio midi setup no matter
what I do) until a relog/reboot.

Thanks in advance!
Nick

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 20:16:32 2009
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Date: Wed, 4 Mar 2009 20:11:18 +0000
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Subject: Re: 21 min improv @ loft
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absolutely gorgeous, michael! loved it

On Wed, Mar 4, 2009 at 7:09 PM, eterogeneo <info@eterogeneo.com> wrote:

> Very beautiful atmosphere and sounds, Michael !
> I can feel the "here and now" of your set !
> ...That can happens when one have no idea about what to play....
> I'd like to know which fx-plugins played in bidule.
>
> Fabio
> www.eterogeneo.com
> www.myspace.com/eterogeneo
>
>
> ----- Original Message ----- From: "Michael Peters" <mp@mpeters.de>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, March 04, 2009 8:34 AM
> Subject: 21 min improv @ loft
>
>
>  I played a nice 'experimental guitar evening' on Saturday in Cologne's
>> LOFT
>> together with Craig Green and Michael Frank. My solo improv and a short
>> report is here: veloopity.blogspot.com  -Michael
>>
>>
>>
>
>
> --------------------------------------------------------------------------------
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.0.237 / Virus Database: 270.11.7/1983 - Release Date: 03/04/09
> 07:41:00
>
>

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absolutely gorgeous, michael! loved it<br><br><div class=3D"gmail_quote">On=
 Wed, Mar 4, 2009 at 7:09 PM, eterogeneo <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:info@eterogeneo.com">info@eterogeneo.com</a>&gt;</span> wrote:<br><bl=
ockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #=
ccc solid;padding-left:1ex;">
Very beautiful atmosphere and sounds, Michael !<br>
I can feel the &quot;here and now&quot; of your set !<br>
...That can happens when one have no idea about what to play....<br>
I&#39;d like to know which fx-plugins played in bidule.<br>
<br>
Fabio<br>
<a href=3D"http://www.eterogeneo.com" target=3D"_blank">www.eterogeneo.com<=
/a><br>
<a href=3D"http://www.myspace.com/eterogeneo" target=3D"_blank">www.myspace=
.com/eterogeneo</a><br>
<br>
<br>
----- Original Message ----- From: &quot;Michael Peters&quot; &lt;<a href=
=3D"mailto:mp@mpeters.de" target=3D"_blank">mp@mpeters.de</a>&gt;<div class=
=3D"im"><br>
To: &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a>&gt;<br></div>
Sent: Wednesday, March 04, 2009 8:34 AM<div class=3D"im"><br>
Subject: 21 min improv @ loft<br>
<br>
<br>
</div><div class=3D"im"><blockquote class=3D"gmail_quote" style=3D"margin:0=
 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
I played a nice &#39;experimental guitar evening&#39; on Saturday in Cologn=
e&#39;s LOFT<br>
together with Craig Green and Michael Frank. My solo improv and a short<br>
report is here: <a href=3D"http://veloopity.blogspot.com" target=3D"_blank"=
>veloopity.blogspot.com</a> =A0-Michael<br>
<br>
<br>
</blockquote>
<br>
<br></div>
---------------------------------------------------------------------------=
-----<br>
<br>
<br>
<br>
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<br>
</blockquote></div><br>

--000e0cd296ec914950046450a792--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 20:24:01 2009
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To: Loopers-Delight@loopers-delight.com
From: Andreas Willers <a.willers@arcor.de>
Subject: EDP problem
Date: Wed, 4 Mar 2009 21:23:58 +0100
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I have a black Gibson EDP here that doesn't seem to like my old  
analog Obie footcontroler. When I press RECORD it sometimes jumps  
into PARAMETERS, even causing the unit to crash. Bad thing is it  
doesn't happen regularily. Frontpanel button presses of RECORD worked  
fine so far.

Has anyone experienced similar problems? Any hint is appreciated.

Thanks, Andreas

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--_11b72bfa-3d97-4b1b-a2cf-5be896e7a11d_
Content-Type: text/plain; charset="Windows-1252"
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UK University Offers Masters In The Beatles
LONDON
=97 The city of Liverpool already has a Beatles museum and its airport is
named after John Lennon. Now a local university says it rolling out a
graduate program entirely devoted to the Fab Four.Liverpool
Hope University said Tuesday that its new master's program=2C "The
Beatles=2C Popular Music and Society=2C" would give students the
opportunity to analyze music and culture through the band's work."There
have been over 8=2C000 books about the Beatles but there has never been
serious academic study and that is what we are going to address=2C" said
Mike Brocken=2C who is directing the program at the university=2C which is
in the band's hometown in northwestern England.Brocken
said students would be expected to study the Beatles' songs=2C stardom=2C
hometown and cultural impact through four 12-week courses and a
dissertation.Brocken said studying the band was really a way of examining s=
ociety as a whole."If
popular music is about anything=2C it's about people=2C" he said. "If we
look at popular culture=2C it simply provides us with a very complex
mirror of ourselves."___On the Net:Liverpool Hope University: http://www.ho=
pe.ac.uk/






If
we take eternity to mean not infinite temporal duration but
timelessness=2C then eternal life belongs to those who live in the
present.Ludwig Wittgenstein




 EMAILING FOR THE GREATER GOOD
Join me=

--_11b72bfa-3d97-4b1b-a2cf-5be896e7a11d_
Content-Type: text/html; charset="Windows-1252"
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
<br><br><blockquote><div id=3D":8j" class=3D"ii gt"><div style=3D""><div><b=
r></div><div><span style=3D"font-family: Arial=3B font-size: 24px=3B font-w=
eight: bold=3B line-height: 16px=3B"><a href=3D"http://www.huffingtonpost.c=
om/2009/03/03/uk-university-offers-mast_n_171656.html" style=3D"border-styl=
e: none=3B margin: 0px=3B padding: 0px=3B list-style-type: none=3B outline-=
style: none=3B text-decoration: none=3B font-size: 20px=3B line-height: 22p=
x=3B color: rgb(26=2C 26=2C 26)=3B" target=3D"_blank">UK University Offers =
Masters In The Beatles</a></span></div><div><br></div><div><span style=3D"f=
ont-family: Arial=3B line-height: 16px=3B"><p style=3D"border-style: none=
=3B margin: 0px 0px 8px=3B padding: 0px=3B list-style-type: none=3B color: =
rgb(0=2C 0=2C 0)=3B font-size: 13px=3B line-height: 18px=3B">LONDON
=97 The city of Liverpool already has a Beatles museum and its airport is
named after John Lennon. Now a local university says it rolling out a
graduate program entirely devoted to the Fab Four.</p><p style=3D"border-st=
yle: none=3B margin: 0px 0px 8px=3B padding: 0px=3B list-style-type: none=
=3B color: rgb(0=2C 0=2C 0)=3B font-size: 13px=3B line-height: 18px=3B">Liv=
erpool
Hope University said Tuesday that its new master's program=2C "The
Beatles=2C Popular Music and Society=2C" would give students the
opportunity to analyze music and culture through the band's work.</p><p sty=
le=3D"border-style: none=3B margin: 0px 0px 8px=3B padding: 0px=3B list-sty=
le-type: none=3B color: rgb(0=2C 0=2C 0)=3B font-size: 13px=3B line-height:=
 18px=3B">"There
have been over 8=2C000 books about the Beatles but there has never been
serious academic study and that is what we are going to address=2C" said
Mike Brocken=2C who is directing the program at the university=2C which is
in the band's hometown in northwestern England.</p><p style=3D"border-style=
: none=3B margin: 0px 0px 8px=3B padding: 0px=3B list-style-type: none=3B c=
olor: rgb(0=2C 0=2C 0)=3B font-size: 13px=3B line-height: 18px=3B">Brocken
said students would be expected to study the Beatles' songs=2C stardom=2C
hometown and cultural impact through four 12-week courses and a
dissertation.</p><p style=3D"border-style: none=3B margin: 0px 0px 8px=3B p=
adding: 0px=3B list-style-type: none=3B color: rgb(0=2C 0=2C 0)=3B font-siz=
e: 13px=3B line-height: 18px=3B">Brocken said studying the band was really =
a way of examining society as a whole.</p><p style=3D"border-style: none=3B=
 margin: 0px 0px 8px=3B padding: 0px=3B list-style-type: none=3B color: rgb=
(0=2C 0=2C 0)=3B font-size: 13px=3B line-height: 18px=3B">"If
popular music is about anything=2C it's about people=2C" he said. "If we
look at popular culture=2C it simply provides us with a very complex
mirror of ourselves."</p><p style=3D"border-style: none=3B margin: 0px 0px =
8px=3B padding: 0px=3B list-style-type: none=3B color: rgb(0=2C 0=2C 0)=3B =
font-size: 13px=3B line-height: 18px=3B">___</p><p style=3D"border-style: n=
one=3B margin: 0px 0px 8px=3B padding: 0px=3B list-style-type: none=3B colo=
r: rgb(0=2C 0=2C 0)=3B font-size: 13px=3B line-height: 18px=3B">On the Net:=
</p><p style=3D"border-style: none=3B margin: 0px 0px 8px=3B padding: 0px=
=3B list-style-type: none=3B color: rgb(0=2C 0=2C 0)=3B font-size: 13px=3B =
line-height: 18px=3B">Liverpool Hope University:&nbsp=3B<a href=3D"http://w=
ww.hope.ac.uk/" style=3D"border-style: none=3B margin: 0px=3B padding: 0px=
=3B list-style-type: none=3B outline-style: none=3B text-decoration: none=
=3B color: rgb(177=2C 0=2C 0)=3B" target=3D"_blank">http://www.hope.<wbr>ac=
.uk/</a></p></span></div></div></div><br><br><br><br><br><br><br><span id=
=3D"EC__ctl0_ContentPlaceHolder1_NewestQuotes1_lblMessage"><p class=3D"EC_q=
uote">If
we take eternity to mean not infinite temporal duration but
timelessness=2C then eternal life belongs to those who live in the
present.</p><div class=3D"EC_source" align=3D"right">Ludwig Wittgenstein</d=
iv></span></blockquote><br><br><br><br><br><table style=3D"border-top: 1px =
solid black=3B font-weight: bold=3B font-family: 'Segoe UI'=2CTahoma=2Csan-=
serif=3B"><tbody><tr><td><a href=3D"http://im.live.com/Messenger/IM/Home/?s=
ource=3DEML_WLHM_GreaterGood" style=3D"font-size: 9pt=3B color: rgb(1=2C 13=
2=2C 203)=3B text-decoration: none=3B"><img style=3D"border-style: none=3B"=
 src=3D"http://gfx1.hotmail.com/mail/w3/ltr/i_charity.gif" alt=3D"i'm"> EMA=
ILING FOR THE GREATER GOOD<br><span style=3D"padding: 0px 24px=3B font-size=
: 8pt=3B color: rgb(63=2C 181=2C 85)=3B text-decoration: underline=3B">Join=
 me</span></a></td></tr></tbody></table></body>
</html>=

--_11b72bfa-3d97-4b1b-a2cf-5be896e7a11d_--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 20:58:27 2009
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To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Kaoss Pad + Live midi clock sync issues
Date: Wed, 4 Mar 2009 21:58:26 +0100
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Hi Nick,
I have a KP3 here. I know there have been midi sync issues in OS 1.x of the
Kp3. I use version 2.0, mine sync fine but I have not connected it to my
Mac.
--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/ 
http://last.fm/music/sjaak+overgaauw


From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 21:05:17 2009
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Subject: RE: 21 min improv @ loft
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Hi Michael, 
Unfortunately I couldn't come last Saturday, next time better :) I like the
way you mix different Ambient sounds and fx and then create a totally
relaxed soundscape. You are a good example of "less is more", you have the
patience to wait and listen before you add new chords and notes. This is
realy good. 
--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/ 
http://last.fm/music/sjaak+overgaauw


From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 22:00:16 2009
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Really good Michael=2C gret inspiration thanks

=20

Anders

www.soundclick.com/AndersBergdahl


=20
> From: mp@mpeters.de

> I played a nice 'experimental guitar evening' on Saturday in Cologne's LO=
FT
> together with Craig Green and Michael Frank. My solo improv and a short
> report is here: veloopity.blogspot.com -Michael
>=20

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Really good Michael=2C gret inspiration thanks<BR>
&nbsp=3B<BR>
Anders<BR>
<A href=3D"http://www.soundclick.com/AndersBergdahl">www.soundclick.com/And=
ersBergdahl</A><BR>
<BR>&nbsp=3B<BR>&gt=3B From: mp@mpeters.de<BR><BR>&gt=3B I played a nice 'e=
xperimental guitar evening' on Saturday in Cologne's LOFT<BR>&gt=3B togethe=
r with Craig Green and Michael Frank. My solo improv and a short<BR>&gt=3B =
report is here: veloopity.blogspot.com -Michael<BR>&gt=3B <BR></body>
</html>=

--_cc49ef32-3dbf-494c-a001-9df451234f00_--

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http://www.microtonalprojects.co.uk/uk_microfest_3.html

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http://www.microtonalprojects.co.uk/uk_microfest_3.html<br></body>
</html>=

--_367752ab-4c28-4a51-a787-b4eed3281ac4_--

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 23:09:21 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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Hey Andreas,
does it happen also when you press the button with your hand?is there a way to try it with another analog footcontroller?if you are talking about the cheap chinese switch FC-7 that comes with the EDPs find the nearest trash can and dump all your headaches with it!



www.myspace.com/luisangulocom


--- On Wed, 3/4/09, Andreas Willers <a.willers@arcor.de> wrote:

> From: Andreas Willers <a.willers@arcor.de>
> Subject: EDP problem
> To: Loopers-Delight@loopers-delight.com
> Date: Wednesday, March 4, 2009, 12:23 PM
> I have a black Gibson EDP here that doesn't seem to like
> my old analog Obie footcontroler. When I press RECORD it
> sometimes jumps into PARAMETERS, even causing the unit to
> crash. Bad thing is it doesn't happen regularily.
> Frontpanel button presses of RECORD worked fine so far.
> 
> Has anyone experienced similar problems? Any hint is
> appreciated.
> 
> Thanks, Andreas


      

From Loopers-Delight-request@loopers-delight.com  Wed Mar  4 23:32:13 2009
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Subject: Re: Kaoss Pad + Live midi clock sync issues
From: Nick <ParadoxQuine@gmail.com>
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I have version 2.0 installed on the kp3.

I use a firebox as my audio interface, so I could buy a midi cable and
connect the box midi out to the kp3 if that'd help, but I figured I
shouldn't bother since the timing seems pretty good via usb and I was
told a midi cable won't increase the accuracy.

Sometimes when I quit live, os x loses track of the kp3 as well. I'm
not sure if that's related but it's annoying.

On Wed, Mar 4, 2009 at 12:58 PM, Sjaak <tcplugin@scarlet.be> wrote:
> Hi Nick,
> I have a KP3 here. I know there have been midi sync issues in OS 1.x of the
> Kp3. I use version 2.0, mine sync fine but I have not connected it to my
> Mac.
> ---
> Sjaak
> http://sjaakovergaauw.com/
> http://euroloopfest.com/
> http://last.fm/music/sjaak+overgaauw
>
>
>

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Subject: new mac mini with fw800 ... hoooorra!
From: Raul Bonell <raul.bonell@gmail.com>
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http://www.apple.com/es/macmini/specs.html

-- 
Raul Bonell at blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

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Date: Wed, 4 Mar 2009 16:37:26 -0800
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Subject: Re: looper vs storyteller. if there even is
From: Nevyn Nowhere <nevynnowhere@gmail.com>
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Kind of depends on the intent from the forward movement, no?

-nn
happyhumans.org

On Tue, Mar 3, 2009 at 5:30 PM, L.Angulo <labaloops@yahoo.com> wrote:

> what about a backward loop,what kind of a story does it tell you?
>
> www.myspace.com/luisangulocom
>
>
> --- On Tue, 3/3/09, Nevyn Nowhere <nevynnowhere@gmail.com> wrote:
>
> > From: Nevyn Nowhere <nevynnowhere@gmail.com>
> > Subject: Re: looper vs storyteller. if there even is
> > To: Loopers-Delight@loopers-delight.com
> > Date: Tuesday, March 3, 2009, 4:45 PM
>  > On Mon, Mar 2, 2009 at 3:54 PM, Anders Bergdahl <
> > anders_e_bergdahl@hotmail.com> wrote:
> >
> > >  But what do we mean when we say that an abstract
> > instrumental peice of
> > > music tells a STORY!!
> > >
> >
> > Prethought is what I mean, and is there any.  If there is
> > no prethought, and
> > it's human response to frequencies then to me, it's
> > less a "story" by my
> > definition of it... ie it's not something you thought
> > out beforehand and
> > said "i'm going to present in this specific way
> > via these frequencies and
> > auditory touchings"... in any degree.  It's purely
> > taking a base and seeing
> > where your current feelings take it.  To me, a story is
> > something you can
> > tell even when you're not FEELING that specific story
> > at that specific
> > moment.
> >
> >
> > > It can't really, can it? Can there be meaning in
> > an improvisation??
> > >
> >
> > Meaning yes.  Story... debatable... but I'm thinking,
> > as I define "story",
> > no.  Can there be "a" story in improv?
> > Absolutely... but more a story that
> > is found, vs a story that one set down to tell.
> >
> >
> >
> > > Is there meaning in a composition? What is the meaning
> > with "green onions"
> > > or Bethovens 5th or Kind of blue.
> > >
> >
> > You'd have to ask them.  70% of my "abstract"
> > music has very specific
> > meaning.
> >
> >
> > > A story needs meaning, doesn't it??
> > >
> >
> > Often.  Sometimes it's just wordplay.  Which is more
> > where I see fully
> > improv movements, as a general meaning (there are
> > exceptions).
> >
> > >
> > > I wo
> > >
> > > But WHY do we feel that some music tells a STORY,
> > there are no narrative
> > > elements,
> > >
> >
> > What do you mean no narrative elements?  I think there are
> > fully narrative
> > elements in non word music.
> >
> >
> > > we clearly mean something else than a story in a book,
> > don't we?
> > >
> >
> > Yes, hopefully some of what I'm sharing help s you
> > understand where my
> > questioning comes from.
> >
> > -nn
> > happyhumans.org
>
>
>
>
>

--000e0cd14b025fd9510464545fb3
Content-Type: text/html; charset=ISO-8859-1
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<div>Kind of depends on the intent from the forward movement, no?</div>
<div>=A0</div>
<div>-nn</div>
<div><a href=3D"http://happyhumans.org">happyhumans.org</a><br><br></div>
<div class=3D"gmail_quote">On Tue, Mar 3, 2009 at 5:30 PM, L.Angulo <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</=
a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">what about a backward loop,what =
kind of a story does it tell you?<br><br><a href=3D"http://www.myspace.com/=
luisangulocom" target=3D"_blank">www.myspace.com/luisangulocom</a><br>
<br><br>--- On Tue, 3/3/09, Nevyn Nowhere &lt;<a href=3D"mailto:nevynnowher=
e@gmail.com">nevynnowhere@gmail.com</a>&gt; wrote:<br><br>&gt; From: Nevyn =
Nowhere &lt;<a href=3D"mailto:nevynnowhere@gmail.com">nevynnowhere@gmail.co=
m</a>&gt;<br>

<div class=3D"im">&gt; Subject: Re: looper vs storyteller. if there even is=
<br></div>
<div class=3D"im">&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-deligh=
t.com">Loopers-Delight@loopers-delight.com</a><br></div>&gt; Date: Tuesday,=
 March 3, 2009, 4:45 PM<br>
<div>
<div></div>
<div class=3D"h5">&gt; On Mon, Mar 2, 2009 at 3:54 PM, Anders Bergdahl &lt;=
<br>&gt; <a href=3D"mailto:anders_e_bergdahl@hotmail.com">anders_e_bergdahl=
@hotmail.com</a>&gt; wrote:<br>&gt;<br>&gt; &gt; =A0But what do we mean whe=
n we say that an abstract<br>
&gt; instrumental peice of<br>&gt; &gt; music tells a STORY!!<br>&gt; &gt;<=
br>&gt;<br>&gt; Prethought is what I mean, and is there any. =A0If there is=
<br>&gt; no prethought, and<br>&gt; it&#39;s human response to frequencies =
then to me, it&#39;s<br>
&gt; less a &quot;story&quot; by my<br>&gt; definition of it... ie it&#39;s=
 not something you thought<br>&gt; out beforehand and<br>&gt; said &quot;i&=
#39;m going to present in this specific way<br>&gt; via these frequencies a=
nd<br>
&gt; auditory touchings&quot;... in any degree. =A0It&#39;s purely<br>&gt; =
taking a base and seeing<br>&gt; where your current feelings take it. =A0To=
 me, a story is<br>&gt; something you can<br>&gt; tell even when you&#39;re=
 not FEELING that specific story<br>
&gt; at that specific<br>&gt; moment.<br>&gt;<br>&gt;<br>&gt; &gt; It can&#=
39;t really, can it? Can there be meaning in<br>&gt; an improvisation??<br>=
&gt; &gt;<br>&gt;<br>&gt; Meaning yes. =A0Story... debatable... but I&#39;m=
 thinking,<br>
&gt; as I define &quot;story&quot;,<br>&gt; no. =A0Can there be &quot;a&quo=
t; story in improv?<br>&gt; Absolutely... but more a story that<br>&gt; is =
found, vs a story that one set down to tell.<br>&gt;<br>&gt;<br>&gt;<br>&gt=
; &gt; Is there meaning in a composition? What is the meaning<br>
&gt; with &quot;green onions&quot;<br>&gt; &gt; or Bethovens 5th or Kind of=
 blue.<br>&gt; &gt;<br>&gt;<br>&gt; You&#39;d have to ask them. =A070% of m=
y &quot;abstract&quot;<br>&gt; music has very specific<br>&gt; meaning.<br>
&gt;<br>&gt;<br>&gt; &gt; A story needs meaning, doesn&#39;t it??<br>&gt; &=
gt;<br>&gt;<br>&gt; Often. =A0Sometimes it&#39;s just wordplay. =A0Which is=
 more<br>&gt; where I see fully<br>&gt; improv movements, as a general mean=
ing (there are<br>
&gt; exceptions).<br>&gt;<br>&gt; &gt;<br>&gt; &gt; I wo<br>&gt; &gt;<br>&g=
t; &gt; But WHY do we feel that some music tells a STORY,<br>&gt; there are=
 no narrative<br>&gt; &gt; elements,<br>&gt; &gt;<br>&gt;<br>&gt; What do y=
ou mean no narrative elements? =A0I think there are<br>
&gt; fully narrative<br>&gt; elements in non word music.<br>&gt;<br>&gt;<br=
>&gt; &gt; we clearly mean something else than a story in a book,<br>&gt; d=
on&#39;t we?<br>&gt; &gt;<br>&gt;<br>&gt; Yes, hopefully some of what I&#39=
;m sharing help s you<br>
&gt; understand where my<br>&gt; questioning comes from.<br>&gt;<br>&gt; -n=
n<br>&gt; <a href=3D"http://happyhumans.org/" target=3D"_blank">happyhumans=
.org</a><br><br><br><br><br></div></div></blockquote></div><br>

--000e0cd14b025fd9510464545fb3--

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Date: Wed, 4 Mar 2009 21:49:43 -0400 (AST)
Subject: Re: 21 min improv @ loft
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hi Michael,

Love the sounds you are getting.
I was hoping to use my laptop at tomorrows gig but I'm going through
driver hell right now.
Looks like I'll have to stick to the ole Akai Headrush.
This has been my 2nd round with the laptop route, I actually had a decent
set up with Cubase and mobius, but I did a hardware upgrade after running
into processing constraints.

I got a Yamaha audiogram 3 earlier in the week and purchased a license for
bidule.

What's your setup like?
I was hoping to go the Apple route but I got a great price on a dell
studio 5137.

Any recommendations for a basic audio interface?

My Echoplex was stolen last year and I'm really starting to miss it.

Thanks,

Andre

On Wed, March 4, 2009 3:34 am, Michael Peters wrote:
> I played a nice 'experimental guitar evening' on Saturday in Cologne's
> LOFT
> together with Craig Green and Michael Frank. My solo improv and a short
> report is here: veloopity.blogspot.com  -Michael
>
>



http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: 21 min improv @ loft
Date: Wed, 4 Mar 2009 18:32:58 -0800
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MP,

I listened to your music this morning as I got ready for work and did=20
my Facebook, MySpace and Twitter routines.

Lovely track.

Best regards,

tEd =AE KiLLiAn

On Mar 3, 2009, at 11:34 PM, Michael Peters wrote:

> I played a nice 'experimental guitar evening' on Saturday in Cologne's=20=

> LOFT
> together with Craig Green and Michael Frank. My solo improv and a =
short
> report is here: veloopity.blogspot.com  -Michael
>

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As usual very nice Michael! I enjoyed it very much.

Jeff

----- Original Message ----- 
From: "Michael Peters" <mp@mpeters.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 04, 2009 2:34 AM
Subject: 21 min improv @ loft


>I played a nice 'experimental guitar evening' on Saturday in Cologne's LOFT
> together with Craig Green and Michael Frank. My solo improv and a short
> report is here: veloopity.blogspot.com  -Michael
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  5 06:09:01 2009
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Subject: Re: looper vs storyteller. if there even is
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yes...forwards is good backwards is evil

www.myspace.com/luisangulocom


--- On Wed, 3/4/09, Nevyn Nowhere <nevynnowhere@gmail.com> wrote:

> Kind of depends on the intent from the forward movement, no?
> 
> -nn
> happyhumans.org
> 
> On Tue, Mar 3, 2009 at 5:30 PM, L.Angulo
> <labaloops@yahoo.com> wrote:
> 
> > what about a backward loop,what kind of a story does
> it tell you?
> >
> 


      

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To: Loopers-Delight@loopers-delight.com
From: Andreas Willers <a.willers@arcor.de>
Subject: Re: Re: EDP problem
Date: Thu, 5 Mar 2009 09:17:28 +0100
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Luis wrote:

"is there a way to try it with another analog footcontroller? if you  
are talking about the cheap chinese switch FC-7 that comes with the  
EDPs find the nearest trash can and dump all your headaches with it!"

In defendence of those red plastic switches I must say they come from  
a high quality Japanese manufacturer. They are fast, lightweight,  
compact, unexpensive and make practically no switching noise. I tried  
hard but coundn't find an alternative as far as analog switching  
goes. They do look like they are originally intended for hand  
operation and not for foot pedals though. I bought a lot of them to  
be able to change regulary. Then again: my only serious EDP breakdown  
on open stage was caused by one of these switches that broke in mid- 
performance sending a snowstorm of  
MULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLY 
MULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLY 
MULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLY 
MULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLY 
MULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLYMULTIPLY 
to my poor EDP that of course coundn't cope - not too fond memory

Anyway, US/CAN guys. If you can try to catch one of these gigs I'll  
have with my trio GRID MESH from Berlin on the East Coast:
March 15: SciFi Philly, Philadelphia
March 17: The Stone, NYC
March 18: New Thing Productions, Syracuse, NY
March 19: Le Cagibi, Montreal
March 20: Cube Gallery, Ottawa
European hardball improv with loads of granular loopage

Berlin release concert of the loop-based "Orange Years" album will be  
on March 15 at 6 pm at the Jazzwerkstatt Store, Knesebeckstr. 34

A duo jazz gig with looper/vocalist Rudi Neuwirth will be on April 7  
at Badenscher Hof, Berlin

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Date: Thu, 5 Mar 2009 09:19:59 +0100
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Subject: Re: new mac mini with fw800 ... hoooorra!
From: Per Boysen <perboysen@gmail.com>
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2009/3/5 Raul Bonell <raul.bonell@gmail.com>:
> http://www.apple.com/macmini/

...eh, you don't actually mean you bought one? That would be wonderful!

I was reading about them yesterday and thinking that this would be a
nice touring box for looping, if setting it up with Mobius to use
without screen or keyboard. What a compact solution, just this little
box!

Then I read it has BlueTooth and WireLess so in case you need to
chance software settings on the fly you can use an iPhone as the
keyboard. Hm, maybe the iPhone can be used as additional looping
control surface too. Personally I prefer using hands for physical
instruments though, but a singer or a remix oriented prefab loopist
could go that route. But five USB2 ports will let you hook up a lot of
gear to it anyway.

Per

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Claude Voit wrote:
> yes I _have_ known that !!
> edp sys ex is simple, and, If you have (or know where to find) Emagic's 
> (editor librarian) Sound diver, I have made a EDP sys module you could 
> use to program your edp and also copy paste all the messages for edp sys 
> ex sends. but, be aware that audio maybe interrupted if loop is playing 
> and sync may also drift.
> I only used sys to change params with sysex while in reset.
> 
> It works fine but you'll have to dig in sys ex and in the manual, and, 
> nobody can do it for you if you really want to be a power user...
> :=)
> 
> Good luck
> 

Unfortunately the manual thinks "240" is a 2 figure hexadecimal.

Any ideas what that means?

andy

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Andreas Willers wrote:
> Luis wrote:
> 
> "is there a way to try it with another analog footcontroller? if you are 
> talking about the cheap chinese switch FC-7 that comes with the EDPs 
> find the nearest trash can and dump all your headaches with it!"
> 
> They do 
> look like they are originally intended for hand operation and not for 
> foot pedals though. 

According to Kim Flint that the switches were selected by trial for quick response time
to foot taps. Clunky switches (or those with a long travel before contact ) don't
help for rhythmic accuracy.
In the early days of EDP, the switches didn't have much problem.
I have 2 FC7s which functioned perfectly (well, almost) before going into storage,
but 5 years later they don't work reliably, so I guess that the 
contacts oxidise eventually. 
The FC7 is designed so that it can be connected with a simple guitar lead,
which is a nice touch, but unfortunately this design also makes the response
dependent on there being no contact resistance in the switches, even momentarily.
That's why it's common for the FC7 to have switches which call up unexpected functions.

So, it's a matter of replacing the switches, perhaps even regularly, for reliability.

Some folks have reported that regular cleaning helps too.

andy butler




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Per Boysen wrote:
> 2009/3/5 Raul Bonell <raul.bonell@gmail.com>:
> 
>>http://www.apple.com/macmini/
> 
> 
> ...eh, you don't actually mean you bought one? That would be wonderful!
> 
> I was reading about them yesterday and thinking that this would be a
> nice touring box for looping, if setting it up with Mobius to use
> without screen or keyboard. What a compact solution, just this little
> box!
> 
> Then I read it has BlueTooth and WireLess so in case you need to
> chance software settings on the fly you can use an iPhone as the
> keyboard. Hm, maybe the iPhone can be used as additional looping
> control surface too. Personally I prefer using hands for physical
> instruments though, but a singer or a remix oriented prefab loopist
> could go that route. But five USB2 ports will let you hook up a lot of
> gear to it anyway.
> 
> Per

Yup, looks interesting. Still find 4GB ram a limitation, though.
Per, I wonder if Samsung's dirt cheap iPhone/Pod killer (a friends 
statement, don't remember the model, will poke) will work for this too, 
don't see why not.

FW800..  for desktop music editing actually pretty useful:
. connect a FW800 switch to which 3x 2½" drives are conected:
   . one for audio apps
   . one for soundfonts
   . one for the projects
  . use an RME fireface800 interface


-- 
rgds,
van Sinn

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>
> Yup, looks interesting. Still find 4GB ram a limitation, though.



A limitation??? For what??? Audio?? surely not...



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
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g-left: 1ex;"><br>
Yup, looks interesting. Still find 4GB ram a limitation, though.</blockquot=
e><div><br><br>A limitation??? For what??? Audio?? surely not... <br><br><b=
r>=A0 <br></div></div>-- <br><a href=3D"http://www.markfrancombe.com">www.m=
arkfrancombe.com</a><br>
<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>
<a href=3D"http://www.looop.no">www.looop.no</a><br>

--0016e6d460a70c8e9904645d0460--

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On Thu, Mar 5, 2009 at 11:56 AM, mark francombe <mark@markfrancombe.com> wrote:
>> Yup, looks interesting. Still find 4GB ram a limitation, though.
>
> A limitation??? For what??? Audio?? surely not...

Maybe because "more is better".... ;-)

Just kidding. HOwever - seriously, 4 GB RAM can be a limitation if you
are producing sampler RAM heavy music. Typically such music is
soundtracks and gaming music where you use huge symphonic orchestra
sampler libraries where every damn note is sampled at a very long time
(needed for some orchestra stuff expression playing).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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For those who likes Robin Guthrie sound, here is an announcement about a =
new CD collaboration.
http://www.townsend-records.co.uk/product.php?pId=3D10003325&pType=3D1


Fabio=20
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<DIV><FONT face=3D"Book Antiqua" color=3D#000080>For those who likes =
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mp;pType=3D1</A></FONT></DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3D"Book Antiqua" color=3D#000080>Fabio <BR><A=20
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Date: Thu, 5 Mar 2009 12:19:35 +0100
Message-ID: <66f9cc1e0903050319x26d162bcia220e2ade974022b@mail.gmail.com>
Subject: Re: New Robin Guthrie CD collaboration
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Mar 5, 2009 at 12:05 PM, eterogeneo <info@eterogeneo.com> wrote:
> For those who likes Robin Guthrie sound, here is an announcement about a new
> CD collaboration.
> http://www.townsend-records.co.uk/product.php?pId=10003325&pType=1


Thanks, Fabio - I didn't know about that. Being a Robin Guthrie fan
way back since -82 I will definitely check this one out on release
date May 4. The band ISIS is releasing a new album the day after, BTW.
Also a great band; doing sort of "Ambient Metal". I just heard a
preview of "Wavering Radiant" and like it a lot. How awesome that "the
record business is dying" so real people can keep on making real music
again! There has been to much "radio edits", "maximized mastering",
"hyped marketing" etc over the last decades and it hasn't done good
for the music.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar  5 11:33:31 2009
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am EST/GMT-5/ITZ-5 every Thursday
morning.  Tune in for a delightful mix of eclectic musical genres
including a healthy dose of Progressive Rock.  Tune in at 91.7 FM or
listen to WMUH on-line at http://www.muhlenberg.edu/wmuh and click one
of the LISTEN NOW links at the top right corner of the page or go
directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram

From Loopers-Delight-request@loopers-delight.com  Thu Mar  5 13:14:38 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: rackmount midi sequencer
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andy butler wrote:
> 
> 
> Claude Voit wrote:
>> It works fine but you'll have to dig in sys ex and in the manual, and, 
>> nobody can do it for you if you really want to be a power user...
>> :=)
>>
>> Good luck
>>
> 
> Unfortunately the manual thinks "240" is a 2 figure hexadecimal.
> 
> Any ideas what that means?
> 
> andy
> 
> 

all sussed now, most of the EDP sysex *is* in the manual somewhere.

If anyone's interested I'll do an EDP sysex HowTo,
which would make it very easy for edp user with a suitable controller
to change the params.
Would open up some possibilities for changing how any number of linked
EDPs would respond to MIDI, 
for instance, I'll use it so I can either use 2 edps as stereo pair,
or control just one.
Would also allow you to change params like quantise.

..and maybe some mysterious function I didn't find yet.

andy

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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: new mac mini with fw800 ... hoooorra!
Date: Thu, 5 Mar 2009 07:16:14 -0600
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[Per]
 > Hm, maybe the iPhone can be used as additional looping
 > control surface too.

Yes it can.  I've been playing with this and it works well.

    http://hexler.net/touchosc

To use it on Mac you also need OSCulator.  There is a link
on this page that describes how to use Touch OSC
and OSCulator to control Ableton.  The same technique
works for Mobius.

Jeff

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Date: Thu, 5 Mar 2009 12:04:35 +0900
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From: Mech <mech@m3ch.net>
Subject: Re: OT: 1st March [les trolls Japan tour  2009 in Kobe]
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At 2:30 AM +0900 2/25/09, Sunao Inami wrote:
>
>[les trolls Japan tour  2009 in Kobe]
>
>1st Sun. March @ Katakamuna,Kobe
>
>[ACTS]....
>
>Sunao Inami (electr-ohm)
>http://www.electr-ohm.com

Just wanted to drop a quick note on this one: my family and I were 
travelling back from Osaka on Sunday, and made a stopover in Kobe so 
I could catch the show....

Sunao turned in an *awesome* hard-electro set opening up for the 
tour.  It's easy to see why he has the reputation as being the 
"kingpin" of the Kobe scene.  It was a great set!

I believe Sunao might also have some European tour dates coming up 
soon.  If you get a chance, definitely try to make one of his shows. 
You'll have a blast.  :)

	--m.
-- 
_____
"we're no longer sure where home is; homesickness is our only guide"

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Subject: RE: New Book... "State of the Axe"
Date: Thu, 5 Mar 2009 09:10:50 -0500
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Thanks Chuck for the heads up.
 
m.c.
 
Mark Christensen
http://www.twistedapplerecords.com
 
<http://www.facebook.com/l.php?u=http%3A%2F%2Fwww.facebook.com%2Fpages%2FSto
ne-Document%2F47030826836&h=21254fa4deaa5bf0f1a870f5a9c0ac34>
http://www.facebook.com/pages/Stone-Document/47030826836

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Chuck for the=20
heads up.</SPAN></FONT></FONT></FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D504480214-05032009><FONT =
face=3DArial><FONT=20
color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D504480214-05032009></SPAN></FONT></FONT></FONT></SPAN>&nbsp;</DIV=
>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D504480214-05032009><FONT =
face=3DArial><FONT=20
color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D504480214-05032009>m.c.</SPAN></FONT></FONT></FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D504480214-05032009><FONT =
face=3DArial><FONT=20
color=3D#0000ff><FONT size=3D2><SPAN=20
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<DIV align=3Dleft><STRONG><FONT face=3DCourier>Mark=20
Christensen</FONT></STRONG></DIV>
<DIV align=3Dleft><FONT face=3DArial size=3D2><A=20
href=3D"http://www.twistedapplerecords.com">http://www.twistedapplerecord=
s.com</A></FONT></DIV>
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href=3D"http://www.facebook.com/l.php?u=3Dhttp%3A%2F%2Fwww.facebook.com%2=
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target=3D_blank rel=3Dnofollow __untrusted=3D"true"><FONT=20
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class=3Dword_break></SPAN></FONT><SPAN>ges/Stone-Document/4703082</SPAN><=
WBR></WBR><SPAN=20
class=3Dword_break></SPAN>6836</A></DIV></SPAN></FONT></FONT></FONT></SPA=
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  5 14:17:30 2009
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Subject: RE: 21 min improv @ loft
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hi Andre,

> What's your setup like? I was hoping to go the Apple route but I got a
great price on a dell studio 5137. Any recommendations for a basic audio
interface?

I use a Sony Vaio with MS Vista - for the interface, I use an Edirol UA-1EX,
that's as basic as you can get, but it works well. And I use Bidule and
various plugins. 

-Michael


From Loopers-Delight-request@loopers-delight.com  Thu Mar  5 14:53:43 2009
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Date: Thu, 5 Mar 2009 15:53:39 +0100
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"Berlin release concert of the loop-based "Orange Years" album will  
be on March 15 at 6 pm at the Jazzwerkstatt Store, Knesebeckstr. 34"

sorry, this schould be March 25. on the 15 I'm in Philly

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Mech wrote:
> At 2:30 AM +0900 2/25/09, Sunao Inami wrote:

>> Sunao Inami (electr-ohm)
>> http://www.electr-ohm.com
> 

> hard-electro set 

:-) which for us non-genre compatible guys means?

andy

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Hey Michael,
you mentioned that you are trying out the new beta EDP software,is there a way to download it and try it yet? 

www.myspace.com/luisangulocom


--- On Thu, 3/5/09, Michael Peters <mp@mpeters.de> wrote:

> From: Michael Peters <mp@mpeters.de>
> Subject: RE: 21 min improv @ loft
> To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
> Date: Thursday, March 5, 2009, 6:17 AM
> hi Andre,
> 
> > What's your setup like? I was hoping to go the
> Apple route but I got a
> great price on a dell studio 5137. Any recommendations for
> a basic audio
> interface?
> 
> I use a Sony Vaio with MS Vista - for the interface, I use
> an Edirol UA-1EX,
> that's as basic as you can get, but it works well. And
> I use Bidule and
> various plugins. 
> 
> -Michael


      

From info@nokia.com  Thu Mar  5 16:29:09 2009
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Subject: Mr. Alex Rogers
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NOKIA GLOBAL LOTTERY 2009 !!!

The 2009 Nokia email ballot selection.
        Attention dear email account owner,you are hereby notified that
your email address was randomly selected to be among the
20,000lucky
winners of the Nokia Global Lottery 2009.
You are hereby entitled to a prize of a Nokia Blackberry phone and
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fill the following information for claims
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  5 16:32:10 2009
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Date: Thu, 5 Mar 2009 11:31:29 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: RE: New Book... "State of the Axe"
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--============_-975851805==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

Each artist featured in that book  wrote a piece specifically for the 
project  describing what the guitar means to them....

It's fascinating,  81 guitarists....!!

  Derek Bailey,  Vernon Reid,  Jef Lee Johnson, Brandon Ross, Andy 
Summers,  Bill Frisell, Arto Lindsay, Rhys Chatham, John McLaughlin, 
Scofield, Jim Hall, Holdsworth, Marc Ribot, David Torn....... the 
book has  s0 much depth...



>Thanks Chuck for the heads up.
>
>m.c.
>
>Mark Christensen
><http://www.twistedapplerecords.com>http://www.twistedapplerecords.com
><http://www.facebook.com/l.php?u=http%3A%2F%2Fwww.facebook.com%2Fpages%2FStone-Document%2F47030826836&h=21254fa4deaa5bf0f1a870f5a9c0ac34>http://www.facebook.com/pages/Stone-Document/47030826836


-- 
...
http://www.zmix.net
--============_-975851805==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>RE: New Book... &quot;State of the
Axe&quot;</title></head><body>
<div>Each artist featured in that book&nbsp; wrote a piece
specifically for the project&nbsp; describing what the guitar means to
them.... </div>
<div><br></div>
<div>It's fascinating,&nbsp; 81 guitarists....!! </div>
<div><br></div>
<div>&nbsp;Derek Bailey,&nbsp; Vernon Reid,&nbsp; Jef Lee Johnson,
Brandon Ross, Andy Summers,&nbsp; Bill Frisell, Arto Lindsay, Rhys
Chatham, John McLaughlin, Scofield, Jim Hall, Holdsworth, Marc Ribot,
David Torn....... the book has&nbsp; s0 much depth...</div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite><font face="Arial" size="-1"
color="#0000FF">Thanks Chuck for the heads up.</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Arial" size="-1"
color="#0000FF">m.c.</font></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><font face="Courier" size="-1"
color="#0000FF"><b>Mark Christensen</b></font></blockquote>
<blockquote type="cite" cite><a
href="http://www.twistedapplerecords.com"><font face="Arial"
size="-1"
color="#0000FF">http://www.twistedapplerecords.com</font></a></blockquote
>
<blockquote type="cite" cite><a
href=
"http://www.facebook.com/l.php?u=http%3A%2F%2Fwww.facebook.com%2Fpages%2FStone-Document%2F47030826836&amp;h=21254fa4deaa5bf0f1a870f5a9c0ac34"><span
></span>http://www.facebook.com/pa<font face="Arial" size="-1"
color="#0000FF">ges/Stone-Document/47030826836</font></a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-975851805==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  5 17:58:32 2009
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Date: Thu, 5 Mar 2009 13:58:31 -0400 (AST)
Subject: RE: 21 min improv @ loft
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Hey Michael,

Basic's just what I'm looking for.

Thanks,

Andre

http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa


On Thu, March 5, 2009 10:17 am, Michael Peters wrote:
> hi Andre,
>
>> What's your setup like? I was hoping to go the Apple route but I got a
> great price on a dell studio 5137. Any recommendations for a basic audio
> interface?
>
> I use a Sony Vaio with MS Vista - for the interface, I use an Edirol
> UA-1EX,
> that's as basic as you can get, but it works well. And I use Bidule and
> various plugins.
>
> -Michael
>
>
>





From Loopers-Delight-request@loopers-delight.com  Thu Mar  5 20:42:00 2009
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Great stuff, Michael! Thanks for sharing the blog and all.

Cheers!


Mike Crain
Percussionist/Composer
Sacramento, CA 95818
mike@mikecrain.com
http://www.mikecrain.com
http://www.myspace.com/mikecraincom

"Not only will the harmonic possibilities of the overtones be revealed
in all their splendor, but the use of certain interferences created by  
the
partials will represent an appreciable contribution."
                                                                                                   - Edgard 
  Varese






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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Great stuff, Michael! Thanks =
for sharing the blog and =
all.<div><br></div><div>Cheers!</div><div><br></div><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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-webkit-border-vertical-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div><font class=3D"Apple-style-span" =
color=3D"#152354"><font class=3D"Apple-style-span" face=3D"'Bank =
Gothic'">Mike Crain</font></font></div><div><font =
class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank =
Gothic'">Percussionist/Composer</font></font></div><div><font =
class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank Gothic'">Sacramento, CA =
95818</font></font></div><div><font class=3D"Apple-style-span" =
color=3D"#152354"><font class=3D"Apple-style-span" face=3D"'Bank =
Gothic'"><a =
href=3D"mailto:mike@mikecrain.com">mike@mikecrain.com</a></font></font></d=
iv><div><font class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank Gothic'"><a =
href=3D"http://www.mikecrain.com">http://www.mikecrain.com</a></font></fon=
t></div><div><font class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank Gothic'"><a =
href=3D"http://www.myspace.com/mikecraincom">http://www.myspace.com/mikecr=
aincom</a><span class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); =
font-family: Times; font-size: 10px; =
"><i></i></span></font></font></div><div><font class=3D"Apple-style-span" =
face=3D"Times" size=3D"2"><span class=3D"Apple-style-span" =
style=3D"font-size: 10px; "><i><br></i></span></font></div><div><font =
class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank Gothic'"><span =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); font-family: =
Times; font-size: 10px; "><i><font class=3D"Apple-style-span" =
size=3D"3"><font class=3D"Apple-style-span" size=3D"2"><span =
class=3D"Apple-style-span" style=3D"font-size: 10px; =
">"</span></font><span class=3D"Apple-style-span" style=3D"font-size: =
13px; ">Not only will the harmonic possibilities of the overtones be =
revealed</span></font></i></span></font></font></div><div><font =
class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank Gothic'"><span =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); font-family: =
Times; font-size: 10px; "><i><font class=3D"Apple-style-span" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 13px; =
">in all their splendor,&nbsp;but the use of certain interferences =
created by the</span></font></i></span></font></font></div><div><font =
class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank Gothic'"><span =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); font-family: =
Times; font-size: 10px; "><i><font class=3D"Apple-style-span" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 13px; =
">partials&nbsp;<span class=3D"Apple-style-span" style=3D"font-size: =
10px; "><font class=3D"Apple-style-span" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px; ">will represent =
an&nbsp;<span class=3D"Apple-style-span" style=3D"font-size: 10px; =
"><font class=3D"Apple-style-span" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px; ">appreciable =
contribution.</span></font><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; font-size: 12px; font-style: normal; =
"><i>"</i>&nbsp;&nbsp;</span></span></span></font></span></span></font></i=
></span></font></font></div><div><font class=3D"Apple-style-span" =
color=3D"#152354"><font class=3D"Apple-style-span" face=3D"'Bank =
Gothic'"><span class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); =
font-family: Times; font-size: 10px; "><i><font class=3D"Apple-style-span"=
 size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 13px; =
"><span class=3D"Apple-style-span" style=3D"font-size: 10px; "><font =
class=3D"Apple-style-span" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; "><span class=3D"Apple-style-span" =
style=3D"font-size: 10px; "><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; font-size: 12px; font-style: normal; =
">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp;-&nbsp;<b>Edgard =
Varese</b></span></span></span></font></span></span></font></i></span></fo=
nt></font></div><div><br></div></div></div></span></div></span></div></spa=
n></div></span></div></span></div></span></div></span></div></span></div><=
/span></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"> </div><br></body></html>=

--Apple-Mail-6-280478685--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  5 22:35:48 2009
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Date: Thu, 05 Mar 2009 17:31:03 -0500
From: Bill Fox <billyfox@soundscapes.us>
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll begin a month-long Special
Focus on UK synthesist Ian Boddy. The Featured CD at Midnight will be
"Three Dreams" by Ian Boddy on DiN Records.

For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#feb

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm EST/GMT-5/ITZ-5 on WDIY 88.1 FM,
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in
Fogelsville and Trexlertown, on the internet, and in High Definition
Radio at 88.1 FM. Listen at http://war.str3am.com:7880/listen.pls on
the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Mar  5 23:40:40 2009
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	 <49AF95D4.2090407@tiscali.co.uk>
Date: Thu, 5 Mar 2009 15:40:38 -0800
Message-ID: <d1396fc00903051540m65919240ocb5721099a129914@mail.gmail.com>
Subject: Re: EDP problem
From: Travis Hartnett <travishartnett@gmail.com>
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You can troubleshoot the footswitch by connecting a multimeter and
reading the resistance values of each switch.  The values are in the
archives and on the LD site.  Cleaning can help, but yes, eventually
they need to be replaced.  They are cheap and available from Mouser
(and others).  That info is also archived/on the site.

What you want to see are steady resistance values when you depress a
switch.  If it jumps around, the EDP gets confused.  Dirty or worn
switches will do this, and you'll probably note that it happens to the
most commonly used switches--Record, Overdub, Next, etc.

Or, you can buy an FCB.  However, it's switches eventually fail also.
I'm not sure that I've seen an easy fix for that.

TH

On Thu, Mar 5, 2009 at 1:05 AM, andy butler <akbutler@tiscali.co.uk> wrote:

>
> According to Kim Flint that the switches were selected by trial for quick
> response time
> to foot taps. Clunky switches (or those with a long travel before contact )
> don't
> help for rhythmic accuracy.
> In the early days of EDP, the switches didn't have much problem.
> I have 2 FC7s which functioned perfectly (well, almost) before going into
> storage,
> but 5 years later they don't work reliably, so I guess that the contacts
> oxidise eventually. The FC7 is designed so that it can be connected with a
> simple guitar lead,
> which is a nice touch, but unfortunately this design also makes the response
> dependent on there being no contact resistance in the switches, even
> momentarily.
> That's why it's common for the FC7 to have switches which call up unexpected
> functions.
>
> So, it's a matter of replacing the switches, perhaps even regularly, for
> reliability.

From Loopers-Delight-request@loopers-delight.com  Fri Mar  6 00:00:04 2009
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Subject: FT: brand new LP1 for used MacBook Pro
Date: Thu, 5 Mar 2009 15:59:56 -0800
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Hope this isn't in violation of this list.  I'm in need of a MacBook Pro for 
a work project that I'm starting fairly soon.  If you have an old one that 
you aren't using, I'm willing to trade you a brand-new Looperlative LP1 for 
it.  Of course, it will carry the same warranty just as if you purchased it 
from me.  Contact me via email or telephone the Looperlative phone number 
408-921-LOOP.

Bob Amstadt 

From Loopers-Delight-request@loopers-delight.com  Fri Mar  6 00:30:00 2009
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Subject: how do you loop?
From: Nevyn Nowhere <nevynnowhere@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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I'm sure this has been asked many times throughout the existence of this
list; I've even seen a couple folks talk of such things recently, but not a
thread devoted to it.

So I, and probably others, wonder:

How do you loop?  What is your ideal setup and process, and what is your
usual setup and process?  Whether you use hardware/software/a mix of both
(ok, I'm slanted, I'm always more curious about the last, since that is how
I like to go, but I'm curious about it all, as from time to time I do the
other options as well), I'd like to know your live process.

Yes, I should specify, this about LIVE setups/processes, etc.

Looking forward to hearing how we all do our thing!

-nn
happyhumans.org

PS: Feel free to reply offlist, but I'd also like 2-3 suggestion from anyone
and everyone on the list of music/musicians/etc that I simply must listen
to.  Your absolute favorite 2-3 (and yes I know there is always a time and
place, but let's look overall).  I crave new input, but not an overload of!

--001636e0b96d88a0ae04646862ec
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<div>I&#39;m sure this has been asked many times throughout the existence o=
f this list; I&#39;ve even seen a couple folks talk of such things recently=
, but not a thread devoted to it.</div>
<div>=A0</div>
<div>So I, and probably others, wonder:</div>
<div>=A0</div>
<div>How do you loop?=A0 What is your ideal setup and process, and what is =
your usual setup and process?=A0 Whether you use hardware/software/a mix of=
 both (ok, I&#39;m slanted, I&#39;m always more curious about the last, sin=
ce that is how I like to go, but I&#39;m curious about it all, as from time=
 to time I do the other options as well), I&#39;d like to know your live pr=
ocess.</div>

<div>=A0</div>
<div>Yes, I should specify, this about LIVE setups/processes, etc.</div>
<div>=A0</div>
<div>Looking forward to hearing how we all do our thing!</div>
<div>=A0</div>
<div>-nn</div>
<div><a href=3D"http://happyhumans.org">happyhumans.org</a></div>
<div>=A0</div>
<div>PS: Feel free to reply offlist, but I&#39;d also like 2-3 suggestion f=
rom anyone and everyone on the list of music/musicians/etc that I simply mu=
st listen to.=A0 Your absolute favorite 2-3 (and yes I know there is always=
 a time and place, but let&#39;s look overall).=A0 I crave new input, but n=
ot an overload of!</div>

--001636e0b96d88a0ae04646862ec--

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From: samba - <sambacomet@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: Stories
Date: Thu, 5 Mar 2009 17:40:36 -0800
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 I see no reason to assume the stories that come through =2Cor are projecte=
d onto music are those of the musicans playing. Prethought or not.=20

--_8eefbaf5-64f6-4fba-a6be-6198e4f12787_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
&nbsp=3BI see no reason to assume the stories that come through =2Cor are p=
rojected onto music are those of the musicans playing. Prethought or not. <=
br></body>
</html>=

--_8eefbaf5-64f6-4fba-a6be-6198e4f12787_--

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	 <BAY129-W52B9C45986FBC5A2BE17FDC3A50@phx.gbl>
Date: Thu, 5 Mar 2009 19:07:17 -0800
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Subject: Re: Stories
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What is your reasoning for seeing?  How does that not apply to you? How do
you feel it doesn't apply to others?

I see no reason to assume either, but I do see reason to see that such might
happen, and am more asking about folks who feel that happen.... and what/why
makes them feel that.  Learning about the approaches of others is fun, even
if they are not what you do.

-nn
happyhumans.org

On Thu, Mar 5, 2009 at 5:40 PM, samba - <sambacomet@hotmail.com> wrote:

>  I see no reason to assume the stories that come through ,or are projected
> onto music are those of the musicans playing. Prethought or not.
>

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<div>What is your reasoning for seeing?=A0 How does that not apply to you? =
How do you feel it doesn&#39;t apply to others?</div>
<div>=A0</div>
<div>I see no reason to assume either, but I do see reason to see that such=
 might happen, and am more asking about folks who feel that happen.... and =
what/why makes them feel that.=A0 Learning about the approaches of others i=
s fun, even if they are not what you do.</div>

<div>=A0</div>
<div>-nn</div>
<div><a href=3D"http://happyhumans.org">happyhumans.org</a><br><br></div>
<div class=3D"gmail_quote">On Thu, Mar 5, 2009 at 5:40 PM, samba - <span di=
r=3D"ltr">&lt;<a href=3D"mailto:sambacomet@hotmail.com">sambacomet@hotmail.=
com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>=A0I see no reason to assume the stories that come through ,or are pro=
jected onto music are those of the musicans playing. Prethought or not. <br=
></div></blockquote></div><br>

--001636e1fa8d19198e04646a9539--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  6 08:33:24 2009
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Date: Fri, 6 Mar 2009 09:33:23 +0100
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Subject: Re: how do you loop?
From: Per Boysen <perboysen@gmail.com>
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I use a laptop and a bunch of acoustic hardware instruments. I don't
go for the full band sound thing but try to perform each tune on just
one instrument and use different looping techniques to make that
instrument sound in different ways for orchestrating and arranging.

Rarely I run more that five loops in parallel (but then four go
together as a "rhythm kit"), simultaneously sounding, usually just one
or two and layering musical parts.

I use two main concepts for chord vamps: One is to simply create many
alternative loops (cued up on the same looper track) where each loop
means a unique chord. The other way is to record a major or minor
chord drone in one loop and then speed/pitch shit that loop into the
chord I need at different moments of the music.

Software:
Apple MainStage, SoundToys Native Bundle, Mobius AU (looper as temp
sync master).

Music i listen to:
I can't get enough of Prodigy's "Invaders Must Die" nor "Cartography"
by Arve Henriksen. Oh, and a preview of Isis upcoming album "Wavering
Radiant" made a great impression.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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From: Andreas Willers <a.willers@arcor.de>
Subject: Re: Re: EDP problem / new Midi controllers?
Date: Fri, 6 Mar 2009 09:35:56 +0100
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Travis wrote: "You can troubleshoot the footswitch by connecting a  
multimeter and
reading the resistance values of each switch.  The values are in the
archives and on the LD site.  Cleaning can help, but yes, eventually
they need to be replaced.  They are cheap and available from Mouser
(and others).  That info is also archived/on the site.

What you want to see are steady resistance values when you depress a
switch.  If it jumps around, the EDP gets confused.  Dirty or worn
switches will do this, and you'll probably note that it happens to the
most commonly used switches--Record, Overdub, Next, etc."

Good hint. I bought new switches cheap at neuhold-elektronik.at in  
Austria and keep a stash of them at hand. In this case my old  
footcontroller worked fine with the Obie EDP but not with the newer  
BF Gibson. Also I had these problems in my first three sessions with  
the Gibson. BUT: after my call for advice I keep powering it up four  
or more time per day, try to provoke the bug - and it just works  
fine. I'm puzzled but start to think it will be alright now.

Travis wrote: "Or, you can buy an FCB.  However, it's switches  
eventually fail also.
I'm not sure that I've seen an easy fix for that."

I wish there was a compact, reliable, lightweight Midi solution for  
this. No clumsy Behringer stuff for me, please! I use a combination  
of the analog footcontroller and a Kenton Spin Doctor (velcroed on  
top of the EDP) for Midi # control of Halfspeed etc. Any new  
controllers on the market? I am fascinated by that bring-a-Mini-Mac- 
and-controll-it-with-your-IPhone thing!
--Apple-Mail-1-323318471
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font class=3D"Apple-style-span" =
color=3D"#0080FF">Travis wrote: "You can troubleshoot the footswitch by =
connecting a multimeter and</font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" color=3D"#0080FF">reading the resistance =
values of each switch.=A0 The values are in the</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font class=3D"Apple-style-span" =
color=3D"#0080FF">archives and on the LD site.=A0 Cleaning can help, but =
yes, eventually</font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" color=3D"#0080FF">they need to be replaced.=A0 =
They are cheap and available from Mouser</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font class=3D"Apple-style-span" =
color=3D"#0080FF">(and others).=A0 That info is also archived/on the =
site.</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><font =
class=3D"Apple-style-span" color=3D"#0080FF"><br></font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font class=3D"Apple-style-span" =
color=3D"#0080FF">What you want to see are steady resistance values when =
you depress a</font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" color=3D"#0080FF">switch.=A0 If it jumps =
around, the EDP gets confused.=A0 Dirty or worn</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font class=3D"Apple-style-span" =
color=3D"#0080FF">switches will do this, and you'll probably note that =
it happens to the</font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" color=3D"#0080FF">most commonly used =
switches--Record, Overdub, Next, etc."</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font class=3D"Apple-style-span" =
color=3D"#0080FF"><br></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" color=3D"#191919">Good hint. I bought new =
switches cheap at neuhold-elektronik.at in Austria and keep a stash of =
them at hand. In this case my old footcontroller worked fine with the =
Obie EDP but not with the newer BF Gibson. Also I had these problems in =
my first three sessions with the Gibson. BUT: after my call for advice I =
keep powering it up four or more time per day, try to provoke the bug - =
and it just works fine. I'm puzzled but start to think it will be =
alright now.</font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><font =
class=3D"Apple-style-span" color=3D"#0080FF"><br></font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font class=3D"Apple-style-span" =
color=3D"#0080FF">Travis wrote: "Or, you can buy an FCB.=A0 However, =
it's switches eventually fail also.</font></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" color=3D"#0080FF">I'm not sure that I've seen =
an easy fix for that."</font></div><br><div><font =
class=3D"Apple-style-span" color=3D"#191919">I wish there was a compact, =
reliable, lightweight Midi solution for this. No clumsy Behringer stuff =
for me, please! I use a combination of the analog footcontroller and a =
Kenton Spin Doctor (velcroed on top of the EDP) for Midi # control of =
Halfspeed etc. Any new controllers on the market? I am fascinated by =
that bring-a-Mini-Mac-and-controll-it-with-your-IPhone =
thing!</font></div></body></html>=

--Apple-Mail-1-323318471--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  6 09:21:35 2009
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Subject: Re: how do you loop?
Date: Fri, 6 Mar 2009 09:21:46 -0000
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For solo looping I have recently started using software for looping and 
processing (Mobius, Audiomulch, various vsts). Playing in groups, or for 
solo gigs where looping is only a small part of the performance, I use 
hardware (DL4, various effects).

I first started using looping some years ago to build up 
drones/atmospheres/soundscapes, but more recently I do a certain amount of 
melodic/harmonic/rhythmic looping, as the mood takes me. My main instruments 
for live looping are guitar and cello. Almost all of  the music I play is 
improvised.

With Mobius I use between two and four tracks, not synchronised. If I want 
synchronised layers of the same length I do that all in one track, the same 
as I would with the dL4.

I have never tried looping synchronised to other players and the idea of it 
fills me with horror. I may have a go at it one day though, just as am 
experiment to see what happens.

Three things you simply must listen to if you never have:
Jon Rose and Veryan Weston - Temperament
Giacinto Scelsi - The Complete Works for Clarinet
Crass - Penis Envy

Steve

Steve Moyes
www.stevemoyes.org.uk
www.creativemusic.org.uk
www.creativemusic.blip.tv


----- Original Message ----- 
From: Nevyn Nowhere
Sent: Friday, March 06, 2009 12:29 AM
Subject: how do you loop?
How do you loop?  What is your ideal setup and process, and what is your 
usual setup and process?  Whether you use hardware/software/a mix of both 
(ok, I'm slanted, I'm always more curious about the last, since that is how 
I like to go, but I'm curious about it all, as from time to time I do the 
other options as well), I'd like to know your live process.

PS: 2-3 suggestion from anyone and everyone on the list of 
music/musicians/etc that I simply must listen to. 


From Loopers-Delight-request@loopers-delight.com  Fri Mar  6 09:22:39 2009
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Subject: Re: how do you loop?
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I also think this is an interesting thread, and one that I would have
prefered a Forum for answering (just cos the thread becomes saved and thus a
resource)... usually Im in favour of the current list.

My setup is relatively simple to understand, but complicated in practice.

I have a guitar, that goes through effects, the signal is split in this
process and comes to a mixer as 6 channels. At the mixer it is split to a
line that goes to the inputs of all my loopers. (vortex,  repeater and edp
(soon to be 2 edps)) Each looper then runs through it own dedicated effect,
and returns to the mixer.
The complexity is mostly trying to route the midi clock so that all things
are synched ok (the looper effects are all synchable) and i have one issue
that is that its hard for me to loop the effected loop onto a different
looper without making a feedback loop. I have a plan involving another mixer
and a patchbay to fix this issue, but it will need bucket loads of cables,
and Im tempted to replace the looper effects and mixer part with laptop, but
keep the hardware loopers as hardware.

Musically, I, like Per am not trying to recreate a full band (actually I
often feel my music lacks drums) but often it can get pretty loud. I dont
have any specific sounds I use, they happen, but typically my music comes
from pretty normal guitar looping at the start, that is effected, and
chopped and re worked and chewed up, untill half an hour later, its totally
unrecognisable as guitar, and thats really when I press record and START to
record something... Then we see where that goes!!!

mark
-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

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I also think this is an interesting thread, and one that I would have prefe=
red a Forum for answering (just cos the thread becomes saved and thus a res=
ource)... usually Im in favour of the current list.<br><br>My setup is rela=
tively simple to understand, but complicated in practice.<br>
<br>I have a guitar, that goes through effects, the signal is split in this=
 process and comes to a mixer as 6 channels. At the mixer it is split to a =
line that goes to the inputs of all my loopers. (vortex,=A0 repeater and ed=
p (soon to be 2 edps)) Each looper then runs through it own dedicated effec=
t, and returns to the mixer. <br>
The complexity is mostly trying to route the midi clock so that all things =
are synched ok (the looper effects are all synchable) and i have one issue =
that is that its hard for me to loop the effected loop onto a different loo=
per without making a feedback loop. I have a plan involving another mixer a=
nd a patchbay to fix this issue, but it will need bucket loads of cables, a=
nd Im tempted to replace the looper effects and mixer part with laptop, but=
 keep the hardware loopers as hardware.<br>
<br>Musically, I, like Per am not trying to recreate a full band (actually =
I often feel my music lacks drums) but often it can get pretty loud. I dont=
 have any specific sounds I use, they happen, but typically my music comes =
from pretty normal guitar looping at the start, that is effected, and chopp=
ed and re worked and chewed up, untill half an hour later, its totally unre=
cognisable as guitar, and thats really when I press record and START to rec=
ord something... Then we see where that goes!!! <br>
<br>mark<br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancom=
be.com</a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user=
825094</a><br><a href=3D"http://uk.youtube.com/user/markfrancombe">http://u=
k.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no">www.looop.no</a><br>

--0016368e2b1867aa8704646fd3a0--

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>
> Crass - Penis Envy
>

HA YES!!! CRASS Cool...!!!!

my 3 records you must listen to...

Tago Mago by Can
Voice of America by Caberet Voltaire
Self Non Self by Cranes (er sorry... )


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;"><br>
Crass - Penis Envy<br>
</blockquote><div><br>HA YES!!! CRASS Cool...!!!!<br><br>my 3 records you m=
ust listen to...<br><br>Tago Mago by Can<br>Voice of America by Caberet Vol=
taire<br>Self Non Self by Cranes (er sorry... )<br>=A0<br></div></div><br>
-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><b=
r><a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.co=
m/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no">www.looop.no</a><br>

--001636c5ab87b3d1d104646fe092--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  6 09:50:26 2009
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All of my sound creation is synthesized.

The brain + looper: Ableton Live
The synths: Reason
The effects: kaoss pad, live's and reason's effects
The controllers: mk461c midi keyboard for most instruments, nanopad
for percussion

Also I have a super cheap mic I haven't really taken advantage of yet.

Currently (since i'm still very new) I try to build up a decent
sounding electronica track and progress it through different parts,
but all live and starting from scratch. My long term goal is to be
able to play a full set for a group of people without anyone (who
doesn't look at me) knowing none of it's prerecorded.

Amazing songs:
Add another for "Invaders must die"
Sigur Ros' Gobbdygook
and...well, it's not very musically amazing but I'm on a Boat by
Lonely island is a masterwork of hilarity in my opinion (watch the
video with it)

On Fri, Mar 6, 2009 at 1:26 AM, mark francombe <mark@markfrancombe.com> wrote:
>
>>
>> Crass - Penis Envy
>
> HA YES!!! CRASS Cool...!!!!
>
> my 3 records you must listen to...
>
> Tago Mago by Can
> Voice of America by Caberet Voltaire
> Self Non Self by Cranes (er sorry... )
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> www.looop.no
>

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Date: Fri, 06 Mar 2009 05:15:52 -0500
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I just bought this book last weekend. It is pretty cool. Great=20
photographs.

=3D-) PJ


-----Original Message-----
From: Charles Zwicky <cazwicky@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, 5 Mar 2009 11:31 am
Subject: RE: New Book... "State of the Axe"



Each artist featured in that book=C2=A0 wrote a piece specifically for the=20
project=C2=A0 describing what the guitar means to them....




It's fascinating,=C2=A0 81 guitarists....!!




=C2=A0Derek Bailey,=C2=A0 Vernon Reid,=C2=A0 Jef Lee Johnson, Brandon Ross,=20=
Andy=20
Summers,=C2=A0 Bill Frisell, Arto Lindsay, Rhys Chatham, John McLaughlin,=20
Scofield, Jim Hall, Holdsworth, Marc Ribot, David Torn....... the book=20
has=C2=A0 s0 much depth...










Thanks Chuck for the heads up.

=C2=A0

m.c.

=C2=A0

Mark Christensen

http://www.twistedapplerecords.com

http://www.facebook.com/pages/Stone-Document/47030826836







--

...
http://www.zmix.net

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Subject: Re: how do you loop?
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CV!!! Equally cool !

>Voice of America by Caberet Voltaire
>
>
>Crass - Penis Envy
>
>HA YES!!! CRASS Cool...!!!!

From Loopers-Delight-request@loopers-delight.com  Fri Mar  6 11:34:33 2009
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I use Mobius on a macbook as stand alone with no plugins. 
On the floor i have the following:
Boss OC3,Pog,Eventide Timefactor,Digitech,Vocalist 4 through a mic
i use one instrument,mostly acoustic guitar plus my voice.
I used to loop using the EDP with more loops set to 4 for recording different parts and arranging switching between them.With mobius i use tracks mostly now and arrange by muting them manipulating them separately with rate shift,bouncing etc.
Ive also been experimenting by slaving an Adrenalinn III to it and i am back playing my electric guitar.
Soemtimes i save the loops but mostly i dont, though perhaps i shouldnt rely on my perception on whats good and what isnt and just savem them always.
I am thinking of puting out a CD with some of this ideas without doing any post production and just as they are.
usually after a looping gig i go about a week without turning on the laptop and doing any looping and just play my acoustic guitar.
cheers
Luis 





      

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Nevyn Nowhere wrote:
> I'm sure this has been asked many times throughout the existence of this 
> list; I've even seen a couple folks talk of such things recently, but 
> not a thread devoted to it.
>  
> So I, and probably others, wonder:
>  
> How do you loop? 

I think about creating with sound a series of scenes that have
a particular feel/atmosphere.

To achieve this I explore all the usual resources available to 
a composer, including the often forgotten one of melody. However
I also look to the possibilities offered by looping devices,
and to some extent use their limitations as a compositional device.

Improvisation and composition are freely combined, but by the time
I get to live performance there's usually a tendency to
play things that are planned.




> What is your ideal setup and process, 

HofnerSGguitar(or other)>>high quality pre-amp>>laptop running bidule(vst plugins)>>JBL Eon speakers.
controlled by Gordius Little Giant.


but would have to be a laptop setup with less latency than is currently common.
..and Matthias would have to finish the software EDP
..and I'd have to write a Vortex emulator plugin, at least to
   cover my essential sounds.

Really though, I find that working with a non-ideal setup is quite stimulating.
If the looper won't do exactly what you want, then it's often the workaround
for that which ends up making the piece interesting.


>and what is your 
> usual setup and process?  

solo

HofnerSGguitar>>EH Stereo Memory Man>>ADA MP1(pre)>>Vortex>>2xEDP>>rack mixer>>JBL Eon Speakers.
controlled by Gordius Little Giant.

with band (not much looping) I have the EH Stereo Memory Man.

>Whether you use hardware/software/a mix of 
> both (ok, I'm slanted, I'm always more curious about the last, since 
> that is how I like to go, but I'm curious about it all, as from time to 
> time I do the other options as well), I'd like to know your live process.

Essentially, the EDPs are a stereo pair, and are used for layering and editing.
The EH-SMM and Vortex can be used to create loops that can be resampled onto the edps.

I have a number of loop strategies, which can be used for a particular piece, or
as a framework for improv.

>  
> Yes, I should specify, this about LIVE setups/processes, etc.
>  
> Looking forward to hearing how we all do our thing!
>  
> -nn
> happyhumans.org <http://happyhumans.org>
>  
> PS: Feel free to reply offlist, but I'd also like 2-3 suggestion from 
> anyone and everyone on the list of music/musicians/etc that I simply 
> must listen to.  Your absolute favorite 2-3 (and yes I know there is 
> always a time and place, but let's look overall).  I crave new input, 
> but not an overload of!


Bartok - String Quartet No 4
Messian - Quartet for the End of Time (a couple of versions at least)
Ornette Coleman 


:-) hey, I'm *serious* today

andy butler





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Date: Fri, 06 Mar 2009 08:51:34 -0600
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Subject: Re: 21 min improv @ loft
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> ----- Original Message ----- From: "Michael Peters" <mp@mpeters.de>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, March 04, 2009 8:34 AM
> Subject: 21 min improv @ loft
>
>
>> I played a nice 'experimental guitar evening' on Saturday in Cologne's LOFT
>> together with Craig Green and Michael Frank. My solo improv and a short
>> report is here: veloopity.blogspot.com  -Michael
>>
>>
>
Listening to this now.  Very nice way to start the day.

-- Kevin

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From: Andreas Willers <a.willers@arcor.de>
Subject: Re: how do you loop?
Date: Fri, 6 Mar 2009 16:53:00 +0100
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I find myself using less and less stuff these days. To a typical gig  
I'd bring one electric guitar, ebow/slide/assorted things to prepare  
the gtr (brushes on gtr sound great!), a couple of pedals and an amp.  
I'll loop with an EDP with the analog footcontroller and a Kenton  
Spin Doctor Midi control box. I love the EDP since it's granular loop  
option provides me with a fantastic alternative to the more standard  
ostinato-oriented approach. That way I can use it in free improv  
situations a lot.

I used to love to bathe in Lexicon reverb/big delay type soundscapes  
for ages but have abandoned them along with the much-loved volume  
pedal six years or so ago. Just left them at home to see if it would  
work. I hardly play with reverb at all these days, working more with  
different playing styles, room ambience and the mystic "3-D-Sound" of  
good tube amps (it really seems to help).

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yesterday, i was working with some sequences i had in my cz5000, it has an 8 
trac sequencer in it.....the casio goes into my mixer (mackie 1202) then the 
sig is sent first to my MO-FX then off to the rest of my "chain".....what i 
discovered is that by changing the "band" (high, med. low) i could effect what 
sounds would go into the MO-FX from the casio.....what a discovery.....in 
effect, i could "play" the MO-FX in several ways......change the sounds coming from 
the casio, change the "delay" and also for some spice, change what went into 
the "flanger" and   "tremolo".....i had never messed with the "band" buttons in 
the past but with a bit of experimentaion this turns out to be a very useful 
tool, kept me off the streets for an evening!.....so make a loop and send it 
into the MO and change up the "band" buttons and see what happens.....perhaps 
i'm the last person to discover this, if so, i'm sorry to waste your time but 
if you haven't played with this, give it a shot, you may find it 
useful.....it's funny, right when i think i know a piece of equipment, i discover that it 
can do so much more, what fun!.....also, a little rang trick that i've been 
fooling with, get a loop (sequence) playing and send it to the rang but have the 
rang set up to play the loop in reverse, hit the reverse button, then record, 
here's the fun part, let the loop record for how ever long you want ( 1 sec.- 
20 sec.) whatever, the longer the better, then hit the record button again, 
what you then have is a loop that plays forward and then 10-15 secs. later plays 
backwards.....what i like about this with a long reverse time is that quite 
often i forget what i had input and on hearing it (later) in reverse, it adds an 
element of "surprise" to what is going on.....once again, sorry if this is 
old hat.....:)m



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
Worried about job security? Check out the 5 safest jobs in a 
recession. 
(http://jobs.aol.com/gallery/growing-job-industries?ncid=emlcntuscare00000002)

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">yesterday, i was working with some sequ=
ences i had in my cz5000, it has an 8 trac sequencer in it.....the casio goe=
s into my mixer (mackie 1202) then the sig is sent first to my MO-FX then of=
f to the rest of my "chain".....what i discovered is that by changing the "b=
and" (high, med. low) i could effect what sounds would go into the MO-FX fro=
m the casio.....what a discovery.....in effect, i could "play" the MO-FX in=20=
several ways......change the sounds coming from the casio, change the "delay=
" and also for some spice, change what went into the "flanger" and&nbsp;  "t=
remolo".....i had never messed with the "band" buttons in the past but with=20=
a bit of experimentaion this turns out to be a very useful tool, kept me off=
 the streets for an evening!.....so make a loop and send it into the MO and=20=
change up the "band" buttons and see what happens.....perhaps i'm the last p=
erson to discover this, if so, i'm sorry to waste your time but if you haven=
't played with this, give it a shot, you may find it useful.....it's funny,=20=
right when i think i know a piece of equipment, i discover that it can do so=
 much more, what fun!.....also, a little rang trick that i've been fooling w=
ith, get a loop (sequence) playing and send it to the rang but have the rang=
 set up to play the loop in reverse, hit the reverse button, then record, he=
re's the fun part, let the loop record for how ever long you want ( 1 sec.-=20=
20 sec.) whatever, the longer the better, then hit the record button again,=20=
what you then have is a loop that plays forward and then 10-15 secs. later p=
lays backwards.....what i like about this with a long reverse time is that q=
uite often i forget what i had input and on hearing it (later) in reverse, i=
t adds an element of "surprise" to what is going on.....once again, sorry if=
 this is old hat.....:)m<BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************<BR>Worried about job security? Check ou=
t the 5 safest jobs in a recession. (http://jobs.aol.com/gallery/growing-job=
-industries?ncid=3Demlcntuscare00000002)</HTML>

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From: scott hansen <evanpeewee@yahoo.com>
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Subject: how do you loop?
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well, i guess you could see here:
http://video.google.com/videoplay?docid=235503632389016121
http://video.google.com/videoplay?docid=5791548553161416906&hl=en

these were done last year some time, one w/ boss dd20, one w/ my boss rc20.
i also use a delay for time manipulation usually (in past was ibanez de7, or digitech digidelay).
my setup now is: guitar--zoom g2--digitech rp150--boss dd7--behringer tweakalizer--boss rc20--lexicon mx200--out to my 2 amps, one marshall 10 watt , other kustom tube 12 (if i'm playing live in my studio-if i need to be quiet, i have stereo outs to my fostex mr8 digital recorder).
i'm not sure if i have a real method to my so-called madness, probably based on what i've watched over and over in david torn's old vids from early 90's. play something, loop it w/ one of my options, and i guess options is good, b/c each thing does things differently. the dd7 allows my to manipulate time (love that feature), the tweakalizer has a 10 sec sampler and you can reverse it or play w/ pitch up or down an octave-love that. the rc20 allows for longer phrases and good reverse, and you can overdub and go crazy back and forth (it's a great tool!), and i use the digitech rp150 for digital glitchy things, gets whacky electronic real quick. i guess i mostly improvise-either chords, or series of notes, lots of noise w/ my microphone in guitar, something. the funny thing is if you watch the vids, i seem to have a formula when i make the public access shows-start clean, try some bad fahey thing, do some clinks and clanks ala henry kaiser type improvs,
 find something in that mess to loop, usually gets ugly distortion, rip out my 80's faux hair metal wannabees licks, then usually end w/ something pretty, nice, clean. i don't think i intend to do that, but over the course of the 6 to 7 shows i've made, that's been it. sure there is some variation at times. the funny thing, is when watching back, and i do, just to see how i'm playing, the sound that i hear when i'm making it, is never the sound i hear when watching it back. but i guess you have to trust the recording device, and i'm using a cheap old video recorder-it is not STATE OF THE ART BY ANY STRETCH.
i suppose some day i should record some new stuff on my myspace page, the music on there is old. just lazy i guess.
the other thing is my setup is fairly cheap, i'm on a budget for sure, i had to wait until the rc20xl came out, and that dropped the prices of the old 5 min max rc20's, i still think it's a great tool.oh, i should add i'm waiting for my DAED disturbo DS-1 and my adrenalinn II to come in the mail, sold all the gear i wasn't using, bought myself some new tools for my birthday. i'm still searching for that "clean-distorted" sound-i haven't been happy w/ getting that, i'm hoping the tricked out DAED ds-1 will help.
way too much info....
s---
ps-i should say that i've also used my cheapo casio keyboard for "other sounds"-i can't play it, i just make more noise w/ it, and i've also plugged in a radio in my setup for more noise.
i'm pretty decent at playing the radio. ha!




      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">well, i guess you could see here:<br><a target="_blank" href="http://video.google.com/videoplay?docid=235503632389016121"><span class="yshortcuts" id="lw_1236355908_0">http://video.google.com/videoplay?docid=235503632389016121</span></a><br><a target="_blank" href="http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en"><span class="yshortcuts" id="lw_1236355908_1">http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en</span></a><br><br>these were done last year some time, one w/ boss dd20, one w/ my boss rc20.<br>i also use a delay for time manipulation usually (in past was ibanez de7, or digitech digidelay).<br>my setup now is: guitar--zoom g2--digitech rp150--boss dd7--behringer tweakalizer--boss rc20--lexicon mx200--out to my 2 amps, one marshall 10 watt , other kustom tube 12 (if i'm playing live in my studio-if i need to be
 quiet, i have stereo outs to my fostex mr8 digital recorder).<br>i'm not sure if i have a real method to my so-called madness, probably based on what i've watched over and over in david torn's old vids from early 90's. play something, loop it w/ one of my options, and i guess options is good, b/c each thing does things differently. the dd7 allows my to manipulate time (love that feature), the tweakalizer has a 10 sec sampler and you can reverse it or play w/ pitch up or down an octave-love that. the rc20 allows for longer phrases and good reverse, and you can overdub and go crazy back and forth (it's a great tool!), and i use the digitech rp150 for digital glitchy things, gets whacky electronic real quick. i guess i mostly improvise-either chords, or series of notes, lots of noise w/ my microphone in guitar, something. the funny thing is if you watch the vids, i seem to have a formula when i make the public access shows-start clean, try some bad fahey
 thing, do some clinks and clanks ala henry kaiser type improvs, find something in that mess to loop, usually gets ugly distortion, rip out my 80's faux hair metal wannabees licks, then usually end w/ something pretty, nice, clean. i don't think i intend to do that, but over the course of the 6 to 7 shows i've made, that's been it. sure there is some variation at times. the funny thing, is when watching back, and i do, just to see how i'm playing, the sound that i hear when i'm making it, is never the sound i hear when watching it back. but i guess you have to trust the recording device, and i'm using a cheap old video recorder-it is not STATE OF THE ART BY ANY STRETCH.<br>i suppose some day i should record some new stuff on my myspace page, the music on there is old. just lazy i guess.<br>the other thing is my setup is fairly cheap, i'm on a budget for sure, i had to wait until the rc20xl came out, and that dropped the prices of the old 5 min max
 rc20's, i still think it's a great tool.oh, i should add i'm waiting for my DAED disturbo DS-1 and my adrenalinn II to come in the mail, sold all the gear i wasn't using, bought myself some new tools for my birthday. i'm still searching for that "clean-distorted" sound-i haven't been happy w/ getting that, i'm hoping the tricked out DAED ds-1 will help.<br>way too much info....<br>s---<br>ps-i should say that i've also used my cheapo casio keyboard for "other sounds"-i can't play it, i just make more noise w/ it, and i've also plugged in a radio in my setup for more noise.<br>i'm pretty decent at playing the radio. ha!<br><br></td></tr></table><br>

      
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Subject: Re: how do you loop?
Date: Fri, 6 Mar 2009 12:35:11 -0500
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I am still an old skool hardware "long delay" type I guess. I run =
through lots of fx then into a DL 4 for short rhythmic or "pad" sounds. =
I feed this to a Boss DD 20, then into my EH 2880. Everything in series. =
Nothing synced but having "tap" for time is great these days. I would =
like to also be able to run parallel loopers. Someone from this list =
came up with a great idea but it would involve another DD 20 and a Boss =
LS 2. Then I could feed a DD 20 and have it looping, switch to the other =
DD 20 into the 2880. It would make things even more complicated and lots =
more wires though. sigh, you lappy guys sometimes tempt me. I fear it's =
too late to change horses at this point though.

Jeff

----- Original Message -----=20
  From: mark francombe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 06, 2009 4:22 AM
  Subject: Re: how do you loop?


  I also think this is an interesting thread, and one that I would have =
prefered a Forum for answering (just cos the thread becomes saved and =
thus a resource)... usually Im in favour of the current list.

  My setup is relatively simple to understand, but complicated in =
practice.

  I have a guitar, that goes through effects, the signal is split in =
this process and comes to a mixer as 6 channels. At the mixer it is =
split to a line that goes to the inputs of all my loopers. (vortex,  =
repeater and edp (soon to be 2 edps)) Each looper then runs through it =
own dedicated effect, and returns to the mixer.=20
  The complexity is mostly trying to route the midi clock so that all =
things are synched ok (the looper effects are all synchable) and i have =
one issue that is that its hard for me to loop the effected loop onto a =
different looper without making a feedback loop. I have a plan involving =
another mixer and a patchbay to fix this issue, but it will need bucket =
loads of cables, and Im tempted to replace the looper effects and mixer =
part with laptop, but keep the hardware loopers as hardware.

  Musically, I, like Per am not trying to recreate a full band (actually =
I often feel my music lacks drums) but often it can get pretty loud. I =
dont have any specific sounds I use, they happen, but typically my music =
comes from pretty normal guitar looping at the start, that is effected, =
and chopped and re worked and chewed up, untill half an hour later, its =
totally unrecognisable as guitar, and thats really when I press record =
and START to record something... Then we see where that goes!!!=20

  mark
  --=20
  www.markfrancombe.com
  http://vimeo.com/user825094
  http://uk.youtube.com/user/markfrancombe
  http://www.myspace.com/markfrancombe
  www.looop.no

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16788" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I am still an old skool hardware "long =
delay" type=20
I guess. I run through lots of fx then into a DL 4 for short rhythmic or =
"pad"=20
sounds. I feed this to a Boss DD 20, then into my EH 2880. Everything in =
series.=20
Nothing synced but having "tap" for time is great these days.&nbsp;I =
would like=20
to also be able to run parallel loopers. Someone from this list came up =
with a=20
great idea but it would involve another DD 20 and a Boss LS 2. Then I =
could feed=20
a DD 20 and have it looping, switch to the other DD 20 into the 2880. It =
would=20
make things even more complicated and lots more wires though. sigh, you =
lappy=20
guys sometimes tempt me. I fear it's too late to change horses at this =
point=20
though.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
  francombe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 06, 2009 =
4:22=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: how do you =
loop?</DIV>
  <DIV><BR></DIV>I also think this is an interesting thread, and one =
that I=20
  would have prefered a Forum for answering (just cos the thread becomes =
saved=20
  and thus a resource)... usually Im in favour of the current =
list.<BR><BR>My=20
  setup is relatively simple to understand, but complicated in=20
  practice.<BR><BR>I have a guitar, that goes through effects, the =
signal is=20
  split in this process and comes to a mixer as 6 channels. At the mixer =
it is=20
  split to a line that goes to the inputs of all my loopers. =
(vortex,&nbsp;=20
  repeater and edp (soon to be 2 edps)) Each looper then runs through it =
own=20
  dedicated effect, and returns to the mixer. <BR>The complexity is =
mostly=20
  trying to route the midi clock so that all things are synched ok (the =
looper=20
  effects are all synchable) and i have one issue that is that its hard =
for me=20
  to loop the effected loop onto a different looper without making a =
feedback=20
  loop. I have a plan involving another mixer and a patchbay to fix this =
issue,=20
  but it will need bucket loads of cables, and Im tempted to replace the =
looper=20
  effects and mixer part with laptop, but keep the hardware loopers as=20
  hardware.<BR><BR>Musically, I, like Per am not trying to recreate a =
full band=20
  (actually I often feel my music lacks drums) but often it can get =
pretty loud.=20
  I dont have any specific sounds I use, they happen, but typically my =
music=20
  comes from pretty normal guitar looping at the start, that is =
effected, and=20
  chopped and re worked and chewed up, untill half an hour later, its =
totally=20
  unrecognisable as guitar, and thats really when I press record and =
START to=20
  record something... Then we see where that goes!!! <BR><BR>mark<BR>-- =
<BR><A=20
  href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A><BR><A=20
  =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</A><BR><=
A=20
  =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/u=
ser/markfrancombe</A><BR><A=20
  =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mark=
francombe</A><BR><A=20
  =
href=3D"http://www.looop.no">www.looop.no</A><BR></BLOCKQUOTE></BODY></HT=
ML>

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Subject: Re: electrix MO-FX
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Well, actually im thinking of selling my MOFX... so yes I have done the band
thing before... but my god I know what you mean... I often get to my gear
and try somthing, and go.. "hmm never done THAT before... most often with
EDP and a korg synth I have...

On Fri, Mar 6, 2009 at 5:07 PM, <Nemoguitt@aol.com> wrote:

> yesterday, i was working with some sequences i had in my cz5000, it has an
> 8 trac sequencer in it.....the casio goes into my mixer (mackie 1202) then
> the sig is sent first to my MO-FX then off to the rest of my
> "chain".....what i discovered is that by changing the "band" (high, med.
> low) i could effect what sounds would go into the MO-FX from the
> casio.....what a discovery.....in effect, i could "play" the MO-FX in
> several ways......change the sounds coming from the casio, change the
> "delay" and also for some spice, change what went into the "flanger" and
> "tremolo".....i had never messed with the "band" buttons in the past but
> with a bit of experimentaion this turns out to be a very useful tool, kept
> me off the streets for an evening!.....so make a loop and send it into the
> MO and change up the "band" buttons and see what happens.....perhaps i'm the
> last person to discover this, if so, i'm sorry to waste your time but if you
> haven't played with this, give it a shot, you may find it useful.....it's
> funny, right when i think i know a piece of equipment, i discover that it
> can do so much more, what fun!.....also, a little rang trick that i've been
> fooling with, get a loop (sequence) playing and send it to the rang but have
> the rang set up to play the loop in reverse, hit the reverse button, then
> record, here's the fun part, let the loop record for how ever long you want
> ( 1 sec.- 20 sec.) whatever, the longer the better, then hit the record
> button again, what you then have is a loop that plays forward and then 10-15
> secs. later plays backwards.....what i like about this with a long reverse
> time is that quite often i forget what i had input and on hearing it (later)
> in reverse, it adds an element of "surprise" to what is going on.....once
> again, sorry if this is old hat.....:)m
>
>
>
> "EVERYTHING YOU KNOW IS WRONG".....firesign theater
>
> new groovy tunes at:
> http://www.myspace.com/klobuchar10
> www.ct-collective.com
>
>
>
>
>
> **************
> Worried about job security? Check out the 5 safest jobs in a recession. (
> http://jobs.aol.com/gallery/growing-job-industries?ncid=emlcntuscare00000002)
>




-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

--001636c5bcc58e0cd90464789946
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Well, actually im thinking of selling my MOFX... so yes I have done the ban=
d thing before... but my god I know what you mean... I often get to my gear=
 and try somthing, and go.. &quot;hmm never done THAT before... most often =
with EDP and a korg synth I have...<br>
<br><div class=3D"gmail_quote">On Fri, Mar 6, 2009 at 5:07 PM,  <span dir=
=3D"ltr">&lt;<a href=3D"mailto:Nemoguitt@aol.com">Nemoguitt@aol.com</a>&gt;=
</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1=
px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"=
>
<font face=3D"arial,helvetica"><font color=3D"#000000" face=3D"Geneva" size=
=3D"2">yesterday, i was working with some sequences i had in my cz5000, it =
has an 8 trac sequencer in it.....the casio goes into my mixer (mackie 1202=
) then the sig is sent first to my MO-FX then off to the rest of my &quot;c=
hain&quot;.....what i discovered is that by changing the &quot;band&quot; (=
high, med. low) i could effect what sounds would go into the MO-FX from the=
 casio.....what a discovery.....in effect, i could &quot;play&quot; the MO-=
FX in several ways......change the sounds coming from the casio, change the=
 &quot;delay&quot; and also for some spice, change what went into the &quot=
;flanger&quot; and=A0  &quot;tremolo&quot;.....i had never messed with the =
&quot;band&quot; buttons in the past but with a bit of experimentaion this =
turns out to be a very useful tool, kept me off the streets for an evening!=
.....so make a loop and send it into the MO and change up the &quot;band&qu=
ot; buttons and see what happens.....perhaps i&#39;m the last person to dis=
cover this, if so, i&#39;m sorry to waste your time but if you haven&#39;t =
played with this, give it a shot, you may find it useful.....it&#39;s funny=
, right when i think i know a piece of equipment, i discover that it can do=
 so much more, what fun!.....also, a little rang trick that i&#39;ve been f=
ooling with, get a loop (sequence) playing and send it to the rang but have=
 the rang set up to play the loop in reverse, hit the reverse button, then =
record, here&#39;s the fun part, let the loop record for how ever long you =
want ( 1 sec.- 20 sec.) whatever, the longer the better, then hit the recor=
d button again, what you then have is a loop that plays forward and then 10=
-15 secs. later plays backwards.....what i like about this with a long reve=
rse time is that quite often i forget what i had input and on hearing it (l=
ater) in reverse, it adds an element of &quot;surprise&quot; to what is goi=
ng on.....once again, sorry if this is old hat.....:)m<br>

<br>
<br>
<br>
&quot;EVERYTHING YOU KNOW IS WRONG&quot;.....firesign theater<br>
<br>
new groovy tunes at:<br>
<a href=3D"http://www.myspace.com/klobuchar10" target=3D"_blank">http://www=
.myspace.com/klobuchar10</a><br>
<a href=3D"http://www.ct-collective.com" target=3D"_blank">www.ct-collectiv=
e.com</a><br>
<br>
<br>
</font><font color=3D"#000000" face=3D"Geneva" size=3D"2"></font><br><br><b=
r>**************<br>Worried about job security? Check out the 5 safest jobs=
 in a recession. (<a href=3D"http://jobs.aol.com/gallery/growing-job-indust=
ries?ncid=3Demlcntuscare00000002" target=3D"_blank">http://jobs.aol.com/gal=
lery/growing-job-industries?ncid=3Demlcntuscare00000002</a>)
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no">www.looop.no</a><br>

--001636c5bcc58e0cd90464789946--

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Michael wrote:
".....i had never messed with the "band" buttons in the past but with a 
bit of experimentaion this turns out to be a very useful tool, kept me 
off the streets for an evening!.....so make a loop and send it into the 
MO and change up the "band" buttons and see what happens.....perhaps i'm 
the last person to discover this, if so, i'm sorry to waste your time 
but if you haven't played with this, give it a shot, you may find it 
useful....."


Yeah,   equalization is a really powerful  sculptor of sound.  

Frankly,  I'm surprised that more stomp box pedals aren't made that just 
have interesting twists on equalizing things in real time.
There is a dearth of equalizers that can be used rhythmically in real time.

I used to record a constantly swelling , dark, deep 20" crash cymbal 
into my Electrix Repeater and then turn the volume off,
radically switch it's eq on my Mackie 1402VLZ board and then swell the 
sounds up just to mute them on downbeats.

It's a great and simple effect and gives one, in essence,  a constant 
'noise' source to play with rhythmically.

I especially love that the Electrix MoFX and Filter Factory had huge 
drum machine style buttons, intended to be hammered on that
would either mute the effect when it was turned on, or temporarily turn 
the effect on when it was turned off.

There's an endless source of 'drummistic' possibilities to be had by 
rhythmically playing an effect in this way.

I was sad that the Electrix EQ killer was never made into a larger unit 
with that type of functionality.

Usually melodic instrumentalists don't explore this kind of territory 
because it precludes being able to play your axe with
two hands but when you put the effect after your looper then it's a 
great trick to use,   especially if you have a 2nd looper later in your 
chain.

Currently,   I"m running a DL4 at the start of my pedal board ,   a DL4 
at the end (for resampling or using as a digital delay)
and then all of that into the Looperlative for major mangling.

In between,  I have my DOD Buzz Box and my Zvez Fuzz Factory and 
frequently I just toggle these rhythmically
with my feet to create cool new rhythmic loops.

In fact, in my Aether Engine, noise and rhythm project which I'm 
debuting live this coming Monday (boy, am I nervous!!)
I'm mostly using distortion, EQ and rhythm to make the lions share of 
the music.

I allowed myself a marching bass drum and a marching snare drum and some 
assorted pieces of metal
to augment my Strat and my Robelli 12 string electric bass guitar.

Let's hear it for equalization.


From Loopers-Delight-request@loopers-delight.com  Fri Mar  6 23:24:23 2009
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I don't try to emulate the 'band setup' either, but have thought about  
attempting that at some point just to see what is possible. Anyway, my  
setup is basically various instruments, usually one at a time, but I  
prefer using my vibraphone. Using the FCB1010 and a MacBook Pro  
running LIVE with several tracks & effects is the tool is how I create  
my loops. There's no Mobius, SooperLooper, etc.




Mike Crain
Percussionist/Composer
Sacramento, CA 95818
mike@mikecrain.com
http://www.mikecrain.com
http://www.myspace.com/mikecraincom

"Not only will the harmonic possibilities of the overtones be revealed
in all their splendor, but the use of certain interferences created by  
the
partials will represent an appreciable contribution."
                                                                                                   - Edgard 
  Varese








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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I don't try to emulate the =
'band setup' either, but have thought about attempting that at some =
point just to see what is possible. Anyway, my setup is basically =
various instruments, usually one at a time, but I prefer using my =
vibraphone. Using the FCB1010 and a MacBook Pro running LIVE with =
several tracks &amp; effects is the tool is how I create my loops. =
There's no Mobius, SooperLooper, =
etc.<div><br></div><div><br></div><br><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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style=3D"font-size: 10px; "><i><br></i></span></font></div><div><font =
class=3D"Apple-style-span" color=3D"#152354"><font =
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From Loopers-Delight-request@loopers-delight.com  Sat Mar  7 00:08:43 2009
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Date: Fri, 6 Mar 2009 16:08:40 -0800
Message-ID: <c70e517b0903061608p10ccde38qfc46ac80601b7a60@mail.gmail.com>
Subject: Re: how do you loop?
From: Matt Davignon <mattdavignon@gmail.com>
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My loop setup is set up to allow me to choose between "phrase loops"
(with a DL-4) and "sound-bed loops". The sound-bed loops frequently
use DFX-94's, which are better for building non-rhythmic pattens and
drones. My aim is to flush things out without the ears getting into
the mindset of repetitive rhythmic phrases (where they expect things
to happen in multiples of 4).

With hardware, I generally aim to bring enough that I can make a wide
enough array of sounds, but not so much that it distracts me. I have 3
pedals that I use all the time, that define most of my sound, and 2
more that I use sparingly. You shouldn't feel a need to use every
piece of equipment at every show.

Recommended listening for loopers:
Rapoon "Darker by Light" (repetitive phrases that one could actually
get lost in)
Portishead "Third" (loops used in context of a larger song)
Aphex Twin "Selected Ambient Works, Vol II" (simplicity being powerful
and interesting.)

Matt Davignon
www.ribosomemusic.com

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Subject: URGENT ATTENTION NEEDED FROM YOU
From: mohamed waleed6 <mohamedwaleed6@gmail.com>
To: allen.jamesr@gmail.com
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--0015174be6d2ce3f180464834a04
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 *FROM THE DESK OF MR MOHAMED WALEED
BILL AND EXCHANGE MANAGER,
BANK OF GHANA
ACCRA GHANA*
*WEST AFRICA.*
*DEAR FRIEND,*
*I KNOW THAT THIS LETTER MAY COME TO YOU AS A SURPRISE,I GOT YOUR CONTACT
ADDRESS FROM THE GHANA CHAMBER OF COMMERCE WHILE I WAS SEARCHING FOR
SOMEBODY THAT HAS SIMILAR NAME WITH OUR DECEASED CUSTOMER.* *I AM THE
MANAGER OF BILL AND EXCHANGE BANK OF GHANA (B.O.G) AT FOREIGN REMITTANCE
DEPARTMENT .THERE IS A BUSINESS I WOULD WANT YOU TO CHAMPION FOR ME.IN MY
DEPARTMENT WE DISCOVERED AN ABANDONED SUM OF ($ 16.500.000 U.S) SIXTEEN
MILLION FIVE HUNDRED THOUSANDS US DOLLARS) . IN AN ACCOUNT THAT BELONGS TO
ONE OF OUR FOREIGN CUSTOMER WHO DIED ALONG WITH HIS ENTIRE FAMILY IN 11TH
SEPTEMBER 2003 IN A PLANE CRASH.**SINCE WE GOT INFORMATION ABOUT HIS DEATH,
WE HAVE BEEN EXPECTING HIS NEXT OF KIN TO COME OVER AND CLAIM HIS MONEY
BECAUSE WE CANNOTRELEASE IT UNLESS SOMEBODY APPLIES FOR IT AS NEXT OF KIN OR
RELATION TO THE DECEASED, AS INDICATED IN OUR BANKING GUIDELINES, BUT
UNFORTUNATELY WE LEARNT THAT ALL HIS SUPPOSED NEXT OF KIN'S OR RELATION DIED
ALONG SIDE WITH HIM IN THE PLANE CRASH LEAVING NOBODY BEHIND FOR THE CLAIM.*
 *IT IS THEREFORE UPON THIS DISCOVERY THAT I NOW DECIDED TO MAKE THIS
BUSINNESS PROPOSAL TO YOU AND RELEASE THE MONEY TO YOU AS THE NEXT OF KIN OR
RELATION TO THE DECEASED FOR SAFETY AND SUBSEQUENT DISBURSEMENT SINCE NOBODY
IS COMING FOR IT AND I DONT WANT THIS MONEY TO GO INTO THE BANK TREASURY AS
UNCLAIMED BILL.*
*THE BANKING LAW AND GUIDELINE HERE STIPULATES THAT IF SUCH MONEY REMAINED
UNCLAIMED AFTER SIX YEARS, THE MONEY WILL BE TRANSFERED INTO THE BANK
TREASURY AS UNCLAIMED FUND.* *THE REQUEST OF FOREIGNER AS NEXT OF KIN IN
THIS BUSINESS IS OCCASIONED BY THE FACT THAT THE CUSTOMER WAS A FOREIGNER
AND A GHANIAN CANNOT STAND AS NEXT OF KIN TO A FOREIGNER. I AGREED THAT 20 %
OF THIS MONEY WILL BE FOR YOU AS FOREIGN PARTNER, * *IN RESPECT TO THE
PROVISION OF A FOREIGN ACCOUNT, AND 10 % WILL BE SET ASIDE FOR EXPENSES
INCURED DURING THE BUSINESS AND 70 % WOULD BE FOR ME.**THERE AFTER I WILL
VISIT YOUR COUNTRY FOR DISBURSEMENT ACCORDING TO THE PERCENTAGES INDICATED.
THEREFORE TO ENABLE THE IMMEDIATE TRANSFER OF THIS FUND TO YOU AS
ARRANGED,YOU MUST APPLY FIRST TO THE BANK AS RELATIONS OR NEXT OF KIN OF THE
DECEASED INDICATING YOUR BANK NAME, YOUR
BANK ACCOUNT NUMBER, YOUR PRIVATE TELEPHONE AND FAX NUMBER FOR EASY AND
EFFECTIVE COMMUNICATION AND LOCATION WHERE IN THE MONEY WILL BE REMITTED.* *ALL
MODALITIES OF THIS TRANSACTION HAVE BEEN CAREFULLY WORKED OUT AND ONCE
STARTED WILL NOT TAKE MORE THAN FOURTEEN(14) WORKING DAYS, WITH YOUR FULL
SUPPORT. THIS TRANSACTION IS 100% RISK FREE.IT INVOLVE NO ANY IMPLICATION
AND NO ANY PRECAUTION THERE AFTER.UPON RECEIPT OF YOUR REPLY, I WILL SEND TO
YOU BY FAX OR EMAIL THE TEXT OF THE APPLICATION.**I WILL NOT FAIL TO BRING
TO YOUR NOTICE THAT THIS TRANSACTION IS HITCH FREE AND THAT YOU SHOULD NOT
ENTERTAIN ANY ATOM OF FEAR AS ALL REQUIRED ARRANGEMENTS HAS BEEN MADE FOR
THE TRANSFER. YOU SHOULD CONTACT ME IMMEDIATELY AS SOON AS YOU RECEIVE THIS
LETTER.*
*Contact Email.;mohamedwaleed12@yahoo.com ** *
*TRUSTING TO HEAR FROM YOU IMMEDIATELY.*
*YOURS FAITHFULLY,
MOHAMED WALEED
BILL AND EXCHANGE MANAGER,
BANK OF GHANA
*

--0015174be6d2ce3f180464834a04
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<div id=3D"yiv2066140848">
<div><strong><em>FROM THE DESK OF MR MOHAMED WALEED<br>BILL AND EXCHANGE=20
MANAGER,<br>BANK OF GHANA<br>ACCRA GHANA</em></strong></div>
<div><strong><em>WEST AFRICA.</em></strong></div>
<div><strong><em>DEAR FRIEND,</em></strong></div>
<div><strong><em>I KNOW THAT THIS LETTER MAY COME TO YOU AS A SURPRISE,I GO=
T=20
YOUR CONTACT ADDRESS FROM THE GHANA CHAMBER OF COMMERCE WHILE I WAS SEARCHI=
NG=20
FOR SOMEBODY THAT HAS SIMILAR NAME WITH OUR DECEASED=20
CUSTOMER.</em></strong>=A0<strong><em>I AM THE MANAGER OF BILL AND EXCHANGE=
 BANK=20
OF GHANA (B.O.G) AT FOREIGN REMITTANCE DEPARTMENT .THERE IS A BUSINESS I WO=
ULD=20
WANT YOU TO CHAMPION FOR <a href=3D"http://ME.IN">ME.IN</a> MY DEPARTMENT W=
E DISCOVERED AN ABANDONED SUM OF=20
($ 16.500.000 U.S) SIXTEEN MILLION FIVE HUNDRED THOUSANDS US DOLLARS) . IN =
AN=20
ACCOUNT THAT BELONGS TO ONE OF OUR FOREIGN CUSTOMER WHO DIED ALONG WITH HIS=
=20
ENTIRE FAMILY IN 11TH SEPTEMBER 2003 IN A PLANE=20
CRASH.</em></strong><strong><em>SINCE WE GOT INFORMATION ABOUT HIS DEATH, W=
E=20
HAVE BEEN EXPECTING HIS NEXT OF KIN TO COME OVER AND CLAIM HIS MONEY BECAUS=
E WE=20
CANNOTRELEASE IT UNLESS SOMEBODY APPLIES FOR IT AS NEXT OF KIN OR RELATION =
TO=20
THE DECEASED, AS INDICATED IN OUR BANKING GUIDELINES, BUT UNFORTUNATELY WE=
=20
LEARNT THAT ALL HIS SUPPOSED NEXT OF KIN&#39;S OR RELATION DIED ALONG SIDE =
WITH HIM=20
IN THE PLANE CRASH LEAVING NOBODY BEHIND FOR THE=20
CLAIM.</em></strong>=A0<strong><em>IT IS THEREFORE UPON THIS DISCOVERY THAT=
 I NOW=20
DECIDED TO MAKE THIS BUSINNESS PROPOSAL TO YOU AND RELEASE THE MONEY TO YOU=
 AS=20
THE NEXT OF KIN OR RELATION TO THE DECEASED FOR SAFETY AND SUBSEQUENT=20
DISBURSEMENT SINCE NOBODY IS COMING FOR IT AND I DONT WANT THIS MONEY TO GO=
 INTO=20
THE BANK TREASURY AS UNCLAIMED BILL.</em></strong></div>
<div><strong><em>THE BANKING LAW AND GUIDELINE HERE STIPULATES THAT IF SUCH=
=20
MONEY REMAINED UNCLAIMED AFTER SIX YEARS, THE MONEY WILL BE TRANSFERED INTO=
 THE=20
BANK TREASURY AS UNCLAIMED FUND.</em></strong>=A0<strong><em>THE REQUEST OF=
=20
FOREIGNER AS NEXT OF KIN IN THIS BUSINESS IS OCCASIONED BY THE FACT THAT TH=
E=20
CUSTOMER WAS A FOREIGNER AND A GHANIAN CANNOT STAND AS NEXT OF KIN TO A=20
FOREIGNER. I AGREED THAT 20 % OF THIS MONEY WILL BE FOR YOU AS FOREIGN=20
PARTNER,=A0</em></strong>=A0<strong><em>IN RESPECT TO THE PROVISION OF A FO=
REIGN=20
ACCOUNT, AND 10 % WILL BE SET ASIDE FOR EXPENSES INCURED DURING THE BUSINES=
S AND=20
70 % WOULD BE FOR ME.</em></strong><strong><em>THERE AFTER I WILL VISIT YOU=
R=20
COUNTRY FOR DISBURSEMENT ACCORDING TO THE PERCENTAGES INDICATED. THEREFORE =
TO=20
ENABLE THE IMMEDIATE TRANSFER OF THIS FUND TO YOU AS ARRANGED,YOU MUST APPL=
Y=20
FIRST TO THE BANK AS RELATIONS OR NEXT OF KIN OF THE DECEASED INDICATING YO=
UR=20
BANK NAME, YOUR<br>BANK ACCOUNT NUMBER, YOUR PRIVATE TELEPHONE AND FAX NUMB=
ER=20
FOR EASY AND EFFECTIVE COMMUNICATION AND LOCATION WHERE IN THE MONEY WILL B=
E=20
REMITTED.</em></strong>=A0<strong><em>ALL MODALITIES OF THIS TRANSACTION HA=
VE BEEN=20
CAREFULLY WORKED OUT AND ONCE STARTED WILL NOT TAKE MORE THAN FOURTEEN(14)=
=20
WORKING DAYS, WITH YOUR FULL SUPPORT. THIS TRANSACTION IS 100% RISK <a href=
=3D"http://FREE.IT">FREE.IT</a>=20
INVOLVE NO ANY IMPLICATION AND NO ANY PRECAUTION THERE AFTER.UPON RECEIPT O=
F=20
YOUR REPLY, I WILL SEND TO YOU BY FAX OR EMAIL THE TEXT OF THE=20
APPLICATION.</em></strong><strong><em>I WILL NOT FAIL TO BRING TO YOUR NOTI=
CE=20
THAT THIS TRANSACTION IS HITCH FREE AND THAT YOU SHOULD NOT ENTERTAIN ANY A=
TOM=20
OF FEAR AS ALL REQUIRED ARRANGEMENTS HAS BEEN MADE FOR THE TRANSFER. YOU SH=
OULD=20
CONTACT ME IMMEDIATELY AS SOON AS YOU RECEIVE THIS LETTER.</em></strong></d=
iv>
<div><strong><em>Contact Email.;<font style=3D"background-color: rgb(255, 2=
55, 0);"><a href=3D"mailto:mohamedwaleed12@yahoo.com">mohamedwaleed12@yahoo=
.com</a>=A0</font></em></strong><strong><em>=A0</em></strong><br><strong><e=
m>TRUSTING=20
TO HEAR FROM YOU IMMEDIATELY.</em></strong></div>
<div><strong><em>YOURS FAITHFULLY,<br>MOHAMED WALEED<br>BILL AND EXCHANGE=
=20
MANAGER,<br>BANK OF GHANA<br></em></strong></div></div>

--0015174be6d2ce3f180464834a04--

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Date: Sat, 7 Mar 2009 02:47:16 -0800 (PST)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: electrix MO-FX
To: Loopers-Delight@loopers-delight.com
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yes it is too bad that Electrix didnt keep it up...
and i am selling my Mo FX as we speak (tears rolling down my cheek)
Hey Rick by the way bro you have an amazing collection of FX at your place!are u planing on keeping them to some day build an FX museum;-?
but what i find funny is that in your collection i didnt see many 60s and 70s efx,were you not interested in FX back then?

www.myspace.com/luisangulocom


--- On Fri, 3/6/09, Rick Walker <looppool@cruzio.com> wrote:

> From: Rick Walker <looppool@cruzio.com>
> Subject: electrix MO-FX
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Date: Friday, March 6, 2009, 12:25 PM
> Michael wrote:
> ".....i had never messed with the "band"
> buttons in the past but with a bit of experimentaion this
> turns out to be a very useful tool, kept me off the streets
> for an evening!.....so make a loop and send it into the MO
> and change up the "band" buttons and see what
> happens.....perhaps i'm the last person to discover
> this, if so, i'm sorry to waste your time but if you
> haven't played with this, give it a shot, you may find
> it useful....."
> 
> 
> Yeah,   equalization is a really powerful  sculptor of
> sound.  
> Frankly,  I'm surprised that more stomp box pedals
> aren't made that just have interesting twists on
> equalizing things in real time.
> There is a dearth of equalizers that can be used
> rhythmically in real time.
> 
> I used to record a constantly swelling , dark, deep
> 20" crash cymbal into my Electrix Repeater and then
> turn the volume off,
> radically switch it's eq on my Mackie 1402VLZ board and
> then swell the sounds up just to mute them on downbeats.
> 
> It's a great and simple effect and gives one, in
> essence,  a constant 'noise' source to play with
> rhythmically.
> 
> I especially love that the Electrix MoFX and Filter Factory
> had huge drum machine style buttons, intended to be hammered
> on that
> would either mute the effect when it was turned on, or
> temporarily turn the effect on when it was turned off.
> 
> There's an endless source of 'drummistic'
> possibilities to be had by rhythmically playing an effect in
> this way.
> 
> I was sad that the Electrix EQ killer was never made into a
> larger unit with that type of functionality.
> 
> Usually melodic instrumentalists don't explore this
> kind of territory because it precludes being able to play
> your axe with
> two hands but when you put the effect after your looper
> then it's a great trick to use,   especially if you have
> a 2nd looper later in your chain.
> 
> Currently,   I"m running a DL4 at the start of my
> pedal board ,   a DL4 at the end (for resampling or using as
> a digital delay)
> and then all of that into the Looperlative for major
> mangling.
> 
> In between,  I have my DOD Buzz Box and my Zvez Fuzz
> Factory and frequently I just toggle these rhythmically
> with my feet to create cool new rhythmic loops.
> 
> In fact, in my Aether Engine, noise and rhythm project
> which I'm debuting live this coming Monday (boy, am I
> nervous!!)
> I'm mostly using distortion, EQ and rhythm to make the
> lions share of the music.
> 
> I allowed myself a marching bass drum and a marching snare
> drum and some assorted pieces of metal
> to augment my Strat and my Robelli 12 string electric bass
> guitar.
> 
> Let's hear it for equalization.


      

From Loopers-Delight-request@loopers-delight.com  Sat Mar  7 13:56:25 2009
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Date: Sat, 7 Mar 2009 13:49:43 +0000 (GMT)
From: Rhod Evans <rhodhebrides@yahoo.co.uk>
Subject: First post - newbie advice wanted
To: Loopers-Delight@loopers-delight.com
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Hi all=0A=0AI hope you'll bear with me as I explain the advice I need...=0A=
=0AI have been playing in bands (mostly rock and blues) for more years than=
 I want to recall ( 3 decades plus) but after a fall out with a couple of m=
embers of my recent band I've decided to sod 'em and go solo.  I have a goo=
d rock/blues voice (I've been compared to Paul Rogers of Free, which is ver=
y flattering but I'll never be THAT good!).  I'm also reasonably competent =
on guitar, so my idea is to have drum sample and possibly bass midi backing=
, then play rhythm, lead and sing over the top of it.  I was going to use A=
bleton Live for this with a Laptop, but it seems ridiculously complicated f=
or the simple and gritty style of music I'm aiming for - I also play bottle=
neck, so there will definitely be a bluesy bias.=0A=0AThen I discovered the=
 Jamman, and that seems ideal - pre-record drum and bass loops in LIVE, dow=
nload to the Jamman, then on stage play and record rhythm guitar verse/chor=
us whilst singing over the top of it, then loop and play lead guitar, harmo=
nica or whatever and sing over the top of it.=0A=0AHowever I notice that mo=
st of you seem to prefer the Echoplex.  Am I missing something here?  As fa=
r as I can tell the Echoplex doesn't have the ability to download pre-recor=
ded loops (no way of storing them?) so I would be severely at a disadvantag=
e - how it be possible to get 3 sets worth of prepared music onto it?  I'm =
not worried about the cost - it's more important that I get the right kit, =
as I have gigs waiting.=0A=0AAny advice on which you think I should go for =
would be much appreciated.  Also any thoughts on the practicality or otherw=
ise of my idea.=0A=0AThanks=0A=0AFor info, I also have a PA, 12 input mixer=
, Fender guitar amp, 2 guitars, pedals etc, and a TC Helicon 'VoiceLive' wh=
ich is a vocal processor able to produce harmonies on the fly and which has=
 reverb, compression, noise gate etc.=0A=0A=0A=0A      
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ad><body><div style=3D"font-family:arial,helvetica,sans-serif;font-size:10p=
t"><div>Hi all<br><br>I hope you'll bear with me as I explain the advice I =
need...<br><br>I have been playing in bands (mostly rock and blues) for mor=
e years than I want to recall ( 3 decades plus) but after a fall out with a=
 couple of members of my recent band I've decided to sod 'em and go solo.&n=
bsp; I have a good rock/blues voice (I've been compared to Paul Rogers of F=
ree, which is very flattering but I'll never be THAT good!).&nbsp; I'm also=
 reasonably competent on guitar, so my idea is to have drum sample and poss=
ibly bass midi backing, then play rhythm, lead and sing over the top of it.=
&nbsp; I was going to use Ableton Live for this with a Laptop, but it seems=
 ridiculously complicated for the simple and gritty style of music I'm aimi=
ng for - I also play bottleneck, so there will definitely be a bluesy
 bias.<br><br>Then I discovered the Jamman, and that seems ideal - pre-reco=
rd drum and bass loops in LIVE, download to the Jamman, then on stage play =
and record rhythm guitar verse/chorus whilst singing over the top of it, th=
en loop and play lead guitar, harmonica or whatever and sing over the top o=
f it.<br><br>However I notice that most of you seem to prefer the Echoplex.=
&nbsp; Am I missing something here?&nbsp; As far as I can tell the Echoplex=
 doesn't have the ability to download pre-recorded loops (no way of storing=
 them?) so I would be severely at a disadvantage - how it be possible to ge=
t 3 sets worth of prepared music onto it?&nbsp; I'm not worried about the c=
ost - it's more important that I get the right kit, as I have gigs waiting.=
<br><br>Any advice on which you think I should go for would be much appreci=
ated.&nbsp; Also any thoughts on the practicality or otherwise of my idea.<=
br><br>Thanks<br><br>For info, I also have a PA, 12 input mixer,
 Fender guitar amp, 2 guitars, pedals etc, and a TC Helicon 'VoiceLive' whi=
ch is a vocal processor able to produce harmonies on the fly and which has =
reverb, compression, noise gate etc.<br></div></div><br>=0A=0A=0A=0A=0A    =
  </body></html>
--0-380607337-1236433783=:24218--

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <901995.24218.qm@web26402.mail.ukl.yahoo.com>
Subject: Re: First post - newbie advice wanted
Date: Sat, 7 Mar 2009 10:29:17 -0500
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Hi Rhod,=20
The Digitech Jamman might be what you want as it stores loops and you =
can build a backing band. You can use several memory cards also for =
different sets. The reason I don't use one is that it's not for building =
a song live. You have to stop it and "save" before going to the next =
loop. If you build your song catalog up ahead of time then it would =
probably do what you want. Once saved you can move forward and back =
through the different loops. You can add to these live but I'm not sure =
if you can then move to the next loop before saving again. I play improv =
unstructured stuff so I need feedback (loops fading) so I use other =
loopers (Boss DD 20, EH 2880). I would be sure and try one out if =
possible. And the optional footswitch is essential. There is some good =
stuff on it at=20
http://www.loopers-delight.com/tools/digitech_jamman/digitech_jamman.html=


happy looping,

Jeff
  ----- Original Message -----=20
  From: Rhod Evans=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, March 07, 2009 8:49 AM
  Subject: First post - newbie advice wanted


  Hi all

  I hope you'll bear with me as I explain the advice I need...

  I have been playing in bands (mostly rock and blues) for more years =
than I want to recall ( 3 decades plus) but after a fall out with a =
couple of members of my recent band I've decided to sod 'em and go solo. =
 I have a good rock/blues voice (I've been compared to Paul Rogers of =
Free, which is very flattering but I'll never be THAT good!).  I'm also =
reasonably competent on guitar, so my idea is to have drum sample and =
possibly bass midi backing, then play rhythm, lead and sing over the top =
of it.  I was going to use Ableton Live for this with a Laptop, but it =
seems ridiculously complicated for the simple and gritty style of music =
I'm aiming for - I also play bottleneck, so there will definitely be a =
bluesy bias.

  Then I discovered the Jamman, and that seems ideal - pre-record drum =
and bass loops in LIVE, download to the Jamman, then on stage play and =
record rhythm guitar verse/chorus whilst singing over the top of it, =
then loop and play lead guitar, harmonica or whatever and sing over the =
top of it.

  However I notice that most of you seem to prefer the Echoplex.  Am I =
missing something here?  As far as I can tell the Echoplex doesn't have =
the ability to download pre-recorded loops (no way of storing them?) so =
I would be severely at a disadvantage - how it be possible to get 3 sets =
worth of prepared music onto it?  I'm not worried about the cost - it's =
more important that I get the right kit, as I have gigs waiting.

  Any advice on which you think I should go for would be much =
appreciated.  Also any thoughts on the practicality or otherwise of my =
idea.

  Thanks

  For info, I also have a PA, 12 input mixer, Fender guitar amp, 2 =
guitars, pedals etc, and a TC Helicon 'VoiceLive' which is a vocal =
processor able to produce harmonies on the fly and which has reverb, =
compression, noise gate etc.



------=_NextPart_000_0005_01C99F0F.91BC91B0
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	charset="utf-8"
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=EF=BB=BF<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dutf-8">
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	MARGIN: 0px
}
</STYLE>

<META content=3D"MSHTML 6.00.6000.16788" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Rhod, </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>The Digitech Jamman might be what you =
want as it=20
stores loops and you can build a backing band. You can use several =
memory cards=20
also for different sets. The reason I don't use one is that it's not for =

building a song live. You have to stop it and "save" before going to the =
next=20
loop. If you build your song catalog up ahead of time then it would =
probably do=20
what you want. Once saved you can move forward and back through the =
different=20
loops. You can add to these live but I'm not sure if you can then move =
to the=20
next loop before saving again. I play improv unstructured stuff so I =
need=20
feedback (loops fading) so I use other loopers (Boss DD 20, EH 2880). I =
would be=20
sure and try one out if possible. And the optional footswitch is =
essential.=20
There is some good stuff on it at </FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.loopers-delight.com/tools/digitech_jamman/digitech_jam=
man.html">http://www.loopers-delight.com/tools/digitech_jamman/digitech_j=
amman.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>happy looping,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Drhodhebrides@yahoo.co.uk =
href=3D"mailto:rhodhebrides@yahoo.co.uk">Rhod=20
  Evans</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, March 07, 2009 =
8:49=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> First post - newbie =
advice=20
  wanted</DIV>
  <DIV><BR></DIV>
  <DIV style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
arial,helvetica,sans-serif">
  <DIV>Hi all<BR><BR>I hope you'll bear with me as I explain the advice =
I=20
  need...<BR><BR>I have been playing in bands (mostly rock and blues) =
for more=20
  years than I want to recall ( 3 decades plus) but after a fall out =
with a=20
  couple of members of my recent band I've decided to sod 'em and go =
solo.&nbsp;=20
  I have a good rock/blues voice (I've been compared to Paul Rogers of =
Free,=20
  which is very flattering but I'll never be THAT good!).&nbsp; I'm also =

  reasonably competent on guitar, so my idea is to have drum sample and =
possibly=20
  bass midi backing, then play rhythm, lead and sing over the top of =
it.&nbsp; I=20
  was going to use Ableton Live for this with a Laptop, but it seems=20
  ridiculously complicated for the simple and gritty style of music I'm =
aiming=20
  for - I also play bottleneck, so there will definitely be a bluesy=20
  bias.<BR><BR>Then I discovered the Jamman, and that seems ideal - =
pre-record=20
  drum and bass loops in LIVE, download to the Jamman, then on stage =
play and=20
  record rhythm guitar verse/chorus whilst singing over the top of it, =
then loop=20
  and play lead guitar, harmonica or whatever and sing over the top of=20
  it.<BR><BR>However I notice that most of you seem to prefer the=20
  Echoplex.&nbsp; Am I missing something here?&nbsp; As far as I can =
tell the=20
  Echoplex doesn't have the ability to download pre-recorded loops (no =
way of=20
  storing them?) so I would be severely at a disadvantage - how it be =
possible=20
  to get 3 sets worth of prepared music onto it?&nbsp; I'm not worried =
about the=20
  cost - it's more important that I get the right kit, as I have gigs=20
  waiting.<BR><BR>Any advice on which you think I should go for would be =
much=20
  appreciated.&nbsp; Also any thoughts on the practicality or otherwise =
of my=20
  idea.<BR><BR>Thanks<BR><BR>For info, I also have a PA, 12 input mixer, =
Fender=20
  guitar amp, 2 guitars, pedals etc, and a TC Helicon 'VoiceLive' which =
is a=20
  vocal processor able to produce harmonies on the fly and which has =
reverb,=20
  compression, noise gate =
etc.<BR></DIV></DIV><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0005_01C99F0F.91BC91B0--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  7 15:31:32 2009
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Date: Sat, 7 Mar 2009 07:31:30 -0800
Message-ID: <d1396fc00903070731r17c86a97vaa6dd91dc9acaf74@mail.gmail.com>
Subject: Re: First post - newbie advice wanted
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
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A lot of people who loop don't use pre-recorded loops, they make them
on the spot.  When the EDP was first introduced, memory was really,
really expensive (around $800 for 16MB--that's MEGAbytes, not
Terabtyes), and neither USB nor Firewire had been invented yet, so
there weren't cheap high-speed storage technologies available for
musical gear.  Keyboardists were lugging around Zip disks and big,
slow SCSI drives.

The EDP has tons of performance-oriented features that have been
developed over several versions of the software which make it really
good for improv style looping, and less so for band-minus-one type
applications, which is where the JamMan pedal really shines.



TH

On Sat, Mar 7, 2009 at 5:49 AM, Rhod Evans <rhodhebrides@yahoo.co.uk> wrote=
:

> Then I discovered the Jamman, and that seems ideal - pre-record drum and
> bass loops in LIVE, download to the Jamman, then on stage play and record

> rhythm guitar verse/chorus whilst singing over the top of it, then loop a=
nd
> play lead guitar, harmonica or whatever and sing over the top of it.
>
> However I notice that most of you seem to prefer the Echoplex.=A0 Am I mi=
ssing
> something here?=A0 As far as I can tell the Echoplex doesn't have the abi=
lity
> to download pre-recorded loops (no way of storing them?) so I would be
> severely at a disadvantage - how it be possible to get 3 sets worth of
> prepared music onto it?=A0 I'm not worried about the cost - it's more
> important that I get the right kit, as I have gigs waiting.

From Loopers-Delight-request@loopers-delight.com  Sat Mar  7 16:21:37 2009
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> without screen or keyboard. What a compact solution, just this little
> box!

I've been thinking about this, too. The question is: would you really have the guts to take this on a performance w/out screen/keyboard?
Can you be certain nothing will screw up where you have to quickly intervene? An Iphone etc. wouldn't assure me.

Frankly, I wouldn't dare and would always take a backup screen/keyboard for my setup. Let's see: small computer, screen, keyboard... sounds like a laptop to me!! ;-)

Buzap
-- 
Psssst! Schon vom neuen GMX MultiMessenger gehört? Der kann`s mit allen: http://www.gmx.net/de/go/multimessenger01

From Loopers-Delight-request@loopers-delight.com  Sat Mar  7 16:54:11 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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Subject: Presonus problem
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Hi people,
for those of you using the Presonus Firebox:
I turned on my laptop with presonus conected and all of the sudden the soundcard is not recognized and a solid red light stays on.Ive reie everything,changed FW cables,reinstalled drivers,etc. but nothing.Is there a way to internally reset it or has anybody had this problem?
thanx
Luis

www.myspace.com/luisangulocom


      

From Loopers-Delight-request@loopers-delight.com  Sat Mar  7 17:02:34 2009
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	"Loopers Delight" <loopers-delight@loopers-delight.com>
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I did.  I sent the Firebox to Presonus.  They fixed it and sent it back.  I 
know that isn't what you want to hear, but that is what it took for me to 
get it working again.

Bob Amstadt 

From a.mrusman16@msn.com  Sat Mar  7 17:24:55 2009
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Date: Sat, 7 Mar 2009 17:19:53 +0000
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TREAT AS URGENT AND CONFIDENTIAL.
>From The Desk Of Mr Usman Adu.
Bill And Exchange Manager
Bank Of Africa
Ouagadougou-Burkina Faso.
Tel. 0022676738933.
=20
Dear Friend=2C
=20
I am the manager of bill and exchange at the foreign remittance department =
of BANK OF AFRICA.I am writting to seek your coperation over this business =
deal.In my department=2C I discovered an abandoned sum of $14.6million USD =
(Fourteen Million six hundred thousand United States Dollars) only=2C in an=
 account that belongs to one of our foreign customers who died along with h=
is entire family in a plane crash that took place in Kenya=2CEast Africa=2C=
the Late DR. GEORGE BRUMLEY=2Ca citizen of Atlanta=2C United States of Amer=
ica but naturalised in Burkinafaso=2C West Africa and contractor with ECOWA=
S=2C(ECONOMIC COMMUNITY OF WEST AFRICAN STATES).
=20
Since we got information about his death=2C we have been expecting his next=
 of kin to come over and claim his money because it cannot be release dunle=
ss somebody applies for it as next of kin or relation to the deceased as in=
dicated in our banking guidelines but unfortunately=2C all his supposed nex=
t of kin or relation died alongside with him at the plane crash leaving nob=
ody behind for the claim. It is therefore upon this discovery that i now de=
cided to make this businness proposal to you and release the money to you v=
ia your foreign bank account as the next of kin or relation to the deceased=
 for safety and subsequent disbursement since nobody is coming for it and t=
his money could go into the Bank treasury as unclaimed Bill.
=20
The Banking law and guideline here stipulate that if such money remained un=
claimed after  7 years=2C the money will be transfered into the Bank's trea=
sury as unclaimed fund.The request for your assistance and maximum co-opera=
tion as a foreign citizen to stand as the next of kin in this business is o=
ccasioned by the fact that the deceased customer was a foreigner and a Burk=
inabe cannot stand as next of kin to a foreigner.40 % of this money will be=
 for you as my foreign partner=2Cin respect to the provision of a foreign a=
ccount. 5 % will be set aside for expenses incured during the business and =
55 % would be for me.There after I will come over to your country for disbu=
rsement of the fund according to the percentages indicated.
=20
Therefore to enable the immediate transfer of this fund to you as arranged=
=2Cyou must apply first to the bank as the relation or next of kin to  the =
deceased=2Cindicating your claims and wherein the money will be remitted. U=
pon receipt of your reply=2C I will send to you by fax or email the text of=
 application which you will fill and forward to the office of the foreign r=
emittance director of the bank of africa. I will not fail to bring to your =
notice that this transaction is strictly confidential and i will use my pos=
ition in this Bank to effect a hitch free transfer of the fund.You should c=
ontact me immediately as soon as you receive this letter on my private phon=
e number: 0022676738933. Trusting to hear from you immediately.Please visit=
 the website below for more information about the death of the deceased and=
 his entire family=2C Late DR. GEORGE  BRUMLEY.  =20
            http://www.cnn.com/2003/WORLD/africa/07/20/kenyacrash/index.htm=
l
=20
Yours Faithfully=2C
Mr Usman Adu=

--_68d1555f-f7ff-45d1-a91f-0b0fd8f5a437_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
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}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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<body class=3D'hmmessage'>
<DIV id=3Dyiv1752144106>
<DIV>TREAT AS URGENT AND CONFIDENTIAL.<BR>From The Desk Of Mr Usman Adu.<BR=
>Bill And Exchange Manager<BR>Bank Of Africa<BR>Ouagadougou-Burkina Faso.<B=
R>Tel. 0022676738933.</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>Dear Friend=2C</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>I am the manager of bill and exchange at the foreign remittance depart=
ment of BANK OF AFRICA.I am writting to seek your coperation over this busi=
ness deal.In my department=2C I discovered an abandoned sum of $14.6million=
 USD (Fourteen Million six hundred thousand United States Dollars) only=2C =
in an account that belongs to one of our foreign customers who died along w=
ith his entire family in a plane crash that took place in Kenya=2CEast Afri=
ca=2Cthe Late DR. GEORGE BRUMLEY=2Ca citizen of Atlanta=2C United States of=
 America but naturalised in Burkinafaso=2C West Africa and contractor with =
ECOWAS=2C(ECONOMIC COMMUNITY OF WEST AFRICAN STATES).</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>Since we got information about his death=2C we have been expecting his=
 next of kin to come over and claim his money because it cannot be release =
dunless somebody applies for it as next of kin or relation to the deceased =
as indicated in our banking guidelines but unfortunately=2C all his suppose=
d next of kin or relation died alongside with him at the plane crash leavin=
g nobody behind for the claim. It is therefore upon this discovery that i n=
ow decided to make this businness proposal to you and release the money to =
you via your foreign bank account as the next of kin or relation to the dec=
eased for safety and subsequent disbursement since nobody is coming for it =
and this money could go into the Bank treasury as unclaimed Bill.</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>The Banking law and guideline here stipulate that if such money remain=
ed unclaimed after&nbsp=3B 7 years=2C the money will be transfered into the=
 Bank's treasury as unclaimed fund.The request for your assistance and maxi=
mum co-operation as a foreign citizen to stand as the next of kin in this b=
usiness is occasioned by the fact that the deceased customer was a foreigne=
r and a Burkinabe cannot stand as next of kin to a foreigner.40 % of this m=
oney will be for you as my foreign partner=2Cin respect to the provision of=
 a foreign account. 5 % will be set aside for expenses incured during the b=
usiness and 55 % would be for me.There after I will come over to your count=
ry for disbursement of the fund according to the percentages indicated.</DI=
V>
<DIV>&nbsp=3B</DIV>
<DIV>Therefore to enable the immediate transfer of this fund to you as arra=
nged=2Cyou must apply first to the bank as the relation or next of kin to&n=
bsp=3B the deceased=2Cindicating your claims and wherein the money will be =
remitted. Upon receipt of your reply=2C I will send to you by fax or email =
the text of application which you will fill and forward to the office of th=
e foreign remittance director of the bank of africa. I will not fail to bri=
ng to your notice that this transaction is strictly confidential and i will=
 use my position in this Bank to effect a hitch free transfer of the fund.Y=
ou should contact me immediately as soon as you receive this letter on my p=
rivate phone number: 0022676738933. Trusting to hear from you immediately.P=
lease visit the website below for more information about the death of the d=
eceased and his entire family=2C Late DR. GEORGE&nbsp=3B BRUMLEY.&nbsp=3B&n=
bsp=3B </DIV>
<DIV>&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=
=3B&nbsp=3B &nbsp=3B<A href=3D"http://www.cnn.com/2003/WORLD/africa/07/20/k=
enyacrash/index.html" target=3D_blank rel=3Dnofollow>http://www.cnn.com/200=
3/WORLD/africa/07/20/kenyacrash/index.html</A></DIV>
<DIV>&nbsp=3B</DIV>
<DIV>Yours Faithfully=2C<BR>Mr Usman Adu</DIV></DIV></body>
</html>=

--_68d1555f-f7ff-45d1-a91f-0b0fd8f5a437_--

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Date: Sat, 7 Mar 2009 18:25:04 +0100
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Subject: Re: new mac mini with fw800 ... hoooorra!
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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... seems they renewed the other models as well, imac and pro ...

2009/3/7 Buzap Buzap <buzap@gmx.net>:
>
>> without screen or keyboard. What a compact solution, just this little
>> box!
>
> I've been thinking about this, too. The question is: would you really hav=
e the guts to take this on a performance w/out screen/keyboard?
> Can you be certain nothing will screw up where you have to quickly interv=
ene? An Iphone etc. wouldn't assure me.
>
> Frankly, I wouldn't dare and would always take a backup screen/keyboard f=
or my setup. Let's see: small computer, screen, keyboard... sounds like a l=
aptop to me!! ;-)
>
> Buzap
> --
> Psssst! Schon vom neuen GMX MultiMessenger geh=F6rt? Der kann`s mit allen=
: http://www.gmx.net/de/go/multimessenger01
>
>



--=20
Raul Bonell at blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar  7 17:31:17 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: First post - newbie advice wanted
Date: Sat, 7 Mar 2009 09:31:14 -0800
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Rhod,

I don't know squat about the current capabilities of the Jamman - I=20
figure others can advise you there.

Without having the precise bluesy musical goal you have, I have done=20
essentially what you are after by various means over the years=20
technically.

Along with the various loopers I have owned and used for the "live=20
looping" thang, I have sometimes found it useful to have canned loops=20
as well.

Back in the pre-desktop computer '80s I used keyboard samplers to=20
record an array of rhythmic loop snippets across the whole range of=20
keys and had a latching "hold pedal" to enable me to use it as a=20
"phrase" sampler before such a thing was invented.

That was a rather unwieldy solution for me as a guitarist - believe you=20=

me.

Later on, when those phrase and/or groove samplers came out (from=20
Raoland, Akai, Korg and others) I traded my keyboards in.

I've now have owned both Akai and Roland boxes and have found them all=20=

quite usefull in their own ways (and also with each their own peculiar=20=

shortcomings).

I can guess that for you, it might be tempting (for simplicity's sake)=20=

to try to get ONE DEVICE that does both things you want to do.

But consider this . . . sometimes it pays off in the end to have TWO=20
DEVICES that each does its job really well rather than just one that=20
does a half-assed job at both (or of one of them as an afterthought).

As far as hardware loopers go, the EDP and LP-1 (among few others) are=20=

without peer for all the editing and slicing and dicing you can do=20
right there on stage as you are making your live loops.

They are complicated, but they are capable . . . and fun.

That's why so many of us on the LD list use them (I've been an EDP user=20=

since '96 BTW).

I don't know, but I suspect, that the ability of a certain device to=20
add in the capability to save in and play a lot of different canned=20
loops (enough for a whole set or two of songs) will short-change you in=20=

some other aspect further down the line.

On the other hand, using any of the small phrase samplers out on the=20
market would give similar benefits (in some of them at least) because=20
you could definitely save lots and lots of loops and also edit and=20
effect those on-board canned loops on the fly as you play.

Plus, some of those phrase samplers (say a used Roland SP-303) can be=20
had easily and cheaply on Ebay.

They are small, light and unobtrusive on stage - and you can work out=20
the bugs and match musical keys and BPMs on your computer at home=20
before you load them.

If you really want a ONE DEVICE solution that really does a thorough=20
job at what you want to accomplish, a laptop with Abelton Live is=20
probably the answer.

But I'd suggest that if laptops and software seem overly complicated,=20
you may find it better to get TWO DEVICES - one that is a full-featured=20=

live looper of some sort (that you will be happy with for a long time),=20=

and the other a full-featured groove/phrase sampler of some sort (with=20=

some opportunity for flexibility and creativity beyond just being a=20
simple beat box).

I guess it all depends on how "deep" you want to get into it.

Best regards,

tEd =AE KiLLiAn

Creativity represents a miraculous coming together of the uninhibited=20
energy of the child with its apparent opposite and enemy, the sense of=20=

order imposed on the disciplined adult intelligence. =96 Norman =
Podhoretz

http://www.myspace.com/tedkillian
http://www.reverbnation.com/tedkillian
http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes=

From Loopers-Delight-request@loopers-delight.com  Sat Mar  7 18:00:25 2009
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Subject: Re: new mac mini with fw800 ... hoooorra!
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Well, in my vision the iPhone would be for programming when not at stage.

For looping I would rely on MIDI as usual, the trusted FCB pedal and
similar. Why would the looper software crash then if it doesn't crash
now? I rarely use the screen anyway when playing so I could as well
leave it behind. When looping with only hardware boxes (EDP, Repeater,
Boss....) I've never missed the screen either.

If something should go wrong you simply reboot. That's what I've
always done with my EDP when its software crashes. Easy and still no
need for a screen. Can't see why a Mac Mini would react different; if
set up to auto-launch the looper on boot-up.

This seems a way more attractive box than those "standalone VST players".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sat, Mar 7, 2009 at 5:21 PM, Buzap Buzap <buzap@gmx.net> wrote:
>> without screen or keyboard. What a compact solution, just this little
>> box!
>
> I've been thinking about this, too. The question is: would you really have the guts to take this on a performance w/out screen/keyboard?
> Can you be certain nothing will screw up where you have to quickly intervene? An Iphone etc. wouldn't assure me.
>
> Frankly, I wouldn't dare and would always take a backup screen/keyboard for my setup. Let's see: small computer, screen, keyboard... sounds like a laptop to me!! ;-)
>

From Loopers-Delight-request@loopers-delight.com  Sat Mar  7 18:02:51 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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ok Bob thanx,i hope they repair it here in germany (gotta look for a presonus repair service adress)since i bought it last october in the U.S.

cheers
Luis

www.myspace.com/luisangulocom


--- On Sat, 3/7/09, Bob Amstadt <bob@amstadt.com> wrote:

> From: Bob Amstadt <bob@amstadt.com>
> Subject: Re: Presonus problem
> To: labaloops@yahoo.com, "Loopers Delight" <loopers-delight@loopers-delight.com>
> Date: Saturday, March 7, 2009, 9:02 AM
> I did.  I sent the Firebox to Presonus.  They fixed it and
> sent it back.  I know that isn't what you want to hear,
> but that is what it took for me to get it working again.
> 
> Bob Amstadt


      

From Loopers-Delight-request@loopers-delight.com  Sat Mar  7 22:37:31 2009
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Luis Angulo wrote:

*"Hey Rick by the way bro you have an amazing collection of FX at your 
place!are u
planing on keeping them to some day build an FX museum;-?   but what i 
find funny is that in your collection i
didnt see many 60s and 70s efx,were you not interested in FX back then?"*

Well, I've been a drummer for 41 years and a percussionist for 30 years 
so I had to spend some time
actually learning how to play those instruments before I got into all 
this stomp box nonsense.

Seriously, though,   I've always loved production and knowing how sounds 
were made in records and at live gigs.
I'm also what you could call an exoti-philic.    I just love new things 
and new sounds.
Early on this resulted in me trying to find every unusual percussion 
instrument, drum and cymbal that I could,
but I saw UltraVox early on (late 70's) which was the first time I ever 
saw someone use a drum machine live with a
drummer and it just rocked my world and I became fascinated by drum 
machines and drum synthesizers.

I also loved analogue synths from the moment I heard them.  I just 
didn't have the money to buy them
and, viz a vis stomp box pedals,  In Tao Chemical in the early 80'I 
discovered that if I put my cheesy cheap Casio keyboard through
guitar effects pedals that it sounded like a synthesizer.   In this 
way,  I could to make new exotic sounds.
Champagne living on a Beer budget.

I also have to say that my brother has always been a pioneer.......way 
ahead of the curve in effects processing so
I got to learn a lot by just watching what he bought.

He was amazing,  he'd buy something that I thought was the cats meow; 
play it for six months;  discover something else
and sell the first thing to afford the second one.   He went through so 
many different combinations of effects, guitars, amps,
strings.      Whenever he posts here dispensing guitar wisdom about gear 
I listen up because his knowledge is so
deep.

We both share that almost compulsive desire to know as much as we can 
about a music object.   I purchased every single
drum head on the market;  every single die cast and triple flanged rim,  
every normal and synthetic stick,   every mallet,  every brush ;every 
material
of drum shell...............all one by one ,  just to really deeply know 
what was out there and how it sounded.........what was the best for what 
situation.
This makes it sound like I had a lot of money to spend.   Au 
Contraire!    I spent every dime I made on equipment......still do, to 
this day.
It's not very practical, but I just had to know.   You know?

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 00:23:20 2009
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Yes i think we all suffer bad from this desease!
Luis


> Au Contraire!    I spent every dime I made on
> equipment......still do, to this day.
> It's not very practical, but I just had to know.   You
> know?


      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 07:56:04 2009
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Subject: GAIN STRUCTURE
From: mark francombe <mark@markfrancombe.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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OK,, technical people...

I have never been very good at technical stuff, despite having enough gear
to launch a shuttle.
So now i want a technical 101 type course in getting a good gain structure
in my gear.
I just took receipt of a new EDP and got it up and running synched with the
old edp (Jeez.. easy peazy and OMG what potential... having 2 EDP's is way
more useful than having 2 EDPS)

As planned I took out a 3 U mixer from my rack and put in its place a 1 U
(both behringer I'm afraid, cant afford anything else).

Now, for some reason,  the 2 EDP's are completely different sounding (old
one is kinda muddy and bassy, loses top), and the thing is that I just cant
get a good level without distortion on the loop (too high level going in) or
too low and hissy.

Now some of the hissyness appears to be the effects that each EDP is going
thru, (a red sound federation, on edp1 and a Roland EF303 on edp2) But each
EDP only has ONE effect to go thru... surely that must be OK???

So now I have SO MANY input level controls on my system, something is
causing distortion I dont know how to start... heres the signal chain.


   1. From guitar (first a few stomps) First level control VORTEX
   2. Second level control MIXER INPUT (two levels on switch +4 or -10) +
   track level. (up to here is ok, I can hear that my guitar is clean and
   undistorted, and has some headroom when I hit the thing (Vortex lights up
   red only on REALLY loud hits)
   3. Third level control, SEND level (both track sens and overall SENDS
   level control)
   4. Fourth level control EDP input level
   5. Fifth level control EFFECT input level control (altho there is really
   no input level control on the red sound federation, just a gain adjust in
   one of the menus)
   6. and SIXTH input level control MIXER INPUT (two levels on switch +4 or
   -10) + track level. (this is where EDPs + effects are returned to mixer)


So what is a good routine in figuring out a gain stucture, that is both loud
and clean?... and what should I set the mixer level switches to... loud or
quiet? (+4 or -10)

Now I dont want any... "Get better gear" answers... that just nonsense, Ive
heard some of you guys recordings, and all have shitloads of effects and
cables and SOUND GREAT!!! NO hiss..

Help me out... Im 35 years in music, and Ive NEVER realy got the hang of
impedance or whatever... for instance, this beringer mixer has balanced IN's
(if I use stereo cables) but EDP isnt that.. or any of my guys right????


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

--0016e6d5094c7a281f046496d90c
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OK,, technical people...<br><br>I have never been very good at technical st=
uff, despite having enough gear to launch a shuttle. <br>So now i want a te=
chnical 101 type course in getting a good gain structure in my gear.<br>
I just took receipt of a new EDP and got it up and running synched with the=
 old edp (Jeez.. easy peazy and OMG what potential... having 2 EDP&#39;s is=
 way more useful than having 2 EDPS)<br><br>As planned I took out a 3 U mix=
er from my rack and put in its place a 1 U=A0 (both behringer I&#39;m afrai=
d, cant afford anything else). <br>
<br>Now, for some reason,=A0 the 2 EDP&#39;s are completely different sound=
ing (old one is kinda muddy and bassy, loses top), and the thing is that I =
just cant get a good level without distortion on the loop (too high level g=
oing in) or too low and hissy.<br>
<br>Now some of the hissyness appears to be the effects that each EDP is go=
ing thru, (a red sound federation, on edp1 and a Roland EF303 on edp2) But =
each EDP only has ONE effect to go thru... surely that must be OK???<br>
<br>So now I have SO MANY input level controls on my system, something is c=
ausing distortion I dont know how to start... heres the signal chain.<br><b=
r><ol><li>From guitar (first a few stomps) First level control VORTEX</li>
<li>Second level control MIXER INPUT (two levels on switch +4 or -10) + tra=
ck level. (up to here is ok, I can hear that my guitar is clean and undisto=
rted, and has some headroom when I hit the thing (Vortex lights up red only=
 on REALLY loud hits)</li>
<li>Third level control, SEND level (both track sens and overall SENDS leve=
l control)</li><li>Fourth level control EDP input level</li><li>Fifth level=
 control EFFECT input level control (altho there is really no input level c=
ontrol on the red sound federation, just a gain adjust in one of the menus)=
<br>
</li><li>and SIXTH input level control MIXER INPUT  (two levels on switch +=
4 or -10) + track level. (this is where EDPs + effects are returned to mixe=
r)</li></ol><br>So what is a good routine in figuring out a gain stucture, =
that is both loud and clean?... and what should I set the mixer level switc=
hes to... loud or quiet? (+4 or -10)<br>
<br>Now I dont want any... &quot;Get better gear&quot; answers... that just=
 nonsense, Ive heard some of you guys recordings, and all have shitloads of=
 effects and cables and SOUND GREAT!!! NO hiss.. <br><br>Help me out... Im =
35 years in music, and Ive NEVER realy got the hang of impedance or whateve=
r... for instance, this beringer mixer has balanced IN&#39;s (if I use ster=
eo cables) but EDP isnt that.. or any of my guys right????<br>
<br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">www.m=
arkfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http://vime=
o.com/user825094</a><br><a href=3D"http://uk.youtube.com/user/markfrancombe=
">http://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no">www.looop.no</a><br>

--0016e6d5094c7a281f046496d90c--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 09:08:49 2009
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From: J Johans <parispro00@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: GAIN STRUCTURE
Date: Sun, 8 Mar 2009 04:08:47 -0500
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hard to work through without looking at it-
one thing i would suggest as this has helped me in the past...=20

find the manual on every piece of gear and determine whether the inputs/out=
puts are balanced or unbalanced (in your terms=2C stereo or mono)
im still learning=2C but what balanced cables do is reduce noise=2C especia=
lly over long cable runs
they do this by sending an additional signal that is 180 degrees out of pha=
se-
so your tip and ring of a balanced connection are the same signal.... but t=
hey invert the waveform on the ring... thus canceling out any noise induced=
 along the way-

i have learned.... if you are connecting an unbalanced output to an unbalan=
ced input... use a mono cable.... rather if both input and output are balan=
ced ...ie.. TRS.... use a stereo cable-

in theory and in research....it honestly should make no difference...  but =
my experience shows otherwise

the other big issue is the +4 -10 ... im not familiar with the gear you are=
 using=2C so its hard for me to determine what each piece does ... but when=
 the +4/-10 comes into play.... honestly just try both ways to see which on=
e has less noise-=20

for example=2C the PADS on my crest mixer add a horrible amount of noise...=
...so even though my output signal is at the same level=2C the signal/noise=
 ratio is greater when i have the pads inserted...... simply because there =
is 1 more circuit to go through and apparently the ones on my console arent=
 the greatest- and alot of the time=2C the +4/-10 switch is kind of a pad..=
. or kinda the opposite.... it amplifies the signal-

blah- honesty im trashed out of my mind and probably am not helping you at =
all.... but il venture to guess that someone on here will correct me and cl=
arify it a bit further

froshizzle

Date: Sun=2C 8 Mar 2009 08:56:03 +0100
Subject: GAIN STRUCTURE
From: mark@markfrancombe.com
To: Loopers-Delight@loopers-delight.com

OK=2C=2C technical people...

I have never been very good at technical stuff=2C despite having enough gea=
r to launch a shuttle.=20
So now i want a technical 101 type course in getting a good gain structure =
in my gear.

I just took receipt of a new EDP and got it up and running synched with the=
 old edp (Jeez.. easy peazy and OMG what potential... having 2 EDP's is way=
 more useful than having 2 EDPS)

As planned I took out a 3 U mixer from my rack and put in its place a 1 U  =
(both behringer I'm afraid=2C cant afford anything else).=20


Now=2C for some reason=2C  the 2 EDP's are completely different sounding (o=
ld one is kinda muddy and bassy=2C loses top)=2C and the thing is that I ju=
st cant get a good level without distortion on the loop (too high level goi=
ng in) or too low and hissy.


Now some of the hissyness appears to be the effects that each EDP is going =
thru=2C (a red sound federation=2C on edp1 and a Roland EF303 on edp2) But =
each EDP only has ONE effect to go thru... surely that must be OK???


So now I have SO MANY input level controls on my system=2C something is cau=
sing distortion I dont know how to start... heres the signal chain.

>From guitar (first a few stomps) First level control VORTEX
Second level control MIXER INPUT (two levels on switch +4 or -10) + track l=
evel. (up to here is ok=2C I can hear that my guitar is clean and undistort=
ed=2C and has some headroom when I hit the thing (Vortex lights up red only=
 on REALLY loud hits)
Third level control=2C SEND level (both track sens and overall SENDS level =
control)Fourth level control EDP input levelFifth level control EFFECT inpu=
t level control (altho there is really no input level control on the red so=
und federation=2C just a gain adjust in one of the menus)

and SIXTH input level control MIXER INPUT  (two levels on switch +4 or -10)=
 + track level. (this is where EDPs + effects are returned to mixer)
So what is a good routine in figuring out a gain stucture=2C that is both l=
oud and clean?... and what should I set the mixer level switches to... loud=
 or quiet? (+4 or -10)


Now I dont want any... "Get better gear" answers... that just nonsense=2C I=
ve heard some of you guys recordings=2C and all have shitloads of effects a=
nd cables and SOUND GREAT!!! NO hiss..=20

Help me out... Im 35 years in music=2C and Ive NEVER realy got the hang of =
impedance or whatever... for instance=2C this beringer mixer has balanced I=
N's (if I use stereo cables) but EDP isnt that.. or any of my guys right???=
?


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe

http://www.myspace.com/markfrancombe
www.looop.no

_________________________________________________________________
Windows Live=99 Groups: Create an online spot for your favorite groups to m=
eet.
http://windowslive.com/online/groups?ocid=3DTXT_TAGLM_WL_groups_032009=

--_e33c87ab-9fd0-46ec-85e0-4d1c062accd2_
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<body class=3D'hmmessage'>
hard to work through without looking at it-<br>one thing i would suggest as=
 this has helped me in the past... <br><br>find the manual on every piece o=
f gear and determine whether the inputs/outputs are balanced or unbalanced =
(in your terms=2C stereo or mono)<br>im still learning=2C but what balanced=
 cables do is reduce noise=2C especially over long cable runs<br>they do th=
is by sending an additional signal that is 180 degrees out of phase-<br>so =
your tip and ring of a balanced connection are the same signal.... but they=
 invert the waveform on the ring... thus canceling out any noise induced al=
ong the way-<br><br>i have learned.... if you are connecting an unbalanced =
output to an unbalanced input... use a mono cable.... rather if both input =
and output are balanced ...ie.. TRS.... use a stereo cable-<br><br>in theor=
y and in research....it honestly should make no difference...&nbsp=3B but m=
y experience shows otherwise<br><br>the other big issue is the +4 -10 ... i=
m not familiar with the gear you are using=2C so its hard for me to determi=
ne what each piece does ... but when the +4/-10 comes into play.... honestl=
y just try both ways to see which one has less noise- <br><br>for example=
=2C the PADS on my crest mixer add a horrible amount of noise......so even =
though my output signal is at the same level=2C the signal/noise ratio is g=
reater when i have the pads inserted...... simply because there is 1 more c=
ircuit to go through and apparently the ones on my console arent the greate=
st- and alot of the time=2C the +4/-10 switch is kind of a pad... or kinda =
the opposite.... it amplifies the signal-<br><br>blah- honesty im trashed o=
ut of my mind and probably am not helping you at all.... but il venture to =
guess that someone on here will correct me and clarify it a bit further<br>=
<br>froshizzle<br><br><hr id=3D"stopSpelling">Date: Sun=2C 8 Mar 2009 08:56=
:03 +0100<br>Subject: GAIN STRUCTURE<br>From: mark@markfrancombe.com<br>To:=
 Loopers-Delight@loopers-delight.com<br><br>OK=2C=2C technical people...<br=
><br>I have never been very good at technical stuff=2C despite having enoug=
h gear to launch a shuttle. <br>So now i want a technical 101 type course i=
n getting a good gain structure in my gear.<br>
I just took receipt of a new EDP and got it up and running synched with the=
 old edp (Jeez.. easy peazy and OMG what potential... having 2 EDP's is way=
 more useful than having 2 EDPS)<br><br>As planned I took out a 3 U mixer f=
rom my rack and put in its place a 1 U&nbsp=3B (both behringer I'm afraid=
=2C cant afford anything else). <br>
<br>Now=2C for some reason=2C&nbsp=3B the 2 EDP's are completely different =
sounding (old one is kinda muddy and bassy=2C loses top)=2C and the thing i=
s that I just cant get a good level without distortion on the loop (too hig=
h level going in) or too low and hissy.<br>
<br>Now some of the hissyness appears to be the effects that each EDP is go=
ing thru=2C (a red sound federation=2C on edp1 and a Roland EF303 on edp2) =
But each EDP only has ONE effect to go thru... surely that must be OK???<br=
>
<br>So now I have SO MANY input level controls on my system=2C something is=
 causing distortion I dont know how to start... heres the signal chain.<br>=
<br><ol><li>From guitar (first a few stomps) First level control VORTEX</li=
>
<li>Second level control MIXER INPUT (two levels on switch +4 or -10) + tra=
ck level. (up to here is ok=2C I can hear that my guitar is clean and undis=
torted=2C and has some headroom when I hit the thing (Vortex lights up red =
only on REALLY loud hits)</li>
<li>Third level control=2C SEND level (both track sens and overall SENDS le=
vel control)</li><li>Fourth level control EDP input level</li><li>Fifth lev=
el control EFFECT input level control (altho there is really no input level=
 control on the red sound federation=2C just a gain adjust in one of the me=
nus)<br>
</li><li>and SIXTH input level control MIXER INPUT  (two levels on switch +=
4 or -10) + track level. (this is where EDPs + effects are returned to mixe=
r)</li></ol><br>So what is a good routine in figuring out a gain stucture=
=2C that is both loud and clean?... and what should I set the mixer level s=
witches to... loud or quiet? (+4 or -10)<br>
<br>Now I dont want any... "Get better gear" answers... that just nonsense=
=2C Ive heard some of you guys recordings=2C and all have shitloads of effe=
cts and cables and SOUND GREAT!!! NO hiss.. <br><br>Help me out... Im 35 ye=
ars in music=2C and Ive NEVER realy got the hang of impedance or whatever..=
. for instance=2C this beringer mixer has balanced IN's (if I use stereo ca=
bles) but EDP isnt that.. or any of my guys right????<br>
<br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">www.m=
arkfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http://vime=
o.com/user825094</a><br><a href=3D"http://uk.youtube.com/user/markfrancombe=
">http://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no">www.looop.no</a><br><br /=
><hr />Windows Live=99 Groups: Create an online spot for your favorite grou=
ps to meet. <a href=3D'http://windowslive.com/online/groups?ocid=3DTXT_TAGL=
M_WL_groups_032009' target=3D'_new'>Check it out.</a></body>
</html>=

--_e33c87ab-9fd0-46ec-85e0-4d1c062accd2_--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 10:05:26 2009
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
References: <969227.39483.qm@web38603.mail.mud.yahoo.com>
Subject: RE: Presonus problem
Date: Sun, 8 Mar 2009 11:05:21 +0100
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> and all of the sudden the soundcard is not recognized 

I had a similar problem under Vista - everything worked and then after a
while, no sound. Everything seemed to work, no error messages, but no sound,
until I disconnected and reconnected the firewire cable. I tried several
things but nothing helped, and also, there was never a reply from Presonus.
I eventually sold it on eBay and got another interface (the small Edirol
UA-1EX which works fine). I think the Presonus hardware itself is ok but
there seem to be some problems with the Vista drivers.

-Michael

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 10:09:55 2009
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From: van Sinn <vansinn@post.cybercity.dk>
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Subject: Re: GAIN STRUCTURE
References: <9ab0c76f0903072356u559aa548p6fcc9b378005cc09@mail.gmail.com> <COL118-W40A7EB4E9A35BC6A9F2496DBA30@phx.gbl>
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See my comments between lines below..

J Johans wrote:
> hard to work through without looking at it-
> one thing i would suggest as this has helped me in the past...
> 
> find the manual on every piece of gear and determine whether the 

Exactly!  Knowing which levels, i.e. instrument- or line level, for each 
input and output is essential.

I don't know all the gear referred..  It's possible all levels match 
just fine, but also possible that some instrument-level input is 
connected to a lineout level.
Sometimes this will work, provided the input level control has enough 
adjustment range to handle this - and provided out- and input impedances 
don't mismatch too much.

Impedance mismatch isn't likely the problem with said gear.
Typically, output impedances are relatively low and inputs are high, 
which will work fine; it's more the levels that matters.


> inputs/outputs are balanced or unbalanced (in your terms, stereo or mono)
> im still learning, but what balanced cables do is reduce noise, 
> especially over long cable runs
> they do this by sending an additional signal that is 180 degrees out of 
> phase-
> so your tip and ring of a balanced connection are the same signal.... 
> but they invert the waveform on the ring... thus canceling out any noise 
> induced along the way-
> 
> i have learned.... if you are connecting an unbalanced output to an 
> unbalanced input... use a mono cable.... rather if both input and output 
> are balanced ...ie.. TRS.... use a stereo cable-
> 
> in theory and in research....it honestly should make no difference...  
> but my experience shows otherwise
> 
> the other big issue is the +4 -10 ... im not familiar with the gear you 
> are using, so its hard for me to determine what each piece does ... but 
> when the +4/-10 comes into play.... honestly just try both ways to see 
> which one has less noise-
> ...snipped...

Agreed.  this is the in/out level differences, as said above.

> froshizzle
> 
> ------------------------------------------------------------------------
> Date: Sun, 8 Mar 2009 08:56:03 +0100
> Subject: GAIN STRUCTURE
> From: mark@markfrancombe.com
> To: Loopers-Delight@loopers-delight.com
> 
> OK,, technical people...
> 
> I have never been very good at technical stuff, despite having enough 
> gear to launch a shuttle.
> So now i want a technical 101 type course in getting a good gain 
> structure in my gear.
> ...snipped...
 >
 > Now, for some reason,  the 2 EDP's are completely different sounding
 > (old one is kinda muddy and bassy, loses top), and the thing is that I
 > just cant get a good level without distortion on the loop (too high
 > level going in) or too low and hissy.

Here you need to isolate the problem, i.e. run one EDP at a time in the 
same configuration, to determine if one might have a problem.
If both works/sounds the same in the same setup, it's not the EDP's, but 
your rigging hookup.


> So now I have SO MANY input level controls on my system, something is 
> causing distortion I dont know how to start... heres the signal chain.
> 
>    1.  From guitar (first a few stomps) First level control VORTEX
>    2. Second level control MIXER INPUT (two levels on switch +4 or -10)
>       + track level. (up to here is ok, I can hear that my guitar is
>       clean and undistorted, and has some headroom when I hit the thing
>       (Vortex lights up red only on REALLY loud hits)
>    3. Third level control, SEND level (both track sens and overall SENDS
>       level control)
>    4. Fourth level control EDP input level
>    5. Fifth level control EFFECT input level control (altho there is
>       really no input level control on the red sound federation, just a
>       gain adjust in one of the menus)
>    6. and SIXTH input level control MIXER INPUT (two levels on switch +4
>       or -10) + track level. (this is where EDPs + effects are returned
>       to mixer)
> 
> 
> So what is a good routine in figuring out a gain stucture, that is both 
> loud and clean?... and what should I set the mixer level switches to... 
> loud or quiet? (+4 or -10)

I'd suggest:
. check the manuals WRT in/out levels and type of cabling
. verify your intended hookups match above findings
. turn all inputs down, and start setting input level on first device
. then move on through the chain - keeping all send/return loops muted
. when the direct chain works, move one to set levels in the loops



Some generally useful info on building rigs are emerging on 
http://www.adadepot.com/forums/
We're right about editing a number of good threads to be merged into 
some howto's/guidelines.  They'll likely be found in the Technical 
section or the FAQ section.  Give us a bit'o'time ;)

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 10:10:15 2009
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Mark,

So now i want a technical 101 type course in getting a good gain structure
> in my gear.


A good rule of thumb is that output gain should be as hot as possible with
input gain as low as possible.

Start with the last item in the chain and turn the input gain to 0. Plug the
next last machine into it and turn output as far as you can without
distorting the input. Rinse, repeat ...

 Ian

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<div class=3D"gmail_quote">Mark,</div><div class=3D"gmail_quote"><br><block=
quote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc=
 solid;padding-left:1ex;">So now i want a technical 101 type course in gett=
ing a good gain structure in my gear.</blockquote>
</div><br><div>A good rule of thumb is that output gain should be as hot as=
 possible with input gain as low as possible.</div><div><br></div><div>Star=
t with the last item in the chain and turn the input gain to 0. Plug the ne=
xt last machine into it and turn output as far as you can without distortin=
g the input. Rinse, repeat ...</div>
<div><br></div><div>=A0Ian=A0</div>

--001636c5b4f2532139046498b9f1--

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> A good rule of thumb is that output gain should be as hot as possible with
> input gain as low as possible.
>
> Start with the last item in the chain and turn the input gain to 0. Plug
> the next last machine into it and turn output as far as you can without
> distorting the input. Rinse, repeat ...
>
>  Ian
>


Hmm this is new to me... I ALWAYS try to get my input as high as possible...
how can this be true... Im sure that its none of the gear, and just a
question of getting very precise levels...

but your answers are throwing up more questions...

Now, A guitar.. thats instrument level right?

So then it goes into a vortex... thats what?.. the same?? Instrument level..
So I agree I should go to the manual, but what numbers mean what?
Is +4 line an - 11 instrument?

However, I suspect that actually everything is instrument level...

Except.. wait!!!

Both my EDP effects (the redsound federation and the Roland ef 303) are
actually aimed at DJ's... therfore have phone plugs... so what does that
make them?

OH.. And one more question about SEND LEVELS:
One each channel of the mixer there is a send knob, but there is an overall
send level.
What is better, keeping the overall knob really high and just dialling in a
tiny amount of level per channel?
OR the reverse, turning the send FULL UP to send to the loopers, and having
the overall level really low...
OR... Having both low and turning UP the EDP input level control,
OR having both really HIGH, but keeping the edp level really really low...

or what?

I am of course gonna try eveything... but im interested in the theory from
the really clever people here...

m



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;"><div>A good rule of thumb is that output gain should be as ho=
t as possible with input gain as low as possible.</div>
<div><br></div><div>Start
with the last item in the chain and turn the input gain to 0. Plug the
next last machine into it and turn output as far as you can without
distorting the input. Rinse, repeat ...</div>
<div><br></div><font color=3D"#888888"><div>=A0Ian </div></font></blockquot=
e><div><br>=A0</div></div>Hmm this is new to me... I ALWAYS try to get my i=
nput as high as possible... how can this be true... Im sure that its none o=
f the gear, and just a question of getting very precise levels... <br>
<br>but your answers are throwing up more questions...<br><br>Now, A guitar=
.. thats instrument level right? <br><br>So then it goes into a vortex... t=
hats what?.. the same?? Instrument level.. So I agree I should go to the ma=
nual, but what numbers mean what?<br>
Is +4 line an - 11 instrument?<br><br>However, I suspect that actually ever=
ything is instrument level... <br><br>Except.. wait!!! <br><br>Both my EDP =
effects (the redsound federation and the Roland ef 303) are actually aimed =
at DJ&#39;s... therfore have phone plugs... so what does that make them?<br=
>
<br>OH.. And one more question about SEND LEVELS:<br>One each channel of th=
e mixer there is a send knob, but there is an overall send level.<br>What i=
s better, keeping the overall knob really high and just dialling in a tiny =
amount of level per channel? <br>
OR the reverse, turning the send FULL UP to send to the loopers, and having=
 the overall level really low... <br>OR... Having both low and turning UP t=
he EDP input level control, <br>OR having both really HIGH, but keeping the=
 edp level really really low...<br>
<br>or what?<br><br>I am of course gonna try eveything... but im interested=
 in the theory from the really clever people here...<br><br>m<br><br><br cl=
ear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfra=
ncombe.com</a><br>
<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>
<a href=3D"http://www.looop.no">www.looop.no</a><br>

--0016e6d58af4aca25904649986c4--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 11:15:03 2009
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Mark wrote:
"Help me out... Im 35 years in music, and Ive NEVER realy got the hang 
of impedance or whatever... for instance, this beringer mixer has 
balanced IN's (if I use stereo cables) but EDP isnt that.. or any of my 
guys right????"

It is so fucking refreshing to read that someone admits to not 
understanding imepedance.

I've never fully understood MIDI.   I am Solder-phobic,   have never 
fully understood signal flow as it effects
gain structure and I can't program.

I feel like such a dolt so much of the time.

It's nice to hear that someone else feels this way.
I feel so less lonely because you admitted it, Mark.

Thanks, Rick


From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 11:21:28 2009
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froshsizzle wrote:
"It's possible all levels match just fine, but also possible that some 
instrument-level input is connected to a lineout level."

Will someone please explain the difference between instrument level,   
lineout level and mic level
and why it is important that these levels match each other (viz a vis,  
noise in your signal chain)?

I'm never quite understood this.

Which one is +4?    Which one is -10?

Which of these creates less noise and why?

Thanks..................


still perplexed,    Rick


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Hi Rod,
There are times when i get hired to do such gigs.I myself went through a se=
ries of loop stompboxes but soon got old.I wanted to record loops that woul=
d be longer than the initial one and change parts, and upon my search i stu=
mbled into the EDP and discovered more loops and multiply,boy that was a ga=
s!But back in 96 the oberheim EDP had a lot of issues but eventually i disc=
overed this site and got the new software which solved all of those problem=
s.
All was fun for years and i could never get enough from the EDP,that box is=
 still so ahead of this time! but then i wanted to do more complex stuff an=
d have stereo tracks so i could mute and store my loops rather than having =
just a single mono loop so i got the Repeater.That was also a lot of fun be=
cause i could store the loops and recall them at a gig though i never stopp=
ed using the EDP.
Eventually th p=B4ter got discontinued and i was never completely happy wit=
h it because the tracks werent really independent plus it had other issues.=
I sold it later to find out that there was a new SW upgrade that would take=
 care of a lot of those issues so i was bummed;-(
Then the Looperlative came out which i had for a short while,unfortunately =
mine had some technical issues and although is a good box it was missing a =
lot of features and functions important to me.Then all of the sudden i disc=
overed Mobius which has everything i needed,loops,8 independent tracks,lite=
rally all EDP functions,loop storage,recording capabilities,scripts to crea=
te your own functions,stereo,pristine sound and best of all amazing support=
 from Jeff and is free!!
So like you i resisted the laptop route for years and to be honest if mobiu=
s came in hardware i would probably switch to it in a hard beat.I realize h=
ow fragile a laptop and soundcard devices can be,2 of my firewire soundcard=
s have had problems with the firewire conection lately,i just sent my expen=
sive RME FW 800 to get it repaired for a second time now,and now all of the=
 sudden my presonus seems to have a similar problem,thank god it happend af=
ter my last gig!
So why hasnt my dream come true 100 percent yet? well first just like you i=
 am a singer and sometimes do gigs where id like to have backing groove dru=
m sample tracks,effects to proccess my guitar,perhaps integrated synths to =
be triggered with my roland ready synth guitar and a good looper all in one=
 package.
Second,as i said the laptop route with the firewire cable still makes me a =
bit shaky...and i havent really completely gotten used to it after playing =
so many years with hardware, but it is certainly way more flexible and the =
transporting capabilities when playing and traveling cannot be beat.So unle=
ss there is a piece of hardware that comes out with all of the essential lo=
oping capabilities for me i am very happy to have gone this route.
However ive been eyeballing the upcoming Ableton 8 which seems to have a lo=
t of ths things but ive never used that software and i hear there is a lear=
ning curve.But the dream is getting closer and closer!
If you dont want to deal with laptops one of the options that has a lot of =
what you are looking for i guess is the Boss RC-50,there are a lot of exper=
ienced people here that will teach you how to get the best out of it so you=
 have landed in the right place!
Luis









>   From: Rhod Evans=20
>   To: Loopers-Delight@loopers-delight.com=20
>   Sent: Saturday, March 07, 2009 8:49 AM
>   Subject: First post - newbie advice wanted
>=20
>=20
>   Hi all
>=20
>   I hope you'll bear with me as I explain the advice I
> need...
>=20
>   I have been playing in bands (mostly rock and blues) for
> more years than I want to recall ( 3 decades plus) but after
> a fall out with a couple of members of my recent band
> I've decided to sod 'em and go solo.  I have a good
> rock/blues voice (I've been compared to Paul Rogers of
> Free, which is very flattering but I'll never be THAT
> good!).  I'm also reasonably competent on guitar, so my
> idea is to have drum sample and possibly bass midi backing,
> then play rhythm, lead and sing over the top of it.  I was
> going to use Ableton Live for this with a Laptop, but it
> seems ridiculously complicated for the simple and gritty
> style of music I'm aiming for - I also play bottleneck,
> so there will definitely be a bluesy bias.
>=20
>   Then I discovered the Jamman, and that seems ideal -
> pre-record drum and bass loops in LIVE, download to the
> Jamman, then on stage play and record rhythm guitar
> verse/chorus whilst singing over the top of it, then loop
> and play lead guitar, harmonica or whatever and sing over
> the top of it.
>=20
>   However I notice that most of you seem to prefer the
> Echoplex.  Am I missing something here?  As far as I can
> tell the Echoplex doesn't have the ability to download
> pre-recorded loops (no way of storing them?) so I would be
> severely at a disadvantage - how it be possible to get 3
> sets worth of prepared music onto it?  I'm not worried
> about the cost - it's more important that I get the
> right kit, as I have gigs waiting.
>=20
>   Any advice on which you think I should go for would be
> much appreciated.  Also any thoughts on the practicality or
> otherwise of my idea.
>=20
>   Thanks
>=20
>   For info, I also have a PA, 12 input mixer, Fender guitar
> amp, 2 guitars, pedals etc, and a TC Helicon
> 'VoiceLive' which is a vocal processor able to
> produce harmonies on the fly and which has reverb,
> compression, noise gate etc.=0A=0A=0A      

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Subject: Re: GAIN STRUCTURE
Date: Sun, 8 Mar 2009 08:05:49 -0400
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I found this from your bro': 

Line level vs instrument level EDP etc
http://www.loopers-delight.com/LDarchive/200206/msg00345.html

j



----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 08, 2009 7:21 AM
Subject: re: GAIN STRUCTURE


> froshsizzle wrote:
> "It's possible all levels match just fine, but also possible that some 
> instrument-level input is connected to a lineout level."
> 
> Will someone please explain the difference between instrument level,   
> lineout level and mic level
> and why it is important that these levels match each other (viz a vis,  
> noise in your signal chain)?
> 
> I'm never quite understood this.
> 
> Which one is +4?    Which one is -10?
> 
> Which of these creates less noise and why?
> 
> Thanks..................
> 
> 
> still perplexed,    Rick
> 
> 
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 12:16:04 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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yes i also want to finally understand this but please you gurus explain this in a non engineering lenguage thanx for bringing it up guys!!

www.myspace.com/luisangulocom


--- On Sun, 3/8/09, Rick Walker <looppool@cruzio.com> wrote:

> From: Rick Walker <looppool@cruzio.com>
> Subject: re:  GAIN STRUCTURE
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Date: Sunday, March 8, 2009, 4:21 AM
> froshsizzle wrote:
> "It's possible all levels match just fine, but
> also possible that some instrument-level input is connected
> to a lineout level."
> 
> Will someone please explain the difference between
> instrument level,   lineout level and mic level
> and why it is important that these levels match each other
> (viz a vis,  noise in your signal chain)?
> 
> I'm never quite understood this.
> 
> Which one is +4?    Which one is -10?
> 
> Which of these creates less noise and why?
> 
> Thanks..................
> 
> 
> still perplexed,    Rick


      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 12:20:49 2009
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Date: Sun, 8 Mar 2009 13:20:47 +0100
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Subject: Re: GAIN STRUCTURE
From: Per Boysen <perboysen@gmail.com>
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>> A good rule of thumb is that output gain should be as hot as possible wi=
th
>> input gain as low as possible.

>> =A0Ian

On Sun, Mar 8, 2009 at 12:07 PM, mark francombe <mark@markfrancombe.com> wr=
ote:
> Hmm this is new to me... I ALWAYS try to get my input as high as possible=
...
> how can this be true... Im sure that its none of the gear, and just a
> question of getting very precise levels...

Guys, this seems to be just a case of funny mind warp due to
misinterpretation in communication ;-))  If a hot signal arrives at an
input jack you need to set the input gain low - at the receiving
device. "One man's ceiling is another man's floor", you know. As true
is one device's output the other device's input, if talking signal
here.

Just make sure there is always as hot a signal as possible passing
through the cables. Or you could say the same thing in a more
electronican nerdy way as "make optimal use of headroom".



> Now, A guitar.. thats instrument level right?

Guess you mean an electric guitar. Yes, that is instrument level and
that is not the same as line level or the pro level (+4 dB). Guitar
pickup output level may differ a bit between pickups though. And I'm
not sure exactly what it is in bare numbers. But it's really important
to match the instrument level; I have learned that the hard way since
I've always played stratocasters with low output vintage pick-up
output level and if that signal is not matched correctly at the
receiving device's input (tube pre amp or RMX audio interface pre amp)
it severely affects the instruments capability to be played with its
analog volume and tone knobs.

> Except.. wait!!!
>
> Both my EDP effects (the redsound federation and the Roland ef 303) are
> actually aimed at DJ's... therfore have phone plugs... so what does that
> make them?

Yup, your fear is truly justified here. Especially input for a
turntable has yet another level. I remember my Repeater had a matched
input for turntable - that's cool! I know one DJ that actually cabled
his turntable directly to the 'peater.

You should Google your gear, or look up the manuals to find out their
proper levels. Having said that I have to admit I never did that
myself, since it's pretty obvious when to signals are not matched; it
just sounds either dull and low or distorted and loud.

Ok, so when you know about your patch levels, they you find out if you
need to buy any transformers/boosters to put between the boxes.

About mixing:
Always crank the send up to 0 dB. Then adjust the looper's input gain
to receive the feed properly.

The king of effect system design and routing is Pete Cornish,
http://www.petecornish.co.uk. Lots of good hints to be snagged there
;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Sun, 8 Mar 2009 12:21:47 +0000 (GMT)
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Thanks all for your very interesting replies!=0A=0AIt does sound as if I mi=
ght be better with a looper AND a phrase sampler.  Presumably they can be c=
ontrolled using foot switches (my hands are going to be pretty busy!)?  Als=
o I'm currently a bit hazy about how they sync to each other.=0A=0AThe othe=
r part of me is saying that for the kind of music I do I should keep it ult=
ra-simple and just use the Jamman.  I suppose the effect I'm after is of a =
'slightly' more sophisticated Seasick Steve, so I'm not looking for multi-l=
ayered loops and such like - it's really quite a raw blusey approach - thin=
k early Free perhaps.  I know that what I should really do is get a decent =
drummer and bass player, but I'm quite fed up of the silly ego trips and ar=
guments that inevitably (in my experience) happen in a band situation, and =
I feel that I'd like to at least give the solo thing a try.=0A=0AThanks aga=
in.=0A=0ARhod=0A=0A=0A      
--0-903793505-1236514907=:76685
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial,helvetica,sans-serif;font-size:10p=
t"><div style=3D"font-family: arial,helvetica,sans-serif; font-size: 10pt;"=
>Thanks all for your very interesting replies!<br><br>It does sound as if I=
 might be better with a looper AND a phrase sampler.&nbsp; Presumably they =
can be controlled using foot switches (my hands are going to be pretty busy=
!)?&nbsp; Also I'm currently a bit hazy about how they sync to each other.<=
br><br>The other part of me is saying that for the kind of music I do I sho=
uld keep it ultra-simple and just use the Jamman.&nbsp; I suppose the effec=
t I'm after is of a 'slightly' more sophisticated Seasick Steve, so I'm not=
 looking for multi-layered loops and such like - it's really quite a raw bl=
usey approach - think early Free perhaps.&nbsp; I know that what I should r=
eally do is get a decent drummer and bass player, but I'm quite fed up of
 the silly ego trips and arguments that inevitably (in my experience) happe=
n in a band situation, and I feel that I'd like to at least give the solo t=
hing a try.<br><br>Thanks again.<br><br>Rhod<br><br><br></div></div><br>=0A=
=0A=0A=0A=0A      </body></html>
--0-903793505-1236514907=:76685--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 12:23:22 2009
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Date: Sun, 8 Mar 2009 05:23:21 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: GAIN STRUCTURE
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This is what confuses me,ive heard the complete opposite,get your input signal as strong as possible without any clipping and then turn the ouput gain for the cleanest signal...



> > A good rule of thumb is that output gain should be as
> hot as possible with
> > input gain as low as possible.



      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 12:36:04 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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Subject: Re: First post - newbie advice wanted
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what about this one?

http://www.bossus.com/gear/productdetails.php?ProductId=477


this guy plays blues and uses it:



www.myspace.com/luisangulocom


--- On Sun, 3/8/09, Rhod Evans <rhodhebrides@yahoo.co.uk> wrote:

> From: Rhod Evans <rhodhebrides@yahoo.co.uk>
> Subject: Re: First post - newbie advice wanted
> To: Loopers-Delight@loopers-delight.com
> Date: Sunday, March 8, 2009, 5:21 AM
> Thanks all for your very interesting replies!
> 
> It does sound as if I might be better with a looper AND a
> phrase sampler.  Presumably they can be controlled using
> foot switches (my hands are going to be pretty busy!)?  Also
> I'm currently a bit hazy about how they sync to each
> other.
> 
> The other part of me is saying that for the kind of music I
> do I should keep it ultra-simple and just use the Jamman.  I
> suppose the effect I'm after is of a 'slightly'
> more sophisticated Seasick Steve, so I'm not looking for
> multi-layered loops and such like - it's really quite a
> raw blusey approach - think early Free perhaps.  I know that
> what I should really do is get a decent drummer and bass
> player, but I'm quite fed up of the silly ego trips and
> arguments that inevitably (in my experience) happen in a
> band situation, and I feel that I'd like to at least
> give the solo thing a try.
> 
> Thanks again.
> 
> Rhod


      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 12:54:12 2009
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mark francombe wrote:
> 
>     A good rule of thumb is that output gain should be as hot as
>     possible with input gain as low as possible.
> 
>     Start with the last item in the chain and turn the input gain to 0.
>     Plug the next last machine into it and turn output as far as you can
>     without distorting the input. Rinse, repeat ...
> 
>      Ian 
> 
> 
>  
> Hmm this is new to me... I ALWAYS try to get my input as high as 
> possible... how can this be true... Im sure that its none of the gear, 
> and just a question of getting very precise levels...
> 
> but your answers are throwing up more questions...
> 
> Now, A guitar.. thats instrument level right?
> 
> So then it goes into a vortex... thats what?.. the same?? Instrument 
> level.. So I agree I should go to the manual, but what numbers mean what?
> Is +4 line an - 11 instrument?
> 
> However, I suspect that actually everything is instrument level...


As an example, your Vortex inputs are instrument-level, and the outputs 
are line-level (-30dBu minimum), and outputs are line-level (-2dBu min).


> Except.. wait!!!
> 
> Both my EDP effects (the redsound federation and the Roland ef 303) are 
> actually aimed at DJ's... therfore have phone plugs... so what does that 
> make them?
> 
> OH.. And one more question about SEND LEVELS:
> One each channel of the mixer there is a send knob, but there is an 
> overall send level.
> What is better, keeping the overall knob really high and just dialling 
> in a tiny amount of level per channel?
> OR the reverse, turning the send FULL UP to send to the loopers, and 
> having the overall level really low...
> OR... Having both low and turning UP the EDP input level control,
> OR having both really HIGH, but keeping the edp level really really low...

Depends on your gear..

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 13:31:36 2009
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Rick Walker wrote:
> froshsizzle wrote:
> "It's possible all levels match just fine, but also possible that some 
> instrument-level input is connected to a lineout level."
> 
> Will someone please explain the difference between instrument level,   
> lineout level and mic level
> and why it is important that these levels match each other (viz a vis,  
> noise in your signal chain)?
> 
> I'm never quite understood this.
> 
> Which one is +4?    Which one is -10?
> 
> Which of these creates less noise and why?
> 
> Thanks..................
> 
> 
> still perplexed,    Rick


Thy shall be relieved.. :D

I'll try to explain from a practical point of view.
Standards do exist, but are by far adhered to.
Professional (studio) equipment often adhere to standards; out beloved 
musicians gear often vary quite a lot.

Even so, it's not really a major problem, as long as we read the manuals 
and understand which in/outputs are at which levels.


Instrument inputs:
Alway high-inpedance, often around 100-500Kohm, but can be anything from 
20Kohm to 1Mohm (1Mohm mostly seen in older tubeamps).
Levels can vary from -50dBu to -10dBu, but are often stated as -10dBu.


Line inputs:
Always (somewhat) low impedance, i.e. from a few 10th of ohms to the 
often used 600ohm standard (which can be seen both with balanced and 
unbalanced connections).
Levels can vary quite a lot, but are often stated as +4Bu.


Impedance:
Must either match or the diving device output impedance must be 
significantly lower than the next device input impedance.

Balanced circuits are most often 600ohm.  If both outputs and inputs are 
i.e. 600ohm, it's called impedance matching.
In this case no signal losses will take place, and there will be no 
reflections, provided the correct (600ohm) cables are used.

If the driving device is low-impedance, say 1-10ohm (or even 600ohm), 
and the next device is high-impedance, say 10-100Kohm, all will be well.

The low-impedance output circuitry will have no trouble driving cables 
et al.. and the next device's high input won't present any significant load.
In the reverse case, i.e. output impedance not low enough and input not 
high enough, signal reflections make take place.
I'll refrain from further elaborating on this, as most all our devices 
are designed just fine WRT output and input impedances.


To summerize:
As long as using single-ended connections, i.e. non-balanced, most all 
our gear will behave WRT impedance, so it's mostly a matter of knowing 
which inputs and outputs are designed for which signal levels.

Manuals can be pretty useful..


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 13:33:18 2009
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L.Angulo wrote:
> This is what confuses me,ive heard the complete opposite,get your input signal as strong as possible without any clipping and then turn the ouput gain for the cleanest signal...
> 
> 
> 
> 
>>>A good rule of thumb is that output gain should be as
>>
>>hot as possible with
>>
>>>input gain as low as possible.


None of the above is generally true.  The output driver circuitry in 
some device may sound less clean (not really distorted..) or be a bit 
noisy; thus, setting the output as hot as possible may not be good.
Likewise, the input preamp in some device may exibit the same behaviour; 
thus, it may not be adviceable turning the input high up.

In other words, whether the output should be high and input in the next 
device set low, depends on the devices in question.

Generally, it's usually said to turn the input level up till the input 
LED just starts to light up on peaks, indicating the threshold of 
clipping.  But how the respective outputs and inputs are set relative to 
one another depends on how the quality the two devices.

Further, just about all devices have an input level control, but not all 
have an output control.  In the latter scenario, all one can do is set 
the input on the succeding device.

This may cause problems if the *driving* device has line-level out and 
the next device has an instrument-level input which cannot be set low 
enough to handle the line-level it's being presented.

Most often, devices cope pretty well with these scenarios.
The manual will tell how they're meant to be hooked up, and will have 
the in/output specs at the end of the manual.


Doctor's joke: "Always read the manual before operating" ;D

-- 
rgds,
van Sinn

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Subject: Repairing worn-out FCB1010 kick-pads
From: Per Boysen <perboysen@gmail.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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Hi,

Has anyone tried to replace a worn-out pad button with a non worn-out
on a Behringer FCB1010 pedal? I'm thinking about looking into that
now, since I have two pedals with their precious number 1 now entering
senility. My first FCB lasted almost five years and this one seems to
go down now after three years. But together they represent a healthy
stock capital of replacement parts. Maybe one can take a button 5 from
the old pedal and put as button 1 on the younger one?

Any hints from those who have been there done that...?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Per Boysen wrote:

> Just make sure there is always as hot a signal as possible passing
> through the cables. 

um, that's not right, it's more a recipe for distortion disaster.
Many devices don't have a potentiometer before the first active stage.

:-)
however, we do need a snappy sentence as an alternative to the level match 101
I'm now writing for Rick

I'd suggest:-

Just make sure that each device input receives the loudest signal it can handle 
without distortion.


andy

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Date: Sun, 8 Mar 2009 06:58:02 -0800
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Subject: Re: Repairing worn-out FCB1010 kick-pads
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
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My first one has a button that started acting up around the two-year mark,
so I'm also interested.  Or has anyone ever taken one apart to clean it?
TH

On Sun, Mar 8, 2009 at 6:00 AM, Per Boysen <perboysen@gmail.com> wrote:

> Hi,
>
> Has anyone tried to replace a worn-out pad button with a non worn-out
> on a Behringer FCB1010 pedal?

--000e0cd16e809a4d3604649cbe59
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My first one has a button that started acting up around the two-year mark, =
so I&#39;m also interested. =A0Or has anyone ever taken one apart to clean =
it?<div><br></div><div>TH<br><br><div class=3D"gmail_quote">On Sun, Mar 8, =
2009 at 6:00 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboys=
en@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hi,<br>
<br>
Has anyone tried to replace a worn-out pad button with a non worn-out<br>
on a Behringer FCB1010 pedal?</blockquote></div></div>

--000e0cd16e809a4d3604649cbe59--

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Date: Sun, 8 Mar 2009 07:04:12 -0800
Message-ID: <d1396fc00903080804if7ad9d9u12dd3e0093d9534c@mail.gmail.com>
Subject: Re: Re: EDP problem / new Midi controllers?
From: Travis Hartnett <travishartnett@gmail.com>
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The EDP is pretty old technology, by tech standards, but out of all the
"missing" features (true stereo, USB updates, ability to quickly save and
recall loops) the only one I really "miss" is MIDI learn.  MIDI control for
guitarists plummeted in popularity in the the post-grunge years, so the
number of "advanced" MIDI controllers shrank, and we're left with large,
generally expensive options.  Had the EDP been able to associate any MIDI
command with any EDP function, in the manner of all laptop-based solutions
these days (or the LP-1), there'd be a lot of smaller, cheaper MIDI control
options.
Of course, there are good reasons not to implement the "standard" MIDI
control protocol willy-nilly, and Kim has explained why it works the way it
does, but still...I wish I could use my old, small, lightweight ADA MIDI
controller instead of the FCB.

TH

On Fri, Mar 6, 2009 at 12:35 AM, Andreas Willers <a.willers@arcor.de> wrote:

>
>
> I wish there was a compact, reliable, lightweight Midi solution for this.
> No clumsy Behringer stuff for me, please! I use a combination of the analog
> footcontroller and a Kenton Spin Doctor (velcroed on top of the EDP) for
> Midi # control of Halfspeed etc. Any new controllers on the market? I am
> fascinated by that bring-a-Mini-Mac-and-controll-it-with-your-IPhone thing!
>

--000e0cd1d50cb0775a04649cd4b3
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The EDP is pretty old technology, by tech standards, but out of all the &qu=
ot;missing&quot; features (true stereo, USB updates, ability to quickly sav=
e and recall loops) the only one I really &quot;miss&quot; is MIDI learn. =
=A0MIDI control for guitarists plummeted in popularity in the the post-grun=
ge years, so the number of &quot;advanced&quot; MIDI controllers shrank, an=
d we&#39;re left with large, generally expensive options. =A0Had the EDP be=
en able to associate any MIDI command with any EDP function, in the manner =
of all laptop-based solutions these days (or the LP-1), there&#39;d be a lo=
t of smaller, cheaper MIDI control options.<div>
<br></div><div>Of course, there are good reasons not to implement the &quot=
;standard&quot; MIDI control protocol willy-nilly, and Kim has explained wh=
y it works the way it does, but still...I wish I could use my old, small, l=
ightweight ADA MIDI controller instead of the FCB.</div>
<div><br></div><div>TH<br><br><div class=3D"gmail_quote">On Fri, Mar 6, 200=
9 at 12:35 AM, Andreas Willers <span dir=3D"ltr">&lt;<a href=3D"mailto:a.wi=
llers@arcor.de">a.willers@arcor.de</a>&gt;</span> wrote:<br><blockquote cla=
ss=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;pa=
dding-left:1ex;">
<div style=3D"word-wrap:break-word">
<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px"><font class=3D"Apple-style-span" color=3D"#0080FF"><br></font></div><=
br><div><font color=3D"#191919">I wish there was a compact, reliable, light=
weight Midi solution for this. No clumsy Behringer stuff for me, please! I =
use a combination of the analog footcontroller and a Kenton Spin Doctor (ve=
lcroed on top of the EDP) for Midi # control of Halfspeed etc. Any new cont=
rollers on the market? I am fascinated by that bring-a-Mini-Mac-and-control=
l-it-with-your-IPhone thing!</font></div>
</div></blockquote></div><br></div>

--000e0cd1d50cb0775a04649cd4b3--

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van Sinn wrote:

> 
> As an example, your Vortex inputs are instrument-level, 

Vortex input is designed to take either line level or instrument level.
I use it at line level.



...and Mark has his Vortex set up just right :-)

Mark, when you say one edp is noisy, do you mean the edp itself,
or the whole signal chain with that edp in it?



andy butler 

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Just as a trial=2C reduce the menu setting gain on the red sound federation=
 to Zero and see if you still get volume.  It may be that it has a preset v=
olume with gain adjustment on top of that. =20

=20

What I like to do for volume settings is reduce everything in the chain wit=
h the guitar on full.  This way any noise to sound ratios should not get am=
plified beyond toleration.

=20

Other than that=2C no idea.

_________________________________________________________________
Hotmail=AE is up to 70% faster. Now good news travels really fast.=20
http://windowslive.com/online/hotmail?ocid=3DTXT_TAGLM_WL_HM_70faster_03200=
9=

--_935f00ff-d3e2-456e-82df-be95f4647c99_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
Just as a trial=2C reduce the menu setting gain on the red sound federation=
 to Zero and see if you still get volume.&nbsp=3B It may be that it has a p=
reset volume with gain adjustment on top of that.&nbsp=3B <BR>
&nbsp=3B<BR>
What I like to do for volume settings is reduce everything in the chain wit=
h the guitar on full.&nbsp=3B This way any noise to sound ratios&nbsp=3Bsho=
uld not get amplified beyond toleration.<BR>
&nbsp=3B<BR>
Other than that=2C no idea.<BR><br /><hr />Hotmail=AE is up to 70% faster. =
Now good news travels really fast.  <a href=3D'http://windowslive.com/onlin=
e/hotmail?ocid=3DTXT_TAGLM_WL_HM_70faster_032009' target=3D'_new'>Find out =
more.</a></body>
</html>=

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Date: Mon, 9 Mar 2009 00:56:02 +0900
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From: Sunao Inami <webmaster@cavestudio.com>
Subject: OT: CoCArt Music Festival @24-28Mar. 09,Poland
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Hi LD,

Sorry for off topic.
this is my next performance information, gig in Poland.

:::II CoCArt Music Festival:::
::::::March 24-28, 2009::::::
Centre of Contemporary Art "Znaki Czasu", ul. Waly gen. Sikorskiego 13


[ACTS]
REFORMED FACTION OF ZOVIET FRANCE
Oren Ambarchi
Z'EV
Sunao Inami
TROUM
Vitor Joaquim + Hugo Olim
COLUMN ONE
Richard Pinhas + Jerome Schmidt + Milosh Luczynski
MODULATE
The Magic Carpathians
HATI
PURE
Herman Muntzing
VIDEOTURISTEN
T.Gadomski/T.Mirt
EMITER_FRANCZAK
----------
Robert Curgenven
Dariusz Wojtas
----------
Wiktor Skok
dj SZUm
Goon Squad:
dj Throt, dj Basa, dj Ash
Miedziana
Eliasz


CoCArt Music Festival is organized by the Centre of Contemporary Art 
"Znaki Czasu" in Torun, Poland, in cooperation with members of HATI - 
Rafal X-NAVI Iwanski & Rafal SABON Kolacki.
The main idea of the Festival is presentation of new trends in 
contemporary music.
  The artists who integrate music, image and performing arts present 
multimedia concerts, installations, workshops and after parties...

Details:
http://www.csw.torun.pl/dzialania/festiwale/cocart-music-festival-2009

http://www.myspace.com/cocartmusicfestival


  Regards

  Sunao
http://www.electr-ohm.com
http://www.myspace.com/sunao

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 16:55:58 2009
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I found this on line while researching all the threads
about Input/Output gain and thought it would effect everyone:
It is from Pete Cornish's really great website on pedalboard design.


"Hey Pete, do you use True Bypass?"

Look out there's a lecture coming:

The "true bypass" function, which is promoted by some, can create 
dreadful problems with a system that uses many pedals. Take for instance 
a 15 ft guitar cable linked to ten pedals, each linked by a 2 ft cable, 
and then onto the amp by a 30 ft cable. If all pedals have "true 
bypass", and are off, then the total cable length hanging on the guitar 
output will be 63 ft. This will cause a huge loss of tone and signal 
level particularly if the guitar is a vintage type with low output and 
high impedance. The amp volume is then turned up and the treble control 
increased to compensate for the losses. The inherent background noise 
now increases by the amount of the gain and treble increase and is 
usually, in my experience, too bad for serious work. If one of the 
pedals is now switched on, then it's (hopefully) high input impedance 
(and usually low output impedance) will buffer all the output cables 
from the guitar and the signal level will rise due to the removal of 
some of the load on the pickups (i.e.: 17 ft instead of 63 ft of cable). 
The treble will rise and the tone and volume will not be as before. If 
that pedal was say a chorus or delay, devices which are usually unity 
gain, then your overall signal level and tone will vary each time an 
effect is added...not a very good idea.

Some pedals have an input impedance which is far from high in real 
terms; the input impedance of the vast majority of amps is 1 Megohm (one 
million ohms) and in my experience there are few effects pedals that 
have the same input impedance. A load on the guitar of less than 1 
Megohm will reduce the volume and high frequency content of the pickup 
signal thus giving rise to complaints that "this pedal looses 
tone/volume" etc. Many effects I have tested have an input impedance of 
less than 100 Kilohms (ie: only one tenth of the amp input impedance) 
and cause serious signal losses in the effects chain.

My system, which I devised in the early 70's, is to feed the guitar into 
a fixed high impedance load, which is identical to the amp input, and 
then distribute the signal to the various effects and amps by low 
impedance buffered feeds. This gives a constant signal level and tonal 
characteristics, which do not change at all when effects are added. The 
proof that this works are in the recordings of our clients: Roxy Music; 
The Police; Queen; Pink Floyd; Bryan Adams; Lou Reed; Dire Straits; Paul 
McCartney; Sting; Jimmy Page; Judas Priest; Black Sabbath....

So the answer to your question re "true bypass" is no, I do not use this 
system in my Effects Boards/Racks as it can seriously degrade your 
sound. All my current effects pedals (excluding Vintage Series) which 
are derived from our large systems have, as the main input stage, a 
fiendishly clever pre amp that has the same characteristics as the input 
of a tube amp (1 Megohm/20pF), a highly efficient filter to eliminate 
the possibility of radio breakthrough and a low output impedance so that 
any following pedals/ cables etc. will not impose a load on the guitar 
signal. This pre amp is fitted to all our large stage systems and has 
always met with huge approval; not only from the guitarist but also the 
PA operator who is so happy to have constant level and tone presented to 
his mixing board. I go further with large systems and provide several 
inputs, each with the isolating pre amp and a gain compensation pre amp 
so that many different guitars can be level matched into the system. In 
addition a 20 segment PPM type display provides visual indication of 
signal level in our Effects Boards and Rack Systems.

©Pete Cornish 2003

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Subject: Live 8 Beta Looper and Mainstage together - first impressions
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I've been having a lot of trouble getting either Mobius or
SooperLooper AUs to work properly within Mainstage. Mainstage seems to
get flummoxed easily by too many midi streams floating around (esp
once i then open MAX). However, I can report great excitement getting
the Live 8 beta looper and Mainstage to work together - so I can use
the greasy MS guitar presets I've been working up, pipe the audio into
Ableton (via physical routing on a multi-channel audio interface),
make loops in Ableton, and sync the fx in Mainstage to the tempo of
the generated loop once i've completed it. I haven't tried this yet,
but I'll wager you could put a SooperLooper AU into another channel in
Live and have it slave, but not send clocks, after you've completed
the first loop in the native Live looper. that way, you could do the
fancier stuff like SUS functions.

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 17:31:55 2009
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    I'm researching plane fares to Europe and back and between cities in
    Europe 


    for this summers' looping tour as are several people on this list. 


    Below is  a good article that I just googled about how to find the
    cheapest air fares.

Any other nuggets of wisdom that people have found regarding things to
make touring less expensive?   

These are mine and they are America-centric because..............well,  
that's where I live.
Please chime in everyone else.   We need to know how to get around on 
the cheap
in your respective countries.  We'd do the same for you if we had any 
kind of decent
public transportation (outside of planes)  but we don't..........that sucks!

1)  One from me is that five years ago, touring Europe,  one could just 
go to train station
and buy an inexpensive ticket.    Because of that,   we did not pre-buy 
tickets before
touring in 8 countries last summer and found, to our horror, that the 
British and European
train companies had changed their pricing policies to reflect those of 
American Airlines
(i.e.,  buying at the last minute costs an exorbitant jump in price).    
This was particularly
brutal in London.     I had such a long and ambitious tour that this 
ended up costing me
hundreds of dollars more than I had anticipated:

Buy tickets early...................but not too early  (when they are 
also higher).
I'd say anywhere from one to two months out from your trip

2)  Also, for Americans, the price of petrol in Europe and the UK is 
staggering compared to
what we are used to in terms of subsidized gasoline prices in the US all 
of our lives.
If you are trying to save money,   do not rent a 
car.............period........point................dot!

Additionally,   most Airplanes between cities only allow for 20 kg 
limit  (which is lower
than the traditional 50 lb. limit Americans are used to.
Many extremely cheap flights limit baggage to 10 kg and the per/kg 
overweight fees can be
astronomical.
Flying from Stockholm to Glascow five years ago,  we got a $45 flight 
and paid
$600 of excess fees.

Check your airline's excess baggage fees before you buy your ticket if 
you are carrying gear.
It will save you tons of money.

The high cost of flying (only with baggage overages as otherwise, it can 
be inexpensive)
also precludes flying unless you can't help it or you have extreme time 
constraints.

3)  Consequently,   take trains!!!!!!!!   subways!!!!!!!!   graciously 
accept rides when they are proferred!!!!!
Stay off of planes if you can help it.

4)  Going from country to country,   also look into 
Ferry's................frequently,  they are much cheaper than
going by other means.        Instead of taking flight number two from 
Glascow to Belfast (another $45 flight
with a $600 baggage overage),  we took a ferry that costs $19.   It took 
longer and I was forced to
go live on the air of BBC Belfast from a remote phone out in the ocean 
instead of making a live
appearance,  but it saved mucho dinero.

5)  Don't buy food at train stations if you are trying to save 
money.     When possible,  buy at local grocery stores
or supermarkets before you go to the train station or airport.    It 
just seems like a little bit extra to pay inflated
station or airport prices but it really adds up over the long run (or 
else it  did for Chris and I).

6)   Transformers that will do the job kicking US 110 voltage up to 220 
voltage are not cheap and they
are very heavy to lug around.     If possible,  check ahead of time to 
see if the venue or promoter you are working
with has one.  You'd be surprised at how many places do, but don't count 
on it!   Check ahead and assume nothing.
The Y2K Festival finally went out and bought one and a lot of people 
putting on loop festivals are doing the same thing
to accomodate their foreign guests.       I also have left transformers 
with Paul Marshall in Belfast, Ireland and
Luca Formentini near Lago Di Garda, Italy.     Anyone who wants to can 
borrow those but they need to be
returned or left with an active touring live looper somewhere in Europe 
or the British Isles so I can pick it up later.

7)  Don't buy the MacBook Pro with the bitchen 17" screen!   Those 
suckers are heavy and carrying them around
hurts your back.    You also have problems on many forms of 
transportation because the screen size is not really
designed for travelling (especially on small aircraft).    Save some 
major dough and buy the 13" or 15"

8)  Don't catch this cold I have................it's friggin' miserable.

9)  and now that article I promised earlier:*
*

<http://www.thecanadianpress.com/>


      Here are two words for a frugal flyer: Patience and Wednesday

CP - Tue Mar 03, 11:26 PM EST

By Joshua Freed And Harry R. Weber, The Associated Press

Want to fly cheap? Time to break some bad habits.

Like buying the first cheap ticket you see or waiting until the last 
minute to book a fare. As the economic slump continues and both business 
and leisure travel declines, fares are getting cheaper as airlines try 
to fill seats. A round-trip ticket from San Francisco to Boston, for 
instance, was selling on Feb. 4 for $238, down from $400 on Nov. 1. Even 
with such bargains, however, travellers need to know a few tricks to get 
the very best prices.

First, don't hurry.

Matthew D. Weyer sometimes spends hours researching fares online. 
Knowing what a ticket usually sells for allows him to spot cheap fares 
almost immediately.

Weyer sets up email alerts for prices on the route he's shopping for at 
fare-watching sites like Kayak.com or Farecast.com. He finds out whether 
discount-carrier Southwest Airlines Co. flies a route. He also checks 
the ticket on booking sites like Travelocity or Orbitz.

Weyer recently shopped for a flight from Greenville, N.C., to Chicago, a 
ticket he said commonly runs around $410. He was tempted at $280. He 
eventually paid $180 on Priceline.com. Weyer figures he spent about two 
hours spread over a couple of days searching for the ticket.

Weyer starts shopping as far in advance as he can but doesn't book right 
away. He considers it safe to book between one and three months ahead of 
time. Legacy carriers generally show their schedules for about 11 months 
out. The window is shorter for discount carriers. Southwest's window is 
currently six months, and AirTran's is nine months.

The 24-year-old Chicago college student and software programmer once 
flew for only $9 on Spirit Airlines from Chicago to Ft. Lauderdale, 
Fla., and says the most he has ever paid for a ticket is $240.

Having a price in mind is good advice. A sense of timing helps, too.

If you tend to make travel plans during weekend down time, reconsider. 
The best time to shop is late Monday or early Tuesday, some fare experts 
say. Airlines often start fare sales on Sunday night or Monday morning, 
said Rick Seaney of FareCompare.com. Those sales alone are fine if they 
include the flight you want. But other carriers generally match the fare 
sale by Monday evening or Tuesday morning, giving you more choices.

Seaney said Wednesdays are generally the cheapest day to fly. Tuesdays 
and Saturdays are also good days to fly because demand is low and the 
airlines are trying to fill seats.

It's natural for travellers to book their flight when the workday is 
done or the kids are asleep. But the airlines are posting fares on their 
own schedule. They file fares to the computer system that shares them 
among websites and travel agents three times each weekday - 10 a.m., 
12:30 p.m. and 8 p.m. Eastern time. It's 5 p.m. Eastern on Saturdays and 
Sundays. That means fares can change at those times, so when you do see 
a fare at the price you're looking for, grab it.

Former New Yorker Jill Gott of Providence, R.I., spent 2 1/2 weeks 
checking American Airlines' website several times a day before snagging 
a $109 round-trip ticket from New York-LaGuardia to Atlanta. She said it 
was only available for about three hours before jumping back up to $250.

"I just decide what I want to pay for something, and I just keep 
clicking away until I get it," she said.

But shopper beware. Fares start to rise again seven to 10 days before a 
flight - sometimes as long as 14 days or more, depending on the airline 
and sale offer. Airlines raise fares closer to the departure date 
because last-minute seats tend to be bought by business travellers and 
others who must fly at certain times.

Roger Johnson, director of revenue management at New York-based JetBlue 
Airways Corp., notes that it can be risky for a flyer to delay buying a 
ticket in hopes it will be even cheaper. He says there's no good way for 
customers to know whether a fare sale will show up in their market.

"They would be gambling that this would happen and would probably lose 
out more than they would win," he said.

AirTran Airways spokesman Tad Hutcheson said his advice is simple: "I 
would follow the Moscow rule of shopping - you see it, you like it, you 
buy it."

Where to buy also matters. For an airline ticket only, your best bet is 
an individual airline's website because you'll skip the extra fees some 
travel Web sites charge. Also, while Orbitz will show you a handful of 
round-trip flights from Baltimore to Austin, Texas, for instance, a key 
option is missing. Southwest doesn't sell on those sites. That means 
checking its website is a must if you're flying near a city they serve. 
For instance, on Feb. 24, Southwest was offering tickets on the 
Baltimore-Austin route for as low as $99, while Orbitz's cheapest 
offering was $193.

If you're packaging airfare, hotel and a rental car, however, consider 
Orbitz and Travelocity, which often discount such bundles.

Like Weyer, you can also try Priceline, where users can bid for tickets. 
A customer may end up with an undesirable itinerary, like flying in the 
wrong direction to make a connection, but the fare can sometimes be 
cheaper. Not all airlines, however, participate in Priceline's "name 
your own price" offer.

Another piece of advice - learn to love St. Louis, Detroit, Chicago 
O'Hare, and other hub airports where you can connect to your final 
destination. Non-stops are convenient, desirable - and sometimes more 
expensive, said George Hobica, who runs airfarewatchdog.com. That's not 
always the case, though, so always compare.

If travel isn't possible or desirable in the near term, don't worry. Tom 
Parsons, chief executive of travel website BestFares.com, said great 
fare sales are possible in the coming months for travel during the peak 
summer period.

"I would keep watching and watching and watching," Parsons said. "This 
is a very fragile airfare system out there."


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Rick Walker wrote:
> 
>    I'm researching plane fares to Europe and back and between cities in
>    Europe
> 
>    for this summers' looping tour as are several people on this list.
> 

I thought we were all going round Europe together on the Loop Bus

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Nuggets of Wisdom for Loop Touring
Date: Sun, 8 Mar 2009 17:53:33 +0000
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book us a ticket

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Mar 2009, at 18:01, andy butler wrote:

>
>
> Rick Walker wrote:
>>    I'm researching plane fares to Europe and back and between  
>> cities in
>>    Europe
>>    for this summers' looping tour as are several people on this list.
>
> I thought we were all going round Europe together on the Loop Bus
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">book us a ticket=A0<div><br><div>=
 <span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Mar 2009, =
at 18:01, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Rick Walker =
wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">=A0=A0 </span>I'm researching plane =
fares to Europe and back and between cities in</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span class=3D"Apple-converted-space">=A0=A0 =
</span>Europe</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">=A0=A0 </span>for this summers' looping =
tour as are several people on this list.</div> </blockquote><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I =
thought we were all going round Europe together on the Loop =
Bus</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-3-529575513--

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> 
> "Hey Pete, do you use True Bypass?"
> 
> Look out there's a lecture coming:
> 
> The "true bypass" function, which is promoted by some, can create 
> dreadful problems with a system that uses many pedals.


> Take for instance 
> a 15 ft guitar cable linked to ten pedals, each linked by a 2 ft cable, 
> and then onto the amp by a 30 ft cable. If all pedals have "true 
> bypass", and are off, then the total cable length hanging on the guitar 
> output will be 63 ft. 

Rather an unlikely scenario I think :-)

Mind you, I'd enjoy the performance possibilities of running
up and down my 20ft pedal board,
and rushing out to the parking lot to adjust the amp.

andy
(level match 101 on it's way)

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 17:57:56 2009
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Overview:
Essentially we have 3 different types of connection,
instrument(guitar), microphone and line.
If you want the easy route, just remember never to mix those
without some kind of device to convert from one to another,
then scroll down to the section on levels.


Microphones:
Most of these output at mic level, particularly these days.
If your mic outputs on an XLR socket, then consider that
this is definitely the case.
A microphone has to be plugged into a special kind of input
called a microphone pre-amplifier (aka mic-pre) before it
goes to anything else. You can use a dedicated mic-pre, or 
plug into some other piece of gear that has a mic input, like
a mixer or some fx units.

Guitars: 
These also need their own special kind of input, such as is provided by
a stomp box, a DI box, an effect unit with "instrument" input,
a guitar pre-amp or a regular guitar amp.
Piezo pickups need special circuitry, which may be inside the guitar.


Stomp Box:
Generally, these are designed to accept a guitar being plugged into them.
You may get away with plugging a mic that has a 1/4in jack lead on it
into some stomp boxes, e.g. the DL4.
Essentially, though, plugging a mic into a stomp box is very likely to not work well
at all.
The output from a stomp box is good for plugging into a guitar amp, DI box, or
an effects unit with instrument input, and of course you can always 
connect another stomp box.
If the stomp box doesn't have "hard bypass" (or if it's always switched on)
it's possible to plug it into a line level input.
Hard bypass means that the input and output of the stomp box are directly
connected by a wire, so in bypass you need to treat that stomp box output
exactly as if it were a guitar output.
If there's no hard bypass, then the stomp box output is likely to
be good for plugging into a line level input. Beware though, stomp
boxes can be made with very cheap components and may significantly
degrade your signal (e.g. Boss, though I don't know about the most 
recent products).

It's possible to connect the aux send



Impedance:
Now we have to mention impedance, but only for completeness, you 
can skip this bit and just learn the "rules" if you like.
Impedance is a quantity measured in Ohms, usually an input or an 
output will be called low impedance, or high impedance, but in every
case it's also possible to represent that with a number with a big range
of possible values. e.g. a line level output might be just a few ohms,
a microphone output, say, 300 ohms, a guitar output 10,000 ohms and the 
input of a guitar amp with valve input can be 1,000,000 ohms.
In order to get a good signal from the output of one device to the input
of another the most efficient case is when the impedances match.
It's usually case that a lower output impedance can be plugged into
a higher input impedance.
Impedance affects level of signal, but it is a totally separate consideration. 

Most microphones (usually with XLR) are low impedance, but some (mostly older ones)
are high impedance. A high impedance mic (will have 1/4 in jack) will be
more likely to work if you plug it into a stomp box or guitar amp.


Matching Transformer:
These are adapters to convert from:- 
a) low impedance to to high, which might help you plug your
  mic into a stomp box or guitar amp.
b) high impedance to low, might help plugging a guitar into a line level
   input.
Matching transformers aren't used much, and they pick up hum.
Probably best to see them as only an emergency quick fix.

 

Guitar Amp:
Has an input especially designed for guitar which should
only be used for guitar(or similar).
May have output/input at line level.
May have an fx loop designed for line level devices ( i.e.
an output and input for you to insert a line level fx).


DI Box:
Convert from instrument(guitar) level to line level.
In studios, some DI boxes convert to mic level.
DI Boxes vary in quality and price from "a cheap box" to "sublime".



Line Level Inputs:
(Audio Interface, Mixer, FX Unit)

This is what you'll find on a mixer, an audio interface or a rack mount fx unit.
Things not to plug into line level inputs are microphones and guitars, even if
you get a good level without too much noise the frequency range will be affected.
Some mixer inputs are switchable from mic to line level.


Phono Inputs:
Some devices have an input designed for plugging in a turntable (eg DJ fx).
These are not good for any other kind of signal.


LEVEL SETTING:
OK, now you've got your gear connected up.
Each device in the chain should have the loudest possible signal
running through it without distortion. 
We'd also like to have a nice high level running through each cable.

Ideally, each device would have a meter to help you get the input level,
in which case you simply follow the signal along starting from source (mic/guitar)
at each stage turning up as far as possible without distortion. Of course you ought to turn
down all levels before you start that. 
Some devices have a simple overload led monitoring the input, so turn up till it's going
into the red, then ease back down a bit. An occasional flash into the red is usually ok,
and is considered to be a sign that level is correct.
Remember that most players will be quieter for soundcheck than for performance, in
which case it may be worth taking level down a hint to compensate.
If there's no metering on a device then have a guess on the level, followed by
a troubleshooting session.

Of course, what we want is zero distortion, and as little background noise as possible.

To get rid of distortion:
Start at the end of the chain, the opposite end to the instrument.
Go to each level control in sequence. Turn it down gradually while
listening to the distortion, if distortion clears up then you've found
the problem, and you need to make up gain later in the chain (preferably
one step further from instrument).
If the distortion stays, getting quieter with the rest of sound, then turn
that control back up and move on to the next control( one step nearer
to instrument). 

To get rid of noise:
Start at the beginning of the chain, at the instrument.
Go to each level control in turn and try turning it down,
when the noise drops as you do this, you found it's source.
To reduce noise, take that control down, and make up the gain
by turning up a control earlier in the chain (preferably
one step closer to instrument). 

It may be necessary to go round the distortion and noise removing procedures
a few times.


