From Loopers-Delight-request@loopers-delight.com Sat Mar 1 01:08:27 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id C1C2C3BEE4; Sat, 1 Mar 2008 01:08:27 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Date: Fri, 29 Feb 2008 20:07:36 -0500 From: Bill Fox Subject: The AM/FM Show Playlist for February 23, 2008 To: undisclosed-recipients:; Message-id: <47C8AC58.6080506@soundscapes.us> MIME-version: 1.0 Content-type: text/plain; charset=ISO-8859-1; format=flowed Content-transfer-encoding: 7bit User-Agent: Thunderbird 1.5.0.12 (Windows/20070509) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79017 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 01:08:27 +0000 (UTC) http://soundscapes.us/amfm/playlists/2008/080223.html The AM/FM Show has two alternating hosts. When I am at the helm, expect to hear electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix of other genres. The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7 FM and on the internet. I also host Afterglow every Thursday from 8:00 am to 9:30 am. Show #124 February 23, 2008. On this program, I continued the special on Sequences electronic music magazine. Each contemporary issue comes with a CD. However, the early isses came with a cassette. Issues one through thirteen have been remastered and are now available on CDR in plastic slip covers with artwork and track details. Details are at http://sequencesmagazine.com Phase I/Space: ARTIST TRACK ALBUM (label) ==================== ==================== ============================== VA [Michael Shipway] Arrival Sequences No. 1 VA [Steve Charlton] Intensity Sequences No. 1 VA [Carl Matthews] unknown Sequences No. 1 VA [Dace Thompson] Journey Through the Sequences No. 1 Wastelands Transeive Emor Femus Intrigue (Champagne Lake) The Tangent Project Foregone 2006/2007 Compilation (none) Phase II/Eclectic: ARTIST TRACK ALBUM (label) ==================== ==================== ============================== Elivia Melodey The Gnomes Embrace Terra Firma (none) Mico Nonet Paper Sailboat The Marmalade Balloon (Mico Nonet) Mico Nonet The Marmalade The Marmalade Balloon (Mico Balloon Nonet) Mico Nonet Between Two Trees The Marmalade Balloon (Mico Nonet) Mico Nonet Notturno The Marmalade Balloon (Mico Nonet) Mico Nonet Uyku The Marmalade Balloon (Mico Nonet) Phase III/Progressive Rock: ARTIST TRACK ALBUM (label) ==================== ==================== ============================== Port Mahadia I of the Storm Echoes In Time (Giordano) Amaran's Plight Coming of Age Voice in the Light (Progrock) Amaran's Plight Incident at Voice in the Light (Progrock) Haldeman's Lake Amaran's Plight Reflections Part 1 Voice in the Light (Progrock) Ayreon Ride the Comet 01011001 (InsideOut) Ayreon Web of Lies 01011001 (InsideOut) * = excerpt ++ = Advanced CDR from artist VA = Various Artists (compilation) On the next show, I will continue the special on the sampler CDRs that come with each issue of Sequences electronic music magazine. Bill ====================================================================== Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00). Phase 1: Electronic, ambient, and space music to bring you back from "Beyond the Barriers." Phase 2: Mixed bag of acoustic, electric, pop, or New Age. Phase 3: Progressive rock from past masters to contemporary releases. Web Site - http://soundscapes.us/amfm Listen to WMUH Allentown locally at 91.7 FM or on-line at http://www.muhlenberg.edu/wmuh and click the REAL AUDIO link or go directly to rtsp://helix.muhlenberg.edu:554/broadcast/live.rm Playlists are also published at http://billfox.blogspot.com RSS (2.0) feed from http://billfox.blogspot.com/rss.xml Atom (0.3) feed from http://billfox.blogspot.com/atom.xml ====================================================================== The progdj list is the central clearing house for radio playlists of Progressive Rock programs. Tired of joining dozens of mailing lists to post playlists or track airplay? The progdj list solves that problem. The progdj list is the place to go in order to see playlists and CD and concert reviews by DJs of progressive rock-friendly radio programs. Anyone interested in seeing playlists can join. There is NO SPAM because I keep the spammers out before the members ever see any hint of it. The progdj list is for DJs (obviously!) and band members, record label personnel, promoters, managers, and anyone else interested in seeing what gets played on the air. Need to find who is playing prog on the radio? Go to the progdj list. To join, go to http://groups.yahoo.com/group/progdj and click on the [Join This Group!] link. ====================================================================== From Loopers-Delight-request@loopers-delight.com Sat Mar 1 01:24:44 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 46CEC3BEF5; Sat, 1 Mar 2008 01:24:44 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:sender:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:content-disposition:references:x-google-sender-auth; bh=Nl+2BwG2gencUZRVxkRDzL2LXeboRbyPXizUEpJGDTg=; b=ZbCvcNJxUhTwm0n1loXS60gUcE2kiUfS3wRTQQmgD6vLVwyqFkB4RM4OFZ4Sy0JHQIJS15CL6MQHKNt4H4ElUHZGMH8q7gRViWT0oCxhi78UgDDxz4P0AYm7EQiP/9HDR2d1R1Al2qkqO06lvI0zwLjGM14MdtbOC3Om1ao36Fw= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:sender:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:content-disposition:references:x-google-sender-auth; b=Sbw41AdTwWZZzOKNadYA5qK3PL0NSk+I0GndhJI52QiGd2g2eJq0py5WmWFZZf+cCDBCGGo5FjpFfJwybQFyZfbLDSB7tuVSoYTHKfq68UTP+Ndmuk1CUbuZkxl659LdLKfcuB/mBzqn4VxhZICC+y67fXjCUAfSt/5dYIiEe4Q= Message-ID: <26ba8d120802291724w15fc51fmaf8b0d6083204049@mail.gmail.com> Date: Fri, 29 Feb 2008 20:24:41 -0500 From: "Tom Ritchford" Sender: tom.ritchford@gmail.com To: Loopers-Delight@loopers-delight.com Subject: Re: Let's complain to Roland en masse! (was Re: Boss RC50 delay issues) In-Reply-To: <44D05C6A-83AA-464B-927E-2CEDD2272A7B@mac.com> MIME-Version: 1.0 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: 7bit Content-Disposition: inline References: <26ba8d120802251440n7c7cbb48yc174d9127d6288cd@mail.gmail.com> <83D9E5D1-2E61-44A8-B61C-FED3CF886ED4@mac.com> <26ba8d120802260024k50923fffg11f1fb9fa0f5b92e@mail.gmail.com> <47C3D0F4.9040007@tiscali.co.uk> <26ba8d120802261101x60cccaf3kf58e1c635366068e@mail.gmail.com> <26ba8d120802281658j21872f7cw9993fee328522454@mail.gmail.com> <44D05C6A-83AA-464B-927E-2CEDD2272A7B@mac.com> X-Google-Sender-Auth: bfec02638adafeaf Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79018 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 01:24:44 +0000 (UTC) Well, of course. I'm not intending to host the videos myself! But we need a central page to point people to with the text explanation. HOWEVER, if sound priority mode really works, I'm a lot less likely to want to do the work. I still haven't had a chance to check it out yet... On Fri, Feb 29, 2008 at 7:43 AM, Chris Sewell wrote: > Why not just use YouTube? Perspective buyers are always searching for > gear on there. > > > On Feb 28, 2008, at 7:58 PM, Tom Ritchford wrote: > > > I think the website will be really easy to pull off. I just need to > > get a time in front of the camera, or someone else needs to deliver a > > movie, for the ball to be rolling. > > > > Making the website itself, registering, hosting, that's like an hour > > of my time. > > > > I have a theory that once we get a few movies, other people will chime > > in. Or at least, we'll have a few moves. > > > > On Wed, Feb 27, 2008 at 9:15 AM, Teddy Kumpel > > wrote: > >> I'm down with this Tom... the RC-50, while my main looper at this > >> point, is > >> really annoying because of the glitches, midi sync and time > >> stretching. > >> > >> which do you think would be more effective, a class action letter > >> from a > >> lawyer or the website? or both have to happen? > >> The suit is a good idea because, after all, their own marketing > >> blurbs tout > >> all those features as key reasons why to buy the thing. > >> > >> teddy k > >> > >> > >> > >> > >> On Feb 26, 2008, at 2:01 PM, Tom Ritchford wrote: > >> > >> > >> On Tue, Feb 26, 2008 at 4:34 AM, doc rossi > >> wrote: > >>> > >>> On Feb 26, 2008, at 9:24 AM, Tom Ritchford wrote: > >>> > >>>> If we make a big fuss, saying, "YOUR UNIT HAS SERIOUS ISSUES AND > >>>> YOU > >>> > >>>> WON'T FIX THEM" then it will be bad PR for them. at least we get > >>>> to > >>>> cost them some $$$.... because if people really believe "they make > >>>> crappy products they won't support" then they won't buy them! > >>> > >>> I appreciate the idea, but I'm not sure they are worried about PR - > >> > >> There isn't a company in the world that sells to consumers that isn't > >> worried about PR. I mean, they care enough to put out their own > >> magazine. > >> > >> Believe you me, this is the sort of conversation that companies are > >> terrified of: > >> > >> "I'm going to get a Roland xxx" > >> "Oh, my friend had endless trouble with Roland's yyy -- don't do it." > >> > >> Whole companies have collapsed based on that sort of thing. > >> > >> If you read the explanation from tech support, it's really > >> dishonest. They > >> don't want to fix their old products because they're busy making new > >> products. In other words, it's a massive con to get your money with > >> products that don't work, and they'll never fix. > >> > >> So. I'll set up the domain, and make some movies. My movies > >> probably won't > >> come for a week, as even though I have a nice camera, it stays near > >> the > >> gig.... so get on your movies. > >> > >> > >> I'm also realizing that it might be fun to sue them in small claims > >> court... > >> as it isn't very time-consuming for me, and they probably won't > >> show up to > >> contest it. > >> > >> I have a particular hatred of being ripped off by large > >> corporations because > >> you know they're doing it to thousands of others. > > > > > > > > -- > > /t > > > > -- /t From Loopers-Delight-request@loopers-delight.com Sat Mar 1 01:37:51 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id CD9B33BEF5; Sat, 1 Mar 2008 01:37:51 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Date: Fri, 29 Feb 2008 20:36:58 -0500 From: Bill Fox Subject: Galactic Travels Playlist #569 for February 28, 2008 To: undisclosed-recipients:; Message-id: <47C8B33A.8060209@soundscapes.us> MIME-version: 1.0 Content-type: text/plain; charset=ISO-8859-1; format=flowed Content-transfer-encoding: 7bit User-Agent: Thunderbird 1.5.0.12 (Windows/20070509) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79019 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 01:37:51 +0000 (UTC) http://wdiy.org/programs/gt/playlists/2008/080228.html Galactic Travels is an electronic, ambient, and space music show, that airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville and Trexlertown, and webcasting on the internet. WDIY also broadcasts in Digital HD at 88.1 FM. Show #569 February 28, 2008 RECAP: On this show, I concluded the month-long focus on Manikin Records. The Featured CD at Midnight was disk two from "Liquid Sound Volume 2." Manikin Records: http://wdiy.org/programs/gt/playlists/2008/focus.html#feb PLAYLIST: 11:04 pm ARTIST TRACK ALBUM (label) ==================== ==================== ============================== Kevin Braheny Starflight 1 * Galaxies (Hearts of Space) synth.nl AirFlow AeroDynamics (Groove) Volt Evolution Nucleosynthesis (Groove) Spyra Xylophane High Phidelity(Ricochet Dream) VA [Spyra and Lang] Nenikekamen Liquid Sound Vol. 2 (Maniklin) 12:00 am ARTIST TRACK ALBUM (label) ==================== ==================== ============================== VA [Fanger and Waterproof Guitar Liquid Sound Vol. 2 (Maniklin) Kersten] VA [Rainbow Serpent] Deep Dive Liquid Sound Vol. 2 (Maniklin) VA [AirSculpture] Not Raving, Floating Liquid Sound Vol. 2 (Maniklin) VA [Keller and Liquid Dawn Liquid Sound Vol. 2 (Maniklin) Schonwalder] 1:00 am * = excerpt VA = Various Artists (compilation) ++ = Advance CDR from Artist -- = Background music under interview NEXT SHOW: On the next Galactic Travels, I'll begin a month-long focus on Gert Emmens. The Featured CD at Midnight will be "Waves of Dreams" on Groove Unlimited records. Gert Emmens: http://wdiy.org/programs/gt/playlists/2008/focus.html#mar Bill ======================================================================= Host of Galactic Travels, an electronic, ambient, and space music show, Thursdays at 11:04 pm EST (GMT-5:00) on WDIY 88.1 FM in Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in Trexlertown and Fogelsville. WDIY also broadcasts in HD Digital Radio on 88.1 FM. Galactic Travels web site: http://galactictravels.info MySpace: http://myspace.com/galactictravels RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml Podcasts: http://wdiy.org/programs/gt/rss/gt.xml Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm To subscribe to the galactic-travels mailing list, click on [Join This Group!] at http://groups.yahoo.com/group/galactic-travels Playlists are also published at http://billfox.blogspot.com RSS (2.0) feed from http://billfox.blogspot.com/rss.xml Atom (0.3) feed from http://billfox.blogspot.com/atom.xml From Loopers-Delight-request@loopers-delight.com Sat Mar 1 01:59:09 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 3DB2F3BEF6; Sat, 1 Mar 2008 01:59:09 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to:subject:mime-version:content-type:content-transfer-encoding:content-disposition; bh=vwVOBFrxwp9F1Y2CEMJXzCKb2pMkN/IIprdLdln2vpM=; b=cJ6rIhShkfLwo97Q4x1ZrYPpqLa29fvF1QEO8bQsWVMxWSGt4tMWzcR3ny1VXqTCL316vdtDsRSo29dQ2ley4Gt3RGD4Q3V7w7oUXOY0QRoMLfZkl4FeqEgd98Ce5FFt9BDnZOi/3D7n4Hx7d1LQASUI5RiVAhQCnuDC6QlYcpE= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:mime-version:content-type:content-transfer-encoding:content-disposition; b=CkSn0yhGjHu+q4es/JNrjMb6N4wkXziS8NPWbRWduxyr/mRCfMppJ6ze9o3rQVTUilpUXYO7Iv488/Vt92lSOLKkQ7la9NZBwFsO4WWphs9yJUhxDztrfNKsfslQp0Ci3K4Ei40n9i63qQGUFp/p2hUcWVQfl7mu5kKcvj+xiPE= Message-ID: Date: Fri, 29 Feb 2008 20:59:06 -0500 From: "Dennis Moser" To: Loopers-Delight@loopers-delight.com Subject: RPM Files MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79020 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 01:59:09 +0000 (UTC) Okay ... here ya go. They are FTP directories and the files are all covered by Creative Commons licenses: The 2008 RPM Challenge: ftp://ftp.angrek.com/download/RPMK28/ The 2007 RPM Challenge (which got tied up from release due to one track being used on a compilation CD that was supposed be distributed by Starbucks, but I never heard anymore about it!): ftp://ftp.angrek.com/download/RPM2K7/ Hope you enjoy. Dennis From Loopers-Delight-request@loopers-delight.com Sat Mar 1 02:47:26 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id CC1393BEFB; Sat, 1 Mar 2008 02:47:26 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to:subject:in-reply-to:mime-version:content-type:references; bh=zYFrhPLjhFMZ7Sq1wambdW9Nm/pK9ddNpLRz9ZiNPhQ=; b=wCSI3LhzAyb7RUXs4dhRyNwRUR5Z2Qt88+/oCxnJ3NxgNXYe2YvsujJQEHXKDyK0oz1MrTdWoLnawnk1VxxEbprK7jKb5dGG7VjM6nb5AqKHxs/n/SzJSSYAD2EloIXOqsvZ2szCFjQlTOGrA8MNXbKxdSQBHu5nZV2wlZ8C9LY= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version:content-type:references; b=U5U6wRBqfCbTAmK5ujOU9FUcoxYngXVsgAoyiiEb3N/RPdhb9ZcYb9h5v2cZAFl6eroUN66cxag3VwE+QPv4/CmSwhI+G6Dp6+miTVo/o4EPvN9Qp5MQePJcPZfyum1svHu+OAfPhTXW8bwEeEfHc8EZ2KCyH9Ra2zifY4MZ0Bw= Message-ID: <9e0440a60802291847qdc76696ub912cf0a664d6b24@mail.gmail.com> Date: Fri, 29 Feb 2008 21:47:22 -0500 From: "Jim Goodin" To: Loopers-Delight@loopers-delight.com Subject: Re: My RPM record In-Reply-To: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_8709_4181651.1204339642183" References: <439892.46629.qm@web45111.mail.sp1.yahoo.com> <47C87E1C.9000104@mhorse.com> Resent-Message-ID: <3njGU.A.iDE.-OMyHB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79021 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 02:47:26 +0000 (UTC) ------=_Part_8709_4181651.1204339642183 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline To add to the que I delivered my RPM entry titled *Skipping the Light* to the post office along with Daryl's ( to help minimize the international postal hasseles) *Rentintwain* which is just excellent by the way, about 4 this afternoon and breathed a major sigh of 'made it!' My recording is non-looping so thanks for your patience of why is this guy here, it's my solo acoustic work but this chapter all fretless, all acoustic (no electrical save the computer recording it) and totally improvised 11 pieces. Here's my link on RPM http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/user,2577/Itemid,296/. Very glad to have participated and completed work in this event and again special thanks to Tim Nelson who clued me into the Challenge last year. Best folks and now on to the CT-Collective insects project which is due tomorrow so I gotte get cricketing... Jim www.jimgoodinmusic.com www.chinapaintingmusic.com On Fri, Feb 29, 2008 at 6:00 PM, Dennis Moser wrote: > LOL, Tim! I had to wait until my performance on 20 February ... > otherwise I'd have done the same thing! > > URL is on its' way ... > > Dennis > > On Fri, Feb 29, 2008 at 4:50 PM, Daryl Shawn wrote: > > It's per-Month, not per-DAY...! Damned overachiever! > > > > seriously, kudos (and to Dennis too)...let us know a public location > > where we can hear it. > > > > > > Daryl Shawn > > www.swanwelder.com > > www.chinapaintingmusic.c > > > > > > > --- highhorse@mhorse.com wrote: > > > > > >> Anybody else crank out an [RPM] album? > > >> > > > > > > Yup. I handed mine in in person on February 1st after > > > an all-night recording session... > > > > > > < > http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/Itemid,296/ > > > > > > > > -t- > > > > > > -- The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com ------=_Part_8709_4181651.1204339642183 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline
To add to the que I delivered my RPM entry titled Skipping the Light to the post office along with Daryl's ( to help minimize the international postal hasseles) Rentintwain which is just excellent by the way, about 4 this afternoon and breathed a major sigh of 'made it!'  My recording is non-looping so thanks for your patience of why is this guy here, it's my solo acoustic work but this chapter all fretless, all acoustic (no electrical save the computer recording it) and totally improvised 11 pieces.  Here's my link on RPM http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/user,2577/Itemid,296/.  Very glad to have participated and completed work in this event and again special thanks to Tim Nelson who clued me into the Challenge last year.
 
