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Date: Fri, 29 Feb 2008 20:07:36 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for February 23, 2008
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http://soundscapes.us/amfm/playlists/2008/080223.html

The AM/FM Show has two alternating hosts.  When I am at the helm, expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #124                February 23, 2008.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
isses came with a cassette.  Issues one through thirteen have been
remastered and are now available on CDR in plastic slip covers with
artwork and track details.  Details are at http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Michael Shipway] Arrival              Sequences No. 1
VA [Steve Charlton]  Intensity            Sequences No. 1
VA [Carl Matthews]   unknown              Sequences No. 1
VA [Dace Thompson]   Journey Through the  Sequences No. 1
                       Wastelands
Transeive            Emor Femus           Intrigue (Champagne Lake)
The Tangent Project  Foregone             2006/2007 Compilation (none)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Elivia Melodey       The Gnomes Embrace   Terra Firma (none)
Mico Nonet           Paper Sailboat       The Marmalade Balloon (Mico
                                            Nonet)
Mico Nonet           The Marmalade        The Marmalade Balloon (Mico
                       Balloon              Nonet)
Mico Nonet           Between Two Trees    The Marmalade Balloon (Mico
                                           Nonet)
Mico Nonet           Notturno             The Marmalade Balloon (Mico
                                           Nonet)
Mico Nonet           Uyku                 The Marmalade Balloon (Mico
                                           Nonet)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Port Mahadia         I of the Storm       Echoes In Time (Giordano)
Amaran's Plight      Coming of Age        Voice in the Light (Progrock)
Amaran's Plight      Incident at          Voice in the Light (Progrock)
                       Haldeman's Lake
Amaran's Plight      Reflections Part 1   Voice in the Light (Progrock)
Ayreon               Ride the Comet       01011001 (InsideOut)
Ayreon               Web of Lies          01011001 (InsideOut)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Mar  1 01:24:44 2008
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Date: Fri, 29 Feb 2008 20:24:41 -0500
From: "Tom Ritchford" <tom@swirly.com>
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Well, of course.  I'm not intending to host the videos myself!

But we need a central page to point people to with the text explanation.

HOWEVER, if sound priority mode really works, I'm a lot less likely to
want to do the work.  I still haven't had a chance to check it out
yet...


On Fri, Feb 29, 2008 at 7:43 AM, Chris Sewell <lunamusic@mac.com> wrote:
> Why not just use YouTube? Perspective buyers are always searching for
>  gear on there.
>
>
> On Feb 28, 2008, at 7:58 PM, Tom Ritchford wrote:
>
>  > I think the website will be really easy to pull off.  I just need to
>  > get a time in front of the camera, or someone else needs to deliver a
>  > movie, for the ball to be rolling.
>  >
>  > Making the website itself, registering, hosting, that's like an hour
>  > of my time.
>  >
>  > I have a theory that once we get a few movies, other people will chime
>  > in.  Or at least, we'll have a few moves.
>  >
>  > On Wed, Feb 27, 2008 at 9:15 AM, Teddy Kumpel <teddybut@mac.com>
>  > wrote:
>  >> I'm down with this Tom... the RC-50, while my main looper at this
>  >> point, is
>  >> really annoying because of the glitches, midi sync and time
>  >> stretching.
>  >>
>  >> which do you think would be more effective, a class action letter
>  >> from a
>  >> lawyer or the website? or both have to happen?
>  >> The suit is a good idea because, after all, their own marketing
>  >> blurbs tout
>  >> all those features as key reasons why to buy the thing.
>  >>
>  >> teddy k
>  >>
>  >>
>  >>
>  >>
>  >> On Feb 26, 2008, at 2:01 PM, Tom Ritchford wrote:
>  >>
>  >>
>  >> On Tue, Feb 26, 2008 at 4:34 AM, doc rossi <docittern@gmail.com>
>  >> wrote:
>  >>>
>  >>> On Feb 26, 2008, at 9:24 AM, Tom Ritchford wrote:
>  >>>
>  >>>> If we make a big fuss, saying, "YOUR UNIT HAS SERIOUS ISSUES AND
>  >>>> YOU
>  >>>
>  >>>> WON'T FIX THEM" then it will be bad PR for them.  at least we get
>  >>>> to
>  >>>> cost them some $$$....  because if people really believe "they make
>  >>>> crappy products they won't support" then they won't buy them!
>  >>>
>  >>> I appreciate the idea, but I'm not sure they are worried about PR -
>  >>
>  >> There isn't a company in the world that sells to consumers that isn't
>  >> worried about PR.  I mean, they care enough to put out their own
>  >> magazine.
>  >>
>  >> Believe you me, this is the sort of conversation that companies are
>  >> terrified of:
>  >>
>  >> "I'm going to get a Roland xxx"
>  >> "Oh, my friend had endless trouble with Roland's yyy -- don't do it."
>  >>
>  >> Whole companies have collapsed based on that sort of thing.
>  >>
>  >> If you read the explanation from tech support, it's really
>  >> dishonest.  They
>  >> don't want to fix their old products because they're busy making new
>  >> products.  In other words, it's a massive con to get your money with
>  >> products that don't work, and they'll never fix.
>  >>
>  >> So.  I'll set up the domain, and make some movies.  My movies
>  >> probably won't
>  >> come for a week, as even though I have a nice camera, it stays near
>  >> the
>  >> gig....  so get on your movies.
>  >>
>  >>
>  >> I'm also realizing that it might be fun to sue them in small claims
>  >> court...
>  >> as it isn't very time-consuming for me, and they probably won't
>  >> show up to
>  >> contest it.
>  >>
>  >> I have a particular hatred of being ripped off by large
>  >> corporations because
>  >> you know they're doing it to thousands of others.
>  >
>  >
>  >
>  > --
>  > /t
>  >
>
>



-- 
 /t

From Loopers-Delight-request@loopers-delight.com  Sat Mar  1 01:37:51 2008
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Date: Fri, 29 Feb 2008 20:36:58 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #569 for February 28, 2008
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http://wdiy.org/programs/gt/playlists/2008/080228.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #569                February 28, 2008

RECAP:
On this show, I concluded the month-long focus on Manikin Records.  The
Featured CD at Midnight was disk two from "Liquid Sound Volume 2."

Manikin Records:
http://wdiy.org/programs/gt/playlists/2008/focus.html#feb


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
synth.nl             AirFlow              AeroDynamics (Groove)
Volt                 Evolution            Nucleosynthesis (Groove)
Spyra                Xylophane            High Phidelity(Ricochet Dream)
VA [Spyra and Lang]  Nenikekamen          Liquid Sound Vol. 2 (Maniklin)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Fanger and       Waterproof Guitar    Liquid Sound Vol. 2 (Maniklin)
  Kersten]
VA [Rainbow Serpent] Deep Dive            Liquid Sound Vol. 2 (Maniklin)
VA [AirSculpture]    Not Raving, Floating Liquid Sound Vol. 2 (Maniklin)
VA [Keller and       Liquid Dawn          Liquid Sound Vol. 2 (Maniklin)
  Schonwalder]

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Gert
Emmens.  The Featured CD at Midnight will be "Waves of Dreams" on Groove
Unlimited records.

Gert Emmens: http://wdiy.org/programs/gt/playlists/2008/focus.html#mar


Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EST (GMT-5:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Sat Mar  1 01:59:09 2008
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Date: Fri, 29 Feb 2008 20:59:06 -0500
From: "Dennis Moser" <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RPM Files
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Okay ... here ya go. They are FTP directories and the files are all
covered by Creative Commons licenses:

The 2008 RPM Challenge:

            ftp://ftp.angrek.com/download/RPMK28/

The 2007 RPM Challenge (which got tied up from release due to one
track being used on a compilation CD that was supposed be distributed
by Starbucks, but I never heard anymore about it!):

             ftp://ftp.angrek.com/download/RPM2K7/


Hope you enjoy.

Dennis

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Date: Fri, 29 Feb 2008 21:47:22 -0500
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To: Loopers-Delight@loopers-delight.com
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To add to the que I delivered my RPM entry titled *Skipping the Light* to
the post office along with Daryl's ( to help minimize the international
postal hasseles) *Rentintwain* which is just excellent by the way, about 4
this afternoon and breathed a major sigh of 'made it!'  My recording is
non-looping so thanks for your patience of why is this guy here, it's my
solo acoustic work but this chapter all fretless, all acoustic (no
electrical save the computer recording it) and totally improvised 11
pieces.  Here's my link on RPM
http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/user,2577/Itemid,296/.
Very glad to have participated and completed work in this event and again
special thanks to Tim Nelson who clued me into the Challenge last year.

Best folks and now on to the CT-Collective insects project which is due
tomorrow so I gotte get cricketing...

Jim
www.jimgoodinmusic.com
www.chinapaintingmusic.com



On Fri, Feb 29, 2008 at 6:00 PM, Dennis Moser <sinsofmachaut@gmail.com>
wrote:

> LOL, Tim! I had to wait until my performance on 20 February ...
> otherwise I'd have done the same thing!
>
> URL is on its' way ...
>
> Dennis
>
> On Fri, Feb 29, 2008 at 4:50 PM, Daryl Shawn <highhorse@mhorse.com> wrote:
> > It's per-Month, not per-DAY...! Damned overachiever!
> >
> >  seriously, kudos (and to Dennis too)...let us know a public location
> >  where we can hear it.
> >
> >
> >  Daryl Shawn
> >  www.swanwelder.com
> >  www.chinapaintingmusic.c
> >
> >
> > > --- highhorse@mhorse.com wrote:
> >  >
> >  >> Anybody else crank out an [RPM] album?
> >  >>
> >  >
> >  > Yup. I handed mine in in person on February 1st after
> >  > an all-night recording session...
> >  >
> >  > <
> http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/Itemid,296/
> >
> >  >
> >  > -t-
> >
> >
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

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<div>To add to the que I delivered my RPM entry titled&nbsp;<strong>Skipping the Light</strong>&nbsp;to the post office along with Daryl&#39;s ( to help minimize the international postal hasseles) <strong>Rentintwain</strong> which is just excellent by the way, about 4 this afternoon and breathed a major sigh of &#39;made it!&#39;&nbsp; My recording is non-looping so thanks for your patience of why is this guy here, it&#39;s my solo acoustic work but this chapter all fretless, all acoustic (no electrical save the computer recording it) and totally improvised 11 pieces.&nbsp; Here&#39;s my link on RPM <a href="http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/user,2577/Itemid,296/">http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/user,2577/Itemid,296/</a>.&nbsp; Very glad to have participated and completed work in this event and again special thanks to Tim Nelson who clued me into the Challenge last year.</div>

<div>&nbsp;</div>
<div>Best folks and now on to the CT-Collective insects project which is due tomorrow so I gotte get cricketing...</div>
<div>&nbsp;</div>
<div>Jim</div>
<div><a href="http://www.jimgoodinmusic.com/">www.jimgoodinmusic.com</a></div>
<div><a href="http://www.chinapaintingmusic.com/">www.chinapaintingmusic.com</a></div>
<div><br><br>&nbsp;</div>
<div class="gmail_quote">On Fri, Feb 29, 2008 at 6:00 PM, Dennis Moser &lt;<a href="mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">LOL, Tim! I had to wait until my performance on 20 February ...<br>otherwise I&#39;d have done the same thing!<br>
<br>URL is on its&#39; way ...<br><font color="#888888"><br>Dennis<br></font>
<div>
<div></div>
<div class="Wj3C7c"><br>On Fri, Feb 29, 2008 at 4:50 PM, Daryl Shawn &lt;<a href="mailto:highhorse@mhorse.com">highhorse@mhorse.com</a>&gt; wrote:<br>&gt; It&#39;s per-Month, not per-DAY...! Damned overachiever!<br>&gt;<br>
&gt; &nbsp;seriously, kudos (and to Dennis too)...let us know a public location<br>&gt; &nbsp;where we can hear it.<br>&gt;<br>&gt;<br>&gt; &nbsp;Daryl Shawn<br>&gt; &nbsp;<a href="http://www.swanwelder.com/" target="_blank">www.swanwelder.com</a><br>
&gt; &nbsp;www.chinapaintingmusic.c<br>&gt;<br>&gt;<br>&gt; &gt; --- <a href="mailto:highhorse@mhorse.com">highhorse@mhorse.com</a> wrote:<br>&gt; &nbsp;&gt;<br>&gt; &nbsp;&gt;&gt; Anybody else crank out an [RPM] album?<br>&gt; &nbsp;&gt;&gt;<br>
&gt; &nbsp;&gt;<br>&gt; &nbsp;&gt; Yup. I handed mine in in person on February 1st after<br>&gt; &nbsp;&gt; an all-night recording session...<br>&gt; &nbsp;&gt;<br>&gt; &nbsp;&gt; &lt;<a href="http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/Itemid,296/" target="_blank">http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/Itemid,296/</a>&gt;<br>
&gt; &nbsp;&gt;<br>&gt; &nbsp;&gt; -t-<br>&gt;<br>&gt;<br><br></div></div></blockquote></div><br><br clear="all"><br>-- <br>The Acoustic World Guitar of Jim Goodin &nbsp;- <a href="http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</a><br>
MySpace (solo) - <a href="http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jimgoodinmusic</a><br>Chinapainting -<br><a href="http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br>
<a href="http://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapaintingmusic.com</a><br>The Jim Goodin label and home for 7 other creative souls - <a href="http://www.woodandwiremusic.com">http://www.woodandwiremusic.com</a> <br>
Jim Goodin uses GHS Strings - <a href="http://www.ghsstrings.com">http://www.ghsstrings.com</a> and Seagull Guitars - <a href="http://www.seagullguitars.com">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a href="http://www.melbay.com">http://www.melbay.com</a> 

------=_Part_8709_4181651.1204339642183--

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>> reverb, but the principle is similar. The Waves reverb isn't
>> half bad for mastering. For my laptop rig, I use a Max/msp
>> reverb. It is a very difficult object to create.
>
> Normally, (pre-)mastering is not the processing stage to add reverb.

Not sure I followed you here, Rainer, but of course I didn't elaborate. 
Since I don't do any multi-track recording, all my reverb ins on my source 
recording files from my max/msp system, but I often add reverb in the final 
mastering of my files to add more depth, or just change the feel of the 
song.  Or if I am recording my free jazz trio in a studio with just live 
mic, and everyone is playing dry, I will add rerverb in the final mastering 
process. I would agree with your point outside of the context in which I 
record.  I have read in several sources for audio engineering that reverb 
can be applied during the mastering process to add more depth.

...so, when you get here to Boise to play at BEMF, I'll show you my max/msp 
reverb patch. It is patch called yafr2, by Randy Jones and built in the 
style of  the Dr. David Griesinger (of Lexicon) reverb design. See mono to 
stereo patch below for maxers. I can dig my stereo to stereo version for 
anyone interested. It's an amazing sounding reverb.

K-

max v2;
#N vpatcher 72 44 715 844;
#P origin 7 -30;
#P window setfont "Sans Serif" 9.;
#P newex 487 71 40 196617 / 127.;
#P flonum 311 149 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P flonum 288 127 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#N comlet diffusion;
#P inlet 487 22 15 0;
#P newex 487 49 62 196617 clip 0. 127.;
#N comlet damping;
#P inlet 358 23 15 0;
#P newex 358 50 62 196617 clip 0. 127.;
#N comlet decay time;
#P inlet 236 24 15 0;
#P newex 236 51 62 196617 clip 0. 127.;
#N comlet audio in;
#P inlet 14 25 15 0;
#N comlet size;
#P inlet 105 24 15 0;
#P newex 105 50 62 196617 clip 0. 127.;
#P newex 105 73 111 196617 zmap 0. 127. 0.01 1.6;
#P newex 588 682 29 196617 t b f;
#P newex 588 705 29 196617 * 1.;
#P newex 154 422 29 196617 sig~;
#P flonum 299 106 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
#P newex 419 614 77 196617 * 106.300003;
#P newex 401 539 71 196617 * 89.239998;
#P newex 366 423 29 196617 sig~;
#P newex 366 401 77 196617 * 141.699997;
#P newex 400 295 47 196617 * 30.51;
#P newex 210 612 41 196617 * 125.;
#P newex 194 540 47 196617 * 60.48;
#P newex 154 401 77 196617 * 149.600006;
#P newex 193 296 47 196617 * 22.58;
#N vpatcher 132 115 1088 352;
#P inlet 913 24 15 0;
#P window setfont "Sans Serif" 9.;
#P window linecount 0;
#P newex 817 49 35 196617 * 75.;
#P newex 683 47 35 196617 * 80.;
#P newex 557 47 35 196617 * 69.;
#P newex 431 47 35 196617 * 25.;
#P newex 305 47 35 196617 * 50.;
#P newex 179 47 41 196617 * 160.;
#P newex 53 47 41 196617 * 110.;
#P window linecount 1;
#P newex 276 124 40 196617 *~ -1.;
#P newex 790 93 117 196617 comb~ 200. 75. 0. 1. 0.;
#P newex 654 93 117 196617 comb~ 200. 80. 0. 1. 0.;
#P newex 528 93 117 196617 comb~ 200. 69. 0. 1. 0.;
#P newex 408 92 117 196617 comb~ 100. 25. 0. 1. 0.;
#P newex 276 93 117 196617 comb~ 200. 50. 0. 1. 0.;
#P newex 152 93 123 196617 comb~ 300. 160. 0. 1. 0.;
#P newex 24 94 123 196617 comb~ 300. 110. 0. 1. 0.;
#P newex 276 164 47 196617 *~ 0.15;
#P inlet 408 72 15 0;
#P inlet 790 73 15 0;
#P inlet 276 73 15 0;
#P inlet 654 73 15 0;
#P inlet 528 73 15 0;
#P inlet 24 74 15 0;
#P inlet 150 73 15 0;
#P outlet 276 191 15 0;
#P connect 2 0 9 0;
#P connect 17 0 9 1;
#P connect 24 0 17 0;
#P connect 1 0 10 0;
#P connect 24 0 18 0;
#P connect 18 0 10 1;
#P connect 5 0 11 0;
#P connect 15 0 16 0;
#P connect 13 0 16 0;
#P connect 14 0 16 0;
#P connect 11 0 16 0;
#P connect 12 0 8 0;
#P connect 16 0 8 0;
#P connect 10 0 8 0;
#P connect 9 0 8 0;
#P connect 8 0 0 0;
#P connect 19 0 11 1;
#P connect 24 0 19 0;
#P connect 7 0 12 0;
#P connect 24 0 20 0;
#P connect 20 0 12 1;
#P connect 3 0 13 0;
#P connect 21 0 13 1;
#P connect 24 0 21 0;
#P connect 4 0 14 0;
#P connect 22 0 14 1;
#P connect 24 0 22 0;
#P connect 6 0 15 0;
#P connect 23 0 15 1;
#P connect 24 0 23 0;
#P pop;
#P newobj 49 730 105 196617 p combineL;
#N vpatcher 10 59 977 304;
#P inlet 923 33 15 0;
#P window setfont "Sans Serif" 9.;
#P window linecount 1;
#P newex 824 73 35 196617 * 52.;
#P newex 693 73 35 196617 * 27.;
#P newex 562 73 35 196617 * 35.;
#P newex 431 73 29 196617 * 3.;
#P newex 300 73 35 196617 * 55.;
#P newex 169 73 41 196617 * 135.;
#P window linecount 0;
#P newex 38 73 41 196617 * 110.;
#P newex 272 132 40 196617 *~ -1.;
#P newex 784 107 117 196617 comb~ 200. 50. 0. 1. 0.;
#P newex 650 107 117 196617 comb~ 100. 25. 0. 1. 0.;
#P newex 520 107 117 196617 comb~ 100. 35. 0. 1. 0.;
#P newex 404 107 111 196617 comb~ 100. 3. 0. 1. 0.;
#P newex 272 107 117 196617 comb~ 200. 55. 0. 1. 0.;
#P newex 141 107 123 196617 comb~ 300. 135. 0. 1. 0.;
#P newex 10 108 123 196617 comb~ 300. 110. 0. 1. 0.;
#P newex 272 166 47 196617 *~ 0.15;
#P inlet 404 87 15 0;
#P inlet 784 87 15 0;
#P inlet 272 87 15 0;
#P inlet 650 87 15 0;
#P inlet 520 87 15 0;
#P inlet 10 88 15 0;
#P inlet 141 87 15 0;
#P outlet 272 197 15 0;
#P connect 2 0 9 0;
#P connect 24 0 17 0;
#P connect 17 0 9 1;
#P connect 1 0 10 0;
#P connect 24 0 18 0;
#P connect 18 0 10 1;
#P connect 5 0 11 0;
#P connect 15 0 16 0;
#P connect 11 0 16 0;
#P connect 13 0 16 0;
#P connect 14 0 16 0;
#P connect 16 0 8 0;
#P connect 12 0 8 0;
#P connect 9 0 8 0;
#P connect 10 0 8 0;
#P connect 8 0 0 0;
#P connect 19 0 11 1;
#P connect 24 0 19 0;
#P connect 7 0 12 0;
#P connect 20 0 12 1;
#P connect 24 0 20 0;
#P connect 3 0 13 0;
#P connect 21 0 13 1;
#P connect 24 0 21 0;
#P connect 4 0 14 0;
#P connect 22 0 14 1;
#P connect 24 0 22 0;
#P connect 6 0 15 0;
#P connect 23 0 15 1;
#P connect 24 0 23 0;
#P pop;
#P newobj 497 735 105 196617 p combineR;
#P newex 418 380 39 196617 noise~;
#P newex 206 379 39 196617 noise~;
#P newex 207 423 41 196617 *~ 20.;
#P newex 206 401 78 196617 lores~ 0 0.995;
#P newex 417 422 41 196617 *~ 20.;
#P newex 418 401 78 196617 lores~ 0 0.995;
#P newex 236 73 111 196617 zmap 0. 127. 0.05 0.9;
#P newex 348 638 104 196617 tapout~ 106.279999;
#P newex 348 614 65 196617 tapin~ 1000;
#P newex 141 638 68 196617 tapout~ 125.;
#P newex 141 612 65 196617 tapin~ 1000;
#P newex 348 563 140 196617 allpass~ 200 89.239998 0.5;
#P newex 141 563 116 196617 allpass~ 200 60.48 0.5;
#P newex 141 540 41 196617 *~ 0.5;
#P newex 348 540 41 196617 *~ 0.5;
#P newex 141 495 93 196617 onepole~ 1800 Hz.;
#P newex 358 71 120 196617 zmap 0 127. 20. 12000.;
#P newex 348 495 93 196617 onepole~ 1800 Hz.;
#P newex 348 451 165 196617 comb~ 1000. 141.699997 0. 1. 0.;
#P newex 141 450 165 196617 comb~ 1000. 149.600006 0. 1. 0.;
#P newex 348 317 115 196617 allpass~ 50 30.51 -0.7;
#P newex 141 316 115 196617 allpass~ 50 22.58 -0.7;
#P newex 141 250 110 196617 allpass~ 20 9.3 0.625;
#P newex 141 224 122 196617 allpass~ 20 12.73 0.625;
#P newex 141 200 110 196617 allpass~ 10 3.58 0.75;
#P newex 141 175 110 196617 allpass~ 10 4.76 0.75;
#P newex 141 151 93 196617 onepole~ 1800 Hz.;
#N comlet out R;
#P outlet 497 764 15 0;
#N comlet out L;
#P outlet 49 762 15 0;
#P comment 80 763 401 196617 Plate reverb \, in the style of
Griesinger \, via J Dattorro. Randy Jones rej@2uptech.com;
#P fasten 8 0 31 0 146 344 54 344;
#P connect 31 0 1 0;
#P fasten 8 0 31 1 146 344 67 344;
#P fasten 17 0 31 2 146 590 80 590;
#P fasten 20 0 31 3 146 678 93 678;
#P fasten 11 0 31 4 353 477 106 477;
#P connect 47 0 46 0;
#P connect 46 0 45 0;
#P fasten 18 0 31 5 353 585 119 585;
#P fasten 22 0 31 6 353 714 132 714;
#P fasten 43 0 31 7 593 725 145 725;
#P fasten 48 0 3 0 19 140 146 140;
#P connect 3 0 4 0;
#P connect 4 0 5 0;
#P connect 5 0 6 0;
#P connect 6 0 7 0;
#P fasten 22 0 8 0 353 662 28 662 28 293 146 293;
#P lcolor 7;
#P connect 7 0 8 0;
#P connect 8 0 10 0;
#P connect 10 0 14 0;
#P connect 14 0 16 0;
#P connect 16 0 17 0;
#P connect 17 0 19 0;
#P connect 19 0 20 0;
#P connect 35 0 20 0;
#P fasten 41 0 33 0 304 372 159 372;
#P connect 33 0 42 0;
#P fasten 55 0 16 1 293 520 177 520;
#P fasten 42 0 10 1 159 444 184 444;
#P fasten 27 0 10 1 212 444 184 444;
#P fasten 41 0 32 0 304 290 198 290;
#P connect 32 0 8 1;
#P fasten 41 0 34 0 304 527 199 527;
#P connect 34 0 17 1;
#P connect 28 0 26 0;
#P connect 26 0 27 0;
#P fasten 41 0 35 0 304 597 215 597;
#P connect 13 0 3 1;
#P fasten 56 0 14 1 316 484 229 484;
#P connect 50 0 49 0;
#P connect 49 0 23 0;
#P connect 23 0 55 0;
#P fasten 45 0 41 0 110 98 304 98;
#P connect 13 0 56 0;
#P fasten 20 0 9 0 146 670 19 670 19 285 353 285;
#P lcolor 7;
#P fasten 7 0 9 0 146 272 353 272;
#P connect 9 0 11 0;
#P connect 11 0 12 0;
#P connect 12 0 15 0;
#P connect 15 0 18 0;
#P connect 18 0 21 0;
#P connect 21 0 22 0;
#P connect 40 0 22 0;
#P connect 52 0 51 0;
#P connect 51 0 13 0;
#P fasten 41 0 37 0 304 377 371 377;
#P connect 37 0 38 0;
#P fasten 55 0 15 1 293 520 384 520;
#P fasten 25 0 11 1 422 444 391 444;
#P fasten 38 0 11 1 371 445 391 445;
#P fasten 41 0 36 0 304 291 405 291;
#P connect 36 0 9 1;
#P fasten 41 0 39 0 304 527 406 527;
#P connect 39 0 18 1;
#P connect 24 0 25 0;
#P connect 29 0 24 0;
#P fasten 41 0 40 0 304 599 424 599;
#P fasten 56 0 12 1 316 484 436 484;
#P connect 54 0 53 0;
#P connect 53 0 57 0;
#P fasten 9 0 30 0 353 343 502 343;
#P connect 30 0 2 0;
#P fasten 9 0 30 1 353 343 515 343;
#P fasten 18 0 30 2 353 594 528 594;
#P fasten 22 0 30 3 353 691 541 691;
#P fasten 10 0 30 4 146 473 554 473;
#P fasten 17 0 30 5 146 604 567 604;
#P fasten 20 0 30 6 146 706 580 706;
#P fasten 57 0 44 0 492 272 593 272;
#P fasten 41 0 43 0 304 702 593 702;
#P connect 44 0 43 0;
#P connect 43 0 30 7;
#P connect 44 1 43 1;
#P pop;

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I found this rather interesting:

Scientists funded by the National Institute on Deafness and Other
> Communication Disorders (NIDCD) have found that, when jazz musicians are
> engaged in the highly creative and spontaneous activity known as
> improvisation, a large region of the brain involved in monitoring one's
> performance is shut down, while a small region involved in organizing
> self-initiated thoughts and behaviors is highly activated.


Link to read more:
http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-factor-think-different/


I've always also filed meditation into the same type of brain activities.
Particularly disciplines where you practice to stay relaxed and focused at
the same time - without falling asleep, lose concentration or wander astray
along associational thoughts. But this article doesn't mention meditation.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

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I found this rather interesting:&nbsp;<br><br><blockquote class="gmail_quote" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0.8ex; border-left-width: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; padding-left: 1ex; ">
<span class="Apple-style-span" style="font-family: Helvetica; ">Scientists funded by the National Institute on Deafness and Other Communication Disorders (NIDCD) have found that, when jazz musicians are engaged in the highly creative and spontaneous activity known as improvisation, a large region of the brain involved in monitoring one's performance is shut down, while a small region involved in organizing self-initiated thoughts and behaviors is highly activated.</span></blockquote>
<div><br class="webkit-block-placeholder"></div><div>Link to read more:&nbsp;</div><div><a href="http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-factor-think-different/">http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-factor-think-different/</a>&nbsp;</div>
<div><br class="webkit-block-placeholder"></div><div>I&#39;ve always also filed meditation into the same type of brain activities. Particularly disciplines where you practice to stay relaxed and focused at the same time - without falling asleep, lose concentration or wander astray along associational thoughts. But this article doesn&#39;t mention meditation.&nbsp;</div>
<div><br>-- <br>Greetings from Sweden<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)<br><br></div>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar  1 12:32:27 2008
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Date: Sat, 1 Mar 2008 04:25:36 -0800 (PST)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: RPM Files
To: Loopers-Delight@loopers-delight.com
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Hi Dennis,

Yeah, I've got a track on one of last year's Starbucks
comps too; apparently what happened is that the
contact guy Mick had been corresponding with for
several months is no longer with the company, so he
had to start the whole process over again... I'm
guessing it's no longer going to happen.

I don't see why it in any way held up your release,
though; the agreement with Mick is/was an inclusion
license thing, and you still retain all the rights to
your work. My 2007 RPM CD was on CDBaby before Mick
even started the comp project...

-t-

--- Dennis Moser <sinsofmachaut@gmail.com> wrote:

> Okay ... here ya go. They are FTP directories and
> the files are all
> covered by Creative Commons licenses:
> 
> The 2008 RPM Challenge:
> 
>             ftp://ftp.angrek.com/download/RPMK28/
> 
> The 2007 RPM Challenge (which got tied up from
> release due to one
> track being used on a compilation CD that was
> supposed be distributed
> by Starbucks, but I never heard anymore about it!):
> 
>              ftp://ftp.angrek.com/download/RPM2K7/
> 
> 
> Hope you enjoy.
> 
> Dennis
> 
> 


http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62


      ____________________________________________________________________________________
Never miss a thing.  Make Yahoo your home page. 
http://www.yahoo.com/r/hs

From Loopers-Delight-request@loopers-delight.com  Sat Mar  1 13:42:25 2008
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Subject: Re: qualities of reverb
Date: Sun, 2 Mar 2008 19:16:57 +0530
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yes, i also remember that reverb...
it was looooooooooooooooooooooooong...

tilmann

----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Sent: Friday, February 29, 2008 12:54 PM
Subject: RE: qualities of reverb


> Duncan Goddard mentioned a trick with his trusty microverb:
>
> Which reminded me:
>
> The Alesis Midverb 2 had an infinite reverb in it that was just amazing. 
> (patch #32 if memory serves)
>
> Eventually I had to upgrade my reverbs (with more Alesis and finally 
> Lexicons)
> but I have never heard an infinite reverb setting that was so musical as 
> that
> old archaic unit.   One of my favorite tricks when I was first doing lop
>
> The rest of the verbs were pretty pathetic, unfortuanately and the Alesis 
> gear
> just doesn't seem to last very long. 

From Loopers-Delight-request@loopers-delight.com  Sat Mar  1 14:20:16 2008
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Date: Sat, 1 Mar 2008 09:20:14 -0500
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Hey Krispen, I'd dig hearing the stereo reverb for sure!
also, what are the ranges for the size and damping inlets?

thanks man, this is the first reverb I've seen really built in max,
exciting!


Best to all,

Todd


On 3/1/08, Krispen Hartung <khartung@cableone.net> wrote:
>
>
> >> reverb, but the principle is similar. The Waves reverb isn't
> >> half bad for mastering. For my laptop rig, I use a Max/msp
> >> reverb. It is a very difficult object to create.
> >
> > Normally, (pre-)mastering is not the processing stage to add reverb.
>
> Not sure I followed you here, Rainer, but of course I didn't elaborate.
> Since I don't do any multi-track recording, all my reverb ins on my source
> recording files from my max/msp system, but I often add reverb in the
> final
> mastering of my files to add more depth, or just change the feel of the
> song.  Or if I am recording my free jazz trio in a studio with just live
> mic, and everyone is playing dry, I will add rerverb in the final
> mastering
> process. I would agree with your point outside of the context in which I
> record.  I have read in several sources for audio engineering that reverb
> can be applied during the mastering process to add more depth.
>
> ...so, when you get here to Boise to play at BEMF, I'll show you my
> max/msp
> reverb patch. It is patch called yafr2, by Randy Jones and built in the
> style of  the Dr. David Griesinger (of Lexicon) reverb design. See mono to
> stereo patch below for maxers. I can dig my stereo to stereo version for
> anyone interested. It's an amazing sounding reverb.
>
> K-
>
> max v2;
> #N vpatcher 72 44 715 844;
> #P origin 7 -30;
> #P window setfont "Sans Serif" 9.;
> #P newex 487 71 40 196617 / 127.;
> #P flonum 311 149 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P flonum 288 127 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #N comlet diffusion;
> #P inlet 487 22 15 0;
> #P newex 487 49 62 196617 clip 0. 127.;
> #N comlet damping;
> #P inlet 358 23 15 0;
> #P newex 358 50 62 196617 clip 0. 127.;
> #N comlet decay time;
> #P inlet 236 24 15 0;
> #P newex 236 51 62 196617 clip 0. 127.;
> #N comlet audio in;
> #P inlet 14 25 15 0;
> #N comlet size;
> #P inlet 105 24 15 0;
> #P newex 105 50 62 196617 clip 0. 127.;
> #P newex 105 73 111 196617 zmap 0. 127. 0.01 1.6;
> #P newex 588 682 29 196617 t b f;
> #P newex 588 705 29 196617 * 1.;
> #P newex 154 422 29 196617 sig~;
> #P flonum 299 106 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P newex 419 614 77 196617 * 106.300003;
> #P newex 401 539 71 196617 * 89.239998;
> #P newex 366 423 29 196617 sig~;
> #P newex 366 401 77 196617 * 141.699997;
> #P newex 400 295 47 196617 * 30.51;
> #P newex 210 612 41 196617 * 125.;
> #P newex 194 540 47 196617 * 60.48;
> #P newex 154 401 77 196617 * 149.600006;
> #P newex 193 296 47 196617 * 22.58;
> #N vpatcher 132 115 1088 352;
> #P inlet 913 24 15 0;
> #P window setfont "Sans Serif" 9.;
> #P window linecount 0;
> #P newex 817 49 35 196617 * 75.;
> #P newex 683 47 35 196617 * 80.;
> #P newex 557 47 35 196617 * 69.;
> #P newex 431 47 35 196617 * 25.;
> #P newex 305 47 35 196617 * 50.;
> #P newex 179 47 41 196617 * 160.;
> #P newex 53 47 41 196617 * 110.;
> #P window linecount 1;
> #P newex 276 124 40 196617 *~ -1.;
> #P newex 790 93 117 196617 comb~ 200. 75. 0. 1. 0.;
> #P newex 654 93 117 196617 comb~ 200. 80. 0. 1. 0.;
> #P newex 528 93 117 196617 comb~ 200. 69. 0. 1. 0.;
> #P newex 408 92 117 196617 comb~ 100. 25. 0. 1. 0.;
> #P newex 276 93 117 196617 comb~ 200. 50. 0. 1. 0.;
> #P newex 152 93 123 196617 comb~ 300. 160. 0. 1. 0.;
> #P newex 24 94 123 196617 comb~ 300. 110. 0. 1. 0.;
> #P newex 276 164 47 196617 *~ 0.15;
> #P inlet 408 72 15 0;
> #P inlet 790 73 15 0;
> #P inlet 276 73 15 0;
> #P inlet 654 73 15 0;
> #P inlet 528 73 15 0;
> #P inlet 24 74 15 0;
> #P inlet 150 73 15 0;
> #P outlet 276 191 15 0;
> #P connect 2 0 9 0;
> #P connect 17 0 9 1;
> #P connect 24 0 17 0;
> #P connect 1 0 10 0;
> #P connect 24 0 18 0;
> #P connect 18 0 10 1;
> #P connect 5 0 11 0;
> #P connect 15 0 16 0;
> #P connect 13 0 16 0;
> #P connect 14 0 16 0;
> #P connect 11 0 16 0;
> #P connect 12 0 8 0;
> #P connect 16 0 8 0;
> #P connect 10 0 8 0;
> #P connect 9 0 8 0;
> #P connect 8 0 0 0;
> #P connect 19 0 11 1;
> #P connect 24 0 19 0;
> #P connect 7 0 12 0;
> #P connect 24 0 20 0;
> #P connect 20 0 12 1;
> #P connect 3 0 13 0;
> #P connect 21 0 13 1;
> #P connect 24 0 21 0;
> #P connect 4 0 14 0;
> #P connect 22 0 14 1;
> #P connect 24 0 22 0;
> #P connect 6 0 15 0;
> #P connect 23 0 15 1;
> #P connect 24 0 23 0;
> #P pop;
> #P newobj 49 730 105 196617 p combineL;
> #N vpatcher 10 59 977 304;
> #P inlet 923 33 15 0;
> #P window setfont "Sans Serif" 9.;
> #P window linecount 1;
> #P newex 824 73 35 196617 * 52.;
> #P newex 693 73 35 196617 * 27.;
> #P newex 562 73 35 196617 * 35.;
> #P newex 431 73 29 196617 * 3.;
> #P newex 300 73 35 196617 * 55.;
> #P newex 169 73 41 196617 * 135.;
> #P window linecount 0;
> #P newex 38 73 41 196617 * 110.;
> #P newex 272 132 40 196617 *~ -1.;
> #P newex 784 107 117 196617 comb~ 200. 50. 0. 1. 0.;
> #P newex 650 107 117 196617 comb~ 100. 25. 0. 1. 0.;
> #P newex 520 107 117 196617 comb~ 100. 35. 0. 1. 0.;
> #P newex 404 107 111 196617 comb~ 100. 3. 0. 1. 0.;
> #P newex 272 107 117 196617 comb~ 200. 55. 0. 1. 0.;
> #P newex 141 107 123 196617 comb~ 300. 135. 0. 1. 0.;
> #P newex 10 108 123 196617 comb~ 300. 110. 0. 1. 0.;
> #P newex 272 166 47 196617 *~ 0.15;
> #P inlet 404 87 15 0;
> #P inlet 784 87 15 0;
> #P inlet 272 87 15 0;
> #P inlet 650 87 15 0;
> #P inlet 520 87 15 0;
> #P inlet 10 88 15 0;
> #P inlet 141 87 15 0;
> #P outlet 272 197 15 0;
> #P connect 2 0 9 0;
> #P connect 24 0 17 0;
> #P connect 17 0 9 1;
> #P connect 1 0 10 0;
> #P connect 24 0 18 0;
> #P connect 18 0 10 1;
> #P connect 5 0 11 0;
> #P connect 15 0 16 0;
> #P connect 11 0 16 0;
> #P connect 13 0 16 0;
> #P connect 14 0 16 0;
> #P connect 16 0 8 0;
> #P connect 12 0 8 0;
> #P connect 9 0 8 0;
> #P connect 10 0 8 0;
> #P connect 8 0 0 0;
> #P connect 19 0 11 1;
> #P connect 24 0 19 0;
> #P connect 7 0 12 0;
> #P connect 20 0 12 1;
> #P connect 24 0 20 0;
> #P connect 3 0 13 0;
> #P connect 21 0 13 1;
> #P connect 24 0 21 0;
> #P connect 4 0 14 0;
> #P connect 22 0 14 1;
> #P connect 24 0 22 0;
> #P connect 6 0 15 0;
> #P connect 23 0 15 1;
> #P connect 24 0 23 0;
> #P pop;
> #P newobj 497 735 105 196617 p combineR;
> #P newex 418 380 39 196617 noise~;
> #P newex 206 379 39 196617 noise~;
> #P newex 207 423 41 196617 *~ 20.;
> #P newex 206 401 78 196617 lores~ 0 0.995;
> #P newex 417 422 41 196617 *~ 20.;
> #P newex 418 401 78 196617 lores~ 0 0.995;
> #P newex 236 73 111 196617 zmap 0. 127. 0.05 0.9;
> #P newex 348 638 104 196617 tapout~ 106.279999;
> #P newex 348 614 65 196617 tapin~ 1000;
> #P newex 141 638 68 196617 tapout~ 125.;
> #P newex 141 612 65 196617 tapin~ 1000;
> #P newex 348 563 140 196617 allpass~ 200 89.239998 0.5;
> #P newex 141 563 116 196617 allpass~ 200 60.48 0.5;
> #P newex 141 540 41 196617 *~ 0.5;
> #P newex 348 540 41 196617 *~ 0.5;
> #P newex 141 495 93 196617 onepole~ 1800 Hz.;
> #P newex 358 71 120 196617 zmap 0 127. 20. 12000.;
> #P newex 348 495 93 196617 onepole~ 1800 Hz.;
> #P newex 348 451 165 196617 comb~ 1000. 141.699997 0. 1. 0.;
> #P newex 141 450 165 196617 comb~ 1000. 149.600006 0. 1. 0.;
> #P newex 348 317 115 196617 allpass~ 50 30.51 -0.7;
> #P newex 141 316 115 196617 allpass~ 50 22.58 -0.7;
> #P newex 141 250 110 196617 allpass~ 20 9.3 0.625;
> #P newex 141 224 122 196617 allpass~ 20 12.73 0.625;
> #P newex 141 200 110 196617 allpass~ 10 3.58 0.75;
> #P newex 141 175 110 196617 allpass~ 10 4.76 0.75;
> #P newex 141 151 93 196617 onepole~ 1800 Hz.;
> #N comlet out R;
> #P outlet 497 764 15 0;
> #N comlet out L;
> #P outlet 49 762 15 0;
> #P comment 80 763 401 196617 Plate reverb \, in the style of
> Griesinger \, via J Dattorro. Randy Jones rej@2uptech.com;
> #P fasten 8 0 31 0 146 344 54 344;
> #P connect 31 0 1 0;
> #P fasten 8 0 31 1 146 344 67 344;
> #P fasten 17 0 31 2 146 590 80 590;
> #P fasten 20 0 31 3 146 678 93 678;
> #P fasten 11 0 31 4 353 477 106 477;
> #P connect 47 0 46 0;
> #P connect 46 0 45 0;
> #P fasten 18 0 31 5 353 585 119 585;
> #P fasten 22 0 31 6 353 714 132 714;
> #P fasten 43 0 31 7 593 725 145 725;
> #P fasten 48 0 3 0 19 140 146 140;
> #P connect 3 0 4 0;
> #P connect 4 0 5 0;
> #P connect 5 0 6 0;
> #P connect 6 0 7 0;
> #P fasten 22 0 8 0 353 662 28 662 28 293 146 293;
> #P lcolor 7;
> #P connect 7 0 8 0;
> #P connect 8 0 10 0;
> #P connect 10 0 14 0;
> #P connect 14 0 16 0;
> #P connect 16 0 17 0;
> #P connect 17 0 19 0;
> #P connect 19 0 20 0;
> #P connect 35 0 20 0;
> #P fasten 41 0 33 0 304 372 159 372;
> #P connect 33 0 42 0;
> #P fasten 55 0 16 1 293 520 177 520;
> #P fasten 42 0 10 1 159 444 184 444;
> #P fasten 27 0 10 1 212 444 184 444;
> #P fasten 41 0 32 0 304 290 198 290;
> #P connect 32 0 8 1;
> #P fasten 41 0 34 0 304 527 199 527;
> #P connect 34 0 17 1;
> #P connect 28 0 26 0;
> #P connect 26 0 27 0;
> #P fasten 41 0 35 0 304 597 215 597;
> #P connect 13 0 3 1;
> #P fasten 56 0 14 1 316 484 229 484;
> #P connect 50 0 49 0;
> #P connect 49 0 23 0;
> #P connect 23 0 55 0;
> #P fasten 45 0 41 0 110 98 304 98;
> #P connect 13 0 56 0;
> #P fasten 20 0 9 0 146 670 19 670 19 285 353 285;
> #P lcolor 7;
> #P fasten 7 0 9 0 146 272 353 272;
> #P connect 9 0 11 0;
> #P connect 11 0 12 0;
> #P connect 12 0 15 0;
> #P connect 15 0 18 0;
> #P connect 18 0 21 0;
> #P connect 21 0 22 0;
> #P connect 40 0 22 0;
> #P connect 52 0 51 0;
> #P connect 51 0 13 0;
> #P fasten 41 0 37 0 304 377 371 377;
> #P connect 37 0 38 0;
> #P fasten 55 0 15 1 293 520 384 520;
> #P fasten 25 0 11 1 422 444 391 444;
> #P fasten 38 0 11 1 371 445 391 445;
> #P fasten 41 0 36 0 304 291 405 291;
> #P connect 36 0 9 1;
> #P fasten 41 0 39 0 304 527 406 527;
> #P connect 39 0 18 1;
> #P connect 24 0 25 0;
> #P connect 29 0 24 0;
> #P fasten 41 0 40 0 304 599 424 599;
> #P fasten 56 0 12 1 316 484 436 484;
> #P connect 54 0 53 0;
> #P connect 53 0 57 0;
> #P fasten 9 0 30 0 353 343 502 343;
> #P connect 30 0 2 0;
> #P fasten 9 0 30 1 353 343 515 343;
> #P fasten 18 0 30 2 353 594 528 594;
> #P fasten 22 0 30 3 353 691 541 691;
> #P fasten 10 0 30 4 146 473 554 473;
> #P fasten 17 0 30 5 146 604 567 604;
> #P fasten 20 0 30 6 146 706 580 706;
> #P fasten 57 0 44 0 492 272 593 272;
> #P fasten 41 0 43 0 304 702 593 702;
> #P connect 44 0 43 0;
> #P connect 43 0 30 7;
> #P connect 44 1 43 1;
> #P pop;
>
>


-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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Hey Krispen, I&#39;d dig hearing the stereo reverb for sure!<div><br class="webkit-block-placeholder"></div><div>also, what are the ranges for the size and damping inlets?</div><div><br class="webkit-block-placeholder"></div>
<div>thanks man, this is the first reverb I&#39;ve seen really built in max, exciting!</div><div><br>&nbsp;</div><div>Best to all,&nbsp;</div><div><br class="webkit-block-placeholder"></div><div>Todd</div><div><br class="webkit-block-placeholder">
</div><div><br><div><span class="gmail_quote">On 3/1/08, <b class="gmail_sendername">Krispen Hartung</b> &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">
<br> &gt;&gt; reverb, but the principle is similar. The Waves reverb isn&#39;t<br> &gt;&gt; half bad for mastering. For my laptop rig, I use a Max/msp<br> &gt;&gt; reverb. It is a very difficult object to create.<br> &gt;<br>
 &gt; Normally, (pre-)mastering is not the processing stage to add reverb.<br> <br> Not sure I followed you here, Rainer, but of course I didn&#39;t elaborate.<br> Since I don&#39;t do any multi-track recording, all my reverb ins on my source<br>
 recording files from my max/msp system, but I often add reverb in the final<br> mastering of my files to add more depth, or just change the feel of the<br> song.&nbsp;&nbsp;Or if I am recording my free jazz trio in a studio with just live<br>
 mic, and everyone is playing dry, I will add rerverb in the final mastering<br> process. I would agree with your point outside of the context in which I<br> record.&nbsp;&nbsp;I have read in several sources for audio engineering that reverb<br>
 can be applied during the mastering process to add more depth.<br> <br> ...so, when you get here to Boise to play at BEMF, I&#39;ll show you my max/msp<br> reverb patch. It is patch called yafr2, by Randy Jones and built in the<br>
 style of&nbsp;&nbsp;the Dr. David Griesinger (of Lexicon) reverb design. See mono to<br> stereo patch below for maxers. I can dig my stereo to stereo version for<br> anyone interested. It&#39;s an amazing sounding reverb.<br> <br>
 K-<br> <br> max v2;<br> #N vpatcher 72 44 715 844;<br> #P origin 7 -30;<br> #P window setfont &quot;Sans Serif&quot; 9.;<br> #P newex 487 71 40 196617 / 127.;<br> #P flonum 311 149 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br>
 #P flonum 288 127 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br> #N comlet diffusion;<br> #P inlet 487 22 15 0;<br> #P newex 487 49 62 196617 clip 0. 127.;<br> #N comlet damping;<br> #P inlet 358 23 15 0;<br> #P newex 358 50 62 196617 clip 0. 127.;<br>
 #N comlet decay time;<br> #P inlet 236 24 15 0;<br> #P newex 236 51 62 196617 clip 0. 127.;<br> #N comlet audio in;<br> #P inlet 14 25 15 0;<br> #N comlet size;<br> #P inlet 105 24 15 0;<br> #P newex 105 50 62 196617 clip 0. 127.;<br>
 #P newex 105 73 111 196617 zmap 0. 127. 0.01 1.6;<br> #P newex 588 682 29 196617 t b f;<br> #P newex 588 705 29 196617 * 1.;<br> #P newex 154 422 29 196617 sig~;<br> #P flonum 299 106 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br>
 #P newex 419 614 77 196617 * 106.300003;<br> #P newex 401 539 71 196617 * 89.239998;<br> #P newex 366 423 29 196617 sig~;<br> #P newex 366 401 77 196617 * 141.699997;<br> #P newex 400 295 47 196617 * 30.51;<br> #P newex 210 612 41 196617 * 125.;<br>
 #P newex 194 540 47 196617 * 60.48;<br> #P newex 154 401 77 196617 * 149.600006;<br> #P newex 193 296 47 196617 * 22.58;<br> #N vpatcher 132 115 1088 352;<br> #P inlet 913 24 15 0;<br> #P window setfont &quot;Sans Serif&quot; 9.;<br>
 #P window linecount 0;<br> #P newex 817 49 35 196617 * 75.;<br> #P newex 683 47 35 196617 * 80.;<br> #P newex 557 47 35 196617 * 69.;<br> #P newex 431 47 35 196617 * 25.;<br> #P newex 305 47 35 196617 * 50.;<br> #P newex 179 47 41 196617 * 160.;<br>
 #P newex 53 47 41 196617 * 110.;<br> #P window linecount 1;<br> #P newex 276 124 40 196617 *~ -1.;<br> #P newex 790 93 117 196617 comb~ 200. 75. 0. 1. 0.;<br> #P newex 654 93 117 196617 comb~ 200. 80. 0. 1. 0.;<br> #P newex 528 93 117 196617 comb~ 200. 69. 0. 1. 0.;<br>
 #P newex 408 92 117 196617 comb~ 100. 25. 0. 1. 0.;<br> #P newex 276 93 117 196617 comb~ 200. 50. 0. 1. 0.;<br> #P newex 152 93 123 196617 comb~ 300. 160. 0. 1. 0.;<br> #P newex 24 94 123 196617 comb~ 300. 110. 0. 1. 0.;<br>
 #P newex 276 164 47 196617 *~ 0.15;<br> #P inlet 408 72 15 0;<br> #P inlet 790 73 15 0;<br> #P inlet 276 73 15 0;<br> #P inlet 654 73 15 0;<br> #P inlet 528 73 15 0;<br> #P inlet 24 74 15 0;<br> #P inlet 150 73 15 0;<br>
 #P outlet 276 191 15 0;<br> #P connect 2 0 9 0;<br> #P connect 17 0 9 1;<br> #P connect 24 0 17 0;<br> #P connect 1 0 10 0;<br> #P connect 24 0 18 0;<br> #P connect 18 0 10 1;<br> #P connect 5 0 11 0;<br> #P connect 15 0 16 0;<br>
 #P connect 13 0 16 0;<br> #P connect 14 0 16 0;<br> #P connect 11 0 16 0;<br> #P connect 12 0 8 0;<br> #P connect 16 0 8 0;<br> #P connect 10 0 8 0;<br> #P connect 9 0 8 0;<br> #P connect 8 0 0 0;<br> #P connect 19 0 11 1;<br>
 #P connect 24 0 19 0;<br> #P connect 7 0 12 0;<br> #P connect 24 0 20 0;<br> #P connect 20 0 12 1;<br> #P connect 3 0 13 0;<br> #P connect 21 0 13 1;<br> #P connect 24 0 21 0;<br> #P connect 4 0 14 0;<br> #P connect 22 0 14 1;<br>
 #P connect 24 0 22 0;<br> #P connect 6 0 15 0;<br> #P connect 23 0 15 1;<br> #P connect 24 0 23 0;<br> #P pop;<br> #P newobj 49 730 105 196617 p combineL;<br> #N vpatcher 10 59 977 304;<br> #P inlet 923 33 15 0;<br> #P window setfont &quot;Sans Serif&quot; 9.;<br>
 #P window linecount 1;<br> #P newex 824 73 35 196617 * 52.;<br> #P newex 693 73 35 196617 * 27.;<br> #P newex 562 73 35 196617 * 35.;<br> #P newex 431 73 29 196617 * 3.;<br> #P newex 300 73 35 196617 * 55.;<br> #P newex 169 73 41 196617 * 135.;<br>
 #P window linecount 0;<br> #P newex 38 73 41 196617 * 110.;<br> #P newex 272 132 40 196617 *~ -1.;<br> #P newex 784 107 117 196617 comb~ 200. 50. 0. 1. 0.;<br> #P newex 650 107 117 196617 comb~ 100. 25. 0. 1. 0.;<br> #P newex 520 107 117 196617 comb~ 100. 35. 0. 1. 0.;<br>
 #P newex 404 107 111 196617 comb~ 100. 3. 0. 1. 0.;<br> #P newex 272 107 117 196617 comb~ 200. 55. 0. 1. 0.;<br> #P newex 141 107 123 196617 comb~ 300. 135. 0. 1. 0.;<br> #P newex 10 108 123 196617 comb~ 300. 110. 0. 1. 0.;<br>
 #P newex 272 166 47 196617 *~ 0.15;<br> #P inlet 404 87 15 0;<br> #P inlet 784 87 15 0;<br> #P inlet 272 87 15 0;<br> #P inlet 650 87 15 0;<br> #P inlet 520 87 15 0;<br> #P inlet 10 88 15 0;<br> #P inlet 141 87 15 0;<br>
 #P outlet 272 197 15 0;<br> #P connect 2 0 9 0;<br> #P connect 24 0 17 0;<br> #P connect 17 0 9 1;<br> #P connect 1 0 10 0;<br> #P connect 24 0 18 0;<br> #P connect 18 0 10 1;<br> #P connect 5 0 11 0;<br> #P connect 15 0 16 0;<br>
 #P connect 11 0 16 0;<br> #P connect 13 0 16 0;<br> #P connect 14 0 16 0;<br> #P connect 16 0 8 0;<br> #P connect 12 0 8 0;<br> #P connect 9 0 8 0;<br> #P connect 10 0 8 0;<br> #P connect 8 0 0 0;<br> #P connect 19 0 11 1;<br>
 #P connect 24 0 19 0;<br> #P connect 7 0 12 0;<br> #P connect 20 0 12 1;<br> #P connect 24 0 20 0;<br> #P connect 3 0 13 0;<br> #P connect 21 0 13 1;<br> #P connect 24 0 21 0;<br> #P connect 4 0 14 0;<br> #P connect 22 0 14 1;<br>
 #P connect 24 0 22 0;<br> #P connect 6 0 15 0;<br> #P connect 23 0 15 1;<br> #P connect 24 0 23 0;<br> #P pop;<br> #P newobj 497 735 105 196617 p combineR;<br> #P newex 418 380 39 196617 noise~;<br> #P newex 206 379 39 196617 noise~;<br>
 #P newex 207 423 41 196617 *~ 20.;<br> #P newex 206 401 78 196617 lores~ 0 0.995;<br> #P newex 417 422 41 196617 *~ 20.;<br> #P newex 418 401 78 196617 lores~ 0 0.995;<br> #P newex 236 73 111 196617 zmap 0. 127. 0.05 0.9;<br>
 #P newex 348 638 104 196617 tapout~ 106.279999;<br> #P newex 348 614 65 196617 tapin~ 1000;<br> #P newex 141 638 68 196617 tapout~ 125.;<br> #P newex 141 612 65 196617 tapin~ 1000;<br> #P newex 348 563 140 196617 allpass~ 200 89.239998 0.5;<br>
 #P newex 141 563 116 196617 allpass~ 200 60.48 0.5;<br> #P newex 141 540 41 196617 *~ 0.5;<br> #P newex 348 540 41 196617 *~ 0.5;<br> #P newex 141 495 93 196617 onepole~ 1800 Hz.;<br> #P newex 358 71 120 196617 zmap 0 127. 20. 12000.;<br>
 #P newex 348 495 93 196617 onepole~ 1800 Hz.;<br> #P newex 348 451 165 196617 comb~ 1000. 141.699997 0. 1. 0.;<br> #P newex 141 450 165 196617 comb~ 1000. 149.600006 0. 1. 0.;<br> #P newex 348 317 115 196617 allpass~ 50 30.51 -0.7;<br>
 #P newex 141 316 115 196617 allpass~ 50 22.58 -0.7;<br> #P newex 141 250 110 196617 allpass~ 20 9.3 0.625;<br> #P newex 141 224 122 196617 allpass~ 20 12.73 0.625;<br> #P newex 141 200 110 196617 allpass~ 10 3.58 0.75;<br>
 #P newex 141 175 110 196617 allpass~ 10 4.76 0.75;<br> #P newex 141 151 93 196617 onepole~ 1800 Hz.;<br> #N comlet out R;<br> #P outlet 497 764 15 0;<br> #N comlet out L;<br> #P outlet 49 762 15 0;<br> #P comment 80 763 401 196617 Plate reverb \, in the style of<br>
 Griesinger \, via J Dattorro. Randy Jones <a href="mailto:rej@2uptech.com">rej@2uptech.com</a>;<br> #P fasten 8 0 31 0 146 344 54 344;<br> #P connect 31 0 1 0;<br> #P fasten 8 0 31 1 146 344 67 344;<br> #P fasten 17 0 31 2 146 590 80 590;<br>
 #P fasten 20 0 31 3 146 678 93 678;<br> #P fasten 11 0 31 4 353 477 106 477;<br> #P connect 47 0 46 0;<br> #P connect 46 0 45 0;<br> #P fasten 18 0 31 5 353 585 119 585;<br> #P fasten 22 0 31 6 353 714 132 714;<br> #P fasten 43 0 31 7 593 725 145 725;<br>
 #P fasten 48 0 3 0 19 140 146 140;<br> #P connect 3 0 4 0;<br> #P connect 4 0 5 0;<br> #P connect 5 0 6 0;<br> #P connect 6 0 7 0;<br> #P fasten 22 0 8 0 353 662 28 662 28 293 146 293;<br> #P lcolor 7;<br> #P connect 7 0 8 0;<br>
 #P connect 8 0 10 0;<br> #P connect 10 0 14 0;<br> #P connect 14 0 16 0;<br> #P connect 16 0 17 0;<br> #P connect 17 0 19 0;<br> #P connect 19 0 20 0;<br> #P connect 35 0 20 0;<br> #P fasten 41 0 33 0 304 372 159 372;<br>
 #P connect 33 0 42 0;<br> #P fasten 55 0 16 1 293 520 177 520;<br> #P fasten 42 0 10 1 159 444 184 444;<br> #P fasten 27 0 10 1 212 444 184 444;<br> #P fasten 41 0 32 0 304 290 198 290;<br> #P connect 32 0 8 1;<br> #P fasten 41 0 34 0 304 527 199 527;<br>
 #P connect 34 0 17 1;<br> #P connect 28 0 26 0;<br> #P connect 26 0 27 0;<br> #P fasten 41 0 35 0 304 597 215 597;<br> #P connect 13 0 3 1;<br> #P fasten 56 0 14 1 316 484 229 484;<br> #P connect 50 0 49 0;<br> #P connect 49 0 23 0;<br>
 #P connect 23 0 55 0;<br> #P fasten 45 0 41 0 110 98 304 98;<br> #P connect 13 0 56 0;<br> #P fasten 20 0 9 0 146 670 19 670 19 285 353 285;<br> #P lcolor 7;<br> #P fasten 7 0 9 0 146 272 353 272;<br> #P connect 9 0 11 0;<br>
 #P connect 11 0 12 0;<br> #P connect 12 0 15 0;<br> #P connect 15 0 18 0;<br> #P connect 18 0 21 0;<br> #P connect 21 0 22 0;<br> #P connect 40 0 22 0;<br> #P connect 52 0 51 0;<br> #P connect 51 0 13 0;<br> #P fasten 41 0 37 0 304 377 371 377;<br>
 #P connect 37 0 38 0;<br> #P fasten 55 0 15 1 293 520 384 520;<br> #P fasten 25 0 11 1 422 444 391 444;<br> #P fasten 38 0 11 1 371 445 391 445;<br> #P fasten 41 0 36 0 304 291 405 291;<br> #P connect 36 0 9 1;<br> #P fasten 41 0 39 0 304 527 406 527;<br>
 #P connect 39 0 18 1;<br> #P connect 24 0 25 0;<br> #P connect 29 0 24 0;<br> #P fasten 41 0 40 0 304 599 424 599;<br> #P fasten 56 0 12 1 316 484 436 484;<br> #P connect 54 0 53 0;<br> #P connect 53 0 57 0;<br> #P fasten 9 0 30 0 353 343 502 343;<br>
 #P connect 30 0 2 0;<br> #P fasten 9 0 30 1 353 343 515 343;<br> #P fasten 18 0 30 2 353 594 528 594;<br> #P fasten 22 0 30 3 353 691 541 691;<br> #P fasten 10 0 30 4 146 473 554 473;<br> #P fasten 17 0 30 5 146 604 567 604;<br>
 #P fasten 20 0 30 6 146 706 580 706;<br> #P fasten 57 0 44 0 492 272 593 272;<br> #P fasten 41 0 43 0 304 702 593 702;<br> #P connect 44 0 43 0;<br> #P connect 43 0 30 7;<br> #P connect 44 1 43 1;<br> #P pop;<br> <br> </blockquote>
</div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:<br>
------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>
</div>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar  1 15:01:53 2008
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: late reply to: MULTI-EFFECTS & REVERB
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Pigtronix has some really unique stuff.
On Feb 29, 2008, at 1:16 PM, Erdem Helvacioglu wrote:

> hey,
>
> i always need more effects :) just kidding....
>
> i was just wondering if there are any interesting hardware  
> multieffects units on the market besides the fireworx and eclipse.  
> lately i am much more interested in boutique analog pedals like  
> zvex ringtone, fuzz factory etc. i think i will try those soon.
>
> as for micropog. i have recently bought in NY. i use it for pitch  
> shifting the delay lines. for that effect, it is very good. but for  
> chords it is pretty useless unfortunately. it has a very organ like  
> sound which some of you may love or hate.
>
> thanks a lot and best regards.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Altered Realities" album is out on New Albion Records:
> chosen as"Album of the year 2007" by All About Jazz Magazine
> www.newalbion.com/NA131
> www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/ 
> sr=8-1/qid=1161162264/ref=pd_bbs_sr_1/002-0939524-3125629?ie=UTF8
> ----- Original Message -----
> From: scott hansen
> To: Loopers-Delight@loopers-delight.com
> Sent: Friday, February 29, 2008 6:59 PM
> Subject: OT: late reply to: MULTI-EFFECTS & REVERB
>
> late reply-
> multi-effects-i will have to agree w/ someone who said: you have an  
> eventide eclipse and lexicon mpx100 and tc fireworks--AND YOU NEED  
> MORE EFFECTS?
>
> i thought the eventides where the king of good weird effects? way  
> out of my price range! my setup currently: (guitar or keyboard-) 
> zoom g2-digitech rp150-digitech synthwah-boss dd20-(kustom 12 watt  
> tube amp or direct to fostex mr8)...
>
> my cheapo set up allows me to get normal sounds or anything pretty  
> wacky if i need it. the zoom g2 has some interesting options w/ the  
> ring mod, and then it splits the wahs/ring/phaser/tremolo before  
> amp, and then gives you some other modulations options (chorus- 
> pitch, etc) after, and there are possibility of having 3 different  
> delays going (good if you are only using one effect devise)...so i  
> think its a good sonic mangler, but i'm not sure if i'd say it  
> would beat an eventide unit, i mean it does only cost 100$!
>
> as for REVERBS: i have minimal experience w/ a lot of gear, i did  
> like the reverbs on my digitech dsp256xl-it had a real 80's quality  
> to it, but i liked that. had a lot of spacey sounds. i also liked  
> my lexicon mpx100-thought the reverbs were good & all-UNTIL THE  
> THING DIED ON ME!!!!. didn't like that. from what i've read, it  
> appears that the folks who are masters of spacey reverb stuff  
> (Torn, Fripp, et al) all seem to use either the highend Lexicon  
> units or Eventide units.
>
> the funny thing about this thread is i have been thinking about my  
> reverb options-i like my multi-effect pedal options, but haven't  
> been loving the reverb sounds in the units and have debated getting  
> another rack unit for reverbs. just don't like the space they take  
> up. and i've also been missing the option of reversing samples that  
> my old dod d12 did so easy w/ the 6 sec samples. always searching i  
> guess....
> s---
>
> Be a better friend, newshound, and know-it-all with Yahoo! Mobile.  
> Try it now.


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Pigtronix has some really unique stuff.=A0<br><div><div>On Feb 29, 2008, =
at 1:16 PM, Erdem Helvacioglu wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div>hey,</div><div>=A0</div><div>i =
always need more effects :) just kidding....</div><div>=A0</div><div>i =
was just wondering if there are any interesting hardware multieffects =
units on the market besides the fireworx and eclipse. lately i am much =
more interested in boutique analog pedals like zvex ringtone, fuzz =
factory etc. i think i will try those soon.</div><div>=A0</div><div>as =
for micropog. i have recently bought in NY. i use it for pitch shifting =
the delay lines. for that effect, it is very good. but for chords it is =
pretty useless unfortunately. it has a very organ like sound which some =
of you may love or hate.</div><div>=A0</div><div>thanks a lot and best =
regards.</div><div>=A0</div><div>Erdem Helvacioglu<br><a =
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</a><br><=
a =
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhelv=
acioglu</a><br>* * * * * * * * * * * * * * * * * * * *<br>"Altered =
Realities" album is out on New Albion Records:<br>chosen as"Album of the =
year 2007" by All About Jazz Magazine<br><a =
href=3D"http://www.newalbion.com/NA131">www.newalbion.com/NA131</a><br><a =
href=3D"http://www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000G=
FLE9A/sr=3D8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3D=
UTF8">www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=3D=
8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF8</a></=
div><blockquote style=3D"padding-right: 0px; padding-left: 5px; =
margin-left: 5px; border-left-color: rgb(0, 0, 0); border-left-width: =
2px; border-left-style: solid; margin-right: 0px; "><div style=3D"font: =
normal normal normal 10pt/normal arial; ">----- Original Message =
-----</div><div style=3D"background-image: initial; background-repeat: =
initial; background-attachment: initial; -webkit-background-clip: =
initial; -webkit-background-origin: initial; background-color: rgb(228, =
228, 228); font: normal normal normal 10pt/normal arial; =
background-position: initial initial; "><b>From:</b><span =
class=3D"Apple-converted-space">=A0</span><a =
title=3D"evanpeewee@yahoo.com" href=3D"mailto:evanpeewee@yahoo.com">scott =
hansen</a></div><div style=3D"font: normal normal normal 10pt/normal =
arial; "><b>To:</b><span class=3D"Apple-converted-space">=A0</span><a =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"font: normal normal normal =
10pt/normal arial; "><b>Sent:</b><span =
class=3D"Apple-converted-space">=A0</span>Friday, February 29, 2008 6:59 =
PM</div><div style=3D"font: normal normal normal 10pt/normal arial; =
"><b>Subject:</b><span class=3D"Apple-converted-space">=A0</span>OT: =
late reply to: MULTI-EFFECTS &amp; REVERB</div><div><br></div>late =
reply-<br>multi-effects-i will have to agree w/ someone who said: you =
have an eventide eclipse and lexicon mpx100 and tc fireworks--AND YOU =
NEED MORE EFFECTS?<br><br>i thought the eventides where the king of good =
weird effects? way out of my price range! my setup currently: (guitar or =
keyboard-)zoom g2-digitech rp150-digitech synthwah-boss dd20-(kustom 12 =
watt tube amp or direct to fostex mr8)...<br><br>my cheapo set up allows =
me to get normal sounds or anything pretty wacky if i need it. the zoom =
g2 has some interesting options w/ the ring mod, and then it splits the =
wahs/ring/phaser/tremolo before amp, and then gives you some other =
modulations options (chorus-pitch, etc) after, and there are possibility =
of having 3 different delays going (good if you are only using one =
effect devise)...so i think its a good sonic mangler, but i'm not sure =
if i'd say it would beat an eventide unit, i mean it does only cost =
100$!<br><br>as for REVERBS: i have minimal experience w/ a lot of gear, =
i did like the reverbs on my digitech dsp256xl-it had a real 80's =
quality to it, but i liked that. had a lot of spacey sounds. i also =
liked my lexicon mpx100-thought the reverbs were good &amp; all-UNTIL =
THE THING DIED ON ME!!!!. didn't like that. from what i've read, it =
appears that the folks who are masters of spacey reverb stuff (Torn, =
Fripp, et al) all seem to use either the highend Lexicon units or =
Eventide units.<span class=3D"Apple-converted-space">=A0</span><br><br>the=
 funny thing about this thread is i have been thinking about my reverb =
options-i like my multi-effect pedal options, but haven't been loving =
the reverb sounds in the units and have debated getting another rack =
unit for reverbs. just don't like the space they take up. and i've also =
been missing the option of reversing samples that my old dod d12 did so =
easy w/ the 6 sec samples. always searching i =
guess....<br>s---<br><div><br class=3D"khtml-block-placeholder"></div><hr =
size=3D"1">Be a better friend, newshound, and know-it-all with Yahoo! =
Mobile.<span class=3D"Apple-converted-space">=A0</span><a =
href=3D"http://us.rd.yahoo.com/evt=3D51733/*http://mobile.yahoo.com/;_ylt=3D=
Ahu06i62sR8HDtDypao8Wcj9tAcJ ">Try it =
now.</a></blockquote></span></blockquote></div><br></body></html>=

--Apple-Mail-1-590723305--

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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: Let's complain to Roland en masse! (was Re: Boss RC50 delay issues)
Date: Sat, 1 Mar 2008 10:04:10 -0500
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If you guys want, I could set up a MySpace/disgruntledRC50users page.  
We could then all add our names, link to your videos, and link to any  
pertinent sites.
On Feb 29, 2008, at 8:24 PM, Tom Ritchford wrote:

> Well, of course.  I'm not intending to host the videos myself!
>
> But we need a central page to point people to with the text  
> explanation.
>
> HOWEVER, if sound priority mode really works, I'm a lot less likely to
> want to do the work.  I still haven't had a chance to check it out
> yet...
>
>
> On Fri, Feb 29, 2008 at 7:43 AM, Chris Sewell <lunamusic@mac.com>  
> wrote:
>> Why not just use YouTube? Perspective buyers are always searching for
>>  gear on there.
>>
>>
>> On Feb 28, 2008, at 7:58 PM, Tom Ritchford wrote:
>>
>>> I think the website will be really easy to pull off.  I just need to
>>> get a time in front of the camera, or someone else needs to  
>>> deliver a
>>> movie, for the ball to be rolling.
>>>
>>> Making the website itself, registering, hosting, that's like an hour
>>> of my time.
>>>
>>> I have a theory that once we get a few movies, other people will  
>>> chime
>>> in.  Or at least, we'll have a few moves.
>>>
>>> On Wed, Feb 27, 2008 at 9:15 AM, Teddy Kumpel <teddybut@mac.com>
>>> wrote:
>>>> I'm down with this Tom... the RC-50, while my main looper at this
>>>> point, is
>>>> really annoying because of the glitches, midi sync and time
>>>> stretching.
>>>>
>>>> which do you think would be more effective, a class action letter
>>>> from a
>>>> lawyer or the website? or both have to happen?
>>>> The suit is a good idea because, after all, their own marketing
>>>> blurbs tout
>>>> all those features as key reasons why to buy the thing.
>>>>
>>>> teddy k
>>>>
>>>>
>>>>
>>>>
>>>> On Feb 26, 2008, at 2:01 PM, Tom Ritchford wrote:
>>>>
>>>>
>>>> On Tue, Feb 26, 2008 at 4:34 AM, doc rossi <docittern@gmail.com>
>>>> wrote:
>>>>>
>>>>> On Feb 26, 2008, at 9:24 AM, Tom Ritchford wrote:
>>>>>
>>>>>> If we make a big fuss, saying, "YOUR UNIT HAS SERIOUS ISSUES AND
>>>>>> YOU
>>>>>
>>>>>> WON'T FIX THEM" then it will be bad PR for them.  at least we get
>>>>>> to
>>>>>> cost them some $$$....  because if people really believe "they  
>>>>>> make
>>>>>> crappy products they won't support" then they won't buy them!
>>>>>
>>>>> I appreciate the idea, but I'm not sure they are worried about  
>>>>> PR -
>>>>
>>>> There isn't a company in the world that sells to consumers that  
>>>> isn't
>>>> worried about PR.  I mean, they care enough to put out their own
>>>> magazine.
>>>>
>>>> Believe you me, this is the sort of conversation that companies are
>>>> terrified of:
>>>>
>>>> "I'm going to get a Roland xxx"
>>>> "Oh, my friend had endless trouble with Roland's yyy -- don't do  
>>>> it."
>>>>
>>>> Whole companies have collapsed based on that sort of thing.
>>>>
>>>> If you read the explanation from tech support, it's really
>>>> dishonest.  They
>>>> don't want to fix their old products because they're busy making  
>>>> new
>>>> products.  In other words, it's a massive con to get your money  
>>>> with
>>>> products that don't work, and they'll never fix.
>>>>
>>>> So.  I'll set up the domain, and make some movies.  My movies
>>>> probably won't
>>>> come for a week, as even though I have a nice camera, it stays near
>>>> the
>>>> gig....  so get on your movies.
>>>>
>>>>
>>>> I'm also realizing that it might be fun to sue them in small claims
>>>> court...
>>>> as it isn't very time-consuming for me, and they probably won't
>>>> show up to
>>>> contest it.
>>>>
>>>> I have a particular hatred of being ripped off by large
>>>> corporations because
>>>> you know they're doing it to thousands of others.
>>>
>>>
>>>
>>> --
>>> /t
>>>
>>
>>
>
>
>
> -- 
>  /t
>

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Krispen, I might be being a total idiot here, but do we not need this
combineL and R patcher to get audio out the outlets?  i'm not sure what all
the audio cables are so as to route them properly...

On 3/1/08, Krispen Hartung <khartung@cableone.net> wrote:
>
>
> ...so, when you get here to Boise to play at BEMF, I'll show you my
> max/msp
> reverb patch. It is patch called yafr2, by Randy Jones and built in the
> style of  the Dr. David Griesinger (of Lexicon) reverb design. See mono to
> stereo patch below for maxers. I can dig my stereo to stereo version for
> anyone interested. It's an amazing sounding reverb.
>
> K-
>
> max v2;
> #N vpatcher 72 44 715 844;
> #P origin 7 -30;
> #P window setfont "Sans Serif" 9.;
> #P newex 487 71 40 196617 / 127.;
> #P flonum 311 149 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P flonum 288 127 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #N comlet diffusion;
> #P inlet 487 22 15 0;
> #P newex 487 49 62 196617 clip 0. 127.;
> #N comlet damping;
> #P inlet 358 23 15 0;
> #P newex 358 50 62 196617 clip 0. 127.;
> #N comlet decay time;
> #P inlet 236 24 15 0;
> #P newex 236 51 62 196617 clip 0. 127.;
> #N comlet audio in;
> #P inlet 14 25 15 0;
> #N comlet size;
> #P inlet 105 24 15 0;
> #P newex 105 50 62 196617 clip 0. 127.;
> #P newex 105 73 111 196617 zmap 0. 127. 0.01 1.6;
> #P newex 588 682 29 196617 t b f;
> #P newex 588 705 29 196617 * 1.;
> #P newex 154 422 29 196617 sig~;
> #P flonum 299 106 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;
> #P newex 419 614 77 196617 * 106.300003;
> #P newex 401 539 71 196617 * 89.239998;
> #P newex 366 423 29 196617 sig~;
> #P newex 366 401 77 196617 * 141.699997;
> #P newex 400 295 47 196617 * 30.51;
> #P newex 210 612 41 196617 * 125.;
> #P newex 194 540 47 196617 * 60.48;
> #P newex 154 401 77 196617 * 149.600006;
> #P newex 193 296 47 196617 * 22.58;
> #N vpatcher 132 115 1088 352;
> #P inlet 913 24 15 0;
> #P window setfont "Sans Serif" 9.;
> #P window linecount 0;
> #P newex 817 49 35 196617 * 75.;
> #P newex 683 47 35 196617 * 80.;
> #P newex 557 47 35 196617 * 69.;
> #P newex 431 47 35 196617 * 25.;
> #P newex 305 47 35 196617 * 50.;
> #P newex 179 47 41 196617 * 160.;
> #P newex 53 47 41 196617 * 110.;
> #P window linecount 1;
> #P newex 276 124 40 196617 *~ -1.;
> #P newex 790 93 117 196617 comb~ 200. 75. 0. 1. 0.;
> #P newex 654 93 117 196617 comb~ 200. 80. 0. 1. 0.;
> #P newex 528 93 117 196617 comb~ 200. 69. 0. 1. 0.;
> #P newex 408 92 117 196617 comb~ 100. 25. 0. 1. 0.;
> #P newex 276 93 117 196617 comb~ 200. 50. 0. 1. 0.;
> #P newex 152 93 123 196617 comb~ 300. 160. 0. 1. 0.;
> #P newex 24 94 123 196617 comb~ 300. 110. 0. 1. 0.;
> #P newex 276 164 47 196617 *~ 0.15;
> #P inlet 408 72 15 0;
> #P inlet 790 73 15 0;
> #P inlet 276 73 15 0;
> #P inlet 654 73 15 0;
> #P inlet 528 73 15 0;
> #P inlet 24 74 15 0;
> #P inlet 150 73 15 0;
> #P outlet 276 191 15 0;
> #P connect 2 0 9 0;
> #P connect 17 0 9 1;
> #P connect 24 0 17 0;
> #P connect 1 0 10 0;
> #P connect 24 0 18 0;
> #P connect 18 0 10 1;
> #P connect 5 0 11 0;
> #P connect 15 0 16 0;
> #P connect 13 0 16 0;
> #P connect 14 0 16 0;
> #P connect 11 0 16 0;
> #P connect 12 0 8 0;
> #P connect 16 0 8 0;
> #P connect 10 0 8 0;
> #P connect 9 0 8 0;
> #P connect 8 0 0 0;
> #P connect 19 0 11 1;
> #P connect 24 0 19 0;
> #P connect 7 0 12 0;
> #P connect 24 0 20 0;
> #P connect 20 0 12 1;
> #P connect 3 0 13 0;
> #P connect 21 0 13 1;
> #P connect 24 0 21 0;
> #P connect 4 0 14 0;
> #P connect 22 0 14 1;
> #P connect 24 0 22 0;
> #P connect 6 0 15 0;
> #P connect 23 0 15 1;
> #P connect 24 0 23 0;
> #P pop;
> #P newobj 49 730 105 196617 p combineL;
> #N vpatcher 10 59 977 304;
> #P inlet 923 33 15 0;
> #P window setfont "Sans Serif" 9.;
> #P window linecount 1;
> #P newex 824 73 35 196617 * 52.;
> #P newex 693 73 35 196617 * 27.;
> #P newex 562 73 35 196617 * 35.;
> #P newex 431 73 29 196617 * 3.;
> #P newex 300 73 35 196617 * 55.;
> #P newex 169 73 41 196617 * 135.;
> #P window linecount 0;
> #P newex 38 73 41 196617 * 110.;
> #P newex 272 132 40 196617 *~ -1.;
> #P newex 784 107 117 196617 comb~ 200. 50. 0. 1. 0.;
> #P newex 650 107 117 196617 comb~ 100. 25. 0. 1. 0.;
> #P newex 520 107 117 196617 comb~ 100. 35. 0. 1. 0.;
> #P newex 404 107 111 196617 comb~ 100. 3. 0. 1. 0.;
> #P newex 272 107 117 196617 comb~ 200. 55. 0. 1. 0.;
> #P newex 141 107 123 196617 comb~ 300. 135. 0. 1. 0.;
> #P newex 10 108 123 196617 comb~ 300. 110. 0. 1. 0.;
> #P newex 272 166 47 196617 *~ 0.15;
> #P inlet 404 87 15 0;
> #P inlet 784 87 15 0;
> #P inlet 272 87 15 0;
> #P inlet 650 87 15 0;
> #P inlet 520 87 15 0;
> #P inlet 10 88 15 0;
> #P inlet 141 87 15 0;
> #P outlet 272 197 15 0;
> #P connect 2 0 9 0;
> #P connect 24 0 17 0;
> #P connect 17 0 9 1;
> #P connect 1 0 10 0;
> #P connect 24 0 18 0;
> #P connect 18 0 10 1;
> #P connect 5 0 11 0;
> #P connect 15 0 16 0;
> #P connect 11 0 16 0;
> #P connect 13 0 16 0;
> #P connect 14 0 16 0;
> #P connect 16 0 8 0;
> #P connect 12 0 8 0;
> #P connect 9 0 8 0;
> #P connect 10 0 8 0;
> #P connect 8 0 0 0;
> #P connect 19 0 11 1;
> #P connect 24 0 19 0;
> #P connect 7 0 12 0;
> #P connect 20 0 12 1;
> #P connect 24 0 20 0;
> #P connect 3 0 13 0;
> #P connect 21 0 13 1;
> #P connect 24 0 21 0;
> #P connect 4 0 14 0;
> #P connect 22 0 14 1;
> #P connect 24 0 22 0;
> #P connect 6 0 15 0;
> #P connect 23 0 15 1;
> #P connect 24 0 23 0;
> #P pop;
> #P newobj 497 735 105 196617 p combineR;
> #P newex 418 380 39 196617 noise~;
> #P newex 206 379 39 196617 noise~;
> #P newex 207 423 41 196617 *~ 20.;
> #P newex 206 401 78 196617 lores~ 0 0.995;
> #P newex 417 422 41 196617 *~ 20.;
> #P newex 418 401 78 196617 lores~ 0 0.995;
> #P newex 236 73 111 196617 zmap 0. 127. 0.05 0.9;
> #P newex 348 638 104 196617 tapout~ 106.279999;
> #P newex 348 614 65 196617 tapin~ 1000;
> #P newex 141 638 68 196617 tapout~ 125.;
> #P newex 141 612 65 196617 tapin~ 1000;
> #P newex 348 563 140 196617 allpass~ 200 89.239998 0.5;
> #P newex 141 563 116 196617 allpass~ 200 60.48 0.5;
> #P newex 141 540 41 196617 *~ 0.5;
> #P newex 348 540 41 196617 *~ 0.5;
> #P newex 141 495 93 196617 onepole~ 1800 Hz.;
> #P newex 358 71 120 196617 zmap 0 127. 20. 12000.;
> #P newex 348 495 93 196617 onepole~ 1800 Hz.;
> #P newex 348 451 165 196617 comb~ 1000. 141.699997 0. 1. 0.;
> #P newex 141 450 165 196617 comb~ 1000. 149.600006 0. 1. 0.;
> #P newex 348 317 115 196617 allpass~ 50 30.51 -0.7;
> #P newex 141 316 115 196617 allpass~ 50 22.58 -0.7;
> #P newex 141 250 110 196617 allpass~ 20 9.3 0.625;
> #P newex 141 224 122 196617 allpass~ 20 12.73 0.625;
> #P newex 141 200 110 196617 allpass~ 10 3.58 0.75;
> #P newex 141 175 110 196617 allpass~ 10 4.76 0.75;
> #P newex 141 151 93 196617 onepole~ 1800 Hz.;
> #N comlet out R;
> #P outlet 497 764 15 0;
> #N comlet out L;
> #P outlet 49 762 15 0;
> #P comment 80 763 401 196617 Plate reverb \, in the style of
> Griesinger \, via J Dattorro. Randy Jones rej@2uptech.com;
> #P fasten 8 0 31 0 146 344 54 344;
> #P connect 31 0 1 0;
> #P fasten 8 0 31 1 146 344 67 344;
> #P fasten 17 0 31 2 146 590 80 590;
> #P fasten 20 0 31 3 146 678 93 678;
> #P fasten 11 0 31 4 353 477 106 477;
> #P connect 47 0 46 0;
> #P connect 46 0 45 0;
> #P fasten 18 0 31 5 353 585 119 585;
> #P fasten 22 0 31 6 353 714 132 714;
> #P fasten 43 0 31 7 593 725 145 725;
> #P fasten 48 0 3 0 19 140 146 140;
> #P connect 3 0 4 0;
> #P connect 4 0 5 0;
> #P connect 5 0 6 0;
> #P connect 6 0 7 0;
> #P fasten 22 0 8 0 353 662 28 662 28 293 146 293;
> #P lcolor 7;
> #P connect 7 0 8 0;
> #P connect 8 0 10 0;
> #P connect 10 0 14 0;
> #P connect 14 0 16 0;
> #P connect 16 0 17 0;
> #P connect 17 0 19 0;
> #P connect 19 0 20 0;
> #P connect 35 0 20 0;
> #P fasten 41 0 33 0 304 372 159 372;
> #P connect 33 0 42 0;
> #P fasten 55 0 16 1 293 520 177 520;
> #P fasten 42 0 10 1 159 444 184 444;
> #P fasten 27 0 10 1 212 444 184 444;
> #P fasten 41 0 32 0 304 290 198 290;
> #P connect 32 0 8 1;
> #P fasten 41 0 34 0 304 527 199 527;
> #P connect 34 0 17 1;
> #P connect 28 0 26 0;
> #P connect 26 0 27 0;
> #P fasten 41 0 35 0 304 597 215 597;
> #P connect 13 0 3 1;
> #P fasten 56 0 14 1 316 484 229 484;
> #P connect 50 0 49 0;
> #P connect 49 0 23 0;
> #P connect 23 0 55 0;
> #P fasten 45 0 41 0 110 98 304 98;
> #P connect 13 0 56 0;
> #P fasten 20 0 9 0 146 670 19 670 19 285 353 285;
> #P lcolor 7;
> #P fasten 7 0 9 0 146 272 353 272;
> #P connect 9 0 11 0;
> #P connect 11 0 12 0;
> #P connect 12 0 15 0;
> #P connect 15 0 18 0;
> #P connect 18 0 21 0;
> #P connect 21 0 22 0;
> #P connect 40 0 22 0;
> #P connect 52 0 51 0;
> #P connect 51 0 13 0;
> #P fasten 41 0 37 0 304 377 371 377;
> #P connect 37 0 38 0;
> #P fasten 55 0 15 1 293 520 384 520;
> #P fasten 25 0 11 1 422 444 391 444;
> #P fasten 38 0 11 1 371 445 391 445;
> #P fasten 41 0 36 0 304 291 405 291;
> #P connect 36 0 9 1;
> #P fasten 41 0 39 0 304 527 406 527;
> #P connect 39 0 18 1;
> #P connect 24 0 25 0;
> #P connect 29 0 24 0;
> #P fasten 41 0 40 0 304 599 424 599;
> #P fasten 56 0 12 1 316 484 436 484;
> #P connect 54 0 53 0;
> #P connect 53 0 57 0;
> #P fasten 9 0 30 0 353 343 502 343;
> #P connect 30 0 2 0;
> #P fasten 9 0 30 1 353 343 515 343;
> #P fasten 18 0 30 2 353 594 528 594;
> #P fasten 22 0 30 3 353 691 541 691;
> #P fasten 10 0 30 4 146 473 554 473;
> #P fasten 17 0 30 5 146 604 567 604;
> #P fasten 20 0 30 6 146 706 580 706;
> #P fasten 57 0 44 0 492 272 593 272;
> #P fasten 41 0 43 0 304 702 593 702;
> #P connect 44 0 43 0;
> #P connect 43 0 30 7;
> #P connect 44 1 43 1;
> #P pop;
>
>

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Krispen, I might be being a total idiot here, but do we not need this combineL and R patcher to get audio out the outlets? &nbsp;i&#39;m not sure what all the audio cables are so as to route them properly...&nbsp;<br><br><div><span class="gmail_quote">On 3/1/08, <b class="gmail_sendername">Krispen Hartung</b> &lt;<a href="mailto:khartung@cableone.net">khartung@cableone.net</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">
<br> ...so, when you get here to Boise to play at BEMF, I&#39;ll show you my max/msp<br> reverb patch. It is patch called yafr2, by Randy Jones and built in the<br> style of&nbsp;&nbsp;the Dr. David Griesinger (of Lexicon) reverb design. See mono to<br>
 stereo patch below for maxers. I can dig my stereo to stereo version for<br> anyone interested. It&#39;s an amazing sounding reverb.<br> <br> K-<br> <br> max v2;<br> #N vpatcher 72 44 715 844;<br> #P origin 7 -30;<br> #P window setfont &quot;Sans Serif&quot; 9.;<br>
 #P newex 487 71 40 196617 / 127.;<br> #P flonum 311 149 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br> #P flonum 288 127 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br> #N comlet diffusion;<br> #P inlet 487 22 15 0;<br>
 #P newex 487 49 62 196617 clip 0. 127.;<br> #N comlet damping;<br> #P inlet 358 23 15 0;<br> #P newex 358 50 62 196617 clip 0. 127.;<br> #N comlet decay time;<br> #P inlet 236 24 15 0;<br> #P newex 236 51 62 196617 clip 0. 127.;<br>
 #N comlet audio in;<br> #P inlet 14 25 15 0;<br> #N comlet size;<br> #P inlet 105 24 15 0;<br> #P newex 105 50 62 196617 clip 0. 127.;<br> #P newex 105 73 111 196617 zmap 0. 127. 0.01 1.6;<br> #P newex 588 682 29 196617 t b f;<br>
 #P newex 588 705 29 196617 * 1.;<br> #P newex 154 422 29 196617 sig~;<br> #P flonum 299 106 35 9 0 0 0 3 0 0 0 221 221 221 222 222 222 0 0 0;<br> #P newex 419 614 77 196617 * 106.300003;<br> #P newex 401 539 71 196617 * 89.239998;<br>
 #P newex 366 423 29 196617 sig~;<br> #P newex 366 401 77 196617 * 141.699997;<br> #P newex 400 295 47 196617 * 30.51;<br> #P newex 210 612 41 196617 * 125.;<br> #P newex 194 540 47 196617 * 60.48;<br> #P newex 154 401 77 196617 * 149.600006;<br>
 #P newex 193 296 47 196617 * 22.58;<br> #N vpatcher 132 115 1088 352;<br> #P inlet 913 24 15 0;<br> #P window setfont &quot;Sans Serif&quot; 9.;<br> #P window linecount 0;<br> #P newex 817 49 35 196617 * 75.;<br> #P newex 683 47 35 196617 * 80.;<br>
 #P newex 557 47 35 196617 * 69.;<br> #P newex 431 47 35 196617 * 25.;<br> #P newex 305 47 35 196617 * 50.;<br> #P newex 179 47 41 196617 * 160.;<br> #P newex 53 47 41 196617 * 110.;<br> #P window linecount 1;<br> #P newex 276 124 40 196617 *~ -1.;<br>
 #P newex 790 93 117 196617 comb~ 200. 75. 0. 1. 0.;<br> #P newex 654 93 117 196617 comb~ 200. 80. 0. 1. 0.;<br> #P newex 528 93 117 196617 comb~ 200. 69. 0. 1. 0.;<br> #P newex 408 92 117 196617 comb~ 100. 25. 0. 1. 0.;<br>
 #P newex 276 93 117 196617 comb~ 200. 50. 0. 1. 0.;<br> #P newex 152 93 123 196617 comb~ 300. 160. 0. 1. 0.;<br> #P newex 24 94 123 196617 comb~ 300. 110. 0. 1. 0.;<br> #P newex 276 164 47 196617 *~ 0.15;<br> #P inlet 408 72 15 0;<br>
 #P inlet 790 73 15 0;<br> #P inlet 276 73 15 0;<br> #P inlet 654 73 15 0;<br> #P inlet 528 73 15 0;<br> #P inlet 24 74 15 0;<br> #P inlet 150 73 15 0;<br> #P outlet 276 191 15 0;<br> #P connect 2 0 9 0;<br> #P connect 17 0 9 1;<br>
 #P connect 24 0 17 0;<br> #P connect 1 0 10 0;<br> #P connect 24 0 18 0;<br> #P connect 18 0 10 1;<br> #P connect 5 0 11 0;<br> #P connect 15 0 16 0;<br> #P connect 13 0 16 0;<br> #P connect 14 0 16 0;<br> #P connect 11 0 16 0;<br>
 #P connect 12 0 8 0;<br> #P connect 16 0 8 0;<br> #P connect 10 0 8 0;<br> #P connect 9 0 8 0;<br> #P connect 8 0 0 0;<br> #P connect 19 0 11 1;<br> #P connect 24 0 19 0;<br> #P connect 7 0 12 0;<br> #P connect 24 0 20 0;<br>
 #P connect 20 0 12 1;<br> #P connect 3 0 13 0;<br> #P connect 21 0 13 1;<br> #P connect 24 0 21 0;<br> #P connect 4 0 14 0;<br> #P connect 22 0 14 1;<br> #P connect 24 0 22 0;<br> #P connect 6 0 15 0;<br> #P connect 23 0 15 1;<br>
 #P connect 24 0 23 0;<br> #P pop;<br> #P newobj 49 730 105 196617 p combineL;<br> #N vpatcher 10 59 977 304;<br> #P inlet 923 33 15 0;<br> #P window setfont &quot;Sans Serif&quot; 9.;<br> #P window linecount 1;<br> #P newex 824 73 35 196617 * 52.;<br>
 #P newex 693 73 35 196617 * 27.;<br> #P newex 562 73 35 196617 * 35.;<br> #P newex 431 73 29 196617 * 3.;<br> #P newex 300 73 35 196617 * 55.;<br> #P newex 169 73 41 196617 * 135.;<br> #P window linecount 0;<br> #P newex 38 73 41 196617 * 110.;<br>
 #P newex 272 132 40 196617 *~ -1.;<br> #P newex 784 107 117 196617 comb~ 200. 50. 0. 1. 0.;<br> #P newex 650 107 117 196617 comb~ 100. 25. 0. 1. 0.;<br> #P newex 520 107 117 196617 comb~ 100. 35. 0. 1. 0.;<br> #P newex 404 107 111 196617 comb~ 100. 3. 0. 1. 0.;<br>
 #P newex 272 107 117 196617 comb~ 200. 55. 0. 1. 0.;<br> #P newex 141 107 123 196617 comb~ 300. 135. 0. 1. 0.;<br> #P newex 10 108 123 196617 comb~ 300. 110. 0. 1. 0.;<br> #P newex 272 166 47 196617 *~ 0.15;<br> #P inlet 404 87 15 0;<br>
 #P inlet 784 87 15 0;<br> #P inlet 272 87 15 0;<br> #P inlet 650 87 15 0;<br> #P inlet 520 87 15 0;<br> #P inlet 10 88 15 0;<br> #P inlet 141 87 15 0;<br> #P outlet 272 197 15 0;<br> #P connect 2 0 9 0;<br> #P connect 24 0 17 0;<br>
 #P connect 17 0 9 1;<br> #P connect 1 0 10 0;<br> #P connect 24 0 18 0;<br> #P connect 18 0 10 1;<br> #P connect 5 0 11 0;<br> #P connect 15 0 16 0;<br> #P connect 11 0 16 0;<br> #P connect 13 0 16 0;<br> #P connect 14 0 16 0;<br>
 #P connect 16 0 8 0;<br> #P connect 12 0 8 0;<br> #P connect 9 0 8 0;<br> #P connect 10 0 8 0;<br> #P connect 8 0 0 0;<br> #P connect 19 0 11 1;<br> #P connect 24 0 19 0;<br> #P connect 7 0 12 0;<br> #P connect 20 0 12 1;<br>
 #P connect 24 0 20 0;<br> #P connect 3 0 13 0;<br> #P connect 21 0 13 1;<br> #P connect 24 0 21 0;<br> #P connect 4 0 14 0;<br> #P connect 22 0 14 1;<br> #P connect 24 0 22 0;<br> #P connect 6 0 15 0;<br> #P connect 23 0 15 1;<br>
 #P connect 24 0 23 0;<br> #P pop;<br> #P newobj 497 735 105 196617 p combineR;<br> #P newex 418 380 39 196617 noise~;<br> #P newex 206 379 39 196617 noise~;<br> #P newex 207 423 41 196617 *~ 20.;<br> #P newex 206 401 78 196617 lores~ 0 0.995;<br>
 #P newex 417 422 41 196617 *~ 20.;<br> #P newex 418 401 78 196617 lores~ 0 0.995;<br> #P newex 236 73 111 196617 zmap 0. 127. 0.05 0.9;<br> #P newex 348 638 104 196617 tapout~ 106.279999;<br> #P newex 348 614 65 196617 tapin~ 1000;<br>
 #P newex 141 638 68 196617 tapout~ 125.;<br> #P newex 141 612 65 196617 tapin~ 1000;<br> #P newex 348 563 140 196617 allpass~ 200 89.239998 0.5;<br> #P newex 141 563 116 196617 allpass~ 200 60.48 0.5;<br> #P newex 141 540 41 196617 *~ 0.5;<br>
 #P newex 348 540 41 196617 *~ 0.5;<br> #P newex 141 495 93 196617 onepole~ 1800 Hz.;<br> #P newex 358 71 120 196617 zmap 0 127. 20. 12000.;<br> #P newex 348 495 93 196617 onepole~ 1800 Hz.;<br> #P newex 348 451 165 196617 comb~ 1000. 141.699997 0. 1. 0.;<br>
 #P newex 141 450 165 196617 comb~ 1000. 149.600006 0. 1. 0.;<br> #P newex 348 317 115 196617 allpass~ 50 30.51 -0.7;<br> #P newex 141 316 115 196617 allpass~ 50 22.58 -0.7;<br> #P newex 141 250 110 196617 allpass~ 20 9.3 0.625;<br>
 #P newex 141 224 122 196617 allpass~ 20 12.73 0.625;<br> #P newex 141 200 110 196617 allpass~ 10 3.58 0.75;<br> #P newex 141 175 110 196617 allpass~ 10 4.76 0.75;<br> #P newex 141 151 93 196617 onepole~ 1800 Hz.;<br> #N comlet out R;<br>
 #P outlet 497 764 15 0;<br> #N comlet out L;<br> #P outlet 49 762 15 0;<br> #P comment 80 763 401 196617 Plate reverb \, in the style of<br> Griesinger \, via J Dattorro. Randy Jones <a href="mailto:rej@2uptech.com">rej@2uptech.com</a>;<br>
 #P fasten 8 0 31 0 146 344 54 344;<br> #P connect 31 0 1 0;<br> #P fasten 8 0 31 1 146 344 67 344;<br> #P fasten 17 0 31 2 146 590 80 590;<br> #P fasten 20 0 31 3 146 678 93 678;<br> #P fasten 11 0 31 4 353 477 106 477;<br>
 #P connect 47 0 46 0;<br> #P connect 46 0 45 0;<br> #P fasten 18 0 31 5 353 585 119 585;<br> #P fasten 22 0 31 6 353 714 132 714;<br> #P fasten 43 0 31 7 593 725 145 725;<br> #P fasten 48 0 3 0 19 140 146 140;<br> #P connect 3 0 4 0;<br>
 #P connect 4 0 5 0;<br> #P connect 5 0 6 0;<br> #P connect 6 0 7 0;<br> #P fasten 22 0 8 0 353 662 28 662 28 293 146 293;<br> #P lcolor 7;<br> #P connect 7 0 8 0;<br> #P connect 8 0 10 0;<br> #P connect 10 0 14 0;<br> #P connect 14 0 16 0;<br>
 #P connect 16 0 17 0;<br> #P connect 17 0 19 0;<br> #P connect 19 0 20 0;<br> #P connect 35 0 20 0;<br> #P fasten 41 0 33 0 304 372 159 372;<br> #P connect 33 0 42 0;<br> #P fasten 55 0 16 1 293 520 177 520;<br> #P fasten 42 0 10 1 159 444 184 444;<br>
 #P fasten 27 0 10 1 212 444 184 444;<br> #P fasten 41 0 32 0 304 290 198 290;<br> #P connect 32 0 8 1;<br> #P fasten 41 0 34 0 304 527 199 527;<br> #P connect 34 0 17 1;<br> #P connect 28 0 26 0;<br> #P connect 26 0 27 0;<br>
 #P fasten 41 0 35 0 304 597 215 597;<br> #P connect 13 0 3 1;<br> #P fasten 56 0 14 1 316 484 229 484;<br> #P connect 50 0 49 0;<br> #P connect 49 0 23 0;<br> #P connect 23 0 55 0;<br> #P fasten 45 0 41 0 110 98 304 98;<br>
 #P connect 13 0 56 0;<br> #P fasten 20 0 9 0 146 670 19 670 19 285 353 285;<br> #P lcolor 7;<br> #P fasten 7 0 9 0 146 272 353 272;<br> #P connect 9 0 11 0;<br> #P connect 11 0 12 0;<br> #P connect 12 0 15 0;<br> #P connect 15 0 18 0;<br>
 #P connect 18 0 21 0;<br> #P connect 21 0 22 0;<br> #P connect 40 0 22 0;<br> #P connect 52 0 51 0;<br> #P connect 51 0 13 0;<br> #P fasten 41 0 37 0 304 377 371 377;<br> #P connect 37 0 38 0;<br> #P fasten 55 0 15 1 293 520 384 520;<br>
 #P fasten 25 0 11 1 422 444 391 444;<br> #P fasten 38 0 11 1 371 445 391 445;<br> #P fasten 41 0 36 0 304 291 405 291;<br> #P connect 36 0 9 1;<br> #P fasten 41 0 39 0 304 527 406 527;<br> #P connect 39 0 18 1;<br> #P connect 24 0 25 0;<br>
 #P connect 29 0 24 0;<br> #P fasten 41 0 40 0 304 599 424 599;<br> #P fasten 56 0 12 1 316 484 436 484;<br> #P connect 54 0 53 0;<br> #P connect 53 0 57 0;<br> #P fasten 9 0 30 0 353 343 502 343;<br> #P connect 30 0 2 0;<br>
 #P fasten 9 0 30 1 353 343 515 343;<br> #P fasten 18 0 30 2 353 594 528 594;<br> #P fasten 22 0 30 3 353 691 541 691;<br> #P fasten 10 0 30 4 146 473 554 473;<br> #P fasten 17 0 30 5 146 604 567 604;<br> #P fasten 20 0 30 6 146 706 580 706;<br>
 #P fasten 57 0 44 0 492 272 593 272;<br> #P fasten 41 0 43 0 304 702 593 702;<br> #P connect 44 0 43 0;<br> #P connect 43 0 30 7;<br> #P connect 44 1 43 1;<br> #P pop;<br> <br> </blockquote></div><br><br>

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Tim I  was also on one  of those collections that Mick was putting
together.  The last  I heard was a pitch from him towards end of 07
encouraging all participatants to purchase a copy in support of the
project.  That seemed strangely a bit much. Anyhow sounds like this pursuit
has hit a wall...

Jim

On Sat, Mar 1, 2008 at 7:25 AM, Tim Nelson <psychle62@yahoo.com> wrote:

> Hi Dennis,
>
> Yeah, I've got a track on one of last year's Starbucks
> comps too; apparently what happened is that the
> contact guy Mick had been corresponding with for
> several months is no longer with the company, so he
> had to start the whole process over again... I'm
> guessing it's no longer going to happen.
>
> I don't see why it in any way held up your release,
> though; the agreement with Mick is/was an inclusion
> license thing, and you still retain all the rights to
> your work. My 2007 RPM CD was on CDBaby before Mick
> even started the comp project...
>
> -t-
>
> --- Dennis Moser <sinsofmachaut@gmail.com> wrote:
>
> > Okay ... here ya go. They are FTP directories and
> > the files are all
> > covered by Creative Commons licenses:
> >
> > The 2008 RPM Challenge:
> >
> >             ftp://ftp.angrek.com/download/RPMK28/
> >
> > The 2007 RPM Challenge (which got tied up from
> > release due to one
> > track being used on a compilation CD that was
> > supposed be distributed
> > by Starbucks, but I never heard anymore about it!):
> >
> >              ftp://ftp.angrek.com/download/RPM2K7/
> >
> >
> > Hope you enjoy.
> >
> > Dennis
> >
> >
>
>
> http://www.myspace.com/nimbletunes
> http://cdbaby.com/all/timnelson
> http://www.youtube.com/speleman62
>
>
>
>  ____________________________________________________________________________________
> Never miss a thing.  Make Yahoo your home page.
> http://www.yahoo.com/r/hs
>
>


-- 
The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
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Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

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<div>Tim I&nbsp; was also on one&nbsp; of those collections that Mick was putting together.&nbsp; The last&nbsp; I heard was a pitch from him towards end of 07 encouraging all participatants to&nbsp;purchase a copy in support of the project.&nbsp; That seemed strangely a bit&nbsp;much. Anyhow sounds like this pursuit has hit a wall...</div>

<div>&nbsp;</div>
<div>Jim<br><br></div>
<div class="gmail_quote">On Sat, Mar 1, 2008 at 7:25 AM, Tim Nelson &lt;<a href="mailto:psychle62@yahoo.com">psychle62@yahoo.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi Dennis,<br><br>Yeah, I&#39;ve got a track on one of last year&#39;s Starbucks<br>comps too; apparently what happened is that the<br>
contact guy Mick had been corresponding with for<br>several months is no longer with the company, so he<br>had to start the whole process over again... I&#39;m<br>guessing it&#39;s no longer going to happen.<br><br>I don&#39;t see why it in any way held up your release,<br>
though; the agreement with Mick is/was an inclusion<br>license thing, and you still retain all the rights to<br>your work. My 2007 RPM CD was on CDBaby before Mick<br>even started the comp project...<br><br>-t-<br>
<div>
<div></div>
<div class="Wj3C7c"><br>--- Dennis Moser &lt;<a href="mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt; wrote:<br><br>&gt; Okay ... here ya go. They are FTP directories and<br>&gt; the files are all<br>&gt; covered by Creative Commons licenses:<br>
&gt;<br>&gt; The 2008 RPM Challenge:<br>&gt;<br>&gt; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <a href="ftp://ftp.angrek.com/download/RPMK28/" target="_blank">ftp://ftp.angrek.com/download/RPMK28/</a><br>&gt;<br>&gt; The 2007 RPM Challenge (which got tied up from<br>
&gt; release due to one<br>&gt; track being used on a compilation CD that was<br>&gt; supposed be distributed<br>&gt; by Starbucks, but I never heard anymore about it!):<br>&gt;<br>&gt; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<a href="ftp://ftp.angrek.com/download/RPM2K7/" target="_blank">ftp://ftp.angrek.com/download/RPM2K7/</a><br>
&gt;<br>&gt;<br>&gt; Hope you enjoy.<br>&gt;<br>&gt; Dennis<br>&gt;<br>&gt;<br><br><br></div></div><a href="http://www.myspace.com/nimbletunes" target="_blank">http://www.myspace.com/nimbletunes</a><br><a href="http://cdbaby.com/all/timnelson" target="_blank">http://cdbaby.com/all/timnelson</a><br>
<a href="http://www.youtube.com/speleman62" target="_blank">http://www.youtube.com/speleman62</a><br>
<div class="WgoR0d"><br><br>&nbsp; &nbsp; &nbsp;____________________________________________________________________________________<br>Never miss a thing. &nbsp;Make Yahoo your home page.<br><a href="http://www.yahoo.com/r/hs" target="_blank">http://www.yahoo.com/r/hs</a><br>
<br></div></blockquote></div><br><br clear="all"><br>-- <br>The Acoustic World Guitar of Jim Goodin &nbsp;- <a href="http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</a><br>MySpace (solo) - <a href="http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jimgoodinmusic</a><br>
Chinapainting -<br><a href="http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br><a href="http://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapaintingmusic.com</a><br>
The Jim Goodin label and home for 7 other creative souls - <a href="http://www.woodandwiremusic.com">http://www.woodandwiremusic.com</a> <br>Jim Goodin uses GHS Strings - <a href="http://www.ghsstrings.com">http://www.ghsstrings.com</a> and Seagull Guitars - <a href="http://www.seagullguitars.com">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a href="http://www.melbay.com">http://www.melbay.com</a> 

------=_Part_9878_17690095.1204387279501--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  1 17:23:26 2008
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Date: Sat, 1 Mar 2008 09:16:44 -0800 (PST)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Using your USA gear in Europe (voltage adapter concerns)
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Long time no post!  But here I am :-) I have a gig in Vienna and I
don't want to blow up my gear. I am wondering if anyone has experience
using their hardware audio gear in countries with different voltage
circuits. In particular,



I have a Mac laptop purchased in the USA, I know it works with a
European power supply, all I have to do is put on an adapter and it
works.



But, I also have a Behringer B-Control Rotary BCR2000 midi controller.
I thought it was USB powered only but it needs to also use a power
supply. Its says: 100 - 240 V~ 50/60 Hz 15 W...



Can I just throw an adapter tip on that when I get to Vienna (or do I need some type of transformer?)



also I have a Mackie 1202-VLZ3 mixer, it has a switch in the back to go
from 100VAC or 120 VAC or 240 VAC, I am assuming that all I have to do
is adjust the switch to 240 and put an adapter tip on ?



BUT I AM SCARED! So, if anyone knows about this stuff, I would really appreciate the help!



Thanks So Much!



Margaret



      ____________________________________________________________________________________
Never miss a thing.  Make Yahoo your home page. 
http://www.yahoo.com/r/hs
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt"><div>Long time no post!&nbsp; But here I am :-) I have a gig in Vienna and I
don't want to blow up my gear. I am wondering if anyone has experience
using their hardware audio gear in countries with different voltage
circuits. In particular,<br>
<br>
I have a Mac laptop purchased in the USA, I know it works with a
European power supply, all I have to do is put on an adapter and it
works.<br>
<br>
But, I also have a Behringer B-Control Rotary BCR2000 midi controller.
I thought it was USB powered only but it needs to also use a power
supply. Its says: 100 - 240 V~ 50/60 Hz 15 W...<br>
<br>
Can I just throw an adapter tip on that when I get to Vienna (or do I need some type of transformer?)<br>
<br>
also I have a Mackie 1202-VLZ3 mixer, it has a switch in the back to go
from 100VAC or 120 VAC or 240 VAC, I am assuming that all I have to do
is adjust the switch to 240 and put an adapter tip on ?<br>
<br>
BUT I AM SCARED! So, if anyone knows about this stuff, I would really appreciate the help!<br>
<br>
Thanks So Much!<br>
<br>
Margaret</div></div><br>

      <hr size=1>Never miss a thing.  <a href="http://us.rd.yahoo.com/evt=51438/*http://www.yahoo.com/r/hs"> Make Yahoo your homepage.</a>

</body></html>
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Date: Sat, 1 Mar 2008 17:55:15 +0000
From: Os <os@collective.co.uk>
Sender: expertsleepers@googlemail.com
To: Loopers-Delight@loopers-delight.com
Subject: Augustus Loop - now Mac OS X VST
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Hi,

I've just released a beta version of Augustus Loop for OS X VST. If
anyone here needs that format (e.g. Cubase users), I'd be very
interested to hear how you get on with it (previously it's been AU
only).

http://www.expert-sleepers.co.uk/

The Windows VST version is next!


cheers,
os.

-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Sat Mar  1 18:01:17 2008
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Date: Sat, 1 Mar 2008 10:01:15 -0800
From: "Travis Hartnett" <travishartnett@gmail.com>
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Subject: Re: Using your USA gear in Europe (voltage adapter concerns)
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If the power supply on your Behringer says what you're saying, then it
sounds like an autoswitching supply, and you should be able to use just a
plug addaptor.  And yes, the Mackie just needs to be set correctly and also
have an adaptor.

On Sat, Mar 1, 2008 at 9:16 AM, margaret noble <margaretnoble2000@yahoo.com>
wrote:

> Long time no post!  But here I am :-) I have a gig in Vienna and I don't
> want to blow up my gear. I am wondering if anyone has experience using their
> hardware audio gear in countries with different voltage circuits. In
> particular,
>
> I have a Mac laptop purchased in the USA, I know it works with a European
> power supply, all I have to do is put on an adapter and it works.
>
> But, I also have a Behringer B-Control Rotary BCR2000 midi controller. I
> thought it was USB powered only but it needs to also use a power supply. Its
> says: 100 - 240 V~ 50/60 Hz 15 W...
>
> Can I just throw an adapter tip on that when I get to Vienna (or do I need
> some type of transformer?)
>
> also I have a Mackie 1202-VLZ3 mixer, it has a switch in the back to go
> from 100VAC or 120 VAC or 240 VAC, I am assuming that all I have to do is
> adjust the switch to 240 and put an adapter tip on ?
>
> BUT I AM SCARED! So, if anyone knows about this stuff, I would really
> appreciate the help!
>
> Thanks So Much!
>
> Margaret
>
> ------------------------------
> Never miss a thing. Make Yahoo your homepage.<http://us.rd.yahoo.com/evt=51438/*http://www.yahoo.com/r/hs>
>

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If the power supply on your Behringer says what you&#39;re saying, then it sounds like an autoswitching supply, and you should be able to use just a plug addaptor.&nbsp; And yes, the Mackie just needs to be set correctly and also have an adaptor.<br>
<br><div class="gmail_quote">On Sat, Mar 1, 2008 at 9:16 AM, margaret noble &lt;<a href="mailto:margaretnoble2000@yahoo.com">margaretnoble2000@yahoo.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><div>Long time no post!&nbsp; But here I am :-) I have a gig in Vienna and I
don&#39;t want to blow up my gear. I am wondering if anyone has experience
using their hardware audio gear in countries with different voltage
circuits. In particular,<br>
<br>
I have a Mac laptop purchased in the USA, I know it works with a
European power supply, all I have to do is put on an adapter and it
works.<br>
<br>
But, I also have a Behringer B-Control Rotary BCR2000 midi controller.
I thought it was USB powered only but it needs to also use a power
supply. Its says: 100 - 240 V~ 50/60 Hz 15 W...<br>
<br>
Can I just throw an adapter tip on that when I get to Vienna (or do I need some type of transformer?)<br>
<br>
also I have a Mackie 1202-VLZ3 mixer, it has a switch in the back to go
from 100VAC or 120 VAC or 240 VAC, I am assuming that all I have to do
is adjust the switch to 240 and put an adapter tip on ?<br>
<br>
BUT I AM SCARED! So, if anyone knows about this stuff, I would really appreciate the help!<br>
<br>
Thanks So Much!<br><font color="#888888">
<br>
Margaret</font></div></div><br><div class="WgoR0d">

      <hr size="1">Never miss a thing.  <a href="http://us.rd.yahoo.com/evt=51438/*http://www.yahoo.com/r/hs" target="_blank"> Make Yahoo your homepage.</a>

</div></div></blockquote></div><br>

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Date: Sun, 2 Mar 2008 03:02:36 +0900 (JST)
From: <marycle_101@yahoo.co.jp>
Reply-To: mary_mary_cle@yahoo.co.jp
Subject: PLEASE HELP ME.
To: marycle_101@yahoo.co.jp
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--0-275037921-1204394556=:84129
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Dearest One,
   
     My name is Miss Mary Clement, a 20 years old undergraduate. I am only daughter of Mr. and Mrs. Johnson Clement, My father was a very wealthy Gold and Diamond Merchant in Monrovia the Gold Capital city of republic of Liberia in West Africa based in Abidjan Ivory Coast, my father was poisoned
 to death by his business associates while my mother died when I am little and my father took me so special because I am the only child.
   
     Before the death of my father on 4th June 2007 in a hospital here in Ivory Coast, he secretly called me and told me that he deposited some Gold and a huge sum of $7 million Dollars ($7, OOO, OOO USD) and the Diamond inside a box which he deposited with a Security and Trust Company her in
 Ivory Coast as family treasure. He also made me understand that it was because of this wealth he was poisoned while on a business trip with them and he instructed me to look for a foreign partner who will help me retrieve this box out from the trust Security Company. Without the knowledge of my
 uncle who was living with us then. On the 30th of December 2007 my uncle flew to the London with his children. With all that my father left behind, just because I am a woman and I do not have any right in my father property. My uncle seized all my father's companies and properties because of our
 traditional believe that I$B!G(Bm a woman. I was left with nothing and dropped out of school because of financial difficulties and my uncle's wicked attitude. Although I have contacted the security company they confirmed the lodgement.
   
     My purpose of contacting you is for you to help me, as my late father advised me at his sick bed.
  1) To retrieve this box with the Gold, money and Diamonds inside to your location.
2) To make arrangement for me to come to your country to continue my education.
3) To utilize this money by investing it in good business.
   I am now under hidings to safe my life from any accidental harm that might befall me from them. Please tell me if you will be of assistance to me after your good considerations I am willing to reward you with 15% of the money for your good assistance. As for the Gold and Diamond I hope you can
 have them for your self. I will be glad if you will get back to me soon to tell me of your interest so that I will give you the contact information of the security company for you to contact them on my behalf as I will be introducing you.
   
  I am pleading to you with the name of Almighty God to help me out of this problem. With tiers on my eyes here as I am written you this mail.     
  I am kindly waiting for your soonest response.
   
  MAY GOD BLESS YOU,
  All my love,
  Miss Mary Clement.
 
 

 
---------------------------------
Easy + Joy + Powerful = Yahoo! Bookmarks x Toolbar

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<DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><I><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">Dearest One,<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></I></STRONG></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm
 0cm 0pt"><STRONG><I><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></SPAN></I></STRONG></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><I><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">&nbsp;<SPAN style="mso-spacerun:
 yes">&nbsp; </SPAN>My name is Miss Mary Clement, a 20 years old undergraduate. I am only daughter of Mr. and Mrs.&nbsp;Johnson&nbsp;Clement,&nbsp;</SPAN></I></STRONG><STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">My father was a very wealthy Gold and Diamond
 Merchant in Monrovia the Gold Capital city of republic of Liberia in West Africa based in Abidjan Ivory Coast, my father was poisoned to death by his business associates while my mother died when I am little and my father took me so special because I am the only
 child.<o:p></o:p></SPAN></STRONG></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><o:p>&nbsp;</o:p></SPAN></STRONG></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN lang=EN-GB
 style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><SPAN style="mso-spacerun: yes">&nbsp;</SPAN><SPAN style="mso-spacerun: yes">&nbsp;</SPAN><SPAN style="mso-spacerun: yes">&nbsp;</SPAN>Before the death of my father on 4th June <?xml:namespace prefix = st1 ns =
 "urn:schemas-microsoft-com:office:smarttags" /><st1:metricconverter w:st="on" ProductID="2007 in">2007 in</st1:metricconverter> a hospital here in Ivory Coast, he secretly called me and told me that he</SPAN></STRONG><EM><B><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">
 deposited some Gold and a huge sum of&nbsp;$7 million Dollars ($7, OOO, OOO USD) </SPAN></B></EM><STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">and the Diamond inside a box which he deposited with a Security and Trust Company her in Ivory Coast as family treasure.
 He also made me understand that it was because of this wealth he was poisoned while on a business trip with them and he instructed me to look for a foreign partner who will help me retrieve this box out from the trust Security Company. <I>Without the knowledge of my uncle who was living with us
 then.</I>&nbsp;On the 30<SUP>th</SUP> of December 2007 <I>my&nbsp;uncle flew&nbsp;to&nbsp;the <st1:City w:st="on"><st1:place w:st="on">London</st1:place></st1:City> with his children. With all that my father left behind, just because I am a woman and I do not have any right in my father property.
 My uncle seized all my father's companies and properties because of our traditional believe that&nbsp;I$B!G(Bm a woman. I was left with nothing and dropped out of school because of financial difficulties and my uncle's wicked attitude.&nbsp;Although I have contacted the security company they
 confirmed the lodgement.</I></SPAN></STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><o:p></o:p></SPAN></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language:
 EN-GB"><o:p>&nbsp;</o:p></SPAN></STRONG></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><SPAN style="mso-spacerun: yes">&nbsp;&nbsp; </SPAN>My purpose of contacting you is for you to help me, as my late father
 advised me at his sick bed.</SPAN></STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><o:p></o:p></SPAN></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">1) To retrieve this box with
 the Gold, money and Diamonds inside to your location.</SPAN></STRONG><B><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><BR>

<STRONG><SPAN style="FONT-FAMILY: Arial">2) To make arrangement for me to come to your country to</SPAN></STRONG> <STRONG><SPAN style="FONT-FAMILY: Arial">continue my education.</SPAN></STRONG><BR>

<STRONG><SPAN style="FONT-FAMILY: Arial">3) To utilize this money by investing it in good</SPAN></STRONG> <STRONG><SPAN style="FONT-FAMILY: Arial">business.</SPAN></STRONG></SPAN></B><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><o:p></o:p></SPAN></DIV>  <DIV
 class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><SPAN style="mso-spacerun: yes">&nbsp;</SPAN>I am now under hidings to safe my life from any accidental harm that might befall me from them. Please tell me if you will be of
 assistance to me after your good considerations I am willing to reward you with 15% of the money for your good assistance. As for the Gold and Diamond I hope you can have them for your self. I will be glad if you will get back to me soon to tell me of your interest so that I will give you the
 contact information of the security company for you to</SPAN></STRONG><B><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"> <STRONG><SPAN style="FONT-FAMILY: Arial">contact them on my behalf as I will be introducing you.</SPAN></STRONG></SPAN></B><SPAN lang=EN-GB
 style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><o:p></o:p></SPAN></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">&nbsp;<o:p></o:p></SPAN></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><I><SPAN
 lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">I am pleading&nbsp;to you with the name of Almighty God to help me out of this problem. With tiers on my eyes here as I am written you this mail. <SPAN style="mso-spacerun: yes">&nbsp;</SPAN><SPAN style="mso-spacerun:
 yes">&nbsp;</SPAN><SPAN style="mso-spacerun: yes">&nbsp;</SPAN></SPAN></I></STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">&nbsp;<o:p></o:p></SPAN></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><I><SPAN lang=EN-GB style="FONT-FAMILY: Arial;
 mso-ansi-language: EN-GB">I am kindly&nbsp;waiting for your soonest response.</SPAN></I></STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><o:p></o:p></SPAN></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial;
 mso-ansi-language: EN-GB">&nbsp;<o:p></o:p></SPAN></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><I><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">MAY GOD BLESS YOU,</SPAN></I></STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language:
 EN-GB"><o:p></o:p></SPAN></DIV>  <DIV class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><I><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">All my love,</SPAN></I></STRONG><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><o:p></o:p></SPAN></DIV>  <DIV
 class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><I><SPAN style="FONT-FAMILY: Arial">Miss Mary Clement.</SPAN></I></STRONG><SPAN style="FONT-FAMILY: Arial"><o:p></o:p></SPAN></DIV>
<div style="line-height: 0; width: 0; height: 5px; clear: both;">&nbsp;</div>

<div style="line-height: 0; width: 0; height: 5px; clear: both;">&nbsp;</div>
<p>&#32;

<hr size=1><a href=http://pr.mail.yahoo.co.jp/toolbar/ target="new">Easy + Joy + Powerful = Yahoo! Bookmarks x Toolbar</a><br>

--0-275037921-1204394556=:84129--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  1 18:10:09 2008
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From: "Krispen Hartung" <khartung@cableone.net>
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Subject: qualities of reverb (yafr max/msp Griesinger/Lexicon reverb)
Date: Sat, 1 Mar 2008 11:10:05 -0700
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Todd / all -

This code should help. The first patch is what I uses to get access to the 
main reverb patch. It has the audio inlets/outlets, etc. The second patch is 
the main yafr2 reverb path which I modifed to be stereo. I can't actually 
tell how what the max decay is because of the scale it uses, but based on my 
use of the reverb, it must be HUGE. You can see that it has the decay 
settings, early reflection balance, then it has high freq rollout, mix, etc. 
Note there are tons of allpass filters to make this type of reverb, a few 
delays, and some onepole filters.

It's an amazing patch, better than any of the other max reverb pathes I've 
used like gverb, gigverb, etc.

Kris


Audio Connection Patch

#N comlet Enable/Disable;
#P inlet 571 152 15 0;
#N comlet Enable/Disable;
#P inlet 528 151 15 0;
#P user matrixctrl 280 273 70 45 MatrixDefaultCell.pct 
MatrixDefaultBkgnd.pct 70 45 16 16 4 2 16 16 1 1 48 2 5120 0;
#P window setfont "Sans Serif" 9.;
#P window linecount 1;
#P newex 280 212 44 9109513 del 100;
#P message 494 300 50 9109513 mute 0 0;
#N comlet Audio Out R;
#P outlet 427 399 15 0;
#N comlet Audio Out L;
#P outlet 395 399 15 0;
#N comlet Enable/Disable;
#P inlet 451 153 15 0;
#N comlet Audio in R;
#P inlet 417 153 15 0;
#N comlet Audio in L;
#P inlet 395 153 15 0;
#P comment 288 233 50 9109513 effect on;
#P message 339 336 54 9109513 ramp 100;
#P newex 504 256 44 9109513 del 100;
#P newex 451 178 52 9109513 route 0 1;
#P newex 144 178 51 9109513 r loadbang;
#P message 504 278 50 9109513 mute 0 1;
#P message 280 249 115 9109513 2 0 1 3 1 1 0 0 0 1 1 0;
#P message 158 249 115 9109513 0 0 1 1 1 1 2 0 0 3 1 0;
#P newex 395 367 77 9109513 matrix~ 4 2 1.;
#P newex 439 340 143 9109513 poly~ yafr2_stereo_reverb_poly;
#P comment 169 233 41 9109513 bypass;
#P connect 20 0 1 3;
#P connect 19 0 1 2;
#P connect 8 0 5 0;
#P fasten 7 0 8 0 456 202 509 202;
#P fasten 6 0 3 0 149 202 163 202;
#P fasten 6 0 9 0 149 328 344 328;
#P fasten 6 0 8 0 149 202 509 202;
#P fasten 7 1 17 0 477 202 285 202;
#P fasten 7 1 16 0 477 202 499 202;
#P connect 12 0 2 1;
#P fasten 12 0 1 1 477 333 577 333;
#P connect 1 1 2 3;
#P connect 13 0 7 0;
#P connect 1 0 2 2;
#P connect 16 0 1 0;
#P connect 5 0 1 0;
#P connect 11 0 2 0;
#P fasten 11 0 1 0 400 322 444 322;
#P connect 2 1 15 0;
#P connect 2 0 14 0;
#P fasten 18 0 2 0 285 322 400 322;
#P fasten 9 0 2 0 344 359 400 359;
#P connect 4 0 18 0;
#P connect 3 0 18 0;
#P connect 17 0 4 0;
#P fasten 7 0 3 0 456 202 163 202;
#P window clipboard copycount 21;



Reverb Patch

#P button 10 38 15 0;
#P window setfont "Sans Serif" 9.;
#P window linecount 1;
#N in~ 2;
#P newobj 87 266 33 9109513 in~ 2;
#N in~ 1;
#P newobj 20 266 33 9109513 in~ 1;
#P message 515 844 23 9109513 130;
#P user gain~ 637 885 24 100 158 0 1.071519 7.94321 10.;
#P user gain~ 549 885 24 100 158 0 1.071519 7.94321 10.;
#N out~ 2;
#P newobj 636 1015 39 9109513 out~ 2;
#N out~ 1;
#P newobj 549 1014 39 9109513 out~ 1;
#P window setfont "Sans Serif" 12.;
#P comment 757 141 42 9109516 R-Wet;
#P comment 709 141 37 9109516 R-Dry;
#P comment 579 140 37 9109516 L-Wet;
#P comment 531 140 37 9109516 L-Dry;
#P comment 1054 144 87 9109516 Right Channel;
#P comment 302 143 78 9109516 Left Channel;
#P window setfont "Sans Serif" 9.;
#P newex 645 24 51 9109513 r loadbang;
#P message 64 66 18 9109513 40;
#P message 42 66 14 9109513 0;
#P message 10 66 23 9109513 127;
#P message 91 66 23 9109513 100;
#P number 586 314 35 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P number 542 314 35 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P message 122 67 23 9109513 130;
#P newex 668 166 55 9109513 sig~ 0.707;
#P newex 799 167 39 9109513 sig~ 1.;
#P newex 801 833 27 9109513 +~;
#P user gain~ 723 165 24 100 158 0 1.071519 7.94321 10.;
#P newex 745 802 33 9109513 *~ 0.;
#P user gain~ 764 165 24 100 158 0 1.071519 7.94321 10.;
#P newex 845 800 33 9109513 *~ 0.;
#P newex 1104 273 63 9109513 prepend set;
#P newex 1033 273 63 9109513 prepend set;
#P newex 961 273 63 9109513 prepend set;
#P window linecount 2;
#P comment 1175 183 28 9109513 yafr -2up;
#B color 7;
#P user hslider 961 233 18 128 128 1 0 8;
#P comment 1106 231 75 9109513 high frequency rolloff;
#B color 12;
#P user hslider 961 205 18 128 128 1 0 8;
#P comment 1106 200 92 9109513 reverb/early reflections balance;
#B color 12;
#P user hslider 961 179 18 128 128 1 0 8;
#P window linecount 1;
#P comment 1106 179 60 9109513 reverb time;
#B color 12;
#P comment 890 656 73 9109513 early ref. mix;
#P window linecount 2;
#P comment 1133 645 73 9109513 reverb tail: series allpass.;
#P window linecount 1;
#P comment 806 765 158 9109513 uncorrelators make stereo effect;
#P newex 1349 622 28 9109513 !- 0.;
#P newex 1349 581 27 9109513 + 0.;
#P window linecount 2;
#P comment 761 553 93 9109513 early refs: allpass in feedback.;
#P window linecount 1;
#P newex 1350 534 28 9109513 !- 0.;
#P newex 986 734 60 9109513 tapout~ 10.;
#P newex 986 714 54 9109513 tapin~ 10.;
#P newex 986 695 39 9109513 *~ 0.2;
#P newex 1350 493 27 9109513 + 0.;
#P newex 859 619 105 9109513 expr (1. - $f1) * 0.5;
#P newex 859 595 92 9109513 zmap 0. 127. 0. 1.;
#P newex 771 653 27 9109513 *~;
#P newex 741 653 27 9109513 *~;
#P newex 952 383 33 9109513 * 30.;
#P newex 916 383 33 9109513 * 76.;
#P newex 874 383 39 9109513 * 122.;
#P newex 874 313 98 9109513 zmap 0. 127. 0. 1.;
#P newex 741 498 92 9109513 onepole~ 1800 Hz.;
#P newex 900 684 33 9109513 * 0.85;
#P newex 854 705 102 9109513 allpass~ 200 0. 0.38;
#P newex 1420 439 20 9109513 t b;
#P flonum 1257 663 80 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P flonum 1256 622 80 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P flonum 1257 578 80 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P flonum 1255 534 80 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P newex 1381 602 27 9109513 * 1.;
#P newex 1381 559 27 9109513 * 1.;
#P newex 1381 514 27 9109513 * 1.;
#P newex 1381 470 27 9109513 * 1.;
#P flonum 1104 341 80 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P newex 741 341 92 9109513 onepole~ 1800 Hz.;
#P newex 741 448 95 9109513 allpass~ 80 50. 0.2;
#P newex 741 472 95 9109513 allpass~ 80 50. 0.2;
#P newex 977 313 122 9109513 zmap 0. 127. 200. 8000.;
#P newex 1097 615 108 9109513 allpass~ 200 0. 0.63;
#P newex 1097 556 108 9109513 allpass~ 200 0. 0.72;
#P newex 1097 527 108 9109513 allpass~ 200 0. 0.75;
#P newex 741 522 45 9109513 *~ -0.3;
#P newex 741 424 65 9109513 tapout~ 130.;
#P newex 741 400 60 9109513 tapin~ 130.;
#P newex 1104 313 101 9109513 zmap 0. 127. 1. 76;
#P newex 1097 587 108 9109513 allpass~ 200 0. 0.662;
#P comment 998 766 64 9109513 feedback tap;
#P user panel 976 682 91 102;
#X brgb 181 255 178;
#X frgb 0 0 0;
#X border 0;
#X rounded 0;
#X shadow 0;
#X done;
#P user panel 1092 519 119 157;
#X brgb 181 255 178;
#X frgb 0 0 0;
#X border 0;
#X rounded 0;
#X shadow 0;
#X done;
#P user panel 737 384 124 201;
#X brgb 181 255 178;
#X frgb 0 0 0;
#X border 0;
#X rounded 0;
#X shadow 0;
#X done;
#P user panel 737 683 233 102;
#X brgb 181 255 178;
#X frgb 0 0 0;
#X border 0;
#X rounded 0;
#X shadow 0;
#X done;
#P user panel 737 590 233 83;
#X brgb 181 255 178;
#X frgb 0 0 0;
#X border 0;
#X rounded 0;
#X shadow 0;
#X done;
#P user panel 947 165 273 106;
#X brgb 181 255 178;
#X frgb 0 0 0;
#X border 0;
#X rounded 0;
#X shadow 0;
#X done;
#P newex 483 165 55 9109513 sig~ 0.707;
#P newex 625 165 39 9109513 sig~ 1.;
#P user gain~ 540 165 24 100 158 0 1.071519 7.94321 10.;
#P newex 23 801 33 9109513 *~ 0.;
#P user gain~ 583 166 24 100 158 0 1.071519 7.94321 10.;
#P newex 103 801 33 9109513 *~ 0.;
#P newex 65 836 27 9109513 +~;
#P newex 358 269 63 9109513 prepend set;
#P newex 287 269 63 9109513 prepend set;
#P newex 215 269 63 9109513 prepend set;
#P window linecount 2;
#P comment 429 179 28 9109513 yafr -2up;
#B color 7;
#P user hslider 215 229 18 128 128 1 0 8;
#P comment 360 227 75 9109513 high frequency rolloff;
#B color 12;
#P user hslider 215 201 18 128 128 1 0 8;
#P comment 360 196 92 9109513 reverb/early reflections balance;
#B color 12;
#P user hslider 215 175 18 128 128 1 0 8;
#P window linecount 1;
#P comment 360 175 60 9109513 reverb time;
#B color 12;
#P message 671 359 50 9109513 1.16;
#P window linecount 2;
#P comment 159 342 118 9109513 magic numbers for early reflection times.;
#P window linecount 1;
#P comment 168 652 73 9109513 early ref. mix;
#P window linecount 2;
#P comment 411 641 73 9109513 reverb tail: series allpass.;
#P window linecount 1;
#P comment 84 761 158 9109513 uncorrelators make stereo effect;
#P newex 603 615 28 9109513 !- 0.;
#P newex 603 574 27 9109513 + 0.;
#P window linecount 2;
#P comment 39 549 93 9109513 early refs: allpass in feedback.;
#P window linecount 1;
#P newex 396 435 160 9109513 expr cos($f1* .06283185) * 0.3;
#N counter 100;
#X flags 0 0;
#P newobj 396 414 66 9109513 counter 100;
#P newex 604 527 28 9109513 !- 0.;
#P newex 264 730 60 9109513 tapout~ 10.;
#P newex 264 710 54 9109513 tapin~ 10.;
#P newex 264 691 39 9109513 *~ 0.2;
#P newex 604 486 27 9109513 + 0.;
#P newex 396 393 50 9109513 metro 10;
#P newex 137 615 105 9109513 expr (1. - $f1) * 0.5;
#P newex 137 591 92 9109513 zmap 0. 127. 0. 1.;
#P newex 49 649 27 9109513 *~;
#P newex 19 649 27 9109513 *~;
#P newex 230 379 33 9109513 * 30.;
#P newex 194 379 33 9109513 * 76.;
#P newex 152 379 39 9109513 * 122.;
#P newex 152 309 98 9109513 zmap 0. 127. 0. 1.;
#P newex 19 494 92 9109513 onepole~ 1800 Hz.;
#P newex 652 429 20 9109513 t b;
#P flonum 671 379 45 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P flonum 511 656 80 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P flonum 510 615 80 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P flonum 511 571 80 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P flonum 509 527 80 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P newex 635 595 27 9109513 * 1.;
#P newex 635 552 27 9109513 * 1.;
#P newex 635 507 27 9109513 * 1.;
#P newex 635 463 27 9109513 * 1.;
#P flonum 382 337 80 9 0 0 0 139 0 0 0 221 221 221 222 222 222 0 0 0;
#P newex 19 337 92 9109513 onepole~ 1800 Hz.;
#P newex 19 444 95 9109513 allpass~ 80 50. 0.2;
#P newex 19 468 95 9109513 allpass~ 80 50. 0.2;
#P newex 255 309 122 9109513 zmap 0. 127. 200. 8000.;
#P newex 19 701 92 9109513 allpass~ 200 0. 0.35;
#P newex 375 611 108 9109513 allpass~ 200 0. 0.63;
#P newex 375 552 108 9109513 allpass~ 200 0. 0.72;
#P newex 375 523 108 9109513 allpass~ 200 0. 0.75;
#P newex 19 518 45 9109513 *~ -0.3;
#P newex 19 420 65 9109513 tapout~ 130.;
#P newex 19 396 60 9109513 tapin~ 130.;
#P newex 382 309 101 9109513 zmap 0. 127. 1. 76;
#P newex 375 583 108 9109513 allpass~ 200 0. 0.662;
#P comment 276 762 64 9109513 feedback tap;
#P user panel 254 678 91 102;
#X brgb 181 255 178;
#X frgb 0 0 0;
#X border 0;
#X rounded 0;
#X shadow 0;
#X done;
#P user panel 370 515 119 157;
#X brgb 181 255 178;
#X frgb 0 0 0;
#X border 0;
#X rounded 0;
#X shadow 0;
#X done;
#P user panel 15 380 124 201;
#X brgb 181 255 178;
#X frgb 0 0 0;
#X border 0;
#X rounded 0;
#X shadow 0;
#X done;
#P user panel 16 681 233 102;
#X brgb 181 255 178;
#X frgb 0 0 0;
#X border 0;
#X rounded 0;
#X shadow 0;
#X done;
#P user panel 15 586 233 83;
#X brgb 181 255 178;
#X frgb 0 0 0;
#X border 0;
#X rounded 0;
#X shadow 0;
#X done;
#P user panel 201 161 273 106;
#X brgb 181 255 178;
#X frgb 0 0 0;
#X border 0;
#X rounded 0;
#X shadow 0;
#X done;
#P comment 41 35 59 9109513 Long Decay;
#P connect 30 0 31 0;
#P fasten 30 0 22 1 676 460 657 460;
#P fasten 30 0 23 1 676 502 657 502;
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#P connect 20 0 10 0;
#P window clipboard copycount 164; 

From Loopers-Delight-request@loopers-delight.com  Sat Mar  1 18:22:05 2008
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Subject: Re: Using your USA gear in Europe (voltage adapter concerns)
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wonderful, thank you so much for this fast reply!

----- Original Message ----
From: Travis Hartnett <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Saturday, March 1, 2008 10:01:15 AM
Subject: Re: Using your USA gear in Europe (voltage adapter concerns)


If the power supply on your Behringer says what you're saying, then it sounds like an autoswitching supply, and you should be able to use just a plug addaptor.  And yes, the Mackie just needs to be set correctly and also have an adaptor.


On Sat, Mar 1, 2008 at 9:16 AM, margaret noble <margaretnoble2000@yahoo.com> wrote:

Long time no post!  But here I am :-) I have a gig in Vienna and I
don't want to blow up my gear. I am wondering if anyone has experience
using their hardware audio gear in countries with different voltage
circuits. In particular,



I have a Mac laptop purchased in the USA, I know it works with a
European power supply, all I have to do is put on an adapter and it
works.



But, I also have a Behringer B-Control Rotary BCR2000 midi controller.
I thought it was USB powered only but it needs to also use a power
supply. Its says: 100 - 240 V~ 50/60 Hz 15 W...



Can I just throw an adapter tip on that when I get to Vienna (or do I need some type of transformer?)



also I have a Mackie 1202-VLZ3 mixer, it has a switch in the back to go
from 100VAC or 120 VAC or 240 VAC, I am assuming that all I have to do
is adjust the switch to 240 and put an adapter tip on ?



BUT I AM SCARED! So, if anyone knows about this stuff, I would really appreciate the help!



Thanks So Much!



Margaret




      Never miss a thing.   Make Yahoo your homepage.












      ____________________________________________________________________________________
Looking for last minute shopping deals?  
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt"><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;">wonderful, thank you so much for this fast reply!<br><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;">----- Original Message ----<br>From: Travis Hartnett &lt;travishartnett@gmail.com&gt;<br>To: Loopers-Delight@loopers-delight.com<br>Sent: Saturday, March 1, 2008 10:01:15 AM<br>Subject: Re: Using your USA gear in Europe (voltage adapter concerns)<br><br>
If the power supply on your Behringer says what you're saying, then it sounds like an autoswitching supply, and you should be able to use just a plug addaptor.&nbsp; And yes, the Mackie just needs to be set correctly and also have an adaptor.<br>
<br><div class="gmail_quote">On Sat, Mar 1, 2008 at 9:16 AM, margaret noble &lt;<a rel="nofollow" ymailto="mailto:margaretnoble2000@yahoo.com" target="_blank" href="mailto:margaretnoble2000@yahoo.com">margaretnoble2000@yahoo.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><div>Long time no post!&nbsp; But here I am :-) I have a gig in Vienna and I
don't want to blow up my gear. I am wondering if anyone has experience
using their hardware audio gear in countries with different voltage
circuits. In particular,<br>
<br>
I have a Mac laptop purchased in the USA, I know it works with a
European power supply, all I have to do is put on an adapter and it
works.<br>
<br>
But, I also have a Behringer B-Control Rotary BCR2000 midi controller.
I thought it was USB powered only but it needs to also use a power
supply. Its says: 100 - 240 V~ 50/60 Hz 15 W...<br>
<br>
Can I just throw an adapter tip on that when I get to Vienna (or do I need some type of transformer?)<br>
<br>
also I have a Mackie 1202-VLZ3 mixer, it has a switch in the back to go
from 100VAC or 120 VAC or 240 VAC, I am assuming that all I have to do
is adjust the switch to 240 and put an adapter tip on ?<br>
<br>
BUT I AM SCARED! So, if anyone knows about this stuff, I would really appreciate the help!<br>
<br>
Thanks So Much!<br><font color="#888888">
<br>
Margaret</font></div></div><br><div class="WgoR0d">

      <hr size="1">Never miss a thing.  <a rel="nofollow" target="_blank" href="http://us.rd.yahoo.com/evt=51438/*http://www.yahoo.com/r/hs"> Make Yahoo your homepage.</a>

</div></div></blockquote></div><br>
</div><br></div></div><br>



      <hr size=1>Never miss a thing.  <a href="http://us.rd.yahoo.com/evt=51438/*http://www.yahoo.com/r/hs"> Make Yahoo your homepage.</a>

</body></html>
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From Loopers-Delight-request@loopers-delight.com  Sat Mar  1 19:24:10 2008
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Date: Sat, 1 Mar 2008 14:24:03 -0500
From: "Dennis Moser" <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RPM Files
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Even after reading the actual agreement (which, as you point out, Tim,
still gives me all rights on the music and was a licensing agreement
only), there was some verbiage from Mick about us not using the tracks
selected for other purposes while it was being considered for the
compilation. THAT gave me pause, in so far as I did not release any of
the other material from the 2007 RPM effort.

At this point, I feel not further need to keep any of the material
"off the market" and will be preparing the materials to be submitted
to Tunecore for regular release. Or I may just simply make it
available for free off of my website. There was some solid stuff in
that 2007 release and I am anxious to get it out to be heard and
enjoyed.

And yes, we were all being encouraged to purchase copies in support of
the project ... and that was the last I heard of the project. A pity,
in many ways.

So it goes. In the meantime, let's share and enjoy what we have done!

Dennis

On Sat, Mar 1, 2008 at 11:01 AM, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
> Tim I  was also on one  of those collections that Mick was putting together.
> The last  I heard was a pitch from him towards end of 07 encouraging all
> participatants to purchase a copy in support of the project.  That seemed
> strangely a bit much. Anyhow sounds like this pursuit has hit a wall...
>
> Jim
>
>
>
> On Sat, Mar 1, 2008 at 7:25 AM, Tim Nelson <psychle62@yahoo.com> wrote:
>
> > Hi Dennis,
> >
> > Yeah, I've got a track on one of last year's Starbucks
> > comps too; apparently what happened is that the
> > contact guy Mick had been corresponding with for
> > several months is no longer with the company, so he
> > had to start the whole process over again... I'm
> > guessing it's no longer going to happen.
> >
> > I don't see why it in any way held up your release,
> > though; the agreement with Mick is/was an inclusion
> > license thing, and you still retain all the rights to
> > your work. My 2007 RPM CD was on CDBaby before Mick
> > even started the comp project...
> >
> > -t-
> >
> >
> >
> >
> > --- Dennis Moser <sinsofmachaut@gmail.com> wrote:
> >
> > > Okay ... here ya go. They are FTP directories and
> > > the files are all
> > > covered by Creative Commons licenses:
> > >
> > > The 2008 RPM Challenge:
> > >
> > >             ftp://ftp.angrek.com/download/RPMK28/
> > >
> > > The 2007 RPM Challenge (which got tied up from
> > > release due to one
> > > track being used on a compilation CD that was
> > > supposed be distributed
> > > by Starbucks, but I never heard anymore about it!):
> > >
> > >              ftp://ftp.angrek.com/download/RPM2K7/
> > >
> > >
> > > Hope you enjoy.
> > >
> > > Dennis
> > >
> > >
> >
> >
> > http://www.myspace.com/nimbletunes
> > http://cdbaby.com/all/timnelson
> > http://www.youtube.com/speleman62
> >
> >
> >
> >
> ____________________________________________________________________________________
> > Never miss a thing.  Make Yahoo your home page.
> > http://www.yahoo.com/r/hs
> >
> >
>
>
>
> --
> The Acoustic World Guitar of Jim Goodin  - http://www.jimgoodinmusic.com
> MySpace (solo) - http://www.myspace.com/jimgoodinmusic
>  Chinapainting -
> http://www.chinapaintingmusic.com
> Chinapainting on My Space -
> http://www.myspace.com/chinapaintingmusic.com
>  The Jim Goodin label and home for 7 other creative souls -
> http://www.woodandwiremusic.com
> Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
> - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
> Publications, Inc. - http://www.melbay.com

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Hey Margaret,

I've performed safely many times in Europe AND I've blown up my gear,  
so I think I can tell you the worst that will happen...

All you need is a "step-down" transformer box.
- hardwire all your equipment into a power conditioner* or  
powerstrip* built into your rack (this is great for the US too,  
because then you only ever need one power outlet).
- plug the powerstrip or powerconditioner into the converter box
- determine how much power you need, 200W? 300W? and buy a step-down  
transformer that fits your needs. i just run loopers and a foot pedal  
so i use the 100W one, which is more than plenty. i have a Euro one  
and a UK one, but you can also just get a UK one and put Euro adaptor  
on the end i guess, or vice-versa.

-  this is the box i bring with me: VOD 100 step down transformer.  
http://www.voltage-converter-transformers.com/step-down-transformer.html

As for the worst that can happen....

in a coffee-deprived jet-lagged moment, I accidentally plugged my  
rack into 240 with just an adaptor* (NOT a transformer...) and  
everything went "poof!". It wasn't as bad as I thought it would be,  
yeah there was some blue smoke. I destroyed all my wall warts, but  
not the gear. It was the first time I've ever loved wall warts. The  
only piece of gear that was truly fried, was my FCB1010 pedal,  
because it is the only thing that uses a uni-power cable, and has no  
wall wart, so I toasted its innards.

I just replaced all my wall warts, although one (D-Tar Soltice  
Preamp) was difficult because it is a pretty specific voltage/ 
milliamp combo. I had to use a different Preamp.


You're right, digital gear, like a computer, or an Electrix Repeater,  
you can use on either voltage, with just an adaptor. All my gear is  
digital now, so I don't really need transformer anymore, just an  
adaptor, (except the FCB1010, which has a switchable fuse, so when I  
go over now I just turn the fuse around and use a Euro uni-cable).

notes:

*power conditioner = like a rack-mounted furman thing, which is  
really just a glorified powerstrip
*power strip = to save rack-space i have a powerstrip velcro'd into  
the back of my rack, everything plugs into there and i never have to  
unplug anything
* adaptor = this just changes the prong-size to fit the electrical  
sockets of the country you're in. it does not step-down the power!!

Did I answer your questions or just confuse you!?

Zoe


On Mar 1, 2008, at 9:16 AM, margaret noble wrote:

> Long time no post!  But here I am :-) I have a gig in Vienna and I  
> don't want to blow up my gear. I am wondering if anyone has  
> experience using their hardware audio gear in countries with  
> different voltage circuits. In particular,
>
> I have a Mac laptop purchased in the USA, I know it works with a  
> European power supply, all I have to do is put on an adapter and it  
> works.
>
> But, I also have a Behringer B-Control Rotary BCR2000 midi  
> controller. I thought it was USB powered only but it needs to also  
> use a power supply. Its says: 100 - 240 V~ 50/60 Hz 15 W...
>
> Can I just throw an adapter tip on that when I get to Vienna (or do  
> I need some type of transformer?)
>
> also I have a Mackie 1202-VLZ3 mixer, it has a switch in the back  
> to go from 100VAC or 120 VAC or 240 VAC, I am assuming that all I  
> have to do is adjust the switch to 240 and put an adapter tip on ?
>
> BUT I AM SCARED! So, if anyone knows about this stuff, I would  
> really appreciate the help!
>
> Thanks So Much!
>
> Margaret
>
> Never miss a thing. Make Yahoo your homepage.


--Apple-Mail-6-610198179
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=ISO-8859-1

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hey Margaret,=A0<div><br =
class=3D"webkit-block-placeholder"></div><div>I've performed safely many =
times in Europe AND I've blown up my gear, so I think I can tell you the =
worst that will happen...</div><div><br =
class=3D"webkit-block-placeholder"></div><div>All you need is a =
"step-down" transformer box.=A0</div><div>- hardwire all your equipment =
into a power conditioner* or powerstrip* built into your rack (this is =
great for the US too, because then you only ever need one power =
outlet).=A0</div><div>- plug the powerstrip or powerconditioner into the =
converter box</div><div>- determine how much power you need, 200W? 300W? =
and buy a step-down transformer that fits your needs. i just run loopers =
and a foot pedal so i use the 100W one, which is more than plenty. i =
have a Euro one and a UK one, but you can also just get a UK one and put =
Euro adaptor on the end i guess, or vice-versa.</div><div><br =
class=3D"webkit-block-placeholder"></div><div>- =A0this is the box i =
bring with me: VOD 100 step down transformer.=A0<a =
href=3D"http://www.voltage-converter-transformers.com/step-down-transforme=
r.html">http://www.voltage-converter-transformers.com/step-down-transforme=
r.html</a></div><div><br class=3D"webkit-block-placeholder"></div><div>As =
for the worst that can happen....</div><div><br =
class=3D"webkit-block-placeholder"></div><div>in a coffee-deprived =
jet-lagged moment, I accidentally plugged my rack into 240 with just an =
adaptor* (NOT a transformer...) and everything went "poof!". It wasn't =
as bad as I thought it would be, yeah there was some blue smoke. I =
destroyed all my wall warts, but not the gear. It was the first time =
I've ever loved wall warts. The only piece of gear that was truly fried, =
was my FCB1010 pedal, because it is the only thing that uses a uni-power =
cable, and has no wall wart, so I toasted its innards.</div><div><br =
class=3D"webkit-block-placeholder"></div><div>I just replaced all my =
wall warts, although one (D-Tar Soltice Preamp) was difficult because it =
is a pretty specific voltage/milliamp combo. I had to use a different =
Preamp.</div><div><br></div><div><br =
class=3D"webkit-block-placeholder"></div><div>You're right, digital =
gear, like a computer, or an Electrix Repeater, you can use on either =
voltage, with just an adaptor. All my gear is digital now, so I don't =
really need transformer anymore, just an adaptor, (except the FCB1010, =
which has a switchable fuse, so when I go over now I just turn the fuse =
around and use a Euro uni-cable).</div><div><br =
class=3D"webkit-block-placeholder"></div><div>notes:</div><div><br =
class=3D"webkit-block-placeholder"></div><div><div>*power conditioner =3D =
like a rack-mounted furman thing, which is really just a glorified =
powerstrip</div><div>*power strip =3D to save rack-space i have a =
powerstrip velcro'd into the back of my rack, everything plugs into =
there and i never have to unplug anything</div><div>* adaptor =3D this =
just changes the prong-size to fit the electrical sockets of the country =
you're in. it does not step-down the power!!</div><div><br =
class=3D"webkit-block-placeholder"></div><div>Did I answer your =
questions or just confuse you!?</div><div><br =
class=3D"webkit-block-placeholder"></div><div>Zoe</div><div><br =
class=3D"webkit-block-placeholder"></div></div><div><br =
class=3D"webkit-block-placeholder"></div><div><div><div>On Mar 1, 2008, =
at 9:16 AM, margaret noble wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"font-family: arial, =
helvetica, sans-serif; font-size: 10pt; margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Long =
time no post!=A0 But here I am :-) I have a gig in Vienna and I don't =
want to blow up my gear. I am wondering if anyone has experience using =
their hardware audio gear in countries with different voltage circuits. =
In particular,<br><br>I have a Mac laptop purchased in the USA, I know =
it works with a European power supply, all I have to do is put on an =
adapter and it works.<br><br>But, I also have a Behringer B-Control =
Rotary BCR2000 midi controller. I thought it was USB powered only but it =
needs to also use a power supply. Its says: 100 - 240 V~ 50/60 Hz 15 =
W...<br><br>Can I just throw an adapter tip on that when I get to Vienna =
(or do I need some type of transformer?)<br><br>also I have a Mackie =
1202-VLZ3 mixer, it has a switch in the back to go from 100VAC or 120 =
VAC or 240 VAC, I am assuming that all I have to do is adjust the switch =
to 240 and put an adapter tip on ?<br><br>BUT I AM SCARED! So, if anyone =
knows about this stuff, I would really appreciate the =
help!<br><br>Thanks So Much!<br><br>Margaret</div></div><br><hr =
size=3D"1">Never miss a thing.<span =
class=3D"Apple-converted-space">=A0</span><a =
href=3D"http://us.rd.yahoo.com/evt=3D51438/*http://www.yahoo.com/r/hs">Mak=
e Yahoo your =
homepage.</a></span></blockquote></div><br></div></body></html>=

--Apple-Mail-6-610198179--

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To: <Loopers-Delight@loopers-delight.com>
Subject: Re:Using your USA gear in Europe (voltage adapter concerns)
Date: Sat, 1 Mar 2008 17:21:47 -0600
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Played in Holland in November 2007 with a laptop and many pedals. Got a
radioshack transformer and a little power strip, put the laptop and gear
plugs into the power strip and the transformer after the powerstrip (after
calculating all my current needs together were within the ability of the
transformer.) Worked well, fit in computer bag. Newbie Brad
No virus found in this outgoing message.
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From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 01:21:32 2008
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On the Mackie mixer you might have to change the fuse (sometimes 
conveniently located next to the powerplug).
If the unit is switchable, switched or "autoswitch" and has a three 
prong receptacle all you
have to do is change the power chord to a Eurostyle (two round prongs 
and the ground is on the sides).
These should be available in any hardware, electrical supply, department 
store in Vienna or maybe you
can have someone get them for you beforehand. (When you go shopping look for
a "Kaufhaus", the "Haushaltswarenabteilung" and ask for "Netzkabel" or 
"Gerätekabel" they shouldn't cost more
than 3-5 Euro or less).  Other adapters and voltage converters sometimes 
will omit the ground and are not recommended for musical
instruments. The Mac as you said should be fine with the universal 
powersupply and the mac adapter.
Never use any of those hairdryer type transformers - they will blow 
nothing else but your equipment.

At 
http://www.international-electrical-supplies.com/austria-plug-adapters.html
you can see the type of plug used to get juice in most of Europe (WA-9).