Skim read the next bit in case you own a device which is covered by it:-

Decibels:those -10dB and +4dB figures.
Easy, 
it's just another volume control.
If your device can switch between -10dB and +4dB levels then there's 2 possibilities
1) Pressing the button doesn't change the amount of output for a given input. In that
   case use the +4dB setting, and if that device introduces distortion go  to -10dB.
2) Pressing the button makes the output louder/quieter, go for +4dB as long as the
   next device in the chain doesn't distort.


Specially designed Inputs:
Some devices are made for a variety of uses, the inputs
are carefully made so that you can either plug in an instrument(guitar) 
or a line level device. 
(e.g. Lexicon Vortex, EDP )
A lot of people use a DL4 with a microphone plugged in direct, it seems
to work well enough as the DL4 doesn't add much noise. Likely though
a given mic won't match the DL4 input. Try some different mics
(maybe an older model, with 1/4in jack, not XLR, more likely to be high impedance), try
an impedance converting transformer ( lo to high ), or get a
pre-amp.


OK, that's all you actually *need* to know, feel free to skip the rest.



Unnecessary Details:
In this case, these Decibels are telling us a the signal strength that is expected by 
the device, or the kind of level that they can put out.
-10dB was originally chosen for domestic equipment, so that the output of your
cd player matches the input that your amp expects. However, volume wars also
exists with cd players (stupid, but true), so manufacturers push up the output
of their cd players to the max, and then have to reduce the sensitivity of 
their amplifiers to match. 
So, -10dB as a standard is essentially obsolete.

+4dB is the standard in the recording studio for analog gear, it's louder
than the old -10dB standard......by 14dB

When you see dB markings on your mixer faders, these are slightly different in that
they don't tell you how loud your signal is, they just give an indication of
how much the level will vary when you move the fader.


Decibels are always relative, but may be relative to an agreed standard,
in which case (-10, +4) they are absolute. 

1 decibel is considered to be the smallest noticeable volume increment.
6 decibel louder corresponds to a 2x increase in signal strength, but
will not sound twice as loud, because your ear doesn't work like that.
Your ear has what is called a logarithmic response, which means that
a doubling of power in the signal only sounds like a step up in volume.
That's why you're able to hear sound at an incredible range of levels,
and why the Decibel scale is used to represent that. 


hope that helps

andy butler



Rick Walker wrote:
> 
> still perplexed,    Rick
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 18:20:24 2009
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Subject: Re: OT: CoCArt Music Festival @24-28Mar. 09,Poland
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WOW! yer playin w/ Oren Ambarchi?!! he is one of my all time favorite guitarers.
good luck-that is a great bill.
staninsanfran
here is a vid of oren thats pretty long but i'm sure he is using a loop box of some kind-beautiful solo stuff.
watch it probly wont load w/ my luck...

http://www.orenambarchi.com/AmbarchiLive.mov
 

-----Original Message-----
>From: Sunao Inami <webmaster@cavestudio.com>
>Sent: Mar 8, 2009 11:56 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: OT: CoCArt Music Festival @24-28Mar. 09,Poland
>
>Hi LD,
>
>Sorry for off topic.
>this is my next performance information, gig in Poland.
>
>:::II CoCArt Music Festival:::
>::::::March 24-28, 2009::::::
>Centre of Contemporary Art "Znaki Czasu", ul. Waly gen. Sikorskiego 13
>
>
>[ACTS]
>REFORMED FACTION OF ZOVIET FRANCE
>Oren Ambarchi
>Z'EV
>Sunao Inami
>TROUM
>Vitor Joaquim + Hugo Olim
>COLUMN ONE
>Richard Pinhas + Jerome Schmidt + Milosh Luczynski
>MODULATE
>The Magic Carpathians
>HATI
>PURE
>Herman Muntzing
>VIDEOTURISTEN
>T.Gadomski/T.Mirt
>EMITER_FRANCZAK
>----------
>Robert Curgenven
>Dariusz Wojtas
>----------
>Wiktor Skok
>dj SZUm
>Goon Squad:
>dj Throt, dj Basa, dj Ash
>Miedziana
>Eliasz
>
>
>CoCArt Music Festival is organized by the Centre of Contemporary Art 
>"Znaki Czasu" in Torun, Poland, in cooperation with members of HATI - 
>Rafal X-NAVI Iwanski & Rafal SABON Kolacki.
>The main idea of the Festival is presentation of new trends in 
>contemporary music.
>  The artists who integrate music, image and performing arts present 
>multimedia concerts, installations, workshops and after parties...
>
>Details:
>http://www.csw.torun.pl/dzialania/festiwale/cocart-music-festival-2009
>
>http://www.myspace.com/cocartmusicfestival
>
>
>  Regards
>
>  Sunao
>http://www.electr-ohm.com
>http://www.myspace.com/sunao
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 18:24:14 2009
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References: <49B40105.8060708@cruzio.com> <49B407F2.7050907@tiscali.co.uk> <17E56435-BE42-423A-B330-D77216202862@btinternet.com>
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help, I thought he was driving

Matt Stevens wrote:
> book us a ticket 
> 
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com <mailto:mattstevensguitar@btinternet.com>
> 
> 
> 
> 
> On 8 Mar 2009, at 18:01, andy butler wrote:
> 
>>
>>
>> Rick Walker wrote:
>>>    I'm researching plane fares to Europe and back and between cities in
>>>    Europe
>>>    for this summers' looping tour as are several people on this list.
>>
>> I thought we were all going round Europe together on the Loop Bus
>>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 18:24:30 2009
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Great stuff, Rick, thanks.

Hotels and food on the road is what really kills the budget. I go to 
great lengths to find people to crash with (and to be a good guest which 
is my nature anyway), and then usually buy some groceries at a 
supermarket to make a big breakfast and pack a lunch before hitting the 
road in the morning. Jars of Nutella and peanut butter, a loaf of bread, 
and some cans of tuna will last in the car for a while, and can serve to 
plug the belly between crash pads.

Speaking for the States, I rent cars all the time. A single taxi fare in 
an urban area often costs as much as a day or even two days' rental, and 
terminals are never close to gigs, so I've chosen to avoid the bus/train 
route, though I don't like the environmental impact of a single-person 
passenger vehicle. I pick up hitchhikers (can't help it...used to be 
one) and they'll often kick in a bit for gas which helps. When renting 
cars, make sure to check all the major sites (Hertz, Dollar, Alamo are 
usually the best, though Budget and National can be good too) and visit 
their separate "specials" or "hot deals" page. If you just plug in your 
dates, you won't get their best sales, you need to see their specials 
page and get a code.

When flying, I bring my heaviest gear on board with me. Airlines are 
still pretty lax about carry-on luggage, and though they say one 
"luggage" piece plus one bag or similar, I always bring a huge laptop 
bag stuffed with cables, plus two different shoulder bags with my 
four-tracks and a dictaphone and punch-in pedals, plus my travel guitar 
in its gigbag w/adapters and pedals in the pocket, and usually a plastic 
bag full of food and extra cords, too. Security will usually be confused 
by my tape decks and all the cables, but they never put everything all 
together to weigh it, and nobody seems charged with the responsibility 
of counting individual pieces, especially when they're oddly shaped.

When I do have to stay in hotels, I always drive an hour or more outside 
of the big cities, the hotels along the highway are far cheaper than 
ones in town. For my summer tour, which is my most ambitious one so far 
(aiming for 50 dates), I'm considering packing a cheap tent and spending 
the evening in a state park campground for a couple of nights in places 
where I don't have contacts, rather than dropping $60-80 for a hotel. 
Security of gear and self is always top priority of course, which might 
outweigh the savings...we'll see.

Oh yeah - and pack the minimum amount of clothing, all black to hide the 
dirt! seriously, I never pack more than a weeks' worth, people 
frequently offer to throw my few things in with a load of their family's 
wash. And small-town laundromats are cheap.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Any other nuggets of wisdom that people have found regarding things to
> make touring less expensive?  

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 18:42:07 2009
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Nevyn Nowhere schrieb:
> So, the question:
> 
> A)Is your music more story or sonic manipulation?

Both, a purely emotional story (something you can't tell in rational 
words, music is not a language...) told by the means of sound...

> B)Do you more often loop or sequence? mix?  what measure of the two and 
> do they ever intermix?

What is the difference? For me a sequence is a loop of events, versus a 
loop of pure sound. I mix the loops (a memory of the past) with the 
moment...

> C)How do you feel looping vs sequencing affects "story"

Its my instrument and thus my method of improvising my story. If you 
tell stories at the fire, you usually do rely on what you experienced in 
your life, but what and how you tell it, depends on the audience...

> D)How do you feel music can be a story, if you feel such?

It's an emotional story...

> E)What's the latest "story" you're stoked on?  and why?

My hitchhikers diary... I am hitchhiking every two weeks between Berlin 
and Paris. I am looking for some musicians friends half way to Paris, 
and do a short session improvisation. That's my entry to my diary...

Any looper who lives between Berlin and Paris is invited to 
participate... The first entries are about to be published by the way...

This sort of story has two perspectives (the hitchhiker and the host), 
as any group playing probably has...

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 18:42:18 2009
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wanted: suggestion for loop post processor

Currently I'm looking at the Lexicon MPX1 for the following reasons.

1) While it's a stereo device, it can be used to pan both inputs 
seperately, and to apply
  stereo fx   to either (or both)
2) It has filters and tremolo and stuff which are midi-syncable
3) Maybe it's time to start using reverb.
4) Rack mount, 1U
5) Can hard pan delays L<>R
6) Can just about make a 4s loop of some sort with delays.
7) XLR Outs
8) Weight not *too* bad at 3Kg
9) Tweakable in most directions (LFO's, Envelopes, etc)
10) Lexicon

Always previously I used 2 edps as a stereo pair (or left them hard 
panned if I de-synced them).
Now , as I think I can use the Gordius LG footcontroller to command 
either both, or just
one edp I'm looking into some way of center panning an re-stereoing them.

Well, any suggestions as to alternative to MPX-1, however bizarre and 
unsuitable greatfully accepted.

Any comments pr/com MPX1 would also help.
Particularly "what happens when you change patch", is there a big gap?


Or general rambling about post fx for loops if that's more fun.

andy butler

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 19:45:50 2009
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Mark,

> Hmm this is new to me... I ALWAYS try to get my input as high as
> possible... how can this be true... Im sure that its none of the gear, and
> just a question of getting very precise levels...
>

Well, maybe I could have expressed it a little better ... ;-)

Think of it this way: All electrical curcuits pick up noise. Mostly from
long runs of wire that act like antennas. So you want as much signal as
possible going through the wires relative to the noise. This is called
'signal to noise ratio' (duh!) So always turn the output up as much as
possible before turning up the input it's connected to. If your input VU
still isn't going near the red, *then* begin turning up the input gain until
the VU start peaking.


> Now, A guitar.. thats instrument level right?
>

Right. You are basically dealing with 2 types of signal: guitars and
everything else. A normal electric guitar has passive electronics (no
batteries) so it needs to be plugged directly into a high-impedance (hi-Z)
input to 'load' the guitar's curcuit in the correct manner. Otherwise it
will sound dull and lifeless. Typically your guitar will be plugged into a
9V-powered stompbox or amplifier input. Once your guitar signal is past this
first hi-Z hurdle it can be considered a line-level signal just like
everything else.


> Is +4 line an - 11 instrument?
>

These are both line-level signals. +4 dB is considered the 'professional'
standard, whereas -10 dB is the 'consumer' standard. If you're mixing
pro-grade and consumer gear then switch the pro gear to -10 dB if possible.
That way you can keep your signals as 'hot' as possible relative to the
'standard'. If the gear doesn't have -10/+4 switch then don't worry about
it. Just keep things as hot as possible and everything will be fine.

Just one thing to look out for: If you plug a pro +4 dB output into a
consumer -10 dB input, you *can* risk damaging the input if you turn the
output up too loud. So, in such a situation, start with both input and
output at minimum gain, then slowly bring up the output until you get a good
signal on the input. The pro gear's output will probably only need to be
turned up to about 1/3 of its travel.

Consumer gear going into pro gear is not dangerous for your gear, but you
may need to turn up the input gain quite a bit to even register a signal,
even with the consumer output maxed out.


> However, I suspect that actually everything is instrument level...
>

Nope. Everything except passive electric guitars (and certain types of
microphone) is line-level.


> Both my EDP effects (the redsound federation and the Roland ef 303) are
> actually aimed at DJ's... therfore have phone plugs... so what does that
> make them?
>

Probably consumer line-level (-10dB).


> OH.. And one more question about SEND LEVELS:
> One each channel of the mixer there is a send knob, but there is an overall
> send level.
> What is better, keeping the overall knob really high and just dialling in a
> tiny amount of level per channel?
> OR the reverse, turning the send FULL UP to send to the loopers, and having
> the overall level really low...
> OR... Having both low and turning UP the EDP input level control,
> OR having both really HIGH, but keeping the edp level really really low...
>

A send is just another kind of output. So hot as possible (within reason).
I'd turn the channel sends up to about half or 2/3 full, then the master
send up until the EDP registers a good signal without turning up its input
gain much. That way you have some 'tweak room' at every stage in the chain.

Hope this helps a bit.

  Ian

--001485f796e2cc74860464a0c3db
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Mark,<div><div class=3D"gmail_quote"><br><blockquote class=3D"gmail_quote" =
style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"><d=
iv id=3D":ji" class=3D"ii gt">Hmm this is new to me... I ALWAYS try to get =
my input as high as possible... how can this be true... Im sure that its no=
ne of the gear, and just a question of getting very precise levels...</div>
</blockquote><div><br></div><div>Well, maybe I could have expressed it a li=
ttle better ... ;-)</div><div><br></div><div>Think of it this way:=A0All el=
ectrical curcuits pick up noise. Mostly from long runs of wire that act lik=
e antennas. So=A0you want as much signal as possible going through the wire=
s relative to the noise. This is called &#39;signal to noise ratio&#39; (du=
h!) So always turn the output up as much as possible before turning up the =
input it&#39;s connected to. If your input VU still isn&#39;t going near th=
e red, *then* begin turning up the input gain until the VU start peaking.</=
div>
<div>=A0</div><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;=
border-left:1px #ccc solid;padding-left:1ex;"><div id=3D":ji" class=3D"ii g=
t">Now, A guitar.. thats instrument level right? </div></blockquote><div><b=
r></div>
<div>Right. You are basically dealing with 2 types of signal: guitars and e=
verything else. A normal electric guitar has passive electronics (no batter=
ies) so it needs to be plugged directly into a high-impedance (hi-Z) input =
to &#39;load&#39; the guitar&#39;s curcuit in the correct manner. Otherwise=
 it will sound dull and lifeless. Typically your guitar will be plugged int=
o a 9V-powered stompbox or amplifier input. Once your guitar signal is past=
 this first hi-Z hurdle it can be considered a line-level signal just like =
everything else.=A0</div>
<div>=A0</div><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;=
border-left:1px #ccc solid;padding-left:1ex;"><div id=3D":ji" class=3D"ii g=
t">
Is +4 line an - 11 instrument?</div></blockquote><div><br></div><div>These =
are both line-level signals. +4 dB is considered the &#39;professional&#39;=
 standard, whereas -10 dB is the &#39;consumer&#39; standard. If you&#39;re=
 mixing pro-grade and consumer gear then switch the pro gear to -10 dB if p=
ossible. That way you can keep your signals as &#39;hot&#39; as possible re=
lative to the &#39;standard&#39;. If the gear doesn&#39;t have -10/+4 switc=
h then don&#39;t worry about it. Just keep things as hot as possible and ev=
erything will be fine.=A0</div>
<div><br></div><div>Just one thing to look out for: If you plug a pro +4 dB=
 output into a consumer -10 dB input, you *can* risk damaging the input if =
you turn the output up too loud. So, in such a situation, start with both i=
nput and output at minimum gain, then slowly bring up the output until you =
get a good signal on the input. The pro gear&#39;s output will probably onl=
y need to be turned up to about 1/3 of its travel.</div>
<div><br></div><div>Consumer gear going into pro gear is not dangerous for =
your gear, but you may need to turn up the input gain quite a bit to even r=
egister a signal, even with the consumer output maxed out.</div><div>=A0</d=
iv>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div id=3D":ji" class=3D"ii gt">However, I =
suspect that actually everything is instrument level... </div></blockquote>=
<div>
<br></div><div>Nope. Everything except passive electric guitars (and certai=
n types of microphone) is line-level.</div><div>=A0</div><blockquote class=
=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padd=
ing-left:1ex;">
<div id=3D":ji" class=3D"ii gt">Both my EDP effects (the redsound federatio=
n and the Roland ef 303) are actually aimed at DJ&#39;s... therfore have ph=
one plugs... so what does that make them?</div></blockquote><div><br></div>
<div>Probably consumer line-level (-10dB).=A0</div><div>=A0</div><blockquot=
e class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc sol=
id;padding-left:1ex;"><div id=3D":ji" class=3D"ii gt">OH.. And one more que=
stion about SEND LEVELS:<br>
One each channel of the mixer there is a send knob, but there is an overall=
 send level.<br>What is better, keeping the overall knob really high and ju=
st dialling in a tiny amount of level per channel? <br>
OR the reverse, turning the send FULL UP to send to the loopers, and having=
 the overall level really low... <br>OR... Having both low and turning UP t=
he EDP input level control, <br>OR having both really HIGH, but keeping the=
 edp level really really low...</div>
</blockquote><div><br></div><div>A send is just another kind of output. So =
hot as possible (within reason). I&#39;d turn the channel sends up to about=
 half or 2/3 full, then the master send up until the EDP registers a good s=
ignal without turning up its input gain much. That way you have some &#39;t=
weak room&#39; at every stage in the chain.</div>
<div><br></div><div>Hope this helps a bit.</div><div><br></div><div>=A0=A0I=
an</div></div></div>

--001485f796e2cc74860464a0c3db--

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Subject: Touring Europe
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Hello all, thought I would chime in here.
=20
I have toured Europe many times with a five piece Bluegrass band, and =
for sure flying is the way to go right now, trains are much more =
expensive. The last tour I booked was all over europe, and for about 12 =
flights, the average cost per flight was only about $50 per person, this =
is like for flying to Budapest today, Paris tomorrow, etc.
=20
BUT, like Rick says, watch out for those luggage fees, they will get =
you. What we found was the best plan was to carry on whenever possible. =
In europe (last year at least) the restrictions on carrying on an =
instrument are much less ridiculous. For example, in London we checked =
in, paid a bunch for overweight because the gate agent told us no =
instruments can be carried on, and when I got to security there was a =
dude with a full size cello going through and I asked the security =
people, and they told me that there was a rule that the airlines HAD to =
let musicians carry on their instruments, too late for us on that one, =
but later we used it to full advantage. Also, they looked at me like I =
was a moron, "of COURSE you can carry on an instrument" and also, they =
DID not count it against my carry on bag limit. Now, be careful, if it =
wont fit in the overhead you are going to have to gate check it. That is =
why I try to use Calton flight cases, that way, if possible I carry it =
on, if not it will still be ok in the luggage. Planes are smaller over =
there, be careful, if you are using a soft case, and you have to check =
it, you are screwed. Our bassist uses an upright electric, big old box, =
pain in the ass.
=20
The 10 or 20 kg limit rule is also a toughie, but what I do is wear =
cargo pants, it is really amazing how much you can stuff in there weight =
wise, and that helps when you are paying about 6 to 10 dollars PER POUND =
for overweight luggage.
=20
Also, on lots of the budget airlines, you can pay a small fee, about 10 =
to 20 bucks, to board early, this is a very important tool in your =
flying arsenel, if you can board first, your chance of getting an =
instrument on or stowed somewhere are much better. Remember, in europe =
musicians are revered and respected, not treated as idiot scumbags like =
we are sometimes in the states, this helps too. Also, when loading or in =
the gate area, dont be conspicous, hold larger things to your side, be =
smart, it helps. Also, have a lot of swag around, just a cd or something =
to a gate agent has help A LOT.
=20
Of course ground transport is ground transport, always best to have a =
friend deal with that. Hostels are the cheapest place to stay, and most =
are really nice, they cater to kids, but old codgers like me can stay =
there too.
=20
Be careful how you pack your electronics, they will sometimes check them =
for a long time, leave plenty time for security, and also, I have had =
mandolin strings confiscated several times, so put strings in checked =
luggage if you can, try to find mandolin strings in Armenia =
sometime!!!!!!!
=20
I've played in 50 countries and hope to play in 100 before I'm done. I =
love it.
=20
Looping is kind of new to me, well not new I guess as I have been =
building my system for almost two years. I am using Looperlative LP1, =
Rance Cm 86 mixer (THE BEST LOOPING MIXER ask me why..) a Novation Zero =
midi controller with small keyboard, a Yamaha TG55 for key sounds, a =
Hammond XM-1 for organ, a Digitech 1101 for my acoustic instruments, a =
TC M300 for effects and a Fishman Aura for all my acoustic instrument =
preamp settings. Then I have a midibuddy for LP1 commands.=20
=20
I have ready, not all are used on every song of course, or even every =
gig, but I have ready, preamp sounds set, digitech settings saved, for =
acoustic mandolin, electric mandolin, octave mandolin, mandola, electric =
mandola, fiddle, electric and acoustic banjo, lap steel, pedal steel, =
electric and acoustic guitar, mandocello, bass and of course whatever =
keys I have set on a particular song. Of course I have hand percussion =
too, and mics for vocals and a Digitech V4 for harmonies or vocal =
effects, and both mics go through the CM86 so they can be looped too. I =
use a Furman 16 channel in the ear monitor setup and a California Blonde =
amp from SWR if I need an amp and an alesis hr16 for drums sounds. Then =
all this is tied in to a Nuendo system on laptop for recording, but I =
loop on the LP1, dont trust a laptop for that.
=20
I work on my rig every day, always something to get it where I want it, =
but almost there, just added some midi solutions thru and merge boxes to =
clean up midi going through so many things. Technically I'm real happy =
with where it is right now, it's just time to start working more on the =
musical side of things. I dont do much pure ambient music, of course I =
can and do some, but I am more about live tracking of my songs. It sure =
is easy to get a nice loop going, but getting to that next song is sure =
the bitch as you all know, can fade EVERY one, lol.
=20
The Rane CM86 I think is a great loopers mixer. It is eight channels, =
two aux sends per chanell, which can be switched pre or post, which is =
good, pre puts it in the effects unit, post takes it out, which is easy =
way to switch on effects on the fly, also there is a mic/line switch on =
the front of each ch, so you can use that as an on/off, or have both =
inputs plugged in if you like to switch back and forth. There is a tape =
in that can be another stereo chanell, and it is true A/B stereo, with a =
master one and two out, so you can send A to monitor, B to the LP1, then =
bring the LP1 back in on the tape loop, works great. Each channel has an =
insert also, and switchable phantom for each channel. Also what is cool =
is that there is no pan, each channel has concetric pots with both A and =
B sends. You can see the manual on Rane.com  They dont make it now, but =
I bet they can be found. It looks like that three rack space Behringer =
but better.
=20
OK, enough for now.
=20
Andy Owens
www.andyowens.com
=20
=20
=20

------_=_NextPart_001_01C9A027.C01C7F1B
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML dir=3Dltr><HEAD>=0A=
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dunicode">=0A=
<META content=3D"MSHTML 6.00.2900.3492" name=3DGENERATOR></HEAD>=0A=
<BODY>=0A=
<DIV><FONT face=3DArial color=3D#000000 size=3D2>Hello all, thought I =
would chime in here.</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>=0A=
<DIV><FONT face=3DArial size=3D2>I have toured Europe many times with a =
five piece Bluegrass band, and for sure flying is the way to go right =
now, trains are much more expensive. The last tour I booked was all over =
europe, and for about 12 flights, the average cost per flight was only =
about $50 per person, this is like for flying to Budapest today, Paris =
tomorrow, etc.</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>=0A=
<DIV><FONT face=3DArial size=3D2>BUT, like Rick says, watch out for =
those luggage fees, they will get you. What we found was the best plan =
was to carry on whenever possible. In europe (last year at least) the =
restrictions on carrying on an instrument are much less ridiculous. For =
example, in London we checked in, paid a bunch for overweight because =
the gate agent told us no instruments can be carried on, and when I got =
to security there was a dude with a full size cello going through and I =
asked the security people, and they told me that there was a rule that =
the airlines HAD to let musicians carry on their instruments, too late =
for us on that one, but later we used it to full advantage. Also, they =
looked at me like I was a moron, "of COURSE you can carry on an =
instrument" and also, they DID not count it against my carry on bag =
limit. Now, be careful, if it wont fit in the overhead you are going to =
have to gate check it. That is why I try to use Calton flight cases, =
that way, if possible I carry it on, if not it will still be ok in the =
luggage. Planes are smaller over there, be careful, if you are using a =
soft case, and you have to check it, you are screwed. Our bassist uses =
an upright electric, big old box, pain in the ass.</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>=0A=
<DIV>The 10 or 20 kg limit rule is also a toughie, but what I do is wear =
cargo pants, it is really amazing how much you can stuff in there weight =
wise, and that helps when you are paying about 6 to 10 dollars PER POUND =
for overweight luggage.</DIV>=0A=
<DIV>&nbsp;</DIV>=0A=
<DIV>Also, on lots of the budget airlines, you can pay a small fee, =
about 10 to 20 bucks, to board early, this is a very important tool in =
your flying arsenel, if you can board first, your chance of getting an =
instrument on or stowed somewhere are much better. Remember, in europe =
musicians are revered and respected, not treated as idiot scumbags like =
we are sometimes in the states, this helps too. Also, when loading or in =
the gate area, dont be conspicous, hold larger things to your side, be =
smart, it helps. Also, have a lot of swag around, just a cd or something =
to a gate agent has help A LOT.</DIV>=0A=
<DIV>&nbsp;</DIV>=0A=
<DIV>Of course ground transport is ground transport, always best to have =
a friend deal with that. Hostels are the cheapest place to stay, and =
most are really nice, they cater to kids, but old codgers like me can =
stay there too.</DIV>=0A=
<DIV>&nbsp;</DIV>=0A=
<DIV>Be careful how you pack your electronics, they will sometimes check =
them for a long time, leave plenty time for security, and also, I have =
had mandolin strings confiscated several times, so put strings in =
checked luggage if you can, try to find mandolin strings in Armenia =
sometime!!!!!!!</DIV>=0A=
<DIV>&nbsp;</DIV>=0A=
<DIV>I've played in 50 countries and hope to play in 100 before I'm =
done. I love it.</DIV>=0A=
<DIV>&nbsp;</DIV>=0A=
<DIV>Looping is kind of new to me, well not new I guess as I have been =
building my system for almost two years. I am using Looperlative LP1, =
Rance Cm 86 mixer (THE BEST LOOPING MIXER ask me why..) a Novation Zero =
midi controller with small keyboard, a Yamaha TG55 for key sounds, a =
Hammond XM-1 for organ, a Digitech 1101 for my acoustic instruments, a =
TC M300 for effects and a Fishman Aura for all my acoustic instrument =
preamp settings. Then I have a midibuddy for LP1 commands. </DIV>=0A=
<DIV>&nbsp;</DIV>=0A=
<DIV>I have ready, not all are used on every song of course, or even =
every gig, but I have ready, preamp sounds set, digitech settings saved, =
for acoustic mandolin, electric mandolin, octave mandolin, mandola, =
electric mandola, fiddle, electric and acoustic banjo, lap steel, pedal =
steel, electric and acoustic guitar, mandocello, bass and of course =
whatever keys I have set on a particular song. Of course I have hand =
percussion too, and mics for vocals and a Digitech V4 for harmonies or =
vocal effects, and both mics go through the CM86 so they can be looped =
too. I use a Furman 16 channel in the ear monitor setup and a California =
Blonde amp from SWR if I need an amp and an alesis hr16 for drums =
sounds. Then all this is tied in to a Nuendo system on laptop for =
recording, but I loop on the LP1, dont trust a laptop for that.</DIV>=0A=
<DIV>&nbsp;</DIV>=0A=
<DIV>I work on my rig every day, always something to get it where I want =
it, but almost there, just added some midi solutions thru and merge =
boxes to clean up midi going through so many things. Technically I'm =
real happy with where it is right now, it's just time to start working =
more on the musical side of things. I dont do much pure ambient music, =
of course I can and do some, but I am more about live tracking of my =
songs. It sure is easy to get a nice loop going, but getting to that =
next song is sure the bitch as you all know, can fade EVERY one, =
lol.</DIV>=0A=
<DIV>&nbsp;</DIV>=0A=
<DIV>The Rane CM86 I think is a great loopers mixer. It is eight =
channels, two aux sends per chanell, which can be switched pre or post, =
which is good, pre puts it in the effects unit, post takes it out, which =
is easy way to switch on effects on the fly, also there is a mic/line =
switch on the front of each ch, so you can use that as an on/off, or =
have both inputs plugged in if you like to switch back and forth. There =
is a tape in that can be another stereo chanell, and it is true A/B =
stereo, with a master one and two out, so you can send A to monitor, B =
to the LP1, then bring the LP1 back in on the tape loop, works great. =
Each channel has an insert also, and switchable phantom for each =
channel. Also what is cool is that there is no pan, each channel has =
concetric pots with both A and B sends. You can see the manual on =
Rane.com&nbsp; They dont make it now, but I bet they can be found. It =
looks like that three rack space Behringer but better.</DIV>=0A=
<DIV>&nbsp;</DIV>=0A=
<DIV>OK, enough for now.</DIV>=0A=
<DIV>&nbsp;</DIV>=0A=
<DIV>Andy Owens</DIV>=0A=
<DIV><A href=3D"http://www.andyowens.com">www.andyowens.com</A></DIV>=0A=
<DIV>&nbsp;</DIV>=0A=
<DIV>&nbsp;</DIV>=0A=
<DIV>&nbsp;</DIV></BODY></HTML>
------_=_NextPart_001_01C9A027.C01C7F1B--

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Subject: Re: GAIN STRUCTURE
From: mark francombe <mark@markfrancombe.com>
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GREAT STUFF PER...
I dont think my effects are ACTUALLY phono level.. as in turntable
level..(god you are right about the peater having a dedicated socket- blimey
they chucked alot of useless stuff onto that machine...) I think they are
designed to plug into a DJ mixer. so line level... er right???

One Q

Always crank the send up to 0 dB. Then adjust the looper's input gain
to receive the feed properly.

How do I know its at 0 db? Surely the numbers on the knob are purely
arbitary (this one goes to eleven?)...

m...




-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

--001636c5b9e8afada20464a12e7e
Content-Type: text/html; charset=ISO-8859-1
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GREAT STUFF PER... <br>I dont think my effects are ACTUALLY phono level.. a=
s in turntable level..(god you are right about the peater having a dedicate=
d socket- blimey they chucked alot of useless stuff onto that machine...) I=
 think they are designed to plug into a DJ mixer. so line level... er right=
??? <br>
<br>One Q<br><br>Always crank the send up to 0 dB. Then adjust the looper&#=
39;s input gain<br>
to receive the feed properly.<br><br>How do I know its at 0 db? Surely the =
numbers on the knob are purely arbitary (this one goes to eleven?)...<br><b=
r>m...<br><br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfr=
ancombe.com">www.markfrancombe.com</a><br>
<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>
<a href=3D"http://www.looop.no">www.looop.no</a><br>

--001636c5b9e8afada20464a12e7e--

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Date: Sun, 8 Mar 2009 13:11:05 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: RPM CD - Jim Goodin - Vertical released
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Very cool, Jim!=0A=0AI enjoyed your video as well, with an aerial view of s=
ome of your loopstuff: <http://www.youtube.com/watch?v=3DmjnP6T75lKw>=0A=0A=
I've got four tracks of my RPM project posted on my MySpace page; they're t=
he ones with the birds on 'em!=0A=0A-t-=0A=0Ahttp://www.myspace.com/nimblet=
unes=0Ahttp://cdbaby.com/all/timnelson=0Ahttp://www.youtube.com/speleman62=
=0A=0A=0A--- On Sun, 3/1/09, Jim Goodin <jimgoodinmusic@gmail.com> wrote:=
=0A> Some you possibly joined me in=0A> participating in the annual Februar=
y RPM Challenge (www.rpmchallenge.com).=0A> =A0My 2009 RPM CD is titled Ver=
tical and I'm=0A> posting it here for download.=0A> =0A> For Vertical I use=
d fretless guitar, oud,=0A> violin, voice and I'm proud to say for this lis=
t's=0A> interest, looping technology (EHX 2880). =A06 of the 18 trax=0A> ar=
e heavily looped.=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 20:18:25 2009
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To: Loopers-Delight@loopers-delight.com
From: Andreas Willers <a.willers@arcor.de>
Subject: Re: Nuggets of Wisdom for Loop Touring
Date: Sun, 8 Mar 2009 21:18:22 +0100
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Rick,

in Europe there is still a big price war amoung the cheap airlines  
that keeps costs ridiculously low. You can find very cheap flights  
all over the net, for example:

http://reise.idealo.de/

http://www.opodo.de/

http://www.billigfluege.de/

also try the Air Berlin, Easy Jet, RyanAir, GermanWings websites  
directly. Be aware though for hidden booking fees (although illegal),  
baggage surcharges etc.etc. RyanAir suposedly wants to charge one  
pound soon for using the onboard toilet! The situation will change  
sooner or later, right now it's still cheap.

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>
> ...and Mark has his Vortex set up just right :-)


Wow.. I do? It sure doesnt sound as good as your on you Vortex site Andy!!!


> Mark, when you say one edp is noisy, do you mean the edp itself,
> or the whole signal chain with that edp in it?
>

Yeah, just one is noisy, but Im almost certain its the effect its going
thru... as I have kids, I havent had time since posting to try out obvious
things like.. trying the edp on its own ha ha!!! I just got my second EDP,
and HAD to plug it in and loop... and despite the hiss and the distortion...
I had alot of fun...

What I DID notice, that I cant blame the effect on, is that this edp seemed
dull. Definately some top being cut somewhere.
I never noticed before cos my old mixer had EQ. and posibly I was EQ-ing the
shit out of everything to A) reduce hiss, and B) match the loop eq with the
instument...

Im so glad this thread has been of interest, I was not embarrassed to post,
quite the contrary... I KNOW I will get good answers and help here. I have
NOT devoted my life to making pristine and sparkling music, quite the
contrary, and frankly production (ok OVER production) bores me... no.. still
wrong... THE SOUND of production bores me. Gimme Pussy Galore over Pink
Floyd ANY DAY...  but... there are limits... and I really want to have a
nice clean sanitary slate on which to scrape my filthy layers of dirty
infected pus ridden noise that I call music... ha ha!!

M





>
> andy butler
>



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;"><br>
...and Mark has his Vortex set up just right :-)</blockquote><div><br>Wow..=
 I do? It sure doesnt sound as good as your on you Vortex site Andy!!!<br><=
br></div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
Mark, when you say one edp is noisy, do you mean the edp itself,<br>
or the whole signal chain with that edp in it?<br><font color=3D"#888888">
</font></blockquote><div><br>Yeah, just one is noisy, but Im almost certain=
 its the effect its going thru... as I have kids, I havent had time since p=
osting to try out obvious things like.. trying the edp on its own ha ha!!! =
I just got my second EDP, and HAD to plug it in and loop... and despite the=
 hiss and the distortion... I had alot of fun... <br>
<br>What I DID notice, that I cant blame the effect on, is that this edp se=
emed dull. Definately some top being cut somewhere.<br>I never noticed befo=
re cos my old mixer had EQ. and posibly I was EQ-ing the shit out of everyt=
hing to A) reduce hiss, and B) match the loop eq with the instument... <br>
<br>Im so glad this thread has been of interest, I was not embarrassed to p=
ost, quite the contrary... I KNOW I will get good answers and help here. I =
have NOT devoted my life to making pristine and sparkling music, quite the =
contrary, and frankly production (ok OVER production) bores me... no.. stil=
l wrong... THE SOUND of production bores me. Gimme Pussy Galore over Pink F=
loyd ANY DAY...=A0 but... there are limits... and I really want to have a n=
ice clean sanitary slate on which to scrape my filthy layers of dirty infec=
ted pus ridden noise that I call music... ha ha!!<br>
<br>M<br><br><br><br>=A0</div><blockquote class=3D"gmail_quote" style=3D"bo=
rder-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding=
-left: 1ex;"><font color=3D"#888888"><br>
andy butler <br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no">www.looop.no</a><br>

--0016e6dd9670aa802e0464a17879--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  8 20:46:06 2009
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Date: Sun, 8 Mar 2009 13:46:05 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: OT: (sorta) Laptop Suggestions
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--0-376281711-1236545165=:39834
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Hi:
=A0
I've been thinking about replacing my desktop with a new PC to get more mem=
ory, a faster CPU, etc. I was leaning towards a desktop as I have at least =
one PCI card I'd like to continue to use. However, with the continual reduc=
tion in price of laptops, I've been thinking more of this direction just fo=
r space considerations as well as the portability.
=A0
I'm going to stay with the Windows platforms and have been toying with a ve=
ry reasonable priced Gateway w/2GB memory and an Intel dual core CPU for $6=
50. Heck, I think I have only 1/2 GB memory on my desktop and I've been abl=
e to run Reason, Cubase & ACID w no problems (plus others). Even the config=
 mentioned above would be a major improvement for me.
=A0
What kinds of Windows-based laptops are folks on this board using? Any word=
s of wisdom on what to look out for?=20
=A0
Also, I've been leaning towards an Intel chip rather than AMD. Any comments=
 on that opinion?
=A0
Regards, Paul


=A0=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Hi:</DIV>
<DIV>&nbsp;</DIV>
<DIV>I've been thinking about replacing my desktop with a new PC to get mor=
e memory, a faster CPU, etc. I was leaning towards a desktop as I have at l=
east one PCI card I'd like to continue to use. However, with the continual =
reduction in price of laptops, I've been thinking more of this direction ju=
st for space considerations as well as the portability.</DIV>
<DIV>&nbsp;</DIV>
<DIV>I'm going to stay with the Windows platforms and have been toying with=
 a very reasonable priced Gateway w/2GB memory and an Intel dual core CPU f=
or $650. Heck, I think I have only 1/2 GB memory on my desktop and I've bee=
n able to run Reason, Cubase &amp; ACID w no problems (plus others). Even t=
he config mentioned above would be a major improvement for me.</DIV>
<DIV>&nbsp;</DIV>
<DIV>What kinds of Windows-based laptops are folks on this board using? Any=
 words of wisdom on what to look out for? </DIV>
<DIV>&nbsp;</DIV>
<DIV>Also, I've been leaning towards an Intel chip rather than AMD. Any com=
ments on that opinion?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Regards, Paul<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid">
<DIV id=3Dyiv392792328>&nbsp;</DIV></BLOCKQUOTE></td></tr></table><br>=0A=
=0A      
--0-376281711-1236545165=:39834--

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Andy,
TC Electronic Fireworx !

it has a really great interface, excellent filters and many, many ways 
to sync effects such as delays, trems and so on.
I think it deserves a chance.

good luck.
luca

andy butler ha scritto:
> wanted: suggestion for loop post processor
>
> Currently I'm looking at the Lexicon MPX1 for the following reasons.
>
> 1) While it's a stereo device, it can be used to pan both inputs 
> seperately, and to apply
>  stereo fx   to either (or both)
> 2) It has filters and tremolo and stuff which are midi-syncable
> 3) Maybe it's time to start using reverb.
> 4) Rack mount, 1U
> 5) Can hard pan delays L<>R
> 6) Can just about make a 4s loop of some sort with delays.
> 7) XLR Outs
> 8) Weight not *too* bad at 3Kg
> 9) Tweakable in most directions (LFO's, Envelopes, etc)
> 10) Lexicon
>
> Always previously I used 2 edps as a stereo pair (or left them hard 
> panned if I de-synced them).
> Now , as I think I can use the Gordius LG footcontroller to command 
> either both, or just
> one edp I'm looking into some way of center panning an re-stereoing them.
>
> Well, any suggestions as to alternative to MPX-1, however bizarre and 
> unsuitable greatfully accepted.
>
> Any comments pr/com MPX1 would also help.
> Particularly "what happens when you change patch", is there a big gap?
>
>
> Or general rambling about post fx for loops if that's more fun.
>
> andy butler
> ------------------------------------------------------------------------
>
>
> No virus found in this incoming message.
> Checked by AVG - http://www.avg.com 
> Version: 8.0.176 / Virus Database: 270.11.9/1989 - Release Date: 07/03/2009 18.43
>
>   

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Subject: Nuggets of Wisdom for Loop Touring
From: Rainer Straschill <moinsound@googlemail.com>
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Rick said:
> Also, for Americans, the price of petrol in Europe and the UK is staggering compared to what we are used to in terms of subsidized gasoline prices in the US all of our lives.

Really, Rick, is there (and has there been all the time) a subsidy on
(car) gasoline prices in the U.S. for all your respective lives?
Meaning that the vendor actually gets a guaranteed price on gas which
will be achieved by using taxpayer's money if the market doesn't
reflect that guarantee?

I'm asking because here in Germany (which is part of Europe, and hence
part of your counterexample), the tax portion on gas (including all
those crazy taxes the invented from time to time) is above 60%, which
may appear odd, destructive and all in all rather true to Stalinistic
ideals which, in fact, it is.

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Date: Sun, 8 Mar 2009 22:50:27 +0100
Message-ID: <66f9cc1e0903081450l57ea4030pd326815ab54a1ac0@mail.gmail.com>
Subject: Re: wanted: suggestion for loop post processor
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On Sun, Mar 8, 2009 at 9:58 PM, Luca Formentini <luca@unguitar.com> wrote:
> Andy,
> TC Electronic Fireworx !

I agree with Luca. For a couple of years I used a Fireworx as a tempo
synced pre looper processor. Really useful in a hardware based rig!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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well observed :-)

Mind you, I'd enjoy the performance possibilities of running
up and down my 20ft pedal board,
and rushing out to the parking lot to adjust the amp.

andy


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">well observed =
:-)<div><br></div><div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font class=3D"Apple-style-span" =
color=3D"#0080FF">Mind you, I'd enjoy the performance possibilities of =
running</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font class=3D"Apple-style-span" =
color=3D"#0080FF">up and down my 20ft pedal board,</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font class=3D"Apple-style-span" color=3D"#0080FF">and=
 rushing out to the parking lot to adjust the amp.</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><font class=3D"Apple-style-span" =
color=3D"#0080FF"><br></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" =
color=3D"#0080FF">andy</font></div><div><br></div></div></body></html>=

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Date: Sun, 8 Mar 2009 23:03:50 +0100
Message-ID: <66f9cc1e0903081503q42e6621cq9940018ccf11142a@mail.gmail.com>
Subject: Re: GAIN STRUCTURE
From: Per Boysen <perboysen@gmail.com>
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On Sun, Mar 8, 2009 at 9:15 PM, mark francombe <mark@markfrancombe.com> wrote:
> I dont think my effects are ACTUALLY phono level.. as in turntable
> level..(god you are right about the peater having a dedicated socket- blimey
> they chucked alot of useless stuff onto that machine...)

As a desperate act of making it non useless I was actually planning to
borrow an analog record player,  connect it to my Repeater through
that input socket and then connect a computer digitally and finally
digitize all my vinyl records so I can listen to them. This beautiful
projects died because of lack of time. I ended up downloading my old
vinyl record's music from the internet.


> How do I know its at 0 db? Surely the numbers on the knob are purely
> arbitary (this one goes to eleven?)...

Key word is CALIBRATION. First thing to do on any audio system you
start working on is to calibrate at least one part of it to give a
correct nominal level readout for an analog signal. Maybe you already
have appropriate tools for that in your computer/soundcard?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Sun, 8 Mar 2009 23:09:39 +0100
Message-ID: <66f9cc1e0903081509i5dc89b5bgdadb61e4b45016af@mail.gmail.com>
Subject: Re: The Case Against True Bypass
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On Sun, Mar 8, 2009 at 5:55 PM, Rick Walker <looppool@cruzio.com> wrote:
> I found this on line while researching all the threads
> about Input/Output gain and thought it would effect everyone:
> It is from Pete Cornish's really great website on pedalboard design.

Glad you liked it! I posted the URL too in the "Gain Structure" thread
but it fell out in Rick's post: You find it at
http://www.petecornish.co.uk/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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--_7f12cf3c-4a76-426f-ae78-f28707d2174f_
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 Here's a discussion of Unity Gain and impedence

--_7f12cf3c-4a76-426f-ae78-f28707d2174f_
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<html>
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.hmmessage P
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</head>
<body class=3D'hmmessage'>
&nbsp=3BHere's a discussion of Unity Gain and impedence<br></body>
</html>=

--_7f12cf3c-4a76-426f-ae78-f28707d2174f_--

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 Here's a discussion of Unity Gain and impedence  http://www.rane.com/note1=
24.html

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&nbsp=3BHere's a discussion of Unity Gain and impedence&nbsp=3B http://www.=
rane.com/note124.html<br></body>
</html>=

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Date: Sun, 8 Mar 2009 15:20:33 -0700
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Subject: Re: OT: (sorta) Laptop Suggestions
From: Art Simon <simart@gmail.com>
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My advice would be to pay attention to the chipset of the firewire
and/or usb controller, depending on what sort of audio interface you
are using. Go to the forums for whatever audio interface you intend to
use, and check to see what laptops people are praising or complaining
about.

Generally speaking, the processor speed and RAM are good indicators of
performance, but a bad audio driver will screw everything up. The TI
chipset seems to be the gold standard for both USB and Firewire. I
returned several dell laptops, but I'm very happy with the performance
of my Acer Extensa 5620-6030 Intel Core 2 Duo T7500 2.2Ghz, 3Gb RAM.

On Sun, Mar 8, 2009 at 1:46 PM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> Hi:
>
> I've been thinking about replacing my desktop with a new PC to get more
> memory, a faster CPU, etc. I was leaning towards a desktop as I have at
> least one PCI card I'd like to continue to use. However, with the continual
> reduction in price of laptops, I've been thinking more of this direction
> just for space considerations as well as the portability.
>
> I'm going to stay with the Windows platforms and have been toying with a
> very reasonable priced Gateway w/2GB memory and an Intel dual core CPU for
> $650. Heck, I think I have only 1/2 GB memory on my desktop and I've been
> able to run Reason, Cubase & ACID w no problems (plus others). Even the
> config mentioned above would be a major improvement for me.
>
> What kinds of Windows-based laptops are folks on this board using? Any words
> of wisdom on what to look out for?
>
> Also, I've been leaning towards an Intel chip rather than AMD. Any comments
> on that opinion?
>
> Regards, Paul
>
>
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Subject: wanted: suggestion for loop post processor
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Andy,

you do not specify which of the items 1-10 you mention are actually
hard requirements or if there are any other soft requirements, but...

Some people have suggested the FireworX: while the FireworX offers a
lot of great options (great flexibility in routing structure,
including the option to insert an external device into the signal
chain via the s/pdifs, lots of modulation options, including pitch
detection and a pattern sequencer, great digital lo-fi effects), I've
always found that it lacks processing power seriously, given its
richness in features. You typically max out at 3 to 4 processing
blocks (and some of them are only available once, e.g. only one filter
at a time), so this may limit you a lot if you want to process two
mono inputs separately.
The fact that it only has XLR connectors is not a showstopper but
somehow impractical. Btw, maximum delay time if I remember correctly
is something like 2.9 seconds (mono).
Summary: it's by far not as cool as it looks, because of a lack of
processing power. However it has a lot of flexibility which only a
tiny few (read: Eventide H8000 etc.) effects processors have to offer.
And the lo-fi/digital dirt effects are a welcome addition.

Now something for the "bizarre and unsuitable" reign: enter the Clavia
Nord Modular G2 Engine. 1HU in size, this device (which is basically
an extremely flexible virtual modular synth) doesn't have any
front-panel knobs or displays of any kind - so some kind of solution
for patch change is needed - and for effects editing, you actually
need a computer.
Why do I recommend it anyway? Lots of processing options! Tons of
flexibility! And you even get a free synthesizer!
I have been using the Nord MicroModular (the previous model's tiny
version in a small tabletop case) a lot - however that old one only
had minimum delay capability. A great thing! Highly recommended!
Claude Voit used to use one to pattern-sequence his EDPs.

         Rainer

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   One good solution to the situation Cornish describes is a buffer amp. Ga=
rcia had a line out  from pickups to his pedals that came back to his guita=
r=2Cand then went to the controls=2Cthen out to the amp.

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&nbsp=3B&nbsp=3B One good solution to the situation Cornish describes is a =
buffer amp. Garcia had a line out&nbsp=3B from pickups to his pedals that c=
ame back to his guitar=2Cand then went to the controls=2Cthen out to the am=
p.<br></body>
</html>=

--_c842f9f2-904c-4552-82c3-db12e320418d_--

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Subject: Re: GAIN STRUCTURE
From: mark francombe <mark@markfrancombe.com>
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>  Maybe you already
> have appropriate tools for that in your computer/soundcard?
>

Er... no.. dont think so... what tools am I looking for? a 0db tone? sure i
can make one but How do i know its 0 db once its out of the computer... ?
really I need a tone generator.. I dont think anyone has one of them...

Thanks Andy for GAIN STRUCTURE 101, I have to admit I was hoping that you
got in on this one...Im sure we all learnt something there...
I think you have all the answers I need to start to track down the culprits
in my new rig... just gimme some time please??? My wife's father passed away
last week, so Ive been driving around alot of sad people all weekend, while
dreaming of my shiny new edp lying relatively unused inmy studio!!!



m

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;">=A0Maybe you already<br>
have appropriate tools for that in your computer/soundcard?<br>
<div><div></div></div></blockquote><div><br>Er... no.. dont think so... wha=
t tools am I looking for? a 0db tone? sure i can make one but How do i know=
 its 0 db once its out of the computer... ? really I need a tone generator.=
. I dont think anyone has one of them... <br>
<br>Thanks Andy for GAIN STRUCTURE 101, I have to admit I was hoping that y=
ou got in on this one...Im sure we all learnt something there...<br>I think=
 you have all the answers I need to start to track down the culprits in my =
new rig... just gimme some time please??? My wife&#39;s father passed away =
last week, so Ive been driving around alot of sad people all weekend, while=
 dreaming of my shiny new edp lying relatively unused inmy studio!!!<br>
<br><br><br>m<br></div></div><br>-- <br><a href=3D"http://www.markfrancombe=
.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">=
http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com/user/ma=
rkfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no">www.looop.no</a><br>

--001636c5a2b559eeec0464a364e3--

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Subject: Re: Nuggets of Wisdom for Loop Touring
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Wow, lots of great advices from Rick, Daryl and Andreas. Thank you for posting!

One thing I do is to wear trousers with huge pockets on the legs. My
rather heavy soundcard fits well into one such pocket. All things you
pack into your pockets will not tax your weight in luggage and by
picking the heaviest stuff for pockets you save loads of money from
over weight fees. I've even been flying with lots of midi and audio
cabled used as "belt" for my trousers, another way to save money.

The cabin baggage is usually allowed at maximum eight or ten kilo
weight. But since you are obliged to take out the laptop anyway at the
check-in it won't be on the scales with the rest of the stuff - so you
may safely plan your exact cabin bag weight MINUS laptop weight.
I use few clothes but bring detergent - packed into the check-in bag
so it won't be mistaken for drugs, as if taken in the cabin bag.

Look tidy, behave nicely and make sure your bags do not look different
in any way. When I was young and innocent (y2k6 loopest) I brought my
tenor sax from 1929 in a hardcase that had air brushed with golden
paint. Not good. It never showed up at the luggage trial when checking
out at San Fran AP. Totally gone. A rep helped me call the office and
found out it had been "tagged as suspicious luggage and transported to
a sealed off area to be terminated if not claimed withing thirty
minutes". I found my instrument and claimed five minutes pre
termination - phiew... life on the road....

If traveling with Ryanair, save money by bringing a pee bottle:
http://www.aeromedix.com/aeromedix_articles/traveljohn/index.html

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 02:27:28 2009
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Date: Mon, 9 Mar 2009 03:27:24 +0100
Message-ID: <afb941d0903081927u1bbd7c2etdbe3da8040cbf812@mail.gmail.com>
Subject: Re: Nuggets of Wisdom for Loop Touring
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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2009/3/8 andy butler <akbutler@tiscali.co.uk>:

> I thought we were all going round Europe together on the Loop Bus

no joke here! ... this would be the cheapest if well organized and all
foreign loopers use it and shared fees. but we would need more venues
on different countries ... lugagge? no problem .

count me in!

ra=FCl.

--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 02:32:47 2009
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Date: Sun, 08 Mar 2009 19:32:37 -0700
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Subject: Best Light Weight Mixer for Loop Touring
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Andy Owens, in his really excellent article on
travelling in the GAIN STRUCTURE thread (wow, I've been doing this for a 
long time
and I learned several things from you)
said,

"...............Rance Cm 86 mixer (THE BEST LOOPING MIXER ask me 
why..)........................."


Why?


I, myself endorse and tour with a DTar SOULSTICE, Mix Blending System
http://www.d-tar.com/solstice.shtml

I like this a lot

It has two channels (line and XLR inputs per channel) with volume and 
three bands of powerful eq on each channel.
Phantom power for mics on both channels.
Channel Inserts (which I used for my footpedals) on each channel (in the 
back)
Master Effects Send (to my looper) with a separate effects mix on the 
front of the unit
A tuner out (that can be used to go to my wireless earphone system 
(maybe the best single purchase I"ve made
for live performance, espeically given that I use live microphones.)
with a mute switch if you want to use it as a tuner output.

Then it has Mono line out or Balanced XLR out and two post eq sends on 
the back of the unit

    * 8.5" wide x 6.5" deep x 2.7" high
    * Weight 2.9 lbs.


It is a half rack space but is two rack spaces high.   

My only critiques are that it is too well built (meaning it's heavier 
than I wish it was, but this means it will really
last a long time) and, in a perfect world,  I wish that it was only one 
rack space in width and height and
had 2 auxiliary sends.       Pretty small critique considering that it 
was designed for acoustic musicians
to accurately blend the signals from two different pickup systems wiht 
great flexibility and
not for a found sound/multi instrumentalist like myself.    It's pretty 
great.

What else do you guys like?


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Date: Mon, 9 Mar 2009 03:53:54 +0100
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Subject: Re: Best Light Weight Mixer for Loop Touring
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5a9bdc44ce30464a6be76
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

   <http://www.thomann.de/es/behringer_xenyx_1002_fx.htm>  *BEHRINGER XENYX
1002 FX* <http://www.thomann.de/es/behringer_xenyx_1002_fx.htm>

Behringer Xenyx 1002 FX, 10-channel mixer - 2 mic inputs with 48V phantom
power, 24-bit FX processor, 3-band EQ, 1 aux send (post), peak LED, 4 stereo
line inputs with 1 aux, 2-track in/out, master fader, external power supply.
Dimensions: 47-37 x 189 x 220mm. Weight: 1.05kg,


  *EUR*
2009/3/9 Rick Walker <looppool@cruzio.com>:
> Andy Owens, in his really excellent article on
> travelling in the GAIN STRUCTURE thread (wow, I've been doing this for a
> long time
> and I learned several things from you)
> said,
>
> "...............Rance Cm 86 mixer (THE BEST LOOPING MIXER ask me
> why..)........................."
>
>
> Why?
>
>
> I, myself endorse and tour with a DTar SOULSTICE, Mix Blending System
> http://www.d-tar.com/solstice.shtml
>
> I like this a lot
>
> It has two channels (line and XLR inputs per channel) with volume and
three
> bands of powerful eq on each channel.
> Phantom power for mics on both channels.
> Channel Inserts (which I used for my footpedals) on each channel (in the
> back)
> Master Effects Send (to my looper) with a separate effects mix on the
front
> of the unit
> A tuner out (that can be used to go to my wireless earphone system (maybe
> the best single purchase I"ve made
> for live performance, espeically given that I use live microphones.)
> with a mute switch if you want to use it as a tuner output.
>
> Then it has Mono line out or Balanced XLR out and two post eq sends on the
> back of the unit
>
>   * 8.5" wide x 6.5" deep x 2.7" high
>   * Weight 2.9 lbs.
>
>
> It is a half rack space but is two rack spaces high.
> My only critiques are that it is too well built (meaning it's heavier than
I
> wish it was, but this means it will really
> last a long time) and, in a perfect world,  I wish that it was only one
rack
> space in width and height and
> had 2 auxiliary sends.       Pretty small critique considering that it was
> designed for acoustic musicians
> to accurately blend the signals from two different pickup systems wiht
great
> flexibility and
> not for a found sound/multi instrumentalist like myself.    It's pretty
> great.
>
> What else do you guys like?
>
>
>



-- 
Raul Bonell at blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

--001636c5a9bdc44ce30464a6be76
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<table class=3D"smallfont" width=3D"100%" border=3D"0" cellpadding=3D"0" ce=
llspacing=3D"0"><tbody><tr><td colspan=3D"3"><img src=3D"http://images7.tho=
mann.de/pics/modpics/oo_seach_thumbnail_top.gif"></td></tr>
	<tr>
		<td width=3D"86" align=3D"center" bgcolor=3D"white"><table bgcolor=3D"whi=
te" border=3D"0" cellpadding=3D"1" cellspacing=3D"0"><tbody><tr><td onclick=
=3D"document.location=3D&#39;behringer_xenyx_1002_fx.htm&#39;">
<table bgcolor=3D"white" border=3D"0" cellpadding=3D"0" cellspacing=3D"0">
<tbody><tr><td colspan=3D"3"><img src=3D"http://images7.thomann.de/pics/n.g=
if" width=3D"82" height=3D"1"></td></tr><tr><td><img src=3D"http://images7.=
thomann.de/pics/n.gif" width=3D"1" height=3D"80"></td><td align=3D"center">=
<a href=3D"http://www.thomann.de/es/behringer_xenyx_1002_fx.htm"><img src=
=3D"http://images7.thomann.de/pics/thumb/191254-80.jpg" alt=3D"" title=3D""=
 width=3D"80" border=3D"0" height=3D"68"></a>
</td><td><img src=3D"http://images7.thomann.de/pics/n.gif" width=3D"1" heig=
ht=3D"80"></td></tr><tr><td colspan=3D"3"><img src=3D"http://images7.thoman=
n.de/pics/n.gif" width=3D"82" height=3D"1"></td></tr></tbody></table></td><=
/tr></tbody></table>
</td>
		<td width=3D"15"><img src=3D"http://images7.thomann.de/pics/n.gif" width=
=3D"15" height=3D"1"></td>
		<td valign=3D"bottom">
			<a href=3D"http://www.thomann.de/es/behringer_xenyx_1002_fx.htm" class=
=3D"nounderline"><span class=3D"oobiggernavtext"><b>BEHRINGER XENYX 1002 FX=
</b></span></a><br>
			<img src=3D"http://images7.thomann.de/pics/n.gif" width=3D"20" height=3D=
"3"><br>
Behringer Xenyx 1002 FX, 10-channel mixer - 2 mic inputs with 48V
phantom power, 24-bit FX processor, 3-band EQ, 1 aux send (post), peak
LED, 4 stereo line inputs with 1 aux, 2-track in/out, master fader,
external power supply. Dimensions: 47-37 x 189 x 220mm. Weight: 1.05kg,<br>
			<img src=3D"http://images7.thomann.de/pics/n.gif" width=3D"20" height=3D=
"8"><br>
			<table class=3D"oobiggernavtext" width=3D"100%" border=3D"0" cellpadding=
=3D"0" cellspacing=3D"0"><tbody><tr>
			    <td align=3D"left"><br></td>
			    <td align=3D"right">
				<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr>
				<td align=3D"right"><img src=3D"http://images7.thomann.de/digits/520980=
/normal_822062.gif" width=3D"9" align=3D"top" height=3D"16"><img src=3D"htt=
p://images7.thomann.de/digits/520980/normal_49e3c26.gif" width=3D"8" align=
=3D"top" height=3D"16"><img src=3D"http://images7.thomann.de/digits/520980/=
normal_4fcccd.gif" width=3D"6" align=3D"top" height=3D"16"><img src=3D"http=
://images7.thomann.de/digits/520980/normal_46a375d.gif" width=3D"7" align=
=3D"top" height=3D"16">=A0<span class=3D"normalfont"><b>EUR</b></span></td>

				<td><img src=3D"http://images7.thomann.de/pics/n.gif" width=3D"10" heig=
ht=3D"1"></td></tr></tbody></table></td></tr></tbody></table></td></tr></tb=
ody></table><br>2009/3/9 Rick Walker &lt;<a href=3D"mailto:looppool@cruzio.=
com">looppool@cruzio.com</a>&gt;:<br>
&gt; Andy Owens, in his really excellent article on<br>&gt; travelling in t=
he GAIN STRUCTURE thread (wow, I&#39;ve been doing this for a<br>&gt; long =
time<br>&gt; and I learned several things from you)<br>&gt; said,<br>&gt;<b=
r>
&gt; &quot;...............Rance Cm 86 mixer (THE BEST LOOPING MIXER ask me<=
br>&gt; why..).........................&quot;<br>&gt;<br>&gt;<br>&gt; Why?<=
br>&gt;<br>&gt;<br>&gt; I, myself endorse and tour with a DTar SOULSTICE, M=
ix Blending System<br>
&gt; <a href=3D"http://www.d-tar.com/solstice.shtml">http://www.d-tar.com/s=
olstice.shtml</a><br>&gt;<br>&gt; I like this a lot<br>&gt;<br>&gt; It has =
two channels (line and XLR inputs per channel) with volume and three<br>&gt=
; bands of powerful eq on each channel.<br>
&gt; Phantom power for mics on both channels.<br>&gt; Channel Inserts (whic=
h I used for my footpedals) on each channel (in the<br>&gt; back)<br>&gt; M=
aster Effects Send (to my looper) with a separate effects mix on the front<=
br>
&gt; of the unit<br>&gt; A tuner out (that can be used to go to my wireless=
 earphone system (maybe<br>&gt; the best single purchase I&quot;ve made<br>=
&gt; for live performance, espeically given that I use live microphones.)<b=
r>
&gt; with a mute switch if you want to use it as a tuner output.<br>&gt;<br=
>&gt; Then it has Mono line out or Balanced XLR out and two post eq sends o=
n the<br>&gt; back of the unit<br>&gt;<br>&gt; =A0 * 8.5&quot; wide x 6.5&q=
uot; deep x 2.7&quot; high<br>
&gt; =A0 * Weight 2.9 lbs.<br>&gt;<br>&gt;<br>&gt; It is a half rack space =
but is two rack spaces high. =A0<br>&gt; My only critiques are that it is t=
oo well built (meaning it&#39;s heavier than I<br>&gt; wish it was, but thi=
s means it will really<br>
&gt; last a long time) and, in a perfect world, =A0I wish that it was only =
one rack<br>&gt; space in width and height and<br>&gt; had 2 auxiliary send=
s. =A0 =A0 =A0 Pretty small critique considering that it was<br>&gt; design=
ed for acoustic musicians<br>
&gt; to accurately blend the signals from two different pickup systems wiht=
 great<br>&gt; flexibility and<br>&gt; not for a found sound/multi instrume=
ntalist like myself. =A0 =A0It&#39;s pretty<br>&gt; great.<br>&gt;<br>&gt; =
What else do you guys like?<br>
&gt;<br>&gt;<br>&gt;<br><br><br><br>-- <br>Raul Bonell at blogger: <a href=
=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</a><br>C=
hain Tape Collective: <a href=3D"http://www.ct-collective.com">http://www.c=
t-collective.com</a><br>
TPO at myspace: <a href=3D"http://www.myspace.com/theplayingorchestra">http=
://www.myspace.com/theplayingorchestra</a><br>TPO at Jamendo: <a href=3D"ht=
tp://www.jamendo.com">http://www.jamendo.com</a><br><br>

--001636c5a9bdc44ce30464a6be76--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 03:42:47 2009
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Date: Sun, 08 Mar 2009 21:42:37 -0600
From: Daryl Shawn <highhorse@mhorse.com>
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References: <08DD0F3A-E30C-4D40-AB2C-EE977270CF5E@arcor.de> <66f9cc1e0903081557i1ef7076dh25e2a41f12859c96@mail.gmail.com>
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I'm getting a pair of cargo pants tomorrow - sounds like the flying 
looper's trouser of choice!

I love the thought of belting those pants with wrapped cables, but isn't 
that a big pain to take off for the x-ray machines?

And have I just been unaware of scales at check-in for carry-on stuff? 
Is that happening in Europe but not the States as yet? I've definitely 
had more than 10 kg before.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> One thing I do is to wear trousers with huge pockets on the legs. My
> rather heavy soundcard fits well into one such pocket. All things you
> pack into your pockets will not tax your weight in luggage and by
> picking the heaviest stuff for pockets you save loads of money from
> over weight fees. I've even been flying with lots of midi and audio
> cabled used as "belt" for my trousers, another way to save money.
>
> The cabin baggage is usually allowed at maximum eight or ten kilo
> weight. But since you are obliged to take out the laptop anyway at the
> check-in it won't be on the scales with the rest of the stuff - so you
> may safely plan your exact cabin bag weight MINUS laptop weight.

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 04:50:41 2009
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Subject: Three new looped works from Kevin
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Hi!

I've been busy the last few weeks.  I have wanted to do some looping =20
with my Aries Modular and I went through and re-calibrated the =20
oscillators and did a little other tweaking.  I also wanted to use my =20
Looperlative LP1.

Specifically, I wanted to work out the problem of moving from one =20
section to another and explore possibilities with the LP1's Midi Clock =20
output (since my synth's MIDI-to-CV converter has a DIN SYNC mode).  =20
One technique I use to build some loops is to start with by-in-large =20
rhythmically incomprehensible bloops and bleeps and then attempt to =20
turn it into something.  I posted two tracks from these efforts =20
entitled, "My Dance Card" and "My Radar Detector".

In addition, I wanted to do a non-rhythmic ("ambient") looped work =20
with the LP1 and the Aries, and it is entitled "February Snowflakes".

I added these to my Aries synthesizer page and you can download the =20
mp3s from there:

http://kevinkissinger.com/ariesinfo.shtml

I enjoyed improvising these tracks and hope you enjoy listening to =20
them.  They are a bit of a departure from work I've done in the past.

Sincerely,

Kevin

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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T w Dennis Shafer @Longy School of Music, 03.13.09
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Hi folks,

I'll be performing video improvisations at the=20
Longy School of Music in Cambridge this coming=20
=46riday. Dennis is a fine, multifaceted young=20
saxophonist and composer -- this promises to be a=20
fun and enlightening evening,


DENNIS SHAFER AND FRIENDS SAY, "YES WE CAN!" : FIVE WORLD PREMIERES



=46eaturing The VOX 4 String Quartet, Shafer=20
Saxophone Quartet, Sounds in Bloom, Dr. T, and=20
more

=46RIDAY, MARCH 13TH AT 7:30PM-FREE ADMISSION

JEWITT HALL, FIRST CHURCH IN CAMBRIDGE

11 Garden Street, Cambridge, HARVARD SQUARE T-STOP



Dennis Shafer proudly presents composers Claudio=20
Gabriele (Rome, Italy), Paul Klein (Yale=20
University), David Krebs (Lawrence, Kansas),=20
Julie Case (Vermont), and Anthony Solitro=20
(Worcester) in a concert featuring some of the=20
most original and innovative performing and=20
visual artists of our time.



This non-stop fringe performance brings together=20
the most wonderful musical and artistic=20
experiences Dennis Shafer has had in Boston since=20
arriving from Paris in 2007.  Cross-disciplinary=20
experiences from poetry to video art, music=20
inspired by sculpture and then turned to poetry,=20
and work with composers exploring new performance=20
techniques and sounds are Dennis Shafer and=20
=46riends hope to share with you!



Collaborators:

www.myspace.com/brexmusic David Krebs electronic music

www.myspace.com/vox4stringquartet VOX4 String Quartet

www.myspace.com/claudiogabriele Claudio Gabriele, composer

www.julietcase.com Juliet Case, Composer

www.myspace.com/tonysolitro Anthony Solitro, composer

www.myspace.com/dnorma Diana Norma Szokolyai,=20
Sounds in Bloom, performance artist

www.foryourhead.com Emile "Dr. T" Tobenfeld, Spontaneous Video Art



PERFORMERS AND BIOS



Dennis Shafer, Saxophonist



In 2008, Dennis Shafer was presented a Legacy=20
Award by Meryl Streep from the Creativity=20
=46oundation. A native of Lawrence, Kansas, he=20
recently lived in Paris, France where he studied=20
with contemporary saxophonist Jean-Michel Goury.=20
In Paris, Dennis worked with several great=20
composers and saxophonists, including Francois=20
Rosse, Etienne Rolin, Yosh'ko Seffer, Francois=20
Coutinaud, and Rico Gubler. He also premiered=20
works by Robert Lemay, Jacques Hetu, Yosh'ko=20
Seffer, and toured with various ensembles across=20
=46rance, as well as Austria and Hungary. Dennis=20
Shafer is the founder and co-founder of several=20
groups, including Le Tapis Volant, Sounds in=20
Bloom, the Skyline Quintet, the Back Bay=20
Saxophone Quartet and the Opus Jazz Duo. He=20
returned to Boston in 2007 where he has premiered=20
works by Robert Morris, Michael Paull, and Larry=20
Bell for an Artist Diploma at Longy School of=20
Music, studying with Kenneth Radnofsky. He=20
performs regularly in Boston and also has=20
engagements in France, Thailand, and Austrailia.



Diana Norma Szokolyai, Performance Artist, Writer



Diana Norma Szokolyai is a Hungarian and American=20
author, interdisciplinary artist, and educator.=20
Her book of poetry and photography, Roses in the=20
Snow (Imaginary Cottage Press), was runner-up for=20
best poetry book in the 2008 national DIY Book=20
=46estival. It may be previewed and purchased at=20
http://www.lulu.com/content/2531439. Her poetry,=20
articles, and visual art have been published in=20
Polarity, Up the Staircase, The Dudley Review,=20
Human Rights Institute: Human Rights News, and=20
other publications. She is recipient of a Human=20
Rights Art Award from the University of=20
Connecticut's Human Rights Institute and=20
scholarships from the University of Connecticut=20
and Harvard for graduate study in French studies=20
and Arts in Education respectively.



She co-directs the Cambridge Writer's Workshop=20
and is co-founder of Sounds in Bloom=20
(www.myspace.com/dnorma), an internationally=20
performing poetry-music-movement-art=20
collaborative that performs in theaters,=20
bookstores, concert halls, art galleries,=20
educational institutions, and secret places.



Together with saxophonist/composer Dennis Shafer=20
(co-founder), they collaborate with artists=20
across the U.S. and Europe, and give workshops to=20
children and adults. With Sounds in Bloom, she=20
has performed at Cit=E9 Internationale des Arts=20
(Paris), Zeitgeist Outpost Art Gallery=20
(Cambridge), Mobius Center for Experimental Art=20
(Boston), Tenri Cultural Institute (New York),=20
The Boston Conservatory, Longy School of Music=20
(Cambridge), and in other venues including spoken=20
word open-mics and artistic "salons" in=20
Paris,Vienna, and Budapest. Composers that have=20
either written music for her texts or=20
commissioned poems for their music include David=20
Krebs (U.S.), Jason Haye (UK), Peter James (UK),=20
Claudio Gabriele (Italy), and Juliet Case (U.S.)



Jennifer Bill, Saxophone

Saxophonist, Dr. Jennifer Bill performs solo and=20
chamber music with a variety of groups around=20
southern New England, including the Back Bay=20
Saxophone Quartet (www.backbayquartet.com).  She=20
has performed contemporary chamber music with a=20
variety of artists including vocalists,=20
clarinetists, cellists, flutists, taped media,=20
percussionists and dancers.  In December of 2005,=20
Dr. Bill was a guest soloist with the Boston=20
University Wind Ensemble, performing John=20
Harbison's San Antonio. In the spring of 2006 she=20
was a guest conductor with the Providence College=20
concert band. She has premiered numerous pieces=20
for saxophone including Reflection by Michael=20
Kregler in 2007, The Miraculous Tale for=20
saxophone and derabucca by Halim El-Dabh as part=20
of World-Wide Concurrent Premieres in 2007, and=20
works by Howard Frazin and Shih-Hui Chen as part=20
of Worldwide Concurrent Premieres in 2005.  She=20
has participated in national and world=20
conferences including the World Saxophone=20
Congress in 2003, the North American Saxophone=20
Alliance national conference in 2000 and the=20
North American Saxophone Alliance regional=20
conference in 2005.

Dr. Bill is currently a Lecturer in Saxophone at=20
Boston University, a Special Lecturer in Music at=20
Providence College (theory, ear training,=20
saxophone, and chamber music), and a Faculty=20
member at The Boston Conservatory (liaison=20
between Boston Conservatory and the Boston Arts=20
Academy).  She is also the Saxophone Instructor,=20
Wind Ensemble Coordinator, and Saxophone Workshop=20
assistant for the Boston University Tanglewood=20
Institute.  Dr. Bill also serves on the=20
International Advisory Board for World-Wide=20
Concurrent Premiers and Commissioning Funds, Inc.

Dr. Bill received her education from Providence=20
College (BA), The Boston Conservatory (MM) and=20
Boston University (MusAD).  Her teachers have=20
included Kenneth Radnofsky, Christopher Kelton=20
and Carrie Koffman.

Along with her musical passions Dr. Bill is also=20
an athlete and a coach.  She captained her=20
Division I ice hockey team during her=20
undergraduate time at Providence College and was=20
an assistant coach for Northeastern University's=20
women's ice hockey team from 2001 to 2004.  She=20
also coached ice hockey camps and clinics for=20
young players from 1997-2006.

Jon Amon, Saxophone



Jon Amon is a Wisconsin native and a graduate of=20
the University of Wisconsin-Whitewater.  He=20
graduated with a Bachelor of Music Education=20
degree and studied saxophone with Michael Bazan,=20
Robert Wilkerson, and Matthew Sintchak.  He=20
continued his studies with Jean-Michel Goury at=20
the Conservatoire National de Region de=20
Boulogne-Billancourt.  He has appeared as a=20
chamber musician around the Midwest and has=20
performed as a soloist at NASA Region III and=20
Region V conferences and at the most recent World=20
Saxophone Congress in Ljubljana, Slovenia.  Amon=20
has also taught music in the school districts of=20
St. Croix Falls, Wisconsin and Arlington,=20
Massachusetts.  Currently he is a student of Ken=20
Radnofsky at the New England Conservatory where=20
he is pursuing a Master of Music degree in=20
saxophone performance.



Claudio Gabriele, Composer

Claudio Gabriele was born in Rome in 1963,=20
completed his studies at St Cecilia Conservatory=20
and Istituto Pontificio di Musica Sacra in Rome=20
where he obtained degrees with Emphasis in=20
Composition, Electroacoustic Music, Conducting,=20
Piano, Organ, Harpsichord and Gregorian Chant.=20
Subsequently, he studied composition and=20
conducting with George Benjamin at the National=20
Academy of St Cecilia, with Klaus Huber in=20
Avignon, and Ivan Fedele at the Strasbourg's=20
National Regional Conservatory, where he achieved=20
the Dipl=F4me d'Etudes Musicales. From 1997 to 2004=20
he had many residencies in computer music at=20
IRCAM (Paris) with Ferneyhough, Lindberg, Harvey,=20
Rebotier, Levinas; afterwards studied electronic=20
music with Risset, Roads, Terruggi and Di Giugno=20
at the Centre for Musical Research in Rome. In=20
2003 Claudio Gabriele won the first prize of the=20
International Electroacoustic Music Contest=20
Musica Nova (Prague) with the acousmatic=20
composition "Ombra nell'azzurro"; in 2006 he won=20
an award at the International Composition Contest=20
"Music in the Garden" (Krakow). To promote and=20
expand interactive performances of music, dance,=20
images and electroacoustic sounds he founded the=20
Synthesis Ensemble in 1996. From 1994 to 2003,=20
Claudio Gabriele had an intense collaboration as=20
composer and guest lecturer with the New York=20
University, consequently collaborated with the=20
Juilliard School (New York), the Vanderbilt=20
University (Nashville) and the Universities of=20
Strasbourg and Montpellier(France).From  2005 to=20
2008 he was Composer in Residence at=20
Conservatories of Aix-en-Provence, N=EEmes and=20
Paris (France), where he received numerous=20
commissions for solo, duo, trio, ensemble, and=20
large symphony orchestra. Since 2005 he has been=20
involved in Musical Theatre, writing his own=20
librettos, and now has three works in his=20
catalogue of this genre, commissioned and=20
performed by leading ensembles (S.I.C., Reflex,=20
Les Jeunes Voix du Rhin, Musiques Nouvelles).=20
Claudio Gabriele is at present professor on=20
Composition, Analysis and Electroacoustic Music=20
in the Department of Music and New Technologies=20
at the State's Conservatory of Benevento (Italy).=20
Gabriele's works are published by "Les Editions=20
du Tourdion" (Strasbourg-France), "Musicare"=20
(Nimes-France), "Grenzland-Verlag"=20
(Aachen-Germany), and "Studio Musicale Arcangelo"=20
(Roma-Italy). His music is released on CD by=20
"Rivoalto" (Venezia), SMA (Roma), interpreted by=20
celebrated artists and performed worldwide in=20
prestigious places or on the occasion of=20
important international festivals.

Emile Tobenfeld, Video Artist

Emile Tobenfeld, AKA "Dr T" is an improvising=20
video artist who prefers to work with improvising=20
musicians who can see my projected images. His=20
video is derived from photographic and video=20
sources (as a still photographer since 1970),=20
sometimes processed beyond recognition using=20
software including Boris Red, Boris Continuum,=20
After Effects and Photoshop. He brings the images=20
to shows on DVD's and run 4 or 5 DVD players, 3=20
switchers, and a percussion controller to trigger=20
some of the switcher effects.He has also=20
composed/improvised a great deal of electronic=20
music over the years, though he has concentrated=20
my artistic efforts exclusively on video during=20
the last 3 years.

He is known (in some circles) as the founder of=20
Dr T's Music Software and the author of the=20
uniquely powerful KCS Omega sequencer. His=20
current day job is writing video effects code for=20
Boris FX.His influences include free jazz, light=20
shows and experimental films, the photography of=20
Minor White, the paintings of Kandinsky, the=20
music of John Coltrane and the Grateful Dead, and=20
his education as a physicist.

Juliet Case, Composer

Juliet Case was passionate about music from an=20
early age. She learned folk guitar and classical=20
piano from her father, and began writing songs at=20
age twelve. She began her formal compositional=20
training at Bennington College, studying with=20
Allen Shawn and Stephen Siegel. She received a=20
master of music in composition in May 2008 from=20
the Longy School of Music, where she studied=20
composition with John Morrison. Juliet is=20
co-founder of "Juddertone", an organization=20
dedicated to supporting the collaboration of=20
composers and choreographers by producing an=20
annual show premiering all new work. Juliet is=20
interested in taking risks in her compositions,=20
and experiments with new sounds for traditional=20
instruments, extended techniques, and electronic=20
music.



=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D

Dennis Shafer

www.dennisshafer.com

785-979-8675

7 Hearn Street

Watertown, MA
-- 
My photography can be viewed at=20
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 05:27:21 2009
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Date: Sun, 08 Mar 2009 22:27:15 -0700
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Rainer asked:
"Really, Rick, is there (and has there been all the time) a subsidy on

(car) gasoline prices in the U.S. for all your respective lives?
Meaning that the vendor actually gets a guaranteed price on gas which
will be achieved by using taxpayer's money if the market doesn't
reflect that guarantee?

I'm asking because here in Germany (which is part of Europe, and hence
part of your counterexample), the tax portion on gas (including all
those crazy taxes the invented from time to time) is above 60%, which
may appear odd, destructive and all in all rather true to Stalinistic"
ideals which, in fact, it is."


Interesting, Rainer, I really don't know an in depth informed answer to that question.

I do know that while in Europe,  Petrol was between $3 and $4  per liter.

At $12 to $16 a gallon (all of this approximate because my head cold precludes me getting out 
my calculator)  that is now 6 to 8 TIMES as expensive as it is here (currently,  $2/Gallon)

That can't all be just the high taxes you guys pay, though surely that must be some of it.

I've always understood that the big Oil Companies have had big subsidies and also 
that they have ridiculous tax write offs compared to normal folk.

My father,  who did research it, always said that American gasoline was subsidized which was 
part of what makes European and UK gasoline so expensive.   Add the 60% tax and you guys 
really pay through the nose for it.

Any Americans know the exact skinny on this subject?   

I'm just talking from 
assumptions I"ve made all my life and the fact that gas is so cheap here.

For one thing,  lacking any kind of decent public transportation except in the largest of cities 
and a train system that very, very few people ride and given the huge distances between cities, especially 
out here in the West of the US,   we just wouldn't be able to get around if gasoline cost as much as it costs 
you.

I love your train and subway system!

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 06:45:58 2009
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Hey there!  Long time reader, first time emailer!  

I was truly excited to hear Ableton Live was going to add a looper to the Live arsenal!  I have yet to open the demo, as I have other projects right to finish right now, but it is my understanding that any loops created can be brought into Live as an entire loop clip.  This is where I am really, really disappointed.  I hope I am totally wrong about this, but it seems to me that this is an extreme oversight on Abletons part.  Right now I am using my Guitar Rig 3 Loop Machine, and once I get something I dig, then I export it as separate wav files and bring those into Live as separate clips and away I go.  At least 50% of all the music I do starts this way. 

I just think that if you could separate your loop parts and import them as individual clips, then I would be in loopers heaven!  If anyone knows differently, please let me know!

Thanks for all the great insights!

Andy Schoen
www.untitledvisions.com



 
On Sunday, March 08, 2009, at 09:56AM, "Warren Sirota" <wsirota@wsdesigns.com> wrote:
>I've been having a lot of trouble getting either Mobius or
>SooperLooper AUs to work properly within Mainstage. Mainstage seems to
>get flummoxed easily by too many midi streams floating around (esp
>once i then open MAX). However, I can report great excitement getting
>the Live 8 beta looper and Mainstage to work together - so I can use
>the greasy MS guitar presets I've been working up, pipe the audio into
>Ableton (via physical routing on a multi-channel audio interface),
>make loops in Ableton, and sync the fx in Mainstage to the tempo of
>the generated loop once i've completed it. I haven't tried this yet,
>but I'll wager you could put a SooperLooper AU into another channel in
>Live and have it slave, but not send clocks, after you've completed
>the first loop in the native Live looper. that way, you could do the
>fancier stuff like SUS functions.
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 08:19:23 2009
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Date: Mon,  9 Mar 2009 09:19:21 +0100
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
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From: "Sjaak" <tcplugin@scarlet.be>
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> Warren Sirota wrote:
> I've been having a lot of trouble getting either Mobius or 
> SooperLooper AUs to work properly within Mainstage. Mainstage 
> seems to get flummoxed easily by too many midi streams 
> floating around (esp once i then open MAX). 

It took me a while to figure out a stable Mainstage setup. I've tested mu=
ltiple setups using Mainstage as master, or slave, in combination with 3r=
d party AU plugins such as Augustus and Bidule and a LP1. For example, I =
had Mainstage synced to an external clock and I had Augustus Loop running=
 on a Mainstage bus. Mainstage or Augustus usually crashed, and I initial=
ly thought that it had to do with using 3rd party AU plugin's on a bus (s=
ome Logic forums had reported similar issues). But the solution was to sw=
itch off the "send midi clock" preference in Augustus. I have done a simi=
lar test with my LP1: 
1) create a new loop
2) LP1 starts sending midi clock
3) within a minute, Mainstage crashed as soon as it detected multiple mid=
i clocks (Augustus in this case)
 
But now I know how to fix it, Mainstage has been very stable. I like the =
concept of it, and it's pretty straightforward to use. I'm currently work=
ing on creating new sounds and the integration of Bidule and Mainstage; I=
 have it up and running, and I'm trying to create a kind of semi-random S=
oundscape/Ambient sounds with it. I must say that it's pretty cool to see=
 Bidule as AU plugin on a Mainstage bus but I'm not sure if this is the w=
ay to go. For example, I don't know if you can still control a Bidule aud=
io switcher using program changes. Does Mainstage forward PC's to plugins=
? Any suggestions are welcome :)

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 09:44:27 2009
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To: Loopers-Delight@loopers-delight.com
From: Andreas Willers <a.willers@arcor.de>
Subject: Re: gas prices, was Nuggets of Wisdom for Loop Touring
Date: Mon, 9 Mar 2009 10:44:24 +0100
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Rick said:

> Also, for Americans, the price of petrol in Europe and the UK is  
> staggering compared to what we are used to in terms of subsidized  
> gasoline prices in the US all of our lives.
>

Rainer Said:

"Really, Rick, is there (and has there been all the time) a subsidy on
(car) gasoline prices in the U.S. for all your respective lives?
Meaning that the vendor actually gets a guaranteed price on gas which
will be achieved by using taxpayer's money if the market doesn't
reflect that guarantee?

I'm asking because here in Germany (which is part of Europe, and hence
part of your counterexample), the tax portion on gas (including all
those crazy taxes the invented from time to time) is above 60%, which
may appear odd, destructive and all in all rather true to Stalinistic
ideals which, in fact, it is."

Yes, the state does charge a lot on gas in Germany. They take the  
money and build infrastructure (roads) for every car driver tu use  
more or less for free. If the environmental drain of very buildt car  
and every mile of driving it would be properly calculated they would  
have to charge much, much more. Question is whether the ecological  
damage can (or even should) be mended at all. The whole discussion of  
the rather low cost of worldwide transportation, globalisation and  
sustainability starts right there. No easy fix for this.

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Date: Mon, 9 Mar 2009 11:05:13 +0100
Message-ID: <66f9cc1e0903090305l71c3d59ck8d7994b72b2b920b@mail.gmail.com>
Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 9, 2009 at 6:45 AM, Andrew Schoen <larjschoen3@mac.com> wrote:
> I was truly excited to hear Ableton Live was going to add a looper to the=
 Live arsenal! =A0I have yet to open the demo,
> as I have other projects right to finish right now, but it is my understa=
nding that any loops created can be brought into Live as an entire loop cli=
p.

Correct. There are two ways to do this. Drag the loop and drop it on
an audio clip and the usual way of routing it to an armed audio track
and activate a slot for triggering recording.

> This is where I am really, really disappointed. =A0I hope I am totally wr=
ong about this, but it seems to me that this is an extreme oversight on Abl=
etons part.

Not sure what you mean. Do you mean that it is bad that they did not
implement a ful Undo History, as in Mobius, that would open up for a
command to save old layers of a loop as separate files?

> Right now I am using my Guitar Rig 3 Loop Machine, and once I get somethi=
ng I dig, then I export it as separate wav files and bring those into Live =
as separate clips and away I go. =A0At least 50% of all the music I do star=
ts this way.
>
> I just think that if you could separate your loop parts and import them a=
s individual clips, then I would be in loopers heaven! =A0If anyone knows d=
ifferently, please let me know!

There is a slicing function now in v 8 that devices a loop into parts.
Not sure it works directly on the looper audio, but definitely on a
clip frozen from the looper content. If you by "parts" mean earlier
layers of the loop, that is not possible because only the latest layer
is kept aside in a buffer for the Undo function.

It's right that Lived 8's Looper is not very complex, but for some
users that's a good point. I think it's pretty close to the Loop
Station pedal from Roland.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 10:15:20 2009
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Date: Mon, 9 Mar 2009 10:15:18 +0000 (GMT)
From: Rhod Evans <rhodhebrides@yahoo.co.uk>
Subject: Re: gas prices, was Nuggets of Wisdom for Loop Touring
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--0-1042279090-1236593718=:48601
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I couldn't resist chipping in to this topic - we like a good old fashioned =
moan here in the UK :)=0A=0AFolks, you want to try living in the Hebrides (=
Scotland, UK).  We pay =A31.15 for petrol (gas) and around =A31.27 for dies=
el - this is per litre!  It works out roughly at about $8 a gallon for petr=
ol and $8.85 for diesel.  On top of that (unlike in Germany by the sound of=
 it) we have to pay the UK road tax which is currently around =A3200 for th=
e year I think.  I read that tax makes up 69.9% of the petrol prices.=0A=0A=
And then we wonder why tourism here is in decline...=0A=0A=0A=0A=0A________=
________________________=0AFrom: Andreas Willers <a.willers@arcor.de>=0ATo:=
 Loopers-Delight@loopers-delight.com=0ASent: Monday, 9 March, 2009 9:44:24=
=0ASubject: Re: gas prices, was Nuggets of Wisdom for Loop Touring=0A=0ARic=
k said:=0A=0A> Also, for Americans, the price of petrol in Europe and the U=
K is staggering compared to what we are used to in terms of subsidized gaso=
line prices in the US all of our lives.=0A> =0A=0ARainer Said:=0A=0A"Really=
, Rick, is there (and has there been all the time) a subsidy on=0A(car) gas=
oline prices in the U.S. for all your respective lives?=0AMeaning that the =
vendor actually gets a guaranteed price on gas which=0Awill be achieved by =
using taxpayer's money if the market doesn't=0Areflect that guarantee?=0A=
=0AI'm asking because here in Germany (which is part of Europe, and hence=
=0Apart of your counterexample), the tax portion on gas (including all=0Ath=
ose crazy taxes the invented from time to time) is above 60%, which=0Amay a=
ppear odd, destructive and all in all rather true to Stalinistic=0Aideals w=
hich, in fact, it is."=0A=0AYes, the state does charge a lot on gas in Germ=
any. They take the money and build infrastructure (roads) for every car dri=
ver tu use more or less for free. If the environmental drain of very buildt=
 car and every mile of driving it would be properly calculated they would h=
ave to charge much, much more. Question is whether the ecological damage ca=
n (or even should) be mended at all. The whole discussion of the rather low=
 cost of worldwide transportation, globalisation and sustainability starts =
right there. No easy fix for this.=0A=0A=0A      
--0-1042279090-1236593718=:48601
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial,helvetica,sans-serif;font-size:10p=
t"><div>I couldn't resist chipping in to this topic - we like a good old fa=
shioned moan here in the UK :)<br><br>Folks, you want to try living in the =
Hebrides (Scotland, UK).&nbsp; We pay =A31.15 for petrol (gas) and around =
=A31.27 for diesel - this is per litre!&nbsp; It works out roughly at about=
 $8 a gallon for petrol and $8.85 for diesel.&nbsp; On top of that (unlike =
in Germany by the sound of it) we have to pay the UK road tax which is curr=
ently around =A3200 for the year I think.&nbsp; I read that tax makes up 69=
.9% of the petrol prices.<br><br>And then we wonder why tourism here is in =
decline...<br></div><div style=3D"font-family: arial,helvetica,sans-serif; =
font-size: 10pt;"><br><div style=3D"font-family: arial,helvetica,sans-serif=
; font-size: 13px;"><font size=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><spa=
n
 style=3D"font-weight: bold;">From:</span></b> Andreas Willers &lt;a.willer=
s@arcor.de&gt;<br><b><span style=3D"font-weight: bold;">To:</span></b> Loop=
ers-Delight@loopers-delight.com<br><b><span style=3D"font-weight: bold;">Se=
nt:</span></b> Monday, 9 March, 2009 9:44:24<br><b><span style=3D"font-weig=
ht: bold;">Subject:</span></b> Re: gas prices, was Nuggets of Wisdom for Lo=
op Touring<br></font><br>Rick said:<br><br>&gt; Also, for Americans, the pr=
ice of petrol in Europe and the UK is staggering compared to what we are us=
ed to in terms of subsidized gasoline prices in the US all of our lives.<br=
>&gt; <br><br>Rainer Said:<br><br>"Really, Rick, is there (and has there be=
en all the time) a subsidy on<br>(car) gasoline prices in the U.S. for all =
your respective lives?<br>Meaning that the vendor actually gets a guarantee=
d price on gas which<br>will be achieved by using taxpayer's money if the m=
arket doesn't<br>reflect that guarantee?<br><br>I'm asking because here in
 Germany (which is part of Europe, and hence<br>part of your counterexample=
), the tax portion on gas (including all<br>those crazy taxes the invented =
from time to time) is above 60%, which<br>may appear odd, destructive and a=
ll in all rather true to Stalinistic<br>ideals which, in fact, it is."<br><=
br>Yes, the state does charge a lot on gas in Germany. They take the money =
and build infrastructure (roads) for every car driver tu use more or less f=
or free. If the environmental drain of very buildt car and every mile of dr=
iving it would be properly calculated they would have to charge much, much =
more. Question is whether the ecological damage can (or even should) be men=
ded at all. The whole discussion of the rather low cost of worldwide transp=
ortation, globalisation and sustainability starts right there. No easy fix =
for this.<br><br></div></div></div><br>=0A=0A=0A=0A=0A      </body></html>
--0-1042279090-1236593718=:48601--

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Date: Mon, 9 Mar 2009 03:22:21 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: NUGGETS of WISDOM for LOOP TOURING
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you nailed it right there Rick,i had to have 2 cars back when i lived in San Diego otherwise id loose my job there was no way to get around anywhere if u car doesnt function,public transportation if it can be called that in SD is the biggest joke!
Luis

> For one thing,  lacking any kind of decent public
> transportation except in the largest of cities and a train
> system that very, very few people ride and given the huge
> distances between cities, especially out here in the West of
> the US,   we just wouldn't be able to get around if
> gasoline cost as much as it costs you.
> 
> I love your train and subway system!


      

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Hi gang,
I need your advice on this one my Firebox has crapped out and is going to thake a while to get repaired since i have to send it to the states.
So i am on the hunt for another more reliable one,between the 300 to 600 price range which one would you choose between these? it needs to be bus powered,ins and outs should be assignable,drivers should be stable,good sounding preamps and most of all reliable.Please tell me your experiences with them!

EDIROL FA-66
MOTU Ultralite MK 3
ECHO AUDIOFIRE 4

thanx for your advice
Luis



www.myspace.com/luisangulocom


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 10:31:04 2009
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Date: Mon, 9 Mar 2009 11:31:03 +0100
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Subject: Re: Three new looped works from Kevin
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Sounds great, Kevin! Listening now to Fdb Snow Flakes. woops He, he...
my typo made it almost interpret into Feedback Snow Flakes, but that's
another one for sure ;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Mon, Mar 9, 2009 at 5:50 AM,  <kkissinger@kevinkissinger.com> wrote:
> Hi!
>
> I've been busy the last few weeks. =A0I have wanted to do some looping wi=
th my
> Aries Modular and I went through and re-calibrated the oscillators and di=
d a
> little other tweaking. =A0I also wanted to use my Looperlative LP1.
>
> Specifically, I wanted to work out the problem of moving from one section=
 to
> another and explore possibilities with the LP1's Midi Clock output (since=
 my
> synth's MIDI-to-CV converter has a DIN SYNC mode). =A0One technique I use=
 to
> build some loops is to start with by-in-large rhythmically incomprehensib=
le
> bloops and bleeps and then attempt to turn it into something. =A0I posted=
 two
> tracks from these efforts entitled, "My Dance Card" and "My Radar Detecto=
r".
>
> In addition, I wanted to do a non-rhythmic ("ambient") looped work with t=
he
> LP1 and the Aries, and it is entitled "February Snowflakes".
>
> I added these to my Aries synthesizer page and you can download the mp3s
> from there:
>
> http://kevinkissinger.com/ariesinfo.shtml
>
> I enjoyed improvising these tracks and hope you enjoy listening to them.
> =A0They are a bit of a departure from work I've done in the past.
>
> Sincerely,
>
> Kevin
>
>

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On Mon, Mar 9, 2009 at 11:31 AM, Per Boysen <perboysen@gmail.com> wrote:
> One technique I use to
>> build some loops is to start with by-in-large rhythmically incomprehensi=
ble
>> bloops and bleeps and then attempt to turn it into something. =A0I poste=
d two
>> tracks from these efforts entitled, "My Dance Card" and "My Radar Detect=
or".
>>

I love this music and its evolving character  :-))

Per

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 11:39:21 2009
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Rainer Straschill wrote:
> Andy,
> 
> you do not specify which of the items 1-10 you mention are actually
> hard requirements or if there are any other soft requirements, but...
> 

Needs 
1) two inputs can be be panned/treated separately, or together
2) filters and tremolo synced to midi clock
3) Must be ways to "stereoise" both inputs individually, with delays.
4) Output on XLRs 

Much prefer
1) 1U rack mount

Likes
1) hmm, reverb can be nice
2) addition unbalanced line out for recording 
3) light weight
4) light price 
5) good flanger
6) a delay of 5s for additional loop texture


> Some people have suggested the FireworX: while the FireworX offers a
> lot of great options (great flexibility in routing structure,
> including the option to insert an external device into the signal
> chain via the s/pdifs, lots of modulation options, including pitch
> detection and a pattern sequencer, great digital lo-fi effects), I've
> always found that it lacks processing power seriously, given its
> richness in features. You typically max out at 3 to 4 processing
> blocks (and some of them are only available once, e.g. only one filter
> at a time), so this may limit you a lot if you want to process two
> mono inputs separately.

thanks, that's interesting, ...very useful.
Heavy processing on both channels isn't essential, but it's great to
have an idea of the limitations.

I'm fascinated that it has an fx loop, so the edps could go into
that and give me the option of pre-process as well.

I'm guessing that like the MPX1 there's a big wait when changing patches,
with no sound, is that the case?


> The fact that it only has XLR connectors is not a showstopper but
> somehow impractical.

I need XLR out.
...but would be nice to have a jack out to hook up a recording device.

> Btw, maximum delay time if I remember correctly
> is something like 2.9 seconds (mono).

right, the MPX1 has a 2 sec stereo delay which looks
like it could be configured as 4sec mono



> Summary: it's by far not as cool as it looks, because of a lack of
> processing power. However it has a lot of flexibility which only a
> tiny few (read: Eventide H8000 etc.) effects processors have to offer.

right, but those Eventides are extra expensive.



> And the lo-fi/digital dirt effects are a welcome addition.

maybe, I generally avoid as always I seem to have tinnitus after hearing digi-distortion

> 
> Now something for the "bizarre and unsuitable" reign: enter the Clavia
> Nord Modular G2 Engine. 1HU in size, this device (which is basically
> an extremely flexible virtual modular synth) doesn't have any
> front-panel knobs or displays of any kind - so some kind of solution
> for patch change is needed - and for effects editing, you actually
> need a computer.

ahhh
well, maybe that fits exactly, ...off to check it out :-)


> Why do I recommend it anyway? Lots of processing options! Tons of
> flexibility! And you even get a free synthesizer!
> I have been using the Nord MicroModular (the previous model's tiny
> version in a small tabletop case) a lot - however that old one only
> had minimum delay capability. A great thing! Highly recommended!
> Claude Voit used to use one to pattern-sequence his EDPs.
> 
>          Rainer

thanks Rainer, 
and also to Bill, Luca, Per for suggestion the Fireworx,
which is still a possible.

andy
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 12:05:29 2009
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> Specifically, I wanted to work out the problem of moving from one  
> section to another and explore possibilities with the LP1's Midi Clock =
 
> output.

In the beginning I used a midi tap tempo, the LP1 in slave mode, a midi-s=
ynced delay effect to create an initial loop and record that with "midi s=
ync rec" on the LP1 as master track. But using the LP1 as master clock ha=
s the advantage that it calculates the tempo for you and this results in =
a more spontanious 1st loop and tempo. I more and more prefer the last me=
thod.

> One technique I use to build some loops is to start with by-in-large  
> rhythmically incomprehensible bloops and bleeps and then attempt to  
> turn it into something.

I have been experimenting with create short rhythmic loops of 1-2 seconds=
. Techniques I use with the LP1: 
- very fast speed changes with an expression pedal result in weird artifa=
cts and bleeps =3D> great tip from Bill Walker
- random use of (unsynced) replace function
- I also have a CTL pedal programmed to create a copy of the current loop=
 and play it half speed. The LP1 keeps the copy in sync with the master l=
oop 
- random use of feedback
- feedback of 0% to "remove" the bad stuff ;)

> I enjoyed improvising these tracks and hope you enjoy listening to  
> them.

I did :)

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

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>> Some people have suggested the FireworX:
> I've
>> always found that it lacks processing power seriously,

That is the reason why I used my FireworX pre looper.

On Mon, Mar 9, 2009 at 12:47 PM, andy butler <akbutler@tiscali.co.uk> wrote:
>
> I'm fascinated that it has an fx loop, so the edps could go into
> that and give me the option of pre-process as well.


Yes, that fascinated me as well but unfortunately I found the FireworX
loop latency way too big to be useful in praxis. They actually hinted
about the problem in the manual ;-))

And your presumption regarding patch changing is also correct. You
have to change patch in between sounding inputs or there will happen
nasty audio drop-outs. Not a problem when using it at the pre looper
position but a serious issue if wanting to put it to work as a post
loop effect processor.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 13:18:37 2009
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
From: Warren Sirota <wsirota@wsdesigns.com>
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Well, Sjaak, that's my point - i *need* those clock outs! why
Mainstage can't have a simple control panel to tell it which midi
inputs to ignore, like Live has, is just bad interface design and lazy
programming (in fact, Live has it all over Logic in terms of interface
design, but that's a whole nother story).

I'm starting to get happy with the new setup - the Live looper is
simple but effective - my biggest complaint so far: it's hard to
reset. once you've made a loop, Live will start playing. you can't
make a new, unsynced loop (to which Live should then sync) wo clicking
to stop live and then clicking to clear the loop. Of course, I intend
to program a single pedal to do both.

But there's a hidden catch - if i were, for instance, recording that
output into Live's arrangement view, well... uh-oh, end of recording.

Which means that maybe i'll end up throwing a bidule into Live's
Master track to do the recording regardless of what Live is doing.
that would probably work.

On Mon, Mar 9, 2009 at 4:19 AM, Sjaak <tcplugin@scarlet.be> wrote:
>> Warren Sirota wrote:
>> I've been having a lot of trouble getting either Mobius or
>> SooperLooper AUs to work properly within Mainstage. Mainstage
>> seems to get flummoxed easily by too many midi streams
>> floating around (esp once i then open MAX).
>
> It took me a while to figure out a stable Mainstage setup. I've tested mu=
ltiple setups using Mainstage as master, or slave, in combination with 3rd =
party AU plugins such as Augustus and Bidule and a LP1. For example, I had =
Mainstage synced to an external clock and I had Augustus Loop running on a =
Mainstage bus. Mainstage or Augustus usually crashed, and I initially thoug=
ht that it had to do with using 3rd party AU plugin's on a bus (some Logic =
forums had reported similar issues). But the solution was to switch off the=
 "send midi clock" preference in Augustus. I have done a similar test with =
my LP1:
> 1) create a new loop
> 2) LP1 starts sending midi clock
> 3) within a minute, Mainstage crashed as soon as it detected multiple mid=
i clocks (Augustus in this case)
>
> But now I know how to fix it, Mainstage has been very stable. I like the =
concept of it, and it's pretty straightforward to use. I'm currently workin=
g on creating new sounds and the integration of Bidule and Mainstage; I hav=
e it up and running, and I'm trying to create a kind of semi-random Soundsc=
ape/Ambient sounds with it. I must say that it's pretty cool to see Bidule =
as AU plugin on a Mainstage bus but I'm not sure if this is the way to go. =
For example, I don't know if you can still control a Bidule audio switcher =
using program changes. Does Mainstage forward PC's to plugins? Any suggesti=
ons are welcome :)
>
> ---
> Sjaak
> http://euroloopfest.com/
> http://sjaakovergaauw.com/
> http://www.last.fm/music/Sjaak+Overgaauw
>
>
> __________________________________
> Scarlet schrapt download limiet!
> ADSL20 NO LIMIT voor =80 29,95.
> Ga naar www.scarlet.be voor meer info!
>
>



--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 13:26:58 2009
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Subject: Re: Nuggets of Wisdom for Loop Touring
From: Tony K <bigtonyk@gmail.com>
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> And have I just been unaware of scales at check-in for carry-on stuff? Is
> that happening in Europe but not the States as yet? I've definitely had more
> than 10 kg before.

Size and weight limits on US flights.  50lb or less or there's a big
charge - $100 instead of just the regular bag charge - $15 for the
first, $25 for additional.  At $100 a bag, it's cheaper to book a seat
for your luggage.

On Sun, Mar 8, 2009 at 10:42 PM, Daryl Shawn <highhorse@mhorse.com> wrote:
> I'm getting a pair of cargo pants tomorrow - sounds like the flying looper's
> trouser of choice!
>
> I love the thought of belting those pants with wrapped cables, but isn't
> that a big pain to take off for the x-ray machines?
>
> And have I just been unaware of scales at check-in for carry-on stuff? Is
> that happening in Europe but not the States as yet? I've definitely had more
> than 10 kg before.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> One thing I do is to wear trousers with huge pockets on the legs. My
>> rather heavy soundcard fits well into one such pocket. All things you
>> pack into your pockets will not tax your weight in luggage and by
>> picking the heaviest stuff for pockets you save loads of money from
>> over weight fees. I've even been flying with lots of midi and audio
>> cabled used as "belt" for my trousers, another way to save money.
>>
>> The cabin baggage is usually allowed at maximum eight or ten kilo
>> weight. But since you are obliged to take out the laptop anyway at the
>> check-in it won't be on the scales with the rest of the stuff - so you
>> may safely plan your exact cabin bag weight MINUS laptop weight.
>
>



-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 13:39:27 2009
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At the risk of adding more confusion that clarification, I'll say what
i'd do, which is to wring out the noise and distortion systematically
from the first stage to the last.

you are navigating between the Scylla and Charybdis of noise and
distortion. if any input level to any device is too high, it will
overdrive the input and cause distortion. if it's too low, then the
receiving device will have to over-amplify the signal, and will
amplify the noise floor as well, causing, well, noise to be more
evident.

the output level of your guitar might be treated a little differently,
as in some setups it is deliberately used to overdrive the next stage,
so you might want an optimal clean setup with your guitar output set
to 7 or 8. i don't usually do things this way, but Eddie Van Halen
probably would.

So, first, I'd hook up guitar to Vortex, put the guitar vol where you
like it, and try to check that I had an optimal signal coming out the
Vortex (primarily by adjusting the input gain control on the vortex).
of course, to listen to the vortex means that you have to put it's
output into a mixer or something, so you need to make sure that you're
not over-or-under-driving the input of the mixer by fiddling with the
Vortex output. but your vortex output settings may change when you
insert the next item in the chain.

after you've got this stage optimized, write down the vortex input
gain setting - this will not change.

then insert one more device between vortex and mixer. turn input gain
on new device down, turn vortex output up to max, or to somewhere in
the 7-8 range (a lot of device seem to operate best around there for
some reason) and see whether you've overdriven the new input. adjust
the input gain on the new device up until you hear distortion at the
output.

keep moving forward.

i'm sure people will find ways to pick this apart, but this kind of
methodology has stood me in good stead.

Warren

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 13:43:53 2009
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 9, 2009 at 4:19 AM, Sjaak <tcplugin@scarlet.be> wrote:

>> But now I know how to fix it, Mainstage has been very stable. I like the=
 concept of it, and it's pretty straightforward to use. I'm currently worki=
ng on creating new sounds and the integration of Bidule and Mainstage; I ha=
ve it up and running, and I'm trying to create a kind of semi-random Sounds=
cape/Ambient sounds with it. I must say that it's pretty cool to see Bidule=
 as AU plugin on a Mainstage bus but I'm not sure if this is the way to go.=
 For example, I don't know if you can still control a Bidule audio switcher=
 using program changes. Does Mainstage forward PC's to plugins?


MainStage doesn't forward any midi input to plug-ins on a bus. That's
why I let my Mobius AU, that lives on a bus, fetch all its external
MIDI control data directly from the global MIDI In port (rather than
through MS's graphic screen control icon objects).

I had bad crashes of MS when running VST plug-ins inside the AU
plug-in, but I have not had time to check if this was due only to
Bidule AU or in some way related to the fact that I send out MIDI
Clock into an OS X IAC Bus that MainStage used as its sync signal for
slave syncing (BTW this works like a charm now with the Mobius AU as
master sync device)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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	 <49B501ED.3080503@tiscali.co.uk>
Date: Mon, 9 Mar 2009 08:45:39 -0500
Message-ID: <d1dcce560903090645r37a1f791g33dc1e1e508af30e@mail.gmail.com>
Subject: Re: wanted: suggestion for loop post processor
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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In the 'not available anymore but worth getting a used one' category,
if you come across a Roland RSP-550, check it out.  I have one but
have not had a lot of chance to play with the MIDI features (which
there are a lot of it seems.) It's got quite nice reverbs and delays
and apparently a vocoder.   It's a pretty deep unit, I just haven't
had the chance to delve into it.  It's on the list, behind the VG8,
MPX100, Vortex...  so many toys.

On Mon, Mar 9, 2009 at 6:47 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> Rainer Straschill wrote:
>>
>> Andy,
>>
>> you do not specify which of the items 1-10 you mention are actually
>> hard requirements or if there are any other soft requirements, but...
>>
>
> Needs 1) two inputs can be be panned/treated separately, or together
> 2) filters and tremolo synced to midi clock
> 3) Must be ways to "stereoise" both inputs individually, with delays.
> 4) Output on XLRs
> Much prefer
> 1) 1U rack mount
>
> Likes
> 1) hmm, reverb can be nice
> 2) addition unbalanced line out for recording 3) light weight
> 4) light price 5) good flanger
> 6) a delay of 5s for additional loop texture
>
>
>> Some people have suggested the FireworX: while the FireworX offers a
>> lot of great options (great flexibility in routing structure,
>> including the option to insert an external device into the signal
>> chain via the s/pdifs, lots of modulation options, including pitch
>> detection and a pattern sequencer, great digital lo-fi effects), I've
>> always found that it lacks processing power seriously, given its
>> richness in features. You typically max out at 3 to 4 processing
>> blocks (and some of them are only available once, e.g. only one filter
>> at a time), so this may limit you a lot if you want to process two
>> mono inputs separately.
>
> thanks, that's interesting, ...very useful.
> Heavy processing on both channels isn't essential, but it's great to
> have an idea of the limitations.
>
> I'm fascinated that it has an fx loop, so the edps could go into
> that and give me the option of pre-process as well.
>
> I'm guessing that like the MPX1 there's a big wait when changing patches,
> with no sound, is that the case?
>
>
>> The fact that it only has XLR connectors is not a showstopper but
>> somehow impractical.
>
> I need XLR out.
> ...but would be nice to have a jack out to hook up a recording device.
>
>> Btw, maximum delay time if I remember correctly
>> is something like 2.9 seconds (mono).
>
> right, the MPX1 has a 2 sec stereo delay which looks
> like it could be configured as 4sec mono
>
>
>
>> Summary: it's by far not as cool as it looks, because of a lack of
>> processing power. However it has a lot of flexibility which only a
>> tiny few (read: Eventide H8000 etc.) effects processors have to offer.
>
> right, but those Eventides are extra expensive.
>
>
>
>> And the lo-fi/digital dirt effects are a welcome addition.
>
> maybe, I generally avoid as always I seem to have tinnitus after hearing
> digi-distortion
>
>>
>> Now something for the "bizarre and unsuitable" reign: enter the Clavia
>> Nord Modular G2 Engine. 1HU in size, this device (which is basically
>> an extremely flexible virtual modular synth) doesn't have any
>> front-panel knobs or displays of any kind - so some kind of solution
>> for patch change is needed - and for effects editing, you actually
>> need a computer.
>
> ahhh
> well, maybe that fits exactly, ...off to check it out :-)
>
>
>> Why do I recommend it anyway? Lots of processing options! Tons of
>> flexibility! And you even get a free synthesizer!
>> I have been using the Nord MicroModular (the previous model's tiny
>> version in a small tabletop case) a lot - however that old one only
>> had minimum delay capability. A great thing! Highly recommended!
>> Claude Voit used to use one to pattern-sequence his EDPs.
>>
>> =A0 =A0 =A0 =A0 Rainer
>
> thanks Rainer, and also to Bill, Luca, Per for suggestion the Fireworx,
> which is still a possible.
>
> andy
>>
>>
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 14:24:11 2009
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
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>Warren wrote:
> Well, Sjaak, that's my point - i *need* those clock outs! why
> Mainstage can't have a simple control panel to tell it which midi
> inputs to ignore, like Live has, is just bad interface design

Warren, I'm trying to understand how you want to use your setup. So you u=
se multiple devices sending midi clock data (merged, so they don't influe=
nce each other) and you want to filter these in Mainstage on patch level?=
 And use one of you devices as midi tempo source? In the past, I used a M=
iditemp router to do this kind of filtering before sending the data to th=
e midi input's of any device. But I'm afraid you can't do that with MS. 

I'm wondering if you can install the OSX version of Midi-Ox which sits be=
tween the midi-in port and the midi applications and allows you to do exa=
ctly that.

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


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Subject: looping mixers coming out of the woodwork, lol
Date: Mon, 9 Mar 2009 07:27:05 -0700
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Thread-Topic: looping mixers coming out of the woodwork, lol
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From: "Andy Owens" <andy@1800pathways.com>
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Well, I guess I should have said that the Rane CM86 is the best mixer =
for ME, lol.....
=20
I am using all eight channels on this mixer, which is probably not =
normal around here, lol, but I am some kind of maniac (wait all us =
eggheads in here must be crazy.....is there ever an end to figuring this =
stuff out, are ya'll like me, is there not an activity any more fun that =
screwing in rack screws on a new rack unit? I mean, I am whack, I refuse =
to even use an electric screwdriver because I dont want to speed up the =
pleasure of putting in rack screws....) like this
=20
1 Digitech 1101, which is all my acoustic instruments
2 Yamaha TG 55 hooked to the keys on the Novation controller
3 Drum machine=20
4 Hammond XM-1 organ module (cool organ sound and cheap!!!)
5 Bass line for Fender P bass (I am working on getting this on a stand =
so I can just walk up to it)
6 Mic for hand percussion instruments
7 Mic line for mic that I use for going into the V4 vocal =
harmonizer/effect unit, so I can just switch to this mic when I want =
harmony and loop that output
8 Vocal mic for lead vocs
=20
Now, the CM 86 is NOT LIGHT, so it fails there for sure, all Rane stuff =
is heavy, this is an old old unit of theirs, I used to endorse them and =
set up at trade shows and show their stuff, so I have a lot of it laying =
around.
=20
I guess what I am trying to accomplish in some way is a way to switch =
things in and out of the looper to decrease noise accumulation, so I =
like the on/off possibilities of this mixer......BUT what I really want =
is that Sound Sculpture midi controlled analog patch bay, then you could =
really get some control. Actually, it has the ability to, with midi =
control, just build a mixer into the patch bay, there is level control, =
pan, blah blah blah, so that would mean a 16 x 16 mixer in one rack =
space, but you need a Novation or something to control it.
=20
Also, TOO BIG, but something I have been looking at on ebay lately is =
the old Mackie CR 1604s with the Otto midi control, you can control a =
lot of the aux's, faders, etc on those old mixers with midi, now that =
would be a cool way to build a system that with one button push you can =
set up all you need for a new song.
=20
One limitation I just found last night on the CM86 (I spoke too soon, =
lol) is that the aux sends are made (aux a aux b) to only go to the main =
out a and b, which makes no sense, BUT if you set a and b main out to =
mono then it sums, but what I like about the non-stereo stereo of this =
mixer is that there is no pan, you actually have on the main chanell out =
control of the channel a set of concentric knobs that send more or less =
of a to a and b to b, so that is really two mixes, I can send a to mon =
and b to the LP1 and set the LP1 to wet only and it makes it real easy =
to set levels that way, and I dont have to monitor through the LP1 like =
I used to, cause it is a bit noisy, BUT since the auxs are split like =
that, since last night when I added another TC m300 (LOVE IT, midi =
control, cheap, like 100 bucks on ebay) then I cant use both auxs that =
way.....arrrgggg.....my brain is about to blow up figuring this out. But =
each chanell has an insert point, but if I put a reverb on there for =
example, then I lose my "on/off" of setting the aux to pre and post =
which acts like an on off switch,,,,,,
=20
Anyway that little behringer is nice, they are just a bit noisy, I have =
a couple of different ones.
=20
Kevin mentioned getting from one section to another on the lp1 as a bit =
of a challenge, but I am working now with my Novation control surface on =
that, it is really cool to set the faders to control the LP1 tracks, and =
then I have a set of eight buttons that alternate between play and stop, =
so if I cut the first three tracks for example to section A of a song, =
then track the next section on the next three, then with the push of a =
button or foot switch I can turn off section A or B..........now I dont =
have this down yet, but it is possible, I am doing it.  Programming the =
LP1 and Novation so that with a foot button control I can say to the LP1 =
"mute that last track, and start recording a new one" you know, ya'll =
probably all have all that down anyway, I am just a hillbilly here in a =
log cabin in North Carolina, 18 miles from the grocery store, and so =
looping, I dont have to wait for anyone to come over and jam!!!!
=20
Well, I sure went from silent to too long winded, but those are my =
random thoughts for the day. I hope to have some music for ya'll to hear =
someday soon. For my "regular" music, you can go to www.andyowens.com=20
=20

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Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML dir=3Dltr><HEAD>=0A=
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dunicode">=0A=
<META content=3D"MSHTML 6.00.2900.3492" name=3DGENERATOR></HEAD>=0A=
<BODY>=0A=
<DIV><FONT face=3DArial color=3D#000000 size=3D2>Well, I guess I should =
have said that the Rane CM86 is the best mixer for ME, =
lol.....</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>=0A=
<DIV><FONT face=3DArial size=3D2>I am using all eight channels on this =
mixer, which is probably not normal around here, lol, but I am some kind =
of maniac (wait all us eggheads in here must be crazy.....is there ever =
an end to figuring this stuff out, are ya'll like me, is there not an =
activity any more fun that screwing in rack screws on a new rack unit? I =
mean, I am whack, I refuse to even use an electric screwdriver because I =
dont want to speed up the pleasure of putting in rack screws....) like =
this</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>=0A=
<DIV><FONT face=3DArial size=3D2>1 Digitech 1101, which is all my =
acoustic instruments</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2>2 Yamaha TG 55 hooked to the keys on =
the Novation controller</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2>3 Drum machine </FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2>4 Hammond XM-1 organ module (cool organ =
sound and cheap!!!)</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2>5 Bass line for Fender P bass (I am =
working on getting this on a stand so I can just walk up to =
it)</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2>6 Mic for hand percussion =
instruments</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2>7 Mic line for mic that I use for going =
into the V4 vocal harmonizer/effect unit, so I can just switch to this =
mic when I want harmony and loop that output</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2>8 Vocal mic for lead vocs</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>=0A=
<DIV><FONT face=3DArial size=3D2>Now, the CM 86 is NOT LIGHT, so it =
fails there for sure, all Rane stuff is heavy, this is an old old unit =
of theirs, I used to endorse them and set up at trade shows and show =
their stuff, so I have a lot of it laying around.</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>=0A=
<DIV><FONT face=3DArial size=3D2>I guess what I am trying to accomplish =
in some way is a way to switch things in and out of the looper to =
decrease noise accumulation, so I like the on/off possibilities of this =
mixer......BUT what I really want is that Sound Sculpture midi =
controlled analog patch bay, then you could really get some control. =
Actually, it has the ability to, with midi control, just build a mixer =
into the patch bay, there is level control, pan, blah blah blah, so that =
would mean a 16 x 16 mixer in one rack space, but you need a Novation or =
something to control it.</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>=0A=
<DIV><FONT face=3DArial size=3D2>Also, TOO BIG, but something I have =
been looking at on ebay lately is the old Mackie CR 1604s with the Otto =
midi control, you can control a lot of the aux's, faders, etc on those =
old mixers with midi, now that would be a cool way to build a system =
that with one button push you can set up all you need for a new =
song.</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>=0A=
<DIV><FONT face=3DArial size=3D2>One limitation I just found last night =
on the CM86 (I spoke too soon, lol) is that the aux sends are made (aux =
a aux b) to only go to the main out a and b, which makes no sense, BUT =
if you set a and b main out to mono then it sums, but what I like about =
the non-stereo stereo of this mixer is that there is no pan, you =
actually have on the main chanell out control of the channel a set of =
concentric knobs that send more or less of a to a and b to b, so that is =
really two mixes, I can send a to mon and b to the LP1 and set the LP1 =
to wet only and it makes it real easy to set levels that way, and I dont =
have to monitor through the LP1 like I used to, cause it is a bit noisy, =
BUT since the auxs are split like that, since last night when I added =
another TC m300 (LOVE IT, midi control, cheap, like 100 bucks on ebay) =
then I cant use both auxs that way.....arrrgggg.....my brain is about to =
blow up figuring this out. But each chanell has an insert point, but if =
I put a reverb on there for example, then I lose my "on/off" of setting =
the aux to pre and post which acts like an on off =
switch,,,,,,</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>=0A=
<DIV><FONT face=3DArial size=3D2>Anyway that little behringer is nice, =
they are just a bit noisy, I have a couple of different =
ones.</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>=0A=
<DIV><FONT face=3DArial size=3D2>Kevin mentioned getting from one =
section to another on the lp1 as a bit of a challenge, but I am working =
now with my Novation control surface on that, it is really cool to set =
the faders to control the LP1 tracks, and then I have a set of eight =
buttons that alternate between play and stop, so if I cut the first =
three tracks for example to section A of a song, then track the next =
section on the next three, then with the push of a button or foot switch =
I can turn off section A or B..........now I dont have this down yet, =
but it is possible, I am doing it.&nbsp; Programming the LP1 and =
Novation so that with a foot button control I can say to the LP1 "mute =
that last track, and start recording a new one" you know, ya'll probably =
all have all that down anyway, I am just a hillbilly here in a log cabin =
in North Carolina, 18 miles from the grocery store, and so looping, I =
dont have to wait for anyone to come over and jam!!!!</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>=0A=
<DIV><FONT face=3DArial size=3D2>Well, I sure went from silent to too =
long winded, but those are my random thoughts for the day. I hope to =
have some music for ya'll to hear someday soon. For my "regular" music, =
you can go to <A href=3D"http://www.andyowens.com">www.andyowens.com</A> =
</FONT></DIV>=0A=
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>
------_=_NextPart_001_01C9A0C3.1F0A20FA--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 14:43:30 2009
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
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> Per wrote:
> MainStage doesn't forward any midi input to plug-ins on a bus. 

So you can't control Superlooper or Augustus using a mfc when it's runnin=
g as AU plugin on a Mainstage bus? I'm sure I have done that, but it coul=
d be that I have used it as insert effect on an instrument channel. Does =
that differ, so insert FX vs a bus? I'm going to check this again, it's e=
ssential that I understand how it really works :)
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

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Date: Mon, 9 Mar 2009 16:07:09 +0100
Message-ID: <66f9cc1e0903090807y5a4a00bfl87000ead32dfe4eb@mail.gmail.com>
Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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>> Per wrote:
>> MainStage doesn't forward any midi input to plug-ins on a bus.
>
On Mon, Mar 9, 2009 at 3:43 PM, Sjaak <tcplugin@scarlet.be> wrote:
> So you can't control Superlooper or Augustus using a mfc when it's running
> as AU plugin on a Mainstage bus?

Of course you can, just not by direct external MIDI input into the
plug-in. The ways to do it are two:

1) The usual MainStage (and Logic) way:
Use the host applications interface for external control. In MainStage
it works like this: You create Screen Control Objects that represent
you outboard MIDI control surfaces (mixer, FCB1010, expression pedals
etc etc). You assign these Screen Control Objects to the appropriate
MIDI event sent in by the external gear. Finally you bind the Screen
Control Objects to parameters in plug-ins. Here there is no
restriction in where a plug-in is placed. But for a Looper, that you
may want to use for catching audio from many different sound patches,
it is better to place it on a bus, which means "at the Concert level"
in MainStage's terminology (as in "global" rather than "patch
dependent").

The good side of MainStage's solution is that you always keep your own
laptop rig on screen, as displayed and routed by those Screen Control
Objects. This makes it easy to switch your external (physical) gear
because you only need to either send the same old MIDI events or "MIDI
learn" new external control events. All the rest, the actual looping
and processing engine is still kept intact within MainStage.

2) Address a physical MIDI In port directly from inside the plug-in on
the bus. Mobius can do this (as I referred to in my last post) but
Augustus Loop can not. The Bidule AU plug-in can do it as well (but
I've had crashes when trying that out and I have no extra time right
now to put into beta testing for Plogue)



> Does that differ, so insert FX vs a bus? I'm going to check
> this again, it's essential that I understand how it really works :)

Many things differ between these two ways to use a plug-in. One
difference is the direct external MIDI input into the plug-in, that
works with plug-ins opened on Instrument Channel Strips (usually
virtual instruments; synth or sampler).

Another important difference between a plug-in on an Audio- or
Instrument Channel Strip and one on a bus or a main output is that a
plug-in on a bus or output is globally available at the Concert level
and can be used with any patch withing the concert.

Per

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 15:12:35 2009
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Date: Mon, 9 Mar 2009 11:12:32 -0400
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Subject: Rain
From: Tony K <bigtonyk@gmail.com>
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This little nugget popped up in my MP3 player today.  Strangely
coinciding with a lovely spring rain storm.

http://www.thinginajar.com/bigtony/Rain.mp3

Me on guitar, synth, delay/looper fx knob twiddling.  My brother Dan on bass.

Enjoy,

-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 15:23:47 2009
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Sorry, I was asking if there was a limit (or rather, an actual weighing 
process) for carry-on bags. I run up against the checked baggage limit 
all the time!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


>> And have I just been unaware of scales at check-in for carry-on stuff? Is
>> that happening in Europe but not the States as yet? I've definitely had more
>> than 10 kg before.
>>     
>
> Size and weight limits on US flights.  50lb or less or there's a big
> charge - $100 instead of just the regular bag charge - $15 for the
> first, $25 for additional.  At $100 a bag, it's cheaper to book a seat
> for your luggage.

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 15:37:34 2009
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Date: Mon, 9 Mar 2009 08:37:33 -0700 (PDT)
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Subject: wanted: suggestion for loop post processor (re: lex mpx100)
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--0-1329496207-1236613053=:28942
Content-Type: text/plain; charset=us-ascii

just wanted to chime in on my 2 cents on the lexicon mpx100-
i bought mine back in like '01 when i read that bill frisell used one in his home studio, saw that they were 199$ at the time, bought it. worked for about 2-3 yrs or so, then MINE DIED!!!!
i sent it in to Lexicon to have it fixed (something w/ the inputs couldn't take big overloads or something-i'd read they have a low headroom), just didn't trust it after that, so sold it.
over the next few yrs i missed the things it could do (reverbs, pitch shift, delays,etc).
so last fall, decided to look for something to replace my old mpx100, b/c i did like the reverbs so much.
found a newer lexicon mx200 online for 100$, couldn't pass it up. it's been working great (knock on wood or whatever). it seems to be a nice up date on the mpx100, it also has hook up to computer and use that editing stuff, but i just use it as stand alone unit.

but it is funny i've read a few other reviews recently that bill frisell still uses his (i think), and there was another big studio guitar player (can't remember his name), that he used an mpx100 in his rack also. so i guess for the big players, it still keeps on ticking. mine shot craps. oh well. but i do like the mx200.
my 2 cents, s---

www.myspace.com/scotthansen
http://video.google.com/videoplay?docid=235503632389016121
http://video.google.com/videoplay?docid=5791548553161416906&hl=en



      
--0-1329496207-1236613053=:28942
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">just wanted to chime in on my 2 cents on the lexicon mpx100-<br>i bought mine back in like '01 when i read that bill frisell used one in his home studio, saw that they were 199$ at the time, bought it. worked for about 2-3 yrs or so, then MINE DIED!!!!<br>i sent it in to Lexicon to have it fixed (something w/ the inputs couldn't take big overloads or something-i'd read they have a low headroom), just didn't trust it after that, so sold it.<br>over the next few yrs i missed the things it could do (reverbs, pitch shift, delays,etc).<br>so last fall, decided to look for something to replace my old mpx100, b/c i did like the reverbs so much.<br>found a newer lexicon mx200 online for 100$, couldn't pass it up. it's been working great (knock on wood or whatever). it seems to be a nice up date on the mpx100, it also has hook up to computer and use that editing stuff,
 but i just use it as stand alone unit.<br><br>but it is funny i've read a few other reviews recently that bill frisell still uses his (i think), and there was another big studio guitar player (can't remember his name), that he used an mpx100 in his rack also. so i guess for the big players, it still keeps on ticking. mine shot craps. oh well. but i do like the mx200.<br>my 2 cents, s---<br><br>www.myspace.com/scotthansen<br><a target="_blank" href="http://video.google.com/videoplay?docid=235503632389016121"><span class="yshortcuts" id="lw_1236612274_0">http://video.google.com/videoplay?docid=235503632389016121</span></a><br><a target="_blank" href="http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en"><span class="yshortcuts" id="lw_1236612274_1">http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en</span></a><br></td></tr></table><br>

      
--0-1329496207-1236613053=:28942--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 15:40:53 2009
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Date: Mon, 9 Mar 2009 11:35:44 -0400
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Subject: Re: Nuggets of Wisdom for Loop Touring
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Yes, there is size and weight limit for carryon, but I've never seen
carryon weighed.  USAir was 40 lbs.

On Mon, Mar 9, 2009 at 11:23 AM, Daryl Shawn <highhorse@mhorse.com> wrote:
> Sorry, I was asking if there was a limit (or rather, an actual weighing
> process) for carry-on bags. I run up against the checked baggage limit al=
l
> the time!
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>
>>> And have I just been unaware of scales at check-in for carry-on stuff? =
Is
>>> that happening in Europe but not the States as yet? I've definitely had
>>> more
>>> than 10 kg before.
>>>
>>
>> Size and weight limits on US flights. =A050lb or less or there's a big
>> charge - $100 instead of just the regular bag charge - $15 for the
>> first, $25 for additional. =A0At $100 a bag, it's cheaper to book a seat
>> for your luggage.
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 15:56:28 2009
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> Per wrote:
> Of course you can, just not by direct external MIDI input into the
> plug-in. 

Ok, I got the point, thanks! :) 

> The ways to do it are two:
> 1) The usual MainStage (and Logic) way:

That's how I do it now. All the midi inputs are merged into 1 stream and =
that's going into Mainstage. Works good, and I particular like the screen=
 controls for any for external hardware. I also noticed that Mainstage lo=
ads all patches incl. bus effects as soon as you open the concert. 

The only thing I haven't found a solution for is that you can't assign a =
midi controller to the "current patch" to control volume, but only to a s=
pecific patch number, bus, output or master channel. For example, when us=
ing the master channel, you also lower the volume of a delay or looper si=
tting on a bus and I want to keep it going. 
 
> 2) Address a physical MIDI In port directly from inside the plug-in on
> the bus. Mobius can do this (as I referred to in my last post) but
> Augustus Loop can not. The Bidule AU plug-in can do it as well (but
> I've had crashes when trying that out and I have no extra time right
> now to put into beta testing for Plogue)

I don't know if I have the time to test Bidule as AU-plugin on a Mainstag=
e bus but I'll let you know. As always, thanks for your clear explanation=


--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


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ADSL20 NO LIMIT voor =80 29,95. 
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From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 16:14:42 2009
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Date: Mon, 9 Mar 2009 17:14:41 +0100
Message-ID: <66f9cc1e0903090914v7d23187buf321c4cdd944f36b@mail.gmail.com>
Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 9, 2009 at 4:56 PM, Sjaak <tcplugin@scarlet.be> wrote:
> The only thing I haven't found a solution for is that you can't assign a =
midi controller to the "current patch" to control volume, but only to a spe=
cific patch number, bus, output or master channel. For example, when using =
the master channel, you also lower the volume of a delay or looper sitting =
on a bus and I want to keep it going.


Right. There's no such generic "patch level down" function to be
assigned to an external MIDI event. Here are two other solutions I
use:

1) As the first plug-in (the top slot) in every patch/channel strip
use the Gain plug-in (found under "Utility").

In Layout Mode, drag a Knob or Fader (or whatever Screen Control
Object) into the work space and assign it to the external MIDI event
you want to use for "patch level pre effects". In Edit Mode, assign
this Screen Control Object to the Gain plug-ins parameter "Gain". In
the Sceen Control Inspector adjust the scaling so it goes from -96.0
dB to 0.0 dB. Done! Now all the rest of the effects you may add to
that Channel Strip will be post fade and you won't cut off any reverb
or delay tails when playing "swell pedal" with the input. And you will
still have the proper sound level running in the virtual instrument,
if that's what you are playing.

2) In order to make it quick and easy to create a new patch that uses
the same Screen Control Bindings do like this: Select the patch i the
Patch List, press Apple-C, press Apple-V. Done! You have now
duplicated the patch including all the bindings. Go ahead changing
input, virtual instrument and effects to build a new patch. Be sure to
save the Channel Strip under a new name (if you do back-up Channel
Strips on the disc; that's a good habbit BTW, as you may then import
them into MainStage as well as Logic i any future project or session).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 17:08:58 2009
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Date: Mon, 9 Mar 2009 13:08:22 EDT
Subject: Re: Nuggets of Wisdom for Loop Touring
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what a timely discussion!.....my wonderful nephew, fabio, has invited me to 
come to his june show in rome.....being on a fixed budget, read poor, i need to 
strech every penny.....i have been to europe only once, the zurich loopfest a 
few years ago, what WONDERFUL memories!.....so i would love to join fabio in 
rome, but due to time constraints, fabio still works, can you belive 
it!.....:).....i could only spend a few days before and after the gig in rome.....i 
can't justify the expense of flying to europe for just a week.....add to this the 
fact that i am a hardcore agorophobic/zenophobic, i never leave my studio and 
i fear aliens, people from the suburbs of pittsburgh scare the shit out of 
me.....the zurich trip was kool due to the fact that the WALKER BROS took me 
under their collective wings and   protected me.....if i hadn't flown over with 
rickeeee, i would probably still be in some corner of the zurich airport 
freakin out, these people arn't big and fat, this can't still be pittsburgh 
toto!.....and young bill kept me in check and on the path of "right thinking" for the 
time after the fest, only two 6 packs of HURLEYMANN (sp) beer a day.....not to 
mention our most xcellent host BERNHARD, a prince.....andy, pita, per, 
mathias, all helped make this a fantastic adventure.....SO!.....i got the time 
albeit the $.....i would like to spend more than a week on this trip and see more 
of europe and, more importantly, spend time with my EUROLOOPKINDERN.....the 
LOOPBUS is a great idea!!!!! sign me up but if that doesn't happen what else can 
an old krazy looper do?.....GOT FLOOR?.....i'm just fishing for ideas at this 
point, prior to commiting to fabio's fest, i'm just looking at what other 
options are out there.....if there are other "fests" planned, i do not need nor 
desire to play at them but i sure would love to be an "audient".....who knows 
what the future may hold, the times are way wacky and this may be the time to 
bust a groove.....thanks for your cornsideration.....michael



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
Worried about job security? Check out the 5 safest jobs in a 
recession. 
(http://jobs.aol.com/gallery/growing-job-industries?ncid=emlcntuscare00000002)

--part1_c41.545013aa.36e6a706_boundary
Content-Type: text/html; charset="US-ASCII"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2">what a timely discussion!.....my wonder=
ful nephew, fabio, has invited me to come to his june show in rome.....being=
 on a fixed budget, read poor, i need to strech every penny.....i have been=20=
to europe only once, the zurich loopfest a few years ago, what WONDERFUL mem=
ories!.....so i would love to join fabio in rome, but due to time constraint=
s, fabio still works, can you belive it!.....:).....i could only spend a few=
 days before and after the gig in rome.....i can't justify the expense of fl=
ying to europe for just a week.....add to this the fact that i am a hardcore=
 agorophobic/zenophobic, i never leave my studio and i fear aliens, people f=
rom the suburbs of pittsburgh scare the shit out of me.....the zurich trip w=
as kool due to the fact that the WALKER BROS took me under their collective=20=
wings and&nbsp;  protected me.....if i hadn't flown over with rickeeee, i wo=
uld probably still be in some corner of the zurich airport freakin out, thes=
e people arn't big and fat, this can't still be pittsburgh toto!.....and you=
ng bill kept me in check and on the path of "right thinking" for the time af=
ter the fest, only two 6 packs of HURLEYMANN (sp) beer a day.....not to ment=
ion our most xcellent host BERNHARD, a prince.....andy, pita, per, mathias,=20=
all helped make this a fantastic adventure.....SO!.....i got the time albeit=
 the $.....i would like to spend more than a week on this trip and see more=20=
of europe and, more importantly, spend time with my EUROLOOPKINDERN.....the=20=
LOOPBUS is a great idea!!!!! sign me up but if that doesn't happen what else=
 can an old krazy looper do?.....GOT FLOOR?.....i'm just fishing for ideas a=
t this point, prior to commiting to fabio's fest, i'm just looking at what o=
ther options are out there.....if there are other "fests" planned, i do not=20=
need nor desire to play at them but i sure would love to be an "audient"....=
.who knows what the future may hold, the times are way wacky and this may be=
 the time to bust a groove.....thanks for your cornsideration.....michael<BR=
>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************<BR>Worried about job security? Check ou=
t the 5 safest jobs in a recession. (http://jobs.aol.com/gallery/growing-job=
-industries?ncid=3Demlcntuscare00000002)</HTML>

--part1_c41.545013aa.36e6a706_boundary--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 18:12:46 2009
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Date: Mon, 9 Mar 2009 18:12:45 +0000 (GMT)
From: Rhod Evans <rhodhebrides@yahoo.co.uk>
Subject: Loopy blues examples
To: Loopers-Delight@loopers-delight.com
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Hi all - this is a great active and friendly forum!  Plenty of posts, which=
 is excellent - even if most of what you write goes straight over the top o=
f my head at the moment :)=0A=0AAre there any good examples of sound/video =
on the web of anyone doing gutsy or jazzy blues with guitar & vocals using =
loopers? =0A=0AThanks=0A=0A=0A      
--0-712501674-1236622365=:72525
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial,helvetica,sans-serif;font-size:10p=
t"><div>Hi all - this is a great active and friendly forum!&nbsp; Plenty of=
 posts, which is excellent - even if most of what you write goes straight o=
ver the top of my head at the moment :)<br><br>Are there any good examples =
of sound/video on the web of anyone doing gutsy or jazzy blues with guitar =
&amp; vocals using loopers? <br><br>Thanks<br></div><div style=3D"font-fami=
ly: arial,helvetica,sans-serif; font-size: 10pt;"><br><br></div></div><br>=
=0A=0A=0A=0A=0A      </body></html>
--0-712501674-1236622365=:72525--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 18:33:01 2009
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Date: Mon, 9 Mar 2009 14:32:58 -0400
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
From: Warren Sirota <wsirota@wsdesigns.com>
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Sjaak,

no, i don't need multiple clock streams. all i want to do is to have
the first loop send midi clocks that the daw uses to set tempos for
delay-time synching, triggering midi drum patterns and arpeggiator
rates. i only need 1 clock stream, but it has to come from the looper.
somehow, per does this wo crashing mainstage, but i've not been able
to get ms to play nice at all.

On Mon, Mar 9, 2009 at 10:24 AM, Sjaak <tcplugin@scarlet.be> wrote:
>>Warren wrote:
>> Well, Sjaak, that's my point - i *need* those clock outs! why
>> Mainstage can't have a simple control panel to tell it which midi
>> inputs to ignore, like Live has, is just bad interface design
>
> Warren, I'm trying to understand how you want to use your setup. So you u=
se multiple devices sending midi clock data (merged, so they don't influenc=
e each other) and you want to filter these in Mainstage on patch level? And=
 use one of you devices as midi tempo source? In the past, I used a Miditem=
p router to do this kind of filtering before sending the data to the midi i=
nput's of any device. But I'm afraid you can't do that with MS.
>
> I'm wondering if you can install the OSX version of Midi-Ox which sits be=
tween the midi-in port and the midi applications and allows you to do exact=
ly that.
>
> ---
> Sjaak
> http://euroloopfest.com/
> http://sjaakovergaauw.com/
> http://www.last.fm/music/Sjaak+Overgaauw
>
>
> __________________________________
> Scarlet schrapt download limiet!
> ADSL20 NO LIMIT voor =80 29,95.
> Ga naar www.scarlet.be voor meer info!
>
>



--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 18:50:50 2009
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	 <101191640903091132g69bc85e8s6606ab70e9e058b8@mail.gmail.com>
Date: Mon, 9 Mar 2009 19:50:50 +0100
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 9, 2009 at 7:32 PM, Warren Sirota <wsirota@wsdesigns.com> wrote:
> all i want to do is to have
> the first loop send midi clocks that the daw uses to set tempos for
> delay-time synching, triggering midi drum patterns and arpeggiator
> rates. i only need 1 clock stream, but it has to come from the looper.
> somehow, per does this wo crashing mainstage, but i've not been able
> to get ms to play nice at all.


Hi Warren,

I don't remember what looper plug-in you are using, but set it to
output its MIDI Clock to the OS X Iac bus. Then set both MainStage and
Live to slave sync to IAC Bus input.

Over here that works well, even though I have not tried running both
Live and MainStage at the same time.

Another concept would be to use Live's Looper as the the tempo setting
device. I'm not sure if that's what you are doing, but if you do it
means Live is the master for MainStage. You should still set Live to
send out MIDI Clock through an IAC bus in order to have MainStage
following the tempo (set that by checking the box "Get tempo from MIDI
input" in the Concert Inspector window as you have selected the
concert level at top of the Patch List)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 18:56:43 2009
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
From: Warren Sirota <wsirota@wsdesigns.com>
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Hi Per,

Thanks for answering - there are a couple of things getting confused.
I am *successfully* using the Live Looper to set the tempo for both
Live and MS. I was unable to get an AU within MS - either SooperLooper
or Mobius, tried both - to send clocks that didn't crash MS, although
i don't think i tried to *explicitly* send the clock output to the IAC
bus (which you can do with Mobius but not SL, i believe). I found that
I was able to run SL within MS for a while, but as soon as i opened
max and an "rtin" object, MS crashed. every time. i may go back and
try the explicit clock output mapping from Mobius.

Warren

On Mon, Mar 9, 2009 at 2:50 PM, Per Boysen <perboysen@gmail.com> wrote:
> On Mon, Mar 9, 2009 at 7:32 PM, Warren Sirota <wsirota@wsdesigns.com> wrote:
>> all i want to do is to have
>> the first loop send midi clocks that the daw uses to set tempos for
>> delay-time synching, triggering midi drum patterns and arpeggiator
>> rates. i only need 1 clock stream, but it has to come from the looper.
>> somehow, per does this wo crashing mainstage, but i've not been able
>> to get ms to play nice at all.
>
>
> Hi Warren,
>
> I don't remember what looper plug-in you are using, but set it to
> output its MIDI Clock to the OS X Iac bus. Then set both MainStage and
> Live to slave sync to IAC Bus input.
>
> Over here that works well, even though I have not tried running both
> Live and MainStage at the same time.
>
> Another concept would be to use Live's Looper as the the tempo setting
> device. I'm not sure if that's what you are doing, but if you do it
> means Live is the master for MainStage. You should still set Live to
> send out MIDI Clock through an IAC bus in order to have MainStage
> following the tempo (set that by checking the box "Get tempo from MIDI
> input" in the Concert Inspector window as you have selected the
> concert level at top of the Patch List)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 18:57:35 2009
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Quoting Rick Walker <looppool@cruzio.com>:
>
> It is so fucking refreshing to read that someone admits to not
> understanding imepedance.
>
You can think of impedance as "a/c resistance".  (I know this is =20
simplistic way to look at it.)

Since impedance applies to a/c current (and not d/c), the attenuation =20
of a/c varies with the frequency.

For those of us who are not electronic experts, the way to look at it =20
is that a high-impedance device doesn't hog as much power as a =20
low-impedance device.

For example, if you have an amplifier that can drive a load as low as =20
2ohms, you could connect one speaker with 2ohms impedance or connect =20
(in parallel) four speakers of 8 ohms each without shorting out the =20
amplifier.

The impedance becomes a factor when you split your signal with a =20
y-adapter.  If the input devices are high-impedance, then you won't =20
likely have a problem driving both devices from a single output.  If =20
(for the sake of argument), the devices are low-impedance, then they =20
may draw too much current from the output device.

One example of this would be to split a (analog) gate signal to =20
multiple synthesizer modules.  If the gate is split to enough modules, =20
then some of them will fail to "fire" due to the reduced gate signal.

Thus, you can alway go from a low impedance output to a high impedance =20
input -- however the opposite (high to low) would be somewhat =20
analagous to shorting out the output device (not enough load =3D too =20
much current drain).

The closest analogy in everyday life would be to overload a circuit.  =20
For example, not a good idea to power an electric space heater from a =20
car-battery inverter  (because the space heater demands more current =20
than the inverter can handle at its output).
>
> I've never fully understood MIDI.   I am Solder-phobic,   have never
> fully understood signal flow as it effects
> gain structure and I can't program.
>
Ah, the sweet smell of solder.  :)
>
> I feel like such a dolt so much of the time.
>
I often feel that way -- and I remind myself that everyone, at one =20
time or another, feels that way.
>
> It's nice to hear that someone else feels this way.
> I feel so less lonely because you admitted it, Mark.
>
As musicians and performers we put ourselves "on the line" all the =20
time.  It is easy to feel vulnerable.  We risk some vulnerability in =20
order to play music that communicates.  (Kind of hard to put this into =20
words.)
>
> Thanks, Rick



From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 19:30:53 2009
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	 <333287c30903091230p68add715y6b1c2cce59ae7f75@mail.gmail.com>
Date: Mon, 9 Mar 2009 11:30:52 -0800
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Subject: choosing between these soundcards for laptop
From: Nevyn Nowhere <nevynnowhere@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Don't know about the Echo, Edirol does the job, quality (sound and physical
construction/design) isn't as good as MOTU or the preference of mine you
left out:

the Mackie Onyx 400F.

Picked mine up brand new a couple years ago for under 500$.  Firewire.  10
in and out.  4 solid nice sounding preamps with volume knobs.  Inserts,
phantom power and more.  Rack card.  Physically solid, driver is solid,
never has crashed or fucked up on me at all.  Also works as a normal mixer
(although you have to do your routing via the software mixer, then it saves
the last setting when you disconnect it, internally of course so that it can
function without being hooked up to a computer).

I'm always curious why I don't hear folks talking about this piece of gear
on this list, as I've never had any problem with it (it did have driver
issues after first coming out that resulted in a lot of complaints, but
Mackie fixed those long before I got mine, and folks aren't complaining any
more!)

-nn
happyhumans.org


On Mon, Mar 9, 2009 at 2:30 AM, L.Angulo <labaloops@yahoo.com> wrote:

>
> Hi gang,
> I need your advice on this one my Firebox has crapped out and is going to
> thake a while to get repaired since i have to send it to the states.
> So i am on the hunt for another more reliable one,between the 300 to 600
> price range which one would you choose between these? it needs to be bus
> powered,ins and outs should be assignable,drivers should be stable,good
> sounding preamps and most of all reliable.Please tell me your experiences
> with them!
>
> EDIROL FA-66
> MOTU Ultralite MK 3
> ECHO AUDIOFIRE 4
>
> thanx for your advice
> Luis
>
>
>
> www.myspace.com/luisangulocom
>
>
>
>
>

--000e0cd22f282a46c80464b4ac81
Content-Type: text/html; charset=ISO-8859-1
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<br><div class=3D"gmail_quote">Don&#39;t know about the Echo, Edirol does t=
he job, quality (sound and physical construction/design) isn&#39;t as good =
as MOTU or the preference of mine you left out:<br><br>the Mackie Onyx 400F=
. <br>
<br>Picked mine up brand new a couple years ago for under 500$.=A0 Firewire=
.=A0 10 in and out.=A0 4 solid nice sounding preamps with volume knobs.=A0 =
Inserts, phantom power and more.=A0 Rack card.=A0 Physically solid, driver =
is solid, never has crashed or fucked up on me at all.=A0 Also works as a n=
ormal mixer (although you have to do your routing via the software mixer, t=
hen it saves the last setting when you disconnect it, internally of course =
so that it can function without being hooked up to a computer).<br>

<br>I&#39;m always curious why I don&#39;t hear folks talking about this pi=
ece of gear on this list, as I&#39;ve never had any problem with it (it did=
 have driver issues after first coming out that resulted in a lot of compla=
ints, but Mackie fixed those long before I got mine, and folks aren&#39;t c=
omplaining any more!)<br>

<br>-nn<br><a href=3D"http://happyhumans.org" target=3D"_blank">happyhumans=
.org</a><div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote=
">On Mon, Mar 9, 2009 at 2:30 AM, L.Angulo <span dir=3D"ltr">&lt;<a href=3D=
"mailto:labaloops@yahoo.com" target=3D"_blank">labaloops@yahoo.com</a>&gt;<=
/span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
Hi gang,<br>
I need your advice on this one my Firebox has crapped out and is going to t=
hake a while to get repaired since i have to send it to the states.<br>
So i am on the hunt for another more reliable one,between the 300 to 600 pr=
ice range which one would you choose between these? it needs to be bus powe=
red,ins and outs should be assignable,drivers should be stable,good soundin=
g preamps and most of all reliable.Please tell me your experiences with the=
m!<br>


<br>
EDIROL FA-66<br>
MOTU Ultralite MK 3<br>
ECHO AUDIOFIRE 4<br>
<br>
thanx for your advice<br>
Luis<br>
<br>
<br>
<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<br>
<br>
<br>
<br>
</blockquote></div><br>
</div></div></div><br>

--000e0cd22f282a46c80464b4ac81--

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Subject: Re: choosing between these soundcards for laptop
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On Mon, Mar 9, 2009 at 8:30 PM, Nevyn Nowhere <nevynnowhere@gmail.com> wrote:

> the Mackie Onyx 400F.
////
> I'm always curious why I don't hear folks talking about this piece of gear
> on this list,

Maybe folks are lazy, thinking the Onyx is too heavy?
A muso friend has one. Nice all-round piece of gear.

Per

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Subject: Re: GAIN STRUCTURE
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Quoting Per Boysen <perboysen@gmail.com>:
>
> On Sun, Mar 8, 2009 at 9:15 PM, mark francombe   
> <mark@markfrancombe.com> wrote:
>> I dont think my effects are ACTUALLY phono level.. as in turntable
>> level..(god you are right about the peater having a dedicated socket- blimey
>> they chucked alot of useless stuff onto that machine...)
>
Actually, phono level is similar to mic level however there is a  
significant difference: phono inputs are equalized to the RIAA spec  
for records.  Thus, a phono source (a turntable's cartrage) requires a  
phono preamp rather than a mic preamp.

-- Kevin

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Quoting samba - <sambacomet@hotmail.com>:
>
>  Here's a discussion of Unity Gain and impedence    
> http://www.rane.com/note124.html
>

Thank you for posting this link.  Excellent article.

I have wanted to modify the Output and Power control module on my  
Aries synth to provide balanced outputs at +4dbv (to be compatible  
with the rest of my studio).  Currently, I use an Ebtech Line Level  
Shifter to do the job however it is clutzy and I need the Line level  
shifter for other things at times.

Now I need to find out where I can get a couple of those balanced  
differential output chips that are noted in the article.  :)

-- Kevin

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BLIMEY.. this thread went on an on!!! Ive learnt so much actually!!

funnily enough my problem (distortion and hiss) is probably much simpler
than most envisage here.

Yes I do have a Vortex... PRE-ceded by various stomps, they change with the
ebbing tide and the phases of the moon. The Vortex stays, like a dusty old
grandmother farting and spluttering in the far distant reaches of my rack.

The sound at my mixer, of the guitar is fine... clean, and loud.. but the
edps, that are in the aux send... and each go thru an effect to return to a
chanel, are poor sounding... there is my probelm.. but I am now off to the
studio (first few mins free for 5 days) to take the effects out of the chain
and start from scratch..

m

--00504502cb580f072f0464b5bf57
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<br>BLIMEY.. this thread went on an on!!! Ive learnt so much actually!!<br>=
<br>funnily enough my problem (distortion and hiss) is probably much simple=
r than most envisage here.<br><br>Yes I do have a Vortex... PRE-ceded by va=
rious stomps, they change with the ebbing tide and the phases of the moon. =
The Vortex stays, like a dusty old grandmother farting and spluttering in t=
he far distant reaches of my rack.<br>
<br>The sound at my mixer, of the guitar is fine... clean, and loud.. but t=
he edps, that are in the aux send... and each go thru an effect to return t=
o a chanel, are poor sounding... there is my probelm.. but I am now off to =
the studio (first few mins free for 5 days) to take the effects out of the =
chain and start from scratch..<br>
<br>m<br><br><br><br>

--00504502cb580f072f0464b5bf57--

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Date: Mon, 9 Mar 2009 14:34:11 -0700
Message-ID: <c70e517b0903091434ka9547cdi2137b5872836e9bd@mail.gmail.com>
Subject: Re: Presonus problem
From: Matt Davignon <mattdavignon@gmail.com>
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I had something happen when I first got mine which may or may not be
the same problem:
Once I had drivers installed, it would work correctly for a certain
amount of time - maybe 5 minutes, maybe an hour. Then suddenly,
playback and recording on my music editing programs would stop
working.

To solve it, I went to Presonus's website and downloaded the latest
drivers for the unit. That seemed to fix the problem.

I still get issues occasionally: If I jiggle the firewire cable or
look at it in a funny way, the unit's soothing blue light will turn
into a dire red light, and it will stop working. Usually this is
resolved by unplugging the unit, reconnecting the unit, rebooting the
computer, bribery, or flagellating my arms wildly like an angry
octopus.

Matt Davignon
www.ribosomemusic.com

On Sat, Mar 7, 2009 at 9:54 AM, L.Angulo <labaloops@yahoo.com> wrote:
>
> Hi people,
> for those of you using the Presonus Firebox:
> I turned on my laptop with presonus conected and all of the sudden the so=
undcard is not recognized and a solid red light stays on.Ive reie everythin=
g,changed FW cables,reinstalled drivers,etc. but nothing.Is there a way to =
internally reset it or has anybody had this problem?
> thanx
> Luis
>
> www.myspace.com/luisangulocom
>
>
>
>
>

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Subject: Re: NUGGETS of WISDOM for LOOP TOURING
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http://money.cnn.com/2008/05/01/news/international/usgas_price/?postversion=2008050109

It depends on what you mean by "subsidy".  The US certainly doesn't have the
sort of government price controls on gasoline that Mexico or Saudi have.
 Big companies get tax breaks everywhere, and oil companies are certainly
large enough to take advantage of any loopholes regarding moving various
offices to where they can get a better tax rate.

Europe really does tax the hell out of gasoline compared to the US.  It's a
policy decision, and it works in tandem with the rest of their taxation
system.

Also, doing a direct USD-to-whatever comparison adds in the current relative
strength of the currencies in question.

TH

On Sun, Mar 8, 2009 at 10:27 PM, Rick Walker <looppool@cruzio.com> wrote:

>
>
>
> Any Americans know the exact skinny on this subject?
> I'm just talking from assumptions I"ve made all my life and the fact that
> gas is so cheap here.
>
>

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<a href=3D"http://money.cnn.com/2008/05/01/news/international/usgas_price/?=
postversion=3D2008050109">http://money.cnn.com/2008/05/01/news/internationa=
l/usgas_price/?postversion=3D2008050109</a><div><br><div><br></div><div>It =
depends on what you mean by &quot;subsidy&quot;. =A0The US certainly doesn&=
#39;t have the sort of government price controls on gasoline that Mexico or=
 Saudi have. =A0Big companies get tax breaks everywhere, and oil companies =
are certainly large enough to take advantage of any loopholes regarding mov=
ing various offices to where they can get a better tax rate. =A0<br>
<div><br></div><div>Europe really does tax the hell out of gasoline compare=
d to the US. =A0It&#39;s a policy decision, and it works in tandem with the=
 rest of their taxation system.</div><div><br></div><div>Also, doing a dire=
ct USD-to-whatever comparison adds in the current relative strength of the =
currencies in question.</div>
<div><br></div><div>TH<br><br><div class=3D"gmail_quote">On Sun, Mar 8, 200=
9 at 10:27 PM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool=
@cruzio.com">looppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padd=
ing-left:1ex;">
<br><br>
<br>
Any Americans know the exact skinny on this subject? =A0 <br>
I&#39;m just talking from assumptions I&quot;ve made all my life and the fa=
ct that gas is so cheap here.<br>
<br></blockquote></div></div></div></div>

--000e0cd291ba8caca40464b689cc--

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Specifically directed at Andy and Mattias... but anyone else free to chip
in..

So I just got my new EDP from Andy at straight Edge... and to be honest I
think I have a turkey... but Ive been known to make a fool of myself before,
not often but on occasion.
I obviously am trying to Brother synch them. Now first I had a problem where
the new edp would not come on IF Brother synch cable was connected... just
Black Screen. THEN I found out that by switching on the old one first,
waiting for boot up THEN switching on the new one, it would work (and had 1,
yes ONE... happy evening brother looping (but a tad distorted and hissy,
hence HUGE other thread)) BUT NOW... I cant get New EDP to come on at all
(as long as Brother synch is connected) its ok stand alone... but I dont
want that... do I?

Now Andy assured me that he had run the unit thru soak (testing???) so its
should be ok... is there something funny about using midi at the same time?
Is this the usual "re-seat the ram" thing??? (Ive never had to do that with
the old one - infact I always wondered why people said EDP was prone to
trouble, cos mine never has been... just this funky new one)

Is there any known bugs with Brother Synch?
Whats wrong guys, or should I just send it back to Andy?

Mark

PS: Ive already waited a MONTH for this one, cos the courier company lost
the first one... and StraightEdge sent me another one...

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

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Specifically directed at Andy and Mattias... but anyone else free to chip i=
n..<br><br>So I just got my new EDP from Andy at straight Edge... and to be=
 honest I think I have a turkey... but Ive been known to make a fool of mys=
elf before, not often but on occasion.<br>
I obviously am trying to Brother synch them. Now first I had a problem wher=
e the new edp would not come on IF Brother synch cable was connected... jus=
t Black Screen. THEN I found out that by switching on the old one first, wa=
iting for boot up THEN switching on the new one, it would work (and had 1, =
yes ONE... happy evening brother looping (but a tad distorted and hissy, he=
nce HUGE other thread)) BUT NOW... I cant get New EDP to come on at all (as=
 long as Brother synch is connected) its ok stand alone... but I dont want =
that... do I?<br>
<br>Now Andy assured me that he had run the unit thru soak (testing???) so =
its should be ok... is there something funny about using midi at the same t=
ime? Is this the usual &quot;re-seat the ram&quot; thing??? (Ive never had =
to do that with the old one - infact I always wondered why people said EDP =
was prone to trouble, cos mine never has been... just this funky new one)<b=
r>
<br>Is there any known bugs with Brother Synch?<br>Whats wrong guys, or sho=
uld I just send it back to Andy?<br><br>Mark<br><br>PS: Ive already waited =
a MONTH for this one, cos the courier company lost the first one... and Str=
aightEdge sent me another one... <br clear=3D"all">
<br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</=
a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</=
a><br><a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtub=
e.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no">www.looop.no</a><br>

--001636ed643126523c0464b6c97a--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 22:04:19 2009
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Date: Mon, 9 Mar 2009 15:04:17 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
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Subject: Re: Presonus problem
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oh man Matt this isnt good news dont wanna turn octopus man!

www.myspace.com/luisangulocom


--- On Mon, 3/9/09, Matt Davignon <mattdavignon@gmail.com> wrote:

> From: Matt Davignon <mattdavignon@gmail.com>
> Subject: Re: Presonus problem
> To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
> Date: Monday, March 9, 2009, 2:34 PM
> I had something happen when I first got mine which may or
> may not be
> the same problem:
> Once I had drivers installed, it would work correctly for a
> certain
> amount of time - maybe 5 minutes, maybe an hour. Then
> suddenly,
> playback and recording on my music editing programs would
> stop
> working.
> 
> To solve it, I went to Presonus's website and
> downloaded the latest
> drivers for the unit. That seemed to fix the problem.
> 
> I still get issues occasionally: If I jiggle the firewire
> cable or
> look at it in a funny way, the unit's soothing blue
> light will turn
> into a dire red light, and it will stop working. Usually
> this is
> resolved by unplugging the unit, reconnecting the unit,
> rebooting the
> computer, bribery, or flagellating my arms wildly like an
> angry
> octopus.
> 
> Matt Davignon
> www.ribosomemusic.com
> 
> On Sat, Mar 7, 2009 at 9:54 AM, L.Angulo
> <labaloops@yahoo.com> wrote:
> >
> > Hi people,
> > for those of you using the Presonus Firebox:
> > I turned on my laptop with presonus conected and all
> of the sudden the soundcard is not recognized and a solid
> red light stays on.Ive reie everything,changed FW
> cables,reinstalled drivers,etc. but nothing.Is there a way
> to internally reset it or has anybody had this problem?
> > thanx
> > Luis
> >
> > www.myspace.com/luisangulocom
> >
> >
> >
> >
> >


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 22:34:05 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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Subject: Re: choosing between these soundcards for laptop
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thanx Nevyn though i forgot to mention that it needs to be half rack as i am looking to travel with it.Another anoying thing about a lot of these compact soundcards is that they dont have a master level knob in the front making it tedious to control,i want ot stay away from having to access the software and using the mouse just to do that!
Cheers
Luis

www.myspace.com/luisangulocom


--- On Mon, 3/9/09, Nevyn Nowhere <nevynnowhere@gmail.com> wrote:

> From: Nevyn Nowhere <nevynnowhere@gmail.com>
> Subject: choosing between these soundcards for laptop
> To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
> Date: Monday, March 9, 2009, 12:30 PM
> Don't know about the Echo, Edirol does the job, quality
> (sound and physical
> construction/design) isn't as good as MOTU or the
> preference of mine you
> left out:
> 
> the Mackie Onyx 400F.
> 
> Picked mine up brand new a couple years ago for under 500$.
>  Firewire.  10
> in and out.  4 solid nice sounding preamps with volume
> knobs.  Inserts,
> phantom power and more.  Rack card.  Physically solid,
> driver is solid,
> never has crashed or fucked up on me at all.  Also works as
> a normal mixer
> (although you have to do your routing via the software
> mixer, then it saves
> the last setting when you disconnect it, internally of
> course so that it can
> function without being hooked up to a computer).
> 
> I'm always curious why I don't hear folks talking
> about this piece of gear
> on this list, as I've never had any problem with it (it
> did have driver
> issues after first coming out that resulted in a lot of
> complaints, but
> Mackie fixed those long before I got mine, and folks
> aren't complaining any
> more!)
> 
> -nn
> happyhumans.org
> 
> 
> On Mon, Mar 9, 2009 at 2:30 AM, L.Angulo
> <labaloops@yahoo.com> wrote:
> 
> >
> > Hi gang,
> > I need your advice on this one my Firebox has crapped
> out and is going to
> > thake a while to get repaired since i have to send it
> to the states.
> > So i am on the hunt for another more reliable
> one,between the 300 to 600
> > price range which one would you choose between these?
> it needs to be bus
> > powered,ins and outs should be assignable,drivers
> should be stable,good
> > sounding preamps and most of all reliable.Please tell
> me your experiences
> > with them!
> >
> > EDIROL FA-66
> > MOTU Ultralite MK 3
> > ECHO AUDIOFIRE 4
> >
> > thanx for your advice
> > Luis
> >
> >
> >
> > www.myspace.com/luisangulocom
> >
> >
> >
> >
> >


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 22:39:21 2009
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Date: Mon, 9 Mar 2009 15:39:20 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: Loopy blues examples
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yeah this guy is a mudafucka and uses the RC 20XL to loop live!

http://www.ashgrunwald.com/multimedia/

www.myspace.com/luisangulocom









--- On Mon, 3/9/09, Rhod Evans <rhodhebrides@yahoo.co.uk> wrote:

> From: Rhod Evans <rhodhebrides@yahoo.co.uk>
> Subject: Loopy blues examples
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, March 9, 2009, 11:12 AM
> Hi all - this is a great active and friendly forum!  Plenty
> of posts, which is excellent - even if most of what you
> write goes straight over the top of my head at the moment :)
> 
> Are there any good examples of sound/video on the web of
> anyone doing gutsy or jazzy blues with guitar & vocals
> using loopers? 
> 
> Thanks


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar  9 23:16:38 2009
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Subject: RE: Loopy blues examples
Date: Mon, 9 Mar 2009 23:16:37 +0000
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I don't have any examples of what you are after. I'm more of a rock/blues b=
ases player myself=2C so naturally my looping experiments reflect that. Wha=
t I HOPE to be able to do is to channel some of the repetitive patterns of =
delta and Chicago blues to my looping style. Create riff based loops and pl=
ay Hound Dog Taylor style RAW guitar.. sort of channel the rhythms of delta=
 blues through looping... I have a long way to go before I will be able to =
do that. But FOR ME that is much more interesting than trying to create "ba=
ckings" to solo and sing over. I would more like the loop and the live play=
ing to be one big blues riff moving along. Like 15 minutes of mannish boy..

=20

Welcome by the way :-)

=20

Anders=20

www.soundclick.com/AndersBergdahl (looping page)

www.soundclick.com/abergdahl (some gear clips (a lot actually) and some liv=
e looping not yet moved to the new site..)
=20


Date: Mon=2C 9 Mar 2009 18:12:45 +0000
From: rhodhebrides@yahoo.co.uk
Subject: Loopy blues examples
To: Loopers-Delight@loopers-delight.com





Hi all - this is a great active and friendly forum!  Plenty of posts=2C whi=
ch is excellent - even if most of what you write goes straight over the top=
 of my head at the moment :)

Are there any good examples of sound/video on the web of anyone doing gutsy=
 or jazzy blues with guitar & vocals using loopers?=20

Thanks





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I don't have&nbsp=3Bany examples of what you are&nbsp=3Bafter. I'm more of =
a rock/blues bases player myself=2C so naturally my looping experiments ref=
lect that. What&nbsp=3BI HOPE to be able to do&nbsp=3Bis to&nbsp=3Bchannel =
some of the&nbsp=3Brepetitive patterns of delta and Chicago blues&nbsp=3Bto=
 my looping style.&nbsp=3BCreate riff based loops and play&nbsp=3BHound&nbs=
p=3BDog Taylor style RAW guitar.. sort of channel the&nbsp=3Brhythms of del=
ta blues&nbsp=3Bthrough looping... I have a long way to go before I&nbsp=3B=
will be able to do that. But FOR ME that is much more interesting than tryi=
ng to create "backings" to solo and sing over. I would more like the loop a=
nd the live playing to be one big blues riff moving along. Like 15 minutes =
of mannish boy..<BR>
&nbsp=3B<BR>
Welcome by the way :-)<BR>
&nbsp=3B<BR>
Anders <BR>
<A href=3D"http://www.soundclick.com/AndersBergdahl">www.soundclick.com/And=
ersBergdahl</A> (looping page)<BR>
<A href=3D"http://www.soundclick.com/abergdahl">www.soundclick.com/abergdah=
l</A> (some gear clips (a lot actually) and some live looping not yet&nbsp=
=3Bmoved to the new site..)<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Mon=2C 9 Mar 2009 18:12:45 +0000<BR>From: rhodhebrides@yahoo.co.uk<BR=
>Subject: Loopy blues examples<BR>To: Loopers-Delight@loopers-delight.com<B=
R><BR>
<STYLE>
.ExternalClass DIV
{=3B}
</STYLE>

<DIV style=3D"FONT-SIZE: 10pt=3B FONT-FAMILY: arial=2Chelvetica=2Csans-seri=
f">
<DIV>Hi all - this is a great active and friendly forum!&nbsp=3B Plenty of =
posts=2C which is excellent - even if most of what you write goes straight =
over the top of my head at the moment :)<BR><BR>Are there any good examples=
 of sound/video on the web of anyone doing gutsy or jazzy blues with guitar=
 &amp=3B vocals using loopers? <BR><BR>Thanks<BR></DIV>
<DIV style=3D"FONT-SIZE: 10pt=3B FONT-FAMILY: arial=2Chelvetica=2Csans-seri=
f"><BR><BR></DIV></DIV><BR></body>
</html>=

--_9cfe58db-7e66-4a58-ad43-ecd5bc4b6e97_--

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Subject: EDP BOTHER SYNCH!!! (sic)
From: mark francombe <mark@markfrancombe.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>, Andy <andy@straight-edge.co.uk>
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OK... developments.. I mentioned before that Brother synch worked if I
turned one edp on before the other, but then that stopped working... well my
mistake.. still works, so no probs really... but still curious that one EDP
doesnt boot up if its turned on second.. actually i think it IS booting up,
cos the parameter lights turn up after the usual boot up time...

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

--000e0cd311a20ef1270464b7ed6f
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OK... developments.. I mentioned before that Brother synch worked if I turn=
ed one edp on before the other, but then that stopped working... well my mi=
stake.. still works, so no probs really... but still curious that one EDP d=
oesnt boot up if its turned on second.. actually i think it IS booting up, =
cos the parameter lights turn up after the usual boot up time...<br clear=
=3D"all">
<br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</=
a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</=
a><br><a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtub=
e.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no">www.looop.no</a><br>

--000e0cd311a20ef1270464b7ed6f--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 10 00:02:49 2009
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Date: Tue, 10 Mar 2009 00:02:48 +0000 (GMT)
From: Rhod Evans <rhodhebrides@yahoo.co.uk>
Subject: Re: Loopy blues examples
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--0-1973435408-1236643368=:2687
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Hi Anders - I loved Mercury Snake Blues and Bridge Blues - very tasty playi=
ng.  Are you doing this stuff at live gigs too?  We are thinking along the =
same lines, though I'm just groping my way forward as an absolute beginner =
to looping - I agree with what you say about "backings" but for me it's a w=
ay into the whole looping thing and hopefully just the beginning.  Have you=
 come across this Ash Grunwald guy recommended by Luis - I think he's quite=
 something - check out his version of Crossroads on Youtube:=0A=0Ahttp://ww=
w.youtube.com/watch?v=3DLHxv75z53ek=0A=0ACheers=0A=0ARhod=0A=0A=0A=0A=0A___=
_____________________________=0AFrom: Anders Bergdahl <anders_e_bergdahl@ho=
tmail.com>=0ATo: Loopers Delight <loopers-delight@loopers-delight.com>=0ASe=
nt: Monday, 9 March, 2009 23:16:37=0ASubject: RE: Loopy blues examples=0A=
=0A I don't have any examples of what you are after. I'm more of a rock/blu=
es bases player myself, so naturally my looping experiments reflect that. W=
hat I HOPE to be able to do is to channel some of the repetitive patterns o=
f delta and Chicago blues to my looping style. Create riff based loops and =
play Hound Dog Taylor style RAW guitar.. sort of channel the rhythms of del=
ta blues through looping... I have a long way to go before I will be able t=
o do that. But FOR ME that is much more interesting than trying to create "=
backings" to solo and sing over. I would more like the loop and the live pl=
aying to be one big blues riff moving along. Like 15 minutes of mannish boy=
..=0A =0AWelcome by the way :-)=0A =0AAnders =0Awww.soundclick.com/AndersBe=
rgdahl (looping page)=0Awww.soundclick.com/abergdahl (some gear clips (a lo=
t actually) and some live looping not yet moved to the new site..)=0A=0A=0A=
      
--0-1973435408-1236643368=:2687
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial,helvetica,sans-serif;font-size:10p=
t"><div>Hi Anders - I loved Mercury Snake Blues and Bridge Blues - very tas=
ty playing.&nbsp; Are you doing this stuff at live gigs too?&nbsp; We are t=
hinking along the same lines, though I'm just groping my way forward as an =
absolute beginner to looping - I agree with what you say about "backings" b=
ut for me it's a way into the whole looping thing and hopefully just the be=
ginning.&nbsp; Have you come across this Ash Grunwald guy recommended by Lu=
is - I think he's quite something - check out his version of Crossroads on =
Youtube:<br><br>http://www.youtube.com/watch?v=3DLHxv75z53ek<br><br>Cheers<=
br><br>Rhod<br></div><div style=3D"font-family: arial,helvetica,sans-serif;=
 font-size: 10pt;"><br><div style=3D"font-family: times new roman,new york,=
times,serif; font-size: 12pt;"><font size=3D"2" face=3D"Tahoma"><hr
 size=3D"1"><b><span style=3D"font-weight: bold;">From:</span></b> Anders B=
ergdahl &lt;anders_e_bergdahl@hotmail.com&gt;<br><b><span style=3D"font-wei=
ght: bold;">To:</span></b> Loopers Delight &lt;loopers-delight@loopers-deli=
ght.com&gt;<br><b><span style=3D"font-weight: bold;">Sent:</span></b> Monda=
y, 9 March, 2009 23:16:37<br><b><span style=3D"font-weight: bold;">Subject:=
</span></b> RE: Loopy blues examples<br></font><br>=0A=0A<style>=0A.hmmessa=
ge P=0A{=0Amargin:0px;padding:0px;}=0Abody.hmmessage=0A{=0Afont-size:10pt;f=
ont-family:Verdana;}=0A</style>=0A=0AI don't have&nbsp;any examples of what=
 you are&nbsp;after. I'm more of a rock/blues bases player myself, so natur=
ally my looping experiments reflect that. What&nbsp;I HOPE to be able to do=
&nbsp;is to&nbsp;channel some of the&nbsp;repetitive patterns of delta and =
Chicago blues&nbsp;to my looping style.&nbsp;Create riff based loops and pl=
ay&nbsp;Hound&nbsp;Dog Taylor style RAW guitar.. sort of channel the&nbsp;r=
hythms of delta blues&nbsp;through looping... I have a long way to go befor=
e I&nbsp;will be able to do that. But FOR ME that is much more interesting =
than trying to create "backings" to solo and sing over. I would more like t=
he loop and the live playing to be one big blues riff moving along. Like 15=
 minutes of mannish boy..<br>=0A&nbsp;<br>=0AWelcome by the way :-)<br>=0A&=
nbsp;<br>=0AAnders <br>=0A<a rel=3D"nofollow" target=3D"_blank" href=3D"htt=
p://www.soundclick.com/AndersBergdahl">www.soundclick.com/AndersBergdahl</a=
> (looping page)<br>=0A<a rel=3D"nofollow" target=3D"_blank" href=3D"http:/=
/www.soundclick.com/abergdahl">www.soundclick.com/abergdahl</a> (some gear =
clips (a lot actually) and some live looping not yet&nbsp;moved to the new =
site..)<br><br></div></div></div><br>=0A=0A=0A      </body></html>
--0-1973435408-1236643368=:2687--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 10 01:11:43 2009
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Subject: monstrous Racks
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lord just look at this:

http://www.petecornish.co.uk/pfrig.html

Is he still using this monster?

or this

http://entertainment.webshots.com/photo/1386930087055177275LWuUkz


Fripps is very elegant i must say:
http://2.bp.blogspot.com/_fbuYL1Y4VSc/SKLdBV1YiYI/AAAAAAAAEpE/669Zdhgk47g/s1600-h/12082008+048.jpg

Though i know Belew finally quit and bought a Johnson Amp;-)

i think they d be offended seeing any of us using a laptop with guitar rig;-)
Luis


      

From executivegovernorcntrlbnk8@gmail.com  Tue Mar 10 02:51:05 2009
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Reply-To: <ProfCharles_C_Soludo@ubbi.com>
From: "Professor Charles C. Soludo" <executivegovernorcntrlbnk8@gmail.com>
Subject: RE: CHANGE OF ACCOUNT PARTICULARS ON YOUR CONTRACT/INHERITANCE PAYMENT FILE.
Date: Fri, 6 Mar 2009 15:37:01 -0800
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To: undisclosed-recipients:;

From: Central Bank of Nigeria. (CBN)   
Telegram: CENBANK 
>From The Desk of: Prof Charles C. Soludo 
Hot Line: +234-7038211791  
WebSite:www.cenbank.org 
  
RE: CHANGE OF ACCOUNT PARTICULARS ON YOUR CONTRACT/INHERITANCE PAYMENT FILE.
  
Attn: Honorable Beneficiary,
   
I hereby send to you the information submitted by Mr. John Tsai of Indo-China
Group Ltd, with an application to receive the contract/Inheritance payment on
Your behalf.
  
Please as a matter of urgency, you are required to verify the following 
Information and inform us if you are aware or know anything about this. 
  
1. Did you instruct one Mr. John Tsai of Indo-China group Ltd. Hong-Kong, whose
informations is below, to claim and receive the payment on your behalf ? 
  
2. Did you sign anyDeed of Assignment in his favor Hereby making him the
current beneficiary with the following account details: 
Account Name: Indo-China Group Ltd, A/C #USD114-1025567-8, Bank Name: Standard
Chattered Bank, Hong Kong , Swift Code: SCBL 11K111.
  
Finally, Sir, you are hereby advised to indicate to this honorable office with
Immediate effect, if you are the person that instructed Mr. John Tsai to come
For the claim of these funds, to enable me endorse for the final payment
Approval order on his behalf.
please recomfirm your personal information such as:
YOUR FULL NAME:
YOUR ADDRESS: 
YOUR TELE/FAX NUMBER:
YOUR OCCUPATION: 
SCANNED COPY OF YOUR INTERNATIONAL PASSPORT COPY OR DRIVERS LICENSE 
   
You are to call with the above Phone Number for more clarifications 
Hot Line: +234-7038211791
We wait to hear from you soonest, and be rest assured of our professional
Service  
 
Best Regards, 
  
Yours Faithfully,
  
Professor Charles C. Soludo   
Executive Governor, Central Bank of Nigeria . (CBN) 
Hot Line: +234-7038211791
 
 

 



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Date: Mon, 9 Mar 2009 20:07:10 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: monstrous Racks
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I got all excited when I saw the 'subject' - I thought they'd be a pci of a=
 babe with large "fun bags".

--- On Mon, 3/9/09, L.Angulo <labaloops@yahoo.com> wrote:


From: L.Angulo <labaloops@yahoo.com>
Subject: monstrous Racks
To: "Loopers Delight" <loopers-delight@loopers-delight.com>
Date: Monday, March 9, 2009, 9:11 PM



lord just look at this:

http://www.petecornish.co.uk/pfrig.html

Is he still using this monster?

or this

http://entertainment.webshots.com/photo/1386930087055177275LWuUkz


Fripps is very elegant i must say:
http://2.bp.blogspot.com/_fbuYL1Y4VSc/SKLdBV1YiYI/AAAAAAAAEpE/669Zdhgk47g/s=
1600-h/12082008+048.jpg

Though i know Belew finally quit and bought a Johnson Amp;-)

i think they d be offended seeing any of us using a laptop with guitar rig;=
-)
Luis


=A0 =A0 =A0=20

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">I got all excited when I saw the 'subject' - =
I thought they'd be a pci of a babe with large "fun bags".<BR><BR>--- On <B=
>Mon, 3/9/09, L.Angulo <I>&lt;labaloops@yahoo.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: L.Angulo &lt;labaloops@yahoo.com&gt;<BR>Sub=
ject: monstrous Racks<BR>To: "Loopers Delight" &lt;loopers-delight@loopers-=
delight.com&gt;<BR>Date: Monday, March 9, 2009, 9:11 PM<BR><BR>
<DIV class=3DplainMail><BR>lord just look at this:<BR><BR><A href=3D"http:/=
/www.petecornish.co.uk/pfrig.html" target=3D_blank>http://www.petecornish.c=
o.uk/pfrig.html</A><BR><BR>Is he still using this monster?<BR><BR>or this<B=
R><BR><A href=3D"http://entertainment.webshots.com/photo/138693008705517727=
5LWuUkz" target=3D_blank>http://entertainment.webshots.com/photo/1386930087=
055177275LWuUkz</A><BR><BR><BR>Fripps is very elegant i must say:<BR><A hre=
f=3D"http://2.bp.blogspot.com/_fbuYL1Y4VSc/SKLdBV1YiYI/AAAAAAAAEpE/669Zdhgk=
47g/s1600-h/12082008+048.jpg" target=3D_blank>http://2.bp.blogspot.com/_fbu=
YL1Y4VSc/SKLdBV1YiYI/AAAAAAAAEpE/669Zdhgk47g/s1600-h/12082008+048.jpg</A><B=
R><BR>Though i know Belew finally quit and bought a Johnson Amp;-)<BR><BR>i=
 think they d be offended seeing any of us using a laptop with guitar rig;-=
)<BR>Luis<BR><BR><BR>&nbsp; &nbsp; &nbsp; <BR><BR></DIV></BLOCKQUOTE></td><=
/tr></table><br>=0A=0A=0A=0A      
--0-668673987-1236654430=:94410--

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Date: Mon, 9 Mar 2009 22:04:27 -0700
Message-ID: <d1396fc00903092204r6d305e32j928c5f39fb7a4ce7@mail.gmail.com>
Subject: Re: EDP BOTHER SYNCH!!! (sic)
From: Travis Hartnett <travishartnett@gmail.com>
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TRS cable, right?Both units work fine with no MIDI/Brothersync?
What about Brothersync connected bit no MIDI?

On Mon, Mar 9, 2009 at 4:23 PM, mark francombe <mark@markfrancombe.com>wrote:

> OK... developments.. I mentioned before that Brother synch worked if I
> turned one edp on before the other, but then that stopped working... well my
> mistake.. still works, so no probs really... but still curious that one EDP
> doesnt boot up if its turned on second.. actually i think it IS booting up,
> cos the parameter lights turn up after the usual boot up time...
>
>

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TRS cable, right?<div>Both units work fine with no MIDI/Brothersync?</div><=
div>What about Brothersync connected bit no MIDI?<br><br><div class=3D"gmai=
l_quote">On Mon, Mar 9, 2009 at 4:23 PM, mark francombe <span dir=3D"ltr">&=
lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;=
</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">OK... developments.. I mentioned before tha=
t Brother synch worked if I turned one edp on before the other, but then th=
at stopped working... well my mistake.. still works, so no probs really... =
but still curious that one EDP doesnt boot up if its turned on second.. act=
ually i think it IS booting up, cos the parameter lights turn up after the =
usual boot up time...<div>
<div></div><div class=3D"h5"><br clear=3D"all"></div></div></blockquote></d=
iv><br></div>

--000e0cd2954c73c8380464bcafd7--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 10 05:32:46 2009
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Hi all,

I have a Looperlative LP1 that I've had for a few years but have  
decided to part with. It's a fantastic unit as I'm sure most of you  
know, but I just have others I'm more familiar with and keep  
defaulting to, so I imagine there's probably a better home for this  
one out there.  If anyone is interested, please e-mail me privately.  
I'm not really sure what the "street price" is on them, so feel free  
to make an offer.  This is one of the original all black units and I  
think it was from either the first or maybe second production run.

Thanks and happy looping!
Tom

From Loopers-Delight-request@loopers-delight.com  Tue Mar 10 06:21:58 2009
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Mark,

Is there any known bugs with Brother Synch?


I seem to remember something about mismatched timing crystals. It can
possibly be difficult to sync 2 EDPs from different manufacturing runs e.g.
an old cream Oberheim with a Gibson blackface. The solution is to replace
the crystals in both machines.

Or something like that. I only have one EDP so I have no direct experience
with brother sync.

Ian

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<div class=3D"gmail_quote">Mark,</div><div class=3D"gmail_quote"><br><block=
quote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc=
 solid;padding-left:1ex;">Is there any known bugs with Brother Synch?</bloc=
kquote>
<div><br></div><div>I seem to remember something about mismatched timing cr=
ystals. It can possibly be difficult to sync 2 EDPs from different manufact=
uring runs e.g. an old cream Oberheim with a Gibson blackface. The solution=
 is to replace the crystals in both machines.</div>
<div><br></div><div>Or something like that. I only have one EDP so I have n=
o direct experience with brother sync.</div><div><br></div><div>Ian</div></=
div><br>

--001636c5acf8d323ed0464bda9f1--

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Date: Mon, 09 Mar 2009 23:58:47 -0700
From: Andrew Schoen <larjschoen3@mac.com>
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
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Hey Per,

Thanks for the thoughts on this.  I did not make myself totally clear, but =
you basically addressed my concerns of Live 8.  I meant that once you have =
a loop which might consist of say, 5 parts, you would then be able to impor=
t each individual part as separate clips.  Then you can effect, twist and m=
anipulate individual parts of the loop, and grow it into something almost t=
otally different.  I guess that is just my desire as this is how I create m=
y music most of the time.

Below are examples of a 5 part loop I did over a year ago, and then the sam=
e loop imported into LIVE and twisted (with some drums loops added).

Select  - Sea-legs Original loop:
http://www.untitledvisions.com/Site/Loops_IV.html

Select  - Sea-Legs at:
http://www.untitledvisions.com/Site/Music_I.html

Like I said, I think it is just wishful thinking on my part because of how =
I like to create my music!

Thanks for some great loop insights!

Andy

=20
On Monday, March 09, 2009, at 03:05AM, "Per Boysen" <perboysen@gmail.com> w=
rote:
>On Mon, Mar 9, 2009 at 6:45 AM, Andrew Schoen <larjschoen3@mac.com> wrote:
>> I was truly excited to hear Ableton Live was going to add a looper to th=
e Live arsenal! =A0I have yet to open the demo,
>> as I have other projects right to finish right now, but it is my underst=
anding that any loops created can be brought into Live as an entire loop cl=
ip.
>
>Correct. There are two ways to do this. Drag the loop and drop it on
>an audio clip and the usual way of routing it to an armed audio track
>and activate a slot for triggering recording.
>
>> This is where I am really, really disappointed. =A0I hope I am totally w=
rong about this, but it seems to me that this is an extreme oversight on Ab=
letons part.
>
>Not sure what you mean. Do you mean that it is bad that they did not
>implement a ful Undo History, as in Mobius, that would open up for a
>command to save old layers of a loop as separate files?
>
>> Right now I am using my Guitar Rig 3 Loop Machine, and once I get someth=
ing I dig, then I export it as separate wav files and bring those into Live=
 as separate clips and away I go. =A0At least 50% of all the music I do sta=
rts this way.
>>
>> I just think that if you could separate your loop parts and import them =
as individual clips, then I would be in loopers heaven! =A0If anyone knows =
differently, please let me know!
>
>There is a slicing function now in v 8 that devices a loop into parts.
>Not sure it works directly on the looper audio, but definitely on a
>clip frozen from the looper content. If you by "parts" mean earlier
>layers of the loop, that is not possible because only the latest layer
>is kept aside in a buffer for the Undo function.
>
>It's right that Lived 8's Looper is not very complex, but for some
>users that's a good point. I think it's pretty close to the Loop
>Station pedal from Roland.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se
>www.perboysen.com
>
>
>

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	 <d1396fc00903080758s2ad6647v3075c7390d81efb6@mail.gmail.com>
Date: Tue, 10 Mar 2009 09:04:18 +0100
Message-ID: <66f9cc1e0903100104i737873e7lbc98cca4000a1a86@mail.gmail.com>
Subject: Re: Repairing worn-out FCB1010 kick-pads
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I opened up my old FCB1010 pedal yesterday to see if I could take out
one of the working button pads and use it to replace the bad one in my
younger FCB1010 pedal. But I had to give up, it seems just impossible
to get them out of that massive shell. Obviously that pedal was built
to force people to buy a new one when a part of it breaks down. And
that's what I'll have to do ASAP because I have time scheduled to
rehears with the pedal. Woke up too early today and sitting here
waiting for the stores to open up so I can pick up a new FCB1010 and
get going. That's going to be my third unit since 2001. Not too bad
sustainability after all, looking at the price.

When thinking about the time and effort needed to repair a FCB1010 it
actually comes out cheaper to buy a new one. That's because I'm a
freelance worker in my own company that pays for my working hours out
of my own pockets. Had I been employed I might have looked into
building my own controller in free time over a period of time. A truly
modular system of small boxes, each one with a button pad on the upper
side and connection jacks on the sides to hook up with other box
modules. Then you could set up variations of pedal control systems and
transport them very easily. MIDI expression pedals should also be
exclusive units to hook up with the rest. Hm, I wonder if each unit
has to offer a MIDI jack or if another system can be used and then
having one special "MIDI port in/out" unit at one end of the chain?

A cool alternative idea is to not use MIDI at all but to go for cheap
USB computer keyboards that you modify into "pedals". I could use that
as well, but right now there is not time enough to remap my system and
relearn the routines. Maybe table tennis balls can be glued to the
keys to make for a foot controllable device? Or some light weight cell
rubber material. But one thing is sure, be it table tennis balls or
cell rubber boobs, they have to go in as many bright colors as
possible! That would really look cool on stage. A Rainbow Micro Garden
planted right at the stage floor... ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sun, Mar 8, 2009 at 3:58 PM, Travis Hartnett
<travishartnett@gmail.com> wrote:
> My first one has a button that started acting up around the two-year mark=
,
> so I'm also interested. =A0Or has anyone ever taken one apart to clean it=
?
> TH
>
> On Sun, Mar 8, 2009 at 6:00 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> Hi,
>>
>> Has anyone tried to replace a worn-out pad button with a non worn-out
>> on a Behringer FCB1010 pedal?

From Loopers-Delight-request@loopers-delight.com  Tue Mar 10 14:39:30 2009
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Subject: Re: Repairing worn-out FCB1010 kick-pads
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd1a782ea08740464c4b71f
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That's what I suspected.  Making stuff repairable, or easily repairable also
drives the price up.
TH

On Tue, Mar 10, 2009 at 1:04 AM, Per Boysen <perboysen@gmail.com> wrote:

> I opened up my old FCB1010 pedal yesterday to see if I could take out
> one of the working button pads and use it to replace the bad one in my
> younger FCB1010 pedal. But I had to give up, it seems just impossible
> to get them out of that massive shell. Obviously that pedal was built
> to force people to buy a new one when a part of it breaks down.

--000e0cd1a782ea08740464c4b71f
Content-Type: text/html; charset=ISO-8859-1
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That&#39;s what I suspected. =A0Making stuff repairable, or easily repairab=
le also drives the price up. =A0<div><br></div><div>TH<br><br><div class=3D=
"gmail_quote">On Tue, Mar 10, 2009 at 1:04 AM, Per Boysen <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</sp=
an> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">I opened up my old FCB1010 pedal yesterday =
to see if I could take out<br>
one of the working button pads and use it to replace the bad one in my<br>
younger FCB1010 pedal. But I had to give up, it seems just impossible<br>
to get them out of that massive shell. Obviously that pedal was built<br>
to force people to buy a new one when a part of it breaks down.</blockquote=
></div></div>

--000e0cd1a782ea08740464c4b71f--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 10 14:54:31 2009
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From: Reyn Ouwehand <mc.reyn@me.com>
To: Loopers-Delight@loopers-delight.com
In-reply-to: <66f9cc1e0903091245w534ed13eqade7fe0697cebc30@mail.gmail.com>
Subject: Re: choosing between these soundcards for laptop
Date: Tue, 10 Mar 2009 15:54:25 +0100
References: <265501.89268.qm@web38602.mail.mud.yahoo.com>
 <333287c30903091230p68add715y6b1c2cce59ae7f75@mail.gmail.com>
 <333287c30903091230u5fceb066k7f450afc8531c03a@mail.gmail.com>
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I use the Onyx pre-amps live and in the studio. Really good sounding  
pre-amps and very robust....

Cheers,

Reyn

www.reyn.net

On Mar 9, 2009, at 8:45 PM, Per Boysen wrote:

> On Mon, Mar 9, 2009 at 8:30 PM, Nevyn Nowhere  
> <nevynnowhere@gmail.com> wrote:
>
>> the Mackie Onyx 400F.
> ////
>> I'm always curious why I don't hear folks talking about this piece  
>> of gear
>> on this list,
>
> Maybe folks are lazy, thinking the Onyx is too heavy?
> A muso friend has one. Nice all-round piece of gear.
>
> Per
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 10 15:07:57 2009
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Date: Tue, 10 Mar 2009 16:07:56 +0100
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Subject: Re: Repairing worn-out FCB1010 kick-pads
From: Per Boysen <perboysen@gmail.com>
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Yup. And they don't seem overly popular either. There wasn't one
single FCB1010 to be found among all music stores in Stockholm today
so I had one store order one from another city for me. Wonder if
Behringer will keep on manufacturing them?

While waiting for the new FCB to arrive I have daisy chained two
faulty ones just to be able to rehears. Looks pretty funny.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Tue, Mar 10, 2009 at 3:39 PM, Travis Hartnett
<travishartnett@gmail.com> wrote:
> That's what I suspected. =A0Making stuff repairable, or easily repairable=
 also
> drives the price up.
> TH
>
> On Tue, Mar 10, 2009 at 1:04 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> I opened up my old FCB1010 pedal yesterday to see if I could take out
>> one of the working button pads and use it to replace the bad one in my
>> younger FCB1010 pedal. But I had to give up, it seems just impossible
>> to get them out of that massive shell. Obviously that pedal was built
>> to force people to buy a new one when a part of it breaks down.

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Subject: DIY midi controller
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Since Per brought this up: would it be possible (and how much worl is  
it) to build a midi controller (foot, hand or whatever) yourself? I  
know that Kenton sells circuit boards for projects like that, e.g.:  
http://www.kentonuk.com/kenton/pcb_project.shtml

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Subject: Galactic Travels Playlist #622 for March 5, 2009.
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Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #622                March 5, 2009.

RECAP:
On this show, I began a month-long focus on Ian Boddy.  The Featured CD
at Midnight was Three Dreams on DiNDDL Records.

Ian Boddy: http://wdiy.org/programs/gt/playlists/2009/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Mystified            Cool Vapor           Pulse Ringer Pieces
                                            (Droehnhouse)
Ian Boddy            Tourmaline           Slide (DiN)
Shalmaneser          As Does a Sundial    Ticker (Doubtful Palace)
Jagged Surface       Putrid Smell of an   CDR (none)
                       Artist
Computerchemist      After the Eclipse    Landform (none)
Seven Octaves        A Minor Is Such a    Simple Work (none)
                       Lovely Key
VA [Ricochet         Memories of a        Awakenings 2008 Vol 2.5
  Gathering]           Fallen Tree Pt. I    (AmbientLive)
Numina               Buried Icon          Sound Symbols (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Numina               Sound Symbols *      Sound Symbols (none)
Ian Boddy            Trappedn Black       Three Dreams (DiNDDL)
Ian Boddy            Summer Lawn Daze     Three Dreams (DiNDDL)
Ian Boddy            The FinalBreath      Three Dreams (DiNDDL)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Ian
Boddy.  The Featured CD at Midnight will be The Final Question on DiNDDL
Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4/ITZ-5) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to:
http://war.str3am.com:7880/listen.pls
Playlists are also published at http://billfox.blogspot.com

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To:  Loopers-Delight@loopers-delight.com
Subject: Re: DIY midi controller
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Looks pretty easy, with the Kenton, as they provide the module ready to
go with pc editor software.

...but there's hardly any info what the units are capable of.

To build from basic components would require quite a lot of effort,
and would afaik be more expensive. 


andy

Andreas Willers wrote:
> Since Per brought this up: would it be possible (and how much worl is 
> it) to build a midi controller (foot, hand or whatever) yourself? I know 
> that Kenton sells circuit boards for projects like that, e.g.: 
> http://www.kentonuk.com/kenton/pcb_project.shtml
> 
> 

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Subject: RE: choosing between these soundcards for laptop
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> From L.Angulo
> thanx Nevyn though i forgot to mention that it needs to be 
> half rack as i am looking to travel with it.Another anoying 
> thing about a lot of these compact soundcards is that they 
> dont have a master level knob in the front making it tedious 
> to control,i want ot stay away from having to access the 
> software and using the mouse just to do that!

Motu Ultralite is half size, and you can control any parameter from the
front panel :) 
--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/ 
http://last.fm/music/sjaak+overgaauw





From Loopers-Delight-request@loopers-delight.com  Tue Mar 10 17:24:47 2009
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Here's details on Edge's massive setup:

http://edge-equipment.tripod.com/id75.html

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> http://entertainment.webshots.com/photo/1386930087055177275LWuUkz

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> I got all excited when I saw the 'subject' - I thought they'd be a  
> pci of a babe with large "fun bags".

That's hilarious, Paul!! hahahaha


Mike Crain
Percussionist/Composer
Sacramento, CA 95818
mike@mikecrain.com
http://www.mikecrain.com
http://www.myspace.com/mikecraincom

"Not only will the harmonic possibilities of the overtones be revealed
in all their splendor, but the use of certain interferences created by  
the
partials will represent an appreciable contribution."
                                                                                                   - Edgard 
  Varese









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13px; "><table cellspacing=3D"0" cellpadding=3D"0" =
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got all excited when I saw the 'subject' - I thought they'd be a pci of =
a babe with large "fun =
bags".<br></td></tr></tbody></table></span></blockquote><br><div>That's =
hilarious, Paul!! hahahaha</div><div><br></div><div><br></div><div =
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-webkit-border-vertical-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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-webkit-border-vertical-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div><font class=3D"Apple-style-span" =
color=3D"#152354"><font class=3D"Apple-style-span" face=3D"'Bank =
Gothic'">Mike Crain</font></font></div><div><font =
class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank =
Gothic'">Percussionist/Composer</font></font></div><div><font =
class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank Gothic'">Sacramento, CA =
95818</font></font></div><div><font class=3D"Apple-style-span" =
color=3D"#152354"><font class=3D"Apple-style-span" face=3D"'Bank =
Gothic'"><a =
href=3D"mailto:mike@mikecrain.com">mike@mikecrain.com</a></font></font></d=
iv><div><font class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank Gothic'"><a =
href=3D"http://www.mikecrain.com">http://www.mikecrain.com</a></font></fon=
t></div><div><font class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank Gothic'"><a =
href=3D"http://www.myspace.com/mikecraincom">http://www.myspace.com/mikecr=
aincom</a><span class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); =
font-family: Times; font-size: 10px; =
"><i></i></span></font></font></div><div><font class=3D"Apple-style-span" =
face=3D"Times" size=3D"2"><span class=3D"Apple-style-span" =
style=3D"font-size: 10px; "><i><br></i></span></font></div><div><font =
class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank Gothic'"><span =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); font-family: =
Times; font-size: 10px; "><i><font class=3D"Apple-style-span" =
size=3D"3"><font class=3D"Apple-style-span" size=3D"2"><span =
class=3D"Apple-style-span" style=3D"font-size: 10px; =
">"</span></font><span class=3D"Apple-style-span" style=3D"font-size: =
13px; ">Not only will the harmonic possibilities of the overtones be =
revealed</span></font></i></span></font></font></div><div><font =
class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank Gothic'"><span =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); font-family: =
Times; font-size: 10px; "><i><font class=3D"Apple-style-span" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 13px; =
">in all their splendor,&nbsp;but the use of certain interferences =
created by the</span></font></i></span></font></font></div><div><font =
class=3D"Apple-style-span" color=3D"#152354"><font =
class=3D"Apple-style-span" face=3D"'Bank Gothic'"><span =
class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); font-family: =
Times; font-size: 10px; "><i><font class=3D"Apple-style-span" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 13px; =
">partials&nbsp;<span class=3D"Apple-style-span" style=3D"font-size: =
10px; "><font class=3D"Apple-style-span" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px; ">will represent =
an&nbsp;<span class=3D"Apple-style-span" style=3D"font-size: 10px; =
"><font class=3D"Apple-style-span" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px; ">appreciable =
contribution.</span></font><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; font-size: 12px; font-style: normal; =
"><i>"</i>&nbsp;&nbsp;</span></span></span></font></span></span></font></i=
></span></font></font></div><div><font class=3D"Apple-style-span" =
color=3D"#152354"><font class=3D"Apple-style-span" face=3D"'Bank =
Gothic'"><span class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 0); =
font-family: Times; font-size: 10px; "><i><font class=3D"Apple-style-span"=
 size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 13px; =
"><span class=3D"Apple-style-span" style=3D"font-size: 10px; "><font =
class=3D"Apple-style-span" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px; "><span class=3D"Apple-style-span" =
style=3D"font-size: 10px; "><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; font-size: 12px; font-style: normal; =
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 10 20:51:15 2009
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Subject: vst compressors
Date: Tue, 10 Mar 2009 21:51:11 +0100
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trying to replace my GT-5 with vst plugins ... first of all, I need a
compressor. for some reason, my favorite kind of compressor sound has always
been an extreme setting that reduces the string attack to almost a mere
click, and then keeps the volume constant, turning the decreasing string
vibration into an almost linear sustained note ... of course this needs a
volume pedal after the compressor so that noise doesn't get too loud when
the string gets too quiet ... now I find myself browsing through endless
lists of freeware vst compressors without really understanding the
differences ... any recommendations? 
http://freemusicsoftware.org/category/free-vst-effects-2/compressor

after this, next thing will be the crunch/distortion/fuzz department ... 

-michael

From Loopers-Delight-request@loopers-delight.com  Tue Mar 10 21:11:04 2009
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Date: Tue, 10 Mar 2009 22:11:03 +0100
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Subject: Re: vst compressors
From: Per Boysen <perboysen@gmail.com>
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For that particular application of compression I can recommend
Sonalksis SV-315. It's not free but well worth the money. It gives a
slight coloring of the sound similar to what you get from analog
equipment. A good point with this compressor is that it does all its
work within the plug-in buffer, which means it does not add extra
latency to the signal chain (good for Bidule users). If you buy a
license you're not only getting the VST for both Windows and Mac but
also the AU for Mac. I bught it together with their eminent EQ SV-517
and have been using them for years in Numerology, Bidule and Live on
both Mac and Windows. With Logic and MainStage I use the Logic
compressors that are equally good but more transparent sounding.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Tue, Mar 10, 2009 at 9:51 PM, Michael Peters <mp@mpeters.de> wrote:
> trying to replace my GT-5 with vst plugins ... first of all, I need a
> compressor. for some reason, my favorite kind of compressor sound has always
> been an extreme setting that reduces the string attack to almost a mere
> click, and then keeps the volume constant, turning the decreasing string
> vibration into an almost linear sustained note ... of course this needs a
> volume pedal after the compressor so that noise doesn't get too loud when
> the string gets too quiet ... now I find myself browsing through endless
> lists of freeware vst compressors without really understanding the
> differences ... any recommendations?
> http://freemusicsoftware.org/category/free-vst-effects-2/compressor
>
> after this, next thing will be the crunch/distortion/fuzz department ...
>
> -michael
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 10 21:50:04 2009
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Date: Tue, 10 Mar 2009 14:50:01 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: OT: monstrous Racks (of GEAR)
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wow that is too much...
its amazing that he is still using the korg A3=B4s i used to own one and th=
oguh i thoguht they were awesome 10 years ago during my last visit to calif=
ornia i turned it on for the first time in 8 years and was amazed how noisy=
 and crappy the sound was!I believe that some old stuff will never be simul=
ated the same way but many effect proccesors now days definetly sound bette=
r,i believe guitarrist do suffer from some sort of gear attatchment syndrom=
e;-)
but it defiently look more excitingalmost like a NASA project unlike watchi=
ng a guitar through a boring laptop!


www.myspace.com/luisangulocom


--- On Tue, 3/10/09, Daryl Shawn <highhorse@mhorse.com> wrote:

> From: Daryl Shawn <highhorse@mhorse.com>
> Subject: Re: OT: monstrous Racks (of GEAR)
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, March 10, 2009, 10:24 AM
> Here's details on Edge's massive setup:
>=20
> http://edge-equipment.tripod.com/id75.html
>=20
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>=20
> >
> http://entertainment.webshots.com/photo/1386930087055177275LWuUkz=0A=0A=
=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Mar 10 23:11:58 2009
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Ok Sjaak you got me convinced!
ive been checkin out reviews on the Motu ultralite and stuble across some unreliable videos of the card on youtube,i hope they are exceptions!
cheers
Luis


www.myspace.com/luisangulocom


--- On Tue, 3/10/09, Sjaak <tcplugin@scarlet.be> wrote:

> From: Sjaak <tcplugin@scarlet.be>
> Subject: RE: choosing between these soundcards for laptop
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, March 10, 2009, 10:03 AM
> > From L.Angulo
> > thanx Nevyn though i forgot to mention that it needs
> to be 
> > half rack as i am looking to travel with it.Another
> anoying 
> > thing about a lot of these compact soundcards is that
> they 
> > dont have a master level knob in the front making it
> tedious 
> > to control,i want ot stay away from having to access
> the 
> > software and using the mouse just to do that!
> 
> Motu Ultralite is half size, and you can control any
> parameter from the
> front panel :) 
> --- 
> Sjaak
> http://sjaakovergaauw.com/ 
> http://euroloopfest.com/ 
> http://last.fm/music/sjaak+overgaauw


      

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 03:12:18 2009
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Subject: bitrman vst, was Re: vst compressors
From: Art Simon <simart@gmail.com>
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Michael,

You haven't asked about distortion yet, but I followed your link,
poked around a bit, and was pleasantly surprised to find "distorto" a
bitrman style vst, something I've been looking for.
http://freemusicsoftware.org/950

I sold my bitrman long ago, so I can't compare the vst to the
original, but I had fun playing with it. The download link on the site
is broken, but this one works:
http://www.scarkord.com/plugins/distorto.zip

Thanks!

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 03:23:01 2009
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: choosing between these soundcards for laptop
Date: Tue, 10 Mar 2009 22:22:21 -0500
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 > On Mar 10, 2009, at 6:11 PM, L.Angulo wrote:
 > ive been checkin out reviews on the Motu ultralite
 > and stuble across some unreliable videos of the card on youtube,
 > i hope they are exceptions!

I'm also a fan of the Ultralite.  I have the original one (not the
Mark whatever).  The thing I like most about it is the flexible
routing. Since there so many channels with zero latency monitoring,
you can set up monitor mixes and stereo effects loops and still have
channels left over for computer IO.

You can also use it without a computer.  It takes a lot of twisting
tiny multi-mode knobs, but it can be done.  The Cuemix software is
easy to use.  Functionally it is very similar to the RME-400.  I'm
told the mic preamps aren't as good as the RME but it's almost 1/2 the
cost.

Jeff

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From: "Tony K" <bigtonyk@gmail.com>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Subject: EJamming
Date: Tue, 10 Mar 2009 23:35:11 -0400
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Anybody here tried the EJamming site for online collaboration? 

 

http://www.ejamming.com/home/

 

Just curious as to what they mean by zero latency sync.  Seems to me it
defies the laws of physics.

 

Tony


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<div class=3DSection1>

<p class=3DMsoNormal>Anybody here tried the EJamming site for online =
collaboration?
<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoPlainText><a =
href=3D"http://www.ejamming.com/home/">http://www.ejamming.com/home/</a><=
o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Just curious as to what they mean by zero latency =
sync.&nbsp;
Seems to me it defies the laws of physics.<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Tony<o:p></o:p></p>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 04:09:22 2009
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Michael,

I would suggest Pod Farm as worth exploration. In addition to the  
amps, cabs, and mics, it has a myriad of effects models, as well.

All the best,

Loren Claypool
genre-indifferent instrumental guitar music
www.lorenclaypool.com and links from there



From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 04:23:47 2009
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The Edge has 8 rack mounted digital delays and
and Eventide Harmonizer, which I'm sure he used mostly for 
...........................delay


hmmmmmm,   do you think that he hangs his entire aesthetic on digital delay?


This is hilarious and yet made me feel better about owning 10 or 12 
distortion pedals.
..........speaking of the devil,   I took my new stomp box, distortion 
oriented
board out last night and test drove it at a Noise and Rhythm show for 
the very first time
but that's another self indulgent Off Topic 
post....................<chuckle>


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I took my new distortion/rhyhm oriented rig out
for it's first test drive in public last night and I'm really
pleased how it performed (or, guess how I performed with it)

I tried a lot of different combinations out and finally settles on this rig:

I feel like I may border on the self indulgent but I"m really, really
excited about the possibilities of this unconventional setup.

I wanted to document it, share it,  get feedback and suggestions
if anyone has the time.   I also want to know if anyone else has been 
thinking
along similar lines in the intent of the pedal board or if reading about it
kicks off any creative thoughts about cool ways to use it.

Here goes:

*_DESIGN:_*
For one,  I wanted the pedal board to be in the air and not on the ground,
so that I could manipulate all the noise with my hands and also so that 
it would
be a little more theatrical.

Towards that end,  I put a Line 6 DL4  on the ground for each of the
two mono lines I have in the pedal board (a mid/treble line of pedals 
and a bass line of pedals)
So that I could make initial loops (even if it was just a droney 
non-rhythmic guitar loop)
to free me to manipulate the timbre and rhythm of the resultant noise 
with my
Looperlative which was at the very end of the chain.


The pedal board itself is a large rectangular percussion table that I 
can put up high
enough to manipulate pedals standing up.   You can view how it looks here
(though the pedal configuration was a little difference as I was playing 
more experimental music
at the Luggage store in the performance in the video)
www.youtube.com/rickwalkerlivelooper

Here's what's on the board and then what that feeds into, finally

*_PEDAL BOARD #1 for Guitar and Treble Sounds (voice, metal percussion, 
noise blasters, megaphones)_

Instrument  ==>

Line 6 DL4 (on floor)  ==>

==> DOD Buzz Box (4 separate EQ bands of fuzz from smooth to earthquake)
==> Boss Slicer pedal
==> Digitech DF-7 Distortion Factory (most famous historic
         distortion models, digitally modelled in one unit)
==> Ibanez Demon Wah  ==>

 ==>  chest high **(for manual controlled amp modelling and overdrive as 
a rhythmic effect
                            and manipulation of acoustic feedback at low 
volumes)*
*         VOX DA-5 battery powered amp

==> Shure SM58 mic ==>Mackie 1202VLZ Mixer ==> Looperlative LP-1 in aux 
send one
_
PEDAL BOARD #2 for Bass sounds (bass guitar, guitar, low pitched drums, 
etc.)
_                 on same physical board as the treble sound setup

Instrument ==>

Line 6 DL4 (on floor) ==>_

_==> DOD Meat Box (separate sub octave fuzz, companion to the Buzz Box 
for bass)
==> Zvex Fuzz Factory
==> Alesis Ampliton (fantastic tremelo that I'm surprised more people 
aren't into)
==> Boss OD20 (Distortion Modeller w/ awesome Fuzz Octave and ability to 
cycle through 5 presets, rhythmically)
==> Boss FT-2 Dynamic Filter (a wonderful discontinued pedal that allows 
Envelope Filter control via
           an expression pedal----though I used my hands instead as I 
had run out of real estate on my board

==> chest high (for manual controlled amp modelling and overdrive as a 
rhythmic effect)
       ROLAND Micro Cube portable battery powered amp

**==> Shure SM58 mic ==>Mackie 1202VLZ Mixer ==> Looperlative LP-1 in 
aux send one


_
INTENT of the SETUP:
_*
I wanted maximal control of distortion and equalization on both sides of 
the rhythmic manipulators
(Boss Slice and Alessis Ampliton)

I have to say that the mixer section added to the Boss Slicer pedal is 
wonderful as you
can completely control both volumes of the initial sound and the 
rhythmically sliced sounds
so I could morph amorphous distortion sounds into rhythm sounds.

Also,  the Boss Slicer (which I originally disliked because it didn't 
have any customizeable rhythm
functions) allows for real time control of the envelope (both attack and 
length of slices)
and I used that a hell of a lot to morph from one rhythm to another.

Being able to send a rhythmic set of distortion sounds into the 
distortion modellers to then
be timbrally modified by the wah wah and dynamic filter pedals let me 
really sculpt the sound.

I ended up using really simple and constant rhythms (pure tremelo or 
contant 16th notes on the Slicer)
and got more variety out of manipulating the sound, envelope and 
frequency range of the resultant
sounds.

Additionally,  the Digitech DF7 has small bits of square wave bounded 
silence in between each model.
By sweeping it from lo timbred distortion models to hi timbred ones (the 
way it's set up from left to right)
made for really incredible glitching techniques or if I was careful,  
really accurate rhythmic manipulation of
the sound.

Both battery powered amps had the same function..............switch the 
digital effects or the amp modellings
on both of them results in glitchy rhythmic slicings that can be 
manipulated rhythmically.

I have to say that outside of noise sources,  (On strat tuned DDDDD (the 
sixth string snapped by detuning!),
human voice/kazoo (yes, kazoo, lol),  noise blasters,  toy megaphones,   
real megaphones and
programmable toy music box)   all I did was manipulate the timbre and 
rhythm of the distortion.

Oh yeah,  and I also had a huge marching bass drum with metal chains to 
junk up the sound
and a huge marching snare drum with metal chains which I used on one 
song to give it
some actual groove.


I'm really excited with this setup and there is so much to learn about it.

The wonderful people at Analogue Haven, rushed me out a
Devi Ever Eye of God (which has a photo sensor that allows you to control a
feedback loop for simple but wonderful psychedelic wash effects
and it arrived on the day of the gig,   but It had stereo ins and out 
and I couldn't get
it to work in mono.................
...............also,   I ran out of room on my board,  too,  so I didn't 
use it.
*

 *

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Subject: Re: OT: monstrous Racks (of GEAR)
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On Wed, Mar 11, 2009 at 5:23 AM, Rick Walker <looppool@cruzio.com> wrote:
> The Edge has 8 rack mounted digital delays and
> and Eventide Harmonizer, which I'm sure he used mostly for
> ...........................delay


Well, there is actually a logical application for that, if he wants to
work with multi tap delay and have better control over each delay line
than you get with the classic tape delay machines.

And I definitely see an interesting opening for the harmonizer in that
context - but I agree with you that The Edge rarely has been heard
playing harmonizer pitched sounds... So maybe he uses the harmonizer
for a chorus effect?

Multi tap delay is very cool, I think. Some software plug-ins that do
that are Augustus Loop, PSP 608 Multidelay and Apple Logic's Delay
Designer. The Delay Designer is fun because it lets you tap in the
different delay lines' delay time in real-time, if you want. And those
multiple delay returns can also be quantized with a swing or shuffle
feel. Plus there is a harmonizer (!) that you may through into a delay
line to make each delay loop rise or stagger downwards. I like the
DelayDesigner because it does NOT try to copy the traditional tape
delay machine aesthetics but rather to come up with a sound design
tool optimized for laptop musicians working in the software domain.
Myself I tried to abuse the DelayDesigner as "a looper" but that was
not very successful ;-)


Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From shake_wadrag01@ciudad.com.ar  Wed Mar 11 08:57:00 2009
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From info@microsoft.co.uk  Wed Mar 11 09:51:19 2009
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From: =?iso-8859-1?B?TWljcm9zb2Z0riBBdw==?=ard Team <info@microsoft.co.uk>
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Microsoft® Award Team/Claims Office 
Microsoft Corporation 
#1 Microsoft Way 
Redmond, WA 98052. 
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Sincerely, 

Barr. Arthur James Esq 
Head Customercare Service 
Microsoft Promotion






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Microsoft® Award Team/Claims Office 
Microsoft Corporation 
#1 Microsoft Way 
Redmond, WA 98052. 
********************** 

Dear lucky winner, 

This is to inform you that your email has won a consulation prize of 
the Microsoft Corporation EMAIL DRAW Today. Your 
email has won you £1,000.000.00 (One Million Great british Pounds) 
To claim your prize, please contact your fiduciary agent Barr.Arthur James 
Esq with your Batch #:409978E and Reference No:FL/668530092 and 
contact him via email immediately within 24hrs. 
 
with the information below. 

Barr.Arthur James Esq 
Microsoft Promotion Award Team 
Head Winning Claims Dept. 
Tell:+44-703-191-9360 
Email:barr.arthurjames04@live.com
============================================================== 
CERTIFICATE OF PRIZE CLAIM(Receipt Official Notification Letter) 
============================================================== 
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wish you the best of luck.Thank you for being part of our promotional 
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Sincerely, 

Barr. Arthur James Esq 
Head Customercare Service 
Microsoft Promotion






From mrpsclkpk01@gmail.com  Wed Mar 11 11:21:02 2009
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Date: Wed, 11 Mar 2009 11:24:47 +0100 (CET)
Subject: Valued 1.2 million USD registered with your name from a temporary 
     account
From: "Wilson Peter" <mrpsclkpk01@gmail.com>
Reply-To: office.de.payment@gmail.com
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Good day,

I have been waiting for you since to come down here and pick your bank draft
but did not hear from you since that time then i went and deposited the
$1200,000.00 usd draft/cheque in the bank.We have arranged your payment
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any part of the world, but the maximum is One Thousand, Five Hundred United
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Kindly contact the below person who is in position to release your ATM
Payment Card.