Best folks and now on to the CT-Collective insects project which is due tomorrow so I gotte get cricketing...
 
Jim


 
On Fri, Feb 29, 2008 at 6:00 PM, Dennis Moser <sinsofmachaut@gmail.com> wrote:
LOL, Tim! I had to wait until my performance on 20 February ...
otherwise I'd have done the same thing!

URL is on its' way ...

Dennis

On Fri, Feb 29, 2008 at 4:50 PM, Daryl Shawn <highhorse@mhorse.com> wrote:
> It's per-Month, not per-DAY...! Damned overachiever!
>
>  seriously, kudos (and to Dennis too)...let us know a public location
>  where we can hear it.
>
>
>  Daryl Shawn
>  www.swanwelder.com
>  www.chinapaintingmusic.c
>
>
> > --- highhorse@mhorse.com wrote:
>  >
>  >> Anybody else crank out an [RPM] album?
>  >>
>  >
>  > Yup. I handed mine in in person on February 1st after
>  > an all-night recording session...
>  >
>  > <http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/Itemid,296/>
>  >
>  > -t-
>
>




--
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com ------=_Part_8709_4181651.1204339642183-- From Loopers-Delight-request@loopers-delight.com Sat Mar 1 07:12:08 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id ACB9B3BED5; Sat, 1 Mar 2008 07:12:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <016501c87b6b$8ec85570$6401a8c0@americas.hpqcorp.net> From: "Krispen Hartung" To: Loopers-Delight@loopers-delight.com References: <001201c87a1c$5b0b0160$1001a8c0@succubus> Subject: Re: qualities of reverb Date: Sat, 1 Mar 2008 00:12:05 -0700 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3198 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79022 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 07:12:08 +0000 (UTC) >> reverb, but the principle is similar. The Waves reverb isn't >> half bad for mastering. For my laptop rig, I use a Max/msp >> reverb. It is a very difficult object to create. > > Normally, (pre-)mastering is not the processing stage to add reverb. Not sure I followed you here, Rainer, but of course I didn't elaborate. Since I don't do any multi-track recording, all my reverb ins on my source recording files from my max/msp system, but I often add reverb in the final mastering of my files to add more depth, or just change the feel of the song. Or if I am recording my free jazz trio in a studio with just live mic, and everyone is playing dry, I will add rerverb in the final mastering process. I would agree with your point outside of the context in which I record. I have read in several sources for audio engineering that reverb can be applied during the mastering process to add more depth. ...so, when you get here to Boise to play at BEMF, I'll show you my max/msp reverb patch. It is patch called yafr2, by Randy Jones and built in the style of the Dr. David Griesinger (of Lexicon) reverb design. See mono to stereo patch below for maxers. I can dig my stereo to stereo version for anyone interested. It's an amazing sounding reverb. K- max v2; #N vpatcher 72 44 715 844; #P origin 7 -30; #P window setfont "Sans Serif" 9.; #P newex 487 71 40 196617 / 127.; #P flonum 311 149 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0; #P flonum 288 127 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0; #N comlet diffusion; #P inlet 487 22 15 0; #P newex 487 49 62 196617 clip 0. 127.; #N comlet damping; #P inlet 358 23 15 0; #P newex 358 50 62 196617 clip 0. 127.; #N comlet decay time; #P inlet 236 24 15 0; #P newex 236 51 62 196617 clip 0. 127.; #N comlet audio in; #P inlet 14 25 15 0; #N comlet size; #P inlet 105 24 15 0; #P newex 105 50 62 196617 clip 0. 127.; #P newex 105 73 111 196617 zmap 0. 127. 0.01 1.6; #P newex 588 682 29 196617 t b f; #P newex 588 705 29 196617 * 1.; #P newex 154 422 29 196617 sig~; #P flonum 299 106 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0; #P newex 419 614 77 196617 * 106.300003; #P newex 401 539 71 196617 * 89.239998; #P newex 366 423 29 196617 sig~; #P newex 366 401 77 196617 * 141.699997; #P newex 400 295 47 196617 * 30.51; #P newex 210 612 41 196617 * 125.; #P newex 194 540 47 196617 * 60.48; #P newex 154 401 77 196617 * 149.600006; #P newex 193 296 47 196617 * 22.58; #N vpatcher 132 115 1088 352; #P inlet 913 24 15 0; #P window setfont "Sans Serif" 9.; #P window linecount 0; #P newex 817 49 35 196617 * 75.; #P newex 683 47 35 196617 * 80.; #P newex 557 47 35 196617 * 69.; #P newex 431 47 35 196617 * 25.; #P newex 305 47 35 196617 * 50.; #P newex 179 47 41 196617 * 160.; #P newex 53 47 41 196617 * 110.; #P window linecount 1; #P newex 276 124 40 196617 *~ -1.; #P newex 790 93 117 196617 comb~ 200. 75. 0. 1. 0.; #P newex 654 93 117 196617 comb~ 200. 80. 0. 1. 0.; #P newex 528 93 117 196617 comb~ 200. 69. 0. 1. 0.; #P newex 408 92 117 196617 comb~ 100. 25. 0. 1. 0.; #P newex 276 93 117 196617 comb~ 200. 50. 0. 1. 0.; #P newex 152 93 123 196617 comb~ 300. 160. 0. 1. 0.; #P newex 24 94 123 196617 comb~ 300. 110. 0. 1. 0.; #P newex 276 164 47 196617 *~ 0.15; #P inlet 408 72 15 0; #P inlet 790 73 15 0; #P inlet 276 73 15 0; #P inlet 654 73 15 0; #P inlet 528 73 15 0; #P inlet 24 74 15 0; #P inlet 150 73 15 0; #P outlet 276 191 15 0; #P connect 2 0 9 0; #P connect 17 0 9 1; #P connect 24 0 17 0; #P connect 1 0 10 0; #P connect 24 0 18 0; #P connect 18 0 10 1; #P connect 5 0 11 0; #P connect 15 0 16 0; #P connect 13 0 16 0; #P connect 14 0 16 0; #P connect 11 0 16 0; #P connect 12 0 8 0; #P connect 16 0 8 0; #P connect 10 0 8 0; #P connect 9 0 8 0; #P connect 8 0 0 0; #P connect 19 0 11 1; #P connect 24 0 19 0; #P connect 7 0 12 0; #P connect 24 0 20 0; #P connect 20 0 12 1; #P connect 3 0 13 0; #P connect 21 0 13 1; #P connect 24 0 21 0; #P connect 4 0 14 0; #P connect 22 0 14 1; #P connect 24 0 22 0; #P connect 6 0 15 0; #P connect 23 0 15 1; #P connect 24 0 23 0; #P pop; #P newobj 49 730 105 196617 p combineL; #N vpatcher 10 59 977 304; #P inlet 923 33 15 0; #P window setfont "Sans Serif" 9.; #P window linecount 1; #P newex 824 73 35 196617 * 52.; #P newex 693 73 35 196617 * 27.; #P newex 562 73 35 196617 * 35.; #P newex 431 73 29 196617 * 3.; #P newex 300 73 35 196617 * 55.; #P newex 169 73 41 196617 * 135.; #P window linecount 0; #P newex 38 73 41 196617 * 110.; #P newex 272 132 40 196617 *~ -1.; #P newex 784 107 117 196617 comb~ 200. 50. 0. 1. 0.; #P newex 650 107 117 196617 comb~ 100. 25. 0. 1. 0.; #P newex 520 107 117 196617 comb~ 100. 35. 0. 1. 0.; #P newex 404 107 111 196617 comb~ 100. 3. 0. 1. 0.; #P newex 272 107 117 196617 comb~ 200. 55. 0. 1. 0.; #P newex 141 107 123 196617 comb~ 300. 135. 0. 1. 0.; #P newex 10 108 123 196617 comb~ 300. 110. 0. 1. 0.; #P newex 272 166 47 196617 *~ 0.15; #P inlet 404 87 15 0; #P inlet 784 87 15 0; #P inlet 272 87 15 0; #P inlet 650 87 15 0; #P inlet 520 87 15 0; #P inlet 10 88 15 0; #P inlet 141 87 15 0; #P outlet 272 197 15 0; #P connect 2 0 9 0; #P connect 24 0 17 0; #P connect 17 0 9 1; #P connect 1 0 10 0; #P connect 24 0 18 0; #P connect 18 0 10 1; #P connect 5 0 11 0; #P connect 15 0 16 0; #P connect 11 0 16 0; #P connect 13 0 16 0; #P connect 14 0 16 0; #P connect 16 0 8 0; #P connect 12 0 8 0; #P connect 9 0 8 0; #P connect 10 0 8 0; #P connect 8 0 0 0; #P connect 19 0 11 1; #P connect 24 0 19 0; #P connect 7 0 12 0; #P connect 20 0 12 1; #P connect 24 0 20 0; #P connect 3 0 13 0; #P connect 21 0 13 1; #P connect 24 0 21 0; #P connect 4 0 14 0; #P connect 22 0 14 1; #P connect 24 0 22 0; #P connect 6 0 15 0; #P connect 23 0 15 1; #P connect 24 0 23 0; #P pop; #P newobj 497 735 105 196617 p combineR; #P newex 418 380 39 196617 noise~; #P newex 206 379 39 196617 noise~; #P newex 207 423 41 196617 *~ 20.; #P newex 206 401 78 196617 lores~ 0 0.995; #P newex 417 422 41 196617 *~ 20.; #P newex 418 401 78 196617 lores~ 0 0.995; #P newex 236 73 111 196617 zmap 0. 127. 0.05 0.9; #P newex 348 638 104 196617 tapout~ 106.279999; #P newex 348 614 65 196617 tapin~ 1000; #P newex 141 638 68 196617 tapout~ 125.; #P newex 141 612 65 196617 tapin~ 1000; #P newex 348 563 140 196617 allpass~ 200 89.239998 0.5; #P newex 141 563 116 196617 allpass~ 200 60.48 0.5; #P newex 141 540 41 196617 *~ 0.5; #P newex 348 540 41 196617 *~ 0.5; #P newex 141 495 93 196617 onepole~ 1800 Hz.; #P newex 358 71 120 196617 zmap 0 127. 20. 12000.; #P newex 348 495 93 196617 onepole~ 1800 Hz.; #P newex 348 451 165 196617 comb~ 1000. 141.699997 0. 1. 0.; #P newex 141 450 165 196617 comb~ 1000. 149.600006 0. 1. 0.; #P newex 348 317 115 196617 allpass~ 50 30.51 -0.7; #P newex 141 316 115 196617 allpass~ 50 22.58 -0.7; #P newex 141 250 110 196617 allpass~ 20 9.3 0.625; #P newex 141 224 122 196617 allpass~ 20 12.73 0.625; #P newex 141 200 110 196617 allpass~ 10 3.58 0.75; #P newex 141 175 110 196617 allpass~ 10 4.76 0.75; #P newex 141 151 93 196617 onepole~ 1800 Hz.; #N comlet out R; #P outlet 497 764 15 0; #N comlet out L; #P outlet 49 762 15 0; #P comment 80 763 401 196617 Plate reverb \, in the style of Griesinger \, via J Dattorro. Randy Jones rej@2uptech.com; #P fasten 8 0 31 0 146 344 54 344; #P connect 31 0 1 0; #P fasten 8 0 31 1 146 344 67 344; #P fasten 17 0 31 2 146 590 80 590; #P fasten 20 0 31 3 146 678 93 678; #P fasten 11 0 31 4 353 477 106 477; #P connect 47 0 46 0; #P connect 46 0 45 0; #P fasten 18 0 31 5 353 585 119 585; #P fasten 22 0 31 6 353 714 132 714; #P fasten 43 0 31 7 593 725 145 725; #P fasten 48 0 3 0 19 140 146 140; #P connect 3 0 4 0; #P connect 4 0 5 0; #P connect 5 0 6 0; #P connect 6 0 7 0; #P fasten 22 0 8 0 353 662 28 662 28 293 146 293; #P lcolor 7; #P connect 7 0 8 0; #P connect 8 0 10 0; #P connect 10 0 14 0; #P connect 14 0 16 0; #P connect 16 0 17 0; #P connect 17 0 19 0; #P connect 19 0 20 0; #P connect 35 0 20 0; #P fasten 41 0 33 0 304 372 159 372; #P connect 33 0 42 0; #P fasten 55 0 16 1 293 520 177 520; #P fasten 42 0 10 1 159 444 184 444; #P fasten 27 0 10 1 212 444 184 444; #P fasten 41 0 32 0 304 290 198 290; #P connect 32 0 8 1; #P fasten 41 0 34 0 304 527 199 527; #P connect 34 0 17 1; #P connect 28 0 26 0; #P connect 26 0 27 0; #P fasten 41 0 35 0 304 597 215 597; #P connect 13 0 3 1; #P fasten 56 0 14 1 316 484 229 484; #P connect 50 0 49 0; #P connect 49 0 23 0; #P connect 23 0 55 0; #P fasten 45 0 41 0 110 98 304 98; #P connect 13 0 56 0; #P fasten 20 0 9 0 146 670 19 670 19 285 353 285; #P lcolor 7; #P fasten 7 0 9 0 146 272 353 272; #P connect 9 0 11 0; #P connect 11 0 12 0; #P connect 12 0 15 0; #P connect 15 0 18 0; #P connect 18 0 21 0; #P connect 21 0 22 0; #P connect 40 0 22 0; #P connect 52 0 51 0; #P connect 51 0 13 0; #P fasten 41 0 37 0 304 377 371 377; #P connect 37 0 38 0; #P fasten 55 0 15 1 293 520 384 520; #P fasten 25 0 11 1 422 444 391 444; #P fasten 38 0 11 1 371 445 391 445; #P fasten 41 0 36 0 304 291 405 291; #P connect 36 0 9 1; #P fasten 41 0 39 0 304 527 406 527; #P connect 39 0 18 1; #P connect 24 0 25 0; #P connect 29 0 24 0; #P fasten 41 0 40 0 304 599 424 599; #P fasten 56 0 12 1 316 484 436 484; #P connect 54 0 53 0; #P connect 53 0 57 0; #P fasten 9 0 30 0 353 343 502 343; #P connect 30 0 2 0; #P fasten 9 0 30 1 353 343 515 343; #P fasten 18 0 30 2 353 594 528 594; #P fasten 22 0 30 3 353 691 541 691; #P fasten 10 0 30 4 146 473 554 473; #P fasten 17 0 30 5 146 604 567 604; #P fasten 20 0 30 6 146 706 580 706; #P fasten 57 0 44 0 492 272 593 272; #P fasten 41 0 43 0 304 702 593 702; #P connect 44 0 43 0; #P connect 43 0 30 7; #P connect 44 1 43 1; #P pop; From Loopers-Delight-request@loopers-delight.com Sat Mar 1 11:44:29 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 88AFB3BED3; Sat, 1 Mar 2008 11:44:29 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to:subject:mime-version:content-type; bh=FtuIVksGmkmf6SBJVGoe9J5Tb0LW9mVAPrOZOhl17Uo=; b=Vjl2R0b1Btk+1ovuM66K1H9mAQTYUCfQ99NOk8NEM3eD623BwuaDjieHLy9M+6k7bT5pS1W5h5yRoV0k2HRRIyJdSyKDCr3jnz46DEjB3DMjxaFPpfNygn6wszSy7mUzjE15g6hLVDL/d3gEOvZMr4LHYZNe9tI5mHqFBGU5koA= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:mime-version:content-type; b=BEHA1xn3X1MyMNgm7NKgBY2zYG2uiEhaVlMbb6hedEPVGE8TEIC+oR2QY7DaF6wnrdwusQTrxO6dNF4pmB+USZ+whc94aLC0kv1lvNWImgyowEEy7rC5B3FApcGa1qAcg3m2+O4KZQh6kT0HAEBi9ZDZ6nS0p7Rt89mp1ztpWaY= Message-ID: <66f9cc1e0803010344l56d011b3k850d644ebcdbfe0f@mail.gmail.com> Date: Sat, 1 Mar 2008 12:44:27 +0100 From: "Per Boysen" To: loopers-delight Subject: OT: Interesting research on brain activities of improvisers MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_2268_31077597.1204371867314" Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79023 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 11:44:29 +0000 (UTC) ------=_Part_2268_31077597.1204371867314 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline I found this rather interesting: Scientists funded by the National Institute on Deafness and Other > Communication Disorders (NIDCD) have found that, when jazz musicians are > engaged in the highly creative and spontaneous activity known as > improvisation, a large region of the brain involved in monitoring one's > performance is shut down, while a small region involved in organizing > self-initiated thoughts and behaviors is highly activated. Link to read more: http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-factor-think-different/ I've always also filed meditation into the same type of brain activities. Particularly disciplines where you practice to stay relaxed and focused at the same time - without falling asleep, lose concentration or wander astray along associational thoughts. But this article doesn't mention meditation. -- Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) ------=_Part_2268_31077597.1204371867314 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline I found this rather interesting: 