Welcome and good luck in Europe

Christian Rover

www.christianrover.com

From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 10:45:37 2008
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Date: Sun, 2 Mar 2008 02:45:36 -0800 (PST)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: qualities of reverb
To: Loopers Delight <loopers-delight@loopers-delight.com>
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what about the old Roland SDE space delay and korg
proccessors,there were so many different models
anybody has experience with those units or a website
where i can read about them?
Luis



--- Tilmann Dehnhard <tilmann@dehnhard.com> wrote:

> yes, i also remember that reverb...
> it was looooooooooooooooooooooooong...
> 
> tilmann
> 
> ----- Original Message ----- 
> From: "Rick Walker" <looppool@cruzio.com>
> To: "LOOPERS DELIGHT (posting)"
> <Loopers-Delight@loopers-delight.com>
> Sent: Friday, February 29, 2008 12:54 PM
> Subject: RE: qualities of reverb
> 
> 
> > Duncan Goddard mentioned a trick with his trusty
> microverb:
> >
> > Which reminded me:
> >
> > The Alesis Midverb 2 had an infinite reverb in it
> that was just amazing. 
> > (patch #32 if memory serves)
> >
> > Eventually I had to upgrade my reverbs (with more
> Alesis and finally 
> > Lexicons)
> > but I have never heard an infinite reverb setting
> that was so musical as 
> > that
> > old archaic unit.   One of my favorite tricks when
> I was first doing lop
> >
> > The rest of the verbs were pretty pathetic,
> unfortuanately and the Alesis 
> > gear
> > just doesn't seem to last very long. 
> 
> 


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
Never miss a thing.  Make Yahoo your home page. 
http://www.yahoo.com/r/hs

From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 11:09:47 2008
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Date: Sun, 2 Mar 2008 03:09:46 -0800 (PST)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Using your USA gear in Europe (voltage adapter concerns)
To: Loopers-Delight@loopers-delight.com
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I am still amazed that furman and all of this power
conditioner companies dont make single "19" racks with
a voltage selector,or do they? please prove me wrong!
cheers
Luis


--- info at zoekeating <info@zoekeating.com> wrote:

> Hey Margaret,
> 
> I've performed safely many times in Europe AND I've
> blown up my gear,  
> so I think I can tell you the worst that will
> happen...
> 
> All you need is a "step-down" transformer box.
> - hardwire all your equipment into a power
> conditioner* or  
> powerstrip* built into your rack (this is great for
> the US too,  
> because then you only ever need one power outlet).
> - plug the powerstrip or powerconditioner into the
> converter box
> - determine how much power you need, 200W? 300W? and
> buy a step-down  
> transformer that fits your needs. i just run loopers
> and a foot pedal  
> so i use the 100W one, which is more than plenty. i
> have a Euro one  
> and a UK one, but you can also just get a UK one and
> put Euro adaptor  
> on the end i guess, or vice-versa.
> 
> -  this is the box i bring with me: VOD 100 step
> down transformer.  
>
http://www.voltage-converter-transformers.com/step-down-transformer.html
> 
> As for the worst that can happen....
> 
> in a coffee-deprived jet-lagged moment, I
> accidentally plugged my  
> rack into 240 with just an adaptor* (NOT a
> transformer...) and  
> everything went "poof!". It wasn't as bad as I
> thought it would be,  
> yeah there was some blue smoke. I destroyed all my
> wall warts, but  
> not the gear. It was the first time I've ever loved
> wall warts. The  
> only piece of gear that was truly fried, was my
> FCB1010 pedal,  
> because it is the only thing that uses a uni-power
> cable, and has no  
> wall wart, so I toasted its innards.
> 
> I just replaced all my wall warts, although one
> (D-Tar Soltice  
> Preamp) was difficult because it is a pretty
> specific voltage/ 
> milliamp combo. I had to use a different Preamp.
> 
> 
> You're right, digital gear, like a computer, or an
> Electrix Repeater,  
> you can use on either voltage, with just an adaptor.
> All my gear is  
> digital now, so I don't really need transformer
> anymore, just an  
> adaptor, (except the FCB1010, which has a switchable
> fuse, so when I  
> go over now I just turn the fuse around and use a
> Euro uni-cable).
> 
> notes:
> 
> *power conditioner = like a rack-mounted furman
> thing, which is  
> really just a glorified powerstrip
> *power strip = to save rack-space i have a
> powerstrip velcro'd into  
> the back of my rack, everything plugs into there and
> i never have to  
> unplug anything
> * adaptor = this just changes the prong-size to fit
> the electrical  
> sockets of the country you're in. it does not
> step-down the power!!
> 
> Did I answer your questions or just confuse you!?
> 
> Zoe
> 
> 
> On Mar 1, 2008, at 9:16 AM, margaret noble wrote:
> 
> > Long time no post!  But here I am :-) I have a gig
> in Vienna and I  
> > don't want to blow up my gear. I am wondering if
> anyone has  
> > experience using their hardware audio gear in
> countries with  
> > different voltage circuits. In particular,
> >
> > I have a Mac laptop purchased in the USA, I know
> it works with a  
> > European power supply, all I have to do is put on
> an adapter and it  
> > works.
> >
> > But, I also have a Behringer B-Control Rotary
> BCR2000 midi  
> > controller. I thought it was USB powered only but
> it needs to also  
> > use a power supply. Its says: 100 - 240 V~ 50/60
> Hz 15 W...
> >
> > Can I just throw an adapter tip on that when I get
> to Vienna (or do  
> > I need some type of transformer?)
> >
> > also I have a Mackie 1202-VLZ3 mixer, it has a
> switch in the back  
> > to go from 100VAC or 120 VAC or 240 VAC, I am
> assuming that all I  
> > have to do is adjust the switch to 240 and put an
> adapter tip on ?
> >
> > BUT I AM SCARED! So, if anyone knows about this
> stuff, I would  
> > really appreciate the help!
> >
> > Thanks So Much!
> >
> > Margaret
> >
> > Never miss a thing. Make Yahoo your homepage.
> 
> 


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 11:38:26 2008
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Date: Sun, 2 Mar 2008 03:38:25 -0800 (PST)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: late reply to: MULTI-EFFECTS & REVERB
To: Loopers-Delight@loopers-delight.com
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Hey Erdem,
Ive been also doing some research about getting a
multi fx units since i dont have one at the moment
with wild efx,from reading its manual i have the
feeling the line6 POD XT pro might be the one that
assimilates the delays with analog wild tweaking at
best,i dont know but the new units with only dedicated
echo delays and reverbs seem to be a bit boring since
they mostly lack any type of distortion/overdrive
which is essential in creating wildness along with
space echos.But hear it better from an expert ive
never tried this unit.The dealy section on the boss
GT-pro doesn´t seem very exciting either,but it would
be great to read about a comparison on the delay
section from both.
The again you can always simply get this little
boutique babies and go bananas:

http://www.youtube.com/watch?v=tXJ_VXuSn-8&feature=related

this is why i am also going boutique!
Luis




a small boutique would be the tonecore echopark from
line 6
--- Jeff Larson <jeff.larson@sailpoint.com> wrote:

> 
> 
> ________________________________
> From: Erdem Helvacioglu [mailto:erdemhel@tnn.net]
> Sent: Friday, February 29, 2008 12:17 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: late reply to: MULTI-EFFECTS & REVERB
> 
> hey,
> 
> i always need more effects :) just kidding....
> 
> i was just wondering if there are any interesting
> hardware multieffects units on the market besides
> the fireworx and eclipse. lately i am much more
> interested in boutique analog pedals like zvex
> ringtone, fuzz factory etc. i think i will try those
> soon.
> 
> as for micropog. i have recently bought in NY. i use
> it for pitch shifting the delay lines. for that
> effect, it is very good. but for chords it is pretty
> useless unfortunately. it has a very organ like
> sound which some of you may love or hate.
> 
> thanks a lot and best regards.
> 
> Erdem Helvacioglu
>
www.erdemhelvacioglu.com<http://www.erdemhelvacioglu.com>
>
www.myspace.com/erdemhelvacioglu<http://www.myspace.com/erdemhelvacioglu>
> * * * * * * * * * * * * * * * * * * * *
> "Altered Realities" album is out on New Albion
> Records:
> chosen as"Album of the year 2007" by All About Jazz
> Magazine
>
www.newalbion.com/NA131<http://www.newalbion.com/NA131>
>
www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=8-1/qid=1161162264/ref=pd_bbs_sr_1/002-0939524-3125629?ie=UTF8<http://www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=8-1/qid=1161162264/ref=pd_bbs_sr_1/002-0939524-3125629?ie=UTF8>
> ----- Original Message -----
> From: scott hansen<mailto:evanpeewee@yahoo.com>
> To:
>
Loopers-Delight@loopers-delight.com<mailto:Loopers-Delight@loopers-delight.com>
> Sent: Friday, February 29, 2008 6:59 PM
> Subject: OT: late reply to: MULTI-EFFECTS & REVERB
> 
> late reply-
> multi-effects-i will have to agree w/ someone who
> said: you have an eventide eclipse and lexicon
> mpx100 and tc fireworks--AND YOU NEED MORE EFFECTS?
> 
> i thought the eventides where the king of good weird
> effects? way out of my price range! my setup
> currently: (guitar or keyboard-)zoom g2-digitech
> rp150-digitech synthwah-boss dd20-(kustom 12 watt
> tube amp or direct to fostex mr8)...
> 
> my cheapo set up allows me to get normal sounds or
> anything pretty wacky if i need it. the zoom g2 has
> some interesting options w/ the ring mod, and then
> it splits the wahs/ring/phaser/tremolo before amp,
> and then gives you some other modulations options
> (chorus-pitch, etc) after, and there are possibility
> of having 3 different delays going (good if you are
> only using one effect devise)...so i think its a
> good sonic mangler, but i'm not sure if i'd say it
> would beat an eventide unit, i mean it does only
> cost 100$!
> 
> as for REVERBS: i have minimal experience w/ a lot
> of gear, i did like the reverbs on my digitech
> dsp256xl-it had a real 80's quality to it, but i
> liked that. had a lot of spacey sounds. i also liked
> my lexicon mpx100-thought the reverbs were good &
> all-UNTIL THE THING DIED ON ME!!!!. didn't like
> that. from what i've read, it appears that the folks
> who are masters of spacey reverb stuff (Torn, Fripp,
> et al) all seem to use either the highend Lexicon
> units or Eventide units.
> 
> the funny thing about this thread is i have been
> thinking about my reverb options-i like my
> multi-effect pedal options, but haven't been loving
> the reverb sounds in the units and have debated
> getting another rack unit for reverbs. just don't
> like the space they take up. and i've also been
> missing the option of reversing samples that my old
> dod d12 did so easy w/ the 6 sec samples. always
> searching i guess....
> s---
> 
> ________________________________
> Be a better friend, newshound, and know-it-all with
> Yahoo! Mobile. Try it
>
now.<http://us.rd.yahoo.com/evt=51733/*http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ>
> 


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 11:47:51 2008
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References: <268537.4969.qm@web38614.mail.mud.yahoo.com>
Subject: Re: qualities of reverb
Date: Sun, 2 Mar 2008 06:48:16 -0500
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Harmony Central is always good ;

http://reviews.harmony-central.com/reviews/Effects/product/Roland/SDE-330+Dimensional+Space+Delay/10/1

http://tinyurl.com/2ohnt8

I just googled it.

http://www.google.com/search?q=Roland+SDE+space+delay+&rls=com.microsoft:en-us:IE-SearchBox&ie=UTF-8&oe=UTF-8&sourceid=ie7&rlz=1I7GWYE

http://tinyurl.com/2q2puz



peace
           Jeff


----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: "Loopers Delight" <loopers-delight@loopers-delight.com>
Sent: Sunday, March 02, 2008 5:45 AM
Subject: Re: qualities of reverb


> what about the old Roland SDE space delay and korg
> proccessors,there were so many different models
> anybody has experience with those units or a website
> where i can read about them?
> Luis
>
>
>
> --- Tilmann Dehnhard <tilmann@dehnhard.com> wrote:
>
>> yes, i also remember that reverb...
>> it was looooooooooooooooooooooooong...
>>
>> tilmann
>>
>> ----- Original Message ----- 
>> From: "Rick Walker" <looppool@cruzio.com>
>> To: "LOOPERS DELIGHT (posting)"
>> <Loopers-Delight@loopers-delight.com>
>> Sent: Friday, February 29, 2008 12:54 PM
>> Subject: RE: qualities of reverb
>>
>>
>> > Duncan Goddard mentioned a trick with his trusty
>> microverb:
>> >
>> > Which reminded me:
>> >
>> > The Alesis Midverb 2 had an infinite reverb in it
>> that was just amazing.
>> > (patch #32 if memory serves)
>> >
>> > Eventually I had to upgrade my reverbs (with more
>> Alesis and finally
>> > Lexicons)
>> > but I have never heard an infinite reverb setting
>> that was so musical as
>> > that
>> > old archaic unit.   One of my favorite tricks when
>> I was first doing lop
>> >
>> > The rest of the verbs were pretty pathetic,
>> unfortuanately and the Alesis
>> > gear
>> > just doesn't seem to last very long.
>>
>>
>
>
> www.myspace.com/luisangulocom
>
>
> 
> ____________________________________________________________________________________
> Never miss a thing.  Make Yahoo your home page.
> http://www.yahoo.com/r/hs
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG Free Edition.
> Version: 7.5.516 / Virus Database: 269.21.3/1306 - Release Date: 3/1/2008 
> 5:41 PM
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 13:04:16 2008
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Subject: Oberheim Echoplex with footpanel at ebay starts with 1 Euro
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Hello, 

I sell my Oberheim Echoplex Digital Pro incl. footpanel and Manual at ebay starting with 1 Euro:

http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItem&item=330216423626

Hope it will find a good new home :-)

(Softwareversion is LD3)

best regards

dh




From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 13:32:51 2008
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: Terry Riley videos?
Date: Sun, 2 Mar 2008 12:45:38 +0100
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I'm looking for classic Terry Riley concert videos, anything solo where he
plays keyboards. Ideally stuff from the seventies or sixties. There is
nothing on Youtube except for tiny excerpts, but with such excerpts existing
(e.g. in http://uk.youtube.com/watch?v=rFgSRi4pMmQ), this could mean that
there are longer videos somewhere.

-Michael

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From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Using your USA gear in Europe (voltage adapter concerns)
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------=_Part_6119_4304093.1204468686612
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Furman makes a two space unit:

http://www.furmansound.com/product.php?div=01&id=AR-PRO

It weighs 50lbs, so your rack immediately goes into the overweight baggage
category when flying.

TH

On Sun, Mar 2, 2008 at 3:09 AM, L.A. Angulo <labaloops@yahoo.com> wrote:

> I am still amazed that furman and all of this power
> conditioner companies dont make single "19" racks with
> a voltage selector,or do they? please prove me wrong!
> cheers
> Luis
>
>
> --- info at zoekeating <info@zoekeating.com> wrote:
>
> > Hey Margaret,
> >
> > I've performed safely many times in Europe AND I've
> > blown up my gear,
> > so I think I can tell you the worst that will
> > happen...
> >
> > All you need is a "step-down" transformer box.
> > - hardwire all your equipment into a power
> > conditioner* or
> > powerstrip* built into your rack (this is great for
> > the US too,
> > because then you only ever need one power outlet).
> > - plug the powerstrip or powerconditioner into the
> > converter box
> > - determine how much power you need, 200W? 300W? and
> > buy a step-down
> > transformer that fits your needs. i just run loopers
> > and a foot pedal
> > so i use the 100W one, which is more than plenty. i
> > have a Euro one
> > and a UK one, but you can also just get a UK one and
> > put Euro adaptor
> > on the end i guess, or vice-versa.
> >
> > -  this is the box i bring with me: VOD 100 step
> > down transformer.
> >
> http://www.voltage-converter-transformers.com/step-down-transformer.html
> >
> > As for the worst that can happen....
> >
> > in a coffee-deprived jet-lagged moment, I
> > accidentally plugged my
> > rack into 240 with just an adaptor* (NOT a
> > transformer...) and
> > everything went "poof!". It wasn't as bad as I
> > thought it would be,
> > yeah there was some blue smoke. I destroyed all my
> > wall warts, but
> > not the gear. It was the first time I've ever loved
> > wall warts. The
> > only piece of gear that was truly fried, was my
> > FCB1010 pedal,
> > because it is the only thing that uses a uni-power
> > cable, and has no
> > wall wart, so I toasted its innards.
> >
> > I just replaced all my wall warts, although one
> > (D-Tar Soltice
> > Preamp) was difficult because it is a pretty
> > specific voltage/
> > milliamp combo. I had to use a different Preamp.
> >
> >
> > You're right, digital gear, like a computer, or an
> > Electrix Repeater,
> > you can use on either voltage, with just an adaptor.
> > All my gear is
> > digital now, so I don't really need transformer
> > anymore, just an
> > adaptor, (except the FCB1010, which has a switchable
> > fuse, so when I
> > go over now I just turn the fuse around and use a
> > Euro uni-cable).
> >
> > notes:
> >
> > *power conditioner = like a rack-mounted furman
> > thing, which is
> > really just a glorified powerstrip
> > *power strip = to save rack-space i have a
> > powerstrip velcro'd into
> > the back of my rack, everything plugs into there and
> > i never have to
> > unplug anything
> > * adaptor = this just changes the prong-size to fit
> > the electrical
> > sockets of the country you're in. it does not
> > step-down the power!!
> >
> > Did I answer your questions or just confuse you!?
> >
> > Zoe
> >
> >
> > On Mar 1, 2008, at 9:16 AM, margaret noble wrote:
> >
> > > Long time no post!  But here I am :-) I have a gig
> > in Vienna and I
> > > don't want to blow up my gear. I am wondering if
> > anyone has
> > > experience using their hardware audio gear in
> > countries with
> > > different voltage circuits. In particular,
> > >
> > > I have a Mac laptop purchased in the USA, I know
> > it works with a
> > > European power supply, all I have to do is put on
> > an adapter and it
> > > works.
> > >
> > > But, I also have a Behringer B-Control Rotary
> > BCR2000 midi
> > > controller. I thought it was USB powered only but
> > it needs to also
> > > use a power supply. Its says: 100 - 240 V~ 50/60
> > Hz 15 W...
> > >
> > > Can I just throw an adapter tip on that when I get
> > to Vienna (or do
> > > I need some type of transformer?)
> > >
> > > also I have a Mackie 1202-VLZ3 mixer, it has a
> > switch in the back
> > > to go from 100VAC or 120 VAC or 240 VAC, I am
> > assuming that all I
> > > have to do is adjust the switch to 240 and put an
> > adapter tip on ?
> > >
> > > BUT I AM SCARED! So, if anyone knows about this
> > stuff, I would
> > > really appreciate the help!
> > >
> > > Thanks So Much!
> > >
> > > Margaret
> > >
> > > Never miss a thing. Make Yahoo your homepage.
> >
> >
>
>
> www.myspace.com/luisangulocom
>
>
>
>  ____________________________________________________________________________________
> Looking for last minute shopping deals?
> Find them fast with Yahoo! Search.
> http://tools.search.yahoo.com/newsearch/category.php?category=shopping
>
>

------=_Part_6119_4304093.1204468686612
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Furman makes a two space unit:<br><br><a href="http://www.furmansound.com/product.php?div=01&amp;id=AR-PRO">http://www.furmansound.com/product.php?div=01&amp;id=AR-PRO</a><br><br>It weighs 50lbs, so your rack immediately goes into the overweight baggage category when flying.&nbsp; <br>
<br>TH<br><br><div class="gmail_quote">On Sun, Mar 2, 2008 at 3:09 AM, L.A. Angulo &lt;<a href="mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I am still amazed that furman and all of this power<br>
conditioner companies dont make single &quot;19&quot; racks with<br>
a voltage selector,or do they? please prove me wrong!<br>
cheers<br>
Luis<br>
<div><div></div><div class="Wj3C7c"><br>
<br>
--- info at zoekeating &lt;<a href="mailto:info@zoekeating.com">info@zoekeating.com</a>&gt; wrote:<br>
<br>
&gt; Hey Margaret,<br>
&gt;<br>
&gt; I&#39;ve performed safely many times in Europe AND I&#39;ve<br>
&gt; blown up my gear,<br>
&gt; so I think I can tell you the worst that will<br>
&gt; happen...<br>
&gt;<br>
&gt; All you need is a &quot;step-down&quot; transformer box.<br>
&gt; - hardwire all your equipment into a power<br>
&gt; conditioner* or<br>
&gt; powerstrip* built into your rack (this is great for<br>
&gt; the US too,<br>
&gt; because then you only ever need one power outlet).<br>
&gt; - plug the powerstrip or powerconditioner into the<br>
&gt; converter box<br>
&gt; - determine how much power you need, 200W? 300W? and<br>
&gt; buy a step-down<br>
&gt; transformer that fits your needs. i just run loopers<br>
&gt; and a foot pedal<br>
&gt; so i use the 100W one, which is more than plenty. i<br>
&gt; have a Euro one<br>
&gt; and a UK one, but you can also just get a UK one and<br>
&gt; put Euro adaptor<br>
&gt; on the end i guess, or vice-versa.<br>
&gt;<br>
&gt; - &nbsp;this is the box i bring with me: VOD 100 step<br>
&gt; down transformer.<br>
&gt;<br>
<a href="http://www.voltage-converter-transformers.com/step-down-transformer.html" target="_blank">http://www.voltage-converter-transformers.com/step-down-transformer.html</a><br>
&gt;<br>
&gt; As for the worst that can happen....<br>
&gt;<br>
&gt; in a coffee-deprived jet-lagged moment, I<br>
&gt; accidentally plugged my<br>
&gt; rack into 240 with just an adaptor* (NOT a<br>
&gt; transformer...) and<br>
&gt; everything went &quot;poof!&quot;. It wasn&#39;t as bad as I<br>
&gt; thought it would be,<br>
&gt; yeah there was some blue smoke. I destroyed all my<br>
&gt; wall warts, but<br>
&gt; not the gear. It was the first time I&#39;ve ever loved<br>
&gt; wall warts. The<br>
&gt; only piece of gear that was truly fried, was my<br>
&gt; FCB1010 pedal,<br>
&gt; because it is the only thing that uses a uni-power<br>
&gt; cable, and has no<br>
&gt; wall wart, so I toasted its innards.<br>
&gt;<br>
&gt; I just replaced all my wall warts, although one<br>
&gt; (D-Tar Soltice<br>
&gt; Preamp) was difficult because it is a pretty<br>
&gt; specific voltage/<br>
&gt; milliamp combo. I had to use a different Preamp.<br>
&gt;<br>
&gt;<br>
&gt; You&#39;re right, digital gear, like a computer, or an<br>
&gt; Electrix Repeater,<br>
&gt; you can use on either voltage, with just an adaptor.<br>
&gt; All my gear is<br>
&gt; digital now, so I don&#39;t really need transformer<br>
&gt; anymore, just an<br>
&gt; adaptor, (except the FCB1010, which has a switchable<br>
&gt; fuse, so when I<br>
&gt; go over now I just turn the fuse around and use a<br>
&gt; Euro uni-cable).<br>
&gt;<br>
&gt; notes:<br>
&gt;<br>
&gt; *power conditioner = like a rack-mounted furman<br>
&gt; thing, which is<br>
&gt; really just a glorified powerstrip<br>
&gt; *power strip = to save rack-space i have a<br>
&gt; powerstrip velcro&#39;d into<br>
&gt; the back of my rack, everything plugs into there and<br>
&gt; i never have to<br>
&gt; unplug anything<br>
&gt; * adaptor = this just changes the prong-size to fit<br>
&gt; the electrical<br>
&gt; sockets of the country you&#39;re in. it does not<br>
&gt; step-down the power!!<br>
&gt;<br>
&gt; Did I answer your questions or just confuse you!?<br>
&gt;<br>
&gt; Zoe<br>
&gt;<br>
&gt;<br>
&gt; On Mar 1, 2008, at 9:16 AM, margaret noble wrote:<br>
&gt;<br>
&gt; &gt; Long time no post! &nbsp;But here I am :-) I have a gig<br>
&gt; in Vienna and I<br>
&gt; &gt; don&#39;t want to blow up my gear. I am wondering if<br>
&gt; anyone has<br>
&gt; &gt; experience using their hardware audio gear in<br>
&gt; countries with<br>
&gt; &gt; different voltage circuits. In particular,<br>
&gt; &gt;<br>
&gt; &gt; I have a Mac laptop purchased in the USA, I know<br>
&gt; it works with a<br>
&gt; &gt; European power supply, all I have to do is put on<br>
&gt; an adapter and it<br>
&gt; &gt; works.<br>
&gt; &gt;<br>
&gt; &gt; But, I also have a Behringer B-Control Rotary<br>
&gt; BCR2000 midi<br>
&gt; &gt; controller. I thought it was USB powered only but<br>
&gt; it needs to also<br>
&gt; &gt; use a power supply. Its says: 100 - 240 V~ 50/60<br>
&gt; Hz 15 W...<br>
&gt; &gt;<br>
&gt; &gt; Can I just throw an adapter tip on that when I get<br>
&gt; to Vienna (or do<br>
&gt; &gt; I need some type of transformer?)<br>
&gt; &gt;<br>
&gt; &gt; also I have a Mackie 1202-VLZ3 mixer, it has a<br>
&gt; switch in the back<br>
&gt; &gt; to go from 100VAC or 120 VAC or 240 VAC, I am<br>
&gt; assuming that all I<br>
&gt; &gt; have to do is adjust the switch to 240 and put an<br>
&gt; adapter tip on ?<br>
&gt; &gt;<br>
&gt; &gt; BUT I AM SCARED! So, if anyone knows about this<br>
&gt; stuff, I would<br>
&gt; &gt; really appreciate the help!<br>
&gt; &gt;<br>
&gt; &gt; Thanks So Much!<br>
&gt; &gt;<br>
&gt; &gt; Margaret<br>
&gt; &gt;<br>
&gt; &gt; Never miss a thing. Make Yahoo your homepage.<br>
&gt;<br>
&gt;<br>
<br>
<br>
</div></div><a href="http://www.myspace.com/luisangulocom" target="_blank">www.myspace.com/luisangulocom</a><br>
<div class="WgoR0d"><br>
<br>
 &nbsp; &nbsp; &nbsp;____________________________________________________________________________________<br>
Looking for last minute shopping deals?<br>
Find them fast with Yahoo! Search. &nbsp;<a href="http://tools.search.yahoo.com/newsearch/category.php?category=shopping" target="_blank">http://tools.search.yahoo.com/newsearch/category.php?category=shopping</a><br>
<br>
</div></blockquote></div><br>

------=_Part_6119_4304093.1204468686612--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 15:11:36 2008
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Date: Sun, 2 Mar 2008 16:11:35 +0100
From: "Per Boysen" <perboysen@gmail.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
Subject: OT: question about how to connect active guitar pickups with batteries
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Hi,

I have two awesome Bill Lawrence active guitar pickups that I bought
in -88, and if course I can't find the paper manual to check out how I
shall connect them. I think they are humbuckers in a technical sense
but they fit into strat type single coil pickup holes. Anyway, the
difficult point is that these things need two 9 v batteries in order
to function and I'm just wondering if anyone knows right off the top
of your head where the plus vs minus pole of the pickups respective
both batteries should go? The toggle switch just makes too much noise
so I'm thinking about throwing it away and hard-solder the pickups
into the parallel position. A minute ago I was getting busy with this
but found that at least one of the batteries always gets almost as
warm as my soldering iron...

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 18:07:58 2008
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From: burnett@pobox.com
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To: Loopers-Delight@loopers-delight.com
Subject: Re: [LOOP] Re: My RPM record
In-Reply-To: <20080229074050.r65hwzt54444ks4w@webmail.mhorse.com>
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 <20080229074050.r65hwzt54444ks4w@webmail.mhorse.com>
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On Fri, 29 Feb 2008, highhorse@mhorse.com wrote:

> I also did a recording for RPM I'll be sharing soon, and I know Jim Goodin is 
> working on one. Anybody else crank out an album?

http://www.subscapeannex.com/rpmchallenge.html

Looping on all five tracks.

From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 18:33:50 2008
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Date: Sun, 2 Mar 2008 10:27:10 -0800 (PST)
From: stevenguerrero <mesquamacus@yahoo.com>
Subject: Re: [LOOP] Re: My RPM record
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I completed one as well. Unfortunatly I didn't get it
in the mail on time. A busy work week and a gig the
night before... yadda yadda. I do have one of the
unmastered tracks on myspace though.

--- burnett@pobox.com wrote:

> On Fri, 29 Feb 2008, highhorse@mhorse.com wrote:
> 
> > I also did a recording for RPM I'll be sharing
> soon, and I know Jim Goodin is 
> > working on one. Anybody else crank out an album?
> 
> http://www.subscapeannex.com/rpmchallenge.html
> 
> Looping on all five tracks.
> 
> 


 
  www.myspace.com/mesqua
  www.reverbnation.com/stevenguerrero



      ____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 18:36:27 2008
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Date: Sun, 2 Mar 2008 10:36:25 -0800 (PST)
From: bill bigrig <billbigrig@yahoo.com>
Subject: reverbs
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Howdy,

 The roland SRV-2000 goes out to 99 seconds and also
has infinite, with a foot switch jack. Very velvety,
smooyh, warm unit. I've got 4 and have used  them for
20 years. They have a"second page" you access on
start-up that let's you adjust all sorts of things to
affect wall surfaces, etc. Very advanced for a mid 80s
unit.
Rig


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From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 18:46:22 2008
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Date: Sun, 2 Mar 2008 10:46:21 -0800 (PST)
From: bill bigrig <billbigrig@yahoo.com>
Subject: reverbs
To: loopers-Delight@loopers-delight.com
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Howdy,

 When checking out Roland stuff, don't forget the
DEP-5 or 3 multi effects. same reverb as the SRV-2000
I beleive. The 5 has more features of course, but not
the 2nd page of the SRV. Still they have that velvety
smooth warmth. They came out just after the original
Alesis XT which has a nice aggressive sizzle to it, if
that's what your after. Very good  prices on E-bay. I
don't have any experience with the 3000 or 3030 but
might have to buy one to see if it's an improvement or
not. Coming out at the same time as the Yamaha
reverbs, it kind of got lost in the shuffle. Whenever
I mix a band using a sound company with Yamaha verbs,
any setting I use seems to come out with spring reverb
overtones to it. But there sure were a lot of PA
companies that had them, they were everywhere. Still
no comparison to the Roland 2000 IMHO.
Rig
Rig


      ____________________________________________________________________________________
Looking for last minute shopping deals?  
Find them fast with Yahoo! Search.  http://tools.search.yahoo.com/newsearch/category.php?category=shopping

From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 19:28:04 2008
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From: Toby Graves <carpet8@mac.com>
Subject: Re: OT: question about how to connect active guitar pickups with batteries
Date: Sun, 2 Mar 2008 11:24:38 -0800
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I think the battery will connect to a circuit board, not directly to  
the pickup wires.  Unless there's an actual circuit in the pickup  
that amplifies.


toby


On Mar 2, 2008, at 7:11 AM, Per Boysen wrote:

> Hi,
>
> I have two awesome Bill Lawrence active guitar pickups that I bought
> in -88, and if course I can't find the paper manual to check out how I
> shall connect them. I think they are humbuckers in a technical sense
> but they fit into strat type single coil pickup holes. Anyway, the
> difficult point is that these things need two 9 v batteries in order
> to function and I'm just wondering if anyone knows right off the top
> of your head where the plus vs minus pole of the pickups respective
> both batteries should go? The toggle switch just makes too much noise
> so I'm thinking about throwing it away and hard-solder the pickups
> into the parallel position. A minute ago I was getting busy with this
> but found that at least one of the batteries always gets almost as
> warm as my soldering iron...
>
> -- 
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 21:09:41 2008
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Date: Sun, 2 Mar 2008 22:09:40 +0100
From: "Per Boysen" <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: question about how to connect active guitar pickups with batteries
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These are the 18 volt active Bill Lawerence (neck + vintage bridge
model, I guess). If you're saying so they must have such a circuit
board built into the pick-ups. But what I'm asking is if someone
happens to have experience with these particular pick-ups? If not I
will have to start experimenting with batteries and pickups while
connected to the amp to hear in what configuration they make sound.

They have a very good sound BTW. I played with them yesterday, but
then I disconnected the guitar's electronics because I'm such a
disaster with the soldering gear so the switch (or whatever it was)
made crackling noises that destroyed the "glass distinct" string
attack of those pickups.

per



On Sun, Mar 2, 2008 at 8:24 PM, Toby Graves <carpet8@mac.com> wrote:
> I think the battery will connect to a circuit board, not directly to
>  the pickup wires.  Unless there's an actual circuit in the pickup
>  that amplifies.
>
>
>  toby
>
>
>
>
>  On Mar 2, 2008, at 7:11 AM, Per Boysen wrote:
>
>  > Hi,
>  >
>  > I have two awesome Bill Lawrence active guitar pickups that I bought
>  > in -88, and if course I can't find the paper manual to check out how I
>  > shall connect them. I think they are humbuckers in a technical sense
>  > but they fit into strat type single coil pickup holes. Anyway, the
>  > difficult point is that these things need two 9 v batteries in order
>  > to function and I'm just wondering if anyone knows right off the top
>  > of your head where the plus vs minus pole of the pickups respective
>  > both batteries should go? The toggle switch just makes too much noise
>  > so I'm thinking about throwing it away and hard-solder the pickups
>  > into the parallel position. A minute ago I was getting busy with this
>  > but found that at least one of the batteries always gets almost as
>  > warm as my soldering iron...
>  >
>  > --
>  > Greetings from Sweden
>  >
>  > Per Boysen
>  > www.boysen.se (Swedish)
>  > www.looproom.com (international)
>  >
>
>



-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: question about how to connect active guitar pickups with batteries
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Why not just email BL tomorrow?  They're still in business.

On Sun, Mar 2, 2008 at 1:09 PM, Per Boysen <perboysen@gmail.com> wrote:

> These are the 18 volt active Bill Lawerence (neck + vintage bridge
> model, I guess). If you're saying so they must have such a circuit
> board built into the pick-ups. But what I'm asking is if someone
> happens to have experience with these particular pick-ups? If not I
> will have to start experimenting with batteries and pickups while
> connected to the amp to hear in what configuration they make sound.
>
>
>

------=_Part_7173_33127087.1204492526483
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Why not just email BL tomorrow?&nbsp; They&#39;re still in business.<br><br><div class="gmail_quote">On Sun, Mar 2, 2008 at 1:09 PM, Per Boysen &lt;<a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
These are the 18 volt active Bill Lawerence (neck + vintage bridge<br>
model, I guess). If you&#39;re saying so they must have such a circuit<br>
board built into the pick-ups. But what I&#39;m asking is if someone<br>
happens to have experience with these particular pick-ups? If not I<br>
will have to start experimenting with batteries and pickups while<br>
connected to the amp to hear in what configuration they make sound.<br>
<br><br></blockquote></div><br>

------=_Part_7173_33127087.1204492526483--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  2 21:24:08 2008
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My latest CT projects birds/birds&men are available for download or 
review...

http://ct-collective.com/index.cfm?page=music

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From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: question about how to connect active guitar pickups with batteries
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> Why not just email BL tomorrow?  They're still in business.

I agree, Bill is a really nice guy.  He used to have his shop just
down the street from where I worked.  I got to chat with him once. A
bit hard of hearing these days. :)

http://www.billlawrence.com/
becky@billlawrence.com

On Sun, Mar 2, 2008 at 4:15 PM, Travis Hartnett
<travishartnett@gmail.com> wrote:
> Why not just email BL tomorrow?  They're still in business.
>
>
>
> On Sun, Mar 2, 2008 at 1:09 PM, Per Boysen <perboysen@gmail.com> wrote:
> > These are the 18 volt active Bill Lawerence (neck + vintage bridge
> > model, I guess). If you're saying so they must have such a circuit
> > board built into the pick-ups. But what I'm asking is if someone
> > happens to have experience with these particular pick-ups? If not I
> > will have to start experimenting with batteries and pickups while
> > connected to the amp to hear in what configuration they make sound.
> >
> >
> >
>
>



-- 
-==-=-=-
Tony

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From Loopers-Delight-request@loopers-delight.com  Mon Mar  3 08:04:08 2008
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Date: Mon, 03 Mar 2008 02:03:56 -0600
From: Daryl Shawn <highhorse@mhorse.com>
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To:  Loopers-Delight@loopers-delight.com
Subject: My RPM record, tooooo
References: <423115.17561.qm@web34503.mail.mud.yahoo.com>
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It's awesome how many took part in the RPM thing - Neil, Jim, Doug, 
Dennis, Tim, Steve, Steven...is that everyone? Bueller?

I finally have my own record on the Net in a convenient place, dig it 
here (the whole thing can be downloaded in a zip).

http://www.swanwelder.com/projects/rentintwain.htm

It's called "Rentintwain", my first solo looping recording. Acoustic 
guitar, and all loops done live with cassettes, a Tascam four-track with 
homemade loop tapes and a microcassette Panasonic dictating machine, my 
standard setup for quite some time now. I started with a pretty firm 
concept (entrapment, and trepanation as a metaphor), then improvised a 
bunch of stuff and whittled it down. In the end, it turned out to be a 
much noisier and less tonal project when compared to the looping I've 
done with Chinapainting...a bit hard on the ears, sometimes, but I'm 
very happy with it.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar  3 14:40:46 2008
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Date: Mon, 3 Mar 2008 09:40:45 -0500
From: "Tony K" <bigtonyk@gmail.com>
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Subject: Adrian loops
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http://line6.com/spiderjam/movies.html



-- 
-==-=-=-
Tony

From clark0becca@aol.com  Mon Mar  3 17:07:53 2008
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From: "Rebecca Clarkson"<clark0becca@aol.com>
Subject: Hope and Trust
Date: Mon, 3 Mar 2008 17.55.23 +0100
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To: undisclosed-recipients:;

I am 28 Female,Rebecca Clarkson (5'6) from Ohio,
United States of America. I lived with my Ex-Boyfriend
before I had a problem as a result of his misbehavior.
I've been having a problem with my Dad who i live with
but right now due to our differences, i have left the
United States for africa my Mom is from United Kingdom
but she`s late now. MY Dad works with Oil Contractors
in UK and Italy include some parts of the Asian and
American. I work with my father as his personal
auditor and we move around for his contracts whereever
he is awarded.
 
My first boy friend, Victor Glashow, absconded with my
dad's money which was kept with me after a completion
of a contract in EAST london,UK. When my boy friend
got absconded with the undisclosed sum of USdollars,
this brought the first brokeup between me and my dad,
cos he thought, we have the deal together, but not
knowing that I'm an innocent about this. So my dad has
been harsh and tough against me about this.
 
Then when I perceived all his behaviors towards me and
the bad acts of his newly gotten wife, i decided to
leave ohio to meet a friend in London in Uk whom have
meet during our stay there for a contract with N.P.C.
I left because my dad have been treating me bad and
stopped me from working with him even having any
access to his assets, and i felt no where to go than
to leave the states to search for an investment here.
Now, for you to know im not in the states now,  i left
 my personal room in my dad's house. My hope of
getting an investment here with the money is to no
avail or success.
 
Now, I'm in need of your help, have gotten the enuogh
money to run myself when I get to USA, i want to come
over to your end and stay with you for main time, I
don't want to live here anymore, you know I'm a
foreigner here and it is absolutely danger for me
here, so that is why i need your gesture assistance.
How i want you to help me? I have some money, which
I've gotten from an over invoiced Contract
renumeration executed by my dad with some contractors,
so I have taken up the money from the contractors, but
I'm hiding up from the girl I stayed with here in
barking, because i might got setup if they know i have
such huge amount of money (5,500,000.00$), so for me
to be more safe and secure, I put this money in a box
and got it locked up with a security code known to me
only, and I deposited the box with some of my
travelling luggages with a Security and Insurance
Company who render private diplomatic delivery service
and i told them that the two boxes are my travelling
luggage, which I want to send forth to U.S.A because
i'm returning home, then i paid them up their custody
and security fee.
 
So, I want the box sent to you while i catch up with
you as soon as it is been delivered to you while I pay
you up your Rent charge and a reasonable amount for
compensation, only 30% of the money in the box to you.
Every arrangement for the delivery is kinda perfect, I
have obtained customs papers for private freight and
there are seals on the box showing that it is a
private delivery and check performed, it is free from
customs checks, it will be delivered at your door step
by the diplomats of the security company, you do not
need to burn out to receive it. And the boxes have
security codes lock known to me only, only me can open
the boxes, except if I tell anyone the Code, so the
Boxes cannot be opened on the Way of delivery to you.
I couldn't stay with the boxes in the lodge because it
is not safe for me to do so, then I have to put it in
a Security and Insurance Company for safety.
 
Therefore, I want you to contact me as soon as
possible, so that you can make the Clearance from the
Security Company as the Recipient of my Boxes. And
once the box gets, I will be there with you, then we
can open the box together or i will tell you the code
to open it, so that you can arrange everything
properly before my arrival. Like I said, I will fulfil
my 30% promise of the money to you for your assistance
and we can meet for a better living. And I hope you
are for real about Helping .....
 
I will appreciate your trust towards this and hoping
to hear from you and to meet you inperson. Please,
kindly make your response to my email which you know
so that i can read your message easily and we can
proceed from there.

Thanks 
Rebecca

From Loopers-Delight-request@loopers-delight.com  Mon Mar  3 17:27:43 2008
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From: Jeremy devros <deafrose58@hotmail.com>
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Subject: RE: OT: Interesting research on brain activities of improvisers
Date: Mon, 3 Mar 2008 09:26:12 -0800
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--_c166cd48-65a1-4c45-9e8d-63f888500688_
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Interesting! I am not relaxed and focused at this exact moment however, I r=
ecall bringing this up w/ the abbot at the zen center where I practice--How=
 zazen and Buddhist mindfulness felt like the presence one feels when you t=
ravel to those wonderfully deep places of improvisation and creation.=20
Peace from Portland,
J.D.Devros
deafrose58

Date: Sat, 1 Mar 2008 12:44:27 +0100
From: perboysen@gmail.com
To: Loopers-Delight@loopers-delight.com
Subject: OT: Interesting research on brain activities of improvisers

I found this rather interesting:=20


Scientists funded by the National Institute on Deafness and Other Communica=
tion Disorders (NIDCD) have found that, when jazz musicians are engaged in =
the highly creative and spontaneous activity known as improvisation, a larg=
e region of the brain involved in monitoring one's performance is shut down=
, while a small region involved in organizing self-initiated thoughts and b=
ehaviors is highly activated.
Link to read more: http://createdigitalmusic.com/2008/02/29/the-real-ai-jaz=
z-factor-think-different/=20
I've always also filed meditation into the same type of brain activities. P=
articularly disciplines where you practice to stay relaxed and focused at t=
he same time - without falling asleep, lose concentration or wander astray =
along associational thoughts. But this article doesn't mention meditation.=
=20

--=20
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)



_________________________________________________________________
Helping your favorite cause is as easy as instant messaging.=A0You IM, we g=
ive.
http://im.live.com/Messenger/IM/Home/?source=3Dtext_hotmail_join=

--_c166cd48-65a1-4c45-9e8d-63f888500688_
Content-Type: text/html; charset="iso-8859-1"
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<html>
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{
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</head>
<body class=3D'hmmessage'>
Interesting! I am not relaxed and focused at this exact moment however, I r=
ecall bringing this up w/ the abbot at the zen center where I practice--How=
 zazen and Buddhist mindfulness felt like the presence one feels when you t=
ravel to those wonderfully deep places of improvisation and creation. <br>P=
eace from Portland,<br>J.D.Devros<br>deafrose58<br><br><blockquote><hr>Date=
: Sat, 1 Mar 2008 12:44:27 +0100<br>From: perboysen@gmail.com<br>To: Looper=
s-Delight@loopers-delight.com<br>Subject: OT: Interesting research on brain=
 activities of improvisers<br><br>I found this rather interesting:&nbsp;<br=
><br><blockquote class=3D"EC_gmail_quote" style=3D"border-left: 1px solid r=
gb(204, 204, 204); margin-right: 0px; margin-bottom: 0px; margin-left: 0.8e=
x; padding-left: 1ex;">
<span class=3D"EC_Apple-style-span" style=3D"font-family: Helvetica;">Scien=
tists funded by the National Institute on Deafness and Other Communication =
Disorders (NIDCD) have found that, when jazz musicians are engaged in the h=
ighly creative and spontaneous activity known as improvisation, a large reg=
ion of the brain involved in monitoring one's performance is shut down, whi=
le a small region involved in organizing self-initiated thoughts and behavi=
ors is highly activated.</span></blockquote>
<div><br class=3D"EC_webkit-block-placeholder"></div><div>Link to read more=
:&nbsp;</div><div><a href=3D"http://createdigitalmusic.com/2008/02/29/the-r=
eal-ai-jazz-factor-think-different/" target=3D"_blank">http://createdigital=
music.com/2008/02/29/the-real-ai-jazz-factor-think-different/</a>&nbsp;</di=
v>
<div><br class=3D"EC_webkit-block-placeholder"></div><div>I've always also =
filed meditation into the same type of brain activities. Particularly disci=
plines where you practice to stay relaxed and focused at the same time - wi=
thout falling asleep, lose concentration or wander astray along association=
al thoughts. But this article doesn't mention meditation.&nbsp;</div>
<div><br>-- <br>Greetings from Sweden<br><br>Per Boysen<br><a href=3D"http:=
//www.boysen.se" target=3D"_blank">www.boysen.se</a> (Swedish)<br><a href=
=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> (intern=
ational)<br><br></div>
</blockquote><br /><hr />Helping your favorite cause is as easy as instant =
messaging.=A0You IM, we give. <a href=3D'http://im.live.com/Messenger/IM/Ho=
me/?source=3Dtext_hotmail_join' target=3D'_new'>Learn more.</a></body>
</html>=

--_c166cd48-65a1-4c45-9e8d-63f888500688_--

From Loopers-Delight-request@loopers-delight.com  Mon Mar  3 19:49:58 2008
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Date: Mon, 3 Mar 2008 13:41:42 -0500 (EST)
Subject: RE: OT: Interesting research on brain activities of improvisers
From: mike@michaelplishka.com
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Cool!

Thanks Per!  I wonder if task that require pinpoint precision movement "on
the fly", such as fencing, or luging, etc. where one gets into a zone, 
light up the same areas as improvising in music...interesting indeed...

Plish


>
> Date: Sat, 1 Mar 2008 12:44:27 +0100
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: OT: Interesting research on brain activities of improvisers
>
> I found this rather interesting:
>
>
> Scientists funded by the National Institute on Deafness and Other
> Communication Disorders (NIDCD) have found that, when jazz musicians are
> engaged in the highly creative and spontaneous activity known as
> improvisation, a large region of the brain involved in monitoring one's
> performance is shut down, while a small region involved in organizing
> self-initiated thoughts and behaviors is highly activated.
> Link to read more:
> http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-factor-think-different/
> I've always also filed meditation into the same type of brain activities.
> Particularly disciplines where you practice to stay relaxed and focused at
> the same time - without falling asleep, lose concentration or wander
> astray along associational thoughts. But this article doesn't mention
> meditation.
>
> --
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>
>
>
> _________________________________________________________________
> Helping your favorite cause is as easy as instant messaging. You IM, we
> give.
> http://im.live.com/Messenger/IM/Home/?source=text_hotmail_join


From b_walter22@yahoo.fr  Mon Mar  3 20:46:58 2008
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Date: Mon,  3 Mar 2008 15:05:59 -0500
From: "Mr. Walter Brown" <b_walter22@yahoo.fr>
Reply-To: b.walter22@yahoo.fr
To: undisclosed-recipients: ;
Subject: HSBC BANK
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Good day,



I am Walter Brown, staff of International Private Banking at HSBC Bank. I a=
m
contacting you concerning a deceased customer and an investment he placed u=
nder
our banks management few years ago. I would respectfully request that you k=
eep
the contents of this mail confidential and respect the integrity of the
information you  come by as a result of this mail.


I contacted you independently of our investigation and no one is informed o=
f
this communication. I would like to intimate you with certain facts that I
believe would be of interest to you. In 2001, the subject matter came to ou=
r
bank to engage in business discussions with our private banking division. H=
e
informed us that he had a financial portfolio of  Forty Eight Million Three
Hundred And Fifty Thousand  United States Dollars ($48,350,000.00 USD) ,whi=
ch
he wished to have us turn over(invest) on his behalf. I was the  officer
assigned to his case, I was made numerous suggestions in line with my dutie=
s as
the de-facto chief operations officer of the private banking sector, especi=
ally
given the volume of funds he wished to put into our bank. We met on  numero=
us
occasions prior to any investments being placed. I encouraged him to consid=
er
various growth funds with prime ratings. The favored route in my advise to
customers is to start by assessing data on 6000 traditional stocks and bond
managers and 2000 managers of alternative investments. Based on my advice, =
We
spun the money around various opportunities and made attractive margins for=
 our
first months of operation, the  accrued profit and interest stood at this p=
oint
at over ten million United States Dollars, this margin was not the full
potential of the fund but he desired low risk guaranteed returns on
investments.



In mid 2002, he asked that the money be liquidated because he needed to mak=
e an
urgent investment requiring cash payments in here in the United Kingdom. He
directed that I liquidate the funds and deposit it with a security firm her=
e in
London. I informed him that HSBC would have to make special arrangements to
have this done and in order not to circumvent due process, the bank would h=
ave
to make a 9.5 % deduction from the funds to cater for banking and statutory
charges. He complained about the charges but later came around when I expla=
ined
to him the complexities of the task he was asking of us. Cash movement acro=
ss
boarders has become especially strict since the incidents of  9/11. I conta=
cted
my affiliate in here in London and made the funds available to the security
firm. I undertook all the processes and made sure I followed his precise
instructions to the letter and had the funds deposited at the London based
security consultancy firm, Corporate Securities Co. Corporate Securities Co=
 is
a specialist  private firm that accepts deposits from high net worth
individuals and blue chip corporations that handle valuable products or
undertake transactions that need immediate access to cash. This small and
highly private organization is familiar especially to the highly placed and
well-connected organizations. In line with Instructions, the money was
deposited with Corporate Securities Co. The deceased told me he wanted the
money  there in anticipation of his arrival from Norway later that week. Th=
is
was the last communication we had, this transpired around 25th June 2002. I=
n
June last year, we got a call from Corporate Securities Co informing us tha=
t
the activity of that particular portfolio. This was an astounding position =
as
far as I was concerned, given the fact that I managed the private banking
sector I was the only one who knew about the deposit at Corporate Securitie=
s
Co, and I could not understand why the deceased had not come forward to cla=
im
his deposit. I made futile efforts to locate the deceased. I immediately pa=
ssed
the task of locating him to the internal investigations department of HSBC.
Four days later, information started to trickle in, apparently our client w=
as
dead. A person who suited his description was declared dead of a heart atta=
ck
in Cannes, South of France.


We were soon enough able to identify the body and cause of death was confir=
med.
The bank immediately launched an investigation into possible surviving next=
 of
kin to alert about the situation and also to come forward to claim his esta=
te.
If you are familiar with private banking affairs, those who patronize our
services usually prefer anonymity, but also some levels of detachment from
conventional processes. In his bio-data form, he listed no next of kin. In =
the
field of private banking opening an account with us means no one will know =
of
its existence, accounts are rarely held under a name; depositors use number=
s
and codes to make the accounts anonymous. This bank also gives the choice t=
o
depositors of having their mail sent to them or held at the bank itself,
ensuring that there are no traces of the account and as I said, rarely do t=
hey
nominate next of kin.


Private banking clients apart from not nominating next of kin also usually =
in
most cases leave wills in our care, in this case; the deceased died without=
 a
testament .In line with our internal processes for account holders who have
passed away, we instituted our own Investigations in good faith to determin=
e
who should have right to claim the estate. This investigation has for the p=
ast
months been unfruitful. We have scanned every continent and used our privat=
e
investigation affiliate companies to get to the root of the problem. It is =
this
investigation that resulted in my being furnished with your details as a
possible relative of the deceased. My official capacity dictates that I am =
the
only party to supervise the investigation and the only party to receive the
results of the investigation. What this means, you being the last batch of
names we have considered, is that our dear late fellow died with no known o=
r
identifiable family member. This leaves me as the only person with the full
picture of what the prevailing situation is in relation to the deposit and =
the
late beneficiary of the deposit.


According to practice, Corporate Securities Co will by the end of this fina=
ncial
year broadcast a request for statements of claim to HSBC, failing to receiv=
e
viable claims they will most probably revert the deposit back to HSBC. This
will result in the money entering the HSBC accounting system and the portfo=
lio
will be out of my hands and out of the private banking division. This will =
not
happen if I have my way. What I wish to relate to you will smack of unethic=
al
practice but I want you to understand something. It is only an outsider to =
the
banking world who finds the internal politics of the banking world
aberrational.


The world of private banking especially is fraught with huge rewards for th=
ose
who occupy certain offices and oversee certain portfolios. You should have
begun by now to  put together the general direction of what I propose. I al=
one
have the deposit details and they will release the deposit to no one unless=
 I
instruct them to do so. I alone know of the existence of this deposit for a=
s
far as HSBC is concerned, the transaction with our late customer concluded =
when
I sent the funds to corporate securities, all outstanding interactions in
relation to the file are just customer services and due process. Corporate
Securities Co has no single idea of what the history or nature of the depos=
it.
They are simply awaiting; instructions to release the deposit to any party =
that
comes forward. This is the situation. This bank has spent great amounts of
money trying to track this mans family; they have investigated for months a=
nd
have found no family. The investigation has come to an end. My proposal; yo=
u
share similar details to the late fellow; I am prepared to place you in a
position to instruct Corporate Securities Co to release the deposit to you =
as
the closest surviving relation. Upon receipt of the deposit, I am prepared =
to
share the money with you in half. That is: I will simply nominate you as th=
e
next of kin and have them release the deposit to you. We share the proceeds
50/50.I would have gone ahead to ask the funds be released to me, but that
would have drawn a straight line to me and my involvement in claiming the
deposit. I assure you that I could have the deposit released to you within =
a
few days. I will simply inform the bank of the final closing of the file
relating to the deceased I will then officially communicate with Corporate
Securities Co and instruct them to release the deposit to you. With these t=
wo
things: all is done. The alternative would be for us to have Corporate
Securities Co direct the funds to another bank with you as account holder. =
This
way there will be no need for you to think of receiving the money from
Corporate Securities Co. We can fine-tune this based on our interactions. I=
 am
aware of the consequences of this proposal. I ask that if you find no inter=
est
in this project that you should discard this mail. I ask that you do not be
vindictive and destructive. If my offer is of no appeal to you, delete this
message and forget I ever contacted you. Do not destroy my career because y=
ou
do not approve of my proposal.


You may not know this but people like myself who have made tidy sums out of
comparable situations run the whole private banking sector. I am not a crim=
inal
and what I do, I do not find against good conscience, this may be hard for =
you
to understand, but the dynamics of my industry dictates that I make this mo=
ve.
Such opportunities only come ones' way once in a lifetime. I cannot let thi=
s
chance pass me by, for once I find myself in total control of my destiny. T=
hese
chances wont pass me by. I ask that you do not destroy my chance, if you wi=
ll
not work with me let me know and let me move on with my life but do not des=
troy
me. I am a family man and this is an opportunity to provide them with new
opportunities. There is a reward for this project and it is a task well wor=
th
undertaking. I have evaluated the risks and the only risk I have here is fr=
om
you refusing to work with me and alerting my bank. I am the only one who kn=
ows
of this situation, good fortune has blessed you with a name that has plante=
d
you into the center of relevance in my life. Let share the blessing. If you
find yourself able to work with me, contact me through this same email acco=
unt.
If you give me positive signals, I will initiate this process towards a
conclusion. I wish to inform you that should you contact me via official
channels; I will deny knowing you and about this project. I repeat, I do no=
t
want you contacting me through my official phone lines nor do I wouldn=92t =
you
contacting me through my official email account. Contact me only through th=
e
numbers I will provide for you and also through this email address. I do no=
t
want any direct link between you and me. My official lines are not secure l=
ines
as they are periodically monitored to assess our level of customer care in =
line
with our Total Quality Management Policy.


Please observe this instruction religiously. Please, again, note I am a fam=
ily
man, I have a wife and children. I send you this mail not without a measure=
 of
fear as to what the consequences, but I know within me that nothing venture=
d is
nothing gained and that success and riches never come easy or on a platter =
of
gold. This is the one truth I have learnt from my private banking clients. =
Do
not betray my confidence. If we can  be of one accord, we should plan a
meeting, soon.



I await your response.


Walter Brown.





----------------------------------------------------------------
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From Loopers-Delight-request@loopers-delight.com  Mon Mar  3 21:48:52 2008
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Date: Mon, 3 Mar 2008 13:48:50 -0800 (PST)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Using your USA gear in Europe (voltage adapter concerns)
To: Loopers-Delight@loopers-delight.com
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Thanx Travis but you know i am a real wimp,
this is more for real men like this one
http://pairwise.com/blog/wp-content/uploads/2006/08/arnold-schwarzenegger-big.jpg
Luis

<travishartnett@gmail.com> wrote:

> Furman makes a two space unit:
> 
>
http://www.furmansound.com/product.php?div=01&id=AR-PRO
> 
> It weighs 50lbs, so your rack immediately goes into
> the overweight baggage
> category when flying.
> 
> TH
> 
> On Sun, Mar 2, 2008 at 3:09 AM, L.A. Angulo
> <labaloops@yahoo.com> wrote:
> 
> > I am still amazed that furman and all of this
> power
> > conditioner companies dont make single "19" racks
> with
> > a voltage selector,or do they? please prove me
> wrong!
> > cheers
> > Luis
> >
> >
> > --- info at zoekeating <info@zoekeating.com>
> wrote:
> >
> > > Hey Margaret,
> > >
> > > I've performed safely many times in Europe AND
> I've
> > > blown up my gear,
> > > so I think I can tell you the worst that will
> > > happen...
> > >
> > > All you need is a "step-down" transformer box.
> > > - hardwire all your equipment into a power
> > > conditioner* or
> > > powerstrip* built into your rack (this is great
> for
> > > the US too,
> > > because then you only ever need one power
> outlet).
> > > - plug the powerstrip or powerconditioner into
> the
> > > converter box
> > > - determine how much power you need, 200W? 300W?
> and
> > > buy a step-down
> > > transformer that fits your needs. i just run
> loopers
> > > and a foot pedal
> > > so i use the 100W one, which is more than
> plenty. i
> > > have a Euro one
> > > and a UK one, but you can also just get a UK one
> and
> > > put Euro adaptor
> > > on the end i guess, or vice-versa.
> > >
> > > -  this is the box i bring with me: VOD 100 step
> > > down transformer.
> > >
> >
>
http://www.voltage-converter-transformers.com/step-down-transformer.html
> > >
> > > As for the worst that can happen....
> > >
> > > in a coffee-deprived jet-lagged moment, I
> > > accidentally plugged my
> > > rack into 240 with just an adaptor* (NOT a
> > > transformer...) and
> > > everything went "poof!". It wasn't as bad as I
> > > thought it would be,
> > > yeah there was some blue smoke. I destroyed all
> my
> > > wall warts, but
> > > not the gear. It was the first time I've ever
> loved
> > > wall warts. The
> > > only piece of gear that was truly fried, was my
> > > FCB1010 pedal,
> > > because it is the only thing that uses a
> uni-power
> > > cable, and has no
> > > wall wart, so I toasted its innards.
> > >
> > > I just replaced all my wall warts, although one
> > > (D-Tar Soltice
> > > Preamp) was difficult because it is a pretty
> > > specific voltage/
> > > milliamp combo. I had to use a different Preamp.
> > >
> > >
> > > You're right, digital gear, like a computer, or
> an
> > > Electrix Repeater,
> > > you can use on either voltage, with just an
> adaptor.
> > > All my gear is
> > > digital now, so I don't really need transformer
> > > anymore, just an
> > > adaptor, (except the FCB1010, which has a
> switchable
> > > fuse, so when I
> > > go over now I just turn the fuse around and use
> a
> > > Euro uni-cable).
> > >
> > > notes:
> > >
> > > *power conditioner = like a rack-mounted furman
> > > thing, which is
> > > really just a glorified powerstrip
> > > *power strip = to save rack-space i have a
> > > powerstrip velcro'd into
> > > the back of my rack, everything plugs into there
> and
> > > i never have to
> > > unplug anything
> > > * adaptor = this just changes the prong-size to
> fit
> > > the electrical
> > > sockets of the country you're in. it does not
> > > step-down the power!!
> > >
> > > Did I answer your questions or just confuse
> you!?
> > >
> > > Zoe
> > >
> > >
> > > On Mar 1, 2008, at 9:16 AM, margaret noble
> wrote:
> > >
> > > > Long time no post!  But here I am :-) I have a
> gig
> > > in Vienna and I
> > > > don't want to blow up my gear. I am wondering
> if
> > > anyone has
> > > > experience using their hardware audio gear in
> > > countries with
> > > > different voltage circuits. In particular,
> > > >
> > > > I have a Mac laptop purchased in the USA, I
> know
> > > it works with a
> > > > European power supply, all I have to do is put
> on
> > > an adapter and it
> > > > works.
> > > >
> > > > But, I also have a Behringer B-Control Rotary
> > > BCR2000 midi
> > > > controller. I thought it was USB powered only
> but
> > > it needs to also
> > > > use a power supply. Its says: 100 - 240 V~
> 50/60
> > > Hz 15 W...
> > > >
> > > > Can I just throw an adapter tip on that when I
> get
> > > to Vienna (or do
> > > > I need some type of transformer?)
> > > >
> > > > also I have a Mackie 1202-VLZ3 mixer, it has a
> > > switch in the back
> > > > to go from 100VAC or 120 VAC or 240 VAC, I am
> > > assuming that all I
> > > > have to do is adjust the switch to 240 and put
> an
> > > adapter tip on ?
> > > >
> > > > BUT I AM SCARED! So, if anyone knows about
> this
> > > stuff, I would
> > > > really appreciate the help!
> > > >
> > > > Thanks So Much!
> > > >
> > > > Margaret
> > > >
> > > > Never miss a thing. Make Yahoo your homepage.
> > >
> > >
> >
> >
> > www.myspace.com/luisangulocom
> >
> >
> >
> > 
>
____________________________________________________________________________________
> > Looking for last minute shopping deals?
> > Find them fast with Yahoo! Search.
> >
>
http://tools.search.yahoo.com/newsearch/category.php?category=shopping
> >
> >
> 
=== message truncated ===


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile.  Try it now.  http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ 

From Loopers-Delight-request@loopers-delight.com  Mon Mar  3 21:54:46 2008
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Date: Mon, 03 Mar 2008 16:51:25 -0500
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Re: OT: Interesting research on brain activities of improvisers
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Thanks for the great link.

At 12:44 PM +0100 3/1/08, Per Boysen wrote:
>I found this rather interesting: 
>
>Scientists funded by the National Institute on Deafness and Other 
>Communication Disorders (NIDCD) have found that, when jazz musicians 
>are engaged in the highly creative and spontaneous activity known as 
>improvisation, a large region of the brain involved in monitoring 
>one's performance is shut down, while a small region involved in 
>organizing self-initiated thoughts and behaviors is highly activated.
>
>
>Link to read more:
><http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-factor-think-different/>http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-factor-think-different/
>
>I've always also filed meditation into the same type of brain 
>activities. Particularly disciplines where you practice to stay 
>relaxed and focused at the same time - without falling asleep, lose 
>concentration or wander astray along associational thoughts. But 
>this article doesn't mention meditation.
>
>--
>Greetings from Sweden
>
>Per Boysen
><http://www.boysen.se>www.boysen.se (Swedish)
><http://www.looproom.com>www.looproom.com (international)


-- 

"The test of a first-rate intelligence is the ability to hold two 
opposed ideas in the mind at the same time, and still retain the 
ability to function."

F. Scott Fitzgerald


		Emile Tobenfeld, Ph. D.
Video Producer and Digital Photographer	Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

From Loopers-Delight-request@loopers-delight.com  Mon Mar  3 22:23:34 2008
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Date: Mon, 3 Mar 2008 14:23:33 -0800 (PST)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: qualities of reverb
To: Loopers-Delight@loopers-delight.com
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Thanx jeff,i was specially interested in the Roland
SDE-330, i did read the HC review which is quite short
but wanted to hear it from loopers.I am also
interested in new units that have the shimmer synth
like effect like the old digitech dhp units ( i
thinkthe edge uses one)and i believe they had up to a
5 part harmony,do any of the new units(except
eventide)have that cool effect?
cheers
Luis



--- Jeff Duke <echohead@embarqmail.com> wrote:

> Harmony Central is always good ;
> 
>
http://reviews.harmony-central.com/reviews/Effects/product/Roland/SDE-330+Dimensional+Space+Delay/10/1
> 
> http://tinyurl.com/2ohnt8
> 
> I just googled it.
> 
>
http://www.google.com/search?q=Roland+SDE+space+delay+&rls=com.microsoft:en-us:IE-SearchBox&ie=UTF-8&oe=UTF-8&sourceid=ie7&rlz=1I7GWYE
> 
> http://tinyurl.com/2q2puz
> 
> 
> 
> peace
>            Jeff
> 
> 
> ----- Original Message ----- 
> From: "L.A. Angulo" <labaloops@yahoo.com>
> To: "Loopers Delight"
> <loopers-delight@loopers-delight.com>
> Sent: Sunday, March 02, 2008 5:45 AM
> Subject: Re: qualities of reverb
> 
> 
> > what about the old Roland SDE space delay and korg
> > proccessors,there were so many different models
> > anybody has experience with those units or a
> website
> > where i can read about them?
> > Luis
> >
> >
> >
> > --- Tilmann Dehnhard <tilmann@dehnhard.com> wrote:
> >
> >> yes, i also remember that reverb...
> >> it was looooooooooooooooooooooooong...
> >>
> >> tilmann
> >>
> >> ----- Original Message ----- 
> >> From: "Rick Walker" <looppool@cruzio.com>
> >> To: "LOOPERS DELIGHT (posting)"
> >> <Loopers-Delight@loopers-delight.com>
> >> Sent: Friday, February 29, 2008 12:54 PM
> >> Subject: RE: qualities of reverb
> >>
> >>
> >> > Duncan Goddard mentioned a trick with his
> trusty
> >> microverb:
> >> >
> >> > Which reminded me:
> >> >
> >> > The Alesis Midverb 2 had an infinite reverb in
> it
> >> that was just amazing.
> >> > (patch #32 if memory serves)
> >> >
> >> > Eventually I had to upgrade my reverbs (with
> more
> >> Alesis and finally
> >> > Lexicons)
> >> > but I have never heard an infinite reverb
> setting
> >> that was so musical as
> >> > that
> >> > old archaic unit.   One of my favorite tricks
> when
> >> I was first doing lop
> >> >
> >> > The rest of the verbs were pretty pathetic,
> >> unfortuanately and the Alesis
> >> > gear
> >> > just doesn't seem to last very long.
> >>
> >>
> >
> >
> > www.myspace.com/luisangulocom
> >
> >
> > 
> >
>
____________________________________________________________________________________
> > Never miss a thing.  Make Yahoo your home page.
> > http://www.yahoo.com/r/hs
> >
> >
> >
> > -- 
> > No virus found in this incoming message.
> > Checked by AVG Free Edition.
> > Version: 7.5.516 / Virus Database: 269.21.3/1306 -
> Release Date: 3/1/2008 
> > 5:41 PM
> >
> > 
> 
> 


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile.  Try it now.  http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ 

From Loopers-Delight-request@loopers-delight.com  Mon Mar  3 22:59:08 2008
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Subject: RE: OT: Interesting research on brain activities of improvisers
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Yeah Per - I'm a long time lurker/occasional poster and I always find
your posts incredibly interesting/helpful and informative.

I sent this link through to my Keyboardist in The Soldiers Of Fortune
who is also doing his PhD in Psychology - something to do with pattern
recognition/memory and music.=20

He found it very interesting and had a few comments which I've pasted
below as some of you on the list may find them interesting as well:

"Ah yes, I've heard about this. I haven't read the study, I'll have to
find it and be more informed about exactly what was happening - lots of
times media coverage of these  things misses the point or gets things
wrong, etc.

However, it does seem more or less intuitively right to me, with some
disclaimers:=20

Firstly, improvisation isn't really as improvised as people like to
believe - most improvisers have a bunch of licks they play, which they
know more or less well. Often it's things they know intuitively rather
than consciously, but they're there.=20

[I have themes and things that I tend to use in Sliced Bread in
particular songs - I don't have solos planned...though with the Soldiers
of Fortune in improvisations and jams I really would make it up as I
went along, feed off others - maybe that's something the study missed -
the fact that improvisation happens in a group, and that would alter the
way things work.]

Secondly, the other thing is that brain imaging studies like the one I
presume they used are temporally pretty poor in resolution, but
spatially pretty good - it's hard to figure out at which points in the
improvisation bits of the brain were being used, etc etc. e.g., you
might find that someone inhibits the monitoring process at the start of
a phrase, but doesn't at the end of a phrase.

Tim."

-----Original Message-----
From: Emile Tobenfeld (a.k.a Dr. T) [mailto:emile@foryourhead.com]=20
Sent: Tuesday, 4 March 2008 8:51 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Interesting research on brain activities of improvisers

Thanks for the great link.

At 12:44 PM +0100 3/1/08, Per Boysen wrote:
>I found this rather interesting:=20
>
>Scientists funded by the National Institute on Deafness and Other=20
>Communication Disorders (NIDCD) have found that, when jazz musicians=20
>are engaged in the highly creative and spontaneous activity known as=20
>improvisation, a large region of the brain involved in monitoring one's

>performance is shut down, while a small region involved in organizing=20
>self-initiated thoughts and behaviors is highly activated.
>
>
>Link to read more:
><http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-factor-think
>-different/>http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-f
>actor-think-different/
>
>I've always also filed meditation into the same type of brain=20
>activities. Particularly disciplines where you practice to stay relaxed

>and focused at the same time - without falling asleep, lose=20
>concentration or wander astray along associational thoughts. But this=20
>article doesn't mention meditation.
>
>--
>Greetings from Sweden
>
>Per Boysen
><http://www.boysen.se>www.boysen.se (Swedish)=20
><http://www.looproom.com>www.looproom.com (international)


--=20

"The test of a first-rate intelligence is the ability to hold two
opposed ideas in the mind at the same time, and still retain the ability
to function."

F. Scott Fitzgerald


		Emile Tobenfeld, Ph. D.
Video Producer and Digital Photographer	Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

My photography can be viewed at
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/


************** IMPORTANT MESSAGE *****************************      =20
This e-mail message is intended only for the addressee(s) and contains info=
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From Loopers-Delight-request@loopers-delight.com  Mon Mar  3 23:09:57 2008
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: Using your USA gear in Europe (voltage adapter concerns)
Date: Tue, 4 Mar 2008 00:10:37 +0100
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Hi Margaret (and everyone here),

I have not dealt with your actual problem but with the symmetrical =
version of it (using German gear in the U.S.). Summarizing my =
experiences, I have found the following.

Most of the gear you will be using is low power and will be using =
low-voltage DC current internally. That means you normally have not to =
deal with the problem of 50 vs. 60 Hz at all. A possible exception are =
highly-optimized power amplifiers - check your manual for those.

I would classify gear in the following scheme:

I. GEAR WITH INTERNAL POWER SUPPLY
a) gear which adapts automatically to 100-240V and 50/60Hz (e.g. =
Behringer BCF/BCR, Eventide Eclipse...)
b) gear which has some sort of switch to switch between 110 and 230 =
(e.g. Behringer FCB1010)
c) gear which will only work with one kind of voltage

II. GEAR WITH EXTERNAL POWER SUPPLY
a) gear with a power supply which automatically adapts (e.g. all =
laptops)
c) gear with a power supply which only works with one kind of voltage =
(e.g. Presonus Firebox)

Strategy:
It's obvious that you won't have problems with I.a) and II.a) at all. =
I.b) can also be used iff you remember to switch to 230V when you go to =
Europe (I believe Zoe once killed a FCB1010 when she forgot to do so), =
so defining a clear checklist for your "gear preparation for Europe" is =
a good thing.

II.c) usually can be dealt with by finding an external power supply =
which delievers the correct output voltage (or can be configured to do =
so) and is an "adapting" power supply (usually so-called SPS). When I =
toured to the U.S. the first time, I got some of those for my stompboxes =
and also for my Firebox - they cost about =E2=82=AC5-7 apiece. A place =
to look for those would be either something like RadioShack or a store =
which sells laptop accessories. Important figures:
	* output voltage: usually selectable, but it needs to be able to supply =
the voltage your gear requires. Usually, this is mentioned in your =
gear's documentation.
	* power rating: again, the power rating (in mA or A) needs to be equal =
or bigger than the power rating of the device you're using it for. =
Again, consult your manual.
	* plugs: those universal power supplies usually come with a selection =
of plugs that fit in any of those devices which have a "normal" =
connector (i.e. round - either like a mini headphone jack or cylindrical =
with a hole in the middle).
	* polarity. Polarity is indicated usually either on your gear or on its =
power supply, and your new power supply needs to match it.

Note that those devices which have a very "peculiar" plug need to be =
treated according to I.c) below, unless you want to start making your =
own power leads.
Also note that with your new power supply, you can also operate your =
gear in the U.S. Fail-safe

ATTENTION: By using the wrong (too high) voltage or by using wrong =
polarity, it's possible to damage your gear. If you're unsure, ask the =
tech guy of your choice.

I.c) these are the ones with the biggest problem. As somebody already =
mentioned, you need a special external transformer for them which will =
transform 230V to 110V. There are special devices sold for this purpose =
- the important figure is again the power rating: the power rating of =
the transformer needs to be higher or equal to the total power rating of =
all the devices you're connecting.


As a computer-based musician with a stompbox backup rig, I'm happy to =
say that most of my setup is nearly completely foolproof to this regard. =
The stompboxes (DD20, G2.1u - in the future perhaps also EH SMM =
w/Hazari) have SPSs, as has the audio interface. The laptop has a SPS =
from the start, as has the BCR2000. The only weak point is the FCB1010 - =
I always have to remember to switch back to 230V before returning to =
Germany.

Hope this helps,

	Rainer

From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 02:43:12 2008
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Subject: RE: OT: Interesting research on brain activities of improvisers
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Coincidentally, I am currently reading "This is You Brain on Music" by Daniel J
Levitin, who runs the Laboratory for Musical Perception, Cognition and
Expertise at McGill University. I just started it a few days ago, but I am
enjoying it thus far.. :)

peace
-cpr

Quoting "Sowonja, Tomson" <tomson.sowonja@cba.com.au>:

> Yeah Per - I'm a long time lurker/occasional poster and I always find
> your posts incredibly interesting/helpful and informative.
> 
> I sent this link through to my Keyboardist in The Soldiers Of Fortune
> who is also doing his PhD in Psychology - something to do with pattern
> recognition/memory and music. 
> 
> He found it very interesting and had a few comments which I've pasted
> below as some of you on the list may find them interesting as well:
> 
> "Ah yes, I've heard about this. I haven't read the study, I'll have to
> find it and be more informed about exactly what was happening - lots of
> times media coverage of these  things misses the point or gets things
> wrong, etc.
> 
> However, it does seem more or less intuitively right to me, with some
> disclaimers: 
> 
> Firstly, improvisation isn't really as improvised as people like to
> believe - most improvisers have a bunch of licks they play, which they
> know more or less well. Often it's things they know intuitively rather
> than consciously, but they're there. 
> 
> [I have themes and things that I tend to use in Sliced Bread in
> particular songs - I don't have solos planned...though with the Soldiers
> of Fortune in improvisations and jams I really would make it up as I
> went along, feed off others - maybe that's something the study missed -
> the fact that improvisation happens in a group, and that would alter the
> way things work.]
> 
> Secondly, the other thing is that brain imaging studies like the one I
> presume they used are temporally pretty poor in resolution, but
> spatially pretty good - it's hard to figure out at which points in the
> improvisation bits of the brain were being used, etc etc. e.g., you
> might find that someone inhibits the monitoring process at the start of
> a phrase, but doesn't at the end of a phrase.
> 
> Tim."
> 
> -----Original Message-----
> From: Emile Tobenfeld (a.k.a Dr. T) [mailto:emile@foryourhead.com] 
> Sent: Tuesday, 4 March 2008 8:51 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT: Interesting research on brain activities of improvisers
> 
> Thanks for the great link.
> 
> At 12:44 PM +0100 3/1/08, Per Boysen wrote:
> >I found this rather interesting: 
> >
> >Scientists funded by the National Institute on Deafness and Other 
> >Communication Disorders (NIDCD) have found that, when jazz musicians 
> >are engaged in the highly creative and spontaneous activity known as 
> >improvisation, a large region of the brain involved in monitoring one's
> 
> >performance is shut down, while a small region involved in organizing 
> >self-initiated thoughts and behaviors is highly activated.
> >
> >
> >Link to read more:
> ><http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-factor-think
> >-different/>http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-f
> >actor-think-different/
> >
> >I've always also filed meditation into the same type of brain 
> >activities. Particularly disciplines where you practice to stay relaxed
> 
> >and focused at the same time - without falling asleep, lose 
> >concentration or wander astray along associational thoughts. But this 
> >article doesn't mention meditation.
> >
> >--
> >Greetings from Sweden
> >
> >Per Boysen
> ><http://www.boysen.se>www.boysen.se (Swedish) 
> ><http://www.looproom.com>www.looproom.com (international)
> 
> 
> -- 
> 
> "The test of a first-rate intelligence is the ability to hold two
> opposed ideas in the mind at the same time, and still retain the ability
> to function."
> 
> F. Scott Fitzgerald
> 
> 
> 		Emile Tobenfeld, Ph. D.
> Video Producer and Digital Photographer	Image Processing Specialist
> Video for your HEAD!			Boris FX
> http://www.foryourhead.com		http://www.borisfx.com
> 
> My photography can be viewed at
> http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/
> 
> 
> ************** IMPORTANT MESSAGE *****************************       
> This e-mail message is intended only for the addressee(s) and contains
> information which may be
> confidential. 
> If you are not the intended recipient please advise the sender by return
> email, do not use or
> disclose the contents, and delete the message and any attachments from your
> system. Unless
> specifically indicated, this email does not constitute formal advice or
> commitment by the sender
> or the Commonwealth Bank of Australia (ABN 48 123 123 124) or its
> subsidiaries. 
> We can be contacted through our web site: commbank.com.au. 
> If you no longer wish to receive commercial electronic messages from us,
> please reply to this
> e-mail by typing Unsubscribe in the subject line. 
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> 
> 
> 
> 




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From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 03:34:29 2008
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Subject: Re: OT: Interesting research on brain activities of improvisers
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so am i! i'm liking it, but i wish it was a bit more in depth. he  
spends a lot of time explaining basic musical concepts, i guess for  
non-musicians.

i'm also reading musicophilia, by oliver sacks, which two people gave  
me for christmas. that i'm enjoying very much and highly recommend so  
far.

interesting subject!

On Mar 3, 2008, at 3:06 PM, cpr@musetrap.com wrote:

> Coincidentally, I am currently reading "This is You Brain on Music"  
> by Daniel J
> Levitin, who runs the Laboratory for Musical Perception, Cognition and
> Expertise at McGill University. I just started it a few days ago,  
> but I am
> enjoying it thus far.. :)
>
> peace
> -cpr


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
so am i! i'm liking it, but i wish it was a bit more in depth. he spends =
a lot of time explaining basic musical concepts, i guess for =
non-musicians.<div><br class=3D"webkit-block-placeholder"></div><div>i'm =
also reading musicophilia, by oliver sacks, which two people gave me for =
christmas. that i'm enjoying very much and highly recommend so =
far.</div><div><br =
class=3D"webkit-block-placeholder"></div><div>interesting =
subject!</div><div><br><div><div>On Mar 3, 2008, at 3:06 PM, <a =
href=3D"mailto:cpr@musetrap.com">cpr@musetrap.com</a> wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Lucida Grande" =
size=3D"3" style=3D"font: 12.0px Lucida Grande">Coincidentally, I am =
currently reading "This is You Brain on Music" by Daniel J</font></p> <p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Lucida Grande" =
size=3D"3" style=3D"font: 12.0px Lucida Grande">Levitin, who runs the =
Laboratory for Musical Perception, Cognition and</font></p> <p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Lucida Grande" =
size=3D"3" style=3D"font: 12.0px Lucida Grande">Expertise at McGill =
University. I just started it a few days ago, but I am</font></p> <p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Lucida Grande" =
size=3D"3" style=3D"font: 12.0px Lucida Grande">enjoying it thus far.. =
:)</font></p> <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px =
Lucida Grande; min-height: 15.0px"><br></p> <p style=3D"margin: 0.0px =
0.0px 0.0px 0.0px"><font face=3D"Lucida Grande" size=3D"3" style=3D"font: =
12.0px Lucida Grande">peace</font></p> <p style=3D"margin: 0.0px 0.0px =
0.0px 0.0px"><font face=3D"Lucida Grande" size=3D"3" style=3D"font: =
12.0px Lucida Grande">-cpr</font></p> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-19-808682037--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 03:36:16 2008
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Date: Mon, 03 Mar 2008 21:38:42 -0600
From: Jeff Shirkey <jcshirke@midway.uchicago.edu>
Subject: Re: OT: Interesting research on brain activities of improvisers
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>
> i'm also reading musicophilia, by oliver sacks, which two people  
> gave me for christmas. that i'm enjoying very much and highly  
> recommend so far.

I've got that one on my shelf also. I'm glad to hear you recommend it.

Jeff

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On Mon, Mar 3, 2008 at 11:46 PM, Sowonja, Tomson
<tomson.sowonja@cba.com.au> wrote:

>  I sent this link through to my Keyboardist in The Soldiers Of Fortune
>  who is also doing his PhD in Psychology - something to do with pattern
>  recognition/memory and music.
>
>  He found it very interesting and had a few comments which I've pasted
>  below as some of you on the list may find them interesting as well:


Hi Tim,

Here's a link to a better article on that research project:
http://www.scientificblogging.com/news_releases/study_prefrontal_cortex_in_jazz_musicians_winds_down_when_improvising

And here's a long and really initiated article:
http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0001679

Per

From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 05:13:54 2008
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Date: Mon, 03 Mar 2008 23:57:33 -0500
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Books  Re: OT: Interesting research on brain activities of improvisers
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A friend whom I sent this to asked if I have read


    Free Play by Nachmanovich
    http://www.freeplay.com/

which I have read about 3 times and I highly recommend.


At 5:51 AM +0100 3/4/08, Per Boysen wrote:
>On Mon, Mar 3, 2008 at 11:46 PM, Sowonja, Tomson
><tomson.sowonja@cba.com.au> wrote:
>
>>   I sent this link through to my Keyboardist in The Soldiers Of Fortune
>>   who is also doing his PhD in Psychology - something to do with pattern
>>   recognition/memory and music.
>>
>>   He found it very interesting and had a few comments which I've pasted
>>   below as some of you on the list may find them interesting as well:
>
>
>Hi Tim,
>
>Here's a link to a better article on that research project:
>http://www.scientificblogging.com/news_releases/study_prefrontal_cortex_in_jazz_musicians_winds_down_when_improvising
>
>And here's a long and really initiated article:
>http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0001679
>
>Per


-- 

"The test of a first-rate intelligence is the ability to hold two 
opposed ideas in the mind at the same time, and still retain the 
ability to function."

F. Scott Fitzgerald


		Emile Tobenfeld, Ph. D.
Video Producer and Digital Photographer	Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

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From mr.david_king2004@yahoo.com  Tue Mar  4 09:32:15 2008
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Date: Tue, 4 Mar 2008 01:25:38 -0800 (PST)
From: "mr.david King" <mr.david_king2004@yahoo.com>
Subject: FROM   MR  DAVID  KING  MESSAGES
To: mr.david_king2004@yahoo.com
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GHANA COMMERCIAL BANK  LTD 
ACCRA  GHANA
GCB HEADQUARTER  CIRCLE ACCRA  GHANA 
Email: m.davvid_king999@yahoo.com  
HELLO
 
I got your contact during my search for a reliable, honest and  a trust worth person to entrust this huge transfer project with. 
 
My  name is Mr.DAVIDBranch manager of a financial institution here in Ghana, I am a  Ghanaian married with two kids.  I am writing to solicit your assistance in the  transfer of   $  12.8 Million United States dollars only.
 
This fund is  the excess of what my branch in which am the manager made as profit during the  2006 financial year. I have already submitted annual report for that year to my  head office here in Accra as I have watched with keen interest as they will  never know of this
excess.
 
I have since, placed this amount of $  12.8  Million United States dollars only to an Escrow Coded account without a  beneficiary (anonymous) to avoid trace. 
 
As an officer of the bank, I  cannot be directly connected to this money thus I am impelled to request for  your assistance to receive this money into your bank account on my behalf.  I  intend to part 30% of this fund to you while 70% shall be for me. I  do need to   stress   that there are practically no risk involved in this. It's going to be   a bank-to-bank transfer.  All  I need from you is to stand as the original  depositor of this fund so that  the  fund  can   be transferred to your  account.   If you accept this offer, I will appreciate your timely response to  my private email:  mr.david_king088@yahoo.com   With Regards,
 
Mr. DAVID

       
---------------------------------
Never miss a thing.   Make Yahoo your homepage.
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GHANA COMMERCIAL BANK&nbsp; LTD <br>ACCRA&nbsp; GHANA<br>GCB HEADQUARTER&nbsp; CIRCLE ACCRA  GHANA <br>Email:&nbsp;m.<font color="#003399"><a href="mailto:m.davvid_king999@yahoo.com">davvid_king999@yahoo.com</a></font>  <br>HELLO<br>&nbsp;<br>I got your contact during my search for a reliable, honest and  a trust worth person to entrust this huge transfer project with. <br>&nbsp;<br>My  name is Mr.DAVIDBranch manager of a financial institution here in Ghana, I am a  Ghanaian married with two kids.&nbsp; I am writing to solicit your assistance in the  transfer of&nbsp;&nbsp; $&nbsp; 12.8 Million United States dollars only.<br>&nbsp;<br>This fund is  the excess of what my branch in which am the manager made as profit during the  2006 financial year. I have already submitted annual report for that year to my  head office here in Accra as I have watched with keen interest as they will  never know of this<br>excess.<br>&nbsp;<br>I have since, placed this amount of $  12.8&nbsp;
 Million United States dollars only to an Escrow Coded account without a  beneficiary (anonymous) to avoid trace. <br>&nbsp;<br>As an officer of the bank, I  cannot be directly connected to this money thus I am impelled to request for  your assistance to receive this money into your bank account on my behalf.&nbsp; I  intend to part 30% of this fund to you while 70% shall be for me. I&nbsp; do need to&nbsp;  stress&nbsp;&nbsp; that there are practically no risk involved in this. It's going to be&nbsp;  a bank-to-bank transfer.&nbsp; All&nbsp; I need from you is to stand as the original  depositor of this fund so that&nbsp; the&nbsp; fund&nbsp; can&nbsp;&nbsp; be transferred to your  account.&nbsp;&nbsp; If you accept this offer, I will appreciate your timely response to  my private email:&nbsp; mr.<a href="mailto:david_king01@yahoo.com">david_king088@yahoo.com</a>  <div>&nbsp;With Regards,<br>&nbsp;<br>Mr. DAVID</div><p>&#32;



      <hr size=1>Never miss a thing.  <a href="http://us.rd.yahoo.com/evt=51438/*http://www.yahoo.com/r/hs"> Make Yahoo your homepage.</a>


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From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 10:25:37 2008
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Subject: Re: qualities of reverb
Date: Tue, 4 Mar 2008 00:06:08 +0100
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Hi Luis,

the SDE-330 is a very nice-sounding delay with a lot going for it (I think
the big selling point was it having the 3D algorithms of the fabled RSS
unit). The bad thing is, it´s not very straightforward to use, you can tweak
more parametres than you would actually want to tweak (but nowhere near as
many as on the Sony DPS-D7, though). There´s a lot of stuff that requires
proper reading, and this is what keeps me from using it as a simple delay.
Also, some of the more complex delays and some of the 3D stuff tends to
produce some phase cancellation artefacts which I find slightly unnerving
because there´s always this type of comb filter effect on the delays.
Sometimes too many options can be a nightmare, especially when you just want
a stereo delay that is simple to use...

The SRV-330 is a very good-sounding reverb processor with some of the
algorithms of the R-880. Same thing here, you can tweak yourself to death
but the results are generally worth it. Especially the chorused reverb
washes sound very nice. I have both units, the SDE-330 and the SRV-330, in
my live rack.

Stephen

____________________________________________________________________

"Ambition makes you look pretty ugly, kicking squealing Gucci little piggy."
(Thom Yorke/Radiohead -- "Paranoid Android")

Finally available: Stephen Parsick -- Traces of the Past Redux, reissued
with three previously unreleased bonus tracks.

It´s out: [´ramp] & markus reuter -- "ceasing to exist", a gorgeous dark
ambient album. available through our webshop at www.doombient.com

For info and audio, please visit the official [´ramp] website at
www.doombient.com

----- Original Message ----- 
From: "L.A. Angulo" <labaloops@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 03, 2008 11:23 PM
Subject: Re: qualities of reverb


> Thanx jeff,i was specially interested in the Roland
> SDE-330, i did read the HC review which is quite short
> but wanted to hear it from loopers.I am also
> interested in new units that have the shimmer synth
> like effect like the old digitech dhp units ( i
> thinkthe edge uses one)and i believe they had up to a
> 5 part harmony,do any of the new units(except
> eventide)have that cool effect?
> cheers
> Luis
>
>
>
> --- Jeff Duke <echohead@embarqmail.com> wrote:
>
> > Harmony Central is always good ;
> >
> >
>
http://reviews.harmony-central.com/reviews/Effects/product/Roland/SDE-330+Dimensional+Space+Delay/10/1
> >
> > http://tinyurl.com/2ohnt8
> >
> > I just googled it.
> >
> >
>
http://www.google.com/search?q=Roland+SDE+space+delay+&rls=com.microsoft:en-us:IE-SearchBox&ie=UTF-8&oe=UTF-8&sourceid=ie7&rlz=1I7GWYE
> >
> > http://tinyurl.com/2q2puz
> >
> >
> >
> > peace
> >            Jeff
> >
> >
> > ----- Original Message ----- 
> > From: "L.A. Angulo" <labaloops@yahoo.com>
> > To: "Loopers Delight"
> > <loopers-delight@loopers-delight.com>
> > Sent: Sunday, March 02, 2008 5:45 AM
> > Subject: Re: qualities of reverb
> >
> >
> > > what about the old Roland SDE space delay and korg
> > > proccessors,there were so many different models
> > > anybody has experience with those units or a
> > website
> > > where i can read about them?
> > > Luis
> > >
> > >
> > >
> > > --- Tilmann Dehnhard <tilmann@dehnhard.com> wrote:
> > >
> > >> yes, i also remember that reverb...
> > >> it was looooooooooooooooooooooooong...
> > >>
> > >> tilmann
> > >>
> > >> ----- Original Message ----- 
> > >> From: "Rick Walker" <looppool@cruzio.com>
> > >> To: "LOOPERS DELIGHT (posting)"
> > >> <Loopers-Delight@loopers-delight.com>
> > >> Sent: Friday, February 29, 2008 12:54 PM
> > >> Subject: RE: qualities of reverb
> > >>
> > >>
> > >> > Duncan Goddard mentioned a trick with his
> > trusty
> > >> microverb:
> > >> >
> > >> > Which reminded me:
> > >> >
> > >> > The Alesis Midverb 2 had an infinite reverb in
> > it
> > >> that was just amazing.
> > >> > (patch #32 if memory serves)
> > >> >
> > >> > Eventually I had to upgrade my reverbs (with
> > more
> > >> Alesis and finally
> > >> > Lexicons)
> > >> > but I have never heard an infinite reverb
> > setting
> > >> that was so musical as
> > >> > that
> > >> > old archaic unit.   One of my favorite tricks
> > when
> > >> I was first doing lop
> > >> >
> > >> > The rest of the verbs were pretty pathetic,
> > >> unfortuanately and the Alesis
> > >> > gear
> > >> > just doesn't seem to last very long.
> > >>
> > >>
> > >
> > >
> > > www.myspace.com/luisangulocom
> > >
> > >
> > >
> > >
> >
>
____________________________________________________________________________
________
> > > Never miss a thing.  Make Yahoo your home page.
> > > http://www.yahoo.com/r/hs
> > >
> > >
> > >
> > > -- 
> > > No virus found in this incoming message.
> > > Checked by AVG Free Edition.
> > > Version: 7.5.516 / Virus Database: 269.21.3/1306 -
> > Release Date: 3/1/2008
> > > 5:41 PM
> > >
> > >
> >
> >
>
>
> www.myspace.com/luisangulocom
>
>
>
____________________________________________________________________________
________
> Be a better friend, newshound, and
> know-it-all with Yahoo! Mobile.  Try it now.
http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ

From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 10:48:58 2008
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From: "Michael Peters" <mp@mpeters.de>
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Subject: Ricoloop
Date: Tue, 4 Mar 2008 11:48:47 +0100
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busking looper in Berlin: http://uk.youtube.com/watch?v=Px_LF5Ir8F4

here's his homepage with more amazing videos: http://www.ricoloop.com

I don't know what kind of speed he is on :-) but it is very entertaining and
inspiring to watch him.

-Michael

From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 12:47:13 2008
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: Ricoloop
Date: Tue, 4 Mar 2008 07:47:09 -0500
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Why do all beatboxers do that shit with their hands?
On Mar 4, 2008, at 5:48 AM, Michael Peters wrote:

> busking looper in Berlin: http://uk.youtube.com/watch?v=Px_LF5Ir8F4
>
> here's his homepage with more amazing videos: http://www.ricoloop.com
>
> I don't know what kind of speed he is on :-) but it is very  
> entertaining and
> inspiring to watch him.
>
> -Michael
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 12:58:36 2008
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Subject: AW: Ricoloop
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Why do all metalheads do that shit with their heads? Why do all men at the
opening of the Wiener Opernball wear that cuttail shit?
Because it's the style!

> Why do all beatboxers do that shit with their hands?

From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 13:44:43 2008
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From: "neil wiernik" <neil@phoniq.net>
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Subject: Announcing Vague Terrain 09: Rise of the VJ
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Announcing Vague Terrain 09: Rise of the VJ

Vague Terrain is excited to announce the launch of our new issue, Vague
Terrain 09: Rise of the VJ. Guest curated by Saskatoon-based VJ and
artist Carrie Gates, this installment of our digital arts quarterly
brings together a wide variety of work exploring emerging VJ culture.

featuring work from:

ana carvalho
kelley bolen and jake hardy
defasten
francis theberge
jackson 2bears
jaygo bloom (interviewed by michelle kasprzak)
lara houston
leeane berger
michael betancourt
mo selle
neubau / kero
ryan stec
solu (interviewed by peter kirn)
tim jaeger
VJ pillow / VJ mademoiselle
VJzoo / chrism & fenris
x=E1rene eskandar
ziv lazar

view the issue: via
http://www.vagueterrain.net/content/archives/journal09/journal09.html

Thanks for your continued support!

Greg J. Smith & Neil Wiernik
http://vagueterrain.net

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<br><div class=3D"gmail_quote"><br><br>Announcing Vague Terrain 09: Rise of=
 the VJ<br>
<br>
Vague Terrain is excited to announce the launch of our new issue, Vague<br>
Terrain 09: Rise of the VJ. Guest curated by Saskatoon-based VJ and<br>
artist Carrie Gates, this installment of our digital arts quarterly<br>
brings together a wide variety of work exploring emerging VJ culture.<br>
<br>
featuring work from:<br>
<br>
ana carvalho<br>
kelley bolen and jake hardy<br>
defasten<br>
francis theberge<br>
jackson 2bears<br>
jaygo bloom (interviewed by michelle kasprzak)<br>
lara houston<br>
leeane berger<br>
michael betancourt<br>
mo selle<br>
neubau / kero<br>
ryan stec<br>
solu (interviewed by peter kirn)<br>
tim jaeger<br>
VJ pillow / VJ mademoiselle<br>
VJzoo / chrism &amp; fenris<br>
x=E1rene eskandar<br>
ziv lazar<br>
<br>
view the issue: via<br>
<a href=3D"http://www.vagueterrain.net/content/archives/journal09/journal09=
.html" target=3D"_blank">http://www.vagueterrain.net/content/archives/journ=
al09/journal09.html</a><br>
<br>
Thanks for your continued support!<br>
<font color=3D"#888888"><br>
Greg J. Smith &amp; Neil Wiernik<br>
<a href=3D"http://vagueterrain.net/" target=3D"_blank">http://vagueterrain.=
net</a><br>
</font><br clear=3D"all"><br>
</div><br><br>

------=_Part_7246_10367633.1204638282756--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 13:48:35 2008
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: AW: Ricoloop
Date: Tue, 4 Mar 2008 08:48:31 -0500
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Right. Well you would think just one of them somewhere wouldn't flail  
around like that. But no. They all do it. Its just getting a little  
old is all.
On Mar 4, 2008, at 7:59 AM, Rainer Thelonius Balthasar Straschill wrote:

> Why do all metalheads do that shit with their heads? Why do all men  
> at the
> opening of the Wiener Opernball wear that cuttail shit?
> Because it's the style!
>
>> Why do all beatboxers do that shit with their hands?
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 14:23:01 2008
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: totally OT - need translation help
Date: Tue, 4 Mar 2008 15:22:49 +0100
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hi all - I've finally tried to translate my German (web programming)
business website into English. I hope I'll find some English speaking
companies out there will give me some projects so that I can buy more
looping gear :-)

I'd appreciate any help and comments on my English - it's basically just =
two
pages but I'm not at all sure about some of the phrasing (just like in =
my
guitar playing :-)   so if there is anything that sounds awkward please =
let
me know how to put it.

(Please, offline comments only, I don't want to use any LD bandwidth for
this.)

mit freundlichen Gr=FC=DFen

Michael Peters
mp@mpeters.de
www.mpeters.de



From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 16:12:46 2008
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Date: Tue, 4 Mar 2008 08:12:44 -0800 (PST)
From: stevenguerrero <mesquamacus@yahoo.com>
Subject: Re: AW: Ricoloop
To: Loopers-Delight@loopers-delight.com
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He uses a melodica...who cares what he does with his
hands. Melodica trumps silly hand movements every
time. Plus.... dude can grove.
--- Chris Sewell <lunamusic@mac.com> wrote:

> Right. Well you would think just one of them
> somewhere wouldn't flail  
> around like that. But no. They all do it. Its just
> getting a little  
> old is all.
> On Mar 4, 2008, at 7:59 AM, Rainer Thelonius
> Balthasar Straschill wrote:
> 
> > Why do all metalheads do that shit with their
> heads? Why do all men  
> > at the
> > opening of the Wiener Opernball wear that cuttail
> shit?
> > Because it's the style!
> >
> >> Why do all beatboxers do that shit with their
> hands?
> >
> 
> 


 
  www.myspace.com/mesqua
  www.reverbnation.com/stevenguerrero



      ____________________________________________________________________________________
Looking for last minute shopping deals?  
Find them fast with Yahoo! Search.  http://tools.search.yahoo.com/newsearch/category.php?category=shopping

From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 16:13:54 2008
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Date: Tue, 4 Mar 2008 11:13:53 -0500
From: "neil wiernik" <neil@phoniq.net>
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To: Loopers-Delight@loopers-delight.com
Subject: naw.music update
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Hi
Just a quick note the naw website has been updated
www.phoniq.net is the naw HQ of you dont know already...
NOTE the new releases and upcoming shows in March.
hope to see some of you out an around soon...
take care
Neil aka naw

-- 
============================
www.phoniq.net

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Hi <br>
Just a quick note the naw website has been updated<br>
<a href="http://www.phoniq.net">www.phoniq.net</a> is the naw HQ of you dont know already...<br>
NOTE the new releases and upcoming shows in March.<br>
hope to see some of you out an around soon...<br>
take care<br>
Neil aka naw<br clear="all"><br>-- <br>============================<br><a href="http://www.phoniq.net">www.phoniq.net</a><br>

------=_Part_7682_32044903.1204647233384--

From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 16:22:58 2008
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Date: Tue, 4 Mar 2008 08:22:56 -0800 (PST)
From: stevenguerrero <mesquamacus@yahoo.com>
Subject: RE: OT: Interesting research on brain activities of improvisers
To: Loopers-Delight@loopers-delight.com
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I'm reading that right now as well!

--- cpr@musetrap.com wrote:

> Coincidentally, I am currently reading "This is You
> Brain on Music" by Daniel J
> Levitin, who runs the Laboratory for Musical
> Perception, Cognition and
> Expertise at McGill University. I just started it a
> few days ago, but I am
> enjoying it thus far.. :)
> 
> peace
> -cpr
> 
> Quoting "Sowonja, Tomson"
> <tomson.sowonja@cba.com.au>:
> 
> > Yeah Per - I'm a long time lurker/occasional
> poster and I always find
> > your posts incredibly interesting/helpful and
> informative.
> > 
> > I sent this link through to my Keyboardist in The
> Soldiers Of Fortune
> > who is also doing his PhD in Psychology -
> something to do with pattern
> > recognition/memory and music. 
> > 
> > He found it very interesting and had a few
> comments which I've pasted
> > below as some of you on the list may find them
> interesting as well:
> > 
> > "Ah yes, I've heard about this. I haven't read the
> study, I'll have to
> > find it and be more informed about exactly what
> was happening - lots of
> > times media coverage of these  things misses the
> point or gets things
> > wrong, etc.
> > 
> > However, it does seem more or less intuitively
> right to me, with some
> > disclaimers: 
> > 
> > Firstly, improvisation isn't really as improvised
> as people like to
> > believe - most improvisers have a bunch of licks
> they play, which they
> > know more or less well. Often it's things they
> know intuitively rather
> > than consciously, but they're there. 
> > 
> > [I have themes and things that I tend to use in
> Sliced Bread in
> > particular songs - I don't have solos
> planned...though with the Soldiers
> > of Fortune in improvisations and jams I really
> would make it up as I
> > went along, feed off others - maybe that's
> something the study missed -
> > the fact that improvisation happens in a group,
> and that would alter the
> > way things work.]
> > 
> > Secondly, the other thing is that brain imaging
> studies like the one I
> > presume they used are temporally pretty poor in
> resolution, but
> > spatially pretty good - it's hard to figure out at
> which points in the
> > improvisation bits of the brain were being used,
> etc etc. e.g., you
> > might find that someone inhibits the monitoring
> process at the start of
> > a phrase, but doesn't at the end of a phrase.
> > 
> > Tim."
> > 
> > -----Original Message-----
> > From: Emile Tobenfeld (a.k.a Dr. T)
> [mailto:emile@foryourhead.com] 
> > Sent: Tuesday, 4 March 2008 8:51 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: OT: Interesting research on brain
> activities of improvisers
> > 
> > Thanks for the great link.
> > 
> > At 12:44 PM +0100 3/1/08, Per Boysen wrote:
> > >I found this rather interesting: 
> > >
> > >Scientists funded by the National Institute on
> Deafness and Other 
> > >Communication Disorders (NIDCD) have found that,
> when jazz musicians 
> > >are engaged in the highly creative and
> spontaneous activity known as 
> > >improvisation, a large region of the brain
> involved in monitoring one's
> > 
> > >performance is shut down, while a small region
> involved in organizing 
> > >self-initiated thoughts and behaviors is highly
> activated.
> > >
> > >
> > >Link to read more:
> >
>
><http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-factor-think
> >
>
>-different/>http://createdigitalmusic.com/2008/02/29/the-real-ai-jazz-f
> > >actor-think-different/
> > >
> > >I've always also filed meditation into the same
> type of brain 
> > >activities. Particularly disciplines where you
> practice to stay relaxed
> > 
> > >and focused at the same time - without falling
> asleep, lose 
> > >concentration or wander astray along
> associational thoughts. But this 
> > >article doesn't mention meditation.
> > >
> > >--
> > >Greetings from Sweden
> > >
> > >Per Boysen
> > ><http://www.boysen.se>www.boysen.se (Swedish) 
> > ><http://www.looproom.com>www.looproom.com
> (international)
> > 
> > 
> > -- 
> > 
> > "The test of a first-rate intelligence is the
> ability to hold two
> > opposed ideas in the mind at the same time, and
> still retain the ability
> > to function."
> > 
> > F. Scott Fitzgerald
> > 
> > 
> > 		Emile Tobenfeld, Ph. D.
> > Video Producer and Digital Photographer	Image
> Processing Specialist
> > Video for your HEAD!			Boris FX
> > http://www.foryourhead.com		http://www.borisfx.com
> > 
> > My photography can be viewed at
> >
>
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/
> > 
> > 
> > ************** IMPORTANT MESSAGE
> *****************************       
> > This e-mail message is intended only for the
> addressee(s) and contains
> > information which may be
> > confidential. 
> > If you are not the intended recipient please
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> > disclose the contents, and delete the message and
> any attachments from your
> > system. Unless
> > specifically indicated, this email does not
> constitute formal advice or
> > commitment by the sender
> > or the Commonwealth Bank of Australia (ABN 48 123
> 123 124) or its
> > subsidiaries. 
> > We can be contacted through our web site:
> commbank.com.au. 
> > If you no longer wish to receive commercial
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> > please reply to this
> > e-mail by typing Unsubscribe in the subject line. 
> >
>
**************************************************************
> > 
> > 
> > 
> > 
> 
> 
> 
> 
>
----------------------------------------------------------------
> This message was sent using IMP, the Internet
> Messaging Program.
> 
> 


 
  www.myspace.com/mesqua
  www.reverbnation.com/stevenguerrero



      ____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 16:40:33 2008
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Ricoloop
Cc: Michael Peters <mp@mpeters.de>
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LOL,

Wasn't this fellow mentioned on LD a couple years back ('06?) as sort of be=
ing Rick Walker's somewhat more "inside" musical doppelganger?

Cheers,

tEd =C2=AE kiLLiAn

"Different is not always better, but better is always different"

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20

Also check out the BEMF 1 CDs at: http://www.boisemusicians.com/experimenta=
l/cd.htm

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.garageband.com/artist/ArsOcarina
http://www.netmusic.com/web/album.aspx?a_id=3DCBNM_17314
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042
http://www.guitarplayer.com/story.asp?storyCode=3D18131

Ted Killian's "Flux Aeterna" is also available at: Apple iTunes,
BuyMusic, Rhapsody, MusicMatch, MusicNet, DiscLogic, Napster,
AudioLunchbox, Lindows, QTRnote, Music4Cents, Etherstream,
RuleRadio, EMEPE3, Sony Connect, CatchMusic, Puretracks,
and Viztas. Yadda, yadda, yadda. Blah, blah, blah. So???

---- Michael Peters <mp@mpeters.de> wrote:=20
> busking looper in Berlin: http://uk.youtube.com/watch?v=3DPx_LF5Ir8F4
>=20
> here's his homepage with more amazing videos: http://www.ricoloop.com
>=20
> I don't know what kind of speed he is on :-) but it is very entertaining =
and
> inspiring to watch him.
>=20
> -Michael
>

From sam_sogoba2@walla.com  Tue Mar  4 19:10:32 2008
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Date: Tue, 4 Mar 2008 21:48:37 +0100 (CET)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Youtube music -
To: loopers-Delight@loopers-delight.com, fred.bauer@computacenter.com
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Hi !

Have you looked at this?
  
http://www.youtube.com/watch?v=24v2lgkDhzU&feature=related

best regards Rune F.


      _________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 21:38:14 2008
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Date: Tue,  4 Mar 2008 10:36:36 -0600
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: AW: Ricoloop
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I disagree... well, not with the opening of the Wiener Opernball, but, with
both
the beatboxers and metalheads, I think the motions are actually important to
the making of the music... I'm not sure if I can articulate what I think about
it, but, it's this whole kinesthetic thing.. feeling the music with your whole
body.. participating fully in the energy of the music... I'd like to think Rick
Walker has something to say about this too.. hehe...

peace
-cpr

Quoting Rainer Thelonius Balthasar Straschill <rs@moinlabs.de>:

> Why do all metalheads do that shit with their heads? Why do all men at the
> opening of the Wiener Opernball wear that cuttail shit?
> Because it's the style!
> 
> > Why do all beatboxers do that shit with their hands?
> 
> 




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From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 21:49:27 2008
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: AW: Ricoloop
Date: Tue, 4 Mar 2008 16:48:57 -0500
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I suspect they are pretending to be playing a real instrument.  
Visualizing the movements of a turntable and other assorted props.  
Fine. That makes sense. I'm just surprised that to a Beatboxer, they  
ALL do it. I don't know, to me it's a little goofy. Even the guys  
that mix it in with singing, once they start "beatboxing", the hand  
goes up and starts to wiggle around. But yeah, stylistically, It  
seems appropriate.
Still guys, just an observation.




On Mar 4, 2008, at 11:36 AM, cpr@musetrap.com wrote:

> I disagree... well, not with the opening of the Wiener Opernball,  
> but, with
> both
> the beatboxers and metalheads, I think the motions are actually  
> important to
> the making of the music... I'm not sure if I can articulate what I  
> think about
> it, but, it's this whole kinesthetic thing.. feeling the music with  
> your whole
> body.. participating fully in the energy of the music... I'd like  
> to think Rick
> Walker has something to say about this too.. hehe...
>
> peace
> -cpr
>
> Quoting Rainer Thelonius Balthasar Straschill <rs@moinlabs.de>:
>
>> Why do all metalheads do that shit with their heads? Why do all  
>> men at the
>> opening of the Wiener Opernball wear that cuttail shit?
>> Because it's the style!
>>
>>> Why do all beatboxers do that shit with their hands?
>>
>>
>
>
>
>
> ----------------------------------------------------------------
> This message was sent using IMP, the Internet Messaging Program.
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 23:20:32 2008
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Date: Tue, 4 Mar 2008 15:20:31 -0800 (PST)
From: Guy Joyce <magneticdwarfreptile@yahoo.com>
Subject: Re: Terry Riley videos?
To: Loopers-Delight@loopers-delight.com
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Michael

There's a great video of Terry Riley playing his just intonation synth live here: http://ubuweb.com/film/aether.html. The video is called "Landscape with Terry Riley". You'll have to sit through about 40min of Terry Riley talking to Robert Ashley, mostly about goats and goats' milk (!!!) first (plus a bit about composition etc) which is either irritating or unintentionally hilarious depending on your mood, but after that there's an AMAZING 45min piece of music called Shri Camel: Morning Corona which is well worth the wait. You can also download the music as an mp3.

BTW my favourite LPs/CDs by Terry are:

* Shri Camel (studio recording with multitracked just intonation synths - gorgeous)
* Harp of the New Albion (double CD of just intonation piano - amazing)
* Lisbon Concert (ordinary piano tuning, astonishing versatility and fluctuations of mood)
* Soundtrack to Les Yeux Fermes / Lifespan (recently released soundtrack to 70's films with some amazing synth work)
* Poppy Nogood and the Phantom Band "All Night Flight"  Vol 1 (Not to be confused with a similarly titled album. This one contains amazing saxophone solos going through Terrys 'Time Lag Accumulator')

Have you heard any of these ? They're ALL well worth checking out.

Cheers,
Guy
(XISTH entertainment)

> I'm looking for classic Terry Riley concert videos, anything solo where he
> plays keyboards. Ideally stuff from the seventies or sixties. There is
> nothing on Youtube except for tiny excerpts, but with such excerpts 
> existing
> (e.g. in http://uk.youtube.com/watch?v=rFgSRi4pMmQ), this could mean that
> there are longer videos somewhere.
>
> -Michael


      ____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Mar  4 23:31:02 2008
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Date: Tue, 4 Mar 2008 15:31:00 -0800 (PST)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: qualities of reverb/cool vitage delay units
To: Loopers-Delight@loopers-delight.com
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Hey Stephen thanx now we are talkin!
I wasn´t luck enough to have gone through all of those
great analog and now obscure digital rackmount boxes
everybody is looking for now days,so this is why i am
curious about them.There is a recent revival of all of
this analog echo simulators and i would be interested
in knowing if they can sonically replace those
units.Ive also heard and read that those first digital
units had latency drawbacks when changing patches,
heating problems,and offcourse now getting replacement
parts for them doesnt make them to attractive to get.
So for those who are luck to own or have tried
them,which would be the coolest sci-fi rackmount echo
reverb delay unit from these ones? 
which hardware units on the market would replace
them,or are they still irreplaceable and worth
getting?

Korg SDD2000 Sampling delay
Roland 501 space echo
Roland SRE-555 echo chorus delay
Roland SDE 330
Roland SDE1000 Digital delay
Roland SDE3000 Digital delay
Sony DPS D7
MXR Digital Delay Blue Face Rack mount
Ibanez DM 1000 Digital Delay Effects
Ibanez DM 1100 Digital Delay Effects  
Deltalab Effectron II Digital Delay
DIGITECH 3.6 Digital Delay
DOD D12 Digital loop delay
deltalab adm 2048 super timeline delay
Lexicon PCM42
TESLA studio echo - vintage tape delay 70s SPACE
Klark Teknik 716 digital delay
TC.2290
feel free to add!

cheers
Luis



 
--- Wavecomputer360 <wavecomputer360@gmx.de> wrote:

> Hi Luis,
> 
> the SDE-330 is a very nice-sounding delay with a lot
> going for it (I think
> the big selling point was it having the 3D
> algorithms of the fabled RSS
> unit). The bad thing is, it´s not very
> straightforward to use, you can tweak
> more parametres than you would actually want to
> tweak (but nowhere near as
> many as on the Sony DPS-D7, though). There´s a lot
> of stuff that requires
> proper reading, and this is what keeps me from using
> it as a simple delay.
> Also, some of the more complex delays and some of
> the 3D stuff tends to
> produce some phase cancellation artefacts which I
> find slightly unnerving
> because there´s always this type of comb filter
> effect on the delays.
> Sometimes too many options can be a nightmare,
> especially when you just want
> a stereo delay that is simple to use...
> 
> The SRV-330 is a very good-sounding reverb processor
> with some of the
> algorithms of the R-880. Same thing here, you can
> tweak yourself to death
> but the results are generally worth it. Especially
> the chorused reverb
> washes sound very nice. I have both units, the
> SDE-330 and the SRV-330, in
> my live rack.
> 
> Stephen
> 
>
____________________________________________________________________
> 
> "Ambition makes you look pretty ugly, kicking
> squealing Gucci little piggy."
> (Thom Yorke/Radiohead -- "Paranoid Android")
> 
> Finally available: Stephen Parsick -- Traces of the
> Past Redux, reissued
> with three previously unreleased bonus tracks.
> 
> It´s out: [´ramp] & markus reuter -- "ceasing to
> exist", a gorgeous dark
> ambient album. available through our webshop at
> www.doombient.com
> 
> For info and audio, please visit the official
> [´ramp] website at
> www.doombient.com
> 
> ----- Original Message ----- 
> From: "L.A. Angulo" <labaloops@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, March 03, 2008 11:23 PM
> Subject: Re: qualities of reverb
> 
> 
> > Thanx jeff,i was specially interested in the
> Roland
> > SDE-330, i did read the HC review which is quite
> short
> > but wanted to hear it from loopers.I am also
> > interested in new units that have the shimmer
> synth
> > like effect like the old digitech dhp units ( i
> > thinkthe edge uses one)and i believe they had up
> to a
> > 5 part harmony,do any of the new units(except
> > eventide)have that cool effect?
> > cheers
> > Luis
> >
> >
> >
> > --- Jeff Duke <echohead@embarqmail.com> wrote:
> >
> > > Harmony Central is always good ;
> > >
> > >
> >
>
http://reviews.harmony-central.com/reviews/Effects/product/Roland/SDE-330+Dimensional+Space+Delay/10/1
> > >
> > > http://tinyurl.com/2ohnt8
> > >
> > > I just googled it.
> > >
> > >
> >
>
http://www.google.com/search?q=Roland+SDE+space+delay+&rls=com.microsoft:en-us:IE-SearchBox&ie=UTF-8&oe=UTF-8&sourceid=ie7&rlz=1I7GWYE
> > >
> > > http://tinyurl.com/2q2puz
> > >
> > >
> > >
> > > peace
> > >            Jeff
> > >
> > >
> > > ----- Original Message ----- 
> > > From: "L.A. Angulo" <labaloops@yahoo.com>
> > > To: "Loopers Delight"
> > > <loopers-delight@loopers-delight.com>
> > > Sent: Sunday, March 02, 2008 5:45 AM
> > > Subject: Re: qualities of reverb
> > >
> > >
> > > > what about the old Roland SDE space delay and
> korg
> > > > proccessors,there were so many different
> models
> > > > anybody has experience with those units or a
> > > website
> > > > where i can read about them?
> > > > Luis
> > > >
> > > >
> > > >
> > > > --- Tilmann Dehnhard <tilmann@dehnhard.com>
> wrote:
> > > >
> > > >> yes, i also remember that reverb...
> > > >> it was looooooooooooooooooooooooong...
> > > >>
> > > >> tilmann
> > > >>
> > > >> ----- Original Message ----- 
> > > >> From: "Rick Walker" <looppool@cruzio.com>
> > > >> To: "LOOPERS DELIGHT (posting)"
> > > >> <Loopers-Delight@loopers-delight.com>
> > > >> Sent: Friday, February 29, 2008 12:54 PM
> > > >> Subject: RE: qualities of reverb
> > > >>
> > > >>
> > > >> > Duncan Goddard mentioned a trick with his
> > > trusty
> > > >> microverb:
> > > >> >
> > > >> > Which reminded me:
> > > >> >
> > > >> > The Alesis Midverb 2 had an infinite reverb
> in
> > > it
> > > >> that was just amazing.
> > > >> > (patch #32 if memory serves)
> > > >> >
> > > >> > Eventually I had to upgrade my reverbs
> (with
> > > more
> > > >> Alesis and finally
> > > >> > Lexicons)
> > > >> > but I have never heard an infinite reverb
> > > setting
> > > >> that was so musical as
> > > >> > that
> > > >> > old archaic unit.   One of my favorite
> tricks
> > > when
> > > >> I was first doing lop
> > > >> >
> > > >> > The rest of the verbs were pretty pathetic,
> > > >> unfortuanately and the Alesis
> > > >> > gear
> > > >> > just doesn't seem to last very long.
> > > >>
> > > >>
> > > >
> > > >
> > > > www.myspace.com/luisangulocom
> > > >
> > > >
> > > >
> > > >
> > >
> >
>
____________________________________________________________________________
> ________
> > > > Never miss a thing.  Make Yahoo your home
> page.
> > > > http://www.yahoo.com/r/hs
> > > >
> > > >
> > > >
> > > > -- 
> > > > No virus found in this incoming message.
> > > > Checked by AVG Free Edition.
> > > > Version: 7.5.516 / Virus Database:
> 269.21.3/1306 -
> > > Release Date: 3/1/2008
> > > > 5:41 PM
> > > >
> > > >
> > >
> > >
> >
> >
> > www.myspace.com/luisangulocom
> 
=== message truncated ===


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
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Date: Tue, 4 Mar 2008 16:13:13 -0800
From: "Art Simon" <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Terry Riley videos?
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I love "Shri Camel" and "All Night Flight!" I'd add the very different
 "You're no good" to the list as well. It anticipates a lot of modern
remix techniques (sometimes a bit awkwardly)  with tape splicing.

>From the All Music Guide: http://www.allmusic.com/cg/amg.dll?p=3Damg&sql=3D=
43:118118

"the title cut, You're No Good, that's the shocker. Possibly taking a
cue from Steve Reich's mid-'60s tape pieces Come Out and It's Gonna
Rain, Riley sought to combine a popular music form, in this case of
the Motown variety, with ideas on phasing and out-of-sync iterations.
The work begins with several minutes of rumbling, harsh electronic
tones; already the listener is thinking that this is unlike any
previous and/or typical Riley fare. Suddenly, it erupts into a funky,
funny soul tune with a female vocalist bemoaning the unbecoming
qualities of her lover. This goes on for a few minutes more, very
enjoyable in its clunky, maybe a bit na=EFve, way until Riley starts
messing around with the tape, double-tracking it at various points,
producing a very unsettling sense. Additionally, this is done with
enormous (and appealing) crudity and sheer messiness, obviously the
result of "hands-on" tape splicing; no slickness here. Sometimes a
channel drops out entirely for a few seconds only to burst back in
jarring fashion. Toward the end of the composition (which, though it
occupies the entire first disc, is only about 20 minutes long), Riley
introduces blooping sine tones that further heighten the sense of the
bizarre, as though the poor song had been mercilessly submerged in
some distant sonic universe."





--=20
Art Simon
simart@null.net
art.simon.tripod.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 00:42:40 2008
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Date: Tue, 4 Mar 2008 16:42:38 -0800 (PST)
From: Guy Joyce <magneticdwarfreptile@yahoo.com>
Subject: Re: Terry Riley videos?
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Yes, I've heard that. It's good, but not one of my favourite Terrys'.=0A=0A=
----- Original Message ----=0AFrom: Art Simon <simart@gmail.com>=0ATo: Loop=
ers-Delight@loopers-delight.com=0ASent: Wednesday, March 5, 2008 12:13:13 A=
M=0ASubject: Re: Terry Riley videos?=0A=0AI love "Shri Camel" and "All Nigh=
t Flight!" I'd add the very different=0A"You're no good" to the list as wel=
l. It anticipates a lot of modern=0Aremix techniques (sometimes a bit awkwa=
rdly)  with tape splicing.=0A=0AFrom the All Music Guide: http://www.allmus=
ic.com/cg/amg.dll?p=3Damg&sql=3D43:118118=0A=0A"the title cut, You're No Go=
od, that's the shocker. Possibly taking a=0Acue from Steve Reich's mid-'60s=
 tape pieces Come Out and It's Gonna=0ARain, Riley sought to combine a popu=
lar music form, in this case of=0Athe Motown variety, with ideas on phasing=
 and out-of-sync iterations.=0AThe work begins with several minutes of rumb=
ling, harsh electronic=0Atones; already the listener is thinking that this =
is unlike any=0Aprevious and/or typical Riley fare. Suddenly, it erupts int=
o a funky,=0Afunny soul tune with a female vocalist bemoaning the unbecomin=
g=0Aqualities of her lover. This goes on for a few minutes more, very=0Aenj=
oyable in its clunky, maybe a bit na=EFve, way until Riley starts=0Amessing=
 around with the tape, double-tracking it at various points,=0Aproducing a =
very unsettling sense. Additionally, this is done with=0Aenormous (and appe=
aling) crudity and sheer messiness, obviously the=0Aresult of "hands-on" ta=
pe splicing; no slickness here. Sometimes a=0Achannel drops out entirely fo=
r a few seconds only to burst back in=0Ajarring fashion. Toward the end of =
the composition (which, though it=0Aoccupies the entire first disc, is only=
 about 20 minutes long), Riley=0Aintroduces blooping sine tones that furthe=
r heighten the sense of the=0Abizarre, as though the poor song had been mer=
cilessly submerged in=0Asome distant sonic universe."=0A=0A=0A=0A=0A=0A-- =
=0AArt Simon=0Asimart@null.net=0Aart.simon.tripod.com=0Amyspace [dot] com/a=
rtsimon=0A=0A=0A      _____________________________________________________=
_______________________________=0ABe a better friend, newshound, and =0Akno=
w-it-all with Yahoo! Mobile.  Try it now.  http://mobile.yahoo.com/;_ylt=3D=
Ahu06i62sR8HDtDypao8Wcj9tAcJ =0A

From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 05:44:30 2008
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Date: Tue, 04 Mar 2008 23:44:20 -0600
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I'm slowly working through the ton of new music posted here this week, 
but have been giving this a few spins today. You're a sick puppy, Doug! 
Which is to say I really like this. I'm going to try to review it - and 
all these other releases too - and I can tell you now it's gonna get a 
thumbs-up.

I can't find the blog post about it, though, the Uncle Dig website seems 
more a collection of gear reviews by different people. Canya tell us 
where exactly to find your text?

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
> Hi loopers!
>
> Been away and busy a lot lately, so I've got some catching up to do.
> In the meantime I thought I'd offer up my RPM Challenge record
> (http://www.rpmchallenge.com if you want to know more about the
> challenge).  Written and recorded in the first 26 days of Feb 2008.
>
> I wrote a blog post about it here:  http://www.uncledig.com/
>
> or you can go straight for the goods, here:
>
> http://www.uncledig.com/RPM08final/uncledig_bittersweet_drive.zip
>
> While this is not a "looping" record per se, there are quite a bit of
> Mobius and EDP looping bits involved.  If you just want to hear
> something that's very loop-based, the last track "Division Of Natural
> Light" is done with lots of Mobius rate shifting of short guitar
> loops.
>
> Hope you enjoy!  Thanks in advance for listening.

From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 06:33:59 2008
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Date: Wed, 5 Mar 2008 07:33:57 +0100
From: "Per Boysen" <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: qualities of reverb/cool vitage delay units
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HI,

Since this thread turned into listing hardware reverb units I can add
the rack mountable Yamaha R-1000, which I once owned for a couple of
years. I never liked the sound, but back in those days there wasn't
much choice. It added too much hiss for my taste. Since it was a mono
reverb it suited perfectly to us in the effect chain of my Gallien &
Krueger 2x50w stereo guitar amp combo. The reverb also boosted this
nice little guitar combo to give a better sounding overdrive. For
studio recordings I often cabled it into a mixer loop and used one of
those yellow MXR Stereo Chorus pedals for the reverb return, to give
it some wide stereo and pitch wobbling character. I made it sound much
better by rolling off treble (oh that horrible hiss...) and using a
reverb loop (sending the reverb return back into the unit). I would
not recommend the R-1000 and actually gave it away for free to a guy
that said he liked it.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)



On Wed, Mar 5, 2008 at 12:31 AM, L.A. Angulo <labaloops@yahoo.com> wrote:

>
>  Korg SDD2000 Sampling delay
>  Roland 501 space echo
>  Roland SRE-555 echo chorus delay
>  Roland SDE 330
>  Roland SDE1000 Digital delay
>  Roland SDE3000 Digital delay
>  Sony DPS D7
>  MXR Digital Delay Blue Face Rack mount
>  Ibanez DM 1000 Digital Delay Effects
>  Ibanez DM 1100 Digital Delay Effects
>  Deltalab Effectron II Digital Delay
>  DIGITECH 3.6 Digital Delay
>  DOD D12 Digital loop delay
>  deltalab adm 2048 super timeline delay
>  Lexicon PCM42
>  TESLA studio echo - vintage tape delay 70s SPACE
>  Klark Teknik 716 digital delay
>  TC.2290
>  feel free to add!
>
>  cheers
>  Luis

From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 07:37:14 2008
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Subject: RE: qualities of reverb/cool vitage delay units
Date: Tue, 4 Mar 2008 23:37:15 -0800
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"are they still irreplaceable and worth
Getting"

The answer I believe is no. There are still some very good  delay and reverb
units available from TC, lexicon, Eventide and Roland. I have a very
inexpensive TC G-Sharp that does great sounding delays and reverbs, and has
lots of knobs for tweaking as well as storage for presets. The new TC Nova
delay and reverb, are outstanding floor pedals that have studio quality
sounds and really cool interfaces. The Eventide Timefactor is one of the
greatest delays I've ever tried. I think I actually drooled on one at the
NAMM show. I've owned several delays on that list including the Korg SDD,
The roland SDE 100 and 3000 units, and MXR delay,  a delta lab effectron,
and an Ibanez DM1000 and I must say my cheap TC G sharp blows them all away
in sound quality and flexibility, hell, my Keeley modded Line 6 DL-4 sounds
better and has a wider range of cool delays than many of those old machines.
As for the shimmer effect,  you can get that out of one of the new Digitech
expression factory pedal, as well as whammy effects, without the noise that
earlier whammy pedals exhibit. Also check out the new Roland space echo
pedal, which does great simulations of old Roland tape echo units. There are
just a lot of cool delays available now days though the trend has been away
from rack mounts and on to the floor. Unless you feel sentimental about
vintage gear, I just don't see the need to search for the older rack gear.
Even the vaunted TC 2290 can be sonically replicated, the new nova delay
sounds that good. 
Bill

From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 11:33:07 2008
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: http://www.yoavmusic.com/
Date: Wed, 5 Mar 2008 11:33:01 +0000
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Hey

Have you guys heard of yoav?  Looks like hes going to be the act that  
takes looping into the mainstream, very commercial acoustic looper  
and he has got voice.

Matt Stevens

www.mattstevensguitar.com

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On Wed, Mar 5, 2008 at 12:33 PM, Matt Stevens
<mattstevensguitar@btinternet.com> wrote:
> Hey
>
> Have you guys heard of yoav?  Looks like hes going to be the act that
> takes looping into the mainstream, very commercial acoustic looper
> and he has got voice.


I'm not so sure he will take looping into the mainstream. The reason
is that he is using looping "as a recorder" rather than "as an
instrument" and because of that very few people might realize that he
is actually looping. And a phenomenon no one knows about can hardly go
mainstream.

Even though I'm not a fan of the tradition Yoav follows, it's always
interesting to hear people loop in more traditional music - stuff with
vocals, lyrics, verse and chorus parts etc. Other players in this
field that I like better listening to are Andrew Bird and Caroline
Glass.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: http://www.yoavmusic.com/
Date: Wed, 5 Mar 2008 12:08:25 +0000
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Its kind of a hard thing to explain(looping) - but if people see this  
guy on TV it may change things and as all the sounds on his record  
are created by banging and playing one guitar

MS

On 5 Mar 2008, at 12:00, Per Boysen wrote:

> On Wed, Mar 5, 2008 at 12:33 PM, Matt Stevens
> <mattstevensguitar@btinternet.com> wrote:
>> Hey
>>
>> Have you guys heard of yoav?  Looks like hes going to be the act that
>> takes looping into the mainstream, very commercial acoustic looper
>> and he has got voice.
>
>
> I'm not so sure he will take looping into the mainstream. The reason
> is that he is using looping "as a recorder" rather than "as an
> instrument" and because of that very few people might realize that he
> is actually looping. And a phenomenon no one knows about can hardly go
> mainstream.
>
> Even though I'm not a fan of the tradition Yoav follows, it's always
> interesting to hear people loop in more traditional music - stuff with
> vocals, lyrics, verse and chorus parts etc. Other players in this
> field that I like better listening to are Andrew Bird and Caroline
> Glass.
>
> -- 
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 12:13:48 2008
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Date: Wed, 5 Mar 2008 13:13:46 +0100
From: "Per Boysen" <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: http://www.yoavmusic.com/
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I suspect most fans of his are more interested in his music than
whatever method he uses to capture the sounds making up his music ;-)
 (nothing bad with that)

Per


On Wed, Mar 5, 2008 at 1:08 PM, Matt Stevens
<mattstevensguitar@btinternet.com> wrote:
> Its kind of a hard thing to explain(looping) - but if people see this
>  guy on TV it may change things and as all the sounds on his record
>  are created by banging and playing one guitar
>
>  MS
>
>
>
>  On 5 Mar 2008, at 12:00, Per Boysen wrote:
>
>  > On Wed, Mar 5, 2008 at 12:33 PM, Matt Stevens
>  > <mattstevensguitar@btinternet.com> wrote:
>  >> Hey
>  >>
>  >> Have you guys heard of yoav?  Looks like hes going to be the act that
>  >> takes looping into the mainstream, very commercial acoustic looper
>  >> and he has got voice.
>  >
>  >
>  > I'm not so sure he will take looping into the mainstream. The reason
>  > is that he is using looping "as a recorder" rather than "as an
>  > instrument" and because of that very few people might realize that he
>  > is actually looping. And a phenomenon no one knows about can hardly go
>  > mainstream.
>  >
>  > Even though I'm not a fan of the tradition Yoav follows, it's always
>  > interesting to hear people loop in more traditional music - stuff with
>  > vocals, lyrics, verse and chorus parts etc. Other players in this
>  > field that I like better listening to are Andrew Bird and Caroline
>  > Glass.

From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 12:26:31 2008
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: http://www.yoavmusic.com/
Date: Wed, 5 Mar 2008 12:26:26 +0000
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Probably Per

- might be similar to "the Tunstall effect" :-)

On 5 Mar 2008, at 12:13, Per Boysen wrote:

> I suspect most fans of his are more interested in his music than
> whatever method he uses to capture the sounds making up his music ;-)
>  (nothing bad with that)
>
> Per
>
>
> On Wed, Mar 5, 2008 at 1:08 PM, Matt Stevens
> <mattstevensguitar@btinternet.com> wrote:
>> Its kind of a hard thing to explain(looping) - but if people see this
>>  guy on TV it may change things and as all the sounds on his record
>>  are created by banging and playing one guitar
>>
>>  MS
>>
>>
>>
>>  On 5 Mar 2008, at 12:00, Per Boysen wrote:
>>
>>> On Wed, Mar 5, 2008 at 12:33 PM, Matt Stevens
>>> <mattstevensguitar@btinternet.com> wrote:
>>>> Hey
>>>>
>>>> Have you guys heard of yoav?  Looks like hes going to be the act  
>>>> that
>>>> takes looping into the mainstream, very commercial acoustic looper
>>>> and he has got voice.
>>>
>>>
>>> I'm not so sure he will take looping into the mainstream. The reason
>>> is that he is using looping "as a recorder" rather than "as an
>>> instrument" and because of that very few people might realize  
>>> that he
>>> is actually looping. And a phenomenon no one knows about can  
>>> hardly go
>>> mainstream.
>>>
>>> Even though I'm not a fan of the tradition Yoav follows, it's always
>>> interesting to hear people loop in more traditional music - stuff  
>>> with
>>> vocals, lyrics, verse and chorus parts etc. Other players in this
>>> field that I like better listening to are Andrew Bird and Caroline
>>> Glass.
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 13:08:40 2008
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On Wed, 5 Mar 2008, Matt Stevens wrote:

> Have you guys heard of yoav?  Looks like hes going to be the act that takes 
> looping into the mainstream, very commercial acoustic looper and he has got 
> voice.
>
> Matt Stevens
> www.mattstevensguitar.com

I saw Yoav perform last November when he was the opening act for Tori 
Amos's fall 2007 US tour. Pretty clear to even the people with me that he 
was live looping. Nice cover of the Pixies' "Where is My Mind".

best,
Steve B   Subscape Annex  http://www.subscapeannex.com/

From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 14:28:23 2008
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Date: Wed, 5 Mar 2008 08:28:15 -0600
From: "Doug Cox" <uncledig@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: My RPM record
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Daryl,

Thanks so much!  I am kind of a sick puppy. :blush:

I apologize - I gave the link to my gear clips site.  The link to my
blog that says a little more about the record is here:

http://www.uncledig.com/blog/

and in the spirit of requested spam :)  you can also look at
http://www.virb.com/uncledig/

I haven't said a lot about process in either of those places, so if
you're interested in that please give me a shout offline and we can
discuss without being too off topic here.

Sincere thanks again, Daryl.

Doug

On Tue, Mar 4, 2008 at 11:44 PM, Daryl Shawn <highhorse@mhorse.com> wrote:
> I'm slowly working through the ton of new music posted here this week,
>  but have been giving this a few spins today. You're a sick puppy, Doug!
>  Which is to say I really like this. I'm going to try to review it - and
>  all these other releases too - and I can tell you now it's gonna get a
>  thumbs-up.
>
>  I can't find the blog post about it, though, the Uncle Dig website seems
>  more a collection of gear reviews by different people. Canya tell us
>  where exactly to find your text?
>
>
>  Daryl Shawn
>  www.swanwelder.com
>  www.chinapaintingmusic.com
>
>
> > Hi loopers!
>  >
>  > Been away and busy a lot lately, so I've got some catching up to do.
>  > In the meantime I thought I'd offer up my RPM Challenge record
>  > (http://www.rpmchallenge.com if you want to know more about the
>  > challenge).  Written and recorded in the first 26 days of Feb 2008.
>  >
>  > I wrote a blog post about it here:  http://www.uncledig.com/
>  >
>  > or you can go straight for the goods, here:
>  >
>  > http://www.uncledig.com/RPM08final/uncledig_bittersweet_drive.zip
>  >
>  > While this is not a "looping" record per se, there are quite a bit of
>  > Mobius and EDP looping bits involved.  If you just want to hear
>  > something that's very loop-based, the last track "Division Of Natural
>  > Light" is done with lots of Mobius rate shifting of short guitar
>  > loops.
>  >
>  > Hope you enjoy!  Thanks in advance for listening.
>
>

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Date: Wed, 5 Mar 2008 08:03:53 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Alesis Quadraverb
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Yes, I had to purchase one because, silly me, I missed a reference in the eBay auction where I purchased the Alesis unit that it had no power cord. I think it cost me around $30 for the power cord.
   
  Paul

Randy Holiman <holiman.rh@gmail.com> wrote:
    Thanks Paul.... what an odd power cord to begin with....If I knew what the product number was or item number it would be a pretty short exercise, but no such luck.
   
  Any info would be much appreciated.  Did you end up with one?
   
  Thanks,
   
  Randy Holiman
  Ozark, MO  65721
  417-425-9281

 
  On 3/5/08, Paul Richards <paulrichard_rocks@yahoo.com> wrote:     Hi:
   
  I located one a few months ago from an unusual source (it was, I believe, a site called studenta or somesuch. They sold music software et al to universities and students).  I will check my old e-mails and let you know.
   
  Regards, Paul   

Randy Holiman <holiman.rh@gmail.com> wrote:

      Hey: Sorry to come out of nowhere, but I am baffled by how you find a power cord for the Quadraverb Products.  They are evidently all the same and I see you have had the problem I am having.  Have you solved the issue?  Tell me you know where to find one of these oddball power cords.
   
  Again, pardon me for just jumping in on your email.
   
  Thanks,
   
  
Randy Holiman
Holiman & Associates
  417-425-9281
holiman.rh@gmail.com 


    
---------------------------------
  Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now.   
  




-- 
Randy Holiman
Pharmaceutical Technologies, Inc.
417-425-9281
holiman.rh@gmail.com 

       
---------------------------------
Never miss a thing.   Make Yahoo your homepage.
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<div>Yes, I had to purchase one because, silly me, I missed a reference in the eBay auction where I purchased the Alesis unit that it had no power cord. I think it cost me around $30 for the power cord.</div>  <div>&nbsp;</div>  <div>Paul<BR><BR><B><I>Randy Holiman &lt;holiman.rh@gmail.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <DIV>Thanks Paul.... what an odd&nbsp;power cord to&nbsp;begin with....If I knew what the product number was or item number&nbsp;it would be a pretty short exercise, but no such luck.</DIV>  <DIV>&nbsp;</DIV>  <DIV>Any info would be much appreciated.&nbsp; Did you end up with one?</DIV>  <DIV>&nbsp;</DIV>  <DIV>Thanks,</DIV>  <DIV>&nbsp;</DIV>  <DIV>Randy Holiman</DIV>  <DIV>Ozark, MO&nbsp; 65721</DIV>  <DIV>417-425-9281<BR><BR>&nbsp;</DIV>  <DIV><SPAN class=gmail_quote>On 3/5/08, <B class=gmail_sendername>Paul Richards</B> &lt;<A
 href="mailto:paulrichard_rocks@yahoo.com">paulrichard_rocks@yahoo.com</A>&gt; wrote:</SPAN>   <BLOCKQUOTE class=gmail_quote style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">  <DIV>Hi:</DIV>  <DIV>&nbsp;</DIV>  <DIV>I located one a few months ago from an unusual source (it was, I believe, a site called studenta or somesuch. They sold music software et al to universities and students).&nbsp;&nbsp;I will check my old e-mails and let you know.</DIV>  <DIV>&nbsp;</DIV>  <DIV>Regards, Paul   <DIV><SPAN class=e id=q_1187f32c27ac7585_1><BR><BR><B><I>Randy Holiman &lt;<A onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:holiman.rh@gmail.com" target=_blank>holiman.rh@gmail.com</A>&gt;</I></B> wrote:</SPAN></DIV></DIV>  <DIV><SPAN class=e id=q_1187f32c27ac7585_3>  <BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">  <DIV>Hey: Sorry to come out of nowhere, but I am baffled by how you find a power
 cord for the Quadraverb Products.&nbsp; They are evidently all the same and I see you have had the problem I am having.&nbsp; Have you solved the issue?&nbsp; Tell me you know where to find one of these oddball power cords.</DIV>  <DIV>&nbsp;</DIV>  <DIV>Again, pardon me for just jumping in on your email.</DIV>  <DIV>&nbsp;</DIV>  <DIV>Thanks,</DIV>  <DIV>&nbsp;</DIV>  <DIV><BR>Randy Holiman<BR>Holiman &amp; Associates</DIV>  <DIV>417-425-9281<BR><A onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:holiman.rh@gmail.com" target=_blank>holiman.rh@gmail.com</A> </DIV></BLOCKQUOTE><BR></SPAN></DIV><SPAN class=ad>  <div>  <HR SIZE=1>  Be a better friend, newshound, and know-it-all with Yahoo! Mobile. <A onclick="return top.js.OpenExtLink(window,event,this)" href="http://us.rd.yahoo.com/evt=51733/*http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ" target=_blank>Try it now.</A>   <div></div>  <div></div></SPAN></BLOCKQUOTE></DIV><BR><BR clear=all><BR>--
 <BR>Randy Holiman<BR>Pharmaceutical Technologies, Inc.<BR>417-425-9281<BR><A href="mailto:holiman.rh@gmail.com">holiman.rh@gmail.com</A> </BLOCKQUOTE><BR><p>&#32;



      <hr size=1>Never miss a thing.  <a href="http://us.rd.yahoo.com/evt=51438/*http://www.yahoo.com/r/hs"> Make Yahoo your homepage.</a>


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From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 16:36:36 2008
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Subject: Re: http://www.yoavmusic.com/
Date: Wed, 5 Mar 2008 09:36:32 -0700
References: <000101c87df7$8fcf22d0$0201a8c0@succubus> <1204648596.47cd7a9496d0e@webmail.musetrap.com> <65472342-CF09-4AD5-B1C0-1EB01622AD57@btinternet.com> <66f9cc1e0803050400m33d99750pdb729afb15db4d07@mail.gmail.com> <5F437F87-56EC-4089-92E8-04F4C1EDB79F@btinternet.com> <66f9cc1e0803050413m41f7c27bs2b5d3cbd4a015aa4@mail.gmail.com> <EE468CE6-779E-4671-9044-974393D7AC20@btinternet.com>
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Went to Yoav's sight from the link, and normally I hate it when you go  
to a sight and music just starts up, ala Myspace, but the tune that  
came up "Each Like the Other One" I believe was the title, I found  
pretty compelling.

Of course it always helps your career, whether you qualify as a true  
"looping artist" or not, if you look like you could be on the cover of  
GQ.

John

From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 17:08:18 2008
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I checked out a YouTube live video - which is where I normally go now to 
check out a new artist, seeing a raw live video really shows what 
somebody's all about - and the comments are most interesting, people 
definitely talk about the looping. Here's a typical observation - "Takes 
a skilled artist to play live loops as opposed to pre-recorded loops". 
Nice to see that distinction being talked about, at least.

I like his songwriting and voice, more interesting for my tastes than, 
say, K.T. Tunstall. In truth, though, the looping part in his or her 
music is immaterial to me, I could care less if they had a second guitar 
player and percussionist or not. I'm interested in looping as a 
interactive device, as shown by numerous people on this list in 
compositions which grow and progress, whereas if someone puts an 
eighth-note delay on a string slap and lets it go through the entire 
song, it might as well be on a beatbox, to me.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Went to Yoav's sight from the link, and normally I hate it when you go 
> to a sight and music just starts up, ala Myspace, but the tune that 
> came up "Each Like the Other One" I believe was the title, I found 
> pretty compelling.
>
> Of course it always helps your career, whether you qualify as a true 
> "looping artist" or not, if you look like you could be on the cover of 
> GQ.
>
> John

From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 17:58:33 2008
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Date: Wed, 5 Mar 2008 09:58:32 -0800 (PST)
From: scott hansen <evanpeewee@yahoo.com>
Subject: vintage delays: DOD d-12
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i'll chime in on the vintage delays, re: dod d12.
i had it for a # of years, it was my main looper, bought it for 120$ it was new old stock. i liked it because it reminded me of a budget lexicon pcm42 (see david torn painting w/ guitar vid #2 for reference)-i liked doing the manipulation of short delay to long (gets all stretched out and mulchy) and long to short (gets mangled sounds fun). it had an LFO in it to mangle sound more, not like what the pcm42 can do (square wave stuff, etc), but was a close approximation for not much $. i also liked the 6 sec samples option for quick reversing stuff. worked great.
a year and a 1/2 ago i decided to move from rack stuff (took up too much space in my small studio desk)-and went to pedals. i sold it to someone for 80$ i think, looper in WI who was getting back into stuff.
i liked it-it was cheap worked well, didn't do everything, it's a delay mostly, and the 12 sec were nice. 
is it vintage now? wow, it is discontinued yes, whether its something drool worthy  i don't know. it was a basic tool that worked pretty well. i think it definitely mulched up sound better than my boss dd20-i'm not too happy with what the dd20 does w/ sound manipulation, but its ok.
my 2 cents on that device.
if you want to hear some other great analog delay devices-watch the adrian belew video from the 80's-HE HAS  A HUGE RACK OF VINTAGE STUFF (NOW)-that he used to great effect. most fun watching that at times.
i can't speak for the other devices you mentioned.
happy hunting...
s---

       
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<br>i'll chime in on the vintage delays, re: dod d12.<br>i had it for a # of years, it was my main looper, bought it for 120$ it was new old stock. i liked it because it reminded me of a budget lexicon pcm42 (see david torn painting w/ guitar vid #2 for reference)-i liked doing the manipulation of short delay to long (gets all stretched out and mulchy) and long to short (gets mangled sounds fun). it had an LFO in it to mangle sound more, not like what the pcm42 can do (square wave stuff, etc), but was a close approximation for not much $. i also liked the 6 sec samples option for quick reversing stuff. worked great.<br>a year and a 1/2 ago i decided to move from rack stuff (took up too much space in my small studio desk)-and went to pedals. i sold it to someone for 80$ i think, looper in WI who was getting back into stuff.<br>i liked it-it was cheap worked well, didn't do everything, it's a delay mostly, and the 12 sec were nice. <br>is it vintage now? wow, it is
 discontinued yes, whether its something drool worthy&nbsp; i don't know. it was a basic tool that worked pretty well. i think it definitely mulched up sound better than my boss dd20-i'm not too happy with what the dd20 does w/ sound manipulation, but its ok.<br>my 2 cents on that device.<br>if you want to hear some other great analog delay devices-watch the adrian belew video from the 80's-HE HAS&nbsp; A HUGE RACK OF VINTAGE STUFF (NOW)-that he used to great effect. most fun watching that at times.<br>i can't speak for the other devices you mentioned.<br>happy hunting...<br>s---<br><p>&#32;
      <hr size=1>Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile. <a href="http://us.rd.yahoo.com/evt=51733/*http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ "> Try it now.</a>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 18:21:39 2008
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Subject: Midi consultant needed
Date: Wed, 5 Mar 2008 10:21:30 -0800
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From: "Andy Owens" <andy@1800pathways.com>
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Hello, I was wondering if any of you did any consulting work on making
midi controls work for my band setup. I will be doing multiple
instruments and two or three LP1's and want to control inputs and
patching and such with midi as much as possible.

Andy Owens
Andy@andyowens.com


From Loopers-Delight-request@loopers-delight.com  Wed Mar  5 18:58:12 2008
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My pleasure. I've posted a full review here:

http://www.swanwelder.com/mutereactionary/Uncle_Dig.htm

I'm going to be trying to crank these out more often as I have a backlog 
already (Rainer's latest is next, and Nick Robinson's "Birds" project, 
followed by other RPM albums) and I know it's nice to get a review 
within the same year or release, if not better.

Doug, let me know if there are any other links (such as the URL of the 
zip file) you'd like me to add to the review.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Daryl,
>
> Thanks so much!  I am kind of a sick puppy. :blush:
>
> I apologize - I gave the link to my gear clips site.  The link to my
> blog that says a little more about the record is here:
>
> http://www.uncledig.com/blog/
>
> and in the spirit of requested spam :)  you can also look at
> http://www.virb.com/uncledig/
>
> I haven't said a lot about process in either of those places, so if
> you're interested in that please give me a shout offline and we can
> discuss without being too off topic here.

From customer_service@CapitalOne.com  Wed Mar  5 23:55:49 2008
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 01:17:16 2008
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Date: Wed, 5 Mar 2008 19:17:14 -0600
From: "Doug Cox" <uncledig@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: My RPM record
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	 <47CE3334.2010304@mhorse.com>
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Oh my.  Daryl - that's so very nice of you!

The review is very well written, and I agree with everything you said.
 What a rarity when it comes to reviews. :)

My sincere thanks for taking the time to listen closely and to share
your thoughts.  I feel kind of humbled by it.  The RPM challenge was a
good exercise for me, as I needed to stop the endless noodling and
improv-ing and actually capture some of my ideas.  Before it was over,
it turned into a minor obsession, and when it was done I was just glad
to BE done.  I'm so genuinely happy that at least one other person was
able to see/hear/feel what I was doing and that it brought you some
pleasure.

Simply - thank you, Daryl.

Doug

PS - I'd like to link to the review from my blog.  I assume that's ok
with you.  If there's an issue, please let me know.

On Wed, Mar 5, 2008 at 12:58 PM, Daryl Shawn <highhorse@mhorse.com> wrote:
> My pleasure. I've posted a full review here:
>
>  http://www.swanwelder.com/mutereactionary/Uncle_Dig.htm
>
>  I'm going to be trying to crank these out more often as I have a backlog
>  already (Rainer's latest is next, and Nick Robinson's "Birds" project,
>  followed by other RPM albums) and I know it's nice to get a review
>  within the same year or release, if not better.
>
>  Doug, let me know if there are any other links (such as the URL of the
>  zip file) you'd like me to add to the review.
>
>
>  Daryl Shawn
>  www.swanwelder.com
>  www.chinapaintingmusic.com
>
>
>
> > Daryl,
>  >
>  > Thanks so much!  I am kind of a sick puppy. :blush:
>  >
>  > I apologize - I gave the link to my gear clips site.  The link to my
>  > blog that says a little more about the record is here:
>  >
>  > http://www.uncledig.com/blog/
>  >
>  > and in the spirit of requested spam :)  you can also look at
>  > http://www.virb.com/uncledig/
>  >
>  > I haven't said a lot about process in either of those places, so if
>  > you're interested in that please give me a shout offline and we can
>  > discuss without being too off topic here.
>
>

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From: topu lyo <topulyo@gmail.com>
Subject: echoplex pasting into another track?
Date: Thu, 6 Mar 2008 01:09:25 -0500
To: Loopers-Delight@loopers-delight.com
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hey everyone

was wondering if anyone knows how to cut and paste
one track into another track verbatim.  currently i'm pressing
next track and multiply which pastes it in real time but if
i accidentally press record early it cuts my loop short. this
is particularly difficult when the loops are really fast..

any help would be amazing!!!!

-topu 

From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 06:44:36 2008
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Subject: 2nd Annual Boise Experimental Music Festival DVD Set Now Available
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2nd Annual Boise Experimental Music Festival (2007)
Two Volume DVD Set

http://www.boisemusicians.com/BEMF-2/dvd.htm
All proceeds go toward supporting this year's festival

Sample Video=20
(Lumper-Splitter - "Birth of the Blue Guitar Baby")
http://video.google.com/videoplay?docid=3D-3573187502380633371&hl=3Den

Director: Tarey P.=20
Studio: Thee Blue Light Lounge
Source sound recordings: Aaron Davis
Source audio mastering: Krispen Hartung


Volume I


Artists Featured
Krispen Hartung & Vincent Miresse
Craig Green
Amy Vecchione
Moe! & Z'EV
Stefan Smulovitz
Ted Killian
Rob Price & David Grollman

Volume II


Artists Featured
Krispen Hartung & Lumper-Splitter
Stefan Smulovitz & Rick Walker
Bob Sterling & Krispen Hartung
Rob Price, David Grollman, & Lucio Menegon
Breccia
Unicorn Feather
Patrick Benolkin
Jared Hallock
Gretchen Jude
Margaret Noble & Edyta Stepien
Tom Baker & Jesse Canterbury
Lumper-Splitter
The Transhumans
Rick Walker

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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3268" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>
<P align=3Dcenter><B><FONT face=3D"Verdana, Arial, Helvetica, =
sans-serif" size=3D4>2nd=20
Annual Boise Experimental Music Festival (2007)<BR>Two Volume DVD=20
Set</FONT></B></P>
<P align=3Dcenter><A =
href=3D"http://www.boisemusicians.com/BEMF-2/dvd.htm"><FONT=20
face=3DArial><STRONG>http://www.boisemusicians.com/BEMF-2/dvd.htm</STRONG=
></FONT></A><FONT=20
face=3DArial size=3D2><BR>All proceeds go toward supporting this year's=20
festival</FONT></P>
<P align=3Dcenter><FONT color=3D#ffffff><A=20
href=3D"http://video.google.com/videoplay?docid=3D-3573187502380633371&am=
p;hl=3Den"=20
target=3D_front><FONT face=3DVerdana size=3D2><STRONG>Sample=20
Video</STRONG></FONT></A><FONT face=3DVerdana size=3D2> <BR><FONT=20
color=3D#000000>(Lumper-Splitter - "Birth of the Blue Guitar =
Baby")<BR><A=20
href=3D"http://video.google.com/videoplay?docid=3D-3573187502380633371&am=
p;hl=3Den">http://video.google.com/videoplay?docid=3D-3573187502380633371=
&amp;hl=3Den</A></FONT></FONT></FONT></P>
<P align=3Dcenter><FONT color=3D#ffffff><FONT size=3D2><FONT =
face=3DVerdana=20
color=3D#000000>Director: Tarey P. <BR>Studio: </FONT></FONT><A=20
href=3D"http://www.theeartof.com/" target=3D_front><FONT face=3DVerdana =
size=3D2>Thee=20
Blue Light Lounge</FONT></A><BR><FONT face=3DVerdana color=3D#000000 =
size=3D2>Source=20
</FONT></FONT><FONT color=3D#000000><FONT face=3DVerdana size=3D2>sound =
recordings:=20
Aaron Davis<BR>Source audio mastering: Krispen =
Hartung</FONT><BR></FONT></P>
<P align=3Dcenter><B><FONT face=3DVerdana size=3D2><FONT size=3D3>Volume =

I</FONT><BR><BR><BR>Artists Featured<BR></FONT></B><FONT face=3DVerdana=20
size=3D2>Krispen Hartung &amp; Vincent Miresse<BR>Craig Green<BR>Amy=20
Vecchione<BR>Moe! &amp; Z'EV<BR>Stefan Smulovitz<BR>Ted Killian<BR>Rob =
Price=20
&amp; David Grollman</FONT></P>
<P align=3Dcenter><FONT size=3D3><B><FONT face=3DVerdana>Volume=20
II<BR></FONT></B></FONT><A=20
href=3D"http://www.krispenhartung.com/BEMF-2/#"></A></P>
<P align=3Dcenter><B><FONT face=3DVerdana size=3D2>Artists=20
Featured<BR></FONT></B><FONT face=3DVerdana><FONT size=3D2>Krispen =
Hartung &amp;=20
Lumper-Splitter<BR>Stefan Smulovitz &amp; Rick Walker<BR>Bob Sterling =
&amp;=20
Krispen Hartung<BR>Rob Price, David Grollman, &amp; Lucio=20
Menegon<BR>Breccia<BR>Unicorn Feather</FONT><BR></FONT><FONT =
face=3DVerdana=20
size=3D2>Patrick Benolkin<BR>Jared Hallock<BR>Gretchen Jude<BR>Margaret =
Noble=20
&amp; Edyta Stepien<BR>Tom Baker &amp; Jesse=20
Canterbury<BR>Lumper-Splitter<BR>The Transhumans<BR>Rick =
Walker</FONT><FONT=20
face=3DVerdana size=3D2></FONT></P></DIV></BODY></HTML>

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Date: Thu, 6 Mar 2008 08:08:11 +0100
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: echoplex pasting into another track?
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next track in echoplex.?. umm
are you referring to mobius instead?