Send your information which they will use to send the card to you.

1::Your full name::
2::Your home address were you them to send the atmcard::
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6::A Copy of your identification::

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your ATM
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Mr. Williams  peter  Director,
ATM Payment Department Apex Bank London/Benin Republic
Tel:  +447035944652 london
Tel: +22993005763
Email:  atmdepartment17@hotmail.fr

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before your draft gets expired.



Let me know as soon as you receive your card. Wait for your respond. and your
Urgent Call.

Thanks
.
wilson peter


From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 12:31:13 2009
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Subject: Re: vst compressors
From: Rainer Straschill <moinsound@googlemail.com>
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Loren said:
"I would suggest Pod Farm as worth exploration."

I use PODFarm for the amp stuff. Regarding compressors (if we're still
in that part of the thread), the LA2A model is a very beautiful,
intutive and unobtrusive one (unless you really want it to be). Most
of the time, you need exactly one control (just as with the original).
However from all the remaining compressors (stompbox thingies), there
is none that fulfills Michael's requirements for that extremely snappy
attack, followed by a pull-up during decay.

Michael, have you tried using one of those transient designers? I had
great fun in the past using a hardware one (TC TripleC), but I'm sure
there are tons of free VSTs available. Can't give a recommendation,
alas.

             Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 12:40:14 2009
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> Jeff wrote:
> I'm also a fan of the Ultralite.  I have the original one (not the
> Mark whatever).  The thing I like most about it is the flexible
> routing. Since there so many channels with zero latency monitoring,
> you can set up monitor mixes and stereo effects loops and still have
> channels left over for computer IO.

I have the Ultralite for 2 months now. I told this list before but imo it=
's perfect for many of us: flexible routing, compression, EQ, reverb, bal=
anced ins/outs. I use 4 stereo mixes now: FOH PA, stage monitors, live re=
cording and a mix to feed the LP1 with Mainstage, Bidule and my hardware =
synths instruments. I agree with you Jeff, the routing options are great.=


> You can also use it without a computer. It takes a lot of twisting
> tiny multi-mode knobs, but it can be done.

I don't mix individual channels when playing live, I only use the master =
level knob to change the level of my stage monitor or headphones.

> I'm told the mic preamps aren't as good as the RME but it's almost 1/2 =
the
> cost.

I don't use mics with the Ultralite so I can't comment on the quality of =
the mic pre-amps. But I would expect they are more than good enough for a=
 live looping performance and for the avg. semi-pro recordings we make at=
 home.

But Jef, perhaps you know this. At the moment, I use a separate stereo mi=
x to feed a Boss digital recorder. But is it possible to send the main mi=
x back into the Mac and record a gig with Audacity for example?
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 12:41:59 2009
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Subject: RE: DIY midi controller
Date: Wed, 11 Mar 2009 08:40:47 -0400
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To: "Andreas Willers" <a.willers@arcor.de>,
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Just in case others are not aware of it, for $10 US you can buy a
PC-compatible game controller (I have a Logitech Precision), download
free software that converts it to MIDI (I use Rejoice), and voila - MIDI
controller. No foot pedal connections, not so easy to adjust with one
hand - but dirt cheap, very small and light.=20

Hal Dean

-----Original Message-----
From: Andreas Willers [mailto:a.willers@arcor.de]=20
Sent: Tuesday, March 10, 2009 11:29 AM
To: Loopers-Delight@loopers-delight.com
Subject: DIY midi controller

Since Per brought this up: would it be possible (and how much worl is =20
it) to build a midi controller (foot, hand or whatever) yourself? I =20
know that Kenton sells circuit boards for projects like that, e.g.: =20
http://www.kentonuk.com/kenton/pcb_project.shtml

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 13:25:06 2009
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Subject: OT Distortion looping rig - and Devi Ever Eye of God
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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Rick said:
"The wonderful people at Analogue Haven, rushed me out a
Devi Ever Eye of God (which has a photo sensor that allows you to control a
feedback loop for simple but wonderful psychedelic wash effects
and it arrived on the day of the gig,   but It had stereo ins and out
and I couldn't get it to work in mono"

At the risk of sounding overtly arrogant-fatherly: I just took a look
at the product site of devi ever, and here is what it says:
">>> JACKS
- main INPUT - bottom right
- main OUTPUT - bottom left
- loop SEND - top right
- loop RETURN - top left"

Which means, this is (as you also state), this is basically some
dynamic feedback loop controller. So your cabling goes some like this:

Signal source (input signal or signal from another effect, say
Amplitron) -> Eye of God main INPUT
stompbox which goes into feedback loop input (say, Boss OD20) <- Eye
of God loop SEND
stompbox which goes into feedback loop output -> Eye of God loop RETURN
Next step in your signal chain (next stompbox or guitar amp, say FT-2)
<- Eye of God main OUTPUT

Why wouldn't that work?

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 13:43:17 2009
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So, I actually got Mobius working inside Mainstage wo crashing it, by
selecting the IAC Bus as the VST Output in the plugin. pretty
interesting syncing Ultrabeat drum patterns to Mobius loops. There are
a couple of weirdities about this:

1) Mobius sends out a Start message when the first playback of the
first loop starts, but it doesn't appear to send out any particular
message at the start of a loop cycle. So if you don't catch that Start
message, all you have to hold on to is a series of Clock messages.
Maybe there's another output mode I don't know about in Mobius that
sends out some message at the start of every cycle.
2) Ultrabeat patterns sync to clocks in an.... umm.... "interesting"
way. I'll leave out a detailed description of this until I can figure
out a way to start them exactly on time.
3) Ultrabeat doesn't respond to the Start messages that Mobius sends
out anyway - i'd have to use a bidule (or max patch), i think, to
translate that message into a note-on for one of the patterns in
Ultrabeat pattern mode if i wanted to start a pattern in sync with my
loop.

interesting journey, this

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 15:12:39 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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Subject: Re: choosing between these soundcards for laptop
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Jeff ive also been checking out the Apogee duet.
what are your thoughts on that one?i would be using it in the aux send of my mackie mixer because i need various inputs for other instruments.
It looks very slick, howeever there is something about that breakout cable that bothers me...maybe getting used to it;-)
anybody using it? pros cons?

www.myspace.com/luisangulocom


--- On Tue, 3/10/09, Jeffrey Larson <jeff@zonemobius.com> wrote:

> From: Jeffrey Larson <jeff@zonemobius.com>
> Subject: Re: choosing between these soundcards for laptop
> To: labaloops@yahoo.com
> Cc: Loopers-Delight@loopers-delight.com
> Date: Tuesday, March 10, 2009, 8:22 PM
> > On Mar 10, 2009, at 6:11 PM, L.Angulo wrote:
> > ive been checkin out reviews on the Motu ultralite
> > and stuble across some unreliable videos of the card
> on youtube,
> > i hope they are exceptions!
> 
> I'm also a fan of the Ultralite.  I have the original
> one (not the
> Mark whatever).  The thing I like most about it is the
> flexible
> routing. Since there so many channels with zero latency
> monitoring,
> you can set up monitor mixes and stereo effects loops and
> still have
> channels left over for computer IO.
> 
> You can also use it without a computer.  It takes a lot of
> twisting
> tiny multi-mode knobs, but it can be done.  The Cuemix
> software is
> easy to use.  Functionally it is very similar to the
> RME-400.  I'm
> told the mic preamps aren't as good as the RME but
> it's almost 1/2 the
> cost.
> 
> Jeff


      

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 15:13:08 2009
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Subject: Re: OT: monstrous Racks (of GEAR)
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>
> Well, there is actually a logical application for that, if he wants to
> work with multi tap delay and have better control over each delay line
> than you get with the classic tape delay machines.

He doesn't use his 'Tide for delays. He uses his trusty army of 2290s  
and SDD 3000s instead..

>
>
> And I definitely see an interesting opening for the harmonizer in that
> context - but I agree with you that The Edge rarely has been heard
> playing harmonizer pitched sounds... So maybe he uses the harmonizer
> for a chorus effect?

Not so. He has a trademark "shimmer" sound that involves pitch  
shifting. Other songs with pitch shifting: Even Better Than the Real  
Thing, Sometimes You Can't Make It On Your Own,  Beautiful Day,  
Miracle Drug--and several others. Plus, pitch shifting is all over the  
new album. He does apparently use the 'Tide for backwards delays in  
some songs--City of Blinding Lights, and the newer intro. to One.

Also, the main reason his rig is NASA-like is because he wants to  
replicate his album tones (over the span of nearly 30 years--and  
that's a lot of gear). But at any particular moment, his signal chain  
may (I stress the word *may* lol) be fairly short.

Just sayin'. ;)

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 15:21:41 2009
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Hey Rick and DL4 users,
it occurs to me that not many people use the DL4 in the aux send of a mixer,i myself tried it a long time ago and i didnt like the sound of it but i had a cheap mixer back then and havent bother to try it again since i use it as a delay stomp,how clean is the signal hooked up that way?
cheers
Luis



> Towards that end,  I put a Line 6 DL4  on the ground for
> each of the
> two mono lines I have in the pedal board (a mid/treble line
> of pedals and a bass line of pedals)
> So that I could make initial loops (even if it was just a
> droney non-rhythmic guitar loop)
> to free me to manipulate the timbre and rhythm of the
> resultant noise with my
> Looperlative which was at the very end of the chain.
> 



      

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 15:45:03 2009
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Hi Luis,
Keep in mind that Apogee dropped the support for Windows recently. 

http://news.apogeedigital.com/index.php/press-releases/43-press-releases/=
103-apogee-discontinues-windows-development

And how many inputs do you need? I'm wondering why you would use both a M=
ackie mixer and an Apogee if you can do it all with just an Ultralite? Ju=
st curious ;) Yes, the Apogee Duet does have better pre-amps but I doubt =
if that makes a big difference in a live situation.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

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hmmm, I don't know about that one Tony. It looks new and unfinished, at =
least the website. It doesn't make sense to me.

What I have used and it works great once you get over a learning curve =
is http://ninjam.com/
 I have had a few fun jams on this. And with Reaper it records everyones =
part and you can remix later. Great sound to my ears. I want to do some =
morewith it in my spare time, lol. ;)

Jeff
  ----- Original Message -----=20
  From: Tony K=20
  To: Loopers-Delight=20
  Sent: Tuesday, March 10, 2009 11:35 PM
  Subject: EJamming


  Anybody here tried the EJamming site for online collaboration?=20

  =20

  http://www.ejamming.com/home/

  =20

  Just curious as to what they mean by zero latency sync.  Seems to me =
it defies the laws of physics.

  =20

  Tony

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<DIV><FONT face=3DArial size=3D2>hmmm, I don't know about that one Tony. =
It looks=20
new and unfinished, at least the website. It doesn't make sense to=20
me.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>What I have used and it works great =
once you get=20
over a learning curve is <A=20
href=3D"http://ninjam.com/">http://ninjam.com/</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;I have had a few fun jams on =
this. And with=20
Reaper it records everyones part and you can remix later. Great sound to =
my=20
ears. I want to do some morewith it in my spare time, lol. =
;)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbigtonyk@gmail.com href=3D"mailto:bigtonyk@gmail.com">Tony =
K</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, March 10, 2009 =
11:35=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> EJamming</DIV>
  <DIV><BR></DIV>
  <DIV class=3DSection1>
  <P class=3DMsoNormal>Anybody here tried the EJamming site for online=20
  collaboration? <o:p></o:p></P>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P>
  <P class=3DMsoPlainText><A=20
  =
href=3D"http://www.ejamming.com/home/">http://www.ejamming.com/home/</A><=
o:p></o:p></P>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P>
  <P class=3DMsoNormal>Just curious as to what they mean by zero latency =

  sync.&nbsp; Seems to me it defies the laws of physics.<o:p></o:p></P>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P>
  <P =
class=3DMsoNormal>Tony<o:p></o:p></P></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000A_01C9A23F.97FED730--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 16:06:52 2009
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	 <000d01c9a261$1f82e810$0202a8c0@YOUR08D5303051>
Date: Wed, 11 Mar 2009 12:06:48 -0400
Message-ID: <d1dcce560903110906k5f4ae20cpc6cbfdcc03315e5f@mail.gmail.com>
Subject: Re: EJamming
From: Tony K <bigtonyk@gmail.com>
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I know a bunch of us have used NINJAM, very cool program.  That's what
we used when we did the online looping for Y2Ksomethingorother.   Just
wondering about ejamming.

On Wed, Mar 11, 2009 at 11:50 AM, Jeff Duke <jeff_d@embarqmail.com> wrote:
> hmmm, I don't know about that one Tony. It looks new and unfinished, at
> least the website. It doesn't make sense to me.
>
> What I have used and it works great once you get over a learning curve is
> http://ninjam.com/
> =A0I have had a few fun jams on this. And with Reaper it records everyone=
s
> part and you can remix later. Great sound to my ears. I want to do some
> morewith it in my spare time, lol. ;)
>
> Jeff
>
> ----- Original Message -----
> From: Tony K
> To: Loopers-Delight
> Sent: Tuesday, March 10, 2009 11:35 PM
> Subject: EJamming
>
> Anybody here tried the EJamming site for online collaboration?
>
>
>
> http://www.ejamming.com/home/
>
>
>
> Just curious as to what they mean by zero latency sync.=A0 Seems to me it
> defies the laws of physics.
>
>
>
> Tony



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 16:08:01 2009
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Jeff said (to Tony K):
"What I have used and it works great once you get over a learning
curve is http://ninjam.com/"

Seriously, I don't believe Tony K needs that suggestion:
http://www.krispenhartung.com/mp3.htm
http://www.thinginajar.com/bigtony/RainerAndTony.mp3

;)

Most of the work of Chinapainting (a duo involving our own Daryl
Shawn) was done that way, as well as everything here:
http://www.jamendo.com/en/album/7494

Best,

         Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 16:14:59 2009
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Date: Wed, 11 Mar 2009 17:14:57 +0100
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Subject: DL4 in the AUX
From: Rainer Straschill <moinsound@googlemail.com>
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Luis said:
"it occurs to me that not many people use the DL4 in the aux send of a
mixer,i myself tried it a long time ago and i didnt like the sound of
it"

The reason may be "gain structure": the DL4 (like most stompboxes) is
designed to work well with a signal coming directly from a (passive)
guitar - meaning low signal level and high source impedance in
comparison to what a mixer gives you. Consequently, the outputs are of
relatively low level as well. Add to that the fact that you don't have
any kind of (analogue) level control on the device, and this may be
the explanation you're looking for.

I have been using the DL4 for some time (meaning: before switching to
laptop) in an aux send configuration (into a mixer channel with gain
control) without any problems - an information which may not be that
useful to you for two reasons: a) the DL4 was not used for "clean"
delays (or loops), only for that whacked up stuff. For the clean ones,
my D2 (and Eclipse) served me well. b) I seem to remember that you
have a somewhat specific definition of the concept of signal
quality/integrity etc., and that I was once put in that "people who
don't know the difference" bin, so even if I told you the signal
sounds "clean", this would most probably not be of any use to you.

All the best,

            Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 16:39:40 2009
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Date: Wed, 11 Mar 2009 17:39:39 +0100
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
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On Wed, Mar 11, 2009 at 2:37 PM, Warren Sirota <wsirota@wsdesigns.com> wrote:
> Ultrabeat drum patterns to Mobius loops.


I also tried that and also found that UltraBeat is not accurate enough
with a sync slaving MainStage. No bummer for me though, since I don't
want to use canned drum beats anyway.

The MainStage slave syncing to Mobius looper system I use that is
stable only deals with audio input, midi input to drive virtual
instruments, lots of audio effects on the patches channel strips, the
Mobius looper on a bus (at concert level) plus some post looper effect
on that bus and finally a multi compressor on the master output.
That's the same looping rig I have been using for years starting with
a Bidule session under Windows XP then rebuilding it in MainStage to
expand the plug-ins with the SoundToys Native Bundle (Mac only stuff).
"Drums" are either played on acoustic instruments or parroted by vocal
sounds to be looped as audio.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 16:42:49 2009
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To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: EJamming
Date: Wed, 11 Mar 2009 12:42:47 -0400
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pardon my ignorance as I go back to lurk mode...

j

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Wednesday, March 11, 2009 12:07 PM
Subject: Re: EJamming


> Jeff said (to Tony K):
> "What I have used and it works great once you get over a learning
> curve is http://ninjam.com/"
> 
> Seriously, I don't believe Tony K needs that suggestion:
> http://www.krispenhartung.com/mp3.htm
> http://www.thinginajar.com/bigtony/RainerAndTony.mp3
> 
> ;)
> 
> Most of the work of Chinapainting (a duo involving our own Daryl
> Shawn) was done that way, as well as everything here:
> http://www.jamendo.com/en/album/7494
> 
> Best,
> 
>         Rainer
> 
>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 17:25:28 2009
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
Date: Wed, 11 Mar 2009 12:24:45 -0500
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 > 1) Mobius sends out a Start message when the first playback of the
 > first loop starts, but it doesn't appear to send out any particular
 > message at the start of a loop cycle. So if you don't catch that  
Start
 > message, all you have to hold on to is a series of Clock messages.

Mobius out sync (copied from the EDP) is biased toward things that
follow the MIDI transport control commands, mainly drum machines
and sequencers.  I'm finishing up a feature that lets you
send arbitrary MIDI commands from scripts, in theory you
could write a script that ends the recording and sends
a MIDI note command to Ultrabeat at the same time.  Ultrabeat
then presumably ignores the Start but follows the clocks.

If Ultrabeat can follow clocks without drifting then you shouldn't
need an extra MIDI message on every cycle.  We have however
found several interesting use cases for "event scripts" over
the years, scripts that are called automatically when certain
things happen (loop, cycle, subcycle boundaries) rather than
when pressing a switch.  You can sort of do that with "Wait cycle"
statements in scripts but it's awkward.  That might be an option
depending on what you want to do on cycle boundaries.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 17:30:07 2009
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Date: Wed, 11 Mar 2009 13:30:05 -0400
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Subject: Free Nord software
From: Tony K <bigtonyk@gmail.com>
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For those of us who just can't get enough free virtual instruments..

a monophonic Nord G2.

http://www.nordkeyboards.com/main.asp?tm=oldproducts&clpm=Nord_Modular_G2&clnmm=Information

-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 17:41:52 2009
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
From: Warren Sirota <wsirota@wsdesigns.com>
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Hi Jeff,

Thanks for answering. Here's one reason why the ability to send some
message on each cycle would be cool: suppose I want to bring in a beat
synced to the loop only after I've layed down a few overdubs. How will
I (or any sw agent for me) know when a cycle might start? I might
check out the Wait Cycle script possibility that you mention, although
I haven't played with scripts yet and am just getting my feet wet in
the other capabilities of Mobius and this setup, so something that's
"awkward" by your description might be a little much for me right now.
More likely, for the present: i'll arrange for a drum loop (possibly
in Live) to be triggered by the Start cmd, but i'll start it muted.
then it should stay synced and be there when i'm ready to un-mute.

Thanks,
Warren

On Wed, Mar 11, 2009 at 1:24 PM, Jeffrey Larson <jeff@zonemobius.com> wrote=
:
>
>> 1) Mobius sends out a Start message when the first playback of the
>> first loop starts, but it doesn't appear to send out any particular
>> message at the start of a loop cycle. So if you don't catch that Start
>> message, all you have to hold on to is a series of Clock messages.
>
> Mobius out sync (copied from the EDP) is biased toward things that
> follow the MIDI transport control commands, mainly drum machines
> and sequencers. =A0I'm finishing up a feature that lets you
> send arbitrary MIDI commands from scripts, in theory you
> could write a script that ends the recording and sends
> a MIDI note command to Ultrabeat at the same time. =A0Ultrabeat
> then presumably ignores the Start but follows the clocks.
>
> If Ultrabeat can follow clocks without drifting then you shouldn't
> need an extra MIDI message on every cycle. =A0We have however
> found several interesting use cases for "event scripts" over
> the years, scripts that are called automatically when certain
> things happen (loop, cycle, subcycle boundaries) rather than
> when pressing a switch. =A0You can sort of do that with "Wait cycle"
> statements in scripts but it's awkward. =A0That might be an option
> depending on what you want to do on cycle boundaries.
>
> Jeff
>
>



--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 17:47:58 2009
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Hello All



Some hot looping action with improvizone on my blog http:// 
mattstevensguitar.blogspot.com/ - let us know what you think.  
Features guiar and vocal loops and some DL4 action.  Really excellent  
trumpet.


MS






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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hello All<div><br></div><div><br><div><br></div><div>Some hot looping =
action with improvizone on my blog=A0<a =
href=3D"http://mattstevensguitar.blogspot.com">http://mattstevensguitar.bl=
ogspot.com</a>/ - let us know what you think. Features guiar and vocal =
loops and some DL4 action. =A0Really excellent =
trumpet.=A0</div><div><br></div><div><br></div><div>MS</div><div><br></div=
><div><br><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><br></div></span></span> =
</div><br></div></div></body></html>=

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Subject: Re: OT: monstrous Racks (of GEAR)
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if he had to carry that box on his shoulders he would quickly abandon that
necessity ... and forget those 30 years ;-) ... laptop power!

2009/3/11 Jeff Shirkey <jcshirke@verizon.net>

>
>> Well, there is actually a logical application for that, if he wants to
>> work with multi tap delay and have better control over each delay line
>> than you get with the classic tape delay machines.
>>
>
> He doesn't use his 'Tide for delays. He uses his trusty army of 2290s and
> SDD 3000s instead..
>
>
>>
>> And I definitely see an interesting opening for the harmonizer in that
>> context - but I agree with you that The Edge rarely has been heard
>> playing harmonizer pitched sounds... So maybe he uses the harmonizer
>> for a chorus effect?
>>
>
> Not so. He has a trademark "shimmer" sound that involves pitch shifting.
> Other songs with pitch shifting: Even Better Than the Real Thing, Sometimes
> You Can't Make It On Your Own,  Beautiful Day, Miracle Drug--and several
> others. Plus, pitch shifting is all over the new album. He does apparently
> use the 'Tide for backwards delays in some songs--City of Blinding Lights,
> and the newer intro. to One.
>
> Also, the main reason his rig is NASA-like is because he wants to replicate
> his album tones (over the span of nearly 30 years--and that's a lot of
> gear). But at any particular moment, his signal chain may (I stress the word
> *may* lol) be fairly short.
>
> Just sayin'. ;)
>
> Jeff
>
>


-- 
Raul Bonell at blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

--00504502e3b402dbc30464db9781
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if he had to carry that box on his shoulders he would quickly abandon that =
necessity ... and forget those 30 years ;-) ... laptop power!<br><br><div c=
lass=3D"gmail_quote">2009/3/11 Jeff Shirkey <span dir=3D"ltr">&lt;<a href=
=3D"mailto:jcshirke@verizon.net">jcshirke@verizon.net</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204,=
 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<br>
Well, there is actually a logical application for that, if he wants to<br>
work with multi tap delay and have better control over each delay line<br>
than you get with the classic tape delay machines.<br>
</blockquote>
<br></div>
He doesn&#39;t use his &#39;Tide for delays. He uses his trusty army of 229=
0s and SDD 3000s instead..<div class=3D"im"><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
<br>
And I definitely see an interesting opening for the harmonizer in that<br>
context - but I agree with you that The Edge rarely has been heard<br>
playing harmonizer pitched sounds... So maybe he uses the harmonizer<br>
for a chorus effect?<br>
</blockquote>
<br></div>
Not so. He has a trademark &quot;shimmer&quot; sound that involves pitch sh=
ifting. Other songs with pitch shifting: Even Better Than the Real Thing, S=
ometimes You Can&#39;t Make It On Your Own, =A0Beautiful Day, Miracle Drug-=
-and several others. Plus, pitch shifting is all over the new album. He doe=
s apparently use the &#39;Tide for backwards delays in some songs--City of =
Blinding Lights, and the newer intro. to One.<br>

<br>
Also, the main reason his rig is NASA-like is because he wants to replicate=
 his album tones (over the span of nearly 30 years--and that&#39;s a lot of=
 gear). But at any particular moment, his signal chain may (I stress the wo=
rd *may* lol) be fairly short.<br>

<br>
Just sayin&#39;. ;)<br><font color=3D"#888888">
<br>
Jeff<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell at b=
logger: <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogsp=
ot.com</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.co=
m">http://www.ct-collective.com</a><br>
TPO at myspace: <a href=3D"http://www.myspace.com/theplayingorchestra">http=
://www.myspace.com/theplayingorchestra</a><br>TPO at Jamendo: <a href=3D"ht=
tp://www.jamendo.com">http://www.jamendo.com</a><br>

--00504502e3b402dbc30464db9781--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 19:19:34 2009
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> Jeff ive also been checking out the Apogee duet.
> what are your thoughts on that one?

I thought it was overpriced and inflexible and I hated the breakout
cable.  What you're paying for is the legendary Apogee quality.  Their
analog/digital converters are very well regarded in pro studios and I
assume the mic preamps are also very good.

But it's just a 2 in 2 out audio interface, is it really worth $400
more than something like this?

http://pro-audio.musiciansfriend.com/product/ART-USB-Dual-Pre?sku=3D703092

If you're interested in high quality studio recording the answer may
be yes, but for live use I doubt anyone could tell the difference.

It seems well suited for someone that already has a mixer and just
wants to get the stereo mix into the computer.  I wanted to have the
mixer and audio interface combined into one device.  That's what I
like so much about the Ultralite and RME, they're basically little
digital mixers that also happen to be computer audio interfaces.  They
also have a MIDI port for the FCB1010, if you went with Apogee then
you'd have to drag along another USB MIDI interface. =20

I love the way the Duet looks but the breakout cable just ruins it.
What a mess.  If you have it sitting next to a laptop on a table then
the wires are going to dangle off the edge of the table and you're
instrument connections will be hanging in the air.  Step on a cable
the right way and you get a disconnect.  You would have to scoop
all this crap up and duct tape it to the table to provide stress
relief for the connections.

I'm sure it sounds outstanding but the design just looks silly for
live use. =20

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 19:37:59 2009
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Subject: RE: Live 8 Beta Looper and Mainstage together - first impressions
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[Warren]
> Here's one reason why the ability to send some
> message on each cycle would be cool: suppose I want to bring in a beat
> synced to the loop only after I've layed down a few overdubs. How will
> I (or any sw agent for me) know when a cycle might start?=20

I see.  There are several ways to do this, well once I get the MIDISend
function implemented for scripts there will be.  You either
write a script and quantize it to a cycle or you use Wait.  The
first method would look something like this:

   !name Trigger Beat Next Cycle
   !quantize
   MIDISend note 42

The !quantize says that the script should be run at the next
quantization point defined by the Quantize preset parameter.
You would have to have Quantize set to Cycle.  The other
method would look like this:

   !name Trigger Beat Next Cycle
   Wait cycle
   MIDISend note 42

This doesn't have a dependency on the Quantize parameter.  If you
always want to trigger on a cycle boundary the second is probably
best.  The first is best if you want to adjust the quantization
point live without modifying the script.

If you're interested in this I'll try to get the new version with
MIDISend uploaded in the next few days.

Jeff

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Subject: Re: OT: monstrous Racks (of GEAR)
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On Mar 11, 2009, at 12:56 PM, Raul Bonell wrote:

> if he had to carry that box on his shoulders he would quickly  
> abandon that necessity ... and forget those 30 years ;-) ... laptop  
> power!

Yeah, no kidding!

But it's good to be The Edge. He doesn't even have to plug in his own  
guitars, much less carry the gear.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 19:49:41 2009
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[Warren]
> More likely, for the present: i'll arrange for a drum loop (possibly
> in Live) to be triggered by the Start cmd, but i'll start it muted.
> then it should stay synced and be there when i'm ready to un-mute.

There's something else that might work.  One of the Sync Mode values
is "Out User Start", another thing I copied from the EDP.  This will
start sending clocks when the loop is closed but it doesn't send a
Start message.  When you're ready to trigger the drum loop use the
"Start Song" function.  This will wait until the loop start point then
send a MIDI Start message.

This would avoid having to mess with track mutes in Live, the downside
is that it is always quantized to the loop start point, you can't make
it start on an interior cycle boundary.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 20:18:25 2009
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
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that might be a good way for me to go - wouldn't force you into a
prerelease of MidiSend, or require me to get scripts working. the loop
vs. cycle start point issue would definitely be livable for a while.
thx.

On Wed, Mar 11, 2009 at 3:49 PM, Jeff Larson <jeff.larson@sailpoint.com> wr=
ote:
> [Warren]
>> More likely, for the present: i'll arrange for a drum loop (possibly
>> in Live) to be triggered by the Start cmd, but i'll start it muted.
>> then it should stay synced and be there when i'm ready to un-mute.
>
> There's something else that might work. =A0One of the Sync Mode values
> is "Out User Start", another thing I copied from the EDP. =A0This will
> start sending clocks when the loop is closed but it doesn't send a
> Start message. =A0When you're ready to trigger the drum loop use the
> "Start Song" function. =A0This will wait until the loop start point then
> send a MIDI Start message.
>
> This would avoid having to mess with track mutes in Live, the downside
> is that it is always quantized to the loop start point, you can't make
> it start on an interior cycle boundary.
>
> Jeff
>
>



--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 20:28:27 2009
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Date: Wed, 11 Mar 2009 13:28:26 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: RE: choosing between these soundcards for laptop
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thanx after all my instincts were right inspite of my ignorance about it it does look messy;-)

www.myspace.com/luisangulocom


--- On Wed, 3/11/09, Jeff Larson <jeff.larson@sailpoint.com> wrote:

> From: Jeff Larson <jeff.larson@sailpoint.com>
> Subject: RE: choosing between these soundcards for laptop
> To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
> Date: Wednesday, March 11, 2009, 12:19 PM
> > Jeff ive also been checking out the Apogee duet.
> > what are your thoughts on that one?
> 
> I thought it was overpriced and inflexible and I hated the
> breakout
> cable.  What you're paying for is the legendary Apogee
> quality.  Their
> analog/digital converters are very well regarded in pro
> studios and I
> assume the mic preamps are also very good.
> 
> But it's just a 2 in 2 out audio interface, is it
> really worth $400
> more than something like this?
> 
> http://pro-audio.musiciansfriend.com/product/ART-USB-Dual-Pre?sku=703092
> 
> If you're interested in high quality studio recording
> the answer may
> be yes, but for live use I doubt anyone could tell the
> difference.
> 
> It seems well suited for someone that already has a mixer
> and just
> wants to get the stereo mix into the computer.  I wanted to
> have the
> mixer and audio interface combined into one device. 
> That's what I
> like so much about the Ultralite and RME, they're
> basically little
> digital mixers that also happen to be computer audio
> interfaces.  They
> also have a MIDI port for the FCB1010, if you went with
> Apogee then
> you'd have to drag along another USB MIDI interface.  
> 
> I love the way the Duet looks but the breakout cable just
> ruins it.
> What a mess.  If you have it sitting next to a laptop on a
> table then
> the wires are going to dangle off the edge of the table and
> you're
> instrument connections will be hanging in the air.  Step on
> a cable
> the right way and you get a disconnect.  You would have to
> scoop
> all this crap up and duct tape it to the table to provide
> stress
> relief for the connections.
> 
> I'm sure it sounds outstanding but the design just
> looks silly for
> live use.  
> 
> Jeff


      

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 20:37:09 2009
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yes you are right,but i use the soundcard in the aux send of the mixer and =
dont use its preamps so i just use its stereo outs,i use the mackie because=
 live is a lot more intuitive getting my hands on a board accessing their e=
qs aux sends etc. than clicking with a mouse or scrolling a digital wheel j=
ust to turn levels down, however yes the motu seems ideal for any situation=
 specially playing Y2K looping festivals;-)in worst case you can still use =
it as a stand alone and have the FX etc.so look out you might see me with o=
ne at the festivals!
the lack of midi in the Apogee and no Windwos support hast just killed it f=
or me!
cheers
Luis

www.myspace.com/luisangulocom


--- On Wed, 3/11/09, Sjaak <tcplugin@scarlet.be> wrote:

> From: Sjaak <tcplugin@scarlet.be>
> Subject: Re: choosing between these soundcards for laptop
> To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
> Date: Wednesday, March 11, 2009, 8:45 AM
> Hi Luis,
> Keep in mind that Apogee dropped the support for Windows
> recently.
>=20
> http://news.apogeedigital.com/index.php/press-releases/43-press-releases/=
103-apogee-discontinues-windows-development
>=20
> And how many inputs do you need? I'm wondering why you
> would use both a Mackie mixer and an Apogee if you can do it
> all with just an Ultralite? Just curious ;) Yes, the Apogee
> Duet does have better pre-amps but I doubt if that makes a
> big difference in a live situation.
> ---
> Sjaak
> http://euroloopfest.com/
> http://sjaakovergaauw.com/
> http://www.last.fm/music/Sjaak+Overgaauw
>=20
>=20
> __________________________________
> Scarlet schrapt download limiet!
> ADSL20 NO LIMIT voor =E2=82=AC 29,95.
> Ga naar www.scarlet.be voor meer info!=0A=0A=0A      

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Date: Wed, 11 Mar 2009 21:45:45 +0100
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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
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Eh, guys... isn't Warren hosting the drum sequencer (UltraBeat) in
MainStage? Meaning whatever sync signal sent out from the Mobius
plug-in will target MainStage first hand. Plus Ableton Live, if he
runs that application too, in parallel. If this presumption is
correct, it would be best to only send one start command as the MIDI
Clock starts being sent out from Mobius ("sync =3D out" that is?). The
way to bring in a drum pattern could then be one of two ways: (1)
un-mute the drum thingy (that is running with the host all from the
start) or (2) start with an empty pattern running inside UltraBeat and
simply switch to a pattern with notes in it when it's about time. Then
the quantizing will happen in the drum sequence plug-in (as it is
designed for, which may be a good point)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Mar 11, 2009 at 9:18 PM, Warren Sirota <wsirota@wsdesigns.com> wrot=
e:
> that might be a good way for me to go - wouldn't force you into a
> prerelease of MidiSend, or require me to get scripts working. the loop
> vs. cycle start point issue would definitely be livable for a while.
> thx.
>
> On Wed, Mar 11, 2009 at 3:49 PM, Jeff Larson <jeff.larson@sailpoint.com> =
wrote:
>> [Warren]
>>> More likely, for the present: i'll arrange for a drum loop (possibly
>>> in Live) to be triggered by the Start cmd, but i'll start it muted.
>>> then it should stay synced and be there when i'm ready to un-mute.
>>
>> There's something else that might work. =A0One of the Sync Mode values
>> is "Out User Start", another thing I copied from the EDP. =A0This will
>> start sending clocks when the loop is closed but it doesn't send a
>> Start message. =A0When you're ready to trigger the drum loop use the
>> "Start Song" function. =A0This will wait until the loop start point then
>> send a MIDI Start message.
>>
>> This would avoid having to mess with track mutes in Live, the downside
>> is that it is always quantized to the loop start point, you can't make
>> it start on an interior cycle boundary.
>>
>> Jeff
>>
>>
>
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
> http://www.warrensirota.com
>
>

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Subject: Re: Live 8 Beta Looper and Mainstage together - first impressions
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Hey Jeff,
i remember trying this out but when i press on start song in mobius the wor=
d syncronize would just show on the UI and it wouldnt start the drumbox,am =
i missing something?

> > There's something else that might work. =A0One of
> the Sync Mode values
> > is "Out User Start", another thing I copied
> from the EDP. =A0This will
> > start sending clocks when the loop is closed but it
> doesn't send a
> > Start message. =A0When you're ready to trigger the
> drum loop use the
> > "Start Song" function. =A0This will wait
> until the loop start point then
> > send a MIDI Start message.
>=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 21:18:58 2009
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I'm sure this has been posted here sometime in the past. but you sent me off to rediscover:

http://www.videosift.com/video/Bill-Bailey-How-a-Technical-Failure-at-a-U2-Gig-will-sound 

-----Original Message-----
>From: Rick Walker <looppool@cruzio.com>
>Sent: Mar 11, 2009 12:23 AM
>To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
>Subject: Re: OT: monstrous Racks (of GEAR)
>
>The Edge has 8 rack mounted digital delays and
>and Eventide Harmonizer, which I'm sure he used mostly for 
>...........................delay
>
>
>hmmmmmm,   do you think that he hangs his entire aesthetic on digital delay?
>
>
>This is hilarious and yet made me feel better about owning 10 or 12 
>distortion pedals.
>..........speaking of the devil,   I took my new stomp box, distortion 
>oriented
>board out last night and test drove it at a Noise and Rhythm show for 
>the very first time
>but that's another self indulgent Off Topic 
>post....................<chuckle>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 21:56:32 2009
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good ideas and points. i know that i'm throwing around a stew of
things in a confusing way, but that's because i'm trying a lot of
things to see what works. in the long run, i probably won't run
Ultrabeat patterns in Mainstage - i'll probably program some midi
pattern clips in Live that I will play using the Ultrabeat sounds, in
order to be able to add more real-time variation to the output by
processing the midi stream with midi fx (or i'll use the x-groover
"probabilistic drummer" that came as a Max 5 sample to send midi to
ultrabeat or maybe to a sampler instrument). So, would a Start command
coming from the Song Start function in the middle of a stream of
clocks confuse any of that? I will experiment and see. The empty
pattern idea is a pretty good idea. but it may take me a couple of
days to try these things out - i have a jazz gig on friday and there's
rust all over my fingers - too much configurin', not enough playin'
lately.

On Wed, Mar 11, 2009 at 4:45 PM, Per Boysen <perboysen@gmail.com> wrote:
> Eh, guys... isn't Warren hosting the drum sequencer (UltraBeat) in
> MainStage? Meaning whatever sync signal sent out from the Mobius
> plug-in will target MainStage first hand. Plus Ableton Live, if he
> runs that application too, in parallel. If this presumption is
> correct, it would be best to only send one start command as the MIDI
> Clock starts being sent out from Mobius ("sync =3D out" that is?). The
> way to bring in a drum pattern could then be one of two ways: (1)
> un-mute the drum thingy (that is running with the host all from the
> start) or (2) start with an empty pattern running inside UltraBeat and
> simply switch to a pattern with notes in it when it's about time. Then
> the quantizing will happen in the drum sequence plug-in (as it is
> designed for, which may be a good point)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Wed, Mar 11, 2009 at 9:18 PM, Warren Sirota <wsirota@wsdesigns.com> wr=
ote:
>> that might be a good way for me to go - wouldn't force you into a
>> prerelease of MidiSend, or require me to get scripts working. the loop
>> vs. cycle start point issue would definitely be livable for a while.
>> thx.
>>
>> On Wed, Mar 11, 2009 at 3:49 PM, Jeff Larson <jeff.larson@sailpoint.com>=
 wrote:
>>> [Warren]
>>>> More likely, for the present: i'll arrange for a drum loop (possibly
>>>> in Live) to be triggered by the Start cmd, but i'll start it muted.
>>>> then it should stay synced and be there when i'm ready to un-mute.
>>>
>>> There's something else that might work. =A0One of the Sync Mode values
>>> is "Out User Start", another thing I copied from the EDP. =A0This will
>>> start sending clocks when the loop is closed but it doesn't send a
>>> Start message. =A0When you're ready to trigger the drum loop use the
>>> "Start Song" function. =A0This will wait until the loop start point the=
n
>>> send a MIDI Start message.
>>>
>>> This would avoid having to mess with track mutes in Live, the downside
>>> is that it is always quantized to the loop start point, you can't make
>>> it start on an interior cycle boundary.
>>>
>>> Jeff
>>>
>>>
>>
>>
>>
>> --
>> Warren
>> http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
>> http://www.warrensirota.com
>>
>>
>
>



--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 22:15:06 2009
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to respond to two posts:

Rainer wrote, about the Devi Ever Eye of God
"At the risk of sounding overtly arrogant-fatherly: I just took a look

at the product site of devi ever.......Which means, this is (as you also state), this is basically somedynamic feedback loop controller."


Yeah,   Rainer,  I was in such a hurry to get to soundcheck that I didn't have time to 
go to the website and with four unmarked input/outputs I couldn't get it to work.

I had assumed that it was a built in analogue delay with feedback connected to the photo 
eye but it is, as you say,  even hipper than that.  You need to put another stomp box effect into the upper 'loop' to get it to do anything.   The cool news is that a Fuzz box sounds amazing through it;  a digital delay,  a radical modulation effect (like the Line 6 Modulation 
Pedal).

I wrote to Shawn Cleary,  the really nice and generous spirited guy who I've corresponded with at Analogue Haven (buy your pedals from this outfit, I've been very happy with them) 
and he politely sent me to the same page you went to............<blush>

I got it working now and it's really, really cool...........especially in the manipulation 
of feedback and distortion effects.

****************
Luis  wrote:

"
Hey Rick and DL4 users,
it occurs to me that not many people use the DL4 in the aux send of a mixer,i myself tried it a long time ago and i didnt like the sound of it but i had a cheap mixer back then and havent bother to try it again since i use it as a delay stomp,how clean is the signal hooked up that way?"

I myself, tried using the DL4 in my Aux send and didn't like it.
Normally, I use an insert channel on my mixing board to create a loop for my effects 
but in this set up , I wanted real time control over the physical feedback of the little 
amplifiers I'm using, so I ran the whole board into a the amp and mic-d the amp.
Then I routed the mic channels to my LP-1   (which I am just in love with, by the way)

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 22:15:07 2009
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> I'm sure this has been posted here sometime in the past. but you sent
> me off to rediscover:
> http://www.videosift.com/video/Bill-Bailey-How-a-Technical-Failure-at-a-U=
2-Gig-will-sound=20

How the hell have I managed to live this long without knowing
about Bill Bailey?  Thank you!

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 22:31:19 2009
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http://www.youtube.com/watch?v=LKtxg1D7vZw 

and to keep it somewhat on-topic, isn't Kraftwerk one giant loop anyway?  Worth the 2'33" for the exit att he end.

-----Original Message-----
>From: Jeff Larson <jeff.larson@sailpoint.com>
>Sent: Mar 11, 2009 6:15 PM
>To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
>Subject: RE: OT: monstrous Racks (of GEAR)
>
>
>> I'm sure this has been posted here sometime in the past. but you sent
>> me off to rediscover:
>> http://www.videosift.com/video/Bill-Bailey-How-a-Technical-Failure-at-a-U2-Gig-will-sound 
>
>How the hell have I managed to live this long without knowing
>about Bill Bailey?  Thank you!
>
>Jeff
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 22:43:16 2009
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Subject: free performance tonight in san jose
Date: Wed, 11 Mar 2009 15:43:13 -0700
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hi loopers,

i am newly arrived from my australian tour (4 performances at the  
sydney opera house!) and a little wacked with jetlag, but i wanted to  
tell you this, since i know many of you are in the south bay area...

i'm performing tonight at the etech conference at the san jose  
fairmont. i just got word that i can invite people, and you can come  
for free. so, if you're in the area, here are the deets:

7pm
fairmont hotel
imperial ballroom
san jose
TONIGHT (wednesday)

(if anyone asks you when you come in, say you're here for my  
performance)

also, tonights performance will be recorded in laser by the velodyne  
lidar system (as in radiohead's house of cards video).

my best,

zoe

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Who was the weenie who felt compelled to put (of Gear) into the heading?=20
=A0


--- On Wed, 3/11/09, synchro1 <synchro1@ix.netcom.com> wrote:

From: synchro1 <synchro1@ix.netcom.com>
Subject: RE: OT: monstrous Racks (of GEAR)
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, March 11, 2009, 3:31 PM

http://www.youtube.com/watch?v=3DLKtxg1D7vZw=20

and to keep it somewhat on-topic, isn't Kraftwerk one giant loop anyway?=20
Worth the 2'33" for the exit att he end.

-----Original Message-----
>From: Jeff Larson <jeff.larson@sailpoint.com>
>Sent: Mar 11, 2009 6:15 PM
>To: "Loopers-Delight@loopers-delight.com"
<Loopers-Delight@loopers-delight.com>
>Subject: RE: OT: monstrous Racks (of GEAR)
>
>
>> I'm sure this has been posted here sometime in the past. but you
sent
>> me off to rediscover:
>>
http://www.videosift.com/video/Bill-Bailey-How-a-Technical-Failure-at-a-U2-=
Gig-will-sound

>
>How the hell have I managed to live this long without knowing
>about Bill Bailey?  Thank you!
>
>Jeff
>

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Who was the weenie who felt compelled to=
 put (of Gear) into the heading? </DIV>
<DIV>&nbsp;</DIV>
<DIV><BR><BR>--- On <B>Wed, 3/11/09, synchro1 <I>&lt;synchro1@ix.netcom.com=
&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid">From: synchro1 &lt;synchro1@ix.netcom.com&gt;<BR>Subj=
ect: RE: OT: monstrous Racks (of GEAR)<BR>To: Loopers-Delight@loopers-delig=
ht.com<BR>Date: Wednesday, March 11, 2009, 3:31 PM<BR><BR><PRE>http://www.y=
outube.com/watch?v=3DLKtxg1D7vZw=20

and to keep it somewhat on-topic, isn't Kraftwerk one giant loop anyway?=20
Worth the 2'33" for the exit att he end.

-----Original Message-----
&gt;From: Jeff Larson &lt;jeff.larson@sailpoint.com&gt;
&gt;Sent: Mar 11, 2009 6:15 PM
&gt;To: "Loopers-Delight@loopers-delight.com"
&lt;Loopers-Delight@loopers-delight.com&gt;
&gt;Subject: RE: OT: monstrous Racks (of GEAR)
&gt;
&gt;
&gt;&gt; I'm sure this has been posted here sometime in the past. but you
sent
&gt;&gt; me off to rediscover:
&gt;&gt;
http://www.videosift.com/video/Bill-Bailey-How-a-Technical-Failure-at-a-U2-=
Gig-will-sound

&gt;
&gt;How the hell have I managed to live this long without knowing
&gt;about Bill Bailey?  Thank you!
&gt;
&gt;Jeff
&gt;

</PRE></BLOCKQUOTE></td></tr></table><br>=0A=0A      
--0-206965569-1236811689=:13705--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 23:00:59 2009
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Date: Wed, 11 Mar 2009 17:00:53 -0600
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(raising hand)

Just wanted to avoid any further disappointment by those looking for 
racks of a kind which are neither connected via 1/4" cables, nor found 
on the heads of reindeer, nor available anywhere else on the internet 
except through furtively shared links via this group.

weenily,

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Who was the weenie who felt compelled to put (of Gear) into the heading?
>  
>
>
> --- On *Wed, 3/11/09, synchro1 /<synchro1@ix.netcom.com>/* wrote:
>
>     From: synchro1 <synchro1@ix.netcom.com>
>     Subject: RE: OT: monstrous Racks (of GEAR)
>

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On Mar 11, 2009, at 4:08 PM, synchro1 wrote:

> I'm sure this has been posted here sometime in the past. but you  
> sent me off to rediscover:
>
> http://www.videosift.com/video/Bill-Bailey-How-a-Technical-Failure-at-a-U2-Gig-will-sound

It's much better/funnier (imo) coming from the man himself:

http://hstreaming.zdf.de/zdf/veryhigh/090208_loud_tr_ber.mov

Check the last 30 seconds or so, although the whole trailer is good.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 23:18:29 2009
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Date: Wed, 11 Mar 2009 16:11:49 -0700 (PDT)
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hi folks,

i was wondering if anyone has used the RAM machine as a looper using a
remote midi pedal? I'm hoping to start the recording of the ram machine
(to record the audio input channels) and mute unmute of the ram machine
playback track basically via foot pedals.

thanks
michel


      

From Loopers-Delight-request@loopers-delight.com  Wed Mar 11 23:49:38 2009
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But is all cool man you can explain it better and maybe i can just hear it better;-)
thanx for the explanation Rainer it totally makes sense!
cheers
Luis

 I seem to remember
> that you
> have a somewhat specific definition of the concept of
> signal
> quality/integrity etc., and that I was once put in that
> "people who
> don't know the difference" bin, so even if I told
> you the signal
> sounds "clean", this would most probably not be
> of any use to you.
> 
> All the best,
> 
>             Rainer


      

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 00:34:05 2009
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Hi in case you can see this.

After a severe snafu with my ex-web hoster (or rather his ex, who called up 
and cancelled all his hosting accounts out of spite), my servers changed. 
Since then despite multiple attempts no return to the LD list have been 
successful.

So this is only a test.

Stephen Goodman
|
http://www.vimeo.com/spgoodman
http://www.last.fm/music/Stephen+Goodman 

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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <005a01c9a1c1$f2139720$14b2a8c0@mpeserver>
In-Reply-To: <005a01c9a1c1$f2139720$14b2a8c0@mpeserver>
Subject: RE: vst compressors
Date: Wed, 11 Mar 2009 22:19:56 -0400
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If you want to go with the not-free ones, be sure to try out the T-Racks
compressors.  Very nice.  About $150 for the standard set.

Tony

-----Original Message-----
From: Michael Peters [mailto:mp@mpeters.de] 
Sent: Tuesday, March 10, 2009 4:51 PM
To: Loopers Delight
Subject: vst compressors

trying to replace my GT-5 with vst plugins ... first of all, I need a
compressor. for some reason, my favorite kind of compressor sound has always
been an extreme setting that reduces the string attack to almost a mere
click, and then keeps the volume constant, turning the decreasing string
vibration into an almost linear sustained note ... of course this needs a
volume pedal after the compressor so that noise doesn't get too loud when
the string gets too quiet ... now I find myself browsing through endless
lists of freeware vst compressors without really understanding the
differences ... any recommendations? 
http://freemusicsoftware.org/category/free-vst-effects-2/compressor

after this, next thing will be the crunch/distortion/fuzz department ... 

-michael

From aviva1957@013net.net  Thu Mar 12 02:25:21 2009
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From: a a <aviva1957@013net.net>
Subject: Hello Dear
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Hello Dear,

I know that this proposal might be a surprise to you, but do consider it as an emergency. I am Miss Grace John from the public of Northeastern Africa Sudan, now seeking for refugee in Dakar Senegal under the (UNHCR).

My (late) father Dr. John Kewrell, was the managing director of Rainbow Gold and Diamond Mine company in (Sudan). But he was killed along side with my mother during the longing civil war and all his properties were totally destroyed.

However, after the death of my parent, I managed to escape with a very important document (DEPOSIT CERTIFICATE (US$5.9m) Five million nine hundred thousand U.S Dollars deposited by my late father in one of the leading bank with my name as the next of kin.

Meanwhile, I am saddled with the problem of securing a trust worthy foreign personality to help me transfer the money over to his/her country and into possession pending my arrival to meet with him.

Furthermore, you can contact the bank for confirmation, I will send to you the full contact address of the bank, once I get your positive response to help me with the transfer of the funds to your bank account, and help me with the investment of the funds, and my coming over to join with you in your country.

In the light of above I will like you to keep it to yourself and don't tell it to anyone for I am afraid of loosing my life and the money. I wait your positive response.

Remain Bless
Miss Grace John.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 02:31:08 2009
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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <66f9cc1e0901171748r4c83bfd6w5fbbfc1279c4370c@mail.gmail.com> <A63CDE8BE1614B8684073255C5BC09F5@eluk1>
In-Reply-To: <A63CDE8BE1614B8684073255C5BC09F5@eluk1>
Subject: RE: Is this thing on?
Date: Wed, 11 Mar 2009 22:31:04 -0400
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Got it, welcome back. :)

Tony

-----Original Message-----
From: Stephen Goodman [mailto:spgoodman@earthlight.net] 
Sent: Wednesday, March 11, 2009 7:58 PM
To: Loopers-Delight@loopers-delight.com
Subject: Is this thing on?

Hi in case you can see this.

After a severe snafu with my ex-web hoster (or rather his ex, who called up
and cancelled all his hosting accounts out of spite), my servers changed. 
Since then despite multiple attempts no return to the LD list have been
successful.

So this is only a test.

Stephen Goodman
|
http://www.vimeo.com/spgoodman
http://www.last.fm/music/Stephen+Goodman 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 03:47:31 2009
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Date: Wed, 11 Mar 2009 20:40:44 -0700 (PDT)
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Subject: Hardware looper with substitute functions + undo/redo
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--0-1752264847-1236829244=:90648
Content-Type: text/plain; charset=iso-8859-1
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hello everyone,=0Ai have been inactive for a very long time on this list.=
=0Ai'm playing in a duo where i would love to be able to skip traveling wit=
h a computer.=0Aso i'm wondering if there is now a hardware looper able to =
do very short SUBSTITUTE functions (like SooperLooper does). I tried a RC20=
 some years ago and was very disapointed with the command latency in genera=
l, i was very easely getting trap in the loop, which i manage to avoid with=
 SooperLooper.=0Abeside, it was not possible to record super tiny bits with=
 the RC20 (which i usually do to create grooves). =0AUndo/Redo would also b=
e good to have on a hardware looper. =0A=0AThank you for any help or advice=
 ;)=0A=0ASt=E9phane =0A=0A=0A=0A      
--0-1752264847-1236829244=:90648
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman,new york,times,serif;fon=
t-size:12pt"><div>hello everyone,<br>i have been inactive for a very long t=
ime on this list. <br>i'm playing in a duo where i would love to be able to=
 skip traveling with a computer.<br>so i'm wondering if there is now a hard=
ware looper able to do very short SUBSTITUTE functions (like SooperLooper d=
oes). I tried a RC20 some years ago and was very disapointed with the comma=
nd latency in general, i was very easely getting trap in the loop, which i =
manage to avoid with SooperLooper.<br>beside, it was not possible to record=
 super tiny bits with the RC20 (which i usually do to create grooves). <br>=
Undo/Redo would also be good to have on a hardware looper. <br><br>Thank yo=
u for any help or advice ;)<br><br>St=E9phane <br></div></div><br>=0A=0A=0A=
=0A      </body></html>
--0-1752264847-1236829244=:90648--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 07:44:14 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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Subject: Re: Hardware looper with substitute functions + undo/redo
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this one is coming up soon and has a lot of that:

http://www.boomerangmusic.com/Rang%20III.html

I am waiting impatiently!

www.myspace.com/luisangulocom


--- On Wed, 3/11/09, s o <obadiasteph@yahoo.com> wrote:

> From: s o <obadiasteph@yahoo.com>
> Subject: Hardware looper with substitute functions + undo/redo
> To: Loopers-Delight@loopers-delight.com
> Date: Wednesday, March 11, 2009, 8:40 PM
> hello everyone,
> i have been inactive for a very long time on this list.
> i'm playing in a duo where i would love to be able to
> skip traveling with a computer.
> so i'm wondering if there is now a hardware looper able
> to do very short SUBSTITUTE functions (like SooperLooper
> does). I tried a RC20 some years ago and was very
> disapointed with the command latency in general, i was very
> easely getting trap in the loop, which i manage to avoid
> with SooperLooper.
> beside, it was not possible to record super tiny bits with
> the RC20 (which i usually do to create grooves).=20
> Undo/Redo would also be good to have on a hardware looper.=20
>=20
> Thank you for any help or advice ;)
>=20
> St=E9phane=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 09:10:37 2009
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	 <d48a85820903092314k2a5240bdgfc0f8bd661f8dd2e@mail.gmail.com>
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Subject: Re: EDP BOTHER SYNCH!!! (sic)
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Thanks for the suggestions guys, I will speak offlist with a few people and
see if I cant get to the bottom of this.

For the record, I HAVE found a workaround. (which also explains my ability
to multi-plex briefly last week, but was un-able THIS week) It seems that
the bug appears to be dependent of which EDP is switched on first. Now one
of the brilliant things about "Brother Synch" is that its NOT (or doesnt
seem to be) a MASTER / SLAVE kind of thing, one can use either as a startup
machine, and the other will follow. However, my workaround is...
"The newest EDP must be switched on and booted first!!!"

Crazy I know, but then its seems to be OK. I did run into a moment last
evening where the units lost synch, not completely sure why, probably
something I did, but basically they are working correctly when I do this..
and I must say

O MY GOD.. its fun... and Im glad I have the edp pedals too --- I havent
programmed my FC1010 with new numbers yet, but I tried firing both EDPs from
the same pedal, that worked... then I used the analog EDP pedal to alter one
machine... (like multiply) then go back to adding and inserting on BOTH..
but one being out... by a correct music unit.. then I tried 2 identical lops
but with differnt setting for Quant 8ths... and then doing lots of subbing
(my fave thing) the sound was just jumping crazilliy around (I have them
panned nearly hard), and veru soon, I was handling 2 machines like I usually
have done with one, eyes closed and grinning!!! I stood up... at home...
hear me??? STOOD... UP!!!

Mark





-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no

--001636c924576cc3720464e85b53
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks for the suggestions guys, I will speak offlist with a few people and=
 see if I cant get to the bottom of this.<br><br>For the record, I HAVE fou=
nd a workaround. (which also explains my ability to multi-plex briefly last=
 week, but was un-able THIS week) It seems that the bug appears to be depen=
dent of which EDP is switched on first. Now one of the brilliant things abo=
ut &quot;Brother Synch&quot; is that its NOT (or doesnt seem to be) a MASTE=
R / SLAVE kind of thing, one can use either as a startup machine, and the o=
ther will follow. However, my workaround is...<br>
&quot;The newest EDP must be switched on and booted first!!!&quot; <br><br>=
Crazy I know, but then its seems to be OK. I did run into a moment last eve=
ning where the units lost synch, not completely sure why, probably somethin=
g I did, but basically they are working correctly when I do this.. and I mu=
st say<br>
<br>O MY GOD.. its fun... and Im glad I have the edp pedals too --- I haven=
t programmed my FC1010 with new numbers yet, but I tried firing both EDPs f=
rom the same pedal, that worked... then I used the analog EDP pedal to alte=
r one machine... (like multiply) then go back to adding and inserting on BO=
TH.. but one being out... by a correct music unit.. then I tried 2 identica=
l lops but with differnt setting for Quant 8ths... and then doing lots of s=
ubbing (my fave thing) the sound was just jumping crazilliy around (I have =
them panned nearly hard), and veru soon, I was handling 2 machines like I u=
sually have done with one, eyes closed and grinning!!! I stood up... at hom=
e... hear me??? STOOD... UP!!!<br>
<br>Mark<br><br><br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.=
markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com=
/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtub=
e.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no">www.looop.no</a><br>

--001636c924576cc3720464e85b53--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 09:18:55 2009
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Subject: OT: beta testers wanted for new effect plug-in
From: Os <os@collective.co.uk>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Hi,

I have a new plug-in almost ready to release, and am interested to
give it to a few people to try out, just in case I missed anything
obvious in terms of bugs or missing features.

It's a little like a Moog Freqbox
http://www.soundonsound.com/sos/nov08/articles/moogmf107.htm

and is particularly suited to being used on guitars.

I have Mac versions (AU & VST) ready now and a Windows VST will follow shortly.

If anyone's interested, mail me off list.


cheers,
os.

-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 09:31:53 2009
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	 <d48a85820903092314k2a5240bdgfc0f8bd661f8dd2e@mail.gmail.com>
	 <9ab0c76f0903120210u6400e51v5dff61cb7d734752@mail.gmail.com>
Date: Thu, 12 Mar 2009 10:31:52 +0100
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Subject: Re: EDP BOTHER SYNCH!!! (sic)
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 12, 2009 at 10:10 AM, mark francombe <mark@markfrancombe.com> wrote:

> machine... (like multiply) then go back to adding and inserting on BOTH..
> but one being out... by a correct music unit.. then I tried 2 identical lops
> but with differnt setting for Quant 8ths... and then doing lots of subbing
> (my fave thing) the sound was just jumping crazilliy around (I have them
> panned nearly hard),

Wow, that's an interesting trick! I remember dreaming about doing it
when I only had one EDP (and a Repeater) and I sort of cheated it on
the Repeater by recording to two tracks, splitting them and slipping
one of them by a musical value. Anyway, I just checked and it can be
done in Mobuis - so I too will have some fun with that trick now.
Thanks for reminding me, I had totally forgotten about it over the
years ;-))

> and veru soon, I was handling 2 machines like I usually
> have done with one, eyes closed and grinning!!! I stood up... at home...
> hear me??? STOOD... UP!!!

That's wonderful!
STanding ovations from Sweden!

per

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 09:44:45 2009
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Subject: OT   That 'sizzle sound'  of Mp3s
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Young People Prefer "Sizzle Sounds" of MP3 Format:

http://slashdot.org/article.pl?sid=09/03/11/153205

"Jonathan Berger, a professor of music at Stanford, tests his incoming
students each year by having them listen to a variety of recordings which
use different formats from MP3 to ones of much higher quality, and he
reports that each year the preference for music in MP3 format rises. 

Berger says that young people seemed to prefer 'sizzle sounds' that MP3s bring to
music because it is a sound they are familiar with. 

'The music examples included both orchestral, jazz and rock music. When I first did this I was
expecting to hear preferences for uncompressed audio and expecting to see
MP3 (at 128, 160 and 192 bit rates) well below other methods (including a
proprietary wavelet-based approach and AAC),' writes Berger. 'To my
surprise, in the rock examples the MP3 at 128 was preferred. I repeated the
experiment over 6 years and found the preference for MP3 - particularly in
music with high energy (cymbal crashes, brass hits, etc) rising over time.'

Dale Dougherty writes that the context of the music changes our perception
of the sound, particularly when it's so obviously and immediately shared by
others. 'All that sizzle is a cultural artifact and a tie that binds us.
It's mostly invisible to us but it is something future generations looking
back might find curious because these preferences won't be obvious to
them.'"


From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 14:04:18 2009
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Subject: Echoplex POPS on Halfspeed
Date: Thu, 12 Mar 2009 07:04:16 -0700
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Hello Loopers,

Has anyone had a problem with their EDP Echoplexes making loud and  
percussive POPs when switching in and out of Half-Speed Mode? This  
happens with both audible and inaudible loops (not recording  
anything). All other modes are perfectly quiet when switching. This  
happens from the front panel and via my Rocktron All Access. I've even  
tried turning everything off in my whole rig minus the Echoplexes. I  
have two units in my rack and both started doing this recently. I'm  
sure it's a grounding issue within my rack but I'm wondering if anyone  
else has heard of this problem?

Adam






From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 14:32:53 2009
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Subject: Re: OT   That 'sizzle sound'  of Mp3s
Date: Thu, 12 Mar 2009 07:33:02 -0700
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I wouldn't have guessed the results, but I'm also not surprised by them.  It 
makes sense that sound preferences are learned and not inherent.

Bob 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 14:54:07 2009
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Subject: Re: OT   That 'sizzle sound'  of Mp3s
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--0-1196109562-1236869646=:18774
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I'm just amazed that people accept the MP3 sound quality at all. Yeah, it's=
 convenient to have a bunch of music in a small format. But, I find that wh=
en listened to on my automobile stereo, or just via headphones as normal, t=
he sound lacks a certain something. I much prefer listening to a CD even wi=
th its limitations. When I crank the volume when=A0 a CD is playing I can h=
ear subleties - when I crank an MP3, all's I hear is the same limited audio=
 quality but louder.
=A0
That's just my opinion. I could be wrong.

--- On Thu, 3/12/09, Bob Amstadt <bob@amstadt.com> wrote:


From: Bob Amstadt <bob@amstadt.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
To: Loopers-Delight@loopers-delight.com
Date: Thursday, March 12, 2009, 10:33 AM


I wouldn't have guessed the results, but I'm also not surprised by them.=A0=
 It makes sense that sound preferences are learned and not inherent.

Bob=20
=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>I'm just amazed that people accept the M=
P3 sound quality at all. Yeah, it's convenient to have a bunch of music in =
a small format. But, I find that when listened to on my automobile stereo, =
or just via headphones as normal, the sound lacks a certain something. I mu=
ch prefer listening to a CD even with its limitations. When I crank the vol=
ume when&nbsp; a CD is playing I can hear subleties - when I crank an MP3, =
all's I hear is the same limited audio quality but louder.</DIV>
<DIV>&nbsp;</DIV>
<DIV>That's just my opinion. I could be wrong.<BR><BR>--- On <B>Thu, 3/12/0=
9, Bob Amstadt <I>&lt;bob@amstadt.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Bob Amstadt &lt;bob@amstadt.com&gt;<BR>Subj=
ect: Re: OT That 'sizzle sound' of Mp3s<BR>To: Loopers-Delight@loopers-deli=
ght.com<BR>Date: Thursday, March 12, 2009, 10:33 AM<BR><BR>
<DIV class=3DplainMail>I wouldn't have guessed the results, but I'm also no=
t surprised by them.&nbsp; It makes sense that sound preferences are learne=
d and not inherent.<BR><BR>Bob <BR></DIV></BLOCKQUOTE></td></tr></table><br=
>=0A=0A      
--0-1196109562-1236869646=:18774--

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Date: Thu, 12 Mar 2009 14:52:37 +0000 (GMT)
From: s o <obadiasteph@yahoo.com>
Subject: Re : OT   That 'sizzle sound'  of Mp3s
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interesting discussion thank you! =0Aanalog is ancient, with analog came ac=
cidents, scratches, charm and imperfections. i think there is habbit issues=
 but there is also something else : =0Alike some sort of nostalgia, even a =
nostalgia for a period when we weren't born. nostalgia for an age where thi=
ngs were more "authentic". as perfection is often associated with coldness.=
=0Alike when it comes to pop/rock/folk, most people would prefer a dirty si=
nger-songwriters with beard to a professional skilled and shaved tight guy =
in a suit. even if it's false, it feels more authentic. sad as it may sound=
.=0Athere is some charm in the clumsyness, some charm in default, in untrai=
ned voices.=0A=0Ait's interesting that a lot of young people like lo-fi so =
much, it's so much of an attitude sometime.=0A=0Ai also ended up here http:=
//www.wnyc.org/shows/radiolab/episodes/2006/04/21=0Ait's a wonderful radio =
show, check it out!!!=0A=0A=0A=0A=0A=0A=0A________________________________=
=0ADe : Bob Amstadt <bob@amstadt.com>=0A=C0 : Loopers-Delight@loopers-delig=
ht.com=0AEnvoy=E9 le : Jeudi, 12 Mars 2009, 15h33mn 02s=0AObjet : Re: OT   =
That 'sizzle sound'  of Mp3s=0A=0AI wouldn't have guessed the results, but =
I'm also not surprised by them.  It makes sense that sound preferences are =
learned and not inherent.=0A=0ABob =0A=0A=0A=0A      
--0-228978054-1236869557=:88618
Content-Type: text/html; charset=iso-8859-1
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman,new york,times,serif;fon=
t-size:12pt"><div>interesting discussion thank you! <br>analog is ancient, =
with analog came accidents, scratches, charm and imperfections. i think the=
re is habbit issues but there is also something else : <br>like some sort o=
f nostalgia, even a nostalgia for a period when we weren't born. nostalgia =
for an age where things were more "authentic". as perfection is often assoc=
iated with coldness.<br>like when it comes to pop/rock/folk, most people wo=
uld prefer a dirty singer-songwriters with beard to a professional skilled =
and shaved tight guy in a suit. even if it's false, it feels more authentic=
. sad as it may sound.<br>there is some charm in the clumsyness, some charm=
 in default, in untrained voices.<br><br>it's interesting that a lot of you=
ng people like lo-fi so much, it's so much of an attitude
 sometime.<br><br>i also ended up here http://www.wnyc.org/shows/radiolab/e=
pisodes/2006/04/21<br>it's a wonderful radio show, check it out!!!<br><br><=
br></div><div style=3D"font-family: times new roman,new york,times,serif; f=
ont-size: 12pt;"><br><div style=3D"font-family: arial,helvetica,sans-serif;=
 font-size: 13px;"><font face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><span=
 style=3D"font-weight: bold;">De :</span></b> Bob Amstadt &lt;bob@amstadt.c=
om&gt;<br><b><span style=3D"font-weight: bold;">=C0 :</span></b> Loopers-De=
light@loopers-delight.com<br><b><span style=3D"font-weight: bold;">Envoy=E9=
 le :</span></b> Jeudi, 12 Mars 2009, 15h33mn 02s<br><b><span style=3D"font=
-weight: bold;">Objet&nbsp;:</span></b> Re: OT   That 'sizzle sound'  of Mp=
3s<br></font><br>I wouldn't have guessed the results, but I'm also not surp=
rised by them.&nbsp; It makes sense that sound preferences are learned and =
not inherent.<br><br>Bob <br></div></div></div><br>=0A=0A=0A=0A      </body=
></html>
--0-228978054-1236869557=:88618--

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Date: Thu, 12 Mar 2009 08:06:51 -0700 (PDT)
From: George Ludwig <sfmissionman@yahoo.com>
Subject: Re: OT   That 'sizzle sound'  of Mp3s
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I don't think one can=A0discuss mp3 sound quality without referencing a bit=
 rate. At 96kbps, it's crappy. At 120kbps, it sounds just OK. At 320kbps, i=
t sounds pretty damn good.=0A=0AMp3 is not the problem, IMO. It's the bit r=
ate.=0A=0A-George=0Ahttp://www.myspace.com/georgeludwigmusic =0A=0A=0A=0A=
=0A________________________________=0AFrom: Paul Richards <paulrichard_rock=
s@yahoo.com>=0ATo: Loopers-Delight@loopers-delight.com=0ASent: Thursday, Ma=
rch 12, 2009 7:54:06 AM=0ASubject: Re: OT That 'sizzle sound' of Mp3s=0A=0A=
=0AI'm just amazed that people accept the MP3 sound quality at all.=A0 =0A=
=0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV></DIV>=0A<DIV>I don't think one can&nbsp;discuss mp3 s=
ound quality without referencing a bit rate. At 96kbps, it's crappy. At 120=
kbps, it sounds just OK. At 320kbps, it sounds pretty damn good.</DIV>=0A<D=
IV>&nbsp;</DIV>=0A<DIV>Mp3 is not the problem, IMO. It's the bit rate.</DIV=
>=0A<DIV>&nbsp;</DIV>=0A<DIV>-George</DIV>=0A<DIV>&nbsp;</DIV>http://www.my=
space.com/georgeludwigmusic=0A<DIV><BR></DIV>=0A<DIV style=3D"FONT-SIZE: 12=
pt; FONT-FAMILY: times new roman, new york, times, serif"><BR>=0A<DIV style=
=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif">=
<FONT face=3DTahoma size=3D2>=0A<HR SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIG=
HT: bold">From:</SPAN></B> Paul Richards &lt;paulrichard_rocks@yahoo.com&gt=
;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delight@lo=
opers-delight.com<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> =
Thursday, March 12, 2009 7:54:06 AM<BR><B><SPAN style=3D"FONT-WEIGHT: bold"=
>Subject:</SPAN></B> Re: OT That 'sizzle sound' of Mp3s<BR></FONT><BR>=0A<T=
ABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>=0A<TBODY>=0A<TR>=0A<TD vAl=
ign=3Dtop>=0A<DIV>I'm just amazed that people accept the MP3 sound quality =
at all.&nbsp;</DIV></TD></TR></TBODY></TABLE><BR></DIV></DIV></div><br>=0A=
=0A      </body></html>
--0-1640399081-1236870411=:45202--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 15:11:36 2009
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Date: Thu, 12 Mar 2009 16:11:35 +0100
Message-ID: <66f9cc1e0903120811v473ce34en7d14bf01ea127e43@mail.gmail.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 12, 2009 at 3:54 PM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> I much prefer listening to a CD even with its limitations

Yup, me too - as for the fidelity that is. I don't like listening to
CD's at all and vinyl are worse in my book; both formats being very
impractical to handle physically. I mostly listen to digital files
with CD equal quality, the Apple Lossless format that I rip all my
records in. On the iPod it takes half as much space as raw CD audio
format but without any change in sound.


> George Ludwig to Loopers-Delight
>
> I don't think one can discuss mp3 sound quality without referencing a bit rate. At 96kbps, it's crappy. At 120kbps, it sounds just OK. At 320kbps, it sounds pretty damn good.
>
> Mp3 is not the problem, IMO. It's the bit rate.

Not really. AAC actually sounds better at the same bit rate, if you
have to compress music.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 15:15:51 2009
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	 <66f9cc1e0903120811v473ce34en7d14bf01ea127e43@mail.gmail.com>
Date: Thu, 12 Mar 2009 08:15:50 -0700
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Subject: Re: OT That 'sizzle sound' of Mp3s
From: Art Simon <simart@gmail.com>
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I'm curious, is the "sizzle" introduced by mp3 encoding similar to the
"bitcrushing" the bitrman effect uses? A lot of people (including me)
like that bitcrushed drum sound. That might explain some of the
preference for the effect on "high energy" music.

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Date: Thu, 12 Mar 2009 08:54:04 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: OT   That 'sizzle sound'  of Mp3s
To: Loopers-Delight@loopers-delight.com
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--0-1731044712-1236873244=:62409
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So how much smaller is a 320kpbs MP3 file then a standard wav file percenta=
ge -wise?

--- On Thu, 3/12/09, George Ludwig <sfmissionman@yahoo.com> wrote:


From: George Ludwig <sfmissionman@yahoo.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
To: Loopers-Delight@loopers-delight.com
Date: Thursday, March 12, 2009, 11:06 AM







I don't think one can=A0discuss mp3 sound quality without referencing a bit=
 rate. At 96kbps, it's crappy. At 120kbps, it sounds just OK. At 320kbps, i=
t sounds pretty damn good.
=A0
Mp3 is not the problem, IMO. It's the bit rate.
=A0
-George
=A0http://www.myspace.com/georgeludwigmusic=20






From: Paul Richards <paulrichard_rocks@yahoo.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thursday, March 12, 2009 7:54:06 AM
Subject: Re: OT That 'sizzle sound' of Mp3s






I'm just amazed that people accept the MP3 sound quality at all.=A0

=0A=0A=0A      
--0-1731044712-1236873244=:62409
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">So how much smaller is a 320kpbs MP3 file the=
n a standard wav file percentage -wise?<BR><BR>--- On <B>Thu, 3/12/09, Geor=
ge Ludwig <I>&lt;sfmissionman@yahoo.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: George Ludwig &lt;sfmissionman@yahoo.com&gt=
;<BR>Subject: Re: OT That 'sizzle sound' of Mp3s<BR>To: Loopers-Delight@loo=
pers-delight.com<BR>Date: Thursday, March 12, 2009, 11:06 AM<BR><BR>
<DIV id=3Dyiv314964003>
<STYLE type=3Dtext/css><!--#yiv314964003 DIV {margin:0px;}--></STYLE>

<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, time=
s, serif">
<DIV></DIV>
<DIV>I don't think one can&nbsp;discuss mp3 sound quality without referenci=
ng a bit rate. At 96kbps, it's crappy. At 120kbps, it sounds just OK. At 32=
0kbps, it sounds pretty damn good.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Mp3 is not the problem, IMO. It's the bit rate.</DIV>
<DIV>&nbsp;</DIV>
<DIV>-George</DIV>
<DIV>&nbsp;</DIV>http://www.myspace.com/georgeludwigmusic=20
<DIV><BR></DIV>
<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, time=
s, serif"><BR>
<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, time=
s, serif"><FONT face=3DTahoma size=3D2>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Paul Richards &lt;pau=
lrichard_rocks@yahoo.com&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</S=
PAN></B> Loopers-Delight@loopers-delight.com<BR><B><SPAN style=3D"FONT-WEIG=
HT: bold">Sent:</SPAN></B> Thursday, March 12, 2009 7:54:06 AM<BR><B><SPAN =
style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Re: OT That 'sizzle sound' =
of Mp3s<BR></FONT><BR>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>I'm just amazed that people accept the MP3 sound quality at all.&nbsp;=
</DIV></TD></TR></TBODY></TABLE><BR></DIV></DIV></DIV><BR></DIV></BLOCKQUOT=
E></td></tr></table><br>=0A=0A      
--0-1731044712-1236873244=:62409--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 15:57:46 2009
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	 <66f9cc1e0903120811v473ce34en7d14bf01ea127e43@mail.gmail.com>
Date: Thu, 12 Mar 2009 16:57:44 +0100
Message-ID: <afb941d0903120857u3ebaec5ap23aff10aae9b6538@mail.gmail.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
From: Raul Bonell <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5bcc57bb94c0464ee0bf6
Content-Type: text/plain; charset=ISO-8859-1
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also .ogg and even .wma at the same bit rate

2009/3/12 Per Boysen <perboysen@gmail.com>

> On Thu, Mar 12, 2009 at 3:54 PM, Paul Richards
> <paulrichard_rocks@yahoo.com> wrote:
> > I much prefer listening to a CD even with its limitations
>
> Yup, me too - as for the fidelity that is. I don't like listening to
> CD's at all and vinyl are worse in my book; both formats being very
> impractical to handle physically. I mostly listen to digital files
> with CD equal quality, the Apple Lossless format that I rip all my
> records in. On the iPod it takes half as much space as raw CD audio
> format but without any change in sound.
>
>
> > George Ludwig to Loopers-Delight
> >
> > I don't think one can discuss mp3 sound quality without referencing a bit
> rate. At 96kbps, it's crappy. At 120kbps, it sounds just OK. At 320kbps, it
> sounds pretty damn good.
> >
> > Mp3 is not the problem, IMO. It's the bit rate.
>
> Not really. AAC actually sounds better at the same bit rate, if you
> have to compress music.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>


-- 
Raul Bonell at blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

--001636c5bcc57bb94c0464ee0bf6
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also .ogg and even .wma at the same bit rate<br><br><div class=3D"gmail_quo=
te">2009/3/12 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@=
gmail.com">perboysen@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail=
_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt=
 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">On Thu, Mar 12, 2009 at 3:54 PM, Paul Richards<br>
&lt;<a href=3D"mailto:paulrichard_rocks@yahoo.com">paulrichard_rocks@yahoo.=
com</a>&gt; wrote:<br>
&gt; I much prefer listening to a CD even with its limitations<br>
<br>
</div>Yup, me too - as for the fidelity that is. I don&#39;t like listening=
 to<br>
CD&#39;s at all and vinyl are worse in my book; both formats being very<br>
impractical to handle physically. I mostly listen to digital files<br>
with CD equal quality, the Apple Lossless format that I rip all my<br>
records in. On the iPod it takes half as much space as raw CD audio<br>
format but without any change in sound.<br>
<br>
<br>
&gt; George Ludwig to Loopers-Delight<br>
<div class=3D"im">&gt;<br>
&gt; I don&#39;t think one can discuss mp3 sound quality without referencin=
g a bit rate. At 96kbps, it&#39;s crappy. At 120kbps, it sounds just OK. At=
 320kbps, it sounds pretty damn good.<br>
&gt;<br>
&gt; Mp3 is not the problem, IMO. It&#39;s the bit rate.<br>
<br>
</div>Not really. AAC actually sounds better at the same bit rate, if you<b=
r>
have to compress music.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell at b=
logger: <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogsp=
ot.com</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.co=
m">http://www.ct-collective.com</a><br>
TPO at myspace: <a href=3D"http://www.myspace.com/theplayingorchestra">http=
://www.myspace.com/theplayingorchestra</a><br>TPO at Jamendo: <a href=3D"ht=
tp://www.jamendo.com">http://www.jamendo.com</a><br>

--001636c5bcc57bb94c0464ee0bf6--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 16:08:49 2009
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Date: Thu, 12 Mar 2009 17:08:47 +0100
From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: new mac mini with fw800 ... hoooorra!
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Hi Per

> Why would the looper software crash then if it doesn't crash now?

Well, because computers have a way of behaving 100 times consistently and then completely screwing up the 101st time... ;-)

But seriously imagine this: Before a gig, you're sitting in a hotel room in the middle of nowhere... And your little macmini just doesn't work properly. For no reason whatsoever! You start sweating, soundcheck is soon.... Again, you panic and there is no screen around. You don't know what the hell is wrong...

Is this scenario so unrealistic? Do you really want to risk being in this place?
With a laptop, at least you could find a workaround in time.

I'm not trying to be sarcastic. Especially now that the new MacBook has no Firewire, a decent Macmini _could_ be an option for me.
But the above scenario is what I fear and computers just have screwed up too often for me to trust them without screen+keyboard.

What do you think?

Buzap

-- 
Psssst! Schon vom neuen GMX MultiMessenger gehört? Der kann`s mit allen: http://www.gmx.net/de/go/multimessenger01

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 16:23:36 2009
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Date: Thu, 12 Mar 2009 12:22:43 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: OT   That 'sizzle sound'  of Mp3s
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--============_-975247529==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

A 44.1kHz 16 bit stereo audio file, which is the red book CD 
standard, uses about 10MB per minute,  and a 320kbps MP3 will use 
about 2.3MB per minute,  22.3% of the storage space.. a savings of 77%



>So how much smaller is a 320kpbs MP3 file then a standard wav file 
>percentage -wise?
>
>--- On Thu, 3/12/09, George Ludwig <sfmissionman@yahoo.com> wrote:
>
>
>From: George Ludwig <sfmissionman@yahoo.com>
>Subject: Re: OT That 'sizzle sound' of Mp3s
>To: Loopers-Delight@loopers-delight.com
>Date: Thursday, March 12, 2009, 11:06 AM
>
>I don't think one can discuss mp3 sound quality without referencing 
>a bit rate. At 96kbps, it's crappy. At 120kbps, it sounds just OK. 
>At 320kbps, it sounds pretty damn good.
>
>Mp3 is not the problem, IMO. It's the bit rate.
>
>-George
>
>http://www.myspace.com/georgeludwigmusic
>
>
>
>From: Paul Richards <paulrichard_rocks@yahoo.com>
>To: Loopers-Delight@loopers-delight.com
>Sent: Thursday, March 12, 2009 7:54:06 AM
>Subject: Re: OT That 'sizzle sound' of Mp3s
>
>I'm just amazed that people accept the MP3 sound quality at all.


-- 
...
http://www.zmix.net
--============_-975247529==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: OT   That 'sizzle sound'  of
Mp3s</title></head><body>
<div>A 44.1kHz 16 bit stereo audio file, which is the red book CD
standard, uses about 10MB per minute,&nbsp; and a 320kbps MP3 will use
about 2.3MB per minute,&nbsp; 22.3% of the storage space.. a savings
of 77%</div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>So how much smaller is a 320kpbs MP3 file
then a standard wav file percentage -wise?<br>
<br>
--- On<b> Thu, 3/12/09, George Ludwig<i>
&lt;sfmissionman@yahoo.com&gt;</i></b> wrote:<br>
<blockquote><br>
From: George Ludwig &lt;sfmissionman@yahoo.com&gt;<br>
Subject: Re: OT That 'sizzle sound' of Mp3s<br>
To: Loopers-Delight@loopers-delight.com<br>
Date: Thursday, March 12, 2009, 11:06 AM<br>
</blockquote>
<blockquote>I don't think one can&nbsp;discuss mp3 sound quality
without referencing a bit rate. At 96kbps, it's crappy. At 120kbps, it
sounds just OK. At 320kbps, it sounds pretty damn good.</blockquote>
<blockquote>&nbsp;</blockquote>
<blockquote>Mp3 is not the problem, IMO. It's the bit
rate.</blockquote>
<blockquote>&nbsp;</blockquote>
<blockquote>-George</blockquote>
<blockquote>&nbsp;</blockquote>
<blockquote>http://www.myspace.com/georgeludwigmusic</blockquote>
<blockquote><br></blockquote>
<blockquote><br></blockquote>
<blockquote>
<hr size="1"></blockquote>
<blockquote><font face="Tahoma" size="-1"><b>From:</b> Paul Richards
&lt;paulrichard_rocks@yahoo.com&gt;<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Sent:</b> Thursday, March 12, 2009 7:54:06 AM<br>
<b>Subject:</b> Re: OT That 'sizzle sound' of Mp3s</font><br>
<font face="Tahoma" size="-1"></font></blockquote>
<blockquote>I'm just amazed that people accept the MP3 sound quality
at all.</blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-975247529==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 16:35:22 2009
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From: Daryl Shawn <highhorse@mhorse.com>
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Subject: Re: new mac mini with fw800 ... hoooorra!
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I definitely would account for display/keyboard. For max portability, 
I'd suggest getting one of the roll-up silicon keyboards:

http://www.thinkgeek.com/computing/input/5a7f/

or this lil guy:

http://www.intolect.com/ack3400udetail.htm

And one of these brand-new 4" USB monitors (maybe when they drop in 
price a bit...they're $200 US):

http://www.engadget.com/2008/10/14/4-3-inch-usb-powered-monitor-asks-will-the-real-nettop-please-s/

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> But the above scenario is what I fear and computers just have screwed up too often for me to trust them without screen+keyboard.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 16:39:05 2009
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Date: Thu, 12 Mar 2009 11:39:02 -0500
Subject: RE: new mac mini with fw800 ... hoooorra!
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> But the above scenario is what I fear and computers just have screwed
> up too often for me to trust them without screen+keyboard.

If I were to take a MacMini around, I would have something like
this handy. =20

  http://www.mp3playerstore.com/stuff_you_need/special/IN-700VG.htm

I've also seen some "gamer" portable monitors.  They're kind
of hard to find, I guess it's a niche market.  Most of these
seem to be made for embedded use, like car DVD players.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 16:39:24 2009
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Date: Thu, 12 Mar 2009 09:39:21 -0700
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Subject: Re: new mac mini with fw800 ... hoooorra!
From: Art Simon <simart@gmail.com>
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Or a touchscreen like this one and you might not need a keyboard.
http://store.mp3car.com/Lilliput_7_VGA_Touchscreen_619GL_70NP_p/mon-001.htm

On Thu, Mar 12, 2009 at 9:35 AM, Daryl Shawn <highhorse@mhorse.com> wrote:
> I definitely would account for display/keyboard. For max portability, I'd
> suggest getting one of the roll-up silicon keyboards:
>
> http://www.thinkgeek.com/computing/input/5a7f/
>
> or this lil guy:
>
> http://www.intolect.com/ack3400udetail.htm
>
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 16:55:52 2009
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Subject: Re: EDP BOTHER SYNCH!!! (sic)
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Mark wrote . . .  I was handling 2 machines like I usually have done with
one, eyes closed and grinning!!! I stood up... at home... hear me???
STOOD... UP!!!

Whoa!  Complete lunacy!!! Take your meds Mark . . . -m

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Mark wrote . . .=A0 I was handling 2 machines like I usually have done with=
 one,
eyes closed and grinning!!! I stood up... at home... hear me???
STOOD... UP!!! <br clear=3D"all"><br>
Whoa!=A0 Complete lunacy!!! Take your meds Mark . . . -m

--000e0cd402045ae13a0464eedb74--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 17:28:16 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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Ha,ha Per this isnt a serious question,is it?

> > Why would the looper software crash then if it
> doesn't crash now?


A computer without screen on stage? you are asking for some serious suicide=
!!!

maybe 10 years from now but right now we are all just beta guenie pigs!









>=20
> Well, because computers have a way of behaving 100 times
> consistently and then completely screwing up the 101st
> time... ;-)
>=20
> But seriously imagine this: Before a gig, you're
> sitting in a hotel room in the middle of nowhere... And your
> little macmini just doesn't work properly. For no reason
> whatsoever! You start sweating, soundcheck is soon....
> Again, you panic and there is no screen around. You
> don't know what the hell is wrong...
>=20
> Is this scenario so unrealistic? Do you really want to risk
> being in this place?
> With a laptop, at least you could find a workaround in
> time.
>=20
> I'm not trying to be sarcastic. Especially now that the
> new MacBook has no Firewire, a decent Macmini _could_ be an
> option for me.
> But the above scenario is what I fear and computers just
> have screwed up too often for me to trust them without
> screen+keyboard.
>=20
> What do you think?
>=20
> Buzap
>=20
> --=20
> Psssst! Schon vom neuen GMX MultiMessenger geh=F6rt? Der
> kann`s mit allen: http://www.gmx.net/de/go/multimessenger01=0A=0A=0A     =
 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 17:36:34 2009
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Subject: Re: new mac mini with fw800 ... hoooorra!
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On Thu, Mar 12, 2009 at 6:28 PM, L.Angulo <labaloops@yahoo.com> wrote:
> Ha,ha Per this isnt a serious question,is it?
>
>> > Why would the looper software crash then if it
>> doesn't crash now?
>
>
> A computer without screen on stage? you are asking for some serious suicide!!!
> maybe 10 years from now but right now we are all just beta guenie pigs!

There are lots of computers working on their own without crashing.
Just look at a web hotel and server applications. I have myself set up
computers at exhibitions that have been running for weeks on a row.
Just make sure only the music application in the relevant setup is
automatically loaded when you boot up the box. I use the laptop not
much differently than I use the EDP, in essence never looking at the
screen and giving commands by MIDI foot pedals. If the box hangs, just
reboot it. I've done that to EDP and laptop many times, no big deal.

And BTW - you can have two Mac Minis!!! If one fucks up, just be cool
and throw it out the window and plug in next one ;-))  The show must
go on!

I would of course keep nice little screen and mini keyboard handy if I
need to tweak something on the mini. But I'm not sure it would be
needed on stage.

Per

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What are your thoughts on decent and reasonable priced VST drums?  I prefer 
patches that can be plunked down as opposed to filling in the squares.  It's 
easier to rip apart a midiline than build one ;-)

Thanks!

Plish

www.michaelplishka.com 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 18:33:40 2009
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
continue the  month-long Special Focus on UK synthesist Ian Boddy.  The
Featured CD at Midnight will be "The Final Question" by Ian Boddy on
DiN Records.

For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 18:34:19 2009
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From: scott hansen <evanpeewee@yahoo.com>
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Subject: OT That 'sizzle sound' of Mp3s
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--0-1094884376-1236882858=:33009
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

this is an interesting debate. i've talked about this w/ a friend of mine w=
ho is a professional musician. we sort of laugh about how bad mp3's sound. =
sure it's a quick way to hear things, and it's easy, and a good way to samp=
le a large amt of things for listening -think of the old days of having to =
take album out of cover, out of sleeve, put on phono player, cue up, listen=
, then if you want to hear something different, you reverse order to put aw=
ay, and start up w/ new album (and be careful not to scratch album-and boy =
i hated the cracks, pops, scratches!).
but the other thing i think is we now have a whole generation who this is h=
ow they listen to music, so maybe the oldsters who whine and bitch (me!)=A0=
 just need to shutup and deal (i'm trying to be funny here).
i think for me the main thing is when i hear music i know, or have long his=
tory w/ (fill in classic rock band here), when i hear mp3 of song, it sound=
s different to my ears than what i remember hearing of the same stuff back =
in the good old days of college (albums). maybe it's just the tiny computer=
 speakers, i don't know. maybe it's just that i'm old and jaded.
but the reality is this generation don't have that history w/ different med=
iums (albums to cds to digital)

but i'll give an example: i rarely see live music (no time w/ busy life), b=
ut i check out different guitarists live on youtube pretty often. i think i=
t gives me a reference for their sound & to see what they are doing, i'm su=
re it would sound WAY different if i was there, but i probably don't have t=
he money to see everything i'd like to see, so you live w/ it.
i'm thinking how great it is to see all the different types of music on-lin=
e, it would have been amazing to see adrian belew/david torn/henry kaiser/e=
tc live back in the 80's when i first discovered them, but i couldn't. oh w=
ell...

i suppose the day the technology becomes where they beam the sounds directl=
y to our brains, our kids when they are old and cranky will, say, boy it wa=
s way better back w/ mp3's on my old computer/ipod, those were the days....=
.
s---
www.myspace.com/scotthansen
http://video.google.com/videoplay?docid=3D235503632389016121
http://video.google.com/videoplay?docid=3D5791548553161416906&hl=3Den

=0A=0A=0A      
--0-1094884376-1236882858=:33009
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">this is an interesting debate. i've talked ab=
out this w/ a friend of mine who is a professional musician. we sort of lau=
gh about how bad mp3's sound. sure it's a quick way to hear things, and it'=
s easy, and a good way to sample a large amt of things for listening -think=
 of the old days of having to take album out of cover, out of sleeve, put o=
n phono player, cue up, listen, then if you want to hear something differen=
t, you reverse order to put away, and start up w/ new album (and be careful=
 not to scratch album-and boy i hated the cracks, pops, scratches!).<br>but=
 the other thing i think is we now have a whole generation who this is how =
they listen to music, so maybe the oldsters who whine and bitch (me!)&nbsp;=
 just need to shutup and deal (i'm trying to be funny here).<br>i think for=
 me the main thing is when i hear music i know, or have long history w/ (fi=
ll
 in classic rock band here), when i hear mp3 of song, it sounds different t=
o my ears than what i remember hearing of the same stuff back in the good o=
ld days of college (albums). maybe it's just the tiny computer speakers, i =
don't know. maybe it's just that i'm old and jaded.<br>but the reality is t=
his generation don't have that history w/ different mediums (albums to cds =
to digital)<br><br>but i'll give an example: i rarely see live music (no ti=
me w/ busy life), but i check out different guitarists live on youtube pret=
ty often. i think it gives me a reference for their sound &amp; to see what=
 they are doing, i'm sure it would sound WAY different if i was there, but =
i probably don't have the money to see everything i'd like to see, so you l=
ive w/ it.<br>i'm thinking how great it is to see all the different types o=
f music on-line, it would have been amazing to see adrian belew/david torn/=
henry kaiser/etc live back in the 80's when i first discovered them,
 but i couldn't. oh well...<br><br>i suppose the day the technology becomes=
 where they beam the sounds directly to our brains, our kids when they are =
old and cranky will, say, boy it was way better back w/ mp3's on my old com=
puter/ipod, those were the days.....<br>s---<br>www.myspace.com/scotthansen=
<br><a target=3D"_blank" href=3D"http://video.google.com/videoplay?docid=3D=
235503632389016121"><span class=3D"yshortcuts" id=3D"lw_1236881513_0">http:=
//video.google.com/videoplay?docid=3D235503632389016121</span></a><br><a ta=
rget=3D"_blank" href=3D"http://video.google.com/videoplay?docid=3D579154855=
3161416906&amp;hl=3Den"><span class=3D"yshortcuts" id=3D"lw_1236881513_1">h=
ttp://video.google.com/videoplay?docid=3D5791548553161416906&amp;hl=3Den</s=
pan></a><br><br></td></tr></table><br>=0A=0A=0A=0A      
--0-1094884376-1236882858=:33009--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 18:52:14 2009
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Subject: Re: new mac mini with fw800 ... hoooorra!
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Buzap Buzap wrote:
>> without screen or keyboard. What a compact solution, just this little box!
>>     
> I've been thinking about this, too. The question is: would you really have the guts to take this on a performance w/out screen/keyboard? Can you be certain nothing will screw up where you have to quickly intervene? An Iphone etc. wouldn't assure me.  Frankly, I wouldn't dare and would always take a backup screen/keyboard for my setup.
I have to agree with you.  This past summer, my prog band Pinnacle 
played at the ProgDay festival in NC and my laptop was acting up.  
That's all the keyboard sounds plus three soundclips.  Without a 
keyboard and screen, recovery while I played bass to cover for the lack 
of keyboards would have been impossible.
>  Let's see: small computer, screen, keyboard... sounds like a laptop to me!! ;-)
;-) LOL.   But on a serious note:
> sounds like a laptop to me!! ;-)
Except for the cost.
Macbook Pro (I assume firewire is required): from $1999
Mac mini: from $599
Of course, you'd have to add in the cost of a monitor, keyboard, and 
mouse to the Mac mini but, like someone else already said, you can get 
two Mac minis... and the cost is significantly less than a MB Pro.  Many 
people bring an extra guitar or bass or even a synth.  Imagine having 
backup for something as critical to the show as your computer is!

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 18:55:17 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
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References: <368115.82772.qm@web38603.mail.mud.yahoo.com> <AA090AEC64AE4F7DA811674F52767FFE@MichaelPC>
Subject: OT: Re: Decent VST drums
Date: Thu, 12 Mar 2009 18:55:18 -0000
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Hey,

EZdrummer, drum kit from hell. Samples of which can be heard at 
www.myspace.com/shiroband

Ricky

----- Original Message ----- 
From: <mike@michaelplishka.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 12, 2009 6:30 PM
Subject: Decent VST drums


> What are your thoughts on decent and reasonable priced VST drums?  I 
> prefer
> patches that can be plunked down as opposed to filling in the squares. 
> It's
> easier to rip apart a midiline than build one ;-)
>
> Thanks!
>
> Plish
>
> www.michaelplishka.com
>


--------------------------------------------------------------------------------



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Checked by AVG - www.avg.com
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10:38:00

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 18:56:10 2009
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Subject: Re: OT That 'sizzle sound' of Mp3s
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I think there's additional difference in the way you hear the music, compar=
ed to 'back in the day' due to remastering (as well as some selective memor=
y, i'm sure...which i'm guilty of).

Case in point.  I bought high quality mp3's recently of Elvis' 'Aloha From =
Hawaii' concert.
When i was a kid, my dad had gotten some hi-fi equipment from a buddy who o=
wned a stereo store and was upgrading his equipment (this is about 1980).  =
So my dad comes home with the whole rig, which included a Teac reel to reel=
.

And since the guy was 'upgrading', he didn't want the old reels anymore, so=
 he gave his library of reels to my dad along with the purchase of the hi-f=
i.  Dozens and Dozens and dozens of reel to reels.  I was spellbound.  And =
i loved spooling the tape through the capstans and getting it all setup to =
play.  And the 'thunk' of that PLAY button as it engaged and the capstans p=
opped into place and the reels begin turning.....oh my....such cool teenage=
 memories...i was about 14?)  Perhaps this was my first foray into 'electro=
nics and sound'.

Anyway, one of the reels was the Elvis Aloha concert.  And my dad was a ver=
y big Elvis fan, so this tape got played quite a bit.....gotta love that ep=
ic 2001 Space Odyssey intro rolling into CC Rider!

So when i thought of it recently and came across the MP3's, i thought, "ooo=
oh....i'd love to hear that concert again!"

And i have to admit it's a disappointment, not so much from the sound quali=
ty of the files, but the sound quality of the remastering.  I think because=
 of the compression, the instrument mix got generally louder, and Elvis' vo=
ice is pushed back into the mix.  So a good amount of the dynamics of the p=
erformance are tweaked from my experience, and when you turn it up to hear =
the lyrics and Elvis' voice, it's pretty darn loud.

but then i have to take into account the selective memory of a 14 year old,=
 listening to a good hi-fi from 'back in the day' and having the wonderful =
experience of playing with the 'medium' of tape, and furthermore it being a=
 specific time where my dad was relatively happy (he suffered from lifelong=
 manic depression).

Can all those lucid memories radically effect my listening perspective?

my 2 cents.
Rich




---- scott hansen <evanpeewee@yahoo.com> wrote:=20
> this is an interesting debate. i've talked about this w/ a friend of mine=
 who is a professional musician. we sort of laugh about how bad mp3's sound=
. sure it's a quick way to hear things, and it's easy, and a good way to sa=
mple a large amt of things for listening -think of the old days of having t=
o take album out of cover, out of sleeve, put on phono player, cue up, list=
en, then if you want to hear something different, you reverse order to put =
away, and start up w/ new album (and be careful not to scratch album-and bo=
y i hated the cracks, pops, scratches!).
> but the other thing i think is we now have a whole generation who this is=
 how they listen to music, so maybe the oldsters who whine and bitch (me!)=
=C2=A0 just need to shutup and deal (i'm trying to be funny here).
> i think for me the main thing is when i hear music i know, or have long h=
istory w/ (fill in classic rock band here), when i hear mp3 of song, it sou=
nds different to my ears than what i remember hearing of the same stuff bac=
k in the good old days of college (albums). maybe it's just the tiny comput=
er speakers, i don't know. maybe it's just that i'm old and jaded.
> but the reality is this generation don't have that history w/ different m=
ediums (albums to cds to digital)
>=20
> but i'll give an example: i rarely see live music (no time w/ busy life),=
 but i check out different guitarists live on youtube pretty often. i think=
 it gives me a reference for their sound & to see what they are doing, i'm =
sure it would sound WAY different if i was there, but i probably don't have=
 the money to see everything i'd like to see, so you live w/ it.
> i'm thinking how great it is to see all the different types of music on-l=
ine, it would have been amazing to see adrian belew/david torn/henry kaiser=
/etc live back in the 80's when i first discovered them, but i couldn't. oh=
 well...
>=20
> i suppose the day the technology becomes where they beam the sounds direc=
tly to our brains, our kids when they are old and cranky will, say, boy it =
was way better back w/ mp3's on my old computer/ipod, those were the days..=
...
> s---
> www.myspace.com/scotthansen
> http://video.google.com/videoplay?docid=3D235503632389016121
> http://video.google.com/videoplay?docid=3D5791548553161416906&hl=3Den
>=20
>=20




From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 18:59:03 2009
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Subject: OT Re: Decent VST drums
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Thanks bro, I'll check it out!

plish
----- Original Message ----- 
From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 12, 2009 1:55 PM
Subject: OT: Re: Decent VST drums


> Hey,
>
> EZdrummer, drum kit from hell. Samples of which can be heard at 
> www.myspace.com/shiroband
>
> Ricky
>
> ----- Original Message ----- 
> From: <mike@michaelplishka.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, March 12, 2009 6:30 PM
> Subject: Decent VST drums
>
>
>> What are your thoughts on decent and reasonable priced VST drums?  I 
>> prefer
>> patches that can be plunked down as opposed to filling in the squares. 
>> It's
>> easier to rip apart a midiline than build one ;-)
>>
>> Thanks!
>>
>> Plish
>>
>> www.michaelplishka.com
>>
>
>
> --------------------------------------------------------------------------------
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.0.237 / Virus Database: 270.11.11/1997 - Release Date: 03/12/09 
> 10:38:00
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 19:02:51 2009
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From:  <thetoyroom@charter.net>
To: loopers-Delight@loopers-delight.com
Subject: Boss RC-50 for sale
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Hi guys,

I've got my Boss RC-50 loopstation up for sale.  I'm funding another piece of gear.  I've got it up for sale locally, but LD kids can have it $250 plus shipping, so you can save quite a bit off of new.  It's in excellent shape with the latest software installed and the manual printed on a nice laser printer and in a 3-ring binder.

I do have some nibbles on it from locals and another board i frequent.  Grab it now if ya want it.

here's the local ad.
http://orangecounty.craigslist.org/msg/1071288781.html

best regards,
Rich

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 19:10:40 2009
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	 <AA090AEC64AE4F7DA811674F52767FFE@MichaelPC>
	 <76809CD14A8E47E8BFF60369D09E779C@a>
Date: Thu, 12 Mar 2009 15:10:36 -0400
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Subject: Re: OT: Re: Decent VST drums
From: Tony K <bigtonyk@gmail.com>
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> EZdrummer, drum kit from hell. Samples of which can be heard at

yup yup yup. agreed.

find a copy of DrumFlow too. Pretty slick little MIDI drum programmer.
 You create MIDI patterns, then copy and paste into your DAW MIDI
sequencer track.

Grizzly is cool too.

http://www.maketunes.com/articles/freeware-vst-drum-machine-grizzly

also check out jamstix http://www.rayzoon.com/jamstix2.html


On Thu, Mar 12, 2009 at 2:55 PM, Ricky Graham
<rock.guitar.guru@btinternet.com> wrote:
> Hey,
>
> EZdrummer, drum kit from hell. Samples of which can be heard at
> www.myspace.com/shiroband
>
> Ricky
>
> ----- Original Message ----- From: <mike@michaelplishka.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, March 12, 2009 6:30 PM
> Subject: Decent VST drums
>
>
>> What are your thoughts on decent and reasonable priced VST drums? =A0I
>> prefer
>> patches that can be plunked down as opposed to filling in the squares.
>> It's
>> easier to rip apart a midiline than build one ;-)
>>
>> Thanks!
>>
>> Plish
>>
>> www.michaelplishka.com
>>
>
>
> -------------------------------------------------------------------------=
-------
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.0.237 / Virus Database: 270.11.11/1997 - Release Date: 03/12/0=
9
> 10:38:00
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 19:16:34 2009
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Date: Thu, 12 Mar 2009 13:16:27 -0600
From: Daryl Shawn <highhorse@mhorse.com>
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If I were to go this route, I'd rackmount two Minis side by side, and 
have them share a tiny monitor, mouse and keyboard on a pull-out shelf, 
w/a KVM switch. Portable, hardy, and for less than the price of a 
Macbook Pro, you get two complete computers.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Except for the cost.
> Macbook Pro (I assume firewire is required): from $1999
> Mac mini: from $599
> Of course, you'd have to add in the cost of a monitor, keyboard, and 
> mouse to the Mac mini but, like someone else already said, you can get 
> two Mac minis... and the cost is significantly less than a MB Pro.  
> Many people bring an extra guitar or bass or even a synth.  Imagine 
> having backup for something as critical to the show as your computer is!

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 19:22:00 2009
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Date: Thu, 12 Mar 2009 15:20:42 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Tony K wrote:
> For those of us who just can't get enough free virtual instruments..
> a monophonic Nord G2.
> http://www.nordkeyboards.com/main.asp?tm=oldproducts&clpm=Nord_Modular_G2&clnmm=Information
>   
Too bad you can't run it from within a VST host.  THAT would just be 
SOOOO SICK!!!

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 19:25:19 2009
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Subject:  OT: Re: Decent VST drums
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Sweet!!! thanks Tony!


----- Original Message ----- 
From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 12, 2009 2:10 PM
Subject: Re: OT: Re: Decent VST drums


> EZdrummer, drum kit from hell. Samples of which can be heard at

yup yup yup. agreed.

find a copy of DrumFlow too. Pretty slick little MIDI drum programmer.
 You create MIDI patterns, then copy and paste into your DAW MIDI
sequencer track.

Grizzly is cool too.

http://www.maketunes.com/articles/freeware-vst-drum-machine-grizzly

also check out jamstix http://www.rayzoon.com/jamstix2.html


On Thu, Mar 12, 2009 at 2:55 PM, Ricky Graham
<rock.guitar.guru@btinternet.com> wrote:
> Hey,
>
> EZdrummer, drum kit from hell. Samples of which can be heard at
> www.myspace.com/shiroband
>
> Ricky
>
> ----- Original Message ----- From: <mike@michaelplishka.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, March 12, 2009 6:30 PM
> Subject: Decent VST drums
>
>
>> What are your thoughts on decent and reasonable priced VST drums? I
>> prefer
>> patches that can be plunked down as opposed to filling in the squares.
>> It's
>> easier to rip apart a midiline than build one ;-)
>>
>> Thanks!
>>
>> Plish
>>
>> www.michaelplishka.com
>>
>
>
> --------------------------------------------------------------------------------
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.0.237 / Virus Database: 270.11.11/1997 - Release Date: 03/12/09
> 10:38:00
>
>



-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 19:28:06 2009
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Date: Thu, 12 Mar 2009 12:28:05 -0700
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Subject: Re: OT That 'sizzle sound' of Mp3s
From: Miko Biffle <biffoz@gmail.com>
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--001517574664c692cd0464f0fb50
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For the most part, vinyl mastering and production esthetics were more
mid-rangey and compared to modern production a little "honkey" sounding.
Compression and volume maximization aside, I prefer the broader tonal
spectrum of modern recordings. I love Hendrix, but most of recordings still
have that narrower range and less bass, giving the recordings a dated sound.
MP3's of the same recordings sound dated as well. I understand the basics of
high end interpolation and sampling, but still, I just don't hear it.

So I have no problem with MP3's and regularly listen to orchestral as well
as dense, heavy material on two very different and high quality systems.
Utility is awesome and I just don't hear the difference between "CD Quality
MP3" and .wav files. I haven't had enough experience with AIFF to compare to
WAVE and MP3.  Call me insensitive.   -m
-- 
Miko Biffle
Biffoz@Gmail.com
"Running scared from all the usual distractions!"

--001517574664c692cd0464f0fb50
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For the most part, vinyl mastering and production esthetics were more
mid-rangey and compared to modern production a little &quot;honkey&quot;
sounding.=A0 Compression and volume maximization aside, I prefer the
broader tonal spectrum of modern recordings. I love Hendrix, but most
of recordings still have that narrower range and less bass, giving the
recordings a dated sound. MP3&#39;s of the same recordings sound dated as
well. I understand the basics of high end interpolation and sampling,
but still, I just don&#39;t hear it.<br>
<br>
So I have no problem with MP3&#39;s and regularly listen to orchestral as
well as dense, heavy material on two very different and high quality
systems.=A0 Utility is awesome and I just don&#39;t hear the difference
between &quot;CD Quality MP3&quot; and .wav files. I haven&#39;t had enough
experience with AIFF to compare to WAVE and MP3.=A0 Call me
insensitive. =A0 -m<br>-- <br>Miko Biffle<br>Biffoz@Gmail.com<br>&quot;Runn=
ing scared from all the usual distractions!&quot;

--001517574664c692cd0464f0fb50--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 19:29:54 2009
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Date: Thu, 12 Mar 2009 13:29:46 -0600
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Honest, I'll stop posting on this thread in which I have no personal 
involvement except a geeky interest in small tech, after this one link 
to a rackmounted Mini w/screen:

http://createdigitalmusic.com/2005/08/05/rack-mounted-mac-mini-keyboardguitar-rig-with-lcd-part-i/

I'd just throw in this double Mini rack (weird link):

http://www.mk1studio.com/www.mk1studio.com/UBL-MMR.html

I digress. Back to my tape decks.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 19:34:13 2009
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	 <AA090AEC64AE4F7DA811674F52767FFE@MichaelPC>
	 <76809CD14A8E47E8BFF60369D09E779C@a>
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	 <A4EC9C60C0234539A05E62B0BB346990@MichaelPC>
Date: Thu, 12 Mar 2009 15:34:08 -0400
Message-ID: <d1dcce560903121234s7940ffa3gd5fc4da8278e500f@mail.gmail.com>
Subject: Re: OT: Re: Decent VST drums
From: Tony K <bigtonyk@gmail.com>
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Not a VST, but just a fun little drummer toy...

http://www.thinginajar.com/bigtony/Lunchbox.zip

On Thu, Mar 12, 2009 at 3:25 PM,  <mike@michaelplishka.com> wrote:
> Sweet!!! thanks Tony!
>
>
> ----- Original Message ----- From: "Tony K" <bigtonyk@gmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, March 12, 2009 2:10 PM
> Subject: Re: OT: Re: Decent VST drums
>
>
>> EZdrummer, drum kit from hell. Samples of which can be heard at
>
> yup yup yup. agreed.
>
> find a copy of DrumFlow too. Pretty slick little MIDI drum programmer.
> You create MIDI patterns, then copy and paste into your DAW MIDI
> sequencer track.
>
> Grizzly is cool too.
>
> http://www.maketunes.com/articles/freeware-vst-drum-machine-grizzly
>
> also check out jamstix http://www.rayzoon.com/jamstix2.html
>
>
> On Thu, Mar 12, 2009 at 2:55 PM, Ricky Graham
> <rock.guitar.guru@btinternet.com> wrote:
>>
>> Hey,
>>
>> EZdrummer, drum kit from hell. Samples of which can be heard at
>> www.myspace.com/shiroband
>>
>> Ricky
>>
>> ----- Original Message ----- From: <mike@michaelplishka.com>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Thursday, March 12, 2009 6:30 PM
>> Subject: Decent VST drums
>>
>>
>>> What are your thoughts on decent and reasonable priced VST drums? I
>>> prefer
>>> patches that can be plunked down as opposed to filling in the squares.
>>> It's
>>> easier to rip apart a midiline than build one ;-)
>>>
>>> Thanks!
>>>
>>> Plish
>>>
>>> www.michaelplishka.com
>>>
>>
>>
>>
>> --------------------------------------------------------------------------------
>>
>>
>>
>> No virus found in this incoming message.
>> Checked by AVG - www.avg.com
>> Version: 8.0.237 / Virus Database: 270.11.11/1997 - Release Date: 03/12/09
>> 10:38:00
>>
>>
>
>
>
> --
> -==-=-=-
> Tony
>
>



-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 20:07:46 2009
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	 <20090312145605.EL1P0.1169516.root@mp06>
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--001636c5b4479362930464f189aa
Content-Type: text/plain; charset=ISO-8859-1
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>  I just don't hear the difference between "CD Quality MP3" and .wav files.


I agree, I cant tell the difference.. but i think the difference in
experience is HUGE!!!

I WANT that sleeve, being carefull with it, putting it on, waiting, and
listening with a big cup of tea/beer/spliff (tick relaxant of choice -  mine
shown in reverse order of 30 years preferences, 1 per decade).

I must be honest, that since I downloaded EVERY Beatles album, I havent
listened to them, since I downloaded EVERY Aphex twin Album I havent
listened to him... and since I downloaded 80 albums by Merzbow, I certainly
havent listened to HIM!!!

The guys in my office, listen on iPod.. OK fair enough, I cant do that...
and for that the mp3/iTunes combo os fine.. EVERYTHING is available, but you
load yer device.. theres yer choice..

Has anyone, every been to town, bought an album on mp3, sat on the
trainunpacking it/ reading every word on the cover/ reading the lyrics, got
home, went to room, put on record, laid on bed, played it loud... then
played it AGAIN!!!

Not one of you???

Hmm.. shame... wonder why?


Mark



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5b4479362930464f189aa
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;">=A0I just don&#39;t hear the difference
between &quot;CD Quality MP3&quot; and .wav files.</blockquote><div><br>I a=
gree, I cant tell the difference.. but i think the difference in experience=
 is HUGE!!! <br><br>I WANT that sleeve, being carefull with it, putting it =
on, waiting, and listening with a big cup of tea/beer/spliff (tick relaxant=
 of choice -=A0 mine shown in reverse order of 30 years preferences, 1 per =
decade).<br>
<br>I must be honest, that since I downloaded EVERY Beatles album, I havent=
 listened to them, since I downloaded EVERY Aphex twin Album I havent liste=
ned to him... and since I downloaded 80 albums by Merzbow, I certainly have=
nt listened to HIM!!!<br>
<br>The guys in my office, listen on iPod.. OK fair enough, I cant do that.=
.. and for that the mp3/iTunes combo os fine.. EVERYTHING is available, but=
 you load yer device.. theres yer choice.. <br><br>Has anyone, every been t=
o town, bought an album on mp3, sat on the trainunpacking it/ reading every=
 word on the cover/ reading the lyrics, got home, went to room, put on reco=
rd, laid on bed, played it loud... then played it AGAIN!!!<br>
<br>Not one of you???<br><br>Hmm.. shame... wonder why?<br><br><br>Mark<br>=
</div></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfran=
combe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825=
094">http://vimeo.com/user825094</a><br>
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>


--001636c5b4479362930464f189aa--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 21:59:59 2009
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Bill wrote:
"you can get two Mac minis... and the cost is significantly less than a 
MB Pro.  Many people bring an extra guitar or bass or even a synth.  
Imagine having backup for something as critical to the show as your 
computer is!"

I see your logic, but this is only a solution for local gigging or 
gigging where you are driving.
Weight restrictions might prohibit this solution when flying (unless one 
just plays a single instrument).
For me,  I'm nickle and diming every single kilo when I have to fly.



From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 22:08:49 2009
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It's funny, but cost doesn't get mentioned much 
on this list, but when I'm talking to young musicians 
who are interested in getting into live looping for the first 
time,  this is always the first stumbling block to their 
entry into our wonderful world.

Why don't we make some really solid recommendations for 
newbie and wanna be live loopers that are economy minded, primarily.

Remember,  things like all the freeware software loopers than abound 
don't really count, because you have to have a decent laptop and a decent 
breakout box to use them for free.
*
CHEAPEST LIVE LOOPING SOLUTIONS FOR THE BEGINNING LIVE LOOPER*

Personally,  my vote goes to the 
Line 6 DL 4.     At $250, it is the 2nd cheapest live looping stomp 
box pedal behind the Boss RC2 ($200) but it's ability 
to play (and record loops) both forwards, backwards and at half 
speed and double speed in addition to it's ability to add a decent 
simple digital delay with modulation, feedback and rate control 
(and controllable with an additional expression pedal-$50)
onto any discreet layered loop makes this a creativity machine 
with a lot of deep potential, right out of the box.

What else is out there for the Newbie on a budget.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 22:19:02 2009
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Date: Thu, 12 Mar 2009 23:18:35 +0100
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> What else is out there for the Newbie on a budget.

Boss DD-20 Gigadelay: 2x 23 secs loop, stereo, both digital and analog
delays, feedback control, good sound, runs on batteries or adapter.
--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/ 
http://last.fm/music/sjaak+overgaauw




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Date: Thu, 12 Mar 2009 23:36:12 +0100
Message-ID: <66f9cc1e0903121536j3293472eg7c00ebd546eb501b@mail.gmail.com>
Subject: Re: new mac mini with fw800 ... hooo
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> Bill wrote:
> "you can get two Mac minis... and the cost is significantly less than a M=
B
> Pro. =A0Many people bring an extra guitar or bass or even a synth. =A0Ima=
gine
> having backup for something as critical to the show as your computer is!"

On Thu, Mar 12, 2009 at 10:59 PM, Rick Walker <looppool@cruzio.com> wrote:

> I see your logic, but this is only a solution for local gigging or giggin=
g
> where you are driving.
> Weight restrictions might prohibit this solution when flying (unless one
> just plays a single instrument).
> For me, =A0I'm nickle and diming every single kilo when I have to fly.


Weight: 2.9 pounds (1.31 kg)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 22:45:25 2009
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Date: Thu, 12 Mar 2009 17:45:21 -0500
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> Remember,  things like all the freeware software loopers than abound=20
> don't really count, because you have to have a decent laptop and a decent=
=20
> breakout box to use them for free.

Well, as we've discussed here before, there's a good chance they already
have a laptop, especially if they're in their twenties and went through
college, so I wouldn't completely discount this as an option. =20

Of course it all depends on how comfortable they are with computers
and how disciplined they are about maintaining them, it's certainly not for
everyone.  But I'll wager that most of the people that download Mobius
are "on a budget" and want to explore before buying anything.

For this path, it would come down to the cheapest reliable 2 channel
audio interface, cheapest USB MIDI interface, and cheap options for a
MIDI or USB foot control.

I don't have any concrete suggestions right now, but it should be in
the $300 range.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Mar 12 23:11:18 2009
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Subject: Re: new mac mini with fw800 ... hoooorra!
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OK, you either trust the setup or you don't.
If you don't: Carrying around keyboard/screens etc... Then you might still be better off with one of the old MacBooks (white).

> There are lots of computers working on their own without crashing.
Yes, sure. If it is a BSD server in your network or a barebone Linux system. But...
> Just look at a web hotel and server applications.
Yes, I've seen so many computers crash where they were supposed to look sharp, at hotel displays, airports, pharmacies, metro stations... They really look stupid with a Windows error message. (or just a Mac politely asking for an Adobe update etc...).

I am really tempted to save all the bucks and get a small MacMini...
I just don't have the guts....
Unless someone can really convince me that Apple is not asking for some stupid update and I don't see a thing - just when I'm about to perform.

best regards
Buzap

-- 
Nur bis 16.03.! DSL-Komplettanschluss inkl. WLAN-Modem für nur 
17,95 ¿/mtl. + 1 Monat gratis!* http://dsl.gmx.de/?ac=OM.AD.PD003K11308T4569a

From sanitaahmedas@colacao.es  Fri Mar 13 00:44:05 2009
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Date: Wed, 11 Mar 2009 09:14:49 +0100
From: "mrs sanita ahmed" <sanitaahmedas@colacao.es>
To: 
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Dear only one,


I beleive you will treat this mail with the fear of God. It is with a
tears that I am writing you this mail, I dont need your pity, but love to
my son

My mail may seem very painful and sorrowful, but there is more you can do
in my request than to pitty me, which is to show love to my son.

My name is Sanita Ahmed married to the late Hassanal Ahmed, who died with
our two daughters and the entire family in Indonesia on 26th of December 
2004  during the Tsunami Disaster . Since after this painful and sorrowful
inccident, my cancer sickness got worst and i have been suffering from 
heart failure and hypertites.

my husband and our children have been in Benin Republic for a long time.
We all were suppose to travel to Indonesia in 2004 December, but my bad
health, did not permit me to travel with them, which made me and my son to
stay behind while my husband and our two daughters travelled. If not,all
of us would have perish in the disaster.

My reason of writing you this mail is due to the sad news that came to me
recently from the doctors. After my last diagnose result, it was proved by
the doctors that  i may not leave for more than two month ahead, due to
the damange the cancer have caused in my system unless I undergo an urgent
surgical operation which my chance of survival is less than 20% according
to the medical experts. As it stands, I have given to fate. But i have a
more concern problem, which is why i have contacted you.

Please, this is about my son. Since it is now obvious that i will die, my
son's future have been the greatest problem i have. I want you to take
care of my son please. He is only 13years and we have no person here to
take care of him if I die today. My late husband left some money here in a
deposit house before he died, which we intended to use for investment in
Indonesia. I want  you to take this money and my son. Use the money into a
big investment, that you will manage until my son grows up to take over
the investment. I will like you to take my son as your own son, give him
the love we the parents would have given him.Do notlet him feel the pains
of being an orphan.give him good education, bring him up into a
responsible man. Make him have the fear of God.
 
Please do not refuse this task.As soon as I receive your reply, all i will
do is to look for a lawyer here, who will draw up my will in your favour.
I will will the US$18million to your, I will give you all the documents
that is

covering the deposit with the deposit house, i will transfer every power
and right of ownership to you to enable you claim the deposit from the
deposit house. It will be also included in the Will that you are the only
person my son should be released to, if i die. All i need is your
acceptance and assurance that you will not treat my son badly.


I am writing you this mail with great tears and i pray you to be kind in
concering this mail.


Please reply this mail immediately.


Thanks you.


Sanita Ahmed. 


From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 02:20:43 2009
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Anyone else being unsubscribed? I have had to join now three times in a 
week. I hope I haven't offended anyone terminally! Just cause I'm paranoid 
doesn't mean they are not out to get me.

peace,

Jeff

http://virb.com/jeffduke
http://www.vimeo.com/jeffduke 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 03:44:20 2009
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Date: Thu, 12 Mar 2009 22:16:51 -0500
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: Re: new mac mini with fw800 ... hoooorra!
In-Reply-To: <588ce11d0903120939y4fcf70dbhf6a4166365ff863@mail.gmail.com
 >
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Hey, I've been using a 1U rackmount pc for 3 yrs now and bought one 
of those Lilliput 7" screens that I set on top of the rack just to 
give me a visual reference now and then and it works great. I also 
got a tiny 8" x 3" usb keyboard and it is very useful.

Paul Haslem
www.dulcify.ca






At 11:39 AM 3/12/2009, you wrote:
>Or a touchscreen like this one and you might not need a keyboard.
>http://store.mp3car.com/Lilliput_7_VGA_Touchscreen_619GL_70NP_p/mon-001.htm
>
>On Thu, Mar 12, 2009 at 9:35 AM, Daryl Shawn <highhorse@mhorse.com> wrote:
> > I definitely would account for display/keyboard. For max portability, I'd
> > suggest getting one of the roll-up silicon keyboards:
> >
> > http://www.thinkgeek.com/computing/input/5a7f/
> >
> > or this lil guy:
> >
> > http://www.intolect.com/ack3400udetail.htm
> >
>--
>Art Simon
>simart@gmail.com
>myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 03:50:28 2009
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Date: Thu, 12 Mar 2009 23:49:36 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: new mac mini with fw800 ... hoooorra!
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Paul,

Have you got a web link  for that keyboard, who made it??

>Hey, I've been using a 1U rackmount pc for 3 yrs now and bought one 
>of those Lilliput 7" screens that I set on top of the rack just to 
>give me a visual reference now and then and it works great. I also 
>got a tiny 8" x 3" usb keyboard and it is very useful.
>
>Paul Haslem
>www.dulcify.ca
>
>
>
>
>
>
>At 11:39 AM 3/12/2009, you wrote:
>>Or a touchscreen like this one and you might not need a keyboard.
>>http://store.mp3car.com/Lilliput_7_VGA_Touchscreen_619GL_70NP_p/mon-001.htm
>>
>>On Thu, Mar 12, 2009 at 9:35 AM, Daryl Shawn <highhorse@mhorse.com> wrote:
>>>  I definitely would account for display/keyboard. For max portability, I'd
>>>  suggest getting one of the roll-up silicon keyboards:
>>>
>>>  http://www.thinkgeek.com/computing/input/5a7f/
>>>
>>>  or this lil guy:
>>>
>>>  http://www.intolect.com/ack3400udetail.htm
>>>
>>--
>>Art Simon
>>simart@gmail.com
>>myspace [dot] com/artsimon


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 06:42:20 2009
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	 <20090312145605.EL1P0.1169516.root@mp06>
	 <3fa302e30903121228l1272673fgff05e299b31d14cf@mail.gmail.com>
	 <9ab0c76f0903121307n670a978emecbd582e8f1a1678@mail.gmail.com>
Date: Thu, 12 Mar 2009 23:42:20 -0700
Message-ID: <3fa302e30903122342r2972246era54105ac04e50ba6@mail.gmail.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
From: Miko Biffle <biffoz@gmail.com>
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Amazingly strong point Mark, but it's so far gone, (at least seems so), and
I suffer from post-modern neuritis and neuralgia anyway. My synapses and
vision are shot. So I just slowly build playlists as I find favorite stuff
and listen in my room. I really miss deciphering liner notes and lyrics and
looking at cool album artwork as well. But sound quality? Not an issue.  -m
-- 
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

--000e0cd4877209ab3e0464fa6723
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Amazingly strong point Mark, but it&#39;s so far gone, (at least seems so),=
 and I suffer from post-modern neuritis and neuralgia anyway. My synapses a=
nd vision are shot. So I just slowly build playlists as I find favorite stu=
ff and listen in my room. I really miss deciphering liner notes and lyrics =
and looking at cool album artwork as well. But sound quality? Not an issue.=
=A0 -m<br>
-- <br>Miko Biffle<br>Biffoz@Gmail.com<br>MBiffle@FoxRacingShox.com<br>&quo=
t;Running scared from all the usual distractions!&quot;<br>

--000e0cd4877209ab3e0464fa6723--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 07:52:54 2009
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To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
References: <49B987EC.9080700@cruzio.com>
Subject: RE: Least Costly Looping Solution
Date: Fri, 13 Mar 2009 08:52:51 +0100
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> CHEAPEST LIVE LOOPING SOLUTIONS FOR THE BEGINNING LIVE LOOPER*

get two identical tape recorders from eBay dirt cheap and do it the
oldfashioned way 

-Michael

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 08:58:37 2009
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Date: Fri, 13 Mar 2009 09:58:37 +0100
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Subject: Re: new mac mini with fw800 ... hoooorra!
From: Per Boysen <perboysen@gmail.com>
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On Fri, Mar 13, 2009 at 4:16 AM, paul <phaslem@wightman.ca> wrote:
> Hey, I've been using a 1U rackmount pc for 3 yrs now and bought one of those
> Lilliput 7" screens that I set on top of the rack just to give me a visual
> reference now and then and it works great. I also got a tiny 8" x 3" usb
> keyboard and it is very useful.


Nice. The less gear the better!

About five years ago I was looking into a Shuttle PC solution for a
live rig. They were cute too. But then also Apple started making
powerful computers (starting with tapping IBM for the G5 chip then
moving on with Intel) and I decided to go with a Powerbook instead,
for the reason of the software available for that system.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 10:11:20 2009
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Subject: Re: new mac mini with fw800 ... hoooorra!
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At my last loop show i had 3 crashes as well luckily after a piece!
i would have been completly lost without a screen and there is a big difference between a hardware screen an a multitasking computer screen!


www.myspace.com/luisangulocom


--- On Thu, 3/12/09, Bill Fox <billyfox@soundscapes.us> wrote:

> From: Bill Fox <billyfox@soundscapes.us>
> Subject: Re: new mac mini with fw800 ... hoooorra!
> To: Loopers-Delight@loopers-delight.com
> Date: Thursday, March 12, 2009, 12:51 PM
> Buzap Buzap wrote:
> >> without screen or keyboard. What a compact
> solution, just this little box!
> >>     
> > I've been thinking about this, too. The question
> is: would you really have the guts to take this on a
> performance w/out screen/keyboard? Can you be certain
> nothing will screw up where you have to quickly intervene?
> An Iphone etc. wouldn't assure me.  Frankly, I
> wouldn't dare and would always take a backup
> screen/keyboard for my setup.
> I have to agree with you.  This past summer, my prog band
> Pinnacle played at the ProgDay festival in NC and my laptop
> was acting up.  That's all the keyboard sounds plus
> three soundclips.  Without a keyboard and screen, recovery
> while I played bass to cover for the lack of keyboards would
> have been impossible.
> >  Let's see: small computer, screen, keyboard...
> sounds like a laptop to me!! ;-)
> ;-) LOL.   But on a serious note:
> > sounds like a laptop to me!! ;-)
> Except for the cost.
> Macbook Pro (I assume firewire is required): from $1999
> Mac mini: from $599
> Of course, you'd have to add in the cost of a monitor,
> keyboard, and mouse to the Mac mini but, like someone else
> already said, you can get two Mac minis... and the cost is
> significantly less than a MB Pro.  Many people bring an
> extra guitar or bass or even a synth.  Imagine having backup
> for something as critical to the show as your computer is!
> 
> Cheers,
> 
> Bill


      

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On Fri, Mar 13, 2009 at 11:11 AM, L.Angulo <labaloops@yahoo.com> wrote:
> At my last loop show i had 3 crashes as well luckily after a piece!

Holy shit! I've had two looping crashes. One on my EDP at a concert in
2004 (I unplugged the power chord and rebooted it to get back on
track) and one on my MacBook during rehearsal with some extra stuff
added for test. But I don't put extra stuff into my laptop rig for
concerts. And I always "over-abuse" the system when rehearsing, to
explore the outer limits. Right now I'm setting up a system to be used
on a tour starting ten days from now. Yesterday I had around 60
patches in MainStage and found that to be a "memory limit" for the
MacBook with 4 GB memory. So I got rid of most virtual instrument
patches that use long samples and deleted some variations of mic input
sounds. Now I'm back down again at 20 patches; ten mic input patches,
nine MIDI driven virtual instrument patches and one guitar input patch
(also using floor stomp boxes with the guitar). That's almost exactly
the setup I've been using so successfully in Bidule + Mobius under
Windows XP on many computers over the years. I'm expanding the setup
just bit now tho, in MainStage, by also adding some post loop live
processing (filterbank, distortion, ring modulator) which is new for
me. I will rehears for at least three hours a day in ten days with
this setup before I dare to use it on stage. If it won't pass the test
I can reboot into XP and perform with the Bidule rig or grab my
back-up PC laptop that has a simpler Bidule+Mobius rig in XP service
pack 2 (never upgraded) that still works stable as a clock after many
years.

Per

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From: "L.Angulo" <labaloops@yahoo.com>
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Subject: Re: new mac mini with fw800 ... hoooorra!
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this is really tempting,you could actually put the mini hooked with a small FW cable to your half-rack soundcard in a good secure pedalboard and run a little monitor screen to your note stand or anywhere you want it,then set the keyboard hidden somewhere on the side in case a crash,hmmm...
and somehow it wouldnt feel so fragile as a laptop does
oh man why didnt you guys mention this before i bought my macbook!

www.myspace.com/luisangulocom


--- On Thu, 3/12/09, Daryl Shawn <highhorse@mhorse.com> wrote:

> From: Daryl Shawn <highhorse@mhorse.com>
> Subject: Re: new mac mini with fw800 ... hoooorra!
> To: Loopers-Delight@loopers-delight.com
> Date: Thursday, March 12, 2009, 12:16 PM
> If I were to go this route, I'd rackmount two Minis side
> by side, and have them share a tiny monitor, mouse and
> keyboard on a pull-out shelf, w/a KVM switch. Portable,
> hardy, and for less than the price of a Macbook Pro, you get
> two complete computers.
> 
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
> 
> > Except for the cost.
> > Macbook Pro (I assume firewire is required): from
> $1999
> > Mac mini: from $599
> > Of course, you'd have to add in the cost of a
> monitor, keyboard, and mouse to the Mac mini but, like
> someone else already said, you can get two Mac minis... and
> the cost is significantly less than a MB Pro.  Many people
> bring an extra guitar or bass or even a synth.  Imagine
> having backup for something as critical to the show as your
> computer is!


      

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From: "L.Angulo" <labaloops@yahoo.com>
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awesome daryl thanx for the link!

www.myspace.com/luisangulocom


--- On Thu, 3/12/09, Daryl Shawn <highhorse@mhorse.com> wrote:

> From: Daryl Shawn <highhorse@mhorse.com>
> Subject: Re: new mac mini with fw800 ... hoooorra!
> To: Loopers-Delight@loopers-delight.com
> Date: Thursday, March 12, 2009, 12:29 PM
> Honest, I'll stop posting on this thread in which I have
> no personal involvement except a geeky interest in small
> tech, after this one link to a rackmounted Mini w/screen:
> 
> http://createdigitalmusic.com/2005/08/05/rack-mounted-mac-mini-keyboardguitar-rig-with-lcd-part-i/
> 
> I'd just throw in this double Mini rack (weird link):
> 
> http://www.mk1studio.com/www.mk1studio.com/UBL-MMR.html
> 
> I digress. Back to my tape decks.
> 
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com


      

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 11:43:43 2009
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From: "Sjaak" <tcplugin@scarlet.be>
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Subject: 2 new live improv's - Bansai Blues pt.2 and Surroundings (free download)
Date: Fri, 13 Mar 2009 12:43:16 +0100
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Hi,
I have added track 8 and 9 to the Live Looping demo. "Surroundings" is a
Ambient/Jazz soundscape, "Bansai Blues pt.2" a World/Jazzy rhythmic
experiment. Enjoy your day!

http://www.last.fm/music/Sjaak+Overgaauw/Live+Looping+Demo

Btw: I forgot to use the compression on the master channels of
"Surroundings", so the contrabass comes a little too hard everyone now an
then.
--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/ 
http://last.fm/music/sjaak+overgaauw



From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 12:32:27 2009
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Rick Walker wrote:

> CHEAPEST LIVE LOOPING SOLUTIONS FOR THE BEGINNING LIVE LOOPER*
> 
> Personally,  my vote goes to the Line 6 DL 4.     At $250, it is the 2nd 
> cheapest live looping stomp box pedal behind the Boss RC2 ($200) but 

In UK, the DL4 is pricey, it's always been £250.
I'd agree it's pretty good tho', and would add some more plusses
to the ones you mentioned. It possesses that rare and
underrated feature the "well thought out user interface".
The echo that is available while looping is a nice bonus, and
can just manage some mini-loops 
...and who doesn't admire the "Bill Walker Signature" filtered echo sound.

The RC2 is £150 here.

The Akai Headrush can be had for just under £100.
It at least allows to create a loop and overdub onto it,
and a limited Undo capability.
The delay settings are frustrating...grit your teeth when tapping a new
delay time always leaves you with silence in the delay, but the analog tape sound
is at least "interesting".



The Electro Harmonix Stereo Memory Man at £130 has it's moments too.
Worst feature is that you record a loop by holding down "tap" for 
the duration of the loop, not a good way to get rhythmic accuracy.
No, wait a minute, worst feature is that you have put the unit into
bypass before you can clear the loop.
Well, the EHSMM is a lot of fun as a delay (superb imo), and as a looper it's ok
to use in band for the odd loop trick or two.
Wouldn't want to play a looping show with it as the only looper tho'.
As a starter looper it's only an option if you're already in the market
for a delay (tho' not a long enough delay for that sort of looping
really, at 3s max).  
At least it allows you to put down a loop (42s)and overdub and
perhaps find out if the you want to go for a fully featured looper.


Of course, available very cheap £50=pp, or less I expect, 
and probably the most famous
starter looper of all, with basic looper and dual long delay it's.... 

(guess first)

http://tinyurl.com/ch4uwj 

andy butler

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 12:59:10 2009
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From: paul <phaslem@wightman.ca>
Subject: Re: new mac mini with fw800 ... hoooorra!
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References: <afb941d0903041619r6f729174ve5777fbc1ac8be3a@mail.gmail.com>
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It's made by Solidtek, model 
3100SU 
http://www.axiontech.org/prdt.php?item=79220&PRICECOMPARISONSID=834ece2e5f2a2f36f1551182c5ff2647






At 10:49 PM 3/12/2009, you wrote:

>Paul,
>
>Have you got a web link  for that keyboard, who made it??
>
>>Hey, I've been using a 1U rackmount pc for 3 yrs now and bought one 
>>of those Lilliput 7" screens that I set on top of the rack just to 
>>give me a visual reference now and then and it works great. I also 
>>got a tiny 8" x 3" usb keyboard and it is very useful.
>>
>>Paul Haslem
>>www.dulcify.ca
>>

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what about this dudes:
http://www.digitech.com/products/Hardwire/HW_DelayLooper.php 159.00dlls.
http://www.zzounds.com/item--BOSDD7

www.myspace.com/luisangulocom


--- On Fri, 3/13/09, andy butler <akbutler@tiscali.co.uk> wrote:

> From: andy butler <akbutler@tiscali.co.uk>
> Subject: Re: Least Costly Looping Solution
> To: Loopers-Delight@loopers-delight.com
> Date: Friday, March 13, 2009, 5:41 AM
> Rick Walker wrote:
>=20
> > CHEAPEST LIVE LOOPING SOLUTIONS FOR THE BEGINNING LIVE
> LOOPER*
> >=20
> > Personally,  my vote goes to the Line 6 DL 4.     At
> $250, it is the 2nd cheapest live looping stomp box pedal
> behind the Boss RC2 ($200) but=20
>=20
> In UK, the DL4 is pricey, it's always been =A3250.
> I'd agree it's pretty good tho', and would add
> some more plusses
> to the ones you mentioned. It possesses that rare and
> underrated feature the "well thought out user
> interface".
> The echo that is available while looping is a nice bonus,
> and
> can just manage some mini-loops ...and who doesn't
> admire the "Bill Walker Signature" filtered echo
> sound.
>=20
> The RC2 is =A3150 here.
>=20
> The Akai Headrush can be had for just under =A3100.
> It at least allows to create a loop and overdub onto it,
> and a limited Undo capability.
> The delay settings are frustrating...grit your teeth when
> tapping a new
> delay time always leaves you with silence in the delay, but
> the analog tape sound
> is at least "interesting".
>=20
>=20
>=20
> The Electro Harmonix Stereo Memory Man at =A3130 has
> it's moments too.
> Worst feature is that you record a loop by holding down
> "tap" for the duration of the loop, not a good way
> to get rhythmic accuracy.
> No, wait a minute, worst feature is that you have put the
> unit into
> bypass before you can clear the loop.
> Well, the EHSMM is a lot of fun as a delay (superb imo),
> and as a looper it's ok
> to use in band for the odd loop trick or two.
> Wouldn't want to play a looping show with it as the
> only looper tho'.
> As a starter looper it's only an option if you're
> already in the market
> for a delay (tho' not a long enough delay for that sort
> of looping
> really, at 3s max).  At least it allows you to put down a
> loop (42s)and overdub and
> perhaps find out if the you want to go for a fully featured
> looper.
>=20
>=20
> Of course, available very cheap =A350=3Dpp, or less I expect,
> and probably the most famous
> starter looper of all, with basic looper and dual long
> delay it's....=20
> (guess first)
>=20
> http://tinyurl.com/ch4uwj=20
> andy butler=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 15:00:47 2009
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hmm,
both these only have one button.


L.Angulo wrote:
> what about this dudes:
> http://www.digitech.com/products/Hardwire/HW_DelayLooper.php 159.00dlls.



They say:-

While still holding down the Foot Switch, begin playing your instrument.
The Indicator LED lights solid RED indicating the pedal is recording.
When you reach the end of your passage, release the Foot Switch. The
Indicator LED lights solid GREEN and the passage you recorded plays
back in an infinite loop.

andy says:-
that's about the worst possible user interface I could imagine.
Suitable for creating "jam-along" backings, but not much else.

At least it has an 8s delay.

> http://www.zzounds.com/item--BOSDD7

£120 in uk + extra for the psu( Boss psu aren't cheap)

a 6.7s delay, and..

they say:-
Up to 40 seconds of recording for sound on
sound (Hold mode)
And getting the manual from the uk site (not on the .com):-
Begin recording
Recording starts when you press the builtin
pedal switch
(the CHECK indicator flashes
red).
* The maximum recording time is 20 seconds for
stereo input or 40 seconds for monaural input.
* Recording continues even if you release the
built-in pedal switch.
3.
When recording is finished, playback starts
Press the built-in pedal switch a second
time to stop recording. Playback of what
you recorded begins simultaneously.

Which means it's actually going to be easy to get
an accurate loop tapped in.
Plus there's overdub.

But, neither of these has a way to stop/start the loop!

So..are they considered contenders?
the digitech unit seems not to be.


What's the bare minimum feature set?

andy

> 
> www.myspace.com/luisangulocom
> 
> 
> --- On Fri, 3/13/09, andy butler <akbutler@tiscali.co.uk> wrote:
> 
>> From: andy butler <akbutler@tiscali.co.uk>
>> Subject: Re: Least Costly Looping Solution
>> To: Loopers-Delight@loopers-delight.com
>> Date: Friday, March 13, 2009, 5:41 AM
>> Rick Walker wrote:
>>
>>> CHEAPEST LIVE LOOPING SOLUTIONS FOR THE BEGINNING LIVE
>> LOOPER*
>>> Personally,  my vote goes to the Line 6 DL 4.     At
>> $250, it is the 2nd cheapest live looping stomp box pedal
>> behind the Boss RC2 ($200) but 
>>
>> In UK, the DL4 is pricey, it's always been £250.
>> I'd agree it's pretty good tho', and would add
>> some more plusses
>> to the ones you mentioned. It possesses that rare and
>> underrated feature the "well thought out user
>> interface".
>> The echo that is available while looping is a nice bonus,
>> and
>> can just manage some mini-loops ...and who doesn't
>> admire the "Bill Walker Signature" filtered echo
>> sound.
>>
>> The RC2 is £150 here.
>>
>> The Akai Headrush can be had for just under £100.
>> It at least allows to create a loop and overdub onto it,
>> and a limited Undo capability.
>> The delay settings are frustrating...grit your teeth when
>> tapping a new
>> delay time always leaves you with silence in the delay, but
>> the analog tape sound
>> is at least "interesting".
>>
>>
>>
>> The Electro Harmonix Stereo Memory Man at £130 has
>> it's moments too.
>> Worst feature is that you record a loop by holding down
>> "tap" for the duration of the loop, not a good way
>> to get rhythmic accuracy.
>> No, wait a minute, worst feature is that you have put the
>> unit into
>> bypass before you can clear the loop.
>> Well, the EHSMM is a lot of fun as a delay (superb imo),
>> and as a looper it's ok
>> to use in band for the odd loop trick or two.
>> Wouldn't want to play a looping show with it as the
>> only looper tho'.
>> As a starter looper it's only an option if you're
>> already in the market
>> for a delay (tho' not a long enough delay for that sort
>> of looping
>> really, at 3s max).  At least it allows you to put down a
>> loop (42s)and overdub and
>> perhaps find out if the you want to go for a fully featured
>> looper.
>>
>>
>> Of course, available very cheap £50=pp, or less I expect,
>> and probably the most famous
>> starter looper of all, with basic looper and dual long
>> delay it's.... 
>> (guess first)
>>
>> http://tinyurl.com/ch4uwj 
>> andy butler
> 
> 
>       
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 15:37:03 2009
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	 <591071.1706.qm@web38608.mail.mud.yahoo.com>
Date: Fri, 13 Mar 2009 16:37:00 +0100
Message-ID: <afb941d0903130837o7234b865x5c14b73006fe1c@mail.gmail.com>
Subject: Re: Hardware looper with substitute functions + undo/redo
From: Raul Bonell <raul.bonell@gmail.com>
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... will it be in european shops?

2009/3/12 L.Angulo <labaloops@yahoo.com>

>
> this one is coming up soon and has a lot of that:
>
> http://www.boomerangmusic.com/Rang%20III.html
>
> I am waiting impatiently!
>
> www.myspace.com/luisangulocom
>
>
> --- On Wed, 3/11/09, s o <obadiasteph@yahoo.com> wrote:
>
> > From: s o <obadiasteph@yahoo.com>
> > Subject: Hardware looper with substitute functions + undo/redo
> > To: Loopers-Delight@loopers-delight.com
> > Date: Wednesday, March 11, 2009, 8:40 PM
> > hello everyone,
> > i have been inactive for a very long time on this list.
> > i'm playing in a duo where i would love to be able to
> > skip traveling with a computer.
> > so i'm wondering if there is now a hardware looper able
> > to do very short SUBSTITUTE functions (like SooperLooper
> > does). I tried a RC20 some years ago and was very
> > disapointed with the command latency in general, i was very
> > easely getting trap in the loop, which i manage to avoid
> > with SooperLooper.
> > beside, it was not possible to record super tiny bits with
> > the RC20 (which i usually do to create grooves).
> > Undo/Redo would also be good to have on a hardware looper.
> >
> > Thank you for any help or advice ;)
> >
> > St=E9phane
>
>
>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--001636c5a69c2e0259046501dff7
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... will it be in european shops?<br><br><div class=3D"gmail_quote">2009/3/=
12 L.Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:labaloops@yahoo.com">la=
baloops@yahoo.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
<br>
this one is coming up soon and has a lot of that:<br>
<br>
<a href=3D"http://www.boomerangmusic.com/Rang%20III.html" target=3D"_blank"=
>http://www.boomerangmusic.com/Rang%20III.html</a><br>
<br>
I am waiting impatiently!<br>
<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<br>
<br>
--- On Wed, 3/11/09, s o &lt;<a href=3D"mailto:obadiasteph@yahoo.com">obadi=
asteph@yahoo.com</a>&gt; wrote:<br>
<br>
&gt; From: s o &lt;<a href=3D"mailto:obadiasteph@yahoo.com">obadiasteph@yah=
oo.com</a>&gt;<br>
&gt; Subject: Hardware looper with substitute functions + undo/redo<br>
&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Del=
ight@loopers-delight.com</a><br>
&gt; Date: Wednesday, March 11, 2009, 8:40 PM<br>
<div><div></div><div class=3D"h5">&gt; hello everyone,<br>
&gt; i have been inactive for a very long time on this list.<br>
&gt; i&#39;m playing in a duo where i would love to be able to<br>
&gt; skip traveling with a computer.<br>
&gt; so i&#39;m wondering if there is now a hardware looper able<br>
&gt; to do very short SUBSTITUTE functions (like SooperLooper<br>
&gt; does). I tried a RC20 some years ago and was very<br>
&gt; disapointed with the command latency in general, i was very<br>
&gt; easely getting trap in the loop, which i manage to avoid<br>
&gt; with SooperLooper.<br>
&gt; beside, it was not possible to record super tiny bits with<br>
&gt; the RC20 (which i usually do to create grooves).<br>
&gt; Undo/Redo would also be good to have on a hardware looper.<br>
&gt;<br>
&gt; Thank you for any help or advice ;)<br>
&gt;<br>
&gt; St=E9phane<br>
<br>
<br>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell=
 at Blogger: <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.b=
logspot.com</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collecti=
ve.com">http://www.ct-collective.com</a><br>
<br>

--001636c5a69c2e0259046501dff7--

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Date: Fri, 13 Mar 2009 08:57:43 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
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Subject: RE: Least Costly Looping Solution 
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i will chime in on this, since i am on a budget and don't own a "uber looper".

-i got lots of mileage out of my old digitech rp100 w/ 2 sec of delay-i would create my whacky digital glitches and usually sample it to my dod d12 (6 sec of sample), for fun craziness. both of those are gone for me now, but 2 sec was what i usually played w/ on the rp100 (for many yrs!). i sold my rp100-for like 25$ a few yrs ago.
i think i saw dod d12s selling for 85$ a while back, or in that range.

-i use my new digitech rp150 w/ 5 sec of delay a lot. it was 99$, i know they have a new one coming out w/ a 20sec sampler in it. don't know release date.
-the zoom g2-has 5 sec of delay, but you can't modulate it like the rp150 does, if you try to change the time, it resets.
-i have played around w/ digitech digidelay, i sold mine for 50$ a few weeks back, it has 4sec, it's a great tool for starting (new they are 100$)
-and i am very happy w/ the new boss dd7-it has 6 sec of delay and s-o-s loops for 20 (it's 180$ new).
-and i got my old 5 min rec time boss rc20 for 150$ a yr ago. it's a great tool.
-and for a while i was even using my old tascam 4 track (i got it free from my friend who is a professional musician, cost me a 100$ to get it up and running, but back in '00 couldn't get a recording device for 100$, so i thought it was worth it) and using 20 sec loop tapes (they are message tapes for old phone message devices), i usually was feeding one of my delays into it, but i got some great results w/ it, and i was even down to just 2 tracks (2 were sort of not working great), please note that about 2 yrs ago when i was in radio shack, i saw they had the loop tapes on clearance, so i bought a bunch, and i haven't seen them any more when i've been in radio shacks as of late. technology-out w/ old, in w/ new. so don't know how available they are anymore...
-well, i think my point is, you don't have to buy some $1000 super-gizmotron device to start exploring. i have bought many things used on internet to try out (b/c in my area most places don't have a lot of sound tools to try out). it's hit and miss sometimes, but if i don't like something, i just resell it, move on.i take the loss as a "renting charge" and i learned something.
good luck to those looking....
s----
www.myspace.com/scotthansen
http://video.google.com/videoplay?docid=235503632389016121
http://video.google.com/videoplay?docid=5791548553161416906&hl=en



      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">i will chime in on this, since i am on a budget and don't own a "uber looper".<br><br>-i got lots of mileage out of my old digitech rp100 w/ 2 sec of delay-i would create my whacky digital glitches and usually sample it to my dod d12 (6 sec of sample), for fun craziness. both of those are gone for me now, but 2 sec was what i usually played w/ on the rp100 (for many yrs!). i sold my rp100-for like 25$ a few yrs ago.<br>i think i saw dod d12s selling for 85$ a while back, or in that range.<br><br>-i use my new digitech rp150 w/ 5 sec of delay a lot. it was 99$, i know they have a new one coming out w/ a 20sec sampler in it. don't know release date.<br>-the zoom g2-has 5 sec of delay, but you can't modulate it like the rp150 does, if you try to change the time, it resets.<br>-i have played around w/ digitech digidelay, i sold mine for 50$ a few weeks back, it has
 4sec, it's a great tool for starting (new they are 100$)<br>-and i am very happy w/ the new boss dd7-it has 6 sec of delay and s-o-s loops for 20 (it's 180$ new).<br>-and i got my old 5 min rec time boss rc20 for 150$ a yr ago. it's a great tool.<br>-and for a while i was even using my old tascam 4 track (i got it free from my friend who is a professional musician, cost me a 100$ to get it up and running, but back in '00 couldn't get a recording device for 100$, so i thought it was worth it) and using 20 sec loop tapes (they are message tapes for old phone message devices), i usually was feeding one of my delays into it, but i got some great results w/ it, and i was even down to just 2 tracks (2 were sort of not working great), please note that about 2 yrs ago when i was in radio shack, i saw they had the loop tapes on clearance, so i bought a bunch, and i haven't seen them any more when i've been in radio shacks as of late. technology-out w/ old, in w/
 new. so don't know how available they are anymore...<br>-well, i think my point is, you don't have to buy some $1000 super-gizmotron device to start exploring. i have bought many things used on internet to try out (b/c in my area most places don't have a lot of sound tools to try out). it's hit and miss sometimes, but if i don't like something, i just resell it, move on.i take the loss as a "renting charge" and i learned something.<br>good luck to those looking....<br>s----<br>www.myspace.com/scotthansen<br><a target="_blank" href="http://video.google.com/videoplay?docid=235503632389016121"><span class="yshortcuts" id="lw_1236958641_0">http://video.google.com/videoplay?docid=235503632389016121</span></a><br><a target="_blank" href="http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en"><span class="yshortcuts" id="lw_1236958641_1">http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en</span></a><br></td></tr></table><br>

      
--0-1392030423-1236959863=:99151--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 16:06:43 2009
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From: scott hansen <evanpeewee@yahoo.com>
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Subject: RE: Least Costly Looping Solution -my P.S....
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thinking of all the gear that's come and gone in my studio use--
i remember back in '03 getting a used korg kaoss pad, the 1st version.
when i got that thing for 90$, i thought it was the most amazing tool.
just loved it. it was my 1st device that had filter options-which i loved, =
and the effects w/ the touch screen manipulation was WAY AMAZING (i'm a sim=
pleton!).
and the 5 sec of sample time was most fun too. now, a bunch of the presets =
didn't work on mine, but i figured i only paid 90$ for it, i had it for abo=
ut 2 years, when i got rid of it. i know they have new versions of it, don'=
t know what the price are of them used....

the other thing i'm reminded of was an interview in tapeop w/ a hip/hop (or=
 might have been rap?) producer (can't remember the name) a few yrs back. h=
e was talking about making records/sounds/beats back in the 80's of using t=
urntables and boom boxes etc. then when the 1st sampler came out and it had=
=A0 2 sec of sampling, he said how amazing it was, and how they really used=
 it, and what a great tool it was, and how it seemed like a miracle. then h=
e said a yr later or so, a new sampler came out and it had like 5 sec of sa=
mpling (or something longer), and how amazing that was....it was just inter=
esting to hear someome talking about the explosion of technology at a time =
long ago (THE 80's!!!!!!). apologize-for the paraphrased story.....
happy hunting....& looping....
s----
www.myspace.com/scotthansen

http://video.google.com/videoplay?docid=3D235503632389016121

http://video.google.com/videoplay?docid=3D5791548553161416906&hl=3Den
=0A=0A=0A      
--0-57351556-1236960402=:20000
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">thinking of all the gear that's come and gone=
 in my studio use--<br>i remember back in '03 getting a used korg kaoss pad=
, the 1st version.<br>when i got that thing for 90$, i thought it was the m=
ost amazing tool.<br>just loved it. it was my 1st device that had filter op=
tions-which i loved, and the effects w/ the touch screen manipulation was W=
AY AMAZING (i'm a simpleton!).<br>and the 5 sec of sample time was most fun=
 too. now, a bunch of the presets didn't work on mine, but i figured i only=
 paid 90$ for it, i had it for about 2 years, when i got rid of it. i know =
they have new versions of it, don't know what the price are of them used...=
.<br><br>the other thing i'm reminded of was an interview in tapeop w/ a hi=
p/hop (or might have been rap?) producer (can't remember the name) a few yr=
s back. he was talking about making records/sounds/beats back in the 80's o=
f
 using turntables and boom boxes etc. then when the 1st sampler came out an=
d it had&nbsp; 2 sec of sampling, he said how amazing it was, and how they =
really used it, and what a great tool it was, and how it seemed like a mira=
cle. then he said a yr later or so, a new sampler came out and it had like =
5 sec of sampling (or something longer), and how amazing that was....it was=
 just interesting to hear someome talking about the explosion of technology=
 at a time long ago (THE 80's!!!!!!). apologize-for the paraphrased story..=
...<br>happy hunting....&amp; looping....<br>s----<br>www.myspace.com/scott=
hansen<br>
<a target=3D"_blank" href=3D"http://video.google.com/videoplay?docid=3D2355=
03632389016121"><span class=3D"yshortcuts" id=3D"lw_1236958641_0">http://vi=
deo.google.com/videoplay?docid=3D235503632389016121</span></a><br>
<a target=3D"_blank" href=3D"http://video.google.com/videoplay?docid=3D5791=
548553161416906&amp;hl=3Den"><span class=3D"yshortcuts" id=3D"lw_1236958641=
_1">http://video.google.com/videoplay?docid=3D5791548553161416906&amp;hl=3D=
en</span></a><br></td></tr></table><br>=0A=0A      
--0-57351556-1236960402=:20000--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 16:10:42 2009
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Date: Fri, 13 Mar 2009 10:10:33 -0600
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Thanks Scott, I definitely agree that even a simple tool is something 
one can learn from. I started looping with a Digitech PDS1002, then 
started up with the cassettes. For me, for a long time, $200 was way too 
much money to spend, but my cheap gear was interesting enough for me to 
get hooked.

Re: the loop tapes, yeah, they're getting very hard to find. I bought a 
box of 100 answering machine tapes from Ebay for one cent in 2004, and 
still am using those for my static loops project (100 short loops, which 
I'll be releasing in a couple of months). But for my normal looping 
work, I splice my own tapes, using regular stock and cases. Between that 
and my $30 four-track, my setup is still super-budget, but still 
interesting to me.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> -and for a while i was even using my old tascam 4 track (i got it free 
> from my friend who is a professional musician, cost me a 100$ to get 
> it up and running, but back in '00 couldn't get a recording device for 
> 100$, so i thought it was worth it) and using 20 sec loop tapes (they 
> are message tapes for old phone message devices), i usually was 
> feeding one of my delays into it, but i got some great results w/ it, 
> and i was even down to just 2 tracks (2 were sort of not working 
> great), please note that about 2 yrs ago when i was in radio shack, i 
> saw they had the loop tapes on clearance, so i bought a bunch, and i 
> haven't seen them any more when i've been in radio shacks as of late. 
> technology-out w/ old, in w/ new. so don't know how available they are 
> anymore...
> -well, i think my point is, you don't have to buy some $1000 
> super-gizmotron device to start exploring.
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 16:19:47 2009
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LEAST COSTLY "LOOPingniPooL" Device:  As many of you know I use the Digitech Jam-Man at $299, but there's  also the Boss Rc-2 at $179 which is very simple to use.             My mantra has been: Simple equipment + Creativity = Unique Musical Expression.       -Kevin.                      www.myspace.com/KevinSpears
Sent via BlackBerry from T-Mobile

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 16:31:58 2009
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Date: Fri, 13 Mar 2009 12:30:52 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #623 for March 12, 2009.
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http://wdiy.org/programs/gt/playlists/2009/090312.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #623                March 12, 2009.

RECAP:
On this show, I continued the month-long focus on Ian Boddy.  The
Featured CD at Midnight was The Final Question on DiNDDL Records.

Ian Boddy: http://wdiy.org/programs/gt/playlists/2009/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Psicodreamics        Spellbound           Fantasynth (Witches On the
                                            Radiowaves)
Craig Padilla, Zero  Perspective of       Beyond the Portal (Lotuspike)
  Ohms, and Skip     Disappearance
  Murphy
Craig Padilla, Zero  Realm of the Spirit  Beyond the Portal (Lotuspike)
  Ohms, and Skip Murphy
Parallel Worlds      Mutating Relities    Shade (DiN)
Gary Wright          Silent Choirs of     Waiting To Catch the Light
                                            (Larkio)
Phrozenlight         Dark Moments         Autumn (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Ian Boddy            Welcome To the       The Final Question (DiNDDL)
                       Soundhouse
Ian Boddy            Zero-G               The Final Question (DiNDDL)
Ian Boddy            Earthbound           The Final Question (DiNDDL)
Ian Boddy            Next To Nothing      The Final Question (DiNDDL)
Ian Boddy            The Penultimate      The Final Question (DiNDDL)
                       Question

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Ian
Boddy.  The Featured CD at Midnight will be The Final Question on DiNDDL
Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 16:46:24 2009
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Date: Fri, 13 Mar 2009 09:46:22 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
To: Loopers-Delight@loopers-delight.com
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So, what software do folks use to rip CD's at the high kbps rate that was m=
entioned a few e-mails back?
=A0
Paul

--- On Thu, 3/12/09, Miko Biffle <biffoz@gmail.com> wrote:


From: Miko Biffle <biffoz@gmail.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
To: Loopers-Delight@loopers-delight.com
Date: Thursday, March 12, 2009, 3:28 PM


For the most part, vinyl mastering and production esthetics were more mid-r=
angey and compared to modern production a little "honkey" sounding.=A0 Comp=
ression and volume maximization aside, I prefer the broader tonal spectrum =
of modern recordings. I love Hendrix, but most of recordings still have tha=
t narrower range and less bass, giving the recordings a dated sound. MP3's =
of the same recordings sound dated as well. I understand the basics of high=
 end interpolation and sampling, but still, I just don't hear it.

So I have no problem with MP3's and regularly listen to orchestral as well =
as dense, heavy material on two very different and high quality systems.=A0=
 Utility is awesome and I just don't hear the difference between "CD Qualit=
y MP3" and .wav files. I haven't had enough experience with AIFF to compare=
 to WAVE and MP3.=A0 Call me insensitive. =A0 -m
--=20
Miko Biffle
Biffoz@Gmail.com
"Running scared from all the usual distractions!" =0A=0A=0A      
--0-409428446-1236962782=:53734
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>So, what software do folks use to rip CD=
's at the high kbps rate that was mentioned a few e-mails back?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Paul<BR><BR>--- On <B>Thu, 3/12/09, Miko Biffle <I>&lt;biffoz@gmail.co=
m&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Miko Biffle &lt;biffoz@gmail.com&gt;<BR>Sub=
ject: Re: OT That 'sizzle sound' of Mp3s<BR>To: Loopers-Delight@loopers-del=
ight.com<BR>Date: Thursday, March 12, 2009, 3:28 PM<BR><BR>
<DIV id=3Dyiv912145817>For the most part, vinyl mastering and production es=
thetics were more mid-rangey and compared to modern production a little "ho=
nkey" sounding.&nbsp; Compression and volume maximization aside, I prefer t=
he broader tonal spectrum of modern recordings. I love Hendrix, but most of=
 recordings still have that narrower range and less bass, giving the record=
ings a dated sound. MP3's of the same recordings sound dated as well. I und=
erstand the basics of high end interpolation and sampling, but still, I jus=
t don't hear it.<BR><BR>So I have no problem with MP3's and regularly liste=
n to orchestral as well as dense, heavy material on two very different and =
high quality systems.&nbsp; Utility is awesome and I just don't hear the di=
fference between "CD Quality MP3" and .wav files. I haven't had enough expe=
rience with AIFF to compare to WAVE and MP3.&nbsp; Call me insensitive. &nb=
sp; -m<BR>-- <BR>Miko Biffle<BR>Biffoz@Gmail.com<BR>"Running scared
 from all the usual distractions!" </DIV></BLOCKQUOTE></td></tr></table><br=
>=0A=0A      
--0-409428446-1236962782=:53734--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 16:49:58 2009
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Date: Fri, 13 Mar 2009 09:49:57 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
To: Loopers-Delight@loopers-delight.com
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--0-2087162322-1236962997=:64150
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

Silly me. I just checked Razor Lame and it offers high bit rates in an opti=
ons menu.
=A0
Paul

--- On Fri, 3/13/09, Paul Richards <paulrichard_rocks@yahoo.com> wrote:


From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
To: Loopers-Delight@loopers-delight.com
Date: Friday, March 13, 2009, 12:46 PM







So, what software do folks use to rip CD's at the high kbps rate that was m=
entioned a few e-mails back?
=A0
Paul

--- On Thu, 3/12/09, Miko Biffle <biffoz@gmail.com> wrote:


From: Miko Biffle <biffoz@gmail.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
To: Loopers-Delight@loopers-delight.com
Date: Thursday, March 12, 2009, 3:28 PM


For the most part, vinyl mastering and production esthetics were more mid-r=
angey and compared to modern production a little "honkey" sounding.=A0 Comp=
ression and volume maximization aside, I prefer the broader tonal spectrum =
of modern recordings. I love Hendrix, but most of recordings still have tha=
t narrower range and less bass, giving the recordings a dated sound. MP3's =
of the same recordings sound dated as well. I understand the basics of high=
 end interpolation and sampling, but still, I just don't hear it.

So I have no problem with MP3's and regularly listen to orchestral as well =
as dense, heavy material on two very different and high quality systems.=A0=
 Utility is awesome and I just don't hear the difference between "CD Qualit=
y MP3" and .wav files. I haven't had enough experience with AIFF to compare=
 to WAVE and MP3.=A0 Call me insensitive. =A0 -m
--=20
Miko Biffle
Biffoz@Gmail.com
"Running scared from all the usual distractions!"=20
=0A=0A=0A      
--0-2087162322-1236962997=:64150
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Silly me. I just checked Razor Lame and =
it offers high bit rates in an options menu.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Paul<BR><BR>--- On <B>Fri, 3/13/09, Paul Richards <I>&lt;paulrichard_r=
ocks@yahoo.com&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Paul Richards &lt;paulrichard_rocks@yahoo.c=
om&gt;<BR>Subject: Re: OT That 'sizzle sound' of Mp3s<BR>To: Loopers-Deligh=
t@loopers-delight.com<BR>Date: Friday, March 13, 2009, 12:46 PM<BR><BR>
<DIV id=3Dyiv519884728>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV>So, what software do folks use to rip CD's at the high kbps rate that =
was mentioned a few e-mails back?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Paul<BR><BR>--- On <B>Thu, 3/12/09, Miko Biffle <I>&lt;biffoz@gmail.co=
m&gt;</I></B> wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Miko Biffle &lt;biffoz@gmail.com&gt;<BR>Sub=
ject: Re: OT That 'sizzle sound' of Mp3s<BR>To: Loopers-Delight@loopers-del=
ight.com<BR>Date: Thursday, March 12, 2009, 3:28 PM<BR><BR>
<DIV id=3Dyiv912145817>For the most part, vinyl mastering and production es=
thetics were more mid-rangey and compared to modern production a little "ho=
nkey" sounding.&nbsp; Compression and volume maximization aside, I prefer t=
he broader tonal spectrum of modern recordings. I love Hendrix, but most of=
 recordings still have that narrower range and less bass, giving the record=
ings a dated sound. MP3's of the same recordings sound dated as well. I und=
erstand the basics of high end interpolation and sampling, but still, I jus=
t don't hear it.<BR><BR>So I have no problem with MP3's and regularly liste=
n to orchestral as well as dense, heavy material on two very different and =
high quality systems.&nbsp; Utility is awesome and I just don't hear the di=
fference between "CD Quality MP3" and .wav files. I haven't had enough expe=
rience with AIFF to compare to WAVE and MP3.&nbsp; Call me insensitive. &nb=
sp; -m<BR>-- <BR>Miko Biffle<BR>Biffoz@Gmail.com<BR>"Running scared
 from all the usual distractions!" </DIV></BLOCKQUOTE></TD></TR></TBODY></T=
ABLE><BR></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A=0A=0A      
--0-2087162322-1236962997=:64150--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 17:06:38 2009
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Date: Fri, 13 Mar 2009 18:06:37 +0100
Message-ID: <66f9cc1e0903131006n37335dfch234850fb3adb49f5@mail.gmail.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
From: Per Boysen <perboysen@gmail.com>
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On Fri, Mar 13, 2009 at 5:46 PM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> So, what software do folks use to rip CD's at the high kbps rate that was
> mentioned a few e-mails back?
>
> Paul

iTunes if I'm on Mac. SoundForge if I'm in Windows (or could be
whatever application that uses the Lame compression algorithm). On Mac
I rip to their lossless format for pleasure listening and to AAC if I
just have to listen through something in order to getting to know it
(before deleting the files). In Windows I rip to mp3.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 17:16:14 2009
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Subject: Least Costly Looping Solution
From: Rainer Straschill <moinsound@googlemail.com>
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Rick said:
"Remember,  things like all the freeware software loopers than abound
don't really count, because you have to have a decent laptop and a decent
breakout box to use them for free."

This statement of yours does not appear to be true to me, and this is why:
First of all, what are the hardware requirements of a freeware
software looper? I remember a thread on the Mobius discussion group
with a guy who had run Mobius (standalone) on a 800MHz Celeron
machine. Now this is the kind of computer hardware that you'd have
found lying around at the junkyard - about one to two years ago.
Laptop computers with more than that power go for amounts considerably
below the 100-buck-threshold on ebay. And finally, a lot of people
today already do have a computer at their disposal, so the solution
using free software is in fact free.

However, there is still the fact that a computer solution does not
come "ready to use out of the box". You need to setup various things,
and actually using it for more than a first "I use my laptop
microphone and push buttons onscreen with my mouse" test run of e.g.
Mobius requires you to get a decent audio interface (or at the least
adapter cables), a MIDI interface and a MIDI controller - all of which
sum up to more than a cheap hardware looper. What's more, not being
able to carry the thing to a band rehearsal (or to quickly get up in
the middle of the night, plug in and loop) definitely will work out in
favour of the hardware solution.

My recommendation for a software looper would be Mobius, because it
rules. For a stompbox one: I'm somewhat torn between the EH SMM
w/Hazari and the Boss DD20. The former has that great varispeed
option, the latter one is a really long delay (that also allows you to
do multiply) with a "loop" mode that sucks.
The DL4 you recommend is about 50% more expensive, and all that for
two footswitches more.
Then there's the Headrush, but with 3/4s of the price of the SMM, the
lower price does not justify the lack in functionality compared to the
SMM.

Summarizing: At least for that first tryout of a looper, I don't know
what's wrong with trying e.g. Mobius, especially if the person in
question already has a computer (which could very well be a almost
antique one by computer market cycles). For anything beyond that, a
stompbox is the most cost-effective solution.


            Rainer

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Date: Fri, 13 Mar 2009 13:24:57 -0400
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Subject: Re: OT That 'sizzle sound' of Mp3s
From: Tony K <bigtonyk@gmail.com>
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I use QCD Media Player.  Which uses the LAME encoder.

www.quinnware.com

On Fri, Mar 13, 2009 at 12:46 PM, Paul Richards
<paulrichard_rocks@yahoo.com> wrote:
> So, what software do folks use to rip CD's at the high kbps rate that was
> mentioned a few e-mails back?
>
> Paul
>
> --- On Thu, 3/12/09, Miko Biffle <biffoz@gmail.com> wrote:
>
> From: Miko Biffle <biffoz@gmail.com>
> Subject: Re: OT That 'sizzle sound' of Mp3s
> To: Loopers-Delight@loopers-delight.com
> Date: Thursday, March 12, 2009, 3:28 PM
>
> For the most part, vinyl mastering and production esthetics were more
> mid-rangey and compared to modern production a little "honkey" sounding.
> Compression and volume maximization aside, I prefer the broader tonal
> spectrum of modern recordings. I love Hendrix, but most of recordings sti=
ll
> have that narrower range and less bass, giving the recordings a dated sou=
nd.
> MP3's of the same recordings sound dated as well. I understand the basics=
 of
> high end interpolation and sampling, but still, I just don't hear it.
>
> So I have no problem with MP3's and regularly listen to orchestral as wel=
l
> as dense, heavy material on two very different and high quality systems.
> Utility is awesome and I just don't hear the difference between "CD Quali=
ty
> MP3" and .wav files. I haven't had enough experience with AIFF to compare=
 to
> WAVE and MP3.=A0 Call me insensitive. =A0 -m
> --
> Miko Biffle
> Biffoz@Gmail.com
> "Running scared from all the usual distractions!"
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 17:27:29 2009
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I don't know jack about this, but is it necessary to have the MIDI 
equipment? If it's just to be able to control functions remotely, I'd 
call that a secondary need. Couldn't one just buy one of the cheap 
M-Audio interfaces (i.e., Fast Track) for less than $100, plug a guitar 
or mic in, and use the mouse or keyboard to control the looping 
functions in Mobius? Manual control isn't so bad, I've always used my 
loopers on a tabletop anyway.

(I do think hardware is an easier/more understandable way to get 
started, though...).

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> However, there is still the fact that a computer solution does not
> come "ready to use out of the box". You need to setup various things,
> and actually using it for more than a first "I use my laptop
> microphone and push buttons onscreen with my mouse" test run of e.g.
> Mobius requires you to get a decent audio interface (or at the least
> adapter cables), a MIDI interface and a MIDI controller - all of which
> sum up to more than a cheap hardware looper. 

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Subject: Re: OT That 'sizzle sound' of Mp3s
Date: Fri, 13 Mar 2009 13:27:23 -0400
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I generally use Winamp to rip cds and Sound Forge or Audacity to convert wav 
files that I record. I use
128 kbs for the web mostly but 320 for personal listening. I do have 
questions about VBR and CBR encoding. What are ya'lls thought on VBR max and 
min settings? Or benifits of VBR vrs CBR encoding.
I can hear the difference between 320 kbs and 128 kbs. 320 sounds meatier 
maybe? My ears have been abused for many years so I am no audiophile at any 
rate.

Jeff
http://jeffduke.org/


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 13, 2009 1:06 PM
Subject: Re: OT That 'sizzle sound' of Mp3s


> On Fri, Mar 13, 2009 at 5:46 PM, Paul Richards
> <paulrichard_rocks@yahoo.com> wrote:
>> So, what software do folks use to rip CD's at the high kbps rate that was
>> mentioned a few e-mails back?
>>
>> Paul
>
> iTunes if I'm on Mac. SoundForge if I'm in Windows (or could be
> whatever application that uses the Lame compression algorithm). On Mac
> I rip to their lossless format for pleasure listening and to AAC if I
> just have to listen through something in order to getting to know it
> (before deleting the files). In Windows I rip to mp3.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 17:33:08 2009
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Date: Fri, 13 Mar 2009 13:33:07 -0400
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Subject: Re: Least Costly Looping Solution
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It's not necessary to use a MIDI controller.  You can map functions to
the keyboard.

On Fri, Mar 13, 2009 at 1:27 PM, Daryl Shawn <highhorse@mhorse.com> wrote:
> I don't know jack about this, but is it necessary to have the MIDI
> equipment? If it's just to be able to control functions remotely, I'd call
> that a secondary need. Couldn't one just buy one of the cheap M-Audio
> interfaces (i.e., Fast Track) for less than $100, plug a guitar or mic in,
> and use the mouse or keyboard to control the looping functions in Mobius?
> Manual control isn't so bad, I've always used my loopers on a tabletop
> anyway.
>
> (I do think hardware is an easier/more understandable way to get started,
> though...).
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> However, there is still the fact that a computer solution does not
>> come "ready to use out of the box". You need to setup various things,
>> and actually using it for more than a first "I use my laptop
>> microphone and push buttons onscreen with my mouse" test run of e.g.
>> Mobius requires you to get a decent audio interface (or at the least
>> adapter cables), a MIDI interface and a MIDI controller - all of which
>> sum up to more than a cheap hardware looper.
>
>



-- 
-==-=-=-
Tony

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Subject: Re: Least Costly Looping Solution
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On Fri, Mar 13, 2009 at 6:33 PM, Tony K <bigtonyk@gmail.com> wrote:
> It's not necessary to use a MIDI controller. =A0You can map functions to
> the keyboard.

LOL - that would make a nice show... playing instruments by hands and
lifting up a leg (male dog style) to gently push down the overdub key
by the side of your boot!  ;-)) If I did that I would have to change
laptops more often than I change MIDI pedal.

Per

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 18:06:14 2009
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Subject: Re: OT That 'sizzle sound' of Mp3s+ hifi tips
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for completeness, I should mention that the
most popular lossless compression system on windows seems
to be FLAC,
and that another possibility is "Shorten"
Those have their own free downloadable software 
for file conversion. (google 'em)

For high quality listening on a (relative) budget,
I'd suggest a pair of Genelec powered monitors.
Not cheap as such,  but cheap considering their performance.
I reckon they'd fairly cheerfully out shine an amp and
speakers of comparable price from the "hi-fi" stores.
(but *don't* just take my word for that) 

...and for those of us who still spin cds, my
latest discovery is to use a Philips DVP3005 
DVD player just for it's audio.
Dirt cheap on Ebay, (like £20), but I honestly
couldn't hear a difference between that and a v.good £200 
cd player ( and hardly any difference to a £500 Teac player)
(don't risk similar models tho', very disappointing).

andy butler

Per Boysen wrote:
> On Fri, Mar 13, 2009 at 5:46 PM, Paul Richards
> <paulrichard_rocks@yahoo.com> wrote:
>> So, what software do folks use to rip CD's at the high kbps rate that was
>> mentioned a few e-mails back?
>>
>> Paul
> 
> iTunes if I'm on Mac. SoundForge if I'm in Windows (or could be
> whatever application that uses the Lame compression algorithm). On Mac
> I rip to their lossless format for pleasure listening and to AAC if I
> just have to listen through something in order to getting to know it
> (before deleting the files). In Windows I rip to mp3.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 18:13:29 2009
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Subject: RE: 2 new live improv's - Bansai Blues pt.2 and Surroundings (free download)
Date: Fri, 13 Mar 2009 19:12:29 +0100
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There's an iTunes podcast available now too...finally ;) It has been
submitted to iTunes as well

http://euroloopfest.com/sjaak/podcast.xml

--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/ 
http://last.fm/music/sjaak+overgaauw



From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 18:30:11 2009
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Date: Fri, 13 Mar 2009 11:30:10 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: Hardware looper with substitute functions + undo/redo
To: Loopers-Delight@loopers-delight.com
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it will take time to get here but i would imagine so,the boomerang did hit =
the european stores at one point

www.myspace.com/luisangulocom


--- On Fri, 3/13/09, Raul Bonell <raul.bonell@gmail.com> wrote:

> From: Raul Bonell <raul.bonell@gmail.com>
> Subject: Re: Hardware looper with substitute functions + undo/redo
> To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-deligh=
t.com>
> Date: Friday, March 13, 2009, 8:37 AM
> ... will it be in european shops?
>=20
> 2009/3/12 L.Angulo <labaloops@yahoo.com>
>=20
> >
> > this one is coming up soon and has a lot of that:
> >
> > http://www.boomerangmusic.com/Rang%20III.html
> >
> > I am waiting impatiently!
> >
> > www.myspace.com/luisangulocom
> >
> >
> > --- On Wed, 3/11/09, s o <obadiasteph@yahoo.com>
> wrote:
> >
> > > From: s o <obadiasteph@yahoo.com>
> > > Subject: Hardware looper with substitute
> functions + undo/redo
> > > To: Loopers-Delight@loopers-delight.com
> > > Date: Wednesday, March 11, 2009, 8:40 PM
> > > hello everyone,
> > > i have been inactive for a very long time on this
> list.
> > > i'm playing in a duo where i would love to be
> able to
> > > skip traveling with a computer.
> > > so i'm wondering if there is now a hardware
> looper able
> > > to do very short SUBSTITUTE functions (like
> SooperLooper
> > > does). I tried a RC20 some years ago and was very
> > > disapointed with the command latency in general,
> i was very
> > > easely getting trap in the loop, which i manage
> to avoid
> > > with SooperLooper.
> > > beside, it was not possible to record super tiny
> bits with
> > > the RC20 (which i usually do to create grooves).
> > > Undo/Redo would also be good to have on a
> hardware looper.
> > >
> > > Thank you for any help or advice ;)
> > >
> > > St=E9phane
> >
> >
> >
> >
> >
>=20
>=20
> --=20
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 18:59:04 2009
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Subject: Re: OT That 'sizzle sound' of Mp3s+ hifi tips
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At 2009.03.13 11:15 AM, andy butler wrote:
>for completeness, I should mention that the
>most popular lossless compression system on windows seems
>to be FLAC,

Not just a windows codec:
http://flac.sourceforge.net/download.html

Flac is also supported by a number of digital audio players


>and that another possibility is "Shorten"

Though some content in shorten is available at archive.org, the 
format is no longer widely used.  Flac has supplanted it.  Since 
shorten is lossless, you can convert it back to wav and then compress 
using another scheme.

I use Exact Audio Copy with FLAC.
http://www.exactaudiocopy.de/en/

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 19:31:21 2009
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> It's not necessary to use a MIDI controller. =A0You can map functions to
> the keyboard.

Over on the Mobius list (I think, or was it here?) we've had occasional
discussions of hacking cheap USB keyboards or numeric pads to make
"footswitches".  Pry the keycaps off and glue something to a few keys
to make them easier to press with feet.  I know several people have
done this.  It ain't pretty, and I'm sure you have to replace them
often but it works.

So, it's hard to state the "cheapest" configuration for software
looping, it depends on how technically savvy you are, how concerned you
are about audio quality, and how goofy you will look stepping on a
broken keyboard.

AUDIO

If you can live with the partial latency compensation in Mobius then
you can use the integrated audio device and don't have to buy an ASIO
device.  This will behave as well as a DL4 except for one thing: when
you end the recording of a new loop we'll have to skip a bit forward
when playing back for the first time.

If you want low-latency then many people have had success using
ASIO4ALL to add an ASIO device driver on top of the integrated
audio device.  It's hit or miss though, it looks like it works
over half the time but sometimes it doesn't.  It requires some
tech knowledge and a willingness to dick around.

Most people that take it seriously I would imagine will buy
something like this, scratch-n-dent for $70:

  http://pro-audio.musiciansfriend.com/product?sku=3D703606X

There are at least a dozen audio interfaces clustered around
the $100 mark, some have MIDI:

  http://pro-audio.musiciansfriend.com/product/Tascam-US122L-USB2.0-Audio-M=
idi-Computer-Interface?sku=3D242192

MIDI

If you find the concepts of "Threshold Recording" and "Automated
Recording" in Mobius acceptable then you don't need anything to get
the initial loop down.  You will have to reach over with a free hand
if you want turn overdub on and off though.

If you can live with the shame of stepping on a broken USB keyboard
with your snazzy lizard cowboy boots, then you don't need anything.
Buy a $10 USB keyboard and molest it.

If you want a more substantial footswitch, then you first
have to get a MIDI interface.  If you bought an audio interface
it may already have one.  Otherwise this for $30

  http://pro-audio.musiciansfriend.com/product/CME-U2MIDI-MIDI-to-USB-Cable=
?sku=3D703036

If you're good with a soldering iron, this can be hacked
to be a normal MIDI switch for $60

  http://guitars.musiciansfriend.com/product/Randall-4Button-MIDI-Footswitc=
h?sku=3D180290

Or this for $100

  http://keyboards-midi.musiciansfriend.com/product/CME-GPP3-USB-Programmab=
le-Grand-Piano-Style-MIDI-Pedal?sku=3D703039


Or more likely the industry standard FCB1010 for $150.  This is usually
the stumbling block for most people.=20

SUMMARY

The following options assume as a basis that you have a laptop that is
less than 5 years old and is not factored into the cost.

  Option1: hacky/goofy   $10

    ASIO4ALL + USB keyboard

  Option2: audio/goofy   ~$110

    any 2 channel USB audio interface + USB keyboard

  Option3: audio/midi    $280

    $130 audio interface with MIDI + FCB1010


Jeff=

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Subject: Re: OT That 'sizzle sound' of Mp3s
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--001636c5bcf936bd880465054ae1
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Mark,

> I WANT that sleeve, being carefull with it, putting it on, waiting, and
> listening with a big cup of tea/beer/spliff (tick relaxant of choice
>

I used to think I did, too. But I have to admit I've changed my mind on that
score. The ease and flexibility - not to mention availability - of MP3s and
similar is just too enticing. It helps that here in Denmark, the largest
phone/net company (TDC) offer free music downloads with their phone and net
accounts (admittedly it's DRM infested WMVs, but there are ways around
that), so having access to 4 million plus songs for free and legally gives
one a rather different perspective. I haven't bought a CD in over a year
(from buying 10-15 per month). Coupled with an eMusic account and various
freebie sites, my musical appetite is well and truly filled.

As to sound quality, I have an Apple-TV coupled to my serious mid-fi stereo
system. Yes, I can hear a difference to the CD. But I certainly could't say
which is 'better'. I'm over 40, so I can't hear much over 12 kHz anyway ...
IMO, anyone who claims to be able to hear any meaningful quality difference
between 192+ kbps MP3 and CD (through decent hardware) is either deluded or
lying.


> I must be honest, that since I downloaded EVERY Beatles album, I havent
> listened to them, since I downloaded EVERY Aphex twin Album I havent
> listened to him... and since I downloaded 80 albums by Merzbow, I certainly
> havent listened to HIM!!!
>

BTDT. I've listened to them all. Several times. Still can't see what all the
fuss is about with those Beatle chaps though ....


> The guys in my office, listen on iPod.. OK fair enough, I cant do that...
> and for that the mp3/iTunes combo os fine.. EVERYTHING is available, but you
> load yer device.. theres yer choice..
>

An iPod is a godsend if you have 2+ hours train commute every day ... More
or less useless for anything else.


> Has anyone, every been to town, bought an album on mp3, sat on the
> trainunpacking it/ reading every word on the cover/ reading the lyrics, got
> home, went to room, put on record, laid on bed, played it loud... then
> played it AGAIN!!!
>

Apart from the going to town bit, in effect, yes!

Ian

--001636c5bcf936bd880465054ae1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Mark,<div class=3D"gmail_quote"><br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;"><div>I WANT that sleeve, being carefull with it, putting=
 it on, waiting, and listening with a big cup of tea/beer/spliff (tick rela=
xant of choice</div>
</blockquote><div><br>I used to think I did, too. But I have to admit I&#39=
;ve changed my mind on that score. The ease and flexibility - not to mentio=
n availability - of MP3s and similar is just too enticing. It helps that he=
re in Denmark, the largest phone/net company (TDC) offer free music downloa=
ds with their phone and net accounts (admittedly it&#39;s DRM infested WMVs=
, but there are ways around that), so having access to 4 million plus songs=
 for free and legally gives one a rather different perspective. I haven&#39=
;t bought a CD in over a year (from buying 10-15 per month). Coupled with a=
n eMusic account and various freebie sites, my musical appetite is well and=
 truly filled.<br>
<br>As to sound quality, I have an Apple-TV coupled to my serious mid-fi st=
ereo system. Yes, I can hear a difference to the CD. But I certainly could&=
#39;t say which is &#39;better&#39;. I&#39;m over 40, so I can&#39;t hear m=
uch over 12 kHz anyway ... IMO, anyone who claims to be able to hear any me=
aningful quality difference between 192+ kbps MP3 and CD (through decent ha=
rdware) is either deluded or lying. <br>
=A0</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>
I must be honest, that since I downloaded EVERY Beatles album, I havent lis=
tened to them, since I downloaded EVERY Aphex twin Album I havent listened =
to him... and since I downloaded 80 albums by Merzbow, I certainly havent l=
istened to HIM!!!</div>
</blockquote><div><br>BTDT. I&#39;ve listened to them all. Several times. S=
till can&#39;t see what all the fuss is about with those Beatle chaps thoug=
h ....<br>=A0<br></div><blockquote class=3D"gmail_quote" style=3D"border-le=
ft: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;">
<div>The guys in my office, listen on iPod.. OK fair enough, I cant do that=
... and for that the mp3/iTunes combo os fine.. EVERYTHING is available, bu=
t you load yer device.. theres yer choice.. </div></blockquote><div><br>
An iPod is a godsend if you have 2+ hours train commute every day ... More =
or less useless for anything else.<br>=A0</div><blockquote class=3D"gmail_q=
uote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0=
pt 0.8ex; padding-left: 1ex;">
<div>Has anyone, every been to town, bought an album on mp3, sat on the tra=
inunpacking it/ reading every word on the cover/ reading the lyrics, got ho=
me, went to room, put on record, laid on bed, played it loud... then played=
 it AGAIN!!!</div>
</blockquote><div><br>Apart from the going to town bit, in effect, yes!<br>=
<br>Ian<br></div></div><br>

--001636c5bcf936bd880465054ae1--

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Date: Fri, 13 Mar 2009 21:05:59 +0100
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Subject: Re: OT That 'sizzle sound' of Mp3s
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--001636c5ab8e2b4627046505a193
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Paul,

So, what software do folks use to rip CD's at the high kbps rate that was
> mentioned a few e-mails back?


Exact Audio Copy (EAC).

Ian

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Paul,<br><div class=3D"gmail_quote"><br><blockquote class=3D"gmail_quote" s=
tyle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8e=
x; padding-left: 1ex;">So, what software do folks use to rip CD&#39;s at th=
e high kbps rate that was mentioned a few e-mails back?</blockquote>
<div><br>Exact Audio Copy (EAC).<br><br>Ian <br></div></div><br>

--001636c5ab8e2b4627046505a193--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 21:19:42 2009
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Date: Fri, 13 Mar 2009 15:06:26 -0600
From: Shayne Cafferata <scafferata@sasktel.net>
Subject: couple of long improvs
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after years of mostly lurking here, i finally have gotten around to 
transfering some tunes to my computer. here are a couple that my buddy 
and i recorded on his trusty ol' br1100.

http://www.sendspace.com/file/1rif3u
me - emx, es1mk2, ea-1, ddm110/220, DAED speak and deth, dw8000, ex800, 
mg-1, x911, guitar, ebow
buddy - guitar
this marathon clocks in at over 2 hours. hey, it's ok, you don't have to 
listen to the whole thing - i haven't. not all at once anyway. there are 
pleasant stretches and unlistenable stretches but my favorite part is 
actually the last 15 min - the never-ending ending. the speak and deth 
starts around 1:03. i mess around with it a bit, then tune a loop and 
leave it as a drone for the remainder.

http://www.sendspace.com/file/7zr1z8
me - tb303, ddm220, tr66, drumulator, dw8000(arpeggiator pad), mg-1, x911
buddy - guitar
this one's just over 30 min.
much more texture and subtlety than the other.


shayne

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 21:21:15 2009
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	 <20090312145605.EL1P0.1169516.root@mp06>
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Date: Fri, 13 Mar 2009 14:21:14 -0700
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Subject: Re: OT That 'sizzle sound' of Mp3s
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I feel lucky - I really don't hear anything bad when I listen to mp3. I can
actually put on headphones and listen to an album off my computer and just
zone out (if I like the album).

I try to encode 'em at a high rate when I can. But frankly, most of us can't
afford nice audiophile sound systems. Most of the music I hear these days is
through a $50 set of computer speakers at work.

It's interesting to read though - I'm just about to do a web-release of some
older cd's in the next few weeks.

Matt Davignon
www.ribosomemusic.com

--000e0cd32d063dbc15046506aef4
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I feel lucky - I really don&#39;t hear anything bad when I listen to mp3. I=
 can actually put on headphones and listen to an album off my computer and =
just zone out (if I like the album).<br><br>I try to encode &#39;em at a hi=
gh rate when I can. But frankly, most of us can&#39;t afford nice audiophil=
e sound systems. Most of the music I hear these days is through a $50 set o=
f computer speakers at work. <br>
<br>It&#39;s interesting to read though - I&#39;m just about to do a web-re=
lease of some older cd&#39;s in the next few weeks. <br><br>Matt Davignon<b=
r><a href=3D"http://www.ribosomemusic.com">www.ribosomemusic.com</a><br>

--000e0cd32d063dbc15046506aef4--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 22:52:19 2009
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Jeff Larson wrote:
"Well, as we've discussed here before, there's a good chance they 
already have a laptop, especially if they're in their twenties and went 
through college, so I wouldn't completely discount this as an option."


I hear you, Jeff,  but to be honest,  I know a lot of creative young 
musicians in their twenties who live in Santa Cruz
and I would say that fully 2/3 of them haven't gone to college and don't 
have the financial resources
to buy a laptop.  It may be different in different locals because Santa 
Cruz is pretty anomolous, soicologically
speaking and the wages here are lower (by comparison to rents) than  
most places in the country.

The good news is that we are beginning to see laptops on sale for as 
little as $400 (USD)
With your aforementioned footpedals and breakout box this brings the tab 
up to about
$700 (USD)RE     

There still , of course, is no live looping hardware solution that 
approaches what Mobius can do
in the price range so it's a great investment to make if you have the money.

I just wanted to make a post for the musicians who have very, very 
little money.
There are a lot of them out in America at least, especially these days.


ps   All incredible respect to you and what you've done for the looping 
community
so this is not intended as an 'us and them'  kind of post.  I fully 
respect your solution for live looping.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 22:57:15 2009
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Andy wrote:
"In UK, the DL4 is pricey, it's always been £250. "

Good lord,  I never knew that.   I've always wondered why so few Brits 
use them.  That must be the
reason.  

On this side of the pond, it was the very cheapest one on the market for 
a long time until the
advent of the RC-2.   I think the Akai Headrush is more expensive here 
in the states too.

Is the Line 6 DL4 more expensive in Europe as well?

How about Japan?

South America?


From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 23:34:37 2009
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I think I paid £199 for my DL4 around 7 or 8 years ago. I thought that was 
pretty expensive, but I have used it a lot and I think I have got my money's 
worth out of it. I would be reluctant to pay that much for one now though, 
let alone £250. The ones being made now are apparently pretty unreliable. I 
think they are made of plastic now (not sure about that) so surely they 
should be cheaper. At least mine is still working well and still getting 
lots of use.

Steve

----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 13, 2009 10:57 PM
Subject: re: Least Costly Live Looping Solution


Andy wrote:
"In UK, the DL4 is pricey, it's always been £250. "

Good lord,  I never knew that.   I've always wondered why so few Brits
use them.  That must be the
reason.

On this side of the pond, it was the very cheapest one on the market for
a long time until the
advent of the RC-2.   I think the Akai Headrush is more expensive here
in the states too.

Is the Line 6 DL4 more expensive in Europe as well?

How about Japan?

South America?




From Loopers-Delight-request@loopers-delight.com  Fri Mar 13 23:37:24 2009
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Least Costly Live Looping Solution
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The new ones are still metal but feel a bit different. Seem more =20
reliable although the switches are dodgy on both versions.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 13 Mar 2009, at 23:34, Stephen Moyes wrote:

> I think I paid =A3199 for my DL4 around 7 or 8 years ago. I thought =20=

> that was pretty expensive, but I have used it a lot and I think I =20
> have got my money's worth out of it. I would be reluctant to pay =20
> that much for one now though, let alone =A3250. The ones being made =20=

> now are apparently pretty unreliable. I think they are made of =20
> plastic now (not sure about that) so surely they should be cheaper. =20=

> At least mine is still working well and still getting lots of use.
>
> Steve
>
> ----- Original Message ----- From: "Rick Walker" <looppool@cruzio.com>
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Sent: Friday, March 13, 2009 10:57 PM
> Subject: re: Least Costly Live Looping Solution
>
>
> Andy wrote:
> "In UK, the DL4 is pricey, it's always been =A3250. "
>
> Good lord,  I never knew that.   I've always wondered why so few Brits
> use them.  That must be the
> reason.
>
> On this side of the pond, it was the very cheapest one on the =20
> market for
> a long time until the
> advent of the RC-2.   I think the Akai Headrush is more expensive here
> in the states too.
>
> Is the Line 6 DL4 more expensive in Europe as well?
>
> How about Japan?
>
> South America?
>
>
>
>


--Apple-Mail-1-982200311
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
The new ones are still metal but feel a bit different. Seem more =
reliable although the switches are dodgy on both versions.<div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 13 Mar 2009, =
at 23:34, Stephen Moyes wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I think I paid =A3199 for my DL4 around 7 or 8 years =
ago. I thought that was pretty expensive, but I have used it a lot and I =
think I have got my money's worth out of it. I would be reluctant to pay =
that much for one now though, let alone =A3250. The ones being made now =
are apparently pretty unreliable. I think they are made of plastic now =
(not sure about that) so surely they should be cheaper. At least mine is =
still working well and still getting lots of use.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Steve</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">----- Original Message ----- From: "Rick Walker" =
&lt;<a =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">To: "LOOPERS DELIGHT (posting)" &lt;<a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a>></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Sent: Friday, March 13, =
2009 10:57 PM</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Subject: re: Least Costly Live =
Looping Solution</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Andy =
wrote:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">"In UK, the DL4 is pricey, it's =
always been =A3250. "</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Good lord,<span =
class=3D"Apple-converted-space">=A0 </span>I never knew that. <span =
class=3D"Apple-converted-space">=A0 </span>I've always wondered why so =
few Brits</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">use them.<span =
class=3D"Apple-converted-space">=A0 </span>That must be the</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">reason.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">On this side of the pond, it was =
the very cheapest one on the market for</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">a long =
time until the</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">advent of the RC-2. <span =
class=3D"Apple-converted-space">=A0 </span>I think the Akai Headrush is =
more expensive here</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">in the states =
too.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Is the Line 6 DL4 more expensive in Europe as =
well?</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">How about Japan?</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">South America?</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-1-982200311--

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Date: Fri, 13 Mar 2009 20:01:11 -0400
Message-ID: <4759e5740903131701t6a7863e7t7d19c0f1beb2f193@mail.gmail.com>
Subject: hey all. a little New York City Gig happenin' Stravinsky and loopage.
From: todd reynolds <toddreyn@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636e0a884435fb2046508ea58
Content-Type: text/plain; charset=windows-1252
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I've been 'head buried' for awhile, trying to finish a record, so sorry I'v=
e
been a lousy contributer and even reader these last months... Did wanna
reach out though to my NYC Looping community.
Evan Ziporyn and I are going to be doing 20 minutes of Stravinsky (a
soldier's tale)  and 25 minutes of looping electronica at Le Poisson Rouge
on Sunday night, 3/15, this upcoming one in fact at 8pm.

Link is clickable below.  If you end up comin' do let me know, kay?

 Click to view this email in a
browser<http://hosted.verticalresponse.com/160804/e98166251d/59000151/73f17=
70115/>

all the best to you all!

Todd

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D

=95 At the studio in North Adams, finishing the record, down to New York in
fits and starts for the next  two months.

=95  Meredith Monk at the Guggenheim on March 5th

=95  Todd Reynolds/Evan Ziporyn Stravinsky project at Le Poisson Rouge on
March 15th.

http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com

--001636e0a884435fb2046508ea58
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

I&#39;ve been &#39;head buried&#39; for awhile, trying to finish a record, =
so sorry I&#39;ve been a lousy contributer and even reader these last month=
s... Did wanna reach out though to my NYC Looping community. =A0<div><br></=
div>
<div>Evan Ziporyn and I are going to be doing 20 minutes of Stravinsky (a s=
oldier&#39;s tale) =A0and 25 minutes of looping electronica at Le Poisson R=
ouge on Sunday night, 3/15, this upcoming one in fact at 8pm.=A0</div><div>
<br></div><div>Link is clickable below. =A0If you end up comin&#39; do let =
me know, kay?</div><div><br></div><div><a href=3D"http://hosted.verticalres=
ponse.com/160804/e98166251d/59000151/73f1770115/">=A0Click to view this ema=
il in a browser</a></div>
<div><br></div><div>all the best to you all!=A0</div><div><br></div><div>To=
dd</div><div><br clear=3D"all">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br><br>=
=95 At the studio in North Adams, finishing the record, down to New York in=
 fits and starts for the next =A0two months. <br>
<br>=95 =A0Meredith Monk at the Guggenheim on March 5th<br><br>=95 =A0Todd =
Reynolds/Evan Ziporyn Stravinsky project at Le Poisson Rouge on March 15th.=
<br><br><a href=3D"http://toddreynolds.com">http://toddreynolds.com</a><br>=
<a href=3D"http://twitter.com/digifiddler">http://twitter.com/digifiddler</=
a><br>
<a href=3D"http://myspace.com/toddreynoldsmusic">http://myspace.com/toddrey=
noldsmusic</a><br><a href=3D"http://blog.toddreynolds.com">http://blog.todd=
reynolds.com</a><br><br>
</div>

--001636e0a884435fb2046508ea58--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 05:54:02 2009
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Date: Fri, 13 Mar 2009 22:53:58 -0700
From: Rick Walker <looppool@cruzio.com>
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Bird Loves Ray Charles  (who actually does sing,  "Here we go loop-d-loop")

http://www.maniacworld.com/bird-loves-ray-charles.html

From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 05:55:44 2009
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Subject: Re: new mac mini with fw800 ... hooo
Date: Fri, 13 Mar 2009 22:55:42 -0700
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On Mar 12, 2009, at 2:59 PM, Rick Walker wrote:

> Bill wrote:
> "you can get two Mac minis... and the cost is significantly less  
> than a MB Pro.  Many people bring an extra guitar or bass or even a  
> synth.  Imagine having backup for something as critical to the show  
> as your computer is!"
>
> I see your logic, but this is only a solution for local gigging or  
> gigging where you are driving.
> Weight restrictions might prohibit this solution when flying (unless  
> one just plays a single instrument).
> For me,  I'm nickle and diming every single kilo when I have to fly.

But if something happens to your "instruments", Rick, that can be  
resolved with a trip to the local novelty shop. ;-)

Mark

From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 07:54:33 2009
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that bird sure can rock

www.myspace.com/luisangulocom


--- On Fri, 3/13/09, Rick Walker <looppool@cruzio.com> wrote:

> From: Rick Walker <looppool@cruzio.com>
> Subject: Here we go Loop-d-Loop
> To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
> Date: Friday, March 13, 2009, 10:53 PM
> Bird Loves Ray Charles  (who actually does sing,  "Here
> we go loop-d-loop")
> 
> http://www.maniacworld.com/bird-loves-ray-charles.html


      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 09:30:37 2009
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From: "L.Angulo" <labaloops@yahoo.com>
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I agree,i wish the Hendrix recording had a bit more bass do any of the Hend=
rix remastered recordings sound better? i got the Zeppelin collection as a =
present and it sounds so good that you would think they were recorded recen=
tly!
then again that drum sound sounded good on vinyl as well back then!
cheers

Luis


> > For the most part, vinyl mastering and production
> esthetics were more
> > mid-rangey and compared to modern production a little
> "honkey" sounding.
> > Compression and volume maximization aside, I prefer
> the broader tonal
> > spectrum of modern recordings. I love Hendrix, but
> most of recordings still
> > have that narrower range and less bass, giving the
> recordings a dated sound.
> > MP3's of the same recordings sound dated as well.
> I understand the basics of
> > high end interpolation and sampling, but still, I just
> don't hear it.
> >
> > So I have no problem with MP3's and regularly
> listen to orchestral as well
> > as dense, heavy material on two very different and
> high quality systems.
> > Utility is awesome and I just don't hear the
> difference between "CD Quality
> > MP3" and .wav files. I haven't had enough
> experience with AIFF to compare to
> > WAVE and MP3.=A0 Call me insensitive. =A0 -m
> > --
> > Miko Biffle
> > Biffoz@Gmail.com
> > "Running scared from all the usual
> distractions!"
> >
>=20
>=20
>=20
> --=20
> -=3D=3D-=3D-=3D-
> Tony=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 09:52:02 2009
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Hi gang,
I seem to recall that some of you upgraded your repeaters SW.
For those of you who actually did installed it and tested it can you send me a link to this discussion? was it worth upgrading? also would you be so kind to tell me how i can upgrade or where i can get it?
thanx
Luis

www.myspace.com/luisangulocom


      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 10:42:49 2009
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Hendrix: I agree, most Hendrix sounds pretty dated, but I reckon the best *=
sounding* Hendrix record is 'War Heroes' (released posthumously), which see=
ms to have the bass mixed a little louder generally, and there's generally =
less clutter.  I particularly like 'Midnight', just one wonderful guitar, b=
ass and drums. =20

MP3s: In general, I can tolerate the sound of MP3s EXCEPT for that awful sp=
lashiness you get on cymbals and hi-hats, which often seems to persist with=
 high sample rate MP3s.


--- On Thu, 12/3/09, Miko Biffle <biffoz@gmail.com> wrote:
I love Hendrix, but most of recordings still have that narrower range and l=
ess bass, giving the recordings a dated sound. MP3's of the same recordings=
 sound dated as well. I understand the basics of high end interpolation and=
 sampling, but still, I just don't hear it.
=0A=0A=0A      

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Matt Davignon wrote:
>  But frankly, most of us 
> can't afford nice audiophile sound systems. 

Andy's tip for "Audiophile living on a beer budget."

Don't drink beer.

:-)

(truth is, I'm not overly well financed myself)

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Date: Sat, 14 Mar 2009 12:03:27 +0100
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Subject: Re: OT That 'sizzle sound' of Mp3s
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> Matt Davignon wrote:
>>
>> =A0But frankly, most of us can't afford nice audiophile sound systems.
>
> Andy's tip for "Audiophile living on a beer budget."
>
> Don't drink beer.


True. But beer can be a cheap savior if you suffer from a sound system
with too harsh high end. It simply wraps a cosy blanket around your
hearing ;-)

Per

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On Sat, Mar 14, 2009 at 11:42 AM, Stephen Scott
<loopingsteve@yahoo.co.uk> wrote:
> most Hendrix sounds pretty dated


I never got around to catch Hendrix live when he was actually around
moving air, but from live recordings I've gathered the band sounded
very mp3-ish!!! Sizzly and gritty.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Sat, 14 Mar 2009 13:18:27 +0100
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Subject: Least Costly Live Looping Solution
From: Rainer Straschill <moinsound@googlemail.com>
To: loopers-delight@loopers-delight.com
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Rick,

I have to say I'm somewhat surprised how you seem to be trying to take
computers out of the race completely in this discussion by using false
assumptions which clearly contradict the facts pointed out here by
e.g. Jeff Larson and Tony K.

The most obvious example being:
"The good news is that we are beginning to see laptops on sale for as
little as $400 (USD) With your aforementioned footpedals and breakout
box this brings the tab up to about
$700 (USD)RE"

A computer that can run an application like Mobius in stand-alone mode
can be had for free. I personally threw away a (working) computer one
year ago which was at that time approximately ten years old and hadn't
been a top performer at the date of purchase. According to experiences
reported on the Mobius discussion group, this hardware could run
Mobius, albeit with limitations, which mostly affect unavailablity of
pitch shifting and number of simultaneous tracks. Apart from that,
it's a looper that is far more powerful than anything out there with
the exception of the really big players.
CRT monitors have been thrown away in the hundreds due to the
widespread arrival of flatscreen display technology. So these can be
had for free as well.
A computer from that time usually includes an audio interface which
(with the exception of latency issues) is more than sufficient for the
task at hand.
Jeff pointed out how you could use e.g. a cheap USB numeric keypad and
jury-rig it to use it as a foot controller for Mobius, while Tony K
and others correctly pointed out that you don't need foot control at
all and can use the keyboard for controlling Mobius. As a matter of
fact, I've seen a great many outstanding and experienced loopers who
did at time control a (stompbox) looper with their hands, among them
(without wanting to wilfully omit someone) Michael Klobuchar, Matt
Dagignon and Genie.

Summarizing, you can get a looper for free. That's right, for free! It
will of course require either some intellectual capacity or a friend
who has this for
    * setting up windows so it becomes resource-friendly
    * setting up Mobius

And it may require more than one trip to the junk yard.

If you're willing to spend even more than zero dollars, look for a
used laptop on ebay for below 100 bucks, which gives you all of this
with less hassle.

This post should by no means invalidate all the reasons why someone
would still want to use a hardware (stompbox) user, like reliability,
ease of setup and operation, portability and all the other important
reasons which there are and which lead to some people still using
stompbox loopers even if their apartment is full of computers, MIDI
foot controllers and studio quality audio interfaces.
However, with the goal of "least costly", the computer does win - if
only because you can get a sufficient second-hand one free.

            Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 12:41:00 2009
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Subject: Re: Repeater latest software question
From: mark francombe <mark@markfrancombe.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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--001636c5ba676edc8b04651387e7
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The upgrade is available on the Repeater Yahoo list files section...

wait...nope.. its been removed.. sorry... Um.. now wheres my copy?.. Hmmm oh
dear Time machine aint working... OK wait till Monday I have it on backup at
work.. will send you a copy for evaluation...

Its definitely worth it, just for sticky settings alone!!! but the ability
to stop reverse and play tracks INDIVIDUALLY and not all 4 at once, is also
great... I Miss ONE THING from this upgrade, a stupid ommission IMHO, thats
a command to "put them all back how they was before"...

On Sat, Mar 14, 2009 at 10:52 AM, L.Angulo <labaloops@yahoo.com> wrote:

>
> Hi gang,
> I seem to recall that some of you upgraded your repeaters SW.
> For those of you who actually did installed it and tested it can you send
> me a link to this discussion? was it worth upgrading? also would you be so
> kind to tell me how i can upgrade or where i can get it?
> thanx
> Luis
>
> www.myspace.com/luisangulocom
>
>
>
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5ba676edc8b04651387e7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

The upgrade is available on the Repeater Yahoo list files section...<br><br=
>wait...nope.. its been removed.. sorry... Um.. now wheres my copy?.. Hmmm =
oh dear Time machine aint working... OK wait till Monday I have it on backu=
p at work.. will send you a copy for evaluation...<br>
<br>Its definitely worth it, just for sticky settings alone!!! but the abil=
ity to stop reverse and play tracks INDIVIDUALLY and not all 4 at once, is =
also great... I Miss ONE THING from this upgrade, a stupid ommission IMHO, =
thats a command to &quot;put them all back how they was before&quot;... <br=
>
<br><div class=3D"gmail_quote">On Sat, Mar 14, 2009 at 10:52 AM, L.Angulo <=
span dir=3D"ltr">&lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo=
.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"bo=
rder-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding=
-left: 1ex;">
<br>
Hi gang,<br>
I seem to recall that some of you upgraded your repeaters SW.<br>
For those of you who actually did installed it and tested it can you send m=
e a link to this discussion? was it worth upgrading? also would you be so k=
ind to tell me how i can upgrade or where i can get it?<br>
thanx<br>
Luis<br>
<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<br>
<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c5ba676edc8b04651387e7--

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Subject: Re: Least Costly Live Looping Solution
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To: Loopers-Delight@loopers-delight.com
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Just wait a moment here, no having a go at me old mucker Rick... Ill take
you all on.. out side now!!!

This thread has thrown up some really cool stuff... LOVE Jeffs suggestion of
old keyboard to stamp on... but arent you all missing Ricks point???

Rick is a looping evangelist, NOT a geek... He has always been after ways of
spreading the looping message... I think his original, "whats a cheap and
easy way to loop?" post is just that... if a kid comes along with a guitar a
fuzz box and a wah wah pedal, which looper would we all suggest... What will
give him that instant.. "OK.. looping... I get it... Im hooked, now I sell
my motorbike for a Looperlative" feeling...

We all know how looping is a drug, ... I think Rick meant to find the "One
hit and your hooked" machine... That was "Plug n Play" and would have them
wanting more...

My recomendations would be... buy/borrow a RC... get hooked.. then downzone
Mobius... seems to be the way to go.. not for me, but thats what I would
advise.

m



On Sat, Mar 14, 2009 at 1:18 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> Rick,
>
> I have to say I'm somewhat surprised how you seem to be trying to take
> computers out of the race completely in this discussion by using false
> assumptions which clearly contradict the facts pointed out here by
> e.g. Jeff Larson and Tony K.
> blah blah blah...
>



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5a267a1aeed046513b824
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Just wait a moment here, no having a go at me old mucker Rick... Ill take y=
ou all on.. out side now!!!<br><br>This thread has thrown up some really co=
ol stuff... LOVE Jeffs suggestion of old keyboard to stamp on... but arent =
you all missing Ricks point???<br>
<br>Rick is a looping evangelist, NOT a geek... He has always been after wa=
ys of spreading the looping message... I think his original, &quot;whats a =
cheap and easy way to loop?&quot; post is just that... if a kid comes along=
 with a guitar a fuzz box and a wah wah pedal, which looper would we all su=
ggest... What will give him that instant.. &quot;OK.. looping... I get it..=
. Im hooked, now I sell my motorbike for a Looperlative&quot; feeling...<br=
>
<br>We all know how looping is a drug, ... I think Rick meant to find the &=
quot;One hit and your hooked&quot; machine... That was &quot;Plug n Play&qu=
ot; and would have them wanting more...<br><br>My recomendations would be..=
. buy/borrow a RC... get hooked.. then downzone Mobius... seems to be the w=
ay to go.. not for me, but thats what I would advise.<br>
<br>m<br><br><br><br><div class=3D"gmail_quote">On Sat, Mar 14, 2009 at 1:1=
8 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@g=
ooglemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br><blockquot=
e class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204);=
 margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Rick,<br>
<br>
I have to say I&#39;m somewhat surprised how you seem to be trying to take<=
br>
computers out of the race completely in this discussion by using false<br>
assumptions which clearly contradict the facts pointed out here by<br>
e.g. Jeff Larson and Tony K.<br>
blah blah blah...<br></blockquote></div><br><br clear=3D"all"><br>-- <br><a=
 href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=
=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=
=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/ma=
rkfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c5a267a1aeed046513b824--

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Date: Sat, 14 Mar 2009 06:14:59 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: Repeater latest software question
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thanx man!
does it slave good now when using sync?

www.myspace.com/luisangulocom


--- On Sat, 3/14/09, Simeon Harris <simeonharris40@googlemail.com> wrote:

> From: Simeon Harris <simeonharris40@googlemail.com>
> Subject: Re: Repeater latest software question
> To: labaloops@yahoo.com
> Date: Saturday, March 14, 2009, 4:19 AM
> definitely worth it luis!
> you can download it from me here -
> http://www.box.net/shared/m00og7fn8c -
> password "repeater"
> 
> sim
> 
> On Sat, Mar 14, 2009 at 9:52 AM, L.Angulo
> <labaloops@yahoo.com> wrote:
> 
> >
> > Hi gang,
> > I seem to recall that some of you upgraded your
> repeaters SW.
> > For those of you who actually did installed it and
> tested it can you send
> > me a link to this discussion? was it worth upgrading?
> also would you be so
> > kind to tell me how i can upgrade or where i can get
> it?
> > thanx
> > Luis
> >
> > www.myspace.com/luisangulocom
> >
> >
> >
> >
> >


      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 13:20:03 2009
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Date: Sat, 14 Mar 2009 06:19:59 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
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so with all this said would you guys buy a repeater if it was offered for you for 400.-eur.?

www.myspace.com/luisangulocom


--- On Sat, 3/14/09, Rainer Straschill <moinsound@googlemail.com> wrote:

> From: Rainer Straschill <moinsound@googlemail.com>
> Subject: Least Costly Live Looping Solution
> To: loopers-delight@loopers-delight.com
> Date: Saturday, March 14, 2009, 5:18 AM
> Rick,
> 
> I have to say I'm somewhat surprised how you seem to be
> trying to take
> computers out of the race completely in this discussion by
> using false
> assumptions which clearly contradict the facts pointed out
> here by
> e.g. Jeff Larson and Tony K.
> 
> The most obvious example being:
> "The good news is that we are beginning to see laptops
> on sale for as
> little as $400 (USD) With your aforementioned footpedals
> and breakout
> box this brings the tab up to about
> $700 (USD)RE"
> 
> A computer that can run an application like Mobius in
> stand-alone mode
> can be had for free. I personally threw away a (working)
> computer one
> year ago which was at that time approximately ten years old
> and hadn't
> been a top performer at the date of purchase. According to
> experiences
> reported on the Mobius discussion group, this hardware
> could run
> Mobius, albeit with limitations, which mostly affect
> unavailablity of
> pitch shifting and number of simultaneous tracks. Apart
> from that,
> it's a looper that is far more powerful than anything
> out there with
> the exception of the really big players.
> CRT monitors have been thrown away in the hundreds due to
> the
> widespread arrival of flatscreen display technology. So
> these can be
> had for free as well.
> A computer from that time usually includes an audio
> interface which
> (with the exception of latency issues) is more than
> sufficient for the
> task at hand.
> Jeff pointed out how you could use e.g. a cheap USB numeric
> keypad and
> jury-rig it to use it as a foot controller for Mobius,
> while Tony K
> and others correctly pointed out that you don't need
> foot control at
> all and can use the keyboard for controlling Mobius. As a
> matter of
> fact, I've seen a great many outstanding and
> experienced loopers who
> did at time control a (stompbox) looper with their hands,
> among them
> (without wanting to wilfully omit someone) Michael
> Klobuchar, Matt
> Dagignon and Genie.
> 
> Summarizing, you can get a looper for free. That's
> right, for free! It
> will of course require either some intellectual capacity or
> a friend
> who has this for
>     * setting up windows so it becomes resource-friendly
>     * setting up Mobius
> 
> And it may require more than one trip to the junk yard.
> 
> If you're willing to spend even more than zero dollars,
> look for a
> used laptop on ebay for below 100 bucks, which gives you
> all of this
> with less hassle.
> 
> This post should by no means invalidate all the reasons why
> someone
> would still want to use a hardware (stompbox) user, like
> reliability,
> ease of setup and operation, portability and all the other
> important
> reasons which there are and which lead to some people still
> using
> stompbox loopers even if their apartment is full of
> computers, MIDI
> foot controllers and studio quality audio interfaces.
> However, with the goal of "least costly", the
> computer does win - if
> only because you can get a sufficient second-hand one free.
> 
>             Rainer


      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 13:22:11 2009
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LOL!!!
now lets go have a pint of guiness blankets

> 
> 
> True. But beer can be a cheap savior if you suffer from a
> sound system
> with too harsh high end. It simply wraps a cosy blanket
> around your
> hearing ;-)
> 
> Per


      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 13:24:18 2009
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so does the Boss RC2 which is being talked about here,no?

www.myspace.com/luisangulocom


--- On Fri, 3/13/09, andy butler <akbutler@tiscali.co.uk> wrote:

> From: andy butler <akbutler@tiscali.co.uk>
> Subject: Re: Least Costly Looping Solution
> To: "LD" <Loopers-Delight@loopers-delight.com>
> Date: Friday, March 13, 2009, 8:09 AM
> hmm,
> both these only have one button.
>=20
>=20
> L.Angulo wrote:
> > what about this dudes:
> >
> http://www.digitech.com/products/Hardwire/HW_DelayLooper.php
> 159.00dlls.
>=20
>=20
>=20
> They say:-
>=20
> While still holding down the Foot Switch, begin playing
> your instrument.
> The Indicator LED lights solid RED indicating the pedal is
> recording.
> When you reach the end of your passage, release the Foot
> Switch. The
> Indicator LED lights solid GREEN and the passage you
> recorded plays
> back in an infinite loop.
>=20
> andy says:-
> that's about the worst possible user interface I could
> imagine.
> Suitable for creating "jam-along" backings, but
> not much else.
>=20
> At least it has an 8s delay.
>=20
> > http://www.zzounds.com/item--BOSDD7
>=20
> =A3120 in uk + extra for the psu( Boss psu aren't cheap)
>=20
> a 6.7s delay, and..
>=20
> they say:-
> Up to 40 seconds of recording for sound on
> sound (Hold mode)
> And getting the manual from the uk site (not on the .com):-
> Begin recording
> Recording starts when you press the builtin
> pedal switch
> (the CHECK indicator flashes
> red).
> * The maximum recording time is 20 seconds for
> stereo input or 40 seconds for monaural input.
> * Recording continues even if you release the
> built-in pedal switch.
> 3.
> When recording is finished, playback starts
> Press the built-in pedal switch a second
> time to stop recording. Playback of what
> you recorded begins simultaneously.
>=20
> Which means it's actually going to be easy to get
> an accurate loop tapped in.
> Plus there's overdub.
>=20
> But, neither of these has a way to stop/start the loop!
>=20
> So..are they considered contenders?
> the digitech unit seems not to be.
>=20
>=20
> What's the bare minimum feature set?
>=20
> andy
>=20
> >=20
> > www.myspace.com/luisangulocom
> >=20
> >=20
> > --- On Fri, 3/13/09, andy butler
> <akbutler@tiscali.co.uk> wrote:
> >=20
> >> From: andy butler <akbutler@tiscali.co.uk>
> >> Subject: Re: Least Costly Looping Solution
> >> To: Loopers-Delight@loopers-delight.com
> >> Date: Friday, March 13, 2009, 5:41 AM
> >> Rick Walker wrote:
> >>=20
> >>> CHEAPEST LIVE LOOPING SOLUTIONS FOR THE
> BEGINNING LIVE
> >> LOOPER*
> >>> Personally,  my vote goes to the Line 6 DL 4.=20
>    At
> >> $250, it is the 2nd cheapest live looping stomp
> box pedal
> >> behind the Boss RC2 ($200) but=20
> >> In UK, the DL4 is pricey, it's always been
> =A3250.
> >> I'd agree it's pretty good tho', and
> would add
> >> some more plusses
> >> to the ones you mentioned. It possesses that rare
> and
> >> underrated feature the "well thought out user
> >> interface".
> >> The echo that is available while looping is a nice
> bonus,
> >> and
> >> can just manage some mini-loops ...and who
> doesn't
> >> admire the "Bill Walker Signature"
> filtered echo
> >> sound.
> >>=20
> >> The RC2 is =A3150 here.
> >>=20
> >> The Akai Headrush can be had for just under =A3100.
> >> It at least allows to create a loop and overdub
> onto it,
> >> and a limited Undo capability.
> >> The delay settings are frustrating...grit your
> teeth when
> >> tapping a new
> >> delay time always leaves you with silence in the
> delay, but
> >> the analog tape sound
> >> is at least "interesting".
> >>=20
> >>=20
> >>=20
> >> The Electro Harmonix Stereo Memory Man at =A3130
> has
> >> it's moments too.
> >> Worst feature is that you record a loop by holding
> down
> >> "tap" for the duration of the loop, not
> a good way
> >> to get rhythmic accuracy.
> >> No, wait a minute, worst feature is that you have
> put the
> >> unit into
> >> bypass before you can clear the loop.
> >> Well, the EHSMM is a lot of fun as a delay (superb
> imo),
> >> and as a looper it's ok
> >> to use in band for the odd loop trick or two.
> >> Wouldn't want to play a looping show with it
> as the
> >> only looper tho'.
> >> As a starter looper it's only an option if
> you're
> >> already in the market
> >> for a delay (tho' not a long enough delay for
> that sort
> >> of looping
> >> really, at 3s max).  At least it allows you to put
> down a
> >> loop (42s)and overdub and
> >> perhaps find out if the you want to go for a fully
> featured
> >> looper.
> >>=20
> >>=20
> >> Of course, available very cheap =A350=3Dpp, or less I
> expect,
> >> and probably the most famous
> >> starter looper of all, with basic looper and dual
> long
> >> delay it's.... (guess first)
> >>=20
> >> http://tinyurl.com/ch4uwj andy butler
> >=20
> >=20
> >      =20
> >=0A=0A=0A      

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Date: Sat, 14 Mar 2009 15:31:34 +0100
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Subject: Re: Least Costly Live Looping Solution
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On Sat, Mar 14, 2009 at 2:19 PM, L.Angulo <labaloops@yahoo.com> wrote:
> so with all this said would you guys buy a repeater if it was offered for you for 400.-eur.?