Scientists funded by the National Institute on Deafness and Other Communication Disorders (NIDCD) have found that, when jazz musicians are engaged in the highly creative and spontaneous activity known as improvisation, a large region of the brain involved in monitoring one's performance is shut down, while a small region involved in organizing self-initiated thoughts and behaviors is highly activated.

Link to read more: 

I've always also filed meditation into the same type of brain activities. Particularly disciplines where you practice to stay relaxed and focused at the same time - without falling asleep, lose concentration or wander astray along associational thoughts. But this article doesn't mention meditation. 

--
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

------=_Part_2268_31077597.1204371867314-- From Loopers-Delight-request@loopers-delight.com Sat Mar 1 12:32:27 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id CE4A13BED9; Sat, 1 Mar 2008 12:32:27 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Greylist: delayed 409 seconds by postgrey-1.27 at arsenic; Sat, 01 Mar 2008 12:32:27 UTC X-Yahoo-Newman-Property: ymail-3 X-Yahoo-Newman-Id: 269139.37212.bm@omp205.mail.sp1.yahoo.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:Date:From:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=brAuE4Cje2Q9tXBxoh7ZN82d0OZhpwfxG0IWMXJmvu2xfD39osOYeKha3Jx/JwH74OFkqm2pT2fzlrKgrldhJRwNrZ45pwpI8g8HhWOlzqBT7DBZQgepKI6nMgJP+OKn9/IlNmknnqXFF4b3wWta1MUjTkPXb6GMCpK0TNZ1Doc=; X-YMail-OSG: 9iOPYlQVM1nuRjkcbsJVQ9BtY6Jc.4B6OIQGbY8UGiv7qZMw4AzgDMqsfLlttFjU.i_gvLLo826F5ha36d.K9KLK4v82QgYjRlra9ScaDDEJffFgcD0- Date: Sat, 1 Mar 2008 04:25:36 -0800 (PST) From: Tim Nelson Subject: Re: RPM Files To: Loopers-Delight@loopers-delight.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Message-ID: <182340.23796.qm@web45105.mail.sp1.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79024 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 12:32:27 +0000 (UTC) Hi Dennis, Yeah, I've got a track on one of last year's Starbucks comps too; apparently what happened is that the contact guy Mick had been corresponding with for several months is no longer with the company, so he had to start the whole process over again... I'm guessing it's no longer going to happen. I don't see why it in any way held up your release, though; the agreement with Mick is/was an inclusion license thing, and you still retain all the rights to your work. My 2007 RPM CD was on CDBaby before Mick even started the comp project... -t- --- Dennis Moser wrote: > Okay ... here ya go. They are FTP directories and > the files are all > covered by Creative Commons licenses: > > The 2008 RPM Challenge: > > ftp://ftp.angrek.com/download/RPMK28/ > > The 2007 RPM Challenge (which got tied up from > release due to one > track being used on a compilation CD that was > supposed be distributed > by Starbucks, but I never heard anymore about it!): > > ftp://ftp.angrek.com/download/RPM2K7/ > > > Hope you enjoy. > > Dennis > > http://www.myspace.com/nimbletunes http://cdbaby.com/all/timnelson http://www.youtube.com/speleman62 ____________________________________________________________________________________ Never miss a thing. Make Yahoo your home page. http://www.yahoo.com/r/hs From Loopers-Delight-request@loopers-delight.com Sat Mar 1 13:42:25 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 5BA853BEDF; Sat, 1 Mar 2008 13:42:25 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <010b01c87c6b$e488bad0$0901a8c0@kleiner> Reply-To: "Tilmann Dehnhard" From: "Tilmann Dehnhard" To: References: <012a01c87aa4$19f968a0$6401a8c0@dayglogreen> Subject: Re: qualities of reverb Date: Sun, 2 Mar 2008 19:16:57 +0530 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=response Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.2180 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Provags-ID: V01U2FsdGVkX1+GAeONjDvfIq1PvtSKhqW40TyEICsGUJY3NFE z4cb6scPtm6+9ivr2Qqu96DnEf62QYMSCfFK9w2IQhCPNfcrYl TSykDnFO9KWtKkdUWQbT9a4bWpk7AMZ Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79025 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 13:42:25 +0000 (UTC) yes, i also remember that reverb... it was looooooooooooooooooooooooong... tilmann ----- Original Message ----- From: "Rick Walker" To: "LOOPERS DELIGHT (posting)" Sent: Friday, February 29, 2008 12:54 PM Subject: RE: qualities of reverb > Duncan Goddard mentioned a trick with his trusty microverb: > > Which reminded me: > > The Alesis Midverb 2 had an infinite reverb in it that was just amazing. > (patch #32 if memory serves) > > Eventually I had to upgrade my reverbs (with more Alesis and finally > Lexicons) > but I have never heard an infinite reverb setting that was so musical as > that > old archaic unit. One of my favorite tricks when I was first doing lop > > The rest of the verbs were pretty pathetic, unfortuanately and the Alesis > gear > just doesn't seem to last very long. From Loopers-Delight-request@loopers-delight.com Sat Mar 1 14:20:16 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id DC04B3BEE4; Sat, 1 Mar 2008 14:20:16 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:references; bh=wNrxCQZIeDEGFwIHj+P9vkOhutA+4eSPwr2/WW9pSLE=; b=ediPLKpIz3IjAZaoXfPx8bTn6PIh23Sq1UOFyXn9WICZ+82E71kkolnC5zPr85fVezc79ZhOCOanf13+/x1ai19uQulREs1GQgT0ON3g/OQE+n61T4+4lvqv3E5ZVdqjMh0m8LX9Zs4eqWD7WAgLFgusR0L6EKAs+X/KXnuo6Wg= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:references; b=fe+pSQPXmQSK2VzLTaTPPBWj6Z2NaYeFg5vmKZI33WVRqJtlLxmRu6DN0rVCIlX53kNxJQJDhKIKEdKvZ3wIIcoNbBRiY7I0TcDMBM65lwkCJ0Rm7XYdZyEr6W83IOaOGsD5aY3OsWe0cnegm/ij8Z7huqBIZCxW+YOUh/NSJAE= Message-ID: <4759e5740803010620n3287e7ebja4cffc054a3d6b3c@mail.gmail.com> Date: Sat, 1 Mar 2008 09:20:14 -0500 From: "todd reynolds" Reply-To: todd@toddreynolds.com To: Loopers-Delight@loopers-delight.com Subject: Re: qualities of reverb In-Reply-To: <016501c87b6b$8ec85570$6401a8c0@americas.hpqcorp.net> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_12085_7643993.1204381215196" References: <001201c87a1c$5b0b0160$1001a8c0@succubus> <016501c87b6b$8ec85570$6401a8c0@americas.hpqcorp.net> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79026 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 14:20:16 +0000 (UTC) ------=_Part_12085_7643993.1204381215196 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Hey Krispen, I'd dig hearing the stereo reverb for sure! also, what are the ranges for the size and damping inlets? thanks man, this is the first reverb I've seen really built in max, exciting! Best to all, Todd On 3/1/08, Krispen Hartung wrote: > > > >> reverb, but the principle is similar. The Waves reverb isn't > >> half bad for mastering. For my laptop rig, I use a Max/msp > >> reverb. It is a very difficult object to create. > > > > Normally, (pre-)mastering is not the processing stage to add reverb. > > Not sure I followed you here, Rainer, but of course I didn't elaborate. > Since I don't do any multi-track recording, all my reverb ins on my source > recording files from my max/msp system, but I often add reverb in the > final > mastering of my files to add more depth, or just change the feel of the > song. Or if I am recording my free jazz trio in a studio with just live > mic, and everyone is playing dry, I will add rerverb in the final > mastering > process. I would agree with your point outside of the context in which I > record. I have read in several sources for audio engineering that reverb > can be applied during the mastering process to add more depth. > > ...so, when you get here to Boise to play at BEMF, I'll show you my > max/msp > reverb patch. It is patch called yafr2, by Randy Jones and built in the > style of the Dr. David Griesinger (of Lexicon) reverb design. See mono to > stereo patch below for maxers. I can dig my stereo to stereo version for > anyone interested. It's an amazing sounding reverb. > > K- > > max v2; > #N vpatcher 72 44 715 844; > #P origin 7 -30; > #P window setfont "Sans Serif" 9.; > #P newex 487 71 40 196617 / 127.; > #P flonum 311 149 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0; > #P flonum 288 127 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0; > #N comlet diffusion; > #P inlet 487 22 15 0; > #P newex 487 49 62 196617 clip 0. 127.; > #N comlet damping; > #P inlet 358 23 15 0; > #P newex 358 50 62 196617 clip 0. 127.; > #N comlet decay time; > #P inlet 236 24 15 0; > #P newex 236 51 62 196617 clip 0. 127.; > #N comlet audio in; > #P inlet 14 25 15 0; > #N comlet size; > #P inlet 105 24 15 0; > #P newex 105 50 62 196617 clip 0. 127.; > #P newex 105 73 111 196617 zmap 0. 127. 0.01 1.6; > #P newex 588 682 29 196617 t b f; > #P newex 588 705 29 196617 * 1.; > #P newex 154 422 29 196617 sig~; > #P flonum 299 106 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0; > #P newex 419 614 77 196617 * 106.300003; > #P newex 401 539 71 196617 * 89.239998; > #P newex 366 423 29 196617 sig~; > #P newex 366 401 77 196617 * 141.699997; > #P newex 400 295 47 196617 * 30.51; > #P newex 210 612 41 196617 * 125.; > #P newex 194 540 47 196617 * 60.48; > #P newex 154 401 77 196617 * 149.600006; > #P newex 193 296 47 196617 * 22.58; > #N vpatcher 132 115 1088 352; > #P inlet 913 24 15 0; > #P window setfont "Sans Serif" 9.; > #P window linecount 0; > #P newex 817 49 35 196617 * 75.; > #P newex 683 47 35 196617 * 80.; > #P newex 557 47 35 196617 * 69.; > #P newex 431 47 35 196617 * 25.; > #P newex 305 47 35 196617 * 50.; > #P newex 179 47 41 196617 * 160.; > #P newex 53 47 41 196617 * 110.; > #P window linecount 1; > #P newex 276 124 40 196617 *~ -1.; > #P newex 790 93 117 196617 comb~ 200. 