From Loopers-Delight-request@loopers-delight.com Mon Dec 1 01:39:18 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 80CF23BE88; Mon, 1 Dec 2008 01:39:18 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type:references; bh=6zMYrF9+Z5XXjUvV1haCZ20kDqisdU3KYZzw5BxSAFs=; b=NCXkot2R/Y1WzmuVX+Zq2tbEG/6pQD/uImMNRmybvEkxCWom10tB0kh/PQvbhqHGY7 Ek5/tzZBE5VrhhFskF9bBeF5PZJVlkLKxTuQn79ZLTmQ5zELxXCd2Zp+HCOGHrk2TKp/ GasEsys7x1XObNmQ4sYLyBLwOG7s4BSRG60EI= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:references; b=C8OeI9bxt7ua+NFR+6Hr+NbNQwt/QcYDli6qXWYjxtLPN9GrQRfHyFnGzLfYF673Ax jrUENp+eIKpxM6GANXjBizHJWGHszcmLHAFLZ/YecQ+gjAnk297tUbb2nrJyO3kxIGhk jJncWOMh7+E0kD7TRM7Q/twYw9QQhDbvKKhzA= Message-ID: Date: Mon, 1 Dec 2008 02:39:17 +0100 From: "Raul Bonell" To: Loopers-Delight@loopers-delight.com Subject: Re: Another piece uploaded for sharing: "70.000 Years Ago" In-Reply-To: <66f9cc1e0811301510u30044298y1745de5ccdff6a1c@mail.gmail.com> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_11729_3309666.1228095557583" References: <66f9cc1e0811301510u30044298y1745de5ccdff6a1c@mail.gmail.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85967 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 01:39:18 +0000 (UTC) ------=_Part_11729_3309666.1228095557583 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline arghh... left a comment on ube. unbelievable! ... raul. 2008/12/1 Per Boysen > Hi, > > Just uploaded a fresh live looping piece here: > http://www.ubetoo.com/Artist.taf?_ArtistId=6550 > > This is a flute improvisation with the typical speed-shift-by-pedals > improvisation style for creating chord changes by re-pitching the loop > while playing over it (and even overdubbing into it). If you hear > something that reminds of the Eventide effect devices it is the > SoundToys Native plug-ins. I really love them! The bizarre scratchy > noise sound is the flute played through MainStage's (and Logic's, they > share the same plug-ins) vocoder plug-in. The pitch rider isn't very > accurate, which you can hear at the end of the piece (funny wailing > tone there ;-) > > Per > > -- The Playing Orchestra: http://www.telefonica.net/web2/tpo Chain Tape Collective: http://www.ct-collective.com TPO at myspace: http://www.myspace.com/theplayingorchestra TPO at Jamendo: http://www.jamendo.com ------=_Part_11729_3309666.1228095557583 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline arghh... left a comment on ube.

unbelievable! ...

raul.

2008/12/1 Per Boysen <perboysen@gmail.com>
Hi,

Just uploaded a fresh live looping piece here:
http://www.ubetoo.com/Artist.taf?_ArtistId=6550

This is a flute improvisation with the typical speed-shift-by-pedals
improvisation style for creating chord changes by re-pitching the loop
while playing over it (and even overdubbing into it). If you hear
something that reminds of the Eventide effect devices it is the
SoundToys Native plug-ins. I really love them! The bizarre scratchy
noise sound is the flute played through MainStage's (and Logic's, they
share the same plug-ins) vocoder plug-in. The pitch rider isn't very
accurate, which you can hear at the end of the piece (funny wailing
tone there ;-)

Per




--
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com
------=_Part_11729_3309666.1228095557583-- From haneganmorris@rocketmail.com Mon Dec 1 03:44:30 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com X-Greylist: delayed 348 seconds by postgrey-1.27 at arsenic; Mon, 01 Dec 2008 03:44:30 UTC Received: from n1.bullet.mail.gq1.yahoo.com (n1.bullet.mail.gq1.yahoo.com [67.195.9.84]) by arsenic.violacea.com (Postfix) with SMTP id 9F3803BE7F for ; Mon, 1 Dec 2008 03:44:29 +0000 (UTC) Received: from [67.195.9.82] by n1.bullet.mail.gq1.yahoo.com with NNFMP; 01 Dec 2008 03:38:40 -0000 Received: from [67.195.9.103] by t2.bullet.mail.gq1.yahoo.com with NNFMP; 01 Dec 2008 03:38:40 -0000 Received: from [127.0.0.1] by omp107.mail.gq1.yahoo.com with NNFMP; 01 Dec 2008 03:38:40 -0000 X-Yahoo-Newman-Property: ymail-5 X-Yahoo-Newman-Id: 431303.81792.bm@omp107.mail.gq1.yahoo.com Received: (qmail 59861 invoked by uid 60001); 1 Dec 2008 03:38:40 -0000 DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=ymail_nen1; d=rocketmail.com; h=Received:Date:From:Reply-To:Subject:To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=CN7wn5LUQtp86clSFhCwEPN9T8nycQyF83mkuUWnjKGNB+i668Cpy1DxJlyOCqEakPYucPahZ7i3ilQFE82JKPCa9PSbRmBSkEFaMVZJ2X2LdVovyxUWnAqW4sP0RwBxamaPPFVXDVnAZqA9VA6F38F9aDMorocly2Q1HaWlIjc=; Received: from [41.210.35.246] by web111204.mail.gq1.yahoo.com via HTTP; Sun, 30 Nov 2008 19:38:40 PST Date: Sun, 30 Nov 2008 19:38:40 -0800 (PST) From: Morris Hanegan Reply-To: morris_hanegan@hotmail.com Subject: From Morris Hanegan To: looparc@loopers-delight.com MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-704001855-1228102720=:59134" Content-Transfer-Encoding: 8bit Message-ID: <305203.59134.qm@web111204.mail.gq1.yahoo.com> --0-704001855-1228102720=:59134 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit I have a new email address!You can now email me at: haneganmorris@rocketmail.com - From Morris Hanegan 01-12-2008 Compliment, My name Mr. Morris Hanegan, I found Your Contact through internet and decided to reach you directly to solicit your assistance and Guidelines in making a business investment and transfer of (12.5M GBP) with me from security company. I will like you to assist me in executing this Business Project from the security company, to your country within the Next few days.I need to know if you will be able to handle this with me before I explain to you in details. If you're interested please send me your ful names, private phone/fax through this email (morris_hanegan@hotmail.com) for an initial confidential communication. I wish for utmost confidentiality in handling this transaction. Awaiting your reply Sincerely, Mr. Morris Hanegan. --0-704001855-1228102720=:59134 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
I have a new email address!
You can now email me at: haneganmorris@rocketmail.com



- From Morris Hanegan 01-12-2008 Compliment, My name Mr. Morris Hanegan, I found Your Contact through internet and decided to reach you directly to solicit your assistance and Guidelines in making a business investment and transfer of (12.5M GBP) with me from security company. I will like you to assist me in executing this Business Project from the security company, to your country within the Next few days.I need to know if you will be able to handle this with me before I explain to you in details. If you're interested please send me your ful names, private phone/fax through this email (morris_hanegan@hotmail.com) for an initial confidential communication. I wish for utmost confidentiality in handling this transaction. Awaiting your reply Sincerely, Mr. Morris Hanegan.
--0-704001855-1228102720=:59134-- From morris.hanegan@rocketmail.com Mon Dec 1 04:00:29 2008 Return-Path: X-Original-To: looparc@loopersdelight.com Delivered-To: looper+looparc@arsenic.violacea.com X-Greylist: delayed 402 seconds by postgrey-1.27 at arsenic; Mon, 01 Dec 2008 04:00:29 UTC Received: from n26.bullet.mail.mud.yahoo.com (n26.bullet.mail.mud.yahoo.com [68.142.206.221]) by arsenic.violacea.com (Postfix) with SMTP id 85B653BE7F for ; Mon, 1 Dec 2008 04:00:29 +0000 (UTC) Received: from [68.142.200.226] by n26.bullet.mail.mud.yahoo.com with NNFMP; 01 Dec 2008 03:53:44 -0000 Received: from [68.142.201.69] by t7.bullet.mud.yahoo.com with NNFMP; 01 Dec 2008 03:53:44 -0000 Received: from [127.0.0.1] by omp421.mail.mud.yahoo.com with NNFMP; 01 Dec 2008 03:53:44 -0000 X-Yahoo-Newman-Property: ymail-5 X-Yahoo-Newman-Id: 794043.87126.bm@omp421.mail.mud.yahoo.com Received: (qmail 23768 invoked by uid 60001); 1 Dec 2008 03:53:44 -0000 DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=ymail_nen1; d=rocketmail.com; h=Received:Date:From:Reply-To:Subject:To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=fn9WPvNzElTvjRbQFidWcpLm63M7WKMqm6HNtarbGIOzpN86h/ph5dwhLkvjFp+z5QBbjiQKVvBsST9xPE4ThRD15PlKmRkXjSeDATziMeTAgbC8y0pGd1fTxSo7M/QW2VgjbRCVpaoLKQjUB8AhvcqEoKecFTXZcTGb601DjEU=; Received: from [41.210.33.85] by web111116.mail.gq1.yahoo.com via HTTP; Sun, 30 Nov 2008 19:53:44 PST Date: Sun, 30 Nov 2008 19:53:44 -0800 (PST) From: Morris Hanegan Reply-To: morris_hanegan@hotmail.com Subject: From Morris Hanegan To: looparc@loopersdelight.com MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-2051759051-1228103624=:23385" Content-Transfer-Encoding: 8bit Message-ID: <285404.23385.qm@web111116.mail.gq1.yahoo.com> --0-2051759051-1228103624=:23385 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit I have a new email address!You can now email me at: morris.hanegan@rocketmail.com - From Morris Hanegan 01-12-2008 Compliment, My name Mr. Morris Hanegan, I found Your Contact through internet and decided to reach you directly to solicit your assistance and Guidelines in making a business investment and transfer of (12.5M GBP) with me from security company. I will like you to assist me in executing this Business Project from the security company, to your country within the Next few days.I need to know if you will be able to handle this with me before I explain to you in details. If you're interested please send me your ful names, private phone/fax through this email (morris_hanegan@hotmail.com) for an initial confidential communication. I wish for utmost confidentiality in handling this transaction. Awaiting your reply Sincerely, Mr. Morris Hanegan. --0-2051759051-1228103624=:23385 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
I have a new email address!
You can now email me at: morris.hanegan@rocketmail.com



- From Morris Hanegan 01-12-2008 Compliment, My name Mr. Morris Hanegan, I found Your Contact through internet and decided to reach you directly to solicit your assistance and Guidelines in making a business investment and transfer of (12.5M GBP) with me from security company. I will like you to assist me in executing this Business Project from the security company, to your country within the Next few days.I need to know if you will be able to handle this with me before I explain to you in details. If you're interested please send me your ful names, private phone/fax through this email (morris_hanegan@hotmail.com) for an initial confidential communication. I wish for utmost confidentiality in handling this transaction. Awaiting your reply Sincerely, Mr. Morris Hanegan.
--0-2051759051-1228103624=:23385-- From Loopers-Delight-request@loopers-delight.com Mon Dec 1 07:16:00 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 983893BE89; Mon, 1 Dec 2008 07:16:00 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Date: Mon, 1 Dec 2008 08:15:57 +0100 Message-Id: Subject: Re:New recorded piece uploaded for sharing: "Yellow Music Box" MIME-Version: 1.0 X-Sensitivity: 3 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable From: "Sjaak" To: "Loopers-Delight" X-XaM3-API-Version: 4.1 (B54) X-type: 0 X-SenderIP: 217.68.49.65 X-DCC-scarlet.be-Metrics: sif; whitelist Resent-Message-ID: <35PrxC.A.2FB.w84MJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85968 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 07:16:00 +0000 (UTC) Wow Per, "We want more" :) I was already a big fan of yours but this too = is a very inspiring piece of music. Is there a chance we can buy/download= this? --- Sjaak http://www.livelooping.be/ http://www.overgaauw.be/ http://www.myspace.com/sjaakovergaauw =0A --- Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer! Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm From Loopers-Delight-request@loopers-delight.com Mon Dec 1 07:20:30 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 9F3563BE8E; Mon, 1 Dec 2008 07:20:30 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:mime-version:content-type; bh=CzTsCcm3c2k4GaJkO4jSxFKAB7dR7YmDVQDc2g9Umn4=; b=WlPBvbCzFWaAxZ9CiMdhemQFuKhTD6lhekT6wINacNNnUgsxuShzsdbfW3nXazeXE1 T4EkYSKl8FwCsftHlmBv448KNW8AynNeslLDNdQ5ApqHEHiXcyCPOzsHyWeDggf5OfbS FIzNx0hG5fZLrSTLMYPn+49q26nWmkqKJN1/A= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:mime-version:content-type; b=fWas/QzfI/a+1M9JezUI0e14QirPC7lopR2XpT7Cp4RMFUWKtu2wnyflALBEB1GSFR kEHK6mcvzxgPFVOy1KxlrmePRRCKKL5K0mzPg437aYiJegS+JidDTN3YkazqXBKmmWmb 1JzWVI193w3kXRwGtaBMaecrpH6LxIRLPl9vk= Message-ID: <3068dc10811302320p776b4387v9cc59cf7537db2ab@mail.gmail.com> Date: Sun, 30 Nov 2008 23:20:30 -0800 From: "Lindsey Walker" To: Loopers-Delight@loopers-delight.com Subject: Re: Looping Newbie! MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_94103_30030316.1228116030016" Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85969 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 07:20:30 +0000 (UTC) ------=_Part_94103_30030316.1228116030016 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Yeah, that's me! I played the first set on Sunday so only a few people saw it. You guys really impressed me with your willingness to share knowledge and support one another. We never did finish that rewrite of Satisfaction.... Lindsey --- Hey Lindsey, your name rings a bell...are u the girl who Rick introduced us to after the Goth night party and we procceded to party all night at another Ricks friends house, and who also spent the night at Ricks that night? www.myspace.com/luisangulocom ------=_Part_94103_30030316.1228116030016 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Yeah, that's me!  I played the first set on Sunday so only a few people saw it.  You guys really impressed me with your willingness to share knowledge and support one another.

We  never did finish that rewrite of Satisfaction....

Lindsey

---
Hey Lindsey,
your name rings a bell...are u the girl who Rick introduced us to after the Goth night party and we procceded to party all night at another Ricks friends house, and who also spent the night at Ricks that night?

www.myspace.com/luisangulocom
------=_Part_94103_30030316.1228116030016-- From Loopers-Delight-request@loopers-delight.com Mon Dec 1 07:26:49 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 390BB3BE8E; Mon, 1 Dec 2008 07:26:49 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type:references; bh=dmCmR7GkmEW6mqwwCLz4G1wRsU8uCKOb9hPviX8PnnI=; b=bLmkf846DqM+Ox/RfI+0UnzLHIQ4y9zX+6Pc3lk56Pk4GI+XKvXZz7u4e3BrT/LEXK v5NB137fKJV0XnDJmVRRw+OaaWzZtQq7sxNBJh00tPRBcbnfY+rqxjnySS+LCp5ujWFJ tVsV3Nxjd4R4fg49XzA9JjAG1mLLbRdxLK6Bo= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:references; b=LXXgf5HNrLIKkdpsshRwnOQcd+cKxlwwX+giHo/mmjFYloKqFc4yLWQ2i/xfAXU1IA fbcpbi3W3dHURhAzu3m24VB6AdsvkaTX3BXiPar/Zq7ybpeojxKIO9prPHX+ZxWCCuJE QpRvfeqkiUE7WOvgg6N8mVWjxVIIsTNjWGW7M= Message-ID: <3068dc10811302326o7f0c72c5o3db1db584bcbf657@mail.gmail.com> Date: Sun, 30 Nov 2008 23:26:47 -0800 From: "Lindsey Walker" To: Loopers-Delight@loopers-delight.com Subject: Re: New recorded piece uploaded for sharing: "Yellow Music Box" In-Reply-To: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_94252_18479906.1228116407851" References: Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85970 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 07:26:49 +0000 (UTC) ------=_Part_94252_18479906.1228116407851 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline I love the way the sound evolves. Very meditative and beautiful. Cute ending. Bravo! Lindsey 2008/11/30 Sjaak > Wow Per, "We want more" :) I was already a big fan of yours but this too is > a very inspiring piece of music. Is there a chance we can buy/download this? > --- > Sjaak > http://www.livelooping.be/ > http://www.overgaauw.be/ > http://www.myspace.com/sjaakovergaauw > > > --- > Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer! > Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm > > ------=_Part_94252_18479906.1228116407851 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline I love the way the sound evolves.  Very meditative and beautiful.  Cute ending.  Bravo!

Lindsey

2008/11/30 Sjaak <tcplugin@scarlet.be>
Wow Per, "We want more" :) I was already a big fan of yours but this too is a very inspiring piece of music. Is there a chance we can buy/download this?
---
Sjaak
http://www.livelooping.be/
http://www.overgaauw.be/
http://www.myspace.com/sjaakovergaauw


---
Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer!
Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm


------=_Part_94252_18479906.1228116407851-- From Loopers-Delight-request@loopers-delight.com Mon Dec 1 08:30:21 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 116603BE8F; Mon, 1 Dec 2008 08:30:20 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Date: Mon, 1 Dec 2008 09:30:17 +0100 Message-Id: Subject: Re: New recorded piece uploaded for sharing: "Yellow Music Box" MIME-Version: 1.0 X-Sensitivity: 3 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable From: "Sjaak" To: "Loopers-Delight" X-XaM3-API-Version: 4.1 (B54) X-type: 0 X-SenderIP: 217.68.49.65 X-DCC-scarlet.be-Metrics: sif; whitelist Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85971 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 08:30:20 +0000 (UTC) Per, Do you have a bigger picture of this yellow music box? Thanks --- Sjaak http://www.livelooping.be/ http://www.overgaauw.be/ http://www.myspace.com/sjaakovergaauw=0A --- Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer! Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm From Loopers-Delight-request@loopers-delight.com Mon Dec 1 08:50:56 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id AB8C73BE87; Mon, 1 Dec 2008 08:50:56 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=0YiKk400eQmLIJTT6x+Z+xi6MRdCxM2+6K+fB04OIfU=; b=DDe4w47ubIiGXA1me5wbBs9RusPxFxtFpAPs4yBtFRPg96j3k0q3N6f2G1mX6SFfi4 c7GFrELnZkyvNTbbqCjMmJhIRM53qtHL+qsK3jj+ih/e8fNWYJjDh86k7Z3TFWoFVQce cxvih+oFOd/6/oR6KTefMrQoqLNKbTAom89SU= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=CAOMw/hfRO6LW6pYbrNPEwoWLe6fDUu/uOfGPTZ+xqFXKxHt12Q5jIhI+7DdI5rF7Q 6hz29HaZX3uN4R7pYkwzv28MSDx36btAVog82Hnxq6WJKT2iiaQyCCgS4a6QkecrPgbh zWsCbQZou/bGNmQwHaw+qlPcsSqve2bcfCP3Q= Message-ID: Date: Mon, 1 Dec 2008 10:50:55 +0200 From: "Byron Howell" To: Loopers-Delight@loopers-delight.com Subject: Re: a moronic question In-Reply-To: <101191640811300710k1a7262cfw4563362b7cc500c8@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <11FA9EB1-5C6A-44A3-B758-9A1AD783C2A6@interworld.net> <20081130001810.d3io0agc2skgc88s@mail.kevinkissinger.com> <49326E85.4080205@tiscali.co.uk> <9ab0c76f0811300304x7c6b0994r83616036c66900f5@mail.gmail.com> <3B2E50DA8A794F97A60F13BF54C5599B@eluk1> <101191640811300710k1a7262cfw4563362b7cc500c8@mail.gmail.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85972 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 08:50:56 +0000 (UTC) "You'd need a pretty smart sample player, with many layers of samples being triggered under different circumstances to do a reasonable job, and even then the nature of MIDI would frequently defeat you (depending on controller and its match to the instrument being modelled)." A pretty complicated process indeed...but that is of course if the aim was to imitate the instrument in real time. All those nuances could be put together if one were to programme it in slowly keeping in mind the instrument. one would ask..why go through the hassle, just play the guitar and record it? I guess it would be that the sampler is the instrument that i wish to learn not the guitar. In the case of the conga, I have learnt it to an extent but struggle to get a good sound for recording (injuy/newbie recording chops). It would not take long for me to mimic all the nuances of playing conga if they were made available to me but, like you say, i would if i were to play the sampler live and map piano movements to conga sounds. All is well in the realm of programming. but i think it is possible to say take 16 conga samples and assign them to say a trigger finger and practice finger excersices using the trigger finger as virtual conga. (not so painful, great on quality. but the guitar would present more of a translation challenge. I guess i want the sampler to be a kind of 'any instrument'. learn the techniques of the sampler well enough and have access to any sound without going through the years of learning various techniques..and stil be able to 'play' it live, perhaps a deadend since i woudnt be able t visualise the techniques in the programming of melodys, grooves or in the mapping it to a triiger finger or three...and would only just pass as 'ok sounding' to have all perc instruments at my disposal with one controller, one technique to learn and the ultimate in portability (with the one draw back of being 'inauthentic') But the people in my generation like that inauthentic sound- so its all good these kids, always looking for shortcuts around years of hard work errr... was i babbliing? just trying to make music like the sounds i hear in my head. On 11/30/08, Warren Sirota wrote: > You can replicate a single note via a sampler pretty darned well. What is > much harder to replicate realistically are incidental noises and > non-pianistic techniques in a particular idiom (especially if you're trying > to trigger them via MIDI, an extremely keyboard-centric view of the world). > Even playing a single note on my guitar - how hard I pluck it determines > both how "slappy" (as in bass slapping) it sounds, and also how much of a > little fret buzz coming in after the 2nd note hits. And the attack of the > 2nd note, being a hammer-on, is quite different than the attack of the first > (and is impossible for the sampler to even begin to model, since all it gets > is a MIDI pitch change message from the controller - how does it know it's a > hammer?). You'd need a pretty smart sample player, with many layers of > samples being triggered under different circumstances to do a reasonable > job, and even then the nature of MIDI would frequently defeat you (depending > on controller and its match to the instrument being modelled). > > > > > On Sun, Nov 30, 2008 at 8:26 AM, SP Goodman > wrote: > > > > > > > > From: mark francombe > > > > > > > > > > > I never found a way to > > > > satisfactorily replicate Tablas, for instance. . > > > > > > > > > > No-one ever found a way to replicate any acoustic instrument. > > > > > > andy butler > > > > > > > > > > Nanotechnology? > > > > PS, are you sure? On a recording? I bet you can... dont see the point > tho... > > > > Attempting to replicate is far too much work unless that's all one is > striving to do, I guess. I wanted to make music with Tablas, not learn how > to replicate them. > > > > From Loopers-Delight-request@loopers-delight.com Mon Dec 1 10:13:49 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id B904E3BE90; Mon, 1 Dec 2008 10:13:49 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=1reDjV37CeG9VCF2JNDZDOCurQH9WEZmaSM5CI81arQ=; b=pBDs8DLurIVeUDLg8v1i9xNRZGZxZVhAq+soulSyQ1SDxax50BxddaXVl71A14+C/R ZTm9XeSkrkeR/O39DVLGWYm+uGQC/whinn8zx2H67upwZGihlzav8J934N+yWpppx0tW r2qEBrd+4zJ3+kpdyOWwzoS0JgP2IVmtOGSiY= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=WqO/HJ2o814l7dXR8JvQbG3AvCztEXfvoRLkBnfWbIorGD+Usnpx7glAD4JsTvY6hI HCv8yGhHdKa98/gh2Y+pbI3IMEqqx0wKcCK9dwu+mUE1MinPF2aqjaBNOlkSFrITx7Rh KhY80SvJZHH0RDXAozFEBoHsNCFV3MrKnyFnI= Message-ID: <66f9cc1e0812010213l45b3190eq489adef9d3e3ced9@mail.gmail.com> Date: Mon, 1 Dec 2008 11:13:47 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Re: New recorded piece uploaded for sharing: "Yellow Music Box" In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85973 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 10:13:49 +0000 (UTC) 2008/12/1 Sjaak : > Per, > Do you have a bigger picture of this yellow music box? Thanks I'm afraid not. But someone posted internet links to web pages with better pictures of it. Check back in the list archives some 30 hours before this mail was sent. -- Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.myspace.com/perboysen www.stockholm-athens.com From Loopers-Delight-request@loopers-delight.com Mon Dec 1 10:58:41 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 08B163BE8B; Mon, 1 Dec 2008 10:58:40 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Trace: 114184617/mk-filter-1.mail.uk.tiscali.com/B2C/$b2c-THROTTLED-DYNAMIC/b2c-CUSTOMER-DYNAMIC-IP/79.78.246.120/None/akbutler@tiscali.co.uk X-SBRS: None X-RemoteIP: 79.78.246.120 X-IP-MAIL-FROM: akbutler@tiscali.co.uk X-MUA: Thunderbird 1.5.0.9 (Windows/20061207) X-IP-BHB: Once X-IronPort-Anti-Spam-Filtered: true X-IronPort-Anti-Spam-Result: AhQBAAdSM0lPTvZ4/2dsb2JhbAAIzmuCfYN3 X-IronPort-AV: E=Sophos;i="4.33,694,1220223600"; d="scan'208";a="114184617" Message-ID: <4933C446.3030802@tiscali.co.uk> Date: Mon, 01 Dec 2008 11:02:30 +0000 From: andy butler User-Agent: Thunderbird 1.5.0.9 (Windows/20061207) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: a moronic question References: <11FA9EB1-5C6A-44A3-B758-9A1AD783C2A6@interworld.net> <20081130001810.d3io0agc2skgc88s@mail.kevinkissinger.com> <49326E85.4080205@tiscali.co.uk> <9ab0c76f0811300304x7c6b0994r83616036c66900f5@mail.gmail.com> In-Reply-To: <9ab0c76f0811300304x7c6b0994r83616036c66900f5@mail.gmail.com> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85974 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 10:58:40 +0000 (UTC) mark francombe wrote: > > I never found a way to > satisfactorily replicate Tablas, for instance. . > > > No-one ever found a way to replicate any acoustic instrument. > > andy butler > > Nanotechnology? > > PS, are you sure? Yep :-) On a recording? not yet. I bet you can... dont see the point > tho... Exactly, the world is full of people who want to use new technology so that's it's easy for them to replicate the music that is already available. To me, the point would be to work out what it is about acoustic instruments that makes them so expressive, and apply that knowledge to make better electronic instruments. andy > > From Loopers-Delight-request@loopers-delight.com Mon Dec 1 11:02:22 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 3539D3BE8B; Mon, 1 Dec 2008 11:02:22 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=+2YvAux/qKhbUmuIsI/pdri591Q8OkGTZdAHu/mXNb4=; b=E2IFy/hjUuHDCzhQSMDM6Pe12gYemyMjWKl/sEq2aIOnzBgGX522Ju4zdQh4FS3O5o WzvE5nIHAofNZkZprgk+N3V9bMo/jVQvSwafHuxyd9Tmhdg1tFhM64jDOfI9jg5CiDmL 2pH0KKzQWxjKarigxcmYfZY6/2m3wKxiBQLEA= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=J1RXoaEqIEGhiDCNG9TC6EBY5uRhbrfO8gw46U9hWlIFpeCCbYBVodzHwjFBS0PHzb 6JlnUvVWl4B5hM3c0u2kEHncVG3wRlDn0zJY7wGcPOD8Bh0G9O3OCB1Qx4YqYpuJEVQ4 8MiFrVoHr5dlsv0dSFU5Bu0dhfsxRk/lKfGW4= Message-ID: <66f9cc1e0812010302q5945c348y36b2c1d554b35f2d@mail.gmail.com> Date: Mon, 1 Dec 2008 12:02:21 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Re: a moronic question In-Reply-To: <4933C446.3030802@tiscali.co.uk> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <11FA9EB1-5C6A-44A3-B758-9A1AD783C2A6@interworld.net> <20081130001810.d3io0agc2skgc88s@mail.kevinkissinger.com> <49326E85.4080205@tiscali.co.uk> <9ab0c76f0811300304x7c6b0994r83616036c66900f5@mail.gmail.com> <4933C446.3030802@tiscali.co.uk> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85975 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 11:02:22 +0000 (UTC) On Mon, Dec 1, 2008 at 12:02 PM, andy butler wrote: > Exactly, the world is full of people who want to use > new technology so that's it's easy for them to > replicate the music that is already available. > To me, the point would be to work out what it > is about acoustic instruments that makes them so > expressive, and apply that knowledge to make > better electronic instruments. > > andy Excellent summing up of the Moronic Question!!! I fully agree! -- Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.myspace.com/perboysen www.stockholm-athens.com From Loopers-Delight-request@loopers-delight.com Mon Dec 1 13:06:18 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 169DE3BE75; Mon, 1 Dec 2008 13:06:17 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Date: Mon, 1 Dec 2008 14:06:15 +0100 Message-Id: Subject: Re: ART Regular Output vs. Inspiration MIME-Version: 1.0 X-Sensitivity: 3 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable From: "Sjaak" To: "Loopers-Delight" X-XaM3-API-Version: 4.1 (B54) X-type: 0 X-SenderIP: 217.68.49.65 X-DCC-scarlet.be-Metrics: sif; whitelist Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85976 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 13:06:17 +0000 (UTC) Good post Rick. I would like to add my personal view on this discussion. = In case I use the wrong words, please forgive me because it=92s not easy = to express myself well in this type of philosophical threads while Englis= h is not your mother language. Here we go The Camp II approach has a couple of advantages compared Camp I. First of= all, the more artwork you deliver, the more feedback you get from other = people. You will use this feedback unconsciously as an input for your nex= t piece, or mix them with other ideas, emotions etc. To say it in other w= ords: your own creative process works like a kind of looper: the brain ac= ts like a mixer and a filter and your state of mind decides what comes ou= t if. So I think you=92re right about the fact that the camp II approach = result in more diverse artwork because of these many different inputs. It might that some Camp I individuals will be able to produce top pieces = though, but over time, I believe the average quality of Camp II will be h= igher. Why? Because Camp II is constantly learning and applying what they= learned, putting in more experience in the process. And don=92t forget t= he psychological component of this whole process: having deadlines and be= less critical towards yourself is an experience on it=92s own and Camp I= folks will miss that. I guess that in our daily lives, and depending of your state of mind, the= individual artist is ping-ponging between Camp I and II. At least I=92m.= My Camp 1 brother is the perfectionist, my Camp II the guy who really wa= nts to achieve something, so setting deadlines is something I=92m doing m= ore and more compared to the past. For example, what I learned from the L= D community is that you simply should start making live improvisation mus= ic in stead of keep talking and reading about it. If you=92re in Camp I, you might even be waiting for ever before you thin= k the time has come for your master piece of the year. Having too much ti= me is not always good. I know from experience that having too much time a= nd technology can kill your creative flow. In fact, spending too much tim= e on tiny little details won=92t add much to the overall result. I still = think the first approach often is the best one. Yes, you may even have a more relaxed and chilly life compared to the Cam= p II guys but in the end you will end up with very little, maybe even not= hing or you=92re not understood by the audience because they can=92t put = your single master piece into the context of you as an artist, or compare= with your other works. And besides that, I think diversity says a lot ab= out the artist. The more you see and hear about a person, the better you = are able to figure out what the artist is all about, what he/she tries to= say or show, and what he/she is good at. And btw: that will differ from = person to person. In other words: you might =93think=94 they like your wo= rk for reason A, but it could be B, or C or D. --- Sjaak http://www.livelooping.be/ http://www.overgaauw.be/ http://www.myspace.com/sjaakovergaauw=0A --- Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer! Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm From Loopers-Delight-request@loopers-delight.com Mon Dec 1 13:18:28 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 82AFD3BE98; Mon, 1 Dec 2008 13:18:28 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:mime-version:content-type; bh=PPVjc1BQsmzhNM/+AkKtf5BF8HEsyxvQDXkRkLL1dxQ=; b=NWb3DsEsSlXdWzRRNM2QJYTwfWauJ4wVuuOpdhbQL8RPSFZkMggFUM84FEkaqDSmaP WlPb94o/64h9ydVIl13mK0euqrGJIVzTa0u8gX7PVdONbgAlgbd9k1xCkZkKSz52exRX KD5XwDasMIn/Zd4YkTLUaozkhqyk1yxs3h098= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:mime-version:content-type; b=CHGYwvSfm9FNleZ2Dxx2yngPGKkSnwCSK5y603byM/LHb/6MFGKoZjw1bwiCzfOERs p3XMAzGxtkBQaiOlvgud6tdszK/pz8V3Q5TwIxOUTEF2D2BC4rBxQKjiFN9XWGpQs2Qy NK1DgXaTqBu3fiIxcIWthXCoKzsGbRgfYMNw0= Message-ID: Date: Mon, 1 Dec 2008 14:18:27 +0100 From: "Raul Bonell" To: "Loopers-Delight@loopers-delight.com" , zonemobius@yahoogroups.com Subject: OT: tiny usb soundcard MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_360_16333133.1228137507501" Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85977 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 13:18:28 +0000 (UTC) ------=_Part_360_16333133.1228137507501 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline hi there! just wanting to try mobius with an atom based pc. does anybody know of a reliable (with well written drivers) small as possible, usb soundcard. any config. of input /output it's o.k. surfed the web and the majority of the users report issues with stability on almost any brand and model! thanks, ra=FCl. --=20 The Playing Orchestra: http://www.telefonica.net/web2/tpo Chain Tape Collective: http://www.ct-collective.com TPO at myspace: http://www.myspace.com/theplayingorchestra TPO at Jamendo: http://www.jamendo.com ------=_Part_360_16333133.1228137507501 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline hi there!

just wanting to try mobius with an atom based = pc.
does anybody know of a reliable (with well written
= drivers) small as possible, usb soundcard. any config. of input
/output it's o.k.

surfed the web and the major= ity of the users report
issues with stability on almost any brand= and model!

thanks,
ra=FCl.

--
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TP= O at myspace: http:/= /www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com
------=_Part_360_16333133.1228137507501-- From Loopers-Delight-request@loopers-delight.com Mon Dec 1 13:42:20 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id EFC053BE8F; Mon, 1 Dec 2008 13:42:19 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Date: Mon, 1 Dec 2008 14:42:17 +0100 Message-Id: Subject: Re:OT: tiny usb soundcard MIME-Version: 1.0 X-Sensitivity: 3 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable From: "Sjaak" To: "Loopers-Delight" X-XaM3-API-Version: 4.1 (B54) X-type: 0 X-SenderIP: 217.68.49.65 X-DCC-scarlet.be-Metrics: hel; whitelist Resent-Message-ID: <873gLD.A.vXC.7m-MJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85978 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 13:42:19 +0000 (UTC) Hi Raul, I use the Edirol UA-1EX USB audio interface, costs you 68 EUR's. I use it= for 2 years, without any problem. --- Sjaak http://www.livelooping.be/ http://www.overgaauw.be/ http://www.myspace.com/sjaakovergaauw=0A --- Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer! Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm From Loopers-Delight-request@loopers-delight.com Mon Dec 1 13:48:55 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 132ED3BE8E; Mon, 1 Dec 2008 13:48:54 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=default; d=kevinkissinger.com; h=Received:Received:Message-ID:Date:From:To:Subject:References:In-Reply-To:MIME-Version:Content-Type:Content-Disposition:Content-Transfer-Encoding:User-Agent:X-Identified-User; b=QuOMwMS1LOq61AAlnbOk+D9VMPRlIRH8VNYEAAW/gf1lfSk0Uqcb6WJTp87h+1MaGWW1lrpG+uQtpJQryHBb9N4ILtez0O7j9EUCcltgL5CnyHoLzfmKgxVqNqtYoIin; Message-ID: <20081201074851.qfr21mp4w0g80o8c@mail.kevinkissinger.com> Date: Mon, 01 Dec 2008 07:48:51 -0600 From: kkissinger@kevinkissinger.com To: Loopers-Delight@loopers-delight.com Subject: Re: Moronic question References: <20081130151039.0C9623BE84@arsenic.violacea.com> In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; DelSp="Yes"; format="flowed" Content-Disposition: inline Content-Transfer-Encoding: 7bit User-Agent: Internet Messaging Program (IMP) H3 (4.1.6) X-Identified-User: {0:box76.bluehost.com:root:box76.bluehost.com} {sentby:program running on server} Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85979 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 13:48:54 +0000 (UTC) Quoting samba - : > > Playing a marimba or vibes sample with one > finger of each hand gets much closer to the feel of two mallets > than you can with one hand playing the same part. > Yes, indeed! A huge aspect of "replicating" real instruments is to consider how the real instrument is played. In particular, when playing percussion samples, to play them with the "two finger" method imparts a visceral feeling to the music. Quantized/programmed material produces a more "objective/mechanized" effect. I use whatever approach gives me the effect that I want. From Loopers-Delight-request@loopers-delight.com Mon Dec 1 14:10:38 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 083D63BE94; Mon, 1 Dec 2008 14:10:37 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:sender :to:subject:in-reply-to:mime-version:content-type:references :x-google-sender-auth; bh=zwwYFAQPgiagBCPmoK74gE+LBRwKNnfb6R9Pkq50qWQ=; b=oUsYK8yCPv/o6jkIfqO0Z1bN/lxxeWKR+9xpqGGA4cngUfedjbpvL82zG11yhECTGJ 3miZ1RbMCjRlE+k4Iv3j6QFMRjN9p4rH7UDn8NE6pByZduxTWNEbzY1ICir8rXdXsDC3 +RQvwu5oEv09gxGe/2hJKm2Uu8oTwewXZD7jQ= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:sender:to:subject:in-reply-to:mime-version :content-type:references:x-google-sender-auth; b=pSTEtRelGlFncUOjgs3w00rKRAI3P2JGmA1q+MNJl94QckMx2DzVm6+aMsVv/2+q1A KeSq7abN/dSGc2uGUF2BZ+T9DUJWNf4FaX6BOsLTkaN3NJn3y9iyZyIXbtG7+sbn1WKG DFu0XW2dCI00kwxGE7yd0m2HpUGVJUfPnjOBY= Message-ID: <101191640812010610k3111a3a9r3c5561e357d25eec@mail.gmail.com> Date: Mon, 1 Dec 2008 09:10:37 -0500 From: "Warren Sirota" Sender: warrensirota@gmail.com To: Loopers-Delight@loopers-delight.com Subject: Re: Art/Discipline In-Reply-To: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_85257_18661632.1228140637123" References: <20081130130146.9326A3BE8C@arsenic.violacea.com> X-Google-Sender-Auth: 2bbd87c36a34e52d Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85980 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 14:10:37 +0000 (UTC) ------=_Part_85257_18661632.1228140637123 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline On Sun, Nov 30, 2008 at 2:53 PM, samba - wrote: > > > "....makes it more > difficult to market oneself to the world at large because this approach > encourages a lot of stylistic diversity which makes it tough for people to": > categorize your recordings in record stores and online." > > One solution is to create multiple personalities/bands/brands etc. and market different identities in different ways to different target tribes,audiences > (or audients for Really exclusive musical cults). > > I am planning to do exactly this. At some point. > > I like to get a few of my personas to collaborate as a band > This approach also makes it easier to kill off a persona and get the promo advantage of being dead,without having to actually die. > > Good one! Love it. Warren ------=_Part_85257_18661632.1228140637123 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline

On Sun, Nov 30, 2008 at 2:53 PM, samba - <sambacomet@hotmail.com> wrote:
 
"....makes it more
difficult to market oneself to the world at large because this approach
encourages a lot of stylistic diversity which makes it tough for people to":
categorize your recordings in record stores and online."

One solution is to create multiple personalities/bands/brands etc. and market different identities in different ways to different target tribes,audiences
(or audients for Really exclusive musical cults).
I am planning to do exactly this. At some point.
 

I like to get a few of my personas to collaborate as a band
This approach also makes it easier to kill off a persona and get the promo advantage of being dead,without having to actually die.

Good one! Love it.

Warren
------=_Part_85257_18661632.1228140637123-- From Loopers-Delight-request@loopers-delight.com Mon Dec 1 14:14:59 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id A2B163BEA0; Mon, 1 Dec 2008 14:14:59 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: From: "eterogeneo" To: , Subject: New realtime recording uploaded Date: Mon, 1 Dec 2008 15:14:55 +0100 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_004C_01C953C7.90F28520" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.5512 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.5579 X-Spam-Rating: smtp3.aruba.it 1.6.2 0/1000/N Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85981 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 14:14:59 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_004C_01C953C7.90F28520 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi all,=20 just to share - here's a "fresh" new improvvisation i recorded in real = time last night. http://www.eterogeneo.com/podcast/Weightless.mp3 also available on my = podcast I used Mobius running as a VST inside Bidule,=20 5 VST effect plugins and my piano and no final editing (all mistakes are = all there....). Greetings Fabio www.eterogeneo.com www.myspace.com/eterogeneo ------=_NextPart_000_004C_01C953C7.90F28520 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi all,
just to share - = here's a "fresh" new = improvvisation i recorded=20 in real time last night.
http://www.eter= ogeneo.com/podcast/Weightless.mp3   also=20 available on my podcast
 
I used Mobius running = as a VST=20 inside Bidule,
5 VST effect plugins = and my piano = and no final editing=20 (all mistakes are all there....).
 
Greetings
 
Fabio
www.eterogeneo.com
www.myspace.com/eterogeneo=
 
 
 
------=_NextPart_000_004C_01C953C7.90F28520-- From Loopers-Delight-request@loopers-delight.com Mon Dec 1 14:43:08 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 2C4743BE99; Mon, 1 Dec 2008 14:43:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Date: Mon, 1 Dec 2008 15:43:05 +0100 Message-Id: Subject: Re: a moronic question MIME-Version: 1.0 X-Sensitivity: 3 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable From: "Sjaak" To: "Loopers-Delight" X-XaM3-API-Version: 4.1 (B54) X-type: 0 X-SenderIP: 217.68.49.65 X-DCC-scarlet.be-Metrics: hel; whitelist Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85982 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 14:43:08 +0000 (UTC) > Michael Noble wrote: > Similarly, wavetable synthesis, which I don't > claim to understand in technical detail, involves synthesis based on > sampling. It is also not difficult to conceive of recombinant > sampling techniques that will generate wholly new sounds based on > sample mixing at anywhere from the sample level of microsound to the > sonic event level. In thus respect, a dualism as stated is possibly > too simplistic. Most workstation like synthesizers uses this approach to synthesize sound= s. So I would say that a synthetic sound can be produced with both a classic wa= veform (sinus, square, sawtooth) and a sample. Keep in mind that most of = these very short samples are useless on its own, only when you threat the= m as a complex wave form and synthesize them using filters, envelopes and= modulation etc Wavetable synthesis is good example of applying sample technology in synt= hesis. The PPG Wave from Germany was the first commercially available wav= etable synthesizer, should have been in the late 70's. It took until 1985= before Roland released the first synth (D-50) using rom-sampling technol= ogy in a way we still use it today in both hard and soft synths. --- Sjaak http://www.livelooping.be/ http://www.overgaauw.be/ http://www.myspace.com/sjaakovergaauw=0A --- Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer! Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm From Loopers-Delight-request@loopers-delight.com Mon Dec 1 15:08:11 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 8FB143BEA0; Mon, 1 Dec 2008 15:08:11 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <4F24799F0AD542778EE67D27F681122F@eluk1> From: "SP Goodman" X-Unsent: 1 X-Vipre-Scanned: 0347540A00097C03475557 To: References: <20081130130146.9326A3BE8C@arsenic.violacea.com> <101191640812010610k3111a3a9r3c5561e357d25eec@mail.gmail.com> Subject: Re: Art/Discipline Date: Mon, 1 Dec 2008 15:07:56 -0000 Organization: EarthLight Productions MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_12BB_01C953C6.975CC840" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.5512 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.5579 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85983 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 15:08:11 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_12BB_01C953C6.975CC840 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I suspect that one doesn't realize just how many other people on the = planet have your name until such branding notions occur. Obviously I = feel dubious about "Steve Goodman" despite being born in New Orleans; = there are a ton of "Stephen Goodman"s out there but finally I figured = the same solution as samba did: "Stephen Goodman" originally was it, and did ambient-situational or = soundtrack music; "SP Goodman" :=3D more mainstream guitarwork, still (oh oh) 'electronic' = and looping; (unannounced) :=3D (unannounced music/style) (via old archives and/or = PDQ Bach); Now the first two get combined when I feel the need to "SP". My friends = call me Steve. ----- Original Message -----=20 From: Warren Sirota=20 To: Loopers-Delight@loopers-delight.com=20 Sent: Monday, December 01, 2008 2:10 PM Subject: Re: Art/Discipline On Sun, Nov 30, 2008 at 2:53 PM, samba - = wrote: "....makes it moredifficult to market oneself to the world at large = because this approachencourages a lot of stylistic diversity which makes = it tough for people to":categorize your recordings in record stores and = online." One solution is to create multiple personalities/bands/brands etc. and = market different identities in different ways to different target = tribes,audiences (or audients for Really exclusive musical cults).I am = planning to do exactly this. At some point. =20 I like to get a few of my personas to collaborate as a band=20 This approach also makes it easier to kill off a persona and get the = promo advantage of being dead,without having to actually die. Good one! Love it. Warren ------=_NextPart_000_12BB_01C953C6.975CC840 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
I suspect that one doesn't realize just how many = other people=20 on the planet have your name until such branding notions = occur. =20 Obviously I feel dubious about "Steve Goodman" despite being born in New = Orleans; there are a ton of "Stephen Goodman"s out there but finally I = figured=20 the same solution as samba did:
 
"Stephen Goodman" originally was it, and=20 did ambient-situational or soundtrack music;
"SP Goodman" :=3D more mainstream guitarwork, still = (oh oh)=20 'electronic' and looping;
(unannounced) :=3D (unannounced music/style) (via = old archives=20 and/or PDQ Bach);
 
Now the first two get combined when I feel the need = to=20 "SP".  My friends call me Steve.
 