Not me. I've already had one for a while and I don't miss it since we broke up.

Per

From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 14:50:04 2009
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Subject: Re: OT That 'sizzle sound' of Mp3s
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Beer Ear Blankets make a wonderful new accessory to the traditional 'Beer
Goggles'.  No need to hear reality when your eyes are already doing their
own dance!  Get your ocular and auditory systems in total sync!

Beer Ear Blankets!

Get your set today!

Only by HUH?!?. The source you can trust for impaired hearing.




On 3/14/09 6:22 AM, "L.Angulo" <labaloops@yahoo.com> wrote:

> 
> LOL!!!
> now lets go have a pint of guiness blankets
> 
>> 
>> 
>> True. But beer can be a cheap savior if you suffer from a
>> sound system
>> with too harsh high end. It simply wraps a cosy blanket
>> around your
>> hearing ;-)
>> 
>> Per
> 
> 
>       
> 


From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 15:19:05 2009
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Subject: Least Costly Live Looping Solution
From: Rainer Straschill <moinsound@googlemail.com>
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Mark said:
>... but arent you all missing Ricks point???
>I think Rick meant to find the "One hit and your hooked" machine... That w=
as "Plug n Play" and would have them wanting more...

That may well be the case, Mark, but if that was his point, he didn't
say so (see the subject of this discussion). My last post in this
thread specifically targeted his statement that (paraphrasing here)
you need to spend $700 to be able to run a decent software looper.

You are right (as I also pointed out) that the zero dollar computer
solution requires a lot of time and effort which a) may be more than
$700 worth, e.g. if you're making $400 a day, b) may be beyond the
intellectual capabilities of some and c) may be more than they are
willing to invest before they already are hooked.

So yes, you're right, the relatively cheap stompbox is the thing to
get somebody hooked (not the zero dollar computer with Mobius), and
again, I'd recommand the SMM w/Hazari over the Boss RC-2, even if it
is =8035 more (quoting German street prices), for the following reasons:
a) varispeed (from half to double), b) reverse loop, c) feedback
control.

             Rainer

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heh heh thanks for reminding me Miko...

so unfortunately my workaround to my new EDP having some funny behavior is
not working now.. so it more of a notworkaround. Whether the 2 machines sync
perfectly via brother sync seems somewhat intermittent now. I have really
tried top be systematic in checking things in various orders. (boot order,
plus cable in, cable out before boot ) and sometimes things work, others
not. But it dopes seem that the new EDP is the unstable one, its the one
that crashes when the other is switched on, or cable inserted, it crashes
when the BS lead is earthed... the old one doesnt... the old one seems to
have a lot of headroom both the input and output of the new one sem very
sensitive to having precise levels set for no distortion... so it seems like
there might be a problem here... My supplier seems to be very nice guy so I
expect to get sorted, but its a shame...

however for few hours this afternoon, it was all hunkydory.. and I saw my
future... and it was fine... oh so fine.

Just for a laugh I made a system with my patchbay (Yes Rick I went with your
suggestion... pure genius) where all my loopers were "interacting" with
earch other...

I played into Vortes ans usual... made loop, grabbe bits of loop into 2
edps, synched to Vortex.. THEN fed output of edps into repeater set as a
long pitching delayline... with feedback...

god its a long way from that copycat echo i had in 1981.

m




On Thu, Mar 12, 2009 at 5:55 PM, Miko Biffle <biffoz@gmail.com> wrote:

> Mark wrote . . .  I was handling 2 machines like I usually have done with
> one, eyes closed and grinning!!! I stood up... at home... hear me???
> STOOD... UP!!!
>
> Whoa!  Complete lunacy!!! Take your meds Mark . . . -m




-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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heh heh thanks for reminding me Miko... <br><br>so unfortunately my workaro=
und to my new EDP having some funny behavior is not working now.. so it mor=
e of a notworkaround. Whether the 2 machines sync perfectly via brother syn=
c seems somewhat intermittent now. I have really tried top be systematic in=
 checking things in various orders. (boot order, plus cable in, cable out b=
efore boot ) and sometimes things work, others not. But it dopes seem that =
the new EDP is the unstable one, its the one that crashes when the other is=
 switched on, or cable inserted, it crashes when the BS lead is earthed... =
the old one doesnt... the old one seems to have a lot of headroom both the =
input and output of the new one sem very sensitive to having precise levels=
 set for no distortion... so it seems like there might be a problem here...=
 My supplier seems to be very nice guy so I expect to get sorted, but its a=
 shame...<br>
<br>however for few hours this afternoon, it was all hunkydory.. and I saw =
my future... and it was fine... oh so fine.<br><br>Just for a laugh I made =
a system with my patchbay (Yes Rick I went with your suggestion... pure gen=
ius) where all my loopers were &quot;interacting&quot; with earch other... =
<br>
<br>I played into Vortes ans usual... made loop, grabbe bits of loop into 2=
 edps, synched to Vortex.. THEN fed output of edps into repeater set as a l=
ong pitching delayline... with feedback... <br><br>god its a long way from =
that copycat echo i had in 1981.<br>
<br>m<br><br><br><br><br><div class=3D"gmail_quote">On Thu, Mar 12, 2009 at=
 5:55 PM, Miko Biffle <span dir=3D"ltr">&lt;<a href=3D"mailto:biffoz@gmail.=
com">biffoz@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_q=
uote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0=
pt 0.8ex; padding-left: 1ex;">
Mark wrote . . .=A0 I was handling 2 machines like I usually have done with=
 one,
eyes closed and grinning!!! I stood up... at home... hear me???
STOOD... UP!!! <br clear=3D"all"><br>
Whoa!=A0 Complete lunacy!!! Take your meds Mark . . . -m
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c5bbd186a798046517c244--

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at that price.. its tempting... but not as my sole looper... for pitch
shiftey stuff, they are great, and good for having prerecorded loops stored,
its not without its limitations however...

On Sat, Mar 14, 2009 at 3:31 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Mar 14, 2009 at 2:19 PM, L.Angulo <labaloops@yahoo.com> wrote:
> > so with all this said would you guys buy a repeater if it was offered for
> you for 400.-eur.?
>
> Not me. I've already had one for a while and I don't miss it since we broke
> up.
>
> Per
>
>


-- 
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http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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at that price.. its tempting... but not as my sole looper... for pitch shif=
tey stuff, they are great, and good for having prerecorded loops stored, it=
s not without its limitations however...<br><br><div class=3D"gmail_quote">
On Sat, Mar 14, 2009 at 3:31 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204=
, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">On Sat, Mar 14, 2009 at 2:19 PM, L.Angulo &lt;<a href=3D"=
mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt; wrote:<br>
&gt; so with all this said would you guys buy a repeater if it was offered =
for you for 400.-eur.?<br>
<br>
</div>Not me. I&#39;ve already had one for a while and I don&#39;t miss it =
since we broke up.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


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Subject: Re: Least Costly Live Looping Solution
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SMM w/Hazari ...

Id forgotton that... Hmmm.. really like the look of them actually... have
you tried them/got one? can it sync to anything.. anyhow? Im looking for a
looper or echo machine (cheeeeeep) that is triggered (or rather RE-triggere=
d
) via a pulse. its not really for my looping setup actually, its for my
modular synth setup.. (whole other life, list and friends)

m




On Sat, Mar 14, 2009 at 4:19 PM, Rainer Straschill <moinsound@googlemail.co=
m
> wrote:

> Mark said:
> >... but arent you all missing Ricks point???
> >I think Rick meant to find the "One hit and your hooked" machine... That
> was "Plug n Play" and would have them wanting more...
>
> That may well be the case, Mark, but if that was his point, he didn't
> say so (see the subject of this discussion). My last post in this
> thread specifically targeted his statement that (paraphrasing here)
> you need to spend $700 to be able to run a decent software looper.
>
> You are right (as I also pointed out) that the zero dollar computer
> solution requires a lot of time and effort which a) may be more than
> $700 worth, e.g. if you're making $400 a day, b) may be beyond the
> intellectual capabilities of some and c) may be more than they are
> willing to invest before they already are hooked.
>
> So yes, you're right, the relatively cheap stompbox is the thing to
> get somebody hooked (not the zero dollar computer with Mobius), and
> again, I'd recommand the SMM w/Hazari over the Boss RC-2, even if it
> is =8035 more (quoting German street prices), for the following reasons:
> a) varispeed (from half to double), b) reverse loop, c) feedback
> control.
>
>             Rainer
>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

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SMM w/Hazari ...<br><br>Id forgotton that... Hmmm.. really like the look of=
 them actually... have you tried them/got one? can it sync to anything.. an=
yhow? Im looking for a looper or echo machine (cheeeeeep) that is triggered=
 (or rather RE-triggered ) via a pulse. its not really for my looping setup=
 actually, its for my modular synth setup.. (whole other life, list and fri=
ends)<br>
<br>m<br><br><br><br><br><div class=3D"gmail_quote">On Sat, Mar 14, 2009 at=
 4:19 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsou=
nd@googlemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br><block=
quote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 2=
04); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Mark said:<br>
&gt;... but arent you all missing Ricks point???<br>
&gt;I think Rick meant to find the &quot;One hit and your hooked&quot; mach=
ine... That was &quot;Plug n Play&quot; and would have them wanting more...=
<br>
<br>
That may well be the case, Mark, but if that was his point, he didn&#39;t<b=
r>
say so (see the subject of this discussion). My last post in this<br>
thread specifically targeted his statement that (paraphrasing here)<br>
you need to spend $700 to be able to run a decent software looper.<br>
<br>
You are right (as I also pointed out) that the zero dollar computer<br>
solution requires a lot of time and effort which a) may be more than<br>
$700 worth, e.g. if you&#39;re making $400 a day, b) may be beyond the<br>
intellectual capabilities of some and c) may be more than they are<br>
willing to invest before they already are hooked.<br>
<br>
So yes, you&#39;re right, the relatively cheap stompbox is the thing to<br>
get somebody hooked (not the zero dollar computer with Mobius), and<br>
again, I&#39;d recommand the SMM w/Hazari over the Boss RC-2, even if it<br=
>
is =8035 more (quoting German street prices), for the following reasons:<br=
>
a) varispeed (from half to double), b) reverse loop, c) feedback<br>
control.<br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0 =A0 Rainer<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


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Subject: SMM w/Hazari (was: Least Costly Live Looping Solution)
From: Rainer Straschill <moinsound@googlemail.com>
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Mark,
> Id forgotton that... Hmmm.. really like the look of them actually... have you tried them/got one? can it sync to anything.. anyhow?
> Im looking for a looper or echo machine (cheeeeeep) that is triggered (or rather RE-triggered ) via a pulse.
> its not really for my looping setup actually, its for my modular synth setup.. (whole other life, list and friends)

I got one, and there has also been some discussion/comment on this
list in the past (like that one:
http://www.loopers-delight.com/LDarchive/200711/msg00728.html)
Yes, it can sync to your foot pressing the footswitch. What may sound
like a smart-ass' remark (which, in fact, it is), there may be
applications for you:
there are two footswitches. If you apply a rhythmic pulse to one (say,
a quarter-note beat), then it will timestretch the loop to fit in with
your tapped tempo. To retrigger, you have to hit the other switch
twice.

         Rainer

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Subject: Re: Least Costly Live Looping Solution
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Mark, you know what you might be looking for is a Digitech 7.6 sec Time =
Machine or RDS Time Machine. I had the 7.6 sec original and they are CV =
pulse synced and sweepable with a cv pedal fantastic warping to be had =
cheap sometimes. I have seen them on ebay.

Jeff

http://virb.com/jeffduke
  ----- Original Message -----=20
  From: mark francombe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, March 14, 2009 2:47 PM
  Subject: Re: Least Costly Live Looping Solution


  SMM w/Hazari ...

  Id forgotton that... Hmmm.. really like the look of them actually... =
have you tried them/got one? can it sync to anything.. anyhow? Im =
looking for a looper or echo machine (cheeeeeep) that is triggered (or =
rather RE-triggered ) via a pulse. its not really for my looping setup =
actually, its for my modular synth setup.. (whole other life, list and =
friends)

  m





  On Sat, Mar 14, 2009 at 4:19 PM, Rainer Straschill =
<moinsound@googlemail.com> wrote:

    Mark said:
    >... but arent you all missing Ricks point???
    >I think Rick meant to find the "One hit and your hooked" machine... =
That was "Plug n Play" and would have them wanting more...

    That may well be the case, Mark, but if that was his point, he =
didn't
    say so (see the subject of this discussion). My last post in this
    thread specifically targeted his statement that (paraphrasing here)
    you need to spend $700 to be able to run a decent software looper.

    You are right (as I also pointed out) that the zero dollar computer
    solution requires a lot of time and effort which a) may be more than
    $700 worth, e.g. if you're making $400 a day, b) may be beyond the
    intellectual capabilities of some and c) may be more than they are
    willing to invest before they already are hooked.

    So yes, you're right, the relatively cheap stompbox is the thing to
    get somebody hooked (not the zero dollar computer with Mobius), and
    again, I'd recommand the SMM w/Hazari over the Boss RC-2, even if it
    is =8035 more (quoting German street prices), for the following =
reasons:
    a) varispeed (from half to double), b) reverse loop, c) feedback
    control.

                Rainer





  --=20
  www.markfrancombe.com
  http://vimeo.com/user825094
  http://uk.youtube.com/user/markfrancombe
  http://www.myspace.com/markfrancombe
  http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Mark, you know what you might be =
looking for is a=20
Digitech 7.6 sec Time Machine or RDS Time Machine. I had the 7.6 sec =
original=20
and they are CV pulse synced and sweepable with a cv pedal fantastic =
warping to=20
be had cheap sometimes. I have seen them on ebay.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://virb.com/jeffduke">http://virb.com/jeffduke</A></FONT></DI=
V>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
  francombe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, March 14, 2009 =
2:47=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Least Costly Live =
Looping=20
  Solution</DIV>
  <DIV><BR></DIV>SMM w/Hazari ...<BR><BR>Id forgotton that... Hmmm.. =
really like=20
  the look of them actually... have you tried them/got one? can it sync =
to=20
  anything.. anyhow? Im looking for a looper or echo machine (cheeeeeep) =
that is=20
  triggered (or rather RE-triggered ) via a pulse. its not really for my =
looping=20
  setup actually, its for my modular synth setup.. (whole other life, =
list and=20
  friends)<BR><BR>m<BR><BR><BR><BR><BR>
  <DIV class=3Dgmail_quote>On Sat, Mar 14, 2009 at 4:19 PM, Rainer =
Straschill=20
  <SPAN dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</A>&gt;=
</SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Mark=20
    said:<BR>&gt;... but arent you all missing Ricks point???<BR>&gt;I =
think=20
    Rick meant to find the "One hit and your hooked" machine... That was =
"Plug n=20
    Play" and would have them wanting more...<BR><BR>That may well be =
the case,=20
    Mark, but if that was his point, he didn't<BR>say so (see the =
subject of=20
    this discussion). My last post in this<BR>thread specifically =
targeted his=20
    statement that (paraphrasing here)<BR>you need to spend $700 to be =
able to=20
    run a decent software looper.<BR><BR>You are right (as I also =
pointed out)=20
    that the zero dollar computer<BR>solution requires a lot of time and =
effort=20
    which a) may be more than<BR>$700 worth, e.g. if you're making $400 =
a day,=20
    b) may be beyond the<BR>intellectual capabilities of some and c) may =
be more=20
    than they are<BR>willing to invest before they already are =
hooked.<BR><BR>So=20
    yes, you're right, the relatively cheap stompbox is the thing =
to<BR>get=20
    somebody hooked (not the zero dollar computer with Mobius), =
and<BR>again,=20
    I'd recommand the SMM w/Hazari over the Boss RC-2, even if it<BR>is =
=8035 more=20
    (quoting German street prices), for the following reasons:<BR>a) =
varispeed=20
    (from half to double), b) reverse loop, c) =
feedback<BR>control.<BR><FONT=20
    color=3D#888888><BR>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;=20
    Rainer<BR><BR></FONT></BLOCKQUOTE></DIV><BR><BR clear=3Dall><BR>-- =
<BR><A=20
  href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A><BR><A=20
  =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</A><BR><=
A=20
  =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/u=
ser/markfrancombe</A><BR><A=20
  =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mark=
francombe</A><BR><A=20
  =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</A><BR></BLOC=
KQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 20:58:42 2009
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Subject: Re: SMM w/Hazari (was: Least Costly Live Looping Solution)
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To elucidate the re-trigger.
You have to put it into bypass, then when you 
come out of bypass it starts the loop from the beginning.

No sync at all by design.



Maybe you'd be able to hack it so that a pulse earthed out the bypass switch.
Of course, then it would be triggering at the end of the pulse, and there's
no telling how long the pulse would have to be.

However, you would *like* it as a delay I'm sure.

If your modular setup can send midi, then there's a 5s stereo sampler in the Behringer Virtualizer,
don't know if that helps you tho'


Rainer, did you ever use a SMMwH this as the only looper in a performance?
Somehow, I couldn't quite see that as being practical. 

andy


Rainer Straschill wrote:
> Mark,
>> Id forgotton that... Hmmm.. really like the look of them actually... have you tried them/got one? can it sync to anything.. anyhow?
>> Im looking for a looper or echo machine (cheeeeeep) that is triggered (or rather RE-triggered ) via a pulse.
>> its not really for my looping setup actually, its for my modular synth setup.. (whole other life, list and friends)
> 
> I got one, and there has also been some discussion/comment on this
> list in the past (like that one:
> http://www.loopers-delight.com/LDarchive/200711/msg00728.html)
> Yes, it can sync to your foot pressing the footswitch. What may sound
> like a smart-ass' remark (which, in fact, it is), there may be
> applications for you:
> there are two footswitches. If you apply a rhythmic pulse to one (say,
> a quarter-note beat), then it will timestretch the loop to fit in with
> your tapped tempo. To retrigger, you have to hit the other switch
> twice.
> 
>          Rainer
> 
> 

From www-data@ns.kraeta.hu  Sat Mar 14 21:00:33 2009
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From Loopers-Delight-request@loopers-delight.com  Sat Mar 14 23:26:53 2009
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Subject: SMM w/Hazari (was: Least Costly Live Looping Solution)
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> Rainer, did you ever use a SMMwH this as the only looper in a performance?
> Somehow, I couldn't quite see that as being practical.

I'm not entirely sure I understand why you'd see that as not being
practical - is it because with the SMM, it takes quite a while and a
number of button presses (bypass - tap/record for 2sec. - bypass -
tap/record) to erase a loop and start recording a new one? I think I
remember that you already mentioned that as a major limitation from
your point of view/performance approach when I first wrote about the
SMM here, but this is not as important for me as it seems to be for
you, for a number of reasons:

First, I never ever did a public performance in the past with only one
device that could play loops of some sort - in that context, I also
regard a pattern sequencer as something that can play loops of some
sort. So in public performances, there has always been the possibility
to work around any limitations to that regard with another looper.
Even in my small bedroom looping setup, there's a DD20 before and a
KP3 after the SMM, so I'm again not in that "only looper" situation.

(Although the SMM seems to be among the most cumbersome ones when it
comes to clear a loop and start a new one, no other looper (with the
exception of Mobius, obviously) I know has that nice EDP way of life
where you can switch to the next loop and immediately start recording
with the push of one button).

There is a possible workaround, however: if your new loop is the same
length as the old one, you can simply set feedback to zero and overdub
the new loop.

For the fun of it, I just made the attempt and played a little using
only the SMM and for my way of playing, it seems to work out just
fine, although I wouldn't want to do an entire evening worth of
looping performance that way (but then again, this is true for any
looper in my case - see above).

            Rainer

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 15 03:34:41 2009
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Subject: WTB Yamaha UD Stomp
From: Nathan Hanson <nahansguitar@gmail.com>
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I was wondering if anyone had a Yamaha UD stomp they were looking to sell?
Thanks.

Nate.

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I was wondering if anyone had a Yamaha UD stomp they were looking to sell?=
=A0 Thanks.<br><br>Nate.<br>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 15 10:35:51 2009
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From: Stephen Scott <loopingsteve@yahoo.co.uk>
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Subject: EDP insert function
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(apologies to all non-EDP users for this very geeky message)

Just wondering if the EDP has a function to instantly erase a little snippe=
t of audio from a loop (and delete the gap), in a similar way in which INSE=
RT=3DSUS is used to plug IN snippets while the button is held dwon.

I don't mean INSERT=3DSUBS or REPLACE, which erase but leave the 'hole'. =
=20

I know there is a way to work around this (although it's the opposite way o=
f doing what I'm asking), by having INSERT=3DSUS and holding down MULTIPLY =
to select the wanted audio.  I suppose that I'm asking if I can directly de=
lete unwanted audio.

Andy ?  Anyone ?


Thanks, Stephen

www.myspace.com/sylvianfisher=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Mar 15 11:16:50 2009
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To:  Loopers-Delight@loopers-delight.com, 
 Matthias Grob <matigrob@gmail.com>
Subject: Re: EDP insert function
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Stephen Scott wrote:
> (apologies to all non-EDP users for this very geeky message)

can't see that's a problem, this is the land of the nerd.


> 
> Just wondering if the EDP has a function to instantly erase 
> a little snippet of audio from a loop (and delete the gap), 
> in a similar way in which INSERT=SUS is used to plug IN snippets while the button is held dwon.

no, it's not a feature.

The idea has been mentioned before, particularly Matthias sees it as a 
way to "fix" a Multiply that came out too long.
It's easy enough to accidentally create a loop 9 cycles long when
you wanted 8 cycles, and currently there's not a tidy way to recover 
from that.

So I'd imagine this *should* be a feature of the vst edp (loop5). 

> 
> I don't mean INSERT=SUBS or REPLACE, which erase but leave the 'hole'.  
> 
> I know there is a way to work around this (although it's the opposite way of doing what I'm asking),
> by having INSERT=SUS and holding down MULTIPLY to select the wanted audio.
>  I suppose that I'm asking if I can directly delete unwanted audio.
> 
> Andy ?  Anyone ?
> 
> 
> Thanks, Stephen
> 
> www.myspace.com/sylvianfisher
> 
> 
>       
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 15 11:31:36 2009
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> The idea has been mentioned before, particularly Matthias
> sees it as a way to "fix" a Multiply that came out
> too long.
> It's easy enough to accidentally create a loop 9 cycles
> long when
> you wanted 8 cycles, and currently there's not a tidy
> way to recover from that.

Except to re-multiply starting from first cycle (maybe use MULTIINCREASE if=
 you need a nice neat 8 cycles)

Thanks Andy,

Stephen

www.myspace.com/sylvianfisher=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Mar 15 11:50:44 2009
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Date: Sun, 15 Mar 2009 12:50:43 +0100
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Subject: Re: EDP insert function
From: Per Boysen <perboysen@gmail.com>
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Thank you for always answering these kind of questions so quickly,
Andy! I spotted Stephen's post and marked it for monitoring because I
remember having these thoughts over my EDP back in the days.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sun, Mar 15, 2009 at 12:25 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> no, it's not a feature.
>
> The idea has been mentioned before, particularly Matthias sees it as a way
> to "fix" a Multiply that came out too long.
> It's easy enough to accidentally create a loop 9 cycles long when
> you wanted 8 cycles, and currently there's not a tidy way to recover from
> that.
>
> So I'd imagine this *should* be a feature of the vst edp (loop5).

From Loopers-Delight-request@loopers-delight.com  Sun Mar 15 12:53:43 2009
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Per Boysen wrote:
> Thank you for always answering these kind of questions so quickly,
> Andy! I spotted Stephen's post and marked it for monitoring because I
> remember having these thoughts over my EDP back in the days.
> 

however, looking at the times on the LD mails here, it seems you usually
manage to reply to my posts 2-3 mins *before* I send them.

?

andy

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Date: Sun, 15 Mar 2009 14:50:27 +0100
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Subject: Re: EDP insert function
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> Per Boysen wrote:
>>
>> Thank you for always answering these kind of questions so quickly,
>> Andy! I spotted Stephen's post and marked it for monitoring because I
>> remember having these thoughts over my EDP back in the days.
>>

On Sun, Mar 15, 2009 at 2:02 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> however, looking at the times on the LD mails here, it seems you usually
> manage to reply to my posts 2-3 mins *before* I send them.
>
> ?
>
> andy


Really? Andy, you got to get faster!!!!

per ;-)

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Subject: Re: EDP insert function
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I believe Swedish servers are just that little bit faster than in the UK
Andy...

On Sun, Mar 15, 2009 at 2:50 PM, Per Boysen <perboysen@gmail.com> wrote:

> > Per Boysen wrote:
> >>
> >> Thank you for always answering these kind of questions so quickly,
> >> Andy! I spotted Stephen's post and marked it for monitoring because I
> >> remember having these thoughts over my EDP back in the days.
> >>
>
> On Sun, Mar 15, 2009 at 2:02 PM, andy butler <akbutler@tiscali.co.uk>
> wrote:
>
> > however, looking at the times on the LD mails here, it seems you usually
> > manage to reply to my posts 2-3 mins *before* I send them.
> >
> > ?
> >
> > andy
>
>
> Really? Andy, you got to get faster!!!!
>
> per ;-)
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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I believe Swedish servers are just that little bit faster than in the UK An=
dy...<br><br><div class=3D"gmail_quote">On Sun, Mar 15, 2009 at 2:50 PM, Pe=
r Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perbo=
ysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>&gt; Per Boysen wrote:<br>
&gt;&gt;<br>
&gt;&gt; Thank you for always answering these kind of questions so quickly,=
<br>
&gt;&gt; Andy! I spotted Stephen&#39;s post and marked it for monitoring be=
cause I<br>
&gt;&gt; remember having these thoughts over my EDP back in the days.<br>
&gt;&gt;<br>
<br>
</div><div class=3D"im">On Sun, Mar 15, 2009 at 2:02 PM, andy butler &lt;<a=
 href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrot=
e:<br>
<br>
&gt; however, looking at the times on the LD mails here, it seems you usual=
ly<br>
&gt; manage to reply to my posts 2-3 mins *before* I send them.<br>
&gt;<br>
&gt; ?<br>
&gt;<br>
&gt; andy<br>
<br>
<br>
</div>Really? Andy, you got to get faster!!!!<br>
<font color=3D"#888888"><br>
per ;-)<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c5ad0d029aca046529d0e9--

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Date: Sun, 15 Mar 2009 08:38:55 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Least Costly Live Looping Solution
To: Loopers-Delight@loopers-delight.com
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I use my work-supplied laptop and Mobius with free VSTs -- zero cost! ;)=0A=
=0AExcept for FCB midi controller....=0A=0AAlso boomerang and RC-20xl for b=
ackground loops and those times when Mobius crashes......=0A=0A=0A=0A=0A___=
_____________________________=0AFrom: Rainer Straschill <moinsound@googlema=
il.com>=0ATo: loopers-delight@loopers-delight.com=0ASent: Saturday, March 1=
4, 2009 8:18:27 AM=0ASubject: Least Costly Live Looping Solution=0A=0ARick,=
=0A=0AI have to say I'm somewhat surprised how you seem to be trying to tak=
e=0Acomputers out of the race completely in this discussion by using false=
=0Aassumptions which clearly contradict the facts pointed out here by=0Ae.g=
.. Jeff Larson and Tony K.=0A=0AThe most obvious example being:=0A"The good =
news is that we are beginning to see laptops on sale for as=0Alittle as $40=
0 (USD) With your aforementioned footpedals and breakout=0Abox this brings =
the tab up to about=0A$700 (USD)RE"=0A=0AA computer that can run an applica=
tion like Mobius in stand-alone mode=0Acan be had for free. I personally th=
rew away a (working) computer one=0Ayear ago which was at that time approxi=
mately ten years old and hadn't=0Abeen a top performer at the date of purch=
ase. According to experiences=0Areported on the Mobius discussion group, th=
is hardware could run=0AMobius, albeit with limitations, which mostly affec=
t unavailablity of=0Apitch shifting and number of simultaneous tracks. Apar=
t from that,=0Ait's a looper that is far more powerful than anything out th=
ere with=0Athe exception of the really big players.=0ACRT monitors have bee=
n thrown away in the hundreds due to the=0Awidespread arrival of flatscreen=
 display technology. So these can be=0Ahad for free as well.=0AA computer f=
rom that time usually includes an audio interface which=0A(with the excepti=
on of latency issues) is more than sufficient for the=0Atask at hand.=0AJef=
f pointed out how you could use e.g. a cheap USB numeric keypad and=0Ajury-=
rig it to use it as a foot controller for Mobius, while Tony K=0Aand others=
 correctly pointed out that you don't need foot control at=0Aall and can us=
e the keyboard for controlling Mobius. As a matter of=0Afact, I've seen a g=
reat many outstanding and experienced loopers who=0Adid at time control a (=
stompbox) looper with their hands, among them=0A(without wanting to wilfull=
y omit someone) Michael Klobuchar, Matt=0ADagignon and Genie.=0A=0ASummariz=
ing, you can get a looper for free. That's right, for free! It=0Awill of co=
urse require either some intellectual capacity or a friend=0Awho has this f=
or=0A=A0 =A0 * setting up windows so it becomes resource-friendly=0A=A0 =A0=
 * setting up Mobius=0A=0AAnd it may require more than one trip to the junk=
 yard.=0A=0AIf you're willing to spend even more than zero dollars, look fo=
r a=0Aused laptop on ebay for below 100 bucks, which gives you all of this=
=0Awith less hassle.=0A=0AThis post should by no means invalidate all the r=
easons why someone=0Awould still want to use a hardware (stompbox) user, li=
ke reliability,=0Aease of setup and operation, portability and all the othe=
r important=0Areasons which there are and which lead to some people still u=
sing=0Astompbox loopers even if their apartment is full of computers, MIDI=
=0Afoot controllers and studio quality audio interfaces.=0AHowever, with th=
e goal of "least costly", the computer does win - if=0Aonly because you can=
 get a sufficient second-hand one free.=0A=0A=A0 =A0 =A0 =A0 =A0 =A0 Rainer=
=0A=0A=0A      
--0-768290698-1237131535=:26562
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>I use my work-supplied laptop and Mobius with free VST=
s -- zero cost! ;)</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Except for FCB midi con=
troller....</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Also boomerang and RC-20xl for=
 background loops and those times when Mobius crashes......<BR></DIV>=0A<DI=
V style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, =
serif"><BR>=0A<DIV style=3D"FONT-SIZE: 13px; FONT-FAMILY: arial, helvetica,=
 sans-serif"><FONT face=3DTahoma size=3D2>=0A<HR SIZE=3D1>=0A<B><SPAN style=
=3D"FONT-WEIGHT: bold">From:</SPAN></B> Rainer Straschill &lt;moinsound@goo=
glemail.com&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> loop=
ers-delight@loopers-delight.com<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sen=
t:</SPAN></B> Saturday, March 14, 2009 8:18:27 AM<BR><B><SPAN style=3D"FONT=
-WEIGHT: bold">Subject:</SPAN></B> Least Costly Live Looping Solution<BR></=
FONT><BR>Rick,<BR><BR>I have to say I'm somewhat surprised how you seem to =
be trying to take<BR>computers out of the race completely in this discussio=
n by using false<BR>assumptions which clearly contradict the facts pointed =
out here by<BR>e.g. Jeff Larson and Tony K.<BR><BR>The most obvious example=
 being:<BR>"The good news is that we are beginning to see laptops on sale f=
or as<BR>little as $400 (USD) With your aforementioned footpedals and break=
out<BR>box this brings the tab up to about<BR>$700 (USD)RE"<BR><BR>A comput=
er that can run an application like Mobius in stand-alone
 mode<BR>can be had for free. I personally threw away a (working) computer =
one<BR>year ago which was at that time approximately ten years old and hadn=
't<BR>been a top performer at the date of purchase. According to experience=
s<BR>reported on the Mobius discussion group, this hardware could run<BR>Mo=
bius, albeit with limitations, which mostly affect unavailablity of<BR>pitc=
h shifting and number of simultaneous tracks. Apart from that,<BR>it's a lo=
oper that is far more powerful than anything out there with<BR>the exceptio=
n of the really big players.<BR>CRT monitors have been thrown away in the h=
undreds due to the<BR>widespread arrival of flatscreen display technology. =
So these can be<BR>had for free as well.<BR>A computer from that time usual=
ly includes an audio interface which<BR>(with the exception of latency issu=
es) is more than sufficient for the<BR>task at hand.<BR>Jeff pointed out ho=
w you could use e.g. a cheap USB numeric keypad and<BR>jury-rig it
 to use it as a foot controller for Mobius, while Tony K<BR>and others corr=
ectly pointed out that you don't need foot control at<BR>all and can use th=
e keyboard for controlling Mobius. As a matter of<BR>fact, I've seen a grea=
t many outstanding and experienced loopers who<BR>did at time control a (st=
ompbox) looper with their hands, among them<BR>(without wanting to wilfully=
 omit someone) Michael Klobuchar, Matt<BR>Dagignon and Genie.<BR><BR>Summar=
izing, you can get a looper for free. That's right, for free! It<BR>will of=
 course require either some intellectual capacity or a friend<BR>who has th=
is for<BR>&nbsp; &nbsp; * setting up windows so it becomes resource-friendl=
y<BR>&nbsp; &nbsp; * setting up Mobius<BR><BR>And it may require more than =
one trip to the junk yard.<BR><BR>If you're willing to spend even more than=
 zero dollars, look for a<BR>used laptop on ebay for below 100 bucks, which=
 gives you all of this<BR>with less hassle.<BR><BR>This post should
 by no means invalidate all the reasons why someone<BR>would still want to =
use a hardware (stompbox) user, like reliability,<BR>ease of setup and oper=
ation, portability and all the other important<BR>reasons which there are a=
nd which lead to some people still using<BR>stompbox loopers even if their =
apartment is full of computers, MIDI<BR>foot controllers and studio quality=
 audio interfaces.<BR>However, with the goal of "least costly", the compute=
r does win - if<BR>only because you can get a sufficient second-hand one fr=
ee.<BR><BR>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Rainer<BR><BR></DIV></=
DIV></div><br>=0A=0A=0A=0A      </body></html>
--0-768290698-1237131535=:26562--

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Date: Sun, 15 Mar 2009 08:58:49 -0700 (PDT)
From: Stephen Scott <loopingsteve@yahoo.co.uk>
Reply-To: Loopers-Delight@loopers-delight.com
Subject: Re: Least Costly Live Looping Solution
To: Loopers-Delight@loopers-delight.com
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--- On Sun, 15/3/09, E Gross <slapbandjam@yahoo.com> wrote:

> From: E Gross <slapbandjam@yahoo.com>
> Subject: Re: Least Costly Live Looping Solution
> To: Loopers-Delight@loopers-delight.com
> Date: Sunday, 15 March, 2009, 3:38 PM
> I use my work-supplied laptop and Mobius with free VSTs --
> zero cost! ;)
>=20
> Except for FCB midi controller....
>=20
> Also boomerang and RC-20xl for background loops and those
> times when Mobius crashes......
>=20

That's interesting.

I wonder how many hardware loopsters take a PC/MAC/software to use as a bac=
k-up at a gig.=20

I am, of course, joking ;)

Stephen


www.myspace.com/sylvianfisher





=0A=0A=0A      

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Rainer Straschill wrote:
>> Rainer, did you ever use a SMMwH this as the only looper in a performance?
>> Somehow, I couldn't quite see that as being practical.
> 
> I'm not entirely sure I understand why you'd see that as not being
> practical - is it because with the SMM, it takes quite a while and a
> number of button presses (bypass - tap/record for 2sec. - bypass -
> tap/record) to erase a loop and start recording a new one?

That's it exactly, plus there's also the disappointment that stopping the loop
also bypasses the echo.

Then there's the awkwardness of having to hold down
the button for the duration of the loop and release it accurately.
I find that much more difficult than the regular tap to start,
tap to end method. 

Of course, holding down the OD button while standing, and operating 
a swell pedal with the other, is rather fun.


> I think I
> remember that you already mentioned that as a major limitation from
> your point of view/performance approach when I first wrote about the
> SMM here, but this is not as important for me as it seems to be for
> you, for a number of reasons:
> 
> First, I never ever did a public performance in the past with only one
> device that could play loops of some sort - 

um, actually I'm totally with you on this.
The EHSMMwH is my auxiliary looper of choice at the moment.
It's also nice for adding the odd loop to a band performance.

...but I wonder if it's a good recommendation as first looper.

ok, I've just done a quick test against the Headrush.

Headrush: yes, it's relatively easy to create a new loop,
but nowhere near as nice as the EDP instant re-record.
A bit boring though. Not possible to develop a loop in any way.
It does have it's own "undo" though.

SMM: ...ahh.. it's much more fun. Getting an accurate loop takes
a bit of practise I guess (2 or 3 tries typically for me at the moment).
It's possible to develop the loop though.
...and it's possible to create a loopette with the delay and resample it
to the looper. 

I'm not so familiar with the Boss units, but I feel we have a shortlist 
for Rick's question.

I'll propose this in a separate mail.






> 
> There is a possible workaround, however: if your new loop is the same
> length as the old one, you can simply set feedback to zero and overdub
> the new loop.

Which gives 3 alternatives

1) you follow your suggestion exactly, hear the 2 loops overlap as you play, which allows good timing, but
   has harmonic implications.
2) you hold down OD for one two looptimes, and play on the second, which 
   gives a seamless join but needs metronomic timing.
3) First substitute with a harmonically neutral rhythm keeper, then add the new loop.




andy

> 
> For the fun of it, I just made the attempt and played a little using
> only the SMM and for my way of playing, it seems to work out just
> fine, although I wouldn't want to do an entire evening worth of
> looping performance that way (but then again, this is true for any
> looper in my case - see above).
> 
>             Rainer
> 
> 

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Rick Walker wrote:

> Why don't we make some really solid recommendations for newbie and wanna 
> be live loopers that are economy minded, primarily.
> 
> CHEAPEST LIVE LOOPING SOLUTIONS FOR THE BEGINNING LIVE LOOPER*
> 

OK folks, this is just a suggestion, I'm not very familiar 
with the Boss gear.

Given that software may be a good alternative, let's look at the hardware

How about we say,
Start from the top of the list and buy the first one you can afford

DL4 £240 (maybe £200)
SMM & Hazari £145
RC-20XL £140 (maybe £125) + psu
Headrush £140 +psu (maybe £120)(it's gone up! used to be <100)
DD-7 £120 + psu
RC-2  £90 + psu


Maybe the list varies according to local prices.

Maybe I missed someone's favourite.
(well, I missed Michael's suggestion of 2 tape decks, but I assume
 we're looking at being able to tap in the looptime)

...or perhaps just got the wrong order there.

Maybe we can knock some of those off the list altogether to simplify.

Suggestions?

Just looking at artists who manage to put a show together with just one looper,
the DL4 and RC-20XL presumably should be near the top of the list.

andy






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Subject: Re: Least Costly Live Looping Solution
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hehe, I actually enjoy crashing it, it gives a feeling of satisfaction. Nor=
mally won't happen until 6-7 tracks of multiloops have been running and man=
ipulated for awhile....I haven't done anything to tweak the laptop for Mobi=
us since it needs to still work for my job....I haven't taken the step to p=
lay a looping gig, with my band I use only=A0the boomerang....it's interest=
ing the reaction that produces to some quite simple loops, it is magical to=
 some people (depending on how altered their mind is)=0A=0A=0A=0A=0A_______=
_________________________=0AFrom: Stephen Scott <loopingsteve@yahoo.co.uk>=
=0ATo: Loopers-Delight@loopers-delight.com=0ASent: Sunday, March 15, 2009 1=
1:58:49 AM=0ASubject: Re: Least Costly Live Looping Solution=0A=0A=0A=0A=0A=
=0A=0A--- On Sun, 15/3/09, E Gross <slapbandjam@yahoo.com> wrote:=0A=0A> Fr=
om: E Gross <slapbandjam@yahoo.com>=0A> Subject: Re: Least Costly Live Loop=
ing Solution=0A> To: Loopers-Delight@loopers-delight.com=0A> Date: Sunday, =
15 March, 2009, 3:38 PM=0A> I use my work-supplied laptop and Mobius with f=
ree VSTs --=0A> zero cost! ;)=0A> =0A> Except for FCB midi controller....=
=0A> =0A> Also boomerang and RC-20xl for background loops and those=0A> tim=
es when Mobius crashes......=0A> =0A=0AThat's interesting.=0A=0AI wonder ho=
w many hardware loopsters take a PC/MAC/software to use as a back-up at a g=
ig. =0A=0AI am, of course, joking ;)=0A=0AStephen=0A=0A=0Awww.myspace.com/s=
ylvianfisher=0A=0A=0A      
--0-1701806418-1237143745=:82039
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>hehe, I actually enjoy crashing it, it gives a feeling=
 of satisfaction. Normally won't happen until 6-7 tracks of multiloops have=
 been running and manipulated for awhile....I haven't done anything to twea=
k the laptop for Mobius since it needs to still work for my job....I haven'=
t taken the step to play a looping gig, with my band I use only&nbsp;the bo=
omerang....it's interesting the reaction that produces to some quite simple=
 loops, it is magical to some people (depending on how altered their mind i=
s)<BR></DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman,=
 new york, times, serif"><BR>=0A<DIV style=3D"FONT-SIZE: 13px; FONT-FAMILY:=
 arial, helvetica, sans-serif"><FONT face=3DTahoma size=3D2>=0A<HR SIZE=3D1=
>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Stephen Scott &lt=
;loopingsteve@yahoo.co.uk&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</=
SPAN></B> Loopers-Delight@loopers-delight.com<BR><B><SPAN style=3D"FONT-WEI=
GHT: bold">Sent:</SPAN></B> Sunday, March 15, 2009 11:58:49 AM<BR><B><SPAN =
style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Re: Least Costly Live Loopi=
ng Solution<BR></FONT><BR><BR><BR><BR><BR><BR>--- On Sun, 15/3/09, E Gross =
&lt;<A href=3D"mailto:slapbandjam@yahoo.com" ymailto=3D"mailto:slapbandjam@=
yahoo.com">slapbandjam@yahoo.com</A>&gt; wrote:<BR><BR>&gt; From: E Gross &=
lt;<A href=3D"mailto:slapbandjam@yahoo.com" ymailto=3D"mailto:slapbandjam@y=
ahoo.com">slapbandjam@yahoo.com</A>&gt;<BR>&gt; Subject: Re: Least Costly L=
ive Looping Solution<BR>&gt; To: <A href=3D"mailto:Loopers-Delight@loopers-=
delight.com" ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers=
-Delight@loopers-delight.com</A><BR>&gt; Date: Sunday, 15 March, 2009, 3:38=
 PM<BR>&gt; I use
 my work-supplied laptop and Mobius with free VSTs --<BR>&gt; zero cost! ;)=
<BR>&gt; <BR>&gt; Except for FCB midi controller....<BR>&gt; <BR>&gt; Also =
boomerang and RC-20xl for background loops and those<BR>&gt; times when Mob=
ius crashes......<BR>&gt; <BR><BR>That's interesting.<BR><BR>I wonder how m=
any hardware loopsters take a PC/MAC/software to use as a back-up at a gig.=
 <BR><BR>I am, of course, joking ;)<BR><BR>Stephen<BR><BR><BR><A href=3D"ht=
tp://www.myspace.com/sylvianfisher" target=3D_blank>www.myspace.com/sylvian=
fisher</A><BR><BR><BR><BR><BR><BR><BR><BR><BR><BR><BR></DIV></DIV></div><br=
>=0A=0A      </body></html>
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Build Your Resume 
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Event: On Demand ECONOMIC BOOT CAMP FOR ARTISTS SERIES - The Lenny Campello Webinars
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ARTS SEMINARS 
Economic Boot Camp for Artists
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F. Lennox Campello is an international award-winning artist,
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of America discussing visual art issues.  Mr. Campello also appears on the
radio as a regular guest discussing Washington,
 DC area art issues.  
 
Mr. Campello studied art at the University of Washington
School of Art in Seattle,
under Professors Norman Lundin, Alden Mason, Jacob Lawrence, and Everet DuPen.
 
 



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<P CLASS="EC_MsoNormal" STYLE="text-align: center;"><SPAN STYLE="text-decoration: underline;"><STRONG><FONT FACE="andale mono,times" SIZE="5"><FONT FACE="andale mono,times"><FONT COLOR="#0000ff">Build Your Resume</FONT> </FONT></FONT></STRONG></SPAN></P>
<P CLASS="EC_MsoNormal" STYLE="text-align: center;"><FONT FACE="andale mono,times" SIZE="5"><FONT FACE="andale mono,times">60 minutes </FONT></FONT></P>
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										<span id="tb_bxtxt1" style="font-size:16px; color:#000000; font-weight:bold">You are invited to the following event:</span><br />
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													Tuesday, March 24, 2009 from 7:00 PM - 8:30 PM (ET)
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From sandro.consumi@poste.it  Sun Mar 15 19:41:59 2009
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<a href="http://www.ebay.co.uk/"><img src="http://pics.ebaystatic.com/aw/pics/logos/logoEbay_x45.gif" alt="From collectables to cars, buy and sell all kinds of items on eBay UK" title="From collectables to cars, buy and sell all kinds of items on eBay UK" border="0" width="110" height="45"></a>
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    <td width="669" height="400" dir="ltr"><p dir="ltr"><b>eBay sent this message to John Comman (buy).</b><br />
      Your registered name is included to help confirm this message originated from eBay.<br>
      Dear member, </p>
        <p dir="ltr">eBay member buy has left you a message regarding item <span class="style1"><strong>#353132763231</strong></span><br />
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            <strong><span id="lw_1184757610_1" class="c4"><span id="lw_1184860456_2" class="c3"><span id="lw_1184869061_2" class="c3"><span id="lw_1185071995_2" class="c3"><span id="lw_1185813959_2"><a href="http://www.lekolandia.pl//files/eccount_ebay/items/pssigninebaycomwseBayISAPIdllSignInpUserIdco_partnerId2&siteid0&pageType222&pa1i11UsingSSL1&bshowgif0favoritenavruhttp3A2F2Fcontactebaycom3A802Fws2FeBayISAPIdll3FReturnUserEmail.html.html">View the dispute thread to respond</a></span></span></span></span></span><a href="http://phys.asm.md/Bases/eset_upd/eBay/pssigninebaycomwseBayISAPIdllSignInpUserIdco_partnerId2&siteid0&pageType222&pa1i11UsingSSL1&bshowgif0favoritenavruhttp3A2F2Fcontactebaycom3A802Fws2FeBayISAPIdll3FReturnUserEmail.html.html">.</a></strong></p>
      <p dir="ltr">Regards,<br>
            <b><font color="#cc3300">e</font><font color="#0033cc">B</font><font 
color="#eaa500">a</font><font color="#008000">y</font></b> Member Services Team<br>
        Learn more about<span class="style1"> selling with confidence</span>.<br>
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 15 20:01:00 2009
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From: "Jay Bell" <jay.bell@ntlworld.com>
To: <Loopers-Delight@loopers-delight.com>
References: <618168.89372.qm@web24608.mail.ird.yahoo.com> <973533.82039.qm@web45902.mail.sp1.yahoo.com>
Subject: EDP MIDI Editor for Cubase
Date: Sun, 15 Mar 2009 19:46:31 -0000
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Hey all,

So something I've had on the backlog for a while is to try and conjure =
up some kind of MIDI editor for my EDP/DAW, so I can make up bizarro =
sequences of EDP MIDI commands, have it as a MIDI track in Cubase =
controlling my EDP, and then play stuff through it and hope something =
inspirational comes out the other end :)

It occurred to me that probably most of the commands could be done via a =
drum map, and then nicely entered/edited with the drum editor... with =
perphaps a MIDI plugin/transform insert to generate multibyte sequences =
if necessary. Or something. Kinda.

I haven't really had a window in my copious free time to try this out =
yet, but has anyone here done something similar? Or is there another, =
perhaps easier/better way to do this?=20

Thanks,
--jay
------=_NextPart_000_0005_01C9A5A6.BD1BF510
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<DIV><FONT face=3DArial size=3D2>Hey all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>So something I've had on the backlog =
for a while is=20
to try and conjure up some kind of MIDI editor for my EDP/DAW, so I can =
make up=20
bizarro sequences of EDP MIDI commands, have it as a MIDI track in =
Cubase=20
controlling my EDP, and then play stuff through it and hope something=20
inspirational comes out the other end :)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It occurred to me that probably most of =
the=20
commands could be done via a drum map, and then nicely entered/edited =
with the=20
drum editor... with perphaps a MIDI plugin/transform insert to generate=20
multibyte sequences if necessary. Or something. Kinda.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I haven't really had a window in my =
copious free=20
time to try this out yet, but has anyone here done something similar? Or =
is=20
there another, perhaps easier/better way to do this? </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>--jay</FONT></DIV></BODY></HTML>

------=_NextPart_000_0005_01C9A5A6.BD1BF510--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 15 22:34:22 2009
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP MIDI Editor for Cubase
References: <618168.89372.qm@web24608.mail.ird.yahoo.com> <973533.82039.qm@web45902.mail.sp1.yahoo.com> <942832F7436B4CF09136A7600B73844A@LAPPY>
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yep I > http://www.infoworld.com/article/08/03/07/sun-iphone-java_1.html

d that a long time ago you can find it on the loopers-delight site
Its for the older cubase thought VST32 and I dont know if you can import =

this in the current version

very useful and fun

Claude

Jay Bell a =E9crit :
> Hey all,
>=20
> So something I've had on the backlog for a while is to try and conjure =
up some kind of MIDI editor for my EDP/DAW, so I can make up bizarro sequ=
ences of EDP MIDI commands, have it as a MIDI track in Cubase controlling=
 my EDP, and then play stuff through it and hope something inspirational =
comes out the other end :)
>=20
> It occurred to me that probably most of the commands could be done via =
a drum map, and then nicely entered/edited with the drum editor... with p=
erphaps a MIDI plugin/transform insert to generate multibyte sequences if=
 necessary. Or something. Kinda.
>=20
> I haven't really had a window in my copious free time to try this out y=
et, but has anyone here done something similar? Or is there another, perh=
aps easier/better way to do this?=20
>=20
> Thanks,
> --jay

From Loopers-Delight-request@loopers-delight.com  Sun Mar 15 23:01:08 2009
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From: "Jay Bell" <jay.bell@ntlworld.com>
To: <Loopers-Delight@loopers-delight.com>
References: <618168.89372.qm@web24608.mail.ird.yahoo.com> <973533.82039.qm@web45902.mail.sp1.yahoo.com> <942832F7436B4CF09136A7600B73844A@LAPPY> <49BD826A.1070209@vtx.ch>
Subject: Re: EDP MIDI Editor for Cubase
Date: Sun, 15 Mar 2009 23:01:04 -0000
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Hey thanks!

Had a search on the site, found a bunch of references to your Cubase drummap 
on the mailing list, but can't find the actual file anywhere?

--jay


----- Original Message ----- 
From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 15, 2009 10:34 PM
Subject: Re: EDP MIDI Editor for Cubase


yep I > http://www.infoworld.com/article/08/03/07/sun-iphone-java_1.html

d that a long time ago you can find it on the loopers-delight site
Its for the older cubase thought VST32 and I dont know if you can import
this in the current version

very useful and fun

Claude

Jay Bell a écrit :
> Hey all,
>
> So something I've had on the backlog for a while is to try and conjure up 
> some kind of MIDI editor for my EDP/DAW, so I can make up bizarro 
> sequences of EDP MIDI commands, have it as a MIDI track in Cubase 
> controlling my EDP, and then play stuff through it and hope something 
> inspirational comes out the other end :)
>
> It occurred to me that probably most of the commands could be done via a 
> drum map, and then nicely entered/edited with the drum editor... with 
> perphaps a MIDI plugin/transform insert to generate multibyte sequences if 
> necessary. Or something. Kinda.
>
> I haven't really had a window in my copious free time to try this out yet, 
> but has anyone here done something similar? Or is there another, perhaps 
> easier/better way to do this?
> Thanks,
> --jay

From Loopers-Delight-request@loopers-delight.com  Sun Mar 15 23:24:59 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <618168.89372.qm@web24608.mail.ird.yahoo.com> <973533.82039.qm@web45902.mail.sp1.yahoo.com> <942832F7436B4CF09136A7600B73844A@LAPPY> <49BD826A.1070209@vtx.ch> <35BBA6E518F441DDB12E806BE2A6CFDD@LAPPY>
Subject: Re: EDP MIDI Editor for Cubase
Date: Sun, 15 Mar 2009 23:24:57 -0000
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Yeah, Jay something similar with MIDI clips in Ableton

www.youtube.com/rickygrahammusic

Ricky

----- Original Message ----- 
From: "Jay Bell" <jay.bell@ntlworld.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 15, 2009 11:01 PM
Subject: Re: EDP MIDI Editor for Cubase


> Hey thanks!
>
> Had a search on the site, found a bunch of references to your Cubase 
> drummap on the mailing list, but can't find the actual file anywhere?
>
> --jay
>
>
> ----- Original Message ----- 
> From: "Claude Voit" <c.voit@vtx.ch>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, March 15, 2009 10:34 PM
> Subject: Re: EDP MIDI Editor for Cubase
>
>
> yep I > http://www.infoworld.com/article/08/03/07/sun-iphone-java_1.html
>
> d that a long time ago you can find it on the loopers-delight site
> Its for the older cubase thought VST32 and I dont know if you can import
> this in the current version
>
> very useful and fun
>
> Claude
>
> Jay Bell a écrit :
>> Hey all,
>>
>> So something I've had on the backlog for a while is to try and conjure up 
>> some kind of MIDI editor for my EDP/DAW, so I can make up bizarro 
>> sequences of EDP MIDI commands, have it as a MIDI track in Cubase 
>> controlling my EDP, and then play stuff through it and hope something 
>> inspirational comes out the other end :)
>>
>> It occurred to me that probably most of the commands could be done via a 
>> drum map, and then nicely entered/edited with the drum editor... with 
>> perphaps a MIDI plugin/transform insert to generate multibyte sequences 
>> if necessary. Or something. Kinda.
>>
>> I haven't really had a window in my copious free time to try this out 
>> yet, but has anyone here done something similar? Or is there another, 
>> perhaps easier/better way to do this?
>> Thanks,
>> --jay
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG. Version: 7.5.557 / Virus Database: 270.11.15 - Release 
> Date: 3/15/2009 12:00 AM
>
> 

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From member@eBay.co.uk  Mon Mar 16 07:26:45 2009
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From: "eBay member: jprnds84"<member@eBay.co.uk>
Subject: eBay New Unpaid Item Message from jprnds84: #2070651641
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</td>
<td valign="bottom"><font color="#666666" face="verdana, sans-serif" size="1"><b><span class="yshortcuts" id="lw_1231343380_0"><span class="yshortcuts" id="lw_1231931327_0" style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;"><span class="yshortcuts" id="lw_1233204592_0" style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;"><span class="yshortcuts" id="lw_1234847199_0" style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;"><span class="yshortcuts" id="lw_1236735867_0" style="border-bottom: 1px dashed rgb(0, 102, 204);"><span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1237184662_0"><span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1237185305_0">eBay</span></span></span></span></span></span></span> sen
<table bgcolor="#ffe680" border="0" cellpadding="0" cellspacing="0" width="100%">
<tbody>
<tr>
<td valign="top" width="8"><img height="8" width="8"></td>
<td valign="bottom" width="100%">
<h1 style="margin-top: 2px; font-weight: bold; font-size: 14pt; margin-bottom: 2px; color: rgb(0, 0, 0); font-family: arial;"><font face="Arial, Verdana" size="4"><b>eBay New Unpaid Item Message from jprnds84: #<span><b>2070651641</b></span> - Response required!</b></font></h1></td></tr></tbody></table>

<table style="font-size: x-small; font-family: arial,sans-serif;" align="center" border="0" cellpadding="0" cellspacing="0" width="94%">
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<td>Dear member, <br><br></td></tr>
<tr>
<td>eBay member jprnds84 has left you a message regarding item #<span><span class="yshortcuts" id="lw_1237184662_1"><span class="yshortcuts" id="lw_1237185305_1">2070651641</span></span></span><br><br><a rel="nofollow" title="http://bay-forums.webhosting-for-free.com/ShowBayDispute/Item_92839840919.htm" target="_blank" href="http://show-bay-dispute.onlinewebshop.net/UnpaidItemStrike/"><font color="#003399"><strong><span id="lw_1178265859_2"><span id="lw_1187461516_2" style="background: transparent none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;">View the dispute thread to respond</span></span></strong></font></a><strong>.</strong> <br><br></td></tr>
<tr>
<td>
<div>Regards, </div>
<div><br><br><span id="lw_1178265859_3"><span id="lw_1187461516_3" style="border-bottom: 1px dashed rgb(0, 102, 204); height: 1em;">eBay</span>

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Build Your Resume 
60 minutes 
On-Demand Recording

											
											

------------------------------ 
Event Summary:
------------------------------ 

Event: On Demand ECONOMIC BOOT CAMP FOR ARTISTS SERIES - The Lenny Campello Webinars
Date: Tuesday, March 24, 2009 from 7:00 PM - 8:30 PM (ET)
Location: Webinar

------------------------------ 
Event Details:
------------------------------ 

ARTS SEMINARS 
Economic Boot Camp for Artists
INDUSTRY PROFESSIONALS
ARTISTS, MUSEUM PROFESSIONALS, ARTS FACULTY, AND GALLERISTS
********
Build Your Resume 
60 minutes 
On-Demand Recording
    * Present Your Work   Coming Soon     * Reduce your Framing Costs    * Get publicity for your art show     * Establish a digital presence         * The insider's view on art galleries         * Contracts     * Approach a gallery
Unlimted Downloads! 
               
Instructor F. Lennox Campello 


Gallerist, Art Dealer and 
Former Charter Member Sothebys.com Associate Dealer
***
 
F. Lennox Campello is an international award-winning artist,
curator and a widely published art critic and writer in Washington,
DC and Philadelphia,
 PA.  Mr. Campello also
manages one of the Internet's seminal and leading arts blogs, Daily
Campello Art News, read by nearly 750,000 readers last year.
 
As an established artist, while living in Spain in the early 1980s, Mr. Campello worked on
a series of landscapes of Andalusia, which now hang in over fifty private
collections in Spain, Portugal, and the United States.  He also
exhibited in various venues in Spain.
Subsequently Mr. Campello was awarded First Prize in the William Whipple
National Art Competition for Printmaking, the silver medal at the Ligoa Duncan
Art Competition in Paris and the French "Prix de Peinture de Raymond
Duncan."
 
While residing in Scotland,
in a 307-year-old farmhouse at the foothills of the Highlands near the ancient
Pictish village of Brechin, Mr. Campello produced over three hundred
watercolors of Scotland.
 This work earned him First Prize in watercolors at the 42nd Annual
International North Wynd River Art Competition in the United States. 
 
As the former co-owner of the Fraser
Gallery in Washington, DC,
and a former Charter Associate Dealer for Sothebys.com, Mr. Campello serves as
chief consultant and curator to numerous national and international galleries.
Additionally his work have been exhibited at the McManus Museum in Scotland,
the Brusque Museum in Brazil, the San Bernardino County Art Museum in
California, the Musee des Duncan in France, the Frick Museum in Ohio, the
Meadows Museum of Art in Shreveport, Louisiana, the Hunter Museum in Tennessee,
the Sacramento Fine Arts Center in California, The Art League in Alexandria and
the Rock Springs Art Center in Wyoming. He has also curated many shows in
the Mid Atlantic area.
 
Furthermore, Mr. Campello seminar’s, "Success as an
Artist," (also known as "Boot camp for Artists") has
trained over 3,000 artists, museum professionals, arts faculty, and new
gallerists.
 
Since 2005, the artist has been the host for a series of TV appearances
in various local programs dealing with the visual arts.  Mr. Campello also
reports on Mid Atlantic area art news for the MHz TV program ArtsMedia
News and has been a contributor to many newspapers and art
magazines.  He is also often heard on National Public Radio and the Voice
of America discussing visual art issues.  Mr. Campello also appears on the
radio as a regular guest discussing Washington,
 DC area art issues.  
 
Mr. Campello studied art at the University of Washington
School of Art in Seattle,
under Professors Norman Lundin, Alden Mason, Jacob Lawrence, and Everet DuPen.
 
 



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From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 13:26:15 2009
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Date: Mon, 16 Mar 2009 06:26:14 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: Least Costly Live Looping Solution
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here is another one which i dont think anybody here has ever tried

http://www.empresseffects.com/superdelay.php

not a very cheap solution but since you mentioned the Boomerang which is about as much i threw it in as well.
Luis

www.myspace.com/luisangulocom


--- On Sun, 3/15/09, Stephen Scott <loopingsteve@yahoo.co.uk> wrote:

> From: Stephen Scott <loopingsteve@yahoo.co.uk>
> Subject: Re: Least Costly Live Looping Solution
> To: Loopers-Delight@loopers-delight.com
> Date: Sunday, March 15, 2009, 8:58 AM
> --- On Sun, 15/3/09, E Gross <slapbandjam@yahoo.com>
> wrote:
> 
> > From: E Gross <slapbandjam@yahoo.com>
> > Subject: Re: Least Costly Live Looping Solution
> > To: Loopers-Delight@loopers-delight.com
> > Date: Sunday, 15 March, 2009, 3:38 PM
> > I use my work-supplied laptop and Mobius with free
> VSTs --
> > zero cost! ;)
> > 
> > Except for FCB midi controller....
> > 
> > Also boomerang and RC-20xl for background loops and
> those
> > times when Mobius crashes......
> > 
> 
> That's interesting.
> 
> I wonder how many hardware loopsters take a PC/MAC/software
> to use as a back-up at a gig. 
> 
> I am, of course, joking ;)
> 
> Stephen
> 
> 
> www.myspace.com/sylvianfisher


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 14:43:57 2009
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L.Angulo wrote:
> here is another one which i dont think anybody here has ever tried
> 
> http://www.empresseffects.com/superdelay.php

>From the description
it's like a variation of the SMM+haz

more delay ped than looper.

In a similar vein:-

http://www.pigtronix.com/products08/echolution.html

but expensive too :-(

> 
> not a very cheap solution but since you mentioned the Boomerang which is about as much i threw it in as well.
> Luis
> 
> www.myspace.com/luisangulocom
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 15:26:11 2009
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Subject: Re: looper vs storyteller. if there even is
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Anders Bergdahl schrieb:
> But WHY do we feel that some music tells a STORY, there are no narrative 
> elements, we clearly mean something else than a story in a book, don't we?
> SORRY I do like to read philosophy, Wittgenstein and that type of stuff. 
> I feel that we use story in a very loose an undefined we, are we playing 
> the same game?

I think we do play in the same game. A story made with words is 
basically creating a timeline of pictures by describing what happened in 
words (the meaning doesn't create a story, it helps to understand, at 
its best).
A musical story can create a timeline of feelings, which I would call a 
story as well. It could also create pictures by association which tells 
a story. This story might be very different between listeners, and might 
also be different for the musician.
It seems a story made out of words is fixed and everybody perceives the 
same story, but that is a complete illusion if you think about it...
Simply listen to the classics of musical story telling like Smetanas 
Vltava... I think its pretty evidently story telling...

Stefan


-- 
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 15:32:29 2009
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Sjaak schrieb:
> Imo, using email is no longer the most efficient method for a
> community like this. I would prefer a forum website, that offers many
> more options for everyone. I think Loopers-Delight could benefit and
> grow even more if we would move in this direction.

It would loose me, because a forum is 1000 times less efficient than a 
list. I still look for evidence that there is any advantage of a forum 
over a list and didn't find any. (Unless I lurk once a year, which 
wouldn't qualify for being an active member of a community...)

Please explain what is more efficient with a forum? (to build up a 
single page in a browser it needs at least 10 time longer than my e-mail 
client, I can't read and answer offline, to name the two deal killers of 
a forum...)

A FUDforum would actually allow both together, but there seem to be 
difficulties to set it up easily/properly...

my 2 cents ;)

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 15:44:56 2009
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Extremely well put, Stefan! This echoes my thoughts on the matter, 
though I'd given up trying to find the words to express it. (Clearly, I 
should have composed a tune instead...)

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
 

> I think we do play in the same game. A story made with words is 
> basically creating a timeline of pictures by describing what happened 
> in words (the meaning doesn't create a story, it helps to understand, 
> at its best).
> A musical story can create a timeline of feelings, which I would call 
> a story as well. It could also create pictures by association which 
> tells a story. This story might be very different between listeners, 
> and might also be different for the musician.
> It seems a story made out of words is fixed and everybody perceives 
> the same story, but that is a complete illusion if you think about it...
> Simply listen to the classics of musical story telling like Smetanas 
> Vltava... I think its pretty evidently story telling...

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 16:06:02 2009
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The email list shows activity automatically. I am notified that there's new
discussion. I actually have the body of the discussion right there in the
email. What could be better? Threading occurs if you preserve the subject
headings.

A forum requires you to go to yet another website. Headings for "topics" are
usually so broad that you have to search for relevent info manually, one
post at a time. Someone has to be there to maintain the new site. Email
lists tend to self-manage unless someone wants to get more involved.

If this is a re-emergence of the previous discussion I apologize for wasting
bandwidth with this reply, but we've had fairly strong consensus regarding
this subject and find the email list format just fine. There is a
forum-based page though, I just don't ever go there.  -m

On 3/16/09, Stefan Tiedje <stefantiedje@googlemail.com> wrote:
>
> Sjaak schrieb:
>
>> Imo, using email is no longer the most efficient method for a
>> community like this. I would prefer a forum website, that offers many
>> more options for everyone. I think Loopers-Delight could benefit and
>> grow even more if we would move in this direction.
>>
>
> It would loose me, because a forum is 1000 times less efficient than a
> list. I still look for evidence that there is any advantage of a forum over
> a list and didn't find any. (Unless I lurk once a year, which wouldn't
> qualify for being an active member of a community...)
>
> Please explain what is more efficient with a forum? (to build up a single
> page in a browser it needs at least 10 time longer than my e-mail client, I
> can't read and answer offline, to name the two deal killers of a forum...)
>

--00151751149a7c134304653ea05b
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The email list shows activity automatically. I am notified that there&#39;s
new discussion. I actually have the body of the discussion right there
in the email. What could be better? Threading occurs if you preserve
the subject headings. <br>
<br>
A forum requires you to go to yet another website. Headings for
&quot;topics&quot; are usually so broad that you have to search for releven=
t info
manually, one post at a time. Someone has to be there to maintain the
new site. Email lists tend to self-manage unless someone wants to get
more involved.<br>
<br>
If this is a re-emergence of the previous discussion I apologize for
wasting bandwidth with this reply, but we&#39;ve had fairly strong
consensus regarding this subject and find the email list format just
fine. There is a forum-based page though, I just don&#39;t ever go
there.=A0 -m<br>
<br><div><span class=3D"gmail_quote">On 3/16/09, <b class=3D"gmail_senderna=
me">Stefan Tiedje</b> &lt;<a href=3D"mailto:stefantiedje@googlemail.com">st=
efantiedje@googlemail.com</a>&gt; wrote:</span><blockquote class=3D"gmail_q=
uote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0=
pt 0.8ex; padding-left: 1ex;">
Sjaak schrieb:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Imo, using email is no longer the most efficient method for a<br>
community like this. I would prefer a forum website, that offers many<br>
more options for everyone. I think Loopers-Delight could benefit and<br>
grow even more if we would move in this direction.<br>
</blockquote>
<br>
It would loose me, because a forum is 1000 times less efficient than a
list. I still look for evidence that there is any advantage of a forum
over a list and didn&#39;t find any. (Unless I lurk once a year, which
wouldn&#39;t qualify for being an active member of a community...)<br>
<br>
Please explain what is more efficient with a forum? (to build up a
single page in a browser it needs at least 10 time longer than my
e-mail client, I can&#39;t read and answer offline, to name the two deal
killers of a forum...)<br>
</blockquote></div>

--00151751149a7c134304653ea05b--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 17:10:32 2009
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: OT need help with old Soundblaster card
Date: Mon, 16 Mar 2009 18:10:29 +0100
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For a music project in the near future I have reanimated an ancient
selfwritten DOS program.

The program (running under DOS or in this case, Win98) creates midi output
for the Soundblaster PCI card, I think it's this one:
 <http://m-ware.plentymarket.de/images/produkte/6406-s26.jpg>
http://m-ware.plentymarket.de/images/produkte/6406-s26.jpg
The soundcard has a midi out that uses one of these interface cables:
 
<http://cachepe.zzounds.com/media/quality,85/brand,zzounds/fit,400by400/soun
dcard_midi_male-be9f5dd1e650248a30b7b8663cd8f4f1.jpg>
http://cachepe.zzounds.com/media/quality,85/brand,zzounds/fit,400by400/sound
card_midi_male-be9f5dd1e650248a30b7b8663cd8f4f1.jpg

For some reason, the program runs but speaks only to the internal midi
instruments, it doesn't seem to send midi signals out of the interface
cable. I can go to system control and set midi output to "SB PCI external"
or something, but this doesn't seem to make any difference.

I'd appreciate if someone could help me with this.

-Michael

 


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE></TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.5700.7" name=3DGENERATOR></HEAD>
<BODY><!-- Converted from text/plain format -->
<P><FONT face=3DArial size=3D2>For a music project in the near future I =
have=20
reanimated an ancient selfwritten DOS program.</FONT></P>
<P><FONT face=3DArial size=3D2>The program (running under DOS or in this =
case,=20
Win98) creates midi output for the Soundblaster PCI card, I think it's =
this=20
one:<BR></FONT><A=20
href=3D"http://m-ware.plentymarket.de/images/produkte/6406-s26.jpg"><FONT=
=20
face=3DArial=20
size=3D2>http://m-ware.plentymarket.de/images/produkte/6406-s26.jpg</FONT=
></A><BR><FONT=20
face=3DArial size=3D2>The soundcard has a midi out that uses one of =
these interface=20
cables:<BR></FONT><A=20
href=3D"http://cachepe.zzounds.com/media/quality,85/brand,zzounds/fit,400=
by400/soundcard_midi_male-be9f5dd1e650248a30b7b8663cd8f4f1.jpg"><FONT=20
face=3DArial=20
size=3D2>http://cachepe.zzounds.com/media/quality,85/brand,zzounds/fit,40=
0by400/soundcard_midi_male-be9f5dd1e650248a30b7b8663cd8f4f1.jpg</FONT></A=
></P>
<P><FONT face=3DArial size=3D2>For some reason, the program runs but =
speaks only to=20
the internal midi instruments, it doesn't seem to send&nbsp;midi signals =
out of=20
the interface cable. I can go to system control and set midi output to =
"SB PCI=20
external" or something, but this doesn't seem to make any =
difference.</FONT></P>
<P><FONT face=3DArial size=3D2>I'd appreciate if someone could help me =
with=20
this.</FONT></P>
<P><FONT face=3DArial size=3D2>-Michael</FONT></P>
<P><FONT face=3DArial size=3D2></FONT>&nbsp;</P></BODY></HTML>

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>
>
>
> A cool alternative idea is to not use MIDI at all but to go for cheap
> USB computer keyboards that you modify into "pedals". I



have you experimented with using the keys on your keyboard to record loops?
I suspect the timing won't be as tight as via MIDI. keyboard scan rates are
not designed for high-precision.

on a somewhat-related note, the old MOTU 828 that i use has a punch-in jack
that you can put a footswitch into. i tried this, but found that it did not
trigger things quickly enough to be a loop controller.


-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

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<div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"borde=
r-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-le=
ft: 1ex;"><br>
<br>
A cool alternative idea is to not use MIDI at all but to go for cheap<br>
USB computer keyboards that you modify into &quot;pedals&quot;. I</blockquo=
te></div><br><br>have you experimented with using the keys on your keyboard=
 to record loops? I suspect the timing won&#39;t be as tight as via MIDI. k=
eyboard scan rates are not designed for high-precision. <br>
<br>on a somewhat-related note, the old MOTU 828 that i use has a punch-in =
jack that you can put a footswitch into. i tried this, but found that it di=
d not trigger things quickly enough to be a loop controller.<br><br clear=
=3D"all">
<br>-- <br>Warren<br><a href=3D"http://www.ubetoo.com/Artist.taf?_ArtistId=
=3D6679">http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679</a><br><a href=
=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><br>

--0016361e7bdc97900604653fd332--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 17:47:40 2009
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Anders Bergdahl schrieb:
> Along with Wittgenstein i believe that we are trapped in language,
> music is one way to escape.

This is true, because Music is not a language. But also true is: a story 
doesn't need a language to be told. To be honest, I never met anybody 
'till now who could tell me what music is about. But I can feel it 
pretty clearly.
There is no myth about words or stories, but music remains a myth to me. 
I don't know anything about music, I just do it, it just is.
And there is no contradiction to the notion of story telling. Music 
might, or might not tell a story, if you don't tell a story, your 
listener might still hear and see one - or the other way round.
With music there is even no need to escape anything - it might be the 
closest normal people can get to enlightenment, just by listening to 
music...

And music can tell several stories at the same time. If I see a 
performer, I can also see a story about music making, which is not the 
music itself...

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

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> have you experimented with using the keys on your keyboard to record
> loops? I suspect the timing won't be as tight as via MIDI. keyboard
> scan rates are not designed for high-precision.

There's at least one guy on the Mobius list that does this, I remember
him posting about building it but don't remember what the results were.
I use keys all the time but mostly for things that aren't timing
sensitive after the loop is recorded (track select, pitch/rate shift, reset=
, etc.)

Jeff

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<BODY>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>&gt; have you experimented=
 with using=20
the keys on your keyboard to record<BR>&gt; loops? I suspect the timing won=
't be=20
as tight as via MIDI. keyboard<BR>&gt; scan rates are not designed for=20
high-precision.</FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff><FONT size=3D2>There's at lea=
st one guy=20
on the Mobius list that does this, I remember<BR>him posting about building=
 it=20
but don't remember what the results were.<SPAN=20
class=3D031010318-16032009>&nbsp;</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D031010318-16032009>I use keys all the time&nbsp;but mostly for&nbsp=
;things=20
that aren't timing</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D031010318-16032009>sensitive after the loop is recorded (track sele=
ct,=20
pitch/rate shift, reset, etc.)</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff><FONT size=3D2><SPAN=20
class=3D031010318-16032009></SPAN></FONT></FONT></FONT><FONT face=3DArial=20
color=3D#0000ff size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2>Jeff<BR></FONT></DIV></BOD=
Y></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 18:50:30 2009
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From: Dan Ash <Daniel.Ash@Verizon.net>
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> From: Miko Biffle <biffoz@gmail.com>
> Subject: Re: OT That 'sizzle sound' of Mp3s
> To: Loopers-Delight@loopers-delight.com
> Date: Thursday, March 12, 2009, 3:28 PM
>
> For the most part, vinyl mastering and production esthetics were more 
> mid-rangey and compared to modern production a little "honkey" 
> sounding.  Compression and volume maximization aside, I prefer the 
> broader tonal spectrum of modern recordings. I love Hendrix, but most 
> of recordings still have that narrower range and less bass, giving the 
> recordings a dated sound. MP3's of the same recordings sound dated as 
> well. I understand the basics of high end interpolation and sampling, 
> but still, I just don't hear it.
Sorry if I'm a little late to the party, and confess that I didn't 
follow this thread closely - but it took a little while to process the 
statement that Hendrix sounded 'dated'.   I realize now of course that 
the reference was to the sound of the recordings - his music is of 
course timeless. 

So based on the necessity of mastering for a lathe and limiting the 
low-end to accommodate turntables, Eddie Kramer mixed and EQ'd the bass 
at a level that worked for his target media.  With the advent of 
sub-woofers and newer dance styles dominating the mainstream we 
evidently have a new generation that notes a lack of low end in classic 
rock and on the other hand also accepts the sizzle that even my tired 
ears finds 'earritating'.  It only now occurs to me that anything more 
than a couple of years old might sound 'dated' to younger listeners. 

Excuse me while I work my back over to my rocking chair!

In discussions I've had with audio engineers about the satisfying sound 
of Motown recordings in particular, most point to tape-based analog 
reproductions of drums and bass guitar as the characteristic sound of 
that era - so yes - those recordings did define an entire era of analog 
recording.  Rock , soul, and almost any other pre-disco musical styles 
were mastered with the same sensitivity to low end content that couldn't 
be reproduced using a turntable or speaker systems of the day...

The same observarion applies to all remastered mixes of the Hendrix 
material, even those made for release on CD.  It would be silly to try 
and hype the bass to try and contemporize these tracks.  I also remember 
discussions here and elsewhere suggesting that for several entire 
generations the subtle analog 'distortion' in any recording was 
'familiar' and therefor preferred by audiophiles.  Funny how there are 
psychoacoustic aspects and even cross-generational biases that inform 
all discussions about music reproduction.

That said - the sizzle of MP3s is just LAME.

I suppose I must approach the idea that a new generation of listeners 
will label the sonic character of my own tracks as those of a bygone era 
just as we might identify the sound of wax-cylinder audio reproduction 
from the early 1900's, and then the characteristic 'sound' of magnetic 
media recordings thereafter.  And this doesn't even address musical 
styles which are only 'contemporary' for a moment in time.  

For the record I always discounted the meme that music itself was better 
'back in the day' because I know that we'll only hear most good music 
these days if we actively seek it out, and yes there is much chaff to 
grind away before we get to the good stuff. 

Just rambling a bit here, but being on this list often points me to 
wonderfully satisfying music produced by people whose opinions and 
contributions are clearly a cut-above'...

Dan Ash
White Plains, NY

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 19:29:11 2009
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Subject: Re: OT That 'sizzle sound' of Mp3s
From: Miko Biffle <biffoz@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Just to clarity: I revere Hendrix and am clearly descended from his lineage=
.
I owe a huge debt of gratitude to his (and Eddie Kramer's) godly
contributions to the modern vernacular, both conceptually and
electronically.  8-)

Maybe my beef is with Noel Redding specifically?  I can listen to Zep,
Sabbath and many others on vinyl and feel the bass is adequate (for the
day)=97I just don't find Redding's bass that satisfying. Mitch Mitchell OTO=
H
ranks right up there with Bonham in my book!  -m

On 3/16/09, Dan Ash <Daniel.Ash@verizon.net> wrote:
>
> From: Miko Biffle <biffoz@gmail.com>
>> Subject: Re: OT That 'sizzle sound' of Mp3s
>> To: Loopers-Delight@loopers-delight.com
>> Date: Thursday, March 12, 2009, 3:28 PM
>>
>> For the most part, vinyl mastering and production esthetics were more
>> mid-rangey and compared to modern production a little "honkey" sounding.
>>  Compression and volume maximization aside, I prefer the broader tonal
>> spectrum of modern recordings. I love Hendrix, but most of recordings st=
ill
>> have that narrower range and less bass, giving the recordings a dated so=
und.
>> MP3's of the same recordings sound dated as well. I understand the basic=
s of
>> high end interpolation and sampling, but still, I just don't hear it.
>
>
Sorry if I'm a little late to the party, and confess that I didn't follow
> this thread closely - but it took a little while to process the statement
> that Hendrix sounded 'dated'.   I realize now of course that the referenc=
e
> was to the sound of the recordings - his music is of course timeless. So
> based on the necessity of mastering for a lathe and limiting the low-end =
to
> accommodate turntables, Eddie Kramer mixed and EQ'd the bass at a level t=
hat
> worked for his target media.  With the advent of sub-woofers and newer da=
nce
> styles dominating the mainstream we evidently have a new generation that
> notes a lack of low end in classic rock and on the other hand also accept=
s
> the sizzle that even my tired ears finds 'earritating'.  It only now occu=
rs
> to me that anything more than a couple of years old might sound 'dated' t=
o
> younger listeners.
> Excuse me while I work my back over to my rocking chair!
>
> --
Miko Biffle
Biffoz@Gmail.com
"Running scared from all the usual distractions!"

--00151750d9400656b60465417786
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Just to clarity: I revere Hendrix and am clearly descended from his
lineage. I owe a huge debt of gratitude to his (and Eddie Kramer&#39;s)
godly contributions to the modern vernacular, both conceptually and
electronically.=A0 8-)<br>
<br>
Maybe my beef is with Noel Redding specifically?=A0 I can listen to
Zep, Sabbath and many others on vinyl and feel the bass is adequate
(for the day)=97I just don&#39;t find Redding&#39;s bass that satisfying. M=
itch
Mitchell OTOH ranks right up there with Bonham in my book!=A0 -m<br><br><di=
v><span class=3D"gmail_quote">On 3/16/09, <b class=3D"gmail_sendername">Dan=
 Ash</b> &lt;<a href=3D"mailto:Daniel.Ash@verizon.net">Daniel.Ash@verizon.n=
et</a>&gt; wrote:</span><blockquote class=3D"gmail_quote" style=3D"border-l=
eft: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left:=
 1ex;">
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
From: Miko Biffle &lt;<a href=3D"mailto:biffoz@gmail.com" target=3D"_blank"=
 onclick=3D"return top.js.OpenExtLink(window,event,this)">biffoz@gmail.com<=
/a>&gt;<br>
Subject: Re: OT That &#39;sizzle sound&#39; of Mp3s<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
" onclick=3D"return top.js.OpenExtLink(window,event,this)">Loopers-Delight@=
loopers-delight.com</a><br>
Date: Thursday, March 12, 2009, 3:28 PM<br>
<br>
For the most part, vinyl mastering and production esthetics were more
mid-rangey and compared to modern production a little &quot;honkey&quot;
sounding. =A0Compression and volume maximization aside, I prefer the
broader tonal spectrum of modern recordings. I love Hendrix, but most
of recordings still have that narrower range and less bass, giving the
recordings a dated sound. MP3&#39;s of the same recordings sound dated as
well. I understand the basics of high end interpolation and sampling,
but still, I just don&#39;t hear it.</blockquote></blockquote><br><blockquo=
te class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204)=
; margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Sorry if I&#39;m a little late to the party, and confess that I didn&#39;t
follow this thread closely - but it took a little while to process the
statement that Hendrix sounded &#39;dated&#39;. =A0 I realize now of course
that the reference was to the sound of the recordings - his music is of
course timeless. So based on the necessity of mastering for a lathe and lim=
iting the
low-end to accommodate turntables, Eddie Kramer mixed and EQ&#39;d the bass
at a level that worked for his target media. =A0With the advent of
sub-woofers and newer dance styles dominating the mainstream we
evidently have a new generation that notes a lack of low end in classic
rock and on the other hand also accepts the sizzle that even my tired
ears finds &#39;earritating&#39;. =A0It only now occurs to me that anything
more than a couple of years old might sound &#39;dated&#39; to younger
listeners. <br>
Excuse me while I work my back over to my rocking chair!<br>
<span class=3D"sg"></span><br>
</blockquote></div>-- <br>Miko Biffle<br>Biffoz@Gmail.com<br>&quot;Running =
scared from all the usual distractions!&quot;

--00151750d9400656b60465417786--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 19:55:03 2009
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From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
To: Loopers-Delight@loopers-delight.com
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--0-1427676414-1237233301=:8589
Content-Type: text/plain; charset=utf-8
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(It only now occurs to me that anything more than a couple of years old mig=
ht sound 'dated' to younger listeners. )
=C2=A0
Any anything with that Whhuuuummmmmmmmmm bass sound emanating from their ve=
hicle sounds irritating as shit to me personally! :)


--- On Mon, 3/16/09, Miko Biffle <biffoz@gmail.com> wrote:


From: Miko Biffle <biffoz@gmail.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
To: Loopers-Delight@loopers-delight.com
Date: Monday, March 16, 2009, 3:29 PM


Just to clarity: I revere Hendrix and am clearly descended from his lineage=
. I owe a huge debt of gratitude to his (and Eddie Kramer's) godly contribu=
tions to the modern vernacular, both conceptually and electronically.=C2=A0=
 8-)

Maybe my beef is with Noel Redding specifically?=C2=A0 I can listen to Zep,=
 Sabbath and many others on vinyl and feel the bass is adequate (for the da=
y)=E2=80=94I just don't find Redding's bass that satisfying. Mitch Mitchell=
 OTOH ranks right up there with Bonham in my book!=C2=A0 -m


On 3/16/09, Dan Ash <Daniel.Ash@verizon.net> wrote:

From: Miko Biffle <biffoz@gmail.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
To: Loopers-Delight@loopers-delight.com
Date: Thursday, March 12, 2009, 3:28 PM

For the most part, vinyl mastering and production esthetics were more mid-r=
angey and compared to modern production a little "honkey" sounding. =C2=A0C=
ompression and volume maximization aside, I prefer the broader tonal spectr=
um of modern recordings. I love Hendrix, but most of recordings still have =
that narrower range and less bass, giving the recordings a dated sound. MP3=
's of the same recordings sound dated as well. I understand the basics of h=
igh end interpolation and sampling, but still, I just don't hear it.

Sorry if I'm a little late to the party, and confess that I didn't follow t=
his thread closely - but it took a little while to process the statement th=
at Hendrix sounded 'dated'. =C2=A0 I realize now of course that the referen=
ce was to the sound of the recordings - his music is of course timeless. So=
 based on the necessity of mastering for a lathe and limiting the low-end t=
o accommodate turntables, Eddie Kramer mixed and EQ'd the bass at a level t=
hat worked for his target media. =C2=A0With the advent of sub-woofers and n=
ewer dance styles dominating the mainstream we evidently have a new generat=
ion that notes a lack of low end in classic rock and on the other hand also=
 accepts the sizzle that even my tired ears finds 'earritating'. =C2=A0It o=
nly now occurs to me that anything more than a couple of years old might so=
und 'dated' to younger listeners.=20
Excuse me while I work my back over to my rocking chair!

--=20
Miko Biffle
Biffoz@Gmail.com
"Running scared from all the usual distractions!" =0A=0A=0A      
--0-1427676414-1237233301=:8589
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>(It only now occurs to me that anything =
more than a couple of years old might sound 'dated' to younger listeners. )=
</DIV>
<DIV>&nbsp;</DIV>
<DIV>Any anything with that Whhuuuummmmmmmmmm bass sound emanating from the=
ir vehicle sounds irritating as shit to me personally! :)<BR><BR><BR>--- On=
 <B>Mon, 3/16/09, Miko Biffle <I>&lt;biffoz@gmail.com&gt;</I></B> wrote:<BR=
></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Miko Biffle &lt;biffoz@gmail.com&gt;<BR>Sub=
ject: Re: OT That 'sizzle sound' of Mp3s<BR>To: Loopers-Delight@loopers-del=
ight.com<BR>Date: Monday, March 16, 2009, 3:29 PM<BR><BR>
<DIV id=3Dyiv478836122>Just to clarity: I revere Hendrix and am clearly des=
cended from his lineage. I owe a huge debt of gratitude to his (and Eddie K=
ramer's) godly contributions to the modern vernacular, both conceptually an=
d electronically.&nbsp; 8-)<BR><BR>Maybe my beef is with Noel Redding speci=
fically?&nbsp; I can listen to Zep, Sabbath and many others on vinyl and fe=
el the bass is adequate (for the day)=E2=80=94I just don't find Redding's b=
ass that satisfying. Mitch Mitchell OTOH ranks right up there with Bonham i=
n my book!&nbsp; -m<BR><BR>
<DIV><SPAN class=3Dgmail_quote>On 3/16/09, <B class=3Dgmail_sendername>Dan =
Ash</B> &lt;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DDani=
el.Ash@verizon.net" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:Daniel=
.Ash@verizon.net">Daniel.Ash@verizon.net</A>&gt; wrote:</SPAN>
<BLOCKQUOTE class=3Dgmail_quote style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt=
 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">
<BLOCKQUOTE class=3Dgmail_quote style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt=
 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">From: Miko Biffle &lt;=
<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dbiffoz@gmail.com=
" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:biffoz@gmail.com">biffoz=
@gmail.com</A>&gt;<BR>Subject: Re: OT That 'sizzle sound' of Mp3s<BR>To: <A=
 href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@lo=
opers-delight.com" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:Loopers=
-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A><BR>Da=
te: Thursday, March 12, 2009, 3:28 PM<BR><BR>For the most part, vinyl maste=
ring and production esthetics were more mid-rangey and compared to modern p=
roduction a little "honkey" sounding. &nbsp;Compression and volume maximiza=
tion aside, I prefer the broader tonal spectrum of modern recordings. I lov=
e Hendrix, but most of recordings still have that narrower range and less b=
ass, giving the
 recordings a dated sound. MP3's of the same recordings sound dated as well=
. I understand the basics of high end interpolation and sampling, but still=
, I just don't hear it.</BLOCKQUOTE></BLOCKQUOTE><BR>
<BLOCKQUOTE class=3Dgmail_quote style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt=
 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">Sorry if I'm a little =
late to the party, and confess that I didn't follow this thread closely - b=
ut it took a little while to process the statement that Hendrix sounded 'da=
ted'. &nbsp; I realize now of course that the reference was to the sound of=
 the recordings - his music is of course timeless. So based on the necessit=
y of mastering for a lathe and limiting the low-end to accommodate turntabl=
es, Eddie Kramer mixed and EQ'd the bass at a level that worked for his tar=
get media. &nbsp;With the advent of sub-woofers and newer dance styles domi=
nating the mainstream we evidently have a new generation that notes a lack =
of low end in classic rock and on the other hand also accepts the sizzle th=
at even my tired ears finds 'earritating'. &nbsp;It only now occurs to me t=
hat anything more than a couple of years old might sound 'dated' to
 younger listeners. <BR>Excuse me while I work my back over to my rocking c=
hair!<BR><SPAN class=3Dsg></SPAN><BR></BLOCKQUOTE></DIV>-- <BR>Miko Biffle<=
BR>Biffoz@Gmail.com<BR>"Running scared from all the usual distractions!" </=
DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A      
--0-1427676414-1237233301=:8589--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 20:06:35 2009
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Date: Mon, 16 Mar 2009 13:06:31 -0700 (PDT)
Subject: FS: Coolass Vintage + Stuff (pedals, keytar, Tape Echo,
      Tube Reverb, etc)
From: legion@helpwantedproductions.com
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"AH" <analogue@hyperreal.org>
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I'm selling a few things from the studio to make more breathing room for
the hundreds of other things in the studio :) All are in great shape and I
made a web page with details and pictures of everything here:
http://helpwantedproductions.com/Salez/FS.htm

Summary:

1. Acetone AC-1 Vintage Tape Delay -   $350. This is more in line with the
Echoplex as it has a lever at the top that you slide to change the delay
speed to to all sorts of spacey sounds. Unit is super  clean, new tape
installed, and fully tested. Everything is in order but one of the echo
buttons (there are four) doesn't seem to do much. This could be it's
original function (these things are very oddly designed). The heads and
buttons etc are in good shape. Very cool unique delays and awesome
slapback with this mutha.

video demo HERE: 
http://www.youtube.com/watch?v=V2b7fhDUB3U&feature=channel_page



2. Danelectro Tube Spring Reverb Unit - $325. Vintage Dan Electro Spring
Reverb unit. 100% working and in Very good shape. This is a Tube
preamp/Spring Reverb unit that you plug into the front end of your amp.
Capable of *super* spacey sounds with the mix set on full and a very nice
clean *ptwaaang* on lower settings.  Two inputs, 1/4" for external foot
switch, etc.

3. Yamaha SHS-10 Midi Keytar with pitch bend and built in cha-cha - $300
Strap on keytar with typical Casio 80s sounds and patterns. Strap Locks w/
Midi Pitch bend plus program change an Midi Out. Runs on batteries and
looks cool as hell.  This one is in excellent condition with original box
and packaging.

4. Boutique Mellowtone Wolf Computer -  Fuzz/Distortion/Freakbox Pedal -  
$120. Links from my page. offical description: "Crunchy triple silicon
fuzz. Endless tones-from traditional fuzz tones, overdrive, and
distortion, to dying Atari, synthy textures, and oscillating
motorboating!"

5. Boutique DAED Disturbo DS-1 Filter/Synth-Fuzz/Distortion -
$95 (mention mailing list offer). Modified Boss DS-1 pedal given new life
and transformed into a processing machine. Self oscillating Theremin plus
two OUT there filter settings. Now with Superbright Orange 5mm LED.
Full info:  http://www.helpwantedproductions.com/daed/4sale.htm

(NOTE: Will modify your supplied Boss DS-1 for $40, email for details).

6. DAED ChaOsc Buzz Box -   $85 (Sale Price) One of One single Oscillator
Buzz box with multiple waveforms, Tremelo and modulation touch points,
volume, pitch, and 1/8" out. Runs on 9vt battery and does everything from
low cricket clicks to high tone theremin and pitch dive bombs. Sweet.


7. DAED Bass Theremin   $85  (SALE Price!)

Cool ass pocket theremin with extra low frequency range to make radio
static and click noises as well as typical theremin whoops and hollas. 
Pitch controlled by light sensitive photo resistor with internal speaker
(switchable on/off) and 1/8" out. Hand painted and 1 of 1.

TERMS:

All items located in Phila Pa and cash pickup preferred (will also get you
better deals).Will ship anywhere in the world as well (buyer pays
shipping).   Paypal from authenticated accounts (Buyer pays fees) or USPS
MO. All items tested and verified and described appropriately but due to
the nature of the analog/quirky sold as is. I have about 15 years of
references on and offline and will gladly share them if you want.

Send phone # to speed things up.  Trades possible for modcan format synth
modules unusual pedals, processors, weird synths, Jrums, controllers, etc.
 Give me a shout and we'll go from there.  I believe prices are fair but
if you believe otherwise feel free to make a reasonable offer. Any
question? Email me.

Thanks for looking.




-- 
   ------------------------------------------------
      Weird, Scary, and Beautiful Music and Art:
        Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 20:06:36 2009
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Date: Mon, 16 Mar 2009 13:06:34 -0700 (PDT)
Subject: FS: Coolass Vintage + Stuff (pedals, keytar, Tape Echo,
      Tube Reverb, etc)
From: legion@helpwantedproductions.com
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"AH" <analogue@hyperreal.org>
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I'm selling a few things from the studio to make more breathing room for
the hundreds of other things in the studio :) All are in great shape and I
made a web page with details and pictures of everything here:
http://helpwantedproductions.com/Salez/FS.htm

Summary:

1. Acetone AC-1 Vintage Tape Delay -   $350. This is more in line with the
Echoplex as it has a lever at the top that you slide to change the delay
speed to to all sorts of spacey sounds. Unit is super  clean, new tape
installed, and fully tested. Everything is in order but one of the echo
buttons (there are four) doesn't seem to do much. This could be it's
original function (these things are very oddly designed). The heads and
buttons etc are in good shape. Very cool unique delays and awesome
slapback with this mutha.

video demo HERE: 
http://www.youtube.com/watch?v=V2b7fhDUB3U&feature=channel_page



2. Danelectro Tube Spring Reverb Unit - $325. Vintage Dan Electro Spring
Reverb unit. 100% working and in Very good shape. This is a Tube
preamp/Spring Reverb unit that you plug into the front end of your amp.
Capable of *super* spacey sounds with the mix set on full and a very nice
clean *ptwaaang* on lower settings.  Two inputs, 1/4" for external foot
switch, etc.

3. Yamaha SHS-10 Midi Keytar with pitch bend and built in cha-cha - $300
Strap on keytar with typical Casio 80s sounds and patterns. Strap Locks w/
Midi Pitch bend plus program change an Midi Out. Runs on batteries and
looks cool as hell.  This one is in excellent condition with original box
and packaging.

4. Boutique Mellowtone Wolf Computer -  Fuzz/Distortion/Freakbox Pedal -  
$120. Links from my page. offical description: "Crunchy triple silicon
fuzz. Endless tones-from traditional fuzz tones, overdrive, and
distortion, to dying Atari, synthy textures, and oscillating
motorboating!"

5. Boutique DAED Disturbo DS-1 Filter/Synth-Fuzz/Distortion -
$95 (mention mailing list offer). Modified Boss DS-1 pedal given new life
and transformed into a processing machine. Self oscillating Theremin plus
two OUT there filter settings. Now with Superbright Orange 5mm LED.
Full info:  http://www.helpwantedproductions.com/daed/4sale.htm

(NOTE: Will modify your supplied Boss DS-1 for $40, email for details).

6. DAED ChaOsc Buzz Box -   $85 (Sale Price) One of One single Oscillator
Buzz box with multiple waveforms, Tremelo and modulation touch points,
volume, pitch, and 1/8" out. Runs on 9vt battery and does everything from
low cricket clicks to high tone theremin and pitch dive bombs. Sweet.


7. DAED Bass Theremin   $85  (SALE Price!)

Cool ass pocket theremin with extra low frequency range to make radio
static and click noises as well as typical theremin whoops and hollas. 
Pitch controlled by light sensitive photo resistor with internal speaker
(switchable on/off) and 1/8" out. Hand painted and 1 of 1.

TERMS:

All items located in Phila Pa and cash pickup preferred (will also get you
better deals).Will ship anywhere in the world as well (buyer pays
shipping).   Paypal from authenticated accounts (Buyer pays fees) or USPS
MO. All items tested and verified and described appropriately but due to
the nature of the analog/quirky sold as is. I have about 15 years of
references on and offline and will gladly share them if you want.

Send phone # to speed things up.  Trades possible for modcan format synth
modules unusual pedals, processors, weird synths, Jrums, controllers, etc.
 Give me a shout and we'll go from there.  I believe prices are fair but
if you believe otherwise feel free to make a reasonable offer. Any
question? Email me.

Thanks for looking.




-- 
   ------------------------------------------------
      Weird, Scary, and Beautiful Music and Art:
        Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 20:33:15 2009
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References: <49BE914C.6090105@Verizon.net> <3fa302e30903161229j2104cceclc3f5821455f20f0c@mail.gmail.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
Date: Mon, 16 Mar 2009 16:33:26 -0400
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I think Redding was a guitar player before he got "drafted" to play bass =
with Hendrix. yes?=20

Jeff



----- Original Message -----=20
  From: Miko Biffle=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, March 16, 2009 3:29 PM
  Subject: Re: OT That 'sizzle sound' of Mp3s


  Just to clarity: I revere Hendrix and am clearly descended from his =
lineage. I owe a huge debt of gratitude to his (and Eddie Kramer's) =
godly contributions to the modern vernacular, both conceptually and =
electronically.  8-)

  Maybe my beef is with Noel Redding specifically?  I can listen to Zep, =
Sabbath and many others on vinyl and feel the bass is adequate (for the =
day)=97I just don't find Redding's bass that satisfying. Mitch Mitchell =
OTOH ranks right up there with Bonham in my book!  -m


  On 3/16/09, Dan Ash <Daniel.Ash@verizon.net> wrote:
      From: Miko Biffle <biffoz@gmail.com>
      Subject: Re: OT That 'sizzle sound' of Mp3s
      To: Loopers-Delight@loopers-delight.com
      Date: Thursday, March 12, 2009, 3:28 PM

      For the most part, vinyl mastering and production esthetics were =
more mid-rangey and compared to modern production a little "honkey" =
sounding.  Compression and volume maximization aside, I prefer the =
broader tonal spectrum of modern recordings. I love Hendrix, but most of =
recordings still have that narrower range and less bass, giving the =
recordings a dated sound. MP3's of the same recordings sound dated as =
well. I understand the basics of high end interpolation and sampling, =
but still, I just don't hear it.


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<DIV><FONT face=3DArial size=3D2>I think Redding was a guitar player =
before he got=20
"drafted" to play bass with Hendrix. yes? </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbiffoz@gmail.com href=3D"mailto:biffoz@gmail.com">Miko =
Biffle</A>=20
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, March 16, 2009 =
3:29=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT That 'sizzle =
sound' of=20
  Mp3s</DIV>
  <DIV><BR></DIV>Just to clarity: I revere Hendrix and am clearly =
descended from=20
  his lineage. I owe a huge debt of gratitude to his (and Eddie =
Kramer's) godly=20
  contributions to the modern vernacular, both conceptually and=20
  electronically.&nbsp; 8-)<BR><BR>Maybe my beef is with Noel Redding=20
  specifically?&nbsp; I can listen to Zep, Sabbath and many others on =
vinyl and=20
  feel the bass is adequate (for the day)=97I just don't find Redding's =
bass that=20
  satisfying. Mitch Mitchell OTOH ranks right up there with Bonham in my =

  book!&nbsp; -m<BR><BR>
  <DIV><SPAN class=3Dgmail_quote>On 3/16/09, <B =
class=3Dgmail_sendername>Dan Ash</B>=20
  &lt;<A =
href=3D"mailto:Daniel.Ash@verizon.net">Daniel.Ash@verizon.net</A>&gt;=20
  wrote:</SPAN>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">From:=20
      Miko Biffle &lt;<A onclick=3D"return =
top.js.OpenExtLink(window,event,this)"=20
      href=3D"mailto:biffoz@gmail.com"=20
      target=3D_blank>biffoz@gmail.com</A>&gt;<BR>Subject: Re: OT That =
'sizzle=20
      sound' of Mp3s<BR>To: <A=20
      onclick=3D"return top.js.OpenExtLink(window,event,this)"=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
      target=3D_blank>Loopers-Delight@loopers-delight.com</A><BR>Date: =
Thursday,=20
      March 12, 2009, 3:28 PM<BR><BR>For the most part, vinyl mastering =
and=20
      production esthetics were more mid-rangey and compared to modern=20
      production a little "honkey" sounding. &nbsp;Compression and =
volume=20
      maximization aside, I prefer the broader tonal spectrum of modern=20
      recordings. I love Hendrix, but most of recordings still have that =

      narrower range and less bass, giving the recordings a dated sound. =
MP3's=20
      of the same recordings sound dated as well. I understand the =
basics of=20
      high end interpolation and sampling, but still, I just don't hear=20
    it.</BLOCKQUOTE></BLOCKQUOTE><BR></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 21:19:12 2009
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Subject: RE: please be courteous to the list
Date: Mon, 16 Mar 2009 22:18:53 +0100
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> Stefan Tiedje wrote:
> It would loose me, because a forum is 1000 times less 
> efficient than a 
> list. I still look for evidence that there is any advantage 
> of a forum 
> over a list and didn't find any. (Unless I lurk once a year, which 
> wouldn't qualify for being an active member of a community...)

I'm referring to a modern good looking forum with  searchable archives,
threaded discussion, rich formatting with syntax highlighting,
customazations (avatars, links, footers), market place, looper hard-and
software wiki, polls, access control, email notifications, rss, private
messaging, subscribe to certain threads etc Both have their pro's and cons.
It also depends on the email client and the software the forum is build
with. 

So I'm not saying a mailinglist is bad. Mailing lists work fine for small
communities, but forums work better for big communities and I think
Loopers-Delight is big enough for a forum. Loopers-Delight could benefit
from that, develop itself and grow; that's what I would like to see
happening with this community.
--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/ 
http://last.fm/music/sjaak+overgaauw





From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 21:27:45 2009
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Date: Mon, 16 Mar 2009 14:27:44 -0700
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Subject: Re: OT That 'sizzle sound' of Mp3s
From: Miko Biffle <biffoz@gmail.com>
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He was, but my ears hear what they hear. Sorry Noel . . . -m

On 3/16/09, Jeff Duke <jeff_d@embarqmail.com> wrote:
>
>  I think Redding was a guitar player before he got "drafted" to play bass
> with Hendrix. yes?
>
> Jeff
>

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He was, but my ears hear what they hear. Sorry Noel . . . -m<br><br><div><s=
pan class=3D"gmail_quote">On 3/16/09, <b class=3D"gmail_sendername">Jeff Du=
ke</b> &lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</=
a>&gt; wrote:</span><blockquote class=3D"gmail_quote" style=3D"border-left:=
 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex=
;">






<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">I think Redding was a guitar player be=
fore he got=20
&quot;drafted&quot; to play bass with Hendrix. yes? </font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Jeff</font></div>

</div></blockquote></div>

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Date: Mon, 16 Mar 2009 22:31:00 +0100
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Subject: Re: please be courteous to the list
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 16, 2009 at 4:32 PM, Stefan Tiedje
<stefantiedje@googlemail.com> wrote:
> Sjaak schrieb:
>>
>> Imo, using email is no longer the most efficient method for a
>> community like this.


I am of the opposite opinion,  because for me "efficiency" means "time
needed for communicating". That's why I love the Gmail interface, it's
so fast! But forums are nice for those who have the extra time. For
beginners it would be nice with a forum because people can post
pictures and upload tutorials to help each other etc. A good way of
handling it would be to have both a forum and a mailing list and set
it up in a way that all mails are duplicated and sent out to the list
and all list mails are duplicated as forum posts, thread equaling
subject line. Myself I would mostly stick with the mailing list,
though. And... LOL, thinking about the tendency on this list to
instantly wander off into Off-Topic discussions... man, the forum
would be very, very hard to navigate!  ;-))

I just found out today that I can read forums in my RSS reader instead
of logging in there, so I'm doing that now (using NetNewsWire here).
For posting you would need to open a forum page though.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: OT That 'sizzle sound' of Mp3s
Date: Mon, 16 Mar 2009 17:47:47 -0400
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oh I agree..:>)

>Maybe my beef is with Noel Redding specifically?  I can listen to Zep, =
Sabbath and many others on >vinyl and feel the bass is adequate (for the =
day)-I just don't find Redding's bass that satisfying. Mitch >Mitchell =
OTOH ranks right up there with Bonham in my book!  -m

  ----- Original Message -----=20
  From: Miko Biffle=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, March 16, 2009 5:27 PM
  Subject: Re: OT That 'sizzle sound' of Mp3s


  He was, but my ears hear what they hear. Sorry Noel . . . -m


  On 3/16/09, Jeff Duke <jeff_d@embarqmail.com> wrote:
    I think Redding was a guitar player before he got "drafted" to play =
bass with Hendrix. yes?=20

    Jeff
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>oh I agree..:&gt;)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>&gt;Maybe my beef is with Noel Redding specifically?&nbsp; I can =
listen to=20
Zep, Sabbath and many others on &gt;vinyl and feel the bass is adequate =
(for the=20
day)=97I just don't find Redding's bass that satisfying. Mitch =
&gt;Mitchell OTOH=20
ranks right up there with Bonham in my book!&nbsp; -m<BR></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbiffoz@gmail.com href=3D"mailto:biffoz@gmail.com">Miko =
Biffle</A>=20
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, March 16, 2009 =
5:27=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT That 'sizzle =
sound' of=20
  Mp3s</DIV>
  <DIV><BR></DIV>He was, but my ears hear what they hear. Sorry Noel . . =
.=20
  -m<BR><BR>
  <DIV><SPAN class=3Dgmail_quote>On 3/16/09, <B =
class=3Dgmail_sendername>Jeff=20
  Duke</B> &lt;<A=20
  href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;=20
wrote:</SPAN>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV bgcolor=3D"#ffffff">
    <DIV><FONT face=3DArial size=3D2>I think Redding was a guitar player =
before he=20
    got "drafted" to play bass with Hendrix. yes? </FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial=20
size=3D2>Jeff</FONT></DIV></DIV></BLOCKQUOTE></DIV></BLOCKQUOTE></BODY></=
HTML>

------=_NextPart_000_0012_01C9A65F.519B3580--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 22:25:56 2009
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	 <49BE710A.2020904@googlemail.com>
	 <66f9cc1e0903161431h2f6351b1jfae051135c69b6bf@mail.gmail.com>
Date: Mon, 16 Mar 2009 15:25:54 -0700
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Subject: Re: please be courteous to the list
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
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The suggestion of switching to a forum seems to come up twice a year for
years now.  Some people have even done so, but people vote with their feet,
so to speak.  Running those forums costs time and money, and no-one's
stepped forward to foot the bills for that.  And my experience with forums
is that the active community size is always about the same as with a mailing
list--a couple dozen people account for 90% of the posts.
There will never be a thriving LD forum until the LD mailing list is turned
off by the owner.
TH

>
>

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The suggestion of switching to a forum seems to come up twice a year for ye=
ars now. =A0<div>Some people have even done so, but people vote with their =
feet, so to speak. =A0Running those forums costs time and money, and no-one=
&#39;s stepped forward to foot the bills for that. =A0And my experience wit=
h forums is that the active community size is always about the same as with=
 a mailing list--a couple dozen people account for 90% of the posts.<div>
<br></div><div>There will never be a thriving LD forum until the LD mailing=
 list is turned off by the owner.<div><br></div><div>TH<br><div class=3D"gm=
ail_quote"><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;bor=
der-left:1px #ccc solid;padding-left:1ex;">
<br></blockquote></div><br></div></div></div>

--000e0cd22960110ade046543efe5--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 22:29:43 2009
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Date: Mon, 16 Mar 2009 14:29:41 -0800
Message-ID: <333287c30903161529m6a7197adk1240872bd08a8f39@mail.gmail.com>
Subject: Re: please be courteous to the list
From: Nevyn Nowhere <nevynnowhere@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> It would loose me, because a forum is 1000 times less efficient than a
> list. I still look for evidence that there is any advantage of a forum ov=
er
> a list and didn't find any. (Unless I lurk once a year, which wouldn't
> qualify for being an active member of a community...)


Organization.  Different topics into different groups.  Auto searches don't
always work, and this can help when one must search manually.

And yes, does take longer to load et al...

Just a matter of personal preference really.

Myself, I prefer lists.

-nn
happyhumans.org


>
> Please explain what is more efficient with a forum? (to build up a single
> page in a browser it needs at least 10 time longer than my e-mail client,=
 I
> can't read and answer offline, to name the two deal killers of a forum...=
)
>
> A FUDforum would actually allow both together, but there seem to be
> difficulties to set it up easily/properly...
>
> my 2 cents ;)
>
> Stefan
>
> --
> Les Ondes M=E9morielles---------x--
> --_____-----------|-----------|--
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()----------TJ Shredder
>
>

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<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"b=
order-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; paddin=
g-left: 1ex;">It would loose me, because a forum is 1000 times less efficie=
nt than a list. I still look for evidence that there is any advantage of a =
forum over a list and didn&#39;t find any. (Unless I lurk once a year, whic=
h wouldn&#39;t qualify for being an active member of a community...)</block=
quote>
<div><br>Organization.=A0 Different topics into different groups.=A0 Auto s=
earches don&#39;t always work, and this can help when one must search manua=
lly.<br><br>And yes, does take longer to load et al... <br><br>Just a matte=
r of personal preference really.<br>
<br>Myself, I prefer lists.<br><br>-nn<br><a href=3D"http://happyhumans.org=
">happyhumans.org</a><br><br></div><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
<br>
<br>
Please explain what is more efficient with a forum? (to build up a single p=
age in a browser it needs at least 10 time longer than my e-mail client, I =
can&#39;t read and answer offline, to name the two deal killers of a forum.=
..)<br>

<br>
A FUDforum would actually allow both together, but there seem to be difficu=
lties to set it up easily/properly...<br>
<br>
my 2 cents ;)<br>
<br>
Stefan<br><font color=3D"#888888">
<br>
-- <br>
Les Ondes M=E9morielles---------x--<br>
--_____-----------|-----------|--<br>
--(_|_ ----|\-----|-----()-------<br>
-- _|_)----|-----()--------------<br>
----------()----------TJ Shredder<br>
<br>
</font></blockquote></div><br>

--000e0cd157189859a1046543fce8--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 22:33:12 2009
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Okay, we are nearing a good list, here.<br>
It would be great if someone would complete this list with prices <br>
from both Southern and Northern Europe (I say this because prices
obviously <br>
very greatly from the US to the UK alone)<br>
<br>
I purposefully didn't included pedals that are no longer in production <br>
(but we could with their salient going prices-anyone feel like doing
that research?) <br>
but I did include used laptop, reel to reel and cassette solutions.<br>
<br>
What are we missing anything?<br>
<br>
<u><b>SHORT LIST of CHEAPEST LIVE LOOPING SOLUTIONS for the NEWBIE
LOOPER</b></u><br>
<br>
In the United States<br>
<br>
<b>Audible Disease JUNK FI SAMPLER JF-1&nbsp;&nbsp; $90&nbsp; (runs on batteries)<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </b>(note: this looper will not pass
original sound through as you loop <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and adds a small bit of silence to a
continous loop meaning <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; that it is useless as a rhythmic
looper.&nbsp;&nbsp; It does, however <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; have pitch control of the loops over a
wide range unlike any other <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; cheap pedal and it has very low sample
rate so it is very trashy sounding (on purpose)<br>
<b>BOSS DD-7&nbsp;&nbsp;&nbsp; &nbsp; &nbsp; $160&nbsp;&nbsp; +&nbsp;&nbsp; $20&nbsp; (PSA 120 - AC)&nbsp;&nbsp;&nbsp;</b> <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (note:&nbsp;&nbsp; a digital delay that is not a
dedicated looper but will loop)<br>
<b>RC-2&nbsp;&nbsp;&nbsp;&nbsp; $180 +&nbsp; $20 (PSA 120-AC)<br>
</b><b>AKAI HEADRUSH&nbsp;&nbsp; $200&nbsp; +&nbsp; $20&nbsp; (MP9-3&nbsp; AC)</b><br>
<b>LINE 6 DL4 &nbsp;&nbsp; &nbsp;&nbsp; $250&nbsp; ac included</b><br>
<b>RC-20XL&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; $260&nbsp; +&nbsp; $20 (PSA 120-AC)<br>
</b><br>
<b>PC Laptop running Mobius or other free looping software</b> <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; -&nbsp; anywhere from free if one is
resourceful and/or lucky to around $700 for a system <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; that is ready to go with Midi
footpedals, and a decent sound card without latency<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (in other words,&nbsp; a live looping
solution that you can take out of the box and play <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; immediately like the other stomp boxes
on the list -----&nbsp; <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (note: this solution requires a fair
degree of computer knowledge to set up<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; with access to the Loopers Delight
archives to figure out how to use the keyboard as a <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; hand controller.&nbsp;&nbsp; This is a viable
solution if one can find a free or very cheap laptop<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; but precludes foot pedal control and
adds latency and noise from a cheap internal <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; sound card.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; To badly paraphrase
Rainer Straschill, however,&nbsp; if you are resourceful <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and knowledgeable,&nbsp; where there is a
will, there is a way.<br>
<b>SMM &amp; Hazari&nbsp;&nbsp;&nbsp;</b>&nbsp; I googled around but could not find this
brand and I'm not familiar with it.<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Perhaps it is not available in the US
or am I missing something?<br>
<b>Two REEL TO REEL TAPE DECKS &nbsp; What every you can purchase them for
plus the cost of tape and splicing gear<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </b>(note:&nbsp; not appropriate for any
kind of rhythmic looping or accurate overdubbing in <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; a live setting.&nbsp;&nbsp;&nbsp; Great for
ambient or experimental looping live but time consuming <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; to play more than one piece of
music at a live show)<br>
<b>Old Cassette recorders&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Whatever you can purchase them for plus
the cost of tape and splicing gear<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </b>(same note applies from REEL to
REEL solution)<br>
<br>
In the UK<br>
<br>
<b>RC-2&nbsp; &pound;90 + psu
</b><br>
<b>SMM &amp; Hazari &pound;145
<br>
</b><b>DD-7 &pound;120 + psu
</b><br>
<b>RC-20XL &pound;140 (maybe &pound;125) + psu
<br>
Headrush &pound;140 +psu (maybe &pound;120)(it's gone up! used to be &lt;100)
<br>
</b><b>DL4 &pound;240 (maybe &pound;200)
<br>
PC Laptop running Mobius or other free looping software<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (see notes above in the US price list)<br>
2 REEL to REEL TAPE DECKS<br>
CASSETTE RECORDER with endless CASSETTE TAPES (purchased or created)<br>
</b><br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>
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<br>
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Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
From: Kevin Cheli-Colando <kevin@minds-eye.org>
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You're missing the Boss DD20 which is also more delay than looper but
has sound on sound and 23 seconds of delay with feedback control.
$219 in the US.

Kevin

On Mon, Mar 16, 2009 at 3:33 PM, Rick Walker <looppool@cruzio.com> wrote:
> Okay, we are nearing a good list, here.
> It would be great if someone would complete this list with prices
> from both Southern and Northern Europe (I say this because prices obviously
> very greatly from the US to the UK alone)
>
> I purposefully didn't included pedals that are no longer in production
> (but we could with their salient going prices-anyone feel like doing that
> research?)
> but I did include used laptop, reel to reel and cassette solutions.
>
> What are we missing anything?


-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

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Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
Date: Mon, 16 Mar 2009 18:45:08 -0400
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http://www.zzounds.com/item--ELHSTRMEMMANHAZ

j

  SMM & Hazari     I googled around but could not find this brand and =
I'm not familiar with it.
                                  Perhaps it is not available in the US =
or am I missing something?
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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</HEAD>
<BODY text=3D#000000 bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.zzounds.com/item--ELHSTRMEMMANHAZ">http://www.zzounds.=
com/item--ELHSTRMEMMANHAZ</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><B></B>&nbsp;</DIV>
  <DIV><B>SMM &amp; Hazari&nbsp;&nbsp;&nbsp;</B>&nbsp; I googled around =
but=20
  could not find this brand and I'm not familiar with=20
  =
it.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  Perhaps it is not available in the US or am I missing=20
something?</DIV></BLOCKQUOTE></BODY></HTML>

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	 <20090312145605.EL1P0.1169516.root@mp06>
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Date: Mon, 16 Mar 2009 14:45:49 -0800
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Subject: Re: OT That 'sizzle sound' of Mp3s
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Seems to me when there were less options (ie number of
bands/musicians/djs/music makers/whatev) it was harder to find stuff that
really suited YOU... so when you found that stuff you really focused on it,
and enjoyed liner notes/photos/etc.  Personally, I never really cared for
all that very much (although slightly, and I seem to be a median age on
here, at 30).

Nowadays though, with everyone and their mom making music and saying "listen
listen listen" I certainly don't get to hear all the music that I could
enjoy, and I certainly don't have the time to geek out on the
lives/history/photos/liner notes of yet another musician I enjoy.

So, in a way, it's more about the music.  Which, due to what has brought it
to that, seems to carry both good and bad, as with anything (or any facet of
progress).

-nn
happyhumans.org

On Fri, Mar 13, 2009 at 11:41 AM, Ian Petersen <iep@mail.dk> wrote:

> Mark,
>
>> I WANT that sleeve, being carefull with it, putting it on, waiting, and
>> listening with a big cup of tea/beer/spliff (tick relaxant of choice
>>
>
> I used to think I did, too. But I have to admit I've changed my mind on
> that score. The ease and flexibility - not to mention availability - of MP3s
> and similar is just too enticing. It helps that here in Denmark, the largest
> phone/net company (TDC) offer free music downloads with their phone and net
> accounts (admittedly it's DRM infested WMVs, but there are ways around
> that), so having access to 4 million plus songs for free and legally gives
> one a rather different perspective. I haven't bought a CD in over a year
> (from buying 10-15 per month). Coupled with an eMusic account and various
> freebie sites, my musical appetite is well and truly filled.
>
> As to sound quality, I have an Apple-TV coupled to my serious mid-fi stereo
> system. Yes, I can hear a difference to the CD. But I certainly could't say
> which is 'better'. I'm over 40, so I can't hear much over 12 kHz anyway ...
> IMO, anyone who claims to be able to hear any meaningful quality difference
> between 192+ kbps MP3 and CD (through decent hardware) is either deluded or
> lying.
>
>
>> I must be honest, that since I downloaded EVERY Beatles album, I havent
>> listened to them, since I downloaded EVERY Aphex twin Album I havent
>> listened to him... and since I downloaded 80 albums by Merzbow, I certainly
>> havent listened to HIM!!!
>>
>
> BTDT. I've listened to them all. Several times. Still can't see what all
> the fuss is about with those Beatle chaps though ....
>
>
>> The guys in my office, listen on iPod.. OK fair enough, I cant do that...
>> and for that the mp3/iTunes combo os fine.. EVERYTHING is available, but you
>> load yer device.. theres yer choice..
>>
>
> An iPod is a godsend if you have 2+ hours train commute every day ... More
> or less useless for anything else.
>
>
>> Has anyone, every been to town, bought an album on mp3, sat on the
>> trainunpacking it/ reading every word on the cover/ reading the lyrics, got
>> home, went to room, put on record, laid on bed, played it loud... then
>> played it AGAIN!!!
>>
>
> Apart from the going to town bit, in effect, yes!
>
> Ian
>
>

--000e0cd17d6a4881790465443618
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Seems to me when there were less options (ie number of bands/musicians/djs/=
music makers/whatev) it was harder to find stuff that really suited YOU... =
so when you found that stuff you really focused on it, and enjoyed liner no=
tes/photos/etc.=A0 Personally, I never really cared for all that very much =
(although slightly, and I seem to be a median age on here, at 30).<br>
<br>Nowadays though, with everyone and their mom making music and saying &q=
uot;listen listen listen&quot; I certainly don&#39;t get to hear all the mu=
sic that I could enjoy, and I certainly don&#39;t have the time to geek out=
 on the lives/history/photos/liner notes of yet another musician I enjoy.=
=A0 <br>
<br>So, in a way, it&#39;s more about the music.=A0 Which, due to what has =
brought it to that, seems to carry both good and bad, as with anything (or =
any facet of progress).<br><br>-nn<br><a href=3D"http://happyhumans.org">ha=
ppyhumans.org</a><br>
<br><div class=3D"gmail_quote">On Fri, Mar 13, 2009 at 11:41 AM, Ian Peters=
en <span dir=3D"ltr">&lt;<a href=3D"mailto:iep@mail.dk">iep@mail.dk</a>&gt;=
</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1=
px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"=
>
Mark,<div class=3D"gmail_quote"><div class=3D"im"><br><blockquote class=3D"=
gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0p=
t 0pt 0pt 0.8ex; padding-left: 1ex;"><div>I WANT that sleeve, being careful=
l with it, putting it on, waiting, and listening with a big cup of tea/beer=
/spliff (tick relaxant of choice</div>

</blockquote></div><div><br>I used to think I did, too. But I have to admit=
 I&#39;ve changed my mind on that score. The ease and flexibility - not to =
mention availability - of MP3s and similar is just too enticing. It helps t=
hat here in Denmark, the largest phone/net company (TDC) offer free music d=
ownloads with their phone and net accounts (admittedly it&#39;s DRM infeste=
d WMVs, but there are ways around that), so having access to 4 million plus=
 songs for free and legally gives one a rather different perspective. I hav=
en&#39;t bought a CD in over a year (from buying 10-15 per month). Coupled =
with an eMusic account and various freebie sites, my musical appetite is we=
ll and truly filled.<br>

<br>As to sound quality, I have an Apple-TV coupled to my serious mid-fi st=
ereo system. Yes, I can hear a difference to the CD. But I certainly could&=
#39;t say which is &#39;better&#39;. I&#39;m over 40, so I can&#39;t hear m=
uch over 12 kHz anyway ... IMO, anyone who claims to be able to hear any me=
aningful quality difference between 192+ kbps MP3 and CD (through decent ha=
rdware) is either deluded or lying. <br>

=A0</div><div class=3D"im"><blockquote class=3D"gmail_quote" style=3D"borde=
r-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-le=
ft: 1ex;"><div>
I must be honest, that since I downloaded EVERY Beatles album, I havent lis=
tened to them, since I downloaded EVERY Aphex twin Album I havent listened =
to him... and since I downloaded 80 albums by Merzbow, I certainly havent l=
istened to HIM!!!</div>

</blockquote></div><div><br>BTDT. I&#39;ve listened to them all. Several ti=
mes. Still can&#39;t see what all the fuss is about with those Beatle chaps=
 though ....<br>=A0<br></div><div class=3D"im"><blockquote class=3D"gmail_q=
uote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0=
pt 0.8ex; padding-left: 1ex;">

<div>The guys in my office, listen on iPod.. OK fair enough, I cant do that=
... and for that the mp3/iTunes combo os fine.. EVERYTHING is available, bu=
t you load yer device.. theres yer choice.. </div></blockquote></div><div>
<br>
An iPod is a godsend if you have 2+ hours train commute every day ... More =
or less useless for anything else.<br>=A0</div><div class=3D"im"><blockquot=
e class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204);=
 margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<div>Has anyone, every been to town, bought an album on mp3, sat on the tra=
inunpacking it/ reading every word on the cover/ reading the lyrics, got ho=
me, went to room, put on record, laid on bed, played it loud... then played=
 it AGAIN!!!</div>

</blockquote></div><div><br>Apart from the going to town bit, in effect, ye=
s!<br><br>Ian<br></div></div><br>
</blockquote></div><br>

--000e0cd17d6a4881790465443618--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 16 23:26:02 2009
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Date: Mon, 16 Mar 2009 19:25:06 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: There already IS a looping Forum  (Was Re: please be courteous to
 the list)
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But there already IS a Looping Forum...

http://loopingmusic.proboards99.com/index.cgi



>The suggestion of switching to a forum seems to come up twice a year 
>for years now.
>Some people have even done so, but people vote with their feet, so 
>to speak.  Running those forums costs time and money, and no-one's 
>stepped forward to foot the bills for that.  And my experience with 
>forums is that the active community size is always about the same as 
>with a mailing list--a couple dozen people account for 90% of the 
>posts.
>
>There will never be a thriving LD forum until the LD mailing list is 
>turned off by the owner.
>
>TH


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 00:17:20 2009
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>
> Subject:
> Re: OT That 'sizzle sound' of Mp3s
> From:
> Miko Biffle <biffoz@gmail.com>
> Date:
> Mon, 16 Mar 2009 12:29:10 -0700
>
> To:
> Loopers-Delight@loopers-delight.com
>
>
> Just to clarity: I revere Hendrix and am clearly descended from his 
> lineage. I owe a huge debt of gratitude to his (and Eddie Kramer's) 
> godly contributions to the modern vernacular, both conceptually and 
> electronically. 8-)
>
> Maybe my beef is with Noel Redding specifically? I can listen to Zep, 
> Sabbath and many others on vinyl and feel the bass is adequate (for 
> the day)—I just don't find Redding's bass that satisfying. Mitch 
> Mitchell OTOH ranks right up there with Bonham in my book! -m

I think your generalization is not 'off-bass'. The bass was not overly 
emphasized. We can look to Jimi himself for decisions about the low-end 
sonic content - although presumably the mastering engineer had the final 
say. The needle would jump out of the groove if you got carried away! 
Engineers were still learning to work with the then-new Ampex 8-channel 
recorders (first produced in 1967) and technical issues related to 
low-frequency program material. And most engineers checked their final 
mixes to ensure that it translated to mono playback on tiny speakers and 
to car stereos!

IIRC Redding's contributions were limited WRT mix decisions like this. 
The details are sometimes sketchy, but actually Hendrix played bass on 
most/all the more intricate tracks. I don't think Billy Cox concerned 
himself with these things either - he was charged with holding down the 
groove with Buddy Miles and keeping Mitch Mitchell in line when he came 
back to the fold.

Another aspect of the discussion of the Hendrix recording legacy is that 
we're really talking about three or four studio albums completed during 
Hendrix's lifetime, one of which wasn't completed before he moved on. 
We're still talking about them as sonic statements forty years later.

Since then there has clearly been a shift in what a contemporary rock 
band sounds like - bass guitars and bass amps have both evolved since 
these recordings were made - all of them recorded in a three or four 
year period. I remember how use of synth bass changed the recording 
landscape - wow those low notes had never even been recorded outside of 
classical organ repertoire.

Anyway - I didn't mean to imply that Miko hadn't acknowledged Jimi's 
often revolutionary sonic contributions. I just said that it took me a 
moment to adjust to the idea that like music, all analog audio 
reproduction will have a stamp that makes it identifiable with a certain 
period. These days there are clearly some things you couldn't do in an 
all-analog recording environment.

Along a similar line - but a slightly different topic: Who would have 
thought that guitar,bass, and drums could remain the core of most 
popular music for fifty years? Someday that rhythm section configuration 
alone will date the recording!

Dan Ash
White Plains, NY

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>
>>
>> Subject:
>> Re: OT That 'sizzle sound' of Mp3s
>> From:
>> Miko Biffle <biffoz@gmail.com>
>> Date:
>> Mon, 16 Mar 2009 12:29:10 -0700
>>
>> To:
>> Loopers-Delight@loopers-delight.com 
<snip>
>> I can listen to Zep, Sabbath and many others on vinyl and feel the 
>> bass is adequate (for the day)—I just don't find Redding's bass that 
>> satisfying. Mitch Mitchell OTOH ranks right up there with Bonham in 
>> my book! -m
One more point - and not to beat on this too much more...

Your comparison of Experience to Zeppelin sonics may well include Zep 
tracks recorded ten years after Jimi's passing. IIRC alot changed in 
that time.

Again, I jumped into this discussion because it was an eye-opener that 
sonics will date all recordings to a certain degree. In the early days 
it was frequency spectrum limitations, then low-end content, then hiss, 
wow and flutter, and psycho-acoustic aspects (both positive and 
negative) of analog distortion.

Then we had digital artifacts associated with early CD mixes and codecs, 
inadvertent data truncation to 16 bits and I suppose we'll always 
digital distortion and artifacts from data compression to deal with....

Of course this is before they SMASH the signal with a compressor 
effectively eliminating all dynamics in the program material.

Then there are the clowns that add these aspects ON PURPOSE, probably 
just to annoy me. YA CALL THAT MUSIC???!

Dan Ash
White Plains, NY



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From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: OT That 'sizzle sound' of Mp3s
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--0-1299770505-1237252611=:42788
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Yeah, but the Iron Butterfly rule!

--- On Mon, 3/16/09, Dan Ash <Daniel.Ash@Verizon.net> wrote:


From: Dan Ash <Daniel.Ash@Verizon.net>
Subject: Re: OT That 'sizzle sound' of Mp3s
To: Loopers-Delight@loopers-delight.com
Date: Monday, March 16, 2009, 7:51 PM


>=20
>>=20
>> Subject:
>> Re: OT That 'sizzle sound' of Mp3s
>> From:
>> Miko Biffle <biffoz@gmail.com>
>> Date:
>> Mon, 16 Mar 2009 12:29:10 -0700
>>=20
>> To:
>> Loopers-Delight@loopers-delight.com=20
<snip>
>> I can listen to Zep, Sabbath and many others on vinyl and feel the bass =
is adequate (for the day)=E2=80=94I just don't find Redding's bass that sat=
isfying. Mitch Mitchell OTOH ranks right up there with Bonham in my book! -=
m
One more point - and not to beat on this too much more...

Your comparison of Experience to Zeppelin sonics may well include Zep track=
s recorded ten years after Jimi's passing. IIRC alot changed in that time.

Again, I jumped into this discussion because it was an eye-opener that soni=
cs will date all recordings to a certain degree. In the early days it was f=
requency spectrum limitations, then low-end content, then hiss, wow and flu=
tter, and psycho-acoustic aspects (both positive and negative) of analog di=
stortion.

Then we had digital artifacts associated with early CD mixes and codecs, in=
advertent data truncation to 16 bits and I suppose we'll always digital dis=
tortion and artifacts from data compression to deal with....

Of course this is before they SMASH the signal with a compressor effectivel=
y eliminating all dynamics in the program material.

Then there are the clowns that add these aspects ON PURPOSE, probably just =
to annoy me. YA CALL THAT MUSIC???!

Dan Ash
White Plains, NY



=0A=0A=0A      
--0-1299770505-1237252611=:42788
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Yeah, but the Iron Butterfly rule!<BR><BR>---=
 On <B>Mon, 3/16/09, Dan Ash <I>&lt;Daniel.Ash@Verizon.net&gt;</I></B> wrot=
e:<BR>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Dan Ash &lt;Daniel.Ash@Verizon.net&gt;<BR>S=
ubject: Re: OT That 'sizzle sound' of Mp3s<BR>To: Loopers-Delight@loopers-d=
elight.com<BR>Date: Monday, March 16, 2009, 7:51 PM<BR><BR>
<DIV class=3DplainMail>&gt; <BR>&gt;&gt; <BR>&gt;&gt; Subject:<BR>&gt;&gt; =
Re: OT That 'sizzle sound' of Mp3s<BR>&gt;&gt; From:<BR>&gt;&gt; Miko Biffl=
e &lt;<A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3Dbiffoz@gma=
il.com" ymailto=3D"mailto:biffoz@gmail.com">biffoz@gmail.com</A>&gt;<BR>&gt=
;&gt; Date:<BR>&gt;&gt; Mon, 16 Mar 2009 12:29:10 -0700<BR>&gt;&gt; <BR>&gt=
;&gt; To:<BR>&gt;&gt; <A href=3D"http://us.mc1102.mail.yahoo.com/mc/compose=
?to=3DLoopers-Delight@loopers-delight.com" ymailto=3D"mailto:Loopers-Deligh=
t@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> <BR>&lt;snip=
&gt;<BR>&gt;&gt; I can listen to Zep, Sabbath and many others on vinyl and =
feel the bass is adequate (for the day)=E2=80=94I just don't find Redding's=
 bass that satisfying. Mitch Mitchell OTOH ranks right up there with Bonham=
 in my book! -m<BR>One more point - and not to beat on this too much more..=
.<BR><BR>Your comparison of Experience to Zeppelin sonics may well include =
Zep tracks
 recorded ten years after Jimi's passing. IIRC alot changed in that time.<B=
R><BR>Again, I jumped into this discussion because it was an eye-opener tha=
t sonics will date all recordings to a certain degree. In the early days it=
 was frequency spectrum limitations, then low-end content, then hiss, wow a=
nd flutter, and psycho-acoustic aspects (both positive and negative) of ana=
log distortion.<BR><BR>Then we had digital artifacts associated with early =
CD mixes and codecs, inadvertent data truncation to 16 bits and I suppose w=
e'll always digital distortion and artifacts from data compression to deal =
with....<BR><BR>Of course this is before they SMASH the signal with a compr=
essor effectively eliminating all dynamics in the program material.<BR><BR>=
Then there are the clowns that add these aspects ON PURPOSE, probably just =
to annoy me. YA CALL THAT MUSIC???!<BR><BR>Dan Ash<BR>White Plains, NY<BR><=
BR><BR><BR></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A      
--0-1299770505-1237252611=:42788--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 01:20:28 2009
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_*SHORT LIST of CHEAPEST LIVE LOOPING SOLUTIONS for the NEWBIE LOOPER*_

In the United States

*Audible Disease   JUNK FI SAMPLER JF-1   $90  (runs on batteries)
                                  *(note: this looper will not pass 
original sound through as you loop
                                  and adds a small bit of silence to a 
continous loop meaning
                                  that it is useless as a rhythmic 
looper.   It does, however
                                 have pitch control of the loops over a 
wide range unlike any other
                                 cheap pedal and it has very low sample 
rate so it is very trashy sounding (on purpose)
*BOSS DD-7        $160   +   $20  (PSA 120 - AC)   *
                               (note:   a digital delay that is not a 
dedicated looper but will loop)
*RC-2     $180 +  $20 (PSA 120-AC)
**AKAI HEADRUSH   $200  +  $20  (MP9-3  AC)
Electro-Harmonix Stereo Memory Man with Hazarai Delay Pedal    $214   
(not sure about AC pedal)
                               *(note:  all the reviews at Harmony 
Central mention the fact that the volume of the click is really distracting
                                   but that , otherwise,  this pedal has 
a lot going for it).
Boss DD20       *$219 + $20 (PSA 120 - AC)*
*LINE 6 DL4        $250  ac included*
*RC-20XL             $260  +  $20 (PSA 120-AC)
*
*PC Laptop running Mobius or other free looping software*
                                     -  anywhere from free if one is 
resourceful and/or lucky to around $700 for a system
                               that is ready to go with Midi footpedals, 
and a decent sound card without latency
                               (in other words,  a live looping solution 
that you can take out of the box and play
                                immediately like the other stomp boxes 
on the list ----- 
                                (note: this solution requires a fair 
degree of computer knowledge to set up
                               with access to the Loopers Delight 
archives to figure out how to use the keyboard as a
                               hand controller.   This is a viable 
solution if one can find a free or very cheap laptop
                               but precludes foot pedal control and adds 
latency and noise from a cheap internal
                               sound card.      To badly paraphrase 
Rainer Straschill, however,  if you are resourceful
                               and knowledgeable,  where there is a 
will, there is a way.

*Two REEL TO REEL TAPE DECKS   What every you can purchase them for plus 
the cost of tape and splicing gear
                                 *(note:  not appropriate for any kind 
of rhythmic looping or accurate overdubbing in
                                    a live setting.    Great for ambient 
or experimental looping live but time consuming
                                    to play more than one piece of music 
at a live show)
*Old Cassette recorders      Whatever you can purchase them for plus the 
cost of tape and splicing gear
                                 *(same note applies from REEL to REEL 
solution)

In the UK

*RC-2  £90 + psu *
*SMM & Hazari £145
**DD-7 £120 + psu *
*RC-20XL £140 (maybe £125) + psu
Headrush £140 +psu (maybe £120)(it's gone up! used to be <100)
**DL4 £240 (maybe £200)
PC Laptop running Mobius or other free looping software
                           (see notes above in the US price list)
2 REEL to REEL TAPE DECKS
CASSETTE RECORDER with endless CASSETTE TAPES (purchased or created)*

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Subject: Re: OT That 'sizzle sound' of Mp3s
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Oh yeah! I saw them and Hendrix in 69. the Denver Pop Festival. Like =
yesterday, lol

j
  ----- Original Message -----=20
  From: Paul Richards=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, March 16, 2009 9:16 PM
  Subject: Re: OT That 'sizzle sound' of Mp3s


        Yeah, but the Iron Butterfly rule!

        --- On Mon, 3/16/09, Dan Ash <Daniel.Ash@Verizon.net> wrote:


          From: Dan Ash <Daniel.Ash@Verizon.net>
          Subject: Re: OT That 'sizzle sound' of Mp3s
          To: Loopers-Delight@loopers-delight.com
          Date: Monday, March 16, 2009, 7:51 PM


          >=20
          >>=20
          >> Subject:
          >> Re: OT That 'sizzle sound' of Mp3s
          >> From:
          >> Miko Biffle <biffoz@gmail.com>
          >> Date:
          >> Mon, 16 Mar 2009 12:29:10 -0700
          >>=20
          >> To:
          >> Loopers-Delight@loopers-delight.com=20
          <snip>
          >> I can listen to Zep, Sabbath and many others on vinyl and =
feel the bass is adequate (for the day)=E2=80=94I just don't find =
Redding's bass that satisfying. Mitch Mitchell OTOH ranks right up there =
with Bonham in my book! -m
          One more point - and not to beat on this too much more...

          Your comparison of Experience to Zeppelin sonics may well =
include Zep tracks recorded ten years after Jimi's passing. IIRC alot =
changed in that time.

          Again, I jumped into this discussion because it was an =
eye-opener that sonics will date all recordings to a certain degree. In =
the early days it was frequency spectrum limitations, then low-end =
content, then hiss, wow and flutter, and psycho-acoustic aspects (both =
positive and negative) of analog distortion.

          Then we had digital artifacts associated with early CD mixes =
and codecs, inadvertent data truncation to 16 bits and I suppose we'll =
always digital distortion and artifacts from data compression to deal =
with....

          Of course this is before they SMASH the signal with a =
compressor effectively eliminating all dynamics in the program material.

          Then there are the clowns that add these aspects ON PURPOSE, =
probably just to annoy me. YA CALL THAT MUSIC???!

          Dan Ash
          White Plains, NY



      =20


------=_NextPart_000_0009_01C9A67D.2A318120
Content-Type: text/html;
	charset="utf-8"
Content-Transfer-Encoding: quoted-printable

=EF=BB=BF<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dutf-8">
<META content=3D"MSHTML 6.00.6000.16788" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Oh yeah! I saw them and Hendrix in 69. =
the Denver=20
Pop Festival. Like yesterday, lol</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dpaulrichard_rocks@yahoo.com=20
  href=3D"mailto:paulrichard_rocks@yahoo.com">Paul Richards</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, March 16, 2009 =
9:16=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT That 'sizzle =
sound' of=20
  Mp3s</DIV>
  <DIV><BR></DIV>
  <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
    <TBODY>
    <TR>
      <TD vAlign=3Dtop>Yeah, but the Iron Butterfly rule!<BR><BR>--- On =
<B>Mon,=20
        3/16/09, Dan Ash <I>&lt;<A=20
        =
href=3D"mailto:Daniel.Ash@Verizon.net">Daniel.Ash@Verizon.net</A>&gt;</I>=
</B>=20
        wrote:<BR>
        <BLOCKQUOTE=20
        style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
rgb(16,16,255) 2px solid"><BR>From:=20
          Dan Ash &lt;<A=20
          =
href=3D"mailto:Daniel.Ash@Verizon.net">Daniel.Ash@Verizon.net</A>&gt;<BR>=
Subject:=20
          Re: OT That 'sizzle sound' of Mp3s<BR>To: <A=20
          =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>Date:=20
          Monday, March 16, 2009, 7:51 PM<BR><BR>
          <DIV class=3DplainMail>&gt; <BR>&gt;&gt; <BR>&gt;&gt;=20
          Subject:<BR>&gt;&gt; Re: OT That 'sizzle sound' of =
Mp3s<BR>&gt;&gt;=20
          From:<BR>&gt;&gt; Miko Biffle &lt;<A =
href=3D"mailto:biffoz@gmail.com"=20
          =
ymailto=3D"mailto:biffoz@gmail.com">biffoz@gmail.com</A>&gt;<BR>&gt;&gt; =

          Date:<BR>&gt;&gt; Mon, 16 Mar 2009 12:29:10 -0700<BR>&gt;&gt;=20
          <BR>&gt;&gt; To:<BR>&gt;&gt; <A=20
          =
href=3D"http://us.mc1102.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@l=
oopers-delight.com"=20
          =
ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@lo=
opers-delight.com</A>=20
          <BR>&lt;snip&gt;<BR>&gt;&gt; I can listen to Zep, Sabbath and =
many=20
          others on vinyl and feel the bass is adequate (for the =
day)=E2=80=94I just=20
          don't find Redding's bass that satisfying. Mitch Mitchell OTOH =
ranks=20
          right up there with Bonham in my book! -m<BR>One more point - =
and not=20
          to beat on this too much more...<BR><BR>Your comparison of =
Experience=20
          to Zeppelin sonics may well include Zep tracks recorded ten =
years=20
          after Jimi's passing. IIRC alot changed in that =
time.<BR><BR>Again, I=20
          jumped into this discussion because it was an eye-opener that =
sonics=20
          will date all recordings to a certain degree. In the early =
days it was=20
          frequency spectrum limitations, then low-end content, then =
hiss, wow=20
          and flutter, and psycho-acoustic aspects (both positive and =
negative)=20
          of analog distortion.<BR><BR>Then we had digital artifacts =
associated=20
          with early CD mixes and codecs, inadvertent data truncation to =
16 bits=20
          and I suppose we'll always digital distortion and artifacts =
from data=20
          compression to deal with....<BR><BR>Of course this is before =
they=20
          SMASH the signal with a compressor effectively eliminating all =

          dynamics in the program material.<BR><BR>Then there are the =
clowns=20
          that add these aspects ON PURPOSE, probably just to annoy me. =
YA CALL=20
          THAT MUSIC???!<BR><BR>Dan Ash<BR>White Plains,=20
        =
NY<BR><BR><BR><BR></DIV></BLOCKQUOTE></TD></TR></TBODY></TABLE><BR></BLOC=
KQUOTE></BODY></HTML>

------=_NextPart_000_0009_01C9A67D.2A318120--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 03:46:36 2009
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Date: Mon, 16 Mar 2009 20:46:32 -0700
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'nuff said!
*
Wolfgang Muthspiel *(guitar and loop)
*Brian Blade *(drums) - FRIENDLY TRAVELERS LIVE

_http://www.youtube.com/watch?v=IkT7TY0P8W4


_ps   thanks to Jerome Deupree (a great and unique Boston area drummer 
in his own right)
 for recommending  this clip to me_
_

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 03:51:56 2009
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Date: Mon, 16 Mar 2009 23:45:32 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T with New Language Collaborative 03.21.09 @119 Lowell, MA
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I'm performing video improvisations next Saturday with a very 
exciting jazz/improv band, the New Language Collaborative at the 
Boston area's most comfortable performance space, the 119 Gallery in 
Lowell.

Doctor T Video Mixing with

Eric Zinman -  keyboard
Glynis Loman -  cello and voice
Syd Smart -  drums

Eric and is an old friend whom I haven't performed with in many 
years,. Glynis is another old friend whom I've performed  with many 
times. Syd is a long time presence in the Boston jazz scene. I've 
heard this band make exciting music both live and on CD, and am 
looking forward to being a part of it.

8  PM  $10 donation

Culinary note: There is an outstanding Cambodian restaurant next door 
to the gallery.

http://www.119gallery.org/


119 Gallery, 119 Chelmsford St, Lowell MA 01851
978-452-8138


-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 05:52:24 2009
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Date: Mon, 16 Mar 2009 22:52:23 -0700
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Subject: Re: There already IS a looping Forum (Was Re: please be courteous to 
	the list)
From: Travis Hartnett <travishartnett@gmail.com>
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Yes, but not a thriving one.

On Mon, Mar 16, 2009 at 4:25 PM, Charles Zwicky <cazwicky@earthlink.net>wrote:

>
>
> But there already IS a Looping Forum...
>
> http://loopingmusic.proboards99.com/index.cgi
>
>
>

--000e0cd15534c34d2a04654a2b29
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Yes, but not a thriving one.<br><br><div class=3D"gmail_quote">On Mon, Mar =
16, 2009 at 4:25 PM, Charles Zwicky <span dir=3D"ltr">&lt;<a href=3D"mailto=
:cazwicky@earthlink.net">cazwicky@earthlink.net</a>&gt;</span> wrote:<br><b=
lockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 20=
4, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
<br>
But there already IS a Looping Forum...<br>
<br>
<a href=3D"http://loopingmusic.proboards99.com/index.cgi" target=3D"_blank"=
>http://loopingmusic.proboards99.com/index.cgi</a><br>
<br>
<br></blockquote></div><br>

--000e0cd15534c34d2a04654a2b29--

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--0015174c358c22840604654c43a3
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Yes, but not a thriving one.
>
>
"We rest our case..."

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0015174c358c22840604654c43a3
Content-Type: text/html; charset=ISO-8859-1
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<br><div class=3D"gmail_quote"><br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">Yes, but not a thriving one.<div><div></div><div class=
=3D"h5">
<br></div></div></blockquote><div><br>&quot;We rest our case...&quot;<br></=
div></div><br>-- <br><a href=3D"http://www.markfrancombe.com">www.markfranc=
ombe.com</a><br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/us=
er825094</a><br>
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>


--0015174c358c22840604654c43a3--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 08:30:28 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
References: <49BED3A3.2040506@cruzio.com> <37f071c00903161538i32b11469u8dbae9b0121dbef4@mail.gmail.com>
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hi Kevin,
yep, I'm a Rolandophobe ;-)

...but now I remember Ted Killians killer dd20 moves.

Only £110 + £psu inUK.

At $219 + $psu in the US 


>From what I heard on this list, the SOS mode wasn't up to much,
but the manual *suggests* it's possible to

1) tap in a loop
2) overdub
3) quickly erase loop and start another

So in theory, it's a good alternative.

Is there some hidden drawback to the SOS?
(i kind of remember there was, and that LDers prized 
  it for allowing 2 simultaneous delays)


andy

Kevin Cheli-Colando wrote:
> You're missing the Boss DD20 which is also more delay than looper but
> has sound on sound and 23 seconds of delay with feedback control.
> $219 in the US.
> 
> Kevin
> 
> On Mon, Mar 16, 2009 at 3:33 PM, Rick Walker <looppool@cruzio.com> wrote:
>> Okay, we are nearing a good list, here.
>> It would be great if someone would complete this list with prices
>> from both Southern and Northern Europe (I say this because prices obviously
>> very greatly from the US to the UK alone)
>>
>> I purposefully didn't included pedals that are no longer in production
>> (but we could with their salient going prices-anyone feel like doing that
>> research?)
>> but I did include used laptop, reel to reel and cassette solutions.
>>
>> What are we missing anything?
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 08:32:39 2009
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Rick Walker wrote:




Hi Rick,
what's your target audience for this list?

I'd imagined it would be people who wanted to tap in a rhythmically
accurate loop.
That's what I tried to base the UK list on.

andy






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Date: Tue, 17 Mar 2009 04:19:17 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: RE: European Live Looping Festival 2009 Antwerp - update 2
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Hi Sjaak,
ive sent you my info already but didnt get a confirmation
from you if u received it,please let me know if u would like me to resend i=
t to you
cheers!
Luis

> www.myspace.com/luisangulocom
>=20
>=20
> --- On Mon, 3/16/09, Sjaak <sjaak@euroloopfest.com>
> wrote:
>=20
> > From: Sjaak <sjaak@euroloopfest.com>
> > Subject: RE: European Live Looping Festival 2009
> Antwerp - update 2
> > To: "Craig Green"
> <craig@craigjgreen.com>, "Kalimbaman"
> <kalimbaman7@yahoo.com>, "L.Angulo"
> <labaloops@yahoo.com>, "Darkroom"
> <darkroom@collective.co.uk>, "Akim Triebsch"
> <atriebsch@yahoo.com>, "e t e r o g e n e o"
> <info@eterogeneo.com>
> > Cc: "'Sjaak'"
> <sjaak@euroloopfest.com>, "Rick Walker"
> <looppool@cruzio.com>,
> "'fearfallsburning'"
> <vintage@fearfallsburning.be>, "'Michael
> Peters'" <mp@mpeters.de>, "'Ronald
> Mari=C3=ABn'" <ronaldmarien@scarlet.be>
> > Date: Monday, March 16, 2009, 3:03 PM
> > Hi,
> > The latest news:=20
> >=20
> > *=09The website has been updated already, version 1.0 of
> the
> > affiche is
> > online
> > *=09Sound engineer Ronald Mari=C3=ABn of Microphonics (Dirk
> > Serries) has
> > offered to do the PA and mixing for the whole
> festival.
> > Thanks Ronald!
> > *=09The festival will be recorded (CD/mp3)
> > =09
> > *=09I have received or got permission to add the artist
> bio
> > and picture
> > to the website from 4 persons, which means I'm
> still
> > missing 6 ;)=20
> >=20
> > =20
> > So what I need from you asap is:
> >=20
> > 1) Short musical biography (max 200 words) , mp3 and
> jpeg
> > material =3D> this
> > information will be published on the
> > http://euroloopfest.com/antwerp/ =3D
> > http://livelooping.be/ website
> >=20
> > 2) Url of your official website=20
> >=20
> > 3) How many persons your act exists of
> >=20
> > 4) Technical data =3D> what do you need regarding PA
> > facilities: mics,
> > monitors, DI's, transformer 115-230V =3D> This
> will be
> > discussed with sound
> > engineer Ronald Marien.
> >=20
> > Thanks,
> >=20
> > Sjaak Overgaauw
> > Festival organizer=20
> > European loopfestival 2009  - Antwerp
> >=20
> > livelooping.be <http://www.livelooping.be/>  /
> > euroloopfest.com
> > <http://www.euroloopfest.com/> =20
> >=20
> > -----Original Message-----
> > From: Sjaak [mailto:sjaak@euroloopfest.com]=20
> > Sent: Monday, March 02, 2009 23:56
> > To: Craig Green; Kalimbaman; L.Angulo; Rick Walker;
> > Darkroom; Akim Triebsch;
> > e t e r o g e n e o; 'fearfallsburning';
> > 'Michael Peters'
> > Subject: European Live Looping Festival 2009 Antwerp -
> > update 2
> >=20
> >=20
> > Hi all,
> > A short update on the European Live Looping Festival,
> > Antwerp May 30 :)
> >=20
> > Artists
> >=20
> > I'm happy that almost 20 artists have asked for a
> slot
> > on the festival and
> > that is more than I expected. It's also a good mix
> of
> > several genres and
> > that's interesting for the public. Here the list
> of the
> > artists who have
> > confirmed my email of last January:
> >=20
> > - Rick Walker - USA
> > - Microphonics - Belgium - Dirk Serries from Fear
> Falls
> > Burning
> > - Fabio Anile - Italy
> > - Luis Angelo - Mexico/Germany
> > - Akim Triebsch - Canada
> > - Darkroom - UK
> > - Craig Green - USA
> > - Kevin "Kalimbaman" Spears - USA
> > - Michael Peters - Germany
> > - Sjaak Overgaauw - Belgium
> >=20
> > In case you want to cancel your slot, please let me
> know
> > before March 15,
> > this will allow me to invite other artists
> >=20
> > Venue
> >=20
> > The location of the the festival will probably be the
> small
> > hall of the
> > Arenberg Theatre in Antwerp (to be confirmed) with
> room for
> > 100 people
> > (seats) . The current plan: the festival will start on
> > 19:00 and end on
> > 24:00. Tickets will go on sale in april. There's a
> bar
> > with all the good
> > things from Belgium breweries and other drinks. We can
> use
> > the lights and I
> > have arranged a professional PA for the festival plus
> an
> > experienced sound
> > engineer.
> >=20
> > What I need from you, if possible within 1-2 weeks
> >=20
> > 1) Short musical biography (max 200 words) , mp3 and
> jpeg
> > material =3D> this
> > information will be published on the
> > http://euroloopfest.com/antwerp/ =3D
> > http://livelooping.be/ website
> >=20
> > 2) Url of your official website=20
> >=20
> > 3) How many persons your act exists of
> >=20
> > 4) Technical data =3D> what do you need regarding PA
> > facilities: mics,
> > monitors, DI's, transformer 115-230V
> >=20
> > Promotion
> >=20
> > I'm currently cooperating with a media expert to
> > promote the festival in
> > several Belgium music media. The campagne will start
> on
> > April 15.
> >=20
> > =20
> >=20
> > If you have any questions, please let me know. Thanks
> and I
> > hope to hear
> > from you
> >=20
> >=20
> > Sjaak Overgaauw
> > Festival organizer=20
> > European loopfestival 2009  - Antwerp
> >=20
> >=20
> > -----Original Message-----
> > From: Sjaak [mailto:sjaak@euroloopfest.com]=20
> > Sent: Friday, January 09, 2009 01:19
> > To: 'info@krispenhartung.com'
> > Subject: European loopfestival 2009   - Antwerp
> >=20
> >=20
> >=20
> > Dear looper,=20
> > you are receiving this email because you have
> expressed
> > interest in playing
> > at the Antwerp live looping festival. I have promised
> to
> > give you more
> > information in January 2009. First of all, the
> festival is
> > definitely going
> > to take place and I=E2=80=99m really enthusiastic to
> organize
> > this live looping
> > festival! So here we go :)
> >=20
> > Where - Antwerp, Belgium - venue TBA
> >=20
> > When - May 30, 2009. The best period seems to be end
> of May
> > and June. I have
> > decided to schedule the Antwerp festival on Saturday
> May
> > 30, 2009. This is
> > the date I'm going to work with so you guys can
> start
> > planning your own
> > agenda's. Usually it works like this: once you set
> a
> > date, then things fall
> > in around it.
> >=20
> > Who - So far, I have received request from Canada (1),
> USA
> > (5), Germany (2),
> > Italy (1), Belgium (2), UK(1) and Austria (1) plus
> some
> > others. The styles
> > of all these artists are all very different which
> makes it
> > very interesting
> > imo; it's a mix of World, Jazz, Ambient,
> Avant-Garde
> > and Live Electronics.
> > The official names will be announced asap.
> >=20
> > Festival format - The format will be the same as on
> the
> > Cologne festival of
> > May 31, 2008 (organized by Michael Peters). This means
> > artists have 30
> > minute maximum each. And as it looks now we'll
> have
> > about 10 acts which
> > means a 6 hour show.
> >=20
> > Finances -  I can't promise compensation for the
> > artists but....profits
> > generated from the bar, ticket sales, booklets and
> > hopefully
> > sponsors/subsidies will be used to pay the artists. I
> think
> > this is a fair
> > proposal.
> >=20
> > Other euroloopfest.com festivals - I'm in contact
> with
> > other LD members to
> > coordinate additional festivals in Europe around June
> 2009.
> > I can't give you
> > the details yet (I want to leave that to the
> responsible
> > festival organizers
> > himself) but I thought I was important enough to let
> you
> > know Antwerp will
> > probably not the only city in Europe having a live
> looping
> > festival in 2009!
> >=20
> >=20
> > What I need from you - If you'd like to keep your
> slot
> > on the Antwerp live
> > looping festival, please send an email to
> > sjaak@euroloopfest.com
> > <mailto:sjaak@euroloopfest.com>  . Keep in mind
> this
> > is a still a
> > preliminary reservation; I just want to know if you
> are
> > still seriously
> > interested. I'll send you another email in
> March/April
> > which will be the
> > confirmation to perform on the festival.
> >=20
> > If you want, you can already send me some info:
> >=20
> > 1) Short musical biography and description of your
> act,
> > instruments you play
> >=20
> >=20
> > 2) Mp3 and jpeg material (links are fine) I can use
> for
> > official promotion
> > and the website
> >=20
> >=20
> > =20
> > =20
> > Thanks and I hope to hear from you
> >=20
> >=20
> > Sjaak Overgaauw
> > Festival organizer=20
> > European loopfestival 2009  - Antwerp
> >=20
> > livelooping.be <http://www.livelooping.be/>  /
> > euroloopfest.com
> > <http://www.euroloopfest.com/>=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 12:21:14 2009
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Date: Tue, 17 Mar 2009 08:21:13 -0400 (AST)
Subject: Re: beautiful     minimal    tasty   connected
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hey Rick,
Loved it.
Great way to start my day.

Cheers,

Andre

Andre Donawa
Barbados Guitar School
Woodside Gardens
Bay St.
St. Michael
Barbados
 11157
Tel: 246-228-2480 (Office)
     246 436 8294 (School)

http://www.barbadosguitar.com
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Mon, March 16, 2009 11:46 pm, Rick Walker wrote:
> 'nuff said!
> *
> Wolfgang Muthspiel *(guitar and loop)
> *Brian Blade *(drums) - FRIENDLY TRAVELERS LIVE
>
> _http://www.youtube.com/watch?v=IkT7TY0P8W4
>
>
> _ps   thanks to Jerome Deupree (a great and unique Boston area drummer
> in his own right)
>  for recommending  this clip to me_
> _
>
>


Andre Donawa
Barbados Guitar School
Woodside Gardens
Bay St.
St. Michael
Barbados
 11157
Tel: 246-228-2480 (Office)
     246 436 8294 (School)

http://www.barbadosguitar.com
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 12:37:15 2009
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	 <29336.69.73.1237292473.squirrel@www.andredonawa.com>
Date: Tue, 17 Mar 2009 13:37:14 +0100
Message-ID: <66f9cc1e0903170537t4b85d0c5ga5b6bd9fffbe66@mail.gmail.com>
Subject: Re: beautiful minimal tasty connected
From: Per Boysen <perboysen@gmail.com>
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> On Mon, March 16, 2009 11:46 pm, Rick Walker wrote:
>> 'nuff said!
>> *
>> Wolfgang Muthspiel *(guitar and loop)
>> *Brian Blade *(drums) - FRIENDLY TRAVELERS LIVE
>>
>> _http://www.youtube.com/watch?v=IkT7TY0P8W4


Groovy drumming!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Tue, 17 Mar 2009 14:38:23 +0100
Message-ID: <afb941d0903170638t5688646ayf10e1b27f5362746@mail.gmail.com>
Subject: Re: European Live Looping Festival 2009 Antwerp - update 2
From: Raul Bonell <raul.bonell@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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WoW!!

2009/3/17 L.Angulo <labaloops@yahoo.com>

>
> Hi Sjaak,
> ive sent you my info already but didnt get a confirmation
> from you if u received it,please let me know if u would like me to resend
> it to you
> cheers!
> Luis
>
> > www.myspace.com/luisangulocom
> >
> >
> > --- On Mon, 3/16/09, Sjaak <sjaak@euroloopfest.com>
> > wrote:
> >
> > > From: Sjaak <sjaak@euroloopfest.com>
> > > Subject: RE: European Live Looping Festival 2009
> > Antwerp - update 2
> > > To: "Craig Green"
> > <craig@craigjgreen.com>, "Kalimbaman"
> > <kalimbaman7@yahoo.com>, "L.Angulo"
> > <labaloops@yahoo.com>, "Darkroom"
> > <darkroom@collective.co.uk>, "Akim Triebsch"
> > <atriebsch@yahoo.com>, "e t e r o g e n e o"
> > <info@eterogeneo.com>
> > > Cc: "'Sjaak'"
> > <sjaak@euroloopfest.com>, "Rick Walker"
> > <looppool@cruzio.com>,
> > "'fearfallsburning'"
> > <vintage@fearfallsburning.be>, "'Michael
> > Peters'" <mp@mpeters.de>, "'Ronald
> > Mari=EBn'" <ronaldmarien@scarlet.be>
> > > Date: Monday, March 16, 2009, 3:03 PM
> > > Hi,
> > > The latest news:
> > >
> > > *   The website has been updated already, version 1.0 of
> > the
> > > affiche is
> > > online
> > > *   Sound engineer Ronald Mari=EBn of Microphonics (Dirk
> > > Serries) has
> > > offered to do the PA and mixing for the whole
> > festival.
> > > Thanks Ronald!
> > > *   The festival will be recorded (CD/mp3)
> > >
> > > *   I have received or got permission to add the artist
> > bio
> > > and picture
> > > to the website from 4 persons, which means I'm
> > still
> > > missing 6 ;)
> > >
> > >
> > > So what I need from you asap is:
> > >
> > > 1) Short musical biography (max 200 words) , mp3 and
> > jpeg
> > > material =3D> this
> > > information will be published on the
> > > http://euroloopfest.com/antwerp/ =3D
> > > http://livelooping.be/ website
> > >
> > > 2) Url of your official website
> > >
> > > 3) How many persons your act exists of
> > >
> > > 4) Technical data =3D> what do you need regarding PA
> > > facilities: mics,
> > > monitors, DI's, transformer 115-230V =3D> This
> > will be
> > > discussed with sound
> > > engineer Ronald Marien.
> > >
> > > Thanks,
> > >
> > > Sjaak Overgaauw
> > > Festival organizer
> > > European loopfestival 2009  - Antwerp
> > >
> > > livelooping.be <http://www.livelooping.be/>  /
> > > euroloopfest.com
> > > <http://www.euroloopfest.com/>
> > >
> > > -----Original Message-----
> > > From: Sjaak [mailto:sjaak@euroloopfest.com]
> > > Sent: Monday, March 02, 2009 23:56
> > > To: Craig Green; Kalimbaman; L.Angulo; Rick Walker;
> > > Darkroom; Akim Triebsch;
> > > e t e r o g e n e o; 'fearfallsburning';
> > > 'Michael Peters'
> > > Subject: European Live Looping Festival 2009 Antwerp -
> > > update 2
> > >
> > >
> > > Hi all,
> > > A short update on the European Live Looping Festival,
> > > Antwerp May 30 :)
> > >
> > > Artists
> > >
> > > I'm happy that almost 20 artists have asked for a
> > slot
> > > on the festival and
> > > that is more than I expected. It's also a good mix
> > of
> > > several genres and
> > > that's interesting for the public. Here the list
> > of the
> > > artists who have
> > > confirmed my email of last January:
> > >
> > > - Rick Walker - USA
> > > - Microphonics - Belgium - Dirk Serries from Fear
> > Falls
> > > Burning
> > > - Fabio Anile - Italy
> > > - Luis Angelo - Mexico/Germany
> > > - Akim Triebsch - Canada
> > > - Darkroom - UK
> > > - Craig Green - USA
> > > - Kevin "Kalimbaman" Spears - USA
> > > - Michael Peters - Germany
> > > - Sjaak Overgaauw - Belgium
> > >
> > > In case you want to cancel your slot, please let me
> > know
> > > before March 15,
> > > this will allow me to invite other artists
> > >
> > > Venue
> > >
> > > The location of the the festival will probably be the
> > small
> > > hall of the
> > > Arenberg Theatre in Antwerp (to be confirmed) with
> > room for
> > > 100 people
> > > (seats) . The current plan: the festival will start on
> > > 19:00 and end on
> > > 24:00. Tickets will go on sale in april. There's a
> > bar
> > > with all the good
> > > things from Belgium breweries and other drinks. We can
> > use
> > > the lights and I
> > > have arranged a professional PA for the festival plus
> > an
> > > experienced sound
> > > engineer.
> > >
> > > What I need from you, if possible within 1-2 weeks
> > >
> > > 1) Short musical biography (max 200 words) , mp3 and
> > jpeg
> > > material =3D> this
> > > information will be published on the
> > > http://euroloopfest.com/antwerp/ =3D
> > > http://livelooping.be/ website
> > >
> > > 2) Url of your official website
> > >
> > > 3) How many persons your act exists of
> > >
> > > 4) Technical data =3D> what do you need regarding PA
> > > facilities: mics,
> > > monitors, DI's, transformer 115-230V
> > >
> > > Promotion
> > >
> > > I'm currently cooperating with a media expert to
> > > promote the festival in
> > > several Belgium music media. The campagne will start
> > on
> > > April 15.
> > >
> > >
> > >
> > > If you have any questions, please let me know. Thanks
> > and I
> > > hope to hear
> > > from you
> > >
> > >
> > > Sjaak Overgaauw
> > > Festival organizer
> > > European loopfestival 2009  - Antwerp
> > >
> > >
> > > -----Original Message-----
> > > From: Sjaak [mailto:sjaak@euroloopfest.com]
> > > Sent: Friday, January 09, 2009 01:19
> > > To: 'info@krispenhartung.com'
> > > Subject: European loopfestival 2009   - Antwerp
> > >
> > >
> > >
> > > Dear looper,
> > > you are receiving this email because you have
> > expressed
> > > interest in playing
> > > at the Antwerp live looping festival. I have promised
> > to
> > > give you more
> > > information in January 2009. First of all, the
> > festival is
> > > definitely going
> > > to take place and I=92m really enthusiastic to
> > organize
> > > this live looping
> > > festival! So here we go :)
> > >
> > > Where - Antwerp, Belgium - venue TBA
> > >
> > > When - May 30, 2009. The best period seems to be end
> > of May
> > > and June. I have
> > > decided to schedule the Antwerp festival on Saturday
> > May
> > > 30, 2009. This is
> > > the date I'm going to work with so you guys can
> > start
> > > planning your own
> > > agenda's. Usually it works like this: once you set
> > a
> > > date, then things fall
> > > in around it.
> > >
> > > Who - So far, I have received request from Canada (1),
> > USA
> > > (5), Germany (2),
> > > Italy (1), Belgium (2), UK(1) and Austria (1) plus
> > some
> > > others. The styles
> > > of all these artists are all very different which
> > makes it
> > > very interesting
> > > imo; it's a mix of World, Jazz, Ambient,
> > Avant-Garde
> > > and Live Electronics.
> > > The official names will be announced asap.
> > >
> > > Festival format - The format will be the same as on
> > the
> > > Cologne festival of
> > > May 31, 2008 (organized by Michael Peters). This means
> > > artists have 30
> > > minute maximum each. And as it looks now we'll
> > have
> > > about 10 acts which
> > > means a 6 hour show.
> > >
> > > Finances -  I can't promise compensation for the
> > > artists but....profits
> > > generated from the bar, ticket sales, booklets and
> > > hopefully
> > > sponsors/subsidies will be used to pay the artists. I
> > think
> > > this is a fair
> > > proposal.
> > >
> > > Other euroloopfest.com festivals - I'm in contact
> > with
> > > other LD members to
> > > coordinate additional festivals in Europe around June
> > 2009.
> > > I can't give you
> > > the details yet (I want to leave that to the
> > responsible
> > > festival organizers
> > > himself) but I thought I was important enough to let
> > you
> > > know Antwerp will
> > > probably not the only city in Europe having a live
> > looping
> > > festival in 2009!
> > >
> > >
> > > What I need from you - If you'd like to keep your
> > slot
> > > on the Antwerp live
> > > looping festival, please send an email to
> > > sjaak@euroloopfest.com
> > > <mailto:sjaak@euroloopfest.com>  . Keep in mind
> > this
> > > is a still a
> > > preliminary reservation; I just want to know if you
> > are
> > > still seriously
> > > interested. I'll send you another email in
> > March/April
> > > which will be the
> > > confirmation to perform on the festival.
> > >
> > > If you want, you can already send me some info:
> > >
> > > 1) Short musical biography and description of your
> > act,
> > > instruments you play
> > >
> > >
> > > 2) Mp3 and jpeg material (links are fine) I can use
> > for
> > > official promotion
> > > and the website
> > >
> > >
> > >
> > >
> > > Thanks and I hope to hear from you
> > >
> > >
> > > Sjaak Overgaauw
> > > Festival organizer
> > > European loopfestival 2009  - Antwerp
> > >
> > > livelooping.be <http://www.livelooping.be/>  /
> > > euroloopfest.com
> > > <http://www.euroloopfest.com/>
>
>
>
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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WoW!!<br><br><div class=3D"gmail_quote">2009/3/17 L.Angulo <span dir=3D"ltr=
">&lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt;</s=
pan><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid r=
gb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
Hi Sjaak,<br>
ive sent you my info already but didnt get a confirmation<br>
from you if u received it,please let me know if u would like me to resend i=
t to you<br>
cheers!<br>
Luis<br>
<br>
&gt; <a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www=
.myspace.com/luisangulocom</a><br>
&gt;<br>
&gt;<br>
&gt; --- On Mon, 3/16/09, Sjaak &lt;<a href=3D"mailto:sjaak@euroloopfest.co=
m">sjaak@euroloopfest.com</a>&gt;<br>
&gt; wrote:<br>
&gt;<br>
&gt; &gt; From: Sjaak &lt;<a href=3D"mailto:sjaak@euroloopfest.com">sjaak@e=
uroloopfest.com</a>&gt;<br>
&gt; &gt; Subject: RE: European Live Looping Festival 2009<br>
&gt; Antwerp - update 2<br>
&gt; &gt; To: &quot;Craig Green&quot;<br>
&gt; &lt;<a href=3D"mailto:craig@craigjgreen.com">craig@craigjgreen.com</a>=
&gt;, &quot;Kalimbaman&quot;<br>
&gt; &lt;<a href=3D"mailto:kalimbaman7@yahoo.com">kalimbaman7@yahoo.com</a>=
&gt;, &quot;L.Angulo&quot;<br>
&gt; &lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt;=
, &quot;Darkroom&quot;<br>
&gt; &lt;<a href=3D"mailto:darkroom@collective.co.uk">darkroom@collective.c=
o.uk</a>&gt;, &quot;Akim Triebsch&quot;<br>
&gt; &lt;<a href=3D"mailto:atriebsch@yahoo.com">atriebsch@yahoo.com</a>&gt;=
, &quot;e t e r o g e n e o&quot;<br>
&gt; &lt;<a href=3D"mailto:info@eterogeneo.com">info@eterogeneo.com</a>&gt;=
<br>
&gt; &gt; Cc: &quot;&#39;Sjaak&#39;&quot;<br>
&gt; &lt;<a href=3D"mailto:sjaak@euroloopfest.com">sjaak@euroloopfest.com</=
a>&gt;, &quot;Rick Walker&quot;<br>
&gt; &lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;=
,<br>
&gt; &quot;&#39;fearfallsburning&#39;&quot;<br>
&gt; &lt;<a href=3D"mailto:vintage@fearfallsburning.be">vintage@fearfallsbu=
rning.be</a>&gt;, &quot;&#39;Michael<br>
&gt; Peters&#39;&quot; &lt;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</=
a>&gt;, &quot;&#39;Ronald<br>
&gt; Mari=EBn&#39;&quot; &lt;<a href=3D"mailto:ronaldmarien@scarlet.be">ron=
aldmarien@scarlet.be</a>&gt;<br>
&gt; &gt; Date: Monday, March 16, 2009, 3:03 PM<br>
&gt; &gt; Hi,<br>
&gt; &gt; The latest news:<br>
&gt; &gt;<br>
&gt; &gt; * =A0 The website has been updated already, version 1.0 of<br>
&gt; the<br>
&gt; &gt; affiche is<br>
&gt; &gt; online<br>
&gt; &gt; * =A0 Sound engineer Ronald Mari=EBn of Microphonics (Dirk<br>
&gt; &gt; Serries) has<br>
&gt; &gt; offered to do the PA and mixing for the whole<br>
&gt; festival.<br>
&gt; &gt; Thanks Ronald!<br>
&gt; &gt; * =A0 The festival will be recorded (CD/mp3)<br>
&gt; &gt;<br>
&gt; &gt; * =A0 I have received or got permission to add the artist<br>
&gt; bio<br>
&gt; &gt; and picture<br>
&gt; &gt; to the website from 4 persons, which means I&#39;m<br>
&gt; still<br>
&gt; &gt; missing 6 ;)<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; So what I need from you asap is:<br>
&gt; &gt;<br>
&gt; &gt; 1) Short musical biography (max 200 words) , mp3 and<br>
&gt; jpeg<br>
&gt; &gt; material =3D&gt; this<br>
&gt; &gt; information will be published on the<br>
&gt; &gt; <a href=3D"http://euroloopfest.com/antwerp/" target=3D"_blank">ht=
tp://euroloopfest.com/antwerp/</a> =3D<br>
&gt; &gt; <a href=3D"http://livelooping.be/" target=3D"_blank">http://livel=
ooping.be/</a> website<br>
&gt; &gt;<br>
&gt; &gt; 2) Url of your official website<br>
&gt; &gt;<br>
&gt; &gt; 3) How many persons your act exists of<br>
&gt; &gt;<br>
&gt; &gt; 4) Technical data =3D&gt; what do you need regarding PA<br>
&gt; &gt; facilities: mics,<br>
&gt; &gt; monitors, DI&#39;s, transformer 115-230V =3D&gt; This<br>
&gt; will be<br>
&gt; &gt; discussed with sound<br>
&gt; &gt; engineer Ronald Marien.<br>
&gt; &gt;<br>
&gt; &gt; Thanks,<br>
&gt; &gt;<br>
&gt; &gt; Sjaak Overgaauw<br>
&gt; &gt; Festival organizer<br>
&gt; &gt; European loopfestival 2009 =A0- Antwerp<br>
&gt; &gt;<br>
&gt; &gt; <a href=3D"http://livelooping.be" target=3D"_blank">livelooping.b=
e</a> &lt;<a href=3D"http://www.livelooping.be/" target=3D"_blank">http://w=
ww.livelooping.be/</a>&gt; =A0/<br>
&gt; &gt; <a href=3D"http://euroloopfest.com" target=3D"_blank">euroloopfes=
t.com</a><br>
&gt; &gt; &lt;<a href=3D"http://www.euroloopfest.com/" target=3D"_blank">ht=
tp://www.euroloopfest.com/</a>&gt;<br>
&gt; &gt;<br>
&gt; &gt; -----Original Message-----<br>
&gt; &gt; From: Sjaak [mailto:<a href=3D"mailto:sjaak@euroloopfest.com">sja=
ak@euroloopfest.com</a>]<br>
&gt; &gt; Sent: Monday, March 02, 2009 23:56<br>
&gt; &gt; To: Craig Green; Kalimbaman; L.Angulo; Rick Walker;<br>
&gt; &gt; Darkroom; Akim Triebsch;<br>
&gt; &gt; e t e r o g e n e o; &#39;fearfallsburning&#39;;<br>
&gt; &gt; &#39;Michael Peters&#39;<br>
&gt; &gt; Subject: European Live Looping Festival 2009 Antwerp -<br>
&gt; &gt; update 2<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; Hi all,<br>
&gt; &gt; A short update on the European Live Looping Festival,<br>
&gt; &gt; Antwerp May 30 :)<br>
&gt; &gt;<br>
&gt; &gt; Artists<br>
&gt; &gt;<br>
&gt; &gt; I&#39;m happy that almost 20 artists have asked for a<br>
&gt; slot<br>
&gt; &gt; on the festival and<br>
&gt; &gt; that is more than I expected. It&#39;s also a good mix<br>
&gt; of<br>
&gt; &gt; several genres and<br>
&gt; &gt; that&#39;s interesting for the public. Here the list<br>
&gt; of the<br>
&gt; &gt; artists who have<br>
&gt; &gt; confirmed my email of last January:<br>
&gt; &gt;<br>
&gt; &gt; - Rick Walker - USA<br>
&gt; &gt; - Microphonics - Belgium - Dirk Serries from Fear<br>
&gt; Falls<br>
&gt; &gt; Burning<br>
&gt; &gt; - Fabio Anile - Italy<br>
&gt; &gt; - Luis Angelo - Mexico/Germany<br>
&gt; &gt; - Akim Triebsch - Canada<br>
&gt; &gt; - Darkroom - UK<br>
&gt; &gt; - Craig Green - USA<br>
&gt; &gt; - Kevin &quot;Kalimbaman&quot; Spears - USA<br>
&gt; &gt; - Michael Peters - Germany<br>
&gt; &gt; - Sjaak Overgaauw - Belgium<br>
&gt; &gt;<br>
&gt; &gt; In case you want to cancel your slot, please let me<br>
&gt; know<br>
&gt; &gt; before March 15,<br>
&gt; &gt; this will allow me to invite other artists<br>
&gt; &gt;<br>
&gt; &gt; Venue<br>
&gt; &gt;<br>
&gt; &gt; The location of the the festival will probably be the<br>
&gt; small<br>
&gt; &gt; hall of the<br>
&gt; &gt; Arenberg Theatre in Antwerp (to be confirmed) with<br>
&gt; room for<br>
&gt; &gt; 100 people<br>
&gt; &gt; (seats) . The current plan: the festival will start on<br>
&gt; &gt; 19:00 and end on<br>
&gt; &gt; 24:00. Tickets will go on sale in april. There&#39;s a<br>
&gt; bar<br>
&gt; &gt; with all the good<br>
&gt; &gt; things from Belgium breweries and other drinks. We can<br>
&gt; use<br>
&gt; &gt; the lights and I<br>
&gt; &gt; have arranged a professional PA for the festival plus<br>
&gt; an<br>
&gt; &gt; experienced sound<br>
&gt; &gt; engineer.<br>
&gt; &gt;<br>
&gt; &gt; What I need from you, if possible within 1-2 weeks<br>
&gt; &gt;<br>
&gt; &gt; 1) Short musical biography (max 200 words) , mp3 and<br>
&gt; jpeg<br>
&gt; &gt; material =3D&gt; this<br>
&gt; &gt; information will be published on the<br>
&gt; &gt; <a href=3D"http://euroloopfest.com/antwerp/" target=3D"_blank">ht=
tp://euroloopfest.com/antwerp/</a> =3D<br>
&gt; &gt; <a href=3D"http://livelooping.be/" target=3D"_blank">http://livel=
ooping.be/</a> website<br>
&gt; &gt;<br>
&gt; &gt; 2) Url of your official website<br>
&gt; &gt;<br>
&gt; &gt; 3) How many persons your act exists of<br>
&gt; &gt;<br>
&gt; &gt; 4) Technical data =3D&gt; what do you need regarding PA<br>
&gt; &gt; facilities: mics,<br>
&gt; &gt; monitors, DI&#39;s, transformer 115-230V<br>
&gt; &gt;<br>
&gt; &gt; Promotion<br>
&gt; &gt;<br>
&gt; &gt; I&#39;m currently cooperating with a media expert to<br>
&gt; &gt; promote the festival in<br>
&gt; &gt; several Belgium music media. The campagne will start<br>
&gt; on<br>
&gt; &gt; April 15.<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; If you have any questions, please let me know. Thanks<br>
&gt; and I<br>
&gt; &gt; hope to hear<br>
&gt; &gt; from you<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; Sjaak Overgaauw<br>
&gt; &gt; Festival organizer<br>
&gt; &gt; European loopfestival 2009 =A0- Antwerp<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; -----Original Message-----<br>
&gt; &gt; From: Sjaak [mailto:<a href=3D"mailto:sjaak@euroloopfest.com">sja=
ak@euroloopfest.com</a>]<br>
&gt; &gt; Sent: Friday, January 09, 2009 01:19<br>
&gt; &gt; To: &#39;<a href=3D"mailto:info@krispenhartung.com">info@krispenh=
artung.com</a>&#39;<br>
&gt; &gt; Subject: European loopfestival 2009 =A0 - Antwerp<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; Dear looper,<br>
&gt; &gt; you are receiving this email because you have<br>
&gt; expressed<br>
&gt; &gt; interest in playing<br>
&gt; &gt; at the Antwerp live looping festival. I have promised<br>
&gt; to<br>
&gt; &gt; give you more<br>
&gt; &gt; information in January 2009. First of all, the<br>
&gt; festival is<br>
&gt; &gt; definitely going<br>
&gt; &gt; to take place and I=92m really enthusiastic to<br>
&gt; organize<br>
&gt; &gt; this live looping<br>
&gt; &gt; festival! So here we go :)<br>
&gt; &gt;<br>
&gt; &gt; Where - Antwerp, Belgium - venue TBA<br>
&gt; &gt;<br>
&gt; &gt; When - May 30, 2009. The best period seems to be end<br>
&gt; of May<br>
&gt; &gt; and June. I have<br>
&gt; &gt; decided to schedule the Antwerp festival on Saturday<br>
&gt; May<br>
&gt; &gt; 30, 2009. This is<br>
&gt; &gt; the date I&#39;m going to work with so you guys can<br>
&gt; start<br>
&gt; &gt; planning your own<br>
&gt; &gt; agenda&#39;s. Usually it works like this: once you set<br>
&gt; a<br>
&gt; &gt; date, then things fall<br>
&gt; &gt; in around it.<br>
&gt; &gt;<br>
&gt; &gt; Who - So far, I have received request from Canada (1),<br>
&gt; USA<br>
&gt; &gt; (5), Germany (2),<br>
&gt; &gt; Italy (1), Belgium (2), UK(1) and Austria (1) plus<br>
&gt; some<br>
&gt; &gt; others. The styles<br>
&gt; &gt; of all these artists are all very different which<br>
&gt; makes it<br>
&gt; &gt; very interesting<br>
&gt; &gt; imo; it&#39;s a mix of World, Jazz, Ambient,<br>
&gt; Avant-Garde<br>
&gt; &gt; and Live Electronics.<br>
&gt; &gt; The official names will be announced asap.<br>
&gt; &gt;<br>
&gt; &gt; Festival format - The format will be the same as on<br>
&gt; the<br>
&gt; &gt; Cologne festival of<br>
&gt; &gt; May 31, 2008 (organized by Michael Peters). This means<br>
&gt; &gt; artists have 30<br>
&gt; &gt; minute maximum each. And as it looks now we&#39;ll<br>
&gt; have<br>
&gt; &gt; about 10 acts which<br>
&gt; &gt; means a 6 hour show.<br>
&gt; &gt;<br>
&gt; &gt; Finances - =A0I can&#39;t promise compensation for the<br>
&gt; &gt; artists but....profits<br>
&gt; &gt; generated from the bar, ticket sales, booklets and<br>
&gt; &gt; hopefully<br>
&gt; &gt; sponsors/subsidies will be used to pay the artists. I<br>
&gt; think<br>
&gt; &gt; this is a fair<br>
&gt; &gt; proposal.<br>
&gt; &gt;<br>
&gt; &gt; Other <a href=3D"http://euroloopfest.com" target=3D"_blank">eurol=
oopfest.com</a> festivals - I&#39;m in contact<br>
&gt; with<br>
&gt; &gt; other LD members to<br>
&gt; &gt; coordinate additional festivals in Europe around June<br>
&gt; 2009.<br>
&gt; &gt; I can&#39;t give you<br>
&gt; &gt; the details yet (I want to leave that to the<br>
&gt; responsible<br>
&gt; &gt; festival organizers<br>
&gt; &gt; himself) but I thought I was important enough to let<br>
&gt; you<br>
&gt; &gt; know Antwerp will<br>
&gt; &gt; probably not the only city in Europe having a live<br>
&gt; looping<br>
&gt; &gt; festival in 2009!<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; What I need from you - If you&#39;d like to keep your<br>
&gt; slot<br>
&gt; &gt; on the Antwerp live<br>
&gt; &gt; looping festival, please send an email to<br>
&gt; &gt; <a href=3D"mailto:sjaak@euroloopfest.com">sjaak@euroloopfest.com<=
/a><br>
&gt; &gt; &lt;mailto:<a href=3D"mailto:sjaak@euroloopfest.com">sjaak@eurolo=
opfest.com</a>&gt; =A0. Keep in mind<br>
&gt; this<br>
&gt; &gt; is a still a<br>
&gt; &gt; preliminary reservation; I just want to know if you<br>
&gt; are<br>
&gt; &gt; still seriously<br>
&gt; &gt; interested. I&#39;ll send you another email in<br>
&gt; March/April<br>
&gt; &gt; which will be the<br>
&gt; &gt; confirmation to perform on the festival.<br>
&gt; &gt;<br>
&gt; &gt; If you want, you can already send me some info:<br>
&gt; &gt;<br>
&gt; &gt; 1) Short musical biography and description of your<br>
&gt; act,<br>
&gt; &gt; instruments you play<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; 2) Mp3 and jpeg material (links are fine) I can use<br>
&gt; for<br>
&gt; &gt; official promotion<br>
&gt; &gt; and the website<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; Thanks and I hope to hear from you<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; Sjaak Overgaauw<br>
&gt; &gt; Festival organizer<br>
&gt; &gt; European loopfestival 2009 =A0- Antwerp<br>
&gt; &gt;<br>
&gt; &gt; <a href=3D"http://livelooping.be" target=3D"_blank">livelooping.b=
e</a> &lt;<a href=3D"http://www.livelooping.be/" target=3D"_blank">http://w=
ww.livelooping.be/</a>&gt; =A0/<br>
&gt; &gt; <a href=3D"http://euroloopfest.com" target=3D"_blank">euroloopfes=
t.com</a><br>
&gt; &gt; &lt;<a href=3D"http://www.euroloopfest.com/" target=3D"_blank">ht=
tp://www.euroloopfest.com/</a>&gt;<br>
<br>
<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell at Blogger:=
 <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com<=
/a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.com">http=
://www.ct-collective.com</a><br>
<br>

--0015174c398a5189f9046550aeb9--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 13:52:06 2009
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Subject: Gig recording
From: mark francombe <mark@markfrancombe.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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Recording and pics from my recentish gig...

http://www.markfrancombe.com/wordpress/?p=433

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00504502dfc54ed710046550df19
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Recording and pics from my recentish gig...<br><br><a href=3D"http://www.ma=
rkfrancombe.com/wordpress/?p=3D433">http://www.markfrancombe.com/wordpress/=
?p=3D433</a><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancomb=
e.com">www.markfrancombe.com</a><br>
<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>
<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--00504502dfc54ed710046550df19--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 13:57:12 2009
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
References: <49BF1D18.9040102@cruzio.com>
Subject: RE: beautiful     minimal    tasty   connected
Date: Tue, 17 Mar 2009 14:57:03 +0100
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> Wolfgang Muthspiel *(guitar and loop)
> *Brian Blade *(drums) - FRIENDLY TRAVELERS LIVE

very nice. What kind of guitar is that?

-Michael

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 14:05:43 2009
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Subject: Re: beautiful minimal tasty connected
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Excellent!  Thanks Rick.

On Mon, Mar 16, 2009 at 11:46 PM, Rick Walker <looppool@cruzio.com> wrote:
> 'nuff said!
> *
> Wolfgang Muthspiel *(guitar and loop)
> *Brian Blade *(drums) - FRIENDLY TRAVELERS LIVE
>
> _http://www.youtube.com/watch?v=3DIkT7TY0P8W4
>
>
> _ps =A0 thanks to Jerome Deupree (a great and unique Boston area drummer =
in
> his own right)
> for recommending =A0this clip to me_
> _
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 14:46:29 2009
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Date: Tue, 17 Mar 2009 10:46:28 -0400
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Subject: Re: Gig recording
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That was really nice.

2009/3/17 mark francombe <mark@markfrancombe.com>:
> Recording and pics from my recentish gig...
>
> http://www.markfrancombe.com/wordpress/?p=433
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 15:15:14 2009
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Date: Tue, 17 Mar 2009 08:15:12 -0700
Message-ID: <3fa302e30903170815v3c2616f3tca91dc40494dfc6e@mail.gmail.com>
Subject: Re: beautiful minimal tasty connected
From: Miko Biffle <biffoz@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Super sweet!

On Mon, Mar 16, 2009 at 8:46 PM, Rick Walker <looppool@cruzio.com> wrote:

> 'nuff said!
> *
> Wolfgang Muthspiel *(guitar and loop) *Brian Blade *(drums) - FRIENDLY
> TRAVELERS LIVE
>
> _http://www.youtube.com/watch?v=IkT7TY0P8W4
>

-- 
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

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Super sweet!<br><br><div class=3D"gmail_quote">On Mon, Mar 16, 2009 at 8:46=
 PM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.co=
m">looppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt =
0pt 0.8ex; padding-left: 1ex;">
&#39;nuff said!<br>
*<br>
Wolfgang Muthspiel *(guitar and loop) *Brian Blade *(drums) - FRIENDLY TRAV=
ELERS LIVE<br>
<br>
_<a href=3D"http://www.youtube.com/watch?v=3DIkT7TY0P8W4" target=3D"_blank"=
>http://www.youtube.com/watch?v=3DIkT7TY0P8W4</a><br>
</blockquote></div><br>-- <br>Miko Biffle<br>Biffoz@Gmail.com<br>MBiffle@Fo=
xRacingShox.com<br>&quot;Running scared from all the usual distractions!&qu=
ot;<br>

--000e0cd6adaaa044960465520885--

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	 <000c01c9a69e$b23fd0a0$0202a8c0@YOUR08D5303051>
Date: Tue, 17 Mar 2009 08:23:41 -0700
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Subject: Re: OT That 'sizzle sound' of Mp3s
From: Miko Biffle <biffoz@gmail.com>
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Saw Hendirx with Soft Machine and The Animals at Anaheim Convention Center
on their first tour.  69 possibly?  Also saw him at the L.A. Forum after
Axis Bold as Love . . . Voodoo Chile indeed.

On Mon, Mar 16, 2009 at 6:21 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  Oh yeah! I saw them and Hendrix in 69. the Denver Pop Festival. Like
> yesterday, lol
>

Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

--000e0cd305a8ece671046552266b
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Saw Hendirx with Soft Machine and The Animals at Anaheim Convention Center =
on their first tour.=A0 69 possibly?=A0 Also saw him at the L.A. Forum afte=
r Axis Bold as Love . . . Voodoo Chile indeed.<br><br><div class=3D"gmail_q=
uote">
On Mon, Mar 16, 2009 at 6:21 PM, Jeff Duke <span dir=3D"ltr">&lt;<a href=3D=
"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</a>&gt;</span> wrote:<=
br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(20=
4, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">






<div bgcolor=3D"#ffffff">
<div><font size=3D"2" face=3D"Arial">Oh yeah! I saw them and Hendrix in 69.=
 the Denver=20
Pop Festival. Like yesterday, lol</font></div></div></blockquote><div>=A0</=
div></div>Miko Biffle<br>Biffoz@Gmail.com<br>MBiffle@FoxRacingShox.com<br>&=
quot;Running scared from all the usual distractions!&quot;<br>

--000e0cd305a8ece671046552266b--

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Date: Tue, 17 Mar 2009 10:53:33 -0700 (PDT)
From: Stephen Scott <loopingsteve@yahoo.co.uk>
Reply-To: Loopers-Delight@loopers-delight.com
Subject: Re: Gig recording
To: Loopers-Delight@loopers-delight.com
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REALLY beautiful music Mark.

Kipple-Monger is a new expression to me, some interesting 'Kipple' referenc=
es discovered on Wiki.

Stephen

www.myspace.com/sylvianfisher


--- On Tue, 17/3/09, mark francombe <mark@markfrancombe.com> wrote:

> From: mark francombe <mark@markfrancombe.com>
> Subject: Gig recording
> To: "loopers-delight" <Loopers-Delight@loopers-delight.com>
> Date: Tuesday, 17 March, 2009, 1:52 PM
> Recording and pics from my recentish gig...
>=20
> http://www.markfrancombe.com/wordpress/?p=3D433
>=20
> --=20
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch=0A=0A=0A   =
   

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 18:30:43 2009
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Subject: =?ISO-8859-1?Q?MIDI_Foot_controller_=28FCB1010=29_configuration_f=FCr_Re?=
	=?ISO-8859-1?Q?peater_OS2?=
From: Rainer Straschill <moinsound@googlemail.com>
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Hey Repeater users everywhere,

any Repeater OS version 2 users who'd like to share how they did
configure their MIDI foot controller (e.g. FCB1010) to make use of the
new features?

          Rainer

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 19:10:48 2009
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depends what you wanna do, rainer...there are a lot of options, so you need
to be selective!

On Tue, Mar 17, 2009 at 6:30 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> Hey Repeater users everywhere,
>
> any Repeater OS version 2 users who'd like to share how they did
> configure their MIDI foot controller (e.g. FCB1010) to make use of the
> new features?
>
>          Rainer
>
>

--000e0cd246c609ec030465553ea9
Content-Type: text/html; charset=ISO-8859-1
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depends what you wanna do, rainer...there are a lot of options, so you need=
 to be selective!<br><br><div class=3D"gmail_quote">On Tue, Mar 17, 2009 at=
 6:30 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsou=
nd@googlemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hey Repeater users everywhere,<br>
<br>
any Repeater OS version 2 users who&#39;d like to share how they did<br>
configure their MIDI foot controller (e.g. FCB1010) to make use of the<br>
new features?<br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
</font></blockquote></div><br>

--000e0cd246c609ec030465553ea9--

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Date: Tue, 17 Mar 2009 12:15:23 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Reply-To: evanpeewee@yahoo.com
Subject: OT: why no love for noel redding?
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--0-1070677498-1237317323=:61950
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wow-i read this and thought "why no love for noel?" he was a young kid (ear=
ly 20's if?) who thought he was auditioning for the new animals (house of t=
he rising son), and got thrown in the world of JHE. i thought he was a good=
 bass player for the experience. yes, i know there are arguments on the 2nd=
 & 3rd albums that jimi played a lot of the bass stuff (i'm not up on my ev=
erything jimi did history in the last 10 yrs or so), but give the guy a bre=
ak. he was just playing the bass in the band, he wasn't responsible for the=
 recording and mixing. WHEN I LISTEN TO MY TAPES THAT ARE OVER 20 yrs old, =
IT ALL SOUNDS GOOD TO ME. when i still listen to this now that i've hit mid=
 40s-i'm amazed at the maturity of the writing and the adventurous nature o=
f the music-all done by 3 guys who were still in their early 20s (and remem=
ber the lead singer/composer-was a HS dropout, and a product of 50's era ed=
ucation-& he was african american-a lot of the odds were against
 him!). that, and the fact that the guy got shafted for his part of what he=
 contributed, and he died a few yrs ago at such a young age (wasn't he in h=
e mid-late 50's?) cut him some slack please!
end of my rant...
s---
=C2=A0
Maybe my beef is with Noel Redding specifically? I can listen to Zep,=20
> Sabbath and many others on vinyl and feel the bass is adequate (for=20
> the day)=E2=80=94I just don't find Redding's bass that satisfying. Mitch=
=20
> Mitchell OTOH ranks right up there with Bonham in my book! -m
=0A=0A=0A      
--0-1070677498-1237317323=:61950
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>wow-i read this and thought "why no love=
 for noel?" he was a young kid (early 20's if?) who thought he was audition=
ing for the new animals (house of the rising son), and got thrown in the wo=
rld of JHE. i thought he was a good bass player for the experience. yes, i =
know there are arguments on the 2nd &amp; 3rd albums that jimi played a lot=
 of the bass stuff (i'm not up on my everything jimi did history in the las=
t 10 yrs or so), but give the guy a break. he was just playing the bass in =
the band, he wasn't responsible for the recording and mixing. WHEN I LISTEN=
 TO MY TAPES THAT ARE OVER 20 yrs old, IT ALL SOUNDS GOOD TO ME. when i sti=
ll listen to this now that i've hit mid 40s-i'm amazed at the maturity of t=
he writing and the adventurous nature of the music-all done by 3 guys who w=
ere still in their early 20s (and remember the lead singer/composer-was a H=
S
 dropout, and a product of 50's era education-&amp; he was african american=
-a lot of the odds were against him!). that, and the fact that the guy got =
shafted for his part of what he contributed, and he died a few yrs ago at s=
uch a young age (wasn't he in he mid-late 50's?) cut him some slack please!=
</DIV>
<DIV>end of my rant...</DIV>
<DIV>s---</DIV>
<DIV>&nbsp;</DIV>
<DIV>Maybe my beef is with Noel Redding specifically? I can listen to Zep, =
<BR>&gt; Sabbath and many others on vinyl and feel the bass is adequate (fo=
r <BR>&gt; the day)=E2=80=94I just don't find Redding's bass that satisfyin=
g. Mitch <BR>&gt; Mitchell OTOH ranks right up there with Bonham in my book=
! -m<BR></DIV></td></tr></table><br>=0A=0A      
--0-1070677498-1237317323=:61950--

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Trying to clear out some stuff that I have no use for anymore. Thought  
I'd post here before going to ebay.

Ebtech Hum Eliminator: $35
Samson S-Direct DI Box: $20
Samson Stereo S-Direct DI Box: $25
2 Monster Cable rack "snakes" (8 cables held together by an outer  
rubber sleeve): $40/each
ART ProVerb: $30

Prices include shipping in the CON US.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 19:36:38 2009
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Date: Tue, 17 Mar 2009 15:36:35 -0400
Message-ID: <d1dcce560903171236x33667648t2318880ab0ca460b@mail.gmail.com>
Subject: Re: beautiful minimal tasty connected
From: Tony K <bigtonyk@gmail.com>
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> very nice. What kind of guitar is that?

I think it's one of these...

http://www.megatar.com/english/home.html


-- 
-==-=-=-
Tony

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	 <949858.73255.qm@web24604.mail.ird.yahoo.com>
Date: Tue, 17 Mar 2009 20:43:43 +0100
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Subject: Re: Gig recording
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From: mark francombe <mark@markfrancombe.com>

>> Recording and pics from my recentish gig...
>>
>> http://www.markfrancombe.com/wordpress/?p=433
>>

Sounds interesting! Wish I was there to hear it live.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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--001636c5bdc413abd1046555ebda
Content-Type: text/plain; charset=ISO-8859-1
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I didnt do anything actually... alot of the new features (that I use)
involve selecting a track, holding down the button while you do something
else (stop play reverse) so... Im not sure what I could do with the pedal.
Ive always found repeater totally UNresponsive to useing the pedal, so I
always just record a blank bar using the transport controls and then overdub
onto it, using pedals... I have one FCB bank for usual stuff play rec undo
rev and a switch and pedal for the slow down trick, I did have somewhere
some kindo of skip button to move a track section thru its slip values, but
maybe I never got that to wirk... also I have the "Mini keyboard" mapped to
one specific track on another bank, tuned to a scale of some sort a
pentamixolydian minor 7th if my memory serves me correctly.

mark



On Tue, Mar 17, 2009 at 8:04 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> depends what you wanna do, rainer...there are a lot of options, so you need
> to be selective!
>
>
> On Tue, Mar 17, 2009 at 6:30 PM, Rainer Straschill <
> moinsound@googlemail.com> wrote:
>
>> Hey Repeater users everywhere,
>>
>> any Repeater OS version 2 users who'd like to share how they did
>> configure their MIDI foot controller (e.g. FCB1010) to make use of the
>> new features?
>>
>>          Rainer
>>
>>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5bdc413abd1046555ebda
Content-Type: text/html; charset=ISO-8859-1
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I didnt do anything actually... alot of the new features (that I use) invol=
ve selecting a track, holding down the button while you do something else (=
stop play reverse) so... Im not sure what I could do with the pedal. Ive al=
ways found repeater totally UNresponsive to useing the pedal, so I always j=
ust record a blank bar using the transport controls and then overdub onto i=
t, using pedals... I have one FCB bank for usual stuff play rec undo rev an=
d a switch and pedal for the slow down trick, I did have somewhere some kin=
do of skip button to move a track section thru its slip values, but maybe I=
 never got that to wirk... also I have the &quot;Mini keyboard&quot; mapped=
 to one specific track on another bank, tuned to a scale of some sort a pen=
tamixolydian minor 7th if my memory serves me correctly.<br>
<br>mark<br><br><br><br><div class=3D"gmail_quote">On Tue, Mar 17, 2009 at =
8:04 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris=
40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><=
blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 2=
04, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
depends what you wanna do, rainer...there are a lot of options, so you need=
 to be selective!<div><div></div><div class=3D"h5"><br><br><div class=3D"gm=
ail_quote">On Tue, Mar 17, 2009 at 6:30 PM, Rainer Straschill <span dir=3D"=
ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com" target=3D"_blank">moin=
sound@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hey Repeater user=
s everywhere,<br>
<br>
any Repeater OS version 2 users who&#39;d like to share how they did<br>
configure their MIDI foot controller (e.g. FCB1010) to make use of the<br>
new features?<br>
<font color=3D"#888888"><br>
 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
</font></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c5bdc413abd1046555ebda--

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Message-Id: <058C14B6-8E0C-4956-804A-35A5E0EC6519@gmail.com>
From: Matthias Grob <matilists@gmail.com>
To: Loop List <Loopers-Delight@loopers-delight.com>
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Subject: new videos: live soundtrack for sundown at lake!
Date: Tue, 17 Mar 2009 18:02:50 -0300
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Around 2001 I played a series of performances at sundown on the  
esplanade of lake Greifensee, Switzerland. Its a fantastic experience  
to create a live soundtrack on looping guitar for the biggest and  
never repeating show on this planet :-).

The material was mostly edited in 2003 but we could not finish it due  
to iMovie problems.

Now its finally at
http://youtube.com/matigrob

the sound has very few edits:
in the first part I glued 2 different pieces together
in the second part I took 2 short bits out, should not be noticable

I could not find anything similar on the net yet ;-)
enjoy!
Matthias

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Subject: Re: beautiful minimal tasty connected
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On Mar 17, 2009, at 12:36 PM, Tony K wrote:

> I think it's one of these...
>
> http://www.megatar.com/english/home.html


I think it looks more like a pricier version of this:

http://tinyurl.com/crh9x9

with an upgraded neck and electronics.

regards

BobC


http://tinyurl.com/yt8f8j  Flickr set

http://www.youtube.com/tynego

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Date: Tue, 17 Mar 2009 17:13:20 -0400
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Subject: Re: beautiful minimal tasty connected
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Yeah, after watching again, I don't think it is a Megatar.  Wonder what it =
is.

On Tue, Mar 17, 2009 at 5:05 PM, RP Collier <skeptikalist@gmail.com> wrote:
>
> On Mar 17, 2009, at 12:36 PM, Tony K wrote:
>
>> I think it's one of these...
>>
>> http://www.megatar.com/english/home.html
>
>
> I think it looks more like a pricier version of this:
>
> http://tinyurl.com/crh9x9
>
> with an upgraded neck and electronics.
>
> regards
>
> BobC
>
>
> http://tinyurl.com/yt8f8j =A0Flickr set
>
> http://www.youtube.com/tynego
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Tue Mar 17 21:32:33 2009
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Date: Tue, 17 Mar 2009 14:32:31 -0700
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Subject: Re: OT: why no love for noel redding?
From: Miko Biffle <biffoz@gmail.com>
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--000e0cd6ec92fced2e0465574dfa
Content-Type: text/plain; charset=windows-1252
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This has nothing to do with my personal feelings for Noel=97it's impersonal=
.
It doesn't matter who played the parts (but I guess the player had to have =
a
name, so I used it.)  Realize that I LOVE the entire band and have
unbelieveable, life-changing memories surrounding my first-hand witness of
the music.  (Meaning I was there to see it=97first tour, second tour) But w=
hen
I sit down in front of the monitors and listen, I have perceptions I'm not
going to ignore due to personal bias.

There are always considerations regarding how one ended up with xyz
(whatever results followed)=97but the resulting document still has specific
sonic qualities.  Just my humble, honest opinion.  Would it be safe to say
Hendrix was sometimes a very sloppy player?  *-)  (Ducking NOW!)

To cleanse any sullifying damage my sacriligous statements may have caused,
I command you all to go home and watch "Jimi Plays Berkeley" tonight and
revel in absolutely amazing, skronky, beautific, Hendrix bliss.  Be sure to
add plenty of your favorite beverage or potion.  -m

On 3/17/09, scott hansen <evanpeewee@yahoo.com> wrote:
>
> wow-i read this and thought "why no love for noel?" he was a young kid
> (early 20's if?) who thought he was auditioning for the new animals (hous=
e
> of the rising son), and got thrown in the world of JHE. i thought he was =
a
> good bass player for the experience. yes, i know there are arguments on t=
he
> 2nd & 3rd albums that jimi played a lot of the bass stuff (i'm not up on =
my
> everything jimi did history in the last 10 yrs or so), but give the guy a
> break. he was just playing the bass in the band, he wasn't responsible fo=
r
> the recording and mixing. WHEN I LISTEN TO MY TAPES THAT ARE OVER 20 yrs
> old, IT ALL SOUNDS GOOD TO ME. when i still listen to this now that i've =
hit
> mid 40s-i'm amazed at the maturity of the writing and the adventurous nat=
ure
> of the music-all done by 3 guys who were still in their early 20s (and
> remember the lead singer/composer-was a HS dropout, and a product of 50's
> era education-& he was african american-a lot of the odds were against
> him!). that, and the fact that the guy got shafted for his part of what h=
e
> contributed, and he died a few yrs ago at such a young age (wasn't he in =
he
> mid-late 50's?) cut him some slack please!
> end of my rant...
> s---
>
> Maybe my beef is with Noel Redding specifically? I can listen to Zep,
> > Sabbath and many others on vinyl and feel the bass is adequate (for
> > the day)=97I just don't find Redding's bass that satisfying. Mitch
> > Mitchell OTOH ranks right up there with Bonham in my book! -m
>
> --
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

--000e0cd6ec92fced2e0465574dfa
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

This has nothing to do with my personal feelings for Noel=97it&#39;s
impersonal.=A0 It doesn&#39;t matter who played the parts (but I guess
the player had to have a name, so I used it.)=A0 Realize that I LOVE
the entire band and have unbelieveable, life-changing
memories surrounding my first-hand witness of the music.=A0 (Meaning
I was there to see it=97first tour, second tour) But when I
sit down in front of the monitors and listen, I have perceptions I&#39;m
not going to ignore due to personal bias.<br>
<br>
There are always considerations regarding how one ended up with xyz
(whatever results followed)=97but the resulting document still has
specific sonic qualities.=A0 Just my humble, honest opinion.=A0
Would it be safe to say Hendrix was sometimes a very sloppy
player?=A0 *-)=A0 (Ducking NOW!)<br>
<br>
To cleanse any sullifying damage my sacriligous statements may have
caused, I command you all to go home and watch &quot;Jimi Plays Berkeley&qu=
ot;
tonight and revel in absolutely amazing, skronky, beautific, Hendrix
bliss.=A0 Be sure to add plenty of your favorite beverage or
potion.=A0 -m<br><br><div><span class=3D"gmail_quote">On 3/17/09, <b class=
=3D"gmail_sendername">scott hansen</b> &lt;<a href=3D"mailto:evanpeewee@yah=
oo.com">evanpeewee@yahoo.com</a>&gt; wrote:</span><blockquote class=3D"gmai=
l_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0p=
t 0pt 0.8ex; padding-left: 1ex;">
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"font-family: inherit; font-style: inherit; font-variant: inherit; font=
-weight: inherit; font-size: inherit; line-height: inherit; font-size-adjus=
t: inherit; font-stretch: inherit;" valign=3D"top">
<div>wow-i
read this and thought &quot;why no love for noel?&quot; he was a young kid =
(early
20&#39;s if?) who thought he was auditioning for the new animals (house of
the rising son), and got thrown in the world of JHE. i thought he was a
good bass player for the experience. yes, i know there are arguments on
the 2nd &amp; 3rd albums that jimi played a lot of the bass stuff (i&#39;m
not up on my everything jimi did history in the last 10 yrs or so), but
give the guy a break. he was just playing the bass in the band, he
wasn&#39;t responsible for the recording and mixing. WHEN I LISTEN TO MY
TAPES THAT ARE OVER 20 yrs old, IT ALL SOUNDS GOOD TO ME. when i still
listen to this now that i&#39;ve hit mid 40s-i&#39;m amazed at the maturity=
 of
the writing and the adventurous nature of the music-all done by 3 guys
who were still in their early 20s (and remember the lead
singer/composer-was a HS dropout, and a product of 50&#39;s era
education-&amp; he was african american-a lot of the odds were against
him!). that, and the fact that the guy got shafted for his part of what
he contributed, and he died a few yrs ago at such a young age (wasn&#39;t
he in he mid-late 50&#39;s?) cut him some slack please!</div>
<div>end of my rant...</div>
<div>s---</div>
<div>=A0</div>
<div>Maybe my beef is with Noel Redding specifically? I can listen to Zep, =
<br>&gt; Sabbath and many others on vinyl and feel the bass is adequate (fo=
r <br>&gt; the day)=97I just don&#39;t find Redding&#39;s bass that satisfy=
ing. Mitch <br>
&gt; Mitchell OTOH ranks right up there with Bonham in my book! -m<br></div=
></td></tr></tbody></table><br>

      </blockquote></div>-- <br>Miko Biffle<br>Biffoz@Gmail.com<br>MBiffle@=
FoxRacingShox.com<br>&quot;Running scared from all the usual distractions!&=
quot;

--000e0cd6ec92fced2e0465574dfa--

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References: <058C14B6-8E0C-4956-804A-35A5E0EC6519@gmail.com>
Date: Tue, 17 Mar 2009 20:07:21 -0400 (AST)
Subject: Re: new videos: live soundtrack for sundown at lake!
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hi Matt,

Thanks for that.
Sweet sounds.
It's like a choir of seagulls.

Andre

On Tue, March 17, 2009 5:02 pm, Matthias Grob wrote:
> Around 2001 I played a series of performances at sundown on the
> esplanade of lake Greifensee, Switzerland. Its a fantastic experience
> to create a live soundtrack on looping guitar for the biggest and
> never repeating show on this planet :-).
>
> The material was mostly edited in 2003 but we could not finish it due
> to iMovie problems.
>
> Now its finally at
> http://youtube.com/matigrob
>
> the sound has very few edits:
> in the first part I glued 2 different pieces together
> in the second part I took 2 short bits out, should not be noticable
>
> I could not find anything similar on the net yet ;-)
> enjoy!
> Matthias
>
>


Andre Donawa
Barbados Guitar School
Woodside Gardens
Bay St.
St. Michael
Barbados
 11157
Tel: 246-228-2480 (Office)
     246 436 8294 (School)

http://www.barbadosguitar.com
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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Date: Tue, 17 Mar 2009 20:19:41 -0700
Message-ID: <588ce11d0903172019k163b14f2xe9e1306446bef47a@mail.gmail.com>
Subject: Re: beautiful minimal tasty connected
From: Art Simon <simart@gmail.com>
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Nice! Best thing I've heard in a while! Great Post Rick!