75. 0. 1. 0.; > #P newex 654 93 117 196617 comb~ 200. 80. 0. 1. 0.; > #P newex 528 93 117 196617 comb~ 200. 69. 0. 1. 0.; > #P newex 408 92 117 196617 comb~ 100. 25. 0. 1. 0.; > #P newex 276 93 117 196617 comb~ 200. 50. 0. 1. 0.; > #P newex 152 93 123 196617 comb~ 300. 160. 0. 1. 0.; > #P newex 24 94 123 196617 comb~ 300. 110. 0. 1. 0.; > #P newex 276 164 47 196617 *~ 0.15; > #P inlet 408 72 15 0; > #P inlet 790 73 15 0; > #P inlet 276 73 15 0; > #P inlet 654 73 15 0; > #P inlet 528 73 15 0; > #P inlet 24 74 15 0; > #P inlet 150 73 15 0; > #P outlet 276 191 15 0; > #P connect 2 0 9 0; > #P connect 17 0 9 1; > #P connect 24 0 17 0; > #P connect 1 0 10 0; > #P connect 24 0 18 0; > #P connect 18 0 10 1; > #P connect 5 0 11 0; > #P connect 15 0 16 0; > #P connect 13 0 16 0; > #P connect 14 0 16 0; > #P connect 11 0 16 0; > #P connect 12 0 8 0; > #P connect 16 0 8 0; > #P connect 10 0 8 0; > #P connect 9 0 8 0; > #P connect 8 0 0 0; > #P connect 19 0 11 1; > #P connect 24 0 19 0; > #P connect 7 0 12 0; > #P connect 24 0 20 0; > #P connect 20 0 12 1; > #P connect 3 0 13 0; > #P connect 21 0 13 1; > #P connect 24 0 21 0; > #P connect 4 0 14 0; > #P connect 22 0 14 1; > #P connect 24 0 22 0; > #P connect 6 0 15 0; > #P connect 23 0 15 1; > #P connect 24 0 23 0; > #P pop; > #P newobj 49 730 105 196617 p combineL; > #N vpatcher 10 59 977 304; > #P inlet 923 33 15 0; > #P window setfont "Sans Serif" 9.; > #P window linecount 1; > #P newex 824 73 35 196617 * 52.; > #P newex 693 73 35 196617 * 27.; > #P newex 562 73 35 196617 * 35.; > #P newex 431 73 29 196617 * 3.; > #P newex 300 73 35 196617 * 55.; > #P newex 169 73 41 196617 * 135.; > #P window linecount 0; > #P newex 38 73 41 196617 * 110.; > #P newex 272 132 40 196617 *~ -1.; > #P newex 784 107 117 196617 comb~ 200. 50. 0. 1. 0.; > #P newex 650 107 117 196617 comb~ 100. 25. 0. 1. 0.; > #P newex 520 107 117 196617 comb~ 100. 35. 0. 1. 0.; > #P newex 404 107 111 196617 comb~ 100. 3. 0. 1. 0.; > #P newex 272 107 117 196617 comb~ 200. 55. 0. 1. 0.; > #P newex 141 107 123 196617 comb~ 300. 135. 0. 1. 0.; > #P newex 10 108 123 196617 comb~ 300. 110. 0. 1. 0.; > #P newex 272 166 47 196617 *~ 0.15; > #P inlet 404 87 15 0; > #P inlet 784 87 15 0; > #P inlet 272 87 15 0; > #P inlet 650 87 15 0; > #P inlet 520 87 15 0; > #P inlet 10 88 15 0; > #P inlet 141 87 15 0; > #P outlet 272 197 15 0; > #P connect 2 0 9 0; > #P connect 24 0 17 0; > #P connect 17 0 9 1; > #P connect 1 0 10 0; > #P connect 24 0 18 0; > #P connect 18 0 10 1; > #P connect 5 0 11 0; > #P connect 15 0 16 0; > #P connect 11 0 16 0; > #P connect 13 0 16 0; > #P connect 14 0 16 0; > #P connect 16 0 8 0; > #P connect 12 0 8 0; > #P connect 9 0 8 0; > #P connect 10 0 8 0; > #P connect 8 0 0 0; > #P connect 19 0 11 1; > #P connect 24 0 19 0; > #P connect 7 0 12 0; > #P connect 20 0 12 1; > #P connect 24 0 20 0; > #P connect 3 0 13 0; > #P connect 21 0 13 1; > #P connect 24 0 21 0; > #P connect 4 0 14 0; > #P connect 22 0 14 1; > #P connect 24 0 22 0; > #P connect 6 0 15 0; > #P connect 23 0 15 1; > #P connect 24 0 23 0; > #P pop; > #P newobj 497 735 105 196617 p combineR; > #P newex 418 380 39 196617 noise~; > #P newex 206 379 39 196617 noise~; > #P newex 207 423 41 196617 *~ 20.; > #P newex 206 401 78 196617 lores~ 0 0.995; > #P newex 417 422 41 196617 *~ 20.; > #P newex 418 401 78 196617 lores~ 0 0.995; > #P newex 236 73 111 196617 zmap 0. 127. 0.05 0.9; > #P newex 348 638 104 196617 tapout~ 106.279999; > #P newex 348 614 65 196617 tapin~ 1000; > #P newex 141 638 68 196617 tapout~ 125.; > #P newex 141 612 65 196617 tapin~ 1000; > #P newex 348 563 140 196617 allpass~ 200 89.239998 0.5; > #P newex 141 563 116 196617 allpass~ 200 60.48 0.5; > #P newex 141 540 41 196617 *~ 0.5; > #P newex 348 540 41 196617 *~ 0.5; > #P newex 141 495 93 196617 onepole~ 1800 Hz.; > #P newex 358 71 120 196617 zmap 0 127. 20. 12000.; > #P newex 348 495 93 196617 onepole~ 1800 Hz.; > #P newex 348 451 165 196617 comb~ 1000. 141.699997 0. 1. 0.; > #P newex 141 450 165 196617 comb~ 1000. 149.600006 0. 1. 0.; > #P newex 348 317 115 196617 allpass~ 50 30.51 -0.7; > #P newex 141 316 115 196617 allpass~ 50 22.58 -0.7; > #P newex 141 250 110 196617 allpass~ 20 9.3 0.625; > #P newex 141 224 122 196617 allpass~ 20 12.73 0.625; > #P newex 141 200 110 196617 allpass~ 10 3.58 0.75; > #P newex 141 175 110 196617 allpass~ 10 4.76 0.75; > #P newex 141 151 93 196617 onepole~ 1800 Hz.; > #N comlet out R; > #P outlet 497 764 15 0; > #N comlet out L; > #P outlet 49 762 15 0; > #P comment 80 763 401 196617 Plate reverb \, in the style of > Griesinger \, via J Dattorro. Randy Jones rej@2uptech.com; > #P fasten 8 0 31 0 146 344 54 344; > #P connect 31 0 1 0; > #P fasten 8 0 31 1 146 344 67 344; > #P fasten 17 0 31 2 146 590 80 590; > #P fasten 20 0 31 3 146 678 93 678; > #P fasten 11 0 31 4 353 477 106 477; > #P connect 47 0 46 0; > #P connect 46 0 45 0; > #P fasten 18 0 31 5 353 585 119 585; > #P fasten 22 0 31 6 353 714 132 714; > #P fasten 43 0 31 7 593 725 145 725; > #P fasten 48 0 3 0 19 140 146 140; > #P connect 3 0 4 0; > #P connect 4 0 5 0; > #P connect 5 0 6 0; > #P connect 6 0 7 0; > #P fasten 22 0 8 0 353 662 28 662 28 293 146 293; > #P lcolor 7; > #P connect 7 0 8 0; > #P connect 8 0 10 0; > #P connect 10 0 14 0; > #P connect 14 0 16 0; > #P connect 16 0 17 0; > #P connect 17 0 19 0; > #P connect 19 0 20 0; > #P connect 35 0 20 0; > #P fasten 41 0 33 0 304 372 159 372; > #P connect 33 0 42 0; > #P fasten 55 0 16 1 293 520 177 520; > #P fasten 42 0 10 1 159 444 184 444; > #P fasten 27 0 10 1 212 444 184 444; > #P fasten 41 0 32 0 304 290 198 290; > #P connect 32 0 8 1; > #P fasten 41 0 34 0 304 527 199 527; > #P connect 34 0 17 1; > #P connect 28 0 26 0; > #P connect 26 0 27 0; > #P fasten 41 0 35 0 304 597 215 597; > #P connect 13 0 3 1; > #P fasten 56 0 14 1 316 484 229 484; > #P connect 50 0 49 0; > #P connect 49 0 23 0; > #P connect 23 0 55 0; > #P fasten 45 0 41 0 110 98 304 98; > #P connect 13 0 56 0; > #P fasten 20 0 9 0 146 670 19 670 19 285 353 285; > #P lcolor 7; > #P fasten 7 0 9 0 146 272 353 272; > #P connect 9 0 11 0; > #P connect 11 0 12 0; > #P connect 12 0 15 0; > #P connect 15 0 18 0; > #P connect 18 0 21 0; > #P connect 21 0 22 0; > #P connect 40 0 22 0; > #P connect 52 0 51 0; > #P connect 51 0 13 0; > #P fasten 41 0 37 0 304 377 371 377; > #P connect 37 0 38 0; > #P fasten 55 0 15 1 293 520 384 520; > #P fasten 25 0 11 1 422 444 391 444; > #P fasten 38 0 11 1 371 445 391 445; > #P fasten 41 0 36 0 304 291 405 291; > #P connect 36 0 9 1; > #P fasten 41 0 39 0 304 527 406 527; > #P connect 39 0 18 1; > #P connect 24 0 25 0; > #P connect 29 0 24 0; > #P fasten 41 0 40 0 304 599 424 599; > #P fasten 56 0 12 1 316 484 436 484; > #P connect 54 0 53 0; > #P connect 53 0 57 0; > #P fasten 9 0 30 0 353 343 502 343; > #P connect 30 0 2 0; > #P fasten 9 0 30 1 353 343 515 343; > #P fasten 18 0 30 2 353 594 528 594; > #P fasten 22 0 30 3 353 691 541 691; > #P fasten 10 0 30 4 146 473 554 473; > #P fasten 17 0 30 5 146 604 567 604; > #P fasten 20 0 30 6 146 706 580 706; > #P fasten 57 0 44 0 492 272 593 272; > #P fasten 41 0 43 0 304 702 593 702; > #P connect 44 0 43 0; > #P connect 43 0 30 7; > #P connect 44 1 43 1; > #P pop; > > -- http://www.toddreynolds.com |: http://myspace.com/toddreynoldsmusic |: ------------------------------------------------------|: 917.576.6166 todd@toddreynolds.com toddreyn@gmail.com ------=_Part_12085_7643993.1204381215196 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Hey Krispen, I'd dig hearing the stereo reverb for sure!

also, what are the ranges for the size and damping inlets?

thanks man, this is the first reverb I've seen really built in max, exciting!

 
Best to all, 

Todd


On 3/1/08, Krispen Hartung <khartung@cableone.net> wrote:

>> reverb, but the principle is similar. The Waves reverb isn't
>> half bad for mastering. For my laptop rig, I use a Max/msp
>> reverb. It is a very difficult object to create.
>
> Normally, (pre-)mastering is not the processing stage to add reverb.

Not sure I followed you here, Rainer, but of course I didn't elaborate.
Since I don't do any multi-track recording, all my reverb ins on my source
recording files from my max/msp system, but I often add reverb in the final
mastering of my files to add more depth, or just change the feel of the
song.  Or if I am recording my free jazz trio in a studio with just live
mic, and everyone is playing dry, I will add rerverb in the final mastering
process. I would agree with your point outside of the context in which I
record.  I have read in several sources for audio engineering that reverb
can be applied during the mastering process to add more depth.

...so, when you get here to Boise to play at BEMF, I'll show you my max/msp
reverb patch. It is patch called yafr2, by Randy Jones and built in the
style of  the Dr. David Griesinger (of Lexicon) reverb design. See mono to
stereo patch below for maxers. I can dig my stereo to stereo version for
anyone interested. It's an amazing sounding reverb.