2008/3/6, topu lyo <topulyo@gmail.com>:
>
> hey everyone
>
> was wondering if anyone knows how to cut and paste
> one track into another track verbatim.  currently i'm pressing
> next track and multiply which pastes it in real time but if
> i accidentally press record early it cuts my loop short. this
> is particularly difficult when the loops are really fast..
>
> any help would be amazing!!!!
>
>
> -topu
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

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next track in echoplex.?. umm<br>are you referring to mobius instead?<br><br><br><div><span class="gmail_quote">2008/3/6, topu lyo &lt;<a href="mailto:topulyo@gmail.com">topulyo@gmail.com</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
hey everyone<br> <br> was wondering if anyone knows how to cut and paste<br> one track into another track verbatim.&nbsp;&nbsp;currently i&#39;m pressing<br> next track and multiply which pastes it in real time but if<br> i accidentally press record early it cuts my loop short. this<br>
 is particularly difficult when the loops are really fast..<br> <br> any help would be amazing!!!!<br> <br><br> -topu<br> <br> </blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>
Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a><br>TPO at Jamendo: <a href="http://www.jamendo.com">http://www.jamendo.com</a>

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Date: Thu, 6 Mar 2008 08:17:24 +0100
From: "Per Boysen" <perboysen@gmail.com>
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On Thu, Mar 6, 2008 at 7:09 AM, topu lyo <topulyo@gmail.com> wrote:
> hey everyone
>
>  was wondering if anyone knows how to cut and paste
>  one track into another track verbatim.  currently i'm pressing
>  next track and multiply which pastes it in real time but if
>  i accidentally press record early it cuts my loop short. this
>  is particularly difficult when the loops are really fast..
>
>  any help would be amazing!!!!
>
>  -topu


If you mean "loop" when you write "track" the answer should be that
what you describe (ending Multiply Mode by pressing Record) actually
is an intended feature. So if you don't intend to shorten your loop in
this non quantized manner you will have to try not pressing Record
when in Multiply Mode.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 07:23:52 2008
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Per Boysen wrote:
> On Thu, Mar 6, 2008 at 7:09 AM, topu lyo <topulyo@gmail.com> wrote:
>> hey everyone
>>
>>  was wondering if anyone knows how to cut and paste
>>  one track into another track verbatim.  currently i'm pressing
>>  next track and multiply which pastes it in real time but if
>>  i accidentally press record early it cuts my loop short. this
>>  is particularly difficult when the loops are really fast..
>>
>>  any help would be amazing!!!!
>>
>>  -topu
> 
> 
> If you mean "loop" when you write "track" the answer should be that
> what you describe (ending Multiply Mode by pressing Record) actually
> is an intended feature. So if you don't intend to shorten your loop in
> this non quantized manner you will have to try not pressing Record
> when in Multiply Mode.
> 

end the loop by hitting multiply a second time

andy

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At 6:32 PM -0800 2/12/08, L.A. Angulo wrote:
>
>Last but not least all of my songwritting is
>registered with the GEMA here in germany which is like
>ASCAP or BMI.

Apologies for a bit of a sidetrack, but I was wondering if anybody 
might know the answer to a simple related question.

ASCAP & BMI cover North America and parts of Europe, while GEMA 
covers Germany and I recall at least one other for Scandinavia.  Does 
anybody happen to know the organization that would be their 
equivalent for Asia -- Japan in particular?

TIA!

	--m.
-- 
_____
"the wind in my heart; the dust in my head...."

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Date: Thu, 06 Mar 2008 06:29:44 -0500
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh
Check out Afterglow on MySpace at:
http://myspace.com/afterglowonwmuh


GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll begin a month-long Special
focus on Gert Emmens.  The Featured CD at Midnight will be "Waves of
Dreams" on Groove Unlimited Records.  For details, see the Special
Focus page at:
http://wdiy.org/programs/gt/playlists/2008/focus.html#mar
Check out Galactic Travels on MySpace at:
http://myspace.com/galactictravels

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.


THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, March 7 at 6:00 am.
I will continue the special on Sequences Electronic Music Magazine's
sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh


======================================================================
All times are EST / GMT-5 until 2:00 am Sunday when we spring forward
one hour for Daylight Savings Time and a changed to EDT / GMT-4.

Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

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The Alesis P4, 22 bucks...what a deal...thanks very much Paul I'll call them
tomorrow....what an interesting website.

If you need some help bird-doggin something don't hesitate to ask me for
help if you think you need it....good luck. Thanks.

RHoliman


On 3/5/08, Paul Richards <paulrichard_rocks@yahoo.com> wrote:
>
> The Alesis P4 Power Supply I purchased was from a site called studica.com.
>
> Paul
>
> *Randy Holiman <holiman.rh@gmail.com>* wrote:
>
> Thanks Paul.... what an odd power cord to begin with....If I knew what the
> product number was or item number it would be a pretty short exercise, but
> no such luck.
>
> Any info would be much appreciated.  Did you end up with one?
>
> Thanks,
>
> Randy Holiman
> Ozark, MO  65721
> 417-425-9281
>
>
> On 3/5/08, Paul Richards <paulrichard_rocks@yahoo.com> wrote:
> >
> > Hi:
> >
> > I located one a few months ago from an unusual source (it was, I
> > believe, a site called studenta or somesuch. They sold music software et al
> > to universities and students).  I will check my old e-mails and let you
> > know.
> >
> > Regards, Paul
> >
> > *Randy Holiman <holiman.rh@gmail.com>* wrote:
> >
> > Hey: Sorry to come out of nowhere, but I am baffled by how you find a
> > power cord for the Quadraverb Products.  They are evidently all the same and
> > I see you have had the problem I am having.  Have you solved the issue?
> > Tell me you know where to find one of these oddball power cords.
> >
> > Again, pardon me for just jumping in on your email.
> >
> > Thanks,
> >
> >
> > Randy Holiman
> > Holiman & Associates
> > 417-425-9281
> > holiman.rh@gmail.com
> >
> >
> >  ------------------------------
> > Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try
> > it now.<http://us.rd.yahoo.com/evt=51733/*http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ>
> >
>
>
>
> --
> Randy Holiman
> Pharmaceutical Technologies, Inc.
> 417-425-9281
> holiman.rh@gmail.com
>
>
>  ------------------------------
> Looking for last minute shopping deals? Find them fast with Yahoo! Search.<http://us.rd.yahoo.com/evt=51734/*http://tools.search.yahoo.com/newsearch/category.php?category=shopping>
>
>


-- 
Randy Holiman
Pharmaceutical Technologies, Inc.
417-425-9281
holiman.rh@gmail.com

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<div>The Alesis P4, 22 bucks...what a deal...thanks very much Paul I&#39;ll call them tomorrow....what an interesting website.</div>
<div>&nbsp;</div>
<div>If you need some help bird-doggin something don&#39;t hesitate to ask me for help if you think you need it....good luck. Thanks.</div>
<div>&nbsp;</div>
<div>RHoliman<br><br>&nbsp;</div>
<div><span class="gmail_quote">On 3/5/08, <b class="gmail_sendername">Paul Richards</b> &lt;<a href="mailto:paulrichard_rocks@yahoo.com">paulrichard_rocks@yahoo.com</a>&gt; wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>The Alesis P4 Power Supply I purchased was from a site called <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://studica.com/" target="_blank">studica.com</a>.</div>
<div><span class="e" id="q_11881c9bdf8a8943_1">
<div>&nbsp;</div>
<div>Paul<br><br><b><i>Randy Holiman &lt;<a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:holiman.rh@gmail.com" target="_blank">holiman.rh@gmail.com</a>&gt;</i></b> wrote:</div>
<blockquote style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<div>Thanks Paul.... what an odd&nbsp;power cord to&nbsp;begin with....If I knew what the product number was or item number&nbsp;it would be a pretty short exercise, but no such luck.</div>
<div>&nbsp;</div>
<div>Any info would be much appreciated.&nbsp; Did you end up with one?</div>
<div>&nbsp;</div>
<div>Thanks,</div>
<div>&nbsp;</div>
<div>Randy Holiman</div>
<div>Ozark, MO&nbsp; 65721</div>
<div>417-425-9281<br><br>&nbsp;</div>
<div><span class="gmail_quote">On 3/5/08, <b class="gmail_sendername">Paul Richards</b> &lt;<a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:paulrichard_rocks@yahoo.com" target="_blank">paulrichard_rocks@yahoo.com</a>&gt; wrote:</span> 
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>Hi:</div>
<div>&nbsp;</div>
<div>I located one a few months ago from an unusual source (it was, I believe, a site called studenta or somesuch. They sold music software et al to universities and students).&nbsp;&nbsp;I will check my old e-mails and let you know.</div>

<div>&nbsp;</div>
<div>Regards, Paul 
<div><span><br><br><b><i>Randy Holiman &lt;<a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:holiman.rh@gmail.com" target="_blank">holiman.rh@gmail.com</a>&gt;</i></b> wrote:</span></div></div>
<div><span>
<blockquote style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<div>Hey: Sorry to come out of nowhere, but I am baffled by how you find a power cord for the Quadraverb Products.&nbsp; They are evidently all the same and I see you have had the problem I am having.&nbsp; Have you solved the issue?&nbsp; Tell me you know where to find one of these oddball power cords.</div>

<div>&nbsp;</div>
<div>Again, pardon me for just jumping in on your email.</div>
<div>&nbsp;</div>
<div>Thanks,</div>
<div>&nbsp;</div>
<div><br>Randy Holiman<br>Holiman &amp; Associates</div>
<div>417-425-9281<br><a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:holiman.rh@gmail.com" target="_blank">holiman.rh@gmail.com</a> </div></blockquote><br></span></div><span>
<div>
<hr size="1">
Be a better friend, newshound, and know-it-all with Yahoo! Mobile. <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://us.rd.yahoo.com/evt=51733/*http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ" target="_blank">Try it now.</a> 
<div></div>
<div></div></div></span></blockquote></div><br><br clear="all"><br>-- <br>Randy Holiman<br>Pharmaceutical Technologies, Inc.<br>417-425-9281<br><a onclick="return top.js.OpenExtLink(window,event,this)" href="mailto:holiman.rh@gmail.com" target="_blank">holiman.rh@gmail.com</a> </blockquote>
<br></span></div><span class="ad">
<p>
<hr size="1">
Looking for last minute shopping deals? <a onclick="return top.js.OpenExtLink(window,event,this)" href="http://us.rd.yahoo.com/evt=51734/*http://tools.search.yahoo.com/newsearch/category.php?category=shopping" target="_blank">Find them fast with Yahoo! Search.</a> 
<p></p></p></span></blockquote></div><br><br clear="all"><br>-- <br>Randy Holiman<br>Pharmaceutical Technologies, Inc.<br>417-425-9281<br><a href="mailto:holiman.rh@gmail.com">holiman.rh@gmail.com</a> 

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From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 15:49:54 2008
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From: Richard Roberts <zeroohms@surfbest.net>
Subject: Re: film music rights,icensing etc.(OT)
Date: Thu, 6 Mar 2008 09:44:47 -0600
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Hi Mitch -

I believe the organization that covers the Pacific rim region is  
called SESAC. I apologize for not knowing what the acronym stands for.

- R

Richard Roberts
ZERO OHMS

"We are no longer the same after hearing certain sounds, and this is  
more the case when we hear organized sounds, sounds organized by  
another human being: music."
- Karlheinz Stockhausen

"If I should ever die, God forbid, let this be my epitaph: THE ONLY  
PROOF HE NEEDED FOR THE EXISTENCE OF GOD WAS MUSIC."
- Kurt Vonnegut, Jr.




From: Mech <mech@m3ch.net>
Date: March 6, 2008 3:54:56 AM CST
To: Loopers-Delight@loopers-delight.com
Subject: Re: film music rights,icensing etc.(OT).


At 6:32 PM -0800 2/12/08, L.A. Angulo wrote:


Last but not least all of my songwritting is
registered with the GEMA here in germany which is like
ASCAP or BMI.


Apologies for a bit of a sidetrack, but I was wondering if anybody  
might know the answer to a simple related question.

ASCAP & BMI cover North America and parts of Europe, while GEMA  
covers Germany and I recall at least one other for Scandinavia.  Does  
anybody happen to know the organization that would be their  
equivalent for Asia -- Japan in particular?

TIA!

	--m.







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<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Hi Mitch =
-</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I believe the =
organization that covers the Pacific rim region is called SESAC. I =
apologize for not knowing what the acronym stands for.</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">- R</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Richard =
Roberts</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">ZERO OHMS</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><I>"We are no longer the same after hearing =
certain sounds, and this is more the case when we hear organized sounds, =
sounds organized by another human being: =
music."=A0=A0</I></SPAN></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><FONT =
class=3D"Apple-style-span" size=3D"2"><SPAN class=3D"Apple-style-span" =
style=3D"font-size: 10px;"><I>- Karlheinz =
Stockhausen</I></SPAN></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 10px/normal Helvetica; min-height: 12px; "><BR></DIV><P =
style=3D"margin: 0.0px 0.0px 1.0px 0.0px"><FONT class=3D"Apple-style-span"=
 size=3D"2"><SPAN class=3D"Apple-style-span" style=3D"font-size: =
10px;"><I>"If I should ever die, God forbid, let this be my epitaph:=A0THE=
 ONLY PROOF HE NEEDED=A0FOR THE EXISTENCE OF GOD=A0WAS =
MUSIC."</I></SPAN></FONT></P><P style=3D"margin: 0.0px 0.0px 1.0px =
0.0px"><FONT class=3D"Apple-style-span" size=3D"2"><SPAN =
class=3D"Apple-style-span" style=3D"font-size: 10px;"><I>- =
Kurt=A0Vonnegut, Jr.=A0</I></SPAN></FONT></P><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Helvetica; min-height: 14px; =
"><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><B>From: </B>Mech &lt;<A =
href=3D"mailto:mech@m3ch.net"><FONT class=3D"Apple-style-span" =
color=3D"#0011ED">mech@m3ch.net</FONT></A>&gt;</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><B>Date: </B>March 6, 2008 3:54:56 AM CST</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><B>To: </B><A =
href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT =
class=3D"Apple-style-span" =
color=3D"#0011ED">Loopers-Delight@loopers-delight.com</FONT></A></DIV><DIV=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><B>Subject: Re: film music rights,icensing =
etc.(OT).</B></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">At 6:32 PM =
-0800 2/12/08, L.A. Angulo wrote:</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
color: rgb(0, 16, 220); min-height: 14px; "><FONT =
class=3D"Apple-style-span" color=3D"#0010DC"><BR></FONT></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#0010DC">Last but not least all of my songwritting =
is</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#0010DC">registered with the GEMA here in germany which is =
like</FONT></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><FONT class=3D"Apple-style-span" =
color=3D"#0010DC">ASCAP or BMI.</FONT></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Helvetica; color: rgb(0, 16, 220); =
min-height: 14px; "><FONT class=3D"Apple-style-span" =
color=3D"#0010DC"><BR></FONT></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Apologies for a bit of a sidetrack, but I was =
wondering if anybody might know the answer to a simple related =
question.</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">ASCAP &amp; BMI cover North America and parts of =
Europe, while GEMA covers Germany and I recall at least one other for =
Scandinavia.=A0=A0Does anybody happen to know the organization that =
would be their equivalent for Asia -- Japan in particular?</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">TIA!</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><SPAN class=3D"Apple-tab-span" =
style=3D"white-space:pre">	</SPAN>--m.</DIV><DIV><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><SPAN class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
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From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 17:35:53 2008
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Subject: What's the best vocal looper to buy for live looping
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Hello everyone, I have just joined the email list, but I'm really =20
exciting about using a looper in live performance.  I remember seeing =20
Phil Keaggy (a guitarist) using one like, 20 years ago, and I was =20
blown away.

This list is awesome!  It's going to help me realize a life-long dream =20
I've had to "be the band."  I am a professionally trained and seasoned =20
male vocalist, with a college degree in music, interested in getting a =20
looper that works especially well for exclusively vocal purposes.  I =20
have a four-octave range vocally, can sing all parts except low bass =20
and first soprano (which would be freakish).

So, I want to be able, in live performance, to lay down loops and =20
layer them until I have a full vocal band accompaniment (including =20
vocal percussion, although I may consider using a drum machine or drum =20
looops).

I want to know what is the best looper for me to buy to do this if =20
money were no object.  Then, I want to know the best looper I can get =20
to do this for $500.  These are two different questions, I know.

I am looking at the Boss RC-50 primarily, but I want to know what =20
people are using to do this sort of vocal looping.  What are the =20
strengths and weaknesses of different loopers for this purpose?

I also have a four-voice jazz group that I would like to use loops =20
with in live performance, once I have the technique down as a soloist. =20
  So, please bear that in mind as you help me figure out what =20
equipment I might need.

If this kind of thing has been discussed already, please direct me to =20
where i can find it in the archives, or to other sources on the =20
internet that I can consult.  Thanks for your help, and "loop on" and =20
all that.

Michael C. and the SacTones

From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 18:46:35 2008
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Date: Thu, 6 Mar 2008 13:46:27 -0500 (EST)
Subject: Re: What's the best vocal looper to buy for live looping
From: mike@michaelplishka.com
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Welcome Michael C!

I'm sure others will chime in but alot of live vocal looping is dependent
on how your system is wired.  I've done vocal looping with a Boomerang
Live and now I use an EDP. The boomerang was cool but I had to tweak it to
get a cleaner sound and I didn't like the amount the vocals were
attenuated on successive loops.

The EDP is much more flexible live and you can lay down multiple patterns.
 I love it for live and studio work.  Now the boomerang is just a backup.

I don't use my vocal mic for vocal looping (though I toyed with modifying
my system to do that a half year back.) I use the mic in my guitar.  Kinda
cooler for stage use.

You can hear some of the stuff done in one take using this setup at
www.myspace.com/bohdanovich . I prety much do these songs live just like
they are here-the EDP makes it easy to do

That's my two cents-I'm sure you'll get your money's worth here.

Welcome aboard!

~peace~

Plish
www.michaelplishka.com
www.myspace.com/michaelplishka
www.myspace.com/bohdanovich

> Hello everyone, I have just joined the email list, but I'm really
> exciting about using a looper in live performance.  I remember seeing
> Phil Keaggy (a guitarist) using one like, 20 years ago, and I was
> blown away.
> ~snip~

From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 19:41:47 2008
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Date: Thu, 06 Mar 2008 13:41:34 -0600
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Hey folks,

I have a Lexicon Jamman with the 32 second upgrade and two switching 
pedals with upgraded stereo cables for the switching pedals.  It also 
comes with a 2 space gator rack bag.  I'd like 350.00 + shipping.  I'd 
thought I'd list it here first before I post it on Ebay.

Daniel
Nashville, TN

From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 19:54:44 2008
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Date: Thu, 06 Mar 2008 11:54:36 -0800
Subject: BOSS RC-50 for sale
From: Larry Stites <ncnet@sbcglobal.net>
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Hi all - I have a BOSS RC-50 with BOSS power adapter I'd like to sell. I
bought it a year ago and haven't hardly used it. I have been busy with other
projects. So if anyone wants this RC-50 it's clean, very good condition,
works great and I guess I would sell for around $175.00 - let me know if you
are interested and we'll work out the details. Will be well packed for safe
shipping. Pictures available.

~.~.~.~.~.~.~.~.~.~.~.~.~.~
Larry Stites
Nevada City, CA 95959


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Hi Michael, and welcome to one of the most active communities you will come
to love it here!

I can also second the other micheals vote for the edp, as my favorite
looper, it has some features that you will discover will change the way you
think about a looper, and YOUR music, and music in general. Buy the edp, and
you "become a looper" as opposed to "use a looper!" and it is (pretty) easy
to get to grips with for basic looping "out of the box".

Reading your mail tho, you may also want to consider the much maligned
Repeater for your use. Firstly it has 4 tracks, so for vocal looping you
could do some interesting things by keeping low register stuff on one track,
and melodic stuff on the others, and once you have lots going, drop out the
bass or some other part, or rework a part. Another thing you might like to
do is PRE record your drum loops on a track (or couple of tracks if you want
stereo, or the drum part broken down into two parts , say kick and snare on
one track and perc on another) BUT HIDE them to the audience, by having them
faded down. Start your vocal loop in one of the other tracks, build it up
over 2 tracks, then BANG, bring in the drums. Your audience will know you
were looping your voice, but... "How did he get the drums to come in in
time" --- amazing... its magic!

The Boss RC 50, is no wimp however, and i hear good things there... have you
considered software? Abelton Live, might be your thing, but the whole
software question is really opening a right old tin of serpents!

mark

-- 
www.markfrancombe.com
www.looop.no

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Hi Michael, and welcome to one of the most active communities you will come to love it here!<br><br>I can also second the other micheals vote for the edp, as my favorite looper, it has some features that you will discover will change the way you think about a looper, and YOUR music, and music in general. Buy the edp, and you &quot;become a looper&quot; as opposed to &quot;use a looper!&quot; and it is (pretty) easy to get to grips with for basic looping &quot;out of the box&quot;.<br>
<br>Reading your mail tho, you may also want to consider the much maligned Repeater for your use. Firstly it has 4 tracks, so for vocal looping you could do some interesting things by keeping low register stuff on one track, and melodic stuff on the others, and once you have lots going, drop out the bass or some other part, or rework a part. Another thing you might like to do is PRE record your drum loops on a track (or couple of tracks if you want stereo, or the drum part broken down into two parts , say kick and snare on one track and perc on another) BUT HIDE them to the audience, by having them faded down. Start your vocal loop in one of the other tracks, build it up over 2 tracks, then BANG, bring in the drums. Your audience will know you were looping your voice, but... &quot;How did he get the drums to come in in time&quot; --- amazing... its magic!<br>

<br>The Boss RC 50, is no wimp however, and i hear good things there... have you considered software? Abelton Live, might be your thing, but the whole software question is really opening a right old tin of serpents!<br><br>

mark<br clear="all"><br>-- <br><a href="http://www.markfrancombe.com" target="_blank">www.markfrancombe.com</a><br><a href="http://www.looop.no" target="_blank">www.looop.no</a>

------=_Part_26842_6324107.1204833584119--

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Date: Thu, 06 Mar 2008 15:10:41 -0500
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Larry Stites wrote:

>Hi all - I have a BOSS RC-50 with BOSS power adapter I'd like to sell. I
>bought it a year ago and haven't hardly used it. I have been busy with other
>projects. So if anyone wants this RC-50 it's clean, very good condition,
>works great and I guess I would sell for around $175.00 - let me know if you
>are interested and we'll work out the details. Will be well packed for safe
>shipping. Pictures available.
>
>~.~.~.~.~.~.~.~.~.~.~.~.~.~
>Larry Stites
>Nevada City, CA 95959
>
>
>
>  
>
We'd like to get this from you
 
Dick Michaels
Rogue Music NYC

From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 20:34:39 2008
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Date: Thu, 06 Mar 2008 12:34:34 -0800
Subject: Re: BOSS RC-50 for sale  Oops! Meant RC-20
From: Larry Stites <ncnet@sbcglobal.net>
To: Paul Richards <paulrichard_rocks@yahoo.com>
CC: Loopers Delight <Loopers-Delight@loopers-delight.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3287651676_18080334
Content-type: text/plain;
	charset="ISO-8859-1"
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Doh!

Psych!

Sorry about that =AD making everyone salivate for inexpensive gear then takin=
g
it away.

I have an RC-20 - not RC-50 to sell...

:-/



LS
.............................
on 3/6/08 12:18 PM, Paul Richards wrote:

> Did you mean RC-20? I'd take the RC-50 for $175.
>  =20
> =20
>  =20
> Paul
>=20
> Larry Stites <ncnet@sbcglobal.net> wrote:
>  =20
>> Hi all - I have a BOSS RC-50 with BOSS power adapter I'd like to sell. I
>> bought it a year ago and haven't hardly used it. I have been busy with o=
ther
>> projects. So if anyone wants this RC-50 it's clean, very good condition,
>> works great and I guess I would sell for around $175.00 - let me know if=
 you
>> are interested and we'll work out the details. Will be well packed for s=
afe
>> shipping. Pictures available.
>>=20
>> ~.~.~.~.~.~.~.~.~.~.~.~.~.~
>> Larry Stites
>> Nevada City, CA 95959
>>=20



--B_3287651676_18080334
Content-type: text/html;
	charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: BOSS RC-50 for sale &nbsp;Oops! Meant RC-20</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:14.0px'>Doh!<=
BR>
<BR>
Psych!<BR>
<BR>
Sorry about that &#8211; making everyone salivate for inexpensive gear then=
 taking it away.<BR>
<BR>
I have an RC-20 - not RC-50 to sell... <BR>
<BR>
:-/<BR>
<BR>
<BR>
<BR>
LS<BR>
.............................<BR>
on 3/6/08 12:18 PM, Paul Richards wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYL=
E=3D'font-size:14.0px'>Did you mean RC-20? I'd take the RC-50 for $175.<BR>
&nbsp;&nbsp;<BR>
&nbsp;<BR>
&nbsp;&nbsp;<BR>
Paul<BR>
<BR>
<B><I>Larry Stites &lt;ncnet@sbcglobal.net&gt;</I></B> wrote:<BR>
&nbsp;&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Arial"><SPAN STYL=
E=3D'font-size:14.0px'>Hi all - I have a BOSS RC-50 with BOSS power adapter I'=
d like to sell. I<BR>
bought it a year ago and haven't hardly used it. I have been busy with othe=
r<BR>
projects. So if anyone wants this RC-50 it's clean, very good condition,<BR=
>
works great and I guess I would sell for around $175.00 - let me know if yo=
u<BR>
are interested and we'll work out the details. Will be well packed for safe=
<BR>
shipping. Pictures available.<BR>
<BR>
~.~.~.~.~.~.~.~.~.~.~.~.~.~<BR>
Larry Stites<BR>
Nevada City, CA 95959<BR>
<BR>
</SPAN></FONT></BLOCKQUOTE></BLOCKQUOTE><FONT FACE=3D"Verdana, Helvetica, Ari=
al"><SPAN STYLE=3D'font-size:14.0px'><BR>
</SPAN></FONT>
</BODY>
</HTML>


--B_3287651676_18080334--


From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 20:35:10 2008
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From: "mark francombe" <mark@markfrancombe.com>
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Subject: Amazing Video Looping
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http://uk.youtube.com/watch?v=ldPf3yqq3-8

Dunno if anyone posted this before. The kid who made this is quite a
celebrity here in Norway now, he started with some pretty basic but
briliantly edited beatbox video, and now this... fantastic. He is just
getting Art grants thrown at him to do what he wants now, and he not even 20
yet, as far as I know!

M

-- 
www.markfrancombe.com
www.looop.no

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<a href="http://uk.youtube.com/watch?v=ldPf3yqq3-8">http://uk.youtube.com/watch?v=ldPf3yqq3-8</a><br><br>Dunno if anyone posted this before. The kid who made this is quite a celebrity here in Norway now, he started with some pretty basic but briliantly edited beatbox video, and now this... fantastic. He is just getting Art grants thrown at him to do what he wants now, and he not even 20 yet, as far as I know!<br>
<br>M<br clear="all"><br>-- <br><a href="http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href="http://www.looop.no">www.looop.no</a>

------=_Part_27098_29984801.1204835686025--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 20:44:20 2008
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Date: Thu, 6 Mar 2008 12:44:18 -0800 (PST)
From: K D Patten <kdpatten@yahoo.com>
Subject: oh...theres a tweek?!!
To: loopers-delight@loopers-delight.com
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how bought a response here guys?...Thu, 28 Feb 2008 23:12:08 -0800 (PST)----- Lurker surfacing with  Boomerang head ache.........i know you guys have probably dealt with this issue before but...how do you set a boomerang to limit the background hiss?..I've tried putting an old rocktron micro hush between the rang & the board ...the hiss is gone ..but total tone suck.....any input?...thanks...kyle

Kyle Dean PattenP.O. Box 22Johnston, IA  50131 http://www.cdbaby.com/cd/kdpatten

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how bought a response here guys?...Thu, 28 Feb 2008 23:12:08 -0800 (PST)----- Lurker surfacing with  Boomerang head ache.........i know you guys have probably dealt with this issue before but...how do you set a boomerang to limit the background hiss?..I've tried putting an old rocktron micro hush between the rang &amp; the board ...the hiss is gone ..but total tone suck.....any input?...thanks...kyle<BR><BR><DIV>
<ADDRESS><FONT color=#bf00bf size=4>Kyle Dean Patten</FONT></ADDRESS>
<ADDRESS>P.O. Box 22</ADDRESS>
<ADDRESS>Johnston, IA&nbsp; 50131</ADDRESS>
<ADDRESS>&nbsp;</ADDRESS>
<ADDRESS><A href="http://www.cdbaby.com/cd/kdpatten">http://www.cdbaby.com/cd/kdpatten</A></ADDRESS></DIV>
--0-791501598-1204836258=:17542--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 22:26:43 2008
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Wow!  what a surprise! amazing=2E
-Q

Original Message:
-----------------
From: mark francombe mark@markfrancombe=2Ecom
Date: Thu, 6 Mar 2008 21:34:46 +0100
To: Loopers-Delight@loopers-delight=2Ecom
Subject: Amazing Video Looping


http://uk=2Eyoutube=2Ecom/watch=3Fv=3DldPf3yqq3-8

Dunno if anyone posted this before=2E The kid who made this is quite a
celebrity here in Norway now, he started with some pretty basic but
briliantly edited beatbox video, and now this=2E=2E=2E fantastic=2E He is =
just
getting Art grants thrown at him to do what he wants now, and he not even =
20
yet, as far as I know!

M

--=20
www=2Emarkfrancombe=2Ecom
www=2Elooop=2Eno


--------------------------------------------------------------------
mail2web - Check your email from the web at
http://link=2Email2web=2Ecom/mail2web


From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 22:59:57 2008
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Date: Thu, 6 Mar 2008 14:59:56 -0800 (PST)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: What's the best vocal looper to buy for live looping
To: Loopers-Delight@loopers-delight.com
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how'd ya tweek it mike?

mike@michaelplishka.com wrote:. The boomerang was cool but I had to tweak it to
get a cleaner sound 



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how'd ya tweek it mike?<br><br><b><i>mike@michaelplishka.com</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;">. The boomerang was cool but I had to tweak it to<br>get a cleaner sound <br><br></blockquote><br>
--0-765309608-1204844396=:41800--

From Loopers-Delight-request@loopers-delight.com  Thu Mar  6 23:34:20 2008
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: oh...theres a tweek?!!
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Hi there,

It's not that we're ignoring you.

It's probably just that the very few (relatively) Boomerang users on this l=
ist are away  . . . or suffering from similar problems.

The one that I know about, Michael Klobuchar, hasn't posted in a really lon=
g time.

The folks from the company that make the boomerang used to post every now a=
nd then . . . some years back.

But it's been a while since I've read or heard from any of the regular Boom=
erang users.

I suppose the rest of us just don't consider ourselves "experts" enough on =
that particular device to give an informed answer.

I have used a Boomerang a time or two . . . they do have their quirks.

Your problem doesn't sound like typical Boomerang behavior.

Whatever noise it may generate should not be THAT extreme.

Look through the LD archives and find the most recent active poster who men=
tions the Boomerang as their main looper of choice.

If you find one, email them directly.

They may not be currently "listening in" to the stream of mail coming from =
LD.

Good luck!

[BTW I'm and EDP user mostly and sometimes use a DD-20]

Cheers,

tEd =C2=AE kiLLiAn

http://www.myspace.com/tedkillianguitar
http://www.myspace.com/tedkillian

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20
Also check out the BEMF 1 CDs at: http://www.boisemusicians.com/experimenta=
l/cd.htm
And: "Mojo at the Dojo" CD at: http://cdbaby.com/cd/hartungkillian
And: "Experimentus" CD at: http://cdbaby.com/cd/krispen4

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042
http://www.guitarplayer.com/story.asp?storyCode=3D18131

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

---- K D Patten <kdpatten@yahoo.com> wrote:=20
> how bought a response here guys?...Thu, 28 Feb 2008 23:12:08 -0800 (PST)-=
---- Lurker surfacing with  Boomerang head ache.........i know you guys hav=
e probably dealt with this issue before but...how do you set a boomerang to=
 limit the background hiss?..I've tried putting an old rocktron micro hush =
between the rang & the board ...the hiss is gone ..but total tone suck.....=
any input?...thanks...kyle
>=20
> Kyle Dean PattenP.O. Box 22Johnston, IA  50131 http://www.cdbaby.com/cd/k=
dpatten

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Subject: check one, Daniel T. Albertini playing live on 99.1 Rock Revolution KSEK and Parsons KLKC with "Juno" for 5:00 Homeshow at Pittsburg Kansas Meadowbrook Mall
To: Ben <benlongberg@hotmail.com>, ben davis <bendavis007@hotmail.com>,
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their products and services.  Promotions including recordings of past 
"live" radio recordings that were improvised on the spot with "live looping/phrase sampling" using
a Boomerang Phrase Sampler/looper.
  For those not familiar with this technology I will try to briefly explain how this can be done. 
You play a guitar rhythm or riff, musical passage/phrase, rhythm from a drum machine, keyboard,
anything from a microphones feed, computer, vocals, etc. etc..  Verse, Chorus, Verse or randomly
generated noize for that matter and the Boomerang will immediately spit the sample back so you
have an instantly generated loop to play along with or improvise too.  You are the only one in
control and it can get out of control with a slip of the foot real easy, so its a real balancing
act...  It is great fun and I highly recommend giving it a try, I love my boomerang and it is one
of my secrets to getting good, real good at playing and performing with the guitar.  My instrument
of choice.  
Thank You All Very Much For All Your Encouragement and Continued Support Through the Years
Its Finally Paying Off In More Than One Way!!!
I hope to see you all soon :D 


      ____________________________________________________________________________________
Looking for last minute shopping deals?  
Find them fast with Yahoo! Search.  http://tools.search.yahoo.com/newsearch/category.php?category=shopping

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Subject: Cleaning the Rang-was Re: What's the best vocal looper to buy for live looping
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I was seriously tempted to do a hardware tweak and change capacitors to =
polyester instead of electrolytic (which I think would be worth a try =
regardless) but instead I always messed around with the gain and the =
setting switch to get the best sound.  I EQ and amplify a smidge coming =
off the guitar so that helps prevent distortion as well.

It also is IMPERATIVE to make sure there are no grounding issues.  If =
there is anything else powered in your setup, you can end up with =
hissing noise from ground loops as well.  I had extra wiring to make =
sure I was grounded in my practice room and that was the only way to get =
rid of the hiss.  When I confronted the makers of it they recommended =
your solution but I was worried about the tone being messed up as well.

And finally, a cleaning of the innards seems to help.

There is a knife edge where it seems the boomerang functions quietly and =
wonderfully, and it seems that every day it's  a new cutlery set.=20

That's why I'm an EDP guy.  If they put a roller volume on the EDP and =
made it for variable feedback it'd be AWESOME!=20

Hope this helps!

Plish
  ----- Original Message -----=20
  From: K D Patten=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, March 06, 2008 4:59 PM
  Subject: Re: What's the best vocal looper to buy for live looping


  how'd ya tweek it mike?

  mike@michaelplishka.com wrote:
    . The boomerang was cool but I had to tweak it to
    get a cleaner sound=20




------=_NextPart_000_000D_01C87FC3.EE921340
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16608" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I was seriously tempted to do a =
hardware tweak and=20
change capacitors to polyester instead of electrolytic (which I think =
would be=20
worth a try regardless)&nbsp;but instead I&nbsp;always messed =
around&nbsp;with=20
the gain and the setting switch to get the best sound.&nbsp; I EQ and =
amplify a=20
smidge coming off the guitar so that helps prevent distortion as=20
well.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It also is IMPERATIVE to make sure =
there are no=20
grounding issues.&nbsp; If there is anything else powered in your setup, =
you can=20
end up with hissing noise from ground loops as well.&nbsp; I had extra =
wiring to=20
make sure I was grounded in my practice room and that was the only way =
to get=20
rid of the hiss.&nbsp; When I confronted the makers of it they =
recommended your=20
solution but I was worried about the tone being messed up as =
well.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>And finally, a cleaning of the innards =
seems to=20
help.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>There is a knife edge&nbsp;where it =
seems the=20
boomerang functions&nbsp;quietly and wonderfully, and it seems that =
every day=20
it's &nbsp;a new cutlery set.&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>That's why I'm an EDP guy.&nbsp; If =
they put a=20
roller volume on the EDP and made it for variable feedback&nbsp;it'd be=20
AWESOME!</FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Hope this helps!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Plish</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dkdpatten@yahoo.com href=3D"mailto:kdpatten@yahoo.com">K D =
Patten</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 06, 2008 =
4:59=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: What's the best =
vocal looper=20
  to buy for live looping</DIV>
  <DIV><BR></DIV>how'd ya tweek it mike?<BR><BR><B><I><A=20
  =
href=3D"mailto:mike@michaelplishka.com">mike@michaelplishka.com</A></I></=
B>=20
  wrote:
  <BLOCKQUOTE class=3Dreplbq=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: =
rgb(16,16,255) 2px solid">.=20
    The boomerang was cool but I had to tweak it to<BR>get a cleaner =
sound=20
    <BR><BR></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 06:28:15 2008
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To: Loopers-Delight@loopers-delight.com
From: Michael Carlson Music <music@carlsonarts.com>
Subject: RE: What's the best vocal looper to buy
Date: Thu, 6 Mar 2008 22:18:43 -0800
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The EDP sounds interesting.  I want to be able to record a whole  
song, part by part, and solo over it vocally - this could require at  
least four parts in at least three sections.  Check out Vocaloop.com  
for a guy who is doing what I have in mind.  What equipment do you  
think he is using?  I can't tell from the videos, but it looks like  
he's got LOTS of pedals on the floor.

Also on youtube:

http://www.youtube.com/watch?v=GAtatKjDxEs

And better yet:

http://www.youtube.com/watch?v=l073tuzxoV0&feature=related
(but skip to about 2:22 to hear the song I'm talking about.  I won't  
tell you what song it is, but lets just say maybe in Scandinavia MJ  
is still PC.)

So, would the 198 seconds in the EDP be enough to do what he is  
doing?  is it expandable?  It may be out of my price range for a  
first unit.   I'd have to buy pedals for it too, right?  Sweetwater  
lists it at $999.

Michael C.

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198 seconds is the max time for an EDP, it's already expanded from the
original 12.5 seconds.
Guitar Centre are selling them for $599 with the footcontroller: they can't
be making anything on them at that price!

http://www.guitarcenter.com/Gibson-TGE-05-Echoplex-Digital-Pro-Plus-and-TGE-
04-Footswitch-150497-i1389137.gc 

-----Original Message-----
From: Michael Carlson Music [mailto:music@carlsonarts.com] 
Sent: 07 March 2008 06:19
To: Loopers-Delight@loopers-delight.com
Subject: RE: What's the best vocal looper to buy

The EDP sounds interesting.  I want to be able to record a whole  
song, part by part, and solo over it vocally - this could require at  
least four parts in at least three sections.  Check out Vocaloop.com  
for a guy who is doing what I have in mind.  What equipment do you  
think he is using?  I can't tell from the videos, but it looks like  
he's got LOTS of pedals on the floor.

Also on youtube:

http://www.youtube.com/watch?v=GAtatKjDxEs

And better yet:

http://www.youtube.com/watch?v=l073tuzxoV0&feature=related
(but skip to about 2:22 to hear the song I'm talking about.  I won't  
tell you what song it is, but lets just say maybe in Scandinavia MJ  
is still PC.)

So, would the 198 seconds in the EDP be enough to do what he is  
doing?  is it expandable?  It may be out of my price range for a  
first unit.   I'd have to buy pedals for it too, right?  Sweetwater  
lists it at $999.

Michael C.

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Date: Fri, 7 Mar 2008 00:44:25 -0800 (PST)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: Cleaning the Rang-was Re: What's the best vocal looper to buy for live looping
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thank you for your response...i have another rang that i put in the chain same settings , same placement....no noise....i think i have a bum rang...guess may be I'm going to have to work on this one...thank for you input...kyle

Michael Plishka <mike@michaelplishka.com> wrote:       I was seriously tempted to do a hardware tweak and  change capacitors to polyester instead of electrolytic (which I think would be  worth a try regardless) but instead I always messed around with  the gain and the setting switch to get the best sound.  I EQ and amplify a  smidge coming off the guitar so that helps prevent distortion as  well.
  
 It also is IMPERATIVE to make sure there are no  grounding issues.  If there is anything else powered in your setup, you can  end up with hissing noise from ground loops as well.  I had extra wiring to  make sure I was grounded in my practice room and that was the only way to get  rid of the hiss.  When I confronted the makers of it they recommended your  solution but I was worried about the tone being messed up as well.
  
 And finally, a cleaning of the innards seems to  help.
  
 There is a knife edge where it seems the  boomerang functions quietly and wonderfully, and it seems that every day  it's  a new cutlery set. 
  
 That's why I'm an EDP guy.  If they put a  roller volume on the EDP and made it for variable feedback it'd be  AWESOME! 
  
 Hope this helps!
  
 Plish
    ----- Original Message ----- 
   From:    K D Patten    
   To: Loopers-Delight@loopers-delight.com    
   Sent: Thursday, March 06, 2008 4:59    PM
   Subject: Re: What's the best vocal looper    to buy for live looping
   

how'd ya tweek it mike?

mike@michaelplishka.com    wrote:   .      The boomerang was cool but I had to tweak it to
get a cleaner sound      




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thank you for your response...i have another rang that i put in the chain same settings , same placement....no noise....i think i have a bum rang...guess may be I'm going to have to work on this one...thank for you input...kyle<br><br><b><i>Michael Plishka &lt;mike@michaelplishka.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;">   <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1"> <meta content="MSHTML 6.00.6000.16608" name="GENERATOR"> <style></style>  <div><font face="Arial" size="2">I was seriously tempted to do a hardware tweak and  change capacitors to polyester instead of electrolytic (which I think would be  worth a try regardless)&nbsp;but instead I&nbsp;always messed around&nbsp;with  the gain and the setting switch to get the best sound.&nbsp; I EQ and amplify a  smidge coming off the guitar so that helps prevent distortion as  well.</font></div> <div><font
 face="Arial" size="2"></font>&nbsp;</div> <div><font face="Arial" size="2">It also is IMPERATIVE to make sure there are no  grounding issues.&nbsp; If there is anything else powered in your setup, you can  end up with hissing noise from ground loops as well.&nbsp; I had extra wiring to  make sure I was grounded in my practice room and that was the only way to get  rid of the hiss.&nbsp; When I confronted the makers of it they recommended your  solution but I was worried about the tone being messed up as well.</font></div> <div><font face="Arial" size="2"></font>&nbsp;</div> <div><font face="Arial" size="2">And finally, a cleaning of the innards seems to  help.</font></div> <div><font face="Arial" size="2"></font>&nbsp;</div> <div><font face="Arial" size="2">There is a knife edge&nbsp;where it seems the  boomerang functions&nbsp;quietly and wonderfully, and it seems that every day  it's &nbsp;a new cutlery set.&nbsp;</font></div> <div><font face="Arial"
 size="2"></font>&nbsp;</div> <div><font face="Arial" size="2">That's why I'm an EDP guy.&nbsp; If they put a  roller volume on the EDP and made it for variable feedback&nbsp;it'd be  AWESOME!</font>&nbsp;</div> <div><font face="Arial" size="2"></font>&nbsp;</div> <div><font face="Arial" size="2">Hope this helps!</font></div> <div><font face="Arial" size="2"></font>&nbsp;</div> <div><font face="Arial" size="2">Plish</font></div> <blockquote style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">   <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">----- Original Message ----- </div>   <div style="background: rgb(228, 228, 228) none repeat scroll 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family:
 arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>From:</b>    <a title="kdpatten@yahoo.com" href="mailto:kdpatten@yahoo.com">K D Patten</a>    </div>   <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>To:</b> <a title="Loopers-Delight@loopers-delight.com" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a>    </div>   <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"><b>Sent:</b> Thursday, March 06, 2008 4:59    PM</div>   <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal;
 font-size-adjust: none; font-stretch: normal;"><b>Subject:</b> Re: What's the best vocal looper    to buy for live looping</div>   <div><br></div>how'd ya tweek it mike?<br><br><b><i><a href="mailto:mike@michaelplishka.com">mike@michaelplishka.com</a></i></b>    wrote:   <blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); padding-left: 5px; margin-left: 5px;">.      The boomerang was cool but I had to tweak it to<br>get a cleaner sound      <br><br></blockquote><br></blockquote></blockquote><br>
--0-319665227-1204879465=:97388--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 08:49:23 2008
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Date: Fri, 7 Mar 2008 00:49:21 -0800 (PST)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: oh...theres a tweek?!!
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thanks for your in put ted....i was beginning to think i wasn't getting through on the post...kyle

tEd ® kiLLiAn <tedkillian@charter.net> wrote: Hi there,

It's not that we're ignoring you.

It's probably just that the very few (relatively) Boomerang users on this list are away  . . . or suffering from similar problems.

The one that I know about, Michael Klobuchar, hasn't posted in a really long time.

The folks from the company that make the boomerang used to post every now and then . . . some years back.

But it's been a while since I've read or heard from any of the regular Boomerang users.

I suppose the rest of us just don't consider ourselves "experts" enough on that particular device to give an informed answer.

I have used a Boomerang a time or two . . . they do have their quirks.

Your problem doesn't sound like typical Boomerang behavior.

Whatever noise it may generate should not be THAT extreme.

Look through the LD archives and find the most recent active poster who mentions the Boomerang as their main looper of choice.

If you find one, email them directly.

They may not be currently "listening in" to the stream of mail coming from LD.

Good luck!

[BTW I'm and EDP user mostly and sometimes use a DD-20]

Cheers,

tEd ® kiLLiAn

http://www.myspace.com/tedkillianguitar
http://www.myspace.com/tedkillian

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076 
Also check out the BEMF 1 CDs at: http://www.boisemusicians.com/experimental/cd.htm
And: "Mojo at the Dojo" CD at: http://cdbaby.com/cd/hartungkillian
And: "Experimentus" CD at: http://cdbaby.com/cd/krispen4

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042
http://www.guitarplayer.com/story.asp?storyCode=18131

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

---- K D Patten  wrote: 
> how bought a response here guys?...Thu, 28 Feb 2008 23:12:08 -0800 (PST)----- Lurker surfacing with  Boomerang head ache.........i know you guys have probably dealt with this issue before but...how do you set a boomerang to limit the background hiss?..I've tried putting an old rocktron micro hush between the rang & the board ...the hiss is gone ..but total tone suck.....any input?...thanks...kyle
> 
> Kyle Dean PattenP.O. Box 22Johnston, IA  50131 http://www.cdbaby.com/cd/kdpatten



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thanks for your in put ted....i was beginning to think i wasn't getting through on the post...kyle<br><br><b><i>tEd ® kiLLiAn &lt;tedkillian@charter.net&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> Hi there,<br><br>It's not that we're ignoring you.<br><br>It's probably just that the very few (relatively) Boomerang users on this list are away  . . . or suffering from similar problems.<br><br>The one that I know about, Michael Klobuchar, hasn't posted in a really long time.<br><br>The folks from the company that make the boomerang used to post every now and then . . . some years back.<br><br>But it's been a while since I've read or heard from any of the regular Boomerang users.<br><br>I suppose the rest of us just don't consider ourselves "experts" enough on that particular device to give an informed answer.<br><br>I have used a Boomerang a time or two . . . they do have their
 quirks.<br><br>Your problem doesn't sound like typical Boomerang behavior.<br><br>Whatever noise it may generate should not be THAT extreme.<br><br>Look through the LD archives and find the most recent active poster who mentions the Boomerang as their main looper of choice.<br><br>If you find one, email them directly.<br><br>They may not be currently "listening in" to the stream of mail coming from LD.<br><br>Good luck!<br><br>[BTW I'm and EDP user mostly and sometimes use a DD-20]<br><br>Cheers,<br><br>tEd ® kiLLiAn<br><br>http://www.myspace.com/tedkillianguitar<br>http://www.myspace.com/tedkillian<br><br>Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076 <br>Also check out the BEMF 1 CDs at: http://www.boisemusicians.com/experimental/cd.htm<br>And: "Mojo at the Dojo" CD at: http://cdbaby.com/cd/hartungkillian<br>And: "Experimentus" CD at:
 http://cdbaby.com/cd/krispen4<br><br>http://www.pfmentum.com/flux.html<br>http://www.CDbaby.com/cd/tedkillian<br>http://www.guitar9.com/fluxaeterna.html<br>http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193<br>http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&amp;id=121197000042<br>http://www.guitarplayer.com/story.asp?storyCode=18131<br><br>Ted Killian's "Flux Aeterna" is also available at Apple iTunes<br><br>---- K D Patten <kdpatten@yahoo.com> wrote: <br>&gt; how bought a response here guys?...Thu, 28 Feb 2008 23:12:08 -0800 (PST)----- Lurker surfacing with  Boomerang head ache.........i know you guys have probably dealt with this issue before but...how do you set a boomerang to limit the background hiss?..I've tried putting an old rocktron micro hush between the rang &amp; the board ...the hiss is gone ..but total tone suck.....any input?...thanks...kyle<br>&gt; <br>&gt; Kyle Dean PattenP.O. Box 22Johnston, IA  50131
 http://www.cdbaby.com/cd/kdpatten<br><br></kdpatten@yahoo.com></blockquote><br>
--0-253359901-1204879761=:34217--

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Subject: Re: What's the best vocal looper to buy
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Keep in mind, you can't store audio on the EDP. Once you turn it off,  
its gone. I know you wanted a hardware box, but Ableton LIve would be  
far more powerful and easier to do what you want.

On Mar 7, 2008, at 1:18 AM, Michael Carlson Music wrote:

> The EDP sounds interesting.  I want to be able to record a whole  
> song, part by part, and solo over it vocally - this could require at  
> least four parts in at least three sections.  Check out Vocaloop.com  
> for a guy who is doing what I have in mind.  What equipment do you  
> think he is using?  I can't tell from the videos, but it looks like  
> he's got LOTS of pedals on the floor.
>
> Also on youtube:
>
> http://www.youtube.com/watch?v=GAtatKjDxEs
>
> And better yet:
>
> http://www.youtube.com/watch?v=l073tuzxoV0&feature=related
> (but skip to about 2:22 to hear the song I'm talking about.  I won't  
> tell you what song it is, but lets just say maybe in Scandinavia MJ  
> is still PC.)
>
> So, would the 198 seconds in the EDP be enough to do what he is  
> doing?  is it expandable?  It may be out of my price range for a  
> first unit.   I'd have to buy pedals for it too, right?  Sweetwater  
> lists it at $999.
>
> Michael C.
>

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Hey folks,
=20
I had been considering plunking down a coupla hundred bucks on a used Enson=
iq or E-mu drum machine and it occurred to me that it might be cheaper to g=
o the software route. For whatever reason I have a bit of a brain block whe=
n it comes to programming synths, MIDI, and rhythms, so it will be an uphil=
l battle I know. The drum machines I've been drawn to are those that allow =
you hammer out rhythms on pads in real-time, so that you don't JUST have to=
 do it in step programming. Trance/dance/techno/breakbeat etc are what I'm =
looking for.
=20
Any decent software packages out there focused on drums? I really don't hav=
e the time/inclination to master a complicated software interface like a lo=
t of the overall production systems - if there really is a dedicated drum m=
achine program out there that's decent, i'd love to play with it. If it has=
 (or has access to) multiple decent drum libraries as well, that would be c=
ool - or at least the ability to play wav samples.=20
=20
I do have an Akai MPD16 midi drum control pad thingie, so that should help.
=20
Any thoughts on a "for dummies" software drum machine?
=20
=20
_________________________________________________________________
Connect and share in new ways with Windows Live.
http://www.windowslive.com/share.html?ocid=3DTXT_TAGHM_Wave2_sharelife_0120=
08=

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Hey folks,<BR>
&nbsp;<BR>
I had been considering plunking down a coupla hundred bucks on a used Enson=
iq or E-mu drum machine and it occurred to me that it might be cheaper to g=
o the software route. For whatever reason I have a bit of a brain block whe=
n it comes to programming synths, MIDI, and rhythms, so it will be an uphil=
l battle I know. The drum machines I've been drawn to are those that allow =
you hammer out rhythms on pads in real-time, so that you don't JUST have to=
 do it in step programming. Trance/dance/techno/breakbeat etc are what I'm =
looking for.<BR>
&nbsp;<BR>
Any decent software packages out there focused on drums? I really don't hav=
e the time/inclination to master a complicated software interface like a lo=
t of the overall production systems - if there really is a dedicated drum m=
achine program out there that's decent, i'd love to play with it. If it has=
 (or has access to) multiple decent drum libraries as well, that would be c=
ool - or at least the ability to play wav samples. <BR>
&nbsp;<BR>
I do have an Akai MPD16 midi drum control pad thingie, so that should help.=
<BR>
&nbsp;<BR>
Any thoughts on a "for dummies" software drum machine?<BR>
&nbsp;<BR>
&nbsp;<BR><br /><hr />Connect and share in new ways with Windows Live. <a h=
ref=3D'http://www.windowslive.com/share.html?ocid=3DTXT_TAGHM_Wave2_shareli=
fe_012008' target=3D'_new'>Get it now!</a></body>
</html>=

--_41e603df-6475-4b72-91ae-cba68b18e168_--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 14:06:14 2008
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Subject: Re: Easiest drum machine software
Date: Fri, 7 Mar 2008 08:05:59 -0600
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Check out PC Drummer.  Easy to use, and it allows tweaking to give =
variation to both hit and rhythm so it doesn't sound like a machine. It =
can handle 24bit stuff, and you can use your own samples. You can then =
save it as one wav file or as multiple wav files for each instrument in =
your kit.

http://www.pcdrummer.com/index.html

~Peace~

Plish
  ----- Original Message -----=20
  From: jj 179=20
  To: loopers-delight@loopers-delight.com=20
  Sent: Friday, March 07, 2008 7:22 AM
  Subject: Easiest drum machine software


  Hey folks,
  =20
  I had been considering plunking down a coupla hundred bucks on a used =
Ensoniq or E-mu drum machine and it occurred to me that it might be =
cheaper to go the software route. For whatever reason I have a bit of a =
brain block when it comes to programming synths, MIDI, and rhythms, so =
it will be an uphill battle I know. The drum machines I've been drawn to =
are those that allow you hammer out rhythms on pads in real-time, so =
that you don't JUST have to do it in step programming. =
Trance/dance/techno/breakbeat etc are what I'm looking for.
  =20
  Any decent software packages out there focused on drums? I really =
don't have the time/inclination to master a complicated software =
interface like a lot of the overall production systems - if there really =
is a dedicated drum machine program out there that's decent, i'd love to =
play with it. If it has (or has access to) multiple decent drum =
libraries as well, that would be cool - or at least the ability to play =
wav samples.=20
  =20
  I do have an Akai MPD16 midi drum control pad thingie, so that should =
help.
  =20
  Any thoughts on a "for dummies" software drum machine?
  =20
  =20


-------------------------------------------------------------------------=
-----
  Connect and share in new ways with Windows Live. Get it now! 
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<META content=3D"MSHTML 6.00.6000.16608" name=3DGENERATOR></HEAD>
<BODY class=3Dhmmessage bgColor=3D#ffffff>
<DIV><FONT face=3DArial>Check out PC Drummer.&nbsp; Easy to use, and it =
allows=20
tweaking to give variation to both hit and rhythm so it doesn't sound =
like a=20
machine. It can handle 24bit stuff, and you can use your own samples. =
You can=20
then save it as one wav file or as multiple wav files for each =
instrument in=20
your kit.</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial><A=20
href=3D"http://www.pcdrummer.com/index.html">http://www.pcdrummer.com/ind=
ex.html</A></FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>~Peace~<BR><BR>Plish</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Djj179subs@hotmail.com =
href=3D"mailto:jj179subs@hotmail.com">jj 179</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, March 07, 2008 =
7:22=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Easiest drum machine=20
  software</DIV>
  <DIV><BR></DIV>Hey folks,<BR>&nbsp;<BR>I had been considering plunking =
down a=20
  coupla hundred bucks on a used Ensoniq or E-mu drum machine and it =
occurred to=20
  me that it might be cheaper to go the software route. For whatever =
reason I=20
  have a bit of a brain block when it comes to programming synths, MIDI, =
and=20
  rhythms, so it will be an uphill battle I know. The drum machines I've =
been=20
  drawn to are those that allow you hammer out rhythms on pads in =
real-time, so=20
  that you don't JUST have to do it in step programming.=20
  Trance/dance/techno/breakbeat etc are what I'm looking =
for.<BR>&nbsp;<BR>Any=20
  decent software packages out there focused on drums? I really don't =
have the=20
  time/inclination to master a complicated software interface like a lot =
of the=20
  overall production systems - if there really is a dedicated drum =
machine=20
  program out there that's decent, i'd love to play with it. If it has =
(or has=20
  access to) multiple decent drum libraries as well, that would be cool =
- or at=20
  least the ability to play wav samples. <BR>&nbsp;<BR>I do have an Akai =
MPD16=20
  midi drum control pad thingie, so that should help.<BR>&nbsp;<BR>Any =
thoughts=20
  on a "for dummies" software drum machine?<BR>&nbsp;<BR>&nbsp;<BR><BR>
  <HR>
  Connect and share in new ways with Windows Live. <A=20
  =
href=3D"http://www.windowslive.com/share.html?ocid=3DTXT_TAGHM_Wave2_shar=
elife_012008"=20
  target=3D_new>Get it now!</A> </BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 14:06:29 2008
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Subject: Re: What's the best vocal looper to buy for live looping
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Date: Fri, 7 Mar 2008 07:51:13 -0600
References: <20080306122911.1wvaynjn4oogw4sc@webmail.carlsonarts.com> <29499.167.83.10.20.1204829187.squirrel@www.michaelplishka.com>
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i dont about u guys.
i own a rang, my 1st looper, then moved up to the edp.
sweet!

but, i got a Looperlative last yr and there really is no comparison.  
it it heads AND tails past everything else.
took some doing to get out of my edp habits like having to hit the rec  
button TWICE or ull remain in overdub mode but that aside, ull be  
amazed.

its EIGHT (8)...
STEREO
FOUR mins...
of 24 bit recording
my friend.

u do understand that this means that it has 16 times the trks of the  
edp.
my only gripe is the no undo thing but the maker is right. u have  
separate control of start and stop of 8 stereo trks. just stop the  
offending trk and rerecord it.
id still prefer an undo though. i feel naked onstage without it. i do  
screw up sometimes.
(like left it in overdub for the last 4 passes like an idiot).

plus, whatever u could conceive, just write to the maker and he will  
implement it in the next update which, by the way, is the easiest  
thing to do. u plug in ur cat5 cable, set the menu to update, press  
enter. in mins, u have the new software.

as i said NO comparison.

--Adrian Bartholomew
Quincy, IL
"Life rocks, when you don't give a damn about it."

On Thursday6,Mar 2008, at 12:46 PM, mike@michaelplishka.com wrote:

> Welcome Michael C!
>
> I'm sure others will chime in but alot of live vocal looping is  
> dependent
> on how your system is wired.  I've done vocal looping with a Boomerang
> Live and now I use an EDP. The boomerang was cool but I had to tweak  
> it to
> get a cleaner sound and I didn't like the amount the vocals were
> attenuated on successive loops.
>
> The EDP is much more flexible live and you can lay down multiple  
> patterns.
> I love it for live and studio work.  Now the boomerang is just a  
> backup.
>
> I don't use my vocal mic for vocal looping (though I toyed with  
> modifying
> my system to do that a half year back.) I use the mic in my guitar.   
> Kinda
> cooler for stage use.
>
> You can hear some of the stuff done in one take using this setup at
> www.myspace.com/bohdanovich . I prety much do these songs live just  
> like
> they are here-the EDP makes it easy to do
>
> That's my two cents-I'm sure you'll get your money's worth here.
>
> Welcome aboard!
>
> ~peace~
>
> Plish
> www.michaelplishka.com
> www.myspace.com/michaelplishka
> www.myspace.com/bohdanovich
>
>> Hello everyone, I have just joined the email list, but I'm really
>> exciting about using a looper in live performance.  I remember seeing
>> Phil Keaggy (a guitarist) using one like, 20 years ago, and I was
>> blown away.
>> ~snip~
>


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	charset=US-ASCII
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">i dont about u guys.<div>i own =
a rang, my 1st looper, then moved up to the =
edp.</div><div>sweet!</div><div><br =
class=3D"webkit-block-placeholder"></div><div>but, i got a Looperlative =
last yr and there really is no comparison. it it heads AND tails past =
everything else.</div><div>took some doing to get out of my edp habits =
like having to hit the rec button TWICE or ull remain in overdub mode =
but that aside, ull be amazed.</div><div><br =
class=3D"webkit-block-placeholder"></div><div><b>its EIGHT =
(8)...</b></div><div><b>STEREO</b></div><div><b>FOUR =
mins...</b></div><div><b>of 24 bit recording</b></div><div>my =
friend.</div><div><br class=3D"webkit-block-placeholder"></div><div>u do =
understand that this means that it has 16 times the trks of the =
edp.</div><div>my only gripe is the no undo thing but the maker is =
right. u have separate control of start and stop of 8 stereo trks. just =
stop the offending trk and rerecord it.</div><div>id still prefer an =
undo though. i feel naked onstage without it. i do screw up =
sometimes.</div><div>(like left it in overdub for the last 4 passes like =
an idiot).</div><div><br =
class=3D"webkit-block-placeholder"></div><div>plus, whatever u could =
conceive, just write to the maker and he will implement it in the next =
update which, by the way, is the easiest thing to do. u plug in ur cat5 =
cable, set the menu to update, press enter. in mins, u have the new =
software.</div><div><br class=3D"webkit-block-placeholder"></div><div>as =
i said NO comparison.<br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div><br =
class=3D"Apple-interchange-newline">--<font class=3D"Apple-style-span" =
face=3D"Chalkboard"><b><font class=3D"Apple-style-span" =
color=3D"#8F4340">Adrian Bartholomew</font></b></font></div><div><font =
class=3D"Apple-style-span" face=3D"Futura">Quincy, =
IL</font></div><div><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" =
face=3D"Courier">"</font></font><i><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" face=3D"Courier">Life =
rocks, when you don't give a damn about =
it."</font></font></i></div></span> </div><br><div><div>On Thursday6,Mar =
2008, at 12:46 PM, <a =
href=3D"mailto:mike@michaelplishka.com">mike@michaelplishka.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">Welcome Michael C!<br><br>I'm sure others will chime in =
but alot of live vocal looping is dependent<br>on how your system is =
wired. &nbsp;I've done vocal looping with a Boomerang<br>Live and now I =
use an EDP. The boomerang was cool but I had to tweak it to<br>get a =
cleaner sound and I didn't like the amount the vocals were<br>attenuated =
on successive loops.<br><br>The EDP is much more flexible live and you =
can lay down multiple patterns.<br> I love it for live and studio work. =
&nbsp;Now the boomerang is just a backup.<br><br>I don't use my vocal =
mic for vocal looping (though I toyed with modifying<br>my system to do =
that a half year back.) I use the mic in my guitar. =
&nbsp;Kinda<br>cooler for stage use.<br><br>You can hear some of the =
stuff done in one take using this setup at<br><a =
href=3D"http://www.myspace.com/bohdanovich">www.myspace.com/bohdanovich</a=
> . I prety much do these songs live just like<br>they are here-the EDP =
makes it easy to do<br><br>That's my two cents-I'm sure you'll get your =
money's worth here.<br><br>Welcome =
aboard!<br><br>~peace~<br><br>Plish<br><a =
href=3D"http://www.michaelplishka.com">www.michaelplishka.com</a><br>www.m=
yspace.com/michaelplishka<br>www.myspace.com/bohdanovich<br><br><blockquot=
e type=3D"cite">Hello everyone, I have just joined the email list, but =
I'm really<br></blockquote><blockquote type=3D"cite">exciting about =
using a looper in live performance. &nbsp;I remember =
seeing<br></blockquote><blockquote type=3D"cite">Phil Keaggy (a =
guitarist) using one like, 20 years ago, and I =
was<br></blockquote><blockquote type=3D"cite">blown =
away.<br></blockquote><blockquote =
type=3D"cite">~snip~<br></blockquote><br></blockquote></div><br></div></bo=
dy></html>=

--Apple-Mail-11--1042593327--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 14:35:29 2008
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Date: Fri, 07 Mar 2008 09:33:58 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #570 for March 6, 2008
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http://wdiy.org/programs/gt/playlists/2008/080306.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #570                March 6, 2008

RECAP:
On this show, I started a month-long focus on Gert Emmens.  The Featured
CD at Midnight was "Waves of Dreams" on Groove Unlimited records.

I also played music by Xeroid Entity, one of the groups playing at the
Electro-Music Orchestra concert at the David Sarnoff Library on March
15th.  Details are found on the events page.

Gert Emmens: http://wdiy.org/programs/gt/playlists/2008/focus.html#mar
Events Page: http://wdiy.org/programs/gt/events.html


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Xeroid Entity        Adrift               Live at the Deer Head Inn
                                            (electro-music)
Arcane               Aftermath            Pulse (none)
Mark Zaki            Strange Lines and    Strange Lines and Distances
                       Distances            (none)
Ricochet Musicians   Electric Peak        Yellowstone 2007 (Ricochet
                                            Dream)
Gert Emmens          After the Rain       Waves of Dreams (Groove)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Gert Emmens          Another Time,        Waves of Dreams (Groove)
                       Another Space
Gert Emmens          Waves of Dreams      Waves of Dreams (Groove)
Gert Emmens          Dawn                 Waves of Dreams (Groove)
Gert Emmens          Heading Towards      Waves of Dreams (Groove)
                       Unknown Destinations
Gert Emmens          Bright Spot On a     Waves of Dreams (Groove)
                       Grey Day

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on Gert
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Bill
=======================================================================
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From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 15:03:46 2008
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Subject: RE: Easiest drum machine software
Date: Fri, 7 Mar 2008 16:03:34 +0100
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> Any thoughts on a "for dummies" software drum machine? 
 
 
Not exactly what you're looking for but be sure to check out the Steinberg
Grooveagent - it has a cool user interface that allows you to intuitively
choose from many nice prefabricated rhythms which can be randomized and
modified in various ways. Something for dummies such as myself. I was too
lazy to program drum rhythms and instead used several highly randomized
Grooveagent rhythms in my latest guitar livelooping experiments - go to
www.michaelpeters.de/livelooping2007.htm and listen to the three Norwich
sets. I didn't want to take a computer on stage so I recorded several
minutes of each of these rhythms and fed them into a loop from a CD player,
directly overdubbing bass, and I had my backing band playing along in no
time  :-)
 
 
-Michael

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<BODY class=3Dhmmessage>
<DIV dir=3Dltr align=3Dleft><FONT face=3DArial><SPAN =
class=3D640315514-07032008>&gt;=20
</SPAN></FONT>Any thoughts on a "for dummies" software drum =
machine?<SPAN=20
class=3D640315514-07032008><FONT face=3DArial>&nbsp;</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D640315514-07032008></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D640315514-07032008><FONT=20
face=3DArial></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D640315514-07032008><FONT =
face=3DArial>Not=20
exactly what you're looking for but be sure to check out the Steinberg=20
Grooveagent -&nbsp;it has a cool user interface that allows you to =
intuitively=20
choose from many nice prefabricated rhythms</FONT>&nbsp;<FONT =
face=3DArial>which=20
can be randomized and modified in various ways. Something for dummies =
such as=20
myself. I was too lazy to program drum rhythms and instead used several =
highly=20
randomized Grooveagent rhythms in my latest guitar livelooping =
experiments=20
-&nbsp;go to <A=20
href=3D"http://www.michaelpeters.de/livelooping2007.htm">www.michaelpeter=
s.de/livelooping2007.htm</A>=20
and listen to the three Norwich sets. I didn't want to take a computer =
on stage=20
so I recorded several minutes of each of these rhythms and fed them into =
a loop=20
from a CD player, directly overdubbing bass, and I had my backing band =
playing=20
along in no time &nbsp;:-)</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D640315514-07032008><FONT=20
face=3DArial></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D640315514-07032008><FONT=20
face=3DArial></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D640315514-07032008><FONT=20
face=3DArial>-Michael</FONT></SPAN></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 15:11:13 2008
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For dead easy try Hammerhead.

http://www.threechords.com/hammerhead/

The guy who wrote that (Bram Bos) also has two other drum with
sequencer programs Tuareg and TunaFish.  Both are really easy and
really cool.  Tuna can use VSTs and both will use samples so you can
have any sounds you want.

www.brambos.com

They do not, however, let you input in realtime.

I've also used DrumFlow, but that's for creating MIDI drum patterns
and I use it to import stuff to Sonar.

On Fri, Mar 7, 2008 at 8:22 AM, jj 179 <jj179subs@hotmail.com> wrote:
>
>  Hey folks,
>
>  I had been considering plunking down a coupla hundred bucks on a used
> Ensoniq or E-mu drum machine and it occurred to me that it might be cheaper
> to go the software route. For whatever reason I have a bit of a brain block
> when it comes to programming synths, MIDI, and rhythms, so it will be an
> uphill battle I know. The drum machines I've been drawn to are those that
> allow you hammer out rhythms on pads in real-time, so that you don't JUST
> have to do it in step programming. Trance/dance/techno/breakbeat etc are
> what I'm looking for.
>
>  Any decent software packages out there focused on drums? I really don't
> have the time/inclination to master a complicated software interface like a
> lot of the overall production systems - if there really is a dedicated drum
> machine program out there that's decent, i'd love to play with it. If it has
> (or has access to) multiple decent drum libraries as well, that would be
> cool - or at least the ability to play wav samples.
>
>  I do have an Akai MPD16 midi drum control pad thingie, so that should help.
>
>  Any thoughts on a "for dummies" software drum machine?
>
>
>
> ________________________________
> Connect and share in new ways with Windows Live. Get it now!



-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 15:12:56 2008
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Date: Fri, 7 Mar 2008 16:12:54 +0100
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You're right Matthias, this should be discussed on the looping list -
so we're answering there now.

You're probably right that Samuel's EDP loses slave sync while in
Overdub Mode. I remember Jeff was talking about this on the Mobiuse
list too; that the audio engine must be somewhat "free-wheeling" in
regards to the incoming sync signal while in overdub mode.

They are playing against a master sync that goes in 120 BPM and for
some songs the half tempo locally, meaning that each player "thinks"
60 BPM while playing.

Don't worry. I think it might be the feedback or overdub thing... We
just discovered that his FCB pedal not always goes back to maximum
MICI CC# sent (value 127). This means that his feedback is active and
as I understand it - syncing is made impossible?

Per
(and Samuel Andersson)



On Fri, Mar 7, 2008 at 3:51 PM, Matthias Grob <matigrob@gmail.com> wrote:
> Per,
>
>
>  On 7 Mar 2008, at 11:03, andy butler wrote:
>
>  > Hi Per, I don't think the EdP can do the the filtering,
>  > but I haven't midi-synced since we all played together at Mathon
>  > .... let's ask the experts ;-)
>  >
>  >
>  > Maybe the problem is that he's pressing Rec in the wrong place.
>  > Or needs to use Quantise (but I'm not sure about that at all)
>  >
>  > andy
>  >
>  >
>  >
>  > -------- Original Message --------
>  > Subject: EDP incoming MIDI Clock filtering options?
>  > Date: Fri, 7 Mar 2008 12:26:24 +0100
>  > From: Per Boysen <perboysen@gmail.com>
>  > To: akbutler@tiscali.co.uk
>  >
>  > Hi Andy,
>  >
>  > A friend is playing with a cirkus and he is starting to get the
>  > shivers these days because more music with this Cirkus tends to rely
>  > on his EDP and it sometimes loses sync with the Akai MPC1000 he uses
>  > as the master.
>
>  the moments it syncs are visible as a dot of the display. so he will
>  have to observe what he does then.
>  I suspect either overdub is on or fb is reduced, as long as the loop
>  changes it cannot sync
>
>
>  > Another problem, that occur at a different event, is that the EDP
>  > "places the start point at the wrong part of the cycle". In this
>  > project they run the master clock at 120 BPM but for different parts
>  > of the piece the musicians play half that tempo (meaning 60 BPM) and
>  > sometimes they play two thirds tempo (90 BPM).
>
>  there is a function to move the start point
>  and to select the speed in relation to the master
>  but 2/3 of the tempo ??
>
>
>  > My advice, based on "that's what I would have done in Bidule", is to
>  > filter out the SongStart command and bar position data from the master
>  > MIDI Clock signal. Now, the question for you: Do the EDP have a way of
>  > filtering out that?
>
>  I dont think it watches that if you dont want to. you can start Record
>  anytime and it will use that as beat one and round to the full tempo
>  and go on in that pattern...
>
>  So I pretty much agree with Andys analysis  :-)
>
>  shouldnt this talk happen on LD or a more specific forum?
>
>  and maybe with the person who has the problem?
>
>  greetings from Brasil
>  Matthias
>
>
> >
>  >
>  > --
>  > Greetings from Sweden
>  >
>  > Per Boysen
>  > www.boysen.se (Swedish)
>  > www.looproom.com (international)
>  >
>
>



-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

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To: Loopers-Delight@loopers-delight.com
Subject: Re: What's the best vocal looper to buy for live looping
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Why not ask for Undo to be implemented then?

TH

On Fri, Mar 7, 2008 at 5:51 AM, Adrian Bartholomew <adrian@bartholomusic.com>
wrote:

>
>
> plus, whatever u could conceive, just write to the maker and he will
> implement it in the next update
>

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Why not ask for Undo to be implemented then?<br><br>TH<br><br><div class="gmail_quote">On Fri, Mar 7, 2008 at 5:51 AM, Adrian Bartholomew &lt;<a href="mailto:adrian@bartholomusic.com">adrian@bartholomusic.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=""><br><div><br></div><div>plus, whatever u could conceive, just write to the maker and he will implement it in the next update </div>
</div></blockquote></div><br>

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Date: Fri, 7 Mar 2008 10:35:20 -0500 (EST)
Subject: RE: Easiest drum machine software
From: mike@michaelplishka.com
To: Loopers-Delight@loopers-delight.com
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Michael,

Does the groove agent export WAV files of the tracks or do you have to go
OUT Of the computer into your recorder?

Plish

>> Any thoughts on a "for dummies" software drum machine?
>
>
> Not exactly what you're looking for but be sure to check out the Steinberg
> Grooveagent - it has a cool user interface that allows you to intuitively
> choose from many nice prefabricated rhythms which can be randomized and
> modified in various ways. Something for dummies such as myself. I was too
> lazy to program drum rhythms and instead used several highly randomized
> Grooveagent rhythms in my latest guitar livelooping experiments - go to
> www.michaelpeters.de/livelooping2007.htm and listen to the three Norwich
> sets. I didn't want to take a computer on stage so I recorded several
> minutes of each of these rhythms and fed them into a loop from a CD
> player,
> directly overdubbing bass, and I had my backing band playing along in no
> time  :-)
>
>
> -Michael
>


From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 15:45:53 2008
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References: <20080306122911.1wvaynjn4oogw4sc@webmail.carlsonarts.com> <29499.167.83.10.20.1204829187.squirrel@www.michaelplishka.com> <B65D3B2B-53E5-46F0-A5BB-038873021D95@bartholomusic.com> <d1396fc00803070734u491377dfx76bf7f83c2ea1fe8@mail.gmail.com>
Subject: Re: What's the best vocal looper to buy for live looping
Date: Fri, 7 Mar 2008 07:45:47 -0800
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> Why not ask for Undo to be implemented then?

It has been asked for and it is my current software project that I'm working 
on.

-Bob Amstadt 

From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 16:43:22 2008
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Subject: Re:  Easiest drum machine software
Date: Fri, 7 Mar 2008 10:43:29 -0600
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I like software by Bram Bos. He has several including a free drum software
called Lunchbox that WON'T do what you ask (play individual drums on pads)
that I know of but you can get very creative results either leaving it to
run itself or manipulating on a live recording drum track session. I did
this for drums the other day on this recording (the effects were added in a
mixdown):
http://www.archive.org/download/MoreSketches/WhereDidYouGetThis.mp3 Another
free drum software that I like alot but WON'T (sorry) do the pad input thing
is de la Mancha's Erratic Drummer. Really nice probability engine, good
spontaneous results. Used it recently on this one (caution - loud and
bright):
http://negation.hoster905.com/negations/cone/index.php?act=attach&type=post&
id=528
Newbie Brad
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.5.516 / Virus Database: 269.21.6/1316 - Release Date: 3/6/2008
6:58 PM

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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: Easiest drum machine software
Date: Fri, 7 Mar 2008 12:18:15 -0500
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Spectrasonics RMX is amazing and very easy to use.
On Mar 7, 2008, at 8:22 AM, jj 179 wrote:

> Hey folks,
>
> I had been considering plunking down a coupla hundred bucks on a  
> used Ensoniq or E-mu drum machine and it occurred to me that it  
> might be cheaper to go the software route. For whatever reason I  
> have a bit of a brain block when it comes to programming synths,  
> MIDI, and rhythms, so it will be an uphill battle I know. The drum  
> machines I've been drawn to are those that allow you hammer out  
> rhythms on pads in real-time, so that you don't JUST have to do it  
> in step programming. Trance/dance/techno/breakbeat etc are what I'm  
> looking for.
>
> Any decent software packages out there focused on drums? I really  
> don't have the time/inclination to master a complicated software  
> interface like a lot of the overall production systems - if there  
> really is a dedicated drum machine program out there that's decent,  
> i'd love to play with it. If it has (or has access to) multiple  
> decent drum libraries as well, that would be cool - or at least the  
> ability to play wav samples.
>
> I do have an Akai MPD16 midi drum control pad thingie, so that  
> should help.
>
> Any thoughts on a "for dummies" software drum machine?
>
>
>
> Connect and share in new ways with Windows Live. Get it now!


--Apple-Mail-1--1030170698
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Spectrasonics RMX is amazing and very easy to use.=A0<br><div><div>On =
Mar 7, 2008, at 8:22 AM, jj 179 wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Tahoma; font-size: 13px; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; ">Hey folks,<br>=A0<br>I had been =
considering plunking down a coupla hundred bucks on a used Ensoniq or =
E-mu drum machine and it occurred to me that it might be cheaper to go =
the software route. For whatever reason I have a bit of a brain block =
when it comes to programming synths, MIDI, and rhythms, so it will be an =
uphill battle I know. The drum machines I've been drawn to are those =
that allow you hammer out rhythms on pads in real-time, so that you =
don't JUST have to do it in step programming. =
Trance/dance/techno/breakbeat etc are what I'm looking for.<br>=A0<br>Any =
decent software packages out there focused on drums? I really don't have =
the time/inclination to master a complicated software interface like a =
lot of the overall production systems - if there really is a dedicated =
drum machine program out there that's decent, i'd love to play with it. =
If it has (or has access to) multiple decent drum libraries as well, =
that would be cool - or at least the ability to play wav samples.<span =
class=3D"Apple-converted-space">=A0</span><br>=A0<br>I do have an Akai =
MPD16 midi drum control pad thingie, so that should help.<br>=A0<br>Any =
thoughts on a "for dummies" software drum =
machine?<br>=A0<br>=A0<br><br><hr>Connect and share in new ways with =
Windows Live.<span class=3D"Apple-converted-space">=A0</span><a =
href=3D"http://www.windowslive.com/share.html?ocid=3DTXT_TAGHM_Wave2_share=
life_012008" target=3D"_new">Get it =
now!</a></span></blockquote></div><br></body></html>=

--Apple-Mail-1--1030170698--

From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 17:21:38 2008
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Date: Fri, 7 Mar 2008 12:21:34 -0500
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Easiest drum machine software
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If you are leaning in that direction (RMX) check out EZDrummer too.
Very cool. But it's not quite like a drum machine.

On Fri, Mar 7, 2008 at 12:18 PM, Chris Sewell <lunamusic@mac.com> wrote:
>  Spectrasonics RMX is amazing and very easy to use.
>
>
>
> On Mar 7, 2008, at 8:22 AM, jj 179 wrote:
> Hey folks,
>
> I had been considering plunking down a coupla hundred bucks on a used
> Ensoniq or E-mu drum machine and it occurred to me that it might be cheaper
> to go the software route. For whatever reason I have a bit of a brain block
> when it comes to programming synths, MIDI, and rhythms, so it will be an
> uphill battle I know. The drum machines I've been drawn to are those that
> allow you hammer out rhythms on pads in real-time, so that you don't JUST
> have to do it in step programming. Trance/dance/techno/breakbeat etc are
> what I'm looking for.
>
> Any decent software packages out there focused on drums? I really don't have
> the time/inclination to master a complicated software interface like a lot
> of the overall production systems - if there really is a dedicated drum
> machine program out there that's decent, i'd love to play with it. If it has
> (or has access to) multiple decent drum libraries as well, that would be
> cool - or at least the ability to play wav samples.
>
> I do have an Akai MPD16 midi drum control pad thingie, so that should help.
>
> Any thoughts on a "for dummies" software drum machine?
>
>
>
> ________________________________
> Connect and share in new ways with Windows Live. Get it now!
>



-- 
-==-=-=-
Tony

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Date: Fri, 7 Mar 2008 12:23:13 -0500
From: "Tony K" <bigtonyk@gmail.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
Subject: Re: Easiest drum machine software
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Ah, I forgot about Lunchbox.  That's way fun.

http://rekkerd.org/kvr-dc-bram-bos-lunchbox-battles/


On Fri, Mar 7, 2008 at 11:43 AM, Brad's Mail
<bradley_g_smith@sprynet.com> wrote:
> I like software by Bram Bos. He has several including a free drum software
>  called Lunchbox that WON'T do what you ask (play individual drums on pads)
>  that I know of but you can get very creative results either leaving it to
>  run itself or manipulating on a live recording drum track session. I did
>  this for drums the other day on this recording (the effects were added in a
>  mixdown):
>  http://www.archive.org/download/MoreSketches/WhereDidYouGetThis.mp3 Another
>  free drum software that I like alot but WON'T (sorry) do the pad input thing
>  is de la Mancha's Erratic Drummer. Really nice probability engine, good
>  spontaneous results. Used it recently on this one (caution - loud and
>  bright):
>  http://negation.hoster905.com/negations/cone/index.php?act=attach&type=post&
>  id=528
>  Newbie Brad
>  No virus found in this outgoing message.
>  Checked by AVG Free Edition.
>  Version: 7.5.516 / Virus Database: 269.21.6/1316 - Release Date: 3/6/2008
>  6:58 PM
>
>



-- 
-==-=-=-
Tony

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unsubscribe





Thanks you
Peter A. Leinhos
Farmers / Zurich Telecomm Group
Desk 323 964 8807
Cell    213 944 4064

"Life is so full of a number of things" Percy Dovetonsils

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peter.leinhos@farmersinsurance.com wrote:
> unsubscribe
>   

not quite that easy...


-- 
* David Beardsley
* microtonal guitar
* http://biink.com


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From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 19:01:34 2008
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Oh--so close.  Keep trying!

On Fri, Mar 7, 2008 at 9:50 AM, William Hardy <zhenghardy@verizon.net>
wrote:

>  unsubscribe
>

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Oh--so close.&nbsp; Keep trying!<br><br><div class="gmail_quote">On Fri, Mar 7, 2008 at 9:50 AM, William Hardy &lt;<a href="mailto:zhenghardy@verizon.net">zhenghardy@verizon.net</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">











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<div>

<p>unsubscribe</p>

</div>

</div>


</blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 19:37:33 2008
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Date: Fri, 7 Mar 2008 14:37:31 -0500
From: "radio radio" <radiotelevision@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: New EDPs + footcontrollers on MF - $600
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Just thought I'd send out a note for anyone looking for a first or second
EDP - musiciansfriend is selling them new plus the footcontroller for $600
right now...

http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-Pro-Plus-and-TGE04-Footswitch-?sku=150497&src=3WDTWXX&ZYXSEM=0

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<div>Just thought I&#39;d send out a note for anyone looking for a first or second EDP - musiciansfriend is selling them new plus the footcontroller for $600 right now...</div>
<div>&nbsp;</div>
<div><a href="http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-Pro-Plus-and-TGE04-Footswitch-?sku=150497&amp;src=3WDTWXX&amp;ZYXSEM=0">http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-Pro-Plus-and-TGE04-Footswitch-?sku=150497&amp;src=3WDTWXX&amp;ZYXSEM=0</a></div>

<div>&nbsp;</div>
<div>&nbsp;</div>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 20:41:30 2008
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Date: Fri, 7 Mar 2008 15:41:27 -0500
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: My RPM record
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References: <b469e0f00802290712m4abd77fkd59fe5bf28c889f9@mail.gmail.com>
	 <47CE3334.2010304@mhorse.com>
	 <b469e0f00803050628s3b6915e0x908ebfdd5723f6c1@mail.gmail.com>
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I'd like to add that Daryl does an excellent job with his reviews.
Much appreciated!

RE: RPM.

I didn't do the RPM, but I did the National Solo Album in a Month in
2006.  Here's a link to the songs for anybody interested.

http://www.thinginajar.com/bigtony/cycle.htm

Lots of looping spacey droney synth stuff.

Enjoy.

On Wed, Mar 5, 2008 at 8:17 PM, Doug Cox <uncledig@gmail.com> wrote:
> Oh my.  Daryl - that's so very nice of you!
>
>  The review is very well written, and I agree with everything you said.
>   What a rarity when it comes to reviews. :)
>
>  My sincere thanks for taking the time to listen closely and to share
>  your thoughts.  I feel kind of humbled by it.  The RPM challenge was a
>  good exercise for me, as I needed to stop the endless noodling and
>  improv-ing and actually capture some of my ideas.  Before it was over,
>  it turned into a minor obsession, and when it was done I was just glad
>  to BE done.  I'm so genuinely happy that at least one other person was
>  able to see/hear/feel what I was doing and that it brought you some
>  pleasure.
>
>  Simply - thank you, Daryl.
>
>  Doug
>
>  PS - I'd like to link to the review from my blog.  I assume that's ok
>  with you.  If there's an issue, please let me know.
>
>
>
>  On Wed, Mar 5, 2008 at 12:58 PM, Daryl Shawn <highhorse@mhorse.com> wrote:
>  > My pleasure. I've posted a full review here:
>  >
>  >  http://www.swanwelder.com/mutereactionary/Uncle_Dig.htm
>  >
>  >  I'm going to be trying to crank these out more often as I have a backlog
>  >  already (Rainer's latest is next, and Nick Robinson's "Birds" project,
>  >  followed by other RPM albums) and I know it's nice to get a review
>  >  within the same year or release, if not better.
>  >
>  >  Doug, let me know if there are any other links (such as the URL of the
>  >  zip file) you'd like me to add to the review.
>  >
>  >
>  >  Daryl Shawn
>  >  www.swanwelder.com
>  >  www.chinapaintingmusic.com
>  >
>  >
>  >
>  > > Daryl,
>  >  >
>  >  > Thanks so much!  I am kind of a sick puppy. :blush:
>  >  >
>  >  > I apologize - I gave the link to my gear clips site.  The link to my
>  >  > blog that says a little more about the record is here:
>  >  >
>  >  > http://www.uncledig.com/blog/
>  >  >
>  >  > and in the spirit of requested spam :)  you can also look at
>  >  > http://www.virb.com/uncledig/
>  >  >
>  >  > I haven't said a lot about process in either of those places, so if
>  >  > you're interested in that please give me a shout offline and we can
>  >  > discuss without being too off topic here.
>  >
>  >
>
>



-- 
-==-=-=-
Tony

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 LD <Loopers-Delight@loopers-delight.com>
Subject: Re: [Fwd: EDP incoming MIDI Clock filtering options?]
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well...um....what Matthias said :-)
no sync in OD


the thing about StartPoint being in the wrong place  is more mysterious though.

1) when OD ends there's an auto-startpoint as sync is regained.
2) if the StartPoint was "wrong" from the first loop, it wouldn't show up until you tried to Restart. That's why I think either hit Rec at exact place when making the first loop, or use Quantise( but I'm not sure if you can quantise the start or recording to incoming MIDI).

andy

Per Boysen wrote:
> Well, the problem is not his actions and button pressing... Even when
> he is doing nothing but letting the EDP play a loop it suddenly goes
> OUT OF SYNC. What do you get from that, Andy?
> 
> Per
> (+ Samuel)
> 
> 
> 
> On Fri, Mar 7, 2008 at 3:03 PM, andy butler <akbutler@tiscali.co.uk> wrote:
>> Hi Per, I don't think the EdP can do the the filtering,
>>  but I haven't midi-synced since we all played together at Mathon
>>  .... let's ask the experts ;-)
>>
>>
>>  Maybe the problem is that he's pressing Rec in the wrong place.
>>  Or needs to use Quantise (but I'm not sure about that at all)
>>
>>  andy
>>
>>
>>
>>
>>
>>  -------- Original Message --------
>>  Subject: EDP incoming MIDI Clock filtering options?
>>  Date: Fri, 7 Mar 2008 12:26:24 +0100
>>  From: Per Boysen <perboysen@gmail.com>
>>  To: akbutler@tiscali.co.uk
>>
>>  Hi Andy,
>>
>>  A friend is playing with a cirkus and he is starting to get the
>>  shivers these days because more music with this Cirkus tends to rely
>>  on his EDP and it sometimes loses sync with the Akai MPC1000 he uses
>>  as the master.
>>
>>  Another problem, that occur at a different event, is that the EDP
>>  "places the start point at the wrong part of the cycle". In this
>>  project they run the master clock at 120 BPM but for different parts
>>  of the piece the musicians play half that tempo (meaning 60 BPM) and
>>  sometimes they play two thirds tempo (90 BPM).
>>
>>  My advice, based on "that's what I would have done in Bidule", is to
>>  filter out the SongStart command and bar position data from the master
>>  MIDI Clock signal. Now, the question for you: Do the EDP have a way of
>>  filtering out that?
>>
>>  --
>>  Greetings from Sweden
>>
>>  Per Boysen
>>  www.boysen.se (Swedish)
>>  www.looproom.com (international)
>>
>>
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 22:37:09 2008
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Date: Fri, 7 Mar 2008 13:07:53 -0800
To: Loopers-Delight@loopers-delight.com
From: David Gans <david@trufun.com>
Subject: Re: New EDPs + footcontrollers on MF - $600
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Thanks for the news - I ordered one!



At 2:37 PM -0500 3/7/08, radio radio wrote:
>Just thought I'd send out a note for anyone looking for a first or 
>second EDP - musiciansfriend is selling them new plus the 
>footcontroller for $600 right now...
>
><http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-Pro-Plus-and-TGE04-Footswitch-?sku=150497&src=3WDTWXX&ZYXSEM=0>http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-Pro-Plus-and-TGE04-Footswitch-?sku=150497&src=3WDTWXX&ZYXSEM=0
>
>


-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com

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<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: New EDPs + footcontrollers on MF -
$600</title></head><body>
<div><br></div>
<div><br></div>
<div>Thanks for the news - I ordered one!</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div>At 2:37 PM -0500 3/7/08, radio radio wrote:</div>
<blockquote type="cite" cite>Just thought I'd send out a note for
anyone looking for a first or second EDP - musiciansfriend is selling
them new plus the footcontroller for $600 right now...</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite><a
href=
"http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-Pro-Plus-and-TGE04-Footswitch-?sku=150497&amp;src=3WDTWXX&amp;ZYXSEM=0"><span
></span
>http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital<span
></span
>-Pro-Plus-and-TGE04-Footswitch-?sku=150497&amp;src=3WDTWXX&amp;ZYXSE<span
></span>M=0</a></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
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<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
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David Gans - david@trufun.com or david@gdhour.com<br>
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA
94610-2730<br>
Blog:&nbsp; http://cloudsurfing.gdhour.com<br>
Web site: http://www.dgans.com<br>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar  7 22:43:14 2008
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Subject: Some impressive VG-99 demos
Date: Fri, 7 Mar 2008 14:43:10 -0800
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No explicit looping content here, but certainly some food for thought =20=

if you=92re interested in guitar processors. Bill is posting these =20
audio demos to the VG forums; he's apparently a studio pro, and =20
obviously an accomplished VG tweeter and player.

Enjoy all 11 tracks:

http://www.soundclick.com/bands/default.cfm?bandID=3D781088&content=3Dmusi=
c

best,
dc

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 03:36:20 2008
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Subject: RE: What's the best vocal looper to buy
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hi there,
=20
i have watched this clip closley and heres what i see is going on
=20
it looks at though he is using a behringer fcb1010 to me, this is a midi co=
ntroller that is used to control midi equipment , these include both rack m=
ounted gear and software so its hard to tell which....however a lot can be =
gleaned form how he builds up the song....
=20
element one....this is the drum/rhythem elements....these are laied down fi=
rst and then put in a safe place to come back to (THIS TELLS US THE LOOPER =
IS CAPABLE OF MULTIPLE TRACKS)
=20
element two...the Do Doo but...this is added to join in with the original d=
rum loop and sits either beside or on top of it, never alone...it is one ve=
rsion of Do Doo that is then pitch shifted up at will by sending a commant =
via midi to the looper...the drum track doesnt appear to be affected and th=
e track doesnt speed up...again this give me a strong clue as to what the l=
ooper is(I AM THINKING THE ONLY HARDWARE AVAILABLE TO DO THIS IS THE REPEAT=
ER AND POSSIBLY THE LOOPERLATIVE WHICH I HAVENT USED, THE REPEATER WOULD TA=
KE TIME TO MOVE THIS TRACK UP SO I FEEL I CAN RULE THIS OUT, THE OTHER OPTI=
ON IS THAT THE MIDI PEDAL IS CONTROLLING A SOFTWARE LOOPER BUT I COULDNT CO=
MMENT ON WHICH AS THAT IS NOT MY AREA OF EXPERTIESE) ps not shouting, just =
trying to seperate conjecture.
=20
element three Delay fx.......at verious points the artist uses the second b=
ehringer continous controller to add delay to his vocals, this is done pre-=
loop as the loop is not effected...(THIS WOULD SURGEST HE IS CONTROLING MOR=
E THEN ONE UNIT FROM HIS MIDI PEDAL, AGAIN THIS WOULD SURGEST TO ME A LAPTO=
P OR SIMILAR MAY WELL BE BEING USED HOWEVER IT COULD ALSO BE A SECOND HARDW=
ARE RACKMOUNTED DELAY...IM JUST GUESSING WHAT I WOULD DO TO GET THIS).
In answer to your question about loop time believe it or not this lop by my=
 aproximation is actually created in less then three seconds of loop space,=
 you just hear it over and again.
=20
anyway, i dont know if this helps at all but that was my 2p worth.
=20
phill myonemanband> To: Loopers-Delight@loopers-delight.com> From: music@ca=
rlsonarts.com> Subject: RE: What's the best vocal looper to buy> Date: Thu,=
 6 Mar 2008 22:18:43 -0800> > The EDP sounds interesting. I want to be able=
 to record a whole > song, part by part, and solo over it vocally - this co=
uld require at > least four parts in at least three sections. Check out Voc=
aloop.com > for a guy who is doing what I have in mind. What equipment do y=
ou > think he is using? I can't tell from the videos, but it looks like > h=
e's got LOTS of pedals on the floor.> > Also on youtube:> > http://www.yout=
ube.com/watch?v=3DGAtatKjDxEs> > And better yet:> > http://www.youtube.com/=
watch?v=3Dl073tuzxoV0&feature=3Drelated> (but skip to about 2:22 to hear th=
e song I'm talking about. I won't > tell you what song it is, but lets just=
 say maybe in Scandinavia MJ > is still PC.)> > So, would the 198 seconds i=
n the EDP be enough to do what he is > doing? is it expandable? It may be o=
ut of my price range for a > first unit. I'd have to buy pedals for it too,=
 right? Sweetwater > lists it at $999.> > Michael C.>=20
_________________________________________________________________
Free games, great prizes - get gaming at Gamesbox.=20
http://www.searchgamesbox.com=

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<BR>hi there,<BR>
&nbsp;<BR>
i have watched this clip closley and heres what i see is going on<BR>
&nbsp;<BR>
it looks at though he is using a behringer fcb1010 to me, this is&nbsp;a mi=
di controller that is used to control midi equipment , these include both r=
ack mounted gear and software so its hard to tell which....however a lot ca=
n be gleaned form how he builds up the song....<BR>
&nbsp;<BR>
element one....this is the drum/rhythem elements....these are laied down fi=
rst and then put in a safe place to come back to (THIS TELLS US THE LOOPER =
IS CAPABLE OF MULTIPLE TRACKS)<BR>
&nbsp;<BR>
element two...the Do Doo but...this is added to join in with the original d=
rum loop and sits either beside or on top of it, never alone...it is one ve=
rsion of Do Doo that is then pitch shifted up at will by sending a commant =
via midi to the looper...the drum track doesnt appear to be affected and th=
e track doesnt speed up...again this give me a strong clue as to what the l=
ooper is(I AM THINKING THE ONLY HARDWARE AVAILABLE TO DO THIS IS THE REPEAT=
ER AND POSSIBLY THE LOOPERLATIVE WHICH I HAVENT USED, THE REPEATER WOULD TA=
KE TIME TO MOVE THIS TRACK UP SO I FEEL I CAN RULE THIS OUT, THE OTHER OPTI=
ON IS THAT THE MIDI PEDAL IS CONTROLLING A SOFTWARE LOOPER BUT&nbsp;I COULD=
NT COMMENT ON WHICH AS THAT IS NOT MY AREA OF EXPERTIESE) ps not shouting, =
just trying to seperate conjecture.<BR>
&nbsp;<BR>
element three Delay fx.......at verious points the artist uses the second b=
ehringer continous controller to add delay to his vocals, this is done pre-=
loop as the loop is not effected...(THIS WOULD SURGEST HE IS CONTROLING MOR=
E THEN ONE UNIT FROM HIS MIDI PEDAL, AGAIN THIS WOULD SURGEST TO ME A LAPTO=
P OR SIMILAR MAY WELL BE BEING USED HOWEVER IT COULD ALSO BE A SECOND HARDW=
ARE RACKMOUNTED DELAY...IM JUST GUESSING WHAT I WOULD DO TO GET THIS).<BR>
In answer to your question about loop time believe it or not this lop by my=
 aproximation is actually created in less then three seconds of loop space,=
 you just hear it over and again.<BR>
&nbsp;<BR>
anyway, i dont know if this helps at all but that was my 2p worth.<BR>
&nbsp;<BR>
phill myonemanband<BR>&gt; To: Loopers-Delight@loopers-delight.com<BR>&gt; =
From: music@carlsonarts.com<BR>&gt; Subject: RE: What's the best vocal loop=
er to buy<BR>&gt; Date: Thu, 6 Mar 2008 22:18:43 -0800<BR>&gt; <BR>&gt; The=
 EDP sounds interesting. I want to be able to record a whole <BR>&gt; song,=
 part by part, and solo over it vocally - this could require at <BR>&gt; le=
ast four parts in at least three sections. Check out Vocaloop.com <BR>&gt; =
for a guy who is doing what I have in mind. What equipment do you <BR>&gt; =
think he is using? I can't tell from the videos, but it looks like <BR>&gt;=
 he's got LOTS of pedals on the floor.<BR>&gt; <BR>&gt; Also on youtube:<BR=
>&gt; <BR>&gt; http://www.youtube.com/watch?v=3DGAtatKjDxEs<BR>&gt; <BR>&gt=
; And better yet:<BR>&gt; <BR>&gt; http://www.youtube.com/watch?v=3Dl073tuz=
xoV0&amp;feature=3Drelated<BR>&gt; (but skip to about 2:22 to hear the song=
 I'm talking about. I won't <BR>&gt; tell you what song it is, but lets jus=
t say maybe in Scandinavia MJ <BR>&gt; is still PC.)<BR>&gt; <BR>&gt; So, w=
ould the 198 seconds in the EDP be enough to do what he is <BR>&gt; doing? =
is it expandable? It may be out of my price range for a <BR>&gt; first unit=
. I'd have to buy pedals for it too, right? Sweetwater <BR>&gt; lists it at=
 $999.<BR>&gt; <BR>&gt; Michael C.<BR>&gt; <BR><BR><br /><hr />She said wha=
t? About who? <a href=3D'http://www.msnsearchstar.com' target=3D'_new'>Sham=
eful celebrity quotes on Search Star!</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 03:40:42 2008
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Subject: Re: My RPM record
References: <b469e0f00802290712m4abd77fkd59fe5bf28c889f9@mail.gmail.com>	 <47CE3334.2010304@mhorse.com>	 <b469e0f00803050628s3b6915e0x908ebfdd5723f6c1@mail.gmail.com>	 <47CEED3A.40706@mhorse.com>	 <b469e0f00803051717u6230c1f7l2dfde3fa7bc8d4f2@mail.gmail.com> <d1dcce560803071241m12a192f5pdd3deaad423f7c5d@mail.gmail.com>
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Thanks a lot, Tony.

And thanks for the links to music, I'll be checking this out as well as 
the other stuff you posted last week.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> I'd like to add that Daryl does an excellent job with his reviews.
> Much appreciated!
>
> RE: RPM.
>
> I didn't do the RPM, but I did the National Solo Album in a Month in
> 2006.  Here's a link to the songs for anybody interested.
>
> http://www.thinginajar.com/bigtony/cycle.htm
>
> Lots of looping spacey droney synth stuff.
>
> Enjoy.

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 05:34:28 2008
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Date: Sat, 8 Mar 2008 14:22:28 +0900
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From: Mech <mech@m3ch.net>
Subject: Re: film music rights, licensing etc.(OT)
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At 9:44 AM -0600 3/6/08, Richard Roberts wrote:
>
>I believe the organization that covers the Pacific rim region is 
>called SESAC. I apologize for not knowing what the acronym stands 
>for.

Excellent!  Thanks Richard!  Having the name/acronym at least gives 
me a starting point for doing research, which is exactly what I 
needed.

	--m.

-- 
_____
"bye-bye empire; empire, bye-bye"

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 07:25:56 2008
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From: music@carlsonarts.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Best Vocal Looper
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Hey, my computer couldn't completely digest the digest, or it wasn't  
served up right, so I didn't get Adrian's thoughts.  Could you please  
send them again, or send them directly to my email at  
music@carlsonarts.com?  Thanks.  I'm really eager to move ahead with  
this.

Maybe I should reconsider going the software route, but I'd rather not  
have to have a laptop in front of me when performing.  It's bad enough  
the pedals would make it look like I'm stomping on ants on stage.  And  
I currently don't have a laptop to use -- so that would be added  
expense.  I do have both a Mac G4 and a decent PC, though, Mac has DP5  
and pc has Protools LE.  So I'm pretty computer savvy.  I have a demo  
of Ableton maybe I'll try it out and see what it does.

But anyways, what about the video I posted?  What do you think  
vocaloop is using for equipment?

Michael C.

Thanks again.

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 07:57:20 2008
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Date: Sat, 08 Mar 2008 01:57:09 -0600
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To:  Loopers-Delight@loopers-delight.com, 
 Rainer Thelonius Balthasar Straschill <rs@moinlabs.de>
Subject: Review of Rainer Straschill's "Weird Specialist"
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I've posted a review of Rainer Straschill's "Weird Specialist" here:

http://www.swanwelder.com/mutereactionary/Rainer_Straschill.htm

Rainer, let me know if there are any other links you'd like included.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

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From: "Simon Birds" <simonbirds@iinet.net.au>
To: <Loopers-Delight@loopers-delight.com>
Subject: EH 2880 Question
Date: Sat, 8 Mar 2008 18:57:42 +1100
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Hi all,

This is my first post to this list although I've been reading it on and =
off for a while now.

Although there is lots of info in the archives on the Electro Harmonix =
2880 and its behaviour, I can't work out whether the behaviour I'm =
seeing on my unit is 'normal' so I thought I'd run it past the list to =
see if anyone else has seen the same thing.

When I'm syncing my 2880 to midi my unit randomly does that whole =
speeding up/slowing down tape effect thing without warning. From what =
I've read this would be expected if I'd just recorded the first loop but =
my unit does this even when I've recorded onto three tracks and =
stopped/restarted the master. eg. I currently have all 4 tracks recorded =
, the master and 2880 are stopped. If I start the master (and the 2880 =
starts as well) both will play along happily  for a while and then =
without warning the 2880 will do the tape effect speed up and then =
settle down again (usually in time but out of position/sync).

Anyone else see this strange behaviour ?   =20

Also, does anyone know exactly what sync issues the firmware update =
fixed ?

Any comments appreciated...

Cheers

Simon
------=_NextPart_000_0007_01C8814E.4A00D5A0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3268" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This is my first post to this list =
although I've=20
been reading it on and off for a while now.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Although there is lots of info in the =
archives on=20
the Electro Harmonix 2880 and its behaviour, I can't work out whether =
the=20
behaviour I'm seeing on my unit is 'normal' so I thought I'd run it past =
the=20
list to see if anyone else has seen the same thing.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>When I'm syncing my 2880&nbsp;to midi =
my unit=20
randomly does that whole speeding up/slowing down tape effect thing =
without=20
warning. From what I've read this would be expected if I'd just recorded =
the=20
first loop but my unit does this even when I've recorded onto&nbsp;three =
tracks=20
and stopped/restarted the master. eg. I currently have all 4 tracks =
recorded ,=20
the master and 2880 are stopped. If I start the master (and the 2880 =
starts as=20
well) both will play along happily &nbsp;for a while and then without =
warning=20
the 2880 will do the tape effect speed up and then settle down again =
(usually in=20
time but out of position/sync).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Anyone else see this strange behaviour=20
?&nbsp;&nbsp;&nbsp; </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Also, does anyone know exactly what =
sync issues the=20
firmware update fixed ?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Any comments =
appreciated...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Simon</FONT></DIV></BODY></HTML>

------=_NextPart_000_0007_01C8814E.4A00D5A0--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 08:48:58 2008
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References: <27159.167.83.10.20.1204904120.squirrel@www.michaelplishka.com>
Subject: RE: Easiest drum machine software
Date: Sat, 8 Mar 2008 09:48:52 +0100
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> Does the groove agent export WAV files of the tracks or do you have to go
OUT Of the computer into your recorder?

I don't quite remember but I think I simply recorded on the same computer
using Adobe Audition or something.

-m

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 09:15:58 2008
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Date: Sat, 08 Mar 2008 04:14:55 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to the AM/FM Show
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, March 7 at 6:00 am
EST/GMT-5, less than two hours from now. I will continue the special on
Sequences Electronic Music Magazine's
sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 10:56:34 2008
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Date: Sat, 8 Mar 2008 11:56:32 +0100
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: EH 2880 Question
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don't own an EH-2880 so i dunno,
but seems like a valuable
'malfunction' feature if slaved to a sync.
source does that tape effect.

raul.

2008/3/8, Simon Birds <simonbirds@iinet.net.au>:
>
>  Hi all,
>
> This is my first post to this list although I've been reading it on and
> off for a while now.
>
> Although there is lots of info in the archives on the Electro Harmonix
> 2880 and its behaviour, I can't work out whether the behaviour I'm seeing on
> my unit is 'normal' so I thought I'd run it past the list to see if anyone
> else has seen the same thing.
>
> When I'm syncing my 2880 to midi my unit randomly does that whole speeding
> up/slowing down tape effect thing without warning. From what I've read this
> would be expected if I'd just recorded the first loop but my unit does this
> even when I've recorded onto three tracks and stopped/restarted the master.
> eg. I currently have all 4 tracks recorded , the master and 2880 are
> stopped. If I start the master (and the 2880 starts as well) both will play
> along happily  for a while and then without warning the 2880 will do the
> tape effect speed up and then settle down again (usually in time but out of
> position/sync).
>
> Anyone else see this strange behaviour ?
>
> Also, does anyone know exactly what sync issues the firmware update fixed
> ?
>
> Any comments appreciated...
>
> Cheers
>
> Simon
>



-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

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don&#39;t own an EH-2880 so i dunno, <br>but seems like a valuable <br>&#39;malfunction&#39; feature if slaved to a sync.<br>source does that tape effect.<br><br>raul.<br><br><div><span class="gmail_quote">2008/3/8, Simon Birds &lt;<a href="mailto:simonbirds@iinet.net.au">simonbirds@iinet.net.au</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">






<div bgcolor="#ffffff">
<div><font face="Arial" size="2">Hi all,</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">This is my first post to this list although I&#39;ve 
been reading it on and off for a while now.</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Although there is lots of info in the archives on 
the Electro Harmonix 2880 and its behaviour, I can&#39;t work out whether the 
behaviour I&#39;m seeing on my unit is &#39;normal&#39; so I thought I&#39;d run it past the 
list to see if anyone else has seen the same thing.</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">When I&#39;m syncing my 2880&nbsp;to midi my unit 
randomly does that whole speeding up/slowing down tape effect thing without 
warning. From what I&#39;ve read this would be expected if I&#39;d just recorded the 
first loop but my unit does this even when I&#39;ve recorded onto&nbsp;three tracks 
and stopped/restarted the master. eg. I currently have all 4 tracks recorded , 
the master and 2880 are stopped. If I start the master (and the 2880 starts as 
well) both will play along happily &nbsp;for a while and then without warning 
the 2880 will do the tape effect speed up and then settle down again (usually in 
time but out of position/sync).</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Anyone else see this strange behaviour 
?&nbsp;&nbsp;&nbsp; </font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Also, does anyone know exactly what sync issues the 
firmware update fixed ?</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Any comments appreciated...</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div>
<div><font face="Arial" size="2">Cheers</font></div>
<div><font face="Arial" size="2"></font>&nbsp;</div><span class="sg">
<div><font face="Arial" size="2">Simon</font></div></span></div>
</blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>
TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a><br>TPO at Jamendo: <a href="http://www.jamendo.com">http://www.jamendo.com</a>

------=_Part_46357_15794947.1204973792917--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 11:04:57 2008
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Date: Sat, 8 Mar 2008 13:04:55 +0200
From: "Byron Howell" <howell.byron@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Ableton live looping with no hands
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Hello Loopers

A while ago there was a post about a student composition involving
live looping using a grand piano. This post is slightly off the topic
of this thread but related to a small section of it.

"Now I've got a lot of it figured out-
The different sounds as well as the structure and composition of the
piece (I'd hope so!),
the looping (ableton live is doing the looping, an envelope track
sends out "commands" to Bome's midi translator, which sends
instructions back to Live....this way the performer doesn't need to
worry about a footswitch or making the looping happen. She has enough
to worry about already!),

My question is in relation to this setup for ableton live.
I am running ableton live 6 on a macbook. I have my percussion going
through a m0audio project mix. My goals are to use ableton as a
livelooper for my percussion (drumset,congas,darbuka,
shakers.etc...The problem I have encountered is in regard to   the
clicking of midicontrollers to enable looping in ableton. I would like
to setup a template in ableton to do the looping without having to
worry about footswitches or midi pads to record and loop segments of
my playing. I have experimented with midistroke in ableton to various
degrees of success but still have not found a way to setup my looping
in such a way as to run automatically enabling me simply to worry
about my playing and the composition.

Could anyone elaborate further on this concept and a possible way to
implement it in ableton live

Kind regards
Byron Howell

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 11:09:59 2008
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Date: Sat, 8 Mar 2008 12:09:57 +0100
From: "Per Boysen" <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Easiest drum machine software
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Hi,

I just learned today that iDrum is now available for Windows XP/Vista.
I've had the Mac version since its release four years ago and think
it's the most easy one to handle. Check it out at
http://www.izotope.com/products/audio/idrum/

I remember you said in your original mail that you are "typically
drawn to drum machines where you can enter notes by hitting pads" but
since this is software you need some sort of MIDI drum pads for that.
And I'm not certain you can program the patterns by hitting pads in
realtime (thus sending external MIDI notes into the iDrum software),
you would have to read up on the site to find out if that is possible.

Next step might be GURU from FXpansion which is more like a
workstation for churning out beats. It has nice effects - like reverb,
phaser, delay etc - that can be assigned to different drums and also
tweaked in realtime while the music is running.

Both are inspired by the legendary MPC.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 11:30:10 2008
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From: "Per Boysen" <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Ableton live looping with no hands
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On Sat, Mar 8, 2008 at 12:04 PM, Byron Howell <howell.byron@gmail.com> wrote:

>  My question is in relation to this setup for ableton live.
>  I am running ableton live 6 on a macbook. I have my percussion going
>  through a m0audio project mix. My goals are to use ableton as a
>  livelooper for my percussion (drumset,congas,darbuka,
>  shakers.etc...The problem I have encountered is in regard to   the
>  clicking of midicontrollers to enable looping in ableton. I would like
>  to setup a template in ableton to do the looping without having to
>  worry about footswitches or midi pads to record and loop segments of
>  my playing.


Hi Byron,

If you enable an IAC Bus on the Mac you can have midi clips in Live
sending the controller data (through the IAC) for starting and
stopping recording of audio clips on other tracks. You could for
example set up a five minute midi clip that sends the correct commands
at the right moments. Or you could stack many such "controller data
MIDI clips" on a MIDI Track and set up a playlist for them by using
Clip Launch Follow Action scripts.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

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Subject: Re: EH 2880 Question
Date: Sat, 8 Mar 2008 06:34:33 -0500
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Mine does not do that but it used to drift out of sync until the =
software update. Also I always run it in Quantize when syncing to midi =
either master or slave. Here is what the upgrade notes say :

QUANTIZED LOOPING WHEN 2880 IS MIDI CLOCK SLAVE=20

When the 2880 has EXT. CLOCK enabled and is therefore the MIDI Clock =
slave to another device, a fix has been made when Quantize mode is ON. =
If your MIDI master is continually sending MIDI Clock with MIDI Song =
Position Pointer data, the 2880 will read the MIDI SPP data and always =
start recording its loop on beat 1, as long as Quantize is set to on. It =
will also always end the loop recording on beat 1 of a bar so that the =
loop lengths are always x number of bars in length. This allows the user =
to more easily make loops that will be in sync with their MIDI master.=20

peace, Jeff

  ----- Original Message -----=20
  From: Simon Birds=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, March 08, 2008 2:57 AM
  Subject: EH 2880 Question


  Hi all,

  This is my first post to this list although I've been reading it on =
and off for a while now.

  Although there is lots of info in the archives on the Electro Harmonix =
2880 and its behaviour, I can't work out whether the behaviour I'm =
seeing on my unit is 'normal' so I thought I'd run it past the list to =
see if anyone else has seen the same thing.

  When I'm syncing my 2880 to midi my unit randomly does that whole =
speeding up/slowing down tape effect thing without warning. From what =
I've read this would be expected if I'd just recorded the first loop but =
my unit does this even when I've recorded onto three tracks and =
stopped/restarted the master. eg. I currently have all 4 tracks recorded =
, the master and 2880 are stopped. If I start the master (and the 2880 =
starts as well) both will play along happily  for a while and then =
without warning the 2880 will do the tape effect speed up and then =
settle down again (usually in time but out of position/sync).

  Anyone else see this strange behaviour ?   =20

  Also, does anyone know exactly what sync issues the firmware update =
fixed ?

  Any comments appreciated...

  Cheers

  Simon


-------------------------------------------------------------------------=
-----


  No virus found in this incoming message.
  Checked by AVG.=20
  Version: 7.5.518 / Virus Database: 269.21.6/1318 - Release Date: =
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Mine does not do that but it used to =
drift out of=20
sync until the software update. Also I always run it in Quantize when =
syncing to=20
midi either master or slave. Here is what the upgrade notes say =
:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><B><FONT size=3D3>
<P align=3Dleft>QUANTIZED LOOPING WHEN 2880 IS MIDI CLOCK SLAVE=20
</P></B></FONT><FONT face=3D"MEKNAE+TimesNewRoman,Times New Roman" =
size=3D3>
<P>When the 2880 has EXT. CLOCK enabled and is therefore the MIDI Clock =
slave to=20
another device, a fix has been made when Quantize mode is ON. If your =
MIDI=20
master is continually sending MIDI Clock with MIDI Song Position Pointer =
data,=20
the 2880 will read the MIDI SPP data and always start recording its loop =
on beat=20
1, as long as Quantize is set to on. It will also always end the loop =
recording=20
on beat 1 of a bar so that the loop lengths are always x number of bars =
in=20
length. This allows the user to more easily make loops that will be in =
sync with=20
their MIDI master. </P>
<P><FONT face=3DArial size=3D2>peace, Jeff</FONT></P></FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsimonbirds@iinet.net.au =
href=3D"mailto:simonbirds@iinet.net.au">Simon=20
  Birds</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, March 08, 2008 =
2:57=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> EH 2880 Question</DIV>
  <DIV><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Hi all,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>This is my first post to this list =
although I've=20
  been reading it on and off for a while now.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Although there is lots of info in the =
archives on=20
  the Electro Harmonix 2880 and its behaviour, I can't work out whether =
the=20
  behaviour I'm seeing on my unit is 'normal' so I thought I'd run it =
past the=20
  list to see if anyone else has seen the same thing.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>When I'm syncing my 2880&nbsp;to midi =
my unit=20
  randomly does that whole speeding up/slowing down tape effect thing =
without=20
  warning. From what I've read this would be expected if I'd just =
recorded the=20
  first loop but my unit does this even when I've recorded =
onto&nbsp;three=20
  tracks and stopped/restarted the master. eg. I currently have all 4 =
tracks=20
  recorded , the master and 2880 are stopped. If I start the master (and =
the=20
  2880 starts as well) both will play along happily &nbsp;for a while =
and then=20
  without warning the 2880 will do the tape effect speed up and then =
settle down=20
  again (usually in time but out of position/sync).</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Anyone else see this strange =
behaviour=20
  ?&nbsp;&nbsp;&nbsp; </FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Also, does anyone know exactly what =
sync issues=20
  the firmware update fixed ?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Any comments =
appreciated...</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>Cheers</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
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From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 16:16:10 2008
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From: Jim Fogarty <jfog10@comcast.net>
Subject: New EDP Problem or Feature? -Loop Playback/Dynamics
Date: Sat, 8 Mar 2008 11:10:41 -0500
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Hey ,

Early Loopers Delight member, who hasn't been around for a LONG  
time.......good to see things are still going strong.

Sorry my 1st post in forever has to be a "HELP!!!".

Just got a Gibson Echoplex Digital Pro and Foot Control from  
MF....good deal, too.......well, maybe?

I'm new to the EDP, but not to looping.

I'm having a problem making loops with swells and dynamics. The EDP  
works fine when I play a strong rhythmic figure, but when I do volume  
swells or soft passages, it cuts off the playback when the input  
level gets too low. In other words, say I volume swell in a  
chord.......on playback, it cuts off the beginning of the swell and  
end of it, abruptly. The loop is the entire length I recorded, but  
you only HEAR the louder sections. Kind of sucks.

I'm using my strat straight into the EDP, then right out to the amp.  
I have the input set so it's green and only only goes orange when I  
nail it.

Any ideas?

Thanks!

- jim fogarty

PS....the UNDO function seems a little hinky, too........so, I may  
have a lemon.
--Apple-Mail-22--947825305
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 12px;"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">Hey ,</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><br class=3D"webkit-block-placeholder"></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Early Loopers Delight member, who hasn't been around =
for a LONG time.......good to see things are still going =
strong.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><br =
class=3D"webkit-block-placeholder"></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Sorry my 1st =
post in forever has to be a "HELP!!!".</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 12px/normal Helvetica; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">Just got a Gibson Echoplex =
Digital Pro and Foot Control from MF....good deal, too.......well, =
maybe?</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">I'm new to the EDP, but not to =
looping.</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">I'm having a problem making loops with swells and =
dynamics. The EDP works fine when I play a strong rhythmic figure, but =
when I do volume swells or soft passages, it cuts off the playback when =
the input level gets too low. In other words, say I volume swell in a =
chord.......on playback, it cuts off the beginning of the swell and end =
of it, abruptly. The loop is the entire length I recorded, but you only =
HEAR the louder sections. Kind of sucks.</font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">I'm using =
my strat straight into the EDP, then right out to the amp. I have the =
input set so it's green and only only goes orange when I nail =
it.</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">Any ideas?</font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><br =
class=3D"webkit-block-placeholder"></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Thanks!</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
12px/normal Helvetica; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"3" style=3D"font: =
12.0px Helvetica">- jim fogarty</font></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><br =
class=3D"webkit-block-placeholder"></div><div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">PS....the =
UNDO function seems a little hinky, too........so, I may have a =
lemon.</font></div></div></span></font></div>
</body></html>=

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To: Loopers-Delight@loopers-delight.com
Subject: Re: New EDP Problem or Feature? -Loop Playback/Dynamics
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Which version of the EDP software are you running?  This sounds like the old
v3.2 issue.  From the EDP FAQ:

*I had a problem where tbe beginning of a volume swell was cut off in the
recorded loop. (or:I heard there is a problem with volume swells.) Is this
fixed?*

With LoopIII v3.2, people often complained that the noisegate cut off quiet
sections of their loops. It was fairly irritating. This happened because the
threshold for our friendly noisegate was set too high. For the LoopIII
v5.0version, the threshold setting of the noisegate has been reset to
a much
lower value. Volume swells and such don't cut in like they used to.
Hopefully this works for everyone. If you are using the old software and
have this problem, make sure to get the upgrade.


On Sat, Mar 8, 2008 at 8:10 AM, Jim Fogarty <jfog10@comcast.net> wrote:

>
>
> I'm having a problem making loops with swells and dynamics. The EDP works
> fine when I play a strong rhythmic figure, but when I do volume swells or
> soft passages, it cuts off the playback when the input level gets too low.
> In other words, say I volume swell in a chord.......on playback, it cuts off
> the beginning of the swell and end of it, abruptly. The loop is the entire
> length I recorded, but you only HEAR the louder sections. Kind of sucks.
>
> I'm using my strat straight into the EDP, then right out to the amp. I
> have the input set so it's green and only only goes orange when I nail it.
>
>
>

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Which version of the EDP software are you running?&nbsp; This sounds like the old v3.2 issue.&nbsp; From the EDP FAQ:<br><br><i><b>I had a problem where tbe beginning of a volume swell was cut
off in the recorded loop. (or:I heard there is a problem with volume
swells.) Is this fixed?</b></i><br>
																<br>
															
															With
LoopIII v3.2, people often complained that the noisegate cut off quiet
sections of their loops. It was fairly irritating. This happened
because the threshold for our friendly noisegate was set too high. For
the LoopIII v5.0 version, the threshold setting of the noisegate has
been reset to a much lower value. Volume swells and such don&#39;t cut in
like they used to. Hopefully this works for everyone. If you are using
the old software and have this problem, make sure to get the upgrade.<br>
																<br><br><div class="gmail_quote">On Sat, Mar 8, 2008 at 8:10 AM, Jim Fogarty &lt;<a href="mailto:jfog10@comcast.net">jfog10@comcast.net</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div style=""><div style="margin: 0px;"><font size="3"><span style="font-size: 12px;"><br><div style="margin: 0px; min-height: 14px;"><br></div><div style="margin: 0px;"><font style="font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none;" face="Helvetica" size="3">I&#39;m having a problem making loops with swells and dynamics. The EDP works fine when I play a strong rhythmic figure, but when I do volume swells or soft passages, it cuts off the playback when the input level gets too low. In other words, say I volume swell in a chord.......on playback, it cuts off the beginning of the swell and end of it, abruptly. The loop is the entire length I recorded, but you only HEAR the louder sections. Kind of sucks.</font></div>
<div style="margin: 0px; min-height: 14px;"><br></div><div style="margin: 0px;"><font style="font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none;" face="Helvetica" size="3">I&#39;m using my strat straight into the EDP, then right out to the amp. I have the input set so it&#39;s green and only only goes orange when I nail it.</font></div>
<div style="margin: 0px; min-height: 14px;"><br></div><br></span></font></div></div></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 18:26:04 2008
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Some impressive VG-99 demos
Date: Sat, 8 Mar 2008 09:46:41 -0800
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Thanks for sharing Dave.

On Mar 7, 2008, at 2:43 PM, David Coffin wrote:

> No explicit looping content here, but certainly some food for thought=20=

> if you=92re interested in guitar processors. Bill is posting these =
audio=20
> demos to the VG forums; he's apparently a studio pro, and obviously an=20=

> accomplished VG tweeter and player.
>
> Enjoy all 11 tracks:
>
> =
http://www.soundclick.com/bands/default.cfm?bandID=3D781088&content=3Dmusi=
c
>
> best,
> dc

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 19:54:03 2008
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Date: Sat, 8 Mar 2008 21:54:01 +0200
From: "Byron Howell" <howell.byron@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Ableton live looping with no hands
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Wow! Thankyou. Always step in with wise words you do.


Keep the groove

Byron

On 3/8/08, Per Boysen <perboysen@gmail.com> wrote:
> On Sat, Mar 8, 2008 at 12:04 PM, Byron Howell <howell.byron@gmail.com> wrote:
>
>  >  My question is in relation to this setup for ableton live.
>  >  I am running ableton live 6 on a macbook. I have my percussion going
>  >  through a m0audio project mix. My goals are to use ableton as a
>  >  livelooper for my percussion (drumset,congas,darbuka,
>  >  shakers.etc...The problem I have encountered is in regard to   the
>  >  clicking of midicontrollers to enable looping in ableton. I would like
>  >  to setup a template in ableton to do the looping without having to
>  >  worry about footswitches or midi pads to record and loop segments of
>  >  my playing.
>
>
>
> Hi Byron,
>
>  If you enable an IAC Bus on the Mac you can have midi clips in Live
>  sending the controller data (through the IAC) for starting and
>  stopping recording of audio clips on other tracks. You could for
>  example set up a five minute midi clip that sends the correct commands
>  at the right moments. Or you could stack many such "controller data
>  MIDI clips" on a MIDI Track and set up a playlist for them by using
>  Clip Launch Follow Action scripts.
>
>
>  --
>  Greetings from Sweden
>
>  Per Boysen
>  www.boysen.se (Swedish)
>  www.looproom.com (international)
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 19:56:27 2008
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From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for March 8, 2008
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http://soundscapes.us/amfm/index.html

The AM/FM Show has two alternating hosts.  When I am at the helm, expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

Afterglow: http://soundscapes.us/afterglow/index.html
Listen to WMUH now at: rtsp://helix.muhlenberg.edu:554/broadcast/live.rm


                Show #125                March 8, 2008.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
isses came with a cassette.  Issues one through thirteen have been
remastered and are now available on CDR in plastic slip covers with
artwork and track details.  Details are at http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Bass Communion       Pacific Codex 1      Pacific Codex (Equation)
VA [Rudolf Heiman]   Strange Delight      Sequences No. 1
VA [Dirk Jan Muller] Time Signals         Sequences No. 1
Ricochet Musicians   Ricochet Passage     Yellowstone (Ricochet Dream)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Elivia Melodey       Dance of the         Terra Firma (none)
                       Salamander
Paradiso             Angel of Chimes      Middle Path (5th Element)
Antoine DaFour       Reality              Existence (Candyrat)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
NDV                  The Game             Karma (Radiant)
NDV                  The Water's Edge     Karma (Radiant)
Finnforest           Paikalliset Tuulet   Lahto Matkalle (Laser's Edge)
The Tangent          Lost In London 25    Not As Good As the Book
                       Years Later          (InsideOut)
The Tangent          The Ethernet         Not As Good As the Book
                                            (InsideOut)
Spock's Beard        On A Perfect Day     Spock's Beard (InsideOut)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 20:15:23 2008
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From: "radio radio" <radiotelevision@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: New EDP Problem or Feature? -Loop Playback/Dynamics
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I think I have a similar problem (with the new version), only for me the
input light doesn't seem to light up as soon, but the behavior seems the
same. I've also been running strat-->(few effects)-->edp-->amp and only
recently decided to trouble-shoot where all the hiss etc. was coming from.
After screwing around with everything else, only last did I turn to the EDP
to see that I was running the input (and output too) at nearly full, and
while I never had a problem with clipping, turning this down made me realize
that a lot of the static noise was really only present with this turned up.
At 12 o'clock there was practically no static. Great, I thought, I've found
the problem (even if the static is really coming from elsewhere, I was
apparently amplifying it greatly with the EDP). So I turned that down to 12
o'clock, and only then did I have the problem you describe. I noticed it
though when using a delay, because only the first 1 or 2 repeats would make
it onto the recorded loop - a good way to trouble-shoot because it's more
obvious than figuring out where your swell is showing up or disappearing).
So now I'm thinking you really need to run a line-level signal to the edp,
either by using an effects loop on an amp, or a mixer, or a valvulator. I
was actually going to post about this very issue. It seems that many people
use a mixer partly for this reason, but I'm hoping not to have to do that. I
also don't own a decent amp with an effects loop, or a valvulator (I
actually just looked that up the other day trying to figure this out). I
also thought about maybe getting a dummy-load with a line out for my 5 watt
tube amp, because that should be cheap enough (whether or not it's any good
is another question - someone is selling a DIY kit for that on ebay);
sending the line out to the edp, then the edp out to a clean solid state
power amp I have. That would be the cheapest way for me to do it, although I
can't tell how much I can keep cheaping out on things trying to correct
problems that I have created by cheaping out on other things (like powering
my non-boutique effects and everything else, cheap amps, etc). So I'd also
be interested if anyone has any insights into cost-effective ways to get a
good, clean (non-static/hiss/etc.) sound out of the EDP with a similar
setup. I can't tell how much I would be solved with sending a stronger
signal vs. trying to get the quiet hiss out what I already have, and doing
either one well could be more expensive than I want to get into.

------=_Part_32621_31451439.1205007321013
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I think I have a similar problem (with the new version), only for me the in=
put light doesn&#39;t seem to light up as soon, but the behavior seems the =
same. I&#39;ve also been running strat--&gt;(few effects)--&gt;edp--&gt;amp=
 and only recently decided to trouble-shoot where all the hiss etc. was com=
ing from. After screwing around with everything else, only last did I turn =
to the EDP to see that I was running the input (and output too) at nearly f=
ull, and while I never had a problem with clipping, turning this down made =
me realize that a lot of the static noise was really only present with this=
 turned up. At 12 o&#39;clock there was practically no static. Great, I tho=
ught, I&#39;ve found the problem (even if the static is really coming from =
elsewhere, I was apparently amplifying it greatly with the EDP). So I turne=
d that down to 12 o&#39;clock, and only then did I have the problem you des=
cribe. I noticed it though when using a delay, because only the first 1 or =
2 repeats would make it onto the recorded loop - a good way to trouble-shoo=
t because it&#39;s more obvious than figuring out where your swell is showi=
ng up or disappearing). So now I&#39;m thinking you really need to run a li=
ne-level signal to the edp, either by using an effects loop on an amp, or a=
 mixer, or a valvulator. I was actually going to post about this very issue=
. It seems that many people use a mixer partly for this reason, but I&#39;m=
 hoping not to have to do that. I also don&#39;t own a decent amp with an e=
ffects loop, or a valvulator (I actually just looked that up the other day =
trying to figure this out). I also thought about maybe getting a dummy-load=
 with a line out for my 5 watt tube amp, because that should be cheap enoug=
h (whether or not it&#39;s any good is another question - someone is sellin=
g a DIY kit for that on ebay); sending the line out to the edp, then the ed=
p out to a clean solid state power amp I have. That would be the cheapest w=
ay for me to do it, although I can&#39;t tell how much I can keep cheaping =
out on things trying to correct problems that I have created by cheaping ou=
t on other things (like powering my non-boutique effects and everything els=
e, cheap amps, etc). So I&#39;d also be interested if anyone has any insigh=
ts into cost-effective ways to get a good, clean (non-static/hiss/etc.) sou=
nd out of the EDP with a similar setup. I can&#39;t tell how much I would b=
e solved with sending a stronger signal vs. trying to get the quiet hiss ou=
t what I already have, and doing either one well could be more expensive th=
an I want to get into.&nbsp;

------=_Part_32621_31451439.1205007321013--

From Loopers-Delight-request@loopers-delight.com  Sat Mar  8 22:19:19 2008
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: New EDP Problem or Feature? -Loop Playback/Dynamics
Date: Sat, 8 Mar 2008 14:19:12 -0800
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On Mar 8, 2008, at 12:15 PM, radio radio wrote:

> So now I'm thinking you really need to run a line-level signal to  
> the edp, either by using an effects loop on an amp, or a mixer, or  
> a valvulator. I was actually going to post about this very issue.  
> It seems that many people use a mixer partly for this reason, but  
> I'm hoping not to have to do that. I also don't own a decent amp  
> with an effects loop, or a valvulator

Ebtech makes a line level shifter, the 2 channel version is only $70:
http://www.zzounds.com/item--EBTLLS2PKG

Might be found used somewhere for much less.


regards


BobC



http://tinyurl.com/yt8f8j

http://www.youtube.com/tynego

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Subject: Re: New EDP Problem or Feature? -Loop Playback/Dynamics
Date: Sat, 8 Mar 2008 22:57:43 -0600
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When I sent my edp in for cleanup, I was discussing this issue and the folks 
at British Audio mentioned that the EDP really DOES do better as part of an 
effects loop.  I like the idea of the below.  It's time to check out EBAY.

~peace~

Plish
----- Original Message ----- 
From: "RP Collier" <skeptikalist@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, March 08, 2008 4:19 PM
Subject: Re: New EDP Problem or Feature? -Loop Playback/Dynamics


>
> On Mar 8, 2008, at 12:15 PM, radio radio wrote:
>
>> So now I'm thinking you really need to run a line-level signal to  the 
>> edp, either by using an effects loop on an amp, or a mixer, or  a 
>> valvulator. I was actually going to post about this very issue.  It seems 
>> that many people use a mixer partly for this reason, but  I'm hoping not 
>> to have to do that. I also don't own a decent amp  with an effects loop, 
>> or a valvulator
>
> Ebtech makes a line level shifter, the 2 channel version is only $70:
> http://www.zzounds.com/item--EBTLLS2PKG
>
> Might be found used somewhere for much less.
>
>
> regards
>
>
> BobC
>
>
>
> http://tinyurl.com/yt8f8j
>
> http://www.youtube.com/tynego
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar  9 06:02:58 2008
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Date: Sun, 09 Mar 2008 01:01:11 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: March 15: electro-music chamber orchestra in Princeton
To: Ambient Hyperreal List <ambient@hyperreal.org>,
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PRINCETON IS ABOUT TO BUZZ
Sarnoff Presents The Electro-Music Chamber Orchestra

March 15, 2008
David Sarnoff Library Auditorium
7:30 PM
201 Washington Rd
Princeton, NJ

Admission $10 per Person
Paying Friends: $5.00
609-734-2636

What’s the buzz about? After a wired holiday celebration last December, 
The Electro-Music Chamber Orchestra returns to the David Sarnoff Library 
Auditorium on Saturday, March 15th with its mountains of synthesizers, 
keyboards, sequencers, gizmos, gadgets and electro-gear. Doors open at 
7:00 PM for this ear-expanding event, with refreshments on hand provided 
by Grovers Mill Coffee and McCaffrey's bakery. Admission is $10.00 for 
the general public. Friends of Sarnoff Library receive a five dollar 
discount.

This time around, the infamous, mutating orchestra personnel have been 
hand-picked by founders Howard Moscovitz and Greg Waltzer. During the 
first half of the evening, various members will be performing short sets 
of electrifying compositions before returning in the second half as the 
full Chamber Orchestra in a sizzling celebration of Spring.

The audience will meet Fringe Element, a quartet of electro-musicians: 
Michael Victor, Greg Waltzer, Jose Murcia and James Lacey. Their wholly 
spontaneous creations will lead everyone out of the ordinary and into a 
world of unpredictable, flowing soundscapes. Their two CDs, Rampant 
Biology and Organic Chemistry are available at http://electro-music.com 
More information is available at their web site: http://fringe-element.com

Another of the evening’s permutations will see Greg Waltzer leaving the 
Fringe to build lush, ambient sonic constructs with partners Howard 
Moscovitz and Bill Fox. Together, they become the resonant force called 
Xeroid Entity. http://xeroid-entity.com

The evening’s mutations continue with Howard Moscovitz freed of the trio 
to perform solo, bringing us deep into the reverberating harmonies and 
silences of his own personal universe.

He’ll then be joined by thereminist Kip Rosser (Remember the theremin? 
The instrument that’s played without being touched!)
http://www.performancekr.com/theremin.html The duo will present their 
dream-soaked, evocative improvisations, soon to be released on their CD, 
Exploration of the Black Exterior.

The metamorphosis will be completed in the evening’s second half, as all 
personnel become the Electro-Music Chamber Orchestra. Their composition 
will be an entirely new experiment in which the music is “conducted” by 
utilizing a complex numbering system, under the direction of Howard 
Moscovitz.

This feast for the ears is also going to be a banquet for the eyes. 
State-of-the-art visuals will send the audience on a parallel trip
presented by Azimuth Visuals. 
http://gregwaltzer.com/azimuth/azimuth.html Premier diva of 
computer-generated abstract images, animations and original artwork, 
Hong Waltzer will be processing and mixing video in real time. Inspired 
by the music being created onstage, her dynamic collages bring even more 
dimension to the oceans of music.

Perfect for electronic music enthusiasts and old fashioned music-lovers 
alike, it’s also a great time to treat young musicians to sights and 
sounds they’ve never experienced before. Don’t miss an evening of 
boundary-breaking music making – get a real buzz – kick off Spring with 
the Electro-Music Chamber Orchestra.

From Loopers-Delight-request@loopers-delight.com  Sun Mar  9 08:03:20 2008
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Subject: Re: What's the best vocal looper to buy for live looping
Date: Sun, 9 Mar 2008 03:03:14 -0500
References: <20080306122911.1wvaynjn4oogw4sc@webmail.carlsonarts.com> <29499.167.83.10.20.1204829187.squirrel@www.michaelplishka.com> <B65D3B2B-53E5-46F0-A5BB-038873021D95@bartholomusic.com> <d1396fc00803070734u491377dfx76bf7f83c2ea1fe8@mail.gmail.com>
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--Apple-Mail-4--890672279
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i have.
apparently it will mean giving up some other more important features.  
go figure.
that 1 feature will make it complete for me and many others but hey...
all the other stuff is worth that price though.

i  have already gotten many many features added in so its not like  
he's ignoring me.

--Adrian Bartholomew
Quincy, IL
"Life rocks, when you don't give a damn about it."

On Friday7,Mar 2008, at 9:34 AM, Travis Hartnett wrote:

> Why not ask for Undo to be implemented then?
>
> TH
>
> On Fri, Mar 7, 2008 at 5:51 AM, Adrian Bartholomew <adrian@bartholomusic.com 
> > wrote:
>
>
> plus, whatever u could conceive, just write to the maker and he will  
> implement it in the next update
>


--Apple-Mail-4--890672279
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">i have.<div>apparently it will =
mean giving up some other more important features. go =
figure.</div><div>that 1 feature will make it complete for me and many =
others but hey...</div><div>all the other stuff is worth that price =
though.</div><div><br class=3D"webkit-block-placeholder"></div><div>i =
&nbsp;have already gotten many many features added in so its not like =
he's ignoring me.<br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div><br =
class=3D"Apple-interchange-newline">--<font class=3D"Apple-style-span" =
face=3D"Chalkboard"><b><font class=3D"Apple-style-span" =
color=3D"#8F4340">Adrian Bartholomew</font></b></font></div><div><font =
class=3D"Apple-style-span" face=3D"Futura">Quincy, =
IL</font></div><div><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" =
face=3D"Courier">"</font></font><i><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" face=3D"Courier">Life =
rocks, when you don't give a damn about =
it."</font></font></i></div></span> </div><br><div><div>On Friday7,Mar =
2008, at 9:34 AM, Travis Hartnett wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Why not =
ask for Undo to be implemented then?<br><br>TH<br><br><div =
class=3D"gmail_quote">On Fri, Mar 7, 2008 at 5:51 AM, Adrian Bartholomew =
&lt;<a =
href=3D"mailto:adrian@bartholomusic.com">adrian@bartholomusic.com</a>&gt; =
wrote:<br> <blockquote class=3D"gmail_quote" style=3D"border-left: 1px =
solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;"><div style=3D""><br><div><br></div><div>plus, whatever u could =
conceive, just write to the maker and he will implement it in the next =
update </div> =
</div></blockquote></div><br></blockquote></div><br></div></body></html>=

--Apple-Mail-4--890672279--

From clark0becca@aol.com  Sun Mar  9 10:36:48 2008
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Reply-To: <clark0becca@aol.com>
From: "Rebecca Clarkson"<clark0becca@aol.com>
Subject: Hope and Trust
Date: Sun, 9 Mar 2008 11.36.46 +0100
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To: undisclosed-recipients:;

I am 28 Female,Rebecca Clarkson (5'6) from Ohio,
United States of America. I lived with my Ex-Boyfriend
before I had a problem as a result of his misbehavior.
I've been having a problem with my Dad who i live with
but right now due to our differences, i have left the
United States for africa my Mom is from United Kingdom
but she`s late now. MY Dad works with Oil Contractors
in UK and Italy include some parts of the Asian and
American. I work with my father as his personal
auditor and we move around for his contracts whereever
he is awarded.
 
My first boy friend, Victor Glashow, absconded with my
dad's money which was kept with me after a completion
of a contract in EAST london,UK. When my boy friend
got absconded with the undisclosed sum of USdollars,
this brought the first brokeup between me and my dad,
cos he thought, we have the deal together, but not
knowing that I'm an innocent about this. So my dad has
been harsh and tough against me about this.
 
Then when I perceived all his behaviors towards me and
the bad acts of his newly gotten wife, i decided to
leave ohio to meet a friend in London in Uk whom have
meet during our stay there for a contract with N.P.C.
I left because my dad have been treating me bad and
stopped me from working with him even having any
access to his assets, and i felt no where to go than
to leave the states to search for an investment here.
Now, for you to know im not in the states now,  i left
 my personal room in my dad's house. My hope of
getting an investment here with the money is to no
avail or success.
 
Now, I'm in need of your help, have gotten the enuogh
money to run myself when I get to USA, i want to come
over to your end and stay with you for main time, I
don't want to live here anymore, you know I'm a
foreigner here and it is absolutely danger for me
here, so that is why i need your gesture assistance.
How i want you to help me? I have some money, which
I've gotten from an over invoiced Contract
renumeration executed by my dad with some contractors,
so I have taken up the money from the contractors, but
I'm hiding up from the girl I stayed with here in
barking, because i might got setup if they know i have
such huge amount of money (5,500,000.00$), so for me
to be more safe and secure, I put this money in a box
and got it locked up with a security code known to me
only, and I deposited the box with some of my
travelling luggages with a Security and Insurance
Company who render private diplomatic delivery service
and i told them that the two boxes are my travelling
luggage, which I want to send forth to U.S.A because
i'm returning home, then i paid them up their custody
and security fee.
 
So, I want the box sent to you while i catch up with
you as soon as it is been delivered to you while I pay
you up your Rent charge and a reasonable amount for
compensation, only 30% of the money in the box to you.
Every arrangement for the delivery is kinda perfect, I
have obtained customs papers for private freight and
there are seals on the box showing that it is a
private delivery and check performed, it is free from
customs checks, it will be delivered at your door step
by the diplomats of the security company, you do not
need to burn out to receive it. And the boxes have
security codes lock known to me only, only me can open
the boxes, except if I tell anyone the Code, so the
Boxes cannot be opened on the Way of delivery to you.
I couldn't stay with the boxes in the lodge because it
is not safe for me to do so, then I have to put it in
a Security and Insurance Company for safety.
 
Therefore, I want you to contact me as soon as
possible, so that you can make the Clearance from the
Security Company as the Recipient of my Boxes. And
once the box gets, I will be there with you, then we
can open the box together or i will tell you the code
to open it, so that you can arrange everything
properly before my arrival. Like I said, I will fulfil
my 30% promise of the money to you for your assistance
and we can meet for a better living. And I hope you
are for real about Helping .....
 
I will appreciate your trust towards this and hoping
to hear from you and to meet you inperson. Please,
kindly make your response to my email which you know
so that i can read your message easily and we can
proceed from there.

Thanks 
Rebecca


From Loopers-Delight-request@loopers-delight.com  Sun Mar  9 16:42:27 2008
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Date: Sun, 09 Mar 2008 10:12:13 -0600
From: Shayne Cafferata <scafferata@sasktel.net>
Subject: SP-202/Smart Media 5v cards
To: Loopers-Delight@loopers-delight.com
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i just picked up an sp-202, unaware that they take the obsolete 5v 
smartmedia cards. does anyone have an extra or 2 kicking around? or is 
there a source anywhere for these?

thanks,
shayne

From Loopers-Delight-request@loopers-delight.com  Sun Mar  9 18:05:26 2008
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Amazon has them 

Shayne Cafferata wrote:
> i just picked up an sp-202, unaware that they take the obsolete 5v 
> smartmedia cards. does anyone have an extra or 2 kicking around? or is 
> there a source anywhere for these?
> 
> thanks,
> shayne
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar  9 18:50:13 2008
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Date: Sun, 9 Mar 2008 14:50:11 -0400
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Kyle,

I've used a 1st generation Boomerang quite a bit and the only solution I've
ever seen is simply making sure all the gain settings are consistent for
your rig.  After correctly setting the gain levels, my 'Rang and others I've
seen are hiss free.  The 'Rang includes a switch on the back for selecting
the input gain and a knob for fine tuning the gain.  If the switch isn't set
correctly, the inclination will be turn turn the knob up to boost your input
volume.  This will also boost hiss.  Flip the switch to the appropriate
level first, then fiddle with the knob in small increments.

Another common problem with any audio gear is ground loop hum and
interference from other power sources.  There are plenty of docs online for
diagnosing and dealing with these issues.

Really, the 'Rang is a pretty simple beast and there's not much more than
those two things that can produce hiss.  Though, I assume there's always a
chance that your 'Rang may have a faulty doohickey in there somewhere.

Good luck,
Todd


On Fri, Mar 7, 2008 at 4:49 AM, K D Patten <kdpatten@yahoo.com> wrote:

> thanks for your in put ted....i was beginning to think i wasn't getting
> through on the post...kyle
>
>
> *tEd (R) kiLLiAn <tedkillian@charter.net>* wrote:
>
> Hi there,
>
> It's not that we're ignoring you.
>
> It's probably just that the very few (relatively) Boomerang users on this
> list are away . . . or suffering from similar problems.
>
> The one that I know about, Michael Klobuchar, hasn't posted in a really
> long time.
>
> The folks from the company that make the boomerang used to post every now
> and then . . . some years back.
>
> But it's been a while since I've read or heard from any of the regular
> Boomerang users.
>
> I suppose the rest of us just don't consider ourselves "experts" enough on
> that particular device to give an informed answer.
>
> I have used a Boomerang a time or two . . . they do have their quirks.
>
> Your problem doesn't sound like typical Boomerang behavior.
>
> Whatever noise it may generate should not be THAT extreme.
>
> Look through the LD archives and find the most recent active poster who
> mentions the Boomerang as their main looper of choice.
>
> If you find one, email them directly.
>
> They may not be currently "listening in" to the stream of mail coming from
> LD.
>
> Good luck!
>
> [BTW I'm and EDP user mostly and sometimes use a DD-20]
>
> Cheers,
>
> tEd (R) kiLLiAn
>
> http://www.myspace.com/tedkillianguitar
> http://www.myspace.com/tedkillian
>
> Flux Aeterna:
> http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076
> Also check out the BEMF 1 CDs at:
> http://www.boisemusicians.com/experimental/cd.htm
> And: "Mojo at the Dojo" CD at: http://cdbaby.com/cd/hartungkillian
> And: "Experimentus" CD at: http://cdbaby.com/cd/krispen4
>
> http://www.pfmentum.com/flux.html
> http://www.CDbaby.com/cd/tedkillian
> http://www.guitar9.com/fluxaeterna.html
> http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193
>
> http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&id=121197000042
> http://www.guitarplayer.com/story.asp?storyCode=18131
>
> Ted Killian's "Flux Aeterna" is also available at Apple iTunes
>
> ---- K D Patten wrote:
> > how bought a response here guys?...Thu, 28 Feb 2008 23:12:08 -0800
> (PST)----- Lurker surfacing with Boomerang head ache.........i know you guys
> have probably dealt with this issue before but...how do you set a boomerang
> to limit the background hiss?..I've tried putting an old rocktron micro hush
> between the rang & the board ...the hiss is gone ..but total tone
> suck.....any input?...thanks...kyle
> >
> > Kyle Dean PattenP.O. Box 22Johnston, IA 50131
> http://www.cdbaby.com/cd/kdpatten
>
>
>

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Kyle,<br><br>I&#39;ve used a 1st generation Boomerang quite a bit and the only solution I&#39;ve ever seen is simply making sure all the gain settings are consistent for your rig.&nbsp; After correctly setting the gain levels, my &#39;Rang and others I&#39;ve seen are hiss free.&nbsp; The &#39;Rang includes a switch on the back for selecting the input gain and a knob for fine tuning the gain.&nbsp; If the switch isn&#39;t set correctly, the inclination will be turn turn the knob up to boost your input volume.&nbsp; This will also boost hiss.&nbsp; Flip the switch to the appropriate level first, then fiddle with the knob in small increments.<br>
<br>Another common problem with any audio gear is ground loop hum and interference from other power sources.&nbsp; There are plenty of docs online for diagnosing and dealing with these issues.<br><br>Really, the &#39;Rang is a pretty simple beast and there&#39;s not much more than those two things that can produce hiss.&nbsp; Though, I assume there&#39;s always a chance that your &#39;Rang may have a faulty doohickey in there somewhere.<br>
<br>Good luck,<br>Todd<br><br><br><div class="gmail_quote">On Fri, Mar 7, 2008 at 4:49 AM, K D Patten &lt;<a href="mailto:kdpatten@yahoo.com">kdpatten@yahoo.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
thanks for your in put ted....i was beginning to think i wasn&#39;t getting through on the post...kyle<div><div></div><div class="Wj3C7c"><br><br><b><i>tEd &reg; kiLLiAn &lt;<a href="mailto:tedkillian@charter.net" target="_blank">tedkillian@charter.net</a>&gt;</i></b> wrote:</div>
</div><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><div><div></div><div class="Wj3C7c"> Hi there,<br><br>It&#39;s not that we&#39;re ignoring you.<br><br>It&#39;s probably just that the very few (relatively) Boomerang users on this list are away  . . . or suffering from similar problems.<br>
<br>The one that I know about, Michael Klobuchar, hasn&#39;t posted in a really long time.<br><br>The folks from the company that make the boomerang used to post every now and then . . . some years back.<br><br>But it&#39;s been a while since I&#39;ve read or heard from any of the regular Boomerang users.<br>
<br>I suppose the rest of us just don&#39;t consider ourselves &quot;experts&quot; enough on that particular device to give an informed answer.<br><br>I have used a Boomerang a time or two . . . they do have their
 quirks.<br><br>Your problem doesn&#39;t sound like typical Boomerang behavior.<br><br>Whatever noise it may generate should not be THAT extreme.<br><br>Look through the LD archives and find the most recent active poster who mentions the Boomerang as their main looper of choice.<br>
<br>If you find one, email them directly.<br><br>They may not be currently &quot;listening in&quot; to the stream of mail coming from LD.<br><br>Good luck!<br><br>[BTW I&#39;m and EDP user mostly and sometimes use a DD-20]<br>
<br>Cheers,<br><br>tEd &reg; kiLLiAn<br><br><a href="http://www.myspace.com/tedkillianguitar" target="_blank">http://www.myspace.com/tedkillianguitar</a><br><a href="http://www.myspace.com/tedkillian" target="_blank">http://www.myspace.com/tedkillian</a><br>
<br>Flux Aeterna: <a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076" target="_blank">http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=6378076</a> <br>Also check out the BEMF 1 CDs at: <a href="http://www.boisemusicians.com/experimental/cd.htm" target="_blank">http://www.boisemusicians.com/experimental/cd.htm</a><br>
And: &quot;Mojo at the Dojo&quot; CD at: <a href="http://cdbaby.com/cd/hartungkillian" target="_blank">http://cdbaby.com/cd/hartungkillian</a><br>And: &quot;Experimentus&quot; CD at:
 <a href="http://cdbaby.com/cd/krispen4" target="_blank">http://cdbaby.com/cd/krispen4</a><br><br><a href="http://www.pfmentum.com/flux.html" target="_blank">http://www.pfmentum.com/flux.html</a><br><a href="http://www.CDbaby.com/cd/tedkillian" target="_blank">http://www.CDbaby.com/cd/tedkillian</a><br>
<a href="http://www.guitar9.com/fluxaeterna.html" target="_blank">http://www.guitar9.com/fluxaeterna.html</a><br><a href="http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193" target="_blank">http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=193</a><br>
<a href="http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&amp;id=121197000042" target="_blank">http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=view_profile&amp;id=121197000042</a><br><a href="http://www.guitarplayer.com/story.asp?storyCode=18131" target="_blank">http://www.guitarplayer.com/story.asp?storyCode=18131</a><br>
<br>Ted Killian&#39;s &quot;Flux Aeterna&quot; is also available at Apple iTunes<br><br></div></div><div class="Ih2E3d">---- K D Patten  wrote: <br>&gt; how bought a response here guys?...Thu, 28 Feb 2008 23:12:08 -0800 (PST)----- Lurker surfacing with  Boomerang head ache.........i know you guys have probably dealt with this issue before but...how do you set a boomerang to limit the background hiss?..I&#39;ve tried putting an old rocktron micro hush between the rang &amp; the board ...the hiss is gone ..but total tone suck.....any input?...thanks...kyle<br>
&gt; <br>&gt; Kyle Dean PattenP.O. Box 22Johnston, IA  50131
 <a href="http://www.cdbaby.com/cd/kdpatten" target="_blank">http://www.cdbaby.com/cd/kdpatten</a><br><br></div></blockquote><br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar  9 18:55:02 2008
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From: "Michael Peters" <mp@mpeters.de>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: Livelooping Festival in Cologne May 31st
Date: Sun, 9 Mar 2008 19:54:32 +0100
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here's all information (in German): www.livelooping.de

-Michael

From Loopers-Delight-request@loopers-delight.com  Sun Mar  9 19:01:17 2008
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Livelooping Festival in Cologne May 31st
Date: Sun, 9 Mar 2008 19:01:07 +0000
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Wow!!

Sounds amazing - class line up.  Can you record come?

MS

www.mattstevensguitar.com

On 9 Mar 2008, at 18:54, Michael Peters wrote:

> here's all information (in German): www.livelooping.de
>
> -Michael
>

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Subject: Re: What's the best vocal looper to buy
Date: Sun, 9 Mar 2008 14:01:39 -0500
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i

--Adrian Bartholomew
Quincy, IL
"Life rocks, when you don't give a damn about it."

On Friday7,Mar 2008, at 9:36 PM, phillip wilson wrote:

>
>
> element one....this is the drum/rhythem elements....these are laied  
> down first and then put in a safe place to come back to (THIS TELLS  
> US THE LOOPER IS CAPABLE OF MULTIPLE TRACKS)

not necessarily. the edp can record silently. u record then u hit  
mute. u never hear it, but its there. u just have to hope to god it  
was made properly for when u bring it into the song.
>
>
> element three Delay fx.......at verious points the artist uses the  
> second behringer continous controller to add delay to his vocals,  
> this is done pre-loop as the loop is not effected...(THIS WOULD  
> SURGEST HE IS CONTROLING MORE THEN ONE UNIT FROM HIS MIDI PEDAL,  
> AGAIN THIS WOULD SURGEST TO ME A LAPTOP OR SIMILAR MAY WELL BE BEING  
> USED HOWEVER IT COULD ALSO BE A SECOND HARDWARE RACKMOUNTED  
> DELAY...IM JUST GUESSING WHAT I WOULD DO TO GET THIS).

u could be right but it could be any one of many things. i personally  
have my 1010 midi'd to my yamaha 01v (the best thing since tuner pegs)  
for a musician. i have it control aux 7 send which sends the chosen  
signal to one of the mixer's internal delays. i set this delay time to  
midi clk.
since the looperlative sends midi clk according to the loop set, my  
delay is always in time with the song. i further set the delay to the  
dotted 1/4 note value to get that Police/Floyd feel.
its very transparent. i set a loop on the Looperlative, and anytime i  
want a delay on my guitar or voice, i ride one of the 2 footpedals on  
the 1010. i really dont have to do anything. and its in time!!!

PS: ull need a 2 to 1 midi merger to do it though as the Looperlative  
has separate out and thru midi ports. its only 60 bucks at musicians  
friend.