 
----- Original Message -----
From:=20 Warren=20 Sirota
To: Loopers-Delight@loope= rs-delight.com=20
Sent: Monday, December 01, 2008 = 2:10=20 PM
Subject: Re: = Art/Discipline



On Sun, Nov 30, 2008 at 2:53 PM, samba - = <sambacomet@hotmail.com>=20 wrote:

"....makes it more
difficult to market oneself to = the world at large because this approach
encourages a lot of = stylistic diversity which makes it tough for people to":
categorize = your recordings in record stores and online."

One solution is to create multiple personalities/bands/brands etc. = and market different identities in different ways to different target = tribes,audiences
(or audients for Really exclusive musical = cults).
I am planning to do exactly this. At some point.
 

I like to get a few of my personas to collaborate as = a band
This approach also makes it easier to kill off a persona and get the = promo advantage of being dead,without having to actually = die.

Good=20 one! Love it.

Warren
------=_NextPart_000_12BB_01C953C6.975CC840-- From Loopers-Delight-request@loopers-delight.com Mon Dec 1 15:09:36 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 766BF3BE9E; Mon, 1 Dec 2008 15:09:36 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Mime-Version: 1.0 Message-Id: In-Reply-To: References: Date: Tue, 2 Dec 2008 00:09:16 +0900 To: Loopers-Delight@loopers-delight.com From: Mech Subject: Re: a moronic question Content-Type: text/plain; charset="us-ascii" ; format="flowed" Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85984 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 15:09:36 +0000 (UTC) At 3:43 PM +0100 12/1/08, Sjaak wrote: > > Michael Noble wrote: > > It is also not difficult to conceive of recombinant > > sampling techniques that will generate wholly new sounds based on >> sample mixing at anywhere from the sample level of microsound to the > > sonic event level. This, if I am not mistaken, is the whole philosophy behind Granular Synthesis, which has been around since the 80's. >Most workstation like synthesizers uses this approach to synthesize sounds. So >I would say that a synthetic sound can be produced with both a >classic waveform (sinus, square, sawtooth) and a sample. Keep in >mind that most of these very short samples are useless on its own, >only when you threat them as a complex wave form and synthesize them >using filters, envelopes and modulation etc Tit-for-tat here: one of the notorious "cheats" that some VST/AU soft-synths use in order to keep CPU-usage down is to use a sampled sine/square/whatever wave as the source for the oscillators (as opposed to generating it in realtime using math; merely reading back a table is less CPU-intensive). So, in many VST's you're using samples as the synth. Is that sampling, or synthesis, or both? >Wavetable synthesis is good example of applying sample technology in >synthesis. The PPG Wave from Germany was the first commercially >available wavetable synthesizer, should have been in the late 70's. >It took until 1985 before Roland released the first synth (D-50) >using rom-sampling technology in a way we still use it today in both >hard and soft synths. And even Roland didn't promote that as "wavetable" synthesis, preferring instead to hang it on a psychoacoustic principle and terming it LA Synthesis. Although you could get some wavetable effects (or at least I used to be able to on my old Kawai K1, which was a D-50 ripoff). Equally close to the PPG would have been the Prophet VS, which allowed four-way mixing between wave sources (some of which were sampled). But it wasn't until the Korg Wavestation (which, IIRC, was developed by SCI engineers/technology purchased when Sequential went belly-up) that a real wavetable synth was to pick up where the PPG left off. Of course, then Waldorf came back and reintroduced the real thing [sic].... --m. -- _____ "when you think your dreams are shattered, it's time to dream new dreams" From Loopers-Delight-request@loopers-delight.com Mon Dec 1 15:16:17 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id B48CD3BEA2; Mon, 1 Dec 2008 15:16:17 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=5OdQwJve8BApFoQ9Gl+gsFj970LvhTKJ8YWC8REqbvI=; b=qs7l2OZ1GcKc99AusMnOz2qYUUeiCks6o/CzdTSbPCvRpd9tn5v/j3tCOK0a64AtXb wlzkdBvhHmlSYx7UIHnp1vINnUemuGkhxk6UJWkwwkxz8IJMJA6U+GfAmVvbuoXlt8Pd m11p938e1ekbeWEAQI237dhoO/g1lWNYSYHnc= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=SpPjiO8XlhN4BOfY3Ae0aWWZsm7q65X9hjaWAekm+ZmDn9UHk0EN4nvp4BvElwNbgD r6KAUMYkmF91AwBkmlU2+1AL9jdP+2Km3pQrtIpD4s1bCSwUHqTM5/XD6+ppXoIRsfW9 3160MhtgnYumGXdpG3xdCctdEFkGAIwnNj864= Message-ID: <66f9cc1e0812010716h3e129bejbb22248cf880ce77@mail.gmail.com> Date: Mon, 1 Dec 2008 16:16:15 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Re: New realtime recording uploaded In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: Resent-Message-ID: <7YR5sD.A.5wE.B__MJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85985 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 15:16:17 +0000 (UTC) On Mon, Dec 1, 2008 at 3:14 PM, eterogeneo wrote: > Hi all, > just to share - here's a "fresh" new improvvisation i recorded in real time > last night. > http://www.eterogeneo.com/podcast/Weightless.mp3 also available on my > podcast > > I used Mobius running as a VST inside Bidule, > 5 VST effect plugins and my piano and no final editing (all mistakes are all > there....). Nice slow motion feel to it! Gives me a bit of "3D sense of wonder". -- Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.myspace.com/perboysen www.stockholm-athens.com From Loopers-Delight-request@loopers-delight.com Mon Dec 1 16:06:06 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id E95CA3BE97; Mon, 1 Dec 2008 16:06:05 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Date: Mon, 1 Dec 2008 17:06:03 +0100 Message-Id: Subject: Re: a moronic question MIME-Version: 1.0 X-Sensitivity: 3 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable From: "Sjaak" To: "Loopers-Delight" X-XaM3-API-Version: 4.1 (B54) X-type: 0 X-SenderIP: 217.68.49.65 X-DCC-scarlet.be-Metrics: sif; whitelist Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85986 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 16:06:05 +0000 (UTC) > Tit-for-tat here: one of the notorious "cheats" that some VST/AU > soft-synths use in order to keep CPU-usage down is to use a sampled > sine/square/whatever wave as the source for the oscillators (as > opposed to generating it in realtime using math; merely reading back > a table is less CPU-intensive). Yep, I heard that before :) I think all romplers like Motif=92s, Triton=92= s etc work like this. Btw: I had a similar discussion on a synthforum. I = own a Prophet 08, it's marketed as a synthesizer with a 100% analog signa= l path but it uses a digital controlled oscillator (DCO) and a parameter = called "oscillator slop" which allows subtle amounts of frequency drift. = In others words: to add typical voltage controlled (VCO) behavior ;) So a= purist says it's not a 100% analog synthesizer. But I personally have no= problems with it; it's the result what counts and the Prophet sounds lik= e the real deal, so as analog as can be. > So, in many VST's you're using samples as the synth. Is that > sampling, or synthesis, or both? I would say synthesis, since you use it as a source to synthesize sounds.= But that's my interpretation of it; I know many others would probably sa= y sampling. I associate sampling with either drums loops to play loops an= d huge sample libraries such as Ivory Grand Pianos or NI Acoustic Piano t= o simulate Funny, the K1 was my first synth! And although it was noisy, you could pr= ogram amazing sounds with it. And it's a pity the Prophet VS was a bad pr= oduct quality wise, it deserved better, it might have saved Sequential. --- Sjaak http://www.livelooping.be/ http://www.overgaauw.be/ http://www.myspace.com/sjaakovergaauw =0A --- Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer! Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm From Loopers-Delight-request@loopers-delight.com Mon Dec 1 16:07:17 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 5C9213BE97; Mon, 1 Dec 2008 16:07:17 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-Id: <78371C7A-087A-4BB3-B480-A91E99CDD14E@atarde.com.br> From: Matthias Grob To: Loopers-Delight@loopers-delight.com Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes Content-Transfer-Encoding: 7bit Mime-Version: 1.0 (Apple Message framework v929.2) Subject: echoplex next bug Date: Mon, 1 Dec 2008 13:06:23 -0300 X-Mailer: Apple Mail (2.929.2) X-Virus-Scanned: amavisd-new at atarde.com.br Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85987 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 16:07:17 +0000 (UTC) topu had a problem > 1. i switch between using 2 recording channels and 3 so 2L and 3L > -sometimes i'll record something and some of my old loops will come >back followed by a horrific white noise that sounds like glass shattering. and Claude, Frank and Andy suggested: yes this is the trick I confirm when I know I will be brutal with my edps I record a 3min silence loop during setup and it will not happen One thing is that the horrible noise comes from memory that has not been used since its started up. by recording a silent loop this can be zeroed but this does not fix that bug where it jumps to a wrong memory place, it just makes it less horrible since you get silence or old music and not a big noise. I am very sorry for that bug. I really overloaded the LOOP IV softare and I even came to the point to trash it instead of releasing it, because or all those smart tricks to save some processor cycles... then again, if only a few hard core EDP users experience the bug so rarely that they dont know how it happens... From Loopers-Delight-request@loopers-delight.com Mon Dec 1 16:34:38 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 40B4F3BEA9; Mon, 1 Dec 2008 16:34:38 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Greylist: delayed 399 seconds by postgrey-1.27 at arsenic; Mon, 01 Dec 2008 16:34:37 UTC DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=default; d=kevinkissinger.com; h=Received:Received:Message-ID:Date:From:To:Subject:References:In-Reply-To:MIME-Version:Content-Type:Content-Disposition:Content-Transfer-Encoding:User-Agent:X-Identified-User; b=TIe6PeIW5b7+cqTNxdI714cyTzMdXV017SBfwKICBcwVcwK2W926/Z9YuFX8qq9IrOekq51KltsczMHEEwJZtv63cEqa8/I0wifMKISJm+vF2ZgaW55j3emKyqGOKBc5; Message-ID: <20081201102755.ul77gk8oy044o844@mail.kevinkissinger.com> Date: Mon, 01 Dec 2008 10:27:55 -0600 From: kkissinger@kevinkissinger.com To: Loopers-Delight@loopers-delight.com Subject: Re: Another piece uploaded for sharing: "70.000 Years Ago" References: <66f9cc1e0811301510u30044298y1745de5ccdff6a1c@mail.gmail.com> In-Reply-To: <66f9cc1e0811301510u30044298y1745de5ccdff6a1c@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; DelSp="Yes"; format="flowed" Content-Disposition: inline Content-Transfer-Encoding: 7bit User-Agent: Internet Messaging Program (IMP) H3 (4.1.6) X-Identified-User: {0:box76.bluehost.com:root:box76.bluehost.com} {sentby:program running on server} Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85988 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 16:34:38 +0000 (UTC) Quoting Per Boysen : > > Hi, > > Just uploaded a fresh live looping piece here: > http://www.ubetoo.com/Artist.taf?_ArtistId=6550 > Per, "70,000 Years Ago" is gorgeous and the "Yellow Music box" is ingenious. Enjoyed listening. -- Kevin From Loopers-Delight-request@loopers-delight.com Mon Dec 1 16:38:41 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 3B8C13BEA6; Mon, 1 Dec 2008 16:38:41 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Greylist: delayed 399 seconds by postgrey-1.27 at arsenic; Mon, 01 Dec 2008 16:38:40 UTC DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=default; d=kevinkissinger.com; h=Received:Received:Message-ID:Date:From:To:Subject:References:In-Reply-To:MIME-Version:Content-Type:Content-Disposition:Content-Transfer-Encoding:User-Agent:X-Identified-User; b=D5HlNUPrI1IWFjYjCGBZcGHPqRaASstzMxbelMU8NGzs9h/yTDx5crlYvCvslgTlkaMu9cP2koU6yF3T8EunXo/otSwHYkMfLosRscSbW6yo3VQYQQMOYVtxnAQ/QYcu; Message-ID: <20081201103157.qcblexbnk4csg8cc@mail.kevinkissinger.com> Date: Mon, 01 Dec 2008 10:31:57 -0600 From: kkissinger@kevinkissinger.com To: Loopers-Delight@loopers-delight.com Subject: Re: New realtime recording uploaded References: In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; DelSp="Yes"; format="flowed" Content-Disposition: inline Content-Transfer-Encoding: 7bit User-Agent: Internet Messaging Program (IMP) H3 (4.1.6) X-Identified-User: {0:box76.bluehost.com:root:box76.bluehost.com} {sentby:program running on server} Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85989 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 16:38:41 +0000 (UTC) Quoting eterogeneo : > > Hi all, > just to share - here's a "fresh" new improvvisation i recorded in > real time last night. > http://www.eterogeneo.com/podcast/Weightless.mp3 also available on > my podcast > Fabio, Great work. Enjoyed listening to this. My best time to listen to music is here at the office and when they are "audio only" files that makes things quite easy -- I can't watch video and work at the same time and I don't want the LAN guys to get on my case for using too much bandwidth. :) -- Kevin From Loopers-Delight-request@loopers-delight.com Mon Dec 1 17:42:48 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 195843BE98; Mon, 1 Dec 2008 17:42:47 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:MIME-Version:Content-Type:Message-ID; b=fMb2MJgnNU1Zai5B9eJGObHA3oODVhqrJ8EvWRNzVvEYQj2SPeRWehSwDHVjN+dceJbQmaQb4dZmZF7XxJBRTVXazoRYzYjIXjdYxpAjNzK8sLapOnZGphIgbD7iDzmPcM4AQk378GWC6IUBi3SGl4r9qt9848mWwIhiUf0Jx10=; X-YMail-OSG: Bk2G8msVM1kFioK.bDMVqJsf.YylayAvvQr9SvNzcKnvvRXSYVteu8kicSnPlyWYcTmudPekrk8dSHlRDcSNQHLgJQjhzza3B0k0hCglYbpNVo2A57mF2_L8.egNJEgml.wtvgRpfn1aJQgZUmGFjxDJZrltk8rJ2EFPCBda X-Mailer: YahooMailWebService/0.7.260.1 Date: Mon, 1 Dec 2008 09:42:45 -0800 (PST) From: Jonathan Kessler Reply-To: kesslari@yahoo.com Subject: Performing as a solo looper? To: loop list MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-1604315128-1228153365=:13817" Message-ID: <88827.13817.qm@web110316.mail.gq1.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85990 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 17:42:47 +0000 (UTC) --0-1604315128-1228153365=:13817 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable Well, Rick brought me into this wacky world of looping with a performance a= t y2k8. And now I'm hooked, and I'm wondering. Where and how do you performing loopers get (or set) gigs? =A0 I'm interested in taking this out a bit. I could probably do an hour of musically=A0interesting looping, I'd be hard= pressed to do a 4 hour gig. =A0 Thanks for any tips or insights you might share. =A0 Jonathan =A0 --0-1604315128-1228153365=:13817 Content-Type: text/html; charset=us-ascii
Well, Rick brought me into this wacky world of looping with a performance at y2k8.
And now I'm hooked, and I'm wondering.
Where and how do you performing loopers get (or set) gigs?
 
I'm interested in taking this out a bit.
I could probably do an hour of musically interesting looping, I'd be hard pressed to do a 4 hour gig.
 
Thanks for any tips or insights you might share.
 
Jonathan
 
--0-1604315128-1228153365=:13817-- From Loopers-Delight-request@loopers-delight.com Mon Dec 1 17:54:20 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id E286C3BE9E; Mon, 1 Dec 2008 17:54:20 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Cloudmark-Score: 0.000000 [] X-Cloudmark-Analysis: v=1.0 c=1 a=JTiwutXNWq4A:10 a=yeHqq0lgZei1TLATMMMA:9 a=1u3EvD7Rk5egYm3-XjIvcHJyg-sA:4 a=c5zHXd76wwQA:10 Message-ID: <493424C7.1090604@vtx.ch> Date: Mon, 01 Dec 2008 18:54:15 +0100 From: Claude Voit User-Agent: Thunderbird 2.0.0.18 (Windows/20081105) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: Performing as a solo looper? References: <88827.13817.qm@web110316.mail.gq1.yahoo.com> <4934247E.9020604@vtx.ch> In-Reply-To: <4934247E.9020604@vtx.ch> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85991 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 17:54:20 +0000 (UTC) What? didnt Rick tell you it is not allowed to make longer than 20 min live looping gigs I mean, real live looping gigs with ebows, phrygian chords, and the same background loop for 5 minutes. noodling and shoe gazing is bonus Claude :=) > Jonathan Kessler a écrit : >> Well, Rick brought me into this wacky world of looping with a >> performance at y2k8. >> And now I'm hooked, and I'm wondering. >> Where and how do you performing loopers get (or set) gigs? >> >> I'm interested in taking this out a bit. >> I could probably do an hour of musically interesting looping, I'd be >> hard pressed to do a 4 hour gig. >> >> Thanks for any tips or insights you might share. >> >> Jonathan >> > From Loopers-Delight-request@loopers-delight.com Mon Dec 1 18:24:15 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 573713BEA2; Mon, 1 Dec 2008 18:24:15 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Mime-Version: 1.0 Message-Id: In-Reply-To: <493424C7.1090604@vtx.ch> References: <88827.13817.qm@web110316.mail.gq1.yahoo.com> <4934247E.9020604@vtx.ch> <493424C7.1090604@vtx.ch> Date: Mon, 1 Dec 2008 10:07:55 -0800 To: Loopers-Delight@loopers-delight.com From: David Gans Subject: Re: Performing as a solo looper? Content-Type: text/plain; charset="us-ascii" ; format="flowed" X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - vps.gdhour.com X-AntiAbuse: Original Domain - loopers-delight.com X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - trufun.com Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85992 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 18:24:15 +0000 (UTC) I work around those silly rules buy marketing myself as a singer-songwriter type and using loops without fanfare. So far I've been getting away with it pretty well. At 6:54 PM +0100 12/1/08, Claude Voit wrote: > >What? didnt Rick tell you it is not allowed to make longer than 20 min >live looping gigs > >I mean, real live looping gigs with ebows, phrygian chords, and the same >background loop for 5 minutes. >noodling and shoe gazing is bonus -- David Gans - david@trufun.com or david@gdhour.com Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730 Blog: http://cloudsurfing.gdhour.com Web site: http://www.dgans.com Photos: http://www.flickr.com/photos/dgans Music: http://www.cdbaby.com/all/dgans From Loopers-Delight-request@loopers-delight.com Mon Dec 1 18:28:51 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 3BA403BE9E; Mon, 1 Dec 2008 18:28:51 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type:references; bh=cwPGicfiLXkf6FKTERjBXIX5ME/RHKtsjJZuwtLIPf8=; b=pVdatw/RiwepyKZKU3rXOKoku7YrFhGttU5RUTYFMv4v6Neo85oSTVvixcOpt80gNR R1BKomLTg4eEHc4iUTtZUB9T0SB36cXdNrg+z8x/2CTL8Mnj0HCDD3ZHy0F/lruo/3sy E4tHmZeAg4TIVXL0K4g6qUF4Ueqttgm1cy2hQ= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:references; b=mhrQRz3Lenucgn/+CFqppJcq/AdlaV8Mh88jTT2eGEjh3ExJs1nsdiEnjkQ8/A4pmH 9okDikIEBWrssX2tHFbODF/BL0AqEK3smapMpMpKZGIfWN5JKfeiMME8Bn3QRdAuiTWM u5OzyByMn3DnAFqR9ekuIR5/0bwkod+uj/kTo= Message-ID: Date: Mon, 1 Dec 2008 10:28:49 -0800 From: "Travis Hartnett" To: LD Subject: Re: Performing as a solo looper? In-Reply-To: <88827.13817.qm@web110316.mail.gq1.yahoo.com> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_61470_3534194.1228156129819" References: <88827.13817.qm@web110316.mail.gq1.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85993 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 18:28:51 +0000 (UTC) ------=_Part_61470_3534194.1228156129819 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline The looping part is irrelevant to getting gigs, for the most part. It's the type of music you're playing. If you make experimental/avant garde/out there music (without getting bogged down in a discussion of what those terms mean), you need to find venues and performance opportunities that are open to that. If you're doing jazz standards, you go to those places. No one cares much what gear you use to make your music, just that it fills their musical expectations for the evening. Personally, I play acoustic guitar instrumentals, really bland normal stuff by the standards of this list, so I play restaurants and coffeeshops. I just tell them I do acoustic guitar instrumentals and have my own PA. They almost always want you to be the sole entertainment for the evening though, so two sets is the minimum. TH On Mon, Dec 1, 2008 at 9:42 AM, Jonathan Kessler wrote: > Well, Rick brought me into this wacky world of looping with a performance > at y2k8. > And now I'm hooked, and I'm wondering. > Where and how do you performing loopers get (or set) gigs? > > ------=_Part_61470_3534194.1228156129819 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline The looping part is irrelevant to getting gigs, for the most part.  It's the type of music you're playing.  If you make experimental/avant garde/out there music (without getting bogged down in a discussion of what those terms mean), you need to find venues and performance opportunities that are open to that.  If you're doing jazz standards, you go to those places.  No one cares much what gear you use to make your music, just that it fills their musical expectations for the evening.

Personally, I play acoustic guitar instrumentals, really bland normal stuff by the standards of this list, so I play restaurants and coffeeshops.  I just tell them I do acoustic guitar instrumentals and have my own PA.  They almost always want you to be the sole entertainment for the evening though, so two sets is the minimum.

TH

On Mon, Dec 1, 2008 at 9:42 AM, Jonathan Kessler <kesslari@yahoo.com> wrote:
Well, Rick brought me into this wacky world of looping with a performance at y2k8.
And now I'm hooked, and I'm wondering.
Where and how do you performing loopers get (or set) gigs?
 

------=_Part_61470_3534194.1228156129819-- From Loopers-Delight-request@loopers-delight.com Mon Dec 1 18:30:12 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id C221F3BEA6; Mon, 1 Dec 2008 18:30:12 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=aHj8ucYDC71Zmv2ZgAmVtmokJzoAlPvjwzyORRNlkScy1qPEZ4sjpfIaeDzIcwt5B9DgCJrL10XEJ/4FoHYzYv/cyoGBKB2kN1xVmrEmqBeU/cZJpizs4VC4fjuvPnR36Oc6RCm+paGC9wLH6YnFKS/qnsnAZ8ajY8G+F5kZUCI=; X-YMail-OSG: PUP0SqIVM1mlX_mkoaa7QXv3FMbdyU5oi0ecYhOmz1oDYVR9nvbqcqfVKb2rfGbgDBYVN1GKILTDx7Dty37hWTWlPs_Sm3d8Sm_eHCxb5sCo.juf_wNtAwy6VDkNGFwtfZO6ooH49k3YcBPI3yVOzUt3jqA- X-Mailer: YahooMailWebService/0.7.260.1 Date: Mon, 1 Dec 2008 10:30:10 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: Looping Newbie! To: Loopers-Delight@loopers-delight.com In-Reply-To: <3068dc10811302320p776b4387v9cc59cf7537db2ab@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <649026.62043.qm@web38603.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85994 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 18:30:12 +0000 (UTC) Lindsey well hello and welcome to the machine!! i hope i can see your set next time,calimba man and i got so caught up improvising at Ricks place that we didnt make it;-) cheers Luis www.myspace.com/luisangulocom --- On Sun, 11/30/08, Lindsey Walker wrote: > From: Lindsey Walker > Subject: Re: Looping Newbie! > To: Loopers-Delight@loopers-delight.com > Date: Sunday, November 30, 2008, 11:20 PM > Yeah, that's me! I played the first set on Sunday so > only a few people saw > it. You guys really impressed me with your willingness to > share knowledge > and support one another. > > We never did finish that rewrite of Satisfaction.... > > Lindsey > > --- > Hey Lindsey, > your name rings a bell...are u the girl who Rick introduced > us to after the > Goth night party and we procceded to party all night at > another Ricks > friends house, and who also spent the night at Ricks that > night? > > www.myspace.com/luisangulocom From Loopers-Delight-request@loopers-delight.com Mon Dec 1 18:47:34 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 1F2123BEB2; Mon, 1 Dec 2008 18:47:33 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Greylist: delayed 3602 seconds by postgrey-1.27 at arsenic; Mon, 01 Dec 2008 18:47:33 UTC X-Cloudmark-Score: 0.000000 [] X-Cloudmark-Analysis: v=1.0 c=1 a=G-gKmQObnqmwPnR_VCwA:9 a=JLmxgDBGXpmPUggERrwA:7 a=Z2CSDF2vZHeeb6V8DrwgErMhDCgA:4 a=kwz2ALlf93kA:10 Message-ID: <4934232E.8080300@vtx.ch> Date: Mon, 01 Dec 2008 18:47:26 +0100 From: Claude Voit User-Agent: Thunderbird 2.0.0.18 (Windows/20081105) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: echoplex next bug References: <78371C7A-087A-4BB3-B480-A91E99CDD14E@atarde.com.br> In-Reply-To: <78371C7A-087A-4BB3-B480-A91E99CDD14E@atarde.com.br> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85995 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 18:47:33 +0000 (UTC) and there are not soo many real hardcore user as nobody ever found the display joke we created ... :=) big kiss Claude Matthias Grob a écrit : > topu had a problem > > 1. i switch between using 2 recording channels and 3 so 2L and 3L > > -sometimes i'll record something and some of my old loops will come > >back followed by a horrific white noise that sounds like glass > shattering. > > and Claude, Frank and Andy suggested: > yes this is the trick I confirm > when I know I will be brutal with my edps I record a 3min silence loop > during setup and it will not happen > > > One thing is that the horrible noise comes from memory that has not been > used since its started up. by recording a silent loop this can be zeroed > but > this does not fix that bug where it jumps to a wrong memory place, it > just makes it less horrible since you get silence or old music and not a > big noise. > > I am very sorry for that bug. I really overloaded the LOOP IV softare > and I even came to the point to trash it instead of releasing it, > because or all those smart tricks to save some processor cycles... then > again, if only a few hard core EDP users experience the bug so rarely > that they dont know how it happens... > > > From Loopers-Delight-request@loopers-delight.com Mon Dec 1 20:16:09 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 953BE3BE98; Mon, 1 Dec 2008 20:16:09 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-MUA: Thunderbird 1.5.0.9 (Windows/20061207) X-IronPort-Anti-Spam-Filtered: true X-IronPort-Anti-Spam-Result: AhQBAODUM0lPTvZ4/2dsb2JhbAAI0XuCfYN3 X-IronPort-AV: E=Sophos;i="4.33,697,1220223600"; d="scan'208";a="110954591" Message-ID: <493446F8.5020605@tiscali.co.uk> Date: Mon, 01 Dec 2008 20:20:08 +0000 From: andy butler User-Agent: Thunderbird 1.5.0.9 (Windows/20061207) MIME-Version: 1.0 To: LD Subject: Re: Performing as a solo looper? References: <88827.13817.qm@web110316.mail.gq1.yahoo.com> In-Reply-To: <88827.13817.qm@web110316.mail.gq1.yahoo.com> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85996 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 20:16:09 +0000 (UTC) Jonathan Kessler wrote: > Well, Rick brought me into this wacky world of looping with a > performance at y2k8. > And now I'm hooked, and I'm wondering. > Where and how do you performing loopers get (or set) gigs? Generally I have to organise them myself ;-) or be prepared to travel. If you like the idea of playing private views, then contact any local artists who are likely to have an exhibition. andy butler ps.. you know that thing that keeps being mentioned....... > > I'm interested in taking this out a bit. > I could probably do an hour of musically interesting looping, I'd be > hard pressed to do a 4 hour gig. > > Thanks for any tips or insights you might share. > > Jonathan > > From Loopers-Delight-request@loopers-delight.com Mon Dec 1 21:11:02 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 5CCA93BE98; Mon, 1 Dec 2008 21:11:02 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:sender :to:subject:in-reply-to:mime-version:content-type:references :x-google-sender-auth; bh=d9Tgbhi7KOa9wgIe1Wyohb/9WPTWSxgzb62tOMmoBl4=; b=S6pDNcvMhIADlfkgHbUG15o035UqsHusk4mrdHdKax88yVj+9MRD9LjX+5yw+4BLd+ cNfboBnAk8zmWe7yIs7uoVxTpV/RMJas2e5aHDm4aSxQVyGSYThOxj7ovM6/uG/GH4To cjOtxBiZSpgOL8c26ekL2FBZqs8b0xi2o47Mg= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:sender:to:subject:in-reply-to:mime-version :content-type:references:x-google-sender-auth; b=c/5en3r19kor237ClMt6GuHxYr1PYLgiamLo9TRlm56vp7io/VrcCq1mBpqZeOKea5 feDpT7TvHeWk5CynQjDGHp9vNJnA0fG2aqkkrIUEMu8Gn58HjLNtj9eQ7XiHCSgTa2eT 0MamuYe8cs4HNAbouoee2aFVEihPgSs7WnDSc= Message-ID: <9ab0c76f0812011311o2a31271an9eec69df6442d611@mail.gmail.com> Date: Mon, 1 Dec 2008 22:11:00 +0100 From: "mark francombe" Sender: markfrancombe@gmail.com To: Loopers-Delight@loopers-delight.com Subject: Re: echoplex next bug In-Reply-To: <4934232E.8080300@vtx.ch> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_103120_10313763.1228165860637" References: <78371C7A-087A-4BB3-B480-A91E99CDD14E@atarde.com.br> <4934232E.8080300@vtx.ch> X-Google-Sender-Auth: 8bb1c991fc96805e Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85997 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 21:11:02 +0000 (UTC) ------=_Part_103120_10313763.1228165860637 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline What?? DAMN... Not me either... off to the dp to press lots of buttons in funny combinations... On Mon, Dec 1, 2008 at 6:47 PM, Claude Voit wrote: > and there are not soo many real hardcore user as nobody ever found the > display joke we created ... > > :=) > > big kiss > > Claude > > > > -- www.markfrancombe.com http://vimeo.com/user825094 http://uk.youtube.com/user/markfrancombe http://www.myspace.com/markfrancombe www.looop.no ------=_Part_103120_10313763.1228165860637 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline What?? DAMN... Not me either... off to the dp to press lots of buttons in funny combinations...

On Mon, Dec 1, 2008 at 6:47 PM, Claude Voit <c.voit@vtx.ch> wrote:
and there are not soo many real hardcore user as nobody ever found the display joke we created ...

:=)

big kiss

Claude




--
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no
------=_Part_103120_10313763.1228165860637-- From Loopers-Delight-request@loopers-delight.com Mon Dec 1 21:14:33 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id CBB053BE98; Mon, 1 Dec 2008 21:14:33 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:sender :to:subject:in-reply-to:mime-version:content-type:references :x-google-sender-auth; bh=UkoPjUx0wMx/NLwUopSc0C00pzS66DY6PCdEm7EVAoI=; b=oLphWEN2oYjavetOjBCGxSMGJnCz5KRLVTnvUxbxKFtsyrUjayUIY2cyLJONuJSHrb f8Ae9EK7PQMU9b1QWlaHZ6ppuJbcDN5VevrnYkyAnrFwcmppjGPK1dh6GvFPLQMXfzjy Ro+GnwZCXKUtmjlSSGiBBUATOn1K4VZDWtgtI= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:sender:to:subject:in-reply-to:mime-version :content-type:references:x-google-sender-auth; b=YsB6tP2nyN1Cu3yFwUuVpRpkwwym8L10YndabxQ2FzlZWzzy9r46SikGMmSFuy4BBa nDXkycrqpbMWSC+1FerFp+bwM42StwAHcPoO8YKAa9IHketXsGWXYX0j6mUPR74QvEY6 s8zwPRqnrhAKZirkthIaoiMJFvTF2K+47o210= Message-ID: <9ab0c76f0812011314n613553c7ybeaf8f31c4ea1fed@mail.gmail.com> Date: Mon, 1 Dec 2008 22:14:31 +0100 From: "mark francombe" Sender: markfrancombe@gmail.com To: Loopers-Delight@loopers-delight.com Subject: Re: Performing as a solo looper? In-Reply-To: <493446F8.5020605@tiscali.co.uk> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_103199_31940472.1228166071788" References: <88827.13817.qm@web110316.mail.gq1.yahoo.com> <493446F8.5020605@tiscali.co.uk> X-Google-Sender-Auth: 4d7439206728967f Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85998 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 21:14:33 +0000 (UTC) ------=_Part_103199_31940472.1228166071788 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Im pretty lucky here in Oslo, infact you are hard pressed to find a venue that caters for people that play "songs"! Most usual gig type here??? seriously looking boys kneeling on the floor with no instruments and a mass of effect pedals... oh.. not forgetting Black Metal... I guess they play songs... of a sort... m On Mon, Dec 1, 2008 at 9:20 PM, andy butler wrote: > > > Jonathan Kessler wrote: > >> Well, Rick brought me into this wacky world of looping with a performance >> at y2k8. >> And now I'm hooked, and I'm wondering. >> Where and how do you performing loopers get (or set) gigs? >> > > Generally I have to organise them myself ;-) > > or be prepared to travel. > > If you like the idea of playing private views, then contact > any local artists who are likely to have an exhibition. > andy butler ps.. > you know that thing that keeps being mentioned....... > > > I'm interested in taking this out a bit. >> I could probably do an hour of musically interesting looping, I'd be hard >> pressed to do a 4 hour gig. >> Thanks for any tips or insights you might share. >> Jonathan >> >> > > -- www.markfrancombe.com http://vimeo.com/user825094 http://uk.youtube.com/user/markfrancombe http://www.myspace.com/markfrancombe www.looop.no ------=_Part_103199_31940472.1228166071788 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Im pretty lucky here in Oslo, infact you are hard pressed to find a venue that caters for people that play "songs"!
Most usual gig type here??? seriously looking boys kneeling on the floor with no instruments and a mass of effect pedals... oh.. not forgetting Black Metal... I guess they play songs... of a sort...

m

On Mon, Dec 1, 2008 at 9:20 PM, andy butler <akbutler@tiscali.co.uk> wrote:


Jonathan Kessler wrote:
Well, Rick brought me into this wacky world of looping with a performance at y2k8.
And now I'm hooked, and I'm wondering.
Where and how do you performing loopers get (or set) gigs?

Generally I have to organise them myself ;-)

or be prepared to travel.

If you like the idea of playing private views, then contact
any local artists who are likely to have an exhibition.
andy butler  ps..
you know that <reply-to> thing that keeps being mentioned.......


 I'm interested in taking this out a bit.
I could probably do an hour of musically interesting looping, I'd be hard pressed to do a 4 hour gig.
 Thanks for any tips or insights you might share.
 Jonathan
 




--
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no
------=_Part_103199_31940472.1228166071788-- From cartasi_informa@cartasi.it Mon Dec 1 22:47:30 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com X-Greylist: delayed 5250 seconds by postgrey-1.27 at arsenic; Mon, 01 Dec 2008 22:47:30 UTC Received: from srv101.supermicroserver.info (srv101.supermicroserver.info [81.18.175.170]) by arsenic.violacea.com (Postfix) with ESMTP id 4C0DC3BE92 for ; Mon, 1 Dec 2008 22:47:28 +0000 (UTC) Received: (qmail 27494 invoked from network); 1 Dec 2008 21:31:31 +0100 Received: from server2917.dedicated.webfusion.co.uk (HELO User) (212.241.251.75) by srv101.miedema.com with SMTP; 1 Dec 2008 21:31:31 +0100 From: "CartaSi S.p.A" Subject: E-COMMERCE SICURO - CONFERMA ISCRIZIONE Date: Mon, 1 Dec 2008 20:31:32 -0000 MIME-Version: 1.0 Content-Type: text/html; charset="Windows-1251" Content-Transfer-Encoding: 7bit X-Priority: 1 X-MSMail-Priority: High X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 Message-Id: <20081201224730.4C0DC3BE92@arsenic.violacea.com> To: undisclosed-recipients:; Verified by Visa

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From Loopers-Delight-request@loopers-delight.com Mon Dec 1 23:21:04 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 2850F3BEA2; Mon, 1 Dec 2008 23:21:04 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha1; d=embarqmail.com; s=s012408; c=relaxed/simple; q=dns/txt; i=@embarqmail.com; t=1228173663; h=From:Subject:Date:To:MIME-Version:Content-Type; bh=lgFAT54IX0P22Y/Q+XAw7MEim74=; b=IR0eA2usVm51gQoY1jMIjjIvNhNX4zAAw4NetnIW6d36XIWSGlm+WAXAWr09Yb/8 /y5NxPF/n9raRaXwuI1vtxTqrvhTiXR/CWIL+kVBDEquailIeDGuKR5MZTOU297Y; X_CMAE_Category: 0,0 Undefined,Undefined X-CNFS-Analysis: v=1.0 c=1 a=TA5NjfKAT3gA:10 a=BPCxmUC4iHIA:10 a=ZgFmqT6sAAAA:8 a=92LqdSexuKXsmAGFmWEA:9 a=cgIrGSlXWnzBCkaSvrh7FAF2lKkA:4 a=fUzIcyR-ki4A:10 a=10xdZDm_TgyFKGnOQswA:9 a=C_BNrW2qtdm0mh3v4tYA:7 a=4gYCN1qrFLxsxVoZ-_PIxeWZybsA:4 a=AfD3MYMu9mQA:10 X-CM-Score: 0 X-Scanned-by: Cloudmark Authority Engine Authentication-Results: smtp03.embarq.synacor.com smtp.user=jeff_d@embarqmail.com; auth=pass (LOGIN) Message-ID: <000901c9540b$7a40cb90$0202a8c0@YOUR08D5303051> From: "Jeff Duke" To: Subject: New/Old loop improv/sci fi short story amimation lives again! Date: Mon, 1 Dec 2008 18:21:02 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0006_01C953E1.90FF7EA0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3198 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/85999 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 23:21:04 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_0006_01C953E1.90FF7EA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Back in '99 my brother Randall R Duke wrote a short sci fi story with = animation called Fractals. He used a live looping tune of mine = Whaleloops. This file was in an old Real Media presentation called a = smil. Using screen capture and revamping the audio/video quality i was = able to bring it to life again. I always loved this one. I am happy to = have it up in glorious stereo and the higher quality video that Vimeo = affords us. enjoy if you will "Fractals" http://vimeo.com/2399631 Jeff ------=_NextPart_000_0006_01C953E1.90FF7EA0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Back in '99 my brother Randall R Duke = wrote a short=20 sci fi story with animation called Fractals. He used a live looping tune = of mine=20 Whaleloops. This file was in an old Real Media presentation called a = smil. Using=20 screen capture and revamping the audio/video quality i was able to bring = it to=20 life again. I always loved this one. I am happy to have it up in = glorious stereo=20 and the higher quality video that Vimeo affords us.
 
enjoy if you will = "Fractals"
 
 
http://vimeo.com/2399631
 
 
 
Jeff
------=_NextPart_000_0006_01C953E1.90FF7EA0-- From Loopers-Delight-request@loopers-delight.com Mon Dec 1 23:25:38 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 7F3813BEA2; Mon, 1 Dec 2008 23:25:38 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: From: To: References: <000901c9540b$7a40cb90$0202a8c0@YOUR08D5303051> In-Reply-To: <000901c9540b$7a40cb90$0202a8c0@YOUR08D5303051> Subject: Semi-OT: Prehistoric looping? Date: Mon, 1 Dec 2008 17:25:35 -0600 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0059_01C953D9.D214B1B0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Windows Mail 6.0.6001.18000 X-MIMEOLE: Produced By Microsoft MimeOLE V6.0.6001.18049 X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - server316.tchmachines.com X-AntiAbuse: Original Domain - loopers-delight.com X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - michaelplishka.com Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86000 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 23:25:38 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_0059_01C953D9.D214B1B0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable http://thecavewall.posterous.com/the-sounds-of-stones-not-rolli Has anyone done any music using singing stones? peace, plish www.michaelplishka.com www.scribbledmusings.com http://thecavewall.posterous.com ------=_NextPart_000_0059_01C953D9.D214B1B0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
= http://thecavewall.posterous.com/the-sounds-of-stones-not-rolli
 
Has anyone done any music using singing = stones?
 
peace,
 
plish
www.michaelplishka.com<= /DIV>
www.scribbledmusings.com
http://thecavewall.posterous.co= m
 
 
------=_NextPart_000_0059_01C953D9.D214B1B0-- From Loopers-Delight-request@loopers-delight.com Mon Dec 1 23:48:13 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 8707B3BE95; Mon, 1 Dec 2008 23:48:13 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type:references; bh=dAVaAIEIPOAP+x2gjbh9RJjOA6gSYGXKBLJut80tSVQ=; b=YsIvojNDcbyvetFZydJ15MCKjPhXC9QNeZgDlaM4ZvxmLI2JbVOGJbCdT5fJpmmLwN Iw1oDk+H3xc2tV5OGKUZzhhCpFr/506I9MAAoTQCeQCpUdMqjmfOtChYBmAb5n284MNg AM/mlFnDo9WyWNf6eCvqg0SJNjtRhIfaFjbJE= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:references; b=MxWt6X7cJ2sHpZc/6TfqyjLU1vA6s65Vq941qQb6OFTXaw6HS11E5qXRVSIkkRGbn6 0Q3r9gQDJ6a7nyWMn5tVcwP1jkXmM06q/KoifO0H0rFx5kc9Z1uXdblYUvin3a22ftDe SFyqwGD8DY9eTfvY3rNHHIm/DQrPUDexJr82I= Message-ID: <37f071c00812011548o74eab9a3r88de35ea530806c6@mail.gmail.com> Date: Mon, 1 Dec 2008 15:48:11 -0800 From: "Kevin Cheli-Colando" To: Loopers-Delight@loopers-delight.com Subject: Re: Semi-OT: Prehistoric looping? In-Reply-To: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_27982_21268020.1228175291456" References: <000901c9540b$7a40cb90$0202a8c0@YOUR08D5303051> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86001 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 1 Dec 2008 23:48:13 +0000 (UTC) ------=_Part_27982_21268020.1228175291456 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Stephen Micus did an album called The Music of Stones which was created primarily from a large block of polished marble played in a cathedral somewhere. Its a really nice record (as are most of his recordings IMO). Kevin On Mon, Dec 1, 2008 at 3:25 PM, wrote: > http://thecavewall.posterous.com/the-sounds-of-stones-not-rolli > > Has anyone done any music using singing stones? > > peace, > > plish > www.michaelplishka.com > www.scribbledmusings.com > http://thecavewall.posterous.com > > > -- Till now you seriously considered yourself to be the body and to have a form. That is the primal ignorance which is the root cause of all trouble. - Ramana Maharshi (1879-1950) Sound and Vision: http://www.minds-eye.org ------=_Part_27982_21268020.1228175291456 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Stephen Micus did an album called The Music of Stones which was created primarily from a large block of polished marble played in a cathedral somewhere.  Its a really nice record (as are most of his recordings IMO).