K-

max v2;
#N vpatcher 72 44 715 844;
#P origin 7 -30;
#P window setfont "Sans Serif" 9.;
#P newex 487 71 40 196617 / 127.;
#P flonum 311 149 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P flonum 288 127 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#N comlet diffusion;
#P inlet 487 22 15 0;
#P newex 487 49 62 196617 clip 0. 127.;
#N comlet damping;
#P inlet 358 23 15 0;
#P newex 358 50 62 196617 clip 0. 127.;
#N comlet decay time;
#P inlet 236 24 15 0;
#P newex 236 51 62 196617 clip 0. 127.;
#N comlet audio in;
#P inlet 14 25 15 0;
#N comlet size;
#P inlet 105 24 15 0;
#P newex 105 50 62 196617 clip 0. 127.;
#P newex 105 73 111 196617 zmap 0. 127. 0.01 1.6;
#P newex 588 682 29 196617 t b f;
#P newex 588 705 29 196617 * 1.;
#P newex 154 422 29 196617 sig~;
#P flonum 299 106 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P newex 419 614 77 196617 * 106.300003;
#P newex 401 539 71 196617 * 89.239998;
#P newex 366 423 29 196617 sig~;
#P newex 366 401 77 196617 * 141.699997;
#P newex 400 295 47 196617 * 30.51;
#P newex 210 612 41 196617 * 125.;
#P newex 194 540 47 196617 * 60.48;
#P newex 154 401 77 196617 * 149.600006;
#P newex 193 296 47 196617 * 22.58;
#N vpatcher 132 115 1088 352;
#P inlet 913 24 15 0;
#P window setfont "Sans Serif" 9.;
#P window linecount 0;
#P newex 817 49 35 196617 * 75.;
#P newex 683 47 35 196617 * 80.;
#P newex 557 47 35 196617 * 69.;
#P newex 431 47 35 196617 * 25.;
#P newex 305 47 35 196617 * 50.;
#P newex 179 47 41 196617 * 160.;
#P newex 53 47 41 196617 * 110.;
#P window linecount 1;
#P newex 276 124 40 196617 *~ -1.;
#P newex 790 93 117 196617 comb~ 200. 75. 0. 1. 0.;
#P newex 654 93 117 196617 comb~ 200. 80. 0. 1. 0.;
#P newex 528 93 117 196617 comb~ 200. 69. 0. 1. 0.;
#P newex 408 92 117 196617 comb~ 100. 25. 0. 1. 0.;
#P newex 276 93 117 196617 comb~ 200. 50. 0. 1. 0.;
#P newex 152 93 123 196617 comb~ 300. 160. 0. 1. 0.;
#P newex 24 94 123 196617 comb~ 300. 110. 0. 1. 0.;
#P newex 276 164 47 196617 *~ 0.15;
#P inlet 408 72 15 0;
#P inlet 790 73 15 0;
#P inlet 276 73 15 0;
#P inlet 654 73 15 0;
#P inlet 528 73 15 0;
#P inlet 24 74 15 0;
#P inlet 150 73 15 0;
#P outlet 276 191 15 0;
#P connect 2 0 9 0;
#P connect 17 0 9 1;
#P connect 24 0 17 0;
#P connect 1 0 10 0;
#P connect 24 0 18 0;
#P connect 18 0 10 1;
#P connect 5 0 11 0;
#P connect 15 0 16 0;
#P connect 13 0 16 0;
#P connect 14 0 16 0;
#P connect 11 0 16 0;
#P connect 12 0 8 0;
#P connect 16 0 8 0;
#P connect 10 0 8 0;
#P connect 9 0 8 0;
#P connect 8 0 0 0;
#P connect 19 0 11 1;
#P connect 24 0 19 0;
#P connect 7 0 12 0;
#P connect 24 0 20 0;
#P connect 20 0 12 1;
#P connect 3 0 13 0;
#P connect 21 0 13 1;
#P connect 24 0 21 0;
#P connect 4 0 14 0;
#P connect 22 0 14 1;
#P connect 24 0 22 0;
#P connect 6 0 15 0;
#P connect 23 0 15 1;
#P connect 24 0 23 0;
#P pop;
#P newobj 49 730 105 196617 p combineL;
#N vpatcher 10 59 977 304;
#P inlet 923 33 15 0;
#P window setfont "Sans Serif" 9.;
#P window linecount 1;
#P newex 824 73 35 196617 * 52.;
#P newex 693 73 35 196617 * 27.;
#P newex 562 73 35 196617 * 35.;
#P newex 431 73 29 196617 * 3.;
#P newex 300 73 35 196617 * 55.;
#P newex 169 73 41 196617 * 135.;
#P window linecount 0;
#P newex 38 73 41 196617 * 110.;
#P newex 272 132 40 196617 *~ -1.;
#P newex 784 107 117 196617 comb~ 200. 50. 0. 1. 0.;
#P newex 650 107 117 196617 comb~ 100. 25. 0. 1. 0.;
#P newex 520 107 117 196617 comb~ 100. 35. 0. 1. 0.;
#P newex 404 107 111 196617 comb~ 100. 3. 0. 1. 0.;
#P newex 272 107 117 196617 comb~ 200. 55. 0. 1. 0.;
#P newex 141 107 123 196617 comb~ 300. 135. 0. 1. 0.;
#P newex 10 108 123 196617 comb~ 300. 110. 0. 1. 0.;
#P newex 272 166 47 196617 *~ 0.15;
#P inlet 404 87 15 0;
#P inlet 784 87 15 0;
#P inlet 272 87 15 0;
#P inlet 650 87 15 0;
#P inlet 520 87 15 0;
#P inlet 10 88 15 0;
#P inlet 141 87 15 0;
#P outlet 272 197 15 0;
#P connect 2 0 9 0;
#P connect 24 0 17 0;
#P connect 17 0 9 1;
#P connect 1 0 10 0;
#P connect 24 0 18 0;
#P connect 18 0 10 1;
#P connect 5 0 11 0;
#P connect 15 0 16 0;
#P connect 11 0 16 0;
#P connect 13 0 16 0;
#P connect 14 0 16 0;
#P connect 16 0 8 0;
#P connect 12 0 8 0;
#P connect 9 0 8 0;
#P connect 10 0 8 0;
#P connect 8 0 0 0;
#P connect 19 0 11 1;
#P connect 24 0 19 0;
#P connect 7 0 12 0;
#P connect 20 0 12 1;
#P connect 24 0 20 0;
#P connect 3 0 13 0;
#P connect 21 0 13 1;
#P connect 24 0 21 0;
#P connect 4 0 14 0;
#P connect 22 0 14 1;
#P connect 24 0 22 0;
#P connect 6 0 15 0;
#P connect 23 0 15 1;
#P connect 24 0 23 0;
#P pop;
#P newobj 497 735 105 196617 p combineR;
#P newex 418 380 39 196617 noise~;
#P newex 206 379 39 196617 noise~;
#P newex 207 423 41 196617 *~ 20.;
#P newex 206 401 78 196617 lores~ 0 0.995;
#P newex 417 422 41 196617 *~ 20.;
#P newex 418 401 78 196617 lores~ 0 0.995;
#P newex 236 73 111 196617 zmap 0. 127. 0.05 0.9;
#P newex 348 638 104 196617 tapout~ 106.279999;
#P newex 348 614 65 196617 tapin~ 1000;
#P newex 141 638 68 196617 tapout~ 125.;
#P newex 141 612 65 196617 tapin~ 1000;
#P newex 348 563 140 196617 allpass~ 200 89.239998 0.5;
#P newex 141 563 116 196617 allpass~ 200 60.48 0.5;
#P newex 141 540 41 196617 *~ 0.5;
#P newex 348 540 41 196617 *~ 0.5;
#P newex 141 495 93 196617 onepole~ 1800 Hz.;
#P newex 358 71 120 196617 zmap 0 127. 20. 12000.;
#P newex 348 495 93 196617 onepole~ 1800 Hz.;
#P newex 348 451 165 196617 comb~ 1000. 141.699997 0. 1. 0.;
#P newex 141 450 165 196617 comb~ 1000. 149.600006 0. 1. 0.;
#P newex 348 317 115 196617 allpass~ 50 30.51 -0.7;
#P newex 141 316 115 196617 allpass~ 50 22.58 -0.7;
#P newex 141 250 110 196617 allpass~ 20 9.3 0.625;
#P newex 141 224 122 196617 allpass~ 20 12.73 0.625;
#P newex 141 200 110 196617 allpass~ 10 3.58 0.75;
#P newex 141 175 110 196617 allpass~ 10 4.76 0.75;
#P newex 141 151 93 196617 onepole~ 1800 Hz.;
#N comlet out R;
#P outlet 497 764 15 0;
#N comlet out L;
#P outlet 49 762 15 0;
#P comment 80 763 401 196617 Plate reverb \, in the style of
Griesinger \, via J Dattorro. Randy Jones rej@2uptech.com;
#P fasten 8 0 31 0 146 344 54 344;
#P connect 31 0 1 0;
#P fasten 8 0 31 1 146 344 67 344;
#P fasten 17 0 31 2 146 590 80 590;
#P fasten 20 0 31 3 146 678 93 678;
#P fasten 11 0 31 4 353 477 106 477;
#P connect 47 0 46 0;
#P connect 46 0 45 0;
#P fasten 18 0 31 5 353 585 119 585;
#P fasten 22 0 31 6 353 714 132 714;
#P fasten 43 0 31 7 593 725 145 725;
#P fasten 48 0 3 0 19 140 146 140;
#P connect 3 0 4 0;
#P connect 4 0 5 0;
#P connect 5 0 6 0;
#P connect 6 0 7 0;
#P fasten 22 0 8 0 353 662 28 662 28 293 146 293;
#P lcolor 7;
#P connect 7 0 8 0;
#P connect 8 0 10 0;
#P connect 10 0 14 0;
#P connect 14 0 16 0;
#P connect 16 0 17 0;
#P connect 17 0 19 0;
#P connect 19 0 20 0;
#P connect 35 0 20 0;
#P fasten 41 0 33 0 304 372 159 372;
#P connect 33 0 42 0;
#P fasten 55 0 16 1 293 520 177 520;
#P fasten 42 0 10 1 159 444 184 444;
#P fasten 27 0 10 1 212 444 184 444;
#P fasten 41 0 32 0 304 290 198 290;
#P connect 32 0 8 1;
#P fasten 41 0 34 0 304 527 199 527;
#P connect 34 0 17 1;
#P connect 28 0 26 0;
#P connect 26 0 27 0;
#P fasten 41 0 35 0 304 597 215 597;
#P connect 13 0 3 1;
#P fasten 56 0 14 1 316 484 229 484;
#P connect 50 0 49 0;
#P connect 49 0 23 0;
#P connect 23 0 55 0;
#P fasten 45 0 41 0 110 98 304 98;
#P connect 13 0 56 0;
#P fasten 20 0 9 0 146 670 19 670 19 285 353 285;
#P lcolor 7;
#P fasten 7 0 9 0 146 272 353 272;
#P connect 9 0 11 0;
#P connect 11 0 12 0;
#P connect 12 0 15 0;
#P connect 15 0 18 0;
#P connect 18 0 21 0;
#P connect 21 0 22 0;
#P connect 40 0 22 0;
#P connect 52 0 51 0;
#P connect 51 0 13 0;
#P fasten 41 0 37 0 304 377 371 377;
#P connect 37 0 38 0;
#P fasten 55 0 15 1 293 520 384 520;
#P fasten 25 0 11 1 422 444 391 444;
#P fasten 38 0 11 1 371 445 391 445;
#P fasten 41 0 36 0 304 291 405 291;
#P connect 36 0 9 1;
#P fasten 41 0 39 0 304 527 406 527;
#P connect 39 0 18 1;
#P connect 24 0 25 0;
#P connect 29 0 24 0;
#P fasten 41 0 40 0 304 599 424 599;
#P fasten 56 0 12 1 316 484 436 484;
#P connect 54 0 53 0;
#P connect 53 0 57 0;
#P fasten 9 0 30 0 353 343 502 343;
#P connect 30 0 2 0;
#P fasten 9 0 30 1 353 343 515 343;
#P fasten 18 0 30 2 353 594 528 594;
#P fasten 22 0 30 3 353 691 541 691;
#P fasten 10 0 30 4 146 473 554 473;
#P fasten 17 0 30 5 146 604 567 604;
#P fasten 20 0 30 6 146 706 580 706;
#P fasten 57 0 44 0 492 272 593 272;
#P fasten 41 0 43 0 304 702 593 702;
#P connect 44 0 43 0;
#P connect 43 0 30 7;
#P connect 44 1 43 1;
#P pop;




--
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166                                              
todd@toddreynolds.com
toddreyn@gmail.com
------=_Part_12085_7643993.1204381215196-- From Loopers-Delight-request@loopers-delight.com Sat Mar 1 15:01:53 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 840E03BEE0; Sat, 1 Mar 2008 15:01:53 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com In-Reply-To: <008101c87aff$37b420a0$0300000a@erdem> References: <625537.46282.qm@web33103.mail.mud.yahoo.com> <008101c87aff$37b420a0$0300000a@erdem> Mime-Version: 1.0 (Apple Message framework v752.2) X-Priority: 3 Content-Type: multipart/alternative; boundary=Apple-Mail-1-590723305 Message-Id: From: Chris Sewell Subject: Re: late reply to: MULTI-EFFECTS & REVERB Date: Sat, 1 Mar 2008 10:01:46 -0500 To: Loopers-Delight@loopers-delight.com X-Mailer: Apple Mail (2.752.2) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79027 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 15:01:53 +0000 (UTC) --Apple-Mail-1-590723305 Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed Pigtronix has some really unique stuff. On Feb 29, 2008, at 1:16 PM, Erdem Helvacioglu wrote: > hey, > > i always need more effects :) just kidding.... > > i was just wondering if there are any interesting hardware > multieffects units on the market besides the fireworx and eclipse. > lately i am much more interested in boutique analog pedals like > zvex ringtone, fuzz factory etc. i think i will try those soon. > > as for micropog. i have recently bought in NY. i use it for pitch > shifting the delay lines. for that effect, it is very good. but for > chords it is pretty useless unfortunately. it has a very organ like > sound which some of you may love or hate. > > thanks a lot and best regards. > > Erdem Helvacioglu > www.erdemhelvacioglu.com > www.myspace.com/erdemhelvacioglu > * * * * * * * * * * * * * * * * * * * * > "Altered Realities" album is out on New Albion Records: > chosen as"Album of the year 2007" by All About Jazz Magazine > www.newalbion.com/NA131 > www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/ > sr=8-1/qid=1161162264/ref=pd_bbs_sr_1/002-0939524-3125629?ie=UTF8 > ----- Original Message ----- > From: scott hansen > To: Loopers-Delight@loopers-delight.com > Sent: Friday, February 29, 2008 6:59 PM > Subject: OT: late reply to: MULTI-EFFECTS & REVERB > > late reply- > multi-effects-i will have to agree w/ someone who said: you have an > eventide eclipse and lexicon mpx100 and tc fireworks--AND YOU NEED > MORE EFFECTS? > > i thought the eventides where the king of good weird effects? way > out of my price range! my setup currently: (guitar or keyboard-) > zoom g2-digitech rp150-digitech synthwah-boss dd20-(kustom 12 watt > tube amp or direct to fostex mr8)... > > my cheapo set up allows me to get normal sounds or anything pretty > wacky if i need it. the zoom g2 has some interesting options w/ the > ring mod, and then it splits the wahs/ring/phaser/tremolo before > amp, and then gives you some other modulations options (chorus- > pitch, etc) after, and there are possibility of having 3 different > delays going (good if you are only using one effect devise)...so i > think its a good sonic mangler, but i'm not sure if i'd say it > would beat an eventide unit, i mean it does only cost 100$! > > as for REVERBS: i have minimal experience w/ a lot of gear, i did > like the reverbs on my digitech dsp256xl-it had a real 80's quality > to it, but i liked that. had a lot of spacey sounds. i also liked > my lexicon mpx100-thought the reverbs were good & all-UNTIL THE > THING DIED ON ME!!!!. didn't like that. from what i've read, it > appears that the folks who are masters of spacey reverb stuff > (Torn, Fripp, et al) all seem to use either the highend Lexicon > units or Eventide units. > > the funny thing about this thread is i have been thinking about my > reverb options-i like my multi-effect pedal options, but haven't > been loving the reverb sounds in the units and have debated getting > another rack unit for reverbs. just don't like the space they take > up. and i've also been missing the option of reversing samples that > my old dod d12 did so easy w/ the 6 sec samples. always searching i > guess.... > s--- > > Be a better friend, newshound, and know-it-all with Yahoo! Mobile. > Try it now. --Apple-Mail-1-590723305 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=ISO-8859-1 Pigtronix has some really unique stuff.=A0
On Feb 29, 2008, = at 1:16 PM, Erdem Helvacioglu wrote:

hey,
=A0
i = always need more effects :) just kidding....
=A0
i = was just wondering if there are any interesting hardware multieffects = units on the market besides the fireworx and eclipse. lately i am much = more interested in boutique analog pedals like zvex ringtone, fuzz = factory etc. i think i will try those soon.
=A0
as = for micropog. i have recently bought in NY. i use it for pitch shifting = the delay lines. for that effect, it is very good. but for chords it is = pretty useless unfortunately. it has a very organ like sound which some = of you may love or hate.
=A0
thanks a lot and best = regards.
=A0
Erdem Helvacioglu
www.erdemhelvacioglu.com
<= a = href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhelv= acioglu
* * * * * * * * * * * * * * * * * * * *
"Altered = Realities" album is out on New Albion Records:
chosen as"Album of the = year 2007" by All About Jazz Magazine
www.newalbion.com/NA131
www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=3D= 8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF8
----- Original Message = -----
Sent:=A0Friday, February 29, 2008 6:59 = PM
=A0OT: = late reply to: MULTI-EFFECTS & REVERB

late = reply-
multi-effects-i will have to agree w/ someone who said: you = have an eventide eclipse and lexicon mpx100 and tc fireworks--AND YOU = NEED MORE EFFECTS?

i thought the eventides where the king of good = weird effects? way out of my price range! my setup currently: (guitar or = keyboard-)zoom g2-digitech rp150-digitech synthwah-boss dd20-(kustom 12 = watt tube amp or direct to fostex mr8)...

my cheapo set up allows = me to get normal sounds or anything pretty wacky if i need it. the zoom = g2 has some interesting options w/ the ring mod, and then it splits the = wahs/ring/phaser/tremolo before amp, and then gives you some other = modulations options (chorus-pitch, etc) after, and there are possibility = of having 3 different delays going (good if you are only using one = effect devise)...so i think its a good sonic mangler, but i'm not sure = if i'd say it would beat an eventide unit, i mean it does only cost = 100$!

as for REVERBS: i have minimal experience w/ a lot of gear, = i did like the reverbs on my digitech dsp256xl-it had a real 80's = quality to it, but i liked that. had a lot of spacey sounds. i also = liked my lexicon mpx100-thought the reverbs were good & all-UNTIL = THE THING DIED ON ME!!!!. didn't like that. from what i've read, it = appears that the folks who are masters of spacey reverb stuff (Torn, = Fripp, et al) all seem to use either the highend Lexicon units or = Eventide units.=A0

the= funny thing about this thread is i have been thinking about my reverb = options-i like my multi-effect pedal options, but haven't been loving = the reverb sounds in the units and have debated getting another rack = unit for reverbs. just don't like the space they take up. and i've also = been missing the option of reversing samples that my old dod d12 did so = easy w/ the 6 sec samples. always searching i = guess....
s---

Be a better friend, newshound, and know-it-all with Yahoo! = Mobile.=A0Try it = now.