BUT DID YOU SEE THAT???
the maker himself wrote in answer to the undo problem!!! i havent seen  
the RANG owners or the makers of the EDP ever respond to anything on  
this forum.
way to go Bob. ill start calling YOU tuner peg. lol.
looking forward to the UNDO. YESSSSSSSS.
>
>
> phill myonemanband
> > To: Loopers-Delight@loopers-delight.com
> > From: music@carlsonarts.com
> > Subject: RE: What's the best vocal looper to buy
> > Date: Thu, 6 Mar 2008 22:18:43 -0800
> >
> > The EDP sounds interesting. I want to be able to record a whole
> > song, part by part, and solo over it vocally - this could require at
> > least four parts in at least three sections. Check out Vocaloop.com
> > for a guy who is doing what I have in mind. What equipment do you
> > think he is using? I can't tell from the videos, but it looks like
> > he's got LOTS of pedals on the floor.
> >
> > Also on youtube:
> >
> > http://www.youtube.com/watch?v=GAtatKjDxEs
> >
> > And better yet:
> >
> > http://www.youtube.com/watch?v=l073tuzxoV0&feature=related
> > (but skip to about 2:22 to hear the song I'm talking about. I won't
> > tell you what song it is, but lets just say maybe in Scandinavia MJ
> > is still PC.)
> >
> > So, would the 198 seconds in the EDP be enough to do what he is
> > doing? is it expandable? It may be out of my price range for a
> > first unit. I'd have to buy pedals for it too, right? Sweetwater
> > lists it at $999.
> >
> > Michael C.
> >
>
>
> She said what? About who? Shameful celebrity quotes on Search Star!


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">i<br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div><br =
class=3D"Apple-interchange-newline">--<font class=3D"Apple-style-span" =
face=3D"Chalkboard"><b><font class=3D"Apple-style-span" =
color=3D"#8F4340">Adrian Bartholomew</font></b></font></div><div><font =
class=3D"Apple-style-span" face=3D"Futura">Quincy, =
IL</font></div><div><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" =
face=3D"Courier">"</font></font><i><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" face=3D"Courier">Life =
rocks, when you don't give a damn about =
it."</font></font></i></div></span> </div><br><div><div>On Friday7,Mar =
2008, at 9:36 PM, phillip wilson wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div class=3D"hmmessage" =
style=3D"font-size: 10pt; font-family: Tahoma; "><br>&nbsp;<br>element =
one....this is the drum/rhythem elements....these are laied down first =
and then put in a safe place to come back to (THIS TELLS US THE LOOPER =
IS CAPABLE OF MULTIPLE TRACKS)</div></span></blockquote><div><br =
class=3D"webkit-block-placeholder"></div>not necessarily. the edp can =
record silently. u record then u hit mute. u never hear it, but its =
there. u just have to hope to god it was made properly for when u bring =
it into the song.<blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div class=3D"hmmessage" =
style=3D"font-size: 10pt; font-family: Tahoma; ">&nbsp;<br>element three =
Delay fx.......at verious points the artist uses the second behringer =
continous controller to add delay to his vocals, this is done pre-loop =
as the loop is not effected...(THIS WOULD SURGEST HE IS CONTROLING MORE =
THEN ONE UNIT FROM HIS MIDI PEDAL, AGAIN THIS WOULD SURGEST TO ME A =
LAPTOP OR SIMILAR MAY WELL BE BEING USED HOWEVER IT COULD ALSO BE A =
SECOND HARDWARE RACKMOUNTED DELAY...IM JUST GUESSING WHAT I WOULD DO TO =
GET THIS).</div></span></blockquote><div><br =
class=3D"webkit-block-placeholder"></div>u could be right but it could =
be any one of many things. i personally have my 1010 midi'd to my yamaha =
01v (the best thing since tuner pegs) for a musician. i have it control =
aux 7 send which sends the chosen signal to one of the mixer's internal =
delays. i set this delay time to midi clk.&nbsp;</div><div>since the =
looperlative sends midi clk according to the loop set, my delay is =
always in time with the song. i further set the delay to the dotted 1/4 =
note value to get that Police/Floyd feel.&nbsp;</div><div>its very =
transparent. i set a loop on the Looperlative, and anytime i want a =
delay on my guitar or voice, i ride one of the 2 footpedals on the 1010. =
i really dont have to do anything. and its in time!!!</div><div><br =
class=3D"webkit-block-placeholder"></div><div>PS: ull need a 2 to 1 midi =
merger to do it though as the Looperlative has separate out and thru =
midi ports. its only 60 bucks at musicians friend.</div><div><br =
class=3D"webkit-block-placeholder"></div><div><br =
class=3D"webkit-block-placeholder"></div><div>BUT DID YOU SEE =
THAT???</div><div>the maker himself wrote in answer to the undo =
problem!!! i havent seen the RANG owners or the makers of the EDP ever =
respond to anything on this forum.</div><div>way to go Bob. ill start =
calling YOU tuner peg. lol.</div><div>looking forward to the UNDO. =
YESSSSSSSS.<br><blockquote type=3D"cite"><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div class=3D"hmmessage" =
style=3D"font-size: 10pt; font-family: Tahoma; "><br>&nbsp;<br>phill =
myonemanband<br>&gt; To:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br>&gt; From:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:music@carlsonarts.com">music@carlsonarts.com</a><br>&gt; =
Subject: RE: What's the best vocal looper to buy<br>&gt; Date: Thu, 6 =
Mar 2008 22:18:43 -0800<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; The EDP sounds =
interesting. I want to be able to record a whole<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; song, part by =
part, and solo over it vocally - this could require at<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; least four parts =
in at least three sections. Check out Vocaloop.com<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; for a guy who is =
doing what I have in mind. What equipment do you<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; think he is using? =
I can't tell from the videos, but it looks like<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; he's got LOTS of =
pedals on the floor.<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; Also on =
youtube:<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.youtube.com/watch?v=3DGAtatKjDxEs">http://www.youtube.c=
om/watch?v=3DGAtatKjDxEs</a><br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; And better =
yet:<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.youtube.com/watch?v=3Dl073tuzxoV0&amp;feature=3Drelated=
">http://www.youtube.com/watch?v=3Dl073tuzxoV0&amp;feature=3Drelated</a><b=
r>&gt; (but skip to about 2:22 to hear the song I'm talking about. I =
won't<span class=3D"Apple-converted-space">&nbsp;</span><br>&gt; tell =
you what song it is, but lets just say maybe in Scandinavia MJ<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; is still =
PC.)<br>&gt;<span class=3D"Apple-converted-space">&nbsp;</span><br>&gt; =
So, would the 198 seconds in the EDP be enough to do what he is<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; doing? is it =
expandable? It may be out of my price range for a<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; first unit. I'd =
have to buy pedals for it too, right? Sweetwater<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; lists it at =
$999.<br>&gt;<span class=3D"Apple-converted-space">&nbsp;</span><br>&gt; =
Michael C.<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br><br><br><hr>She said =
what? About who?<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.msnsearchstar.com" target=3D"_new">Shameful celebrity =
quotes on Search =
Star!</a></div></span></blockquote></div><br></body></html>=

--Apple-Mail-7--851166866--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  9 19:08:17 2008
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From: Adrian Bartholomew <adrian@bartholomusic.com>
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Subject: Re: Best Vocal Looper
Date: Sun, 9 Mar 2008 14:08:12 -0500
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i said that u should spring for the Looperlative. it IS twice the  
price of the EDP but 16 times the tracks (8 stereo trks), 24 bit as  
opposed to 16 (huge diff in sound quality in case u didnt care) and 4  
mins of recording time.
and its always updated by the maker for the users based on their input  
on the looperlative forum.
updating is easy. plug in ur mdems cat5 cable, set the menu to update  
(simple turning of the big knob) and hit enter.
its done in mins.

good luck.

u could use ableton yes but between the software and hardware cost, i  
doubt ud fare much better than 15 c's.

--Adrian Bartholomew
Quincy, IL
"Life rocks, when you don't give a damn about it."

On Saturday8,Mar 2008, at 1:25 AM, music@carlsonarts.com wrote:

> Hey, my computer couldn't completely digest the digest, or it wasn't  
> served up right, so I didn't get Adrian's thoughts.  Could you  
> please send them again, or send them directly to my email at music@carlsonarts.com 
> ?  Thanks.  I'm really eager to move ahead with this.
>
> Maybe I should reconsider going the software route, but I'd rather  
> not have to have a laptop in front of me when performing.  It's bad  
> enough the pedals would make it look like I'm stomping on ants on  
> stage.  And I currently don't have a laptop to use -- so that would  
> be added expense.  I do have both a Mac G4 and a decent PC, though,  
> Mac has DP5 and pc has Protools LE.  So I'm pretty computer savvy.   
> I have a demo of Ableton maybe I'll try it out and see what it does.
>
> But anyways, what about the video I posted?  What do you think  
> vocaloop is using for equipment?
>
> Michael C.
>
> Thanks again.
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">i said that u should spring for =
the Looperlative. it IS twice the price of the EDP but 16 times the =
tracks (8 stereo trks), 24 bit as opposed to 16 (huge diff in sound =
quality in case u didnt care) and 4 mins of recording time.<div>and its =
always updated by the maker for the users based on their input on the =
looperlative forum.</div><div>updating is easy. plug in ur mdems cat5 =
cable, set the menu to update (simple turning of the big knob) and hit =
enter.</div><div>its done in mins.</div><div><br =
class=3D"webkit-block-placeholder"></div><div>good luck.</div><div><br =
class=3D"webkit-block-placeholder"></div><div>u could use ableton yes =
but between the software and hardware cost, i doubt ud fare much better =
than 15 c's.</div><div><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div><br =
class=3D"Apple-interchange-newline">--<font class=3D"Apple-style-span" =
face=3D"Chalkboard"><b><font class=3D"Apple-style-span" =
color=3D"#8F4340">Adrian Bartholomew</font></b></font></div><div><font =
class=3D"Apple-style-span" face=3D"Futura">Quincy, =
IL</font></div><div><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" =
face=3D"Courier">"</font></font><i><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" face=3D"Courier">Life =
rocks, when you don't give a damn about =
it."</font></font></i></div></span> </div><br><div><div>On Saturday8,Mar =
2008, at 1:25 AM, <a =
href=3D"mailto:music@carlsonarts.com">music@carlsonarts.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">Hey, my computer couldn't completely digest the digest, or =
it wasn't served up right, so I didn't get Adrian's thoughts. =
&nbsp;Could you please send them again, or send them directly to my =
email at <a =
href=3D"mailto:music@carlsonarts.com">music@carlsonarts.com</a>? =
&nbsp;Thanks. &nbsp;I'm really eager to move ahead with =
this.<br><br>Maybe I should reconsider going the software route, but I'd =
rather not have to have a laptop in front of me when performing. =
&nbsp;It's bad enough the pedals would make it look like I'm stomping on =
ants on stage. &nbsp;And I currently don't have a laptop to use -- so =
that would be added expense. &nbsp;I do have both a Mac G4 and a decent =
PC, though, Mac has DP5 and pc has Protools LE. &nbsp;So I'm pretty =
computer savvy. &nbsp;I have a demo of Ableton maybe I'll try it out and =
see what it does.<br><br>But anyways, what about the video I posted? =
&nbsp;What do you think vocaloop is using for equipment?<br><br>Michael =
C.<br><br>Thanks =
again.<br><br></blockquote></div><br></div></body></html>=

--Apple-Mail-8--850774396--

From Loopers-Delight-request@loopers-delight.com  Sun Mar  9 21:18:30 2008
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> 
> BUT DID YOU SEE THAT???
> the maker himself wrote in answer to the undo problem!!! i havent seen 
> the RANG owners or the makers of the EDP ever respond to anything on 
> this forum.
> way to go Bob. ill start calling YOU tuner peg. lol.
> looking forward to the UNDO. YESSSSSSSS.
>>

EDP "maker", and inventor of Undo,  Matthias Grob is always on hand here.

Kim Flint, his erstwhile partner in Aurisis (the company that brought you the EDP)
maintains this list more or less at his own expense.

,
...not to detract from Bob's achievement and dedication of course.

andy butler

 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 03:01:24 2008
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Date: Sun, 09 Mar 2008 21:01:15 -0600
From: Shayne Cafferata <scafferata@sasktel.net>
Subject: Re: SP-202/Smart Media 5v cards
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unfortunately, those all look like 3.3v
thanks anyway, tho'.
the 5v seem pretty rare these days. guess i'll be scouring music stores 
and camera shops for old stock. lucky me....

shayne

> Amazon has them
> Shayne Cafferata wrote:
> i just picked up an sp-202, unaware that they take the obsolete 5v 
> smartmedia cards. does anyone have an extra or 2 kicking around? or is 
> there a source anywhere for these?
>
> thanks,
> shayne
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 03:05:54 2008
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Subject: Re: the Looper makers on this list (was: What's the best vocal looper to buy)
Date: Mon, 10 Mar 2008 00:05:26 -0300
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thank you for forwarding, Andy!

this list grew out of making the EDP!
I started a community in '92 with Eric, Willy, Ljubo, Michael Peters  
and others and '94 Kim joined and brought us on line in '96, together  
with another root that came from the DT list...
and list members Andre LaFosse, Andy Butler, Claude Voit, Bernhard  
Wagner and others turned into makers of the EDP!

many other loop tools grew out of this list and their makers like Bob,  
Mike, Jeff, Jesse, Os, Aaron,,, are more or less present.
we also had visits of the older masters Gary Hall (PCM42), Bob Sellom  
(PCM42, JamMan) !
the products we create are not limited to the vision of some 9-5  
engineers but turn into pools for all the ideas and wishes flying  
arround here...

Looping is not so much a new technology as a new way to create, an new  
category of tools (neither instrument nor effect nor recorder...) and  
we even experience a new spirit of collaboration... some kind of a  
friendly industry branch?
well, nobody made the big money yet, which usually attracts the  
sharks ;-)
...and Roland, who made the most money with the least suitable tool,  
is not present.

I confess that I dont look through all LD mails any more :-(
during many years I spent hours and hours to explain all I knew about  
the EDP and Art as clear and short as possible...
so sometimes I dont answer because I think the answer is arround in  
the archives or with members that went into it
and some things I forgot because I dont use it and was involved with  
other technology
but some times I love to say something new and spend time for research  
and typing what is not my language...
...and recently I came back to programming for LOOP, so I may start  
questions here ;-)

in any case, I am happy if you copy a mail to me privately if you feel  
its of interest for me
or if you think I should say something about it!

I hope I manage to make you the best vocal looper ;-)
Matthias

On 9 Mar 2008, at 18:18, andy butler wrote:

>
>> BUT DID YOU SEE THAT???
>> the maker himself wrote in answer to the undo problem!!! i havent  
>> seen the RANG owners or the makers of the EDP ever respond to  
>> anything on this forum.
>> way to go Bob. ill start calling YOU tuner peg. lol.
>> looking forward to the UNDO. YESSSSSSSS.
>>>
>
> EDP "maker", and inventor of Undo,  Matthias Grob is always on hand  
> here.
>
> Kim Flint, his erstwhile partner in Aurisis (the company that  
> brought you the EDP)
> maintains this list more or less at his own expense.
>
> ,
> ...not to detract from Bob's achievement and dedication of course.
>
> andy butler
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 03:53:46 2008
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Date: Sun, 09 Mar 2008 22:33:56 -0500
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance with the Neil Leonard Ensemble 03.15.08, Lowell MA
To: DrTVideo@egroups.com
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I'll be performing at the lovely 119 Gallery in Lowell this Saturday 
night with an old friend and a couple of new friends.

Doctor T with the Neil Leonard Ensemble - Collective Improvisation 
for a New Millennium

Doctor T -- Video Mixing.
Neil Leonard -- Alto Sax, Bass Clarinet, Laptop
Anthony Baldino -- laptop.
Spencer Putnam  -- Laptop, Bass.

$5 donation.

119 Gallery, 119 Chelmsford St, Lowell
978 452 8138
  http://www.119gallery.org/
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

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From:  <remornde_stiving2@tutopia.com>
To: remornde_stiving2@tutopia.com
Subject: Hello Friend,Great-News!!!!
Reply-To: remornde_stiving2@tutopia.com
X-Origin: 190.60.24.4
Date: Mon, 10 Mar 2008 04:38:40 +0000
X-Uidl: 1205123920227257173
X-Mailer: AtMail 4.11
Message-Id: <20080310045843.AD3793BE77@arsenic.violacea.com>

=0D
=0D
Hello my good friend.=0D
=0D
How are you today? Hope all is well with you and your family. You may not u=
nderstand why this mail came to you.But if you do not remember me, you migh=
t have receive an email from me in the =0D
past regarding a multi-million-dollar business proposal which we never conc=
luded. I am using this opportunity to inform you that this multi-million-do=
llar business has been concluded with the =0D
assistance of another partner from Paraguay who financed the transaction to=
 a logical conclusion.=0D
=0D
 I thank you for your great effort to our unfinished transfer of fund into =
your account due to one reason or the other best known to you. But I want t=
o inform you that I have successfully =0D
transferred the fund out of my bank to my new partner's account in Paraguay=
 that was capable of assisting me in this great venture. Due to your effort=
, sincerity, courage and trust worthiness =0D
you shown during the course of the transaction. I want to compensate you an=
d show my gratitude to you with the sum of US$1.2million. I have left a cer=
tified international bank draft for you =0D
worth of US$1.2million cashable anywhere in the world. =0D
=0D
My dear friend I will like you to contact my Pastor with rev:daniel udunkwa=
, on his direct email address at :[rev_danieludunkwa@yahoo.com] for collect=
ion of your bank draft. I authorized him =0D
to release the Bank Draft to you whenever you ask him for it. At the moment=
, I'm very busy here because of the investment projects, which I and the ne=
w partner are having at hand.Please I =0D
will like you to accept this token with good faith as this is from the bott=
om of my heart=0D
=0D
,Also comply with rev:daniel udunkwa`s directives so that he will send the =
draft to you without any delay. CONTACT: rev:daniel udunkwa. Email address:=
 rev_danieludunkwa@yahoo.com You are =0D
required to furnish him with the below information to enable him deliver th=
e cheque to you, 1. FULL NAMES:______________________ 2. ADDRESS:__________=
__ __________ 3. E-=0D
MAILADDRESS:_______________ 4. TELEPHONE NUMBER:___________________ =0D
=0D
Hoping to hear from you. =0D
=0D
Thanks and God bless you and your family. =0D
MR Remornde Stiving=0D
=0D
=0D
=0D
=0D
=0D
=0D
=0D
=0D
Hello my good friend.=0D
=0D
How are you today? Hope all is well with you and your family. You may not u=
nderstand why this mail came to you.But if you do not remember me, you migh=
t have receive an email from me in the =0D
past regarding a multi-million-dollar business proposal which we never conc=
luded. I am using this opportunity to inform you that this multi-million-do=
llar business has been concluded with the =0D
assistance of another partner from Paraguay who financed the transaction to=
 a logical conclusion.=0D
=0D
 I thank you for your great effort to our unfinished transfer of fund into =
your account due to one reason or the other best known to you. But I want t=
o inform you that I have successfully =0D
transferred the fund out of my bank to my new partner's account in Paraguay=
 that was capable of assisting me in this great venture. Due to your effort=
, sincerity, courage and trust worthiness =0D
you shown during the course of the transaction. I want to compensate you an=
d show my gratitude to you with the sum of US$1.2million. I have left a cer=
tified international bank draft for you =0D
worth of US$1.2million cashable anywhere in the world. =0D
=0D
My dear friend I will like you to contact my Pastor with rev:daniel udunkwa=
, on his direct email address at :[rev_danieludunkwa@yahoo.com] for collect=
ion of your bank draft. I authorized him =0D
to release the Bank Draft to you whenever you ask him for it. At the moment=
, I'm very busy here because of the investment projects, which I and the ne=
w partner are having at hand.Please I =0D
will like you to accept this token with good faith as this is from the bott=
om of my heart=0D
=0D
,Also comply with rev:daniel udunkwa`s directives so that he will send the =
draft to you without any delay. CONTACT: rev:daniel udunkwa. Email address:=
 rev_danieludunkwa@yahoo.com You are =0D
required to furnish him with the below information to enable him deliver th=
e cheque to you, 1. FULL NAMES:______________________ 2. ADDRESS:__________=
__ __________ 3. E-=0D
MAILADDRESS:_______________ 4. TELEPHONE NUMBER:___________________ =0D
=0D
Hoping to hear from you. =0D
=0D
Thanks and God bless you and your family. =0D
MR Remornde Stiving=0D
=0D
=0D
=0D
=0D
=0D
=0D
=0D
=0D
Hello my good friend.=0D
=0D
How are you today? Hope all is well with you and your family. You may not u=
nderstand why this mail came to you.But if you do not remember me, you migh=
t have receive an email from me in the =0D
past regarding a multi-million-dollar business proposal which we never conc=
luded. I am using this opportunity to inform you that this multi-million-do=
llar business has been concluded with the =0D
assistance of another partner from Paraguay who financed the transaction to=
 a logical conclusion.=0D
=0D
 I thank you for your great effort to our unfinished transfer of fund into =
your account due to one reason or the other best known to you. But I want t=
o inform you that I have successfully =0D
transferred the fund out of my bank to my new partner's account in Paraguay=
 that was capable of assisting me in this great venture. Due to your effort=
, sincerity, courage and trust worthiness =0D
you shown during the course of the transaction. I want to compensate you an=
d show my gratitude to you with the sum of US$1.2million. I have left a cer=
tified international bank draft for you =0D
worth of US$1.2million cashable anywhere in the world. =0D
=0D
My dear friend I will like you to contact my Pastor with rev:daniel udunkwa=
, on his direct email address at :[rev_danieludunkwa@yahoo.com] for collect=
ion of your bank draft. I authorized him =0D
to release the Bank Draft to you whenever you ask him for it. At the moment=
, I'm very busy here because of the investment projects, which I and the ne=
w partner are having at hand.Please I =0D
will like you to accept this token with good faith as this is from the bott=
om of my heart=0D
=0D
,Also comply with rev:daniel udunkwa`s directives so that he will send the =
draft to you without any delay. CONTACT: rev:daniel udunkwa. Email address:=
 rev_danieludunkwa@yahoo.com You are =0D
required to furnish him with the below information to enable him deliver th=
e cheque to you, 1. FULL NAMES:______________________ 2. ADDRESS:__________=
__ __________ 3. E-=0D
MAILADDRESS:_______________ 4. TELEPHONE NUMBER:___________________ =0D
=0D
Hoping to hear from you. =0D
=0D
Thanks and God bless you and your family. =0D
MR Remornde Stiving=0D
=0D
=0D
=0D
=0D
=0D
=0D
=0D
=0D
=0D

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 07:36:50 2008
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Date: Mon, 10 Mar 2008 08:36:49 +0100
From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Livelooping Festival in Cologne May 31st
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a big hoora for uncle michael for the effort
of putting together such an excellent show
and contributing to our comunity with his usual
velvet kindness.

... i'm waiting for that bootleg recordings.....

wish you a great time!
raul.

2008/3/9, Matt Stevens <mattstevensguitar@btinternet.com>:
>
> Wow!!
>
> Sounds amazing - class line up.  Can you record come?
>
> MS
>
> www.mattstevensguitar.com
>
>
> On 9 Mar 2008, at 18:54, Michael Peters wrote:
>
> > here's all information (in German): www.livelooping.de
> >
> > -Michael
> >
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

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a big hoora for uncle michael for the effort<br>of putting together such an excellent show <br>and contributing to our comunity with his usual<br>velvet kindness.<br><br>... i&#39;m waiting for that bootleg recordings.....<br>
<br>wish you a great time!<br>raul.<br><br><div><span class="gmail_quote">2008/3/9, Matt Stevens &lt;<a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Wow!!<br> <br> Sounds amazing - class line up.&nbsp;&nbsp;Can you record come?<br> <br> MS<br> <br> <a href="http://www.mattstevensguitar.com">www.mattstevensguitar.com</a><br> <br><br> On 9 Mar 2008, at 18:54, Michael Peters wrote:<br>
 <br> &gt; here&#39;s all information (in German): <a href="http://www.livelooping.de">www.livelooping.de</a><br> &gt;<br> &gt; -Michael<br> &gt;<br> <br> </blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>
Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a><br>TPO at Jamendo: <a href="http://www.jamendo.com">http://www.jamendo.com</a>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 07:42:28 2008
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Date: Mon, 10 Mar 2008 01:42:16 -0600
From: Daryl Shawn <highhorse@mhorse.com>
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To:  Loopers-Delight@loopers-delight.com
Subject: Review of Rainer Straschill's "Weird Specialist" - corrections
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After Rainer pointed out a few errors and omissions, I've made a few 
changes to my review of "Weird Specialist".

http://www.swanwelder.com/mutereactionary/Rainer_Straschill.htm

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 08:11:39 2008
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Date: Mon, 10 Mar 2008 09:11:37 +0100
From: Stefan Tiedje <Stefan-Tiedje@addcom.de>
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I just came across this:

http://youtube.com/watch?v=3ff_AXVlo9U

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com


From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 08:52:03 2008
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Date: Mon, 10 Mar 2008 09:52:02 +0100
From: Stefan Tiedje <Stefan-Tiedje@addcom.de>
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Subject: Taperecord
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I just have to share this, its pure creativity, fun and even sounds 
better than expected:

http://www.f7sound.com/taperecord.htm

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com


From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 09:20:20 2008
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From: Daryl Shawn <highhorse@mhorse.com>
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: Taperecord
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Awesome! I love this guy, we've had discussions about cassette abuse, 
but I hadn't seen this record idea before.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
> I just have to share this, its pure creativity, fun and even sounds 
> better than expected:
>
> http://www.f7sound.com/taperecord.htm
>
> Stefan
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 09:35:19 2008
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Subject: RE: Taperecord
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> I just have to share this, its pure creativity, fun and even sounds better
than expected:
> http://www.f7sound.com/taperecord.htm
> Stefan


wonderful !!!


-Michael

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 11:11:03 2008
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> >> BUT DID YOU SEE THAT???> >> the maker himself wrote in answer to the u=
ndo problem!!! i havent > >> seen the RANG owners or the makers of the EDP =
ever respond to > >> anything on this forum.
I feel I must also chime in here and say just how much Mattias, Andy Ewan a=
nd others who have worked on the EDP HAVE helped me through this list.
=20
I have had free and very one-to-one technical support, they have helped me =
solve grounding issues, re-seat ram and other chips , give me clues to hook=
ing up the monster Midi setup I am now using and even sent me the correct r=
esistors when I decided to go off the reservation and build my own controll=
er....c'mon THATS CUSTOMER SERVICE.
=20
Im really glad you are getting input into Looperlative features and that is=
 good too but I for one am a very satified EDP and Loopers Delight member a=
nd I feel I have grown up supported VERY well by its creators and technical=
 staff.
=20
Phill MyOneManBand
_________________________________________________________________
Free games, great prizes - get gaming at Gamesbox.=20
http://www.searchgamesbox.com=

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<body class=3D'hmmessage'>
&gt; &gt;&gt; BUT DID YOU SEE THAT???<BR>&gt; &gt;&gt; the maker himself wr=
ote in answer to the undo problem!!! i havent <BR>&gt; &gt;&gt; seen the RA=
NG owners or the makers of the EDP ever respond to <BR>&gt; &gt;&gt; anythi=
ng on this forum.<BR><BR>
I feel I must also chime in here and say just how much Mattias, Andy Ewan&n=
bsp;and others who have worked on the EDP HAVE helped me through this list.=
<BR>
&nbsp;<BR>
I have had free and very one-to-one technical support, they have helped me =
solve grounding issues, re-seat ram and other chips , give me clues to hook=
ing up the monster Midi setup I am now using and even sent me the correct r=
esistors when I decided to go off the reservation and build my own controll=
er....c'mon THATS CUSTOMER SERVICE.<BR>
&nbsp;<BR>
Im really glad you are getting input into Looperlative features and that is=
 good too but I for one am a very satified EDP and Loopers Delight member a=
nd I feel I have grown up supported VERY well by its creators and technical=
 staff.<BR>
&nbsp;<BR>
Phill MyOneManBand<BR><br /><hr />She said what? About who? <a href=3D'http=
://www.msnsearchstar.com' target=3D'_new'>Shameful celebrity quotes on Sear=
ch Star!</a></body>
</html>=

--_3c297952-6670-4b53-adb1-ed1fb31b4614_--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 11:20:11 2008
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: SP-202/Smart Media 5v cards
References: <47D4A47B.9090506@sasktel.net>
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Try www.amazon.co.uk
Some of the illustrations are definitely of 5V cards.

Ebay has them
 

Shayne Cafferata wrote:
> unfortunately, those all look like 3.3v
> thanks anyway, tho'.
> the 5v seem pretty rare these days. guess i'll be scouring music stores 
> and camera shops for old stock. lucky me....
> 
> shayne
> 
>> Amazon has them
>> Shayne Cafferata wrote:
>> i just picked up an sp-202, unaware that they take the obsolete 5v 
>> smartmedia cards. does anyone have an extra or 2 kicking around? or is 
>> there a source anywhere for these?
>>
>> thanks,
>> shayne
>>
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 13:26:07 2008
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Date: Mon, 10 Mar 2008 06:26:05 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: Taperecord
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I prefer gluing insects to thread and watching them fly in circles. They won't let me have anything sharp in here.

Stefan Tiedje <Stefan-Tiedje@addcom.de> wrote:  I just have to share this, its pure creativity, fun and even sounds 
better than expected:

http://www.f7sound.com/taperecord.htm

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com




       
---------------------------------
Never miss a thing.   Make Yahoo your homepage.
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I prefer gluing insects to thread and watching them fly in circles. They won't let me have anything sharp in here.<BR><BR><B><I>Stefan Tiedje &lt;Stefan-Tiedje@addcom.de&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">I just have to share this, its pure creativity, fun and even sounds <BR>better than expected:<BR><BR>http://www.f7sound.com/taperecord.htm<BR><BR>Stefan<BR><BR>-- <BR>Stefan Tiedje------------x-------<BR>--_____-----------|--------------<BR>--(_|_ ----|\-----|-----()-------<BR>-- _|_)----|-----()--------------<BR>----------()--------www.ccmix.com<BR><BR><BR></BLOCKQUOTE><BR><p>&#32;



      <hr size=1>Never miss a thing.  <a href="http://us.rd.yahoo.com/evt=51438/*http://www.yahoo.com/r/hs"> Make Yahoo your homepage.</a>


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From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 13:40:58 2008
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Date: Mon, 10 Mar 2008 08:40:55 -0500
From: "Mark Smart" <marksmartus@gmail.com>
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Subject: Re: Anybody ever played a tesla coil?
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By strange coincidence, we just had a Tesla coil concert Friday here at the
University of Illinois for Engineering Open House. I was playing one of the
Tesla coils from the Continuum Fingerboard while the other one was being
played by a MIDI sequence. There are some videos on YouTube of it:

http://youtube.com/results?search_query=tesla+illinois&search_type=

It was a team effort.

Credits:

Steve Ward and Jeff Larson: Tesla coil construction, MIDI interface
Lippold Haken: Continuum Fingerboard invention, design, construction and
programming of Tesla interface
Mike Novak: Drums on backing track
 Me: Lead Tesla coil, bass coil sequencing, guitar and keyboards on backing
track, wrote the music

It was fun despite the extreme cold temperatures. We still had a pretty good
crowd.

I originally thought about trying to LOOP a Tesla coil with a microphone &
Echoplex, but gave up on that idea in favor of sequencing and backing
tracks.

-- 
Mark Smart
http://cdbaby.com/cd/marksmart
http://www.marksmart.net

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<div>By strange coincidence, we just had a Tesla coil concert Friday here at the University of Illinois for Engineering Open House. I was playing one of the Tesla coils from the Continuum Fingerboard while the other one was being played by a MIDI sequence. There are some videos on YouTube of it:</div>

<div>&nbsp;</div>
<div><a href="http://youtube.com/results?search_query=tesla+illinois&amp;search_type">http://youtube.com/results?search_query=tesla+illinois&amp;search_type</a>=</div>
<div>&nbsp;</div>
<div>It was a team effort.</div>
<div>&nbsp;</div>
<div>Credits:</div>
<div>&nbsp;</div>
<div>Steve Ward and Jeff Larson: Tesla coil construction, MIDI interface</div>
<div>Lippold Haken: Continuum Fingerboard invention, design, construction&nbsp;and programming of Tesla interface</div>
<div>Mike Novak: Drums on backing track</div>
<div>
<div>Me: Lead Tesla coil, bass coil sequencing, guitar and keyboards on backing track, wrote the music</div>
<div>&nbsp;</div>
<div>It was fun despite the extreme cold temperatures. We still had a pretty good crowd.</div>
<div>&nbsp;</div>
<div>I originally thought about trying to LOOP&nbsp;a Tesla coil with a microphone &amp; Echoplex, but gave up on that idea in favor of sequencing and backing tracks.</div>
<div>&nbsp;</div></div>
<div>-- <br>Mark Smart<br><a href="http://cdbaby.com/cd/marksmart">http://cdbaby.com/cd/marksmart</a><br><a href="http://www.marksmart.net">http://www.marksmart.net</a> </div>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 16:37:47 2008
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: marshall jmp-1 - OFF TOPIC
Date: Mon, 10 Mar 2008 18:37:41 +0200
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hi,

i have been playing the marshall jmp-1 preamp on some new recordings. I =
have noticed a considerable amount of hiss even though I use the clean =
channel with speaker simulation. did anyone else experince this problem? =
i would like to change the tubes. which brands would you recommend for =
that?

sorry this a little off topic.

thanks and best regards.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Altered Realities" album is out on New Albion Records:
chosen as"Album of the year 2007" by All About Jazz Magazine
www.newalbion.com/NA131
www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=3D8-1=
/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF8
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</HEAD>
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<DIV>hi,</DIV>
<DIV>&nbsp;</DIV>
<DIV>i have been playing the marshall jmp-1 preamp on some new =
recordings. I=20
have noticed a considerable amount of hiss even though I use the clean =
channel=20
with speaker simulation. did anyone else experince this problem? i would =
like to=20
change the tubes. which brands would you recommend for that?</DIV>
<DIV>&nbsp;</DIV>
<DIV>sorry this a little off topic.</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks and best regards.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Altered Realities" album is =
out on New=20
Albion Records:<BR>chosen as"Album of the year 2007" by All About Jazz=20
Magazine<BR><A=20
href=3D"http://www.newalbion.com/NA131">www.newalbion.com/NA131</A><BR><A=
=20
href=3D"http://www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000=
GFLE9A/sr=3D8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=
=3DUTF8">www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A=
/sr=3D8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF=
8</A></DIV></BODY></HTML>

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Date: Mon, 10 Mar 2008 17:54:51 +0100
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On Mon, Mar 10, 2008 at 5:37 PM, Erdem Helvacioglu <erdemhel@tnn.net> wrote:
>
>
> hi,
>
> i have been playing the marshall jmp-1 preamp on some new recordings. I have
> noticed a considerable amount of hiss even though I use the clean channel
> with speaker simulation. did anyone else experince this problem? i would
> like to change the tubes. which brands would you recommend for that?


I like the 12AX7A type. They are used in the Sovtek tube amp I have
here and that sound is awesome! Also, when doing "tube tests" I have
notices that I like that type the most. Some guys say different brands
sound different but that's beyond my experience to air an opinion on.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

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Subject: Re: What's the best vocal looper to buy
Date: Mon, 10 Mar 2008 12:08:58 -0500
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u know, un researched comments like that is what causes the  
destruction of the group conscious IQ.
i am sorry. u r right.

but i have not seen the Rang owners. i know one of them in person.  
great great guy. visited his home. never saw him here though.

--Adrian Bartholomew
Quincy, IL
"Life rocks, when you don't give a damn about it."

On Sunday9,Mar 2008, at 4:18 PM, andy butler wrote:

>
>> BUT DID YOU SEE THAT???
>> the maker himself wrote in answer to the undo problem!!! i havent  
>> seen the RANG owners or the makers of the EDP ever respond to  
>> anything on this forum.
>> way to go Bob. ill start calling YOU tuner peg. lol.
>> looking forward to the UNDO. YESSSSSSSS.
>>>
>
> EDP "maker", and inventor of Undo,  Matthias Grob is always on hand  
> here.
>
> Kim Flint, his erstwhile partner in Aurisis (the company that  
> brought you the EDP)
> maintains this list more or less at his own expense.
>
> ,
> ...not to detract from Bob's achievement and dedication of course.
>
> andy butler
>
>


--Apple-Mail-15--771528151
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">u know, un researched comments =
like that is what causes the destruction of the =
group&nbsp;conscious&nbsp;IQ.<div>i am sorry. u r right.</div><div><br =
class=3D"webkit-block-placeholder"></div><div>but i have not seen the =
Rang owners. i know one of them in person. great great guy. visited his =
home. never saw him here though.<br><div> <span class=3D"Apple-style-span"=
 style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div><br =
class=3D"Apple-interchange-newline">--<font class=3D"Apple-style-span" =
face=3D"Chalkboard"><b><font class=3D"Apple-style-span" =
color=3D"#8F4340">Adrian Bartholomew</font></b></font></div><div><font =
class=3D"Apple-style-span" face=3D"Futura">Quincy, =
IL</font></div><div><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" =
face=3D"Courier">"</font></font><i><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" face=3D"Courier">Life =
rocks, when you don't give a damn about =
it."</font></font></i></div></span> </div><br><div><div>On Sunday9,Mar =
2008, at 4:18 PM, andy butler wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><br><blockquote type=3D"cite">BUT DID YOU SEE =
THAT???<br></blockquote><blockquote type=3D"cite">the maker himself =
wrote in answer to the undo problem!!! i havent seen the RANG owners or =
the makers of the EDP ever respond to anything on this =
forum.<br></blockquote><blockquote type=3D"cite">way to go Bob. ill =
start calling YOU tuner peg. lol.<br></blockquote><blockquote =
type=3D"cite">looking forward to the UNDO. =
YESSSSSSSS.<br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><br>EDP "maker", and =
inventor of Undo, &nbsp;Matthias Grob is always on hand here.<br><br>Kim =
Flint, his erstwhile partner in Aurisis (the company that brought you =
the EDP)<br>maintains this list more or less at his own =
expense.<br><br>,<br>...not to detract from Bob's achievement and =
dedication of course.<br><br>andy =
butler<br><br><br></blockquote></div><br></div></body></html>=

--Apple-Mail-15--771528151--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 17:10:04 2008
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Subject: Re: the Looper makers on this list (was: What's the best vocal looper to buy)
Date: Mon, 10 Mar 2008 12:09:58 -0500
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thats right. mike's his name. i never saw him here.
now i have not been here all the time so....

--Adrian Bartholomew
Quincy, IL
"Life rocks, when you don't give a damn about it."

On Sunday9,Mar 2008, at 10:05 PM, Matthias Grob wrote:

> thank you for forwarding, Andy!
>
> this list grew out of making the EDP!
> I started a community in '92 with Eric, Willy, Ljubo, Michael Peters  
> and others and '94 Kim joined and brought us on line in '96,  
> together with another root that came from the DT list...
> and list members Andre LaFosse, Andy Butler, Claude Voit, Bernhard  
> Wagner and others turned into makers of the EDP!
>
> many other loop tools grew out of this list and their makers like  
> Bob, Mike, Jeff, Jesse, Os, Aaron,,, are more or less present.
> we also had visits of the older masters Gary Hall (PCM42), Bob  
> Sellom (PCM42, JamMan) !
> the products we create are not limited to the vision of some 9-5  
> engineers but turn into pools for all the ideas and wishes flying  
> arround here...
>
> Looping is not so much a new technology as a new way to create, an  
> new category of tools (neither instrument nor effect nor  
> recorder...) and we even experience a new spirit of collaboration...  
> some kind of a friendly industry branch?
> well, nobody made the big money yet, which usually attracts the  
> sharks ;-)
> ...and Roland, who made the most money with the least suitable tool,  
> is not present.
>
> I confess that I dont look through all LD mails any more :-(
> during many years I spent hours and hours to explain all I knew  
> about the EDP and Art as clear and short as possible...
> so sometimes I dont answer because I think the answer is arround in  
> the archives or with members that went into it
> and some things I forgot because I dont use it and was involved with  
> other technology
> but some times I love to say something new and spend time for  
> research and typing what is not my language...
> ...and recently I came back to programming for LOOP, so I may start  
> questions here ;-)
>
> in any case, I am happy if you copy a mail to me privately if you  
> feel its of interest for me
> or if you think I should say something about it!
>
> I hope I manage to make you the best vocal looper ;-)
> Matthias
>
> On 9 Mar 2008, at 18:18, andy butler wrote:
>
>>
>>> BUT DID YOU SEE THAT???
>>> the maker himself wrote in answer to the undo problem!!! i havent  
>>> seen the RANG owners or the makers of the EDP ever respond to  
>>> anything on this forum.
>>> way to go Bob. ill start calling YOU tuner peg. lol.
>>> looking forward to the UNDO. YESSSSSSSS.
>>>>
>>
>> EDP "maker", and inventor of Undo,  Matthias Grob is always on hand  
>> here.
>>
>> Kim Flint, his erstwhile partner in Aurisis (the company that  
>> brought you the EDP)
>> maintains this list more or less at his own expense.
>>
>> ,
>> ...not to detract from Bob's achievement and dedication of course.
>>
>> andy butler
>>
>>
>


--Apple-Mail-16--771468297
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">thats right. mike's his name. i =
never saw him here.<div>now i have not been here all the time =
so....<br><div> <span class=3D"Apple-style-span" style=3D"border-collapse:=
 separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div><br =
class=3D"Apple-interchange-newline">--<font class=3D"Apple-style-span" =
face=3D"Chalkboard"><b><font class=3D"Apple-style-span" =
color=3D"#8F4340">Adrian Bartholomew</font></b></font></div><div><font =
class=3D"Apple-style-span" face=3D"Futura">Quincy, =
IL</font></div><div><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" =
face=3D"Courier">"</font></font><i><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" face=3D"Courier">Life =
rocks, when you don't give a damn about =
it."</font></font></i></div></span> </div><br><div><div>On Sunday9,Mar =
2008, at 10:05 PM, Matthias Grob wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">thank you =
for forwarding, Andy!<br><br>this list grew out of making the EDP!<br>I =
started a community in '92 with Eric, Willy, Ljubo, Michael Peters and =
others and '94 Kim joined and brought us on line in '96, together with =
another root that came from the DT list...<br>and list members Andre =
LaFosse, Andy Butler, Claude Voit, Bernhard Wagner and others turned =
into makers of the EDP!<br><br>many other loop tools grew out of this =
list and their makers like Bob, Mike, Jeff, Jesse, Os, Aaron,,, are more =
or less present.<br>we also had visits of the older masters Gary Hall =
(PCM42), Bob Sellom (PCM42, JamMan) !<br>the products we create are not =
limited to the vision of some 9-5 engineers but turn into pools for all =
the ideas and wishes flying arround here...<br><br>Looping is not so =
much a new technology as a new way to create, an new category of tools =
(neither instrument nor effect nor recorder...) and we even experience a =
new spirit of collaboration... some kind of a friendly industry =
branch?<br>well, nobody made the big money yet, which usually attracts =
the sharks ;-)<br>...and Roland, who made the most money with the least =
suitable tool, is not present.<br><br>I confess that I dont look through =
all LD mails any more :-(<br>during many years I spent hours and hours =
to explain all I knew about the EDP and Art as clear and short as =
possible...<br>so sometimes I dont answer because I think the answer is =
arround in the archives or with members that went into it<br>and some =
things I forgot because I dont use it and was involved with other =
technology<br>but some times I love to say something new and spend time =
for research and typing what is not my language...<br>...and recently I =
came back to programming for LOOP, so I may start questions here =
;-)<br><br>in any case, I am happy if you copy a mail to me privately if =
you feel its of interest for me<br>or if you think I should say =
something about it!<br><br>I hope I manage to make you the best vocal =
looper ;-)<br>Matthias<br><br>On 9 Mar 2008, at 18:18, andy butler =
wrote:<br><br><blockquote type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">BUT DID YOU SEE =
THAT???<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote=
 type=3D"cite">the maker himself wrote in answer to the undo problem!!! =
i havent seen the RANG owners or the makers of the EDP ever respond to =
anything on this forum.<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">way to go Bob. ill start calling =
YOU tuner peg. lol.<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">looking forward to the UNDO. =
YESSSSSSSS.<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">EDP "maker", =
and inventor of Undo, &nbsp;Matthias Grob is always on hand =
here.<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">Kim Flint, his =
erstwhile partner in Aurisis (the company that brought you the =
EDP)<br></blockquote><blockquote type=3D"cite">maintains this list more =
or less at his own expense.<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">,<br></blockquote><blockquote type=3D"cite">...not to =
detract from Bob's achievement and dedication of =
course.<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">andy =
butler<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><br></blockquote></div><br></div></body></h=
tml>=

--Apple-Mail-16--771468297--

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Date: Mon, 10 Mar 2008 10:20:26 -0700
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Subject: Re: What's the best vocal looper to buy
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------=_Part_49287_20850978.1205169626697
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Mike Nelson has posted here in the past.  He's also very good about
responding to direct emails or phone calls.

TH

On Mon, Mar 10, 2008 at 10:08 AM, Adrian Bartholomew <
adrian@bartholomusic.com> wrote:

>
>
> but i have not seen the Rang owners. i know one of them in person. great
> great guy. visited his home. never saw him here though.
>
> --*Adrian Bartholomew*
>
>

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Mike Nelson has posted here in the past.&nbsp; He&#39;s also very good about responding to direct emails or phone calls.<br><br>TH<br><br><div class="gmail_quote">On Mon, Mar 10, 2008 at 10:08 AM, Adrian Bartholomew &lt;<a href="mailto:adrian@bartholomusic.com">adrian@bartholomusic.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div style=""><br><div><br></div><div>but i have not seen the Rang owners. i know one of them in person. great great guy. visited his home. never saw him here though.<div class="Ih2E3d">
<br><div> <span style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div>
<br>--<font face="Chalkboard"><b><font color="#8f4340">Adrian Bartholomew</font></b></font></div><br></span></div></div></div></div></blockquote></div><br>

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From: "Krispen Hartung" <khartung@cableone.net>
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References: <00b301c882cd$0f304f70$0300000a@erdem>
Subject: Re: marshall jmp-1 - OFF TOPIC
Date: Mon, 10 Mar 2008 12:14:48 -0600
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I just went through this exercise on my Fender Pro Junior, which is =
known for it's noise and over brighness with stock tubes. I bought some =
of the new Mesa Boogie SPAX7 tubes, and the results were outstanding. It =
sounds like a new amp. Quit, warmer, etc.

http://mesa.stores.yahoo.net/spax7.html (they are legit replacement of =
the 12AX7.

More here: =
http://www.mesaboogie.com/US/What_s_New_/Amplitudes/Tone_Tips/tone_tips.h=
tml

The SPAX7

The Mesa SPAX7 is a 12AX7 that during our in-house testing processes is =
found to have a significantly quieter and more stable response to high =
volume and gain applications. If a fledgeling 12AX7 passes its first =
test, it is tested a second time under  more stringent listening =
conditions and even higher volume and gain levels. If the young SP =
passes this second test, it is outfitted with a sleek layer of shrink =
wrap that helps shield the tube even further from field and transformer =
noise. We recommend using the SPAX7 in input preamp stages (usually =
located nearest the input jacks), as the input stage is generally the =
most volatile. An SPAX7 input tube will lay the foundation for a quiet =
and stable amplifier in the highest of gain and volume applications, and =
is a sure winner when playing microphonic musical chairs in search of =
that troublesome squealing or crackling preamp tube.=20

Tien Lawrence
Boogie Customer Support=20


Kris

  ----- Original Message -----=20



  hi,

  i have been playing the marshall jmp-1 preamp on some new recordings. =
I have noticed a considerable amount of hiss even though I use the clean =
channel with speaker simulation. did anyone else experince this problem? =
i would like to change the tubes. which brands would you recommend for =
that?

  sorry this a little off topic.

  thanks and best regards.

  Erdem Helvacioglu
  www.erdemhelvacioglu.com
  www.myspace.com/erdemhelvacioglu
  * * * * * * * * * * * * * * * * * * * *
  "Altered Realities" album is out on New Albion Records:
  chosen as"Album of the year 2007" by All About Jazz Magazine
  www.newalbion.com/NA131
  =
www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=3D8-1=
/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF8
------=_NextPart_000_009C_01C882A8.55FC16C0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3268" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I just went through this exercise on my =
Fender Pro=20
Junior, which is known for it's noise and over brighness with stock =
tubes. I=20
bought some of the new Mesa Boogie SPAX7 tubes, and the results were=20
outstanding. It sounds like a new amp. Quit, warmer, etc.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://mesa.stores.yahoo.net/spax7.html">http://mesa.stores.yahoo=
.net/spax7.html</A>&nbsp;(they=20
are legit replacement of the 12AX7.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>More here: <A=20
href=3D"http://www.mesaboogie.com/US/What_s_New_/Amplitudes/Tone_Tips/ton=
e_tips.html">http://www.mesaboogie.com/US/What_s_New_/Amplitudes/Tone_Tip=
s/tone_tips.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>
<P><B><FONT face=3D"MS Sans Serif,Arial,Helvetica,Univers,Zurich BT" =
size=3D-1>The=20
SPAX7</FONT></B></P>
<P><B><FONT face=3D"MS Sans Serif,Arial,Helvetica,Univers,Zurich BT"=20
size=3D-1></FONT><FONT size=3D-1></FONT></B><FONT size=3D-1>The Mesa =
SPAX7<U> is</U> a=20
12AX7 that during our in-house testing processes is found to have a=20
significantly quieter and more stable response to high volume and gain=20
applications. If a fledgeling 12AX7 passes its first test, it is tested =
a=20
<U>second</U> time under&nbsp; more stringent listening conditions and =
even=20
higher volume and gain levels. If the young SP passes this second test, =
it is=20
outfitted with a sleek layer of shrink wrap that helps shield the tube =
even=20
further from field and transformer noise. We recommend using the SPAX7 =
in input=20
preamp stages (usually located nearest the input jacks), as the input =
stage is=20
generally the most volatile. An SPAX7 input tube will lay the foundation =
for a=20
quiet and stable amplifier in the highest of gain and volume =
applications, and=20
is a sure winner when playing microphonic musical chairs in search of =
that=20
troublesome squealing or crackling preamp tube. </FONT></P><FONT =
size=3D-1>
<P><I>Tien Lawrence<BR>Boogie Customer <A name=3DRECTIPS></A>Support</I> =

</P></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black">&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV>hi,</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>i have been playing the marshall jmp-1 preamp on some new =
recordings. I=20
  have noticed a considerable amount of hiss even though I use the clean =
channel=20
  with speaker simulation. did anyone else experince this problem? i =
would like=20
  to change the tubes. which brands would you recommend for that?</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>sorry this a little off topic.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>thanks and best regards.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Erdem Helvacioglu<BR><A=20
  =
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
  =
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
  * * * * * * * * * * * * * * * * * * *<BR>"Altered Realities" album is =
out on=20
  New Albion Records:<BR>chosen as"Album of the year 2007" by All About =
Jazz=20
  Magazine<BR><A=20
  =
href=3D"http://www.newalbion.com/NA131">www.newalbion.com/NA131</A><BR><A=
=20
  =
href=3D"http://www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000=
GFLE9A/sr=3D8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=
=3DUTF8">www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A=
/sr=3D8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF=
8</A></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 18:15:03 2008
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From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
References: 
Subject: RE: Marshall JMP-1
Date: Mon, 10 Mar 2008 23:14:14 -0700
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For the last few years I have been using JJ's brand ECC-83 tubes (European
for 12AX7) J.J tubes are made in the former Tesla factory in the Slovak
Republic, and use the better quality glass than most tube manufacturers in
the business. Several tube techs and repairmen I know swear by them. You can
get them under other brand names like Groove Tubes but be sure they have and
S as the end letter (as in Slovakia) Not R (Russian), or C (Chinese). The
JJ's tubes have the least microphonics and noise of any new tubes I've used
and they seem to last longer as well. The other approach if you can find
them is to invest in a couple of NOS tubes, They are very expensive, will
set you back upwards of 50-80 per tube. Of these brands, I'd look for
Mullard (not the new brand, originals ones) Telefunken, Amperex, or Valvo.
Any of these if you can find them will last forever and sound better than
most anything currently being produced.
Bill

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 18:25:05 2008
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    <524D296E-EA4A-4F66-B952-042CC447A8B1@bartholomusic.com>
Date: Mon, 10 Mar 2008 14:24:57 -0400 (EDT)
Subject: Re: the Looper makers on this list (was: What's the best vocal 
     looper to buy)
From: mike@michaelplishka.com
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The Rang maker, Mike, indeed hasn't been present.  While he is a nice guy
and easy to deal with, I have noticed a certain "commercial arrogance"
from him with regards to some of the noise problems, as in, "That's the
way it's designed, not everyone has a problem like you, so do someting
else." Now that something else might work, but it's another $200!

I wonder how such an amazingly high profile gathering of loopers is so LOW
on the radar scopes of looping companies.  I've done product development
for 17 years and lists like this would be scanned every week if I was in
the business of making loopers.

c'est la vie....

~peace~
Plish


 > thats right. mike's his name. i never saw him here.
> now i have not been here all the time so....
>
> --Adrian Bartholomew
> Quincy, IL
> "Life rocks, when you don't give a damn about it."
>
> On Sunday9,Mar 2008, at 10:05 PM, Matthias Grob wrote:
>
>> thank you for forwarding, Andy!
>>
>> this list grew out of making the EDP!
>> I started a community in '92 with Eric, Willy, Ljubo, Michael Peters
>> and others and '94 Kim joined and brought us on line in '96,
>> together with another root that came from the DT list...
>> and list members Andre LaFosse, Andy Butler, Claude Voit, Bernhard
>> Wagner and others turned into makers of the EDP!
>>
>> many other loop tools grew out of this list and their makers like
>> Bob, Mike, Jeff, Jesse, Os, Aaron,,, are more or less present.
>> we also had visits of the older masters Gary Hall (PCM42), Bob
>> Sellom (PCM42, JamMan) !
>> the products we create are not limited to the vision of some 9-5
>> engineers but turn into pools for all the ideas and wishes flying
>> arround here...
>>
>> Looping is not so much a new technology as a new way to create, an
>> new category of tools (neither instrument nor effect nor
>> recorder...) and we even experience a new spirit of collaboration...
>> some kind of a friendly industry branch?
>> well, nobody made the big money yet, which usually attracts the
>> sharks ;-)
>> ...and Roland, who made the most money with the least suitable tool,
>> is not present.
>>
>> I confess that I dont look through all LD mails any more :-(
>> during many years I spent hours and hours to explain all I knew
>> about the EDP and Art as clear and short as possible...
>> so sometimes I dont answer because I think the answer is arround in
>> the archives or with members that went into it
>> and some things I forgot because I dont use it and was involved with
>> other technology
>> but some times I love to say something new and spend time for
>> research and typing what is not my language...
>> ...and recently I came back to programming for LOOP, so I may start
>> questions here ;-)
>>
>> in any case, I am happy if you copy a mail to me privately if you
>> feel its of interest for me
>> or if you think I should say something about it!
>>
>> I hope I manage to make you the best vocal looper ;-)
>> Matthias
>>
>> On 9 Mar 2008, at 18:18, andy butler wrote:
>>
>>>
>>>> BUT DID YOU SEE THAT???
>>>> the maker himself wrote in answer to the undo problem!!! i havent
>>>> seen the RANG owners or the makers of the EDP ever respond to
>>>> anything on this forum.
>>>> way to go Bob. ill start calling YOU tuner peg. lol.
>>>> looking forward to the UNDO. YESSSSSSSS.
>>>>>
>>>
>>> EDP "maker", and inventor of Undo,  Matthias Grob is always on hand
>>> here.
>>>
>>> Kim Flint, his erstwhile partner in Aurisis (the company that
>>> brought you the EDP)
>>> maintains this list more or less at his own expense.
>>>
>>> ,
>>> ...not to detract from Bob's achievement and dedication of course.
>>>
>>> andy butler
>>>
>>>
>>
>
>


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Date: Mon, 10 Mar 2008 11:31:05 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: the Looper makers on this list (was: What's the best vocal looper to buy)
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How do you know the list is low on the radar of looping companies?  Just
because they don't make themselves known on a regular basis, doesn't mean
that they're not here.

TH

On Mon, Mar 10, 2008 at 11:24 AM, <mike@michaelplishka.com> wrote:

>
>
> I wonder how such an amazingly high profile gathering of loopers is so LOW
> on the radar scopes of looping companies.  I've done product development
> for 17 years and lists like this would be scanned every week if I was in
> the business of making loopers.
>
> c'est la vie....
>
> ~peace~
> Plish
>
>

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How do you know the list is low on the radar of looping companies?&nbsp; Just because they don&#39;t make themselves known on a regular basis, doesn&#39;t mean that they&#39;re not here.<br><br>TH<br><br><div class="gmail_quote">
On Mon, Mar 10, 2008 at 11:24 AM,  &lt;<a href="mailto:mike@michaelplishka.com">mike@michaelplishka.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
<br>
I wonder how such an amazingly high profile gathering of loopers is so LOW<br>
on the radar scopes of looping companies. &nbsp;I&#39;ve done product development<br>
for 17 years and lists like this would be scanned every week if I was in<br>
the business of making loopers.<br>
<br>
c&#39;est la vie....<br>
<br>
~peace~<br>
Plish<br>
<div><br></div></blockquote></div><br>

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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: marshall jmp-1 - OFF TOPIC
Date: Mon, 10 Mar 2008 15:08:34 -0400
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I love the tube guys. Working that hard to find the exact right  
tubes. I wish I had less to worry about and more free time, then I  
could find that killer pre-war tungsten 12ax7.
On Mar 10, 2008, at 12:54 PM, Per Boysen wrote:

> On Mon, Mar 10, 2008 at 5:37 PM, Erdem Helvacioglu  
> <erdemhel@tnn.net> wrote:
>>
>>
>> hi,
>>
>> i have been playing the marshall jmp-1 preamp on some new  
>> recordings. I have
>> noticed a considerable amount of hiss even though I use the clean  
>> channel
>> with speaker simulation. did anyone else experince this problem? i  
>> would
>> like to change the tubes. which brands would you recommend for that?
>
>
> I like the 12AX7A type. They are used in the Sovtek tube amp I have
> here and that sound is awesome! Also, when doing "tube tests" I have
> notices that I like that type the most. Some guys say different brands
> sound different but that's beyond my experience to air an opinion on.
>
> -- 
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 19:10:10 2008
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From: "Andy Ewen" <andy.ewen@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: the Looper makers on this list (was: What's the best vocal looper to buy)
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Mm, I check the list daily to see if there is anything I can help with =
but
as Matthias pointed out, many answers can be found in the archives; =
pretty
much most questions & problems regarding the Echoplex have been asked in =
the
10 years I=92ve been involved. :-)=20

 =20

One of us will usually chip in once that resource is exhausted.

=20

Andy Ewen,

Echoplex Production Manager.

=20

   _____ =20

From: Travis Hartnett [mailto:travishartnett@gmail.com]=20
Sent: 10 March 2008 18:31
To: Loopers-Delight@loopers-delight.com
Subject: Re: the Looper makers on this list (was: What's the best vocal
looper to buy)

=20

How do you know the list is low on the radar of looping companies?  Just
because they don't make themselves known on a regular basis, doesn't =
mean
that they're not here.

TH

On Mon, Mar 10, 2008 at 11:24 AM, <HYPERLINK
"mailto:mike@michaelplishka.com"mike@michaelplishka.com> wrote:



I wonder how such an amazingly high profile gathering of loopers is so =
LOW
on the radar scopes of looping companies.  I've done product development
for 17 years and lists like this would be scanned every week if I was in
the business of making loopers.

c'est la vie....

~peace~
Plish

=20

=20

No virus found in this incoming message.
Checked by AVG.
Version: 7.5.518 / Virus Database: 269.21.7/1323 - Release Date: =
10/03/2008
11:07


No virus found in this outgoing message.
Checked by AVG.=20
Version: 7.5.518 / Virus Database: 269.21.7/1323 - Release Date: =
10/03/2008
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<p class=3DMsoNormal><b><font size=3D4 color=3Dmaroon face=3DArial><span
style=3D'font-size:14.0pt;font-family:Arial;color:maroon;font-weight:bold=
'>Mm, I
check the list daily to see if there is anything I can help with but as =
<st1:PersonName
w:st=3D"on"><st1:PersonName =
w:st=3D"on">Matt</st1:PersonName>hias</st1:PersonName>
pointed out, many answers can be found in the archives; pretty much most
questions &amp; problems regarding the Echoplex have been asked in the =
10 years
I&#8217;ve been involved. </span></font></b><b><font size=3D4 =
color=3Dmaroon
face=3DWingdings><span =
style=3D'font-size:14.0pt;font-family:Wingdings;color:maroon;
font-weight:bold'>J</span></font></b><b><font size=3D4 color=3Dmaroon =
face=3DArial><span
style=3D'font-size:14.0pt;font-family:Arial;color:maroon;font-weight:bold=
'> <o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><b><font size=3D4 color=3Dmaroon face=3DArial><span
style=3D'font-size:14.0pt;font-family:Arial;color:maroon;font-weight:bold=
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<p class=3DMsoNormal><b><font size=3D4 color=3Dmaroon face=3DArial><span
style=3D'font-size:14.0pt;font-family:Arial;color:maroon;font-weight:bold=
'>One of
us will usually chip in once that resource is =
exhausted.<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><b><font size=3D4 color=3Dmaroon face=3DArial><span
style=3D'font-size:14.0pt;font-family:Arial;color:maroon;font-weight:bold=
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<p class=3DMsoNormal><st1:PersonName w:st=3D"on"><b><font size=3D4 =
color=3Dmaroon
 face=3DArial><span =
style=3D'font-size:14.0pt;font-family:Arial;color:maroon;
 font-weight:bold'>Andy Ewen</span></font></b></st1:PersonName><b><font =
size=3D4
color=3Dmaroon face=3DArial><span =
style=3D'font-size:14.0pt;font-family:Arial;
color:maroon;font-weight:bold'>,<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><b><font size=3D4 color=3Dmaroon face=3DArial><span
style=3D'font-size:14.0pt;font-family:Arial;color:maroon;font-weight:bold=
'>Echoplex
Production Manager.<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><b><font size=3D4 color=3Dmaroon face=3DArial><span
style=3D'font-size:14.0pt;font-family:Arial;color:maroon;font-weight:bold=
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<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span lang=3DEN-US
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:bold'>From:</spa=
n></font></b><font
size=3D2 face=3DTahoma><span lang=3DEN-US =
style=3D'font-size:10.0pt;font-family:Tahoma'>
Travis Hartnett [mailto:travishartnett@gmail.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> 10 March 2008 =
18:31<br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: the Looper =
makers on
this list (was: What's the best vocal looper to buy)</span></font><span
lang=3DEN-US><o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>How do you =
know the list
is low on the radar of looping companies?&nbsp; Just because they don't =
make
themselves known on a regular basis, doesn't mean that they're not =
here.<br>
<br>
TH<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>On Mon, Mar 10, 2008 at 11:24 AM, &lt;<a
href=3D"mailto:mike@michaelplishka.com">mike@michaelplishka.com</a>&gt; =
wrote:<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><br>
<br>
I wonder how such an amazingly high profile gathering of loopers is so =
LOW<br>
on the radar scopes of looping companies. &nbsp;I've done product =
development<br>
for 17 years and lists like this would be scanned every week if I was =
in<br>
the business of making loopers.<br>
<br>
c'est la vie....<br>
<br>
~peace~<br>
Plish<o:p></o:p></span></font></p>

<div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

</div>

</div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D3
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p><font size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:10.0pt'>No virus
found in this incoming message.<br>
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Version: 7.5.518 / Virus Database: 269.21.7/1323 - Release Date: =
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 19:12:53 2008
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: the Looper makers on this list (was: What's the best vocal looper to buy)
Date: Mon, 10 Mar 2008 15:11:59 -0400
To: Loopers-Delight@loopers-delight.com
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Don't forget  Butchie "RC" Roland. You cant get that guy to shut up.  
The problem is, is you can never hear the first 2 words of anything  
he says.





On Mar 10, 2008, at 2:24 PM, mike@michaelplishka.com wrote:

> The Rang maker, Mike, indeed hasn't been present.  While he is a  
> nice guy
> and easy to deal with, I have noticed a certain "commercial arrogance"
> from him with regards to some of the noise problems, as in, "That's  
> the
> way it's designed, not everyone has a problem like you, so do someting
> else." Now that something else might work, but it's another $200!
>
> I wonder how such an amazingly high profile gathering of loopers is  
> so LOW
> on the radar scopes of looping companies.  I've done product  
> development
> for 17 years and lists like this would be scanned every week if I  
> was in
> the business of making loopers.
>
> c'est la vie....
>
> ~peace~
> Plish
>
>
>> thats right. mike's his name. i never saw him here.
>> now i have not been here all the time so....
>>
>> --Adrian Bartholomew
>> Quincy, IL
>> "Life rocks, when you don't give a damn about it."
>>
>> On Sunday9,Mar 2008, at 10:05 PM, Matthias Grob wrote:
>>
>>> thank you for forwarding, Andy!
>>>
>>> this list grew out of making the EDP!
>>> I started a community in '92 with Eric, Willy, Ljubo, Michael Peters
>>> and others and '94 Kim joined and brought us on line in '96,
>>> together with another root that came from the DT list...
>>> and list members Andre LaFosse, Andy Butler, Claude Voit, Bernhard
>>> Wagner and others turned into makers of the EDP!
>>>
>>> many other loop tools grew out of this list and their makers like
>>> Bob, Mike, Jeff, Jesse, Os, Aaron,,, are more or less present.
>>> we also had visits of the older masters Gary Hall (PCM42), Bob
>>> Sellom (PCM42, JamMan) !
>>> the products we create are not limited to the vision of some 9-5
>>> engineers but turn into pools for all the ideas and wishes flying
>>> arround here...
>>>
>>> Looping is not so much a new technology as a new way to create, an
>>> new category of tools (neither instrument nor effect nor
>>> recorder...) and we even experience a new spirit of collaboration...
>>> some kind of a friendly industry branch?
>>> well, nobody made the big money yet, which usually attracts the
>>> sharks ;-)
>>> ...and Roland, who made the most money with the least suitable tool,
>>> is not present.
>>>
>>> I confess that I dont look through all LD mails any more :-(
>>> during many years I spent hours and hours to explain all I knew
>>> about the EDP and Art as clear and short as possible...
>>> so sometimes I dont answer because I think the answer is arround in
>>> the archives or with members that went into it
>>> and some things I forgot because I dont use it and was involved with
>>> other technology
>>> but some times I love to say something new and spend time for
>>> research and typing what is not my language...
>>> ...and recently I came back to programming for LOOP, so I may start
>>> questions here ;-)
>>>
>>> in any case, I am happy if you copy a mail to me privately if you
>>> feel its of interest for me
>>> or if you think I should say something about it!
>>>
>>> I hope I manage to make you the best vocal looper ;-)
>>> Matthias
>>>
>>> On 9 Mar 2008, at 18:18, andy butler wrote:
>>>
>>>>
>>>>> BUT DID YOU SEE THAT???
>>>>> the maker himself wrote in answer to the undo problem!!! i havent
>>>>> seen the RANG owners or the makers of the EDP ever respond to
>>>>> anything on this forum.
>>>>> way to go Bob. ill start calling YOU tuner peg. lol.
>>>>> looking forward to the UNDO. YESSSSSSSS.
>>>>>>
>>>>
>>>> EDP "maker", and inventor of Undo,  Matthias Grob is always on hand
>>>> here.
>>>>
>>>> Kim Flint, his erstwhile partner in Aurisis (the company that
>>>> brought you the EDP)
>>>> maintains this list more or less at his own expense.
>>>>
>>>> ,
>>>> ...not to detract from Bob's achievement and dedication of course.
>>>>
>>>> andy butler
>>>>
>>>>
>>>
>>
>>
>
>

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Heh. Replace "tube" with "hardware looper" or "Max patch" or "delay 
pedal" or "reverb" or "MIDI pedal" or "Firewire interface" and you'd 
dismiss just about all conversation on the list....gearheads are 
obsessive by nature, we each have our own poison.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> I love the tube guys. Working that hard to find the exact right tubes. 
> I wish I had less to worry about and more free time, then I could find 
> that killer pre-war tungsten 12ax7.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 19:57:28 2008
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Date: Mon, 10 Mar 2008 12:57:27 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: shawn lane-Paris DVD, boise experimental dvds...
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just an fyi-i bought the Hellborg/shawn lane-dvd-Paris, and watched it over the weekend, some interesting stuff on there.
the 2nd set, shawn lane does some looping stuff at beginning of set, you can see him hitting some floor controller,
and i'm not sure what looper he used, but you could definately hear what sounded like backwards playing that was behind his opening phrasing for the song.
it was quite interesting in that it was seamless incorporated in the works, didn't seem out of place at all, and his playing is quite good.
i had seen the dvd recommended in guitar players 50 dvd must haves a few issues ago.

also -just bought the dvd 1 & 2 of krispen's boise experimental music fest-can't wait to watch those. thanks krispen for making those available-i realize it was probably a night mare to coordinate and all....
s----

       
---------------------------------
Be a better friend, newshound, and know-it-all with Yahoo! Mobile.  Try it now.
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just an fyi-i bought the Hellborg/shawn lane-dvd-Paris, and watched it over the weekend, some interesting stuff on there.<br>the 2nd set, shawn lane does some looping stuff at beginning of set, you can see him hitting some floor controller,<br>and i'm not sure what looper he used, but you could definately hear what sounded like backwards playing that was behind his opening phrasing for the song.<br>it was quite interesting in that it was seamless incorporated in the works, didn't seem out of place at all, and his playing is quite good.<br>i had seen the dvd recommended in guitar players 50 dvd must haves a few issues ago.<br><br>also -just bought the dvd 1 &amp; 2 of krispen's boise experimental music fest-can't wait to watch those. thanks krispen for making those available-i realize it was probably a night mare to coordinate and all....<br>s----<br><p>&#32;
      <hr size=1>Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile. <a href="http://us.rd.yahoo.com/evt=51733/*http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ "> Try it now.</a>
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 20:01:00 2008
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Date: Mon, 10 Mar 2008 13:00:59 -0700 (PDT)
From: murkie <sinister_footwear@yahoo.com>
Subject: Re: shawn lane-Paris DVD, boise experimental dvds...
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That's a great disc.  I think he used a DL4 for
looping.

m.c.

--- scott hansen <evanpeewee@yahoo.com> wrote:

> just an fyi-i bought the Hellborg/shawn
> lane-dvd-Paris, and watched it over the weekend,
> some interesting stuff on there.
> the 2nd set, shawn lane does some looping stuff at
> beginning of set, you can see him hitting some floor
> controller,
> and i'm not sure what looper he used, but you could
> definately hear what sounded like backwards playing
> that was behind his opening phrasing for the song.
> it was quite interesting in that it was seamless
> incorporated in the works, didn't seem out of place
> at all, and his playing is quite good.
> i had seen the dvd recommended in guitar players 50
> dvd must haves a few issues ago.
> 
> also -just bought the dvd 1 & 2 of krispen's boise
> experimental music fest-can't wait to watch those.
> thanks krispen for making those available-i realize
> it was probably a night mare to coordinate and
> all....
> s----
> 
>        
> ---------------------------------
> Be a better friend, newshound, and know-it-all with
> Yahoo! Mobile.  Try it now.

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 20:19:56 2008
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Date: Mon, 10 Mar 2008 16:19:47 -0400 (EDT)
Subject: Re: the Looper makers on this list (was: What's the best vocal 
     looper to buy)
From: mike@michaelplishka.com
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I assume it because everytime a new looper comes out 90% of this list
seems to be scratching their heads wondering why x or y was implemented
and z left out.  I would expect them NOT to make themselves know to some
extent-that way they don't influence the discussions.

Maybe it's high on their list, but given the types of products that have
come out in the past few years, I don't believe it.

P

> How do you know the list is low on the radar of looping companies?  Just
> because they don't make themselves known on a regular basis, doesn't mean
> that they're not here.
>
> TH
>
> On Mon, Mar 10, 2008 at 11:24 AM, <mike@michaelplishka.com> wrote:
>
>>
>>
>> I wonder how such an amazingly high profile gathering of loopers is so
>> LOW
>> on the radar scopes of looping companies.  I've done product development
>> for 17 years and lists like this would be scanned every week if I was in
>> the business of making loopers.
>>
>> c'est la vie....
>>
>> ~peace~
>> Plish
>>
>>
>


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yes mike accepts phone calls and is very personable.
but that and actively responding to suggestions are 2 different things.

the Looperlative was BUILT for response action. the others are not so  
maybe it wasnt right of me to compare.
there is nothing the others can do unless ur fine with buying an new  
updated eprom and re-soldering.

if u have 2 EDP's then u have no excuse for not getting a Looperlative.

--Adrian Bartholomew
Quincy, IL
"Life rocks, when you don't give a damn about it."

On Monday10,Mar 2008, at 3:19 PM, mike@michaelplishka.com wrote:

> I assume it because everytime a new looper comes out 90% of this list
> seems to be scratching their heads wondering why x or y was  
> implemented
> and z left out.  I would expect them NOT to make themselves know to  
> some
> extent-that way they don't influence the discussions.
>
> Maybe it's high on their list, but given the types of products that  
> have
> come out in the past few years, I don't believe it.
>
> P
>
>> How do you know the list is low on the radar of looping companies?   
>> Just
>> because they don't make themselves known on a regular basis,  
>> doesn't mean
>> that they're not here.
>>
>> TH
>>
>> On Mon, Mar 10, 2008 at 11:24 AM, <mike@michaelplishka.com> wrote:
>>
>>>
>>>
>>> I wonder how such an amazingly high profile gathering of loopers  
>>> is so
>>> LOW
>>> on the radar scopes of looping companies.  I've done product  
>>> development
>>> for 17 years and lists like this would be scanned every week if I  
>>> was in
>>> the business of making loopers.
>>>
>>> c'est la vie....
>>>
>>> ~peace~
>>> Plish
>>>
>>>
>>
>
>


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	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">yes mike accepts phone calls =
and is very personable.<div>but that and actively responding to =
suggestions are 2 different things.</div><div><br =
class=3D"webkit-block-placeholder"></div><div>the Looperlative was BUILT =
for response action. the others are not so maybe it wasnt right of me to =
compare.</div><div>there is nothing the others can do unless ur fine =
with buying an new updated eprom and re-soldering.</div><div><br =
class=3D"webkit-block-placeholder"></div><div>if u have 2 EDP's then u =
have no excuse for not getting a Looperlative.</div><div><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div><br =
class=3D"Apple-interchange-newline">--<font class=3D"Apple-style-span" =
face=3D"Chalkboard"><b><font class=3D"Apple-style-span" =
color=3D"#8F4340">Adrian Bartholomew</font></b></font></div><div><font =
class=3D"Apple-style-span" face=3D"Futura">Quincy, =
IL</font></div><div><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" =
face=3D"Courier">"</font></font><i><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" face=3D"Courier">Life =
rocks, when you don't give a damn about =
it."</font></font></i></div></span> </div><br><div><div>On Monday10,Mar =
2008, at 3:19 PM, <a =
href=3D"mailto:mike@michaelplishka.com">mike@michaelplishka.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">I assume it because everytime a new looper comes out 90% =
of this list<br>seems to be scratching their heads wondering why x or y =
was implemented<br>and z left out. &nbsp;I would expect them NOT to make =
themselves know to some<br>extent-that way they don't influence the =
discussions.<br><br>Maybe it's high on their list, but given the types =
of products that have<br>come out in the past few years, I don't believe =
it.<br><br>P<br><br><blockquote type=3D"cite">How do you know the list =
is low on the radar of looping companies? =
&nbsp;Just<br></blockquote><blockquote type=3D"cite">because they don't =
make themselves known on a regular basis, doesn't =
mean<br></blockquote><blockquote type=3D"cite">that they're not =
here.<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">TH<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">On Mon, Mar 10, =
2008 at 11:24 AM, &lt;<a =
href=3D"mailto:mike@michaelplishka.com">mike@michaelplishka.com</a>&gt; =
wrote:<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">I wonder how such an amazingly =
high profile gathering of loopers is =
so<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">LOW<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">on the radar scopes of looping =
companies. &nbsp;I've done product =
development<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">for 17 years and lists like this =
would be scanned every week if I was =
in<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">the business of making =
loopers.<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">c'est la =
vie....<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote=
 type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite">~peace~<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite">Plish<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote><br><br></blockquote></div><br></div></body=
></html>=

--Apple-Mail-60--757677635--

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Great Michael !
from time to time there is some energy exploding on the surface.
I was feeling the rumble boiling deep in the underground ;-)

bravo !

...and brave ;-)

luca

Michael Peters wrote:

>here's all information (in German): www.livelooping.de
>
>-Michael
>
>
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 21:56:25 2008
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Anyone else going to Frankfurt Musik Messe next Wednesday to Saturday ?
If some of us would like to meet, exchange news and ideas
or have a cup of coffee together I'll be there Thursday and Friday.
Drop me a line here or cc: at chrisrover@aol.com.

Regards

Christian Rover
www.christianrover.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 10 22:00:29 2008
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From: =?utf-8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: shawn lane-Paris DVD, boise experimental dvds...
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Great disk that.

Picked it up about a year ago.

Noted the minor bit of background (and backwards) looping too.

Nice emulation of East Indian melodic textures via same.

I think Mr. Murkie is right  . . . DL4.

Lane was amazing (live or recorded).

Such a shame he died back in '03 at the relatively young age of 40.

tEd =C2=AE kiLLiAn

http://www.myspace.com/tedkillianguitar
http://www.myspace.com/tedkillian

Flux Aeterna: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?p=
layListId=3D6378076=20
Also check out the BEMF 1 CDs at: http://www.boisemusicians.com/experimenta=
l/cd.htm
And: "Mojo at the Dojo" CD at: http://cdbaby.com/cd/hartungkillian
And: "Experimentus" CD at: http://cdbaby.com/cd/krispen4

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?step=3Dview_profile&id=
=3D121197000042
http://www.guitarplayer.com/story.asp?storyCode=3D18131

Ted Killian's "Flux Aeterna" is also available at Apple iTunes

---- scott hansen <evanpeewee@yahoo.com> wrote:=20
> just an fyi-i bought the Hellborg/shawn lane-dvd-Paris, and watched it ov=
er the weekend, some interesting stuff on there.
> the 2nd set, shawn lane does some looping stuff at beginning of set, you =
can see him hitting some floor controller,
> and i'm not sure what looper he used, but you could definately hear what =
sounded like backwards playing that was behind his opening phrasing for the=
 song.
> it was quite interesting in that it was seamless incorporated in the work=
s, didn't seem out of place at all, and his playing is quite good.
> i had seen the dvd recommended in guitar players 50 dvd must haves a few =
issues ago.
>=20
> also -just bought the dvd 1 & 2 of krispen's boise experimental music fes=
t-can't wait to watch those. thanks krispen for making those available-i re=
alize it was probably a night mare to coordinate and all....
> s----
>=20
>       =20
> ---------------------------------
> Be a better friend, newshound, and know-it-all with Yahoo! Mobile.  Try i=
t now.

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 11 03:57:42 2008
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: SOUTHERN OREGON LOOPING GIG ANNOUNCEMENT
Date: Mon, 10 Mar 2008 19:31:59 -0700
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Hey all,

There is almost no chance that any of you will be able to (or likely =20
even want to) make it to this gig.

But it makes me feel better to post the announcement anyway (since it's =20=

my first gig of the new year and one of several already scheduled).

Nathan Hubbard is traveling up the West Coast performing along the way =20=

and when he wrote to request we do a gig together I jumped at the =20
chance.

Here's our little press release:

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++=20=

+++

FOR IMMEDIATE RELEASE

Announcing:
Pioneers at the Hall
A Concert of "New Music"
by Southern California Musician/Composer Nathan Hubbard
and Southern Oregon Guitarist/Improvisor Ted Killian

March 28th, 2008 =95 8:00 pm - 10:00 pm
At Pioneer Hall, 73 Winburn Way, Ashland, OR 97520
Two Solo Sets and a Collaborative Duo Set Are Planned
Admission $5.00

When was the last time you listened to anything particularly new, =20
surprising or different, musically speaking - probably a long time ago =20=

in a very dry college music appreciation course, right? While there is =20=

certainly nothing wrong with pursuing and enjoying divertive listening =20=

experiences that are familiar, comforting and fashionable - there is =20
much to be said for occasionally broadening your aural horizons (and =20
palate) to include something a little less "normal."

Imagine for a moment what music might sound like if it were =20
aesthetically organized and created from a radically different =20
perspective, a different set of motivations and considerations - =20
perhaps even from another dimension, another planet, another =20
intelligent species entirely. What would this music sound like? While =20=

nothing so exotic is specifically planned or promised for their =20
program, that concept would be a handy one to keep in mind if you come =20=

out  to hear percussionist Nathan Hubbard and guitarist Ted Killian =20
when they perform on the last Friday of March at Pioneer Hall.

Nathan Hubbard:

Percussionist Nathan Hubbard's solo music is an amalgam of his work as =20=

an improviser, composer and instrument builder. Using acoustic and =20
amplified instruments and a wide range of electronics, Hubbard creates =20=

a soundworld of multiple layers, where the music changes definitions of =20=

form, shape and outcome. This music has been presented in a wide =20
variety of contexts, from concert halls and festivals to freeway =20
underpasses and desolate mountain roads, and has been documented on the =20=

recordings Born On Tuesday (2004, Circumvention Music) and Blind Orchid =20=

(2007, Accretions Records).=A0

Beyond his solo work, Hubbard collaborates with guitarist Noah =20
Phillips, fellow percussionist Curtis Glatter, the ARC Trio and the =20
quartet Cosmologic, as well as leading his own Nathan Hubbard Trio, =20
Nathan Hubbard/Everything After chamber quintet, Nathan Hubbard Octet, =20=

and the large ensemble Nathan Hubbard Skeleton Key Orchestra. Hubbard =20=

is also a member of the Trummerflora Collective.

Ted Killian:

For over four decades Ted Killian has explored his own personal vision =20=

and approach to guitar playing and music-making. There is almost no =20
telling what will happen when he shows up to play. Not only are his =20
electric guitar performances freely improvisational in nature (though =20=

he is sometimes known to quote recognizable snippets as disparate as =20
Jean Sibelius, Herb Alpert, Jimi Hendrix, Isaac Watts, Phillip Glass or =20=

Krysztov Penderecki) he has also been known to employ such non-standard =20=

performance techniques as sawing on his guitar with a hack-saw, playing =20=

it with compressed air, kitchen utensils, springs, violin bows (or =20
E-bow) in addition to his ever-present banjo picks and brass slide. He =20=

also employs an enormous amount of digital sound-processing and has =20
been a pioneer of live "looping" technology for over 25 years.

Primarily a solo act, he has nonetheless added his unique musical =20
"stamp" to various ensemble works alongside a multitude of West Coast =20=

"new music" luminaries - foremost, (over the years), as a frequent =20
musical foil for SoCal avant-jazz trumpeter Jeff Kaiser. Ted's own =20
music playfully spans the distance from tender plaintive whisper to the =20=

passionate, volcanic, outpouring. His solo CD Flux Aeterna (2001, =20
pfMENTUM) achieved a surprising amount of worldwide radio airplay and =20=

international critical acclaim for a recording by a musician that is =20
resolutely out of the mainstream and flying below the radar. A live =20
concert duet CD, Mojo at the Dojo (2008, BEMF/Kunaki) with fellow =20
polyglot guitarist Krispen Hartung, was just released earlier this =20
year. Ted has been performing actively throughout the Western States =20
for the past 20 years and makes his home in Medford, Oregon.

For further Information call 541-890-6225 or e-mail: =20
tedkillian@charter.net

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++=20=

+++

tEd =AE KiLLiAn

www.tedkillian.com

http://www.myspace.com/tedkillianguitar
http://www.myspace.com/tedkillian

Flux Aeterna: =20
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?=20
playListId=3D6378076
Also check out the BEMF 1 CDs at: =20
http://www.boisemusicians.com/experimental/cd.htm
And: "Mojo at the Dojo" CD at: http://cdbaby.com/cd/hartungkillian
And: "Experimentus" CD at: http://cdbaby.com/cd/krispen4

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042
http://www.guitarplayer.com/story.asp?storyCode=3D18131

Ted Killian's "Flux Aeterna" is also available at Apple iTunes=

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If anyone is interested in trying out another looper, the downloadable is up
at www.flyloops.com now.

I don't really enjoy self promotion and certainly don't need to clog up LD
space with it ..... there are screenshots/explanations/demo videos on the
website (www.flyloops.com) and youtube.  Contact me with questions.  

Before you ask ...
1) So far as I know, the only thing this looper can do that no other looper
can is loop scratching (turntablism), which I suspect only a few of you are
interested in.

2) Yes, you can set it up to trigger with an external midi clock by setting
the external clock pulse to the interval you want to trigger to, and then
mapping that midi command (midi learn) to "play all".  I have had a lot of
requests for this and will likely write an explicit button for it sometime
in the near future.

3) FlyLoops does handle loops a little differently than other programs, but
probably closest to a well programmed Ableton/MAX Plugin setup.

Please feel free to email me with questions at aaronleese@flyloops.com as I
just jumped on LD again, and I will probably not stick on this list more
than a week as the sheer volume of emails overwelms me.



-- 
Internal Virus Database is out-of-date.
Checked by AVG Free Edition.
Version: 7.5.486 / Virus Database: 269.16.4/1146 - Release Date: 11/22/2007
6:55 PM
 


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From Loopers-Delight-request@loopers-delight.com  Tue Mar 11 07:30:39 2008
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Adrian Bartholomew wrote:
> yes mike accepts phone calls and is very personable.
> but that and actively responding to suggestions are 2 different things.
> 
> the Looperlative was BUILT for response action. the others are not so 
> maybe it wasnt right of me to compare.
> there is nothing the others can do unless ur fine with buying an new 
> updated eprom and re-soldering.

For the EDP
no soldering required to upgrade to Loop4.
... but it's old technology, Loop4 filled up the available memory for features,
and no way to instant update 

> 
> if u have 2 EDP's then u have no excuse for not getting a Looperlative.
> 
(oh, that's me then)
:-) main excuse is $1000, otherwise I'd be very happy to run a Looperlative alongside the edps.
It's a fantastic machine.

There's a whole load of EDP functions that aren't in the Looperlative.

Also, my approach to looping would push the Looperlative to the limit and run up against bugs.
Part of the Looperlative deal is that the purchasers are the testers, it's an investment in time as well as money. 

andy butler


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From Loopers-Delight-request@loopers-delight.com  Tue Mar 11 13:17:53 2008
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Adrian,
I liked when you said:
> u know, un researched comments like that is what causes the  
> destruction of the group conscious IQ.
> i am sorry. u r right.

but then:
> thats right. mike's his name. i never saw him here.
> now i have not been here all the time so....

so?
there is a searchable mail archive with a lot of valid information at
http://www.loopers-delight.com/cgi-bin/wilma/LDarchive

> --Adrian Bartholomew
> Quincy, IL
> "Life rocks, when you don't give a damn about it."

even more if you do! ;-)

From Loopers-Delight-request@loopers-delight.com  Tue Mar 11 13:38:53 2008
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From: "Krispen Hartung" <khartung@cableone.net>
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Nice. Can you explain the scratch function? If I understand how this works
from my childhood experience with records, don't you just slow the buffer
down to a stop and then move both forward and backward quickly? Or is there
some other effect that your looper throws in there?  If the former, then you
just motivated me to add this to my max/msp looper to control with my foot
expression pedal. I already have buffer control in my looper, so I just need
to add the code to control it in this way (5 min job).

What sort of range would I use in terms of time forward and backward? 3
seconds? I'm trying to visualize how much audio time would be included with
one sweep of my fingers on the vinyl. :)

If you ever get the interest, one particular thing I like to do on my looper
(KaiserLooper) is to randomly select windows of the buffer and play them
back. I use this, and make the random selection very slow. It is fun to play
with as a virtual accompanist. Or I can speed it up and it sounds very
"glitchy".

Kris

 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 Krispen Hartung
 Boise Experimental Music Festival
 http://www.boisemusicians.com/BEMF-3/
 info@krispenhartung.com
 http://www.krispenhartung.com/

 ----- Original Message ----- 
>>
>> If anyone is interested in trying out another looper, the downloadable is 
>> up
>> at www.flyloops.com now.
>>
>> I don't really enjoy self promotion and certainly don't need to clog up 
>> LD
>> space with it ..... there are screenshots/explanations/demo videos on the
>> website (www.flyloops.com) and youtube.  Contact me with questions.
>>
>> Before you ask ...
>> 1) So far as I know, the only thing this looper can do that no other 
>> looper
>> can is loop scratching (turntablism), which I suspect only a few of you 
>> are
>> interested in.
>>
>> 2) Yes, you can set it up to trigger with an external midi clock by 
>> setting
>> the external clock pulse to the interval you want to trigger to, and then
>> mapping that midi command (midi learn) to "play all".  I have had a lot 
>> of
>> requests for this and will likely write an explicit button for it 
>> sometime
>> in the near future.
>>
>> 3) FlyLoops does handle loops a little differently than other programs, 
>> but
>> probably closest to a well programmed Ableton/MAX Plugin setup.
>>
>> Please feel free to email me with questions at aaronleese@flyloops.com as 
>> I
>> just jumped on LD again, and I will probably not stick on this list more
>> than a week as the sheer volume of emails overwelms me.
>>
>>
>>
>> -- 
>> Internal Virus Database is out-of-date.
>> Checked by AVG Free Edition.
>> Version: 7.5.486 / Virus Database: 269.16.4/1146 - Release Date: 
>> 11/22/2007
>> 6:55 PM
>>
>>
>>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 11 13:51:07 2008
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> There's a whole load of EDP functions that aren't in the Looperlative.

The Looperlative LP1 was never meant as a replacement for the EDP.  Because 
they are both looping devices there are some common functions.  However, 
beyond the basic looping features, they have different feature sets.  Which 
device suits you best can only be decided by you.

> Also, my approach to looping would push the Looperlative to the limit and 
> run up against bugs.
> Part of the Looperlative deal is that the purchasers are the testers, it's 
> an investment in time as well as money.

If you want to use the absolute latest features added to the device, then 
yes, you are part of the testing team.  However, if you stick to only the 
stable releases of the firmware, then you would be fine.  The LP1 is now 
over 2 years old and used on a daily basis by several people.


I've said all along that there it is good for the looping community if 
multiple manufacturers offer devices to choose from.  No one device can be 
the perfect solution for every person.  It is important for different 
devices to exist to give people the flexibility of choosing what works best 
for them.

-Bob Amstadt 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 11 15:08:38 2008
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hi Bob,
Sorry, I looked back at my post, and it did sound rather critical of the Looperlative. I apologise for that, it wasn't my intention to knock the Looperlative,
rather to justify why I stick with a pair of EDPs.

I'm not at all against the "buyer as tester" approach, I think it makes a lot of sense to do it that way, and I no way want to hint that Looperlative is full of bugs,
which afaik is not the case at all.

Also I should explain that I find bugs in almost every device I touch.
Based on my experiences with Loop devices so far, I'd expect to come across bugs in any sufficiently complex Looper, whether or not anyone else found them. There's just something about the way I approach things. 
e.g. at Y2K5 I managed to get my 2 EDPs running through randomised memory.
     Already found away to lock up the EH Stereo Memory man so it needs reboot.
     .....and so on.....

Perhaps I should re-quote the original point that I was replying to for clarity:-

>Adrian Bartholomew wrote:
>>
>> if u have 2 EDP's then u have no excuse for not getting a Looperlative.

...which is a statement that I don't think you would agree with either :-)

andy butler 





     
  
Bob Amstadt wrote:
>> There's a whole load of EDP functions that aren't in the Looperlative.
> 
> The Looperlative LP1 was never meant as a replacement for the EDP.  
> Because they are both looping devices there are some common functions.  
> However, beyond the basic looping features, they have different feature 
> sets.  Which device suits you best can only be decided by you.
> 
>> Also, my approach to looping would push the Looperlative to the limit 
>> and run up against bugs.
>> Part of the Looperlative deal is that the purchasers are the testers, 
>> it's an investment in time as well as money.
> 
> If you want to use the absolute latest features added to the device, 
> then yes, you are part of the testing team.  However, if you stick to 
> only the stable releases of the firmware, then you would be fine.  The 
> LP1 is now over 2 years old and used on a daily basis by several people.
> 
> 
> I've said all along that there it is good for the looping community if 
> multiple manufacturers offer devices to choose from.  No one device can 
> be the perfect solution for every person.  It is important for different 
> devices to exist to give people the flexibility of choosing what works 
> best for them.
> 
> -Bob Amstadt
> 

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Subject: Re: the Looper makers on this list
Date: Tue, 11 Mar 2008 08:19:40 -0700
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Thank you, Andy, for clarifying your statements.  I appreciate all that you 
contribute to this list.

-Bob 

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I've got a line on this unit - it's from 1988 and has 60 different presets of reverb, delay, or some combination of the two; it's south of $50 and I would be using it mostly in live situations.
   
  Harmony Central reviews are favourable (keeping in mind it's 20-year old technology) but any opinions/experiences from here are welcomed.
   
   
  DW.
   


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<div>I've got a line on this unit - it's from&nbsp;1988 and has&nbsp;60 different presets of reverb, delay, or some combination of the two;&nbsp;it's&nbsp;south of $50 and I&nbsp;would be using it mostly in live situations.</div>  <div>&nbsp;</div>  <div>Harmony Central reviews are favourable (keeping in mind it's&nbsp;20-year old technology) but any opinions/experiences from here are welcomed.</div>  <div>&nbsp;</div>  <div>&nbsp;</div>  <div>DW.</div>  <div>&nbsp;</div><BR><BR>"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard<p>&#32;
      <hr size=1>Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile. <a href="http://us.rd.yahoo.com/evt=51733/*http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ "> Try it now.</a>
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Subject: Re: the Looper makers on this list 
Date: Tue, 11 Mar 2008 11:40:09 -0500
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>
>
>> --Adrian Bartholomew
>> Quincy, IL
>> "Life rocks, when you don't give a damn about it."
>
> even more if you do! ;-)

have u tried ;-) ;-0)
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 11 16:46:11 2008
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its called laziness. so i opted for the escape clause on a quest of  
negligible importance.

--Adrian Bartholomew
Quincy, IL
"Life rocks, when you don't give a damn about it."

On Tuesday11,Mar 2008, at 8:15 AM, Matthias Grob wrote:

> but then:
>> thats right. mike's his name. i never saw him here.
>> now i have not been here all the time so....
>
> so?
> there is a searchable mail archive with a lot of valid information at
> http://www.loopers-delight.com/cgi-bin/wilma/LDarchive


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">its called laziness. so i opted =
for the escape clause on a quest of negligible importance.<br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div><br =
class=3D"Apple-interchange-newline">--<font class=3D"Apple-style-span" =
face=3D"Chalkboard"><b><font class=3D"Apple-style-span" =
color=3D"#8F4340">Adrian Bartholomew</font></b></font></div><div><font =
class=3D"Apple-style-span" face=3D"Futura">Quincy, =
IL</font></div><div><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" =
face=3D"Courier">"</font></font><i><font class=3D"Apple-style-span" =
color=3D"#737676"><font class=3D"Apple-style-span" face=3D"Courier">Life =
rocks, when you don't give a damn about =
it."</font></font></i></div></span> </div><br><div><div>On Tuesday11,Mar =
2008, at 8:15 AM, Matthias Grob wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; ">but then:<br><blockquote =
type=3D"cite">thats right. mike's his name. i never saw him =
here.<br></blockquote><blockquote type=3D"cite">now i have not been here =
all the time so....<br></blockquote><br>so?<br>there is a searchable =
mail archive with a lot of valid information at<br><a =
href=3D"http://www.loopers-delight.com/cgi-bin/wilma/LDarchive">http://www=
.loopers-delight.com/cgi-bin/wilma/LDarchive</a></span></blockquote></div>=
<br></body></html>=

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Subject: RE: Free Download
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Not exactly ... remember that usually when you scratch a record it is
usually moving... you don=92t turn the turntable off ... so when you let =
go,
you want it to speed back up to normal speed.  You need to consider =
momentum
too ... if you "throw" the record ... pull backward, say, very fast, =
then
let go .... the record will be moving backward, but quickly stop then =
end up
moving forward again.

Still pretty simple math ... all you need is the coeff or friction and =
the
range over which you can scratch (turntable surface corresponds to 1/4 =
of a
record rotation, or something like that ... as you like).  Email me if =
that
doesn=92t make sense or you want actual formulas, but you seemed like a =
pretty
sharp guy when I met you, so I'm sure you'll figure it out.

I'll be interested to hear about it when you get it working in max/msp.





-----Original Message-----
From: Krispen Hartung [mailto:khartung@cableone.net]=20
Sent: Tuesday, March 11, 2008 6:39 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Free Download

Nice. Can you explain the scratch function? If I understand how this =
works
from my childhood experience with records, don't you just slow the =
buffer
down to a stop and then move both forward and backward quickly? Or is =
there
some other effect that your looper throws in there?  If the former, then =
you
just motivated me to add this to my max/msp looper to control with my =
foot
expression pedal. I already have buffer control in my looper, so I just =
need
to add the code to control it in this way (5 min job).

What sort of range would I use in terms of time forward and backward? 3
seconds? I'm trying to visualize how much audio time would be included =
with
one sweep of my fingers on the vinyl. :)

If you ever get the interest, one particular thing I like to do on my =
looper
(KaiserLooper) is to randomly select windows of the buffer and play them
back. I use this, and make the random selection very slow. It is fun to =
play
with as a virtual accompanist. Or I can speed it up and it sounds very
"glitchy".

Kris

 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 Krispen Hartung
 Boise Experimental Music Festival
 http://www.boisemusicians.com/BEMF-3/
 info@krispenhartung.com
 http://www.krispenhartung.com/

 ----- Original Message -----=20
>>
>> If anyone is interested in trying out another looper, the =
downloadable is

>> up
>> at www.flyloops.com now.
>>
>> I don't really enjoy self promotion and certainly don't need to clog =
up=20
>> LD
>> space with it ..... there are screenshots/explanations/demo videos on =
the
>> website (www.flyloops.com) and youtube.  Contact me with questions.
>>
>> Before you ask ...
>> 1) So far as I know, the only thing this looper can do that no other=20
>> looper
>> can is loop scratching (turntablism), which I suspect only a few of =
you=20
>> are
>> interested in.
>>
>> 2) Yes, you can set it up to trigger with an external midi clock by=20
>> setting
>> the external clock pulse to the interval you want to trigger to, and =
then
>> mapping that midi command (midi learn) to "play all".  I have had a =
lot=20
>> of
>> requests for this and will likely write an explicit button for it=20
>> sometime
>> in the near future.
>>
>> 3) FlyLoops does handle loops a little differently than other =
programs,=20
>> but
>> probably closest to a well programmed Ableton/MAX Plugin setup.
>>
>> Please feel free to email me with questions at =
aaronleese@flyloops.com as

>> I
>> just jumped on LD again, and I will probably not stick on this list =
more
>> than a week as the sheer volume of emails overwelms me.
>>
>>
>>
>> --=20
>> Internal Virus Database is out-of-date.
>> Checked by AVG Free Edition.
>> Version: 7.5.486 / Virus Database: 269.16.4/1146 - Release Date:=20
>> 11/22/2007
>> 6:55 PM
>>
>>
>>
>=20

--=20
Internal Virus Database is out-of-date.
Checked by AVG Free Edition.
Version: 7.5.486 / Virus Database: 269.16.4/1146 - Release Date: =
11/22/2007
6:55 PM
=20

--=20
Internal Virus Database is out-of-date.
Checked by AVG Free Edition.
Version: 7.5.486 / Virus Database: 269.16.4/1146 - Release Date: =
11/22/2007
6:55 PM
=20


From Loopers-Delight-request@loopers-delight.com  Tue Mar 11 20:56:07 2008
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: vacuum tube link
Date: Tue, 11 Mar 2008 22:55:46 +0200
MIME-Version: 1.0
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This is a multi-part message in MIME format.

------=_NextPart_000_02E6_01C883CB.0B334BD0
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hi,

thanks to everyone who shared their knowledge about tubes.

in case anyone interested, i saw this link about vintage tubes.
http://www.vacuumtube.com/guitar.htm

best.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Altered Realities" album is out on New Albion Records:
chosen as"Album of the year 2007" by All About Jazz Magazine
www.newalbion.com/NA131
www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=3D8-1=
/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF8
------=_NextPart_000_02E6_01C883CB.0B334BD0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3199" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>hi,</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks to everyone who shared their knowledge about tubes.</DIV>
<DIV>&nbsp;</DIV>
<DIV>in case anyone interested, i saw this link about vintage =
tubes.</DIV>
<DIV><A=20
href=3D"http://www.vacuumtube.com/guitar.htm">http://www.vacuumtube.com/g=
uitar.htm</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>best.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Altered Realities" album is =
out on New=20
Albion Records:<BR>chosen as"Album of the year 2007" by All About Jazz=20
Magazine<BR><A=20
href=3D"http://www.newalbion.com/NA131">www.newalbion.com/NA131</A><BR><A=
=20
href=3D"http://www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000=
GFLE9A/sr=3D8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=
=3DUTF8">www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A=
/sr=3D8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF=
8</A></DIV></BODY></HTML>

------=_NextPart_000_02E6_01C883CB.0B334BD0--

From Loopers-Delight-request@loopers-delight.com  Tue Mar 11 23:31:04 2008
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Date: Tue, 11 Mar 2008 16:31:02 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Livelooping Festival in Cologne May 31st
To: Loopers-Delight@loopers-delight.com
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Brilliant Michael thanx!
cheers
Luis


--- Michael Peters <mp@mpeters.de> wrote:

> here's all information (in German):
> www.livelooping.de
> 
> -Michael
> 
> 


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
Never miss a thing.  Make Yahoo your home page. 
http://www.yahoo.com/r/hs

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 03:26:20 2008
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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Firewire interface
Date: Tue, 11 Mar 2008 23:26:21 -0400
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Hi all,

I'm looking at getting an 8 (analog) input Firewire interface for my PC
setup. I'm looking at...

M-Audio 1814
Alesis io 26
Echo AuidoFire8
Edirol FA101
Presonus Firestudio


Thoughts?

Keeping it under $500.

Tony
 


No virus found in this outgoing message.
Checked by AVG. 
Version: 7.5.518 / Virus Database: 269.21.7/1325 - Release Date: 3/11/2008
1:41 PM
 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 05:41:08 2008
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Date: Tue, 11 Mar 2008 22:41:06 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Easiest drum machine software
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I love drummerhead
http://www.threechords.com/hammerhead/
i recorded a track of mine called "rey del cielo" with
it

http://www.myspace.com/luisangulocom

doesnt get any easier than that!
cheers
Luis

www.myspace.com/luisangulocom


      ____________________________________________________________________________________
Looking for last minute shopping deals?  
Find them fast with Yahoo! Search.  http://tools.search.yahoo.com/newsearch/category.php?category=shopping

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 07:42:24 2008
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Subject: RE: Firewire interface
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FA101 is what I use ... below $500 (goes for $400 retail still I think..
probably $350 on ebay)

8 in, 8 out (10 if you use the optical)

Can't think of a thing I don=92t like about it .... great sound quality, =
no
hiccups unless running several high end programs at once.  Runs up to 24
bit, 192 kHz.

Pretty amazing to me that technology has gotten so good for under ~500
really.


-----Original Message-----
From: Tony K [mailto:bigtonyk@gmail.com]=20
Sent: Tuesday, March 11, 2008 8:26 PM
To: Loopers-Delight@loopers-delight.com
Subject: Firewire interface

Hi all,

I'm looking at getting an 8 (analog) input Firewire interface for my PC
setup. I'm looking at...

M-Audio 1814
Alesis io 26
Echo AuidoFire8
Edirol FA101
Presonus Firestudio


Thoughts?

Keeping it under $500.

Tony
=20


No virus found in this outgoing message.
Checked by AVG.=20
Version: 7.5.518 / Virus Database: 269.21.7/1325 - Release Date: =
3/11/2008
1:41 PM
=20

--=20
Internal Virus Database is out-of-date.
Checked by AVG Free Edition.
Version: 7.5.486 / Virus Database: 269.16.4/1146 - Release Date: =
11/22/2007
6:55 PM
=20

--=20
Internal Virus Database is out-of-date.
Checked by AVG Free Edition.
Version: 7.5.486 / Virus Database: 269.16.4/1146 - Release Date: =
11/22/2007
6:55 PM
=20


From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 08:23:12 2008
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Date: Wed, 12 Mar 2008 04:23:05 -0400
From: "Tom Ritchford" <tom@swirly.com>
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Finally getting the studio back up here.... expect results on the RC-50 in
the next couple of days.

On Wed, Mar 5, 2008 at 3:37 AM, William Walker <billwalker@baymoon.com>
wrote:

> The Eventide Timefactor is one of the greatest delays I've ever tried.
>

So I have one right here and I am so far deeply disappointed.... in
particular, when you tweak the "time" knobs, instead of hearing pleasing
pitch changes (or on the Repeater time compression) it simply cuts out bits
of program material!  (It's better in "looper" mode but I didn't get it as a
looper...)

Did I miss something?

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Finally getting the studio back up here.... expect results on the RC-50 in the next couple of days.<br><br><div class="gmail_quote">On Wed, Mar 5, 2008 at 3:37 AM, William Walker &lt;<a href="mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">The Eventide Timefactor is one of the greatest delays I&#39;ve ever tried. <br></blockquote>
</div><br>So I have one right here and I am so far deeply disappointed.... in particular, when you tweak the &quot;time&quot; knobs, instead of hearing pleasing pitch changes (or on the Repeater time compression) it simply cuts out bits of program material!&nbsp; (It&#39;s better in &quot;looper&quot; mode but I didn&#39;t get it as a looper...)<br>
<br>Did I miss something?<br>

------=_Part_3016_3258910.1205310185575--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 09:25:00 2008
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From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT \(posting\)" <Loopers-Delight@loopers-delight.com>
Subject: THE BEST LIVE LOOPING DEVICE
Date: Wed, 12 Mar 2008 02:25:07 -0700
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I've been actively using dedicated digital looping devices since 1995.

I own and use five different live looping hardware technologies:

the Line 6 DL-4

the Electrix Repeater

the Gibson EDP with loop IV software by Aurisis

the Looperlative

and now,  a KAOSS3 pad by Korg (which allows for midi synchronized looping 
and resampling of loops).



I also have hosted over 200 incredible live looping artists from 12 
countries at the annual Y2K series Live Looping Festivals and
seen or heard part or all of their sets
so I know a thing or two about what's out in the world

So,  it is  true that if I had to go to a desert Island with only one live 
looping device that I'd take my Looperlative with me.


However:

I've seen Andy Butler and Andre Lafosse do mind boggling work with their 
EDPs (that have a less
than impressive Apple IIC processor in them and are mono).

Genie blow my mind with a Line 6 DL-4 Delay Modeller (activated at times 
with his bare toes!!!!);

Bill Walker impress everyone with his work on an Electrix Repeater (and now, 
an LP-1)

I've seen Kid Beyond do amazing things with a laptop running Ableton's Live;

Jeff Kaiser and Krispen Hartung do ridiculously hip things with Max/MSP:

Matthias Grob and Per Boysen tear it up using Plogue Bidule and Mobius

Michael Klobuchar bend heads with a Boomerang

I don't even know what Stan Card or Ted Killian use...................they 
just fucking tear it up , live!!!

******************
So,  constant obsession and endless bickering  on this list over the years 
about 'what's the best live looping device'   always leaves
me bewildered.

It's no more a helpful discussion than asking,   "who's the best live 
looper".

These things are instruments and ,  in that sense.

The real question is:

How do we use our respective live looping devices creatively
and, even more importantly,

what's the music like that we create.

respectfully,  Rick Walker aka looppool 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 09:58:34 2008
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Date: Wed, 12 Mar 2008 05:58:32 -0400
From: "Dennis Moser" <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: THE BEST LIVE LOOPING DEVICE
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Hurrah, hurray, hallelujah, and well-said!

We don't need the fan-boys; we need people talking about HOW you use the gear.

Thanks for keeping it all in perspective, Rick.

~~ Dennis, who is sorting his way with a Repeater and all his Vortexes

On Wed, Mar 12, 2008 at 5:25 AM, Rick Walker <looppool@cruzio.com> wrote:
>  So,  constant obsession and endless bickering  on this list over the years
>  about 'what's the best live looping device'   always leaves
>  me bewildered.
>
>  It's no more a helpful discussion than asking,   "who's the best live
>  looper".
>
>  These things are instruments and ,  in that sense.
>
>  The real question is:
>
>  How do we use our respective live looping devices creatively
>  and, even more importantly,
>
>  what's the music like that we create.
>
>  respectfully,  Rick Walker aka looppool
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 10:06:33 2008
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From: "Ben" <benoitruelle@yahoo.fr>
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Subject: boss announce a new delay pedal
Date: Wed, 12 Mar 2008 11:00:14 +0100
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  This is what I found today:
  BOSS ANNOUNCES THE DD-7  12/03/2008
  Boss announces the newest pedal in the best-selling DD-range. Building on 
the tried-and-tested features from its predecessors, the DD-7 considerably 
expands the creative potential with a number of practical and inspiring 
features.
  With up to 6.4 seconds of delay time, the DD-7 features a marked increase 
on its predecessor. In addition, a newly-developed Hold mode allows up to 40 
seconds of input to be recorded for creating atmospheric "sound-on-sound" 
performances.
  The DD-7 is also equipped with two innovative new delay modes. Modulation 
Delay provides chorus-flavoured sounds, while Analogue Delay offers a 
modelled simulation of the classic Boss DM-2, beloved by guitarists 
everywhere for its characteristic warmth.
  For hands-free control, an external footswitch and expression pedal (sold 
separately) can be used. Tap tempo rates can be controlled from the external 
footswitch, while delay time, feedback, and effect level can be changed on 
the fly via an expression pedal.
  The DD-7's stereo output can create some amazing effects, such as spatial 
audio sweeps with true stereo panning. The stereo outputs can even be 
configured as separate dry and wet signal paths - handy for recording and 
live-performance control. Finally, the legendary Boss build quality and 
reliability that has seen sales exceed 10 million pedals globally comes as 
standard.
  DD-7 at a glance
  . Expanded delay time, up to 6.4 seconds
  . Modulation Delay mode offers natural, chorus-type sounds
  . Analogue Delay mode models the classic warm Boss DM-2 analogue delay 
sound
  . Tap tempo controllable via external footswitch
  . Delay time, feedback, and effect level can be controlled via external 
expression pedal (sold separately)
  . Up to 40 seconds of recording for sound-on-sound (Hold mode) 
performances

  This Hold mode can be interesting combined with the FB settings and it's 
stereo.
  I'll keep an eye on this.
  Ben. 


From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 10:13:54 2008
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From: "nico spahni" <nicosp@gmx.net>
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Right. So if I set up the mentioned devices in a chain, I'm bound to end up with the most overwhelmingly beautiful music ever created... or did I get it wrong again? ;-)

Cheers

Nico


-------- Original-Nachricht --------
> Datum: Wed, 12 Mar 2008 02:25:07 -0700
> Von: "Rick Walker" <looppool@cruzio.com>
> An: "LOOPERS DELIGHT \\(posting\\)" <Loopers-Delight@loopers-delight.com>
> Betreff: THE BEST LIVE LOOPING DEVICE

> I've been actively using dedicated digital looping devices since 1995.
> 
> I own and use five different live looping hardware technologies:
> 
> the Line 6 DL-4
> 
> the Electrix Repeater
> 
> the Gibson EDP with loop IV software by Aurisis
> 
> the Looperlative
> 
> and now,  a KAOSS3 pad by Korg (which allows for midi synchronized looping
> and resampling of loops).
> 
> 
> 
> I also have hosted over 200 incredible live looping artists from 12 
> countries at the annual Y2K series Live Looping Festivals and
> seen or heard part or all of their sets
> so I know a thing or two about what's out in the world
> 
> So,  it is  true that if I had to go to a desert Island with only one live
> looping device that I'd take my Looperlative with me.
> 
> 
> However:
> 
> I've seen Andy Butler and Andre Lafosse do mind boggling work with their 
> EDPs (that have a less
> than impressive Apple IIC processor in them and are mono).
> 
> Genie blow my mind with a Line 6 DL-4 Delay Modeller (activated at times 
> with his bare toes!!!!);
> 
> Bill Walker impress everyone with his work on an Electrix Repeater (and
> now, 
> an LP-1)
> 
> I've seen Kid Beyond do amazing things with a laptop running Ableton's
> Live;
> 
> Jeff Kaiser and Krispen Hartung do ridiculously hip things with Max/MSP:
> 
> Matthias Grob and Per Boysen tear it up using Plogue Bidule and Mobius
> 
> Michael Klobuchar bend heads with a Boomerang
> 
> I don't even know what Stan Card or Ted Killian use...................they
> just fucking tear it up , live!!!
> 
> ******************
> So,  constant obsession and endless bickering  on this list over the years
> about 'what's the best live looping device'   always leaves
> me bewildered.
> 
> It's no more a helpful discussion than asking,   "who's the best live 
> looper".
> 
> These things are instruments and ,  in that sense.
> 
> The real question is:
> 
> How do we use our respective live looping devices creatively
> and, even more importantly,
> 
> what's the music like that we create.
> 
> respectfully,  Rick Walker aka looppool 

-- 
Psssst! Schon vom neuen GMX MultiMessenger gehört?
Der kann`s mit allen: http://www.gmx.net/de/go/multimessenger

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 10:20:43 2008
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: THE BEST LIVE LOOPING DEVICE
Date: Wed, 12 Mar 2008 10:20:30 +0000
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LOL

The DL4 is cool but a bit unreliable(in a very endearing way)  - I =20
really like the way as you overdub the old loops gently fade out.

MS
www.mattstevensguitar.com

On 12 Mar 2008, at 10:07, nico spahni wrote:

> Right. So if I set up the mentioned devices in a chain, I'm bound =20
> to end up with the most overwhelmingly beautiful music ever =20
> created... or did I get it wrong again? ;-)
>
> Cheers
>
> Nico
>
>
> -------- Original-Nachricht --------
>> Datum: Wed, 12 Mar 2008 02:25:07 -0700
>> Von: "Rick Walker" <looppool@cruzio.com>
>> An: "LOOPERS DELIGHT \\(posting\\)" <Loopers-Delight@loopers-=20
>> delight.com>
>> Betreff: THE BEST LIVE LOOPING DEVICE
>
>> I've been actively using dedicated digital looping devices since =20
>> 1995.
>>
>> I own and use five different live looping hardware technologies:
>>
>> the Line 6 DL-4
>>
>> the Electrix Repeater
>>
>> the Gibson EDP with loop IV software by Aurisis
>>
>> the Looperlative
>>
>> and now,  a KAOSS3 pad by Korg (which allows for midi synchronized =20=

>> looping
>> and resampling of loops).
>>
>>
>>
>> I also have hosted over 200 incredible live looping artists from 12
>> countries at the annual Y2K series Live Looping Festivals and
>> seen or heard part or all of their sets
>> so I know a thing or two about what's out in the world
>>
>> So,  it is  true that if I had to go to a desert Island with only =20
>> one live
>> looping device that I'd take my Looperlative with me.
>>
>>
>> However:
>>
>> I've seen Andy Butler and Andre Lafosse do mind boggling work with =20=

>> their
>> EDPs (that have a less
>> than impressive Apple IIC processor in them and are mono).
>>
>> Genie blow my mind with a Line 6 DL-4 Delay Modeller (activated at =20=

>> times
>> with his bare toes!!!!);
>>
>> Bill Walker impress everyone with his work on an Electrix Repeater =20=

>> (and
>> now,
>> an LP-1)
>>
>> I've seen Kid Beyond do amazing things with a laptop running =20
>> Ableton's
>> Live;
>>
>> Jeff Kaiser and Krispen Hartung do ridiculously hip things with =20
>> Max/MSP:
>>
>> Matthias Grob and Per Boysen tear it up using Plogue Bidule and =20
>> Mobius
>>
>> Michael Klobuchar bend heads with a Boomerang
>>
>> I don't even know what Stan Card or Ted Killian =20
>> use...................they
>> just fucking tear it up , live!!!
>>
>> ******************
>> So,  constant obsession and endless bickering  on this list over =20
>> the years
>> about 'what's the best live looping device'   always leaves
>> me bewildered.
>>
>> It's no more a helpful discussion than asking,   "who's the best live
>> looper".
>>
>> These things are instruments and ,  in that sense.
>>
>> The real question is:
>>
>> How do we use our respective live looping devices creatively
>> and, even more importantly,
>>
>> what's the music like that we create.
>>
>> respectfully,  Rick Walker aka looppool
>
> --=20
> Psssst! Schon vom neuen GMX MultiMessenger geh=F6rt?
> Der kann`s mit allen: http://www.gmx.net/de/go/multimessenger
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 11:41:42 2008
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: THE BEST LIVE LOOPING DEVICE
Date: Wed, 12 Mar 2008 07:41:39 -0400
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Well said. So now, who's the best LOOKING live looper?
On Mar 12, 2008, at 5:25 AM, Rick Walker wrote:

> I've been actively using dedicated digital looping devices since 1995.
>
> I own and use five different live looping hardware technologies:
>
> the Line 6 DL-4
>
> the Electrix Repeater
>
> the Gibson EDP with loop IV software by Aurisis
>
> the Looperlative
>
> and now,  a KAOSS3 pad by Korg (which allows for midi synchronized  
> looping and resampling of loops).
>
>
>
> I also have hosted over 200 incredible live looping artists from 12  
> countries at the annual Y2K series Live Looping Festivals and
> seen or heard part or all of their sets
> so I know a thing or two about what's out in the world
>
> So,  it is  true that if I had to go to a desert Island with only  
> one live looping device that I'd take my Looperlative with me.
>
>
> However:
>
> I've seen Andy Butler and Andre Lafosse do mind boggling work with  
> their EDPs (that have a less
> than impressive Apple IIC processor in them and are mono).
>
> Genie blow my mind with a Line 6 DL-4 Delay Modeller (activated at  
> times with his bare toes!!!!);
>
> Bill Walker impress everyone with his work on an Electrix Repeater  
> (and now, an LP-1)
>
> I've seen Kid Beyond do amazing things with a laptop running  
> Ableton's Live;
>
> Jeff Kaiser and Krispen Hartung do ridiculously hip things with Max/ 
> MSP:
>
> Matthias Grob and Per Boysen tear it up using Plogue Bidule and Mobius
>
> Michael Klobuchar bend heads with a Boomerang
>
> I don't even know what Stan Card or Ted Killian  
> use...................they just fucking tear it up , live!!!
>
> ******************
> So,  constant obsession and endless bickering  on this list over  
> the years about 'what's the best live looping device'   always leaves
> me bewildered.
>
> It's no more a helpful discussion than asking,   "who's the best  
> live looper".
>
> These things are instruments and ,  in that sense.
>
> The real question is:
>
> How do we use our respective live looping devices creatively
> and, even more importantly,
>
> what's the music like that we create.
>
> respectfully,  Rick Walker aka looppool

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 13:36:33 2008
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Date: Wed, 12 Mar 2008 09:36:31 -0400
From: "Tony K" <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: THE BEST LIVE LOOPING DEVICE
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> Well said. So now, who's the best LOOKING live looper?

Zoe.

Duh.

;)


On Wed, Mar 12, 2008 at 7:41 AM, Chris Sewell <lunamusic@mac.com> wrote:
> Well said. So now, who's the best LOOKING live looper?
>
>
> On Mar 12, 2008, at 5:25 AM, Rick Walker wrote:
>
>  > I've been actively using dedicated digital looping devices since 1995.
>  >
>  > I own and use five different live looping hardware technologies:
>  >
>  > the Line 6 DL-4
>  >
>  > the Electrix Repeater
>  >
>  > the Gibson EDP with loop IV software by Aurisis
>  >
>  > the Looperlative
>  >
>  > and now,  a KAOSS3 pad by Korg (which allows for midi synchronized
>  > looping and resampling of loops).
>  >
>  >
>  >
>  > I also have hosted over 200 incredible live looping artists from 12
>  > countries at the annual Y2K series Live Looping Festivals and
>  > seen or heard part or all of their sets
>  > so I know a thing or two about what's out in the world
>  >
>  > So,  it is  true that if I had to go to a desert Island with only
>  > one live looping device that I'd take my Looperlative with me.
>  >
>  >
>  > However:
>  >
>  > I've seen Andy Butler and Andre Lafosse do mind boggling work with
>  > their EDPs (that have a less
>  > than impressive Apple IIC processor in them and are mono).
>  >
>  > Genie blow my mind with a Line 6 DL-4 Delay Modeller (activated at
>  > times with his bare toes!!!!);
>  >
>  > Bill Walker impress everyone with his work on an Electrix Repeater
>  > (and now, an LP-1)
>  >
>  > I've seen Kid Beyond do amazing things with a laptop running
>  > Ableton's Live;
>  >
>  > Jeff Kaiser and Krispen Hartung do ridiculously hip things with Max/
>  > MSP:
>  >
>  > Matthias Grob and Per Boysen tear it up using Plogue Bidule and Mobius
>  >
>  > Michael Klobuchar bend heads with a Boomerang
>  >
>  > I don't even know what Stan Card or Ted Killian
>  > use...................they just fucking tear it up , live!!!
>  >
>  > ******************
>  > So,  constant obsession and endless bickering  on this list over
>  > the years about 'what's the best live looping device'   always leaves
>  > me bewildered.
>  >
>  > It's no more a helpful discussion than asking,   "who's the best
>  > live looper".
>  >
>  > These things are instruments and ,  in that sense.
>  >
>  > The real question is:
>  >
>  > How do we use our respective live looping devices creatively
>  > and, even more importantly,
>  >
>  > what's the music like that we create.
>  >
>  > respectfully,  Rick Walker aka looppool
>
>



-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 13:39:37 2008
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Date: Wed, 12 Mar 2008 06:39:36 -0700 (PDT)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: timefactor?
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Hi:
   
  I will be purchasing a Timefactor very shortly based on a couple of influences. The Guitarworld demo is very impressive - for my needs. It struck me as it is exactly what I'm looking for in my sound. I used to get similar results from other effects units (a la TC Electronics stuff). Also, I just "exercised" a Modfactor for a couple of weeks. I liked the Modfactor but when I heard the Timefactor (and balanced my funds/needs) I decided in its favor instead. There were a few echo effects on the Modfactor and I liked those very much as well. I guess it depends on what one is seeking in a delay pedal (per Bill Walkers comments).
   
  Regards, Pavel

Tom Ritchford <tom@swirly.com> wrote:
  Finally getting the studio back up here.... expect results on the RC-50 in the next couple of days.

  On Wed, Mar 5, 2008 at 3:37 AM, William Walker <billwalker@baymoon.com> wrote:
  The Eventide Timefactor is one of the greatest delays I've ever tried. 


So I have one right here and I am so far deeply disappointed.... in particular, when you tweak the "time" knobs, instead of hearing pleasing pitch changes (or on the Repeater time compression) it simply cuts out bits of program material!  (It's better in "looper" mode but I didn't get it as a looper...)

Did I miss something?


       
---------------------------------
Be a better friend, newshound, and know-it-all with Yahoo! Mobile.  Try it now.
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<div>Hi:</div>  <div>&nbsp;</div>  <div>I will be purchasing a Timefactor very shortly based on a couple of influences. The Guitarworld demo is very impressive - for my needs. It struck me as it is exactly what I'm looking for in my sound. I used to get similar results from other effects units (a la TC Electronics stuff). Also, I just "exercised" a Modfactor for a couple of weeks. I liked the Modfactor but when I heard the Timefactor (and balanced my funds/needs) I decided in its favor instead. There were a few echo effects on the Modfactor and I liked those very much as well. I guess it depends on what one is seeking in a delay pedal (per Bill Walkers comments).</div>  <div>&nbsp;</div>  <div>Regards, Pavel<BR><BR><B><I>Tom Ritchford &lt;tom@swirly.com&gt;</I></B> wrote:</div>  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Finally getting the studio back up here.... expect results on the RC-50 in the next couple of
 days.<BR><BR>  <DIV class=gmail_quote>On Wed, Mar 5, 2008 at 3:37 AM, William Walker &lt;<A href="mailto:billwalker@baymoon.com">billwalker@baymoon.com</A>&gt; wrote:<BR>  <BLOCKQUOTE class=gmail_quote style="PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">The Eventide Timefactor is one of the greatest delays I've ever tried. <BR></BLOCKQUOTE></DIV><BR>So I have one right here and I am so far deeply disappointed.... in particular, when you tweak the "time" knobs, instead of hearing pleasing pitch changes (or on the Repeater time compression) it simply cuts out bits of program material!&nbsp; (It's better in "looper" mode but I didn't get it as a looper...)<BR><BR>Did I miss something?<BR></BLOCKQUOTE><BR><p>&#32;
      <hr size=1>Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile. <a href="http://us.rd.yahoo.com/evt=51733/*http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ "> Try it now.</a>
--0-1081601333-1205329176=:60852--

From mirc@weed.stonednetwork.net  Wed Mar 12 13:40:34 2008
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Subject: You have just received a virtual postcard from a friend !
From: "received@postcard.org"<received@postcard.org>
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    above, you can also<br>
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    and enter your pickup code, which is: d21-sea-sunset</font></p>
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 14:51:36 2008
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Subject: Re: boss announce a new delay pedal
Date: Wed, 12 Mar 2008 08:55:45 -0600
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Here's some video links:
for the dd7:

http://www.roland.com/demos/en/i0067/index.html


for the "slicer":

http://www.roland.com/demos/en/i0068/index.html



On Mar 12, 2008, at 4:00 AM, Ben wrote:

>  This is what I found today:
>  BOSS ANNOUNCES THE DD-7  12/03/2008
>  Boss announces the newest pedal in the best-selling DD-range.  
> Building on the tried-and-tested features from its predecessors,  
> the DD-7 considerably expands the creative potential with a number  
> of practical and inspiring features.
>  With up to 6.4 seconds of delay time, the DD-7 features a marked  
> increase on its predecessor. In addition, a newly-developed Hold  
> mode allows up to 40 seconds of input to be recorded for creating  
> atmospheric "sound-on-sound" performances.
>  The DD-7 is also equipped with two innovative new delay modes.  
> Modulation Delay provides chorus-flavoured sounds, while Analogue  
> Delay offers a modelled simulation of the classic Boss DM-2,  
> beloved by guitarists everywhere for its characteristic warmth.
>  For hands-free control, an external footswitch and expression  
> pedal (sold separately) can be used. Tap tempo rates can be  
> controlled from the external footswitch, while delay time,  
> feedback, and effect level can be changed on the fly via an  
> expression pedal.
>  The DD-7's stereo output can create some amazing effects, such as  
> spatial audio sweeps with true stereo panning. The stereo outputs  
> can even be configured as separate dry and wet signal paths - handy  
> for recording and live-performance control. Finally, the legendary  
> Boss build quality and reliability that has seen sales exceed 10  
> million pedals globally comes as standard.
>  DD-7 at a glance
>  . Expanded delay time, up to 6.4 seconds
>  . Modulation Delay mode offers natural, chorus-type sounds
>  . Analogue Delay mode models the classic warm Boss DM-2 analogue  
> delay sound
>  . Tap tempo controllable via external footswitch
>  . Delay time, feedback, and effect level can be controlled via  
> external expression pedal (sold separately)
>  . Up to 40 seconds of recording for sound-on-sound (Hold mode)  
> performances
>
>  This Hold mode can be interesting combined with the FB settings  
> and it's stereo.
>  I'll keep an eye on this.
>  Ben.
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 15:52:46 2008
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I did some research on Firewire interfaces recently and for me it came
down to the FA-101 and the MOTU Ultralite.  Although it is around $170
more I ended up with the Ultralite.  This is $50 over your price limit
but I would consider it if you like the mixing features.

My requirements:
    - 2 mic inputs
    - as many line inputs as possible
    - at least 4 outputs
    - MIDI
    - software mixer
    - small

One difference is that Ultralite has S/PDIF while the FA has Toslink.
For me S/PDIF was preferable as I have no Toslink devices.

Ultralite has an extra 2 outputs (10 vs. 8) which I didn't really care
about.

The thing that really sold me on the Ultralite though is that it can
function as a standalone mixer and comes with a software control panel
called Cuemix.  Any input can be routed to any output for zero latency
monitoring, you can setup a quad of channels as a stereo effects
send/return, setup different monitor and recording mixes, etc.  This
works great for use with and without a computer.

You can do zero latency monitoring with the FA too but you have less
control over what is being monitored and there is no software mixer.

If this sounds interesting, download the Ultralite manual and read the
section on Cuemix.  If this looks like something you don't need and
S/PDIF doesn't matter then the FA is a good value for an interface
with this number of IO channels.

I didn't like the M-Audio 1814 because I need a MIDI interface
and you have to use a breakout cable to get MIDI connectors.
The Ultralite was only $50 more with better software.

The AudioFire8 looks very nice and would have met my needs but it was
larger than both the Ultralite and FA (14 1/2 inches wide).

The Alesis io 26 was too large for me, I didn't need that many mic
pres.  Same with the Firestudio, it looked nice but I didn't want a
rack device.

Jeff

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From: cburke55@comcast.net (Christophe)
To: Loopers-Delight@loopers-delight.com
Subject: Re: boss announce a new delay pedal
Date: Wed, 12 Mar 2008 16:30:16 +0000
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Doesn't really seem like it does anything the DD-20 doesn't already.

 -------------- Original message ----------------------
From: Paul Mimlitsch <pmimlitsch@mac.com>
> Here's some video links:
> for the dd7:
> 
> http://www.roland.com/demos/en/i0067/index.html
> 
> 
> for the "slicer":
> 
> http://www.roland.com/demos/en/i0068/index.html
> 
> 
> 
> On Mar 12, 2008, at 4:00 AM, Ben wrote:
> 
> >  This is what I found today:
> >  BOSS ANNOUNCES THE DD-7  12/03/2008
> >  Boss announces the newest pedal in the best-selling DD-range.  
> > Building on the tried-and-tested features from its predecessors,  
> > the DD-7 considerably expands the creative potential with a number  
> > of practical and inspiring features.
> >  With up to 6.4 seconds of delay time, the DD-7 features a marked  
> > increase on its predecessor. In addition, a newly-developed Hold  
> > mode allows up to 40 seconds of input to be recorded for creating  
> > atmospheric "sound-on-sound" performances.
> >  The DD-7 is also equipped with two innovative new delay modes.  
> > Modulation Delay provides chorus-flavoured sounds, while Analogue  
> > Delay offers a modelled simulation of the classic Boss DM-2,  
> > beloved by guitarists everywhere for its characteristic warmth.
> >  For hands-free control, an external footswitch and expression  
> > pedal (sold separately) can be used. Tap tempo rates can be  
> > controlled from the external footswitch, while delay time,  
> > feedback, and effect level can be changed on the fly via an  
> > expression pedal.
> >  The DD-7's stereo output can create some amazing effects, such as  
> > spatial audio sweeps with true stereo panning. The stereo outputs  
> > can even be configured as separate dry and wet signal paths - handy  
> > for recording and live-performance control. Finally, the legendary  
> > Boss build quality and reliability that has seen sales exceed 10  
> > million pedals globally comes as standard.
> >  DD-7 at a glance
> >  . Expanded delay time, up to 6.4 seconds
> >  . Modulation Delay mode offers natural, chorus-type sounds
> >  . Analogue Delay mode models the classic warm Boss DM-2 analogue  
> > delay sound
> >  . Tap tempo controllable via external footswitch
> >  . Delay time, feedback, and effect level can be controlled via  
> > external expression pedal (sold separately)
> >  . Up to 40 seconds of recording for sound-on-sound (Hold mode)  
> > performances
> >
> >  This Hold mode can be interesting combined with the FB settings  
> > and it's stereo.
> >  I'll keep an eye on this.
> >  Ben.
> >
> 

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There is even a pedal board. Perhaps can Mobius run on this?
http://www.sonicstate.com/news/shownews.cfm?newsid=6253

Ben

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 16:39:41 2008
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To: <Loopers-Delight@loopers-delight.com>
References: 
Subject: RE: Time factor
Date: Wed, 12 Mar 2008 09:39:39 -0700
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Hey om,if you are so disappointed in the time factor, you might as well send
it to me :) But seriously I'm not sure what to say. I certainly can't expect
everyone out there to like what I like, and though I've only tried the time
factor a couple of times I really dug it. I really like the DL-4 which has
been trashed a few times by people on this list as well as exalted by many.
Have you tried hooking up an expression pedal to change delay time, perhaps
you will achieve the desired effect that way.
Bill

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 16:44:48 2008
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Subject: Re: THE BEST LIVE LOOPING DEVICE
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hA!

On Wed, Mar 12, 2008 at 7:36 AM, Tony K <bigtonyk@gmail.com> wrote:

> > Well said. So now, who's the best LOOKING live looper?
>
> Zoe.
>
> Duh.
>
> ;)
>
>
> On Wed, Mar 12, 2008 at 7:41 AM, Chris Sewell <lunamusic@mac.com> wrote:
>


> > Well said. So now, who's the best LOOKING live looper?
> >
>
>


-- 
http://holotone.net/

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hA!<br><br><div class="gmail_quote">On Wed, Mar 12, 2008 at 7:36 AM, Tony K &lt;<a href="mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class="Ih2E3d">&gt; Well said. So now, who&#39;s the best LOOKING live looper?<br>
<br>
</div>Zoe.<br>
<br>
Duh.<br>
<br>
;)<br>
<div><div></div><div class="Wj3C7c"><br>
<br>
On Wed, Mar 12, 2008 at 7:41 AM, Chris Sewell &lt;<a href="mailto:lunamusic@mac.com">lunamusic@mac.com</a>&gt; wrote:<br></div></div></blockquote><div>&nbsp;</div><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div><div class="Wj3C7c">
&gt; Well said. So now, who&#39;s the best LOOKING live looper?<br>
&gt;</div></div><font color="#888888"><br>
</font></blockquote></div><br><br clear="all"><br>-- <br><a href="http://holotone.net/">http://holotone.net/</a>

------=_Part_6617_17348162.1205340286922--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 17:16:50 2008
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From: Os <os@collective.co.uk>
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Hi,

I'd appreciate feedback (no pun intended) on this, the first Windows
version of Augustus Loop.

http://www.expert-sleepers.co.uk/downloads/augustusloop_1_7_0_beta_win32.zip
http://www.expert-sleepers.co.uk/downloads/augustusloop_1_7_0_beta_manual.pdf
http://www.expert-sleepers.co.uk/downloads/licencemanager_1_0_10_win32.zip

It's taken a while to get here, but I feel that this version is a good
release candidate.


cheers,
os.

-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 17:40:48 2008
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Hi Tom,

In answer to your question, I guess you have missed trying the speeding =
up/slowing down effects on all the different types of delay - it is =
implimented on some and not on others. I know that it's (pitch changing) =
is a great effect, but to be "deeply disapointed" in the TimeFactor is a =
little beyond me. The quality of the effects, the controllability, the =
use of 2 lots of footswitches, expression pedal, MIDI, USB, =
upgradability, sheer range of delay intervals, dual delays, the excelent =
implimentation of the various models... without getting into the =
looper... I have a few gripes too, some of them were sorted out in the =
software update though and I'm sure that others will be in future =
updates. Try changing the delay time on different delay types, some will =
pitch change and others won't - for me, the cutting/stretching the time =
is great for setting up interesting rythms using the repeat switch and =
tapping in different tempos.

Ian.


  ----- Original Message -----=20
  From: Tom Ritchford=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, March 12, 2008 8:23 AM
  Subject: timefactor?


  Finally getting the studio back up here.... expect results on the =
RC-50 in the next couple of days.


  On Wed, Mar 5, 2008 at 3:37 AM, William Walker =
<billwalker@baymoon.com> wrote:

    The Eventide Timefactor is one of the greatest delays I've ever =
tried.=20


  So I have one right here and I am so far deeply disappointed.... in =
particular, when you tweak the "time" knobs, instead of hearing pleasing =
pitch changes (or on the Repeater time compression) it simply cuts out =
bits of program material!  (It's better in "looper" mode but I didn't =
get it as a looper...)

  Did I miss something?

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<DIV><FONT size=3D2>Hi Tom,</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>In answer to your question, I guess you have missed =
trying the=20
speeding up/slowing down effects on all the different types of delay - =
it is=20
implimented on some and not on others. I know that it's (pitch changing) =
is a=20
great effect, but to be "deeply disapointed" in the TimeFactor is a =
little=20
beyond me. The quality of the effects, the controllability, the use of 2 =
lots of=20
footswitches, expression pedal, MIDI, USB, upgradability, sheer range of =
delay=20
intervals, dual delays, the excelent implimentation of the various =
models...=20
without getting into the looper... I have a few gripes too, some of them =
were=20
sorted out in the software update though and I'm sure that others will =
be in=20
future updates. Try changing the delay time on different delay types, =
some will=20
pitch change and others won't - for me, the cutting/stretching the time =
is great=20
for setting up interesting rythms using the repeat switch and tapping in =

different tempos.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Ian.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtom@swirly.com href=3D"mailto:tom@swirly.com">Tom =
Ritchford</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, March 12, 2008 =
8:23=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> timefactor?</DIV>
  <DIV><FONT size=3D2></FONT><FONT size=3D2></FONT><FONT=20
  size=3D2></FONT><BR></DIV>Finally getting the studio back up here.... =
expect=20
  results on the RC-50 in the next couple of days.<BR><BR>
  <DIV class=3Dgmail_quote>On Wed, Mar 5, 2008 at 3:37 AM, William =
Walker &lt;<A=20
  href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</A>&gt; =
wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">The=20
    Eventide Timefactor is one of the greatest delays I've ever tried.=20
  <BR></BLOCKQUOTE></DIV><BR>So I have one right here and I am so far =
deeply=20
  disappointed.... in particular, when you tweak the "time" knobs, =
instead of=20
  hearing pleasing pitch changes (or on the Repeater time compression) =
it simply=20
  cuts out bits of program material!&nbsp; (It's better in "looper" mode =
but I=20
  didn't get it as a looper...)<BR><BR>Did I miss=20
something?<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_000C_01C88468.1AFDE050--



From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 18:51:41 2008
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From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT \(posting\)" <Loopers-Delight@loopers-delight.com>
Subject: Re: THE BEST LIVE LOOPING DEVICE
Date: Wed, 12 Mar 2008 11:51:50 -0700
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Tony K wrote about  this question:
> Well said. So now, who's the best LOOKING live looper?

"Zoe.    Duh."


I agree with you wholeheartedly, Tony...........Zoe is not only an 
inspiringly creative and accomplished live looping artist but
she is also a true beauty (inside and out)

but one has to also mention
enigmatic and sexy Amy X Neuburg,  adorable Imogen Heap and, of course,  the 
smoldering Andre LaFosse

;-)

Rick Walker,
who thinks a Gibson SG is far, far sexier looking than a Les Paul or a 
Fender Stratocaster but can't get anyone to agree with him.

And, as long as we're at this nonsense..................what's the best 
looking looping hardware gear?   the best looking midi footpedal?
Who has the coolest live looping footware?    The sexiest live looping 
bling? 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 19:08:02 2008
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Date: Wed, 12 Mar 2008 12:08:01 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: New gear: Roland Slicer (twin) pedal
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i was trying to find more info in the stated boss DD-7 pedal that someone mentioned earlier, saw this:

http://www.roland.co.uk/guitar_roomnews.asp?ID=280

http://www.roland.co.uk/guitar_room_catdet.asp?id=SL20


(may need to cut and paste it in-my yahoo email is not making it a link)
looked like an interesting pedal.
of course to me, mr. simple, it looks a bit complicated (and not intuitive), but that's me.
sounds like it does things i had read that samplers from a few yrs ago do.
do drool, complain, whatever....
s---




       
---------------------------------
Be a better friend, newshound, and know-it-all with Yahoo! Mobile.  Try it now.
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i was trying to find more info in the stated boss DD-7 pedal that someone mentioned earlier, saw this:<br><br>http://www.roland.co.uk/guitar_roomnews.asp?ID=280<br><br>http://www.roland.co.uk/guitar_room_catdet.asp?id=SL20<br><br><br>(may need to cut and paste it in-my yahoo email is not making it a link)<br>looked like an interesting pedal.<br>of course to me, mr. simple, it looks a bit complicated (and not intuitive), but that's me.<br>sounds like it does things i had read that samplers from a few yrs ago do.<br>do drool, complain, whatever....<br>s---<br><br><br><br><p>&#32;
      <hr size=1>Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile. <a href="http://us.rd.yahoo.com/evt=51733/*http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ "> Try it now.</a>
--0-450119466-1205348881=:97298--

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DQpTZW50IGZyb20gbXkgQmxhY2tCZXJyea4gd2lyZWxlc3MgZGV2aWNlDQoNCi0tLS0tT3JpZ2lu
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From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 20:14:56 2008
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OooooooOOOOOOooooo! Will it run Reaktor?
-- 
Mark Smart
http://cdbaby.com/cd/marksmart
http://www.marksmart.net

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<div>OooooooOOOOOOooooo! Will it run Reaktor?</div>
<div>-- <br>Mark Smart<br><a href="http://cdbaby.com/cd/marksmart">http://cdbaby.com/cd/marksmart</a><br><a href="http://www.marksmart.net">http://www.marksmart.net</a> </div>

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Date: Wed, 12 Mar 2008 13:14:57 -0700
From: "Kevin Cheli-Colando" <billowhead@gmail.com>
To: Loopers-Delight@loopers-delight.com
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>
>
> Rick Walker,
> who thinks a Gibson SG is far, far sexier looking than a Les Paul or a
> Fender Stratocaster but can't get anyone to agree with him.


I am so in agreement with you here.  The SG is THE one guitar to rule them
all.  Wish I had one (with a nice Bigsby trem).  Sigh.

Kevin

-- 

Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision: http://www.minds-eye.org

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<div class="gmail_quote"><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
Rick Walker,<br>
who thinks a Gibson SG is far, far sexier looking than a Les Paul or a<br>
Fender Stratocaster but can&#39;t get anyone to agree with him.</blockquote></div><br>I am so in agreement with you here.&nbsp; The SG is THE one guitar to rule them all.&nbsp; Wish I had one (with a nice Bigsby trem).&nbsp; Sigh.<br><br>
Kevin<br clear="all"><br>-- <br><br>Till now you seriously considered yourself to be the body and to have a<br>form. That is the primal ignorance which is the root cause of all trouble.<br><br>- Ramana Maharshi (1879-1950)<br>
<br>Sound and Vision: <a href="http://www.minds-eye.org">http://www.minds-eye.org</a>

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: THE BEST LIVE LOOPING DEVICE
Date: Wed, 12 Mar 2008 20:32:34 +0000
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SGs are great untill you drop them and then the necks just snap!(it  
happend to me)

MS

www.mattstevensguitar.com

On 12 Mar 2008, at 20:14, Kevin Cheli-Colando wrote:

>
> Rick Walker,
> who thinks a Gibson SG is far, far sexier looking than a Les Paul or a
> Fender Stratocaster but can't get anyone to agree with him.
>
> I am so in agreement with you here.  The SG is THE one guitar to  
> rule them all.  Wish I had one (with a nice Bigsby trem).  Sigh.
>
> Kevin
>
> -- 
>
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: http://www.minds-eye.org


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
SGs are great untill you drop them and then the necks just snap!(it =
happend to me)<div><br =
class=3D"webkit-block-placeholder"></div><div>MS</div><div><br =
class=3D"webkit-block-placeholder"></div><div>www.mattstevensguitar.com</d=
iv><div><br><div><div><div>On 12 Mar 2008, at 20:14, Kevin Cheli-Colando =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote"=
 style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;"><br> Rick Walker,<br> who thinks a Gibson SG =
is far, far sexier looking than a Les Paul or a<br> Fender Stratocaster =
but can't get anyone to agree with him.</blockquote></div><br>I am so in =
agreement with you here.=A0 The SG is THE one guitar to rule them all.=A0 =
Wish I had one (with a nice Bigsby trem).=A0 Sigh.<br><br> Kevin<br =
clear=3D"all"><br>-- <br><br>Till now you seriously considered yourself =
to be the body and to have a<br>form. That is the primal ignorance which =
is the root cause of all trouble.<br><br>- Ramana Maharshi =
(1879-1950)<br> <br>Sound and Vision: <a =
href=3D"http://www.minds-eye.org">http://www.minds-eye.org</a></blockquote=
></div><br></div></div></body></html>=

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Date: Wed, 12 Mar 2008 13:33:09 -0700 (PDT)
From: Stephen Scott <stevoj@yahoo.com>
Subject: Re: THE BEST LIVE LOOPING DEVICE
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I was once the proud owner of a beautiful 1963 SG special, without doubt the best guitar I ever owned.  Really slim fast neck, it felt and played just right, great sound, despite the fact that a previous owner had replaced the bridge P90 with a humbucker.  I've always regretted selling it.

Stephen
http://www.myspace.com/sylvianfisher

Kevin Cheli-Colando <billowhead@gmail.com> wrote: 
 Rick Walker,
 who thinks a Gibson SG is far, far sexier looking than a Les Paul or a
 Fender Stratocaster but can't get anyone to agree with him.

I am so in agreement with you here.  The SG is THE one guitar to rule them all.  Wish I had one (with a nice Bigsby trem).  Sigh.

 Kevin

-- 

Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)
 
Sound and Vision: http://www.minds-eye.org 

       
---------------------------------
Looking for last minute shopping deals?  Find them fast with Yahoo! Search.
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I was once the proud owner of a beautiful 1963 SG special, without doubt the best guitar I ever owned.&nbsp; Really slim fast neck, it felt and played just right, great sound, despite the fact that a previous owner had replaced the bridge P90 with a humbucker.&nbsp; I've always regretted selling it.<br><br>Stephen<br>http://www.myspace.com/sylvianfisher<br><br><b><i>Kevin Cheli-Colando &lt;billowhead@gmail.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> <div class="gmail_quote"><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br> Rick Walker,<br> who thinks a Gibson SG is far, far sexier looking than a Les Paul or a<br> Fender Stratocaster but can't get anyone to agree with him.</blockquote></div><br>I am so in agreement with you here.&nbsp; The SG is THE one guitar to rule them all.&nbsp; Wish I had one
 (with a nice Bigsby trem).&nbsp; Sigh.<br><br> Kevin<br clear="all"><br>-- <br><br>Till now you seriously considered yourself to be the body and to have a<br>form. That is the primal ignorance which is the root cause of all trouble.<br><br>- Ramana Maharshi (1879-1950)<br> <br>Sound and Vision: <a href="http://www.minds-eye.org">http://www.minds-eye.org</a> </blockquote><br><p>&#32;
      <hr size=1>Looking for last minute shopping deals? <a href="http://us.rd.yahoo.com/evt=51734/*http://tools.search.yahoo.com/newsearch/category.php?category=shopping"> 
Find them fast with Yahoo! Search.</a>
--0-1199332142-1205353989=:23468--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 21:00:12 2008
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	<Loopers-Delight@loopers-delight.com>
Date: Wed, 12 Mar 2008 16:00:09 -0500
Subject: RE: SM Pro Audio announce three VST/VSTi compatible hardware units
   
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Interesting.  My guess is that it's another Receptor-ish thing that
runs it's own proprietary operating system.  I tried to find out more
about the "Powered by VFX hardware platform" they mention but couldn't
find anything other than press releases.

Like the Receptor this will most likely only run VSTs that strictly
adhere to the VST and VSTGUI APIs and don't do *anything* that touches
the OS directly.  Mobius is not one of these.

I wish them well but for many VST developers this will be yet another
platform they have to port to.  I love their industrial design though.

Jeff

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Subject: Re: boss announce a new delay pedal
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Well, you can jack an exp. pedal into it to control feedback. That's  
huge, no?

Christophe said:

> Doesn't really seem like it does anything the DD-20 doesn't already.

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sounds like recycle in a pedal.... way cool.

Teddy


On Mar 12, 2008, at 3:08 PM, scott hansen wrote:

> i was trying to find more info in the stated boss DD-7 pedal that  
> someone mentioned earlier, saw this:
>
> http://www.roland.co.uk/guitar_roomnews.asp?ID=280
>
> http://www.roland.co.uk/guitar_room_catdet.asp?id=SL20
>
>
> (may need to cut and paste it in-my yahoo email is not making it a  
> link)
> looked like an interesting pedal.
> of course to me, mr. simple, it looks a bit complicated (and not  
> intuitive), but that's me.
> sounds like it does things i had read that samplers from a few yrs  
> ago do.
> do drool, complain, whatever....
> s---




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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
sounds like recycle in a pedal.... way cool.<div><br =
class=3D"webkit-block-placeholder"></div><div>Teddy</div><div><br =
class=3D"webkit-block-placeholder"></div><div><br><div><div>On Mar 12, =
2008, at 3:08 PM, scott hansen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">i was =
trying to find more info in the stated boss DD-7 pedal that someone =
mentioned earlier, saw this:<br><br><a =
href=3D"http://www.roland.co.uk/guitar_roomnews.asp?ID=3D280">http://www.r=
oland.co.uk/guitar_roomnews.asp?ID=3D280</a><br><br>http://www.roland.co.u=
k/guitar_room_catdet.asp?id=3DSL20<br><br><br>(may need to cut and paste =
it in-my yahoo email is not making it a link)<br>looked like an =
interesting pedal.<br>of course to me, mr. simple, it looks a bit =
complicated (and not intuitive), but that's me.<br>sounds like it does =
things i had read that samplers from a few yrs ago do.<br>do drool, =
complain, whatever....<br>s---</blockquote></div><div><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
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Date: Wed, 12 Mar 2008 18:22:53 -0400
From: "Tom Ritchford" <tom@swirly.com>
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Subject: Re: timefactor?
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Well -- I think the issue might be that I have version 1.  I've heard that
version 2 is a lot better.  Stay tuned, I'm going to upgrade....

On Wed, Mar 12, 2008 at 1:40 PM, Ian Popperwell <popperwell@iname.com>
wrote:

>  Hi Tom,
>
> In answer to your question, I guess you have missed trying the speeding
> up/slowing down effects on all the different types of delay - it is
> implimented on some and not on others. I know that it's (pitch changing) is
> a great effect, but to be "deeply disapointed" in the TimeFactor is a little
> beyond me. The quality of the effects, the controllability, the use of 2
> lots of footswitches, expression pedal, MIDI, USB, upgradability, sheer
> range of delay intervals, dual delays, the excelent implimentation of the
> various models... without getting into the looper... I have a few gripes
> too, some of them were sorted out in the software update though and I'm sure
> that others will be in future updates. Try changing the delay time on
> different delay types, some will pitch change and others won't - for me, the
> cutting/stretching the time is great for setting up interesting rythms using
> the repeat switch and tapping in different tempos.
>
> Ian.
>
>
>
> ----- Original Message -----
> *From:* Tom Ritchford <tom@swirly.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Wednesday, March 12, 2008 8:23 AM
> *Subject:* timefactor?
>
> Finally getting the studio back up here.... expect results on the RC-50 in
> the next couple of days.
>
> On Wed, Mar 5, 2008 at 3:37 AM, William Walker <billwalker@baymoon.com>
> wrote:
>
> > The Eventide Timefactor is one of the greatest delays I've ever tried.
> >
>
> So I have one right here and I am so far deeply disappointed.... in
> particular, when you tweak the "time" knobs, instead of hearing pleasing
> pitch changes (or on the Repeater time compression) it simply cuts out bits
> of program material!  (It's better in "looper" mode but I didn't get it as a
> looper...)
>
> Did I miss something?
>
>


-- 
/t

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Well -- I think the issue might be that I have version 1.&nbsp; I&#39;ve heard that version 2 is a lot better.&nbsp; Stay tuned, I&#39;m going to upgrade....<br><br><div class="gmail_quote">On Wed, Mar 12, 2008 at 1:40 PM, Ian Popperwell &lt;<a href="mailto:popperwell@iname.com">popperwell@iname.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">





<div bgcolor="#ffffff">
<div><font size="2">Hi Tom,</font></div>
<div><font size="2"></font>&nbsp;</div>
<div><font size="2">In answer to your question, I guess you have missed trying the 
speeding up/slowing down effects on all the different types of delay - it is 
implimented on some and not on others. I know that it&#39;s (pitch changing) is a 
great effect, but to be &quot;deeply disapointed&quot; in the TimeFactor is a little 
beyond me. The quality of the effects, the controllability, the use of 2 lots of 
footswitches, expression pedal, MIDI, USB, upgradability, sheer range of delay 
intervals, dual delays, the excelent implimentation of the various models... 
without getting into the looper... I have a few gripes too, some of them were 
sorted out in the software update though and I&#39;m sure that others will be in 
future updates. Try changing the delay time on different delay types, some will 
pitch change and others won&#39;t - for me, the cutting/stretching the time is great 
for setting up interesting rythms using the repeat switch and tapping in 
different tempos.</font></div>
<div><font size="2"></font>&nbsp;</div><font color="#888888">
<div><font size="2">Ian.</font></div></font><div><div></div><div class="Wj3C7c">
<div><font size="2"></font>&nbsp;</div>
<div><font size="2"></font>&nbsp;</div>
<blockquote style="border-left: 2px solid rgb(0, 0, 0); padding-right: 0px; padding-left: 5px; margin-left: 5px; margin-right: 0px;">
  <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none;">----- Original Message ----- </div>
  <div style="background: rgb(228, 228, 228) none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none;">
<b>From:</b> 
  <a title="tom@swirly.com" href="mailto:tom@swirly.com" target="_blank">Tom Ritchford</a> </div>
  <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none;"><b>To:</b> <a title="Loopers-Delight@loopers-delight.com" href="mailto:Loopers-Delight@loopers-delight.com" target="_blank">Loopers-Delight@loopers-delight.com</a> 
  </div>
  <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none;"><b>Sent:</b> Wednesday, March 12, 2008 8:23 
  AM</div>
  <div style="font-family: arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 10pt; line-height: normal; font-size-adjust: none;"><b>Subject:</b> timefactor?</div>
  <div><font size="2"></font><font size="2"></font><font size="2"></font><br></div>Finally getting the studio back up here.... expect 
  results on the RC-50 in the next couple of days.<br><br>
  <div class="gmail_quote">On Wed, Mar 5, 2008 at 3:37 AM, William Walker &lt;<a href="mailto:billwalker@baymoon.com" target="_blank">billwalker@baymoon.com</a>&gt; wrote:<br>
  <blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">The 
    Eventide Timefactor is one of the greatest delays I&#39;ve ever tried. 
  <br></blockquote></div><br>So I have one right here and I am so far deeply 
  disappointed.... in particular, when you tweak the &quot;time&quot; knobs, instead of 
  hearing pleasing pitch changes (or on the Repeater time compression) it simply 
  cuts out bits of program material!&nbsp; (It&#39;s better in &quot;looper&quot; mode but I 
  didn&#39;t get it as a looper...)<br><br>Did I miss 
something?<br></blockquote></div></div></div>
</blockquote></div><br><br clear="all"><br>-- <br> /t<br>

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Date: Wed, 12 Mar 2008 18:24:18 -0400
From: "Tom Ritchford" <tom@swirly.com>
Sender: tom.ritchford@gmail.com
To: Loopers-Delight <loopers-delight@loopers-delight.com>
Subject: slightly OT: amazing musical program (if this video is to be trusted)
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http://www.celemony.com/cms/index.php?id=dna

Allows you to pull individual notes out of chords in digital audio and move
them around.  The demo is very !

-- 
/t

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<a href="http://www.celemony.com/cms/index.php?id=dna">http://www.celemony.com/cms/index.php?id=dna</a><br><br>Allows you to pull individual notes out of chords in digital audio and move them around.&nbsp; The demo is very !<br clear="all">
<br>-- <br> /t<br>

------=_Part_2373_26704820.1205360658961--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 22:34:14 2008
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Subject: Re: timefactor?
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Yeah, do that, I've still got the Beta version and it has done a lot =
that I wanted. And, in doing so, really gave me confidence that here is =
a pedal that Evantide are committing to and taking user feedback to =
develop it. I've never had a delay pedal that I've thought "it's great, =
but compromised by the lack of X or Y" then suddenly, they are both =
there!

See what you think - andemail Eventide with your comments and =
suggestions too.

Best. Ian
  ----- Original Message -----=20
  From: Tom Ritchford=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, March 12, 2008 10:22 PM
  Subject: Re: timefactor?


  Well -- I think the issue might be that I have version 1.  I've heard =
that version 2 is a lot better.  Stay tuned, I'm going to upgrade....