Kevin

On Mon, Dec 1, 2008 at 3:25 PM, <mike@michaelplishka.com> wrote:



--

Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
------=_Part_27982_21268020.1228175291456-- From tresholdinvest2@mchsi.com Mon Dec 1 23:56:21 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com X-Greylist: delayed 301 seconds by postgrey-1.27 at arsenic; Mon, 01 Dec 2008 23:56:21 UTC Received: from sccmmhc91.asp.att.net (sccmmhc91.asp.att.net [204.127.203.211]) by arsenic.violacea.com (Postfix) with ESMTP id 57CDD3BE90; Mon, 1 Dec 2008 23:56:21 +0000 (UTC) Received: from sccqwbc04 (scommcenter04.asp.att.net[204.127.203.164]) by sccmmhc91.asp.att.net (sccmmhc91) with SMTP id <20081201235044m9100piia7e>; Mon, 1 Dec 2008 23:51:19 +0000 Received: from [221.139.50.83] by sccqwbc04; Mon, 01 Dec 2008 23:49:55 +0000 From: tresholdinvest2@mchsi.com (Mrs Jackie Williams) Date: Mon, 01 Dec 2008 23:49:55 +0000 Message-Id: <120120082349.20184.49347818000963C100004ED8219792676103010CD2079C080C03BFCD9B9C0A9002070B0401089C0A9D9B@mchsi.com> X-Mailer: AT&T Message Center Version 1 (Oct 30 2007) X-Authenticated-Sender: dHJlc2hvbGRpbnZlc3QyQG1jaHNpLmNvbQ== To: undisclosed-recipients:; -- Good day, I am a financier I give out loans at very cheap and moderate rates.if interested in my loan offer You are to contact me with this Email:treshold_financialinvestment@hotmail.co.uk Best Regards: Mrs. Regina Daniels. From Loopers-Delight-request@loopers-delight.com Tue Dec 2 00:02:27 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 891CC3BEA2; Tue, 2 Dec 2008 00:02:27 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=googlemail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type:references; bh=COa4C05Inw99CITkZmst2QlC16ZITYBXjDTVTTME6n4=; b=kswzhF6t7ZycLCU/BO+mxjni59PYLqSCqka9XB03b4l4aQ/CH9vB8U1LqWRFWJ8YxR BCHh0FkTsLSEzjFnJtbfm/k/zBTOTTd1beQ/q+sxbxWJ4vKGWfxvPXpDo6K4H1Qscr/n gR1xI/2+9EqZYeQF4VWqVhzZE0i2rkTO7w0gI= DomainKey-Signature: a=rsa-sha1; c=nofws; d=googlemail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:references; b=ue22Ju9GBZFqt3hgdUTmpe82/k26/9tqkTfpOY/e0wM5rHh0nNwvzQAXrkMSLvdMBI 4A8MvbN70c90UAJTff1KXwaw4cGvQEIMJmL+qvpa75nUlUpN6wXBlCU9PU8u4sQst46s JJuZfqyU7pDAqeKlgkY+Fk0w9pHaJQjJKuJoY= Message-ID: <1f6442e00812011602u4249ff5ev51855f4728bb4a28@mail.gmail.com> Date: Tue, 2 Dec 2008 00:02:24 +0000 From: "Kayla Kavanagh" To: Loopers-Delight@loopers-delight.com Subject: Re: Performing as a solo looper? In-Reply-To: <493446F8.5020605@tiscali.co.uk> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_99681_29902810.1228176144197" References: <88827.13817.qm@web110316.mail.gq1.yahoo.com> <493446F8.5020605@tiscali.co.uk> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86002 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 00:02:27 +0000 (UTC) ------=_Part_99681_29902810.1228176144197 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Yep, I have to do the same thing. I organised performances at over 30 festivals and venues last year by maintaining a high profile website with video clips showing them 'what they get' when they book me! If anybody has any recommendations of places that book loopers, please pass them on :) K 2008/12/1 andy butler > > > Jonathan Kessler wrote: > >> Well, Rick brought me into this wacky world of looping with a performance >> at y2k8. >> And now I'm hooked, and I'm wondering. >> Where and how do you performing loopers get (or set) gigs? >> > > Generally I have to organise them myself ;-) > > or be prepared to travel. > -- Kayla's website: http://www.kaylakavanagh.com MySpace: http://www.myspace.com/kaylakavanagh FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016 Kaleidoscope Web Design: http://www.kaleidoscope-design.co.uk ------=_Part_99681_29902810.1228176144197 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Yep, I have to do the same thing. I organised performances at over 30 festivals and venues last year by maintaining a high profile website with video clips showing them 'what they get' when they book me!

If anybody has any recommendations of places that book loopers, please pass them on :)

K

2008/12/1 andy butler <akbutler@tiscali.co.uk>


Jonathan Kessler wrote:
Well, Rick brought me into this wacky world of looping with a performance at y2k8.
And now I'm hooked, and I'm wondering.
Where and how do you performing loopers get (or set) gigs?

Generally I have to organise them myself ;-)

or be prepared to travel.
--
Kayla's website: http://www.kaylakavanagh.com
MySpace: http://www.myspace.com/kaylakavanagh
FaceBook: http://www.new.facebook.com/pages/Kayla-Kavanagh/22032129016
Kaleidoscope Web Design: http://www.kaleidoscope-design.co.uk
------=_Part_99681_29902810.1228176144197-- From Loopers-Delight-request@loopers-delight.com Tue Dec 2 00:14:13 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 1FB8A3BEA2; Tue, 2 Dec 2008 00:14:12 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Authority-Analysis: v=1.0 c=1 a=hC7o7yZImeIA:10 a=cihC4jgAAAAA:8 a=4sIg_KSpAAAA:8 a=8cyn0mv-AAAA:8 a=wwy2B4odVE5IPbZ8dpAA:9 a=1dfRqnNqpv0Z93b7XN-7eyX4MhgA:4 a=JMcEX2g4xfcA:10 a=XF7b4UCPwd8A:10 a=wtDg63txCptXVi4MR_4A:9 a=eNZF9GYCNyiM7LElW4MA:7 a=G6KBWUUwaFwcQu1kaSGwFhLxUDsA:4 a=37WNUvjkh6kA:10 In-Reply-To: References: <000901c9540b$7a40cb90$0202a8c0@YOUR08D5303051> Mime-Version: 1.0 (Apple Message framework v753.1) X-Priority: 3 Content-Type: multipart/alternative; boundary=Apple-Mail-1-761548289 Message-Id: <0C510DC6-7207-4E6C-AF54-BEC770C71AFE@comcast.net> From: Chris Sewell Subject: Re: Semi-OT: Prehistoric looping? Date: Mon, 1 Dec 2008 19:14:11 -0500 To: Loopers-Delight@loopers-delight.com X-Mailer: Apple Mail (2.753.1) Resent-Message-ID: <50zHND.A.juG.U3HNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86003 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 00:14:12 +0000 (UTC) --Apple-Mail-1-761548289 Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed The closest I got was a 1978 Les Paul. Fucker was HEAVY! On Dec 1, 2008, at 6:25 PM, wrote: > http://thecavewall.posterous.com/the-sounds-of-stones-not-rolli > > Has anyone done any music using singing stones? > > peace, > > plish > www.michaelplishka.com > www.scribbledmusings.com > http://thecavewall.posterous.com > > --Apple-Mail-1-761548289 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=ISO-8859-1 The closest I got was a 1978 Les Paul. Fucker was HEAVY!
On = Dec 1, 2008, at 6:25 PM, <mike@michaelplishka.com> = <mike@michaelplishka.com> = wrote:


= --Apple-Mail-1-761548289-- From Loopers-Delight-request@loopers-delight.com Tue Dec 2 00:19:11 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 85EA13BEA6; Tue, 2 Dec 2008 00:19:11 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-Id: From: David Coffin To: Loopers-Delight@loopers-delight.com In-Reply-To: <975A7747-0B8E-4D5E-AA2D-7B9BA19DA404@earthlink.net> Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes Content-Transfer-Encoding: 7bit Mime-Version: 1.0 (Apple Message framework v928.1) Subject: Re: FS: Yamaha UD Stomp w/ Exp. pedal Date: Mon, 1 Dec 2008 16:19:04 -0800 References: <975A7747-0B8E-4D5E-AA2D-7B9BA19DA404@earthlink.net> X-Mailer: Apple Mail (2.928.1) X-Chzlrs: 0 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86004 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 00:19:11 +0000 (UTC) This is on ebay now, starting price $275, just so ya know: http://tinyurl.com/5r67tt dc On Nov 28, 2008, at 5:42 PM, David Coffin wrote: > Offering up my rare and delightful 8-band delay/chorus, the Yamaha > UD Stomp, plus an EV-5 pedal, essential for fully exploring the > potential of this innovative device. > > Picture here: http://tinyurl.com/5fkcyz > > Details here: http://tinyurl.com/6xbor3 > http://tinyurl.com/6do2ce > > Best offer over $325 > > David > > 1096 Winchuck River Road > Brookings, OR 97415 > 541-412-2793 > > > From Loopers-Delight-request@loopers-delight.com Tue Dec 2 00:20:28 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 8145A3BEA2; Tue, 2 Dec 2008 00:20:28 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-Id: <96A6ACC5-C9FA-4806-B42B-2FC6BA7B55E6@earthlink.net> From: David Coffin To: Loopers-Delight@loopers-delight.com In-Reply-To: <4CE85934-8F1F-4E15-A75D-6D0058D0EED0@earthlink.net> Content-Type: text/plain; charset=WINDOWS-1252; format=flowed; delsp=yes Content-Transfer-Encoding: quoted-printable Mime-Version: 1.0 (Apple Message framework v928.1) Subject: Re: FS: Little DD-20 looping rig, complete Date: Mon, 1 Dec 2008 16:20:22 -0800 References: <4CE85934-8F1F-4E15-A75D-6D0058D0EED0@earthlink.net> X-Mailer: Apple Mail (2.928.1) X-Chzlrs: 0 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86005 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 00:20:28 +0000 (UTC) OK, how bout $300 or best offer? On Nov 28, 2008, at 4:12 PM, David Coffin wrote: > Selling my little cheap-as-poss. stereo looping rig: A Boss DD-20 =20 > with a 3rd-Hand foot pedal attached to the delay feedback, plus an =20 > Ernie Ball stereo volume pedal for actually-goes-to-0dB input =20 > control. Includes a PSA-120 adapter, and a little plastic Boss foot =20= > switch for jacking into the back of the DD-20 to tap tempo, etc. =20 > Clean, untraveled, and documented. They're pals; can't bare to =20 > separate=85 > > Picture here: > http://tinyurl.com/6dpfeu > > Product details: > DD-20: http://tinyurl.com/6dyp3n > 3rd Hand: http://tinyurl.com/666kq7 > Ernie Ball: http://tinyurl.com/6dj2r4 > > > > Thanks, > > David > 1096 Winchuck River Road > Brookings, OR 97415 > 541-412-2793 > From Loopers-Delight-request@loopers-delight.com Tue Dec 2 00:43:07 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 36C333BE97; Tue, 2 Dec 2008 00:43:07 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Reply-To: From: "dave eichenberger" To: References: <78371C7A-087A-4BB3-B480-A91E99CDD14E@atarde.com.br> <4934232E.8080300@vtx.ch> In-Reply-To: <4934232E.8080300@vtx.ch> Subject: RE: echoplex next bug Date: Mon, 1 Dec 2008 19:42:35 -0500 Message-ID: <01c801c95416$df9f1bd0$9edd5370$@com> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable X-Mailer: Microsoft Office Outlook 12.0 Thread-Index: AclT5UZenD3PYjKyQG2ZSGxJRfJ+JwAMWSBg Content-Language: en-us x-cr-hashedpuzzle: Ar7a BAVU BJd5 Bp0T Conl C9vP DdQC DeIO Dx9X GZXd IGBu IPi0 IQZY Ibae It8D Ja+i;1;bABvAG8AcABlAHIAcwAtAGQAZQBsAGkAZwBoAHQAQABsAG8AbwBwAGUAcgBzAC0AZABlAGwAaQBnAGgAdAAuAGMAbwBtAA==;Sosha1_v1;7;{D992FA61-2A85-4985-8564-4EF1CAB95147};ZABhAHYAZQBAAGQAYQB2AGUAZQBpAGMAaABlAG4AYgBlAHIAZwBlAHIALgBjAG8AbQA=;Tue, 02 Dec 2008 00:42:25 GMT;UgBFADoAIABlAGMAaABvAHAAbABlAHgAIABuAGUAeAB0ACAAYgB1AGcA x-cr-puzzleid: {D992FA61-2A85-4985-8564-4EF1CAB95147} X-Provags-ID: V01U2FsdGVkX18qpKEaNg19af/gWAFLwOoxkBs1sqTbLwOHp13 o/k1dhd0XTToYzbbRxZNqRJ7JVlXdkGHc7eC/8E/xIG04tUJMg dd7OLwuWjsOPx7izwe/9a7bioh/jMf2MoUWHoOVHQg= Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86006 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 00:43:07 +0000 (UTC) I've had mine display '666' on power up lately, and has been acting = funny ever since, with a 'pop' every time I hit record or overdub..it doesn't = show up in the loop, though, but it is loud enough to notice.=20 dave eichenberger www.daveeichenberger.com -----Original Message----- From: Claude Voit [mailto:c.voit@vtx.ch]=20 Sent: Monday, December 01, 2008 12:47 PM To: Loopers-Delight@loopers-delight.com Subject: Re: echoplex next bug and there are not soo many real hardcore user as nobody ever found the=20 display joke we created ... :=3D) big kiss Claude Matthias Grob a =E9crit : > topu had a problem > > 1. i switch between using 2 recording channels and 3 so 2L and 3L > > -sometimes i'll record something and some of my old loops will = come > >back followed by a horrific white noise that sounds like glass=20 > shattering. >=20 > and Claude, Frank and Andy suggested: > yes this is the trick I confirm > when I know I will be brutal with my edps I record a 3min silence loop > during setup and it will not happen >=20 >=20 > One thing is that the horrible noise comes from memory that has not = been=20 > used since its started up. by recording a silent loop this can be = zeroed > but > this does not fix that bug where it jumps to a wrong memory place, it=20 > just makes it less horrible since you get silence or old music and not = a=20 > big noise. >=20 > I am very sorry for that bug. I really overloaded the LOOP IV softare=20 > and I even came to the point to trash it instead of releasing it,=20 > because or all those smart tricks to save some processor cycles... = then=20 > again, if only a few hard core EDP users experience the bug so rarely=20 > that they dont know how it happens... >=20 >=20 >=20 From Loopers-Delight-request@loopers-delight.com Tue Dec 2 01:58:32 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 3FDF33BE97; Tue, 2 Dec 2008 01:58:32 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com From: "Rick Walker" To: Loopers-Delight@loopers-delight.com Subject: Re: ART Regular Output vs. Inspiration Date: Mon, 1 Dec 2008 17:57:13 -0800 Message-Id: <20081202014215.M51139@cruzio.com> In-Reply-To: <20081201163438.C49433BE9E@arsenic.violacea.com> References: <20081201163438.C49433BE9E@arsenic.violacea.com> X-Mailer: Open WebMail 2.51 20050317 X-OriginatingIP: 69.181.234.132 (looppool) MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86007 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 01:58:32 +0000 (UTC) Dear Sjaak, I couldn't have said it better in my native tongue (and I certainly couldn't even attempt it in Flemish, German or French so mad props to you for being quadralinqual). The one thing I find since you mentioned that your Camp I personality is your perfectionist personality, it that the biggest problem I see amongst all artists is that their editing faculties outweigh their creative faculties. We, of course, need both to create (viz a vis Einstein's quote that "Genius is 2% inspiration and 98% perspiration) but the western culture paradigm seems increasingly to promote judgment and over cautiousness amongst it's artists. My theory is that this over judgemental/over cautious mentality amongst artists (and increasingly amongst younger artists in the are I live in) is a casualty of a culture that has become increasingly mass media dominated. At the local bars that I go to, I am hearing student conversations that are almost entirely dominated by discussions about various forms of media, from recorded music media to movies to video games, etc. This is, at least anecdotally, a huge change from when I was a student back in the early 70's. In those days, media (mostly music) was discussed a lot, but so was philosophy, spirituality, science, history, literature. In a way, it is what it is as we do live in an increasingly media dependent and media saturated society, but the output of younger artists seems to have dramatically dropped off (ironically at the same time). In our region, the number of places that a young musical group can perform has also (and perhaps commensorately) dropped off. I used to tell young bands (when I was making part of my living as a 'champagne living on a beer budget, music business advisor to local groups) that I didn't think a band could really call itself a band until it had 50 live shows under it's belt (how else do you learn how to do a soundcheck under bad circumstances; get a great stage sound when your monitors are shit, etc.). You could accomplish this by aggressively booking yourself and playing local free parties in a years time in the early 80's. Nowadays, it could take you 10 years in this particular town to book 50 shows. I ramble a bit, but my point is that the CAMP 2 approach seems to be the best approach just to merely conteract these trends. That being said and done, I should quit babbling and get back to the video that I'm almost finished with. By the way, mad kudos to Per Boysen for being so active and sharing so much of his music with this community. You are really inspiring me, Per, and it's not the first time that I've felt this way. That latest piece is very cool. Thanks. rick From Loopers-Delight-request@loopers-delight.com Tue Dec 2 02:15:59 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 79B163BE95; Tue, 2 Dec 2008 02:15:59 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com From: "Dave Gallaher" To: Subject: RE: Performing as a solo looper? Date: Mon, 1 Dec 2008 20:15:44 -0600 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_00BB_01C953F1.99AC00E0" X-Mailer: Microsoft Office Outlook, Build 11.0.5510 In-Reply-To: X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3350 Thread-Index: AclT4qmbrr/CQexxSsGRFJCZnt/tKAAQLH9Q Message-Id: <20081202021559.19C103BE88@arsenic.violacea.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86008 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 02:15:59 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_00BB_01C953F1.99AC00E0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Here are a couple guys using loopers in their electric duo, called El Ten Eleven: http://www.youtube.com/watch?v=69-Daa5aa3Y dave ------=_NextPart_000_00BB_01C953F1.99AC00E0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Here are a couple guys using = loopers in their electric duo, called El Ten Eleven:

 

http://www.youtube.= com/watch?v=3D69-Daa5aa3Y

 

 

 

dave

 

------=_NextPart_000_00BB_01C953F1.99AC00E0-- From Loopers-Delight-request@loopers-delight.com Tue Dec 2 04:23:54 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 82ED03BE95; Tue, 2 Dec 2008 04:23:54 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:mime-version:content-type:content-transfer-encoding :content-disposition; bh=5E+b3kX9cC3jI9CHhN9AWkQLnF9yMlh8GMhApa4gNtQ=; b=eWdP099gk6KRXbGBafA4sfvBerjkFhLO84MQeraGcJoyb18KLFuKz9hTIBT6akbsXB kqJ9F3kBxHc8mkhcBsiuMjjqJIZ10l9TRh0zVEDmRRZhsGSAfKk68Wdfg0Hw8FltKwki xaqrSRa1z+C6286le6Fr/wzxe74sol1rMGdDA= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:mime-version:content-type :content-transfer-encoding:content-disposition; b=ZUiqHwXob9t+vFbOgcxEFb/eeLjeI+ZBEjxBSZgECFGEFutfEUF+IlGqg9RAAoIEF6 1omTnryo0Ri7hKXmOhVOg0SSJoOqCgN0cc5RFYJ/RvEndtq35WgtjGQSPF45K1i0aITY RLQ4bajrI9icjpucYrOkDgkdBJLwf8Ma4i06U= Message-ID: Date: Mon, 1 Dec 2008 22:23:53 -0600 From: "Mark Smart" To: Loopers-Delight@loopers-delight.com Subject: Mobius Inside Ableton MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Resent-Message-ID: <1kMVHB.A.HmH.ahLNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86009 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 04:23:54 +0000 (UTC) Hi all. Well, I did my first long gig with my newer jazz looping rig this past weekend (MacBook running Windows XP, running B4, Kontakt, Akoustik Piano, Reaktor, and Guitar Rig inside Ableton). Everything worked. I would like to add another capability: running Mobius inside Ableton and using it to overdub guitar parts. I like to do this on Stolen Moments by Oliver Nelson. I was playing with it a bit, and it seems like when I hit Next Loop, it immediately switches and starts recording the next loop rather than waiting till the beginning of the next bar. I have Synch Mode set to "Host Beat", and Mobius is properly waiting till the beginning of a bar to start recording. The Next Loop function, however, does not wait for the next bar. Is there a way to get it to do this? When I play the tune with an Echoplex, I like to record 3 background loops. One has two overdubbed guitar parts and one has 3. It would be cool to do this without having lots of tracks and pedal controls in Ableton. I would appreciate suggestions, thanks. From Loopers-Delight-request@loopers-delight.com Tue Dec 2 08:26:01 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id BE2943BE93; Tue, 2 Dec 2008 08:26:01 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Date: Tue, 2 Dec 2008 09:25:58 +0100 Message-Id: Subject: Re: ART Regular Output vs. Inspiration MIME-Version: 1.0 X-Sensitivity: 3 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable From: "Sjaak" To: "Loopers-Delight" X-XaM3-API-Version: 4.1 (B54) X-type: 0 X-SenderIP: 217.68.49.65 X-DCC-scarlet.be-Metrics: eir; whitelist Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86010 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 08:26:01 +0000 (UTC) > Dear Sjaak, > The one thing I find since you mentioned that your > Camp I personality is your perfectionist personality, > it that the biggest problem I see amongst all artists is > that their editing faculties outweigh their creative faculties. Yep, that's true. The good news is that the LD list and the CT-collective= help us to be more creative. Without these communities, I was probably s= till in my dark studio arranging and sequencing, not practicing live loop= ing. It=92s actually so much more fun to create live improvisation music = and it kind of makes you much more interesting as an artist too. > In a way, it is what it is as we do live in an increasingly media depe= ndent > and media saturated society, but the output of younger artists seems = to > have dramatically dropped off (ironically at the same time). In our > region, the number of places that a young musical group can perform has= also > (and perhaps commensorately) dropped off. I don=92t have many contacts in the student world but I recognize the phe= nomena that it=92s more difficult to find a place to play live. The good = thing about my city Antwerp is that the city counsel recognized the need = to promote music for the youth so they have started a music centre in 200= 3 called Trix where you can rehearse, give parties for 400 people with a = DJ, do free try-outs with your act on a big stage with a PA, light show a= nd technician=85organize listen sessions (literature). This is offered fo= r very reasonable prices and sometimes even for free. I think the social = and cultural spin off of this kind of initiatives is always a good thing = for the society. Btw: this is the place where livelooping.be festival mig= ht take place next year ;) But I=92m wondering why younger artists are dropping off. Mass media is c= ertainly a big factor: we all know how many hours our kids spent on the i= nternet or playing games in stead of doing more social activities like pl= aying outside, making music etc I have the feeling it more difficult to e= ncourage or motivate them compared to the past, because they are bombed a= nd triggered by the mass media. > I didn't think a band could really call itself a band until it had > 50 live shows under it's belt (how else do you learn how to do a sound = check > under bad circumstances; get a great stage sound when your monitors are= > shit, etc.). lol. But it=92s true; the best way to learn swimming is to jump into the = pool. You haven=92t played live if nothing did go wrong. And although it = can be annoying at the moment itself, you learn a lot from it plus=85and = that=92s the best part=85you can laugh about it later on. Could be great = thread btw: your worst moment as a live artist :) > I ramble a bit, but my point is that the CAMP 2 approach seems to be t= he > best approach just to merely conteract these trends. But I do like the Camp I approach (not the perfectionist); it=92s maybe a= little closer to the way we would like to see an artist, so not being pu= shed by the society. Is that what you were saying? --- Sjaak http://www.livelooping.be/ http://www.overgaauw.be/ http://www.myspace.com/sjaakovergaauw =0A --- Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer! Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm From Loopers-Delight-request@loopers-delight.com Tue Dec 2 08:29:59 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 356783BE99; Tue, 2 Dec 2008 08:29:59 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=ETI+cH86bLGU3CFa6rHMLnfDywQiOwiXRmGPtp6JAcQ=; b=vdmZ/f+ZRk+yBbVs++PkypX+Fs+5D8cSxvWfT2TtpTcsxQA145xJbmczfLeLgailYk gGhgzBg8I/b1Kj5ong/3Ehr3AeY2eISFLD4h9hwBYa67Zop7IDVl/wtR5elWuhMN0bgI 46dspuNjK3KVc3P1VDrgSk8WT+FH2Bg73OEIU= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=eR3RwkX/5xuwdIJq0cLfp7umkjz/lG9wnpvPFdnJpbblZhNWeBttOE/wqzCxju4vrM wGI+V2lHsEscG+Ct5NbiMDm7pfpM6B0KPFJnFk9cPaze5bbgZfYrqdqeVD7vH6rvCAbh 3yoeKYSUp/GatG0Juwcm+AsVrd0r3MLkxXIEk= Message-ID: <66f9cc1e0812020029i2c71bb1ct51e822a0396e0f98@mail.gmail.com> Date: Tue, 2 Dec 2008 09:29:57 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Re: Semi-OT: Prehistoric looping? In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline References: <000901c9540b$7a40cb90$0202a8c0@YOUR08D5303051> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86011 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 08:29:59 +0000 (UTC) On Tue, Dec 2, 2008 at 12:25 AM, wrote: > http://thecavewall.posterous.com/the-sounds-of-stones-not-rolli > > Has anyone done any music using singing stones? > > peace, > > plish Yes. About 18 months ago I visited the island Gotland in the Baltic sea between Sweden and Finland/Russia etc. There was a rather big singing stone there, like 2 meters long and flat on the top. We played it and I recorded, even did a stupid piece in Ableton Live from it, but the sound wasn't much compared to human crafted instruments. Quite stiff actually. But the interesting part was to read all stories from past centuries of what have happened around that stone. This island once was the commercial center for the whole north European region, before the Hansa based in L=FBbeck took over. There were so many crazy stories about angels and saints connected to that stone, only further convincing me that life must have been extremely boring in during the pre laptop ages. --=20 Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.myspace.com/perboysen www.stockholm-athens.com From Loopers-Delight-request@loopers-delight.com Tue Dec 2 08:33:24 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 662963BE99; Tue, 2 Dec 2008 08:33:24 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-MUA: Thunderbird 1.5.0.9 (Windows/20061207) X-IronPort-Anti-Spam-Filtered: true X-IronPort-Anti-Spam-Result: Ag8BACaBNElPTqqt/2dsb2JhbAAIjnDBdoJ9g3Y X-IronPort-AV: E=Sophos;i="4.33,701,1220223600"; d="scan'208";a="111090774" Message-ID: <4934F3C1.8050700@tiscali.co.uk> Date: Tue, 02 Dec 2008 08:37:21 +0000 From: andy butler User-Agent: Thunderbird 1.5.0.9 (Windows/20061207) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: Semi-OT: Prehistoric looping? References: <000901c9540b$7a40cb90$0202a8c0@YOUR08D5303051> In-Reply-To: Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: <9Kmy3C.A.PvG.ULPNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86012 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 08:33:24 +0000 (UTC) Gamelan of Central Java EUCD 1902 track 9 Goa Tabuhan ..music played on stalagtites mike@michaelplishka.com wrote: > http://thecavewall.posterous.com/the-sounds-of-stones-not-rolli > > Has anyone done any music using singing stones? > > peace, > > plish > www.michaelplishka.com > www.scribbledmusings.com > http://thecavewall.posterous.com > > From Loopers-Delight-request@loopers-delight.com Tue Dec 2 08:46:32 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 2B1663BE99; Tue, 2 Dec 2008 08:46:32 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Date: Tue, 2 Dec 2008 09:46:30 +0100 Message-Id: Subject: RE: New realtime recording uploaded MIME-Version: 1.0 X-Sensitivity: 3 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable From: "Sjaak" To: "Loopers-Delight" X-XaM3-API-Version: 4.1 (B54) X-type: 0 X-SenderIP: 217.68.49.65 X-DCC-scarlet.be-Metrics: eir; whitelist Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86013 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 08:46:32 +0000 (UTC) > here's a "fresh" new improvvisation i recorded > in real time last night. Hi Fabio, Good to have you back in the looping world. I'm usually driving 3-4 hours= a day in my car, so I have time enough to listen to music, like yours. T= his is an interesing song...very different from what the usual stuf here.= And your podcast contains ome really good tracks. Were these real time r= ecordings too? Sjaak http://www.livelooping.be/ http://www.overgaauw.be/ http://www.myspace.com/sjaakovergaauw=0A --- Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer! Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm From Loopers-Delight-request@loopers-delight.com Tue Dec 2 09:06:37 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 290EB3BE93; Tue, 2 Dec 2008 09:06:33 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=googlemail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:user-agent :mime-version:to:subject:references:in-reply-to:content-type :content-transfer-encoding:from; bh=7xwLD9WEeaMqLv7u0PdM/ZPTXj2OSe9OhxDbN+AmE+w=; b=SpfEf5n0cB39eBD8fH18khHltMET0Xn7Y9QNVKJPb4AjEGtlgBttJVfEoDxnPrfllK SB8An6A0qOrBp3BQhkV0wN2Z7MGUeu4oavJyEihCcOxsgIRfzFLrcAXfrDNfmcY2a0dv Issdoui29+nivlqnm9ZJD/kA3db2F+DhhvJ8M= DomainKey-Signature: a=rsa-sha1; c=nofws; d=googlemail.com; s=gamma; h=message-id:date:user-agent:mime-version:to:subject:references :in-reply-to:content-type:content-transfer-encoding:from; b=DH0kKu/njAg8cBxuGWpHId8Kru3xRacc/qwIlGj0f1QONqYrNenqOYZV64EMGC/4qw uTa3Xfm1ow8qlgwce5KBQ0ZYIP/ede2dx6LBNdDxb6xfGDS2+vv0ufLAMdyp+JRz9pke kz0yyksKLfrTePKhWovnjJ+WDByHuLReUPrzE= Message-ID: <4934FA94.1060103@googlemail.com> Date: Tue, 02 Dec 2008 10:06:28 +0100 User-Agent: Thunderbird 2.0.0.18 (Macintosh/20081105) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: Korg NanoKontrol / NanoPad impressions References: <20081126162250.47400@gmx.net> In-Reply-To: Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit From: Stefan Tiedje Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86014 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 09:06:33 +0000 (UTC) Raul Bonell schrieb: > i get one. I just got one, love it. Though I have to adapt lots of my patches as for a OS X glitch my usual ctlin objects miss values, but I found another way to get it in properly. Can't wait to get my Ondes Memorielles adapted for this box and Max 5. I ordered as well the nanoKEY, and probably will also jump on the nanoPAD. The price range they are sold is exactly what I could afford once in a while... My rig will now fit into hand luggage. That's simply amazing... Stefan -- Les Ondes Mémorielles----x------- --_____-----------|-------------- --(_|_ ----|\-----|-----()------- -- _|_)----|-----()-------------- ----------()----------TJ Shredder From Loopers-Delight-request@loopers-delight.com Tue Dec 2 09:23:41 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 2F4CA3BE95; Tue, 2 Dec 2008 09:23:41 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=googlemail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:user-agent :mime-version:to:subject:references:in-reply-to:content-type :content-transfer-encoding:from; bh=ycbM8myjB0gwLxFwMN7ZlHnoocacS9K3OH+4Plgb0Z0=; b=QVgvrHhioQc/Zj0BphT2NI5UujtQlt/3edQFXzCLHveepjVZf9mdoclLn8KeslD85/ hYoqKizaT9SJ0RHNv5Elne3h4sA3KnQn6plojOyQu7798+C8mgvZMYlnDT0LSj05r2AD Fs3q3qjOfmJbAFb0aVi/YuQJN5fg5WOJxfyRQ= DomainKey-Signature: a=rsa-sha1; c=nofws; d=googlemail.com; s=gamma; h=message-id:date:user-agent:mime-version:to:subject:references :in-reply-to:content-type:content-transfer-encoding:from; b=JqAcWHfVoVlfGRW5nyb4CezqfDfUQ85zakdJ/9HlMxQiC8AtnwZmgC69qXGI5xOcgu 7gNRGDHxGko54vu4slqRoGPgj2nGXOafA7XIfEclda020ZPoJKa/ZlQhubGyLezz6Ahj zkwf6egQpA5090Egxr/0pm9CcWuE6LIY/mGwM= Message-ID: <4934FE91.5010408@googlemail.com> Date: Tue, 02 Dec 2008 10:23:29 +0100 User-Agent: Thunderbird 2.0.0.18 (Macintosh/20081105) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: a moronic question References: <11FA9EB1-5C6A-44A3-B758-9A1AD783C2A6@interworld.net> In-Reply-To: <11FA9EB1-5C6A-44A3-B758-9A1AD783C2A6@interworld.net> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit From: Stefan Tiedje Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86015 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 09:23:41 +0000 (UTC) Bruce Gilman schrieb: > If you write or play with samples, let's say string samples, are you > using synthesized sounds? I take what fits and sounds right. It is completely irrelevant if its a real instrument or synthesized in the first place. In both cases sampling takes away some of the expression potential of an instrument. If its synthesized, you might get better results in using a synthesizer instead of a sampler, as you can controll the sound with Midi. You would also get better results if you can play the (acoustic)instrument, or have a friend play it... But sampling also offers extensions to the original, mainly with synthesizer technology or massive layering... Stefan -- Les Ondes Mémorielles----x------- --_____-----------|-------------- --(_|_ ----|\-----|-----()------- -- _|_)----|-----()-------------- ----------()----------TJ Shredder From cliente@myposte.it Tue Dec 2 10:43:46 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com X-Greylist: delayed 1519 seconds by postgrey-1.27 at arsenic; Tue, 02 Dec 2008 10:43:46 UTC Received: from mail.directoptions.com (mail.directoptions.com [70.61.22.122]) by arsenic.violacea.com (Postfix) with ESMTP id 012323BE87; Tue, 2 Dec 2008 10:43:45 +0000 (UTC) Received: from User ([78.4.84.217]) (authenticated user spam@directoptions.com) by mail.directoptions.com (Kerio MailServer 6.4.2); Tue, 2 Dec 2008 05:14:59 -0500 From: "poste italiane" Subject: A questo punto,La pregiamo di cliccare sul link che trovera' alla fine di questo messagio Date: Tue, 2 Dec 2008 11.18.01 +0100 MIME-Version: 1.0 Content-Type: text/html; charset="Windows-1251" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 X-WatchGuard-IPS: message checked X-WatchGuard-IPS: message checked Message-Id: <20081202104346.012323BE87@arsenic.violacea.com> To: undisclosed-recipients:;

  

  Caro cliente Poste.it ,
  Lo staff di Poste Italiane sta eseguendo un aggiornamento programmato
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1 From Loopers-Delight-request@loopers-delight.com Tue Dec 2 10:48:20 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 45AA43BE8D; Tue, 2 Dec 2008 10:48:20 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Date: Tue, 2 Dec 2008 11:48:17 +0100 Message-Id: Subject: Re: Korg NanoKontrol / NanoPad impressions MIME-Version: 1.0 X-Sensitivity: 3 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable From: "Sjaak" To: "Loopers-Delight" X-XaM3-API-Version: 4.1 (B54) X-type: 0 X-SenderIP: 217.68.49.65 X-DCC-scarlet.be-Metrics: eir; whitelist Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86016 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 10:48:20 +0000 (UTC) So small! These are interesting controllers for keyboard players too. Is = anyone using one of these in combination with the LP1? It's USB only, so = I guess I would need a kind of USB-midi converter or connector, because t= he LP1 does not have a USB socket. --- Sjaak http://www.livelooping.be/ http://www.overgaauw.be/ http://www.myspace.com/sjaakovergaauw=0A --- Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer! Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm From Loopers-Delight-request@loopers-delight.com Tue Dec 2 12:21:52 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id DF6803BE91; Tue, 2 Dec 2008 12:21:52 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:mime-version:content-type:content-transfer-encoding :content-disposition; bh=8vq/E8ltHiWVZ1/92gWSaP5SGOZA7XXD9VPMCThbtfQ=; b=qwRbVmrhVST27nl3DTuRdXyZen6v1NngHVQ3+DKbk2EnXazByOtgBPTu20keoQ0Vh7 2TRudMJjYtORi5JASnYlgLHfjfNZypvbPP1bqwf/ZTH2OQHt+axwLGso5VHpmfJQNZBt Hx5Rm7SC8+sm94T1hYxHLsPsolRPZTcJ5B8HA= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:mime-version:content-type :content-transfer-encoding:content-disposition; b=kex3XOmI7l3mVxQZkJE7mxAhrcjiQG/EvWTAXhP74e/y1SWcwdORnW0vsWQ54EoM13 zy6/toKCNlino8ih57uK8seFqha/UyotEQ92+2ge71VJrCLAn6KMTfzafXv69+kBO024 HwLIkPtbiSdy/oGdZGMbwDMeM/RnWiycNo6qk= Message-ID: <66f9cc1e0812020421w6f2ba36as5b3a2074f1739e9a@mail.gmail.com> Date: Tue, 2 Dec 2008 13:21:48 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Augustus Loop 2.0 scripting question. MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Resent-Message-ID: <3ok-WC.A.flE.ghSNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86017 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 12:21:52 +0000 (UTC) Hi, I'm wondering if anyone have had the time to look into the new scripting option with Agustus Loop 2.0? There are some free scripts on the Expert Sleepers web site but not for what I'd like to do. My question is if it would be possible to write a script, for a multi track set up containing several instances of the looper, that would select which one of the instances that will react on a given MIDI input? I'd like to rig them up in Bidule. Some years ago I succeeded building a four channel looper with four instances of AL hosted in Live. I used MIDI clips in Live to handle some of the control data routing and found that it was easy to get a similar functionality as with Mobius or a multi EDP setup. No cuing up of loops of course ("MoreLoops" in the EDP) since AL doesn't support that (but it would be possible to work around as people to with SooperLooper and Looperlative 1). BAck then I also found out that it was not a good idea to use AL due to the clicking noises that followed when I sent the sequence of commands that would induce a SUS Replace functionality. But now I'm reading that Augustus Loop 2.0 is reworked to get rid of those pops and clicks (dedicated punch-in functionality) so I'd like to give this project a second try (if I can get my head around OSC and scripting, that is). Back when I made the prototype i Ableton Live I had to assign new foot pedal buttons to the same functionality in every instance of Agususts Loop, and that is not good for live playing because it forces you into using way too many foot pedals. So this projects sort of depends on the option to target one instance in particular while keeping the same foot pedal bank, simply directing it's control function into one of the loopers (or some of them). Sure, this jack routing of controlling MIDI input can be done in Bidule, but Bidule is so boring and tedious to program (maybe that's what makes it powerful?) so if such a functionality would be possible now thanks to OSC and scripting in 2.0 it would be a great time saver. I like Augustus Loop because it offers varispeed both playable by MIDI note steps and continuous with no steps ("scratch like"). It seems 2.0 also has time-stretching (pitch without changing loop length) but I haven't looked into that yet. There are so much under the hood in 2.0! Oh... the built-in effect loop seems cool. A send/return effect loop within the looper! I had that in my Repeater and experimented with putting stuff there; like my EDP or a reverb. The best box to put into the R's fx loop was the filterbank and I'm curious what cool sounds will be possible by AL 2.0 when putting software equivalents of a DJ filter bank into the looper's fx loop. goddammit, this mail just grows longer and longer... gotta stop here. -- Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.myspace.com/perboysen www.stockholm-athens.com From Loopers-Delight-request@loopers-delight.com Tue Dec 2 13:44:46 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 3F9C73BE92; Tue, 2 Dec 2008 13:44:46 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com From: Nemoguitt@aol.com Message-ID: Date: Tue, 2 Dec 2008 08:46:37 EST Subject: Re: Semi-OT: Prehistoric looping? To: Loopers-Delight@loopers-delight.com MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_d51.3aa54a2e.3666963d_boundary" X-Mailer: Thunderbird - Mac OS X sub 293 X-Spam-Flag:NO Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86018 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 13:44:46 +0000 (UTC) --part1_d51.3aa54a2e.3666963d_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 12/2/08 3:30:18 AM, perboysen@gmail.com writes: > There were so many crazy > stories about angels and saints connected to that stone, only further > convincing me that life must have been extremely boring in during the > pre laptop ages. > i'll take angels and saints over a lappy any day!.....:)m "EVERYTHING YOU KNOW IS WRONG".....firesign theater new groovy tunes at: http://www.myspace.com/klobuchar10 www.ct-collective.com ************** Life should be easier. So should your homepage. Try the NEW AOL.com. (http://www.aol.com/?optin=new-dp&icid=aolcom40vanity& ncid=emlcntaolcom00000002) --part1_d51.3aa54a2e.3666963d_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 12/2/08 3:30:18 AM, perboysen@gmail.com writes:


There were so many cr= azy
stories about angels and saints connected to that stone, only further
convincing me that life must have been extremely boring in during the
pre laptop ages.