= --Apple-Mail-1-590723305-- From Loopers-Delight-request@loopers-delight.com Sat Mar 1 15:04:15 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 7C4E63BEE0; Sat, 1 Mar 2008 15:04:15 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Mime-Version: 1.0 (Apple Message framework v752.2) In-Reply-To: <26ba8d120802291724w15fc51fmaf8b0d6083204049@mail.gmail.com> References: <26ba8d120802251440n7c7cbb48yc174d9127d6288cd@mail.gmail.com> <83D9E5D1-2E61-44A8-B61C-FED3CF886ED4@mac.com> <26ba8d120802260024k50923fffg11f1fb9fa0f5b92e@mail.gmail.com> <47C3D0F4.9040007@tiscali.co.uk> <26ba8d120802261101x60cccaf3kf58e1c635366068e@mail.gmail.com> <26ba8d120802281658j21872f7cw9993fee328522454@mail.gmail.com> <44D05C6A-83AA-464B-927E-2CEDD2272A7B@mac.com> <26ba8d120802291724w15fc51fmaf8b0d6083204049@mail.gmail.com> Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed Message-Id: <5D1C6B67-3258-47F7-94CD-BA27EFC9B7DE@mac.com> Content-Transfer-Encoding: 7bit From: Chris Sewell Subject: Re: Let's complain to Roland en masse! (was Re: Boss RC50 delay issues) Date: Sat, 1 Mar 2008 10:04:10 -0500 To: Loopers-Delight@loopers-delight.com X-Mailer: Apple Mail (2.752.2) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79028 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 15:04:15 +0000 (UTC) If you guys want, I could set up a MySpace/disgruntledRC50users page. We could then all add our names, link to your videos, and link to any pertinent sites. On Feb 29, 2008, at 8:24 PM, Tom Ritchford wrote: > Well, of course. I'm not intending to host the videos myself! > > But we need a central page to point people to with the text > explanation. > > HOWEVER, if sound priority mode really works, I'm a lot less likely to > want to do the work. I still haven't had a chance to check it out > yet... > > > On Fri, Feb 29, 2008 at 7:43 AM, Chris Sewell > wrote: >> Why not just use YouTube? Perspective buyers are always searching for >> gear on there. >> >> >> On Feb 28, 2008, at 7:58 PM, Tom Ritchford wrote: >> >>> I think the website will be really easy to pull off. I just need to >>> get a time in front of the camera, or someone else needs to >>> deliver a >>> movie, for the ball to be rolling. >>> >>> Making the website itself, registering, hosting, that's like an hour >>> of my time. >>> >>> I have a theory that once we get a few movies, other people will >>> chime >>> in. Or at least, we'll have a few moves. >>> >>> On Wed, Feb 27, 2008 at 9:15 AM, Teddy Kumpel >>> wrote: >>>> I'm down with this Tom... the RC-50, while my main looper at this >>>> point, is >>>> really annoying because of the glitches, midi sync and time >>>> stretching. >>>> >>>> which do you think would be more effective, a class action letter >>>> from a >>>> lawyer or the website? or both have to happen? >>>> The suit is a good idea because, after all, their own marketing >>>> blurbs tout >>>> all those features as key reasons why to buy the thing. >>>> >>>> teddy k >>>> >>>> >>>> >>>> >>>> On Feb 26, 2008, at 2:01 PM, Tom Ritchford wrote: >>>> >>>> >>>> On Tue, Feb 26, 2008 at 4:34 AM, doc rossi >>>> wrote: >>>>> >>>>> On Feb 26, 2008, at 9:24 AM, Tom Ritchford wrote: >>>>> >>>>>> If we make a big fuss, saying, "YOUR UNIT HAS SERIOUS ISSUES AND >>>>>> YOU >>>>> >>>>>> WON'T FIX THEM" then it will be bad PR for them. at least we get >>>>>> to >>>>>> cost them some $$$.... because if people really believe "they >>>>>> make >>>>>> crappy products they won't support" then they won't buy them! >>>>> >>>>> I appreciate the idea, but I'm not sure they are worried about >>>>> PR - >>>> >>>> There isn't a company in the world that sells to consumers that >>>> isn't >>>> worried about PR. I mean, they care enough to put out their own >>>> magazine. >>>> >>>> Believe you me, this is the sort of conversation that companies are >>>> terrified of: >>>> >>>> "I'm going to get a Roland xxx" >>>> "Oh, my friend had endless trouble with Roland's yyy -- don't do >>>> it." >>>> >>>> Whole companies have collapsed based on that sort of thing. >>>> >>>> If you read the explanation from tech support, it's really >>>> dishonest. They >>>> don't want to fix their old products because they're busy making >>>> new >>>> products. In other words, it's a massive con to get your money >>>> with >>>> products that don't work, and they'll never fix. >>>> >>>> So. I'll set up the domain, and make some movies. My movies >>>> probably won't >>>> come for a week, as even though I have a nice camera, it stays near >>>> the >>>> gig.... so get on your movies. >>>> >>>> >>>> I'm also realizing that it might be fun to sue them in small claims >>>> court... >>>> as it isn't very time-consuming for me, and they probably won't >>>> show up to >>>> contest it. >>>> >>>> I have a particular hatred of being ripped off by large >>>> corporations because >>>> you know they're doing it to thousands of others. >>> >>> >>> >>> -- >>> /t >>> >> >> > > > > -- > /t > From Loopers-Delight-request@loopers-delight.com Sat Mar 1 15:36:12 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 731EE3BEE0; Sat, 1 Mar 2008 15:36:12 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:references; bh=cIRWSgDAr1BkcxIsXhJQcoVQGlXEi1RAp4M52ORXO44=; b=rpOYt6qYcAghsndGfsOHnP6b8LhBqPY7cwiCvTTgE/b4+fd2GhV3tZQN7lvC2CRtNQbJvpmtBIc9tZE1jlCxStxiMpigpvBI7vfC9ky7j7EkispfWKUschoVbpY3gdEBzygtMe++ZAjNeodFbeV/EP5KamrTZrUvbKr8Z4DeBos= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:references; b=lFB6XzRRIW5wnUwZB6iCm3CD1ZdTNeA3iRNrBsKo48bn0pcJWDCB858EF/uhyFVy2VfXN3KxTmE/sfVhHiKo6coecAtC4UkVamQf5TfNa1h7/DfQwohjHK8Rx68wAfCg0Pk9dn885ua8iJF9Opog8ECnz4WvDOQFTY9pKe1RFSk= Message-ID: <4759e5740803010736y713371a4t5c3bdbdb8b43481f@mail.gmail.com> Date: Sat, 1 Mar 2008 10:36:09 -0500 From: "todd reynolds" Reply-To: todd@toddreynolds.com To: Loopers-Delight@loopers-delight.com Subject: Re: qualities of reverb In-Reply-To: <016501c87b6b$8ec85570$6401a8c0@americas.hpqcorp.net> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_12223_1647943.1204385769171" References: <001201c87a1c$5b0b0160$1001a8c0@succubus> <016501c87b6b$8ec85570$6401a8c0@americas.hpqcorp.net> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79029 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 15:36:12 +0000 (UTC) ------=_Part_12223_1647943.1204385769171 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Krispen, I might be being a total idiot here, but do we not need this combineL and R patcher to get audio out the outlets? i'm not sure what all the audio cables are so as to route them properly... On 3/1/08, Krispen Hartung wrote: > > > ...so, when you get here to Boise to play at BEMF, I'll show you my > max/msp > reverb patch. It is patch called yafr2, by Randy Jones and built in the > style of the Dr. David Griesinger (of Lexicon) reverb design. See mono to > stereo patch below for maxers. I can dig my stereo to stereo version for > anyone interested. It's an amazing sounding reverb. > > K- > > max v2; > #N vpatcher 72 44 715 844; > #P origin 7 -30; > #P window setfont "Sans Serif" 9.; > #P newex 487 71 40 196617 / 127.; > #P flonum 311 149 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0; > #P flonum 288 127 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0; > #N comlet diffusion; > #P inlet 487 22 15 0; > #P newex 487 49 62 196617 clip 0. 127.; > #N comlet damping; > #P inlet 358 23 15 0; > #P newex 358 50 62 196617 clip 0. 127.; > #N comlet decay time; > #P inlet 236 24 15 0; > #P newex 236 51 62 196617 clip 0. 127.; > #N comlet audio in; > #P inlet 14 25 15 0; > #N comlet size; > #P inlet 105 24 15 0; > #P newex 105 50 62 196617 clip 0. 127.; > #P newex 105 73 111 196617 zmap 0. 127. 0.01 1.6; > #P newex 588 682 29 196617 t b f; > #P newex 588 705 29 196617 * 1.; > #P newex 154 422 29 196617 sig~; > #P flonum 299 106 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0; > #P newex 419 614 77 196617 * 106.300003; > #P newex 401 539 71 196617 * 89.239998; > #P newex 366 423 29 196617 sig~; > #P newex 366 401 77 196617 * 141.699997; > #P newex 400 295 47 196617 * 30.51; > #P newex 210 612 41 196617 * 125.; > #P newex 194 540 47 196617 * 60.48; > #P newex 154 401 77 196617 * 149.600006; > #P newex 193 296 47 196617 * 22.58; > #N vpatcher 132 115 1088 352; > #P inlet 913 24 15 0; > #P window setfont "Sans Serif" 9.; > #P window linecount 0; > #P newex 817 49 35 196617 * 75.; > #P newex 683 47 35 196617 * 80.; > #P newex 557 47 35 196617 * 69.; > #P newex 431 47 35 196617 * 25.; > #P newex 305 47 35 196617 * 50.; > #P newex 179 47 41 196617 * 160.; > #P newex 53 47 41 196617 * 110.; > #P window linecount 1; > #P newex 276 124 40 196617 *~ -1.; > #P newex 790 93 117 196617 comb~ 200. 75. 0. 1. 0.; > #P newex 654 93 117 196617 comb~ 200. 80. 0. 1. 0.; > #P newex 528 93 117 196617 comb~ 200. 69. 0. 1. 0.; > #P newex 408 92 117 196617 comb~ 100. 25. 0. 1. 0.; > #P newex 276 93 117 196617 comb~ 200. 50. 0. 1. 0.; > #P newex 152 93 123 196617 comb~ 300. 160. 0. 1. 0.; > #P newex 24 94 123 196617 comb~ 300. 110. 0. 1. 0.; > #P newex 276 164 47 196617 *~ 0.15; > #P inlet 408 72 15 0; > #P inlet 790 73 15 0; > #P inlet 276 73 15 0; > #P inlet 654 73 15 0; > #P inlet 528 73 15 0; > #P inlet 24 74 15 0; > #P inlet 150 73 15 0; > #P outlet 276 191 15 0; > #P connect 2 0 9 0; > #P connect 17 0 9 1; > #P connect 24 0 17 0; > #P connect 1 0 10 0; > #P connect 24 0 18 0; > #P connect 18 0 10 1; > #P connect 5 0 11 0; > #P connect 15 0 16 0; > #P connect 13 0 16 0; > #P connect 14 0 16 0; > #P connect 11 0 16 0; > #P connect 12 0 8 0; > #P connect 16 0 8 0; > #P connect 10 0 8 0; > #P connect 9 0 8 0; > #P connect 8 0 0 0; > #P connect 19 0 11 1; > #P connect 24 0 19 0; > #P connect 7 0 12 0; > #P connect 24 0 20 0; > #P connect 20 0 12 1; > #P connect 3 0 13 0; > #P connect 21 0 13 1; > #P connect 24 0 21 0; > #P connect 4 0 14 0; > #P connect 22 0 14 1; > #P connect 24 0 22 0; > #P connect 6 0 15 0; > #P connect 23 0 15 1; > #P connect 24 0 23 0; > #P pop; > #P newobj 49 730 105 196617 p combineL; > #N vpatcher 10 59 977 304; > #P inlet 923 33 15 0; > #P window setfont "Sans Serif" 9.; > #P window linecount 1; > #P newex 824 73 35 196617 * 52.; > #P newex 693 73 35 196617 * 27.; > #P newex 562 73 35 196617 * 35.; > #P newex 431 73 29 196617 * 3.; > #P newex 300 73 35 196617 * 55.; > #P newex 169 73 41 196617 * 135.; > #P window linecount 0; > #P newex 38 73 41 196617 * 110.; > #P newex 272 132 40 196617 *~ -1.; > #P newex 784 107 117 196617 comb~ 200. 50. 0. 1. 0.; > #P newex 650 107 117 196617 comb~ 100. 25. 0. 1. 0.; > #P newex 520 107 117 196617 comb~ 100. 35. 0. 1. 0.; > #P newex 404 107 111 196617 comb~ 100. 3. 0. 1. 0.; > #P newex 272 107 117 196617 comb~ 200. 55. 0. 1. 0.; > #P newex 141 107 123 196617 comb~ 300. 135. 0. 1. 0.; > #P newex 10 108 123 196617 comb~ 300. 110. 0. 1. 0.; > #P newex 272 166 47 196617 *~ 0.15; > #P inlet 404 87 15 0; > #P inlet 784 87 15 0; > #P inlet 272 87 15 0; > #P inlet 650 87 15 0; > #P inlet 520 87 15 0; > #P inlet 10 88 15 0; > #P inlet 141 87 15 0; > #P outlet 272 197 15 0; > #P connect 2 0 9 0; > #P connect 24 0 17 0; > #P connect 17 0 9 1; > #P connect 1 0 10 0; > #P connect 24 0 18 0; > #P connect 18 0 10 1; > #P connect 5 0 11 0; > #P connect 15 0 16 0; > #P connect 11 0 16 0; > #P connect 13 0 16 0; > #P connect 14 0 16 0; > #P connect 16 0 8 0; > #P connect 12 0 8 0; > #P connect 9 0 8 0; > #P connect 10 0 8 0; > #P connect 8 0 0 0; > #P connect 19 0 11 1; > #P connect 24 0 19 0; > #P connect 7 0 12 0; > #P connect 20 0 12 1; > #P connect 24 0 20 0; > #P connect 3 0 13 0; > #P connect 21 0 13 1; > #P connect 24 0 21 0; > #P connect 4 0 14 0; > #P connect 22 0 14 1; > #P connect 24 0 22 0; > #P connect 6 0 15 0; > #P connect 23 0 15 1; > #P connect 24 0 23 0; > #P pop; > #P newobj 497 735 105 196617 p combineR; > #P newex 418 380 39 196617 noise~; > #P newex 206 379 39 196617 noise~; > #P newex 207 423 41 196617 *~ 20.; > #P newex 206 401 78 196617 lores~ 0 0.995; > #P newex 417 422 41 196617 *~ 20.; > #P newex 418 401 78 196617 lores~ 0 0.995; > #P newex 236 73 111 196617 zmap 0. 127. 0.05 0.9; > #P newex 348 638 104 196617 tapout~ 106.279999; > #P newex 348 614 65 196617 tapin~ 1000; > #P newex 141 638 68 196617 tapout~ 125.; > #P newex 141 612 65 196617 tapin~ 1000; > #P newex 348 563 140 196617 allpass~ 200 89.239998 0.5; > #P newex 141 563 116 196617 allpass~ 200 60.48 0.5; > #P newex 141 540 41 196617 *~ 0.5; > #P newex 348 540 41 196617 *~ 0.5; > #P newex 141 495 93 196617 onepole~ 1800 Hz.; > #P newex 358 71 120 196617 zmap 0 127. 20. 12000.; > #P newex 348 495 93 196617 onepole~ 1800 Hz.; > #P newex 348 451 165 196617 comb~ 1000. 141.699997 0. 1. 0.; > #P newex 141 450 165 196617 comb~ 1000. 149.600006 0. 1. 0.; > #P newex 348 317 115 196617 allpass~ 50 30.51 -0.7; > #P newex 141 316 115 196617 allpass~ 50 22.58 -0.7; > #P newex 141 250 110 196617 allpass~ 20 9.3 0.625; > #P newex 141 224 122 196617 allpass~ 20 12.73 0.625; > #P newex 141 200 110 196617 allpass~ 10 3.58 0.75; > #P newex 141 175 110 196617 allpass~ 10 4.76 0.75; > #P newex 141 151 93 196617 onepole~ 1800 Hz.; > #N comlet out R; > #P outlet 497 764 15 0; > #N comlet out L; > #P outlet 49 762 15 0; > #P comment 80 763 401 196617 Plate reverb \, in the style of > Griesinger \, via J Dattorro. Randy Jones rej@2uptech.com; > #P fasten 8 0 31 0 146 344 54 344; > #P connect 31 0 1 0; > #P fasten 8 0 31 1 146 344 67 344; > #P fasten 17 0 31 2 146 590 80 590; > #P fasten 20 0 31 3 146 678 93 678; > #P fasten 11 0 31 4 353 477 106 477; > #P connect 47 0 46 0; > #P connect 46 0 45 0; > #P fasten 18 0 31 5 353 585 119 585; > #P fasten 22 0 31 6 353 714 132 714; > #P fasten 43 0 31 7 593 725 145 725; > #P fasten 48 0 3 0 19 140 146 140; > #P connect 3 0 4 0; > #P connect 4 0 5 0; > #P connect 5 0 6 0; > #P connect 6 0 7 0; > #P fasten 22 0 8 0 353 662 28 662 28 293 146 293; > #P lcolor 7; > #P connect 7 0 8 0; > #P connect 8 0 10 0; > #P connect 10 0 14 0; > #P connect 14 0 16 0; > #P connect 16 0 17 0; > #P connect 17 0 19 0; > #P connect 19 0 20 0; > #P connect 35 0 20 0; > #P fasten 41 0 33 0 304 372 159 372; > #P connect 33 0 42 0; > #P fasten 55 0 16 1 293 520 177 520; > #P fasten 42 0 10 1 159 444 184 444; > #P fasten 27 0 10 1 212 444 184 444; > #P fasten 41 0 32 0 304 290 198 290; > #P connect 32 0 8 1; > #P fasten 41 0 34 0 304 527 199 527; > #P connect 34 0 17 1; > #P connect 28 0 26 0; > #P connect 26 0 27 0; > #P fasten 41 0 35 0 304 597 215 597; > #P connect 13 0 3 1; > #P fasten 56 0 14 1 316 484 229 484; > #P connect 50 0 49 0; > #P connect 49 0 23 0; > #P connect 23 0 55 0; > #P fasten 45 0 41 0 110 98 304 98; > #P connect 13 0 56 0; > #P fasten 20 0 9 0 146 670 19 670 19 285 353 285; > #P lcolor 7; > #P fasten 7 0 9 0 146 272 353 272; > #P connect 9 0 11 0; > #P connect 11 0 12 0; > #P connect 12 0 15 0; > #P connect 15 0 18 0; > #P connect 18 0 21 0; > #P connect 21 0 22 0; > #P connect 40 0 22 0; > #P connect 52 0 51 0; > #P connect 51 0 13 0; > #P fasten 41 0 37 0 304 377 371 377; > #P connect 37 0 38 0; > #P fasten 55 0 15 1 293 520 384 520; > #P fasten 25 0 11 1 422 444 391 444; > #P fasten 38 0 11 1 371 445 391 445; > #P fasten 41 0 36 0 304 291 405 291; > #P connect 36 0 9 1; > #P fasten 41 0 39 0 304 527 406 527; > #P connect 39 0 18 1; > #P connect 24 0 25 0; > #P connect 29 0 24 0; > #P fasten 41 0 40 0 304 599 424 599; > #P fasten 56 0 12 1 316 484 436 484; > #P connect 54 0 53 0; > #P connect 53 0 57 0; > #P fasten 9 0 30 0 353 343 502 343; > #P connect 30 0 2 0; > #P fasten 9 0 30 1 353 343 515 343; > #P fasten 18 0 30 2 353 594 528 594; > #P fasten 22 0 30 3 353 691 541 691; > #P fasten 10 0 30 4 146 473 554 473; > #P fasten 17 0 30 5 146 604 567 604; > #P fasten 20 0 30 6 146 706 580 706; > #P fasten 57 0 44 0 492 272 593 272; > #P fasten 41 0 43 0 304 702 593 702; > #P connect 44 0 43 0; > #P connect 43 0 30 7; > #P connect 44 1 43 1; > #P pop; > > ------=_Part_12223_1647943.1204385769171 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Krispen, I might be being a total idiot here, but do we not need this combineL and R patcher to get audio out the outlets?  i'm not sure what all the audio cables are so as to route them properly... 