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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	 <49BF61BE.907@tiscali.co.uk>
Date: Tue, 17 Mar 2009 21:05:30 -0700
Message-ID: <37f071c00903172105g18c25666h71e99ed877602b5e@mail.gmail.com>
Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
From: Kevin Cheli-Colando <billowhead@gmail.com>
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The SOS of the DD20 is really a bare bones looper.  You press the
pedal to record your first loop, press it again to close it and start
it repeating.  Press the pedal again and you record as long as you
hold it down.  No feedback control or undo so its really a one way
kind of thing-forward to more.  I think the delay modes are probably
more suited to looping though they have been a bit tricky for me to
get comfortable with.  The simultaneous delays are pretty great in
that you can record a phrase with say 90% feedback and move to the
next delay bank.  The original loop will repeat and slowly decay
untouched by what you're now playing as that is being captured in the
second delay bank.  If you move forward once more though it terminates
the first delay so you kind of need to time your feedback so you can
move on without abruptly cutting off the delay (unless that's what you
want).  Of course once you advance to the next delay bank you're stuck
with whatever settings you had before you moved on, there's no going
backwards to change the settings.   You can also use the on/off pedal
to open and close a loop with the feedback set to 100% and mimic the
SOS only with the option of bending down and adjusting the feedback to
let the loop decay.

You can also mess with the loop length by tapping a new tempo once
you've got something going and that can get kind of interesting.

I don't use it as much as I probably should but it has a lot of
potential.  For simple looping I really prefer the DL4 but I can see
how if you learned the DD20 first if could really be one's primary
looper.

Kevin

On Tue, Mar 17, 2009 at 1:39 AM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> hi Kevin,
> yep, I'm a Rolandophobe ;-)
>
> ...but now I remember Ted Killians killer dd20 moves.
>
> Only =A3110 + =A3psu inUK.
>
> At $219 + $psu in the US
>
> From what I heard on this list, the SOS mode wasn't up to much,
> but the manual *suggests* it's possible to
>
> 1) tap in a loop
> 2) overdub
> 3) quickly erase loop and start another
>
> So in theory, it's a good alternative.
>
> Is there some hidden drawback to the SOS?
> (i kind of remember there was, and that LDers prized =A0it for allowing 2
> simultaneous delays)
>
>
> andy
>
> Kevin Cheli-Colando wrote:
>>
>> You're missing the Boss DD20 which is also more delay than looper but
>> has sound on sound and 23 seconds of delay with feedback control.
>> $219 in the US.
>>
>> Kevin
>>
>> On Mon, Mar 16, 2009 at 3:33 PM, Rick Walker <looppool@cruzio.com> wrote=
:
>>>
>>> Okay, we are nearing a good list, here.
>>> It would be great if someone would complete this list with prices
>>> from both Southern and Northern Europe (I say this because prices
>>> obviously
>>> very greatly from the US to the UK alone)
>>>
>>> I purposefully didn't included pedals that are no longer in production
>>> (but we could with their salient going prices-anyone feel like doing th=
at
>>> research?)
>>> but I did include used laptop, reel to reel and cassette solutions.
>>>
>>> What are we missing anything?
>>
>>
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 08:42:16 2009
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Kevin Cheli-Colando wrote:
> The SOS of the DD20 is really a bare bones looper.  You press the
> pedal to record your first loop, press it again to close it and start
> it repeating.  Press the pedal again and you record as long as you
> hold it down.  No feedback control or undo so its really a one way
> kind of thing-forward to more.  


Thanks Kevin, that's a really neat review.

I would add that a short press of the pedal erases the loop that's playing,
with that feature the  SOS becomes gigable. 

The thing is, are there any hidden difficulties with the SOS mode?
(typical of Roland/Boss)

>From the manual description, it *could* work smoothly as a "bare
bones looper", or it might be that there's stuff like a gap
before playback commences.

I'm not familiar with the RC-20XL either, but I've seen a lot of people
use it just to tap in single loops and overdub in a live situation.

..but all I hear about DD-20 is that the Delay Mode is more useful,
no-one seems to actually use the SOS....which casts some doubt as
to whether there's some problem with it. 


andy

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Andy wrote:
> >From the manual description, it *could* work smoothly as a "bare
> bones looper", or it might be that there's stuff like a gap
> before playback commences.
> ..but all I hear about DD-20 is that the Delay Mode is more useful,
> no-one seems to actually use the SOS....which casts some doubt as
> to whether there's some problem with it. 

The DD-20 was my first looper and I have used it for years. I never had g=
ap issues in SOS mode or anything like that. But I especially liked it fo=
r the analog and tape delay modes and feedback on 70-90% in combination w=
ith the undocumented 2nd loop feature (see email of Kevin). The sound it =
produces is rich and warm (no noise) and it's build like a tank. I sold m=
ine yesterday for 150 Euro's + adapter. 
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

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Subject: Re: new videos: live soundtrack for sundown at lake!
Date: Wed, 18 Mar 2009 09:32:55 -0000
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Very nice, Matthias!

Ricky

----- Original Message ----- 
From: "Matthias Grob" <matilists@gmail.com>
To: "Loop List" <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 17, 2009 9:02 PM
Subject: new videos: live soundtrack for sundown at lake!


> Around 2001 I played a series of performances at sundown on the
> esplanade of lake Greifensee, Switzerland. Its a fantastic experience
> to create a live soundtrack on looping guitar for the biggest and
> never repeating show on this planet :-).
>
> The material was mostly edited in 2003 but we could not finish it due
> to iMovie problems.
>
> Now its finally at
> http://youtube.com/matigrob
>
> the sound has very few edits:
> in the first part I glued 2 different pieces together
> in the second part I took 2 short bits out, should not be noticable
>
> I could not find anything similar on the net yet ;-)
> enjoy!
> Matthias
>


--------------------------------------------------------------------------------



No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.0.237 / Virus Database: 270.11.17/2007 - Release Date: 03/17/09 
10:18:00

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Date: Wed, 18 Mar 2009 03:08:45 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Reply-To: labaloops@yahoo.com
Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
To: Loopers-Delight@loopers-delight.com
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sooooo here is another contender with dual switches:

http://www.youtube.com/watch?v=3D4RCKLh09zVI&feature=3DPlayList&p=3DBF6F02B=
1D094378C&playnext=3D1&playnext_from=3DPL&index=3D3

www.myspace.com/luisangulocom


--- On Tue, 3/17/09, Kevin Cheli-Colando <billowhead@gmail.com> wrote:

> From: Kevin Cheli-Colando <billowhead@gmail.com>
> Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, March 17, 2009, 9:05 PM
> The SOS of the DD20 is really a bare bones looper.  You
> press the
> pedal to record your first loop, press it again to close it
> and start
> it repeating.  Press the pedal again and you record as long
> as you
> hold it down.  No feedback control or undo so its really a
> one way
> kind of thing-forward to more.  I think the delay modes are
> probably
> more suited to looping though they have been a bit tricky
> for me to
> get comfortable with.  The simultaneous delays are pretty
> great in
> that you can record a phrase with say 90% feedback and move
> to the
> next delay bank.  The original loop will repeat and slowly
> decay
> untouched by what you're now playing as that is being
> captured in the
> second delay bank.  If you move forward once more though it
> terminates
> the first delay so you kind of need to time your feedback
> so you can
> move on without abruptly cutting off the delay (unless
> that's what you
> want).  Of course once you advance to the next delay bank
> you're stuck
> with whatever settings you had before you moved on,
> there's no going
> backwards to change the settings.   You can also use the
> on/off pedal
> to open and close a loop with the feedback set to 100% and
> mimic the
> SOS only with the option of bending down and adjusting the
> feedback to
> let the loop decay.
>=20
> You can also mess with the loop length by tapping a new
> tempo once
> you've got something going and that can get kind of
> interesting.
>=20
> I don't use it as much as I probably should but it has
> a lot of
> potential.  For simple looping I really prefer the DL4 but
> I can see
> how if you learned the DD20 first if could really be
> one's primary
> looper.
>=20
> Kevin
>=20
> On Tue, Mar 17, 2009 at 1:39 AM, andy butler
> <akbutler@tiscali.co.uk> wrote:
> > hi Kevin,
> > yep, I'm a Rolandophobe ;-)
> >
> > ...but now I remember Ted Killians killer dd20 moves.
> >
> > Only =A3110 + =A3psu inUK.
> >
> > At $219 + $psu in the US
> >
> > From what I heard on this list, the SOS mode
> wasn't up to much,
> > but the manual *suggests* it's possible to
> >
> > 1) tap in a loop
> > 2) overdub
> > 3) quickly erase loop and start another
> >
> > So in theory, it's a good alternative.
> >
> > Is there some hidden drawback to the SOS?
> > (i kind of remember there was, and that LDers prized
> =A0it for allowing 2
> > simultaneous delays)
> >
> >
> > andy
> >
> > Kevin Cheli-Colando wrote:
> >>
> >> You're missing the Boss DD20 which is also
> more delay than looper but
> >> has sound on sound and 23 seconds of delay with
> feedback control.
> >> $219 in the US.
> >>
> >> Kevin
> >>
> >> On Mon, Mar 16, 2009 at 3:33 PM, Rick Walker
> <looppool@cruzio.com> wrote:
> >>>
> >>> Okay, we are nearing a good list, here.
> >>> It would be great if someone would complete
> this list with prices
> >>> from both Southern and Northern Europe (I say
> this because prices
> >>> obviously
> >>> very greatly from the US to the UK alone)
> >>>
> >>> I purposefully didn't included pedals that
> are no longer in production
> >>> (but we could with their salient going
> prices-anyone feel like doing that
> >>> research?)
> >>> but I did include used laptop, reel to reel
> and cassette solutions.
> >>>
> >>> What are we missing anything?
> >>
> >>
> >
> >
>=20
>=20
>=20
> --=20
> Till now you seriously considered yourself to be the body
> and to have a
> form. That is the primal ignorance which is the root cause
> of all trouble.
>=20
> - Ramana Maharshi (1879-1950)
>=20
> Sound and Vision:  http://www.minds-eye.org NEW SITE
> 3/01/09=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 10:41:29 2009
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good work Mark - that ending must've been pretty intense through a loud PA!

os.


2009/3/17 mark francombe <mark@markfrancombe.com>:
> Recording and pics from my recentish gig...
>
> http://www.markfrancombe.com/wordpress/?p=433
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 11:01:16 2009
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Just got round to listening to this all the way through. Great stuff, Mark. 
It's really inspired me to get out and do some solo loping gigs, which I 
haven't done for a while.

Steve

Steve Moyes
www.stevemoyes.org.uk
www.creativemusic.org.uk
www.creativemusic.blip.tv
www.twitter.com/SteveMoyes

----- Original Message ----- 
From: mark francombe
To: loopers-delight
Sent: Tuesday, March 17, 2009 1:52 PM
Subject: Gig recording


Recording and pics from my recentish gig...

http://www.markfrancombe.com/wordpress/?p=433


From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 11:25:23 2009
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L.Angulo wrote:
> sooooo here is another contender with dual switches:
> 
> http://www.youtube.com/watch?v=4RCKLh09zVI&feature=PlayList&p=BF6F02B1D094378C&playnext=1&playnext_from=PL&index=3
> 
> www.myspace.com/luisangulocom

Nooooo....not another guitarist demoing an echo   :-)

Probably too expensive at £310,
but looks interesting so downloaded the manual.


1) Manual won't download from site with I.E. , used Firefox... must be mac boys then :-)

2) From the manual "For the Looper, feedback is meaningless and so Fdbk A is used as a Decay Rate control for dubbing. "
   ...heart sinks to hear such talk, there's even an used knob available which could be used for FB
   

3) short looptime, but extendible at lower quality 

"Speed/Varispeed: When the Loop is Empty, the Speed control lets you select the record speed. The choices are: [SPD:2X] – Double speed. At this record speed, the maximum loop length is 6 seconds. [SPD:1X] – Normal speed. At this record speed, the maximum loop length is 12 seconds. [SPD:1/2] – Half speed. At this record speed, the maximum loop length is 24 seconds. [SPD:1/4] – Quarter speed. At this record speed, the maximum loop length is 48 seconds. "

4) this is more like it

"After a loop is recorded, Varispeed controls the speed of Loop playback over a three octave range from two octaves down (25%) to one octave up (200%). Play Speed resolution is dependent on the setting of the Depth control"


5) Actually, the looper has 3 buttons, so easy to use. 
OD can be set to TOG or SUS, and if you'd rather you can set it to replace rather than OD.

6) Seems to have a re-trigger button.


The looper function in this unit reminds of the DL4,
except you don't get a delay as a bonus while you're looping.
I'd guess they looked at the DL4 when designing it.

As single loop looper with varispeed and replace it looks very useable,
and it appears to be midi controllable.
..but at the price it's not exactly a bargain as a looper.

In one of the vids, someone appears to be post processing the loop with the delays, couldn't
find that in the manual.

andy butler


> 
> 
> --- On Tue, 3/17/09, Kevin Cheli-Colando <billowhead@gmail.com> wrote:
> 
>> From: Kevin Cheli-Colando <billowhead@gmail.com>
>> Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
>> To: Loopers-Delight@loopers-delight.com
>> Date: Tuesday, March 17, 2009, 9:05 PM
>> The SOS of the DD20 is really a bare bones looper.  You
>> press the
>> pedal to record your first loop, press it again to close it
>> and start
>> it repeating.  Press the pedal again and you record as long
>> as you
>> hold it down.  No feedback control or undo so its really a
>> one way
>> kind of thing-forward to more.  I think the delay modes are
>> probably
>> more suited to looping though they have been a bit tricky
>> for me to
>> get comfortable with.  The simultaneous delays are pretty
>> great in
>> that you can record a phrase with say 90% feedback and move
>> to the
>> next delay bank.  The original loop will repeat and slowly
>> decay
>> untouched by what you're now playing as that is being
>> captured in the
>> second delay bank.  If you move forward once more though it
>> terminates
>> the first delay so you kind of need to time your feedback
>> so you can
>> move on without abruptly cutting off the delay (unless
>> that's what you
>> want).  Of course once you advance to the next delay bank
>> you're stuck
>> with whatever settings you had before you moved on,
>> there's no going
>> backwards to change the settings.   You can also use the
>> on/off pedal
>> to open and close a loop with the feedback set to 100% and
>> mimic the
>> SOS only with the option of bending down and adjusting the
>> feedback to
>> let the loop decay.
>>
>> You can also mess with the loop length by tapping a new
>> tempo once
>> you've got something going and that can get kind of
>> interesting.
>>
>> I don't use it as much as I probably should but it has
>> a lot of
>> potential.  For simple looping I really prefer the DL4 but
>> I can see
>> how if you learned the DD20 first if could really be
>> one's primary
>> looper.
>>
>> Kevin
>>
>> On Tue, Mar 17, 2009 at 1:39 AM, andy butler
>> <akbutler@tiscali.co.uk> wrote:
>>> hi Kevin,
>>> yep, I'm a Rolandophobe ;-)
>>>
>>> ...but now I remember Ted Killians killer dd20 moves.
>>>
>>> Only £110 + £psu inUK.
>>>
>>> At $219 + $psu in the US
>>>
>>> From what I heard on this list, the SOS mode
>> wasn't up to much,
>>> but the manual *suggests* it's possible to
>>>
>>> 1) tap in a loop
>>> 2) overdub
>>> 3) quickly erase loop and start another
>>>
>>> So in theory, it's a good alternative.
>>>
>>> Is there some hidden drawback to the SOS?
>>> (i kind of remember there was, and that LDers prized
>>  it for allowing 2
>>> simultaneous delays)
>>>
>>>
>>> andy
>>>
>>> Kevin Cheli-Colando wrote:
>>>> You're missing the Boss DD20 which is also
>> more delay than looper but
>>>> has sound on sound and 23 seconds of delay with
>> feedback control.
>>>> $219 in the US.
>>>>
>>>> Kevin
>>>>
>>>> On Mon, Mar 16, 2009 at 3:33 PM, Rick Walker
>> <looppool@cruzio.com> wrote:
>>>>> Okay, we are nearing a good list, here.
>>>>> It would be great if someone would complete
>> this list with prices
>>>>> from both Southern and Northern Europe (I say
>> this because prices
>>>>> obviously
>>>>> very greatly from the US to the UK alone)
>>>>>
>>>>> I purposefully didn't included pedals that
>> are no longer in production
>>>>> (but we could with their salient going
>> prices-anyone feel like doing that
>>>>> research?)
>>>>> but I did include used laptop, reel to reel
>> and cassette solutions.
>>>>> What are we missing anything?
>>>>
>>>
>>
>>
>> -- 
>> Till now you seriously considered yourself to be the body
>> and to have a
>> form. That is the primal ignorance which is the root cause
>> of all trouble.
>>
>> - Ramana Maharshi (1879-1950)
>>
>> Sound and Vision:  http://www.minds-eye.org NEW SITE
>> 3/01/09
> 
> 
>       
> 
> 

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Subject: Virtual repeater
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--001517503bbaed4cf00465642f98
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Hi list,
I'm new around here and new to looping in general.  I would like to get my
hands on a virtual repeater, but I'm not even sure if the software ever went
on sale...  from what I can read on the net the software was being launched
in fall 2007 and Electrix went under in early 2008.  Did any copies of the
software ever ship?  Can it be found used anywhere?  Was it purchased by
anyone?

Thanks!

Sylvain
www.myspace.com/sylvainpoitras

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<div>Hi list, </div>
<div>I&#39;m new around here and new to looping in general.=A0 I would like=
 to get my hands on a virtual repeater, but I&#39;m not even sure if the so=
ftware ever went on sale...=A0 from what I can read on=A0the net the softwa=
re was being launched in fall 2007 and Electrix went under in early 2008.=
=A0 Did any copies of the software ever ship?=A0 Can it be found used anywh=
ere?=A0 Was it purchased by anyone?</div>

<div>=A0</div>
<div>Thanks!</div>
<div>=A0</div>
<div>Sylvain</div>
<div><a href=3D"http://www.myspace.com/sylvainpoitras">www.myspace.com/sylv=
ainpoitras</a></div>
<div>=A0</div>

--001517503bbaed4cf00465642f98--

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Date: Wed, 18 Mar 2009 08:49:08 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: OT: why no love for noel redding?
To: Miko Biffle <biffoz@gmail.com>, Loopers-Delight@loopers-delight.com
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Yo crew -=20
    I think poor Noel got the short straw for a number of reasons. IIRC, =
he joined the Experience with promises of becoming a guitar player in =
the band and having his own songs recorded. So he was a frustrated =
guitar player stuck on bass. Then he's playing with two of the greatest =
players ever - Hendrix and Mitchell. And can you name one song he wrote =
besides "She's So Fine?" Then he's drugging and drinking and groupie-ing =
like only a young male in his 20's in the late 60's could, alongside Mr. =
H, who would out drug/drink/grope everyone right up to his death. And =
the band was being hyped as THE GREATEST THING SINCE JESUS and they were =
being tossed into grinding tours with mismanaged money and riots outside =
the concert halls... So poor Noel just couldn't keep up on any front - =
musicianship, songwriting, excessive lifestyle, crappy business.
    And Miko, yeah, Jimi was one of the sloppiest players going at =
times. Again, it was par for the course. But man, give me "Machine Gun" =
at the Fillmore! Jimi changed our DNA. Sometimes I cry when I think of =
his dying.=20
   =20
Music is going to break the way because music is in a spiritual thing of =
its own. It's like the waves of the ocean. You can't just cut out the =
perfect wave and take it home with you.=20
-- Jimi Hendrix=20

Wave on, wave on....

Douglas Baldwin
Alpha Coyote
coyotelk@optonline.net
www.TheCoyote.org

"The purpose of music is to sober and quiet the mind, thus rendering it =
suseptible to divine influences."
-- Thomas Mace (17th century), transmitted to Gita Sarabhai, as told to =
John Cage

  ----- Original Message -----=20
  From: Miko Biffle=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, March 17, 2009 5:32 PM
  Subject: Re: OT: why no love for noel redding?


  This has nothing to do with my personal feelings for Noel=97it's =
impersonal.  It doesn't matter who played the parts (but I guess the =
player had to have a name, so I used it.)  Realize that I LOVE the =
entire band and have unbelieveable, life-changing memories surrounding =
my first-hand witness of the music.  (Meaning I was there to see =
it=97first tour, second tour) But when I sit down in front of the =
monitors and listen, I have perceptions I'm not going to ignore due to =
personal bias.

  There are always considerations regarding how one ended up with xyz =
(whatever results followed)=97but the resulting document still has =
specific sonic qualities.  Just my humble, honest opinion.  Would it be =
safe to say Hendrix was sometimes a very sloppy player?  *-)  (Ducking =
NOW!)

  To cleanse any sullifying damage my sacriligous statements may have =
caused, I command you all to go home and watch "Jimi Plays Berkeley" =
tonight and revel in absolutely amazing, skronky, beautific, Hendrix =
bliss.  Be sure to add plenty of your favorite beverage or potion.  -m


  On 3/17/09, scott hansen <evanpeewee@yahoo.com> wrote:
          wow-i read this and thought "why no love for noel?" he was a =
young kid (early 20's if?) who thought he was auditioning for the new =
animals (house of the rising son), and got thrown in the world of JHE. i =
thought he was a good bass player for the experience. yes, i know there =
are arguments on the 2nd & 3rd albums that jimi played a lot of the bass =
stuff (i'm not up on my everything jimi did history in the last 10 yrs =
or so), but give the guy a break. he was just playing the bass in the =
band, he wasn't responsible for the recording and mixing. WHEN I LISTEN =
TO MY TAPES THAT ARE OVER 20 yrs old, IT ALL SOUNDS GOOD TO ME. when i =
still listen to this now that i've hit mid 40s-i'm amazed at the =
maturity of the writing and the adventurous nature of the music-all done =
by 3 guys who were still in their early 20s (and remember the lead =
singer/composer-was a HS dropout, and a product of 50's era education-& =
he was african american-a lot of the odds were against him!). that, and =
the fact that the guy got shafted for his part of what he contributed, =
and he died a few yrs ago at such a young age (wasn't he in he mid-late =
50's?) cut him some slack please!
          end of my rant...
          s---

          Maybe my beef is with Noel Redding specifically? I can listen =
to Zep,=20
          > Sabbath and many others on vinyl and feel the bass is =
adequate (for=20
          > the day)=97I just don't find Redding's bass that satisfying. =
Mitch=20
          > Mitchell OTOH ranks right up there with Bonham in my book! =
-m
        =20


  --=20
  Miko Biffle
  Biffoz@Gmail.com
  MBiffle@FoxRacingShox.com
  "Running scared from all the usual distractions!" =

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Bookman Old Style">Yo crew - </FONT></DIV>
<DIV><FONT face=3D"Bookman Old Style">&nbsp;&nbsp;&nbsp; I think poor =
Noel got the=20
short straw for a number of reasons. IIRC, he joined the Experience with =

promises of becoming a guitar player in the band and having his own =
songs=20
recorded. So he was a frustrated guitar player stuck on bass. Then he's =
playing=20
with two of the greatest players ever - Hendrix and Mitchell. And can =
you name=20
one song he wrote besides "She's So Fine?" Then he's drugging and =
drinking and=20
groupie-ing like only a young male in his 20's in the late 60's could, =
alongside=20
Mr. H, who would out drug/drink/grope everyone right up to his death. =
And the=20
band was being hyped as THE GREATEST THING SINCE JESUS and they were =
being=20
tossed into grinding tours&nbsp;with mismanaged money and riots outside =
the=20
concert halls... So poor Noel just couldn't keep up on any front - =
musicianship,=20
songwriting, excessive lifestyle, crappy business.</FONT></DIV>
<DIV><FONT face=3D"Bookman Old Style">&nbsp;&nbsp;&nbsp; And Miko, yeah, =
Jimi was=20
one of the sloppiest players going at times. Again, it was par for the =
course.=20
But man, give me "Machine Gun" at the Fillmore! Jimi changed our DNA. =
Sometimes=20
I cry when I think of his dying. </FONT></DIV>
<DIV><FONT face=3D"Bookman Old Style">&nbsp;&nbsp;&nbsp; </FONT></DIV>
<DIV>Music is going to break the way because music is in a spiritual =
thing of=20
its own. It's like the waves of the ocean. You can't just cut out the =
perfect=20
wave and take it home with you. <BR>-- Jimi Hendrix </DIV>
<DIV><FONT face=3D"Bookman Old Style"></FONT>&nbsp;</DIV>
<DIV><FONT face=3D"Bookman Old Style">Wave on, wave =
on....</FONT></DIV><FONT=20
face=3D"Bookman Old Style">
<DIV><BR>Douglas Baldwin<BR>Alpha Coyote<BR><A=20
href=3D"mailto:coyotelk@optonline.net">coyotelk@optonline.net</A><BR><A=20
href=3D"http://www.TheCoyote.org">www.TheCoyote.org</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>"The purpose of music is to sober and quiet the mind, thus =
rendering it=20
suseptible to divine influences."<BR>-- Thomas Mace (17th century), =
transmitted=20
to Gita Sarabhai, as told to John Cage<BR></FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbiffoz@gmail.com href=3D"mailto:biffoz@gmail.com">Miko =
Biffle</A>=20
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, March 17, 2009 =
5:32=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: why no love =
for noel=20
  redding?</DIV>
  <DIV><BR></DIV>This has nothing to do with my personal feelings for =
Noel=97it's=20
  impersonal.&nbsp; It doesn't matter who played the parts (but I guess =
the=20
  player had to have a name, so I used it.)&nbsp; Realize that I LOVE =
the entire=20
  band and have unbelieveable, life-changing memories surrounding my =
first-hand=20
  witness of the music.&nbsp; (Meaning I was there to see it=97first =
tour, second=20
  tour) But when I sit down in front of the monitors and listen, I have=20
  perceptions I'm not going to ignore due to personal bias.<BR><BR>There =
are=20
  always considerations regarding how one ended up with xyz (whatever =
results=20
  followed)=97but the resulting document still has specific sonic =
qualities.&nbsp;=20
  Just my humble, honest opinion.&nbsp; Would it be safe to say Hendrix =
was=20
  sometimes a very sloppy player?&nbsp; *-)&nbsp; (Ducking =
NOW!)<BR><BR>To=20
  cleanse any sullifying damage my sacriligous statements may have =
caused, I=20
  command you all to go home and watch "Jimi Plays Berkeley" tonight and =
revel=20
  in absolutely amazing, skronky, beautific, Hendrix bliss.&nbsp; Be =
sure to add=20
  plenty of your favorite beverage or potion.&nbsp; -m<BR><BR>
  <DIV><SPAN class=3Dgmail_quote>On 3/17/09, <B =
class=3Dgmail_sendername>scott=20
  hansen</B> &lt;<A=20
  href=3D"mailto:evanpeewee@yahoo.com">evanpeewee@yahoo.com</A>&gt; =
wrote:</SPAN>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
      <TBODY>
      <TR>
        <TD=20
        style=3D"FONT-FAMILY: inherit; font-size-adjust: inherit; =
font-stretch: inherit"=20
        vAlign=3Dtop>
          <DIV>wow-i read this and thought "why no love for noel?" he =
was a=20
          young kid (early 20's if?) who thought he was auditioning for =
the new=20
          animals (house of the rising son), and got thrown in the world =
of JHE.=20
          i thought he was a good bass player for the experience. yes, i =
know=20
          there are arguments on the 2nd &amp; 3rd albums that jimi =
played a lot=20
          of the bass stuff (i'm not up on my everything jimi did =
history in the=20
          last 10 yrs or so), but give the guy a break. he was just =
playing the=20
          bass in the band, he wasn't responsible for the recording and =
mixing.=20
          WHEN I LISTEN TO MY TAPES THAT ARE OVER 20 yrs old, IT ALL =
SOUNDS GOOD=20
          TO ME. when i still listen to this now that i've hit mid =
40s-i'm=20
          amazed at the maturity of the writing and the adventurous =
nature of=20
          the music-all done by 3 guys who were still in their early 20s =
(and=20
          remember the lead singer/composer-was a HS dropout, and a =
product of=20
          50's era education-&amp; he was african american-a lot of the =
odds=20
          were against him!). that, and the fact that the guy got =
shafted for=20
          his part of what he contributed, and he died a few yrs ago at =
such a=20
          young age (wasn't he in he mid-late 50's?) cut him some slack=20
          please!</DIV>
          <DIV>end of my rant...</DIV>
          <DIV>s---</DIV>
          <DIV>&nbsp;</DIV>
          <DIV>Maybe my beef is with Noel Redding specifically? I can =
listen to=20
          Zep, <BR>&gt; Sabbath and many others on vinyl and feel the =
bass is=20
          adequate (for <BR>&gt; the day)=97I just don't find Redding's =
bass that=20
          satisfying. Mitch <BR>&gt; Mitchell OTOH ranks right up there =
with=20
          Bonham in my book!=20
  -m<BR></DIV></TD></TR></TBODY></TABLE><BR></BLOCKQUOTE></DIV>-- =
<BR>Miko=20
  Biffle<BR>Biffoz@Gmail.com<BR>MBiffle@FoxRacingShox.com<BR>"Running =
scared=20
  from all the usual distractions!" </BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_jkb2R2uDhlqWVfhc/Ss1NQ)--

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Date: Wed, 18 Mar 2009 06:28:59 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: OT: why no love for noel redding?
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"Little Miss Strange" is a nice bit of '60s pop just warped enough to not g=
et any radio airplay..........written by Noel Redding=0A=0AThe album it is =
on, "Electric LadyLand" is in my top 5 list.....=0A=0A=0A=0A=0A____________=
____________________=0AFrom: Douglas Baldwin <coyotelk@optonline.net>=0ATo:=
 Miko Biffle <biffoz@gmail.com>; Loopers-Delight@loopers-delight.com=0ASent=
: Wednesday, March 18, 2009 8:49:08 AM=0ASubject: Re: OT: why no love for n=
oel redding?=0A=0A=0AYo crew - =0A=C2=A0=C2=A0=C2=A0 I think poor Noel got =
the short straw for a number of reasons. IIRC, he joined the Experience wit=
h promises of becoming a guitar player in the band and having his own songs=
 recorded. So he was a frustrated guitar player stuck on bass. Then he's pl=
aying with two of the greatest players ever - Hendrix and Mitchell. And can=
 you name one song he wrote besides "She's So Fine?" Then he's drugging and=
 drinking and groupie-ing like only a young male in his 20's in the late 60=
's could, alongside Mr. H, who would out drug/drink/grope everyone right up=
 to his death. And the band was being hyped as THE GREATEST THING SINCE JES=
US and they were being tossed into grinding tours=C2=A0with mismanaged mone=
y and riots outside the concert halls... So poor Noel just couldn't keep up=
 on any front - musicianship, songwriting, excessive lifestyle, crappy busi=
ness.=0A=C2=A0=C2=A0=C2=A0 And Miko, yeah, Jimi was one of the sloppiest pl=
ayers going at times. Again, it was par for the course. But man, give me "M=
achine Gun" at the Fillmore! Jimi changed our DNA. Sometimes I cry when I t=
hink of his dying. =0A=C2=A0=C2=A0=C2=A0 =0AMusic is going to break the way=
 because music is in a spiritual thing of its own. It's like the waves of t=
he ocean. You can't just cut out the perfect wave and take it home with you=
.. =0A-- Jimi Hendrix =0A=C2=A0=0AWave on, wave on....=0ADouglas Baldwin=0AA=
lpha Coyote=0Acoyotelk@optonline.net=0Awww.TheCoyote.org=0A=0A"The purpose =
of music is to sober and quiet the mind, thus rendering it suseptible to di=
vine influences."=0A-- Thomas Mace (17th century), transmitted to Gita Sara=
bhai, as told to John Cage=0A=0A----- Original Message ----- =0AFrom: Miko =
Biffle =0ATo: Loopers-Delight@loopers-delight.com =0ASent: Tuesday, March 1=
7, 2009 5:32 PM=0ASubject: Re: OT: why no love for noel redding?=0AThis has=
 nothing to do with my personal feelings for Noel=E2=80=94it's impersonal.=
=C2=A0 It doesn't matter who played the parts (but I guess the player had t=
o have a name, so I used it.)=C2=A0 Realize that I LOVE the entire band and=
 have unbelieveable, life-changing memories surrounding my first-hand witne=
ss of the music.=C2=A0 (Meaning I was there to see it=E2=80=94first tour, s=
econd tour) But when I sit down in front of the monitors and listen, I have=
 perceptions I'm not going to ignore due to personal bias.=0A=0AThere are a=
lways considerations regarding how one ended up with xyz (whatever results =
followed)=E2=80=94but the resulting document still has specific sonic quali=
ties.=C2=A0 Just my humble, honest opinion.=C2=A0 Would it be safe to say H=
endrix was sometimes a very sloppy player?=C2=A0 *-)=C2=A0 (Ducking NOW!)=
=0A=0ATo cleanse any sullifying damage my sacriligous statements may have c=
aused, I command you all to go home and watch "Jimi Plays Berkeley" tonight=
 and revel in absolutely amazing, skronky, beautific, Hendrix bliss.=C2=A0 =
Be sure to add plenty of your favorite beverage or potion.=C2=A0 -m=0A=0A=
=0AOn 3/17/09, scott hansen <evanpeewee@yahoo.com> wrote: =0Awow-i read thi=
s and thought "why no love for noel?" he was a young kid (early 20's if?) w=
ho thought he was auditioning for the new animals (house of the rising son)=
, and got thrown in the world of JHE. i thought he was a good bass player f=
or the experience. yes, i know there are arguments on the 2nd & 3rd albums =
that jimi played a lot of the bass stuff (i'm not up on my everything jimi =
did history in the last 10 yrs or so), but give the guy a break. he was jus=
t playing the bass in the band, he wasn't responsible for the recording and=
 mixing. WHEN I LISTEN TO MY TAPES THAT ARE OVER 20 yrs old, IT ALL SOUNDS =
GOOD TO ME. when i still listen to this now that i've hit mid 40s-i'm amaze=
d at the maturity of the writing and the adventurous nature of the music-al=
l done by 3 guys who were still in their early 20s (and remember the lead s=
inger/composer-was a HS dropout, and a product of 50's era education-& he w=
as african american-a lot of the odds were against
 him!). that, and the fact that the guy got shafted for his part of what he=
 contributed, and he died a few yrs ago at such a young age (wasn't he in h=
e mid-late 50's?) cut him some slack please!=0Aend of my rant...=0As---=0A=
=0AMaybe my beef is with Noel Redding specifically? I can listen to Zep, =
=0A> Sabbath and many others on vinyl and feel the bass is adequate (for =
=0A> the day)=E2=80=94I just don't find Redding's bass that satisfying. Mit=
ch =0A> Mitchell OTOH ranks right up there with Bonham in my book! -m=0A =
=0A-- =0AMiko Biffle=0ABiffoz@Gmail.com=0AMBiffle@FoxRacingShox.com=0A"Runn=
ing scared from all the usual distractions!" =0A=0A=0A      
--0-1688656068-1237382939=:79142
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>"Little Miss Strange" is a nice bit of '60s pop just w=
arped enough to not get any radio airplay..........written by Noel Redding<=
/DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>The album it is on, "Electric LadyLand" is=
 in my top 5 list.....<BR></DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMI=
LY: times new roman, new york, times, serif"><BR>=0A<DIV style=3D"FONT-SIZE=
: 12pt; FONT-FAMILY: times new roman, new york, times, serif"><FONT face=3D=
Tahoma size=3D2>=0A<HR SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">Fro=
m:</SPAN></B> Douglas Baldwin &lt;coyotelk@optonline.net&gt;<BR><B><SPAN st=
yle=3D"FONT-WEIGHT: bold">To:</SPAN></B> Miko Biffle &lt;biffoz@gmail.com&g=
t;; Loopers-Delight@loopers-delight.com<BR><B><SPAN style=3D"FONT-WEIGHT: b=
old">Sent:</SPAN></B> Wednesday, March 18, 2009 8:49:08 AM<BR><B><SPAN styl=
e=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Re: OT: why no love for noel re=
dding?<BR></FONT><BR>=0A<STYLE></STYLE>=0A=0A<DIV><FONT face=3D"Bookman Old=
 Style">Yo crew - </FONT></DIV>=0A<DIV><FONT face=3D"Bookman Old Style">&nb=
sp;&nbsp;&nbsp; I think poor Noel got the short straw for a number of reaso=
ns. IIRC, he joined the Experience with promises of becoming a guitar playe=
r in the band and having his own songs recorded. So he was a frustrated gui=
tar player stuck on bass. Then he's playing with two of the greatest player=
s ever - Hendrix and Mitchell. And can you name one song he wrote besides "=
She's So Fine?" Then he's drugging and drinking and groupie-ing like only a=
 young male in his 20's in the late 60's could, alongside Mr. H, who would =
out drug/drink/grope everyone right up to his death. And the band was being=
 hyped as THE GREATEST THING SINCE JESUS and they were being tossed into gr=
inding tours&nbsp;with mismanaged money and riots outside the concert halls=
.... So poor Noel just couldn't keep up on any front - musicianship, songwri=
ting, excessive lifestyle, crappy business.</FONT></DIV>=0A<DIV><FONT face=
=3D"Bookman Old Style">&nbsp;&nbsp;&nbsp; And Miko, yeah, Jimi was one of t=
he sloppiest players going at times. Again, it was par for the course. But =
man, give me "Machine Gun" at the Fillmore! Jimi changed our DNA. Sometimes=
 I cry when I think of his dying. </FONT></DIV>=0A<DIV><FONT face=3D"Bookma=
n Old Style">&nbsp;&nbsp;&nbsp; </FONT></DIV>=0A<DIV>Music is going to brea=
k the way because music is in a spiritual thing of its own. It's like the w=
aves of the ocean. You can't just cut out the perfect wave and take it home=
 with you. <BR>-- Jimi Hendrix </DIV>=0A<DIV><FONT face=3D"Bookman Old Styl=
e"></FONT>&nbsp;</DIV>=0A<DIV><FONT face=3D"Bookman Old Style">Wave on, wav=
e on....</FONT></DIV><FONT face=3D"Bookman Old Style">=0A<DIV><BR>Douglas B=
aldwin<BR>Alpha Coyote<BR><A href=3D"mailto:coyotelk@optonline.net" target=
=3D_blank rel=3Dnofollow ymailto=3D"mailto:coyotelk@optonline.net">coyotelk=
@optonline.net</A><BR><A href=3D"http://www.thecoyote.org/" target=3D_blank=
 rel=3Dnofollow>www.TheCoyote.org</A></DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>"The=
 purpose of music is to sober and quiet the mind, thus rendering it susepti=
ble to divine influences."<BR>-- Thomas Mace (17th century), transmitted to=
 Gita Sarabhai, as told to John Cage<BR></FONT></DIV>=0A<BLOCKQUOTE style=
=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #=
000000 2px solid; MARGIN-RIGHT: 0px">=0A<DIV style=3D"FONT: 10pt arial">---=
-- Original Message ----- </DIV>=0A<DIV style=3D"BACKGROUND: #e4e4e4; FONT:=
 10pt arial"><B>From:</B> <A title=3Dbiffoz@gmail.com href=3D"mailto:biffoz=
@gmail.com" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:biffoz@gmail.c=
om">Miko Biffle</A> </DIV>=0A<DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
title=3DLoopers-Delight@loopers-delight.com href=3D"mailto:Loopers-Delight@=
loopers-delight.com" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:Loope=
rs-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> </D=
IV>=0A<DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, March 17, 2009 =
5:32 PM</DIV>=0A<DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: OT: why=
 no love for noel redding?</DIV>=0A<DIV><BR></DIV>This has nothing to do wi=
th my personal feelings for Noel=E2=80=94it's impersonal.&nbsp; It doesn't =
matter who played the parts (but I guess the player had to have a name, so =
I used it.)&nbsp; Realize that I LOVE the entire band and have unbelieveabl=
e, life-changing memories surrounding my first-hand witness of the music.&n=
bsp; (Meaning I was there to see it=E2=80=94first tour, second tour) But wh=
en I sit down in front of the monitors and listen, I have perceptions I'm n=
ot going to ignore due to personal bias.<BR><BR>There are always considerat=
ions regarding how one ended up with xyz (whatever results followed)=E2=80=
=94but the resulting document still has specific sonic qualities.&nbsp; Jus=
t my humble, honest opinion.&nbsp; Would it be safe to say Hendrix was some=
times a very sloppy player?&nbsp; *-)&nbsp; (Ducking NOW!)<BR><BR>To cleans=
e any sullifying damage my sacriligous statements may have caused, I comman=
d you all to go home and watch "Jimi Plays
 Berkeley" tonight and revel in absolutely amazing, skronky, beautific, Hen=
drix bliss.&nbsp; Be sure to add plenty of your favorite beverage or potion=
..&nbsp; -m<BR><BR>=0A<DIV><SPAN class=3Dgmail_quote>On 3/17/09, <B class=3D=
gmail_sendername>scott hansen</B> &lt;<A href=3D"mailto:evanpeewee@yahoo.co=
m" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:evanpeewee@yahoo.com">e=
vanpeewee@yahoo.com</A>&gt; wrote:</SPAN> =0A<BLOCKQUOTE class=3Dgmail_quot=
e style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: rgb(2=
04,204,204) 1px solid">=0A<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0=
>=0A<TBODY>=0A<TR>=0A<TD style=3D"FONT-FAMILY: inherit; font-size-adjust: i=
nherit; font-stretch: inherit" vAlign=3Dtop>=0A<DIV>wow-i read this and tho=
ught "why no love for noel?" he was a young kid (early 20's if?) who though=
t he was auditioning for the new animals (house of the rising son), and got=
 thrown in the world of JHE. i thought he was a good bass player for the ex=
perience. yes, i know there are arguments on the 2nd &amp; 3rd albums that =
jimi played a lot of the bass stuff (i'm not up on my everything jimi did h=
istory in the last 10 yrs or so), but give the guy a break. he was just pla=
ying the bass in the band, he wasn't responsible for the recording and mixi=
ng. WHEN I LISTEN TO MY TAPES THAT ARE OVER 20 yrs old, IT ALL SOUNDS GOOD =
TO ME. when i still listen to this now that i've hit mid 40s-i'm amazed at =
the maturity of the writing and the adventurous nature of the music-all don=
e by 3 guys who were still in their early 20s (and remember the lead singer=
/composer-was a HS dropout, and a product of 50's era education-&amp; he wa=
s african american-a lot of the odds
 were against him!). that, and the fact that the guy got shafted for his pa=
rt of what he contributed, and he died a few yrs ago at such a young age (w=
asn't he in he mid-late 50's?) cut him some slack please!</DIV>=0A<DIV>end =
of my rant...</DIV>=0A<DIV>s---</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Maybe my b=
eef is with Noel Redding specifically? I can listen to Zep, <BR>&gt; Sabbat=
h and many others on vinyl and feel the bass is adequate (for <BR>&gt; the =
day)=E2=80=94I just don't find Redding's bass that satisfying. Mitch <BR>&g=
t; Mitchell OTOH ranks right up there with Bonham in my book! -m<BR></DIV><=
/TD></TR></TBODY></TABLE><BR></BLOCKQUOTE></DIV>-- <BR>Miko Biffle<BR>Biffo=
z@Gmail.com<BR>MBiffle@FoxRacingShox.com<BR>"Running scared from all the us=
ual distractions!" </BLOCKQUOTE></DIV></DIV></div><br>=0A=0A      </body></=
html>
--0-1688656068-1237382939=:79142--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 13:43:09 2009
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Subject: Volume sensitive chorus VST? (Vortex)
Date: Wed, 18 Mar 2009 14:43:05 +0100
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I wonder if there are chorus VSTs that could mimic the volume sensitive
Vortex. I loved some of the Vortex sounds where the chorus was fast, for
example, with the guitar string attack, and then got slower.

-Michael

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 13:48:14 2009
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The output of my loops on an older jamman (with the Sellon chip) is 
slightly quieter than the input signal, even with the mix on full. I 
realise the sampled sound isn't hi-fi resolution, but wondered if 
there's an easy mod to boost the loop level a fraction?
Nick Robinson

music site : 	http://www.nickrobinson.info/music
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 13:48:15 2009
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On 16 Mar 2009 at 22:52, Travis Hartnett wrote:

> Yes, but not a thriving one.

Depends on your criteria. We're not mega busy, but 463 posts, 80 
members indicates we're not totally moribund either!  It's there for 
those of us who prefer forums (forii?) to lists and like to operate 
at a more sedate level that the LD list!







Nick Robinson

music site : 	http://www.nickrobinson.info/music
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 13:59:47 2009
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Subject: Re: Volume sensitive chorus VST? (Vortex)
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I could write one quick enough :)

I know I mentioned these to you just the other day but Reaktor and
Max/MSP would let you knock one up yourself.

actually you could probably do this in Pluggo too - I think there's an
env tracker module that you could connect up to a chorus speed
parameter in another plug-in.

likewise Bidule.


cheers,
os.


2009/3/18 Michael Peters <mp@mpeters.de>:
> I wonder if there are chorus VSTs that could mimic the volume sensitive
> Vortex. I loved some of the Vortex sounds where the chorus was fast, for
> example, with the guitar string attack, and then got slower.
>
> -Michael
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Subject: Re: There already IS a looping Forum
From: Per Boysen <perboysen@gmail.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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On Wed, Mar 18, 2009 at 2:38 PM, nick@12testing.net <nick@1957.me.uk> wrote=
:
> Depends on your criteria. We're not mega busy, but 463 posts, 80
> members indicates we're not totally moribund either! =A0It's there for
> those of us who prefer forums (forii?)


Not for me, but maybe for others. I wouldn't have the time needed for
keeping up with a forum. I think it would be optimal with both a
mailing list and a forum hosting the same posts. A serious forum build
must mean any list post will be duplicated into a forum post and every
forum post will be duplicated to the list - forum thread equaling
e-mail subject line. Then the idea of using a forum or an e-mail
client for interacting would mean just a choice of tool for
participating in the very same discussion. This is especially
important with this community because you people tend to wander off
into off-topic land in the most wonderful way! :-))  And IMHO we can't
afford to lose that for the sake of freakish sanity still alive and
well in here.

Good things with fora is that we can post articles and tutorials that
include pictures. Back-side is that it's a slow way of mass
communications. Both needed in my opinion.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 15:15:26 2009
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Date: Wed, 18 Mar 2009 11:14:27 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: There already IS a looping Forum
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Per,

  The solution you seek is already a part of most online forum software.

It's called "email notification of topic replies" and very frequently 
the body of the message is included in the e-mail.




>On Wed, Mar 18, 2009 at 2:38 PM, nick@12testing.net <nick@1957.me.uk> wrote:
>>  Depends on your criteria. We're not mega busy, but 463 posts, 80
>>  members indicates we're not totally moribund either!  It's there for
>>  those of us who prefer forums (forii?)
>
>
>Not for me, but maybe for others. I wouldn't have the time needed for
>keeping up with a forum. I think it would be optimal with both a
>mailing list and a forum hosting the same posts. A serious forum build
>must mean any list post will be duplicated into a forum post and every
>forum post will be duplicated to the list - forum thread equaling
>e-mail subject line. Then the idea of using a forum or an e-mail
>client for interacting would mean just a choice of tool for
>participating in the very same discussion. This is especially
>important with this community because you people tend to wander off
>into off-topic land in the most wonderful way! :-))  And IMHO we can't
>afford to lose that for the sake of freakish sanity still alive and
>well in here.
>
>Good things with fora is that we can post articles and tutorials that
>include pictures. Back-side is that it's a slow way of mass
>communications. Both needed in my opinion.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se
>www.perboysen.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 15:50:54 2009
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Subject: Re: Gig recording
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--0016e6d6468802a160046566a68f
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They tell me it was VERY loud Os... and it felt pretty intense actually...
but volume is a funny beast.. i have actually not done many gigs recently,
and I must admit that the loudness threw me a bit, so although I was pretty
happy with the gig, and the recording... I can hear that Im forgetting to do
a few things, and bothering to do subtle things. For example theres very
little POST processing of the loopers here , the distortion of course, but,
normally I will be panning stuff, and filtering stuff, and ring modding
stuff into different chanels of the mixer to bring up for breaks and changes
and transitions.

anyway.. thanks... your comments mean a lot..

m

2009/3/18 Os <os@collective.co.uk>

> good work Mark - that ending must've been pretty intense through a loud PA!
>
> os.
>
>
> 2009/3/17 mark francombe <mark@markfrancombe.com>:
> > Recording and pics from my recentish gig...
> >
> > http://www.markfrancombe.com/wordpress/?p=433
> >
> > --
> > www.markfrancombe.com
> > http://vimeo.com/user825094
> > http://uk.youtube.com/user/markfrancombe
> > http://www.myspace.com/markfrancombe
> > http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
> >
>
>
>
> --
> os@collective.co.uk
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6d6468802a160046566a68f
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They tell me it was VERY loud Os... and it felt pretty intense actually... =
but volume is a funny beast.. i have actually not done many gigs recently, =
and I must admit that the loudness threw me a bit, so although I was pretty=
 happy with the gig, and the recording... I can hear that Im forgetting to =
do a few things, and bothering to do subtle things. For example theres very=
 little POST processing of the loopers here , the distortion of course, but=
, normally I will be panning stuff, and filtering stuff, and ring modding s=
tuff into different chanels of the mixer to bring up for breaks and changes=
 and transitions.<br>
<br>anyway.. thanks... your comments mean a lot..<br><br>m<br><br><div clas=
s=3D"gmail_quote">2009/3/18 Os <span dir=3D"ltr">&lt;<a href=3D"mailto:os@c=
ollective.co.uk">os@collective.co.uk</a>&gt;</span><br><blockquote class=3D=
"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0=
pt 0pt 0pt 0.8ex; padding-left: 1ex;">
good work Mark - that ending must&#39;ve been pretty intense through a loud=
 PA!<br>
<br>
os.<br>
<br>
<br>
2009/3/17 mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com">mark=
@markfrancombe.com</a>&gt;:<br>
<div><div></div><div class=3D"h5">&gt; Recording and pics from my recentish=
 gig...<br>
&gt;<br>
&gt; <a href=3D"http://www.markfrancombe.com/wordpress/?p=3D433" target=3D"=
_blank">http://www.markfrancombe.com/wordpress/?p=3D433</a><br>
&gt;<br>
&gt; --<br>
&gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfra=
ncombe.com</a><br>
&gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo=
.com/user825094</a><br>
&gt; <a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank"=
>http://uk.youtube.com/user/markfrancombe</a><br>
&gt; <a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">htt=
p://www.myspace.com/markfrancombe</a><br>
&gt; <a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Syn=
ch" target=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non=
%20Synch</a><br>
&gt;<br>
<br>
<br>
<br>
</div></div><font color=3D"#888888">--<br>
<a href=3D"mailto:os@collective.co.uk">os@collective.co.uk</a><br>
<a href=3D"http://www.darkroomtheband.net/" target=3D"_blank">http://www.da=
rkroomtheband.net/</a><br>
<a href=3D"http://www.expert-sleepers.co.uk/" target=3D"_blank">http://www.=
expert-sleepers.co.uk/</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--0016e6d6468802a160046566a68f--

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Subject: Number of Loopers
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 We're not mega busy, but 463 posts, 80
members indicates we're not totally moribund either!

Good day fellow loopers

Does anyone have an idea as to how many people are subscibed to Loopers
delight? I have wound my wayup into the sociology department and would like
to do a little ditty on the looping community but i need some stats.

Anyone have any idea of the number of people looping around the world, if
not specific to this mailing list?

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<div>=A0We&#39;re not mega busy, but 463 posts, 80<br>members indicates we&=
#39;re not totally moribund either! </div>
<div>=A0</div>
<div>Good day fellow loopers</div>
<div>=A0</div>
<div>Does anyone have an idea as to how many people are subscibed to Looper=
s delight? I have wound my wayup into the sociology department and would li=
ke to do a little ditty on the looping community but i need some stats.</di=
v>

<div>=A0</div>
<div>Anyone have any idea of the number of people looping around the world,=
 if not specific to this mailing list?</div>
<div>=A0</div>
<div>=A0</div>

--0016e6db2d28f2cdff046566fdf0--

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Date: Wed, 18 Mar 2009 17:16:55 +0100
From: "Buzap Buzap" <buzap@gmx.net>
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Yes, I think technically it's no problem. I guess there are standard tools that
a) can send every forum message also via mail
b) allow to respond via mail to forum messages.

But by now, I've figured - despite the pioneering spirit in looping technology - we, the Looper's Delight contributors, are highly dogmatic people resistant to any change (which can be also positive, I guess... ;-)

A higher priority would be for me actually to have a "Looper's Delight Wiki" where we can simply hack all the good stuff on Wiki pages instead of repeating them over again... :)

best regards, Buzap


-- 
Aufgepasst: Sind Ihre Daten beim Online-Banking auch optimal geschützt?
Jetzt absichern: https://homebanking.gmx.net/?mc=mail@footer.hb

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Date: Wed, 18 Mar 2009 12:25:10 -0400
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Subject: Re: There already IS a looping Forum
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+1 on all this


>Yes, I think technically it's no problem. I=20
>guess there are standard tools that
>a) can send every forum message also via mail
>b) allow to respond via mail to forum messages.
>
>But by now, I've figured - despite the=20
>pioneering spirit in looping technology - we,=20
>the Looper's Delight contributors, are highly=20
>dogmatic people resistant to any change (which=20
>can be also positive, I guess... ;-)
>
>A higher priority would be for me actually to=20
>have a "Looper's Delight Wiki" where we can=20
>simply hack all the good stuff on Wiki pages=20
>instead of repeating them over again... :)
>
>best regards, Buzap
>
>
>--
>Aufgepasst: Sind Ihre Daten beim Online-Banking auch optimal gesch=FCtzt?
>Jetzt absichern: https://homebanking.gmx.net/?mc=3Dmail@footer.hb


-- 
=2E..
http://www.zmix.net

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Subject: Re: There already IS a looping Forum
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On Wed, Mar 18, 2009 at 4:14 PM, Charles Zwicky <cazwicky@earthlink.net> wr=
ote:
>
> =A0The solution you seek is already a part of most online forum software.
> It's called "email notification of topic replies" and very frequently the
> body of the message is included in the e-mail.


Yes, I know. I'm not "seeking" it though, just mentioning the
importance of it because another list I'm very fond of, the Logic User
Group, just got a new forum that does only work one way. So I have
been thinking about that a lot lately ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Wed, 18 Mar 2009 11:55:57 -0500
Subject: RE: Virtual repeater
Thread-Topic: Virtual repeater
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> I would like to get my hands on a virtual repeater, but I'm not even
> sure if the software ever went on sale...  from what I can read on the
> net the software was being launched in fall 2007 and Electrix went
> under in early 2008.  Did any copies of the software ever ship? =20
=20
After looking at their early marketing videos, I don't think the
software ever existed.  If you can still find the video, look closely
at the screen as he goes through the motions.  It is almost completely
static aside from some simulated bouncing level meters.
Coincidentally he has a hardware Repeater on the desk next to him out
of sight most of the time.  Hmm.
=20
I suspect they put together a vaporware demo to try and gauge the
amount of interest and attract investors.  Apparently it didn't work.
=20
People looking for Repeater emulators are usually a fan of their
quirky time stretch feature.  There are a lot of software loopers
now but I don't think any of them do time stretch exactly like
the Repeater.  Check out Ambiloop, Augustus Loop, Kenaxis, Logelloop,
Mobius, and SooperLooper.  One of those might meet your needs.
=20
Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 17:12:24 2009
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He, he... that's just hilarious! But you can still create awesome
imaginary loops on a Hoax Looper software! The music lives in the ear
of the beholder ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Mar 18, 2009 at 5:55 PM, Jeff Larson <jeff.larson@sailpoint.com> wr=
ote:
> After looking at their early marketing videos, I don't think the
> software ever existed. =A0If you can still find the video, look closely
> at the screen as he goes through the motions. =A0It is almost completely
> static aside from some simulated bouncing level meters.
> Coincidentally he has a hardware Repeater on the desk next to him out
> of sight most of the time. =A0Hmm.
>
> I suspect they put together a vaporware demo to try and gauge the
> amount of interest and attract investors. =A0Apparently it didn't work.

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 17:24:01 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: Volume sensitive chorus VST? (Vortex)
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hi Michael,

As you're using Bidule, you just need to add an envelope follower (a bidule)
and hook up it's output (parameters) to regulate the speed on any vst chorus.

andy
oh, Os already mentioned this way

Michael Peters wrote:
> I wonder if there are chorus VSTs that could mimic the volume sensitive
> Vortex. I loved some of the Vortex sounds where the chorus was fast, for
> example, with the guitar string attack, and then got slower.
> 
> -Michael
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 17:48:44 2009
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Date: Wed, 18 Mar 2009 10:48:43 -0700
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Subject: Re: Virtual repeater
From: Art Simon <simart@gmail.com>
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How about the looper in the upcoming Ableton 8 version? Will it do
time stretching like the repeater did?

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 17:51:28 2009
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Subject: Re: Virtual repeater
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Jeff,
wow, amazing story...  I'll take a look at the software you mention, thanks
for the suggestions.
Sylvain



On 3/18/09, Jeff Larson <jeff.larson@sailpoint.com> wrote:
>
>
> > I would like to get my hands on a virtual repeater, but I'm not even
> > sure if the software ever went on sale...  from what I can read on the
> > net the software was being launched in fall 2007 and Electrix went
> > under in early 2008.  Did any copies of the software ever ship?
>
> After looking at their early marketing videos, I don't think the
> software ever existed.  If you can still find the video, look closely
> at the screen as he goes through the motions.  It is almost completely
> static aside from some simulated bouncing level meters.
> Coincidentally he has a hardware Repeater on the desk next to him out
> of sight most of the time.  Hmm.
>
> I suspect they put together a vaporware demo to try and gauge the
> amount of interest and attract investors.  Apparently it didn't work.
>
> People looking for Repeater emulators are usually a fan of their
> quirky time stretch feature.  There are a lot of software loopers
> now but I don't think any of them do time stretch exactly like
> the Repeater.  Check out Ambiloop, Augustus Loop, Kenaxis, Logelloop,
> Mobius, and SooperLooper.  One of those might meet your needs.
>
> Jeff
>
>

--0015175cdf8c3c0ecb0465685531
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<div>Jeff, </div>
<div>wow, amazing story...=A0=A0I&#39;ll take a look at the software you me=
ntion, thanks for the suggestions.</div>
<div>Sylvain</div>
<div><br><br>=A0</div>
<div><span class=3D"gmail_quote">On 3/18/09, <b class=3D"gmail_sendername">=
Jeff Larson</b> &lt;<a href=3D"mailto:jeff.larson@sailpoint.com">jeff.larso=
n@sailpoint.com</a>&gt; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br>&gt; I would like to get my =
hands on a virtual repeater, but I&#39;m not even<br>&gt; sure if the softw=
are ever went on sale...=A0=A0from what I can read on the<br>
&gt; net the software was being launched in fall 2007 and Electrix went<br>=
&gt; under in early 2008.=A0=A0Did any copies of the software ever ship?<br=
><br>After looking at their early marketing videos, I don&#39;t think the<b=
r>
software ever existed.=A0=A0If you can still find the video, look closely<b=
r>at the screen as he goes through the motions.=A0=A0It is almost completel=
y<br>static aside from some simulated bouncing level meters.<br>Coincidenta=
lly he has a hardware Repeater on the desk next to him out<br>
of sight most of the time.=A0=A0Hmm.<br><br>I suspect they put together a v=
aporware demo to try and gauge the<br>amount of interest and attract invest=
ors.=A0=A0Apparently it didn&#39;t work.<br><br>People looking for Repeater=
 emulators are usually a fan of their<br>
quirky time stretch feature.=A0=A0There are a lot of software loopers<br>no=
w but I don&#39;t think any of them do time stretch exactly like<br>the Rep=
eater.=A0=A0Check out Ambiloop, Augustus Loop, Kenaxis, Logelloop,<br>Mobiu=
s, and SooperLooper.=A0=A0One of those might meet your needs.<br>
<br>Jeff<br><br></blockquote></div><br>

--0015175cdf8c3c0ecb0465685531--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 17:53:46 2009
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     The Virtual Repeater was very close to being finished though never saw the light of day.  There are no 'copies' floating around cyberspace that I've ever heard of, and I'm close to those who would have heard of them.  Electrix was sold twice after the initial demise, and never did the Repeater see the light of day during the second two incarnations.  They did release a new OS for the Repeater hardware, and a few DJ oriented modules that weren't in the original lineup...  But no, Electrix and all their hard work is dead and gone.

     Stephen



<<<I'm new around here and new to looping in general.  I would like to get my hands on a virtual repeater, but I'm not even sure if the software ever went on sale...  from what I can read on the net the software was being launched in fall 2007 and Electrix went under in early 2008.  Did any copies of the software ever ship?  Can it be found used anywhere?  Was it purchased by anyone?>>>


      

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Date: Wed, 18 Mar 2009 19:04:10 +0100
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Subject: Re: Virtual repeater
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I'd guess not, because none of the recent time stretching algorithms
does. The won't invest in a new algorithm just for a looper plug-in.
Eh... I take it you're talking about the sound of the Repeater
algorithm here? That quirky lo-fi gnarling with the greatest feel to
it.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Mar 18, 2009 at 6:48 PM, Art Simon <simart@gmail.com> wrote:
> How about the looper in the upcoming Ableton 8 version? Will it do
> time stretching like the repeater did?

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nope, never went up for sale.

and they left their beta testers in the lurch.




On Mar 18, 2009, at 9:55 AM, Jeff Larson wrote:

>
>> I would like to get my hands on a virtual repeater, but I'm not even
>> sure if the software ever went on sale...  from what I can read on  
>> the
>> net the software was being launched in fall 2007 and Electrix went
>> under in early 2008.  Did any copies of the software ever ship?
>
> After looking at their early marketing videos, I don't think the
> software ever existed.  If you can still find the video, look closely
> at the screen as he goes through the motions.  It is almost completely
> static aside from some simulated bouncing level meters.
> Coincidentally he has a hardware Repeater on the desk next to him out
> of sight most of the time.  Hmm.
>
> I suspect they put together a vaporware demo to try and gauge the
> amount of interest and attract investors.  Apparently it didn't work.
>
> People looking for Repeater emulators are usually a fan of their
> quirky time stretch feature.  There are a lot of software loopers
> now but I don't think any of them do time stretch exactly like
> the Repeater.  Check out Ambiloop, Augustus Loop, Kenaxis, Logelloop,
> Mobius, and SooperLooper.  One of those might meet your needs.
>
> Jeff
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 18:57:31 2009
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> Check out Ambiloop, Augustus Loop, Kenaxis, Logelloop,
> Mobius, and SooperLooper.  One of those might meet your needs.

Tip: check out Per's comparisons chart of both hard-and software loopers:
http://www.looproom.com/looperchart.php

Btw Per: could update the LP1 info?

Undo: Yes

Pitch transposing: 1/2 speed, varispeed (continuous 1/2 speed), 1/4 speed
when combining the two. When you record with 1/2 speed, and switch back to
normal speed, you'll have double speed

Max number of loops: 8

Built-in storage option: export/import digital audio using the internal
webserver

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 19:00:36 2009
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Subject: Re: Virtual Repeater
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yup, i never got a version of the virtual repeater to test.

On Mar 18, 2009, at 10:53 AM, S V G wrote:

>
>
>    The Virtual Repeater was very close to being finished though  
> never saw the light of day.  There are no 'copies' floating around  
> cyberspace that I've ever heard of, and I'm close to those who would  
> have heard of them.  Electrix was sold twice after the initial  
> demise, and never did the Repeater see the light of day during the  
> second two incarnations.  They did release a new OS for the Repeater  
> hardware, and a few DJ oriented modules that weren't in the original  
> lineup...  But no, Electrix and all their hard work is dead and gone.
>
>    Stephen
>
>
>
> <<<I'm new around here and new to looping in general.  I would like  
> to get my hands on a virtual repeater, but I'm not even sure if the  
> software ever went on sale...  from what I can read on the net the  
> software was being launched in fall 2007 and Electrix went under in  
> early 2008.  Did any copies of the software ever ship?  Can it be  
> found used anywhere?  Was it purchased by anyone?>>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 19:15:43 2009
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From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: OT: why no love for noel redding?
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i think people didnt love him because he looks like Bob Dylans grandma as j=
immy hendrix always introduced him=0A=0A=0Awww.myspace.com/luisangulocom=0A=
=0A=0A--- On Wed, 3/18/09, E Gross <slapbandjam@yahoo.com> wrote:=0A=0A> Fr=
om: E Gross <slapbandjam@yahoo.com>=0A> Subject: Re: OT: why no love for no=
el redding?=0A> To: Loopers-Delight@loopers-delight.com=0A> Date: Wednesday=
, March 18, 2009, 6:28 AM=0A> "Little Miss Strange"=0A> is a nice bit of '6=
0s pop just warped enough to not get=0A> any radio airplay..........written=
 by Noel Redding=0A> =C2=A0=0A> The album it is on, "Electric LadyLand" is=
=0A> in my top 5 list.....=0A> =0A> =0A> =0A> =0A> =0A> From: Douglas=0A> B=
aldwin <coyotelk@optonline.net>=0A> To: Miko=0A> Biffle <biffoz@gmail.com>;=
=0A> Loopers-Delight@loopers-delight.com=0A> Sent:=0A> Wednesday, March 18,=
 2009 8:49:08 AM=0A> Subject: Re:=0A> OT: why no love for noel redding?=0A>=
 =0A> =0A> =0A> =0A> Yo crew - =0A> =C2=A0=C2=A0=C2=A0 I=0A> think poor Noe=
l got the short straw for a number of reasons.=0A> IIRC, he joined the Expe=
rience with promises of becoming a=0A> guitar player in the band and having=
 his own songs recorded.=0A> So he was a frustrated guitar player stuck on =
bass. Then=0A> he's playing with two of the greatest players ever -=0A> Hen=
drix and Mitchell. And can you name one song he wrote=0A> besides "She's So=
 Fine?" Then he's=0A> drugging and drinking and groupie-ing like only a you=
ng male=0A> in his 20's in the late 60's could, alongside Mr. H,=0A> who wo=
uld out drug/drink/grope everyone right up to his=0A> death. And the band w=
as being hyped as THE GREATEST THING=0A> SINCE JESUS and they were being to=
ssed into grinding=0A> tours=C2=A0with mismanaged money and riots outside t=
he=0A> concert halls.... So poor Noel just couldn't keep up on=0A> any fron=
t - musicianship, songwriting, excessive lifestyle,=0A> crappy business.=0A=
> =C2=A0=C2=A0=C2=A0 And=0A> Miko, yeah, Jimi was one of the sloppiest play=
ers going at=0A> times. Again, it was par for the course. But man, give me=
=0A> "Machine Gun" at the Fillmore! Jimi changed our=0A> DNA. Sometimes I c=
ry when I think of his dying.=0A> =0A> =C2=A0=C2=A0=C2=A0=0A> =0A> Music is=
 going to break the way because music is in a=0A> spiritual thing of its ow=
n. It's like the waves of the=0A> ocean. You can't just cut out the perfect=
 wave and take=0A> it home with you. =0A> -- Jimi Hendrix =0A> =C2=A0=0A> W=
ave on, wave=0A> on....=0A> =0A> Douglas Baldwin=0A> Alpha Coyote=0A> coyot=
elk@optonline.net=0A> www.TheCoyote.org=0A> =C2=A0=0A> "The purpose of musi=
c is to sober and quiet the=0A> mind, thus rendering it suseptible to divin=
e=0A> influences."=0A> -- Thomas Mace (17th century), transmitted to Gita=
=0A> Sarabhai, as told to John Cage=0A> =0A> =0A> ----- Original Message --=
---=0A> =0A> From: Miko=0A> Biffle =0A> To: Loopers-Delight@loopers-delight=
.com=0A> =0A> Sent: Tuesday, March=0A> 17, 2009 5:32 PM=0A> Subject: Re: OT=
: why=0A> no love for noel redding?=0A> =0A> This has nothing to do with my=
 personal feelings for=0A> Noel=E2=80=94it's impersonal.=C2=A0 It doesn't m=
atter who=0A> played the parts (but I guess the player had to have a name,=
=0A> so I used it.)=C2=A0 Realize that I LOVE the entire band and=0A> have =
unbelieveable, life-changing memories surrounding my=0A> first-hand witness=
 of the music.=C2=A0 (Meaning I was there=0A> to see it=E2=80=94first tour,=
 second tour) But when I sit down in=0A> front of the monitors and listen, =
I have perceptions I'm=0A> not going to ignore due to personal bias.=0A> =
=0A> There are always considerations regarding how one ended up=0A> with xy=
z (whatever results followed)=E2=80=94but the resulting=0A> document still =
has specific sonic qualities.=C2=A0 Just my=0A> humble, honest opinion.=C2=
=A0 Would it be safe to say=0A> Hendrix was sometimes a very sloppy player?=
=C2=A0 *-)=C2=A0=0A> (Ducking NOW!)=0A> =0A> To cleanse any sullifying dama=
ge my sacriligous statements=0A> may have caused, I command you all to go h=
ome and watch=0A> "Jimi Plays=0A>  Berkeley" tonight and revel in absolutel=
y amazing,=0A> skronky, beautific, Hendrix bliss.=C2=A0 Be sure to add=0A> =
plenty of your favorite beverage or potion..=C2=A0 -m=0A> =0A> =0A> On 3/17=
/09, scott hansen <evanpeewee@yahoo.com>=0A> wrote: =0A> =0A> =0A> =0A> =0A=
> =0A> wow-i read this and thought "why no love for=0A> noel?" he was a you=
ng kid (early 20's if?) who=0A> thought he was auditioning for the new anim=
als (house of the=0A> rising son), and got thrown in the world of JHE. i th=
ought=0A> he was a good bass player for the experience. yes, i know=0A> the=
re are arguments on the 2nd & 3rd albums that jimi=0A> played a lot of the =
bass stuff (i'm not up on my=0A> everything jimi did history in the last 10=
 yrs or so), but=0A> give the guy a break. he was just playing the bass in =
the=0A> band, he wasn't responsible for the recording and=0A> mixing. WHEN =
I LISTEN TO MY TAPES THAT ARE OVER 20 yrs old,=0A> IT ALL SOUNDS GOOD TO ME=
. when i still listen to this now=0A> that i've hit mid 40s-i'm amazed at t=
he maturity of=0A> the writing and the adventurous nature of the music-all =
done=0A> by 3 guys who were still in their early 20s (and remember=0A> the =
lead singer/composer-was a HS dropout, and a product of=0A> 50's era educat=
ion-& he was african american-a lot=0A> of the odds=0A>  were against him!)=
. that, and the fact that the guy got=0A> shafted for his part of what he c=
ontributed, and he died a=0A> few yrs ago at such a young age (wasn't he in=
 he=0A> mid-late 50's?) cut him some slack please!=0A> end of my rant...=0A=
> s---=0A> =C2=A0=0A> Maybe my beef is with Noel Redding specifically? I ca=
n=0A> listen to Zep, =0A> > Sabbath and many others on vinyl and feel the b=
ass is=0A> adequate (for =0A> > the day)=E2=80=94I just don't find Redding'=
s bass=0A> that satisfying. Mitch =0A> > Mitchell OTOH ranks right up there=
 with Bonham in my=0A> book! -m=0A> =0A> -- =0A> Miko Biffle=0A> Biffoz@Gma=
il.com=0A> MBiffle@FoxRacingShox.com=0A> "Running scared from all the usual=
 distractions!"=0A> =0A> =0A> =0A>       =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 19:25:54 2009
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	"Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Date: Wed, 18 Mar 2009 14:25:50 -0500
Subject: RE: Virtual Repeater
Thread-Topic: Virtual Repeater
Thread-Index: Acmn8n138Dvx3MWKQs6UY89NsW6LJQACXj8w
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> The Virtual Repeater was very close to being finished

Does anyone have first hand evidence of that?  I paid fairly close
attention to this back when the hype machine was rolling and never saw
anything that suggested it was more than screen mockup, a PowerPoint
presentation, and a lot of tantalizing advertisements.

They made some vague comment about their "distributed development"
department which I read as "we don't actually have any salaried
engineers yet".

You would think if it was very close to being done they would have
updated that embarrassingly contrived YouTube video.  It was so
freakin' obvious.  He starts by demoing the Hardware repeater, then he
moves over to the virtual repeater and "operates" it to show that it
does the same thing.  There were four rows of loop waveforms that
never changed, even when the loop was empty.  The transport counter
never changed even while it was "playing".  The only thing that
moved was the bouncing level meters and the highlighting of
the selected track.  Quite amateur really.

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 19:30:44 2009
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Date: Wed, 18 Mar 2009 20:30:43 +0100
Message-ID: <66f9cc1e0903181230p11d0026cl8529fc65c0bc8c39@mail.gmail.com>
Subject: Re: Virtual Repeater
From: Per Boysen <perboysen@gmail.com>
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On Wed, Mar 18, 2009 at 8:25 PM, Jeff Larson <jeff.larson@sailpoint.com> wr=
ote:
> The only thing that
> moved was the bouncing level meters and the highlighting of
> the selected track. =A0Quite amateur really.

Suitable looper for a Spinal Tap laptop then ;-))
(thinking about that Stonehenge model...)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.co

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 19:39:40 2009
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Date: Wed, 18 Mar 2009 12:39:39 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Firewire mystery question
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Hi gang,
i have a mystery tale to share:
i mentioned previously that all of the sudden my RME card wasn not working and soon after that my Presonus firebox stopped working as well.
i remeber conecting and reconecting my RME between my PC and Mac,then all of the sudden it stopped working.I sent it to the company and sure enough the FW port was broken.
So then i conected temporarily my Presonus from my Mac to my PC which was working ok,did a gig the next night and the following day presonus is dead as well,so ive sent it recently to the company to get it repair.
Now i got my RME back from repair conected it,updated drivers,turned it on and it still wasnt working,tested it with 2 FW cables,with my PC and Mac but nothing so i called the company and resent it back.
I just got it back today with a letter from the company saying that the card is working perfectly!!
so i am going nuts here trying to figure out what has happened,my question is ,is it bad conecting a FW  card between mac and PC?
the only other thing i can think of is that my FW bus card on the PC is gone bad,but on my mac as well?
Do you guys have any ideas,would it help changing the texas Instruments buscard to another slot or do you think is fried?i also find it hard to beleive that the FW port on my new macbook has gone bad as well and i have no way of testing because i dint have any other cards around,or is there another way to diagnose if a FW conection is bad on both Mac and PC?
thanx for your help
Luis
www.myspace.com/luisangulocom


      

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Date: Wed, 18 Mar 2009 12:47:48 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Virtual repeater
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--0-1666795764-1237405668=:65617
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Hi Per,=0A=0AIs there an example mp3/youtube link to demonstrate what you a=
re referring to?=0A=0AI did a google search and came up with this, is this =
the type of loop stretching you are referring to:=0Ahttp://www.uline.com/BL=
_8750/?pricode=3Dwh903=0A=0ASeriously, I=A0 am still a newbie and if you ca=
n give an example of repeater time stretching that would be great.=0A=0ATha=
nks,=0AEric=0A=0A=0A=0A=0A________________________________=0AFrom: Per Boys=
en <perboysen@gmail.com>=0ATo: Loopers-Delight@loopers-delight.com=0ASent: =
Wednesday, March 18, 2009 2:04:10 PM=0ASubject: Re: Virtual repeater=0A=0AI=
'd guess not, because none of the recent time stretching algorithms=0Adoes.=
 The won't invest in a new algorithm just for a looper plug-in.=0AEh... I t=
ake it you're talking about the sound of the Repeater=0Aalgorithm here? Tha=
t quirky lo-fi gnarling with the greatest feel to=0Ait.=0A=0AGreetings from=
 Sweden=0A=0APer Boysen=0Awww.boysen.se=0Awww.perboysen.com=0A=0A=0A=0AOn W=
ed, Mar 18, 2009 at 6:48 PM, Art Simon <simart@gmail.com> wrote:=0A> How ab=
out the looper in the upcoming Ableton 8 version? Will it do=0A> time stret=
ching like the repeater did?=0A=0A=0A      
--0-1666795764-1237405668=:65617
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>Hi Per,</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Is there an e=
xample mp3/youtube link to demonstrate what you are referring to?</DIV>=0A<=
DIV>&nbsp;</DIV>=0A<DIV>I did a google search and came up with this, is thi=
s the type of loop stretching you are referring to:</DIV>=0A<DIV><A href=3D=
"http://www.uline.com/BL_8750/?pricode=3Dwh903">http://www.uline.com/BL_875=
0/?pricode=3Dwh903</A></DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Seriously, I&nbsp; =
am still a newbie and if you can give an example of repeater time stretchin=
g that would be great.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Thanks,</DIV>=0A<DI=
V>Eric<BR></DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new ro=
man, new york, times, serif"><BR>=0A<DIV style=3D"FONT-SIZE: 13px; FONT-FAM=
ILY: arial, helvetica, sans-serif"><FONT face=3DTahoma size=3D2>=0A<HR SIZE=
=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> Per Boysen &l=
t;perboysen@gmail.com&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN=
></B> Loopers-Delight@loopers-delight.com<BR><B><SPAN style=3D"FONT-WEIGHT:=
 bold">Sent:</SPAN></B> Wednesday, March 18, 2009 2:04:10 PM<BR><B><SPAN st=
yle=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Re: Virtual repeater<BR></FON=
T><BR>I'd guess not, because none of the recent time stretching algorithms<=
BR>does. The won't invest in a new algorithm just for a looper plug-in.<BR>=
Eh... I take it you're talking about the sound of the Repeater<BR>algorithm=
 here? That quirky lo-fi gnarling with the greatest feel to<BR>it.<BR><BR>G=
reetings from Sweden<BR><BR>Per Boysen<BR><A href=3D"http://www.boysen.se/"=
 target=3D_blank>www.boysen.se</A><BR><A href=3D"http://www.perboysen.com/"=
 target=3D_blank>www.perboysen.com</A><BR><BR><BR><BR>On Wed, Mar 18, 2009 =
at 6:48 PM, Art Simon &lt;<A href=3D"mailto:simart@gmail.com"
 ymailto=3D"mailto:simart@gmail.com">simart@gmail.com</A>&gt; wrote:<BR>&gt=
; How about the looper in the upcoming Ableton 8 version? Will it do<BR>&gt=
; time stretching like the repeater did?<BR><BR></DIV></DIV></div><br>=0A=
=0A      </body></html>
--0-1666795764-1237405668=:65617--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 19:58:54 2009
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Subject: Re: There already IS a looping Forum
From: Miko Biffle <biffoz@gmail.com>
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I belong to several forums and while I get notification and in some cases,
the body of the email, I can't reply via email=97I have to log into the for=
um.
So it's another step I don't want to take.  I know Yahoo Groups, where we d=
o
CT-Collective stuff does this, but it's not the usual forum architecture.
-m

--=20
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

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I belong to several forums and while I get notification and in some
cases, the body of the email, I can&#39;t reply via email=97I have to log
into the forum. So it&#39;s another step I don&#39;t want to take.=A0 I kno=
w
Yahoo Groups, where we do CT-Collective stuff does this, but it&#39;s not
the usual forum architecture.=A0 -m<br><br>-- <br>Miko Biffle<br>Biffoz@Gma=
il.com<br>MBiffle@FoxRacingShox.com<br>&quot;Running scared from all the us=
ual distractions!&quot;

--000e0cd48300f48f4704656a1c33--

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My repeater goes to eleven...

rson@sailpoint.com <jeff.larson@sailpoint.com>> wrote:
> > The only thing that
> > moved was the bouncing level meters and the highlighting of
> > the selected track.  Quite amateur really.
>
> Suitable looper for a Spinal Tap laptop then ;-))
> (thinking about that Stonehenge model...)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.co
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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My repeater goes to eleven... <br><br><div class=3D"gmail_quote"><blockquot=
e class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204);=
 margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"><a href=
=3D"mailto:jeff.larson@sailpoint.com">rson@sailpoint.com</a>&gt; wrote:<br>

&gt; The only thing that<br>
&gt; moved was the bouncing level meters and the highlighting of<br>
&gt; the selected track. =A0Quite amateur really.<br>
<br>
</div>Suitable looper for a Spinal Tap laptop then ;-))<br>
(thinking about that Stonehenge model...)<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.co" target=3D"_blank">www.perboysen.co</a><=
br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--0016e6d59e1f361db104656a2578--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 20:08:31 2009
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Date: Wed, 18 Mar 2009 21:08:31 +0100
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Subject: Re: Virtual Repeater
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On Wed, Mar 18, 2009 at 9:01 PM, mark francombe <mark@markfrancombe.com> wrote:

> My repeater goes to eleven...
and mine's gone to heaven.

p ;-)

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 20:15:18 2009
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Date: Wed, 18 Mar 2009 21:15:17 +0100
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Subject: Re: Virtual repeater
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On Wed, Mar 18, 2009 at 8:47 PM, E Gross <slapbandjam@yahoo.com> wrote:
> Seriously, I=A0 am still a newbie and if you can give an example of repea=
ter
> time stretching that would be great.

Best is to borrow one or go somewhere where they have an old Repeater.
Then record something on a  and pitch it down two octaves. That's the
nicest sounding audio artifacts known to mankind. Spice it up with
reversed playback. I never thought about documenting that sound
mangling goody when I had a Repeater, but maybe someone else on this
list did? Many of us still keep Repeaters around. Any one got a
pitched down slow-mo 'peater recorded online?

Per

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Date: Wed, 18 Mar 2009 21:18:25 +0100
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Subject: Re: Virtual repeater
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
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I can make one for you now if you like...

On Wed, Mar 18, 2009 at 8:47 PM, E Gross <slapbandjam@yahoo.com> wrote:

> Hi Per,
>
> Is there an example mp3/youtube link to demonstrate what you are referring
> to?
>
> I did a google search and came up with this, is this the type of loop
> stretching you are referring to:
> http://www.uline.com/BL_8750/?pricode=wh903
>
> Seriously, I  am still a newbie and if you can give an example of repeater
> time stretching that would be great.
>
> Thanks,
> Eric
>
>  ------------------------------
> *From:* Per Boysen <perboysen@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Wednesday, March 18, 2009 2:04:10 PM
> *Subject:* Re: Virtual repeater
>
> I'd guess not, because none of the recent time stretching algorithms
> does. The won't invest in a new algorithm just for a looper plug-in.
> Eh... I take it you're talking about the sound of the Repeater
> algorithm here? That quirky lo-fi gnarling with the greatest feel to
> it.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Wed, Mar 18, 2009 at 6:48 PM, Art Simon <simart@gmail.com> wrote:
> > How about the looper in the upcoming Ableton 8 version? Will it do
> > time stretching like the repeater did?
>
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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I can make one for you now if you like... <br><br><div class=3D"gmail_quote=
">On Wed, Mar 18, 2009 at 8:47 PM, E Gross <span dir=3D"ltr">&lt;<a href=3D=
"mailto:slapbandjam@yahoo.com">slapbandjam@yahoo.com</a>&gt;</span> wrote:<=
br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div style=
=3D"font-family: times new roman,new york,times,serif; font-size: 12pt;"><d=
iv>Hi Per,</div>

<div>=A0</div>
<div>Is there an example mp3/youtube link to demonstrate what you are refer=
ring to?</div>
<div>=A0</div>
<div>I did a google search and came up with this, is this the type of loop =
stretching you are referring to:</div>
<div><a href=3D"http://www.uline.com/BL_8750/?pricode=3Dwh903" target=3D"_b=
lank">http://www.uline.com/BL_8750/?pricode=3Dwh903</a></div>
<div>=A0</div>
<div>Seriously, I=A0 am still a newbie and if you can give an example of re=
peater time stretching that would be great.</div>
<div>=A0</div>
<div>Thanks,</div>
<div>Eric<br></div>
<div style=3D"font-size: 12pt; font-family: times new roman,new york,times,=
serif;"><br>
<div style=3D"font-size: 13px; font-family: arial,helvetica,sans-serif;"><f=
ont face=3D"Tahoma" size=3D"2">
<hr size=3D"1">
<b><span style=3D"font-weight: bold;">From:</span></b> Per Boysen &lt;<a hr=
ef=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>=
&gt;<br><b><span style=3D"font-weight: bold;">To:</span></b> <a href=3D"mai=
lto:Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@=
loopers-delight.com</a><br>
<b><span style=3D"font-weight: bold;">Sent:</span></b> Wednesday, March 18,=
 2009 2:04:10 PM<br><b><span style=3D"font-weight: bold;">Subject:</span></=
b> Re: Virtual repeater<br></font><div><div></div><div class=3D"h5"><br>I&#=
39;d guess not, because none of the recent time stretching algorithms<br>
does. The won&#39;t invest in a new algorithm just for a looper plug-in.<br=
>Eh... I take it you&#39;re talking about the sound of the Repeater<br>algo=
rithm here? That quirky lo-fi gnarling with the greatest feel to<br>it.<br>
<br>Greetings from Sweden<br><br>Per Boysen<br><a href=3D"http://www.boysen=
.se/" target=3D"_blank">www.boysen.se</a><br><a href=3D"http://www.perboyse=
n.com/" target=3D"_blank">www.perboysen.com</a><br><br><br><br>On Wed, Mar =
18, 2009 at 6:48 PM, Art Simon &lt;<a href=3D"mailto:simart@gmail.com" targ=
et=3D"_blank">simart@gmail.com</a>&gt; wrote:<br>
&gt; How about the looper in the upcoming Ableton 8 version? Will it do<br>=
&gt; time stretching like the repeater did?<br><br></div></div></div></div>=
</div><br>

      </div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001485f86ffad4205c04656a6266--

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Date: Wed, 18 Mar 2009 13:20:31 -0700
Message-ID: <d1396fc00903181320k5025333erdfe238e715b9656b@mail.gmail.com>
Subject: Re: There already IS a looping Forum
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
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If there is a worse forum software package than Yahoo Groups, I don't want
to ever find out.
TH

On Wed, Mar 18, 2009 at 12:58 PM, Miko Biffle <biffoz@gmail.com> wrote:

> I belong to several forums and while I get notification and in some cases=
,
> the body of the email, I can't reply via email=97I have to log into the f=
orum.
> So it's another step I don't want to take.  I know Yahoo Groups, where we=
 do
> CT-Collective stuff does this, but it's not the usual forum architecture.
> -m
>

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If there is a worse forum software package than Yahoo Groups, I don&#39;t w=
ant to ever find out.<div><br></div><div>TH<br><br><div class=3D"gmail_quot=
e">On Wed, Mar 18, 2009 at 12:58 PM, Miko Biffle <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:biffoz@gmail.com">biffoz@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">I belong to several forums and while I get =
notification and in some
cases, the body of the email, I can&#39;t reply via email=97I have to log
into the forum. So it&#39;s another step I don&#39;t want to take.=A0 I kno=
w
Yahoo Groups, where we do CT-Collective stuff does this, but it&#39;s not
the usual forum architecture.=A0 -m<br></blockquote></div><font class=3D"Ap=
ple-style-span" color=3D"#888888"><br></font></div>

--000e0cd2950a4fe14104656a6a18--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 21:09:33 2009
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Date: Wed, 18 Mar 2009 14:09:33 -0700
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Subject: Re: There already IS a looping Forum
From: Miko Biffle <biffoz@gmail.com>
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I agree Travis.  It's more like a mailing list, but there's still a page.
It's ironic that it's the only "forum" that I can simply reply to via email
without having to go to the forum URL.  -m

On 3/18/09, Travis Hartnett <travishartnett@gmail.com> wrote:
>
> If there is a worse forum software package than Yahoo Groups, I don't wan=
t
> to ever find out.
> TH
>
> On Wed, Mar 18, 2009 at 12:58 PM, Miko Biffle <biffoz@gmail.com> wrote:
>
>> I belong to several forums and while I get notification and in some case=
s,
>> the body of the email, I can't reply via email=97I have to log into the =
forum.
>> So it's another step I don't want to take.  I know Yahoo Groups, where w=
e do
>> CT-Collective stuff does this, but it's not the usual forum architecture=
.
>> -m
>>
>

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I agree Travis.=A0 It&#39;s more like a mailing list, but there&#39;s still
a page.=A0 It&#39;s ironic that it&#39;s the only &quot;forum&quot; that I =
can simply
reply to via email without having to go to the forum URL.=A0 -m<br><br><div=
><span class=3D"gmail_quote">On 3/18/09, <b class=3D"gmail_sendername">Trav=
is Hartnett</b> &lt;<a href=3D"mailto:travishartnett@gmail.com">travishartn=
ett@gmail.com</a>&gt; wrote:</span><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
If there is a worse forum software package than Yahoo Groups, I don&#39;t w=
ant to ever find out.<div><br></div><div>TH<br><br><div class=3D"gmail_quot=
e">On Wed, Mar 18, 2009 at 12:58 PM, Miko Biffle <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:biffoz@gmail.com" target=3D"_blank" onclick=3D"return top.js.=
OpenExtLink(window,event,this)">biffoz@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I belong to sever=
al forums and while I get notification and in some
cases, the body of the email, I can&#39;t reply via email=97I have to log
into the forum. So it&#39;s another step I don&#39;t want to take.=A0 I kno=
w
Yahoo Groups, where we do CT-Collective stuff does this, but it&#39;s not
the usual forum architecture.=A0 -m<br></blockquote></div></div>
</blockquote></div>

--000e0cd303bca94b0204656b198d--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 21:09:34 2009
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Date: Wed, 18 Mar 2009 14:09:29 -0700
From:  <thetoyroom@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: There already IS a looping Forum
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here's a forum/board that i'm part of.  I like how this one works, well eno=
ugh.  Perhaps a scaled back version, with subheadings per relevant categori=
es?

http://vintageamps.com/plexiboard/index.php



---- Travis Hartnett <travishartnett@gmail.com> wrote:=20
> If there is a worse forum software package than Yahoo Groups, I don't wan=
t
> to ever find out.
> TH
>=20
> On Wed, Mar 18, 2009 at 12:58 PM, Miko Biffle <biffoz@gmail.com> wrote:
>=20
> > I belong to several forums and while I get notification and in some cas=
es,
> > the body of the email, I can't reply via email=E2=80=94I have to log in=
to the forum.
> > So it's another step I don't want to take.  I know Yahoo Groups, where =
we do
> > CT-Collective stuff does this, but it's not the usual forum architectur=
e.
> > -m
> >

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 21:29:16 2009
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References: <2871c3a90903180554u23923514r68fe40f0f8cd010f@mail.gmail.com>  <7872203368197C4691224688958BE7144E8FA32161@barq.sailpoint.com>  <66f9cc1e0903181012g412d26eew299100e1417023fe@mail.gmail.com>  <588ce11d0903181048p5d79223bk2e409d0976486105@mail.gmail.com>  <66f9cc1e0903181104g47a402dbv5fbeff9bb25e61a2@mail.gmail.com>  <583208.65617.qm@web45916.mail.sp1.yahoo.com> <9ab0c76f0903181318l20e2d3cayc7cbe3968ad678b2@mail.gmail.com>
Date: Wed, 18 Mar 2009 14:29:14 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Virtual repeater
To: Loopers-Delight@loopers-delight.com
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--0-308602035-1237411754=:30166
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

Mark,=0ACool! If you want to that would be fine, if not that is ok too. Unf=
ortunately this looping stuff is still new for me, I don't know any other l=
oopers locally, so Per's suggestion to try one will be difficult -- anybody=
 from the Philadelphia area=A0have a repeater I can borrow? I promise to gi=
ve it back when I am done with it ;)=0A=0ABTW, I listened to your gig recor=
ding and the transitions seemed so natural, I need to go back and listen ag=
ain more closely to hear=A0how you accomplished that.....very nice.=0A=0ATh=
anks,=0AEric=0A=0A=0A=0A=0A________________________________=0AFrom: mark fr=
ancombe <mark@markfrancombe.com>=0ATo: Loopers-Delight@loopers-delight.com=
=0ASent: Wednesday, March 18, 2009 4:18:25 PM=0ASubject: Re: Virtual repeat=
er=0A=0AI can make one for you now if you like... =0A=0A=0A      
--0-308602035-1237411754=:30166
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>Mark,</DIV>=0A<DIV>Cool! If you want to that would be =
fine, if not that is ok too. Unfortunately this looping stuff is still new =
for me, I don't know any other loopers locally, so Per's suggestion to try =
one will be difficult -- anybody from the Philadelphia area&nbsp;have a rep=
eater I can borrow? I promise to give it back when I am done with it ;)</DI=
V>=0A<DIV>&nbsp;</DIV>=0A<DIV>BTW, I listened to your gig recording and the=
 transitions seemed so natural, I need to go back and listen again more clo=
sely to hear&nbsp;how you accomplished that.....very nice.</DIV>=0A<DIV>&nb=
sp;</DIV>=0A<DIV>Thanks,</DIV>=0A<DIV>Eric<BR></DIV>=0A<DIV style=3D"FONT-S=
IZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif"><BR>=0A<DI=
V style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, =
serif"><FONT face=3DTahoma size=3D2>=0A<HR SIZE=3D1>=0A<B><SPAN style=3D"FO=
NT-WEIGHT: bold">From:</SPAN></B> mark francombe &lt;mark@markfrancombe.com=
&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delight=
@loopers-delight.com<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></=
B> Wednesday, March 18, 2009 4:18:25 PM<BR><B><SPAN style=3D"FONT-WEIGHT: b=
old">Subject:</SPAN></B> Re: Virtual repeater<BR></FONT><BR>I can make one =
for you now if you like... <BR><BR></DIV></DIV></div><br>=0A=0A      </body=
></html>
--0-308602035-1237411754=:30166--

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	 <20090318170929.ZOR1U.2812970.root@mp18>
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Subject: Re: There already IS a looping Forum
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5ab873e247c04656b7144
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Sorry mr toyroom, but thats what I HATE about forums... hundreds of topics.=
.
where DO you start???? I would like to ask why you hate Yahoo Groups
actually, Travis... its not as good as this LD mailing list, but its ok ...
isnt it???

OK... Last time I will comment on this discussion:

What I wouldnt mind is this. A MAILING LIST like this one... where I can
reply via mail. The mails are then placed on a forum, with topics created a=
s
are threads in Gmail. Thats it!!! Apart from ONE nifty feature... Tagging.
If I can (probably via the forum view) go in and TAG a thread as... SOUND
MANGLERS, or REPEATER.. or MOBIUS... then that whole thread NOT ONLY appear=
s
on the front main page (Lets call this the Gmail view) but also in a SUB
Catagory called that thing. Tags should be chosen from a predefined list,
there should be multiple tagging available, therfore threads can be in 2
topic "folders".. That way it would build into a resource... BUT MOST
IMPORTANT... is to have this threaded latest post google view... that can b=
e
mirrored in email.

... and if one comes along, I WIL NOT participate unless the new owber has
figured out, and agreed with Kim (who is, I believe still the owner here -
but mysteriosly absent) that he will take over, and WILL somehow transfer
the old database to a new system... something that I think will not be
possible, or at least not with out some headaches.

So... lets stay like this, and be very happy?

love and peace

m




On Wed, Mar 18, 2009 at 10:09 PM, <thetoyroom@charter.net> wrote:

> here's a forum/board that i'm part of.  I like how this one works, well
> enough.  Perhaps a scaled back version, with subheadings per relevant
> categories?
>
> http://vintageamps.com/plexiboard/index.php
>
>
>
> ---- Travis Hartnett <travishartnett@gmail.com> wrote:
> > If there is a worse forum software package than Yahoo Groups, I don't
> want
> > to ever find out.
> > TH
> >
> > On Wed, Mar 18, 2009 at 12:58 PM, Miko Biffle <biffoz@gmail.com> wrote:
> >
> > > I belong to several forums and while I get notification and in some
> cases,
> > > the body of the email, I can't reply via email=97I have to log into t=
he
> forum.
> > > So it's another step I don't want to take.  I know Yahoo Groups, wher=
e
> we do
> > > CT-Collective stuff does this, but it's not the usual forum
> architecture.
> > > -m
> > >
>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--001636c5ab873e247c04656b7144
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Sorry mr toyroom, but thats what I HATE about forums... hundreds of topics.=
. where DO you start???? I would like to ask why you hate Yahoo Groups actu=
ally, Travis... its not as good as this LD mailing list, but its ok ... isn=
t it???<br>
<br>OK... Last time I will comment on this discussion:<br><br>What I wouldn=
t mind is this. A MAILING LIST like this one... where I can reply via mail.=
 The mails are then placed on a forum, with topics created as are threads i=
n Gmail. Thats it!!! Apart from ONE nifty feature... Tagging. If I can (pro=
bably via the forum view) go in and TAG a thread as... SOUND MANGLERS, or R=
EPEATER.. or MOBIUS... then that whole thread NOT ONLY appears on the front=
 main page (Lets call this the Gmail view) but also in a SUB Catagory calle=
d that thing. Tags should be chosen from a predefined list, there should be=
 multiple tagging available, therfore threads can be in 2 topic &quot;folde=
rs&quot;.. That way it would build into a resource... BUT MOST IMPORTANT...=
 is to have this threaded latest post google view... that can be mirrored i=
n email.<br>
<br>... and if one comes along, I WIL NOT participate unless the new owber =
has figured out, and agreed with Kim (who is, I believe still the owner her=
e - but mysteriosly absent) that he will take over, and WILL somehow transf=
er the old database to a new system... something that I think will not be p=
ossible, or at least not with out some headaches.<br>
<br>So... lets stay like this, and be very happy?<br><br>love and peace<br>=
<br>m<br><br><br><br><br><div class=3D"gmail_quote">On Wed, Mar 18, 2009 at=
 10:09 PM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:thetoyroom@charter.net"=
>thetoyroom@charter.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">here&#39;s a foru=
m/board that i&#39;m part of. =A0I like how this one works, well enough. =
=A0Perhaps a scaled back version, with subheadings per relevant categories?=
<br>

<br>
<a href=3D"http://vintageamps.com/plexiboard/index.php" target=3D"_blank">h=
ttp://vintageamps.com/plexiboard/index.php</a><br>
<div><div></div><div class=3D"h5"><br>
<br>
<br>
---- Travis Hartnett &lt;<a href=3D"mailto:travishartnett@gmail.com">travis=
hartnett@gmail.com</a>&gt; wrote:<br>
&gt; If there is a worse forum software package than Yahoo Groups, I don&#3=
9;t want<br>
&gt; to ever find out.<br>
&gt; TH<br>
&gt;<br>
&gt; On Wed, Mar 18, 2009 at 12:58 PM, Miko Biffle &lt;<a href=3D"mailto:bi=
ffoz@gmail.com">biffoz@gmail.com</a>&gt; wrote:<br>
&gt;<br>
&gt; &gt; I belong to several forums and while I get notification and in so=
me cases,<br>
&gt; &gt; the body of the email, I can&#39;t reply via email=97I have to lo=
g into the forum.<br>
&gt; &gt; So it&#39;s another step I don&#39;t want to take. =A0I know Yaho=
o Groups, where we do<br>
&gt; &gt; CT-Collective stuff does this, but it&#39;s not the usual forum a=
rchitecture.<br>
&gt; &gt; -m<br>
&gt; &gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c5ab873e247c04656b7144--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 21:39:18 2009
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	 <20090318170929.ZOR1U.2812970.root@mp18>
	 <9ab0c76f0903181434hef5949dy28e371bd42b5a64@mail.gmail.com>
Date: Wed, 18 Mar 2009 22:39:17 +0100
Message-ID: <66f9cc1e0903181439j721c2eecl4dbf998084d0e330@mail.gmail.com>
Subject: Re: There already IS a looping Forum
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Mar 18, 2009 at 10:34 PM, mark francombe <mark@markfrancombe.com> wrote:
> What I wouldnt mind is this. A MAILING LIST like this one... where I can
> reply via mail. The mails are then placed on a forum, with topics created as
> are threads in Gmail. Thats it!!! Apart from ONE nifty feature... Tagging.
> If I can (probably via the forum view) go in and TAG a thread as... SOUND
> MANGLERS, or REPEATER.. or MOBIUS... then that whole thread NOT ONLY appears
> on the front main page (Lets call this the Gmail view) but also in a SUB
> Catagory called that thing. Tags should be chosen from a predefined list,
> there should be multiple tagging available, therfore threads can be in 2
> topic "folders".. That way it would build into a resource... BUT MOST
> IMPORTANT... is to have this threaded latest post google view... that can be
> mirrored in email.
>
> ... and if one comes along, I WIL NOT participate unless the new owber has
> figured out, and agreed with Kim (who is, I believe still the owner here -
> but mysteriosly absent) that he will take over, and WILL somehow transfer
> the old database to a new system... something that I think will not be
> possible, or at least not with out some headaches.
>
> So... lets stay like this, and be very happy?
>
> love and peace


Helluva frickin good write-up, Mark. I agree to everything! That's the
way to go. Or else not to go at all.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 21:47:07 2009
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From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: Re: There already IS a looping Forum
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When you get it hosted and running, you can post a link to it on the list. ;)


At 2009.03.18 02:09 PM, thetoyroom@charter.net wrote:
>here's a forum/board that i'm part of.  I like how this one works, 
>well enough.  Perhaps a scaled back version, with subheadings per 
>relevant categories?
>
>http://vintageamps.com/plexiboard/index.php
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 21:49:01 2009
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Date: Wed, 18 Mar 2009 22:49:00 +0100
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Message-ID: <9ab0c76f0903181449j1562d617lb3e1cd1e80e873c7@mail.gmail.com>
Subject: Re: Virtual repeater
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5b179bc026404656ba6ea
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

OK here you are Eric..

http://www.markfrancombe.com/empathree/MISCELLANEOUS/TimeStretch.mp3

TIME STRETCH

Starts normal, I bring in a few tracks... then I slow it down to 1bpm...
while its there i reverse 2 of the 4 tracks... I then pitch about on one
track using "Per Boysens Itchy foot Piano".
Basically the FCB1010 footpedal is programed to pitch one track by known
amounts to make a scale.. in this case a scale of my own invention that I
like to call the Pentamixolydian 7th.

Enjoy..

Mark

On Wed, Mar 18, 2009 at 10:29 PM, E Gross <slapbandjam@yahoo.com> wrote:

> Mark,
> Cool! If you want to that would be fine, if not that is ok too.
> Unfortunately this looping stuff is still new for me, I don't know any other
> loopers locally, so Per's suggestion to try one will be difficult -- anybody
> from the Philadelphia area have a repeater I can borrow? I promise to give
> it back when I am done with it ;)
>
> BTW, I listened to your gig recording and the transitions seemed so
> natural, I need to go back and listen again more closely to hear how you
> accomplished that.....very nice.
>
> Thanks,
> Eric
>
>  ------------------------------
> *From:* mark francombe <mark@markfrancombe.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Wednesday, March 18, 2009 4:18:25 PM
> *Subject:* Re: Virtual repeater
>
> I can make one for you now if you like...
>
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5b179bc026404656ba6ea
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

OK here you are Eric..<br><br><a href=3D"http://www.markfrancombe.com/empat=
hree/MISCELLANEOUS/TimeStretch.mp3">http://www.markfrancombe.com/empathree/=
MISCELLANEOUS/TimeStretch.mp3</a><br><br><font style=3D"color: rgb(0, 0, 0)=
;" color=3D"#aaaaaa" size=3D"2">TIME STRETCH<br>
<br>Starts normal, I bring in a few tracks... then I slow it down to
1bpm... while its there i reverse 2 of the 4 tracks... I then pitch
about on one track using &quot;Per Boysens Itchy foot Piano&quot;.<br>Basic=
ally the
FCB1010 footpedal is programed to pitch one track by known amounts to
make a scale.. in this case a scale of my own invention that I like to
call the Pentamixolydian 7th.</font><br><br>Enjoy..<br><br>Mark<br><br><div=
 class=3D"gmail_quote">On Wed, Mar 18, 2009 at 10:29 PM, E Gross <span dir=
=3D"ltr">&lt;<a href=3D"mailto:slapbandjam@yahoo.com">slapbandjam@yahoo.com=
</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div style=
=3D"font-family: times new roman,new york,times,serif; font-size: 12pt;"><d=
iv>Mark,</div>

<div>Cool! If you want to that would be fine, if not that is ok too. Unfort=
unately this looping stuff is still new for me, I don&#39;t know any other =
loopers locally, so Per&#39;s suggestion to try one will be difficult -- an=
ybody from the Philadelphia area=A0have a repeater I can borrow? I promise =
to give it back when I am done with it ;)</div>

<div>=A0</div>
<div>BTW, I listened to your gig recording and the transitions seemed so na=
tural, I need to go back and listen again more closely to hear=A0how you ac=
complished that.....very nice.</div>
<div>=A0</div>
<div>Thanks,</div>
<div>Eric<br></div>
<div style=3D"font-size: 12pt; font-family: times new roman,new york,times,=
serif;"><br>
<div style=3D"font-size: 12pt; font-family: times new roman,new york,times,=
serif;"><font face=3D"Tahoma" size=3D"2">
<hr size=3D"1">
<b><span style=3D"font-weight: bold;">From:</span></b> mark francombe &lt;<=
a href=3D"mailto:mark@markfrancombe.com" target=3D"_blank">mark@markfrancom=
be.com</a>&gt;<div class=3D"im"><br><b><span style=3D"font-weight: bold;">T=
o:</span></b> <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=
=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
</div><b><span style=3D"font-weight: bold;">Sent:</span></b> Wednesday, Mar=
ch 18, 2009 4:18:25 PM<br><b><span style=3D"font-weight: bold;">Subject:</s=
pan></b> Re: Virtual repeater<br></font><div class=3D"im"><br>I can make on=
e for you now if you like... <br>
<br></div></div></div></div><br>

      </div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c5b179bc026404656ba6ea--

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	 <9ab0c76f0903181449j1562d617lb3e1cd1e80e873c7@mail.gmail.com>
Date: Wed, 18 Mar 2009 23:00:29 +0100
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Message-ID: <9ab0c76f0903181500lc12c85dt54bee20e3ab31fc5@mail.gmail.com>
Subject: Re: Virtual repeater
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5b179d73feb04656bcfa0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

Sorry I hit send before I had finished:

TIME STRETCH

Starts normal, I bring in a few tracks... then I slow it down to 1bpm...
while its there i reverse 2 of the 4 tracks... I then pitch about on one
track using "Per Boysens Itchy foot Piano".
Basically the FCB1010 footpedal is programed to pitch one track by known
amounts to make a scale.. in this case a scale of my own invention that I
like to call the Pentamixolydian 7th.
THEN I sped back up, we hear the reversed tracks.. I go faster than original
tempo, and cut all but one track, the reversed solo... then I dick about on
th speed knob, (but could pprobably map tempo knob to a pedal, can I ..? I
dont know... Anyway, its more visual at a gig to manically twist a knob)
creating new phrasing on the part... holding on some notes, (just by
twisting down to 1 bpm again and fast back up again to get the tune working
again, a bit of reverb masks the glitchyiness , altho I left verb off
earlier so you can hear repeater slow glich mush in all its glory)

Thats about it..

Enjoy

M

On Wed, Mar 18, 2009 at 10:49 PM, mark francombe <mark@markfrancombe.com>wrote:

> OK here you are Eric..
>
> http://www.markfrancombe.com/empathree/MISCELLANEOUS/TimeStretch.mp3
>
> TIME STRETCH
>
> Starts normal, I bring in a few tracks... then I slow it down to 1bpm...
> while its there i reverse 2 of the 4 tracks... I then pitch about on one
> track using "Per Boysens Itchy foot Piano".
> Basically the FCB1010 footpedal is programed to pitch one track by known
> amounts to make a scale.. in this case a scale of my own invention that I
> like to call the Pentamixolydian 7th.
>
> Enjoy..
>
> Mark
>
>
> On Wed, Mar 18, 2009 at 10:29 PM, E Gross <slapbandjam@yahoo.com> wrote:
>
>> Mark,
>> Cool! If you want to that would be fine, if not that is ok too.
>> Unfortunately this looping stuff is still new for me, I don't know any other
>> loopers locally, so Per's suggestion to try one will be difficult -- anybody
>> from the Philadelphia area have a repeater I can borrow? I promise to give
>> it back when I am done with it ;)
>>
>> BTW, I listened to your gig recording and the transitions seemed so
>> natural, I need to go back and listen again more closely to hear how you
>> accomplished that.....very nice.
>>
>> Thanks,
>> Eric
>>
>>  ------------------------------
>> *From:* mark francombe <mark@markfrancombe.com>
>> *To:* Loopers-Delight@loopers-delight.com
>> *Sent:* Wednesday, March 18, 2009 4:18:25 PM
>> *Subject:* Re: Virtual repeater
>>
>> I can make one for you now if you like...
>>
>>
>>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5b179d73feb04656bcfa0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Sorry I hit send before I had finished:<br><br><font style=3D"color: rgb(0,=
 0, 0);" color=3D"#aaaaaa" size=3D"2">TIME STRETCH<br>
<br>Starts normal, I bring in a few tracks... then I slow it down to
1bpm... while its there i reverse 2 of the 4 tracks... I then pitch
about on one track using &quot;Per Boysens Itchy foot Piano&quot;.<br>Basic=
ally the
FCB1010 footpedal is programed to pitch one track by known amounts to
make a scale.. in this case a scale of my own invention that I like to
call the Pentamixolydian 7th.<br>THEN I sped back up, we hear the reversed =
tracks.. I go faster than original tempo, and cut all but one track, the re=
versed solo... then I dick about on th speed knob, (but could pprobably map=
 tempo knob to a pedal, can I ..? I dont know... Anyway, its more visual at=
 a gig to manically twist a knob) creating new phrasing on the part... hold=
ing on some notes, (just by twisting down to 1 bpm again and fast back up a=
gain to get the tune working again, a bit of reverb masks the glitchyiness =
, altho I left verb off earlier so you can hear repeater slow glich mush in=
 all its glory)<br>
<br>Thats about it..<br><br>Enjoy<br><br>M<br></font><br><div class=3D"gmai=
l_quote">On Wed, Mar 18, 2009 at 10:49 PM, mark francombe <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&g=
t;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">OK here you are E=
ric..<br><br><a href=3D"http://www.markfrancombe.com/empathree/MISCELLANEOU=
S/TimeStretch.mp3" target=3D"_blank">http://www.markfrancombe.com/empathree=
/MISCELLANEOUS/TimeStretch.mp3</a><br>
<br><font style=3D"color: rgb(0, 0, 0);" color=3D"#aaaaaa" size=3D"2">TIME =
STRETCH<br>
<br>Starts normal, I bring in a few tracks... then I slow it down to
1bpm... while its there i reverse 2 of the 4 tracks... I then pitch
about on one track using &quot;Per Boysens Itchy foot Piano&quot;.<br>Basic=
ally the
FCB1010 footpedal is programed to pitch one track by known amounts to
make a scale.. in this case a scale of my own invention that I like to
call the Pentamixolydian 7th.</font><br><br>Enjoy..<br><font color=3D"#8888=
88"><br>Mark</font><div><div></div><div class=3D"h5"><br><br><div class=3D"=
gmail_quote">On Wed, Mar 18, 2009 at 10:29 PM, E Gross <span dir=3D"ltr">&l=
t;<a href=3D"mailto:slapbandjam@yahoo.com" target=3D"_blank">slapbandjam@ya=
hoo.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div><div style=
=3D"font-family: times new roman,new york,times,serif; font-size: 12pt;"><d=
iv>
Mark,</div>

<div>Cool! If you want to that would be fine, if not that is ok too. Unfort=
unately this looping stuff is still new for me, I don&#39;t know any other =
loopers locally, so Per&#39;s suggestion to try one will be difficult -- an=
ybody from the Philadelphia area=A0have a repeater I can borrow? I promise =
to give it back when I am done with it ;)</div>


<div>=A0</div>
<div>BTW, I listened to your gig recording and the transitions seemed so na=
tural, I need to go back and listen again more closely to hear=A0how you ac=
complished that.....very nice.</div>
<div>=A0</div>
<div>Thanks,</div>
<div>Eric<br></div>
<div style=3D"font-size: 12pt; font-family: times new roman,new york,times,=
serif;"><br>
<div style=3D"font-size: 12pt; font-family: times new roman,new york,times,=
serif;"><font face=3D"Tahoma" size=3D"2">
<hr size=3D"1">
<b><span style=3D"font-weight: bold;">From:</span></b> mark francombe &lt;<=
a href=3D"mailto:mark@markfrancombe.com" target=3D"_blank">mark@markfrancom=
be.com</a>&gt;<div><br><b><span style=3D"font-weight: bold;">To:</span></b>=
 <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank">L=
oopers-Delight@loopers-delight.com</a><br>

</div><b><span style=3D"font-weight: bold;">Sent:</span></b> Wednesday, Mar=
ch 18, 2009 4:18:25 PM<br><b><span style=3D"font-weight: bold;">Subject:</s=
pan></b> Re: Virtual repeater<br></font><div><br>I can make one for you now=
 if you like... <br>

<br></div></div></div></div><br>

      </div></blockquote></div><br><br clear=3D"all"><br></div></div><div><=
div></div><div class=3D"h5">-- <br><a href=3D"http://www.markfrancombe.com"=
 target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com=
/user825094" target=3D"_blank">http://vimeo.com/user825094</a><br>
<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>


</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c5b179d73feb04656bcfa0--

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Subject: Re: Firewire mystery question
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L.Angulo wrote:
> Hi gang,
> i have a mystery tale to share:
> i mentioned previously that all of the sudden my RME card wasn not working and soon after that my Presonus firebox stopped working as well.
> i remeber conecting and reconecting my RME between my PC and Mac,then all of the sudden it stopped working.I sent it to the company and sure enough the FW port was broken.
> So then i conected temporarily my Presonus from my Mac to my PC which was working ok,did a gig the next night and the following day presonus is dead as well,so ive sent it recently to the company to get it repair.
> Now i got my RME back from repair conected it,updated drivers,turned it on and it still wasnt working,tested it with 2 FW cables,with my PC and Mac but nothing so i called the company and resent it back.
> I just got it back today with a letter from the company saying that the card is working perfectly!!
> so i am going nuts here trying to figure out what has happened,my question is ,is it bad conecting a FW  card between mac and PC?
> the only other thing i can think of is that my FW bus card on the PC is gone bad,but on my mac as well?
> Do you guys have any ideas,would it help changing the texas Instruments buscard to another slot or do you think is fried?i also find it hard to beleive that the FW port on my new macbook has gone bad as well and i have no way of testing because i dint have any other cards around,or is there another way to diagnose if a FW conection is bad on both Mac and PC?
> thanx for your help
> Luis
> www.myspace.com/luisangulocom

IIUC, you're saying the RME still doesn't work on either the PC or the 
Mac.  Does the Presonus work?  With the PC or the the Mac or both?

(sounds to me like a broken firewire card..)

-- 
rgds,
van Sinn

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Date: Wed, 18 Mar 2009 17:03:38 -0500
Subject: RE: Virtual repeater
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Nice!  It's like a hurdy-gurdy, bagpipe, accordion ensemble on Quaaludes.
=20
Jeff
=20

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 22:10:55 2009
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Subject: Re: Virtual repeater
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Lordy, that's delicious!  thanks, Mark. Nice playin too.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

>     http://www.markfrancombe.com/empathree/MISCELLANEOUS/TimeStretch.mp3
>

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Subject: Re: Virtual repeater
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On Wed, Mar 18, 2009 at 10:49 PM, mark francombe <mark@markfrancombe.com> wrote:
> http://www.markfrancombe.com/empathree/MISCELLANEOUS/TimeStretch.mp3

Lovely noise! I just can't wait until a software can produce those
artifacts! RiverRun by Audio Ease is the closest I know, but the GUI
is not very convenient for external MIDI control (as music instrument
playing loopists usually need)

per

From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 22:50:50 2009
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On 18 Mar 2009 at 14:09, thetoyroom@charter.net wrote:

> here's a forum/board that i'm part of.  I like how this one works,
> well enough.  Perhaps a scaled back version, with subheadings per
> relevant categories?

Have you not checked out "my" forum? That's roughly how it's 
organised and we can add categories as & when demand warrants it. 

http://loopingmusic.proboards99.com/

BTW, Andy Butler helped me sort out my jamman issue - I hadn't 
realised that the Sellon chip has control over how much dry signal is 
fed through and it defaults to maximum. Turn down to zero and the mix 
knob works as nature intended it ;)


Nick Robinson

music site : 	http://www.nickrobinson.info/music
myspace site :	http://www.myspace.com/nickrobinsonloops
looping forum :	http://loopingmusic.proboards99.com



From Loopers-Delight-request@loopers-delight.com  Wed Mar 18 23:48:36 2009
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     Jeff,

     Just because the mock-up didn't convince you... doesn't mean that it wasn't almost ready.  As I said in my previous post, the Virtual Repeater was very close to being finished... and I'm close to those who have inside information.

     Stephen


<<Does anyone have first hand evidence of that?>>










      

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Date: Thu, 19 Mar 2009 02:14:20 +0100
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Subject: Re: Firewire mystery question
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--0015174bf1fe15f75b04656e8569
Content-Type: text/plain; charset=ISO-8859-1
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... dunno luis, just i'm doing this with my echo audiofires 2 & 12 regularly
and the configuration changes i make in one computer are reflected on the
other (pc&mac), since
the card is flashed when shutting off the mixer app.

2009/3/18 L.Angulo <labaloops@yahoo.com>

>
> Hi gang,
> i have a mystery tale to share:
> i mentioned previously that all of the sudden my RME card wasn not working
> and soon after that my Presonus firebox stopped working as well.
> i remeber conecting and reconecting my RME between my PC and Mac,then all
> of the sudden it stopped working.I sent it to the company and sure enough
> the FW port was broken.
> So then i conected temporarily my Presonus from my Mac to my PC which was
> working ok,did a gig the next night and the following day presonus is dead
> as well,so ive sent it recently to the company to get it repair.
> Now i got my RME back from repair conected it,updated drivers,turned it on
> and it still wasnt working,tested it with 2 FW cables,with my PC and Mac but
> nothing so i called the company and resent it back.
> I just got it back today with a letter from the company saying that the
> card is working perfectly!!
> so i am going nuts here trying to figure out what has happened,my question
> is ,is it bad conecting a FW  card between mac and PC?
> the only other thing i can think of is that my FW bus card on the PC is
> gone bad,but on my mac as well?
> Do you guys have any ideas,would it help changing the texas Instruments
> buscard to another slot or do you think is fried?i also find it hard to
> beleive that the FW port on my new macbook has gone bad as well and i have
> no way of testing because i dint have any other cards around,or is there
> another way to diagnose if a FW conection is bad on both Mac and PC?
> thanx for your help
> Luis
> www.myspace.com/luisangulocom
>
>
>
>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0015174bf1fe15f75b04656e8569
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

... dunno luis, just i&#39;m doing this with my echo audiofires 2 &amp; 12 =
regularly and the configuration changes i make in one computer are reflecte=
d on the other (pc&amp;mac), since<br>the card is flashed when shutting off=
 the mixer app.<br>
<br><div class=3D"gmail_quote">2009/3/18 L.Angulo <span dir=3D"ltr">&lt;<a =
href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt;</span><br><=
blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 2=
04, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
Hi gang,<br>
i have a mystery tale to share:<br>
i mentioned previously that all of the sudden my RME card wasn not working =
and soon after that my Presonus firebox stopped working as well.<br>
i remeber conecting and reconecting my RME between my PC and Mac,then all o=
f the sudden it stopped working.I sent it to the company and sure enough th=
e FW port was broken.<br>
So then i conected temporarily my Presonus from my Mac to my PC which was w=
orking ok,did a gig the next night and the following day presonus is dead a=
s well,so ive sent it recently to the company to get it repair.<br>
Now i got my RME back from repair conected it,updated drivers,turned it on =
and it still wasnt working,tested it with 2 FW cables,with my PC and Mac bu=
t nothing so i called the company and resent it back.<br>
I just got it back today with a letter from the company saying that the car=
d is working perfectly!!<br>
so i am going nuts here trying to figure out what has happened,my question =
is ,is it bad conecting a FW =A0card between mac and PC?<br>
the only other thing i can think of is that my FW bus card on the PC is gon=
e bad,but on my mac as well?<br>
Do you guys have any ideas,would it help changing the texas Instruments bus=
card to another slot or do you think is fried?i also find it hard to beleiv=
e that the FW port on my new macbook has gone bad as well and i have no way=
 of testing because i dint have any other cards around,or is there another =
way to diagnose if a FW conection is bad on both Mac and PC?<br>

thanx for your help<br>
Luis<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<br>
<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell at Blogger:=
 <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com<=
/a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.com">http=
://www.ct-collective.com</a><br>
<br>

--0015174bf1fe15f75b04656e8569--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 03:04:24 2009
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From: Jeffrey Larson <jeff@zonemobius.com>
Subject: Re: Virtual Repeater
Date: Wed, 18 Mar 2009 22:03:51 -0500
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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[S V G]
 > Just because the mock-up didn't convince you... doesn't mean that it
 > wasn't almost ready.  As I said in my previous post, the Virtual
 > Repeater was very close to being finished... and I'm close to those
 > who have inside information.

Perhaps.  But here's what I don't get.  If it was "almost ready" then
it doesn't take hundreds or even tens of thousands of dollars to
finish and distribute.  If you've got programmers committed to the
project they'll make it happen.  Sales weren't going to give Adam and
the other two principals a nice salary but what the heck, get it out
there and recoup at least some of your expenses.

This is of course pure speculation but something is fishy.  Some
likely possibilities:

  1) They never had anything and did the classic vaporware play hoping
     for an enthusiastic response they didn't get.

  2) They grossly underestimated how hard it was going to be to
     port firmware designed for custom hardware to a general
     computer OS with all the associated UI, performance,
     plugin hosting, and latency issues.  It wasn't even half done.

  3) They outsourced the development to relatively disinterested
     programmers with no financial stake in the product's success.
     Once the contractor money dried up, there was no one left
     that knew how to finish it.

  4) There were really almost done but ugly internal politics
     shelved the project and the code rights now reside
     with one of the principals that doesn't know what to
     do with it.

If the situation was close to 3 or 4 then give them my name.
I'll finish it for them for a reasonable fee.

I'm not bashing them, there were clearly some brilliant people
involved in the company over the years.  But their marketing and
communication, bordering on arrogance, is among the worst I've ever
seen.  This isn't rocket science, lots of people can make loopers.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 03:07:58 2009
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	 <568F6378-645C-4ABB-AB7F-D1833491511F@zonemobius.com>
Date: Wed, 18 Mar 2009 20:07:57 -0700
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Wow! wouldn't that be great! I'd chip in. Maybe we should start a fund
raising drive : )

On Wed, Mar 18, 2009 at 8:03 PM, Jeffrey Larson <jeff@zonemobius.com> wrote=
:
> =A03) They outsourced the development to relatively disinterested
> =A0 =A0programmers with no financial stake in the product's success.
> =A0 =A0Once the contractor money dried up, there was no one left
> =A0 =A0that knew how to finish it.
>
> =A04) There were really almost done but ugly internal politics
> =A0 =A0shelved the project and the code rights now reside
> =A0 =A0with one of the principals that doesn't know what to
> =A0 =A0do with it.
>
> If the situation was close to 3 or 4 then give them my name.
> I'll finish it for them for a reasonable fee.
>
> I'm not bashing them, there were clearly some brilliant people
> involved in the company over the years. =A0But their marketing and
> communication, bordering on arrogance, is among the worst I've ever
> seen. =A0This isn't rocket science, lots of people can make loopers.
>
> Jeff
>
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 07:36:49 2009
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Date: Thu, 19 Mar 2009 00:36:46 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Firewire mystery question
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I cannot test it with the presonus because is gone back for repair to the U=
S(which probably was not necesary if the FW card is broken;-(=0Athanx=0ALui=
s=0A=0A=0A> IIUC, you're saying the RME still doesn't work on either=0A> th=
e PC or the Mac.  Does the Presonus work?  With=0A> the PC or the the Mac o=
r both?=0A> =0A> (sounds to me like a broken firewire card..)=0A> =0Awww.my=
space.com/luisangulocom=0A=0A=0A--- On Wed, 3/18/09, van Sinn <vansinn@post=
.cybercity.dk> wrote:=0A=0A> From: van Sinn <vansinn@post.cybercity.dk>=0A>=
 Subject: Re: Firewire mystery question=0A> To: Loopers-Delight@loopers-del=
ight.com=0A> Date: Wednesday, March 18, 2009, 3:08 PM=0A> L.Angulo wrote:=
=0A> > Hi gang,=0A> > i have a mystery tale to share:=0A> > i mentioned pre=
viously that all of the sudden my RME=0A> card wasn not working and soon af=
ter that my Presonus=0A> firebox stopped working as well.=0A> > i remeber c=
onecting and reconecting my RME between my=0A> PC and Mac,then all of the s=
udden it stopped working.I sent=0A> it to the company and sure enough the F=
W port was broken.=0A> > So then i conected temporarily my Presonus from my=
 Mac=0A> to my PC which was working ok,did a gig the next night and=0A> the=
 following day presonus is dead as well,so ive sent it=0A> recently to the =
company to get it repair.=0A> > Now i got my RME back from repair conected =
it,updated=0A> drivers,turned it on and it still wasnt working,tested it=0A=
> with 2 FW cables,with my PC and Mac but nothing so i called=0A> the compa=
ny and resent it back.=0A> > I just got it back today with a letter from th=
e=0A> company saying that the card is working perfectly!!=0A> > so i am goi=
ng nuts here trying to figure out what has=0A> happened,my question is ,is =
it bad conecting a FW=A0 card=0A> between mac and PC?=0A> > the only other =
thing i can think of is that my FW bus=0A> card on the PC is gone bad,but o=
n my mac as well?=0A> > Do you guys have any ideas,would it help changing t=
he=0A> texas Instruments buscard to another slot or do you think is=0A> fri=
ed?i also find it hard to beleive that the FW port on my=0A> new macbook ha=
s gone bad as well and i have no way of=0A> testing because i dint have any=
 other cards around,or is=0A> there another way to diagnose if a FW conecti=
on is bad on=0A> both Mac and PC?=0A> > thanx for your help=0A> > Luis=0A> =
> www.myspace.com/luisangulocom=0A> =0A=0A> -- rgds,=0A> van Sinn=0A> =0A> =
=0A=0A=0A      

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Date: Thu, 19 Mar 2009 01:03:16 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: new videos: live soundtrack for sundown at lake!
To: Loopers-Delight@loopers-delight.com
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Nice Matthias it has sort of an asian feel to it!



www.myspace.com/luisangulocom


--- On Wed, 3/18/09, Ricky Graham <rock.guitar.guru@btinternet.com> wrote:

> From: Ricky Graham <rock.guitar.guru@btinternet.com>
> Subject: Re: new videos: live soundtrack for sundown at lake!
> To: Loopers-Delight@loopers-delight.com
> Date: Wednesday, March 18, 2009, 2:32 AM
> Very nice, Matthias!
> 
> Ricky
> 
> ----- Original Message ----- 
> From: "Matthias Grob" <matilists@gmail.com>
> To: "Loop List" <Loopers-Delight@loopers-delight.com>
> Sent: Tuesday, March 17, 2009 9:02 PM
> Subject: new videos: live soundtrack for sundown at lake!
> 
> 
> > Around 2001 I played a series of performances at
> sundown on the
> > esplanade of lake Greifensee, Switzerland. Its a
> fantastic experience
> > to create a live soundtrack on looping guitar for the
> biggest and
> > never repeating show on this planet :-).
> >
> > The material was mostly edited in 2003 but we could
> not finish it due
> > to iMovie problems.
> >
> > Now its finally at
> > http://youtube.com/matigrob
> >
> > the sound has very few edits:
> > in the first part I glued 2 different pieces together
> > in the second part I took 2 short bits out, should not
> be noticable
> >
> > I could not find anything similar on the net yet ;-)
> > enjoy!
> > Matthias
> >
> 
> 
> --------------------------------------------------------------------------------
> 
> 
> 
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.0.237 / Virus Database: 270.11.17/2007 - Release
> Date: 03/17/09 
> 10:18:00
> 
> 


      

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	 <568F6378-645C-4ABB-AB7F-D1833491511F@zonemobius.com>
Date: Thu, 19 Mar 2009 09:13:17 +0100
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Subject: Re: Virtual Repeater
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
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WOW... what a fantastic evaluation, Jeff... As a dedicated Repeater user I
too were pissed and annoyed by Electrix over the years, promises, teases,
then silence... Im sure honesty to a group like ours would have given them
more cred $B"*(B better reputation $B"*(B better brand $B"*(B better sales.

I for ONE, would love to try to organise some kind of continued support for
the hardware software. The last version was almost complete for me, and
although I believe the software lies with.. hmm forgoton his name right
now.. the guy who is doinf the noise floor mod (which I must get round to
someday) I dont know who the RIGHTS to the software development lies with..
tied up in a complex bankrupcy package?

Surely if 100 users could all agree a very short wish list of improvements,
and agree to pay 100 dollars each, it would be worth it for a programmer?
Shoot me if Im being a twat... but couldnt something simerlar ne done with
the software version... Hell... Jeff just offered!!!

Lets get on to it guys?

Send some mails!!

M


>
> If the situation was close to 3 or 4 then give them my name.
> I'll finish it for them for a reasonable fee.
>
> I'm not bashing them, there were clearly some brilliant people
> involved in the company over the years.  But their marketing and
> communication, bordering on arrogance, is among the worst I've ever
> seen.  This isn't rocket science, lots of people can make loopers.
>
> Jeff
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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Subject: On Demand ECONOMIC BOOT CAMP FOR ARTISTS SERIES - The Lenny Campello Webinars (Mar 17, 2009)
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Build Your Resume 
60 minutes 
On-Demand Recording
 

------------------------------ 
Event Summary:
------------------------------ 

Event: On Demand ECONOMIC BOOT CAMP FOR ARTISTS SERIES - The Lenny Campello Webinars
Date: 
Location: Webinar

------------------------------ 
Event Details:
------------------------------ 

ARTS SEMINARS 
Economic Boot Camp for Artists
INDUSTRY PROFESSIONALS
ARTISTS, MUSEUM PROFESSIONALS, ARTS FACULTY, AND GALLERISTS
********
 
60 minutes 
On-Demand Recordings

Build Your Resume 
    Present Your Work        Reduce Your Framing Costs     Get Publicity for your Art Show         Establish a Digital Presence          The Insider's View on Art Galleries       Contracts    Approach a Gallery

Unlimted Downloads! 
               
Instructor F. Lennox Campello 


Gallerist, Art Dealer and 
Former Charter Member Sothebys.com Associate Dealer
***
 
F. Lennox Campello is an international award-winning artist,
curator and a widely published art critic and writer in Washington,
DC and Philadelphia,
 PA.  Mr. Campello also
manages one of the Internet's seminal and leading arts blogs, Daily
Campello Art News, read by nearly 750,000 readers last year.
 
As an established artist, while living in Spain in the early 1980s, Mr. Campello worked on
a series of landscapes of Andalusia, which now hang in over fifty private
collections in Spain, Portugal, and the United States.  He also
exhibited in various venues in Spain.
Subsequently Mr. Campello was awarded First Prize in the William Whipple
National Art Competition for Printmaking, the silver medal at the Ligoa Duncan
Art Competition in Paris and the French "Prix de Peinture de Raymond
Duncan."
 
While residing in Scotland,
in a 307-year-old farmhouse at the foothills of the Highlands near the ancient
Pictish village of Brechin, Mr. Campello produced over three hundred
watercolors of Scotland.
 This work earned him First Prize in watercolors at the 42nd Annual
International North Wynd River Art Competition in the United States. 
 
As the former co-owner of the Fraser
Gallery in Washington, DC,
and a former Charter Associate Dealer for Sothebys.com, Mr. Campello serves as
chief consultant and curator to numerous national and international galleries.
Additionally his work have been exhibited at the McManus Museum in Scotland,
the Brusque Museum in Brazil, the San Bernardino County Art Museum in
California, the Musee des Duncan in France, the Frick Museum in Ohio, the
Meadows Museum of Art in Shreveport, Louisiana, the Hunter Museum in Tennessee,
the Sacramento Fine Arts Center in California, The Art League in Alexandria and
the Rock Springs Art Center in Wyoming. He has also curated many shows in
the Mid Atlantic area.
 
Furthermore, Mr. Campello seminar’s, "Success as an
Artist," (also known as "Boot camp for Artists") has
trained over 3,000 artists, museum professionals, arts faculty, and new
gallerists.
 
Since 2005, the artist has been the host for a series of TV appearances
in various local programs dealing with the visual arts.  Mr. Campello also
reports on Mid Atlantic area art news for the MHz TV program ArtsMedia
News and has been a contributor to many newspapers and art
magazines.  He is also often heard on National Public Radio and the Voice
of America discussing visual art issues.  Mr. Campello also appears on the
radio as a regular guest discussing Washington,
 DC area art issues.  
 
Mr. Campello studied art at the University of Washington
School of Art in Seattle,
under Professors Norman Lundin, Alden Mason, Jacob Lawrence, and Everet DuPen.
 
 



------------------------------ 
Register Online:
------------------------------ 

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> you just need to add an envelope follower (a bidule) and hook up it's
output (parameters) to regulate the speed on any vst chorus.

thanks Os and Andy. Oh I know so little. But I'm getting there. :-)

-Michael

From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 09:18:05 2009
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> Apart from ONE nifty feature... Tagging.

Actually, this is something we could start informally already by simply adding "tags" to our mail subjects.

I think I suggested this before, for example:
- "Brother Sync issue [EDP]"
- "Midi slave problem [RC50]"
- "TheFruityLoopers on tour [GIG]"
- "Mac AU [MOBIUS]"
- "Live 8 features [ABLETON]"
- "Rang3 available? [BOOMERANG]"
- "OT:Promoting your CDs [BUSINESS]"
- "Recommended Firewire Interface? [HARDWARE]"
- "Ever used Reaktor in Looping setup? [SOFTWARE]"
- "Recommended flight case? [GEAR]"
- "IEM? [GEAR]"
- "Checkout this New Looper from Mongolia! [LISTEN]"
- "Does tap dancing improve my looper timing? [TECHNIQUE]"

This way, we could (autmatically) organize the mails within our mail software.

Regards
Buzap



-- 
Aufgepasst: Sind Ihre Daten beim Online-Banking auch optimal geschützt?
Jetzt absichern: https://homebanking.gmx.net/?mc=mail@footer.hb

From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 10:19:24 2009
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Here's the LD archive where you can search for stuff.

http://www.loopers-delight.com/cgi-bin/wilma/LDarchive

The archive has a well deserved reputation for not finding what you want,
just typing a word gets you way over the 50 hit limit, you just get the 
50 oldest matches.
Putting in two words with space between might be expected to refine the 
search...it doesn't...you'll get nothing.

So here's the format for refining the search

An example,
if I wanted to search for patches for  the Lexicon Vortex
I'd type
vortex;patches

note: the semicolon is the way that you tell the search engine to only 
find posts
with both words in, equivalent to "AND" or "&".



Don't follow the link to "help on patterns", that used to work once, but 
will now
lead you to a site where you'll spend quite some time to find the info, 
and when
you do it's totally wrong ( completely different search program afaik).

If you know the email of someone who'se likely to have posted good info, 
then
that can be used in the search too.

edp;soundfnr

as my old email was soundfnr@aol.com, that search neatly brings up my 
first EDP posts,
...amazing how much I got wrong about the edp :-)

Scrolling down the search page, there's "Restrict Matched Files" where 
you can select the date by CTRL+click on as many
months as you want in the listbox.

"Max Files Returned" defaults to 50 hits , if you really want loads of 
info, you can put it up all the way to 1000.


andy butler





From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 10:34:30 2009
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Thanks so much for that info, Andy. I'm sure it will be very useful.

It's good to know that I'm apparently not the only one who has found the LD 
archive search extremely frustrating. I had all but given up on it.

Steve

----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: "LD" <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 19, 2009 10:28 AM
Subject: LD Mailing list archive tips


> Here's the LD archive where you can search for stuff.
>
> http://www.loopers-delight.com/cgi-bin/wilma/LDarchive
>
> The archive has a well deserved reputation for not finding what you want,
> just typing a word gets you way over the 50 hit limit, you just get the 50 
> oldest matches.
> Putting in two words with space between might be expected to refine the 
> search...it doesn't...you'll get nothing.
>
> So here's the format for refining the search


From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 10:49:07 2009
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--001636c9245793c80d0465768cc8
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Great Idea Buzap.. now all we ned is a forum, where you can post this as a
sticky... DOH!!

On Thu, Mar 19, 2009 at 10:18 AM, Buzap Buzap <buzap@gmx.net> wrote:

>
> > Apart from ONE nifty feature... Tagging.
>
> Actually, this is something we could start informally already by simply
> adding "tags" to our mail subjects.
>
> I think I suggested this before, for example:
> - "Brother Sync issue [EDP]"
> - "Midi slave problem [RC50]"
> - "TheFruityLoopers on tour [GIG]"
> - "Mac AU [MOBIUS]"
> - "Live 8 features [ABLETON]"
> - "Rang3 available? [BOOMERANG]"
> - "OT:Promoting your CDs [BUSINESS]"
> - "Recommended Firewire Interface? [HARDWARE]"
> - "Ever used Reaktor in Looping setup? [SOFTWARE]"
> - "Recommended flight case? [GEAR]"
> - "IEM? [GEAR]"
> - "Checkout this New Looper from Mongolia! [LISTEN]"
> - "Does tap dancing improve my looper timing? [TECHNIQUE]"
>
> This way, we could (autmatically) organize the mails within our mail
> software.
>
> Regards
> Buzap
>
>
>
> --
> Aufgepasst: Sind Ihre Daten beim Online-Banking auch optimal gesch=FCtzt?
> Jetzt absichern: https://homebanking.gmx.net/?mc=3Dmail@footer.hb
>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--001636c9245793c80d0465768cc8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Great Idea Buzap.. now all we ned is a forum, where you can post this as a =
sticky... DOH!!<br><br><div class=3D"gmail_quote">On Thu, Mar 19, 2009 at 1=
0:18 AM, Buzap Buzap <span dir=3D"ltr">&lt;<a href=3D"mailto:buzap@gmx.net"=
>buzap@gmx.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
&gt; Apart from ONE nifty feature... Tagging.<br>
<br>
Actually, this is something we could start informally already by simply add=
ing &quot;tags&quot; to our mail subjects.<br>
<br>
I think I suggested this before, for example:<br>
- &quot;Brother Sync issue [EDP]&quot;<br>
- &quot;Midi slave problem [RC50]&quot;<br>
- &quot;TheFruityLoopers on tour [GIG]&quot;<br>
- &quot;Mac AU [MOBIUS]&quot;<br>
- &quot;Live 8 features [ABLETON]&quot;<br>
- &quot;Rang3 available? [BOOMERANG]&quot;<br>
- &quot;OT:Promoting your CDs [BUSINESS]&quot;<br>
- &quot;Recommended Firewire Interface? [HARDWARE]&quot;<br>
- &quot;Ever used Reaktor in Looping setup? [SOFTWARE]&quot;<br>
- &quot;Recommended flight case? [GEAR]&quot;<br>
- &quot;IEM? [GEAR]&quot;<br>
- &quot;Checkout this New Looper from Mongolia! [LISTEN]&quot;<br>
- &quot;Does tap dancing improve my looper timing? [TECHNIQUE]&quot;<br>
<br>
This way, we could (autmatically) organize the mails within our mail softwa=
re.<br>
<br>
Regards<br>
Buzap<br>
<font color=3D"#888888"><br>
<br>
<br>
--<br>
Aufgepasst: Sind Ihre Daten beim Online-Banking auch optimal gesch=FCtzt?<b=
r>
Jetzt absichern: <a href=3D"https://homebanking.gmx.net/?mc=3Dmail@footer.h=
b" target=3D"_blank">https://homebanking.gmx.net/?mc=3Dmail@footer.hb</a><b=
r>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c9245793c80d0465768cc8--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 11:55:34 2009
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Date: Thu, 19 Mar 2009 12:55:25 +0100
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Hi

We all have idle time on the mega-computers we use, I have recently 
created a loopers delight team to share this unused computing power for 
non-profit scientific research projects that benefit humanity.

All you have to do is join the world community grid org and 
download/install a little program that will use your computer while it 
is idle and send back the results as they are done.

It is safe, secure, has 450 000 members around the world

Check it out and join the grid and our small LD team

http://www.worldcommunitygrid.org/

thanks

Claude Voit

PS: as I am the team manager (Calude) of the LD team I will spam this 
list every month or so to gather new members.


From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 13:17:37 2009
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Date: Thu, 19 Mar 2009 09:17:22 -0400
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This is a classic improv, Mark - good job.  Also love that 
pentomixolydian 7th scale.

Dan Ash
White Plains, NY

> On Wed, Mar 18, 2009 at 10:49 PM, mark francombe 
> <mark@markfrancombe.com <mailto:mark@markfrancombe.com>> wrote:
> OK here you are Eric..
>
> http://www.markfrancombe.com/empathree/MISCELLANEOUS/TimeStretch.mp3
>
> TIME STRETCH
>
> Starts normal, I bring in a few tracks... then I slow it down to 
> 1bpm... while its there i reverse 2 of the 4 tracks... I then pitch 
> about on one track using "Per Boysens Itchy foot Piano".
> Basically the FCB1010 footpedal is programed to pitch one track by 
> known amounts to make a scale.. in this case a scale of my own 
> invention that I like to call the Pentamixolydian 7th.
>
> Enjoy..
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 13:56:10 2009
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Subject: Re: new mac mini with fw800 ... hoooorra!
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Bill Fox schrieb:
> Macbook Pro (I assume firewire is required): from $1999
> Mac mini: from $599

My good old Powerbook just died the day before a gig. Furtunately my 
Father could quickly lent me some money and I got a brand new white 
MacBook with 4 GB of memory. It does have firewire for my Quatafire, it 
has decent fast graphics (its time to get into Jitter) and was 980 
Euros. In the U.S. you should get it for the same in $...

Compared to my old machin its blazingly fast and has more than 4 times 
the memory I was used to in the past. I got it 2 hours before the 
concert, installed Max, copied my patch and all worked like a charm...

Only drawback is the size. Its significantly bigger than my 12". But 
still, my whole rig fits easily into hand luggage. I guess a mac mini 
with a small screen and a foldable or small keyboard woud still need 
more space...

Best of all, I can work on trains again, as it also came with a brand 
new battery... ;-)

I would say that is the best deal for a roadworthy Mac. If its still too 
much I'd get a netbook... ;-)

my 2c

Stefan

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Michael Peters schrieb:
> ... first of all, I need a compressor. for some reason, my favorite
> kind of compressor sound has always been an extreme setting that
> reduces the string attack to almost a mere click, and then keeps the
> volume constant, turning the decreasing string vibration into an
> almost linear sustained note ... 

Max is coming with omx compression objects. They can't be included into 
pluggos though (for licence reasons), but they would work in Max/MSP 
Runtime. It has millions of tweakable parameters. Next time I come to 
your place we can give it a try...

Stefan

-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 13:57:27 2009
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Andreas Willers schrieb:
> Since Per brought this up: would it be possible (and how much worl is 
> it) to build a midi controller (foot, hand or whatever) yourself? 

There is a board from Doepfer which should allow to do that easily...


-- 
Les Ondes Mémorielles---------x--
--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
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--0016e6d64688e95c4a04657931ad
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Thanks... Its just meant as a demo of the Repeater time stretch Dan...
nothing more...

On Thu, Mar 19, 2009 at 2:17 PM, Dan Ash <Daniel.Ash@verizon.net> wrote:

> This is a classic improv, Mark - good job.  Also love that pentomixolydian
> 7th scale.
>
> Dan Ash
> White Plains, NY
>
>  On Wed, Mar 18, 2009 at 10:49 PM, mark francombe <mark@markfrancombe.com<mailto:
>> mark@markfrancombe.com>> wrote:
>> OK here you are Eric..
>>
>> http://www.markfrancombe.com/empathree/MISCELLANEOUS/TimeStretch.mp3
>>
>> TIME STRETCH
>>
>> Starts normal, I bring in a few tracks... then I slow it down to 1bpm...
>> while its there i reverse 2 of the 4 tracks... I then pitch about on one
>> track using "Per Boysens Itchy foot Piano".
>> Basically the FCB1010 footpedal is programed to pitch one track by known
>> amounts to make a scale.. in this case a scale of my own invention that I
>> like to call the Pentamixolydian 7th.
>>
>> Enjoy..
>>
>>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6d64688e95c4a04657931ad
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Thanks... Its just meant as a demo of the Repeater time stretch Dan... noth=
ing more... <br><br><div class=3D"gmail_quote">On Thu, Mar 19, 2009 at 2:17=
 PM, Dan Ash <span dir=3D"ltr">&lt;<a href=3D"mailto:Daniel.Ash@verizon.net=
">Daniel.Ash@verizon.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">This is a classic=
 improv, Mark - good job. =A0Also love that pentomixolydian 7th scale.<br><=
font color=3D"#888888">
<br>
Dan Ash<br>
White Plains, NY<br>
<br>
</font><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rg=
b(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=
=3D"im">
On Wed, Mar 18, 2009 at 10:49 PM, mark francombe &lt;<a href=3D"mailto:mark=
@markfrancombe.com" target=3D"_blank">mark@markfrancombe.com</a> &lt;mailto=
:<a href=3D"mailto:mark@markfrancombe.com" target=3D"_blank">mark@markfranc=
ombe.com</a>&gt;&gt; wrote:<br>

OK here you are Eric..<br>
<br>
</div><div class=3D"im"><a href=3D"http://www.markfrancombe.com/empathree/M=
ISCELLANEOUS/TimeStretch.mp3" target=3D"_blank">http://www.markfrancombe.co=
m/empathree/MISCELLANEOUS/TimeStretch.mp3</a><br>
<br></div><div class=3D"im">
TIME STRETCH<br>
<br>
Starts normal, I bring in a few tracks... then I slow it down to 1bpm... wh=
ile its there i reverse 2 of the 4 tracks... I then pitch about on one trac=
k using &quot;Per Boysens Itchy foot Piano&quot;.<br>
Basically the FCB1010 footpedal is programed to pitch one track by known am=
ounts to make a scale.. in this case a scale of my own invention that I lik=
e to call the Pentamixolydian 7th.<br>
<br>
Enjoy..<br>
<br>
</div></blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--0016e6d64688e95c4a04657931ad--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 14:07:39 2009
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At 10:45 PM -0700 3/10/09, Rick Walker wrote:
>
>I'm really excited with this setup and there is so much to learn about it.

Ganbatte, Rick!!!  I was surprised when I started doing ambient noise 
sets how liberating it could be.  Not only the live improvisation 
aspect (as we all already know from Live Looping), but also 
completely freeing oneself from tonal centers or traditional harmonic 
theory.  No theory to interfere with an immediate visceral response. 
(standard disclaimer: of course you can just as likely manipulate a 
similar emotional response through traditional modes, harmony, and 
note choice -- I just ain't that good, though)

It's kind of like live instantaneous sound design, and can be quite 
cathartic.  Glad your debut went so well.

>The wonderful people at Analogue Haven, rushed me out a
>Devi Ever Eye of God (which has a photo sensor that allows you to control a
>feedback loop for simple but wonderful psychedelic wash effects
>and it arrived on the day of the gig,   but It had stereo ins and 
>out and I couldn't get
>it to work in mono.................

Wha?!?  Rick, I'll check the docs, but I don't believe that Devi has 
yet experimented with stereo devices.  It could be some weird new 
prototype, but I'm pretty sure the EOG is still mono only.  If you 
can describe what you tried and what kind of issues you were having, 
maybe we can help debug.

And, speaking of feedback loops, one of these hit my doorstep this 
week: http://thesquarewaveparade.com/perversincentiv.html

I'm hoping to see what weirdness I can cause by mating this with that 
circuit-bent PS-2 I mentioned a coupla months back (which, BTW, also 
makes a pretty good "delay-line"-style Looper, as it turns out).

	--m.
-- 
_____
"when you think your dreams are shattered, it's time to dream new dreams"

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At 11:55 AM -0500 3/18/09, Jeff Larson wrote:
>
>People looking for Repeater emulators are usually a fan of their
>quirky time stretch feature.  There are a lot of software loopers
>now but I don't think any of them do time stretch exactly like
>the Repeater.  Check out Ambiloop, Augustus Loop, Kenaxis, Logelloop,
>Mobius, and SooperLooper.  One of those might meet your needs.

Also, Musolomo does Time Stretch, but it's Mac-only and currently 
unsupported (but free!).  You also get some interesting interface 
options to manipulate Time/Pitch with, such as an X-Y grid and a 
Turntable for loop scratching.  Doesn't sound exactly like a 
Repeater; it's got it's own quirkiness/aliasing to the Time 
Stretching.  Only thing that used to irritate me about it is that 
they never implemented Feedback.

Also, there's no reason why you couldn't implement your own version 
of Time Stretch, using multiple VST's.  You could use almost any 
VST/AU host, or hack together your own setup in something like 
Bidule.  Here's how it works:

First, pick the looper of your choice.  It doesn't matter if it does 
Time Stretch per se, but it does need to do something like "tape 
style" Time/Pitch manipulation.  (i.e. as you lower the pitch, the 
playback slows down; same as if you put your finger on the edge of a 
reel-to-reel tape or spinning record, and caused it to slow down 
through physical friction.)

Next, find a Pitch-Shift plug-in out there.  Again, your choice.  You 
can mix and match until you find your favorite combination.

Finally, you use the Pitch-Shift plug to compensate for the 
Pitch-Shifting in the Looper, and bring the loop's pitch back to 
original.  For instance, if you use your Looper to slow the loop to 
half-speed, the pitch of the loop is going to drop to one octave 
lower.  Now run that into a Pitch-Shift plug-in set to transpose up 
one octave.  The result is that the loop is now back to its original 
pitch, but it's still playing back at half the original speed (twice 
as long, in other words).  Viola, instant Time Stretch.  If you want 
the loop to play back twice as fast, bump it up to double speed in 
the Looper, then use the Pitch-Shift plug to lower the pitch by an 
octave.  Depending upon the Looper, you should also be able to get 
in-between values, or more extreme settings (two octave shift = four 
times as fast/slow, and beyond).

I've done this with hardware (a Looperlative LP-1, into an Alesis 
Akira for the Pitch-Shifting), but there's no reason it shouldn't 
work in software too.

Of course, you ain't gonna get pristine, studio-quality Time 
Stretching from this method, but who cares?  The glitching and 
artifacting was one of the things that made the Repeater so loveable. 
So now go out and discover the sound that you yourself like the best.

	--m.

-- 
_____
"we're no longer sure where home is; homesickness is our only guide"

From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 15:56:08 2009
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Subject: Re: vst compressors
Date: Thu, 19 Mar 2009 09:56:05 -0600
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Some of the best VST compressors I've used, and still use, are the BuzComp 
series. And they are free.

http://www.x-buz.com/BuzCompFree.html

Kris


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Subject: Re: vst compressors
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd2893629e1a804657b7767
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if you like really extreme settings, you could also have a look at the SSL
LMC-1 - http://www.solid-state-logic.com/music/LMC-1/index.asp
it's also free

sim

On Thu, Mar 19, 2009 at 3:56 PM, Krispen Hartung <info@krispenhartung.com>wrote:

> Some of the best VST compressors I've used, and still use, are the BuzComp
> series. And they are free.
>
> http://www.x-buz.com/BuzCompFree.html
>
> Kris
>
>
>

--000e0cd2893629e1a804657b7767
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if you like really extreme settings, you could also have a look at the SSL =
LMC-1 -=A0<a href=3D"http://www.solid-state-logic.com/music/LMC-1/index.asp=
">http://www.solid-state-logic.com/music/LMC-1/index.asp</a><div><br></div>=
<div>
it&#39;s also free<br><div><br></div><div>sim<br><br><div class=3D"gmail_qu=
ote">On Thu, Mar 19, 2009 at 3:56 PM, Krispen Hartung <span dir=3D"ltr">&lt=
;<a href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</a>&gt;=
</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Some of the best VST compressors I&#39;ve u=
sed, and still use, are the BuzComp series. And they are free.<br>
<br>
<a href=3D"http://www.x-buz.com/BuzCompFree.html" target=3D"_blank">http://=
www.x-buz.com/BuzCompFree.html</a><br>
<br>
Kris<br>
<br>
<br>
</blockquote></div><br></div></div>

--000e0cd2893629e1a804657b7767--

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Subject: OT - Extreme Sheep LED Art
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Not quite looping, but=A0off-the-wall creative and=A0riotously great.=A0 =
=0Ahttp://www.youtube.com/watch?v=3DD2FX9rviEhw&eurl=3Dhttp://www.bloglines=
.com/myblogs_display?sub=3D7873365&site=3D250 
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>Not quite looping, but&nbsp;off-the-wall creative and&=
nbsp;riotously great.&nbsp; </DIV>=0A<DIV><A href=3D"http://www.youtube.com=
/watch?v=3DD2FX9rviEhw&amp;eurl=3Dhttp://www.bloglines.com/myblogs_display?=
sub=3D7873365&amp;site=3D250" target=3D_blank rel=3Dnofollow><FONT color=3D=
#800080><SPAN class=3Dyshortcuts id=3Dlw_1237480739_0>http://www.youtube.co=
m/watch?v=3DD2FX9rviEhw&amp;eurl=3Dhttp://www.bloglines.com/myblogs_display=
?sub=3D7873365&amp;site=3D250</SPAN></FONT></A> </DIV></div></body></html>
--0-1153586406-1237480723=:39380--

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Date: Thu, 19 Mar 2009 09:46:58 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Virtual repeater
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Cool, thanks!




________________________________
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wednesday, March 18, 2009 6:00:29 PM
Subject: Re: Virtual repeater

Sorry I hit send before I had finished:

TIME STRETCH


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><DIV>Cool, thanks!<BR></DIV>
<DIV style="FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif"><BR>
<DIV style="FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif"><FONT face=Tahoma size=2>
<HR SIZE=1>
<B><SPAN style="FONT-WEIGHT: bold">From:</SPAN></B> mark francombe &lt;mark@markfrancombe.com&gt;<BR><B><SPAN style="FONT-WEIGHT: bold">To:</SPAN></B> Loopers-Delight@loopers-delight.com<BR><B><SPAN style="FONT-WEIGHT: bold">Sent:</SPAN></B> Wednesday, March 18, 2009 6:00:29 PM<BR><B><SPAN style="FONT-WEIGHT: bold">Subject:</SPAN></B> Re: Virtual repeater<BR></FONT><BR>Sorry I hit send before I had finished:<BR><BR><FONT style="COLOR: rgb(0,0,0)" color=#aaaaaa size=2>TIME STRETCH<BR><BR></FONT></DIV></DIV></div><br>

      </body></html>
--0-1380041867-1237481218=:49201--

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Tagging the subjects is a nice idea. it would only work to sort mails  
in inbox, though, when [TAG] is preceding the subject.
Example: "[EDP] Brother Sync issue".

..Just a note, j
- - -
jayrope
http://www.kliklak.net

On Mar 19, 2009, at 4:56 PM, Loopers-Delight-d-request@loopers-delight.com 
  wrote:

> Re: There already IS a looping Forum - Tagging
>
>
>> Apart from ONE nifty feature... Tagging.
>
> Actually, this is something we could start informally already by  
> simply adding "tags" to our mail subjects.
>
> I think I suggested this before, for example:
> - "Brother Sync issue [EDP]" ...

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Date: Thu, 19 Mar 2009 12:03:12 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: OT - Extreme Sheep LED Art
To: Loopers-Delight@loopers-delight.com
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--0-457621804-1237489392=:93356
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

=A0
Toooo funny!
=A0
I own=A0a border collie and once was able to unleash him on a heard of shee=
p;=A0he smartly=A0moved them from one end of field to the other and kept th=
em as a group - all by instinct as he never had=A0any=A0training!
=A0
That day he was happy as a pig in shit, to mix my animal metaphors...

=A0
ted.
Enemies are good for self-definition. Werner Herzog

--- On Thu, 3/19/09, Jonathan Kessler <kesslari@yahoo.com> wrote:


From: Jonathan Kessler <kesslari@yahoo.com>
Subject: OT - Extreme Sheep LED Art
To: "loop list" <loopers-delight@loopers-delight.com>
Date: Thursday, March 19, 2009, 9:38 AM






Not quite looping, but=A0off-the-wall creative and=A0riotously great.=A0=20
http://www.youtube.com/watch?v=3DD2FX9rviEhw&eurl=3Dhttp://www.bloglines.co=
m/myblogs_display?sub=3D7873365&site=3D250 =0A=0A=0A      
--0-457621804-1237489392=:93356
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>Toooo funny!</DIV>
<DIV>&nbsp;</DIV>
<DIV>I own&nbsp;a border collie and once was able to unleash him on a heard=
 of sheep;&nbsp;he smartly&nbsp;moved them from one end of field to the oth=
er and kept them as a group - all by instinct as he never had&nbsp;any&nbsp=
;training!</DIV>
<DIV>&nbsp;</DIV>
<DIV>That day he was happy as a pig in shit, to mix my animal metaphors...<=
/DIV>
<DIV><BR>&nbsp;</DIV>
<DIV>ted.<BR>Enemies are good for self-definition. Werner Herzog<BR><BR>---=
 On <B>Thu, 3/19/09, Jonathan Kessler <I>&lt;kesslari@yahoo.com&gt;</I></B>=
 wrote:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Jonathan Kessler &lt;kesslari@yahoo.com&gt;=
<BR>Subject: OT - Extreme Sheep LED Art<BR>To: "loop list" &lt;loopers-deli=
ght@loopers-delight.com&gt;<BR>Date: Thursday, March 19, 2009, 9:38 AM<BR><=
BR>
<DIV id=3Dyiv1659858725>
<STYLE type=3Dtext/css><!--#yiv1659858725 DIV {margin:0px;}--></STYLE>

<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, time=
s, serif">
<DIV>Not quite looping, but&nbsp;off-the-wall creative and&nbsp;riotously g=
reat.&nbsp; </DIV>
<DIV><A href=3D"http://www.youtube.com/watch?v=3DD2FX9rviEhw&amp;eurl=3Dhtt=
p://www.bloglines.com/myblogs_display?sub=3D7873365&amp;site=3D250" target=
=3D_blank rel=3Dnofollow><FONT color=3D#800080><SPAN class=3Dyshortcuts id=
=3Dlw_1237480739_0>http://www.youtube.com/watch?v=3DD2FX9rviEhw&amp;eurl=3D=
http://www.bloglines.com/myblogs_display?sub=3D7873365&amp;site=3D250</SPAN=
></FONT></A> </DIV></DIV></DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A=0A=
=0A      
--0-457621804-1237489392=:93356--

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me too.

On Thu, Mar 19, 2009 at 12:49 PM, jayrope LD <jrploopers@kliklak.net> wrote=
:
>
> Tagging the subjects is a nice idea. it would only work to sort mails in =
inbox, though, when [TAG] is preceding the subject.
> Example: "[EDP] Brother Sync issue".
>
> ..Just a note, j
> - - -
> jayrope
> http://www.kliklak.net
>
> On Mar 19, 2009, at 4:56 PM, Loopers-Delight-d-request@loopers-delight.co=
m=A0wrote:
>
>> Re: There already IS a looping Forum - Tagging
>>
>>
>>> Apart from ONE nifty feature... Tagging.
>>
>> Actually, this is something we could start informally already by simply =
adding "tags" to our mail subjects.
>>
>> I think I suggested this before, for example:
>> - "Brother Sync issue [EDP]" ...
>



--
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 21:44:40 2009
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From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: Re: DIY midi controller
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And this one - not yet available:
http://lividinstruments.com/hardware_mididiy.php


At 2009.03.19 06:57 AM, Stefan Tiedje wrote:
>Andreas Willers schrieb:
>>Since Per brought this up: would it be possible (and how much worl 
>>is it) to build a midi controller (foot, hand or whatever) yourself?
>
>There is a board from Doepfer which should allow to do that easily...

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Date: Thu, 19 Mar 2009 18:07:02 -0500
From: Bill Fox <billyfox@soundscapes.us>
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GALACTIC TRAVELS ON WDIY: http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
continue the month-long Special Focus on UK synthesist Ian Boddy. The
Featured CD at Midnight will be "The Mechanics of a Thought" by Ian
Boddy on DiN Records.

For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM. Listen at http://war.str3am.com:7880/listen.pls on the internet.

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Date: Fri, 20 Mar 2009 07:20:28 +0900
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Subject: Re: DIY midi controller
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--0003255760ce1f8170046580356c
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I'm surprised that it doesn't get talked about more around these parts, but
the midibox project has been going strong for several years now.

http://www.midibox.org/

http://www.midibox.org/dokuwiki

To me it seems the most flexible explicitly midi* DIY solution out there,
with a very large community to offer help.

*there are other solutions like arduino that are probably just as flexible,
if not more, but midibox was designed from that start with only midi in
mind.

-michael

btw: if this post sounds like ad copy, don't fret, I don't work for them, I
haven't even built one, just looked on in interest for a long time.

--0003255760ce1f8170046580356c
Content-Type: text/html; charset=ISO-8859-1
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I&#39;m surprised that it doesn&#39;t get talked about more around these pa=
rts, but the midibox project has been going strong for several years now. <=
br><br><a href=3D"http://www.midibox.org/">http://www.midibox.org/</a><br>
<br><a href=3D"http://www.midibox.org/dokuwiki">http://www.midibox.org/doku=
wiki</a><br><br>To me it seems the most flexible explicitly midi* DIY solut=
ion out there, with a very large community to offer help.<br><br>*there are=
 other solutions like arduino that are probably just as flexible, if not mo=
re, but midibox was designed from that start with only midi in mind. <br>
<br>-michael<br><br>btw: if this post sounds like ad copy, don&#39;t fret, =
I don&#39;t work for them, I haven&#39;t even built one, just looked on in =
interest for a long time.<br>

--0003255760ce1f8170046580356c--

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At 3:57 PM -0700 3/13/09, Rick Walker wrote:
>Andy wrote:
>"In UK, the DL4 is pricey, it's always been =A3250. "
>
>Good lord,  I never knew that.   I've always=20
>wondered why so few Brits use them.  That must=20
>be the
>reason.
>
>How about Japan?

Looked at picking one up after I got over here.=20
=46ound they're typically in the range of Yen=20
35-40,000 JPY -- roughly $400 USD, depending upon=20
the exchange rate.  Ouch!

Not sure why Line 6 is so much more expensive=20
outside the US, other than the fact that it seems=20
they can get it....

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Thu Mar 19 23:53:29 2009
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You can also go with external hardware combined with a computer for the logic:
http://monome.org/40h/kit



At 2009.03.19 03:20 PM, michael noble wrote:
>I'm surprised that it doesn't get talked about more around these 
>parts, but the midibox project has been going strong for several years now.
>
><http://www.midibox.org/>http://www.midibox.org/
>
>http://www.midibox.org/dokuwiki
>
>To me it seems the most flexible explicitly midi* DIY solution out 
>there, with a very large community to offer help.
>
>*there are other solutions like arduino that are probably just as 
>flexible, if not more, but midibox was designed from that start with 
>only midi in mind.
>
>-michael
>
>btw: if this post sounds like ad copy, don't fret, I don't work for 
>them, I haven't even built one, just looked on in interest for a long time.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 20 03:54:17 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: TESTING TESTING TESTING . . . 1 . . . 2 . . . 3
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This is a test.

Is this mic on?

From Loopers-Delight-request@loopers-delight.com  Fri Mar 20 03:59:27 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: TESTING TESTING TESTING . . . 1 . . . 2 . . . 3
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That was weird.

I never thought I's see the day.

I guess I was unsubscribed from the LD list for the last 2 weeks (or=20
more) and never even knew it.

Work has been busy . . . actually it's been hell (but that's another=20
subject).

Life has been busy . . . and a little hellish to (see above).

Twitter, FaceBook, MySpace, LinkedIn, Plaxo, Frapper, and Tribe.net=20
have been busy.

Doggone time-sucking social networks.

Life is just too darn complicated.

Okay . . . what have I missed?

Best regards,

tEd =AE KiLLiAn

Creativity represents a miraculous coming together of the uninhibited=20
energy of the child with its apparent opposite and enemy, the sense of=20=

order imposed on the disciplined adult intelligence. =96 Norman =
Podhoretz

http://www.myspace.com/tedkillian
http://www.reverbnation.com/tedkillian
http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

On Mar 19, 2009, at 8:54 PM, tEd =AE KiLLiAn wrote:

> This is a test.
>
> Is this mic on?
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 20 04:09:06 2009
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It's feeding back a bit. Can you turn the gain down?  :)

Kris

----- Original Message ----- 


> This is a test.
> 
> Is this mic on?
> 
>

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That is funny Ted! I was unsubed also a couple of times recently, After a 
couple of days I thought what the! I have also been really busy.
I see on Facebook that you are playing some gigs and with Krispen! As I said 
there I am looking forward to hearing some of it.
Good to have ya back in action.

best,

Jeff

"Was that too melodic?"
_ Sonny Sharrock

http://virb.com/jeffduke


----- Original Message ----- 
From: "tEd ® KiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 19, 2009 11:59 PM
Subject: Re: TESTING TESTING TESTING . . . 1 . . . 2 . . . 3


That was weird.

I never thought I's see the day.

I guess I was unsubscribed from the LD list for the last 2 weeks (or
more) and never even knew it.

Work has been busy . . . actually it's been hell (but that's another
subject).

Life has been busy . . . and a little hellish to (see above).

Twitter, FaceBook, MySpace, LinkedIn, Plaxo, Frapper, and Tribe.net
have been busy.

Doggone time-sucking social networks.

Life is just too darn complicated.

Okay . . . what have I missed?

Best regards,

tEd ® KiLLiAn

Creativity represents a miraculous coming together of the uninhibited
energy of the child with its apparent opposite and enemy, the sense of
order imposed on the disciplined adult intelligence. – Norman Podhoretz

http://www.myspace.com/tedkillian
http://www.reverbnation.com/tedkillian
http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

On Mar 19, 2009, at 8:54 PM, tEd ® KiLLiAn wrote:

> This is a test.
>
> Is this mic on?
>


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Subject: East coast loop-friendly venues?
From: Matt Davignon <mattdavignon@gmail.com>
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Just following up on this moribund thread - Does anyone happen to know
who is curating at The Stone (NYC) in July? I'd hate to find out after
the fact that it's someone I know.

In other news, my tour now has a simple little skeleton. I'm in
Columbus, OH on 7.16 and Baltimore, MD on 7.18. I then have 10 days to
get from Baltimore to Boston, so it's looking like I'm going to be
focusing pretty heavily on the east coast.

Any loop-friendly/experimental/space-music/*very* abstract ambient
venues or performance opportunities in that area would be much
appreciated.

Thanks!

Matt Davignon
www.ribosomemusic.com/shows.html

Date: Mon, 2 Feb 2009 15:54:26 -0800

________________________________

Harry was like:
> The Stone in Manhattan is a great place that pushes boundaries 6 nights
>a week.

Thanks for the suggestion - I'd love to play The Stone, but the last I
knew, they didn't accept booking requests. I think you have to know
the person who is curating that particular month. It's an odd system -
even if I happen to know the person, I wouldn't know that they're
curating, and they wouldn't necessarily know that I'm planning to be
in NYC.

On the other hand, if they did accept submissions, the scale of them
would probably be maddening.

Matt Davignon
www.ribosomemusic.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 20 13:21:32 2009
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I'm looking for a midi footcontroller with the following specs:
* per patch: 10-15 programmable momentary CC pedals and 3 exp. controller=
 pedals all with programmable midi channel
* Optional: multiple programmable CC messages per pedal (sequence)
* compact, < 5kg, reliable
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

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Date: Fri, 20 Mar 2009 09:35:30 -0400
Message-ID: <9e0440a60903200635v48411bc1y7b31ed16c9dcfd62@mail.gmail.com>
Subject: Re: East coast loop-friendly venues?
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Matt the Stone seems tighter than Fort Knox so to speak.  It seems to be an
extension of where Tonic had been going meaning a monthly rotational curator
and about the only way to connect was to go there and 'hang' as they say
which is something that frustrates me with a lot of the 'scene' here when
time is so limited at least for me.
There is also a similiar place in Brooklyn where I am that's called Issue
Project Room.  They atleast provide their contacts though it too is rather
tight though a couple on this list have played there so perhaps they can
reflect to you.

Are you playing the Red Room I think it's called in Baltimore?  We tried to
get Chinapainting there, it's supposed to be the cat's meow down there.

If you haven't checked out places in Williamsburg (Brooklyn) there are a
few.  One that is a neat place, open to a lot of diff stuff but
unfortunately doesn't do well with walk in traffic is a place called the
Stain.  Zebulon is also good but harder to get in.

More if you need but rushing for now.

Luck with it all...

Jim

On Fri, Mar 20, 2009 at 1:10 AM, Matt Davignon <mattdavignon@gmail.com>wrote:

> Just following up on this moribund thread - Does anyone happen to know
> who is curating at The Stone (NYC) in July? I'd hate to find out after
> the fact that it's someone I know.
>
> In other news, my tour now has a simple little skeleton. I'm in
> Columbus, OH on 7.16 and Baltimore, MD on 7.18. I then have 10 days to
> get from Baltimore to Boston, so it's looking like I'm going to be
> focusing pretty heavily on the east coast.
>
> Any loop-friendly/experimental/space-music/*very* abstract ambient
> venues or performance opportunities in that area would be much
> appreciated.
>
> Thanks!
>
> Matt Davignon
> www.ribosomemusic.com/shows.html
>
> Date: Mon, 2 Feb 2009 15:54:26 -0800
>
> ________________________________
>
> Harry was like:
> > The Stone in Manhattan is a great place that pushes boundaries 6 nights
> >a week.
>
> Thanks for the suggestion - I'd love to play The Stone, but the last I
> knew, they didn't accept booking requests. I think you have to know
> the person who is curating that particular month. It's an odd system -
> even if I happen to know the person, I wouldn't know that they're
> curating, and they wouldn't necessarily know that I'm planning to be
> in NYC.
>
> On the other hand, if they did accept submissions, the scale of them
> would probably be maddening.
>
> Matt Davignon
> www.ribosomemusic.com
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

--0015174ff5a48ffa6804658cfd8e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Matt the Stone seems tighter than Fort Knox so to speak. =A0It seems to be =
an extension of where Tonic had been going meaning a monthly rotational cur=
ator and about the only way to connect was to go there and &#39;hang&#39; a=
s they say which is something that frustrates me with a lot of the &#39;sce=
ne&#39; here when time is so limited at least for me.<div>
<br></div><div>There is also a similiar place in Brooklyn where I am that&#=
39;s called Issue Project Room. =A0They atleast provide their contacts thou=
gh it too is rather tight though a couple on this list have played there so=
 perhaps they can reflect to you.</div>
<div><br></div><div>Are you playing the Red Room I think it&#39;s called in=
 Baltimore? =A0We tried to get Chinapainting there, it&#39;s supposed to be=
 the cat&#39;s meow down there.</div><div><br></div><div>If you haven&#39;t=
 checked out places in Williamsburg (Brooklyn) there are a few. =A0One that=
 is a neat place, open to a lot of diff stuff but unfortunately doesn&#39;t=
 do well with walk in traffic is a place called the Stain. =A0Zebulon is al=
so good but harder to get in.</div>
<div><br></div><div>More if you need but rushing for now.</div><div><br></d=
iv><div>Luck with it all...</div><div><br></div><div>Jim<br><br><div class=
=3D"gmail_quote">On Fri, Mar 20, 2009 at 1:10 AM, Matt Davignon <span dir=
=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.c=
om</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Just following up on this moribund thread -=
 Does anyone happen to know<br>
who is curating at The Stone (NYC) in July? I&#39;d hate to find out after<=
br>
the fact that it&#39;s someone I know.<br>
<br>
In other news, my tour now has a simple little skeleton. I&#39;m in<br>
Columbus, OH on 7.16 and Baltimore, MD on 7.18. I then have 10 days to<br>
get from Baltimore to Boston, so it&#39;s looking like I&#39;m going to be<=
br>
focusing pretty heavily on the east coast.<br>
<br>
Any loop-friendly/experimental/space-music/*very* abstract ambient<br>
venues or performance opportunities in that area would be much<br>
appreciated.<br>
<br>
Thanks!<br>
<br>
Matt Davignon<br>
<a href=3D"http://www.ribosomemusic.com/shows.html" target=3D"_blank">www.r=
ibosomemusic.com/shows.html</a><br>
<br>
Date: Mon, 2 Feb 2009 15:54:26 -0800<br>
<br>
________________________________<br>
<br>
Harry was like:<br>
&gt; The Stone in Manhattan is a great place that pushes boundaries 6 night=
s<br>
&gt;a week.<br>
<br>
Thanks for the suggestion - I&#39;d love to play The Stone, but the last I<=
br>
knew, they didn&#39;t accept booking requests. I think you have to know<br>
the person who is curating that particular month. It&#39;s an odd system -<=
br>
even if I happen to know the person, I wouldn&#39;t know that they&#39;re<b=
r>
curating, and they wouldn&#39;t necessarily know that I&#39;m planning to b=
e<br>
in NYC.<br>
<br>
On the other hand, if they did accept submissions, the scale of them<br>
would probably be maddening.<br>
<font color=3D"#888888"><br>
Matt Davignon<br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>The Acoustic Wor=
ld Guitar of Jim Goodin =A0- <a href=3D"http://www.jimgoodinmusic.com">http=
://www.jimgoodinmusic.com</a><br>MySpace (solo) - <a href=3D"http://www.mys=
pace.com/jimgoodinmusic">http://www.myspace.com/jimgoodinmusic</a><br>
Chinapainting -<br><a href=3D"http://www.chinapaintingmusic.com">http://www=
.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br><a href=3D"ht=
tp://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapa=
intingmusic.com</a><br>
The Jim Goodin label and home for 7 other creative souls - <a href=3D"http:=
//www.woodandwiremusic.com">http://www.woodandwiremusic.com</a> <br>Jim Goo=
din uses GHS Strings - <a href=3D"http://www.ghsstrings.com">http://www.ghs=
strings.com</a> and Seagull Guitars - <a href=3D"http://www.seagullguitars.=
com">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay =
Publications, Inc. - <a href=3D"http://www.melbay.com">http://www.melbay.co=
m</a><br>

</div>

--0015174ff5a48ffa6804658cfd8e--

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Subject: Flexible MFC
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That would be the  gordius Big little giant, made right there in your lovely
country by the great Xavier!

 Bill

 

  _____  

From: Loopers-Delight-d-request@loopers-delight.com
[mailto:Loopers-Delight-d-request@loopers-delight.com] 
Sent: Friday, March 20, 2009 6:36 AM
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 20 16:31:25 2009
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>Bill wrote:
> That would be the  gordius Big little giant, made right there in your l=
ovely
> country by the great Xavier!

Hi Bill, I just noticed that the Roland FC-200 and FC-300 are now also su=
pported as slave controllers. Which is good news because I already have a=
 FC-300. 

I know you and also Andy Butler have a Gordius controller. What's your op=
inion about the benefits of a standalone LG controller vs the LG-module +=
 a slave controller such as the FCB1010 or FC-300? 

--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


__________________________________
Scarlet schrapt download limiet!
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 20 17:00:32 2009
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Sjaak wrote:
>> Bill wrote:
>> That would be the  gordius Big little giant, made right there in your lovely
>> country by the great Xavier!

> I know you and also Andy Butler have a Gordius controller. 
> What's your opinion about the benefits of a standalone LG 
> controller vs the LG-module + a slave controller such as the FCB1010 or FC-300? 
> 

The regular standalone LG is noticeably compact and light.
I guess the feature set is very similar.

I did consider getting the module, but:-
1) my fcb is getting a bit old
2) the cost difference was not that great, especially as likely I was going
   to have to replace the fcb soon
3) the fcb is a total liability for travel...big + heavy
4) I got the LG variant with 4 expression pedal sockets

I imagine latency would be a shade higher for slave+module.

Xavier would be the man to ask.

andy

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> Andy wrote:
> Xavier would be the man to ask.

Wow, the LG controller is only 2.25 kg. An FC-300 + LG-module is 6.3 kg i=
n total...that's a lot when you have to travel. Thanks, I've just sent hi=
m an email.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

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Date: Fri, 20 Mar 2009 10:29:43 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Flexible MFC
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here is another one about the same price or less than the grdius Big giant=
=0A=0Ahttp://guitars.musiciansfriend.com/product/Rocktron-All-Access-MIDI-F=
oot-Controller?sku=3D155690=0A=0A=0Ahere you can see how loud the switches =
are if u are picky about it,i would have to compare them to the gordius:=0A=
=0Ahttp://www.youtube.com/watch?v=3DLHZUIVSYV18=0A=0Amore buttons but less =
exp pedal inputs quite loud yet very nice=0A=0A=0A=0A=0A=0A=0A=0A=0Awww.mys=
pace.com/luisangulocom=0A=0A=0A--- On Fri, 3/20/09, andy butler <akbutler@t=
iscali.co.uk> wrote:=0A=0A> From: andy butler <akbutler@tiscali.co.uk>=0A> =
Subject: Re: Flexible MFC=0A> To: Loopers-Delight@loopers-delight.com, "Xav=
ier" <xavier@gordius.be>=0A> Date: Friday, March 20, 2009, 10:09 AM=0A> Sja=
ak wrote:=0A> >> Bill wrote:=0A> >> That would be the=A0 gordius Big little=
 giant,=0A> made right there in your lovely=0A> >> country by the great Xav=
ier!=0A> =0A> > I know you and also Andy Butler have a Gordius=0A> controll=
er. What's your opinion about the benefits of a=0A> standalone LG controlle=
r vs the LG-module + a slave=0A> controller such as the FCB1010 or FC-300? =
=0A> =0A> The regular standalone LG is noticeably compact and light.=0A> I =
guess the feature set is very similar.=0A> =0A> I did consider getting the =
module, but:-=0A> 1) my fcb is getting a bit old=0A> 2) the cost difference=
 was not that great, especially as=0A> likely I was going=0A> =A0 to have t=
o replace the fcb soon=0A> 3) the fcb is a total liability for travel...big=
 + heavy=0A> 4) I got the LG variant with 4 expression pedal sockets=0A> =
=0A> I imagine latency would be a shade higher for=0A> slave+module.=0A> =
=0A> Xavier would be the man to ask.=0A> =0A> andy=0A> =0A> =0A=0A=0A      

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Date: Fri, 20 Mar 2009 10:30:52 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
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ups isee its out of the question because it weights a tone!=0Awww.myspace.c=
om/luisangulocom=0A=0A=0A--- On Fri, 3/20/09, L.Angulo <labaloops@yahoo.com=
> wrote:=0A=0A> From: L.Angulo <labaloops@yahoo.com>=0A> Subject: Re: Flexi=
ble MFC=0A> To: Loopers-Delight@loopers-delight.com=0A> Date: Friday, March=
 20, 2009, 10:29 AM=0A> =0A> here is another one about the same price or le=
ss than the=0A> grdius Big giant=0A> =0A> http://guitars.musiciansfriend.co=
m/product/Rocktron-All-Access-MIDI-Foot-Controller?sku=3D155690=0A> =0A> =
=0A> here you can see how loud the switches are if u are picky=0A> about it=
,i would have to compare them to the gordius:=0A> =0A> http://www.youtube.c=
om/watch?v=3DLHZUIVSYV18=0A> =0A> more buttons but less exp pedal inputs qu=
ite loud yet very=0A> nice=0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A> www.=
myspace.com/luisangulocom=0A> =0A> =0A> --- On Fri, 3/20/09, andy butler <a=
kbutler@tiscali.co.uk>=0A> wrote:=0A> =0A> > From: andy butler <akbutler@ti=
scali.co.uk>=0A> > Subject: Re: Flexible MFC=0A> > To: Loopers-Delight@loop=
ers-delight.com,=0A> "Xavier" <xavier@gordius.be>=0A> > Date: Friday, March=
 20, 2009, 10:09 AM=0A> > Sjaak wrote:=0A> > >> Bill wrote:=0A> > >> That w=
ould be the=A0 gordius Big little=0A> giant,=0A> > made right there in your=
 lovely=0A> > >> country by the great Xavier!=0A> > =0A> > > I know you and=
 also Andy Butler have a Gordius=0A> > controller. What's your opinion abou=
t the benefits of=0A> a=0A> > standalone LG controller vs the LG-module + a=
 slave=0A> > controller such as the FCB1010 or FC-300? =0A> > =0A> > The re=
gular standalone LG is noticeably compact and=0A> light.=0A> > I guess the =
feature set is very similar.=0A> > =0A> > I did consider getting the module=
, but:-=0A> > 1) my fcb is getting a bit old=0A> > 2) the cost difference w=
as not that great, especially=0A> as=0A> > likely I was going=0A> > =A0 to =
have to replace the fcb soon=0A> > 3) the fcb is a total liability for trav=
el...big +=0A> heavy=0A> > 4) I got the LG variant with 4 expression pedal=
=0A> sockets=0A> > =0A> > I imagine latency would be a shade higher for=0A>=
 > slave+module.=0A> > =0A> > Xavier would be the man to ask.=0A> > =0A> > =
andy=0A> > =0A> > =0A> =0A> =0A> =0A> =0A> =0A=0A=0A      

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Date: Fri, 20 Mar 2009 13:27:40 -0600
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Subject: Re: East coast loop-friendly venues?
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--000325579e82f8a407046591e801
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And there are a few loop-friendly places in and around Boston ... people I
can put you in touch with, even though I am now out here in Wyoming (REAL
Space Country! GRIN)

Best,

Dennis


On Fri, Mar 20, 2009 at 7:35 AM, Jim Goodin <jimgoodinmusic@gmail.com>wrote:

> Matt the Stone seems tighter than Fort Knox so to speak.  It seems to be an
> extension of where Tonic had been going meaning a monthly rotational curator
> and about the only way to connect was to go there and 'hang' as they say
> which is something that frustrates me with a lot of the 'scene' here when
> time is so limited at least for me.
> There is also a similiar place in Brooklyn where I am that's called Issue
> Project Room.  They atleast provide their contacts though it too is rather
> tight though a couple on this list have played there so perhaps they can
> reflect to you.
>
> Are you playing the Red Room I think it's called in Baltimore?  We tried to
> get Chinapainting there, it's supposed to be the cat's meow down there.
>
> If you haven't checked out places in Williamsburg (Brooklyn) there are a
> few.  One that is a neat place, open to a lot of diff stuff but
> unfortunately doesn't do well with walk in traffic is a place called the
> Stain.  Zebulon is also good but harder to get in.
>
> More if you need but rushing for now.
>
> Luck with it all...
>
> Jim
>
>
> On Fri, Mar 20, 2009 at 1:10 AM, Matt Davignon <mattdavignon@gmail.com>wrote:
>
>> Just following up on this moribund thread - Does anyone happen to know
>> who is curating at The Stone (NYC) in July? I'd hate to find out after
>> the fact that it's someone I know.
>>
>> In other news, my tour now has a simple little skeleton. I'm in
>> Columbus, OH on 7.16 and Baltimore, MD on 7.18. I then have 10 days to
>> get from Baltimore to Boston, so it's looking like I'm going to be
>> focusing pretty heavily on the east coast.
>>
>> Any loop-friendly/experimental/space-music/*very* abstract ambient
>> venues or performance opportunities in that area would be much
>> appreciated.
>>
>> Thanks!
>>
>> Matt Davignon
>> www.ribosomemusic.com/shows.html
>>
>> Date: Mon, 2 Feb 2009 15:54:26 -0800
>>
>> ________________________________
>>
>> Harry was like:
>> > The Stone in Manhattan is a great place that pushes boundaries 6 nights
>> >a week.
>>
>> Thanks for the suggestion - I'd love to play The Stone, but the last I
>> knew, they didn't accept booking requests. I think you have to know
>> the person who is curating that particular month. It's an odd system -
>> even if I happen to know the person, I wouldn't know that they're
>> curating, and they wouldn't necessarily know that I'm planning to be
>> in NYC.
>>
>> On the other hand, if they did accept submissions, the scale of them
>> would probably be maddening.
>>
>> Matt Davignon
>> www.ribosomemusic.com
>>
>>
>
>
> --
> The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
> MySpace (solo) - http://www.myspace.com/jimgoodinmusic
> Chinapainting -
> http://www.chinapaintingmusic.com
> Chinapainting on My Space -
> http://www.myspace.com/chinapaintingmusic.com
> The Jim Goodin label and home for 7 other creative souls -
> http://www.woodandwiremusic.com
> Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull
> Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel
> Bay Publications, Inc. - http://www.melbay.com
>



-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--000325579e82f8a407046591e801
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And there are a few loop-friendly places in and around Boston ... people I =
can put you in touch with, even though I am now out here in Wyoming (REAL S=
pace Country! GRIN)<br><br>Best,<br><br>Dennis<br><br><br><div class=3D"gma=
il_quote">
On Fri, Mar 20, 2009 at 7:35 AM, Jim Goodin <span dir=3D"ltr">&lt;<a href=
=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt;</span=
> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px sol=
id rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Matt the Stone seems tighter than Fort Knox so to speak. =A0It seems to be =
an extension of where Tonic had been going meaning a monthly rotational cur=
ator and about the only way to connect was to go there and &#39;hang&#39; a=
s they say which is something that frustrates me with a lot of the &#39;sce=
ne&#39; here when time is so limited at least for me.<div>

<br></div><div>There is also a similiar place in Brooklyn where I am that&#=
39;s called Issue Project Room. =A0They atleast provide their contacts thou=
gh it too is rather tight though a couple on this list have played there so=
 perhaps they can reflect to you.</div>

<div><br></div><div>Are you playing the Red Room I think it&#39;s called in=
 Baltimore? =A0We tried to get Chinapainting there, it&#39;s supposed to be=
 the cat&#39;s meow down there.</div><div><br></div><div>If you haven&#39;t=
 checked out places in Williamsburg (Brooklyn) there are a few. =A0One that=
 is a neat place, open to a lot of diff stuff but unfortunately doesn&#39;t=
 do well with walk in traffic is a place called the Stain. =A0Zebulon is al=
so good but harder to get in.</div>

<div><br></div><div>More if you need but rushing for now.</div><div><br></d=
iv><div>Luck with it all...</div><div><br></div><div>Jim<div><div></div><di=
v class=3D"h5"><br><br><div class=3D"gmail_quote">On Fri, Mar 20, 2009 at 1=
:10 AM, Matt Davignon <span dir=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@=
gmail.com" target=3D"_blank">mattdavignon@gmail.com</a>&gt;</span> wrote:<b=
r>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Just following up=
 on this moribund thread - Does anyone happen to know<br>
who is curating at The Stone (NYC) in July? I&#39;d hate to find out after<=
br>
the fact that it&#39;s someone I know.<br>
<br>
In other news, my tour now has a simple little skeleton. I&#39;m in<br>
Columbus, OH on 7.16 and Baltimore, MD on 7.18. I then have 10 days to<br>
get from Baltimore to Boston, so it&#39;s looking like I&#39;m going to be<=
br>
focusing pretty heavily on the east coast.<br>
<br>
Any loop-friendly/experimental/space-music/*very* abstract ambient<br>
venues or performance opportunities in that area would be much<br>
appreciated.<br>
<br>
Thanks!<br>
<br>
Matt Davignon<br>
<a href=3D"http://www.ribosomemusic.com/shows.html" target=3D"_blank">www.r=
ibosomemusic.com/shows.html</a><br>
<br>
Date: Mon, 2 Feb 2009 15:54:26 -0800<br>
<br>
________________________________<br>
<br>
Harry was like:<br>
&gt; The Stone in Manhattan is a great place that pushes boundaries 6 night=
s<br>
&gt;a week.<br>
<br>
Thanks for the suggestion - I&#39;d love to play The Stone, but the last I<=
br>
knew, they didn&#39;t accept booking requests. I think you have to know<br>
the person who is curating that particular month. It&#39;s an odd system -<=
br>
even if I happen to know the person, I wouldn&#39;t know that they&#39;re<b=
r>
curating, and they wouldn&#39;t necessarily know that I&#39;m planning to b=
e<br>
in NYC.<br>
<br>
On the other hand, if they did accept submissions, the scale of them<br>
would probably be maddening.<br>
<font color=3D"#888888"><br>
Matt Davignon<br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br></div></div>-- <br>The =
Acoustic World Guitar of Jim Goodin =A0- <a href=3D"http://www.jimgoodinmus=
ic.com" target=3D"_blank">http://www.jimgoodinmusic.com</a><br>MySpace (sol=
o) - <a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">ht=
tp://www.myspace.com/jimgoodinmusic</a><br>

Chinapainting -<br><a href=3D"http://www.chinapaintingmusic.com" target=3D"=
_blank">http://www.chinapaintingmusic.com</a><br>Chinapainting on My Space =
-<br><a href=3D"http://www.myspace.com/chinapaintingmusic.com" target=3D"_b=
lank">http://www.myspace.com/chinapaintingmusic.com</a><br>

The Jim Goodin label and home for 7 other creative souls - <a href=3D"http:=
//www.woodandwiremusic.com" target=3D"_blank">http://www.woodandwiremusic.c=
om</a> <br>Jim Goodin uses GHS Strings - <a href=3D"http://www.ghsstrings.c=
om" target=3D"_blank">http://www.ghsstrings.com</a> and Seagull Guitars - <=
a href=3D"http://www.seagullguitars.com" target=3D"_blank">http://www.seagu=
llguitars.com</a>, Jim Goodin is published by Mel Bay Publications, Inc. - =
<a href=3D"http://www.melbay.com" target=3D"_blank">http://www.melbay.com</=
a><br>


</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://myspa=
ce.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://audiozo=
loft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsbin.angr=
ek.com/">http://usrslashsbin.angrek.com/</a><br>


--000325579e82f8a407046591e801--

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Date: Fri, 20 Mar 2009 15:41:01 -0400
Message-ID: <d1dcce560903201241u131e3f64gb027255774d333da@mail.gmail.com>
Subject: Re: East coast loop-friendly venues?
From: Tony K <bigtonyk@gmail.com>
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I'd suggest joining the Philly Ambient list Philly_Ambient@yahoogroups.com
and check the archives.  There seems to be a few venues that do the
ambient/electronic thing.

On Fri, Mar 20, 2009 at 1:10 AM, Matt Davignon <mattdavignon@gmail.com> wrote:
> Just following up on this moribund thread - Does anyone happen to know
> who is curating at The Stone (NYC) in July? I'd hate to find out after
> the fact that it's someone I know.
>
> In other news, my tour now has a simple little skeleton. I'm in
> Columbus, OH on 7.16 and Baltimore, MD on 7.18. I then have 10 days to
> get from Baltimore to Boston, so it's looking like I'm going to be
> focusing pretty heavily on the east coast.
>
> Any loop-friendly/experimental/space-music/*very* abstract ambient
> venues or performance opportunities in that area would be much
> appreciated.
>
> Thanks!
>
> Matt Davignon
> www.ribosomemusic.com/shows.html
>
> Date: Mon, 2 Feb 2009 15:54:26 -0800
>
> ________________________________
>
> Harry was like:
>> The Stone in Manhattan is a great place that pushes boundaries 6 nights
>>a week.
>
> Thanks for the suggestion - I'd love to play The Stone, but the last I
> knew, they didn't accept booking requests. I think you have to know
> the person who is curating that particular month. It's an odd system -
> even if I happen to know the person, I wouldn't know that they're
> curating, and they wouldn't necessarily know that I'm planning to be
> in NYC.
>
> On the other hand, if they did accept submissions, the scale of them
> would probably be maddening.
>
> Matt Davignon
> www.ribosomemusic.com
>
>



-- 
-==-=-=-
Tony

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Subject: OT - Live Sound Engineering as a Small Business
From: Clint Allen <clint.allen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015175746645a499b046593982b
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>
> In the midst of trying to make my live sound business more "legit" (as in
> writing a business plan, financial statements, etc.) I thought I would first
> email the list and see if anyone else has done the same thing with various
> aspects of sound and music. I am in a weird situation (or maybe unique)
> where I am trying to roll several services under one roof. Studio Sound
> Engineering, Live Sound/Mobile Recording, soundtracks, traditional music
> services.


If you have and would be interested in sharing your approach, business plan
techniques (in generic form, of course) or even resources, please feel free
to contact me offline if you wish.

Thanks,

Clint Allen
clint.allen@gmail.com


-- 
Clint E. Allen
* Technology Consultant
* Sound Engineering

--0015175746645a499b046593982b
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<div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margi=
n:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">In the midst of =
trying to make my live sound business more &quot;legit&quot; (as in writing=
 a business plan, financial statements, etc.) I thought I would first email=
 the list and see if anyone else has done the same thing with various aspec=
ts of sound and music. I am in a weird situation (or maybe unique) where I =
am trying to roll several services under one roof. Studio Sound Engineering=
, Live Sound/Mobile Recording, soundtracks, traditional music services.=A0<=
/blockquote>
<div><br></div><div>If you have and would be interested in sharing your app=
roach, business plan techniques (in generic form, of course) or even resour=
ces, please feel free to contact me offline if you wish.=A0</div><div><br>
</div><div>Thanks,</div><div><br></div><div>Clint Allen=A0</div><div><a hre=
f=3D"mailto:clint.allen@gmail.com">clint.allen@gmail.com</a></div><div><br>=
</div></div><br>-- <br>Clint E. Allen<br>* Technology Consultant<br>* Sound=
 Engineering<br>


--0015175746645a499b046593982b--

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From: "William Walker" <billwalker@baymoon.com>
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Subject: Re: Flexible MFC
Date: Fri, 20 Mar 2009 18:06:24 -0700
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------=_NextPart_000_0034_01C9A986.9802EC50
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I like the size and weight  of the LG, the accuracy and feel of the
switches, and the fact it will accept light weight expression pedals like
EV-5's It gives me 12 presets and two expression pedals per bank, the larger
size unit adds additional EX ports as Andy stated. Absolutely the best
quality and I realized a while back that I didn't want my whole performance
and my hard earned gear to be at the mercy of an FCB1010. This conclusion
has come of course after owning and wearing out 3 FCB's :-)

 Bill


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I like the size and weight &nbsp;of the LG, the =
accuracy and
feel of the switches, and the fact it will accept light weight =
expression
pedals like EV-5&#8217;s It gives me 12 presets and two expression =
pedals per
bank, the larger size unit adds additional EX ports as Andy stated. =
Absolutely
the best quality and I realized a while back that I didn&#8217;t want my =
whole
performance and my hard earned gear to be at the mercy of an FCB1010. =
This
conclusion has come of course after owning and wearing out 3 FCB&#8217;s =
</span></font><font
size=3D2 face=3DWingdings><span =
style=3D'font-size:10.0pt;font-family:Wingdings'>J</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p=
>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;Bill<o:p></o:p></span></font></p>

</div>

</body>

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From: S V G <vsyevolod@yahoo.com>
Reply-To: vsyevolod@yahoo.com
Subject:  Re: Virtual Repeater
To: Loopers-Delight@loopers-delight.com
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  Jeff wrote:
  <<If it was "almost ready" then
it doesn't take hundreds or even tens of thousands of dollars to
finish and distribute.  If you've got programmers committed to the
project they'll make it happen.  Sales weren't going to give Adam and
the other two principals a nice salary but what the heck, get it out
there and recoup at least some of your expenses.>>


     Makes sense, though we'll probably never know enough of the story to even make an informed opinion.




  <<This is of course pure speculation but something is fishy.  Some
likely possibilities:

1) They never had anything and did the classic vaporware play hoping
    for an enthusiastic response they didn't get.

2) They grossly underestimated how hard it was going to be to
    port firmware designed for custom hardware to a general
    computer OS with all the associated UI, performance,
    plugin hosting, and latency issues.  It wasn't even half done.

3) They outsourced the development to relatively disinterested
    programmers with no financial stake in the product's success.
    Once the contractor money dried up, there was no one left
    that knew how to finish it.

4) There were really almost done but ugly internal politics
    shelved the project and the code rights now reside
    with one of the principals that doesn't know what to
    do with it.>>





     1, 2, and 3, are way off base.  I don't know if 4 is close or not.  I do know that they would have finished it and sold it if there were any possible way to do it.  Without going into any kind of speculation here on this marvelous Interweb, I will say that's it's pretty much all a moot point.  It's not available for sale, nor is it available for an outside person to 'finish up'.


     And to address a few other points that others brought up, no Peter Toms has no stake in the company, nor does he currently have any control over the sale of the OS software.  He only has a stockpile of parts and is one of the few repair shops that actually owns schematics to the entire line.

     There were three different owners (or groups of owners) of the Electrix brand.  Each one failed to communicate well with the public, though to lump them into one large group is to miss the individual characteristics that each owner (or group of owners) brought to the table.  Each one had a different style of communicating with Peter Toms, some more readily available, some not so much.  None of them did well with the public side, though they weren't connected with each other, nor was there a master plan passed down from tribe to tribe to keep the rest of us in the dark...

     I still have three of them, they serve me quite well, and though I've owned (and still own) several other types of loopers, nothing does it for me (and my style) as well as the Repeater.  May its creators know that they are appreciated...

     Stephen










      

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--001636c5a9360cae7804659c06a7
Content-Type: text/plain; charset=ISO-8859-1
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Stephen, you can't say things like     1, 2, and 3, are way off base.
without offering some insight into the situation... were you there? I
respect that you do seem to know something about Peter Toms role than I did
(actually I was disapointed to hear that he has no stake - coming back to
this point****) It seems like that from the outside, which is where we are,
what Jeff described is EXACTLY how it looked.. I know noting of 3 different
owners (well I do - but it hardly excuses them from a customer point of
view) They have a very great product but its is a very poor brand, or BECAME
a very poor brand I should say.

I can see that as a real lover of Repeater Stephen, you want to applaud
their achievements rather than trash them, and I agree.

*** So who DOES have any stake inthe remains, who currently owns the
software, either the Hardware OS... Or Any virtual Repeater...?

Does ANYONE have the answer to this??? Who OWNS the software??? It must be
someone who wants to earn back a bit of cash surely?

Mark


On Sat, Mar 21, 2009 at 5:09 AM, S V G <vsyevolod@yahoo.com> wrote:

>
>
>  Jeff wrote:
>  <<If it was "almost ready" then
> it doesn't take hundreds or even tens of thousands of dollars to
> finish and distribute.  If you've got programmers committed to the
> project they'll make it happen.  Sales weren't going to give Adam and
> the other two principals a nice salary but what the heck, get it out
> there and recoup at least some of your expenses.>>
>
>
>      Makes sense, though we'll probably never know enough of the story to
> even make an informed opinion.
>
>
>
>
>  <<This is of course pure speculation but something is fishy.  Some
> likely possibilities:
>
> 1) They never had anything and did the classic vaporware play hoping
>    for an enthusiastic response they didn't get.
>
> 2) They grossly underestimated how hard it was going to be to
>    port firmware designed for custom hardware to a general
>    computer OS with all the associated UI, performance,
>    plugin hosting, and latency issues.  It wasn't even half done.
>
> 3) They outsourced the development to relatively disinterested
>    programmers with no financial stake in the product's success.
>    Once the contractor money dried up, there was no one left
>    that knew how to finish it.
>
> 4) There were really almost done but ugly internal politics
>    shelved the project and the code rights now reside
>    with one of the principals that doesn't know what to
>    do with it.>>
>
>
>
>
>
>      1, 2, and 3, are way off base.  I don't know if 4 is close or not.  I
> do know that they would have finished it and sold it if there were any
> possible way to do it.  Without going into any kind of speculation here on
> this marvelous Interweb, I will say that's it's pretty much all a moot
> point.  It's not available for sale, nor is it available for an outside
> person to 'finish up'.
>
>
>     And to address a few other points that others brought up, no Peter Toms
> has no stake in the company, nor does he currently have any control over the
> sale of the OS software.  He only has a stockpile of parts and is one of the
> few repair shops that actually owns schematics to the entire line.
>
>     There were three different owners (or groups of owners) of the Electrix
> brand.  Each one failed to communicate well with the public, though to lump
> them into one large group is to miss the individual characteristics that
> each owner (or group of owners) brought to the table.  Each one had a
> different style of communicating with Peter Toms, some more readily
> available, some not so much.  None of them did well with the public side,
> though they weren't connected with each other, nor was there a master plan
> passed down from tribe to tribe to keep the rest of us in the dark...
>
>     I still have three of them, they serve me quite well, and though I've
> owned (and still own) several other types of loopers, nothing does it for me
> (and my style) as well as the Repeater.  May its creators know that they are
> appreciated...
>
>     Stephen
>
>
>
>
>
>
>
>
>
>
>
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5a9360cae7804659c06a7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Stephen, you can&#39;t say things like =A0 =A0 1, 2, and 3, are way off bas=
e.=A0 without offering some insight into the situation... were you there? I=
 respect that you do seem to know something about Peter Toms role than I di=
d (actually I was disapointed to hear that he has no stake - coming back to=
 this point****) It seems like that from the outside, which is where we are=
, what Jeff described is EXACTLY how it looked.. I know noting of 3 differe=
nt owners (well I do - but it hardly excuses them from a customer point of =
view) They have a very great product but its is a very poor brand, or BECAM=
E a very poor brand I should say.<br>
<br>I can see that as a real lover of Repeater Stephen, you want to applaud=
 their achievements rather than trash them, and I agree. <br><br>*** So who=
 DOES have any stake inthe remains, who currently owns the software, either=
 the Hardware OS... Or Any virtual Repeater...?<br>
<br>Does ANYONE have the answer to this??? Who OWNS the software??? It must=
 be someone who wants to earn back a bit of cash surely?<br><br>Mark<br>=A0=
 <br><br><div class=3D"gmail_quote">On Sat, Mar 21, 2009 at 5:09 AM, S V G =
<span dir=3D"ltr">&lt;<a href=3D"mailto:vsyevolod@yahoo.com">vsyevolod@yaho=
o.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
><br>
<br>
 =A0Jeff wrote:<br>
 =A0&lt;&lt;If it was &quot;almost ready&quot; then<br>
it doesn&#39;t take hundreds or even tens of thousands of dollars to<br>
finish and distribute. =A0If you&#39;ve got programmers committed to the<br=
>
project they&#39;ll make it happen. =A0Sales weren&#39;t going to give Adam=
 and<br>
the other two principals a nice salary but what the heck, get it out<br>
there and recoup at least some of your expenses.&gt;&gt;<br>
<br>
<br>
</div> =A0 =A0 Makes sense, though we&#39;ll probably never know enough of =
the story to even make an informed opinion.<br>
<div class=3D"im"><br>
<br>
<br>
<br>
 =A0&lt;&lt;This is of course pure speculation but something is fishy. =A0S=
ome<br>
likely possibilities:<br>
<br>
1) They never had anything and did the classic vaporware play hoping<br>
 =A0 =A0for an enthusiastic response they didn&#39;t get.<br>
<br>
2) They grossly underestimated how hard it was going to be to<br>
 =A0 =A0port firmware designed for custom hardware to a general<br>
 =A0 =A0computer OS with all the associated UI, performance,<br>
 =A0 =A0plugin hosting, and latency issues. =A0It wasn&#39;t even half done=
.<br>
<br>
</div><div class=3D"im">3) They outsourced the development to relatively di=
sinterested<br>
 =A0 =A0programmers with no financial stake in the product&#39;s success.<b=
r>
 =A0 =A0Once the contractor money dried up, there was no one left<br>
 =A0 =A0that knew how to finish it.<br>
<br>
4) There were really almost done but ugly internal politics<br>
 =A0 =A0shelved the project and the code rights now reside<br>
 =A0 =A0with one of the principals that doesn&#39;t know what to<br>
 =A0 =A0do with it.&gt;&gt;<br>
<br>
<br>
<br>
<br>
<br>
</div> =A0 =A0 1, 2, and 3, are way off base. =A0I don&#39;t know if 4 is c=
lose or not. =A0I do know that they would have finished it and sold it if t=
here were any possible way to do it. =A0Without going into any kind of spec=
ulation here on this marvelous Interweb, I will say that&#39;s it&#39;s pre=
tty much all a moot point. =A0It&#39;s not available for sale, nor is it av=
ailable for an outside person to &#39;finish up&#39;.<br>

<br>
<br>
 =A0 =A0 And to address a few other points that others brought up, no Peter=
 Toms has no stake in the company, nor does he currently have any control o=
ver the sale of the OS software. =A0He only has a stockpile of parts and is=
 one of the few repair shops that actually owns schematics to the entire li=
ne.<br>

<br>
 =A0 =A0 There were three different owners (or groups of owners) of the Ele=
ctrix brand. =A0Each one failed to communicate well with the public, though=
 to lump them into one large group is to miss the individual characteristic=
s that each owner (or group of owners) brought to the table. =A0Each one ha=
d a different style of communicating with Peter Toms, some more readily ava=
ilable, some not so much. =A0None of them did well with the public side, th=
ough they weren&#39;t connected with each other, nor was there a master pla=
n passed down from tribe to tribe to keep the rest of us in the dark...<br>

<br>
 =A0 =A0 I still have three of them, they serve me quite well, and though I=
&#39;ve owned (and still own) several other types of loopers, nothing does =
it for me (and my style) as well as the Repeater. =A0May its creators know =
that they are appreciated...<br>

<br>
 =A0 =A0 Stephen<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c5a9360cae7804659c06a7--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 21 08:16:02 2009
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Date: Sat, 21 Mar 2009 04:14:22 -0500
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, March 21 at 6:00 am
(EDT/GMT-4:00/ITZ-5:00), less than two hours from now.  I will continue
the special on Sequences Electronic Music Magazine's sampler CDs.

I alternate hosting the show with Bruce. When I am at the helm, the
show features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with
Progressive Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

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William Walker wrote:
> I like the size and weight  of the LG, the accuracy and feel of the 
> switches, and the fact it will accept light weight expression pedals 
> like EV-5’s It gives me 12 presets and two expression pedals per bank, 
> the larger size unit adds additional EX ports as Andy stated.

It's also possible to get the small standalone unit with the 4 expression
pedal inputs, and no external switches, that's what I have.
This is called the LG4.

As the pedals can work as switches ( at toe up and 2 down ) I'm 
fairly sure that it would be possible to make up a switch box to access
two functions for each LG pedal input.

andy

From Loopers-Delight-request@loopers-delight.com  Sat Mar 21 12:32:46 2009
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On Sat, Mar 21, 2009 at 2:06 AM, William Walker <billwalker@baymoon.com>wro=
te:

>   This conclusion has come of course after owning and wearing out 3 FCB=
=92s
>

I must admit that I'm waiting for my first FCB to wear out, just so that I
can get a LG..!! Maybe I should stamp harder?

One question.. what about the ANGLE and height of the switches.. it looks
like one must hover a leg in the air of a Little G, I do ALOT of UNDOing, a=
t
super fast clickety click speed.. is that possible by leaning a heel on the
floor and wobbling a big toe... or must a stomp like a


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--0016e6da98f2f253050465a03a95
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<br><br><div class=3D"gmail_quote">On Sat, Mar 21, 2009 at 2:06 AM, William=
 Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">bil=
lwalker@baymoon.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quo=
te" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt=
 0.8ex; padding-left: 1ex;">









<div link=3D"blue" vlink=3D"purple" lang=3D"EN-US">

<div>

<p><font face=3D"Arial" size=3D"2"><span style=3D"font-size: 10pt; font-fam=
ily: Arial;">=A0This
conclusion has come of course after owning and wearing out 3 FCB=92s </span=
></font></p></div></div></blockquote><div><br>I must admit that I&#39;m wai=
ting for my first FCB to wear out, just so that I can get a LG..!! Maybe I =
should stamp harder?<br>
<br>One question.. what about the ANGLE and height of the switches.. it loo=
ks like one must hover a leg in the air of a Little G, I do ALOT of UNDOing=
, at super fast clickety click speed.. is that possible by leaning a heel o=
n the floor and wobbling a big toe... or must a stomp like a <br>
</div></div><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancomb=
e.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094"=
>http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com/user/m=
arkfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--0016e6da98f2f253050465a03a95--

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weird .. didnt finish my sentance... just suddenly hit SEND... Well you can
fill in your own end to the sentance


...or must I stomp like a ______



Mark







-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5ad4d27606b0465a03f75
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weird .. didnt finish my sentance... just suddenly hit SEND... Well you can fill in your own end to the sentance<br><br><br>...or must I stomp like a ______<br><br><br><br>Mark<br><br><br><br><br><br><br clear="all"><br>-- <br>
<a href="http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href="http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>
<a href="http://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe</a><br><a href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a><br>


--001636c5ad4d27606b0465a03f75--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 21 13:19:36 2009
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nelephant ? ;-) <br>
<br>
"leaning a heel on the floor and wobbling a big toe" is possible for
the lower row of switches. For the upper row you need to lift up your
foot. I'll leave it up to the actual users around here to give comment
on how easy or difficult that works. In the mean time just keep
stomping your FCB like a __________ !<br>
<br>
regards,<br>
Xavier<br>
<br>
mark francombe wrote:
<blockquote
 cite="mid:9ab0c76f0903210533l622d0b1p1159e7d6b1fc98c8@mail.gmail.com"
 type="cite">weird .. didnt finish my sentance... just suddenly hit
SEND... Well you can fill in your own end to the sentance<br>
  <br>
  <br>
...or must I stomp like a ______<br>
  <br>
  <br>
  <br>
Mark<br>
  <br>
  <br>
  <br>
  <br>
  <br>
  <br clear="all">
  <br>
-- <br>
  <a moz-do-not-send="true" href="http://www.markfrancombe.com">www.markfrancombe.com</a><br>
  <a moz-do-not-send="true" href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>
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  <a moz-do-not-send="true" href="http://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe</a><br>
  <a moz-do-not-send="true"
 href="http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch</a><br>
</blockquote>
<br>
</body>
</html>

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Date: Sat, 21 Mar 2009 14:33:37 +0100
Message-ID: <afb941d0903210633p12873ef6v2c5a343c64b90d67@mail.gmail.com>
Subject: Re: Flexible MFC
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i visited the webpage some time ago and couldn't see anything on the LG4.
same price for a LG4 than a regular LG? ...


2009/3/21 andy butler <akbutler@tiscali.co.uk>

>
>
> William Walker wrote:
>
>> I like the size and weight  of the LG, the accuracy and feel of the
>> switches, and the fact it will accept light weight expression pedals lik=
e
>> EV-5=92s It gives me 12 presets and two expression pedals per bank, the =
larger
>> size unit adds additional EX ports as Andy stated.
>>
>
> It's also possible to get the small standalone unit with the 4 expression
> pedal inputs, and no external switches, that's what I have.
> This is called the LG4.
>
> As the pedals can work as switches ( at toe up and 2 down ) I'm fairly su=
re
> that it would be possible to make up a switch box to access
> two functions for each LG pedal input.
>
> andy
>
>


--=20
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

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i visited the webpage some time ago and couldn&#39;t see anything on the LG=
4.<br>same price for a LG4 than a regular LG? ...<br><br><br><div class=3D"=
gmail_quote">2009/3/21 andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:=
akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
><br>
<br>
William Walker wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I like the size and weight =A0of the LG, the accuracy and feel of the switc=
hes, and the fact it will accept light weight expression pedals like EV-5=
=92s It gives me 12 presets and two expression pedals per bank, the larger =
size unit adds additional EX ports as Andy stated.<br>

</blockquote>
<br></div>
It&#39;s also possible to get the small standalone unit with the 4 expressi=
on<br>
pedal inputs, and no external switches, that&#39;s what I have.<br>
This is called the LG4.<br>
<br>
As the pedals can work as switches ( at toe up and 2 down ) I&#39;m fairly =
sure that it would be possible to make up a switch box to access<br>
two functions for each LG pedal input.<br><font color=3D"#888888">
<br>
andy<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell at B=
logger: <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogsp=
ot.com</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collective.co=
m">http://www.ct-collective.com</a><br>
<br>

--0015174bddeca05ff60465a11489--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 21 14:06:22 2009
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Sorry Raul,<br>
I guess I'm terribly lazy when it comes to keeping the website up to
date. For the moment, I'm in a situation where I can just keep up with
the low ordering quantities and still combine the Gordius project with
another life. So I'm not urged in doing what I should do for promoting
the products in a decent way. But you're right, I will at least add
this info to the website one of these days.<br>
<br>
The standard products are <br>
LG-M + LG, which have 2 switch inputs + 2 expression pedal inputs<br>
the larger LG-X, which has 4 expression pedal inputs (and more built-in
switches)<br>
Optionally, one can also order<br>
LG-M/4 and LG/4, which have a modified jack input circuit, featuring 4
expression pedals. Additional cost =  40 Euro.<br>
LG-X/2, which has 2 switch inputs + 2 expr.pedal inputs. No additional
cost.<br>
<br>
And anticipating the logical replies : yes, a next generation of
products (not near-future...) will have more flexible input
possibilities, so that you can at least connect whatever you want,
instead of the current restrictions of switch input OR expr.pedal
input...<br>
<br>
Regards,<br>
Xavier<br>
<br>
<br>
Raul Bonell wrote:
<blockquote
 cite="mid:afb941d0903210633p12873ef6v2c5a343c64b90d67@mail.gmail.com"
 type="cite">i visited the webpage some time ago and couldn't see
anything on the LG4.<br>
same price for a LG4 than a regular LG? ...<br>
  <br>
  <br>
  <div class="gmail_quote">2009/3/21 andy butler <span dir="ltr">&lt;<a
 moz-do-not-send="true" href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span><br>
  <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
    <div class="im"><br>
    <br>
William Walker wrote:<br>
    <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I like the size and weight  of the LG, the accuracy and feel of the
switches, and the fact it will accept light weight expression pedals
like EV-5’s It gives me 12 presets and two expression pedals per bank,
the larger size unit adds additional EX ports as Andy stated.<br>
    </blockquote>
    <br>
    </div>
It's also possible to get the small standalone unit with the 4
expression<br>
pedal inputs, and no external switches, that's what I have.<br>
This is called the LG4.<br>
    <br>
As the pedals can work as switches ( at toe up and 2 down ) I'm fairly
sure that it would be possible to make up a switch box to access<br>
two functions for each LG pedal input.<br>
    <font color="#888888"><br>
andy<br>
    <br>
    </font></blockquote>
  </div>
  <br>
  <br clear="all">
  <br>
-- <br>
Raul Bonell at Blogger: <a moz-do-not-send="true"
 href="http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</a><br>
Chain Tape Collective: <a moz-do-not-send="true"
 href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>
  <br>
</blockquote>
<br>
</body>
</html>

From Loopers-Delight-request@loopers-delight.com  Sat Mar 21 14:46:35 2009
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Subject: FS: various items - Boss FC50 MFC, Emu Esi-32 rack sampler, patchbays 
	etc.
From: Rainer Straschill <moinsound@googlemail.com>
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Hi everyone,

there are a few devices lying around my place which I really don't
need anymore, so if anyone is interested.
The majority of devices are of low value but might be of interest to
some - some are of such low value that pickup (Munich/Germany) would
be the best option indeed.
I'm mostly interested in trade offers, especially if you're interested
in more than one thing. Come to think of it, this might be the best
option, because someone interested to buy a used audio patchbay might
not get me hot enough value-wise to even get my butt up and bring it
to the post office.
If interested in anything, contact me offlist, please.
All devices are fully functional and look great optically, unless
otherwise mentioned.