i'll take angels and saints over a lappy any day!.....:)m

"EVERYTHING YOU KNOW IS WRONG".....firesign theater

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
Life should be easier. So should you= r homepage. Try the NEW AOL.com. (http://www.aol.com/?optin=3Dnew-dp&ici= d=3Daolcom40vanity&ncid=3Demlcntaolcom00000002) --part1_d51.3aa54a2e.3666963d_boundary-- From Loopers-Delight-request@loopers-delight.com Tue Dec 2 14:44:52 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 0565C3BE8D; Tue, 2 Dec 2008 14:44:51 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Trace: 110945828/mk-filter-4.mail.uk.tiscali.com/B2C/$b2c-THROTTLED-DYNAMIC/b2c-CUSTOMER-DYNAMIC-IP/79.78.170.173/None/akbutler@tiscali.co.uk X-SBRS: None X-RemoteIP: 79.78.170.173 X-IP-MAIL-FROM: akbutler@tiscali.co.uk X-MUA: Thunderbird 1.5.0.9 (Windows/20061207) X-IP-BHB: Once X-IronPort-Anti-Spam-Filtered: true X-IronPort-Anti-Spam-Result: AtMAAAbYNElPTqqt/2dsb2JhbAAI0niCf4N2 X-IronPort-AV: E=Sophos;i="4.33,702,1220223600"; d="scan'208";a="110945828" Message-ID: <49354AD1.2070004@tiscali.co.uk> Date: Tue, 02 Dec 2008 14:48:49 +0000 From: andy butler User-Agent: Thunderbird 1.5.0.9 (Windows/20061207) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: Semi-OT: Prehistoric looping?more PerBoysen music? References: <000901c9540b$7a40cb90$0202a8c0@YOUR08D5303051> In-Reply-To: Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86019 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 14:44:51 +0000 (UTC) Stone windchimes tastefully agitated by Per Boysen at a sound installation at Lohn a short walk from Mathon (near Chur) in the Swiss Alps. >From around the time of the 2005 Zurich Loopfest http://www.andybutler.com/mp3/hanging-stones.mp3 andy butler mike@michaelplishka.com wrote: > http://thecavewall.posterous.com/the-sounds-of-stones-not-rolli > > Has anyone done any music using singing stones? > > peace, > > plish > www.michaelplishka.com > www.scribbledmusings.com > http://thecavewall.posterous.com > > From Loopers-Delight-request@loopers-delight.com Tue Dec 2 15:33:57 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 77AD23BE91; Tue, 2 Dec 2008 15:33:57 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=EXJbmwOpAwcz4kn7RIaetgAcbXvLm1zD8TtWuCaaFaw=; b=fXz9OVJAodf+yPOXXNO+chMpG5RwO006b0knNTq9QVdG0jM17zhyFpmeNHPyXTavdc qH4JdVUk9KwiFOTRawDG20a3G2iJx0DJLtlPbgYKhcy46sE5q0r/BGmOyoxJDWZns83X +K9G8eVNvu/LOwNzmcwsx/mD0Y+227lGOzlRA= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=iLXtuAkCoPo3xu9/aingNv9bHw/Br6eTycsoSCvCKab9nBDXfTXrlIAQMrt+5haj7S YDvfVbz8udzxjd+ejazq6DyaS7R6tHEsoy7mz2l1XzueqRVjmr0zAnpsOctRuqxTSBDJ VDyR4Uw3nEWgdGU60aTWQRMPNcU4yP5jgAW9U= Message-ID: <66f9cc1e0812020733ka1ca884nd37357fabbe9253c@mail.gmail.com> Date: Tue, 2 Dec 2008 16:33:56 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Re: Augustus Loop 2.0 scripting question. In-Reply-To: <66f9cc1e0812020421w6f2ba36as5b3a2074f1739e9a@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <66f9cc1e0812020421w6f2ba36as5b3a2074f1739e9a@mail.gmail.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86020 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 15:33:57 +0000 (UTC) On Tue, Dec 2, 2008 at 1:21 PM, Per Boysen wrote: > Hi, > > I'm wondering if anyone have had the time to look into the new > scripting option with Agustus Loop 2.0? There are some free scripts on > the Expert Sleepers web site but not for what I'd like to do. > > My question is if it would be possible to write a script, for a multi > track set up containing several instances of the looper, that would > select which one of the instances that will react on a given MIDI > input? I may just have found a clue when reading the "multilooper" lua script: (need to try it out first to be sure though) requestNoteOn( 76, setupMultiloop ) requestNoteOn( 77, selectPreviousLoop ) requestNoteOn( 78, selectNextLoop ) requestNoteOn( 79, toggleOpenCurrentLoop ) requestNoteOn( 80, toggleFreezeCurrentLoop ) requestNoteOn( 81, clearCurrentLoop ) I guess we users can simply add stuff as we prefer, using this scripting style? --> Os, will there be a listing published of how to write the Augustus Looper commands/functions/parameters in LUA? -- Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.myspace.com/perboysen www.stockholm-athens.com From Loopers-Delight-request@loopers-delight.com Tue Dec 2 16:28:55 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 025503BE8F; Tue, 2 Dec 2008 16:28:54 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Mime-Version: 1.0 (Apple Message framework v624) In-Reply-To: <20081202122153.AFF363BE98@arsenic.violacea.com> References: <20081202122153.AFF363BE98@arsenic.violacea.com> Content-Type: multipart/alternative; boundary=Apple-Mail-3-820024444 Message-Id: From: "Eduardo Martinez - musician, composer, artist" Subject: Semi-OT: Stone Playing (not Playing Stoned ;-) was Re: Semi-OT: Prehistoric looping?) Date: Tue, 2 Dec 2008 11:28:47 -0500 To: Loopers-Delight@loopers-delight.com X-Mailer: Apple Mail (2.624) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86021 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 16:28:54 +0000 (UTC) --Apple-Mail-3-820024444 Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset=US-ASCII; format=flowed I had a chance to visit India in 2006. I made the time to visit two ancient cave dwellings/compounds, Ajanta & Ellora (Aurangabad District, Maharashtra State). In Ajanta, in one of the caves, a local man was trying to earn a few rupees by pointing things out to tourists. At a particularly quiet moment when most people were outside of this particular cave, I started toning & chanting softly. This Indian man then harmonized with me while he chanted in Sanskrit. This lasted for awhile. I wished I had been carrying my portable recorder, because the sound within the stone cave was amazing. This particular one had a dome like a cathedral. I guess I am just going to have to go back & record it ;-) After our vocalizations, he pointed out how certain stone columns (these are all monolithic structures, carved out of the mountain stone, so a "column" is an integral part of the mountain) produced different sounds & pitches just when hit with our bare hands. It was stunning to me to hear & play these different & beautiful tones from these rocks. The ultimate hand percussion instrument... http://en.wikipedia.org/wiki/Ajanta_Caves Blessings, Eduardo Martinez musician - composer - artist www.EduardoMartinez.com www.MySpace.com/EduardoMartinezMusic Nashua, NH USA > On Tue, Dec 2, 2008 at 12:25 AM, wrote: >> http://thecavewall.posterous.com/the-sounds-of-stones-not-rolli >> >> Has anyone done any music using singing stones? >> >> peace, >> >> plish --Apple-Mail-3-820024444 Content-Transfer-Encoding: 7bit Content-Type: text/enriched; charset=US-ASCII I had a chance to visit India in 2006. I made the time to visit two ancient cave dwellings/compounds, Ajanta & Ellora (Aurangabad District, Maharashtra State). In Ajanta, in one of the caves, a local man was trying to earn a few rupees by pointing things out to tourists. At a particularly quiet moment when most people were outside of this particular cave, I started toning & chanting softly. This Indian man then harmonized with me while he chanted in Sanskrit. This lasted for awhile. I wished I had been carrying my portable recorder, because the sound within the stone cave was amazing. This particular one had a dome like a cathedral. I guess I am just going to have to go back & record it ;-) After our vocalizations, he pointed out how certain stone columns (these are all monolithic structures, carved out of the mountain stone, so a "column" is an integral part of the mountain) produced different sounds & pitches just when hit with our bare hands. It was stunning to me to hear & play these different & beautiful tones from these rocks. The ultimate hand percussion instrument... http://en.wikipedia.org/wiki/Ajanta_Caves Blessings, Eduardo Martinez musician - composer - artist www.EduardoMartinez.com www.MySpace.com/EduardoMartinezMusic Nashua, NH USA On Tue, Dec 2, 2008 at 12:25 AM, < wrote: http://thecavewall.posterous.com/the-sounds-of-stones-not-rolli Has anyone done any music using singing stones? peace, plish --Apple-Mail-3-820024444-- From Loopers-Delight-request@loopers-delight.com Tue Dec 2 16:40:46 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 12E903BE93; Tue, 2 Dec 2008 16:40:46 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-YMail-OSG: NjZWMEwVM1nW_BJ_yklgpV4y2cMtEcf1JhyiS82VPD8LYKFn1sUgKc6kWvbYVVWtgL5HSusblFnutdp5k_PfAV2DfcNXiqmXkOzWOkCksAtVdg.dzqPntsJ6LX5f3mtrYBih7xHRWX5sKCu1E0ntqo7x X-Mailer: YahooMailWebService/0.7.247.3 Date: Tue, 2 Dec 2008 08:40:44 -0800 (PST) From: Thomas Wegmann Reply-To: theweg@verizon.net Subject: Re: New realtime recording uploaded To: Loopers-Delight@loopers-delight.com In-Reply-To: <66f9cc1e0812010716h3e129bejbb22248cf880ce77@mail.gmail.com> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-909754641-1228236044=:10899" Message-ID: <58760.10899.qm@web84105.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86022 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 16:40:46 +0000 (UTC) --0-909754641-1228236044=:10899 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable Hello all!, =A0 I really like this piece too!=A0 The flow/fell=A0is soothing and leaves= a person feeling at peace! =A0 =A0 Peace, Weg My URL http://www.myspace.com/noyestheater My Blog URL http://blog.myspace.com/noyestheater --- On Mon, 12/1/08, Per Boysen wrote: From: Per Boysen Subject: Re: New realtime recording uploaded To: Loopers-Delight@loopers-delight.com Date: Monday, December 1, 2008, 10:16 AM On Mon, Dec 1, 2008 at 3:14 PM, eterogeneo wrote: > Hi all, > just to share - here's a "fresh" new improvvisation i recorded in real time > last night. > http://www.eterogeneo.com/podcast/Weightless.mp3 also available on my > podcast > > I used Mobius running as a VST inside Bidule, > 5 VST effect plugins and my piano and no final editing (all mistakes are all > there....). Nice slow motion feel to it! Gives me a bit of "3D sense of wonder". --=20 Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.myspace.com/perboysen www.stockholm-athens.com --0-909754641-1228236044=:10899 Content-Type: text/html; charset=us-ascii
Hello all!,
  I really like this piece too!  The flow/fell is soothing and leaves a person feeling at peace!
 
 
Peace,
Weg

My URL
http://www.myspace.com/noyestheater

My Blog URL
http://blog.myspace.com/noyestheater

--- On Mon, 12/1/08, Per Boysen <perboysen@gmail.com> wrote:
From: Per Boysen <perboysen@gmail.com>
Subject: Re: New realtime recording uploaded
To: Loopers-Delight@loopers-delight.com
Date: Monday, December 1, 2008, 10:16 AM

On Mon, Dec 1, 2008 at 3:14 PM, eterogeneo <info@eterogeneo.com> wrote:
> Hi all,
> just to share - here's a "fresh" new improvvisation i
recorded in real time
> last night.
> http://www.eterogeneo.com/podcast/Weightless.mp3   also available on my
> podcast
>
> I used Mobius running as a VST inside Bidule,
> 5 VST effect plugins and my piano and no final editing (all mistakes are
all
> there....).


Nice slow motion feel to it! Gives me a bit of "3D sense of wonder".

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
www.myspace.com/perboysen
www.stockholm-athens.com

--0-909754641-1228236044=:10899-- From Loopers-Delight-request@loopers-delight.com Tue Dec 2 17:09:25 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id C05033BE8F; Tue, 2 Dec 2008 17:09:21 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com From: Jeff Larson To: "Loopers-Delight@loopers-delight.com" Date: Tue, 2 Dec 2008 11:08:50 -0600 Subject: RE: Mobius Inside Ableton Thread-Topic: Mobius Inside Ableton Thread-Index: AclUNcxNZUw/Q5L7RUmdQNefeDza+QAaKIig Message-ID: <7872203368197C4691224688958BE7144DDB2B71CB@barq.sailpoint.com> References: In-Reply-To: Accept-Language: en-US Content-Language: en-US X-MS-Has-Attach: X-MS-TNEF-Correlator: acceptlanguage: en-US Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable MIME-Version: 1.0 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86023 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 17:09:21 +0000 (UTC) > I would like to add another capability: running Mobius inside Ableton > and using it to overdub guitar parts. I like to do this on Stolen > Moments by Oliver Nelson. I was playing with it a bit, and it seems > like when I hit Next Loop, it immediately switches and starts > recording the next loop rather than waiting till the beginning of the > next bar. I have Synch Mode set to "Host Beat", and Mobius is properly > waiting till the beginning of a bar to start recording. The Next Loop > function, however, does not wait for the next bar. Is there a way to > get it to do this? The timing of loop switches is governed by the Switch Quantize parameter in the Preset dialog under the Switch tab. Common settings are Loop, Cycle, and Subcycle. These switch points are based on even divisions of the loop and do not necessarily match what the host thinks the "bar" is. Usually a bar corresponds to either a Cycle or Subcycle depending on how the loop was recorded and modified after recording. For example, if you're playing 4/4 go to the Synchronization tab and enter 4 in the Record Beats/Bar parameter. As you record Mobius will count beats being sent by the host and generate a new cycle every 4 beats. With Switch Quantize set to Cycle you should switch very close to a host bar. I'm curious about how this works out. There is always a slight amount of drift between Mobius and the host that tends to balance out over time but at any given cycle you may not be exactly on a host bar. If you're early, it will wait a few milliseconds until the bar is reached which isn't so bad, but if you're late it may wait the remainder of the bar which is bad. It would be more reliable to use Time Copy mode to switch the loop and instantly give it an empty loop the same size as the source loop, and set Time Copy Mode to Overdub so you're immediately overdubbing. The downside is that the copy has to be the same size as the previous loop, which for building sections is probably not what you want. Using scripts you can wait for exact host beat/bar boundaries so that may be better for you, but scripts are relatively complicated to develop. If you need to go there let's move the dialog over to the Mobius Yahoo group. Regards, Jeff From Loopers-Delight-request@loopers-delight.com Tue Dec 2 17:32:24 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id B4F8E3BE90; Tue, 2 Dec 2008 17:32:24 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Mime-Version: 1.0 (Apple Message framework v753.1) In-Reply-To: <4934F3C1.8050700@tiscali.co.uk> References: <000901c9540b$7a40cb90$0202a8c0@YOUR08D5303051> <4934F3C1.8050700@tiscali.co.uk> Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed Message-Id: <196BA142-2222-4A3C-A6AA-0DCDAFB4993C@ubergadget.com> Content-Transfer-Encoding: 7bit From: Rev Fever Subject: Re: Semi-OT: Prehistoric looping? Date: Tue, 2 Dec 2008 09:31:54 -0800 To: Loopers-Delight@loopers-delight.com X-Mailer: Apple Mail (2.753.1) X-Spam-Status: No, score=0.3 required=5.0 tests=AWL,UNPARSEABLE_RELAY, WHOIS_NETSOLPR autolearn=failed version=3.2.4 X-Spam-Checker-Version: SpamAssassin 3.2.4 (2008-01-01) on 216-55-168-226.dedicated.abac.net Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86024 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 17:32:24 +0000 (UTC) Another excellent example is the 1992 CD release by LILITH entitled "Stone". (Sub Rosa ST55). ALL of the "voices" are from stone and nothing else. Stones that were struck, rubbed, smashed, ground etc etc and sampled and then the "voices" were transformed into amazing sounds and textures etc. Nice ambient-"primitive" and I will wager bucks there is a good amount of some of kind of loopage involved in the over all process. REVcommended! All the best, Rev Fever http://www.spiritone.com/~rvfever/ On Dec 2, 2008, at 12:37 AM, andy butler wrote: > Gamelan of Central Java > EUCD 1902 > track 9 Goa Tabuhan > ..music played on stalagtites > mike@michaelplishka.com wrote: >> http://thecavewall.posterous.com/the-sounds-of-stones-not-rolli >> Has anyone done any music using singing stones? >> peace, >> plish >> www.michaelplishka.com >> www.scribbledmusings.com >> http://thecavewall.posterous.com >> From watford202@yahoo.com.hk Tue Dec 2 18:07:01 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com X-Greylist: delayed 387 seconds by postgrey-1.27 at arsenic; Tue, 02 Dec 2008 18:07:01 UTC Received: from n6d.bullet.mail.ac4.yahoo.com (n6d.bullet.mail.ac4.yahoo.com [76.13.13.90]) by arsenic.violacea.com (Postfix) with SMTP id 5207C3BE87 for ; Tue, 2 Dec 2008 18:07:01 +0000 (UTC) Received: from [76.13.13.25] by n6.bullet.mail.ac4.yahoo.com with NNFMP; 02 Dec 2008 18:00:32 -0000 Received: from [76.13.10.177] by t4.bullet.mail.ac4.yahoo.com with NNFMP; 02 Dec 2008 18:00:32 -0000 Received: from [127.0.0.1] by omp118.mail.ac4.yahoo.com with NNFMP; 02 Dec 2008 18:00:32 -0000 X-Yahoo-Newman-Property: ymail-5 X-Yahoo-Newman-Id: 501720.81901.bm@omp118.mail.ac4.yahoo.com Received: (qmail 77121 invoked by uid 60001); 2 Dec 2008 18:00:32 -0000 DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=ymail_nen1; d=yahoo.com.hk; h=Received:Date:From:Reply-To:Subject:To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=YCOQU8ehmek1IlTIjoaIjjvtEfdvbVO1q3PpzYLlHbcQqgmuJv3Rt4rDACwMhvBE0I3g1t7uRLcxUmgTko3KVf6zKLBFGWCoi9Iwz/mOBYLQxjWGpzGS6NeWRbMeOuEGBy/DTenZGfLDewm8A9A0XLZIhq294xZ/j8VuM1YO5ao=; Received: from [41.221.174.75] by web59914.mail.ac4.yahoo.com via HTTP; Tue, 02 Dec 2008 10:00:32 PST Date: Tue, 2 Dec 2008 10:00:32 -0800 (PST) From: =?big5?q?Jim=20Ovia?= Reply-To: jimovia101@live.com Subject: Attention: YOUR COMPENSATION To: looparc@loopers-delight.com MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-1573988870-1228240832=:74258" Content-Transfer-Encoding: 8bit Message-ID: <331860.74258.qm@web59914.mail.ac4.yahoo.com> --0-1573988870-1228240832=:74258 Content-Type: text/plain; charset=big5 Content-Transfer-Encoding: 8bit §Ú¦³·sªº¹q¶l¦a§}¡I§A²{¥i¹q¶lµ¹§Ú¡Gwatford202@yahoo.com.hk - Attention: YOUR COMPENSATION How are you today? Hope all is well with you and your family? You may notunderstand why these email got to you.We have been having a meeting forthepassed seven months which ended two days ago with the secretary to theUNITED NATIONS.This email is to all the people that has been scammed in anypart of the world, the UNITED NATION has agreed to compensate them with thesum of US$ 100,000. This includes every foriegn contractors that did notreceived their contract sum, and people that had an unfinished transactionor international business that failed due to Government probelms etc.We found your name on our list and that is why we are contacting you,Thesehas been agreed upon and has been Approved.You are advised to contact Mr.Jim Ovia of ZENITH BANK NIGERIA PLC, As he is our representative in africa,contact him immediately for your Cheque/International Bank Draft of USD$100,000. This funds are in Bank Drafts for security purpose.Therefore, You shouldcontact him immediately for your Bank draft.Person to Contact Mr. Jim Ovia Email: jimovia101@live.com Thanks and God bless you and your family. Hoping to hear from you as soon asyou cash your Bank Draft.United Nations Making The World A Better Place.Regards,Mr. Kofi Annan Former Secretary (UNITED NATIONS) --0-1573988870-1228240832=:74258 Content-Type: text/html; charset=big5 Content-Transfer-Encoding: 8bit
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§A²{¥i¹q¶lµ¹§Ú¡Gwatford202@yahoo.com.hk



- Attention: YOUR COMPENSATION How are you today? Hope all is well with you and your family? You may notunderstand why these email got to you.We have been having a meeting forthepassed seven months which ended two days ago with the secretary to theUNITED NATIONS.This email is to all the people that has been scammed in anypart of the world, the UNITED NATION has agreed to compensate them with thesum of US$ 100,000. This includes every foriegn contractors that did notreceived their contract sum, and people that had an unfinished transactionor international business that failed due to Government probelms etc.We found your name on our list and that is why we are contacting you,Thesehas been agreed upon and has been Approved.You are advised to contact Mr.Jim Ovia of ZENITH BANK NIGERIA PLC, As he is our representative in africa,contact him immediately for your Cheque/International Bank Draft of USD$100,000. This funds are in Bank Drafts for security purpose.Therefore, You shouldcontact him immediately for your Bank draft.Person to Contact Mr. Jim Ovia Email: jimovia101@live.com Thanks and God bless you and your family. Hoping to hear from you as soon asyou cash your Bank Draft.United Nations Making The World A Better Place.Regards,Mr. Kofi Annan Former Secretary (UNITED NATIONS)
--0-1573988870-1228240832=:74258-- From Loopers-Delight-request@loopers-delight.com Tue Dec 2 18:28:01 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id A43203BE90; Tue, 2 Dec 2008 18:28:01 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:MIME-Version:Content-Type:Message-ID; b=uBi29Cl1NqQlgjyYSCIIr5JxpglnAfiU7SVymMapD0OmNLFQ3YeSQCiIDhOr1a++0TLYiuFjozg8xgBmitmUkYxAty83hPIOVFJp8DnwEZJdnWv6yWN+QvD7TamKBUKAQ3/t1R3BTxzCE7NbzpGzDd8nENceazlCXq+UQGiogRE=; X-YMail-OSG: qhpbmiUVM1n8dsosPAKqLSXlQGnrM12A2qQ8IN_udxSlNMzhnUKOL1BcbmAWVTjpzEYdgOK5WKbcDBf7QdmtbvqWf0e3lC93Kvb6X1RJEaw1AqpJ.cAvGxoDFaG5M6_dRCr3n86vlOJrni3v.t7uDLQtNt6qMAY8Eq99L57ODDbhMMrNSjNDnyu6oWVOyEKV2gwSGicqayLLU3U- X-Mailer: YahooMailWebService/0.7.260.1 Date: Tue, 2 Dec 2008 10:27:07 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: effective mobius,mixer and soundcard routing To: Loopers Delight MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <822156.18648.qm@web38601.mail.mud.yahoo.com> Resent-Message-ID: <7MbsoB.A.41G.x4XNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86025 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 18:28:01 +0000 (UTC) Hi loopers, i have different instruments plugged in to my compact pro fx8 mackie mixer then i go stereo out of the mixer into my soundcard and from there straight into the speakers.My soundcards fireiwre out straight into my macbook and mobius.Everything is cool,except when i puse my loops it sounds very abrupt and dry because there is no post proccesing.I would like to therefore take avantage of my mixers eqs and reverb to warmup the sound coming out of the soundcard before it goes into the speakers. What would be the most effective way to route this,is it possible to bring back the outs of the soundcard back into the mixer without creating feedback? my mixer does not have alt 3/4 outs,but here is the specs: http://www.mackie.com/products/profx8/ thanx for your tips! Luis www.myspace.com/luisangulocom From Loopers-Delight-request@loopers-delight.com Tue Dec 2 18:49:10 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 745053BE8E; Tue, 2 Dec 2008 18:49:10 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com From: Jeff Larson To: "Loopers-Delight@loopers-delight.com" Date: Tue, 2 Dec 2008 12:49:03 -0600 Subject: RE: effective mobius,mixer and soundcard routing Thread-Topic: effective mobius,mixer and soundcard routing Thread-Index: AclUq7ef0L45EMCxSvqK44h/pmvp9AAARnzA Message-ID: <7872203368197C4691224688958BE7144DDB2B7229@barq.sailpoint.com> References: <822156.18648.qm@web38601.mail.mud.yahoo.com> In-Reply-To: <822156.18648.qm@web38601.mail.mud.yahoo.com> Accept-Language: en-US Content-Language: en-US X-MS-Has-Attach: X-MS-TNEF-Correlator: acceptlanguage: en-US Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable MIME-Version: 1.0 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86026 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 18:49:10 +0000 (UTC) > What would be the most effective way to route this,is it possible to > bring back the outs of the soundcard back into the mixer without > creating feedback? my mixer does not have alt 3/4 outs,but here is the sp= ecs: > http://www.mackie.com/products/profx8/ You might be able to use the "MON SEND" bus as an alternative to alt 3/4. Turn up Aux Mon on just the instrument channels. Connect MON SEND to your sound card. Aux Mon will now be the faders for the computer mix. Connect the output of the sound card to a mixer channel with Aux Mon turned all the way down. Connect the main outs of the mixer to your speakers. Put effects on the computer channel. What I don't know is if you can apply effects to the MON SEND output, it may tap in before the effects. =20 You could do something similar with the stereo FX SEND, using it as a computer mix bus without using the STEREO RETURN. But=20 page 15 clearly says this does not include internal effects processing. Jeff From Loopers-Delight-request@loopers-delight.com Tue Dec 2 18:54:31 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 2306B3BE8E; Tue, 2 Dec 2008 18:54:31 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Sender: info@eterogeneo.com From: "info@eterogeneo.com" To: Loopers-Delight@loopers-delight.com Subject: RE: New realtime recording uploaded X-Mailer: Quality Web Email v3.1s X-Originating-IP: 151.33.68.157 Date: Tue, 02 Dec 2008 19:54:28 +0100 Message-id: <49358464.99.6518.1387520379@webmaildh3.aruba.it> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Spam-Rating: smtp2.aruba.it 1.6.2 0/1000/N Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86027 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 18:54:31 +0000 (UTC) Hi people, thanks very much for your feedback. Dear Sjaak, my podcast mostly contains (my nocturne) real-time recordings: other are live recordings with monr editing work. In the last 2 or 3 years, i've reduced a lot the post production work (at last, for my own pieces, not when i work with other musicians) and i tend to put all my energies in the live playing. Thanks again. It's really stimulating share comments and opinions about what we are doing... Fabio www.eterogeneo.com www.myspace.com/eterogeneo ----- Original Message ----- Da : "Sjaak" A : "Loopers-Delight" Oggetto : RE: New realtime recording uploaded Data : Tue, 2 Dec 2008 09:46:30 +0100 > > here's a "fresh" new improvvisation i recorded > > in real time last night. > > Hi Fabio, > Good to have you back in the looping world. I'm usually > driving 3-4 hours a day in my car, so I have time enough > to listen to music, like yours. This is an interesing > song...very different from what the usual stuf here. And > your podcast contains ome really good tracks. Were these > real time recordings too? > > Sjaak > http://www.livelooping.be/ > http://www.overgaauw.be/ > http://www.myspace.com/sjaakovergaauw > --- > Reeds meer dan 2000 Scarlet klanten betalen geen > abonnement meer! Doe mee en surf ook gratis! >> > http://www.scarlet.be/nl/mgm > From Loopers-Delight-request@loopers-delight.com Tue Dec 2 19:00:44 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 85D193BE8F; Tue, 2 Dec 2008 19:00:44 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Sender: info@eterogeneo.com From: "info@eterogeneo.com" To: Loopers-Delight@loopers-delight.com Cc: theweg@verizon.net, Subject: Re: New realtime recording uploaded X-Mailer: Quality Web Email v3.1s X-Originating-IP: 151.33.68.157 Date: Tue, 02 Dec 2008 20:00:42 +0100 Message-id: <493585da.104.46d7.13033225@webmaildh6.aruba.it> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable X-Spam-Rating: smtp1.aruba.it 1.6.2 0/1000/N Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86028 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 19:00:44 +0000 (UTC) Thomas Wegmann wrote: "The flow/fell=a0is soothing and leaves a person feeling at peace!" Hey Thomas, I'm happy for the sensation you got. When i had to give a title to the song, i've tought to this one: "Who's disturbing peace ?" (it's related to the glitch sounds you can hear in the middle of the piece, opposed to the general feel of the song. Interesting that you've feel something similar, in some way.... Thanks Fabio www.eterogeneo.com www.myspace.com/eterogeneo =a0 > =a0 > Peace, > Weg > > My URL > http://www.myspace.com/noyestheater > > My Blog URL > http://blog.myspace.com/noyestheater > > --- On Mon, 12/1/08, Per Boysen > wrote: > > From: Per Boysen > Subject: Re: New realtime recording uploaded > To: Loopers-Delight@loopers-delight.com > Date: Monday, December 1, 2008, 10:16 AM > > On Mon, Dec 1, 2008 at 3:14 PM, eterogeneo > > wrote: Hi all, > > just to share - here's a "fresh" new improvvisation i > recorded in real time > > last night. > > http://www.eterogeneo.com/podcast/Weightless.mp3 also > > available on my podcast > > > > I used Mobius running as a VST inside Bidule, > > 5 VST effect plugins and my piano and no final editing > (all mistakes are all > > there....). > > > Nice slow motion feel to it! Gives me a bit of "3D sense > of wonder". > > -- > Greetings from Sweden > > Per Boysen > www.boysen.se (Swedish) > www.looproom.com (international) > www.myspace.com/perboysen > www.stockholm-athens.com > > From Loopers-Delight-request@loopers-delight.com Tue Dec 2 20:21:05 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id D7F033BE8F; Tue, 2 Dec 2008 20:21:05 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=googlemail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:user-agent :mime-version:to:subject:references:in-reply-to:content-type :content-transfer-encoding:from; bh=z11i8hLOVQ+OwsQuj/UR7IIRgesGcyWCD1vRxY18WC4=; b=MxdgVQAPc8NBbD9WMVmHA7vOUd2MkMXq1T6mMMdG7CRMGJTO7p29aFOqKXdm2BImbv b05khNv1E0Rb+JZ8xktOHYujjOVfWTvXqoWD6Myf2dXEDPSS/gJ9D+gni77ppNx80r9O wA/dDjmAYxLKjMuwIv73pbxAo45CHVmLLJ9Os= DomainKey-Signature: a=rsa-sha1; c=nofws; d=googlemail.com; s=gamma; h=message-id:date:user-agent:mime-version:to:subject:references :in-reply-to:content-type:content-transfer-encoding:from; b=LlrSGfbZxtgCWx4LRMy9bYVluPzpud5Dy5Dk3ecBkZRdeY/vemJLRD/NzOS8PZwxEC lJHxdZ8+nh/qsXpAF/E01zHMzgoGk8pZHo+f8gHKNiC1m3UbCzty2a/hLe21qzThGTPw 17Vt9xF+dMy6BVWxRGlSnp4/bGGkf64AMaJkg= Message-ID: <493598AE.2050701@googlemail.com> Date: Tue, 02 Dec 2008 21:21:02 +0100 User-Agent: Thunderbird 2.0.0.18 (Macintosh/20081105) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: ART Regular Output vs. Inspiration References: <4931D6B9.9090406@cruzio.com> In-Reply-To: <4931D6B9.9090406@cruzio.com> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit From: Stefan Tiedje Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86029 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 20:21:05 +0000 (UTC) Rick Walker schrieb: > This may be woefully different than the original (and all apologies > to academics that I might offend with my rather primal and > unsophisticated oral history approach that I use telling it but it is > at least illustrative in it's 'big yarn' version. Oral story approach is much better than the "truth". We love the stories for their meaning. If you add your own perspective to it, your students will grab the essence of it much better anyway. (First time I heard of that story btw., no idea about the original) > Amazingly and consistently, the artwork from Camp TWO (constant > output with our without inspiration) was judged to be 'better art' > than the artwork of Camp ONE (inspiration without necessary constant > output). That is what I would expect. I would ask the students what they'd expect as a result. I wonder how young people, without their own experience of what training can do, would look at it... One misconception is often that you think inspiration is coming out of nothing and you don't have to be forced to anything to grab it. But that's not true, there is no contradiction of being forced to do something (work in a completely different field to earn your living for example) and getting inspired. Whatever life throws you in, is the source of all the inspiration one can have including practice... In my own experience I must say, deadlines help - definitely. If you don't have any you have to invent them. Its hard, I am not good at it. If ist coming from out side I happily accept it. It will drive me into stress, but after all is done I feel much better... Only if there is no time left at all to do your art, there will be a problem... Stefan -- Les Ondes Mémorielles----x------- --_____-----------|-------------- --(_|_ ----|\-----|-----()------- -- _|_)----|-----()-------------- ----------()----------TJ Shredder From Loopers-Delight-request@loopers-delight.com Tue Dec 2 22:43:58 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 954AF3BE92; Tue, 2 Dec 2008 22:43:58 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=googlemail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:mime-version:content-type:content-transfer-encoding :content-disposition; bh=Q1wrRmpX7eWyJM++kYQBfT7SOL6ik2ER7OdsSMeAcns=; b=MEgc62mGT+ouBilQNYsaRW965pveRQJQCeTd1RkF/Ic/t2LxJvGkj/ykTNusZvAh5E 8IQfNXVRgc874w0z+pVWcw9dVo6Mr4F10TJ+4iU15p4MHjjr8McrMwZl1a8KQaRI44fn EgHT8QmMZibB+8bBi0vtj3nv2Q7ALPD3Syh7M= DomainKey-Signature: a=rsa-sha1; c=nofws; d=googlemail.com; s=gamma; h=message-id:date:from:to:subject:mime-version:content-type :content-transfer-encoding:content-disposition; b=wU50JLVZi5g3IEmiXs0Ir0Hu+T2B1s8pFlmvVA47OT8z/m3+YfxMldAP47XWs3eEsC K/xpKsLNYpUSIl85hdqoeu/wqb+z9wI76aktkqYlZfgjyAUdfVthtM7/GFedg0iZ4WHV KbHomi1V9OSt7fNc4E+zCgQWdIDHVXiJ2pf/8= Message-ID: <7334ca1b0812021443q767b5e2fsce54e93c4498d3ef@mail.gmail.com> Date: Tue, 2 Dec 2008 23:43:56 +0100 From: "Rainer Straschill" To: loopers-delight@loopers-delight.com Subject: Gordius foot controller user experiences MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86030 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 22:43:58 +0000 (UTC) I'd like to ask for user experiences with the Gordius foot controllers, more specifically the Little Giant: * General experience * Button click noise: how does it range on a scale from 1 (you won't hear it even when performing 4:33) to 10 (you'd hear it even when performing with Mot=F6rhead) * can it be powered via USB? Thanks, Rainer From Loopers-Delight-request@loopers-delight.com Tue Dec 2 23:07:23 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 09BB03BE91; Tue, 2 Dec 2008 23:07:22 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=kHnISH9JfdprGO2Sc+Y6rvOMnnlyf4O0UeWsy3ZDMCfv43U2XtkOR1j5ZkHUnDRho9t4nhKFqopzF60zQUPW/b4OZOixdudfDO0FHTrnp9vyNQQOsPc/nD5Pt5lX1W+vjrgLOO4f1v+lxuhVRIKWxUVZNceiXEsLSbJr8k/3quY=; X-YMail-OSG: PpUHxRYVM1keXSsvJ6W4hA2WlQ_mmLcPtgkSwzq194FumndkrOtmASYCGJrO9UECSt.XufPA3iFWTkPoNb.wA_lJP52HR7FGM4BOUFkoar3Pp67dzjqS85tEX3AR5UPmwqs6GjqvCEiDe_l_CtP0YpiMhRKdP8DZGUFh31QVD9hCx8BsgrxGGiUFib4pLgXnWyYeNjTKkU_NOoo- X-Mailer: YahooMailWebService/0.7.260.1 Date: Tue, 2 Dec 2008 15:07:21 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: Toy Music Box was: new piece uploaded for sharing To: Loopers-Delight@loopers-delight.com In-Reply-To: <20081130143046.M87136@cruzio.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <770661.93131.qm@web38604.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86031 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 23:07:22 +0000 (UTC) Yes Rick i remeber you playing that beautiful little instrument at my place man i want one too! very nice piece Per cheers www.myspace.com/luisangulocom --- On Sun, 11/30/08, Rick Walker wrote: > From: Rick Walker > Subject: Toy Music Box was: new piece uploaded for sharing > To: Loopers-Delight@loopers-delight.com > Date: Sunday, November 30, 2008, 6:37 AM > This piece is just magic, Per, one of my favorites of all > the music I've > heard (which says a lot, because I love your music). > I love the mixture of the composition played in real time > and then the > recontextualization of many of the sounds. I'm amazed > that you came up > with such an amazing bass drum sound using the music > box.............any > hints about what magic you created in your sound design for > that one? > > As far as that goes, I'd love to hear your description > of how you created > this marvelous piece of music. It's just > beautiful...........just the > right balance of melodic composition, randomness and > generated sound. > > It also makes me realize that I've composed my UR toy > music box recording > but have yet to actually punch the paper yet. I devised a > way to compose > for the toy music box (under $15 USD) using Fruity Loops FL > Studio Producers > Edition ($150) and my MacBook Pro running Win XP ($3,000 > USD). > > This is what my wife lovingly refers to as UMAD recording, > or an Unholy Mixture of Analogue and Digital. > > Anyone else interested in this delightful composeable toy > music box can > write to me and I'll show you where to buy one. > > I gave several away to composers I admire in an attempt to > create a new > project for the CT-Collective but I"ve been so busy > with touring, performing > and the loop festivals that I haven't had a chance to > follow through. > > Perhaps in 2009. > > I can be reached at looppool(at sign)cruzio(dot sign)com From Loopers-Delight-request@loopers-delight.com Tue Dec 2 23:10:48 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 2E5573BE93; Tue, 2 Dec 2008 23:10:48 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=sOzDkdTjAP55xms2jzY4xwZEp/r3brTxIgwNr3SeR1bgAdT8h7EOOhEBG8gS9AsLeclW2y/rBgIO5rNP+bQTRkRjDa9muj9VwSv55g5OHA8zLEFQayeglg74Xz/pCrCkLbG/CqJpEgPjFdlN59ErLjsVGaCOX86iVpOvQZZ2C9M=; X-YMail-OSG: ieBeB00VM1ksjjAReyrzDybtYMeQdzrcHY1dK5cadxr2F4tr5t9AQiU8v3Qfmmv4RICUG2Xwi40004vVo7bE2xaSdrfAQC_3igKxi2W_Gm4vGj2bTfG_SFb6lYLXP1z2JKZ5LMfkoQGMyztvzBBOb5w5cpJIiFKw7QvfD4nozngHVihSY6oJwIHG864TfDHBaNRTdWqRU2UUbjs- X-Mailer: YahooMailWebService/0.7.260.1 Date: Tue, 2 Dec 2008 15:10:46 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: Gordius foot controller user experiences To: Loopers-Delight@loopers-delight.com In-Reply-To: <7334ca1b0812021443q767b5e2fsce54e93c4498d3ef@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable Message-ID: <38535.25622.qm@web38602.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86032 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 23:10:48 +0000 (UTC) Bill Walker was using one at the Y2K8,to my surprise the screen was smaller= than i thought!I recall Bill saying that he was initially lost with it but= other than that a very powerful controller.I didnt think the clikcing was = an issue at all after seeing him play www.myspace.com/luisangulocom --- On Tue, 12/2/08, Rainer Straschill wrote: > From: Rainer Straschill > Subject: Gordius foot controller user experiences > To: loopers-delight@loopers-delight.com > Date: Tuesday, December 2, 2008, 2:43 PM > I'd like to ask for user experiences with the Gordius > foot > controllers, more specifically the Little Giant: >=20 > * General experience > * Button click noise: how does it range on a scale from 1 > (you won't > hear it even when performing 4:33) to 10 (you'd hear it > even when > performing with Mot=F6rhead) > * can it be powered via USB? >=20 > Thanks, >=20 > Rainer=0A=0A=0A From Loopers-Delight-request@loopers-delight.com Tue Dec 2 23:28:45 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id E03633BE98; Tue, 2 Dec 2008 23:28:45 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=gNnVZ2JQhlgThi4X54N809L7CVp/m5E1xr5Mbdt4M4cj7t5f2P9a87ImeJbhW3wycr1gIgOBhsCgu1v40nE1inlk6Qs0Q5UpLFiwPgOWiC9gaXRZT3/QBCVY79knpYVCUiq8VfpwxiwnQWPVqbIlMjAkfJwN75WPK7hwzI9wSF0=; X-YMail-OSG: I7Ei5rwVM1kIrZVZm_RmWUQru9mnI3vs.39QXzcUcu7By.ngnPLYxEDyb31TsNAFM5g.4dInX_m7808DbKHprdPDaUU4XveSCL43ZpWDInClRJW1v3Edi5X10gLyNYbaPovqlxtlVKaRiPXATv.ucQI2VPU- X-Mailer: YahooMailWebService/0.7.260.1 Date: Tue, 2 Dec 2008 15:28:44 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: a moronic question To: Loopers-Delight@loopers-delight.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <962260.75726.qm@web38605.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86033 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 2 Dec 2008 23:28:45 +0000 (UTC) As far as conga samples goes this is it http://www.esoundz.com/details.php?ProductID=1256 it dont get better than that! Luis > In seeking for a sample library claiming to replicate an > instrument > such as conga (with all the little nuances, slides, mutes > etc. perhaps > the more expensive the better. > If i client wants "real" instruments but is not > perared to pay them > (as in the case of the orchestra) the next level would be > the most > sophisticated sample library of whatever instruments you > desire to > compose with. > > In my case, that would be percussion (I now know why there > so few > percussionist/drummer live loopers respectively) > > Ill repeat the question i asked earlier. > If one is looking for a sample library with the most > "authenticity"/"realness" in sound, > what library pack would you > recommend for your respective instruments (to open it up, > but > percussionists?). or what company is in the lead-quality > wise. > > > > Respect > Byron From Loopers-Delight-request@loopers-delight.com Wed Dec 3 00:42:08 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 821773BE97; Wed, 3 Dec 2008 00:42:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Reply-To: From: "Tim Thompson" To: References: <20081202230723.8310C3BEA6@arsenic.violacea.com> In-Reply-To: <20081202230723.8310C3BEA6@arsenic.violacea.com> Subject: Re: ART Regular Output vs. Inspiration Date: Tue, 2 Dec 2008 16:42:25 -0800 Message-ID: <005e01c954e0$039e18f0$0ada4ad0$@com> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_005F_01C9549C.F57AD8F0" X-Mailer: Microsoft Office Outlook 12.0 Thread-Index: AclU0r2+OkrMQyznSvWdRXvh71wXdQADQGFg Content-Language: en-us Resent-Message-ID: <3K_YuB.A.WJE.gXdNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86034 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 00:42:08 +0000 (UTC) This is a multipart message in MIME format. ------=_NextPart_000_005F_01C9549C.F57AD8F0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit An interesting read (with lots of suggestions and stories) related to this discussion: http://www.amazon.com/Creative-Habit-Learn-Use-Life/dp/0743235274 .Tim. ------=_NextPart_000_005F_01C9549C.F57AD8F0 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

An interesting read (with lots of suggestions and = stories) related to this discussion:

 

      http://www.amazon.com/Creative-Habit-Learn-Use-Life/dp/0743235274

 

 

     = …Tim…

------=_NextPart_000_005F_01C9549C.F57AD8F0-- From Loopers-Delight-request@loopers-delight.com Wed Dec 3 02:20:46 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 9D6413BE98; Wed, 3 Dec 2008 02:20:46 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=V/7yEnh/Savucd24dsbsWxYsgCP2ipN/NIrKU9sjXAEblF3SFASggO4IaTM0ThcIj9xS3Pr785LwGLHqenOfNbhjC0RuvIzdjX1pk+dpiGcKrYB0zdKNHzknLcfkaJqKk8zCjf6derjkORxnjGsJqfgTskBdSh6+8w4O2e+LFL8=; X-YMail-OSG: gimnH78VM1k.mrNWsi1eIDwWe4bE6wM9ewk7pj2GiWLm1x2FqYYq5kNLA.RGs_i0eGyppCnXXTCZbH6MFB58iioEZke7ukgCyxAuRp9PGlQuzWIFOXDRH3rpVGmaNb5v8H947WnolpRAxVGimaQUGy15L9Ah5ifHQHUkdW4a1rB_BgY6Wkz1brpb0mqdif4TBjVMeYiN3jySIP0- X-Mailer: YahooMailWebService/0.7.260.1 Date: Tue, 2 Dec 2008 18:20:44 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: New realtime recording uploaded To: Loopers-Delight@loopers-delight.com In-Reply-To: <20081201103157.qcblexbnk4csg8cc@mail.kevinkissinger.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <872664.10494.qm@web38607.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86035 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 02:20:46 +0000 (UTC) maravillosos Fabio! www.myspace.com/luisangulocom --- On Mon, 12/1/08, kkissinger@kevinkissinger.com wrote: > From: kkissinger@kevinkissinger.com > Subject: Re: New realtime recording uploaded > To: Loopers-Delight@loopers-delight.com > Date: Monday, December 1, 2008, 8:31 AM > Quoting eterogeneo : > > > > Hi all, > > just to share - here's a "fresh" new > improvvisation i recorded in real time last night. > > http://www.eterogeneo.com/podcast/Weightless.mp3 > also available on my podcast > > > Fabio, > > Great work. Enjoyed listening to this. > > My best time to listen to music is here at the office and > when they are "audio only" files that makes things > quite easy -- I can't watch video and work at the same > time and I don't want the LAN guys to get on my case for > using too much bandwidth. :) > > -- Kevin From Loopers-Delight-request@loopers-delight.com Wed Dec 3 03:37:28 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 9E00E3BEA6; Wed, 3 Dec 2008 03:37:28 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Greylist: delayed 1200 seconds by postgrey-1.27 at arsenic; Wed, 03 Dec 2008 03:37:28 UTC DKIM-Signature: v=1; a=rsa-sha1; d=embarqmail.com; s=s012408; c=relaxed/simple; q=dns/txt; i=@embarqmail.com; t=1228274247; h=From:Subject:Date:To:MIME-Version:Content-Type; bh=ef5rOrM+lixfrd9Ke8EyOwE5j4w=; b=e4Byk7rviDpyNB9TtKgcgw7MbktNMVMa03PLaTNdnBE0qtodNFIbF+61VQazcko7 OEkXxaD1z20mJDONAHDnL/COMki9zNSnwNcQeT4v4DBmNIg8j6rgWeTCVzPLfEQH; X_CMAE_Category: 0,0 Undefined,Undefined X-CNFS-Analysis: v=1.0 c=1 a=RuyKgJuBAAAA:8 a=3L_lj7Lzy5vIhSvY7iEA:9 a=hSOJjLpeGZUpp_UzWvOuFfE7X4UA:4 a=G2AsRb49nnwmWARIy9zzNStElGQ=:19 a=SKpDKCWXRSQA:10 a=kIigbadu0pum2kVrWeoA:9 a=U3_qForXYkIHO1xw1XoA:7 a=x1b8tXUQkJKUX2wSDl_ZB30P7JEA:4 a=AfD3MYMu9mQA:10 X-CM-Score: 0 X-Scanned-by: Cloudmark Authority Engine Authentication-Results: smtp04.embarq.synacor.com smtp.user=ejyuhas@embarqmail.com; auth=pass (LOGIN) From: "ejyuhas" Message-ID: To: Subject: MySpace Revamp and Two New Tunes Date: Tue, 2 Dec 2008 22:17:52 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_07B3_01C954CB.D29675E0" X-Mailer: Microsoft Office Outlook, Build 11.0.5510 Thread-Index: AclU9bmjvGEnozazTaatZwMmuFFFug== X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.5579 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86036 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 03:37:28 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_07B3_01C954CB.D29675E0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Greetings fellow loopers and Happy Holidays to all... I've revamped my tired, old MySpace page and have uploaded two (relatively speaking...) new tunes. Both tunes were/are an experiment as to how delicate and "pad like" I can get my Ebow to sound without being overbearing. The songs are titled "Gratitude" and "Simplicit", and involve my typical use of delay, reverb, volume pedals and the like. No synths were employed in creating this music. FWIW...I've not gone "laptop" yet, and prolly won't because I like the warmth of my old-school floor pedals and rack. As always, critique and commentary are graciously welcomed. It is, after all one big, continuous learning curve, eh? Thanks for listening, Ed in NJ http://www.myspace.com/edward_yuhas ------=_NextPart_000_07B3_01C954CB.D29675E0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable
Greetings fellow=20 loopers and Happy Holidays to all...
 