On 3/1/08, Krispen Hartung <khartung@cableone.net> wrote:

...so, when you get here to Boise to play at BEMF, I'll show you my max/msp
reverb patch. It is patch called yafr2, by Randy Jones and built in the
style of  the Dr. David Griesinger (of Lexicon) reverb design. See mono to
stereo patch below for maxers. I can dig my stereo to stereo version for
anyone interested. It's an amazing sounding reverb.

K-

max v2;
#N vpatcher 72 44 715 844;
#P origin 7 -30;
#P window setfont "Sans Serif" 9.;
#P newex 487 71 40 196617 / 127.;
#P flonum 311 149 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P flonum 288 127 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#N comlet diffusion;
#P inlet 487 22 15 0;
#P newex 487 49 62 196617 clip 0. 127.;
#N comlet damping;
#P inlet 358 23 15 0;
#P newex 358 50 62 196617 clip 0. 127.;
#N comlet decay time;
#P inlet 236 24 15 0;
#P newex 236 51 62 196617 clip 0. 127.;
#N comlet audio in;
#P inlet 14 25 15 0;
#N comlet size;
#P inlet 105 24 15 0;
#P newex 105 50 62 196617 clip 0. 127.;
#P newex 105 73 111 196617 zmap 0. 127. 0.01 1.6;
#P newex 588 682 29 196617 t b f;
#P newex 588 705 29 196617 * 1.;
#P newex 154 422 29 196617 sig~;
#P flonum 299 106 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P newex 419 614 77 196617 * 106.300003;
#P newex 401 539 71 196617 * 89.239998;
#P newex 366 423 29 196617 sig~;
#P newex 366 401 77 196617 * 141.699997;
#P newex 400 295 47 196617 * 30.51;
#P newex 210 612 41 196617 * 125.;
#P newex 194 540 47 196617 * 60.48;
#P newex 154 401 77 196617 * 149.600006;
#P newex 193 296 47 196617 * 22.58;
#N vpatcher 132 115 1088 352;
#P inlet 913 24 15 0;
#P window setfont "Sans Serif" 9.;
#P window linecount 0;
#P newex 817 49 35 196617 * 75.;
#P newex 683 47 35 196617 * 80.;
#P newex 557 47 35 196617 * 69.;
#P newex 431 47 35 196617 * 25.;
#P newex 305 47 35 196617 * 50.;
#P newex 179 47 41 196617 * 160.;
#P newex 53 47 41 196617 * 110.;
#P window linecount 1;
#P newex 276 124 40 196617 *~ -1.;
#P newex 790 93 117 196617 comb~ 200. 75. 0. 1. 0.;
#P newex 654 93 117 196617 comb~ 200. 80. 0. 1. 0.;
#P newex 528 93 117 196617 comb~ 200. 69. 0. 1. 0.;
#P newex 408 92 117 196617 comb~ 100. 25. 0. 1. 0.;
#P newex 276 93 117 196617 comb~ 200. 50. 0. 1. 0.;
#P newex 152 93 123 196617 comb~ 300. 160. 0. 1. 0.;
#P newex 24 94 123 196617 comb~ 300. 110. 0. 1. 0.;
#P newex 276 164 47 196617 *~ 0.15;
#P inlet 408 72 15 0;
#P inlet 790 73 15 0;
#P inlet 276 73 15 0;
#P inlet 654 73 15 0;
#P inlet 528 73 15 0;
#P inlet 24 74 15 0;
#P inlet 150 73 15 0;
#P outlet 276 191 15 0;
#P connect 2 0 9 0;
#P connect 17 0 9 1;
#P connect 24 0 17 0;
#P connect 1 0 10 0;
#P connect 24 0 18 0;
#P connect 18 0 10 1;
#P connect 5 0 11 0;
#P connect 15 0 16 0;
#P connect 13 0 16 0;
#P connect 14 0 16 0;
#P connect 11 0 16 0;
#P connect 12 0 8 0;
#P connect 16 0 8 0;
#P connect 10 0 8 0;
#P connect 9 0 8 0;
#P connect 8 0 0 0;
#P connect 19 0 11 1;
#P connect 24 0 19 0;
#P connect 7 0 12 0;
#P connect 24 0 20 0;
#P connect 20 0 12 1;
#P connect 3 0 13 0;
#P connect 21 0 13 1;
#P connect 24 0 21 0;
#P connect 4 0 14 0;
#P connect 22 0 14 1;
#P connect 24 0 22 0;
#P connect 6 0 15 0;
#P connect 23 0 15 1;
#P connect 24 0 23 0;
#P pop;
#P newobj 49 730 105 196617 p combineL;
#N vpatcher 10 59 977 304;
#P inlet 923 33 15 0;
#P window setfont "Sans Serif" 9.;
#P window linecount 1;
#P newex 824 73 35 196617 * 52.;
#P newex 693 73 35 196617 * 27.;
#P newex 562 73 35 196617 * 35.;
#P newex 431 73 29 196617 * 3.;
#P newex 300 73 35 196617 * 55.;
#P newex 169 73 41 196617 * 135.;
#P window linecount 0;
#P newex 38 73 41 196617 * 110.;
#P newex 272 132 40 196617 *~ -1.;
#P newex 784 107 117 196617 comb~ 200. 50. 0. 1. 0.;
#P newex 650 107 117 196617 comb~ 100. 25. 0. 1. 0.;
#P newex 520 107 117 196617 comb~ 100. 35. 0. 1. 0.;
#P newex 404 107 111 196617 comb~ 100. 3. 0. 1. 0.;
#P newex 272 107 117 196617 comb~ 200. 55. 0. 1. 0.;
#P newex 141 107 123 196617 comb~ 300. 135. 0. 1. 0.;
#P newex 10 108 123 196617 comb~ 300. 110. 0. 1. 0.;
#P newex 272 166 47 196617 *~ 0.15;
#P inlet 404 87 15 0;
#P inlet 784 87 15 0;
#P inlet 272 87 15 0;
#P inlet 650 87 15 0;
#P inlet 520 87 15 0;
#P inlet 10 88 15 0;
#P inlet 141 87 15 0;
#P outlet 272 197 15 0;
#P connect 2 0 9 0;
#P connect 24 0 17 0;
#P connect 17 0 9 1;
#P connect 1 0 10 0;
#P connect 24 0 18 0;
#P connect 18 0 10 1;
#P connect 5 0 11 0;
#P connect 15 0 16 0;
#P connect 11 0 16 0;
#P connect 13 0 16 0;
#P connect 14 0 16 0;
#P connect 16 0 8 0;
#P connect 12 0 8 0;
#P connect 9 0 8 0;
#P connect 10 0 8 0;
#P connect 8 0 0 0;
#P connect 19 0 11 1;
#P connect 24 0 19 0;
#P connect 7 0 12 0;
#P connect 20 0 12 1;
#P connect 24 0 20 0;
#P connect 3 0 13 0;
#P connect 21 0 13 1;
#P connect 24 0 21 0;
#P connect 4 0 14 0;
#P connect 22 0 14 1;
#P connect 24 0 22 0;
#P connect 6 0 15 0;
#P connect 23 0 15 1;
#P connect 24 0 23 0;
#P pop;
#P newobj 497 735 105 196617 p combineR;
#P newex 418 380 39 196617 noise~;
#P newex 206 379 39 196617 noise~;
#P newex 207 423 41 196617 *~ 20.;
#P newex 206 401 78 196617 lores~ 0 0.995;
#P newex 417 422 41 196617 *~ 20.;
#P newex 418 401 78 196617 lores~ 0 0.995;
#P newex 236 73 111 196617 zmap 0. 127. 0.05 0.9;
#P newex 348 638 104 196617 tapout~ 106.279999;
#P newex 348 614 65 196617 tapin~ 1000;
#P newex 141 638 68 196617 tapout~ 125.;
#P newex 141 612 65 196617 tapin~ 1000;
#P newex 348 563 140 196617 allpass~ 200 89.239998 0.5;
#P newex 141 563 116 196617 allpass~ 200 60.48 0.5;
#P newex 141 540 41 196617 *~ 0.5;
#P newex 348 540 41 196617 *~ 0.5;
#P newex 141 495 93 196617 onepole~ 1800 Hz.;
#P newex 358 71 120 196617 zmap 0 127. 20. 12000.;
#P newex 348 495 93 196617 onepole~ 1800 Hz.;
#P newex 348 451 165 196617 comb~ 1000. 141.699997 0. 1. 0.;
#P newex 141 450 165 196617 comb~ 1000. 149.600006 0. 1. 0.;
#P newex 348 317 115 196617 allpass~ 50 30.51 -0.7;
#P newex 141 316 115 196617 allpass~ 50 22.58 -0.7;
#P newex 141 250 110 196617 allpass~ 20 9.3 0.625;
#P newex 141 224 122 196617 allpass~ 20 12.73 0.625;
#P newex 141 200 110 196617 allpass~ 10 3.58 0.75;
#P newex 141 175 110 196617 allpass~ 10 4.76 0.75;
#P newex 141 151 93 196617 onepole~ 1800 Hz.;
#N comlet out R;
#P outlet 497 764 15 0;
#N comlet out L;
#P outlet 49 762 15 0;
#P comment 80 763 401 196617 Plate reverb \, in the style of
Griesinger \, via J Dattorro. Randy Jones rej@2uptech.com;
#P fasten 8 0 31 0 146 344 54 344;
#P connect 31 0 1 0;
#P fasten 8 0 31 1 146 344 67 344;
#P fasten 17 0 31 2 146 590 80 590;
#P fasten 20 0 31 3 146 678 93 678;
#P fasten 11 0 31 4 353 477 106 477;
#P connect 47 0 46 0;
#P connect 46 0 45 0;
#P fasten 18 0 31 5 353 585 119 585;
#P fasten 22 0 31 6 353 714 132 714;
#P fasten 43 0 31 7 593 725 145 725;
#P fasten 48 0 3 0 19 140 146 140;
#P connect 3 0 4 0;
#P connect 4 0 5 0;
#P connect 5 0 6 0;
#P connect 6 0 7 0;
#P fasten 22 0 8 0 353 662 28 662 28 293 146 293;
#P lcolor 7;
#P connect 7 0 8 0;
#P connect 8 0 10 0;
#P connect 10 0 14 0;
#P connect 14 0 16 0;
#P connect 16 0 17 0;
#P connect 17 0 19 0;
#P connect 19 0 20 0;
#P connect 35 0 20 0;
#P fasten 41 0 33 0 304 372 159 372;
#P connect 33 0 42 0;
#P fasten 55 0 16 1 293 520 177 520;
#P fasten 42 0 10 1 159 444 184 444;
#P fasten 27 0 10 1 212 444 184 444;
#P fasten 41 0 32 0 304 290 198 290;
#P connect 32 0 8 1;
#P fasten 41 0 34 0 304 527 199 527;
#P connect 34 0 17 1;
#P connect 28 0 26 0;
#P connect 26 0 27 0;
#P fasten 41 0 35 0 304 597 215 597;
#P connect 13 0 3 1;
#P fasten 56 0 14 1 316 484 229 484;
#P connect 50 0 49 0;
#P connect 49 0 23 0;
#P connect 23 0 55 0;
#P fasten 45 0 41 0 110 98 304 98;
#P connect 13 0 56 0;
#P fasten 20 0 9 0 146 670 19 670 19 285 353 285;
#P lcolor 7;
#P fasten 7 0 9 0 146 272 353 272;
#P connect 9 0 11 0;
#P connect 11 0 12 0;
#P connect 12 0 15 0;
#P connect 15 0 18 0;
#P connect 18 0 21 0;
#P connect 21 0 22 0;
#P connect 40 0 22 0;
#P connect 52 0 51 0;
#P connect 51 0 13 0;
#P fasten 41 0 37 0 304 377 371 377;
#P connect 37 0 38 0;
#P fasten 55 0 15 1 293 520 384 520;
#P fasten 25 0 11 1 422 444 391 444;
#P fasten 38 0 11 1 371 445 391 445;
#P fasten 41 0 36 0 304 291 405 291;
#P connect 36 0 9 1;
#P fasten 41 0 39 0 304 527 406 527;
#P connect 39 0 18 1;
#P connect 24 0 25 0;
#P connect 29 0 24 0;
#P fasten 41 0 40 0 304 599 424 599;
#P fasten 56 0 12 1 316 484 436 484;
#P connect 54 0 53 0;
#P connect 53 0 57 0;
#P fasten 9 0 30 0 353 343 502 343;
#P connect 30 0 2 0;
#P fasten 9 0 30 1 353 343 515 343;
#P fasten 18 0 30 2 353 594 528 594;
#P fasten 22 0 30 3 353 691 541 691;
#P fasten 10 0 30 4 146 473 554 473;
#P fasten 17 0 30 5 146 604 567 604;
#P fasten 20 0 30 6 146 706 580 706;
#P fasten 57 0 44 0 492 272 593 272;
#P fasten 41 0 43 0 304 702 593 702;
#P connect 44 0 43 0;
#P connect 43 0 30 7;
#P connect 44 1 43 1;
#P pop;