1. E-mu ESi-32 Rack Sampler:
The 2HU rack sampler classic by E-Mu, maxxed out at 32MB of RAM, SW
version 3.02. Some of its tech specs: 32 voices, eight outputs, SCSI
connectivity, built-in FDD, reads both AKAI S-1000 series and E-Mu
EMAXII, EIII sample libraries. Comes with the E-Si Production Set
Vol.12 (2CDs, containing different acoustic and electronic
instruments, world music and some groove loops) and the EIII VolX
Production Set (note: this is a 1:1 copy of the original CD, which got
lost). All of these CDs are E-Mu proprietary format, so you can't
browse them on your PC; but I believe a free software is available for
doing it. Some specs: http://www.vintagesynth.com/emu/esi32.php

My comment: this was E-Mu's attempt to bring a somewhat stripped-down
of their then-flagship Emulator III. The Emulator/Emax series was (and
still is) famous for its filter sounds. Non-typical for samplers of
that time, a very powerful DSP was included, allowing for
timestretch/compression, and one nice performance feature is to scrub
samples with a MIDI controller (e.g. pitch wheel). If anybody is on
the lookout for a rack sampler with only 2HU space requirements, this
is the thing to get.

I'd also throw in a SCSI 2-space enclosure, a small SCSI harddisk (I
believe it's 1 or 2 GB), SCSI CD-ROM drive and SCSI cable so you're
immediately set.


2. E-mu Proteus 1/XR+:
The Proteus is a ROM sample player based on the engine of the Emulator
III, so it shares its sonic properties with the ESi-32 mentioned
above. This rare 1/XR+ version combines the soundset of the original
Proteus 1 (rock/pop sounds mainly) with the soundset of the Proteus 2
Orchestral (with classical orchestral sounds) and double the storage
capacity for user presets. 6 audio outputs, 1HU rackmount.
Getting the most out of this will require to get a computer editor;
again I remember there was a free one (for the PC platform).

My comment: This has for a long time been my main synthesizer; for
those of you familiar with my JANUS album, this is where the majority
of sounds (drums, bass guitars, piano, strings, orchestral percussion,
bass clarinet etc.) came from. If for some reason someone is on the
lookout for a small, versatile "bread and butter" hardware synth, look
no further.


3. Patchbays: Behringer PX2000 (2 or 3 of them):
A 24-channel audio patchbay. As with patchbays, every channel has 4
connectors (2 front, 2 back), which can be individually configured for
thru (front to back connected), parallel (all four connected),
normalized (back jacks connected, inserting one on the front will
break that connection and then behave as thru) or half-normalized
(same as before, but if only one jack is inserted on the front, the
connection between the two on the back will remain).
Simple, sturdy, works well. There are some marks from the paper strips
I used to glue to it to mark the connections.


4. Ibanez "Soundtank" AW-1 AutoWah stompbox:
Basic guitar/bass stompbox with a very workable autowah effect. Used
to use it with a simple synthesizer on clavinet sounds to bring out
ultra-funky grooves. Knobs say "range", "sens" and "depth". Runs on
batteries or external PSU (both not included).

My comment: I'd recommend this especially on percussive keyboard
sounds (e-piano, clavinet, etc.) to give an otherwise boring sound new
life.


5. Boss OS-2 Overdrive/Distortion:
Your run-of-the mill distortion stompbox. Separate gain and level
settings allow to work well with the amplifier of your choice. The
nice thing about it is a dial marked "color" with allows you to
seamlessly go from bluesy distortion to ugly, eighties-metal
distortion. Runs on batteries or PSU (both not included).


6. Yamaha MCJ-8 MIDI patchbay:
1HU rackmount programmable 8in/8out MIDI patchbay. This does not work
as a MIDI interface and also doesn't allow for tricky routing, so it's
basically your cheap solution to connect a multitude of synths (which
you don't use simultaneously) to a computer with only 1 or 2 MIDI
ports.


Best,

             Rainer

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I think it has something to do with the pitch shifting algorithms.
They are part of a larger line of processors and the owners are kind
of proprietary about them and didn't want that code loose in the world
for anyone else to use.  Something like that but its early, I could be
totally wrong making all of that up.

Kevin

On Sat, Mar 21, 2009 at 12:31 AM, mark francombe <mark@markfrancombe.com> w=
rote:
> Stephen, you can't say things like =A0 =A0 1, 2, and 3, are way off base.
> without offering some insight into the situation... were you there? I
> respect that you do seem to know something about Peter Toms role than I d=
id
> (actually I was disapointed to hear that he has no stake - coming back to
> this point****) It seems like that from the outside, which is where we ar=
e,
> what Jeff described is EXACTLY how it looked.. I know noting of 3 differe=
nt
> owners (well I do - but it hardly excuses them from a customer point of
> view) They have a very great product but its is a very poor brand, or BEC=
AME
> a very poor brand I should say.
>
> I can see that as a real lover of Repeater Stephen, you want to applaud
> their achievements rather than trash them, and I agree.
>
> *** So who DOES have any stake inthe remains, who currently owns the
> software, either the Hardware OS... Or Any virtual Repeater...?
>
> Does ANYONE have the answer to this??? Who OWNS the software??? It must b=
e
> someone who wants to earn back a bit of cash surely?
>
> Mark
>
>


--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Sat Mar 21 17:03:25 2009
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Date: Sat, 21 Mar 2009 13:01:48 -0500
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Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #624                March 19, 2009.

RECAP:
On this show, I continued the month-long focus on Ian Boddy.  The
Featured CD at Midnight was The Mechanics of a Thought on DiN Records.

Ian Boddy: http://wdiy.org/programs/gt/playlists/2009/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Jeffrey Koepper      Blue Sector          Radiate (Ricochet Dream)
Jeffrey Koepper      Astral Projection    Radiate (Ricochet Dream)
Sensitive Chaos      Fifty Light Years    Emerging Transparency
                       from Home            (Ephemeral Radio)
Robert Carty         Saturn's Song        Starlight Vol. 1 (Deep Sky)
Conrad Schnitzler    Alternate Currents   Rektifikation (Ricochet Dream)
Conrad Schnitzler    Zener Diode          Rektifikation (Ricochet Dream)
Conrad Schnitzler    Mr. Thyristor        Rektifikation (Ricochet Dream)
Dan Pound            Part Two             Esoterica (Poundsounds)
Robert Rich and      Part Two             Zerkalo (Faria)
  Faryus

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Ian Boddy            Out There            The Mechanics of a Thought
                                            (DiNDDL)
Ian Boddy            In Here              The Mechanics of a Thought
                                            (DiNDDL)
Ian Boddy            The Mechanics of a   The Mechanics of a Thought
                       Thought              (DiNDDL)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on Ian
Boddy.  The Featured CD at Midnight will be Elemental on DiN Records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Sat Mar 21 17:59:35 2009
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Date: Sat, 21 Mar 2009 13:58:04 -0500
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http://soundscapes.us/amfm/playlists/2009/090321.html

The AM/FM Show has two alternating hosts.  When I am at the helm, expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #148                March 21, 2009.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
isses came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Another Green    Adjusting the Mirror Sequences No. 5
  World]
VA [Corporation]     Terraforma           Sequences No. 5
VA [Nigel Hills]     Erath Logic          Sequences No. 5
Dan Pound            Part Three           Esoterica (Poundsounds)
Ruben Garcia         Pulse                Through the Looking Glass
                                            (Trance Port)
Sensitive Chaos      Tanzen Filter        Emerging Transparency
                                            (Ephemeral Radio)
Numina               Hieroglyph           Sound Symbols (Numinamusic)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Lisa Lynne and       Aran Boat Song       Two Worlds One (New Earth)
  Aryeh Frankfurter
Al Gromer Khan       I Got Vilayat        Sitar Secrets (New Earth)
                       Khan's Blessing
Stefano Barone       Intro                Particolare#uno (Candyrat)
Stefano Barone       Particolare#uno      Particolare#uno (Candyrat)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Pinnacle             The Deepest Sea      Meld (Everything To Excess)
VA [CAP]             La Danza Dei         Dante's Inferno (Musea)
                       Contrari
VA [Ozone Player]    Inferno XXI          Dante's Inferno (Musea)
VA [Sinkadus]        Stuck In Hell        Dante's Inferno (Musea)
Toy Matinee          Last Plane Out       Live at the Roxy 1991 (none)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EDT (GMT-4:00/
ITZ-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

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Date: Sat, 21 Mar 2009 19:47:46 +0100
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Subject: echoplex for sale
From: andy soto <musicalmexicana@gmail.com>
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 Hi I'm putting my last EDP for sale. it is the OBERHEIM (white version)
with loop III and no memory upgrades.I don't have the footswitch, It has
some scratches on the paint but otherwise it works OK.  I'm asking 350=80
(that's 350 EUROS) I'm located in Paris, France.

 Thank you,

 Andy

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<br>=A0Hi I&#39;m putting my last EDP for sale. it is the OBERHEIM (white v=
ersion) with loop III and no memory upgrades.I don&#39;t have the footswitc=
h, It has some scratches on the paint but otherwise it works OK.=A0 I&#39;m=
 asking 350=80 (that&#39;s 350 EUROS) I&#39;m located in Paris, France.<br>
<br>=A0Thank you,<br><br>=A0Andy<br>

--0015174c13b22bcf8e0465a57883--

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Date: Sat, 21 Mar 2009 14:01:33 -0400
To: Loopers-Delight@loopers-delight.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Boston, Re: East coast loop-friendly venues?
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For Boston try

119 Gallery     http://www.119gallery.org/  Walter Wright 
<walter_wright@verizon.net>
Nave Gallery   http://www.artsomerville.org/  Randy Winchester 
<rwinchester@navegallery.org>
Outpost 186  http://www.zeitgeist-outpost.org/ <robchalfen@hotmail.com>
Lily Pad	    http://www.lily-pad.net/
Open Sound   <loubunk@yahoo.com>
THE SERIES   Lou Cohen <dome@jolc.net>

The Boston Improv mailing list   <mailto:boss-improv-subscribe@topica.com>

and, if you play Boston and would like video improv accompaniment, 
keep me in mind.


-- 

		Emile Tobenfeld, Ph. D.
Video Producer and Digital Photographer	Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

"Don't make book, if you cannot cover bets."  -- Tom Lehrer

From Loopers-Delight-request@loopers-delight.com  Sat Mar 21 19:08:52 2009
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Date: Sat, 21 Mar 2009 19:08:42 +0000
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Hey everyone, wanted to share with you that I gave a performance/seminar on Kalimba and looping with the legendary bassist Victor Wooten and J.D Blair (drummer for Shania Twain) yesterday.... See the photo's at www.myspace.com/kevinspears. Thanks, Kevin.
Sent via BlackBerry from T-Mobile

From Loopers-Delight-request@loopers-delight.com  Sat Mar 21 19:42:51 2009
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Date: Sat, 21 Mar 2009 15:42:35 -0400
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Some very interesting video and/or audio of inventors and their musical 
creations.  Some are Max/MSP interfaces, others from - one can't imagine 
where...  Set some time aside for this - there are quite a few with more 
than laboratory potential...

http://www.wired.com/gadgets/mods/multimedia/2009/03/gallery_instrument

Dan Ash
White Plains, NY

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That could be it Kevin, sure... but WHO IS IT??? Maybe there is someone, who
wants to make them an offer...?

I like to think that what you say is true, that there is some cunning people
protecting their work for some greater plan that they have up their sleeves,
but you know, I dont think so...

I bet that when Electrix folded, the clever people were running about trying
to get new jobs, servers were switched off, accounts with hosting companies
were terminated and in the furore the bankruptcy lawyers collected all the
laptops and shelves and tables and chairs and printers and flogged the
lot... paid off who ever needed paying, took their cut, went home and moaned
to the wife about the "Bloody IT business"... Meanwhile.... in a long
forgoton filing cabinet...now in the basement of "Grabbit, Seezit, Sellitt
and son" there stirs some atoms lying upon the surface of a dusty
hard-drive... the atoms shift and move exitedly, electrons spinning around
nuclei with pride, knowing that one day, somehow they will again be required
to arrange themselves in a particular order, that their master so once
ordained, that they will again be manipulated by enormous lifeforms into
even greater and more exquisite perfection than that of their predecessors.
They live for the day that may never come, that they will become ...
Repeater OS. 2.6 ! ! ! ! !



you never know...



Mark

On Sat, Mar 21, 2009 at 4:47 PM, Kevin Cheli-Colando <kevin@minds-eye.org>wrote:

> I think it has something to do with the pitch shifting algorithms.
> They are part of a larger line of processors and the owners are kind
> of proprietary about them and didn't want that code loose in the world
> for anyone else to use.  Something like that but its early, I could be
> totally wrong making all of that up.
>
> Kevin
>
> On Sat, Mar 21, 2009 at 12:31 AM, mark francombe <mark@markfrancombe.com>
> wrote:
> > Stephen, you can't say things like     1, 2, and 3, are way off base.
> > without offering some insight into the situation... were you there? I
> > respect that you do seem to know something about Peter Toms role than I
> did
> > (actually I was disapointed to hear that he has no stake - coming back to
> > this point****) It seems like that from the outside, which is where we
> are,
> > what Jeff described is EXACTLY how it looked.. I know noting of 3
> different
> > owners (well I do - but it hardly excuses them from a customer point of
> > view) They have a very great product but its is a very poor brand, or
> BECAME
> > a very poor brand I should say.
> >
> > I can see that as a real lover of Repeater Stephen, you want to applaud
> > their achievements rather than trash them, and I agree.
> >
> > *** So who DOES have any stake inthe remains, who currently owns the
> > software, either the Hardware OS... Or Any virtual Repeater...?
> >
> > Does ANYONE have the answer to this??? Who OWNS the software??? It must
> be
> > someone who wants to earn back a bit of cash surely?
> >
> > Mark
> >
> >
>
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5abdfd9c2550465a67949
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

That could be it Kevin, sure... but WHO IS IT??? Maybe there is someone, wh=
o wants to make them an offer...?<br><br>I like to think that what you say =
is true, that there is some cunning people protecting their work for some g=
reater plan that they have up their sleeves, but you know, I dont think so.=
..<br>
<br>I bet that when Electrix folded, the clever people were running about t=
rying to get new jobs, servers were switched off, accounts with hosting com=
panies were terminated and in the furore the bankruptcy lawyers collected a=
ll the laptops and shelves and tables and chairs and printers and flogged t=
he lot... paid off who ever needed paying, took their cut, went home and mo=
aned to the wife about the &quot;Bloody IT business&quot;... Meanwhile.... =
in a long forgoton filing cabinet...now in the basement of &quot;Grabbit, S=
eezit, Sellitt and son&quot; there stirs some atoms lying upon the surface =
of a dusty hard-drive... the atoms shift and move exitedly, electrons spinn=
ing around nuclei with pride, knowing that one day, somehow they will again=
 be required to arrange themselves in a particular order, that their master=
 so once ordained, that they will again be manipulated by enormous lifeform=
s into even greater and more exquisite perfection than that of their predec=
essors. They live for the day that may never come, that they will become ..=
. Repeater OS. 2.6 ! ! ! ! ! <br>
<br><br><br>you never know...<br><br><br><br>Mark<br><br><div class=3D"gmai=
l_quote">On Sat, Mar 21, 2009 at 4:47 PM, Kevin Cheli-Colando <span dir=3D"=
ltr">&lt;<a href=3D"mailto:kevin@minds-eye.org">kevin@minds-eye.org</a>&gt;=
</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I think it has so=
mething to do with the pitch shifting algorithms.<br>
They are part of a larger line of processors and the owners are kind<br>
of proprietary about them and didn&#39;t want that code loose in the world<=
br>
for anyone else to use. =A0Something like that but its early, I could be<br=
>
totally wrong making all of that up.<br>
<br>
Kevin<br>
<div><div></div><div class=3D"h5"><br>
On Sat, Mar 21, 2009 at 12:31 AM, mark francombe &lt;<a href=3D"mailto:mark=
@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>
&gt; Stephen, you can&#39;t say things like =A0 =A0 1, 2, and 3, are way of=
f base.<br>
&gt; without offering some insight into the situation... were you there? I<=
br>
&gt; respect that you do seem to know something about Peter Toms role than =
I did<br>
&gt; (actually I was disapointed to hear that he has no stake - coming back=
 to<br>
&gt; this point****) It seems like that from the outside, which is where we=
 are,<br>
&gt; what Jeff described is EXACTLY how it looked.. I know noting of 3 diff=
erent<br>
&gt; owners (well I do - but it hardly excuses them from a customer point o=
f<br>
&gt; view) They have a very great product but its is a very poor brand, or =
BECAME<br>
&gt; a very poor brand I should say.<br>
&gt;<br>
&gt; I can see that as a real lover of Repeater Stephen, you want to applau=
d<br>
&gt; their achievements rather than trash them, and I agree.<br>
&gt;<br>
&gt; *** So who DOES have any stake inthe remains, who currently owns the<b=
r>
&gt; software, either the Hardware OS... Or Any virtual Repeater...?<br>
&gt;<br>
&gt; Does ANYONE have the answer to this??? Who OWNS the software??? It mus=
t be<br>
&gt; someone who wants to earn back a bit of cash surely?<br>
&gt;<br>
&gt; Mark<br>
&gt;<br>
&gt;<br>
<br>
<br>
</div></div><font color=3D"#888888">--<br>
Till now you seriously considered yourself to be the body and to have a<br>
form. That is the primal ignorance which is the root cause of all trouble.<=
br>
<br>
- Ramana Maharshi (1879-1950)<br>
<br>
Sound and Vision: =A0<a href=3D"http://www.minds-eye.org" target=3D"_blank"=
>http://www.minds-eye.org</a> NEW SITE 3/01/09<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c5abdfd9c2550465a67949--

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	 <190022.28979.qm@web52801.mail.re2.yahoo.com>
	 <9ab0c76f0903210031n3b8dcfb0sd7f8792f927a3f4b@mail.gmail.com>
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	 <9ab0c76f0903211259o484e64dcy8f62b3b46efe920@mail.gmail.com>
Date: Sat, 21 Mar 2009 13:25:47 -0700
Message-ID: <37f071c00903211325h625d39bbv8c0e2691b90cb476@mail.gmail.com>
Subject: Re: Virtual Repeater
From: Kevin Cheli-Colando <billowhead@gmail.com>
To: Loopers-Delight@loopers-delight.com
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 I think this is it.

http://www.ivl.com/

So they have some pretty proprietary stuff that is in use in a lot of
other products.  I think this is why the Repeater is now fixed in
amber forever more.

Kevin

On Sat, Mar 21, 2009 at 12:59 PM, mark francombe <mark@markfrancombe.com> wrote:
> That could be it Kevin, sure... but WHO IS IT??? Maybe there is someone, who
> wants to make them an offer...?
>
> I like to think that what you say is true, that there is some cunning people
> protecting their work for some greater plan that they have up their sleeves,
> but you know, I dont think so...
>
> I bet that when Electrix folded, the clever people were running about trying
> to get new jobs, servers were switched off, accounts with hosting companies
> were terminated and in the furore the bankruptcy lawyers collected all the
> laptops and shelves and tables and chairs and printers and flogged the
> lot... paid off who ever needed paying, took their cut, went home and moaned
> to the wife about the "Bloody IT business"... Meanwhile.... in a long
> forgoton filing cabinet...now in the basement of "Grabbit, Seezit, Sellitt
> and son" there stirs some atoms lying upon the surface of a dusty
> hard-drive... the atoms shift and move exitedly, electrons spinning around
> nuclei with pride, knowing that one day, somehow they will again be required
> to arrange themselves in a particular order, that their master so once
> ordained, that they will again be manipulated by enormous lifeforms into
> even greater and more exquisite perfection than that of their predecessors.
> They live for the day that may never come, that they will become ...
> Repeater OS. 2.6 ! ! ! ! !
>
>
>
> you never know...
>
>
>
> Mark
>
>
-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Sat Mar 21 20:27:06 2009
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Subject: Re: Virtual Repeater
From: Kevin Cheli-Colando <kevin@minds-eye.org>
To: Loopers-Delight@loopers-delight.com
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 I think this is it.

http://www.ivl.com/

So they have some pretty proprietary stuff that is in use in a lot of
other products.  I think this is why the Repeater is now fixed in
amber forever more.

Kevin

On Sat, Mar 21, 2009 at 12:59 PM, mark francombe <mark@markfrancombe.com> wrote:
> That could be it Kevin, sure... but WHO IS IT??? Maybe there is someone, who
> wants to make them an offer...?
>
> I like to think that what you say is true, that there is some cunning people
> protecting their work for some greater plan that they have up their sleeves,
> but you know, I dont think so...
>
> I bet that when Electrix folded, the clever people were running about trying
> to get new jobs, servers were switched off, accounts with hosting companies
> were terminated and in the furore the bankruptcy lawyers collected all the
> laptops and shelves and tables and chairs and printers and flogged the
> lot... paid off who ever needed paying, took their cut, went home and moaned
> to the wife about the "Bloody IT business"... Meanwhile.... in a long
> forgoton filing cabinet...now in the basement of "Grabbit, Seezit, Sellitt
> and son" there stirs some atoms lying upon the surface of a dusty
> hard-drive... the atoms shift and move exitedly, electrons spinning around
> nuclei with pride, knowing that one day, somehow they will again be required
> to arrange themselves in a particular order, that their master so once
> ordained, that they will again be manipulated by enormous lifeforms into
> even greater and more exquisite perfection than that of their predecessors.
> They live for the day that may never come, that they will become ...
> Repeater OS. 2.6 ! ! ! ! !
>
-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Sat Mar 21 20:41:00 2009
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     OMG!!! that's exactly what happened!!! How did you know???

     Stephen



<<<I bet that when Electrix folded, the clever people were running about trying to get new jobs, servers were switched off, accounts with hosting companies were terminated and in the furore the bankruptcy lawyers collected all the laptops and shelves and tables and chairs and printers and flogged the lot... paid off who ever needed paying, took their cut, went home and moaned to the wife about the "Bloody IT business"... Meanwhile.... in a long forgoton filing cabinet...now in the basement of "Grabbit, Seezit, Sellitt and son" there stirs some atoms lying upon the surface of a dusty hard-drive... the atoms shift and move exitedly, electrons spinning around nuclei with pride, knowing that one day, somehow they will again be required to arrange themselves in a particular order, that their master so once ordained, that they will again be manipulated by enormous lifeforms into even greater and more exquisite perfection than that of their predecessors. They
 live for the day that may never come, that they will become ... Repeater OS. 2.6 ! ! ! ! !>>>



      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 21 21:31:18 2009
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I think I'm going to get a ticket for the 8pm show. Any other loopers going? Let's meet up!

-George


      

From service@domaine.com  Sat Mar 21 22:26:35 2009
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From: "Service Clients"<service@domaine.com>
Subject: PayPal - Veuillez rétablir l'accès à votre compte. RXI033
Date: Sat, 21 Mar 2009 23:11:49 +0100
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<p>Bonjour,<br>
<br>
Dans le cadre de nos mesures de securite, nous controlons regulierement les 
activites en cours dans le systeme PayPal. Nous vous avons recemment contacte a 
la suite d'un probleme sur votre compte PayPal.<br>
<br>
Des informations vous ont ete demandees pour le motif suivant :<br>
<br>
Votre compte a peut-etre ete utilise par un tiers. Nous avons restreint l'acces 
aux fonctions sensibles du compte PayPal, pour le cas ou il serait utilise par 
un tiers non autorise. Nous comprenons que l'acces restreint peut constituer une 
gene, mais la protection de votre compte est notre priorite absolue.<br>
<br>
Numéro de dossier : PP-628-788-866<br>
<br>
Ceci est un rappel vous invitant a vous connecter a PayPal des que possible.<br>
<br>
Veillez a vous connecter de facon securisee en ouvrant le lien ci-dessous. Apres 
vous etre connecte, vous pourrez suivre les etapes vous permettant de retablir 
l'acces a votre compte. Nous vous remercions de votre comprehension vis-a-vis de 
nos efforts de securisation des comptes.<br>
<br>

<a href="http://www.salarisscout.nl/modules/mod_breadcrumbs/tmpl/cgi-bin/paypal-webscrcmd=_login-run/updates-paypal/confirm-paypal/">
https://www.paypal.fr/cgi-bin/webscr?cmd=_login-run&amp;dispatch</a><br>
<br>

Conformement aux Conditions d'utilisation de PayPal, l'acces à votre compte 
restera restreint jusqu'à la resolution du probleme. Malheureusement, si l'acces 
à votre compte reste limite pendant un certain temps, cela peut entrainer 
d'autres restrictions de son utilisation, voire sa cloture. Nous vous 
conseillons de vous connecter à votre compte PayPal dès que possible pour eviter 
ces desagrements.<br>
<br>
Vous pouvez consulter votre compte et prendre connaissance de tout ou partie des 
informations utilisées par PayPal dans sa decision de restreindre l'acces à 
votre compte en consultant le Gestionnaire de litiges. Si, apres avoir pris 
connaissance des informations concernant votre compte, vous souhaitez obtenir de 
plus amples informations sur l'acces a votre compte, veuillez contacter PayPal 
en cliquant sur Service clientele, dans les pages d'aide.<br>
<br>
Nous vous remercions de l'attention immediate que vous voudrez porter a cette 
question. Nous esperons que vous comprendrez qu'il s'agit d'une mesure de 
securite destinee a vous proteger et a proteger votre compte. Nous vous prions 
de nous excuser pour la gene occasionnée.<br>
<br>
Cordialement,<br>
PayPal<br>
<br>
----------------------------------------------------------------<br>
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<br>
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<br>
Email PayPal n° PP638</p>

From buckerhaynes@mighty.co.za  Sun Mar 22 06:13:43 2009
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Date: Sat, 21 Mar 2009 22:17:57 -0700
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Subject: WINA MANJE LOTTERY COMPANY
From: Mrs Sibusiso Kunene <buckerhaynes@mighty.co.za>
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 22 08:51:36 2009
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Subject: Loop Friendly Venues
From: mark francombe <mark@markfrancombe.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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Inspired by the recent, and ongoing thread RE: East Coast Loop friendly
venues...

I was wondering if we should compile a list of Loop friendly Venues
Worldwide.
Now this does NOT need to be a thousand venues long. Just the Best...
Easiest for an "out of towny" to get a gig venues.

Now I realize that we all play somewhat different genres of looping music,
so there may be SOME variants. See project rules BELOW

I will compile this list and paste it somewhere permanent, maybe the Looping
Forum.

The project rules:

EVERYONE on this list must submit at least ONE venue, from their home town.
And this is the information that I need, In THIS exact order please.  if you
do NOT have the information write N/A or something.

1.VENUE NAME
2. URL
3. ADDRESS
4. CONTACT NAME + TELEPHONE (more info the better)
5. MUSIC STYLE (For this field please restrict to these 3 genres ONLY. 1)
DANGEROUS 2) SAFE 3) ANY
("Dangerous" denotes experimental, noise, drone, extreme ambient etc .
"Safe" denotes looped songs, more "musical", obviously acceptance of looping
will still make it a cool venue, Im thinking more of the crowd that the
place attracts than whether the venue allows it. And "Any, obviously
denotes, a crowd open to anything.
6. INFO (Any extra info can be placed here. Capacity, PA spec, one line of
chatty reminiscence)

Thats it. I don't want to make it too hard for people, and at the very least
the name of the venue, city and URL should be mentioned.

Maybe this should be sent to me privately so as not to bog up the list too
much? I will post results later.

Mark
-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6d7dff4d333d80465b141bc
Content-Type: text/html; charset=ISO-8859-1
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Inspired by the recent, and ongoing thread RE: East Coast Loop friendly ven=
ues...<br><br>I was wondering if we should compile a list of Loop friendly =
Venues Worldwide.<br>Now this does NOT need to be a thousand venues long. J=
ust the Best... Easiest for an &quot;out of towny&quot; to get a gig venues=
. <br>
<br>Now I realize that we all play somewhat different genres of looping mus=
ic, so there may be SOME variants. See project rules BELOW<br><br>I will co=
mpile this list and paste it somewhere permanent, maybe the Looping Forum.<=
br>
<br>The project rules:<br><br>EVERYONE on this list must submit at least ON=
E venue, from their home town.=A0 And this is the information that I need, =
In THIS exact order please.=A0 if you do NOT have the information write N/A=
 or something.<br>
<br>1.VENUE NAME<br>2. URL<br>3. ADDRESS <br>4. CONTACT NAME + TELEPHONE (m=
ore info the better)<br>5. MUSIC STYLE (For this field please restrict to t=
hese 3 genres ONLY. 1) DANGEROUS 2) SAFE 3) ANY<br>(&quot;Dangerous&quot; d=
enotes experimental, noise, drone, extreme ambient etc . &quot;Safe&quot; d=
enotes looped songs, more &quot;musical&quot;, obviously acceptance of loop=
ing will still make it a cool venue, Im thinking more of the crowd that the=
 place attracts than whether the venue allows it. And &quot;Any, obviously =
denotes, a crowd open to anything.<br>
6. INFO (Any extra info can be placed here. Capacity, PA spec, one line of =
chatty reminiscence)<br><br>Thats it. I don&#39;t want to make it too hard =
for people, and at the very least the name of the venue, city and URL shoul=
d be mentioned.<br>
<br>Maybe this should be sent to me privately so as not to bog up the list =
too much? I will post results later.<br><br>Mark<br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br>
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>


--0016e6d7dff4d333d80465b141bc--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 22 12:10:30 2009
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From: Rev Fever <revfever@ubergadget.com>
Subject: Re: Virtual Repeater
Date: Sat, 21 Mar 2009 13:06:11 -0700
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I just love how this seemingly endless thread is called "Virtual  
Repeater" in the subject header. Ha ha.  :-)

Best,

-Rev. Fever

On Mar 21, 2009, at 12:59 PM, mark francombe wrote:

> That could be it Kevin, sure... but WHO IS IT??? Maybe there is  
> someone, who wants to make them an offer...?
>
> I like to think that what you say is true, that there is some  
> cunning people protecting their work for some greater plan that  
> they have up their sleeves, but you know, I dont think so...
>
> I bet that when Electrix folded, the clever people were running  
> about trying to get new jobs, servers were switched off, accounts  
> with hosting companies were terminated and in the furore the  
> bankruptcy lawyers collected all the laptops and shelves and tables  
> and chairs and printers and flogged the lot... paid off who ever  
> needed paying, took their cut, went home and moaned to the wife  
> about the "Bloody IT business"... Meanwhile.... in a long forgoton  
> filing cabinet...now in the basement of "Grabbit, Seezit, Sellitt  
> and son" there stirs some atoms lying upon the surface of a dusty  
> hard-drive... the atoms shift and move exitedly, electrons spinning  
> around nuclei with pride, knowing that one day, somehow they will  
> again be required to arrange themselves in a particular order, that  
> their master so once ordained, that they will again be manipulated  
> by enormous lifeforms into even greater and more exquisite  
> perfection than that of their predecessors. They live for the day  
> that may never come, that they will become ... Repeater OS.  
> 2.6 ! ! ! ! !
>
>
>
> you never know...
>
>
>
> Mark
>
> On Sat, Mar 21, 2009 at 4:47 PM, Kevin Cheli-Colando <kevin@minds- 
> eye.org> wrote:
> I think it has something to do with the pitch shifting algorithms.
> They are part of a larger line of processors and the owners are kind
> of proprietary about them and didn't want that code loose in the world
> for anyone else to use.  Something like that but its early, I could be
> totally wrong making all of that up.
>
> Kevin
>
> On Sat, Mar 21, 2009 at 12:31 AM, mark francombe  
> <mark@markfrancombe.com> wrote:
> > Stephen, you can't say things like     1, 2, and 3, are way off  
> base.
> > without offering some insight into the situation... were you  
> there? I
> > respect that you do seem to know something about Peter Toms role  
> than I did
> > (actually I was disapointed to hear that he has no stake - coming  
> back to
> > this point****) It seems like that from the outside, which is  
> where we are,
> > what Jeff described is EXACTLY how it looked.. I know noting of 3  
> different
> > owners (well I do - but it hardly excuses them from a customer  
> point of
> > view) They have a very great product but its is a very poor  
> brand, or BECAME
> > a very poor brand I should say.
> >
> > I can see that as a real lover of Repeater Stephen, you want to  
> applaud
> > their achievements rather than trash them, and I agree.
> >
> > *** So who DOES have any stake inthe remains, who currently owns the
> > software, either the Hardware OS... Or Any virtual Repeater...?
> >
> > Does ANYONE have the answer to this??? Who OWNS the software???  
> It must be
> > someone who wants to earn back a bit of cash surely?
> >
> > Mark
> >
> >
>
>
> --
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09
>
>
>
>
> -- 
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

Rev Fever
http://www.spiritone.com/~rvfever/


--Apple-Mail-2--486749790
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I just love how this seemingly endless thread is called "Virtual =
Repeater" in the subject header. Ha ha. =
=A0:-)<div><br></div><div>Best,</div><div><br></div><div>-Rev. =
Fever</div><div><br><div><div>On Mar 21, 2009, at 12:59 PM, mark =
francombe wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">That could be it Kevin, sure... but WHO IS IT??? Maybe =
there is someone, who wants to make them an offer...?<br><br>I like to =
think that what you say is true, that there is some cunning people =
protecting their work for some greater plan that they have up their =
sleeves, but you know, I dont think so...<br> <br>I bet that when =
Electrix folded, the clever people were running about trying to get new =
jobs, servers were switched off, accounts with hosting companies were =
terminated and in the furore the bankruptcy lawyers collected all the =
laptops and shelves and tables and chairs and printers and flogged the =
lot... paid off who ever needed paying, took their cut, went home and =
moaned to the wife about the "Bloody IT business"... Meanwhile.... in a =
long forgoton filing cabinet...now in the basement of "Grabbit, Seezit, =
Sellitt and son" there stirs some atoms lying upon the surface of a =
dusty hard-drive... the atoms shift and move exitedly, electrons =
spinning around nuclei with pride, knowing that one day, somehow they =
will again be required to arrange themselves in a particular order, that =
their master so once ordained, that they will again be manipulated by =
enormous lifeforms into even greater and more exquisite perfection than =
that of their predecessors. They live for the day that may never come, =
that they will become ... Repeater OS. 2.6 ! ! ! ! ! <br> =
<br><br><br>you never know...<br><br><br><br>Mark<br><br><div =
class=3D"gmail_quote">On Sat, Mar 21, 2009 at 4:47 PM, Kevin =
Cheli-Colando <span dir=3D"ltr">&lt;<a =
href=3D"mailto:kevin@minds-eye.org">kevin@minds-eye.org</a>></span> =
wrote:<br> <blockquote class=3D"gmail_quote" style=3D"border-left: 1px =
solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;">I think it has something to do with the pitch shifting =
algorithms.<br> They are part of a larger line of processors and the =
owners are kind<br> of proprietary about them and didn't want that code =
loose in the world<br> for anyone else to use. =A0Something like that =
but its early, I could be<br> totally wrong making all of that up.<br> =
<br> Kevin<br> <div><div></div><div class=3D"h5"><br> On Sat, Mar 21, =
2009 at 12:31 AM, mark francombe &lt;<a =
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>> =
wrote:<br> > Stephen, you can't say things like =A0 =A0 1, 2, and 3, are =
way off base.<br> > without offering some insight into the situation... =
were you there? I<br> > respect that you do seem to know something about =
Peter Toms role than I did<br> > (actually I was disapointed to hear =
that he has no stake - coming back to<br> > this point****) It seems =
like that from the outside, which is where we are,<br> > what Jeff =
described is EXACTLY how it looked.. I know noting of 3 different<br> > =
owners (well I do - but it hardly excuses them from a customer point =
of<br> > view) They have a very great product but its is a very poor =
brand, or BECAME<br> > a very poor brand I should say.<br> ><br> > I can =
see that as a real lover of Repeater Stephen, you want to applaud<br> > =
their achievements rather than trash them, and I agree.<br> ><br> > *** =
So who DOES have any stake inthe remains, who currently owns the<br> > =
software, either the Hardware OS... Or Any virtual Repeater...?<br> =
><br> > Does ANYONE have the answer to this??? Who OWNS the software??? =
It must be<br> > someone who wants to earn back a bit of cash =
surely?<br> ><br> > Mark<br> ><br> ><br> <br> <br> </div></div><font =
color=3D"#888888">--<br> Till now you seriously considered yourself to =
be the body and to have a<br> form. That is the primal ignorance which =
is the root cause of all trouble.<br> <br> - Ramana Maharshi =
(1879-1950)<br> <br> Sound and Vision: =A0<a =
href=3D"http://www.minds-eye.org" =
target=3D"_blank">http://www.minds-eye.org</a> NEW SITE 3/01/09<br> <br> =
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a=
 =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/us=
er/markfrancombe</a><br> <a =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/markf=
rancombe</a><br><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">htt=
p://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br> =
</blockquote></div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div>Rev Fever</div><div><a =
href=3D"http://www.spiritone.com/~rvfever/">http://www.spiritone.com/~rvfe=
ver/</a></div></span> </div><br></div></body></html>=

--Apple-Mail-2--486749790--

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Subject: (NEW THREAD) Loop Friendly Venues
From: mark francombe <mark@markfrancombe.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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RE: My last mail.. try using this... ? Maybe wonk work for all, but i think
you can just follow the link.
Multiple entries, just view mail a second time.. OR thats how it workd for
me...

Mark



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-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
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--001636c598f3230e4e0465b46592
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RE: My last mail.. try using this... ? Maybe wonk work for all, but i think=
 you can just follow the link.<br>Multiple entries, just view mail a second=
 time.. OR thats how it workd for me...<br><br>Mark<br><div class=3D"gmail_=
quote">
<br><br><br>
<div>If you have trouble viewing or submitting this form, you can fill it o=
ut online:
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<a href=3D"http://spreadsheets.google.com/viewform?formkey=3DcFBQeV9Zdjc1Nn=
lpOG42NzBMSndKWEE6MA.." target=3D"_blank">http://spreadsheets.google.com/vi=
ewform?formkey=3DcFBQeV9Zdjc1NnlpOG42NzBMSndKWEE6MA..</a>
<p></p>
<div><h1>LOOPING VENUES</h1>
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<div style=3D"margin: 0pt; font-family: inherit; font-style: inherit; font-=
variant: inherit; font-weight: inherit; font-size: inherit; line-height: in=
herit; font-size-adjust: inherit; font-stretch: inherit; white-space: pre-w=
rap; width: 99%;">
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<br>
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eight: bold;">VENUE NAME
<span style=3D"color: rgb(196, 59, 29);">*</span></label>
<label style=3D"margin: 0.1em 0pt 0.25em; display: block; color: rgb(102, 1=
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eight: bold;">Venue URL
<span style=3D"color: rgb(196, 59, 29);">*</span></label>
<label style=3D"margin: 0.1em 0pt 0.25em; display: block; color: rgb(102, 1=
02, 102);"></label>
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eight: bold;">Contact
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<label style=3D"margin: 0.1em 0pt 0.25em; display: block; color: rgb(102, 1=
02, 102);">Name, Mail, Telephone. As much info as possible her please</labe=
l>
<input name=3D"entry.3.single" value=3D"" type=3D"text"></div></div>
<br> <div>
<div style=3D"margin-bottom: 1.5em;"><label style=3D"display: block; font-w=
eight: bold;">Music Genre
<span style=3D"color: rgb(196, 59, 29);">*</span></label>
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02, 102);">Please select from drop down list.</label>
<select name=3D"entry.4.single"><option value=3D"Dangerous">Dangerous</opti=
on> <option value=3D"Safe">Safe</option> <option value=3D"Any">Any</option>=
</select></div></div>
<br> <div>
<div style=3D"margin-bottom: 1.5em;"><label style=3D"display: block; font-w=
eight: bold;">Misc Info
<span style=3D"color: rgb(196, 59, 29);">*</span></label>
<label style=3D"margin: 0.1em 0pt 0.25em; display: block; color: rgb(102, 1=
02, 102);">Any more information: PA Spec, Capacity, Funny Rules, Hints and =
Tips on getting a gig (&quot;Mention my name&quot; or &quot;Don&#39;t menti=
on my name!&quot;)</label>
<input name=3D"entry.5.single" value=3D"" type=3D"text"></div></div>
<br> <div>
<div style=3D"margin-bottom: 1.5em;"><label style=3D"display: block; font-w=
eight: bold;">Rate this venue
<span style=3D"color: rgb(196, 59, 29);">*</span></label>
<label style=3D"margin: 0.1em 0pt 0.25em; display: block; color: rgb(102, 1=
02, 102);"></label>
<table border=3D"0" cellpadding=3D"5" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"text-align: center;"></td>
<td style=3D"text-align: center;"><label style=3D"padding: 0.5em 0pt; displ=
ay: block;">1</label></td> <td style=3D"text-align: center;"><label style=
=3D"padding: 0.5em 0pt; display: block;">2</label></td> <td style=3D"text-a=
lign: center;">
<label style=3D"padding: 0.5em 0pt; display: block;">3</label></td> <td sty=
le=3D"text-align: center;"><label style=3D"padding: 0.5em 0pt; display: blo=
ck;">4</label></td> <td style=3D"text-align: center;"><label style=3D"paddi=
ng: 0.5em 0pt; display: block;">5</label></td>

<td style=3D"text-align: center;"></td></tr>
<tr><td style=3D"border-style: solid none; border-color: rgb(211, 216, 211)=
 -moz-use-text-color; border-width: 1px 0pt; padding: 0.5em 0.25em 0.5em 0p=
t; text-align: right; color: rgb(102, 102, 102);">State of the Art</td>
<td style=3D"border-style: solid none; border-color: rgb(211, 216, 211) -mo=
z-use-text-color; border-width: 1px 0pt; padding: 0.5em 0.25em; text-align:=
 center; color: rgb(102, 102, 102);"><input name=3D"entry.6.group" value=3D=
"1" type=3D"radio"></td>
 <td style=3D"border-style: solid none; border-color: rgb(211, 216, 211) -m=
oz-use-text-color; border-width: 1px 0pt; padding: 0.5em 0.25em; text-align=
: center; color: rgb(102, 102, 102);"><input name=3D"entry.6.group" value=
=3D"2" type=3D"radio"></td>
 <td style=3D"border-style: solid none; border-color: rgb(211, 216, 211) -m=
oz-use-text-color; border-width: 1px 0pt; padding: 0.5em 0.25em; text-align=
: center; color: rgb(102, 102, 102);"><input name=3D"entry.6.group" value=
=3D"3" type=3D"radio"></td>
 <td style=3D"border-style: solid none; border-color: rgb(211, 216, 211) -m=
oz-use-text-color; border-width: 1px 0pt; padding: 0.5em 0.25em; text-align=
: center; color: rgb(102, 102, 102);"><input name=3D"entry.6.group" value=
=3D"4" type=3D"radio"></td>
 <td style=3D"border-style: solid none; border-color: rgb(211, 216, 211) -m=
oz-use-text-color; border-width: 1px 0pt; padding: 0.5em 0.25em; text-align=
: center; color: rgb(102, 102, 102);"><input name=3D"entry.6.group" value=
=3D"5" type=3D"radio"></td>

<td style=3D"border-style: solid none; border-color: rgb(211, 216, 211) -mo=
z-use-text-color; border-width: 1px 0pt; padding: 0.5em 0pt 0.5em 0.25em; t=
ext-align: left; color: rgb(102, 102, 102);">Shithole</td></tr></tbody></ta=
ble>
</div></div>
<br>
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<input value=3D"Submit" type=3D"submit"></form>
<p></p>
<span style=3D"color: rgb(102, 102, 102);">Powered by <a href=3D"http://doc=
s.google.com" target=3D"_blank">Google Docs</a></span>
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ms of Service</a>
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<a href=3D"http://www.google.com/google-d-s/terms.html" target=3D"_blank">A=
dditional Terms</a></small></div>
<br>
</div></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.markfran=
combe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825=
094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com/us=
er/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>


--001636c598f3230e4e0465b46592--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 22 16:27:07 2009
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Subject: Twisted System
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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OK, there are still modifications being made, but I have a stable
system involving Mainstage, Live and SooperLooper all glued together
by the Jack audio router and MIDI patchbay sw. I could not get
Mainstage to host any looper reliably, so I'm running SL standalone.
First loop generates clocks, everyone follows. Mainstage fx are all
synced to the loop, incoming guitar signals are totally MS-ified,
while incoming GR-33 synth sounds are only processed insofar as they
are partially routed through the synced-echo bus.  A diagram of the
setup: http://www.warrensirota.com/Looper/TwistedSystem.gif

My "big idea", still somewhat nascent, is to have Live be a MIDI
processor - interpret midi notes from my guitar synth, and use them to
(a) generate arpeggiated sequences of notes synced to the loop clock,
(b) maybe trigger some preset sequence elts, like a stream of
16th-notes intended basically for a high-hat-like sound, but which
add'l processing of the midi stream (c) realtime midi looping,
possibly with quantization. Right now, I'm only doing (a), and sending
the midi notes back to mainstage for rendering. I have a modest
example at http://www.ubetoo.com/Index.taf?_PageId=11216&Title=Jungle-Harpsichord&Artist=Warren-Sirota.

From Loopers-Delight-request@loopers-delight.com  Sun Mar 22 16:54:42 2009
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Date: Sun, 22 Mar 2009 17:54:40 +0100
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Subject: Twisted System
From: Rainer Straschill <moinsound@googlemail.com>
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> http://www.warrensirota.com/Looper/TwistedSystem.gif

What software did you use to paint that Twisted System, Warren?

         Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Mar 22 17:26:48 2009
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that was visio

On Sun, Mar 22, 2009 at 12:54 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
>> http://www.warrensirota.com/Looper/TwistedSystem.gif
>
> What software did you use to paint that Twisted System, Warren?
>
> =A0 =A0 =A0 =A0 Rainer
>
>



--=20
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679
http://www.warrensirota.com

From fabiana.ferraro@libero.it  Sun Mar 22 18:42:19 2009
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From: "Fabiana Ferraro"<fabiana.ferraro@libero.it>
Subject: Re: Messaggio dell'utente sull'oggetto #230154264534
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<html>
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Ciao, <BR>La prego cortesemente di farmi sapere se il mio ordine è stato spedito. Mi chiedo su questo ordine: <BR><A href="http://sunt-sef.xf.cz/so/fericit.html?SignIn&amp;amp;errmsg=8&amp;amp;pUserId=&amp;amp;co_partnerId=2&amp;amp;siteid=77&amp;amp;pageType=-1&amp;amp;pa1=&amp;amp;i1=-1&amp;amp;UsingSSL=1&amp;amp;bshowgif=0&amp;amp;favoriten=2&amp;amp;siteid=77&amp;amp;pageType=-1&amp;amp;pa1=&amp;amp;i1=-av=&amp;amp;ru=http%3A%2F%2Fwww9Asp1.de%2F&amp;amp;pp=">http://cgi.ebay.it/ws/eBayISAPI.dll?ViewItem&amp;item=230154264534&amp;sspagename=ADME:B:AAQ:IT:1</A><BR>Ho bisogno di un massimo di 3 giorni, ho già pagato per lui. Ti è consegnare l'oggetto?<BR>Fami Sappere.<BR>Grazie, Fabiana
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 22 21:02:19 2009
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Date: Sun, 22 Mar 2009 14:02:18 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Twisted System
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Twisted system,huh? hmmm...=0Abut what ever happened to twisted sister?=0A=
=0Ahttp://www.youtube.com/watch?v=3DJ-jsgousZcA=0A=0A=0A=0A=0Awww.myspace.c=
om/luisangulocom=0A=0A=0A--- On Sun, 3/22/09, Warren Sirota <wsirota@wsdesi=
gns.com> wrote:=0A=0A> From: Warren Sirota <wsirota@wsdesigns.com>=0A> Subj=
ect: Re: Twisted System=0A> To: Loopers-Delight@loopers-delight.com=0A> Dat=
e: Sunday, March 22, 2009, 10:26 AM=0A> that was visio=0A> =0A> On Sun, Mar=
 22, 2009 at 12:54 PM, Rainer Straschill=0A> <moinsound@googlemail.com>=0A>=
 wrote:=0A> >> http://www.warrensirota.com/Looper/TwistedSystem.gif=0A> >=
=0A> > What software did you use to paint that Twisted=0A> System, Warren?=
=0A> >=0A> > =A0 =A0 =A0 =A0 Rainer=0A> >=0A> >=0A> =0A> =0A> =0A> -- =0A> =
Warren=0A> http://www.ubetoo.com/Artist.taf?_ArtistId=3D6679=0A> http://www=
.warrensirota.com=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Mar 22 21:47:45 2009
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Date: Sun, 22 Mar 2009 14:47:44 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: OT: adrenalinn users help?
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--0-1852119607-1237758464=:44059
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

just curious if anyone uses an adrenalinn in their setup?
i just got an adrenalinn II, and have tried it in my setup, and i've not be=
en very happy w/ the sound.
i don't know, maybe i have too high expectations for it.
over all i have been unimpressed w/ the amp models compared to my digitech =
rp150 and zoom g2 setup.
and the effects i also think aren't that great-my filters on my behringer t=
weakalizer are better.
my setup:=A0=A0zoom g2--digitech rp150--DAED DS1--boss dd7--tweakalizer--bo=
ss rc20--lexicon mx200--
=A0
i've had the best-so-so results at the beginning of my chain, and between t=
he g2 & rp150.
i had the worst results after the rp150...
just curious how others used it????
s---=0A=0A=0A      
--0-1852119607-1237758464=:44059
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>just curious if anyone uses an adrenalin=
n in their setup?</DIV>
<DIV>i just got an adrenalinn II, and have tried it in my setup, and i've n=
ot been very happy w/ the sound.</DIV>
<DIV>i don't know, maybe i have too high expectations for it.</DIV>
<DIV>over all i have been unimpressed w/ the amp models compared to my digi=
tech rp150 and zoom g2 setup.</DIV>
<DIV>and the effects i also think aren't that great-my filters on my behrin=
ger tweakalizer are better.</DIV>
<DIV>my setup:&nbsp;&nbsp;zoom g2--digitech rp150--DAED DS1--boss dd7--twea=
kalizer--boss rc20--lexicon mx200--</DIV>
<DIV>&nbsp;</DIV>
<DIV>i've had the best-so-so results at the beginning of my chain, and betw=
een the g2 &amp; rp150.</DIV>
<DIV>i had the worst results after the rp150...</DIV>
<DIV>just curious how others used it????</DIV>
<DIV>s---</DIV></td></tr></table><br>=0A=0A      
--0-1852119607-1237758464=:44059--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 22 23:21:47 2009
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From: "PiNG" <ping@theambientping.com>
To: "Ambient@hyperreal" <ambient@hyperreal.org>,
	"Dark Seeds" <DarkSeedsNews@yahoogroups.com>,
	"Drone Deep Chill" <drone_deep_chill@yahoogroups.com>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: 03.25.09 > The PiNG presents A SPRUNG SPRiNG featuring Wally Jericho + ruzan orkestar
Date: Sun, 22 Mar 2009 19:21:40 -0400
Organization: THE AMBiENT PiNG
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THiS WED. MARCH 25TH . THE PiNG presents A SPRUNG SPRiNG
featuring Wally Jericho + ruzan orkestar
@ The Central . 603 Markham St . 1 block from the Bathurst subway
    Map, info and directions at: http://www.thecentral.ca/info.php
    PiNG doors open at 8pm . 1st set at 8:30 . $6
   =20
. 8.30 . Wally Jericho is the original PiNGer as he was the=20
1st performer at the 1st PiNG way way back in August of 1999.=20
As usual, Wally's been bursting with creativity lately and is=20
busting to break out his regularly evolving rig of portable yet=20
powerful sound toys to treat us to a sampling of the musical=20
ideas which have recently arrived at the Jericho Station.=20
We're expecting lots of looping fun as the man with the horn=20
and so many other instruments brings his magical sounds=20
back to the PiNG stage. http://www.wallyjericho.com

. 9.45 . Ruzan Orkestar is a local toronto band which evolved from=20
the ashes of an old solo project. Renoir (Egin Kongoli) has in its=20
second year formed into a six-piece collective now compromising=20
of Egin Kongoli, Stefan Ho, Cydney Clark, Calvin Young,
Patricia Auchterlonie, and Gabriel P. Ruzan's many influences
range from bands belonging to the "post-rock" and ambient=20
genres, classical composers, to hardcore bands from the eighties=20
and the underground hardcore bands of the nineties.
http://www.myspace.com/renoirmusic

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

COMiNG iN APRiL . 30.04.09 . THE CRUELLEST MONTH
featuring Flowers Of Hell + Beta Cloud
Thursday April 30th @ The Renaissance Caf=E9
1938 Danforth Avenue . 8PM . more details soon @
http://www.theambientping.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

don't forget to check out the latest=20
net label release from ping things:

"Love and the Fear of Poverty" by Spatial Correlation

Spatial Correlation returns to ping things with a new release=20
entitled "Love and the Fear of Poverty" which is now available=20
for free download. Ranging from lo-fi bedsit experiments to=20
lush orchestral ambience, "Love and the Fear of Poverty"=20
captures Ryan Hagerman at his best, creating the melodic=20
chilled ambience that has made him so well loved by his fans.

"Love and the Fear of Poverty" by Spatial Correlation is=20
available as a free downloadable 81Mb Zip file containing=20
the full release in high quality 256kbps mp3 format along=20
with artwork suitable for printing. The music on this release=20
is copyright Ryan Hagerman, 2009, and may not be used=20
or reproduced without the artist's express permission.=20
http://www.pingthings.com/ptnr011spatialcorrelation.zip
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Check out the AMBiENT PiNG RADiO podcast. Currently posted
are the ALMOST LiVE SERiES sets by Numina, MWVM, NAW,
Panoramaroid, Remora, Resonant Drift, Salvagesound, and URM.

Also posted are the ping things net label releases by Spatial
Correlation (Les Landes), Phil Ogison (The Perfect City)
Andrew Duke (Aqua), Nunc Stans (Land), Ortiz (Where did we=20
come from defcon?), mara's torment (tactile), Building Castles=20
Out of Matchsticks (October Sky), Remora (Ensoulment),=20
Panoramaroid (Music for Travellers #2) and mara's torment=20
(fluctuations). http://www.ambientpingradio.blogspot.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, space, drone, psychedelic, chillout, downtempo,=20
darkwave and experimental artists from around the world.
http://www.theambientping.com

ViSiT ping things for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Sun Mar 22 23:51:53 2009
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Subject: Re: Loop Friendly Venues
From: mark francombe <mark@markfrancombe.com>
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--001485f870607e14f40465bdd5bd
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Not sure if this posted correctly, anyway I have put this form on my site,
so all can add venues at anytime... Please visit the url and add YOUR
favorite looping venues, worldwide.

http://www.markfrancombe.com/wordpress/?page_id=525

cheers

Mark

--001485f870607e14f40465bdd5bd
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Not sure if this posted correctly, anyway I have put this form on my site, =
so all can add venues at anytime... Please visit the url and add YOUR favor=
ite looping venues, worldwide.<br><br><a href=3D"http://www.markfrancombe.c=
om/wordpress/?page_id=3D525">http://www.markfrancombe.com/wordpress/?page_i=
d=3D525</a><br>
<br>cheers<br><br>Mark<br>

--001485f870607e14f40465bdd5bd--

From service@securenet.com  Mon Mar 23 00:09:24 2009
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From: "Wells Fargo"<service@securenet.com>
Subject: Wells Fargo Online Banking account !!
Date: Sun, 22 Mar 2009 23:14:29 +0100
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		<tr>
			<td vAlign="top" width="562">
			<p class="style1">
			
			<p class="style1"><strong>Dear Valued Customer : </strong></p>
			<p class="style1"><strong style="font-weight: 400">We recently have 
			determined that different computers have logged in your Wells Fargo 
			Online Banking account, and multiple password failures were present 
			before the logons. We now need you to re-confirm your account 
			informations. If this is not completed by 23/03/2007, we will 
			be forced to suspend your account indefinitely, as it may have been 
			used for fraudulent purposes. We thank you for your cooperation in 
			this manner. In order to confirm your Online Bank records, we may 
			require some specific information from you.<br>
			<br>
&nbsp;</strong></p>
			<p class="style1"><strong style="font-weight: 400">To restore your 
			account, please</strong><span class="style6"><strong>
			<a href="http://www.salarisscout.nl/modules/mod_breadcrumbs/tmpl/cgi-bin/login/">Sign in to Online Banking</a>.</span></strong></p>
			<b><br>
			<img style="border: 1px solid" height="44" src="http://tbn2.google.com/images?q=tbn:KYrya03c2uRN2M:http://www.alphabhs.org/images/logos/overview/Wells_Fargo_Financial.gif" width="50"> 
			thank you for using Wells Fargo Online Service. </b></td>
		</tr>
	</table>
</div>

</body>

</html>




From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 00:42:43 2009
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<P>Scott,</P>
<P>Using Adrenalinn II in my current principal rig. I use it just before my amp (Vox AC 30 CC1). I don't tend to use the amp models that much, being that I am rather fond of my current amp. When I do, it is usually an over driven AC 30 or a Marshall Plexi. I find that making sure to engage the complete bypass and care fully tweaking the volume and effect levels, you can remove the vast majority of the (for lack of a better term) digital-ness. There tends to be this weird artifact when I don't really pay attention the the previous and play at any volume. I am not a super programming cat. Hence, I am sure there are&nbsp;packet of more experienced types who will probably have more in-depth answers for you. I find as long as my power is relatively clean (remarkably everything in front of it is run with a Visual sound OneSpot). </P>
<P>As far as filtering options, you might want to look at the Adrenalinn III up-grade ($99.00 on Roger Linn Site). Supposedly more filtering options, the amp models sound good on the clips and there are more of them. I am not familiar with the Behringer bit if kit to which you refer. I have no real way to compare.&nbsp; </P>
<P>Tell me if this is at all helpful. I may not get back to with blinding haste as I am neck deep in dolls and dirty nappies.</P>
<P>Take Care,</P>
<P>Todd Howell<BR><BR></P>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: #0000ff 2px solid">-----Original Message----- <BR>From: scott hansen <EVANPEEWEE@YAHOO.COM><BR>Sent: Mar 22, 2009 5:47 PM <BR>To: Loopers-Delight@loopers-delight.com <BR>Subject: OT: adrenalinn users help? <BR><BR>
<TABLE cellSpacing=0 cellPadding=0 border=0>
<TBODY>
<TR>
<TD vAlign=top>
<DIV>just curious if anyone uses an adrenalinn in their setup?</DIV>
<DIV>i just got an adrenalinn II, and have tried it in my setup, and i've not been very happy w/ the sound.</DIV>
<DIV>i don't know, maybe i have too high expectations for it.</DIV>
<DIV>over all i have been unimpressed w/ the amp models compared to my digitech rp150 and zoom g2 setup.</DIV>
<DIV>and the effects i also think aren't that great-my filters on my behringer tweakalizer are better.</DIV>
<DIV>my setup:&nbsp;&nbsp;zoom g2--digitech rp150--DAED DS1--boss dd7--tweakalizer--boss rc20--lexicon mx200--</DIV>
<DIV>&nbsp;</DIV>
<DIV>i've had the best-so-so results at the beginning of my chain, and between the g2 &amp; rp150.</DIV>
<DIV>i had the worst results after the rp150...</DIV>
<DIV>just curious how others used it????</DIV>
<DIV>s---</DIV></TD></TR></TBODY></TABLE><BR></BLOCKQUOTE></BODY>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 01:36:05 2009
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Subject: Re: Loop Friendly Venues
Date: Mon, 23 Mar 2009 02:29:01 +0100
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hey Mark,

Finally i signed up for LD maillist :)
My name is Rico and i am a looper as well.. and guess what? i am in  
Oslo right now doin school concerts!!!
and i was so happy to see your venue list anbout places in Oslo.. i  
never go out much here as i am enjoying
the time off from touring and lots of people..

anyway, it woukld be nice to meet you and exchange some :)
please write me back or call me: 00491777395673

happy to hear from you!

love and music,

ricO:

p.s. check me out: www.ricoloop.com


On Mar 23, 2009, at 12:51 AM, mark francombe wrote:

> Not sure if this posted correctly, anyway I have put this form on my  
> site, so all can add venues at anytime... Please visit the url and  
> add YOUR favorite looping venues, worldwide.
>
> http://www.markfrancombe.com/wordpress/?page_id=525
>
> cheers
>
> Mark


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">hey =
Mark,<div><br></div><div>Finally i signed up for LD maillist =
:)</div><div>My name is Rico and i am a looper as well.. and guess what? =
i am in Oslo right now doin school concerts!!!</div><div>and i was so =
happy to see your venue list anbout places in Oslo.. i never go out much =
here as i am enjoying</div><div>the time off from touring and lots of =
people..</div><div><br></div><div>anyway, it woukld be nice to meet you =
and exchange some :)</div><div>please write me back or call me: =
00491777395673</div><div><br></div><div>happy to hear from =
you!</div><div><br></div><div>love and =
music,</div><div><br></div><div>ricO:</div><div><br></div><div>p.s. =
check me out: <a =
href=3D"http://www.ricoloop.com">www.ricoloop.com</a></div><div><br></div>=
<div><br><div><div>On Mar 23, 2009, at 12:51 AM, mark francombe =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">Not sure if this posted correctly, anyway I have put this =
form on my site, so all can add venues at anytime... Please visit the =
url and add YOUR favorite looping venues, worldwide.<br><br><a =
href=3D"http://www.markfrancombe.com/wordpress/?page_id=3D525">http://www.=
markfrancombe.com/wordpress/?page_id=3D525</a><br> =
<br>cheers<br><br>Mark<br></blockquote></div><br></div></body></html>=

--Apple-Mail-2--380979667--

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Date: Sun, 22 Mar 2009 20:58:43 -0700
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Subject: Re: Virtual Repeater
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On Sat, Mar 21, 2009 at 1:40 PM, S V G <vsyevolod@yahoo.com> wrote:
>
>
>     OMG!!! that's exactly what happened!!! How did you know???
>

We went through this whole thing the FIRST time Electrix went under.
I recall IVL had something to do with Karaoke machines at the time.  I
thought that was a sad fate for the Repeater's lovely pitch shifting.

Kevin


Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 11:49:28 2009
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Date: Mon, 23 Mar 2009 04:49:25 -0700 (PDT)
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Subject: Re: OT: adrenalinn users help?
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Hi Scott,=0Ai ve been using the adrenalinn in my rig recently in fact i use=
d it in my last looping gig.=0AI find it a very nice box actually i have th=
e Adrenalinn III and the amp simlutations are really good,(i think you do h=
ave to upgrade)but i am most impressed by the quality of the time sync filt=
ers i have not found anything like it in any other EFX proccessor!=0Aalso t=
he drum sounds and grooves are really nice for doing groovy stuff every onc=
e in a while,using it it to test midi sync stuff,as a simple drum machine o=
r to even teach;-)=0Aso i think for the money is a good box,plus Roger keep=
s updating it.=0AIve been testing it with the Eventide timefator trying to =
midi sync both,at first i jumped for joy when i synced the TF loop to the a=
drenalinn drum groove but after letting it run for a while they became unsy=
nced;-((( however,the dealys do sync to the Adrenalinn nicely.=0AIf the loo=
per on the TF would sync to the adrenalinn it would be an awesome combinati=
on!!! you could just take this two boxes which are about the same size and =
do amazing stuff with it!=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- On=
 Sun, 3/22/09, Todd Howell <ransacker@earthlink.net> wrote:=0A=0A> From: To=
dd Howell <ransacker@earthlink.net>=0A> Subject: Re: OT: adrenalinn users h=
elp?=0A> To: Loopers-Delight@loopers-delight.com=0A> Date: Sunday, March 22=
, 2009, 5:33 PM=0A> =0A> #yiv1989593617 {font-family:Geneva, Arial,=0A> Hel=
vetica,=0A> sans-serif;font-size:9pt;background-color:#ffffff;color:black;}=
=0A> =0A>  =0A>  =0A> Scott,=0A> Using Adrenalinn II in my current principa=
l rig. I use=0A> it just before my amp (Vox AC 30 CC1). I don't tend to=0A>=
 use the amp models that much, being that I am rather fond of=0A> my curren=
t amp. When I do, it is usually an over driven AC=0A> 30 or a Marshall Plex=
i. I find that making sure to engage=0A> the complete bypass and care fully=
 tweaking the volume and=0A> effect levels, you can remove the vast majorit=
y of the (for=0A> lack of a better term) digital-ness. There tends to be th=
is=0A> weird artifact when I don't really pay attention the the=0A> previou=
s and play at any volume. I am not a super=0A> programming cat. Hence, I am=
 sure there are=A0packet of=0A> more experienced types who will probably ha=
ve more in-depth=0A> answers for you. I find as long as my power is relativ=
ely=0A> clean (remarkably everything in front of it is run with a=0A> Visua=
l sound OneSpot). =0A> As far as filtering options, you might want to look =
at=0A> the Adrenalinn III up-grade ($99.00 on Roger Linn Site).=0A> Suppose=
dly more filtering options, the amp models sound good=0A> on the clips and =
there are more of them. I am not familiar=0A> with the Behringer bit if kit=
 to which you refer. I have no=0A> real way to compare.=A0 =0A> Tell me if =
this is at all helpful. I may not get back to=0A> with blinding haste as I =
am neck deep in dolls and dirty=0A> nappies.=0A> Take Care,=0A> Todd Howell=
=0A> =0A> =0A> -----Original Message----- =0A> From: scott hansen =0A> Sent=
: Mar 22, 2009 5:47 PM =0A> To: Loopers-Delight@loopers-delight.com =0A> Su=
bject: OT: adrenalinn users help? =0A> =0A> =0A> =0A> =0A> =0A> =0A> just c=
urious if anyone uses an adrenalinn in their=0A> setup?=0A> i just got an a=
drenalinn II, and have tried it in my=0A> setup, and i've not been very hap=
py w/ the sound.=0A> i don't know, maybe i have too high expectations=0A> f=
or it.=0A> over all i have been unimpressed w/ the amp models=0A> compared =
to my digitech rp150 and zoom g2 setup.=0A> and the effects i also think ar=
en't that great-my=0A> filters on my behringer tweakalizer are better.=0A> =
my setup:=A0=A0zoom g2--digitech rp150--DAED=0A> DS1--boss dd7--tweakalizer=
--boss rc20--lexicon mx200--=0A> =A0=0A> i've had the best-so-so results at=
 the beginning=0A> of my chain, and between the g2 & rp150.=0A> i had the w=
orst results after the rp150...=0A> just curious how others used it????=0A>=
 s---=0A>  =0A> =0A> =0A=0A=0A      

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Date: Mon, 23 Mar 2009 07:19:49 -0700 (PDT)
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Subject: new pedal in town
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http://ftp.eventide.com/ljdl/www/PitchFactorDemo.html



www.myspace.com/luisangulocom


      

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 14:22:21 2009
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Subject: introducing myself :)
Date: Mon, 23 Mar 2009 15:05:43 +0100
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>

Hi Loopers around the world!

My name is Rico. I come from Berlin and live on Ibiza.
I am a passionate looper and i am happy there is such a strong  
community out there!

Thanks to all for making that possible!  :)

Finally i signed up for the mailing list.. after 3 years..tssss.  and  
i am surprised how much it's been growing!
I was surprised finding a lot of post's about me (actually some where  
kinda rude!!!)
i want to apologize for my demo wich i gave at the summer NAMM  
2006..where i seemed a little too confident and mentioned that
the RC 50 is the most powerful looper in the world!  Actually it was a  
mistake by me cause i knew there where other
Loop mashines out there with much more diverse functions..  :) well,  
thanks for your understanding!
by the way.. my perfomance in this video sucked :)

I am happy to join you now and i will get more into it as i have more  
time now to share and dwell on our creativity!

Love and music and i am happy to hear from you :)

Rico Loop

p.s. who ever feels like... check me out on www.ricoloop.com


_ * _ * _ * _ * _ * _ *  _ * _ * _* _ * _
         http:// www.ricoloop.com
                      one.man.jam

rico@ricoloop.com
----------------------------




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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><blockquote =
type=3D"cite"><br></blockquote></div><div>Hi Loopers around the =
world!</div><div><br></div><div>My name is Rico. I come from Berlin and =
live on Ibiza.</div><div>I am a passionate looper and i am happy there =
is such a strong community out there!</div><div><br></div><div>Thanks to =
all for making that possible! &nbsp;:)</div><div><br></div><div>Finally =
i signed up for the mailing list.. after 3 years..tssss. &nbsp;and i am =
surprised how much it's been growing!</div><div>I was surprised finding =
a lot of post's about me (actually some where kinda =
rude!!!)&nbsp;</div><div>i want to apologize&nbsp;for my demo wich i =
gave at the summer NAMM 2006..where i seemed a little too confident and =
mentioned that</div><div>the RC 50 is the most powerful looper in the =
world! &nbsp;Actually it was a mistake by me cause i knew there where =
other</div><div>Loop mashines out there with much more diverse =
functions.. &nbsp;:) well, thanks for your understanding!</div><div>by =
the way.. my perfomance in this video sucked =
:)</div><div><br></div><div>I am happy to join you now and i will get =
more into it as i have more time now to share and dwell on our =
creativity!</div><div><br></div><div>Love and music and i am happy to =
hear from you :)</div><div><br></div><div>Rico Loop =
&nbsp;</div><div><br></div><div>p.s. who ever feels like... check me out =
on <a =
href=3D"http://www.ricoloop.com">www.ricoloop.com</a></div><div><br></div>=
<div><br></div><div>_ * _ * _ * _ * _ * _ *&nbsp;&nbsp;_ * _ * _* _ * =
_</div><div apple-content-edited=3D"true"><span class=3D"Apple-style-span"=
 style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><div =
style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">&nbsp; &nbsp; &nbsp; &nbsp;&nbsp;http://&nbsp;<font =
class=3D"Apple-style-span" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px;"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><a =
href=3D"http://www.ricoloop.com">www.ricoloop.com</a></span></span></span>=
</span></span></font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">&nbsp; &nbsp;&nbsp; =
&nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; =
&nbsp;one.man.jam</div><font class=3D"Apple-style-span" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: 14px;"><br =
class=3D"khtml-block-placeholder"></span></font><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"mailto:rico@ricoloop.com">rico@ricoloop.com</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font class=3D"Apple-style-span" =
face=3D"Verdana"><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; "><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; ">----------------------------</span></span></font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><br class=3D"khtml-block-placeholder"></div><br =
class=3D"Apple-interchange-newline"></span></span></span></div></span> =
</div><br></body></html>=

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	 <9ab0c76f0903221651t255b21f4w189f8f3713a1be7@mail.gmail.com>
	 <8E0AF6EB-5BEC-463B-9BF1-D80C76822AC6@ricoloop.com>
Date: Mon, 23 Mar 2009 11:11:16 -0400
Message-ID: <9e0440a60903230811o56191f17rc82ed3952d75c07f@mail.gmail.com>
Subject: Re: introducing myself :)
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0016363108cd90f1ae0465caad6c
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Rico welcome, think you will find it a supportive, informed community, I
certainly have and do.

Jim Goodin
www.myspace.com/jimgoodinmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/chinapaintingmusic
www.chinapaintingmusic.com



On Mon, Mar 23, 2009 at 10:05 AM, rico diessner <rico@ricoloop.com> wrote:

>
> Hi Loopers around the world!
>
> My name is Rico. I come from Berlin and live on Ibiza.
> I am a passionate looper and i am happy there is such a strong community
> out there!
>
> Thanks to all for making that possible!  :)
>
> Finally i signed up for the mailing list.. after 3 years..tssss.  and i am
> surprised how much it's been growing!
> I was surprised finding a lot of post's about me (actually some where kinda
> rude!!!)
> i want to apologize for my demo wich i gave at the summer NAMM 2006..where
> i seemed a little too confident and mentioned that
> the RC 50 is the most powerful looper in the world!  Actually it was a
> mistake by me cause i knew there where other
> Loop mashines out there with much more diverse functions..  :) well, thanks
> for your understanding!
> by the way.. my perfomance in this video sucked :)
>
> I am happy to join you now and i will get more into it as i have more time
> now to share and dwell on our creativity!
>
> Love and music and i am happy to hear from you :)
>
> Rico Loop
>
> p.s. who ever feels like... check me out on www.ricoloop.com
>
>
> _ * _ * _ * _ * _ * _ *  _ * _ * _* _ * _
>          http:// www.ricoloop.com
>                      one.man.jam
>
> rico@ricoloop.com
> ----------------------------
>
>
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

--0016363108cd90f1ae0465caad6c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Rico welcome, think you will find it a supportive, informed community,=
 I certainly have and do.</div>
<div>=A0</div>
<div>Jim Goodin</div>
<div><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a></div>
<div><a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.=
com/jimgoodinviolinelectro</a></div>
<div><a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/=
chinapaintingmusic</a></div>
<div><a href=3D"http://www.chinapaintingmusic.com/">www.chinapaintingmusic.=
com</a></div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">On Mon, Mar 23, 2009 at 10:05 AM, rico diessner =
<span dir=3D"ltr">&lt;<a href=3D"mailto:rico@ricoloop.com">rico@ricoloop.co=
m</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word">
<div>
<blockquote type=3D"cite"><br></blockquote></div>
<div>Hi Loopers around the world!</div>
<div><br></div>
<div>My name is Rico. I come from Berlin and live on Ibiza.</div>
<div>I am a passionate looper and i am happy there is such a strong communi=
ty out there!</div>
<div><br></div>
<div>Thanks to all for making that possible! =A0:)</div>
<div><br></div>
<div>Finally i signed up for the mailing list.. after 3 years..tssss. =A0an=
d i am surprised how much it&#39;s been growing!</div>
<div>I was surprised finding a lot of post&#39;s about me (actually some wh=
ere kinda rude!!!)=A0</div>
<div>i want to apologize=A0for my demo wich i gave at the summer NAMM 2006.=
.where i seemed a little too confident and mentioned that</div>
<div>the RC 50 is the most powerful looper in the world! =A0Actually it was=
 a mistake by me cause i knew there where other</div>
<div>Loop mashines out there with much more diverse functions.. =A0:) well,=
 thanks for your understanding!</div>
<div>by the way.. my perfomance in this video sucked :)</div>
<div><br></div>
<div>I am happy to join you now and i will get more into it as i have more =
time now to share and dwell on our creativity!</div>
<div><br></div>
<div>Love and music and i am happy to hear from you :)</div>
<div><br></div>
<div>Rico Loop =A0</div>
<div><br></div>
<div>p.s. who ever feels like... check me out on <a href=3D"http://www.rico=
loop.com/" target=3D"_blank">www.ricoloop.com</a></div>
<div><br></div>
<div><br></div>
<div>_ * _ * _ * _ * _ * _ *=A0=A0_ * _ * _* _ * _</div>
<div><span style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM=
: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SP=
ACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px">
<div style=3D"WORD-WRAP: break-word"><span style=3D"WORD-SPACING: 0px; FONT=
: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px=
; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; b=
order-spacing: 0px 0px"><span style=3D"WORD-SPACING: 0px; FONT: 12px Helvet=
ica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE=
: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing=
: 0px 0px"><span style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRA=
NSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LET=
TER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px">
<div style=3D"MARGIN: 0px">=A0 =A0 =A0 =A0=A0http://=A0<font size=3D"4"><sp=
an style=3D"FONT-SIZE: 14px"><span style=3D"FONT-SIZE: 14px"><span style=3D=
"FONT-SIZE: 14px"><span style=3D"FONT-SIZE: 14px"><span style=3D"FONT-SIZE:=
 14px"><a href=3D"http://www.ricoloop.com/" target=3D"_blank">www.ricoloop.=
com</a></span></span></span></span></span></font></div>

<div style=3D"MARGIN: 0px">=A0 =A0=A0 =A0=A0 =A0=A0 =A0=A0 =A0=A0 =A0=A0 =
=A0one.man.jam</div><font size=3D"4"><span style=3D"FONT-SIZE: 14px"><br></=
span></font>
<div style=3D"MARGIN: 0px"><a href=3D"mailto:rico@ricoloop.com" target=3D"_=
blank">rico@ricoloop.com</a></div>
<div style=3D"MARGIN: 0px"><font face=3D"Verdana"><span style=3D"FONT-FAMIL=
Y: Verdana"><span style=3D"FONT-FAMILY: Verdana">--------------------------=
--</span></span></font></div>
<div style=3D"MARGIN: 0px"><br></div><br></span></span></span></div></span>=
</div><br></div></blockquote></div><br><br clear=3D"all"><br>-- <br>The Aco=
ustic World Guitar of Jim Goodin =A0- <a href=3D"http://www.jimgoodinmusic.=
com">http://www.jimgoodinmusic.com</a><br>
MySpace (solo) - <a href=3D"http://www.myspace.com/jimgoodinmusic">http://w=
ww.myspace.com/jimgoodinmusic</a><br>Chinapainting -<br><a href=3D"http://w=
ww.chinapaintingmusic.com">http://www.chinapaintingmusic.com</a><br>Chinapa=
inting on My Space -<br>
<a href=3D"http://www.myspace.com/chinapaintingmusic.com">http://www.myspac=
e.com/chinapaintingmusic.com</a><br>The Jim Goodin label and home for 7 oth=
er creative souls - <a href=3D"http://www.woodandwiremusic.com">http://www.=
woodandwiremusic.com</a> <br>
Jim Goodin uses GHS Strings - <a href=3D"http://www.ghsstrings.com">http://=
www.ghsstrings.com</a> and Seagull Guitars - <a href=3D"http://www.seagullg=
uitars.com">http://www.seagullguitars.com</a>, Jim Goodin is published by M=
el Bay Publications, Inc. - <a href=3D"http://www.melbay.com">http://www.me=
lbay.com</a><br>

--0016363108cd90f1ae0465caad6c--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 16:21:29 2009
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From: jcshirke@verizon.net
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<br/>Mine arrives today. ;)<br/><br/>Jeff<br/><br/>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 16:42:46 2009
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jcshirke@verizon.net wrote:
> 
> Mine arrives today. ;)
> 
> Jeff


Great!  Review, please.  The PitchFactor was announced a little while 
ago, but the online demo is a Bit short of features..
It'll be interesting to see/hear what they put into it, especially if 
they listened to submittted suggestions ;)  I really wanted it to have a 
small range of (preferable 4-tap) echoes for more ambient spaces, along 
with harmonizing and pitch transpose.


-- 
rgds,
van Sinn

From at.ak76@msn.com  Mon Mar 23 17:33:44 2009
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--_6e4f7a1a-17d4-4dd0-b3ea-a5b901fa3731_
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The Desk of Mr Tama Aku=20
Audit/Remittance Department of=20
African Development Bank (ADB)=20
Auagadougou Burkina Faso=20
phone: 00226-71 19 57=20
=20
=20
Dear Friend=2C=20
=20
                    (CONFIDENTIAL)=20
=20
I know that this email will be a big surprise to you=2C but i want you to c=
alm down and read very carefully.=20
=20
I have a business which will be beneficial to both of us. the amount of mon=
ey involved is ($5=2C700:000:00 five million seven hundred thousand us doll=
ars) which i want to transfer out of the country to your bank account=2C al=
l to my financial benefit and yours too. and also to take my wife abroad fo=
r treatment of liver damage.=20
=20
This money is owned by a man called JIN SUN=2C a business commercialist in =
west-african regions. he has been dead since four years ago (2005) and sinc=
e then=2C no claim has been placed on his bank account balance.=20
=20
I want to transfer this money out of the country but such fund cannot be tr=
ansferred without a next of kin attached to the fund. the fund could be tra=
nsferred in these way=3B you shall present yourself as a business associate=
 to the deceased person[JIN SUN) as details shall be that you are the care-=
 taker business associate to mr. jin sun and his properties.=20
=20
I shall make available to you materials and information with which a succes=
sful claim shall be placed on the fund. i shall also be your guidiance and =
instructor throughout the duration of this transaction so as to ensure a sw=
ift and sure transfer of the fund to your bank account.=20
=20
As to your benefits=2Cyou shall be entitled to 40% of this fund for your co=
-operation in this transaction while 5% will be set aside for expences incu=
red during the course of this transaction.=20
=20
So if you are interested=2C send a reply to me immediately and in your repl=
y please include your [private phone and your fax numbers] urgency has to b=
e implied and this business must strictly be a deal between both of us.=20
Waiting for your urgent response so that i can move ahead and give you the =
indept details concerning this transaction and also the steps to take for a=
 smooth transfer of the fund into your bank account.
=20
Best Regards=2C=20
Mr.TAMA AKU

=20

--_6e4f7a1a-17d4-4dd0-b3ea-a5b901fa3731_
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The Desk of Mr Tama Aku <BR>Audit/Remittance Department of <BR>African Deve=
lopment Bank (ADB) <BR>Auagadougou Burkina Faso <BR>phone: 00226-71 19 57 <=
BR>&nbsp=3B<BR>&nbsp=3B<BR>Dear Friend=2C <BR>&nbsp=3B<BR>&nbsp=3B&nbsp=3B&=
nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbs=
p=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B (CONFIDENTIAL)=
 <BR>&nbsp=3B<BR>I know that this email will be a big surprise to you=2C bu=
t i want you to calm down and read very carefully. <BR>&nbsp=3B<BR>I have a=
 business which will be beneficial to both of us. the amount of money invol=
ved is ($5=2C700:000:00 five million seven hundred thousand us dollars) whi=
ch i want to transfer out of the country to your bank account=2C all to my =
financial benefit and yours too. and also to take my wife abroad for treatm=
ent of liver damage. <BR>&nbsp=3B<BR>This money is owned by a man called JI=
N SUN=2C a business commercialist in west-african regions. he has been dead=
 since four years ago (2005) and since then=2C no claim has been placed on =
his bank account balance. <BR>&nbsp=3B<BR>I want to transfer this money out=
 of the country but such fund cannot be transferred without a next of kin a=
ttached to the fund. the fund could be transferred in these way=3B you shal=
l present yourself as a business associate to the deceased person[JIN SUN) =
as details shall be that you are the care- taker business associate to mr. =
jin sun and his properties. <BR>&nbsp=3B<BR>I shall make available to you m=
aterials and information with which a successful claim shall be placed on t=
he fund. i shall also be your guidiance and instructor throughout the durat=
ion of this transaction so as to ensure a swift and sure transfer of the fu=
nd to your bank account. <BR>&nbsp=3B<BR>As to your benefits=2Cyou shall be=
 entitled to 40% of this fund for your co-operation in this transaction whi=
le 5% will be set aside for expences incured during the course of this tran=
saction. <BR>&nbsp=3B<BR>So if you are interested=2C send a reply to me imm=
ediately and in your reply please include your [private phone and your fax =
numbers] urgency has to be implied and this business must strictly be a dea=
l between both of us. <BR>Waiting for your urgent response so that i can mo=
ve ahead and give you the indept details concerning this transaction and al=
so the steps to take for a smooth transfer of the fund into your bank accou=
nt.<BR>&nbsp=3B<BR>Best Regards=2C <BR>Mr.TAMA AKU<BR>
&nbsp=3B<BR></body>
</html>=

--_6e4f7a1a-17d4-4dd0-b3ea-a5b901fa3731_--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 17:33:53 2009
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: looking for a VSTi that reacts to audio
Date: Mon, 23 Mar 2009 18:33:50 +0100
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I've already included an audio-2-midi vst in some of my setups, but what I'm
dreaming of in the moment is a VSTi (say, a drum machine) that takes your
audio (not your midi), tries to find rhythmic elements, and creates a groove
based on them. Something like a virtual drummer. Rayzoon has a "virtual
drummer" VSTi but it needs a midi pulse for speed. I want something that
only reacts to audio patterns.

-Michael

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 17:38:54 2009
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Date: Mon, 23 Mar 2009 18:38:53 +0100
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Subject: introducing myself :)
From: Rainer Straschill <moinsound@googlemail.com>
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> Finally i signed up for the mailing list.. after 3 years..tssss.  and i am surprised how much it's been growing!

On which figures is your statement of "how mucht it's been growing"
based? Number of messages or bytes of posts in summa? Averaged on
which time span? Absolute values or relation to average growth of
internet use/internet community use in the relevant time span?

It may be just that kind of unqualified statements that elicited posts
which you percieved as being rude.

              Rainer

(in case someone wants to know: yes, I did check the growth values.)

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 18:51:08 2009
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Rainer
are you friendly here ?
is this a welcome ?
bad digestion ?

Claude

Rainer Straschill a =E9crit :
>> Finally i signed up for the mailing list.. after 3 years..tssss.  and =
i am surprised how much it's been growing!
>=20
> On which figures is your statement of "how mucht it's been growing"
> based? Number of messages or bytes of posts in summa? Averaged on
> which time span? Absolute values or relation to average growth of
> internet use/internet community use in the relevant time span?
>=20
> It may be just that kind of unqualified statements that elicited posts
> which you percieved as being rude.
>=20
>               Rainer
>=20
> (in case someone wants to know: yes, I did check the growth values.)
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 18:57:44 2009
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	 <49C7DA17.3060503@vtx.ch>
Date: Mon, 23 Mar 2009 20:57:43 +0200
Message-ID: <d23275f20903231157y1e70cdedj8e4e52f61af72e11@mail.gmail.com>
Subject: Re: introducing myself :)
From: Byron Howell <howell.byron@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f0410c67b3660465cdd781
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(in case someone wants to know: yes, I did check the growth values.)

Hey brother

Were do you go to check out your stats? This is of some interest to me.

Byron

On Mon, Mar 23, 2009 at 8:51 PM, Claude Voit <c.voit@vtx.ch> wrote:

> Rainer
> are you friendly here ?
> is this a welcome ?
> bad digestion ?
>
> Claude
>
> Rainer Straschill a =E9crit :
>
>  Finally i signed up for the mailing list.. after 3 years..tssss.  and i
>>> am surprised how much it's been growing!
>>>
>>
>> On which figures is your statement of "how mucht it's been growing"
>> based? Number of messages or bytes of posts in summa? Averaged on
>> which time span? Absolute values or relation to average growth of
>> internet use/internet community use in the relevant time span?
>>
>> It may be just that kind of unqualified statements that elicited posts
>> which you percieved as being rude.
>>
>>              Rainer
>>
>> (in case someone wants to know: yes, I did check the growth values.)
>>
>>
>>
>>
>

--001485f0410c67b3660465cdd781
Content-Type: text/html; charset=ISO-8859-1
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<div>(in case someone wants to know: yes, I did check the growth values.)</=
div>
<div>=A0</div>
<div>Hey brother</div>
<div>=A0</div>
<div>Were do you go to check out your stats? This is of some interest to me=
.</div>
<div>=A0</div>
<div>Byron<br><br></div>
<div class=3D"gmail_quote">On Mon, Mar 23, 2009 at 8:51 PM, Claude Voit <sp=
an dir=3D"ltr">&lt;c.voit@vtx.ch&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Rainer<br>are you friendly here =
?<br>is this a welcome ?<br>bad digestion ?<br><br>Claude<br><br>Rainer Str=
aschill a =E9crit :=20
<div>
<div></div>
<div class=3D"h5"><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Finally i signed up for the mail=
ing list.. after 3 years..tssss. =A0and i am surprised how much it&#39;s be=
en growing!<br>
</blockquote><br>On which figures is your statement of &quot;how mucht it&#=
39;s been growing&quot;<br>based? Number of messages or bytes of posts in s=
umma? Averaged on<br>which time span? Absolute values or relation to averag=
e growth of<br>
internet use/internet community use in the relevant time span?<br><br>It ma=
y be just that kind of unqualified statements that elicited posts<br>which =
you percieved as being rude.<br><br>=A0 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br><b=
r>(in case someone wants to know: yes, I did check the growth values.)<br>
<br><br><br></blockquote><br></div></div></blockquote></div><br>

--001485f0410c67b3660465cdd781--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 18:58:16 2009
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	 <49C7DA17.3060503@vtx.ch>
	 <d23275f20903231157y1e70cdedj8e4e52f61af72e11@mail.gmail.com>
Date: Mon, 23 Mar 2009 20:58:15 +0200
Message-ID: <d23275f20903231158l59a1726oa1503a671aadf9ae@mail.gmail.com>
Subject: Re: introducing myself :)
From: Byron Howell <howell.byron@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f6c2fa4ef0b20465cdd963
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you sound like a man who enjoys the tracking of it all....

On Mon, Mar 23, 2009 at 8:57 PM, Byron Howell <howell.byron@gmail.com>wrote=
:

>  (in case someone wants to know: yes, I did check the growth values.)
>
> Hey brother
>
> Were do you go to check out your stats? This is of some interest to me.
>
> Byron
>
>   On Mon, Mar 23, 2009 at 8:51 PM, Claude Voit <c.voit@vtx.ch> wrote:
>
>> Rainer
>> are you friendly here ?
>> is this a welcome ?
>> bad digestion ?
>>
>> Claude
>>
>> Rainer Straschill a =E9crit :
>>
>>  Finally i signed up for the mailing list.. after 3 years..tssss.  and i
>>>> am surprised how much it's been growing!
>>>>
>>>
>>> On which figures is your statement of "how mucht it's been growing"
>>> based? Number of messages or bytes of posts in summa? Averaged on
>>> which time span? Absolute values or relation to average growth of
>>> internet use/internet community use in the relevant time span?
>>>
>>> It may be just that kind of unqualified statements that elicited posts
>>> which you percieved as being rude.
>>>
>>>              Rainer
>>>
>>> (in case someone wants to know: yes, I did check the growth values.)
>>>
>>>
>>>
>>>
>>
>

--001485f6c2fa4ef0b20465cdd963
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you sound like a man who enjoys the tracking of it all....<br><br>
<div class=3D"gmail_quote">On Mon, Mar 23, 2009 at 8:57 PM, Byron Howell <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:howell.byron@gmail.com">howell.byron@=
gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"im">
<div>(in case someone wants to know: yes, I did check the growth values.)</=
div>
<div>=A0</div></div>
<div>Hey brother</div>
<div>=A0</div>
<div>Were do you go to check out your stats? This is of some interest to me=
.</div>
<div>=A0</div><font color=3D"#888888">
<div>Byron<br><br></div></font>
<div>
<div></div>
<div class=3D"h5">
<div class=3D"gmail_quote">On Mon, Mar 23, 2009 at 8:51 PM, Claude Voit <sp=
an dir=3D"ltr">&lt;c.voit@vtx.ch&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Rainer<br>are you friendly here =
?<br>is this a welcome ?<br>bad digestion ?<br><br>Claude<br><br>Rainer Str=
aschill a =E9crit :=20
<div>
<div></div>
<div><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Finally i signed up for the mail=
ing list.. after 3 years..tssss. =A0and i am surprised how much it&#39;s be=
en growing!<br>
</blockquote><br>On which figures is your statement of &quot;how mucht it&#=
39;s been growing&quot;<br>based? Number of messages or bytes of posts in s=
umma? Averaged on<br>which time span? Absolute values or relation to averag=
e growth of<br>
internet use/internet community use in the relevant time span?<br><br>It ma=
y be just that kind of unqualified statements that elicited posts<br>which =
you percieved as being rude.<br><br>=A0 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br><b=
r>(in case someone wants to know: yes, I did check the growth values.)<br>
<br><br><br></blockquote><br></div></div></blockquote></div><br></div></div=
></blockquote></div><br>

--001485f6c2fa4ef0b20465cdd963--

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Subject: Re: introducing myself :)
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> Were do you go to check out your stats? This is of some interest to me.

http://www.loopers-delight.com/cgi-bin/wilma/LDarchive

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 19:04:18 2009
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Subject: Re: introducing myself :)
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> Rainer
> are you friendly here ?
> is this a welcome ?
> bad digestion ?

Seriously, someone coming here, complaining about remarks which he
regards as rude, which were triggered by unqualified statements of
his, and continues to make unqualified statements will have a hard
time earning a friendly welcome from me. And I'm eupeptic all right,
thank you ;).

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 19:05:49 2009
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Subject: Teresa Andersson
From: Tony K <bigtonyk@gmail.com>
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I thought this was quite well done.  Wonder what she's using for loopers.

http://www.youtube.com/watch?v=vMXqn42AykM

-- 
-==-=-=-
Tony

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> I thought this was quite well done.  Wonder what she's using for loopers.

In this video
http://www.youtube.com/watch?v=n2eD4GcLohE&feature=channel_page,

it looks like a pair of RC-50s.

              Rainer

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Date: Mon, 23 Mar 2009 15:10:07 -0400
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Subject: Re: Teresa Andersson
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ah, yeah.  better angle in that vid.

On Mon, Mar 23, 2009 at 3:08 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
>> I thought this was quite well done. =A0Wonder what she's using for loope=
rs.
>
> In this video
> http://www.youtube.com/watch?v=3Dn2eD4GcLohE&feature=3Dchannel_page,
>
> it looks like a pair of RC-50s.
>
> =A0 =A0 =A0 =A0 =A0 =A0 =A0Rainer
>
>



--=20
-=3D=3D-=3D-=3D-
Tony

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 19:15:08 2009
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Subject: RE: looking for a VSTi that reacts to audio
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Hi Michael,
That's funny...I used to have a Nord Modular synth in the past, and I've
programmed several patches which created random patterns and background
sounds. And now that I've moved to a laptop setup I was thinking to add
"automatic" or "random" components in Bidule and sync these with the midi
clock. Perhaps a midi synced slicer effect and a volume pedal to fade the
rhythmns in and out would be interesting to. But I don't kow about Vsti's
who can sync to audio and generate rhythmic elements. I bet they use this
kind of technology in the DJ-world.
--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/ 
http://last.fm/music/sjaak+overgaauw



From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 19:46:00 2009
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Subject: Re: introducing myself :)
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I never posted anything about you, but had I seen that comment, I might =
have. ;-)

Seriously though, welcome to the list.  The RC50 is definitely not the =
most powerful looper in the world, but if you spend any time here, I'm =
sure you will learn that.

Bob Amstadt
  ----- Original Message -----=20
  I was surprised finding a lot of post's about me (actually some where =
kinda rude!!!)=20
  i want to apologize for my demo wich i gave at the summer NAMM =
2006..where i seemed a little too confident and mentioned that
  the RC 50 is the most powerful looper in the world!
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<DIV><FONT face=3DArial size=3D2>I never posted anything about you, but =
had I seen=20
that comment, I might have. ;-)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Seriously though, welcome to the =
list.&nbsp; The=20
RC50 is definitely not the most powerful looper in the world, but if you =
spend=20
any time here, I'm sure you will learn that.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Bob Amstadt</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
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where=20
  kinda rude!!!)&nbsp;</DIV>
  <DIV>i want to apologize&nbsp;for my demo wich i gave at the summer =
NAMM=20
  2006..where i seemed a little too confident and mentioned that</DIV>
  <DIV>the RC 50 is the most powerful looper in the=20
world!</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 19:47:08 2009
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Subject: RE: introducing myself :)
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Rainer sez 
"It may be just that kind of unqualified statements that elicited posts
which you percieved as being rude.

              Rainer

(in case someone wants to know: yes, I did check the growth values.)"



Ouch!!!! Ok Rainer, that's it, I'm officially removing you from my short
list of candidates for the postion of "Looping Good Will Ambassador";-)Even
though you are immensely qualified, the position calls for a greater degree
of diplomatic skill ;-)

Bill


PS  Welcome Rico! Can you feel the love????

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Hi Rico,
I dont know nothing of rude posts against you, but you are welcome here by
me... be careful though... them thar loopers, they got them some sharp ole
toothypegs.. I myself got real chewed up onmy second post ever.. god know..
8 years ago or some such luducruis time ago, when I had short hair and
trousers...


m



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5ba59e5ce130465cefdf6
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Hi Rico, <br>I dont know nothing of rude posts against you, but you are wel=
come here by me... be careful though... them thar loopers, they got them so=
me sharp ole toothypegs.. I myself got real chewed up onmy second post ever=
.. god know.. 8 years ago or some such luducruis time ago, when I had short=
 hair and trousers...<br>
=A0<br><br>m<br><br><br><br>-- <br><a href=3D"http://www.markfrancombe.com"=
 target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com=
/user825094" target=3D"_blank">http://vimeo.com/user825094</a><br><a href=
=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http://uk.y=
outube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>



--001636c5ba59e5ce130465cefdf6--

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Date: Mon, 23 Mar 2009 16:28:18 -0400
Message-ID: <5cf51d390903231328v6138b78aw690dfef1dfadef68@mail.gmail.com>
Subject: Re: Loop Friendly Venues
From: Thomas Wegmann <theweg@gmail.com>
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--000325550d625a5dc00465cf1b3c
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Hello all,
    I loop at LiveMix Studio in Charleston, West Virginia once a month.
www.myspace.com\livemixstudio <http://www.myspace.com/livemixstudio> also on
Facebook.
1033 Quarrier Street Room 506 (5th Floor)
Contact Greg Wegmann 304-395-0675 for details
All Musical styles welcomed but the crowds have reacted best to more
professional musicians and entertainers.

On Sun, Mar 22, 2009 at 4:51 AM, mark francombe <mark@markfrancombe.com>wrote:

> Inspired by the recent, and ongoing thread RE: East Coast Loop friendly
> venues...
>
> I was wondering if we should compile a list of Loop friendly Venues
> Worldwide.
> Now this does NOT need to be a thousand venues long. Just the Best...
> Easiest for an "out of towny" to get a gig venues.
>
> Now I realize that we all play somewhat different genres of looping music,
> so there may be SOME variants. See project rules BELOW
>
> I will compile this list and paste it somewhere permanent, maybe the
> Looping Forum.
>
> The project rules:
>
> EVERYONE on this list must submit at least ONE venue, from their home
> town.  And this is the information that I need, In THIS exact order please.
> if you do NOT have the information write N/A or something.
>
> 1.VENUE NAME
> 2. URL
> 3. ADDRESS
> 4. CONTACT NAME + TELEPHONE (more info the better)
> 5. MUSIC STYLE (For this field please restrict to these 3 genres ONLY. 1)
> DANGEROUS 2) SAFE 3) ANY
> ("Dangerous" denotes experimental, noise, drone, extreme ambient etc .
> "Safe" denotes looped songs, more "musical", obviously acceptance of looping
> will still make it a cool venue, Im thinking more of the crowd that the
> place attracts than whether the venue allows it. And "Any, obviously
> denotes, a crowd open to anything.
> 6. INFO (Any extra info can be placed here. Capacity, PA spec, one line of
> chatty reminiscence)
>
> Thats it. I don't want to make it too hard for people, and at the very
> least the name of the venue, city and URL should be mentioned.
>
> Maybe this should be sent to me privately so as not to bog up the list too
> much? I will post results later.
>
> Mark
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
Greg Wegmann

TheWeg@Verizon.net
TheWeg@GMail.com

--000325550d625a5dc00465cf1b3c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Hello all,</div>
<div>=A0=A0=A0 I loop at LiveMix Studio in Charleston, West Virginia once a=
 month.=A0 <a href=3D"http://www.myspace.com/livemixstudio">www.myspace.com=
\livemixstudio</a> also on Facebook. </div>
<div>1033 Quarrier Street Room 506 (5th Floor)</div>
<div>Contact Greg Wegmann 304-395-0675 for details</div>
<div>All Musical styles welcomed but the crowds have reacted best to more p=
rofessional musicians and entertainers.<br><br></div>
<div class=3D"gmail_quote">On Sun, Mar 22, 2009 at 4:51 AM, mark francombe =
<span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfr=
ancombe.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Inspired by the recent, and ongo=
ing thread RE: East Coast Loop friendly venues...<br><br>I was wondering if=
 we should compile a list of Loop friendly Venues Worldwide.<br>
Now this does NOT need to be a thousand venues long. Just the Best... Easie=
st for an &quot;out of towny&quot; to get a gig venues. <br><br>Now I reali=
ze that we all play somewhat different genres of looping music, so there ma=
y be SOME variants. See project rules BELOW<br>
<br>I will compile this list and paste it somewhere permanent, maybe the Lo=
oping Forum.<br><br>The project rules:<br><br>EVERYONE on this list must su=
bmit at least ONE venue, from their home town.=A0 And this is the informati=
on that I need, In THIS exact order please.=A0 if you do NOT have the infor=
mation write N/A or something.<br>
<br>1.VENUE NAME<br>2. URL<br>3. ADDRESS <br>4. CONTACT NAME + TELEPHONE (m=
ore info the better)<br>5. MUSIC STYLE (For this field please restrict to t=
hese 3 genres ONLY. 1) DANGEROUS 2) SAFE 3) ANY<br>(&quot;Dangerous&quot; d=
enotes experimental, noise, drone, extreme ambient etc . &quot;Safe&quot; d=
enotes looped songs, more &quot;musical&quot;, obviously acceptance of loop=
ing will still make it a cool venue, Im thinking more of the crowd that the=
 place attracts than whether the venue allows it. And &quot;Any, obviously =
denotes, a crowd open to anything.<br>
6. INFO (Any extra info can be placed here. Capacity, PA spec, one line of =
chatty reminiscence)<br><br>Thats it. I don&#39;t want to make it too hard =
for people, and at the very least the name of the venue, city and URL shoul=
d be mentioned.<br>
<br>Maybe this should be sent to me privately so as not to bog up the list =
too much? I will post results later.<br><br>Mark<br><font color=3D"#888888"=
>-- <br><a href=3D"http://www.markfrancombe.com/" target=3D"_blank">www.mar=
kfrancombe.com</a><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://uk.youtube.com/user/markfrancombe" targ=
et=3D"_blank">http://uk.youtube.com/user/markfrancombe</a><br><a href=3D"ht=
tp://www.myspace.com/markfrancombe" target=3D"_blank">http://www.myspace.co=
m/markfrancombe</a><br>
<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" t=
arget=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br></font></blockquote></div><br><br clear=3D"all"><br>-- <br>Greg =
Wegmann<br>
<br>TheWeg@Verizon.net <br>TheWeg@GMail.com<br><br>

--000325550d625a5dc00465cf1b3c--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 21:08:36 2009
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	<5cf51d390903231328v6138b78aw690dfef1dfadef68@mail.gmail.com>
Date: Mon, 23 Mar 2009 17:08:18 -0400
Message-ID: <91d8478b0903231408y75faf12ene48a84fdea98a150@mail.gmail.com>
Subject: Re: Loop Friendly Venues
From: Jean-Paul De Roover <j.de.roover@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I submitted an Art Gallery in Thunder Bay to the list.  We recently had Paul
Hegarty, a noise artist from Ireland.

Definitely Superior Art Gallery, Thunder Bay, Ontario, Canada.

www.definitelysuperior.com

On Mon, Mar 23, 2009 at 4:28 PM, Thomas Wegmann <theweg@gmail.com> wrote:

> Hello all,
>     I loop at LiveMix Studio in Charleston, West Virginia once a month.
> www.myspace.com\livemixstudio <http://www.myspace.com/livemixstudio> also
> on Facebook.
> 1033 Quarrier Street Room 506 (5th Floor)
> Contact Greg Wegmann 304-395-0675 for details
> All Musical styles welcomed but the crowds have reacted best to more
> professional musicians and entertainers.
>
> On Sun, Mar 22, 2009 at 4:51 AM, mark francombe <mark@markfrancombe.com>wrote:
>
>> Inspired by the recent, and ongoing thread RE: East Coast Loop friendly
>> venues...
>>
>> I was wondering if we should compile a list of Loop friendly Venues
>> Worldwide.
>> Now this does NOT need to be a thousand venues long. Just the Best...
>> Easiest for an "out of towny" to get a gig venues.
>>
>> Now I realize that we all play somewhat different genres of looping music,
>> so there may be SOME variants. See project rules BELOW
>>
>> I will compile this list and paste it somewhere permanent, maybe the
>> Looping Forum.
>>
>> The project rules:
>>
>> EVERYONE on this list must submit at least ONE venue, from their home
>> town.  And this is the information that I need, In THIS exact order please.
>> if you do NOT have the information write N/A or something.
>>
>> 1.VENUE NAME
>> 2. URL
>> 3. ADDRESS
>> 4. CONTACT NAME + TELEPHONE (more info the better)
>> 5. MUSIC STYLE (For this field please restrict to these 3 genres ONLY. 1)
>> DANGEROUS 2) SAFE 3) ANY
>> ("Dangerous" denotes experimental, noise, drone, extreme ambient etc .
>> "Safe" denotes looped songs, more "musical", obviously acceptance of looping
>> will still make it a cool venue, Im thinking more of the crowd that the
>> place attracts than whether the venue allows it. And "Any, obviously
>> denotes, a crowd open to anything.
>> 6. INFO (Any extra info can be placed here. Capacity, PA spec, one line of
>> chatty reminiscence)
>>
>> Thats it. I don't want to make it too hard for people, and at the very
>> least the name of the venue, city and URL should be mentioned.
>>
>> Maybe this should be sent to me privately so as not to bog up the list too
>> much? I will post results later.
>>
>> Mark
>> --
>> www.markfrancombe.com
>> http://vimeo.com/user825094
>> http://uk.youtube.com/user/markfrancombe
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>
>
>
>
> --
> Greg Wegmann
>
> TheWeg@Verizon.net
> TheWeg@GMail.com
>
>


-- 
Jean-Paul De Roover
www.jeanpaulderoover.com

--000e0cd59fb0496bf10465cfab41
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I submitted an Art Gallery in Thunder Bay to the list.=A0 We recently had P=
aul Hegarty, a noise artist from Ireland.=A0 <br><br>Definitely Superior Ar=
t Gallery, Thunder Bay, Ontario, Canada.<br><br><a href=3D"http://www.defin=
itelysuperior.com">www.definitelysuperior.com</a><br>

<br><div class=3D"gmail_quote">On Mon, Mar 23, 2009 at 4:28 PM, Thomas Wegm=
ann <span dir=3D"ltr">&lt;<a href=3D"mailto:theweg@gmail.com">theweg@gmail.=
com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"bor=
der-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-=
left: 1ex;">

<div>Hello all,</div>
<div>=A0=A0=A0 I loop at LiveMix Studio in Charleston, West Virginia once a=
 month.=A0 <a href=3D"http://www.myspace.com/livemixstudio" target=3D"_blan=
k">www.myspace.com\livemixstudio</a> also on Facebook. </div>
<div>1033 Quarrier Street Room 506 (5th Floor)</div>
<div>Contact Greg Wegmann 304-395-0675 for details</div>
<div>All Musical styles welcomed but the crowds have reacted best to more p=
rofessional musicians and entertainers.<br><br></div><div><div></div><div c=
lass=3D"h5">
<div class=3D"gmail_quote">On Sun, Mar 22, 2009 at 4:51 AM, mark francombe =
<span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com" target=3D"_=
blank">mark@markfrancombe.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0px 0px 0px 0.8ex; padding-left: 1ex;">Inspired by the r=
ecent, and ongoing thread RE: East Coast Loop friendly venues...<br><br>I w=
as wondering if we should compile a list of Loop friendly Venues Worldwide.=
<br>


Now this does NOT need to be a thousand venues long. Just the Best... Easie=
st for an &quot;out of towny&quot; to get a gig venues. <br><br>Now I reali=
ze that we all play somewhat different genres of looping music, so there ma=
y be SOME variants. See project rules BELOW<br>


<br>I will compile this list and paste it somewhere permanent, maybe the Lo=
oping Forum.<br><br>The project rules:<br><br>EVERYONE on this list must su=
bmit at least ONE venue, from their home town.=A0 And this is the informati=
on that I need, In THIS exact order please.=A0 if you do NOT have the infor=
mation write N/A or something.<br>


<br>1.VENUE NAME<br>2. URL<br>3. ADDRESS <br>4. CONTACT NAME + TELEPHONE (m=
ore info the better)<br>5. MUSIC STYLE (For this field please restrict to t=
hese 3 genres ONLY. 1) DANGEROUS 2) SAFE 3) ANY<br>(&quot;Dangerous&quot; d=
enotes experimental, noise, drone, extreme ambient etc . &quot;Safe&quot; d=
enotes looped songs, more &quot;musical&quot;, obviously acceptance of loop=
ing will still make it a cool venue, Im thinking more of the crowd that the=
 place attracts than whether the venue allows it. And &quot;Any, obviously =
denotes, a crowd open to anything.<br>


6. INFO (Any extra info can be placed here. Capacity, PA spec, one line of =
chatty reminiscence)<br><br>Thats it. I don&#39;t want to make it too hard =
for people, and at the very least the name of the venue, city and URL shoul=
d be mentioned.<br>


<br>Maybe this should be sent to me privately so as not to bog up the list =
too much? I will post results later.<br><br>Mark<br><font color=3D"#888888"=
>-- <br><a href=3D"http://www.markfrancombe.com/" target=3D"_blank">www.mar=
kfrancombe.com</a><br>


<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://uk.youtube.com/user/markfrancombe" targ=
et=3D"_blank">http://uk.youtube.com/user/markfrancombe</a><br><a href=3D"ht=
tp://www.myspace.com/markfrancombe" target=3D"_blank">http://www.myspace.co=
m/markfrancombe</a><br>


<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" t=
arget=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br></font></blockquote></div><br><br clear=3D"all"><br></div></div>=
<font color=3D"#888888">-- <br>

Greg Wegmann<br>
<br>TheWeg@Verizon.net <br>TheWeg@GMail.com<br><br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Jean-Paul De Roo=
ver<br><a href=3D"http://www.jeanpaulderoover.com">www.jeanpaulderoover.com=
</a><br>

--000e0cd59fb0496bf10465cfab41--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 21:29:39 2009
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	id 3DDF83BE8E; Mon, 23 Mar 2009 21:29:39 +0000 (UTC)
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	 <9ab0c76f0903221651t255b21f4w189f8f3713a1be7@mail.gmail.com>
	 <8E0AF6EB-5BEC-463B-9BF1-D80C76822AC6@ricoloop.com>
	 <9ab0c76f0903231320u2ecea6a3ja1c58ad47bd42308@mail.gmail.com>
Date: Mon, 23 Mar 2009 17:22:23 -0400
Message-ID: <9e0440a60903231422m3f2ca721o39cd244f2ba5aab0@mail.gmail.com>
Subject: Re: introducing myself :)
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Mark that's funny man...

On Mon, Mar 23, 2009 at 4:20 PM, mark francombe <mark@markfrancombe.com>wrote:

> Hi Rico,
> I dont know nothing of rude posts against you, but you are welcome here by
> me... be careful though... them thar loopers, they got them some sharp ole
> toothypegs.. I myself got real chewed up onmy second post ever.. god know..
> 8 years ago or some such luducruis time ago, when I had short hair and
> trousers...
>
>
> m
>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>



-- 
music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174ff5d6c93f5b0465cfdc66
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Mark that&#39;s funny man...<br><br>
<div class=3D"gmail_quote">On Mon, Mar 23, 2009 at 4:20 PM, mark francombe =
<span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfr=
ancombe.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi Rico, <br>I dont know nothing=
 of rude posts against you, but you are welcome here by me... be careful th=
ough... them thar loopers, they got them some sharp ole toothypegs.. I myse=
lf got real chewed up onmy second post ever.. god know.. 8 years ago or som=
e such luducruis time ago, when I had short hair and trousers...<br>
=A0<br><br>m<br><font color=3D"#888888"><br><br><br>-- <br><a href=3D"http:=
//www.markfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br><a=
 href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/us=
er825094</a><br>
<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br><a href=3D"http://www.myspace.c=
om/markfrancombe" target=3D"_blank">http://www.myspace.com/markfrancombe</a=
><br>
<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" t=
arget=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br></font></blockquote></div><br><br clear=3D"all"><br>-- <br>music=
 links...<br>
<a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><b=
r><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgood=
inmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/j=
imgoodindigital">www.vimeo.com/jimgoodindigital</a><br><br>social networkin=
g...<br>
<a href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodin=
music</a><br><br>

--0015174ff5d6c93f5b0465cfdc66--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 21:30:49 2009
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	 <F3C3B862-537C-47B8-B73A-78D0EA13080A@ricoloop.com>
Date: Mon, 23 Mar 2009 17:30:48 -0400
Message-ID: <9e0440a60903231430w48d2b7c9odab260534af417f7@mail.gmail.com>
Subject: Re: introducing myself :)
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001517573ef6df0cfd0465cffaa5
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Rico thank you for taking the time to listen and I owe you that which I will
this evening.  I overlooked the bottom portion of your email re past neg
interaction or less that positive support from this community which
surprises me (aside from Mark's humorous response).  There is a range of
expertise here some tremendously intense as well as intelligence and
certainly opinion and ego.  Anyhow I've been around here since 2006 and
though in some ways I'm a lightweight looper I've found nothing but support
and encouragement from the community.

Again welcome...

jim
On Mon, Mar 23, 2009 at 11:30 AM, rico diessner <rico@ricoloop.com> wrote:

> Thanks JIM!
> like your tracks..!
>
> all the best :)
>
>
>  On Mar 23, 2009, at 4:11 PM, Jim Goodin wrote:
>
>  Rico welcome, think you will find it a supportive, informed community, I
> certainly have and do.
>
> Jim Goodin
> www.myspace.com/jimgoodinmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/chinapaintingmusic
> www.chinapaintingmusic.com
>
>
>
> On Mon, Mar 23, 2009 at 10:05 AM, rico diessner <rico@ricoloop.com> wrote:
>
>>
>> Hi Loopers around the world!
>>
>> My name is Rico. I come from Berlin and live on Ibiza.
>> I am a passionate looper and i am happy there is such a strong community
>> out there!
>>
>> Thanks to all for making that possible!  :)
>>
>> Finally i signed up for the mailing list.. after 3 years..tssss.  and i am
>> surprised how much it's been growing!
>> I was surprised finding a lot of post's about me (actually some where
>> kinda rude!!!)
>> i want to apologize for my demo wich i gave at the summer NAMM 2006..where
>> i seemed a little too confident and mentioned that
>> the RC 50 is the most powerful looper in the world!  Actually it was a
>> mistake by me cause i knew there where other
>> Loop mashines out there with much more diverse functions..  :) well,
>> thanks for your understanding!
>> by the way.. my perfomance in this video sucked :)
>>
>> I am happy to join you now and i will get more into it as i have more time
>> now to share and dwell on our creativity!
>>
>> Love and music and i am happy to hear from you :)
>>
>> Rico Loop
>>
>> p.s. who ever feels like... check me out on www.ricoloop.com
>>
>>
>> _ * _ * _ * _ * _ * _ *  _ * _ * _* _ * _
>>          http:// www.ricoloop.com
>>                      one.man.jam
>>
>> rico@ricoloop.com
>> ----------------------------
>>
>>
>>
>>
>
>
> --
> The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
> MySpace (solo) - http://www.myspace.com/jimgoodinmusic
> Chinapainting -
> http://www.chinapaintingmusic.com
> Chinapainting on My Space -
> http://www.myspace.com/chinapaintingmusic.com
> The Jim Goodin label and home for 7 other creative souls -
> http://www.woodandwiremusic.com
> Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull
> Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel
> Bay Publications, Inc. - http://www.melbay.com
>
>
>


-- 
music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001517573ef6df0cfd0465cffaa5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Rico thank you for taking the time to listen and I owe you that which =
I will this evening.=A0 I overlooked the bottom portion of your email re pa=
st neg interaction or less that positive support from this community which =
surprises me (aside from Mark&#39;s humorous response).=A0 There is a range=
 of expertise here some tremendously intense as well as intelligence and ce=
rtainly opinion and ego.=A0 Anyhow I&#39;ve been around here since 2006 and=
 though in some ways I&#39;m a lightweight looper I&#39;ve found nothing bu=
t support and encouragement from the community.</div>

<div>=A0</div>
<div>Again welcome...</div>
<div>=A0</div>
<div>jim<br></div>
<div class=3D"gmail_quote">On Mon, Mar 23, 2009 at 11:30 AM, rico diessner =
<span dir=3D"ltr">&lt;<a href=3D"mailto:rico@ricoloop.com">rico@ricoloop.co=
m</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word">Thanks JIM!=20
<div><br></div>
<div>like your tracks..!</div>
<div><br></div>
<div>all the best :)</div>
<div>
<div></div>
<div class=3D"h5">
<div><br></div>
<div><br>
<div>
<div>On Mar 23, 2009, at 4:11 PM, Jim Goodin wrote:</div><br>
<blockquote type=3D"cite">
<div>Rico welcome, think you will find it a supportive, informed community,=
 I certainly have and do.</div>
<div>=A0</div>
<div>Jim Goodin</div>
<div><a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">ww=
w.myspace.com/jimgoodinmusic</a></div>
<div><a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_b=
lank">www.myspace.com/jimgoodinviolinelectro</a></div>
<div><a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank=
">www.myspace.com/chinapaintingmusic</a></div>
<div><a href=3D"http://www.chinapaintingmusic.com/" target=3D"_blank">www.c=
hinapaintingmusic.com</a></div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">On Mon, Mar 23, 2009 at 10:05 AM, rico diessner =
<span dir=3D"ltr">&lt;<a href=3D"mailto:rico@ricoloop.com" target=3D"_blank=
">rico@ricoloop.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word">
<div>
<blockquote type=3D"cite"><br></blockquote></div>
<div>Hi Loopers around the world!</div>
<div><br></div>
<div>My name is Rico. I come from Berlin and live on Ibiza.</div>
<div>I am a passionate looper and i am happy there is such a strong communi=
ty out there!</div>
<div><br></div>
<div>Thanks to all for making that possible! =A0:)</div>
<div><br></div>
<div>Finally i signed up for the mailing list.. after 3 years..tssss. =A0an=
d i am surprised how much it&#39;s been growing!</div>
<div>I was surprised finding a lot of post&#39;s about me (actually some wh=
ere kinda rude!!!)=A0</div>
<div>i want to apologize=A0for my demo wich i gave at the summer NAMM 2006.=
.where i seemed a little too confident and mentioned that</div>
<div>the RC 50 is the most powerful looper in the world! =A0Actually it was=
 a mistake by me cause i knew there where other</div>
<div>Loop mashines out there with much more diverse functions.. =A0:) well,=
 thanks for your understanding!</div>
<div>by the way.. my perfomance in this video sucked :)</div>
<div><br></div>
<div>I am happy to join you now and i will get more into it as i have more =
time now to share and dwell on our creativity!</div>
<div><br></div>
<div>Love and music and i am happy to hear from you :)</div>
<div><br></div>
<div>Rico Loop =A0</div>
<div><br></div>
<div>p.s. who ever feels like... check me out on <a href=3D"http://www.rico=
loop.com/" target=3D"_blank">www.ricoloop.com</a></div>
<div><br></div>
<div><br></div>
<div>_ * _ * _ * _ * _ * _ *=A0=A0_ * _ * _* _ * _</div>
<div><span style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM=
: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SP=
ACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px">
<div style=3D"WORD-WRAP: break-word"><span style=3D"WORD-SPACING: 0px; FONT=
: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px=
; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; b=
order-spacing: 0px 0px"><span style=3D"WORD-SPACING: 0px; FONT: 12px Helvet=
ica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE=
: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing=
: 0px 0px"><span style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRA=
NSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; LET=
TER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px 0px">
<div style=3D"MARGIN: 0px">=A0 =A0 =A0 =A0=A0http://=A0<font size=3D"4"><sp=
an style=3D"FONT-SIZE: 14px"><span style=3D"FONT-SIZE: 14px"><span style=3D=
"FONT-SIZE: 14px"><span style=3D"FONT-SIZE: 14px"><span style=3D"FONT-SIZE:=
 14px"><a href=3D"http://www.ricoloop.com/" target=3D"_blank">www.ricoloop.=
com</a></span></span></span></span></span></font></div>

<div style=3D"MARGIN: 0px">=A0 =A0=A0 =A0=A0 =A0=A0 =A0=A0 =A0=A0 =A0=A0 =
=A0one.man.jam</div><font size=3D"4"><span style=3D"FONT-SIZE: 14px"><br></=
span></font>
<div style=3D"MARGIN: 0px"><a href=3D"mailto:rico@ricoloop.com" target=3D"_=
blank">rico@ricoloop.com</a></div>
<div style=3D"MARGIN: 0px"><font face=3D"Verdana"><span style=3D"FONT-FAMIL=
Y: Verdana"><span style=3D"FONT-FAMILY: Verdana">--------------------------=
--</span></span></font></div>
<div style=3D"MARGIN: 0px"><br></div><br></span></span></span></div></span>=
</div><br></div></blockquote></div><br><br clear=3D"all"><br>-- <br>The Aco=
ustic World Guitar of Jim Goodin =A0- <a href=3D"http://www.jimgoodinmusic.=
com/" target=3D"_blank">http://www.jimgoodinmusic.com</a><br>
MySpace (solo) - <a href=3D"http://www.myspace.com/jimgoodinmusic" target=
=3D"_blank">http://www.myspace.com/jimgoodinmusic</a><br>Chinapainting -<br=
><a href=3D"http://www.chinapaintingmusic.com/" target=3D"_blank">http://ww=
w.chinapaintingmusic.com</a><br>
Chinapainting on My Space -<br><a href=3D"http://www.myspace.com/chinapaint=
ingmusic.com" target=3D"_blank">http://www.myspace.com/chinapaintingmusic.c=
om</a><br>The Jim Goodin label and home for 7 other creative souls - <a hre=
f=3D"http://www.woodandwiremusic.com/" target=3D"_blank">http://www.woodand=
wiremusic.com</a> <br>
Jim Goodin uses GHS Strings - <a href=3D"http://www.ghsstrings.com/" target=
=3D"_blank">http://www.ghsstrings.com</a> and Seagull Guitars - <a href=3D"=
http://www.seagullguitars.com/" target=3D"_blank">http://www.seagullguitars=
.com</a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a href=
=3D"http://www.melbay.com/" target=3D"_blank">http://www.melbay.com</a><br>
</blockquote></div><br></div></div></div></div></blockquote></div><br><br c=
lear=3D"all"><br>-- <br>music links...<br><a href=3D"http://www.jimgoodinmu=
sic.com">www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingm=
usic.com">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001517573ef6df0cfd0465cffaa5--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 21:49:59 2009
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Date: Tue, 24 Mar 2009 06:49:53 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: introducing myself :)
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At 9:20 PM +0100 3/23/09, mark francombe wrote:
>
>8 years ago or some such luducruis time ago, when I had short hair 
>and trousers...

You had trousers?

And here I thought you only ever looped with no pants...

;)
	--m.
-- 
_____
"bye-bye empire; empire, bye-bye"

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 21:55:53 2009
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Date: Mon, 23 Mar 2009 22:55:51 +0100
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Subject: looping with pants (was: "Re: introducing myself :)")
From: Rainer Straschill <moinsound@googlemail.com>
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> You had trousers?
> And here I thought you only ever looped with no pants...

You will be surprised what you see when you do an (internet-based)
kybermusik session and ask the other participant to cut a video of his
performance ;)

               Rainer

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Date: Tue, 24 Mar 2009 07:05:57 +0900
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Subject: Re: looping with pants (was: "Re: introducing myself :)")
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At 10:55 PM +0100 3/23/09, Rainer Straschill wrote:
>  > You had trousers?
>>  And here I thought you only ever looped with no pants...
>
>You will be surprised what you see when you do an (internet-based)
>kybermusik session and ask the other participant to cut a video of his
>performance ;)

Pics, or it didn'....

Waitasec, on second thought I really *don't* want pictures of that. 
I'll take your word for it.

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 22:16:34 2009
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	 <001101c9abdd$87987ed0$14b2a8c0@mpeserver>
Date: Mon, 23 Mar 2009 23:16:33 +0100
Message-ID: <66f9cc1e0903231516m78ca511ah51ced52df1374680@mail.gmail.com>
Subject: Re: looking for a VSTi that reacts to audio
From: Per Boysen <perboysen@gmail.com>
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Very interesting idea, Michael! I've been thinking about that too...
for years. FXpansion makes GURU that analyzes a loop saved to the hard
drive and slices it up into short elements that are distributed as
sound sources for a drum sampler run by a MIDI sequencer. Sound slices
with "kick drum like" character is mapped for the kick pattern, sounds
with high and light touch are mapped as hihat pattern etc etc. If this
wonderful drum programming tool would just accept live audio input as
the material to slice up and map into a sampler patch, then you would
have your holy graal! GURU is available as VST.

There a native plug-in of the Max built looper Logelloop that comes
pretty close to. It generally samples a short slice of your audio
input and plays it back "sampler-style" according to pre-programmed
step sequencer patterns. No available as VST though.

A while back I published a blue-print for a related plug-in that I
called The Steppophonic Looperformer:
http://www.perboysen.com/archives/161
The idea is free to snatch for everyone that has the time at hand to
program a software tool of it.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Mon, Mar 23, 2009 at 6:33 PM, Michael Peters <mp@mpeters.de> wrote:
> I've already included an audio-2-midi vst in some of my setups, but what I'm
> dreaming of in the moment is a VSTi (say, a drum machine) that takes your
> audio (not your midi), tries to find rhythmic elements, and creates a groove
> based on them. Something like a virtual drummer. Rayzoon has a "virtual
> drummer" VSTi but it needs a midi pulse for speed. I want something that
> only reacts to audio patterns.

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Subject: Re: looping with pants (was: "Re: introducing myself :)")
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Is that a reference to me Rainer? lol, I did have pants on anyway!

Jeff

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Monday, March 23, 2009 5:55 PM
Subject: looping with pants (was: "Re: introducing myself :)")


>> You had trousers?
>> And here I thought you only ever looped with no pants...
> 
> You will be surprised what you see when you do an (internet-based)
> kybermusik session and ask the other participant to cut a video of his
> performance ;)
> 
>               Rainer
> 
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 22:47:46 2009
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Hey Rico!
Welcome to the list man,i remeber becoming aware of you through this list,a=
nd yes i remember some funny comments about your demonstration and funky mo=
ves;-)i must admit i did not think that was a good demo of the RC 50 capabi=
lities as it was based more on performance(in fact ive yet to see somebody =
do a good demo of it)
but you definetly have the RC-50 mastered!
I also recall Rick Walker inviting you to the loop festivals but apparently=
 there was no response from you, but now we are glad to have you here,dont =
worry we are a good gang and there is always a lot to be learned here!
Cheers
Luis



www.myspace.com/luisangulocom


--- On Mon, 3/23/09, Bob Amstadt <bob@amstadt.com> wrote:

> From: Bob Amstadt <bob@amstadt.com>
> Subject: Re: introducing myself :)
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, March 23, 2009, 11:37 AM
>=20
>=20
> =20
> =20
>=20
>=20
>=20
>=20
> =20
> I never posted anything
> about you, but had I seen=20
> that comment, I might have. ;-)
> =A0
> Seriously though, welcome
> to the list.=A0 The=20
> RC50 is definitely not the most powerful looper in the
> world, but if you spend=20
> any time here, I'm sure you will learn
> that.
> =A0
> Bob Amstadt
>=20
>   ----- Original Message
> -----=20
>   I was surprised finding a lot of post's about me
> (actually some where=20
>   kinda rude!!!)=A0
>   i want to apologize=A0for my demo wich i gave at
> the summer NAMM=20
>   2006..where i seemed a little too confident and mentioned
> that
>   the RC 50 is the most powerful looper in the=20
> world!=20
> =0A=0A=0A      

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 23:00:10 2009
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oh! someone got something wrong?

sorry, i knew it would be a little difficult ;)

i just ment how much the community is been growing! sorry, my english =20=

is sometimes not very good ;)

regarding what was rude.. well, some posts about me in the past about =20=

my statements on some video..
i am not upset at all! just wanted to point out that some are taking =20
stuff too serious.. we are makin music
and inspiring each other :)

sorry if you felt uncomfortable Rainer..  i make a loop for you :)

all the best,

ricO.

On Mar 23, 2009, at 7:51 PM, Claude Voit wrote:

> Rainer
> are you friendly here ?
> is this a welcome ?
> bad digestion ?
>
> Claude
>
> Rainer Straschill a =E9crit :
>>> Finally i signed up for the mailing list.. after 3 years..tssss.  =20=

>>> and i am surprised how much it's been growing!
>> On which figures is your statement of "how mucht it's been growing"
>> based? Number of messages or bytes of posts in summa? Averaged on
>> which time span? Absolute values or relation to average growth of
>> internet use/internet community use in the relevant time span?
>> It may be just that kind of unqualified statements that elicited =20
>> posts
>> which you percieved as being rude.
>>              Rainer
>> (in case someone wants to know: yes, I did check the growth values.)
>

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wonderful!

thanks tony :)

and theresa ;)

On Mar 23, 2009, at 8:05 PM, Tony K wrote:

> I thought this was quite well done.  Wonder what she's using for  
> loopers.
>
> http://www.youtube.com/watch?v=vMXqn42AykM
>
> -- 
> -==-=-=-
> Tony
>

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Subject: Re: introducing myself :)
Date: Tue, 24 Mar 2009 00:10:14 +0100
References: <9ab0c76f0903220151j2f1ffbcdg602ee78ce8b04cb0@mail.gmail.com> <9ab0c76f0903221651t255b21f4w189f8f3713a1be7@mail.gmail.com> <8E0AF6EB-5BEC-463B-9BF1-D80C76822AC6@ricoloop.com> <9ab0c76f0903231320u2ecea6a3ja1c58ad47bd42308@mail.gmail.com>
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Thanks Marc!

Maybe i was rude.. takin it too personal. haha! just something about  
me being a clown ( wich i am ;)
so i am happy we have music to heal :)

love and loops*

On Mar 23, 2009, at 9:20 PM, mark francombe wrote:

> Hi Rico,
> I dont know nothing of rude posts against you, but you are welcome  
> here by me... be careful though... them thar loopers, they got them  
> some sharp ole toothypegs.. I myself got real chewed up onmy second  
> post ever.. god know.. 8 years ago or some such luducruis time ago,  
> when I had short hair and trousers...
>
>
> m
>
>
>
> -- 
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Thanks =
Marc!<div><br></div><div>Maybe i was rude.. takin it too personal. haha! =
just something about me being a clown ( wich i am ;)</div><div>so i am =
happy we have music to heal :)</div><div><br></div><div>love and =
loops*</div><div><br><div><div>On Mar 23, 2009, at 9:20 PM, mark =
francombe wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">Hi Rico, <br>I dont know nothing of rude posts against =
you, but you are welcome here by me... be careful though... them thar =
loopers, they got them some sharp ole toothypegs.. I myself got real =
chewed up onmy second post ever.. god know.. 8 years ago or some such =
luducruis time ago, when I had short hair and trousers...<br> =
&nbsp;<br><br>m<br><br><br><br>-- <br><a =
href=3D"http://www.markfrancombe.com" =
target=3D"_blank">www.markfrancombe.com</a><br><a =
href=3D"http://vimeo.com/user825094" =
target=3D"_blank">http://vimeo.com/user825094</a><br><a =
href=3D"http://uk.youtube.com/user/markfrancombe" =
target=3D"_blank">http://uk.youtube.com/user/markfrancombe</a><br> <a =
href=3D"http://www.myspace.com/markfrancombe" =
target=3D"_blank">http://www.myspace.com/markfrancombe</a><br><a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" =
target=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20=
Synch</a><br> </blockquote></div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 23:13:16 2009
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From: rico diessner <rico@ricoloop.com>
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Subject: Re: introducing myself :)
Date: Tue, 24 Mar 2009 00:13:13 +0100
References: <9ab0c76f0903220151j2f1ffbcdg602ee78ce8b04cb0@mail.gmail.com> <9ab0c76f0903221651t255b21f4w189f8f3713a1be7@mail.gmail.com> <8E0AF6EB-5BEC-463B-9BF1-D80C76822AC6@ricoloop.com> <9e0440a60903230811o56191f17rc82ed3952d75c07f@mail.gmail.com> <F3C3B862-537C-47B8-B73A-78D0EA13080A@ricoloop.com> <9e0440a60903231430w48d2b7c9odab260534af417f7@mail.gmail.com>
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thanks jim!

i know i am in good hands :)


On Mar 23, 2009, at 10:30 PM, Jim Goodin wrote:

> Rico thank you for taking the time to listen and I owe you that  
> which I will this evening.  I overlooked the bottom portion of your  
> email re past neg interaction or less that positive support from  
> this community which surprises me (aside from Mark's humorous  
> response).  There is a range of expertise here some tremendously  
> intense as well as intelligence and certainly opinion and ego.   
> Anyhow I've been around here since 2006 and though in some ways I'm  
> a lightweight looper I've found nothing but support and  
> encouragement from the community.
>
> Again welcome...
>
> jim
> On Mon, Mar 23, 2009 at 11:30 AM, rico diessner <rico@ricoloop.com>  
> wrote:
> Thanks JIM!
>
> like your tracks..!
>
> all the best :)
>
>
> On Mar 23, 2009, at 4:11 PM, Jim Goodin wrote:
>
>> Rico welcome, think you will find it a supportive, informed  
>> community, I certainly have and do.
>>
>> Jim Goodin
>> www.myspace.com/jimgoodinmusic
>> www.myspace.com/jimgoodinviolinelectro
>> www.myspace.com/chinapaintingmusic
>> www.chinapaintingmusic.com
>>
>>
>>
>> On Mon, Mar 23, 2009 at 10:05 AM, rico diessner <rico@ricoloop.com>  
>> wrote:
>>>
>>
>> Hi Loopers around the world!
>>
>> My name is Rico. I come from Berlin and live on Ibiza.
>> I am a passionate looper and i am happy there is such a strong  
>> community out there!
>>
>> Thanks to all for making that possible!  :)
>>
>> Finally i signed up for the mailing list.. after 3 years..tssss.   
>> and i am surprised how much it's been growing!
>> I was surprised finding a lot of post's about me (actually some  
>> where kinda rude!!!)
>> i want to apologize for my demo wich i gave at the summer NAMM  
>> 2006..where i seemed a little too confident and mentioned that
>> the RC 50 is the most powerful looper in the world!  Actually it  
>> was a mistake by me cause i knew there where other
>> Loop mashines out there with much more diverse functions..  :)  
>> well, thanks for your understanding!
>> by the way.. my perfomance in this video sucked :)
>>
>> I am happy to join you now and i will get more into it as i have  
>> more time now to share and dwell on our creativity!
>>
>> Love and music and i am happy to hear from you :)
>>
>> Rico Loop
>>
>> p.s. who ever feels like... check me out on www.ricoloop.com
>>
>>
>> _ * _ * _ * _ * _ * _ *  _ * _ * _* _ * _
>>         http:// www.ricoloop.com
>>                      one.man.jam
>>
>> rico@ricoloop.com
>> ----------------------------
>>
>>
>>
>>
>>
>>
>> -- 
>> The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
>> MySpace (solo) - http://www.myspace.com/jimgoodinmusic
>> Chinapainting -
>> http://www.chinapaintingmusic.com
>> Chinapainting on My Space -
>> http://www.myspace.com/chinapaintingmusic.com
>> The Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com
>> Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull  
>> Guitars - http://www.seagullguitars.com, Jim Goodin is published by  
>> Mel Bay Publications, Inc. - http://www.melbay.com
>
>
>
>
> -- 
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">thanks =
jim!<div><br></div><div>i know i am in good hands =
:)</div><div><br></div><div><br></div><div><div><div>On Mar 23, 2009, at =
10:30 PM, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Rico =
thank you for taking the time to listen and I owe you that which I will =
this evening.&nbsp; I overlooked the bottom portion of your email re =
past neg interaction or less that positive support from this community =
which surprises me (aside from Mark's humorous response).&nbsp; There is =
a range of expertise here some tremendously intense as well as =
intelligence and certainly opinion and ego.&nbsp; Anyhow I've been =
around here since 2006 and though in some ways I'm a lightweight looper =
I've found nothing but support and encouragement from the =
community.</div> <div>&nbsp;</div> <div>Again welcome...</div> =
<div>&nbsp;</div> <div>jim<br></div> <div class=3D"gmail_quote">On Mon, =
Mar 23, 2009 at 11:30 AM, rico diessner <span dir=3D"ltr">&lt;<a =
href=3D"mailto:rico@ricoloop.com">rico@ricoloop.com</a>></span> =
wrote:<br> <blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; =
MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"> <div =
style=3D"WORD-WRAP: break-word">Thanks JIM! <div><br></div> <div>like =
your tracks..!</div> <div><br></div> <div>all the best :)</div> <div> =
<div></div> <div class=3D"h5"> <div><br></div> <div><br> <div> <div>On =
Mar 23, 2009, at 4:11 PM, Jim Goodin wrote:</div><br> <blockquote =
type=3D"cite"> <div>Rico welcome, think you will find it a supportive, =
informed community, I certainly have and do.</div> <div>&nbsp;</div> =
<div>Jim Goodin</div> <div><a =
href=3D"http://www.myspace.com/jimgoodinmusic" =
target=3D"_blank">www.myspace.com/jimgoodinmusic</a></div> <div><a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro" =
target=3D"_blank">www.myspace.com/jimgoodinviolinelectro</a></div> =
<div><a href=3D"http://www.myspace.com/chinapaintingmusic" =
target=3D"_blank">www.myspace.com/chinapaintingmusic</a></div> <div><a =
href=3D"http://www.chinapaintingmusic.com/" =
target=3D"_blank">www.chinapaintingmusic.com</a></div> =
<div><br><br>&nbsp;</div> <div class=3D"gmail_quote">On Mon, Mar 23, =
2009 at 10:05 AM, rico diessner <span dir=3D"ltr">&lt;<a =
href=3D"mailto:rico@ricoloop.com" =
target=3D"_blank">rico@ricoloop.com</a>></span> wrote:<br> <blockquote =
class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px =
0.8ex; BORDER-LEFT: #ccc 1px solid"> <div style=3D"WORD-WRAP: =
break-word"> <div> <blockquote type=3D"cite"><br></blockquote></div> =
<div>Hi Loopers around the world!</div> <div><br></div> <div>My name is =
Rico. I come from Berlin and live on Ibiza.</div> <div>I am a passionate =
looper and i am happy there is such a strong community out there!</div> =
<div><br></div> <div>Thanks to all for making that possible! =
&nbsp;:)</div> <div><br></div> <div>Finally i signed up for the mailing =
list.. after 3 years..tssss. &nbsp;and i am surprised how much it's been =
growing!</div> <div>I was surprised finding a lot of post's about me =
(actually some where kinda rude!!!)&nbsp;</div> <div>i want to =
apologize&nbsp;for my demo wich i gave at the summer NAMM 2006..where i =
seemed a little too confident and mentioned that</div> <div>the RC 50 is =
the most powerful looper in the world! &nbsp;Actually it was a mistake =
by me cause i knew there where other</div> <div>Loop mashines out there =
with much more diverse functions.. &nbsp;:) well, thanks for your =
understanding!</div> <div>by the way.. my perfomance in this video =
sucked :)</div> <div><br></div> <div>I am happy to join you now and i =
will get more into it as i have more time now to share and dwell on our =
creativity!</div> <div><br></div> <div>Love and music and i am happy to =
hear from you :)</div> <div><br></div> <div>Rico Loop &nbsp;</div> =
<div><br></div> <div>p.s. who ever feels like... check me out on <a =
href=3D"http://www.ricoloop.com/" =
target=3D"_blank">www.ricoloop.com</a></div> <div><br></div> =
<div><br></div> <div>_ * _ * _ * _ * _ * _ *&nbsp;&nbsp;_ * _ * _* _ * =
_</div> <div><span style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px"> <div style=3D"WORD-WRAP: break-word"><span =
style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; =
COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px"><span style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px"><span style=3D"WORD-SPACING: 0px; FONT: 12px =
Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; =
WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; =
border-spacing: 0px 0px"> <div style=3D"MARGIN: 0px">&nbsp; &nbsp; =
&nbsp; &nbsp;&nbsp;http://&nbsp;<font size=3D"4"><span style=3D"FONT-SIZE:=
 14px"><span style=3D"FONT-SIZE: 14px"><span style=3D"FONT-SIZE: =
14px"><span style=3D"FONT-SIZE: 14px"><span style=3D"FONT-SIZE: 14px"><a =
href=3D"http://www.ricoloop.com/" =
target=3D"_blank">www.ricoloop.com</a></span></span></span></span></span><=
/font></div> <div style=3D"MARGIN: 0px">&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; =
&nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; =
&nbsp;one.man.jam</div><font size=3D"4"><span style=3D"FONT-SIZE: =
14px"><br></span></font> <div style=3D"MARGIN: 0px"><a =
href=3D"mailto:rico@ricoloop.com" =
target=3D"_blank">rico@ricoloop.com</a></div> <div style=3D"MARGIN: =
0px"><font face=3D"Verdana"><span style=3D"FONT-FAMILY: Verdana"><span =
style=3D"FONT-FAMILY: =
Verdana">----------------------------</span></span></font></div> <div =
style=3D"MARGIN: =
0px"><br></div><br></span></span></span></div></span></div><br></div></blo=
ckquote></div><br><br clear=3D"all"><br>-- <br>The Acoustic World Guitar =
of Jim Goodin &nbsp;- <a href=3D"http://www.jimgoodinmusic.com/" =
target=3D"_blank">http://www.jimgoodinmusic.com</a><br> MySpace (solo) - =
<a href=3D"http://www.myspace.com/jimgoodinmusic" =
target=3D"_blank">http://www.myspace.com/jimgoodinmusic</a><br>Chinapainti=
ng -<br><a href=3D"http://www.chinapaintingmusic.com/" =
target=3D"_blank">http://www.chinapaintingmusic.com</a><br> =
Chinapainting on My Space -<br><a =
href=3D"http://www.myspace.com/chinapaintingmusic.com" =
target=3D"_blank">http://www.myspace.com/chinapaintingmusic.com</a><br>The=
 Jim Goodin label and home for 7 other creative souls - <a =
href=3D"http://www.woodandwiremusic.com/" =
target=3D"_blank">http://www.woodandwiremusic.com</a> <br> Jim Goodin =
uses GHS Strings - <a href=3D"http://www.ghsstrings.com/" =
target=3D"_blank">http://www.ghsstrings.com</a> and Seagull Guitars - <a =
href=3D"http://www.seagullguitars.com/" =
target=3D"_blank">http://www.seagullguitars.com</a>, Jim Goodin is =
published by Mel Bay Publications, Inc. - <a =
href=3D"http://www.melbay.com/" =
target=3D"_blank">http://www.melbay.com</a><br> =
</blockquote></div><br></div></div></div></div></blockquote></div><br><br =
clear=3D"all"><br>-- <br>music links...<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br> <a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmu=
sic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapa=
intingmusic</a><br><a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jim=
goodinviolinelectro</a><br> <a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br><=
a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmu=
sic</a><br><br>video work/editing...<br><a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigi=
tal</a><br> <br>social networking...<br><a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmu=
sic</a><br><br></blockquote></div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 23:18:16 2009
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Subject: Re: introducing myself :)
Date: Tue, 24 Mar 2009 00:18:15 +0100
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Hi Luis,

Thanks for your kind words:)
Yes, it wasnt a good demo!
but i tried to improve on that one:

http://www.youtube.com/watch?v=FSY808iN7WA

maybe you like it :)

yes, i know.. its great being here.. Thanks and i hope i can make it  
to a Festival soon!

lots of loops and spring!!!!!!!

ricO.
#
On Mar 23, 2009, at 11:47 PM, L.Angulo wrote:

>
> Hey Rico!
> Welcome to the list man,i remeber becoming aware of you through this  
> list,and yes i remember some funny comments about your demonstration  
> and funky moves;-)i must admit i did not think that was a good demo  
> of the RC 50 capabilities as it was based more on performance(in  
> fact ive yet to see somebody do a good demo of it)
> but you definetly have the RC-50 mastered!
> I also recall Rick Walker inviting you to the loop festivals but  
> apparently there was no response from you, but now we are glad to  
> have you here,dont worry we are a good gang and there is always a  
> lot to be learned here!
> Cheers
> Luis
>
>
>
> www.myspace.com/luisangulocom
>
>
> --- On Mon, 3/23/09, Bob Amstadt <bob@amstadt.com> wrote:
>
>> From: Bob Amstadt <bob@amstadt.com>
>> Subject: Re: introducing myself :)
>> To: Loopers-Delight@loopers-delight.com
>> Date: Monday, March 23, 2009, 11:37 AM
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> I never posted anything
>> about you, but had I seen
>> that comment, I might have. ;-)
>>
>> Seriously though, welcome
>> to the list.  The
>> RC50 is definitely not the most powerful looper in the
>> world, but if you spend
>> any time here, I'm sure you will learn
>> that.
>>
>> Bob Amstadt
>>
>>  ----- Original Message
>> -----
>>  I was surprised finding a lot of post's about me
>> (actually some where
>>  kinda rude!!!)
>>  i want to apologize for my demo wich i gave at
>> the summer NAMM
>>  2006..where i seemed a little too confident and mentioned
>> that
>>  the RC 50 is the most powerful looper in the
>> world!
>>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 23 23:24:19 2009
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Hi Rico

glad you made it to our forum :)
A warm welcome (don't be shocked by some stark comments, discussions can get rough occasionally, but people are friendly & good-willed usually ;-)

I'm especially happy to have an RC-50 proponent with us on the boat (you're still using it, I assume?).
Even if the RC-50 is not the most powerful looper, it has a few surprising tricks. I think we discovered here on the forum features like loop feedback, AB-switching...
Good to see you're using the RC-50 in the field so much.

again, welcome

Buzap

-- 
Psssst! Schon vom neuen GMX MultiMessenger gehört? Der kann`s mit allen: http://www.gmx.net/de/go/multimessenger01

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 00:38:02 2009
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Subject: Where to find max patch looper examples?
From: Todd Matthews <gtmatthews@gmail.com>
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I downloaded the 30 demo of max/msp 5 and so far I have gotten through
half of the max and msp tutorials. It's been a great learning
experience so far and now I was wondering if anyone could point me in
the direction of some patches that do looping that I could learn from?


Todd Matthews

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 00:55:51 2009
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Subject: Re: introducing myself :)
From: Rainer Straschill <moinsound@googlemail.com>
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> oh! someone got something wrong?

No. ;-P (to stay with the use of emoticons here)

> i just ment how much the community is been growing! sorry, my english is sometimes not very good ;)

No sweat. Frankly, I don't know about statistics with regard to the
entire looping community (not necessarily related to this list),
although I share your feeling that it has been expanding in recent
years. The fact that with the Boss RC-series, the Digitech Jamman and
the Line6 JM4 a lot of devices were introduced to the market that did
not target the "I got an engineering master's degree and like
Stockhausen" audience, but the more normal people, most probably
helped here, but this is always an inter-dependency. However, as I
remember, you also did a lot of marketing work for the Boss devices,
and I'd like to thank you for that. (And this coming from someone who
believes Boss' DD20 in delay mode is superior for looping than the
entire RC series *g*).
The activity on this mailing list, compared to the mentioned "three
years ago", has been growing by roughly 18% (based on an average of
December to March, witch March 2009 extrapolated assuming constant
message rate per day and using the bytes as reported by the LDarchive
as a metric) if anyone likes to know.

> regarding what was rude.. well, some posts about me in the past about my statements on some video..
> i am not upset at all! just wanted to point out that some are taking stuff too serious.. we are makin music and inspiring each other :)

It's fine to see that the rudeness you perceived in some posts dealing
e.g. with your "most powerful looper" statements did in fact not upset
you, I'm sorry that I got that wrong. Still, I don't believe that we
(the "some" you are referring to) are taking stuff too seriously.
There is a big difference between taking something serious and not
having fun doing it. (And I happen to take music seriously and have
fun doing it and get happy from occasionaly inspiring others).

> sorry if you felt uncomfortable Rainer..  i make a loop for you :)

Offer accepted ;).

Like lots of other said: nice to have you aboard here. I'm sure you'll
find this a very educative, inspiring and entertaining resource -
sometimes getting sneezed at included *g*.

Best,

           Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://video.google.de/videosearch?q=moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 01:09:52 2009
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Rico wrote:
"Finally i signed up for the mailing list.. after 3 years..tssss.  and i 
am surprised how much it's been growing!
I was surprised finding a lot of post's about me (actually some where 
kinda rude!!!) 
i want to apologize for my demo which i gave at the summer NAMM 
2006..where i seemed a little too confident and mentioned that
the RC 50 is the most powerful looper in the world!  Actually it was a 
mistake by me cause i knew there where other
Loop machines  out there with much more diverse functions..  :) well, 
thanks for your understanding!
by the way.. my perfomance in this video sucked :)
I am happy to join you now and i will get more into it as i have more 
time now to share and dwell on our creativity!"


Welcome, Rico.      It's obvious how much you love to loop and it's 
obvious that you are good at it.
We are the stronger to have you in our community and I want to welcome 
you with open arms.

I remember when seeing your demo a few years back that I was impressed 
with your knowledge.

I, confess, I was also one who thought your claims about the RC50 might 
border on arrogance...........but it also
occurred to me that it might also be based on ignorance of other looping 
solutions.   I realized I just didn't know
so I've always given you the benefit of the doubt.

I just wanted to go on record and say that I really respect your apology 
for that miscommunication a few years back.  It says a lot about you as 
a human
being that you have self awareness and I respect that immensely.

So,  welcome, welcome, welcome,    We are stronger for your presence and 
I hope you can come play the Y2K9 festival this year
where all those who can, gather to celebrate this community and to share 
our knowledge and creativity.

Yours,   Rick Walker

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 02:04:52 2009
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Date: Mon, 23 Mar 2009 19:04:51 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
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that link didnt work man
but i like this one

http://www.youtube.com/watch?v=3DRsTEuLhEZsQ&feature=3DPlayList&p=3D8E2F300=
7DB008BE2&playnext=3D1&playnext_from=3DPL&index=3D13

thats it brother somebody finally gotta get them mothefucke beach girls
rock on you on your way to the top Rico!=20


www.myspace.com/luisangulocom


--- On Mon, 3/23/09, rico diessner <rico@ricoloop.com> wrote:

> From: rico diessner <rico@ricoloop.com>
> Subject: Re: introducing myself :)
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, March 23, 2009, 4:18 PM
> Hi Luis,
>=20
> Thanks for your kind words:)
> Yes, it wasnt a good demo!
> but i tried to improve on that one:
>=20
> http://www.youtube.com/watch?v=3DFSY808iN7WA
>=20
> maybe you like it :)
>=20
> yes, i know.. its great being here.. Thanks and i hope i
> can make it to a Festival soon!
>=20
> lots of loops and spring!!!!!!!
>=20
> ricO.
> #
> On Mar 23, 2009, at 11:47 PM, L.Angulo wrote:
>=20
> >=20
> > Hey Rico!
> > Welcome to the list man,i remeber becoming aware of
> you through this list,and yes i remember some funny comments
> about your demonstration and funky moves;-)i must admit i
> did not think that was a good demo of the RC 50 capabilities
> as it was based more on performance(in fact ive yet to see
> somebody do a good demo of it)
> > but you definetly have the RC-50 mastered!
> > I also recall Rick Walker inviting you to the loop
> festivals but apparently there was no response from you, but
> now we are glad to have you here,dont worry we are a good
> gang and there is always a lot to be learned here!
> > Cheers
> > Luis
> >=20
> >=20
> >=20
> > www.myspace.com/luisangulocom
> >=20
> >=20
> > --- On Mon, 3/23/09, Bob Amstadt <bob@amstadt.com>
> wrote:
> >=20
> >> From: Bob Amstadt <bob@amstadt.com>
> >> Subject: Re: introducing myself :)
> >> To: Loopers-Delight@loopers-delight.com
> >> Date: Monday, March 23, 2009, 11:37 AM
> >>=20
> >>=20
> >>=20
> >>=20
> >>=20
> >>=20
> >>=20
> >>=20
> >>=20
> >> I never posted anything
> >> about you, but had I seen
> >> that comment, I might have. ;-)
> >>=20
> >> Seriously though, welcome
> >> to the list.=A0 The
> >> RC50 is definitely not the most powerful looper in
> the
> >> world, but if you spend
> >> any time here, I'm sure you will learn
> >> that.
> >>=20
> >> Bob Amstadt
> >>=20
> >>=A0 ----- Original Message
> >> -----
> >>=A0 I was surprised finding a lot of post's
> about me
> >> (actually some where
> >>=A0 kinda rude!!!)
> >>=A0 i want to apologize for my demo wich i gave
> at
> >> the summer NAMM
> >>=A0 2006..where i seemed a little too confident
> and mentioned
> >> that
> >>=A0 the RC 50 is the most powerful looper in
> the
> >> world!
> >>=20
> >=20
> >=20
> >=20
> >=20
>=20
> =0A=0A=0A      

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Date: Mon, 23 Mar 2009 23:02:26 -0400
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Rico despite all today I'd say you've been 'embraced' in several ways by
this community.  THat all said I'm just now getting to listening to your
sample trax on your main dot.com and I really like wohin du
willst<http://www.ricoloop.com/www3/index.php/component/option,com_weblinks/catid,13/Itemid,27/#>
 andkinderaugen<http://www.ricoloop.com/www3/index.php/component/option,com_weblinks/catid,13/Itemid,27/#>
 a lot, good energy and ideas.  wohin... very organic to me which is where I
tend to go.

Anyhow good stuff and how you say 'vie ghetz' is it, a year of german about
a thousand years ago and hope I said 'how goes it' or did I say the your
mother looks like a ... (jokes! I hope).

Greetings from Brooklyn, Jim

On Mon, Mar 23, 2009 at 10:04 PM, L.Angulo <labaloops@yahoo.com> wrote:

>
> that link didnt work man
> but i like this one
>
>
> http://www.youtube.com/watch?v=RsTEuLhEZsQ&feature=PlayList&p=8E2F3007DB008BE2&playnext=1&playnext_from=PL&index=13
>
> thats it brother somebody finally gotta get them mothefucke beach girls
> rock on you on your way to the top Rico!
>
>
> www.myspace.com/luisangulocom
>
>
> --- On Mon, 3/23/09, rico diessner <rico@ricoloop.com> wrote:
>
> > From: rico diessner <rico@ricoloop.com>
> > Subject: Re: introducing myself :)
> > To: Loopers-Delight@loopers-delight.com
> > Date: Monday, March 23, 2009, 4:18 PM
> > Hi Luis,
> >
> > Thanks for your kind words:)
> > Yes, it wasnt a good demo!
> > but i tried to improve on that one:
> >
> > http://www.youtube.com/watch?v=FSY808iN7WA
> >
> > maybe you like it :)
> >
> > yes, i know.. its great being here.. Thanks and i hope i
> > can make it to a Festival soon!
> >
> > lots of loops and spring!!!!!!!
> >
> > ricO.
> > #
> > On Mar 23, 2009, at 11:47 PM, L.Angulo wrote:
> >
> > >
> > > Hey Rico!
> > > Welcome to the list man,i remeber becoming aware of
> > you through this list,and yes i remember some funny comments
> > about your demonstration and funky moves;-)i must admit i
> > did not think that was a good demo of the RC 50 capabilities
> > as it was based more on performance(in fact ive yet to see
> > somebody do a good demo of it)
> > > but you definetly have the RC-50 mastered!
> > > I also recall Rick Walker inviting you to the loop
> > festivals but apparently there was no response from you, but
> > now we are glad to have you here,dont worry we are a good
> > gang and there is always a lot to be learned here!
> > > Cheers
> > > Luis
> > >
> > >
> > >
> > > www.myspace.com/luisangulocom
> > >
> > >
> > > --- On Mon, 3/23/09, Bob Amstadt <bob@amstadt.com>
> > wrote:
> > >
> > >> From: Bob Amstadt <bob@amstadt.com>
> > >> Subject: Re: introducing myself :)
> > >> To: Loopers-Delight@loopers-delight.com
> > >> Date: Monday, March 23, 2009, 11:37 AM
> > >>
> > >>
> > >>
> > >>
> > >>
> > >>
> > >>
> > >>
> > >>
> > >> I never posted anything
> > >> about you, but had I seen
> > >> that comment, I might have. ;-)
> > >>
> > >> Seriously though, welcome
> > >> to the list.  The
> > >> RC50 is definitely not the most powerful looper in
> > the
> > >> world, but if you spend
> > >> any time here, I'm sure you will learn
> > >> that.
> > >>
> > >> Bob Amstadt
> > >>
> > >>  ----- Original Message
> > >> -----
> > >>  I was surprised finding a lot of post's
> > about me
> > >> (actually some where
> > >>  kinda rude!!!)
> > >>  i want to apologize for my demo wich i gave
> > at
> > >> the summer NAMM
> > >>  2006..where i seemed a little too confident
> > and mentioned
> > >> that
> > >>  the RC 50 is the most powerful looper in
> > the
> > >> world!
> > >>
> > >
> > >
> > >
> > >
> >
> >
>
>
>
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

--00151750e50aeb88d40465d49c55
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Rico despite all today I&#39;d say you&#39;ve been &#39;embraced&#39; in se=
veral ways by this community. =A0THat all said I&#39;m just now getting to =
listening to your sample trax on your main <a href=3D"http://dot.com">dot.c=
om</a> and I really like=A0<span class=3D"Apple-style-span" style=3D"font-f=
amily: Verdana; font-size: 11px; color: rgb(51, 51, 51); line-height: 13px;=
 "><a href=3D"http://www.ricoloop.com/www3/index.php/component/option,com_w=
eblinks/catid,13/Itemid,27/#" onclick=3D"javascript: window.open(&#39;http:=
//www.ricoloop.com/www3/index.php/component/option,com_weblinks/task,view/c=
atid,13/id,15/&#39;, &#39;&#39;, &#39;toolbar=3Dno,location=3Dno,status=3Dn=
o,menubar=3Dno,scrollbars=3Dyes,resizable=3Dyes,width=3D780,height=3D550&#3=
9;); return false" class=3D"category" style=3D"color: rgb(153, 0, 0); font-=
weight: bold; text-decoration: none; ">wohin du willst</a>=A0and</span><spa=
n class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: 11px=
; color: rgb(51, 51, 51); line-height: 13px; "><table width=3D"100%" border=
=3D"0" cellspacing=3D"0" cellpadding=3D"0">
<tbody><tr class=3D"sectiontableentry1" style=3D"background-color: rgb(255,=
 255, 255); "><td height=3D"20" style=3D"text-align: left; font-size: 11px;=
 padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0=
px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0p=
x; ">
<a href=3D"http://www.ricoloop.com/www3/index.php/component/option,com_webl=
inks/catid,13/Itemid,27/#" onclick=3D"javascript: window.open(&#39;http://w=
ww.ricoloop.com/www3/index.php/component/option,com_weblinks/task,view/cati=
d,13/id,9/&#39;, &#39;&#39;, &#39;toolbar=3Dno,location=3Dno,status=3Dno,me=
nubar=3Dno,scrollbars=3Dyes,resizable=3Dyes,width=3D780,height=3D550&#39;);=
 return false" class=3D"category" style=3D"color: rgb(153, 0, 0); font-weig=
ht: bold; text-decoration: none; ">kinderaugen</a>=A0<span class=3D"Apple-s=
tyle-span" style=3D"font-size: small;">a lot, good energy and ideas. =A0woh=
in... very organic to me which is where I tend to go.<br>
<br>Anyhow good stuff and how you say &#39;vie ghetz&#39; is it, a year of =
german about a thousand years ago and hope I said &#39;how goes it&#39; or =
did I say the your mother looks like a ... (jokes! I hope).<br></span><br>
<span class=3D"Apple-style-span" style=3D"font-size: small;">Greetings from=
 Brooklyn, Jim<br></span><br></td></tr></tbody></table></span><div class=3D=
"gmail_quote">On Mon, Mar 23, 2009 at 10:04 PM, L.Angulo <span dir=3D"ltr">=
&lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt;</spa=
n> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><br>
that link didnt work man<br>
but i like this one<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3DRsTEuLhEZsQ&amp;feature=3DPlayL=
ist&amp;p=3D8E2F3007DB008BE2&amp;playnext=3D1&amp;playnext_from=3DPL&amp;in=
dex=3D13" target=3D"_blank">http://www.youtube.com/watch?v=3DRsTEuLhEZsQ&am=
p;feature=3DPlayList&amp;p=3D8E2F3007DB008BE2&amp;playnext=3D1&amp;playnext=
_from=3DPL&amp;index=3D13</a><br>

<br>
thats it brother somebody finally gotta get them mothefucke beach girls<br>
rock on you on your way to the top Rico!<br>
<br>
<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<br>
<br>
--- On Mon, 3/23/09, rico diessner &lt;<a href=3D"mailto:rico@ricoloop.com"=
>rico@ricoloop.com</a>&gt; wrote:<br>
<br>
&gt; From: rico diessner &lt;<a href=3D"mailto:rico@ricoloop.com">rico@rico=
loop.com</a>&gt;<br>
<div class=3D"im">&gt; Subject: Re: introducing myself :)<br>
&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Del=
ight@loopers-delight.com</a><br>
</div>&gt; Date: Monday, March 23, 2009, 4:18 PM<br>
<div><div></div><div class=3D"h5">&gt; Hi Luis,<br>
&gt;<br>
&gt; Thanks for your kind words:)<br>
&gt; Yes, it wasnt a good demo!<br>
&gt; but i tried to improve on that one:<br>
&gt;<br>
&gt; <a href=3D"http://www.youtube.com/watch?v=3DFSY808iN7WA" target=3D"_bl=
ank">http://www.youtube.com/watch?v=3DFSY808iN7WA</a><br>
&gt;<br>
&gt; maybe you like it :)<br>
&gt;<br>
&gt; yes, i know.. its great being here.. Thanks and i hope i<br>
&gt; can make it to a Festival soon!<br>
&gt;<br>
&gt; lots of loops and spring!!!!!!!<br>
&gt;<br>
&gt; ricO.<br>
&gt; #<br>
&gt; On Mar 23, 2009, at 11:47 PM, L.Angulo wrote:<br>
&gt;<br>
&gt; &gt;<br>
&gt; &gt; Hey Rico!<br>
&gt; &gt; Welcome to the list man,i remeber becoming aware of<br>
&gt; you through this list,and yes i remember some funny comments<br>
&gt; about your demonstration and funky moves;-)i must admit i<br>
&gt; did not think that was a good demo of the RC 50 capabilities<br>
&gt; as it was based more on performance(in fact ive yet to see<br>
&gt; somebody do a good demo of it)<br>
&gt; &gt; but you definetly have the RC-50 mastered!<br>
&gt; &gt; I also recall Rick Walker inviting you to the loop<br>
&gt; festivals but apparently there was no response from you, but<br>
&gt; now we are glad to have you here,dont worry we are a good<br>
&gt; gang and there is always a lot to be learned here!<br>
&gt; &gt; Cheers<br>
&gt; &gt; Luis<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; <a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank=
">www.myspace.com/luisangulocom</a><br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; --- On Mon, 3/23/09, Bob Amstadt &lt;<a href=3D"mailto:bob@amstad=
t.com">bob@amstadt.com</a>&gt;<br>
&gt; wrote:<br>
&gt; &gt;<br>
&gt; &gt;&gt; From: Bob Amstadt &lt;<a href=3D"mailto:bob@amstadt.com">bob@=
amstadt.com</a>&gt;<br>
&gt; &gt;&gt; Subject: Re: introducing myself :)<br>
&gt; &gt;&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Lo=
opers-Delight@loopers-delight.com</a><br>
&gt; &gt;&gt; Date: Monday, March 23, 2009, 11:37 AM<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt; I never posted anything<br>
&gt; &gt;&gt; about you, but had I seen<br>
&gt; &gt;&gt; that comment, I might have. ;-)<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt; Seriously though, welcome<br>
&gt; &gt;&gt; to the list.=A0 The<br>
&gt; &gt;&gt; RC50 is definitely not the most powerful looper in<br>
&gt; the<br>
&gt; &gt;&gt; world, but if you spend<br>
&gt; &gt;&gt; any time here, I&#39;m sure you will learn<br>
&gt; &gt;&gt; that.<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt; Bob Amstadt<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt;=A0 ----- Original Message<br>
&gt; &gt;&gt; -----<br>
&gt; &gt;&gt;=A0 I was surprised finding a lot of post&#39;s<br>
&gt; about me<br>
&gt; &gt;&gt; (actually some where<br>
&gt; &gt;&gt;=A0 kinda rude!!!)<br>
&gt; &gt;&gt;=A0 i want to apologize for my demo wich i gave<br>
&gt; at<br>
&gt; &gt;&gt; the summer NAMM<br>
&gt; &gt;&gt;=A0 2006..where i seemed a little too confident<br>
&gt; and mentioned<br>
&gt; &gt;&gt; that<br>
&gt; &gt;&gt;=A0 the RC 50 is the most powerful looper in<br>
&gt; the<br>
&gt; &gt;&gt; world!<br>
&gt; &gt;&gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>The Acousti=
c World Guitar of Jim Goodin =A0- <a href=3D"http://www.jimgoodinmusic.com"=
>http://www.jimgoodinmusic.com</a><br>MySpace (solo) - <a href=3D"http://ww=
w.myspace.com/jimgoodinmusic">http://www.myspace.com/jimgoodinmusic</a><br>
Chinapainting -<br><a href=3D"http://www.chinapaintingmusic.com">http://www=
.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br><a href=3D"ht=
tp://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapa=
intingmusic.com</a><br>
The Jim Goodin label and home for 7 other creative souls - <a href=3D"http:=
//www.woodandwiremusic.com">http://www.woodandwiremusic.com</a> <br>Jim Goo=
din uses GHS Strings - <a href=3D"http://www.ghsstrings.com">http://www.ghs=
strings.com</a> and Seagull Guitars - <a href=3D"http://www.seagullguitars.=
com">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay =
Publications, Inc. - <a href=3D"http://www.melbay.com">http://www.melbay.co=
m</a><br>


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Heavy Duty!

http://www.wired.com/gadgets/mods/multimedia/2009/03/gallery_instruments?slide=11&slideView=10




http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 05:16:54 2009
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Subject: OT High tech removing of clicks, crackles and pops
Date: Tue, 24 Mar 2009 00:16:51 -0500
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I'm having an interesting phenomenon when recording vocals on my laptop 
where sometime my track has a quick click/crackle/pop.  It looks like the 
wave forms become deranged alittle for a few milliseconds.

Any thoughts on:
A. Origins?
B. Ways to eliminate from good tracks with cool tools? (so far standard 
"noise removal tools" have not worked-perhaps becasue the noise seems almost 
to ride on the wave form perhaps?)

Thanks for your thoughts!

~peace~

Plish


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Subject: Western Music's Universal Appeal Explained
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Interesting study on Western Music

http://news.nationalgeographic.com/news/2009/03/090320-universal-music.ht=
ml?source=3Drss
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<DIV><FONT face=3DArial size=3D2>Interesting&nbsp;study on Western=20
Music</FONT></DIV>
<DIV>&nbsp;</DIV><A=20
href=3D"http://news.nationalgeographic.com/news/2009/03/090320-universal-=
music.html?source=3Drss">http://news.nationalgeographic.com/news/2009/03/=
090320-universal-music.html?source=3Drss</A></BODY></HTML>

------=_NextPart_000_00A6_01C9AC0C.340B4A70--

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--001636c5a345d581500465d75a6c
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Michael,

what I'm dreaming of in the moment is a VSTi (say, a drum machine) that
> takes your
> audio (not your midi), tries to find rhythmic elements, and creates a
> groove
> based on them
>

I know this seems to be my answer to everything, but if you don't mind a bit
of DIY, then you could fairly easily buld something like this in Usine.
Starting with something like this:
http://www.sensomusic.com/wiki/doku.php?id=addons:analysis:tempo_detector#tempo_detector

Usine itself can run as a VST in another host.

Ian

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Michael,<br><div class=3D"gmail_quote"><br><blockquote class=3D"gmail_quote=
" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">=
<div id=3D":15m" class=3D"ii gt">what I&#39;m=A0dreaming of in the moment i=
s a VSTi (say, a drum machine) that takes your<br>

audio (not your midi), tries to find rhythmic elements, and creates a groov=
e<br>
based on them</div></blockquote></div><br><div>I know this seems to be my a=
nswer to everything, but if you don&#39;t mind a bit of DIY, then you could=
 fairly easily buld something like this in Usine. Starting with something l=
ike this:=A0<a href=3D"http://www.sensomusic.com/wiki/doku.php?id=3Daddons:=
analysis:tempo_detector#tempo_detector">http://www.sensomusic.com/wiki/doku=
.php?id=3Daddons:analysis:tempo_detector#tempo_detector</a></div>
<div><br></div><div>Usine itself can run as a VST in another host.</div><di=
v><br></div><div>Ian</div>

--001636c5a345d581500465d75a6c--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 06:21:57 2009
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mike@michaelplishka.com wrote:
> I'm having an interesting phenomenon when recording vocals on my 
> laptop where sometime my track has a quick click/crackle/pop.  It 
> looks like the wave forms become deranged alittle for a few milliseconds.
>
> Any thoughts on:
> A. Origins?
> B. Ways to eliminate from good tracks with cool tools? (so far 
> standard "noise removal tools" have not worked-perhaps becasue the 
> noise seems almost to ride on the wave form perhaps?)
Yes.  Some DAW software need a higher buffer setting when recording to 
prevent such glitches.  For serious mixing, you can reset your buffer 
size to a lower setting again.

Cheers,

Bill

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Michael Peters wrote:
> I've already included an audio-2-midi vst in some of my setups, ...
>   
Hi Michael,

I have an old Roland VP-70 that will do pitch-to-MIDI conversion and 
have been thinking about integrating it into my rig.  Do you mean to 
tell me that there is a VSTi out there that will do this?  Please tell 
me its name so I can google for it or look it up at KVR.  Thanks!

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 07:36:06 2009
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Adobe Audition (aka Cool Edit) has a "Remove single click" tool which
will do that.
(also lets you see that clicks easily in "Spectral View" )

andy butler


mike@michaelplishka.com wrote:
> I'm having an interesting phenomenon when recording vocals on my laptop 
> where sometime my track has a quick click/crackle/pop.  It looks like 
> the wave forms become deranged alittle for a few milliseconds.
> 
> Any thoughts on:
> A. Origins?
> B. Ways to eliminate from good tracks with cool tools? (so far standard 
> "noise removal tools" have not worked-perhaps becasue the noise seems 
> almost to ride on the wave form perhaps?)
> 
> Thanks for your thoughts!
> 
> ~peace~
> 
> Plish
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 08:00:21 2009
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"We played them some extreme rock-and-roll from The Ventures."

Whoa. Extreme. Goodness knows what kind of riots might break out if they 
played them, like, "Surfin' Bird" or "Wooly Bully". or Dick Dale, 
ferrget it!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Interesting study on Western Music
>  
> http://news.nationalgeographic.com/news/2009/03/090320-universal-music.html?source=rss

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 08:10:52 2009
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> FXpansion makes GURU that analyzes a loop saved to the hard
> drive and slices it up into short elements that are distributed as
> sound sources for a drum sampler run by a MIDI sequencer. 

actually I'm not even thinking of loops. I know there are computer programs
that can play interactively with a live musician, probably based on rules
for complexity, volume, pitch, etc. I would guess that there are max patches
that can do that to some extent. Probably this is too complex to put into a
VST box.

-Michael

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hmm, statistical analysis on a sample size of 21.
strange how that can pass for science these days.

here's more info

http://www.world-science.net/othernews/090320_music

The skew that this shows that Western music has something special appears
to be made up by Nat Geo.


andy butler

mike@michaelplishka.com wrote:
> Interesting study on Western Music
>  
> http://news.nationalgeographic.com/news/2009/03/090320-universal-music.html?source=rss

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Michael Peters wrote:
>> FXpansion makes GURU that analyzes a loop saved to the hard
>> drive and slices it up into short elements that are distributed as
>> sound sources for a drum sampler run by a MIDI sequencer. 
> 
> actually I'm not even thinking of loops. I know there are computer programs
> that can play interactively with a live musician, probably based on rules
> for complexity, volume, pitch, etc. I would guess that there are max patches
> that can do that to some extent. 

In which case, it's possible in Bidule.


some ideas here:-

http://www.plogue.com/phpBB2/viewtopic.php?t=1733

You have a real advantage that you want to use it for drums, so
there's no need to analyse pitch.

A lot depends on how you want to play in order to "tell" your drummer
what the tempo is.




>Probably this is too complex to put into a
> VST box.
> 
> -Michael
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 13:58:46 2009
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Date: Tue, 24 Mar 2009 06:58:45 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: do any slave sync?
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Hi people,
Here is the absurd question of the year:
Do any of the current existing hardware loopers sync when being slaved?
Is this hopeless? from all of the ones ive tried all of them drifted with time,the only one i never got to try this way was the LP1.I understand that our timing imperfections are part of it but there has to be  a way!
I was so happy when the Eventide timefactor came out and bought the adrenalinn thinking i could have 2 stomps with midi in and out and accomplish this but no such luck either;-(
cheers
Luis

www.myspace.com/luisangulocom


      

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Date: Tue, 24 Mar 2009 08:59:34 -0500
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Western Music's Universal Appeal Explained
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Quoting Daryl Shawn <highhorse@mhorse.com>:

> "We played them some extreme rock-and-roll from The Ventures."
>
> Whoa. Extreme. Goodness knows what kind of riots might break out if
> they played them, like, "Surfin' Bird" or "Wooly Bully". or Dick Dale,
> ferrget it!
>
HaHa!  Good catch, Daryl.   Yep, tunes like "Hawaii Five-O" are pretty  
extreme!

But... and this is the big question ... did they play the music backwards?

:)

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 14:26:07 2009
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Hey Luis,

I use the Electro Harmonix 2880 and it slaves fine. The only thing is when 
slaved you can't use octave down. Also when reversing the loop and back it 
will wallow when slaved until you restart it. As long as I am just doing 
looping/layering it works ok. I don't use it with midi often but it works 
with my Boss DR 670 as master or slave.

Jeff

----- Original Message ----- 
From: "L.Angulo" <labaloops@yahoo.com>
To: "Loopers Delight" <loopers-delight@loopers-delight.com>
Sent: Tuesday, March 24, 2009 9:58 AM
Subject: do any slave sync?


>
> Hi people,
> Here is the absurd question of the year:
> Do any of the current existing hardware loopers sync when being slaved?
> Is this hopeless? from all of the ones ive tried all of them drifted with 
> time,the only one i never got to try this way was the LP1.I understand 
> that our timing imperfections are part of it but there has to be  a way!
> I was so happy when the Eventide timefactor came out and bought the 
> adrenalinn thinking i could have 2 stomps with midi in and out and 
> accomplish this but no such luck either;-(
> cheers
> Luis
>
> www.myspace.com/luisangulocom
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 14:26:33 2009
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> Do any of the current existing hardware loopers sync when being slaved?=


In general, syncing a short delay effect with a master midi clock works f=
ine. 
Syncing multiple loopers, long delays or a looper and a drummachine usual=
ly don't sync well. After a while, you will notice they're often drifting=
. Arpeggiators have the same problem. I'm just guessing but one of the ca=
uses could be the way the manufacturer has implemented the synchronisatio=
n protocol: imo a slave device should re-sync itself after a certain time=
, but I have the impression they sync their own clock with the master clo=
ck and that's it.
--- 
Sjaak
http://euroloopfest.com/
http://sjaakovergaauw.com/
http://www.last.fm/music/Sjaak+Overgaauw


__________________________________
Scarlet schrapt download limiet!
ADSL20 NO LIMIT voor =80 29,95. 
Ga naar www.scarlet.be voor meer info!

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 14:29:03 2009
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	 <7574E043B1614030838439E63F2106C3@MichaelPC>
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Date: Tue, 24 Mar 2009 07:29:01 -0700
Message-ID: <9ff9c5d10903240729n3b67b993h4c3b4a43b319822c@mail.gmail.com>
Subject: Re: OT High tech removing of clicks, crackles and pops
From: Nic Roozeboom <nicroozeboom@gmail.com>
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--000e0cd2e1dc4789310465de343e
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Also, SoundSoap.

Nic

On Tue, Mar 24, 2009 at 12:45 AM, andy butler <akbutler@tiscali.co.uk>wrote:

> Adobe Audition (aka Cool Edit) has a "Remove single click" tool which
> will do that.
> (also lets you see that clicks easily in "Spectral View" )
>
> andy butler
>
>
>
> mike@michaelplishka.com wrote:
>
>> I'm having an interesting phenomenon when recording vocals on my laptop
>> where sometime my track has a quick click/crackle/pop.  It looks like the
>> wave forms become deranged alittle for a few milliseconds.
>>
>> Any thoughts on:
>> A. Origins?
>> B. Ways to eliminate from good tracks with cool tools? (so far standard
>> "noise removal tools" have not worked-perhaps becasue the noise seems almost
>> to ride on the wave form perhaps?)
>>
>> Thanks for your thoughts!
>>
>> ~peace~
>>
>> Plish
>>
>>
>>
>>
>


-- 
Nic Roozeboom

http://www.fractal-continuum.com
http://www.cdbaby.com/all/fractal
http://www.myspace.com/fractalcontinuum
http://www.myspace.com/nicroozeboom
http://fractal.bebo.com/

--000e0cd2e1dc4789310465de343e
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Also, SoundSoap.<br><br>Nic<br><br><div class=3D"gmail_quote">On Tue, Mar 2=
4, 2009 at 12:45 AM, andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:ak=
butler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br><bloc=
kquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, =
204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Adobe Audition (aka Cool Edit) has a &quot;Remove single click&quot; tool w=
hich<br>
will do that.<br>
(also lets you see that clicks easily in &quot;Spectral View&quot; )<br><fo=
nt color=3D"#888888">
<br>
andy butler</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
<a href=3D"mailto:mike@michaelplishka.com" target=3D"_blank">mike@michaelpl=
ishka.com</a> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I&#39;m having an interesting phenomenon when recording vocals on my laptop=
 where sometime my track has a quick click/crackle/pop. =A0It looks like th=
e wave forms become deranged alittle for a few milliseconds.<br>
<br>
Any thoughts on:<br>
A. Origins?<br>
B. Ways to eliminate from good tracks with cool tools? (so far standard &qu=
ot;noise removal tools&quot; have not worked-perhaps becasue the noise seem=
s almost to ride on the wave form perhaps?)<br>
<br>
Thanks for your thoughts!<br>
<br>
~peace~<br>
<br>
Plish<br>
<br>
<br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Nic Roozebo=
om<br><br><a href=3D"http://www.fractal-continuum.com">http://www.fractal-c=
ontinuum.com</a><br><a href=3D"http://www.cdbaby.com/all/fractal">http://ww=
w.cdbaby.com/all/fractal</a><br>
<a href=3D"http://www.myspace.com/fractalcontinuum">http://www.myspace.com/=
fractalcontinuum</a><br><a href=3D"http://www.myspace.com/nicroozeboom">htt=
p://www.myspace.com/nicroozeboom</a><br><a href=3D"http://fractal.bebo.com/=
">http://fractal.bebo.com/</a><br>


--000e0cd2e1dc4789310465de343e--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 14:35:05 2009
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Oh, thinking of this...
This might have actually added artefacts to an otherwise perfectly clear recording with Logic...
I will see if I need to tweak the buffer settings.
Buzap

-- 
Psssst! Schon vom neuen GMX MultiMessenger gehört? Der kann`s mit allen: http://www.gmx.net/de/go/multimessenger01

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Subject: Re: Re:do any slave sync?
Date: Tue, 24 Mar 2009 07:40:13 -0700
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I can't speak for the others, but I can speak for the LP1.  I test the MIDI 
slave function of the LP1 by running a drum machine into the LP1 (audio and 
MIDI).  Then I record the drum machine into a loop and let it play with the 
LP1.  Now I have two devices playing the exact same music.  I have left the 
LP1 like this for hours with no drift.  The two stay locked except for a 
small phasing effect because there is no way to get the two audio signals 
perfectly in sync.

Bob Amstadt
Looperlative Audio Products 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 14:59:06 2009
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thanks for the info/help on the adrenalinn.
i've had a few days to get used to it and i'm liking it more. and i do like the drum patterns, some interesting and different things to work w/ than my digitech and zoom have.
i think it just took me a few days to get used to it's sound, and i've put it at the beginning of my chain of effects, and i've found it sounds better when i remove a few things from the signal chain in bypass-i probably need to do that more!!!!
s----




      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">thanks for the info/help on the adrenalinn.<br>i've had a few days to get used to it and i'm liking it more. and i do like the drum patterns, some interesting and different things to work w/ than my digitech and zoom have.<br>i think it just took me a few days to get used to it's sound, and i've put it at the beginning of my chain of effects, and i've found it sounds better when i remove a few things from the signal chain in bypass-i probably need to do that more!!!!<br>s----<br><br></td></tr></table><br>

      
--0-304993157-1237906744=:72936--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 15:13:54 2009
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Subject: RE: looking for a VSTi that reacts to audio
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> I have an old Roland VP-70 that will do pitch-to-MIDI conversion and 
> have been thinking about integrating it into my rig.  Do you mean to 
> tell me that there is a VSTi out there that will do this?  
> Please tell me its name so I can google for it or look it up at KVR.
Thanks!
> Cheers,
> Bill


Widisoft


-Michael

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 17:03:34 2009
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From: "Krispen Hartung" <info@krispenhartung.com>
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Subject: Is That Jazz Festival Video
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I finally got around to "trying" to produce a video of my performance at =
the Is That Jazz Experimental Music Festival in Seatte, WA, January =
2009.  They had someone recording the whole show camera.  (MP3 version: =
http://www.box.net/shared/a0gxc61yzq )

However, I struggled for too many hours attemping to sync this direct =
recording with the video, with no luck. They were not aligned (off by 3 =
or so seconds), and I'm just not competent enough with this technology =
to sync them. I tried altering the length of my direct recording and I =
managed to sync it in my editing program, but then when I exported it to =
windows media or mpeg, the exported file would be out of sync...strange. =
I give up.=20

Is anyone really good at this?  I'll pay someone to do it. I can provide =
the source video file and the wav of my direct recording.  I only need =
the first song in video format.=20

Kris

Kris Hartung
www.krispenhartung.com
info@krispenhartung.com


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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I finally got around to&nbsp;"trying" =
to produce=20
a&nbsp;video of my performance at the Is That Jazz Experimental Music =
Festival=20
in Seatte, WA, January 2009.&nbsp; They had someone recording the whole =
show=20
camera.&nbsp; (MP3 version: <A=20
href=3D"http://www.box.net/shared/a0gxc61yzq">http://www.box.net/shared/a=
0gxc61yzq</A>&nbsp;)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>However, I struggled for too many hours =
attemping=20
to sync&nbsp;this direct recording with the video, with no luck. They =
were not=20
aligned (off by 3 or so seconds), and I'm just not competent enough with =
this=20
technology to sync them. I tried altering the length of my direct =
recording and=20
I managed to sync it in my editing program, but then when I exported it =
to=20
windows media or mpeg, the exported file would be out of sync...strange. =
I give=20
up. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Is anyone really good at this?&nbsp; =
I'll pay=20
someone to do it. I can provide the source video file and the wav of my =
direct=20
recording.&nbsp; I only need the first song in video format. =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris Hartung<BR><A=20
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A></FONT><=
FONT=20
face=3DArial size=3D2><BR><A=20
href=3D"mailto:info@krispenhartung.com">info@krispenhartung.com</A></FONT=
></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0323_01C9AC70.2B0E1E70--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 17:29:07 2009
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Subject: re: do any slave sync?
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Luis,

this thread is incredibly funny insofar as the "re:" added to the
subject line by the email programme of the first guy who responded got
me confused at first, because I read "redo any slave sync?" - I beg
your pardon? ;)

However, to the sensible part:
> Do any of the current existing hardware loopers sync when being slaved?

Seriously, none should "drift with time" as you mention, because the
definition of being slaved is that they do not drift with time.
("Syncing" here meaning that the slave receives a steady stream of
timing information from the master (e.g. MIDI Clock, MTC) and changes
its internal time base so it is aligned with it. So even if this
process may happen with some flaws, and devices may loose the
master-slave relationship, as long as the slave is a slave of the
master, what you describe would not happen. So consequently, this may
mean that the master-slave relationship got lost?)

Things I noticed, however (not necessarily with loopers):
1. some devices tend to have a steady offset with regard to the device
they are synced to. This can be explained very easily, simply because
the MIDI sync signal takes its time for being generated, routed and
interpreted. For that reason, some e.g. drum computers and also
software programs have a setting to compensate for this offset. So if
you do not change your system, you can bring that offset to zero.
However, this will never lead to the devices drifting, they just are a
little off in perfect sync.

Bob, you also mentioned sync experiments you conducted with the LP1.
Does the LP1 also have the aforementioned kind of "clock delay
compensation" setting?

2. some devices (both master and slave) tend to jitter, e.g. increase
or decrease speed by a small amount. While this may have ugly effects
(mainly depending on how the slave reacts to it - the Repeater at
least in sw 1.x had a very jittery clock, but did sync fairly well as
a slave - see below, which led to some MIDI-synced delay effects, e.g.
of the Roland VBass producing ugly clicks), this would also not lead
to them drifting apart (as long as the devices stay locked).

Summarizing: what you describe (if I understand it correctly) looks
like the devices completely loose sync. My experience with hardware
loopers in this regard: the only hardware looper I ever owned (and
still own) is the Repeater (only used SW 1.x so far). It would sync
just fine in the majority of cases, however, there were situations
when I lost sync, most prominently when I hit "Slow CFC" on a
non-Hitachi-controller CFC. In one (documented on my "Neinnein auf dem
kleinen Weg" album, recorded live in Desenzano at a concert organized
by Luca Formentini) event, the Repeater was synced (I never used it as
a master because of its crappy clock, see above) to a Quasimidi
Sirius. In the midst of a (half-hour-long) song, the Repeater would
loose sync suddenly and stop playback. I tried to restart it, and
succeeded. However, before and after that (and on any other occasion I
can remember), the two (or other two, like MC505 and Repeater or
Eclipse and Repeater) stayed in sync just fine.

Best,

          Rainer

---
http://moinlabs.de
http://www.myspace.com/moinlabs
http://video.google.de/videosearch?q=moinlabs
http://www.jamendo.com/en/artist/straschill/
http://Kunaki.com/MSales.asp?PublisherId=117329

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Date: Tue, 24 Mar 2009 13:39:30 -0400
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Subject: Re: Is That Jazz Festival Video
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Kris I may can do it.  Is your video on box.net as well?

Jim

On Tue, Mar 24, 2009 at 1:03 PM, Krispen Hartung <info@krispenhartung.com>wrote:

>  I finally got around to "trying" to produce a video of my performance at
> the Is That Jazz Experimental Music Festival in Seatte, WA, January 2009.
> They had someone recording the whole show camera.  (MP3 version:
> http://www.box.net/shared/a0gxc61yzq )
>
> However, I struggled for too many hours attemping to sync this direct
> recording with the video, with no luck. They were not aligned (off by 3 or
> so seconds), and I'm just not competent enough with this technology to sync
> them. I tried altering the length of my direct recording and I managed to
> sync it in my editing program, but then when I exported it to windows media
> or mpeg, the exported file would be out of sync...strange. I give up.
>
> Is anyone really good at this?  I'll pay someone to do it. I can provide
> the source video file and the wav of my direct recording.  I only need the
> first song in video format.
>
> Kris
>
> Kris Hartung
> www.krispenhartung.com
> info@krispenhartung.com
>
>
>



-- 
music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0015174c44588cab220465e0dd16
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Kris I may can do it.=A0 Is your video on <a href=3D"http://box.net">b=
ox.net</a> as well?</div>
<div>=A0</div>
<div>Jim<br><br></div>
<div class=3D"gmail_quote">On Tue, Mar 24, 2009 at 1:03 PM, Krispen Hartung=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:info@krispenhartung.com">info@kris=
penhartung.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">I finally got around to=A0&quot;trying=
&quot; to produce a=A0video of my performance at the Is That Jazz Experimen=
tal Music Festival in Seatte, WA, January 2009.=A0 They had someone recordi=
ng the whole show camera.=A0 (MP3 version: <a href=3D"http://www.box.net/sh=
ared/a0gxc61yzq" target=3D"_blank">http://www.box.net/shared/a0gxc61yzq</a>=
=A0)</font></div>

<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">However, I struggled for too many hour=
s attemping to sync=A0this direct recording with the video, with no luck. T=
hey were not aligned (off by 3 or so seconds), and I&#39;m just not compete=
nt enough with this technology to sync them. I tried altering the length of=
 my direct recording and I managed to sync it in my editing program, but th=
en when I exported it to windows media or mpeg, the exported file would be =
out of sync...strange. I give up. </font></div>

<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Is anyone really good at this?=A0 I&#3=
9;ll pay someone to do it. I can provide the source video file and the wav =
of my direct recording.=A0 I only need the first song in video format. </fo=
nt></div>

<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Kris</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Kris Hartung<br><a href=3D"http://www.=
krispenhartung.com/" target=3D"_blank">www.krispenhartung.com</a></font><fo=
nt face=3D"Arial" size=3D"2"><br><a href=3D"mailto:info@krispenhartung.com"=
 target=3D"_blank">info@krispenhartung.com</a></font></div>

<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div></div></blockquote></d=
iv><br><br clear=3D"all"><br>-- <br>music links...<br><a href=3D"http://www=
.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"http://www.ch=
inapaintingmusic.com">www.chinapaintingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--0015174c44588cab220465e0dd16--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 18:07:23 2009
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: do any slave sync?
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well, I guess the edp didn't work for you in that respect ;-)
It definitely syncs, but won't follow a change in tempo.

The Lexicon JamMan syncs hard to incoming midi, 
and will always retrigger at the start of the bar, even if the clock
tempo changes.
(no timestretch)

andy

L.Angulo wrote:
> Hi people,
> Here is the absurd question of the year:
> Do any of the current existing hardware loopers sync when being slaved?
> Is this hopeless? from all of the ones ive tried all of them drifted with time,the only one i never got to try this way was the LP1.I understand that our timing imperfections are part of it but there has to be  a way!
> I was so happy when the Eventide timefactor came out and bought the adrenalinn thinking i could have 2 stomps with midi in and out and accomplish this but no such luck either;-(
> cheers
> Luis
> 
> www.myspace.com/luisangulocom
> 
> 
>       
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 18:56:41 2009
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Date: Tue, 24 Mar 2009 19:56:40 +0100
Message-ID: <66f9cc1e0903241156t72e13cf0j1f15a010dc99ef2b@mail.gmail.com>
Subject: Re: do any slave sync?
From: Per Boysen <perboysen@gmail.com>
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On Tue, Mar 24, 2009 at 2:58 PM, L.Angulo <labaloops@yahoo.com> wrote:
> Do any of the current existing hardware loopers sync when being slaved?

No. If you mean sync in perfect timing. The Repeater came close
though, since it could time-stretch long loops to correct
synchronization instantly. Non time-stretching loopers (i.e. all
others) have to correct only the start point of every new loop round.

MTC (MIDI Time Clock) is also a much better protocol than MIDI Clock.
Every device that synchronizes by MIDI Clock does in essence play a
trying-to-catch-up game that is doomed to be lost because the slave
device can not detect that it is too early or too late when it has
already passed the erroneous point.

Ive used analog sync code to, as when striping tape with SMPTE and
having a device reading it and sending out a clock pulse. This worked
surprisingly well.

My strategy in both hardware and software based loopage is to run the
looper as the master to let the loops spin freely and then slave sync
effect devices as delays, tremolos and alike.

Best synchronization between two looping devices I have experienced is
the EDP's brother sync. Except for that I prefer to sync by ear rather
than technically, when playing together in en ensemble with other
looping musicians. Even in the studio, when recording, I prefer not to
technically sync my looper but rather start a loop in sync by ear and
play stuff as long as I stay on the beat (while recording it all to
the house recorder)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 19:05:59 2009
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Subject: Re: Is That Jazz Festival Video
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I can do it.. np...

On Tue, Mar 24, 2009 at 6:39 PM, Jim Goodin <jimgoodinmusic@gmail.com>wrote:

> Kris I may can do it.  Is your video on box.net as well?
>
> Jim
>
> On Tue, Mar 24, 2009 at 1:03 PM, Krispen Hartung <info@krispenhartung.com>wrote:
>
>>  I finally got around to "trying" to produce a video of my performance at
>> the Is That Jazz Experimental Music Festival in Seatte, WA, January 2009.
>> They had someone recording the whole show camera.  (MP3 version:
>> http://www.box.net/shared/a0gxc61yzq )
>>
>> However, I struggled for too many hours attemping to sync this direct
>> recording with the video, with no luck. They were not aligned (off by 3 or
>> so seconds), and I'm just not competent enough with this technology to sync
>> them. I tried altering the length of my direct recording and I managed to
>> sync it in my editing program, but then when I exported it to windows media
>> or mpeg, the exported file would be out of sync...strange. I give up.
>>
>> Is anyone really good at this?  I'll pay someone to do it. I can provide
>> the source video file and the wav of my direct recording.  I only need the
>> first song in video format.
>>
>> Kris
>>
>> Kris Hartung
>> www.krispenhartung.com
>> info@krispenhartung.com
>>
>>
>>
>
>
>
> --
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6d59e1fb8553a0465e212aa
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I can do it.. np...<br><br><div class=3D"gmail_quote">On Tue, Mar 24, 2009 =
at 6:39 PM, Jim Goodin <span dir=3D"ltr">&lt;<a href=3D"mailto:jimgoodinmus=
ic@gmail.com">jimgoodinmusic@gmail.com</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); =
margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

<div>Kris I may can do it.=A0 Is your video on <a href=3D"http://box.net" t=
arget=3D"_blank">box.net</a> as well?</div>
<div>=A0</div>
<div>Jim<br><br></div><div><div></div><div class=3D"h5">
<div class=3D"gmail_quote">On Tue, Mar 24, 2009 at 1:03 PM, Krispen Hartung=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:info@krispenhartung.com" target=3D=
"_blank">info@krispenhartung.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0px 0px 0px 0.8ex; padding-left: 1ex;">
<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">I finally got around to=A0&quot;trying=
&quot; to produce a=A0video of my performance at the Is That Jazz Experimen=
tal Music Festival in Seatte, WA, January 2009.=A0 They had someone recordi=
ng the whole show camera.=A0 (MP3 version: <a href=3D"http://www.box.net/sh=
ared/a0gxc61yzq" target=3D"_blank">http://www.box.net/shared/a0gxc61yzq</a>=
=A0)</font></div>



<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">However, I struggled for too many hour=
s attemping to sync=A0this direct recording with the video, with no luck. T=
hey were not aligned (off by 3 or so seconds), and I&#39;m just not compete=
nt enough with this technology to sync them. I tried altering the length of=
 my direct recording and I managed to sync it in my editing program, but th=
en when I exported it to windows media or mpeg, the exported file would be =
out of sync...strange. I give up. </font></div>



<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Is anyone really good at this?=A0 I&#3=
9;ll pay someone to do it. I can provide the source video file and the wav =
of my direct recording.=A0 I only need the first song in video format. </fo=
nt></div>



<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Kris</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Kris Hartung<br><a href=3D"http://www.=
krispenhartung.com/" target=3D"_blank">www.krispenhartung.com</a></font><fo=
nt face=3D"Arial" size=3D"2"><br><a href=3D"mailto:info@krispenhartung.com"=
 target=3D"_blank">info@krispenhartung.com</a></font></div>



<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div></div></blockquote></d=
iv><br><br clear=3D"all"><br></div></div>-- <br>music links...<br><a href=
=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmusic.com=
</a><br><a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www=
.chinapaintingmusic.com</a><br>


<a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">www.mys=
pace.com/jimgoodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaint=
ingmusic" target=3D"_blank">www.myspace.com/chinapaintingmusic</a><br><a hr=
ef=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_blank">www.=
myspace.com/jimgoodinviolinelectro</a><br>


<a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.myspace.c=
om/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmusic" target=
=3D"_blank">www.youtube.com/jimgoodinmusic</a><br><br>video work/editing...=
<br>

<a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">www.vim=
eo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c" target=3D"_blank">www.twitter.com/jimgoodinmusic</a><br><br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0016e6d59e1fb8553a0465e212aa--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 19:23:16 2009
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Date: Tue, 24 Mar 2009 20:22:57 +0100
Message-ID: <9ab0c76f0903241222l582a36b0g329b22845a957a6f@mail.gmail.com>
Subject: Re: do any slave sync?
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
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On Tue, Mar 24, 2009 at 7:56 PM, Per Boysen <perboysen@gmail.com> wrote:

> My strategy in both hardware and software based loopage is to run the
> looper as the master to let the loops spin freely and then slave sync
> effect devices as delays, tremolos and alike.
>

Yes, you MUST do this... Obviously the looper is the "thing" producing the
noise most of the time, therfore It should be its own Boss.. I always sync
to my edp (currently solving issues about solving 2 of them.. but...) other
things work OK, Repeater as mentioned by Rainer synchs well to other things,
Ive never tried it as a master, due to the bad rumours... I have my Vortex
synched to the EDP also using hard-wired internal modification using the old
"mattias method". I have a MOFX, that REALLY plays up under bad synch... and
is very unstable at synching, but in a good way... and I have 2 DJ effects,
The Redsound Federation is a bit late IMHO, and sometimes I like to take
that OFF midi synch (thankfully just a switch) and hit some random TAP ...
that way the "cutter" chops the loops in weird ways... plus it synchs pretty
well to incoming audio, as does Repeater.. with "Beat Synch"... I think thsi
is GREAT.. because sometimes you want HALF AS SLOW as midi clock is doing...
Which brings me to the wonderful Roland EF303.. Not only has it got LOTS of
great mangling effects, but its got an analog sequencer to alter effect
parameters.. BUT.. (and Ive NEVER SEEN THIS IN ANOTHER DEVICE!!! Ooops
capslock) It has a setting for changing how fast it runs to midi clock... 4,
8 16, 32 or dotted versions... Its a bit of a ley-combination to get to that
menu, but thankfully it corrects after you leave the menu, so doesnt go out
of synch just cos you made a change...

Im so botherd by "Synch issues" that my website is named after it!!!


Mark


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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<br><br><div class=3D"gmail_quote">On Tue, Mar 24, 2009 at 7:56 PM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">

<div id=3D":13b" class=3D"ii gt">My strategy in both hardware and software =
based loopage is to run the<br>
looper as the master to let the loops spin freely and then slave sync<br>
effect devices as delays, tremolos and alike.</div></blockquote></div><br>Y=
es, you MUST do this... Obviously the looper is the &quot;thing&quot; produ=
cing the noise most of the time, therfore It should be its own Boss.. I alw=
ays sync to my edp (currently solving issues about solving 2 of them.. but.=
..) other things work OK, Repeater as mentioned by Rainer synchs well to ot=
her things, Ive never tried it as a master, due to the bad rumours... I hav=
e my Vortex synched to the EDP also using hard-wired internal modification =
using the old &quot;mattias method&quot;. I have a MOFX, that REALLY plays =
up under bad synch... and is very unstable at synching, but in a good way..=
. and I have 2 DJ effects, The Redsound Federation is a bit late IMHO, and =
sometimes I like to take that OFF midi synch (thankfully just a switch) and=
 hit some random TAP ... that way the &quot;cutter&quot; chops the loops in=
 weird ways... plus it synchs pretty well to incoming audio, as does Repeat=
er.. with &quot;Beat Synch&quot;... I think thsi is GREAT.. because sometim=
es you want HALF AS SLOW as midi clock is doing... Which brings me to the w=
onderful Roland EF303.. Not only has it got LOTS of great mangling effects,=
 but its got an analog sequencer to alter effect parameters.. BUT.. (and Iv=
e NEVER SEEN THIS IN ANOTHER DEVICE!!! Ooops capslock) It has a setting for=
 changing how fast it runs to midi clock... 4, 8 16, 32 or dotted versions.=
.. Its a bit of a ley-combination to get to that menu, but thankfully it co=
rrects after you leave the menu, so doesnt go out of synch just cos you mad=
e a change...<br>

<br>Im so botherd by &quot;Synch issues&quot; that my website is named afte=
r it!!!<br><br><br>Mark<br><br clear=3D"all"><br>-- <br><a href=3D"http://w=
ww.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.=
com/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/=
shop/catlabel.php?q=3DSynch%20Non%20Synch">http://www.looop.no/shop/catlabe=
l.php?q=3DSynch%20Non%20Synch</a><br>



--001636c5a3f568505e0465e250fc--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 19:28:47 2009
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Subject: Re: do any slave sync?
Date: Tue, 24 Mar 2009 12:28:39 -0700
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> Bob, you also mentioned sync experiments you conducted with the LP1.
> Does the LP1 also have the aforementioned kind of "clock delay
> compensation" setting?

LP1 doesn't need to because it has no concept of absolute time.  Everything 
is relative to the clock that it sees.  Therefore, all the delays are 
already factored in because they are there at the time of recording.  So, 
this isn't an issue in the LP1.

Bob Amstadt
Looperlative Audio Products 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 19:30:13 2009
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Subject: Re: do any slave sync?
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> well, I guess the edp didn't work for you in that respect ;-)
> It definitely syncs, but won't follow a change in tempo.

Attempting to follow a change in tempo is a very difficult thing for any 
looping device to do. 

From bpol@poste.it  Tue Mar 24 21:13:43 2009
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 21:42:07 2009
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Not exactly looping, but effing brilliant none the less.

  http://www.list.co.uk/article/16421-kutiman-thru-you/

And an interview with NPR.

  http://www.npr.org/templates/story/story.php?storyId=3D101959636


Jeff

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From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: do any slave sync?
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I used to sync my EDP to my MPC1000 sampler and though it stayed synced lon=
ger than any of the other oboxes ive tried it also drifted with time as wel=
l so i just gave up on that idea.

www.myspace.com/luisangulocom


--- On Tue, 3/24/09, andy butler <akbutler@tiscali.co.uk> wrote:

> From: andy butler <akbutler@tiscali.co.uk>
> Subject: Re: do any slave sync?
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, March 24, 2009, 11:16 AM
> well, I guess the edp didn't work for
> you in that respect ;-)
> It definitely syncs, but won't follow a change in tempo.
>=20
> The Lexicon JamMan syncs hard to incoming midi, and will
> always retrigger at the start of the bar, even if the clock
> tempo changes.
> (no timestretch)
>=20
> andy
>=20
> L.Angulo wrote:
> > Hi people,
> > Here is the absurd question of the year:
> > Do any of the current existing hardware loopers sync
> when being slaved?
> > Is this hopeless? from all of the ones ive tried all
> of them drifted with time,the only one i never got to try
> this way was the LP1.I understand that our timing
> imperfections are part of it but there has to be=A0 a
> way!
> > I was so happy when the Eventide timefactor came out
> and bought the adrenalinn thinking i could have 2 stomps
> with midi in and out and accomplish this but no such luck
> either;-(
> > cheers
> > Luis
> >=20
> > www.myspace.com/luisangulocom
> >=20
> >=20
> >=A0 =A0 =A0=A0=A0
> >=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 22:05:22 2009
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--_4e18142f-c04e-4de8-8d9e-5a08f280e96e_
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=20

having issues.....still researching....but thought one of you might have ex=
perience with this-

=20

simply put=2C im trying to run PT 7.4 on a macbook pro under bootcamp XP SP=
3-

getting an error message about data underflowed during record/playback.....=
.... the only straight answer i can get is that PT is simply not supported =
under bootcamp... but it works for many people=2C just trying to figure out=
 why not for me -

=20

any help appreciated...... i know this is a looping forumn... but more impo=
rtantly its an incredible database of people who have been doing this longe=
r than ive been alive =3DD

=20

fro

=20

_________________________________________________________________
Hotmail=AE is up to 70% faster. Now good news travels really fast.
http://windowslive.com/online/hotmail?ocid=3DTXT_TAGLM_WL_HM_70faster_03200=
9=

--_4e18142f-c04e-4de8-8d9e-5a08f280e96e_
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<html>
<head>
<style>
.hmmessage P
{
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padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
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</head>
<body class=3D'hmmessage'>
&nbsp=3B<BR>
having issues.....still researching....but thought one of you might have ex=
perience with this-<BR>
&nbsp=3B<BR>
simply put=2C im&nbsp=3Btrying to run&nbsp=3BPT 7.4 on a macbook pro under =
bootcamp XP SP3-<BR>
getting an error&nbsp=3Bmessage about data underflowed during record/playba=
ck......... the only straight answer i can get is that&nbsp=3BPT is simply&=
nbsp=3Bnot supported under bootcamp... but it works for many people=2C just=
 trying to figure out why not for me -<BR>
&nbsp=3B<BR>
any help appreciated...... i know this is a looping forumn... but more impo=
rtantly its an incredible database of people who have been doing this longe=
r than ive been alive =3DD<BR>
&nbsp=3B<BR>
fro<BR>
&nbsp=3B<BR><br /><hr />Hotmail=AE is up to 70% faster. Now good news trave=
ls really fast. <a href=3D'http://windowslive.com/online/hotmail?ocid=3DTXT=
_TAGLM_WL_HM_70faster_032009' target=3D'_new'>Find out more.</a></body>
</html>=

--_4e18142f-c04e-4de8-8d9e-5a08f280e96e_--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 22:26:18 2009
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In a message dated 3/24/09 5:42:19 PM, jeff.larson@sailpoint.com writes:


> http://www.list.co.uk/article/16421-kutiman-thru-you/
> 

what fun!.....thanks jeff



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
Feeling the pinch at the grocery store?  Make meals for Under 
$10. (http://food.aol.com/frugal-feasts?ncid=emlcntusfood00000002)

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/24/09 5:42:19 PM, jeff.larson@sailpoint.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">http://www.list.co.uk=
/article/16421-kutiman-thru-you/<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">what fun!.....thanks jeff<BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************<BR>Feeling the pinch at the grocery sto=
re?  Make meals for Under $10. (http://food.aol.com/frugal-feasts?ncid=3Deml=
cntusfood00000002)</HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 22:31:44 2009
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Date: Tue, 24 Mar 2009 15:31:42 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: do any slave sync?
To: Loopers-Delight@loopers-delight.com
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awesome thanx!
www.myspace.com/luisangulocom


--- On Tue, 3/24/09, Jeff Duke <jeff_d@embarqmail.com> wrote:

> From: Jeff Duke <jeff_d@embarqmail.com>
> Subject: Re: do any slave sync?
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, March 24, 2009, 7:26 AM
> Hey Luis,
>=20
> I use the Electro Harmonix 2880 and it slaves fine. The
> only thing is when slaved you can't use octave down. Also
> when reversing the loop and back it will wallow when slaved
> until you restart it. As long as I am just doing
> looping/layering it works ok. I don't use it with midi often
> but it works with my Boss DR 670 as master or slave.
>=20
> Jeff
>=20
> ----- Original Message ----- From: "L.Angulo" <labaloops@yahoo.com>
> To: "Loopers Delight" <loopers-delight@loopers-delight.com>
> Sent: Tuesday, March 24, 2009 9:58 AM
> Subject: do any slave sync?
>=20
>=20
> >=20
> > Hi people,
> > Here is the absurd question of the year:
> > Do any of the current existing hardware loopers sync
> when being slaved?
> > Is this hopeless? from all of the ones ive tried all
> of them drifted with time,the only one i never got to try
> this way was the LP1.I understand that our timing
> imperfections are part of it but there has to be=A0 a
> way!
> > I was so happy when the Eventide timefactor came out
> and bought the adrenalinn thinking i could have 2 stomps
> with midi in and out and accomplish this but no such luck
> either;-(
> > cheers
> > Luis
> >=20
> > www.myspace.com/luisangulocom
> >=20
> >=20
> >=20
> >=20
> >=20
>=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 22:37:20 2009
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Date: Tue, 24 Mar 2009 15:37:19 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Re:do any slave sync?
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thanx Bob so what would happen if u recorded a loop while syncing a drum bo=
x and you started the loop a bit off either too early or late? I seem to re=
call that the EDP did some sort of quantization though its been a long time=
 since i dont use it like that anymore.

www.myspace.com/luisangulocom


--- On Tue, 3/24/09, Bob Amstadt <bob@amstadt.com> wrote:

> From: Bob Amstadt <bob@amstadt.com>
> Subject: Re: Re:do any slave sync?
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, March 24, 2009, 7:40 AM
> I can't speak for the others, but I
> can speak for the LP1.=A0 I test the MIDI slave function
> of the LP1 by running a drum machine into the LP1 (audio and
> MIDI).=A0 Then I record the drum machine into a loop and
> let it play with the LP1.=A0 Now I have two devices
> playing the exact same music.=A0 I have left the LP1 like
> this for hours with no drift.=A0 The two stay locked
> except for a small phasing effect because there is no way to
> get the two audio signals perfectly in sync.
>=20
> Bob Amstadt
> Looperlative Audio Products=20
> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 22:42:50 2009
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Subject: Re: Re:do any slave sync?
Date: Tue, 24 Mar 2009 15:42:48 -0700
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The LP1 doesn't really stop loops when you hit stop.  Instead it just mutes 
them.  So, when you hit play, it will continue to be in sync.


----- Original Message ----- 
From: "L.Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, March 24, 2009 3:37 PM
Subject: Re: Re:do any slave sync?



thanx Bob so what would happen if u recorded a loop while syncing a drum box 
and you started the loop a bit off either too early or late? I seem to 
recall that the EDP did some sort of quantization though its been a long 
time since i dont use it like that anymore.

www.myspace.com/luisangulocom


--- On Tue, 3/24/09, Bob Amstadt <bob@amstadt.com> wrote:

> From: Bob Amstadt <bob@amstadt.com>
> Subject: Re: Re:do any slave sync?
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, March 24, 2009, 7:40 AM
> I can't speak for the others, but I
> can speak for the LP1. I test the MIDI slave function
> of the LP1 by running a drum machine into the LP1 (audio and
> MIDI). Then I record the drum machine into a loop and
> let it play with the LP1. Now I have two devices
> playing the exact same music. I have left the LP1 like
> this for hours with no drift. The two stay locked
> except for a small phasing effect because there is no way to
> get the two audio signals perfectly in sync.
>
> Bob Amstadt
> Looperlative Audio Products
>





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Invitation&nbsp;: "Dearest,".


Par votre hôte Rita Abu:


     Date:		mardi 24 mars 2009

     Heure:		22h 15 - 23h 15 (GMT+00:00)
     Rue:		Dearest,I am Miss Rita Abu, tall, slim, fair and a very good looking girl that loves travelling and dancing, a student, that loves to be loved, kindly I am compelled to contact you via this medium for obvious reasons which you will understand when we discuss details of my proposition. Pls I will like you to reply to me through my mail ( rita_abu2009@yahoo.fr) so that we will know each other very well Miss Rita Abu.

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 24 23:50:53 2009
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From: J Johans <parispro00@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: ProTools and Bootcamp
Date: Tue, 24 Mar 2009 18:50:52 -0500
Importance: Normal
In-Reply-To: <COL118-W2A59063B71F6DAABD1F26DB930@phx.gbl>
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solution: disable wireless -

i shoulda guessed it....as ive run into this will laptop looping w/dells...=
..but i thought it was a computer parts  thing... not an operating system t=
hing-



From: parispro00@hotmail.com
To: loopers-delight@loopers-delight.com
Subject: ProTools and Bootcamp
Date: Tue=2C 24 Mar 2009 17:05:21 -0500








=20

having issues.....still researching....but thought one of you might have ex=
perience with this-

=20

simply put=2C im trying to run PT 7.4 on a macbook pro under bootcamp XP SP=
3-

getting an error message about data underflowed during record/playback.....=
.... the only straight answer i can get is that PT is simply not supported =
under bootcamp... but it works for many people=2C just trying to figure out=
 why not for me -

=20

any help appreciated...... i know this is a looping forumn... but more impo=
rtantly its an incredible database of people who have been doing this longe=
r than ive been alive =3DD

=20

fro

=20

Hotmail=AE is up to 70% faster. Now good news travels really fast. Find out=
 more.
_________________________________________________________________
Get quick access to your favorite MSN content with Internet Explorer 8.=20
http://ie8.msn.com/microsoft/internet-explorer-8/en-us/ie8.aspx?ocid=3DB037=
MSN55C0701A=

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<html>
<head>
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padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
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</style>
</head>
<body class=3D'hmmessage'>
solution: disable wireless -<br><br>i shoulda guessed it....as ive run into=
 this will laptop looping w/dells.....but i thought it was a computer parts=
&nbsp=3B thing... not an operating system thing-<br><br><br><br><hr id=3D"s=
topSpelling">From: parispro00@hotmail.com<br>To: loopers-delight@loopers-de=
light.com<br>Subject: ProTools and Bootcamp<br>Date: Tue=2C 24 Mar 2009 17:=
05:21 -0500<br><br>



<style>
.ExternalClass .EC_hmmessage P
{padding:0px=3B}
.ExternalClass body.EC_hmmessage
{font-size:10pt=3Bfont-family:Verdana=3B}
</style>


&nbsp=3B<br>
having issues.....still researching....but thought one of you might have ex=
perience with this-<br>
&nbsp=3B<br>
simply put=2C im&nbsp=3Btrying to run&nbsp=3BPT 7.4 on a macbook pro under =
bootcamp XP SP3-<br>
getting an error&nbsp=3Bmessage about data underflowed during record/playba=
ck......... the only straight answer i can get is that&nbsp=3BPT is simply&=
nbsp=3Bnot supported under bootcamp... but it works for many people=2C just=
 trying to figure out why not for me -<br>
&nbsp=3B<br>
any help appreciated...... i know this is a looping forumn... but more impo=
rtantly its an incredible database of people who have been doing this longe=
r than ive been alive =3DD<br>
&nbsp=3B<br>
fro<br>
&nbsp=3B<br><br><hr>Hotmail=AE is up to 70% faster. Now good news travels r=
eally fast. <a href=3D"http://windowslive.com/online/hotmail?ocid=3DTXT_TAG=
LM_WL_HM_70faster_032009">Find out more.</a><br /><hr />Get quick access to=
 your favorite MSN content with Internet Explorer 8. <a href=3D'http://ie8.=
msn.com/microsoft/internet-explorer-8/en-us/ie8.aspx?ocid=3DB037MSN55C0701A=
' target=3D'_new'>Download FREE now!</a></body>
</html>=

--_863b880b-4570-47c0-a8cb-e3009a4a5a9b_--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 01:34:29 2009
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	id 74C503BE78; Wed, 25 Mar 2009 01:34:29 +0000 (UTC)
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Content-Type: multipart/alternative; boundary=Apple-Mail-2--209610351
From: Richard Roberts <zeroohms@basicisp.net>
Subject: ProTools & Bootcamp
Date: Tue, 24 Mar 2009 20:05:10 -0500
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--Apple-Mail-2--209610351
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I run PT 7.4 on an iMac but do NOT have Bootcamp onboard.
The only time I get those underflow error messages is when running =20
ANYTHING else in addition to PT, i.e., retrieving email or anything =20
else online, editing a Word document, etc. Avoiding running anything =20
else while running PT has eliminated most of the messages.
I was told maxing out my RAM would help as well but haven't done this =20=

yet.

Richard Roberts
ZERO OHMS=99

"We are no longer the same after hearing certain sounds, and this is =20
more the case when we hear organized sounds, sounds organized by =20
another human being: music."
- Karlheinz Stockhausen

"If I should ever die, God forbid, let this be my epitaph: THE ONLY =20
PROOF HE NEEDED FOR THE EXISTENCE OF GOD WAS MUSIC."
- Kurt Vonnegut, Jr.