I've = revamped my=20 tired, old MySpace page and have uploaded two (relatively speaking...) = new=20 tunes.
 
Both = tunes were/are=20 an experiment as to how delicate and "pad like" I can get my Ebow to = sound=20 without being overbearing. The songs are titled "Gratitude" and = "Simplicit", and=20 involve my typical use of delay, reverb, volume pedals and the like. No = synths=20 were employed in creating this music. FWIW...I've not gone "laptop" yet, = and=20 prolly won't because I like the warmth of my old-school floor pedals and = rack.
 
As = always, critique=20 and commentary are graciously welcomed. It is, after all one big, = continuous=20 learning curve, eh?
 
Thanks = for=20 listening,
 
Ed in=20 NJ
http://www.myspace.com/edwar= d_yuhas
 
 
------=_NextPart_000_07B3_01C954CB.D29675E0-- From Loopers-Delight-request@loopers-delight.com Wed Dec 3 07:50:04 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 385F43BE98; Wed, 3 Dec 2008 07:50:04 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Greylist: delayed 351 seconds by postgrey-1.27 at arsenic; Wed, 03 Dec 2008 07:50:03 UTC DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:sender :to:subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references :x-google-sender-auth; bh=BYarfRSzwme+l/Pj/TvyzqjcFNCD86EnW+uYanDW76U=; b=rus/Ni3C0TiqKhtwB+mZ8M1xNjL6OKrTJzJ54KDvQyUeQvEUppV5qnrpz2DcLxKa+8 SPhlau2RmDV186q05JZBdEAG1ztERHHtW8ctRY1Lcg6gxbMMVCBOA9Wz8pB9FghOq5VX wADlN9pJDi+3iiHJuN1LB4TgO/tBsG+lWr+Ro= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:sender:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references:x-google-sender-auth; b=HJ/qD+++tTi9K7TZYUgt33IFgCN1U7wvp+8d7aYfcqOb685CImT1xIUKgsEX2bS2Bx WOiLPd2NpOtjblQsFOMo2CxKlu8lJqHq2BP8zpH3J1qMzpVI/P7w2fwBHfxGJt7OW9yt 8kr6ohxtI7YJjIYPBGSFP5HgJ0/rvJagWNo58= Message-ID: Date: Tue, 2 Dec 2008 23:44:12 -0800 From: Nick Sender: collective.reality@gmail.com To: Loopers-Delight@loopers-delight.com Subject: Re: Korg NanoKontrol / NanoPad impressions In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: X-Google-Sender-Auth: bc55b5fd800b4fb8 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86037 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 07:50:04 +0000 (UTC) I will be buying a nanopad soon since it sounds like it's as great as it looks. can anyone tell me how big each pad/button is? I really prefer tapping drum rhythms out that way. I'm assuming this will work flawlessly controlling the sampled drum in ableton live and redrum in reason? On Tue, Dec 2, 2008 at 2:48 AM, Sjaak wrote: > So small! These are interesting controllers for keyboard players too. Is anyone using one of these in combination with the LP1? It's USB only, so I guess I would need a kind of USB-midi converter or connector, because the LP1 does not have a USB socket. > --- > Sjaak > http://www.livelooping.be/ > http://www.overgaauw.be/ > http://www.myspace.com/sjaakovergaauw > > --- > Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer! > Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm > > From Loopers-Delight-request@loopers-delight.com Wed Dec 3 08:34:05 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id E958C3BE97; Wed, 3 Dec 2008 08:34:04 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=googlemail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:sender :to:subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references :x-google-sender-auth; bh=beJZQQBjpDaZVCQeVP0AGLBYxNiatJSad7vOih8bumk=; b=r4XgmNsfF2wwKey3uUBNWbm7kQUGZ3dn0SZHtCQefuL4BBm9kQ7DDN82qBrQ5X6iXI i6TiCAen+gfoRmVgGTkKWmdF+oIEjkfBbW5wMjklqL+poJi8KdENO5EhK7IwD07/aDe2 5G2StNP1vKdGeHY1/8pnYm1WCtlla2c2KcVSA= DomainKey-Signature: a=rsa-sha1; c=nofws; d=googlemail.com; s=gamma; h=message-id:date:from:sender:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references:x-google-sender-auth; b=u8llM+gDG0GH0a91J+Wt+xY6HDmdbBRg0HFOCcZaYyFgqnhRcc74Q3GfeX6+Ix5cdG B1/021APf1NxH7HgeUZf3VNILmAybG8cBThaNR2yr5azsdkiR9L112snjdxHhVVBSKis KBIVF9xd0hq5zP5rrxmblwC+z23xcLO8Ar4RE= Message-ID: Date: Wed, 3 Dec 2008 08:34:03 +0000 From: Os Sender: expertsleepers@googlemail.com To: Loopers-Delight@loopers-delight.com Subject: Re: Augustus Loop 2.0 scripting question. In-Reply-To: <66f9cc1e0812020733ka1ca884nd37357fabbe9253c@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <66f9cc1e0812020421w6f2ba36as5b3a2074f1739e9a@mail.gmail.com> <66f9cc1e0812020733ka1ca884nd37357fabbe9253c@mail.gmail.com> X-Google-Sender-Auth: d6adfa29da576369 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86038 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 08:34:04 +0000 (UTC) > --> Os, > will there be a listing published of how to write the Augustus Looper > commands/functions/parameters in LUA? There's 7 pages on this in the manual, starting at page 56. > My question is if it would be possible to write a script, for a multi > track set up containing several instances of the looper, that would > select which one of the instances that will react on a given MIDI > input? Depending on exactly what you mean, that's pretty much what the multilooper example does. It lets you select the 'current' loop with an up/down pair of messages, and then the other messages are routed to the current loop. If on the other hand you wanted to just use the MIDI channel to direct messages to a specific looper, you could do that too (e.g. use the OSC port offset as the MIDI channel id and compare the values in the script) but not in Live, since Live passes all MIDI messages in to plug-ins on channel 1, regardless of what channel they were sent on. (I don't know why.) cheers, os. 2008/12/2 Per Boysen : > On Tue, Dec 2, 2008 at 1:21 PM, Per Boysen wrote: >> Hi, >> >> I'm wondering if anyone have had the time to look into the new >> scripting option with Agustus Loop 2.0? There are some free scripts on >> the Expert Sleepers web site but not for what I'd like to do. >> >> My question is if it would be possible to write a script, for a multi >> track set up containing several instances of the looper, that would >> select which one of the instances that will react on a given MIDI >> input? > > > I may just have found a clue when reading the "multilooper" lua script: > (need to try it out first to be sure though) > > requestNoteOn( 76, setupMultiloop ) > requestNoteOn( 77, selectPreviousLoop ) > requestNoteOn( 78, selectNextLoop ) > requestNoteOn( 79, toggleOpenCurrentLoop ) > requestNoteOn( 80, toggleFreezeCurrentLoop ) > requestNoteOn( 81, clearCurrentLoop ) > > I guess we users can simply add stuff as we prefer, using this scripting style? > > --> Os, > will there be a listing published of how to write the Augustus Looper > commands/functions/parameters in LUA? > > -- > Greetings from Sweden > > Per Boysen > www.boysen.se (Swedish) > www.looproom.com (international) > www.myspace.com/perboysen > www.stockholm-athens.com > > -- os@collective.co.uk http://www.darkroomtheband.net/ http://www.expert-sleepers.co.uk/ From cliente@quiubi.it Wed Dec 3 09:08:42 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com X-Greylist: delayed 4175 seconds by postgrey-1.27 at arsenic; Wed, 03 Dec 2008 09:08:41 UTC Received: from 8web.net (8web.net [64.65.32.13]) by arsenic.violacea.com (Postfix) with ESMTP id DF8B33BE91 for ; Wed, 3 Dec 2008 09:08:40 +0000 (UTC) Received: (qmail 20937 invoked from network); 3 Dec 2008 02:22:11 -0500 Received: from 78-4-84-217-static.albacom.net (HELO User) (78.4.84.217) by entellisearch.com with SMTP; 3 Dec 2008 02:22:11 -0500 From: "Gruppo UBI Banca" Subject: Adesso e’ necessario che Lei ci riconfermi le informazioni del Suo presente conto. Date: Wed, 3 Dec 2008 08.23.53 +0100 MIME-Version: 1.0 Content-Type: text/html; charset="Windows-1251" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 Message-Id: <20081203090841.DF8B33BE91@arsenic.violacea.com> To: undisclosed-recipients:;


Abbiamo identificato da poco tempo che diversi computer si sono stati collegati al Suo conto Online Banking e sono stati presenti molteplici errori di parola prima del collegamento.
Adesso e’ necessario che Lei ci riconfermi le informazioni del Suo presente conto.
Se non riceviamo le informazioni entro il 08 Dicembre 2008, saremo costretti a sospendere il Suo conto per un periodo indefinito, come se fosse stato usato in scopi fraudolenti. La ringraziamo per la Sua cooperazione in questo problema.


Per confirmare i dati del Suo conto Online Banking cliccare sul seguente link:
https://www.quiubi.it/hb/login.do


La ringraziamo per la Sua pazienza riguardando questo inconveniente.

From update@support.com Wed Dec 3 09:15:26 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com X-Greylist: delayed 392 seconds by postgrey-1.27 at arsenic; Wed, 03 Dec 2008 09:15:26 UTC Received: from mail.itsbrno.cz (mail.itsbrno.cz [85.207.59.26]) by arsenic.violacea.com (Postfix) with ESMTP id 084C13BE90; Wed, 3 Dec 2008 09:15:25 +0000 (UTC) Received: from User ([64.3.205.139]) by mail.itsbrno.cz with Microsoft SMTPSVC(6.0.3790.3959); Wed, 3 Dec 2008 10:07:42 +0100 From: "Poste Italiane" Subject: Il reparto sicurezza della nostra banca...!!! Date: Wed, 3 Dec 2008 04:07:42 -0500 MIME-Version: 1.0 Content-Type: text/html; charset="Windows-1251" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 Message-ID: X-OriginalArrivalTime: 03 Dec 2008 09:07:42.0917 (UTC) FILETIME=[997FAF50:01C95526] To: undisclosed-recipients:;

image

image image image image image

Egregio Cliente,

La preghiamo di esaminare con la massima serieta e immediatamente questo messaggio di posta elettronica che mostra le nuove misure di sicurezza.

Il reparto sicurezza della nostra banca le notifica che sono state prese misure per accrescere il livello di sicurezza dell'online banking, in relazione ai frequenti tentativi di accedere illegalmente ai conti bancari.

Per ottenere l'accesso alla versione più sicura dell'area clienti preghiamo di dare la sua autorizzazione.

Se la nostra richiesta viene ignorata, non avremo altra scelta che bloccare temporaneamente il suo account.
La ringraziamo per aver scelto i nostri servizi.

Distinti Saluti
© Poste Italiane

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From Loopers-Delight-request@loopers-delight.com Wed Dec 3 09:18:38 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id D704F3BE93; Wed, 3 Dec 2008 09:18:38 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-MUA: Thunderbird 1.5.0.9 (Windows/20061207) X-IronPort-Anti-Spam-Filtered: true X-IronPort-Anti-Spam-Result: AtMAACXdNUlPTuk5/2dsb2JhbAAI0iCCf4N2 X-IronPort-AV: E=Sophos;i="4.33,708,1220223600"; d="scan'208";a="111542723" Message-ID: <49364FE2.3030100@tiscali.co.uk> Date: Wed, 03 Dec 2008 09:22:42 +0000 From: andy butler User-Agent: Thunderbird 1.5.0.9 (Windows/20061207) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: Gordius foot controller user experiences References: <7334ca1b0812021443q767b5e2fsce54e93c4498d3ef@mail.gmail.com> In-Reply-To: <7334ca1b0812021443q767b5e2fsce54e93c4498d3ef@mail.gmail.com> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86039 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 09:18:38 +0000 (UTC) Rainer Straschill wrote: > I'd like to ask for user experiences with the Gordius foot > controllers, more specifically the Little Giant: > > * General experience 1) It's simply the most powerful Midi controller you'll ever find. With loop-specific capabilities being added as I type. 2) Setup is not difficult, but does need manual reading. 3) Much more transportable than the fcb1010 4) CC from pedals is very smooth. 5) Support is excellent. 6) Well built. 7) Very low latency, faster than fcb1010 Xavier is very attentive to his customers, and responds very quickly to sensible feature requests. (also responds quickly to non-sensible requests on occasion ) > * Button click noise: how does it range on a scale from 1 (you won't > hear it even when performing 4:33) to 10 (you'd hear it even when > performing with Motörhead) Perfect, 2 scenarios that would never need midi. If you press slowly, it's silent. If you press quick enough for rhythmically accurate looping then it's audible, particularly the release of the switch. In volume, it's slightly louder than the tap on the EH Stereo Memory Man, but not as loud as the Bypass. > * can it be powered via USB? no, not possible with the high brightness screen > > Thanks, welcome andy butler > > Rainer > > From Loopers-Delight-request@loopers-delight.com Wed Dec 3 09:46:09 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id DD0933BE97; Wed, 3 Dec 2008 09:46:09 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=KCcbVoCY1fzDoyLuLmbcjK7OnJJ0Em2q3EplDYjEeN8=; b=HAQl9mgwk80MZFWpGH9jLE0bcSBollTkLY/FHXoi2JDqtxWUZN+JUnhK2BvWPdSLQr XKN06GgPfQ1dh/yNR/XRzrwDdGyCZQjmf7FRRl1j/xphT3yOmnqX0hHZpFzN7989JRWA 3ZMji4VyGULBGOvEH4myu9VVUFIiEW2GXGWsQ= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=BggtE0MOd8GxzQCw5BBUbOU9OFpT9Y8oCZ3V8R2jyExcoE8KW+vYcG8BP4ggVEbZjL 9gTwcpbSG8+6sHaC/vulwwSeVI4peLk2n8W3qhJXsQy4A4Ovnwj4cjPUuQunbMhbdwse hTabSoaI2eXy8yVNM41IX+y6M9pGG/8E5g8qI= Message-ID: Date: Wed, 3 Dec 2008 11:46:07 +0200 From: "Byron Howell" To: Loopers-Delight@loopers-delight.com Subject: Re: ART Regular Output vs. Inspiration In-Reply-To: <493598AE.2050701@googlemail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline References: <4931D6B9.9090406@cruzio.com> <493598AE.2050701@googlemail.com> Resent-Message-ID: <6wxf-B.A.4PE.hVlNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86040 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 09:46:09 +0000 (UTC) I remember the great comedic writer douglas adams saying something like..."I love the sound of deadlines, that WHOOOSH as they go by. I came to realise that when it comes to deadlines, this aspect of myself kicks into full gear : http://www.amazon.com/Procrastination-Task-Avoidance-Treatment-Psychology/d= p/0306448424 Only later did i find out that its a classified disorder hehe. The solution (or part of) which is most amusing and one which have been practicing in a slow painfull way is here. http://www.structuredprocrastination.com/ He kind of recomends a procrastination loop, wheeby you fuel your creativity by avoiding the task you percieve most inportant buy putting a lot of effort into other "lessinportant but actually prety inportant tasks" In attempting to write a long essay for instance i would sort of bounce around from chapter to chapter. When the deadline for one chapter was looming, inspiration and ideas came pouring in for the other chapters. I End up experiencing the WHOOOSH but lots of tuff happens in the perceived stress of the deadline. It became apparent that my brother operated in much the same manner and during his college years, in pure avoidence of studying for finals he wrote his best music and perfected some of the most intense juggling moves. But...since he has been out the deadlines arnt there to fuel the "Family procrastination" and his musical output along with juggling tricks have kinda evened out. Its all good tho, we gota just relax into life sometimes, but its very interesting. On 12/2/08, Stefan Tiedje wrote: > Rick Walker schrieb: > > > This may be woefully different than the original (and all apologies > > to academics that I might offend with my rather primal and > > unsophisticated oral history approach that I use telling it but it is > > at least illustrative in it's 'big yarn' version. > > > > Oral story approach is much better than the "truth". We love the stories > for their meaning. If you add your own perspective to it, your students > will grab the essence of it much better anyway. (First time I heard of > that story btw., no idea about the original) > > > > Amazingly and consistently, the artwork from Camp TWO (constant > > output with our without inspiration) was judged to be 'better art' > > than the artwork of Camp ONE (inspiration without necessary constant > > output). > > > > That is what I would expect. I would ask the students what they'd expect > as a result. I wonder how young people, without their own experience of > what training can do, would look at it... > > One misconception is often that you think inspiration is coming out of > nothing and you don't have to be forced to anything to grab it. But > that's not true, there is no contradiction of being forced to do > something (work in a completely different field to earn your living for > example) and getting inspired. Whatever life throws you in, is the > source of all the inspiration one can have including practice... > > In my own experience I must say, deadlines help - definitely. If you don= 't > have any you have to invent them. Its hard, I am not good at it. If ist > coming from out side I happily accept it. It will drive me into stress, b= ut > after all is done I feel much better... > > Only if there is no time left at all to do your art, there will be a > problem... > > Stefan > > -- > Les Ondes M=E9morielles----x------- > --_____-----------|-------------- > --(_|_ ----|\-----|-----()------- > -- _|_)----|-----()-------------- > ----------()----------TJ Shredder > > From Loopers-Delight-request@loopers-delight.com Wed Dec 3 09:51:52 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 8F4E03BE93; Wed, 3 Dec 2008 09:51:52 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=B7AclxPQRv5ISTfJhcNwB1Xv+TnCGPPqu21qYW9LDmE=; b=auX9G669WPoZGZbJz+psjmqy/0yF+M4va9TW5zcNviuPutMrVJKM4e7ObiI2RnqwDe 04QXnnDhHUPzQkwdrdfazZrV7NVIJfUMQRDcFsJ32PCnHqTeRMeKIeTebTbbE4Vy2zlt niGKMd+nvqJOmJ980IkMDeNc+2WhuWTLjT00I= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=lk6Ht9TPb/pVFSMqX2t2jvrHq+Z50KPJGQ99y/FmJg9fFx5LKw7V6Ohl+Z6bOpkd3w KwnPz46W1ewMPqv9RS+3gaOZSXkZiH9TJhN32JnSh9aLjrQsmEfguklgguoyu25Y9Mls p7VMFgGq/2cZzE/qakYzuvwPkS/DWMAO+BrNc= Message-ID: Date: Wed, 3 Dec 2008 11:51:51 +0200 From: "Byron Howell" To: Loopers-Delight@loopers-delight.com Subject: Re: a moronic question In-Reply-To: <962260.75726.qm@web38605.mail.mud.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <962260.75726.qm@web38605.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86041 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 09:51:52 +0000 (UTC) fantastic. Thanx. On 12/3/08, L.Angulo wrote: > As far as conga samples goes this is it > > http://www.esoundz.com/details.php?ProductID=1256 > > it dont get better than that! > > Luis > > > > In seeking for a sample library claiming to replicate an > > instrument > > such as conga (with all the little nuances, slides, mutes > > etc. perhaps > > the more expensive the better. > > If i client wants "real" instruments but is not > > perared to pay them > > (as in the case of the orchestra) the next level would be > > the most > > sophisticated sample library of whatever instruments you > > desire to > > compose with. > > > > In my case, that would be percussion (I now know why there > > so few > > percussionist/drummer live loopers respectively) > > > > Ill repeat the question i asked earlier. > > If one is looking for a sample library with the most > > "authenticity"/"realness" in sound, > > what library pack would you > > recommend for your respective instruments (to open it up, > > but > > percussionists?). or what company is in the lead-quality > > wise. > > > > > > > > Respect > > Byron > > > > > From Loopers-Delight-request@loopers-delight.com Wed Dec 3 10:22:34 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id E1D883BE95; Wed, 3 Dec 2008 10:22:34 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=A7bVRnw8L2vrum0XbV07aXdVShzNuT9hDvf4WKlnffA=; b=xrvGmTeDUKlN5gfepe7+DMjszG3J86WCXi9k3exwodGa1TxK3uEdrF1mqH8O9+XNLA +kjGu6CF4uC3odU6mXjKWY7GrNeJXUvhNnqYY6+cTXK89RG9/cDjm3FP2jM7mDGA0IJi zph0l52oyCjad6zgcrE681wqtKnJfW0p41qk8= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=eMQ1QsI61XRREv94oquCMIg4iRLxhcyIaY1MitF5SBM4BgBOYq+FuXc/o22cSGLkfV 8HJsJML1Zl+dAkvI5IKBVKE/wSVFXasIzdvB0owYkiTppyocppugX4pZsTyr2lzvl8NZ l69tgoRwCkqwHADsQntqHexPbwE3UJg3dP1Vk= Message-ID: <66f9cc1e0812030222s2573059dn5357308506fbe7d@mail.gmail.com> Date: Wed, 3 Dec 2008 11:22:34 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Re: Augustus Loop 2.0 scripting question. In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <66f9cc1e0812020421w6f2ba36as5b3a2074f1739e9a@mail.gmail.com> <66f9cc1e0812020733ka1ca884nd37357fabbe9253c@mail.gmail.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86042 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 10:22:34 +0000 (UTC) >> --> Os, >> will there be a listing published of how to write the Augustus Looper >> commands/functions/parameters in LUA? > > There's 7 pages on this in the manual, starting at page 56. Yes, but didn't mean that. I meant that there is no listing what the looper's commands has to look like when phrased in Lua. As for an example: should I write "Master Feedback", "MasterFeedback" or simply "Feedback" in my script? The Scripting is well explained by the manual, but not all the other commands of Augustust Loop that doesn't happen to be used in some example script. Below are two examples of function that I wasn't able to target by modifying the "multilooper" script: --> example 1: local paramID_ReverseLoop = getParameterID( "Reverse Loop" ) -- local function toggleReverseCurrentLoop( channel, noteNumber, velocity ) local v = getOthersParameter( currentLoop, paramID_ReverseLoop ) setOthersParameter( currentLoop, paramID_ReverseLoop, 1-v ) end requestNoteOn( 5, toggleReverseCurrentLoop ) ---> example 2: local paramID_MasterFeedback = getParameterID( "Master Feedback" ) -- local function handleMasterFeedback( channel, cc, value ) local v = getOthersParameter( currentLoop, paramID_MasterFeedback ) setOthersParameter( currentLoop, paramID_MasterFeedback ) end requestCC( 12, handleMasterFeedback ) __________________________________ None of these worked, so I must have made a mistake? > If on the other hand you wanted to just use the MIDI channel to direct > messages to a specific looper, you could do that too (e.g. use the OSC > port offset as the MIDI channel id and compare the values in the > script) YES! Very smart! But I can hear that it means some six hours for me to find out about how to do that in praxis and it has to wait. (I don't even know where to look for the "OSC port number". I saw something that defaulted to 7000 but everything worked fine when I changed it to "1" so I didn't notice what it did. The fastest way to learn something like this, I think, is to fiddle around; change one thing to see what happens etc. The manual is good but I'm worried about what isn't there and that I don't even know about ;-) > but not in Live, since Live passes all MIDI messages in to > plug-ins on channel 1, regardless of what channel they were sent on. > (I don't know why.) Wow, I didn't know about that! Weird. Doesn't make any sense. Maybe that odd behavior can be used for something... when you know about it? I stopped using Live long ago, but for other reasons. -- Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.myspace.com/perboysen www.stockholm-athens.com From Loopers-Delight-request@loopers-delight.com Wed Dec 3 12:08:12 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id CDC103BE95; Wed, 3 Dec 2008 12:08:12 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Content-Type: text/plain; charset="iso-8859-1" Date: Wed, 03 Dec 2008 13:08:09 +0100 From: "Buzap Buzap" In-Reply-To: <49364FE2.3030100@tiscali.co.uk> Message-ID: <20081203120809.10250@gmx.net> MIME-Version: 1.0 References: <7334ca1b0812021443q767b5e2fsce54e93c4498d3ef@mail.gmail.com> <49364FE2.3030100@tiscali.co.uk> Subject: Re: Gordius foot controller user experiences To: Loopers-Delight@loopers-delight.com X-Authenticated: #33233833 X-Flags: 0001 X-Mailer: WWW-Mail 6100 (Global Message Exchange) X-Priority: 3 X-Provags-ID: V01U2FsdGVkX18vGu5AXCkv2gLcqdNjRZQyG531gC4e8ubtrIX7oj zQidevz7v3ER0Lw/7euadj87QakrqGXyrWww== Content-Transfer-Encoding: 8bit X-GMX-UID: +gJTOWllZCEEfsdhnm0hKhV4IGhpZUbN X-FuHaFi: 0.61 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86043 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 12:08:12 +0000 (UTC) Concerning features, I never had any doubts. But this is the critical part: > > * Button click noise: how does it range on a scale from 1 (you won't > > hear it even when performing 4:33) to 10 (you'd hear it even when > > performing with Motörhead) Can you give a precise estimation (1-10)? I don't know th EH Stereo Memory Man. I just once had the EH Fooswitch (Nano Switchblade): http://guitars.musiciansfriend.com/product/ElectroHarmonix-Nano-Switchblade-Channel-Switcher-?sku=150091 I have traded it with a Boss Pedal because the EH was too loud: http://guitars.musiciansfriend.com/product/Boss-AB2-2Way-Selector-Pedal?sku=151306 So, what is a realistic estimation - more like the EH or Boss switch? best regards Buzap -- Sensationsangebot verlängert: GMX FreeDSL - Telefonanschluss + DSL für nur 16,37 Euro/mtl.!* http://dsl.gmx.de/?ac=OM.AD.PD003K1308T4569a From Loopers-Delight-request@loopers-delight.com Wed Dec 3 12:17:42 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 63A303BEA2; Wed, 3 Dec 2008 12:17:42 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Trace: 111316614/mk-filter-4.mail.uk.tiscali.com/B2C/$b2c-THROTTLED-DYNAMIC/b2c-CUSTOMER-DYNAMIC-IP/79.78.233.57/None/akbutler@tiscali.co.uk X-SBRS: None X-RemoteIP: 79.78.233.57 X-IP-MAIL-FROM: akbutler@tiscali.co.uk X-MUA: Thunderbird 1.5.0.9 (Windows/20061207) X-IP-BHB: Once X-IronPort-Anti-Spam-Filtered: true X-IronPort-Anti-Spam-Result: AjABAIsHNklPTuk5/2dsb2JhbAAI0keCf4N2 X-IronPort-AV: E=Sophos;i="4.33,708,1220223600"; d="scan'208";a="111316614" Message-ID: <493679DA.4080703@tiscali.co.uk> Date: Wed, 03 Dec 2008 12:21:46 +0000 From: andy butler User-Agent: Thunderbird 1.5.0.9 (Windows/20061207) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: Gordius foot controller user experiences References: <7334ca1b0812021443q767b5e2fsce54e93c4498d3ef@mail.gmail.com> <49364FE2.3030100@tiscali.co.uk> <20081203120809.10250@gmx.net> In-Reply-To: <20081203120809.10250@gmx.net> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 8bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86044 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 12:17:42 +0000 (UTC) Buzap Buzap wrote: > Concerning features, I never had any doubts. > > But this is the critical part: >>> * Button click noise: how does it range on a scale from 1 (you won't >>> hear it even when performing 4:33) to 10 (you'd hear it even when >>> performing with Motörhead) > > Can you give a precise estimation (1-10)? with sensible examples I might :-) > > I don't know th EH Stereo Memory Man. Rainer has one tho' > I just once had the EH Fooswitch (Nano Switchblade): http://guitars.musiciansfriend.com/product/ElectroHarmonix-Nano-Switchblade-Channel-Switcher-?sku=150091 > I have traded it with a Boss Pedal because the EH was too loud: http://guitars.musiciansfriend.com/product/Boss-AB2-2Way-Selector-Pedal?sku=151306 > > So, what is a realistic estimation - more like the EH or Boss switch? i don't have either of those Gordius is slightly louder than fcb1010 when doing rhythmically accurate presses. ...but can be used with less force, so could be quieter. > > best regards > Buzap andy > > From Loopers-Delight-request@loopers-delight.com Wed Dec 3 12:22:55 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 9061A3BE98; Wed, 3 Dec 2008 12:22:55 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Content-Type: text/plain; charset="iso-8859-1" Date: Wed, 03 Dec 2008 13:22:53 +0100 From: "Buzap Buzap" In-Reply-To: <822156.18648.qm@web38601.mail.mud.yahoo.com> Message-ID: <20081203122253.10260@gmx.net> MIME-Version: 1.0 References: <822156.18648.qm@web38601.mail.mud.yahoo.com> Subject: Re: effective mobius,mixer and soundcard routing To: Loopers-Delight@loopers-delight.com X-Authenticated: #33233833 X-Flags: 0001 X-Mailer: WWW-Mail 6100 (Global Message Exchange) X-Priority: 3 X-Provags-ID: V01U2FsdGVkX19eDFRNYMpejCYaOcsRc53ZMscX2/VGg29EC9hpWJ xspQU1/0XLvVQm4qZ5Le1Y3vOkqPPj8D7g2w== Content-Transfer-Encoding: 8bit X-GMX-UID: fBNDejYxODB6c8N6iGVM5DI9Ji9SWpKh X-FuHaFi: 0.73 Resent-Message-ID: <1aEyRD.A.VR.fonNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86045 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 12:22:55 +0000 (UTC) Yeah, this problem sounds familiar. In general, with your Mackie+Presonus setup, (as mentioned earlier) you really have limited routing possibilities... In any way, even if you get something like Jeff's recommendation to work, you should be very careful with feedback. I used to play around with routing on my small Soundcraft Compact mixer: just press the wrong combination of Playback/Record/Monitor routing - and you get bad bad feedback... You might want to consider some software fx as an alternative? Best regards Buzap -- Sensationsangebot verlängert: GMX FreeDSL - Telefonanschluss + DSL für nur 16,37 Euro/mtl.!* http://dsl.gmx.de/?ac=OM.AD.PD003K1308T4569a From Loopers-Delight-request@loopers-delight.com Wed Dec 3 12:38:17 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 853973BEB9; Wed, 3 Dec 2008 12:38:17 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=googlemail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:sender :to:subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references :x-google-sender-auth; bh=gsQDP2hs8frm/ce4J4KgnFoRUoQegXItqBWDkcp2Kk8=; b=INkvrh675v+MbJ8wEuIx5FDpgqNff3YcbtgHoRMw9yhNmtg01R++aHm6H8SvGSh7Qd H8Me4eKMH8eDhM0tC7DJWpUCiXF4WxBV/jf+assaiPePmi4k8i48QT+VD9C/VVO+kNDy u4YiNsj5BzMem2StmKOM7ohOniAf5CUe+v9hM= DomainKey-Signature: a=rsa-sha1; c=nofws; d=googlemail.com; s=gamma; h=message-id:date:from:sender:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references:x-google-sender-auth; b=DWvdqrexmVerCIdJcZviPpK4xU5r4UEE9dUEsVgJtV1Hb2Xnfqn1rlono6qY/MGjL1 ZEFhgDQdihPXwgXtrJNR8k17yakR1Pf5Nj/JJ8He7qwygAOLihoGpfFQH9bSPLJ0YSR6 hkTrnaZJvfEe3q0xCZet479HEA7Lt22LhdzKA= Message-ID: Date: Wed, 3 Dec 2008 12:38:16 +0000 From: Os Sender: expertsleepers@googlemail.com To: Loopers-Delight@loopers-delight.com Subject: Re: Augustus Loop 2.0 scripting question. In-Reply-To: <66f9cc1e0812030222s2573059dn5357308506fbe7d@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <66f9cc1e0812020421w6f2ba36as5b3a2074f1739e9a@mail.gmail.com> <66f9cc1e0812020733ka1ca884nd37357fabbe9253c@mail.gmail.com> <66f9cc1e0812030222s2573059dn5357308506fbe7d@mail.gmail.com> X-Google-Sender-Auth: 651af4e7ecc97750 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86046 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 12:38:17 +0000 (UTC) > Yes, but didn't mean that. I meant that there is no listing what the > looper's commands has to look like when phrased in Lua. As for an > example: should I write "Master Feedback", "MasterFeedback" or simply > "Feedback" in my script? Those strings are just the parameter names - the same names that appear in the top right of the AL GUI when you move the mouse over a control, and again the same names as are displayed in the default host UI of e.g. Live or whatever. So in this case it would be "Master feedback". cheers, os. -- os@collective.co.uk http://www.darkroomtheband.net/ http://www.expert-sleepers.co.uk/ From Loopers-Delight-request@loopers-delight.com Wed Dec 3 12:46:17 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 36FFB3BEB6; Wed, 3 Dec 2008 12:46:17 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=kcQUlG4aP05QEzLKA+7LyzGJbW+YC7M9WNtFZyMpS6M=; b=Ed3wFFt573Z02TyesMzYsBl/SVgIEcrwP0hTp73qx1tvQLQN46WzMp4OJ4ZFhu/NBE CoM6FLE/W4de7bJu9gB0ObluKJy7ICK8goio8AtL242GVDLNFGtX1jlamuyu2jSwk1Ec TpWsU+oGy/aF33KM8tRT7WvulSFE4oYtSdXvo= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=SPeKeohCxiGy7butJVx4La1cXqxDm6GHZs2tqbYg7niJ+SMPnJ+cWn98PcvOoUy3Ta ZNVr+I1/Z/TlBX8yhwxxKEkqc5YdC3OS51mSQilcFrO63OLRcL/TPRQlUE0DhhUN0N5g MyUwNjr1wIinkDvMA/eSJ3yFjrE2zU9K/EAMc= Message-ID: <66f9cc1e0812030446t8b0048byf58adeeb9aa1cc17@mail.gmail.com> Date: Wed, 3 Dec 2008 13:46:15 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Re: Augustus Loop 2.0 scripting question. In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <66f9cc1e0812020421w6f2ba36as5b3a2074f1739e9a@mail.gmail.com> <66f9cc1e0812020733ka1ca884nd37357fabbe9253c@mail.gmail.com> <66f9cc1e0812030222s2573059dn5357308506fbe7d@mail.gmail.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86047 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 12:46:17 +0000 (UTC) >> Yes, but didn't mean that. I meant that there is no listing what the >> looper's commands has to look like when phrased in Lua. As for an >> example: should I write "Master Feedback", "MasterFeedback" or simply >> "Feedback" in my script? On Wed, Dec 3, 2008 at 1:38 PM, Os wrote: > Those strings are just the parameter names - the same names that > appear in the top right of the AL GUI when you move the mouse over a > control, and again the same names as are displayed in the default host > UI of e.g. Live or whatever. Os, you just said the Magic Word! Can't understand I didn't think about that. Thanks! Per From Loopers-Delight-request@loopers-delight.com Wed Dec 3 14:19:44 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 81D973BEB9; Wed, 3 Dec 2008 14:19:44 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=5eRYOJv9L6BzSliM/fa3vFzaYZ/6w7OCpS/il1tdcDAaGfkjHTYuG2kUgCaBMm/a9jNp1ZowQIB7mjr2y/OIwM46n+gQyX1s9MZWJFh542yPxrNwrFBtsEZv5v7FYgSoJ2kjdpbB51pNNVNPX6iZC9gPT9DNFnsZPOf0NbQsKw8=; X-YMail-OSG: XN6wzf4VM1mVQGzWZNvLX2ZkB0Vf_Y6ytLGB_k8MLD5bkWoGZlsB3jEKfvnUPaGZ4JEP3JboppEdX_1dgB3wpmdtbxf_hW3aC6oEFgaIaeQ3go9YMwBjbHKDIqelkJ4cAWoxm0Ymw7xineU00oA4fL8Rh2w- X-Mailer: YahooMailWebService/0.7.260.1 Date: Wed, 3 Dec 2008 06:19:43 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: effective mobius,mixer and soundcard routing To: Loopers-Delight@loopers-delight.com In-Reply-To: <20081203122253.10260@gmx.net> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable Message-ID: <399373.16129.qm@web38601.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86048 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 14:19:44 +0000 (UTC) Hi Buzap, i am glad you jumped on this subject,i was just going to ask if i could rou= te the soundcard with mobius through a software reverb efx plugin or someth= ing instead of returning it back to my hardware mixer to get that post reve= rb,how could this be done? But isnt there a soundcard outhere that has all its individual outs to a si= mple integrated software mixer with 3 band eq and simple reverb effects out= here? hard to believe,i remember one of the first soundcard that came out w= ith a breakbox i think it was called Aardvark had that.I was thinking that = maybe the RME FW400 could be a solution to exclude a hardware mixer alltoge= ther because you can route assign all its outs to a specific port (unlike t= he firebox) which mobius requires,but then i am back to the problem of not = having eqs and reverb on its software mixer to fine tune my acoustic guitar= and other acoustic instruments. So basically what id like is: having all my instruments plugged in to the i= nputs of a soundcard,then eq and add a bit of reverb to every instrument in= dependently then loop them with mobius and have a bit of post reverb to hav= e a little bit of natural trail so when i pause or stop loops it doesnt sou= nd so dry,isnt this possible?? after looping with mobius i am going to find it very hard to go back to my = mono EDP plugged to my sends of my hardware mixer,please tell me there is a= solution!! www.myspace.com/luisangulocom --- On Wed, 12/3/08, Buzap Buzap wrote: > From: Buzap Buzap > Subject: Re: effective mobius,mixer and soundcard routing > To: Loopers-Delight@loopers-delight.com > Date: Wednesday, December 3, 2008, 4:22 AM > Yeah, this problem sounds familiar. In general, with your > Mackie+Presonus setup, (as mentioned earlier) you really > have limited routing possibilities... >=20 > In any way, even if you get something like Jeff's > recommendation to work, you should be very careful with > feedback. I used to play around with routing on my small > Soundcraft Compact mixer: just press the wrong combination > of Playback/Record/Monitor routing - and you get bad bad > feedback... >=20 > You might want to consider some software fx as an > alternative? >=20 > Best regards > Buzap >=20 > --=20 > Sensationsangebot verl=E4ngert: GMX FreeDSL - > Telefonanschluss + DSL=20 > f=FCr nur 16,37 Euro/mtl.!* > http://dsl.gmx.de/?ac=3DOM.AD.PD003K1308T4569a=0A=0A=0A From Loopers-Delight-request@loopers-delight.com Wed Dec 3 14:23:40 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id D0C993BEBE; Wed, 3 Dec 2008 14:23:40 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=o3wy4d5utStdnwTmihQ7UdftIba6iIORr4/qOvxyiFqpYKGKk7uBRxPVlmjjeGIpAHnOt2bEb4y9+Sh1d3sFj/AghXPUCiWp2ac6Brp53HwzXUDbc1f3fG/604lGdwpBTYnBWFp1IR6sJXV5u74gE08ubJgE4M/kQnki1zmfAfA=; X-YMail-OSG: M3C9No4VM1k9Q67U_e3wuX8kSUUWy5gjzoWAPsWkXbmLs1kkpez0W0sk9cCTd5gnMUu4KtuGiXUrlQyYoebIhnZ4zLqWDrLS2QhCN3va1r7rW49PMrtmxr0MC2t45b7WstPSexlFBD55J_Ry0c7vS4LzgmMm8DoweUPGFfnUYjuA7y.gQBMiOSmyyYPB2MyY9oQmyKeO9NfZx9I- X-Mailer: YahooMailWebService/0.7.260.1 Date: Wed, 3 Dec 2008 06:23:39 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: RE: effective mobius,mixer and soundcard routing To: Loopers-Delight@loopers-delight.com In-Reply-To: <7872203368197C4691224688958BE7144DDB2B7229@barq.sailpoint.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <660011.24567.qm@web38608.mail.mud.yahoo.com> Resent-Message-ID: <8oEv8.A.OgD.sZpNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86049 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 14:23:40 +0000 (UTC) Thanx Jeff but this isnt a good solution,first of all it is noisy then i have to have the individual channels muted when i am using the monitor send, otherwise i get that metallic oscilating feedback sound. Please see my other post on this thread i am really hoping to find a solution for this i am in love with mobius and will find it hard to go back to my mono EDP!! www.myspace.com/luisangulocom --- On Tue, 12/2/08, Jeff Larson wrote: > From: Jeff Larson > Subject: RE: effective mobius,mixer and soundcard routing > To: "Loopers-Delight@loopers-delight.com" > Date: Tuesday, December 2, 2008, 10:49 AM > > What would be the most effective way to route this,is > it possible to > > bring back the outs of the soundcard back into the > mixer without > > creating feedback? my mixer does not have alt 3/4 > outs,but here is the specs: > > http://www.mackie.com/products/profx8/ > > You might be able to use the "MON SEND" bus as an > alternative to alt 3/4. > > Turn up Aux Mon on just the instrument channels. Connect > MON SEND to > your sound card. Aux Mon will now be the faders for the > computer mix. > > Connect the output of the sound card to a mixer channel > with Aux Mon > turned all the way down. Connect the main outs of the > mixer to your > speakers. Put effects on the computer channel. > > What I don't know is if you can apply effects to the > MON SEND output, > it may tap in before the effects. > > You could do something similar with the stereo FX SEND, > using it > as a computer mix bus without using the STEREO RETURN. But > > page 15 clearly says this does not include internal effects > processing. > > Jeff From Loopers-Delight-request@loopers-delight.com Wed Dec 3 16:27:37 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 073C13BE95; Wed, 3 Dec 2008 16:27:36 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=default; d=kevinkissinger.com; h=Received:Received:Message-ID:Date:From:To:Subject:References:In-Reply-To:MIME-Version:Content-Type:Content-Disposition:Content-Transfer-Encoding:User-Agent:X-Identified-User; b=Zu4rfwRFtoLfe4H92lzN5+gEYKS6CzLNxktf0gq4smN/EkiLYMLH8Uo4kwbs6Y34+Jc5qy+hoQ8w/gJIboq7Aot0dOyY4lFPCzfxwpJfdpXwGxDgoiCe5Cnxp2L3+jZl; Message-ID: <20081203102732.nynp7421kc8w0kc8@mail.kevinkissinger.com> Date: Wed, 03 Dec 2008 10:27:32 -0600 From: kkissinger@kevinkissinger.com To: Loopers-Delight@loopers-delight.com Subject: Re: effective mobius,mixer and soundcard routing References: <822156.18648.qm@web38601.mail.mud.yahoo.com> In-Reply-To: <822156.18648.qm@web38601.mail.mud.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; DelSp="Yes"; format="flowed" Content-Disposition: inline Content-Transfer-Encoding: quoted-printable User-Agent: Internet Messaging Program (IMP) H3 (4.1.6) X-Identified-User: {0:box76.bluehost.com:root:box76.bluehost.com} {sentby:program running on server} Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86050 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 16:27:36 +0000 (UTC) Regardless of the mixer, to accomplish what you want you would need to =20 configure your looper (in this case, your laptop/Mobius system) as a =20 SEND EFFECT. The profx8 has two Sends, namely the MON and FX sends. Since you want to use your onboard reverb your FX send is already tied =20 up, so that leaves the MON send. For your return (I assume you want a stereo return) use either your =20 9/10 or 11/12 strip. This will allow you to send your laptop's output =20 to the FX buss. Be sure that your MON send is turned down -- else you =20 will get feedback. Also, make sure that the FX to MON pot is turned =20 down else you'll get feedback. Remember, you don't have to use the ST RETURN to return send effects. =20 Also, the ST return can be used as two additional mixer inputs =20 (although this input doesn't have any EQ, panning, or sends). The MAIN OUT will go to your speakers. Hope this helps :) -- Kevin Thus, you would hook Quoting "L.Angulo" : > Hi loopers, > i have different instruments plugged in to my compact pro fx8 mackie =20 > mixer then i go stereo out of the mixer into my soundcard and from =20 > there straight into the speakers.My soundcards fireiwre out straight =20 > into my macbook and mobius.Everything is cool,except when i puse my =20 > loops it sounds very abrupt and dry because there is no post =20 > proccesing.I would like to therefore take avantage of my mixers eqs =20 > and reverb to warmup the sound coming out of the soundcard before =20 > it goes into the speakers. > What would be the most effective way to route this,is it possible to =20 > bring back the outs of the soundcard back into the mixer without =20 > creating feedback? > my mixer does not have alt 3/4 outs,but here is the specs: > http://www.mackie.com/products/profx8/ > thanx for your tips! > Luis > > > > www.myspace.com/luisangulocom > > > > > From Loopers-Delight-request@loopers-delight.com Wed Dec 3 16:42:08 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 3EFDD3BEA2; Wed, 3 Dec 2008 16:42:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Greylist: delayed 398 seconds by postgrey-1.27 at arsenic; Wed, 03 Dec 2008 16:42:07 UTC DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=default; d=kevinkissinger.com; h=Received:Received:Message-ID:Date:From:To:Subject:References:In-Reply-To:MIME-Version:Content-Type:Content-Disposition:Content-Transfer-Encoding:User-Agent:X-Identified-User; b=VEDCIxonYqEsvdJTCB3yN813bXxC1fQiWhFbiEO38sR0Q15pl+mkyb/tKtq0qwtxXJ139/ARMrP04ilM3nsejrVtJIxJ4T6y8XBvHySHTI3UEDG3yILAi+C3hl3gOtMH; Message-ID: <20081203103515.c71b480zk0s4wow8@mail.kevinkissinger.com> Date: Wed, 03 Dec 2008 10:35:15 -0600 From: kkissinger@kevinkissinger.com To: Loopers-Delight@loopers-delight.com Subject: Re: effective mobius,mixer and soundcard routing References: <822156.18648.qm@web38601.mail.mud.yahoo.com> <20081203102732.nynp7421kc8w0kc8@mail.kevinkissinger.com> In-Reply-To: <20081203102732.nynp7421kc8w0kc8@mail.kevinkissinger.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1; DelSp="Yes"; format="flowed" Content-Disposition: inline Content-Transfer-Encoding: quoted-printable User-Agent: Internet Messaging Program (IMP) H3 (4.1.6) X-Identified-User: {0:box76.bluehost.com:root:box76.bluehost.com} {sentby:program running on server} Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86051 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 16:42:08 +0000 (UTC) Forgot to mention: Make sure the button on the "Stereo Graphic EQ" strip is in the "UP" =20 (Main Mix) position. Also, on the FX section, make sure the FX to MON pot is all the way to =20 the left. The bottom line: make sure all of your MON send pots are all the way =20 to the left except for the strips that you want to send to your laptop =20 looper. -- Kevin Quoting kkissinger@kevinkissinger.com: > Regardless of the mixer, to accomplish what you want you would need to > configure your looper (in this case, your laptop/Mobius system) as a > SEND EFFECT. > > The profx8 has two Sends, namely the MON and FX sends. > > Since you want to use your onboard reverb your FX send is already tied > up, so that leaves the MON send. > > For your return (I assume you want a stereo return) use either your > 9/10 or 11/12 strip. This will allow you to send your laptop's output > to the FX buss. Be sure that your MON send is turned down -- else you > will get feedback. Also, make sure that the FX to MON pot is turned > down else you'll get feedback. > > Remember, you don't have to use the ST RETURN to return send effects. > Also, the ST return can be used as two additional mixer inputs > (although this input doesn't have any EQ, panning, or sends). > > The MAIN OUT will go to your speakers. > > Hope this helps :) > > -- Kevin > > Thus, you would hook > > > Quoting "L.Angulo" : > >> Hi loopers, >> i have different instruments plugged in to my compact pro fx8 =20 >> mackie mixer then i go stereo out of the mixer into my soundcard =20 >> and from there straight into the speakers.My soundcards fireiwre =20 >> out straight into my macbook and mobius.Everything is cool,except =20 >> when i puse my loops it sounds very abrupt and dry because there =20 >> is no post proccesing.I would like to therefore take avantage of =20 >> my mixers eqs and reverb to warmup the sound coming out of the =20 >> soundcard before it goes into the speakers. >> What would be the most effective way to route this,is it possible =20 >> to bring back the outs of the soundcard back into the mixer =20 >> without creating feedback? >> my mixer does not have alt 3/4 outs,but here is the specs: >> http://www.mackie.com/products/profx8/ >> thanx for your tips! >> Luis >> >> >> >> www.myspace.com/luisangulocom >> >> >> >> >> From Loopers-Delight-request@loopers-delight.com Wed Dec 3 16:52:03 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 227473BEA9; Wed, 3 Dec 2008 16:52:02 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Reply-To: From: "William Walker" To: References: Subject: RE: New recorded piece uploaded for sharing: "Yellow Music Box" Date: Wed, 3 Dec 2008 08:51:56 -0800 Message-ID: <8276E7EF295B4B72A224D089A626B675@williamsteed> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit X-Mailer: Microsoft Office Outlook 11 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.5579 Thread-Index: AclU0FDPnKlCGyh5TdiEwRFxTidrfQAloQmw In-Reply-To: Resent-Message-ID: <94yTP.A.ZGB.ykrNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86052 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 16:52:02 +0000 (UTC) Doesn't sound like noise to me, Nice work Per. You reminded me to get off my ass and start creating my first music box piece. The first attempt I wasn't wearing my glasses and I punched holes in some pretty weird places. What is cool about this piece is the way you evolved it through creative processing and editing. Id you mount the music box to a resonant chamber? Bill From Loopers-Delight-request@loopers-delight.com Wed Dec 3 17:01:48 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 147BA3BEA9; Wed, 3 Dec 2008 17:01:47 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Reply-To: From: "William Walker" To: "'eterogeneo'" , References: Subject: RE: New realtime recording uploaded Date: Wed, 3 Dec 2008 09:01:35 -0800 Message-ID: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0039_01C95525.C1EFF810" X-Mailer: Microsoft Office Outlook 11 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.5579 Thread-Index: AclU0FH+1+nlqaLMSwORIZ56K+wEMAAmDklQ In-Reply-To: Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86053 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 17:01:47 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_0039_01C95525.C1EFF810 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I love this Fabio, I can feel the melancholy. I feel you brother. Bill _____ From: eterogeneo [mailto:info@eterogeneo.com] Sent: Monday, December 01, 2008 6:15 AM To: ambient@hyperreal.org; Loopers-Delight@loopers-delight.com Subject: New realtime recording uploaded Hi all, just to share - here's a "fresh" new improvvisation i recorded in real time last night. http://www.eterogeneo.com/podcast/Weightless.mp3 also available on my podcast I used Mobius running as a VST inside Bidule, 5 VST effect plugins and my piano and no final editing (all mistakes are all there....). Greetings Fabio www.eterogeneo.com www.myspace.com/eterogeneo ------=_NextPart_000_0039_01C95525.C1EFF810 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