------=_Part_12223_1647943.1204385769171-- From Loopers-Delight-request@loopers-delight.com Sat Mar 1 16:01:21 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id C8BCB3BEF0; Sat, 1 Mar 2008 16:01:21 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to:subject:in-reply-to:mime-version:content-type:references; bh=L/1NJ+Va+u3kGOwn2asOptycpZaaaOynpVd9CylI/5M=; b=i2QNMZYXo4gDCdicaMpkwa5PMjSuninEe60dtGDo2FDwlGZ20oti6UIRse1PIkHismb2WVqY2zQMgfDRJv/vBgMfSlXxlqnK6Eb8iUm9IrWvHCJeV8Dkv1aXO28/hcUGBb70r05pqGO2e6UIgVPsLYskZDWJMuoDNbS6qBHZON0= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:in-reply-to:mime-version:content-type:references; b=kiSjyoTrq3+gf94naz5jba7pqSp7d/gYSmWlznmAXJHjcqm2htDZ0y+S/8QOfQCwh1FJ0oWsq0NtELK1Gf35eisYxMdZ49rwU1NzMt/th7LMB03NijtfvCfeu1bv7zD2o3zqgdKcDZQr/NW7sc0NUj73faZjZUuXXRvLERuEWQQ= Message-ID: <9e0440a60803010801t722b6a79pe8426db7b1243b5f@mail.gmail.com> Date: Sat, 1 Mar 2008 11:01:19 -0500 From: "Jim Goodin" To: Loopers-Delight@loopers-delight.com Subject: Re: RPM Files In-Reply-To: <182340.23796.qm@web45105.mail.sp1.yahoo.com> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_9878_17690095.1204387279501" References: <182340.23796.qm@web45105.mail.sp1.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79030 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 16:01:21 +0000 (UTC) ------=_Part_9878_17690095.1204387279501 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline Tim I was also on one of those collections that Mick was putting together. The last I heard was a pitch from him towards end of 07 encouraging all participatants to purchase a copy in support of the project. That seemed strangely a bit much. Anyhow sounds like this pursuit has hit a wall... Jim On Sat, Mar 1, 2008 at 7:25 AM, Tim Nelson wrote: > Hi Dennis, > > Yeah, I've got a track on one of last year's Starbucks > comps too; apparently what happened is that the > contact guy Mick had been corresponding with for > several months is no longer with the company, so he > had to start the whole process over again... I'm > guessing it's no longer going to happen. > > I don't see why it in any way held up your release, > though; the agreement with Mick is/was an inclusion > license thing, and you still retain all the rights to > your work. My 2007 RPM CD was on CDBaby before Mick > even started the comp project... > > -t- > > --- Dennis Moser wrote: > > > Okay ... here ya go. They are FTP directories and > > the files are all > > covered by Creative Commons licenses: > > > > The 2008 RPM Challenge: > > > > ftp://ftp.angrek.com/download/RPMK28/ > > > > The 2007 RPM Challenge (which got tied up from > > release due to one > > track being used on a compilation CD that was > > supposed be distributed > > by Starbucks, but I never heard anymore about it!): > > > > ftp://ftp.angrek.com/download/RPM2K7/ > > > > > > Hope you enjoy. > > > > Dennis > > > > > > > http://www.myspace.com/nimbletunes > http://cdbaby.com/all/timnelson > http://www.youtube.com/speleman62 > > > > ____________________________________________________________________________________ > Never miss a thing. Make Yahoo your home page. > http://www.yahoo.com/r/hs > > -- The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com ------=_Part_9878_17690095.1204387279501 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline
Tim I  was also on one  of those collections that Mick was putting together.  The last  I heard was a pitch from him towards end of 07 encouraging all participatants to purchase a copy in support of the project.  That seemed strangely a bit much. Anyhow sounds like this pursuit has hit a wall...
 
Jim

On Sat, Mar 1, 2008 at 7:25 AM, Tim Nelson <psychle62@yahoo.com> wrote:
Hi Dennis,

Yeah, I've got a track on one of last year's Starbucks
comps too; apparently what happened is that the
contact guy Mick had been corresponding with for
several months is no longer with the company, so he
had to start the whole process over again... I'm
guessing it's no longer going to happen.

I don't see why it in any way held up your release,
though; the agreement with Mick is/was an inclusion
license thing, and you still retain all the rights to
your work. My 2007 RPM CD was on CDBaby before Mick
even started the comp project...

-t-

--- Dennis Moser <sinsofmachaut@gmail.com> wrote:

> Okay ... here ya go. They are FTP directories and
> the files are all
> covered by Creative Commons licenses:
>
> The 2008 RPM Challenge:
>
>             ftp://ftp.angrek.com/download/RPMK28/
>
> The 2007 RPM Challenge (which got tied up from
> release due to one
> track being used on a compilation CD that was
> supposed be distributed
> by Starbucks, but I never heard anymore about it!):
>
>              ftp://ftp.angrek.com/download/RPM2K7/
>
>
> Hope you enjoy.
>
> Dennis
>
>


http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62


     ____________________________________________________________________________________
Never miss a thing.  Make Yahoo your home page.
http://www.yahoo.com/r/hs




--
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com ------=_Part_9878_17690095.1204387279501-- From Loopers-Delight-request@loopers-delight.com Sat Mar 1 17:23:26 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 45A453BEE4; Sat, 1 Mar 2008 17:23:26 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Greylist: delayed 399 seconds by postgrey-1.27 at arsenic; Sat, 01 Mar 2008 17:23:25 UTC DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Subject:To:MIME-Version:Content-Type:Message-ID; b=SmnobnKL2cWCXoOOGt9gfW0OCkjnGj6nhSA0veSq743Gxgn4kDTyOzCKHBwerheCkzyrSQI/bdJyxEfnibEiyKfgissQEO23oC6fbPsiSH/cXw8hIpgQuadITngTRDRYmadpmZE+OsdiSZ9G4Pn3XFqn4tzL+1jkbfPDhSshZ8A=; X-YMail-OSG: HcroitIVM1kHU7uRt3mmbu7PmJVrWD3QrFgRkR_RltNJtJXutM90Rf6fBo8lGWxbssZYvmez.PmLy9QxMYgxKXHmvaAE2HXN1qSoSsKDjTQdNj5nbQc- X-Mailer: YahooMailRC/818.31 YahooMailWebService/0.7.162 Date: Sat, 1 Mar 2008 09:16:44 -0800 (PST) From: margaret noble Subject: Using your USA gear in Europe (voltage adapter concerns) To: Loopers-Delight@loopers-delight.com MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-752000669-1204391804=:68598" Message-ID: <635004.68598.qm@web81008.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79031 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sat, 1 Mar 2008 17:23:26 +0000 (UTC) --0-752000669-1204391804=:68598 Content-Type: text/plain; charset=us-ascii Long time no post! But here I am :-) I have a gig in Vienna and I don't want to blow up my gear. I am wondering if anyone has experience using their hardware audio gear in countries with different voltage circuits. In particular, I have a Mac laptop purchased in the USA, I know it works with a European power supply, all I have to do is put on an adapter and it works. But, I also have a Behringer B-Control Rotary BCR2000 midi controller. I thought it was USB powered only but it needs to also use a power supply. Its says: 100 - 240 V~ 50/60 Hz 15 W... Can I just throw an adapter tip on that when I get to Vienna (or do I need some type of transformer?) also I have a Mackie 1202-VLZ3 mixer, it has a switch in the back to go from 100VAC or 120 VAC or 240 VAC, I am assuming that all I have to do is adjust the switch to 240 and put an adapter tip on ? BUT I AM SCARED! So, if anyone knows about this stuff, I would really appreciate the help! Thanks So Much! Margaret ____________________________________________________________________________________ Never miss a thing. Make Yahoo your home page. http://www.yahoo.com/r/hs --0-752000669-1204391804=:68598 Content-Type: text/html; charset=us-ascii
Long time no post!  But here I am :-) I have a gig in Vienna and I don't want to blow up my gear. I am wondering if anyone has experience using their hardware audio gear in countries with different voltage circuits. In particular,

I have a Mac laptop purchased in the USA, I know it works with a European power supply, all I have to do is put on an adapter and it works.

But, I also have a Behringer B-Control Rotary BCR2000 midi controller. I thought it was USB powered only but it needs to also use a power supply. Its says: 100 - 240 V~ 50/60 Hz 15 W...

Can I just throw an adapter tip on that when I get to Vienna (or do I need some type of transformer?)

also I have a Mackie 1202-VLZ3 mixer, it has a switch in the back to go from 100VAC or 120 VAC or 240 VAC, I am assuming that all I have to do is adjust the switch to 240 and put an adapter tip on ?

BUT I AM SCARED! So, if anyone knows about this stuff, I would really appreciate the help!

Thanks So Much!

Margaret

Never miss a thing. Make Yahoo your homepage. --0-752000669-1204391804=:68598-- From Loopers-Delight-request@loopers-delight.com Sat Mar 1 17:55:26 2008 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 4C34E3BEF0; Sat, 1 Mar 2008 17:55:25 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=googlemail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:sender:to:subject:mime-version:content-type:content-transfer-encoding:content-disposition:x-google-sender-auth; bh=5OOOXLRU6k9JlfMlwT/KrKAoX9J14Ups081JKlmCcak=; b=eaX+p8jvyUb2SDuNsckoUflcIQ+VgtWq/EJ0/eREcO6VVSOd1mLmiJyauissTqEtbamNGkV0+aQ/OEj+0Dw4NDe8zWGY3ZWo/kT5IS0dOPE0/g4wAKO5ZxdeRfjpnyq/Uj1OsMEF0WT9iUAMYn1N2CZJqvrxWT1wvfT1cw/h0b8= DomainKey-Signature: a=rsa-sha1; c=nofws; d=googlemail.com; s=gamma; h=message-id:date:from:sender:to:subject:mime-version:content-type:content-transfer-encoding:content-disposition:x-google-sender-auth; b=NsU5j2LJfIvYuHmJVEcQOhd1fO4DAgJT7zFD4ZihaHZOr3tgmoAp9cPgG0sI0B8RGtu3vQj3fz1l6zuSoEwz1AVV+DJuwXEYecNq9t2hy1WeMBa+eRSmvl5YphRTow39C5Ci7nkqnwEWlIhCRpf1W9MAWgNyyJdYEnzpl1fsRus= Message-ID: Date: Sat, 1 Mar 2008 17:55:15 +0000 From: Os Sender: expertsleepers@googlemail.com To: Loopers-Delight@loopers-delight.com Subject: Augustus Loop - now Mac OS X VST MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline X-Google-Sender-Auth: 179d5f88003eea43 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/79032 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delig