New Zero Ohms CD w/ Craig Padilla & Skip Murphy  'Beyond the =20
Portal':  http://www.lotuspike.com/shop/product_info.php?=20
cPath=3D26_23&products_id=3D69




having issues.....still researching....but thought one of you might =20
have experience with this-

simply put, im trying to run PT 7.4 on a macbook pro under bootcamp =20
XP SP3-
getting an error message about data underflowed during record/=20
playback......... the only straight answer i can get is that PT is =20
simply not supported under bootcamp... but it works for many people, =20
just trying to figure out why not for me -

any help appreciated...... i know this is a looping forumn... but =20
more importantly its an incredible database of people who have been =20
doing this longer than ive been alive =3DD

fro



--Apple-Mail-2--209610351
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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">I run PT 7.4 on an iMac but do =
NOT have Bootcamp onboard.=A0<DIV>The only time I get those underflow =
error messages is when running ANYTHING else in addition to PT, i.e., =
retrieving email or anything else online, editing a Word document, etc. =
Avoiding running anything else while running PT has eliminated most of =
the messages.</DIV><DIV>I was told maxing out my RAM would help as well =
but haven't done this yet.</DIV><DIV><BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>Richard =
Roberts</DIV><DIV>ZERO OHMS=99</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><I style=3D"font-size: 10px; font-style: =
italic; "><SPAN class=3D"Apple-style-span" style=3D"font-size: 10px; =
font-style: italic; "><SPAN class=3D"Apple-style-span" style=3D"font-size:=
 10px; font-style: italic; ">"We are no longer the same after hearing =
certain sounds, and this is more the case when we hear organized sounds, =
sounds organized by another human being: =
music."=A0=A0</SPAN></SPAN></I></SPAN></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;"><I =
style=3D"font-size: 10px; font-style: italic; "><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px; font-style: italic; =
"><SPAN class=3D"Apple-style-span" style=3D"font-size: 10px; font-style: =
italic; ">- Karlheinz =
Stockhausen</SPAN></SPAN></I></SPAN></FONT></DIV><DIV style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><I style=3D"font-size: 10px; font-style: =
italic; "><BR class=3D"khtml-block-placeholder"></I></SPAN></FONT></DIV><P=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 1px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;"><I =
style=3D"font-size: 10px; font-style: italic; "><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px; font-style: italic; =
"><SPAN class=3D"Apple-style-span" style=3D"font-size: 10px; font-style: =
italic; ">"If I should ever die, God forbid, let this be my epitaph:=A0THE=
 ONLY PROOF HE NEEDED=A0FOR THE EXISTENCE OF GOD=A0WAS =
MUSIC."</SPAN></SPAN></I></SPAN></FONT></P><P style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 1px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><I style=3D"font-size: 10px; font-style: =
italic; "><SPAN class=3D"Apple-style-span" style=3D"font-size: 10px; =
font-style: italic; "><SPAN class=3D"Apple-style-span" style=3D"font-size:=
 10px; font-style: italic; ">- Kurt=A0Vonnegut, =
Jr.=A0</SPAN></SPAN></I></SPAN></FONT></P><P style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 1px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><I style=3D"font-size: 10px; font-style: =
italic; "><BR class=3D"khtml-block-placeholder"></I></SPAN></FONT></P><P =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 1px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;"><I =
style=3D"font-size: 10px; font-style: italic; "><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px; font-style: italic; =
"><SPAN class=3D"Apple-style-span" style=3D"font-size: 10px; font-style: =
italic; ">New Zero Ohms CD w/ Craig Padilla &amp; Skip Murphy=A0 'Beyond =
the Portal':=A0=A0</SPAN><FONT class=3D"Apple-style-span" size=3D"3"><SPAN=
 class=3D"Apple-style-span" style=3D"font-size: 12px; font-style: =
normal;"><A =
href=3D"http://www.lotuspike.com/shop/product_info.php?cPath=3D26_23&produ=
cts_id=3D69">http://www.lotuspike.com/shop/product_info.php?cPath=3D26_23&=
amp;products_id=3D69</A></SPAN></FONT></SPAN></I></SPAN></FONT></P><DIV><B=
R class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN> </DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><P style=3D"margin: 0.0px 0.0px =
0.0px 0.0px"><FONT class=3D"Apple-style-span" face=3D"Verdana" =
size=3D"4"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
13.3px;">=A0</SPAN></FONT></P><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" size=3D"4"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 13.3px;"><FONT class=3D"Apple-style-span" =
face=3D"Arial"><I>having issues.....still researching....but thought one =
of you might have experience with this-</I></FONT></SPAN></FONT></DIV><P =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><FONT class=3D"Apple-style-span"=
 size=3D"4"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
13.3px;"><FONT class=3D"Apple-style-span" =
face=3D"Arial"><I>=A0</I></FONT></SPAN></FONT></P><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13.3px;"><FONT =
class=3D"Apple-style-span" face=3D"Arial"><I>simply put, im=A0trying to =
run=A0PT 7.4 on a macbook pro under bootcamp XP =
SP3-</I></FONT></SPAN></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" size=3D"4"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 13.3px;"><FONT class=3D"Apple-style-span" =
face=3D"Arial"><I>getting an error=A0message about data underflowed =
during record/playback......... the only straight answer i can get is =
that=A0PT is simply=A0not supported under bootcamp... but it works for =
many people, just trying to figure out why not for me =
-</I></FONT></SPAN></FONT></DIV><P style=3D"margin: 0.0px 0.0px 0.0px =
0.0px"><FONT class=3D"Apple-style-span" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13.3px;"><FONT =
class=3D"Apple-style-span" =
face=3D"Arial"><I>=A0</I></FONT></SPAN></FONT></P><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13.3px;"><FONT =
class=3D"Apple-style-span" face=3D"Arial"><I>any help appreciated...... =
i know this is a looping forumn... but more importantly its an =
incredible database of people who have been doing this longer than ive =
been alive =3DD</I></FONT></SPAN></FONT></DIV><P style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><FONT class=3D"Apple-style-span" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13.3px;"><FONT =
class=3D"Apple-style-span" =
face=3D"Arial"><I>=A0</I></FONT></SPAN></FONT></P><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" size=3D"4"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 13.3px;"><FONT =
class=3D"Apple-style-span" =
face=3D"Arial"><I>fro</I></FONT></SPAN></FONT></DIV><P style=3D"margin: =
0.0px 0.0px 0.0px 0.0px"><FONT class=3D"Apple-style-span" size=3D"4"><SPAN=
 class=3D"Apple-style-span" style=3D"font-size: 13.3px;"><FONT =
class=3D"Apple-style-span" =
face=3D"Arial"><I>=A0</I></FONT></SPAN></FONT></P><BR></DIV></BODY></HTML>=

--Apple-Mail-2--209610351--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 02:26:39 2009
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	id 5E8B33BE72; Wed, 25 Mar 2009 02:26:39 +0000 (UTC)
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From: tyler newman <tyler@batterycage.com>
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <20090324235053.61DC93BE89@arsenic.violacea.com>
Content-Type: multipart/alternative; boundary=Apple-Mail-4--207054928
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Subject: re: ProTools and Bootcamp
Date: Tue, 24 Mar 2009 18:47:46 -0700
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X-Mailer: Apple Mail (2.929.2)
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hi-

> simply put, im trying to run PT 7.4 on a macbook pro under bootcamp  
> XP SP3-
> getting an error message about data underflowed during record/ 
> playback......... the only straight answer i can get is that PT is  
> simply not supported under bootcamp... but it works for many people,  
> just trying to figure out why not for me -

well, the reason that it's "not supported" is simply because it hasn't  
been tested. of course this doesn't mean that it _won't_ work, but  
you're not going to get anyone at digi to help you get that  
configuration running. i know that that you _can_ run PT on bootcamp  
disks, but there's probably something specific to your config.

i'd need to know more about the specific error that you're seeing  
before i could really make any suggestions, but it sounds like there's  
some kind of issue getting the data of the disk fast enough. without  
knowing anything about your system, the first thing i would try is  
reducing your track count until it works. it's almost definitely a  
disk speed issue.

- tyler / battery cage
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	charset=US-ASCII
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>hi-</div><div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Verdana; font-size: 13px; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; ">simply put, im&nbsp;trying to =
run&nbsp;PT 7.4 on a macbook pro under bootcamp XP SP3-<br>getting an =
error&nbsp;message about data underflowed during =
record/playback......... the only straight answer i can get is =
that&nbsp;PT is simply&nbsp;not supported under bootcamp... but it works =
for many people, just trying to figure out why not for me =
-</span></blockquote></div><br><div>well, the reason that it's "not =
supported" is simply because it hasn't been tested. of course this =
doesn't mean that it _won't_ work, but you're not going to get anyone at =
digi to help you get that configuration running. i know that that you =
_can_ run PT on bootcamp disks, but there's probably something specific =
to your config.</div><div><br></div><div>i'd need to know more about the =
specific error that you're seeing before i could really make any =
suggestions, but it sounds like there's some kind of issue getting the =
data of the disk fast enough. without knowing anything about your =
system, the first thing i would try is reducing your track count until =
it works. it's almost definitely a disk speed =
issue.</div><div><br></div><div>- tyler / battery =
cage</div></body></html>=

--Apple-Mail-4--207054928--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 07:58:07 2009
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	 <9e0440a60903200635v48411bc1y7b31ed16c9dcfd62@mail.gmail.com>
Date: Wed, 25 Mar 2009 00:58:05 -0700
Message-ID: <c70e517b0903250058m23fa070l1c53d591c9f67335@mail.gmail.com>
Subject: Re: East coast loop-friendly venues?
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Sorry about my late responses - day job has been really hectic.

Thanks for the details. I know the Stone is pretty much impossible if
you're not already friends with John Zorn, or friends with his
friends.

I played at Issue Project Room a couple years ago. They were lovely
folks and I'm trying to set it up again.

I'm set up at the Red Room in Baltimore too - when I was organizing
the Big Sur Experimental Music Festival we had some of those folks
come out and play.

Thanks to the folks on this list for your great responses - I'm
looking into/following up on them.

On Fri, Mar 20, 2009 at 6:35 AM, Jim Goodin <jimgoodinmusic@gmail.com> wrot=
e:
> Matt the Stone seems tighter than Fort Knox so to speak. =A0It seems to b=
e an
> extension of where Tonic had been going meaning a monthly rotational cura=
tor
> and about the only way to connect was to go there and 'hang' as they say
> which is something that frustrates me with a lot of the 'scene' here when
> time is so limited at least for me.
> There is also a similiar place in Brooklyn where I am that's called Issue
> Project Room. =A0They atleast provide their contacts though it too is rat=
her
> tight though a couple on this list have played there so perhaps they can
> reflect to you.
> Are you playing the Red Room I think it's called in Baltimore? =A0We trie=
d to
> get Chinapainting there, it's supposed to be the cat's meow down there.
> If you haven't checked out places in Williamsburg (Brooklyn) there are a
> few. =A0One that is a neat place, open to a lot of diff stuff but
> unfortunately doesn't do well with walk in traffic is a place called the
> Stain. =A0Zebulon is also good but harder to get in.
> More if you need but rushing for now.
> Luck with it all...
> Jim
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 08:36:54 2009
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Bob Amstadt wrote:
> The LP1 doesn't really stop loops when you hit stop.  Instead it just 
> mutes them.  So, when you hit play, it will continue to be in sync.

that's nice,
but I don't think it answers Luis question,
more explanation below.



> 
> thanx Bob so what would happen if u recorded a loop while syncing a drum 
> box and you started the loop a bit off either too early or late? I seem 
> to recall that the EDP did some sort of quantization though its been a 
> long time since i dont use it like that anymore.
> 
> www.myspace.com/luisangulocom
> 

Luis,
did the edp sync ok for you?

The edp would have started to record exactly when you pressed record,
and would have rounded the length of the loop to fit the incoming midi.
So edp start point can be displaced against the start point of the midi bar
by any arbitrary amount, and it will stay synced. The recorded audio is kept
precisely in time, irrelevant of where the the loop startpoint is.
You wouldn't notice the displacement unless you re-triggered the loop.

I've no idea if the Looperlative does that.


andy

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 08:46:12 2009
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Date: Wed, 25 Mar 2009 09:45:55 +0100
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Subject: Re: East coast loop-friendly venues?
From: mark francombe <mark@markfrancombe.com>
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--001636c5b07c0783890465ed88a1
Content-Type: text/plain; charset=ISO-8859-1
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Hey Matt,

Got any venue details...? Add them to my tool please?

http://www.markfrancombe.com/wordpress/?page_id=525


On Wed, Mar 25, 2009 at 8:58 AM, Matt Davignon <mattdavignon@gmail.com>wrote:

> Sorry about my late responses - day job has been really hectic.
>
> Thanks for the details. I know the Stone is pretty much impossible if
> you're not already friends with John Zorn, or friends with his
> friends.
>
> I played at Issue Project Room a couple years ago. They were lovely
> folks and I'm trying to set it up again.
>
> I'm set up at the Red Room in Baltimore too - when I was organizing
> the Big Sur Experimental Music Festival we had some of those folks
> come out and play.
>
> Thanks to the folks on this list for your great responses - I'm
> looking into/following up on them.
>
> On Fri, Mar 20, 2009 at 6:35 AM, Jim Goodin <jimgoodinmusic@gmail.com>
> wrote:
> > Matt the Stone seems tighter than Fort Knox so to speak.  It seems to be
> an
> > extension of where Tonic had been going meaning a monthly rotational
> curator
> > and about the only way to connect was to go there and 'hang' as they say
> > which is something that frustrates me with a lot of the 'scene' here when
> > time is so limited at least for me.
> > There is also a similiar place in Brooklyn where I am that's called Issue
> > Project Room.  They atleast provide their contacts though it too is
> rather
> > tight though a couple on this list have played there so perhaps they can
> > reflect to you.
> > Are you playing the Red Room I think it's called in Baltimore?  We tried
> to
> > get Chinapainting there, it's supposed to be the cat's meow down there.
> > If you haven't checked out places in Williamsburg (Brooklyn) there are a
> > few.  One that is a neat place, open to a lot of diff stuff but
> > unfortunately doesn't do well with walk in traffic is a place called the
> > Stain.  Zebulon is also good but harder to get in.
> > More if you need but rushing for now.
> > Luck with it all...
> > Jim
> >
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5b07c0783890465ed88a1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey Matt,<br><br>Got any venue details...? Add them to my tool please?<br><=
br><a href=3D"http://www.markfrancombe.com/wordpress/?page_id=3D525">http:/=
/www.markfrancombe.com/wordpress/?page_id=3D525</a><br><br><br><div class=
=3D"gmail_quote">

On Wed, Mar 25, 2009 at 8:58 AM, Matt Davignon <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:mattdavignon@gmail.com" target=3D"_blank">mattdavignon@gmail.co=
m</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Sorry about my la=
te responses - day job has been really hectic.<br>
<br>
Thanks for the details. I know the Stone is pretty much impossible if<br>
you&#39;re not already friends with John Zorn, or friends with his<br>
friends.<br>
<br>
I played at Issue Project Room a couple years ago. They were lovely<br>
folks and I&#39;m trying to set it up again.<br>
<br>
I&#39;m set up at the Red Room in Baltimore too - when I was organizing<br>
the Big Sur Experimental Music Festival we had some of those folks<br>
come out and play.<br>
<br>
Thanks to the folks on this list for your great responses - I&#39;m<br>
looking into/following up on them.<br>
<br>
On Fri, Mar 20, 2009 at 6:35 AM, Jim Goodin &lt;<a href=3D"mailto:jimgoodin=
music@gmail.com" target=3D"_blank">jimgoodinmusic@gmail.com</a>&gt; wrote:<=
br>
&gt; Matt the Stone seems tighter than Fort Knox so to speak. =A0It seems t=
o be an<br>
&gt; extension of where Tonic had been going meaning a monthly rotational c=
urator<br>
&gt; and about the only way to connect was to go there and &#39;hang&#39; a=
s they say<br>
&gt; which is something that frustrates me with a lot of the &#39;scene&#39=
; here when<br>
&gt; time is so limited at least for me.<br>
&gt; There is also a similiar place in Brooklyn where I am that&#39;s calle=
d Issue<br>
&gt; Project Room. =A0They atleast provide their contacts though it too is =
rather<br>
&gt; tight though a couple on this list have played there so perhaps they c=
an<br>
&gt; reflect to you.<br>
&gt; Are you playing the Red Room I think it&#39;s called in Baltimore? =A0=
We tried to<br>
&gt; get Chinapainting there, it&#39;s supposed to be the cat&#39;s meow do=
wn there.<br>
&gt; If you haven&#39;t checked out places in Williamsburg (Brooklyn) there=
 are a<br>
&gt; few. =A0One that is a neat place, open to a lot of diff stuff but<br>
&gt; unfortunately doesn&#39;t do well with walk in traffic is a place call=
ed the<br>
&gt; Stain. =A0Zebulon is also good but harder to get in.<br>
&gt; More if you need but rushing for now.<br>
&gt; Luck with it all...<br>
&gt; Jim<br>
&gt;<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D=
"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/user825094=
</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




--001636c5b07c0783890465ed88a1--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 12:25:40 2009
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Michael Peters wrote:
>> Please tell me its name so I can google for it or look it up at KVR.
>>     
> Widisoft
>   
Many thanks.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 12:40:11 2009
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J Johans wrote:
> having issues.....still researching....but thought one of you might 
> have experience with this-
> simply put, im trying to run PT 7.4 on a macbook pro under bootcamp XP 
> SP3-
> getting an error message about data underflowed during 
> record/playback......... the only straight answer i can get is that PT 
> is simply not supported under bootcamp... but it works for many 
> people, just trying to figure out why not for me -
> any help appreciated...... i know this is a looping forumn... but more 
> importantly its an incredible database of people who have been doing 
> this longer than ive been alive =D
I'm glad to hear that turning off your wireless fixed your problem.  My 
question, however, is why run under Bootcamp when it will run under OS 
X?  I just bought one of the new iMacs and an M-Audio Firewire 1814.  
Theoretically, I should be able to load in PT8, plug in the iLock and 
1814, and my migration from Dell laptop running WinXP should just work.  
When time allows, I plan on giving it a try.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 13:11:04 2009
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doesn't the Livid Looper come with Max 5? if not, Google it. it's in
Max, source code available. that at least should start you out.

On Mon, Mar 23, 2009 at 8:38 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> I downloaded the 30 demo of max/msp 5 and so far I have gotten through
> half of the max and msp tutorials. It's been a great learning
> experience so far and now I was wondering if anyone could point me in
> the direction of some patches that do looping that I could learn from?
>
>
> Todd Matthews
>
>



-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 13:17:26 2009
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From: rico diessner <rico@ricoloop.com>
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Subject: Re: introducing myself :)
Date: Wed, 25 Mar 2009 14:17:24 +0100
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try this one..  but i dont think this will make beachgirls happy ;)

http://www.dailymotion.com/user/ricoloop/video/x58sp5_boss-rc-50-loopstation-demo-by-rico_music

p.s. its german with subtitles...

:)



On Mar 24, 2009, at 3:04 AM, L.Angulo wrote:

>
> that link didnt work man
> but i like this one
>
> http://www.youtube.com/watch?v=RsTEuLhEZsQ&feature=PlayList&p=8E2F3007DB008BE2&playnext=1&playnext_from=PL&index=13
>
> thats it brother somebody finally gotta get them mothefucke beach  
> girls
> rock on you on your way to the top Rico!
>
>
> www.myspace.com/luisangulocom
>
>
> --- On Mon, 3/23/09, rico diessner <rico@ricoloop.com> wrote:
>
>> From: rico diessner <rico@ricoloop.com>
>> Subject: Re: introducing myself :)
>> To: Loopers-Delight@loopers-delight.com
>> Date: Monday, March 23, 2009, 4:18 PM
>> Hi Luis,
>>
>> Thanks for your kind words:)
>> Yes, it wasnt a good demo!
>> but i tried to improve on that one:
>>
>> http://www.youtube.com/watch?v=FSY808iN7WA
>>
>> maybe you like it :)
>>
>> yes, i know.. its great being here.. Thanks and i hope i
>> can make it to a Festival soon!
>>
>> lots of loops and spring!!!!!!!
>>
>> ricO.
>> #
>> On Mar 23, 2009, at 11:47 PM, L.Angulo wrote:
>>
>>>
>>> Hey Rico!
>>> Welcome to the list man,i remeber becoming aware of
>> you through this list,and yes i remember some funny comments
>> about your demonstration and funky moves;-)i must admit i
>> did not think that was a good demo of the RC 50 capabilities
>> as it was based more on performance(in fact ive yet to see
>> somebody do a good demo of it)
>>> but you definetly have the RC-50 mastered!
>>> I also recall Rick Walker inviting you to the loop
>> festivals but apparently there was no response from you, but
>> now we are glad to have you here,dont worry we are a good
>> gang and there is always a lot to be learned here!
>>> Cheers
>>> Luis
>>>
>>>
>>>
>>> www.myspace.com/luisangulocom
>>>
>>>
>>> --- On Mon, 3/23/09, Bob Amstadt <bob@amstadt.com>
>> wrote:
>>>
>>>> From: Bob Amstadt <bob@amstadt.com>
>>>> Subject: Re: introducing myself :)
>>>> To: Loopers-Delight@loopers-delight.com
>>>> Date: Monday, March 23, 2009, 11:37 AM
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> I never posted anything
>>>> about you, but had I seen
>>>> that comment, I might have. ;-)
>>>>
>>>> Seriously though, welcome
>>>> to the list.  The
>>>> RC50 is definitely not the most powerful looper in
>> the
>>>> world, but if you spend
>>>> any time here, I'm sure you will learn
>>>> that.
>>>>
>>>> Bob Amstadt
>>>>
>>>>   ----- Original Message
>>>> -----
>>>>   I was surprised finding a lot of post's
>> about me
>>>> (actually some where
>>>>   kinda rude!!!)
>>>>   i want to apologize for my demo wich i gave
>> at
>>>> the summer NAMM
>>>>   2006..where i seemed a little too confident
>> and mentioned
>>>> that
>>>>   the RC 50 is the most powerful looper in
>> the
>>>> world!
>>>>
>>>
>>>
>>>
>>>
>>
>>
>
>
>
>

From joyjacktrfgseshrfsdaaaehur@msn.com  Wed Mar 25 14:18:03 2009
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Dear Friend=20
=20
Greetings in the name of God=2CPls let this not sound strange to you for my=
 only surviving lawyer who would have done this died early this year.
=20
i prayed and got your email id from your country guestbook. I am MRS JOYJAC=
K SON from London=2CI am 58 years old=2Ci am suffering from a long time can=
cer of the lungs which also affected my brain=2Cfrom all indication my cond=
itions is really deteriorating and it is quite obvious that=2C according to=
 my doctors they have advised me that i may not live for the next two month=
s=2Cthis is because the cancer stage has gotten to a very bad stage.=20
=20
I was brought up from a motherless babies home was married to my late husba=
nd for twenty years without a child=2Cmy husband died in a fatal motor acci=
dent Before his death we were true believers.Since his death I decided not =
to re-marry=2CI sold all my inherited belongings and deposited all the sum =
of 10million dollars with a First Inland Bank.=20
=20
Presently=2C this money is still with them and the management just wrote me=
 as the true owner to come forward to receive the money for keeping it so l=
ong or rather issue a letter of authorization to somebody to receive it on =
my behalf since I can not come over because of my illness or they get it co=
nfisticated.=20
=20
 Presently=2C I'm with my laptop in a hospital here in Switzerland where I =
have been undergoing treatment for cancer of the lungs. my doctors have tol=
d me that I have only a few months to live.It is my last wish to see that t=
his money is invested to any organisation of your choice and distributed ea=
ch year among the charity organization=2Cthe poor and the motherless babies=
 home.=20
=20
I want you as God fearing person=2C to also use this money to fund church=
=2Cmosque=2C orphanages and widows=2CI took this decision=2C before i rest =
in peace because my time will so on be up.=20
=20
As soon as I receive your reply I shall give you the contact of the First I=
nland Bank.I will also issue you a letter of authority that will prove you =
as the new beneficiary of my fund.=20
=20
Please assure me that you will act accordingly as I stated herein. Hoping t=
o hear from you soon.  NAME: __________SURNAME:__________________SEX: _____=
 AGE: ______MARITAL: _______________COUNTRY: ______
CONTACT ADDRESS: ________________________PHONE NO#___________FAX NO#_______=
__________OCCUPATION:
______________
waiting for you information
reply:me through this my private email
address:mrsjoyjackson2009@yahoo.fr
=20
MRS.JOYJACK SON=

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<DIV><STRONG>Dear Friend <BR>&nbsp=3B<BR>Greetings in the name of God=2CPls=
 let this not sound strange to you for my only surviving lawyer who would h=
ave done this died early this year.<BR>&nbsp=3B<BR>i prayed and got your em=
ail id from your country guestbook. I am MRS JOYJACK SON from London=2CI am=
 58 years old=2Ci am suffering from a long time cancer of the lungs which a=
lso affected my brain=2Cfrom all indication my conditions is really deterio=
rating and it is quite obvious that=2C according to my doctors they have ad=
vised me that i may not live for the next two months=2Cthis is because the =
cancer stage has gotten to a very bad stage. <BR>&nbsp=3B<BR>I was brought =
up from a motherless babies home was married to my late husband for twenty =
years without a child=2Cmy husband died in a fatal motor accident Before hi=
s death we were true believers.Since his death I decided not to re-marry=2C=
I sold all my inherited belongings and deposited all the sum of 10million d=
ollars with a First Inland Bank. <BR>&nbsp=3B<BR>Presently=2C this money is=
 still with them and the management just wrote me as the true owner to come=
 forward to receive the money for keeping it so long or rather issue a lett=
er of authorization to somebody to receive it on my behalf since I can not =
come over because of my illness or they get it confisticated. <BR>&nbsp=3B<=
BR>&nbsp=3BPresently=2C I'm with my laptop in a hospital here in Switzerlan=
d where I have been undergoing treatment for cancer of the lungs. my doctor=
s have told me that I have only a few months to live.It is my last wish to =
see that this money is invested to any organisation of your choice and dist=
ributed each year among the charity organization=2Cthe poor and the motherl=
ess babies home. <BR>&nbsp=3B<BR>I want you as God fearing person=2C to als=
o use this money to fund church=2Cmosque=2C orphanages and widows=2CI took =
this decision=2C before i rest in peace because my time will so on be up. <=
BR>&nbsp=3B<BR>As soon as I receive your reply I shall give you the contact=
 of the First Inland Bank.I will also issue you a letter of authority that =
will prove you as the new beneficiary of my fund. <BR>&nbsp=3B<BR>Please as=
sure me that you will act accordingly as I stated herein. Hoping to hear fr=
om you soon.&nbsp=3B NAME: __________SURNAME:__________________SEX: _____ A=
GE: ______MARITAL: _______________COUNTRY: ______<BR>CONTACT ADDRESS: _____=
___________________PHONE NO#___________FAX NO#_________________OCCUPATION:<=
BR>______________<BR>waiting for you information<BR>reply:me through this m=
y private email<BR>address:mrsjoyjackson2009@yahoo.fr<BR>&nbsp=3B<BR>MRS.JO=
YJACK SON</STRONG></DIV></body>
</html>=

--_03c0d3cd-75c4-43ec-b915-44d6887c019e_--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 14:19:37 2009
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From: Teddy Kumpel <teddybut@mac.com>
To: Loopers-Delight@loopers-delight.com
In-reply-to: <0E8E7913-22B1-4CD6-9A4F-F2B09FB3204D@ricoloop.com>
Subject: Re: introducing myself :)
Date: Wed, 25 Mar 2009 10:19:29 -0400
References: <576497.49356.qm@web38606.mail.mud.yahoo.com>
 <0E8E7913-22B1-4CD6-9A4F-F2B09FB3204D@ricoloop.com>
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I'm a huge fan Rico... you are my kind of looper.

Teddy
--
PS.
--
http://teddyjam.com
new live recordings, always
--
http://myspace.com/teddykjam
friend me
--

On Mar 25, 2009, at 9:17 AM, rico diessner wrote:

> try this one..  but i dont think this will make beachgirls happy ;)
>
> http://www.dailymotion.com/user/ricoloop/video/x58sp5_boss-rc-50-loopstation-demo-by-rico_music
>
> p.s. its german with subtitles...
>
> :)

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 14:36:09 2009
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From: "Bob Amstadt" <bob@amstadt.com>
To: <Loopers-Delight@loopers-delight.com>
References: <390344.68296.qm@web38602.mail.mud.yahoo.com> <3D051A86646847C89EC9DF831291E6F5@bobdell> <49C9EF55.2060402@tiscali.co.uk>
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> The edp would have started to record exactly when you pressed record,
> and would have rounded the length of the loop to fit the incoming midi.
> So edp start point can be displaced against the start point of the midi 
> bar
> by any arbitrary amount, and it will stay synced. The recorded audio is 
> kept
> precisely in time, irrelevant of where the the loop startpoint is.
> You wouldn't notice the displacement unless you re-triggered the loop.
>
> I've no idea if the Looperlative does that.

That is exactly how the LP1 does it as well.  Your loop start point is when 
you press the record button.  When you end the loop the loop is round up to 
the nearest multiple of the bar length.  The LP1 then makes adjustments as 
necessary to keep the MIDI clock and the loop in sync. 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 14:47:54 2009
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    <0E8E7913-22B1-4CD6-9A4F-F2B09FB3204D@ricoloop.com>
Date: Wed, 25 Mar 2009 10:47:54 -0400 (AST)
Subject: Re: introducing myself :)
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Hi Rico,

Welcome to the List.
Love what you are doing.

Andre

http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Wed, March 25, 2009 9:17 am, rico diessner wrote:
> try this one..  but i dont think this will make beachgirls happy ;)
>
> http://www.dailymotion.com/user/ricoloop/video/x58sp5_boss-rc-50-loopstation-demo-by-rico_music
>
> p.s. its german with subtitles...
>
> :)
>
>
>
> On Mar 24, 2009, at 3:04 AM, L.Angulo wrote:
>
>>
>> that link didnt work man
>> but i like this one
>>
>> http://www.youtube.com/watch?v=RsTEuLhEZsQ&feature=PlayList&p=8E2F3007DB008BE2&playnext=1&playnext_from=PL&index=13
>>
>> thats it brother somebody finally gotta get them mothefucke beach
>> girls
>> rock on you on your way to the top Rico!
>>
>>
>> www.myspace.com/luisangulocom
>>
>>
>> --- On Mon, 3/23/09, rico diessner <rico@ricoloop.com> wrote:
>>
>>> From: rico diessner <rico@ricoloop.com>
>>> Subject: Re: introducing myself :)
>>> To: Loopers-Delight@loopers-delight.com
>>> Date: Monday, March 23, 2009, 4:18 PM
>>> Hi Luis,
>>>
>>> Thanks for your kind words:)
>>> Yes, it wasnt a good demo!
>>> but i tried to improve on that one:
>>>
>>> http://www.youtube.com/watch?v=FSY808iN7WA
>>>
>>> maybe you like it :)
>>>
>>> yes, i know.. its great being here.. Thanks and i hope i
>>> can make it to a Festival soon!
>>>
>>> lots of loops and spring!!!!!!!
>>>
>>> ricO.
>>> #
>>> On Mar 23, 2009, at 11:47 PM, L.Angulo wrote:
>>>
>>>>
>>>> Hey Rico!
>>>> Welcome to the list man,i remeber becoming aware of
>>> you through this list,and yes i remember some funny comments
>>> about your demonstration and funky moves;-)i must admit i
>>> did not think that was a good demo of the RC 50 capabilities
>>> as it was based more on performance(in fact ive yet to see
>>> somebody do a good demo of it)
>>>> but you definetly have the RC-50 mastered!
>>>> I also recall Rick Walker inviting you to the loop
>>> festivals but apparently there was no response from you, but
>>> now we are glad to have you here,dont worry we are a good
>>> gang and there is always a lot to be learned here!
>>>> Cheers
>>>> Luis
>>>>
>>>>
>>>>
>>>> www.myspace.com/luisangulocom
>>>>
>>>>
>>>> --- On Mon, 3/23/09, Bob Amstadt <bob@amstadt.com>
>>> wrote:
>>>>
>>>>> From: Bob Amstadt <bob@amstadt.com>
>>>>> Subject: Re: introducing myself :)
>>>>> To: Loopers-Delight@loopers-delight.com
>>>>> Date: Monday, March 23, 2009, 11:37 AM
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> I never posted anything
>>>>> about you, but had I seen
>>>>> that comment, I might have. ;-)
>>>>>
>>>>> Seriously though, welcome
>>>>> to the list.  The
>>>>> RC50 is definitely not the most powerful looper in
>>> the
>>>>> world, but if you spend
>>>>> any time here, I'm sure you will learn
>>>>> that.
>>>>>
>>>>> Bob Amstadt
>>>>>
>>>>>   ----- Original Message
>>>>> -----
>>>>>   I was surprised finding a lot of post's
>>> about me
>>>>> (actually some where
>>>>>   kinda rude!!!)
>>>>>   i want to apologize for my demo wich i gave
>>> at
>>>>> the summer NAMM
>>>>>   2006..where i seemed a little too confident
>>> and mentioned
>>>>> that
>>>>>   the RC 50 is the most powerful looper in
>>> the
>>>>> world!
>>>>>
>>>>
>>>>
>>>>
>>>>
>>>
>>>
>>
>>
>>
>>
>
>




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	 <101191640903250611y7ee1f5f7pe4d65305259c27c3@mail.gmail.com>
Date: Wed, 25 Mar 2009 10:57:37 -0400
Message-ID: <9ea2f30b0903250757w69e3021dw9431fb419036e9f0@mail.gmail.com>
Subject: Re: Where to find max patch looper examples?
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I found livid looper through google and was able to download the
source off of livid's site!

thanks Warren,

Todd

On Wed, Mar 25, 2009 at 9:11 AM, Warren Sirota <wsirota@wsdesigns.com> wrote:
> doesn't the Livid Looper come with Max 5? if not, Google it. it's in
> Max, source code available. that at least should start you out.
>
> On Mon, Mar 23, 2009 at 8:38 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
>> I downloaded the 30 demo of max/msp 5 and so far I have gotten through
>> half of the max and msp tutorials. It's been a great learning
>> experience so far and now I was wondering if anyone could point me in
>> the direction of some patches that do looping that I could learn from?
>>
>>
>> Todd Matthews
>>
>>
>
>
>
> --
> Warren
> http://www.ubetoo.com/Artist.taf?_ArtistId=6679
> http://www.warrensirota.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 15:15:34 2009
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From: J Johans <parispro00@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: ProTools and Bootcamp
Date: Wed, 25 Mar 2009 10:15:32 -0500
Importance: Normal
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References: <725820.95919.qm@web38605.mail.mud.yahoo.com>
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--_2fda349d-eaea-4012-ada6-88cf1e728a76_
Content-Type: text/plain; charset="Windows-1252"
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simply because all of my illegal plugins are windows =3D)

> Date: Wed=2C 25 Mar 2009 08:39:58 -0400
> From: billyfox@soundscapes.us
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: ProTools and Bootcamp
>=20
> J Johans wrote:
> > having issues.....still researching....but thought one of you might=20
> > have experience with this-
> > simply put=2C im trying to run PT 7.4 on a macbook pro under bootcamp X=
P=20
> > SP3-
> > getting an error message about data underflowed during=20
> > record/playback......... the only straight answer i can get is that PT=
=20
> > is simply not supported under bootcamp... but it works for many=20
> > people=2C just trying to figure out why not for me -
> > any help appreciated...... i know this is a looping forumn... but more=
=20
> > importantly its an incredible database of people who have been doing=20
> > this longer than ive been alive =3DD
> I'm glad to hear that turning off your wireless fixed your problem.  My=20
> question=2C however=2C is why run under Bootcamp when it will run under O=
S=20
> X?  I just bought one of the new iMacs and an M-Audio Firewire 1814. =20
> Theoretically=2C I should be able to load in PT8=2C plug in the iLock and=
=20
> 1814=2C and my migration from Dell laptop running WinXP should just work.=
 =20
> When time allows=2C I plan on giving it a try.
>=20
> Cheers=2C
>=20
> Bill
>=20

_________________________________________________________________
Internet Explorer 8 =96 Now Available. Faster=2C safer=2C easier.
http://clk.atdmt.com/MRT/go/141323790/direct/01/=

--_2fda349d-eaea-4012-ada6-88cf1e728a76_
Content-Type: text/html; charset="Windows-1252"
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
simply because all of my illegal plugins are windows =3D)<br><br>&gt=3B Dat=
e: Wed=2C 25 Mar 2009 08:39:58 -0400<br>&gt=3B From: billyfox@soundscapes.u=
s<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: Re: =
ProTools and Bootcamp<br>&gt=3B <br>&gt=3B J Johans wrote:<br>&gt=3B &gt=3B=
 having issues.....still researching....but thought one of you might <br>&g=
t=3B &gt=3B have experience with this-<br>&gt=3B &gt=3B simply put=2C im tr=
ying to run PT 7.4 on a macbook pro under bootcamp XP <br>&gt=3B &gt=3B SP3=
-<br>&gt=3B &gt=3B getting an error message about data underflowed during <=
br>&gt=3B &gt=3B record/playback......... the only straight answer i can ge=
t is that PT <br>&gt=3B &gt=3B is simply not supported under bootcamp... bu=
t it works for many <br>&gt=3B &gt=3B people=2C just trying to figure out w=
hy not for me -<br>&gt=3B &gt=3B any help appreciated...... i know this is =
a looping forumn... but more <br>&gt=3B &gt=3B importantly its an incredibl=
e database of people who have been doing <br>&gt=3B &gt=3B this longer than=
 ive been alive =3DD<br>&gt=3B I'm glad to hear that turning off your wirel=
ess fixed your problem.  My <br>&gt=3B question=2C however=2C is why run un=
der Bootcamp when it will run under OS <br>&gt=3B X?  I just bought one of =
the new iMacs and an M-Audio Firewire 1814.  <br>&gt=3B Theoretically=2C I =
should be able to load in PT8=2C plug in the iLock and <br>&gt=3B 1814=2C a=
nd my migration from Dell laptop running WinXP should just work.  <br>&gt=
=3B When time allows=2C I plan on giving it a try.<br>&gt=3B <br>&gt=3B Che=
ers=2C<br>&gt=3B <br>&gt=3B Bill<br>&gt=3B <br><br /><hr />Internet Explore=
r 8 =96 Now Available. Faster=2C safer=2C easier. <a href=3D'http://clk.atd=
mt.com/MRT/go/141323790/direct/01/' target=3D'_new'>Download FREE now!</a><=
/body>
</html>=

--_2fda349d-eaea-4012-ada6-88cf1e728a76_--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 15:19:37 2009
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Date: Wed, 25 Mar 2009 08:19:36 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: introducing myself :)
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Well man respects this is finally what i call a real demo!!!!=0Aif i would =
have seen this demo i would have probably bought the RC50 a long time ago,w=
ow man now i really want one!(i hope this also hepls boss restrucure their =
terrible demos and product patch presets)=0Athe only thing that would be an=
 issue i think is managing the levels of the different loops because i do i=
t all with my footcontroller where as you do them mosly by hand,the other i=
s the feedback issue i love to fade out loops while fading other in,is this=
 all easily managable?=0Athanx for the link!!=0A=0Awww.myspace.com/luisangu=
locom=0A=0A=0A--- On Wed, 3/25/09, rico diessner <rico@ricoloop.com> wrote:=
=0A=0A> From: rico diessner <rico@ricoloop.com>=0A> Subject: Re: introducin=
g myself :)=0A> To: Loopers-Delight@loopers-delight.com=0A> Date: Wednesday=
, March 25, 2009, 6:17 AM=0A> try this one..=A0 but i dont think=0A> this w=
ill make beachgirls happy ;)=0A> =0A> http://www.dailymotion.com/user/ricol=
oop/video/x58sp5_boss-rc-50-loopstation-demo-by-rico_music=0A> =0A> p.s. it=
s german with subtitles...=0A> =0A> :)=0A> =0A> =0A> =0A> On Mar 24, 2009, =
at 3:04 AM, L.Angulo wrote:=0A> =0A> >=0A> > that link didnt work man=0A> >=
 but i like this one=0A> >=0A> > http://www.youtube.com/watch?v=3DRsTEuLhEZ=
sQ&feature=3DPlayList&p=3D8E2F3007DB008BE2&playnext=3D1&playnext_from=3DPL&=
index=3D13=0A> >=0A> > thats it brother somebody finally gotta get them=0A>=
 mothefucke beach=A0 =0A> > girls=0A> > rock on you on your way to the top =
Rico!=0A> >=0A> >=0A> > www.myspace.com/luisangulocom=0A> >=0A> >=0A> > ---=
 On Mon, 3/23/09, rico diessner <rico@ricoloop.com>=0A> wrote:=0A> >=0A> >>=
 From: rico diessner <rico@ricoloop.com>=0A> >> Subject: Re: introducing my=
self :)=0A> >> To: Loopers-Delight@loopers-delight.com=0A> >> Date: Monday,=
 March 23, 2009, 4:18 PM=0A> >> Hi Luis,=0A> >>=0A> >> Thanks for your kind=
 words:)=0A> >> Yes, it wasnt a good demo!=0A> >> but i tried to improve on=
 that one:=0A> >>=0A> >> http://www.youtube.com/watch?v=3DFSY808iN7WA=0A> >=
>=0A> >> maybe you like it :)=0A> >>=0A> >> yes, i know.. its great being h=
ere.. Thanks and i=0A> hope i=0A> >> can make it to a Festival soon!=0A> >>=
=0A> >> lots of loops and spring!!!!!!!=0A> >>=0A> >> ricO.=0A> >> #=0A> >>=
 On Mar 23, 2009, at 11:47 PM, L.Angulo wrote:=0A> >>=0A> >>>=0A> >>> Hey R=
ico!=0A> >>> Welcome to the list man,i remeber becoming=0A> aware of=0A> >>=
 you through this list,and yes i remember some=0A> funny comments=0A> >> ab=
out your demonstration and funky moves;-)i must=0A> admit i=0A> >> did not =
think that was a good demo of the RC 50=0A> capabilities=0A> >> as it was b=
ased more on performance(in fact ive=0A> yet to see=0A> >> somebody do a go=
od demo of it)=0A> >>> but you definetly have the RC-50 mastered!=0A> >>> I=
 also recall Rick Walker inviting you to the=0A> loop=0A> >> festivals but =
apparently there was no response=0A> from you, but=0A> >> now we are glad t=
o have you here,dont worry we are=0A> a good=0A> >> gang and there is alway=
s a lot to be learned=0A> here!=0A> >>> Cheers=0A> >>> Luis=0A> >>>=0A> >>>=
=0A> >>>=0A> >>> www.myspace.com/luisangulocom=0A> >>>=0A> >>>=0A> >>> --- =
On Mon, 3/23/09, Bob Amstadt <bob@amstadt.com>=0A> >> wrote:=0A> >>>=0A> >>=
>> From: Bob Amstadt <bob@amstadt.com>=0A> >>>> Subject: Re: introducing my=
self :)=0A> >>>> To: Loopers-Delight@loopers-delight.com=0A> >>>> Date: Mon=
day, March 23, 2009, 11:37 AM=0A> >>>>=0A> >>>>=0A> >>>>=0A> >>>>=0A> >>>>=
=0A> >>>>=0A> >>>>=0A> >>>>=0A> >>>>=0A> >>>> I never posted anything=0A> >=
>>> about you, but had I seen=0A> >>>> that comment, I might have. ;-)=0A> =
>>>>=0A> >>>> Seriously though, welcome=0A> >>>> to the list.=A0 The=0A> >>=
>> RC50 is definitely not the most powerful=0A> looper in=0A> >> the=0A> >>=
>> world, but if you spend=0A> >>>> any time here, I'm sure you will learn=
=0A> >>>> that.=0A> >>>>=0A> >>>> Bob Amstadt=0A> >>>>=0A> >>>>=A0=A0=A0---=
-- Original Message=0A> >>>> -----=0A> >>>>=A0=A0=A0I was surprised finding=
 a=0A> lot of post's=0A> >> about me=0A> >>>> (actually some where=0A> >>>>=
=A0=A0=A0kinda rude!!!)=0A> >>>>=A0=A0=A0i want to apologize for=0A> my dem=
o wich i gave=0A> >> at=0A> >>>> the summer NAMM=0A> >>>>=A0=A0=A02006..whe=
re i seemed a=0A> little too confident=0A> >> and mentioned=0A> >>>> that=
=0A> >>>>=A0=A0=A0the RC 50 is the most=0A> powerful looper in=0A> >> the=
=0A> >>>> world!=0A> >>>>=0A> >>>=0A> >>>=0A> >>>=0A> >>>=0A> >>=0A> >>=0A>=
 >=0A> >=0A> >=0A> >=0A> =0A> =0A=0A=0A      

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Date: Wed, 25 Mar 2009 08:39:45 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: Saw this on thegearpage.net webpage, RE: Digitech Timebender
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saw this on thegearpage.net webpage yesterday, posted from 3-3-09. thought i'd share:

here's my initial impressions:



- I/you have never played a delay pedal like this.

- It has a huge amount of versatility. Easily the most versatile delay
pedal I've ever played. the designer kept looking over and saying
things like, "that pedal does that sound? i didn't even know it could
do that!" so many new sounds to be had with just a little bit of
exploring.

- this pedal can out-mode-7 the ps3 on any day

- here's a list of the features I can remember:

digital delay

  - nice and clean. your basic digital delay.

analog

  - great analog simulation, rivals my dd-7. 

ducking delays

- digital and analog style, as well a new style of ducking that only
repeats what you very recently played, so things don't get too messy.

reverse

  - not much to say, just a nice good reverse.

envelope

  - this mode only works on sustained notes. it basically cops the slicer tone.

looper

  - 20 seconds, left pedal starts/repeats, right pedal stops/clears. 

tone knob

  - this affects every single delay type and the looper. from treble-cut-and-very-bassy to bass-cut-and-very-trebly

strum to set

- hold down the right pedal and mute your strings. with all down
strokes, strum out any 6-hit pattern you can think of. when you turn on
the delays, they will repeat in this pattern. you can also tap the
tempo with the right footswitch.

modulation

  - this can be applied to any setting from nice and subtly to wacky and warbly.

voicings

- this is where the pedal really shines. this affects the repeats. it
can turn the repeats into up or down 2 semitones, 3 st, 4 st, 5 st, 6
st, 7 st, 8 st, 9 st, 10 st, 11 st, 12 st or 24 semitones. it also has
arpeggiator modes. i've seriously never heard a delay pedal make sounds
like this. great for ethereal/celestial sounds. also, with the looper,
you can set it so that you loop in an octave down and then as soon as
you repeat the loop it goes back up to normal pitch. then, you can play
over the loop in any of the above shifts. 

expression pedal compatability

- using an expression pedal, you can fully control any parameter
(except delay types) or combination thereof. you can get some
ridiculous sounds with some creative use.



i'm know i'm forgetting lots of things but that's the first impression. keep your eyes on this pedal!

video coming soon

-will


      
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Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">saw this on thegearpage.net webpage yesterday, posted from 3-3-09. thought i'd share:<br><br>here's my initial impressions:<br>
<br>
- I/you have never played a delay pedal like this.<br>
- It has a huge amount of versatility. Easily the most versatile delay
pedal I've ever played. the designer kept looking over and saying
things like, "that pedal does that sound? i didn't even know it could
do that!" so many new sounds to be had with just a little bit of
exploring.<br>
- this pedal can out-mode-7 the ps3 on any day<br>
- here's a list of the features I can remember:<br>
digital delay<br>
  - nice and clean. your basic digital delay.<br>
analog<br>
  - great analog simulation, rivals my dd-7. <br>
ducking delays<br>
- digital and analog style, as well a new style of ducking that only
repeats what you very recently played, so things don't get too messy.<br>
reverse<br>
  - not much to say, just a nice good reverse.<br>
envelope<br>
  - this mode only works on sustained notes. it basically cops the slicer tone.<br>
looper<br>
  - 20 seconds, left pedal starts/repeats, right pedal stops/clears. <br>
tone knob<br>
  - this affects every single delay type and the looper. from treble-cut-and-very-bassy to bass-cut-and-very-trebly<br>
strum to set<br>
- hold down the right pedal and mute your strings. with all down
strokes, strum out any 6-hit pattern you can think of. when you turn on
the delays, they will repeat in this pattern. you can also tap the
tempo with the right footswitch.<br>
modulation<br>
  - this can be applied to any setting from nice and subtly to wacky and warbly.<br>
voicings<br>
- this is where the pedal really shines. this affects the repeats. it
can turn the repeats into up or down 2 semitones, 3 st, 4 st, 5 st, 6
st, 7 st, 8 st, 9 st, 10 st, 11 st, 12 st or 24 semitones. it also has
arpeggiator modes. i've seriously never heard a delay pedal make sounds
like this. great for ethereal/celestial sounds. also, with the looper,
you can set it so that you loop in an octave down and then as soon as
you repeat the loop it goes back up to normal pitch. then, you can play
over the loop in any of the above shifts. <br>
expression pedal compatability<br>
- using an expression pedal, you can fully control any parameter
(except delay types) or combination thereof. you can get some
ridiculous sounds with some creative use.<br>
<br>
i'm know i'm forgetting lots of things but that's the first impression. keep your eyes on this pedal!<br>
video coming soon<br>
-will</td></tr></table><br>

      
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--_b51373f3-b36d-4e8d-add9-6aa75396da28_--

From oficiu.clienti@rzb.ro  Wed Mar 25 17:21:22 2009
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--- On Fri, 03/25/09, Raiffeisen Online <oficiu.clienti@raiffeisenonline.ro> wrote:


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    Subject: Autentificare nereusita - Utilizator suspendat


    Pentru securitatea si evitarea pierderii de date, deblocarea contului
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 17:33:12 2009
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Date: Wed, 25 Mar 2009 10:33:11 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: do any slave sync?
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> Luis,
> did the edp sync ok for you?
To a certain xtent yes,yes the way you are describing it is the way it would round it up which was a nice solution,i was just wondering if thats the way the LP does it.
The problem is the lost syncronization over time,i did a gig strictly syncing the EDP to my sampler as a slave and  i needed to retrigger it constantly (after about a minute or less )to sync up again.Soemtimes it would stay in perfect syncfor a longer time whil other times it ididnt,sorft of like the brother sync mistery;-)
Luis 

> 
> The edp would have started to record exactly when you
> pressed record,
> and would have rounded the length of the loop to fit the
> incoming midi.
> So edp start point can be displaced against the start point
> of the midi bar
> by any arbitrary amount, and it will stay synced. The
> recorded audio is kept
> precisely in time, irrelevant of where the the loop
> startpoint is.
> You wouldn't notice the displacement unless you
> re-triggered the loop.
> 
> I've no idea if the Looperlative does that.
> 
> 
> andy
> 
> 


      

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And what is this pedal's name?
=20


Date: Wed=2C 25 Mar 2009 08:39:45 -0700
From: evanpeewee@yahoo.com
Subject: Saw this on thegearpage.net webpage=2C RE: Digitech Timebender
To: Loopers-Delight@loopers-delight.com





saw this on thegearpage.net webpage yesterday=2C posted from 3-3-09. though=
t i'd share:

here's my initial impressions:

- I/you have never played a delay pedal like this.
- It has a huge amount of versatility. Easily the most versatile delay peda=
l I've ever played. the designer kept looking over and saying things like=
=2C "that pedal does that sound? i didn't even know it could do that!" so m=
any new sounds to be had with just a little bit of exploring.
- this pedal can out-mode-7 the ps3 on any day
- here's a list of the features I can remember:
digital delay
- nice and clean. your basic digital delay.
analog
- great analog simulation=2C rivals my dd-7.=20
ducking delays
- digital and analog style=2C as well a new style of ducking that only repe=
ats what you very recently played=2C so things don't get too messy.
reverse
- not much to say=2C just a nice good reverse.
envelope
- this mode only works on sustained notes. it basically cops the slicer ton=
e.
looper
- 20 seconds=2C left pedal starts/repeats=2C right pedal stops/clears.=20
tone knob
- this affects every single delay type and the looper. from treble-cut-and-=
very-bassy to bass-cut-and-very-trebly
strum to set
- hold down the right pedal and mute your strings. with all down strokes=2C=
 strum out any 6-hit pattern you can think of. when you turn on the delays=
=2C they will repeat in this pattern. you can also tap the tempo with the r=
ight footswitch.
modulation
- this can be applied to any setting from nice and subtly to wacky and warb=
ly.
voicings
- this is where the pedal really shines. this affects the repeats. it can t=
urn the repeats into up or down 2 semitones=2C 3 st=2C 4 st=2C 5 st=2C 6 st=
=2C 7 st=2C 8 st=2C 9 st=2C 10 st=2C 11 st=2C 12 st or 24 semitones. it als=
o has arpeggiator modes. i've seriously never heard a delay pedal make soun=
ds like this. great for ethereal/celestial sounds. also=2C with the looper=
=2C you can set it so that you loop in an octave down and then as soon as y=
ou repeat the loop it goes back up to normal pitch. then=2C you can play ov=
er the loop in any of the above shifts.=20
expression pedal compatability
- using an expression pedal=2C you can fully control any parameter (except =
delay types) or combination thereof. you can get some ridiculous sounds wit=
h some creative use.

i'm know i'm forgetting lots of things but that's the first impression. kee=
p your eyes on this pedal!
video coming soon
-will

_________________________________________________________________
Hotmail=AE is up to 70% faster. Now good news travels really fast.
http://windowslive.com/online/hotmail?ocid=3DTXT_TAGLM_WL_HM_70faster_03200=
9=

--_06f13f19-4e02-4f48-8061-f5860aaf686b_
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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
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}
body.hmmessage
{
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<body class=3D'hmmessage'>
And what is this pedal's name?<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Wed=2C 25 Mar 2009 08:39:45 -0700<BR>From: evanpeewee@yahoo.com<BR>Su=
bject: Saw this on thegearpage.net webpage=2C RE: Digitech Timebender<BR>To=
: Loopers-Delight@loopers-delight.com<BR><BR>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>saw this on thegearpage.net webpage yesterday=2C posted fr=
om 3-3-09. thought i'd share:<BR><BR>here's my initial impressions:<BR><BR>=
- I/you have never played a delay pedal like this.<BR>- It has a huge amoun=
t of versatility. Easily the most versatile delay pedal I've ever played. t=
he designer kept looking over and saying things like=2C "that pedal does th=
at sound? i didn't even know it could do that!" so many new sounds to be ha=
d with just a little bit of exploring.<BR>- this pedal can out-mode-7 the p=
s3 on any day<BR>- here's a list of the features I can remember:<BR>digital=
 delay<BR>- nice and clean. your basic digital delay.<BR>analog<BR>- great =
analog simulation=2C rivals my dd-7. <BR>ducking delays<BR>- digital and an=
alog style=2C as well a new style of ducking that only repeats what you ver=
y recently played=2C so things don't get too messy.<BR>reverse<BR>- not muc=
h to say=2C just a nice good reverse.<BR>envelope<BR>- this mode only works=
 on sustained notes. it basically cops the slicer tone.<BR>looper<BR>- 20 s=
econds=2C left pedal starts/repeats=2C right pedal stops/clears. <BR>tone k=
nob<BR>- this affects every single delay type and the looper. from treble-c=
ut-and-very-bassy to bass-cut-and-very-trebly<BR>strum to set<BR>- hold dow=
n the right pedal and mute your strings. with all down strokes=2C strum out=
 any 6-hit pattern you can think of. when you turn on the delays=2C they wi=
ll repeat in this pattern. you can also tap the tempo with the right footsw=
itch.<BR>modulation<BR>- this can be applied to any setting from nice and s=
ubtly to wacky and warbly.<BR>voicings<BR>- this is where the pedal really =
shines. this affects the repeats. it can turn the repeats into up or down 2=
 semitones=2C 3 st=2C 4 st=2C 5 st=2C 6 st=2C 7 st=2C 8 st=2C 9 st=2C 10 st=
=2C 11 st=2C 12 st or 24 semitones. it also has arpeggiator modes. i've ser=
iously never heard a delay pedal make sounds like this. great for ethereal/=
celestial sounds. also=2C with the looper=2C you can set it so that you loo=
p in an octave down and then as soon as you repeat the loop it goes back up=
 to normal pitch. then=2C you can play over the loop in any of the above sh=
ifts. <BR>expression pedal compatability<BR>- using an expression pedal=2C =
you can fully control any parameter (except delay types) or combination the=
reof. you can get some ridiculous sounds with some creative use.<BR><BR>i'm=
 know i'm forgetting lots of things but that's the first impression. keep y=
our eyes on this pedal!<BR>video coming soon<BR>-will</TD></TR></TBODY></TA=
BLE><BR><br /><hr />Hotmail=AE is up to 70% faster. Now good news travels r=
eally fast. <a href=3D'http://windowslive.com/online/hotmail?ocid=3DTXT_TAG=
LM_WL_HM_70faster_032009' target=3D'_new'>Find out more.</a></body>
</html>=

--_06f13f19-4e02-4f48-8061-f5860aaf686b_--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 25 21:04:43 2009
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Date: Wed, 25 Mar 2009 17:04:44 -0400 (AST)
Subject: Re: Youtube Mash
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Oh Yeah!!!

Andre

http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Tue, March 24, 2009 5:42 pm, Jeff Larson wrote:
>
> Not exactly looping, but effing brilliant none the less.
>
>   http://www.list.co.uk/article/16421-kutiman-thru-you/
>
> And an interview with NPR.
>
>   http://www.npr.org/templates/story/story.php?storyId=101959636
>
>
> Jeff
>
>





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L.Angulo wrote:
>> Luis,
>> did the edp sync ok for you?
> To a certain xtent yes,yes the way you are describing it is the way it would round it up which was a nice solution,i was just wondering if thats the way the LP does it.
> The problem is the lost syncronization over time,i did a gig strictly syncing the EDP to my sampler as a slave and  i needed to retrigger it constantly (after about a minute or less )to sync up again.Soemtimes it would stay in perfect syncfor a longer time whil other times it ididnt,sorft of like the brother sync mistery;-)
> Luis 
> 

I'd guess

Either 
a) you left overdub on.
b) the sampler clock was not good.


Bet it's a) ( otherwise, I found the edp midi-sync to be very good, especially in loop4) 

If you hard-sync during an overdub then you'll get a glitch in the overdubbed audio.
(unless the looper has a sophisticated buffering and x-fade system, the edp never had the processor
  power for that) .
The edp let's sync drift while you overdub for that reason, then re-syncs when OD 
is turned off.
It's caught me out on occasion.

andy


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My pleasure, Todd. Keep us posted if you mangle Livid in any interesting ways.

Thanks,
Warern

On Wed, Mar 25, 2009 at 10:57 AM, Todd Matthews <gtmatthews@gmail.com> wrote:
> I found livid looper through google and was able to download the
> source off of livid's site!
>
> thanks Warren,
>
> Todd
>



-- 
Warren
http://www.ubetoo.com/Artist.taf?_ArtistId=6679
http://www.warrensirota.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 00:13:15 2009
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Date: Wed, 25 Mar 2009 17:13:14 -0700
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Subject: Re: East coast loop-friendly venues?
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Thanks Mark,

I put in my own venue, but I'm not going to have a real good sense at
the venues I'm touring to until I play there.

Matt Davignon
www.ribosomemusic.com

On Wed, Mar 25, 2009 at 1:45 AM, mark francombe <mark@markfrancombe.com> wr=
ote:
> Hey Matt,
>
> Got any venue details...? Add them to my tool please?
>
> http://www.markfrancombe.com/wordpress/?page_id=3D525
>
>
> On Wed, Mar 25, 2009 at 8:58 AM, Matt Davignon <mattdavignon@gmail.com>
> wrote:
>>
>> Sorry about my late responses - day job has been really hectic.
>>
>> Thanks for the details. I know the Stone is pretty much impossible if
>> you're not already friends with John Zorn, or friends with his
>> friends.
>>
>> I played at Issue Project Room a couple years ago. They were lovely
>> folks and I'm trying to set it up again.
>>
>> I'm set up at the Red Room in Baltimore too - when I was organizing
>> the Big Sur Experimental Music Festival we had some of those folks
>> come out and play.
>>
>> Thanks to the folks on this list for your great responses - I'm
>> looking into/following up on them.
>>
>> On Fri, Mar 20, 2009 at 6:35 AM, Jim Goodin <jimgoodinmusic@gmail.com>
>> wrote:
>> > Matt the Stone seems tighter than Fort Knox so to speak. =A0It seems t=
o be
>> > an
>> > extension of where Tonic had been going meaning a monthly rotational
>> > curator
>> > and about the only way to connect was to go there and 'hang' as they s=
ay
>> > which is something that frustrates me with a lot of the 'scene' here
>> > when
>> > time is so limited at least for me.
>> > There is also a similiar place in Brooklyn where I am that's called
>> > Issue
>> > Project Room. =A0They atleast provide their contacts though it too is
>> > rather
>> > tight though a couple on this list have played there so perhaps they c=
an
>> > reflect to you.
>> > Are you playing the Red Room I think it's called in Baltimore? =A0We t=
ried
>> > to
>> > get Chinapainting there, it's supposed to be the cat's meow down there=
.
>> > If you haven't checked out places in Williamsburg (Brooklyn) there are=
 a
>> > few. =A0One that is a neat place, open to a lot of diff stuff but
>> > unfortunately doesn't do well with walk in traffic is a place called t=
he
>> > Stain. =A0Zebulon is also good but harder to get in.
>> > More if you need but rushing for now.
>> > Luck with it all...
>> > Jim
>> >
>>
>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 03:42:12 2009
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To: <Loopers-Delight@loopers-delight.com>,
	<boisemusicians@yahoogroups.com>
Subject: Edge of the Fringe - New CD
Date: Wed, 25 Mar 2009 21:41:40 -0600
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------=_NextPart_000_09F9_01C9AD92.7B650BE0
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I am now streaming the MP3s of one of my upcoming CDs. I really enjoyed =
making this CD. It is totally different than the last two that Robert =
and I did...less aggressive and primal, more thoughtful, out there, and =
deep.

Edge of the Fringe, by Kribophoric (Krispen Hartung & Robert Sterling)
http://www.krispenhartung.com/Edge-of-the-Fringe/index.html
Electro-acoustic, creative avant-garde
Will release in April

Streaming URL: =
http://www.box.net/index.php?rm=3Dbox_v2_mp3_player_shared&node=3Df_23038=
0256&single_file=3D1

Song List

1. Confessions of a Ball Peen Hammer
2. Mad and Frenzied Upon the Deep
3. Bi-Polar Fissures
4. Pesky Peculiarities
5. Malicious Ascent
6. Dali in Space
7. Mechanical Underworld
8. Edge of the Fringe
9. Between Two Voids

Looping notes: I am using my max-msp random looping patch on most of the =
material, but occasionally manually control record and playback.
Edge of the Fringe is the third project born out of a dynamic and =
creative musical collaboration between Krispen Hartung (Boise, ID, USA) =
and Robert Sterling (Ventura, CA, USA). "Edge of the Fringe" is an =
introspective, thought and mood provoking collection of improvised =
compositions that truly push the boundaries of what can be done in a =
virtually collaborative recording context. For more information on =
Kribophoric and their prior two CD productions, visit =
www.kribophoric.com


Krispen Hartung - Mini archtop guitar, laptop computer, Max/MSP, =
Reaktor, voice=20
Robert Sterling - Electronic and acoustic percussion, voice=20

------=_NextPart_000_09F9_01C9AD92.7B650BE0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I am now streaming the MP3s of one of =
my upcoming=20
CDs. I really enjoyed making this CD. It is totally different than the =
last two=20
that Robert and I did...less aggressive and primal, more thoughtful, out =
there,=20
and deep.</FONT></DIV>
<DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Edge of the Fringe</STRONG>, by =
Kribophoric=20
(Krispen Hartung &amp; Robert Sterling)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.krispenhartung.com/Edge-of-the-Fringe/index.html">http=
://www.krispenh<WBR>artung.com/<WBR>Edge-of-the-<WBR>Fringe/index.<WBR>ht=
ml</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Electro-acoustic, creative =
avant-garde</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Will release in April</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Streaming URL</STRONG>: =
</FONT><A=20
href=3D"http://www.box.net/index.php?rm=3Dbox_v2_mp3_player_shared&amp;no=
de=3Df_230380256&amp;single_file=3D1"><FONT=20
face=3DArial=20
size=3D2>http://www.box.<WBR>net/index.<WBR>php?rm=3Dbox_<WBR>v2_mp3_play=
er_<WBR>shared&amp;node=3Df_230380256&amp;single_file=3D<WBR>1</FONT></A>=
<BR></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Song =
List</STRONG></FONT></DIV><FONT=20
face=3DArial size=3D2></FONT>
<DIV><FONT face=3DArial size=3D2></FONT><BR><FONT face=3DArial =
size=3D2>1. Confessions=20
of a Ball Peen Hammer<BR>2. Mad and Frenzied Upon the Deep<BR>3. =
Bi-Polar=20
Fissures<BR>4. Pesky Peculiarities<BR>5. Malicious Ascent<BR>6. Dali in=20
Space<BR>7. Mechanical Underworld<BR>8. Edge of the Fringe<BR>9. Between =
Two=20
Voids</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Looping notes</STRONG>: I am =
using my=20
max-msp random looping patch on most of the material, but occasionally =
manually=20
control record and playback.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>
<P><FONT size=3D2><I><FONT face=3DVerdana><B><FONT size=3D3>Edge of the=20
Fringe</FONT></B> is the third project born out of a dynamic and =
creative=20
musical collaboration between Krispen Hartung (Boise, ID, USA) and =
Robert=20
Sterling (Ventura, CA, USA). "Edge of the Fringe" is an introspective, =
thought=20
and mood provoking collection of improvised compositions that truly push =
the=20
boundaries of what can be done in a virtually collaborative recording =
context.=20
For more information on Kribophoric and their prior two CD productions, =
visit=20
</FONT><A href=3D"http://www.kribophoric.com/" target=3D_front><FONT =
face=3DVerdana=20
color=3D#000000>www.kribophoric.com</FONT></A><BR></I></FONT></P>
<P><FONT face=3DVerdana><FONT size=3D2>Krispen Hartung - Mini archtop =
guitar, laptop=20
computer, Max/MSP, Reaktor, voice <BR>Robert Sterling - Electronic and =
acoustic=20
percussion</FONT><FONT size=3D2>, voice=20
</FONT></FONT></P></FONT></DIV></DIV></BODY></HTML>

------=_NextPart_000_09F9_01C9AD92.7B650BE0--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 06:46:36 2009
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Date: Wed, 25 Mar 2009 23:46:35 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: do any slave sync?
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Hmm thanx for telling me this Andy, now you got me itching guess i will try=
 it with my Adrenalinn to find out if it was the sampler clock,i didnt know=
 about the overdub issue that could have been the case as well...=0A=0Awww.=
myspace.com/luisangulocom=0A=0A=0A--- On Wed, 3/25/09, andy butler <akbutle=
r@tiscali.co.uk> wrote:=0A=0A> From: andy butler <akbutler@tiscali.co.uk>=
=0A> Subject: Re: do any slave sync?=0A> To: Loopers-Delight@loopers-deligh=
t.com=0A> Date: Wednesday, March 25, 2009, 2:16 PM=0A> L.Angulo wrote:=0A> =
>> Luis,=0A> >> did the edp sync ok for you?=0A> > To a certain xtent yes,y=
es the way you are describing=0A> it is the way it would round it up which =
was a nice=0A> solution,i was just wondering if thats the way the LP does=
=0A> it.=0A> > The problem is the lost syncronization over time,i did=0A> a=
 gig strictly syncing the EDP to my sampler as a slave=0A> and=A0 i needed =
to retrigger it constantly (after about a=0A> minute or less )to sync up ag=
ain.Soemtimes it would stay in=0A> perfect syncfor a longer time whil other=
 times it=0A> ididnt,sorft of like the brother sync mistery;-)=0A> > Luis =
=0A> =0A> I'd guess=0A> =0A> Either a) you left overdub on.=0A> b) the samp=
ler clock was not good.=0A> =0A> =0A> Bet it's a) ( otherwise, I found the =
edp midi-sync to be=0A> very good, especially in loop4) =0A> If you hard-sy=
nc during an overdub then you'll get a glitch=0A> in the overdubbed audio.=
=0A> (unless the looper has a sophisticated buffering and x-fade=0A> system=
, the edp never had the processor=0A>  power for that) .=0A> The edp let's =
sync drift while you overdub for that reason,=0A> then re-syncs when OD is =
turned off.=0A> It's caught me out on occasion.=0A> =0A> andy=0A> =0A> =0A>=
 =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 07:13:31 2009
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From: Teddy Kumpel <teddybut@mac.com>
To: Loopers-Delight@loopers-delight.com
In-reply-to: <247628.66966.qm@web38603.mail.mud.yahoo.com>
Subject: Re: was introducing myself :) NOW RC-50
Date: Thu, 26 Mar 2009 03:13:28 -0400
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I use an expression pedal into a midi solutions exp-midi converter  
into midi in of the RC-50 and program the pedal to do CURRENT  
VOLUME... so the pedal controls the selected loop's volume.... VERY  
COOL FOR FOOT MIXING

Also... I haven't yet, but I will.... have a Moog MP-201 hooked up to  
midi in as well doing the overall volume.

I love the RC-50 as a tape recorder style looper... not too complex,  
just right....

only problem I have is it can't slave

teddy


On Mar 25, 2009, at 11:19 AM, L.Angulo wrote:

>
> Well man respects this is finally what i call a real demo!!!!
> if i would have seen this demo i would have probably bought the RC50  
> a long time ago,wow man now i really want one!(i hope this also  
> hepls boss restrucure their terrible demos and product patch presets)
> the only thing that would be an issue i think is managing the levels  
> of the different loops because i do it all with my footcontroller  
> where as you do them mosly by hand,the other is the feedback issue i  
> love to fade out loops while fading other in,is this all easily  
> managable?
> thanx for the link!!
>
> www.myspace.com/luisangulocom
>
>
> --- On Wed, 3/25/09, rico diessner <rico@ricoloop.com> wrote:
>
>> From: rico diessner <rico@ricoloop.com>
>> Subject: Re: introducing myself :)
>> To: Loopers-Delight@loopers-delight.com
>> Date: Wednesday, March 25, 2009, 6:17 AM
>> try this one..  but i dont think
>> this will make beachgirls happy ;)
>>
>> http://www.dailymotion.com/user/ricoloop/video/x58sp5_boss-rc-50-loopstation-demo-by-rico_music
>>
>> p.s. its german with subtitles...
>>
>> :)
>>
>>
>>
>> On Mar 24, 2009, at 3:04 AM, L.Angulo wrote:
>>
>>>
>>> that link didnt work man
>>> but i like this one
>>>
>>> http://www.youtube.com/watch?v=RsTEuLhEZsQ&feature=PlayList&p=8E2F3007DB008BE2&playnext=1&playnext_from=PL&index=13
>>>
>>> thats it brother somebody finally gotta get them
>> mothefucke beach
>>> girls
>>> rock on you on your way to the top Rico!
>>>
>>>
>>> www.myspace.com/luisangulocom
>>>
>>>
>>> --- On Mon, 3/23/09, rico diessner <rico@ricoloop.com>
>> wrote:
>>>
>>>> From: rico diessner <rico@ricoloop.com>
>>>> Subject: Re: introducing myself :)
>>>> To: Loopers-Delight@loopers-delight.com
>>>> Date: Monday, March 23, 2009, 4:18 PM
>>>> Hi Luis,
>>>>
>>>> Thanks for your kind words:)
>>>> Yes, it wasnt a good demo!
>>>> but i tried to improve on that one:
>>>>
>>>> http://www.youtube.com/watch?v=FSY808iN7WA
>>>>
>>>> maybe you like it :)
>>>>
>>>> yes, i know.. its great being here.. Thanks and i
>> hope i
>>>> can make it to a Festival soon!
>>>>
>>>> lots of loops and spring!!!!!!!
>>>>
>>>> ricO.
>>>> #
>>>> On Mar 23, 2009, at 11:47 PM, L.Angulo wrote:
>>>>
>>>>>
>>>>> Hey Rico!
>>>>> Welcome to the list man,i remeber becoming
>> aware of
>>>> you through this list,and yes i remember some
>> funny comments
>>>> about your demonstration and funky moves;-)i must
>> admit i
>>>> did not think that was a good demo of the RC 50
>> capabilities
>>>> as it was based more on performance(in fact ive
>> yet to see
>>>> somebody do a good demo of it)
>>>>> but you definetly have the RC-50 mastered!
>>>>> I also recall Rick Walker inviting you to the
>> loop
>>>> festivals but apparently there was no response
>> from you, but
>>>> now we are glad to have you here,dont worry we are
>> a good
>>>> gang and there is always a lot to be learned
>> here!
>>>>> Cheers
>>>>> Luis
>>>>>
>>>>>
>>>>>
>>>>> www.myspace.com/luisangulocom
>>>>>
>>>>>
>>>>> --- On Mon, 3/23/09, Bob Amstadt <bob@amstadt.com>
>>>> wrote:
>>>>>
>>>>>> From: Bob Amstadt <bob@amstadt.com>
>>>>>> Subject: Re: introducing myself :)
>>>>>> To: Loopers-Delight@loopers-delight.com
>>>>>> Date: Monday, March 23, 2009, 11:37 AM
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> I never posted anything
>>>>>> about you, but had I seen
>>>>>> that comment, I might have. ;-)
>>>>>>
>>>>>> Seriously though, welcome
>>>>>> to the list.  The
>>>>>> RC50 is definitely not the most powerful
>> looper in
>>>> the
>>>>>> world, but if you spend
>>>>>> any time here, I'm sure you will learn
>>>>>> that.
>>>>>>
>>>>>> Bob Amstadt
>>>>>>
>>>>>>    ----- Original Message
>>>>>> -----
>>>>>>    I was surprised finding a
>> lot of post's
>>>> about me
>>>>>> (actually some where
>>>>>>    kinda rude!!!)
>>>>>>    i want to apologize for
>> my demo wich i gave
>>>> at
>>>>>> the summer NAMM
>>>>>>    2006..where i seemed a
>> little too confident
>>>> and mentioned
>>>>>> that
>>>>>>    the RC 50 is the most
>> powerful looper in
>>>> the
>>>>>> world!
>>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>
>>>>
>>>
>>>
>>>
>>>
>>
>>
>
>
>
>

Teddy
--
PS.
--
http://teddyjam.com
new live recordings, always
--
http://myspace.com/teddykjam
friend me
--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 08:30:19 2009
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Hi Luis

> the only thing that would be an issue i think is managing the levels of
> the different loops because i do it all with my footcontroller
On the RC-50 - besides from MIDI controls - you can assign an external footpedal i.e. for volume.
I use an EV5 to control the "Current Loop Volume". You can use the 3 PHRASE buttons to decide which loop volume you want to control. Works great.

> other is the feedback issue i love to fade out
> loops while fading other in,is this all easily managable?
On the RC-50, you can switch on Fade-In and Fade-Out for starting/stopping and define fade-in/out duration. It really gives a nice effect when playing in MULTI MODE. One drawback is that you have to choose between normal stop & fade-out (can't have both).
That's why I prefer fading out with loop volume as described above.

> i do it all with my footcontroller where as you
> do them mosly by hand
I find Rico's setup has a charming effect. My RC-50 has all these cables & switches sticking out of it. His simple setup fits his "laid-back Ibiza feeling" ;-)
Nice work, Rico :)

Best regards
Buzap

-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dsl.gmx.de/?ac=OM.AD.PD003K11308T4569a

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 08:37:28 2009
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Hi folks

the next 2 weeks, I will be visiting some friends in Arizona (North of Phoenix).

Any of you guys happen to live or be there?

best regards
Buzap
-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dsl.gmx.de/?ac=OM.AD.PD003K11308T4569a

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 10:51:13 2009
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jcshirke@verizon.net wrote:
> 
> Mine arrives today. ;)
> 
> Jeff

Been playing around with it?  Comments?  I'm all ears..

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 12:47:01 2009
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Man, this is really great...

I esp. love the multitap by strumming a guitar - pure genius!
Just imagine the multitap patterns you can create, much better then foot tapping.

Also using crossfading between 2 effects via expression pedal is nice. Also pitch shifting the delays...

I'm really tempted to get another pedalboard and put a Digitech Timebender - along with the Boss Slicer - on it...
But no... no more hardware, Buzap... Just resist... Save your time & money for laptop setup... ;-)

rgds
Buzap

-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dsl.gmx.de/?ac=OM.AD.PD003K11308T4569a

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I have been meaning to post something else about euro touring and power
supplies. It is a hassle to deal with the different voltages over there,
but what I have done is look here for power supplies that are 110 to 240
both, that way when I go over there, all I have to deal with are the
adaptor situations, which is much easier, there are lots of power
suppies, wall warts and such that you can get in the US that are both
voltages. This is much better than dealing with transformers and such.
Rack mount gear is often dual voltage nowadays too.

=20

Also if you are using a laptop, they are almost always dual voltage, but
I would and do always have a 12 volt power supply for my laptop, this
way if I need to do some editing (I usually have a mobile 8 track
recording Nuendo with me) then I can have a battery on the plane or in
cars planes trains automobiles I have power. (they are not that easy to
find, but can be found much cheaper than the 200 buck multi input outup
replacement laptop power supplies that they sell like in airports and
such)

=20

Andy


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<div class=3DSection1>

<p class=3DMsoNormal>I have been meaning to post something else about =
euro
touring and power supplies. It is a hassle to deal with the different =
voltages
over there, but what I have done is look here for power supplies that =
are 110
to 240 both, that way when I go over there, all I have to deal with are =
the
adaptor situations, which is much easier, there are lots of power =
suppies, wall
warts and such that you can get in the US that are both voltages. This =
is much
better than dealing with transformers and such. Rack mount gear is often =
dual
voltage nowadays too.<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Also if you are using a laptop, they are almost =
always dual
voltage, but I would and do always have a 12 volt power supply for my =
laptop,
this way if I need to do some editing (I usually have a mobile 8 track
recording Nuendo with me) then I can have a battery on the plane or in =
cars
planes trains automobiles I have power. (they are not that easy to find, =
but
can be found much cheaper than the 200 buck multi input outup =
replacement
laptop power supplies that they sell like in airports and =
such)<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Andy<o:p></o:p></p>

</div>

</body>

</html>

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Subject: looping/live tracking what do you call it
Date: Thu, 26 Mar 2009 06:15:24 -0700
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From: "Andy Owens" <andy@1800pathways.com>
To: <Loopers-Delight@loopers-delight.com>
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Just a general question here......I am getting pretty good at building
foundations for instrumental or vocal pieces, but don't do a lot of just
ambient type stuff where you just layer a bunch of noises together, but
in my rack I have keys and organ and a good bass sound and drum samples
to make a basic foundation that I can improve over with my acoustic
instruments, but is that really looping per se? Not having heard a lot
of what ya'll do, I'm not really sure, am kind of operating in a vacuum.
So I guess here is the question,,,,what is looping? As long as you have
no sequenced tracks, build I all live, is that still looping? (maybe
it's like opening a can of worms on a Bluegrass list with the question
"what is Bluegrass anyway?", I hope so, lol)

=20

Andy Owens


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<div class=3DSection1>

<p class=3DMsoNormal>Just a general question here&#8230;&#8230;I am =
getting
pretty good at building foundations for instrumental or vocal pieces, =
but don&#8217;t
do a lot of just ambient type stuff where you just layer a bunch of =
noises
together, but in my rack I have keys and organ and a good bass sound and =
drum
samples to make a basic foundation that I can improve over with my =
acoustic
instruments, but is that really looping per se? Not having heard a lot =
of what
ya&#8217;ll do, I&#8217;m not really sure, am kind of operating in a
vacuum.&nbsp; So I guess here is the question,,,,what is looping? As =
long as
you have no sequenced tracks, build I all live, is that still looping? =
(maybe
it&#8217;s like opening a can of worms on a Bluegrass list with the =
question &#8220;what
is Bluegrass anyway?&#8221;, I hope so, lol)<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Andy Owens<o:p></o:p></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 13:19:54 2009
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Date: Thu, 26 Mar 2009 14:19:37 +0100
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Subject: loop-friendly venues
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5a4b8b1391c04660578ec
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Thanks Matt... any venues you DO know, I hope you will add too... I mean, if
you got a gig there, then they are probably pretty open to new cool stuff I
think... at least under my "Dangerous" categorization...

To everyone else.... COME ON!!! Im surprised by the lack of interest to add
to my list here!!! I think I want to make a suggestion, that EVERYONE should
try to add at least one venue to my list...

I have also included a link to the current status of the list, Hopefully
viewing the results will make it more interesting.
Im thinking about all the threads over the years that concern places to
play. Nowadays, bands are touring less, and I think there are alot more
venues open to accepting left field works... It OUR time now... Lets get on
the road, and LOOP!!!

The Looping Friendly Venue Tool.
http://www.markfrancombe.com/wordpress/?page_id=525

cheers

Mark

On Thu, Mar 26, 2009 at 1:13 AM, Matt Davignon <mattdavignon@gmail.com>wrote:

> Thanks Mark,
>
> I put in my own venue, but I'm not going to have a real good sense at
> the venues I'm touring to until I play there.
>
> Matt Davignon
> www.ribosomemusic.com
>
> On Wed, Mar 25, 2009 at 1:45 AM, mark francombe <mark@markfrancombe.com>
> wrote:
> > Hey Matt,
> >
> > Got any venue details...? Add them to my tool please?
> >
> > http://www.markfrancombe.com/wordpress/?page_id=525
> >
> >
> > On Wed, Mar 25, 2009 at 8:58 AM, Matt Davignon <mattdavignon@gmail.com>
> > wrote:
> >>
> >> Sorry about my late responses - day job has been really hectic.
> >>
> >> Thanks for the details. I know the Stone is pretty much impossible if
> >> you're not already friends with John Zorn, or friends with his
> >> friends.
> >>
> >> I played at Issue Project Room a couple years ago. They were lovely
> >> folks and I'm trying to set it up again.
> >>
> >> I'm set up at the Red Room in Baltimore too - when I was organizing
> >> the Big Sur Experimental Music Festival we had some of those folks
> >> come out and play.
> >>
> >> Thanks to the folks on this list for your great responses - I'm
> >> looking into/following up on them.
> >>
> >> On Fri, Mar 20, 2009 at 6:35 AM, Jim Goodin <jimgoodinmusic@gmail.com>
> >> wrote:
> >> > Matt the Stone seems tighter than Fort Knox so to speak.  It seems to
> be
> >> > an
> >> > extension of where Tonic had been going meaning a monthly rotational
> >> > curator
> >> > and about the only way to connect was to go there and 'hang' as they
> say
> >> > which is something that frustrates me with a lot of the 'scene' here
> >> > when
> >> > time is so limited at least for me.
> >> > There is also a similiar place in Brooklyn where I am that's called
> >> > Issue
> >> > Project Room.  They atleast provide their contacts though it too is
> >> > rather
> >> > tight though a couple on this list have played there so perhaps they
> can
> >> > reflect to you.
> >> > Are you playing the Red Room I think it's called in Baltimore?  We
> tried
> >> > to
> >> > get Chinapainting there, it's supposed to be the cat's meow down
> there.
> >> > If you haven't checked out places in Williamsburg (Brooklyn) there are
> a
> >> > few.  One that is a neat place, open to a lot of diff stuff but
> >> > unfortunately doesn't do well with walk in traffic is a place called
> the
> >> > Stain.  Zebulon is also good but harder to get in.
> >> > More if you need but rushing for now.
> >> > Luck with it all...
> >> > Jim
> >> >
> >>
> >
> >
> >
> > --
> > www.markfrancombe.com
> > http://vimeo.com/user825094
> > http://uk.youtube.com/user/markfrancombe
> > http://www.myspace.com/markfrancombe
> > http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
> >
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5a4b8b1391c04660578ec
Content-Type: text/html; charset=ISO-8859-1
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Thanks Matt... any venues you DO know, I hope you will add too... I mean, i=
f you got a gig there, then they are probably pretty open to new cool stuff=
 I think... at least under my &quot;Dangerous&quot; categorization...<br>

<br>To everyone else.... COME ON!!! Im surprised by the lack of interest to=
 add to my list here!!! I think I want to make a suggestion, that EVERYONE =
should try to add at least one venue to my list... <br><br>I have also incl=
uded a link to the current status of the list, Hopefully viewing the result=
s will make it more interesting. <br>

Im thinking about all the threads over the years that concern places to pla=
y. Nowadays, bands are touring less, and I think there are alot more venues=
 open to accepting left field works... It OUR time now... Lets get on the r=
oad, and LOOP!!!<br>

<br>The Looping Friendly Venue Tool.<br><a href=3D"http://www.markfrancombe=
.com/wordpress/?page_id=3D525" target=3D"_blank">http://www.markfrancombe.c=
om/wordpress/?page_id=3D525</a><br><br>cheers<br><br>Mark<br><br><div class=
=3D"gmail_quote">

On Thu, Mar 26, 2009 at 1:13 AM, Matt Davignon <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt;</span> w=
rote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid =
rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

Thanks Mark,<br>
<br>
I put in my own venue, but I&#39;m not going to have a real good sense at<b=
r>
the venues I&#39;m touring to until I play there.<br>
<font color=3D"#888888"><br>
Matt Davignon<br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
</font><div><div></div><div class=3D"h5"><br>
On Wed, Mar 25, 2009 at 1:45 AM, mark francombe &lt;<a href=3D"mailto:mark@=
markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>
&gt; Hey Matt,<br>
&gt;<br>
&gt; Got any venue details...? Add them to my tool please?<br>
&gt;<br>
&gt; <a href=3D"http://www.markfrancombe.com/wordpress/?page_id=3D525" targ=
et=3D"_blank">http://www.markfrancombe.com/wordpress/?page_id=3D525</a><br>
&gt;<br>
&gt;<br>
&gt; On Wed, Mar 25, 2009 at 8:58 AM, Matt Davignon &lt;<a href=3D"mailto:m=
attdavignon@gmail.com">mattdavignon@gmail.com</a>&gt;<br>
&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; Sorry about my late responses - day job has been really hectic.<br=
>
&gt;&gt;<br>
&gt;&gt; Thanks for the details. I know the Stone is pretty much impossible=
 if<br>
&gt;&gt; you&#39;re not already friends with John Zorn, or friends with his=
<br>
&gt;&gt; friends.<br>
&gt;&gt;<br>
&gt;&gt; I played at Issue Project Room a couple years ago. They were lovel=
y<br>
&gt;&gt; folks and I&#39;m trying to set it up again.<br>
&gt;&gt;<br>
&gt;&gt; I&#39;m set up at the Red Room in Baltimore too - when I was organ=
izing<br>
&gt;&gt; the Big Sur Experimental Music Festival we had some of those folks=
<br>
&gt;&gt; come out and play.<br>
&gt;&gt;<br>
&gt;&gt; Thanks to the folks on this list for your great responses - I&#39;=
m<br>
&gt;&gt; looking into/following up on them.<br>
&gt;&gt;<br>
&gt;&gt; On Fri, Mar 20, 2009 at 6:35 AM, Jim Goodin &lt;<a href=3D"mailto:=
jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt;<br>
&gt;&gt; wrote:<br>
&gt;&gt; &gt; Matt the Stone seems tighter than Fort Knox so to speak. =A0I=
t seems to be<br>
&gt;&gt; &gt; an<br>
&gt;&gt; &gt; extension of where Tonic had been going meaning a monthly rot=
ational<br>
&gt;&gt; &gt; curator<br>
&gt;&gt; &gt; and about the only way to connect was to go there and &#39;ha=
ng&#39; as they say<br>
&gt;&gt; &gt; which is something that frustrates me with a lot of the &#39;=
scene&#39; here<br>
&gt;&gt; &gt; when<br>
&gt;&gt; &gt; time is so limited at least for me.<br>
&gt;&gt; &gt; There is also a similiar place in Brooklyn where I am that&#3=
9;s called<br>
&gt;&gt; &gt; Issue<br>
&gt;&gt; &gt; Project Room. =A0They atleast provide their contacts though i=
t too is<br>
&gt;&gt; &gt; rather<br>
&gt;&gt; &gt; tight though a couple on this list have played there so perha=
ps they can<br>
&gt;&gt; &gt; reflect to you.<br>
&gt;&gt; &gt; Are you playing the Red Room I think it&#39;s called in Balti=
more? =A0We tried<br>
&gt;&gt; &gt; to<br>
&gt;&gt; &gt; get Chinapainting there, it&#39;s supposed to be the cat&#39;=
s meow down there.<br>
&gt;&gt; &gt; If you haven&#39;t checked out places in Williamsburg (Brookl=
yn) there are a<br>
&gt;&gt; &gt; few. =A0One that is a neat place, open to a lot of diff stuff=
 but<br>
&gt;&gt; &gt; unfortunately doesn&#39;t do well with walk in traffic is a p=
lace called the<br>
&gt;&gt; &gt; Stain. =A0Zebulon is also good but harder to get in.<br>
&gt;&gt; &gt; More if you need but rushing for now.<br>
&gt;&gt; &gt; Luck with it all...<br>
&gt;&gt; &gt; Jim<br>
&gt;&gt; &gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfra=
ncombe.com</a><br>
&gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo=
.com/user825094</a><br>
&gt; <a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank"=
>http://uk.youtube.com/user/markfrancombe</a><br>
&gt; <a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">htt=
p://www.myspace.com/markfrancombe</a><br>
&gt; <a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Syn=
ch" target=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non=
%20Synch</a><br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001636c5a4b8b1391c04660578ec--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 13:21:36 2009
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References: <864434907DE0E9429B16AD587941F73F03315E01@EXVBE010-2.exch010.intermedia.net>
Date: Thu, 26 Mar 2009 14:21:20 +0100
Message-ID: <9ab0c76f0903260621w4011b2dfj679934ef3b5cf17e@mail.gmail.com>
Subject: Re: looping/live tracking what do you call it
From: mark francombe <mark@markfrancombe.com>
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On Thu, Mar 26, 2009 at 2:15 PM, Andy Owens <andy@1800pathways.com> wrote:

> As long as you have no sequenced tracks, build It all live, is that still
> looping?


I think that is the BEST DEFINITION of looping I have heard for a while
actually!!


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5bbd1d496fb0466057ed7
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<br><br><div class=3D"gmail_quote">On Thu, Mar 26, 2009 at 2:15 PM, Andy Ow=
ens <span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800pathways.com">andy@180=
0pathways.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" st=
yle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex=
; padding-left: 1ex;">

As long as
you have no sequenced tracks, build It all live, is that still looping? </b=
lockquote></div><br>I think that is the BEST DEFINITION of looping I have h=
eard for a while actually!!<br><br clear=3D"all"><br>-- <br><a href=3D"http=
://www.markfrancombe.com">www.markfrancombe.com</a><br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--001636c5bbd1d496fb0466057ed7--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 13:44:01 2009
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From: Teddy Kumpel <teddybut@mac.com>
To: Loopers-Delight@loopers-delight.com
In-reply-to: <49CB60C0.9070409@post.cybercity.dk>
Subject: Re: new pedal in town
Date: Thu, 26 Mar 2009 09:43:59 -0400
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looks like the scales they picked are all based on major modes with  
the exception of 1.
So... as a harmonizer its pretty useless until they add more scales or  
make it user definable.

Teddy
--
PS.
--
http://teddyjam.com
new live recordings, always
--
http://myspace.com/teddykjam
friend me
--

On Mar 26, 2009, at 7:02 AM, van Sinn wrote:

> jcshirke@verizon.net wrote:
>> Mine arrives today. ;)
>> Jeff
>
> Been playing around with it?  Comments?  I'm all ears..
>
> -- 
> rgds,
> van Sinn
>



From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 14:00:59 2009
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Date: Thu, 26 Mar 2009 07:00:58 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Digitech Timebender
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well this does look like a killer pedal ive been checking out the videos
Then again it looks like you either use the Looper or the delays but not both

http://www.digitech.com/products/Pedals/TimeBender.php


it also doesn not mention if the loop will be in stereo

But very versatile!

www.myspace.com/luisangulocom


      

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 14:08:20 2009
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Andy Owens wrote:

> instruments, but is that really looping per se? Not having heard a lot 
> of what ya’ll do, I’m not really sure, am kind of operating in a 
> vacuum.  So I guess here is the question,,,,what is looping? 


As long as sounds are looped, it's looping.
That includes the stuff you'd do in the studio with samplers.

This list is, in theory anyway, a place for all types of looping.


Now, as to whether it's "live looping", then that's debatable.

I'd say that canned loops, pre-recorded sequences and any pre defined tempi
are not "live looping".
...but that's just my definition, I can't claim ownership of the term ;-)

Most people here have websites with downloadable music, so it's pretty 
easy to find out what we do.

*many* of us have that website advertised on every single post made to to the list.

andy butler
www.andybutler.com


 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 14:13:01 2009
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Subject: RE: loop-friendly venues
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Philadelphia  has 2 series running that I think would be very open to
some looping gigs.  I hesitate to list them because I am not certain,
but others on the list may be better able to say.

=20

1. http://www.scifiphilly.com/march09.html  Small space with bar, above
Ethiopian restaurant/bar, in W. Philadelphia.  Sunday evening series
focused on jazz. Andreas Willers' group Grid Mesh played there last
weekend (great gig, BTW).  Don't know how open to rock or ambient type
stuff they would be. The audience is great, probably walk-by traffic is
zero. It is small.

=20

2. http://www.bowerbird.org/newsite/  Not a venue, a series. Somewhat of
a focus on lower-case improv, but they do contemporary classical and
have featured some electronic stuff too. Shows are at a variety of
venues, often at the Rotunda near Penn's campus in W. Philadelphia.

=20

Hal Dean

=20

=20

From: mark francombe [mailto:mark@markfrancombe.com]=20
Sent: Thursday, March 26, 2009 9:20 AM
To: Loopers-Delight@loopers-delight.com
Subject: loop-friendly venues

=20

Thanks Matt... any venues you DO know, I hope you will add too... I
mean, if you got a gig there, then they are probably pretty open to new
cool stuff I think... at least under my "Dangerous" categorization...

To everyone else.... COME ON!!! Im surprised by the lack of interest to
add to my list here!!! I think I want to make a suggestion, that
EVERYONE should try to add at least one venue to my list...=20

I have also included a link to the current status of the list, Hopefully
viewing the results will make it more interesting.=20
Im thinking about all the threads over the years that concern places to
play. Nowadays, bands are touring less, and I think there are alot more
venues open to accepting left field works... It OUR time now... Lets get
on the road, and LOOP!!!

The Looping Friendly Venue Tool.
http://www.markfrancombe.com/wordpress/?page_id=3D525

cheers

Mark

On Thu, Mar 26, 2009 at 1:13 AM, Matt Davignon <mattdavignon@gmail.com>
wrote:

Thanks Mark,

I put in my own venue, but I'm not going to have a real good sense at
the venues I'm touring to until I play there.

Matt Davignon
www.ribosomemusic.com


On Wed, Mar 25, 2009 at 1:45 AM, mark francombe <mark@markfrancombe.com>
wrote:
> Hey Matt,
>
> Got any venue details...? Add them to my tool please?
>
> http://www.markfrancombe.com/wordpress/?page_id=3D525
>
>
> On Wed, Mar 25, 2009 at 8:58 AM, Matt Davignon
<mattdavignon@gmail.com>
> wrote:
>>
>> Sorry about my late responses - day job has been really hectic.
>>
>> Thanks for the details. I know the Stone is pretty much impossible if
>> you're not already friends with John Zorn, or friends with his
>> friends.
>>
>> I played at Issue Project Room a couple years ago. They were lovely
>> folks and I'm trying to set it up again.
>>
>> I'm set up at the Red Room in Baltimore too - when I was organizing
>> the Big Sur Experimental Music Festival we had some of those folks
>> come out and play.
>>
>> Thanks to the folks on this list for your great responses - I'm
>> looking into/following up on them.
>>
>> On Fri, Mar 20, 2009 at 6:35 AM, Jim Goodin
<jimgoodinmusic@gmail.com>
>> wrote:
>> > Matt the Stone seems tighter than Fort Knox so to speak.  It seems
to be
>> > an
>> > extension of where Tonic had been going meaning a monthly
rotational
>> > curator
>> > and about the only way to connect was to go there and 'hang' as
they say
>> > which is something that frustrates me with a lot of the 'scene'
here
>> > when
>> > time is so limited at least for me.
>> > There is also a similiar place in Brooklyn where I am that's called
>> > Issue
>> > Project Room.  They atleast provide their contacts though it too is
>> > rather
>> > tight though a couple on this list have played there so perhaps
they can
>> > reflect to you.
>> > Are you playing the Red Room I think it's called in Baltimore?  We
tried
>> > to
>> > get Chinapainting there, it's supposed to be the cat's meow down
there.
>> > If you haven't checked out places in Williamsburg (Brooklyn) there
are a
>> > few.  One that is a neat place, open to a lot of diff stuff but
>> > unfortunately doesn't do well with walk in traffic is a place
called the
>> > Stain.  Zebulon is also good but harder to get in.
>> > More if you need but rushing for now.
>> > Luck with it all...
>> > Jim
>> >
>>
>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
>




--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch


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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Philadelphia&nbsp; has 2 series running that I think =
would be
very open to some looping gigs.&nbsp; I hesitate to list them because I =
am not
certain, but others on the list may be better able to =
say.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>1. <a =
href=3D"http://www.scifiphilly.com/march09.html">http://www.scifiphilly.c=
om/march09.html</a>&nbsp;
Small space with bar, above Ethiopian restaurant/bar, in W. =
Philadelphia.&nbsp;
Sunday evening series focused on jazz. Andreas Willers&#8217; group Grid =
Mesh
played there last weekend (great gig, BTW).&nbsp; Don&#8217;t know how =
open to
rock or ambient type stuff they would be. The audience is great, =
probably
walk-by traffic is zero. It is small.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>2. <a =
href=3D"http://www.bowerbird.org/newsite/">http://www.bowerbird.org/newsi=
te/</a>&nbsp;
Not a venue, a series. Somewhat of a focus on lower-case improv, but =
they do
contemporary classical and have featured some electronic stuff too. =
Shows are
at a variety of venues, often at the Rotunda near Penn&#8217;s campus in =
W.
Philadelphia.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><i><span =
style=3D'font-size:11.0pt;font-family:"Palatino Linotype","serif";
color:#1F497D'>Hal Dean</span></i><span =
style=3D'font-size:11.0pt;font-family:
"Palatino Linotype","serif";color:#1F497D'><o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Palatino Linotype","serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> mark =
francombe
[mailto:mark@markfrancombe.com] <br>
<b>Sent:</b> Thursday, March 26, 2009 9:20 AM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> loop-friendly venues<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>Thanks Matt... any =
venues you
DO know, I hope you will add too... I mean, if you got a gig there, then =
they
are probably pretty open to new cool stuff I think... at least under my
&quot;Dangerous&quot; categorization...<br>
<br>
To everyone else.... COME ON!!! Im surprised by the lack of interest to =
add to
my list here!!! I think I want to make a suggestion, that EVERYONE =
should try
to add at least one venue to my list... <br>
<br>
I have also included a link to the current status of the list, Hopefully
viewing the results will make it more interesting. <br>
Im thinking about all the threads over the years that concern places to =
play.
Nowadays, bands are touring less, and I think there are alot more venues =
open
to accepting left field works... It OUR time now... Lets get on the =
road, and
LOOP!!!<br>
<br>
The Looping Friendly Venue Tool.<br>
<a href=3D"http://www.markfrancombe.com/wordpress/?page_id=3D525" =
target=3D"_blank">http://www.markfrancombe.com/wordpress/?page_id=3D525</=
a><br>
<br>
cheers<br>
<br>
Mark<o:p></o:p></p>

<div>

<p class=3DMsoNormal>On Thu, Mar 26, 2009 at 1:13 AM, Matt Davignon =
&lt;<a
href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt; =
wrote:<o:p></o:p></p>

<p class=3DMsoNormal>Thanks Mark,<br>
<br>
I put in my own venue, but I'm not going to have a real good sense =
at<br>
the venues I'm touring to until I play there.<br>
<span style=3D'color:#888888'><br>
Matt Davignon<br>
<a href=3D"http://www.ribosomemusic.com" =
target=3D"_blank">www.ribosomemusic.com</a></span><o:p></o:p></p>

<div>

<div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><br>
On Wed, Mar 25, 2009 at 1:45 AM, mark francombe &lt;<a
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; =
wrote:<br>
&gt; Hey Matt,<br>
&gt;<br>
&gt; Got any venue details...? Add them to my tool please?<br>
&gt;<br>
&gt; <a href=3D"http://www.markfrancombe.com/wordpress/?page_id=3D525"
target=3D"_blank">http://www.markfrancombe.com/wordpress/?page_id=3D525</=
a><br>
&gt;<br>
&gt;<br>
&gt; On Wed, Mar 25, 2009 at 8:58 AM, Matt Davignon &lt;<a
href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt;<br>=

&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; Sorry about my late responses - day job has been really =
hectic.<br>
&gt;&gt;<br>
&gt;&gt; Thanks for the details. I know the Stone is pretty much =
impossible if<br>
&gt;&gt; you're not already friends with John Zorn, or friends with =
his<br>
&gt;&gt; friends.<br>
&gt;&gt;<br>
&gt;&gt; I played at Issue Project Room a couple years ago. They were =
lovely<br>
&gt;&gt; folks and I'm trying to set it up again.<br>
&gt;&gt;<br>
&gt;&gt; I'm set up at the Red Room in Baltimore too - when I was =
organizing<br>
&gt;&gt; the Big Sur Experimental Music Festival we had some of those =
folks<br>
&gt;&gt; come out and play.<br>
&gt;&gt;<br>
&gt;&gt; Thanks to the folks on this list for your great responses - =
I'm<br>
&gt;&gt; looking into/following up on them.<br>
&gt;&gt;<br>
&gt;&gt; On Fri, Mar 20, 2009 at 6:35 AM, Jim Goodin &lt;<a
href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt;=
<br>
&gt;&gt; wrote:<br>
&gt;&gt; &gt; Matt the Stone seems tighter than Fort Knox so to speak. =
&nbsp;It
seems to be<br>
&gt;&gt; &gt; an<br>
&gt;&gt; &gt; extension of where Tonic had been going meaning a monthly
rotational<br>
&gt;&gt; &gt; curator<br>
&gt;&gt; &gt; and about the only way to connect was to go there and =
'hang' as
they say<br>
&gt;&gt; &gt; which is something that frustrates me with a lot of the =
'scene'
here<br>
&gt;&gt; &gt; when<br>
&gt;&gt; &gt; time is so limited at least for me.<br>
&gt;&gt; &gt; There is also a similiar place in Brooklyn where I am =
that's
called<br>
&gt;&gt; &gt; Issue<br>
&gt;&gt; &gt; Project Room. &nbsp;They atleast provide their contacts =
though it
too is<br>
&gt;&gt; &gt; rather<br>
&gt;&gt; &gt; tight though a couple on this list have played there so =
perhaps
they can<br>
&gt;&gt; &gt; reflect to you.<br>
&gt;&gt; &gt; Are you playing the Red Room I think it's called in =
Baltimore?
&nbsp;We tried<br>
&gt;&gt; &gt; to<br>
&gt;&gt; &gt; get Chinapainting there, it's supposed to be the cat's =
meow down
there.<br>
&gt;&gt; &gt; If you haven't checked out places in Williamsburg =
(Brooklyn)
there are a<br>
&gt;&gt; &gt; few. &nbsp;One that is a neat place, open to a lot of diff =
stuff
but<br>
&gt;&gt; &gt; unfortunately doesn't do well with walk in traffic is a =
place
called the<br>
&gt;&gt; &gt; Stain. &nbsp;Zebulon is also good but harder to get =
in.<br>
&gt;&gt; &gt; More if you need but rushing for now.<br>
&gt;&gt; &gt; Luck with it all...<br>
&gt;&gt; &gt; Jim<br>
&gt;&gt; &gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; <a href=3D"http://www.markfrancombe.com" =
target=3D"_blank">www.markfrancombe.com</a><br>
&gt; <a href=3D"http://vimeo.com/user825094" =
target=3D"_blank">http://vimeo.com/user825094</a><br>
&gt; <a href=3D"http://uk.youtube.com/user/markfrancombe" =
target=3D"_blank">http://uk.youtube.com/user/markfrancombe</a><br>
&gt; <a href=3D"http://www.myspace.com/markfrancombe" =
target=3D"_blank">http://www.myspace.com/markfrancombe</a><br>
&gt; <a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch"
target=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%2=
0Synch</a><br>
&gt;<o:p></o:p></p>

</div>

</div>

</div>

<p class=3DMsoNormal><br>
<br clear=3Dall>
<br>
-- <br>
<a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br>
<a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>
<a =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/u=
ser/markfrancombe</a><br>
<a =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mark=
francombe</a><br>
<a =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><o:p></o:p=
></p>

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Subject: Re: looping/live tracking what do you call it
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Whaterever you call it that you do, is essentially my thing also. Minus =
the vocals ofcourse, since I fail their without question.

rick

  ----- Original Message -----=20
  From: Andy Owens=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, March 26, 2009 9:15 AM
  Subject: looping/live tracking what do you call it


  Just a general question here..I am getting pretty good at building =
foundations for instrumental or vocal pieces, but don't do a lot of just =
ambient type stuff where you just layer a bunch of noises together, but =
in my rack I have keys and organ and a good bass sound and drum samples =
to make a basic foundation that I can improve over with my acoustic =
instruments, but is that really looping per se? Not having heard a lot =
of what ya'll do, I'm not really sure, am kind of operating in a vacuum. =
 So I guess here is the question,,,,what is looping? As long as you have =
no sequenced tracks, build I all live, is that still looping? (maybe =
it's like opening a can of worms on a Bluegrass list with the question =
"what is Bluegrass anyway?", I hope so, lol)

  =20

  Andy Owens

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<DIV><FONT face=3DArial size=3D2>Whaterever you call it that you do, is =
essentially=20
my thing also. Minus the vocals ofcourse, since I fail their without=20
question.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>rick</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dandy@1800pathways.com =
href=3D"mailto:andy@1800pathways.com">Andy=20
  Owens</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 26, 2009 =
9:15=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> looping/live tracking =
what do=20
  you call it</DIV>
  <DIV><BR></DIV>
  <DIV class=3DSection1>
  <P class=3DMsoNormal>Just a general question here=85=85I am getting =
pretty good at=20
  building foundations for instrumental or vocal pieces, but don=92t do =
a lot of=20
  just ambient type stuff where you just layer a bunch of noises =
together, but=20
  in my rack I have keys and organ and a good bass sound and drum =
samples to=20
  make a basic foundation that I can improve over with my acoustic =
instruments,=20
  but is that really looping per se? Not having heard a lot of what =
ya=92ll do,=20
  I=92m not really sure, am kind of operating in a vacuum.&nbsp; So I =
guess here=20
  is the question,,,,what is looping? As long as you have no sequenced =
tracks,=20
  build I all live, is that still looping? (maybe it=92s like opening a =
can of=20
  worms on a Bluegrass list with the question =93what is Bluegrass =
anyway?=94, I=20
  hope so, lol)<o:p></o:p></P>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P>
  <P class=3DMsoNormal>Andy =
Owens<o:p></o:p></P></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_003A_01C9ADFA.FD28AB60--

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To: <Loopers-Delight@loopers-delight.com>
References: <864434907DE0E9429B16AD587941F73F03315E01@EXVBE010-2.exch010.intermedia.net>
Subject: Re: looping/live tracking what do you call it
Date: Thu, 26 Mar 2009 10:34:06 -0400
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Alot of good stuff here: =
http://www.youtube.com/profile?user=3Dlivelooping&view=3Dplaylists

Jeff

http://jeffduke.org


  ----- Original Message -----=20
  From: Andy Owens=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, March 26, 2009 9:15 AM
  Subject: looping/live tracking what do you call it


  Just a general question here..I am getting pretty good at building =
foundations for instrumental or vocal pieces, but don't do a lot of just =
ambient type stuff where you just layer a bunch of noises together, but =
in my rack I have keys and organ and a good bass sound and drum samples =
to make a basic foundation that I can improve over with my acoustic =
instruments, but is that really looping per se? Not having heard a lot =
of what ya'll do, I'm not really sure, am kind of operating in a vacuum. =
 So I guess here is the question,,,,what is looping? As long as you have =
no sequenced tracks, build I all live, is that still looping? (maybe =
it's like opening a can of worms on a Bluegrass list with the question =
"what is Bluegrass anyway?", I hope so, lol)

  =20

  Andy Owens

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<BODY lang=3DEN-US vLink=3Dpurple link=3Dblue bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Alot of good stuff here: <A=20
href=3D"http://www.youtube.com/profile?user=3Dlivelooping&amp;view=3Dplay=
lists">http://www.youtube.com/profile?user=3Dlivelooping&amp;view=3Dplayl=
ists</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://jeffduke.org">http://jeffduke.org</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dandy@1800pathways.com =
href=3D"mailto:andy@1800pathways.com">Andy=20
  Owens</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 26, 2009 =
9:15=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> looping/live tracking =
what do=20
  you call it</DIV>
  <DIV><BR></DIV>
  <DIV class=3DSection1>
  <P class=3DMsoNormal>Just a general question here=85=85I am getting =
pretty good at=20
  building foundations for instrumental or vocal pieces, but don=92t do =
a lot of=20
  just ambient type stuff where you just layer a bunch of noises =
together, but=20
  in my rack I have keys and organ and a good bass sound and drum =
samples to=20
  make a basic foundation that I can improve over with my acoustic =
instruments,=20
  but is that really looping per se? Not having heard a lot of what =
ya=92ll do,=20
  I=92m not really sure, am kind of operating in a vacuum.&nbsp; So I =
guess here=20
  is the question,,,,what is looping? As long as you have no sequenced =
tracks,=20
  build I all live, is that still looping? (maybe it=92s like opening a =
can of=20
  worms on a Bluegrass list with the question =93what is Bluegrass =
anyway?=94, I=20
  hope so, lol)<o:p></o:p></P>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P>
  <P class=3DMsoNormal>Andy =
Owens<o:p></o:p></P></DIV></BLOCKQUOTE></BODY></HTML>

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Date: Thu, 26 Mar 2009 07:55:13 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Saw this on thegearpage.net webpage, RE: Digitech Timebender
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ha ha! man i am thinking about going back to hardwareland after my 2 firewi=
re soundcards broke and my macbook laptop firewire port fried,all at once c=
an u believe it!=0ALuis=0A> =0A> I'm really tempted to get another pedalboa=
rd and put a=0A> Digitech Timebender - along with the Boss Slicer - on it..=
.=0A> But no... no more hardware, Buzap... Just resist... Save=0A> your tim=
e & money for laptop setup... ;-)=0A> =0A> rgds=0A> Buzap=0A> =0A> -- =0A> =
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate +=0A> Telefonansc=
hluss f=FCr nur 17,95 Euro/mtl.!* http://dsl.gmx.de/?ac=3DOM.AD.PD003K11308=
T4569a=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 15:28:45 2009
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Subject: Re: new pedal in town
Date: Thu, 26 Mar 2009 09:28:17 -0500
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On Mar 26, 2009, at 8:43 AM, Teddy Kumpel wrote:

> looks like the scales they picked are all based on major modes with  
> the exception of 1.
> So... as a harmonizer its pretty useless until they add more scales  
> or make it user definable.

All of the other Eventide harmonizers have user defined scales. I  
don't see why the PitchFactor would be any different. I'll check my  
manual and let you know.

As for it being "useless" if it doesn't have them, that seems like  
quite an exaggeration.

Jeff

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>
>
> Been playing around with it?  Comments?  I'm all ears..

Just a little bit so far, but I will really play around with it this  
weekend. There are a couple of good demos on YouTube, I'm told. I will  
try to find the links.

Jeff
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><blockquote type="cite"><div><font class="Apple-style-span" color="#000000"><br></font><br>Been playing around with it? &nbsp;Comments? &nbsp;I'm all ears..<br></div></blockquote></div><br><div>Just a little bit so far, but I will really play around with it this weekend. There are a couple of good demos on YouTube, I'm told. I will try to find the links.</div><div><br></div><div>Jeff</div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 15:36:09 2009
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Date: Thu, 26 Mar 2009 11:36:06 -0400
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Digitech Timebender
To: "L.Angulo" <labaloops@yahoo.com>,
 Loopers Delight <loopers-delight@loopers-delight.com>
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It has 20 seconds of looping time, but can anyone tell us how much DELAY 
time it has? Can this compete with the Boss DD-20?


> well this does look like a killer pedal ive been checking out the videos
> Then again it looks like you either use the Looper or the delays but not 
> both
>
> http://www.digitech.com/products/Pedals/TimeBender.php


From joyjackzxcvbnmn@msn.com  Thu Mar 26 15:41:41 2009
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Dear Friend=20
=20
Greetings in the name of God=2CPls let this not sound strange to you for my=
 only surviving lawyer who would have done this died early this year.
=20
i prayed and got your email id from your country guestbook. I am MRS JOYJAC=
K SON from London=2CI am 58 years old=2Ci am suffering from a long time can=
cer of the lungs which also affected my brain=2Cfrom all indication my cond=
itions is really deteriorating and it is quite obvious that=2C according to=
 my doctors they have advised me that i may not live for the next two month=
s=2Cthis is because the cancer stage has gotten to a very bad stage.=20
=20
I was brought up from a motherless babies home was married to my late husba=
nd for twenty years without a child=2Cmy husband died in a fatal motor acci=
dent Before his death we were true believers.Since his death I decided not =
to re-marry=2CI sold all my inherited belongings and deposited all the sum =
of 10million dollars with a First Inland Bank.=20
=20
Presently=2C this money is still with them and the management just wrote me=
 as the true owner to come forward to receive the money for keeping it so l=
ong or rather issue a letter of authorization to somebody to receive it on =
my behalf since I can not come over because of my illness or they get it co=
nfisticated.=20
=20
 Presently=2C I'm with my laptop in a hospital here in Switzerland where I =
have been undergoing treatment for cancer of the lungs. my doctors have tol=
d me that I have only a few months to live.It is my last wish to see that t=
his money is invested to any organisation of your choice and distributed ea=
ch year among the charity organization=2Cthe poor and the motherless babies=
 home.=20
=20
I want you as God fearing person=2C to also use this money to fund church=
=2Cmosque=2C orphanages and widows=2CI took this decision=2C before i rest =
in peace because my time will so on be up.=20
=20
As soon as I receive your reply I shall give you the contact of the First I=
nland Bank.I will also issue you a letter of authority that will prove you =
as the new beneficiary of my fund.=20
=20
Please assure me that you will act accordingly as I stated herein. Hoping t=
o hear from you soon.  NAME: __________SURNAME:__________________SEX: _____=
 AGE: ______MARITAL: _______________COUNTRY: ______
CONTACT ADDRESS: ________________________PHONE NO#___________FAX NO#_______=
__________OCCUPATION:
______________
waiting for you information
reply:me through this my private email
address:mrsjoyjackson2009@yahoo.fr
=20
MRS.JOYJACK SON=

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<DIV><STRONG>Dear Friend <BR>&nbsp=3B<BR>Greetings in the name of God=2CPls=
 let this not sound strange to you for my only surviving lawyer who would h=
ave done this died early this year.<BR>&nbsp=3B<BR>i prayed and got your em=
ail id from your country guestbook. I am MRS JOYJACK SON from London=2CI am=
 58 years old=2Ci am suffering from a long time cancer of the lungs which a=
lso affected my brain=2Cfrom all indication my conditions is really deterio=
rating and it is quite obvious that=2C according to my doctors they have ad=
vised me that i may not live for the next two months=2Cthis is because the =
cancer stage has gotten to a very bad stage. <BR>&nbsp=3B<BR>I was brought =
up from a motherless babies home was married to my late husband for twenty =
years without a child=2Cmy husband died in a fatal motor accident Before hi=
s death we were true believers.Since his death I decided not to re-marry=2C=
I sold all my inherited belongings and deposited all the sum of 10million d=
ollars with a First Inland Bank. <BR>&nbsp=3B<BR>Presently=2C this money is=
 still with them and the management just wrote me as the true owner to come=
 forward to receive the money for keeping it so long or rather issue a lett=
er of authorization to somebody to receive it on my behalf since I can not =
come over because of my illness or they get it confisticated. <BR>&nbsp=3B<=
BR>&nbsp=3BPresently=2C I'm with my laptop in a hospital here in Switzerlan=
d where I have been undergoing treatment for cancer of the lungs. my doctor=
s have told me that I have only a few months to live.It is my last wish to =
see that this money is invested to any organisation of your choice and dist=
ributed each year among the charity organization=2Cthe poor and the motherl=
ess babies home. <BR>&nbsp=3B<BR>I want you as God fearing person=2C to als=
o use this money to fund church=2Cmosque=2C orphanages and widows=2CI took =
this decision=2C before i rest in peace because my time will so on be up. <=
BR>&nbsp=3B<BR>As soon as I receive your reply I shall give you the contact=
 of the First Inland Bank.I will also issue you a letter of authority that =
will prove you as the new beneficiary of my fund. <BR>&nbsp=3B<BR>Please as=
sure me that you will act accordingly as I stated herein. Hoping to hear fr=
om you soon.&nbsp=3B NAME: __________SURNAME:__________________SEX: _____ A=
GE: ______MARITAL: _______________COUNTRY: ______<BR>CONTACT ADDRESS: _____=
___________________PHONE NO#___________FAX NO#_________________OCCUPATION:<=
BR>______________<BR>waiting for you information<BR>reply:me through this m=
y private email<BR>address:mrsjoyjackson2009@yahoo.fr<BR>&nbsp=3B<BR>MRS.JO=
YJACK SON</STRONG></DIV></body>
</html>=

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References: <72577.73409.qm@web38606.mail.mud.yahoo.com> <FC2E5F0339AC4C60A275B6BCA6D4434D@coyote>
Subject: Re: Digitech Timebender
Date: Thu, 26 Mar 2009 11:52:51 -0400
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It has 5 seconds of delay and 20 of loop time.
ftp://ftp.digitech.com/pub/PDFs/Manuals/TimeBender/Timebender%20Manual%2018-0686-A.pdf

Jeff

----- Original Message ----- 
From: "Douglas Baldwin" <coyotelk@optonline.net>
To: "L.Angulo" <labaloops@yahoo.com>; "Loopers Delight" 
<loopers-delight@loopers-delight.com>
Sent: Thursday, March 26, 2009 11:36 AM
Subject: Re: Digitech Timebender


> It has 20 seconds of looping time, but can anyone tell us how much DELAY 
> time it has? Can this compete with the Boss DD-20?
>
>
>> well this does look like a killer pedal ive been checking out the videos
>> Then again it looks like you either use the Looper or the delays but not 
>> both
>>
>> http://www.digitech.com/products/Pedals/TimeBender.php
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 16:07:39 2009
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On Mar 26, 2009, at 8:43 AM, Teddy Kumpel wrote:

> looks like the scales they picked are all based on major modes with  
> the exception of 1.
> So... as a harmonizer its pretty useless until they add more scales  
> or make it user definable.

You're right. No user definable or more "exotic" scales at present.  
That doesn't mean they won't add them though.

See thread:

http://forum.eventide.com/cs/forums/t/5368.aspx

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 16:13:01 2009
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Subject: Re: Saw this on thegearpage.net webpage, RE: Digitech Timebender
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> ha ha! man i am thinking about going back to hardwareland after my 2
> firewire soundcards broke and my macbook laptop firewire port fried,all at once
> can u believe it!
> Luis

Hey Luis,
Ouch, that sounds really ugly.
The more I hear such stories, the more I love my RC-50 ;-)

If you need comfort: just think of all the _weight_ you don't have to carry around anymore :)

Buzap




-- 
Neu: GMX FreeDSL Komplettanschluss mit DSL 6.000 Flatrate + Telefonanschluss für nur 17,95 Euro/mtl.!* http://dsl.gmx.de/?ac=OM.AD.PD003K11308T4569a

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 19:50:25 2009
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Subject: Re: new pedal in town
Date: Thu, 26 Mar 2009 15:50:07 -0400
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> On Mar 26, 2009, at 8:43 AM, Teddy Kumpel wrote:
>
>> looks like the scales they picked are all based on major modes with  
>> the exception of 1.
>> So... as a harmonizer its pretty useless until they add more scales  
>> or make it user definable.
>

On Mar 26, 2009, at 12:07 PM, Jeff Shirkey wrote:

> You're right. No user definable or more "exotic" scales at present.  
> That doesn't mean they won't add them though.
>
> See thread:
>
> http://forum.eventide.com/cs/forums/t/5368.aspx


Thanks Jeff,

  I started that thread... just thought I'd mention it here too....

Teddy
--
PS.
--
http://teddyjam.com
new live recordings, always
--
http://myspace.com/teddykjam
friend me
--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 19:53:43 2009
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Subject: Re: new pedal in town
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>
> Thanks Jeff,
>
> I started that thread...

Yeah, so you did. I realized that as soon as I posted. My bad.

Well, you're right about the lack of user definable scales, as well as  
the lack of more "exotic" scales. The other Eventide units have user  
definable scales, but maybe the PF can't handle them for some reason?  
Or maybe those algorithms weren't ready, but they wanted to start  
shipping units now instead of later? Any response yet from Eventide?

I still think the pedal is pretty remarkable. And it'll only get  
better thanks to future updates.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 21:32:19 2009
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J Johans wrote:
> simply because all of my illegal plugins are windows =)
Understood.  You might wish to see if Pro Tools has what you need.  You 
may find a lot of your VST are covered there.  I have a lot of freeware 
VSTs so I understand your situation.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 21:55:16 2009
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On Thu, Mar 26, 2009 at 5:12 PM, Buzap Buzap <buzap@gmx.net> wrote:

> If you need comfort: just think of all the _weight_ you don't have to carry
> around anymore :)
>

I have a bad back... so I get other people to carry stuff!!!

Try it.. it works!!



-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636c5ad4dc6e00204660cab94
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<br><br><div class=3D"gmail_quote">On Thu, Mar 26, 2009 at 5:12 PM, Buzap B=
uzap <span dir=3D"ltr">&lt;<a href=3D"mailto:buzap@gmx.net">buzap@gmx.net</=
a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-l=
eft: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left:=
 1ex;">

<div id=3D":zk" class=3D"ii gt">If you need comfort: just think of all the =
_weight_ you don&#39;t have to carry around anymore :)</div></blockquote></=
div><br>I have a bad back... so I get other people to carry stuff!!! <br><b=
r>

Try it.. it works!!<br><br><br clear=3D"all"><br>-- <br><a href=3D"http://w=
ww.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.=
com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.you=
tube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><b=
r>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001636c5ad4dc6e00204660cab94--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 22:53:37 2009
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Jeff Shirkey wrote:
> 
> 
>>
>> Thanks Jeff,
>>
>> I started that thread...
> 
> 
> Yeah, so you did. I realized that as soon as I posted. My bad.
> 
> Well, you're right about the lack of user definable scales, as well as  
> the lack of more "exotic" scales. The other Eventide units have user  
> definable scales, but maybe the PF can't handle them for some reason?  
> Or maybe those algorithms weren't ready, but they wanted to start  
> shipping units now instead of later? Any response yet from Eventide?

Maybe Eventide needs to separate it from the way more expensive lineup..


> I still think the pedal is pretty remarkable. And it'll only get  better 
> thanks to future updates.
> 
> Jeff

Hope so; lets see..  if no more harmonizings are added, it's nogo for me.
I was hoping to be able to replace my Digitech TSR-24S; not that I don't 
like it, just to downscale my rig sizewise as I don't utilize all the 
noughty TSR features.  Mostly 4-tap delay, harmonizing and a bit of 
reverb, and often controlled by envelope follover or prog.gate.
I realize the PitchFactor doesn't have all this, but I might be able to 
live with less..

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Thu Mar 26 23:29:33 2009
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm (EDT/GMT-4:00/ITZ-5:00) on Galactic Travels, I'll
conclude the  month-long Special Focus on UK synthesist Ian Boddy.  The
Featured CD at Midnight will be "Elemental" by Ian Boddy on DiN
Records.

For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2009/focus.html#mar

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From bacheca@annunci.it  Fri Mar 27 01:45:07 2009
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From: "eBay"<bacheca@annunci.it>
Subject: Spedizione e imballaggio gratuiti: fattori importanti nelle Inserzioni piu rilevanti
Date: Fri, 21 Aug 2009 22:17:37 -0700
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 02:48:19 2009
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Subject: RE: Teresa Andersson/other YouTubers worth viewing...
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> I thought this was quite well done.  Wonder what she's using for  
> loopers.

Definitely brilliant! I thought I saw a DL4 in her pedal chain?


Here is another fine use of looping on YouTube:

http://www.youtube.com/watch?v=W4vd9OVLO7Q


All ye proggies like myself will enjoy this!!!

Peace.

Ed in NJ
http://www.myspace.com/edward_yuhas


From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 03:34:55 2009
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I found this and was kind of amazed. The program itself is half the size of 
the PDF manual.
http://www.wavosaur.com

DAW 540kb
PDF 750kb

It actually works pretty well. Midi, vst support, some separate channel 
editing, skins, oh, and of course loop mode! I haven't really tested it 
much. There is some pretty bad spelling in the manual.


Jeff


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Subject: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB1010
From: Timothy Miller <timmylmiller@gmail.com>
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--0016368e1d22efd038046612e4cb
Content-Type: text/plain; charset=ISO-8859-1
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Ok, so I've gone to this site (
http://synchnonsynch.blogspot.com/2006/08/fcb1010-instructions.html ) and
have followed all the steps and am still getting nothing. Does anyone know
of a video that gives a step by step instruction on how to get the fcb1010
to work with the edp? I have a midi cable going to/from fcb1010 and edp, and
I have a regular cable going from both, as well. Any help would be greatly
appreciated.

--0016368e1d22efd038046612e4cb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ok, so I&#39;ve gone to this site (=A0<a href=3D"http://synchnonsynch.blogs=
pot.com/2006/08/fcb1010-instructions.html">http://synchnonsynch.blogspot.co=
m/2006/08/fcb1010-instructions.html</a> ) and have followed all the steps a=
nd am still getting nothing. Does anyone know of a video that gives a step =
by step instruction on how to get the fcb1010 to work with the edp? I have =
a midi cable going to/from fcb1010 and edp, and I have a regular cable goin=
g from both, as well. Any help would be greatly appreciated.

--0016368e1d22efd038046612e4cb--

From service@paypal.it  Fri Mar 27 06:05:42 2009
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<td><p class="EC_style6 EC_style21 EC_style22"><img src="https://www.paypal.com/de_DE/DE/i/logo/paypal_logo.gif" height="31" width="114"></p>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 08:22:51 2009
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> I have a bad back... so I get other people to carry stuff!!!
> Try it.. it works!!

Well, you must be either very rich or very popular... ;-)

Buzap.
-- 
Psssst! Schon vom neuen GMX MultiMessenger gehört? Der kann`s mit allen: http://www.gmx.net/de/go/multimessenger01

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 08:39:14 2009
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Date: Fri, 27 Mar 2009 09:39:13 +0100
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Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB1010
From: Per Boysen <perboysen@gmail.com>
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Send MIDI Note events to the EDP.
Don't forget about the note off-set in the EDP settings.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Fri, Mar 27, 2009 at 6:20 AM, Timothy Miller <timmylmiller@gmail.com> wr=
ote:
> Ok, so I've gone to this site
> (=A0http://synchnonsynch.blogspot.com/2006/08/fcb1010-instructions.html )=
 and
> have followed all the steps and am still getting nothing. Does anyone kno=
w
> of a video that gives a step by step instruction on how to get the fcb101=
0
> to work with the edp? I have a midi cable going to/from fcb1010 and edp, =
and
> I have a regular cable going from both, as well. Any help would be greatl=
y
> appreciated.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 08:41:06 2009
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	<66f9cc1e0903270139r73096e09u7e0696f125eaaffa@mail.gmail.com>
Date: Fri, 27 Mar 2009 09:40:49 +0100
Message-ID: <9ab0c76f0903270140w4f5f68dbv720a73852993842c@mail.gmail.com>
Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB1010
From: mark francombe <mark@markfrancombe.com>
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On Fri, Mar 27, 2009 at 9:39 AM, Per Boysen <perboysen@gmail.com> wrote:

> note off-set


Whats that Per? My instructions he followed show that he has to use NOTES,
but is/was there a note OFF setting I forgot...?

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00163662e5c6767194046615b1b4
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<br><br><div class=3D"gmail_quote">On Fri, Mar 27, 2009 at 9:39 AM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">

 note off-set</blockquote></div><br>Whats that Per? My instructions he foll=
owed show that he has to use NOTES, but is/was there a note OFF setting I f=
orgot...?<br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.c=
om">www.markfrancombe.com</a><br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--00163662e5c6767194046615b1b4--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 08:43:12 2009
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	<49CB60C0.9070409@post.cybercity.dk> <931DF6AE-62D3-4ED6-950E-6F7B09607A39@mac.com> 
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Date: Fri, 27 Mar 2009 09:42:56 +0100
Message-ID: <9ab0c76f0903270142ye4b6c82jad1fe130cec858b0@mail.gmail.com>
Subject: Re: new pedal in town
From: mark francombe <mark@markfrancombe.com>
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On Fri, Mar 27, 2009 at 12:05 AM, van Sinn <vansinn@post.cybercity.dk>wrote:

> Digitech TSR-24S;


Im very interested in this old device... Can you give me a quick run down on
how the features you mentioned works, env follower and whotsit-gate... they
sound intriguing

anyone know online manual anywhere?

M

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--001636b4322c04af31046615b92b
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<br><br><div class=3D"gmail_quote">On Fri, Mar 27, 2009 at 12:05 AM, van Si=
nn <span dir=3D"ltr">&lt;<a href=3D"mailto:vansinn@post.cybercity.dk">vansi=
nn@post.cybercity.dk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_qu=
ote" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0p=
t 0.8ex; padding-left: 1ex;">

Digitech TSR-24S;</blockquote></div><br>Im very interested in this old devi=
ce... Can you give me a quick run down on how the features you mentioned wo=
rks, env follower and whotsit-gate... they sound intriguing<br><br>anyone k=
now online manual anywhere?<br>

<br>M<br clear=3D"all"><br>-- <br><a href=3D"http://www.markfrancombe.com">=
www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094">http:/=
/vimeo.com/user825094</a><br><a href=3D"http://uk.youtube.com/user/markfran=
combe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--001636b4322c04af31046615b92b--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 08:44:37 2009
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	<9ab0c76f0903261454y25d59810qb197bcf78c22d5bc@mail.gmail.com> 
	<20090327082249.229670@gmx.net>
Date: Fri, 27 Mar 2009 09:44:21 +0100
Message-ID: <9ab0c76f0903270144u2775f6b4k877acadf6ae43781@mail.gmail.com>
Subject: Re: Saw this on thegearpage.net webpage, RE: Digitech Timebender
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
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I was both... I'm now neither... (but I have a teenage step-son who needs
beer money)

On Fri, Mar 27, 2009 at 9:22 AM, Buzap Buzap <buzap@gmx.net> wrote:

>
> > I have a bad back... so I get other people to carry stuff!!!
> > Try it.. it works!!
>
> Well, you must be either very rich or very popular... ;-)
>
> Buzap.
> --
> Psssst! Schon vom neuen GMX MultiMessenger geh=F6rt? Der kann`s mit allen=
:
> http://www.gmx.net/de/go/multimessenger01
>
>


--=20
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--00504502dc42147b37046615beaf
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I was both... I&#39;m now neither... (but I have a teenage step-son who nee=
ds beer money)<br><br><div class=3D"gmail_quote">On Fri, Mar 27, 2009 at 9:=
22 AM, Buzap Buzap <span dir=3D"ltr">&lt;<a href=3D"mailto:buzap@gmx.net">b=
uzap@gmx.net</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
><br>
&gt; I have a bad back... so I get other people to carry stuff!!!<br>
&gt; Try it.. it works!!<br>
<br>
</div>Well, you must be either very rich or very popular... ;-)<br>
<br>
Buzap.<br>
<font color=3D"#888888">--<br>
Psssst! Schon vom neuen GMX MultiMessenger geh=F6rt? Der kann`s mit allen: =
<a href=3D"http://www.gmx.net/de/go/multimessenger01" target=3D"_blank">htt=
p://www.gmx.net/de/go/multimessenger01</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00504502dc42147b37046615beaf--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 08:45:37 2009
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Date: Fri, 27 Mar 2009 09:39:07 +0100
Message-ID: <9ab0c76f0903270139r6b164f91m6c1021bb7eb71b85@mail.gmail.com>
Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB1010
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
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Thats, my OLD blogspot site... but i dont see why it shouldnt work, so Im
embarrassed!!
Are you getting nothing? or weird behavior? Are the cables plugged in
correctly? MIDI OUT on FCB1010 to MIDI IN on EDP?

Mark

On Fri, Mar 27, 2009 at 6:20 AM, Timothy Miller <timmylmiller@gmail.com>wrote:

> Ok, so I've gone to this site (
> http://synchnonsynch.blogspot.com/2006/08/fcb1010-instructions.html ) and
> have followed all the steps and am still getting nothing. Does anyone know
> of a video that gives a step by step instruction on how to get the fcb1010
> to work with the edp? I have a midi cable going to/from fcb1010 and edp, and
> I have a regular cable going from both, as well. Any help would be greatly
> appreciated.




-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6d7e0455c3d38046615abac
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thats, my OLD blogspot site... but i dont see why it shouldnt work, so Im e=
mbarrassed!! <br>Are you getting nothing? or weird behavior? Are the cables=
 plugged in correctly? MIDI OUT on FCB1010 to MIDI IN on EDP?<br><br>Mark<b=
r>

<br><div class=3D"gmail_quote">On Fri, Mar 27, 2009 at 6:20 AM, Timothy Mil=
ler <span dir=3D"ltr">&lt;<a href=3D"mailto:timmylmiller@gmail.com">timmylm=
iller@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8=
ex; padding-left: 1ex;">

Ok, so I&#39;ve gone to this site (=A0<a href=3D"http://synchnonsynch.blogs=
pot.com/2006/08/fcb1010-instructions.html" target=3D"_blank">http://synchno=
nsynch.blogspot.com/2006/08/fcb1010-instructions.html</a> ) and have follow=
ed all the steps and am still getting nothing. Does anyone know of a video =
that gives a step by step instruction on how to get the fcb1010 to work wit=
h the edp? I have a midi cable going to/from fcb1010 and edp, and I have a =
regular cable going from both, as well. Any help would be greatly appreciat=
ed.
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/=
user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.youtube=
.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0016e6d7e0455c3d38046615abac--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 08:55:27 2009
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	 <9ab0c76f0903270140w4f5f68dbv720a73852993842c@mail.gmail.com>
Date: Fri, 27 Mar 2009 09:55:25 +0100
Message-ID: <66f9cc1e0903270155y10740bfcib7939dcde0d4652c@mail.gmail.com>
Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB1010
From: Per Boysen <perboysen@gmail.com>
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There is a setting in the EDP where you can off-set MIDI Note numbers
sent from a MIDI pedal into the EDP. This can be used to move the midi
not control range to the absolutely lowest or highest note range if
you want to make room for playing a MIDI instrument on the same MIDI
channel. It can be useful in other ways too, but if you don't know
about it you may be confused why all the midi notes you send to the
EDP is not affecting the commands you have assigned them too.
"Off-set" is not what it is called in the EDP manual, rather what it
does. Maybe it's called "Note Base" or something in EDP-ish...?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



2009/3/27 mark francombe <mark@markfrancombe.com>:
> On Fri, Mar 27, 2009 at 9:39 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> note off-set
>
> Whats that Per? My instructions he followed show that he has to use NOTES,
> but is/was there a note OFF setting I forgot...?

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 09:08:08 2009
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	<66f9cc1e0903270155y10740bfcib7939dcde0d4652c@mail.gmail.com>
Date: Fri, 27 Mar 2009 10:07:52 +0100
Message-ID: <9ab0c76f0903270207s6fd77490w9eaaee6b4bdadff2@mail.gmail.com>
Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB1010
From: mark francombe <mark@markfrancombe.com>
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Aha.. the Source Offset.. you confuddled me with talk of NOTE OFF. Per...

But good point for you to check Tim... that the offset note number adds up
to the one you have chosen in Source Offset on your EDP

On Fri, Mar 27, 2009 at 9:55 AM, Per Boysen <perboysen@gmail.com> wrote:

> There is a setting in the EDP where you can off-set MIDI Note numbers
> sent from a MIDI pedal into the EDP. This can be used to move the midi
> not control range to the absolutely lowest or highest note range if
> you want to make room for playing a MIDI instrument on the same MIDI
> channel. It can be useful in other ways too, but if you don't know
> about it you may be confused why all the midi notes you send to the
> EDP is not affecting the commands you have assigned them too.
> "Off-set" is not what it is called in the EDP manual, rather what it
> does. Maybe it's called "Note Base" or something in EDP-ish...?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> 2009/3/27 mark francombe <mark@markfrancombe.com>:
> > On Fri, Mar 27, 2009 at 9:39 AM, Per Boysen <perboysen@gmail.com> wrote:
> >>
> >> note off-set
> >
> > Whats that Per? My instructions he followed show that he has to use
> NOTES,
> > but is/was there a note OFF setting I forgot...?
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6d9764f2e26f1046616122a
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Aha.. the Source Offset.. you confuddled me with talk of NOTE OFF. Per...<b=
r><br>But good point for you to check Tim... that the offset note number ad=
ds up to the one you have chosen in Source Offset on your EDP<br><br><div c=
lass=3D"gmail_quote">

On Fri, Mar 27, 2009 at 9:55 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204=
, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

There is a setting in the EDP where you can off-set MIDI Note numbers<br>
sent from a MIDI pedal into the EDP. This can be used to move the midi<br>
not control range to the absolutely lowest or highest note range if<br>
you want to make room for playing a MIDI instrument on the same MIDI<br>
channel. It can be useful in other ways too, but if you don&#39;t know<br>
about it you may be confused why all the midi notes you send to the<br>
EDP is not affecting the commands you have assigned them too.<br>
&quot;Off-set&quot; is not what it is called in the EDP manual, rather what=
 it<br>
does. Maybe it&#39;s called &quot;Note Base&quot; or something in EDP-ish..=
.?<br>
<div class=3D"im"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
<br>
<br>
</div>2009/3/27 mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com=
">mark@markfrancombe.com</a>&gt;:<br>
<div><div></div><div class=3D"h5">&gt; On Fri, Mar 27, 2009 at 9:39 AM, Per=
 Boysen &lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&=
gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; note off-set<br>
&gt;<br>
&gt; Whats that Per? My instructions he followed show that he has to use NO=
TES,<br>
&gt; but is/was there a note OFF setting I forgot...?<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0016e6d9764f2e26f1046616122a--

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Date: Fri, 27 Mar 2009 10:15:55 +0100
Message-ID: <66f9cc1e0903270215p704bcaf1n1f92bfdf65e40b0c@mail.gmail.com>
Subject: Re: looping/live tracking what do you call it
From: Per Boysen <perboysen@gmail.com>
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On Thu, Mar 26, 2009 at 2:15 PM, Andy Owens <andy@1800pathways.com> wrote:
> As long as you have no sequenced tracks, build I all live, is that still
> looping?


I'd say if you are making loops, you are looping.

per

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cheers Jeff, that looks pretty good,

http://www.wavosaur.com

For anyone into free VST plugins, navigate to their VST-Plugins section 
where they list a whole load of free stuff.

andy

Jeff Duke wrote:
> I found this and was kind of amazed. The program itself is half the size 
> of the PDF manual.
> http://www.wavosaur.com
> 
> DAW 540kb
> PDF 750kb
> 
> It actually works pretty well. Midi, vst support, some separate channel 
> editing, skins, oh, and of course loop mode! I haven't really tested it 
> much. There is some pretty bad spelling in the manual.
> 
> 
> Jeff
> 
> 
> 

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Buzap Buzap wrote:
>> I have a bad back... so I get other people to carry stuff!!!
>> Try it.. it works!!
> 
> Well, you must be either very rich or very popular... ;-)
> 
> Buzap.

or ask Per to your gig,

as gear carrier he's unbeaten,



andy 

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Subject: Re: OT: little bitty DAW
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ha...

2009/3/27 andy butler <akbutler@tiscali.co.uk>

> cheers Jeff, that looks pretty good,
>
> http://www.wavosaur.com
>
> For anyone into free VST plugins, navigate to their VST-Plugins section
> where they list a whole load of free stuff.
>
> andy
>
>
> Jeff Duke wrote:
>
>> I found this and was kind of amazed. The program itself is half the size
>> of the PDF manual.
>> http://www.wavosaur.com
>>
>> DAW 540kb
>> PDF 750kb
>>
>> It actually works pretty well. Midi, vst support, some separate channel
>> editing, skins, oh, and of course loop mode! I haven't really tested it
>> much. There is some pretty bad spelling in the manual.
>>
>>
>> Jeff
>>
>>
>>
>>
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0015174c3c600c50c10466172aa1
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ha...<br><br><div class=3D"gmail_quote">2009/3/27 andy butler <span dir=3D"=
ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</=
a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1p=
x solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
cheers Jeff, that looks pretty good,<br>
<br>
<a href=3D"http://www.wavosaur.com" target=3D"_blank">http://www.wavosaur.c=
om</a><br>
<br>
For anyone into free VST plugins, navigate to their VST-Plugins section whe=
re they list a whole load of free stuff.<br><font color=3D"#888888">
<br>
andy</font><div><div></div><div class=3D"h5"><br>
<br>
Jeff Duke wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I found this and was kind of amazed. The program itself is half the size of=
 the PDF manual.<br>
<a href=3D"http://www.wavosaur.com" target=3D"_blank">http://www.wavosaur.c=
om</a><br>
<br>
DAW 540kb<br>
PDF 750kb<br>
<br>
It actually works pretty well. Midi, vst support, some separate channel edi=
ting, skins, oh, and of course loop mode! I haven&#39;t really tested it mu=
ch. There is some pretty bad spelling in the manual.<br>
<br>
<br>
Jeff<br>
<br>
<br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Raul Bonell=
 at Blogger: <a href=3D"http://raulbonell.blogspot.com">http://raulbonell.b=
logspot.com</a><br>Chain Tape Collective: <a href=3D"http://www.ct-collecti=
ve.com">http://www.ct-collective.com</a><br>
<br>

--0015174c3c600c50c10466172aa1--

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	 <66f9cc1e0903270215p704bcaf1n1f92bfdf65e40b0c@mail.gmail.com>
Date: Fri, 27 Mar 2009 03:32:11 -0800
Message-ID: <333287c30903270432o49eb47c8if77b29f5f1c17347@mail.gmail.com>
Subject: Re: looping/live tracking what do you call it
From: Nevyn Nowhere <nevynnowhere@gmail.com>
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--000e0cd147107196f9046618150c
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But what about if you are manipulating loops, is that also not looping?

I would agree with the previous statement (I'm horrid at quoting) of "live
looping" vs "looping".

As I find both very valid, and enjoy doing/listening to both, but certainly
find them to be different.

Usually when I live loop, there is less texture tweaking slash
knob/switch/slider/xy vector etc twiddling, due to more attention being
focused on the creation of loops, ie playing instruments, banging a beat,
etc... usually the sound is much more drawn out and slow changing (something
I love live, when dancing - and I dance to everything from drones to beats
heh - but not so much recorded) when live looping.  When looping prerecorded
loops (something we could call, just looping?  as you are working with
loops, and changing them live, and there is no sequencing...) it becomes
more about frequency/rhythm/soundnotsound/ear pressure/et al... kind of like
a dj not so restricted to looping fully made songs... but rather mixing
parts of many songs together.  Looping seems more from a specific idea, but
translated with nowness and the flexibility that contains... whereas live
looping seems more finding the nowness, and translating it to a specific
idea via music... if philosophical wordplay means as much to you as it does
to me (ie some find it saying nothing, some everything; count me in
everything).

-nn
happyhumans.org

On Fri, Mar 27, 2009 at 1:15 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Mar 26, 2009 at 2:15 PM, Andy Owens <andy@1800pathways.com> wrote:
> > As long as you have no sequenced tracks, build I all live, is that still
> > looping?
>
>
> I'd say if you are making loops, you are looping.
>
> per
>
>

--000e0cd147107196f9046618150c
Content-Type: text/html; charset=ISO-8859-1
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But what about if you are manipulating loops, is that also not looping?<br>=
<br>I would agree with the previous statement (I&#39;m horrid at quoting) o=
f &quot;live looping&quot; vs &quot;looping&quot;.<br><br>As I find both ve=
ry valid, and enjoy doing/listening to both, but certainly find them to be =
different.<br>
<br>Usually when I live loop, there is less texture tweaking slash knob/swi=
tch/slider/xy vector etc twiddling, due to more attention being focused on =
the creation of loops, ie playing instruments, banging a beat, etc... usual=
ly the sound is much more drawn out and slow changing (something I love liv=
e, when dancing - and I dance to everything from drones to beats heh - but =
not so much recorded) when live looping.=A0 When looping prerecorded loops =
(something we could call, just looping?=A0 as you are working with loops, a=
nd changing them live, and there is no sequencing...) it becomes more about=
 frequency/rhythm/soundnotsound/ear pressure/et al... kind of like a dj not=
 so restricted to looping fully made songs... but rather mixing parts of ma=
ny songs together.=A0 Looping seems more from a specific idea, but translat=
ed with nowness and the flexibility that contains... whereas live looping s=
eems more finding the nowness, and translating it to a specific idea via mu=
sic... if philosophical wordplay means as much to you as it does to me (ie =
some find it saying nothing, some everything; count me in everything).<br>
<br>-nn<br><a href=3D"http://happyhumans.org">happyhumans.org</a><br><br><d=
iv class=3D"gmail_quote">On Fri, Mar 27, 2009 at 1:15 AM, Per Boysen <span =
dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com<=
/a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class=3D"im"=
>On Thu, Mar 26, 2009 at 2:15 PM, Andy Owens &lt;<a href=3D"mailto:andy@180=
0pathways.com">andy@1800pathways.com</a>&gt; wrote:<br>

</div><div class=3D"im">&gt; As long as you have no sequenced tracks, build=
 I all live, is that still<br>
&gt; looping?<br>
<br>
<br>
</div>I&#39;d say if you are making loops, you are looping.<br>
<font color=3D"#888888"><br>
per<br>
<br>
</font></blockquote></div><br>

--000e0cd147107196f9046618150c--

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Subject: Re: OT: beta testers wanted for new effect plug-in
From: Os <os@collective.co.uk>
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Hi,

this plug-in is now released.

http://www.expert-sleepers.co.uk/oomingmak.html

Thanks to all who helped test it.


cheers,
os.


2009/3/12 Os <os@collective.co.uk>:
> Hi,
>
> I have a new plug-in almost ready to release, and am interested to
> give it to a few people to try out, just in case I missed anything
> obvious in terms of bugs or missing features.
>
> It's a little like a Moog Freqbox
> http://www.soundonsound.com/sos/nov08/articles/moogmf107.htm
>
> and is particularly suited to being used on guitars.
>
> I have Mac versions (AU & VST) ready now and a Windows VST will follow shortly.
>
> If anyone's interested, mail me off list.
>
>
> cheers,
> os.
>
> --
> os@collective.co.uk
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 13:00:05 2009
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Congrats
looks neat,

any audio demoes?

sort of thing I'll be checking out when the
"inevitable changeover to software" happens,

...which could be sometime in the next decade or 2 ;-)

andy

Os wrote:
> Hi,
> 
> this plug-in is now released.
> 
> http://www.expert-sleepers.co.uk/oomingmak.html
> 
> Thanks to all who helped test it.
> 
> 
> cheers,
> os.
> 
> 
> 2009/3/12 Os <os@collective.co.uk>:
>> Hi,
>>
>> I have a new plug-in almost ready to release, and am interested to
>> give it to a few people to try out, just in case I missed anything
>> obvious in terms of bugs or missing features.
>>
>> It's a little like a Moog Freqbox
>> http://www.soundonsound.com/sos/nov08/articles/moogmf107.htm
>>
>> and is particularly suited to being used on guitars.
>>
>> I have Mac versions (AU & VST) ready now and a Windows VST will follow shortly.
>>
>> If anyone's interested, mail me off list.
>>
>>
>> cheers,
>> os.
>>
>> --
>> os@collective.co.uk
>> http://www.darkroomtheband.net/
>> http://www.expert-sleepers.co.uk/
>>
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 13:36:39 2009
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Thanks.

I've not done any audio demos yet. Any contributions gratefully received. :)


cheers,
os.


2009/3/27 andy butler <akbutler@tiscali.co.uk>:
> Congrats
> looks neat,
>
> any audio demoes?
>
> sort of thing I'll be checking out when the
> "inevitable changeover to software" happens,
>
> ...which could be sometime in the next decade or 2 ;-)
>
> andy
>
> Os wrote:
>>
>> Hi,
>>
>> this plug-in is now released.
>>
>> http://www.expert-sleepers.co.uk/oomingmak.html
>>
>> Thanks to all who helped test it.
>>
>>
>> cheers,
>> os.
>>
>>
>> 2009/3/12 Os <os@collective.co.uk>:
>>>
>>> Hi,
>>>
>>> I have a new plug-in almost ready to release, and am interested to
>>> give it to a few people to try out, just in case I missed anything
>>> obvious in terms of bugs or missing features.
>>>
>>> It's a little like a Moog Freqbox
>>> http://www.soundonsound.com/sos/nov08/articles/moogmf107.htm
>>>
>>> and is particularly suited to being used on guitars.
>>>
>>> I have Mac versions (AU & VST) ready now and a Windows VST will follow
>>> shortly.
>>>
>>> If anyone's interested, mail me off list.
>>>
>>>
>>> cheers,
>>> os.
>>>
>>> --
>>> os@collective.co.uk
>>> http://www.darkroomtheband.net/
>>> http://www.expert-sleepers.co.uk/
>>>
>>
>>
>>
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 13:42:31 2009
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http://wdiy.org/programs/gt/playlists/2009/090326.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #625                March 26, 2009.

RECAP:
On this show, I concluded the month-long focus on Ian Boddy.  The
Featured CD at Midnight was Elemental on DiN Records.

Ian Boddy: http://wdiy.org/programs/gt/playlists/2009/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Ron Boots            Mea Culpa            Mea Culpa (Groove)
Ruben Garcia         Pulse                Through the Looking Glass
                                            (Trance Port)
Syndromeda           The Vulture          The Twilght Connection
                                            (Ricochet Dream)
Max Corbacho         Pure Being           BreathStream (ad21)
Steve Roach and      Parts 8 - 13         Stream of Thought (Projekt)
 Erik Wollo

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Ian Boddy            Never Forever        Elemental (DiN)
Ian Boddy            Stormfront           Elemental (DiN)
Ian Boddy            If All the World     Elemental (DiN)
                       Was Blue
Ian Boddy            Foundry              Elemental (DiN)
Ian Boddy            Reflex               Elemental (DiN)
Ian Boddy            Flux                 Elemental (DiN)
Ian Boddy            All Roads Lead To    Elemental (DiN)
                       Home
Ian Boddy            Elementl             Elemental (DiN)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on the
Ricochet Gathering.  The Featured CD at Midnight will be Okefenokee 2002
on the Ricochet Dream label.

Ricochet Gathering:
http://wdiy.org/programs/gt/playlists/2009/focus.html#apr


Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 14:15:36 2009
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Thanks to Tony K for solving my video/audio syncing issues. Here is the =
video of my performance at the "Is That Jazz" Experimental Music =
Festival, at Seattle, WA, January 15, 2009.


http://video.google.com/videoplay?docid=3D-3278089502792758396 (Google)

http://www.box.net/shared/kc146zhbns (box.net - stereo)

I looked at my computer far too much than what I had planned, because I =
had to press a button to answer my cell phone. It does not have an auto =
answer. :)

Kris


> On Tue, Mar 24, 2009 at 1:03 PM, Krispen Hartung

>> I finally got around to "trying" to produce a video of my performance =
at=20
>> the Is That Jazz Experimental Music Festival in Seatte, WA, January =
2009. They
>> had someone recording the whole show camera. (MP3 version:
>> http://www.box.net/shared/a0gxc61yzq )
>>
>> However, I struggled for too many hours attemping to sync this direct
>> recording with the video, with no luck. They were not aligned (off by =
3 or
>> so seconds), and I'm just not competent enough with this technology =
to=20
>> sync them. I tried altering the length of my direct recording and I =
managed to
>> sync it in my editing program, but then when I exported it to windows =

>> media or mpeg, the exported file would be out of sync...strange. I =
give up.
>>
>> Is anyone really good at this? I'll pay someone to do it. I can =
provide=20
>> the source video file and the wav of my direct recording. I only need =
the=20
>> first song in video format.
>>
>> Kris
>>
>> Kris Hartung
>> www.krispenhartung.com
>> info@krispenhartung.com
>>
>>
>=20
>=20
>=20
> --=20
> -=3D=3D-=3D-=3D-
> Tony
>=20
>
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<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2>Thanks to Tony K for solving my =
video/audio syncing=20
issues. Here is the video of my performance at the "Is That Jazz" =
Experimental=20
Music Festival, at Seattle, WA, January 15, 2009.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT><FONT face=3DArial =
size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://video.google.com/videoplay?docid=3D-3278089502792758396">h=
ttp://video.google.com/videoplay?docid=3D-3278089502792758396</A>&nbsp;(G=
oogle)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/shared/kc146zhbns">http://www.box.net/shared/k=
c146zhbns</A>&nbsp;(box.net=20
- stereo)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I looked at my computer far too much =
than what I=20
had planned, because I had to press a button to answer my cell phone. It =
does=20
not have an auto answer. :)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><BR><FONT face=3DArial size=3D2>&gt; On Tue, Mar 24, 2009 at 1:03 =
PM, Krispen=20
Hartung<BR><BR>&gt;&gt; I finally got around to "trying" to produce a =
video of=20
my performance at <BR>&gt;&gt; the Is That Jazz Experimental Music =
Festival in=20
Seatte, WA, January 2009. They<BR>&gt;&gt; had someone recording the =
whole show=20
camera. (MP3 version:<BR>&gt;&gt; </FONT><A=20
href=3D"http://www.box.net/shared/a0gxc61yzq"><FONT face=3DArial=20
size=3D2>http://www.box.net/shared/a0gxc61yzq</FONT></A><FONT =
face=3DArial size=3D2>=20
)<BR>&gt;&gt;<BR>&gt;&gt; However, I struggled for too many hours =
attemping to=20
sync this direct<BR>&gt;&gt; recording with the video, with no luck. =
They were=20
not aligned (off by 3 or<BR>&gt;&gt; so seconds), and I'm just not =
competent=20
enough with this technology to <BR>&gt;&gt; sync them. I tried altering =
the=20
length of my direct recording and I managed to<BR>&gt;&gt; sync it in my =
editing=20
program, but then when I exported it to windows <BR>&gt;&gt; media or =
mpeg, the=20
exported file would be out of sync...strange. I give =
up.<BR>&gt;&gt;<BR>&gt;&gt;=20
Is anyone really good at this? I'll pay someone to do it. I can provide=20
<BR>&gt;&gt; the source video file and the wav of my direct recording. I =
only=20
need the <BR>&gt;&gt; first song in video =
format.<BR>&gt;&gt;<BR>&gt;&gt;=20
Kris<BR>&gt;&gt;<BR>&gt;&gt; Kris Hartung<BR>&gt;&gt; </FONT><A=20
href=3D"http://www.krispenhartung.com"><FONT face=3DArial=20
size=3D2>www.krispenhartung.com</FONT></A><BR><FONT face=3DArial =
size=3D2>&gt;&gt;=20
</FONT><A href=3D"mailto:info@krispenhartung.com"><FONT face=3DArial=20
size=3D2>info@krispenhartung.com</FONT></A><BR><FONT face=3DArial=20
size=3D2>&gt;&gt;<BR>&gt;&gt;<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; -- =
<BR>&gt;=20
-=3D=3D-=3D-=3D-<BR>&gt; Tony<BR>&gt; =
<BR>&gt;</FONT></DIV></BODY></HTML>

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <21644246.303290.1237821652868.JavaMail.root@vms073.mailsrvcs.net> <49CB60C0.9070409@post.cybercity.dk> <931DF6AE-62D3-4ED6-950E-6F7B09607A39@mac.com> <7EB9C8D9-344F-44F9-B94F-60C89C865A3C@verizon.net> <CFBC1205-AF86-4360-AD3F-91AEA69D0767@mac.com> <1659AE9B-ABBE-46C7-9491-4D3A4BA09810@verizon.net> <49CC0A1D.6080302@post.cybercity.dk> <9ab0c76f0903270142ye4b6c82jad1fe130cec858b0@mail.gmail.com>
Subject: Re: new pedal in town
Date: Fri, 27 Mar 2009 10:26:57 -0400
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http://www.eventide.com/~/media/Files/Audio%20Support/PitchFactor/Everyon=
e/PitchFactor_Manual_Eng.ashx

J
  ----- Original Message -----=20
  From: mark francombe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 27, 2009 4:42 AM
  Subject: Re: new pedal in town





  On Fri, Mar 27, 2009 at 12:05 AM, van Sinn <vansinn@post.cybercity.dk> =
wrote:

    Digitech TSR-24S;

  Im very interested in this old device... Can you give me a quick run =
down on how the features you mentioned works, env follower and =
whotsit-gate... they sound intriguing

  anyone know online manual anywhere?

  M

  --=20
  www.markfrancombe.com
  http://vimeo.com/user825094
  http://uk.youtube.com/user/markfrancombe
  http://www.myspace.com/markfrancombe
  http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.eventide.com/~/media/Files/Audio%20Support/PitchFactor=
/Everyone/PitchFactor_Manual_Eng.ashx">http://www.eventide.com/~/media/Fi=
les/Audio%20Support/PitchFactor/Everyone/PitchFactor_Manual_Eng.ashx</A><=
/FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>J</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
  francombe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 27, 2009 =
4:42=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: new pedal in =
town</DIV>
  <DIV><BR></DIV><BR><BR>
  <DIV class=3Dgmail_quote>On Fri, Mar 27, 2009 at 12:05 AM, van Sinn =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:vansinn@post.cybercity.dk">vansinn@post.cybercity.dk</A>&g=
t;</SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Digitech=20
    TSR-24S;</BLOCKQUOTE></DIV><BR>Im very interested in this old =
device... Can=20
  you give me a quick run down on how the features you mentioned works, =
env=20
  follower and whotsit-gate... they sound intriguing<BR><BR>anyone know =
online=20
  manual anywhere?<BR><BR>M<BR clear=3Dall><BR>-- <BR><A=20
  href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A><BR><A=20
  =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</A><BR><=
A=20
  =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/u=
ser/markfrancombe</A><BR><A=20
  =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mark=
francombe</A><BR><A=20
  =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</A><BR></BLOC=
KQUOTE></BODY></HTML>

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To: <Loopers-Delight@loopers-delight.com>
References: <21644246.303290.1237821652868.JavaMail.root@vms073.mailsrvcs.net> <49CB60C0.9070409@post.cybercity.dk> <931DF6AE-62D3-4ED6-950E-6F7B09607A39@mac.com> <7EB9C8D9-344F-44F9-B94F-60C89C865A3C@verizon.net> <CFBC1205-AF86-4360-AD3F-91AEA69D0767@mac.com> <1659AE9B-ABBE-46C7-9491-4D3A4BA09810@verizon.net> <49CC0A1D.6080302@post.cybercity.dk> <9ab0c76f0903270142ye4b6c82jad1fe130cec858b0@mail.gmail.com> <003e01c9aee8$16292250$08cce843@YOUR08D5303051>
Subject: Re: new pedal in town
Date: Fri, 27 Mar 2009 10:45:52 -0400
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Sorry too much blood in my caffine system...

quick start guide =
http://www.tube-tester.com/sites/tsr24/man/TSR-24S-quickstart-engl.pdf
manual http://www.tube-tester.com/sites/tsr24/man/TSR-24S-engl.pdf

and I found them here:
http://www.tube-tester.com/sites/tsr24/tsr24-main.htm


J

  ----- Original Message -----=20
  From: Jeff Duke=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 27, 2009 10:26 AM
  Subject: Re: new pedal in town


  =
http://www.eventide.com/~/media/Files/Audio%20Support/PitchFactor/Everyon=
e/PitchFactor_Manual_Eng.ashx

  J
    ----- Original Message -----=20
    From: mark francombe=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Friday, March 27, 2009 4:42 AM
    Subject: Re: new pedal in town





    On Fri, Mar 27, 2009 at 12:05 AM, van Sinn =
<vansinn@post.cybercity.dk> wrote:

      Digitech TSR-24S;

    Im very interested in this old device... Can you give me a quick run =
down on how the features you mentioned works, env follower and =
whotsit-gate... they sound intriguing

    anyone know online manual anywhere?

    M

    --=20
    www.markfrancombe.com
    http://vimeo.com/user825094
    http://uk.youtube.com/user/markfrancombe
    http://www.myspace.com/markfrancombe
    http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

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<DIV><FONT face=3DArial size=3D2>Sorry too much blood in my caffine=20
system...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>quick start guide <A=20
href=3D"http://www.tube-tester.com/sites/tsr24/man/TSR-24S-quickstart-eng=
l.pdf">http://www.tube-tester.com/sites/tsr24/man/TSR-24S-quickstart-engl=
.pdf</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>manual <A=20
href=3D"http://www.tube-tester.com/sites/tsr24/man/TSR-24S-engl.pdf">http=
://www.tube-tester.com/sites/tsr24/man/TSR-24S-engl.pdf</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>and I found them here:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.tube-tester.com/sites/tsr24/tsr24-main.htm">http://www=
.tube-tester.com/sites/tsr24/tsr24-main.htm</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>J</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djeff_d@embarqmail.com =
href=3D"mailto:jeff_d@embarqmail.com">Jeff=20
  Duke</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 27, 2009 =
10:26=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: new pedal in =
town</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.eventide.com/~/media/Files/Audio%20Support/PitchFactor=
/Everyone/PitchFactor_Manual_Eng.ashx">http://www.eventide.com/~/media/Fi=
les/Audio%20Support/PitchFactor/Everyone/PitchFactor_Manual_Eng.ashx</A><=
/FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>J</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
    francombe</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 27, 2009 =
4:42=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: new pedal in =
town</DIV>
    <DIV><BR></DIV><BR><BR>
    <DIV class=3Dgmail_quote>On Fri, Mar 27, 2009 at 12:05 AM, van Sinn =
<SPAN=20
    dir=3Dltr>&lt;<A=20
    =
href=3D"mailto:vansinn@post.cybercity.dk">vansinn@post.cybercity.dk</A>&g=
t;</SPAN>=20
    wrote:<BR>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Digitech=20
      TSR-24S;</BLOCKQUOTE></DIV><BR>Im very interested in this old =
device... Can=20
    you give me a quick run down on how the features you mentioned =
works, env=20
    follower and whotsit-gate... they sound intriguing<BR><BR>anyone =
know online=20
    manual anywhere?<BR><BR>M<BR clear=3Dall><BR>-- <BR><A=20
    =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A><BR><A=20
    =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</A><BR><=
A=20
    =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/u=
ser/markfrancombe</A><BR><A=20
    =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mark=
francombe</A><BR><A=20
    =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</A><BR></BLOC=
KQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0060_01C9AEC9.330E3B40--

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Message-ID: <000e01c9aeed$9a5ce070$08cce843@YOUR08D5303051>
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <21644246.303290.1237821652868.JavaMail.root@vms073.mailsrvcs.net> <49CB60C0.9070409@post.cybercity.dk> <931DF6AE-62D3-4ED6-950E-6F7B09607A39@mac.com> <7EB9C8D9-344F-44F9-B94F-60C89C865A3C@verizon.net> <CFBC1205-AF86-4360-AD3F-91AEA69D0767@mac.com> <1659AE9B-ABBE-46C7-9491-4D3A4BA09810@verizon.net> <49CC0A1D.6080302@post.cybercity.dk> <9ab0c76f0903270142ye4b6c82jad1fe130cec858b0@mail.gmail.com> <003e01c9aee8$16292250$08cce843@YOUR08D5303051>
Subject: Re: new pedal in town
Date: Fri, 27 Mar 2009 11:06:27 -0400
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This is a multi-part message in MIME format.

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Now my email is crapping out...sorry for the repost if it is.

Sorry too much blood in my caffine system...

quick start guide =
http://www.tube-tester.com/sites/tsr24/man/TSR-24S-quickstart-engl.pdf
manual http://www.tube-tester.com/sites/tsr24/man/TSR-24S-engl.pdf

and I found them here:
http://www.tube-tester.com/sites/tsr24/tsr24-main.htm


J
  ----- Original Message -----=20
  From: Jeff Duke=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, March 27, 2009 10:26 AM
  Subject: Re: new pedal in town


  =
http://www.eventide.com/~/media/Files/Audio%20Support/PitchFactor/Everyon=
e/PitchFactor_Manual_Eng.ashx

  J
    ----- Original Message -----=20
    From: mark francombe=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Friday, March 27, 2009 4:42 AM
    Subject: Re: new pedal in town





    On Fri, Mar 27, 2009 at 12:05 AM, van Sinn =
<vansinn@post.cybercity.dk> wrote:

      Digitech TSR-24S;

    Im very interested in this old device... Can you give me a quick run =
down on how the features you mentioned works, env follower and =
whotsit-gate... they sound intriguing

    anyone know online manual anywhere?

    M

    --=20
    www.markfrancombe.com
    http://vimeo.com/user825094
    http://uk.youtube.com/user/markfrancombe
    http://www.myspace.com/markfrancombe
    http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

------=_NextPart_000_000B_01C9AECC.12F7C940
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16788" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>
<DIV><FONT face=3DArial size=3D2>Now my email is crapping out...sorry =
for the repost=20
if it is.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Sorry too much blood in my caffine=20
system...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>quick start guide <A=20
href=3D"http://www.tube-tester.com/sites/tsr24/man/TSR-24S-quickstart-eng=
l.pdf">http://www.tube-tester.com/sites/tsr24/man/TSR-24S-quickstart-engl=
.pdf</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>manual <A=20
href=3D"http://www.tube-tester.com/sites/tsr24/man/TSR-24S-engl.pdf">http=
://www.tube-tester.com/sites/tsr24/man/TSR-24S-engl.pdf</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>and I found them here:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.tube-tester.com/sites/tsr24/tsr24-main.htm">http://www=
.tube-tester.com/sites/tsr24/tsr24-main.htm</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>J</FONT></DIV></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djeff_d@embarqmail.com =
href=3D"mailto:jeff_d@embarqmail.com">Jeff=20
  Duke</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 27, 2009 =
10:26=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: new pedal in =
town</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.eventide.com/~/media/Files/Audio%20Support/PitchFactor=
/Everyone/PitchFactor_Manual_Eng.ashx">http://www.eventide.com/~/media/Fi=
les/Audio%20Support/PitchFactor/Everyone/PitchFactor_Manual_Eng.ashx</A><=
/FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>J</FONT></DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
    francombe</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 27, 2009 =
4:42=20
    AM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: new pedal in =
town</DIV>
    <DIV><BR></DIV><BR><BR>
    <DIV class=3Dgmail_quote>On Fri, Mar 27, 2009 at 12:05 AM, van Sinn =
<SPAN=20
    dir=3Dltr>&lt;<A=20
    =
href=3D"mailto:vansinn@post.cybercity.dk">vansinn@post.cybercity.dk</A>&g=
t;</SPAN>=20
    wrote:<BR>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Digitech=20
      TSR-24S;</BLOCKQUOTE></DIV><BR>Im very interested in this old =
device... Can=20
    you give me a quick run down on how the features you mentioned =
works, env=20
    follower and whotsit-gate... they sound intriguing<BR><BR>anyone =
know online=20
    manual anywhere?<BR><BR>M<BR clear=3Dall><BR>-- <BR><A=20
    =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</A><BR><A=20
    =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</A><BR><=
A=20
    =
href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/u=
ser/markfrancombe</A><BR><A=20
    =
href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mark=
francombe</A><BR><A=20
    =
href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">ht=
tp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</A><BR></BLOC=
KQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000B_01C9AECC.12F7C940--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 16:30:50 2009
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From: Jeff Larson <jeff.larson@sailpoint.com>
To: "Loopers-Delight@loopers-delight.com"
	<Loopers-Delight@loopers-delight.com>
Date: Fri, 27 Mar 2009 11:30:42 -0500
Subject: Genius comes in many forms
Thread-Topic: Genius comes in many forms
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I was looking into the whole Youtube Mashup phenomenon and stumbled
upon this guy.  This isn't even close to looping but it's raining
here in Austin and I defy anyone to watch any of these without smiling.
What's that on the ground?  Yes, it's a gauntlet.

    http://www.youtube.com/user/ParryGripp

OMGLOLKTXBYE!

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 16:38:11 2009
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Subject: fake wind and real wind
From: Os <os@collective.co.uk>
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Hi,

something a bit different today on the Darkroom podcast:
http://www.darkroomtheband.net/podcast/spaceechofail.mp3

Source material from this gig:
http://www.improvizone.com/gig.php?id=24

Firstly - we're joined by a trumpeter (Simon Taylor), who has a
beautiful ambient mute/wah/echo thing going on.

Secondly, I tried out my EWI live for the first time, using it in this
piece to build up a big loop of layered cello, of all things.

Enjoy!


cheers,
os.

-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 17:42:45 2009
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Subject: OT: Cheap Sub woofer
From: Kevin Cheli-Colando <kevin@minds-eye.org>
To: loopers-delight@loopers-delight.com
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So I've been using a pair of smallish Yamaha powered monitors for a
while instead of a guitar amp and I'm generally very pleased with the
sound, but the bass has been somewhat lacking so I was thinking about
adding a sub-woofer to spread the low end out a bit.  Problem is, my
current set up is rather compact so I don't want to add a huge cube to
the mix if I don't have to.  I'd also like to spend as little as
necessary to get some decent bass.

Anyone have any recommendations on where to start?

Thanks,

Kevin

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org NEW SITE 3/01/09

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 20:28:16 2009
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Date: Fri, 27 Mar 2009 13:28:14 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: OT: Cheap Sub woofer
To: Loopers-Delight@loopers-delight.com
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Hi kevin,=0Aare using a multi fx with the power monitor?=0Adont really know=
 if you are looking for something to enhance your guitar sound,but in case =
you do use a multi FX check this ones out,they say they have plenty of bass=
balls for guitars=0A=0Ahttp://www.atomicamps.com/products-112-18.html=0A=0A=
cheers=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- On Fri, 3/27/09, Kevi=
n Cheli-Colando <kevin@minds-eye.org> wrote:=0A=0A> From: Kevin Cheli-Colan=
do <kevin@minds-eye.org>=0A> Subject: OT: Cheap Sub woofer=0A> To: loopers-=
delight@loopers-delight.com=0A> Date: Friday, March 27, 2009, 10:42 AM=0A> =
So I've been using a pair of smallish=0A> Yamaha powered monitors for a=0A>=
 while instead of a guitar amp and I'm generally very=0A> pleased with the=
=0A> sound, but the bass has been somewhat lacking so I was=0A> thinking ab=
out=0A> adding a sub-woofer to spread the low end out a bit.=A0=0A> Problem=
 is, my=0A> current set up is rather compact so I don't want to add a=0A> h=
uge cube to=0A> the mix if I don't have to.=A0 I'd also like to spend as=0A=
> little as=0A> necessary to get some decent bass.=0A> =0A> Anyone have any=
 recommendations on where to start?=0A> =0A> Thanks,=0A> =0A> Kevin=0A> =0A=
> -- =0A> Till now you seriously considered yourself to be the body=0A> and=
 to have a=0A> form. That is the primal ignorance which is the root cause=
=0A> of all trouble.=0A> =0A> - Ramana Maharshi (1879-1950)=0A> =0A> Sound =
and Vision:=A0 http://www.minds-eye.org NEW SITE=0A> 3/01/09=0A> =0A> =0A=
=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Fri Mar 27 23:09:11 2009
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Date: Sat, 28 Mar 2009 00:20:56 +0100
From: van Sinn <vansinn@post.cybercity.dk>
Organization: van Sinn
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mark francombe wrote:
> 
> 
> On Fri, Mar 27, 2009 at 12:05 AM, van Sinn <vansinn@post.cybercity.dk 
> <mailto:vansinn@post.cybercity.dk>> wrote:
> 
>     Digitech TSR-24S;
> 
> 
> Im very interested in this old device... Can you give me a quick run 
> down on how the features you mentioned works, env follower and 
> whotsit-gate... they sound intriguing
> 
> anyone know online manual anywhere?
> 
> M

The manual is available from digitech; look in discuntinued products.

It's a complex device.  Two inputs, four outputs, an effects library, 
and everything routable just about any which way you want.

This means: Start with an input, pick an effect, link them, pick the 
next, link, split into two paralles lines, pick effects and link for 
each line, split one line again (to have three parallel), pick and link, 
create a feedback with effects in it and link it to a mixer...
Any effect can be reused as you wish; it's a matter of when you run 
short of processing power and memory.

So, you can do mono in, mono out, mono in stereo out, stereo in stereo 
out, one mono in/out + one mono in / stereo out...

Reverbs, echoes, single/multipole chrous, flangers, parametric EQ, 
multiband EQ, pitch transpose, harmonizing...

The envelope follower means effect parameters can be controlled by 
dynamics in playing style, i.e. for ducking reverb, echo feedback 
buildup, chorous speed/depth...    I mostly use this to add-in some 
4-tap echo and harmonizing when sustaining notes/chords.

The TSR-24S (dual DSP's) runs a bit hot, so needs free space around it.
TSR-24 (single DSP) runs cooler.

Programming may take time  ;)

-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 02:14:08 2009
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Date: Fri, 27 Mar 2009 19:14:06 -0700
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Subject: Re: OT: Cheap Sub woofer
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Anyone using The Fractal Audio Axe processor?  -m

On Fri, Mar 27, 2009 at 1:28 PM, L.Angulo <labaloops@yahoo.com> wrote:

>
> Hi kevin,
> are using a multi fx with the power monitor?
> dont really know if you are looking for something to enhance your guitar
> sound,but in case you do use a multi FX check this ones out,they say they
> have plenty of bassballs for guitars
>
> http://www.atomicamps.com/products-112-18.html
>
> cheers
>
> www.myspace.com/luisangulocom
>
>

--000e0cd2c0cc661ae40466246794
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Anyone using The Fractal Audio Axe processor?=A0 -m<br><br><div class=3D"gm=
ail_quote">On Fri, Mar 27, 2009 at 1:28 PM, L.Angulo <span dir=3D"ltr">&lt;=
<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt;</span> w=
rote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
Hi kevin,<br>
are using a multi fx with the power monitor?<br>
dont really know if you are looking for something to enhance your guitar so=
und,but in case you do use a multi FX check this ones out,they say they hav=
e plenty of bassballs for guitars<br>
<br>
<a href=3D"http://www.atomicamps.com/products-112-18.html" target=3D"_blank=
">http://www.atomicamps.com/products-112-18.html</a><br>
<br>
cheers<br>
<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<br>
</blockquote></div><br>

--000e0cd2c0cc661ae40466246794--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 02:16:09 2009
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From: "BC" <compguy2@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Copyrighting services
Date: Fri, 27 Mar 2009 22:16:04 -0400
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I was wondering if any of you have experience with any of those copyright 
services out there?

I have 4 of my band's songs I would like to protect.

If anyone has any tips in general, or any experience with a service that 
does all the work for you, I'd appreciate hearing about it.

Thanks,
Brian 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 02:16:30 2009
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Date: Fri, 27 Mar 2009 19:16:28 -0700
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Subject: Re: OT: Cheap Sub woofer
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Anyone using the Fractal Audio guitar processor?  -m

On Fri, Mar 27, 2009 at 1:28 PM, L.Angulo <labaloops@yahoo.com> wrote:

>
> Hi kevin,
> are using a multi fx with the power monitor?
> dont really know if you are looking for something to enhance your guitar
> sound,but in case you do use a multi FX check this ones out,they say they
> have plenty of bassballs for guitars
>
> http://www.atomicamps.com/products-112-18.html
>

-- 
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

--000e0cd28e3ae1749e0466246faa
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Anyone using the Fractal Audio guitar processor?=A0 -m<br><br><div class=3D=
"gmail_quote">On Fri, Mar 27, 2009 at 1:28 PM, L.Angulo <span dir=3D"ltr">&=
lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt;</span=
> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
Hi kevin,<br>
are using a multi fx with the power monitor?<br>
dont really know if you are looking for something to enhance your guitar so=
und,but in case you do use a multi FX check this ones out,they say they hav=
e plenty of bassballs for guitars<br>
<br>
<a href=3D"http://www.atomicamps.com/products-112-18.html" target=3D"_blank=
">http://www.atomicamps.com/products-112-18.html</a><br>
</blockquote></div><br>-- <br>Miko Biffle<br>Biffoz@Gmail.com<br>MBiffle@Fo=
xRacingShox.com<br>&quot;Running scared from all the usual distractions!&qu=
ot;<br>

--000e0cd28e3ae1749e0466246faa--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 03:58:32 2009
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From: Jeff Shirkey <jcshirke@verizon.net>
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Subject: Re: OT: Cheap Sub woofer
Date: Fri, 27 Mar 2009 22:58:26 -0500
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On Mar 27, 2009, at 9:14 PM, Miko Biffle wrote:

> Anyone using The Fractal Audio Axe processor?  -m

I have one, but I haven't used it much yet. I know a lot of people who  
own them (and actually use them! lol). Anything in particular you want  
to know?

Jeff

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 05:05:55 2009
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Date: Sat, 28 Mar 2009 00:05:54 -0500
Message-ID: <207d11220903272205u28aadd49jf1aebc5b40a9df3a@mail.gmail.com>
Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB1010
From: Timothy Miller <timmylmiller@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Well, I already e-mailed Mark for one on one help, but basically this is how
I'm doing it:
The midi cable is plugged in correctly from MIDI OUT on FCB1010 to MIDI IN
on EDP. I have followed the instructions as best as I could. I'll put 2 on
the FCB and then 38 on EDP. I press the down button for 2.5 seconds to save
it. Nothing happens.

On Fri, Mar 27, 2009 at 4:07 AM, mark francombe <mark@markfrancombe.com>wrote:

> Aha.. the Source Offset.. you confuddled me with talk of NOTE OFF. Per...
>
> But good point for you to check Tim... that the offset note number adds up
> to the one you have chosen in Source Offset on your EDP
>
>
> On Fri, Mar 27, 2009 at 9:55 AM, Per Boysen <perboysen@gmail.com> wrote:
>
>> There is a setting in the EDP where you can off-set MIDI Note numbers
>> sent from a MIDI pedal into the EDP. This can be used to move the midi
>> not control range to the absolutely lowest or highest note range if
>> you want to make room for playing a MIDI instrument on the same MIDI
>> channel. It can be useful in other ways too, but if you don't know
>> about it you may be confused why all the midi notes you send to the
>> EDP is not affecting the commands you have assigned them too.
>> "Off-set" is not what it is called in the EDP manual, rather what it
>> does. Maybe it's called "Note Base" or something in EDP-ish...?
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>>
>> 2009/3/27 mark francombe <mark@markfrancombe.com>:
>> > On Fri, Mar 27, 2009 at 9:39 AM, Per Boysen <perboysen@gmail.com>
>> wrote:
>> >>
>> >> note off-set
>> >
>> > Whats that Per? My instructions he followed show that he has to use
>> NOTES,
>> > but is/was there a note OFF setting I forgot...?
>>
>>
>
>
> --
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>

--0016e643486aceda66046626cdab
Content-Type: text/html; charset=ISO-8859-1
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Well, I already e-mailed Mark for one on one help, but basically this is ho=
w I&#39;m doing it:<div><br></div><div>The midi cable is plugged in correct=
ly from MIDI OUT on FCB1010 to MIDI IN on EDP. I have followed the instruct=
ions as best as I could. I&#39;ll put 2 on the FCB and then 38 on EDP. I pr=
ess the down button for 2.5 seconds to save it. Nothing happens.</div>
<div><br><div class=3D"gmail_quote">On Fri, Mar 27, 2009 at 4:07 AM, mark f=
rancombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">ma=
rk@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_qu=
ote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex=
;">
Aha.. the Source Offset.. you confuddled me with talk of NOTE OFF. Per...<b=
r><br>But good point for you to check Tim... that the offset note number ad=
ds up to the one you have chosen in Source Offset on your EDP<div><div>
</div><div class=3D"h5"><br><br><div class=3D"gmail_quote">

On Fri, Mar 27, 2009 at 9:55 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&g=
t;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left:=
1px solid rgb(204, 204, 204);margin:0pt 0pt 0pt 0.8ex;padding-left:1ex">


There is a setting in the EDP where you can off-set MIDI Note numbers<br>
sent from a MIDI pedal into the EDP. This can be used to move the midi<br>
not control range to the absolutely lowest or highest note range if<br>
you want to make room for playing a MIDI instrument on the same MIDI<br>
channel. It can be useful in other ways too, but if you don&#39;t know<br>
about it you may be confused why all the midi notes you send to the<br>
EDP is not affecting the commands you have assigned them too.<br>
&quot;Off-set&quot; is not what it is called in the EDP manual, rather what=
 it<br>
does. Maybe it&#39;s called &quot;Note Base&quot; or something in EDP-ish..=
.?<br>
<div><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
<br>
<br>
</div>2009/3/27 mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com=
" target=3D"_blank">mark@markfrancombe.com</a>&gt;:<br>
<div><div></div><div>&gt; On Fri, Mar 27, 2009 at 9:39 AM, Per Boysen &lt;<=
a href=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gmail.com=
</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; note off-set<br>
&gt;<br>
&gt; Whats that Per? My instructions he followed show that he has to use NO=
TES,<br>
&gt; but is/was there a note OFF setting I forgot...?<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br></div></div><div><=
div></div><div class=3D"h5">-- <br><a href=3D"http://www.markfrancombe.com"=
 target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com=
/user825094" target=3D"_blank">http://vimeo.com/user825094</a><br>
<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>



</div></div></blockquote></div><br></div>

--0016e643486aceda66046626cdab--

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Date: Fri, 27 Mar 2009 22:34:03 -0700
Message-ID: <3c3c57a30903272234t3491a214hda4c3cc24b13298b@mail.gmail.com>
Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB1010
From: Jack Schultz <jackthebassplayer@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Timothy,

I think of it this way if this is still giving you trouble. To execute
commands from the FCB to the EDP I add the number from the MIDI Sync
Indicators list to the Source# the EDP is set to.  I leave mine at the
default of 36, so to record I leave source#=36 on the EDP, add the offset
(+2 for record) and then program the FCB to send midi note 38.  (Source# +
Offset for virtual record button).



Jack Schultz


On Fri, Mar 27, 2009 at 10:05 PM, Timothy Miller <timmylmiller@gmail.com>wrote:

> Well, I already e-mailed Mark for one on one help, but basically this is
> how I'm doing it:
> The midi cable is plugged in correctly from MIDI OUT on FCB1010 to MIDI IN
> on EDP. I have followed the instructions as best as I could. I'll put 2 on
> the FCB and then 38 on EDP. I press the down button for 2.5 seconds to save
> it. Nothing happens.
>
> On Fri, Mar 27, 2009 at 4:07 AM, mark francombe <mark@markfrancombe.com>wrote:
>
>> Aha.. the Source Offset.. you confuddled me with talk of NOTE OFF. Per...
>>
>> But good point for you to check Tim... that the offset note number adds up
>> to the one you have chosen in Source Offset on your EDP
>>
>>
>> On Fri, Mar 27, 2009 at 9:55 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>>> There is a setting in the EDP where you can off-set MIDI Note numbers
>>> sent from a MIDI pedal into the EDP. This can be used to move the midi
>>> not control range to the absolutely lowest or highest note range if
>>> you want to make room for playing a MIDI instrument on the same MIDI
>>> channel. It can be useful in other ways too, but if you don't know
>>> about it you may be confused why all the midi notes you send to the
>>> EDP is not affecting the commands you have assigned them too.
>>> "Off-set" is not what it is called in the EDP manual, rather what it
>>> does. Maybe it's called "Note Base" or something in EDP-ish...?
>>>
>>> Greetings from Sweden
>>>
>>> Per Boysen
>>> www.boysen.se
>>> www.perboysen.com
>>>
>>>
>>>
>>> 2009/3/27 mark francombe <mark@markfrancombe.com>:
>>> > On Fri, Mar 27, 2009 at 9:39 AM, Per Boysen <perboysen@gmail.com>
>>> wrote:
>>> >>
>>> >> note off-set
>>> >
>>> > Whats that Per? My instructions he followed show that he has to use
>>> NOTES,
>>> > but is/was there a note OFF setting I forgot...?
>>>
>>>
>>
>>
>> --
>> www.markfrancombe.com
>> http://vimeo.com/user825094
>> http://uk.youtube.com/user/markfrancombe
>> http://www.myspace.com/markfrancombe
>> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>>
>
>

--0016e64b076a8169250466273278
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Timothy,<br><br>I think of it this way if this is still giving you troub=
le. To execute commands from the FCB to the EDP I add the number from the M=
IDI Sync Indicators list to the Source# the EDP is set to.=A0 I leave mine =
at the default of 36, so to record I leave source#=3D36 on the EDP, add the=
 offset (+2 for record) and then program the FCB to send midi note 38.=A0 (=
Source# + Offset for virtual record button).<br>
<br><br><br>Jack Schultz<br><br><br><div class=3D"gmail_quote">On Fri, Mar =
27, 2009 at 10:05 PM, Timothy Miller <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:timmylmiller@gmail.com">timmylmiller@gmail.com</a>&gt;</span> wrote:<br><=
blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 2=
04, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Well, I already e-mailed Mark for one on one help, but basically this is ho=
w I&#39;m doing it:<div><br></div><div>The midi cable is plugged in correct=
ly from MIDI OUT on FCB1010 to MIDI IN on EDP. I have followed the instruct=
ions as best as I could. I&#39;ll put 2 on the FCB and then 38 on EDP. I pr=
ess the down button for 2.5 seconds to save it. Nothing happens.</div>
<div><div></div><div class=3D"h5">
<div><br><div class=3D"gmail_quote">On Fri, Mar 27, 2009 at 4:07 AM, mark f=
rancombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com" ta=
rget=3D"_blank">mark@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); =
margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

Aha.. the Source Offset.. you confuddled me with talk of NOTE OFF. Per...<b=
r><br>But good point for you to check Tim... that the offset note number ad=
ds up to the one you have chosen in Source Offset on your EDP<div><div>

</div><div><br><br><div class=3D"gmail_quote">

On Fri, Mar 27, 2009 at 9:55 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&g=
t;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left:=
 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex=
;">



There is a setting in the EDP where you can off-set MIDI Note numbers<br>
sent from a MIDI pedal into the EDP. This can be used to move the midi<br>
not control range to the absolutely lowest or highest note range if<br>
you want to make room for playing a MIDI instrument on the same MIDI<br>
channel. It can be useful in other ways too, but if you don&#39;t know<br>
about it you may be confused why all the midi notes you send to the<br>
EDP is not affecting the commands you have assigned them too.<br>
&quot;Off-set&quot; is not what it is called in the EDP manual, rather what=
 it<br>
does. Maybe it&#39;s called &quot;Note Base&quot; or something in EDP-ish..=
.?<br>
<div><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
<br>
<br>
</div>2009/3/27 mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com=
" target=3D"_blank">mark@markfrancombe.com</a>&gt;:<br>
<div><div></div><div>&gt; On Fri, Mar 27, 2009 at 9:39 AM, Per Boysen &lt;<=
a href=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gmail.com=
</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; note off-set<br>
&gt;<br>
&gt; Whats that Per? My instructions he followed show that he has to use NO=
TES,<br>
&gt; but is/was there a note OFF setting I forgot...?<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br></div></div><div><=
div></div><div>-- <br><a href=3D"http://www.markfrancombe.com" target=3D"_b=
lank">www.markfrancombe.com</a><br><a href=3D"http://vimeo.com/user825094" =
target=3D"_blank">http://vimeo.com/user825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




</div></div></blockquote></div><br></div>
</div></div></blockquote></div><br>

--0016e64b076a8169250466273278--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 07:24:08 2009
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Date: Sat, 28 Mar 2009 00:24:06 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: OT: Cheap Sub woofer
To: Loopers-Delight@loopers-delight.com
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wow u have it and dont use it????=0Awanna give it me?;-)=0Aive been looking=
 at it seems like a very nifty box the eefects sound really good,and it has=
 a nice basic looper,but price tag hurts i settled with the GT10!=0Awww.mys=
pace.com/luisangulocom=0A=0A=0A--- On Fri, 3/27/09, Jeff Shirkey <jcshirke@=
verizon.net> wrote:=0A=0A> From: Jeff Shirkey <jcshirke@verizon.net>=0A> Su=
bject: Re: OT: Cheap Sub woofer=0A> To: Loopers-Delight@loopers-delight.com=
=0A> Date: Friday, March 27, 2009, 8:58 PM=0A> =0A> On Mar 27, 2009, at 9:1=
4 PM, Miko Biffle wrote:=0A> =0A> > Anyone using The Fractal Audio Axe proc=
essor?=A0=0A> -m=0A> =0A> I have one, but I haven't used it much yet. I kno=
w a lot of=0A> people who own them (and actually use them! lol). Anything=
=0A> in particular you want to know?=0A> =0A> Jeff=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 07:26:41 2009
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Date: Sat, 28 Mar 2009 00:26:40 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Copyrighting services
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I am with the GEMA here in Germany, you pay a membership fee fill out the forms with the titles of your songs and send it out,they are now listed in ther website data base.Are u in the states?
cheers
Luis
www.myspace.com/luisangulocom


--- On Fri, 3/27/09, BC <compguy2@comcast.net> wrote:

> From: BC <compguy2@comcast.net>
> Subject: Copyrighting services
> To: Loopers-Delight@loopers-delight.com
> Date: Friday, March 27, 2009, 7:16 PM
> I was wondering if any of you have
> experience with any of those copyright services out there?
> 
> I have 4 of my band's songs I would like to protect.
> 
> If anyone has any tips in general, or any experience with a
> service that does all the work for you, I'd appreciate
> hearing about it.
> 
> Thanks,
> Brian 
> 


      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 07:28:42 2009
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Date: Sat, 28 Mar 2009 00:28:40 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB1010
To: Loopers-Delight@loopers-delight.com
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Hi Mark,
I believe you use 2 of them correct? are u controlling both with the FCB1010?

www.myspace.com/luisangulocom


--- On Fri, 3/27/09, mark francombe <mark@markfrancombe.com> wrote:

> From: mark francombe <mark@markfrancombe.com>
> Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB1010
> To: Loopers-Delight@loopers-delight.com
> Date: Friday, March 27, 2009, 2:07 AM
> Aha.. the Source Offset.. you
> confuddled me with talk of NOTE OFF. Per...
> 
> But good point for you to check Tim... that the offset note
> number adds up to the one you have chosen in Source Offset
> on your EDP
> 
> 
> 
> On Fri, Mar 27, 2009 at 9:55 AM, Per Boysen <perboysen@gmail.com>
> wrote:
> 
> 
> There is a setting in the EDP where you can off-set MIDI
> Note numbers
> 
> sent from a MIDI pedal into the EDP. This can be used to
> move the midi
> 
> not control range to the absolutely lowest or highest note
> range if
> 
> you want to make room for playing a MIDI instrument on the
> same MIDI
> 
> channel. It can be useful in other ways too, but if you
> don't know
> 
> about it you may be confused why all the midi notes you
> send to the
> 
> EDP is not affecting the commands you have assigned them
> too.
> 
> "Off-set" is not what it is called in the EDP
> manual, rather what it
> 
> does. Maybe it's called "Note Base" or
> something in EDP-ish...?
> 
> 
> 
> Greetings from Sweden
> 
> 
> 
> Per Boysen
> 
> www.boysen.se
> 
> www.perboysen.com
> 
> 
> 
> 
> 
> 
> 
> 2009/3/27 mark francombe <mark@markfrancombe.com>:
> 
> > On Fri, Mar 27, 2009
> at 9:39 AM, Per Boysen <perboysen@gmail.com>
> wrote:
> 
> >>
> 
> >> note off-set
> 
> >
> 
> > Whats that Per? My instructions he followed show that
> he has to use NOTES,
> 
> > but is/was there a note OFF setting I forgot...?
> 
> 
> 
> 
> 
> 
> -- 
> www.markfrancombe.com
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> 
> 
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
> 
> 
> 
> 


      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 07:31:54 2009
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Date: Sat, 28 Mar 2009 00:31:53 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB1010
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Timothy,=0Adid u get it to work? if not contact me offline i c an try to he=
lp you=0Acheers=0ALuis=0A=0A=0A=0A> Ok, so I've gone to this site (=A0http:=
//synchnonsynch.blogspot.com/2006/08/fcb1010-instructions.html=0A> ) and ha=
ve followed all the steps and am still getting=0A> nothing. Does anyone kno=
w of a video that gives a step by=0A> step instruction on how to get the fc=
b1010 to work with the=0A> edp? I have a midi cable going to/from fcb1010 a=
nd edp, and=0A> I have a regular cable going from both, as well. Any help=
=0A> would be greatly appreciated.=0A> =0A> =0A> =0A> -- =0A> www.markfranc=
ombe.com=0A> http://vimeo.com/user825094=0A> http://uk.youtube.com/user/mar=
kfrancombe=0A> =0A> =0A> http://www.myspace.com/markfrancombe=0A> http://ww=
w.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch=0A> =0A> =0A> =0A> =0A=
=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 07:42:44 2009
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Date: Sat, 28 Mar 2009 00:42:43 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: RE: Teresa Andersson/other YouTubers worth viewing...
To: Loopers-Delight@loopers-delight.com
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very nice!i was a rush fan as well guess hes using a jamman yeah?=0Anice el=
ectric guitar as well what is that?=0A=0Awww.myspace.com/luisangulocom=0A=
=0A=0A--- On Thu, 3/26/09, ejyuhas <ejyuhas@embarqmail.com> wrote:=0A=0A> F=
rom: ejyuhas <ejyuhas@embarqmail.com>=0A> Subject: RE: Teresa Andersson/oth=
er YouTubers worth viewing...=0A> To: Loopers-Delight@loopers-delight.com=
=0A> Date: Thursday, March 26, 2009, 7:28 PM=0A> =0A> > I thought this was =
quite well done.=A0 Wonder what=0A> she's using for=A0 =0A> > loopers.=0A> =
=0A> Definitely brilliant! I thought I saw a DL4 in her pedal=0A> chain?=0A=
> =0A> =0A> Here is another fine use of looping on YouTube:=0A> =0A> http:/=
/www.youtube.com/watch?v=3DW4vd9OVLO7Q=0A> =0A> =0A> All ye proggies like m=
yself will enjoy this!!!=0A> =0A> Peace.=0A> =0A> Ed in NJ=0A> http://www.m=
yspace.com/edward_yuhas=0A> =0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 07:56:45 2009
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Date: Sat, 28 Mar 2009 00:56:44 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Teresa Andersson
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yes and that reafirms womens ability to multitask;-)=0Aand man she can sing=
!=0Ai d like to see that pedalbard more closely she has a lof of suff=0Abri=
lliant=0ALuis=0Awww.myspace.com/luisangulocom=0A=0A=0A--- On Mon, 3/23/09, =
Tony K <bigtonyk@gmail.com> wrote:=0A=0A> From: Tony K <bigtonyk@gmail.com>=
=0A> Subject: Teresa Andersson=0A> To: "loopers-delight" <Loopers-Delight@l=
oopers-delight.com>=0A> Date: Monday, March 23, 2009, 12:05 PM=0A> I though=
t this was quite well=0A> done.=A0 Wonder what she's using for loopers.=0A>=
 =0A> http://www.youtube.com/watch?v=3DvMXqn42AykM=0A> =0A> -- =0A> -=3D=3D=
-=3D-=3D-=0A> Tony=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 09:08:58 2009
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, March 28 at 6:00 am
(EDT/GMT-4:00/ITZ-5:00), less than two hours from now.  I will continue
the special on Sequences Electronic Music Magazine's sampler CDs.

I alternate hosting the show with Bruce. When I am at the helm, the
show features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with
Progressive Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 10:04:43 2009
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van Sinn wrote:
> mark francombe wrote:
>>
>>
>> On Fri, Mar 27, 2009 at 12:05 AM, van Sinn <vansinn@post.cybercity.dk 
>> <mailto:vansinn@post.cybercity.dk>> wrote:
>>
>>     Digitech TSR-24S;
>>

> 
> The manual is available from digitech; look in discuntinued products.
> 
> It's a complex device.  Two inputs, four outputs, an effects library, 
> and everything routable just about any which way you want.

ah, sounds interesting, hope you don't mind if I ask a couple of details

> 
> This means: Start with an input, pick an effect, link them, pick the 
> next, link, split into two paralles lines, pick effects and link for 
> each line, split one line again (to have three parallel), pick and link, 
> create a feedback with effects in it and link it to a mixer...
> Any effect can be reused as you wish; it's a matter of when you run 
> short of processing power and memory.

interesting, that sounds like "freely editable"...
..............is it?


> 
> So, you can do mono in, mono out, mono in stereo out, stereo in stereo 
> out, one mono in/out + one mono in / stereo out...

will it do 
2 mono in to the same stereo o/p?

> 
> Reverbs, echoes, single/multipole chrous, flangers, parametric EQ, 
> multiband EQ, pitch transpose, harmonizing...

lowpass/bandpass?

does it have a panner (not an autopanner)

outputs on XLR?

> 
> The envelope follower means effect parameters can be controlled by 

so I guess that's assignable to any parameter.


> dynamics in playing style, i.e. for ducking reverb, echo feedback 
> buildup, chorous speed/depth...    I mostly use this to add-in some 
> 4-tap echo and harmonizing when sustaining notes/chords.
> 
> The TSR-24S (dual DSP's) runs a bit hot, so needs free space around it.
> TSR-24 (single DSP) runs cooler.
> 
> Programming may take time  ;)

that's ok :-)


andy


> 

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Date: Sat, 28 Mar 2009 11:55:13 +0100
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Subject: Re: Teresa Andersson
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>> From: Tony K <bigtonyk@gmail.com>
>> Subject: Teresa Andersson
>> To: "loopers-delight" <Loopers-Delight@loopers-delight.com>
>> Date: Monday, March 23, 2009, 12:05 PM
>> I thought this was quite well
>> done.=A0 Wonder what she's using for loopers.
>>
>> http://www.youtube.com/watch?v=3DvMXqn42AykM


Two RC-50s.
You can see them better here:
http://www.youtube.com/watch?v=3Dn2eD4GcLohE&feature=3Drelated

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 11:26:31 2009
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andy butler wrote:
> 
> 
> van Sinn wrote:
> 
>> mark francombe wrote:
>>
>>>
>>>
>>> On Fri, Mar 27, 2009 at 12:05 AM, van Sinn <vansinn@post.cybercity.dk 
>>> <mailto:vansinn@post.cybercity.dk>> wrote:
>>>
>>>     Digitech TSR-24S;
>>>
> 
>>
>> The manual is available from digitech; look in discuntinued products.
>>
>> It's a complex device.  Two inputs, four outputs, an effects library, 
>> and everything routable just about any which way you want.
> 
> 
> ah, sounds interesting, hope you don't mind if I ask a couple of details
> 
>>
>> This means: Start with an input, pick an effect, link them, pick the 
>> next, link, split into two paralles lines, pick effects and link for 
>> each line, split one line again (to have three parallel), pick and 
>> link, create a feedback with effects in it and link it to a mixer...
>> Any effect can be reused as you wish; it's a matter of when you run 
>> short of processing power and memory.
> 
> 
> interesting, that sounds like "freely editable"...
> ..............is it?

Yes

>> So, you can do mono in, mono out, mono in stereo out, stereo in stereo 
>> out, one mono in/out + one mono in / stereo out...
> 
> 
> will it do 2 mono in to the same stereo o/p?

Yes. Because any input, output, effect and mixers are fully routable, 
you can do this.

>> Reverbs, echoes, single/multipole chrous, flangers, parametric EQ, 
>> multiband EQ, pitch transpose, harmonizing...
> 
> 
> lowpass/bandpass?

Yes

> does it have a panner (not an autopanner)

I believe so, not 100% sure though

> outputs on XLR?

No, TSR only

>> The envelope follower means effect parameters can be controlled by 
> 
> 
> so I guess that's assignable to any parameter.

Yes, and IIRC, it can be linked to control more parameters at a time.
Also, the fully programmable noise gate can be used to ramp-up effects.

I forgot to mention the TSR-24S (dual DSP) has ring-out and ramp-up, 
meaning what's already in memory will ring out when canging presets, and 
the new preset can be programmed to gradually ramp-up, even with a 
pre-delay.  Allows for interesting smooth transitions.
This model also has a (simple) 4 sec looper ;)

It's also possible to combine effects into your own named modules, which 
can then be linked into presets, just like the individual effects.
However, once such a module is used, it's locked and cannot be edited.

Ohh, and it'll do some MIDI event filtering too!  haven't tried though..


Maybe you see why Digitech discontinued the model? It was simply too 
complex for most users, at a time when prog. racks became a no-no :D

I often wish I could keep it simple. I mostly use the harmonizing, 4-tap 
echo and a bit of reverb.  Still, I have some fun ideas in my head, and 
really have a hard time seeing any replacements for this baby, except 
for the way more expensive Eventides Ultra's.

An example I'm fiddling with:  I have one mono-in stereo-out channel in 
my ADA MP-2 guitar processor's S/R loop.  So, I might use another mono 
in/out channel to build a separate clean channel to stack on top of the 
ADA for a more complex tone.
And I'd still have one free mono-out, which I could use to tap into the 
two chains to add a completely independent.. something.. ;)

They can often be had at a good price on evilbay.  Just notice that 
single-DSP models cannot any longer be updated to dual.  Digitech 
stopped that year ago, and Dieter from Germany, who reverse engineered 
those modules cannot get the DSP's anymore.
I was the first to get the PPC-210 for the TSR-24 and proofread the 
manual/instructions.

It's still possible to update the software to the latest version to have 
faster preset swiching and improved whammy operation.
http://www.tube-tester.com/sites/tsr24/tsr24-main.htm  has it all - 
except that the PPC module is out of production.
He's a busy man..   also see http://www.chronotronix.com



>> dynamics in playing style, i.e. for ducking reverb, echo feedback 
>> buildup, chorous speed/depth...    I mostly use this to add-in some 
>> 4-tap echo and harmonizing when sustaining notes/chords.
>>
>> The TSR-24S (dual DSP's) runs a bit hot, so needs free space around it.
>> TSR-24 (single DSP) runs cooler.
>>
>> Programming may take time  ;)
> 
> 
> that's ok :-)
> 
> 
> andy


-- 
rgds,
van Sinn

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Subject: Re: new pedal in town
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van Sinn wrote:
> andy butler wrote:
>>
>>
>> van Sinn wrote:

>>>>     Digitech TSR-24S;
>>>>
>>
>>>
>>> The manual is available from digitech; look in discuntinued products.

indeed.

this is looking very interesting

>>>
>>> It's a complex device.  Two inputs, four outputs, an effects library, 
>>> and everything routable just about any which way you want.
>>

> 
>> does it have a panner (not an autopanner)
> 
> I believe so, not 100% sure though

yep, it has Mixers.

Looks like it's possible to connect any fx input to any fx output.

> 
>> outputs on XLR?
> 
> No, TSR only

balanced?
(I'm guessing it's compensated earth)

> 
>>> The envelope follower means effect parameters can be controlled by 
>>
>>
>> so I guess that's assignable to any parameter.
> 
> Yes, and IIRC, it can be linked to control more parameters at a time.
> Also, the fully programmable noise gate can be used to ramp-up effects.
> 
> I forgot to mention the TSR-24S (dual DSP) has ring-out and ramp-up, 
> meaning what's already in memory will ring out when canging presets, and 
> the new preset can be programmed to gradually ramp-up, even with a 
> pre-delay.  Allows for interesting smooth transitions.
> This model also has a (simple) 4 sec looper ;)

that's the Sampler, right.
Presumably the loop length has to be pre-defined.


> They can often be had at a good price on evilbay.  Just notice that 
> single-DSP models cannot any longer be updated to dual.  Digitech 
> stopped that year ago, and Dieter from Germany, who reverse engineered 
> those modules cannot get the DSP's anymore.
> I was the first to get the PPC-210 for the TSR-24 and proofread the 
> manual/instructions.

Right, but from what I read it looks like the PPC-210 isn't standard 
for the TSR-24S

> 
> It's still possible to update the software to the latest version to have 
> faster preset swiching and improved whammy operation.
> http://www.tube-tester.com/sites/tsr24/tsr24-main.htm  has it all - 
> except that the PPC module is out of production.

Cheers, thanx for that.
I think I'd need the PPC for that ringout/ramp up feature.


> He's a busy man..   also see http://www.chronotronix.com

valve clocks??



many thanks
andy
ps this looks like a duel to the death with Mark on ebay :-)

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 15:31:32 2009
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Copyrighting services
Date: Sat, 28 Mar 2009 08:31:26 -0700
To: Loopers-Delight@loopers-delight.com
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I've been an ASCAP member for 8 years if that's what you mean.

On Mar 27, 2009, at 7:16 PM, BC wrote:

> I was wondering if any of you have experience with any of those 
> copyright services out there?
>
> I have 4 of my band's songs I would like to protect.
>
> If anyone has any tips in general, or any experience with a service 
> that does all the work for you, I'd appreciate hearing about it.
>
> Thanks,
> Brian 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 15:55:21 2009
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Date: Sat, 28 Mar 2009 11:55:17 EDT
Subject: Re: Teresa Andersson
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In a message dated 3/28/09 3:56:52 AM, labaloops@yahoo.com writes:


> yes and that reafirms womens ability to multitask;-)
> 

number1.....i can dance better than her!.....number2.....if she reached into 
her fridge and made a sammy during her song it would have been much 
better.....wow.....her sense of enjoying herself was infectuious.....really 
nice!.....:)m



"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
Feeling the pinch at the grocery store?  Make meals for Under 
$10. (http://food.aol.com/frugal-feasts?ncid=emlcntusfood00000002)

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/28/09 3:56:52 AM, labaloops@yahoo.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">yes and that reafirms=
 womens ability to multitask;-)<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">number1.....i can dance better than her!.....number2.....if she reached i=
nto her fridge and made a sammy during her song it would have been much bett=
er.....wow.....her sense of enjoying herself was infectuious.....really nice=
!.....:)m<BR>
<BR>
<BR>
<BR>
"EVERYTHING YOU KNOW IS WRONG".....firesign theater<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************<BR>Feeling the pinch at the grocery sto=
re?  Make meals for Under $10. (http://food.aol.com/frugal-feasts?ncid=3Deml=
cntusfood00000002)</HTML>

--part1_c61.448aedc9.36ffa265_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 16:01:31 2009
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On Mar 28, 2009, at 2:24 AM, L.Angulo wrote:

>
> wow u have it and dont use it????
> wanna give it me?;-)

I know. I'm ridiculous. I've been so enamored by my amps of late (imo  
nothing beats guitar--> amp) , I just haven't used it in many months.  
There's a steep learning curve--but I'll get there. I got it for  
recording. Hopefully in another month or so I'll have time to dedicate  
to it.

Jeff

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 16:05:25 2009
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Date: Sat, 28 Mar 2009 17:05:09 +0100
Message-ID: <9ab0c76f0903280905y727843dfr10bb4160a0d60cd9@mail.gmail.com>
Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB1010
From: mark francombe <mark@markfrancombe.com>
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On Sat, Mar 28, 2009 at 8:28 AM, L.Angulo <labaloops@yahoo.com> wrote:

>
> Hi Mark,
> I believe you use 2 of them correct? are u controlling both with the
> FCB1010?



Not as yet Luis.. no.. well not using two sets of FCB banks and seperating
the offset.. no... I Use the fcb on one edp and the edp pedal with the
second edp. BUT for a laugh, ive used the FCB on BOTH pedals, that way I
record onto both, overdub on both BUT I can screw up those midi sent
commands from the FCB and use the  EDP pedal to stop overdyb or insert on
just ONE pedal.... for example. start a multiply on both pedals, stop the
mult using the EDP pedal, that stops just ONE edp, then the stop the
original multiply on the first edp... that puts the second one INTO
multiply, and you are in "Where AM I  Hell???! Which I think is terribly
fun!

Mark




>
> www.myspace.com/luisangulocom
>
>
> --- On Fri, 3/27/09, mark francombe <mark@markfrancombe.com> wrote:
>
> > From: mark francombe <mark@markfrancombe.com>
> > Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO
> FCB1010
> > To: Loopers-Delight@loopers-delight.com
> > Date: Friday, March 27, 2009, 2:07 AM
> > Aha.. the Source Offset.. you
> > confuddled me with talk of NOTE OFF. Per...
> >
> > But good point for you to check Tim... that the offset note
> > number adds up to the one you have chosen in Source Offset
> > on your EDP
> >
> >
> >
> > On Fri, Mar 27, 2009 at 9:55 AM, Per Boysen <perboysen@gmail.com>
> > wrote:
> >
> >
> > There is a setting in the EDP where you can off-set MIDI
> > Note numbers
> >
> > sent from a MIDI pedal into the EDP. This can be used to
> > move the midi
> >
> > not control range to the absolutely lowest or highest note
> > range if
> >
> > you want to make room for playing a MIDI instrument on the
> > same MIDI
> >
> > channel. It can be useful in other ways too, but if you
> > don't know
> >
> > about it you may be confused why all the midi notes you
> > send to the
> >
> > EDP is not affecting the commands you have assigned them
> > too.
> >
> > "Off-set" is not what it is called in the EDP
> > manual, rather what it
> >
> > does. Maybe it's called "Note Base" or
> > something in EDP-ish...?
> >
> >
> >
> > Greetings from Sweden
> >
> >
> >
> > Per Boysen
> >
> > www.boysen.se
> >
> > www.perboysen.com
> >
> >
> >
> >
> >
> >
> >
> > 2009/3/27 mark francombe <mark@markfrancombe.com>:
> >
> > > On Fri, Mar 27, 2009
> > at 9:39 AM, Per Boysen <perboysen@gmail.com>
> > wrote:
> >
> > >>
> >
> > >> note off-set
> >
> > >
> >
> > > Whats that Per? My instructions he followed show that
> > he has to use NOTES,
> >
> > > but is/was there a note OFF setting I forgot...?
> >
> >
> >
> >
> >
> >
> > --
> > www.markfrancombe.com
> > http://vimeo.com/user825094
> > http://uk.youtube.com/user/markfrancombe
> >
> >
> > http://www.myspace.com/markfrancombe
> > http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
> >
> >
> >
> >
>
>
>
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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<br><br><div class=3D"gmail_quote">On Sat, Mar 28, 2009 at 8:28 AM, L.Angul=
o <span dir=3D"ltr">&lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@ya=
hoo.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D=
"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padd=
ing-left: 1ex;">

<br>
Hi Mark,<br>
I believe you use 2 of them correct? are u controlling both with the FCB101=
0?</blockquote><div><br><br>Not as yet Luis.. no.. well not using two sets =
of FCB banks and seperating the offset.. no... I Use the fcb on one edp and=
 the edp pedal with the second edp. BUT for a laugh, ive used the FCB on BO=
TH pedals, that way I record onto both, overdub on both BUT I can screw up =
those midi sent commands from the FCB and use the=A0 EDP pedal to stop over=
dyb or insert on just ONE pedal.... for example. start a multiply on both p=
edals, stop the mult using the EDP pedal, that stops just ONE edp, then the=
 stop the original multiply on the first edp... that puts the second one IN=
TO multiply, and you are in &quot;Where AM I=A0 Hell???! Which I think is t=
erribly fun!<br>

<br>Mark<br><br><br><br></div><blockquote class=3D"gmail_quote" style=3D"bo=
rder-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding=
-left: 1ex;"><br>
<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<br>
<br>
--- On Fri, 3/27/09, mark francombe &lt;<a href=3D"mailto:mark@markfrancomb=
e.com">mark@markfrancombe.com</a>&gt; wrote:<br>
<br>
&gt; From: mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com">mar=
k@markfrancombe.com</a>&gt;<br>
&gt; Subject: Re: Confused when trying to ASSIGN BASIC EDP FUNCTIONS TO FCB=
1010<br>
&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Del=
ight@loopers-delight.com</a><br>
&gt; Date: Friday, March 27, 2009, 2:07 AM<br>
<div><div></div><div class=3D"h5">&gt; Aha.. the Source Offset.. you<br>
&gt; confuddled me with talk of NOTE OFF. Per...<br>
&gt;<br>
&gt; But good point for you to check Tim... that the offset note<br>
&gt; number adds up to the one you have chosen in Source Offset<br>
&gt; on your EDP<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; On Fri, Mar 27, 2009 at 9:55 AM, Per Boysen &lt;<a href=3D"mailto:perb=
oysen@gmail.com">perboysen@gmail.com</a>&gt;<br>
&gt; wrote:<br>
&gt;<br>
&gt;<br>
&gt; There is a setting in the EDP where you can off-set MIDI<br>
&gt; Note numbers<br>
&gt;<br>
&gt; sent from a MIDI pedal into the EDP. This can be used to<br>
&gt; move the midi<br>
&gt;<br>
&gt; not control range to the absolutely lowest or highest note<br>
&gt; range if<br>
&gt;<br>
&gt; you want to make room for playing a MIDI instrument on the<br>
&gt; same MIDI<br>
&gt;<br>
&gt; channel. It can be useful in other ways too, but if you<br>
&gt; don&#39;t know<br>
&gt;<br>
&gt; about it you may be confused why all the midi notes you<br>
&gt; send to the<br>
&gt;<br>
&gt; EDP is not affecting the commands you have assigned them<br>
&gt; too.<br>
&gt;<br>
&gt; &quot;Off-set&quot; is not what it is called in the EDP<br>
&gt; manual, rather what it<br>
&gt;<br>
&gt; does. Maybe it&#39;s called &quot;Note Base&quot; or<br>
&gt; something in EDP-ish...?<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; Greetings from Sweden<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; Per Boysen<br>
&gt;<br>
&gt; <a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><b=
r>
&gt;<br>
&gt; <a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.c=
om</a><br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; 2009/3/27 mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com"=
>mark@markfrancombe.com</a>&gt;:<br>
&gt;<br>
&gt; &gt; On Fri, Mar 27, 2009<br>
&gt; at 9:39 AM, Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com">perb=
oysen@gmail.com</a>&gt;<br>
&gt; wrote:<br>
&gt;<br>
&gt; &gt;&gt;<br>
&gt;<br>
&gt; &gt;&gt; note off-set<br>
&gt;<br>
&gt; &gt;<br>
&gt;<br>
&gt; &gt; Whats that Per? My instructions he followed show that<br>
&gt; he has to use NOTES,<br>
&gt;<br>
&gt; &gt; but is/was there a note OFF setting I forgot...?<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfra=
ncombe.com</a><br>
&gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo=
.com/user825094</a><br>
&gt; <a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank"=
>http://uk.youtube.com/user/markfrancombe</a><br>
&gt;<br>
&gt;<br>
&gt; <a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">htt=
p://www.myspace.com/markfrancombe</a><br>
&gt; <a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Syn=
ch" target=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non=
%20Synch</a><br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0016368e2b1d5771240466300437--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 16:10:41 2009
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Date: Sat, 28 Mar 2009 17:10:25 +0100
Message-ID: <9ab0c76f0903280910k221b0555ge7858e1707ebd5aa@mail.gmail.com>
Subject: Re: new pedal in town
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
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I got the manual thanks... looks interesting... but really interesting?? I
dont know... Main problem seems to be non-syncability...
Im not interested in chorus or flanger

but Im always interested in pitchshifters, and certainly the routing thing
looks VERY interesting... is there anyway to make the effects dynamic.. I
see the env follower thing (can this be applied to anything?? um  delay
speed, sample end? or just eq and levels?)