I love this Fabio, I can feel the melancholy. I feel you brother.

Bill

 


From: = eterogeneo [mailto:info@eterogeneo.com]
Sent: Monday, December = 01, 2008 6:15 AM
To: = ambient@hyperreal.org; Loopers-Delight@loopers-delight.com
Subject: New realtime = recording uploaded

 

Hi all, =

just to = share - here's a "fresh" new improvvisation i recorded in real time = last night.

 

I used = Mobius running as a VST inside Bidule,

5 VST = effect plugins and my piano and no final editing (all mistakes are = all there....).

 

Greetings

 

Fabio

 

 

 

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From Loopers-Delight-request@loopers-delight.com Wed Dec 3 17:09:23 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 09C923BEA2; Wed, 3 Dec 2008 17:09:22 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com From: Jeff Larson To: "Loopers-Delight@loopers-delight.com" Date: Wed, 3 Dec 2008 11:09:18 -0600 Subject: RE: effective mobius,mixer and soundcard routing Thread-Topic: effective mobius,mixer and soundcard routing Thread-Index: AclVUjKoFP4gCai5RoS2MYWvDFBXCwAFsMrQ Message-ID: <7872203368197C4691224688958BE7144DDB2B7470@barq.sailpoint.com> References: <20081203122253.10260@gmx.net> <399373.16129.qm@web38601.mail.mud.yahoo.com> In-Reply-To: <399373.16129.qm@web38601.mail.mud.yahoo.com> Accept-Language: en-US Content-Language: en-US X-MS-Has-Attach: X-MS-TNEF-Correlator: acceptlanguage: en-US Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable MIME-Version: 1.0 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86054 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 17:09:22 +0000 (UTC) > if i could route the soundcard with mobius through > a software reverb efx plugin or something instead > of returning it back to my hardware mixer This would be the simplest solution but you need to use the VST version of Mobius. Using a host like Bidule, route the sound card input into Mobius, route Mobius into the reverb plugin of your choice, then route the reverb to the sound card output. I'm finishing up testing the Mac VST, it should be ready in about a week. Jeff From Loopers-Delight-request@loopers-delight.com Wed Dec 3 17:48:41 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id D3F4F3BEAE; Wed, 3 Dec 2008 17:48:41 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Greylist: delayed 351 seconds by postgrey-1.27 at arsenic; Wed, 03 Dec 2008 17:48:41 UTC X-Yahoo-Newman-Property: ymail-3 X-Yahoo-Newman-Id: 802832.28061.bm@omp410.mail.mud.yahoo.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=xZZCc1bmN/De7DZoqcUzdD9kvIsXV8+gMZmEoqQpiVjAFOcjVzPiq9Z8c5htOTB6aAiK+rBQXyyUo7j/0q3Tt+nvYmkDeYL3XTmPAXNIkCqJ23n+dB0McY/LMJZ37C7YqeCBKQgsahZNXL6Ah3aMu1dcctsfw+DilgYLaz/nUyA=; X-YMail-OSG: Yg3h.0IVM1nxQ3A.lAzVxkkr6l5zo0zDUQsY6s0DtOpN1jiakG8M315RpjNwXFe6pEGew8Tg7JgZtBIOLI.jdsdQ2DF90sFMSjdg164kXaFmNIVRortSNILZXxvbFCM8TQREAENYTa.86zgoc2NHMTs4lMQ- X-Mailer: YahooMailWebService/0.7.260.1 Date: Wed, 3 Dec 2008 09:42:48 -0800 (PST) From: Kelly Industrys Reply-To: k_indust@yahoo.com Subject: Alternate Guitar Tunings To: Loopers-Delight@loopers-delight.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <193419.2219.qm@web45913.mail.sp1.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86055 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 17:48:41 +0000 (UTC) Hi Here's an interesting list Alternate Guitar Tunings from a number of bands and musicians ranging from joni mitchell to metallica. There are short clips of the songs so you get to hear what the alternate tuning sounds like: http://www.gibson.com/robotguitar/story2.html Here's a larger list of guitar tunings only: http://www.howtotuneaguitar.org/tuning/alternate-guitar-tuning-chart/ I was reading about the new and somewhat expensive gibson dark fire guitar and found that it does alternate tunings as well as self tune. It also allows each string to have its own effects etc... It's worth a look if you haven't seen it. http://www2.gibson.com/Products/Electric-Guitars/Les-Paul/Gibson-USA/DarkFire/Technology.aspx http://www.kellyindustries.com/ From Loopers-Delight-request@loopers-delight.com Wed Dec 3 18:39:49 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id F24033BEB6; Wed, 3 Dec 2008 18:39:48 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=googlemail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:mime-version:content-type:content-transfer-encoding :content-disposition; bh=sWp3xjl4ZvlzWCdKxdO46J35gGEzNUCtBvSOW32gpRE=; b=crbRXbECAlRDnd6dv7B6pDGqHNTI011OFnzVuMf9Vo8IG5iQ3YWJAF9PEFGcrEQbtt 3mQd6w3057Y5XSrSK2xKHkR86Y0ko6+lpTnp0tVbKz04G4nUa6hRHaac0RcZcQyeHVfN eOfIzbXx1adoIyK1dC39KigOOewxU840z/p+E= DomainKey-Signature: a=rsa-sha1; c=nofws; d=googlemail.com; s=gamma; h=message-id:date:from:to:subject:mime-version:content-type :content-transfer-encoding:content-disposition; b=e2BBE1XQD+u+S6L/xM6u6p08isYvSvWxeyYmP+ewqpZpaY9UDm+cOmFUyYw2UZTZAg BXHGuA43JwQFA0DHPPJSzVofyn7vmTO9BZnalTohNSOm8TxH38WawOLunO8+5l52HXw5 qcB5UnvNNfcTWubH54N5s4h97FA7w9q/lyo7M= Message-ID: <7334ca1b0812031039y67371ad4nb719dbc53543a465@mail.gmail.com> Date: Wed, 3 Dec 2008 19:39:46 +0100 From: "Rainer Straschill" To: loopers-delight@loopers-delight.com Subject: Re: effective mobius,mixer and soundcard routing MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86056 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 18:39:48 +0000 (UTC) Luis, > But isnt there a soundcard outhere that has all its individual outs to a simple integrated software mixer with 3 band eq and simple reverb effects outhere? one solution (if you for whatever reason decide not to use a software reverb/compression/EQ solution) might be the TC Konnekt24D. It has four inputs (two of them with micpres) and outputs each, plus a pair of ADAT I/O for expandability, plus two (mono) channel strips of fullrange or multiband compression and EQ (Finalizer IP) and one Reverb send effect (M6000 IP). So this will only work with a maximum of four (mono) input channels, of which only two get dynamics/EQ. I'm somewhat surprised about your comment about the firebox - using the ASIO drivers, I could always address the outputs individually from my host application (although I've never tried that with Mobius, but it sure works with Live). Rainer From Loopers-Delight-request@loopers-delight.com Wed Dec 3 18:53:29 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 153653BEBA; Wed, 3 Dec 2008 18:53:29 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com From: Jeff Larson To: "Loopers-Delight@loopers-delight.com" Date: Wed, 3 Dec 2008 12:53:24 -0600 Subject: RE: Korg NanoKontrol / NanoPad impressions Thread-Topic: Korg NanoKontrol / NanoPad impressions Thread-Index: AclP4z47o+5BnV1bQxONFUwD14+fUQFjpEsw Message-ID: <7872203368197C4691224688958BE7144DDB2B74D5@barq.sailpoint.com> References: <20081126162250.47400@gmx.net> In-Reply-To: <20081126162250.47400@gmx.net> Accept-Language: en-US Content-Language: en-US X-MS-Has-Attach: X-MS-TNEF-Correlator: acceptlanguage: en-US Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable MIME-Version: 1.0 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86057 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 18:53:29 +0000 (UTC) I just bought a NanoKontrol and NanoKey. As expected they work fine with Mobius, but the lighted buttons on the NanoKontrol can't be controlled by Mobius. The button lights are used when the button is configured in toggle mode, it lights up when "down" (sends note on or CC > 0) and turns off when "up" (sends note off or CC 0). I like the Kontrol a lot. It has four "scenes" which are patches of assignments for all the knobs and switches. Typical Mobius use would be: Scene 1 sliders - track output levels knobs - track pan button 1 - focus lock button 2 - mute Scene 2 sliders - feedback knobs - alt feedback button 1 - reset Most of the things I would do with the transport buttons I would want on a footswitch, but some possibilities are: Rewind - Prev Loop Forward - Next Loop Stop - Reset Play - Play Record - Overdub The NanoKey is kind of cheesy, but hey it's $50. The keys are similar to those on a laptop with a very short range of movement. They wiggle a bit and look like they would pop off if you stuck a toothpick under them. They are velocity sensitive but not very expressive. You can pick three sensitivity curves. It's fine for triggering loops or setting pitch/speed shifts in Mobius, but you're not going to be playing any Rachmaninov on it. You can set the keys to transmit notes or control changes. There are "pitch up" and "pitch down" buttons that will simulate the action of a pitch bend control. Pitch change messages are sent over a programmable range at a programmable rate as long as you hold down the button. They worked surprisingly well for little scoops and doits. You can program the NanoKey to send on any MIDI channel, but there are no patches so it can only send on that one channel until you reprogram it. This would be a limitation if you had several synth plugins that receive on different channels, but again if you're playing synths this is probably not for you. Both the Key and Kontrol are programmed with KorgKontrol software you have to download from the Korg web site. It's easy to use. The combination of the Key and Kontrol do just about everything I was doing with a Novation Remote 25 in a MUCH smaller package. I mostly love them but really wish the NanoKey had "scenes" like the Kontrol so you could switch channels on the fly. Jeff From Loopers-Delight-request@loopers-delight.com Wed Dec 3 19:11:37 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id EFF0E3BEC2; Wed, 3 Dec 2008 19:11:36 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <20081203141132.6ZJBW.788851.root@mp12> Date: Wed, 3 Dec 2008 11:11:32 -0800 From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= To: k_indust@yahoo.com Subject: (OT) Re: Alternate Guitar Tunings Cc: Loopers-Delight@loopers-delight.com In-Reply-To: <193419.2219.qm@web45913.mail.sp1.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: quoted-printable X-Priority: 3 (Normal) Sensitivity: Normal X-Originating-IP: X-Chzlrs: 0 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86058 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 19:11:36 +0000 (UTC) Howdy, One tuning that I use ALL OF THE TIME . . . and seldom see on any charts (e= xactly) for one reason or another is: C,G,D,G,B,D Or raise it a half step: C#,G#,D#,G#,C,D# I's just like open G (or open G# if raised a half step) but with a Sus 4 on= the bottom. There are a lot of tunings on those charts that will have 5 out of the 6 st= rings like mine but differ by just one string. I love the ready dissonance that's always available between the bass string= and the 5th string. That's what I've used for about a dozen years now (or some transposed varia= nt thereof). Just thought I'd pipe in with my 2 cents. Cheers, Ted -- tEd =C2=AE kiLLiAn Man is the only animal that can remain on friendly terms with the victims h= e intends to eat until he eats them. =E2=80=93 Samuel Butler (1835 - 1902) http://www.pfmentum.com/PFMCD007.html http://www.CDbaby.com/cd/tedkillian http://www.guitar9.com/fluxaeterna.html http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193 http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768 Ted Killian's "Flux Aeterna" is also available at Apple iTunes ---- Kelly Industrys wrote:=20 > Hi >=20 > Here's an interesting list Alternate Guitar Tunings from a number of band= s and musicians ranging from joni mitchell to metallica. There are short c= lips of the songs so you get to hear what the alternate tuning sounds like:= http://www.gibson.com/robotguitar/story2.html >=20 > Here's a larger list of guitar tunings only: > http://www.howtotuneaguitar.org/tuning/alternate-guitar-tuning-chart/ >=20 > I was reading about the new and somewhat expensive gibson dark fire guita= r and found that it does alternate tunings as well as self tune. It also al= lows each string to have its own effects etc... It's worth a look if you h= aven't seen it.=20 >=20 > http://www2.gibson.com/Products/Electric-Guitars/Les-Paul/Gibson-USA/Dark= Fire/Technology.aspx >=20 >=20 >=20 > http://www.kellyindustries.com/ >=20 >=20 > =20 > From Loopers-Delight-request@loopers-delight.com Wed Dec 3 19:39:23 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id E0F553BEB2; Wed, 3 Dec 2008 19:39:23 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=DtTlHAiWWUf9efrcU7ip9IGjOsL/KVhy2TU+Y3ztvWFzZsh60vYq9ktGgGE9AztuE9PvpkZubfQege+N19IYR6IumYfiV8JzFaC03V52ObaeDJlpKEtlmL68tJXL6B70mYr4eQxBs0KaUdVO6nxPxmSt3SgN01Y9rKhwt7v/nVQ=; X-YMail-OSG: trM1EmEVM1leJkTyi2KfCN4nu_pF3iv6SjrRoAJ3X75ahi3qA77N8bw0cpwJQ8GrCLNUiKR9r3WGFlzg9gccWXmJUN55tLGrmGqY35O4fD6_1z6VSe00qKfh7kHl6ib1wA4x8uAoscmb6zXqYlfgsXMxUw-- X-Mailer: YahooMailWebService/0.7.260.1 Date: Wed, 3 Dec 2008 11:39:22 -0800 (PST) From: ditch wrestler Reply-To: ditchwrestler@yahoo.com Subject: Re: (OT) Re: Alternate Guitar Tunings To: Loopers-Delight@loopers-delight.com In-Reply-To: <20081203141132.6ZJBW.788851.root@mp12> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-49335591-1228333162=:8470" Message-ID: <664957.8470.qm@web34303.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86059 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 19:39:23 +0000 (UTC) --0-49335591-1228333162=:8470 Content-Type: text/plain; charset=windows-1252 Content-Transfer-Encoding: quoted-printable My favourite tuning is to line-up=A0all the pegs in a straight line, parall= el to the headstock. =A0 Not sure why but it usually sounds better than having all the pegs go perpi= ndicular... ;-) =A0 =A0 ted. Enemies are good for self-definition. Werner Herzog --- On Wed, 12/3/08, tEd =AE kiLLiAn wrote: From: tEd =AE kiLLiAn Subject: (OT) Re: Alternate Guitar Tunings To: k_indust@yahoo.com Cc: Loopers-Delight@loopers-delight.com Date: Wednesday, December 3, 2008, 11:11 AM Howdy, One tuning that I use ALL OF THE TIME . . . and seldom see on any charts (exactly) for one reason or another is: C,G,D,G,B,D Or raise it a half step: C#,G#,D#,G#,C,D# I's just like open G (or open G# if raised a half step) but with a Sus 4 on the bottom. There are a lot of tunings on those charts that will have 5 out of the 6 strings like mine but differ by just one string. I love the ready dissonance that's always available between the bass string and the 5th string. That's what I've used for about a dozen years now (or some transposed variant thereof). Just thought I'd pipe in with my 2 cents. Cheers, Ted -- tEd =AE kiLLiAn Man is the only animal that can remain on friendly terms with the victims h= e intends to eat until he eats them. =96 Samuel Butler (1835 - 1902) http://www.pfmentum.com/PFMCD007.html http://www.CDbaby.com/cd/tedkillian http://www.guitar9.com/fluxaeterna.html http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193 http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768 Ted Killian's "Flux Aeterna" is also available at Apple iTunes ---- Kelly Industrys wrote:=20 > Hi >=20 > Here's an interesting list Alternate Guitar Tunings from a number of bands and musicians ranging from joni mitchell to metallica. There are sho= rt clips of the songs so you get to hear what the alternate tuning sounds like= : http://www.gibson.com/robotguitar/story2.html >=20 > Here's a larger list of guitar tunings only: > http://www.howtotuneaguitar.org/tuning/alternate-guitar-tuning-chart/ >=20 > I was reading about the new and somewhat expensive gibson dark fire guita= r and found that it does alternate tunings as well as self tune. It also allo= ws each string to have its own effects etc... It's worth a look if you haven't seen it.=20 >=20 > http://www2.gibson.com/Products/Electric-Guitars/Les-Paul/Gibson-USA/DarkFi= re/Technology.aspx >=20 >=20 >=20 > http://www.kellyindustries.com/ >=20 >=20 > =20 > =0A=0A=0A --0-49335591-1228333162=:8470 Content-Type: text/html; charset=windows-1252 Content-Transfer-Encoding: quoted-printable
My favourite tuning is to line-up a= ll the pegs in a straight line, parallel to the headstock.
 
Not sure why but it usually sounds better than having all the pegs go = perpindicular...
;-)
 
 
ted.
Enemies are good for self-definition. Werner Herzog

---= On Wed, 12/3/08, tEd =AE kiLLiAn <tedkillian@charter.net><= /B> wrote:
From: tEd =AE kiLLiAn <tedkillian@charter.net><= BR>Subject: (OT) Re: Alternate Guitar Tunings
To: k_indust@yahoo.com
= Cc: Loopers-Delight@loopers-delight.com
Date: Wednesday, December 3, 200= 8, 11:11 AM

Howdy,

One tuning that I use ALL OF THE TIME . . . and seldom see on any charts
(exactly) for one reason or another is:

C,G,D,G,B,D

Or raise it a half step:

C#,G#,D#,G#,C,D#

I's just like open G (or open G# if raised a half step) but with a Sus 4 on
the bottom.

There are a lot of tunings on those charts that will have 5 out of the 6
strings like mine but differ by just one string.

I love the ready dissonance that's always available between the bass string
and the 5th string.

That's what I've used for about a dozen years now (or some transposed
variant thereof).

Just thought I'd pipe in with my 2 cents.

Cheers,

Ted


--
tEd =AE kiLLiAn

Man is the only animal that can remain on friendly terms with the victims h=
e
intends to eat until he eats them. =96 Samuel Butler (1835 - 1902)

http://www.pfmentum.com/PFMCD007.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://guitarplayer.com/article/y2k6-international-live/Jun-07/27768

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

---- Kelly Industrys <k_indust@yahoo.com> wrote:=20
> Hi
>=20
> Here's an interesting list Alternate Guitar Tunings from a number of
bands and musicians ranging from joni mitchell to metallica.  There are sho=
rt
clips of the songs so you get to hear what the alternate tuning sounds like=
:
http://www.gibson.com/robotguitar/story2.html
>=20
> Here's a larger list of guitar tunings only:
> http://www.howtotuneaguitar.org/tuning/alternate-guitar-tuning-chart/
>=20
> I was reading about the new and somewhat expensive gibson dark fire gu=
itar
and found that it does alternate tunings as well as self tune. It also allo=
ws
each string to have its own effects etc...  It's worth a look if you
haven't seen it.=20
>=20
>
http://www2.gibson.com/Products/Electric-Guitars/Les-Paul/Gibson-USA/DarkFi=
re/Technology.aspx
>=20
>=20
>=20
> http://www.kellyindustries.com/
>=20
>=20
>      =20
>


=0A=0A --0-49335591-1228333162=:8470-- From customer_service@capitalone.com Wed Dec 3 21:00:00 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com X-Greylist: delayed 1346 seconds by postgrey-1.27 at arsenic; Wed, 03 Dec 2008 21:00:00 UTC Received: from giga1.giganet.net (giga1.giganet.net [210.134.132.150]) by arsenic.violacea.com (Postfix) with ESMTP id 5D9A63BE93; Wed, 3 Dec 2008 20:59:59 +0000 (UTC) Received: from f-sec (f-sec.giganet.net [210.134.128.7]) by giga1.giganet.net (Postfix) with ESMTP id 79BCD233DC2; Thu, 4 Dec 2008 05:36:50 +0900 (JST) Received: from 206.221.191.231 (206.221.191.231) by f-sec (F-Secure/virusgw_smtp/300/f-sec); Thu, 4 Dec 2008 05:36:45 +0900 (JST) X-Virus-Status: clean(F-Secure/virusgw_smtp/300/f-sec) Reply-To: From: "Capital One" Subject: You have one new message at Capital One. Date: Wed, 3 Dec 2008 12:37:24 -0800 MIME-Version: 1.0 Content-Type: text/html; charset="utf-8" Content-Transfer-Encoding: 7bit X-Priority: 1 X-MSMail-Priority: High X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 Message-Id: <20081203203651.79BCD233DC2@giga1.giganet.net> To: undisclosed-recipients:;

Dear Customer,

You have one new message at Capital One.

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From Loopers-Delight-request@loopers-delight.com Wed Dec 3 21:22:08 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 53FDC3BEA6; Wed, 3 Dec 2008 21:22:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Content-Type: text/plain; charset="iso-8859-1" Date: Wed, 03 Dec 2008 22:22:05 +0100 From: "Buzap Buzap" In-Reply-To: <193419.2219.qm@web45913.mail.sp1.yahoo.com> Message-ID: <20081203212205.223020@gmx.net> MIME-Version: 1.0 References: <193419.2219.qm@web45913.mail.sp1.yahoo.com> Subject: Re: Alternate Guitar Tunings (OT) To: Loopers-Delight@loopers-delight.com X-Authenticated: #33233833 X-Flags: 0001 X-Mailer: WWW-Mail 6100 (Global Message Exchange) X-Priority: 3 X-Provags-ID: V01U2FsdGVkX19m9sccQKRmnizxQyXJriaunrze2k9c0Hh9RBSkqK fRVxOrCdaGSTxaPysUcVu2mcdYRgqx9QLhmA== Content-Transfer-Encoding: 8bit X-GMX-UID: Kp1EaXo2eSEqUMh4kHUh03Z+IGRvbwAt X-FuHaFi: 0.62 Resent-Message-ID: <0DGq4B.A.EBD.AivNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86060 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 21:22:08 +0000 (UTC) Excellent link with sound examples! My favorite open tuning - I hardly ever see it - is Low C: C G D G A D So, it's like DADGAD but only with a C G D in the bottom. In fact, Low C (C G D) in the bottom is my favorite starting point because it gives you both fifths (C5, G5) at the bottom. Eric Turnbull uses another LowC Tuning (C G D D#A#D#) in this song: http://www.youtube.com/watch?v=nRahpP5WP68 Check it out, great solo guitar tune. But _you_guys_ are the guitar players, anyway ;-) best regards Buzap -- Psssst! Schon vom neuen GMX MultiMessenger gehört? Der kann`s mit allen: http://www.gmx.net/de/go/multimessenger From Loopers-Delight-request@loopers-delight.com Wed Dec 3 21:30:24 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id A2BA03BEB2; Wed, 3 Dec 2008 21:30:24 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:mime-version:content-type:content-transfer-encoding :content-disposition; bh=Vbt1wbT0PQGhCoRyVoO5f3eODILWLhsyP6lpOHwivyY=; b=GWmWopDB7FwyAhDzmDm1LVCQc6jhBrlSL7r17gjSEyXXEm62rT3XFGuGP7ojPWsHzb X9ikwXbpK/P9mFsFMbi8zaeVIda76pcOHGbNxUWU/ZUTEqS81LfmL8dEy5eSSwRUZXBd GkpBSYGM1ZUkzWNV+9Qnwntw3HxawqBUbJGjM= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:mime-version:content-type :content-transfer-encoding:content-disposition; b=vY2IeB3QGuOfmewZmbSfZpUzaNSr+xNvhF9H1GPaQeUeloqvzq51LwGHktA8475Wwc xf1brCI5QYU1JogJcRFnrgm63M0Opt8gptk53UtfDBySMbRENaUZ+OpJnd8oU095DT4u Qhpu9rMYtA51Uv/Z9VYra94oOZ/T9aFsuPCq4= Message-ID: <66f9cc1e0812031330t2e1b5636v439309fae3564646@mail.gmail.com> Date: Wed, 3 Dec 2008 22:30:23 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: song uploaded for sharing: "The Yogi and the Commissar" MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86061 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 21:30:24 +0000 (UTC) If anyone's is in the mood for listening I just posted a looping heavy song here: http://www.ubetoo.com/Artist.taf?_ArtistId=6550 >"The Yogi and the Commissar" > > About the song: > I wanted to give my three sexiest instruments three minutes to make out on the web. > They took three fifty three. > > Equipment: > Alto Flute, Tenor Sax, Stratocaster Electric Guitar, > Electric Wind Controller (EWI 9000s), > Mobius looping software, > Logic Pro recording software. I had a problem finding a proper style tag and finally settled for "jazz". Per From Loopers-Delight-request@loopers-delight.com Wed Dec 3 21:35:23 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 6FAED3BEBE; Wed, 3 Dec 2008 21:35:23 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Content-Type: text/plain; charset="iso-8859-1" Date: Wed, 03 Dec 2008 22:35:21 +0100 From: "Buzap Buzap" In-Reply-To: <399373.16129.qm@web38601.mail.mud.yahoo.com> Message-ID: <20081203213521.223020@gmx.net> MIME-Version: 1.0 References: <399373.16129.qm@web38601.mail.mud.yahoo.com> Subject: Re: effective mobius,mixer and soundcard routing To: Loopers-Delight@loopers-delight.com X-Authenticated: #33233833 X-Flags: 0001 X-Mailer: WWW-Mail 6100 (Global Message Exchange) X-Priority: 3 X-Provags-ID: V01U2FsdGVkX19dVX5mDGddJQ7gEjpYX4pd7S/puGWW+6DOg2zFTg 2/3ah44OrtioJx4nlfNEfZ0bvsQj+5autB0A== Content-Transfer-Encoding: 8bit X-GMX-UID: /ZJTCHAjfW47VpNBjGRo4H9udmllcoWa X-FuHaFi: 0.58 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86062 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 21:35:23 +0000 (UTC) Hi Luis > i am glad you jumped on this subject,i was just going to ask if i could > route the soundcard with mobius through a software reverb efx plugin or > something instead of returning it back to my hardware mixer to get that post > reverb,how could this be done? Well, I'm still stomping on my RC-50, mostly. So, I guess other people can give you more hints on the software side (let me guess: i.e. someone could suggest Bidule+free VST plugins on Windows or MainStage on Mac / while someone else also would mention that you might as well build whatever you need with MAX/MSP... ;-) Have you actually also considered the Motu Ultralite Mk3 as Firewire alternative? For 550,- EUR you get ca. 10 in/outs with built-in hardware Reverbs, EQ and Compression. You should give it a look! http://www.motu.com/products/motuaudio/ultralite-mk3 best regards & good luck in the software world Buzap -- Sensationsangebot verlängert: GMX FreeDSL - Telefonanschluss + DSL für nur 16,37 Euro/mtl.!* http://dsl.gmx.de/?ac=OM.AD.PD003K1308T4569a From Loopers-Delight-request@loopers-delight.com Wed Dec 3 21:39:53 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id B57003BEC9; Wed, 3 Dec 2008 21:39:53 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=googlemail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:mime-version:content-type:content-transfer-encoding :content-disposition; bh=C5AtIz3QX1l33Pa2SiTQsvbRIuv5RWcqFg0jUVPWEYU=; b=WFgpvjogYlXZQP6IYvPejFGc628UpiokldY94DIXAq/KPWfxS7HdF3dr88O/qBDXQt 8NGoiRcc1bgxFZAbxKcE++XLSKM4vR7vmmlovZ446pWPvkNg3SDuEXbiynlWaGA0QZk4 8qs5iycjIytsji2uLaJvgrp/BO3r+fEHqFACQ= DomainKey-Signature: a=rsa-sha1; c=nofws; d=googlemail.com; s=gamma; h=message-id:date:from:to:subject:mime-version:content-type :content-transfer-encoding:content-disposition; b=NGHDDRIGFpBpbQnz0P5D9iPV4IAyNHzbm9dOSu8RzoGF85kcODl5rcbFpQ1HOCIkPw JU3FTTuJT2xHUxPL0Ndgk12ZvqDOYoNILZZVR50csL44c9U4DctXTGiup8fee8sWlvAn xdn9UYYdL1SbGfHNqkQZlWrO7ZZJZzbVyZlOE= Message-ID: <7334ca1b0812031339u1764578emfee760cd88223b2e@mail.gmail.com> Date: Wed, 3 Dec 2008 22:39:51 +0100 From: "Rainer Straschill" To: loopers-delight@loopers-delight.com Subject: Alternate Guitar Tunings (OT) MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86063 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 21:39:53 +0000 (UTC) In the time ca. "SAUBER! - Das Geheimnis der Geschwindigkeit" (2001) 'til "Neinnein auf dem kleinen Weg" (2004), I used a (bass) guitar (Tune Gap 6) tuned a-e-b-f#-d-a (the upper a being below a normal guitar's b string). This basically is a guitar tuning with inverted intervals (fifths instead of fours and minor 6th instead of major 3rd), and expands the range of the instrument by one octave. I did a similair inverted lute tuning on my B2AF (bass paddle fretless), tuning it d-a-f-c. A word of caution, though: on instruments with a very acoustically conductive body/neck (like it is the case with the Tune), the stronger coupling with 5th compared to 4ths leads to stronger resonances between the strings - a workaround is the use of per-string processing. As for bass guitar tunings with looping content, be sure to check out http://www.manthing.com/tunings.htm Rainer From Loopers-Delight-request@loopers-delight.com Wed Dec 3 21:40:29 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 50E543BEC0; Wed, 3 Dec 2008 21:40:29 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Content-Type: text/plain; charset="iso-8859-1" Date: Wed, 03 Dec 2008 22:40:27 +0100 From: "Buzap Buzap" In-Reply-To: <664957.8470.qm@web34303.mail.mud.yahoo.com> Message-ID: <20081203214027.223010@gmx.net> MIME-Version: 1.0 References: <664957.8470.qm@web34303.mail.mud.yahoo.com> Subject: Re: (OT) Re: Alternate Guitar Tunings To: Loopers-Delight@loopers-delight.com X-Authenticated: #33233833 X-Flags: 0001 X-Mailer: WWW-Mail 6100 (Global Message Exchange) X-Priority: 3 X-Provags-ID: V01U2FsdGVkX1+oxxdXZveou3gbAK5IZDsmGkRTFt5ulOWS/q7Jd2 g2z7KE0/D6CG54zBNfdNNYBznoNDESGTHgog== Content-Transfer-Encoding: 8bit X-GMX-UID: +coDeGg/bUk7FZ8oyWknt2BsZ2hlN0oW X-FuHaFi: 0.82 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86064 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 21:40:29 +0000 (UTC) > > C,G,D,G,B,D > Yeah, like that also. I like it as G minor, too: C G D G Bb D Buzap -- Sensationsangebot verlängert: GMX FreeDSL - Telefonanschluss + DSL für nur 16,37 Euro/mtl.!* http://dsl.gmx.de/?ac=OM.AD.PD003K1308T4569a From Loopers-Delight-request@loopers-delight.com Wed Dec 3 21:44:10 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 764933BED0; Wed, 3 Dec 2008 21:44:10 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Content-Type: text/plain; charset="iso-8859-1" Date: Wed, 03 Dec 2008 22:44:08 +0100 From: "Buzap Buzap" In-Reply-To: <66f9cc1e0812031330t2e1b5636v439309fae3564646@mail.gmail.com> Message-ID: <20081203214408.222990@gmx.net> MIME-Version: 1.0 References: <66f9cc1e0812031330t2e1b5636v439309fae3564646@mail.gmail.com> Subject: Re: song uploaded for sharing: "The Yogi and the Commissar" To: Loopers-Delight@loopers-delight.com X-Authenticated: #33233833 X-Flags: 0001 X-Mailer: WWW-Mail 6100 (Global Message Exchange) X-Priority: 3 X-Provags-ID: V01U2FsdGVkX180RDFap980qN7pYQ7mZXy67f/bxpBGnxlhkNglJs zIkEweV5lI3sYuO0tyHdeR1RXotnIB3dQ4kw== Content-Transfer-Encoding: 8bit X-GMX-UID: m8oEeC9/IydmCox+j2Zr+X9Sa2FkZtUq X-FuHaFi: 0.8 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86065 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 21:44:10 +0000 (UTC) crazy name... ;-) How did you perform the percussive sounds? Via midi keyboard & samples? Buzap -- Sensationsangebot verlängert: GMX FreeDSL - Telefonanschluss + DSL für nur 16,37 Euro/mtl.!* http://dsl.gmx.de/?ac=OM.AD.PD003K1308T4569a From Loopers-Delight-request@loopers-delight.com Wed Dec 3 21:54:08 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 87FB03BED5; Wed, 3 Dec 2008 21:54:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=xNS3da78i1i/vMb+ciXK0cAJyDq3z0I+kG0e4jM8WCU=; b=aUJLw4R9vxDP0FcdahqAEiERbZtmKMRD4/IsWEUM5NrMECpnDeoiQCRljZvkbAAKAU uI6k132nRKdQDhV6NgZ2Tm0/VDyEpOUWImnY6SMd6K+HvvCW15blGE47dPRatwSivQHy fPCV61AmJI+Jy3wWt/SClHPvoB4aMhtCuTlHg= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=NxKmeHsdSgxy92U1l8MF17ZT+BEQM6QNd/L0NzZnbBmXRKRxbenzc5MrdoMSIoyW4N 3XOHp/j1Dnc8sS6cWxjKI/vZ6rlBLa49fRcxXmkV/7/mlD9G+WVMsYma6kfcVJFcrwWL JRdf88cQh3ZEzXz06WIvjc6KQY0x7e1plSxPI= Message-ID: <66f9cc1e0812031354w7f5bba10i21ce47c1dd010fac@mail.gmail.com> Date: Wed, 3 Dec 2008 22:54:07 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Re: song uploaded for sharing: "The Yogi and the Commissar" In-Reply-To: <20081203214408.222990@gmx.net> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <66f9cc1e0812031330t2e1b5636v439309fae3564646@mail.gmail.com> <20081203214408.222990@gmx.net> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86066 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 21:54:08 +0000 (UTC) On Wed, Dec 3, 2008 at 10:44 PM, Buzap Buzap wrote: > crazy name... ;-) > How did you perform the percussive sounds? Via midi keyboard & samples? > Buzap > Great that you asked, because I just remembered this recent discussion here regarding "synthetic" versus "sampled" sound. This percussion is a bunch of sampled sounds. I simply penned the rhythm patterns directly on the screen, using the mouse. Reworked some old beats I found as MIDI sequences and made them fit in with the played and looped instruments. Great drum samples, isn't it! The sampler is Logic's Ultrabeat. It seems sounds come out exceptionally punchy and crisp from UltraBeat. But here I couldn't mix the percussion louder because of the other melodic instruments battling all over, so the drums and gongs doesn't really come out to its fullest flavor. Per From Loopers-Delight-request@loopers-delight.com Wed Dec 3 22:46:58 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 529FA3BEB9; Wed, 3 Dec 2008 22:46:58 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com From: HarryEsq@aol.com Message-ID: Date: Wed, 3 Dec 2008 17:46:46 EST Subject: Re: New realtime recording uploaded To: Loopers-Delight@loopers-delight.com MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-----------------------------1228344406" X-Mailer: AOL 9.1 sub 5000 X-Spam-Flag:NO Resent-Message-ID: <2BFCKB.A.MyG.hxwNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86067 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 22:46:58 +0000 (UTC) -------------------------------1228344406 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Listening right now. Beautiful. Captures my current overworked, tired mood completely. Peace, Harry Weinberg, Esq. Law Offices of Harry Weinberg 11 Beach Street - 8th Floor New York, N.Y. 10013 (212) 989-2908 In a message dated 12/3/2008 12:02:26 P.M. Eastern Standard Time, billwalker@baymoon.com writes: I love this Fabio, I can feel the melancholy. I feel you brother. Bill ____________________________________ From: eterogeneo [mailto:info@eterogeneo.com] Sent: Monday, December 01, 2008 6:15 AM To: ambient@hyperreal.org; Loopers-Delight@loopers-delight.com Subject: New realtime recording uploaded Hi all, just to share - here's a "fresh" new improvvisation i recorded in real time last night. _http://www.eterogeneo.com/podcast/Weightless.mp3_ (http://www.eterogeneo.com/podcast/Weightless.mp3) also available on my _podcast_ (http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=217423588) I used Mobius running as a VST inside Bidule, 5 VST effect plugins and my piano and no final editing (all mistakes are all there....). Greetings Fabio _www.eterogeneo.com_ (http://www.eterogeneo.com/) _www.myspace.com/eterogeneo_ (http://www.myspace.com/eterogeneo) **************Make your life easier with all your friends, email, and favorite sites in one place. Try it now. (http://www.aol.com/?optin=new-dp&icid=aolcom40vanity&ncid=emlcntaolcom00000010) -------------------------------1228344406 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

Listening right now.  Beautiful.  Captures my current overwor= ked,=20 tired mood completely.
 