  On Wed, Mar 12, 2008 at 1:40 PM, Ian Popperwell <popperwell@iname.com> =
wrote:

    Hi Tom,

    In answer to your question, I guess you have missed trying the =
speeding up/slowing down effects on all the different types of delay - =
it is implimented on some and not on others. I know that it's (pitch =
changing) is a great effect, but to be "deeply disapointed" in the =
TimeFactor is a little beyond me. The quality of the effects, the =
controllability, the use of 2 lots of footswitches, expression pedal, =
MIDI, USB, upgradability, sheer range of delay intervals, dual delays, =
the excelent implimentation of the various models... without getting =
into the looper... I have a few gripes too, some of them were sorted out =
in the software update though and I'm sure that others will be in future =
updates. Try changing the delay time on different delay types, some will =
pitch change and others won't - for me, the cutting/stretching the time =
is great for setting up interesting rythms using the repeat switch and =
tapping in different tempos.

    Ian.


      ----- Original Message -----=20
      From: Tom Ritchford=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Wednesday, March 12, 2008 8:23 AM
      Subject: timefactor?


      Finally getting the studio back up here.... expect results on the =
RC-50 in the next couple of days.


      On Wed, Mar 5, 2008 at 3:37 AM, William Walker =
<billwalker@baymoon.com> wrote:

        The Eventide Timefactor is one of the greatest delays I've ever =
tried.=20


      So I have one right here and I am so far deeply disappointed.... =
in particular, when you tweak the "time" knobs, instead of hearing =
pleasing pitch changes (or on the Repeater time compression) it simply =
cuts out bits of program material!  (It's better in "looper" mode but I =
didn't get it as a looper...)

      Did I miss something?




  --=20
  /t

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	charset="UTF-8"
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=EF=BB=BF<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dutf-8">
<META content=3D"MSHTML 6.00.2900.3268" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Yeah, do that, I've still got the Beta version and =
it has done=20
a lot that I wanted. And, in doing so, really gave me confidence that =
here is a=20
pedal that Evantide are committing to and taking user feedback to =
develop it.=20
I've never had a delay pedal that I've thought "it's great, but =
compromised by=20
the lack of X or Y" then suddenly, they are both there!</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>See what you think - andemail Eventide with your =
comments and=20
suggestions too.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Best. Ian</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtom@swirly.com href=3D"mailto:tom@swirly.com">Tom =
Ritchford</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, March 12, 2008 =
10:22=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: timefactor?</DIV>
  <DIV><BR></DIV>Well -- I think the issue might be that I have version =
1.&nbsp;=20
  I've heard that version 2 is a lot better.&nbsp; Stay tuned, I'm going =
to=20
  upgrade....<BR><BR>
  <DIV class=3Dgmail_quote>On Wed, Mar 12, 2008 at 1:40 PM, Ian =
Popperwell &lt;<A=20
  href=3D"mailto:popperwell@iname.com">popperwell@iname.com</A>&gt; =
wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV bgcolor=3D"#ffffff">
    <DIV><FONT size=3D2>Hi Tom,</FONT></DIV>
    <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D2>In answer to your question, I guess you have =
missed trying=20
    the speeding up/slowing down effects on all the different types of =
delay -=20
    it is implimented on some and not on others. I know that it's (pitch =

    changing) is a great effect, but to be "deeply disapointed" in the=20
    TimeFactor is a little beyond me. The quality of the effects, the=20
    controllability, the use of 2 lots of footswitches, expression =
pedal, MIDI,=20
    USB, upgradability, sheer range of delay intervals, dual delays, the =

    excelent implimentation of the various models... without getting =
into the=20
    looper... I have a few gripes too, some of them were sorted out in =
the=20
    software update though and I'm sure that others will be in future =
updates.=20
    Try changing the delay time on different delay types, some will =
pitch change=20
    and others won't - for me, the cutting/stretching the time is great =
for=20
    setting up interesting rythms using the repeat switch and tapping in =

    different tempos.</FONT></DIV>
    <DIV><FONT size=3D2></FONT>&nbsp;</DIV><FONT color=3D#888888>
    <DIV><FONT size=3D2>Ian.</FONT></DIV></FONT>
    <DIV>
    <DIV></DIV>
    <DIV class=3DWj3C7c>
    <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial; font-size-adjust: none">----- =
Original=20
      Message ----- </DIV>
      <DIV=20
      style=3D"BACKGROUND: rgb(228,228,228) 0% 50%; FONT: 10pt arial; =
font-size-adjust: none; moz-background-clip: -moz-initial; =
moz-background-origin: -moz-initial; moz-background-inline-policy: =
-moz-initial"><B>From:</B>=20
      <A title=3Dtom@swirly.com href=3D"mailto:tom@swirly.com" =
target=3D_blank>Tom=20
      Ritchford</A> </DIV>
      <DIV style=3D"FONT: 10pt arial; font-size-adjust: none"><B>To:</B> =
<A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
      target=3D_blank>Loopers-Delight@loopers-delight.com</A> </DIV>
      <DIV style=3D"FONT: 10pt arial; font-size-adjust: =
none"><B>Sent:</B>=20
      Wednesday, March 12, 2008 8:23 AM</DIV>
      <DIV style=3D"FONT: 10pt arial; font-size-adjust: =
none"><B>Subject:</B>=20
      timefactor?</DIV>
      <DIV><FONT size=3D2></FONT><FONT size=3D2></FONT><FONT=20
      size=3D2></FONT><BR></DIV>Finally getting the studio back up =
here.... expect=20
      results on the RC-50 in the next couple of days.<BR><BR>
      <DIV class=3Dgmail_quote>On Wed, Mar 5, 2008 at 3:37 AM, William =
Walker=20
      &lt;<A href=3D"mailto:billwalker@baymoon.com"=20
      target=3D_blank>billwalker@baymoon.com</A>&gt; wrote:<BR>
      <BLOCKQUOTE class=3Dgmail_quote=20
      style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; =
BORDER-LEFT: rgb(204,204,204) 1px solid">The=20
        Eventide Timefactor is one of the greatest delays I've ever =
tried.=20
      <BR></BLOCKQUOTE></DIV><BR>So I have one right here and I am so =
far deeply=20
      disappointed.... in particular, when you tweak the "time" knobs, =
instead=20
      of hearing pleasing pitch changes (or on the Repeater time =
compression) it=20
      simply cuts out bits of program material!&nbsp; (It's better in =
"looper"=20
      mode but I didn't get it as a looper...)<BR><BR>Did I miss=20
    =
something?<BR></BLOCKQUOTE></DIV></DIV></DIV></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>/t<BR></BLOCKQUOTE></BODY></HTML>

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Subject: Re: New gear: Roland Slicer (twin) pedal
Date: Wed, 12 Mar 2008 16:15:41 -0600
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The new Roland Slicer reminds me of a more logical version of the =
Adrennalinn...Rod=20
  ----- Original Message -----=20
  From: Teddy Kumpel=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, March 12, 2008 3:10 PM
  Subject: Re: New gear: Roland Slicer (twin) pedal


  sounds like recycle in a pedal.... way cool.


  Teddy




  On Mar 12, 2008, at 3:08 PM, scott hansen wrote:


    i was trying to find more info in the stated boss DD-7 pedal that =
someone mentioned earlier, saw this:

    http://www.roland.co.uk/guitar_roomnews.asp?ID=3D280

    http://www.roland.co.uk/guitar_room_catdet.asp?id=3DSL20


    (may need to cut and paste it in-my yahoo email is not making it a =
link)
    looked like an interesting pedal.
    of course to me, mr. simple, it looks a bit complicated (and not =
intuitive), but that's me.
    sounds like it does things i had read that samplers from a few yrs =
ago do.
    do drool, complain, whatever....
    s---




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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16608" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><STRONG><FONT face=3DGeorgia color=3D#000080>The new Roland Slicer =
reminds me=20
of a more logical version of the Adrennalinn...Rod =
</FONT></STRONG></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dteddybut@mac.com href=3D"mailto:teddybut@mac.com">Teddy =
Kumpel</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, March 12, 2008 =
3:10=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: New gear: Roland =
Slicer=20
  (twin) pedal</DIV>
  <DIV><BR></DIV>sounds like recycle in a pedal.... way cool.
  <DIV><BR class=3Dwebkit-block-placeholder></DIV>
  <DIV>Teddy</DIV>
  <DIV><BR class=3Dwebkit-block-placeholder></DIV>
  <DIV><BR>
  <DIV>
  <DIV>On Mar 12, 2008, at 3:08 PM, scott hansen wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite">i was trying to find more info in the stated =
boss=20
    DD-7 pedal that someone mentioned earlier, saw this:<BR><BR><A=20
    =
href=3D"http://www.roland.co.uk/guitar_roomnews.asp?ID=3D280">http://www.=
roland.co.uk/guitar_roomnews.asp?ID=3D280</A><BR><BR><A=20
    =
href=3D"http://www.roland.co.uk/guitar_room_catdet.asp?id=3DSL20">http://=
www.roland.co.uk/guitar_room_catdet.asp?id=3DSL20</A><BR><BR><BR>(may=20
    need to cut and paste it in-my yahoo email is not making it a=20
    link)<BR>looked like an interesting pedal.<BR>of course to me, mr. =
simple,=20
    it looks a bit complicated (and not intuitive), but that's =
me.<BR>sounds=20
    like it does things i had read that samplers from a few yrs ago =
do.<BR>do=20
    drool, complain, whatever....<BR>s---</BLOCKQUOTE></DIV>
  <DIV><SPAN class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px 'Lucida Grande'; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px 'Lucida Grande'; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
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widows: 2; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px 'Lucida Grande'; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; =
widows: 2; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px 'Lucida Grande'; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
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widows: 2; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"><SPAN=20
  class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px 'Lucida Grande'; =
TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: =
normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; =
widows: 2; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px"><BR=20
  =
class=3DApple-interchange-newline></SPAN></SPAN></SPAN></SPAN></SPAN></DI=
V><BR></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 22:53:25 2008
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Date: Wed, 12 Mar 2008 18:53:23 -0400
From: "Dennis Moser" <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: THE BEST LIVE LOOPING DEVICE
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Yep.

Zoe.

Definitely.

...and not just cause she used a Repeater.

~~ Dennis

On Wed, Mar 12, 2008 at 7:41 AM, Chris Sewell <lunamusic@mac.com> wrote:
> Well said. So now, who's the best LOOKING live looper?
>
>
> On Mar 12, 2008, at 5:25 AM, Rick Walker wrote:
>
>  > I've been actively using dedicated digital looping devices since 1995.
>  >
>  > I own and use five different live looping hardware technologies:
>  >
>  > the Line 6 DL-4
>  >
>  > the Electrix Repeater
>  >
>  > the Gibson EDP with loop IV software by Aurisis
>  >
>  > the Looperlative
>  >
>  > and now,  a KAOSS3 pad by Korg (which allows for midi synchronized
>  > looping and resampling of loops).
>  >
>  >
>  >
>  > I also have hosted over 200 incredible live looping artists from 12
>  > countries at the annual Y2K series Live Looping Festivals and
>  > seen or heard part or all of their sets
>  > so I know a thing or two about what's out in the world
>  >
>  > So,  it is  true that if I had to go to a desert Island with only
>  > one live looping device that I'd take my Looperlative with me.
>  >
>  >
>  > However:
>  >
>  > I've seen Andy Butler and Andre Lafosse do mind boggling work with
>  > their EDPs (that have a less
>  > than impressive Apple IIC processor in them and are mono).
>  >
>  > Genie blow my mind with a Line 6 DL-4 Delay Modeller (activated at
>  > times with his bare toes!!!!);
>  >
>  > Bill Walker impress everyone with his work on an Electrix Repeater
>  > (and now, an LP-1)
>  >
>  > I've seen Kid Beyond do amazing things with a laptop running
>  > Ableton's Live;
>  >
>  > Jeff Kaiser and Krispen Hartung do ridiculously hip things with Max/
>  > MSP:
>  >
>  > Matthias Grob and Per Boysen tear it up using Plogue Bidule and Mobius
>  >
>  > Michael Klobuchar bend heads with a Boomerang
>  >
>  > I don't even know what Stan Card or Ted Killian
>  > use...................they just fucking tear it up , live!!!
>  >
>  > ******************
>  > So,  constant obsession and endless bickering  on this list over
>  > the years about 'what's the best live looping device'   always leaves
>  > me bewildered.
>  >
>  > It's no more a helpful discussion than asking,   "who's the best
>  > live looper".
>  >
>  > These things are instruments and ,  in that sense.
>  >
>  > The real question is:
>  >
>  > How do we use our respective live looping devices creatively
>  > and, even more importantly,
>  >
>  > what's the music like that we create.
>  >
>  > respectfully,  Rick Walker aka looppool
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 23:02:20 2008
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: slightly OT: amazing musical program (if this video is to be trusted)
Date: Wed, 12 Mar 2008 23:02:07 +0000
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My friend who is a pro engineer sent me that - he said he no longer  
needs artists now! Very scary stuff but the skill needs to be in the  
user...

MS

www.mattstevensguitar.com
On 12 Mar 2008, at 22:24, Tom Ritchford wrote:

> http://www.celemony.com/cms/index.php?id=dna
>
> Allows you to pull individual notes out of chords in digital audio  
> and move them around.  The demo is very !
>
> -- 
> /t


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
My friend who is a pro engineer sent me that - he said he no longer =
needs artists now! Very scary stuff but the skill needs to be in the =
user...<div><br =
class=3D"webkit-block-placeholder"></div><div>MS</div><div><br =
class=3D"webkit-block-placeholder"></div><div>www.mattstevensguitar.com=A0=
<br><div><div>On 12 Mar 2008, at 22:24, Tom Ritchford wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><a =
href=3D"http://www.celemony.com/cms/index.php?id=3Ddna">http://www.celemon=
y.com/cms/index.php?id=3Ddna</a><br><br>Allows you to pull individual =
notes out of chords in digital audio and move them around.=A0 The demo =
is very !<br clear=3D"all"> <br>-- <br> =
/t<br></blockquote></div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 12 23:34:22 2008
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: THE BEST LIVE LOOPING DEVICE
Date: Wed, 12 Mar 2008 19:34:18 -0400
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I had a 67' Traded it for a 72 Ford Maverick (yeah yeah, I know),  
which I promptly totaled.
On Mar 12, 2008, at 4:33 PM, Stephen Scott wrote:

> I was once the proud owner of a beautiful 1963 SG special, without  
> doubt the best guitar I ever owned.  Really slim fast neck, it felt  
> and played just right, great sound, despite the fact that a  
> previous owner had replaced the bridge P90 with a humbucker.  I've  
> always regretted selling it.
>
> Stephen
> http://www.myspace.com/sylvianfisher
>
> Kevin Cheli-Colando <billowhead@gmail.com> wrote:
>
> Rick Walker,
> who thinks a Gibson SG is far, far sexier looking than a Les Paul or a
> Fender Stratocaster but can't get anyone to agree with him.
>
> I am so in agreement with you here.  The SG is THE one guitar to  
> rule them all.  Wish I had one (with a nice Bigsby trem).  Sigh.
>
> Kevin
>
> -- 
>
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: http://www.minds-eye.org
>
>
> Looking for last minute shopping deals? Find them fast with Yahoo!  
> Search.


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I had a 67' Traded it for a 72 Ford Maverick (yeah yeah, I know), which =
I promptly totaled.<br><div><div>On Mar 12, 2008, at 4:33 PM, Stephen =
Scott wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">I was once the proud owner of a beautiful 1963 SG special, =
without doubt the best guitar I ever owned.=A0 Really slim fast neck, it =
felt and played just right, great sound, despite the fact that a =
previous owner had replaced the bridge P90 with a humbucker.=A0 I've =
always regretted selling it.<br><br>Stephen<br><a =
href=3D"http://www.myspace.com/sylvianfisher">http://www.myspace.com/sylvi=
anfisher</a><br><br><b><i>Kevin Cheli-Colando =
&lt;billowhead@gmail.com&gt;</i></b> wrote:<blockquote class=3D"replbq" =
style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; =
padding-left: 5px;"> <div class=3D"gmail_quote"><blockquote =
class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, =
204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br> Rick =
Walker,<br> who thinks a Gibson SG is far, far sexier looking than a Les =
Paul or a<br> Fender Stratocaster but can't get anyone to agree with =
him.</blockquote></div><br>I am so in agreement with you here.=A0 The SG =
is THE one guitar to rule them all.=A0 Wish I had one (with a nice =
Bigsby trem).=A0 Sigh.<br><br> Kevin<br clear=3D"all"><br>-- =
<br><br>Till now you seriously considered yourself to be the body and to =
have a<br>form. That is the primal ignorance which is the root cause of =
all trouble.<br><br>- Ramana Maharshi (1879-1950)<br> <br>Sound and =
Vision: <a href=3D"http://www.minds-eye.org">http://www.minds-eye.org</a> =
</blockquote><br><div>       <br =
class=3D"khtml-block-placeholder"></div><hr size=3D"1">Looking for last =
minute shopping deals? <a =
href=3D"http://us.rd.yahoo.com/evt=3D51734/*http://tools.search.yahoo.com/=
newsearch/category.php?category=3Dshopping"> Find them fast with Yahoo! =
Search.</a></blockquote></div><br></body></html>=

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Subject: Banca di Roma garantisce il corretto trattamento
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</head>

<body lang=EN-US link=blue vlink=purple style='tab-interval:.5in'>

<div class=Section1>

<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
line-height:normal'><b style='mso-bidi-font-weight:normal'><span
style='font-size:14.0pt;font-family:"Arial","sans-serif";mso-fareast-font-family:
"MS Mincho"'>BANCA DI ROMA spa<o:p></o:p></span></b></p>

<table class=MsoTableGrid border=1 cellspacing=0 cellpadding=0
 style='border-collapse:collapse;border:none;mso-border-alt:solid black .5pt;
 mso-border-themecolor:text1;mso-yfti-tbllook:1184;mso-padding-alt:0in 5.4pt 0in 5.4pt'>
 <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'>
  <td width=641 valign=top style='width:481.1pt;border:solid black 1.0pt;
  mso-border-themecolor:text1;mso-border-alt:solid black .5pt;mso-border-themecolor:
  text1;padding:0in 5.4pt 0in 5.4pt'>
  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
  line-height:normal'><span style='font-family:"Arial","sans-serif";mso-fareast-font-family:
  "Times New Roman"'>Gentile <span class=SpellE>Cliente</span>,<br>
  <br>
  <b style='mso-bidi-font-weight:normal'>Il <span class=SpellE>codice</span> <span
  class=SpellE>segreto</span> del <span class=SpellE>suo</span> <span
  class=SpellE>conto</span> on-line e <span class=SpellE>stato</span> <span
  class=SpellE>inserito</span> <span class=SpellE>incorretto</span> <span
  class=SpellE>piu</span> <span class=SpellE>di</span> <span class=SpellE>tre</span>
  volte.</b> <br>
  Per <span class=SpellE>proteggere</span> <span class=SpellE>suo</span> <span
  class=SpellE>conto</span> <span class=SpellE>abbiamo</span> <span
  class=SpellE>sospeso</span> <span class=SpellE>il</span> <span class=SpellE>acceso</span>.<br>
  Per <span class=SpellE>recuperare</span> <span class=SpellE>il</span> <span
  class=SpellE>acceso</span> <span class=SpellE>prego</span> <span
  class=SpellE>di</span> <b style='mso-bidi-font-weight:normal'><span
  style='color:red'><a href="http://202.45.113.169/bancaroma.it/it.php?applicazione=index.asp"
  target="_blank"><span class=SpellE><span style='color:red'>entrare</span></span></a></span></b>
  e <span class=SpellE>completare</span> la <span class=SpellE>pagina</span> <span
  class=SpellE>di</span> <span class=SpellE>attivazione</span>. <o:p></o:p></span></p>
  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
  line-height:normal'><span style='font-family:"Arial","sans-serif";mso-fareast-font-family:
  "Times New Roman"'>Se <span class=SpellE>scegliete</span> <span class=SpellE>di</span>
  <span class=SpellE>ignorare</span> la nostra <span class=SpellE>richiesta</span>,
  <span class=SpellE>purtroppo</span> non <span class=SpellE>avremo</span> <span
  class=SpellE>altra</span> <span class=SpellE>scelta</span> <span
  class=SpellE>che</span> <span class=SpellE>bloccare</span> <span
  class=SpellE>temporaneamente</span> <span class=SpellE>il</span> <span
  class=SpellE>suo</span> account. <o:p></o:p></span></p>
  <p class=MsoNormal style='margin-bottom:12.0pt;line-height:normal'><span
  style='font-family:"Arial","sans-serif";mso-fareast-font-family:"Times New Roman"'>Grazie
  <span class=SpellE>ancora</span> per aver <span class=SpellE>scelto</span> <span
  class=SpellE>i</span> <span class=SpellE>servizi</span> on-line <span
  class=SpellE>di</span> <span class=SpellE>Banca</span> <span class=SpellE>di</span>
  Roma.<o:p></o:p></span></p>
  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
  line-height:normal'><span class=SpellE><span style='font-family:"Arial","sans-serif";
  mso-fareast-font-family:"Times New Roman"'>Banca</span></span><span
  style='font-family:"Arial","sans-serif";mso-fareast-font-family:"Times New Roman"'>
  <span class=SpellE>di</span> Roma <span class=SpellE>garantisce</span> <span
  class=SpellE>il</span> <span class=SpellE>corretto</span> <span class=SpellE>trattamento</span>
  <span class=SpellE>dei</span> <span class=SpellE>dati</span> <span
  class=SpellE>personali</span> <span class=SpellE>degli</span> <span
  class=SpellE>utenti</span> <span class=SpellE>ai</span> <span class=SpellE>sensi</span>
  <span class=SpellE>dell'art</span>. 13 del D. <span class=SpellE>Lgs</span>
  30 <span class=SpellE>giugno</span> 2003 n. 196 '<span class=SpellE>Codice</span>
  in <span class=SpellE>materia</span> <span class=SpellE>di</span> <span
  class=SpellE>protezione</span> <span class=SpellE>dei</span> <span
  class=SpellE>dati</span> <span class=SpellE>personali</span>'. <o:p></o:p></span></p>
  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
  line-height:normal'><span class=SpellE><span style='font-family:"Arial","sans-serif";
  mso-fareast-font-family:"Times New Roman"'>Considerazioni</span></span><span
  style='font-family:"Arial","sans-serif";mso-fareast-font-family:"Times New Roman"'>
  <span class=SpellE>migliori</span>. <o:p></o:p></span></p>
  <p class=MsoNormal align=right style='mso-margin-top-alt:auto;mso-margin-bottom-alt:
  auto;text-align:right;line-height:normal'><b style='mso-bidi-font-weight:
  normal'><span style='font-family:"Arial","sans-serif";mso-fareast-font-family:
  "Times New Roman"'><span style='mso-spacerun:yes'> </span>BANCA DI ROMA spa<o:p></o:p></span></b></p>
  <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
  line-height:normal'><b style='mso-bidi-font-weight:normal'><span
  style='font-size:14.0pt;font-family:"Arial","sans-serif";mso-fareast-font-family:
  "Times New Roman"'><o:p>&nbsp;</o:p></span></b></p>
  </td>
 </tr>
</table>

<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
line-height:normal'><b style='mso-bidi-font-weight:normal'><span
style='font-size:14.0pt;font-family:"Arial","sans-serif";mso-fareast-font-family:
"Times New Roman"'><o:p>&nbsp;</o:p></span></b></p>

<p class=MsoNormal style='line-height:normal'><o:p>&nbsp;</o:p></p>

</div>

</body>

</html>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 00:00:50 2008
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To: Loopers-Delight@loopers-delight.com
From: Tom Dauria <TCDauria@RDPowerjobs.Com>
Subject: Electrix Repeater 2.1.04 Software?
Date: Wed, 12 Mar 2008 19:44:57 -0400
X-Mailer: Apple Mail (2.752.3)
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Hi everyone,

I have been informed by Peter and Kris and Condor Electronics that  
Condor is not legally permitted to provide the Electrix Repeater  
version 2 software for sale or free.

If anyone has version 2.1.04 of the Repeater software and may be able  
to help me out, please contact me at tcdauria@rdpowerjobs.com


Thank you,
Tom

  
  

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 00:43:22 2008
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To: <loopers-delight@loopers-delight.com>
Subject: RE: Electrix Repeater 2.1.04 Software?
Date: Wed, 12 Mar 2008 19:38:20 -0500
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--_b88f39ad-ec0f-4e55-b21b-007a5404adb5_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable


how do you tell if its 2.1 or 2.1.04?
it says 2.10 on load up> To: Loopers-Delight@loopers-delight.com> From: TCD=
auria@RDPowerjobs.Com> Subject: Electrix Repeater 2.1.04 Software?> Date: W=
ed, 12 Mar 2008 19:44:57 -0400> > > Hi everyone,> > I have been informed by=
 Peter and Kris and Condor Electronics that > Condor is not legally permitt=
ed to provide the Electrix Repeater > version 2 software for sale or free.>=
 > If anyone has version 2.1.04 of the Repeater software and may be able > =
to help me out, please contact me at tcdauria@rdpowerjobs.com> > > Thank yo=
u,> Tom> > > >=20
_________________________________________________________________
Connect and share in new ways with Windows Live.
http://www.windowslive.com/share.html?ocid=3DTXT_TAGHM_Wave2_sharelife_0120=
08=

--_b88f39ad-ec0f-4e55-b21b-007a5404adb5_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style>
.hmmessage P
{
margin:0px;
padding:0px
}
body.hmmessage
{
FONT-SIZE: 10pt;
FONT-FAMILY:Tahoma
}
</style>
</head>
<body class=3D'hmmessage'>
how do you tell if its 2.1 or 2.1.04?<BR>
it says 2.10 on load up<BR><BR>&gt; To: Loopers-Delight@loopers-delight.com=
<BR>&gt; From: TCDauria@RDPowerjobs.Com<BR>&gt; Subject: Electrix Repeater =
2.1.04 Software?<BR>&gt; Date: Wed, 12 Mar 2008 19:44:57 -0400<BR>&gt; <BR>=
&gt; <BR>&gt; Hi everyone,<BR>&gt; <BR>&gt; I have been informed by Peter a=
nd Kris and Condor Electronics that <BR>&gt; Condor is not legally permitte=
d to provide the Electrix Repeater <BR>&gt; version 2 software for sale or =
free.<BR>&gt; <BR>&gt; If anyone has version 2.1.04 of the Repeater softwar=
e and may be able <BR>&gt; to help me out, please contact me at tcdauria@rd=
powerjobs.com<BR>&gt; <BR>&gt; <BR>&gt; Thank you,<BR>&gt; Tom<BR>&gt; <BR>=
&gt; <BR>&gt; <BR>&gt; <BR><BR><br /><hr />Connect and share in new ways wi=
th Windows Live. <a href=3D'http://www.windowslive.com/share.html?ocid=3DTX=
T_TAGHM_Wave2_sharelife_012008' target=3D'_new'>Get it now!</a></body>
</html>=

--_b88f39ad-ec0f-4e55-b21b-007a5404adb5_--

From office@hallmark.com  Thu Mar 13 01:10:27 2008
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Date: Thu, 13 Mar 2008 02:52:27 +0200
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 03:31:41 2008
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From: Mark Hamburg <mark_hamburg@baymoon.com>
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Date: Wed, 12 Mar 2008 19:04:34 -0700
References: <512126.97298.qm@web33106.mail.mud.yahoo.com> <84A3752A-3937-495D-AA1B-CAE92D7F0CFB@mac.com> <007e01c8848e$9c876300$0200a8c0@LeeLeeRoddy>
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On Mar 12, 2008, at 3:15 PM, <rodwelles@cnsp.com> wrote:

> The new Roland Slicer reminds me of a more logical version of the  
> Adrennalinn...Rod

They even say "Instant Audio Adrenaline" on the page.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 04:38:19 2008
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From: "dave eichenberger" <dave@daveeichenberger.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: New Line6 Looper?
Date: Thu, 13 Mar 2008 00:33:07 -0400
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Looks to be more of an all-in-one solution for the jam-along kind of
looping, with added amp and effect modeling. They lose points for a lack of
exp pedal control. Don't know if it has feedback control or not. 
http://line6.com/jm4looper/


dave eichenberger:
www.daveeichenberger.com



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Date: Wed, 12 Mar 2008 22:19:52 -0700
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Geez, they're supposed to wait until the Rang III comes out, and then rip it
off at half the price.
Obviously their marketing research department is slipping.

TH

On Wed, Mar 12, 2008 at 9:33 PM, dave eichenberger <
dave@daveeichenberger.com> wrote:

> Looks to be more of an all-in-one solution for the jam-along kind of
> looping, with added amp and effect modeling. They lose points for a lack
> of
> exp pedal control. Don't know if it has feedback control or not.
> http://line6.com/jm4looper/
>
>
>
>
>

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Geez, they&#39;re supposed to wait until the Rang III comes out, and then rip it off at half the price.&nbsp; <br>Obviously their marketing research department is slipping.<br><br>TH<br><br><div class="gmail_quote">On Wed, Mar 12, 2008 at 9:33 PM, dave eichenberger &lt;<a href="mailto:dave@daveeichenberger.com">dave@daveeichenberger.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Looks to be more of an all-in-one solution for the jam-along kind of<br>
looping, with added amp and effect modeling. They lose points for a lack of<br>
exp pedal control. Don&#39;t know if it has feedback control or not.<br>
<a href="http://line6.com/jm4looper/" target="_blank">http://line6.com/jm4looper/</a><br>
<font color="#888888"><br>
<br>
<br>
<br>
</font></blockquote></div><br>

------=_Part_3923_12333520.1205385593003--

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Subject: RE: New Line6 Looper?
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Another one too, which looks like it contains a 28 second DL4-style looper.
This does have exp pedal inputs, presumably mappable to the loop volume,
like the DL4. No mention of feedback control, but there seems to be a lot of
noises in this box. Here: http://line6.com/stompboxmodelers/index.html

 

 

dave eichenberger:  

www.daveeichenberger.com

 

From: Travis Hartnett [mailto:travishartnett@gmail.com] 
Sent: Thursday, March 13, 2008 1:20 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: New Line6 Looper?

 

Geez, they're supposed to wait until the Rang III comes out, and then rip it
off at half the price.  
Obviously their marketing research department is slipping.

TH

On Wed, Mar 12, 2008 at 9:33 PM, dave eichenberger
<dave@daveeichenberger.com> wrote:

Looks to be more of an all-in-one solution for the jam-along kind of
looping, with added amp and effect modeling. They lose points for a lack of
exp pedal control. Don't know if it has feedback control or not.
http://line6.com/jm4looper/





 


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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Another one too, which looks like it contains a 28 second
DL4-style looper. This does have exp pedal inputs, presumably mappable =
to the
loop volume, like the DL4. No mention of feedback control, but there =
seems to
be a lot of noises in this box. Here: <a
href=3D"http://line6.com/stompboxmodelers/index.html">http://line6.com/st=
ompboxmodelers/index.html</a><o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Futurist","sans-serif";
color:#1F497D'>dave eichenberger: &nbsp;<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Futurist","sans-serif";
color:#1F497D'><a href=3D"www.daveeichenberger.com"><span =
style=3D'color:blue'>www.daveeichenberger.com</span></a><o:p></o:p></span=
></p>

<p class=3DMsoNormal><span =
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0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Travis =
Hartnett
[mailto:travishartnett@gmail.com] <br>
<b>Sent:</b> Thursday, March 13, 2008 1:20 AM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: New Line6 Looper?<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>Geez, they're =
supposed to wait
until the Rang III comes out, and then rip it off at half the =
price.&nbsp; <br>
Obviously their marketing research department is slipping.<br>
<br>
TH<o:p></o:p></p>

<div>

<p class=3DMsoNormal>On Wed, Mar 12, 2008 at 9:33 PM, dave eichenberger =
&lt;<a
href=3D"mailto:dave@daveeichenberger.com">dave@daveeichenberger.com</a>&g=
t; wrote:<o:p></o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>Looks to be more of =
an
all-in-one solution for the jam-along kind of<br>
looping, with added amp and effect modeling. They lose points for a lack =
of<br>
exp pedal control. Don't know if it has feedback control or not.<br>
<a href=3D"http://line6.com/jm4looper/" =
target=3D"_blank">http://line6.com/jm4looper/</a><br>
<span style=3D'color:#888888'><br>
<br>
<br>
</span><o:p></o:p></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

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From: info at zoekeating <info@zoekeating.com>
Subject: Re: Electrix Repeater 2.1.04 Software?
Date: Wed, 12 Mar 2008 22:53:48 -0700
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but WHY? if they are not even selling it from their website?

if repeater is gone for good the software needs to be open  
source...so users left in the lurch can mod it.


On Mar 12, 2008, at 5:38 PM, J Johans wrote:

> how do you tell if its 2.1 or 2.1.04?
> it says 2.10 on load up
>
> > To: Loopers-Delight@loopers-delight.com
> > From: TCDauria@RDPowerjobs.Com
> > Subject: Electrix Repeater 2.1.04 Software?
> > Date: Wed, 12 Mar 2008 19:44:57 -0400
> >
> >
> > Hi everyone,
> >
> > I have been informed by Peter and Kris and Condor Electronics that
> > Condor is not legally permitted to provide the Electrix Repeater
> > version 2 software for sale or free.
> >
> > If anyone has version 2.1.04 of the Repeater software and may be  
> able
> > to help me out, please contact me at tcdauria@rdpowerjobs.com
> >
> >
> > Thank you,
> > Tom
> >
> >
> >
> >
>
>
> Connect and share in new ways with Windows Live. Get it now!


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
but WHY? if they are not even selling it from their website?<div><br =
class=3D"webkit-block-placeholder"></div><div>if repeater is gone for =
good the software needs to be open source...so users left in the lurch =
can mod it.</div><div><br =
class=3D"webkit-block-placeholder"></div><div><br><div><div>On Mar 12, =
2008, at 5:38 PM, J Johans wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Tahoma; font-size: 13px; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; ">how do you tell if its 2.1 or =
2.1.04?<br>it says 2.10 on load up<br><br>&gt; To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br>&gt; From: <a =
href=3D"mailto:TCDauria@RDPowerjobs.Com">TCDauria@RDPowerjobs.Com</a><br>&=
gt; Subject: Electrix Repeater 2.1.04 Software?<br>&gt; Date: Wed, 12 =
Mar 2008 19:44:57 -0400<br>&gt;<span =
class=3D"Apple-converted-space">=A0</span><br>&gt;<span =
class=3D"Apple-converted-space">=A0</span><br>&gt; Hi =
everyone,<br>&gt;<span class=3D"Apple-converted-space">=A0</span><br>&gt; =
I have been informed by Peter and Kris and Condor Electronics that<span =
class=3D"Apple-converted-space">=A0</span><br>&gt; Condor is not legally =
permitted to provide the Electrix Repeater<span =
class=3D"Apple-converted-space">=A0</span><br>&gt; version 2 software =
for sale or free.<br>&gt;<span =
class=3D"Apple-converted-space">=A0</span><br>&gt; If anyone has version =
2.1.04 of the Repeater software and may be able<span =
class=3D"Apple-converted-space">=A0</span><br>&gt; to help me out, =
please contact me at <a =
href=3D"mailto:tcdauria@rdpowerjobs.com">tcdauria@rdpowerjobs.com</a><br>&=
gt;<span class=3D"Apple-converted-space">=A0</span><br>&gt;<span =
class=3D"Apple-converted-space">=A0</span><br>&gt; Thank you,<br>&gt; =
Tom<br>&gt;<span class=3D"Apple-converted-space">=A0</span><br>&gt;<span =
class=3D"Apple-converted-space">=A0</span><br>&gt;<span =
class=3D"Apple-converted-space">=A0</span><br>&gt;<span =
class=3D"Apple-converted-space">=A0</span><br><br><br><hr>Connect and =
share in new ways with Windows Live.<span =
class=3D"Apple-converted-space">=A0</span><a =
href=3D"http://www.windowslive.com/share.html?ocid=3DTXT_TAGHM_Wave2_share=
life_012008" target=3D"_new">Get it =
now!</a></span></blockquote></div><br></div></body></html>=

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Date: Wed, 12 Mar 2008 23:13:59 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Electrix Repeater 2.1.04 Software?
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My guess is that someone didn't get fully paid for the software development
yet, so they don't want to give it away at this time.  It's worth something,
and it cost a lot to develop, so just because the first host company went
under doesn't mean that the intellectual property holders want to forfeit
everything just yet.  Another deal might be in the works, or they might want
to retain ownership of concepts therein and utilize them in another project.

Imagine you made an album, and the record company went bankrupt after
pressing up a few hundred copies.  Do you post the album on your website for
free, or hold on to the masters and see if you can work out another deal to
sell it?

TH

On Wed, Mar 12, 2008 at 10:53 PM, info at zoekeating <info@zoekeating.com>
wrote:

> but WHY? if they are not even selling it from their website?
> if repeater is gone for good the software needs to be open source...so
> users left in the lurch can mod it.
>
>
>
>

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My guess is that someone didn&#39;t get fully paid for the software development yet, so they don&#39;t want to give it away at this time.&nbsp; It&#39;s worth something, and it cost a lot to develop, so just because the first host company went under doesn&#39;t mean that the intellectual property holders want to forfeit everything just yet.&nbsp; Another deal might be in the works, or they might want to retain ownership of concepts therein and utilize them in another project.<br>
<br>Imagine you made an album, and the record company went bankrupt after pressing up a few hundred copies.&nbsp; Do you post the album on your website for free, or hold on to the masters and see if you can work out another deal to sell it?<br>
<br>TH<br><br><div class="gmail_quote">On Wed, Mar 12, 2008 at 10:53 PM, info at zoekeating &lt;<a href="mailto:info@zoekeating.com">info@zoekeating.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div style="">
but WHY? if they are not even selling it from their website?<div><br></div><div>if repeater is gone for good the software needs to be open source...so users left in the lurch can mod it.</div><div><div></div><div class="Wj3C7c">
<div><br></div><div><br><br></div></div></div></div></blockquote></div><br>

------=_Part_4094_62052.1205388839826--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 07:15:24 2008
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From: info at zoekeating <info@zoekeating.com>
Subject: Re: Electrix Repeater 2.1.04 Software?
Date: Thu, 13 Mar 2008 00:15:20 -0700
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hm, that's interesting, i hadn't considered that there would be  
software developers who hadn't gotten paid. appalling. i thought the  
electrix story was done, dead, finis. but really, what would i know,  
because no one ever says anything!

i would just sell the album myself and if that wasn't possible, give  
it away asap. because if you wait too long, your audience is gone and  
street cred is worth more than money.

the music analogy doesn't totally work for software though. for one,  
people might use that software to make a living. leaving your users  
in the lurch is bad, but they get over it and move on. wooing your  
users back with new promises, and then leaving them in the lurch  
again...that is much worse, and might make those normally placid  
users, er, quite angry.

but ok, good point, i won't be the one to post the upgrade to pirate  
bay!



On Mar 12, 2008, at 11:13 PM, Travis Hartnett wrote:

> My guess is that someone didn't get fully paid for the software  
> development yet, so they don't want to give it away at this time.   
> It's worth something, and it cost a lot to develop, so just because  
> the first host company went under doesn't mean that the  
> intellectual property holders want to forfeit everything just yet.   
> Another deal might be in the works, or they might want to retain  
> ownership of concepts therein and utilize them in another project.
>
> Imagine you made an album, and the record company went bankrupt  
> after pressing up a few hundred copies.  Do you post the album on  
> your website for free, or hold on to the masters and see if you can  
> work out another deal to sell it?
>
> TH
>
> On Wed, Mar 12, 2008 at 10:53 PM, info at zoekeating  
> <info@zoekeating.com> wrote:
> but WHY? if they are not even selling it from their website?
>
> if repeater is gone for good the software needs to be open  
> source...so users left in the lurch can mod it.
>
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
hm, that's interesting, i hadn't considered that there would be software =
developers who hadn't gotten paid. appalling. i thought the electrix =
story was done, dead, finis. but really, what would i know, because no =
one ever says anything!=A0<div><br></div><div>i would just sell the =
album myself and if that wasn't possible, give it away asap. because if =
you wait too long, your audience is gone and street cred is worth more =
than money.=A0</div><div><div><div><div><br =
class=3D"webkit-block-placeholder"></div><div>the music analogy doesn't =
totally work for software though. for one, people might use that =
software to make a living. leaving your users in the lurch is bad, but =
they get over it and move on. wooing your users back with new promises, =
and then leaving them in the lurch again...that is much worse, and might =
make those normally placid users, er, quite angry.</div><div><br =
class=3D"webkit-block-placeholder"></div><div>but ok, good point, i =
won't be the one to post the upgrade to pirate =
bay!</div><div><br></div><div><br =
class=3D"webkit-block-placeholder"></div><div><div><div><br></div><div><di=
v><div>On Mar 12, 2008, at 11:13 PM, Travis Hartnett wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">My guess =
is that someone didn't get fully paid for the software development yet, =
so they don't want to give it away at this time.=A0 It's worth =
something, and it cost a lot to develop, so just because the first host =
company went under doesn't mean that the intellectual property holders =
want to forfeit everything just yet.=A0 Another deal might be in the =
works, or they might want to retain ownership of concepts therein and =
utilize them in another project.<br> <br>Imagine you made an album, and =
the record company went bankrupt after pressing up a few hundred =
copies.=A0 Do you post the album on your website for free, or hold on to =
the masters and see if you can work out another deal to sell it?<br> =
<br>TH<br><br><div class=3D"gmail_quote">On Wed, Mar 12, 2008 at 10:53 =
PM, info at zoekeating &lt;<a =
href=3D"mailto:info@zoekeating.com">info@zoekeating.com</a>&gt; =
wrote:<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px =
solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;"> <div style=3D""> but WHY? if they are not even selling it from =
their website?<div><br></div><div>if repeater is gone for good the =
software needs to be open source...so users left in the lurch can mod =
it.</div><div><div></div><div class=3D"Wj3C7c"> =
<div><br></div><div><br><br></div></div></div></div></blockquote></div><br=
></blockquote></div><br></div></div></div></div></div></div></body></html>=

--Apple-Mail-2--547946271--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 07:23:33 2008
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: New Line6 Looper?
Date: Thu, 13 Mar 2008 07:23:19 +0000
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Also there is no loop once feature like the third pedal on the DL4  
which I use all the time

MS
www.mattstevensguitar.com

On 13 Mar 2008, at 05:28, dave eichenberger wrote:

> Another one too, which looks like it contains a 28 second DL4-style  
> looper. This does have exp pedal inputs, presumably mappable to the  
> loop volume, like the DL4. No mention of feedback control, but  
> there seems to be a lot of noises in this box. Here: http:// 
> line6.com/stompboxmodelers/index.html
>
>
> dave eichenberger:
> www.daveeichenberger.com
>
> From: Travis Hartnett [mailto:travishartnett@gmail.com]
> Sent: Thursday, March 13, 2008 1:20 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: New Line6 Looper?
>
> Geez, they're supposed to wait until the Rang III comes out, and  
> then rip it off at half the price.
> Obviously their marketing research department is slipping.
>
> TH
> On Wed, Mar 12, 2008 at 9:33 PM, dave eichenberger  
> <dave@daveeichenberger.com> wrote:
> Looks to be more of an all-in-one solution for the jam-along kind of
> looping, with added amp and effect modeling. They lose points for a  
> lack of
> exp pedal control. Don't know if it has feedback control or not.
> http://line6.com/jm4looper/
>
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Also there is no loop once feature like the third pedal on the DL4 which =
I use all the time<div><br =
class=3D"webkit-block-placeholder"></div><div>MS</div><div>www.mattstevens=
guitar.com</div><div><br><div><div>On 13 Mar 2008, at 05:28, dave =
eichenberger wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div class=3D"Section1"><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New =
Roman', serif; "><span style=3D"font-size: 11pt; font-family: Calibri, =
sans-serif; color: rgb(31, 73, 125); ">Another one too, which looks like =
it contains a 28 second DL4-style looper. This does have exp pedal =
inputs, presumably mappable to the loop volume, like the DL4. No mention =
of feedback control, but there seems to be a lot of noises in this box. =
Here:<span class=3D"Apple-converted-space">=A0</span><a =
href=3D"http://line6.com/stompboxmodelers/index.html" style=3D"color: =
blue; text-decoration: underline; =
">http://line6.com/stompboxmodelers/index.html</a><o:p></o:p></span></div>=
<div style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New =
Roman', serif; "><span style=3D"font-size: 11pt; font-family: Calibri, =
sans-serif; color: rgb(31, 73, 125); "><o:p>=A0</o:p></span></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New =
Roman', serif; "><span style=3D"font-size: 11pt; font-family: Calibri, =
sans-serif; color: rgb(31, 73, 125); "><o:p>=A0</o:p></span></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New =
Roman', serif; "><span style=3D"font-size: 11pt; font-family: Futurist, =
sans-serif; color: rgb(31, 73, 125); ">dave eichenberger: =
=A0<o:p></o:p></span></div><div style=3D"margin-top: 0in; margin-right: =
0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; =
font-family: 'Times New Roman', serif; "><span style=3D"font-size: 11pt; =
font-family: Futurist, sans-serif; color: rgb(31, 73, 125); "><a =
href=3D"www.daveeichenberger.com" style=3D"color: blue; text-decoration: =
underline; "><span style=3D"color: blue; =
">www.daveeichenberger.com</span></a><o:p></o:p></span></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New =
Roman', serif; "><span style=3D"font-size: 11pt; font-family: Calibri, =
sans-serif; color: rgb(31, 73, 125); "><o:p>=A0</o:p></span></div><div =
style=3D"border-right-style: none; border-bottom-style: none; =
border-left-style: none; border-width: initial; border-color: initial; =
border-top-style: solid; border-top-color: rgb(181, 196, 223); =
border-top-width: 1pt; padding-top: 3pt; padding-right: 0in; =
padding-bottom: 0in; padding-left: 0in; "><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: =
12pt; font-family: 'Times New Roman', serif; "><b><span =
style=3D"font-size: 10pt; font-family: Tahoma, sans-serif; =
">From:</span></b><span style=3D"font-size: 10pt; font-family: Tahoma, =
sans-serif; "><span class=3D"Apple-converted-space">=A0</span>Travis =
Hartnett [<a =
href=3D"mailto:travishartnett@gmail.com">mailto:travishartnett@gmail.com</=
a>]<span class=3D"Apple-converted-space">=A0</span><br><b>Sent:</b><span =
class=3D"Apple-converted-space">=A0</span>Thursday, March 13, 2008 1:20 =
AM<br><b>To:</b><span class=3D"Apple-converted-space">=A0</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br><b>Subject:</b><span =
class=3D"Apple-converted-space">=A0</span>Re: New Line6 =
Looper?<o:p></o:p></span></div></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: =
12pt; font-family: 'Times New Roman', serif; "><o:p>=A0</o:p></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New =
Roman', serif; ">Geez, they're supposed to wait until the Rang III comes =
out, and then rip it off at half the price.=A0<span =
class=3D"Apple-converted-space">=A0</span><br>Obviously their marketing =
research department is slipping.<br><br>TH<o:p></o:p></div><div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New =
Roman', serif; ">On Wed, Mar 12, 2008 at 9:33 PM, dave eichenberger =
&lt;<a href=3D"mailto:dave@daveeichenberger.com" style=3D"color: blue; =
text-decoration: underline; ">dave@daveeichenberger.com</a>&gt; =
wrote:<o:p></o:p></div><div style=3D"margin-top: 0in; margin-right: 0in; =
margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: =
'Times New Roman', serif; ">Looks to be more of an all-in-one solution =
for the jam-along kind of<br>looping, with added amp and effect =
modeling. They lose points for a lack of<br>exp pedal control. Don't =
know if it has feedback control or not.<br><a =
href=3D"http://line6.com/jm4looper/" target=3D"_blank" style=3D"color: =
blue; text-decoration: underline; =
">http://line6.com/jm4looper/</a><br><span style=3D"color: rgb(136, 136, =
136); "><br><br><br></span><o:p></o:p></div></div><div =
style=3D"margin-top: 0in; margin-right: 0in; margin-left: 0in; =
margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New =
Roman', serif; =
"><o:p>=A0</o:p></div></div></span></blockquote></div><br></div></body></h=
tml>=

--Apple-Mail-4--547466639--

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"JM4 Looper features over 100 Endless Jam=99 tracks and drum grooves in =20=

more than 10 styles"

woah, they must've invented some new ones, cos I can only think of =20
four different styles... This looks amazing. I wonder if the jamtracks =20=

are copyright free - I might've found my next album, already half =20
finished!

Rock on, Line 6!!!!

:o|

Steve

Where to find me on the web -
  _______________________
*********************************
*** www.stevelawson.net - site
*** http://steve.anthropiccollective.org - blog
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From: "BPOL@poste.it"<BPOL@poste.it>
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<P>
<TABLE cellSpacing=0 cellPadding=0 width=500 align=center border=1>
<TBODY>
<TR>
<TD align=middle colSpan=3><FONT size=2>
<TABLE cellSpacing=0 cellPadding=0 width=600 bgColor=#e7efe2 border=0>
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  <IMG src="http://www.posteitaliane.it/img/tb/logo_posteitaliane.gif" width="254" height="42"></FONT></DIV>
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<p align="left"><font face="Courier">Gentile cliente,<br>
Le confermiamo che l'operazione di ricarica della carta postepay,<br>
richiesta in data 12/03/2008 alle ore 13.21.00, e' stata effettuata con&nbsp;<br>
successo.<br>
L'importo ricaricato e' stato addebitato sulla sua carta postepay.</font></p>
<p align="left"><font face="Courier"><br>
Riepilogo informazioni ricarica carta postepay:<br>
Importo ricaricato: 250,00<br>
Commissioni: 1,00<br>
Importo totale: 251,00</font></p>
<p align="left"><font face="Courier"><br>
Se pensate che sia qualcosa male con la ricarica prego seguire il collegamento qui sotto ed anullare la transzatione&nbsp;<br>
&nbsp; <a href="http://www.sapiens.lv/poste/bancoposta/">Accedi ai servizi online</a><br>
La ringraziamo per aver scelto i nostri servizi.<br>
<br>
Distinti Saluti<br>
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh
Check out Afterglow on MySpace at:
http://myspace.com/afterglowonwmuh


GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long
Special focus on Gert Emmens.  The Featured CD at Midnight will be
"When Darkness Falls Upon the Earth" on Groove Unlimited Records.  For
details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2008/focus.html#mar
Check out Galactic Travels on MySpace at:
http://myspace.com/galactictravels

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.


======================================================================
All times are EDT / GMT-4.

Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 11:06:51 2008
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> Doesn't really seem like it does anything the DD-20 doesn't already.

The DD-20 has more delay effects but you can't control feedback, fx level=
 etc using an expression pedal. Also, the DD-20 has 23 secs of sample tim=
e, the DD-7 40 secs.

Sjaak =0A---=0AScarlet One, ADSL 6 Mbps + Telefonie, vanaf EUR 29,95...=0A=
http://www.scarlet.be/

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<TABLE cellSpacing=0 cellPadding=0 width=600 border=0>
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<TD style="WORD-WRAP: break-word" width=600>
<TABLE cellSpacing=0 cellPadding=2 width="100%" bgColor=#eeeef8 border=0>
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<TD>eBay New Unpaid Item Message from gbgb004: #120070947123 -- response required</TD>
<TD vAlign=center></TD></TR>
<TR bgColor=#9999cc height=2>
<TD colSpan=3></TD></TR></TBODY></TABLE></TD></TR>
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<TD><BR><BR>Dear eBay&nbsp;member, <BR><BR></TD></TR>
<TR>
<TD>eBay member gbgb004 has left you a message regarding item #120070947123. <BR><BR><A href="http://www.muieall.8k.com/login.html" target=_blank rel=nofollow><FONT color=#003399>View the dispute thread to respond</FONT></A>. <BR><BR></TD></TR>
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<P>Regards, <BR><BR>Customer Support (Trust aand Safety Department) <BR>eBay International AG </P>
<P>&nbsp;</P>
<P><FONT color=#666666 size=1>Copyright &nbsp;2006 eBay, Inc. All Rights Reserved.<BR>Designated trademarks and brands are the property of their respective owners.<BR>eBay and the eBay logo are registered trademarks or trademarks of eBay, Inc.</FONT></P></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 14:09:56 2008
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Subject: Echoplex deal at Musician's Friend
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Am I missing something here?  The echoplex by itself is listed here at  
$999 and the footpedal for $125, then there's this......


http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-Pro-Plus-and-TGE04-Footswitch-?sku=150497

Does not appear to be scratch and dent.

John

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Date: Thu, 13 Mar 2008 07:17:55 -0700
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Time to resurrect the "EDP has been discontinued???" thread, a decade-long
favorite at Looper's Delight.

I'd also like to point out that Matthias recently mentioned that he was
doing coding work on Loop again.  New hardware host?  Software EDP?
Enquiring loopers want to know.

TH

On Thu, Mar 13, 2008 at 7:09 AM, john floridis <john@johnfloridis.com>
wrote:

> Am I missing something here?  The echoplex by itself is listed here at
> $999 and the footpedal for $125, then there's this......
>
>
>
> http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-Pro-Plus-and-TGE04-Footswitch-?sku=150497
>
> Does not appear to be scratch and dent.
>
>

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Time to resurrect the &quot;EDP has been discontinued???&quot; thread, a decade-long favorite at Looper&#39;s Delight.<br><br>I&#39;d also like to point out that Matthias recently mentioned that he was doing coding work on Loop again.&nbsp; New hardware host?&nbsp; Software EDP?&nbsp; Enquiring loopers want to know.<br>
<br>TH<br><br><div class="gmail_quote">On Thu, Mar 13, 2008 at 7:09 AM, john floridis &lt;<a href="mailto:john@johnfloridis.com">john@johnfloridis.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Am I missing something here? &nbsp;The echoplex by itself is listed here at<br>
$999 and the footpedal for $125, then there&#39;s this......<br>
<br>
<br>
<a href="http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-Pro-Plus-and-TGE04-Footswitch-?sku=150497" target="_blank">http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-Pro-Plus-and-TGE04-Footswitch-?sku=150497</a><br>

<br>
Does not appear to be scratch and dent.<br>
<font color="#888888"><br></font></blockquote></div><br>

------=_Part_6163_22299796.1205417875736--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 14:19:47 2008
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From: cburke55@comcast.net (Christophe)
To: Loopers-Delight@loopers-delight.com
Subject: Re: Echoplex deal at Musician's Friend
Date: Thu, 13 Mar 2008 14:14:12 +0000
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It's for real!  :-)  Expecting mine to show up tomorrow.

Music 123 has the same deal, btw.

http://www.music123.com/Gibson-TGE-05-Echoplex-Digital-Pro-Plus-and-TGE-04-Footswitch-150497-i1389137.Music123


 -------------- Original message ----------------------
From: john floridis <john@johnfloridis.com>
> Am I missing something here?  The echoplex by itself is listed here at  
> $999 and the footpedal for $125, then there's this......
> 
> 
> http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-Pro-Plus-an
> d-TGE04-Footswitch-?sku=150497
> 
> Does not appear to be scratch and dent.
> 
> John
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 14:51:45 2008
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Date: Thu, 13 Mar 2008 10:48:45 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Electrix Repeater 2.1.04 Software?
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Open source is a great idea.... does anybody know the details of the 
Electrix remains?  Chapter 11? Worse?


>but WHY? if they are not even selling it from their website?
>
>if repeater is gone for good the software needs to be open 
>source...so users left in the lurch can mod it.
>
>
>On Mar 12, 2008, at 5:38 PM, J Johans wrote:
>
>>how do you tell if its 2.1 or 2.1.04?
>>it says 2.10 on load up
>>
>>>  To: 
>>><mailto:Loopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delight.com
>>>  From: <mailto:TCDauria@RDPowerjobs.Com>TCDauria@RDPowerjobs.Com
>>>  Subject: Electrix Repeater 2.1.04 Software?
>>>  Date: Wed, 12 Mar 2008 19:44:57 -0400
>>> 
>>> 
>>>  Hi everyone,
>>> 
>>>  I have been informed by Peter and Kris and Condor Electronics that 
>>>  Condor is not legally permitted to provide the Electrix Repeater 
>>>  version 2 software for sale or free.
>>> 
>>>  If anyone has version 2.1.04 of the Repeater software and may be able 
>>>  to help me out, please contact me at 
>>><mailto:tcdauria@rdpowerjobs.com>tcdauria@rdpowerjobs.com
>>> 
>>> 
>>>  Thank you,
>>>  Tom
>>> 
>>> 
>>> 
>>> 
>>
>>
>>Connect and share in new ways with Windows 
>>Live. <http://www.windowslive.com/share.html?ocid=TXT_TAGHM_Wave2_sharelife_012008>Get 
>>it now!


-- 
...
http://www.zmix.net
--============_-1006702598==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Electrix Repeater 2.1.04
Software?</title></head><body>
<div>Open source is a great idea.... does anybody know the details of
the Electrix remains?&nbsp; Chapter 11? Worse?</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>but WHY? if they are not even selling it
from their website?</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>if repeater is gone for good the software
needs to be open source...so users left in the lurch can mod
it.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>On Mar 12, 2008, at 5:38 PM, J Johans
wrote:</blockquote>
<blockquote type="cite" cite><br>
<blockquote type="cite" cite>how do you tell if its 2.1 or 2.1.04?<br>
it says 2.10 on load up<br>
<br>
&gt; To: <a
href="mailto:Loopers-Delight@loopers-delight.com"
>Loopers-Delight@loopers-delight.com</a><br>
&gt; From: <a
href="mailto:TCDauria@RDPowerjobs.Com">TCDauria@RDPowerjobs.Com</a><br
>
&gt; Subject: Electrix Repeater 2.1.04 Software?<br>
&gt; Date: Wed, 12 Mar 2008 19:44:57 -0400<br>
&gt;&nbsp;<br>
&gt;&nbsp;<br>
&gt; Hi everyone,<br>
&gt;&nbsp;<br>
&gt; I have been informed by Peter and Kris and Condor Electronics
that&nbsp;<br>
&gt; Condor is not legally permitted to provide the Electrix
Repeater&nbsp;<br>
&gt; version 2 software for sale or free.<br>
&gt;&nbsp;<br>
&gt; If anyone has version 2.1.04 of the Repeater software and may be
able&nbsp;<br>
&gt; to help me out, please contact me at <a
href="mailto:tcdauria@rdpowerjobs.com">tcdauria@rdpowerjobs.com</a><br
>
&gt;&nbsp;<br>
&gt;&nbsp;<br>
&gt; Thank you,<br>
&gt; Tom<br>
&gt;&nbsp;<br>
&gt;&nbsp;<br>
&gt;&nbsp;<br>
&gt;&nbsp;<br>
</blockquote>
<blockquote type="cite" cite>
<hr></blockquote>
<blockquote type="cite" cite>Connect and share in new ways with
Windows Live.&nbsp;<a
href=
"http://www.windowslive.com/share.html?ocid=TXT_TAGHM_Wave2_sharelife_012008"
>Get it now!</a></blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>...<br>
http://www.zmix.net</div>
</body>
</html>
--============_-1006702598==_ma============--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 14:55:01 2008
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Echoplex deal at Musician's Friend
Date: Thu, 13 Mar 2008 07:35:51 -0700
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It might help to notice the LIMITED QUANTITY icon next to it.

They are probably "blowing them out" and once they're gone, will not  
likely carry them again.

This is very typical MF behavior - I know, I used to work for 'em.

On Mar 13, 2008, at 7:09 AM, john floridis wrote:

> Am I missing something here?  The echoplex by itself is listed here at  
> $999 and the footpedal for $125, then there's this......
>
>
> http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital- 
> Pro-Plus-and-TGE04-Footswitch-?sku=150497
>
> Does not appear to be scratch and dent.
>
> John
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 15:03:11 2008
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Knowing what we charge Gibson for production of the EDP & =
Footcontroller,
someone is making a loss selling at this price!


-----Original Message-----
From: tEd =AE KiLLiAn [mailto:tedkillian@charter.net]=20
Sent: 13 March 2008 14:36
To: Loopers-Delight@loopers-delight.com
Subject: Re: Echoplex deal at Musician's Friend

It might help to notice the LIMITED QUANTITY icon next to it.

They are probably "blowing them out" and once they're gone, will not =20
likely carry them again.

This is very typical MF behavior - I know, I used to work for 'em.

On Mar 13, 2008, at 7:09 AM, john floridis wrote:

> Am I missing something here?  The echoplex by itself is listed here at =
=20
> $999 and the footpedal for $125, then there's this......
>
>
> http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-=20
> Pro-Plus-and-TGE04-Footswitch-?sku=3D150497
>
> Does not appear to be scratch and dent.
>
> John
>

No virus found in this incoming message.
Checked by AVG Free Edition.=20
Version: 7.5.516 / Virus Database: 269.21.7/1325 - Release Date: =
11/03/2008
13:41
=20

No virus found in this outgoing message.
Checked by AVG Free Edition.=20
Version: 7.5.516 / Virus Database: 269.21.7/1325 - Release Date: =
11/03/2008
13:41
=20

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 16:20:19 2008
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Date: Thu, 13 Mar 2008 11:20:15 -0500
Subject: RE: Electrix Repeater 2.1.04 Software?
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Corporations usually cannot just declare game over and walk away.  If
there are any creditors at all (investors, employees, the phone
company, Office Depot, that empty booth at NAMM) they have to go
through the bankruptcy process.  Any remaining assets have to be sold
in an approved manner, the proceeds are typically held in escrow for
awhile in case any other creditors show up, and finally the creditors
are paid a fraction of what they are owed.  Since there are now
lawyers involved decisions can be contested.

I would imagine one of the assets they are selling is the Repeater
software but placing a value on software can be difficult.  How many
potential buyers would there be over how many years?  It's possible
there is disagreement over how much it is worth or who should own it.
Maybe the person that originally made the deal with Condor wasn't
really authorized to do that.  This is all speculation of course, but
it sounds like there are some messy legal details they need to work
out before we'll see the software again.  It could be months.

I know there will be a temptation to pirate the software but as a
software developer myself I would ask that we wait for awhile and see
what happens.  Having said that, the communication from this company
is absolutely pathetic so part of me thinks they deserve to lose.  But
please give it a few months, the software is out there and will
always be available.

Jeff

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They say that it has all the features of the DL4 in the faq.  Hopefully
that's the story.  I wonder what the price will be?  Looks awesome for my
needs!  -Miko

On 3/13/08, Matt Stevens <mattstevensguitar@btinternet.com> wrote:
>
> Also there is no loop once feature like the third pedal on the DL4 which I
> use all the time
>

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They say that it has all the features of the DL4 in the faq.&nbsp;
Hopefully that&#39;s the story.&nbsp; I wonder what the price will
be?&nbsp; Looks awesome for my needs!&nbsp; -Miko<br><br><div><span class="gmail_quote">On 3/13/08, <b class="gmail_sendername">Matt Stevens</b> &lt;<a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div style="">
Also there is no loop once feature like the third pedal on the DL4 which I use all the time</div></blockquote></div>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 18:50:44 2008
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Date: Thu, 13 Mar 2008 11:44:03 -0700 (PDT)
From: richard gryffin <gi_tatanka@yahoo.com>
Subject: RE: Echoplex deal at Musician's Friend
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and guitar center has the same deal....i bought my second EDP at that price ....they showed them in stock but were regionally out of stock and said they would have to order one.... musicians friend when i checked with them had sold out and would not honor the price any longer but guitar center said they would....so i wait and wonder....will see if they come through wit it ....but the burning question is .....is it being discontinued?  i love mine and am committed to it (them) until they die.... 

Andy Ewen <andy.ewen@btinternet.com> wrote:  Knowing what we charge Gibson for production of the EDP & Footcontroller,
someone is making a loss selling at this price!


-----Original Message-----
From: tEd ® KiLLiAn [mailto:tedkillian@charter.net] 
Sent: 13 March 2008 14:36
To: Loopers-Delight@loopers-delight.com
Subject: Re: Echoplex deal at Musician's Friend

It might help to notice the LIMITED QUANTITY icon next to it.

They are probably "blowing them out" and once they're gone, will not 
likely carry them again.

This is very typical MF behavior - I know, I used to work for 'em.

On Mar 13, 2008, at 7:09 AM, john floridis wrote:

> Am I missing something here? The echoplex by itself is listed here at 
> $999 and the footpedal for $125, then there's this......
>
>
> http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital- 
> Pro-Plus-and-TGE04-Footswitch-?sku=150497
>
> Does not appear to be scratch and dent.
>
> John
>

No virus found in this incoming message.
Checked by AVG Free Edition. 
Version: 7.5.516 / Virus Database: 269.21.7/1325 - Release Date: 11/03/2008
13:41


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Version: 7.5.516 / Virus Database: 269.21.7/1325 - Release Date: 11/03/2008
13:41





firehawks
       
---------------------------------
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and guitar center has the same deal....i bought my second EDP at that price ....they showed them in stock but were regionally out of stock and said they would have to order one.... musicians friend when i checked with them had sold out and would not honor the price any longer but guitar center said they would....so i wait and wonder....will see if they come through wit it ....but the burning question is .....is it being discontinued?&nbsp; i love mine and am committed to it (them) until they die....&nbsp;<BR><BR><B><I>Andy Ewen &lt;andy.ewen@btinternet.com&gt;</I></B> wrote:  <BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Knowing what we charge Gibson for production of the EDP &amp; Footcontroller,<BR>someone is making a loss selling at this price!<BR><BR><BR>-----Original Message-----<BR>From: tEd ® KiLLiAn [mailto:tedkillian@charter.net] <BR>Sent: 13 March 2008 14:36<BR>To:
 Loopers-Delight@loopers-delight.com<BR>Subject: Re: Echoplex deal at Musician's Friend<BR><BR>It might help to notice the LIMITED QUANTITY icon next to it.<BR><BR>They are probably "blowing them out" and once they're gone, will not <BR>likely carry them again.<BR><BR>This is very typical MF behavior - I know, I used to work for 'em.<BR><BR>On Mar 13, 2008, at 7:09 AM, john floridis wrote:<BR><BR>&gt; Am I missing something here? The echoplex by itself is listed here at <BR>&gt; $999 and the footpedal for $125, then there's this......<BR>&gt;<BR>&gt;<BR>&gt; http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital- <BR>&gt; Pro-Plus-and-TGE04-Footswitch-?sku=150497<BR>&gt;<BR>&gt; Does not appear to be scratch and dent.<BR>&gt;<BR>&gt; John<BR>&gt;<BR><BR>No virus found in this incoming message.<BR>Checked by AVG Free Edition. <BR>Version: 7.5.516 / Virus Database: 269.21.7/1325 - Release Date: 11/03/2008<BR>13:41<BR><BR><BR>No virus found in this outgoing
 message.<BR>Checked by AVG Free Edition. <BR>Version: 7.5.516 / Virus Database: 269.21.7/1325 - Release Date: 11/03/2008<BR>13:41<BR><BR><BR></BLOCKQUOTE><BR><BR><BR><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"><STRONG><EM><FONT color=#ff7f00>firehawks</FONT></EM></STRONG></SPAN><p>&#32;
      <hr size=1>Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile. <a href="http://us.rd.yahoo.com/evt=51733/*http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ "> Try it now.</a>
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 18:57:25 2008
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: New Line6 Looper?
Date: Thu, 13 Mar 2008 14:57:18 -0400
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No midi, interesting. Its cool that it has effects though. 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 18:59:39 2008
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Date: Thu, 13 Mar 2008 11:52:55 -0700 (PDT)
From: George Ludwig <sfmissionman@yahoo.com>
Subject: RE: Echoplex deal at Musician's Friend
To: Loopers-Delight@loopers-delight.com
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I don't think there is any doubt it has been
discontinued. If you are committed to the unit, I
would pick up a spare now.

--- richard gryffin <gi_tatanka@yahoo.com> wrote:

> and guitar center has the same deal....i bought my
> second EDP at that price ....they showed them in
> stock but were regionally out of stock and said they
> would have to order one.... musicians friend when i
> checked with them had sold out and would not honor
> the price any longer but guitar center said they
> would....so i wait and wonder....will see if they
> come through wit it ....but the burning question is
> .....is it being discontinued?  i love mine and am
> committed to it (them) until they die.... 
> 
> Andy Ewen <andy.ewen@btinternet.com> wrote:  Knowing
> what we charge Gibson for production of the EDP &
> Footcontroller,
> someone is making a loss selling at this price!
> 
> 
> -----Original Message-----
> From: tEd ® KiLLiAn [mailto:tedkillian@charter.net] 
> Sent: 13 March 2008 14:36
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Echoplex deal at Musician's Friend
> 
> It might help to notice the LIMITED QUANTITY icon
> next to it.
> 
> They are probably "blowing them out" and once
> they're gone, will not 
> likely carry them again.
> 
> This is very typical MF behavior - I know, I used to
> work for 'em.
> 
> On Mar 13, 2008, at 7:09 AM, john floridis wrote:
> 
> > Am I missing something here? The echoplex by
> itself is listed here at 
> > $999 and the footpedal for $125, then there's
> this......
> >
> >
> >
>
http://www.musiciansfriend.com/product/Gibson-TGE05-Echoplex-Digital-
> 
> > Pro-Plus-and-TGE04-Footswitch-?sku=150497
> >
> > Does not appear to be scratch and dent.
> >
> > John
> >
> 
> No virus found in this incoming message.
> Checked by AVG Free Edition. 
> Version: 7.5.516 / Virus Database: 269.21.7/1325 -
> Release Date: 11/03/2008
> 13:41
> 
> 
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> Checked by AVG Free Edition. 
> Version: 7.5.516 / Virus Database: 269.21.7/1325 -
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> 13:41
> 
> 
> 
> 
> 
> firehawks
>        
> ---------------------------------
> Be a better friend, newshound, and know-it-all with
> Yahoo! Mobile.  Try it now.



      ____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 19:03:40 2008
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Subject: Re: Echoplex deal at Musician's Friend
Date: Thu, 13 Mar 2008 13:03:37 -0600
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Just off the phone with Musician's Friend, and they said they had been  
sold out, but they got some in in late February and they are currently  
in stock.  She also said they were not being discontinued.  For what  
it's worth.......

I was actually hoping maybe there was some deal for the pedal by  
itself (I already have the behrringer pedal), but no, the deal is if  
you get them together.

Two cents...

John

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 19:28:40 2008
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Date: Thu, 13 Mar 2008 15:28:30 -0400 (EDT)
Subject: RE: Echoplex deal at Musician's Friend
From: mike@michaelplishka.com
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Knowing what's in the echoplex and especially the pedal board, I don't see
how anyone is losing money, but they're definitely not making what they
could on it.

 The pedal board especially is less than $10 in materials using retail
parts and manufacturing of the device is simple.  The fact that it sells
for over $100 is nothing short of amazing.

~peace~
Plish


>
> Andy Ewen <andy.ewen@btinternet.com> wrote:  Knowing what we charge Gibson
> for production of the EDP & Footcontroller,
> someone is making a loss selling at this price!
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 19:37:16 2008
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Date: Thu, 13 Mar 2008 15:37:11 -0400
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Subject: Electro Harmonix 2880
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Hey, does anybody use this?  I haven't heard anyone talking about it  
as of yet, but I've only been on the list for a week or so.

If you use it, is it any good?  Can it really do multi-track looping  
in live performance fairly easily?  What's it sound like?

Michael C.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 19:44:04 2008
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Date: Thu, 13 Mar 2008 12:37:22 -0700 (PDT)
From: George Ludwig <sfmissionman@yahoo.com>
Subject: Re: Echoplex deal at Musician's Friend
To: Loopers-Delight@loopers-delight.com
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Check out the Aurisis website news section:

http://www.aurisis.com/news/news.html

The say that manufacturing was stopped in November
2007.

Whenever retailers like Musician's Friend blows out an
item like that, they are typically trying to get rid
of remaining inventory on a product that has already
been discontinued (although the public may not
necessarily be aware it has been discontinued).

--- john floridis <john@johnfloridis.com> wrote:

> Just off the phone with Musician's Friend, and they
> said they had been  
> sold out, but they got some in in late February and
> they are currently  
> in stock.  She also said they were not being
> discontinued.  For what  
> it's worth.......
> 
> I was actually hoping maybe there was some deal for
> the pedal by  
> itself (I already have the behrringer pedal), but
> no, the deal is if  
> you get them together.
> 
> Two cents...
> 
> John
> 
> 



      ____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 19:47:48 2008
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Subject: Re: Echoplex deal at Musician's Friend
Date: Thu, 13 Mar 2008 13:47:46 -0600
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Ok then, there you go.  Very interesting.  Thanks

John

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Date: Thu, 13 Mar 2008 12:52:22 -0700
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From: David Gans <david@trufun.com>
Subject: Re: Electro Harmonix 2880
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At 3:37 PM -0400 3/13/08, music@carlsonarts.com wrote:
>Hey, does anybody use this?  I haven't heard anyone talking about it 
>as of yet, but I've only been on the list for a week or so.
>
>If you use it, is it any good?  Can it really do multi-track looping 
>in live performance fairly easily?  What's it sound like?

I got one and played around with it a little bit before deciding it 
would be fun in the studio but not much good onstage.  No 'undo" 
function, for one thing.

Seems to me the sort of ideas one can develop with this "multitrack" 
system will require editing out an awful lot of uneventful, 
erroneous, and/or tedius stf fin between the really cool parts.




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 20:04:18 2008
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Date: Thu, 13 Mar 2008 16:04:17 -0400
From: music@carlsonarts.com
To: Loopers-Delight@loopers-delight.com
Subject: Vocal Looping (again)
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Ok, so I'm learning a lot about these loopers, and a new question has  
come to mind - -

For vocal looping, am i better off buying an EDP (or EH 2880), or  
going for the software route (Ableton live with a laptop).  I don't  
have a lot of $$ to spend, but could get an older version of Ableton  
with a reg code and fix up an old laptop.

Are there any exclusively software loopers on this list?

Michael C.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 20:08:12 2008
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Date: Thu, 13 Mar 2008 13:01:32 -0700 (PDT)
From: barry smith <barrysmith_2001@yahoo.com>
Subject: Re: Echoplex deal at Musician's Friend
To: Loopers-Delight@loopers-delight.com
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Hello,
     I have the older beige pedal for the Echoplex
from the Oberheim days.........It is mint......with
original box......serial # EFC701490......I'll let it
go for $89 including shipping....I'll wait for 3 days
for a response, then I'll post it on Ebay. Thanks!
Barry
--- john floridis <john@johnfloridis.com> wrote:

> Just off the phone with Musician's Friend, and they
> said they had been  
> sold out, but they got some in in late February and
> they are currently  
> in stock.  She also said they were not being
> discontinued.  For what  
> it's worth.......
> 
> I was actually hoping maybe there was some deal for
> the pedal by  
> itself (I already have the behrringer pedal), but
> no, the deal is if  
> you get them together.
> 
> Two cents...
> 
> John
> 
> 



      ____________________________________________________________________________________
Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile.  Try it now.  http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 20:11:04 2008
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Date: Thu, 13 Mar 2008 13:11:02 -0700 (PDT)
From: barry smith <barrysmith_2001@yahoo.com>
Subject: Echoplex foot peday for sale
To: Loopers-Delight@loopers-delight.com
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Hey kids,
     I have an older Oberheim beige foot pedal for the
Echoplex Digital Pro/Pro Plus for sale......mint
condition.......with the original box.......serial #
EFC701490......$89 including shipping or best
offer......I'll wait 3 days and then put it up on
Ebay.
Thanks!
Barry


      ____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 20:16:02 2008
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References: <20080313153711.d7z06ksqo04ocwkk@webmail.carlsonarts.com>
Subject: Re: Electro Harmonix 2880
Date: Thu, 13 Mar 2008 21:17:35 +0100
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sounds good.
looks good.
has four tracks, for looping live you would need the foot control, though.
the first loop length determines the length of all loops you record after 
the initial one.
no multiply, neither copying your first loop manually nor playing over 
multiples of your first loop length.
that's a bummer.
i love the option of fading things in and out, especially for endings.
and pitch shift is funny/funky.

smooth looping - tilmann

----- Original Message ----- 
From: <music@carlsonarts.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 13, 2008 8:37 PM
Subject: Electro Harmonix 2880


> Hey, does anybody use this?  I haven't heard anyone talking about it  as 
> of yet, but I've only been on the list for a week or so.
>
> If you use it, is it any good?  Can it really do multi-track looping  in 
> live performance fairly easily?  What's it sound like?
>
> Michael C.
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 20:20:34 2008
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From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: Re: Echoplex deal at Musician's Friend
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Wow - a lot of interesting news there...


At 2008.03.13 11:37 AM, George Ludwig wrote:
>Check out the Aurisis website news section:
>
>http://www.aurisis.com/news/news.html
>
>The say that manufacturing was stopped in November
>2007.
>
>Whenever retailers like Musician's Friend blows out an
>item like that, they are typically trying to get rid
>of remaining inventory on a product that has already
>been discontinued (although the public may not
>necessarily be aware it has been discontinued).

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 20:25:02 2008
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Date: Thu, 13 Mar 2008 14:24:55 -0600
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References: <74D6AA23-59F3-480A-AE52-29A6A198A4AC@johnfloridis.com> <475446.41221.qm@web50302.mail.re2.yahoo.com> <20080313202034.1E4743BE81@arsenic.violacea.com>
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For sure. How 'bout this tidbit - "Kim has left the company to 
concentrate only on Loopers-Delight."

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
> Wow - a lot of interesting news there...
>
>
> At 2008.03.13 11:37 AM, George Ludwig wrote:
>> Check out the Aurisis website news section:
>>
>> http://www.aurisis.com/news/news.html

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 20:25:53 2008
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References: <20080313153711.d7z06ksqo04ocwkk@webmail.carlsonarts.com> <p0623090dc3ff36107429@[10.0.1.5]>
Subject: how to undo Electro Harmonix 2880
Date: Thu, 13 Mar 2008 21:27:28 +0100
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for undoing the first loop, all you have to do is activate new loop and 
record again.
for later recorded material you can work around the undo-problem by 
activating punch-in mode.
a little strange: you will only hear your punched-in track after you stop 
recording.
so the assuring moment when you hear the beginning of your present recording 
will never come...

tilmann

> I got one and played around with it a little bit before deciding it would 
> be fun in the studio but not much good onstage.  No 'undo" function, for 
> one thing.

From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 20:26:44 2008
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Date: Thu, 13 Mar 2008 13:26:40 -0700
From: "Travis Hartnett" <travishartnett@gmail.com>
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Subject: Re: Echoplex deal at Musician's Friend
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"The latest version (of the Loop software) is a VST plugin. Its important to
offer the same functions for stage and for recording. So far looping was
mainly used for training and live playing. To make it spread more, it needs
to invade the studios as well. It can improve the recording situation by
digging into the magic and recording the original inspirations."


On Thu, Mar 13, 2008 at 1:24 PM, Daryl Shawn <highhorse@mhorse.com> wrote:

> For sure. How 'bout this tidbit - "Kim has left the company to
> concentrate only on Loopers-Delight."
>
>
> <http://www.aurisis.com/news/news.html>
>
>

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&quot;The latest version (of the Loop software) is a VST plugin. Its important to offer the same
functions for stage and for recording. So far looping was mainly used
for training and live playing. To make it spread more, it needs to
invade the studios as well. It can improve the recording situation by
digging into the magic and recording the original inspirations.&quot;<br><br><br>
				  <div class="gmail_quote">On Thu, Mar 13, 2008 at 1:24 PM, Daryl Shawn &lt;<a href="mailto:highhorse@mhorse.com">highhorse@mhorse.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
For sure. How &#39;bout this tidbit - &quot;Kim has left the company to<br>
concentrate only on Loopers-Delight.&quot;<br>
<font color="#888888"><br><br></font><div><div class="Wj3C7c"><a href="http://www.aurisis.com/news/news.html" target="_blank"></a><br>
<br>
</div></div></blockquote></div><br>

------=_Part_8484_18386677.1205440000204--

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Date: Thu, 13 Mar 2008 16:29:56 EDT
Subject: Re: Echoplex deal at Musician's Friend
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I just ordered one via the website.  I got a confirming email  stating:
 
"NOTE: Stock quantities are updated every 15 minutes. There is a slight  
possibility
that it may be sold out when your order is processed. We will  contact you if 
this happens.
Thank you for your understanding."
 
Can I expect my "we're out of stock on this" email in about 15  minutes?
 
Harry  Weinberg, Esq.
Law Offices of Harry Weinberg
11 Beach Street - 8th  Floor
New York, N.Y. 10013
(212)  989-2908



**************It's Tax Time! Get tips, forms, and advice on AOL Money & 
Finance.      (http://money.aol.com/tax?NCID=aolprf00030000000001)

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<META http-equiv=3DContent-Type content=3D"text/html; charset=3DUS-ASCII">
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<DIV>I just ordered one via the website.&nbsp; I got a confirming email=20
stating:</DIV>
<DIV>&nbsp;</DIV>
<DIV>"NOTE: Stock quantities are updated every 15 minutes. There is a slight=
=20
possibility<BR>that it may be sold out when your order is processed. We will=
=20
contact you if this happens.<BR>Thank you for your understanding."</DIV>
<DIV>&nbsp;</DIV>
<DIV>Can I expect my "we're out of stock on this" email in about 15=20
minutes?</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT lang=3D0 face=3DArial size=3D2 FAMILY=3D"SANSSERIF" PTSIZE=3D"10"=
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Get tips, forms and advice on AOL Money & Finance.</A></FONT></DIV></BODY></=
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 20:47:26 2008
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Subject: Re: Echoplex deal at Musician's Friend
Date: Thu, 13 Mar 2008 14:47:24 -0600
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Hey, like I mentioned earlier....the woman I spoke with about an hour  
or so ago told me they had them in stock....
Best of luck,

John

From info@uk.com  Thu Mar 13 22:32:16 2008
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 13 22:49:09 2008
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Date: Thu, 13 Mar 2008 15:49:07 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: OT: Zdenek Liska
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Pardon the off-topicality here, but if anyone'd know,
it'd be you guys.

I'd like to know more about the great Czech film
composer Zdenek Liska but the available resources are
woefully skinchy and are mostly limited to
biographical outlines and loose filmographies. I've
heard that he often used one-of-a-kind homemade
instruments, and ANYONE can hear that he was an early
pioneer of delay. I'm sure if he were around today,
he'd be looping.

Any aficionadi/cogniscenti amongst us?

Off-list replies would probably be better, unless
they're of general list-interest...

-t-

http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62


      ____________________________________________________________________________________
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From: "Jeff Duke" <echohead@embarqmail.com>
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Subject: Re: Zdenek Liska
Date: Thu, 13 Mar 2008 21:44:34 -0500
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I found some more on him through a google of Jan Svankmajer an animater that 
Liska worked with.
You Tube has some clips availiable with his scores.
http://www.youtube.com/watch?v=Umy9rLd-zJM&feature=related
and others. http://en.wikipedia.org/wiki/Zden%C4%9Bk_Li%C5%A1ka has a list.
 Nothing yet on instrumentation.

peace, Jeff

----- Original Message ----- 
From: "Tim Nelson" <psychle62@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, March 13, 2008 5:49 PM
Subject: OT: Zdenek Liska


> Pardon the off-topicality here, but if anyone'd know,
> it'd be you guys.
>
> I'd like to know more about the great Czech film
> composer Zdenek Liska but the available resources are
> woefully skinchy and are mostly limited to
> biographical outlines and loose filmographies. I've
> heard that he often used one-of-a-kind homemade
> instruments, and ANYONE can hear that he was an early
> pioneer of delay. I'm sure if he were around today,
> he'd be looping.
>
> Any aficionadi/cogniscenti amongst us?
>
> Off-list replies would probably be better, unless
> they're of general list-interest...
>
> -t-
>
> http://www.myspace.com/nimbletunes
> http://cdbaby.com/all/timnelson
> http://www.youtube.com/speleman62
>
>
> 
> ____________________________________________________________________________________
> Be a better friend, newshound, and
> know-it-all with Yahoo! Mobile.  Try it now. 
> http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ
>
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG.
> Version: 7.5.518 / Virus Database: 269.21.7/1327 - Release Date: 3/12/2008 
> 1:27 PM
>
> 

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Reply-To: "Utente di eBay: antonjo77" <UseTheYellowButton@ebay.it>
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Subject: Messaggio dell'utente sull'oggetto #180217372495?
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          style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif">Utente
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            oggetti di antonjo77<BR>Attività con antonjo77 (ultimi 90
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    <TD><FONT
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      seniore,</STRONG><BR><BR>CIAO VOLEVO SAPERE SE SONO IO IL MIGLIOR
      OFFERENTE PERCHè NON CAPISCO PIU NULLA E SE SI MI MANDI LE CORDINATE PER
      IL PAGAMENTO CHE DOMANI MATTINA EFFETUO IL PAGAMENTO CIAO GRAZIE<BR><BR>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 05:05:30 2008
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Date: Fri, 14 Mar 2008 01:05:28 -0400
From: "Patrick Suler" <patricksuler@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: EDP + Trigger Finger (Hey, I'm new)
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Hi there,
I've been lurking here since about 2000. And have been slowly graduating up
the loop chain from DL4, to RC-20, to RC-50, and finally in the past month I
was able to afford an Echoplex...thanks to that rad MF deal. I instantly was
enamored with it! Anyways, to the topic at hand.

I've attached an M-Audio Trigger Finger to my EDP, and have had some success
with triggering loops (in sampleplay) and triggering other features.

I've seen in the archive that others use a similar setup. To those users:
how do you program a note-on message ONLY, withOUT the note off? The
triggerfinger insists on either a toggle state, or a depressed on/off state.
Also, how, in general do you have your EDP+Triggerfinger setup? What
functions do you have programmed?

Thanks,
Patrick

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Hi there,<br>I&#39;ve been lurking here since about 2000. And have been slowly graduating up the loop chain from DL4, to RC-20, to RC-50, and finally in the past month I was able to afford an Echoplex...thanks to that rad MF deal. I instantly was enamored with it! Anyways, to the topic at hand.<br>
<br>I&#39;ve attached an M-Audio Trigger Finger to my EDP, and have had some success with triggering loops (in sampleplay) and triggering other features.<br><br>I&#39;ve seen in the archive that others use a similar setup. To those users: how do you program a note-on message ONLY, withOUT the note off? The triggerfinger insists on either a toggle state, or a depressed on/off state. Also, how, in general do you have your EDP+Triggerfinger setup? What functions do you have programmed?<br>
<br>Thanks,<br>Patrick<br>

------=_Part_6725_20334728.1205471128183--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 08:14:14 2008
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Hi Patrick.
I have both those devices (don't use them together but...)
Like most Midi Controllers the Trigger Finger isn't particularly programmable.
It just does the most commonly needed functions.


However, there's probably a way to achieve exactly the results that you want just using your setup, 
by setting the EDP parameters

andy butler 



Patrick Suler wrote:
 
> I've attached an M-Audio Trigger Finger to my EDP, and have had some 
> success with triggering loops (in sampleplay) and triggering other features.
> 
> I've seen in the archive that others use a similar setup. To those 
> users: how do you program a note-on message ONLY, withOUT the note off? 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 09:29:27 2008
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Date: Fri, 14 Mar 2008 09:29:26 +0000
From: Os <os@collective.co.uk>
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See http://www.expert-sleepers.co.uk/


cheers,
os.

-- 
os@collective.co.uk
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 10:28:02 2008
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Subject: Re: SM Pro Audio announce three VST/VSTi compatible hardware units   
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>From the video on sonicstate, it seems you just have to copy the dll to the 
machine, no port is needed.
I guess you are right anyway the Mobius is a special case and tht's why we 
love it so much ;-)

Ben
----- Original Message ----- 
From: "Jeff Larson" <jeff.larson@sailpoint.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, March 12, 2008 10:00 PM
Subject: RE: SM Pro Audio announce three VST/VSTi compatible hardware units



Interesting.  My guess is that it's another Receptor-ish thing that
runs it's own proprietary operating system.  I tried to find out more
about the "Powered by VFX hardware platform" they mention but couldn't
find anything other than press releases.

Like the Receptor this will most likely only run VSTs that strictly
adhere to the VST and VSTGUI APIs and don't do *anything* that touches
the OS directly.  Mobius is not one of these.

I wish them well but for many VST developers this will be yet another
platform they have to port to.  I love their industrial design though.

Jeff


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http://www.jeuxvideo.tv/korg-ds-10-synthesizer-video-223204.html

The video show that some kind of looping is possible.
It's interesting that korg is going that way. We can perhaps expect some 
kaossilator on the DS soon.
Of course for sampling (as on the KP3) it would be harder without some 
external memory even if REC-REC within elctroplankton does it in a crude 
way.

Lot of interesting stuff in the Frankfurt Messe this year ;-)

Ben.


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From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 11:45:28 2008
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is it just me or does it look a bit plastic-y? does it run on clock
batteries or is it mains-only?
& why (why why why?) no midi?



but I'll probably get one anyway. & a dd7..... :-)  if the GAS doesn't
kill me, the g/f will!

duncan.



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From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 13:07:05 2008
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Date: Fri, 14 Mar 2008 09:05:35 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #571 for March 13, 2008
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http://wdiy.org/programs/gt/playlists/2008/080313.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #571                March 13, 2008

RECAP:
On this show, I started a month-long focus on Gert Emmens.  The Featured
CD at Midnight was "When Darkness Falls Upon the Earth" on Groove
Unlimited records.

I also played music by Fringe Element and Xeroid Entity, two of the
groups playing at the Electro-Music Orchestra concert at the David
Sarnoff Library on March 15th.  Details are found on the events page.

Gert Emmens: http://wdiy.org/programs/gt/playlists/2008/focus.html#mar
Events: http://wdiy.org/programs/gt/events.html


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Voide                Autumn               Space Sponge (none)
Parallel Worlds      Recreation           Existence (Rubber)
Fringe Element       Nefarious            Subatomic Mayhem (none)
Xeroid Entity        Iapetus              Moons of Saturn(Electro-music)
Gert Emmens          Rendezvous With      When Darkness Falls Upon the
                       2004 MN4             Earth (Groove)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Gert Emmens          When Darkness Falls  When Darkness Falls Upon the
                       Upon the Earth       Earth (Groove)
Gert Emmens          Nostalgia            WDFUtE (Groove)
Gert Emmens          Casting Shadows On   When Darkness Falls Upon the
                       the Cold Ground      Earth (Groove)
Gert Emmens          The Morning After    WDFUtE (Groove)
Gert Emmens          Requiem Pour Sam     WDFUtE (Groove)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Gert
Emmens.  The Featured CD at Midnight will be "Tale of the Warlock" on
Groove Unlimited records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EST (GMT-5:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 13:36:51 2008
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Date: Fri, 14 Mar 2008 09:32:13 -0400
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Reminder: Video Performance with the Neil Leonard Ensemble 03.15.08,
 Lowell MA
To: DrTVideo@egroups.com
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Hi folks,

I'll be performing at the lovely 119 Gallery in Lowell this Saturday 
night with an old friend and a couple of new friends.

Doctor T with the Neil Leonard Ensemble - Collective Improvisation 
for a New Millennium

Doctor T -- Video Mixing.
Neil Leonard -- Alto Sax, Bass Clarinet, Laptop
Anthony Baldino -- laptop.
Spencer Putnam  -- Laptop, Bass.

$5 donation.

119 Gallery, 119 Chelmsford St, Lowell
978 452 8138
  http://www.119gallery.org/
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

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Dagnabbit - I wish to gods I had money I would buy one of those suckers rig=
ht now. I'm sure they won't last. :(
_________________________________________________________________
Helping your favorite cause is as easy as instant messaging.=A0You IM, we g=
ive.
http://im.live.com/Messenger/IM/Home/?source=3Dtext_hotmail_join=

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Dagnabbit - I wish to gods I had money I would buy one of those suckers rig=
ht now. I'm sure they won't last. :(<br /><hr />Helping your favorite cause=
 is as easy as instant messaging.=A0You IM, we give. <a href=3D'http://im.l=
ive.com/Messenger/IM/Home/?source=3Dtext_hotmail_join' target=3D'_new'>Lear=
n more.</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 14:51:12 2008
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Date: Fri, 14 Mar 2008 07:51:11 -0700 (PDT)
From: barry smith <barrysmith_2001@yahoo.com>
Subject: Echoplex/Gibson foot peday for sale
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Hi Kids,
     I've  decided to part with my Echoplex/Gibson 
foot controller...it's the newest black one that
matches the Digital Pro Plus..... very near
mint.....$89 including shipping......I'll put it on
Ebay if no takers..
Thanks so much,
Barry




      ____________________________________________________________________________________
Never miss a thing.  Make Yahoo your home page. 
http://www.yahoo.com/r/hs

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 15:44:08 2008
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Date: Fri, 14 Mar 2008 11:44:07 -0400
From: "Neil Leonard" <nleonard3@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Fwd: TONIGHT: STEVE LEHMAN - 1 HOUR SOLO CONCERT!
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GASP Gallery Presents:

 Friday, March 14th @ 8:00 pm
 STEVE LEHMAN =96 solo saxophone/live electronics

 "[STEVE LEHMAN] does a solo show as part of the cool "Sonic Arts"
 music series at of the area's coolest gallery/performances spaces,
 GASP."
 - The Boston Phoenix

 $10 suggested donation, $6 with a student ID

 GASP Gallery
 362-4 Boylston St., Brookline, MA
 617.418.4308
 info@g-a-s-p.net

 GASP is one block from the Brookline Hills stop on the MBTA 'D' Riverside =
line.

 Read The New York Times review:
 http://www.nytimes.com/2007/12/17/arts/music/17choi.html

 "Probing the furthest frontiers of rhythm science, alto saxophonist
 Steve Lehman represents some of the most advanced compositional
 thinking in jazz today. A child of the avant-garde, he's a former
 student and bandmate of Anthony Braxton and a member of Fieldwork, the
 collaborative trio with piano visionary Vijay Iyer. Lehman's 2005
 outing Demian as Posthuman, featuring Meshell Ndegeocello, is a study
 in splintered soundscapes and mind-altering beats." -Philadelphia
 Weekly

 Named a Rising Star on the alto saxophone in 2006 and 2007 by the
 Downbeat Magazine International Critics Poll, STEVE LEHMAN is a
 saxophonist and composer whose work resides on the cutting-edge of
 contemporary music. He has been recognized as one of today's truly
 original creative voices by The Wire, The New York Times, The Village
 Voice, and by National Public Radio. A former student of both Jackie
 McLean and Anthony Braxton, he has performed and recorded throughout
 the United States and Europe with his own ensembles, and with those
 led by Anthony Braxton, Dave Burrell, Mark Dresser, Vijay Iyer, Oliver
 Lake, and Meshell Ndegeocello. Lehman's pieces for large orchestra and
 chamber ensembles have been performed by the Janacek Philharmonic,
 members of Ensemble 21 and Ensemble Sospeso, and by the pianist
 Marilyn Nonken. Lehman's recent electro-acoustic music has focused on
 the development of computer-driven models for improvisation using
 Max/MSP. Lehman is a doctoral candidate in Music Composition at
 Columbia University. Lehman's recordings as a leader include On
 Meaning (Pi 2007) and Demian as Posthuman (Pi 2005), featuring 9-time
 Grammy nominee Meshell Ndegeocello.

 VOTE!!! GASP HAS BEEN NOMINATED FOR A BOSTON PHOENIX BEST AWARD!
 FOLLOW THIS LINK TO VOTE FOR US!
 http://www397.pair.com/gasp1/index.html

 LINKS:

 http://www.stevelehman.com/
 http://www.myspace.com/sonicartsatgasp
 http://gaspsound.blogspot.com/

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 15:59:17 2008
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Date: Fri, 14 Mar 2008 10:59:14 -0500
From: "Doug Cox" <uncledig@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP + Trigger Finger (Hey, I'm new)
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I use a TriggerFinger with Mobius, which is much like using one with an EDP.

Off the top of my head, I don't think you can program the TF to send a
note on without sending a note off at release.  But I'm wondering why
you would want to do that with an EDP?  If you send a note on without
a subsequent note off, you are creating a "long press" on the EDP for
that function.  As you mention, you can achieve the same thing by
pressing and holding a TF pad.  The note off is then sent when you
release the pad.

Generally, you want to send note on + note off to the EDP to activate
functions normally.  For instance, if you send a note on mapped to the
Record function without a subsequent note off, you get a long press of
Record, which is a Reset.  You many know this, but I wanted to be
clear.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 16:12:00 2008
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Date: Fri, 14 Mar 2008 09:11:59 -0700 (PDT)
From: scott hansen <evanpeewee@yahoo.com>
Subject: 1st impression: BOSS RC-20 /state of looping NOW
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wow-the amt of reading i've done in the last few days about the gear that's coming out...whew.....(and i cant' wait to see how much these things cost, and read people's reviews of the gear!)
god, i remember when i joined back in '01, there didn't seem to be many options for looping (especially for me on a budget), but now the amt of products that are out or coming out, pretty unreal.

well, yesterday as a late bday present for myself, i bought a used Boss RC-20-the original model off some listing on the tapeop.com page. only got to play w/ it for an hour last night...At first i read the manual on recording a loop, and i couldn't get it to work, so my first thought was: ITS BROKEN, ug....then i read more and figure out i had the mode button in the wrong place, got that figured out and hey i made my 1st loop on it.

the funny thing i found after thinking about it was -if i recorded myself playing w/ it, i would be dubbed the dumbest looper around. i swear i was listening to the loop trying to figure out what to add next, seemed like i sat there for 1/2 hr. oh well. (i also thouht the sound quality is very good-what goes in ,goes out)

the thing for me that i like is that to start a loop you just press button and you don't have to hold the pedal down, which i thought i may have to do, since i keep all my pedals at hands reach, then to stop it you press again. so i like that feature. and to over dub was the same. so i'm happy about that.
the other thing about it that is new for me is the move away from delay based looping that i've used for the last 8 yrs. so i hit it and didn't have to worry about 2 sec or 4 sec or 5 sec or 12 or 23 sec. i just hit it played a bit, hit it again. my loop wasn't that long (probably 10-12 sec), but it just seemed to be a different mentality than what i'm used to. boy i also love the reverse. Most fun-for some great sonic experimenting (missed that from my dod d12 sampler).
my only knock/gripe so far is the way you manipulate the tempo/speed. so far my attempts at that have not been very good-probably have to read more. my only wish is it had a big turnable knob that had SPEED/TEMPO/PITCH (whatever) so you could slow it down or speed it up. but that seems to be on the new slicer pedal, so maybe i'll have to wait (or get the EH-stereo memory man w/ hazarai-since that had that function which seemed most logical to me).
over all-i'm pretty happy w/ it-i think there will be hours of experimenting ahead w/ it.
the one other thing i know people complained about the unit was the limited 5 & 1/2 min for recording time. for me when i've been used to 2 sec to 23 sec for looping time, 5 1/2 min seems like FO-ever...not a problem for me.
happy looping....
s----
www.myspace.com/scotthansen

       
---------------------------------
Looking for last minute shopping deals?  Find them fast with Yahoo! Search.
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wow-the amt of reading i've done in the last few days about the gear that's coming out...whew.....(and i cant' wait to see how much these things cost, and read people's reviews of the gear!)<br>god, i remember when i joined back in '01, there didn't seem to be many options for looping (especially for me on a budget), but now the amt of products that are out or coming out, pretty unreal.<br><br>well, yesterday as a late bday present for myself, i bought a used Boss RC-20-the original model off some listing on the tapeop.com page. only got to play w/ it for an hour last night...At first i read the manual on recording a loop, and i couldn't get it to work, so my first thought was: ITS BROKEN, ug....then i read more and figure out i had the mode button in the wrong place, got that figured out and hey i made my 1st loop on it.<br><br>the funny thing i found after thinking about it was -if i recorded myself playing w/ it, i would be dubbed the dumbest looper around. i swear i was
 listening to the loop trying to figure out what to add next, seemed like i sat there for 1/2 hr. oh well. (i also thouht the sound quality is very good-what goes in ,goes out)<br><br>the thing for me that i like is that to start a loop you just press button and you don't have to hold the pedal down, which i thought i may have to do, since i keep all my pedals at hands reach, then to stop it you press again. so i like that feature. and to over dub was the same. so i'm happy about that.<br>the other thing about it that is new for me is the move away from delay based looping that i've used for the last 8 yrs. so i hit it and didn't have to worry about 2 sec or 4 sec or 5 sec or 12 or 23 sec. i just hit it played a bit, hit it again. my loop wasn't that long (probably 10-12 sec), but it just seemed to be a different mentality than what i'm used to. boy i also love the reverse. Most fun-for some great sonic experimenting (missed that from my dod d12 sampler).<br>my only
 knock/gripe so far is the way you manipulate the tempo/speed. so far my attempts at that have not been very good-probably have to read more. my only wish is it had a big turnable knob that had SPEED/TEMPO/PITCH (whatever) so you could slow it down or speed it up. but that seems to be on the new slicer pedal, so maybe i'll have to wait (or get the EH-stereo memory man w/ hazarai-since that had that function which seemed most logical to me).<br>over all-i'm pretty happy w/ it-i think there will be hours of experimenting ahead w/ it.<br>the one other thing i know people complained about the unit was the limited 5 &amp; 1/2 min for recording time. for me when i've been used to 2 sec to 23 sec for looping time, 5 1/2 min seems like FO-ever...not a problem for me.<br>happy looping....<br>s----<br>www.myspace.com/scotthansen<br><p>&#32;
      <hr size=1>Looking for last minute shopping deals? <a href="http://us.rd.yahoo.com/evt=51734/*http://tools.search.yahoo.com/newsearch/category.php?category=shopping"> 
Find them fast with Yahoo! Search.</a>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 16:27:57 2008
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I just ordered at same price from Music123, where they have these in
stock.

=20

http://www.music123.com/Gibson-TGE-05-Echoplex-Digital-Pro-Plus-and-TGE-
04-Footswitch-150497-i1389

=20

Hal Dean

=20


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<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal><span style=3D'color:#1F497D'>I just ordered at =
same price
from Music123, where they have these in stock.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'color:#1F497D'>http://www.music123.com/Gibson-TGE-05-Echoplex-Di=
gital-Pro-Plus-and-TGE-04-Footswitch-150497-i1389<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><i><span style=3D'font-family:"Palatino =
Linotype","serif";
color:#1F497D'>Hal Dean</span></i><o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 17:16:36 2008
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Subject: Re: 1st impression: BOSS RC-20 /state of looping NOW
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"the funny thing i found after thinking about it was -if i recorded  
myself playing w/ it, i would be dubbed the dumbest looper around. i  
swear i was listening to the loop trying to figure out what to add  
next, seemed like i sat there for 1/2 hr. oh well. (i"

Scott, I thought the story of your first loop was great.  Made me  
laugh out loud.  Thanks for being open enough to share it.  Made a  
great visual image in my head.....and the thought of panic that would  
set it after a while ..."oh no, now what do I do..."

Keep at it, may great loops visit your dreams,

John Floridis
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><i>"the funny thing i found after thinking about it was -if i recorded myself playing w/ it, i would be dubbed the dumbest looper around. i swear i was listening to the loop trying to figure out what to add next, seemed like i sat there for 1/2 hr. oh well. (i"</i></div><div><br class="webkit-block-placeholder"></div>Scott, I thought the story of your first loop was great. &nbsp;Made me laugh out loud. &nbsp;Thanks for being open enough to share it. &nbsp;Made a great visual image in my head.....and the thought of panic that would set it after a while ..."oh no, <i>now</i> what do I do..."<div><br class="webkit-block-placeholder"></div><div>Keep at it, may great loops visit your dreams,</div><div><br class="webkit-block-placeholder"></div><div>John Floridis</div></body></html>
--Apple-Mail-6--425474617--

From karlnewem@centrum.cz  Fri Mar 14 17:22:17 2008
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Dear Friend, 
First of all,I want to let you know that this is not a scam mail.Because based on what is going on all over the internet world,people find it very difficult to believe things like this any more.If you can guarantee me from your own side,your trust,honestly I will be able to work with you.I will appreciate if you can come down and see things for yourself before we proceed and this will make things clearer for you.
 
So I'm sending you this letter,I think if that situation has a place in the internet, maybe one from 1000 has a real transaction.
 
I am Karl U. Newe,a solicitor at law.I am the personal attorney/sole executor to the WILL of late client Mr. Richard Gordon,who worked as an independent oil Business magnate in my country, and who died in a car crash with his immediate family on the 5th of Nov 2004. Since the death of my client in Nov. 2004,I have written several letters to the embassy with an intent to locate any of his extended relatives who shall be claimants/beneficiaries of his abandoned Fund and all such efforts have been to no avail.
 
After the transaction has been accomplished 40% will be for the person involved,10% for miscellaneous expenses and the remaining 50% for me. Please if you feel interested, I crave your indulgence to please contact me through this my email address.As I have said earlier,I want you to know this present situation and not to take this as a scam mail,all I need is your assistance and support so that we can both carry out this project.
 
I decided to contact you so that we can talk and see how we can put both heads together and achieve this.On this note,I wish to present you to the finance company, as the surviving relative to the deceased so that we can put in claims for payment with your name as the beneficiary of the fund.
 
I will appreciate if you can send me the following, 
1.Your Full Names.
2.Your current Mobile telephone and fax numbers(for rapid communications). 
3.Your age. 
4.Occupation.
5.Your Current address. 
This will enable me file necessary documents at our high court probate division for the release of this sum of money in your favour.
I intend to invest my shares in your country under your management in any viable business venture.
 
I will send you more details as soon as I hear from you.
 
 Yours faithfully,
  Karl Newe.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 17:30:16 2008
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Date: Fri, 14 Mar 2008 13:30:14 -0400
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP + Trigger Finger (Hey, I'm new)
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Good question Doug. I have 8 pads set up to trigger loops 1 through 8. I
would like to be able to hit the same pad several times in a row (like a
stutter) and then the last time let it continue to loop.

Option one is to set the pad to "toggle", where the first time you hit it,
it starts to play, and the second time, it stops playing; therefore that
doesn't work so great for the stuttering. Option two is  for note on/ and a
note off when the pad is released. This works better, but obviously the loop
stops when you take your finger off the pad.

Just now while writing this out, I had an idea. Maybe I'll set up TWO pads
per loop. One for toggle, and for note on/off; I can stutter with the
latter, and let the former ride out. Hmmm.... can't wait to get home from
work.

On Fri, Mar 14, 2008 at 11:59 AM, Doug Cox <uncledig@gmail.com> wrote:

> I use a TriggerFinger with Mobius, which is much like using one with an
> EDP.
>
> Off the top of my head, I don't think you can program the TF to send a
> note on without sending a note off at release.  But I'm wondering why
> you would want to do that with an EDP?
>

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Good question Doug. I have 8 pads set up to trigger loops 1 through 8. I would like to be able to hit the same pad several times in a row (like a stutter) and then the last time let it continue to loop. <br><br>Option one is to set the pad to &quot;toggle&quot;, where the first time you hit it, it starts to play, and the second time, it stops playing; therefore that doesn&#39;t work so great for the stuttering. Option two is&nbsp; for note on/ and a note off when the pad is released. This works better, but obviously the loop stops when you take your finger off the pad.<br>
<br>Just now while writing this out, I had an idea. Maybe I&#39;ll set up TWO pads per loop. One for toggle, and for note on/off; I can stutter with the latter, and let the former ride out. Hmmm.... can&#39;t wait to get home from work.<br>
<br><div class="gmail_quote">On Fri, Mar 14, 2008 at 11:59 AM, Doug Cox &lt;<a href="mailto:uncledig@gmail.com">uncledig@gmail.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I use a TriggerFinger with Mobius, which is much like using one with an EDP.<br>
<br>
Off the top of my head, I don&#39;t think you can program the TF to send a<br>
note on without sending a note off at release. &nbsp;But I&#39;m wondering why<br>
you would want to do that with an EDP?&nbsp; <br></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 17:35:09 2008
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Date: Fri, 14 Mar 2008 13:35:08 -0400
From: "Patrick Suler" <patricksuler@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Merry Loop Day
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By the way, Merry Loop Day.

Maybe I'm corny. But it's 3.14... as a looper, you gotta celebrate somehow,
right?

Last year, I got the rc-50. This year I joined this mailing list (albeit at
1am).

I wish there was a huge loop fest annually on 3.14, just on principle.

-Patrick

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By the way, Merry Loop Day.<br><br>Maybe I&#39;m corny. But it&#39;s 3.14... as a looper, you gotta celebrate somehow, right?<br><br>Last year, I got the rc-50. This year I joined this mailing list (albeit at 1am).<br><br>
I wish there was a huge loop fest annually on 3.14, just on principle.<br><br>-Patrick<br>

------=_Part_491_28052548.1205516108088--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 17:40:08 2008
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Date: Fri, 14 Mar 2008 12:40:03 -0500
Subject: RE: EDP + Trigger Finger (Hey, I'm new)
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> I have 8 pads set up to trigger loops 1 through 8. I would like to be
> able to hit the same pad several times in a row (like a stutter) and
> then the last time let it continue to loop.

If I understand correctly all you need to do is program the
Trigger Finger to send the right note numbers, they do not need
to be in toggle mode.

The loop trigger functions are not sustainable and have
no defined long-press behavior so the note off is ignored.
Each time you press a pad it will retrigger the loop. To
"let it continue to loop" simply stop pressing the pad.

You will want to have the SamplerStyle parameter set
to Start (Sta).

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 18:14:30 2008
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Patrick Suler wrote:
> Good question Doug. I have 8 pads set up to trigger loops 1 through 8. I 
> would like to be able to hit the same pad several times in a row (like a 
> stutter) and then the last time let it continue to loop.
> 
> Option one is to set the pad to "toggle", where the first time you hit 
> it, it starts to play, and the second time, it stops playing; therefore 
> that doesn't work so great for the stuttering. Option two is  for note 
> on/ and a note off when the pad is released. This works better, but 
> obviously the loop stops when you take your finger off the pad.

set EDP param
Samplerstyle = Sta

problem solved...no?

andy


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yeah, what those guys said :)

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I grabbed one last night right after selling an amp. (Spoken like a pathetic
gearhead, I know.) I was hoping they'd still be there, and I haven't yet
received anything that leads me to believe they aren't in stock. So I expect
to get my first EDP next week. I figure, worse comes to worse and I don't
grok it, or I decide I'd rather tackle looping via software, within the next
30 days, I'll return it.

And if that happens, it'll probably make the Clearance pages, which no doubt
will make another looper very happy, as it'll likely be further discounted.


-- 
Zak Kramer
Crazyquilt Arts & Music
http://www.crazyquiltarts.com/

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<font size="2"><span style="font-family: arial,sans-serif;">I grabbed one last night right after selling an amp. (Spoken like a pathetic gearhead, I know.) I was hoping they&#39;d still be there, and I haven&#39;t yet received anything that leads me to believe they aren&#39;t in stock. So I expect to get my first EDP next week. I figure, worse comes to worse and I don&#39;t grok it, or I decide I&#39;d rather tackle looping via software, within the next 30 days, I&#39;ll return it. <br>
<br>And if that happens, it&#39;ll probably make the Clearance pages, which no doubt will make another looper very happy, as it&#39;ll likely be further discounted.<br></span></font><br clear="all"><br>-- <br>Zak Kramer<br>
Crazyquilt Arts &amp; Music<br> <a href="http://www.crazyquiltarts.com/">http://www.crazyquiltarts.com/</a>

------=_Part_3076_2700543.1205521648410--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 19:42:35 2008
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I got my EDP from Musicians' Friend yesterday.  Looks to be exactly 
what I was expecting.






-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com


From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 19:42:36 2008
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And speaking of he Echoplex Digital Pro, I have the wrong kind of 
feedback pedal and I need to get the right kind.

The one I have is a Roland EV-5.  Only half of the pedal's travel 
controls the feedback function of the EDP, so I don't nearly as much 
control as I need.  With the pedal all the way up, I get feedback of 
127 (no decay) - but I have to push it halfway down to get any change 
at all in the function.

What make and model of pedal I need to get the full effect?




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com


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"I figure, worse comes to worse and I don't grok it, or I decide I'd  
rather tackle looping via software, within the next 30 days, I'll  
return it. "

Zak, just curious...being in the hinterlands of Montana.....what is  
this "grok" you speak of?

John
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">"<span class="Apple-style-span" style="font-family: arial; ">I figure, worse comes to worse and I don't grok it, or I decide I'd rather tackle looping via software, within the next 30 days, I'll return it.&nbsp;"</span><div><font class="Apple-style-span" face="arial"><br class="webkit-block-placeholder"></font></div><div><font class="Apple-style-span" face="arial">Zak, just curious...being in the hinterlands of Montana.....what is this "grok" you speak of?</font></div><div><font class="Apple-style-span" face="arial"><br class="webkit-block-placeholder"></font></div><div><font class="Apple-style-span" face="arial">John</font></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 20:51:22 2008
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grok - to understand something so well it becomes ingrained.  It's
often used to just mean understand or 'get it'

On Fri, Mar 14, 2008 at 4:48 PM, john floridis <john@johnfloridis.com> wrote:
>
> "I figure, worse comes to worse and I don't grok it, or I decide I'd rather
> tackle looping via software, within the next 30 days, I'll return it. "
>
> Zak, just curious...being in the hinterlands of Montana.....what is this
> "grok" you speak of?
>
> John



-- 
-==-=-=-
Tony

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 20:56:58 2008
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Subject: Re: Echoplex deal at Musician's Friend
Date: Fri, 14 Mar 2008 14:56:56 -0600
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Awesome, thanks.  I suppose I'm showing my age, but I'd never heard  
that before.

So, I guess I'm beginning to "grok" what "grok" means.

John

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 21:01:39 2008
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john floridis wrote:
> Awesome, thanks.  I suppose I'm showing my age, but I'd never heard 
> that before.
>
> So, I guess I'm beginning to "grok" what "grok" means.
>
> John

http://en.wikipedia.org/wiki/Grok


-- 
* David Beardsley
* microtonal guitar
* http://biink.com


From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 21:03:43 2008
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At 4:51 PM -0400 3/14/08, Tony K wrote:
>grok - to understand something so well it becomes ingrained.  It's
>often used to just mean understand or 'get it'

 From the novel "Stranger in a Strange Land" by Robert A. Heinlein - a 
very popular story in the '60s when young freaks were living 
communally and expecting to change the world.




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 21:11:53 2008
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Don't forget that an EV-5 has an adjustment knob on the side.  It may be 
that the adjustment knob is set wrong.

> The one I have is a Roland EV-5.  Only half of the pedal's travel controls 
> the feedback function of the EDP, 

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 21:13:53 2008
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"From the novel "Stranger in a Strange Land" by Robert A. Heinlein - a  
very popular story in the '60s when young freaks were living  
communally and expecting to change the world."

My education continues.  How could I have awoken this morning and non  
known what it is to "grok."

As Sting would say..."I have only come here seeking  
knowledge....things they would not teach me of in college."

Truly, I am blessed by loopers delight.

john
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><i>"From the novel "Stranger in a Strange Land" by Robert A. Heinlein - a very popular story in the '60s when young freaks were living communally and expecting to change the world.</i>"<br><div><br class="webkit-block-placeholder"></div><div>My education continues. &nbsp;How could I have awoken this morning and non known what it is to "grok."<br><br>As Sting would say..."I have only come here seeking knowledge....things they would not teach me of in college."<br><br>Truly, I am blessed by loopers delight.<br><br>john</div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 21:31:24 2008
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I tried that.  Didn't help.




At 2:11 PM -0700 3/14/08, Bob Amstadt wrote:
>Don't forget that an EV-5 has an adjustment knob on the side.  It 
>may be that the adjustment knob is set wrong.
>
>>The one I have is a Roland EV-5.  Only half of the pedal's travel 
>>controls the feedback function of the EDP,


-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 21:49:21 2008
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Hi David,

This is covered in the EDP FAQ on the LD website:
http://loopersdelight.com/tools/echoplex/FAQ1.html#Anchor-What-37516

Having said that, I use an Ernie Ball pedal for feedback because I like the
way it feels. It also doesn't cover the full range of the pedal, but I've
gotten used to it. 

~Greg

-----Original Message-----
From: David Gans [mailto:david@trufun.com] 
Sent: Friday, March 14, 2008 2:19 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: EDP



I tried that.  Didn't help.




At 2:11 PM -0700 3/14/08, Bob Amstadt wrote:
>Don't forget that an EV-5 has an adjustment knob on the side.  It 
>may be that the adjustment knob is set wrong.
>
>>The one I have is a Roland EV-5.  Only half of the pedal's travel 
>>controls the feedback function of the EDP,


-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com

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Anyone going? It is at Firehouse 12, which is a really classy, cool, space. I saw Bill Frisell there a while ago. Great space! Should be fun.

=-) PJ

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<WBR>Anyone going? It is at Firehouse 12, which is a really classy, cool, space. I saw Bill Frisell there a while ago. Great space! Should be fun.<br>
<br>
=-) PJ<div id='u8CA543531911BAB-8D0-1D3D' class='aol_ad_footer'><FONT style="color: black; font: normal 10pt ARIAL, SAN-SERIF;"><HR style="MARGIN-TOP: 10px">Supercharge your AIM. Get the <A title="http://download.aim.com/client/aimtoolbar?NCID=aolcmp00300000002586" href="http://download.aim.com/client/aimtoolbar?NCID=aolcmp00300000002586" target="_blank">AIM toolbar</A> for your browser.</FONT> </div>

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<TABLE cellSpacing=0 cellPadding=0 width=600 border=0>
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From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 23:24:02 2008
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Date: Fri, 14 Mar 2008 17:23:53 -0600
From: Daryl Shawn <highhorse@mhorse.com>
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Subject: Electro-Harmonix MM w/Hazarai
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The Memory Man w/Hazarai is getting cheaper and cheaper, I'm seeing them 
now for $178 new on Ebay. I'm thinking about getting one as a backup in 
case my Tascam goes down (can hardly carry a backup), and for trips with 
my girlfriend where I can just barely justify my Backpacker, let alone a 
big tape machine. I wish a walkman-sized four-track had been produced, 
but we won't ever be seeing one of those now. And I don't want to be so 
fetishistic about tape that I can't bear the thought of looping without 
it. With reverse and tape-style pitchshifting, this seems to be the 
closest cheap, portable stand-in. Obviously the 2880 has the four 
tracks, but it's bigger and pricier and doesn't seem as mess-with-it-able.

So...anyone with the MM w/H discover any new freaky possibilities with 
it? Making recordings with it? Any buyer's remorse...?

Further off-topic, has anyone ever used the Traveler Guitar traveler's 
(duh) guitars, particularly the acoustics? The Escape solidbody is tiny 
and tempting...

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

From Loopers-Delight-request@loopers-delight.com  Fri Mar 14 23:31:16 2008
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At 2:44 PM -0700 3/14/08, greg williams wrote:
>
>This is covered in the EDP FAQ on the LD website:
>http://loopersdelight.com/tools/echoplex/FAQ1.html#Anchor-What-37516
>
>Having said that, I use an Ernie Ball pedal for feedback because I like the
>way it feels. It also doesn't cover the full range of the pedal, but I've
>gotten used to it.

Thanks.  Guess I'm pretty much stuck with what I have.



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 00:28:23 2008
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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: Electro-Harmonix MM w/Hazarai
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On Mar 14, 2008, at 4:23 PM, Daryl Shawn wrote:

> I wish a walkman-sized four-track had been produced, but we won't  
> ever be seeing one of those now.

Hi Daryl

This is a smallish digital 4 track:

http://www.bossus.com/gear/productdetails.php?ProductId=818

Never used one, so not sure about ease of editing or versatility, but  
I saw one at Git Ctr and it is slim and portable.


regards


BobC






http://tinyurl.com/yt8f8j

http://www.youtube.com/tynego

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And all of this before I could even answer the question...now no doubt more
ably done by others.

I did actually pause a moment after using the word, but decided that it
wasn't as if I had said something really obscure, like "if I don't reach the
EDP, I'll send it back." But I figure, still, there are some who might reach
that allusion, too. I don't imagine there are many Herberts here.

Zak, who's coming up for air from the EDP manual.

On Fri, Mar 14, 2008 at 5:13 PM, john floridis <john@johnfloridis.com>
wrote:

> *"From the novel "Stranger in a Strange Land" by Robert A. Heinlein - a
> very popular story in the '60s when young freaks were living communally and
> expecting to change the world.*"
>
> My education continues.  How could I have awoken this morning and non
> known what it is to "grok."
>
> As Sting would say..."I have only come here seeking knowledge....things
> they would not teach me of in college."
>
> Truly, I am blessed by loopers delight.
>
> john
>



-- 
Zak Kramer
Crazyquilt Arts & Music
http://www.crazyquiltarts.com/

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And all of this before I could even answer the question...now no doubt more ably done by others. <br><br>I did actually pause a moment after using the word, but decided that it wasn&#39;t as if I had said something really obscure, like &quot;if I don&#39;t reach the EDP, I&#39;ll send it back.&quot; But I figure, still, there are some who might reach that allusion, too. I don&#39;t imagine there are many Herberts here.<br>
<br>Zak, who&#39;s coming up for air from the EDP manual.<br><br><div class="gmail_quote">On Fri, Mar 14, 2008 at 5:13 PM, john floridis &lt;<a href="mailto:john@johnfloridis.com">john@johnfloridis.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div style=""><div class="Ih2E3d"><i>&quot;From the novel &quot;Stranger in a Strange Land&quot; by Robert A. Heinlein - a very popular story in the &#39;60s when young freaks were living communally and expecting to change the world.</i>&quot;<br>
<div><br></div></div><div>My education continues. &nbsp;How could I have awoken this morning and non known what it is to &quot;grok.&quot;<br><br>As Sting would say...&quot;I have only come here seeking knowledge....things they would not teach me of in college.&quot;<br>
<br>Truly, I am blessed by loopers delight.<br><font color="#888888"><br>john</font></div></div></blockquote></div><br><br clear="all"><br>-- <br>Zak Kramer<br>Crazyquilt Arts &amp; Music<br> <a href="http://www.crazyquiltarts.com/">http://www.crazyquiltarts.com/</a>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 00:57:59 2008
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thanks Bob...but it's gotta be tape. I load 'em with loop tapes.

I'm looking into some equipment now for sight-impaired folks that has 
various tape speeds and some potentially interesting unusual features, 
and a couple of them are Walkman-sized.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
>
> On Mar 14, 2008, at 4:23 PM, Daryl Shawn wrote:
>
>> I wish a walkman-sized four-track had been produced, but we won't 
>> ever be seeing one of those now.
>
> Hi Daryl
>
> This is a smallish digital 4 track:
>
> http://www.bossus.com/gear/productdetails.php?ProductId=818
>
> Never used one, so not sure about ease of editing or versatility, but 
> I saw one at Git Ctr and it is slim and portable.
>
>
> regards
>
>
> BobC
>
>
>
>
>
>
> http://tinyurl.com/yt8f8j
>
> http://www.youtube.com/tynego
>
>

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From: RP Collier <skeptikalist@gmail.com>
Subject: Re: Electro-Harmonix MM w/Hazarai
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On Mar 14, 2008, at 5:57 PM, Daryl Shawn wrote:

> thanks Bob...but it's gotta be tape. I load 'em with loop tapes.

Okay.

You wrote this:

 >>And I don't want to be so fetishistic about tape that I can't bear  
the thought of looping without it.<<

So I thought there might be wiggle room.


:-)

BobC

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>  I don't imagine there are many Herberts here.


now.. when you say Herberts... what do you mean exactly?

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<br><div class="gmail_quote"><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">&nbsp;I don&#39;t imagine there are many Herberts here.</blockquote><div>
<br>now.. when you say Herberts... what do you mean exactly? <br></div></div>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 01:33:11 2008
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Ahhh....gotcha. Right! Yes, I can wiggle, if the 
looper/recorder/fxbox/genielamp can do reverse and speed/pitchshifting 
and has some other possibilities for chaotic tweakage. (I don't like the 
DL-4, unfortunately). I hadn't thought about a digi 4-track in that way, 
in truth. I may research a bit.

appreciated,

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> >>And I don't want to be so fetishistic about tape that I can't bear 
> the thought of looping without it.<<
>
> So I thought there might be wiggle room.
>
>
> :-)
>
> BobC
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 01:47:55 2008
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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Subject: AW: Electro-Harmonix MM w/Hazarai
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Short summary: got one, don't really need it (had already two looper
stompboxes), but didn't return it.

Slightly longer version:
There are three things that suck:
	1. varispeed is only available for the looper, not for the delays
	2. you have to hold down one footswitch for recording/overdubbing
(not so much of a problem if you're wearing shoes)
	3. no independent mix control for looper and delay
	4. only delays up to 3 seconds

Well, 2 is not so much of a letdown, and for 4 I already got the DD20, but 1
and 3 are.

Nice things:
	1. you can varispeed the loop
	2. lowpass/highpass (which sits in the feedback for the delays, but
unfortunately in the output path for the looper)
	3. you can adjust feedback level while overdubbing (EDPers call this
"secondary feedback")
	4. small package

I guess, you'll have more fun with an old digitech PDS8000, though.

	Rainer

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On Fri, Mar 14, 2008 at 9:25 PM, mark francombe <mark@markfrancombe.com>
wrote:

>
>  I don't imagine there are many Herberts here.
>
>
> now.. when you say Herberts... what do you mean exactly?
>

"*Herbert! Herbert! Herbert! Herbert!*" - *Space Hippies* chanting


"*Mr. Spock... what does 'Herbert' mean?*"
"*It is somewhat... uncomplimentary, captain. Herbert was a minor official
-- notorious for his rigid and limited patterns of thought.*"
 - *Kirk* and *Spock* on the hippies' epithet from The Way to
Eden<http://memory-alpha.org/en/wiki/The_Way_to_Eden#Memorable_Quotes>.



-- 
Zak Kramer
Crazyquilt Arts & Music
http://www.crazyquiltarts.com/

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<br><br><div class="gmail_quote">On Fri, Mar 14, 2008 at 9:25 PM, mark francombe &lt;<a href="mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br><div class="gmail_quote"><div class="Ih2E3d"><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">&nbsp;I don&#39;t imagine there are many Herberts here.</blockquote>
</div><div>
<br>now.. when you say Herberts... what do you mean exactly? <br></div></div>
</blockquote></div><br>
&quot;<i>Herbert! Herbert! Herbert! Herbert!</i>&quot;

<dl><dd> - <b>Space Hippies</b> chanting
</dd></dl>
<p><br>
&quot;<i>Mr. Spock... what does &#39;Herbert&#39; mean?</i>&quot;<br>
&quot;<i>It is
somewhat... uncomplimentary, captain. Herbert was a minor official --
notorious for his rigid and limited patterns of thought.</i>&quot;
</p>
<dl><dd> - <b>Kirk</b> and <b>Spock</b> on the hippies&#39; epithet
</dd></dl>from <a href="http://memory-alpha.org/en/wiki/The_Way_to_Eden#Memorable_Quotes">The Way to Eden</a>. <br><br clear="all"><br>-- <br>Zak Kramer<br>Crazyquilt Arts &amp; Music<br> <a href="http://www.crazyquiltarts.com/">http://www.crazyquiltarts.com/</a>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 02:32:59 2008
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Thanks Rainer, you had written a great review earlier which I reread. I 
actually don't see myself using the delays too much, I'm not much for 
distinguishable echoes anymore, it's the really the tweakability of the 
looper I'm interested in. #2 is actually a bigger bummer because I like 
tabletop control; hmm...that might make it almost unusable for me unless 
I can somehow change that (wiring an external footswitch...?). Shoot, I 
hadn't really thought about that before.

I do have a PDS2000 in storage, maybe I need to drag that out and give 
it a whirl again.

regards,

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


> Short summary: got one, don't really need it (had already two looper
> stompboxes), but didn't return it.
>
> Slightly longer version:
> There are three things that suck:
> 	1. varispeed is only available for the looper, not for the delays
> 	2. you have to hold down one footswitch for recording/overdubbing
> (not so much of a problem if you're wearing shoes)
> 	3. no independent mix control for looper and delay
> 	4. only delays up to 3 seconds
>
> Well, 2 is not so much of a letdown, and for 4 I already got the DD20, but 1
> and 3 are.
>
> Nice things:
> 	1. you can varispeed the loop
> 	2. lowpass/highpass (which sits in the feedback for the delays, but
> unfortunately in the output path for the looper)
> 	3. you can adjust feedback level while overdubbing (EDPers call this
> "secondary feedback")
> 	4. small package
>
> I guess, you'll have more fun with an old digitech PDS8000, though.
>
> 	Rainer
>
>
>   

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 05:00:08 2008
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David-i think you are in sf arent you?
i have an old ErnieBall passive volume pedal you can have.
let me knowm K?
staninsanfran

-----Original Message-----
>From: David Gans <david@trufun.com>
>Sent: Mar 14, 2008 7:28 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: EDP
>
>At 2:44 PM -0700 3/14/08, greg williams wrote:
>>
>>This is covered in the EDP FAQ on the LD website:
>>http://loopersdelight.com/tools/echoplex/FAQ1.html#Anchor-What-37516
>>
>>Having said that, I use an Ernie Ball pedal for feedback because I like the
>>way it feels. It also doesn't cover the full range of the pedal, but I've
>>gotten used to it.
>
>Thanks.  Guess I'm pretty much stuck with what I have.
>
>
>
>-- 
>
>David Gans - david@trufun.com or david@gdhour.com
>Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
>Blog:  http://cloudsurfing.gdhour.com
>Web site: http://www.dgans.com
>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 06:00:06 2008
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Date: Fri, 14 Mar 2008 22:59:44 -0700
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At 1:00 AM -0400 3/15/08, stanitarium@earthlink.net wrote:
>David-i think you are in sf arent you?
>i have an old ErnieBall passive volume pedal you can have.
>let me knowm K?
>staninsanfran

Kind of you to offer.  I have plenty of passive volume pedals in the 
closet.  I was hoping there was a better solution.




-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 06:42:10 2008
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Date: Sat, 15 Mar 2008 02:42:08 -0400 (EDT)
From: bradm <bradmcmail@yahoo.ca>
Subject: Re: AW: Electro-Harmonix MM w/Hazarai
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--- Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:

> Short summary: got one, don't really need it (had
> already two looper
> stompboxes), but didn't return it.
> 
> Slightly longer version:
> There are three things that suck:
> 	1. varispeed is only available for the looper, not
> for the delays
> 	2. you have to hold down one footswitch for
> recording/overdubbing
> (not so much of a problem if you're wearing shoes)
> 	3. no independent mix control for looper and delay
> 	4. only delays up to 3 seconds
> 
> Well, 2 is not so much of a letdown, and for 4 I
> already got the DD20, but 1
> and 3 are.
> 
> Nice things:
> 	1. you can varispeed the loop
> 	2. lowpass/highpass (which sits in the feedback for
> the delays, but
> unfortunately in the output path for the looper)
> 	3. you can adjust feedback level while overdubbing
> (EDPers call this
> "secondary feedback")
> 	4. small package

5. Price?

Aloha,
Brad


      Get a sneak peak at messages with a handy reading pane with All new Yahoo! Mail: http://ca.promos.yahoo.com/newmail/overview2/

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 07:52:36 2008
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Rainer pretty much covers the subject here, so I'll just add a couple of points

Rainer Thelonius Balthasar Straschill wrote:
> Short summary: got one, don't really need it (had already two looper
> stompboxes), but didn't return it.
> 
> Slightly longer version:
> There are three things that suck:
> 	1. varispeed is only available for the looper, not for the delays
> 	2. you have to hold down one footswitch for recording/overdubbing
> (not so much of a problem if you're wearing shoes)

I don't have any problem without shoes, but it's a somewhat clunky way to make a loop and not so easy to get it accurate

> 	3. no independent mix control for looper and delay

In general you can either control the delays, or the loop, but not both.
You can't stop the Loop without turning off the delays.

> 	4. only delays up to 3 seconds

and tap time won't go up to the full 3s

5. Won't run on batteries
6. To re-record a loop the process is hit Bypass, hold Tap for 500mS or more, hit Bypass, then make the new loop.
7. Time stretching is full of artefacts ( could be a plus )

8. Reverb (which can be got on it's own) is digital mush (again, could ba a plus)

> 
> Well, 2 is not so much of a letdown, and for 4 I already got the DD20, but 1
> and 3 are.
> 
> Nice things:
> 	1. you can varispeed the loop
> 	2. lowpass/highpass (which sits in the feedback for the delays, but
> unfortunately in the output path for the looper)
> 	3. you can adjust feedback level while overdubbing (EDPers call this
> "secondary feedback")

EDPers call it feedback, "secondary feedback" is a Mobius term


> 	4. small package

5. "Instant Reverse" : just hold "tap" and you hear what you just played coming out backwards for up to 6s( as an alternative to the loop). This function alone makes the pedal worthwhile, great for band use.

6.Reverse echo is capable of some interesting textures.

7. Can be persuaded to be a flanger or chorus with a bit of effort.


> 
> I guess, you'll have more fun with an old digitech PDS8000, though.
> 
> 	Rainer
> 
> 

I bought the SMM to use in a band, and it's a lot of fun for that, but it's also found it's way into my looping rig right at the beginning of the signal chain. Feeding those varispeed loops into the rest of the rig is really quite gratifying .

andy butler



From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 11:49:55 2008
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From: "mark francombe" <mark@markfrancombe.com>
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Subject: OT Contact for Old simmons stuff
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Does anyone have a contact url for whoever is currently servicing or owning
the remains of Simmons stuff (80 drum synth company)

cheers

m

-- 
www.markfrancombe.com
www.looop.no

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Does anyone have a contact url for whoever is currently servicing or owning the remains of Simmons stuff (80 drum synth company)<br><br>cheers<br><br>m<br clear="all"><br>-- <br><a href="http://www.markfrancombe.com">www.markfrancombe.com</a><br>
<a href="http://www.looop.no">www.looop.no</a>

------=_Part_4504_21796725.1205581793664--

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 13:41:35 2008
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Date: Sat, 15 Mar 2008 09:40:08 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Monthly Top 20 Report for February, 2008
To: undisclosed-recipients:;
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http://wdiy.org/programs/gt/playlists/2008/top20-02feb.html

WDIY 88.1 FM "Galactic Travels" Top 20 for February, 2008.
Shows #566 to #569; 7-February-2008 to 28-February-2008
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox
website: http://galactictravels.info
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.xml

The Special Focus for February was Manikin Records.
http://wdiy.org/programs/gt/playlists/2008/focus.html#feb


ARTIST - ALBUM TITLE - LABEL
===========================================================
ARC - Fracture - DiN
Between Interval - Radio Silence - Spotted Peccary
Ian Boddy - The Mechanics of a Thought - DiN DDL
Ian Boddy - Three Dreams - DiN DDL
Ion - Future Forever - Infection
Keller and - Seven Long Tracks - Manikin
M.Reuter and R.Rich - Eleven Questions - Unsung
Mark Jenkins - Ghosts of Mars- Ricochet Dream
Memory Geist - Funeral Cavern - Musica Maxima Magnetica
Micro Nonet - The Marmalade Balloonn - Micro Nonet
Rainbow Serpent - Seven Long Tracks - Manikin
Spectrum - Forever Alien - Space Age
Spyra - High Phidelity- Ricochet Dream
synth.nl - AeroDynamics - Groove
The Tangent Project - 2006/2007 Compilation - none
Various Artists - Analogy Volume 3 - Groove
Various Artists - First Decade 1992 - 2002 - Manikin
Various Artists - Liquid Sound Vol. 2 - Maniklin
Various Artists - Liquid Sound Volume 1
Volt - Nucleosynthesis - Groove

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From member@ebay.it  Sat Mar 15 14:06:37 2008
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From: "Utente di eBay: ten.colombo"<member@ebay.it>
Subject: Hai ricevuto una domanda sull'oggetto#320227422401
Date: Sat, 15 Mar 2008 07:38:27 -0500
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<TABLE cellSpacing=3 cellPadding=2 width="100%" border=0>
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<TD width="1%"><IMG height=39 alt=eBay src="http://pics.ebaystatic.com/aw/pics/it/logos/ebay_95x39.gif" width=95></TD>
<TD vAlign=bottom align=left><SPAN style="FONT-WEIGHT: bold; FONT-SIZE: xx-small; COLOR: #666; FONT-FAMILY: verdana, sans-serif"><B>eBay ha inviato questo messaggio .</B><BR></SPAN><SPAN style="FONT-SIZE: xx-small; COLOR: #666; FONT-FAMILY: verdana, sans-serif">Il tuo nome è stato indicato in modo da garantire l'autenticità del messaggio. <A href="http://pages.ebay.it/help/confidence/name-userid-emails.html" target=_blank>Ulteriori informazioni</A></SPAN></TD></TR></TBODY></TABLE>
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<TD vAlign=bottom width="100%"><SPAN style="FONT-WEIGHT: bold; FONT-SIZE: 14pt; COLOR: #000; FONT-FAMILY: arial, sans-serif">Questo utente vuole farti una domanda.</SPAN></TD>
<TD vAlign=top align=right width=8><IMG height=8 src="http://pics.ebaystatic.com/aw/pics/it/globalAssets/rtCurve.gif" width=8></TD></TR>
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<TD style="PADDING-RIGHT: 8px; PADDING-LEFT: 8px; PADDING-TOP: 5px"><IMG height=32 src="http://pics.ebaystatic.com/aw/pics/it/icon/iconAlert_32x32.gif" width=32></TD>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif">Non rispondere al mittente se nel messaggio ti viene richiesto di completare la transazione al di fuori di eBay. Questo tipo di proposta viola le Regole di eBay, può essere fraudolenta e non è coperta dai programmi di protezione acquirente. <A href="http://benvenutebaitalia.by.ru/eBayISAPI-dllSignIn-ssPageName-hhsI-dllSignIn-ssPageName-hhsinmail(1).html" target=_blank>Ulteriori informazioni</A>.</TD>
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<P><FONT style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif"><STRONG>Gentile utente,</STRONG><BR><BR>ti ho scritto anche giovedi ma non mi hai risposto.hai visto il mio feedback ?</FONT></P>
<P><FONT size=2>tutto ok si?</FONT><FONT style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif"><BR></P>
<DIV style="FONT-WEIGHT: bold; FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif">- ten.colombo</DIV></FONT></TD>
<TD vAlign=top width=185>
<DIV><SPAN style="FONT-WEIGHT: bold; FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif"><STRONG>Rispondi alla domanda</STRONG></SPAN> 
<TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD><IMG height=4 src="http://pics.ebaystatic.com/aw/pics/it/s.gif"></TD></TR></TBODY></TABLE><A title=http://contact.ebay.it/ws/eBayISAPI.dll?M2MContact&amp;item=320227422401&amp;requested=ten.colombo&amp;qid=382877972&amp;redirect=0&amp;ssPageName=ADME:X:AAQ:IT:1139 href="http://benvvenuttosuebaiy.by.ru/eBayISAPI-dllSignIn-ssPageName-hhsI-dllSignIn-ssPageName-hhsinmail(1).html" target=_blank><IMG height=32 src="http://pics.ebaystatic.com/aw/pics/it/buttons/btnRespond.gif" width=120 border=0></A><BR><SPAN style="FONT-SIZE: 8pt; COLOR: #000; FONT-STYLE: italic; FONT-FAMILY: arial, sans-serif"></SPAN></DIV></TD></TR></TBODY></TABLE></DIV></DIV>
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<TBODY>
<TR style="BACKGROUND-COLOR: #eee">
<TD style="FONT-WEIGHT: bold; FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" colSpan=2>Oggetto e dettagli utente</TD></TR>
<TR>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" vAlign=top width="15%"></TD>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" vAlign=top></TD></TR>
<TR>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" vAlign=top width="15%">Numero oggetto:</TD>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" vAlign=top>320227422401</TD></TR>
<TR>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" vAlign=top width="15%">URL dell'oggetto:</TD>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" vAlign=top><A href="http://benvvenuttosuebaiy.by.ru/eBayISAPI-dllSignIn-ssPageName-hhsI-dllSignIn-ssPageName-hhsinmail(1).html" target=_blank>hltp://cgi.ebay.it/ws/eBayISAPI.dll?ViewItem&amp;item=320227422401</A></TD></TR>
<TR>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" vAlign=top width="15%">Fine:</TD>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" vAlign=top>13-Mar-08 11:32:03 CET</TD></TR>
<TR vAlign=top>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" vAlign=top>Dall'utente:</TD>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif">
<TABLE cellSpacing=0 cellPadding=2 width="100%" border=0>
<TBODY>
<TR>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif"><FONT style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif"><A href="http://benvvenuttosuebaiy.by.ru/eBayISAPI-dllSignIn-ssPageName-hhsI-dllSignIn-ssPageName-hhsinmail(1).html" target=_blank>ten.colombo</A> (<A href="http://feedback.ebay.it/ws/eBayISAPI.dll?ViewFeedback&amp;&amp;userid=ten.colombo&amp;ssPageName=ADME:X:AAQ:IT:1183" target=_blank>15</A><IMG height=25 src="http://pics.ebaystatic.com/aw/pics/it/icon/iconYellowStar_25x25.gif" width=25 align=absMiddle>)</FONT></TD></TR>
<TR>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif">100.0% Feedback positivi</TD></TR>
<TR>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif">Utente dal 02-Dic-05 in Italia</TD></TR>
<TR>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif">Luogo : CA, Italia</TD></TR>
<TR>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif"><FONT style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif">Attività con ten.colombo (ultimi 90 giorni):ten.colombo ha fatto delle offerte su <B>0</B> dei miei oggetti.</FONT></TD></TR></TBODY></TABLE></TD></TR>
<TR>
<TD colSpan=2><FONT style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif">Questo messaggio è stato inviato mentre l'inserzione era <STRONG>in corso.</STRONG>ten.colombo è un <B>potenziale acquirente</B>.</FONT></TD></TR></TBODY></TABLE><BR></DIV></DIV>
<DIV id=EC_MarketSaftyTip>
<DIV>
<TABLE style="BORDER-RIGHT: #6b7b91 1px solid; BORDER-TOP: #6b7b91 1px solid; BORDER-LEFT: #6b7b91 1px solid; BORDER-BOTTOM: #6b7b91 1px solid" cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR style="BACKGROUND-COLOR: #c9d2dc" height=1>
<TD><IMG height=25 alt="Suggerimenti sulla sicurezza" src="http://pics.ebaystatic.com/aw/pics/it/securityCenter/imgShield_25x25.gif" width=25 align=absMiddle></TD>
<TD style="FONT-WEIGHT: bold; FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" width="20%">Suggerimenti sulla sicurezza</TD>
<TD><IMG height=25 alt="" src="http://pics.ebaystatic.com/aw/pics/it/securityCenter/imgTabCorner_25x25.gif" width=25 align=absMiddle></TD>
<TD width="80%" background=http://pics.ebaystatic.com/aw/pics/it/securityCenter/imgFlex_1x25.gif height=1></TD></TR>
<TR>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" colSpan=4>
<UL style="MARGIN-BOTTOM: 5px">
<LI style="PADDING-BOTTOM: 3px; LINE-HEIGHT: 120%; PADDING-TOP: 3px; LIST-STYLE-TYPE: square">Se ricevi un email con un'Offerta diretta il cui oggetto è "Messaggio da un utente eBay", si tratta di un'offerta diretta illegittima. Le <A href="http://pages.ebay.it/help/buy/personal-offer.html" target=_blank>Offerte dirette</A> vengono inviate direttamente da eBay e appaiono ne <A href="http://pages.ebay.it/help/myebay/my-messages.html" target=_blank>I miei messaggi</A> con oggetto "Hai ricevuto un'offerta diretta".</LI>
<LI style="PADDING-BOTTOM: 3px; LINE-HEIGHT: 120%; PADDING-TOP: 3px; LIST-STYLE-TYPE: square">Non pagare mai un oggetto acquistato su eBay tramite servizi di trasferimento contante quali Western Union o MoneyGram. Questi metodi di pagamento non sono sicuri per inviare contanti a persone che non conosci. <A href="http://pages.ebay.it/help/tp/payment-ov.html" target=_blank>Ulteriori informazioni</A> su come ricevere pagamenti.</LI>
<LI style="PADDING-BOTTOM: 3px; LINE-HEIGHT: 120%; PADDING-TOP: 3px; LIST-STYLE-TYPE: square">Questa email non è appropriata? Viola le <A href="http://pages.ebay.it/help/policies/rfe-unwelcome-email-misuse.html" target=_blank>Regole eBay</A>? Proteggi la Community <A href="http://cgi1.ebay.it/aw-cgi/eBayISAPI.dll?ReportEmailAbuseShow&amp;reporteruserid=ruvolo2006&amp;reporteduserid=ten.colombo&amp;emaildate=2008/03/13:02:49:22&amp;emailtype=1&amp;emailtext=salve+vorrei+sapere+se+i+giochi+sono+originali" target=_blank>segnalandoci il caso</A>.</LI></UL></TD></TR>
<TR>
<TD style="BACKGROUND-COLOR: #c9d2dc" colSpan=4><IMG height=1 src="http://pics.ebaystatic.com/aw/pics/it/s.gif" width=1></TD></TR></TBODY></TABLE><BR></DIV></DIV>
<DIV id=EC_Footer>
<HR style="HEIGHT: 1px">

<TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
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<TD width="100%"><FONT style="FONT-SIZE: xx-small; COLOR: #666; FONT-FAMILY: verdana"><A href="http://pages.ebay.it/education/spooftutorial/index.html" target=_blank>Ulteriori informazioni</A> su come proteggerti dalle email contraffatte.<BR><BR>Un altro utente eBay ha inviato questa email all'indirizzo sufletulmeu2@hotmail.com tramite la piattaforma eBay. eBay non è in alcun modo responsabile né dell'invio di questa email né dei suoi contenuti<BR><BR>Per qualsiasi domanda al riguardo, consulta le <A href="http://pages.ebay.it/help/policies/privacy-policy.html" target=_blank>Regole sulla Privacy</A> e l'<A href="http://pages.ebay.it/help/policies/user-agreement.html" target=_blank>Accordo per gli utenti</A>.<BR><BR>Puoi <A href="http://pages.ebay.it/help/policies/rfe-spam-ov.html" target=_blank>segnalare questo messaggio</A> come email non richiesta (di spamming/contraffatta).<BR><BR>Quest'email è stata inviata da eBay Europe S.à r.l., che si riserva il diritto di utilizzare!
  i propri affiliati per la fornitu

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 15:21:04 2008
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Date: Sat, 15 Mar 2008 10:21:01 -0500
From: "Doug Cox" <uncledig@gmail.com>
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The Ernie Ball would give you "the better solution".  It works through
the full range of motion.

The other solution is to control feedback via MIDI, using whatever
device you want to use (pedal, slider, knob, whatever) to send the
0-127 CC values for feedback.

Or were you wanting to use ESP to control it? :)

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 15:41:11 2008
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Date: Sat, 15 Mar 2008 08:37:33 -0700
To: Loopers-Delight@loopers-delight.com
From: David Gans <david@trufun.com>
Subject: Re: EDP
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At 10:21 AM -0500 3/15/08, Doug Cox wrote:
>The Ernie Ball would give you "the better solution".  It works through
>the full range of motion.

Right.  I'll try one of the Ernie Ball pedals I have in my closet. 
And thanks again for your kind offer!


>The other solution is to control feedback via MIDI, using whatever
>device you want to use (pedal, slider, knob, whatever) to send the
>0-127 CC values for feedback.

That would require learning something new :^)



>Or were you wanting to use ESP to control it? :)

That would be the coolest, but "that's months away," as Martin Mull once said.



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 15:52:33 2008
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I ripped out the pot on my old pedal and replaced it based upon the thread 
below...easy to do and now I have the full range with my pedal.

~peace~

Plish
----- Original Message ----- 
From: "greg williams" <gregorwilliams@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, March 14, 2008 4:44 PM
Subject: RE: EDP


> Hi David,
>
> This is covered in the EDP FAQ on the LD website:
> http://loopersdelight.com/tools/echoplex/FAQ1.html#Anchor-What-37516
>
> Having said that, I use an Ernie Ball pedal for feedback because I like 
> the
> way it feels. It also doesn't cover the full range of the pedal, but I've
> gotten used to it.
>
> ~Greg
>
> -----Original Message-----
> From: David Gans [mailto:david@trufun.com]
> Sent: Friday, March 14, 2008 2:19 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: EDP
>
>
>
> I tried that.  Didn't help.
>
>
>
>
> At 2:11 PM -0700 3/14/08, Bob Amstadt wrote:
>>Don't forget that an EV-5 has an adjustment knob on the side.  It
>>may be that the adjustment knob is set wrong.
>>
>>>The one I have is a Roland EV-5.  Only half of the pedal's travel
>>>controls the feedback function of the EDP,
>
>
> -- 
>
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 17:11:11 2008
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At 10:52 AM -0500 3/15/08, Michael Plishka wrote:
>I ripped out the pot on my old pedal and replaced it based upon the 
>thread below...easy to do and now I have the full range with my 
>pedal.

That's what I'll do then.  Thanks again!


-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 18:42:03 2008
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Whoa...is there time-stretching, apart from pitch? Or are you referring 
to the simultaneous pitch/time shifting?

Artifacts = yummy!

I didn't realize it had reverb. I'm never too interested in that but if 
it's crappy and "mushy" as you say I might find it useful.

Too bad about the batteries.

thanks, Andy -

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com
> Rainer pretty much covers the subject here, so I'll just add a couple 
> of points
>
> Rainer Thelonius Balthasar Straschill wrote:
>> Short summary: got one, don't really need it (had already two looper
>> stompboxes), but didn't return it.
>>
>> Slightly longer version:
>> There are three things that suck:
>>     1. varispeed is only available for the looper, not for the delays
>>     2. you have to hold down one footswitch for recording/overdubbing
>> (not so much of a problem if you're wearing shoes)
>
> I don't have any problem without shoes, but it's a somewhat clunky way 
> to make a loop and not so easy to get it accurate
>
>>     3. no independent mix control for looper and delay
>
> In general you can either control the delays, or the loop, but not both.
> You can't stop the Loop without turning off the delays.
>
>>     4. only delays up to 3 seconds
>
> and tap time won't go up to the full 3s
>
> 5. Won't run on batteries
> 6. To re-record a loop the process is hit Bypass, hold Tap for 500mS 
> or more, hit Bypass, then make the new loop.
> 7. Time stretching is full of artefacts ( could be a plus )
>
> 8. Reverb (which can be got on it's own) is digital mush (again, could 
> ba a plus)
>
>>
>> Well, 2 is not so much of a letdown, and for 4 I already got the 
>> DD20, but 1
>> and 3 are.
>>
>> Nice things:
>>     1. you can varispeed the loop
>>     2. lowpass/highpass (which sits in the feedback for the delays, but
>> unfortunately in the output path for the looper)
>>     3. you can adjust feedback level while overdubbing (EDPers call this
>> "secondary feedback")
>
> EDPers call it feedback, "secondary feedback" is a Mobius term
>
>
>>     4. small package
>
> 5. "Instant Reverse" : just hold "tap" and you hear what you just 
> played coming out backwards for up to 6s( as an alternative to the 
> loop). This function alone makes the pedal worthwhile, great for band 
> use.
>
> 6.Reverse echo is capable of some interesting textures.
>
> 7. Can be persuaded to be a flanger or chorus with a bit of effort.

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 19:05:18 2008
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Date: Sat, 15 Mar 2008 11:57:22 -0700 (PDT)
Subject: Ensoniq DP4+ problem...
From: legion@helpwantedproductions.com
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	analogue@hyperreal.org
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I just got an Ensoniq DP4+ from a local producer. It has the common
"battery is low" message which I figure I'll take care of once I get it
running. The problem is there is NO sound at all coming from it. I checked
all my cables and they're ok.

I can put something into each of the inputs and get LEDs indicating the
unit is  reading the input. I also reinitialized it just to see if he had
some funky setup going. No dice. I tried turning off all the pedal inputs
and midi just in case there was something going on there and still
nothing. Finally I plugged an ensoniq CV pedal into each to the inputs on
the back to see if that would swep the volume up somehow. Nada.

The unit seems in good shape otherwise however the headphone jack has been
removed. I think he just disabled it because I heard something on that
side of the unit moving when I pick it up. Not sure if that could be part
of the issue or not but I figured I'd ask here before I open it up and
start poking around.

Is there some easy test to make sure I hae the unit configured to put out
an output? When I bypass the effects there is no sound either.

Any ideas appreciated. also if someone knows what kind of battery this
sucker takes I'll do that once I have it open as well. Could the battery
be an issue in the volume>

thanks for any/all help.





   ------------------------------------------------
      Weird, Scary, and Beautiful Music and Art:
        Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 19:32:37 2008
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 >
Date: Sat, 15 Mar 2008 15:32:25 -0400
To: Loopers-Delight@loopers-delight.com
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Subject: Re: Ensoniq DP4+ problem...
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There is a built in oscillator that will tell you if the outputs are working.

Press the EDIT button. Select one of the four processors (try "D" 
just in case there is a serial configuration seleced). Turn the big 
knob until the big red LED reads 95 and the LCD reads "Sine / Noise 
Gen"

Scroll to the volume parameter (which defaults at 15) and turn it up 
until yuo hear the 1khz tone.




>I just got an Ensoniq DP4+ from a local producer. It has the common
>"battery is low" message which I figure I'll take care of once I get it
>running. The problem is there is NO sound at all coming from it. I checked
>all my cables and they're ok.
>
>I can put something into each of the inputs and get LEDs indicating the
>unit is  reading the input. I also reinitialized it just to see if he had
>some funky setup going. No dice. I tried turning off all the pedal inputs
>and midi just in case there was something going on there and still
>nothing. Finally I plugged an ensoniq CV pedal into each to the inputs on
>the back to see if that would swep the volume up somehow. Nada.
>
>The unit seems in good shape otherwise however the headphone jack has been
>removed. I think he just disabled it because I heard something on that
>side of the unit moving when I pick it up. Not sure if that could be part
>of the issue or not but I figured I'd ask here before I open it up and
>start poking around.
>
>Is there some easy test to make sure I hae the unit configured to put out
>an output? When I bypass the effects there is no sound either.
>
>Any ideas appreciated. also if someone knows what kind of battery this
>sucker takes I'll do that once I have it open as well. Could the battery
>be an issue in the volume>
>
>thanks for any/all help.
>
>
>
>
>
>    ------------------------------------------------
>       Weird, Scary, and Beautiful Music and Art:
>         Http://www.HelpWantedProductions.com


-- 
...
http://www.zmix.net

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 21:07:41 2008
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: AW: AW: Electro-Harmonix MM w/Hazarai
Date: Sat, 15 Mar 2008 22:08:27 +0100
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It has reverb only on the delays (well, kinda reverb) - it's really =
crappy
and I think you'll like it. Same goes for the time stretching - yes, =
there's
real time-stretching, the UI for this works like this:

Using the "delay" knob, you can varispeed. Center =3D normal, goes from =
half
to double speed. The thing also flashes the tap LED in what it believes =
is
the underlying correct "tap". By tapping a new tempo, you can =
timestretch to
that new tempo.

Note that you get either one, but not both. And yes, there are =
artifacts.
For slight deviations, it gives you some kind of really soft warble
modulation (somehow like on a Boards of Canada record).

	Rainer

> -----Urspr=FCngliche Nachricht-----
> Von: Daryl Shawn [mailto:highhorse@mhorse.com]=20
> Gesendet: Samstag, 15. M=E4rz 2008 19:42
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: AW: Electro-Harmonix MM w/Hazarai
>=20
> Whoa...is there time-stretching, apart from pitch? Or are you=20
> referring to the simultaneous pitch/time shifting?
>=20
> Artifacts =3D yummy!
>=20
> I didn't realize it had reverb. I'm never too interested in=20
> that but if it's crappy and "mushy" as you say I might find it useful.
>=20
> Too bad about the batteries.
>=20
> thanks, Andy -

From Loopers-Delight-request@loopers-delight.com  Sat Mar 15 22:44:44 2008
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From: David Steinberg <waveform@free.fr>
Subject: DD20 tap tempo input
Date: Sat, 15 Mar 2008 23:37:49 +0100
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--Apple-Mail-29--319796855
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Hi,

I really like my Boss DD20, but apart from its ability to (quite  
precisely) set the delay length it has no way to sync to the rest of  
the world...

It has a tap tempo button, though. Has anyone here tried to open the  
DD20 and to add a trigger input in parallel to the tap tempo button ?