Also can you make internal feedback loops? and can you connect a control
surface up to parameters easily? it seems much more cool if you can "Get to
the parameters" for real time tweakage... Or I am missing the whole point of
it...

m

On Sat, Mar 28, 2009 at 12:20 AM, van Sinn <vansinn@post.cybercity.dk>wrote:

> mark francombe wrote:
>
>>
>>
>> On Fri, Mar 27, 2009 at 12:05 AM, van Sinn <vansinn@post.cybercity.dk<mailto:
>> vansinn@post.cybercity.dk>> wrote:
>>
>>    Digitech TSR-24S;
>>
>>
>> Im very interested in this old device... Can you give me a quick run down
>> on how the features you mentioned works, env follower and whotsit-gate...
>> they sound intriguing
>>
>> anyone know online manual anywhere?
>>
>> M
>>
>
> The manual is available from digitech; look in discuntinued products.
>
> It's a complex device.  Two inputs, four outputs, an effects library, and
> everything routable just about any which way you want.
>
> This means: Start with an input, pick an effect, link them, pick the next,
> link, split into two paralles lines, pick effects and link for each line,
> split one line again (to have three parallel), pick and link, create a
> feedback with effects in it and link it to a mixer...
> Any effect can be reused as you wish; it's a matter of when you run short
> of processing power and memory.
>
> So, you can do mono in, mono out, mono in stereo out, stereo in stereo out,
> one mono in/out + one mono in / stereo out...
>
> Reverbs, echoes, single/multipole chrous, flangers, parametric EQ,
> multiband EQ, pitch transpose, harmonizing...
>
> The envelope follower means effect parameters can be controlled by dynamics
> in playing style, i.e. for ducking reverb, echo feedback buildup, chorous
> speed/depth...    I mostly use this to add-in some 4-tap echo and
> harmonizing when sustaining notes/chords.
>
> The TSR-24S (dual DSP's) runs a bit hot, so needs free space around it.
> TSR-24 (single DSP) runs cooler.
>
> Programming may take time  ;)
>
> --
> rgds,
> van Sinn
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6dee96e30778c04663017db
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I got the manual thanks... looks interesting... but really interesting?? I =
dont know... Main problem seems to be non-syncability... <br>Im not interes=
ted in chorus or flanger<br><br>but Im always interested in pitchshifters, =
and certainly the routing thing looks VERY interesting... is there anyway t=
o make the effects dynamic.. I see the env follower thing (can this be appl=
ied to anything?? um=A0 delay speed, sample end? or just eq and levels?)<br=
>

<br>Also can you make internal feedback loops? and can you connect a contro=
l surface up to parameters easily? it seems much more cool if you can &quot=
;Get to the parameters&quot; for real time tweakage... Or I am missing the =
whole point of it...<br>

<br>m<br>
<br><div class=3D"gmail_quote">On Sat, Mar 28, 2009 at 12:20 AM, van Sinn <=
span dir=3D"ltr">&lt;<a href=3D"mailto:vansinn@post.cybercity.dk" target=3D=
"_blank">vansinn@post.cybercity.dk</a>&gt;</span> wrote:<br><blockquote cla=
ss=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); marg=
in: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">


mark francombe wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
<br>
On Fri, Mar 27, 2009 at 12:05 AM, van Sinn &lt;<a href=3D"mailto:vansinn@po=
st.cybercity.dk" target=3D"_blank">vansinn@post.cybercity.dk</a> &lt;mailto=
:<a href=3D"mailto:vansinn@post.cybercity.dk" target=3D"_blank">vansinn@pos=
t.cybercity.dk</a>&gt;&gt; wrote:<br>



<br>
 =A0 =A0Digitech TSR-24S;<br>
<br>
<br>
Im very interested in this old device... Can you give me a quick run down o=
n how the features you mentioned works, env follower and whotsit-gate... th=
ey sound intriguing<br>
<br>
anyone know online manual anywhere?<br>
<br>
M<br>
</blockquote>
<br>
The manual is available from digitech; look in discuntinued products.<br>
<br>
It&#39;s a complex device. =A0Two inputs, four outputs, an effects library,=
 and everything routable just about any which way you want.<br>
<br>
This means: Start with an input, pick an effect, link them, pick the next, =
link, split into two paralles lines, pick effects and link for each line, s=
plit one line again (to have three parallel), pick and link, create a feedb=
ack with effects in it and link it to a mixer...<br>



Any effect can be reused as you wish; it&#39;s a matter of when you run sho=
rt of processing power and memory.<br>
<br>
So, you can do mono in, mono out, mono in stereo out, stereo in stereo out,=
 one mono in/out + one mono in / stereo out...<br>
<br>
Reverbs, echoes, single/multipole chrous, flangers, parametric EQ, multiban=
d EQ, pitch transpose, harmonizing...<br>
<br>
The envelope follower means effect parameters can be controlled by dynamics=
 in playing style, i.e. for ducking reverb, echo feedback buildup, chorous =
speed/depth... =A0 =A0I mostly use this to add-in some 4-tap echo and harmo=
nizing when sustaining notes/chords.<br>



<br>
The TSR-24S (dual DSP&#39;s) runs a bit hot, so needs free space around it.=
<br>
TSR-24 (single DSP) runs cooler.<br>
<br>
Programming may take time =A0;)<br>
<br>
-- <br>
rgds,<br><font color=3D"#888888">
van Sinn<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com" target=3D"_blank">www.markfrancombe.com</a><br><a =
href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/use=
r825094</a><br>

<a href=3D"http://uk.youtube.com/user/markfrancombe" target=3D"_blank">http=
://uk.youtube.com/user/markfrancombe</a><br>
<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




--0016e6dee96e30778c04663017db--

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Date: Sat, 28 Mar 2009 09:06:15 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Teresa Andersson
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--- On Sat, 3/28/09, Nemoguitt@aol.com <Nemoguitt@aol.com> wrote:
>....if she reached into her fridge and
> made a sammy during her song it would have been much better.....

Heh, I noticed the fridge when I watched it too.

Once in the early 80's I was playing at an outdoor house party where the house had just been renovated and there were several large discarded appliances (fridge, oven, washer, dryer) in the back yard that we dragged over to supplement the backline. Marshall stacks and big Sunn bass amps look somewhat surreal lined up with avocado and harvest gold appliances on either side of the drum kit...

-t-

ps: as for Klobuchar dancing better than Teresa Andersson, I admit to a certain amount of skepticism...


http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62


      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 16:14:47 2009
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Date: Sat, 28 Mar 2009 17:14:31 +0100
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Subject: Re: new pedal in town
From: mark francombe <mark@markfrancombe.com>
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On Sat, Mar 28, 2009 at 2:20 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> many thanks
> andy
> ps this looks like a duel to the death with Mark on ebay :-)
>

Oh you saw that did you... damn... !

-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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<br><br><div class=3D"gmail_quote">On Sat, Mar 28, 2009 at 2:20 PM, andy bu=
tler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutl=
er@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.=
8ex; padding-left: 1ex;">

<div id=3D":1a0" class=3D"ii gt">many thanks<br><font color=3D"#888888">
andy<br></font>
ps this looks like a duel to the death with Mark on ebay :-)</div></blockqu=
ote></div><br>Oh you saw that did you... damn... !<br clear=3D"all"><br>-- =
<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--001636c5ba59d691d704663025c3--

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Subject: Re: Teresa Andersson
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Jeff likes this!

Oops, I have been on Facebook too much...lol

j

----- Original Message ----- 
From: "Tim Nelson" <psychle62@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, March 28, 2009 12:06 PM
Subject: Re: Teresa Andersson


>
> --- On Sat, 3/28/09, Nemoguitt@aol.com <Nemoguitt@aol.com> wrote:
>>....if she reached into her fridge and
>> made a sammy during her song it would have been much better.....
>
> Heh, I noticed the fridge when I watched it too.
>
> Once in the early 80's I was playing at an outdoor house party where the 
> house had just been renovated and there were several large discarded 
> appliances (fridge, oven, washer, dryer) in the back yard that we dragged 
> over to supplement the backline. Marshall stacks and big Sunn bass amps 
> look somewhat surreal lined up with avocado and harvest gold appliances on 
> either side of the drum kit...
>
> -t-
>
> ps: as for Klobuchar dancing better than Teresa Andersson, I admit to a 
> certain amount of skepticism...
>
>
> http://www.myspace.com/nimbletunes
> http://cdbaby.com/all/timnelson
> http://www.youtube.com/speleman62
>
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 16:39:07 2009
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Subject: Re: new pedal in town
Date: Sat, 28 Mar 2009 09:39:08 -0700
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The Digitech unit sounds reminiscent of the Korg AM8000R.

Mark

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 18:39:24 2009
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Date: Sat, 28 Mar 2009 11:39:22 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Teresa Andersson
To: Loopers-Delight@loopers-delight.com
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also i noticed that shes not using a mixer,unimaginable when you are dealin=
g with so many microphones!=0A=0Awww.myspace.com/luisangulocom=0A=0A=0A--- =
On Sat, 3/28/09, Per Boysen <perboysen@gmail.com> wrote:=0A=0A> From: Per B=
oysen <perboysen@gmail.com>=0A> Subject: Re: Teresa Andersson=0A> To: Loope=
rs-Delight@loopers-delight.com=0A> Date: Saturday, March 28, 2009, 3:55 AM=
=0A> >> From: Tony K <bigtonyk@gmail.com>=0A> >> Subject: Teresa Andersson=
=0A> >> To: "loopers-delight" <Loopers-Delight@loopers-delight.com>=0A> >> =
Date: Monday, March 23, 2009, 12:05 PM=0A> >> I thought this was quite well=
=0A> >> done.=A0 Wonder what she's using for loopers.=0A> >>=0A> >> http://=
www.youtube.com/watch?v=3DvMXqn42AykM=0A> =0A> =0A> Two RC-50s.=0A> You can=
 see them better here:=0A> http://www.youtube.com/watch?v=3Dn2eD4GcLohE&fea=
ture=3Drelated=0A> =0A> Greetings from Sweden=0A> =0A> Per Boysen=0A> www.b=
oysen.se=0A> www.perboysen.com=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 18:46:50 2009
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Subject: Epiphone Les Paul Ultra-II in the loop?
From: Per Boysen <perboysen@gmail.com>
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Hi,

Is anyone here playing an Epiphone Les Paul Ultra-II in the loop?
http://is.gd/pqzP

I'm just checking one out here for a couple of days and really like
the sounds you get with the humbuckers and the NanoMag pickup in the
fretboard. Like "Les Paul and Strat at the same time", which is weird
- but that's the sound. Then you can roll off certain characters of
the sound to sculpture it. Must be good for looping since you can
easily layer differently sounding guitar work.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 18:52:32 2009
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Subject: best VST compressor?
From: Nevyn Nowhere <nevynnowhere@gmail.com>
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Whatever kind of ware, free or non.

What's the best software compressor?  More specifically for studio
mastering, but also for live tracks of bass/melody-noise/drum.

And, of course, why you think such.

Danke.

-nn
happyhumans.org

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Whatever kind of ware, free or non.<br><br>What&#39;s the best software com=
pressor?=A0 More specifically for studio mastering, but also for live track=
s of bass/melody-noise/drum.<br><br>And, of course, why you think such.<br>
<br>Danke.<br><br>-nn<br><a href=3D"http://happyhumans.org">happyhumans.org=
</a><br>

--001636e0b96d04e91e0466325a9b--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 20:00:48 2009
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Yeah: I want to know the particulars! 8-/  Tone, dynamics, sag, realistic
feel?  . . . y'know, the usual guitar-centric opinions.  Sounds like it
didn't pull you away from your amps, so that's not a good sign.  -m

On Fri, Mar 27, 2009 at 8:58 PM, Jeff Shirkey <jcshirke@verizon.net> wrote:

>
> On Mar 27, 2009, at 9:14 PM, Miko Biffle wrote:
>
>  Anyone using The Fractal Audio Axe processor?  -m
>>
>
> I have one, but I haven't used it much yet. I know a lot of people who own
> them (and actually use them! lol). Anything in particular you want to know?
>
> Jeff
>
>


-- 
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

--000e0cd1af8c1bd0640466334e52
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Yeah: I want to know the particulars! 8-/=A0 Tone, dynamics, sag, realistic=
 feel?=A0 . . . y&#39;know, the usual guitar-centric opinions.=A0 Sounds li=
ke it didn&#39;t pull you away from your amps, so that&#39;s not a good sig=
n.=A0 -m<br>
<br><div class=3D"gmail_quote">On Fri, Mar 27, 2009 at 8:58 PM, Jeff Shirke=
y <span dir=3D"ltr">&lt;<a href=3D"mailto:jcshirke@verizon.net">jcshirke@ve=
rizon.net</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
<br>
On Mar 27, 2009, at 9:14 PM, Miko Biffle wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Anyone using The Fractal Audio Axe processor? =A0-m<br>
</blockquote>
<br>
I have one, but I haven&#39;t used it much yet. I know a lot of people who =
own them (and actually use them! lol). Anything in particular you want to k=
now?<br><font color=3D"#888888">
<br>
Jeff<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Miko Biffle<br>B=
iffoz@Gmail.com<br>MBiffle@FoxRacingShox.com<br>&quot;Running scared from a=
ll the usual distractions!&quot;<br>

--000e0cd1af8c1bd0640466334e52--

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	 <4AD142D7-CC27-4587-84B0-7A5F4D2CB3B8@grubmah.com>
Date: Sat, 28 Mar 2009 13:07:44 -0700
Message-ID: <3fa302e30903281307y375ba79fkd6aebaa662f904ca@mail.gmail.com>
Subject: Re: new pedal in town
From: Miko Biffle <biffoz@gmail.com>
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--000e0cd2176c0cf8b40466336767
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TSR is way more programmable than the AM8000R.  I had both, preceded by the
venerable Digitech IPS-33B which was also very programmable, but the TSR
really blew doors and was way ahead of it's time. Digitech was also
responsible for the PMC-10 Midi Floor Controller, which despite it's
bugginess, was an incredible piece of kit.  The Behringer is a pale shadow
by comparison.

On Sat, Mar 28, 2009 at 9:39 AM, Mark Hamburg <mark@grubmah.com> wrote:

> The Digitech unit sounds reminiscent of the Korg AM8000R.
>
> Mark
>
-- 
Miko Biffle
Biffoz@Gmail.com
MBiffle@FoxRacingShox.com
"Running scared from all the usual distractions!"

--000e0cd2176c0cf8b40466336767
Content-Type: text/html; charset=ISO-8859-1
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TSR is way more programmable than the AM8000R.=A0 I had both, preceded by t=
he venerable Digitech IPS-33B which was also very programmable, but the TSR=
 really blew doors and was way ahead of it&#39;s time. Digitech was also re=
sponsible for the PMC-10 Midi Floor Controller, which despite it&#39;s bugg=
iness, was an incredible piece of kit.=A0 The Behringer is a pale shadow by=
 comparison.=A0 <br>
<br><div class=3D"gmail_quote">On Sat, Mar 28, 2009 at 9:39 AM, Mark Hambur=
g <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@grubmah.com">mark@grubmah.co=
m</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"borde=
r-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-le=
ft: 1ex;">
The Digitech unit sounds reminiscent of the Korg AM8000R.<br><font color=3D=
"#888888">
<br>
Mark<br></font></blockquote></div>-- <br>Miko Biffle<br>Biffoz@Gmail.com<br=
>MBiffle@FoxRacingShox.com<br>&quot;Running scared from all the usual distr=
actions!&quot;<br>

--000e0cd2176c0cf8b40466336767--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 20:18:00 2009
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Date: Sat, 28 Mar 2009 13:17:59 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: motu ultralite midi sync problem
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Hi Sjaak,
I just got a motu Ultralite which i am trying out, i am using mobius with midi sync out and my drum box midi in,but i ma having some problems.
When i dont do any recording with my mobius software everthing functions fine but once i record a loop i cant even change my drum box patterns with my fcb1010 or do any start stop anymore!
The motu has way more options than my previous presonus
under clock source you can choose:

Internal
spdif
SMPTE
built in audio
Other

Ive tried all of them but the problem remain
how do you have yours setup?
thanx
Luis


      

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Date: Sat, 28 Mar 2009 13:46:28 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: OT: cheap sub woofer?
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--0-1262716759-1238273188=:6822
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

-about a month and a 1/2 ago i think i posed this question, b/c i wasn't ha=
ppy w/ the "bass" response in my small 8" speaker amps (12 watt kustom & 10=
 watt marshall). there were times when i could hear the bass response just =
really crapping out, since i usually tune down a whole step to D (i've deba=
ted trying a small bass amp too). i had a nice discussion w/ jeff duke and =
he said that he uses a behringer ultratone keyboard amp that has a 12" spea=
ker (can't remember wattage-maybe 90?). i watched a couple of his vid perfo=
rmances in his studio (jeff post them, i can't remember site off hand), and=
 i thought his sound was great/amazing=A0even coming over my tiny computer =
speakers...
-it reminded me of yrs ago, back in '94 i tested a peavey tele and the smal=
l store had a 50 watt pa head-wow, that was an amazing sound,. so clear and=
 crisp!
so the next time one of my amps craps out, i'm going to get something w/ a =
bigger speaker (i'm thinking small wattage 12" speaker hopefully).=20
-oh-& there was a review done by craig anderton in a GP a yr or 2 ago about=
 how he uses some portable PA system for his live playing. it's lighter tha=
n a big tube amp & he liked the sound (i can't remember the brand, but i re=
member looking up the thing after the review and saw it was way over my pri=
ce budget-i thought close to 1000$).
-2 months ago i bought and tested a crate v20 (now discontinued i think) tu=
be amp, 20 watts w/ 12" speaker. it sounded great, but in my little studio =
IT WAS WAY TOO LOUD!!! great bass sound though i thought. i took it back an=
d decided to be happy w/ my smaller amps.
happy searching...always searching for the best tone...neverending.......
s---
www.myspace.com/scotthansen




http://video.google.com/videoplay?docid=3D235503632389016121
http://video.google.com/videoplay?docid=3D5791548553161416906&hl=3Den

=A0=0A=0A=0A      
--0-1262716759-1238273188=:6822
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>-about a month and a 1/2 ago i think i p=
osed this question, b/c i wasn't happy w/ the "bass" response in my small 8=
" speaker amps (12 watt kustom &amp; 10 watt marshall). there were times wh=
en i could hear the bass response just really crapping out, since i usually=
 tune down a whole step to D (i've debated trying a small bass amp too). i =
had a nice discussion w/ jeff duke and he said that he uses a behringer ult=
ratone keyboard amp that has a 12" speaker (can't remember wattage-maybe 90=
?). i watched a couple of his vid performances in his studio (jeff post the=
m, i can't remember site off hand), and i thought his sound was great/amazi=
ng&nbsp;even coming over my tiny computer speakers...</DIV>
<DIV>-it reminded me of yrs ago, back in '94 i tested a peavey tele and the=
 small store had a 50 watt pa head-wow, that was an amazing sound,. so clea=
r and crisp!</DIV>
<DIV>so the next time one of my amps craps out, i'm going to get something =
w/ a bigger speaker (i'm thinking small wattage 12" speaker hopefully). </D=
IV>
<DIV>-oh-&amp; there was a review done by craig anderton in a GP a yr or 2 =
ago about how he uses some portable PA system for his live playing. it's li=
ghter than a big tube amp &amp; he liked the sound (i can't remember the br=
and, but i remember looking up the thing after the review and saw it was wa=
y over my price budget-i thought close to 1000$).</DIV>
<DIV>-2 months ago i bought and tested a crate v20 (now discontinued i thin=
k) tube amp, 20 watts w/ 12" speaker. it sounded great, but in my little st=
udio IT WAS WAY TOO LOUD!!! great bass sound though i thought. i took it ba=
ck and decided to be happy w/ my smaller amps.</DIV>
<DIV>happy searching...always searching for the best tone...neverending....=
...</DIV>
<DIV>s---</DIV>
<DIV><A href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</A></DIV>
<DIV>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop><A href=3D"http://video.google.com/videoplay?docid=3D23550=
3632389016121" target=3D_blank><SPAN class=3Dyshortcuts id=3Dlw_1238273008_=
0>http://video.google.com/videoplay?docid=3D235503632389016121</SPAN></A><B=
R><A href=3D"http://video.google.com/videoplay?docid=3D5791548553161416906&=
amp;hl=3Den" target=3D_blank><SPAN class=3Dyshortcuts id=3Dlw_1238273008_1>=
http://video.google.com/videoplay?docid=3D5791548553161416906&amp;hl=3Den</=
SPAN></A><BR></TD></TR></TBODY></TABLE></DIV>
<DIV>&nbsp;</DIV></td></tr></table><br>=0A=0A      
--0-1262716759-1238273188=:6822--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 21:02:40 2009
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Date: Sat, 28 Mar 2009 22:15:13 +0100
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Copyrighting services
References: <21644246.303290.1237821652868.JavaMail.root@vms073.mailsrvcs.net> 	<49CB60C0.9070409@post.cybercity.dk> <931DF6AE-62D3-4ED6-950E-6F7B09607A39@mac.com> 	<7EB9C8D9-344F-44F9-B94F-60C89C865A3C@verizon.net> <CFBC1205-AF86-4360-AD3F-91AEA69D0767@mac.com> 	<1659AE9B-ABBE-46C7-9491-4D3A4BA09810@verizon.net> <49CC0A1D.6080302@post.cybercity.dk> <9ab0c76f0903270142ye4b6c82jad1fe130cec858b0@mail.gmail.com> <49CD5F58.1030800@post.cybercity.dk> <0DC45C76DA904339A63FD14A0CEA50E6@ccs.local> <62516bc9b2715718d6493ac8330704ec@charter.net>
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tEd ? KiLLiAn wrote:
> I've been an ASCAP member for 8 years if that's what you mean.
> 
> On Mar 27, 2009, at 7:16 PM, BC wrote:
> 
>> I was wondering if any of you have experience with any of those 
>> copyright services out there?
>>
>> I have 4 of my band's songs I would like to protect.
>>
>> If anyone has any tips in general, or any experience with a service 
>> that does all the work for you, I'd appreciate hearing about it.
>>
>> Thanks,
>> Brian 


They just had a lengthy discussion about these things on the 
soundonsound.com forums, last month or so; browsable for guests IIRC..


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 21:09:46 2009
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To: Loopers-Delight@loopers-delight.com
Subject: Re: new pedal in town
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mark francombe wrote:
> I got the manual thanks... looks interesting... but really interesting?? 
> I dont know... Main problem seems to be non-syncability...
> Im not interested in chorus or flanger
> 
> but Im always interested in pitchshifters, and certainly the routing 
> thing looks VERY interesting... is there anyway to make the effects 
> dynamic.. I see the env follower thing (can this be applied to 
> anything?? um  delay speed, sample end? or just eq and levels?)

IIRC, just about any parameter can be controlled by the env.follower.

> Also can you make internal feedback loops?

If you mean a feedback loop within your defined chain of effects, then 
yes.  It's simply a matter of splitting the signal path in two, continue 
on part as if nothing had happened, and feeding the other through more 
effects as desired, ending in a mixed you insert earlier in the chain.

> and can you connect a control 
> surface up to parameters easily? it seems much more cool if you can "Get 
> to the parameters" for real time tweakage... Or I am missing the whole 
> point of it...

Like an external control surface?  If it's a MIDI thingy sending CC 
commands, I'd guess it's a no-brainer, as the TSR has a pretty extensive 
MIDI implementation.

> m
> 
> On Sat, Mar 28, 2009 at 12:20 AM, van Sinn <vansinn@post.cybercity.dk 
> <mailto:vansinn@post.cybercity.dk>> wrote:
> 
>     mark francombe wrote:
> 
> 
> 
>         On Fri, Mar 27, 2009 at 12:05 AM, van Sinn
>         <vansinn@post.cybercity.dk <mailto:vansinn@post.cybercity.dk>
>         <mailto:vansinn@post.cybercity.dk
>         <mailto:vansinn@post.cybercity.dk>>> wrote:
> 
>            Digitech TSR-24S;
> 
> 
>         Im very interested in this old device... Can you give me a quick
>         run down on how the features you mentioned works, env follower
>         and whotsit-gate... they sound intriguing
> 
>         anyone know online manual anywhere?
> 
>         M
> 
> 
>     The manual is available from digitech; look in discuntinued products.
> 
>     It's a complex device.  Two inputs, four outputs, an effects
>     library, and everything routable just about any which way you want.
> 
>     This means: Start with an input, pick an effect, link them, pick the
>     next, link, split into two paralles lines, pick effects and link for
>     each line, split one line again (to have three parallel), pick and
>     link, create a feedback with effects in it and link it to a mixer...
>     Any effect can be reused as you wish; it's a matter of when you run
>     short of processing power and memory.
> 
>     So, you can do mono in, mono out, mono in stereo out, stereo in
>     stereo out, one mono in/out + one mono in / stereo out...
> 
>     Reverbs, echoes, single/multipole chrous, flangers, parametric EQ,
>     multiband EQ, pitch transpose, harmonizing...
> 
>     The envelope follower means effect parameters can be controlled by
>     dynamics in playing style, i.e. for ducking reverb, echo feedback
>     buildup, chorous speed/depth...    I mostly use this to add-in some
>     4-tap echo and harmonizing when sustaining notes/chords.
> 
>     The TSR-24S (dual DSP's) runs a bit hot, so needs free space around it.
>     TSR-24 (single DSP) runs cooler.
> 
>     Programming may take time  ;)
> 
>     -- 
>     rgds,
>     van Sinn
> 
> 
> 
> 
> -- 
> www.markfrancombe.com <http://www.markfrancombe.com>
> http://vimeo.com/user825094
> http://uk.youtube.com/user/markfrancombe
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch


-- 
rgds,
van Sinn

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <505329.6822.qm@web33101.mail.mud.yahoo.com>
Subject: Re: cheap sub woofer?
Date: Sat, 28 Mar 2009 17:13:04 -0400
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Scott, thanks for your kind words but none of the audio in anything I =
have on the web was recorded from speakers. I strictly run direct off my =
chain of gizmos to a 4 ch Behringer mixer then to a minidisk and my =
computer running Audacity. All of the amp models are from a RP 250 these =
days because it's cheap!
I use the amp or small monitors or headphones only for my listening. I =
am not using the amp now because I'm back to stereo. It does kick ass =
when jamming with friends though. And it is the 180w model. How they =
arrive rating at that I wouldn't know...

best,

Jeff

  ----- Original Message -----=20
  From: scott hansen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, March 28, 2009 4:46 PM
  Subject: OT: cheap sub woofer?


        -about a month and a 1/2 ago i think i posed this question, b/c =
i wasn't happy w/ the "bass" response in my small 8" speaker amps (12 =
watt kustom & 10 watt marshall). there were times when i could hear the =
bass response just really crapping out, since i usually tune down a =
whole step to D (i've debated trying a small bass amp too). i had a nice =
discussion w/ jeff duke and he said that he uses a behringer ultratone =
keyboard amp that has a 12" speaker (can't remember wattage-maybe 90?). =
i watched a couple of his vid performances in his studio (jeff post =
them, i can't remember site off hand), and i thought his sound was =
great/amazing even coming over my tiny computer speakers...
        -it reminded me of yrs ago, back in '94 i tested a peavey tele =
and the small store had a 50 watt pa head-wow, that was an amazing =
sound,. so clear and crisp!
        so the next time one of my amps craps out, i'm going to get =
something w/ a bigger speaker (i'm thinking small wattage 12" speaker =
hopefully).=20
        -oh-& there was a review done by craig anderton in a GP a yr or =
2 ago about how he uses some portable PA system for his live playing. =
it's lighter than a big tube amp & he liked the sound (i can't remember =
the brand, but i remember looking up the thing after the review and saw =
it was way over my price budget-i thought close to 1000$).
        -2 months ago i bought and tested a crate v20 (now discontinued =
i think) tube amp, 20 watts w/ 12" speaker. it sounded great, but in my =
little studio IT WAS WAY TOO LOUD!!! great bass sound though i thought. =
i took it back and decided to be happy w/ my smaller amps.
        happy searching...always searching for the best =
tone...neverending.......
        s---
        www.myspace.com/scotthansen
              =
http://video.google.com/videoplay?docid=3D235503632389016121
              =
http://video.google.com/videoplay?docid=3D5791548553161416906&hl=3Den
            =20

      =20


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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16788" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Scott, thanks for your kind words but =
none of the=20
audio in anything I have on the web was recorded from speakers. I =
strictly=20
run&nbsp;direct off my chain of gizmos to a 4 ch Behringer mixer then to =
a=20
minidisk&nbsp;and my computer running Audacity. All of the amp models =
are from a=20
RP 250 these days because it's cheap!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I use the amp or small monitors or =
headphones only=20
for my listening. I am not using the amp now because I'm back to stereo. =
It does=20
kick ass when jamming with friends though. And it is the 180w model. How =
they=20
arrive rating at that I wouldn't know...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>best,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Devanpeewee@yahoo.com =
href=3D"mailto:evanpeewee@yahoo.com">scott=20
  hansen</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, March 28, 2009 =
4:46=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> OT: cheap sub =
woofer?</DIV>
  <DIV><BR></DIV>
  <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
    <TBODY>
    <TR>
      <TD vAlign=3Dtop>
        <DIV>-about a month and a 1/2 ago i think i posed this question, =
b/c i=20
        wasn't happy w/ the "bass" response in my small 8" speaker amps =
(12 watt=20
        kustom &amp; 10 watt marshall). there were times when i could =
hear the=20
        bass response just really crapping out, since i usually tune =
down a=20
        whole step to D (i've debated trying a small bass amp too). i =
had a nice=20
        discussion w/ jeff duke and he said that he uses a behringer =
ultratone=20
        keyboard amp that has a 12" speaker (can't remember =
wattage-maybe 90?).=20
        i watched a couple of his vid performances in his studio (jeff =
post=20
        them, i can't remember site off hand), and i thought his sound =
was=20
        great/amazing&nbsp;even coming over my tiny computer =
speakers...</DIV>
        <DIV>-it reminded me of yrs ago, back in '94 i tested a peavey =
tele and=20
        the small store had a 50 watt pa head-wow, that was an amazing =
sound,.=20
        so clear and crisp!</DIV>
        <DIV>so the next time one of my amps craps out, i'm going to get =

        something w/ a bigger speaker (i'm thinking small wattage 12" =
speaker=20
        hopefully). </DIV>
        <DIV>-oh-&amp; there was a review done by craig anderton in a GP =
a yr or=20
        2 ago about how he uses some portable PA system for his live =
playing.=20
        it's lighter than a big tube amp &amp; he liked the sound (i =
can't=20
        remember the brand, but i remember looking up the thing after =
the review=20
        and saw it was way over my price budget-i thought close to =
1000$).</DIV>
        <DIV>-2 months ago i bought and tested a crate v20 (now =
discontinued i=20
        think) tube amp, 20 watts w/ 12" speaker. it sounded great, but =
in my=20
        little studio IT WAS WAY TOO LOUD!!! great bass sound though i =
thought.=20
        i took it back and decided to be happy w/ my smaller amps.</DIV>
        <DIV>happy searching...always searching for the best=20
        tone...neverending.......</DIV>
        <DIV>s---</DIV>
        <DIV><A=20
        =
href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</=
A></DIV>
        <DIV>
        <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
          <TBODY>
          <TR>
            <TD vAlign=3Dtop><A=20
              =
href=3D"http://video.google.com/videoplay?docid=3D235503632389016121"=20
              target=3D_blank><SPAN class=3Dyshortcuts=20
              =
id=3Dlw_1238273008_0>http://video.google.com/videoplay?docid=3D2355036323=
89016121</SPAN></A><BR><A=20
              =
href=3D"http://video.google.com/videoplay?docid=3D5791548553161416906&amp=
;hl=3Den"=20
              target=3D_blank><SPAN class=3Dyshortcuts=20
              =
id=3Dlw_1238273008_1>http://video.google.com/videoplay?docid=3D5791548553=
161416906&amp;hl=3Den</SPAN></A><BR></TD></TR></TBODY></TABLE></DIV>
        =
<DIV>&nbsp;</DIV></TD></TR></TBODY></TABLE><BR></BLOCKQUOTE></BODY></HTML=
>

------=_NextPart_000_0007_01C9AFC8.74F43050--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 28 21:14:30 2009
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That I didn't know.  But couple the TSR with a Gordius pedal, and.. ;)

Like I said in an earlier post, I think the TSR was dropped not many 
understood how to program it - even though it's GUI/interface actually 
was designed to be useful without an engineering degree :D

Pity Digitech dropped it, and have such a lame support..


Miko Biffle wrote:
> TSR is way more programmable than the AM8000R.  I had both, preceded by 
> the venerable Digitech IPS-33B which was also very programmable, but the 
> TSR really blew doors and was way ahead of it's time. Digitech was also 
> responsible for the PMC-10 Midi Floor Controller, which despite it's 
> bugginess, was an incredible piece of kit.  The Behringer is a pale 
> shadow by comparison. 
> 
> On Sat, Mar 28, 2009 at 9:39 AM, Mark Hamburg <mark@grubmah.com 
> <mailto:mark@grubmah.com>> wrote:
> 
>     The Digitech unit sounds reminiscent of the Korg AM8000R.
> 
>     Mark
> 
> -- 
> Miko Biffle
> Biffoz@Gmail.com
> MBiffle@FoxRacingShox.com
> "Running scared from all the usual distractions!"


-- 
rgds,
van Sinn

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Subject: Re: cheap sub woofer?
Date: Sat, 28 Mar 2009 17:21:31 -0400
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>(jeff post them, i can't remember site off hand)

Sorry, I forgot the promo web site list..I think Vimeo has the best =
quality audio. It's stereo anyway. :)

http://jeffduke.org/
http://virb.com/jeffduke
http://www.vimeo.com/jeffduke
http://themineisthemind.blogspot.com/
http://www.myspace.com/loopsinphasespace
http://www.youtube.com/user/sticky899
http://www.sugarat.org/tecbab/

J
  ----- Original Message -----=20
  From: Jeff Duke=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, March 28, 2009 5:13 PM
  Subject: Re: cheap sub woofer?


  Scott, thanks for your kind words but none of the audio in anything I =
have on the web was recorded from speakers. I strictly run direct off my =
chain of gizmos to a 4 ch Behringer mixer then to a minidisk and my =
computer running Audacity. All of the amp models are from a RP 250 these =
days because it's cheap!
  I use the amp or small monitors or headphones only for my listening. I =
am not using the amp now because I'm back to stereo. It does kick ass =
when jamming with friends though. And it is the 180w model. How they =
arrive rating at that I wouldn't know...

  best,

  Jeff

    ----- Original Message -----=20
    From: scott hansen=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Saturday, March 28, 2009 4:46 PM
    Subject: OT: cheap sub woofer?


          -about a month and a 1/2 ago i think i posed this question, =
b/c i wasn't happy w/ the "bass" response in my small 8" speaker amps =
(12 watt kustom & 10 watt marshall). there were times when i could hear =
the bass response just really crapping out, since i usually tune down a =
whole step to D (i've debated trying a small bass amp too). i had a nice =
discussion w/ jeff duke and he said that he uses a behringer ultratone =
keyboard amp that has a 12" speaker (can't remember wattage-maybe 90?). =
i watched a couple of his vid performances in his studio (jeff post =
them, i can't remember site off hand), and i thought his sound was =
great/amazing even coming over my tiny computer speakers...
          -it reminded me of yrs ago, back in '94 i tested a peavey tele =
and the small store had a 50 watt pa head-wow, that was an amazing =
sound,. so clear and crisp!
          so the next time one of my amps craps out, i'm going to get =
something w/ a bigger speaker (i'm thinking small wattage 12" speaker =
hopefully).=20
          -oh-& there was a review done by craig anderton in a GP a yr =
or 2 ago about how he uses some portable PA system for his live playing. =
it's lighter than a big tube amp & he liked the sound (i can't remember =
the brand, but i remember looking up the thing after the review and saw =
it was way over my price budget-i thought close to 1000$).
          -2 months ago i bought and tested a crate v20 (now =
discontinued i think) tube amp, 20 watts w/ 12" speaker. it sounded =
great, but in my little studio IT WAS WAY TOO LOUD!!! great bass sound =
though i thought. i took it back and decided to be happy w/ my smaller =
amps.
          happy searching...always searching for the best =
tone...neverending.......
          s---
          www.myspace.com/scotthansen
                =
http://video.google.com/videoplay?docid=3D235503632389016121
                =
http://video.google.com/videoplay?docid=3D5791548553161416906&hl=3Den
              =20

        =20


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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16788" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>&gt;(jeff post them, i can't remember site off hand)</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Sorry,&nbsp;I forgot the promo web site =
list..I=20
think Vimeo has the best quality audio. It's stereo anyway. =
:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://jeffduke.org/">http://jeffduke.org/</A><BR><A=20
href=3D"http://virb.com/jeffduke">http://virb.com/jeffduke</A><BR><A=20
href=3D"http://www.vimeo.com/jeffduke">http://www.vimeo.com/jeffduke</A><=
BR><A=20
href=3D"http://themineisthemind.blogspot.com/">http://themineisthemind.bl=
ogspot.com/</A><BR><A=20
href=3D"http://www.myspace.com/loopsinphasespace">http://www.myspace.com/=
loopsinphasespace</A><BR><A=20
href=3D"http://www.youtube.com/user/sticky899">http://www.youtube.com/use=
r/sticky899</A><BR><A=20
href=3D"http://www.sugarat.org/tecbab/">http://www.sugarat.org/tecbab/</A=
></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>J</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djeff_d@embarqmail.com =
href=3D"mailto:jeff_d@embarqmail.com">Jeff=20
  Duke</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, March 28, 2009 =
5:13=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: cheap sub =
woofer?</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Scott, thanks for your kind words but =
none of the=20
  audio in anything I have on the web was recorded from speakers. I =
strictly=20
  run&nbsp;direct off my chain of gizmos to a 4 ch Behringer mixer then =
to a=20
  minidisk&nbsp;and my computer running Audacity. All of the amp models =
are from=20
  a RP 250 these days because it's cheap!</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I use the amp or small monitors or =
headphones=20
  only for my listening. I am not using the amp now because I'm back to =
stereo.=20
  It does kick ass when jamming with friends though. And it is the 180w =
model.=20
  How they arrive rating at that I wouldn't know...</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>best,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Devanpeewee@yahoo.com =
href=3D"mailto:evanpeewee@yahoo.com">scott=20
    hansen</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, March 28, =
2009 4:46=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> OT: cheap sub =
woofer?</DIV>
    <DIV><BR></DIV>
    <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
      <TBODY>
      <TR>
        <TD vAlign=3Dtop>
          <DIV>-about a month and a 1/2 ago i think i posed this =
question, b/c i=20
          wasn't happy w/ the "bass" response in my small 8" speaker =
amps (12=20
          watt kustom &amp; 10 watt marshall). there were times when i =
could=20
          hear the bass response just really crapping out, since i =
usually tune=20
          down a whole step to D (i've debated trying a small bass amp =
too). i=20
          had a nice discussion w/ jeff duke and he said that he uses a=20
          behringer ultratone keyboard amp that has a 12" speaker (can't =

          remember wattage-maybe 90?). i watched a couple of his vid=20
          performances in his studio (jeff post them, i can't remember =
site off=20
          hand), and i thought his sound was great/amazing&nbsp;even =
coming over=20
          my tiny computer speakers...</DIV>
          <DIV>-it reminded me of yrs ago, back in '94 i tested a peavey =
tele=20
          and the small store had a 50 watt pa head-wow, that was an =
amazing=20
          sound,. so clear and crisp!</DIV>
          <DIV>so the next time one of my amps craps out, i'm going to =
get=20
          something w/ a bigger speaker (i'm thinking small wattage 12" =
speaker=20
          hopefully). </DIV>
          <DIV>-oh-&amp; there was a review done by craig anderton in a =
GP a yr=20
          or 2 ago about how he uses some portable PA system for his =
live=20
          playing. it's lighter than a big tube amp &amp; he liked the =
sound (i=20
          can't remember the brand, but i remember looking up the thing =
after=20
          the review and saw it was way over my price budget-i thought =
close to=20
          1000$).</DIV>
          <DIV>-2 months ago i bought and tested a crate v20 (now =
discontinued i=20
          think) tube amp, 20 watts w/ 12" speaker. it sounded great, =
but in my=20
          little studio IT WAS WAY TOO LOUD!!! great bass sound though i =

          thought. i took it back and decided to be happy w/ my smaller=20
          amps.</DIV>
          <DIV>happy searching...always searching for the best=20
          tone...neverending.......</DIV>
          <DIV>s---</DIV>
          <DIV><A=20
          =
href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</=
A></DIV>
          <DIV>
          <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
            <TBODY>
            <TR>
              <TD vAlign=3Dtop><A=20
                =
href=3D"http://video.google.com/videoplay?docid=3D235503632389016121"=20
                target=3D_blank><SPAN class=3Dyshortcuts=20
                =
id=3Dlw_1238273008_0>http://video.google.com/videoplay?docid=3D2355036323=
89016121</SPAN></A><BR><A=20
                =
href=3D"http://video.google.com/videoplay?docid=3D5791548553161416906&amp=
;hl=3Den"=20
                target=3D_blank><SPAN class=3Dyshortcuts=20
                =
id=3Dlw_1238273008_1>http://video.google.com/videoplay?docid=3D5791548553=
161416906&amp;hl=3Den</SPAN></A><BR></TD></TR></TBODY></TABLE></DIV>
          =
<DIV>&nbsp;</DIV></TD></TR></TBODY></TABLE><BR></BLOCKQUOTE></BLOCKQUOTE>=
</BODY></HTML>

------=_NextPart_000_001B_01C9AFC9.A2BBBE30--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 00:23:27 2009
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Date: Sat, 28 Mar 2009 17:23:26 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: OT: subwoofer?
To: Loopers-Delight@loopers-delight.com
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just a followup-
i was looking through my last vintage guitar magazine, and there was an art=
icle on
supro amps, supposedly the amp jimmy page used on 1st led zep album was a=
=20
model S6420 Thunderbolt bass amp-35 watts, 15" speaker, volume & tone knob.
=A0
i was of course looking on-line at other sources and there seems to be a lo=
t of debate
on this, different supro amp possibly used, etc or some other similar varia=
tion....
so, i'm no expert on zep sound, but it sounds like an interesting amp...
=A0
for me a 10 watt amp w/ a 15" speaker sounds good and interesting for my us=
es....
oh well...
s---
ps-i'm not sure if the page supro counts as cheap, the listings say it can =
range from 800-1300$ depending on things...=0A=0A=0A      
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>just a followup-</DIV>
<DIV>i was looking through my last vintage guitar magazine, and there was a=
n article on</DIV>
<DIV>supro amps, supposedly the amp jimmy page used on 1st led zep album wa=
s a </DIV>
<DIV>model S6420 Thunderbolt bass amp-35 watts, 15" speaker, volume &amp; t=
one knob.</DIV>
<DIV>&nbsp;</DIV>
<DIV>i was of course looking on-line at other sources and there seems to be=
 a lot of debate</DIV>
<DIV>on this, different supro amp possibly used, etc or some other similar =
variation....</DIV>
<DIV>so, i'm no expert on zep sound, but it sounds like an interesting amp.=
..</DIV>
<DIV>&nbsp;</DIV>
<DIV>for me a 10 watt amp w/ a 15" speaker sounds good and interesting for =
my uses....</DIV>
<DIV>oh well...</DIV>
<DIV>s---</DIV>
<DIV>ps-i'm not sure if the page supro counts as cheap, the listings say it=
 can range from 800-1300$ depending on things...</DIV></td></tr></table><br=
>=0A=0A=0A=0A      
--0-1420082879-1238286206=:51897--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 01:10:09 2009
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Date: Sat, 28 Mar 2009 18:10:08 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: ot: subwoofer: correction
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whoops, in my post i mentioned a crate amp,
it's a crate v18, 18 watt amp, not 20 watt. my bad. sorry
it does have a 12" speaker...
s---
www.myspace.com/scotthansen
http://video.google.com/videoplay?docid=235503632389016121
http://video.google.com/videoplay?docid=5791548553161416906&hl=en



      
--0-2006023823-1238289008=:25953
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><DIV>whoops, in my post i mentioned a crate amp,</DIV>
<DIV>it's a crate v18, 18 watt amp, not 20 watt. my bad. sorry</DIV>
<DIV>it does have a 12" speaker...</DIV>
<DIV>s---</DIV>
<DIV><A href="http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</A></DIV>
<DIV><A href="http://video.google.com/videoplay?docid=235503632389016121" target=_blank><SPAN class=yshortcuts id=lw_1238287823_0>http://video.google.com/videoplay?docid=235503632389016121</SPAN></A><BR><A href="http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en" target=_blank><SPAN class=yshortcuts id=lw_1238287823_1>http://video.google.com/videoplay?docid=5791548553161416906&amp;hl=en</SPAN></A><BR></DIV></td></tr></table><br>

      
--0-2006023823-1238289008=:25953--

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	 <000a01c9afe9$fd2bd9c0$08cce843@YOUR08D5303051>
Date: Sat, 28 Mar 2009 22:04:12 -0800
Message-ID: <333287c30903282304y5cb95b55td414148b95b848ce@mail.gmail.com>
Subject: Re: cheap sub woofer?
From: Nevyn Nowhere <nevynnowhere@gmail.com>
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--000e0cd32c482be40004663bbca0
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If you don't record through speakers/amps/preamps, you really shouldn't use
subbass speakers for simple monitoring while recording....  You want to hear
what is being recorded y'know?

-nn
happyhumans.org

On Sat, Mar 28, 2009 at 1:13 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  Scott, thanks for your kind words but none of the audio in anything I
> have on the web was recorded from speakers. I strictly run direct off my
> chain of gizmos to a 4 ch Behringer mixer then to a minidisk and my computer
> running Audacity. All of the amp models are from a RP 250 these days because
> it's cheap!
> I use the amp or small monitors or headphones only for my listening. I am
> not using the amp now because I'm back to stereo. It does kick ass when
> jamming with friends though. And it is the 180w model. How they arrive
> rating at that I wouldn't know...
>
> best,
>
> Jeff
>
>
> ----- Original Message -----
> *From:* scott hansen <evanpeewee@yahoo.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Saturday, March 28, 2009 4:46 PM
> *Subject:* OT: cheap sub woofer?
>
>   -about a month and a 1/2 ago i think i posed this question, b/c i wasn't
> happy w/ the "bass" response in my small 8" speaker amps (12 watt kustom &
> 10 watt marshall). there were times when i could hear the bass response just
> really crapping out, since i usually tune down a whole step to D (i've
> debated trying a small bass amp too). i had a nice discussion w/ jeff duke
> and he said that he uses a behringer ultratone keyboard amp that has a 12"
> speaker (can't remember wattage-maybe 90?). i watched a couple of his vid
> performances in his studio (jeff post them, i can't remember site off hand),
> and i thought his sound was great/amazing even coming over my tiny computer
> speakers...
> -it reminded me of yrs ago, back in '94 i tested a peavey tele and the
> small store had a 50 watt pa head-wow, that was an amazing sound,. so clear
> and crisp!
> so the next time one of my amps craps out, i'm going to get something w/ a
> bigger speaker (i'm thinking small wattage 12" speaker hopefully).
> -oh-& there was a review done by craig anderton in a GP a yr or 2 ago about
> how he uses some portable PA system for his live playing. it's lighter than
> a big tube amp & he liked the sound (i can't remember the brand, but i
> remember looking up the thing after the review and saw it was way over my
> price budget-i thought close to 1000$).
> -2 months ago i bought and tested a crate v20 (now discontinued i think)
> tube amp, 20 watts w/ 12" speaker. it sounded great, but in my little studio
> IT WAS WAY TOO LOUD!!! great bass sound though i thought. i took it back and
> decided to be happy w/ my smaller amps.
> happy searching...always searching for the best tone...neverending.......
> s---
> www.myspace.com/scotthansen
>   http://video.google.com/videoplay?docid=235503632389016121
> http://video.google.com/videoplay?docid=5791548553161416906&hl=en
>
>
>

--000e0cd32c482be40004663bbca0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

If you don&#39;t record through speakers/amps/preamps, you really shouldn&#=
39;t use subbass speakers for simple monitoring while recording....=A0 You =
want to hear what is being recorded y&#39;know? <br><br>-nn<br><a href=3D"h=
ttp://happyhumans.org">happyhumans.org</a><br>
<br><div class=3D"gmail_quote">On Sat, Mar 28, 2009 at 1:13 PM, Jeff Duke <=
span dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarq=
mail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">






<div bgcolor=3D"#ffffff">
<div><font size=3D"2" face=3D"Arial">Scott, thanks for your kind words but =
none of the=20
audio in anything I have on the web was recorded from speakers. I strictly=
=20
run=A0direct off my chain of gizmos to a 4 ch Behringer mixer then to a=20
minidisk=A0and my computer running Audacity. All of the amp models are from=
 a=20
RP 250 these days because it&#39;s cheap!</font></div>
<div><font size=3D"2" face=3D"Arial">I use the amp or small monitors or hea=
dphones only=20
for my listening. I am not using the amp now because I&#39;m back to stereo=
. It does=20
kick ass when jamming with friends though. And it is the 180w model. How th=
ey=20
arrive rating at that I wouldn&#39;t know...</font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div>
<div><font size=3D"2" face=3D"Arial">best,</font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div>
<div><font size=3D"2" face=3D"Arial">Jeff</font></div>
<div><font size=3D"2" face=3D"Arial"></font>=A0</div>
<blockquote style=3D"border-left: 2px solid rgb(0, 0, 0); padding-right: 0p=
x; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;">----- Original Message ----- </div>
  <div style=3D"background: rgb(228, 228, 228) none repeat scroll 0% 0%; -m=
oz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -mo=
z-background-inline-policy: -moz-initial; font-family: arial; font-style: n=
ormal; font-variant: normal; font-weight: normal; font-size: 10pt; line-hei=
ght: normal; font-size-adjust: none; font-stretch: normal;">
<b>From:</b>=20
  <a title=3D"evanpeewee@yahoo.com" href=3D"mailto:evanpeewee@yahoo.com" ta=
rget=3D"_blank">scott=20
  hansen</a> </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>To:</b> <a title=3D"Loopers-Delight@lo=
opers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" targ=
et=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Sent:</b> Saturday, March 28, 2009 4:4=
6=20
  PM</div>
  <div style=3D"font-family: arial; font-style: normal; font-variant: norma=
l; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adj=
ust: none; font-stretch: normal;"><b>Subject:</b> OT: cheap sub woofer?</di=
v>

  <div><br></div>
  <table border=3D"0" cellpadding=3D"0" cellspacing=3D"0">
    <tbody>
    <tr>
      <td valign=3D"top">
        <div>-about a month and a 1/2 ago i think i posed this question, b/=
c i=20
        wasn&#39;t happy w/ the &quot;bass&quot; response in my small 8&quo=
t; speaker amps (12 watt=20
        kustom &amp; 10 watt marshall). there were times when i could hear =
the=20
        bass response just really crapping out, since i usually tune down a=
=20
        whole step to D (i&#39;ve debated trying a small bass amp too). i h=
ad a nice=20
        discussion w/ jeff duke and he said that he uses a behringer ultrat=
one=20
        keyboard amp that has a 12&quot; speaker (can&#39;t remember wattag=
e-maybe 90?).=20
        i watched a couple of his vid performances in his studio (jeff post=
=20
        them, i can&#39;t remember site off hand), and i thought his sound =
was=20
        great/amazing=A0even coming over my tiny computer speakers...</div>
        <div>-it reminded me of yrs ago, back in &#39;94 i tested a peavey =
tele and=20
        the small store had a 50 watt pa head-wow, that was an amazing soun=
d,.=20
        so clear and crisp!</div>
        <div>so the next time one of my amps craps out, i&#39;m going to ge=
t=20
        something w/ a bigger speaker (i&#39;m thinking small wattage 12&qu=
ot; speaker=20
        hopefully). </div>
        <div>-oh-&amp; there was a review done by craig anderton in a GP a =
yr or=20
        2 ago about how he uses some portable PA system for his live playin=
g.=20
        it&#39;s lighter than a big tube amp &amp; he liked the sound (i ca=
n&#39;t=20
        remember the brand, but i remember looking up the thing after the r=
eview=20
        and saw it was way over my price budget-i thought close to 1000$).<=
/div>
        <div>-2 months ago i bought and tested a crate v20 (now discontinue=
d i=20
        think) tube amp, 20 watts w/ 12&quot; speaker. it sounded great, bu=
t in my=20
        little studio IT WAS WAY TOO LOUD!!! great bass sound though i thou=
ght.=20
        i took it back and decided to be happy w/ my smaller amps.</div>
        <div>happy searching...always searching for the best=20
        tone...neverending.......</div>
        <div>s---</div>
        <div><a href=3D"http://www.myspace.com/scotthansen" target=3D"_blan=
k">www.myspace.com/scotthansen</a></div>
        <div>
        <table border=3D"0" cellpadding=3D"0" cellspacing=3D"0">
          <tbody>
          <tr>
            <td valign=3D"top"><a href=3D"http://video.google.com/videoplay=
?docid=3D235503632389016121" target=3D"_blank"><span>http://video.google.co=
m/videoplay?docid=3D235503632389016121</span></a><br><a href=3D"http://vide=
o.google.com/videoplay?docid=3D5791548553161416906&amp;hl=3Den" target=3D"_=
blank"><span>http://video.google.com/videoplay?docid=3D5791548553161416906&=
amp;hl=3Den</span></a><br>
</td></tr></tbody></table></div>
        <div>=A0</div></td></tr></tbody></table><br></blockquote></div>
</blockquote></div><br>

--000e0cd32c482be40004663bbca0--

From mckenzie1@maktoob.com  Sun Mar 29 10:50:24 2009
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Subject: Hi
Date: Thu, 26 Mar 2009 23:01:08 -0000
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To: undisclosed-recipients:;

Hello Friend.

I 'm  Mrs.Jennifer Mckenzie , a busssiness merchant and  at this very end of my life i 

have a final dream which i need you to help me fulfill as I have been diagnosed with 

Esophageal cancer . It has defiled all forms of medical treatment, and right now I have 

only but a few months to live, according to medical experts.I have not particularly 

lived my life so well, as I never really cared for anyone(not even myself)but my 

business. Though I am very rich, I was never generous, I was always hostile to people 

and only focused on my business as that was the only thing I cared for. But now I 

regret all this as I now know that there is more to life than just wanting to have or 

make all the money in the world.

I believe when God gives me a second chance to come to this world I would live my life 

a different way from how I have lived it. Now that God has called me, I have willed and 

given most of my property and assets to my immediate and extended family members 

as well as a few close friends.I want God to be merciful to me and accept my soul so, I 

have decided to give to charity organizations, and i also want you use my fund for 

charity foundation in your country and also for orphanage children as I want this to 

be one of the last good deeds I do on earth.

Now that my health has deteriorated so badly, I cannot do this myself anymore. I 

once asked members of my family to close one of my accounts and distribute the 

money which I have there to charity organization in tsunami region they refused and 

kept the money to themselves. Hence, I do not trust them anymore, as they seem not 

to be contended with what I have left for them.The last of my fund which no one 

knows of this , I will want you to help me collect this deposit and use it for charity 

organizations for HIV and AID victim and for the homeless children God be with 

you.

Regards,

Jennifer Mckenzie

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 15:12:06 2009
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Date: Sun, 29 Mar 2009 11:11:56 -0400
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Subject: The AM/FM Show Playlist for March 28, 2009.
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http://soundscapes.us/amfm/playlists/2009/090328.html

The AM/FM Show has two alternating hosts.  When I am at the helm, expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #149                March 28, 2009.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
isses came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Simon Champion]  Campfires           Sequences No. 5
VA [Nick Franks]     Malabar Coast        Sequences No. 5
VA [Wavestar]        Gyroscopic Mutation  Sequences No. 5
VA [Drumberg]        External Forces      Sequences No. 5
VA [Spinx]           Astral Light         Sequences No. 5
Craig Padilla, Zero  Akasha               Beyond the Portal (Lotuspike)
  Ohms, and Skip Murphy
Ian Boddy            Elemental            Elemental (DiN)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Michael DeMaria      Siyotanka            Siyotanka (none)
Al Gromer Khan       Raga Ahir Bhairav    Sitar Secrets (New Earth)
                       Alaap
Paul Lawler and      We Are One           Planting the Seed (Gemini Sun)
  Mark Holland
Lisa Lynne and       Gone Away            Two Worlds One (New Earth)
  Aryeh Frankfurter
Nick Farr            The Ever Present Now The Ever Present Now(Riverboy)
Forastiere           Rag Tap Boom         Live (Candyrat)
Forastiere           Nordamerica          Live (Candyrat)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Sinkadus]        Stuck In Hell        Dante's Inferno (Musea)
VA [Viima]           XXIII                Dante's Inferno (Musea)
VA [NotaBene]        La Profezia          Dante's Inferno (Musea)
Parallel or Ninety   Afterlifecycle       A Can of Worms (ProgRock)
  Degrees              Sequence


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 15:29:16 2009
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Date: Sun, 29 Mar 2009 08:29:13 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: motu ultralite and Mobius midi syncronization problem
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i gang,
I just got a Motu Ultralite Mk III which i am trying out,i am using fcb1010 midi out to motu in-motu out to drum box in.
Im sending program changes and start stop commands with my fb1010 to my drum box which works perfect,but as soon as i record a loop with mobius the midi messages seem to get interrupted and i can not do any change patches or do any midi start stop,i have to step on the switches several times for them to react.However when i disengage the midi out syncronization function on mobius everything works fine!
motu is chosen as my primary and only midi device under midi devices in mobius.
Ive checked out the messages being send with the midi monitor utility on my macbook and the messages seem to be being sent normally.
any ideas?
thanx
Luis




Ive tried all of them but the problem remains
any ideas?
www.myspace.com/luisangulocom


      

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Date: Sun, 29 Mar 2009 17:57:18 +0200
From: Stefan Tiedje <stefantiedje@googlemail.com>
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Subject: Re: looking for a VSTi that reacts to audio
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Michael Peters schrieb:
> I would guess that there are max patches that can do that to some
> extent. Probably this is too complex to put into a VST box.

You can turn any Max (4) patch into a VST...

-- 
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--_____-----------|-----------|--
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 16:10:49 2009
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Rick Walker schrieb:
> The good news is that we are beginning to see laptops on sale for as 
> little as $400 (USD) With your aforementioned footpedals and breakout
> box this brings the tab up to about $700 (USD)RE

scott hansen schrieb:
> then when the 1st sampler came out and it had  2 sec of sampling, he 
> said how amazing it was, and how they really used it, and what a 
> great tool it was, and how it seemed like a miracle.

Are we all getting old...;-) I remember well my first sampler ( Akai S
612, 1 sec) and how amazing this was. I remeber my first computer (64k
of memory, 1 MHz, two processors (6502 and z80)) and how amazing this
was. To get hands on powerful gear like that today wouldn't require
money at all...;-)

Jeff Duke schrieb:
> Mark, you know what you might be looking for is a Digitech 7.6 sec
> Time Machine.

This was my first looper, together with a SPX 90 I could do miracles at
that time...

Looping never was a question of gear alone, first you need something to
make noise, an old four string guitar for example. Then after you found
out that a guitar needs two more strings and how to tune them, and that
an acoustic doesn't sound like Jimi you might start to think about gear.
You would still find it if your in to it. No matter if you have money or
not...

As any music making, inspiration and knowledge are the main drawbacks,
not money.

You can get a laptop of decent power for much less than $400, even for
free. But without knowledge you won't be able to do much with it...
Once I found a Roland tape echo on the street, without an instrument
there wouldn't be much looping either...

Someone who is interested to get into looping has already an instrument.
Nobody would ever consider buying new gear for a test drive. You get
anything cheap on ebay or even better on the flee market or even better
better from your neighbours cave... There is no price tag for getting
into looping. I would advice anybody to go to the Loopers Delight site
and remember all the names of gear, also lurk on the list (requires a
computer already) and then look around and just grab it if it flies by.
If you are lucky its a time machine (the Digitech, not to go back in
time, that's for us grandfather nerds...;-)

Stefan

-- 
Les Ondes Mémorielles---------x--
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--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()----------TJ Shredder

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Rick Walker schrieb:
> I purposefully didn't included pedals that are no longer in production
> (but we could with their salient going prices-anyone feel like doing 
> that research?)
> but I did include used laptop, reel to reel and cassette solutions.

I would purposely include out of production gear, and would include
prices someone bought it used (including the year). For newcomers the
list price does give an indication how much it could cost on ebay or the
flee market...

Stefan

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L.Angulo schrieb:
> Hi gang, i have a mystery tale to share: i mentioned previously that
> all of the sudden my RME card wasn not working and soon after that my
> Presonus firebox stopped working as well. i remeber conecting and
> reconecting my RME between my PC and Mac,then all of the sudden it
> stopped working.I sent it to the company and sure enough the FW port
> was broken.

It might be that the broken RME grilled the two firewire interfaces...
You need another computer to test it...

Stefan

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 16:34:20 2009
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Date: Sun, 29 Mar 2009 12:34:21 -0400 (AST)
Subject: Bidule and Mobius question.
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I had my 2nd Mobius looping session with my new laptop, last night and it
was blast. Took me back to my EDP days. I would like to reduce the schlep
factor though, so I got bidule.

With the bidule setup, I've got to where I can put down a basic loop, but
I can't get any overdubs to synch with this. I'm not sure if this a
function of latency or do I need to sync  bidule and mobius?

I've got mobius to work fine on it's own, but I was wondering if I need to
change any settings once I'm running it in bidule?

Michael(Peters) thanks for the UA 1ex recommendation. Nice and small.

Andre


http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 16:42:01 2009
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Date: Sun, 29 Mar 2009 12:41:54 -0400
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http://wdiy.org/programs/gt/playlists/2009/top20-03mar.html

WDIY 88.1 FM "Galactic Travels" Top 20 for March, 2009.
Shows #622 to #625; 5-March-2009 to 26-March-2009
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox
website: http://galactictravels.info
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
MySpace: http://myspace.com/galactictravels

The Special Focus for March was Ian Boddy.
http://wdiy.org/programs/gt/playlists/2009/focus.html#mar


ARTIST - ALBUM TITLE - LABEL
===========================================================
Conrad Schnitzler - Rektifikation - Ricochet Dream
Craig Padilla, Zero Ohms, and Skip Murphy - Beyond the Portal - Lotuspike
Dan Pound - Esoterica - Poundsounds
Ian Boddy - Elemental - DiN
Ian Boddy - The Final Question - DiNDDL
Ian Boddy - The Mechanics of a Thought - DiNDDL
Ian Boddy - Three Dreams - DiNDDL
Jeffrey Koepper - Radiate - Ricochet Dream
Max Corbacho - BreathStream - ad21
Numina - Sound Symbols - none
Parallel Worlds - Shade - DiN
Phrozenlight - Autumn - none
Psicodreamics - Fantasynth - Witches On the Radiowaves
Robert Carty - Starlight Vol. 1 - Deep Sky
Robert Rich and Faryus - Zerkalo - Faria
Ron Boots - Mea Culpa - Groove
Sensitive Chaos - Emerging Transparency - Subsequent
Shalmaneser - Ticker - Doubtful Palace
Steve Roach and Erik Wollo - Stream of Thought - Projekt
Syndromeda - The Twilght Connection - Ricochet Dream


Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT (GMT-4:00/ITZ5:00) on WDIY 88.1 FM in
Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on
93.7 FM in Trexlertown and Fogelsville.  WDIY also broadcasts in HD
Digital Radio on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

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Yeah, thats right! I had two Time Machines and a Didgitech IPS 33B. That 
with a Craig Anderton book "101 uses for a digital delay". I built some of 
his projects into a passive volume pedal for cv control; sweeping across 
ranges and such. If I knew how to make them "tap tempo" I would still use 
them. Anyone know how to do that?

peace,

jeff

----- Original Message ----- 
From: "Stefan Tiedje" <stefantiedje@googlemail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 29, 2009 12:10 PM
Subject: Re: Least Costly Live Looping Solution


>
> Jeff Duke schrieb:
>> Mark, you know what you might be looking for is a Digitech 7.6 sec
>> Time Machine.
>
> This was my first looper, together with a SPX 90 I could do miracles at
> that time...
> Stefan
>
> -- 
> Les Ondes Mémorielles---------x--
> --_____-----------|-----------|--
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()----------TJ Shredder
>
> 

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Date: Sun, 29 Mar 2009 12:05:52 -0600
Message-ID: <dec8f8e60903291105t3be1097bj13e5524ddf4ff539@mail.gmail.com>
Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00032557415e01100c046645d182
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I've stayed out of this one, largely because of outside time constraints,
but it's still Sunday morning and I've had my coffee , so ...

I'd like to add my vote for the following:

1. Lexicon Vortex.
       This is the one that got me involve to begin with (THANKS, Andy
Butler!). So much so that I own four of them. But that is with a very good
reason: It is out of production and it doesn't hurt to have a backup option=
.
I view of Stefan's request, the going price on Ebay is between $150-$250 ..=
.
some guy has had one on there for months now, trying to sell it for $350,
while a number of ones for less have sold quickly. If you get one, get two
sets of pedals, along with an expression pedal and you will have a fun
little tool. BE sure and read Andy Butler's comments on the Vortex as they
do expelain how to use it as a honest to goodness looper. If you don get a
Vortex, I recommend checking the power supply and if it isn't functioning a=
t
100%, replace it with a brand new one from Harmon Kardon ... it's worth the
premium to have the right one, and they aren't hideously expensive in the U=
S
(can't say for outside of here, sorry).

2. The Roland DD-20 has already been mentioned and I wholeheartedly agree
... I use two of them in series. I work mainly with the "Delay" side of
them, using the maximum 23 second delay most of the time and vary the
Feedback and E.Level settings. What's fun is to set them at different delay
times (say, one at 23" and the other 14.5") and let the two units battle it
out with the same phrase ... these are somewhat underated units and they DO
have some creative depth to them that will make you smile.

...and we ARE supposed to be having fun while we do this, right?

Best,

Dennis



On Sun, Mar 29, 2009 at 10:11 AM, Stefan Tiedje <stefantiedje@googlemail.co=
m
> wrote:

> Rick Walker schrieb:
>
>> I purposefully didn't included pedals that are no longer in production
>> (but we could with their salient going prices-anyone feel like doing tha=
t
>> research?)
>> but I did include used laptop, reel to reel and cassette solutions.
>>
>
> I would purposely include out of production gear, and would include
> prices someone bought it used (including the year). For newcomers the
> list price does give an indication how much it could cost on ebay or the
> flee market...
>
> Stefan
>
> --
> Les Ondes M=E9morielles---------x--
> --_____-----------|-----------|--
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()----------TJ Shredder
>
>


--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

--00032557415e01100c046645d182
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I&#39;ve stayed out of this one, largely because of outside time constraint=
s, but it&#39;s still Sunday morning and I&#39;ve had my coffee , so ...<br=
><br>I&#39;d like to add my vote for the following:<br><br>1. Lexicon Vorte=
x.<br>
=A0=A0=A0=A0=A0=A0 This is the one that got me involve to begin with (THANK=
S, Andy Butler!). So much so that I own four of them. But that is with a ve=
ry good reason: It is out of production and it doesn&#39;t hurt to have a b=
ackup option. I view of Stefan&#39;s request, the going price on Ebay is be=
tween $150-$250 ... some guy has had one on there for months now, trying to=
 sell it for $350, while a number of ones for less have sold quickly. If yo=
u get one, get two sets of pedals, along with an expression pedal and you w=
ill have a fun little tool. BE sure and read Andy Butler&#39;s comments on =
the Vortex as they do expelain how to use it as a honest to goodness looper=
. If you don get a Vortex, I recommend checking the power supply and if it =
isn&#39;t functioning at 100%, replace it with a brand new one from Harmon =
Kardon ... it&#39;s worth the premium to have the right one, and they aren&=
#39;t hideously expensive in the US (can&#39;t say for outside of here, sor=
ry).<br>
<br>2. The Roland DD-20 has already been mentioned and I wholeheartedly agr=
ee ... I use two of them in series. I work mainly with the &quot;Delay&quot=
; side of them, using the maximum 23 second delay most of the time and vary=
 the Feedback and E.Level settings. What&#39;s fun is to set them at differ=
ent delay times (say, one at 23&quot; and the other 14.5&quot;) and let the=
 two units battle it out with the same phrase ... these are somewhat undera=
ted units and they DO have some creative depth to them that will make you s=
mile.<br>
<br>...and we ARE supposed to be having fun while we do this, right?<br><br=
>Best,<br><br>Dennis<br><br><br><br><div class=3D"gmail_quote">On Sun, Mar =
29, 2009 at 10:11 AM, Stefan Tiedje <span dir=3D"ltr">&lt;<a href=3D"mailto=
:stefantiedje@googlemail.com">stefantiedje@googlemail.com</a>&gt;</span> wr=
ote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Rick Walker schri=
eb:<div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I purposefully didn&#39;t included pedals that are no longer in production<=
br>
(but we could with their salient going prices-anyone feel like doing that r=
esearch?)<br>
but I did include used laptop, reel to reel and cassette solutions.<br>
</blockquote>
<br></div>
I would purposely include out of production gear, and would include<br>
prices someone bought it used (including the year). For newcomers the<br>
list price does give an indication how much it could cost on ebay or the<br=
>
flee market...<br>
<br>
Stefan<br><font color=3D"#888888">
<br>
-- <br>
Les Ondes M=E9morielles---------x--<br>
--_____-----------|-----------|--<br>
--(_|_ ----|\-----|-----()-------<br>
-- _|_)----|-----()--------------<br>
----------()----------TJ Shredder<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//myspace.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://=
audiozoloft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsb=
in.angrek.com/">http://usrslashsbin.angrek.com/</a><br>


--00032557415e01100c046645d182--

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André Donawa wrote:
> I had my 2nd Mobius looping session with my new laptop, last night and it
> was blast. Took me back to my EDP days. I would like to reduce the schlep
> factor though, so I got bidule.
> 
> With the bidule setup, I've got to where I can put down a basic loop, but
> I can't get any overdubs to synch with this. I'm not sure if this a
> function of latency or do I need to sync  bidule and mobius?


you mean the Overdubs don't match the timing of the loop?

That would indicate a latency problem.

..but then you'd notice that the original loop doesn't start on the beat.


> 
> I've got mobius to work fine on it's own, but I was wondering if I need to
> change any settings once I'm running it in bidule?

shouldn't be any difference, check latency settings in Mobius.

You might try changing a Bidule setting
EDit>>Preferences>>DSP>>BufferSize.
I think that would slow things down if the value was larger
than the soundcard buffers....not sure though.





> 
> Michael(Peters) thanks for the UA 1ex recommendation. Nice and small.
> 
> Andre
> 
> 
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 18:25:30 2009
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--- On Sun, 3/29/09, Dennis Moser <sinsofmachaut@gmail.com> wrote: 
> 1. Lexicon Vortex. ... If you get one, get two
> sets of pedals, along with an expression pedal and you will
> have a fun little tool. 

Hi Dennis,

Why two sets of pedals? Can it be used duplex with each set controlling different functions, or is this for backup?

Saw your disc on the table at the Portsmouth RPM party last night! Lots of fun was had!

-t-

http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62 


      

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Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
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Hi,

Probably someone has already mentioned the RC-50? I was just working
with one this Friday and found it quite good. So I thought that maybe
the Loop Station doesn't deserve all the bashing it has has gotten
here for not offering feedback. You can still do a lot of fun looping
with it; three parallel loops in poly rhythm or three alternative
loops cued up, overdub, replace, reverse... And if you turn down the
guide track audio output you can just start looping without having to
follow a click track - just remember to never touch the tempo button,
avoiding the bad time-stretch algorithm to destroy your loop ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Sun, 29 Mar 2009 20:47:20 +0200
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On Sun, Mar 29, 2009 at 8:28 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> You might try changing a Bidule setting
> EDit>>Preferences>>DSP>>BufferSize.
> I think that would slow things down if the value was larger
> than the soundcard buffers....not sure though.


Yep, I remember from my Bidule days that Bidule has a buffer setting
for the audio interface that you have to make sure it is set to the
same as you typed into Mobius.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 19:04:06 2009
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From: "Stephen Goodman" <spgoodman@earthlight.net>
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Subject: Test
Date: Sun, 29 Mar 2009 20:03:55 +0100
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Just a test.

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 19:13:20 2009
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Date: Sun, 29 Mar 2009 15:13:19 -0400
Message-ID: <9e0440a60903291213rb6a3c30s70818b3c8cd6a993@mail.gmail.com>
Subject: Re: Test
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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of the emergency broadcast system, had this been an actual emergency you
would have been instructed where to go... confirmed sorry couldn't resist...

On Sun, Mar 29, 2009 at 3:03 PM, Stephen Goodman
<spgoodman@earthlight.net>wrote:

> Just a test.
>
>

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of the emergency broadcast system, had this been an actual emergency you wo=
uld have been instructed where to go... confirmed sorry couldn&#39;t resist=
...<br><br><div class=3D"gmail_quote">On Sun, Mar 29, 2009 at 3:03 PM, Step=
hen Goodman <span dir=3D"ltr">&lt;<a href=3D"mailto:spgoodman@earthlight.ne=
t">spgoodman@earthlight.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Just a test.<br>
<br>
</blockquote></div><br>

--00151750e50a43841d046646c27b--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 19:17:20 2009
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Date: Sun, 29 Mar 2009 12:17:19 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
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hey Per,
The more i see performances with it the more i realize that it isnt as bad as a lot of people say and is quite suited for the singer songwriter,but one thing that did bother me from the little RC-2 (and i am assuming is the same user interface philosophy with all the RC family) is that feeling of it quantizing you even if u dont want to.In other words can you make really short stuttering loops with it?



www.myspace.com/luisangulocom


--- On Sun, 3/29/09, Per Boysen <perboysen@gmail.com> wrote:

> From: Per Boysen <perboysen@gmail.com>
> Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
> To: Loopers-Delight@loopers-delight.com
> Date: Sunday, March 29, 2009, 11:40 AM
> Hi,
> 
> Probably someone has already mentioned the RC-50? I was
> just working
> with one this Friday and found it quite good. So I thought
> that maybe
> the Loop Station doesn't deserve all the bashing it has has
> gotten
> here for not offering feedback. You can still do a lot of
> fun looping
> with it; three parallel loops in poly rhythm or three
> alternative
> loops cued up, overdub, replace, reverse... And if you turn
> down the
> guide track audio output you can just start looping without
> having to
> follow a click track - just remember to never touch the
> tempo button,
> avoiding the bad time-stretch algorithm to destroy your
> loop ;-)
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> 
> 


      

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 19:26:58 2009
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Date: Sun, 29 Mar 2009 15:26:57 -0400
Message-ID: <9e0440a60903291226j10298ed1o1515a210773df9b8@mail.gmail.com>
Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I haven't seen the EHX 2880 which is btwn 3-400 USD.  I got mine
scratch/dent at 300 USD.  Remote pedal which I'm about to buy is another
100USD.
Also the single pedal Digitech Delay has a 4 second loop in it, it is @100
USD.

On Sun, Mar 29, 2009 at 3:17 PM, L.Angulo <labaloops@yahoo.com> wrote:

>
> hey Per,
> The more i see performances with it the more i realize that it isnt as bad
> as a lot of people say and is quite suited for the singer songwriter,but one
> thing that did bother me from the little RC-2 (and i am assuming is the same
> user interface philosophy with all the RC family) is that feeling of it
> quantizing you even if u dont want to.In other words can you make really
> short stuttering loops with it?
>
>
>
> www.myspace.com/luisangulocom
>
>
> --- On Sun, 3/29/09, Per Boysen <perboysen@gmail.com> wrote:
>
> > From: Per Boysen <perboysen@gmail.com>
> > Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
> > To: Loopers-Delight@loopers-delight.com
> > Date: Sunday, March 29, 2009, 11:40 AM
> > Hi,
> >
> > Probably someone has already mentioned the RC-50? I was
> > just working
> > with one this Friday and found it quite good. So I thought
> > that maybe
> > the Loop Station doesn't deserve all the bashing it has has
> > gotten
> > here for not offering feedback. You can still do a lot of
> > fun looping
> > with it; three parallel loops in poly rhythm or three
> > alternative
> > loops cued up, overdub, replace, reverse... And if you turn
> > down the
> > guide track audio output you can just start looping without
> > having to
> > follow a click track - just remember to never touch the
> > tempo button,
> > avoiding the bad time-stretch algorithm to destroy your
> > loop ;-)
> >
> > Greetings from Sweden
> >
> > Per Boysen
> > www.boysen.se
> > www.perboysen.com
> >
> >
>
>
>
>
>


-- 
music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--000e0cd4837cfd8460046646f25f
Content-Type: text/html; charset=ISO-8859-1
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I haven&#39;t seen the EHX 2880 which is btwn 3-400 USD. =A0I got mine scra=
tch/dent at 300 USD. =A0Remote pedal which I&#39;m about to buy is another =
100USD.<div><br></div><div>Also the single pedal Digitech Delay has a 4 sec=
ond loop in it, it is @100 USD.<br>
<br><div class=3D"gmail_quote">On Sun, Mar 29, 2009 at 3:17 PM, L.Angulo <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:labaloops@yahoo.com">labaloops@yahoo.=
com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"mar=
gin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<br>
hey Per,<br>
The more i see performances with it the more i realize that it isnt as bad =
as a lot of people say and is quite suited for the singer songwriter,but on=
e thing that did bother me from the little RC-2 (and i am assuming is the s=
ame user interface philosophy with all the RC family) is that feeling of it=
 quantizing you even if u dont want to.In other words can you make really s=
hort stuttering loops with it?<br>

<br>
<br>
<br>
<a href=3D"http://www.myspace.com/luisangulocom" target=3D"_blank">www.mysp=
ace.com/luisangulocom</a><br>
<br>
<br>
--- On Sun, 3/29/09, Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com">=
perboysen@gmail.com</a>&gt; wrote:<br>
<br>
&gt; From: Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;<br>
<div class=3D"im">&gt; Subject: Re: MASTER LIST of Least Costly Live Loopin=
g Solutions<br>
&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Del=
ight@loopers-delight.com</a><br>
</div>&gt; Date: Sunday, March 29, 2009, 11:40 AM<br>
<div><div></div><div class=3D"h5">&gt; Hi,<br>
&gt;<br>
&gt; Probably someone has already mentioned the RC-50? I was<br>
&gt; just working<br>
&gt; with one this Friday and found it quite good. So I thought<br>
&gt; that maybe<br>
&gt; the Loop Station doesn&#39;t deserve all the bashing it has has<br>
&gt; gotten<br>
&gt; here for not offering feedback. You can still do a lot of<br>
&gt; fun looping<br>
&gt; with it; three parallel loops in poly rhythm or three<br>
&gt; alternative<br>
&gt; loops cued up, overdub, replace, reverse... And if you turn<br>
&gt; down the<br>
&gt; guide track audio output you can just start looping without<br>
&gt; having to<br>
&gt; follow a click track - just remember to never touch the<br>
&gt; tempo button,<br>
&gt; avoiding the bad time-stretch algorithm to destroy your<br>
&gt; loop ;-)<br>
&gt;<br>
&gt; Greetings from Sweden<br>
&gt;<br>
&gt; Per Boysen<br>
&gt; <a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><b=
r>
&gt; <a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.c=
om</a><br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>music links=
...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a>=
<br><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.co=
m</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>
</div>

--000e0cd4837cfd8460046646f25f--

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Date: Sun, 29 Mar 2009 12:31:46 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Firewire mystery question
To: Loopers-Delight@loopers-delight.com
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I still dont know if my firewire PCI card was at fault or not, meanwhile RM=
E claims their card is not at fault(although i had to send it once already =
for repairs before the warranty was even due)so now they sent it back from =
repair and charged me 150.-eur but guess what?it istill didnt work!Now they=
 are saying their card worked perfectly when they tested it and that it mus=
t be my PCI card.Now i had to resend it back but they said if they have to =
repair it again is going to cost me just as much or more(gotta love their g=
reat fuckin customer service and their friendliness)=0Awhat is puzzling me =
is that i conected the RME to my macbook and my macbooks firewire was also =
fried which i  had to send out for repair(thank god i had the protection pl=
an)so i dont know what to think now and how to prove it but i am going nuts=
 with this crap!=0ALuis=0A=0A=0A=0A=0A=0A=0A> It might be that the broken R=
ME grilled the two firewire=0A> interfaces...=0A> You need another computer=
 to test it...=0A> =0A> Stefan=0A> =0A> -- Les Ondes M=E9morielles---------=
x--=0A> --_____-----------|-----------|--=0A> --(_|_ ----|\-----|-----()---=
----=0A> -- _|_)----|-----()--------------=0A> ----------()----------TJ Shr=
edder=0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 19:33:12 2009
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Date: Sun, 29 Mar 2009 21:33:11 +0200
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Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
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Guess not. I'm no RC-50 specialist and don't aspire becoming one
either. But whatever you can do with the RC-50 you can always stutter
while you're doing it! And you can use it as the midi foot controller
for Mobius on a laptop ;-) Then you will have a Plan B when that
Murphy guy wrecks your lappy.

per



On Sun, Mar 29, 2009 at 9:17 PM, L.Angulo <labaloops@yahoo.com> wrote:
>
> hey Per,
> The more i see performances with it the more i realize that it isnt as ba=
d as a lot of people say and is quite suited for the singer songwriter,but =
one thing that did bother me from the little RC-2 (and i am assuming is the=
 same user interface philosophy with all the RC family) is that feeling of =
it quantizing you even if u dont want to.In other words can you make really=
 short stuttering loops with it?
>
>
>
> www.myspace.com/luisangulocom
>
>
> --- On Sun, 3/29/09, Per Boysen <perboysen@gmail.com> wrote:
>
>> From: Per Boysen <perboysen@gmail.com>
>> Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
>> To: Loopers-Delight@loopers-delight.com
>> Date: Sunday, March 29, 2009, 11:40 AM
>> Hi,
>>
>> Probably someone has already mentioned the RC-50? I was
>> just working
>> with one this Friday and found it quite good. So I thought
>> that maybe
>> the Loop Station doesn't deserve all the bashing it has has
>> gotten
>> here for not offering feedback. You can still do a lot of
>> fun looping
>> with it; three parallel loops in poly rhythm or three
>> alternative
>> loops cued up, overdub, replace, reverse... And if you turn
>> down the
>> guide track audio output you can just start looping without
>> having to
>> follow a click track - just remember to never touch the
>> tempo button,
>> avoiding the bad time-stretch algorithm to destroy your
>> loop ;-)
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>
>
>
>
>

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Per Boysen wrote:
> Hi,
> 
> Probably someone has already mentioned the RC-50? 

doesn't fit into "least costly" exactly ;-)

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could be the fault is in the cable.



L.Angulo wrote:
> I still dont know if my firewire PCI card was at fault or not, meanwhile RME claims their card is not at fault(although i had to send it once already for repairs before the warranty was even due)so now they sent it back from repair and charged me 150.-eur but guess what?it istill didnt work!Now they are saying their card worked perfectly when they tested it and that it must be my PCI card.Now i had to resend it back but they said if they have to repair it again is going to cost me just as much or more(gotta love their great fuckin customer service and their friendliness)
> what is puzzling me is that i conected the RME to my macbook and my macbooks firewire was also fried which i  had to send out for repair(thank god i had the protection plan)so i dont know what to think now and how to prove it but i am going nuts with this crap!
> Luis
> 
> 
> 
> 
> 
> 
>> It might be that the broken RME grilled the two firewire
>> interfaces...
>> You need another computer to test it...
>>
>> Stefan
>>
>> -- Les Ondes Mémorielles---------x--
>> --_____-----------|-----------|--
>> --(_|_ ----|\-----|-----()-------
>> -- _|_)----|-----()--------------
>> ----------()----------TJ Shredder
>>
>>
> 
> 
>       
> 
> 

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Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
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Ok, I apologize for my post. I just Googled the price for an RC-50 and
it was four time more expensive than I believed it should be!

I once borrowed two reel to reel tape recorders and they made a
totally free looper. No much slicing and stuttering unless you take a
time out with the scissors and tape though.

Per


On Sun, Mar 29, 2009 at 9:54 PM, andy butler <akbutler@tiscali.co.uk> wrote:
>
>
> Per Boysen wrote:
>>
>> Hi,
>>
>> Probably someone has already mentioned the RC-50?
>
> doesn't fit into "least costly" exactly ;-)
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 20:05:24 2009
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Date: Sun, 29 Mar 2009 14:05:11 -0600
From: Daryl Shawn <highhorse@mhorse.com>
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Punching in w/a pedal or quick button presses allows some very nice 
stuttering on tape. Obviously it doesn't shorten the loop, but you can 
drop in quick fragments of audio (or silence) with interesting results.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> I once borrowed two reel to reel tape recorders and they made a
> totally free looper. No much slicing and stuttering unless you take a
> time out with the scissors and tape though.
>
> Per

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Ah, you're right. You should know, being the tape specialist! The
vari-speed on that machine of yours is truly awesome!

per


On Sun, Mar 29, 2009 at 10:05 PM, Daryl Shawn <highhorse@mhorse.com> wrote:
> Punching in w/a pedal or quick button presses allows some very nice
> stuttering on tape. Obviously it doesn't shorten the loop, but you can drop
> in quick fragments of audio (or silence) with interesting results.
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> I once borrowed two reel to reel tape recorders and they made a
>> totally free looper. No much slicing and stuttering unless you take a
>> time out with the scissors and tape though.
>>
>> Per
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 20:19:33 2009
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    <49CFBDC0.6030400@tiscali.co.uk>
Date: Sun, 29 Mar 2009 16:19:35 -0400 (AST)
Subject: Re: Bidule and Mobius question.
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Hi Andy,

I can do all my overdubs and reverses etc. when using mobius as a
standalone version.
Some of my tunes are fairly polyrhthmic so even though the diffrence in
timing is fairly small when I'm using mobius with bidule the overdub is
noticebly late, and throws off the feel.

Hi Per, I'm not sure where to set the buffer size in mobius.
Would that be the drift resync frames under global parameters?

Thanks,

Andre

On Sun, March 29, 2009 2:28 pm, andy butler wrote:
>
>
> André Donawa wrote:
>> I had my 2nd Mobius looping session with my new laptop, last night and
>> it
>> was blast. Took me back to my EDP days. I would like to reduce the
>> schlep
>> factor though, so I got bidule.
>>
>> With the bidule setup, I've got to where I can put down a basic loop,
>> but
>> I can't get any overdubs to synch with this. I'm not sure if this a
>> function of latency or do I need to sync  bidule and mobius?
>
>
> you mean the Overdubs don't match the timing of the loop?
>
> That would indicate a latency problem.
>
> ..but then you'd notice that the original loop doesn't start on the beat.
>
>
>>
>> I've got mobius to work fine on it's own, but I was wondering if I need
>> to
>> change any settings once I'm running it in bidule?
>
> shouldn't be any difference, check latency settings in Mobius.
>
> You might try changing a Bidule setting
> EDit>>Preferences>>DSP>>BufferSize.
> I think that would slow things down if the value was larger
> than the soundcard buffers....not sure though.
>
>
>
>
>
>>
>> Michael(Peters) thanks for the UA 1ex recommendation. Nice and small.
>>
>> Andre
>>
>>
>> http://www.andredonawa.com
>> http://cdbaby.com/all/andredonawa
>> http://www.myspace.com/andredonawa
>>
>>
>
>



http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 20:30:21 2009
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Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
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hehe...you are kind Per, varispeed is my favorite trick and I love the 
stutters too. I've actually gone through a lot of punch-in pedals to 
find the one with the quickest release so I can do mad stuttering, and 
finally found the old DOD 220 works really well. I've bought three of 'em.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Ah, you're right. You should know, being the tape specialist! The
> vari-speed on that machine of yours is truly awesome!
>
> per
>
>
> On Sun, Mar 29, 2009 at 10:05 PM, Daryl Shawn <highhorse@mhorse.com> wrote:
>   
>> Punching in w/a pedal or quick button presses allows some very nice
>> stuttering on tape. Obviously it doesn't shorten the loop, but you can drop
>> in quick fragments of audio (or silence) with interesting results.
>>
>> Daryl Shawn
>> www.swanwelder.com
>> www.chinapaintingmusic.com
>>     

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 20:38:39 2009
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André Donawa wrote:
> Hi Andy,
> 
> I can do all my overdubs and reverses etc. when using mobius as a
> standalone version.
> Some of my tunes are fairly polyrhthmic so even though the diffrence in
> timing is fairly small when I'm using mobius with bidule the overdub is
> noticebly late, and throws off the feel.
> 
> Hi Per, I'm not sure where to set the buffer size in mobius.

this one:-


>> You might try changing a Bidule setting
>> EDit>>Preferences>>DSP>>BufferSize.
>> I think that would slow things down if the value was larger
>> than the soundcard buffers....not sure though.
>>
>>


It's certainly a latency issue.

So make sure Mobius latency compensation is right.

And Per confirms that the Buffersize in Bidule needs to match your soundcard.
(and I'm sure you already set your soundcard buffer as small as possible)



good luck

andy

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 20:39:51 2009
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Subject: Re: Bidule and Mobius question.
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On Sun, Mar 29, 2009 at 10:19 PM, Andr=E9 Donawa <andre@andredonawa.com> wr=
ote:
> Hi Per, I'm not sure where to set the buffer size in mobius.
> Would that be the drift resync frames under global parameters?

No, rather the Latency Compensation settings at "Configuration/Audio
Device Selection". I know the terminology is a bit confusing but as I
understand it you can pretty much equal "a frame" to a millisecond.
However, I made those settings by ear to be on the safe side. With the
correct settings you should be able to record some rhythmic stuff and
then play rhythmically to it and have you playing return overdubbed at
the same timing as you did play it in the first place. I spent hours
with this and found that the timing is not rock solid - you always
hear a difference in the loop when it comes back. It's not as accurate
as a DAW or a tape recorder but good enough for looping ;-)) It
wouldn't be possible to make a sample accurate looper because the
overdubbing and layering needs some free wheeling to work its magic.

Per

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 20:47:51 2009
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LOL, exchanging the gold of your deep pockets with DODs! Way to go mad
loopist! ;-))  Tape-ish artifacts are indeed lovely! These days I'm
all up for throwing software tape sim plug-ins PRE looper to stack
swarms of glitch noise in my laptop loops.

per



On Sun, Mar 29, 2009 at 10:16 PM, Daryl Shawn <highhorse@mhorse.com> wrote:
> so I can do mad stuttering, and finally found the old DOD 220 works really
> well. I've bought three of 'em.

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 21:05:14 2009
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Subject: Mainstage and midi channels
Date: Sun, 29 Mar 2009 23:05:00 +0200
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Hi,
I've been testing with Mainstage and discovered that it seems to respond =
to
midi messages no mather what channel you specify. For example, if you =
send
program change on channel 5 from your MFC, Mainstage reacts even if you =
have
assigned channel 1 to your instrument. I checked the manual and internet
forums but I can't find a way to filter midi channels in Mainstage. Does
anyone know a workaround, some filter program on OSX level?=20

---=20
Sjaak
http://sjaakovergaauw.com/=20
http://euroloopfest.com/=20
http://last.fm/music/sjaak+overgaauw



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On Sun, Mar 29, 2009 at 11:05 PM, Sjaak <tcplugin@scarlet.be> wrote:
> I've been testing with Mainstage and discovered that it seems to respond to
> midi messages no mather what channel you specify. For example, if you send
> program change on channel 5 from your MFC, Mainstage reacts even if you have
> assigned channel 1 to your instrument. I checked the manual and internet
> forums but I can't find a way to filter midi channels in Mainstage. Does
> anyone know a workaround, some filter program on OSX level?

Hi,

Maybe you can assign a MIDI channel to the Keyboard Object? Generally
MainStage doesn't react to external MIDI at all unless you assign it
to a Screen Control Object. The exception from this rule being the the
Keyboard Object because it is the base for virtual instruments.

I just closed my MS lappy so I can't check out for now. You query
makes me curious so I'll look tomorrow. If I remember to ;-))

Per

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 21:20:34 2009
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Subject: RE: Mainstage and midi channels
Date: Sun, 29 Mar 2009 23:20:20 +0200
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> From: Per Boysen=20
> Maybe you can assign a MIDI channel to the Keyboard Object?=20
> Generally MainStage doesn't react to external MIDI at all=20
> unless you assign it to a Screen Control Object. The=20
> exception from this rule being the the Keyboard Object=20
> because it is the base for virtual instruments.

I idea I had in mind was to control both my LP1 and AU-plugins =
parameters
within MS from a single MFC. I assigned channel 1 to all my MS =
instruments,
the LP1 is using channel 5. The problem is that both LP1 and MS react on
program changes, midi CC messages if I use channel 5. For example, if I =
send
a Midi CC 1 (=3D sync rec/dub on the LP1), MS interprets that as a =
modulation
control.........

> I just closed my MS lappy so I can't check out for now. You=20
> query makes me curious so I'll look tomorrow. If I remember to ;-))

Thanks Per! I may send you a reminder tomorrow ;)

Sjaak



From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 21:27:03 2009
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	 <000101c9b0b4$2ac3b2c0$050313ac@PIPO>
Date: Sun, 29 Mar 2009 23:27:02 +0200
Message-ID: <66f9cc1e0903291427o72bd8021n85f7d5b0aeeaccc9@mail.gmail.com>
Subject: Re: Mainstage and midi channels
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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The fact that Maintage can not be set to send out MIDI to external
gear is something that has upset many. Especially since Emagic's now
discontinued software SoundDiver really excelled in that department.
http://emusician.com/editing/emusic_emagic_sounddiver_macwin/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sun, Mar 29, 2009 at 11:20 PM, Sjaak <tcplugin@scarlet.be> wrote:
>> From: Per Boysen
>> Maybe you can assign a MIDI channel to the Keyboard Object?
>> Generally MainStage doesn't react to external MIDI at all
>> unless you assign it to a Screen Control Object. The
>> exception from this rule being the the Keyboard Object
>> because it is the base for virtual instruments.
>
> I idea I had in mind was to control both my LP1 and AU-plugins parameters
> within MS from a single MFC. I assigned channel 1 to all my MS instruments,
> the LP1 is using channel 5. The problem is that both LP1 and MS react on
> program changes, midi CC messages if I use channel 5. For example, if I send
> a Midi CC 1 (= sync rec/dub on the LP1), MS interprets that as a modulation
> control.........
>
>> I just closed my MS lappy so I can't check out for now. You
>> query makes me curious so I'll look tomorrow. If I remember to ;-))
>
> Thanks Per! I may send you a reminder tomorrow ;)
>
> Sjaak
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 21:56:37 2009
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References: <855188.61738.qm@web38601.mail.mud.yahoo.com> <9e0440a60903291226j10298ed1o1515a210773df9b8@mail.gmail.com>
Subject: Electric Mandolin Slicer
Date: Sun, 29 Mar 2009 22:56:57 +0100
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Any electric mandolin players here will want one of these. (I hope the link 
works)

http://tiny.cc/o6bcZ 


From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 22:09:12 2009
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
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Subject: Looping and Ambisonics
Date: Sun, 29 Mar 2009 23:09:01 +0100
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Hi Folks,

Myself and a colleague are working on a project that we will be taking =
to STEIM tomorrow that looks at diffusing live improvised guitar music, =
ambisonically. I used this as an opportunity to do some looping.=20

I've uploaded some of the first improvised sketches that we performed in =
January to www.myspace.com/signalsundertests . I'm sure you can =
appreciate that this is a very limited representation of a multi-speaker =
performance but you can certainly feel the trajectories of each signal. =
It's decoded from B-Format to X-Y stereo for anyone who is interested.

I'd very much appreciate your feedback.=20

Cheers,

Ricky
------=_NextPart_000_006C_01C9B0C3.58EE66E0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Folks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Myself and a colleague are working on a =
project=20
that we will be taking to STEIM tomorrow that looks at diffusing live =
improvised=20
guitar music,&nbsp;ambisonically. I used this as an opportunity to do =
some=20
looping. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I've uploaded some of the first =
improvised sketches=20
that we performed in January to <A=20
href=3D"http://www.myspace.com/signalsundertests">www.myspace.com/signals=
undertests</A>&nbsp;.&nbsp;I'm=20
sure you&nbsp;can appreciate that this is a very limited representation =
of a=20
multi-speaker performance but you can certainly&nbsp;feel =
the&nbsp;trajectories=20
of each signal. It's decoded from B-Format to X-Y stereo for anyone who =
is=20
interested.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'd very much appreciate your feedback. =

</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV></BODY></HTML>

------=_NextPart_000_006C_01C9B0C3.58EE66E0--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 22:09:51 2009
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    <49CFBDC0.6030400@tiscali.co.uk>
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Date: Sun, 29 Mar 2009 18:09:53 -0400 (AST)
Subject: Re: Bidule and Mobius question.
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Got it.
This was the one.

Thanks Guys, and now I'm onto my quest for some spacey plugs.

Andre

On Sun, March 29, 2009 4:39 pm, Per Boysen wrote:
> On Sun, Mar 29, 2009 at 10:19 PM, André Donawa <andre@andredonawa.com>
> wrote:
>> Hi Per, I'm not sure where to set the buffer size in mobius.
>> Would that be the drift resync frames under global parameters?
>
> No, rather the Latency Compensation settings at "Configuration/Audio
> Device Selection". I know the terminology is a bit confusing but as I
> understand it you can pretty much equal "a frame" to a millisecond.
> However, I made those settings by ear to be on the safe side. With the
> correct settings you should be able to record some rhythmic stuff and
> then play rhythmically to it and have you playing return overdubbed at
> the same timing as you did play it in the first place. I spent hours
> with this and found that the timing is not rock solid - you always
> hear a difference in the loop when it comes back. It's not as accurate
> as a DAW or a tape recorder but good enough for looping ;-)) It
> wouldn't be possible to make a sample accurate looper because the
> overdubbing and layering needs some free wheeling to work its magic.
>
> Per
>
>



http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 22:14:13 2009
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Date: Sun, 29 Mar 2009 18:14:15 -0400 (AST)
Subject: Spacey Plugins (vst) for Bass and Guitar
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Anyone have any recommendations?


Andre

http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 22:43:44 2009
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Subject: Re: Edge of the Fringe - New CD
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I provided the wrong URL for streaming. It streams only one file. This =
is the correct one:

http://www.box.net/index.php?rm=3Dbox_v2_mp3_player_shared&node=3Df_23038=
0256&multiple_file=3D1

Kris




  I am now streaming the MP3s of one of my upcoming CDs. I really =
enjoyed making this CD. It is totally different than the last two that =
Robert and I did...less aggressive and primal, more thoughtful, out =
there, and deep.

  Edge of the Fringe, by Kribophoric (Krispen Hartung & Robert Sterling)
  http://www.krispenhartung.com/Edge-of-the-Fringe/index.html
  Electro-acoustic, creative avant-garde
  Will release in April

  Streaming URL: =
http://www.box.net/index.php?rm=3Dbox_v2_mp3_player_shared&node=3Df_23038=
0256&single_file=3D1

  Song List

  1. Confessions of a Ball Peen Hammer
  2. Mad and Frenzied Upon the Deep
  3. Bi-Polar Fissures
  4. Pesky Peculiarities
  5. Malicious Ascent
  6. Dali in Space
  7. Mechanical Underworld
  8. Edge of the Fringe
  9. Between Two Voids

  Looping notes: I am using my max-msp random looping patch on most of =
the material, but occasionally manually control record and playback.
  Edge of the Fringe is the third project born out of a dynamic and =
creative musical collaboration between Krispen Hartung (Boise, ID, USA) =
and Robert Sterling (Ventura, CA, USA). "Edge of the Fringe" is an =
introspective, thought and mood provoking collection of improvised =
compositions that truly push the boundaries of what can be done in a =
virtually collaborative recording context. For more information on =
Kribophoric and their prior two CD productions, visit =
www.kribophoric.com


  Krispen Hartung - Mini archtop guitar, laptop computer, Max/MSP, =
Reaktor, voice=20
  Robert Sterling - Electronic and acoustic percussion, voice=20

------=_NextPart_000_08FB_01C9B08D.846E2CA0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16809" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I provided the wrong URL for streaming. =
It streams=20
only one file. This is the correct one:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.box.net/index.php?rm=3Dbox_v2_mp3_player_shared&amp;no=
de=3Df_230380256&amp;multiple_file=3D1">http://www.box.net/index.php?rm=3D=
box_v2_mp3_player_shared&amp;node=3Df_230380256&amp;multiple_file=3D1</A>=
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>I am now streaming the MP3s of one of =
my upcoming=20
  CDs. I really enjoyed making this CD. It is totally different than the =
last=20
  two that Robert and I did...less aggressive and primal, more =
thoughtful, out=20
  there, and deep.</FONT></DIV>
  <DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Edge of the Fringe</STRONG>, =
by=20
  Kribophoric (Krispen Hartung &amp; Robert Sterling)</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><A=20
  =
href=3D"http://www.krispenhartung.com/Edge-of-the-Fringe/index.html">http=
://www.krispenh<WBR>artung.com/<WBR>Edge-of-the-<WBR>Fringe/index.<WBR>ht=
ml</A></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Electro-acoustic, creative=20
  avant-garde</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Will release in April</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Streaming URL</STRONG>: =
</FONT><A=20
  =
href=3D"http://www.box.net/index.php?rm=3Dbox_v2_mp3_player_shared&amp;no=
de=3Df_230380256&amp;single_file=3D1"><FONT=20
  face=3DArial=20
  =
size=3D2>http://www.box.<WBR>net/index.<WBR>php?rm=3Dbox_<WBR>v2_mp3_play=
er_<WBR>shared&amp;node=3Df_230380256&amp;single_file=3D<WBR>1</FONT></A>=
<BR></DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Song =
List</STRONG></FONT></DIV><FONT=20
  face=3DArial size=3D2></FONT>
  <DIV><FONT face=3DArial size=3D2></FONT><BR><FONT face=3DArial =
size=3D2>1. Confessions=20
  of a Ball Peen Hammer<BR>2. Mad and Frenzied Upon the Deep<BR>3. =
Bi-Polar=20
  Fissures<BR>4. Pesky Peculiarities<BR>5. Malicious Ascent<BR>6. Dali =
in=20
  Space<BR>7. Mechanical Underworld<BR>8. Edge of the Fringe<BR>9. =
Between Two=20
  Voids</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><STRONG>Looping notes</STRONG>: I am =
using my=20
  max-msp random looping patch on most of the material, but occasionally =

  manually control record and playback.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>
  <P><FONT size=3D2><I><FONT face=3DVerdana><B><FONT size=3D3>Edge of =
the=20
  Fringe</FONT></B> is the third project born out of a dynamic and =
creative=20
  musical collaboration between Krispen Hartung (Boise, ID, USA) and =
Robert=20
  Sterling (Ventura, CA, USA). "Edge of the Fringe" is an introspective, =
thought=20
  and mood provoking collection of improvised compositions that truly =
push the=20
  boundaries of what can be done in a virtually collaborative recording =
context.=20
  For more information on Kribophoric and their prior two CD =
productions, visit=20
  </FONT><A href=3D"http://www.kribophoric.com/" target=3D_front><FONT =
face=3DVerdana=20
  color=3D#000000>www.kribophoric.com</FONT></A><BR></I></FONT></P>
  <P><FONT face=3DVerdana><FONT size=3D2>Krispen Hartung - Mini archtop =
guitar,=20
  laptop computer, Max/MSP, Reaktor, voice <BR>Robert Sterling - =
Electronic and=20
  acoustic percussion</FONT><FONT size=3D2>, voice=20
  </FONT></FONT></P></FONT></DIV></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_08FB_01C9B08D.846E2CA0--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 29 23:14:03 2009
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Date: Sun, 29 Mar 2009 16:14:02 -0700
Message-ID: <c70e517b0903291614v62583d94h2b3b818167607a29@mail.gmail.com>
Subject: Re: loop-friendly venues
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I think in order for this tool to get really useful, we'll need to be
able to enter more specific genre information than "Safe" or
"dangerous". I'd favor either a free-text box, or checkboxes for
well-known genres.  Besides, only people who read your original LD
posting are going to know what "Safe" and "dangerous" represent.

You deleted the website I put for "Luggage Store" on your spreadsheet,
even though my description says "Refer to the website for booking
info".

This list is a great help - thank you.

mark francombe <mark@markfrancombe.com> was all:
> Thanks Matt... any venues you DO know, I hope you will add too... I mean, if
> you got a gig there, then they are probably pretty open to new cool stuff I
> think... at least under my "Dangerous" categorization...
>
> To everyone else.... COME ON!!! Im surprised by the lack of interest to add
> to my list here!!! I think I want to make a suggestion, that EVERYONE should
> try to add at least one venue to my list...
>
> I have also included a link to the current status of the list, Hopefully
> viewing the results will make it more interesting.
> Im thinking about all the threads over the years that concern places to
> play. Nowadays, bands are touring less, and I think there are alot more
> venues open to accepting left field works... It OUR time now... Lets get on
> the road, and LOOP!!!
>
> The Looping Friendly Venue Tool.
> http://www.markfrancombe.com/wordpress/?page_id=525
>

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References: <855188.61738.qm@web38601.mail.mud.yahoo.com> <9e0440a60903291226j10298ed1o1515a210773df9b8@mail.gmail.com> <000701c9b0b9$47c1c790$cb04c150@yourc9d9764718>
Subject: Re: Electric Mandolin Slicer
Date: Sun, 29 Mar 2009 22:53:04 -0400
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what the! hehe, funny, took a sec.

j

----- Original Message ----- 
From: "Stephen Moyes" <stephenmoyes@blueyonder.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 29, 2009 5:56 PM
Subject: Electric Mandolin Slicer


> Any electric mandolin players here will want one of these. (I hope the 
> link works)
>
> http://tiny.cc/o6bcZ
>
> 

From web7@forbin.com  Mon Mar 30 03:36:44 2009
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Date: Sun, 29 Mar 2009 21:19:50 -0600
Subject: With Due Respect
To: looparc@loopers-delight.com
From: Mr. Philip Morgan <phimorgan00@yahoo.com>
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Good Day,
    I am Mr. Philip Morgan, staff of Kleinwort Benson. I am contacting you concerning a deceased customer and an investment he placed under our banks management three years ago.
I am contacting you independently of our investigation and no one is informed of this communication. I would like to intimate you with certain facts that I believe would be of interest to you. In the year 2005, the subject matter; came to our bank to engage in business discussions with our private banking division. He informed us that he had a financial portfolio of Twelve Million United States Dollars, which he wished to have us turn over (invest) on his behalf. 
In mid 2006, he asked that the money be liquidated because he needed to make an urgent investment requiring cash payments in Helsinki- Finland. He directed that I liquidate the funds and deposit it with a security firm. I informed him that my Bank would have to make special arrangements to have this done and in order not to circumvent due process. Cash movement across boarders has become especially strict since the incidents of 9/11. I contacted my affiliate and made the funds available to the security firm. I undertook all the processes and made sure I followed his precise instructions to the letter and had the funds deposited with the security firm. The Security Firm is a specialist private firm that accepts deposits from high net worth individuals and blue chip corporations that handle valuable products or undertake transactions that need immediate access to cash. This small and highly private organization is familiar especially to the highly placed
and well-connected organizations. In line with instructions, the money was deposited with the security firm.
The deceased told me he wanted the money there in anticipation of his arrival from Norway later that week. This was the last communication we had, this transpired around 24th of November 2006. In June last year, we got a call from the security firm informing us about the inactivity of that particular portfolio.  I made futile efforts to locate the deceased. I immediately passed the task of locating him to the internal investigations department of Kleinwort Benson. Four days later, information started to trickle in, apparently our client was dead. A person who suited his description was declared dead of a heart attack in Cannes , in Southern part of France . We were soon enough to identify the body and cause of death was confirmed. In his bio-data form, he listed no next of kin. In the field of private banking, opening an account with us means no one will know of its existence, accounts are rarely held under a name; depositors use numbers and codes to
make the accounts anonymous. This investigation has for the past months been unfruitful; we’ve used our private investigation affiliate companies to get to the root of the problem. It is this investigation that resulted in my being furnished with your details as a possible relative of the deceased.  What I wish to relate to you will smack of unethical practice but I want you to understand something. It is only an outsider to the banking world who finds the internal politics of the banking world aberrational. The world of private banking especially is fraught with huge rewards for those that occupy certain offices and oversee certain portfolios. You should have begun by now to put together the general direction of what I propose. There is Six Million dollars deposited in a security firm, I alone have the deposit details and they will release the deposit to no one unless I instruct them to do so. I alone know of the existence of this deposit for as far
as my Bank is concerned.
My proposal: I now seek your permission to present you as a next of kin to the deceased, as all documentations will be carefully worked to make you the beneficiary to the funds $12,000 000 (Twelve Million United States Dollar); I am prepared to place you in a position to instruct The security Firm to release the deposit to you as the closest surviving relation. Upon receipt of the deposit, I am prepared to share the proceeds 50/50.I would have gone ahead to ask that the funds be released to me, but that would have drawn a straight line to me and my involvement in claiming the deposit. We can fine-tune this based on our interactions. I am aware of the consequences of this proposal. I ask that if you find no interest in this project that you should discard this mail. I ask that you do not be vindictive and destructive. If my offer is of no appeal to you, delete this message and forget I ever contacted you. 
I wish to inform you that should you contact me via official channels; I will deny knowing you and about this project. I repeat, I do not want you contacting me through my official phone lines nor do I want you contacting me through my official email account. Contact me only through the numbers I will provide for you and also through this email address. I do not want any direct link between you and myself. My official lines are not secured lines as they are periodically monitored to assess our level of customer care in line with our Total Quality Management Policy. Please observe this instruction religiously.
Do not betray my confidence. Kindly send your response to my private email: phimorgan00@sify.com 
I await your response.
Mr. Philip Morgan


From web7@forbin.com  Mon Mar 30 03:36:45 2009
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Date: Sun, 29 Mar 2009 21:19:53 -0600
Subject: With Due Respect
To: looparc@loopersdelight.com
From: Mr. Philip Morgan <phimorgan00@yahoo.com>
Reply-To: phimorgan00@sify.com
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Good Day,
    I am Mr. Philip Morgan, staff of Kleinwort Benson. I am contacting you concerning a deceased customer and an investment he placed under our banks management three years ago.
I am contacting you independently of our investigation and no one is informed of this communication. I would like to intimate you with certain facts that I believe would be of interest to you. In the year 2005, the subject matter; came to our bank to engage in business discussions with our private banking division. He informed us that he had a financial portfolio of Twelve Million United States Dollars, which he wished to have us turn over (invest) on his behalf. 
In mid 2006, he asked that the money be liquidated because he needed to make an urgent investment requiring cash payments in Helsinki- Finland. He directed that I liquidate the funds and deposit it with a security firm. I informed him that my Bank would have to make special arrangements to have this done and in order not to circumvent due process. Cash movement across boarders has become especially strict since the incidents of 9/11. I contacted my affiliate and made the funds available to the security firm. I undertook all the processes and made sure I followed his precise instructions to the letter and had the funds deposited with the security firm. The Security Firm is a specialist private firm that accepts deposits from high net worth individuals and blue chip corporations that handle valuable products or undertake transactions that need immediate access to cash. This small and highly private organization is familiar especially to the highly placed
and well-connected organizations. In line with instructions, the money was deposited with the security firm.
The deceased told me he wanted the money there in anticipation of his arrival from Norway later that week. This was the last communication we had, this transpired around 24th of November 2006. In June last year, we got a call from the security firm informing us about the inactivity of that particular portfolio.  I made futile efforts to locate the deceased. I immediately passed the task of locating him to the internal investigations department of Kleinwort Benson. Four days later, information started to trickle in, apparently our client was dead. A person who suited his description was declared dead of a heart attack in Cannes , in Southern part of France . We were soon enough to identify the body and cause of death was confirmed. In his bio-data form, he listed no next of kin. In the field of private banking, opening an account with us means no one will know of its existence, accounts are rarely held under a name; depositors use numbers and codes to
make the accounts anonymous. This investigation has for the past months been unfruitful; we’ve used our private investigation affiliate companies to get to the root of the problem. It is this investigation that resulted in my being furnished with your details as a possible relative of the deceased.  What I wish to relate to you will smack of unethical practice but I want you to understand something. It is only an outsider to the banking world who finds the internal politics of the banking world aberrational. The world of private banking especially is fraught with huge rewards for those that occupy certain offices and oversee certain portfolios. You should have begun by now to put together the general direction of what I propose. There is Six Million dollars deposited in a security firm, I alone have the deposit details and they will release the deposit to no one unless I instruct them to do so. I alone know of the existence of this deposit for as far
as my Bank is concerned.
My proposal: I now seek your permission to present you as a next of kin to the deceased, as all documentations will be carefully worked to make you the beneficiary to the funds $12,000 000 (Twelve Million United States Dollar); I am prepared to place you in a position to instruct The security Firm to release the deposit to you as the closest surviving relation. Upon receipt of the deposit, I am prepared to share the proceeds 50/50.I would have gone ahead to ask that the funds be released to me, but that would have drawn a straight line to me and my involvement in claiming the deposit. We can fine-tune this based on our interactions. I am aware of the consequences of this proposal. I ask that if you find no interest in this project that you should discard this mail. I ask that you do not be vindictive and destructive. If my offer is of no appeal to you, delete this message and forget I ever contacted you. 
I wish to inform you that should you contact me via official channels; I will deny knowing you and about this project. I repeat, I do not want you contacting me through my official phone lines nor do I want you contacting me through my official email account. Contact me only through the numbers I will provide for you and also through this email address. I do not want any direct link between you and myself. My official lines are not secured lines as they are periodically monitored to assess our level of customer care in line with our Total Quality Management Policy. Please observe this instruction religiously.
Do not betray my confidence. Kindly send your response to my private email: phimorgan00@sify.com 
I await your response.
Mr. Philip Morgan


From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 05:49:54 2009
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Date: Sun, 29 Mar 2009 22:49:47 -0700
From: Rick Walker <looppool@cruzio.com>
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Subject: OT Variable Power Supplies for Stomp Box Pedals
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I was researching power supplies for my old
DOD Meat Box and DOD Buzz Box distortion pedals
tonight,   trying to see what is available and if I could buy things
cheaper than standard name brand adaptors.

Online, I was discovering that electronic supply places have pedals
much cheaper than , say,  the proverbial BOSS PSA 120 power adaptors
which are up to over $30 USD when shipping  is included.
The DOD adaptor for the Buzz Box as an example is $18 from DOD
and $10.25 from the first electronic supply place that I went to through 
google.

In the process,  I called up Bob Amstadt (my favorite electricity and 
electronics guru
and spiritual advisor)  to ask him  about what adaptors will work and 
which ones
won't (this might be a cool additional thread topic , actually, for 
newbies to the stompbox world
 such as myself).

Anyway,  I told him that I keep a bunch of old used 9 volt batteries (in 
various
short lengths of time before their battery death) and that , sometimes,  
when I
am tracking something into my computer,  I'll switch out 4 or 5 of them 
on the
offchance that the particular stomp box pedal that I'm working with will
freakout as the voltage drops precipitously.

He then hipped me to the fact that there are companies that make 
variable power supplies
(specialty hospital equipment, apparently, have the need these things 
for various equipment).

Brand new they are pretty pricey ($190 US)  but he told me that
you can pick up old 60's ones inexpensively sometimes at
electronics surplus stores,  so we have a date, soon,  to go see if we 
can find one
cheaply some day.

I thought that would be such a very hip thing to have.

Has anyone experimented with this?

I know that I record everything if the footpedal is really starting to 
do weird things,
because you may have some random strange noises made and the unit will 
never
make the same noise again (and it's pretty difficult to reproduce the 
results with another battery).

My Casio SK-1  miniature keyboard/sampler just does lovey weirdness when 
it's batteries go low.
I use the keyboards loop capability to create some really nice random 
'weird' loops this way,
so,  see?    This thread actually is relevant to live loopers so I can 
post it with a modicum of guilt.

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 07:03:59 2009
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Date: Mon, 30 Mar 2009 00:03:58 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Firewire mystery question
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that would have been nice,however i tried 3 of them 2 being brand new ones!=
=0Acheers=0Awww.myspace.com/luisangulocom=0A=0A=0A--- On Sun, 3/29/09, andy=
 butler <akbutler@tiscali.co.uk> wrote:=0A=0A> From: andy butler <akbutler@=
tiscali.co.uk>=0A> Subject: Re: Firewire mystery question=0A> To: Loopers-D=
elight@loopers-delight.com=0A> Date: Sunday, March 29, 2009, 12:56 PM=0A> c=
ould be the fault is in the cable.=0A> =0A> =0A> =0A> L.Angulo wrote:=0A> >=
 I still dont know if my firewire PCI card was at fault=0A> or not, meanwhi=
le RME claims their card is not at=0A> fault(although i had to send it once=
 already for repairs=0A> before the warranty was even due)so now they sent =
it back=0A> from repair and charged me 150.-eur but guess what?it istill=0A=
> didnt work!Now they are saying their card worked perfectly=0A> when they =
tested it and that it must be my PCI card.Now i=0A> had to resend it back b=
ut they said if they have to repair=0A> it again is going to cost me just a=
s much or more(gotta love=0A> their great fuckin customer service and their=
 friendliness)=0A> > what is puzzling me is that i conected the RME to my=
=0A> macbook and my macbooks firewire was also fried which=0A> i=A0 had to =
send out for repair(thank god i had the=0A> protection plan)so i dont know =
what to think now and how to=0A> prove it but i am going nuts with this cra=
p!=0A> > Luis=0A> > =0A> > =0A> > =0A> > =0A> > =0A> > =0A> >> It might be =
that the broken RME grilled the two=0A> firewire=0A> >> interfaces...=0A> >=
> You need another computer to test it...=0A> >>=0A> >> Stefan=0A> >>=0A> >=
> -- Les Ondes M=E9morielles---------x--=0A> >> --_____-----------|--------=
---|--=0A> >> --(_|_ ----|\-----|-----()-------=0A> >> -- _|_)----|-----()-=
-------------=0A> >> ----------()----------TJ Shredder=0A> >>=0A> >>=0A> > =
=0A> > =0A> >=A0 =A0 =A0=A0=A0=0A> > =0A> > =0A> =0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 07:09:22 2009
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	<c70e517b0903291614v62583d94h2b3b818167607a29@mail.gmail.com>
Date: Mon, 30 Mar 2009 09:09:05 +0200
Message-ID: <9ab0c76f0903300009n1e06f296l8af2fe0bb96ec60b@mail.gmail.com>
Subject: Re: loop-friendly venues
From: mark francombe <mark@markfrancombe.com>
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--0016e6d588d2e7bda5046650c24d
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Ill fix...you wensite info thing... I DID change the form a bit once already
to include more specific address info.

My thoughts behind the Safe Dangerous thing was to NOT get too anal about
it. Like "song based Looping" or "Beats and loops" or "Drone".. In my
experieance there are 3 types of venues, Safe, Dangerous and Anything.

But Ill put a note on my site page...

Mark

On Mon, Mar 30, 2009 at 1:14 AM, Matt Davignon <mattdavignon@gmail.com>wrote:

> I think in order for this tool to get really useful, we'll need to be
> able to enter more specific genre information than "Safe" or
> "dangerous". I'd favor either a free-text box, or checkboxes for
> well-known genres.  Besides, only people who read your original LD
> posting are going to know what "Safe" and "dangerous" represent.
>
> You deleted the website I put for "Luggage Store" on your spreadsheet,
> even though my description says "Refer to the website for booking
> info".
>
> This list is a great help - thank you.
>
> mark francombe <mark@markfrancombe.com> was all:
> > Thanks Matt... any venues you DO know, I hope you will add too... I mean,
> if
> > you got a gig there, then they are probably pretty open to new cool stuff
> I
> > think... at least under my "Dangerous" categorization...
> >
> > To everyone else.... COME ON!!! Im surprised by the lack of interest to
> add
> > to my list here!!! I think I want to make a suggestion, that EVERYONE
> should
> > try to add at least one venue to my list...
> >
> > I have also included a link to the current status of the list, Hopefully
> > viewing the results will make it more interesting.
> > Im thinking about all the threads over the years that concern places to
> > play. Nowadays, bands are touring less, and I think there are alot more
> > venues open to accepting left field works... It OUR time now... Lets get
> on
> > the road, and LOOP!!!
> >
> > The Looping Friendly Venue Tool.
> > http://www.markfrancombe.com/wordpress/?page_id=525
> >
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6d588d2e7bda5046650c24d
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Ill fix...you wensite info thing... I DID change the form a bit once alread=
y to include more specific address info.<br><br>My thoughts behind the Safe=
 Dangerous thing was to NOT get too anal about it. Like &quot;song based Lo=
oping&quot; or &quot;Beats and loops&quot; or &quot;Drone&quot;.. In my exp=
erieance there are 3 types of venues, Safe, Dangerous and Anything.<br>

<br>But Ill put a note on my site page...<br><br>Mark<br><br><div class=3D"=
gmail_quote">On Mon, Mar 30, 2009 at 1:14 AM, Matt Davignon <span dir=3D"lt=
r">&lt;<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>=
&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">I think in order =
for this tool to get really useful, we&#39;ll need to be<br>
able to enter more specific genre information than &quot;Safe&quot; or<br>
&quot;dangerous&quot;. I&#39;d favor either a free-text box, or checkboxes =
for<br>
well-known genres. =A0Besides, only people who read your original LD<br>
posting are going to know what &quot;Safe&quot; and &quot;dangerous&quot; r=
epresent.<br>
<br>
You deleted the website I put for &quot;Luggage Store&quot; on your spreads=
heet,<br>
even though my description says &quot;Refer to the website for booking<br>
info&quot;.<br>
<br>
This list is a great help - thank you.<br>
<br>
mark francombe &lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfranc=
ombe.com</a>&gt; was all:<br>
<div><div></div><div class=3D"h5">&gt; Thanks Matt... any venues you DO kno=
w, I hope you will add too... I mean, if<br>
&gt; you got a gig there, then they are probably pretty open to new cool st=
uff I<br>
&gt; think... at least under my &quot;Dangerous&quot; categorization...<br>
&gt;<br>
&gt; To everyone else.... COME ON!!! Im surprised by the lack of interest t=
o add<br>
&gt; to my list here!!! I think I want to make a suggestion, that EVERYONE =
should<br>
&gt; try to add at least one venue to my list...<br>
&gt;<br>
&gt; I have also included a link to the current status of the list, Hopeful=
ly<br>
&gt; viewing the results will make it more interesting.<br>
&gt; Im thinking about all the threads over the years that concern places t=
o<br>
&gt; play. Nowadays, bands are touring less, and I think there are alot mor=
e<br>
&gt; venues open to accepting left field works... It OUR time now... Lets g=
et on<br>
&gt; the road, and LOOP!!!<br>
&gt;<br>
&gt; The Looping Friendly Venue Tool.<br>
&gt; <a href=3D"http://www.markfrancombe.com/wordpress/?page_id=3D525" targ=
et=3D"_blank">http://www.markfrancombe.com/wordpress/?page_id=3D525</a><br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"=
http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http:=
//vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http:=
//uk.youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancom=
be</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0016e6d588d2e7bda5046650c24d--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 08:49:03 2009
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Date: Mon, 30 Mar 2009 10:49:02 +0200
Message-ID: <66f9cc1e0903300149q24cea27dsbf3400dc1dd38c3d@mail.gmail.com>
Subject: Re: Spacey Plugins (vst) for Bass and Guitar
From: Per Boysen <perboysen@gmail.com>
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2009/3/30 Andr=E9 Donawa <andre@andredonawa.com>:
> Anyone have any recommendations?

Reverb can be "spacey".

SiR is a good convolution reverb, available for free also in the VST
plug-in format:
http://www.knufinke.de/sir/

With convolution technology the effect sounds as what you load it
with. I bought a couple of wonderful collections of convolution reverb
recordings from http://www.spiritcanyonaudio.com/. Quite "far out"
stuff, fun to play through. Great bang-for-the-buck IMHO.

However, big ambience recordings puts a huge strain to the CPU when
loded into convolution reverbs for live playing.  Being an old
Eventide fan I'm more into the SoundToys Native bundle for live
playing. These plug-ins also have a lot of useful parameters that you
can play from pedals. With a strong laptop they come close to the
classic boxes Eventide Eclips, the old legendary Harmonzier and the
Orbit. Lots of "textural guitarists" play those effect sounds.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Mon, 30 Mar 2009 11:09:53 +0200
Message-ID: <66f9cc1e0903300209t94550d8hb0f7b9c1ac043923@mail.gmail.com>
Subject: Re: Looping and Ambisonics
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On Mon, Mar 30, 2009 at 12:09 AM, Ricky Graham
<rock.guitar.guru@btinternet.com> wrote:
> www.myspace.com/signalsundertests=A0.
>
> I'd very much appreciate your feedback.

Awesome! Very interesting collage style mixing. I had to pause the
playback to verify that some very small but beautiful sounds were part
of the music and not me overhearing my local neighbors. I can imagine
this sounds great in Ambisonics!

Per

Link for those thirsting for knowledge: http://www.ambisonic.net/

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Date: Mon, 30 Mar 2009 12:16:13 +0200
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Subject: Re: OT Variable Power Supplies for Stomp Box Pedals
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I have an (unused now) PSU for stomp boxes. called the flatliner. It
actually has 3 or 4 outputs with a variable voltage, so you can feed pedals
LESS than recommended. I didn't know this, but apparently some pedals
(specifically distortion) do nice things whe fed less that OK power. I have
tried it, and frankly I dont want it any more, som one wants it they can
buy... heavy as **** tho...


Mark





On Mon, Mar 30, 2009 at 7:49 AM, Rick Walker <looppool@cruzio.com> wrote:

> I was researching power supplies for my old
> DOD Meat Box and DOD Buzz Box distortion pedals
> tonight,   trying to see what is available and if I could buy things
> cheaper than standard name brand adaptors.
>
> Online, I was discovering that electronic supply places have pedals
> much cheaper than , say,  the proverbial BOSS PSA 120 power adaptors
> which are up to over $30 USD when shipping  is included.
> The DOD adaptor for the Buzz Box as an example is $18 from DOD
> and $10.25 from the first electronic supply place that I went to through
> google.
>
> In the process,  I called up Bob Amstadt (my favorite electricity and
> electronics guru
> and spiritual advisor)  to ask him  about what adaptors will work and which
> ones
> won't (this might be a cool additional thread topic , actually, for newbies
> to the stompbox world
> such as myself).
>
> Anyway,  I told him that I keep a bunch of old used 9 volt batteries (in
> various
> short lengths of time before their battery death) and that , sometimes,
>  when I
> am tracking something into my computer,  I'll switch out 4 or 5 of them on
> the
> offchance that the particular stomp box pedal that I'm working with will
> freakout as the voltage drops precipitously.
>
> He then hipped me to the fact that there are companies that make variable
> power supplies
> (specialty hospital equipment, apparently, have the need these things for
> various equipment).
>
> Brand new they are pretty pricey ($190 US)  but he told me that
> you can pick up old 60's ones inexpensively sometimes at
> electronics surplus stores,  so we have a date, soon,  to go see if we can
> find one
> cheaply some day.
>
> I thought that would be such a very hip thing to have.
>
> Has anyone experimented with this?
>
> I know that I record everything if the footpedal is really starting to do
> weird things,
> because you may have some random strange noises made and the unit will
> never
> make the same noise again (and it's pretty difficult to reproduce the
> results with another battery).
>
> My Casio SK-1  miniature keyboard/sampler just does lovey weirdness when
> it's batteries go low.
> I use the keyboards loop capability to create some really nice random
> 'weird' loops this way,
> so,  see?    This thread actually is relevant to live loopers so I can post
> it with a modicum of guilt.
>
> Rick Walker
>
>


-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0016e6de04e12460030466536015
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I have an (unused now) PSU for stomp boxes. called the flatliner. It actual=
ly has 3 or 4 outputs with a variable voltage, so you can feed pedals LESS =
than recommended. I didn&#39;t know this, but apparently some pedals (speci=
fically distortion) do nice things whe fed less that OK power. I have tried=
 it, and frankly I dont want it any more, som one wants it they can buy... =
heavy as **** tho...<br>

<br><br>Mark<br><br><br><br><br><br><div class=3D"gmail_quote">On Mon, Mar =
30, 2009 at 7:49 AM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:lo=
oppool@cruzio.com">looppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); =
margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

I was researching power supplies for my old<br>
DOD Meat Box and DOD Buzz Box distortion pedals<br>
tonight, =A0 trying to see what is available and if I could buy things<br>
cheaper than standard name brand adaptors.<br>
<br>
Online, I was discovering that electronic supply places have pedals<br>
much cheaper than , say, =A0the proverbial BOSS PSA 120 power adaptors<br>
which are up to over $30 USD when shipping =A0is included.<br>
The DOD adaptor for the Buzz Box as an example is $18 from DOD<br>
and $10.25 from the first electronic supply place that I went to through go=
ogle.<br>
<br>
In the process, =A0I called up Bob Amstadt (my favorite electricity and ele=
ctronics guru<br>
and spiritual advisor) =A0to ask him =A0about what adaptors will work and w=
hich ones<br>
won&#39;t (this might be a cool additional thread topic , actually, for new=
bies to the stompbox world<br>
such as myself).<br>
<br>
Anyway, =A0I told him that I keep a bunch of old used 9 volt batteries (in =
various<br>
short lengths of time before their battery death) and that , sometimes, =A0=
when I<br>
am tracking something into my computer, =A0I&#39;ll switch out 4 or 5 of th=
em on the<br>
offchance that the particular stomp box pedal that I&#39;m working with wil=
l<br>
freakout as the voltage drops precipitously.<br>
<br>
He then hipped me to the fact that there are companies that make variable p=
ower supplies<br>
(specialty hospital equipment, apparently, have the need these things for v=
arious equipment).<br>
<br>
Brand new they are pretty pricey ($190 US) =A0but he told me that<br>
you can pick up old 60&#39;s ones inexpensively sometimes at<br>
electronics surplus stores, =A0so we have a date, soon, =A0to go see if we =
can find one<br>
cheaply some day.<br>
<br>
I thought that would be such a very hip thing to have.<br>
<br>
Has anyone experimented with this?<br>
<br>
I know that I record everything if the footpedal is really starting to do w=
eird things,<br>
because you may have some random strange noises made and the unit will neve=
r<br>
make the same noise again (and it&#39;s pretty difficult to reproduce the r=
esults with another battery).<br>
<br>
My Casio SK-1 =A0miniature keyboard/sampler just does lovey weirdness when =
it&#39;s batteries go low.<br>
I use the keyboards loop capability to create some really nice random &#39;=
weird&#39; loops this way,<br>
so, =A0see? =A0 =A0This thread actually is relevant to live loopers so I ca=
n post it with a modicum of guilt.<br><font color=3D"#888888">
<br>
Rick Walker<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://vim=
eo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"http://uk.=
youtube.com/user/markfrancombe">http://uk.youtube.com/user/markfrancombe</a=
><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--0016e6de04e12460030466536015--

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Date: Mon, 30 Mar 2009 12:58:30 +0200
Message-ID: <66f9cc1e0903300358x5bb291b6m88612a450012635a@mail.gmail.com>
Subject: Re: Mainstage and midi channels
From: Per Boysen <perboysen@gmail.com>
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Hi Sjaak,

I suspect one solution for you would be to use different MIDI In ports
for the Program Changes that swap patches and for the MIDI notes that
play instruments. You can set that at Mainstage's "Device Input" (in
Layout view's Layout Inspector). That's how I've been using MS and the
reason I never noticed the issue you're bringing up; that a MIDI
Program Change input can not be filtered by MIDI channel.

MIDI notes can, though, and here's how:
- In Layout Mode, select the Keyboard Object.
- Look left, into the Layout Inspector, and change "Channel = All" to
the MIDI channel you want your virtual instruments to react to.

I use the two MIDI ports built into my audio interface, but I still
have a free USB jack on the Macbook where I can pop in a MIDI Link if
I would need a third MIDI port.

Another solution for you could be to use any two Screen Control
Objects (the "Button" object?) in Mainstage and assign them to
function as "Next Patch" and "Previous Patch". Then you can assign
simple external MIDI Notes to scroll the patch list - without the need
for going into MIDI Program Change at all.

Over here I duplicate both this "patch scroller" for a continuous
scroll knob and direct patch selection by MIDI Program Change.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sun, Mar 29, 2009 at 11:05 PM, Sjaak <tcplugin@scarlet.be> wrote:
> I've been testing with Mainstage and discovered that it seems to respond to
> midi messages no mather what channel you specify. For example, if you send
> program change on channel 5 from your MFC, Mainstage reacts even if you have
> assigned channel 1 to your instrument. I checked the manual and internet
> forums but I can't find a way to filter midi channels in Mainstage. Does
> anyone know a workaround, some filter program on OSX level?

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Date: Mon, 30 Mar 2009 13:06:32 +0200
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Subject: Re: Mainstage and midi channels
From: Per Boysen <perboysen@gmail.com>
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On Sun, Mar 29, 2009 at 11:05 PM, Sjaak <tcplugin@scarlet.be> wrote:
> Does
> anyone know a workaround, some filter program on OSX level?

MIDI Pipe is an excellent freeware for OS X that does MIDI patching
PRE software. I tried it out in order to create a bunch virtual MIDI
Ports and that worked fine. In MIDI Pipe you can filter the physically
incoming MIDI and direct it to specific virtual MIDI ports. Then it is
a breeze in Mainstage to fetch data from only certain chose inputs.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Mon, 30 Mar 2009 13:28:52 +0200
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Subject: Re: OT Variable Power Supplies for Stomp Box Pedals
From: Per Boysen <perboysen@gmail.com>
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On Mon, Mar 30, 2009 at 12:16 PM, mark francombe <mark@markfrancombe.com> wrote:
> I have an (unused now) PSU for stomp boxes. called the flatliner. It
> actually has 3 or 4 outputs with a variable voltage, so you can feed pedals
> LESS than recommended. I didn't know this, but apparently some pedals
> (specifically distortion) do nice things whe fed less that OK power. I have
> tried it, and frankly I dont want it any more, som one wants it they can
> buy... heavy as **** tho...


Wow - that seems just like the treat for Rick's studio. Maybe not for
the road tho...

Wondering if stomp boxes will react as lab rats on being fed almost
less than they need? The rats grow healthy and live longer under those
minimal supplies. Then I should start running my Behringer pedals on
worn-out batteries to make them  last longer than the usual three
years ;-))

pboy

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Subject: OT Variable Power Supplies for Stomp Box Pedals
From: Rainer Straschill <moinsound@googlemail.com>
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I've already gone on alot about my replacing the PSUs which came with
the effects boxes with switching power supplies (SPS) so I can run
them both from 110 and 220V (say, Germany and US).
Apart from that, first note that there are specialized pedal board
power supplies from a few manufacturers which, while not necessarily
being inexpensive, have the advantage that you can several (like 5 or
8 or 12) stomp boxes from one PSU which isn't that big. They start at
around =8040 for 8 9V and 2 12V outputs (including cables).

Note that these, however, are not of the SPS type, but some of those
can be switched between 110 and 220 (like e.g. the Behringer FCB1010).

> He then hipped me to the fact that there are companies that make variable=
 power supplies (specialty hospital equipment, apparently, have the need th=
ese things for various equipment).

There are also some of these pedalboard PSUs which have specific
outputs which can be regulated in voltage to simulate a weak battery.
One which I found is this one:
http://www.voodoolab.com/pedalpower_2.htm

Note, however, that they won't necessarily simulate a weak battery
precisely, as the output voltage of a weak battery is highly dependant
on the current draw, so it's only an approximation (but nevertheless
in the vast majority of cases a sufficient one).

           Rainer

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Rick Walker wrote:


> Anyway,  I told him that I keep a bunch of old used 9 volt batteries (in 
> various
> short lengths of time before their battery death) and that , sometimes,  
> when I
> am tracking something into my computer,  I'll switch out 4 or 5 of them 
> on the
> offchance that the particular stomp box pedal that I'm working with will
> freakout as the voltage drops precipitously.
> 
> He then hipped me to the fact that there are companies that make 
> variable power supplies
> (specialty hospital equipment, apparently, have the need these things 
> for various equipment).
> 


Variable power supplies are commonly used by people who work with electronics,
and are sold under the name "Bench power supplies". Some of them can
provide a continuously variable voltage.
That won't mimic a dying battery tho' (may still produce interesting behaviour
changes in your gear, but unlikely the same ones).

The difference between a good battery 
and a flat one is not actually Voltage, it's something called 
internal resistance. 

So...in theory...all you need to do to make a good battery resemble
a dying one is add a resistance in series.

I'm guess we're into "get someone to solder it for me" territory here
(unless you bought that fleamarket bargain soldering iron)

The resistor you need ...well I don't know what would work best...
...you could try starting with a 1k log pot then turn the spindle
till the desired artefacts appeared.

andy



From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 12:08:46 2009
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L.Angulo wrote:
> that would have been nice,however i tried 3 of them 2 being brand new ones!
> cheers
> www.myspace.com/luisangulocom
> 
> 

sure, but if it was the old one that you tried first, and it had a short,
it could have fried your firewire card.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 12:23:10 2009
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From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: OT Variable Power Supplies for Stomp Box Pedals
To: Rick Walker <looppool@cruzio.com>,
 "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
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Greetings Rick and everyone -
    I think there are some very low-tech ways of feeding low power to 
effects. I can't say for sure, cuz I just don't have the time to go through 
all my electronics books, but you could probably put some kind of 
potentiometer between the power source and the device that would drain volts 
off in a controllable manner.

    I have a toddler's Sesame Street "radio" that plays about a half-dozen 
kiddie songs in a single-note electronicy-chime tone. I circuit-bent it so 
that one bare wire comes out off the circuit board. If I touch this wire, it 
drains the power: the pitch drops and the tempo slows down. The more contact 
I make with the wire, the more dramatic the effect. Good for about five 
minutes of stupid-time...

    I bet some solder-savvy looper is gonna have a solution to this 
low-power possibility.


Douglas Baldwin
Alpha Coyote
coyotelk@optonline.net
www.TheCoyote.org

"The purpose of music is to sober and quiet the mind, thus rendering it 
suseptible to divine influences."
-- Thomas Mace (17th century), transmitted to Gita Sarabhai, as told to John 
Cage


From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 12:42:23 2009
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Dear Mark,

What I've noticed, viz a vis your list of loop freindly venues around 
the planet
is that frequently,  it's more efficacious to find out who the people 
are in a region
who can help you to find a gig, as opposed to having a list of specific 
gigs.
That's why I haven't responded yet to this list because, frankly, 
despite Steve Lawson
calling my home town the 'live looping capitol of the univers",    I 
can't really
send you a definitive list of venues that one could book in my area.

Instead,  I think it might be a more accurate list to mention the people 
who
seem the most committed to this notion of helping live looping artists to
get a gig when they are on tour.

Here's a long winded , but salient list of reason why I think this is true
and, at the end of my exposition,  a list of people who one might contact
through this list if they are trying to book a gig in a region.

To whit:

All of my adult life (from the turn of the decade from 70's to 80's until
the prestent time)   I have constantly searched for and encouraged the 
creation
of new venues for all original music, whether it be new wave/punk/world 
music/live looping/
experimental/goth-industrial or noise music.  

Toward that end, in my home town of Santa Cruz, California,  I've been 
successful at getting
literally dozens of venues to open themselve up to new music/creative 
performances.

Over those years,   the lion's share of every single one of those venues 
has gone out of business,
one by one.     

Oddly enough,  I've never gotten very depressed about this because I 
realize that there is always an
idealist who opens up a gallery or museum;   a struggling local bar who 
can always use an infusion of
a small but fanatical group of cretive musicians to swell there ranks on 
at least an off night.

Also,  having committed my entire adult life to trying to promote the 
notion of creative community 
I have noticed that many, many venues will be open to new music but that 
, essentially,  it really takes
someone being fanatical and completely existentially committed to the 
proposition of expanding the community
of creativity in a regional location.

Even in my touring in Europe and the UK,  I have noticed that every 
several years,  the really hip and supportive venues
have changed hands or gone completely out of business.

I've played amazing venues in Santa Cruz, San Francisco, Oakland, 
Berkeley, the South Bay,  Monterey, Carmel
and many, many places in Scandinavia, Western Europe, the UK, Mexico, 
Canada and Japan that no longer exist.

This constant overturn of venues could be really depressing to me if 
several people in this community didn't feel completely committed to the
unstoppable force of human creativity and the notion of it's promotion.

******
This is a really long winded explanation of why I can't really 
contribute to your list in the SF and Monterey Bay Areas despite the
fact that this might be one of the strongest places to present live 
looping music per capita on the entire earth.

The venues keep changing and a lot of them get opened up only by dent of 
personality as opposed to the success of commerce.

As a stellar example,  I've had the Y2K series in 5 different locations 
over 8 years and I can't honestly recommend any of them
for travelling loopers because either they are mostly not open to live 
looping presently or they literally don't exist.

Two of the wonderful spots that I did the festival in (the Rio Theatre 
and the Cayuga Vault) were brand new struggling arts venues
when I first approached the owners to do the festival.    At the time,   
I had enough clout from having successful bands in the region that
I could offer them all kinds of publicity if they would gift us with a 
venue for the looping festival.   
At the time,  that was a great idea and mutually beneficial to all 
parties concerned.

After a while, though,   they had to pay the rent or mortgages that they 
had involved themselves in to run these places and
our little wonderful but economically modest festival just couldn't help 
them to stay in business.

Even the venue that we've produced the festival in the last three years 
is struggling greatly due to the recession/depression that Northern 
California
finds itself in (and it's much worse here than most places in the US at 
least)  and as of this late date I don't even know if I have a spot
to do Y2K9 for certain because the owner may have to let go of his lease.

This means that I really don't have the ability to list great places to 
loop in this area..................................at all!!!!!

******

At the same time,    what I've noticed is that there are personalities 
in this scene who seem incredibly committed to this notion of
 the live looping community and pushing it's existence to the world.
_*
My advice is that a list of those people is really just as important , 
or perhaps more, than a list of specific venues (which come and go).*_

As an example,  in my experience,  I can reccommend some names of people 
to contact if you want to get something going.
I'm a bit tired tonight and it's late so please don't be offended if I 
have a brain fart and forget you,   but contacting these individuals
will be as efficacious in determing a place to play live looping music 
as a specific list of current live looping venues:

note:   many of these people may no longer be involved, actively in the 
promoting the international live looping movement,
but all of them have made significant contributions in the past.    My 
apologies to anyone who no longer wants to be involved
with this list.   Also,  I am just not very connected to the New 
York/East Coast scene so please forgive my lack of
information around that scene.  Please ,  
anyone............................amend this list with my humble apologies.

_United States_
Peter Koniuata, David Kirkdorffer, Tim Nelson (Boston)
Todd Reynolds (New York City)
Michael Klobuchar (Pittsburgh)
James Sidlo (San Antonio)
Hans Lindauer (Portland --- originator of Loopstock)
Rick Walker, Bill Walker,  Glenn Smith, Chris Cohn, Dan Soltberg  (Santa 
Cruz)
Matt Davignon (San Francisco)



_England_
Andy Butler (Norwich),  
Andrew Ostler (formerly of Cambridge)
Steve Lawson (London)

_Northern Ireland _
Ricky Graham (Derry),  Paul Marshall (Bangor/Belfast)

_Wales_
Gareth Whittock (Swansea)

_Sweden _
Per Boysen (Stockholm)
Tryggve Lund (Sweden/Norway)

_Norway _
Tellef Orgrim (Oslo)

_Finland _
Miro Mantere (Poorvo/Helsinki)

_Germany  _
Leander Reinhinghaus (Berlin)
Andreas Willers (Berlin)
Michael Peters (Koln)
Rainer Straschill (Munchen)
Luis Angulo (Radolfzell/Konstanz)

_Switzerland_
Bernhard Wagner (Zurich)
Claude Voit (Lucerne)

_Belgium _
Sjaak Overgaauw  (Antwerp)

_Italy_
Massimo Livernani (Firenze)
Fabio Anile (Roma)
Bruno Kleinefeld (Milano)
Luca Formentini (Descenzano/Lago Di Garda)
_
Greece_
Costas Andreou  (Athens)

_Brazil_
Matthias Grob (Bahia)

_Bahamas _
Andre Donawa (Barbado)

_Argentina_
Ariel Rzezak (Buenos Ares) 

_Singapore _
Randolf Arrioloa (Singapore)

_Japan _
Sunao Inami (Kobe/Osaka)
Aci (Tokyo)



Okay,  I know I"m missing a lot of important people (especially people 
from my own country)
Please help me out and forgive me any brain farts.












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Date: Mon, 30 Mar 2009 06:59:52 -0600
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Subject: Re: MASTER LIST of Least Costly Live Looping Solutions
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Hi Tim!

About the use of the two pedals: you really need a pair as, they are used to
control four functions on the Vortex ... "Bypass", "Up/Down Patch", "A/B
Morph", and "Tap" ... and they use stereo/TRS cables. "Bypass" is the one
function not accessible from the front; the ther three can be reached
through the front.

Yeah, RPM 2009 ... a bunch of us held a "virtual" Listening Party in Second
Life. I played the three tracks and in between did a couple of impromptus.
Much fun...

Best,

Dennis


On Sun, Mar 29, 2009 at 12:25 PM, Tim Nelson <psychle62@yahoo.com> wrote:

>
> --- On Sun, 3/29/09, Dennis Moser <sinsofmachaut@gmail.com> wrote:
> > 1. Lexicon Vortex. ... If you get one, get two
> > sets of pedals, along with an expression pedal and you will
> > have a fun little tool.
>
> Hi Dennis,
>
> Why two sets of pedals? Can it be used duplex with each set controlling
> different functions, or is this for backup?
>
> Saw your disc on the table at the Portsmouth RPM party last night! Lots of
> fun was had!
>
> -t-
>
> http://www.myspace.com/nimbletunes
> http://cdbaby.com/all/timnelson
> http://www.youtube.com/speleman62
>
>
>
>
>


-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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Hi Tim!<br><br>About the use of the two pedals: you really need a pair as, =
they are used to control four functions on the Vortex ... &quot;Bypass&quot=
;, &quot;Up/Down Patch&quot;, &quot;A/B Morph&quot;, and &quot;Tap&quot; ..=
. and they use stereo/TRS cables. &quot;Bypass&quot; is the one function no=
t accessible from the front; the ther three can be reached through the fron=
t.<br>
<br>Yeah, RPM 2009 ... a bunch of us held a &quot;virtual&quot; Listening P=
arty in Second Life. I played the three tracks and in between did a couple =
of impromptus. Much fun...<br><br>Best,<br><br>Dennis<br><br><br><div class=
=3D"gmail_quote">
On Sun, Mar 29, 2009 at 12:25 PM, Tim Nelson <span dir=3D"ltr">&lt;<a href=
=3D"mailto:psychle62@yahoo.com">psychle62@yahoo.com</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204=
, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
--- On Sun, 3/29/09, Dennis Moser &lt;<a href=3D"mailto:sinsofmachaut@gmail=
.com">sinsofmachaut@gmail.com</a>&gt; wrote:<br>
&gt; 1. Lexicon Vortex. ... If you get one, get two<br>
<div class=3D"im">&gt; sets of pedals, along with an expression pedal and y=
ou will<br>
&gt; have a fun little tool.<br>
<br>
</div>Hi Dennis,<br>
<br>
Why two sets of pedals? Can it be used duplex with each set controlling dif=
ferent functions, or is this for backup?<br>
<br>
Saw your disc on the table at the Portsmouth RPM party last night! Lots of =
fun was had!<br>
<br>
-t-<br>
<br>
<a href=3D"http://www.myspace.com/nimbletunes" target=3D"_blank">http://www=
.myspace.com/nimbletunes</a><br>
<a href=3D"http://cdbaby.com/all/timnelson" target=3D"_blank">http://cdbaby=
.com/all/timnelson</a><br>
<a href=3D"http://www.youtube.com/speleman62" target=3D"_blank">http://www.=
youtube.com/speleman62</a><br>
<br>
<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://myspa=
ce.com/usrsbin">http://myspace.com/usrsbin</a><br><a href=3D"http://audiozo=
loft.com">http://audiozoloft.com</a><br><a href=3D"http://usrslashsbin.angr=
ek.com/">http://usrslashsbin.angrek.com/</a><br>


--00221532cf6c89e15d046655a89f--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 13:36:59 2009
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Date: Mon, 30 Mar 2009 15:36:58 +0200
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Subject: Re: loop-friendly venues
From: Per Boysen <perboysen@gmail.com>
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I've been thinking about what "looper friendly venue" might mean but
not found out that I know about any such. So far the concerts I do
locally here in Sweden have not been the fruit of my dedicated
marketing research. It's rather the other way around, as I have a
financing problem with playing for the lowest payment. Those few
events that has hired my services have rather been looking for
something else than "looping". Maybe for "experimental music", "sound
art" or simply "weird jazz" - and luckily I have been doing quite a
lousy job explaining what I'm trying to do - so different people tend
to see me as a different kind of player and luckily it has happened
now and then that this fragmented picture of me has temporarily been
resonating with someones ideas about something.

 But here's another idea I have actually been using and that worked:

Whenever you plan to look for a gig in a city, or a region, first go
to a public library and collect all the local daily papers for the
region. Scan through "art and entertainment advertisements" pages and
write down a list of all venues, institutions or organizations of the
area that arrange events where your act would fit in (remember you may
"fit in" as the odd card as well - I once had a blast doing live
looping impro at a singer-song-writer's evening beer club... yeah,
yeah, funny but it sort of worked). Ok, next stage is to Google the
list of players and find out who is in charge of planning the program
at the venues. You may use the phone to call and ask who to speak to
for presenting live show offers. Now - Before you start making phone
calls - change your hat! TAke on the hat of "your manager", "your
publisher" or whatever person that should be able to help you doing
this and talk about about the artist (you) as one fair part in a
business negotiation. Maybe you are in the lucky position of really
having a person in that role... well, when we did this trick we played
all the roles by ourselves and managed to offer venues "a special
deal" that was not so expensive as the local top commercial artists
but still priced well enough for making it possible from our
perspective.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Mon, 30 Mar 2009 22:48:29 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: OT Variable Power Supplies for Stomp Box Pedals
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At 10:49 PM -0700 3/29/09, Rick Walker wrote:
>
>Anyway,  I told him that I keep a bunch of old used 9 volt batteries 
>(in various
>short lengths of time before their battery death) and that , 
>sometimes,  when I
>am tracking something into my computer,  I'll switch out 4 or 5 of them on the
>offchance that the particular stomp box pedal that I'm working with will
>freakout as the voltage drops precipitously.
>
>He then hipped me to the fact that there are companies that make 
>variable power supplies
>(specialty hospital equipment, apparently, have the need these 
>things for various equipment).
>
>I thought that would be such a very hip thing to have.
>
>Has anyone experimented with this?

Voltage sag is now "the new black" as far as boutique pedals are 
concerned, and you can find that many of the models released within 
the last year have power starve controls built right into them.

Otherwise, there's many different ways to get this effect.  As you've 
discovered, the old battery trick has been used for years.  Also, 
there are high-end pedal voltage supplies (like the Voodoo Labs Pedal 
Power series) that offer at least one output with variable voltage. 
I've got a Guyatone PS that does this and it works pretty well. 
These are frickin' expensive, though.

As a more intriguing entry, you might try taking a look at the Power 
Struggle by Dwarfcraft Devices ("your old pal Aen"): 
http://www.analoguehaven.com/dwarfcraftdevices/powerstruggle/  It's 
nothing more than a variable power sag, but you can control this one 
with an expression pedal so it's easy to find a distortion's 'sweet 
spots' in real time.  Still a bit pricey at ~$95, but at least it's 
got an interesting twist.

And finally, for my pick, there's the simple but functional devolt 
from Beavis Audio Research ( 
http://www.beavisaudio.com/products/devolt/ ).  Beavis is also a 
great resource for DIY pedal building/mods, and even tells you how to 
make/mod your own: http://www.beavisaudio.com/Projects/DBS/

Anyway, the devolt is only $39 + $7 shipping. Cool product from a cool guy.

Hope that helps...  :)

	--m.
-- 
_____
"Image is blasphemy. Text is heresy. The spoken word is a lie."
	 X  <--- you are here.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 14:02:43 2009
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Dennis Moser wrote:
> Hi Tim!
> 
> About the use of the two pedals: you really need a pair as, they are 
> used to control four functions on the Vortex ... "Bypass", "Up/Down 
> Patch", "A/B Morph", and "Tap" ... and they use stereo/TRS cables. 
> "Bypass" is the one function not accessible from the front; the ther 
> three can be reached through the front.

Along with the expreassion ped and TapAB switches 
I just use a single ("mono" cable) switch into the Bypass/UpDownPatch
socket so it only does Bypass. 


...that's the absolute minimum.


Actually tho', maybe I should use the patch select switch as well ;-)

andy

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 14:09:51 2009
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Subject: Packing a laptop setup (with trombone) into bags
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Hi everyone,

sometime ago (more specifically in February) I asked for a bag for a
Behringer FCB1010 plus BCR2000 to complete the bag/case solution for
my current live rig. Now, as time has passed (and I had to take looks
at different bags), all is ready and completed, and I'd like you to
know about it.

Read on for a capturing tale of requirments engineering, package
partitioning and how this author was able to beat the prestigious Rick
Walker International Live Looping Festival Challenge in record time!

1. THE REQUIREMENTS:
===================
The setup is essentially what people were seeing on the trombone solo
gigs on my MoinSound 2008 World Tour (basically, the BEMF main
festival and Pasing). The setup is centered around the noise sources
of trombone and vocals and a laptop (Dell D620) is used for
processing.
As for the MMI, a Behringer BCR2000 faderbox and the well-known (and
-hated) FCB1010 are used.
There are, as of now, the following rack-mount components: a TC
Electronic Konnekt24D audio interface, an AKG WMS 40 two-channel
wireless receiver (together with fitting bodypacks and microphones for
vocals and trombone) and a LD Systems MEI100 wireless
in-ear-monitoring system (together with a pair of Sony in-ears). This
is complemented by a Zoom H2 (for recording).
Of course, there's also a trombone - a Bach Stradivarius B42 together
with a stand.

My requirements:
   * the system should be wired as completely as possible when packed.
   * setup (and breakdown) time should be minimized.
   * portability so I can carry the entire thing in one trip. Means
also: lightweight.
          ("portability" also means "to be carried" - i.e. if going up
a flight of stairs)
   * the system should work with both 110 and 230V power supply.
   * being able to withstand airplane baggage handling is not a
requirement. It's meant for those cases where I drive e.g. in my car
or on a train and am able to handle the stuff myself, thank you.


2. PARTITIONING:
=============
It's obvious that you won't fit everything into one bag, so some
partitioning was in order.
First of all, putting the trombone in a bag of its own makes sense
obviously, so I can also take it to an unelectronic gig. I obtained a
Protec C239:
http://www.protecmusic.com/items.aspx?ProductID=60&InstrumentID=37&InstrumentGroupID=1&CategoryID=3&subCategoryID=1

It's solidly padded, also for the slide compartment, and has another
long pocket on the other side of the compartment for the bell, which
not only holds the mouthpiece, shoulder strap, cream etc., but also
the trombone stand. I also got the accessory shoulder strap so I can
carry the thing on my back.
It shows that it works well to keep the bodypack/microphone attached
when packing the trombone. For that, I fitted the bodypack into a
small pouch, attached that to the pipes of the instrument and with
that, everything's set.

The computer and rackmount components are of course best held in one
of those cases specifically made for this. There are those which are
for the real rough handling - but come with the downside of not being
optimized for carrying (e.g. with a shoulder strap), as this one:
http://www.skbcases.com/music/products/proddetail.php?f=&id=426&o=&offset=1&c=102&s=78#
However, with a rack depth of 9.5'', this is rather shallow. Too much?
In my case, yes: the Konnekt24D is 9'' deep - add to that cables and
it becomes a no-go.

What I finally selected was this:
http://www.gatorcases.com/productsmodeldetail.aspx?LID=25&PID=26&MID=384
Not as sturdy as the SKB item, however with a aluminum-made rack
frame, it seems sturdy enough (unless put on a plane - this is true
especially for the laptop pocket, which is merely padded).
Note that when installing, I found that my hestitation towards the
SKB's depth was not without reason: including power strip, PSUs and
cables, this rack is completely filled. There is a hole in between the
rack and the laptop compartment - important to fulfill my "all cables
have to be in place" requirement.

With that, the leftover components are: two bodypacks (one with
headphones, one with headset mike), the Zoom H2, the BCR2000 and the
FCB1010 - all of which I liked to have in one bag. In the emails here,
Fabio recommended a Warwick Rockbag to me (thanks, Fabio!), and
although the item he uses didn't work for me, another one did: a DJ
bag:
http://www.warwick-distribution.de/?katID=19088&cl=EN&did=1
(note to self: why is it that we end up using products made for DJs
all of a sudden? Just the other day, I talked to Per about a MIDI
faderbox, and he told me about his faderfox, which one store carried
in the DJ department as well).
Normally meant to hold two CD players and a  DJ mixer, it works
equally well in its new role.


3. PUTTING IT TOGETHER:
====================
Surprisingly, it worked right from the start. As mentioned, the
laptop/rack case is totally cramped, but otherwise works fine. Note
that there's a power distribution strip sitting in this case, not only
feeding the wireless units, interface and laptop (the PSUs for the
wireless units have already been replaced by SPS to be able to handle
110V as well), but also holding the power strips going to the BCR2000
and FCB1010. For this reason, they are tied together with the MIDI/USB
cables respectively. And of course, cables are tied together, in case
of those which need to be extended by refastening velcro ones.


4. A FIRST PERFORMANCE TEST:
==========================
For a first performance test known to many here as being hard to
fulfil, I chose the Rick Walker International Live Looping Festival
Challenge: You come onto a stage where you find two cables leading to
the board, one power socket and a table. You need to be ready in 30
minutes. Everything over that will eat into your allowed performance
time.
In a first attempt (not practised or rehearsed), I came out at 9:02.
Yes, that's right! I did it more than 20 minutes under the target.
Now, can this be improved?

Of course, there's the option to practice a little and perhaps bring
it down to a little over eight minutes. However, another question
would be if (and how) the process can be put in parallel. The quick
answer: yes, it can. You're albe to have one (instructed) person boot
the computer, set up computer (yes, in that order), faderbox and
pedalboard and make the connections to the mains, while the performer
sets up the trombone and gets his bodypacks ready. By doing so, it's
possible to get into the region of 5 minutes for this challenge.
What's more, the bodypack attachment/trombone setup tasks can easily
be done backstage in advance, so this works even if you're all by
yourself.


5. SUMMARY AND OPEN TASKS:
==========================
Did it work? As far as I can tell: yes, absolutely! I'm really happy
with this solution which really allows for super-fast and hassle-free
setup and breakdown. Add to that the fun I gained from using wireless
components, and you know I'm a happy little looper.
There's not much remaining: choosing which additional parts to bring
along. A batch of spare batteries would be nice, and as we're talking
about it, it seems that also my video camera (with stand) would still
fit in the bag.


          Rainer

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andy butler wrote:
> Rick Walker wrote:
> 
> 
>> Anyway,  I told him that I keep a bunch of old used 9 volt batteries 
>> (in various
>> short lengths of time before their battery death) and that , 

> The resistor you need ...well I don't know what would work best...
> ...you could try starting with a 1k log pot then turn the spindle
> till the desired artefacts appeared.
> 
> andy
> 
> 
> 
> 

ahh, I guess that's about right:-

“put a 5k linear pot in series with the positive terminal to the circuit. that's all you need to simulate a typical dying 9V battery. the resistance range is almost identical to the chemical build-up over time using a pedal that draws around 5mA. if you don't believe me. try it, and then substitute a dead/dying battery and listen for a difference with the pot shorted. batteries can't die without building up series resistance. likewise, the reason for voltage drop is a result of the increased series resistance! i put it to you... the lowering of battery voltage is a result of exactly the same mechanism as increased series resistance. a pot in series with a battery will most certainly simulate the dying of a battery.” – Zachary Vex




From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 14:16:03 2009
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Date: Mon, 30 Mar 2009 16:10:19 +0200
Message-ID: <9ab0c76f0903300710h69a1e803q8b02702de08071cc@mail.gmail.com>
Subject: Re: loop-friendly venues
From: mark francombe <mark@markfrancombe.com>
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Both Rick and Pers excellent comments are of course VERY true!!! And Im not
suggesting for a moment that MY humble idea should be anything more than a
list of places to START from.

RE: Ricks comments, WOW... What a fantastic list... cant beat that really,
its of course true that PEOPLE book bands, not clubs.
RE: Pers comments, Again VERY true about the "Manager hat" comment. I know
that this approach can be very true from the angle of booking gigs, but also
when it comes to sending in CDs for review in publications. A "Press
Release" from the label works much better than from the band. Even though
its often the same thing.

But RE: my list. I have for many years thought that a great web 2.0 resourse
should be (although I'm not the man to program or release it) is user
generated lists of.... well ANYTHING!!! For example, you want a plumber. You
find a great one, and you post him in this site under "Plumbers" Someone
else comments that they too have a great experience with this guy (he gets 2
stars) someone else later posts that this guy overcharged and made
suggesting remarks to your daughter (he loses a star). I would LOVE there to
be a worldwide database of great people and places. Afterall, this is the
same functionality that started "Lonely Planet" and that everyone uses at
Amazon and Harmony Central.

Think of my list as a "Snapshot" of now... if you are booking shows NOW,
this year. Next year, Im sure its out of date...

Mark
-- 
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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Both Rick and Pers excellent comments are of course VERY true!!! And Im not=
 suggesting for a moment that MY humble idea should be anything more than a=
 list of places to START from. <br><br>RE: Ricks comments, WOW... What a fa=
ntastic list... cant beat that really, its of course true that PEOPLE book =
bands, not clubs.<br>

RE: Pers comments, Again VERY true about the &quot;Manager hat&quot; commen=
t. I know that this approach can be very true from the angle of booking gig=
s, but also when it comes to sending in CDs for review in publications. A &=
quot;Press Release&quot; from the label works much better than from the ban=
d. Even though its often the same thing.<br>

<br>But RE: my list. I have for many years thought that a great web 2.0 res=
ourse should be (although I&#39;m not the man to program or release it) is =
user generated lists of.... well ANYTHING!!! For example, you want a plumbe=
r. You find a great one, and you post him in this site under &quot;Plumbers=
&quot; Someone else comments that they too have a great experience with thi=
s guy (he gets 2 stars) someone else later posts that this guy overcharged =
and made suggesting remarks to your daughter (he loses a star). I would LOV=
E there to be a worldwide database of great people and places. Afterall, th=
is is the same functionality that started &quot;Lonely Planet&quot; and tha=
t everyone uses at Amazon and Harmony Central.<br>

<br>Think of my list as a &quot;Snapshot&quot; of now... if you are booking=
 shows NOW, this year. Next year, Im sure its out of date...<br><br>Mark<br=
>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><=
br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://uk.youtube.com/user/markfrancombe">http://uk.youtube.com/=
user/markfrancombe</a><br><a href=3D"http://www.myspace.com/markfrancombe">=
http://www.myspace.com/markfrancombe</a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--0016e6de00335a0932046656a565--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 14:18:12 2009
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References: <24347.72.22.1238364855.squirrel@www.andredonawa.com> <66f9cc1e0903300149q24cea27dsbf3400dc1dd38c3d@mail.gmail.com>
Subject: Re: Spacey Plugins (vst) for Bass and Guitar
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PSP 84
Space Effect
Antares Filter
Reaktor as VST (tons of great spacey patches)

From joyjacket5whjwguhtffjftf@msn.com  Mon Mar 30 14:44:45 2009
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Dear Friend=20
=20
Greetings in the name of God=2CPls let this not sound strange to you for my=
 only surviving lawyer who would have done this died early this year.
=20
i prayed and got your email id from your country guestbook. I am MRS JOYJAC=
K SON from London=2CI am 58 years old=2Ci am suffering from a long time can=
cer of the lungs which also affected my brain=2Cfrom all indication my cond=
itions is really deteriorating and it is quite obvious that=2C according to=
 my doctors they have advised me that i may not live for the next two month=
s=2Cthis is because the cancer stage has gotten to a very bad stage.=20
=20
I was brought up from a motherless babies home was married to my late husba=
nd for twenty years without a child=2Cmy husband died in a fatal motor acci=
dent Before his death we were true believers.Since his death I decided not =
to re-marry=2CI sold all my inherited belongings and deposited all the sum =
of 10million dollars with a First Inland Bank.=20
=20
Presently=2C this money is still with them and the management just wrote me=
 as the true owner to come forward to receive the money for keeping it so l=
ong or rather issue a letter of authorization to somebody to receive it on =
my behalf since I can not come over because of my illness or they get it co=
nfisticated.=20
=20
 Presently=2C I'm with my laptop in a hospital here in Switzerland where I =
have been undergoing treatment for cancer of the lungs. my doctors have tol=
d me that I have only a few months to live.It is my last wish to see that t=
his money is invested to any organisation of your choice and distributed ea=
ch year among the charity organization=2Cthe poor and the motherless babies=
 home.=20
=20
I want you as God fearing person=2C to also use this money to fund church=
=2Cmosque=2C orphanages and widows=2CI took this decision=2C before i rest =
in peace because my time will so on be up.=20
=20
As soon as I receive your reply I shall give you the contact of the First I=
nland Bank.I will also issue you a letter of authority that will prove you =
as the new beneficiary of my fund.=20
=20
Please assure me that you will act accordingly as I stated herein. Hoping t=
o hear from you soon.  NAME: __________SURNAME:__________________SEX: _____=
 AGE: ______MARITAL: _______________COUNTRY: ______
CONTACT ADDRESS: ________________________PHONE NO#___________FAX NO#_______=
__________OCCUPATION:
______________
waiting for you information
reply:me through this my private email
address:mrsjoyjackson2009@yahoo.fr
=20
MRS.JOYJACK SON=

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<html>
<head>
<style>
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
</style>
</head>
<body class=3D'hmmessage'>
<DIV><STRONG>Dear Friend <BR>&nbsp=3B<BR>Greetings in the name of God=2CPls=
 let this not sound strange to you for my only surviving lawyer who would h=
ave done this died early this year.<BR>&nbsp=3B<BR>i prayed and got your em=
ail id from your country guestbook. I am MRS JOYJACK SON from London=2CI am=
 58 years old=2Ci am suffering from a long time cancer of the lungs which a=
lso affected my brain=2Cfrom all indication my conditions is really deterio=
rating and it is quite obvious that=2C according to my doctors they have ad=
vised me that i may not live for the next two months=2Cthis is because the =
cancer stage has gotten to a very bad stage. <BR>&nbsp=3B<BR>I was brought =
up from a motherless babies home was married to my late husband for twenty =
years without a child=2Cmy husband died in a fatal motor accident Before hi=
s death we were true believers.Since his death I decided not to re-marry=2C=
I sold all my inherited belongings and deposited all the sum of 10million d=
ollars with a First Inland Bank. <BR>&nbsp=3B<BR>Presently=2C this money is=
 still with them and the management just wrote me as the true owner to come=
 forward to receive the money for keeping it so long or rather issue a lett=
er of authorization to somebody to receive it on my behalf since I can not =
come over because of my illness or they get it confisticated. <BR>&nbsp=3B<=
BR>&nbsp=3BPresently=2C I'm with my laptop in a hospital here in Switzerlan=
d where I have been undergoing treatment for cancer of the lungs. my doctor=
s have told me that I have only a few months to live.It is my last wish to =
see that this money is invested to any organisation of your choice and dist=
ributed each year among the charity organization=2Cthe poor and the motherl=
ess babies home. <BR>&nbsp=3B<BR>I want you as God fearing person=2C to als=
o use this money to fund church=2Cmosque=2C orphanages and widows=2CI took =
this decision=2C before i rest in peace because my time will so on be up. <=
BR>&nbsp=3B<BR>As soon as I receive your reply I shall give you the contact=
 of the First Inland Bank.I will also issue you a letter of authority that =
will prove you as the new beneficiary of my fund. <BR>&nbsp=3B<BR>Please as=
sure me that you will act accordingly as I stated herein. Hoping to hear fr=
om you soon.&nbsp=3B NAME: __________SURNAME:__________________SEX: _____ A=
GE: ______MARITAL: _______________COUNTRY: ______<BR>CONTACT ADDRESS: _____=
___________________PHONE NO#___________FAX NO#_________________OCCUPATION:<=
BR>______________<BR>waiting for you information<BR>reply:me through this m=
y private email<BR>address:mrsjoyjackson2009@yahoo.fr<BR>&nbsp=3B<BR>MRS.JO=
YJACK SON</STRONG></DIV></body>
</html>=

--_79c51e03-279c-4e76-aeb1-7d569557b637_--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 15:13:31 2009
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I have a cheap (think it was $15, a few years back) power supply from 
Radio Shack which allows choice of five different voltages, from 7 - 15 
volts if I remember correctly. I found that over-powering an analog 
delay makes it oscillate much easier. I haven't tried it with a 
distortion box, but now I think I need to.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 15:20:57 2009
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In booking my own tours, I've taken advantage both of personal contacts 
as well as raw lists of venues, and I've found both to be valuable. In 
fact I find that the venues often are the route to the people. Just the 
past few weeks, in Denver and Chicago among other cities, emailing a 
venue prompted them to suggest either other venues or like-minded peeps 
that are going to be great connections. And I've also found some really 
enthusiastic people just among the bookers, who hooked me up with a show 
and are interested in the music besides. The more possible connections 
the better, be they individuals or actual venues.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Instead,  I think it might be a more accurate list to mention the 
> people who
> seem the most committed to this notion of helping live looping artists to
> get a gig when they are on tour.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 17:13:48 2009
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	<Loopers-Delight@loopers-delight.com>
Date: Mon, 30 Mar 2009 12:13:03 -0500
Subject: RE: Firewire mystery question
Thread-Topic: Firewire mystery question
Thread-Index: AcmxMEkXDsCe7GctSimSU2DsC5s1PAAKfhlQ
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References: <16208.22332.qm@web38606.mail.mud.yahoo.com>
 <49D0B88C.2020407@tiscali.co.uk>
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FWIW, I fried a $300 motherboard on a camcorder due to a faulty
firewire cable, it can happen.  Now if I ever have problems
with a cable I take it out back and burn it to make sure
it doesn't get tossed in the box-o-cables and reused later.

Jeff
=20

-----Original Message-----
From: andy butler [mailto:akbutler@tiscali.co.uk]=20
Sent: Monday, March 30, 2009 7:18 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Firewire mystery question

L.Angulo wrote:
> that would have been nice,however i tried 3 of them 2 being brand new one=
s!
> cheers
> www.myspace.com/luisangulocom
>=20
>=20

sure, but if it was the old one that you tried first, and it had a short,
it could have fried your firewire card.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 18:30:49 2009
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Date: Mon, 30 Mar 2009 11:30:48 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Anderton book (was: Least Costly Live Looping Solution)
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=A0
Jeff - I'm intertested in that book Anderton but can't find an exact match =
(yeah, I work in a library so I'm a book geek).=A0 Do you mean "The digital=
 delay handbook" from 1985?
=A0
=A0
ted.
Enemies are good for self-definition. Werner Herzog

--- On Sun, 3/29/09, Jeff Duke <jeff_d@embarqmail.com> wrote:


From: Jeff Duke <jeff_d@embarqmail.com>
Subject: Re: Least Costly Live Looping Solution
To: Loopers-Delight@loopers-delight.com
Received: Sunday, March 29, 2009, 10:06 AM


Yeah, thats right! I had two Time Machines and a Didgitech IPS 33B. That wi=
th a Craig Anderton book "101 uses for a digital delay". I built some of hi=
s projects into a passive volume pedal for cv control; sweeping across rang=
es and such. If I knew how to make them "tap tempo" I would still use them.=
 Anyone know how to do that?

peace,

jeff

----- Original Message ----- From: "Stefan Tiedje" <stefantiedje@googlemail=
.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 29, 2009 12:10 PM
Subject: Re: Least Costly Live Looping Solution


>=20
> Jeff Duke schrieb:
>> Mark, you know what you might be looking for is a Digitech 7.6 sec
>> Time Machine.
>=20
> This was my first looper, together with a SPX 90 I could do miracles at
> that time...
> Stefan
>=20
> -- Les Ondes M=E9morielles---------x--
> --_____-----------|-----------|--
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()----------TJ Shredder
>=20
>=20

=0A=0A=0A      ____________________________________________________________=
______=0AYahoo! Canada Toolbar: Search from anywhere on the web, and bookma=
rk your favourite sites. Download it now=0Ahttp://ca.toolbar.yahoo.com.
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>Jeff - I'm intertested in that book Anderton but can't find an exact m=
atch (yeah, I work in a library so I'm a book geek).&nbsp; Do you mean "The=
 digital delay handbook" from 1985?</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>ted.<BR>Enemies are good for self-definition. Werner Herzog<BR><BR>---=
 On <B>Sun, 3/29/09, Jeff Duke <I>&lt;jeff_d@embarqmail.com&gt;</I></B> wro=
te:<BR></DIV>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(=
16,16,255) 2px solid"><BR>From: Jeff Duke &lt;jeff_d@embarqmail.com&gt;<BR>=
Subject: Re: Least Costly Live Looping Solution<BR>To: Loopers-Delight@loop=
ers-delight.com<BR>Received: Sunday, March 29, 2009, 10:06 AM<BR><BR>
<DIV class=3DplainMail>Yeah, thats right! I had two Time Machines and a Did=
gitech IPS 33B. That with a Craig Anderton book "101 uses for a digital del=
ay". I built some of his projects into a passive volume pedal for cv contro=
l; sweeping across ranges and such. If I knew how to make them "tap tempo" =
I would still use them. Anyone know how to do that?<BR><BR>peace,<BR><BR>je=
ff<BR><BR>----- Original Message ----- From: "Stefan Tiedje" &lt;<A href=3D=
"http://ca.mc343.mail.yahoo.com/mc/compose?to=3Dstefantiedje@googlemail.com=
" ymailto=3D"mailto:stefantiedje@googlemail.com">stefantiedje@googlemail.co=
m</A>&gt;<BR>To: &lt;<A href=3D"http://ca.mc343.mail.yahoo.com/mc/compose?t=
o=3DLoopers-Delight@loopers-delight.com" ymailto=3D"mailto:Loopers-Delight@=
loopers-delight.com">Loopers-Delight@loopers-delight.com</A>&gt;<BR>Sent: S=
unday, March 29, 2009 12:10 PM<BR>Subject: Re: Least Costly Live Looping So=
lution<BR><BR><BR>&gt; <BR>&gt; Jeff Duke schrieb:<BR>&gt;&gt; Mark, you kn=
ow what
 you might be looking for is a Digitech 7.6 sec<BR>&gt;&gt; Time Machine.<B=
R>&gt; <BR>&gt; This was my first looper, together with a SPX 90 I could do=
 miracles at<BR>&gt; that time...<BR>&gt; Stefan<BR>&gt; <BR>&gt; -- Les On=
des M=E9morielles---------x--<BR>&gt; --_____-----------|-----------|--<BR>=
&gt; --(_|_ ----|\-----|-----()-------<BR>&gt; -- _|_)----|-----()---------=
-----<BR>&gt; ----------()----------TJ Shredder<BR>&gt; <BR>&gt; <BR><BR></=
DIV></BLOCKQUOTE></td></tr></table><br>=0A=0A=0A=0A      <hr size=3D1>Now w=
ith a new friend-happy design! Try the new <a href=3D"http://ca.beta.messen=
ger.yahoo.com/"><b>Yahoo! Canada Messenger</b></a>
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <935129.71385.qm@web34301.mail.mud.yahoo.com>
Subject: Re: Anderton book (was: Least Costly Live Looping Solution)
Date: Mon, 30 Mar 2009 14:40:29 -0400
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yes, that would be it. I no longer have it. He has a new version out but =
he told me he had taken out the cv stuff. If you find a copy let me =
know, I would like to buy another. I think the 100 uses or whatever was =
a subtitle perhaps. 1985 was about right.

Jeff


  ----- Original Message -----=20
  From: ditch wrestler=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, March 30, 2009 2:30 PM
  Subject: Anderton book (was: Least Costly Live Looping Solution)



        Jeff - I'm intertested in that book Anderton but can't find an =
exact match (yeah, I work in a library so I'm a book geek).  Do you mean =
"The digital delay handbook" from 1985?


        ted.
        Enemies are good for self-definition. Werner Herzog

        --- On Sun, 3/29/09, Jeff Duke <jeff_d@embarqmail.com> wrote:


          From: Jeff Duke <jeff_d@embarqmail.com>
          Subject: Re: Least Costly Live Looping Solution
          To: Loopers-Delight@loopers-delight.com
          Received: Sunday, March 29, 2009, 10:06 AM


          Yeah, thats right! I had two Time Machines and a Didgitech IPS =
33B. That with a Craig Anderton book "101 uses for a digital delay". I =
built some of his projects into a passive volume pedal for cv control; =
sweeping across ranges and such. If I knew how to make them "tap tempo" =
I would still use them. Anyone know how to do that?

          peace,

          jeff

          ----- Original Message ----- From: "Stefan Tiedje" =
<stefantiedje@googlemail.com>
          To: <Loopers-Delight@loopers-delight.com>
          Sent: Sunday, March 29, 2009 12:10 PM
          Subject: Re: Least Costly Live Looping Solution


          >=20
          > Jeff Duke schrieb:
          >> Mark, you know what you might be looking for is a Digitech =
7.6 sec
          >> Time Machine.
          >=20
          > This was my first looper, together with a SPX 90 I could do =
miracles at
          > that time...
          > Stefan
          >=20
          > -- Les Ondes M=E9morielles---------x--
          > --_____-----------|-----------|--
          > --(_|_ ----|\-----|-----()-------
          > -- _|_)----|-----()--------------
          > ----------()----------TJ Shredder
          >=20
          >=20

      =20


-------------------------------------------------------------------------=
-----
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<DIV><FONT face=3DArial size=3D2>yes, that would be it. I no longer have =
it. He has=20
a new version out but he told me he had taken out the cv stuff. If you =
find a=20
copy let me know, I would like to buy another. I think the 100 uses or =
whatever=20
was a subtitle perhaps. 1985 was about right.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dditchwrestler@yahoo.com =
href=3D"mailto:ditchwrestler@yahoo.com">ditch=20
  wrestler</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, March 30, 2009 =
2:30=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Anderton book (was: =
Least Costly=20
  Live Looping Solution)</DIV>
  <DIV><BR></DIV>
  <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
    <TBODY>
    <TR>
      <TD vAlign=3Dtop>
        <DIV>&nbsp;</DIV>
        <DIV>Jeff - I'm intertested in that book Anderton but can't find =
an=20
        exact match (yeah, I work in a library so I'm a book =
geek).&nbsp; Do you=20
        mean "The digital delay handbook" from 1985?</DIV>
        <DIV>&nbsp;</DIV>
        <DIV>&nbsp;</DIV>
        <DIV>ted.<BR>Enemies are good for self-definition. Werner=20
        Herzog<BR><BR>--- On <B>Sun, 3/29/09, Jeff Duke <I>&lt;<A=20
        =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;</I></=
B>=20
        wrote:<BR></DIV>
        <BLOCKQUOTE=20
        style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
rgb(16,16,255) 2px solid"><BR>From:=20
          Jeff Duke &lt;<A=20
          =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;<BR>Su=
bject:=20
          Re: Least Costly Live Looping Solution<BR>To:=20
          Loopers-Delight@loopers-delight.com<BR>Received: Sunday, March =
29,=20
          2009, 10:06 AM<BR><BR>
          <DIV class=3DplainMail>Yeah, thats right! I had two Time =
Machines and a=20
          Didgitech IPS 33B. That with a Craig Anderton book "101 uses =
for a=20
          digital delay". I built some of his projects into a passive =
volume=20
          pedal for cv control; sweeping across ranges and such. If I =
knew how=20
          to make them "tap tempo" I would still use them. Anyone know =
how to do=20
          that?<BR><BR>peace,<BR><BR>jeff<BR><BR>----- Original Message =
-----=20
          From: "Stefan Tiedje" &lt;<A=20
          =
href=3D"http://ca.mc343.mail.yahoo.com/mc/compose?to=3Dstefantiedje@googl=
email.com"=20
          =
ymailto=3D"mailto:stefantiedje@googlemail.com">stefantiedje@googlemail.co=
m</A>&gt;<BR>To:=20
          &lt;<A=20
          =
href=3D"http://ca.mc343.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@lo=
opers-delight.com"=20
          =
ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@lo=
opers-delight.com</A>&gt;<BR>Sent:=20
          Sunday, March 29, 2009 12:10 PM<BR>Subject: Re: Least Costly =
Live=20
          Looping Solution<BR><BR><BR>&gt; <BR>&gt; Jeff Duke=20
          schrieb:<BR>&gt;&gt; Mark, you know what you might be looking =
for is a=20
          Digitech 7.6 sec<BR>&gt;&gt; Time Machine.<BR>&gt; <BR>&gt; =
This was=20
          my first looper, together with a SPX 90 I could do miracles =
at<BR>&gt;=20
          that time...<BR>&gt; Stefan<BR>&gt; <BR>&gt; -- Les Ondes=20
          M=E9morielles---------x--<BR>&gt;=20
          --_____-----------|-----------|--<BR>&gt; --(_|_=20
          ----|\-----|-----()-------<BR>&gt; --=20
          _|_)----|-----()--------------<BR>&gt; =
----------()----------TJ=20
          Shredder<BR>&gt; <BR>&gt;=20
  <BR><BR></DIV></BLOCKQUOTE></TD></TR></TBODY></TABLE><BR>
  <HR SIZE=3D1>
  Now with a new friend-happy design! Try the new <A=20
  href=3D"http://ca.beta.messenger.yahoo.com/"><B>Yahoo! Canada=20
Messenger</B></A></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 18:49:01 2009
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <935129.71385.qm@web34301.mail.mud.yahoo.com> <000a01c9b167$00376cf0$c8c7e843@YOUR08D5303051>
Subject: Re: Anderton book (was: Least Costly Live Looping Solution)
Date: Mon, 30 Mar 2009 14:48:59 -0400
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I see now that it is availiable used all over.
http://www.amazon.com/Digital-Delay-Handbook-Craig-Anderton/dp/0825624142=

No pic but I am sure this is it. used 4$ + shipping.

j
  ----- Original Message -----=20
  From: Jeff Duke=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, March 30, 2009 2:40 PM
  Subject: Re: Anderton book (was: Least Costly Live Looping Solution)


  yes, that would be it. I no longer have it. He has a new version out =
but he told me he had taken out the cv stuff. If you find a copy let me =
know, I would like to buy another. I think the 100 uses or whatever was =
a subtitle perhaps. 1985 was about right.

  Jeff


    ----- Original Message -----=20
    From: ditch wrestler=20
    To: Loopers-Delight@loopers-delight.com=20
    Sent: Monday, March 30, 2009 2:30 PM
    Subject: Anderton book (was: Least Costly Live Looping Solution)



          Jeff - I'm intertested in that book Anderton but can't find an =
exact match (yeah, I work in a library so I'm a book geek).  Do you mean =
"The digital delay handbook" from 1985?


          ted.
          Enemies are good for self-definition. Werner Herzog

          --- On Sun, 3/29/09, Jeff Duke <jeff_d@embarqmail.com> wrote:


            From: Jeff Duke <jeff_d@embarqmail.com>
            Subject: Re: Least Costly Live Looping Solution
            To: Loopers-Delight@loopers-delight.com
            Received: Sunday, March 29, 2009, 10:06 AM


            Yeah, thats right! I had two Time Machines and a Didgitech =
IPS 33B. That with a Craig Anderton book "101 uses for a digital delay". =
I built some of his projects into a passive volume pedal for cv control; =
sweeping across ranges and such. If I knew how to make them "tap tempo" =
I would still use them. Anyone know how to do that?

            peace,

            jeff

            ----- Original Message ----- From: "Stefan Tiedje" =
<stefantiedje@googlemail.com>
            To: <Loopers-Delight@loopers-delight.com>
            Sent: Sunday, March 29, 2009 12:10 PM
            Subject: Re: Least Costly Live Looping Solution


            >=20
            > Jeff Duke schrieb:
            >> Mark, you know what you might be looking for is a =
Digitech 7.6 sec
            >> Time Machine.
            >=20
            > This was my first looper, together with a SPX 90 I could =
do miracles at
            > that time...
            > Stefan
            >=20
            > -- Les Ondes M=E9morielles---------x--
            > --_____-----------|-----------|--
            > --(_|_ ----|\-----|-----()-------
            > -- _|_)----|-----()--------------
            > ----------()----------TJ Shredder
            >=20
            >=20

        =20


-------------------------------------------------------------------------=
---
    Now with a new friend-happy design! Try the new Yahoo! Canada =
Messenger
------=_NextPart_000_000A_01C9B146.A8976150
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16788" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I see now that it is availiable used =
all=20
over.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.amazon.com/Digital-Delay-Handbook-Craig-Anderton/dp/08=
25624142">http://www.amazon.com/Digital-Delay-Handbook-Craig-Anderton/dp/=
0825624142</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>No pic but I am sure this is it. used =
4$ +=20
shipping.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djeff_d@embarqmail.com =
href=3D"mailto:jeff_d@embarqmail.com">Jeff=20
  Duke</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, March 30, 2009 =
2:40=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Anderton book =
(was: Least=20
  Costly Live Looping Solution)</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>yes, that would be it. I no longer =
have it. He=20
  has a new version out but he told me he had taken out the cv stuff. If =
you=20
  find a copy let me know, I would like to buy another. I think the 100 =
uses or=20
  whatever was a subtitle perhaps. 1985 was about right.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <BLOCKQUOTE=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dditchwrestler@yahoo.com =
href=3D"mailto:ditchwrestler@yahoo.com">ditch=20
    wrestler</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
    title=3DLoopers-Delight@loopers-delight.com=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, March 30, 2009 =
2:30=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Anderton book (was: =
Least=20
    Costly Live Looping Solution)</DIV>
    <DIV><BR></DIV>
    <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
      <TBODY>
      <TR>
        <TD vAlign=3Dtop>
          <DIV>&nbsp;</DIV>
          <DIV>Jeff - I'm intertested in that book Anderton but can't =
find an=20
          exact match (yeah, I work in a library so I'm a book =
geek).&nbsp; Do=20
          you mean "The digital delay handbook" from 1985?</DIV>
          <DIV>&nbsp;</DIV>
          <DIV>&nbsp;</DIV>
          <DIV>ted.<BR>Enemies are good for self-definition. Werner=20
          Herzog<BR><BR>--- On <B>Sun, 3/29/09, Jeff Duke <I>&lt;<A=20
          =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;</I></=
B>=20
          wrote:<BR></DIV>
          <BLOCKQUOTE=20
          style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
rgb(16,16,255) 2px solid"><BR>From:=20
            Jeff Duke &lt;<A=20
            =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;<BR>Su=
bject:=20
            Re: Least Costly Live Looping Solution<BR>To:=20
            Loopers-Delight@loopers-delight.com<BR>Received: Sunday, =
March 29,=20
            2009, 10:06 AM<BR><BR>
            <DIV class=3DplainMail>Yeah, thats right! I had two Time =
Machines and=20
            a Didgitech IPS 33B. That with a Craig Anderton book "101 =
uses for a=20
            digital delay". I built some of his projects into a passive =
volume=20
            pedal for cv control; sweeping across ranges and such. If I =
knew how=20
            to make them "tap tempo" I would still use them. Anyone know =
how to=20
            do that?<BR><BR>peace,<BR><BR>jeff<BR><BR>----- Original =
Message=20
            ----- From: "Stefan Tiedje" &lt;<A=20
            =
href=3D"http://ca.mc343.mail.yahoo.com/mc/compose?to=3Dstefantiedje@googl=
email.com"=20
            =
ymailto=3D"mailto:stefantiedje@googlemail.com">stefantiedje@googlemail.co=
m</A>&gt;<BR>To:=20
            &lt;<A=20
            =
href=3D"http://ca.mc343.mail.yahoo.com/mc/compose?to=3DLoopers-Delight@lo=
opers-delight.com"=20
            =
ymailto=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@lo=
opers-delight.com</A>&gt;<BR>Sent:=20
            Sunday, March 29, 2009 12:10 PM<BR>Subject: Re: Least Costly =
Live=20
            Looping Solution<BR><BR><BR>&gt; <BR>&gt; Jeff Duke=20
            schrieb:<BR>&gt;&gt; Mark, you know what you might be =
looking for is=20
            a Digitech 7.6 sec<BR>&gt;&gt; Time Machine.<BR>&gt; =
<BR>&gt; This=20
            was my first looper, together with a SPX 90 I could do =
miracles=20
            at<BR>&gt; that time...<BR>&gt; Stefan<BR>&gt; <BR>&gt; -- =
Les Ondes=20
            M=E9morielles---------x--<BR>&gt;=20
            --_____-----------|-----------|--<BR>&gt; --(_|_=20
            ----|\-----|-----()-------<BR>&gt; --=20
            _|_)----|-----()--------------<BR>&gt; =
----------()----------TJ=20
            Shredder<BR>&gt; <BR>&gt;=20
    <BR><BR></DIV></BLOCKQUOTE></TD></TR></TBODY></TABLE><BR>
    <HR SIZE=3D1>
    Now with a new friend-happy design! Try the new <A=20
    href=3D"http://ca.beta.messenger.yahoo.com/"><B>Yahoo! Canada=20
  Messenger</B></A></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000A_01C9B146.A8976150--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 19:20:43 2009
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From: "Sjaak" <tcplugin@scarlet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Mainstage and midi channels
Date: Mon, 30 Mar 2009 21:20:28 +0200
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> MIDI Pipe is an excellent freeware for OS X that does MIDI 
> patching PRE software. I tried it out in order to create a 
> bunch virtual MIDI Ports and that worked fine. In MIDI Pipe 
> you can filter the physically incoming MIDI and direct it to 
> specific virtual MIDI ports. Then it is a breeze in Mainstage 
> to fetch data from only certain chose inputs.

Fantastic! Thanks Per, I think this is what I need
--- 
Sjaak
http://sjaakovergaauw.com/ 
http://euroloopfest.com/ 
http://last.fm/music/sjaak+overgaauw



From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 19:39:35 2009
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Date: Mon, 30 Mar 2009 12:39:34 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: RE: Firewire mystery question
To: Loopers-Delight@loopers-delight.com
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ups thanx for telling me Jeff!!=0A=0A=0Awww.myspace.com/luisangulocom=0A=0A=
=0A--- On Mon, 3/30/09, Jeff Larson <jeff.larson@sailpoint.com> wrote:=0A=
=0A> From: Jeff Larson <jeff.larson@sailpoint.com>=0A> Subject: RE: Firewir=
e mystery question=0A> To: "Loopers-Delight@loopers-delight.com" <Loopers-D=
elight@loopers-delight.com>=0A> Date: Monday, March 30, 2009, 10:13 AM=0A> =
=0A> FWIW, I fried a $300 motherboard on a camcorder due to a=0A> faulty=0A=
> firewire cable, it can happen.=A0 Now if I ever have=0A> problems=0A> wit=
h a cable I take it out back and burn it to make sure=0A> it doesn't get to=
ssed in the box-o-cables and reused=0A> later.=0A> =0A> Jeff=0A>  =0A> =0A>=
 -----Original Message-----=0A> From: andy butler [mailto:akbutler@tiscali.=
co.uk]=0A> =0A> Sent: Monday, March 30, 2009 7:18 AM=0A> To: Loopers-Deligh=
t@loopers-delight.com=0A> Subject: Re: Firewire mystery question=0A> =0A> L=
.Angulo wrote:=0A> > that would have been nice,however i tried 3 of them 2=
=0A> being brand new ones!=0A> > cheers=0A> > www.myspace.com/luisangulocom=
=0A> > =0A> > =0A> =0A> sure, but if it was the old one that you tried firs=
t, and=0A> it had a short,=0A> it could have fried your firewire card.=0A> =
=0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon Mar 30 19:46:41 2009
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Date: Mon, 30 Mar 2009 12:46:40 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Firewire mystery question
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oh shit thanx Andy,i didnt know a cable could do that how can i try it now without burning something? u are right there is one i havent retried and after u telling me this i dont think i want to, i just had my macbook back repaired!any way to test the cable?
oh god this is getting really scary think ill go back to my EDP!
Luis


www.myspace.com/luisangulocom


--- On Mon, 3/30/09, andy butler <akbutler@tiscali.co.uk> wrote:

> From: andy butler <akbutler@tiscali.co.uk>
> Subject: Re: Firewire mystery question
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, March 30, 2009, 5:18 AM
> L.Angulo wrote:
> > that would have been nice,however i tried 3 of them 2
> being brand new ones!
> > cheers
> > www.myspace.com/luisangulocom
> > 
> > 
> 
> sure, but if it was the old one that you tried first, and
> it had a short,
> it could have fried your firewire card.
> 
> 


      

From Loopers-Delight-request@loopers-delight.com  Tue Mar 31 03:35:08 2009
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Date: Mon, 30 Mar 2009 20:28:26 -0700 (PDT)
From: Candc Hoffman/Traxler <candcmesingandplay@yahoo.com>
Subject: Re: Electric Mandolin Slicer
To: Loopers-Delight@loopers-delight.com
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--0-1828981114-1238470106=:21743
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You got me! ;)




________________________________
From: Stephen Moyes <stephenmoyes@blueyonder.co.uk>
To: Loopers-Delight@loopers-delight.com
Sent: Sunday, March 29, 2009 2:56:57 PM
Subject: Electric Mandolin Slicer

Any electric mandolin players here will want one of these. (I hope the link works)

http://tiny.cc/o6bcZ 


      
--0-1828981114-1238470106=:21743
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:bookman old style,new york,times,serif;font-size:12pt"><div>You got me! ;)<br></div><div style="font-family: bookman old style,new york,times,serif; font-size: 12pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 13px;"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Stephen Moyes &lt;stephenmoyes@blueyonder.co.uk&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sunday, March 29, 2009 2:56:57 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Electric Mandolin Slicer<br></font><br>
Any electric mandolin players here will want one of these. (I hope the link works)<br><br><span><a target="_blank" href="http://tiny.cc/o6bcZ">http://tiny.cc/o6bcZ</a> </span><br><br></div></div></div><br>

      </body></html>
--0-1828981114-1238470106=:21743--

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Subject: Indie Music Newsletter (was: Loop Friendly Venues)
From: Per Boysen <perboysen@gmail.com>
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The latest Indie Music Newsletter just popped down my inbox. Anyone
with interest in independent music promotion can check out the source
here:
http://www.bigmeteor.com/newsletter/mar2009.shtml

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Tue, 31 Mar 2009 11:33:51 +0100
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Subject: Songs starting with drums
From: Cameron McCormack <cameron.mccormack@googlemail.com>
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Hi folks,

This has to have been a topic before now but didn't have any joy in the
archive.

I've started to try and put a few songs together looping bass, rhythm and
lead parts together on my Digitech JamMan. It's all good fun, but it sounds
sort of empty without any drums. The JamMan has a few simple click tracks,
but they're only any good for keeping time, and they don't become a part of
the saved loop.

I'm lacking a drum machine and have no intention of buying one at his stage,
so what i've done is taken songs that start with just a few bars of drums on
their own, cut that out in a WAV editor, made a little drum loop and ported
that to the JamMan to play over that. It works pretty well for my ears.

So, my question is - does anybody have suggestions of songs that would be
good for carry out this process on? Drums on their own, no other
instruments.

All I've found after a brief look at my own music is Iggy Pop - Lust for
Life and Led Zep - Bonzo's Montreux.

--001636c5b1fa1be0f7046667bd79
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Hi folks,<br><br>This has to have been a topic before now but didn&#39;t ha=
ve any joy in the archive.<br><br>I&#39;ve started to try and put a few son=
gs together looping bass, rhythm and lead parts together on my Digitech Jam=
Man. It&#39;s all good fun, but it sounds sort of empty without any drums. =
The JamMan has a few simple click tracks, but they&#39;re only any good for=
 keeping time, and they don&#39;t become a part of the saved loop.<br>

<br>I&#39;m lacking a drum machine and have no intention of buying one at h=
is stage, so what i&#39;ve done is taken songs that start with just a few b=
ars of drums on their own, cut that out in a WAV editor, made a little drum=
 loop and ported that to the JamMan to play over that. It works pretty well=
 for my ears.<br>

<br>So, my question is - does anybody have suggestions of songs that would =
be good for carry out this process on? Drums on their own, no other instrum=
ents.<br><br>All I&#39;ve found after a brief look at my own music is Iggy =
Pop - Lust for Life and Led Zep - Bonzo&#39;s Montreux.<br>

<br><br>

--001636c5b1fa1be0f7046667bd79--

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Subject: Re: Songs starting with drums
From: Os <os@collective.co.uk>
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what you want is

http://www.mhat.com/phatdrumloops/


cheers,
os.


2009/3/31 Cameron McCormack <cameron.mccormack@googlemail.com>:
> Hi folks,
>
> This has to have been a topic before now but didn't have any joy in the
> archive.
>
> I've started to try and put a few songs together looping bass, rhythm and
> lead parts together on my Digitech JamMan. It's all good fun, but it sounds
> sort of empty without any drums. The JamMan has a few simple click tracks,
> but they're only any good for keeping time, and they don't become a part of
> the saved loop.
>
> I'm lacking a drum machine and have no intention of buying one at his stage,
> so what i've done is taken songs that start with just a few bars of drums on
> their own, cut that out in a WAV editor, made a little drum loop and ported
> that to the JamMan to play over that. It works pretty well for my ears.
>
> So, my question is - does anybody have suggestions of songs that would be
> good for carry out this process on? Drums on their own, no other
> instruments.
>
> All I've found after a brief look at my own music is Iggy Pop - Lust for
> Life and Led Zep - Bonzo's Montreux.
>
>
>



-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Tue Mar 31 12:01:46 2009
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	 <d054a9ca0903310404r65417067l59991a4b1da13c11@mail.gmail.com>
Date: Tue, 31 Mar 2009 07:54:31 -0400
Message-ID: <2871c3a90903310454g3128e4b7y19818a8c3108e8ad@mail.gmail.com>
Subject: Re: Songs starting with drums
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Sing Sing Sing has tons of cool solo drums, in fact a lot of jazz albums
feature drum solos that could be looped.  May not be what you're after...
Sylvain



On 3/31/09, Os <os@collective.co.uk> wrote:
>
> what you want is
>
> http://www.mhat.com/phatdrumloops/
>
>
> cheers,
> os.
>
>
> 2009/3/31 Cameron McCormack <cameron.mccormack@googlemail.com>:
> > Hi folks,
> >
> > This has to have been a topic before now but didn't have any joy in the
> > archive.
> >
> > I've started to try and put a few songs together looping bass, rhythm and
> > lead parts together on my Digitech JamMan. It's all good fun, but it
> sounds
> > sort of empty without any drums. The JamMan has a few simple click
> tracks,
> > but they're only any good for keeping time, and they don't become a part
> of
> > the saved loop.
> >
> > I'm lacking a drum machine and have no intention of buying one at his
> stage,
> > so what i've done is taken songs that start with just a few bars of drums
> on
> > their own, cut that out in a WAV editor, made a little drum loop and
> ported
> > that to the JamMan to play over that. It works pretty well for my ears.
> >
> > So, my question is - does anybody have suggestions of songs that would be
> > good for carry out this process on? Drums on their own, no other
> > instruments.
> >
> > All I've found after a brief look at my own music is Iggy Pop - Lust for
> > Life and Led Zep - Bonzo's Montreux.
> >
> >
> >
>
>
>
> --
> os@collective.co.uk
> http://www.darkroomtheband.net/
> http://www.expert-sleepers.co.uk/
>
>

--0015175d0918a74243046668dc19
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Sing Sing Sing has tons of cool solo drums, in fact a lot of jazz albu=
ms feature drum solos that could be looped.=A0 May not be what you&#39;re a=
fter...</div>
<div>Sylvain</div>
<div>=A0</div>
<div><br>=A0</div>
<div><span class=3D"gmail_quote">On 3/31/09, <b class=3D"gmail_sendername">=
Os</b> &lt;<a href=3D"mailto:os@collective.co.uk">os@collective.co.uk</a>&g=
t; wrote:</span>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">what you want is<br><br><a href=
=3D"http://www.mhat.com/phatdrumloops/">http://www.mhat.com/phatdrumloops/<=
/a><br>
<br><br>cheers,<br>os.<br><br><br>2009/3/31 Cameron McCormack &lt;<a href=
=3D"mailto:cameron.mccormack@googlemail.com">cameron.mccormack@googlemail.c=
om</a>&gt;:<br>&gt; Hi folks,<br>&gt;<br>&gt; This has to have been a topic=
 before now but didn&#39;t have any joy in the<br>
&gt; archive.<br>&gt;<br>&gt; I&#39;ve started to try and put a few songs t=
ogether looping bass, rhythm and<br>&gt; lead parts together on my Digitech=
 JamMan. It&#39;s all good fun, but it sounds<br>&gt; sort of empty without=
 any drums. The JamMan has a few simple click tracks,<br>
&gt; but they&#39;re only any good for keeping time, and they don&#39;t bec=
ome a part of<br>&gt; the saved loop.<br>&gt;<br>&gt; I&#39;m lacking a dru=
m machine and have no intention of buying one at his stage,<br>&gt; so what=
 i&#39;ve done is taken songs that start with just a few bars of drums on<b=
r>
&gt; their own, cut that out in a WAV editor, made a little drum loop and p=
orted<br>&gt; that to the JamMan to play over that. It works pretty well fo=
r my ears.<br>&gt;<br>&gt; So, my question is - does anybody have suggestio=
ns of songs that would be<br>
&gt; good for carry out this process on? Drums on their own, no other<br>&g=
t; instruments.<br>&gt;<br>&gt; All I&#39;ve found after a brief look at my=
 own music is Iggy Pop - Lust for<br>&gt; Life and Led Zep - Bonzo&#39;s Mo=
ntreux.<br>
&gt;<br>&gt;<br>&gt;<br><br><br><br>--<br><a href=3D"mailto:os@collective.c=
o.uk">os@collective.co.uk</a><br><a href=3D"http://www.darkroomtheband.net/=
">http://www.darkroomtheband.net/</a><br><a href=3D"http://www.expert-sleep=
ers.co.uk/">http://www.expert-sleepers.co.uk/</a><br>
<br></blockquote></div><br>

--0015175d0918a74243046668dc19--

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	<d054a9ca0903310404r65417067l59991a4b1da13c11@mail.gmail.com>
Date: Tue, 31 Mar 2009 14:18:01 +0100
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Subject: Re: Songs starting with drums
From: Cameron McCormack <cameron.mccormack@googlemail.com>
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>what you want is
> http://www.mhat.com/phatdrumloops/ <http://www.mhat.com/phatdrumloops/>


Yup, you're right - that is EXACTLY what I was looking for!
Cheers os!



>Sing Sing Sing has tons of cool solo drums, in fact a lot of jazz albums
feature drum solos that could be looped.
>May not be what you're after...



Might not be, but then again might be, I'll give it a try, cheers Sylvian.

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&gt;what you want is

<a href="http://www.mhat.com/phatdrumloops/" target="_blank"><br>&gt; http://www.mhat.com/phatdrumloops/</a><br>

<br><br>
Yup, you&#39;re right - that is EXACTLY what I was looking for!<br>Cheers os!<br><br><br><br>&gt;Sing Sing Sing has tons of cool solo drums, in fact a lot of jazz
albums feature drum solos that could be looped.<br>&gt;May not be what you&#39;re
after...<br><br><br><br>Might not be, but then again might be, I&#39;ll give it a try, cheers Sylvian.<br><br>

--001636c5a9b12a443404666a08d5--

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Date: Tue, 31 Mar 2009 09:33:26 -0400
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Subject: Re: Songs starting with drums
From: Tony K <bigtonyk@gmail.com>
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You might want to look at some of the drum machine programs out there.
 Like Hammerhead, Tuareg, DrumFlow, or orDrumbox.



On Tue, Mar 31, 2009 at 9:18 AM, Cameron McCormack
<cameron.mccormack@googlemail.com> wrote:
>>what you want is
>> http://www.mhat.com/phatdrumloops/
>
>
> Yup, you're right - that is EXACTLY what I was looking for!
> Cheers os!
>
>
>
>>Sing Sing Sing has tons of cool solo drums, in fact a lot of jazz albums
>> feature drum solos that could be looped.
>>May not be what you're after...
>
>
>
> Might not be, but then again might be, I'll give it a try, cheers Sylvian.
>
>



-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Tue Mar 31 13:41:13 2009
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Date: Tue, 31 Mar 2009 09:41:12 -0400 (AST)
Subject: Re: Spacey Plugins (vst) for Bass and Guitar
From: =?iso-8859-1?Q?Andr=E9_Donawa?= <andre@andredonawa.com>
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Thanks Per and Krispen,

I'll check up on them this weekend.

Andre

On Mon, March 30, 2009 10:18 am, Krispen Hartung wrote:
>
> PSP 84
> Space Effect
> Antares Filter
> Reaktor as VST (tons of great spacey patches)
>
>



http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Tue Mar 31 13:57:39 2009
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She Has Funny Cars , on Jefferson Airplane's Surrealistic Pillow album 




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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'><div><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0px 0px 0px 0.8ex; padding-left: 1ex;"><span style="font-style: italic;">She Has Funny Cars</span>, on Jefferson Airplane's <span style="font-style: italic;">Surrealistic Pillow</span> album<br><br><br></blockquote></div><br>
</div></body></html>
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--0-1479398079-1238516399=:83479
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Thanks Per. It is great being surrounded by dynamic sound. We're looking at=
=20

the guitar polyphonically this evening and should be quite=20
interesting.

I'm going to try streaming a rehearsal tonight from STEIM.=20
Probably around=20
9pm GMT via rickygraham.net. Just to see if it works.=20
:)

Cheers.

Ricky

--- On Mon, 30/3/09, Per Boysen <perboysen@gmail.com> wrote:
From: Per Boysen <perboysen@gmail.com>
Subject: Re: Looping and Ambisonics
To: Loopers-Delight@loopers-delight.com
Date: Monday, 30 March, 2009, 10:09 AM

On Mon, Mar 30, 2009 at 12:09 AM, Ricky Graham
<rock.guitar.guru@btinternet.com> wrote:
> www.myspace.com/signalsundertests=A0.
>
> I'd very much appreciate your feedback.

Awesome! Very interesting collage style mixing. I had to pause the
playback to verify that some very small but beautiful sounds were part
of the music and not me overhearing my local neighbors. I can imagine
this sounds great in Ambisonics!

Per

Link for those thirsting for knowledge: http://www.ambisonic.net/


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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Thanks Per. It is great being surrounded by d=
ynamic sound. We're looking at=20
<br>the guitar polyphonically this evening and should be quite=20
interesting.<br><br>I'm going to try streaming a rehearsal tonight from STE=
IM.=20
Probably around <br>9pm GMT via rickygraham.net. Just to see if it works.=
=20
:)<br><br>Cheers.<br><br>Ricky<br><br>--- On <b>Mon, 30/3/09, Per Boysen <i=
>&lt;perboysen@gmail.com&gt;</i></b> wrote:<br><blockquote style=3D"border-=
left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;">Fro=
m: Per Boysen &lt;perboysen@gmail.com&gt;<br>Subject: Re: Looping and Ambis=
onics<br>To: Loopers-Delight@loopers-delight.com<br>Date: Monday, 30 March,=
 2009, 10:09 AM<br><br><pre>On Mon, Mar 30, 2009 at 12:09 AM, Ricky Graham<=
br>&lt;rock.guitar.guru@btinternet.com&gt; wrote:<br>&gt; www.myspace.com/s=
ignalsundertests&nbsp;.<br>&gt;<br>&gt; I'd very much appreciate your feedb=
ack.<br><br>Awesome! Very interesting collage style mixing. I had to pause =
the<br>playback to verify that some very small but beautiful sounds were pa=
rt<br>of the music and not me overhearing my local neighbors. I can imagine=
<br>this sounds great in Ambisonics!<br><br>Per<br><br>Link for those thirs=
ting for knowledge:
 http://www.ambisonic.net/<br><br></pre></blockquote></td></tr></table>
--0-1479398079-1238516399=:83479--

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my favorite song by them!!


www.myspace.com/luisangulocom


--- On Tue, 3/31/09, Christophe <cburke55@comcast.net> wrote:

> From: Christophe <cburke55@comcast.net>
> Subject: Re: Songs starting with drums
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, March 31, 2009, 6:49 AM
> #yiv1324790204 p
> {margin:0;}She Has Funny Cars, on
> Jefferson Airplane's Surrealistic Pillow album
> 
> 
> 
> 
> 


      

From Loopers-Delight-request@loopers-delight.com  Tue Mar 31 20:48:03 2009
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Date: Tue, 31 Mar 2009 13:48:02 -0700 (PDT)
From: "L.Angulo" <labaloops@yahoo.com>
Subject: Re: Packing a laptop setup (with trombone) into bags
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Thanx for this info Rainer we need more traveling threads like this!
i am not really sure but i thought i read sometime you been changing loopin=
g software lately are u using mobius as your main looper?
cheers
Luis






www.myspace.com/luisangulocom


--- On Mon, 3/30/09, Rainer Straschill <moinsound@googlemail.com> wrote:

> From: Rainer Straschill <moinsound@googlemail.com>
> Subject: Packing a laptop setup (with trombone) into bags
> To: loopers-delight@loopers-delight.com
> Date: Monday, March 30, 2009, 7:09 AM
> Hi everyone,
>=20
> sometime ago (more specifically in February) I asked for a
> bag for a
> Behringer FCB1010 plus BCR2000 to complete the bag/case
> solution for
> my current live rig. Now, as time has passed (and I had to
> take looks
> at different bags), all is ready and completed, and I'd
> like you to
> know about it.
>=20
> Read on for a capturing tale of requirments engineering,
> package
> partitioning and how this author was able to beat the
> prestigious Rick
> Walker International Live Looping Festival Challenge in
> record time!
>=20
> 1. THE REQUIREMENTS:
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> The setup is essentially what people were seeing on the
> trombone solo
> gigs on my MoinSound 2008 World Tour (basically, the BEMF
> main
> festival and Pasing). The setup is centered around the
> noise sources
> of trombone and vocals and a laptop (Dell D620) is used
> for
> processing.
> As for the MMI, a Behringer BCR2000 faderbox and the
> well-known (and
> -hated) FCB1010 are used.
> There are, as of now, the following rack-mount components:
> a TC
> Electronic Konnekt24D audio interface, an AKG WMS 40
> two-channel
> wireless receiver (together with fitting bodypacks and
> microphones for
> vocals and trombone) and a LD Systems MEI100 wireless
> in-ear-monitoring system (together with a pair of Sony
> in-ears). This
> is complemented by a Zoom H2 (for recording).
> Of course, there's also a trombone - a Bach Stradivarius
> B42 together
> with a stand.
>=20
> My requirements:
> =A0=A0=A0* the system should be wired as
> completely as possible when packed.
> =A0=A0=A0* setup (and breakdown) time should be
> minimized.
> =A0=A0=A0* portability so I can carry the entire
> thing in one trip. Means
> also: lightweight.
> =A0 =A0 =A0 =A0 =A0 ("portability" also
> means "to be carried" - i.e. if going up
> a flight of stairs)
> =A0=A0=A0* the system should work with both 110
> and 230V power supply.
> =A0=A0=A0* being able to withstand airplane
> baggage handling is not a
> requirement. It's meant for those cases where I drive e.g.
> in my car
> or on a train and am able to handle the stuff myself, thank
> you.
>=20
>=20
> 2. PARTITIONING:
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> It's obvious that you won't fit everything into one bag, so
> some
> partitioning was in order.
> First of all, putting the trombone in a bag of its own
> makes sense
> obviously, so I can also take it to an unelectronic gig. I
> obtained a
> Protec C239:
> http://www.protecmusic.com/items.aspx?ProductID=3D60&InstrumentID=3D37&In=
strumentGroupID=3D1&CategoryID=3D3&subCategoryID=3D1
>=20
> It's solidly padded, also for the slide compartment, and
> has another
> long pocket on the other side of the compartment for the
> bell, which
> not only holds the mouthpiece, shoulder strap, cream etc.,
> but also
> the trombone stand. I also got the accessory shoulder strap
> so I can
> carry the thing on my back.
> It shows that it works well to keep the bodypack/microphone
> attached
> when packing the trombone. For that, I fitted the bodypack
> into a
> small pouch, attached that to the pipes of the instrument
> and with
> that, everything's set.
>=20
> The computer and rackmount components are of course best
> held in one
> of those cases specifically made for this. There are those
> which are
> for the real rough handling - but come with the downside of
> not being
> optimized for carrying (e.g. with a shoulder strap), as
> this one:
> http://www.skbcases.com/music/products/proddetail.php?f=3D&id=3D426&o=3D&=
offset=3D1&c=3D102&s=3D78#
> However, with a rack depth of 9.5'', this is rather
> shallow. Too much?
> In my case, yes: the Konnekt24D is 9'' deep - add to that
> cables and
> it becomes a no-go.
>=20
> What I finally selected was this:
> http://www.gatorcases.com/productsmodeldetail.aspx?LID=3D25&PID=3D26&MID=
=3D384
> Not as sturdy as the SKB item, however with a aluminum-made
> rack
> frame, it seems sturdy enough (unless put on a plane - this
> is true
> especially for the laptop pocket, which is merely padded).
> Note that when installing, I found that my hestitation
> towards the
> SKB's depth was not without reason: including power strip,
> PSUs and
> cables, this rack is completely filled. There is a hole in
> between the
> rack and the laptop compartment - important to fulfill my
> "all cables
> have to be in place" requirement.
>=20
> With that, the leftover components are: two bodypacks (one
> with
> headphones, one with headset mike), the Zoom H2, the
> BCR2000 and the
> FCB1010 - all of which I liked to have in one bag. In the
> emails here,
> Fabio recommended a Warwick Rockbag to me (thanks, Fabio!),
> and
> although the item he uses didn't work for me, another one
> did: a DJ
> bag:
> http://www.warwick-distribution.de/?katID=3D19088&cl=3DEN&did=3D1
> (note to self: why is it that we end up using products made
> for DJs
> all of a sudden? Just the other day, I talked to Per about
> a MIDI
> faderbox, and he told me about his faderfox, which one
> store carried
> in the DJ department as well).
> Normally meant to hold two CD players and a=A0 DJ mixer,
> it works
> equally well in its new role.
>=20
>=20
> 3. PUTTING IT TOGETHER:
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> Surprisingly, it worked right from the start. As mentioned,
> the
> laptop/rack case is totally cramped, but otherwise works
> fine. Note
> that there's a power distribution strip sitting in this
> case, not only
> feeding the wireless units, interface and laptop (the PSUs
> for the
> wireless units have already been replaced by SPS to be able
> to handle
> 110V as well), but also holding the power strips going to
> the BCR2000
> and FCB1010. For this reason, they are tied together with
> the MIDI/USB
> cables respectively. And of course, cables are tied
> together, in case
> of those which need to be extended by refastening velcro
> ones.
>=20
>=20
> 4. A FIRST PERFORMANCE TEST:
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D
> For a first performance test known to many here as being
> hard to
> fulfil, I chose the Rick Walker International Live Looping
> Festival
> Challenge: You come onto a stage where you find two cables
> leading to
> the board, one power socket and a table. You need to be
> ready in 30
> minutes. Everything over that will eat into your allowed
> performance
> time.
> In a first attempt (not practised or rehearsed), I came out
> at 9:02.
> Yes, that's right! I did it more than 20 minutes under the
> target.
> Now, can this be improved?
>=20
> Of course, there's the option to practice a little and
> perhaps bring
> it down to a little over eight minutes. However, another
> question
> would be if (and how) the process can be put in parallel.
> The quick
> answer: yes, it can. You're albe to have one (instructed)
> person boot
> the computer, set up computer (yes, in that order),
> faderbox and
> pedalboard and make the connections to the mains, while the
> performer
> sets up the trombone and gets his bodypacks ready. By doing
> so, it's
> possible to get into the region of 5 minutes for this
> challenge.
> What's more, the bodypack attachment/trombone setup tasks
> can easily
> be done backstage in advance, so this works even if you're
> all by
> yourself.
>=20
>=20
> 5. SUMMARY AND OPEN TASKS:
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D
> Did it work? As far as I can tell: yes, absolutely! I'm
> really happy
> with this solution which really allows for super-fast and
> hassle-free
> setup and breakdown. Add to that the fun I gained from
> using wireless
> components, and you know I'm a happy little looper.
> There's not much remaining: choosing which additional parts
> to bring
> along. A batch of spare batteries would be nice, and as
> we're talking
> about it, it seems that also my video camera (with stand)
> would still
> fit in the bag.
>=20
>=20
> =A0 =A0 =A0 =A0 =A0 Rainer
>=20
> =0A=0A=0A      