Peace,
 
Harry=20 Weinberg, Esq.
Law Offices of Harry Weinberg
11 Beach Street - 8th=20 Floor
New York, N.Y. 10013
(212) 989-2908=20
 
In a message dated 12/3/2008 12:02:26 P.M. Eastern Standard Time,=20 billwalker@baymoon.com writes:
<= FONT=20 style=3D"BACKGROUND-COLOR: transparent" face=3DArial color=3D#000000 size= =3D2>

I love this Fab= io, I=20 can feel the melancholy. I feel you brother.

Bill=

 


From:eterogeneo=20 [mailto:info@eterogeneo.com]=20
Sent: Monday, December= 01,=20 2008 6:15 AM
To:=20 ambient@hyperreal.org;=20 Loopers-Delight@loopers-delight.com
Subject:
New realtime recording upl= oaded=20

 

Hi all= ,=20

just t= o=20 share - here's a "fresh" new improvvisation i recorded in real time last=20 night.

http://www.etero= geneo.com/podcast/Weightless.mp3   also=20 available on my podcast

 

I used= =20 Mobius running as a VST inside Bidule,

5 VST=20= effect=20 plugins and my piano and no final editing (all mistakes are all=20 there....).

 

Greeti= ngs

 

Fabio<= /SPAN>

www.eterogeneo.com

www.myspace.com/eterogeneo<= /SPAN>

 

 

 





Make your life e= asier with all your friends, email, and favorite sites in one place. Try it now.
-------------------------------1228344406-- From Loopers-Delight-request@loopers-delight.com Wed Dec 3 22:53:03 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id DCD9A3BEA6; Wed, 3 Dec 2008 22:53:02 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type:references; bh=dl4ddnmZRv/G4ydjT9pkZUT0Eho06Fb9mhtxYmcfRhA=; b=SQ5c3H7NnN36cNOYyGn+N07hV46Xfz/3a+6hit7tfKSx5GPUZE9+X05ktkZAGYYVk9 V3SDqC/snu2pBBWD3vpdVoFBQ5Pxrp9GQqFw8547VEiYGtlXw8yRkX6ILXc7aKYUc7HC fqVymrHO9CZ+hNvLqmiX6jWMGhB7a9u88yhSU= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:references; b=GY81evZRJP1YPyKshTAdIwkFCxD1H96uRSwTgrgy+ivr2ixIPjUtpij3kN7vwyHTgp jhi3tbwxgGAaQpD6LoWjWDsdeVddt75cUx2+FmeUXNslimIKptf2khyoGvfRqj274f4a rgMfzvKOWrgtv2qfTAD/lLhMpmhVNiw6mryE0= Message-ID: Date: Wed, 3 Dec 2008 14:53:01 -0800 From: "Travis Hartnett" To: Loopers-Delight@loopers-delight.com Subject: Re: Alternate Guitar Tunings (OT) In-Reply-To: <20081203212205.223020@gmx.net> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_100153_23105575.1228344781478" References: <193419.2219.qm@web45913.mail.sp1.yahoo.com> <20081203212205.223020@gmx.net> Resent-Message-ID: <5FDilB.A.wJH.O3wNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86068 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 22:53:02 +0000 (UTC) ------=_Part_100153_23105575.1228344781478 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline C G D G A D is actually pretty popular these days. It seems to pop up in many interviews in the last few years. TH On Wed, Dec 3, 2008 at 1:22 PM, Buzap Buzap wrote: > > Excellent link with sound examples! > > My favorite open tuning - I hardly ever see it - is Low C: > C G D G A D > > So, it's like DADGAD but only with a C G D in the bottom. > In fact, Low C (C G D) in the bottom is my favorite starting point because > it gives you both fifths (C5, G5) at the bottom. > > ------=_Part_100153_23105575.1228344781478 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline C G D G A D is actually pretty popular these days.  It seems to pop up in many interviews in the last few years.

TH

On Wed, Dec 3, 2008 at 1:22 PM, Buzap Buzap <buzap@gmx.net> wrote:

Excellent link with sound examples!

My favorite open tuning - I hardly ever see it - is Low C:
C G D G A D

So, it's like DADGAD but only with a C G D in the bottom.
In fact, Low C (C G D) in the bottom is my favorite starting point because it gives you both fifths (C5, G5) at the bottom.


------=_Part_100153_23105575.1228344781478-- From Loopers-Delight-request@loopers-delight.com Wed Dec 3 23:10:52 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 42ED93BE95; Wed, 3 Dec 2008 23:10:52 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=HWRtRWs/ISD8h/o6cuvuLIfvL9J2PGX/wfelmH0WQS3yAAK6bep3NhMObW21gXaj/zWguExtBGt3TEimiYhCxsVhfJnieV8rAhxSrOrMzm+wblB0UAr+VODCan6iahGVjE9THtO1wcMfM6BbwGfOLc5BsMHN0KxIMCynOl0whCw=; X-YMail-OSG: w8ztTZEVM1lxysWLlsU2c.lPdJhvPZCNWumExNUHw5oFabH_JvJXJS31do5cE4s.QE88n2e7y3n_EfE5t.svpFtG0mzCwv1rQLwVi.Zlx04UOKTu48Pb7.5jXA4yVF78cNq258r3q5stQPoOjdlKxb1puHTA7T1ivD61wH9L1gy99pHoft5jW5saXFi.PjokiLhXpKv.SVgJW_g- X-Mailer: YahooMailWebService/0.7.260.1 Date: Wed, 3 Dec 2008 15:10:51 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: RE: effective mobius,mixer and soundcard routing To: Loopers-Delight@loopers-delight.com In-Reply-To: <7872203368197C4691224688958BE7144DDB2B7470@barq.sailpoint.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <222526.71422.qm@web38606.mail.mud.yahoo.com> Resent-Message-ID: <66P6GC.A.NM.8HxNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86069 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 23:10:52 +0000 (UTC) yes, this is the problem i am using a Mac and unable to use it as a VST. looking forward to it Jeff! www.myspace.com/luisangulocom --- On Wed, 12/3/08, Jeff Larson wrote: > From: Jeff Larson > Subject: RE: effective mobius,mixer and soundcard routing > To: "Loopers-Delight@loopers-delight.com" > Date: Wednesday, December 3, 2008, 9:09 AM > > if i could route the soundcard with mobius through > > a software reverb efx plugin or something instead > > of returning it back to my hardware mixer > > This would be the simplest solution but you need to use the > VST > version of Mobius. Using a host like Bidule, route the > sound card > input into Mobius, route Mobius into the reverb plugin of > your choice, > then route the reverb to the sound card output. I'm > finishing > up testing the Mac VST, it should be ready in about a week. > > Jeff From Loopers-Delight-request@loopers-delight.com Wed Dec 3 23:26:31 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id E49B03BEA2; Wed, 3 Dec 2008 23:26:31 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=NoGuX4GShTClMAiCGooLHje2zsgkfEGA9LGISBWD/5bM1KmIUTPlnAROm/8LPi4a4I8uE2hlzR40S9t4dDiknxmbo74NA3YARZTj/GQZ+MFjWMSgdesp8iuc3aM4dA/fyL6vWSp1ROce1etCXEE3aakfTBJICfi0KVnHbvWgbsM=; X-YMail-OSG: J.9b_6EVM1ntIxtn4wBNDqwHtxXNkNmWVxD.atSK218xe.HoCmXcbbYSFZ4TdTLZz4qizftx1pUZlp9I5dOp_7hHMgtKWoBF6zuxYus98Yeowldr6rfSkgNp2duRgzEKYk_TCETCRcYiuSgwSm4D0bKTKVZNdndoKRTWUJZwHEneoJZm0LUtQ1RmVw-- X-Mailer: YahooMailWebService/0.7.260.1 Date: Wed, 3 Dec 2008 15:26:30 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: effective mobius,mixer and soundcard routing To: Loopers-Delight@loopers-delight.com In-Reply-To: <7334ca1b0812031039y67371ad4nb719dbc53543a465@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <401332.69978.qm@web38601.mail.mud.yahoo.com> Resent-Message-ID: <6oHXnC.A.T-.nWxNJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86070 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 23:26:31 +0000 (UTC) Yes, the problem is not only the firebox but mobius which is only able to sum up all outputs into a single stereo port,in other words i cannot connect all instruments into the soundcard and record with them in any track i want.Which means if my mic is plugged into input 1 the it will only get recorded into tracks 1 and 2 of mobius but not the rest.The RME however can be configured to asign all outputs to one port so that way i could connect all instruments straight into the soundcard and record into any track in mobius(like a patchbay),but like i said i still need the eqs,reverb etc.if i wanted to go purely software.Which left me no other option but to go into my mackie mixer first and then take its stereo outputs into the soundcard and then out to the speakers. Luis > > I'm somewhat surprised about your comment about the > firebox - using > the ASIO drivers, I could always address the outputs > individually from > my host application (although I've never tried that > with Mobius, but > it sure works with Live). > > Rainer From Loopers-Delight-request@loopers-delight.com Wed Dec 3 23:53:08 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 67F5B3BEBA; Wed, 3 Dec 2008 23:53:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=UtANaEMZqT071olTJrnHS+onZpWxM8kK6YzJJjsYlsHex3SxRxVXB/UEPizfMaOaIwCUn4HdQxsPa1TLFSwao4hcwFu8HMeEIJhsOE2jNOQvmdVI/+CsAJzPRbPPgWgc586Fmn1OaBCSQHP4YkOs3RlICOoq04rpoamaHFDyz/8=; X-YMail-OSG: ThNrFjoVM1n9EoNvOW9EW._9EV80TIMrEvqk3ZLWhpf2xk8FTZxoaV2KRi0RHYtckiuotiO42R67CjlgifFKfX3yDpjnKxMkoITcW7zejQe3u2Bz9uh09GJM9zvtct0TIcgWMP7vCqKQaeadYn3kNaEUXT0- X-Mailer: YahooMailWebService/0.7.260.1 Date: Wed, 3 Dec 2008 15:53:07 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: effective mobius,mixer and soundcard routing To: Loopers-Delight@loopers-delight.com In-Reply-To: <20081203213521.223020@gmx.net> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable Message-ID: <139690.63432.qm@web38607.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86071 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Wed, 3 Dec 2008 23:53:08 +0000 (UTC) shit man looks like this is it!!!! any comments on it,reviews?how good are the drivers?latency with mobius? ef= x quality? easy use?could its software mixer be controlled by a midi contro= ller like the behringer BCR2000?is there a manual to download? wow man thanx for the tip!!!! www.myspace.com/luisangulocom --- On Wed, 12/3/08, Buzap Buzap wrote: > From: Buzap Buzap > Subject: Re: effective mobius,mixer and soundcard routing > To: Loopers-Delight@loopers-delight.com > Date: Wednesday, December 3, 2008, 1:35 PM > Hi Luis >=20 > > i am glad you jumped on this subject,i was just going > to ask if i could > > route the soundcard with mobius through a software > reverb efx plugin or > > something instead of returning it back to my hardware > mixer to get that post > > reverb,how could this be done? > Well, I'm still stomping on my RC-50, mostly. So, I > guess other people can give you more hints on the software > side (let me guess: i.e. someone could suggest Bidule+free > VST plugins on Windows or MainStage on Mac / while someone > else also would mention that you might as well build > whatever you need with MAX/MSP... ;-) >=20 > Have you actually also considered the Motu Ultralite Mk3 as > Firewire alternative? For 550,- EUR you get ca. 10 in/outs > with built-in hardware Reverbs, EQ and Compression. You > should give it a look! > http://www.motu.com/products/motuaudio/ultralite-mk3 >=20 > best regards & good luck in the software world > Buzap >=20 >=20 >=20 > --=20 > Sensationsangebot verl=E4ngert: GMX FreeDSL - > Telefonanschluss + DSL=20 > f=FCr nur 16,37 Euro/mtl.!* > http://dsl.gmx.de/?ac=3DOM.AD.PD003K1308T4569a=0A=0A=0A From Loopers-Delight-request@loopers-delight.com Thu Dec 4 00:02:22 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 6984D3BEC5; Thu, 4 Dec 2008 00:02:22 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=UOvhpn/cx6fLsRUnUqTuVMsdQkyjEwIzCTTjkvfa2L44HJVaWxruV0YrHWuMgI0guogwT1jTwoVf1+VDs+MWsEa7W0NPXTkDIuhkOd0BpuBg9juC8z+fGG4KqKsFEwZs1WPc3UUdYKU4GEQIaUBuoSRBc2zRuhSHt1SBFdkZ/9U=; X-YMail-OSG: tUFKbuoVM1lUQuG4MOiFdu37_w3aZWmjuKZcoT1UaqwM1R9O31gh1KWDXj6Hm.8SdaS688N96KnLxRfkfmOThi32pi8hTi78F2m9VXyPcbD5ewH8O63Pkcu0cx6DWh4ZYi3LPzFk7op9xRKsCyyVT41jyaTt5_5alM4.vvw_ZhcFltDHcfmkm.Lq2fHzjg8sVipcA2BZ8KEd0Gg- X-Mailer: YahooMailWebService/0.7.260.1 Date: Wed, 3 Dec 2008 16:02:20 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: effective mobius,mixer and soundcard routing To: Loopers-Delight@loopers-delight.com In-Reply-To: <20081203103515.c71b480zk0s4wow8@mail.kevinkissinger.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <743498.21141.qm@web38602.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86072 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 00:02:22 +0000 (UTC) Thanx kevin,yes this is the way ive always routed my EDps with a hardware mixer,aux send to edp and out to a channel.Actually this is the way i cnnected my soundcard right away as soon as i got it but i was getting weird oscilating and noise results and i figured out it was because i had to turn all the faders down the software mixer,in other words i was using 2 mixers at the same time.It sounds great now! However i am still not completely satisfied because there is a soundcard to connect,a hardware mixer and a laptop to worry about,compared to my hardware setup i still dont see many advantages to this(setup time wise) except for the felxiblity of mobius and software/soundcard pristine sound quality. www.myspace.com/luisangulocom --- On Wed, 12/3/08, kkissinger@kevinkissinger.com wrote: > From: kkissinger@kevinkissinger.com > Subject: Re: effective mobius,mixer and soundcard routing > To: Loopers-Delight@loopers-delight.com > Date: Wednesday, December 3, 2008, 8:35 AM > Forgot to mention: > > Make sure the button on the "Stereo Graphic EQ" > strip is in the "UP" (Main Mix) position. > > Also, on the FX section, make sure the FX to MON pot is all > the way to the left. > > The bottom line: make sure all of your MON send pots are > all the way to the left except for the strips that you want > to send to your laptop looper. > > -- Kevin > > Quoting kkissinger@kevinkissinger.com: > > > Regardless of the mixer, to accomplish what you want > you would need to > > configure your looper (in this case, your > laptop/Mobius system) as a > > SEND EFFECT. > > > > The profx8 has two Sends, namely the MON and FX sends. > > > > Since you want to use your onboard reverb your FX send > is already tied > > up, so that leaves the MON send. > > > > For your return (I assume you want a stereo return) > use either your > > 9/10 or 11/12 strip. This will allow you to send your > laptop's output > > to the FX buss. Be sure that your MON send is turned > down -- else you > > will get feedback. Also, make sure that the FX to MON > pot is turned > > down else you'll get feedback. > > > > Remember, you don't have to use the ST RETURN to > return send effects. > > Also, the ST return can be used as two additional > mixer inputs > > (although this input doesn't have any EQ, panning, > or sends). > > > > The MAIN OUT will go to your speakers. > > > > Hope this helps :) > > > > -- Kevin > > > > Thus, you would hook > > > > > > Quoting "L.Angulo" > : > > > >> Hi loopers, > >> i have different instruments plugged in to my > compact pro fx8 mackie mixer then i go stereo out of the > mixer into my soundcard and from there straight into the > speakers.My soundcards fireiwre out straight into my > macbook and mobius.Everything is cool,except when i puse my > loops it sounds very abrupt and dry because there is no > post proccesing.I would like to therefore take avantage of > my mixers eqs and reverb to warmup the sound coming out of > the soundcard before it goes into the speakers. > >> What would be the most effective way to route > this,is it possible to bring back the outs of the > soundcard back into the mixer without creating feedback? > >> my mixer does not have alt 3/4 outs,but here is > the specs: > >> http://www.mackie.com/products/profx8/ > >> thanx for your tips! > >> Luis > >> > >> > >> > >> www.myspace.com/luisangulocom > >> > >> > >> > >> > >> From Loopers-Delight-request@loopers-delight.com Thu Dec 4 00:12:21 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 5D40B3BEA6; Thu, 4 Dec 2008 00:12:21 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=MZJlg1Bfuulk3jutbHM18Ba1p0R9n9JDpFcHPMISrAEydr4/VKT8qrOFuVSzPFd5Jk/dWi1yKc1qoS7YXFqjbMLFj5BDWnCHZB+/sKdvt4WHcDMR+RPjQbDYo45xXu89bPUJPPkI9Jg23WRdHjkS6V++vRSsIWUvkDRDjDBAwEY=; X-YMail-OSG: KggX07AVM1kJvUoqiULzfMaCwVHprV81PnKPEhliGlDv9gaRfPKEJuNKqENSJfMsOEo5IXsavzGv8URsyiG29OvFV9CvB5RepEb8E4we3KxtEOG0hjwiMb7.rROGP6u5MPxUn63oxU8FIm84Vz79dsB1Orc- X-Mailer: YahooMailWebService/0.7.260.1 Date: Wed, 3 Dec 2008 16:12:20 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: Alternate Guitar Tunings (OT) To: Loopers-Delight@loopers-delight.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <268010.76865.qm@web38604.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86073 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 00:12:21 +0000 (UTC) i use that one all the time,in fact used it in this tune: http://www.vimeo.com/groups/livelooping/videos/2376974 a cool variation of it is tuning down the A to G for that x-tra drone effect Luis > On Wed, Dec 3, 2008 at 1:22 PM, Buzap Buzap > wrote: > > > > > Excellent link with sound examples! > > > > My favorite open tuning - I hardly ever see it - is > Low C: > > C G D G A D > > > > So, it's like DADGAD but only with a C G D in the > bottom. > > In fact, Low C (C G D) in the bottom is my favorite > starting point because From Loopers-Delight-request@loopers-delight.com Thu Dec 4 00:40:47 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 91C9B3BEC1; Thu, 4 Dec 2008 00:40:47 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Yahoo-Newman-Property: ymail-3 X-Yahoo-Newman-Id: 944401.50395.bm@omp408.mail.sp1.yahoo.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=Oi+uGYqMpbnaLNZbOrmhReSmLZvT8wlrHz55QVUnmS0RSUfj1Ha8qiqO18ERP7xVg+A+cIVTFfaNEqHuCEK5DEvuOwjsMEC5smMVnD7TwO6X20o1MZBALrK1XR18yTmXbqGs8/xuiMKcEV2+Ym5v6DvhEuMJ+Y4roCl5gwrOXSc=; X-YMail-OSG: 601gA_MVM1nIqWKz2KXraJ4pk56VuVO8w78.m6euHYTK4MZlWCVgSby6HlM_BpzQrRz2vcBqV_FhCs3Lix7WGAG.TttysozUu1p3_p8P9oRF9QyhCeKzgQH0Y3nOQN00SCgrkWdi6xvO54ElhNGEbnk4qWVH3.UMH8tv_zNipTDDWzckQoolOgw4pSgc X-Mailer: YahooMailWebService/0.7.260.1 Date: Wed, 3 Dec 2008 16:40:45 -0800 (PST) From: Tim Nelson Reply-To: psychle62@yahoo.com Subject: Re: Alternate Guitar Tunings (OT) To: Loopers-Delight@loopers-delight.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <730689.25393.qm@web45306.mail.sp1.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86074 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 00:40:47 +0000 (UTC) Hmmm, I use diggidygad (DGDGAD) so much of the time; CGDGAD's only one tweak away... -t- http://www.myspace.com/nimbletunes http://cdbaby.com/all/timnelson http://www.youtube.com/speleman62 --- On Wed, 12/3/08, Travis Hartnett wrote: > C G D G A D is actually pretty popular these days. It seems > to pop up in many interviews in the last few years. From Loopers-Delight-request@loopers-delight.com Thu Dec 4 03:23:56 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id B4B403BEA6; Thu, 4 Dec 2008 03:23:56 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Reply-To: From: "William Walker" To: Subject: Re: Gordius foot controller user experiences Date: Wed, 3 Dec 2008 19:23:49 -0800 Message-ID: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_000B_01C9557C.AE830EA0" X-Mailer: Microsoft Office Outlook 11 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.5579 Thread-Index: AclVv7l+0eEYym7BTI262A4rE2hjDg== Resent-Message-ID: <_TvsQ.A.ug.M10NJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86075 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 03:23:56 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_000B_01C9557C.AE830EA0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit A precise estimation???? better break out the real time analyzer. I can tell you that the Gordius is quieter Behringer but at a different frequency. The Behringer has a kind of hollow and a slightly lower frequency and there can be a creakiness to the sound of the pedals spring over time as well as slight transformer noise. The Gordius has a slight click if you press normally, and virtually no click if you press very lightly, which as Andy pointed out, most people don't do, as most of us probably hit our foot pedals harder than we need to, particularly when creating rhythmic loops. The Gordius is quieter than the footswitches on a line 6 DL-4 and the M-13, and quieter than Roland switches such as their FS-5U momentary switches and their loop pedals. Part of the issue is how the midi foot controller itself can contribute to the noise. A typical MFC is a metal box, essentially a resonant chamber that will amplify any mechanical noise. Springs, which all of the midi foot controllers I'm aware of have, also contribute to the mechanical noise. Then there are relays which also have a bit of mechanical noise that a metal chassis will amplify a bit. Perhaps some strategic placement of foam inside of a MFC might dampen some of the mechanical noise. I've never tried that I assume you are trying to start you loops with open mics present, Rainer? In a live situation the noise is negligible. In the studio, with sensitive mics present, you might get a little bit of mechanical noise but I don't think it would be significant. I did have a bit of trouble with the Gordius at first as, Luis was so kind to point out :-). I also had trouble with the manual for the FCB1010 when I first got it. Unlike the Behringer however, Xavier at Gordius really helped me get going and understand the architecture. I go to the Behringer customer service web site if I want to have an exercise in futility or listen to Muzak for several minutes. I like the fact that with the little Giant, each bank can have 12 presets if I assign the two aux switch jacks on the back to control extra looper functions. I use two FS-5U switches and two EV-5 expression pedals which I have globally set to volume and feedback. I'm really happy with the Gordius. The footswitch buttons are a little close together but I have gotten used to that after having to reach further on an FCB1010. Actually its made looping while playing lap steel easier because I don't have to reach out so far with my feet. Pound for pound, the best MFC on the planet IMHO. Bill ------=_NextPart_000_000B_01C9557C.AE830EA0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Re: Gordius foot controller user experiences

A precise estimation???? better break out the real = time = analyzer I can tell you that = the Gordius = is quieter Behringer but at a different frequency.  The Behringer has a kind of hollow and a slightly lower frequency and there can be = a creakiness to the sound of the pedals spring over = time as well as slight transformer = noise.  = The Gordius has a slight  click if you press = normally, and virtually no click if you press very lightly, which as Andy pointed = out, most people dont do, as most of us = probably hit our foot pedals harder than we need to, particularly when creating rhythmic loops. = The Gordius is quieter than the = footswitches on a line 6  DL-4 and the = M-13, and quieter = than = Roland switches  such as their FS-5U momentary switches and their loop = pedals. Part of the issue is how = the midi foot controller itself can contribute to the noise. A typical MFC is a metal = box, = essentially a resonant chamber that = will amplify any mechanical noise.  Springs, which all of the midi foot = controllers Im aware of have, also contribute to the mechanical noise. = Then there are relays which also have a bit of mechanical noise that a = metal = chassis will amplify a = bit.  Perhaps some = strategic placement of foam inside of a MFC might dampen some of the = mechanical noise.  Ive never tried that

 I assume you are trying to start you loops = with open mics present, Rainer?  In a live situation the noise is negligible. In the = studio,  with sensitive mics present, you might get a little bit = of mechanical noise  but I dont think it would be significant.  I did have a bit of trouble with the Gordius at first = as,  Luis was so kind to = point out J. I also had trouble with = the manual for the FCB1010 when I first got it. Unlike = the Behringer however, Xavier = at Gordius really helped me get = going and understand the architecture.  I go to the Behringer customer service web site  = if I want to have an exercise = in futility or listen to Muzak for several minutes.  I like the fact that = with the little Giant, each bank can have 12 presets if I assign the two = aux switch jacks on the back to control extra looper functions. I use = two FS-5U switches and two EV-5 expression pedals which I have globally set to volume and = feedback. Im really happy with the = Gordius. The footswitch buttons are a little close together but I have gotten = used to that after having to reach further on an = FCB1010. Actually its made looping = while playing lap steel easier because I dont have to reach out so far = with my feet. Pound for pound, the best = MFC on the planet IMHO.

 Bill

------=_NextPart_000_000B_01C9557C.AE830EA0-- From Loopers-Delight-request@loopers-delight.com Thu Dec 4 03:51:44 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 310763BEBA; Thu, 4 Dec 2008 03:51:44 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <60036.72.22.1228362707.squirrel@www.andredonawa.com> In-Reply-To: <66f9cc1e0812031330t2e1b5636v439309fae3564646@mail.gmail.com> References: <66f9cc1e0812031330t2e1b5636v439309fae3564646@mail.gmail.com> Date: Wed, 3 Dec 2008 23:51:47 -0400 (AST) Subject: Re: song uploaded for sharing: "The Yogi and the Commissar" From: =?iso-8859-1?Q?Andr=E9_Donawa?= To: Loopers-Delight@loopers-delight.com User-Agent: Hostbaby Webmail MIME-Version: 1.0 Content-Type: text/plain;charset=iso-8859-1 Content-Transfer-Encoding: 8bit X-Priority: 3 (Normal) Importance: Normal Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86076 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 03:51:44 +0000 (UTC) Great stuff Per, I would love to see how you do that live. Any chance of including Barbados on your next tour? On Wed, December 3, 2008 5:30 pm, Per Boysen wrote: > If anyone's is in the mood for listening I just posted a looping heavy > song here: > > http://www.ubetoo.com/Artist.taf?_ArtistId=6550 > > >>"The Yogi and the Commissar" >> >> About the song: >> I wanted to give my three sexiest instruments three minutes to make out >> on the web. >> They took three fifty three. >> >> Equipment: >> Alto Flute, Tenor Sax, Stratocaster Electric Guitar, >> Electric Wind Controller (EWI 9000s), >> Mobius looping software, >> Logic Pro recording software. > > I had a problem finding a proper style tag and finally settled for "jazz". > > Per > > Andre Donawa http://www.andredonawa.com http://cdbaby.com/all/andredonawa http://www.myspace.com/andredonawa From Loopers-Delight-request@loopers-delight.com Thu Dec 4 04:59:42 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 5D7093BEBA; Thu, 4 Dec 2008 04:59:42 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <493763BC.2010902@cruzio.com> Date: Wed, 03 Dec 2008 20:59:40 -0800 From: Rick Walker User-Agent: Thunderbird 2.0.0.18 (Windows/20081105) MIME-Version: 1.0 To: "LOOPERS DELIGHT (posting)" Subject: Re: Alternate Guitar Tunings (OT) Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86077 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 04:59:42 +0000 (UTC) My favorite altered tuning and a list of resources for many more down below: I'm just in love with D A D E on a four string fretted or fretless bass. This sus2 tuning gives beautiful Lydian bar chords and lends itself to really simple sus chord diadic and triadic chord shapes. I'm just over using the hell out of it in the last year. I even tuned my twelve string steel acoustic to this tuning D A D E D D This gives a full 8 strings of D so the open tuning stuff just sounds like a shimmering god. It's just beautiful...................... I'm not a guitarist , but I play one on stage occasionally, by the way........not in my brother, or Ted's league by any stretch of the imagination, but I love the though of using the guitar as almost an open tuned Zither. I love that David Crosby once had a D D D D D D open tuned guitar on a tune. I even have two tribes at www.tribe.net called Weird Guitar (for people using guitars in unusual, exotic and creative 'out of the box' ways) and Weird Zither (for people doing the same thing..............I have a Guitar as Zither thread on the Weird Zithers tribe you might want to check out. *********** *********** I was fortunate to record a few records and to tour with the wonderful Alternate Tuning guru, Britain's Martin Simpson for a while and he hipped me to a lot of cool things. He has a theory that there are five basic simple chord shapes and that, once learned, can be morphed around on any number of altered tunings for a guitar to produce really beautiful results. I can highly recommend his book on Alternate Tunings and this book/DVD package called *MARTIN SIMPSON TEACHES ALTERNATE TUNINGS* http://www.guitargallerymusic.com/shopping.php?do=display_product&item_number=AL20415 Additionally, I've enjoyed these books excellent books by Mark Hanson *THE ALTERNATE TUNINGS GUIDE FOR GUITARS *(one of those cool , fit in the guitar case slender books) and his larger *THE COMPLETE BOOK OF ALTERNATE TUNINGS * by Mark Hanson and a very cool picture chord book: *ALTERNATE TUNINGS PICTURE CHORDS* From Loopers-Delight-request@loopers-delight.com Thu Dec 4 05:31:58 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 64CD23BEC2; Thu, 4 Dec 2008 05:31:58 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha1; d=embarqmail.com; s=s012408; c=relaxed/simple; q=dns/txt; i=@embarqmail.com; t=1228368717; h=From:Subject:Date:To:MIME-Version:Content-Type; bh=/xAppnt1zaGemVMKSkj6OU/H5ak=; b=Q2uT5OjxjGsx/QVPD9GhSaQPf+zupZ/hfPgxMjPJbSUdyjJ8LrFFajwjghY+1mS+ /CPQq4tuNGFgdZLkspz2R4ojdWBigKQzYSgvu6bQCNSJTyVKfkyvsC4Yr8xaYKCY; X_CMAE_Category: 0,0 Undefined,Undefined X-CNFS-Analysis: v=1.0 c=1 a=aOJQyK3ix-UA:10 a=owJb5sxAAAAA:8 a=Uy6y2-kGAAAA:8 a=oCcaPWc0AAAA:8 a=5P9isR1xNiVjCP5KnYUA:9 a=8nwc6D8qpYyDMLuZceAA:7 a=2y22tn4xuLmpkpCd1jfyw2Z4facA:4 a=xlFEUnP2xB5xcVXr0Udx6XVty70=:19 a=pQ2a0EFxmsAA:10 a=br5QjLurtgQA:10 a=gi0PWCVxevcA:10 X-CM-Score: 0 X-Scanned-by: Cloudmark Authority Engine Authentication-Results: smtp04.embarq.synacor.com smtp.user=jeff_d@embarqmail.com; auth=pass (LOGIN) Message-ID: <001e01c955d1$9fcc1e10$0202a8c0@YOUR08D5303051> From: "Jeff Duke" To: References: <493763BC.2010902@cruzio.com> Subject: Re: Alternate Guitar Tunings (OT) Date: Thu, 4 Dec 2008 00:31:56 -0500 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3198 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86078 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 05:31:58 +0000 (UTC) I always liked Adrian Belews old tuning E A D A B E. He used it alot on Twang Bar King and the 80s Crimson release Three of a Perfect Pair . Jeff ----- Original Message ----- From: "Rick Walker" To: "LOOPERS DELIGHT (posting)" Sent: Wednesday, December 03, 2008 11:59 PM Subject: Re: Alternate Guitar Tunings (OT) > My favorite altered tuning and a list of resources for many more down > below: > > I'm just in love with D A D E on a four string fretted or fretless bass. > > This sus2 tuning gives beautiful Lydian bar chords and lends itself to > really simple > sus chord diadic and triadic chord shapes. > > I'm just over using the hell out of it in the last year. > > I even tuned my twelve string steel acoustic to this tuning > > D A D E D D > > This gives a full 8 strings of D so the open tuning stuff just sounds > like a shimmering > god. It's just beautiful...................... > > I'm not a guitarist , but I play one on stage occasionally, by the > way........not in my brother, or Ted's league by any stretch > of the imagination, but I love the though of using the guitar as > almost an open tuned Zither. > > I love that David Crosby once had a D D D D D D open tuned guitar on a > tune. > > I even have two tribes at www.tribe.net called Weird Guitar (for > people using guitars in unusual, exotic and creative > 'out of the box' ways) and Weird Zither (for people doing the same > thing..............I have a Guitar as Zither thread > on the Weird Zithers tribe you might want to check out. > > *********** > *********** > > I was fortunate to record a few records and to tour with the wonderful > Alternate Tuning guru, Britain's Martin Simpson > for a while and he hipped me to a lot of cool things. He has a theory > that there are five basic simple chord shapes and that, once learned, > can be morphed around on any number of altered tunings for a guitar to > produce really beautiful results. > > I can highly recommend his book on Alternate Tunings > and this book/DVD package called > *MARTIN SIMPSON TEACHES ALTERNATE TUNINGS* > http://www.guitargallerymusic.com/shopping.php?do=display_product&item_number=AL20415 > > Additionally, I've enjoyed these books excellent books by Mark Hanson > *THE ALTERNATE TUNINGS GUIDE FOR GUITARS *(one of those cool , fit in > the guitar case slender books) > and his larger > *THE COMPLETE BOOK OF ALTERNATE TUNINGS * by Mark Hanson > and a very cool picture chord book: > *ALTERNATE TUNINGS PICTURE CHORDS* > -------------------------------------------------------------------------------- No virus found in this incoming message. Checked by AVG - http://www.avg.com Version: 8.0.176 / Virus Database: 270.9.13/1826 - Release Date: 12/3/2008 9:34 AM From Loopers-Delight-request@loopers-delight.com Thu Dec 4 06:00:27 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id EFD823BEC2; Thu, 4 Dec 2008 06:00:26 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: From: To: References: <493763BC.2010902@cruzio.com> <001e01c955d1$9fcc1e10$0202a8c0@YOUR08D5303051> In-Reply-To: <001e01c955d1$9fcc1e10$0202a8c0@YOUR08D5303051> Subject: Re: Alternate Guitar Tunings (OT) Date: Thu, 4 Dec 2008 00:00:23 -0600 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=response Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Windows Mail 6.0.6001.18000 X-MimeOLE: Produced By Microsoft MimeOLE V6.0.6001.18049 X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - server316.tchmachines.com X-AntiAbuse: Original Domain - loopers-delight.com X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - michaelplishka.com Resent-Message-ID: <5sb1GD.A.Dp.6H3NJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86079 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 06:00:26 +0000 (UTC) Anyone ever tried this for looping? From Loopers-Delight-request@loopers-delight.com Thu Dec 4 06:01:21 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 8E96E3BEC9; Thu, 4 Dec 2008 06:01:21 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <860B66CF3CCF4C5DA6C132BA60C3A104@MichaelPC> From: To: Subject: High tech tapping Date: Thu, 4 Dec 2008 00:01:17 -0600 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=response Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Windows Mail 6.0.6001.18000 X-MimeOLE: Produced By Microsoft MimeOLE V6.0.6001.18049 X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - server316.tchmachines.com X-AntiAbuse: Original Domain - loopers-delight.com X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - michaelplishka.com Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86080 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 06:01:21 +0000 (UTC) Anyone ever tried this for looping? http://zenstorming.posterous.com/portable-idea-creator-and-reco From Loopers-Delight-request@loopers-delight.com Thu Dec 4 06:54:48 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id AF9063BEC5; Thu, 4 Dec 2008 06:54:48 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-ME-UUID: 20081204065447271.422857000084@mwinf2b07.orange.fr Mime-Version: 1.0 (Apple Message framework v624) To: Loopers-Delight@loopers-delight.com Message-Id: <3345ce92e3fa1788dbf340102f5d8912@laposte.net> Content-Type: multipart/alternative; boundary=Apple-Mail-1-958383496 From: o.malhomme@laposte.net Subject: Alternate Guitar Tunings (OT) Date: Thu, 4 Dec 2008 07:54:46 +0100 X-Mailer: Apple Mail (2.624) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86081 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 06:54:48 +0000 (UTC) --Apple-Mail-1-958383496 Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset=US-ASCII; format=flowed My primary source of experiment is... Joni Mitchell. My regular tuning is std tuning down to C because I have a baritone. But since I worked with a VG8 and now with a VG99, the machine has been a place to experiment tuning wise. I have a soft spot for the california kitchen tuning and for the Hejira tuning... Olivier Malhomme --Apple-Mail-1-958383496 Content-Transfer-Encoding: 7bit Content-Type: text/enriched; charset=US-ASCII Lucida GrandeMy primary source of experiment is... Joni Mitchell. My regular tuning is std tuning down to C because I have a baritone. But since I worked with a VG8 and now with a VG99, the machine has been a place to experiment tuning wise. I have a soft spot for the california kitchen tuning and for the Hejira tuning... Olivier Malhomme --Apple-Mail-1-958383496-- From Loopers-Delight-request@loopers-delight.com Thu Dec 4 07:45:49 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id B1B993BEC5; Thu, 4 Dec 2008 07:45:49 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=q+rgyxZXbUfaBmijAoyNpJM2vxHskU3V49LLgMAj1Ns=; b=uB/9UdgvhG5ysZniiJGABWYN05544NjuVCv3oOzVOuYyoSiIoYSGJTTFd6I/YLgV/1 V65mIhGh8wjcz4DItt+JBIn1bKAPQhP3RC40v9gKCJomdB7m1DSfsRuB7JhbBe6aIVn0 ChrLTDEn6GcRNRsN0N4h2E5YSF4x+p2RG+3s4= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=bfKb9VkFQcEnBIrko62UWuQesSaMKBACUyQ1WbLjiTVvOFQhS4NIHtPmGOsuyMvfeE ER+TAtcecZv5QX1PnGTUwm8IAr7pEGa0+70eD4LG4FcHByHdtujuPQWDAvrvYwuRI6aA AeIRUkIYO1XgMDP2aMw5xJ98JjC9nGmr2lVz0= Message-ID: <66f9cc1e0812032345o774184f4icf68471698fc2c0@mail.gmail.com> Date: Thu, 4 Dec 2008 08:45:48 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Re: effective mobius,mixer and soundcard routing In-Reply-To: <743498.21141.qm@web38602.mail.mud.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <20081203103515.c71b480zk0s4wow8@mail.kevinkissinger.com> <743498.21141.qm@web38602.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86082 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 07:45:49 +0000 (UTC) >> >> Hi loopers, >> >> i have different instruments plugged in to my >> compact pro fx8 mackie mixer then i go stereo out of the >> mixer into my soundcard and from there straight into the >> speakers.My soundcards fireiwre out straight into my >> macbook and mobius.Everything is cool,except when i pause my >> loops it sounds very abrupt and dry because there is no >> post proccesing.I would like to therefore take avantage of >> my mixers eqs and reverb to warmup the sound coming out of >> the soundcard before it goes into the speakers. >> >> What would be the most effective way to route >> this,is it possible to bring back the outs of the >> soundcard back into the mixer without creating feedback? Use another two channels on the mixer to take the soundcard output as their inputs and insert some reverb. Just make sure those two channels are routed to the speaker and not back into the soundcard's input, because that would create some horrible feedback. I use the same kind of rig, ie no post loop processing. However I play my instruments through reverb, pre looper, and I would never do like you are saying: simply pausing my loops. The way I do it is to play something on my instrument as I pause my loops - in order to have the reverb treated live sound mask the dry loop ending (loops are not "dry" though, since lots of reverb are recorded as part of the loops, but that even makes it sound more odd when you simply mute them without covering up on the live instrument) -- Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.myspace.com/perboysen www.stockholm-athens.com From Loopers-Delight-request@loopers-delight.com Thu Dec 4 07:58:48 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id EC41F3BECC; Thu, 4 Dec 2008 07:58:47 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:sender :to:subject:in-reply-to:mime-version:content-type:references :x-google-sender-auth; bh=6x6mYEreRDkV8OXHO96KQaUj6dIJu7w8sRZDLiH5i0g=; b=F5dMZjoW4xyZi4vKKF5ob8UBkLUUlT8LjeH79RCIKUIBxh0N4Cb2Q95IRQsiJBchyo kZrmRwfdy+cmgf8eNOR5OamFHFc2WsNwpSlICCSfYzroF4s0sLlCY51lP8Xq6xCbAo+Y BcB5fh0TN0RhZL5e8sMS39ntG2PLo15rZ1OKQ= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:sender:to:subject:in-reply-to:mime-version :content-type:references:x-google-sender-auth; b=KTlyWKwPPXnTdrxaxwvv1VYH0zut4z3xCXA0udTbywG71FwZUZHiGxAjRmRv/GjJJY pj+JV+DEi7T4XmDtzQUrkZG2fhjw3q1h0NdxAknS9ePFf5WmuBd5M7RRr8J+1j9ekWHR CmSsZqtRXsjxTfnUxrcsv+2LH9/InPNR4JYNk= Message-ID: <9ab0c76f0812032358i5a6e01edm494f024c6f31827e@mail.gmail.com> Date: Thu, 4 Dec 2008 08:58:45 +0100 From: "mark francombe" Sender: markfrancombe@gmail.com To: Loopers-Delight@loopers-delight.com Subject: Re: High tech tapping In-Reply-To: <860B66CF3CCF4C5DA6C132BA60C3A104@MichaelPC> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_26574_21121006.1228377525629" References: <860B66CF3CCF4C5DA6C132BA60C3A104@MichaelPC> X-Google-Sender-Auth: 8652eb361a775804 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86083 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 07:58:47 +0000 (UTC) ------=_Part_26574_21121006.1228377525629 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline I couldnt see that it was an actual product... isnt this a product designers ideas portfolio? Looks nice thought, bet you could make one with a few sensors / pietzos and whatnots... might have a go tonight... I think I have a lonely single glove somewhere... :-) On Thu, Dec 4, 2008 at 7:01 AM, wrote: > Anyone ever tried this for looping? > http://zenstorming.posterous.com/portable-idea-creator-and-reco > > -- www.markfrancombe.com http://vimeo.com/user825094 http://uk.youtube.com/user/markfrancombe http://www.myspace.com/markfrancombe www.looop.no ------=_Part_26574_21121006.1228377525629 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline I couldnt see that it was an actual product... isnt this a product designers ideas portfolio? Looks nice thought, bet you could make one with a few sensors / pietzos and whatnots... might have a go tonight... I think I have a lonely single glove somewhere... :-)
 