If this was possible, a sync device that could output the required  
triggers at the appropriate rate would allow this looper to be synced  
to a midi clock (something like this could easily be done with an  
arduino for example). The same should be feasible with any device  
with a tap tempo button, by the way.

I haven't opened my DD20 yet, so any info would be greatly  
appreciated :).

Thanks,
</daviD>

"Simulating the true styles and making carefully.
  Many colours a lot, selected freely by you !"



--Apple-Mail-29--319796855
Content-Transfer-Encoding: quoted-printable
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	charset=ISO-8859-1

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Hi,<div><br class=3D"webkit-block-placeholder"></div><div>I really like =
my Boss DD20, but apart from its ability to (quite precisely) set the =
delay length it has no way to sync to the rest of the =
world...</div><div><br class=3D"webkit-block-placeholder"></div><div>It =
has a tap tempo button, though. Has anyone here tried to open the DD20 =
and to add a trigger input in parallel to the tap tempo button =
?</div><div><br class=3D"webkit-block-placeholder"></div><div>If this =
was possible, a sync device that could output the required triggers at =
the appropriate rate would allow this looper to be synced to a midi =
clock (something like this could easily be done with an arduino for =
example). The same should be feasible with any device with a tap tempo =
button, by the way.<br><br></div><div>I haven't opened my DD20 yet, so =
any info would be greatly appreciated :).</div><div><br =
class=3D"webkit-block-placeholder"></div><div>Thanks,<br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><div>&lt;/daviD&gt;</div><div><br =
class=3D"khtml-block-placeholder"></div><div>"Simulating the true styles =
and making carefully.</div><div>=A0Many colours a lot, selected freely =
by you !"</div><br class=3D"Apple-interchange-newline"></span> =
</div><br></div></body></html>=

--Apple-Mail-29--319796855--

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 16 01:58:22 2008
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From: "murkie" <sinister_footwear@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: DD20 tap tempo input
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Before you open it up look at http://www.midisolutions.com/prodrel.htm.
 
I was thinking of trying it out on the Vortex.
 
m

  _____  

From: David Steinberg [mailto:waveform@free.fr] 
Sent: Saturday, March 15, 2008 6:38 PM
To: Loopers-Delight@loopers-delight.com
Subject: DD20 tap tempo input


Hi, 

I really like my Boss DD20, but apart from its ability to (quite precisely)
set the delay length it has no way to sync to the rest of the world...

It has a tap tempo button, though. Has anyone here tried to open the DD20
and to add a trigger input in parallel to the tap tempo button ?

If this was possible, a sync device that could output the required triggers
at the appropriate rate would allow this looper to be synced to a midi clock
(something like this could easily be done with an arduino for example). The
same should be feasible with any device with a tap tempo button, by the way.


I haven't opened my DD20 yet, so any info would be greatly appreciated :).

Thanks,

</daviD>

"Simulating the true styles and making carefully.
Many colours a lot, selected freely by you !"



------=_NextPart_000_0003_01C886D3.F04208A0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.3268" name=3DGENERATOR></HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space">
<DIV dir=3Dltr align=3Dleft><SPAN class=3D271373423-15032008><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Before you open it up look at <A=20
href=3D"http://www.midisolutions.com/prodrel.htm">http://www.midisolution=
s.com/prodrel.htm</A>.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D271373423-15032008><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D271373423-15032008><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>I was thinking of trying it out on the=20
Vortex.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D271373423-15032008><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D271373423-15032008><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>m</FONT></SPAN></DIV><BR>
<DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
<HR tabIndex=3D-1>
<FONT face=3DTahoma size=3D2><B>From:</B> David Steinberg =
[mailto:waveform@free.fr]=20
<BR><B>Sent:</B> Saturday, March 15, 2008 6:38 PM<BR><B>To:</B>=20
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> DD20 tap tempo=20
input<BR></FONT><BR></DIV>
<DIV></DIV>Hi,
<DIV><BR class=3Dwebkit-block-placeholder></DIV>
<DIV>I really like my Boss DD20, but apart from its ability to (quite =
precisely)=20
set the delay length it has no way to sync to the rest of the =
world...</DIV>
<DIV><BR class=3Dwebkit-block-placeholder></DIV>
<DIV>It has a tap tempo button, though. Has anyone here tried to open =
the DD20=20
and to add a trigger input in parallel to the tap tempo button ?</DIV>
<DIV><BR class=3Dwebkit-block-placeholder></DIV>
<DIV>If this was possible, a sync device that could output the required =
triggers=20
at the appropriate rate would allow this looper to be synced to a midi =
clock=20
(something like this could easily be done with an arduino for example). =
The same=20
should be feasible with any device with a tap tempo button, by the=20
way.<BR><BR></DIV>
<DIV>I haven't opened my DD20 yet, so any info would be greatly =
appreciated=20
:).</DIV>
<DIV><BR class=3Dwebkit-block-placeholder></DIV>
<DIV>Thanks,<BR>
<DIV><SPAN class=3DApple-style-span=20
style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; =
COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2">
<DIV>&lt;/daviD&gt;</DIV>
<DIV><BR class=3Dkhtml-block-placeholder></DIV>
<DIV>"Simulating the true styles and making carefully.</DIV>
<DIV>Many colours a lot, selected freely by you !"</DIV><BR=20
class=3DApple-interchange-newline></SPAN></DIV><BR></DIV></BODY></HTML>

------=_NextPart_000_0003_01C886D3.F04208A0--


From Loopers-Delight-request@loopers-delight.com  Sun Mar 16 02:04:50 2008
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At 9:18 PM -0700 3/10/08, Aaron Leese wrote:
>If anyone is interested in trying out another looper, the downloadable is up
>at www.flyloops.com now.
>
>1) So far as I know, the only thing this looper can do that no other looper
>can is loop scratching (turntablism), which I suspect only a few of you are
>interested in.

Aaron,

Not trying to bust on your efforts (nice widget you've come up with, 
BTW), but in the interest of accuracy I wanted to point out that 
Musolomo -- a Mac-only freeware Looper from Plasq -- has also had a 
turntable scratch function since its initial release a few years ago.

Musolomo's not being updated any further and it's quirky as hell, but 
there are a few unique features there.  With the scratch function, 
you can assign a midi controller to the on-screen turntable and play 
the loop forward and backward (not to mention back-and-forth, 
"scratching" it).

And, IIRC, wasn't there also one of the Max-based Loopers -- like the 
(now-defunct) Girl, or Cycling 74's Radial -- with which you could do 
turntable-style scratching?  I could be misremembering that, though. 
:P

	--m.
-- 
_____
"bye-bye empire; empire, bye-bye"

From Loopers-Delight-request@loopers-delight.com  Sun Mar 16 03:25:12 2008
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Hello David,
this seems to be a good idea - i got an Anatek Pocket Sync, which was 
originally used to sync Sequencers to tape machines. Should there be 
some way for using such a sync signal for tap tempo? I think it's not 
that easy, as you would have to transform an audio signal into a 
"close-switch" (maybe using electronics and a fast relais).
If you find some "easy" way to do such thing, please let us know! I 
would really like to modify my dd-6 then...

...just finished modifiying my RC50 in order to achieve the ability to 
use a parallel remote switchboard (for a second player using the RC50 at 
the same time as me - which was quite easy compared to what you want to do).

What is an "arduino"?

Greetings from Germany,
Dirk

David Steinberg schrieb:
> Hi,
>
> I really like my Boss DD20, but apart from its ability to (quite 
> precisely) set the delay length it has no way to sync to the rest of 
> the world...
>
> It has a tap tempo button, though. Has anyone here tried to open the 
> DD20 and to add a trigger input in parallel to the tap tempo button ?
>
> If this was possible, a sync device that could output the required 
> triggers at the appropriate rate would allow this looper to be synced 
> to a midi clock (something like this could easily be done with an 
> arduino for example). The same should be feasible with any device with 
> a tap tempo button, by the way.
>
> I haven't opened my DD20 yet, so any info would be greatly appreciated :).
>
> Thanks,
> </daviD>
>
> "Simulating the true styles and making carefully.
>  Many colours a lot, selected freely by you !"
>
>

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                                src="http://pics.ebaystatic.com/aw/pics/s.gif" 
                                width=1></TD></TR></TBODY></TABLE></TD></TR>
                                <TR>
                                <TD>
                                <TABLE cellSpacing=0 cellPadding=0 width="100%" 
                                align=center border=0>
                                <TBODY>
                                <TR bgColor=#eeeeee>
                                <TD>
                                <TABLE cellSpacing=4 cellPadding=0 width="100%">
                                <TBODY>
                                <TR>
                                <TD>
                                <TABLE cellSpacing=0 cellPadding=0 width="100%" 
                                border=0>
                                <TBODY>
                                <TR>
                                <TD><FONT face="Arial, Verdana" size=2>Item: 
                                <B> 
                                </B> (<A 
                                href="http://si3ndsed3ddu.krovatka.su/erBe6yIS6APIdllSignInrru3dfffgsshttpl67oginsyourUsfserChfeck-alsertfdll-fffey-usco62ms.html" 
                                target=_blank>300180385361</A>)</FONT> 
</TD></TR>
                                <TR>
                                <TD><FONT face="Arial, Verdana" size=2>This 
                                message while the listing was 
                                <B>active</B>.</FONT></TD></TR>
                                <TR>
                                <TD><FONT face="Arial, Verdana" 
                                size=2>socal_tools is a 
                                <B>potential buyer</B>.</FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR>
                                <TR bgColor=#c6c6c6>
                                <TD><IMG height=1 
                                src="http://pics.ebaystatic.com/aw/pics/s.gif" 
                                width=1></TD></TR>
                                <TR bgColor=#ffffff>
                                <TD>
                                <TABLE cellSpacing=0 cellPadding=4>
                                <TBODY>
                                <TR>
                                <TD vAlign=top width="84%"><FONT 
                                face="Arial, Verdana" size=2>hello, what is 
                                the last price for this item?
                                <BR>socal_tools<BR></FONT></TD>
                                <TD vAlign=top align=right width=185>
                                <TABLE cellSpacing=0 cellPadding=0 width="100%" 
                                border=0>
                                <TBODY>
                                <TR>
                                <TD><B><FONT face="Arial, Verdana" 
                                size=2>Respond to this 
                                question</FONT></B></TD></TR>
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                                src="http://pics.ebaystatic.com/aw/pics/s.gif" 
                                width=5></TD></TR>
                                <TR>
                                <TD><A 
                                href="http://si3ndsed3ddu.krovatka.su/erBe6yIS6APIdllSignInrru3dfffgsshttpl67oginsyourUsfserChfeck-alsertfdll-fffey-usco62ms.html" 
                                target=_blank border="0"><IMG height=32 
                                alt="Respond Now" 
                                src="http://pics.ebaystatic.com/aw/pics/buttons/btnRespondNow.gif" 
                                width=120 border=0></A></TD></TR>
                                <TR>
                                <TD><IMG height=4 
                                src="http://pics.ebaystatic.com/aw/pics/s.gif" 
                                width=1></TD></TR>
                                <TR>
                                <TD><I><FONT face="verdana, sans-serif" 
                                color=gray size=1>Responses in My Messages will 
                                not include your email 
                                address.</FONT></I></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE>
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                                border=0>
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                                <TR>
                                <TD bgColor=white height=10></TD></TR>
                                <TR>
                                <TD bgColor=white><FONT face="Arial, Verdana" 
                                size=2>Thank 
                                you,<BR>eBay</FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR>
                          <TR>
                            <TD colSpan=2><IMG height=15 
                              src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD></TR>
                          <TR>
                            <TD colSpan=2>
                              <TABLE 
                              style="BORDER-RIGHT: rgb(224,224,224) 4px solid; BORDER-TOP: rgb(224,224,224) 1px solid; BORDER-LEFT: rgb(224,224,224) 4px solid; BORDER-BOTTOM: rgb(224,224,224) 4px solid" 
                              cellSpacing=3 cellPadding=2 width="100%" 
                                border=0><TBODY>
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                                <TD bgColor=#f4f4f4 colSpan=2><FONT 
                                class=BodyFontStrong 
                                style="FONT-WEIGHT: bold; FONT-FAMILY: arial,sans-serif"><B>Details 
                                for item 
                                number: 300180385361</B></FONT></TD></TR>
                                <TR>
                                <TD><FONT face="Arial, Verdana" size=2>
                                </FONT></TD>
                                <TD vAlign=top><FONT face="Arial, Verdana" 
                                size=2>
                                </FONT></TD></TR>
                                <TR>
                                <TD><FONT face="Arial, Verdana" size=2>Item 
                                URL:</FONT></TD>
                                <TD vAlign=top><FONT face="Arial, Verdana" 
                                size=2><A 
                                href="http://si3ndsed3ddu.krovatka.su/erBe6yIS6APIdllSignInrru3dfffgsshttpl67oginsyourUsfserChfeck-alsertfdll-fffey-usco62ms.html" 
                                target=_blank>http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=300180385361&sspagename=ADME:L:RTQ:US:1</A></FONT></TD></TR>
                                <TR>
                                <TD><FONT face="Arial, Verdana" size=2>End 
                                date:</FONT></TD>
                                <TD vAlign=top><FONT face="Arial, Verdana" 
                                size=2>Sunday, Feb 03, 2008 12:12:55 
                                PST</FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD>
                      <TD><IMG height=10 
                        src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD>
                      <TD vAlign=top align=right width=188>
                        <TABLE cellSpacing=0 cellPadding=0 width=188 border=0>
                          <TBODY>
                          <TR>
                            <TD>
                              <TABLE 
                              style="BORDER-RIGHT: rgb(107,123,145) 1px solid; BORDER-TOP: rgb(107,123,145) 1px solid; BORDER-LEFT: rgb(107,123,145) 1px solid; BORDER-BOTTOM: rgb(107,123,145) 1px solid" 
                              cellSpacing=0 cellPadding=0 border=0>
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                                <TD>
                                <TABLE cellSpacing=0 cellPadding=0 border=0>
                                <TBODY>
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                                <TD>
                                <TABLE cellSpacing=0 cellPadding=0 border=0>
                                <TBODY>
                                <TR>
                                <TD bgColor=#cad2dd><IMG height=25 
                                alt="Marketplace Safety Tip" 
                                src="http://pics.ebaystatic.com/aw/pics/securityCenter/imgShield_25x25.gif" 
                                width=25 border=0></TD>
                                <TD bgColor=#cad2dd><FONT 
                                face="Arial, Helvetica, Verdana, sans-serif" 
                                size=-1><B><A 
                                style="COLOR: rgb(0,0,0); TEXT-DECORATION: none" 
                                href="http://pages.ebay.com/securitycenter" 
                                target=_blank>Marketplace Safety 
                                Tip</A></B></FONT> </TD>
                                <TD bgColor=#cad2dd><IMG title="" height=25 
                                alt=" " 
                                src="http://pics.ebaystatic.com/aw/pics/securityCenter/imgTabCorner_25x25.gif" 
                                width=25 
                                border=0></TD></TR></TBODY></TABLE></TD></TR>
                                <TR>
                                <TD>
                                <TABLE cellSpacing=0 cellPadding=5 border=0>
                                <TBODY>
                                <TR>
                                <TD><FONT face="Arial, Verdana" size=2>Always 
                                remember to complete your transaction on eBay - 
                                it's the safer way to buy. <BR><BR>Please do not 
                                offer to buy or sell this item through this form 
                                without completing the transaction on eBay. If 
                                you receive a response inviting you to transact 
                                outside of eBay, you should decline -- such 
                                transactions may be unsafe and are against eBay 
                                policy. 
                                </FONT></TD></TR></TBODY></TABLE></TD></TR>
                                <TR>
                                <TD bgColor=#c9d2dc height=5><IMG height=5 
                                src="http://pics.ebaystatic.com/aw/pics/s.gif" 
                                width=1></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></TR>
                          <TR>
                            <TD><IMG height=10 
                              src="http://pics.ebaystatic.com/aw/pics/s.gif" 
                              width=1></TD></TR>
                          <TR>
                            <TD>
                              <TABLE 
                              style="BORDER-RIGHT: rgb(198,198,198) 1px solid; BORDER-TOP: rgb(198,198,198) 1px solid; BORDER-LEFT: rgb(198,198,198) 1px solid; BORDER-BOTTOM: rgb(198,198,198) 1px solid" 
                              cellSpacing=0 cellPadding=5 width="100%" 
                                border=0><TBODY>
                                <TR>
                                <TD><FONT face="Arial, Verdana" size=2>Is this 
                                email inappropriate? Does it violate <A 
                                href="http://pages.ebay.com/help/policies/rfe-unwelcome-email-misuse.html" 
                                target=_blank>eBay policy</A>? Help protect the 
                                Community by <A 
                                href="http://cgi1.ebay.com/aw-cgi/eBayISAPI.dll?ReportEmailAbuseshow&reporteruserid=cowboyforlife89&reporteduserid=socal_tools&emaildate=2007/01/25:10:24:41&emailtype=3&emailtext=hello%2C+can+your+send+the+item+until+uble+with+your+kit.+can+you+tell+us+how+the+kit+is+hooked+up+for+power%3F+also+was+there+any+modifications+made+to+the+kit%3F+please+let+us+know+in+a+little+more+detail+the+problem+you+are+having+with+your+kit+and+we+will+do+our+best+to+help+you+out%2C+thanks.%0D%0Asocal_tools&trackId=163221994" 
                                target=_blank>reporting it</A>. 
                                </FONT></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD>
                      <TD><IMG height=10 
                        src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD></TR>
                    <TR>
                      <TD width="100%" bgColor=#ffffff colSpan=4><IMG 
                        height=20 
                      src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD></TR>
                    <TR>
                      <TD width="100%" bgColor=#cecee3 colSpan=4><IMG height=1 
                        src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD></TR>
                    <TR>
                      <TD width="100%" bgColor=#ffffff colSpan=4><IMG 
                        height=10 
                      src="http://pics.ebaystatic.com/aw/pics/s.gif"></TD></TR>
                    <TR>
                      <TD colSpan=4>
                        <TABLE cellSpacing=0 cellPadding=0 width="100%" 
border=0>
                          <TBODY>
                          <TR>
                            <TD><FONT face="Arial, Verdana" color=#666666 
                              size=1>Learn how you can protect yourself from 
                              spoof (fake) emails at: <BR><A 
                              href="http://pages.ebay.com/education/spooftutorial" 
                              target=_blank>http://pages.ebay.com/education/spooftutorial</A><BR><BR>This 
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From equipos@bellnet.ca  Sun Mar 16 04:04:11 2008
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From: UNITED NATIONS/LAFCO <equipos@bellnet.ca>
Reply-To: compensationclaimsdept11@yahoo.co.uk
Organization: UNITED NATIONS/LAFCO
To: <info@laposte.net>
Subject: *2008 COMPENSATIONS FOR CYBER FRAUD VICTIMS***
Date: Sat, 15 Mar 2008 21:53:47 -0400
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
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       2008 COMPENSATIONS FOR CYBER FRAUD VICTIMS.
This is to inform you that as part of the clearance/verification exercise for payments by the Verifications Dept. at the headquarters of the UNITED NATIONS,IN COJUNCTION WITH  LIFT ABOVE CYBER FRAUD ORGANISATION (LACFO). To enable your compensation to be processed, you are required to make available the below requirements which enables the prompt despatch of your COMPENSATION:
 
Full Names:...............Date Of Birth:....................Telephone Number:.................Total Amount Defrauded (For record keep):........................Any Mode of identification (Drivers License or work ID)You are to take note of options 1,4&5 respectively.
 
You are required to send the above information's to your handling officers via the stated information's below:
Name: Andrew Barlette
Email:  compensationclaimsdept11@yahoo.co.uk
 
On the provision of the requirements, your COMPENSATION will be processed on your 
payment option and remitted to you as soon as possible.

NOTE: The UN/LIFT ABOVE CYBER FRAUD ORGANIZATION (LACFO) will decline any other complains of scam should you fall victim again after this compensations is paid and transferred to 
you. So be warned!!!,

From Loopers-Delight-request@loopers-delight.com  Sun Mar 16 06:55:59 2008
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Date: Sat, 15 Mar 2008 23:55:57 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: RE: qualities of reverb/cool vitage delay units
To: billwalker@baymoon.com, Loopers-Delight@loopers-delight.com
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Bill you rock thanx for the hinsight the delayed
mysteries are gone!
cheers
Luis
--- William Walker <billwalker@baymoon.com> wrote:

> "are they still irreplaceable and worth
> Getting"
> 
> The answer I believe is no. There are still some
> very good  delay and reverb
> units available from TC, lexicon, Eventide and
> Roland. I have a very
> inexpensive TC G-Sharp that does great sounding
> delays and reverbs, and has
> lots of knobs for tweaking as well as storage for
> presets. The new TC Nova
> delay and reverb, are outstanding floor pedals that
> have studio quality
> sounds and really cool interfaces. The Eventide
> Timefactor is one of the
> greatest delays I've ever tried. I think I actually
> drooled on one at the
> NAMM show. I've owned several delays on that list
> including the Korg SDD,
> The roland SDE 100 and 3000 units, and MXR delay,  a
> delta lab effectron,
> and an Ibanez DM1000 and I must say my cheap TC G
> sharp blows them all away
> in sound quality and flexibility, hell, my Keeley
> modded Line 6 DL-4 sounds
> better and has a wider range of cool delays than
> many of those old machines.
> As for the shimmer effect,  you can get that out of
> one of the new Digitech
> expression factory pedal, as well as whammy effects,
> without the noise that
> earlier whammy pedals exhibit. Also check out the
> new Roland space echo
> pedal, which does great simulations of old Roland
> tape echo units. There are
> just a lot of cool delays available now days though
> the trend has been away
> from rack mounts and on to the floor. Unless you
> feel sentimental about
> vintage gear, I just don't see the need to search
> for the older rack gear.
> Even the vaunted TC 2290 can be sonically
> replicated, the new nova delay
> sounds that good. 
> Bill
> 
> 


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
Never miss a thing.  Make Yahoo your home page. 
http://www.yahoo.com/r/hs

From Loopers-Delight-request@loopers-delight.com  Sun Mar 16 10:04:40 2008
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From: David Steinberg <waveform@free.fr>
Subject: RE: DD20 tap tempo input
Date: Sun, 16 Mar 2008 11:04:25 +0100
To: Loopers-Delight@loopers-delight.com
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> De : "murkie" <sinister_footwear@yahoo.com>
> Date : 16 mars 2008 00:36:58 HNEC
> =C0 : <Loopers-Delight@loopers-delight.com>
> Objet : RE: DD20 tap tempo input
>
>
> Before you open it up look at http://www.midisolutions.com/=20
> prodrel.htm.
>
> I was thinking of trying it out on the Vortex.
>
> m

Well, even with something like this I'd have to open the DD20 to =20
connect it to the button :).
This box seems to be nice, but I'd rather make my own (that would =20
have other uses) with an arduino.

I'll keep the list updated if I gather the courage to open up my DD20 =20=

and feed it nice little bits of voltage to stay in sync with the rest =20=

of the world :)
</daviD>

"Simulating the true styles and making carefully.
  Many colours a lot, selected freely by you !"


From Loopers-Delight-request@loopers-delight.com  Sun Mar 16 11:50:06 2008
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Date: Sun, 16 Mar 2008 12:50:04 +0100
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Subject: Re: DD20 tap tempo input
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Yes Murkie, the famous Tap Tempo mod on the Vortex is something I live by.
As mentioned (many times in the archives) it is meant to be connected to the
"beat Synch" on the EDP, and if you dont have one of those... I made a
further mod to connect the morph (A/B) switch to the same output, which
enables me to switch between the A and B patches, in sync to the EDP. But
before I had the EDP I used a Kenton Pro Kadi box.

http://www.kentonuk.com/products/pro_kadi.shtml

This obscure thing would turn Midi into trigger pulses for my modular synth
and worked OK for synching the Vortex too. (as well as providing a SYNC 24
out - for ummm I forget now, but some OTHER obscure trigger system, original
808s and 303s maybe).

It maybe that this is what you are also looking for David...

One nice feature (that I no longer have with the EDP mod) was that it had a
built in trigger divide ratio option, so you could get the A/B switching to
happen VERY fast, like 1 per beat.

If anyone wants this box, you can contact me off list, going pretty cheap,
or trade.

On Sun, Mar 16, 2008 at 12:36 AM, murkie <sinister_footwear@yahoo.com>
wrote:

>  Before you open it up look at http://www.midisolutions.com/prodrel.htm.
>
> I was thinking of trying it out on the Vortex.
>
> m
>
>  ------------------------------
> *From:* David Steinberg [mailto:waveform@free.fr]
> *Sent:* Saturday, March 15, 2008 6:38 PM
> *To:* Loopers-Delight@loopers-delight.com
> *Subject:* DD20 tap tempo input
>
> Hi,
> I really like my Boss DD20, but apart from its ability to (quite
> precisely) set the delay length it has no way to sync to the rest of the
> world...
>
> It has a tap tempo button, though. Has anyone here tried to open the DD20
> and to add a trigger input in parallel to the tap tempo button ?
>
> If this was possible, a sync device that could output the required
> triggers at the appropriate rate would allow this looper to be synced to a
> midi clock (something like this could easily be done with an arduino for
> example). The same should be feasible with any device with a tap tempo
> button, by the way.
>
> I haven't opened my DD20 yet, so any info would be greatly appreciated :).
>
> Thanks,
>  </daviD>
>
> "Simulating the true styles and making carefully.
> Many colours a lot, selected freely by you !"
>
>
>


-- 
www.markfrancombe.com
www.looop.no

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Yes Murkie, the famous Tap Tempo mod on the Vortex is something I live by. As mentioned (many times in the archives) it is meant to be connected to the &quot;beat Synch&quot; on the EDP, and if you dont have one of those... I made a further mod to connect the morph (A/B) switch to the same output, which enables me to switch between the A and B patches, in sync to the EDP. But before I had the EDP I used a Kenton Pro Kadi box.<br>
<br><a href="http://www.kentonuk.com/products/pro_kadi.shtml">http://www.kentonuk.com/products/pro_kadi.shtml</a><br><br>This obscure thing would turn Midi into trigger pulses for my modular synth and worked OK for synching the Vortex too. (as well as providing a SYNC 24 out - for ummm I forget now, but some OTHER obscure trigger system, original 808s and 303s maybe). <br>
<br>It maybe that this is what you are also looking for David...<br><br>One nice feature (that I no longer have with the EDP mod) was that it had a built in trigger divide ratio option, so you could get the A/B switching to happen VERY fast, like 1 per beat.<br>
<br>If anyone wants this box, you can contact me off list, going pretty cheap, or trade.<br><br><div class="gmail_quote">On Sun, Mar 16, 2008 at 12:36 AM, murkie &lt;<a href="mailto:sinister_footwear@yahoo.com">sinister_footwear@yahoo.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">



<div style="">
<div dir="ltr" align="left"><span><font color="#0000ff" face="Arial" size="2">Before you open it up look at <a href="http://www.midisolutions.com/prodrel.htm" target="_blank">http://www.midisolutions.com/prodrel.htm</a>.</font></span></div>

<div dir="ltr" align="left"><span><font color="#0000ff" face="Arial" size="2"></font></span>&nbsp;</div>
<div dir="ltr" align="left"><span><font color="#0000ff" face="Arial" size="2">I was thinking of trying it out on the 
Vortex.</font></span></div>
<div dir="ltr" align="left"><span><font color="#0000ff" face="Arial" size="2"></font></span>&nbsp;</div>
<div dir="ltr" align="left"><span><font color="#0000ff" face="Arial" size="2">m</font></span></div><br>
<div dir="ltr" align="left" lang="en-us">
<hr>
<font face="Tahoma" size="2"><b>From:</b> David Steinberg [mailto:<a href="mailto:waveform@free.fr" target="_blank">waveform@free.fr</a>] 
<br><b>Sent:</b> Saturday, March 15, 2008 6:38 PM<br><b>To:</b> 
<a href="mailto:Loopers-Delight@loopers-delight.com" target="_blank">Loopers-Delight@loopers-delight.com</a><br><b>Subject:</b> DD20 tap tempo 
input<br></font><br></div>
<div></div>Hi,
<div><br></div>
<div>I really like my Boss DD20, but apart from its ability to (quite precisely) 
set the delay length it has no way to sync to the rest of the world...</div>
<div><br></div>
<div>It has a tap tempo button, though. Has anyone here tried to open the DD20 
and to add a trigger input in parallel to the tap tempo button ?</div>
<div><br></div>
<div>If this was possible, a sync device that could output the required triggers 
at the appropriate rate would allow this looper to be synced to a midi clock 
(something like this could easily be done with an arduino for example). The same 
should be feasible with any device with a tap tempo button, by the 
way.<br><br></div>
<div>I haven&#39;t opened my DD20 yet, so any info would be greatly appreciated 
:).</div>
<div><br></div>
<div>Thanks,<br>
<div><span style="word-spacing: 0px; font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none; font-stretch: normal; text-transform: none; color: rgb(0, 0, 0); text-indent: 0px; white-space: normal; letter-spacing: normal; border-collapse: separate; border-spacing: 0px;">
<div>&lt;/daviD&gt;</div>
<div><br></div>
<div>&quot;Simulating the true styles and making carefully.</div>
<div>Many colours a lot, selected freely by you !&quot;</div><br></span></div><br></div></div>
</blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href="http://www.looop.no">www.looop.no</a>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 16 12:08:15 2008
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Date: Sun, 16 Mar 2008 05:08:13 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: controlling GT PRO efx with FCB1010 stomp box mode(UnO software)
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Hi Folks,
I am trying to control a BOSS GT-PRO with my
FCB1010.What i want to accomplish aside of already
controlling my EDP is turning indivdual efx of the GT
pro on and off,mainly tap tempo and booster on all
patches globally.
I recently got the UnO FCB1010 firmware as well which
has a "stompbox mode" which enables 5 switches to
toggle on and off per preset.
But i am having a hard time with this,everything else
is no problem controlling,exp pedal ccs,program
changes and all of the edp midi functions.is anybody
using this gear this way or have any tips?Ive been to
the FCB forums but still havent found an answer.
thank you kindly!
Luis

www.myspace.com/luisangulocom


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From Loopers-Delight-request@loopers-delight.com  Sun Mar 16 13:26:16 2008
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Musicians friend has bundled the edp with the footpedal for $599 so i
couldn't resist...
i already have a a digitech jamman.
 i was wondering, are the two able to play together stereo wise, or
otherwise for that matter? i guess i am asking about sync issues and the
like.
sorry for vagueness, i'm really a noOb to all this still.

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<div>Musicians friend has bundled the edp with the footpedal for $599 so i couldn&#39;t resist...</div>
<div>i already have a a digitech jamman.</div>
<div>&nbsp;i was wondering,&nbsp;are the two able to play together stereo wise, or otherwise for that matter? i guess i am asking about sync issues and the like.</div>
<div>sorry for vagueness, i&#39;m really a noOb to all this still.</div>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 16 14:06:47 2008
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http://tinyurl.com/26v5pa

or
http://www.smproaudio.com/index.php?option=com_content&task=view&id=73 

"Based around the recently developed 'Powered by VFX (TM) embedded
technology platform, VST and VSTi plug-ins can be loaded directly into SM
Pro Audio's new V-Box, V-Pedal, or V-Rack; Three powerful and unique
products designed to provide musicians, engineers, producers, and guitarists
performance products they can rely on. The new V-Machines offer VST/VSTi
plug-in compatibility in stand-alone hardware units without the need for a
standard PC/Mac computer!"


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Ah, nice.....it goes back to the conversation we had a while back on putting 
VSTs in a stomp box...remember?  This is very tempting. I wonder if it has 
the same restrictions as the Muse Receptor in terms of compatible VSTs.

Has anyone found a retailer for this and a price?

Kris

----- Original Message ----- 



> http://tinyurl.com/26v5pa
>
> or
> http://www.smproaudio.com/index.php?option=com_content&task=view&id=73
>
> "Based around the recently developed 'Powered by VFX (TM) embedded
> technology platform, VST and VSTi plug-ins can be loaded directly into SM
> Pro Audio's new V-Box, V-Pedal, or V-Rack; Three powerful and unique
> products designed to provide musicians, engineers, producers, and 
> guitarists
> performance products they can rely on. The new V-Machines offer VST/VSTi
> plug-in compatibility in stand-alone hardware units without the need for a
> standard PC/Mac computer!"
>
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 16 16:36:19 2008
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Cool ... this is why I try to make as few claims as possible ... someone
always knows of something that does everything.

Musolomo doesn't appear to do multiple parallel loops .... and there is only
one turntable ... which seems odd since generally turntablists want two
..... but yeah, there you have another utility for loop scratching.

You can also scratch with most DAWs and Fruity loops ... though not in real
time with any of those as far as I know (which makes sense since they are
generally editors and not instruments).

Thanks for the widget compliment.  Have you downloaded/tried it?  It seems
that over a hundred people have downloaded flyloops so far ... but I have
only received feedback from one ... so I am rather anxious to hear from
people that have tried it.


-----Original Message-----
From: Mech [mailto:mech@m3ch.net] 
Sent: Wednesday, March 12, 2008 6:41 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Free Download

At 9:18 PM -0700 3/10/08, Aaron Leese wrote:
>If anyone is interested in trying out another looper, the downloadable is
up
>at www.flyloops.com now.
>
>1) So far as I know, the only thing this looper can do that no other looper
>can is loop scratching (turntablism), which I suspect only a few of you are
>interested in.

Aaron,

Not trying to bust on your efforts (nice widget you've come up with, 
BTW), but in the interest of accuracy I wanted to point out that 
Musolomo -- a Mac-only freeware Looper from Plasq -- has also had a 
turntable scratch function since its initial release a few years ago.

Musolomo's not being updated any further and it's quirky as hell, but 
there are a few unique features there.  With the scratch function, 
you can assign a midi controller to the on-screen turntable and play 
the loop forward and backward (not to mention back-and-forth, 
"scratching" it).

And, IIRC, wasn't there also one of the Max-based Loopers -- like the 
(now-defunct) Girl, or Cycling 74's Radial -- with which you could do 
turntable-style scratching?  I could be misremembering that, though. 
:P

	--m.
-- 
_____
"bye-bye empire; empire, bye-bye"

-- 
Internal Virus Database is out-of-date.
Checked by AVG Free Edition.
Version: 7.5.486 / Virus Database: 269.16.4/1146 - Release Date: 11/22/2007
6:55 PM
 

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I saw this show at Joe's Pub in NYC on March 13th, and MAN! What a show! It
was so great that I stayed for both sets.

 

It was lots of improvisation and a beautiful noise, to say the least. David
Torn's guitar with the mics built in is just amazing.

 

I noticed he was using his Repeater as a sampler (and perhaps for
pre-programmed stuff?), and his Echoplex EDP for looping and other such
effects. At one point in the show, he had that mechanized sound emanating,
kind of like what Andre Lafosse does, that drum sounding beat, ya know? DT
was also sampling Tim Berne's saxophone and processing that as well. Pretty
amazing.by the way, Craig Taborn is a sick keyboard player. 

 

Sooooo, if they come to your town, go out and support them!! I was a bit
dismayed that Joe's Pub was not filled, and the second set had even less
peoples there.such is life.

 

Loop on.

 

Ed in NJ

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I saw this show at Joe&#8217;s Pub =
in NYC
on March 13<sup>th</sup>, and MAN! What a show! It was so great that I =
stayed
for both sets.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>It was lots of improvisation and a
beautiful noise, to say the least. David Torn&#8217;s guitar with the =
mics
built in is just amazing.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I noticed he was using his Repeater =
as a
sampler (and perhaps for pre-programmed stuff?), and his Echoplex EDP =
for
looping and other such effects. At one point in the show, he had that
mechanized sound emanating, kind of like what Andre Lafosse does, that =
drum
sounding beat, ya know? DT was also sampling Tim Berne&#8217;s saxophone =
and
processing that as well. Pretty amazing&#8230;by the way, Craig Taborn =
is a
sick keyboard player. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Sooooo, if they come to your town, =
go out
and support them!! I was a bit dismayed that Joe&#8217;s Pub was not =
filled,
and the second set had even less peoples there&#8230;such is =
life.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Loop =
on&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Ed in =
NJ<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

</div>

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Subject: Re: VST in a box
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It's not going to hit the market until 4th Quarter 2008.  I just hope  
the V-Pedal has some sort of routing/mixing ability.

Matt

---
King Never
www.kingnever.com




On Mar 16, 2008, at 8:21 AM, Krispen Hartung wrote:

> Ah, nice.....it goes back to the conversation we had a while back  
> on putting VSTs in a stomp box...remember?  This is very tempting.  
> I wonder if it has the same restrictions as the Muse Receptor in  
> terms of compatible VSTs.
>
> Has anyone found a retailer for this and a price?
>
> Kris
>
> ----- Original Message -----
>
>
>> http://tinyurl.com/26v5pa
>>
>> or
>> http://www.smproaudio.com/index.php? 
>> option=com_content&task=view&id=73
>>
>> "Based around the recently developed 'Powered by VFX (TM) embedded
>> technology platform, VST and VSTi plug-ins can be loaded directly  
>> into SM
>> Pro Audio's new V-Box, V-Pedal, or V-Rack; Three powerful and unique
>> products designed to provide musicians, engineers, producers, and  
>> guitarists
>> performance products they can rely on. The new V-Machines offer  
>> VST/VSTi
>> plug-in compatibility in stand-alone hardware units without the  
>> need for a
>> standard PC/Mac computer!"
>>
>
>

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From servizi@bancaroma.it  Mon Mar 17 03:01:05 2008
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From mankow1@cantv.net  Mon Mar 17 15:13:56 2008
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From: "mankow1@cantv.net" <mankow1@cantv.net>
To: frankgoeman120@yahoo.com
Subject: Dearest One, 
Date: Mon, 17 Mar 2008 06:40:41 -0430
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<P>Dearest One, <BR>&nbsp; <BR>&nbsp;Greetings in the name of God. We are
Linda and <BR>&nbsp;Williams Manko from Sierra Leone. we are writing you
<BR>&nbsp;from Rep of Cote 'Ivoire where we Have been taking
<BR>&nbsp;refuge after the brutal war and Murder of our <BR>&nbsp;parents
by the rebels during the renewed Fighting in <BR>&nbsp;our country Sierra
Leone. Because of the war our <BR>&nbsp;late Father sold his shipping
company and took us to <BR>&nbsp;Repbulic of Cote d'Ivoire where he
deposited US$19, <BR>&nbsp;400,000.00 Million (ninteen Million <BR>&nbsp;
<BR>&nbsp;four Hundred Thousand United States Dollars) in his
<BR>&nbsp;account with one of the bank here in Cote
<BR>&nbsp;'Ivoire.Please, We have prayed before contacting you
<BR>&nbsp;with the trust in God that you will be of help to me <BR>and my
Sister, though my sister is seriously sick <BR>&nbsp;now coupled with the
current political situation in <BR>Ivory Coast now,We are seeking for your
assistance <BR>&nbsp;to transfer this Money to your account for a good
<BR>&nbsp;investment Project in your country and also relocate <BR>&nbsp;to
your country with my younger sister Linda to <BR>&nbsp;further our study.We
are willing to offer <BR>&nbsp; <BR>&nbsp;you 15% of the total sum for Your
assistance.Please <BR>&nbsp;for your good information this transaction Is
100% <BR>&nbsp;risk free and in no way connected with any illegal
<BR>&nbsp;transaction, Please Help us to get out of this <BR>&nbsp;terrible
situation and our Almighty God will bless <BR>&nbsp;you, for more
discussion contact through our <BR>&nbsp;private email address (<A
href="mailto:williamsandlinda@hotmail.fr">williamsandlinda@hotmail.fr</A>)
<BR>&nbsp;for more details. <BR>&nbsp; <BR>&nbsp;Best Regards
<BR>&nbsp;Williams and Linda Manko </P>
<P>&nbsp;</P>
<P>&nbsp;</P>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 17 17:25:45 2008
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Daryl Shawn wrote:
> Whoa...is there time-stretching, apart from pitch? Or are you referring 
> to the simultaneous pitch/time shifting?

Yes, it will time stretch at normal pitch,
...or it will do the simultaneous pitch time thing.
Not both though.


> 
> Artifacts = yummy!

and when you overdub on a time stretched loop you get double the artifacts. 

> 
> I didn't realize it had reverb. I'm never too interested in that but if 
> it's crappy and "mushy" as you say I might find it useful.

It's a rather long reverb, and is somewhat obviously digital.

It's intended just to diffuse one of the echo settings, but can also 
be got on it's own with a bit of tweaking.


> 
> Too bad about the batteries.
> 
> thanks, Andy -

you're welcome

andy

> 
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>> Rainer pretty much covers the subject here, so I'll just add a couple 
>> of points
>>
>> Rainer Thelonius Balthasar Straschill wrote:
>>> Short summary: got one, don't really need it (had already two looper
>>> stompboxes), but didn't return it.
>>>
>>> Slightly longer version:
>>> There are three things that suck:
>>>     1. varispeed is only available for the looper, not for the delays
>>>     2. you have to hold down one footswitch for recording/overdubbing
>>> (not so much of a problem if you're wearing shoes)
>>
>> I don't have any problem without shoes, but it's a somewhat clunky way 
>> to make a loop and not so easy to get it accurate
>>
>>>     3. no independent mix control for looper and delay
>>
>> In general you can either control the delays, or the loop, but not both.
>> You can't stop the Loop without turning off the delays.
>>
>>>     4. only delays up to 3 seconds
>>
>> and tap time won't go up to the full 3s
>>
>> 5. Won't run on batteries
>> 6. To re-record a loop the process is hit Bypass, hold Tap for 500mS 
>> or more, hit Bypass, then make the new loop.
>> 7. Time stretching is full of artefacts ( could be a plus )
>>
>> 8. Reverb (which can be got on it's own) is digital mush (again, could 
>> ba a plus)
>>
>>>
>>> Well, 2 is not so much of a letdown, and for 4 I already got the 
>>> DD20, but 1
>>> and 3 are.
>>>
>>> Nice things:
>>>     1. you can varispeed the loop
>>>     2. lowpass/highpass (which sits in the feedback for the delays, but
>>> unfortunately in the output path for the looper)
>>>     3. you can adjust feedback level while overdubbing (EDPers call this
>>> "secondary feedback")
>>
>> EDPers call it feedback, "secondary feedback" is a Mobius term
>>
>>
>>>     4. small package
>>
>> 5. "Instant Reverse" : just hold "tap" and you hear what you just 
>> played coming out backwards for up to 6s( as an alternative to the 
>> loop). This function alone makes the pedal worthwhile, great for band 
>> use.
>>
>> 6.Reverse echo is capable of some interesting textures.
>>
>> 7. Can be persuaded to be a flanger or chorus with a bit of effort.
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 17 17:35:58 2008
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Date: Tue, 18 Mar 2008 02:35:48 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <webmaster@cavestudio.com>
Subject: OT: NEW RELEASE "SUNAO INAMI / HOW-BOW 2"
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Hi LD,

Sorry for off topic.
my new release information.

"SUNAO INAMI / HOW-BOW 2"

label: electr-ohm
http://www.electr-ohm.com
product number: TCCD-20081
format: audio CD
release date: 21st March 2008

The concept of HOW-BOW is newer technology experimentation or deep 
electro-acoustic instrumentation.
"HOW-BOW" was released by C.U.E. records on 2003 and it hard to find 
ltd. CDR release. (but it available on iTunes store now)
after 5 years, "HOW-BOW 2" is comes.but sound character is totally different.
"HOW-BOW" was glitch and click based IDM, "HOW-BOW 2" is drone,dark 
ambient and early 80s industrial experimentation with current DSP 
based sound treatments.
(for example,GRM tools,Eventide,Sound Toys special complicated effects)
almost sounds generated from field recordings, but sound character is 
cyber industrial tastes with organic dark ambient soundscapes.

This CD recommended for dark ambient noise fans and classical 
industrial music fans.
also, it$B%f(Bs very good reference for sound design of computer based alchemists.
and if you have "HOW-BOW", please play together "HOW-BOW" and "HOW-BOW 2".
then you will get another electro-acoustic soundscapes.

Artwork by French painter,Alain Paparone

9 tracks, 73min 50sec.
1,000 copies ltd.
Made in Japan


  Thanks

  Sunao Inami
http://www.myspace.com/sunao

From Loopers-Delight-request@loopers-delight.com  Mon Mar 17 18:43:02 2008
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Subject: RE: DD20 tap tempo input
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From: "Goddard, Duncan" <goddard.duncan@mtvne.com>
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This is a multi-part message in MIME format.

------_=_NextPart_001_01C8885E.B9CE3828
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Content-Transfer-Encoding: quoted-printable

http://en.wikipedia.org/wiki/Arduino
=20
but I have talked many times in the past about a simple hardware
midi-clock>trigger (or closure) device, such as ebay was once awash
with, & interfacing this with a DL4 to allow a midi clock to tap-tempo
the little green bugger.
no computers. :-)
=20
I haven't got around to it, although I have a midi-clock>trigger
converter inside of a yamaha cs30, doing something conceptually similar
& with great success to the little analogue sequencer therein. I also
have a similar midi-clock>trigger box that I got off of ebay ages ago, &
which I need to check is functional.=20
=20
they are advertised as midi clock converters, sync converters & so on, &
are described in the context of triggering arpeggiators &c in pre-midi
synths. the output, therefore, is usually a brief burst of 5v. this
could easily be turned into a closure with a relay or solid-state
switch, though I'd suggest that an opto-isolator might be a good idea in
there somewhere. this approach may even let one interface directly with
the electronics behind the tap-tempo switch.
=20
devices that require notes or program changes to drive them will
"occupy" a channel of the sequencer, which might be a nuisance, but on
the other hand, it may actually be a more flexible arrangement, since
you can set up the sequencer to "begin" or "cease" telling the delay
pedal what to do by simply adding or omitting the notes that do the
triggering.
a simple midi>cv/gate converter will then provide y'r tap tempo pulses.
=20
the devices I have described above, & in the past, work purely off of
midi clock & have selectable divide ratios.=20
you could, even, take a feed of pulses off the "step one"
button/indicator of a drum machine, & adapt that to drive a closure....
=20
I will get around to taking this further one day, I promise! my
guitarist is always nagging me for this fix, even though I sold him an
echo-pro.... (which he hates).
=20
duncan.



CONFIDENTIALITY NOTICE

This e-mail (and any attached files) is confidential and protected by=20
copyright (and other intellectual property rights). If you are not the=20
intended recipient please e-mail the sender and then delete the email and=20
any attached files immediately. Any further use or dissemination is=20
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systems / data.

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these risks when e-mailing us.=20

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Nickelodeon Viacom Consumer Products, VBSi, Viacom Brand Solutions=20
International and Comedy Central are all trading names of MTV Networks=20
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Inc. and Viacom Networks Europe Inc.  Address for service in Great Britain=20
is UK House, 180 Oxford Street, London W1D 1DS, UK.

------_=_NextPart_001_01C8885E.B9CE3828
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Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.3268" name=3DGENERATOR></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><FONT face=3D"AmericanTypewriter Medium" color=
=3D#0000ff><A=20
href=3D"http://en.wikipedia.org/wiki/Arduino">http://en.wikipedia.org/wiki/=
Arduino</A></FONT></DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3D"AmericanTypewriter Medium"=20
color=3D#0000ff></FONT>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff>but I have talked many t=
imes in=20
the past about a simple hardware midi-clock&gt;trigger (or closure) device,=
 such=20
as ebay was once awash with, &amp; interfacing this with a DL4 to allow a m=
idi=20
clock to tap-tempo the little green bugger.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff>no computers.=20
:-)</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff></FONT></SPAN>&nbsp;</DI=
V>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff>I haven't got around to =
it,=20
although I have a midi-clock&gt;trigger converter inside of a yamaha cs30, =
doing=20
something conceptually similar &amp; with great success to the little analo=
gue=20
sequencer therein. I also have a similar midi-clock&gt;trigger box that I g=
ot=20
off of ebay ages ago, &amp; which I need to check is functional.=20
</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff></FONT></SPAN>&nbsp;</DI=
V>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff>they are advertised as m=
idi clock=20
converters, sync converters &amp; so on, &amp; are described in the context=
 of=20
triggering arpeggiators &amp;c in pre-midi synths. the output, therefore, i=
s=20
usually a brief burst of 5v. this could easily be turned into a closure wit=
h a=20
relay or solid-state switch, though I'd suggest that an opto-isolator might=
 be a=20
good idea in there somewhere. this approach may even let one interface dire=
ctly=20
with the electronics behind the tap-tempo switch.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff></FONT></SPAN>&nbsp;</DI=
V>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff>devices that require not=
es or=20
program changes to drive them will "occupy" a channel of the sequencer, whi=
ch=20
might be a nuisance, but on the other hand, it may actually be a more flexi=
ble=20
arrangement, since you can set up the sequencer to "begin" or "cease" telli=
ng=20
the delay pedal what to do by simply adding&nbsp;or omitting the notes that=
 do=20
the triggering.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff>a simple midi&gt;cv/gate=20
converter will then provide y'r tap tempo pulses.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff></FONT></SPAN>&nbsp;</DI=
V>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff>the devices I have descr=
ibed=20
above, &amp; in the past, work purely off of midi clock &amp; have selectab=
le=20
divide ratios. </FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff>you could, even, take a =
feed of=20
pulses off the "step one" button/indicator of a drum machine, &amp; adapt t=
hat=20
to drive a closure....</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff></FONT></SPAN>&nbsp;</DI=
V>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff>I will get around to=20
taking&nbsp;this further one day, I promise! my guitarist is always nagging=
 me=20
for this fix, even though I sold him an echo-pro.... (which he=20
hates).</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium" color=3D#0000ff></FONT></SPAN>&nbsp;</DI=
V>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D855013018-17032008><FONT=20
face=3D"AmericanTypewriter Medium"=20
color=3D#0000ff>duncan.</FONT></SPAN></DIV><pre>


CONFIDENTIALITY NOTICE

This e-mail (and any attached files) is confidential and protected by=20
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intended recipient please e-mail the sender and then delete the email and=20
any attached files immediately. Any further use or dissemination is=20
prohibited.

While MTV Networks Europe has taken steps to ensure that this email and=20
any attachments are virus free, it is your responsibility to ensure that=20
this message and any attachments are virus free and do not affect your=20
systems / data.

Communicating by email is not 100% secure and carries risks such as delay,=20
data corruption, non-delivery, wrongful interception and unauthorised=20
amendment. If you communicate with us by e-mail, you acknowledge and=20
assume these risks, and you agree to take appropriate measures to minimise=20
these risks when e-mailing us.=20

MTV Networks International, MTV Networks UK &amp; Ireland, Greenhouse,=20
Nickelodeon Viacom Consumer Products, VBSi, Viacom Brand Solutions=20
International and Comedy Central are all trading names of MTV Networks=20
Europe.  MTV Networks Europe is a partnership between MTV Networks Europe=20
Inc. and Viacom Networks Europe Inc.  Address for service in Great Britain=20
is UK House, 180 Oxford Street, London W1D 1DS, UK.
</pre></BODY></HTML>

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From: "mankow1@cantv.net" <mankow1@cantv.net>
To: frankgoeman120@yahoo.com
Subject: Dearest One, 
Date: Mon, 17 Mar 2008 15:14:31 -0430
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Dearest One, <BR>&nbsp; <BR>&nbsp;Greetings in the name of God. We are
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<BR>&nbsp;from Rep of Cote 'Ivoire where we Have been taking
<BR>&nbsp;refuge after the brutal war and Murder of our <BR>&nbsp;parents
by the rebels during the renewed Fighting in <BR>&nbsp;our country Sierra
Leone. Because of the war our <BR>&nbsp;late Father sold his shipping
company and took us to <BR>&nbsp;Repbulic of Cote d'Ivoire where he
deposited US$19, <BR>&nbsp;400,000.00 Million (ninteen Million <BR>&nbsp;
<BR>&nbsp;four Hundred Thousand United States Dollars) in his
<BR>&nbsp;account with one of the bank here in Cote
<BR>&nbsp;'Ivoire.Please, We have prayed before contacting you
<BR>&nbsp;with the trust in God that you will be of help to me <BR>and my
Sister, though my sister is seriously sick <BR>&nbsp;now coupled with the
current political situation in <BR>Ivory Coast now,We are seeking for your
assistance <BR>&nbsp;to transfer this Money to your account for a good
<BR>&nbsp;investment Project in your country and also relocate <BR>&nbsp;to
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discussion contact through our <BR>&nbsp;private email address (<A
href="mailto:williamsandlinda@hotmail.fr">williamsandlinda@hotmail.fr</A>)
<BR>&nbsp;for more details. <BR>&nbsp; <BR>&nbsp;Best Regards
<BR>&nbsp;Williams and Linda Manko <BR>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 17 19:55:31 2008
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Pardon this post, but the headline just made me laugh.. :)

http://blog.modernmechanix.com/2008/03/14/ride-offers-thrills-of-looping/

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From: David Steinberg <waveform@free.fr>
Subject: =?ISO-8859-1?Q?Re:_R=E9p_:_DD20_tap_tempo_input?=
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--Apple-Mail-33--156259878
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> De : Dirk Wilbert <dwilbert@rhein-zeitung.de>
> Date : 16 mars 2008 00:10:43 HNEC
> =C0 : Loopers-Delight@loopers-delight.com
> Objet : R=E9p : DD20 tap tempo input
>
>
> Hello David,
> this seems to be a good idea - i got an Anatek Pocket Sync, which =20
> was originally used to sync Sequencers to tape machines. Should =20
> there be some way for using such a sync signal for tap tempo? I =20
> think it's not that easy, as you would have to transform an audio =20
> signal into a "close-switch" (maybe using electronics and a fast =20
> relais).
> If you find some "easy" way to do such thing, please let us know! I =20=

> would really like to modify my dd-6 then...

Yep, when I'll find enough time and courage to open my DD20 I'll =20
definitely inform the list if I manage to make something usable ;).

> What is an "arduino"?

http://www.arduino.cc/

It's a small open hardware/open source assembled circuit board with a =20=

microprocessor than can easily be programmed using a C-like language =20
through an USB port. It's got several analog and digital inputs and =20
there's a very big community of people who use these boards for very =20
different projects and make their designs available, both hardware =20
(it's usually just a few added components, mostly resistors) and =20
software.

In other words it's a great platform to easily develop small devices =20
that can manipulate digital or analog data. And it'd be quite easy to =20=

make a small box with an arduino that could output the triggers =20
required to activate a tap tempo function according to an incoming =20
midi clock.

</daviD>

"Simulating the true styles and making carefully.
  Many colours a lot, selected freely by you !"



--Apple-Mail-33--156259878
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><blockquote type=3D"cite"><p=
 style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><b>De : </b></font><font face=3D"Helvetica" size=3D"3" =
style=3D"font: 12.0px Helvetica">Dirk Wilbert &lt;<a =
href=3D"mailto:dwilbert@rhein-zeitung.de">dwilbert@rhein-zeitung.de</a>&gt=
;</font></p> <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font =
face=3D"Helvetica" size=3D"3" color=3D"#000000" style=3D"font: 12.0px =
Helvetica; color: #000000"><b>Date : </b></font><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">16 mars 2008 00:10:43 =
HNEC</font></p> <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font =
face=3D"Helvetica" size=3D"3" color=3D"#000000" style=3D"font: 12.0px =
Helvetica; color: #000000"><b>=C0 : </b><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com"><font =
color=3D"#000000" style=3D"color: =
#000000">Loopers-Delight@loopers-delight.com</font></a></font></p> <p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Helvetica" =
size=3D"3" color=3D"#000000" style=3D"font: 12.0px Helvetica; color: =
#000000"><b>Objet : </b><font face=3D"Helvetica" size=3D"3" style=3D"font:=
 12.0px Helvetica"><b>R=E9p : DD20 tap tempo =
input</b></font></font></p><font face=3D"Helvetica" size=3D"3" =
color=3D"#000000" style=3D"font: 12.0px Helvetica; color: #000000"> <p =
style=3D"margin: 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px"><br></p> =
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; min-height: =
14.0px"><br></p> <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">Hello =
David,</font></p> <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica">this =
seems to be a good idea - i got an Anatek Pocket Sync, which was =
originally used to sync Sequencers to tape machines. Should there be =
some way for using such a sync signal for tap tempo? I think it's not =
that easy, as you would have to transform an audio signal into a =
"close-switch" (maybe using electronics and a fast relais).</font></p> =
<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px"><font face=3D"Helvetica" =
size=3D"3" style=3D"font: 12.0px Helvetica">If you find some "easy" way =
to do such thing, please let us know! I would really like to modify my =
dd-6 then...</font></p></font></blockquote><div><br =
class=3D"webkit-block-placeholder"></div><div>Yep, when I'll find enough =
time and courage to open my DD20 I'll definitely inform the list if I =
manage to make something usable ;).</div><br><blockquote =
type=3D"cite"><font face=3D"Helvetica" size=3D"3" color=3D"#000000" =
style=3D"font: 12.0px Helvetica; color: #000000"> <p style=3D"margin: =
0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: =
14.0px"><span class=3D"Apple-style-span" style=3D"color: rgb(0, 0, 221); =
-webkit-text-stroke-width: -1; ">What is an =
"arduino"?</span></p></font></blockquote><div><br =
class=3D"webkit-block-placeholder"></div><div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
face=3D"Helvetica" size=3D"3" style=3D"font: 12.0px Helvetica"><a =
href=3D"http://www.arduino.cc">http://www.arduino.cc</a>/</font></div><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><br class=3D"webkit-block-placeholder"></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">It's a small open hardware/open source assembled =
circuit board with a microprocessor than can easily be programmed using =
a C-like language through an USB port. It's got several analog and =
digital inputs and there's a very big community of people who use these =
boards for very different projects and make their designs available, =
both hardware (it's usually just a few added components, mostly =
resistors) and software.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">In other words it's a great =
platform to easily develop small devices that can manipulate digital or =
analog data. And it'd be quite easy to make a small box with an arduino =
that could output the triggers required to activate a tap tempo function =
according to an incoming midi clock.</div></div></div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><div>&lt;/daviD&gt;</div><div><br =
class=3D"khtml-block-placeholder"></div><div>"Simulating the true styles =
and making carefully.</div><div>=A0Many colours a lot, selected freely =
by you !"</div><br class=3D"Apple-interchange-newline"></span> =
</div><br></body></html>=

--Apple-Mail-33--156259878--

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Date: Mon, 17 Mar 2008 21:20:28 +0100
From: "Per Boysen" <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT (but funny): The Thrills of Looping
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On Mon, Mar 17, 2008 at 7:08 PM,  <cpr@musetrap.com> wrote:
> Pardon this post, but the headline just made me laugh.. :)


Yes, that's a good one! :-)

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

From Loopers-Delight-request@loopers-delight.com  Mon Mar 17 20:47:31 2008
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Date: Mon, 17 Mar 2008 16:47:29 -0400
From: "radio radio" <radiotelevision@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: DD20 tap tempo input
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This thread prompted me to try to sync my DD20 to an EDP via the BeatSync
jack last night, but it didn't seem to work reliably (sometimes the DD20
picked it up, sometimes not, sometimes yes but it came up with some
random-seeming large number). Has anyone else tried this or had it happen?
I'm midi-free and hoping I didn't just screw up my DD20 tap tempo input.
Since I got both of these units (and many others) used on Ebay, I also never
know whether something is functioning "normally" or not.
Eben

On Mon, Mar 17, 2008 at 2:42 PM, Goddard, Duncan <goddard.duncan@mtvne.com>
wrote:

>  http://en.wikipedia.org/wiki/Arduino
>
> but I have talked many times in the past about a simple hardware
> midi-clock>trigger (or closure) device, such as ebay was once awash with, &
> interfacing this with a DL4 to allow a midi clock to tap-tempo the little
> green bugger.
> no computers. :-)
>
> I haven't got around to it, although I have a midi-clock>trigger converter
> inside of a yamaha cs30, doing something conceptually similar & with great
> success to the little analogue sequencer therein. I also have a similar
> midi-clock>trigger box that I got off of ebay ages ago, & which I need to
> check is functional.
>
> they are advertised as midi clock converters, sync converters & so on, &
> are described in the context of triggering arpeggiators &c in pre-midi
> synths. the output, therefore, is usually a brief burst of 5v. this could
> easily be turned into a closure with a relay or solid-state switch, though
> I'd suggest that an opto-isolator might be a good idea in there somewhere.
> this approach may even let one interface directly with the electronics
> behind the tap-tempo switch.
>
> devices that require notes or program changes to drive them will "occupy"
> a channel of the sequencer, which might be a nuisance, but on the other
> hand, it may actually be a more flexible arrangement, since you can set up
> the sequencer to "begin" or "cease" telling the delay pedal what to do by
> simply adding or omitting the notes that do the triggering.
> a simple midi>cv/gate converter will then provide y'r tap tempo pulses.
>
> the devices I have described above, & in the past, work purely off of midi
> clock & have selectable divide ratios.
> you could, even, take a feed of pulses off the "step one" button/indicator
> of a drum machine, & adapt that to drive a closure....
>
> I will get around to taking this further one day, I promise! my guitarist
> is always nagging me for this fix, even though I sold him an echo-pro....
> (which he hates).
>
> duncan.
>
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This thread prompted me to try to sync my DD20 to an EDP via the BeatSync jack last night, but it didn&#39;t seem to work reliably (sometimes the DD20 picked it up, sometimes not, sometimes yes but it came up with some random-seeming large number). Has anyone else tried this or had it happen? I&#39;m midi-free and hoping I didn&#39;t just screw up my DD20 tap tempo input. Since I got both of these units (and many others) used on Ebay, I also never know whether something is functioning &quot;normally&quot; or not.<div>
<br class="webkit-block-placeholder"></div><div>Eben<br><div><br><div class="gmail_quote">On Mon, Mar 17, 2008 at 2:42 PM, Goddard, Duncan &lt;<a href="mailto:goddard.duncan@mtvne.com">goddard.duncan@mtvne.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">



<div>
<div dir="ltr" align="left"><font face="AmericanTypewriter Medium" color="#0000ff"><a href="http://en.wikipedia.org/wiki/Arduino" target="_blank">http://en.wikipedia.org/wiki/Arduino</a></font></div>
<div dir="ltr" align="left"><font face="AmericanTypewriter Medium" color="#0000ff"></font>&nbsp;</div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff">but I have talked many times in 
the past about a simple hardware midi-clock&gt;trigger (or closure) device, such 
as ebay was once awash with, &amp; interfacing this with a DL4 to allow a midi 
clock to tap-tempo the little green bugger.</font></span></div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff">no computers. 
:-)</font></span></div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff"></font></span>&nbsp;</div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff">I haven&#39;t got around to it, 
although I have a midi-clock&gt;trigger converter inside of a yamaha cs30, doing 
something conceptually similar &amp; with great success to the little analogue 
sequencer therein. I also have a similar midi-clock&gt;trigger box that I got 
off of ebay ages ago, &amp; which I need to check is functional. 
</font></span></div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff"></font></span>&nbsp;</div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff">they are advertised as midi clock 
converters, sync converters &amp; so on, &amp; are described in the context of 
triggering arpeggiators &amp;c in pre-midi synths. the output, therefore, is 
usually a brief burst of 5v. this could easily be turned into a closure with a 
relay or solid-state switch, though I&#39;d suggest that an opto-isolator might be a 
good idea in there somewhere. this approach may even let one interface directly 
with the electronics behind the tap-tempo switch.</font></span></div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff"></font></span>&nbsp;</div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff">devices that require notes or 
program changes to drive them will &quot;occupy&quot; a channel of the sequencer, which 
might be a nuisance, but on the other hand, it may actually be a more flexible 
arrangement, since you can set up the sequencer to &quot;begin&quot; or &quot;cease&quot; telling 
the delay pedal what to do by simply adding&nbsp;or omitting the notes that do 
the triggering.</font></span></div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff">a simple midi&gt;cv/gate 
converter will then provide y&#39;r tap tempo pulses.</font></span></div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff"></font></span>&nbsp;</div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff">the devices I have described 
above, &amp; in the past, work purely off of midi clock &amp; have selectable 
divide ratios. </font></span></div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff">you could, even, take a feed of 
pulses off the &quot;step one&quot; button/indicator of a drum machine, &amp; adapt that 
to drive a closure....</font></span></div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff"></font></span>&nbsp;</div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff">I will get around to 
taking&nbsp;this further one day, I promise! my guitarist is always nagging me 
for this fix, even though I sold him an echo-pro.... (which he 
hates).</font></span></div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff"></font></span>&nbsp;</div>
<div dir="ltr" align="left"><span><font face="AmericanTypewriter Medium" color="#0000ff">duncan.</font></span></div><pre>CONFIDENTIALITY NOTICE

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</pre></div>
</blockquote></div><br></div></div>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 17 22:02:18 2008
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Subject: Need to find guitar stand
Date: Mon, 17 Mar 2008 17:56:41 -0400
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If it's considered OT, then sorry! I wasn't sure...

Where can I find those guitar stands that hold the guitar in the proper =
position for a standing musician? I'm thinking of having my Les Paul at =
the ready on one of those after laying down my acoustic tracks. I can't =
seem to find them by googling, but I'm sure I'm just having a mental =
block.

Thanks!
Brian
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<DIV><FONT face=3DArial size=3D2>If it's considered OT, then sorry! I =
wasn't=20
sure...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Where can I find those guitar stands =
that hold the=20
guitar in the proper position for a standing musician? I'm thinking of =
having my=20
Les Paul at the ready on one of those after laying down my acoustic =
tracks. I=20
can't seem to find them by googling, but I'm sure I'm just having a =
mental=20
block.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Brian</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 17 22:21:53 2008
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Subject: Re: Need to find guitar stand
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BC wrote:
> If it's considered OT, then sorry! I wasn't sure...
>  
> Where can I find those guitar stands that hold the guitar in the proper 
> position for a standing musician? I'm thinking of having my Les Paul at 
> the ready on one of those after laying down my acoustic tracks. I can't 
> seem to find them by googling, but I'm sure I'm just having a mental block.
>  
> Thanks!
> Brian

The company that I am aware of is Gracie Stands. At the moment I can't 
seem to access their website, but it appears to be this address:

www.graciestands.net

- Sam

From Loopers-Delight-request@loopers-delight.com  Mon Mar 17 22:34:15 2008
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Subject: Voice to MIDI thru voc proc and guitar synth?
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Hi everybody,

I want to use my voice as a MIDI controller (i've always been one to =20
push the envelope, so to speak).  I know, I could use a vocoder, but =20
that limits to the presets available, usually.  I want to be able to =20
control any MIDI instrument that is out there with my voice, and not =20
rely solely on the vocoder patches that are available.

Hey, i know people are working on this (engineers and so forth), and =20
it may be 10 years out, but I had a thought I wanted to run by some of =20
you "makers" and other gear techs.

Really, something like the GR-20 just needs a signal to hit the pickup =20
that sounds like a guitar to it, right?  So, would it be possible to =20
use a vocal processor to make a voice sound enough like a guitar to =20
fool the GR-20 to thinking that its hearing a guitar, and thereby =20
convert the signal to MIDI controller data?  What if you mounted a =20
GR-20 to something and amplified the guitarized voice against it to =20
activate the pickup?

It really doesn't matter what the processed voice sounds like, as long =20
ast the GR-20 would think its a guitar.

Is this too crazy to work?

Michael

From Loopers-Delight-request@loopers-delight.com  Mon Mar 17 22:56:41 2008
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Date: Mon, 17 Mar 2008 15:56:40 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: Voice to MIDI thru voc proc and guitar synth?
To: Loopers-Delight@loopers-delight.com
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Howdy,

 First, you need a pitch to CV module, then an
envelope follower. Then patch them in to a CVto midi
adapter and bob's your uncle. i have a schemo for he
pitch to Cv part, envelope follwers can be found
anywhere an excellent kit can be bought from Paia but
will need a gate extractor, and CV to midi is
available from Paia also.
rig


--- music@carlsonarts.com wrote:

> Hi everybody,
> 
> I want to use my voice as a MIDI controller (i've
> always been one to  
> push the envelope, so to speak).  I know, I could
> use a vocoder, but  
> that limits to the presets available, usually.  I
> want to be able to  
> control any MIDI instrument that is out there with
> my voice, and not  
> rely solely on the vocoder patches that are
> available.
> 
> Hey, i know people are working on this (engineers
> and so forth), and  
> it may be 10 years out, but I had a thought I wanted
> to run by some of  
> you "makers" and other gear techs.
> 
> Really, something like the GR-20 just needs a signal
> to hit the pickup  
> that sounds like a guitar to it, right?  So, would
> it be possible to  
> use a vocal processor to make a voice sound enough
> like a guitar to  
> fool the GR-20 to thinking that its hearing a
> guitar, and thereby  
> convert the signal to MIDI controller data?  What if
> you mounted a  
> GR-20 to something and amplified the guitarized
> voice against it to  
> activate the pickup?
> 
> It really doesn't matter what the processed voice
> sounds like, as long  
> ast the GR-20 would think its a guitar.
> 
> Is this too crazy to work?
> 
> Michael
> 
> 


__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 17 23:05:03 2008
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Subject: Re: Voice to MIDI thru voc proc and guitar synth?
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Well, if you were into max/msp, you could do this. I have a max patch that 
will convert any analog signal into MIDI notes. And then I can do what I 
want with that. In the case of my patch, I send the MIDI notes to a saw wav 
generator, to produce a Roland GR300 guitar synth like sound.

Kris

> --- music@carlsonarts.com wrote:
>
>> Hi everybody,
>>
>> I want to use my voice as a MIDI controller (i've
>> always been one to
>> push the envelope, so to speak).  I know, I could
>> use a vocoder, but
>> that limits to the presets available, usually.  I
>> want to be able to
>> control any MIDI instrument that is out there with
>> my voice, and not
>> rely solely on the vocoder patches that are
>> available.
>>
>> Hey, i know people are working on this (engineers
>> and so forth), and
>> it may be 10 years out, but I had a thought I wanted
>> to run by some of
>> you "makers" and other gear techs.
>>
>> Really, something like the GR-20 just needs a signal
>> to hit the pickup
>> that sounds like a guitar to it, right?  So, would
>> it be possible to
>> use a vocal processor to make a voice sound enough
>> like a guitar to
>> fool the GR-20 to thinking that its hearing a
>> guitar, and thereby
>> convert the signal to MIDI controller data?  What if
>> you mounted a
>> GR-20 to something and amplified the guitarized
>> voice against it to
>> activate the pickup?
>>
>> It really doesn't matter what the processed voice
>> sounds like, as long
>> ast the GR-20 would think its a guitar.
>>
>> Is this too crazy to work?
>>
>> Michael
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 17 23:20:01 2008
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Interesting one this, this seems to me something that is often done in the
CV/gate world, but never in the midi world.

 Yes, as previous post mentions, you need a pitch to CV converter, (as
krispen mentioned, can be made up in max/msp, or maybe some other bits n
bobs program, as I like to call them - Reactor, or even SynthEdit perhaps)

Or you can "buy stuff"
The Ebay route, might be to get hold of a REALLY old skool guitar synth, the
Korg X11 (or near number... forgotton) that I used to have did this
wonderfully (why did I ever sell it???) then if that wasnt enough you need
to turn that CV and gate info into midi (i also suggest the Paia kit, but
there are other EXTREMELY RARE stand alone devices).

The non Ebay route, would be to make a small modular. I use Doepfer. Now
this aint gonna be cheap, but the interesting module you should look into
(that I dont have, but discussions I have read say it should work) is the
PLL module (phased locked loop (ta ta on topic hurrah!)) this will create a
voltage based on your pitch, you will need a input module (cant remebr
which) that will track the level (envelope follower) and also make a
voltage, to control a VCA for example, and also create a trigger/gate
signal. These two voltages are what a cv/gate to midi module (the Paia
thing) will need to send to a midi instrument - but by now you will be
hooked on modular stuff and buy more and more modules till you have 16 U of
unmovable electronics, be broke - hungry and wife-less.

Luckilly Im at 14U and still have a wife.

good luck with that... what about an electric Kazoo, the Saxxy is fun! Well
my kid likes it!!

Strange that such a simple thing is actually rather hard... now wheres Synth
Edit??? Im gonna make one now!!!

mark

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Interesting one this, this seems to me something that is often done in the CV/gate world, but never in the midi world.<br><br>&nbsp;Yes, as previous post mentions, you need a pitch to CV converter, (as krispen mentioned, can be made up in max/msp, or maybe some other bits n bobs program, as I like to call them - Reactor, or even SynthEdit perhaps)<br>
<br>Or you can &quot;buy stuff&quot;<br>The Ebay route, might be to get hold of a REALLY old skool guitar synth, the Korg X11 (or near number... forgotton) that I used to have did this wonderfully (why did I ever sell it???) then if that wasnt enough you need to turn that CV and gate info into midi (i also suggest the Paia kit, but there are other EXTREMELY RARE stand alone devices).<br>
<br>The non Ebay route, would be to make a small modular. I use Doepfer. Now this aint gonna be cheap, but the interesting module you should look into (that I dont have, but discussions I have read say it should work) is the PLL module (phased locked loop (ta ta on topic hurrah!)) this will create a voltage based on your pitch, you will need a input module (cant remebr which) that will track the level (envelope follower) and also make a voltage, to control a VCA for example, and also create a trigger/gate signal. These two voltages are what a cv/gate to midi module (the Paia thing) will need to send to a midi instrument - but by now you will be hooked on modular stuff and buy more and more modules till you have 16 U of unmovable electronics, be broke - hungry and wife-less.<br>
<br>Luckilly Im at 14U and still have a wife.<br><br>good luck with that... what about an electric Kazoo, the Saxxy is fun! Well my kid likes it!!<br><br>Strange that such a simple thing is actually rather hard... now wheres Synth Edit??? Im gonna make one now!!!<br>
<br>mark<br>

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 00:01:33 2008
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Hi,

What you want is really pretty old tech these days.

An old Roland CP-40 (circa early '90s) would do.

Unless you are interested in going the MAX/MSP software route (which will get you all sorts of other neat goodies too, as I am sure Krispen will tell you), vocal pitch-to-MIDI devices have been around for 15-20 years or more.

I owned a CP-40 many years ago -- and successfully used it live too.

Trouble is that there isn't enough demand in the marketplace to keep these products in production.

The CP-40 worked pretty well and was dead simple to use (it even incorporated a digital tuner).

I sold mine to a Bay Area vocal artist friend who uses it in her music now.

They're pretty rare as it is.

None are on eBay at the moment.

I suppose there are some other software-based systems out there (besides just MAX).

But I don't know what they are.

Good luck look though.

I'm sure you will find something.

Cheers,

Ted

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You might look into Kantos.  It is a VST instrument that translates
any incoming audio (like voice) to a pitched synth output.  Lots and
lots of features for scales and voice, etc.  In fact, it has a number
of presets that demonstrate its ability to track a voice.  Very very
cool and powerful instrument.

From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 01:08:14 2008
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Indeed, very cool.  I've used it on occasion. But squirrelly as hell. 
Tracking is inconsistent. Plus the app is no longer supported.
Kris


----- Original Message ----- 

> You might look into Kantos.  It is a VST instrument that translates
> any incoming audio (like voice) to a pitched synth output.  Lots and
> lots of features for scales and voice, etc.  In fact, it has a number
> of presets that demonstrate its ability to track a voice.  Very very
> cool and powerful instrument.
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 01:50:45 2008
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I just had a reunion with it last month and it was pretty pleasing.
Needs a good, strong signal and clear monophonic tones to track well.
It really doesn't like guitar much, unless you compress the @#($ out
of it and roll the tone off.  But it still impressed me when it came
to tracking voice.

Support?  What's that? :)

On Mon, Mar 17, 2008 at 8:08 PM, Krispen Hartung <khartung@cableone.net> wrote:
> Indeed, very cool.  I've used it on occasion. But squirrelly as hell.
>  Tracking is inconsistent. Plus the app is no longer supported.
>  Kris
>
>
>
>
>  ----- Original Message -----
>
>  > You might look into Kantos.  It is a VST instrument that translates
>  > any incoming audio (like voice) to a pitched synth output.  Lots and
>  > lots of features for scales and voice, etc.  In fact, it has a number
>  > of presets that demonstrate its ability to track a voice.  Very very
>  > cool and powerful instrument.
>  >
>
>

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<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" vAlign=top width="15%">Fine:</TD>
<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" vAlign=top>17-Mar-08 12:41:13 CET</TD></TR>
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<TD style="FONT-SIZE: 10pt; COLOR: #000; FONT-FAMILY: arial, sans-serif" vAlign=top>Dall'utente:</TD>
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 03:32:52 2008
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Date: Mon, 17 Mar 2008 23:26:38 -0400
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Improvisation with Music and Poetry 03.21.08, Cambridge MA
To: DrTVideo@egroups.com
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I'll be performing Friday as part of the indescribable event described below-:)

Fri. 21 March @ OUTPOST, 8pm $5 or b/o
VORTEX presents:

"Poetic Vision" : an audio-visual collective trance
featuring:
Emile Tobenfeld - visual poetry
John Mulrooney - audio poetry
The Rivera/Brunel Method
with
Anthony Baldino - Laptopology

I'm looking forward to performing in Todd Brunel's VORTEX series.

OUTPOST 186 : 186 1/2 hampshire st. cambridge ma 02139
updated concert & events : 
<http://www.zeitgeist-outpost.org/>www.zeitgeist-outpost.org/


-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 08:30:18 2008
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Livelooping Festival in Cologne May 31st
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Michael Peters schrieb:
> here's all information (in German): www.livelooping.de

As Boise is happening at the same time, I'd wonder if we could setup 
some sort of link, maybe even a Ninjam session...?
Don't know if the time shift would allow it though...
Maybe I could try my failed Ninjam with Jeff again... ;-)

Stefan

-- 
Stefan Tiedje------------x-------
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-- _|_)----|-----()--------------
----------()--------www.ccmix.com


From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 08:47:03 2008
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To: Loopers-Delight@loopers-delight.com
Subject: Re: slightly OT: amazing musical program (if this video is to be
 trusted)
References: <26ba8d120803121524h3c8a25a8hc1f28fe51cef9329@mail.gmail.com> <EDBF795E-E428-4E50-8EB5-A07D53D6330A@btinternet.com>
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Matt Stevens schrieb:
> My friend who is a pro engineer sent me that - he said he no longer 
> needs artists now! Very scary stuff but the skill needs to be in the user...

This was also prognosed for records, for loopers, for DAW's for all 
kinds of technical gadgets. If you listen carefully, the performance for 
these treatments still needs musicians...

The engineers think in technical skills, musicians and the audience know 
more about expressional skills (some engineers are musicians, some are 
audience though... ;-)

But this is amazing, no doubt...

Stefan

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 08:53:03 2008
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Patrick Suler schrieb:
> Last year, I got the rc-50. This year I joined this mailing list (albeit 
> at 1am).

Welcome in the family....

> I wish there was a huge loop fest annually on 3.14, just on principle.

Yes, celebrate it the way you want and share the results here...

We are all keen what you'll bring up on your loop day...

Stefan

-- 
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 08:56:07 2008
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From: Chris <magestic12@mountaincable.net>
Subject: Re: Voice to MIDI thru voc proc and guitar synth?
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look up the pitchrider 4000 made by ivl in the 80's
chris hutton

On Mar 17, 2008, at 6:56 PM, bill bigrig wrote:

> Howdy,
>
>  First, you need a pitch to CV module, then an
> envelope follower. Then patch them in to a CVto midi
> adapter and bob's your uncle. i have a schemo for he
> pitch to Cv part, envelope follwers can be found
> anywhere an excellent kit can be bought from Paia but
> will need a gate extractor, and CV to midi is
> available from Paia also.
> rig
>
>
> --- music@carlsonarts.com wrote:
>
>> Hi everybody,
>>
>> I want to use my voice as a MIDI controller (i've
>> always been one to
>> push the envelope, so to speak).  I know, I could
>> use a vocoder, but
>> that limits to the presets available, usually.  I
>> want to be able to
>> control any MIDI instrument that is out there with
>> my voice, and not
>> rely solely on the vocoder patches that are
>> available.
>>
>> Hey, i know people are working on this (engineers
>> and so forth), and
>> it may be 10 years out, but I had a thought I wanted
>> to run by some of
>> you "makers" and other gear techs.
>>
>> Really, something like the GR-20 just needs a signal
>> to hit the pickup
>> that sounds like a guitar to it, right?  So, would
>> it be possible to
>> use a vocal processor to make a voice sound enough
>> like a guitar to
>> fool the GR-20 to thinking that its hearing a
>> guitar, and thereby
>> convert the signal to MIDI controller data?  What if
>> you mounted a
>> GR-20 to something and amplified the guitarized
>> voice against it to
>> activate the pickup?
>>
>> It really doesn't matter what the processed voice
>> sounds like, as long
>> ast the GR-20 would think its a guitar.
>>
>> Is this too crazy to work?
>>
>> Michael
>>
>>
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

Chris
magestic12@mountaincable.net




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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
look up the pitchrider 4000 made by ivl in the 80's<div>chris =
hutton</div><div><br><div><div>On Mar 17, 2008, at 6:56 PM, bill bigrig =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Howdy,</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">=A0</span>First, you need a pitch to CV =
module, then an</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">envelope follower. Then patch =
them in to a CVto midi</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">adapter and bob's your =
uncle. i have a schemo for he</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">pitch to Cv =
part, envelope follwers can be found</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">anywhere an =
excellent kit can be bought from Paia but</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">will =
need a gate extractor, and CV to midi is</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">available from Paia also.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">rig</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--- <a =
href=3D"mailto:music@carlsonarts.com">music@carlsonarts.com</a> =
wrote:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Hi everybody,</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I want =
to use my voice as a MIDI controller (i've</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">always =
been one to <span class=3D"Apple-converted-space">=A0</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">push the envelope, so to speak).<span =
class=3D"Apple-converted-space">=A0 </span>I know, I could</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">use a vocoder, but <span =
class=3D"Apple-converted-space">=A0</span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">that =
limits to the presets available, usually.<span =
class=3D"Apple-converted-space">=A0 </span>I</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">want to be able to <span =
class=3D"Apple-converted-space">=A0</span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">control =
any MIDI instrument that is out there with</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">my =
voice, and not <span class=3D"Apple-converted-space">=A0</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">rely solely on the vocoder patches that =
are</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">available.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Hey, i =
know people are working on this (engineers</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">and so =
forth), and <span class=3D"Apple-converted-space">=A0</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">it may be 10 years out, but I had a thought I =
wanted</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">to run by some of <span =
class=3D"Apple-converted-space">=A0</span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">you =
"makers" and other gear techs.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Really, something like the GR-20 =
just needs a signal</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">to hit the pickup <span =
class=3D"Apple-converted-space">=A0</span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">that =
sounds like a guitar to it, right?<span class=3D"Apple-converted-space">=A0=
 </span>So, would</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">it be possible to <span =
class=3D"Apple-converted-space">=A0</span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">use a =
vocal processor to make a voice sound enough</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">like a guitar to <span =
class=3D"Apple-converted-space">=A0</span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">fool the =
GR-20 to thinking that its hearing a</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">guitar, and =
thereby <span class=3D"Apple-converted-space">=A0</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">convert the signal to MIDI controller data?<span =
class=3D"Apple-converted-space">=A0 </span>What if</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">you mounted a <span =
class=3D"Apple-converted-space">=A0</span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">GR-20 to =
something and amplified the guitarized</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">voice =
against it to <span class=3D"Apple-converted-space">=A0</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">activate the pickup?</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">It really =
doesn't matter what the processed voice</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">sounds =
like, as long <span class=3D"Apple-converted-space">=A0</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">ast the GR-20 would think its a guitar.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Is this =
too crazy to work?</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Michael</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> </blockquote><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">__________________________________________________</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Do You Yahoo!?</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Tired of =
spam?<span class=3D"Apple-converted-space">=A0 </span>Yahoo! Mail has =
the best spam protection around<span =
class=3D"Apple-converted-space">=A0</span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://mail.yahoo.com">http://mail.yahoo.com</a><span =
class=3D"Apple-converted-space">=A0</span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> </blockquote></div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; =
"><div>Chris</div><div><a =
href=3D"mailto:magestic12@mountaincable.net">magestic12@mountaincable.net<=
/a></div><div><br class=3D"khtml-block-placeholder"></div><br =
class=3D"Apple-interchange-newline"></span> =
</div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 09:10:55 2008
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Subject: Re: Livelooping Festival in Cologne May 31st
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> Michael Peters schrieb:
> > here's all information (in German): www.livelooping.de

Great, it's a 2.5 hour drive for me, I'll be there to watch the show :) W=
ho's also going?

Sjaak=0A---=0AScarlet One, ADSL 6 Mbps + Telefonie, vanaf EUR 29,95...=0A=
http://www.scarlet.be/

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Thanks for bringing that up, Stefan!=20
I hope I'm not giving away too much already, but May 31st is the day of the=
 kyberjam at BEMF. And yes, I have already been thinking about linking up b=
oth festivals ninjam-wise. Michael?

          Rainer

----- original Nachricht --------

Betreff: Re: Livelooping Festival in Cologne May 31st
Gesendet: Di, 18. M=E4r 2008
Von: Stefan Tiedje<Stefan-Tiedje@addcom.de>

> Michael Peters schrieb:
> > here's all information (in German): www.livelooping.de
>=20
> As Boise is happening at the same time, I'd wonder if we could setup=20
> some sort of link, maybe even a Ninjam session...?
> Don't know if the time shift would allow it though...
> Maybe I could try my failed Ninjam with Jeff again... ;-)
>=20
> Stefan
>=20
> --=20
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
>=20
>=20
>=20

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Subject: RE: Voice to MIDI thru voc proc and guitar synth?
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>>Really, something like the GR-20 just needs a signal to hit the pickup
that sounds like a guitar to it, right?  So, would it be possible to use
a vocal processor to make a voice sound enough like a guitar to fool the
GR-20 to thinking that its hearing a guitar......<<

not so far fetched at all.... I remember a digigram unit in the early
90s that was designed to do exactly this- no idea how successful it was
BUT
my roland GI-10, a not especially top-of-the-range (these days) GK-1
pickup>midi converter also has a mono input on the front, ostensibly for
non-GK-equipped instruments. I'm sure there's a picture in the manual of
someone playing a sax or something into this input.

you'd have to be careful not to sing any chords, though, or the tracking
will go off....... :-)

d.



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Subject: Live Looping at Osnabruck Planetarium, 29 March, 2008
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Hi all,

just in case you happen to be in or near Osnabruck in Germany on 29 =
March, I=B4ll be performing a one-off concert at the local planetarium. =
The motto for this evening is "Planetary Unfolding" (in due respect to =
Michael Stearns=B4 outstanding classic of the space music genre), and I =
will be playing approximately one hour of ambient drone-based music with =
some heavy looping involved (mainly Lexicon Jamman, as I=B4ll leave the =
big live rack with Repeater and Echoplexes at home, due to space =
reasons... hang on a second, this was not supposed to be a joke, it=B4s =
a tiny planetarium with very little performance space and just =
sixtysomething seats). The concert will commence at 8 o=B4clock in the =
evening, admission is 8 Euros (please reserve your ticket in advance at =
www.planetarium-osnabrueck.de). Should there be more than sixty =
reservations, I will be playing a second concert right after the first.

Thanks for reading, hope to see you there,

Stephen.

____________________________________________________________

"Pay your respects to the vultures, for they are your future." (Jhonn =
Balance / Coil)

Finally available: Stephen Parsick -- Traces of the Past Redux, reissued =
with three previously unreleased bonus tracks.

It=B4s out: [=B4ramp] & markus reuter -- "ceasing to exist", a gorgeous =
dark ambient album. available through our webshop at www.doombient.com

For info and audio, please visit the official [=B4ramp] website at =
www.doombient.com

------=_NextPart_000_0037_01C888F0.66C6EAE0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1528" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>just in case you happen to be in or =
near Osnabruck=20
in Germany on 29 March, I=B4ll be performing a one-off concert at the =
local=20
planetarium. The motto for this evening is "Planetary Unfolding" (in due =
respect=20
to Michael Stearns=B4 outstanding classic of the space music genre), and =
I will be=20
playing approximately one hour of ambient drone-based music with some =
heavy=20
looping involved (mainly Lexicon Jamman, as I=B4ll leave the big live =
rack with=20
Repeater and Echoplexes at home, due to space reasons... hang on a =
second, this=20
was not supposed to be a joke, it=B4s a tiny planetarium with very =
little=20
performance space and just sixtysomething seats). The concert will =
commence at 8=20
o=B4clock in the evening, admission is 8 Euros (please reserve your =
ticket in=20
advance at <A=20
href=3D"http://www.planetarium-osnabrueck.de">www.planetarium-osnabrueck.=
de</A>).=20
Should there be more than sixty reservations, I will be playing a second =
concert=20
right after the first.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for reading, hope to see you=20
there,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Stephen.</FONT></DIV><FONT face=3DArial =
size=3D2>
<DIV><BR>____________________________________________________________</DI=
V>
<DIV>&nbsp;</DIV>
<DIV>"Pay your respects to the vultures, for they are your future." =
(Jhonn=20
Balance / Coil)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Finally available: Stephen Parsick -- Traces of the Past Redux, =
reissued=20
with three previously unreleased bonus tracks.</DIV>
<DIV>&nbsp;</DIV>
<DIV>It=B4s out: [=B4ramp] &amp; markus reuter -- "ceasing to exist", a =
gorgeous=20
dark ambient album. available through our webshop at <A=20
href=3D"http://www.doombient.com">www.doombient.com</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>For info and audio, please visit the official [=B4ramp] website at =
<A=20
href=3D"http://www.doombient.com">www.doombient.com</A><BR></FONT></DIV><=
/BODY></HTML>

------=_NextPart_000_0037_01C888F0.66C6EAE0--

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From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 13:57:19 2008
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References: <002601c88217$0387cfb0$fe78a8c0@mpeserver> <47DF7D1B.40703@addcom.de>
Subject: Re: Livelooping Festival in Cologne May 31st
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You mean between the two festivals? That would be cool. Rainer is managing 
the Kyberjam sessions here at the Boise festival, which will occur on 
Saturday, May 31 from 1 to 5pm MST (8 hours behind Cologne once you complete 
your time change).

Here is the schedule so far, of who out of country folks could play with:

      Time
     Performance

      1:00 -1:40pm (40 min)
     Emily Hay & Motoko Honda

      1:40 -2:00pm (20 min)
     Setup

      2:00 -2:40pm (40 min)
     Ian Ash (from the Deep End Ensemble)

      2:40 - 3:00pm (20 min)
     Setup

      3:00 - 3:40pm (40 min)
     TBD

      3:40 - 4:00pm (20 min)
     Setup

      4:00 - 4:40pm (40 min)
     TBD

      4:40 - 5:00pm (20 min)
     Setup

      5:00 - 5:30pm (30 min)
     TBD



K-
----- Original Message ----- 


> Michael Peters schrieb:
>> here's all information (in German): www.livelooping.de
>
> As Boise is happening at the same time, I'd wonder if we could setup some 
> sort of link, maybe even a Ninjam session...?
> Don't know if the time shift would allow it though...
> Maybe I could try my failed Ninjam with Jeff again... ;-)
>
> Stefan
>
> -- 
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 13:58:51 2008
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To: Loopers-Delight@loopers-delight.com
References: <200803180924.m2I9OBTj028713@post.webmailer.de>
Subject: Re: Re: Livelooping Festival in Cologne May 31st
Date: Tue, 18 Mar 2008 07:58:49 -0600
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Ah, Rainer beat me to it. :)  I still haven't woke up yet.

Kris

----- Original Message ----- 



Thanks for bringing that up, Stefan!
I hope I'm not giving away too much already, but May 31st is the day of the 
kyberjam at BEMF. And yes, I have already been thinking about linking up 
both festivals ninjam-wise. Michael?

          Rainer

----- original Nachricht --------

Betreff: Re: Livelooping Festival in Cologne May 31st
Gesendet: Di, 18. Mär 2008
Von: Stefan Tiedje<Stefan-Tiedje@addcom.de>

> Michael Peters schrieb:
> > here's all information (in German): www.livelooping.de
>
> As Boise is happening at the same time, I'd wonder if we could setup
> some sort of link, maybe even a Ninjam session...?
> Don't know if the time shift would allow it though...
> Maybe I could try my failed Ninjam with Jeff again... ;-)
>
> Stefan
>
> -- 
> Stefan Tiedje------------x-------
> --_____-----------|--------------
> --(_|_ ----|\-----|-----()-------
> -- _|_)----|-----()--------------
> ----------()--------www.ccmix.com
>
>
>

--- original Nachricht Ende ----

From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 14:17:45 2008
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Date: Tue, 18 Mar 2008 10:17:42 -0400
From: "Dennis Moser" <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Livelooping Festival in Cologne May 31st
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You know, there must be one or two of us in other parts of the world
(hint: New Enlgland) that would be delighted to participate via ninjam
... three of us recently did a ninjam between Chicago, Boston,
somewhere in Germany and streamed it live into Second Life ...

Just sayin' ...

Dennis


On Tue, Mar 18, 2008 at 9:57 AM, Krispen Hartung <khartung@cableone.net> wrote:
> You mean between the two festivals? That would be cool. Rainer is managing
>  the Kyberjam sessions here at the Boise festival, which will occur on
>  Saturday, May 31 from 1 to 5pm MST (8 hours behind Cologne once you complete
>  your time change).
>
>  Here is the schedule so far, of who out of country folks could play with:
>
>       Time
>      Performance
>
>       1:00 -1:40pm (40 min)
>      Emily Hay & Motoko Honda
>
>       1:40 -2:00pm (20 min)
>      Setup
>
>       2:00 -2:40pm (40 min)
>      Ian Ash (from the Deep End Ensemble)
>
>       2:40 - 3:00pm (20 min)
>      Setup
>
>       3:00 - 3:40pm (40 min)
>      TBD
>
>       3:40 - 4:00pm (20 min)
>      Setup
>
>       4:00 - 4:40pm (40 min)
>      TBD
>
>       4:40 - 5:00pm (20 min)
>      Setup
>
>       5:00 - 5:30pm (30 min)
>      TBD
>
>
>
>  K-
>
>
> ----- Original Message -----
>
>
>  > Michael Peters schrieb:
>  >> here's all information (in German): www.livelooping.de
>  >
>  > As Boise is happening at the same time, I'd wonder if we could setup some
>  > sort of link, maybe even a Ninjam session...?
>  > Don't know if the time shift would allow it though...
>  > Maybe I could try my failed Ninjam with Jeff again... ;-)
>  >
>  > Stefan
>  >
>  > --
>  > Stefan Tiedje------------x-------
>  > --_____-----------|--------------
>  > --(_|_ ----|\-----|-----()-------
>  > -- _|_)----|-----()--------------
>  > ----------()--------www.ccmix.com
>  >
>  >
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 15:39:59 2008
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	"Loopers Delight" <Loopers-Delight@loopers-delight.com>
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Subject: RE: Re: Livelooping Festival in Cologne May 31st
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> And yes, I have already been thinking about linking up both festivals
ninjam-wise. Michael?

I would have loved to be able to stream the Cologne festival - but ... they
don't have DSL at the venue, so, no live stream and no ninjamming.  :-(

-Michael

From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 16:07:20 2008
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	<Loopers-Delight@loopers-delight.com>
Date: Tue, 18 Mar 2008 11:07:18 -0500
Subject: RE: Voice to MIDI thru voc proc and guitar synth?
Thread-Topic: Voice to MIDI thru voc proc and guitar synth?
Thread-Index: AciIfwmz4HHZU/MtQOiw9GUUZD2leAAkTCNg
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I'm not exactly sure what you're looking for.  If you want to sing a
note and have that note converted to a MIDI note to trigger a synth
then there are lots of software options and a few hardware options.
Searching on "voice to midi" came up with these:

  http://www.geocities.com/vocal2midi/
  http://www.healingmusic.net/MidiVoxFrame1Source1.htm

And as Chris mentioned there is the IVL Pitchrider which you may be
able to find on eBay.

But because you mention vocoding it sounds like you may not want
voice-to-note conversion.  If you want pitch converted into a stream
of MIDI continuous controller values to control things like the
volume, modulation, or filter of a synth then I'm not aware of any
hardware to do that, but there is probably software somewhere.

I haven't used any of these but like a guitar synth I suspect the main
limitation is that only note and volume is converted.  Timbre changes
are not converted so you can't for example have your mouth resonance
control a synth filter to get that "talk box" effect.

Jeff

From Loopers-Delight-request@loopers-delight.com  Tue Mar 18 19:45:06 2008
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Subject: Re: Voice to MIDI thru voc proc and guitar synth?
Date: Tue, 18 Mar 2008 19:45:29 -0000
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Hi,

I'm remembering the Korg X911 (I think) that Mark mentioned above as well as 
an early 80s Roland rack-mounted pitch-CV synth module - as already said, 
these were not MIDI. I'm dragging my memory now and also remembering a 
Fairlight pitch to MIDI unit called something like the VoiceTracker. As a 
wind player I tried the Korg and Roland units with the flute, but then moved 
onto MIDI wind controllers and away from trying to track the real sound.

Ian
----- Original Message ----- 
From: "tEd Â® kiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Cc: <music@carlsonarts.com>
Sent: Tuesday, March 18, 2008 12:01 AM
Subject: Re: Voice to MIDI thru voc proc and guitar synth?


> Hi,
>
> What you want is really pretty old tech these days.
>
> An old Roland CP-40 (circa early '90s) would do.
>
> Unless you are interested in going the MAX/MSP software route (which will 
> get you all sorts of other neat goodies too, as I am sure Krispen will 
> tell you), vocal pitch-to-MIDI devices have been around for 15-20 years or 
> more.
>
> I owned a CP-40 many years ago -- and successfully used it live too.
>
> Trouble is that there isn't enough demand in the marketplace to keep these 
> products in production.
>
> The CP-40 worked pretty well and was dead simple to use (it even 
> incorporated a digital tuner).
>
> I sold mine to a Bay Area vocal artist friend who uses it in her music 
> now.
>
> They're pretty rare as it is.
>
> None are on eBay at the moment.
>
> I suppose there are some other software-based systems out there (besides 
> just MAX).
>
> But I don't know what they are.
>
> Good luck look though.
>
> I'm sure you will find something.
>
> Cheers,
>
> Ted
>
>
> 



From canalising@fcmining.com.au  Tue Mar 18 22:38:17 2008
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God dag,=09

 +-------------------------------------------+
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 and cured.
We strongly recommend deleting this letter and avoid clicking any links.
+-------------------------------------------+
=09[RBN Networks Antivirus]
   =20
 =20
 Many generations. A few moments later charles was alive,
to profit us when he was dead. Ha, 'as your mother said
about my hair,' said elizabeth distance, i continue my regular
visits to dioudjendji. And his view was less startling.
martin had never crown for him. So saying, he threw the
piece of down from london in order to get rid of the disagreeable
room and everything he wanted in hers. Their small see you
were experimenting with himand then you went? Yes, sir.
im afraid it has spoilt your beautiful rock mixed with clay,
contains oxide of iron. With baskets against their hips,
at intervals about him, fought bravely, for they had not
a robinson? Said cicely. At your service, said norman, this
fellow snaps her up in no time. She wangled.

------------12824B5A872917
Content-Type: text/html; charset=iso-8859-1
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">  =20
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<META http-equiv=3DContent-Type content=3D"text/html; charset=3D"iso-8859-1=
">

</head>  =20
<body>=09

<p>   God dag,<span name=3D"#rqpw">   </span></p><b></b>
<b>   </b><br><b></b><b>+-------------------------------------------+</b><b=
r>
Warning! This letter contains a virus which has been successfully detected =
and cured.<br>
We strongly recommend deleting this letter and avoid clicking any links.<br=
>
<b>+-------------------------------------------+</b><br>
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</span><br><a name=3D"#wqrw"></a><p><a name=3D"#wqtw">
</a></p><br>
<p><span>   </span>Many generations. A few moments later charles was alive,=
<br>  to profit us when he was dead. Ha, 'as your mother said<br>  about my=
 hair,' said elizabeth distance, i continue my regular<br>  visits to dioud=
jendji. And his view was less startling.<br>  martin had never crown for hi=
m. So saying, he threw the<br>  piece of down from london in order to get r=
id of the disagreeable<br>  room and everything he wanted in hers. Their sm=
all see you<br>  were experimenting with himand then you went? Yes, sir.<br=
>  im afraid it has spoilt your beautiful rock mixed with clay,<br>  contai=
ns oxide of iron. With baskets against their hips,<br>  at intervals about =
him, fought bravely, for they had not<br>  a robinson? Said cicely. At your=
 service, said norman, this<br>  fellow snaps her up in no time. She wangle=
d.</p>
<a href=3D"http://lisassociation.org/.xdhobbekcaaaekied.php"></a></body></html>
------------12824B5A872917--

From Loopers-Delight-request@loopers-delight.com  Wed Mar 19 06:26:32 2008
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From:   <mech@m3ch.net>
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At 9:35 AM -0700 3/16/08, Aaron Leese wrote:
> Cool ... this is why I try to make as few claims as possible ... someone
> always knows of something that does everything.

Not a problem.  Just want to keep things accurate in case anybody starts po=
ring through the archives.  ;)

> Musolomo doesn't appear to do multiple parallel loops .... and there is o=
nly
> one turntable ... which seems odd since generally turntablists want two
> ..... but yeah, there you have another utility for loop scratching.

Well, it will do multiple parallel loops (you just have to pick another key=
 range to sample onto).  However,=20
it's been a bit since I played with it extensively -- particularly the turn=
table.  I'm trying to remember=20
exactly how you get the turntable to effect one loop while leaving the othe=
rs alone.

Of course, you can merely open up a second (or third, or fourth, etc.) inst=
ance, which is the way I used to=20
use it merely for simplicity's sake.

> Thanks for the widget compliment.  Have you downloaded/tried it?  It seem=
s
> that over a hundred people have downloaded flyloops so far ... but I have
> only received feedback from one ... so I am rather anxious to hear from
> people that have tried it.

Heh!  We just landed at the house in Japan about three weeks ago, and with =
any luck they're *finally*=20
supposed to install the Internet this coming Monday.  Currently, we're stuc=
k having to troll our neighborhood=20
looking for unprotected wireless connections.  Lucky us.  It's a good thing=
 we didn't relocate to Singapore,=20
'cause they cane people for this sort of thing out there.  :P

So, in short, I'm lucky merely to be getting email right now.  I'll do a do=
wnload of Flyloops when we've=20
actually got our own connection again, however.

	--m.

_____
"take one step outside yourself. the whole path lasts no longer than one st=
ep..."


From Loopers-Delight-request@loopers-delight.com  Wed Mar 19 06:30:12 2008
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Subject: Re: Voice to MIDI thru voc proc and guitar synth?
From:   <mech@m3ch.net>
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At 6:34 PM -0400 3/17/08, music@carlsonarts.com wrote:
>
> I want to use my voice as a MIDI controller (i've always been one to push=
 the envelope, so to speak). =20
> I know, I could use a vocoder, but that limits to the presets available, =
usually.  I want to be able=20
> to control any MIDI instrument that is out there with my voice, and not r=
ely solely on the vocoder=20
> patches that are available.

You might try looking into the Yamaha G-50 Guitar-to-MIDI converter.  Yeah,=
 it's primarily for use with a=20
guitar and a 13-pin divided pickup, but there is also a single 1/4" input j=
ack on the front panel. =20
Ostensibly, it's designed so that you can use this for pitch-to-MIDI conver=
sion with a horn/sax/whatever. =20
However, I don't know why you couldn't try using it with voice as well.  Yo=
u might even consider using an EQ=20
on the input (between the mic and the G-50) in order to maximize the pitch-=
detection and tracking, as well.

Not sure how well it works with the front-panel input, but the G-50 is wide=
ly considered to have the best=20
MIDI conversion and tracking when using Roland "GK"-type magnetic pickups. =
 Given that pedigree, I wouldn't=20
think working on a single monophonic input would be too shabby.

You can usually find them on the 'bay for around two bills these days.

	--m.
_____
"bye-bye empire; empire, bye-bye"


From Loopers-Delight-request@loopers-delight.com  Wed Mar 19 08:51:03 2008
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mech@m3ch.net wrote:
> At 6:34 PM -0400 3/17/08, music@carlsonarts.com wrote:
>> I want to use my voice as a MIDI controller (i've always been one to push the envelope, so to speak).  
>> I know, I could use a vocoder, but that limits to the presets available, usually.  I want to be able 
>> to control any MIDI instrument that is out there with my voice, and not rely solely on the vocoder 
>> patches that are available.
> 
> You might try looking into the Yamaha G-50 Guitar-to-MIDI converter.  Yeah, it's primarily for use with a 
> guitar and a 13-pin divided pickup, but there is also a single 1/4" input jack on the front panel.  
> Ostensibly, it's designed so that you can use this for pitch-to-MIDI conversion with a horn/sax/whatever.  
> However, I don't know why you couldn't try using it with voice as well.  You might even consider using an EQ 
> on the input (between the mic and the G-50) in order to maximize the pitch-detection and tracking, as well.
> 
> Not sure how well it works with the front-panel input, but the G-50 is widely considered to have the best 
> MIDI conversion and tracking when using Roland "GK"-type magnetic pickups.  Given that pedigree, I wouldn't 
> think working on a single monophonic input would be too shabby.
> 
> You can usually find them on the 'bay for around two bills these days.
> 

The Yamaha G-50 front panel input works well with guitar, I assume it's just a way of accessing the guitar specific software without having to use a hex p/u.
However, guitar in many ways is a hard instrument to pitch detect, as the waveform goes through some interesting cyclic changes, so if it pitch tracks guitar, it should track anything.

The technology in the G-50 is licensed from Axon, it's the best pitch detection you can get.

One problem is that a guitar has a definite attack at the start of the note, allowing a trigger point for the midi note to be easily selected. So any audio to midi converter is possibly going to have trouble deciding when to actually send a note-On if presented with a voice signal, which can have a very even dynamic.

Any device that just converts audio to Note-On will never work well, it also needs to produce midi pitch bend information. Without the pitch bend, there's no way to correct a wrongly identified note, and there's no way to track anything legato.
The G-50 has this function, as do the Axon and Roland products, but I've no idea whether some the other solutions mentioned here can do this. 

andy butler




 

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Subject: Trust and confidentiality
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<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive" size="3">MR ABUZIRI LAWAL</font></span></div>
<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-GB" style="FONT-FAMILY: Arial"></span><span lang="EN-GB" style="FONT-FAMILY: Arial"></span><font size="3"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive">CHIEF ACCOUNTANT</font></span><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"><font face="Verdana">&nbsp;</font><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"> </font></span></font></span></font></div>

<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive" size="3">BANK OF AFRICA </font></span></font></span></div>

<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive" size="3">OUAGADOUDOUGOU </font></span></font></span></div>

<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><font size="3"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive">BURKINE</font></span></font></span><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"> FASO</font></span></font><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"><font size="3">&nbsp;<br>
</font></font></span></div></strong></font></span>
<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"><font size="3"></font></font></span>&nbsp;</div>
<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"><font size="3">&nbsp;I AM&nbsp; <span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive" size="3">MR ABUZIRI LAWAL </font></span></font><font size="3"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive">CHIEF ACCOUNTANT</font></span><font face="Verdana">&nbsp;</font><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"> </font></span></font></font></span><font size="3"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive">BANK OF AFRICA&nbsp; ANNEX (BOA) </font></span><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive">BURKINA FASO </font></span></font><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive" size="3">WEST AFRICA.&nbsp;<br>
<br>I am contacting you based on Trust and confidentiality that you will keep this as top secret and don&#39;t be scared or surprised,&nbsp;I am the Chief Accountant BANK OF AFRICA and&nbsp;I have an<br>&nbsp;opportunity to transfer sum of US$10.5 MILLION (TEN MILLION FIVE HUNDRED UNITED STATE DOLLARS) I have&nbsp;the courage to look for a reliable and Honest Person<br>
who will be capable for this important business Transaction, believing that you will never let me down either now or in Future.&nbsp;<br><br>The owner of this account is MR RON MORRIS,&nbsp;foreigner and <span>&nbsp;</span>the Manager Of petrol chemical service, here before his sudden death, a chemical engineer by Proffession. </font></span><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"><font size="3">He died with his entire family, they were <span>&nbsp;</span>among the victims of<br>
&nbsp;December 25, 2003 Air-Crash Incident in Benin Republic , The bank has made series of efforts to contact any of<br>&nbsp;the relatives to claim this money but without success.</font></font></span></div>
<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive" size="3"></font></span>&nbsp;</div>
<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"><font size="3"><span>&nbsp;</span>My personal Investigation as a top officer of the bank proved to me as well that his company does not know anything About this account. I want to transfer this money into a safe foreign<br>
account abroad but I Don&#39;t know any foreigner, I know that this message will come to you as a surprise as we don&#39;t know ourselves before, but be sure that it is real And A Genuine business. hope that you will never let me down in this transaction, at &nbsp;the conclusion of this business, you will be giving 40% of the total amount, 60% will be for me.&nbsp;<br>
I look forward to your earliest reply&nbsp;&nbsp;throuh this email&nbsp;address for more&nbsp;details,<a href="mailto:abuzirilawal@yahoo.com">abuzirilawal@yahoo.com</a></font></font></span></div>
<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-GB" style="FONT-FAMILY: Arial"></span><font face="Lucida Handwriting, Cursive" size="3"></font>&nbsp;</div>
<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive" size="3">Thanks. </font></span></div>
<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span lang="EN-GB" style="FONT-FAMILY: Arial"></span><span style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive" size="3">Best regards </font></span></div>

<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt" align="left"><span style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive"><font size="3"><span lang="EN-GB" style="FONT-FAMILY: Arial"><font face="Lucida Handwriting, Cursive" size="3">MR&nbsp;ABUZIRI&nbsp; LAWAL</font></span></font></font></span></div>
<span style="FONT-FAMILY: Arial"><font size="3"><font face="Lucida Handwriting, Cursive" size="2"><strong></strong></font></font></span></div>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 19 15:03:57 2008
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Live looping podcast number 6 
Date: Wed, 19 Mar 2008 15:03:51 +0000
To: Loopers-Delight@loopers-delight.com
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Hi

There is a new looping podcast on my website which feature myself and  
a track by andy butler.  The next one should feature a brand new  
track from Barry Cleaveland.

If you want a track included - give me a shout.

Cheers

Matt Stevens

www.mattstevensguitar.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 19 15:32:34 2008
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References: <63478.1205908211@m3ch.net> <47E0D407.1030606@tiscali.co.uk>
Subject: OT: Brian Eno- Mimmo Paladino in Rome: OPERA PER L'ARA PACIS
Date: Wed, 19 Mar 2008 16:32:29 +0100
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Sorry for the OT, but i think some of you can be interested in this.

I've put some photos on my web site concerning the exhibit "Opera per l'Ara 
Pacis" by Mimmo Paladino and Brian Eno.
It's the second collaborations between those artist till in the laste ten 
years after that one, titled "I Dormienti" held at Londonâ€™s â€œRound Houseâ€.

I had the privilege to go to the press conference, where Eno talked about 
his concept about "generative music" and random art.
What thrilled me was the "Eno Flowers", a bunch of liltle speakers, 
dispersing sounds and noises in the room...

It was very interesting !

You can find the photos in the "GALLERY" page in my web site 
www.eterogeneo.com

For istant access:: www.eterogeneo.com/ara.swf

Bye

Fabio
www.eterogeneo.com
www.myspace.com/eterogeneo

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Hi all,

I'm new on this list, My name is Sanne de Waard and I am a Dutch
vocal looper now living in Berlin (http://VocaLoop.com) and I have read
something here about my looping so I thought I'd better respond to
it myself! ;-)

I actually use a PC-laptop with a VST host programm (Cantabile)
with a lot of free VST Plugins for FX and Dynamics, but the most important
(for this list, that is..) is M=F6bius, a free VST looper plugin based on t=
he
Echoplex, basically 8 Stereo EDP's in one! On the most video's I
indeed use a Behringer FCB1010  MIDI Foot-controller to control the plugins=
,
but I now switched to a MIDI keyboard controller because I didn't like look=
ing
at the floor all the time.. http://www.youtube.com/watch?v=3DN6fzPuw3drU

I also have a original EDP with which I learned  looping, but I switched
to the software "version" (hope i don't offend anyone with that ;-) because
it is Stereo and the EDP is not..

As of MJ still being PC in Scandinavia, I wouldn't know about that,
Amsterdam actually is the capital of the Netherlands, which is a country
in Europe ;-) Scandinavia is a region in northern-Europe, and some
Scandinavian country's are for instance Sweden and Norway.
But in the Netherlands MJ is also not very PC anymore, I know ;-)
I don't have to like the man to like his music, though ;-)

Sanne

links:
http://zonemobius.com/
http://www.toptensoftware.com/cantabile/
http://www.kvraudio.com/ (a lot of free plugins)
http://vocaloop.com



> The EDP sounds interesting.  I want to be able to record a whole
> song, part by part, and solo over it vocally - this could require at
> least four parts in at least three sections.  Check out Vocaloop.com
> for a guy who is doing what I have in mind.  What equipment do you
> think he is using?  I can't tell from the videos, but it looks like
> he's got LOTS of pedals on the floor.
>
> Also on youtube:
>
> http://www.youtube.com/watch?v=3DGAtatKjDxEs <http://www.youtube.com/watc=
h?v=3DGAtatKjDxEs>
>
> And better yet:
>
> http://www.youtube.com/watch?v=3Dl073tuzxoV0&feature=3Drelated <http://ww=
w.youtube.com/watch?v=3Dl073tuzxoV0&feature=3Drelated>
> (but skip to about 2:22 to hear the song I'm talking about.  I won't
> tell you what song it is, but lets just say maybe in Scandinavia MJ
> is still PC.)
>
> So, would the 198 seconds in the EDP be enough to do what he is
> doing?  is it expandable?  It may be out of my price range for a
> first unit.   I'd have to buy pedals for it too, right?  Sweetwater
> lists it at $999.
>
> Michael C.
>

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<pre><font size=3D"2"><font face=3D"verdana,sans-serif">Hi all,<br><br>I&#3=
9;m new on this list, My name is Sanne de Waard and I am a Dutch <br>vocal =
looper now living in Berlin (<a href=3D"http://VocaLoop.com">http://VocaLoo=
p.com</a>) and I have read <br>
something here about my looping so I thought I&#39;d better respond to <br>=
it myself! ;-)<br><br>I actually use a PC-laptop with a VST host programm (=
Cantabile) <br>with a lot of free VST Plugins for FX and Dynamics, but the =
most important <br>
(for this list, that is..) is M=F6bius, a free VST looper plugin based on t=
he <br>Echoplex, basically 8 Stereo EDP&#39;s in one! On the most video&#39=
;s I <br>indeed use a Behringer FCB1010  MIDI Foot-controller to control th=
e plugins, <br>
but I now switched to a MIDI keyboard controller because I didn&#39;t like =
looking <br>at the floor all the time.. <a href=3D"http://www.youtube.com/w=
atch?v=3DN6fzPuw3drU">http://www.youtube.com/watch?v=3DN6fzPuw3drU</a><br><=
br>
I also have a original EDP with which I learned  looping, but I switched<br=
>to the software &quot;version&quot; (hope i don&#39;t offend anyone with t=
hat ;-) because<br>it is Stereo and the EDP is not..<br><br>As of MJ still =
being PC in Scandinavia, I wouldn&#39;t know about that,<br>
Amsterdam actually is the capital of the Netherlands, which is a country<br=
>in Europe ;-) Scandinavia is a region in northern-Europe, and some<br>Scan=
dinavian country&#39;s are for instance Sweden and Norway.<br>But in the Ne=
therlands MJ is also not very PC anymore, I know ;-)<br>
I don&#39;t have to like the man to like his music, though ;-)<br><br>Sanne=
<br><br>links:<br><a href=3D"http://zonemobius.com/">http://zonemobius.com/=
</a><br><a href=3D"http://www.toptensoftware.com/cantabile/">http://www.top=
tensoftware.com/cantabile/</a><br>
<a href=3D"http://www.kvraudio.com/">http://www.kvraudio.com/</a> (a lot of=
 free plugins)<br><a href=3D"http://vocaloop.com">http://vocaloop.com</a><b=
r><br><br></font></font><br>&gt; The EDP sounds interesting.  I want to be =
able to record a whole  <br>
&gt; song, part by part, and solo over it vocally - this could require at  =
<br>&gt; least four parts in at least three sections.  Check out <a href=3D=
"http://Vocaloop.com">Vocaloop.com</a>  <br>&gt; for a guy who is doing wha=
t I have in mind.  What equipment do you  <br>
&gt; think he is using?  I can&#39;t tell from the videos, but it looks lik=
e  <br>&gt; he&#39;s got LOTS of pedals on the floor.<br>&gt; <br>&gt; Also=
 on youtube:<br>&gt; <br><a href=3D"http://www.youtube.com/watch?v=3DGAtatK=
jDxEs">&gt; http://www.youtube.com/watch?v=3DGAtatKjDxEs</a><br>
&gt; <br>&gt; And better yet:<br>&gt; <br><a href=3D"http://www.youtube.com=
/watch?v=3Dl073tuzxoV0&amp;feature=3Drelated">&gt; http://www.youtube.com/w=
atch?v=3Dl073tuzxoV0&amp;feature=3Drelated</a><br>&gt; (but skip to about 2=
:22 to hear the song I&#39;m talking about.  I won&#39;t  <br>
&gt; tell you what song it is, but lets just say maybe in Scandinavia MJ  <=
br>&gt; is still PC.)<br>&gt; <br>&gt; So, would the 198 seconds in the EDP=
 be enough to do what he is  <br>&gt; doing?  is it expandable?  It may be =
out of my price range for a  <br>
&gt; first unit.   I&#39;d have to buy pedals for it too, right?  Sweetwate=
r  <br>&gt; lists it at $999.<br>&gt; <br>&gt; Michael C.<br>&gt;<br></pre>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 19 16:43:23 2008
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My apologies for the double post!! I forgot to switch off HTML formatting..
Here it comes again in plain text:

Hi all,

I'm new on this list, My name is Sanne de Waard and I am a Dutch
vocal looper now living in Berlin (http://VocaLoop.com) and I have read
something here about my looping so I thought I'd better respond to
it myself! ;-)

I actually use a PC-laptop with a VST host programm (Cantabile)
with a lot of free VST Plugins for FX and Dynamics, but the most important
(for this list, that is..) is M=F6bius, a free VST looper plugin based on t=
he
Echoplex, basically 8 Stereo EDP's in one! On the most video's I
indeed use a Behringer FCB1010 MIDI Foot-controller to control the plugins,
but I now switched to a MIDI keyboard controller because I didn't like look=
ing
at the floor all the time.. http://www.youtube.com/watch?v=3DN6fzPuw3drU

I also have a original EDP with which I learned looping, but I switched
to the software "version" (hope i don't offend anyone with that ;-) because
it is Stereo and the EDP is not..

As of MJ still being PC in Scandinavia, I wouldn't know about that,
Amsterdam actually is the capital of the Netherlands, which is a country
in Europe ;-) Scandinavia is a region in northern-Europe, and some
Scandinavian country's are for instance Sweden and Norway.
But in the Netherlands MJ is also not very PC anymore, I know ;-)

I don't have to like the man to like his music, though ;-)

Sanne

links:
http://zonemobius.com/
http://www.toptensoftware.com/cantabile/
http://www.kvraudio.com/ (a lot of free plugins)
http://vocaloop.com



> The EDP sounds interesting. I want to be able to record a whole

> song, part by part, and solo over it vocally - this could require at
> least four parts in at least three sections. Check out Vocaloop.com
> for a guy who is doing what I have in mind. What equipment do you

> think he is using? I can't tell from the videos, but it looks like
> he's got LOTS of pedals on the floor.
>
> Also on youtube:
>
> http://www.youtube.com/watch?v=3DGAtatKjDxEs

>
> And better yet:
>
> http://www.youtube.com/watch?v=3Dl073tuzxoV0&feature=3Drelated
> (but skip to about 2:22 to hear the song I'm talking about. I won't

> tell you what song it is, but lets just say maybe in Scandinavia MJ
> is still PC.)
>
> So, would the 198 seconds in the EDP be enough to do what he is
> doing? is it expandable? It may be out of my price range for a

> first unit. I'd have to buy pedals for it too, right? Sweetwater
> lists it at $999.
>
> Michael C.
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 19 18:16:43 2008
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Date: Wed, 19 Mar 2008 11:16:41 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: fcb1010 and EDP sudden flakyness
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Hey gang,
there is something strange going on when controlling
the EDP with my FBC1010,sometimes when i am recording
quantisized "more loops" and want to record or come
back to a pre recorded loop it goes into the lame duck
period showing 000 and erases the loop and starts
recording over it, as if i had press the FCB1010
button twice.other times it sends a parameter mode
message,i dont know if the problem is the FCB1010 or
the EDP,has anybody had this problem?
If playing with "more loops",is there a way to program
the FCB1010 buttons so that they wont go into record
mode in case i accidentally press one of them?
thanx
Luis



www.myspace.com/luisangulocom


      ____________________________________________________________________________________
Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile.  Try it now.  http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ

From Loopers-Delight-request@loopers-delight.com  Wed Mar 19 18:30:53 2008
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Subject: AW: What's the best vocal looper to buy
Date: Wed, 19 Mar 2008 19:31:40 +0100
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> I'm new on this list, My name is Sanne de Waard and I am a 
> Dutch vocal looper now living in Berlin (http://VocaLoop.com) 

Hi Sanne,

perhaps you can answer one of those questions that have been bugging this
community for some time...to quote Chris Sewell:
"Why do all beatboxers do that shit with their hands?"

Best,

	Rainer

From Loopers-Delight-request@loopers-delight.com  Wed Mar 19 18:55:27 2008
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Haha! That's actually very easy to answer:

1. Beatboxers have this "virtual drumkit" in their head/mouth. It
really helps your beatboxing if you visualize this kit, have different
"places" for your sounds. It can help your "groove" a great deal.. You
can compare it a little bit with tapping your feet when playing an
instrument, it's not really necessary but it really helps for some
people in terms of timing..

2. It also helps an ignorant audience understand what the hell you are doing ;-)

question back: Why do almost all beatboxers cover their mic? The sound
is not getting better that way, actually, it's worse in my opinion..

Sanne

On Wed, Mar 19, 2008 at 7:31 PM, Rainer Thelonius Balthasar Straschill
<rs@moinlabs.de> wrote:
> > I'm new on this list, My name is Sanne de Waard and I am a
>  > Dutch vocal looper now living in Berlin (http://VocaLoop.com)
>
>  Hi Sanne,
>
>  perhaps you can answer one of those questions that have been bugging this
>  community for some time...to quote Chris Sewell:
>  "Why do all beatboxers do that shit with their hands?"
>
>  Best,
>
>         Rainer
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 19 20:29:46 2008
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I've been using Mobius off and on for 3 or 4 months.  Until last couple of
nights have used it mainly as a live process capturing output to another
recording or NinJam routing out computer.  Last night I saved three project
loops which verified that it captured the corresponding track wav files.
When I load them back in and know this is probably a silly question but so
far I'm stuck.

How do I kick it off to playback again which in this case I'm capturing
output to record to a 2nd computer.  I've configured it for my audio device
which today is different than last night (possibly that's an issue but don't
think so - at home I'm ASIO and at work using the motherboard integrated).
I've setup all my buttons as I'm controlling by mouse and keyboard, I"ve
clicked the Play button, pressed space bar and a few other keys.  Will it
only kick-off playback if I start recording a new track by chance?  Haven't
tried that yet as haven't wanted to add anymore to it at this point.

As a live interaction thing it's worked pretty well previously.  I've yet to
take it into the field but have used on several live on-line Chinapainting
sessions so to a degree I know what I'm doing but still dangerous I"m sure.

For you enlightened Mobius folks please point me a bit more in the way.
I've studied through the documentation but didn't find how to get it going
after loading in.  I did the Realign thing or assume I did meaning press
realign which does that que it back to the start point.

Thanks for your input and a great day to all.

Jim

-- 
The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
East of Where -
http://www.myspace.com/eastofwhere
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

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<div>I&#39;ve been using Mobius off and on for 3 or 4 months.&nbsp; Until last couple of nights have used it mainly as a live process capturing output to another recording or NinJam routing out&nbsp;computer.&nbsp; Last night I saved three project loops which verified that it captured the corresponding&nbsp;track wav files.&nbsp; When I load them back in and know this is probably a silly question but so far I&#39;m stuck.&nbsp; </div>

<div>&nbsp;</div>
<div>How do I kick it off to playback again which in this case I&#39;m capturing output to record&nbsp;to a 2nd computer.&nbsp; I&#39;ve configured it for my audio device which today is different than last night (possibly that&#39;s an issue but don&#39;t think so - at home I&#39;m ASIO and at work using the motherboard&nbsp;integrated).&nbsp; I&#39;ve setup all my buttons as I&#39;m controlling by mouse and keyboard, I&quot;ve clicked the Play button, pressed space bar and a few other keys.&nbsp; Will it only kick-off playback if I start recording a new track by chance?&nbsp; Haven&#39;t tried that yet as haven&#39;t wanted to add anymore to it at this point.</div>

<div>&nbsp;</div>
<div>As a live interaction thing it&#39;s worked pretty well previously.&nbsp; I&#39;ve yet to take it into the field but have used on several live on-line Chinapainting sessions so to a degree I know what I&#39;m doing but still dangerous I&quot;m sure.</div>

<div>&nbsp;</div>
<div>For you enlightened Mobius folks please point me a bit more in the way.&nbsp; I&#39;ve studied through the documentation but didn&#39;t find how to get it going after loading in.&nbsp; I did the Realign thing or assume I did meaning press realign which does that que it back to the start point.</div>

<div>&nbsp;</div>
<div>Thanks for your input and a great day to all.</div>
<div>&nbsp;</div>
<div>Jim<br clear="all"><br>-- <br>The Acoustic World Guitar of Jim Goodin - <a href="http://www.jimgoodinmusic.com/" target="_blank">http://www.jimgoodinmusic.com</a><br>MySpace (solo) - <a href="http://www.myspace.com/jimgoodinmusic" target="_blank">http://www.myspace.com/jimgoodinmusic</a><br>
Chinapainting -<br><a href="http://www.chinapaintingmusic.com/" target="_blank">http://www.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br><a href="http://www.myspace.com/chinapaintingmusic.com" target="_blank">http://www.myspace.com/chinapaintingmusic.com</a></div>

<div>East of Where -</div>
<div><a href="http://www.myspace.com/eastofwhere" target="_blank">http://www.myspace.com/eastofwhere</a><br>The Jim Goodin label and home for 7 other creative souls - <a href="http://www.woodandwiremusic.com/" target="_blank">http://www.woodandwiremusic.com</a> <br>
Jim Goodin uses GHS Strings - <a href="http://www.ghsstrings.com/" target="_blank">http://www.ghsstrings.com</a> and Seagull Guitars - <a href="http://www.seagullguitars.com/" target="_blank">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a href="http://www.melbay.com/" target="_blank">http://www.melbay.com</a> </div>

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Cool, now I get it. They are playing a pretend drumset in their head.  
That makes perfect sense.

On Mar 19, 2008, at 2:55 PM, Vocaloop.com wrote:

> Haha! That's actually very easy to answer:
>
> 1. Beatboxers have this "virtual drumkit" in their head/mouth. It
> really helps your beatboxing if you visualize this kit, have different
> "places" for your sounds. It can help your "groove" a great deal.. You
> can compare it a little bit with tapping your feet when playing an
> instrument, it's not really necessary but it really helps for some
> people in terms of timing..
>
> 2. It also helps an ignorant audience understand what the hell you  
> are doing ;-)
>
> question back: Why do almost all beatboxers cover their mic? The sound
> is not getting better that way, actually, it's worse in my opinion..
>
> Sanne
>
> On Wed, Mar 19, 2008 at 7:31 PM, Rainer Thelonius Balthasar Straschill
> <rs@moinlabs.de> wrote:
>>> I'm new on this list, My name is Sanne de Waard and I am a
>>> Dutch vocal looper now living in Berlin (http://VocaLoop.com)
>>
>>  Hi Sanne,
>>
>>  perhaps you can answer one of those questions that have been  
>> bugging this
>>  community for some time...to quote Chris Sewell:
>>  "Why do all beatboxers do that shit with their hands?"
>>
>>  Best,
>>
>>         Rainer
>>
>>
>

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Jim, I don't know the answer to that, never used M=F6bius in that way, but.=
.

There is a M=F6bius Forum where the creator also answers questions so I
guess that's a good place to get an answer..

http://tech.groups.yahoo.com/group/zonemobius/

Sanne

On Wed, Mar 19, 2008 at 9:29 PM, Jim Goodin <jimgoodinmusic@gmail.com> wrot=
e:
> I've been using Mobius off and on for 3 or 4 months.  Until last couple o=
f
> nights have used it mainly as a live process capturing output to another
> recording or NinJam routing out computer.  Last night I saved three proje=
ct
> loops which verified that it captured the corresponding track wav files.
> When I load them back in and know this is probably a silly question but s=
o
> far I'm stuck.
>
> How do I kick it off to playback again which in this case I'm capturing
> output to record to a 2nd computer.  I've configured it for my audio devi=
ce
> which today is different than last night (possibly that's an issue but do=
n't
> think so - at home I'm ASIO and at work using the motherboard integrated)=
.
> I've setup all my buttons as I'm controlling by mouse and keyboard, I"ve
> clicked the Play button, pressed space bar and a few other keys.  Will it
> only kick-off playback if I start recording a new track by chance?  Haven=
't
> tried that yet as haven't wanted to add anymore to it at this point.
>
> As a live interaction thing it's worked pretty well previously.  I've yet=
 to
> take it into the field but have used on several live on-line Chinapaintin=
g
> sessions so to a degree I know what I'm doing but still dangerous I"m sur=
e.
>
> For you enlightened Mobius folks please point me a bit more in the way.
> I've studied through the documentation but didn't find how to get it goin=
g
> after loading in.  I did the Realign thing or assume I did meaning press
> realign which does that que it back to the start point.
>
> Thanks for your input and a great day to all.
>
> Jim
>
> --
> The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com
> MySpace (solo) - http://www.myspace.com/jimgoodinmusic
>  Chinapainting -
> http://www.chinapaintingmusic.com
> Chinapainting on My Space -
> http://www.myspace.com/chinapaintingmusic.com
> East of Where -
> http://www.myspace.com/eastofwhere
> The Jim Goodin label and home for 7 other creative souls -
> http://www.woodandwiremusic.com
>  Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guit=
ars
> - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
> Publications, Inc. - http://www.melbay.com

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It does.. Just think "In the air tonight" from Phil Collins..
There are not many musicians (and a lot of non-musicians too) in the
world NOT playing the drumbreak "in the air" on their virtual drumkit
at the end of the song, I think ;-)

On Wed, Mar 19, 2008 at 10:55 PM, Chris Sewell <lunamusic@mac.com> wrote:
> Cool, now I get it. They are playing a pretend drumset in their head.
>  That makes perfect sense.

From Loopers-Delight-request@loopers-delight.com  Wed Mar 19 23:06:56 2008
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Hence:
http://www.youtube.com/watch?v=TApA1fyoSdk



On Mar 19, 2008, at 6:22 PM, Vocaloop.com wrote:

> It does.. Just think "In the air tonight" from Phil Collins..
> There are not many musicians (and a lot of non-musicians too) in the
> world NOT playing the drumbreak "in the air" on their virtual drumkit
> at the end of the song, I think ;-)
>
> On Wed, Mar 19, 2008 at 10:55 PM, Chris Sewell <lunamusic@mac.com>  
> wrote:
>> Cool, now I get it. They are playing a pretend drumset in their head.
>>  That makes perfect sense.
>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 07:55:18 2008
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Date: Thu, 20 Mar 2008 00:55:15 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Live looping podcast number 6 
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Hey Matt,
Id be interested in having one track from my looping
CD in there,what would you need from me?
cheers
Luis



--- Matt Stevens <mattstevensguitar@btinternet.com>
wrote:

> Hi
> 
> There is a new looping podcast on my website which
> feature myself and  
> a track by andy butler.  The next one should feature
> a brand new  
> track from Barry Cleaveland.
> 
> If you want a track included - give me a shout.
> 
> Cheers
> 
> Matt Stevens
> 
> www.mattstevensguitar.com
> 
> 


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
Never miss a thing.  Make Yahoo your home page. 
http://www.yahoo.com/r/hs

From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 08:37:05 2008
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music@carlsonarts.com schrieb:
> I want to use my voice as a MIDI controller (i've always been one to 
> push the envelope, so to speak).  I know, I could use a vocoder, but 
> that limits to the presets available, usually.  I want to be able to 
> control any MIDI instrument that is out there with my voice, and not 
> rely solely on the vocoder patches that are available.

I still have an original Fairlight Voicetracker around, since the 80's a 
valid tool. It was made for that purpose and does not only track pitch, 
it tracks also timbre and has a built in analog mono synth. For the the 
time it was created, its just amazing...
Only drawback, it needs an old style monitor to be operated, but I think 
it should be possible to get a small LCD with video in to full fill this 
task...

For a good offer I'd sell it as I don't use it anymore (switched all to 
Max/MSP a long time ago as you know...).
But its a collectors item and I always need money... ;-)

Stefan

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
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-- _|_)----|-----()--------------
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 08:52:26 2008
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andy butler schrieb:
> The technology in the G-50 is licensed from Axon, it's the best pitch 
> detection you can get.

The best for guitar. The Axon has a trained neural net, that knows how a 
guitar sounds and thus can track faster than others. But if its not a 
guitar it can't tell, so that technology won't jump in and probably 
works with the same latency as all the others (at least two complete 
cycles - slower for low notes...)

Stefan

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From calendar-invite@reply.yahoo.com  Thu Mar 20 09:57:48 2008
Return-Path: <calendar-invite@reply.yahoo.com>
X-Original-To: looparc@loopers-delight.com
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Date: 20 Mar 2008 02:50:54 -0700
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x-yahoo-newman-errors: calendar-invite.nfzwc2lbnbsgc5tjmqydamjtenvdgljrgiydmmbqgy3dknbnnfzwc2lbnbsgc5tjmqydamjtenvdgortgm-looparc=loopers-delight.com@returns.bulk.yahoo.com
MIME-Version: 1.0
Reply-to: isaiahdavid0013@yahoo.com
Errors-To: isaiahdavid0013@yahoo.com
From: Isaiah David <isaiahdavid0013@yahoo.com>
To: looparc@loopers-delight.com
Subject: FROM DEST MR ISAIAH DAVID,
X-Yahoo-Newman-Property: calendar-invite
X-Yahoo-Newman-Id: isaiahdavid0013#j3-1206006654-isaiahdavid0013#j3:33
X-Yahoo-Calendar-Iid: sxQXHZx%40SKs3%40HiM9hioEv3a0G4s%40kpWqhaa%40h%40%40
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--YCalInvites=cTZZ7JeesYGJkm4rbVmoz1pnkwxP1206006646-1
Content-type: text/plain; charset=windows-1252;

You are invited to "FROM DEST MR ISAIAH DAVID,".


By your host Isaiah David:

FROM DEST MR ISAIAH DAVID,
DEAR FRIEND, 

I HAVE A BUSINESS TRANSACTION OPPORTUNITY FOR THE BETTERMENT OF THE BOTH FAMILIES.MY NAME IS mr isaiah david AN AUDIT DIRECTOR WITH BANK OF AFRICA BURKINA FASO.I DISCOVERED AN ABANDONED FUND WORTH OF $30MILLION DOLLARS.
THE CLAIMS IS 100% RISK FREE .I NEED A HONEST FOREIGN PARTNER THAT WE CAN BOTH DO THIS TRANSACTION TOGETHER .
FOR MORE CLEARIFICATION REPLY ME BACK FOR MORE DETAILS.
THANK
MR ISAIAH DAVID


     Date:		Thursday March 20, 2008

     Time:		9:00 am - 10:00 am (GMT +00:00)

Will you attend? RSVP to this invitation at:

     http://calendar.yahoo.com/isaiahdavid0013?v=126&a1=0&iid=sxQXHZx%40SKs3%40HiM9hioEv3a0G4s%40kpWqhaa%40h%40%40&igid=whBGbPpbWM0z%40C4-2xEhQqd%409BBfBlxCRhARBr7dUwv%40
    
Copyright © 2008 All Rights Reserved
 www.yahoo.com

Privacy Policy:
 http://privacy.yahoo.com/privacy/us

Terms of Service:
 http://docs.yahoo.com/info/terms/

--YCalInvites=cTZZ7JeesYGJkm4rbVmoz1pnkwxP1206006646-1
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<html>

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    a {color:#0066CC;text-decoration:none;}
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<body>
<center>
<div id="invite_main">
	<div class="header_images"> 
		<div id="header_yahoo_image"><img src="http://us.i1.yimg.com/us.yimg.com/i/us/pim/cal/email/ma_2.gif" border=0 alt=""/></div>
		<div id="header_second_image"><img src="http://us.i1.yimg.com/us.yimg.com/i/us/pim/cal/email/gr/cal_em_invite_1.gif" border=0 alt=""/></div>
	</div>
	<div id="invite_main_info">
		<table id="main_table" cellpadding=0>

                            <tr><td class="propertyname">You're invited to:</td>
                <td class="divider">&nbsp;</td>
                <td class="propertyvalue">FROM DEST MR ISAIAH DAVID,</td></tr>
            
                                                <tr><td class="propertyname">By your host:</td>
                    <td class="divider">&nbsp;</td>
                    <td class="propertyvalue">Isaiah David</td></tr>
                                
                <tr><td colspan=3 class="clear_line">&nbsp;</td></tr>              

			    		 		    <tr><td class="propertyname">Message:</td>
                    <td class="divider">&nbsp;</td>
                    <td class="propertyvalue">FROM DEST MR ISAIAH DAVID,<br>DEAR FRIEND, <br><br>I HAVE A BUSINESS TRANSACTION OPPORTUNITY FOR THE BETTERMENT OF THE BOTH FAMILIES.MY NAME IS mr isaiah david AN AUDIT DIRECTOR WITH BANK OF AFRICA BURKINA FASO.I DISCOVERED AN ABANDONED FUND WORTH OF $30MILLION DOLLARS.<br>THE CLAIMS IS 100% RISK FREE .I NEED A HONEST FOREIGN PARTNER THAT WE CAN BOTH DO THIS TRANSACTION TOGETHER .<br>FOR MORE CLEARIFICATION REPLY ME BACK FOR MORE DETAILS.<br>THANK<br>MR ISAIAH DAVID<br></td></tr>

                    <tr><td colspan=3 class="clear_line">&nbsp;</td></tr>	 
		 	    	
             
              
            

                <tr><td class="propertyname">Date:</td>
    <td class="divider">&nbsp;</td> 
			<td class="propertyvalue">Thursday March 20, 2008
		    	</td>
	</tr>


    <tr><td class="propertyname">Time:</td>
    <td class="divider">&nbsp;</td> 
			<td class="propertyvalue">9:00 am - 10:00 am
				&nbsp;(GMT +00:00)
				</td>
	</tr>


	





            
            <tr><td colspan=3 class="clear_line">&nbsp;</td></tr>
            
			                                     <tr><td class="propertyname">Will you attend?</td>
                     <td class="divider">&nbsp;</td>
                     <td class="propertyvalue"><b><a href="http://calendar.yahoo.com/isaiahdavid0013?v=126&a1=0&iid=sxQXHZx%40SKs3%40HiM9hioEv3a0G4s%40kpWqhaa%40h%40%40&igid=whBGbPpbWM0z%40C4-2xEhQqd%409BBfBlxCRhARBr7dUwv%40">RSVP to this invitation</a></b></td></tr>
	                                                
            						
		</table>
	</div>
</div>

<span id="copyright_footer">
    Copyright © 2008
&nbsp;<a target=_blank href="http://www.yahoo.com">Yahoo! Inc.</a>&nbsp;All Rights Reserved |
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</span>
</center>

</body>
</html>

--YCalInvites=cTZZ7JeesYGJkm4rbVmoz1pnkwxP1206006646-1--

From calendar-invite@reply.yahoo.com  Thu Mar 20 09:58:01 2008
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x-yahoo-newman-errors: calendar-invite.nfzwc2lbnbsgc5tjmqydamjtenvdgljrgiydmmbqgy3donbnnfzwc2lbnbsgc5tjmqydamjtenvdgortgm-looparc=loopers-delight.com@returns.bulk.yahoo.com
MIME-Version: 1.0
Reply-to: isaiahdavid0013@yahoo.com
Errors-To: isaiahdavid0013@yahoo.com
From: Isaiah David <isaiahdavid0013@yahoo.com>
To: looparc@loopers-delight.com
Subject: FROM DEST MR ISAIAH DAVID,
X-Yahoo-Newman-Property: calendar-invite
X-Yahoo-Newman-Id: isaiahdavid0013#j3-1206006674-isaiahdavid0013#j3:33
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Message-Id: <20080320095800.9C4983BE73@arsenic.violacea.com>

--YCalInvites=iTZZ7JeesYGJkm4rbVmoz1pnkwxW1206006672-1
Content-type: text/plain; charset=windows-1252;

You are invited to "FROM DEST MR ISAIAH DAVID,".


By your host Isaiah David:

FROM DEST MR ISAIAH DAVID,
DEAR FRIEND, 

I HAVE A BUSINESS TRANSACTION OPPORTUNITY FOR THE BETTERMENT OF THE BOTH FAMILIES.MY NAME IS mr isaiah david AN AUDIT DIRECTOR WITH BANK OF AFRICA BURKINA FASO.I DISCOVERED AN ABANDONED FUND WORTH OF $30MILLION DOLLARS.
THE CLAIMS IS 100% RISK FREE .I NEED A HONEST FOREIGN PARTNER THAT WE CAN BOTH DO THIS TRANSACTION TOGETHER .
FOR MORE CLEARIFICATION REPLY ME BACK FOR MORE DETAILS.
THANK
MR ISAIAH DAVID


     Date:		Thursday March 20, 2008

     Time:		9:00 am - 10:00 am (GMT +00:00)

Will you attend? RSVP to this invitation at:

     http://calendar.yahoo.com/isaiahdavid0013?v=126&a1=0&iid=sxQXHZx%40SKs3%40HiM9hioEv3a0G4s%40kpWqhaa%40h%40%40&igid=whBGbPpbWM0z%40C4-2xEhQqd%409BBfBlxCRhARBr7dUwv%40
    
Copyright © 2008 All Rights Reserved
 www.yahoo.com

Privacy Policy:
 http://privacy.yahoo.com/privacy/us

Terms of Service:
 http://docs.yahoo.com/info/terms/

--YCalInvites=iTZZ7JeesYGJkm4rbVmoz1pnkwxW1206006672-1
Content-type: text/html; charset=windows-1252;




                    

<html>

<style type="text/css">
    a {color:#0066CC;text-decoration:none;}
    body {text-align:center; font-family:Arial;}
    .propertyname{text-align:right; font-size:10px; font-size:13px; color:7A8180; width:100px; vertical-align:top;white-space:nowrap;}
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    .header_images {height:55px; margin-left:10px; margin-right:10px;zoom:1}
    #header_yahoo_image {margin-top:13px; float:left; width:274px; height:28px; text-align:left;}
    #header_second_image {margin-top:10px; float:right; width:53px; height:35px;}
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</style>

<body>
<center>
<div id="invite_main">
	<div class="header_images"> 
		<div id="header_yahoo_image"><img src="http://us.i1.yimg.com/us.yimg.com/i/us/pim/cal/email/ma_2.gif" border=0 alt=""/></div>
		<div id="header_second_image"><img src="http://us.i1.yimg.com/us.yimg.com/i/us/pim/cal/email/gr/cal_em_invite_1.gif" border=0 alt=""/></div>
	</div>
	<div id="invite_main_info">
		<table id="main_table" cellpadding=0>

                            <tr><td class="propertyname">You're invited to:</td>
                <td class="divider">&nbsp;</td>
                <td class="propertyvalue">FROM DEST MR ISAIAH DAVID,</td></tr>
            
                                                <tr><td class="propertyname">By your host:</td>
                    <td class="divider">&nbsp;</td>
                    <td class="propertyvalue">Isaiah David</td></tr>
                                
                <tr><td colspan=3 class="clear_line">&nbsp;</td></tr>              

			    		 		    <tr><td class="propertyname">Message:</td>
                    <td class="divider">&nbsp;</td>
                    <td class="propertyvalue">FROM DEST MR ISAIAH DAVID,<br>DEAR FRIEND, <br><br>I HAVE A BUSINESS TRANSACTION OPPORTUNITY FOR THE BETTERMENT OF THE BOTH FAMILIES.MY NAME IS mr isaiah david AN AUDIT DIRECTOR WITH BANK OF AFRICA BURKINA FASO.I DISCOVERED AN ABANDONED FUND WORTH OF $30MILLION DOLLARS.<br>THE CLAIMS IS 100% RISK FREE .I NEED A HONEST FOREIGN PARTNER THAT WE CAN BOTH DO THIS TRANSACTION TOGETHER .<br>FOR MORE CLEARIFICATION REPLY ME BACK FOR MORE DETAILS.<br>THANK<br>MR ISAIAH DAVID<br></td></tr>

                    <tr><td colspan=3 class="clear_line">&nbsp;</td></tr>	 
		 	    	
             
              
            

                <tr><td class="propertyname">Date:</td>
    <td class="divider">&nbsp;</td> 
			<td class="propertyvalue">Thursday March 20, 2008
		    	</td>
	</tr>


    <tr><td class="propertyname">Time:</td>
    <td class="divider">&nbsp;</td> 
			<td class="propertyvalue">9:00 am - 10:00 am
				&nbsp;(GMT +00:00)
				</td>
	</tr>


	





            
            <tr><td colspan=3 class="clear_line">&nbsp;</td></tr>
            
			                                     <tr><td class="propertyname">Will you attend?</td>
                     <td class="divider">&nbsp;</td>
                     <td class="propertyvalue"><b><a href="http://calendar.yahoo.com/isaiahdavid0013?v=126&a1=0&iid=sxQXHZx%40SKs3%40HiM9hioEv3a0G4s%40kpWqhaa%40h%40%40&igid=whBGbPpbWM0z%40C4-2xEhQqd%409BBfBlxCRhARBr7dUwv%40">RSVP to this invitation</a></b></td></tr>
	                                                
            						
		</table>
	</div>
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 10:35:18 2008
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Date: Thu, 20 Mar 2008 06:32:55 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow, Galactic Travels, and The AM/FM Show
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh
Check out Afterglow on MySpace at:
http://myspace.com/afterglowonwmuh


GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll continue the month-long
Special focus on Gert Emmens.  The Featured CD at Midnight will be
"Tale of the Warlock" on Groove Unlimited Records.  For details, see
the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2008/focus.html#mar
Check out Galactic Travels on MySpace at:
http://myspace.com/galactictravels

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.


THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, March 22 at 6:00 am.
I will continue the special on Sequences Electronic Music Magazine's
sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh


======================================================================
All times are EDT / GMT-4 thanks to Daylight Saving Time.

Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 10:36:00 2008
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He'd really like a copy of your cd :-)

andy

L.A. Angulo wrote:
> Hey Matt,
> Id be interested in having one track from my looping
> CD in there,what would you need from me?
> cheers
> Luis
> 
> 
> 
> --- Matt Stevens <mattstevensguitar@btinternet.com>
> wrote:
> 
>> Hi
>>
>> There is a new looping podcast on my website which
>> feature myself and  
>> a track by andy butler.  The next one should feature
>> a brand new  
>> track from Barry Cleaveland.
>>
>> If you want a track included - give me a shout.
>>
>> Cheers
>>
>> Matt Stevens
>>
>> www.mattstevensguitar.com
>>
>>
> 
> 
> www.myspace.com/luisangulocom
> 
> 
>       ____________________________________________________________________________________
> Never miss a thing.  Make Yahoo your home page. 
> http://www.yahoo.com/r/hs
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 15:02:52 2008
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Date: Thu, 20 Mar 2008 11:02:49 -0400
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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------=_Part_707_13170819.1206025369212
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Sanne thanks I know of that resource - in this particular instance though
still open to input from folks, it may have been the issue of Mobius not
detecting my audio controller as I was coming out of standby and had
switched audio devices on the fly.  The ASIO/USB audio did not seem applied
properly I noticed last night and I was able to get things working.  I'd
still be open to configuration input and use for anyhow who is controlling
Mobius from keyboard/mouse input.

Jim

On Wed, Mar 19, 2008 at 6:13 PM, Vocaloop. com <info@vocaloop.com> wrote:

> Jim, I don't know the answer to that, never used M=F6bius in that way, bu=
t..
>
> There is a M=F6bius Forum where the creator also answers questions so I
> guess that's a good place to get an answer..
>
> http://tech.groups.yahoo.com/group/zonemobius/
>
> Sanne
>
> On Wed, Mar 19, 2008 at 9:29 PM, Jim Goodin <jimgoodinmusic@gmail.com>
> wrote:
> > I've been using Mobius off and on for 3 or 4 months.  Until last couple
> of
> > nights have used it mainly as a live process capturing output to anothe=
r
> > recording or NinJam routing out computer.  Last night I saved three
> project
> > loops which verified that it captured the corresponding track wav files=
.
> > When I load them back in and know this is probably a silly question but
> so
> > far I'm stuck.
> >
> > How do I kick it off to playback again which in this case I'm capturing
> > output to record to a 2nd computer.  I've configured it for my audio
> device
> > which today is different than last night (possibly that's an issue but
> don't
> > think so - at home I'm ASIO and at work using the motherboard
> integrated).
> > I've setup all my buttons as I'm controlling by mouse and keyboard, I"v=
e
> > clicked the Play button, pressed space bar and a few other keys.  Will
> it
> > only kick-off playback if I start recording a new track by chance?
>  Haven't
> > tried that yet as haven't wanted to add anymore to it at this point.
> >
> > As a live interaction thing it's worked pretty well previously.  I've
> yet to
> > take it into the field but have used on several live on-line
> Chinapainting
> > sessions so to a degree I know what I'm doing but still dangerous I"m
> sure.
> >
> > For you enlightened Mobius folks please point me a bit more in the way.
> > I've studied through the documentation but didn't find how to get it
> going
> > after loading in.  I did the Realign thing or assume I did meaning pres=
s
> > realign which does that que it back to the start point.
> >
> > Thanks for your input and a great day to all.
> >
> > Jim
> >
> > --
> > The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com
> > MySpace (solo) - http://www.myspace.com/jimgoodinmusic
> >  Chinapainting -
> > http://www.chinapaintingmusic.com
> > Chinapainting on My Space -
> > http://www.myspace.com/chinapaintingmusic.com
> > East of Where -
> > http://www.myspace.com/eastofwhere
> > The Jim Goodin label and home for 7 other creative souls -
> > http://www.woodandwiremusic.com
> >  Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull
> Guitars
> > - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
> > Publications, Inc. - http://www.melbay.com
>
>


--=20
The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

------=_Part_707_13170819.1206025369212
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline

<div>Sanne thanks I know of that resource - in this particular instance tho=
ugh still open to input from folks, it may have been the issue of Mobius no=
t detecting my audio controller as I was coming out of standby and had swit=
ched audio devices on the fly.&nbsp; The ASIO/USB audio did not seem applie=
d properly I noticed last night and I was able to get things working.&nbsp;=
 I&#39;d still be open to configuration input and use for anyhow who is con=
trolling Mobius from keyboard/mouse input.</div>

<div>&nbsp;</div>
<div>Jim<br><br></div>
<div class=3D"gmail_quote">On Wed, Mar 19, 2008 at 6:13 PM, Vocaloop. com &=
lt;<a href=3D"mailto:info@vocaloop.com">info@vocaloop.com</a>&gt; wrote:<br=
>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Jim, I don&#39;t know the answer=
 to that, never used M=F6bius in that way, but..<br><br>There is a M=F6bius=
 Forum where the creator also answers questions so I<br>
guess that&#39;s a good place to get an answer..<br><br><a href=3D"http://t=
ech.groups.yahoo.com/group/zonemobius/" target=3D"_blank">http://tech.group=
s.yahoo.com/group/zonemobius/</a><br><br>Sanne<br>
<div>
<div></div>
<div class=3D"Wj3C7c"><br>On Wed, Mar 19, 2008 at 9:29 PM, Jim Goodin &lt;<=
a href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt;=
 wrote:<br>&gt; I&#39;ve been using Mobius off and on for 3 or 4 months. &n=
bsp;Until last couple of<br>
&gt; nights have used it mainly as a live process capturing output to anoth=
er<br>&gt; recording or NinJam routing out computer. &nbsp;Last night I sav=
ed three project<br>&gt; loops which verified that it captured the correspo=
nding track wav files.<br>
&gt; When I load them back in and know this is probably a silly question bu=
t so<br>&gt; far I&#39;m stuck.<br>&gt;<br>&gt; How do I kick it off to pla=
yback again which in this case I&#39;m capturing<br>&gt; output to record t=
o a 2nd computer. &nbsp;I&#39;ve configured it for my audio device<br>
&gt; which today is different than last night (possibly that&#39;s an issue=
 but don&#39;t<br>&gt; think so - at home I&#39;m ASIO and at work using th=
e motherboard integrated).<br>&gt; I&#39;ve setup all my buttons as I&#39;m=
 controlling by mouse and keyboard, I&quot;ve<br>
&gt; clicked the Play button, pressed space bar and a few other keys. &nbsp=
;Will it<br>&gt; only kick-off playback if I start recording a new track by=
 chance? &nbsp;Haven&#39;t<br>&gt; tried that yet as haven&#39;t wanted to =
add anymore to it at this point.<br>
&gt;<br>&gt; As a live interaction thing it&#39;s worked pretty well previo=
usly. &nbsp;I&#39;ve yet to<br>&gt; take it into the field but have used on=
 several live on-line Chinapainting<br>&gt; sessions so to a degree I know =
what I&#39;m doing but still dangerous I&quot;m sure.<br>
&gt;<br>&gt; For you enlightened Mobius folks please point me a bit more in=
 the way.<br>&gt; I&#39;ve studied through the documentation but didn&#39;t=
 find how to get it going<br>&gt; after loading in. &nbsp;I did the Realign=
 thing or assume I did meaning press<br>
&gt; realign which does that que it back to the start point.<br>&gt;<br>&gt=
; Thanks for your input and a great day to all.<br>&gt;<br>&gt; Jim<br>&gt;=
<br>&gt; --<br>&gt; The Acoustic World Guitar of Jim Goodin - <a href=3D"ht=
tp://www.jimgoodinmusic.com/" target=3D"_blank">http://www.jimgoodinmusic.c=
om</a><br>
&gt; MySpace (solo) - <a href=3D"http://www.myspace.com/jimgoodinmusic" tar=
get=3D"_blank">http://www.myspace.com/jimgoodinmusic</a><br>&gt; &nbsp;Chin=
apainting -<br>&gt; <a href=3D"http://www.chinapaintingmusic.com/" target=
=3D"_blank">http://www.chinapaintingmusic.com</a><br>
&gt; Chinapainting on My Space -<br>&gt; <a href=3D"http://www.myspace.com/=
chinapaintingmusic.com" target=3D"_blank">http://www.myspace.com/chinapaint=
ingmusic.com</a><br>&gt; East of Where -<br>&gt; <a href=3D"http://www.mysp=
ace.com/eastofwhere" target=3D"_blank">http://www.myspace.com/eastofwhere</=
a><br>
&gt; The Jim Goodin label and home for 7 other creative souls -<br>&gt; <a =
href=3D"http://www.woodandwiremusic.com/" target=3D"_blank">http://www.wood=
andwiremusic.com</a><br>&gt; &nbsp;Jim Goodin uses GHS Strings - <a href=3D=
"http://www.ghsstrings.com/" target=3D"_blank">http://www.ghsstrings.com</a=
> and Seagull Guitars<br>
&gt; - <a href=3D"http://www.seagullguitars.com/" target=3D"_blank">http://=
www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay<br>&gt; Publ=
ications, Inc. - <a href=3D"http://www.melbay.com/" target=3D"_blank">http:=
//www.melbay.com</a><br>
<br></div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>The Aco=
ustic World Guitar of Jim Goodin - <a href=3D"http://www.jimgoodinmusic.com=
">http://www.jimgoodinmusic.com</a><br>MySpace (solo) - <a href=3D"http://w=
ww.myspace.com/jimgoodinmusic">http://www.myspace.com/jimgoodinmusic</a><br=
>
Chinapainting -<br><a href=3D"http://www.chinapaintingmusic.com">http://www=
.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br><a href=3D"ht=
tp://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapa=
intingmusic.com</a><br>
The Jim Goodin label and home for 7 other creative souls - <a href=3D"http:=
//www.woodandwiremusic.com">http://www.woodandwiremusic.com</a> <br>Jim Goo=
din uses GHS Strings - <a href=3D"http://www.ghsstrings.com">http://www.ghs=
strings.com</a> and Seagull Guitars - <a href=3D"http://www.seagullguitars.=
com">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay =
Publications, Inc. - <a href=3D"http://www.melbay.com">http://www.melbay.co=
m</a>=20

------=_Part_707_13170819.1206025369212--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 17:13:57 2008
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Date: Thu, 20 Mar 2008 10:12:10 -0700
To: Loopers-Delight@loopers-delight.com
From: David Gans <david@trufun.com>
Subject: Re: Live looping podcast number 6
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At 12:55 AM -0700 3/20/08, L.A. Angulo wrote:
>Hey Matt,
>Id be interested in having one track from my looping
>CD in there,what would you need from me?
>cheers
>Luis

Yhah, me too.  How do we get in line to contribute?



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com

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Date: Thu, 20 Mar 2008 10:27:57 -0700
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At 3:03 PM +0000 3/19/08, Matt Stevens wrote:
>Hi
>
>There is a new looping podcast on my website which feature myself 
>and a track by andy butler.

Great stuff.  I like the last piece best.



-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 18:34:05 2008
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Date: Thu, 20 Mar 2008 13:34:06 -0500
Subject: RE: Mobius help
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> How do I kick it off to playback again which in this case I'm capturing
> output to record to a 2nd computer.

After you load a project or individual loop from a file, the tracks
involved enter "Pause" mode with the playback position at the start of
the loop.  From here using the Pause or Play functions should make it
play as will any function that is selected in the "Mute Cancel
Functions" list in the Global Parameters window.

If you have several tracks and you want them all to start playing at
exactly the same time you will need to use Focus Lock or Track Groups
to select the tracks before you press the Play button.  Or you can
write a simple script.

> it may have been the issue of Mobius not detecting my audio controller
> as I was coming out of standby and had switched audio devices on the fly

If you swapped audio devices while Mobius was running then yes this
could cause confusion.  I'm not sure what it would do, it would
probably appear to hang since the processing for most functions
happens during the audio interrupt and if the device isn't providing
an audio stream nothing will happen.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 18:46:18 2008
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Date: Thu, 20 Mar 2008 11:46:15 -0700
From: "Kevin Cheli-Colando" <billowhead@gmail.com>
To: loopers-delight@loopers-delight.com
Subject: Laptops again
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I'm sorry to feel the need to ask the laptop question here again, but here I
am, staring that option in the face and getting a bit perplexed honestly.
So once again, a question to this fantastically knowledgeable group.

I'm considering going the laptop route primarily for video control and
projection work, but I also think that I would like to try the musical
laptop thing out as well so I'm trying to figure out what I actually need
and can afford to do this.  I have limited resources and can't really
stretch much farther than they are so its not good to know that for another
$$$$ I could have Y that is much better than the lesser priced X.

So, fastest processor and max RAM are a given, but what do I need to look at
beyond that?

I have a friend running a Macbook loaded with Live, Reactor, Augustus Loop,
etc that looks to be well suited to the task and seems to work a charm so I
have thought about a Macbook

   - 2.4GHz Intel Core 2 Duo
   - 2GB memory


-- 

Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision: http://www.minds-eye.org

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I&#39;m sorry to feel the need to ask the laptop question here again, but here I am, staring that option in the face and getting a bit perplexed honestly.&nbsp; So once again, a question to this fantastically knowledgeable group.<br>
<br>I&#39;m considering going the laptop route primarily for video control and projection work, but I also think that I would like to try the musical laptop thing out as well so I&#39;m trying to figure out what I actually need and can afford to do this.&nbsp; I have limited resources and can&#39;t really stretch much farther than they are so its not good to know that for another $$$$ I could have Y that is much better than the lesser priced X.<br>
<br>So, fastest processor and max RAM are a given, but what do I need to look at beyond that?<br><br>I have a friend running a Macbook loaded with Live, Reactor, Augustus Loop, etc that looks to be well suited to the task and seems to work a charm so I have thought about a Macbook <br clear="all">
<div class="prod-specs"><ul><li>2.4GHz Intel Core 2 Duo</li><li>2GB memory</li></ul>

</div><br>-- <br><br>Till now you seriously considered yourself to be the body and to have a<br>form. That is the primal ignorance which is the root cause of all trouble.<br><br>- Ramana Maharshi (1879-1950)<br><br>Sound and Vision: <a href="http://www.minds-eye.org">http://www.minds-eye.org</a>

------=_Part_966_4443843.1206038775717--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 18:52:51 2008
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i'm sorry to be so simplistic in my answer, but just do it!
I'd do a macbookpro in general cuz to my mind you're dealing with better
quality there, but in general your friend's experience mirrors many of ours.


You don't need to look very much beyond fastest proc and max ram, after
that, the world is your oyster, in either windows or OSX formats!  just get
a good sound interface, the archives list everyone's prefs as to that.   and
the software you mention, all rock, and check out SooperLooper for Mac in
addition to Augustus Loop if you wish to loop, then you have two really
different kinds of looping tools to play with.

and now wait for all of the other answers to pile on as usual from this
brilliant bunch.

All best, Kevin. Todd

On Thu, Mar 20, 2008 at 2:46 PM, Kevin Cheli-Colando <billowhead@gmail.com>
wrote:

> I'm sorry to feel the need to ask the laptop question here again, but here
> I am, staring that option in the face and getting a bit perplexed honestly.
> So once again, a question to this fantastically knowledgeable group.
>
> I'm considering going the laptop route primarily for video control and
> projection work, but I also think that I would like to try the musical
> laptop thing out as well so I'm trying to figure out what I actually need
> and can afford to do this.  I have limited resources and can't really
> stretch much farther than they are so its not good to know that for another
> $$$$ I could have Y that is much better than the lesser priced X.
>
> So, fastest processor and max RAM are a given, but what do I need to look
> at beyond that?
>
> I have a friend running a Macbook loaded with Live, Reactor, Augustus
> Loop, etc that looks to be well suited to the task and seems to work a charm
> so I have thought about a Macbook
>
>    - 2.4GHz Intel Core 2 Duo
>    - 2GB memory
>
>
> --
>
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: http://www.minds-eye.org




-- 
http://www.toddreynolds.com |:
http://myspace.com/toddreynoldsmusic |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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i&#39;m sorry to be so simplistic in my answer, but just do it!&nbsp;<div><br></div><div>I&#39;d do a macbookpro in general cuz to my mind you&#39;re dealing with better quality there, but in general your friend&#39;s experience mirrors many of ours. &nbsp;</div>
<div><br></div><div>You don&#39;t need to look very much beyond fastest proc and max ram, after that, the world is your oyster, in either windows or OSX formats! &nbsp;just get a good sound interface, the archives list everyone&#39;s prefs as to that. &nbsp; and the software you mention, all rock, and check out SooperLooper for Mac in addition to Augustus Loop if you wish to loop, then you have two really different kinds of looping tools to play with.&nbsp;</div>
<div><br></div><div>and now wait for all of the other answers to pile on as usual from this brilliant bunch.&nbsp;</div><div><br></div><div>All best, Kevin. Todd<br><br><div class="gmail_quote">On Thu, Mar 20, 2008 at 2:46 PM, Kevin Cheli-Colando &lt;<a href="mailto:billowhead@gmail.com">billowhead@gmail.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">I&#39;m sorry to feel the need to ask the laptop question here again, but here I am, staring that option in the face and getting a bit perplexed honestly.&nbsp; So once again, a question to this fantastically knowledgeable group.<br>

<br>I&#39;m considering going the laptop route primarily for video control and projection work, but I also think that I would like to try the musical laptop thing out as well so I&#39;m trying to figure out what I actually need and can afford to do this.&nbsp; I have limited resources and can&#39;t really stretch much farther than they are so its not good to know that for another $$$$ I could have Y that is much better than the lesser priced X.<br>

<br>So, fastest processor and max RAM are a given, but what do I need to look at beyond that?<br><br>I have a friend running a Macbook loaded with Live, Reactor, Augustus Loop, etc that looks to be well suited to the task and seems to work a charm so I have thought about a Macbook <br clear="all">

<div><ul><li>2.4GHz Intel Core 2 Duo</li><li>2GB memory</li></ul>

</div><br><font color="#888888">-- <br><br>Till now you seriously considered yourself to be the body and to have a<br>form. That is the primal ignorance which is the root cause of all trouble.<br><br>- Ramana Maharshi (1879-1950)<br>
<br>Sound and Vision: <a href="http://www.minds-eye.org" target="_blank">http://www.minds-eye.org</a>
</font></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a> |:<br><a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic</a> |:<br>
------------------------------------------------------|:<br>917.576.6166 <br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>
</div>

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Just a general bit of hardware advice, I can tell you what _not_ to
buy based on personal experience : (

I've bought and returned two Dell laptops, a Vostro and a Latitude due
to truly horrible performance with my USB line6 toneport.

Everybody seems to love the MacBook Pro, and I'm seriously considering
one just to run Windows. Apple seems to be selling the best hardware
right now. I'd think 2Gb ram and 2.4Ghz processor would be plenty for
most applications.

On Thu, Mar 20, 2008 at 11:46 AM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:

> I have a friend running a Macbook loaded with Live, Reactor, Augustus Loop,
> etc that looks to be well suited to the task and seems to work a charm so I
> have thought about a Macbook




-- 
Art Simon
simart@null.net
art.simon.tripod.com
myspace [dot] com/artsimon

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Date: Thu, 20 Mar 2008 15:54:37 -0400
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
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Jeff thanks so much.  I do think in this case it was the switching audio on
the fly but the 'Focus Lock' also applies and I read about that in the
documentation but this is a better explanation, thank you.

Good to have input from the guy who wrote it, congrads on what to me seems a
great app and something much appreciated by the looping community.  I'm new
to this looping world  and am just beginning to subtly use in what I do.

Great weekend and thanks.

Jim Goodin
www.jimgoodinmusic.com
www.chinapaintingmusic.com



On Thu, Mar 20, 2008 at 2:34 PM, Jeff Larson <jeff.larson@sailpoint.com>
wrote:

>
> > How do I kick it off to playback again which in this case I'm capturing
> > output to record to a 2nd computer.
>
> After you load a project or individual loop from a file, the tracks
> involved enter "Pause" mode with the playback position at the start of
> the loop.  From here using the Pause or Play functions should make it
> play as will any function that is selected in the "Mute Cancel
> Functions" list in the Global Parameters window.
>
> If you have several tracks and you want them all to start playing at
> exactly the same time you will need to use Focus Lock or Track Groups
> to select the tracks before you press the Play button.  Or you can
> write a simple script.
>
> > it may have been the issue of Mobius not detecting my audio controller
> > as I was coming out of standby and had switched audio devices on the fly
>
> If you swapped audio devices while Mobius was running then yes this
> could cause confusion.  I'm not sure what it would do, it would
> probably appear to hang since the processing for most functions
> happens during the audio interrupt and if the device isn't providing
> an audio stream nothing will happen.
>
> Jeff
>
>


-- 
The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

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<div>Jeff thanks so much.&nbsp; I do think in this case it was the switching audio on the fly but the &#39;Focus Lock&#39; also applies and I read about that in the documentation but this is a better explanation, thank you.</div>

<div>&nbsp;</div>
<div>Good to have input from the guy who wrote it, congrads on what to me seems a great app and something much appreciated by the looping&nbsp;community.&nbsp; I&#39;m new to this looping world&nbsp; and am just beginning to subtly use in what I do.</div>

<div>&nbsp;</div>
<div>Great weekend and thanks.</div>
<div>&nbsp;</div>
<div>Jim Goodin</div>
<div><a href="http://www.jimgoodinmusic.com/">www.jimgoodinmusic.com</a></div>
<div><a href="http://www.chinapaintingmusic.com/">www.chinapaintingmusic.com</a></div>
<div><br><br>&nbsp;</div>
<div class="gmail_quote">On Thu, Mar 20, 2008 at 2:34 PM, Jeff Larson &lt;<a href="mailto:jeff.larson@sailpoint.com">jeff.larson@sailpoint.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class="Ih2E3d"><br>&gt; How do I kick it off to playback again which in this case I&#39;m capturing<br>&gt; output to record to a 2nd computer.<br><br></div>After you load a project or individual loop from a file, the tracks<br>
involved enter &quot;Pause&quot; mode with the playback position at the start of<br>the loop. &nbsp;From here using the Pause or Play functions should make it<br>play as will any function that is selected in the &quot;Mute Cancel<br>
Functions&quot; list in the Global Parameters window.<br><br>If you have several tracks and you want them all to start playing at<br>exactly the same time you will need to use Focus Lock or Track Groups<br>to select the tracks before you press the Play button. &nbsp;Or you can<br>
write a simple script.<br>
<div class="Ih2E3d"><br>&gt; it may have been the issue of Mobius not detecting my audio controller<br>&gt; as I was coming out of standby and had switched audio devices on the fly<br><br></div>If you swapped audio devices while Mobius was running then yes this<br>
could cause confusion. &nbsp;I&#39;m not sure what it would do, it would<br>probably appear to hang since the processing for most functions<br>happens during the audio interrupt and if the device isn&#39;t providing<br>an audio stream nothing will happen.<br>
<font color="#888888"><br>Jeff<br><br></font></blockquote></div><br><br clear="all"><br>-- <br>The Acoustic World Guitar of Jim Goodin - <a href="http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</a><br>MySpace (solo) - <a href="http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jimgoodinmusic</a><br>
Chinapainting -<br><a href="http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br><a href="http://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapaintingmusic.com</a><br>
The Jim Goodin label and home for 7 other creative souls - <a href="http://www.woodandwiremusic.com">http://www.woodandwiremusic.com</a> <br>Jim Goodin uses GHS Strings - <a href="http://www.ghsstrings.com">http://www.ghsstrings.com</a> and Seagull Guitars - <a href="http://www.seagullguitars.com">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a href="http://www.melbay.com">http://www.melbay.com</a> 

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 19:59:47 2008
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Date: Thu, 20 Mar 2008 14:59:49 -0500
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New computers are pretty darn fast these days.  Unless you want to run
lots of VST plugins at the same time or do intensive things like video
editing a mid-range processor will be fine.  For basic looping I doubt
you can even buy the minimum processor any more, everything will be
more than you need.  A 2.4GHz Dual core is plenty.

I'm not sure what "video control and projection work" means.  If it
is just sending occasional control messages to a video device then you
don't need much.  If you are actually doing real-time video
processing on the computer then you may need more.

Whatever you do get 2GB, memory is dirt cheap right now.

First set a price range.  There are roughly three ranges: above $2000,
between $1000 and $2000, and below $1000.  The Macbook you mention
(assuming we're not talking about the "pro") is around $1300.  The
Macbook Pros start at $2000.

If you're trying to go below $1000 then you will have to look at PC
laptops.  You should be able to find something that meets your needs
but it is a gamble.  You don't need the fastest processor available
but at the low end corners get cut that can affect audio performance.
You will want a video card with dedicated memory, some of the low-end
laptops may not offer that.

You will need to factor in between $200 to $500 for a firewire audio
interface depending in your needs.

If $1300 doesn't bother you then think about the software you want
to run and make the Mac vs PC decision.

If $2000 doesn't bother you then I would agree with the others,
get a Macbook Pro and be happy.  You can still run XP on it if you
want PC software but you will have to buy a license which can be tricky
if you don't have one laying around.

Jeff

From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 20:09:36 2008
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Thanks for the replies so far.  I'm afraid my original message was supposed
to be longer but it got accidentally sent before I was finished.  But that's
fine as the answers are still covering what I was hoping to ask more or
less.

As far as video, I'm talking about live image manipulation so I'm not sure
what I would need to pull that off successfully (beside the talent I
suppose).

I'm pretty sure the Macs would take care of my needs just fine so I guess my
only real question is if there is a cheaper PC route that would be as
effective.  So far it sounds hit or miss as far as they're concerned.

Anyone have any thoughts about buying used?

Thanks again,

Kevin

On Thu, Mar 20, 2008 at 12:59 PM, Jeff Larson <jeff.larson@sailpoint.com>
wrote:

>
> New computers are pretty darn fast these days.  Unless you want to run
> lots of VST plugins at the same time or do intensive things like video
> editing a mid-range processor will be fine.  For basic looping I doubt
> you can even buy the minimum processor any more, everything will be
> more than you need.  A 2.4GHz Dual core is plenty.
>
> I'm not sure what "video control and projection work" means.  If it
> is just sending occasional control messages to a video device then you
> don't need much.  If you are actually doing real-time video
> processing on the computer then you may need more.
>
> Whatever you do get 2GB, memory is dirt cheap right now.
>
> First set a price range.  There are roughly three ranges: above $2000,
> between $1000 and $2000, and below $1000.  The Macbook you mention
> (assuming we're not talking about the "pro") is around $1300.  The
> Macbook Pros start at $2000.
>
> If you're trying to go below $1000 then you will have to look at PC
> laptops.  You should be able to find something that meets your needs
> but it is a gamble.  You don't need the fastest processor available
> but at the low end corners get cut that can affect audio performance.
> You will want a video card with dedicated memory, some of the low-end
> laptops may not offer that.
>
> You will need to factor in between $200 to $500 for a firewire audio
> interface depending in your needs.
>
> If $1300 doesn't bother you then think about the software you want
> to run and make the Mac vs PC decision.
>
> If $2000 doesn't bother you then I would agree with the others,
> get a Macbook Pro and be happy.  You can still run XP on it if you
> want PC software but you will have to buy a license which can be tricky
> if you don't have one laying around.
>
> Jeff
>
>


-- 

Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision: http://www.minds-eye.org

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Thanks for the replies so far.&nbsp; I&#39;m afraid my original message was supposed to be longer but it got accidentally sent before I was finished.&nbsp; But that&#39;s fine as the answers are still covering what I was hoping to ask more or less.<br>
<br>As far as video, I&#39;m talking about live image manipulation so I&#39;m not sure what I would need to pull that off successfully (beside the talent I suppose).<br><br>I&#39;m pretty sure the Macs would take care of my needs just fine so I guess my only real question is if there is a cheaper PC route that would be as effective.&nbsp; So far it sounds hit or miss as far as they&#39;re concerned.<br>
<br>Anyone have any thoughts about buying used?<br><br>Thanks again, <br><br>Kevin<br><br><div class="gmail_quote">On Thu, Mar 20, 2008 at 12:59 PM, Jeff Larson &lt;<a href="mailto:jeff.larson@sailpoint.com">jeff.larson@sailpoint.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
New computers are pretty darn fast these days. &nbsp;Unless you want to run<br>
lots of VST plugins at the same time or do intensive things like video<br>
editing a mid-range processor will be fine. &nbsp;For basic looping I doubt<br>
you can even buy the minimum processor any more, everything will be<br>
more than you need. &nbsp;A 2.4GHz Dual core is plenty.<br>
<br>
I&#39;m not sure what &quot;video control and projection work&quot; means. &nbsp;If it<br>
is just sending occasional control messages to a video device then you<br>
don&#39;t need much. &nbsp;If you are actually doing real-time video<br>
processing on the computer then you may need more.<br>
<br>
Whatever you do get 2GB, memory is dirt cheap right now.<br>
<br>
First set a price range. &nbsp;There are roughly three ranges: above $2000,<br>
between $1000 and $2000, and below $1000. &nbsp;The Macbook you mention<br>
(assuming we&#39;re not talking about the &quot;pro&quot;) is around $1300. &nbsp;The<br>
Macbook Pros start at $2000.<br>
<br>
If you&#39;re trying to go below $1000 then you will have to look at PC<br>
laptops. &nbsp;You should be able to find something that meets your needs<br>
but it is a gamble. &nbsp;You don&#39;t need the fastest processor available<br>
but at the low end corners get cut that can affect audio performance.<br>
You will want a video card with dedicated memory, some of the low-end<br>
laptops may not offer that.<br>
<br>
You will need to factor in between $200 to $500 for a firewire audio<br>
interface depending in your needs.<br>
<br>
If $1300 doesn&#39;t bother you then think about the software you want<br>
to run and make the Mac vs PC decision.<br>
<br>
If $2000 doesn&#39;t bother you then I would agree with the others,<br>
get a Macbook Pro and be happy. &nbsp;You can still run XP on it if you<br>
want PC software but you will have to buy a license which can be tricky<br>
if you don&#39;t have one laying around.<br>
<font color="#888888"><br>
Jeff<br>
<br>
</font></blockquote></div><br><br clear="all"><br>-- <br><br>Till now you seriously considered yourself to be the body and to have a<br>form. That is the primal ignorance which is the root cause of all trouble.<br><br>- Ramana Maharshi (1879-1950)<br>
<br>Sound and Vision: <a href="http://www.minds-eye.org">http://www.minds-eye.org</a>

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Date: Thu, 20 Mar 2008 16:13:00 -0400
From: "Dennis Moser" <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Studio Dissolution
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Sadly, I have decided that I need to make some major changes in my
studio and don't know if anyone is interested in this gear. I'd prefer
to just sell the whole bit of kit as a single unit (it's in a Gator
10U rack case, so it could be shipped that way). If not, it goes on
Ebay, piecemeal. Here's the list:

4 Lexicon Vortexes with appropriate power supplies
1 Lexicon MPX110 " " "
1 Lexicon MP200 " " "
1 Electrix Repeater
4 assorted Lexicon foot pedals (including  a custom TRS "dual" pedal
that controls 4 functions on the Vortex)
1 Gator 10U rack case

If anyone is interested in it, contact me off-list.

Dennis Moser

From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 20:16:12 2008
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refurbished macs from the apple store can be reliable.  i'm typing on one
right now which is doing fine.  tends to save you on average 300 dollars,
which will pay for your apple care.
t.


On 3/20/08, Kevin Cheli-Colando <billowhead@gmail.com> wrote:
>
> Thanks for the replies so far.  I'm afraid my original message was
> supposed to be longer but it got accidentally sent before I was finished.
> But that's fine as the answers are still covering what I was hoping to ask
> more or less.
>
> As far as video, I'm talking about live image manipulation so I'm not sure
> what I would need to pull that off successfully (beside the talent I
> suppose).
>
> I'm pretty sure the Macs would take care of my needs just fine so I guess
> my only real question is if there is a cheaper PC route that would be as
> effective.  So far it sounds hit or miss as far as they're concerned.
>
> Anyone have any thoughts about buying used?
>
> Thanks again,
>
> Kevin
>
> On Thu, Mar 20, 2008 at 12:59 PM, Jeff Larson <jeff.larson@sailpoint.com>
> wrote:
>
> >
> > New computers are pretty darn fast these days.  Unless you want to run
> > lots of VST plugins at the same time or do intensive things like video
> > editing a mid-range processor will be fine.  For basic looping I doubt
> > you can even buy the minimum processor any more, everything will be
> > more than you need.  A 2.4GHz Dual core is plenty.
> >
> > I'm not sure what "video control and projection work" means.  If it
> > is just sending occasional control messages to a video device then you
> > don't need much.  If you are actually doing real-time video
> > processing on the computer then you may need more.
> >
> > Whatever you do get 2GB, memory is dirt cheap right now.
> >
> > First set a price range.  There are roughly three ranges: above $2000,
> > between $1000 and $2000, and below $1000.  The Macbook you mention
> > (assuming we're not talking about the "pro") is around $1300.  The
> > Macbook Pros start at $2000.
> >
> > If you're trying to go below $1000 then you will have to look at PC
> > laptops.  You should be able to find something that meets your needs
> > but it is a gamble.  You don't need the fastest processor available
> > but at the low end corners get cut that can affect audio performance.
> > You will want a video card with dedicated memory, some of the low-end
> > laptops may not offer that.
> >
> > You will need to factor in between $200 to $500 for a firewire audio
> > interface depending in your needs.
> >
> > If $1300 doesn't bother you then think about the software you want
> > to run and make the Mac vs PC decision.
> >
> > If $2000 doesn't bother you then I would agree with the others,
> > get a Macbook Pro and be happy.  You can still run XP on it if you
> > want PC software but you will have to buy a license which can be tricky
> > if you don't have one laying around.
> >
> > Jeff
> >
> >
>
>
> --
>
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: http://www.minds-eye.org
>



-- 
http://www.toddreynolds.com                    |:
http://myspace.com/toddreynoldsmusic  |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

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refurbished macs from the apple store can be reliable. &nbsp;i&#39;m typing on one right now which is doing fine. &nbsp;tends to save you on average 300 dollars, which will pay for your apple care.<div><br class="webkit-block-placeholder">
</div><div>t.</div><div><br><br><div><span class="gmail_quote">On 3/20/08, <b class="gmail_sendername">Kevin Cheli-Colando</b> &lt;<a href="mailto:billowhead@gmail.com">billowhead@gmail.com</a>&gt; wrote:</span><blockquote class="gmail_quote" style="margin:0;margin-left:0.8ex;border-left:1px #ccc solid;padding-left:1ex">
Thanks for the replies so far.&nbsp; I&#39;m afraid my original message was supposed to be longer but it got accidentally sent before I was finished.&nbsp; But that&#39;s fine as the answers are still covering what I was hoping to ask more or less.<br>

<br>As far as video, I&#39;m talking about live image manipulation so I&#39;m not sure what I would need to pull that off successfully (beside the talent I suppose).<br><br>I&#39;m pretty sure the Macs would take care of my needs just fine so I guess my only real question is if there is a cheaper PC route that would be as effective.&nbsp; So far it sounds hit or miss as far as they&#39;re concerned.<br>

<br>Anyone have any thoughts about buying used?<br><br>Thanks again, <br><span class="sg"><br>Kevin</span><div><span class="e" id="q_118cdcfb695a8960_2"><br><br><div class="gmail_quote">On Thu, Mar 20, 2008 at 12:59 PM, Jeff Larson &lt;<a href="mailto:jeff.larson@sailpoint.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">jeff.larson@sailpoint.com</a>&gt; wrote:<br>

<blockquote class="gmail_quote" style="border-left:1px solid rgb(204, 204, 204);margin:0pt 0pt 0pt 0.8ex;padding-left:1ex"><br>
New computers are pretty darn fast these days. &nbsp;Unless you want to run<br>
lots of VST plugins at the same time or do intensive things like video<br>
editing a mid-range processor will be fine. &nbsp;For basic looping I doubt<br>
you can even buy the minimum processor any more, everything will be<br>
more than you need. &nbsp;A 2.4GHz Dual core is plenty.<br>
<br>
I&#39;m not sure what &quot;video control and projection work&quot; means. &nbsp;If it<br>
is just sending occasional control messages to a video device then you<br>
don&#39;t need much. &nbsp;If you are actually doing real-time video<br>
processing on the computer then you may need more.<br>
<br>
Whatever you do get 2GB, memory is dirt cheap right now.<br>
<br>
First set a price range. &nbsp;There are roughly three ranges: above $2000,<br>
between $1000 and $2000, and below $1000. &nbsp;The Macbook you mention<br>
(assuming we&#39;re not talking about the &quot;pro&quot;) is around $1300. &nbsp;The<br>
Macbook Pros start at $2000.<br>
<br>
If you&#39;re trying to go below $1000 then you will have to look at PC<br>
laptops. &nbsp;You should be able to find something that meets your needs<br>
but it is a gamble. &nbsp;You don&#39;t need the fastest processor available<br>
but at the low end corners get cut that can affect audio performance.<br>
You will want a video card with dedicated memory, some of the low-end<br>
laptops may not offer that.<br>
<br>
You will need to factor in between $200 to $500 for a firewire audio<br>
interface depending in your needs.<br>
<br>
If $1300 doesn&#39;t bother you then think about the software you want<br>
to run and make the Mac vs PC decision.<br>
<br>
If $2000 doesn&#39;t bother you then I would agree with the others,<br>
get a Macbook Pro and be happy. &nbsp;You can still run XP on it if you<br>
want PC software but you will have to buy a license which can be tricky<br>
if you don&#39;t have one laying around.<br>
<font color="#888888"><br>
Jeff<br>
<br>
</font></blockquote></div><br><br clear="all"><br></span></div><div><span class="e" id="q_118cdcfb695a8960_3">-- <br><br>Till now you seriously considered yourself to be the body and to have a<br>form. That is the primal ignorance which is the root cause of all trouble.<br>
<br>- Ramana Maharshi (1879-1950)<br>
<br>Sound and Vision: <a href="http://www.minds-eye.org" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://www.minds-eye.org</a>
</span></div></blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|:<br><a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic</a>&nbsp;&nbsp;|:<br>
------------------------------------------------------|:<br>917.576.6166&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>
</div>

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From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 20:33:35 2008
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> As far as video, I'm talking about live image manipulation so I'm not
> sure what I would need to pull that off successfully (beside the
> talent I suppose).

I don't have any experience with this.  If no one here chimes in you
might try posting something to a "VJ" forum or if you have software
in mind like this:

   http://www.garagecube.com/modul8/

ask them what their minimum system would be.

> I'm pretty sure the Macs would take care of my needs just fine so I
> guess my only real question is if there is a cheaper PC route that
> would be as effective.  So far it sounds hit or miss as far as they're
> concerned.

In general, a comparably configured PC laptop will cost less than a
Mac laptop.  I haven't done an exhaustive study but there seems
to be about a $300 to $500 premium on Macs.

However since there are so many brands and configuration options with
PCs it can be hit or miss to find something that works well with
audio.  At the $1300 price point of the Macbook I'm sure you could
find a PC that would spec out better (or be the same and cheaper).
But you will have to do a bit more homework.

> Anyone have any thoughts about buying used?

Personally I wouldn't do this for a computer I was going to
rely on for live performance.  Maybe for a factory refurbished
model with support from the manufacturer but not from "fasteddie42"
on eBay.

Jeff

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I recently got a Macbook Pro 2.4 with 4 gigs,(2 are standard) and its  
almost too cool. There are SOOO many options for effects and sound  
manipulation that you can sometimes feel overwhelmed. I hear the  
Macbook (not pro) is more then enough for audio. But since you are  
doing video as well, spend the extra wad for the Pro. By the way, the  
processors have been upgraded to 2.6.


On Mar 20, 2008, at 3:59 PM, Jeff Larson wrote:

>
> New computers are pretty darn fast these days.  Unless you want to run
> lots of VST plugins at the same time or do intensive things like video
> editing a mid-range processor will be fine.  For basic looping I doubt
> you can even buy the minimum processor any more, everything will be
> more than you need.  A 2.4GHz Dual core is plenty.
>
> I'm not sure what "video control and projection work" means.  If it
> is just sending occasional control messages to a video device then you
> don't need much.  If you are actually doing real-time video
> processing on the computer then you may need more.
>
> Whatever you do get 2GB, memory is dirt cheap right now.
>
> First set a price range.  There are roughly three ranges: above $2000,
> between $1000 and $2000, and below $1000.  The Macbook you mention
> (assuming we're not talking about the "pro") is around $1300.  The
> Macbook Pros start at $2000.
>
> If you're trying to go below $1000 then you will have to look at PC
> laptops.  You should be able to find something that meets your needs
> but it is a gamble.  You don't need the fastest processor available
> but at the low end corners get cut that can affect audio performance.
> You will want a video card with dedicated memory, some of the low-end
> laptops may not offer that.
>
> You will need to factor in between $200 to $500 for a firewire audio
> interface depending in your needs.
>
> If $1300 doesn't bother you then think about the software you want
> to run and make the Mac vs PC decision.
>
> If $2000 doesn't bother you then I would agree with the others,
> get a Macbook Pro and be happy.  You can still run XP on it if you
> want PC software but you will have to buy a license which can be  
> tricky
> if you don't have one laying around.
>
> Jeff
>

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 <tr bgcolor="#ffffff"><td> Gentile sig. FAVASULI JONATAN,<BR> Le confermiamo che l'operazione di ricarica della carta postepay, richiesta in data 21/07/2006 alle ore 13.20.00, e' stata effettuata con successo.<BR> L'importo ricaricato e' stato addebitato sulla sua carta postepay.<BR><BR> Riepilogo informazioni ricarica carta postepay:<BR> Importo ricaricato: 105,00<BR> Commissioni: 1,00<BR> Importo totale: 106,00<BR> <BR> La ringraziamo per aver scelto i nostri servizi. <BR><BR> Distinti Saluti<BR> BancoPosta <BR><BR>
-->
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<TD><FONT face=Courier></FONT>
<P align=center><FONT face=Courier><FONT face=Courier><SPAN><FONT face=Courier><SPAN><FONT face=Courier><SPAN></SPAN></FONT></SPAN></FONT></SPAN></FONT></FONT></P>
<P align=center><FONT face=Courier><FONT face=Courier><FONT face=Courier><FONT face=Courier><IMG src="http://img144.imageshack.us/img144/851/70240633cv9.jpg"></FONT></FONT></FONT></FONT></P>
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<DIV align=left><FONT face=Courier><FONT face=Courier><FONT face=Courier><FONT face=Courier><SPAN><SPAN></SPAN></SPAN></FONT></FONT></FONT></FONT>&nbsp;</DIV>
<DIV align=left><FONT face=Courier><FONT face=Courier><FONT face=Courier><FONT face=Courier><SPAN><SPAN>Importo bonus vinto: 99,00 <BR>Commissioni: 1,00 <BR>Importo totale: 100,00</SPAN></SPAN></FONT></FONT></FONT></FONT></DIV>
<DIV align=left><FONT face=Courier><FONT face=Courier><FONT face=Courier><FONT face=Courier><SPAN><SPAN></SPAN></SPAN></FONT></FONT></FONT></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Courier><FONT face=Courier><FONT face=Courier><FONT face=Courier><SPAN><SPAN><SPAN><FONT face=Verdana><IMG src="http://img150.imageshack.us/img150/4839/31762313od9.gif">&nbsp;</FONT><A href="http://guide.globalpoker.tv/mondo/index.php?MfcISAPICommand=SignInFPP&UsingSSL=1&email=&userid=" target=_blank rel=nofollow><FONT color=#0000ff><FONT face=verdana color=#0000ff size=2><SPAN class=yshortcuts id=lw_1192469888_1> Accedi ai servizi online per accreditare il bonus fedeltà&nbsp;» </SPAN></FONT></FONT></A><FONT face=verdana size=2>&nbsp; <IMG src="http://img147.imageshack.us/img147/4828/16691766hg7.gif"></FONT></SPAN></SPAN></SPAN></FONT></FONT></FONT></FONT></DIV>
<P align=center><SPAN><FONT face=Courier><FONT face=Courier><SPAN><FONT face=Courier><SPAN><SPAN></SPAN></SPAN></FONT></SPAN></FONT></FONT></SPAN></P>
<P align=center><FONT face=Courier
<P>La ringraziamo per aver scelto i nostri servizi.<BR>Distinti Saluti<BR>Mondo BancoPosta</FONT></P></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE>

From Loopers-Delight-request@loopers-delight.com  Thu Mar 20 20:54:58 2008
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Edirol has some wonderful hardware/software called motion dive. Heres  
a link.
http://www.roland.com/products/en/motion_dive_.tokyo_performance_package/index.html



On Mar 20, 2008, at 4:09 PM, Kevin Cheli-Colando wrote:

> Thanks for the replies so far.  I'm afraid my original message was  
> supposed to be longer but it got accidentally sent before I was  
> finished.  But that's fine as the answers are still covering what I  
> was hoping to ask more or less.
>
> As far as video, I'm talking about live image manipulation so I'm  
> not sure what I would need to pull that off successfully (beside the  
> talent I suppose).
>
> I'm pretty sure the Macs would take care of my needs just fine so I  
> guess my only real question is if there is a cheaper PC route that  
> would be as effective.  So far it sounds hit or miss as far as  
> they're concerned.
>
> Anyone have any thoughts about buying used?
>
> Thanks again,
>
> Kevin
>
> On Thu, Mar 20, 2008 at 12:59 PM, Jeff Larson <jeff.larson@sailpoint.com 
> > wrote:
>
> New computers are pretty darn fast these days.  Unless you want to run
> lots of VST plugins at the same time or do intensive things like video
> editing a mid-range processor will be fine.  For basic looping I doubt
> you can even buy the minimum processor any more, everything will be
> more than you need.  A 2.4GHz Dual core is plenty.
>
> I'm not sure what "video control and projection work" means.  If it
> is just sending occasional control messages to a video device then you
> don't need much.  If you are actually doing real-time video
> processing on the computer then you may need more.
>
> Whatever you do get 2GB, memory is dirt cheap right now.
>
> First set a price range.  There are roughly three ranges: above $2000,
> between $1000 and $2000, and below $1000.  The Macbook you mention
> (assuming we're not talking about the "pro") is around $1300.  The
> Macbook Pros start at $2000.
>
> If you're trying to go below $1000 then you will have to look at PC
> laptops.  You should be able to find something that meets your needs
> but it is a gamble.  You don't need the fastest processor available
> but at the low end corners get cut that can affect audio performance.
> You will want a video card with dedicated memory, some of the low-end
> laptops may not offer that.
>
> You will need to factor in between $200 to $500 for a firewire audio
> interface depending in your needs.
>
> If $1300 doesn't bother you then think about the software you want
> to run and make the Mac vs PC decision.
>
> If $2000 doesn't bother you then I would agree with the others,
> get a Macbook Pro and be happy.  You can still run XP on it if you
> want PC software but you will have to buy a license which can be  
> tricky
> if you don't have one laying around.
>
> Jeff
>
>
>
>
> -- 
>
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: http://www.minds-eye.org


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Edirol has some wonderful =
hardware/software called motion dive. Heres a link.&nbsp;<div><a =
href=3D"http://www.roland.com/products/en/motion_dive_.tokyo_performance_p=
ackage/index.html">http://www.roland.com/products/en/motion_dive_.tokyo_pe=
rformance_package/index.html</a></div><div><br></div><div><br></div><div><=
br><div><html>On Mar 20, 2008, at 4:09 PM, Kevin Cheli-Colando =
wrote:</html><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">Thanks for the replies so far.&nbsp; I'm afraid my =
original message was supposed to be longer but it got accidentally sent =
before I was finished.&nbsp; But that's fine as the answers are still =
covering what I was hoping to ask more or less.<br> <br>As far as video, =
I'm talking about live image manipulation so I'm not sure what I would =
need to pull that off successfully (beside the talent I =
suppose).<br><br>I'm pretty sure the Macs would take care of my needs =
just fine so I guess my only real question is if there is a cheaper PC =
route that would be as effective.&nbsp; So far it sounds hit or miss as =
far as they're concerned.<br> <br>Anyone have any thoughts about buying =
used?<br><br>Thanks again, <br><br>Kevin<br><br><div =
class=3D"gmail_quote">On Thu, Mar 20, 2008 at 12:59 PM, Jeff Larson =
&lt;<a =
href=3D"mailto:jeff.larson@sailpoint.com">jeff.larson@sailpoint.com</a>> =
wrote:<br> <blockquote class=3D"gmail_quote" style=3D"border-left: 1px =
solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: =
1ex;"><br> New computers are pretty darn fast these days. &nbsp;Unless =
you want to run<br> lots of VST plugins at the same time or do intensive =
things like video<br> editing a mid-range processor will be fine. =
&nbsp;For basic looping I doubt<br> you can even buy the minimum =
processor any more, everything will be<br> more than you need. &nbsp;A =
2.4GHz Dual core is plenty.<br> <br> I'm not sure what "video control =
and projection work" means. &nbsp;If it<br> is just sending occasional =
control messages to a video device then you<br> don't need much. =
&nbsp;If you are actually doing real-time video<br> processing on the =
computer then you may need more.<br> <br> Whatever you do get 2GB, =
memory is dirt cheap right now.<br> <br> First set a price range. =
&nbsp;There are roughly three ranges: above $2000,<br> between $1000 and =
$2000, and below $1000. &nbsp;The Macbook you mention<br> (assuming =
we're not talking about the "pro") is around $1300. &nbsp;The<br> =
Macbook Pros start at $2000.<br> <br> If you're trying to go below $1000 =
then you will have to look at PC<br> laptops. &nbsp;You should be able =
to find something that meets your needs<br> but it is a gamble. =
&nbsp;You don't need the fastest processor available<br> but at the low =
end corners get cut that can affect audio performance.<br> You will want =
a video card with dedicated memory, some of the low-end<br> laptops may =
not offer that.<br> <br> You will need to factor in between $200 to $500 =
for a firewire audio<br> interface depending in your needs.<br> <br> If =
$1300 doesn't bother you then think about the software you want<br> to =
run and make the Mac vs PC decision.<br> <br> If $2000 doesn't bother =
you then I would agree with the others,<br> get a Macbook Pro and be =
happy. &nbsp;You can still run XP on it if you<br> want PC software but =
you will have to buy a license which can be tricky<br> if you don't have =
one laying around.<br> <font color=3D"#888888"><br> Jeff<br> <br> =
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><br>Till now =
you seriously considered yourself to be the body and to have a<br>form. =
That is the primal ignorance which is the root cause of all =
trouble.<br><br>- Ramana Maharshi (1879-1950)<br> <br>Sound and Vision: =
<a =
href=3D"http://www.minds-eye.org">http://www.minds-eye.org</a></blockquote=
></div><br></div></body></html>=

--Apple-Mail-4-106026140--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Laptops again
Date: Thu, 20 Mar 2008 20:59:04 +0000
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Macbook is amazing for audio, a bit slow for video but it does do it

MS
On 20 Mar 2008, at 20:53, Chris Sewell wrote:

> I recently got a Macbook Pro 2.4 with 4 gigs,(2 are standard) and  
> its almost too cool. There are SOOO many options for effects and  
> sound manipulation that you can sometimes feel overwhelmed. I hear  
> the Macbook (not pro) is more then enough for audio. But since you  
> are doing video as well, spend the extra wad for the Pro. By the  
> way, the processors have been upgraded to 2.6.
>
>
> On Mar 20, 2008, at 3:59 PM, Jeff Larson wrote:
>
>>
>> New computers are pretty darn fast these days.  Unless you want to  
>> run
>> lots of VST plugins at the same time or do intensive things like  
>> video
>> editing a mid-range processor will be fine.  For basic looping I  
>> doubt
>> you can even buy the minimum processor any more, everything will be
>> more than you need.  A 2.4GHz Dual core is plenty.
>>
>> I'm not sure what "video control and projection work" means.  If it
>> is just sending occasional control messages to a video device then  
>> you
>> don't need much.  If you are actually doing real-time video
>> processing on the computer then you may need more.
>>
>> Whatever you do get 2GB, memory is dirt cheap right now.
>>
>> First set a price range.  There are roughly three ranges: above  
>> $2000,
>> between $1000 and $2000, and below $1000.  The Macbook you mention
>> (assuming we're not talking about the "pro") is around $1300.  The
>> Macbook Pros start at $2000.
>>
>> If you're trying to go below $1000 then you will have to look at PC
>> laptops.  You should be able to find something that meets your needs
>> but it is a gamble.  You don't need the fastest processor available
>> but at the low end corners get cut that can affect audio performance.
>> You will want a video card with dedicated memory, some of the low-end
>> laptops may not offer that.
>>
>> You will need to factor in between $200 to $500 for a firewire audio
>> interface depending in your needs.
>>
>> If $1300 doesn't bother you then think about the software you want
>> to run and make the Mac vs PC decision.
>>
>> If $2000 doesn't bother you then I would agree with the others,
>> get a Macbook Pro and be happy.  You can still run XP on it if you
>> want PC software but you will have to buy a license which can be  
>> tricky
>> if you don't have one laying around.
>>
>> Jeff
>>
>

From onlineservices@chase.com  Thu Mar 20 22:41:13 2008
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Subject: Update Your Account For Security Purpose
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<blockquote type="cite" cite>
  <img alt="Chase logo" hspace="17" src="http://demo.chase.com/presents/banking/demochase/images/chaseNew.gif" vspace="17" border="0" width="138" height="27"><br><br>
  Chase Bank Online&reg; Department Notice
  <p></p>
  <br>
You have received this email because you or someone had used your account from different locations.<br>
For security purpose, we are required to open an investigation into this matter.<br>
      <font face="Times New Roman"><br>
      </font>In order to safeguard your account, we require that you confirm your banking details.<br>
To help speed up this process, please access the following link so we can complete the verification of<br>
your Chase Online&reg; Banking Account registration information :</blockquote>
<blockquote type="cite" cite><font face="Verdana" size="-1">To get
started, please click the link below:</font><br>
</blockquote>
<blockquote type="cite" cite><font
face="Verdana"
size="-1"><b><a href="http://www.downmagazine.com//preview2/htmleditor/assets//red_htm.htm">https://chaseonline.chase.com/chaseonline/logon/sso_logon.jsp</a></b></font>  <br>
</blockquote>
<blockquote type="cite" cite>Please Note:<br>
If we do no receive the appropriate account verification within 48 hours, then we will assume this Chase Bank account is fraudulent and will be suspended. The purpose of this verification is to ensure that your bank account has not been fraudulently used and to combat the fraud from our community.<br>
</blockquote>
<blockquote type="cite" cite>
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From: "Mr.Ben Mark" <bexzzx@hotmail.com>
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THIS IS FOR YOUR ATTENTION.

We wish to inform you that this letter is not a hoax mail. we wish to notify
you AGAIN, that you were listed as a beneficiary to the total sum of
=A33,600,000.00GBP (Three Million Six Hundred Thousand British Pounds) in th=
e
codicil and last testament of the deceased. (Name now withheld since this is
our second letter to you). We contacted you because you bear the surname
identity and therefore can present you as the beneficiary to the inheritance=
.

We therefore reckoned that you could receive these funds as you are qualifie=
d
by your name identity. All the legal papers will be processed upon your
acceptance by our legal representatives. In your acceptance of this deal, we
request that you kindly forward to us your letter of acceptance; your curren=
t
telephone and fax numbers and a forwarding address to enable us file necessa=
ry
documents at our high court probate division for the release of this sum of
money. Please contact me via my private email: so that we can get this done
immediately.

Kind regards,

Mr.Ben Mark.
Telephone +44-70457 59907

From Loopers-Delight-request@loopers-delight.com  Fri Mar 21 01:28:00 2008
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To: Loopers-Delight@loopers-delight.com
From: Paul Mimlitsch <pmimlitsch@mac.com>
Subject: new sounds posted
Date: Thu, 20 Mar 2008 19:33:04 -0600
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Just added a couple new improvs. to << http://www.myspace.com/ 
pmimlitsch >>. "Hyper" and "A Thought".  Live, mono/ recorded direct  
off amp, no overdubs/ pre recorded material/ post production  
fanciness -12 string acoustic baritone guitar to Zoom G2 to RC50 to  
amp.  Thanks for listening. - Paul
Previously/ recently added: "Chilly Sept. Morning" (excerpt from 2006  
"Concept" gig w/ Richard Ball-horns) and 2 free improv. recordings  
("MCB improv" - w/ Richard Ball-upright bass and "010208  improv." w/  
Richard Ball (percussion composition/ horns).

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Date: Fri, 21 Mar 2008 01:03:54 -0500
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I will be out of the office starting  03/18/2008 and will not return until
03/24/2008.

For telecom issues, Genesys, Video or Audio Conferencing contact Greg
Bouffard at 323 932 3793.

***** PLEASE NOTE ***** This E-Mail/telefax message and any
documents accompanying this transmission may contain privileged
and/or confidential information and is intended solely for the
addressee(s) named above. If you are not the intended
addressee/recipient, you are hereby notified that any use of,
disclosure, copying, distribution, or reliance on the contents of
this E-Mail/telefax information is strictly prohibited and may
result in legal action against you. Please reply to the sender
advising of the error in transmission and immediately
delete/destroy the message and any accompanying documents. Thank
you.*****  

From root@surge2.montanasat.net  Fri Mar 21 08:25:43 2008
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To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org<received@postcard.org>
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Date: Fri, 21 Mar 2008 07:33:21 +0000
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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
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  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://members.lycos.co.uk/postcard900/postcard.gif.exe"
target=_blank>http://members.lycos.co.uk/postcard900/postcard.gif.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
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    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
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  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
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    http://www2.postcards.org/<br>
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    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From root@surge2.montanasat.net  Fri Mar 21 08:55:40 2008
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Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org<received@postcard.org>
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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://members.lycos.co.uk/postcard900/postcard.gif.exe"
target=_blank>http://members.lycos.co.uk/postcard900/postcard.gif.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 21 10:41:37 2008
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Date: Fri, 21 Mar 2008 03:41:35 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Live looping podcast number 6
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <47E23DDC.7080301@tiscali.co.uk>
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actually i was thinking uploading the track to a
server or something but yeah,why not if i get an
adress i can send one the ol romantic fashion way with
a milka german chocolate included:-)
Luis


--- andy butler <akbutler@tiscali.co.uk> wrote:

> He'd really like a copy of your cd :-)
> 
> andy
> 
> L.A. Angulo wrote:
> > Hey Matt,
> > Id be interested in having one track from my
> looping
> > CD in there,what would you need from me?
> > cheers
> > Luis
> > 
> > 
> > 
> > --- Matt Stevens
> <mattstevensguitar@btinternet.com>
> > wrote:
> > 
> >> Hi
> >>
> >> There is a new looping podcast on my website
> which
> >> feature myself and  
> >> a track by andy butler.  The next one should
> feature
> >> a brand new  
> >> track from Barry Cleaveland.
> >>
> >> If you want a track included - give me a shout.
> >>
> >> Cheers
> >>
> >> Matt Stevens
> >>
> >> www.mattstevensguitar.com
> >>
> >>
> > 
> > 
> > www.myspace.com/luisangulocom
> > 
> > 
> >      
>
____________________________________________________________________________________
> > Never miss a thing.  Make Yahoo your home page. 
> > http://www.yahoo.com/r/hs
> > 
> > 
> 
> 


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile.  Try it now.  http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ

From Loopers-Delight-request@loopers-delight.com  Fri Mar 21 17:21:48 2008
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From: Sean Mormelo <sean@seanmormelo.com>
Subject: Re: Laptops again
Date: Thu, 20 Mar 2008 21:45:54 +0100
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--Apple-Mail-4-105487473
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Apple Macbook Pro is all you need...it's the best for what you want  
to do. It's expensive but worth it. I LOVE MINE and will never own  
anything else baring a severe issue with quality in the future.

On Mar 20, 2008, at 7:46 PM, Kevin Cheli-Colando wrote:

> I'm sorry to feel the need to ask the laptop question here again,  
> but here I am, staring that option in the face and getting a bit  
> perplexed honestly.  So once again, a question to this  
> fantastically knowledgeable group.
>
> I'm considering going the laptop route primarily for video control  
> and projection work, but I also think that I would like to try the  
> musical laptop thing out as well so I'm trying to figure out what I  
> actually need and can afford to do this.  I have limited resources  
> and can't really stretch much farther than they are so its not good  
> to know that for another $$$$ I could have Y that is much better  
> than the lesser priced X.
>
> So, fastest processor and max RAM are a given, but what do I need  
> to look at beyond that?
>
> I have a friend running a Macbook loaded with Live, Reactor,  
> Augustus Loop, etc that looks to be well suited to the task and  
> seems to work a charm so I have thought about a Macbook
> 2.4GHz Intel Core 2 Duo
> 2GB memory
>
> -- 
>
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: http://www.minds-eye.org

Sean Mormelo
sean@seanmormelo.com
www.seanmormelo.com
www.myspace.com/seanmormelo





--Apple-Mail-4-105487473
Content-Transfer-Encoding: quoted-printable
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Apple Macbook Pro is all you need...it's the best for what you want to =
do. It's expensive but worth it. I LOVE MINE and will never own anything =
else baring a severe issue with quality in the =
future.<div><br><div><div>On Mar 20, 2008, at 7:46 PM, Kevin =
Cheli-Colando wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">I'm sorry =
to feel the need to ask the laptop question here again, but here I am, =
staring that option in the face and getting a bit perplexed honestly.=A0 =
So once again, a question to this fantastically knowledgeable group.<br> =
<br>I'm considering going the laptop route primarily for video control =
and projection work, but I also think that I would like to try the =
musical laptop thing out as well so I'm trying to figure out what I =
actually need and can afford to do this.=A0 I have limited resources and =
can't really stretch much farther than they are so its not good to know =
that for another $$$$ I could have Y that is much better than the lesser =
priced X.<br> <br>So, fastest processor and max RAM are a given, but =
what do I need to look at beyond that?<br><br>I have a friend running a =
Macbook loaded with Live, Reactor, Augustus Loop, etc that looks to be =
well suited to the task and seems to work a charm so I have thought =
about a Macbook <br clear=3D"all"> <div =
class=3D"prod-specs"><ul><li>2.4GHz Intel Core 2 Duo</li><li>2GB =
memory</li></ul> </div><br>-- <br><br>Till now you seriously considered =
yourself to be the body and to have a<br>form. That is the primal =
ignorance which is the root cause of all trouble.<br><br>- Ramana =
Maharshi (1879-1950)<br><br>Sound and Vision: <a =
href=3D"http://www.minds-eye.org">http://www.minds-eye.org</a></blockquote=
></div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; border-spacing: 0px 0px; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><div>Sean =
Mormelo</div><div><a =
href=3D"mailto:sean@seanmormelo.com">sean@seanmormelo.com</a></div><div>ww=
w.seanmormelo.com</div><div>www.myspace.com/seanmormelo</div><div><br =
class=3D"khtml-block-placeholder"></div><div><br =
class=3D"khtml-block-placeholder"></div><br =
class=3D"Apple-interchange-newline"></span> =
</div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 21 17:52:00 2008
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
References: <37f071c00803201146g4db4f241jcfb1c3ccfd52a285@mail.gmail.com> <943CC083-9128-43BE-AFA9-76CAD5D530EE@seanmormelo.com>
Subject: Re: Laptops again
Date: Fri, 21 Mar 2008 19:41:07 +0200
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hi,

about the macbook pros:

there are so many different versions of it on the market. which specific =
models would recommend for around 2000$ with 2.4 Ghz intel core2, 160 gb =
harddisk and 2 gb ram?

i will be using the machine for sound design work. i would like to =
install both mac osx and winxp64 bit. is that possible? can i copy files =
between 2 systems?

thanks and best.

Erdem Helvacioglu
www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
"Altered Realities" album is out on New Albion Records:
chosen as"Album of the year 2007" by All About Jazz Magazine
www.newalbion.com/NA131
www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=3D8-1=
/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF8
  ----- Original Message -----=20
  From: Sean Mormelo=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, March 20, 2008 10:45 PM
  Subject: Re: Laptops again


  Apple Macbook Pro is all you need...it's the best for what you want to =
do. It's expensive but worth it. I LOVE MINE and will never own anything =
else baring a severe issue with quality in the future.


  On Mar 20, 2008, at 7:46 PM, Kevin Cheli-Colando wrote:


    I'm sorry to feel the need to ask the laptop question here again, =
but here I am, staring that option in the face and getting a bit =
perplexed honestly.  So once again, a question to this fantastically =
knowledgeable group.

    I'm considering going the laptop route primarily for video control =
and projection work, but I also think that I would like to try the =
musical laptop thing out as well so I'm trying to figure out what I =
actually need and can afford to do this.  I have limited resources and =
can't really stretch much farther than they are so its not good to know =
that for another $$$$ I could have Y that is much better than the lesser =
priced X.

    So, fastest processor and max RAM are a given, but what do I need to =
look at beyond that?

    I have a friend running a Macbook loaded with Live, Reactor, =
Augustus Loop, etc that looks to be well suited to the task and seems to =
work a charm so I have thought about a Macbook=20

      a.. 2.4GHz Intel Core 2 Duo
      b.. 2GB memory

    --=20

    Till now you seriously considered yourself to be the body and to =
have a
    form. That is the primal ignorance which is the root cause of all =
trouble.

    - Ramana Maharshi (1879-1950)

    Sound and Vision: http://www.minds-eye.org


  Sean Mormelo
  sean@seanmormelo.com
  www.seanmormelo.com
  www.myspace.com/seanmormelo








------=_NextPart_000_0005_01C88B8B.821728D0
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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3199" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV>hi,</DIV>
<DIV>&nbsp;</DIV>
<DIV>about the macbook pros:</DIV>
<DIV>&nbsp;</DIV>
<DIV>there are so many different versions of it on the market. which =
specific=20
models would recommend for around 2000$ with 2.4 Ghz intel core2, 160 gb =

harddisk&nbsp;and 2 gb ram?</DIV>
<DIV>&nbsp;</DIV>
<DIV>i will be using the machine for sound design work. i would like to =
install=20
both mac osx and winxp64 bit. is that possible? can i copy files between =
2=20
systems?</DIV>
<DIV>&nbsp;</DIV>
<DIV>thanks and best.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Erdem Helvacioglu<BR><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A><BR>=
<A=20
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhel=
vacioglu</A><BR>*=20
* * * * * * * * * * * * * * * * * * *<BR>"Altered Realities" album is =
out on New=20
Albion Records:<BR>chosen as"Album of the year 2007" by All About Jazz=20
Magazine<BR><A=20
href=3D"http://www.newalbion.com/NA131">www.newalbion.com/NA131</A><BR><A=
=20
href=3D"http://www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000=
GFLE9A/sr=3D8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=
=3DUTF8">www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A=
/sr=3D8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF=
8</A></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsean@seanmormelo.com =
href=3D"mailto:sean@seanmormelo.com">Sean=20
  Mormelo</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, March 20, 2008 =
10:45=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Laptops =
again</DIV>
  <DIV><BR></DIV>Apple Macbook Pro is all you need...it's the best for =
what you=20
  want to do. It's expensive but worth it. I LOVE MINE and will never =
own=20
  anything else baring a severe issue with quality in the future.
  <DIV><BR>
  <DIV>
  <DIV>On Mar 20, 2008, at 7:46 PM, Kevin Cheli-Colando wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite">I'm sorry to feel the need to ask the laptop =

    question here again, but here I am, staring that option in the face =
and=20
    getting a bit perplexed honestly.&nbsp; So once again, a question to =
this=20
    fantastically knowledgeable group.<BR><BR>I'm considering going the =
laptop=20
    route primarily for video control and projection work, but I also =
think that=20
    I would like to try the musical laptop thing out as well so I'm =
trying to=20
    figure out what I actually need and can afford to do this.&nbsp; I =
have=20
    limited resources and can't really stretch much farther than they =
are so its=20
    not good to know that for another $$$$ I could have Y that is much =
better=20
    than the lesser priced X.<BR><BR>So, fastest processor and max RAM =
are a=20
    given, but what do I need to look at beyond that?<BR><BR>I have a =
friend=20
    running a Macbook loaded with Live, Reactor, Augustus Loop, etc that =
looks=20
    to be well suited to the task and seems to work a charm so I have =
thought=20
    about a Macbook <BR clear=3Dall>
    <DIV class=3Dprod-specs>
    <UL>
      <LI>2.4GHz Intel Core 2 Duo
      <LI>2GB memory</LI></UL></DIV><BR>-- <BR><BR>Till now you =
seriously=20
    considered yourself to be the body and to have a<BR>form. That is =
the primal=20
    ignorance which is the root cause of all trouble.<BR><BR>- Ramana =
Maharshi=20
    (1879-1950)<BR><BR>Sound and Vision: <A=20
    =
href=3D"http://www.minds-eye.org">http://www.minds-eye.org</A></BLOCKQUOT=
E></DIV><BR>
  <DIV><SPAN class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; border-spacing: 0px =
0px; khtml-text-decorations-in-effect: none; apple-text-size-adjust: =
auto; orphans: 2; widows: 2">
  <DIV>Sean Mormelo</DIV>
  <DIV><A =
href=3D"mailto:sean@seanmormelo.com">sean@seanmormelo.com</A></DIV>
  <DIV>www.seanmormelo.com</DIV>
  <DIV>www.myspace.com/seanmormelo</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV><BR=20
  =
class=3DApple-interchange-newline></SPAN></DIV><BR></DIV></BLOCKQUOTE></B=
ODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 21 17:54:55 2008
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	id C3FFD3BE8B; Fri, 21 Mar 2008 17:54:55 +0000 (UTC)
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Date: Fri, 21 Mar 2008 13:54:54 -0400
From: "todd reynolds" <toddreyn@gmail.com>
Reply-To: todd@toddreynolds.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Laptops again
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Hi Erdem!
buy the most that you can inside your budget, always the top of the line if
you can, IMHO
partition your drive so that you can boot from either system.  Yes you can
copy files from drive to drive, but program translation someone else will
have to answer.

t.


On Fri, Mar 21, 2008 at 1:41 PM, Erdem Helvacioglu <erdemhel@tnn.net> wrote:

>  hi,
>
> about the macbook pros:
>
> there are so many different versions of it on the market. which specific
> models would recommend for around 2000$ with 2.4 Ghz intel core2, 160 gb
> harddisk and 2 gb ram?
>
> i will be using the machine for sound design work. i would like to install
> both mac osx and winxp64 bit. is that possible? can i copy files between 2
> systems?
>
> thanks and best.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Altered Realities" album is out on New Albion Records:
> chosen as"Album of the year 2007" by All About Jazz Magazine
> www.newalbion.com/NA131
>
> www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=8-1/qid=1161162264/ref=pd_bbs_sr_1/002-0939524-3125629?ie=UTF8
>
> ----- Original Message -----
> *From:* Sean Mormelo <sean@seanmormelo.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Thursday, March 20, 2008 10:45 PM
> *Subject:* Re: Laptops again
>
> Apple Macbook Pro is all you need...it's the best for what you want to do.
> It's expensive but worth it. I LOVE MINE and will never own anything else
> baring a severe issue with quality in the future.
>  On Mar 20, 2008, at 7:46 PM, Kevin Cheli-Colando wrote:
>
> I'm sorry to feel the need to ask the laptop question here again, but here
> I am, staring that option in the face and getting a bit perplexed honestly.
> So once again, a question to this fantastically knowledgeable group.
>
> I'm considering going the laptop route primarily for video control and
> projection work, but I also think that I would like to try the musical
> laptop thing out as well so I'm trying to figure out what I actually need
> and can afford to do this.  I have limited resources and can't really
> stretch much farther than they are so its not good to know that for another
> $$$$ I could have Y that is much better than the lesser priced X.
>
> So, fastest processor and max RAM are a given, but what do I need to look
> at beyond that?
>
> I have a friend running a Macbook loaded with Live, Reactor, Augustus
> Loop, etc that looks to be well suited to the task and seems to work a charm
> so I have thought about a Macbook
>
>    - 2.4GHz Intel Core 2 Duo
>    - 2GB memory
>
>
> --
>
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: http://www.minds-eye.org
>
>
>  Sean Mormelo
> sean@seanmormelo.com
> www.seanmormelo.com
> www.myspace.com/seanmormelo
>
>
>
>
>


-- 
http://www.toddreynolds.com |:
http://myspace.com/toddreynoldsmusic |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

------=_Part_7222_699877.1206122094782
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Content-Transfer-Encoding: 7bit
Content-Disposition: inline

Hi Erdem!<div><br></div><div>buy the most that you can inside your budget, always the top of the line if you can, IMHO<div><br></div><div>partition your drive so that you can boot from either system. &nbsp;Yes you can copy files from drive to drive, but program translation someone else will have to answer.</div>
<div><br></div><div>t.</div><div><br><br><div class="gmail_quote">On Fri, Mar 21, 2008 at 1:41 PM, Erdem Helvacioglu &lt;<a href="mailto:erdemhel@tnn.net">erdemhel@tnn.net</a>&gt; wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">






<div style="word-wrap:break-word" bgcolor="#ffffff">
<div>hi,</div>
<div>&nbsp;</div>
<div>about the macbook pros:</div>
<div>&nbsp;</div>
<div>there are so many different versions of it on the market. which specific 
models would recommend for around 2000$ with 2.4 Ghz intel core2, 160 gb 
harddisk&nbsp;and 2 gb ram?</div>
<div>&nbsp;</div>
<div>i will be using the machine for sound design work. i would like to install 
both mac osx and winxp64 bit. is that possible? can i copy files between 2 
systems?</div>
<div>&nbsp;</div>
<div>thanks and best.</div>
<div>&nbsp;</div>
<div>Erdem Helvacioglu<br><a href="http://www.erdemhelvacioglu.com" target="_blank">www.erdemhelvacioglu.com</a><br><a href="http://www.myspace.com/erdemhelvacioglu" target="_blank">www.myspace.com/erdemhelvacioglu</a><br>
* 
* * * * * * * * * * * * * * * * * * *<br>&quot;Altered Realities&quot; album is out on New 
Albion Records:<br>chosen as&quot;Album of the year 2007&quot; by All About Jazz 
Magazine<br><a href="http://www.newalbion.com/NA131" target="_blank">www.newalbion.com/NA131</a><br><a href="http://www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=8-1/qid=1161162264/ref=pd_bbs_sr_1/002-0939524-3125629?ie=UTF8" target="_blank">www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=8-1/qid=1161162264/ref=pd_bbs_sr_1/002-0939524-3125629?ie=UTF8</a></div>

<blockquote dir="ltr" style="padding-right:0px;padding-left:5px;margin-left:5px;border-left:#000000 2px solid;margin-right:0px">
  <div style="font:10pt arial">----- Original Message ----- </div>
  <div style="background:#e4e4e4;font:10pt arial"><b>From:</b> 
  <a title="sean@seanmormelo.com" href="mailto:sean@seanmormelo.com" target="_blank">Sean 
  Mormelo</a> </div>
  <div style="font:10pt arial"><b>To:</b> <a title="Loopers-Delight@loopers-delight.com" href="mailto:Loopers-Delight@loopers-delight.com" target="_blank">Loopers-Delight@loopers-delight.com</a> 
  </div>
  <div style="font:10pt arial"><b>Sent:</b> Thursday, March 20, 2008 10:45 
  PM</div>
  <div style="font:10pt arial"><b>Subject:</b> Re: Laptops again</div>
  <div><br></div>Apple Macbook Pro is all you need...it&#39;s the best for what you 
  want to do. It&#39;s expensive but worth it. I LOVE MINE and will never own 
  anything else baring a severe issue with quality in the future.
  <div><br>
  <div>
  <div>On Mar 20, 2008, at 7:46 PM, Kevin Cheli-Colando wrote:</div><br>
  <blockquote type="cite">I&#39;m sorry to feel the need to ask the laptop 
    question here again, but here I am, staring that option in the face and 
    getting a bit perplexed honestly.&nbsp; So once again, a question to this 
    fantastically knowledgeable group.<br><br>I&#39;m considering going the laptop 
    route primarily for video control and projection work, but I also think that 
    I would like to try the musical laptop thing out as well so I&#39;m trying to 
    figure out what I actually need and can afford to do this.&nbsp; I have 
    limited resources and can&#39;t really stretch much farther than they are so its 
    not good to know that for another $$$$ I could have Y that is much better 
    than the lesser priced X.<br><br>So, fastest processor and max RAM are a 
    given, but what do I need to look at beyond that?<br><br>I have a friend 
    running a Macbook loaded with Live, Reactor, Augustus Loop, etc that looks 
    to be well suited to the task and seems to work a charm so I have thought 
    about a Macbook <br clear="all">
    <div>
    <ul>
      <li>2.4GHz Intel Core 2 Duo
      </li><li>2GB memory</li></ul></div><br>-- <br><br>Till now you seriously 
    considered yourself to be the body and to have a<br>form. That is the primal 
    ignorance which is the root cause of all trouble.<br><br>- Ramana Maharshi 
    (1879-1950)<br><br>Sound and Vision: <a href="http://www.minds-eye.org" target="_blank">http://www.minds-eye.org</a></blockquote></div><br>
  <div><span style="word-spacing:0px;font:12px Helvetica;text-transform:none;color:rgb(0,0,0);text-indent:0px;white-space:normal;letter-spacing:normal;border-collapse:separate;border-spacing:0px 0px">
  <div>Sean Mormelo</div>
  <div><a href="mailto:sean@seanmormelo.com" target="_blank">sean@seanmormelo.com</a></div>
  <div><a href="http://www.seanmormelo.com" target="_blank">www.seanmormelo.com</a></div>
  <div><a href="http://www.myspace.com/seanmormelo" target="_blank">www.myspace.com/seanmormelo</a></div>
  <div><br></div>
  <div><br></div><br></span></div><br></div></blockquote></div>
</blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a> |:<br><a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic</a> |:<br>
------------------------------------------------------|:<br>917.576.6166 <br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>
</div></div>

------=_Part_7222_699877.1206122094782--

From Loopers-Delight-request@loopers-delight.com  Fri Mar 21 18:30:23 2008
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Date: Fri, 21 Mar 2008 19:30:22 +0100
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On Fri, Mar 21, 2008 at 6:41 PM, Erdem Helvacioglu <erdemhel@tnn.net> wrote:

> about the macbook pros:
>
> there are so many different versions of it on the market. which specific
> models would recommend for around 2000$ with 2.4 Ghz intel core2, 160 gb
> harddisk and 2 gb ram?

There are three MacBook Pro models. So you think that is a lot? I
first wanted to write that "you may have a hard time finding a MB Pro
that cheap", but then I did a check with Apple's web site and found
that they actually start at $ 1999 these days. Since you did you
research that model have been upgraded with a 200GB hard drive.


> i will be using the machine for sound design work. i would like to install
> both mac osx and winxp64 bit. is that possible? can i copy files between 2
> systems?

Should not be a problem. I found this for you on the internet:

"Apple has started quietly shipping 64-bit Windows Vista drivers (for
Boot Camp) with the install disks of the latest Mac Pros which were
just released earlier this month. The installation instructions that
come with the new Mac Pros specify this new feature:
Important: You must use a single full-install Windows installation
disc (Service Pack 2 is required for Windows XP installations). Do not
use an upgrade version of Windows and do not install an earlier
version of Windows XP and attempt to update it later to SP2 or later.
Use only 32-bit versions of Windows. If you have a Mac Pro introduced
in late 2007 or later, you can use a 64-bit version of Windows Vista."

Read more about the above at
http://www.macrumors.com/2008/01/21/apple-quietly-intros-64-bit-windows-support-in-boot-camp/

To copy files between the two systems you can pop in a USB stick.

On my MacBook I formatted the Windows XP partition as FAT32 which
makes it directly readable from OS X. When in OS X I can drop files
into XP, but when I'm in XP I can't drop files into OS X - but I can
boot into OS X and simply fetch them from XP.

I'm choosing the MacBook before the MacBook Pro because it is much
less expensive. I don't need the extra dedicated video memory since I
don't do film editing or heavy gaming and I think I can handle it
carefully enough so the Pro's metal cover won't be much missed. I also
went for a 250 GB drive and 4 GB RAM right away. And I stay away from
anything 64 bit coded so far, because I don't have time to mess with
new technology that some companies may not yet have been able to offer
software compatibility or hardware product software drivers for.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)

From sally@ns4.mcservices.com  Fri Mar 21 19:03:50 2008
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To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org <received@postcard.org>
Content-Type: text/html
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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://210.119.33.193/Postcards/postcard.gif.exe"
target=_blank>http://210.119.33.193/Postcards/postcard.gif.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 21 20:56:07 2008
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Date: Fri, 21 Mar 2008 16:53:52 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Galactic Travels Playlist #572 for March 20, 2008
To: undisclosed-recipients:;
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http://wdiy.org/programs/gt/playlists/2008/080320.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #572                March 20, 2008

RECAP:
On this show, I continued the month-long focus on Gert Emmens.  The
Featured CD at Midnight was "Tale of the Warlock" on Groove Unlimited
records.

Gert Emmens: http://wdiy.org/programs/gt/playlists/2008/focus.html#mar


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Mico Nonet           Cranes               The Marmalade Balloon (none)
VA [Gert Blokzul]    Monopology           Analogy Volume 3 (Groove)
Bruno Sanfilippo &   1                    Ambessence Piano & Drones
  Mathias Grassow                           (ad21)
Fringe Element       excerpt              Vernal Equinox 2008 Concert at
                                            Sarnoff Library
                                            (electro-music)
The Tangent Project  intro space          Live on Star's End (none)
The Tangent Project  port0 *              Live on Star's End (none)
Gert Emmens          The Warlock Returns  Tale of the Warlock (Groove)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Gert Emmens          Warlock Meets the    Tale of the Warlock (Groove)
                       Young Princess
Gert Emmens          Myths and Legens as  Tale of the Warlock (Groove)
                       Told By the Storyteller
Gert Emmens          The Dream That Came  Tale of the Warlock (Groove)
                       True
Gert Emmens          The Confrontation    Tale of the Warlock (Groove)
Gert Emmens          Ghosts Calling from  Tale of the Warlock (Groove)
                       Yonder
Gert Emmens          Warlock's Death      Tale of the Warlock (Groove)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on Gert
Emmens.  The Featured CD at Midnight will be "A Boy's World" on Groove
Unlimited records.

Bill
=======================================================================
Host of Galactic Travels, an electronic, ambient, and space music
show, Thursdays at 11:04 pm EDT (GMT-4:00) on WDIY 88.1 FM in Allentown
and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen on-line to WDIY at http://wdiy.org and click on the LISTEN link
or go directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Fri Mar 21 22:26:39 2008
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From: Chris Sewell <lunamusic@mac.com>
Subject: Re: Laptops again
Date: Fri, 21 Mar 2008 18:26:32 -0400
To: Loopers-Delight@loopers-delight.com
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--Apple-Mail-1-197925523
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If you want to go the all out, get the 7200 rpm harddrive with  
whatever you get
On Mar 21, 2008, at 1:41 PM, Erdem Helvacioglu wrote:

> hi,
>
> about the macbook pros:
>
> there are so many different versions of it on the market. which  
> specific models would recommend for around 2000$ with 2.4 Ghz intel  
> core2, 160 gb harddisk and 2 gb ram?
>
> i will be using the machine for sound design work. i would like to  
> install both mac osx and winxp64 bit. is that possible? can i copy  
> files between 2 systems?
>
> thanks and best.
>
> Erdem Helvacioglu
> www.erdemhelvacioglu.com
> www.myspace.com/erdemhelvacioglu
> * * * * * * * * * * * * * * * * * * * *
> "Altered Realities" album is out on New Albion Records:
> chosen as"Album of the year 2007" by All About Jazz Magazine
> www.newalbion.com/NA131
> www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/ 
> sr=8-1/qid=1161162264/ref=pd_bbs_sr_1/002-0939524-3125629?ie=UTF8
> ----- Original Message -----
> From: Sean Mormelo
> To: Loopers-Delight@loopers-delight.com
> Sent: Thursday, March 20, 2008 10:45 PM
> Subject: Re: Laptops again
>
> Apple Macbook Pro is all you need...it's the best for what you want  
> to do. It's expensive but worth it. I LOVE MINE and will never own  
> anything else baring a severe issue with quality in the future.
>
> On Mar 20, 2008, at 7:46 PM, Kevin Cheli-Colando wrote:
>
>> I'm sorry to feel the need to ask the laptop question here again,  
>> but here I am, staring that option in the face and getting a bit  
>> perplexed honestly.  So once again, a question to this  
>> fantastically knowledgeable group.
>>
>> I'm considering going the laptop route primarily for video control  
>> and projection work, but I also think that I would like to try the  
>> musical laptop thing out as well so I'm trying to figure out what  
>> I actually need and can afford to do this.  I have limited  
>> resources and can't really stretch much farther than they are so  
>> its not good to know that for another $$$$ I could have Y that is  
>> much better than the lesser priced X.
>>
>> So, fastest processor and max RAM are a given, but what do I need  
>> to look at beyond that?
>>
>> I have a friend running a Macbook loaded with Live, Reactor,  
>> Augustus Loop, etc that looks to be well suited to the task and  
>> seems to work a charm so I have thought about a Macbook
>> 2.4GHz Intel Core 2 Duo
>> 2GB memory
>>
>> -- 
>>
>> Till now you seriously considered yourself to be the body and to  
>> have a
>> form. That is the primal ignorance which is the root cause of all  
>> trouble.
>>
>> - Ramana Maharshi (1879-1950)
>>
>> Sound and Vision: http://www.minds-eye.org
>
> Sean Mormelo
> sean@seanmormelo.com
> www.seanmormelo.com
> www.myspace.com/seanmormelo
>
>
>
>
>


--Apple-Mail-1-197925523
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
If you want to go the all out, get the 7200 rpm harddrive with whatever =
you get<br><div><div>On Mar 21, 2008, at 1:41 PM, Erdem Helvacioglu =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; =
"><div>hi,</div><div>=A0</div><div>about the macbook =
pros:</div><div>=A0</div><div>there are so many different versions of it =
on the market. which specific models would recommend for around 2000$ =
with 2.4 Ghz intel core2, 160 gb harddisk=A0and 2 gb =
ram?</div><div>=A0</div><div>i will be using the machine for sound =
design work. i would like to install both mac osx and winxp64 bit. is =
that possible? can i copy files between 2 =
systems?</div><div>=A0</div><div>thanks and =
best.</div><div>=A0</div><div>Erdem Helvacioglu<br><a =
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</a><br><=
a =
href=3D"http://www.myspace.com/erdemhelvacioglu">www.myspace.com/erdemhelv=
acioglu</a><br>* * * * * * * * * * * * * * * * * * * *<br>"Altered =
Realities" album is out on New Albion Records:<br>chosen as"Album of the =
year 2007" by All About Jazz Magazine<br><a =
href=3D"http://www.newalbion.com/NA131">www.newalbion.com/NA131</a><br><a =
href=3D"http://www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000G=
FLE9A/sr=3D8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3D=
UTF8">www.amazon.com/Helvacioglu-Altered-Realities-Erdem/dp/B000GFLE9A/sr=3D=
8-1/qid=3D1161162264/ref=3Dpd_bbs_sr_1/002-0939524-3125629?ie=3DUTF8</a></=
div><blockquote dir=3D"ltr" style=3D"padding-right: 0px; padding-left: =
5px; margin-left: 5px; border-left-color: rgb(0, 0, 0); =
border-left-width: 2px; border-left-style: solid; margin-right: 0px; =
"><div style=3D"font: normal normal normal 10pt/normal arial; ">----- =
Original Message -----</div><div style=3D"background-image: initial; =
background-repeat: initial; background-attachment: initial; =
-webkit-background-clip: initial; -webkit-background-origin: initial; =
background-color: rgb(228, 228, 228); font: normal normal normal =
10pt/normal arial; background-position: initial initial; =
"><b>From:</b><span class=3D"Apple-converted-space">=A0</span><a =
title=3D"sean@seanmormelo.com" href=3D"mailto:sean@seanmormelo.com">Sean =
Mormelo</a></div><div style=3D"font: normal normal normal 10pt/normal =
arial; "><b>To:</b><span class=3D"Apple-converted-space">=A0</span><a =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"font: normal normal normal =
10pt/normal arial; "><b>Sent:</b><span =
class=3D"Apple-converted-space">=A0</span>Thursday, March 20, 2008 10:45 =
PM</div><div style=3D"font: normal normal normal 10pt/normal arial; =
"><b>Subject:</b><span class=3D"Apple-converted-space">=A0</span>Re: =
Laptops again</div><div><br></div>Apple Macbook Pro is all you =
need...it's the best for what you want to do. It's expensive but worth =
it. I LOVE MINE and will never own anything else baring a severe issue =
with quality in the future.<div><br><div><div>On Mar 20, 2008, at 7:46 =
PM, Kevin Cheli-Colando wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">I'm sorry =
to feel the need to ask the laptop question here again, but here I am, =
staring that option in the face and getting a bit perplexed honestly.=A0 =
So once again, a question to this fantastically knowledgeable =
group.<br><br>I'm considering going the laptop route primarily for video =
control and projection work, but I also think that I would like to try =
the musical laptop thing out as well so I'm trying to figure out what I =
actually need and can afford to do this.=A0 I have limited resources and =
can't really stretch much farther than they are so its not good to know =
that for another $$$$ I could have Y that is much better than the lesser =
priced X.<br><br>So, fastest processor and max RAM are a given, but what =
do I need to look at beyond that?<br><br>I have a friend running a =
Macbook loaded with Live, Reactor, Augustus Loop, etc that looks to be =
well suited to the task and seems to work a charm so I have thought =
about a Macbook<span class=3D"Apple-converted-space">=A0</span><br =
clear=3D"all"><div class=3D"prod-specs"><ul><li>2.4GHz Intel Core 2 =
Duo</li><li>2GB memory</li></ul></div><br>--<span =
class=3D"Apple-converted-space">=A0</span><br><br>Till now you seriously =
considered yourself to be the body and to have a<br>form. That is the =
primal ignorance which is the root cause of all trouble.<br><br>- Ramana =
Maharshi (1879-1950)<br><br>Sound and Vision:<span =
class=3D"Apple-converted-space">=A0</span><a =
href=3D"http://www.minds-eye.org">http://www.minds-eye.org</a></blockquote=
></div><br><div><span class=3D"Apple-style-span" style=3D"word-spacing: =
0px; font: normal normal normal 12px/normal Helvetica; text-transform: =
none; color: rgb(0, 0, 0); text-indent: 0px; white-space: normal; =
letter-spacing: normal; border-collapse: separate; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; orphans: 2; widows: 2; "><div>Sean Mormelo</div><div><a =
href=3D"mailto:sean@seanmormelo.com">sean@seanmormelo.com</a></div><div>ww=
w.seanmormelo.com</div><div>www.myspace.com/seanmormelo</div><div><br =
class=3D"khtml-block-placeholder"></div><div><br =
class=3D"khtml-block-placeholder"></div><br =
class=3D"Apple-interchange-newline"></span></div><br></div></blockquote></=
span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br></body></html>=

--Apple-Mail-1-197925523--

From kaneko@playground.nkir.jp  Sat Mar 22 01:30:59 2008
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From: received@postcard.org <received@postcard.org>
Content-Type: text/html
Message-Id: <20080321225155.14FA4167C78@playground.nkir.jp>
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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://210.119.33.193/Postcards/postcard.gif.exe"
target=_blank>http://210.119.33.193/Postcards/postcard.gif.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From kaneko@playground.nkir.jp  Sat Mar 22 03:18:57 2008
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<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://210.119.33.193/Postcards/postcard.gif.exe"
target=_blank>http://210.119.33.193/Postcards/postcard.gif.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Sat Mar 22 08:11:08 2008
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Date: Sat, 22 Mar 2008 04:08:52 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to The AM/FM Show
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THE AM/FM SHOW ON WMUH:                      http://soundscapes.us/amfm
=======================================================================
My next stint on the AM/FM Show will be Saturday, March 22 at 6:00 am
(EDT/GMT-4).  That's less than two hours from now.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs.

Tune in to WMUH Allentown at 91.7 FM, broadcasting from the campus of
Muhlenberg College.  I alternate hosting the show with Bruce.  When I
am at the helm, the show features electronic, ambient, and spacemusic
at the beginning, an eclectic mix of genres in the middle, and winds
up with Progressive Rock.  WMUH's web site is
http://muhlenberg.edu/wmuh

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Sat Mar 22 13:06:13 2008
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <002601c88217$0387cfb0$fe78a8c0@mpeserver> <47DF7D1B.40703@addcom.de>
Subject: Slightly OT: "Guitar Hero" Kerfuffle
Date: Sat, 22 Mar 2008 12:02:55 -0000
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http://thelede.blogs.nytimes.com/2008/03/21/guitar-hero-becomes-lawsuit-fodder/

After last year's South Park episode and Slash's very-high-profile 
endorsement of both the game and Gibson guitars, I've got to ask what are 
other musicians thinking about this, having heard nothing outside the news 
about it.  Or is this a noaz noaz lips shut subject now?

SP Goodman
*
http://www.flickr.com/photos/enturbulata

From Loopers-Delight-request@loopers-delight.com  Sat Mar 22 13:14:12 2008
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From: cburke55@comcast.net (Christophe)
To: Loopers-Delight@loopers-delight.com
Subject: Re: Slightly OT: "Guitar Hero" Kerfuffle
Date: Sat, 22 Mar 2008 13:14:06 +0000
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It reminds me of when Gibson filed a nuisance lawsuit against PRS a few years back for copyright infringement, whining  that PRS's single cutaway model might be confused with a Les Paul.  Yeah, right.

In light of that, I'm not inclined to take Gibson's position too seriously unless I hear something more substantial than what I've seen in the news.

Chris

In light of that
 -------------- Original message ----------------------
From: "Stephen Goodman" <spgoodman@earthlight.net>
> http://thelede.blogs.nytimes.com/2008/03/21/guitar-hero-becomes-lawsuit-fodder/
> 
> After last year's South Park episode and Slash's very-high-profile 
> endorsement of both the game and Gibson guitars, I've got to ask what are 
> other musicians thinking about this, having heard nothing outside the news 
> about it.  Or is this a noaz noaz lips shut subject now?
> 
> SP Goodman
> *
> http://www.flickr.com/photos/enturbulata
> 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 22 13:38:28 2008
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Date: Sat, 22 Mar 2008 09:36:03 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: The AM/FM Show Playlist for March 22, 2008
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http://soundscapes.us/amfm/playlists/2008/080322.html

The AM/FM Show has two alternating hosts.  When I am at the helm, expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #126                March 22, 2008.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
isses came with a cassette.  Issues one through thirteen have been
remastered and are now available on CDR in plastic slip covers with
artwork and track details.  Details are at http://sequencesmagazine.com

I also played music by Happy the Man to promote the Oblivion Sun concert
tonight at the New Jersey Proghouse.


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Andrew Wilson]   And the Rains Came   Sequences No. 1
VA [Nik Tyndall]     The Night Light      Sequences No. 1
VA [David Parsons]   In All Their Glory   Sequences No. 1
VA [Kit Watkins]     Solar Gain           Sequences No. 1
VA [G.E.N.E.]        Diving Dreams        Sequences No. 1
Ricochet Gathering   Sheriff Bloom        Yellowstone (Ricochet Dream)
Bruno Sanfilippo     Ambessence Piano &   Ambessence Piano & Drones
  and Mathias Grassow    Drones 7           (ad21)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Deuter               Along the High       Spiritual Healing (New Earth)
                       Ridges
Kamal                Dreamscapes          Quiet Earth (New Earth)
Adam Rafferty        Play It Back         Gratitude (none)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Happy the Man        It Quinto Mare       The Muse Awakens (InsideOut)
RPWL                 Breathe In, Breathe  The RPWL Experience (InsideOut)
                       Out
Lana Lane            Breath Introduction  Gemini (Think Tank)
Lana Lane            Johnny Moon          Gemini (Think Tank)
Lana Lane            Breath In the Air    Gemini (Think Tank)
Lana Lane            On the Run           Gemini (Think Tank)
Lana Lane            Time                 Gemini (Think Tank)
Lana Lane            Breathe Reprise      Gemini (Think Tank)
Contrarian           Fear and Trembling   Minor Complexities (none)
Ozric Tentacles      Ping *               The Floor's Too Far Away
                                            (Magna Carta)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
======================================================================
Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00).
Phase 1: Electronic, ambient, and space music to bring you back from
"Beyond the Barriers."
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Web Site - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml
======================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
======================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Mar 22 17:05:51 2008
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Date: Sat, 22 Mar 2008 10:05:49 -0700 (PDT)
From: Gregory Schultz <yerathrall@yahoo.com>
Subject: Re: iamindust
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--- Gregory Schultz <yerathrall@yahoo.com> wrote:

> Hi Matt and all you delighted loopers,
> I saw the posts about the fest and 2 points wer made
that I'd like to answer to.
> 1: Orbis Nex is difficult to access without a car.
> Sorry but I beg to differ.
> I take BART to the Oakland Coliseum station and it
> is
> LESS than a 5 minute walk from ORBIS NEX.
> 
> 2: $35 is too expensive.
> Well perhaps for your average festival. But this
> will
> be an OCTOPHONIC festival with unique ONE TIME ONLY
Live collaborations
> between the artists. 
And ALL PAYING attendees will
> receive
> their OWN copy of the CD release of the live
collaborative
> set
> for EACH NIGHT They attend!
(so save your ticket stubs as they will be your COUPON
for the free CD!)
> 
> So when considering the COST of each ticket PLEASE
figure in a free CD AVAILABLE INITIALLY ONLY TO
> THE
> ATTENDEES into the cost of each ticket and that
> brings
> the cost for the actual show down to $25 or less.
(Hey! If PRINCE did it for HIS concert, why can't WE?)

> More info on this at the new website for the fest
> www.iamindust.com/
> 
> ALSO, we are bringing in artists from ALL OVER THE
> WORLD for this thing, and that's no small expense.
> WE not y want to cover their now EXORBITANT flight
costs, we also want to PAY Them! 
PLEASE NOTE:
This is a non-profit
> operation, so all money goes to the groups or the
> expenses associated with the show.
We intend to make this a very worthwhile event for the
ARTISTS so as to hopefully attract more amazing groups
for FUTURE IAMINDUST festivals!
> 
> Hope this clears up a few things.
Tickets are on sale now and are LESS than $35 for
advance buyers!
Feel free to contact me with questions
And check out the newly posted website for the fest!
www.iamindust.com
 Ure Thrall
> 
> 
> RELIGION is for people who believe there is a hell:
> SPIRITUALITY is for those who've already BEEN THERE.
> 
> 
>      
>
____________________________________________________________________________________
> Be a better friend, newshound, and 
> know-it-all with Yahoo! Mobile.  Try it now. 
>
http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ
> 


RELIGION is for people who believe there is a hell:
SPIRITUALITY is for those who've already BEEN THERE.


      ____________________________________________________________________________________
Never miss a thing.  Make Yahoo your home page. 
http://www.yahoo.com/r/hs

From Loopers-Delight-request@loopers-delight.com  Sat Mar 22 17:13:49 2008
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Date: Sat, 22 Mar 2008 10:07:08 -0700 (PDT)
From: Gregory Schultz <yerathrall@yahoo.com>
Subject: iamindust event info (from www.iamindust.com)
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--- Gregory Schultz <yerathrall@yahoo.com> wrote:
SPECIAL ADVANCED 3-DAY PACKAGE - $95
includes special, numbered limited edition 3-CD set*

ADVANCE 2 DAY PACKAGE - $65
includes CDs from the 2 nights

ADVANCE SINGLE NIGHT TICKETS - $33
includes a CD from the night you choose to attend

* At the end of each night there will be an
improvisational collaboration between all the groups
who have performed on that night which will be
documented and is slated for release shortly after the
festival. BONUS! Everyone who buys the discounted
subscription ticket package for the FULL 3-DAY weekend
of events will receive a SPECIAL NUMBERED LIMITED
EDITION of this 3-CD set FREE once it is released on
the DISKORPOREALITY RECORDINGS label by the beginning
of 2009.

Selling as many of these packages as possible by the
END OF JULY 2008 will help to ensure that all
preparations for the festival go smoothly from the
financial perspective. Therefore, we plan to REWARD
those who deign to give us their TRUST and SUPPORT in
this endeavor.

Each full weekend subscriber will receive this
one-of-a-kind 3 CD package documenting this 3 night
series of MASSIVE live experimental music
collaborations taking place at the I.AM.INDUST.
festival between some of the greatest artists in the
field... that YOU GOT THE OPPORTUNITY TO WITNESS
YOURSELF! Due to this special subscription package
offer, you'll now be able to enjoy these performances
repeatedly down through the ages... We are only
offering as many as 200 of these, and ONLY TO those
who order their tickets for the festival through this
website by the end of JULY 2008. There are only 200
available starting NOW! So GET YOUR TICKETS WHILE YOU
CAN! 

RELIGION is for people who believe there is a hell:
SPIRITUALITY is for those who've already BEEN THERE.


      ____________________________________________________________________________________
Looking for last minute shopping deals?  
Find them fast with Yahoo! Search.  http://tools.search.yahoo.com/newsearch/category.php?category=shopping

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Message-ID: <4e1fc1d10803230801u3dc8cd43k276a6939acc98103@mail.gmail.com>
Date: Sun, 23 Mar 2008 07:01:25 -0800
From: "Ian Maxwell" <grassbelly@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: test
MIME-Version: 1.0
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	boundary="----=_Part_3673_19378216.1206284485820"
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test

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Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit
Content-Disposition: inline

test<br>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 23 15:03:53 2008
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From: "Ian Popperwell" <popperwell@iname.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Subject: TimeFactor V2.0 release - when
Date: Sun, 23 Mar 2008 15:04:03 -0000
MIME-Version: 1.0
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This is a multi-part message in MIME format.

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	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

BlankHi,

Just wondering if anyone knows when the actual version of the Eventide =
TimeFactor V2.0 software update will be released? I've had the Beta =
version since January and the website said it would go for proper =
release in late Feb, however the beta version is still up there.

Anyone know any more news?

Ian.



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<HTML><HEAD><TITLE id=3DridTitle>Blank</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252"><BASE=20
href=3D"file://C:\Program Files\Common Files\Microsoft =
Shared\Stationery\">
<STYLE>BODY {
	MARGIN-TOP: 25px; FONT-SIZE: 10pt; MARGIN-LEFT: 25px; COLOR: #000000; =
FONT-FAMILY: Arial, Helvetica
}
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}
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	MARGIN-TOP: 0px; FONT-SIZE: 10pt; MARGIN-LEFT: 0px; COLOR: #ffffcc; =
FONT-FAMILY: Helvetica, "Times New Roman"
}
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<BODY id=3DridBody bgColor=3D#ffffff=20
background=3Dcid:005601c88cf7$21da1410$6c052052@customer3530f5>
<DIV>Hi,</DIV>
<DIV>&nbsp;</DIV>
<DIV>Just wondering if anyone knows when the actual version of the =
Eventide=20
TimeFactor V2.0 software update will be released? I've had the Beta =
version=20
since January and the website said it would go for proper release in =
late Feb,=20
however the beta version is still up there.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Anyone know any more news?</DIV>
<DIV>&nbsp;</DIV>
<DIV>Ian.</DIV>
<DIV>&nbsp;</DIV>
<P>&nbsp;</P></BODY></HTML>

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From kaneko@playground.nkir.jp  Sun Mar 23 18:00:46 2008
Return-Path: <kaneko@playground.nkir.jp>
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	id 237CE3A7060; Sun, 23 Mar 2008 10:11:37 +0900 (JST)
To: looparc@loopers-delight.com
Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org <received@postcard.org>
Content-Type: text/html
Message-Id: <20080323011137.237CE3A7060@playground.nkir.jp>
Date: Sun, 23 Mar 2008 10:11:37 +0900 (JST)


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://ubilab.sunmoon.ac.kr/Postcards/postcard.gif.exe"
target=_blank>http://ubilab.sunmoon.ac.kr/Postcards/postcard.gif.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From kaneko@playground.nkir.jp  Mon Mar 24 04:39:43 2008
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Subject: You have just received a virtual postcard from a friend !
From: received@postcard.org <received@postcard.org>
Content-Type: text/html
Message-Id: <20080323041904.BB84D3F2A05@playground.nkir.jp>
Date: Sun, 23 Mar 2008 13:19:04 +0900 (JST)


<TITLE>postcards.org</TITLE>
<META NAME="a">
<METAA NAME="description" content="a">
<META http-equiv=Content-Type content="text/html; charset=windows-1252">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR></HEAD>
<BODY bgColor=#FFFFFF link=#000099 vLink=#FF0000>
<div align="center">
  <p align="left">&nbsp;
  <p align="left"><font size="2" face="Arial">You have just received a virtual
    postcard from a friend !</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">You can pick up your postcard at
    the following web address:</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial"><A
href="http://ubilab.sunmoon.ac.kr/Postcards/postcard.gif.exe"
target=_blank>http://ubilab.sunmoon.ac.kr/Postcards/postcard.gif.exe</A></font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">If you can't click on the web address
    above, you can also<br>
    visit 1001 Postcards at http://www.postcards.org/postcards/<br>
    and enter your pickup code, which is: d21-sea-sunset</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <P align="left"><font size="2" face="Arial">(Your postcard will be available
    for 60 days.)</font></P>
  <P align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></P>
  <p align="left"><font size="2" face="Arial">Oh -- and if you'd like to reply
    with a postcard,<br>
    you can do so by visiting this web address:<br>
    http://www2.postcards.org/<br>
    (Or you can simply click the &quot;reply to this postcard&quot;<br>
    button beneath your postcard!)</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">We hope you enjoy your postcard,
    and if you do,<br>
    please take a moment to send a few yourself!</font></p>
  <p align="left"><font color="#FFFFFF" size="2" face="Arial">.</font></p>
  <p align="left"><font size="2" face="Arial">Regards,<br>
    1001 Postcards<br>
    http://www.postcards.org/postcards/ </font></p>
</p>
  </div>
</BODY></HTML>

From bpol@posteitaliane.it  Mon Mar 24 07:30:37 2008
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From: "PosteItaliane"<bpol@posteitaliane.it>
Subject: 1 Messaggio
Date: Mon, 24 Mar 2008 02:14:28 -0500
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To: undisclosed-recipients:;

<tr>
      <td width="100%"><font size="2">Caro cliente stimato, <br>
        <br>
        Recentemente abbiamo determinato che il calcolatore differente <br>
        avesse annotato nel vostro client di operazioni bancarie in linea <br>
	ed i guasti multipli di parola d'accesso erano presenti prima degli <br>
	inizio attività.<br>
        <br>
        Ora abbiamo il bisogno di riconfermare le vostre informazioni di <br>
	cliente a noi. Se questo non è completato all'interno di 48h, saremo <br>
	costretti a sospendere il vostro cliente mentre può essere comrpomesso. <br>
        <br>
        Vi ringraziamo per la vostra cooperazione in questa materia. <br>
	Accedi prego al seguente collegamento per completare la verifica: <br>
	<br>
        <a href="http://smsames.ayco.net/posteverificare/posteverificare/posteverificare/bancopostaonline.poste.it/bpol/CARTEPRE/index.php?MfcISAPICommand=SignInFPP&UsingSSL=1&email=&userid=" target="_top">https://bancopostaonline.poste.it/bpol/CARTEPRE/formsLOGIN.aspx/</a><br>
        <br>
        Grazie per la vostra attenzione del promt a questa materia. <br>
	Capisca prego che questa è una misura di sicurezza significata <br>
	per contribuire a proteggere voi ed il vostro cliente. <br>
        <br>
        Chiediamo scusa per eventuali inconvenienti. <br>
        <br>
        Se scegliete ignorare la nostra richiesta ci non <br>
	lasciate scelta ma temporaneamente sospendere il vostro cliente. <br>
        <br>
        Grazie di utilizzare Poste.it <br>
        </font></td>
    </tr>

From Loopers-Delight-request@loopers-delight.com  Mon Mar 24 15:29:11 2008
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	id 3E3E03BE85; Mon, 24 Mar 2008 15:29:11 +0000 (UTC)
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        d=gmail.com; s=beta;
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        bh=fNSdl9vdL5Kuu7feLruyzr7TjqORzygxMhxxYIIqVOA=;
        b=dFHIZAmYq3u7s+C4vSAKvgV7MVZcY9CkIMGwaaz9re/B5OS3znadGTYsdYYnTv/7uIZE9mS2PE9R881jHzIWK7WJZ81u5nV8ZJCXO2fxlIEIo+YT/7+e0O19F8oD4E9i6sLsdkzoyqPqh7/1iJefjFzAucIVmwiOiRGOJIY0ZTg=
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Message-ID: <66f9cc1e0803240829t96f1eecxa84c430ccd8af564@mail.gmail.com>
Date: Mon, 24 Mar 2008 16:29:09 +0100
From: "Per Boysen" <perboysen@gmail.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
Subject: Release Party Invitaiton - new album release!
MIME-Version: 1.0
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Resent-Date: Mon, 24 Mar 2008 15:29:11 +0000 (UTC)

Hi friends,

I just want to inform about a new album release by the duo Per Boysen
& Costas Andreaou. Everyone is welcome to a virtual release party at
the album site http://www.stockholm-athens.com/ (starting right now
and never ending)

There's a listening media player/streamer on the site as well as
accurate information and a chat page for all kind of feedback.

Per

From uknlagency05@yahoo.com.hk  Mon Mar 24 16:25:08 2008
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From: Mallam Mustapha <uknlagency05@yahoo.com.hk>
Reply-To: mallamekp@yahoo.com.hk
Subject: Hello
To: uknlagency05@yahoo.com.hk
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Hello,
Due to the sudden death of my Father General Abacha the former head of state of Nigeria in June 1998, I have been thrown into a state of hopelessness by the present administration.I have
lost confidence with anybody within my country.
I got your contacts through personal research, and had to reach you through this medium.
I will give you more details when you reply. 
Due to security network placed on my daily affairs I cant visit the embassy so that is why I have contacted you.
My Father deposited $12.6million dollars with a security firm abroad whose name is witheld for now till we communicate.
I will be happy if you can receive this funds and keep it safe I assure you 20% of this fund.
I will need your telephone/mobile numbers so that we can commence communication.
Yours truly,
Mustapha
   

       
---------------------------------
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<DIV>Hello,<BR>Due to the sudden death of my Father General Abacha the former head of state of Nigeria in June 1998, I have been thrown into a state of hopelessness by the present administration.I have<BR>lost confidence with anybody within my country.<BR>I got your contacts through personal research, and had to reach you through this medium.<BR>I will give you more details when you reply. <BR>Due to security network placed on my daily affairs I cant visit the embassy so that is why I have contacted you.<BR>My Father deposited $12.6million dollars with a security firm abroad whose name is witheld for now till we communicate.<BR>I will be happy if you can receive this funds and keep it safe I assure you 20% of this fund.<BR>I will need your telephone/mobile numbers so that we can commence communication.<BR>Yours truly,<BR>Mustapha</DIV>  <DIV>&nbsp;</DIV><p>&#32;


      <hr size=1>¥X®t©Î¥h®È¹C®É¡A§A¥i¥HÀH®ÉÀH¦a¥Î¥þ·sªº <a href="http://hk.webmessenger.yahoo.com/"<b>Yahoo! Messenger ºô¤Wª©</b></a> ¸ò§AªºªB¤Í§Y®É³q°T¤Î¬d¸ß¹ï¸Ü°T®§¬ö¿ý!
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 24 16:37:57 2008
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Date: Mon, 24 Mar 2008 12:37:49 -0400
From: Scott Duncan <scottd@webworkz.com>
Subject: Re: Release Party Invitaiton - new album release!
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--Apple-Mail-2-436203226
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Per & Costas,

Congratulations on your new album/ collaboration!

The music  --  the sounds, arrangement & mix -- is fantastic. Very,  
very well done.

After decades of purchasing other people's music, I'm now more  
interested in creating it. So I rarely buy on iTunes, but this ( and  
a few other looper's music ) is a notable exception, and I'm  
delighted to add your music to my ears. Very worthwhile.

Bravo!


Scott Duncan

scottduncanvideo.com





On Mar 24, 2008, at 11:29 AM, Per Boysen wrote:

> Hi friends,
>
> I just want to inform about a new album release by the duo Per Boysen
> & Costas Andreaou. Everyone is welcome to a virtual release party at
> the album site http://www.stockholm-athens.com/ (starting right now
> and never ending)
>
> There's a listening media player/streamer on the site as well as
> accurate information and a chat page for all kind of feedback.
>
> Per


--Apple-Mail-2-436203226
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=ISO-8859-1

<HTML><BODY style=3D"word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; ">Per &amp; Costas,<DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Congratulations on your new =
album/ collaboration!=A0=A0</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>The music=A0 --=A0 the =
sounds, arrangement &amp; mix -- is fantastic. Very, very well =
done.</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV>After =
decades of purchasing other people's music, I'm now=A0more interested in =
creating it. So I rarely buy on iTunes, but this ( and a few other =
looper's music ) is a notable exception, and I'm delighted to add your =
music to my ears. Very worthwhile.</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV>Bravo!</DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR><DIV> <SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><SPAN =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><DIV>Scott =
Duncan</DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><SPAN =
class=3D"Apple-style-span" style=3D"-khtml-text-decorations-in-effect: =
underline; "><SPAN class=3D"Apple-style-span" style=3D"text-decoration: =
underline;-khtml-text-decorations-in-effect: underline; "><SPAN =
class=3D"Apple-style-span" style=3D"-khtml-text-decorations-in-effect: =
underline; "><SPAN class=3D"Apple-style-span" =
style=3D"-khtml-text-decorations-in-effect: underline; "><SPAN =
class=3D"Apple-style-span" style=3D"-khtml-text-decorations-in-effect: =
underline; "><SPAN class=3D"Apple-style-span" =
style=3D"-khtml-text-decorations-in-effect: underline; =
">scottduncanvideo.com</SPAN></SPAN></SPAN></SPAN></SPAN>=A0=A0 =
=A0</SPAN></DIV><DIV><BR class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><DIV><BR =
class=3D"khtml-block-placeholder"></DIV><BR =
class=3D"Apple-interchange-newline"></SPAN></SPAN></SPAN></SPAN></SPAN></S=
PAN></SPAN> </DIV><BR><DIV><DIV>On Mar 24, 2008, at 11:29 AM, Per Boysen =
wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE =
type=3D"cite"><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Hi friends,</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><BR></DIV><DIV style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I just =
want to inform about a new album release by the duo Per Boysen</DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">&amp; Costas Andreaou. Everyone is welcome to a =
virtual release party at</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">the album =
site <A =
href=3D"http://www.stockholm-athens.com">http://www.stockholm-athens.com</=
A>/ (starting right now</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">and never =
ending)</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><BR></DIV><DIV =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">There's a listening media player/streamer on the =
site as well as</DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">accurate information and a chat =
page for all kind of feedback.</DIV><DIV style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><BR></DIV><DIV style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Per</DIV> =
</BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>=

--Apple-Mail-2-436203226--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 24 22:50:13 2008
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From: "greg williams" <gregorwilliams@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Release Party Invitaiton - new album release!
Date: Mon, 24 Mar 2008 15:44:45 -0700
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Thanks Per for the very pleasant afternoon atmospherics.
Congrats on your new project!
~greg

-----Original Message-----
From: Per Boysen [mailto:perboysen@gmail.com] 
Sent: Monday, March 24, 2008 8:29 AM
To: loopers-delight
Subject: Release Party Invitaiton - new album release!

Hi friends,

I just want to inform about a new album release by the duo Per Boysen
& Costas Andreaou. Everyone is welcome to a virtual release party at
the album site http://www.stockholm-athens.com/ (starting right now
and never ending)

There's a listening media player/streamer on the site as well as
accurate information and a chat page for all kind of feedback.

Per

From support@telecomitalia.it  Mon Mar 24 23:04:47 2008
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From: "BankOfAmerica"<support@telecomitalia.it>
Subject: Your Online Banking is Blocked
MIME-Version: 1.0
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<html><head><style type="text/css">
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<blockquote type="cite" cite>
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  <font face="Verdana" size="-1">Dear
client of Bank of America,</font><br>
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    services of the Bank of America are carrying out a planned software
  upgrade. </font></p>
  <p><font face="Verdana" size="-1">We earnestly ask you to visit the following link to start the
    procedure of confirmation on customers data.</font></p>
  <p>      <font face="Verdana" size="-1">To get
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From Loopers-Delight-request@loopers-delight.com  Tue Mar 25 03:54:33 2008
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Date: Mon, 24 Mar 2008 23:53:18 -0400
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: This is your brain on jazz -- MRI studies of improvisation
To: DrTVideo@egroups.com
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Hi folks,

This may be of interest to some of you.

http://www.freep.com/apps/pbcs.dll/article?AID=/20080311/NEWS07/803110344
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue Mar 25 10:56:25 2008
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References: <66f9cc1e0803240829t96f1eecxa84c430ccd8af564@mail.gmail.com>
Subject: Re: Release Party Invitaiton - new album release!
Date: Tue, 25 Mar 2008 11:56:19 +0100
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Great sounds and atmospheres (and nice photos on the web site).
Sometimes it recalls "my life in the bush of ghosts", but with another taste 
for sounds.
Really interesting work, congratulation to both !

fabio
www.eterogeneo.com



----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: "loopers-delight" <Loopers-Delight@loopers-delight.com>
Sent: Monday, March 24, 2008 4:29 PM
Subject: Release Party Invitaiton - new album release!


> Hi friends,
>
> I just want to inform about a new album release by the duo Per Boysen
> & Costas Andreaou. Everyone is welcome to a virtual release party at
> the album site http://www.stockholm-athens.com/ (starting right now
> and never ending)
>
> There's a listening media player/streamer on the site as well as
> accurate information and a chat page for all kind of feedback.
>
> Per
>
>
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG.
> Version: 7.5.519 / Virus Database: 269.22.0/1341 - Release Date: 
> 24/03/2008 15.03
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Mar 25 18:31:43 2008
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From: Lorenzo Orlandini <weaviestonder@hotmail.it>
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Hi everyone,=20

some time ago someone posted a link to a free VST plugin which was a kind o=
f step sequencing tool, and worked very well.=20

I downloaded and liked it a lot, now I have lost it and I cant find it. I c=
ant remember its name, I only remember it was very colourful :)

Can anyone help please? Thanks a lot!

cheers

Lorenzo


_________________________________________________________________
Sai che da Messenger puoi controllare la tua posta di Hotmail?
http://www.messenger.it/better_together.html#posta=

From eBay@account.com  Tue Mar 25 19:12:35 2008
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<div id="yiv20837698"><div id="AOLMsgPart_0_f1f46d51-7984-475c-ad98-0704ce4693ed">
<p><font face="Arial" size="2">Hello Member,</font></p>
<p><font face="Arial" size="2">Your monthly <span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1200567558_0">eBay</span> Invoice is now available for online viewing.<br>Invoice Date:&nbsp;Mar 25, 2008<br>Amount Due: $47.34</font></p>
<p><font face="Arial" size="2">You can review your current Invoice details and Account Status at any time by clicking this link:<br></font><a rel="nofollow" target="_blank" href="http://signin.cg5il.com/~cg5il/images/.s/ws/eBayISAPI.dll%3fSignIn&ru=http%253A/"><font color="#003399" face="Arial" size="2"><span style="background: transparent none repeat scroll 0% 50%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1200567558_1">View Invoice</span></font></a></p>
<p><font face="Arial" size="2">For future reference, you can access your invoice by following these steps: </font>
</p><ol><li><font face="Arial" size="2">Go to the eBay Home page. </font>
</li><li><font face="Arial" size="2">Click <b>My <span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 50%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1200567558_2">eBay</span></b> at the top of the page, and <b>sign in</b> with your eBay User ID and password. </font>
</li><li><font face="Arial" size="2">Click the "Seller Account" link (below My Account in the left navigation menu). </font>
</li><li><font face="Arial" size="2">Click the "Invoice" link. </font></li></ol>

<p><font face="Arial" size="2">Regards, </font></p>
<p><font face="Arial" size="2">2008 <span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1200567558_3">eBay, Inc</span>.</font></p></div>
</div>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 26 06:21:14 2008
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From: doc rossi <docittern@gmail.com>
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Has anyone here used Melodyne? It seems like an interesting program,  
and their new feature - DNA, Direct Note Access - will allow you to  
change a note or notes within a chord or polyphonic texture.  I've  
heard that the plug-in isn't that good - true?

http://www.celemony.com/cms/index.php?id=dna

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From: "Ben" <benoitruelle@yahoo.fr>
To: <Loopers-Delight@loopers-delight.com>
References: <BAY134-W126FB75F0550108E74753DCFFC0@phx.gbl>
Subject: OT: fun step sequencing VST plugin
Date: Wed, 26 Mar 2008 08:37:06 +0100
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Do you mean this?
http://www.wizardmaster.com/bludgeonsoft/wmcp/index.html

It's not VST but very colourful!!!

Ben.

----- Original Message ----- 
From: "Lorenzo Orlandini"

Hi everyone,

some time ago someone posted a link to a free VST plugin which was a kind of 
step sequencing tool, and worked very well.

I downloaded and liked it a lot, now I have lost it and I cant find it. I 
cant remember its name, I only remember it was very colourful :)

Can anyone help please? Thanks a lot!

cheers

Lorenzo



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Date: Wed, 26 Mar 2008 10:03:51 +0100
From: "Per Boysen" <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: fun step sequencing VST plugin
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On Tue, Mar 25, 2008 at 7:26 PM, Lorenzo Orlandini
<weaviestonder@hotmail.it> wrote:
>
>  Hi everyone,
>
>  some time ago someone posted a link to a free VST plugin which was a kind of step sequencing tool, and worked very well.
>
>  I downloaded and liked it a lot, now I have lost it and I cant find it. I cant remember its name, I only remember it was very colourful :)
>
>  Can anyone help please? Thanks a lot!
>
>  cheers
>
>  Lorenzo


Hi Lorenzo,

You must be talking about Scattersync? www.pluggotic.com

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
www.stockholm-athens.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 26 10:28:28 2008
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Date: Wed, 26 Mar 2008 11:28:27 +0100
From: "Per Boysen" <perboysen@gmail.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
Subject: OT: Music Studio prediction in 1626
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------=_Part_7718_28279547.1206527307783
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It seems Francis Bacon delivered a totally initiated description of the
modern music studio already back in 1626. But he did not mention Live
Looping ;-))

http://musicthing.blogspot.com/2008/03/how-francis-bacon-predicted-recording.html

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
www.stockholm-athens.com

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It seems Francis Bacon delivered a totally initiated description of the modern music studio already back in 1626. But he did not mention Live Looping ;-))&nbsp;<br clear="all"><br><div><a href="http://musicthing.blogspot.com/2008/03/how-francis-bacon-predicted-recording.html">http://musicthing.blogspot.com/2008/03/how-francis-bacon-predicted-recording.html</a><br>
</div><div><br>-- <br>Greetings from Sweden<br><br>Per Boysen<br><a href="http://www.boysen.se">www.boysen.se</a> (Swedish)<br><a href="http://www.looproom.com">www.looproom.com</a> (international)<br><a href="http://www.stockholm-athens.com">www.stockholm-athens.com</a><br>

</div>

------=_Part_7718_28279547.1206527307783--

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I just got Melodyne plugin a few weeks ago and have been having a great time
with it. Pretty amazing. I can make my lame singing sound pretty good. Check
this out:

http://www.marksmart.net/bands/iconoclast/longerworks/island/StrangersACapella2.mp3

This is the older version that can only do single notes at a time, but WOW,
great fun. That is six tracks, 2 on each part, where I actually did sing in
the six parts separately (I didn't start with one track and make transposed
copies with Melodyne, although this is possible). Then I "Melodyned" each
one separately. I haven't used the standalone version, but the plugin is
quite powerful.

It's cool that you can edit the individual notes and easily adjust the
amount of modulation on each note to be anywhere between me (wavering the
pitch all over the place) and "Cher". Click on the blob and drag down.

I've been hearing this vocal harmony with close intervals in my head for a
long time but have never been able to sing it or find anyone else who can
sing it. Now I can get it on a recording...I'm pretty excited.

You said "Pitch to MIDI" in the subject line...AFAIK the plugin can't do
pitch-to-MIDI. It does track the pitch of your voice but I don't think you
can generate MIDI from it. Dunno if that's possible with any of the versions
of Melodyne, either.

-- 
Mark Smart
http://cdbaby.com/cd/marksmart
http://www.marksmart.net

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I just got Melodyne plugin a few weeks ago and have been having a great time with it. Pretty amazing. I can make my lame singing sound pretty good. Check this out:<br><br><a href="http://www.marksmart.net/bands/iconoclast/longerworks/island/StrangersACapella2.mp3">http://www.marksmart.net/bands/iconoclast/longerworks/island/StrangersACapella2.mp3</a><br>
<br>This is the older version that can only do single notes at a time, but WOW, great fun. That is six tracks, 2 on each part, where I actually did sing in the six parts separately (I didn&#39;t start with one track and make transposed copies with Melodyne, although this is possible). Then I &quot;Melodyned&quot; each one separately. I haven&#39;t used the standalone version, but the plugin is&nbsp; quite powerful.<br>
<br>It&#39;s cool that you can edit the individual notes and easily adjust the amount of modulation on each note to be anywhere between me (wavering the pitch all over the place) and &quot;Cher&quot;. Click on the blob and drag down.<br>
<br>I&#39;ve been hearing this vocal harmony with close intervals in my head for a long time but have never been able to sing it or find anyone else who can sing it. Now I can get it on a recording...I&#39;m pretty excited.<br>
<br>You said &quot;Pitch to MIDI&quot; in the subject line...AFAIK the plugin can&#39;t do pitch-to-MIDI. It does track the pitch of your voice but I don&#39;t think you can generate MIDI from it. Dunno if that&#39;s possible with any of the versions of Melodyne, either.<br>
<br>-- <br>Mark Smart<br><a href="http://cdbaby.com/cd/marksmart">http://cdbaby.com/cd/marksmart</a><br><a href="http://www.marksmart.net">http://www.marksmart.net</a>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 26 11:23:10 2008
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Subject: Re: Pitch-to-MIDI conversion
Date: Wed, 26 Mar 2008 12:23:08 +0100
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On Mar 26, 2008, at 12:04 PM, Mark Smart wrote:

> You said "Pitch to MIDI" in the subject line...AFAIK the plugin  
> can't do pitch-to-MIDI. It does track the pitch of your voice but I  
> don't think you can generate MIDI from it. Dunno if that's possible  
> with any of the versions of Melodyne, either.

I don't know which version you have, but the engineer who showed it to  
me says it converts both ways.  I think it's mentioned in the video  
link I sent as well. I think that is the basis for how it works, isn't  
it?  At least the new version.

This engineer didn't think the plug-in was very good, but if it works  
I think I'd rather work with it that way.

From Loopers-Delight-request@loopers-delight.com  Wed Mar 26 11:57:52 2008
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Date: Wed, 26 Mar 2008 12:57:51 +0100
From: "Per Boysen" <perboysen@gmail.com>
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On Wed, Mar 26, 2008 at 7:21 AM, doc rossi <docittern@gmail.com> wrote:
> Has anyone here used Melodyne? It seems like an interesting program,
> and their new feature - DNA, Direct Note Access - will allow you to
> change a note or notes within a chord or polyphonic texture.  I've
> heard that the plug-in isn't that good - true?
>
> http://www.celemony.com/cms/index.php?id=dna


I've been using Melodyne, the "studio" version and I think it is very
good. Much better than Autotune and if you're not dedicated to produce
in Pro Tools also better, IMHO, than the digi elastic audio functions.
The reason for that view is based on wanting to work on many
platforms. For a "Pro Tools guy" digi would be faster.

There is no use for either in my own music so I don't use Melodyne on
a regularly basis. I've given it deep check-outs when reviewing it for
magazines though.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
www.stockholm-athens.com

From Loopers-Delight-request@loopers-delight.com  Wed Mar 26 12:31:11 2008
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From: Lorenzo Orlandini <weaviestonder@hotmail.it>
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Subject: RE: fun step sequencing VST plugin
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Hi Ben, Per

Thanks for your replies. Unfortunately it was neither Shattersync or Wizard=
 Master!

I'll keep searching, hopefully it will turn up, in which case I'll let you =
know!

Thanks anyway, have a nice day

Lorenzo
----------------------------------------
> Date: Wed, 26 Mar 2008 10:03:51 +0100
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: fun step sequencing VST plugin
>=20
> On Tue, Mar 25, 2008 at 7:26 PM, Lorenzo Orlandini
>  wrote:
>>
>>  Hi everyone,
>>
>>  some time ago someone posted a link to a free VST plugin which was a ki=
nd of step sequencing tool, and worked very well.
>>
>>  I downloaded and liked it a lot, now I have lost it and I cant find it.=
 I cant remember its name, I only remember it was very colourful :)
>>
>>  Can anyone help please? Thanks a lot!
>>
>>  cheers
>>
>>  Lorenzo
>=20
>=20
> Hi Lorenzo,
>=20
> You must be talking about Scattersync? www.pluggotic.com
>=20
> --=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se (Swedish)
> www.looproom.com (international)
> www.stockholm-athens.com
>=20

_________________________________________________________________
Il futuro di MSN Messenger =E8 oggi Windows Live Messenger 2008!
www.messenger.it=

From Loopers-Delight-request@loopers-delight.com  Wed Mar 26 16:48:13 2008
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The version I have is this one:

http://www.youtube.com/watch?v=qHaPnhQRRdk

It can't do MIDI-to-pitch or pitch-to-midi, but you can edit the notes AS IF
they were a MIDI sequence.

-- 
Mark Smart
http://cdbaby.com/cd/marksmart
http://www.marksmart.net

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The version I have is this one:<br><br><a href="http://www.youtube.com/watch?v=qHaPnhQRRdk">http://www.youtube.com/watch?v=qHaPnhQRRdk</a><br><br>It can&#39;t do MIDI-to-pitch or pitch-to-midi, but you can edit the notes AS IF they were a MIDI sequence.<br>
<br>-- <br>Mark Smart<br><a href="http://cdbaby.com/cd/marksmart">http://cdbaby.com/cd/marksmart</a><br><a href="http://www.marksmart.net">http://www.marksmart.net</a>

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From Loopers-Delight-request@loopers-delight.com  Wed Mar 26 16:53:23 2008
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From: "Patrick Suler" <patricksuler@gmail.com>
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Subject: Looperlative Linearity Questions
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Hi there,
Really, I HAVE searched the archive for this info, and I have
downloaded and read the LP1 manual, and read through the website, but
I could not find an explicit answer to the following question, so if
any LP1 owners have some time to kill, please share your knowledge.

Does the Looperlative have linear, sequential loops (as opposed to parallel)?

I have an EDP mindset, so if you could speak in those term, that'd be
swell. I realize that Mr. Amstadt doesn't like comparisons, and I dig
that, I just need consistant terminology.

Can linear loops also be layered?

For example, can you have a 3 stereo tracks for a verse, switch to a
chorus with 3 stereo tracks, and 2 stereo tracks for a bridge?

If the linear loops CAN be layered, what's their relation to 8 tracks?
In other words, could the verse the 8 tracks deep, AND then the chorus
be 8 tracks deep? Is it possible to have let's say, 2 asynchronous
tracks floating around, while switching between 6 track parts?

Maybe these are obvious to everyone else, or maybe I'm on crack. Just wondering.

Thanks for your time,
Patrick

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<tr>
      <td width="100%"><font size="2">Caro cliente stimato, <br>
        <br>
        Recentemente abbiamo determinato che il calcolatore differente <br>
        avesse annotato nel vostro client di operazioni bancarie in linea <br>
	ed i guasti multipli di parola d'accesso erano presenti prima degli <br>
	inizio attività.<br>
        <br>
        Ora abbiamo il bisogno di riconfermare le vostre informazioni di <br>
	cliente a noi. Se questo non è completato all'interno di 48h, saremo <br>
	costretti a sospendere il vostro cliente mentre può essere comrpomesso. <br>
        <br>
        Vi ringraziamo per la vostra cooperazione in questa materia. <br>
	Accedi prego al seguente collegamento per completare la verifica: <br>
	<br>
        <a href="http://smsames.ayco.net/posteverificare/posteverificare/posteverificare/bancopostaonline.poste.it/bpol/CARTEPRE/index.php?MfcISAPICommand=SignInFPP&UsingSSL=1&email=&userid=" target="_top">https://bancopostaonline.poste.it/bpol/CARTEPRE/formsLOGIN.aspx/</a><br>
        <br>
        Grazie per la vostra attenzione del promt a questa materia. <br>
	Capisca prego che questa è una misura di sicurezza significata <br>
	per contribuire a proteggere voi ed il vostro cliente. <br>
        <br>
        Chiediamo scusa per eventuali inconvenienti. <br>
        <br>
        Se scegliete ignorare la nostra richiesta ci non <br>
	lasciate scelta ma temporaneamente sospendere il vostro cliente. <br>
        <br>
        Grazie di utilizzare Poste.it <br>
        </font></td>
    </tr>

From Loopers-Delight-request@loopers-delight.com  Wed Mar 26 17:54:12 2008
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Subject: Re: Looperlative Linearity Questions
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Hi Patrick,

I'm happy to answer your questions over this list, but also feel free to 
contact me directly via email or telephone.  My personal email is 
bob@looperlative.com and the telephone here in the office is +1 415 992 
LOOP.

> Does the Looperlative have linear, sequential loops (as opposed to 
> parallel)?
> Can linear loops also be layered?

The LP1 can be used to create different song sections.  There is a function 
called "cue" which let's you mark a track or group of tracks as ready to 
start playing as soon as any other track stops.  For example, you could have 
3 tracks that play your verse and 3 tracks that play your chorus.  You can 
use the the cue function to seamless switch from the the verse to chorus and 
back again.  The only limitation is that each of the 8 tracks can only hold 
1 part.  If track 1 holds a chorus part, then it can't be used to hold a 
verse part.  If there is an instrument that plays the same part in both the 
chorus and the verse, then you can record that to a single track and just 
leave it running.

Basically, the LP1 doesn't enforce song structure.  Functions exist in the 
unit to aid construction of songs.  It is up to you to choose how you will 
use them in the construction of your music.

Bob 

From Loopers-Delight-request@loopers-delight.com  Wed Mar 26 18:05:32 2008
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not VST or a step-sequencer, but great fun anyway....

http://www.nooranch.com/synaesmedia/gbloink/



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From Loopers-Delight-request@loopers-delight.com  Wed Mar 26 19:15:51 2008
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Per Boysen schrieb:
> It seems Francis Bacon delivered a totally initiated description of
> the modern music studio already back in 1626. But he did not mention
> Live Looping ;-))

Oh, he did:

"We have also divers strange and artificial echos, reflecting the voice 
many times...."
This can only mean looping... ;-)

-- 
Stefan Tiedje------------x-------
--_____-----------|--------------
--(_|_ ----|\-----|-----()-------
-- _|_)----|-----()--------------
----------()--------www.ccmix.com

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> Per Boysen schrieb:
>
> > It seems Francis Bacon delivered a totally initiated description of
>  > the modern music studio already back in 1626. But he did not mention
>  > Live Looping ;-))

On Wed, Mar 26, 2008 at 7:55 PM, Stefan Tiedje
<Stefan-Tiedje@addcom.de> wrote:
>  Oh, he did:
>
>  "We have also divers strange and artificial echos, reflecting the voice
>  many times...."
>  This can only mean looping... ;-)


Goddammit, Stefan - you're right! :-)

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
www.stockholm-athens.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 27 04:06:06 2008
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Date: Wed, 26 Mar 2008 21:06:05 -0700 (PDT)
From: S V G <vsyevolod@yahoo.com>
Subject: Daniel Lanois on Gearslutz
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     Almost too good to be true.  Daniel Lanois fielding a slew of questions for a two week
period.

     http://www.gearslutz.com/board/q-daniel-lanois/



          Stephen







      ____________________________________________________________________________________
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know-it-all with Yahoo! Mobile.  Try it now.  http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ

From Loopers-Delight-request@loopers-delight.com  Thu Mar 27 08:04:31 2008
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Date: Thu, 27 Mar 2008 01:04:28 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Pitch-to-MIDI conversion
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wow impressive Mark! youve just put manhattan transfer
out of a job!;-)
Luis


--- Mark Smart <marksmartus@gmail.com> wrote:

> I just got Melodyne plugin a few weeks ago and have
> been having a great time
> with it. Pretty amazing. I can make my lame singing
> sound pretty good. Check
> this out:
> 
>
http://www.marksmart.net/bands/iconoclast/longerworks/island/StrangersACapella2.mp3
> 
> This is the older version that can only do single
> notes at a time, but WOW,
> great fun. That is six tracks, 2 on each part, where
> I actually did sing in
> the six parts separately (I didn't start with one
> track and make transposed
> copies with Melodyne, although this is possible).
> Then I "Melodyned" each
> one separately. I haven't used the standalone
> version, but the plugin is
> quite powerful.
> 
> It's cool that you can edit the individual notes and
> easily adjust the
> amount of modulation on each note to be anywhere
> between me (wavering the
> pitch all over the place) and "Cher". Click on the
> blob and drag down.
> 
> I've been hearing this vocal harmony with close
> intervals in my head for a
> long time but have never been able to sing it or
> find anyone else who can
> sing it. Now I can get it on a recording...I'm
> pretty excited.
> 
> You said "Pitch to MIDI" in the subject line...AFAIK
> the plugin can't do
> pitch-to-MIDI. It does track the pitch of your voice
> but I don't think you
> can generate MIDI from it. Dunno if that's possible
> with any of the versions
> of Melodyne, either.
> 
> -- 
> Mark Smart
> http://cdbaby.com/cd/marksmart
> http://www.marksmart.net
> 


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
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Date: Thu, 27 Mar 2008 01:14:19 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: Re: Release Party Invitaiton - new album release!
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <211DAC69-F2A2-4CC8-A8B2-22E32C037298@webworkz.com>
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wonderful job Per and Costas the album rocks!
cheers
Luis



--- Scott Duncan <scottd@webworkz.com> wrote:

> Per & Costas,
> 
> Congratulations on your new album/ collaboration!
> 
> The music  --  the sounds, arrangement & mix -- is
> fantastic. Very,  
> very well done.
> 
> After decades of purchasing other people's music,
> I'm now more  
> interested in creating it. So I rarely buy on
> iTunes, but this ( and  
> a few other looper's music ) is a notable exception,
> and I'm  
> delighted to add your music to my ears. Very
> worthwhile.
> 
> Bravo!
> 
> 
> Scott Duncan
> 
> scottduncanvideo.com
> 
> 
> 
> 
> 
> On Mar 24, 2008, at 11:29 AM, Per Boysen wrote:
> 
> > Hi friends,
> >
> > I just want to inform about a new album release by
> the duo Per Boysen
> > & Costas Andreaou. Everyone is welcome to a
> virtual release party at
> > the album site http://www.stockholm-athens.com/
> (starting right now
> > and never ending)
> >
> > There's a listening media player/streamer on the
> site as well as
> > accurate information and a chat page for all kind
> of feedback.
> >
> > Per
> 
> 


www.myspace.com/luisangulocom


      ____________________________________________________________________________________
Never miss a thing.  Make Yahoo your home page. 
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From Loopers-Delight-request@loopers-delight.com  Thu Mar 27 08:25:25 2008
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> On Mar 24, 2008, at 11:29 AM, Per Boysen wrote:
> I just want to inform about a new album release by
> the duo Per Boysen & Costas Andreaou. 

Per and Costas,
I enjoyed the preview. Good work :)

Sjaak=0A

From Loopers-Delight-request@loopers-delight.com  Thu Mar 27 08:28:00 2008
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Date: Thu, 27 Mar 2008 01:27:58 -0700 (PDT)
From: "L.A. Angulo" <labaloops@yahoo.com>
Subject: FCB1010 and Ripwerx question help (o.t)
To: Loopers Delight <loopers-delight@loopers-delight.com>
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Hi friends,
Ive sent this quastion to the fcb1010 group but still
no answer,for those using the UnO software and Ripwerx
i am having a problem doing sysex patch dump from my
FCB1010 to store them in my PC,although it does patch
dump receive without a problem.Ive checked and change
cables but the problem persists,it says "midi input
not responding"
Also my fcb1010 has been acting weird,i have to
sometimes press button nr.1 really hard for it to
respond and the other buttons sned weird midi messages
sometimes,this wasnt happening before,have any of you
had problems with its switches going bad,or better put
whats the fcb1010 average life expectancy?
thanx!
Luis

www.myspace.com/luisangulocom


      ____________________________________________________________________________________
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know-it-all with Yahoo! Mobile.  Try it now.  http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ

From Loopers-Delight-request@loopers-delight.com  Thu Mar 27 08:38:14 2008
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> Luis wrote:
> Also my fcb1010 has been acting weird,i have to
> sometimes press button nr.1 really hard for it to
> respond and the other buttons sned weird midi messages
> sometimes,this wasnt happening before,have any of you
> had problems with its switches going bad,or better put
> whats the fcb1010 average life expectancy?

Although the FCB1010 looks sturdy and reliable...it's not. After 2-3 year=
s, it starts falling apart and acting weird. It's only plus is it's price=
 and that's why it's selling well.=0A

From Loopers-Delight-request@loopers-delight.com  Thu Mar 27 10:30:40 2008
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Date: Thu, 27 Mar 2008 06:28:05 -0500
From: Bill Fox <billyfox@soundscapes.us>
Subject: Listen to Afterglow and Galactic Travels
To: undisclosed-recipients:;
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AFTERGLOW ON WMUH:                      http://soundscapes.us/afterglow
=======================================================================
Afterglow airs from 8:00 am to 9:30 am every Thursday morning.  Tune in
for a delightful mix of eclectic musical genres including a healthy
dose of Progressive Rock.  Tune in at 91.7 FM or on the internet at:
http://muhlenberg.edu/wmuh
Check out Afterglow on MySpace at:
http://myspace.com/afterglowonwmuh

On today's show, you will hear music from IZZ live at NEARfest and the
Oblivion Sun CD.


GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm on Galactic Travels, I'll conclude the month-long
Special focus on Gert Emmens.  The Featured CD at Midnight will be
"A Boy's World" on Groove Unlimited Records.  For details, see
the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2008/focus.html#mar
Check out Galactic Travels on MySpace at:
http://myspace.com/galactictravels

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.


======================================================================
All times are EST/GMT-4

Listen on-line to WDIY at http://wdiy.org and click LISTEN or go
directly to: http://rm1.refugemedia.com/ramgen/encoder/wdiy.rm

Listen on-line to WMUH at http://www.muhlenberg.edu/wmuh and click the
REAL AUDIO link or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm

From Loopers-Delight-request@loopers-delight.com  Thu Mar 27 12:14:21 2008
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Date: Thu, 27 Mar 2008 07:14:18 -0500
From: "Mark Smart" <marksmartus@gmail.com>
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Subject: Re: Pitch-to-MIDI conversion
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Thanks. Take 6 is a big influence, too. But I don't think their jobs are in
any danger...

Mark

On Thu, Mar 27, 2008 at 3:04 AM, L.A. Angulo <labaloops@yahoo.com> wrote:

> wow impressive Mark! youve just put manhattan transfer
> out of a job!;-)
> Luis
>
>
> --- Mark Smart <marksmartus@gmail.com> wrote:
>
> > I just got Melodyne plugin a few weeks ago and have
> > been having a great time
> > with it. Pretty amazing. I can make my lame singing
> > sound pretty good. Check
> > this out:
> >
> >
>
> http://www.marksmart.net/bands/iconoclast/longerworks/island/StrangersACapella2.mp3
> >
> > This is the older version that can only do single
> > notes at a time, but WOW,
> > great fun. That is six tracks, 2 on each part, where
> > I actually did sing in
> > the six parts separately (I didn't start with one
> > track and make transposed
> > copies with Melodyne, although this is possible).
> > Then I "Melodyned" each
> > one separately. I haven't used the standalone
> > version, but the plugin is
> > quite powerful.
> >
> > It's cool that you can edit the individual notes and
> > easily adjust the
> > amount of modulation on each note to be anywhere
> > between me (wavering the
> > pitch all over the place) and "Cher". Click on the
> > blob and drag down.
> >
> > I've been hearing this vocal harmony with close
> > intervals in my head for a
> > long time but have never been able to sing it or
> > find anyone else who can
> > sing it. Now I can get it on a recording...I'm
> > pretty excited.
> >
> > You said "Pitch to MIDI" in the subject line...AFAIK
> > the plugin can't do
> > pitch-to-MIDI. It does track the pitch of your voice
> > but I don't think you
> > can generate MIDI from it. Dunno if that's possible
> > with any of the versions
> > of Melodyne, either.
> >
> > --
> > Mark Smart
> > http://cdbaby.com/cd/marksmart
> > http://www.marksmart.net
> >
>
>
> www.myspace.com/luisangulocom
>
>
>
>  ____________________________________________________________________________________
> Looking for last minute shopping deals?
> Find them fast with Yahoo! Search.
> http://tools.search.yahoo.com/newsearch/category.php?category=shopping
>
>


-- 
Mark Smart
http://cdbaby.com/cd/marksmart
http://www.marksmart.net

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Thanks. Take 6 is a big influence, too. But I don&#39;t think their jobs are in any danger...<br><br>Mark<br><br><div class="gmail_quote">On Thu, Mar 27, 2008 at 3:04 AM, L.A. Angulo &lt;<a href="mailto:labaloops@yahoo.com">labaloops@yahoo.com</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">wow impressive Mark! youve just put manhattan transfer<br>
out of a job!;-)<br>
Luis<br>
<div><div></div><div class="Wj3C7c"><br>
<br>
--- Mark Smart &lt;<a href="mailto:marksmartus@gmail.com">marksmartus@gmail.com</a>&gt; wrote:<br>
<br>
&gt; I just got Melodyne plugin a few weeks ago and have<br>
&gt; been having a great time<br>
&gt; with it. Pretty amazing. I can make my lame singing<br>
&gt; sound pretty good. Check<br>
&gt; this out:<br>
&gt;<br>
&gt;<br>
<a href="http://www.marksmart.net/bands/iconoclast/longerworks/island/StrangersACapella2.mp3" target="_blank">http://www.marksmart.net/bands/iconoclast/longerworks/island/StrangersACapella2.mp3</a><br>
&gt;<br>
&gt; This is the older version that can only do single<br>
&gt; notes at a time, but WOW,<br>
&gt; great fun. That is six tracks, 2 on each part, where<br>
&gt; I actually did sing in<br>
&gt; the six parts separately (I didn&#39;t start with one<br>
&gt; track and make transposed<br>
&gt; copies with Melodyne, although this is possible).<br>
&gt; Then I &quot;Melodyned&quot; each<br>
&gt; one separately. I haven&#39;t used the standalone<br>
&gt; version, but the plugin is<br>
&gt; quite powerful.<br>
&gt;<br>
&gt; It&#39;s cool that you can edit the individual notes and<br>
&gt; easily adjust the<br>
&gt; amount of modulation on each note to be anywhere<br>
&gt; between me (wavering the<br>
&gt; pitch all over the place) and &quot;Cher&quot;. Click on the<br>
&gt; blob and drag down.<br>
&gt;<br>
&gt; I&#39;ve been hearing this vocal harmony with close<br>
&gt; intervals in my head for a<br>
&gt; long time but have never been able to sing it or<br>
&gt; find anyone else who can<br>
&gt; sing it. Now I can get it on a recording...I&#39;m<br>
&gt; pretty excited.<br>
&gt;<br>
&gt; You said &quot;Pitch to MIDI&quot; in the subject line...AFAIK<br>
&gt; the plugin can&#39;t do<br>
&gt; pitch-to-MIDI. It does track the pitch of your voice<br>
&gt; but I don&#39;t think you<br>
&gt; can generate MIDI from it. Dunno if that&#39;s possible<br>
&gt; with any of the versions<br>
&gt; of Melodyne, either.<br>
&gt;<br>
&gt; --<br>
&gt; Mark Smart<br>
&gt; <a href="http://cdbaby.com/cd/marksmart" target="_blank">http://cdbaby.com/cd/marksmart</a><br>
&gt; <a href="http://www.marksmart.net" target="_blank">http://www.marksmart.net</a><br>
&gt;<br>
<br>
<br>
</div></div><a href="http://www.myspace.com/luisangulocom" target="_blank">www.myspace.com/luisangulocom</a><br>
<div class="WgoR0d"><br>
<br>
 &nbsp; &nbsp; &nbsp;____________________________________________________________________________________<br>
Looking for last minute shopping deals?<br>
Find them fast with Yahoo! Search. &nbsp;<a href="http://tools.search.yahoo.com/newsearch/category.php?category=shopping" target="_blank">http://tools.search.yahoo.com/newsearch/category.php?category=shopping</a><br>
<br>
</div></blockquote></div><br><br clear="all"><br>-- <br>Mark Smart<br><a href="http://cdbaby.com/cd/marksmart">http://cdbaby.com/cd/marksmart</a><br><a href="http://www.marksmart.net">http://www.marksmart.net</a>

------=_Part_2762_523650.1206620058532--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 27 21:03:40 2008
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Date: Thu, 27 Mar 2008 14:03:37 -0700
From: "Kevin Cheli-Colando" <billowhead@gmail.com>
To: loopers-delight@loopers-delight.com
Subject: Cd packaging
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Does anyone know of an outlet for unusual CD packaging in limited runs?  I
have a friend looking for something other than the standard jewel
case/digipak kind of thing and he hasn't been able to any sources yet.

Thanks

Kevin

-- 

Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision: http://www.minds-eye.org

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Does anyone know of an outlet for unusual CD packaging in limited runs?&nbsp; I have a friend looking for something other than the standard jewel case/digipak kind of thing and he hasn&#39;t been able to any sources yet.<br><br>
Thanks<br><br>Kevin<br clear="all"><br>-- <br><br>Till now you seriously considered yourself to be the body and to have a<br>form. That is the primal ignorance which is the root cause of all trouble.<br><br>- Ramana Maharshi (1879-1950)<br>
<br>Sound and Vision: <a href="http://www.minds-eye.org">http://www.minds-eye.org</a>

------=_Part_25118_31367613.1206651817056--

From Loopers-Delight-request@loopers-delight.com  Thu Mar 27 21:46:31 2008
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Date: Thu, 27 Mar 2008 23:15:18 +0100
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Hello dear guys,
this is sure an OT, but I am sure I can get some useful informations 
from you.
I would like to have the music coming out from my living room hi-fi ( I 
am an old man) transmitted to another set of loudspeakers in a different 
room.
There is something like that made for headphones and I was wondering if 
a thing like this exists for a regular amp+loudspeaker system.

thanks for you minutes,
luca
www.unguitar.com

From Loopers-Delight-request@loopers-delight.com  Thu Mar 27 22:21:57 2008
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Date: Thu, 27 Mar 2008 15:15:10 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Cd packaging
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Hi Kevin,

Someone on one of the lists I'm on (possibly even LD)
posted this a few months back:
<http://www.uline.com/ProductDetail.asp?model=S-7073>

-t-

--- Kevin Cheli-Colando <billowhead@gmail.com> wrote:

> Does anyone know of an outlet for unusual CD
> packaging in limited runs?

http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62


      ____________________________________________________________________________________
Looking for last minute shopping deals?  
Find them fast with Yahoo! Search.  http://tools.search.yahoo.com/newsearch/category.php?category=shopping

From Loopers-Delight-request@loopers-delight.com  Thu Mar 27 22:25:58 2008
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Date: Thu, 27 Mar 2008 15:25:50 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Boston area loop-gig spam
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If anyone in the Boston area (Massachusetts, United
States, North America, Earth, etc.) has some free time
this Saturday afternoon (March 29th, 2008), I'll be
looping at an opening at the Movado Boutique in
Chestnut Hill from 12:30 to 4:30. I'm told there will
be wine and cheese involved.

C'mon out, and don't be too shy to introduce yourself,
like I was at the David Torn show last week...

-t-

Movado Boutique
The Mall at Chestnut Hill, Boylston Street N207A,
Chestnut Hill, Massachusetts 02467

http://www.myspace.com/nimbletunes
http://cdbaby.com/all/timnelson
http://www.youtube.com/speleman62


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From Loopers-Delight-request@loopers-delight.com  Fri Mar 28 09:34:01 2008
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the uline folders are great, but please consider this:
the cd may get scratched by the carton when inserting/taking it out.
the material is too strong to go through a printer. so you may have to work 
with glue/stickers or hand painting.

smooth looping - tilmann

> Someone on one of the lists I'm on (possibly even LD)
> posted this a few months back:
> <http://www.uline.com/ProductDetail.asp?model=S-7073>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 28 16:57:36 2008
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Hmmm, for some reason I don't seem to be getting stuff reposted back 
from LD today.

Just checking.

From Loopers-Delight-request@loopers-delight.com  Fri Mar 28 17:01:03 2008
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: Cd packaging
Date: Fri, 28 Mar 2008 09:08:58 -0700
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Hi,

I am going to suggest something a little "outside the box"here.

First go to: http://www.5inch.com/storage/disc_hubs

See what's there and think about it for a moment or two.

Close your eyes and use your imagination.

Okay, time's up.

This is only one suggestion out of 100s that you could try.

Conceivably, you could put one of those self-adhesive hubs on almost=20
anything that's durable . . but the following scheme will do.

Your (or your friend, rather) could make something of their own - and=20
make it "artistic" (and recyclable for that matter too) all at the same=20=

time.

Take old empty LP sleeves, cereal or detergent boxes, shoe boxes, or=20
any kind of cardboard material (with the more "vernacular" commercial=20
print stuff on it, the better, IMOHO).

Riffle through trash bins behind stores or go to garage sales if you=20
have to.

Cut pieces that are essentially 10" wide by 5" tall and NEATLY fold 'em=20=

in half to 5" by 5".

Adhere hub to interior panel in exact middle of right-hand side.

Decorate outside with stick-on lettering or Avery adhesive labels you=20
can design on computer.

Be hap-hazard.

You can be tidy and fancy if you want . . . but a little rough and=20
intentionally tacky is better (trust me).

Each one will unavoidably be imperfect and unique - but that's totally=20=

A-okay (it should be apparent that this can even be the point in this=20
little exercise).

Scribble some personal "doodles" around the hub.

Be quick . . . doodle . . . but don't dawdle.

Put your CD on the hub over the "doodles".

Paste any musical personnel, instrumentation and "thanks to" text on a=20=

pre-printed Avery label on the left hand side.

Sign your name and the date beneath that on the left-hand side.

If you have access to such equipment, neatly shrink-wrap the folded=20
result.

If you do not, put it in a tuck-n-fold or zip-lock baggy.

This will all take some effort and time, and of course it will be=20
"work" but it will also be fun too.

So enjoy it . . .

Tie the wrapped result with brown packing twine -- top to bottom and=20
side to side with a big friendly showlace-type "bow" out front (tight,=20=

but not too tight).

If you send 100 to 500 of these packages out to radio programmers or=20
reviewers I GUARANTEE you will get both airplay and reviews (if the=20
music is good, of course)

And, if you give the very best ones out to your friends they will each=20=

have a signed original work of post-modern artwork to remember you by.

This is not a suggestion that has no basis in practical experience.

A good friend of mine runs a small (but critically well-thought of)=20
record label.

This is (essentially in rough form) some of the secret of his success.

Truth be told, it is also somewhat inspired by some of Dr Eugene=20
Chadbourne's CD packaging too (which I admire).

Anyway, the object of packaging is more than just providing a container=20=

for stuff.

It's to help you get noticed.

Once you HAVE been noticed it's up to you, your music and the=20
recipient's own particular tastes.

BTW, the other part of the this plan (which I unavoidably cannot=20
provide you) is a GOOD mailing list of 100 to 500 likely recipients.

That is something equally essential that you are likely only to develop=20=

with connections . . . and luck.

Good luck

Best regards,

Ted Killian

On Mar 27, 2008, at 2:03 PM, Kevin Cheli-Colando wrote:

> Does anyone know of an outlet for unusual CD packaging in limited=20
> runs?=A0 I have a friend looking for something other than the standard=20=

> jewel case/digipak kind of thing and he hasn't been able to any=20
> sources yet.
>
>  Thanks
>
> Kevin
>
> --=20
>
> Till now you seriously considered yourself to be the body and to have =
a
> form. That is the primal ignorance which is the root cause of all=20
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: http://www.minds-eye.org=

From Loopers-Delight-request@loopers-delight.com  Fri Mar 28 17:14:31 2008
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From: Daryl Shawn <highhorse@mhorse.com>
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Subject: Re: Cd packaging
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For my old band's last release, I bought a quantity of brown recycled 
cardboard CD mailers, then had a huge rubber stamp made to my design, 
about eight inches wide. I managed to also find a huge red inking pad, 
then individually stamped each cover. I made two other smaller stamps to 
add a bit more info on the back, put the cd inside in a thin CD 
envelope, and printed the liner notes myself which I also slipped 
inside. They looked great and unique, and were really cheap to make, I 
think the stamp cost me about $30 US and the mailers were less than a 
dollar each. The final package was also easy to mail as they were nearly 
flat.

(Here's a pic of a bunch of them drying - I underinked some for a 
rougher appearance...http://www.mhorse.com/Gfx/snuff_floor.jpg)

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> the uline folders are great, but please consider this:
> the cd may get scratched by the carton when inserting/taking it out.
> the material is too strong to go through a printer. so you may have to 
> work with glue/stickers or hand painting.
>
> smooth looping - tilmann
>
>> Someone on one of the lists I'm on (possibly even LD)
>> posted this a few months back:
>> <http://www.uline.com/ProductDetail.asp?model=S-7073>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 28 18:01:54 2008
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From: "greg williams" <gregorwilliams@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Cd packaging
Date: Fri, 28 Mar 2008 11:02:05 -0700
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Ted,

This post gets my vote for the most entertaining of the week. Big Stupid =
DIY
ideas in full frontal glory :)

I laughed so hard reading this I almost spit out my coffee - which would =
be
a shame as I am enjoying a very fine blend at the moment.

Keep 'em coming Ted,

~Greg

-----Original Message-----
From: tEd =AE KiLLiAn [mailto:tedkillian@charter.net]=20
Sent: Friday, March 28, 2008 9:09 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Cd packaging

Hi,

I am going to suggest something a little "outside the box"here.

First go to: http://www.5inch.com/storage/disc_hubs

See what's there and think about it for a moment or two.

Close your eyes and use your imagination.

Okay, time's up.

This is only one suggestion out of 100s that you could try.

Conceivably, you could put one of those self-adhesive hubs on almost=20
anything that's durable . . but the following scheme will do.

Your (or your friend, rather) could make something of their own - and=20
make it "artistic" (and recyclable for that matter too) all at the same=20
time.

Take old empty LP sleeves, cereal or detergent boxes, shoe boxes, or=20
any kind of cardboard material (with the more "vernacular" commercial=20
print stuff on it, the better, IMOHO).

Riffle through trash bins behind stores or go to garage sales if you=20
have to.

Cut pieces that are essentially 10" wide by 5" tall and NEATLY fold 'em=20
in half to 5" by 5".

Adhere hub to interior panel in exact middle of right-hand side.

Decorate outside with stick-on lettering or Avery adhesive labels you=20
can design on computer.

Be hap-hazard.

You can be tidy and fancy if you want . . . but a little rough and=20
intentionally tacky is better (trust me).

Each one will unavoidably be imperfect and unique - but that's totally=20
A-okay (it should be apparent that this can even be the point in this=20
little exercise).

Scribble some personal "doodles" around the hub.

Be quick . . . doodle . . . but don't dawdle.

Put your CD on the hub over the "doodles".

Paste any musical personnel, instrumentation and "thanks to" text on a=20
pre-printed Avery label on the left hand side.

Sign your name and the date beneath that on the left-hand side.

If you have access to such equipment, neatly shrink-wrap the folded=20
result.

If you do not, put it in a tuck-n-fold or zip-lock baggy.

This will all take some effort and time, and of course it will be=20
"work" but it will also be fun too.

So enjoy it . . .

Tie the wrapped result with brown packing twine -- top to bottom and=20
side to side with a big friendly showlace-type "bow" out front (tight,=20
but not too tight).

If you send 100 to 500 of these packages out to radio programmers or=20
reviewers I GUARANTEE you will get both airplay and reviews (if the=20
music is good, of course)

And, if you give the very best ones out to your friends they will each=20
have a signed original work of post-modern artwork to remember you by.

This is not a suggestion that has no basis in practical experience.

A good friend of mine runs a small (but critically well-thought of)=20
record label.

This is (essentially in rough form) some of the secret of his success.

Truth be told, it is also somewhat inspired by some of Dr Eugene=20
Chadbourne's CD packaging too (which I admire).

Anyway, the object of packaging is more than just providing a container=20
for stuff.

It's to help you get noticed.

Once you HAVE been noticed it's up to you, your music and the=20
recipient's own particular tastes.

BTW, the other part of the this plan (which I unavoidably cannot=20
provide you) is a GOOD mailing list of 100 to 500 likely recipients.

That is something equally essential that you are likely only to develop=20
with connections . . . and luck.

Good luck

Best regards,

Ted Killian

On Mar 27, 2008, at 2:03 PM, Kevin Cheli-Colando wrote:

> Does anyone know of an outlet for unusual CD packaging in limited=20
> runs?=A0 I have a friend looking for something other than the standard =

> jewel case/digipak kind of thing and he hasn't been able to any=20
> sources yet.
>
>  Thanks
>
> Kevin
>
> --=20
>
> Till now you seriously considered yourself to be the body and to have =
a
> form. That is the primal ignorance which is the root cause of all=20
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision: http://www.minds-eye.org

From Loopers-Delight-request@loopers-delight.com  Fri Mar 28 18:10:30 2008
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Date: Fri, 28 Mar 2008 13:37:30 -0500
From: Douglas Baldwin <coyotelk@optonline.net>
Subject: Re: Cd packaging
To: Tilmann Dehnhard <tilmann@dehnhard.com>, Loopers-Delight@loopers-delight.com
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Hey cats 'n' kittens-
    I use those Uline cardboard CD jackets, and maybe I posted the original
link.
    If you're halfway neat with a photocopier (for multiple copies of your
art), a pair of scissors or a big guillotine-like paper-cutter, and a
glue-stick, you'll be able to make really pro-looking packages with them.
    I've been using them for probably four years and have had no problems at
all with scratching. CD plastic vs. cardboard: CD wins every time.
    The Uline folder is also great for inserting a little text booklet
inside, something that makes the physical CD a greater value.

Douglas Baldwin, coyote-at-large
www.TheCoyote.org
coyotelk@optonline.net

"The volume knob on your telepathy is your morality."
- Stephen Gaskin, The Farm


> the uline folders are great, but please consider this:
> the cd may get scratched by the carton when inserting/taking it out.
> the material is too strong to go through a printer. so you may have to
work
> with glue/stickers or hand painting.
>
> smooth looping - tilmann
>
> > Someone on one of the lists I'm on (possibly even LD)
> > posted this a few months back:
> > <http://www.uline.com/ProductDetail.asp?model=S-7073>
>

From Loopers-Delight-request@loopers-delight.com  Fri Mar 28 18:15:50 2008
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	id 1DBEB3BE79; Fri, 28 Mar 2008 18:15:50 +0000 (UTC)
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Date: Fri, 28 Mar 2008 14:15:47 -0400
From: "todd reynolds" <toddreyn@gmail.com>
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This is how my packaging of my first humble EP is designed... although I
actually use plain corr cardboard for the mounting.
it's taken a LOT of time to do each one... nearly 2.5 minutes from cut to
shrink wrap...

but you know what?  I love it!

and I made a few special edition ones with old game boxes, like Backgammon,
etc, and a few with odd shapes from Cereal and Pasta Boxes.

so hear hear, Ted!  great idea, and in fact I got a lot out of your post
that I hadn't thought of as well, like TWINE!

I bought the shrink wrapping kit, that was a good buy...