On Thu, Dec 4, 2008 at 7:01 AM, <mike@michaelplishka.com> wrote:
Anyone ever tried this for looping?
http://zenstorming.posterous.com/portable-idea-creator-and-reco




--
www.markfrancombe.com
http://vimeo.com/user825094
http://uk.youtube.com/user/markfrancombe
http://www.myspace.com/markfrancombe
www.looop.no
------=_Part_26574_21121006.1228377525629-- From Loopers-Delight-request@loopers-delight.com Thu Dec 4 08:16:34 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 2BBB73BECD; Thu, 4 Dec 2008 08:16:33 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=ZMeolajqMdvFNCUAL4MkQN6qv3KO9UDC3TX4fKBtNRA=; b=dddHvDjl9cAVMvILraDx3lf/CG0ZbBLc74j7F87pB4sGzoXe4zjWOKOXvPAYNtMPtN njQvkcWgDqGNXk7YU75P5nVBD8tarVXvM/GnEyJ4GqKHvernZFDvarh4Ds57WbmJcEz8 Qt2t5FJWGeTxAR1CCbi5lTV+yD3I/eD/jvqxI= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=qRtdLTPKxRsakodYZKCiChfppCn1ohRZkhQLhdOe6HV3k1NpS+yfq7vy1CTn0e1r9h C6wHI2D+Sk1GpUR5/vIed5RxaoP/p3w//xIdzMrSuelpnhxb0mTODt17XPHRVxpgTyCN hXOSfOVhs5hY+CNuo1QH+iaAqXh528lo+GC94= Message-ID: <66f9cc1e0812040016x11bf116clef4ca82425f82aa1@mail.gmail.com> Date: Thu, 4 Dec 2008 09:16:33 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Re: song uploaded for sharing: "The Yogi and the Commissar" In-Reply-To: <60036.72.22.1228362707.squirrel@www.andredonawa.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline References: <66f9cc1e0812031330t2e1b5636v439309fae3564646@mail.gmail.com> <60036.72.22.1228362707.squirrel@www.andredonawa.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86084 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 08:16:33 +0000 (UTC) On Thu, Dec 4, 2008 at 4:51 AM, Andr=E9 Donawa wrot= e: > Great stuff Per, > I would love to see how you do that live. Looping that music live would exclude the non-vocal percussion though, unless I play together with a drummer. And you wouldn't hear all three melody instruments right from the beginning, since I would have to play them one after the other into a four minute loop. When making that recording I performed the flute/voc looping first and had it saved to overdub the sax and guitar take. You can't expect listeners to sit around waiting for eight minutes before the third instruments comes around ;-)) > Any chance of including Barbados on your next tour? He, he... next gig happens april 8 on the Swedish west coast. Not sure I will be able to extend that "tour" to Barbados, even though I'd love doing that ;-)) Per From Loopers-Delight-request@loopers-delight.com Thu Dec 4 08:27:53 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 4C7B63BECF; Thu, 4 Dec 2008 08:27:53 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=VoYZRVAwxQyPARfDDf0imQ+OGXQHsBchFBaMliMDKtubkpgcJMT0dGhvnFnT9XdzEoul2SRsg2YgPBFiTw4/L9jbI9FYS4txHo5y7owLPdQ+uVFpoNOhEaf319aL0RSpRhS4FC/VmS0DRzNiWw3mrnP+9j9Zg+2zVH2DlKKYlv0=; X-YMail-OSG: DGtoQGMVM1mB5Tr4XwBelN817BdU5COgovExMSUIiXhNvmkwU1YAPqsF4cX5irnkrYV3EK1msw4ClKpOfFTD9wcg95y2SN8.CvBQ.eepbx3QzLAWOLTRTl3Cra8P4sjfl5z1U4qMj_URSCPVkKm2tBWLlwM- X-Mailer: YahooMailWebService/0.7.260.1 Date: Thu, 4 Dec 2008 00:27:52 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: effective mobius,mixer and soundcard routing To: Loopers-Delight@loopers-delight.com In-Reply-To: <66f9cc1e0812032345o774184f4icf68471698fc2c0@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <233079.13876.qm@web38607.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86085 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 08:27:53 +0000 (UTC) sometimes i like to increase the reverb very high while an agressive loop is going,pause the loop abruptly and while the reverb is trailing off fade in something else,yes sometimes i like that mechanical angular feel when you have every other instrument treated with reverb and you pause it abruptly and the retrigger it nice effect! i dint use many efx for the acoustic other than a couple of stomps,delay octave and boost,i an content with the mackies complementary eq and reverb. Luis > I use the same kind of rig, ie no post loop processing. > However I play > my instruments through reverb, pre looper, and I would > never do like > you are saying: simply pausing my loops. The way I do it is > to play > something on my instrument as I pause my loops - in order > to have the > reverb treated live sound mask the dry loop ending (loops > are not > "dry" though, since lots of reverb are recorded > as part of the loops, > but that even makes it sound more odd when you simply mute > them > without covering up on the live instrument) > > -- > Greetings from Sweden > > Per Boysen > www.boysen.se (Swedish) > www.looproom.com (international) > www.myspace.com/perboysen > www.stockholm-athens.com From Loopers-Delight-request@loopers-delight.com Thu Dec 4 08:33:37 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 23FEF3BED6; Thu, 4 Dec 2008 08:33:37 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=FbC6JSwDR885lew3n2ctU94kgpary5SU4rlCLT0fbzFookUWrLb8/oS/++9P7vbvjtYYwKrtZ0DKoLm5D+jAHWfEqpHPU5BTA+WPUzsR1M+9Zlmglyg1AXxvwsd+WQ9xvh5jANYzyx0rvVYnASHARVRHqwGXkCHkphP6eWyJ0AM=; X-YMail-OSG: engBqa0VM1kNYbFtTzkGXRa.804oMXMn2R9HLvUt2JMbjSf0X.jYxB1oPeOEffKQnaUEtCsHBQdGtBbLuOkb80zqBPHqPlExVGiDqDw6YDNa.vcYB6__ketxwbMawm0ZqnCSBP4r9Qh6vAABHjmksGsce9J_QQ4SGJi2EyxJ.LREsPp0vjluNo8eGgU_yXFkaJi9g9yxq2HOYpI- X-Mailer: YahooMailWebService/0.7.260.1 Date: Thu, 4 Dec 2008 00:33:35 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: Alternate Guitar Tunings (OT) To: Loopers-Delight@loopers-delight.com In-Reply-To: <001e01c955d1$9fcc1e10$0202a8c0@YOUR08D5303051> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <852622.6997.qm@web38602.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86086 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 08:33:37 +0000 (UTC) yeah! he said he is content with that one and his low budget one EADABE www.myspace.com/luisangulocom --- On Wed, 12/3/08, Jeff Duke wrote: > From: Jeff Duke > Subject: Re: Alternate Guitar Tunings (OT) > To: Loopers-Delight@loopers-delight.com > Date: Wednesday, December 3, 2008, 9:31 PM > I always liked Adrian Belews old tuning E A D A B E. He used > it alot on > Twang Bar King and the 80s Crimson release Three of a > Perfect Pair . > > Jeff > > ----- Original Message ----- > From: "Rick Walker" > To: "LOOPERS DELIGHT (posting)" > > Sent: Wednesday, December 03, 2008 11:59 PM > Subject: Re: Alternate Guitar Tunings (OT) > > > > My favorite altered tuning and a list of resources for > many more down > > below: > > > > I'm just in love with D A D E on a four string > fretted or fretless bass. > > > > This sus2 tuning gives beautiful Lydian bar chords and > lends itself to > > really simple > > sus chord diadic and triadic chord shapes. > > > > I'm just over using the hell out of it in the last > year. > > > > I even tuned my twelve string steel acoustic to this > tuning > > > > D A D E D D > > > > This gives a full 8 strings of D so the open tuning > stuff just sounds > > like a shimmering > > god. It's just beautiful...................... > > > > I'm not a guitarist , but I play one on stage > occasionally, by the > > way........not in my brother, or Ted's league by > any stretch > > of the imagination, but I love the though of using > the guitar as > > almost an open tuned Zither. > > > > I love that David Crosby once had a D D D D D D open > tuned guitar on a > > tune. > > > > I even have two tribes at www.tribe.net called > Weird Guitar (for > > people using guitars in unusual, exotic and creative > > 'out of the box' ways) and Weird Zither > (for people doing the same > > thing..............I have a Guitar as Zither thread > > on the Weird Zithers tribe you might want to check > out. > > > > *********** > > *********** > > > > I was fortunate to record a few records and to tour > with the wonderful > > Alternate Tuning guru, Britain's Martin Simpson > > for a while and he hipped me to a lot of cool things. > He has a theory > > that there are five basic simple chord shapes and > that, once learned, > > can be morphed around on any number of altered tunings > for a guitar to > > produce really beautiful results. > > > > I can highly recommend his book on Alternate Tunings > > and this book/DVD package called > > *MARTIN SIMPSON TEACHES ALTERNATE TUNINGS* > > > http://www.guitargallerymusic.com/shopping.php?do=display_product&item_number=AL20415 > > > > Additionally, I've enjoyed these books excellent > books by Mark Hanson > > *THE ALTERNATE TUNINGS GUIDE FOR GUITARS *(one of > those cool , fit in > > the guitar case slender books) > > and his larger > > *THE COMPLETE BOOK OF ALTERNATE TUNINGS * by Mark > Hanson > > and a very cool picture chord book: > > *ALTERNATE TUNINGS PICTURE CHORDS* > > > > > -------------------------------------------------------------------------------- > > > > No virus found in this incoming message. > Checked by AVG - http://www.avg.com > Version: 8.0.176 / Virus Database: 270.9.13/1826 - Release > Date: 12/3/2008 > 9:34 AM From Loopers-Delight-request@loopers-delight.com Thu Dec 4 08:49:09 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 559943BED6; Thu, 4 Dec 2008 08:49:09 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=tY0u6+lveF9IhOgt+f4hZnNjghxl4/JH7t9cxMysUHc=; b=KtsGpqdppyEdToR3yr8SsXyTXm2ghgp0PmXaQaXlWka4ZL77jbhKSvLbBUnz+FsmGu 1CkZ8G6joThSvQ+1vRjkv11neb9xqB26m095DUDuOOA8Hzaeb8mZwVp0foY8/0k3Fhau oaymN8oX1lNdvNguBUE65qU6xhba4AtqlWsEw= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=k7sD72gICgdKa/u3+tbitr8jN2SQ8Dacd6tnsnq6tv2duiCCjoTQoJk5AzCzBi/BE3 eN+4T5699fMDUU5M9XBnQWA0mMjueC3SlCdCBj4MBye/oY3moKTZflA/L6lbvX+3Mia0 8FnOqQ6GUs/3uDU8DIHwI3Cz+qtx2zOXtfUhY= Message-ID: <66f9cc1e0812040049k3de3df95rf7d10da02ee3f529@mail.gmail.com> Date: Thu, 4 Dec 2008 09:49:08 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Re: effective mobius,mixer and soundcard routing In-Reply-To: <233079.13876.qm@web38607.mail.mud.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <66f9cc1e0812032345o774184f4icf68471698fc2c0@mail.gmail.com> <233079.13876.qm@web38607.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86087 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 08:49:09 +0000 (UTC) On Thu, Dec 4, 2008 at 9:27 AM, L.Angulo wrote: > sometimes i like to increase the reverb very high while an agressive loop is > going,pause the loop abruptly and while the reverb is trailing off fade in something else, Yes, that's a nice trick! I tend to like dub style tape delay loops as well. Not using it for loops now, since I'm limited to Mobius standalone version, but I have set up some such effect chains in MainStage. But I can't get loops into that effect machinery, just the live sound. If ever there will be an AU version of Mobius I'd like to build a rig in Bidule that has these kind of trippy effect chains as an option for every loop track output (as well as for my instrument input). I will not use reverb at all in that setup, rather "tape delay faking reverb" (which I'm starting to like better in some ways) -- Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.myspace.com/perboysen www.stockholm-athens.com From Loopers-Delight-request@loopers-delight.com Thu Dec 4 08:57:38 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id CA6153BEDC; Thu, 4 Dec 2008 08:57:38 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=8XTtaOu5Ur1kPXG10YmA//bkqh+V1HRqrX+WwAjLWuE=; b=tWauXwjXAvf0DdauX7mJ4lvDquxr6ADEOB7RbBcwl9psfgu7JzYJ8l++aUq9z6Al0D pnJHds2+Ew1YyOWHrsfiq87xKxan19cfASlpvGyEcALLaobAxytwkuGyEkBBXXWkqpo1 IEEumwaP+CCQlldOfO1S0r3O6mGpGlL57MVtY= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=KNEeSBrRtWtzmY8nNaM9UHUIAvy2j74LVdR2PFBtl0Cz4qo8UAxfmyltGmmyMKwwxz p3zGbiQ9Ov43y2P/GvlyvYjA0MUcbncpCUEcT8RV+GvvKOa9U3rNg0lDxExpXrB1wdSK o5UdxUKCxDGmEVc2V7bwVZKgt5b4+fcTwiWsc= Message-ID: <66f9cc1e0812040057p1270f9d6w8ceef5817616c8f9@mail.gmail.com> Date: Thu, 4 Dec 2008 09:57:38 +0100 From: "Per Boysen" To: Loopers-Delight@loopers-delight.com Subject: Re: Alternate Guitar Tunings (OT) In-Reply-To: <852622.6997.qm@web38602.mail.mud.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <001e01c955d1$9fcc1e10$0202a8c0@YOUR08D5303051> <852622.6997.qm@web38602.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86088 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 08:57:38 +0000 (UTC) Once I was talking to a guy that used G-G-G-G-G-G. A bit spectacular maybe. Another good tuning for zing-zing-a-zing backing acoustic is to change the three lower strings to thinner strings that are tuned the same but one octave higher. Then you simply play the chords as usual and get kind of minimal chords, never wider than a triad, but with a very rich and layered tone. For recording, in a pop band context, this is an awesome trick. The problem with recording acoustic guitar is always that it has too much bass, so why not simply take out those too bassy strings and add three more of the strings that sound good in a mix together with drums, bass and vocals! Lush! per From test@omegadirective.de Thu Dec 4 11:04:07 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com X-Greylist: delayed 132285 seconds by postgrey-1.27 at arsenic; Thu, 04 Dec 2008 11:04:06 UTC Received: from omegadirective.de (omegadirective.de [88.198.45.181]) by arsenic.violacea.com (Postfix) with ESMTP id EAB533BECF for ; Thu, 4 Dec 2008 11:04:05 +0000 (UTC) Date: Mon, 01 Dec 2008 10:27:02 +0100 Subject: Dear customer , Envelope-To: loook_for_me_187@hotmail.com,loop.troop@yahoo.com,loop301@yahoo.com,loop4343@aol.com,looparc@arsenic.violacea.com,looparc@loopers-delight.com,loopdecarp@aol.com,loopers-delight@arsenic.violacea.com,loopers-delight@loopers-delight.com,loopers-delight-d-request@loopers-delight.com,loopers-delight-request@loopers-delight.com,loopers-deswitlight@loopers-delight.com,loopie@dalton.net,loopmonkey1@aol.com,loopmonkey1@yahoo.com,looppool@cruzio.com,loopyyarns@sbcglobal.net,loorbost@aol.com,looree426@yahoo.com,loos@univision.com,loosa26@swbell.net,loosebruce77@yahoo.com,loosebunch@arczip.com,loosecannon310@yahoo.com,loosecanoon@yahoo.com,loosecolt@earthlink.net,looseconnection@chartermi.net,looseefur@yahoo.com,looselipps2@aol.com,loosemoose813@aol.com,loosemoosedesigns@blackfoot.net,looser987@cheatcc.com,loosescrewstap@yahoo.com,loosethreadfilms@yahoo.com,looseyourself265@yahoo.com,looslemk@sisna.com,loostman@tutortime.com,lop@unitelc.com,lop506@aol.com,lop8308@yahoo.com Message-ID: <0000025235@omegadirective.de> From: "test" Organization: Omega Directive Received: from (66.197.199.197 [66.197.199.197]) by omegadirective.de; Mon, 01 Dec 2008 10:30:01 +0100 Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset="Windows-1251" Content-Transfer-Encoding: 7bit X-Priority: 1 X-MSMail-Priority: High X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 To: undisclosed-recipients:; Dear Capital One Bank customer, We recently reviewed your account, and suspect that your Capital One Online Banking account may have been accessed from an unauthorized computer. This may be due to changes in your IP address or location. Protecting the security of your account and of the Capital One Bank network is our primary concern. We are asking you to immediately login and report any unnoticed password changes, unauthorized withdrawals or deposits, and check you account profile to make sure no changes have been made. To protect your account please follow the instructions below: * DO NOT SHARE YOUR PASSWORD WITH OTHER USERS * LOG OFF AFTER USING YOUR ONLINE ACCOUNT Please click the following link, to verify your account activity: http://otsukimi.net/capitalone/online/profile.php We apologize for any inconvenience this may cause, and appreciate your assistance in helping us maintaining the integrity of the entire Capital One Bank system. Please login as soon as possible. Thank you, Capital One Bank Security Advisor. From Loopers-Delight-request@loopers-delight.com Thu Dec 4 11:16:55 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id A523C3BED2; Thu, 4 Dec 2008 11:16:55 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Date: Thu, 4 Dec 2008 12:16:52 +0100 Message-Id: Subject: Re: effective mobius,mixer and soundcard routing MIME-Version: 1.0 X-Sensitivity: 3 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable From: "Sjaak" To: "Loopers-Delight" X-XaM3-API-Version: 4.1 (B54) X-type: 0 X-SenderIP: 145.7.91.126 X-DCC-scarlet.be-Metrics: eir; whitelist Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86089 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 11:16:55 +0000 (UTC) Btw: the idea about the Motu ultralite-mk3 is good one, that seems a flex= ible and good audio card. I can get a Sound On Sound review if you want, = just let me know. Always fun to talk about designing flexible looping rigs! I would expect = that what Luis wants should be possible but it=92s seems not so easy. I=92= ve been investigating a 100% software rig too but correct me if I=92m wro= ng, the problem has been and seems to be a flexible integration of the mi= xer, looper (pre/post FX) and the routing to the audio card. Plus I would= like to see it working with a low CPU soft synth in a Mainstage like arc= hitecture. It would be fantastic to have something like this all in a sma= ll laptop. Imo, a disadvantage of this type of configurations is that you= first have to invest a big amount of money before you can start trying i= t out without being sure it=92s going to work. But things are constantly = improving so I=92m watching these threads closely. An alternative combo I=92m personally thinking of is the LP1, Line 6 M13 = + a MFC. Yes, it=92s hardware but the combined specs look very promising.= The M13 has stereo FX send/returns and you can put your own external dev= ice (eg EDP or LP1) anywhere in the FX chain of the M13. So something lik= e pre-fx 1,2,3 =3D> looper =3D> post-fx or pre-fx 1,2,3,4 =3D> looper is all be possible. By using the M13 scenes (setups) you can change the s= tomp box + FX send/return setup on the fly. --- Sjaak http://www.livelooping.be/ http://www.overgaauw.be/ http://www.myspace.com/sjaakovergaauw=0A --- Reeds meer dan 2000 Scarlet klanten betalen geen abonnement meer! Doe mee en surf ook gratis! >> http://www.scarlet.be/nl/mgm From Loopers-Delight-request@loopers-delight.com Thu Dec 4 12:37:10 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 9A82F3BED9; Thu, 4 Dec 2008 12:37:10 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha1; d=embarqmail.com; s=s012408; c=relaxed/simple; q=dns/txt; i=@embarqmail.com; t=1228394229; h=From:Subject:Date:To:MIME-Version:Content-Type; bh=zf6pOmiMrGo83X9UhNrmimP/qlg=; b=dQQcKEAwHOnmaKJS6QZ33JFTix6MF82QHugknzw4YXBi09uAbKbS40ejYLduFb94 Wk/D6MxYmZvoUsVc/3OyMfZdtABdvzMnHzGBdHrdf3rQmZeV4ytSxmTMqTJywA+9; X_CMAE_Category: 0,0 Undefined,Undefined X-CNFS-Analysis: v=1.0 c=1 a=aOJQyK3ix-UA:10 a=8pif782wAAAA:8 a=RuyKgJuBAAAA:8 a=owJb5sxAAAAA:8 a=Uy6y2-kGAAAA:8 a=oCcaPWc0AAAA:8 a=EGOCxotNctk6RyJI7QAA:9 a=jch6sw-Hf6t55i8AU90A:7 a=qXTjx8ZIzy0OXHe4RfIR6MWaMq0A:4 a=xlFEUnP2xB5xcVXr0Udx6XVty70=:19 a=rC2wZJ5BpNYA:10 a=br5QjLurtgQA:10 a=cvn8laQl214A:10 a=pQ2a0EFxmsAA:10 a=zp32dUusXW0A:10 X-CM-Score: 0 X-Scanned-by: Cloudmark Authority Engine Authentication-Results: smtp03.embarq.synacor.com smtp.user=jeff_d@embarqmail.com; auth=pass (LOGIN) Message-ID: <003d01c9560d$065dbd60$0202a8c0@YOUR08D5303051> From: "Jeff Duke" To: References: <852622.6997.qm@web38602.mail.mud.yahoo.com> Subject: Re: Alternate Guitar Tunings (OT) Date: Thu, 4 Dec 2008 07:37:09 -0500 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3198 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86090 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 12:37:10 +0000 (UTC) right Louis, That was in response to Robert Fripps NST http://en.wikipedia.org/wiki/New_Standard_Tuning When KC reformed after Fripp had changed. he was described as grimacing from learning all the old stuff in NST. It's amazing that after changing tunings RF still sounded exactly like RF.... His students The California Guitar Trio also use the New Standard tuning with great results J http://www.myspace.com/loopsinphasespace ----- Original Message ----- From: "L.Angulo" To: Sent: Thursday, December 04, 2008 3:33 AM Subject: Re: Alternate Guitar Tunings (OT) > yeah! he said he is content with that one and his low budget one > EADABE > > www.myspace.com/luisangulocom > > > --- On Wed, 12/3/08, Jeff Duke wrote: > >> From: Jeff Duke >> Subject: Re: Alternate Guitar Tunings (OT) >> To: Loopers-Delight@loopers-delight.com >> Date: Wednesday, December 3, 2008, 9:31 PM >> I always liked Adrian Belews old tuning E A D A B E. He used >> it alot on >> Twang Bar King and the 80s Crimson release Three of a >> Perfect Pair . >> >> Jeff >> >> ----- Original Message ----- >> From: "Rick Walker" >> To: "LOOPERS DELIGHT (posting)" >> >> Sent: Wednesday, December 03, 2008 11:59 PM >> Subject: Re: Alternate Guitar Tunings (OT) >> >> >> > My favorite altered tuning and a list of resources for >> many more down >> > below: >> > >> > I'm just in love with D A D E on a four string >> fretted or fretless bass. >> > >> > This sus2 tuning gives beautiful Lydian bar chords and >> lends itself to >> > really simple >> > sus chord diadic and triadic chord shapes. >> > >> > I'm just over using the hell out of it in the last >> year. >> > >> > I even tuned my twelve string steel acoustic to this >> tuning >> > >> > D A D E D D >> > >> > This gives a full 8 strings of D so the open tuning >> stuff just sounds >> > like a shimmering >> > god. It's just beautiful...................... >> > >> > I'm not a guitarist , but I play one on stage >> occasionally, by the >> > way........not in my brother, or Ted's league by >> any stretch >> > of the imagination, but I love the though of using >> the guitar as >> > almost an open tuned Zither. >> > >> > I love that David Crosby once had a D D D D D D open >> tuned guitar on a >> > tune. >> > >> > I even have two tribes at www.tribe.net called >> Weird Guitar (for >> > people using guitars in unusual, exotic and creative >> > 'out of the box' ways) and Weird Zither >> (for people doing the same >> > thing..............I have a Guitar as Zither thread >> > on the Weird Zithers tribe you might want to check >> out. >> > >> > *********** >> > *********** >> > >> > I was fortunate to record a few records and to tour >> with the wonderful >> > Alternate Tuning guru, Britain's Martin Simpson >> > for a while and he hipped me to a lot of cool things. >> He has a theory >> > that there are five basic simple chord shapes and >> that, once learned, >> > can be morphed around on any number of altered tunings >> for a guitar to >> > produce really beautiful results. >> > >> > I can highly recommend his book on Alternate Tunings >> > and this book/DVD package called >> > *MARTIN SIMPSON TEACHES ALTERNATE TUNINGS* >> > >> http://www.guitargallerymusic.com/shopping.php?do=display_product&item_number=AL20415 >> > >> > Additionally, I've enjoyed these books excellent >> books by Mark Hanson >> > *THE ALTERNATE TUNINGS GUIDE FOR GUITARS *(one of >> those cool , fit in >> > the guitar case slender books) >> > and his larger >> > *THE COMPLETE BOOK OF ALTERNATE TUNINGS * by Mark >> Hanson >> > and a very cool picture chord book: >> > *ALTERNATE TUNINGS PICTURE CHORDS* >> > >> >> >> -------------------------------------------------------------------------------- >> >> >> >> No virus found in this incoming message. >> Checked by AVG - http://www.avg.com >> Version: 8.0.176 / Virus Database: 270.9.13/1826 - Release >> Date: 12/3/2008 >> 9:34 AM > > > > -------------------------------------------------------------------------------- No virus found in this incoming message. Checked by AVG - http://www.avg.com Version: 8.0.176 / Virus Database: 270.9.13/1828 - Release Date: 12/4/2008 8:05 AM From Loopers-Delight-request@loopers-delight.com Thu Dec 4 13:02:49 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 1598F3BEDA; Thu, 4 Dec 2008 13:02:48 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <018c01c95610$996e7bf0$0500000a@ERDEMOLD> From: "Erdem Helvacioglu" To: Subject: OT : viol guitar Date: Thu, 4 Dec 2008 15:02:44 +0200 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0189_01C95621.5CBEAFC0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3198 Resent-Message-ID: <_Be3GC.A.VQH.4T9NJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86091 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 13:02:48 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_0189_01C95621.5CBEAFC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable hi, i will be in USA in march, in california and NY. i plan to buy a togaman violguitar ( electric model ) handmade in LA. i = plan to use this new instrument on future ECM recordings and such. has = anyone played this instrument? what are your thoughts about it? here is = the link for it. http://www.togamanguitars.com/guitarviols/index.php also would you recommend any other violguitar models, brands that i = should check out before i make my final decision about which one to buy? = i can pay as much as 4000$. thanks a lot as always. best regards. Erdem Helvacioglu www.erdemhelvacioglu.com www.myspace.com/erdemhelvacioglu * * * * * * * * * * * * * * * * * * * * "Altered Realities" album is out on New Albion Records: chosen as"Album of the year 2007" by All About Jazz Magazine www.newalbion.com/NA_CDS/NA131/NA131.htm www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=3D8-1= /qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF8 ------=_NextPart_000_0189_01C95621.5CBEAFC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
hi,
 
i will be in USA in march, in california and NY.
 
i plan to buy a togaman violguitar ( electric model ) handmade = in LA.=20 i plan to use this new instrument on future ECM recordings and such. has = anyone played this instrument? what are your thoughts about it? = here is the=20 link for it.
 
http://www.t= ogamanguitars.com/guitarviols/index.php
 
also would you recommend any other violguitar models, brands that i = should=20 check out before i make my final decision about which one to buy? i = can pay=20 as much as 4000$.
 
thanks a lot as always. best regards.
 
Erdem Helvacioglu
www.erdemhelvacioglu.com
= www.myspace.com/erdemhel= vacioglu
*=20 * * * * * * * * * * * * * * * * * * *
"Altered Realities" album is = out on New=20 Albion Records:
chosen as"Album of the year 2007" by All About Jazz=20 Magazine
www.newalbion.co= m/NA_CDS/NA131/NA131.htm
www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A= /sr=3D8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF= 8
------=_NextPart_000_0189_01C95621.5CBEAFC0-- From Loopers-Delight-request@loopers-delight.com Thu Dec 4 13:57:54 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 8C7193BEDE; Thu, 4 Dec 2008 13:57:54 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:mime-version:content-type; bh=2YatNLVjIzj+MYY7Oa2U1aNnyaSLguF/AYX0Z9npyBU=; b=v2JtBeQRQZ+tykMLpS525IV4mBplFVPFGyBSpoJqt2Twnct3HdYDSwpvgtRrlC3dRF kZTWS61FzoWJ+tCS+ifZynDRiHYnnG1tYO4MnaPMNNHvnUHSJ5cE3Xn331OnYeIFF68C I82dnYm54azTfXzlMwctpxqQrGVph0OBTHajA= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:mime-version:content-type; b=IqiqsYxbfHE8p+d1hclOk0G887UuSIIFWJ15ZRu8wLt15TnqxaHFaYKs45crREFmzj 0Cr9CottxfkpGicZ7mDk4KHnBZ07Dx7S8Rr/Y5jUn3ss7xPrFXsKYbEoT26mu/ysoVyz a3UO5LEmBJMQroTCpFsOMcQmD7ljAApjhdImM= Message-ID: <71eda9170812040557o328a4f9era63a7e3a5dbaca87@mail.gmail.com> Date: Thu, 4 Dec 2008 14:57:52 +0100 From: "Giovanni De Sisto" To: Loopers-Delight@loopers-delight.com Subject: Boss RC-50. Switcing Patch on stage. Loop End mode. It does not work! MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_4864_33443598.1228399072702" Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86092 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 13:57:54 +0000 (UTC) ------=_Part_4864_33443598.1228399072702 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Hi everyone! I'm an italian guitar player. I've got a Boss RC-50 Loop Station since 2006. As the title, i've a problem with this. Follow me: 1. I record a pharse(4/4 120 btm) on pedal phrase one on patch one. 2. I save recorded phrase on patch one 3. I copy patch one into patch two. 4. Both patch are setting on "Loop End" mode (When a switch in patches or the current phrase is carried out, recording or playback of the next designated patch or phrase begins once the end of the current phrase (length of the current loop when Loop Sync is on in Multi mode) is reached). 5. I start playng path one. 6. I select patch two with the knob (or pedals, there is no difference). 7. When patch one ends to play I wish that patch two start immidiately... but is not!!! [image: Eek] There is a delay time between the end of the execution of patch one and the start of the execution of patch two! it'sounds orrible and is not possible to sync well with the drummer! Does anyone got the same problem? Does anyone found the solution? thanks for reply! ------=_Part_4864_33443598.1228399072702 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Hi everyone!
I'm an italian guitar player. I've got a Boss RC-50 Loop Station since 2006.
As the title, i've a problem with this.
Follow me:
1. I record a pharse(4/4 120 btm) on pedal phrase one on patch one.
2. I save recorded phrase on patch one
3. I copy patch one into patch two.
4. Both patch are setting on "Loop End" mode (When a switch in patches or the current phrase is
carried out, recording or playback of the next
designated patch or phrase begins once the end
of the current phrase (length of the current loop
when Loop Sync is on in Multi mode) is reached).
5. I start playng path one.
6. I select patch two with the knob (or pedals, there is no difference).
7. When patch one ends to play I wish that patch two start immidiately... but is not!!! Eek
There is a delay time between the end of the execution of patch one and the start of the execution of patch two! it'sounds orrible and is not possible to sync well with the drummer!

Does anyone got the same problem?
Does anyone found the solution?
thanks for reply! ------=_Part_4864_33443598.1228399072702-- From Loopers-Delight-request@loopers-delight.com Thu Dec 4 15:03:32 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 79EAC3BE89; Thu, 4 Dec 2008 15:03:32 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Mime-Version: 1.0 (Apple Message framework v624) In-Reply-To: References: <193419.2219.qm@web45913.mail.sp1.yahoo.com> <20081203212205.223020@gmx.net> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Message-Id: <77c599c8c8267625fd873bb5c7e2ec3c@charter.net> Content-Transfer-Encoding: quoted-printable From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= Subject: (OT) Re: Alternate Guitar Tunings Date: Thu, 4 Dec 2008 07:03:25 -0800 To: Loopers-Delight@loopers-delight.com X-Mailer: Apple Mail (2.624) X-Chzlrs: 0 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86093 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 15:03:32 +0000 (UTC) Yeah, It's apparently a tuning that Clapton uses a lot. I forgot to mention that I also use a VG99 and adore what the "All Es"=20= re-tuning on that it does to my tuning. I have no idea what tuning it wind up being but I've used that quite a=20= bit live. The B-bender feature is slick too. On Dec 3, 2008, at 2:53 PM, Travis Hartnett wrote: > C G D G A D is actually pretty popular these days.=A0 It seems to pop = up=20 > in many interviews in the last few years. > > TH= From Loopers-Delight-request@loopers-delight.com Thu Dec 4 15:10:45 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 419E83BEA6; Thu, 4 Dec 2008 15:10:45 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Mime-Version: 1.0 (Apple Message framework v624) In-Reply-To: <66f9cc1e0812040057p1270f9d6w8ceef5817616c8f9@mail.gmail.com> References: <001e01c955d1$9fcc1e10$0202a8c0@YOUR08D5303051> <852622.6997.qm@web38602.mail.mud.yahoo.com> <66f9cc1e0812040057p1270f9d6w8ceef5817616c8f9@mail.gmail.com> Content-Type: text/plain; charset=US-ASCII; format=flowed Message-Id: <283c3096c46fabf36aad82cd1a5aeb2a@charter.net> Content-Transfer-Encoding: 7bit From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= Subject: Re: Alternate Guitar Tunings (OT) Date: Thu, 4 Dec 2008 07:10:43 -0800 To: Loopers-Delight@loopers-delight.com X-Mailer: Apple Mail (2.624) X-Chzlrs: 0 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86094 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 15:10:45 +0000 (UTC) If I recall, that' an old Nasville country music recording trick. You can hear it on many C&W hits of the 50s, 60s and 70s. Not done so much any more though. On Dec 4, 2008, at 12:57 AM, Per Boysen wrote: > Another good tuning for zing-zing-a-zing backing acoustic is to > change the three lower strings to thinner strings that are tuned the > same but one octave higher. Then you simply play the chords as usual > and get kind of minimal chords, never wider than a triad, but with a > very rich and layered tone. From Loopers-Delight-request@loopers-delight.com Thu Dec 4 15:15:06 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id CA2133BEC0; Thu, 4 Dec 2008 15:15:06 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=OFNBpupvzVwPC6+7BRSGcK/EcGEgby6AR4N+qgzR6wZOEKkcXD/uoH1TNdbVeMnhdtNI/iuTcFZHbEZUDMPRdUQQ+4VZLblmgOJR40un+y1Gw227RTWzr/6LcUZpY79mIFHsMdax1hU2G3qNxXHzQD+0pWIWXJVvHPMJPxU5DAI=; X-YMail-OSG: DZDG5_8VM1nhb5W5RdbMn6nbO.GAlvADQxK3b.UoMyW5uk94xSjwLLckpGuWWRvBYAgdJreOPIbBTyopSBqKQmDP2St49Xtxe97jsOdbwcpnZLMtgRfQIpgs4S9D6DvdyWvMHBwZS7F2emyRwu9THmxJshRTu1GaN0dqCLhsJ3nuE5ba8SPdOVXQgw-- X-Mailer: YahooMailWebService/0.7.260.1 Date: Thu, 4 Dec 2008 07:15:04 -0800 (PST) From: "L.Angulo" Reply-To: Loopers-Delight@loopers-delight.com Subject: Re: (OT) Re: Alternate Guitar Tunings To: Loopers-Delight@loopers-delight.com In-Reply-To: <77c599c8c8267625fd873bb5c7e2ec3c@charter.net> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable Message-ID: <463523.22281.qm@web38605.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86095 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 15:15:06 +0000 (UTC) wow Ted it does the b-bender? can you do other pedal steel bendings with it as well? > I have no idea what tuning it wind up being but I've > used that quite a bit live. >=20 > The B-bender feature is slick too. >=20 > On Dec 3, 2008, at 2:53 PM, Travis Hartnett wrote: >=20 > > C G D G A D is actually pretty popular these days.=A0 > It seems to pop up in many interviews in the last few years. > >=20 > > TH=0A=0A=0A From Loopers-Delight-request@loopers-delight.com Thu Dec 4 15:39:00 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 969333BEC0; Thu, 4 Dec 2008 15:39:00 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Mime-Version: 1.0 (Apple Message framework v624) In-Reply-To: <463523.22281.qm@web38605.mail.mud.yahoo.com> References: <463523.22281.qm@web38605.mail.mud.yahoo.com> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Message-Id: <2f9a14a4e5076f2810b149f713e095f0@charter.net> Content-Transfer-Encoding: quoted-printable From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= Subject: Re: (OT) Re: Alternate Guitar Tunings Date: Thu, 4 Dec 2008 07:38:54 -0800 To: Loopers-Delight@loopers-delight.com X-Mailer: Apple Mail (2.624) X-Chzlrs: 0 Resent-Message-ID: <7K58L.A.gfF.Um_NJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86096 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 15:39:00 +0000 (UTC) Luis, There is no particular reason why you couldn't. There are 2 expression pedals on the FC300 (controller) and jacks for=20 more CV pedals on both it and the VG99 (brain). It might be tricky to program . . . but I bet a lot of fun could be had=20= trying. I may just try it myself. I always wanted t play lap and/or pedal steel but could never get=20 comfortable with the hand-over-the-fretboard technique. I gave away my lap steel a few years ago to a friend who could already=20= play it better in 5 minutes than I could in 5 years. You can't teach an old dog new tricks they say. I guess I'm proof it's true. Ted On Dec 4, 2008, at 7:15 AM, L.Angulo wrote: > wow Ted it does the b-bender? > can you do other pedal steel bendings with it as well? > > > > >> I have no idea what tuning it wind up being but I've >> used that quite a bit live. >> >> The B-bender feature is slick too. >> >> On Dec 3, 2008, at 2:53 PM, Travis Hartnett wrote: >> >>> C G D G A D is actually pretty popular these days.=A0 >> It seems to pop up in many interviews in the last few years. >>> >>> TH > > > > From Loopers-Delight-request@loopers-delight.com Thu Dec 4 15:54:48 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 6639F3BEC9; Thu, 4 Dec 2008 15:54:48 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:in-reply-to:mime-version:content-type :content-transfer-encoding:content-disposition:references; bh=WL6yb+b5XOTnm0qjnw0aZsRSO15e12T37wU5XKfHaz4=; b=l4WkQxqu4HM4h+a4Jf4GK0LTm2GDK4yJ2cZpPxbf/Lm7j12914EEMbOQzJujDGQPAE MSf2MP4fW2MXWJpjPgq72KU5nlHWk4WTomgzgFpoSs3GbwghxpcWn84juuDS9yb6Rzpn HrPaxNbt7ToO3VECXHPE+pIn4L/NHBBOdfH1s= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version :content-type:content-transfer-encoding:content-disposition :references; b=pcNes46qfw4CM83Y7V/sKpYVuLUHBxTvc2E0fYE1tZq14arHgDJxZCT12a67I8v8nI r4X3aSFbAlt9dpTknJHx0tJTDcTENfoS+Ug1gcX8A8xMm26nCqgo9FyIRdrAPSK4rrom ajiYZuP4a8rQCkRdeApqS3nTLW9yrj6mw3sUk= Message-ID: Date: Thu, 4 Dec 2008 09:54:47 -0600 From: "Mark Smart" To: Loopers-Delight@loopers-delight.com Subject: Re: OT : viol guitar In-Reply-To: <018c01c95610$996e7bf0$0500000a@ERDEMOLD> MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <018c01c95610$996e7bf0$0500000a@ERDEMOLD> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86097 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 15:54:48 +0000 (UTC) I played one of these a couple of years ago at the NAMM show...WAY COOL! Easy to play and sounds like an electric violin. I was having a blast playing it. Wish I had the money to buy one! I probably will one of these days. You won't be disappointed. -- Mark Smart http://cdbaby.com/cd/marksmart http://www.marksmart.net From Loopers-Delight-request@loopers-delight.com Thu Dec 4 15:57:09 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id EC6E03BEC7; Thu, 4 Dec 2008 15:57:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <4937FDD0.3000804@mhorse.com> Date: Thu, 04 Dec 2008 09:57:04 -0600 From: Daryl Shawn User-Agent: Thunderbird 2.0.0.18 (Windows/20081105) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: Alternate Guitar Tunings (OT) References: <001e01c955d1$9fcc1e10$0202a8c0@YOUR08D5303051> <852622.6997.qm@web38602.mail.mud.yahoo.com> <66f9cc1e0812040057p1270f9d6w8ceef5817616c8f9@mail.gmail.com> <283c3096c46fabf36aad82cd1a5aeb2a@charter.net> In-Reply-To: <283c3096c46fabf36aad82cd1a5aeb2a@charter.net> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/86098 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Thu, 4 Dec 2008 15:57:08 +0000 (UTC) Yup, called the "Nashville tuning" in fact (though traditionally it changes the bottom four strings, using a 12-string set). Pat Metheny uses it a lot, in particular on his "One Quiet Night" record, albeit on a baritone guitar. I played exclusively in DADGCF for five years, which was great for rock and helped me break out of certain ruts, but I never use alternate tunings anymore because I know I'll never be as comfortable as in standard tuning. I always want to be able (or aspire to be able) to play what jumps into my head at any given time, and playing in a different tuning is a handicap, to me, for that goal. Daryl Shawn www.swanwelder.com www.chinapaintingmusic.com > If I recall, that' an old Nasville country music recording trick. > > You can hear it on many C&W hits of the 50s, 60s and 70s. > > Not done so much any more though. > > On Dec 4, 2008, at 12:57 AM, Per Boysen wrote: > >> Another good tuning for zing-zing-a-zing backing acoustic is to >> change the three lower strings to thinner strings that are tuned the >> same but one octave higher. Then you simply play the chords as usual >> and get kind of minimal chords, never wider than a triad, but with a >> very rich and layered tone. From Loopers-Delight-request@loopers-delight.com Thu Dec 4 16:02:01 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 7D1E13BECD; Thu, 4 Dec 2008 16:02:01 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Content-Type: text/plai