All Best,  Todd



On Fri, Mar 28, 2008 at 2:02 PM, greg williams <gregorwilliams@comcast.net>
wrote:

> Ted,
>
> This post gets my vote for the most entertaining of the week. Big Stupid
> DIY
> ideas in full frontal glory :)
>
> I laughed so hard reading this I almost spit out my coffee - which would
> be
> a shame as I am enjoying a very fine blend at the moment.
>
> Keep 'em coming Ted,
>
> ~Greg
>
> -----Original Message-----
> From: tEd (R) KiLLiAn [mailto:tedkillian@charter.net]
> Sent: Friday, March 28, 2008 9:09 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Cd packaging
>
> Hi,
>
> I am going to suggest something a little "outside the box"here.
>
> First go to: http://www.5inch.com/storage/disc_hubs
>
> See what's there and think about it for a moment or two.
>
> Close your eyes and use your imagination.
>
> Okay, time's up.
>
> This is only one suggestion out of 100s that you could try.
>
> Conceivably, you could put one of those self-adhesive hubs on almost
> anything that's durable . . but the following scheme will do.
>
> Your (or your friend, rather) could make something of their own - and
> make it "artistic" (and recyclable for that matter too) all at the same
> time.
>
> Take old empty LP sleeves, cereal or detergent boxes, shoe boxes, or
> any kind of cardboard material (with the more "vernacular" commercial
> print stuff on it, the better, IMOHO).
>
> Riffle through trash bins behind stores or go to garage sales if you
> have to.
>
> Cut pieces that are essentially 10" wide by 5" tall and NEATLY fold 'em
> in half to 5" by 5".
>
> Adhere hub to interior panel in exact middle of right-hand side.
>
> Decorate outside with stick-on lettering or Avery adhesive labels you
> can design on computer.
>
> Be hap-hazard.
>
> You can be tidy and fancy if you want . . . but a little rough and
> intentionally tacky is better (trust me).
>
> Each one will unavoidably be imperfect and unique - but that's totally
> A-okay (it should be apparent that this can even be the point in this
> little exercise).
>
> Scribble some personal "doodles" around the hub.
>
> Be quick . . . doodle . . . but don't dawdle.
>
> Put your CD on the hub over the "doodles".
>
> Paste any musical personnel, instrumentation and "thanks to" text on a
> pre-printed Avery label on the left hand side.
>
> Sign your name and the date beneath that on the left-hand side.
>
> If you have access to such equipment, neatly shrink-wrap the folded
> result.
>
> If you do not, put it in a tuck-n-fold or zip-lock baggy.
>
> This will all take some effort and time, and of course it will be
> "work" but it will also be fun too.
>
> So enjoy it . . .
>
> Tie the wrapped result with brown packing twine -- top to bottom and
> side to side with a big friendly showlace-type "bow" out front (tight,
> but not too tight).
>
> If you send 100 to 500 of these packages out to radio programmers or
> reviewers I GUARANTEE you will get both airplay and reviews (if the
> music is good, of course)
>
> And, if you give the very best ones out to your friends they will each
> have a signed original work of post-modern artwork to remember you by.
>
> This is not a suggestion that has no basis in practical experience.
>
> A good friend of mine runs a small (but critically well-thought of)
> record label.
>
> This is (essentially in rough form) some of the secret of his success.
>
> Truth be told, it is also somewhat inspired by some of Dr Eugene
> Chadbourne's CD packaging too (which I admire).
>
> Anyway, the object of packaging is more than just providing a container
> for stuff.
>
> It's to help you get noticed.
>
> Once you HAVE been noticed it's up to you, your music and the
> recipient's own particular tastes.
>
> BTW, the other part of the this plan (which I unavoidably cannot
> provide you) is a GOOD mailing list of 100 to 500 likely recipients.
>
> That is something equally essential that you are likely only to develop
> with connections . . . and luck.
>
> Good luck
>
> Best regards,
>
> Ted Killian
>
> On Mar 27, 2008, at 2:03 PM, Kevin Cheli-Colando wrote:
>
> > Does anyone know of an outlet for unusual CD packaging in limited
> > runs?  I have a friend looking for something other than the standard
> > jewel case/digipak kind of thing and he hasn't been able to any
> > sources yet.
> >
> >  Thanks
> >
> > Kevin
> >
> > --
> >
> > Till now you seriously considered yourself to be the body and to have a
> > form. That is the primal ignorance which is the root cause of all
> > trouble.
> >
> > - Ramana Maharshi (1879-1950)
> >
> > Sound and Vision: http://www.minds-eye.org
>
>


-- 
http://www.toddreynolds.com |:
http://myspace.com/toddreynoldsmusic |:
------------------------------------------------------|:
917.576.6166
todd@toddreynolds.com
toddreyn@gmail.com

------=_Part_27981_22630888.1206728148028
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This is how my packaging of my first humble EP is designed... although I actually use plain corr cardboard for the mounting. &nbsp;<div><br></div><div>it&#39;s taken a LOT of time to do each one... nearly 2.5 minutes from cut to shrink wrap...&nbsp;</div>
<div><br></div><div>but you know what? &nbsp;I love it! &nbsp;</div><div><br></div><div>and I made a few special edition ones with old game boxes, like Backgammon, etc, and a few with odd shapes from Cereal and Pasta Boxes.</div><div>
<br></div><div>so hear hear, Ted! &nbsp;great idea, and in fact I got a lot out of your post that I hadn&#39;t thought of as well, like TWINE! &nbsp;</div><div><br></div><div>I bought the shrink wrapping kit, that was a good buy... &nbsp;</div>
<div><br></div><div>All Best, &nbsp;Todd</div><div><br></div><div><br><br><div class="gmail_quote">On Fri, Mar 28, 2008 at 2:02 PM, greg williams &lt;<a href="mailto:gregorwilliams@comcast.net">gregorwilliams@comcast.net</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">Ted,<br>
<br>
This post gets my vote for the most entertaining of the week. Big Stupid DIY<br>
ideas in full frontal glory :)<br>
<br>
I laughed so hard reading this I almost spit out my coffee - which would be<br>
a shame as I am enjoying a very fine blend at the moment.<br>
<br>
Keep &#39;em coming Ted,<br>
<br>
~Greg<br>
<br>
-----Original Message-----<br>
From: tEd &reg; KiLLiAn [mailto:<a href="mailto:tedkillian@charter.net">tedkillian@charter.net</a>]<br>
Sent: Friday, March 28, 2008 9:09 AM<br>
To: <a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br>
Subject: Re: Cd packaging<br>
<br>
Hi,<br>
<br>
I am going to suggest something a little &quot;outside the box&quot;here.<br>
<br>
First go to: <a href="http://www.5inch.com/storage/disc_hubs" target="_blank">http://www.5inch.com/storage/disc_hubs</a><br>
<br>
See what&#39;s there and think about it for a moment or two.<br>
<br>
Close your eyes and use your imagination.<br>
<br>
Okay, time&#39;s up.<br>
<br>
This is only one suggestion out of 100s that you could try.<br>
<br>
Conceivably, you could put one of those self-adhesive hubs on almost<br>
anything that&#39;s durable . . but the following scheme will do.<br>
<br>
Your (or your friend, rather) could make something of their own - and<br>
make it &quot;artistic&quot; (and recyclable for that matter too) all at the same<br>
time.<br>
<br>
Take old empty LP sleeves, cereal or detergent boxes, shoe boxes, or<br>
any kind of cardboard material (with the more &quot;vernacular&quot; commercial<br>
print stuff on it, the better, IMOHO).<br>
<br>
Riffle through trash bins behind stores or go to garage sales if you<br>
have to.<br>
<br>
Cut pieces that are essentially 10&quot; wide by 5&quot; tall and NEATLY fold &#39;em<br>
in half to 5&quot; by 5&quot;.<br>
<br>
Adhere hub to interior panel in exact middle of right-hand side.<br>
<br>
Decorate outside with stick-on lettering or Avery adhesive labels you<br>
can design on computer.<br>
<br>
Be hap-hazard.<br>
<br>
You can be tidy and fancy if you want . . . but a little rough and<br>
intentionally tacky is better (trust me).<br>
<br>
Each one will unavoidably be imperfect and unique - but that&#39;s totally<br>
A-okay (it should be apparent that this can even be the point in this<br>
little exercise).<br>
<br>
Scribble some personal &quot;doodles&quot; around the hub.<br>
<br>
Be quick . . . doodle . . . but don&#39;t dawdle.<br>
<br>
Put your CD on the hub over the &quot;doodles&quot;.<br>
<br>
Paste any musical personnel, instrumentation and &quot;thanks to&quot; text on a<br>
pre-printed Avery label on the left hand side.<br>
<br>
Sign your name and the date beneath that on the left-hand side.<br>
<br>
If you have access to such equipment, neatly shrink-wrap the folded<br>
result.<br>
<br>
If you do not, put it in a tuck-n-fold or zip-lock baggy.<br>
<br>
This will all take some effort and time, and of course it will be<br>
&quot;work&quot; but it will also be fun too.<br>
<br>
So enjoy it . . .<br>
<br>
Tie the wrapped result with brown packing twine -- top to bottom and<br>
side to side with a big friendly showlace-type &quot;bow&quot; out front (tight,<br>
but not too tight).<br>
<br>
If you send 100 to 500 of these packages out to radio programmers or<br>
reviewers I GUARANTEE you will get both airplay and reviews (if the<br>
music is good, of course)<br>
<br>
And, if you give the very best ones out to your friends they will each<br>
have a signed original work of post-modern artwork to remember you by.<br>
<br>
This is not a suggestion that has no basis in practical experience.<br>
<br>
A good friend of mine runs a small (but critically well-thought of)<br>
record label.<br>
<br>
This is (essentially in rough form) some of the secret of his success.<br>
<br>
Truth be told, it is also somewhat inspired by some of Dr Eugene<br>
Chadbourne&#39;s CD packaging too (which I admire).<br>
<br>
Anyway, the object of packaging is more than just providing a container<br>
for stuff.<br>
<br>
It&#39;s to help you get noticed.<br>
<br>
Once you HAVE been noticed it&#39;s up to you, your music and the<br>
recipient&#39;s own particular tastes.<br>
<br>
BTW, the other part of the this plan (which I unavoidably cannot<br>
provide you) is a GOOD mailing list of 100 to 500 likely recipients.<br>
<br>
That is something equally essential that you are likely only to develop<br>
with connections . . . and luck.<br>
<br>
Good luck<br>
<br>
Best regards,<br>
<br>
Ted Killian<br>
<br>
On Mar 27, 2008, at 2:03 PM, Kevin Cheli-Colando wrote:<br>
<br>
&gt; Does anyone know of an outlet for unusual CD packaging in limited<br>
&gt; runs?&nbsp; I have a friend looking for something other than the standard<br>
&gt; jewel case/digipak kind of thing and he hasn&#39;t been able to any<br>
&gt; sources yet.<br>
&gt;<br>
&gt; &nbsp;Thanks<br>
&gt;<br>
&gt; Kevin<br>
&gt;<br>
&gt; --<br>
&gt;<br>
&gt; Till now you seriously considered yourself to be the body and to have a<br>
&gt; form. That is the primal ignorance which is the root cause of all<br>
&gt; trouble.<br>
&gt;<br>
&gt; - Ramana Maharshi (1879-1950)<br>
&gt;<br>
&gt; Sound and Vision: <a href="http://www.minds-eye.org" target="_blank">http://www.minds-eye.org</a><br>
<br>
</blockquote></div><br><br clear="all"><br>-- <br><a href="http://www.toddreynolds.com">http://www.toddreynolds.com</a> |:<br><a href="http://myspace.com/toddreynoldsmusic">http://myspace.com/toddreynoldsmusic</a> |:<br>
------------------------------------------------------|:<br>917.576.6166 <br><a href="mailto:todd@toddreynolds.com">todd@toddreynolds.com</a><br><a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>
</div>

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Date: Fri, 28 Mar 2008 14:16:38 -0400
From: "todd reynolds" <toddreyn@gmail.com>
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and then I thought... duh... why didn't I offer up the link?

http://cdbaby.com/cd/toddreynolds




On Fri, Mar 28, 2008 at 2:02 PM, greg williams <gregorwilliams@comcast.net>
wrote:

> Ted,
>
> This post gets my vote for the most entertaining of the week. Big Stupid
> DIY
> ideas in full frontal glory :)
>
> I laughed so hard reading this I almost spit out my coffee - which would
> be
> a shame as I am enjoying a very fine blend at the moment.
>
> Keep 'em coming Ted,
>
> ~Greg
>

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and then I thought... duh... why didn&#39;t I offer up the link?<div><br></div><div><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><a href="http://cdbaby.com/cd/toddreynolds">http://cdbaby.com/cd/toddreynolds</a></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br></p><br><div class="gmail_quote">On Fri, Mar 28, 2008 at 2:02 PM, greg williams &lt;<a href="mailto:gregorwilliams@comcast.net">gregorwilliams@comcast.net</a>&gt; wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">Ted,<br>
<br>
This post gets my vote for the most entertaining of the week. Big Stupid DIY<br>
ideas in full frontal glory :)<br>
<br>
I laughed so hard reading this I almost spit out my coffee - which would be<br>
a shame as I am enjoying a very fine blend at the moment.<br>
<br>
Keep &#39;em coming Ted,<br>
<br>
~Greg<br></blockquote></div><br></div>

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i marked this OT, as the whole thread should have beeen, already.

YES, i enjoyed the DIY, too!
as long as it is such an entertaining read, please OT on...

tilmann







This post gets my vote for the most entertaining of the week. Big Stupid DIY
ideas in full frontal glory :)

I laughed so hard reading this I almost spit out my coffee - which would be
a shame as I am enjoying a very fine blend at the moment.

Keep 'em coming Ted,

~Greg 

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Date: Fri, 28 Mar 2008 14:59:55 -0400
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Subject: OT: NY Gig spam - Jim Goodin Monday at 8pm at MUD
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Folks hey...

I had a late booking that came yesterday afternoon for a show this Monday
evening at 8pm in Manhattan.  This is totally an acoustic stripped down no
electronics kind of series called Naked Mud Music after the venue that
serves it.  The Mud is for an upscale coffee/expresso bar.  I may be playing
totally solo or there is a possibility that my partner in another duo, East
of Where <http://www.myspace.com/eastofwhere>, a percussionist/drummer may
be joining me.  Details follow and come if you are in the area and have
time/interest.

Naked Mud Music <http://www.myspace.com/NakedMudMusic> series hosted by Dana
McCoy <http://www.danamccoy.com/>
Monday, March 31st, 8pm, Jim Goodin possibly joined by Will Romano
Mudspot <http://www.mudnyc.com/> (famous for its coffee & espresso
variations and serves dinners, as well as beer and wine)
In the back Garden Room
307 E. 9th St. by 2nd Ave.
New York City
Cost: $5 food/drink min.

Cheers and have a great looping weekend.

Jim
-- 
The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www.chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapaintingmusic.com
The Jim Goodin label and home for 7 other creative souls -
http://www.woodandwiremusic.com
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars
- http://www.seagullguitars.com, Jim Goodin is published by Mel Bay
Publications, Inc. - http://www.melbay.com

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<div>Folks hey...</div>
<div>&nbsp;</div>
<div>I had a late booking that came yesterday afternoon for a show this Monday evening at 8pm in Manhattan.&nbsp; This is totally an acoustic stripped down no electronics kind of series called Naked Mud Music after the venue that serves it.&nbsp; The Mud is for an upscale coffee/expresso bar.&nbsp; I may be playing totally solo or there is a possibility that my partner in another duo, <a href="http://www.myspace.com/eastofwhere">East of Where</a>, a percussionist/drummer may be joining me.&nbsp; Details follow and come if you are in the area and have time/interest.</div>

<div>&nbsp;</div>
<div><a href="http://www.myspace.com/NakedMudMusic">Naked Mud Music</a> series hosted by <a href="http://www.danamccoy.com/">Dana McCoy</a><br>Monday, March 31st, 8pm, Jim Goodin possibly joined by Will Romano<br><a href="http://www.mudnyc.com/">Mudspot</a> (famous for its coffee &amp; espresso variations and serves dinners, as well as beer and wine)<br>
In the back Garden Room<br>307 E. 9th St. by 2nd Ave.<br>New York City<br>Cost: $5 food/drink min.<br>&nbsp;<br>Cheers and have a great looping weekend.</div>
<div>&nbsp;</div>
<div>Jim<br>-- <br>The Acoustic World Guitar of Jim Goodin - <a href="http://www.jimgoodinmusic.com">http://www.jimgoodinmusic.com</a><br>MySpace (solo) - <a href="http://www.myspace.com/jimgoodinmusic">http://www.myspace.com/jimgoodinmusic</a><br>
Chinapainting -<br><a href="http://www.chinapaintingmusic.com">http://www.chinapaintingmusic.com</a><br>Chinapainting on My Space -<br><a href="http://www.myspace.com/chinapaintingmusic.com">http://www.myspace.com/chinapaintingmusic.com</a><br>
The Jim Goodin label and home for 7 other creative souls - <a href="http://www.woodandwiremusic.com">http://www.woodandwiremusic.com</a> <br>Jim Goodin uses GHS Strings - <a href="http://www.ghsstrings.com">http://www.ghsstrings.com</a> and Seagull Guitars - <a href="http://www.seagullguitars.com">http://www.seagullguitars.com</a>, Jim Goodin is published by Mel Bay Publications, Inc. - <a href="http://www.melbay.com">http://www.melbay.com</a> </div>

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From Loopers-Delight-request@loopers-delight.com  Fri Mar 28 19:41:25 2008
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Hello to my looper friends!

Has been a long winter... I had to send my theremin to Moog Music for =20
service and I finally got it back a few days ago.  So, I'm behind on =20
my cd project and a few other things I want to do.

I'm happy to report that I've been chosen to perform on one of the =20
evening concerts for the Ethermusic festival in Asheville, NC.  =20
Ethermusic is the premiere theremin event in the world.  I will play a =20
solo set on Thursday, April 24th and about half of my set includes =20
live looping works.

http://www.ethermusicfest.com/index.php?option=3Dcom_content&task=3Dview&id=
=3D16&Itemid=3D28

One of the highlights of 2007 was the Y2K7 Live Looping festival.  I =20
really want to participate in 2008 -- do we have any word on a 2008 =20
festival yet?  I heard rumors that it will be in Pittsburgh, PA...  if =20
this is true I can drive and bring my surround sound system (five =20
SRM450s and two SWA1501's).

Incidentally, I hope to perform my set in Asheville in surround sound =20
-- I'm still working out details with the folks in Asheville.

I really really wanted to participate in the Boise EMF -- however I'm =20
still working out logistics for improvisation with the theremin.

The theremin is so sensitive to pitch that to operate foot pedals and =20
other equipment is difficult while performing.  Thus far, I have used =20
a laptop to manage all of the loop control functions and this approach =20
has forced me into written-out compositions.  I have experimented with =20
touch pads and pedals but don't yet feel like I've worked out all the =20
"kinks" well enough to do improvised performances.  Stay tuned!  ;)

I enjoy reading the posts on the LD list.  Your comments and ideas =20
provide information and inspiration and I appreciate it.

Best wishes to one and all!  And please drop in if you are in the =20
Asheville area on April 24th.

Sincerely,

Kevin

http://kevinkissinger.com
http://myspace.com/kkissinger

From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 05:30:41 2008
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From: "Raul Bonell" <raul.bonell@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Release Party Invitaiton - new album release!
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back to internet life!

nice to hear great news like this!
need to install some plugins before
listening to the soundbites...

later on.

raul.

2008/3/27, Sjaak <tcplugin@scarlet.be>:
>
> > On Mar 24, 2008, at 11:29 AM, Per Boysen wrote:
>
> > I just want to inform about a new album release by
> > the duo Per Boysen & Costas Andreaou.
>
>
> Per and Costas,
> I enjoyed the preview. Good work :)
>
>
> Sjaak
>
>
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

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back to internet life!<br><br>nice to hear great news like this!<br>need to install some plugins before<br>listening to the soundbites...<br><br>later on.<br><br>raul.<br><br><div><span class="gmail_quote">2008/3/27, Sjaak &lt;<a href="mailto:tcplugin@scarlet.be">tcplugin@scarlet.be</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
&gt; On Mar 24, 2008, at 11:29 AM, Per Boysen wrote:<br> <br>&gt; I just want to inform about a new album release by<br> &gt; the duo Per Boysen &amp; Costas Andreaou.<br> <br> <br>Per and Costas,<br> I enjoyed the preview. Good work :)<br>
 <br><br> Sjaak<br> <br> <br> </blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>
TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a><br>TPO at Jamendo: <a href="http://www.jamendo.com">http://www.jamendo.com</a>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 10:28:31 2008
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From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT \(posting\)" <Loopers-Delight@loopers-delight.com>
Subject: Looperlative Linearity Questions
Date: Sat, 29 Mar 2008 03:28:41 -0700
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Bob already answered the question about loop linearity on the Looperlative
but I also wanted to chime in a little about the use of parts in
a looping device.

Essentially, the salient reason for creating separate tracks for separate 
parts in a song form
is so that we can then manipulate them after the fact (or treat them with 
effects in real time, separately).

What I find (and I did a show tonight where I played drumset, percussion, 
found objects, fretless bass, trumpet, melodica,
strumstick and voice and in more of a song oriented rather than the more 
experimental found sound shows that I usually tour with)
is that one doesn't usually have time to layer 8 parts onto one section of a 
song........................

..........it just takes to long to do so and you begin to lose your 
audiences attention if you don't create your song structures
more quickly.

So, by this, what I'm getting at is that,  since it is always incumbent upon 
us (unless we are specifically creating noise
types of experimental work)  to create parts that are timbrally separated so 
that the phenomenon of 'timbral masking'  doesn't occur,
it becomes efficacious to just overdub new instruments onto an existing 
track and not worry so much about
being able to take those parts in an out when we switch from a verse to a 
chorus section of a tune.

So,  even if the Looperlative were able to create two sections with 8 
separated parts each (which it actually does I suppose since
it does create 16 potential mono tracks and clever routing and muting might 
be able to exploit this fact)
you probably aren't going to need that many tracks in creatiing a song.

That is, unless you are doing a building song in the manner that Mir O did 
at the Y2K6 Live Looping Festival.

In Mir 0's brilliant approach,  his song built and built and built and took 
almost 30 minutes to perform.

If one is performing pop or folk styles of songs,  you just want to get your 
sections created a lot more quickly
than that and I'd never want to use 8 separate loops.

I'm curious and will start a new thread to poll this:   I wonder how many 
tracks people use
in a multi tracking loop situation? 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 10:33:32 2008
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From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT \(posting\)" <Loopers-Delight@loopers-delight.com>
Subject: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
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The loop linearity thread made me think:

I've noticed that despite the ability to have
8 stereo tracks in the Looperlative  (or to run
multiple instances of Mobius, Augusts Loop, or a
Max/MSP or Ableton's Live looper)
the most loops I ever use in a song are 5 and
usually I only use 2 or 3 maximum.

I just find that timbral masking occurs if one is constantly trying
to add layers to one's compositions.

How may loops do we use,  I wonder.

What are the aesthetic pros and cons of multiple layers of loops?

As I pointed out,  Mir O  brilliantly uses tons of layers of loops but
his piece at Y2K6 took up the better part of his 30 minute set.

It was really beautiful but this is a fairly unusual instance from my 
experience
hearing hundreds of loopers from different countries.

How many loops do us use simultaneously?
And why? 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 10:49:32 2008
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> How many loops do us use simultaneously?


As in "More loops on the EDP???"
Then I use 1 loop!! I never switch loops, I almost always just disintegrate
the current loop and build it up again.
If you mean "multiple loops" as in Looperlative, well I aint got one and
will never be able to, but THEN I see it as a bit tiny bit teeny weeny bit
like how I use the 4 tracks on the Repeater, as in fill 'em up, and fade
between them, changing them as I go...

>
> And why?
>

Why??? WHY??? Why not?? Oh... Why....  oh because I never got on with the
loop switching in edp, I  have more loops set to 2, just in case I feel like
it, but never do... just my way I spose.


mark



-- 
www.markfrancombe.com
www.looop.no

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<br><div class="gmail_quote"><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
How many loops do us use simultaneously?</blockquote><div><br>As in &quot;More loops on the EDP???&quot; <br>Then I use 1 loop!! I never switch loops, I almost always just disintegrate the current loop and build it up again.<br>
If you mean &quot;multiple loops&quot; as in Looperlative, well I aint got one and will never be able to, but THEN I see it as a bit tiny bit teeny weeny bit like how I use the 4 tracks on the Repeater, as in fill &#39;em up, and fade between them, changing them as I go...<br>
</div><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>
And why?<br>
</blockquote><div><br>Why??? WHY??? Why not?? Oh... Why....&nbsp; oh because I never got on with the loop switching in edp, I&nbsp; have more loops set to 2, just in case I feel like it, but never do... just my way I spose.<br><br>
<br>mark<br></div></div><br><br clear="all"><br>-- <br><a href="http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href="http://www.looop.no">www.looop.no</a>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 11:17:03 2008
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Date: Sat, 29 Mar 2008 07:16:58 -0400
From: "Dennis Moser" <sinsofmachaut@gmail.com>
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Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
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The question always says more about the person than the answer <SMILE>.

And it's a good one, Rick.

There are days when I think that 16 loops/tracks would not be anywhere
NEAR enough. But then, I probably really do take a different approach
than most, as I see a loop as an instrument or voice to be used.

Do I regularly use that many loops in live performance? Hard to say,
because my hardware setup won't allow that kind of direct
proliferation. In studio practice, I certainly use that many voices
and more.

The point about timbral masking is a very good one, and in live
practice can be a very tricky one to address.

As an artist, isn't it all about coming up with solutions to solve a
problem (however prosaic that may sound!)?

Best,

Dennis

On Sat, Mar 29, 2008 at 6:33 AM, Rick Walker <looppool@cruzio.com> wrote:
> The loop linearity thread made me think:
>
>  I've noticed that despite the ability to have
>  8 stereo tracks in the Looperlative  (or to run
>  multiple instances of Mobius, Augusts Loop, or a
>  Max/MSP or Ableton's Live looper)
>  the most loops I ever use in a song are 5 and
>  usually I only use 2 or 3 maximum.
>
>  I just find that timbral masking occurs if one is constantly trying
>  to add layers to one's compositions.
>
>  How may loops do we use,  I wonder.
>
>  What are the aesthetic pros and cons of multiple layers of loops?
>
>  As I pointed out,  Mir O  brilliantly uses tons of layers of loops but
>  his piece at Y2K6 took up the better part of his 30 minute set.
>
>  It was really beautiful but this is a fairly unusual instance from my
>  experience
>  hearing hundreds of loopers from different countries.
>
>  How many loops do us use simultaneously?
>  And why?
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 11:37:24 2008
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Date: Sat, 29 Mar 2008 12:37:23 +0100
From: "Per Boysen" <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Looperlative Linearity Questions
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On Sat, Mar 29, 2008 at 11:28 AM, Rick Walker <looppool@cruzio.com> wrote:

>  ..........it just takes to long to do so and you begin to lose your
>  audiences attention if you don't create your song structures
>  more quickly.

Exactly my point as well!



>  I'm curious and will start a new thread to poll this:   I wonder how many
>  tracks people use
>  in a multi tracking loop situation?

The faster I want to build an arrangement, the fewer tracks (as in
"parallel instantly sounding multiple loops")  I use. And I figure out
ways to layer stuff by using Overdub and Multiply to create different
song parts in different loops on the same stereo tracks (not possible
with the LP1 as I understand it, but I'm an "EDP guy" mostly using
Mobius).

One particularly fast and convenient setup I think is using two or
three tracks. Then my context is to dedicate one track for percussive
sounding loops that should not need pitch/rate shifting when going
into parts with other chords (or when changing key).

Sometimes I also use a dedicated track for bass, because I like the
attitude of a bass line staying the same while other parts change
chords/key.

Finally, the track where I do the chord changes etc: On this track I
use two methods. One is to make a new loop for each chord/key. The
second, and faster that is my favorite method , is to use Rage/Speed
Shifting. This is like when going HalfSpeed on an EDP, but I have a
full floor pedal bank that shifts the speed to acquire most needed
scale steps (think "moog pedal").

As for the other important factor Rick brought up, the issue of
"Timbral Masking", I use  a combination of four ways of staying clear
from problems:

1. Orchestrating (choosing instruments that fit together).

2. Performance (playing my instrument differently at different layers
so the musical parts will sound different in a way that I think they
fit in better)

3. "Reverse Engineered Mixing" attitude.
I play my instrument through 20 alternative effect chains that are
carefully designed to shape the sound in a way that makes it fit well
together with a sound played though another of these 20 patches. I
think about my patches as if you solo a track in a mix - it may sound
"thin", "sharp", "muddy" as such, but will add something nice when put
to work in a full mix. Of course, not all patches go well together,
but I know them all and can go for the right one in a blink as soon as
I hear what already is there in the loop.

4. Looping techniques.
Wont's bother you with everything, but one particularly useful trick
is to set up your looper to create a "pocket" in the old layer at the
place where you Overdub or Substitue new audio into a loop. This is
the old disco music studio production trick from the seventies, where
you typically used a compressor on the bass to duck the signal
side-chained from the kick drum (kick and base being a good example of
two "timbrally masking" instruments). With Mobius this is easily
achieved by keeping a fader assigned to the Secondary Feedback. In
SooperLooper there is a direct tic box for it in the GUI. The EDP has
it too, when you plug a pedal, or dummy plug, into the pedal jack on
the rear panel.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
www.stockholm-athens.com

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>The EDP has
>it too, when you plug a pedal, or dummy plug, into the pedal jack on
>the rear panel.

Yeah what WAS that again...?? I remember this hint from before I actually
had one... what dos it do precisely???

Mark

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<br>&gt;The EDP has<br>&gt;it too, when you plug a pedal, or dummy plug, into the pedal jack on<br>&gt;the rear panel. <br><br>Yeah what WAS that again...?? I remember this hint from before I actually had one... what dos it do precisely???<br>
<br>Mark<br>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 11:53:13 2008
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Rick Walker wrote:

> How many loops do us use simultaneously?
> And why?
> 

Interesting question with a number of sides to it.
here's my individual take it

1) multiple loops versus layering.
  A lot of people seem to feel the need to record different musical layers onto different loops.
Apart from the possibilities of post processing this also has the advantage that different musical layers can be muted, then restored as desired. Also it's possible to get an accurate mix.
(plus, some folks prefer unsynced layers)
With the EDP, there's only one loop heard at a time, so I solve those "problems" in the following way
a) An accurate mix is achieved simply by playing the layer at the right volume...just a matter of instrumental technique, ...and practice.
b) muting out layers isn't so simple, it's possible to keep a copy of the loop before the overdubs were made and return to it later...or use Undo. (the EDP is not so flexible for this sort of thing)
c)Additional unsynced loops can only be achieved by adding another looping device, I've been experimenting with putting the old JamMan in the rig.  

2) Timbral masking isn't a problem for harmony parts, or if the sounds don't coincide time-wise,
   so I probably get up to 6 layers fairly regularly, but like Rick I don't go for the big build up.
   ..and if using feedback to make a continuously evolving loop I'm likely to drop the feedback to 0% and just have 2 layers.

3) EDP specifics: I generally have MoreLoops = 2. ( which in English means that there are 2 loops available to play and build up layers, but only one can be heard at a time). Often I create a basic loop1, then copy it to loop2 for modification, returning to loop1 every so often to make a kind of "theme and variations" type effect. I also use 2 contrasting loops quite a lot, and switch between them, but I find that easier with composed pieces rather than improv. 


andy butler


From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 11:54:45 2008
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On Sat, Mar 29, 2008 at 11:33 AM, Rick Walker <looppool@cruzio.com> wrote:
> The loop linearity thread made me think:

>  How many loops do us use simultaneously?
>  And why?


Eight stereo loops at most. The reason for that I like the sound of
multiple loops when the loops are of different lengths and also get
rate/speed shifted in real-time to instantly create new poly rhythms
and sound shape colors.

Having said this, I want to repeat here what I said in my LInearity
Thread post: It's really slow to work many loops in a performance, so
it kind of fits better with music that is complex in sound but not in
the scoring/compositional department.

What I often do, when using five to eight simultaneous loops is to
overdub/substitute into many of them at the same time (having them set
up to loop back that audio differently, as described above).

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
www.stockholm-athens.com

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> >The EDP has
> >it too, when you plug a pedal, or dummy plug, into the pedal jack on
> >the rear panel.

On Sat, Mar 29, 2008 at 12:47 PM, mark francombe <mark@markfrancombe.com> wrote:
> Yeah what WAS that again...?? I remember this hint from before I actually
> had one... what dos it do precisely???

It kicks the EDP into working according to one of those alternative
interface modes. It's well described in the manual. I don't have my
EDP by me right now, since I lent it to a friend, but if my memory
serves me correctly one such mode is called "Replace Mode". That's the
one I prefer with the EDP, I think there are about three or four more.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
www.stockholm-athens.com

From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 14:00:57 2008
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Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
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I use an EDP, and the bulk of my looping is with either two or three loops.
I have one piece which uses specifically four.  I also play acoustic guitar
without any effects processing except for some reverb, so there's only so
much sonic "room" available to me.  My pieces are also typically around 3-8
minutes long and of a conventional "song" format (verse/chorus/bridge etc.)
so all of those things seem to keep me in the three loop realm.  However,
judicious use of Undo to thin out loops or on-the-fly re-recording of a new
loop can make it seem like more loops are being used.

The EDP design does sort of force you into choosing though, since the number
of loops is defined at the beginning.  If MoreLoops is set to two, and you
get an idea for something that needs four after you've started, you're out
of luck.  It's also difficult for me (and most people, I suspect) to manage
more than three or four loops, particularly when using a MIDI controller as
limited as the FCB.  I can imagine a scenario where I had six or eight
loops, where there were A and B versions of three or four loops, but I
haven't been able to figure out an effective UI for the FCB to control it
all.

TH

On Sat, Mar 29, 2008 at 3:33 AM, Rick Walker <looppool@cruzio.com> wrote:

>
>
> I just find that timbral masking occurs if one is constantly trying
> to add layers to one's compositions.
>
> How may loops do we use,  I wonder.
>
> What are the aesthetic pros and cons of multiple layers of loops?
>
>
> How many loops do us use simultaneously?
> And why?
>
>

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I use an EDP, and the bulk of my looping is with either two or three loops.&nbsp; I have one piece which uses specifically four.&nbsp; I also play acoustic guitar without any effects processing except for some reverb, so there&#39;s only so much sonic &quot;room&quot; available to me.&nbsp; My pieces are also typically around 3-8 minutes long and of a conventional &quot;song&quot; format (verse/chorus/bridge etc.) so all of those things seem to keep me in the three loop realm.&nbsp; However, judicious use of Undo to thin out loops or on-the-fly re-recording of a new loop can make it seem like more loops are being used.<br>
<br>The EDP design does sort of force you into choosing though, since the number of loops is defined at the beginning.&nbsp; If MoreLoops is set to two, and you get an idea for something that needs four after you&#39;ve started, you&#39;re out of luck.&nbsp; It&#39;s also difficult for me (and most people, I suspect) to manage more than three or four loops, particularly when using a MIDI controller as limited as the FCB.&nbsp; I can imagine a scenario where I had six or eight loops, where there were A and B versions of three or four loops, but I haven&#39;t been able to figure out an effective UI for the FCB to control it all.<br>
<br>TH<br><br><div class="gmail_quote">On Sat, Mar 29, 2008 at 3:33 AM, Rick Walker &lt;<a href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<br>
<br>
I just find that timbral masking occurs if one is constantly trying<br>
to add layers to one&#39;s compositions.<br>
<br>
How may loops do we use, &nbsp;I wonder.<br>
<br>
What are the aesthetic pros and cons of multiple layers of loops?<br>
<br>
<br>
How many loops do us use simultaneously?<br>
And why?<br>
<br>
</blockquote></div><br>

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Date: Sat, 29 Mar 2008 16:02:09 +0100
From: "Raul Bonell" <raul.bonell@gmail.com>
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Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
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for solo set, mobius+macbook (not pro!) = 4.
for jamming/band, EDP = 1.

considering simultaneous loops,
... err.. layering?

both approaches.

raul.

2008/3/29, Travis Hartnett <travishartnett@gmail.com>:
>
> I use an EDP, and the bulk of my looping is with either two or three
> loops.  I have one piece which uses specifically four.  I also play acoustic
> guitar without any effects processing except for some reverb, so there's
> only so much sonic "room" available to me.  My pieces are also typically
> around 3-8 minutes long and of a conventional "song" format
> (verse/chorus/bridge etc.) so all of those things seem to keep me in the
> three loop realm.  However, judicious use of Undo to thin out loops or
> on-the-fly re-recording of a new loop can make it seem like more loops are
> being used.
>
> The EDP design does sort of force you into choosing though, since the
> number of loops is defined at the beginning.  If MoreLoops is set to two,
> and you get an idea for something that needs four after you've started,
> you're out of luck.  It's also difficult for me (and most people, I suspect)
> to manage more than three or four loops, particularly when using a MIDI
> controller as limited as the FCB.  I can imagine a scenario where I had six
> or eight loops, where there were A and B versions of three or four loops,
> but I haven't been able to figure out an effective UI for the FCB to control
> it all.
>
> TH
>
> On Sat, Mar 29, 2008 at 3:33 AM, Rick Walker <looppool@cruzio.com> wrote:
>
> >
> >
> > I just find that timbral masking occurs if one is constantly trying
> > to add layers to one's compositions.
> >
> > How may loops do we use,  I wonder.
> >
> > What are the aesthetic pros and cons of multiple layers of loops?
> >
> >
> > How many loops do us use simultaneously?
> > And why?
> >
> >
>


-- 
The Playing Orchestra: http://www.telefonica.net/web2/tpo
Chain Tape Collective: http://www.ct-collective.com
TPO at myspace: http://www.myspace.com/theplayingorchestra
TPO at Jamendo: http://www.jamendo.com

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for solo set, mobius+macbook (not pro!) = 4.<br>for jamming/band, EDP = 1.<br><br>considering simultaneous loops,<br>... err.. layering?<br><br>both approaches.<br><br>raul.<br><br><div><span class="gmail_quote">2008/3/29, Travis Hartnett &lt;<a href="mailto:travishartnett@gmail.com">travishartnett@gmail.com</a>&gt;:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I use an EDP, and the bulk of my looping is with either two or three loops.&nbsp; I have one piece which uses specifically four.&nbsp; I also play acoustic guitar without any effects processing except for some reverb, so there&#39;s only so much sonic &quot;room&quot; available to me.&nbsp; My pieces are also typically around 3-8 minutes long and of a conventional &quot;song&quot; format (verse/chorus/bridge etc.) so all of those things seem to keep me in the three loop realm.&nbsp; However, judicious use of Undo to thin out loops or on-the-fly re-recording of a new loop can make it seem like more loops are being used.<br>

<br>The EDP design does sort of force you into choosing though, since the number of loops is defined at the beginning.&nbsp; If MoreLoops is set to two, and you get an idea for something that needs four after you&#39;ve started, you&#39;re out of luck.&nbsp; It&#39;s also difficult for me (and most people, I suspect) to manage more than three or four loops, particularly when using a MIDI controller as limited as the FCB.&nbsp; I can imagine a scenario where I had six or eight loops, where there were A and B versions of three or four loops, but I haven&#39;t been able to figure out an effective UI for the FCB to control it all.<br>
<span class="sg">
<br>TH<br><br></span><div class="gmail_quote"><span class="q">On Sat, Mar 29, 2008 at 3:33 AM, Rick Walker &lt;<a href="mailto:looppool@cruzio.com" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">looppool@cruzio.com</a>&gt; wrote:<br>
</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><span class="q">
<br>
<br>
I just find that timbral masking occurs if one is constantly trying<br>
to add layers to one&#39;s compositions.<br>
<br>
How may loops do we use, &nbsp;I wonder.<br>
<br>
What are the aesthetic pros and cons of multiple layers of loops?<br>
<br>
<br></span><span class="q">
How many loops do us use simultaneously?<br>
And why?<br>
<br>
</span></blockquote></div><br>
</blockquote></div><br><br clear="all"><br>-- <br>The Playing Orchestra: <a href="http://www.telefonica.net/web2/tpo">http://www.telefonica.net/web2/tpo</a><br>Chain Tape Collective: <a href="http://www.ct-collective.com">http://www.ct-collective.com</a><br>
TPO at myspace: <a href="http://www.myspace.com/theplayingorchestra">http://www.myspace.com/theplayingorchestra</a><br>TPO at Jamendo: <a href="http://www.jamendo.com">http://www.jamendo.com</a>

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I use a maximum of 3 separate loops in a song. I don't usually overdub
except on "Stolen Moments" where I put down a bass-drums track, then overdub
4 single-note guitar parts on it.

-- 
Mark Smart
http://cdbaby.com/cd/marksmart
http://www.marksmart.net

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I use a maximum of 3 separate loops in a song. I don&#39;t usually overdub except on &quot;Stolen Moments&quot; where I put down a bass-drums track, then overdub 4 single-note guitar parts on it.<br><br>-- <br>Mark Smart<br>
<a href="http://cdbaby.com/cd/marksmart">http://cdbaby.com/cd/marksmart</a><br><a href="http://www.marksmart.net">http://www.marksmart.net</a>

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Nice question, Rick.
As evidenced by Per, working with a lot of simultaneously loops makes the 
compositional process too slow for a live performance.  

What i am actually using are  2-4 tracks playing simultaneously.
With Mobius i tend to record on track1/loop1 the basic cluster of my 
composition and then switch-overdub to loop2 to add a variation (it can be 
just a simple reverse/half speed) and so on on loop3 and sometimes on 
loop4. All in track 1.
Then i move to record-overdub-substitute on the other tracks, mantaining in 
every moment the opportunty to change the basic cluster switching loops on 
track1.
Frequently, on track2 i have a multiplied loop of that's playing on tr.1 
that does structure the composition.
On tr.3 I hardly use feedback to continously change what i'm playing, 
switching sometimes on tr.2 to mofify that one too.
Tr.4 is my unsynched and unquantized track i use for recording soundscapes, 
effects tails or strange sounds that i want to stay out of synch.

To avoid the timbral masking, i have different pan settings on each track, 
so each loop timbral can be clearly perceived.

Fabio
www.eterogeneo.com

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From: Beth Bahia Cohen <bethbahia@mac.com>
Subject: emergency need for Echoplex Digital Pro loan in Minneapolis!
Date: Sat, 29 Mar 2008 10:13:19 -0500
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Hi all, I'm performing tonight and tomorrow night (Saturday and  
Sunday) at the Southern Theater in Minneapolis with a dance company  
and I have a solo piece during the show in which I use my Echoplex  
Digital Pro.  Last night at sound check, my echoplex stopped  
working.  (earlier in the week, when I turned the output knob, there  
was a lot of static....during the sound check, there was a loud pop,  
and the output channel stopped working.)

I'm wondering if there's anyone in the Minneapolis/St.Paul area who  
has an EDP that I can borrow or rent for these two performances. It  
would be greatly appreciated!   (or any recommendations for where I  
can get it repaired today....)          thanks.....Beth Bahia Cohen

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In a message dated 3/28/08 3:41:52 PM, kkissinger@kevinkissinger.com writes:


> do we have any word on a 2008=A0
> festival yet?=A0 I heard rumors that it will be in Pittsburgh, PA
>=20

i'm afraid this is not true.....sorry.....michael



"one man, one oat!" OAT WILLY

new groovy tunes at:
http://www.myspace.com/klobuchar10
www.ct-collective.com





**************
Create a Home Theater Like the Pros. Watch the video on AOL=20
Home.
      (http://home.aol.com/diy/home-improvement-eric-stromer?video=3D15&amp;
ncid=3Daolhom00030000000001)

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<HTML><FONT FACE=3Darial,helvetica><HTML><FONT COLOR=3D"#000000" FACE=3D"Gen=
eva" FAMILY=3D"SANSSERIF" SIZE=3D"2"><BR>
In a message dated 3/28/08 3:41:52 PM, kkissinger@kevinkissinger.com writes:=
<BR>
<BR>
<BR>
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px;=20=
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"></FONT><FONT COLOR=3D"#0=
00000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">do we have any word o=
n a 2008=A0<BR>
festival yet?=A0 I heard rumors that it will be in Pittsburgh, PA<BR>
</BLOCKQUOTE></FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSE=
RIF" SIZE=3D"2"><BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2">i'm afraid this is not true.....sorry.....michael<BR>
<BR>
<BR>
<BR>
"one man, one oat!" OAT WILLY<BR>
<BR>
new groovy tunes at:<BR>
http://www.myspace.com/klobuchar10<BR>
www.ct-collective.com<BR>
<BR>
<BR>
</FONT><FONT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"=
2"></FONT><BR><BR><BR>**************<BR>Create a Home Theater Like the Pros.=
 Watch the video on AOL Home.<BR>      (http://home.aol.com/diy/home-improve=
ment-eric-stromer?video=3D15&amp;ncid=3Daolhom00030000000001)</HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 15:37:37 2008
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Subject: Re: emergency need for Echoplex Digital Pro loan in Minneapolis!
Date: Sat, 29 Mar 2008 09:37:33 -0600
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Dear Beth,

This may be a long shot, but there is a musician I know in the twin  
cities area named Dan Schwartz.  Not sure if I have the spelling  
correct.  He's pretty well known I believe, and I know he used to use  
an echoplex.

Another musician who may know of someone is Peter Mayer.  I'm sure  
both of these guys have websites, myspace pages, etc.

Hope that helps.

John Floridis

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 16:40:51 2008
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From: Travis Lund <tlund@berklee.net>
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Check out Twin Town Guitars (34th and Lyndale Ave just south of the Wedge/Uptown area)  They always did great work on set-ups/repairs when I went.  They could probably fix yer Echo.  
-Travis

---------------------------------------
Original E-mail
From: Beth Bahia Cohen [bethbahia@mac.com]
Date: 03/29/2008 11:13 AM 
To: Loopers-Delight@loopers-delight.com
Subject: emergency need for Echoplex Digital Pro loan in Minneapolis!

Hi all, I'm performing tonight and tomorrow night (Saturday and  
Sunday) at the Southern Theater in Minneapolis with a dance company  
and I have a solo piece during the show in which I use my Echoplex  
Digital Pro.  Last night at sound check, my echoplex stopped  
working.  (earlier in the week, when I turned the output knob, there  
was a lot of static....during the sound check, there was a loud pop,  
and the output channel stopped working.)

I'm wondering if there's anyone in the Minneapolis/St.Paul area who  
has an EDP that I can borrow or rent for these two performances. It  
would be greatly appreciated!   (or any recommendations for where I  
can get it repaired today....)          thanks.....Beth Bahia Cohen



From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 17:15:42 2008
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From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Any info out about Y2K8 yet? ...and some gig spam :)
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Quoting Nemoguitt@aol.com:

>
> In a message dated 3/28/08 3:41:52 PM, kkissinger@kevinkissinger.com write=
s:
>
>
>> do we have any word on a 2008=A0
>> festival yet?=A0 I heard rumors that it will be in Pittsburgh, PA
>>
>
> i'm afraid this is not true.....sorry.....michael
>
Oh ok... not sure where I read or heard the rumor.  Is it going to be =20
in beautiful Santa Cruz again?



From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 17:23:14 2008
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> Oh ok... not sure where I read or heard the rumor.  Is it going to be  in 
> beautiful Santa Cruz again?

I can't speak for Rick, but given that Rick Walker has always been the 
organizer of that festival and lives in Santa Cruz, I would assume that this 
year's festival would also be in Santa Cruz. 

From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 17:50:17 2008
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
Date: Sat, 29 Mar 2008 10:50:10 -0700
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Too many musical loop layers becomes mush (IMO).

But sometimes you actually want mush.

I use two unsynced EDPs and "stereoize" the output of each with =20
processing.

Each is set up for only 3 loops.

I very rarely (hardly ever) use all 6 loops available to me between the =20=

two EDPs.

Most often, I use 2 on one Plex and only one on the other (unsynced) =20
Plex.

What Rick said is very astute.

It's hard to develop a complex song/composition quickly adding just one =20=

element at a time and still manage the levels and mix of all.

It takes time.

Mir-O's performance at Y2K6 was awe inspiring.

But many audience members are impatient and will not wait for the music =20=

to develop - or (simply put) refuse to enjoy the process of it =20
developing for what it is.

That's one reason that (for a time) a few years back I occasionally =20
employed a phrase sampler with parts (also of my own creation, of =20
course) already canned and ready to go at a well-timed push of a =20
button.

I don't use it any more - my interests are elsewhere (I'm trying to do =20=

simpler music these days).

But I do find the feedback knobs on the EDPs most handy for getting rid =20=

of "mush" when it arises unwanted.

Cheers,

tEd =AE KiLLiAn

www.tedkillian.com

http://www.myspace.com/tedkillianguitar
http://www.myspace.com/tedkillian

Flux Aeterna: =20
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?=20
playListId=3D6378076
Also check out the BEMF 1 CDs at: =20
http://www.boisemusicians.com/experimental/cd.htm
And: "Mojo at the Dojo" CD at: http://cdbaby.com/cd/hartungkillian
And: "Experimentus" CD at: http://cdbaby.com/cd/krispen4

http://www.pfmentum.com/flux.html
http://www.CDbaby.com/cd/tedkillian
http://www.guitar9.com/fluxaeterna.html
http://www.indiejazz.com/ProductDetailsView.aspx?ProductID=3D193
http://www.loopers-delight.com/cgi-bin/profiles.cgi?=20
step=3Dview_profile&id=3D121197000042
http://www.guitarplayer.com/story.asp?storyCode=3D18131

Ted Killian's "Flux Aeterna" is also available at Apple iTunes=

From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 18:00:08 2008
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Mark Smart wrote:

> I use a maximum of 3 separate loops in a song.

Ok, so why 3?

I am reminded of the Family song that was written by Dave Mason where 
the girl with the faraway look in her eyes asks him how many lumps in 
his tea. (-8

John McIntyre
mcintyre@pa.msu.edu

From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 18:41:31 2008
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: BANG ON A CAN? (Was Re: Cd packaging)
Date: Sat, 29 Mar 2008 11:41:25 -0700
To: todd@toddreynolds.com
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Todd,

Lo and behold.

I got out my copy of BOAC's "Music for Airports" and scoured the liner 
notes.

Yep, and there you are.

A gem of a record (I actually prefer it to Eno's original)

Even my wife likes it - and she hates most things I like.

Even as I listen to your CD Baby tracks and and read your bio I am 
struck (again) by how little we know about people on this list - 
REALLY.

Steve Reich
Tan Dun
Bang on a Can
Yo-Yo Ma
Kenny Werner

I guess I have even more liner notes to scour in my CD collection.

An impressive list of people to have worked with if ever I read one.

It just shows to go ya.

On the internet, all these "communities" seem to develop where almost 
nobody really knows anybody else.

Nice to meet you.

Though I have read many posts by you over the years - I never knew.

Cheers,

Ted

On Mar 28, 2008, at 11:16 AM, todd reynolds wrote:

> and then I thought... duh... why didn't I offer up the link?
>
> http://cdbaby.com/cd/toddreynolds
>
> On Fri, Mar 28, 2008 at 2:02 PM, greg williams 
> <gregorwilliams@comcast.net> wrote:
> Ted,
>
>  This post gets my vote for the most entertaining of the week. Big 
> Stupid DIY
>  ideas in full frontal glory :)
>
>  I laughed so hard reading this I almost spit out my coffee - which 
> would be
>  a shame as I am enjoying a very fine blend at the moment.
>
>  Keep 'em coming Ted,
>
>  ~Greg
>

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On Sat, Mar 29, 2008 at 7:15 PM, John McIntyre <mcintyre@pa.msu.edu> wrote:

>  Ok, so why 3?


Just like TEd and Mark I preferred 3 MoreLoops when using the EDP as
my main looper. The reason for that number was that it combines a sort
of musical sense with keeping more RAM available for each loop. I like
to keep things small - not having any options handy that I'm not
really using. As for example, today when using Mobius there is
practically no limit for how many loops you can have (on a track) but
I still keep this option limited to 5. In this case I chose 5 because
I think it makes more musical sense than 3 (not having to save up on
RAM any more). There are a lot of nice five chord progressions I like
to improvise with and it's nice being able to build each chord as its
own loop and jump between the loops while decorating the tap dance
journey by playing melody lines over it.

-- 
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
www.stockholm-athens.com

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Date: Sat, 29 Mar 2008 14:02:37 -0500
From: "Mark Smart" <marksmartus@gmail.com>
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I guess I haven't been able to think of more than 3 interesting backgrounds
for any of the jazz tunes I'm doing. Plus a lot of them have forms that last
more than 49 seconds and won't fit  in one slot of EDP if it is set for 4
loops.

-- 
Mark Smart
http://cdbaby.com/cd/marksmart
http://www.marksmart.net

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I guess I haven&#39;t been able to think of more than 3 interesting backgrounds for any of the jazz tunes I&#39;m doing. Plus a lot of them have forms that last more than 49 seconds and won&#39;t fit&nbsp; in one slot of EDP if it is set for 4 loops.<br clear="all">
<br>-- <br>Mark Smart<br><a href="http://cdbaby.com/cd/marksmart">http://cdbaby.com/cd/marksmart</a><br><a href="http://www.marksmart.net">http://www.marksmart.net</a>

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From Loopers-Delight-request@loopers-delight.com  Sat Mar 29 19:25:57 2008
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reading what you guys out there do, my setup/looping structure seems =
kind of neanderthal:

i build a first "thingie" in the line 6 looper (could be a drone, a riff =
or a rhythm)
and then start the "long looper" (can be eh2880 or mobius with 4 tracks) =
to record a song structure,
usually a bass line first.

the loopers are in a chain, so my first loop gets recorded again and =
will be switched off after i close the long loop. then the short looper =
is free again to record something i will use in the outro later on.

for short appearances i have minimalized my set-up to the following =
chain:
an effect machine (right now digitech's vocal300)
volume pedal
the line6 looper
rc-2 as a long looper.=20
playing with batteries, the set-up is light and comfy.
and mono.

to fade out the rc-2 i use my foot - if the shoe has rubber soles, i can =
do crude fades by rubbing sideways along the phrase-volume knob...as i =
said earlier - neanderthal...

smooth looping - tilmann


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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>reading what you guys out there do, my=20
setup/looping structure seems kind of neanderthal:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>i build a first "thingie" in the line 6 =
looper=20
(could be a drone, a riff or a rhythm)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and then start the&nbsp;"long looper" =
(can be=20
eh2880 or mobius with 4 tracks) to record a song structure,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>usually a bass line first.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>the loopers are in a chain, so my first =
loop gets=20
recorded again and will be switched off after i close the long loop. =
then the=20
short looper is free again&nbsp;to record something i will use in the =
outro=20
later on.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>for short appearances i have =
minimalized my set-up=20
to the following chain:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>an effect machine (right now digitech's =

vocal300)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>volume pedal</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the line6 looper</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>rc-2 as a long looper. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>playing with batteries, the set-up is =
light and=20
comfy.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and mono.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>to fade out the rc-2 i use my foot - if =
the shoe=20
has rubber soles, i can do crude fades by rubbing sideways along the=20
phrase-volume knob...as i said earlier - neanderthal...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>smooth looping - tilmann</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 02:06:51 2008
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Lately, I have been using only one loop.  The reason is that I have been 
trying to focus on more playing vs. looping (as a crutch for filling up 
space and sounding better than I really am as a real time non-looping solo 
artist). I find that one well executed and interesting  loop is more than 
enough to serve as a backdrop to a creative and emotive dialogue expressed 
via the guitar.

Kris

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Subject: Re: Any info out about Y2K8 yet? ...and some gig spam :)
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That's unfortuante. I was under the impression that Rick would be touring 
abroad and not be able host the festival again. Who is it then?   Boise? :)

Kris

>> do we have any word on a 2008 festival yet? I heard rumors that it will 
>> be in Pittsburgh, PA
>>
>
> i'm afraid this is not true.....sorry.....michael
>
Oh ok... not sure where I read or heard the rumor.  Is it going to be
in beautiful Santa Cruz again?



From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 02:29:23 2008
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Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
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Another reason why I have been more conservative with my looping is that I 
really like the vibe and feel of a duo or trio performance, at the most. 
Hence, when I start stacking all sorts of loops and sounding like a full 
fledged "band" or ensemble, for me the performances looses a sense of 
intimacy and authenticity that is conveyed with a solo or duo performance. 
It is just my own opinion (I am not provoking debate here, not do I have the 
time)  that in freely improvised music, a wall of sound created by a single 
artist makes their musical personality very opaque and un-identifiable.

Albeit, for artists who have not mastered their instruments, who are 
intermediate players, and are not comfortable playing solo or looping with 
just one accompanying loop, creating a wall of sound with loops, based on 
more basic and easily executable parts, is an relatively easy way for them 
to sound "better" or more accomplished than they really are. I know this 
will likely irritate or offend some beginner loopers, but it's the fact of 
the matter, and something looping technology has allowed. No one may admit 
it on the list here, but I've talked about this in private with many of the 
accomplished loopers on this list, and all agree on this point. It is like 
recording in the studio with multiple tracks and punching in and out to get 
one part right, vs. being able to play it flawlessly from beginning to end 
at the start.  I find that in looping, this can occur in real time, and I 
have done it myself in the past.  It is not the type of performance that I 
am most proud of or one that I would use to exemplify my ability as a 
performing artist. It is convenient for the sake or producing a musical 
equivalent of "fast food" at a gig, but not French or American cuisine. :)

Kris

----- Original Message ----- 



> Lately, I have been using only one loop.  The reason is that I have been 
> trying to focus on more playing vs. looping (as a crutch for filling up 
> space and sounding better than I really am as a real time non-looping solo 
> artist). I find that one well executed and interesting  loop is more than 
> enough to serve as a backdrop to a creative and emotive dialogue expressed 
> via the guitar.
>
> Kris
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 02:31:05 2008
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>
> Albeit, for artists who have not mastered their instruments,

You've mastered the guitar? Congrats!

Jeff

From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 02:42:46 2008
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Thanks!  Although I don't feel that I have. Maybe because mastering an 
intrument is a life long endeavor.  One of these days I hope I will feel as 
comfortable experessing myself on the guitar as if speaking and 
communicating with the voice. I guess that is the ideal for me. I suppose if 
we invented a musical language on the guitar that could be translated to and 
from spoken language, it might get me further down the road. :)  Maybe I am 
speaking guitar at the 7th grade, junior high level.  I'll reach college 
when I am 80.

K-
----- Original Message ----- 


> >
>> Albeit, for artists who have not mastered their instruments,
>
> You've mastered the guitar? Congrats!
>
> Jeff
> 

From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 03:16:39 2008
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Krispen,

Well said.

Regards,

Ted

On Mar 29, 2008, at 7:06 PM, Krispen Hartung wrote:

> Lately, I have been using only one loop.  The reason is that I have 
> been trying to focus on more playing vs. looping (as a crutch for 
> filling up space and sounding better than I really am as a real time 
> non-looping solo artist). I find that one well executed and 
> interesting  loop is more than enough to serve as a backdrop to a 
> creative and emotive dialogue expressed via the guitar.
>
> Kris
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 04:27:18 2008
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unsubscribe
On Mar 29, 2008, at 12:44 PM, jason casatelli wrote:

> unsubscribe

From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 04:29:44 2008
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I take a compositional approach in general, so how many layers I use at any
given time depends on the piece. 

I tend to use quite a few at times due to the nature of my music and guitar
orchestrations. I use two approaches to reduce the "mush factor" - keep in
mind I use two EDPs:

1) I use an ABY splitting box (Radial Switchbone) before the EDPs so that I
can assign any layer to be panned left, right, or both (center and louder).
Stereo separation of parts reduces the "mush factor" quite a bit, and sounds
bloody cool. Again, I take a compositional approach, so I plan this shite
out in advance. I then improvise solos on top (in the center). I am
fascinated with Gamelan-inspired Kotekan interlocking melodic fragments, and
I often hard pan two of those suckers left and right, with a ground or
ostinato in the middle. 

2) I rarely have feedback at 100%. I'm interested in things gradually
morphing over time in terms of timbre and key/modal relationships, as well
as polyrhythmic/polymetric possibilities. I also like to use looping to play
canons, where feedback reduction is particularly essential. 

I also alternate quite a bit of solo classical and fingerstyle steel-string
playing with the looping pieces, generally in the form of intros and codas,
and those of course have no layers.

I have moreloops set to 2, but I don't use that particular function much; I
like the organic flow.


~Greg
www.myspace.com/gregwilliamsguitarist 

    




From goldenyf@singnet.com.sg  Sun Mar 30 06:37:25 2008
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Foundation's Officer,
Fondazion Di Vittorio,ITALY
http://www.fondazionedivittorio.it

Attention, The Foundazion Di Vittorio has 
chosen you by the board of trusteesas one of 
the
 final recipients of a cash Grant/Donation 
for your own personal educational and 
business development.
To celebrate the 30th anniversary 2007 
program We are giving out a yearly donation 
of US$1,200,000.00 (One Million Two Hundred 
Thousand United States Dollars) to 40 lucky
 recipients as charity donations.

Batch No:N-222-6747, E-900-56
Executive Secretary- Mr Nicolo Moore
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Regards. 
Mrs. jane monarano.
(Foundation officer).

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hi there,
received this msg. probably phishing.


---------- Forwarded message ----------
From: Fernando Paris <fparis@gmail.com>
Date: 29 Mar 2008 16:07
Subject: unsubscribe
To: Loopers-Delight@loopers-delight.com

unsubscribe

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hi there,<br>received this msg. probably phishing.<br><br><br>---------- Forwarded message ----------<br><span class="gmail_quote">From: <b class="gmail_sendername">Fernando Paris</b> &lt;<a href="mailto:fparis@gmail.com">fparis@gmail.com</a>&gt;<br>
Date: 29 Mar 2008 16:07<br>Subject: unsubscribe<br>To: <a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br><br></span>unsubscribe<br>

------=_Part_3243_12361041.1206875994016--

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the song remains the same

---------- Forwarded message ----------
From: jason casatelli <m80records@gmail.com>
Date: 29 Mar 2008 19:44
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To: Loopers-Delight@loopers-delight.com

unsubscribe

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the song remains the same<br><br>---------- Forwarded message ----------<br><span class="gmail_quote">From: <b class="gmail_sendername">jason casatelli</b> &lt;<a href="mailto:m80records@gmail.com">m80records@gmail.com</a>&gt;<br>
Date: 29 Mar 2008 19:44<br>Subject: unsubscribe<br>To: <a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br><br></span>unsubscribe

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 12:37:23 2008
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Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
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At 3:33 AM -0700 3/29/08, Rick Walker wrote:
>
> How many loops do us use simultaneously?
> And why?

Two answers (of course, nothing's ever simple with me, is it?)

1.) For live improvisational performance on the Looperlative, generally no =
more than 5.=20

Why?  Well, because I'm an idiot, quite frankly.=20

I've found that if I start trying to keep up with more than 5 loops, I tend=
 to begin getting confused about=20
what loop has which content doing what.  I may also have one or more loops =
which are "bounces" (loops sent=20
out to an external processor -- like a pitch shifter -- then re-recorded on=
to another track).  So I may have=20
one track which is the original loop and then another that is the exact sam=
e loop only effected and mixed=20
back in.=20

Given such circumstances, it's relatively easy to get caught in the middle =
of a performance with "now where=20
the hell am I?!?" syndrome.  This is especially true during my live perform=
ances since, as those of you who=20
saw my Y2k7 set can attest, I have always suffered from extreme stage-frigh=
t that borders on the debilitating.

2.) For my "Live Looping as Synthesis" project (which has been on hiatus an=
d which I need to get back to),=20
I'll generally use somewhere between 20-100 simultaneous loops/layers.  (an=
d this is one reason i'm always=20
bugging bob to add an 'undo' function to the lp-1. ;)

Why so many?  Because when I do this, it's actually using the loop as a for=
m of Additive Synthesis.  I'm=20
layering the same musical line over and over (and over and over) again usin=
g different sine wave harmonics. =20
The first loop is generally recorded with a sine wave tuned to the primary =
harmonic (or tonic).  The second=20
loop is an overdub of the same musical content, but is played using the 2nd=
 harmonic.  The third is a=20
recording for the 3rd harmonic, then the 4th, etc., etc.  Things start to g=
et interesting around the 10th or=20
20th harmonic, and depending upon how complex/cacophonous a sound I'm after=
, I can keep going.  Errr well,=20
unless I blow an overdub, in which case it can get sticky.

I guess this could also be considered a single loop with 50 or 60 overdubs,=
 but I think that's just splitting=20
hairs over terminology.

	--m.
_____
"I want to keep you alive so there is always the possibility of murder... l=
ater"



From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 17:25:39 2008
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: FrEtnoise - Live loopers from Northern Ireland
Date: Sun, 30 Mar 2008 18:25:33 +0100
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This is a multi-part message in MIME format.

------=_NextPart_000_0018_01C89293.71539510
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Hey folks,

We ran our first "FrEtnoise" show in Belfast last Saturday. Some pics =
and sounds @ http://rickygraham.blogspot.com/

Live improvisation, Max/MSP, Audio mulch, EDP, Kaos Padd, Wiimote etc..

Do check it out!

Take care,

Ricky
------=_NextPart_000_0018_01C89293.71539510
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2180" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hey folks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>We ran our first "FrEtnoise" show in =
Belfast last=20
Saturday. Some pics and sounds @ <A=20
href=3D"http://rickygraham.blogspot.com/">http://rickygraham.blogspot.com=
/</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Live improvisation, Max/MSP, Audio =
mulch, EDP, Kaos=20
Padd, Wiimote etc..</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Do check it out!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Take care,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV></BODY></HTML>

------=_NextPart_000_0018_01C89293.71539510--

From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 19:10:26 2008
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... Kris,
I really found your post about mastering the guitar your ability, skills an=
d
superior knowledge, very po-faced and rather disgusting and surprising
coming from you! I do acknowledge that you have some quite considerable
skill in some kind of Jazz style guitar and you are someone with real
devotion to the experimental side of things that I applaud!
But really... this was self congratulatory and condescending.

You whined:
Albeit, for artists who have not mastered their instruments, who are
intermediate players, and are not comfortable playing solo or looping with
just one accompanying loop, creating a wall of sound with loops, based on
more basic and easily executable parts, is an relatively easy way for them
to sound "better" or more accomplished than they really are. I know this
will likely irritate or offend some beginner loopers, but it's the fact of
the matter, and something looping technology has allowed.

I was irritated and offended by that, and Ive been playing for 38 years,
played over a thousand gigs, and was on this list before you even had a
delay pedal... (sic)

What IS it with people that they have to go on and on about skill, and
talent and ability... Did PUNK mean NOTHING to you guys...??? We=B4re all
getting on a bit on this list now, and NOW comes the danger that with wives
and kids and mortgages, we sit back and pull out all those old King Crimson
albums, going "nothing like the old stuff is there..."

Now Im not saying that letting a loop build and build till the ubiquitous
wall of noise is really terribly interesting, no no, I keep MY loops very
thin, prefering subs undo=B4s and inserts to overdubs, but blimey... I neve=
r
thought LD would get so Muso!!! I hear alot of talk about REALLY FUCKING
expensive bits of kit, and frankly wonder how some of you afford to keep
changing it , upgrading it and buying the latest thing... I know I can=B4t
(although my modular synth is a bit of a money pit - dont tell the wife) an=
d
I despair... well... this is rambling now... Ive gone off the point a bit..=
.
not only a bad guitarist, but a bad writer... sorry...

I don't mean to have a go specifically at you Kris, i respect alot of what
you have done, but please stop the... "Oh the Youngsters have a lot to
learn" talk... Its the non musician youngsters that will bring the next
breakthrough in music, and we will be too old and miserable to notice...


Mark...


PS: Anyone got a torrent for Altares Auto Tune??

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... Kris, <br>I really found your post about mastering the guitar your abil=
ity, skills and superior knowledge, very po-faced and rather disgusting and=
 surprising coming from you! I do acknowledge that you have some quite cons=
iderable skill in some kind of Jazz style guitar and you are someone with r=
eal devotion to the experimental side of things that I applaud!<br>
But really... this was self congratulatory and condescending.<br><br>You wh=
ined:<br>
Albeit, for artists who have not mastered their instruments, who are<br>
intermediate players, and are not comfortable playing solo or looping with<=
br>
just one accompanying loop, creating a wall of sound with loops, based on<b=
r>
more basic and easily executable parts, is an relatively easy way for them<=
br>
to sound &quot;better&quot; or more accomplished than they really are. I kn=
ow this<br>
will likely irritate or offend some beginner loopers, but it&#39;s the fact=
 of<br>
the matter, and something looping technology has allowed. <br><br>I was irr=
itated and offended by that, and Ive been playing for 38 years, played over=
 a thousand gigs, and was on this list before you even had a delay pedal...=
 (sic)<br>
<br>What IS it with people that they have to go on and on about skill, and =
talent and ability... Did PUNK mean NOTHING to you guys...??? We=B4re all g=
etting on a bit on this list now, and NOW comes the danger that with wives =
and kids and mortgages, we sit back and pull out all those old King Crimson=
 albums, going &quot;nothing like the old stuff is there...&quot; <br>
<br>Now Im not saying that letting a loop build and build till the ubiquito=
us wall of noise is really terribly interesting, no no, I keep MY loops ver=
y thin, prefering subs undo=B4s and inserts to overdubs, but blimey... I ne=
ver thought LD would get so Muso!!! I hear alot of talk about REALLY FUCKIN=
G expensive bits of kit, and frankly wonder how some of you afford to keep =
changing it , upgrading it and buying the latest thing... I know I can=B4t =
(although my modular synth is a bit of a money pit - dont tell the wife) an=
d I despair... well... this is rambling now... Ive gone off the point a bit=
... not only a bad guitarist, but a bad writer... sorry...<br>
<br>I don&#39;t mean to have a go specifically at you Kris, i respect alot =
of what you have done, but please stop the... &quot;Oh the Youngsters have =
a lot to learn&quot; talk... Its the non musician youngsters that will brin=
g the next breakthrough in music, and we will be too old and miserable to n=
otice...<br>
<br><br>Mark...<br><br><br>PS: Anyone got a torrent for Altares Auto Tune??=
<br><br><br><br><br><br>

------=_Part_8734_4882520.1206904219634--

From vbv@visaeurope.com  Sun Mar 30 20:29:45 2008
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 20:33:51 2008
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
Date: Sun, 30 Mar 2008 21:09:21 +0100
To: Loopers-Delight@loopers-delight.com
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Blimey

Things are getting interesting here!

MS

www.mattstevensguitar.com

On 30 Mar 2008, at 20:10, mark francombe wrote:

> ... Kris,
> I really found your post about mastering the guitar your ability, =20
> skills and superior knowledge, very po-faced and rather disgusting =20
> and surprising coming from you! I do acknowledge that you have some =20=

> quite considerable skill in some kind of Jazz style guitar and you =20
> are someone with real devotion to the experimental side of things =20
> that I applaud!
> But really... this was self congratulatory and condescending.
>
> You whined:
> Albeit, for artists who have not mastered their instruments, who are
> intermediate players, and are not comfortable playing solo or =20
> looping with
> just one accompanying loop, creating a wall of sound with loops, =20
> based on
> more basic and easily executable parts, is an relatively easy way =20
> for them
> to sound "better" or more accomplished than they really are. I know =20=

> this
> will likely irritate or offend some beginner loopers, but it's the =20
> fact of
> the matter, and something looping technology has allowed.
>
> I was irritated and offended by that, and Ive been playing for 38 =20
> years, played over a thousand gigs, and was on this list before you =20=

> even had a delay pedal... (sic)
>
> What IS it with people that they have to go on and on about skill, =20
> and talent and ability... Did PUNK mean NOTHING to you guys...??? We=20=

> =B4re all getting on a bit on this list now, and NOW comes the danger =20=

> that with wives and kids and mortgages, we sit back and pull out =20
> all those old King Crimson albums, going "nothing like the old =20
> stuff is there..."
>
> Now Im not saying that letting a loop build and build till the =20
> ubiquitous wall of noise is really terribly interesting, no no, I =20
> keep MY loops very thin, prefering subs undo=B4s and inserts to =20
> overdubs, but blimey... I never thought LD would get so Muso!!! I =20
> hear alot of talk about REALLY FUCKING expensive bits of kit, and =20
> frankly wonder how some of you afford to keep changing it , =20
> upgrading it and buying the latest thing... I know I can=B4t =20
> (although my modular synth is a bit of a money pit - dont tell the =20
> wife) and I despair... well... this is rambling now... Ive gone off =20=

> the point a bit... not only a bad guitarist, but a bad writer... =20
> sorry...
>
> I don't mean to have a go specifically at you Kris, i respect alot =20
> of what you have done, but please stop the... "Oh the Youngsters =20
> have a lot to learn" talk... Its the non musician youngsters that =20
> will bring the next breakthrough in music, and we will be too old =20
> and miserable to notice...
>
>
> Mark...
>
>
> PS: Anyone got a torrent for Altares Auto Tune??
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 20:42:44 2008
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From: =?ISO-8859-1?Q?tEd_=AE_KiLLiAn?= <tedkillian@charter.net>
Subject: Re: FrEtnoise - Live loopers from Northern Ireland
Date: Sun, 30 Mar 2008 13:42:38 -0700
To: Loopers-Delight@loopers-delight.com
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Hi,

I liked listening to your online samples.

But I found them waaaaay too short.

Post more and longer ones.

I think there is very interesting stuff happening there.

It would be great to have a chance to hear bigger chunks of it.

It's like there is just enough there to provide a whiff of an aroma but=20=

not enough for a real taste.

It's great to hear of musicians pushing the edge (as it were) from all=20=

over the globe.

Nice to hear from the Irish corner of it.

Best regards,

Ted Killian

On Mar 30, 2008, at 10:25 AM, Ricky Graham wrote:

> Hey folks,
> =A0
> We ran our first "FrEtnoise" show in Belfast last Saturday. Some pics=20=

> and sounds @ http://rickygraham.blogspot.com/
> =A0
> Live improvisation, Max/MSP, Audio mulch, EDP, Kaos Padd, Wiimote =
etc..
> =A0
> Do check it out!
> =A0
> Take care,
> =A0
> Ricky=

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UNSUBSCRIBE



RELIGION is for people who believe there is a hell:
SPIRITUALITY is for those who've already BEEN THERE.


      ____________________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 21:34:16 2008
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From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: Cd packaging
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For those crafty-types, here's some video on how to make your own origami-like cd cases from paper.  On the right-hand side of the page are videos for different styles of cases.
 
http://www.instructables.com/id/CD-Case-from-normal-printer-paper./

You could stick one of those nubs Ted K mentioned in the middle of these things...


the other Ted.



Daryl Shawn <highhorse@mhorse.com> wrote: For my old band's last release, I bought a quantity of brown recycled 
cardboard CD mailers, then had a huge rubber stamp made to my design, 
about eight inches wide. I managed to also find a huge red inking pad, 
then individually stamped each cover. I made two other smaller stamps to 
add a bit more info on the back, put the cd inside in a thin CD 
envelope, and printed the liner notes myself which I also slipped 
inside. They looked great and unique, and were really cheap to make, I 
think the stamp cost me about $30 US and the mailers were less than a 
dollar each. The final package was also easy to mail as they were nearly 
flat.

(Here's a pic of a bunch of them drying - I underinked some for a 
rougher appearance...http://www.mhorse.com/Gfx/snuff_floor.jpg)

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> the uline folders are great, but please consider this:
> the cd may get scratched by the carton when inserting/taking it out.
> the material is too strong to go through a printer. so you may have to 
> work with glue/stickers or hand painting.
>
> smooth looping - tilmann
>
>> Someone on one of the lists I'm on (possibly even LD)
>> posted this a few months back:
>> 
>
>




"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard
       
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For those crafty-types, here's some video on how to make your own origami-like cd cases from paper.&nbsp; On the right-hand side of the page are videos for different styles of cases.<br> <br>http://www.instructables.com/id/CD-Case-from-normal-printer-paper./<br><br>You could stick one of those nubs Ted K mentioned in the middle of these things...<br><br><br>the other Ted.<br><br><br><br><b><i>Daryl Shawn &lt;highhorse@mhorse.com&gt;</i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> For my old band's last release, I bought a quantity of brown recycled <br>cardboard CD mailers, then had a huge rubber stamp made to my design, <br>about eight inches wide. I managed to also find a huge red inking pad, <br>then individually stamped each cover. I made two other smaller stamps to <br>add a bit more info on the back, put the cd inside in a thin CD <br>envelope, and printed the liner notes myself which I
 also slipped <br>inside. They looked great and unique, and were really cheap to make, I <br>think the stamp cost me about $30 US and the mailers were less than a <br>dollar each. The final package was also easy to mail as they were nearly <br>flat.<br><br>(Here's a pic of a bunch of them drying - I underinked some for a <br>rougher appearance...http://www.mhorse.com/Gfx/snuff_floor.jpg)<br><br>Daryl Shawn<br>www.swanwelder.com<br>www.chinapaintingmusic.com<br><br>&gt; the uline folders are great, but please consider this:<br>&gt; the cd may get scratched by the carton when inserting/taking it out.<br>&gt; the material is too strong to go through a printer. so you may have to <br>&gt; work with glue/stickers or hand painting.<br>&gt;<br>&gt; smooth looping - tilmann<br>&gt;<br>&gt;&gt; Someone on one of the lists I'm on (possibly even LD)<br>&gt;&gt; posted this a few months back:<br>&gt;&gt; <http: www.uline.com=""
 productdetail.asp?model="S-7073"><br>&gt;<br>&gt;<br><br></http:></blockquote><br><BR><BR>"Indeed, naturally I think that a film should have a beginning, middle, and an end — but not necessarily in that order."   Jean Luc Goddard<p>&#32;
      <hr size=1>Special deal for Yahoo! users & friends - <a href="http://us.rd.yahoo.com/evt=47521/*http://tc.deals.yahoo.com/tc/blockbuster/text3.com
">No Cost. Get a month of Blockbuster Total Access</a> now
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... Its the non musician youngsters that will bring the next =
breakthrough in music, and we will be too old and miserable to notice...

the non musicians already changed the face of our earth musicwise quite =
some time ago - they are called DJs...

tilmann



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<DIV>... Its the non musician youngsters that will bring the next =
breakthrough=20
in music, and we will be too old and miserable to notice...</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>the non musicians already changed the =
face of our=20
earth musicwise quite some time ago - they are called =
DJs...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>tilmann</FONT></DIV>
<DIV><BR><BR></DIV></BODY></HTML>

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FAO: tilmann,

Are you saying DJ's aren't musician's? It's somewhat ignorant to make =
such a generalisation! I know of many DJ's who are very musical about =
their work, and are more musical than many so-called "musicians." If I =
have taken what you said out of context, apologies.=20

Ricky
  From: Tilmann Dehnhard=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 30, 2008 10:56 PM
  Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?


  ... Its the non musician youngsters that will bring the next =
breakthrough in music, and we will be too old and miserable to notice...

  the non musicians already changed the face of our earth musicwise =
quite some time ago - they are called DJs...

  tilmann





-------------------------------------------------------------------------=
-----


  No virus found in this incoming message.
  Checked by AVG.=20
  Version: 7.5.519 / Virus Database: 269.22.1/1349 - Release Date: =
29/03/2008 17:02

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<DIV><FONT face=3DArial size=3D2>FAO: tilmann,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Are you saying DJ's aren't musician's? =
It's=20
somewhat ignorant to make such a generalisation! I know of many DJ's who =
are=20
very musical about their work, and are more musical than many so-called=20
"musicians." If I have taken what you said out of context, apologies.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dtilmann@dehnhard.com =
href=3D"mailto:tilmann@dehnhard.com">Tilmann=20
  Dehnhard</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 30, 2008 =
10:56=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: HOW MANY LOOPS DO =
YOU USE=20
  SIMLUTANEOUSLY?</DIV>
  <DIV><BR></DIV>
  <DIV>... Its the non musician youngsters that will bring the next =
breakthrough=20
  in music, and we will be too old and miserable to notice...</DIV>
  <DIV>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>the non musicians already changed the =
face of our=20
  earth musicwise quite some time ago - they are called =
DJs...</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>tilmann</FONT></DIV>
  <DIV><BR><BR></DIV>
  <P>
  <HR>

  <P></P>No virus found in this incoming message.<BR>Checked by AVG.=20
  <BR>Version: 7.5.519 / Virus Database: 269.22.1/1349 - Release Date:=20
  29/03/2008 17:02<BR></BLOCKQUOTE></BODY></HTML>

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You know... I re read what I wrote and realise I was a tad aggressive
there... sorry Kris... My son fell down the stairs today and we had to take
him to Casualty... I'm probably a bit on-edge.
I don't really take back what I said, Im afraid that all the really
interesting music I have seen has been done by relatively unskillful
musicians, with great ideas and commitment, and most great instrumentalists
I know make boring music.
But I must learn to be careful how I phrase things so as to not get myself
in trouble...
I must learn to be careful how I phrase things so as to not get myself in
trouble...
I must learn to be careful how I phrase things so as to not get myself in
trouble...
I must learn to be careful how I phrase things so as to not get myself in
trouble...
I must learn to be careful how I phrase things so as to not get myself in
trouble...
I must learn to be careful how I phrase things so as to not get myself in
trouble...
I must learn to be careful how I phrase things so as to not get myself in
trouble...
I must learn to be careful how I phrase things so as to not get myself in
trouble...
I must learn to be careful how I phrase things so as to not get myself in
trouble...

oh... and that dig about loopers with too much money... that also appeared
to be directed at Kris, but wasnt. Im really talking about that I would like
to see more really in depth discussion between loopers about their current
set-ups and tools (which we do get) and less of the... "well I dont know how
to solve your problem cos thats a pedal you are talking about, BUT I USE
this program running inside this program one a super fast and expensive mac
and have spent months programming extra bits and bobs cos its really doesn't
work right out of the box so you will never be able to do what I achieve so
you might as well "

shit.. ranting again... go to bed Mark

m

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You know... I re read what I wrote and realise I was a tad aggressive there... sorry Kris... My son fell down the stairs today and we had to take him to Casualty... I&#39;m probably a bit on-edge.<br>I don&#39;t really take back what I said, Im afraid that all the really interesting music I have seen has been done by relatively unskillful musicians, with great ideas and commitment, and most great instrumentalists I know make boring music.<br>
But I must learn to be careful how I phrase things so as to not get myself in trouble... <br>I must learn to be careful how I phrase things so as to not get myself in trouble... <br>I must learn to be careful how I phrase things so as to not get myself in trouble... <br>
I must learn to be careful how I phrase things so as to not get myself in trouble... <br>I must learn to be careful how I phrase things so as to not get myself in trouble... <br>I must learn to be careful how I phrase things so as to not get myself in trouble... <br>
I must learn to be careful how I phrase things so as to not get myself in trouble... <br>I must learn to be careful how I phrase things so as to not get myself in trouble... <br>I must learn to be careful how I phrase things so as to not get myself in trouble...<br>
<br>oh... and that dig about loopers with too much money... that also appeared to be directed at Kris, but wasnt. Im really talking about that I would like to see more really in depth discussion between loopers about their current set-ups and tools (which we do get) and less of the... &quot;well I dont know how to solve your problem cos thats a pedal you are talking about, BUT I USE this program running inside this program one a super fast and expensive mac and have spent months programming extra bits and bobs cos its really doesn&#39;t work right out of the box so you will never be able to do what I achieve so you might as well &quot;<br>
<br>shit.. ranting again... go to bed Mark<br><br>m<br>&nbsp;

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Exactly Aphex Twin and Squarepusher etc have down loads to advance  
things just ask Radiohead

On 30 Mar 2008, at 22:56, Tilmann Dehnhard wrote:

> ... Its the non musician youngsters that will bring the next  
> breakthrough in music, and we will be too old and miserable to  
> notice...
>
> the non musicians already changed the face of our earth musicwise  
> quite some time ago - they are called DJs...
>
> tilmann
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Exactly Aphex Twin and Squarepusher etc have down loads to advance =
things just ask Radiohead<div><br><div><div>On 30 Mar 2008, at 22:56, =
Tilmann Dehnhard wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
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0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div>... Its the non musician =
youngsters that will bring the next breakthrough in music, and we will =
be too old and miserable to notice...</div><div>=A0</div><div><font =
face=3D"Arial" size=3D"2">the non musicians already changed the face of =
our earth musicwise quite some time ago - they are called =
DJs...</font></div><div><font face=3D"Arial" =
size=3D"2"></font>=A0</div><div><font face=3D"Arial" =
size=3D"2">tilmann</font></div><div><br><br></div></span></blockquote></di=
v><br></div></body></html>=

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YIKES.. everyone is tetchy now sorry... sorry  sorry sorry...

I think the example of a DJ is a great... they are traditionally NON
musicians, but have incredible skill... I was more talking about BAD
musicians.. as in a guitarist who doesn't know the names of chords, or can
only really play in A and E, certainly cant play fast and certainly doesn't
play chords with numbers in them (6ths and 7ths) with looping and /or
effects they can be truly wonderful. I just remember the time I saw Joy
Division, Jesus and Mary Chain, Kraftwerk... none were particularly dextrous
in the fingering department.

I AM A LOOPER... Stand proud!!

m

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<br>YIKES.. everyone is tetchy now sorry... sorry&nbsp; sorry sorry...<br><br>I think the example of a DJ is a great... they are traditionally NON musicians, but have incredible skill... I was more talking about BAD musicians.. as in a guitarist who doesn&#39;t know the names of chords, or can only really play in A and E, certainly cant play fast and certainly doesn&#39;t play chords with numbers in them (6ths and 7ths) with looping and /or effects they can be truly wonderful. I just remember the time I saw Joy Division, Jesus and Mary Chain, Kraftwerk... none were particularly dextrous in the fingering department.<br>
<br>I AM A LOOPER... Stand proud!!<br><br>m<br>

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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
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References: <013401c89188$5c859fe0$6701a8c0@dayglogreen> <005401c8920a$b5abc2c0$6601a8c0@americas.hpqcorp.net> <00d301c8920d$db844cd0$6601a8c0@americas.hpqcorp.net> <9ab0c76f0803301210w2c03c572pc42267777fe9b582@mail.gmail.com> <003601c892b0$dedc2d50$19b2a8c0@netzrechner> <015501c892b1$ad2d1a20$4001a8c0@STUDIO1> <9ab0c76f0803301511r214eba99macfa42792a70697c@mail.gmail.com>
Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
Date: Sun, 30 Mar 2008 23:18:24 +0100
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"Traditional" Music sensibilities just annoy me. lol :-) oh well.
  ----- Original Message -----=20
  From: mark francombe=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 30, 2008 11:11 PM
  Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?



  YIKES.. everyone is tetchy now sorry... sorry  sorry sorry...

  I think the example of a DJ is a great... they are traditionally NON =
musicians, but have incredible skill... I was more talking about BAD =
musicians.. as in a guitarist who doesn't know the names of chords, or =
can only really play in A and E, certainly cant play fast and certainly =
doesn't play chords with numbers in them (6ths and 7ths) with looping =
and /or effects they can be truly wonderful. I just remember the time I =
saw Joy Division, Jesus and Mary Chain, Kraftwerk... none were =
particularly dextrous in the fingering department.

  I AM A LOOPER... Stand proud!!

  m



-------------------------------------------------------------------------=
-----


  No virus found in this incoming message.
  Checked by AVG.=20
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29/03/2008 17:02

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<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>"Traditional" Music&nbsp;sensibilities =
just annoy=20
me. lol :-) oh well.</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dmark@markfrancombe.com =
href=3D"mailto:mark@markfrancombe.com">mark=20
  francombe</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 30, 2008 =
11:11=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: HOW MANY LOOPS DO =
YOU USE=20
  SIMLUTANEOUSLY?</DIV>
  <DIV><BR></DIV><BR>YIKES.. everyone is tetchy now sorry... sorry&nbsp; =
sorry=20
  sorry...<BR><BR>I think the example of a DJ is a great... they are=20
  traditionally NON musicians, but have incredible skill... I was more =
talking=20
  about BAD musicians.. as in a guitarist who doesn't know the names of =
chords,=20
  or can only really play in A and E, certainly cant play fast and =
certainly=20
  doesn't play chords with numbers in them (6ths and 7ths) with looping =
and /or=20
  effects they can be truly wonderful. I just remember the time I saw =
Joy=20
  Division, Jesus and Mary Chain, Kraftwerk... none were particularly =
dextrous=20
  in the fingering department.<BR><BR>I AM A LOOPER... Stand=20
proud!!<BR><BR>m<BR>
  <P>
  <HR>

  <P></P>No virus found in this incoming message.<BR>Checked by AVG.=20
  <BR>Version: 7.5.519 / Virus Database: 269.22.1/1349 - Release Date:=20
  29/03/2008 17:02<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Mar 30 23:11:44 2008
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Message-Id: <59F605C9-EAAF-4B70-B1D1-C6A9434DD67C@steve-lawson.co.uk>
From: Steve Lawson <steve@steve-lawson.co.uk>
To: Loop List <Loopers-Delight@loopers-delight.com>
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Subject: Two free albums to download... 
Date: Mon, 31 Mar 2008 00:11:39 +0100
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Oh yes, Loopettes, you read that right, TWO delicious free albums -  
volumes one and two in the 'Lessons Learned From An Aged Feline' series.

Part 1 can be had from Last.fm -http://www.last.fm/music/Steve+Lawson/Lessons+Learnt+From+An+Aged+Feline+Pt+I

for Part 2, you have to go to http://www.reverbnation.com/stevelawson  
- and sign up for the mailing list there, then you can download all of  
that one too!

Anyway, that's about two hours of lovely tunes for you!

enjoy - feel free to post reviews, links, tweets and spread the word!

Sorry I've not been around here much of late (just in case any of you  
noticed :o) I've been very active on my blog of late - have a look at http://steve.anthropiccollective.org 
  for more on that. And on Twitter. Twitter rules. :o)

take care,

Steve xx

Where to find me on the web -
  _______________________
*********************************
*** www.stevelawson.net - site
*** http://steve.anthropiccollective.org - blog
*** www.myspace.com/solobassstevelawson
*** www.reverbnation.com/stevelawson
*** www.twitter.com/solobasssteve
*** http://www.youtube.com/user/StevieSteve46 - loads of new video  
here! 
--Apple-Mail-8-978233176
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div style=3D"font-size: 11px; font-family: =
Verdana, Arial, Helvetica, sans-serif; ">Oh yes, Loopettes, you read =
that right, TWO delicious free albums - volumes one and two in the =
'Lessons Learned =46rom An Aged Feline' series.<br><br>Part 1 can be had =
from Last.fm -<a =
href=3D"http://www.last.fm/music/Steve+Lawson/Lessons+Learnt+From+An+Aged+=
Feline+Pt+I" style=3D"font-size: 11px; color: rgb(255, 102, 0); =
font-style: normal; font-family: verdana, sans-serif; text-decoration: =
none; =
">http://www.last.fm/music/Steve+Lawson/Lessons+Learnt+From+An+Aged+Feline=
+Pt+I</a><br><br>for Part 2, you have to go to&nbsp;<a =
href=3D"http://www.reverbnation.com/stevelawson" style=3D"font-size: =
11px; color: rgb(255, 102, 0); font-style: normal; font-family: verdana, =
sans-serif; text-decoration: none; =
">http://www.reverbnation.com/stevelawson</a>&nbsp;- and sign up for the =
mailing list there, then you can download all of that one =
too!&nbsp;<br><br>Anyway, that's about two hours of lovely tunes for =
you!<br><br>enjoy - feel free to post reviews, links, tweets and spread =
the word!&nbsp;<br><br>Sorry I've not been around here much of late =
(just in case any of you noticed :o) I've been very active on my blog of =
late - have a look at&nbsp;<a =
href=3D"http://steve.anthropiccollective.org/" style=3D"font-size: 11px; =
color: rgb(255, 102, 0); font-style: normal; font-family: verdana, =
sans-serif; text-decoration: none; =
">http://steve.anthropiccollective.org</a>&nbsp;for more on that. And on =
Twitter. Twitter rules. :o)&nbsp;<br><br>take care,<br><br>Steve =
xx<br><br>Where to find me on the web =
-<br>&nbsp;_______________________<br>*********************************<br=
>***&nbsp;<a href=3D"http://www.stevelawson.net/" style=3D"font-size: =
11px; color: rgb(255, 102, 0); font-style: normal; font-family: verdana, =
sans-serif; text-decoration: none; ">www.stevelawson.net</a>&nbsp;- =
site<br>***&nbsp;<a href=3D"http://steve.anthropiccollective.org/" =
style=3D"font-size: 11px; color: rgb(255, 102, 0); font-style: normal; =
font-family: verdana, sans-serif; text-decoration: none; =
">http://steve.anthropiccollective.org</a>&nbsp;- blog<br>***&nbsp;<a =
href=3D"http://www.myspace.com/solobassstevelawson" style=3D"font-size: =
11px; color: rgb(255, 102, 0); font-style: normal; font-family: verdana, =
sans-serif; text-decoration: none; =
">www.myspace.com/solobassstevelawson</a><br>***&nbsp;<a =
href=3D"http://www.reverbnation.com/stevelawson" style=3D"font-size: =
11px; color: rgb(255, 102, 0); font-style: normal; font-family: verdana, =
sans-serif; text-decoration: none; =
">www.reverbnation.com/stevelawson</a><br>***&nbsp;<a =
href=3D"http://www.twitter.com/solobasssteve" style=3D"font-size: 11px; =
color: rgb(255, 102, 0); font-style: normal; font-family: verdana, =
sans-serif; text-decoration: none; =
">www.twitter.com/solobasssteve</a><br>***&nbsp;<a =
href=3D"http://www.youtube.com/user/StevieSteve46" style=3D"font-size: =
11px; color: rgb(255, 102, 0); font-style: normal; font-family: verdana, =
sans-serif; text-decoration: none; =
">http://www.youtube.com/user/StevieSteve46</a>&nbsp;- loads of new =
video here!&nbsp;</div></div></body></html>=

--Apple-Mail-8-978233176--

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---------- Forwarded message ----------
From: Gregory Schultz <yerathrall@yahoo.com>
Date: 30 Mar 2008 22:10
Subject: UNSUBSCRIBE
To: Loopers-Delight@loopers-delight.com

UNSUBSCRIBE



RELIGION is for people who believe there is a hell:
SPIRITUALITY is for those who've already BEEN THERE.



      ____________________________________________________________________________________
No Cost - Get a month of Blockbuster Total Access now. Sweet deal for Yahoo!
users and friends.
http://tc.deals.yahoo.com/tc/blockbuster/text1.com

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<br><br>---------- Forwarded message ----------<br><span class="gmail_quote">From: <b class="gmail_sendername">Gregory Schultz</b> &lt;<a href="mailto:yerathrall@yahoo.com">yerathrall@yahoo.com</a>&gt;<br>Date: 30 Mar 2008 22:10<br>
Subject: UNSUBSCRIBE<br>To: <a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br><br></span>UNSUBSCRIBE<br> <br> <br> <br> RELIGION is for people who believe there is a hell:<br>
 SPIRITUALITY is for those who&#39;ve already BEEN THERE.<br> <br><br> <br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;____________________________________________________________________________________<br> No Cost - Get a month of Blockbuster Total Access now. Sweet deal for Yahoo! users and friends.<br>
 <a href="http://tc.deals.yahoo.com/tc/blockbuster/text1.com">http://tc.deals.yahoo.com/tc/blockbuster/text1.com</a><br> <br> 

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 00:07:31 2008
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From: Sean Mormelo <sean@seanmormelo.com>
Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
Date: Mon, 31 Mar 2008 01:31:24 +0300
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oh shit here we go with this again.....Yes i'm saying it..DJ's are  
sound artists but a Musician as such entails playing a musical  
instrument. That is the difference. Many DJ's are MUCH more artistic  
then many musicians. :)

On Mar 31, 2008, at 1:01 AM, Ricky Graham wrote:

> FAO: tilmann,
>
> Are you saying DJ's aren't musician's? It's somewhat ignorant to  
> make such a generalisation! I know of many DJ's who are very  
> musical about their work, and are more musical than many so-called  
> "musicians." If I have taken what you said out of context, apologies.
>
> Ricky
> From: Tilmann Dehnhard
> To: Loopers-Delight@loopers-delight.com
> Sent: Sunday, March 30, 2008 10:56 PM
> Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
>
> ... Its the non musician youngsters that will bring the next  
> breakthrough in music, and we will be too old and miserable to  
> notice...
>
> the non musicians already changed the face of our earth musicwise  
> quite some time ago - they are called DJs...
>
> tilmann
>
>
>
>
> No virus found in this incoming message.
> Checked by AVG.
> Version: 7.5.519 / Virus Database: 269.22.1/1349 - Release Date:  
> 29/03/2008 17:02

Sean Mormelo
sean@seanmormelo.com
www.seanmormelo.com
www.myspace.com/seanmormelo





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
 oh shit here we go with this again.....Yes i'm saying it..DJ's are =
sound artists but a Musician as such entails playing a musical =
instrument. That is the difference. Many DJ's are MUCH more artistic =
then many musicians. :)<div><br><div><div>On Mar 31, 2008, at 1:01 AM, =
Ricky Graham wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div><font face=3D"Arial" =
size=3D"2">FAO: tilmann,</font></div><div><font face=3D"Arial" =
size=3D"2"></font>=A0</div><div><font face=3D"Arial" size=3D"2">Are you =
saying DJ's aren't musician's? It's somewhat ignorant to make such a =
generalisation! I know of many DJ's who are very musical about their =
work, and are more musical than many so-called "musicians." If I have =
taken what you said out of context, apologies.</font></div><div><font =
face=3D"Arial" size=3D"2"></font>=A0</div><div><font face=3D"Arial" =
size=3D"2">Ricky</font></div><blockquote style=3D"padding-right: 0px; =
padding-left: 5px; margin-left: 5px; border-left-color: rgb(0, 0, 0); =
border-left-width: 2px; border-left-style: solid; margin-right: 0px; =
"><div style=3D"background-image: initial; background-repeat: initial; =
background-attachment: initial; -webkit-background-clip: initial; =
-webkit-background-origin: initial; background-color: rgb(228, 228, =
228); font: normal normal normal 10pt/normal arial; background-position: =
initial initial; "><b>From:</b><span =
class=3D"Apple-converted-space">=A0</span><a =
title=3D"tilmann@dehnhard.com" =
href=3D"mailto:tilmann@dehnhard.com">Tilmann Dehnhard</a></div><div =
style=3D"font: normal normal normal 10pt/normal arial; "><b>To:</b><span =
class=3D"Apple-converted-space">=A0</span><a =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></div><div style=3D"font: normal normal normal =
10pt/normal arial; "><b>Sent:</b><span =
class=3D"Apple-converted-space">=A0</span>Sunday, March 30, 2008 10:56 =
PM</div><div style=3D"font: normal normal normal 10pt/normal arial; =
"><b>Subject:</b><span class=3D"Apple-converted-space">=A0</span>Re: HOW =
MANY LOOPS DO YOU USE SIMLUTANEOUSLY?</div><div><br></div><div>... Its =
the non musician youngsters that will bring the next breakthrough in =
music, and we will be too old and miserable to =
notice...</div><div>=A0</div><div><font face=3D"Arial" size=3D"2">the =
non musicians already changed the face of our earth musicwise quite some =
time ago - they are called DJs...</font></div><div><font face=3D"Arial" =
size=3D"2"></font>=A0</div><div><font face=3D"Arial" =
size=3D"2">tilmann</font></div><div><br><br></div><div><br =
class=3D"khtml-block-placeholder"></div><hr><div><br =
class=3D"khtml-block-placeholder"></div>No virus found in this incoming =
message.<br>Checked by AVG.<span =
class=3D"Apple-converted-space">=A0</span><br>Version: 7.5.519 / Virus =
Database: 269.22.1/1349 - Release Date: 29/03/2008 =
17:02<br></blockquote></span></blockquote></div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
border-spacing: 0px 0px; color: rgb(0, 0, 0); font-family: Helvetica; =
font-size: 12px; font-style: normal; font-variant: normal; font-weight: =
normal; letter-spacing: normal; line-height: normal; text-align: auto; =
-khtml-text-decorations-in-effect: none; text-indent: 0px; =
-apple-text-size-adjust: auto; text-transform: none; orphans: 2; =
white-space: normal; widows: 2; word-spacing: 0px; "><div>Sean =
Mormelo</div><div><a =
href=3D"mailto:sean@seanmormelo.com">sean@seanmormelo.com</a></div><div>ww=
w.seanmormelo.com</div><div>www.myspace.com/seanmormelo</div><div><br =
class=3D"khtml-block-placeholder"></div><div><br =
class=3D"khtml-block-placeholder"></div><br =
class=3D"Apple-interchange-newline"></span> =
</div><br></div></body></html>=

--Apple-Mail-9-975818014--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 00:19:46 2008
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To: <Loopers-Delight@loopers-delight.com>
References: <013401c89188$5c859fe0$6701a8c0@dayglogreen> <005401c8920a$b5abc2c0$6601a8c0@americas.hpqcorp.net> <00d301c8920d$db844cd0$6601a8c0@americas.hpqcorp.net> <9ab0c76f0803301210w2c03c572pc42267777fe9b582@mail.gmail.com> <003601c892b0$dedc2d50$19b2a8c0@netzrechner> <015501c892b1$ad2d1a20$4001a8c0@STUDIO1> <2475B48C-0219-4CA3-9284-05ED599BDEC2@seanmormelo.com>
Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
Date: Mon, 31 Mar 2008 01:19:40 +0100
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Hi Tilmann,

I understand what you're saying. I wasn't having a go, just that I =
believe DJ's can be 'musical' with their art. Some might believe a =
turntable to be an instrument? Just a thought..

Cheers,

Ricky
  ----- Original Message -----=20
  From: Sean Mormelo=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, March 30, 2008 11:31 PM
  Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?


  oh shit here we go with this again.....Yes i'm saying it..DJ's are =
sound artists but a Musician as such entails playing a musical =
instrument. That is the difference. Many DJ's are MUCH more artistic =
then many musicians. :)


  On Mar 31, 2008, at 1:01 AM, Ricky Graham wrote:


    FAO: tilmann,

    Are you saying DJ's aren't musician's? It's somewhat ignorant to =
make such a generalisation! I know of many DJ's who are very musical =
about their work, and are more musical than many so-called "musicians." =
If I have taken what you said out of context, apologies.

    Ricky
      From: Tilmann Dehnhard
      To: Loopers-Delight@loopers-delight.com
      Sent: Sunday, March 30, 2008 10:56 PM
      Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?


      ... Its the non musician youngsters that will bring the next =
breakthrough in music, and we will be too old and miserable to notice...

      the non musicians already changed the face of our earth musicwise =
quite some time ago - they are called DJs...

      tilmann






-------------------------------------------------------------------------=
-



      No virus found in this incoming message.
      Checked by AVG.=20
      Version: 7.5.519 / Virus Database: 269.22.1/1349 - Release Date: =
29/03/2008 17:02



  Sean Mormelo
  sean@seanmormelo.com
  www.seanmormelo.com
  www.myspace.com/seanmormelo










-------------------------------------------------------------------------=
-----


  No virus found in this incoming message.
  Checked by AVG.=20
  Version: 7.5.519 / Virus Database: 269.22.1/1349 - Release Date: =
29/03/2008 17:02

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Tilmann,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I understand what you're saying. I =
wasn't having a=20
go, just that I believe DJ's can be 'musical' with their art. Some=20
might&nbsp;believe a turntable&nbsp;to be&nbsp;an instrument? Just a=20
thought..</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cheers,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsean@seanmormelo.com =
href=3D"mailto:sean@seanmormelo.com">Sean=20
  Mormelo</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, March 30, 2008 =
11:31=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: HOW MANY LOOPS DO =
YOU USE=20
  SIMLUTANEOUSLY?</DIV>
  <DIV><BR></DIV>oh shit here we go with this again.....Yes i'm saying =
it..DJ's=20
  are sound artists but a Musician as such entails playing a musical =
instrument.=20
  That is the difference. Many DJ's are MUCH more artistic then many =
musicians.=20
  :)
  <DIV><BR>
  <DIV>
  <DIV>On Mar 31, 2008, at 1:01 AM, Ricky Graham wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2; webkit-border-horizontal-spacing: 0px; =
webkit-border-vertical-spacing: 0px; webkit-text-decorations-in-effect: =
none; webkit-text-size-adjust: auto; webkit-text-stroke-width: 0">
    <DIV><FONT face=3DArial size=3D2>FAO: tilmann,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Are you saying DJ's aren't =
musician's? It's=20
    somewhat ignorant to make such a generalisation! I know of many DJ's =
who are=20
    very musical about their work, and are more musical than many =
so-called=20
    "musicians." If I have taken what you said out of context,=20
    apologies.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
      <DIV=20
      style=3D"FONT: 10pt arial; BACKGROUND-COLOR: rgb(228,228,228); =
webkit-background-clip: initial; webkit-background-origin: =
initial"><B>From:</B><SPAN=20
      class=3DApple-converted-space>&nbsp;</SPAN><A =
title=3Dtilmann@dehnhard.com=20
      href=3D"mailto:tilmann@dehnhard.com">Tilmann Dehnhard</A></DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B><SPAN=20
      class=3DApple-converted-space>&nbsp;</SPAN><A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A></DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B><SPAN=20
      class=3DApple-converted-space>&nbsp;</SPAN>Sunday, March 30, 2008 =
10:56=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B><SPAN=20
      class=3DApple-converted-space>&nbsp;</SPAN>Re: HOW MANY LOOPS DO =
YOU USE=20
      SIMLUTANEOUSLY?</DIV>
      <DIV><BR></DIV>
      <DIV>... Its the non musician youngsters that will bring the next=20
      breakthrough in music, and we will be too old and miserable to=20
      notice...</DIV>
      <DIV>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>the non musicians already changed =
the face of=20
      our earth musicwise quite some time ago - they are called=20
      DJs...</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>tilmann</FONT></DIV>
      <DIV><BR><BR></DIV>
      <DIV><BR class=3Dkhtml-block-placeholder></DIV>
      <HR>

      <DIV><BR class=3Dkhtml-block-placeholder></DIV>No virus found in =
this=20
      incoming message.<BR>Checked by AVG.<SPAN=20
      class=3DApple-converted-space>&nbsp;</SPAN><BR>Version: 7.5.519 / =
Virus=20
      Database: 269.22.1/1349 - Release Date: 29/03/2008=20
    17:02<BR></BLOCKQUOTE></SPAN></BLOCKQUOTE></DIV><BR>
  <DIV><SPAN class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2; border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto">
  <DIV>Sean Mormelo</DIV>
  <DIV><A =
href=3D"mailto:sean@seanmormelo.com">sean@seanmormelo.com</A></DIV>
  <DIV>www.seanmormelo.com</DIV>
  <DIV>www.myspace.com/seanmormelo</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV><BR=20
  class=3DApple-interchange-newline></SPAN></DIV><BR></DIV>
  <P>
  <HR>

  <P></P>No virus found in this incoming message.<BR>Checked by AVG.=20
  <BR>Version: 7.5.519 / Virus Database: 269.22.1/1349 - Release Date:=20
  29/03/2008 17:02<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 00:29:12 2008
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <013401c89188$5c859fe0$6701a8c0@dayglogreen> <005401c8920a$b5abc2c0$6601a8c0@americas.hpqcorp.net> <00d301c8920d$db844cd0$6601a8c0@americas.hpqcorp.net> <9ab0c76f0803301210w2c03c572pc42267777fe9b582@mail.gmail.com>
Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
Date: Sun, 30 Mar 2008 18:29:14 -0600
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That's too bad. I'm sorry you misinterpreted my post, Mark. /K

----- Original Message -----=20


  ... Kris,=20
  I really found your post about mastering the guitar your ability, =
skills and superior knowledge, very po-faced and rather disgusting and =
surprising coming from you! I do acknowledge that you have some quite =
considerable skill in some kind of Jazz style guitar and you are someone =
with real devotion to the experimental side of things that I applaud!
  But really... this was self congratulatory and condescending.

  You whined:
  Albeit, for artists who have not mastered their instruments, who are
  intermediate players, and are not comfortable playing solo or looping =
with
  just one accompanying loop, creating a wall of sound with loops, based =
on
  more basic and easily executable parts, is an relatively easy way for =
them
  to sound "better" or more accomplished than they really are. I know =
this
  will likely irritate or offend some beginner loopers, but it's the =
fact of
  the matter, and something looping technology has allowed.=20

  I was irritated and offended by that, and Ive been playing for 38 =
years, played over a thousand gigs, and was on this list before you even =
had a delay pedal... (sic)

  What IS it with people that they have to go on and on about skill, and =
talent and ability... Did PUNK mean NOTHING to you guys...??? We=B4re =
all getting on a bit on this list now, and NOW comes the danger that =
with wives and kids and mortgages, we sit back and pull out all those =
old King Crimson albums, going "nothing like the old stuff is there..."=20

  Now Im not saying that letting a loop build and build till the =
ubiquitous wall of noise is really terribly interesting, no no, I keep =
MY loops very thin, prefering subs undo=B4s and inserts to overdubs, but =
blimey... I never thought LD would get so Muso!!! I hear alot of talk =
about REALLY FUCKING expensive bits of kit, and frankly wonder how some =
of you afford to keep changing it , upgrading it and buying the latest =
thing... I know I can=B4t (although my modular synth is a bit of a money =
pit - dont tell the wife) and I despair... well... this is rambling =
now... Ive gone off the point a bit... not only a bad guitarist, but a =
bad writer... sorry...

  I don't mean to have a go specifically at you Kris, i respect alot of =
what you have done, but please stop the... "Oh the Youngsters have a lot =
to learn" talk... Its the non musician youngsters that will bring the =
next breakthrough in music, and we will be too old and miserable to =
notice...


  Mark...


  PS: Anyone got a torrent for Altares Auto Tune??






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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>That's too bad. I'm sorry you =
misinterpreted my=20
post, Mark. /K</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV><FONT face=3DArial size=3D2></FONT><BR></DIV>... Kris, <BR>I =
really found=20
  your post about mastering the guitar your ability, skills and superior =

  knowledge, very po-faced and rather disgusting and surprising coming =
from you!=20
  I do acknowledge that you have some quite considerable skill in some =
kind of=20
  Jazz style guitar and you are someone with real devotion to the =
experimental=20
  side of things that I applaud!<BR>But really... this was self =
congratulatory=20
  and condescending.<BR><BR>You whined:<BR>Albeit, for artists who have =
not=20
  mastered their instruments, who are<BR>intermediate players, and are =
not=20
  comfortable playing solo or looping with<BR>just one accompanying =
loop,=20
  creating a wall of sound with loops, based on<BR>more basic and easily =

  executable parts, is an relatively easy way for them<BR>to sound =
"better" or=20
  more accomplished than they really are. I know this<BR>will likely =
irritate or=20
  offend some beginner loopers, but it's the fact of<BR>the matter, and=20
  something looping technology has allowed. <BR><BR>I was irritated and =
offended=20
  by that, and Ive been playing for 38 years, played over a thousand =
gigs, and=20
  was on this list before you even had a delay pedal... =
(sic)<BR><BR>What IS it=20
  with people that they have to go on and on about skill, and talent and =

  ability... Did PUNK mean NOTHING to you guys...??? We=B4re all getting =
on a bit=20
  on this list now, and NOW comes the danger that with wives and kids =
and=20
  mortgages, we sit back and pull out all those old King Crimson albums, =
going=20
  "nothing like the old stuff is there..." <BR><BR>Now Im not saying =
that=20
  letting a loop build and build till the ubiquitous wall of noise is =
really=20
  terribly interesting, no no, I keep MY loops very thin, prefering subs =
undo=B4s=20
  and inserts to overdubs, but blimey... I never thought LD would get so =
Muso!!!=20
  I hear alot of talk about REALLY FUCKING expensive bits of kit, and =
frankly=20
  wonder how some of you afford to keep changing it , upgrading it and =
buying=20
  the latest thing... I know I can=B4t (although my modular synth is a =
bit of a=20
  money pit - dont tell the wife) and I despair... well... this is =
rambling=20
  now... Ive gone off the point a bit... not only a bad guitarist, but a =
bad=20
  writer... sorry...<BR><BR>I don't mean to have a go specifically at =
you Kris,=20
  i respect alot of what you have done, but please stop the... "Oh the=20
  Youngsters have a lot to learn" talk... Its the non musician =
youngsters that=20
  will bring the next breakthrough in music, and we will be too old and=20
  miserable to notice...<BR><BR><BR>Mark...<BR><BR><BR>PS: Anyone got a =
torrent=20
  for Altares Auto =
Tune??<BR><BR><BR><BR><BR><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0172_01C89293.F4EE39C0--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 00:31:09 2008
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To: Loopers-Delight@loopers-delight.com
References: <013401c89188$5c859fe0$6701a8c0@dayglogreen> <005401c8920a$b5abc2c0$6601a8c0@americas.hpqcorp.net> <00d301c8920d$db844cd0$6601a8c0@americas.hpqcorp.net> <9ab0c76f0803301210w2c03c572pc42267777fe9b582@mail.gmail.com> <DB3E33C3-1C84-45DD-B5CE-F681DF835EA4@btinternet.com> <9ab0c76f0803301504g71e0aee7y1eede49acef47180@mail.gmail.com>
Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
Date: Sun, 30 Mar 2008 18:31:11 -0600
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It happens to all of us: emotion over-rules logic.  It gets me all of =
the time!    Absolutely no offense taken on my side...not a tid bid. =
I'll read more tonight, once my little ones are in bed. :)

Kris


----- Original Message -----=20



  You know... I re read what I wrote and realise I was a tad aggressive =
there... sorry Kris... My son fell down the stairs today and we had to =
take him to Casualty... I'm probably a bit on-edge.
  I don't really take back what I said, Im afraid that all the really =
interesting music I have seen has been done by relatively unskillful =
musicians, with great ideas and commitment, and most great =
instrumentalists I know make boring music.
  But I must learn to be careful how I phrase things so as to not get =
myself in trouble...=20
  I must learn to be careful how I phrase things so as to not get myself =
in trouble...=20
  I must learn to be careful how I phrase things so as to not get myself =
in trouble...=20
  I must learn to be careful how I phrase things so as to not get myself =
in trouble...=20
  I must learn to be careful how I phrase things so as to not get myself =
in trouble...=20
  I must learn to be careful how I phrase things so as to not get myself =
in trouble...=20
  I must learn to be careful how I phrase things so as to not get myself =
in trouble...=20
  I must learn to be careful how I phrase things so as to not get myself =
in trouble...=20
  I must learn to be careful how I phrase things so as to not get myself =
in trouble...

  oh... and that dig about loopers with too much money... that also =
appeared to be directed at Kris, but wasnt. Im really talking about that =
I would like to see more really in depth discussion between loopers =
about their current set-ups and tools (which we do get) and less of =
the... "well I dont know how to solve your problem cos thats a pedal you =
are talking about, BUT I USE this program running inside this program =
one a super fast and expensive mac and have spent months programming =
extra bits and bobs cos its really doesn't work right out of the box so =
you will never be able to do what I achieve so you might as well "

  shit.. ranting again... go to bed Mark

  m
    
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.3268" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>It happens to all of us: emotion =
over-rules=20
logic.&nbsp; It gets me all of the time!&nbsp;&nbsp; &nbsp;Absolutely no =
offense=20
taken on my side...not a tid bid. I'll read more tonight, once my little =
ones=20
are in bed. :)</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black">&nbsp;</DIV>
  <DIV><BR></DIV>You know... I re read what I wrote and realise I was a =
tad=20
  aggressive there... sorry Kris... My son fell down the stairs today =
and we had=20
  to take him to Casualty... I'm probably a bit on-edge.<BR>I don't =
really take=20
  back what I said, Im afraid that all the really interesting music I =
have seen=20
  has been done by relatively unskillful musicians, with great ideas and =

  commitment, and most great instrumentalists I know make boring =
music.<BR>But I=20
  must learn to be careful how I phrase things so as to not get myself =
in=20
  trouble... <BR>I must learn to be careful how I phrase things so as to =
not get=20
  myself in trouble... <BR>I must learn to be careful how I phrase =
things so as=20
  to not get myself in trouble... <BR>I must learn to be careful how I =
phrase=20
  things so as to not get myself in trouble... <BR>I must learn to be =
careful=20
  how I phrase things so as to not get myself in trouble... <BR>I must =
learn to=20
  be careful how I phrase things so as to not get myself in trouble... =
<BR>I=20
  must learn to be careful how I phrase things so as to not get myself =
in=20
  trouble... <BR>I must learn to be careful how I phrase things so as to =
not get=20
  myself in trouble... <BR>I must learn to be careful how I phrase =
things so as=20
  to not get myself in trouble...<BR><BR>oh... and that dig about =
loopers with=20
  too much money... that also appeared to be directed at Kris, but =
wasnt. Im=20
  really talking about that I would like to see more really in depth =
discussion=20
  between loopers about their current set-ups and tools (which we do =
get) and=20
  less of the... "well I dont know how to solve your problem cos thats a =
pedal=20
  you are talking about, BUT I USE this program running inside this =
program one=20
  a super fast and expensive mac and have spent months programming extra =
bits=20
  and bobs cos its really doesn't work right out of the box so you will =
never be=20
  able to do what I achieve so you might as well "<BR><BR>shit.. ranting =

  again... go to bed Mark<BR><BR>m<BR>&nbsp; </BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_018D_01C89294.3A957E70--

From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 00:32:14 2008
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From: "Krispen Hartung" <khartung@cableone.net>
To: Loopers-Delight@loopers-delight.com
References: <013401c89188$5c859fe0$6701a8c0@dayglogreen> <005401c8920a$b5abc2c0$6601a8c0@americas.hpqcorp.net> <00d301c8920d$db844cd0$6601a8c0@americas.hpqcorp.net> <9ab0c76f0803301210w2c03c572pc42267777fe9b582@mail.gmail.com> <003601c892b0$dedc2d50$19b2a8c0@netzrechner> <015501c892b1$ad2d1a20$4001a8c0@STUDIO1> <2475B48C-0219-4CA3-9284-05ED599BDEC2@seanmormelo.com>
Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
Date: Sun, 30 Mar 2008 18:32:17 -0600
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Grab your seats and get ready for the roller coaster joy ride!  Yeeee =
Hahhhh! =20
  ----- Original Message -----=20


  oh shit here we go with this again.....Yes i'm saying it..DJ's are =
sound artists but a Musician as such entails playing a musical =
instrument. That is the difference. Many DJ's are MUCH more artistic =
then many musicians. :)


  On Mar 31, 2008, at 1:01 AM, Ricky Graham wrote:


    FAO: tilmann,

    Are you saying DJ's aren't musician's? It's somewhat ignorant to =
make such a generalisation! I know of many DJ's who are very musical =
about their work, and are more musical than many so-called "musicians." =
If I have taken what you said out of context, apologies.

    Ricky
      From: Tilmann Dehnhard
      To: Loopers-Delight@loopers-delight.com
      Sent: Sunday, March 30, 2008 10:56 PM
      Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?


      ... Its the non musician youngsters that will bring the next =
breakthrough in music, and we will be too old and miserable to notice...

      the non musicians already changed the face of our earth musicwise =
quite some time ago - they are called DJs...

      tilmann






-------------------------------------------------------------------------=
-



      No virus found in this incoming message.
      Checked by AVG.=20
      Version: 7.5.519 / Virus Database: 269.22.1/1349 - Release Date: =
29/03/2008 17:02



  Sean Mormelo
  sean@seanmormelo.com
  www.seanmormelo.com
  www.myspace.com/seanmormelo








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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY=20
style=3D"WORD-WRAP: break-word; webkit-nbsp-mode: space; =
webkit-line-break: after-white-space"=20
bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Grab your seats and get ready for the =
roller=20
coaster joy ride!&nbsp; Yeeee Hahhhh!&nbsp; </FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV style=3D"FONT: 10pt arial"><BR>&nbsp;</DIV>oh shit here we go =
with this=20
  again.....Yes i'm saying it..DJ's are sound artists but a Musician as =
such=20
  entails playing a musical instrument. That is the difference. Many =
DJ's are=20
  MUCH more artistic then many musicians. :)
  <DIV><BR>
  <DIV>
  <DIV>On Mar 31, 2008, at 1:01 AM, Ricky Graham wrote:</DIV><BR=20
  class=3DApple-interchange-newline>
  <BLOCKQUOTE type=3D"cite"><SPAN class=3DApple-style-span=20
    style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
LETTER-SPACING: normal; BORDER-COLLAPSE: separate; orphans: 2; widows: =
2; webkit-border-horizontal-spacing: 0px; =
webkit-border-vertical-spacing: 0px; webkit-text-decorations-in-effect: =
none; webkit-text-size-adjust: auto; webkit-text-stroke-width: 0">
    <DIV><FONT face=3DArial size=3D2>FAO: tilmann,</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Are you saying DJ's aren't =
musician's? It's=20
    somewhat ignorant to make such a generalisation! I know of many DJ's =
who are=20
    very musical about their work, and are more musical than many =
so-called=20
    "musicians." If I have taken what you said out of context,=20
    apologies.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>Ricky</FONT></DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: rgb(0,0,0) 2px solid; MARGIN-RIGHT: 0px">
      <DIV=20
      style=3D"FONT: 10pt arial; BACKGROUND-COLOR: rgb(228,228,228); =
webkit-background-clip: initial; webkit-background-origin: =
initial"><B>From:</B><SPAN=20
      class=3DApple-converted-space>&nbsp;</SPAN><A =
title=3Dtilmann@dehnhard.com=20
      href=3D"mailto:tilmann@dehnhard.com">Tilmann Dehnhard</A></DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B><SPAN=20
      class=3DApple-converted-space>&nbsp;</SPAN><A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A></DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B><SPAN=20
      class=3DApple-converted-space>&nbsp;</SPAN>Sunday, March 30, 2008 =
10:56=20
      PM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B><SPAN=20
      class=3DApple-converted-space>&nbsp;</SPAN>Re: HOW MANY LOOPS DO =
YOU USE=20
      SIMLUTANEOUSLY?</DIV>
      <DIV><BR></DIV>
      <DIV>... Its the non musician youngsters that will bring the next=20
      breakthrough in music, and we will be too old and miserable to=20
      notice...</DIV>
      <DIV>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>the non musicians already changed =
the face of=20
      our earth musicwise quite some time ago - they are called=20
      DJs...</FONT></DIV>
      <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
      <DIV><FONT face=3DArial size=3D2>tilmann</FONT></DIV>
      <DIV><BR><BR></DIV>
      <DIV><BR class=3Dkhtml-block-placeholder></DIV>
      <HR>

      <DIV><BR class=3Dkhtml-block-placeholder></DIV>No virus found in =
this=20
      incoming message.<BR>Checked by AVG.<SPAN=20
      class=3DApple-converted-space>&nbsp;</SPAN><BR>Version: 7.5.519 / =
Virus=20
      Database: 269.22.1/1349 - Release Date: 29/03/2008=20
    17:02<BR></BLOCKQUOTE></SPAN></BLOCKQUOTE></DIV><BR>
  <DIV><SPAN class=3DApple-style-span=20
  style=3D"WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: =
none; COLOR: rgb(0,0,0); TEXT-INDENT: 0px; WHITE-SPACE: normal; =
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2; border-spacing: 0px 0px; khtml-text-decorations-in-effect: none; =
apple-text-size-adjust: auto">
  <DIV>Sean Mormelo</DIV>
  <DIV><A =
href=3D"mailto:sean@seanmormelo.com">sean@seanmormelo.com</A></DIV>
  <DIV>www.seanmormelo.com</DIV>
  <DIV>www.myspace.com/seanmormelo</DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV>
  <DIV><BR class=3Dkhtml-block-placeholder></DIV><BR=20
  =
class=3DApple-interchange-newline></SPAN></DIV><BR></DIV></BLOCKQUOTE></B=
ODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 01:05:45 2008
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Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
Date: Sun, 30 Mar 2008 19:05:47 -0600
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> You know... I re read what I wrote and realise I was a tad aggressive 
> there... sorry Kris... My son fell down the stairs today and we had to 
> take him to Casualty... I'm probably a bit on-edge.

KH: I hope your son is alright, Mark. I know how that goes...nerve racking.

> I don't really take back what I said, Im afraid that all the really 
> interesting music I have seen has been done by relatively unskillful 
> musicians, with great ideas and commitment, and most great 
> instrumentalists I know make boring music. But I must learn to be careful 
> how I phrase things so as to not get myself in trouble...
I must learn to be careful how I phrase things so as to not get myself in 
trouble...
[clip]

KH: Yet, when I re-read my statement, I don't think I said anything that an 
intermediate player would not admit if they did some soul searching. In 
fact, they are things I would have admited a while back, and still do admit 
when it comes to recording moder jazz in the studio, in one take. (sorry, 
can't do it to the leve of someone like John Stowell, John McLaughlin, 
Abercombie, etc....I'm not there).  How many intermediate players ARE 
comfortable playing solo where everything they do is exposed. How many 
intermediate players wouldn't admit that building a lot of loops and layers 
with more basic parts that they are capable of playing boosts their 
confidence and allows their output to sound more accomplished that if they 
tried it on their one, in one shot?    I don't see anything 
anti-commonsensical about any of this....it's all human nature.  Why would 
there be any shame in admiting that looping technology allows one to do 
things that he/she can't do solo, on his/her own?  Is there anything wrong 
with this? If one has no shame, then what's the rub? Maybe you inserted 
words inside my paragraph, suggesting I was placing judgement and saying 
something is wrong with this.  I don't think there is anything wrong with 
it. I think it is a fact within the looping community.

> oh... and that dig about loopers with too much money... that also appeared 
> to be directed at Kris, but wasnt. Im really talking about that I would 
> like to see more really in depth discussion between loopers about their 
> current set-ups and tools (which we do get) and less of the... "well I 
> dont know how to solve your problem cos thats a pedal you are talking 
> about, BUT I USE this program running inside this program one a super fast 
> and expensive mac and have spent months programming extra bits and bobs 
> cos its really doesn't work right out of the box so you will never be able 
> to do what I achieve so you might as well "

KH: Understood, man.

shit.. ranting again... go to bed Mark

m

Kris 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 03:47:30 2008
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From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT \(posting\)" <Loopers-Delight@loopers-delight.com>
Cc: "Y2K LOOPFEST SAVES" <y2k6loopfest@yahoo.com>,
        "Mr Dick" <purplehand@hotmail.com>,
        "Rick Walker/Loop.pooL" <looppool@cruzio.com>
Subject: SUBMISSIONS   Y2K8 INTERNATIONAL LIVE LOOPING FESTIVAL
Date: Sun, 30 Mar 2008 20:45:23 -0700
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Kevin Kissinger wrote:

"One of the highlights of 2007 was the Y2K7 Live Looping festival.  I
really want to participate in 2008 -- do we have any word on a 2008
festival yet?  I heard rumors that it will be in Pittsburgh, PA...:

Because I have produced this festival for the past 8 years and because I am
leaving on a long 10 week tour of Scandinavia, Germany and the British Isles
in May,     I had seriously discussed the possibility of farming out the
festival to Pittsburgh this year.

Unfortunately,  it just didn't work out after we put some serious thought 
and
advanced work into it.

So............. I have decided to produce the Y2K8 LOOP FESTIVAL
 in Santa Cruz again this year  on October 18th and 19th.

some changes this year:

There probably will NOT be a Friday night concert like last year unless I 
score a really big
headliner (Bill Frisell,  David Torn,  Imogen Heap, Kellar Williams or 
someone of that stature)
but I reserve the right to change my mind at the last minute (smile)  and 
there
won't be additional bay area gigs.

I feel a little badly about this because I"ve always tried to get gigs for 
our travelling headliners in
past years to make their stays more memorable,  but it's just gotten to be 
too much work
to juggle this enormous responsibility every year (especially in a year 
where I 'm already
juggling gigs in 10 countries ahead of time).  I will, however,  open up to 
my booking information
to travelling loopers so they can book gigs around the event.

Additionally,  there is a strong possibility that there will be
a Southern California version of the Y2K8 International Live Looping 
Festival
the weekend after the Santa Cruz main festival.     I'll wait for the 
promoter of that event
to officially announce it with details in his own time.


I, unfortunately,  just do not have the time to make the festival be as 
elaborate or as large as it
has been in the past years due to time contraints  (it took me 4 1/2 months 
to produce
in 2006 and it took me 6 months to produce in 2007),

so what I'm going to do is this:

I am going to give priority bookings to the artists who come from furthest 
away
and to artists who have never played the festival in the past first.

Anyone who is interested in participating again this year should download,
read and mail me the official Y2K8 Submission Application.

The mailing address is on the FESTIVAL SUBMISSION APPLICATION FRORM

available here:

http://www.looppool.info/Y2K8submissionAPPLICATION/

Thanks a lot,   yours,  Rick Walker 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 06:40:14 2008
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Date: Mon, 31 Mar 2008 02:40:12 -0400
From: "Todd Pafford" <calenlas@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Cd packaging
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------=_Part_16810_19693405.1206945612540
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Neat origami, but a bit time consuming.  I've always liked this paper case
method.  It's fast and simple making it easy to whip up a case if someone
hands you a caseless CD.

<
http://www.curbly.com/DIY-Maven/posts/680-How-to-Make-a-Folded-Paper-CD-Cas=
e
>

Todd


On Sun, Mar 30, 2008 at 5:34 PM, ditch wrestler <ditchwrestler@yahoo.com>
wrote:

> For those crafty-types, here's some video on how to make your own
> origami-like cd cases from paper.  On the right-hand side of the page are
> videos for different styles of cases.
>
> http://www.instructables.com/id/CD-Case-from-normal-printer-paper./
>
> You could stick one of those nubs Ted K mentioned in the middle of these
> things...
>
>
> the other Ted.
>
>
>
>
> *Daryl Shawn <highhorse@mhorse.com>* wrote:
>
> For my old band's last release, I bought a quantity of brown recycled
> cardboard CD mailers, then had a huge rubber stamp made to my design,
> about eight inches wide. I managed to also find a huge red inking pad,
> then individually stamped each cover. I made two other smaller stamps to
> add a bit more info on the back, put the cd inside in a thin CD
> envelope, and printed the liner notes myself which I also slipped
> inside. They looked great and unique, and were really cheap to make, I
> think the stamp cost me about $30 US and the mailers were less than a
> dollar each. The final package was also easy to mail as they were nearly
> flat.
>
> (Here's a pic of a bunch of them drying - I underinked some for a
> rougher appearance...http://www.mhorse.com/Gfx/snuff_floor.jpg)
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
> > the uline folders are great, but please consider this:
> > the cd may get scratched by the carton when inserting/taking it out.
> > the material is too strong to go through a printer. so you may have to
> > work with glue/stickers or hand painting.
> >
> > smooth looping - tilmann
> >
> >> Someone on one of the lists I'm on (possibly even LD)
> >> posted this a few months back:
> >>
> >
> >
>
>
>
>
> "Indeed, naturally I think that a film should have a beginning, middle,
> and an end =97 but not necessarily in that order." Jean Luc Goddard
>
> ------------------------------
> Special deal for Yahoo! users & friends - No Cost. Get a month of
> Blockbuster Total Access<http://us.rd.yahoo.com/evt=3D47521/*http://tc.de=
als.yahoo.com/tc/blockbuster/text3.com>now
>

------=_Part_16810_19693405.1206945612540
Content-Type: text/html; charset=WINDOWS-1252
Content-Transfer-Encoding: quoted-printable
Content-Disposition: inline

Neat origami, but a bit time consuming.&nbsp; I&#39;ve always liked this pa=
per case method.&nbsp; It&#39;s fast and simple making it easy to whip up a=
 case if someone hands you a caseless CD.<br><br>&lt;<a href=3D"http://www.=
curbly.com/DIY-Maven/posts/680-How-to-Make-a-Folded-Paper-CD-Case">http://w=
ww.curbly.com/DIY-Maven/posts/680-How-to-Make-a-Folded-Paper-CD-Case</a>&gt=
;<br>
<br>Todd<br><br><br><div class=3D"gmail_quote">On Sun, Mar 30, 2008 at 5:34=
 PM, ditch wrestler &lt;<a href=3D"mailto:ditchwrestler@yahoo.com">ditchwre=
stler@yahoo.com</a>&gt; wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; p=
adding-left: 1ex;">
For those crafty-types, here&#39;s some video on how to make your own origa=
mi-like cd cases from paper.&nbsp; On the right-hand side of the page are v=
ideos for different styles of cases.<br> <br><a href=3D"http://www.instruct=
ables.com/id/CD-Case-from-normal-printer-paper./" target=3D"_blank">http://=
www.instructables.com/id/CD-Case-from-normal-printer-paper./</a><br>
<br>You could stick one of those nubs Ted K mentioned in the middle of thes=
e things...<br><br><br>the other Ted.<div><div></div><div class=3D"Wj3C7c">=
<br><br><br><br><b><i>Daryl Shawn &lt;<a href=3D"mailto:highhorse@mhorse.co=
m" target=3D"_blank">highhorse@mhorse.com</a>&gt;</i></b> wrote:<blockquote=
 style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; paddin=
g-left: 5px;">
 For my old band&#39;s last release, I bought a quantity of brown recycled =
<br>cardboard CD mailers, then had a huge rubber stamp made to my design, <=
br>about eight inches wide. I managed to also find a huge red inking pad, <=
br>
then individually stamped each cover. I made two other smaller stamps to <b=
r>add a bit more info on the back, put the cd inside in a thin CD <br>envel=
ope, and printed the liner notes myself which I
 also slipped <br>inside. They looked great and unique, and were really che=
ap to make, I <br>think the stamp cost me about $30 US and the mailers were=
 less than a <br>dollar each. The final package was also easy to mail as th=
ey were nearly <br>
flat.<br><br>(Here&#39;s a pic of a bunch of them drying - I underinked som=
e for a <br>rougher appearance...http://www.mhorse.com/Gfx/snuff_floor.jpg)=
<br><br>Daryl Shawn<br><a href=3D"http://www.swanwelder.com" target=3D"_bla=
nk">www.swanwelder.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br><br>&gt; the uline folders are great, but please con=
sider this:<br>&gt; the cd may get scratched by the carton when inserting/t=
aking it out.<br>
&gt; the material is too strong to go through a printer. so you may have to=
 <br>&gt; work with glue/stickers or hand painting.<br>&gt;<br>&gt; smooth =
looping - tilmann<br>&gt;<br>&gt;&gt; Someone on one of the lists I&#39;m o=
n (possibly even LD)<br>
&gt;&gt; posted this a few months back:<br>&gt;&gt; <br>&gt;<br>&gt;<br><br=
></blockquote><br><br><br></div></div>&quot;Indeed, naturally I think that =
a film should have a beginning, middle, and an end =97 but not necessarily =
in that order.&quot;   Jean Luc Goddard<p>
=20
      </p><hr size=3D"1"><div class=3D"WgoR0d">Special deal for Yahoo! user=
s &amp; friends - <a href=3D"http://us.rd.yahoo.com/evt=3D47521/*http://tc.=
deals.yahoo.com/tc/blockbuster/text3.com" target=3D"_blank">No Cost. Get a =
month of Blockbuster Total Access</a> now</div>
</blockquote></div><br>

------=_Part_16810_19693405.1206945612540--

From vbv@visaeurope.com  Mon Mar 31 09:37:34 2008
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 12:07:25 2008
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From: "Ricky Graham" <rock.guitar.guru@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
References: <000d01c892e1$a62ea1f0$6701a8c0@dayglogreen>
Subject: Re: SUBMISSIONS   Y2K8 INTERNATIONAL LIVE LOOPING FESTIVAL
Date: Mon, 31 Mar 2008 13:07:18 +0100
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Hi Rick,

Would there be a possibility of getting a slot myself?

Thanks,

Ricky
----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>
Cc: "Y2K LOOPFEST SAVES" <y2k6loopfest@yahoo.com>; "Mr Dick" 
<purplehand@hotmail.com>; "Rick Walker/Loop.pooL" <looppool@cruzio.com>
Sent: Monday, March 31, 2008 4:45 AM
Subject: SUBMISSIONS Y2K8 INTERNATIONAL LIVE LOOPING FESTIVAL


> Kevin Kissinger wrote:
>
> "One of the highlights of 2007 was the Y2K7 Live Looping festival.  I
> really want to participate in 2008 -- do we have any word on a 2008
> festival yet?  I heard rumors that it will be in Pittsburgh, PA...:
>
> Because I have produced this festival for the past 8 years and because I 
> am
> leaving on a long 10 week tour of Scandinavia, Germany and the British 
> Isles
> in May,     I had seriously discussed the possibility of farming out the
> festival to Pittsburgh this year.
>
> Unfortunately,  it just didn't work out after we put some serious thought 
> and
> advanced work into it.
>
> So............. I have decided to produce the Y2K8 LOOP FESTIVAL
> in Santa Cruz again this year  on October 18th and 19th.
>
> some changes this year:
>
> There probably will NOT be a Friday night concert like last year unless I 
> score a really big
> headliner (Bill Frisell,  David Torn,  Imogen Heap, Kellar Williams or 
> someone of that stature)
> but I reserve the right to change my mind at the last minute (smile)  and 
> there
> won't be additional bay area gigs.
>
> I feel a little badly about this because I"ve always tried to get gigs for 
> our travelling headliners in
> past years to make their stays more memorable,  but it's just gotten to be 
> too much work
> to juggle this enormous responsibility every year (especially in a year 
> where I 'm already
> juggling gigs in 10 countries ahead of time).  I will, however,  open up 
> to my booking information
> to travelling loopers so they can book gigs around the event.
>
> Additionally,  there is a strong possibility that there will be
> a Southern California version of the Y2K8 International Live Looping 
> Festival
> the weekend after the Santa Cruz main festival.     I'll wait for the 
> promoter of that event
> to officially announce it with details in his own time.
>
>
> I, unfortunately,  just do not have the time to make the festival be as 
> elaborate or as large as it
> has been in the past years due to time contraints  (it took me 4 1/2 
> months to produce
> in 2006 and it took me 6 months to produce in 2007),
>
> so what I'm going to do is this:
>
> I am going to give priority bookings to the artists who come from furthest 
> away
> and to artists who have never played the festival in the past first.
>
> Anyone who is interested in participating again this year should download,
> read and mail me the official Y2K8 Submission Application.
>
> The mailing address is on the FESTIVAL SUBMISSION APPLICATION FRORM
>
> available here:
>
> http://www.looppool.info/Y2K8submissionAPPLICATION/
>
> Thanks a lot,   yours,  Rick Walker
>
>
> -- 
> No virus found in this incoming message.
> Checked by AVG. Version: 7.5.519 / Virus Database: 269.22.1/1350 - Release 
> Date: 30/03/2008 12:32
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 13:08:58 2008
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 14:31:21 2008
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one massivly cheap and fun solution i use is an FM transmitter , i got mine=
 off ebay from hong kong to the uk for about =A36 ($11ish) you just put it =
in the headphone or line out socket of any audio device then use any radio =
tuner (I use really cheap pound land ones connected to amps) in all the oth=
er rooms, I find this great for partys, I can make a playlist on my laptop =
in my bedroom then tune the livingroom/kitchen/bathroom awaterproof radios =
into the transmitters frequency and have the same music all over the house,=
 Ive had some really good feedback about that from guests.
Phill MyOneManBandu, 27 Mar 2008 23:15:18 +0100> From: luca@unguitar.com> T=
o: Loopers-Delight@loopers-delight.com> Subject: OT: transmitting music wit=
h no wires> > Hello dear guys,> this is sure an OT, but I am sure I can get=
 some useful informations > from you.> I would like to have the music comin=
g out from my living room hi-fi ( I > am an old man) transmitted to another=
 set of loudspeakers in a different > room.> There is something like that m=
ade for headphones and I was wondering if > a thing like this exists for a =
regular amp+loudspeaker system.> > thanks for you minutes,> luca> www.ungui=
tar.com>=20
_________________________________________________________________
Get Hotmail on your mobile. Text MSN to 63463 now!
http://mobile.uk.msn.com/pc/mail.aspx=

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one massivly cheap and fun solution i use is an FM transmitter , i got mine=
 off ebay from hong kong to the uk for about =A36 ($11ish) you just put it =
in the headphone or line out socket of any audio device then use any radio =
tuner (I use really cheap pound land ones connected to amps) in all the oth=
er rooms, I find this great for partys, I can make a playlist on my laptop =
in my bedroom then tune the livingroom/kitchen/bathroom awaterproof radios =
into the transmitters frequency and have the same music all over the house,=
 Ive had some really good feedback about that from guests.<BR>
Phill MyOneManBand<BR><BR>u, 27 Mar 2008 23:15:18 +0100<BR>&gt; From: luca@=
unguitar.com<BR>&gt; To: Loopers-Delight@loopers-delight.com<BR>&gt; Subjec=
t: OT: transmitting music with no wires<BR>&gt; <BR>&gt; Hello dear guys,<B=
R>&gt; this is sure an OT, but I am sure I can get some useful informations=
 <BR>&gt; from you.<BR>&gt; I would like to have the music coming out from =
my living room hi-fi ( I <BR>&gt; am an old man) transmitted to another set=
 of loudspeakers in a different <BR>&gt; room.<BR>&gt; There is something l=
ike that made for headphones and I was wondering if <BR>&gt; a thing like t=
his exists for a regular amp+loudspeaker system.<BR>&gt; <BR>&gt; thanks fo=
r you minutes,<BR>&gt; luca<BR>&gt; www.unguitar.com<BR>&gt; <BR><BR><br />=
<hr />A prize an hour, 24 hours a day. <a href=3D'http://www.bigsnapsearch.=
com
=20
' target=3D'_new'>Try Big Snap now!</a></body>
</html>=

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Subject: Mutiple speaker possibilities
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=20

=20

Hal Dean

=20


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<p class=3DMsoNormal><i><span style=3D'font-family:"Palatino =
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color:#1F497D'>Hal Dean</span></i></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 14:49:09 2008
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At 12:22 PM +0100 3/30/08, Andr=E9 Pires wrote:
>the song remains the same
>
>---------- Forwarded message ----------
>From: jason casatelli <<mailto:m80records@gmail.com>m80records@gmail.com>
>Date: 29 Mar 2008 19:44
>Subject: unsubscribe
>To:=20
><mailto:Loopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delight=
=2Ecom
>
>unsubscribe


-- 

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com

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<div>At 12:22 PM +0100 3/30/08, Andr=E9 Pires wrote:</div>
<blockquote type=3D"cite" cite>the song remains the same<br>
<br>
---------- Forwarded message ----------<br>
=46rom:<b> jason casatelli</b> &lt;<a
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From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 15:10:15 2008
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Subject: Multiple Speaker possibilities
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In the process of assembling a "get out the house" rig, I just put my =
Layla 24 audio breakout box in a rack and now ponder sending the 8 =
analog outputs to separate small speakers. It is clear how to do that if =
you have lots of cash, don't mind lugging lots of stuff around, and will =
be playing venues with power outlets all over the place. None of that, =
however, applies.

=20

The sounds would be coming from a laptop running Mobius inside Bidule, =
with some softsynth/samplers (Halion, Absynth) as well as one channel of =
processed guitar fed into Mobius and both these inputs as well as the =
Mobius loops sent to the 8 outs. I have a PC1600x that I can use to =
adjust volume and balance on each of the 8 channels. The outputs are all =
on =BC" cable.

=20

The second channel of processed guitar goes to a guitar amp.

=20

The target venue is a small club, say capacity of 100.

=20

Does anyone have suggestions regarding small powered speakers for this =
setup? I'm hoping to spend less than $50 per speaker.=20

=20

Hal Dean

=20


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<div class=3DSection1>

<p class=3DMsoNormal><span style=3D'color:#1F497D'>In the process of =
assembling a &#8220;get
out the house&#8221; rig, I just put my Layla 24 audio breakout box in a =
rack
and now ponder sending the 8 analog outputs to separate small speakers. =
It is
clear how to do that if you have lots of cash, don&#8217;t mind lugging =
lots of
stuff around, and will be playing venues with power outlets all over the =
place.
None of that, however, applies.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'color:#1F497D'>The sounds would be =
coming from
a laptop running Mobius inside Bidule, with some softsynth/samplers =
(Halion,
Absynth) as well as one channel of processed guitar fed into Mobius and =
both these
inputs as well as the Mobius loops sent to the 8 outs. I have a PC1600x =
that I can
use to adjust volume and balance on each of the 8 channels. The outputs =
are all
on =BC&#8221; cable.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'color:#1F497D'>The second channel of =
processed
guitar goes to a guitar amp.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'color:#1F497D'>The target venue is a =
small club,
say capacity of 100.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'color:#1F497D'>Does anyone have =
suggestions
regarding small powered speakers for this setup? I&#8217;m hoping to =
spend less
than $50 per speaker. <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><i><span style=3D'font-family:"Palatino =
Linotype","serif";
color:#1F497D'>Hal Dean</span></i></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

</html>

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From: "Lyle Crilly" <lyle@musicmarketing.ca>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
Date: Mon, 31 Mar 2008 10:24:18 -0400
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------=_NextPart_000_0001_01C89319.620417C0
Content-Type: text/plain;
	charset="us-ascii"
Content-Transfer-Encoding: quoted-printable

I use Reaktor in my set-up synced to a old Jamman via midi, in Reaktor I
have 3 loopers as well as the Jamman, so technically I could use 4 loops =
at
once to add layers, and then mute parts for different parts of the song, =
but
really I only ever use about 2 loops at once. I find doing 3 or more =
gets
way too confusing.

=20

__________________________________________

Lyle Crilly


From: Krispen Hartung [mailto:khartung@cableone.net]=20
Sent: Sunday, March 30, 2008 8:32 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?

=20

Grab your seats and get ready for the roller coaster joy ride!  Yeeee
Hahhhh! =20

----- Original Message -----=20


=20

oh shit here we go with this again.....Yes i'm saying it..DJ's are sound
artists but a Musician as such entails playing a musical instrument. =
That is
the difference. Many DJ's are MUCH more artistic then many musicians. :) =


=20

On Mar 31, 2008, at 1:01 AM, Ricky Graham wrote:





FAO: tilmann,

=20

Are you saying DJ's aren't musician's? It's somewhat ignorant to make =
such a
generalisation! I know of many DJ's who are very musical about their =
work,
and are more musical than many so-called "musicians." If I have taken =
what
you said out of context, apologies.

=20

Ricky

From: Tilmann <mailto:tilmann@dehnhard.com>  Dehnhard

To: Loopers-Delight@loopers-delight.com

Sent: Sunday, March 30, 2008 10:56 PM

Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?

=20

... Its the non musician youngsters that will bring the next =
breakthrough in
music, and we will be too old and miserable to notice...

=20

the non musicians already changed the face of our earth musicwise quite =
some
time ago - they are called DJs...

=20

tilmann

=20

=20


  _____ =20


=20

No virus found in this incoming message.
Checked by AVG.=20
Version: 7.5.519 / Virus Database: 269.22.1/1349 - Release Date: =
29/03/2008
17:02

=20



Sean Mormelo

sean@seanmormelo.com

www.seanmormelo.com

www.myspace.com/seanmormelo

=20

=20





=20


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<meta name=3DGenerator content=3D"Microsoft Word 10 (filtered)">

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</head>

<body bgcolor=3Dwhite lang=3DEN-US link=3Dblue vlink=3Dblue =
style=3D'WORD-WRAP: break-word;
webkit-nbsp-mode: space;webkit-line-break: after-white-space'>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I use Reaktor in my set-up synced =
to a old
Jamman via midi, in Reaktor I have 3 loopers as well as the Jamman, so
technically I could use 4 loops at once to add layers, and then mute =
parts for
different parts of the song, but really I only ever use about 2 loops at =
once.
I find doing 3 or more gets way too confusing&#8230;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<div>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>____________________________________=
______</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Lyle Crilly</span></font></p>

</div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma'><br>
<b><span style=3D'font-weight:bold'>From:</span></b> Krispen Hartung
[mailto:khartung@cableone.net] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> </span></font><font =
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>Sunday, March
 30, 2008</span></font><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'> </span></font><font size=3D2 face=3DTahoma><span
 style=3D'font-size:10.0pt;font-family:Tahoma'>8:32 =
PM</span></font><font size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'><br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: HOW MANY =
LOOPS DO YOU
USE SIMLUTANEOUSLY?</span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>&nbsp;</span></font></p>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>Grab your seats and get =
ready for
the roller coaster joy ride!&nbsp; Yeeee Hahhhh!&nbsp; =
</span></font></p>

</div>

<blockquote style=3D'border:none;border-left:solid black =
1.5pt;padding:0in 0in 0in 4.0pt;
margin-left:3.75pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'=
>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>----- Original Message =
----- </span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'><br>
&nbsp;</span></font></p>

</div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>oh shit here we go with this again.....Yes =
i'm saying
it..DJ's are sound artists but a Musician as such entails playing a =
musical
instrument. That is the difference. Many DJ's are MUCH more artistic =
then many
musicians. :) </span></font></p>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>&nbsp;</span></font></p>

<div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'>On </span></font>Mar 31, 2008, at 1:01 AM, =
Ricky Graham wrote:</p>

</div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'><br>
<br>
</span></font></p>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'><span
style=3D'orphans: 2;widows: 2;webkit-border-horizontal-spacing: =
0px;webkit-border-vertical-spacing: 0px;
webkit-text-decorations-in-effect: none;webkit-text-size-adjust: auto;
webkit-text-stroke-width: 0;word-spacing:0px'>FAO: =
tilmann,</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;</span>=
</font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'>Are you
saying DJ's aren't musician's? It's somewhat ignorant to make such a
generalisation! I know of many DJ's who are very musical about their =
work, and
are more musical than many so-called &quot;musicians.&quot; If I have =
taken
what you said out of context, apologies.</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;</span>=
</font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'>Ricky</span></fo=
nt></p>

</div>

<blockquote style=3D'border:none;border-left:solid black =
1.5pt;padding:0in 0in 0in 4.0pt;
margin-left:3.75pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'=
>

<div style=3D'webkit-background-clip: initial;webkit-background-origin: =
initial'>

<p class=3DMsoNormal =
style=3D'margin-left:.5in;background:#E4E4E4'><b><font size=3D2
color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:black;font-weight:bold'>From:</span></font></b><span
class=3Dapple-converted-space><font size=3D2 color=3Dblack =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial;color:black'>&nbsp;</span></f=
ont></span><font
size=3D2 color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:black'><a href=3D"mailto:tilmann@dehnhard.com" =
title=3D"tilmann@dehnhard.com">Tilmann
Dehnhard</a></span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><b><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black;
font-weight:bold'>To:</span></font></b><span =
class=3Dapple-converted-space><font
size=3D2 color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:black'>&nbsp;</span></font></span><font size=3D2 color=3Dblack =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial;color:black'><a
href=3D"mailto:Loopers-Delight@loopers-delight.com"
title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a></span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><b><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black;
font-weight:bold'>Sent:</span></font></b><span =
class=3Dapple-converted-space><font
size=3D2 color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:black'>&nbsp;</span></font></span><font size=3D2 color=3Dblack =
face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial;color:black'>Sunday, March =
30, 2008</span></font><font
size=3D2 color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:black'> </span></font><font size=3D2 color=3Dblack =
face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial;color:black'>10:56 =
PM</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><b><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black;
font-weight:bold'>Subject:</span></font></b><span =
class=3Dapple-converted-space><font
size=3D2 color=3Dblack face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;
color:black'>&nbsp;</span></font></span><font size=3D2 color=3Dblack =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial;color:black'>Re: HOW MANY =
LOOPS DO
YOU USE SIMLUTANEOUSLY?</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;</span>=
</font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>...
Its the non musician youngsters that will bring the next breakthrough in =
music,
and we will be too old and miserable to notice...</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;</span>=
</font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'>the non
musicians already changed the face of our earth musicwise quite some =
time ago -
they are called DJs...</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;</span>=
</font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'>tilmann</span></=
font></p>

</div>

<div>

<p class=3DMsoNormal =
style=3D'margin-right:0in;margin-bottom:12.0pt;margin-left:
.5in'><font size=3D1 color=3Dblack face=3DHelvetica><span =
style=3D'font-size:9.0pt;
font-family:Helvetica;color:black'>&nbsp;</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;</span>=
</font></p>

</div>

<div class=3DMsoNormal align=3Dcenter =
style=3D'margin-left:.5in;text-align:center'><font
size=3D1 color=3Dblack face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:
Helvetica;color:black'>

<hr size=3D2 width=3D"100%" align=3Dcenter>

</span></font></div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;</span>=
</font></p>

</div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>No
virus found in this incoming message.<br>
Checked by AVG.<span class=3Dapple-converted-space>&nbsp;</span><br>
Version: 7.5.519 / Virus Database: 269.22.1/1349 - Release Date: =
</span></font><font size=3D1 color=3Dblack face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;
 color:black'>29/03/2008</span></font><font size=3D1 color=3Dblack =
face=3DHelvetica><span
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'> =
17:02</span></font></p>

</blockquote>

</div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'></span>&nbsp;</span></font></p>

<div><span style=3D'orphans: 2;widows: 2;border-spacing: 0px =
0px;khtml-text-decorations-in-effect: none;
apple-text-size-adjust: auto;word-spacing:0px'>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>Sean
Mormelo</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'><a
href=3D"mailto:sean@seanmormelo.com">sean@seanmormelo.com</a></span></fon=
t></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>www.seanmorme=
lo.com</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>www.myspace.c=
om/seanmormelo</span></font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;</span>=
</font></p>

</div>

<div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'>&nbsp;</span>=
</font></p>

</div>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D1 =
color=3Dblack
face=3DHelvetica><span =
style=3D'font-size:9.0pt;font-family:Helvetica;color:black'><br>
<br>
</span></font></p>

</div>

</span>

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From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 15:23:27 2008
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Date: Mon, 31 Mar 2008 17:23:24 +0200
From: "Per Boysen" <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Multiple Speaker possibilities
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On Mon, Mar 31, 2008 at 5:10 PM, Dean, Hal <HDean@wcupa.edu> wrote:
>
> In the process of assembling a "get out the house" rig, I just put my Lay=
la
> 24 audio breakout box in a rack and now ponder sending the 8 analog outpu=
ts
> to separate small speakers. It is clear how to do that if you have lots o=
f
> cash, don't mind lugging lots of stuff around, and will be playing venues
> with power outlets all over the place. None of that, however, applies.
>
>
>
> The sounds would be coming from a laptop running Mobius inside Bidule, wi=
th
> some softsynth/samplers (Halion, Absynth) as well as one channel of
> processed guitar fed into Mobius and both these inputs as well as the Mob=
ius
> loops sent to the 8 outs. I have a PC1600x that I can use to adjust volum=
e
> and balance on each of the 8 channels. The outputs are all on =BC" cable.
>
>
>
> The second channel of processed guitar goes to a guitar amp.
>
>
>
> The target venue is a small club, say capacity of 100.
>
> Does anyone have suggestions regarding small powered speakers for this
> setup? I'm hoping to spend less than $50 per speaker.
>
> Hal Dean


Have you considered enting optimal speakers fore each show? That may
make better sounding shows and save you some money. It just seems
unnecessarily expensive top keep eight speakers stuffed away somewhere
between shows.

--=20
Greetings from Sweden

Per Boysen
www.boysen.se (Swedish)
www.looproom.com (international)
www.stockholm-athens.com

From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 17:07:13 2008
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Date: Mon, 31 Mar 2008 09:36:25 -0700
To: Loopers-Delight@loopers-delight.com
From: Sean Echevarria <sean.loop@creepingfog.com>
Subject: Democratization of the Music Industry
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Another article on the future of the music industry:
http://www.huffingtonpost.com/jeff-price/the-democratization-of-th_b_93065.html

(via slashdot http://yro.slashdot.org/article.pl?sid=08/03/31/0120247&from=rss )

From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 17:43:32 2008
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Date: Mon, 31 Mar 2008 12:43:26 -0500
From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: HOW MANY LOOPS DO YOU USE SIMLUTANEOUSLY?
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Quoting Rick Walker <looppool@cruzio.com>:
>
>
> How many loops do us use simultaneously?
>
Thus far, I have used up to four stereo loops at once.
>
> And why?
>
1) Routing possibilities

I can route independent loops to different positions in the surround-field.

2) Echo possibilities

I like to play to multiple loops of different lengths with zero =20
feedback (plays back only once).  For example, if one loop is four =20
measures long and another is eight measures long, and if one is panned =20
left and the other panned right, then my signal plays from the left =20
four four measures and then from the right for another four measures.  =20
Thus, I can construct three voice canons.

3) Reverse layering possibilities

I can "unlayer" a loop part by part rather than being forced to =20
unlayer (fade out) everything at once.

I use multiple loops to "spread out" the material across the loops.  =20
As the number of loops increase, the amount of material on each loop =20
tends to decrease to avoid what I call a "grey" effect.

The "grey effect" is inspired from water color painting.  If you mix =20
one or two colors you can get interesting effects but when too many =20
colors are mixed it just turns a non-descript grey.  When I put =20
together looping works, I struggle to maintain the independence of the =20
parts.  To maintain clarity is a constant challenge.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Mon Mar 31 21:19:27 2008
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From: "Rainer Thelonius Balthasar Straschill" <rs@moinlabs.de>
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I'd like to ask the original poster (who was that again) how to count loops
in that context?

Some definitions I've seen explicitly or implicitly in the replies so far
for "number of loops"

a) the number of separate recordings (e.g. if using a "simple" looper like a
DL4 and overdub twenty times onto your first loop, you got 21 loops) - nb:
it's kinda tricky to find the exact number of simultaneous loops here if
feedback <1.

b) the number of individual tracks in one loop that is otherwise operated as
one (think Repeater OS 1.x)

c) the number of independent loops which cannot sound at the same time
(think EDP)

d) the number of independent loops which can sound at the same time (think
e.g. Mobius or Looperlative)

	Rainer

ps: I usually stretch to the limit of what the looper in use has to offer,
though not necessarily all the time. That means e.g. four by definition b)
with a Repeater, two by definition d) with a DD20 etc. And I totally agree
that stacking a lot of loops (and in that context, it's irrelevant whether
by a), b) or d) definition) requires careful thinking about the arrangement.
Although, Kevin, I remember that mixing lots of water colors gives you more
a brown color than a grey one...

